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II
113th CONGRESS
1st Session
S. 397
IN THE SENATE OF THE UNITED STATES
February 27, 2013
Mr. Nelson (for himself,
Ms. Collins, Mrs. Gillibrand, and Mr.
Schumer) introduced the following bill; which was read twice and
referred to the Committee on Banking,
Housing, and Urban Affairs
A BILL
To posthumously award a Congressional Gold
Medal to Lena Horne in recognition of her achievements and contributions to
American culture and the civil rights movement.
1.
Short title
This Act may be cited as the
Lena Horne Recognition
Act.
2.
Findings
The Congress finds as follows:
(1) Lena Mary Calhoun Horne was born on June
30, 1917, in Brooklyn, New York. At the age of 16, Lena Horne was hired as a
dancer in the chorus of Harlem’s famous Cotton Club, where she was introduced
to such legendary jazz performers as Duke Ellington, Cab Calloway, Count Basie,
Ethel Waters, and Billie Holiday.
(2) In 1940, she became one of the first
African-American women to perform with an all-White band when she toured with
Charlie Barnet’s jazz band as its featured singer.
(3) She was discovered by a Metro-Goldwyn-Mayer
(MGM) talent scout and became the first African-American artist to sign a
long-term contract with a major studio.
(4) Despite her extraordinary beauty and
talent, Lena Horne was often limited to minor acting roles because of her
race.
(5) Scenes in which she did sing were cut out
when they were sent to local distributors in the South and studio executives
cast another actress as Julie in the film version of Show Boat
instead of Lena Horne because they did not want the show to star an
African-American actress. However, Lena Horne dazzled audiences and critics in
a number of films, including Cabin in the Sky and Stormy
Weather.
(6) During World War II, Lena Horne toured
extensively with the United Service Organizations (USO) on the West Coast and
in the South in support of the troops and expressed outrage about the way
African-American soldiers were treated.
(7) She refused to sing for segregated
audiences or to groups in which German prisoners of war were seated in front of
African-American servicemen.
(8) During the period of McCarthyism in the
1950s, Lena Horne was blacklisted as a communist for 7 years because of her
civil rights activism and friendship with Paul Robeson and W.E.B. Du
Bois.
(9) In 1957, Lena Horne recorded Lena Horne at
the Waldorf-Astoria, which reached the Top 10 and became the best-selling album
by a female singer in RCA Victor’s history.
(10) Lena Horne rose to international stardom
and toured the world, sharing the stage with such names as Count Basie, Tony
Bennett, Billy Eckstine, Vic Damone, and Harry Belafonte, and also starred in
musical and television specials with such giants as Judy Garland, Bing Crosby,
and Frank Sinatra.
(11) Lena Horne used her fame to become a
powerful voice for civil rights and equality.
(12) In 1963, she participated in the historic
March on Washington for Jobs and Freedom, at which Dr. Martin Luther King, Jr.
delivered his immortal I Have a Dream speech.
(13) Lena Horne also performed at rallies
throughout the country for the National Council for Negro Women and worked with
the National Association for the Advancement of Colored People (NAACP), of
which she was a member from the age of 2, the Delta Sigma Theta sorority, and
the Urban League.
(14) Through the end of the 20th century, Lena
Horne continued to entertain large audiences of all ages and backgrounds. In
1981, she captivated audiences with her one-woman Broadway show, Lena
Horne: The Lady and Her Music, which enjoyed a 14-month run before going
on tour, and earned her a special Tony Award and two Grammy Awards.
(15) In 2002, 73 years after the Academy Awards
were first awarded, Halle Berry became the first African-American woman to win
an Oscar for Best Actress and recognized in her acceptance speech how Lena
Horne paved the way for her and other African-American actresses.
(16) Lena Horne passed away in New York City on
May 9, 2010, at the age of 92.
(17) Lena Horne was an entertainer, activist,
and mother who used her beauty, talent, and intelligence to fight racial
discrimination and injustice and rise to international stardom.
(18) A symbol of elegance and grace, she
entertained people of all walks of life for over 60 years, and broke barriers
for future generations.
3.
Congressional gold medal
(a)
Presentation authorized
The Speaker of the House of Representatives
and the President pro tempore of the Senate shall make appropriate arrangements
for the posthumous presentation, on behalf of the Congress, of a gold medal of
appropriate design in commemoration of Lena Horne in recognition of her
achievements and contributions to American culture and the civil rights
movement.
(b)
Design and striking
For purposes of the presentation referred
to in subsection (a), the Secretary of the Treasury (referred to in this Act as
the Secretary) shall strike a gold medal with suitable emblems,
devices, and inscriptions, to be determined by the Secretary.
4.
Duplicate medals
The Secretary may strike and sell duplicates
in bronze of the gold medal struck pursuant to section 2, under such
regulations as the Secretary may prescribe, at a price sufficient to cover the
cost thereof, including labor, materials, dies, use of machinery, and overhead
expenses, and the cost of the gold medal.
5.
Status of medals
(a)
National medals
The medals struck pursuant to this Act are
national medals for purposes of chapter 51 of title 31, United States
Code.
(b)
Numismatic items
For purposes of section 5134 of title 31,
United States Code, all medals struck under this Act shall be considered to be
numismatic items.
6.
Authority to use fund amounts; proceeds of
sale
(a)
Authority To use fund amounts
There is authorized to be charged against
the United States Mint Public Enterprise Fund, such amounts as may be necessary
to pay for the costs of the medals struck pursuant to this Act.
(b)
Proceeds of sale
Amounts received from the sale of duplicate
bronze medals authorized under section 4 shall be deposited into the United
States Mint Public Enterprise Fund.