,an ,art-,lov]'s ,guide to ! ,exposition
  ,explanations ( ! ,ar*itecture1       
,sculpture & ,mural ,pa9t+s1 ,) a ,guide
 = ,/udy 9 ! ,art ,gall]y    ,by ,%eldon
 ,*5ey    ,b]keley ,at ! ,sign ( !      
,b]keley ,oak #aiae    ,copyright #aiae 
by ,%eldon ,*5ey    ,pr9t$ & ,engrav$ by
 ,sunset ,publi%+ ,h\se ,san ,francisco 
,cont5ts    ,=eword ,! ,ar*itecture &   
,art z a ,:ole ,c\rt ( ,abundance ,c\rt 
( ! ,univ]se ,c\rt ( ! ,f\r ,seasons    
,c\rt ( ,palms & ,c\rt ( ,fl[]s ,t[] (  
,jewels1 & ,f\nta9 ( ,en]gy ,palaces    
,fac+ ! ,av5ue ( ,palms ,palaces ,fac+ !
 ,m>9a1 & ! ,column ( ,progress ,palace 
( ,ma*9]y ,s\? ,g>d5s1 ,fe/ival ,hall1 &
 ,palace ( ,horticulture ,palace ( ,f9e 
,arts ,outdoor ,gall]y ( ,sculpture ,f9e
 ,arts ,gall]ies ,/ate & ,=eign         
,build+s1 & ,scatt]$ ,art ,exhibits     
,index    ,=eword    ,?is h&book is     
design$ to furni% ! in=mation necess>y =
 intellig5t appreciation ( ! purely     
arti/ic features ( ! ,exposition4 ,x is 
plann$ fir/ to expla9 ! symbolism ( !   

ar*itecture1 sculpture & pa9t+2 &       
second1 to po9t out ! special qualities 
t give ea* arti/ic unit its individual  
appeal4 ,x is made = ! intellig5t obs]v]
 :o1 hav+ enjoy$ ! purely ae/hetic      
impression ( ! v>i\s works ( art1 feels 
a legitimate curiosity ab\t _! mean+4   
,ev]y?+ possible has be5 done to make ! 
volume a guide r ?an m]ely a g5]al      
treatise4 ,! *apt] gr\p+s are ! mo/     
obvi\sly s]viceable ones4 ,runn+ heads w
 be f\nd at ! tops ( ! pages1 & !       
sub-head+s & cat*-titles 9 ea* *apt] are
 design$ to make ref]5ce4 to individual 
features z easy z possible4 ,a complete 
index is add$ at ! end4  ,purely        
de/ructive criticism & ridicule h be5   
c>efully avoid$4 ,b if ! writ] did n    
pret5d to a p[] ( arti/ic discrim9ation 
:i* is lack+ 9 ! av]age layman :o has n 
specializ$ 9 art & ar*itecture1 !re w\ld
 be little excuse = prep>+ ! guide4 ,!  
praise & criticism alike are su*1 x is  
hop$1 z w aid ! less practic$ eye to see
 new beauties or to e/abli% s\nd] /&>ds 

( judgm5t4  ,ackn[l$gm5t is made to !   
(ficial ,exposition press bureau =      
c\rtesies receiv$1 & to ^? arti/s :o h  
suppli$ in=mation ab\t _! own "w4 ,=    
obvi\s reasons no mat]ial has be5       
accept$ direct f articles & books       
already publi%$4 ,if c]ta9 explanations 
( ! symbolism seem famili>1 x is only   
because all word+s ( ! ideas e*o !      
arti/s' int]pretations z giv5 out by !  
press bureau4  ,ackn[l$gm5t is due also 
to ! ,c>d9ell-,v9c5t ,company1 (ficial  
photograph]s1 s9ce mo/ ( ! illu/rations 
are f _! pr9ts4  ,s4 ,c4    ,!          
,ar*itecture & ,art z a ,:ole    ,9 !   
art ( ! ,exposition ! great und]ly+ !me 
is t ( a*ievem5t4 ,! ,exposition is be+ 
held to celebrate ! build+ ( ! ,panama  
,canal1 & to exhibit to ! _w evid5ces ( 
! progress ( civilization 9 ! decade    
s9ce ! la/ great exposition-a p]iod     
among ! ri*e/ 9 ! hi/ory ( civilization4
 ,s ! ideas ( victory1 a*ievem5t1       
progress & aspiration are express$ aga9 
& aga93 9 ! ar*itecture ) its triumphal 

ar*es & aspir+ t[]s2 9 ! sculpture t    
br+s ,ea/ & ,we/ face to face1 & t %[s  
y\? ris+ ) ! morn+ sun1 eag] & unafraid2
 & 9 ! mural pa9t+s t portray ! m>* (   
civilization1 & t tell ! /ory ( ! late/ 
& greate/ ( mank9d's triumphs ov]       
nature4 ,b p]haps ! mo/ significant ?+ (
 all is ! wond]fully h>moni\s & unifi$  
effect ( ! :ole1 t te/ifies s spl5didly 
to ! p]fect co-op]ation ( ,am]ican      
ar*itects1 sculptors & pa9t]s4  ,!      
dom9ant note arti/ically is h>mony4 ,at 
no o!r exposition h ! build+s seem$ to  
hold toge!r s well2 & at no o!r has !re 
be5 ! same p]fect unity ( arti/ic       
impression4 ,! ,*icago ,exposition (    
#ahic focus$ ! arti/ic expression ( !   
nation at t "t4 ,x br\ght ab\t ! fir/   
great awak5+ ( ! c\ntry 9 arti/ic       
matt]s1 & x practically revolutioniz$   
,am]ican ar*itecture4 ,! ,/4 ,l\is      
,exposition ( #aijd1 :ile less unifi$ 9 
plan1 gave ano!r great /imulus to       
ar*itecture1 & especially to sculpture4 
,b ! ,panama-,pacific ,exposition %\ld h

 a m f>-rea*+ effect ?an ei!r ( ^!1     
because its great lesson is n 9 ! field 
( any "o art1 b 9 %[+ =? ! imm5se value 
( coord9ation ( all ! arts 9 ! a*ievem5t
 ( a s+le glori\s ideal4 ,! great ?+ "h 
is ! complete h>mony ( purpose1 (       
design1 & ( color1 9 ! comb9$ "w (      
ar*itects1 sculptors1 pa9t]s1 & l&scape 
g>d5]s4 ,! s5sible plan t results 9     
p]fect conv5i5ce 9 gett+ ab\t1 ! clo?+ (
 ?is plan 9 noble & fitt+ ar*itectural  
=ms1 ! use ( sculpture & pa9t+ z an     
integral "p ( ! ar*itectural s*eme1 !   
ty+ 9 ( build+s to site ) appropriate   
plant+1 & ! pull+ toge!r ( ! :ole       
composition ) h>moni\s color-^! are !   
?+s t w leave _! impress on ,am]ican art
 = all "t to come4 ,if ea* /ud5t ( ! art
 ( ! ,exposition takes home ) him an    
und]/&+ ( ! value ( ?is syn!sis1 ( ?is  
co-ord9ation ( ef=t1 he w h ! key to !  
,exposition's mo/ valuable h]itage to ! 
,am]ican p4  ,physically !re are ?ree   
di/9ct p>ts to ! ,exposition3 ! ma9 gr\p
 ( exhibit palaces1 ! ,zone1 & ! /ate & 

=eign build+s4 ,! art-lov] w be conc]n$ 
almo/ entirely ) ! fir/ ( ^!2 =         
arti/ically ! ,zone expresses an>*y1 & !
 /ate & =eign pavilions are giv5 ov]    
almo/ entirely to social & comm]cial    
int]e/s4  ,ar*itecture  ,! ar*itecture (
 ! c5tral gr\p ( palaces & c\rts is a   
notable dep>ture f t ( mo/ ( !          
expositions ( ! pa/4 ,!re are none ( !  
ov] decorat$ facades1 none ( ! biz>re   
exp]im5ts 9 radical /yles1 & little ( ! 
riot ( extrane\s ornam5t1 t h be5       
*>act]i/ic ( typical exposition         
ar*itecture4 ,! :ole _s "h is "o (      
s]i\sness1 ( dignity1 ( p]man5cy4 ,!    
effects are obta9$ by ! use ( long      
unbrok5 l9es1 blank wall spaces1 p]fect 
proportion+1 & a re/ra9$ h& 9           
decoration4 ,color alone is reli$ ^u to 
add ! _s ( gayety )\t :i* ! ar*itecture 
might be too somb] = its joy\s purpose4 
,! gr\nd plan is rem>kable = its p]fect 
symmetry4 ,on ! ma9 ea/ & we/ axis are  
gr\p$ eight palaces1 ab\t ?ree int]ior  
c\rts4 ,at ! ea/ end ! axis is t]m9at$  

by ! ,palace ( ,ma*9]y1 :i* cuts (f !   
ma9 gr\p f ! ,zone4 ,on ! we/ ! axis is 
t]m9at$ by ! ,f9e ,arts ,palace1 :i*    
sep>ates ! c5tral gr\p f ! /ate & =eign 
build+s4 ,! ma9 cross axis is t]m9at$ at
 ! s\? by ! ,t[] ( ,jewels & ! ,f\nta9 (
 ,en]gy1 & at ! nor? by ! ,column (     
,progress on ! ,m>9a4 ,! two m9or cross 
axes end at ! s\? 9 ! ,horticulture     
,palace & ,fe/ival ,hall-! two great    
dom$ /ructures t naturally w\ld sep>ate 
!mselves f ! ma9 plan & at ! nor? ^!    
axes op5 on ! ,m>9a & ! beautiful bay   
view4  ,?is plan is admirably compact4  
,x has ! effect ( a wall$ city1 giv+ a  
s5se ( on5ess f )\t1 & a s5se ( %elt] f 
)94 ,! plan elim9at$ ! usual great      
di/ances betwe5 exhibit halls1 at ! same
 "t provid+ protection aga9/ ! w9ds t   
occasionally sweep ov] ! ,exposition    
area4 ,m important /ill1 ! ?r[+ ( ! f9] 
ar*itectural effects into ! inn] c\rts  
all[$ fre$om 9 individual expression4 ,9
 ! c\rt sy/em ! ar*itects obta9$ unity )
 great v>iety ( /yle1 & h>mony )\t      

monotony4  ,! plan 0 work$ out by a     
commission ( ar*itects4 ,b ! greate/    
cr$it mu/ be giv5 to ,edw>d ,h4 ,b5nett1
 :o fir/ conceiv$ ! wall$-city idea1 &  
:o br\ght 8 long exp]i5ce 9 city-plann+ 
to s]ve 9 det]m9+ ! be/ me?od ( utiliz+ 
! magnific5t site4  ,! /yle (           
ar*itecture _c be summ$ up 9 any "o "n4 
,practically e hi/oric /yle has be5     
drawn ^u1 b !re are v few direct copies 
f old] build+s4 ,! old =ms h be5 us$ )  
new fre$om1 & occasionally ) v m>k$     
orig9ality4 ,z "o looks d[n on ! :ole   
gr\p ( build+s1 ! ,ori5tal feel+        
dom9ates1 due to ! _m ,byzant9e domes4  
,9 ! c\rts & facades ! ,r5aissance      
influ5ce is /ronge/1 usually ,italian1  
occasionally ,spani%4 ,ev5 :]e ! classic
 ,greek & ,roman elem5ts are us$1 !re is
 g5]ally a feel+ ( ,r5aissance fre$om 9 
! decoration4 ,"o c\rt is 9 a wond]ful  
new sort ( ,spani% ,go?ic1 p]fectly     
befitt+ ,cali=nia4 ,9 ! /yles (         
ar*itecture1 z 9 ! symbolism ( pa9t+ &  
sculpture & 9 ! exhibits1 "o feels t !  

,ea/ & ,we/ h met1 ) a new fusion (     
national ideals & =ms4  ,! mat]ial us$ 9
 ! build+s is a composition1 p>tak+ ( ! 
nature ( bo? pla/] & concrete1 made 9   
imitation ( ,trav]t9e1 a mu*-priz$      
build+ m>ble ( ,italy4 ,?is composition 
has ! w>m o*re tone & por\s texture ( ! 
orig9al /one1 ?us avoid+ ! unpleasant   
smoo?ness & gl>e :i* *>act]ize /ucco1 ! 
usual ,exposition mat]ial4  ,sculpture  
,9 "o way m ?an any o!r1 ! sculpture "h 
surpasses t ( o!r expositions3 x is an  
integral "p ( ! l>g] arti/ic conception4
 ,x n only tells its individual /ories  
freely & beautifully1 b x fits p]fectly 
into ! ar*itectural s*eme1 add+ !       
decorative t\* & ! human elem5t )\t :i* 
! ar*itecture w\ld seem b>e4  ,! late   
,k>l ,bitt] 0 *ief ( ! dep>tm5t (       
sculpture1 & al?\gh !re is no s+le      
example ( 8 "w on ! gr\nds1 x 0 he :o1 m
 ?an any o!r1 insi/$ ^u a close         
relation%ip betwe5 ! ar*itecture & !    
sculpture4 ,a4 ,/irl+ ,cald] 0 act+     
*ief1 & he _h *>ge ( ! actual "w (      

enl>g+ ! models ( ! v>i\s gr\ps & plac+ 
ea* "o prop]ly4  ,! mat]ial ( !         
sculptures is ! same z t ( ! build+s1   
,trav]t9e1 ?us add+ to ! close          
relation%ip ( ! two4  ,mural ,pa9t+s  ,!
 mural pa9t+s z a :ole are n s f9e z    
ei!r ! ar*itecture or ! sculpture4 ,!   
reason c be trac$ p]haps to ! fact t    
pa9t+ does n readily b[ to ar*itectural 
limitations4 ,9 ?is case ! arti/s1 ) !  
exception ( ,frank ,brangwyn1 :o pa9t$ !
 canvases = ! ,c\rt ( ,abundance1 7     
limit$ to a palette ( five colors1 9    
ord] t ! panels %\ld h>monize ) ! l>g]  
color s*eme4  ,color  ,nev] be=e 0 !re  
an exposition 9 :i* color play$ su* a   
"p4 ,"h = ! fir/ "t a director ( color 0
 plac$ above ar*itect & sculptor &      
pa9t]4 ,jules ,gu]91 *ief ( color       
decoration1 has said t he w5t to "w j z 
a pa9t] />ts to lay out a great picture1
 e/abli%+ ! w>m buff ( ! build+ walls z 
a gr\nd tone1 & consid]+ ea* dome or t[]
 or portal z a detail :i* %\ld add its  
brilliant or subdu$ note to ! color     

h>mony4 ,n only d ! pa9t+s & sculpture  
take prop] place 9 ! tone s*eme1 b e bit
 ( plant+1 e /rip ( lawn & e b$ ( fl[]s 
or %rubs1 has its duty to p]=m z color  
acc5t or foil4 ,ev5 ! gravel ( ! walks 0
 especially *os5 to %ade 9 ) ! g5]al    
plan4  ,z se5 f ! heights above !       
,exposition-& no visitor %\ld g away )\t
 see+ ?is view-! gr\nds h ! appe>ance ( 
a great ,ori5tal rug4 ,! backgr\nd color
 is w>m buff1 ) v>i\s %ades ( dull r$   
aga9/ x1 acc5t$ by domes & columns (    
pale gre51 ) occasional t\*es ( blue &  
p9k to height5 ! effect4  ,9 ! c\rts !  
columns & out] walls are 9 ! buff1 or   
old ivory1 tone1 :ile ! walls inside !  
colonnades h a l9+ color ( ,pompeian r$2
 ! ceil+s are g5]ally c]ulean blue2 !   
cornices are t\*$ ) orange1 blue & gold2
 & occasional columns ( imitation ,si5a 
m>ble1 & bronz$ /atues1 set (f ! :ole4  
,9 connection ) ! color s*eme1 great    
cr$it mu/ be giv5 to ,john ,mc,laren1   
*ief ( ! dep>tm5t ( l&scape g>d5+1 :o   
has work$ s successfully 9 co-op]ation )

 ar*itects & color director4 ,!         
,exposition is built almo/ entirely on  
fill$ gr\nd1 j reclaim$ f ! bay2 & x 0 a
 colossal task to set out ! hundr$s (   
?\s&s ( fl[]s1 %rubs & trees :i* n[ make
 ! g>d5s seem p]man5t1 & :i* set (f !   
ar*itecture s p]fectly4  ,light+  ,:5   
"o's s\l has be5 dr5*$ all day 9 !      
beauty ( c\rts & palaces & /atues &     
pa9t+s1 dusk is likely to br+ welcome   
re/2 b :5 ! lights beg9 to appe> !re    
comes a new exp]i5ce-a _w made ov]1 &   
yet q z beautiful z ! old4 ,walls are   
lo/ :]e lea/ int]e/+1 bits ( ar*itecture
 are br\ght out 9 relief aga9/ ! velvet 
sky1 & sculptures take on a new s(tness 
& lovel9ess ( =m4 ,"u ! wond]fully      
develop$ sy/em ( indirect illum9ation1  
no nak$ light is se5 by ! eye2 only !   
s(t reflect$ gl[1 int5se :5 desir$1 b   
nev] gl>+4 ,if ?is light+ is n 9 itself 
an art1 x is at lea/ ! in=m+ _s t turns 
prose to poetry1 or ! in/rum5tal        
accompanim5t )\t :i* ! voice ( ! arti/  
w\ld be b half he>d4 ,too mu* cr$it _c  

be giv5 to ! light+ wiz>d ( !           
,exposition1 ,w4 ,d',arcy ,ryan4    ,!  
,c\rt ( ,abundance    ,! ,c\rt (        
,abundance is ! mo/ orig9al1 & p]haps ! 
mo/ consi/5tly beautiful1 ( all !       
,exposition c\rts4 ,no o!r is s cle>ly  
complete 9 itself1 )\t ! intrusion (    
features f surr\nd+ build+s & c\rts4 ,no
 o!r has ! same effect ( cloi/]$        
seclusion p>tly because ea* ( ! o!rs is 
op5 on "o side4 ,& c]ta9ly no o!r       
indicates s cle>ly ! t\* ( ! arti/1 ( ! 
poet-ar*itect1 f ! organic /ructural    
plan to ! f9e/ bit ( detail4 ,ev5 !     
massive c5tral f\nta91 ?\gh conceiv$ 9  
su* diff]5t _s1 has no p[] to dispel !  
almo/ e!real *>m t hov]s ov] ! place4   
,! di/9ctive note ( ! c\rt is "o (      
exquisite ri*ness4 ,z "o ent]s f any    
side ! impression gr[s t ?is is ! mo/   
decorative ( all ! c\rts2 & yet "o is n 
consci\s ( any individual bit (         
decoration z su*4 ,ev]y?+ fits p]fectly3
 ar*es1 t[]1 cornices1 f9ials1 /atues1  
plant+-x all goes to enri* ! "o         

impression4 ,someone has said t ! c\rt  
is n ar*itecture1 b c>v+2 & t sugge/s   
p]fectly ! decorative weal? ( !         
composition4  ,ar*itecture  ,! /yle (   
ar*itecture has be5 guess$ at z ev]y?+ f
 ,romanesque & ,go?ic to ,flamboyant    
,r5aissance & ,moori%4 ,! tru? is t !   
c\rt is a ?or\ghly orig9al conception2 &
 ! ar*itect has clo!d 8 pre-conceiv$    
design 9 =ms t he has borr[$ f all ^!   
/yles z !y happ5$ to suit 8 arti/ic     
purpose4 ,! _s ( ! c\rt is cle>ly       
,go?ic1 due to ! acc5tuation ( ! v]tical
 l9es-& "o w note h[ ! sl5d] cypresses  
help ! ar*itecture to convey ?is        
impression4 ,! r\nd$ ar*es1 modifi$ 9   
feel+ by ! decorative p5d5t lant]ns1 h9t
 ( ! awak5+ ( ! ,r5aissance p]iod 9     
,spa91 dur+ ! ,f\rte5? & ,fifte5?       
,c5turies1 :5 ! v]tical l9es1 &         
decorative leaf & o!r symbolic ornam5ts 
( ! sev]] ,go?ic1 7 s *>m+ly comb9$ )   
classic motives4  ,! ar*itecture "h is  
inspir+ z a symbol ( ! ,am]ican         
melt+-pot4 ,x is a di/9ct & orig9al     

evolution1 recall+ ! great arts (       
,europe1 & yet elud+ classification4 ,! 
c\rt %[s t ! design] 0 ma/] ( ! /yles ( 
! pa/1 b refus$ to be a slave to !m2 at 
! same "t he _h an orig9al conception b 
did n let x run into ! blatant & biz>re4
 ,x is f su* fusions ( individual g5ius 
) ! traditions ( ! pa/ t a di/9ctive    
,am]ican ar*itecture is mo/ likely to   
fl[]4  ,! t[] is a magnific5t bit (     
ar*itectural design4 ,x is massive & yet
 delicate4 ,x dom9ates ! c\rt1 & yet x  
fits p]fectly into ! cloi/]4 ,! ri*     
sculpture is s mu* a "p ( ! decorative  
s*eme t !re is no impression ( !        
/ructure hav+ be5 ornam5t$4 ,"o mu/ se>*
 long 9 ! hi/ories ( ar*itecture to f9d 
a t[] m satisfy+4  ,! ar*itect :o       
design$ ! ,c\rt ( ,abundance is ,l\is   
,*ri/ian ,mullg>dt1 "o ( ! two mo/      
orig9al g5iuses among ,cali=nia's       
ar*itects4  ,x is well to enjoy ?is c\rt
 at fir/ = its beauty alone1 )\t reg>d  
to its ri* symbolism4 ,"o :o has ?us    
consid]$ x1 m]ely z a delight to ! eye1 

usually is surpris$ to f9d t x has a    
deep] und]ly+ mean+ ?an any ( ! o!r     
c\rts4 ,! pres5t "n1 ,c\rt ( ,abundance1
 is n ! orig9al "o4 ,! ar*itect conceiv$
 x z ,! ,c\rt ( ,! ,ages4 ,x is said t !
 ,exposition directors1 = ! r fooli%    
reason t a ,c\rt ( ! ,ages w\ld n fit   
into ! s*eme ( a /rictly contemporane\s 
exposition1 re-*ri/5$ x ,! ,c\rt (      
,abundance4 ,b x is ! =m] "n t sums up !
 ?\ght beh9d ! decorative features4  ,! 
und]ly+ idea is t ( evolution4 ,! t[]   
sculptures1 :i* w be m fully expla9$ 9  
foll[+ p>agraphs1 repres5t successive   
ages 9 ! developm5t ( man-! ,/one ,age1 
! ,m$iaeval ,age1 & ! ,pres5t ,age4 ,!  
decoration ( ! cloi/]s may be tak5 z    
symboliz+ ! evolution ( primitive man f 
! l[] =ms ( life4 ,?us ! ornam5tal g>l&s
 t run up ! sides ( ! ar*es are (       
seawe$1 :ile o!r p>ts ( ! decoration %[ 
crabs1 lob/]s & o!r ( ! l[] =ms ( sea   
life4 ,high] up ! ornam5t includes      
conv5tionaliz$ lilies sugge/ive ( high] 
plant life4 ,& surm\nt+ ! colonnade1 "o 

ov] ea* pi]1 are ! repeat$ figures (    
primitive man & primitive woman4 ,x is  
at ?is height t ! t[] sculptures beg91  
c>ry+ on ! /ory ( man up to ! pres5t    
age4 ,at a level betwe5 ! ,/one ,age    
gr\p & ! ,m$iaeval ,age is a r[ ( cocks1
 symbols ( ! rise ( ,*ri/ianity4 ,p]haps
 ! :ole aspir+ feel+ ( ! c\rt is meant  
to fur!r sugge/ ! upw>d rise ( man-b    
aft] all1 ! purely s5su\s beauty ( !    
ar*itecture is suffici5t to w>rant its  
be+1 )\t any /ra9+ aft] symbolism4      
,sculpture  ,gr\ps on ! ,t[]4 ,! ?ree   
ma9 gr\ps typify ! rise ( man1 &        
especially ! rise ( man's civilization  
?r\gh religion4 ,! l[e/ gr\p1 ov] ! ma9 
ar*1 is call$ ,! ,/one ,age4 ,along !   
base are prehi/oric mon/]s1 & above are 
figures repres5t+ v>i\s phases (        
primitive life1 z a man /rangl+ an      
animal ) 8 h&s1 & a figure t may sugge/ 
! rude beg9n+s ( art or indu/ry4 ,!     
heads indicate a p]iod ( evolution :5   
man 0 n v diff]5t f ! ape2 b ! c5tral   
figures sugge/ ! developm5t ( family    

life1 & a new outlook & a seek+ = some?+
 high]4  ,! middle gr\p1 ,! ,m$iaeval   
,age1 %[s an armor$ figure ) sword &    
%ield1 a crusad] p]haps1 ) ! =ce (      
religion symboliz$ 9 ! prie/ or monk at 
"o side1 & ! =ce ( arms sugge/$ by !    
ar*] at ! o!r1 ^! be+ ! two =ces by :i* 
man 0 ris+ 9 t age4  ,! ?ird & highe/   
gr\p repres5ts ,! ,_s ( ! ,pres5t ,age  
en?ron$4 ,at "o side a *ild holds ! book
 ( le>n+1 :ile at ! o!r a *ild holds !  
:eel ( indu/ry4 ,! gr\p also c>ries     
inevitably a sugge/ion ( mo!rhood4      
,flank+ ! middle gr\p are two figures1 9
 :i* ! :ole idea ( human evolution is   
sugge/$ by a mod]n man & woman outgr[+  
_! old selves4 ,on ! ea/ & we/ faces ( !
 t[] are figures repres5t+ ,?\ght4  ,all
 ! sculpture on ! t[] is by ,*e/] ,bea*4
  ,figures ,surm\nt+ ,colonnade4 ,two   
figures ( ,! ,primitive ,man & "o ( ,!  
,primitive ,woman are repeat$ above !   
cloi/] all ar\nd ! c\rt4 ,! woman c>ries
 a *ild on h] back1 "o man is fe$+ a    
pelican1 & ! o!r is a hunt] return+ ) a 

club 9 "o h& & 8 qu>ry 9 ! o!r4 ,^!     
figures are rem>kably well suit$ to _!  
purpose1 balanc+ "o ano!r exactly2 !y   
are s mu* a "p ( ! decorative s*eme1    
inde$1 t ! av]age p]son is likely to    
ov]look _! m]its z individual /atues4   
,alb]t ,we9]t 0 ! sculptor4  ,! ,wat]   
,sprites4 ,at ! t[] side ( ! c\rt1      
flank+ ! /airway t leads to ! ar*way "u 
! t[]1 are two free-/&+ monum5ts t 7    
design$ z f\nta9s4 ,! orig9al plan call$
 = cascades f bel[ ! ,/one ,age gr\p on 
! t[] to ^! monum5ts4 ,al?\gh !         
elim9ation ( ?is feature made ! c\rt m  
simple & satisfy+ z a :ole1 ! figures ( 
! ,wat] ,sprites 7 left high & dry1 s t 
n[ !re is a c]ta9 incongruity 9 _!      
position4 ,/ill "o may admire ! v       
spirit$ girl ar*]s surm\nt+ ! two       
columns1 ev5 if !y are app>5tly laun*+  
arr[s at _! si/] sprites bel[1 in/ead ( 
into jets ( wat] z 0 int5d$4 ,! figures 
at ! bases ( ! columns1 :ile lack+ !    
grace & ! joy\s v]ve ( ^? above1 /ill   
are v decorative4 ,all are ! "w ( ,leo  

,l5telli4  ,! ,f\nta9 ( ,e>?4 ,9 ! l>ge 
bas9 9 ! c5t] ( ! ,c\rt ( ,abundance is 
,rob]t ,aitk5's ,f\nta9 ( ,e>?4 ,:ile   
pla9ly out ( keep+ ) ! _s ( ! c\rt1 ?is 
is 9 itself "o ( ! mo/ p[]ful & mo/     
int]e/+ sculptural compositions at !    
,exposition4 ,x is deeply intellectual1 
& m ?an any o!r gr\p x requires an      
explanation ( ! symbolism be=e "o c     
appreciate x4  ,! f\nta9 is really 9 two
 compositions4 ,! l>g]1 & c5tral1 "o is 
compos$ ( a globe repres5t+ ! e>?1 ) f\r
 panels ( figures on ! f\r sides1       
repres5t+ c]ta9 ( ! incid5ts ( life on  
e>?1 or c]ta9 riddles ( exi/5ce4 ,!     
second>y composition lies to ! s\? ( !  
c5tral "o1 on ! same p$e/al2 & ?is is   
divid$ into two gr\ps by a =maliz$ w+   
?r\gh ! c5t]4 ,! two sc5es "h repres5t  
life be=e & aft] e>?ly exi/5ce4 ,! two  
huge arms & ! w+ are all t c be se5 (   
,de/9y1 ! =ce ) :i* ! allegorical /ory  
beg9s & ends4  ,to read ! f\nta9 9 prop]
 sequ5ce1 "o mu/ />t ) ! we/ face ( !   
second>y gr\p4 ,?is repres5ts ,! ,beg9n+

 ( ,?+s4 ,! arm ( ,de/9y is call+ =?    
life & po9ts ! way to ! e>?4 ,! ?ree    
wom5 figures next to ! h& %[ ! gradual  
awak5+ f ,oblivion4 ,! adjo9+ two       
figures repres5t ! kiss ( life or (     
love1 & ! woman is hold+ =? to ! e>? !  
*ildr5 creat$ ( t love4 ,! entire gr\p  
on ?is we/ face1 consid]$ 9 relation to 
! ma9 composition1 may be tak5 z        
repres5t+ ! peopl+ ( ! e>?4  ,!re is n[ 
a gap :i* "o mu/ pass ov]1 to rea* !    
,s\? panel ( ! c5tral composition4 ,?is 
gap repres5ts ! lo/ p]iod ( "t betwe5 ! 
peopl+ ( ! e>? & ! beg9n+ ( hi/ory4  ,! 
,s\? panel ( ! ma9 /ructure has z its   
c5tral figure ,vanity ) h] h&-glass4    
,:e!r ! arti/ int5d$ x z a pessimi/ic   
comm5t>y on all human life1 or n1 8     
s]ies ( episodes on e>? beg9s & ends ) !
 figure ( ,vanity4 ,read+ to ! left on  
?is same panel "o sees a man & a woman  
/>t+ ! j\rney ( life on e>?1 app>5tly ) 
suff]+ b c]ta9ly ) c\rage p]haps = !    
sake ( ! *ildr5 !y c>ry4  ,! ,we/ panel 
n[ %[s ! fir/ ( ?ree incid5ts or        

problems ( life on e>?4 ,?is is entitl$ 
,natural ,selection4 ,two wom5 turn to  
"o man :o is cle>ly sup]ior to ! two m5 
!y are leav+4 ,! two :o h be5 spurn$ z  
mates cl+ to ! h&s ( ! wom5 ev5 :ile !y 
are turn+ away4  ,! ,nor? panel         
repres5ts ,! ,survival ( ! ,fitte/4 ,two
 m5 are 9 combat1 ! woman at ! left     
evid5tly to be ! prize ( ! victor4 ,at !
 o!r side a woman tries to draw away "o 
( ! combatants4 ,! sculptor has giv5 ?is
 gr\p a second title1 ,! ,awak5+ ( ! ,w>
 ,_s1 :i* is equally applicable4  ,!    
,ea/ panel is entitl$ ,! ,lesson (      
,life4 ,a "y man & a "y woman turn to   
ea* o!r ?r\gh natural impulse1 :ile an  
old] woman ) ! exp]i5ce ( life attempts 
to c\nsel !m4 ,on ! o!r side an old man 
re/ra9s an impetu\s y\? :o evid5tly w\ld
 fight = ! girl4  ,turn+ ! corn] n[ to !
 ,s\? panel aga91 !re are two figures   
repres5t+ ,lu/ try+ to embrace a        
reluctant woman4 ,!n "o comes to ,vanity
 once m1 & ! /ory ( life on e>? is done4
 ,aga9 !re is a gap1 & ! sc5e leaves !  

e>? = ! unkn[n _w aft] physical dea?4   
,! ,ea/ face ( ! m9or gr\p fir/ %[s !   
figure ( ,gre$1 ) 8 worldly goods n[    
turn$ lit]ally to a ball ( clay 9 8 h&s1
 gaz+ back at e>? 9 puzzlem5t4 ,! next  
two figures %[ ,fai? (f]+ ! hope (      
immortality 7z symboliz$ 9 ! sc>ab7 z   
consolation to a sorr[+ woman4 ,f9ally  
!re are two figures s9k+ back into      
,oblivion1 drawn by ! h& ( ,de/9y4 ,?us 
! cycle f ,oblivion ?r\gh life & back to
 ,oblivion is complet$4  ,9 ! same bas91
 at ! f> s\? end1 is a figure ( ,!      
,sett+ ,sun4 ,?is 0 "p ( ! arti/'s      
conception ( ! ,f\nta9 ( ,e>?1 !        
relation to ! ma9 gr\p be+ f\nd 9 !     
supposition t ! e>? is a mass ?r[n (f by
 ! sun4 ,?us is emphasiz$ ! idea t ! e>?
 & life on e>? are b a v small "p ( !   
wid] unkn[n univ]se & life4  ,at ! f\r  
corn]s ( ! ma9 composition ( ! f\nta91  
sep>at+ ! f\r panels1 are ,h]mae1 t]m9al
 pill>s su* z ! ,greeks & ,romans 7 fond
 (1 decorat$ ) ! head ( ,h]mes1 god (   
b\nd>ies4  ,hav+ work$ out ! /ory1 x is 

well to g back to appreciate ! purely   
ae/hetic qualities ( ! f\nta94 ,note    
especially ! feel+ ( /r5g? 9 ! figures1 
! firm model+1 & ! f9e way 9 :i* !      
figures are gr\p$4 ,! composition ( !   
we/ face ( ! m9or monum5t is especially 
f9e1 & ! v graceful l9es "h make an     
intimate appeal t is n evid5t 9 "s ( !  
o!r gr\ps4 ,! :ole monum5t is au/]e &   
/rongly compell+ r ?an intimately *>m+4 
,if x is ! fir/ duty ( art to make p    
?9k1 ?is is ! mo/ successful bit (      
sculpture on ! gr\nds4  ,mural ,pa9t+s  
,! mural pa9t+s 91 ! ,c\rt ( ,abundance 
consi/ ( eight panels by ,frank         
,brangwyn1 p]haps ! greate/ liv+ mural  
decorator1 plac$ 9 ! f\r corn]s ( !     
cloi/]4 ,?\gh n entirely 9 key ) ! color
 s*eme & n an integral "p ( ! c\rt z a  
:ole1 ^! are di/9ctly ! works ( a ma/]4 
,ultra-le>n$ critics w tell y t !y fail 
z decorations1 s9ce !y are int]e/+ z    
individual pictures r ?an z panels      
height5+ ! ar*itectural *>m4 ,b _! plac+
 %[s cle>ly t !re 0 no int5tion t !y    

%\ld appe> z "p ( ! ar*itectural s*eme4 
,x is bett] to accept !m z pictures1    
=gett+ ! set /&>ds by :i* "o ord9>ily   
judges mural pa9t+4  ,! eight pa9t+s    
repres5t ! elem5ts3 two panels ea* =    
,fire1 ,e>?1 ,air & ,wat]4 ,!re are no  
conv5tional figures "h p]sonify+ !      
elem5ts1 b sc5es f ! life ( int5sely    
human p1 typify+ ! uses to :i* man has  
put ! elem5ts4  ,fire4 ,beg9n+ on ! t[] 
side ( ! c\rt1 at ! nor!a/ corn]1 are ! 
two panels repres5t+ ,fire4 ,! "o on !  
nor? wall is call$ ,primitive ,fire4 ,a 
gr\p ( figures surr\nd a fire1 "s nurs+ 
x & "s hold+ out _! h&s to ! heat1 :ile 
a man at ! back br+s fagots4 ,note !    
color acc5ts 9 ! robes ( ! ?ree /&+     
figures4  ,indu/rial ,fire1 on ! ea/    
wall1 repres5ts ! br++ ( fire into !    
s]vice ( man4 ,9 "s p>ticul>s ?is is    
among ! f9e/ ( ! pa9t+s1 b ! transv]se  
cl\d ( smoke seems to break x awkw>dly4 
,e>? is repres5t$ 9 ! two panels 9 !    
nor?we/ corn]4 ,! "o on ! nor? wall is  
entitl$ ,! ,fruit ,pick]s1 typify+ !    

weal? ( products t man obta9s f ! e>?4  
,?is is p]haps ! ri*e/ ( ! panels1 9 !  
pr(usion ( color & ( allur+ =m4  ,!     
panel on ! we/ wall is ,! ,danc+ ( !    
,grapes1 a v>iation ( ! !me ( ,! ,fruit 
,pick]s4 ,x tells ! /ory ( ! grape3     
above are ! pick]s & ! h>ve/]s )        
baskets2 at ! "r two figures danc+ to   
cru% ! juices f ! grapes2 & 9 ! =egr\nd 
a gr\p ) ! f9i%$ w9e4 ,! confusion (    
figures at fir/ is puzzl+2 b view$      
simply z a spott+ ( bright colors !re is
 no f9] panel among !m all4 ,x is bett] 
to /& well back along ! colonnade1 &    
=gett+ ! subject1 to delight 9 ! purely 
s5su\s impression4  ,air is repres5t$ 9 
! two panels 9 ! s\?we/ corn]4 ,! "o on 
! s\? wall is call$ ,! ,hunt]s4 ,! !me  
is sugge/$ 9 ! idea ( ! arr[s flee+ on !
 w+s ( ! air1 & also by ! flight ( birds
 above4  ,! panel on ! we/ wall is call$
 ,! ,w9dmill4 ,note h[ ! feel+ ( mov+   
air is sugge/$ ev]y:]e3 9 ! skies at !  
back1 9 ! cl\ds & ! kites1 9 ! trees & !
 gra9-field1 9 ! drap]ies1 & ev5 9 !    

figures !mselves t are brac$ aga9/ !    
w9d4 ,! color+ is glori\s1 & !          
composition f9e4 ,! disposition ( masses
 ( light & d>k is notable ! d>k figures 
gr\p$ aga9/ ! gold5 gra91 & ! gold-br[n 
w9dmill aga9/ ! d>k sky4 ,no panel 9 !  
gr\nds w bett] repay int5sive /udy4     
,wat] is repres5t$ 9 ! panels ( ! s\?we/
 corn] ( ! c\rt4 ,! "o on ! s\? wall is 
call$ ,! ,net1 & typifies ! weal? t man 
draws f ! wat]4 ,a gr\p ( fi%]m5 are    
haul+ 9 a net1 & c>ri]s br+ baskets at !
 back4  ,! ,f\nta91 ! panel on ! ea/    
wall1 %[s a gr\p ( p :o h come to fill  
_! j>s at a spr+4 ,! colors "h are s(t]1
 ?\gh q z ri* z else:]e4 ,! l[] half ( !
 pa9t+ is1 inde$1 l a ri*ly color$      
mosaic4  ,aft] exam9+ ,! ,f\nta9 at     
close range x is well to /ep back to !  
middle ( ?is s\? corridor4 ,look fir/ at
 ,! ,w9dmill & !n turn to look aga9 at  
,! ,f\nta94 ,note1 h[1 :5 ! subjects are
 once und]/ood1 ! great di/ance         
increases r ?an decreases ! *>m ( !     
pa9t+s4 ,note especially h[ beautiful   

ea* "o is :5 consid]$ m]ely z a patt]n (
 color4 ,^! two panels1 if n ! f9e/ (   
all1 at lea/ mu/ take rank among ! be/  
?ree or f\r4  ,! ,nor? ,c\rt (          
,abundance  ,pass+ "u ! t[] f ! ,c\rt ( 
,abundance "o comes out 9 ! little nor? 
c\rt t is conceiv$ 9 ! same _s1 & :i*   
likewise is dom9at$ by ! ,mullg>dt t[]4 
,! ar*itecture "h is l an e*o ( t ( !   
ma9 c\rt1 ! decorat$ spaces alt]nat+ )  
b>e spaces4 ,! t[] sculptures are all   
repeat$ on ?is side4 ,! only sculpture  
)9 ! nor? c\rt is ,%]ry ,fry's          
p]sonification ( ,aquatic ,life4 ,!     
/atue is ( a heavy sort t %\ld be any:]e
 b 9 ?is place ( e!real mood & exquisite
 detail$ workman%ip4 ,blot out !        
backgr\nd & y c see t ! figure has a    
c]ta9 solid grace4 ,b if design$ = ?is  
c\rt x fails ( its decorative purpose4  
,c\rt ( ! ,univ]se    ,! ,c\rt ( !      
,univ]se is ! mo/ magnific5t ( ! c\rts4 
,consid]+ ! _m units-! noble ar*es1 !   
long colonnades ) _! corn] pavilions1 ! 
sunk5 g>d5 ) its f\nta9s & decorative   

sculpture1 & ! vi/a to ! ,column (      
,progress & ! ,m>9a-x is by f> ! ri*e/ 9
 arti/ic int]e/4 ,b is x s impos+1 s    
va/1 t x necess>ily lacks ! s5se ( quiet
 re/fulness & intimacy ( appeal ( !     
small] c\rts4 ,x is 9 a s5se ! ,civic   
,c5t] ( ! great ,exposition model city1 
& z su* x (f]s _m sugge/ions ( wise     
plann+-& "o or two ( poor plann+1 z 9 ! 
case ( ! obtrusive b&-/&4  ,! mean+ ( ! 
c\rt is to be f\nd 9 ! symbolism ( !    
gr\ps surm\nt+ ! two triumphal ar*es-!  
,nations ( ! ,ea/ meet+ ! ,nations ( !  
,we/4 ,) ! op5+ ( ! ,panama ,canal !    
peoples ( ! univ]se h met at la/2 ,we/  
faces ,ea/ on ?is %ore ( ! ,pacific4 ,! 
idea is f9ely express$ 9 ! l9es by ,walt
 ,:itman1 inscrib$ on ! we/ ar*1 9 :i* !
 _s ( ! ,aryan race1 hav+ travel$ ?is   
f>1 is suppos$ to speak z %e gazes      
we/w>d to ,asia1 ! h\se ( mat]nity1 h]  
orig9al home3     ,fac+ we/ f           
,cali=nia's %ores1    ,inquir+1         
tireless1 seek+ :at is yet unf\nd1      
,i1 a *ild1 v old1 ov] waves1 t[>ds !   

h\se       ( mat]nity1 ! l& (           
migrations1 look af>1    ,look (f !     
%ores ( my ,we/]n ,sea1       ! circle  
almo/ circl$4  ,v>iations ( ?is !me may 
be f\nd 9 ! murals "u ! ar*es1 & 9 ^? "u
 ! ,t[] ( ,jewels ne> by4 ,o!r univ]sal 
!mes are treat$ 9 ! ,f\nta9s ( ! ,ris+  
,sun & ( ! ,sett+ ,sun1 & 9 ,! ,elem5ts 
at ! edge ( ! sunk5 g>d54 ,! idea (     
a*ievem5t1 ( victory 9 conqu]+ !        
univ]se1 is also sugge/$ 9 ! triumphal  
ar*es4  ,ar*itecture  ,! /yle (         
ar*itecture is 9 g5]al ,roman2 ?\gh1 z  
is true almo/ ?r\gh\t ! ,exposition     
build+s1 !re is an admixture (          
,r5aissance motives4 ,ev5 on ! massive  
,roman ar*es !re is a trace ( ,moori%   
lightness & color 9 ! gre5 lattices2 & !
 domes ( ! corn] pavilions are cle>ly   
,ea/]n 9 feel+4  ,! ,ea/ & ,we/ ar*es   
are1 ( c\rse1 rem9isc5t ( ! triumphal   
ar*es ( ! ,roman ,conqu]ors4 ,a         
comp>ison ) pictures ( ! fam\s ,ar* (   
,con/ant9e & ! ,ar* ( ,titus at ,rome1 w
 %[ h[ ?or\ghly ! ar*itects h ma/]$ !   

feel+ ( ! classic examples1 :ile l>gely 
modify+ ! decorative features4 ,to      
prop]ly see ei!r ( ! ar*es 9 ?is c\rt z 
a s+le unit1 x is be/ to /& at ! side ( 
! sunk5 g>d51 ne> "o ( ! figures ( ,!   
,elem5ts1 :]e ! f\nta9 columns d n      
ob/ruct ! view4  ,! long colonnade1 )   
its f9e ,cor9?ian columns & its surm\nt+
 r[ ( ,/>-girls1 c be/ be appreciat$ :5 
"o /&s fac+ nor?1 ) back to ! ,t[] (    
,jewels-s9ce ! ar*itecture ( t 0 cle>ly 
conceiv$ by ano!r m9d & built 9 a       
diff]5t _s4 ,x is f ! two corn]         
pavilions on ! t[] side1 p]haps1 t ! be/
 g5]al views ( ! c\rt c be obta9$4      
,un=tunately ! attractive view d[n !    
/raight colonnades ( ! nor? ext5sion ( !
 c\rt is m>r$ by a gaudy b& pavilion1   
:i* is q out ( keep+ ) ! p]vad+ mood (  
simple dignity4 ,! little corn]         
pavilions are wor?y ( /udy alone1 z a   
graceful & unusual bit ( ar*itectural   
design4  ,! ,c\rt ( ! ,univ]se 0 design$
 by ,mc,kim1 ,mead & ,:ite4  ,sculpture 
,! ,c\rt ( ! ,univ]se has m ?an its %>e 

( ! be/ sculpture ( ! ,exposition4 ,9   
?is c\rt m ?an any:]e else "o c obta9 an
 idea ( ! rem>kable scope ( ! sculptur$ 
gr\ps4 ,x is a good place to l+] 9 if "o
 has h]et(ore _h pessimi/ic d\bts ab\t !
 ultimate fl[]+ ( ! art ( sculpture 9   
,am]ica4  ,! ,f\nta9 ( ! ,ris+ ,sun is  
at ! ea/ end ( ! sunk5 g>d54 ,its tall  
%aft is surm\nt$ by ! figure ( a y\?    
typify+ ! ,ris+ ,sun-a figure (         
irresi/ible appeal4 ,! morn+ ( day & !  
morn+ ( life1 ! fre%ness ( ! dawn & !   
aspiration ( y\?-- ^! ?+s are rem>kably 
sugge/$ 9 ! figure4 ,) head up & w+$    
arms out/ret*$1 ! y\? is pois$ on       
tiptoe1 ! weight ?r[n =w>d1 z if j on ! 
po9t ( so>+4  ,! ,f\nta9 ( ! ,sett+ ,sun
 is j opposite1 at ! we/ end ( ! sunk5  
g>d54 ,! surm\nt+ figure "h1 ?\gh       
(ficially call$ ,! ,sett+ ,sun1 is m    
appropriately nam$ ,desc5d+ ,night-!    
title ! arti/ has giv5 to ! bronze      
replica 9 ! ,f9e ,arts gall]y4 ,! clos+ 
9 ( night-t is :at is s p]fectly sugge/$
 9 ! relax$ body1 ! fold+-9 w+s1 & !    

rem>kable s5se ( droop+ t *>act]izes !  
:ole /atue4 ,!re is1 too1 an envelop+   
s5se ( purity & sweetness ab\t ! figure4
  ,^! two /atues :i* surm\nt ! ,f\nta9s 
( ! ,ris+ ,sun & ! ,sett+ ,sun are among
 ! mo/ *>m+ sculptures at ! ,exposition4
 ,!y h n ! /r5g? ( ! figures ( !        
,elem5ts1 or ! massive nobility & repose
 ( ! ,g5ius ( ,creation1 or ! purely    
mod]n native appeal ( ! works (         
,/ackpole & ,"y & ,fras]4 ,b = ^? ( u :o
 are sculpture lov]s )\t ask+ :y1 !y    
come clos] to our he>ts & dwell m       
intimately 9 our m9ds ?an any ( ^!4     
,desc5d+ ,night especially has a s5su\s 
*>m ( graceful l9e1 a maid5ly lovel9ess1
 t appeals irresi/ibly4 ,bo? figures are
 by ,adolph ,a4 ,we9man4  ,above ! high]
 bas9 ( ea* f\nta9 ! column drum is     
decorat$ ) figures 9 relief4 ,:ile ! two
 friezes are meant to be decorative     
prim>ily1 ! arti/ has employ$ 9 ea* case
 a symbolism 9 keep+ ) ! cr[n+ figure4  
,! frieze 9 ! ,f\nta9 ( ! ,ris+ ,sun    
repres5ts ,day ,triumphant4 ,! symbolic 

figures typify ! awak5+ ( man's f9]     
in/9cts & en]gies at ! call ( ! morn+1 &
 ! %r9k+ ( ! vices :5 ! d>kness ( night 
gives place to ! light ( day4 ,!        
relief-frieze ( ! ,f\nta9 ( ! ,sett+    
,sun is entitl$ ,! ,g5tle ,p[]s (       
,night4 ,x repres5ts ,desc5d+ ,night    
br++ ) h] ! ,/>s1 ! ,moon-goddess1      
,dreams1 & simil> beautiful ?+s4 ,! l[] 
bas9s ( bo? f\nta9s conta9 figures (    
c5taurs 7a new sea-v>iety1 ) f9s7 hold+ 
sea-mon/]s4  ,gr\ps surm\nt+ ar*es4 ,!  
monum5tal gr\ps surm\nt+ ! two triumphal
 ar*es are ,! ,nations ( ! ,ea/1 on !   
,ar* ( ! ,ris+ ,sun1 & ,! ,nations ( !  
,we/1 on ! ,ar* ( ! ,sett+ ,sun4 ,!     
symbolic idea beh9d ! two compositions  
?us plac$ fac+ ea* o!r1 is t ( ! nations
 ( ! ,ea/]n & ,we/]n ,hemisph]es at la/ 
meet+ on ?is ,pacific %ore4  ,! ,nations
 ( ! ,ea/ is made up ( five m\nt$ & f\r 
unm\nt$ figures1 all typical ( ! ,ori5t4
 ,read+ f ! spectator's left to "r1 !   
m\nt$ figures are3 #a4 an ,arab tribal  
*ief on a horse2 #b4 a ,mohamm$an /&>d  

be>] on a camel2 #c4 ! ,ea/ ,indian on 8
 ri*ly-cap>ison$ elephant2 #d4 ano!r    
,mohamm$an /&>d-be>] on a camel2 #e4 a  
,mongolian horseman4 ,betwe5 ! m\nt$    
figures are ! foll[+ on foot3 #a4 a     
s]vant ) a basket ( fruits2 #b4 an ,arab
 falcon]2 #c4 a ,?ibetan lama or prie/2 
#d4 ano!r s]vant ) fruit4  ,! ,nations (
 ! ,we/ repres5ts typical figures f !   
,european nations :i* h help$ to develop
 ,am]ica1 toge!r ) two ,am]ican ,indians
 & an ,alaskan4 ,a c5tral composition   
%[s ! ,"m ( ,tomorr[ & a surm\nt+ gr\p  
typify+ ! ,_s ( ,ent]prise :i* has l$ ! 
,aryan race to conqu] ! ,we/4 ,!        
figures1 f left to "r1 are3 #a4 !       
,fr5*-,canadian 7sometimes call$ ,!     
,trapp]71 on horseback2 #b4 ! ,alaskan1 
c>ry+ totem poles1 on foot2 #c4 !       
,spani%-,am]ican conqu]or1 m\nt$2 #d4 ! 
,g]man-,am]ican1 on foot2 #e4 ! ,"m (   
,tomorr[1 on ! tongue ( ! ox-drawn      
prairie s*oon]2 #f4 ! ,italian-,am]ican1
 on foot2 #g4 ! ,engli%-,am]ican1 m\nt$2
 #h4 an ,indian squaw2 #i4 ! ,am]ican   

,indian1 m\nt$4 ,on top ( ! prairie     
s*oon] ! ,_s ( ,ent]prise is repres5t$  
by a spirit$ w+$ figure1 ) a boy at ei!r
 h&4  ,! way 9 :i* ! two gr\ps balance  
ea* o!r at ! two ends ( ! c\rt is wor?y 
( /udy-! elephant ( ! "o (fset by !     
prairie s*oon] ( ! o!r4 ,inde$ ea*      
feature ( "o is balanc$ 9 ! o!r s t !   
two w mass aga9/ ! sky ) ! same g5]al   
decorative effect4 ,! ,nations ( ! ,ea/1
 consid]$ z a :ole1 seems ! m satisfy+  
gr\p-ri*] 9 feel+1 m unifi$ 9 design1 & 
m massive2 9 %ort1 m monum5tal & !re=e  
bett] fitt$ to cr[n ! noble ar*4 ,b if  
?is fits its sett+ bett]1 & masses aga9/
 ! sky m satisfy+ly1 ,! ,nations ( !    
,we/ w be f\nd on close exam9ation to   
conta9 ! bett] individual figures4 ,!   
,alaskan 7un=tunately almo/ lo/ to view 
9 ! pres5t plac+ ( ! gr\p71 ! ,canadian 
,trapp]1 & ! m\nt$ ,indian are all wor?y
 ( prolong$ /udy2 & ! figure ( ! ,"m (  
,tomorr[ is "o ( ! f9e/ bits ( sculpture
 at ! ,exposition4 ,9 ^! figures1 & only
 slightly less s 9 ! o!r figures ( ?is &

 ! opposite gr\p1 !re is ample evid5ce t
 ! ,am]ican sculptors h outgr[n !       
traditions ( by-gone s*ools & h develop$
 a g5u9e native m$ium ( expression4 ,!  
two gr\ps are ! "w ( ,a4 ,/irl+ ,cald]1 
,leo ,l5telli1 & ,fr$]ick ,g4 ,r4 ,ro? 9
 collaboration4  ,figures at nor? & s\? 
( sunk5 g>d54 ,flank+ ! /airways to !   
sunk5 g>d5 at nor? & s\? are f\r l>ge   
figures by ,rob]t ,aitk51 typify+ ,!    
,elem5ts4  ,air is at ! we/ end ( ! s\? 
/airway1 & is repres5t$ z a huge w+$    
female figure putt+ a /> 9 h] hair4 ,two
 birds1 old-"t symbols ( ! air1 complete
 ! sugge/ion4 ,at ! back a man has ti$  
himself to ! w+s ( ! figure typify+     
man's ef=t to put to 8 own use ! w+s ( !
 air4  ,e>? is plac$ at ! ea/ end ( !   
s\? /airway4 ,a huge female figure re/s 
on conv5tionaliz$ rocks1 & a =maliz$    
tree p>tially supports h]4 ,at ! back   
two small /ruggl+ figures are se51      
typify+ man's /ruggle ) ! =ces ( e>?4   
,wat] is plac$ at ! ea/ end ( ! nor?    
/airway4 ,! sea-god1 ) 8 trid5t 9 "o h& 

& sea-we$ 9 ! o!r1 rides on a wave1 ) a 
dolph9 beside him4  ,fire at ! we/ end (
 ! nor? /airway-is typifi$ by ! figure (
 a man 9 agony1 ) "o h& grasp+ ! flame1 
& ) jagg$ lightn+ 9 ! o!r1 symboliz+    
man's t]ror ( fire z well z 8 conqu]+ ( 
x4 ,a salam&] completes ! ma9 design1   
:ile at ! back ! pho5ix1 bird fabl$ to  
rise f fire1 helps support ! figure4    
,^! f\r figures are ( ! sort ( art t is 
likely to turn ! un?9k+ p]son away1 ?\gh
 a /udy ( !m w br+ out new beauties )   
rip] acqua9tance4 ,because p fail to get
 f> en\gh away f !m to obta9 ! prop]    
p]spective1 ! /atues seem too huge1 too 
/rong1 too t]rible1 ev] to be           
attractive4 ,!y are1 x is true1 out (   
scale1 & ?us m> ! effect ( ! c\rt to a  
c]ta9 ext5t4 ,b !re is 9 !m some?+ ( !  
noble & compell+ /r5g? ( ! /atues (     
,mi*ael ,angelo-to :om ! sculptor cle>ly
 owes 8 inspiration4 ,/& betwe5 !       
columns at ! corn] ( ! ,transportation  
,palace1 & y w see t ! figure ( ,fire n 
only is imag9atively conceiv$ b is a f9e

 l9e composition z well4 ,/udy ( ! o!r  
?ree f correspond+ viewpo9ts w well     
repay 9 increas$ und]/&+ & pleasure4    
,figures at ea/ & we/ ( sunk5 g>d5s4    
,flank+ ! ea/ & we/ /airways are two    
gr\ps by ,paul ,man%ip4 ,! "o repres5t+ 
two girls danc+ or runn+ is call$       
sometimes ,fe/ivity1 sometimes ,motion4 
,"h ! arti/ has weld$ ! figures into an 
ornam5tal design 9 a way unp>allel$ 9 ! 
"w ( o!r ,am]ican sculptors4 ,note !    
f9ely v>i$ outl9e1 ! s5se ( rhy?mic     
motion1 & ! ri* feel+ t e "p is         
decorative4 ,! opposite gr\p is call$   
,music or ,music & ,poetry4 ,x lacks !  
fl[+ grace & some?+ ( ! ri*ness ( feel+ 
( ! o!r1 ?\gh x is m dignifi$4 ,!re is !
 same conv5tionalization 9 treatm5t1    
aga9 *>m+4 ,^! gr\ps are n = p :o look =
 realism 9 art above all else2 b = ^? :o
 c>e = ! classic1 :o see 9 =malization a
 %ort-cut to ! expression ( ! _s ( a ?+1
 !re are few m appeal+ gr\ps 9 ! gr\nds4
 ,! figures are repeat$ at ! ea/ & we/  
entrances to ! g>d54  ,m9or ,sculptures4

 ,! sl5d] ,/>s along ! top ( ! colonnade
 are ! "w ( ,a4 ,/irl+ ,cald]4 ,:5 "o   
rememb]s t ?is is ! ,c\rt ( ! ,univ]se1 
!y seem to fit 9 ) ! mean+ ( ! :ole1 &  
ar*itecturally _! symmetry ( =m fits !m 
well = repetition4 ,! l[ relief friezes 
on ! corn] pavilions repres5t ,! ,signs 
( ! ,zodiac1 & are by ,h]mon ,a4        
,mac,neil4 ,a =maliz$ ,atlas is         
repres5t$ 9 ! c5t]1 & at ea* side are   
sev5 ( 8 daught]s1 ! ,pleiades & !      
,hyades1 :om ! gods *ang$ into />s4     
,twelve ( ! maid5s h plaques be>+ !     
symbols ( ! ,zodiac4 ,! frieze is well  
compos$ & beautifully model$1 b ! r\gh  
,trav]t9e does n d x ju/ice4 ,! m9or    
sculptures on ! triumphal ar*es consi/ (
 a repeat$ w+$ angel ) sword d[n-turn$1 
by ,leo ,l5telli2 spirit$ sp&rels ov] ! 
ar*es1 repres5t+ ,pegasus1 by ,fr$]ick  
,g4 ,r4 ,ro?2 & two well-adapt$         
m$allions by ,a4 ,/irl+ ,cald] & ,b4    
,bufano4 ,all ( ^! decorative features  
are repeat$ on bo? sides ( bo? ar*es4   
,mural ,pa9t+s  ,! f\r mural pa9t+s ( ! 

,c\rt ( ! ,univ]se1 two "u ea* ( !      
triumphal ar*es1 repres5t ! progress (  
civilization f ! old _w to ! ,am]ican f>
 ,we/4 ,! two "u ! ,ar* ( ! ,ris+ ,sun1 
at ! ea/ ( ! c\rt1 repres5t ! nations t 
cross$ ! ,atlantic & _! ideals1 :ile ^? 
"u ! we/]n ar* %[ ! m>* ( ! pione]s f   
,new ,engl& to ,cali=nia4 ,to obta9 !   
prop] sequ5ce ( ?\ght ! ones "u ! ea/]n 
ar* %\ld be exam9$ fir/4  ,murals 9 ,ar*
 ( ! ,ris+ ,sun4 ,on ! s\? wall ( ! ar* 
is a panel repres5t+ ! nations t h d>$  
to cross ! ,atlantic to br+ _!          
civilization to ,am]ica4 ,! figure f>!/ 
to ! spectator's "r repres5ts ! _s (    
adv5ture or ,! ,call to ,=tune4 ,!n     
foll[ repres5tatives ( ! nations1 9 ?is 
ord]3 #a4 ! half-savage ( ! lo/ ,cont95t
 ( ,atlantis2 #b4 ! ,roman conqu]or2 #c4
 ! ,spani% explor]1 typifi$ by a figure 
resembl+ ,columbus2 #d4 ! ,engli%       
explor]1 resembl+ ,raleigh2 #e4 a prie/1
 typify+ ! br++ ( ,european religion to 
,am]ica2 #f4 ! arti/1 br++ ! arts2 & #g4
 ! workman-immigrant ( today4 ,!n foll[s

 an allegorical veil$ figure1 ) h& to   
e>1 li/5+ to ! hopes & ideals ( ! m5 :o 
are foll[+ ! call to =tune4  ,! opposite
 panel %[s :at ! veil$ figure has       
he>d-depicts ! hopes & ideals t h l$ m5 
to cross ! ,atlantic4 ,at ! f> left are 
figures symboliz+ ,true ,hope & ,false  
,hope4 ,soap bubbles are be+ scatt]$ by 
,false ,hope1 & ! ?ird figure1 typify+  
,adv5ture1 tries to pick !m up4 ,!n     
foll[ ! true ideals & hopes 9 ?is ord]3 
#a4 ,comm]ce #b4 ,imag9ative            
,inspiration2 #c4 ,tru? & ,beauty 7"o   
figure72 #d4 ,religion2 #e4 ,weal?2 &   
#f4 ,family joys 7a woman ) babes74 ,9  
?is panel ! backgr\nd conta9s sugge/ions
 ( ,asiatic & ,am]ican cities4 ,9 ! o!r 
panel ! backgr\nd %[s a gr\p ( %ips1    
rang+ f ^? ( ! e>lie/ times to ! mod]n  
l9]4  ,^! two pa9t+s are wor?y ( /udy = 
! hi/orical & symbolic int]e/4          
,arti/ically !y are notable *iefly = !  
rem>kable fre%ness ( color+ & ri* mosaic
 effect4 ,bo? are by ,edw>d ,simmons4   
,murals 9 ,ar* ( ! ,sett+ ,sun1 at ! we/

 side ( ! c\rt4 ,! pa9t+ on ! nor? wall 
%\ld be view$ fir/4 ,?is repres5ts      
pione]s f a ,new ,engl& village />t+ =  
,cali=nia4 ,!re are f\r gr\ps ( figures1
 z foll[s3 #a4 two workm51 & a woman    
hold+ a *ild2 #b4 a symbolic figure ( ! 
,call to ,=tune2 #c4 a gr\p %[+ ! types 
( ^? :o cross$ ! cont95t-! driv] fir/1 &
 !n ! ,prea*]1 ! ,pione]1 ! ,judge1 & ! 
,s*oolmi/ress 7!re are f\r *ildr5 also 9
 ?is gr\p1 & at ! back is a wagon fill$ 
) h\sehold goods72 & #d4 a y\? bidd+    
f>ewell to 8 p>5ts z he />ts to jo9 ! b&
 ( emigrants4 ,at ! back ( ! la/ gr\p is
 se5 a typical ,new ,engl& home1 & 9 !  
di/ance a ,new ,engl& meet+-h\se4  ,!   
,arrival on ! ,pacific ,coa/ is ! title 
( ! pa9t+ on ! opposite wall1 :i*       
repres5ts ! immigrants be+ welcom$ z !y 
rea* ,cali=nia4 ,"h aga9 !re are f\r    
gr\ps ( figures4 ,! fir/ %[s two        
,spani%-,am]ican soldi]s & _! capta91   
foll[+ a prie/1 typical ( ! days (      
,spani% rule 9 ,cali=nia & ( ! ,mission 
p]iod4 ,second1 !re is a symbolic       

figure1 ,! ,_s ( ,enlight5m5t4 ,! ?ird &
 ma9 gr\p %[s types ( immigrants4 ,! m5 
"h are3 #a4 ! sci5ti/2 #b4 ! ar*itect2  
#c4 ! writ]2 #d4 ! sculptor2 #e4 !      
pa9t]2 #f4 ! agriculturi/2 & #g4 ! m9]  
7or o!r manual work]74 ,a woman & sev]al
 *ildr5 complete ! gr\p1 & at ! back is 
a prairie s*oon]1 f :i* a girl waves a  
flag4 ,! f\r? gr\p repres5ts ,cali=nia  
welcom+ ! immigrants1 ! /ate be+        
symboliz$ by tok5s ( ! weal? x has to   
(f] settl]s3 ! orange tree1 %eaves (    
gra91 & fruits-! figures includ+ ! m9]1 
! f>m]1 fruit pick]s1 & ! ,cali=nia be>4
 ,?is la/ gr\p is ! mo/ colorful1 & 9 _m
 ways ! mo/ appeal+1 ( all ^? 9 ! two   
panels "u ! we/ ar*4 ,x is int]e/+ to   
comp>e ! gold5 w>m? "h & inde$ ?r\gh\t !
 ,cali=nia panel-) ! cold atmosph]e ( ! 
,new ,engl& "o4  ,^? :o are famili> ) ! 
hi/orical *>act]s ( ! ,we/ w be able to 
recognize 9 ! ,cali=nia panel idealiz$  
portraits ( ,william ,kei? z ! pa9t]1   
,bret ,h>te z ! writ]1 & ,junip]o ,s]ra 
z ! prie/4 ,9 ! ,new ,engl& panel may be

 f\nd ,william ,taylor1 fam\s /reet     
prea*] ( ! e>ly days 9 ,cali=nia1 z !   
prea*]1 & ,grizzly ,adams z ! pione]4   
,bo? murals "u ! ,ar* ( ! ,sett+ ,sun   
are by ,frank ,v9c5t ,dumond4  ,! ,side 
,c\rts  ,! two small connect+ c\rts1 or 
aisles1 at ! ea/ & we/ ( ! ,c\rt ( !    
,univ]se are kn[n z ! ,flor5t9e ,c\rt & 
! ,v5etian ,c\rt respectively4 ,bo? are 
9 ,italian ,r5aissance ar*itecture1 &   
bo? are rem>kably ri* 9 color4 ,!       
patt]ns on ! %afts ( ! columns1 :ile    
d\btless add+ to ! feel+ ( ri*ness1 are 
a little too pron\nc$1 t5d+ to de/roy t 
re/fulness :i* is felt 9 ! o!r ,italian 
c\rts1 ! ,c\rt ( ,fl[]s & ! ,c\rt (     
,palms4 ,9 bo? ! ,flor5t9e ,c\rt & !    
,v5etian ,c\rt ! plant+ s*emes h>monize 
unusually well ) ! ar*itecture4  -      
,size ( ! ,c\rt ( ! ,univ]se  ,= ! sake 
( ^? :o f9d add$ int]e/ 9 kn[+ on :at   
scale a "w ( art is built1 ! foll[+     
facts are add$3  ,! area ( ! ,c\rt ( !  
,univ]se is ab\t sev5 acres4 ,on its ea/
 & we/ axis1 f ar* to ar*1 x is six     

hundr$ & fifty feet2 on its nor? & s\?  
axis1 f ! ,t[] ( ,jewels to ! ,column ( 
,progress1 x is ne>ly twelve hundr$     
feet4  ,! ,ar*es ( ! ,ris+ ,sun & !     
,sett+ ,sun h a total height1 to ! top (
 ! surm\nt+ sculpture1 ( two hundr$ &   
?ree feet4  ,! ,t[] ( ,jewels is #dcc   
feet 9 height1 :ile ! ma9 ar*way b5ea?  
is #aaj feet high4    ,c\rt ( ! ,f\r    
,seasons    ,! ,c\rt ( ! ,f\r ,seasons1 
unlike ! o!r ma9 c\rts1 does n          
imm$iately call =? "o's exclamations (  
surprise & delight4 ,x is n s compell+ly
 beautiful z ei!r ( ! o!rs4 ,nev]!less x
 has a di/9ctive *>m ( its own-a        
reposeful atmosph]e & a simplicity ( =m 
t become m & m appeal+ ) rip]           
acqua9tance4 ,x is a good place to come 
to :5 "o is satiat$ ) ! beauties ( ! o!r
 c\rts1 = re/fulness is ! keynote4 ,!   
simple massive /yle ( ! ar*itecture & ! 
simple plant+ s*eme comb9e to produce a 
_s ( calm4 ,! ideas ( en]gy1 a*ievem5t1 
progress1 ef=t-s insi/5tly emphasiz$    
else:]e-are left beh9d1 & ev]y?+ brea!s 

a s5se ( peace & ord]l9ess1 ( ?+s happ5+
 all 9 good season4  ,! prim>y idea     
und]ly+ ! decorative features ( ! c\rt  
is suffici5tly indicat$ 9 ! "n1 ,! ,f\r 
,seasons2 & ?is idea is symbolically    
express$ 9 ! sculpture & mural pa9t+s 9 
! f\r corn]s ( ! colonnade4 ,b a /udy ( 
! o!r decorations %[s t ! idea (        
abundance1 or fruitfulness1 0 equally 9 
! m9ds ( ar*itect & sculptors4 ,! purely
 ar*itectural ornam5ts1 su* z ! capitals
 & ! runn+ bord]s1 employ ! symbols (   
agriculture & fruitfulness1 :ile no less
 ?an five ( ! ma9 sculptural gr\ps or   
figures deal directly ) h>ve/ !mes4     
,ar*itecture  ,! /yle ( ar*itecture is 9
 g5]al ,roman4 ,! half-dome & !         
colonnades are almo/ sev]ely classic4 ,!
 column capitals are ,ionic4 ,b 9 !     
fre$om ( "s ( ! ar*itectural =ms1       
p>ticul>ly 9 ! ar*ways at ea/ & we/1 !re
 is a sugge/ion ( ,r5aissance influ5ce4 
,! plan ) its f\r cut-corn]s ) f\nta9s1 
& its half-dome fac+ d[n ! long         
colonnade to ! bay1 is +5i\s4 ,!        

half-dome itself1 dom9at+ feature ( !   
c\rt1 is exceptionally dignifi$ &       
impressive4 ,to obta9 ! be/ view ( x z a
 s+le unit1 "o %\ld /& betwe5 two       
columns ( ! colonnade ne> ei!r ! ,f\nta9
 ( ,summ] or ! ,f\nta9 ( ,autumn-z f ^! 
po9ts ! eye is n c>ri$ ?r\gh ! doorway  
at ! back ( ! dome1 to ! detrim5t ( a   
unifi$ impression4  ,h5ry ,bacon is !   
ar*itect :o design$ ! ,c\rt ( ! ,f\r    
,seasons4  ,sculpture  ,bulls on pylons4
 ,! f9e/ sculpture "h is to be f\nd 9 ! 
gr\ps capp+ ! pylons at ! entrance to ! 
m9or nor? c\rt4 ,?\gh call$ by ! arti/  
,! ,fea/ ( ,sacrifice1 ^! are commonly  
kn[n z ,! ,bulls4 ,! gr\p1 :i* is       
duplicat$1 %[s a bull be+ l$ to         
sacrifice by a y\? & a maid1 & is       
rem9isc5t ( ! h>ve/-"t celebrations (   
anci5t peoples4 ,b x is j z well to =get
 ! subject1 & to admire purely = !      
s5su\s *>m-= ! beauty ( outl9e1 ! f9e   
model+1 & ! rem>kable s5se ( spirit$    
action4 ,note ! ?ree figures            
individually3 ! nobly animat$ bull1 !   

magnific5tly set-up y\?1 & ! /rong yet  
graceful maid52 !n note h[ ! sacrificial
 g>l& holds ! :ole gr\p toge!r & makes x
 ri*]4 ,note1 too1 h[ ! =w>d-mov+ l9es (
 ! bull are acc5tuat$ on "o side by !   
simil> l9es ( ! y\?'s body1 & on ! o!r  
by ! contra/+ l9es ( ! girl's4 ,putt+   
aside any "q ( mean+1 !re is n 9 any ( !
 c\rts a nobl] bit ( decorative "w ?an  
?is4 ,alb]t ,jaeg]s 0 ! sculptor4       
,figures surm\nt+ columns4 ,on ! two    
columns be=e ! half-dome are ,alb]t     
,jaeg]s' figures ( ,ra9 & ,sun%9e4 ,at !
 "r1 z "o faces ! dome1 ,ra9 is typifi$ 
by a woman %ield+ h] head ) h] mantle & 
hold+ out a %ell to cat* ! wat]4 ,at !  
left ,sun%9e is repres5t$ by a woman    
%ield+ h] head f ! sun's rays ) a       
palm-bran*4 ,bo? figures are *>act]iz$  
by a s5se ( ri*ness1 ( fullness1 t is   
p]fectly 9 keep+ ) ! _s ( ! c\rt4 ,9    
comm5t+ on ^! /atues1 9 "o ( 8 lectures 
on ! art ( ! ,exposition1 ,eug5         
,neuhaus1 ! well-kn[n ,cali=nia pa9t]1  
sugge/$ v appropriately t ! c\rt %\ld h 

be5 nam$ = !m ,! ,c\rt ( ! ,two ,seasons
 s9ce 9 ,cali=nia ! only noticeable     
seasonal *ange is f a sunny p]iod to a  
ra9y p]iod4  ,gr\p surm\nt+ half-dome4  
,?is %[s a conv5tional seat$ figure (   
,h>ve/1 ) an ov]fl[+ cornucopia4 ,at "o 
side a *ild-figure b[s "u a load (      
fruit4 ,?is gr\p also is by ,alb]t      
,jaeg]s4 ,"h1 z 9 ,ra9 & ,sun%9e1 !re is
 a s5se ( fruitfulness1 ( pr(us5ess1 a  
mat]nal sugge/ion t helps to c>ry out ! 
symbolism ( ! c\rt4 ,9 all ?ree ( ^!    
/atues1 too1 !re is some?+ ( ! nobility 
& massiv5ess t di/+ui% ! same arti/'s   
bull gr\ps across ! c\rt4 ,all are      
em95tly suit$ to ! massive ,roman       
ar*itecture2 n[h]e else h sculptor &    
ar*itect work$ toge!r m successfully4   
,f\nta9s ( ! ,seasons4 ,9 ! ni*es =m$ at
 ! corn]s ( ! c\rt by ! diagonal        
colonnades are novel f\nta9s1 surm\nt$  
by gr\ps repres5t+ ! f\r seasons4 ,x is 
well to g fir/ to ! s\?we/ corn]1 to !  
,f\nta9 ( ,spr+2 !n to ! nor?we/ corn]1 
= ,summ]2 & s on ar\nd ! c\rt4 ,if "o is

 ev] puzzl$ to und]/& f ! figures :i*   
season is repres5t$1 a glance at !      
label$ murals up above 9 ! corridor w   
give ! prop] title = /atue & murals (   
ea* season are gr\p$ toge!r4  ,spr+4 ,a 
"y woman draws a floral g>l& ov] h]     
head1 :ile at h] "r a love-lorn y\?     
turns a plead+ face to h]1 & at h] left 
a girl br+s armfuls ( fl[]s4  ,summ]4   
,to a man a woman holds up a babe1      
symbol ( ! summ] ( human life1 :ile at  
"o side a cr\*+ figure holds a %eaf (   
full-head$ gra94  ,autumn4 ,! c5tral    
figure is a woman ( g5]\s build ) a j>  
on h] %\ld]-q ! usual p]sonification (  
,autumn or fruitfulness4 ,at "o side a  
"y woman holds a g>l& ( grapes1 & at !  
o!r is a girl ) a babe4 ,?is la/ figure 
is p]haps ! mo/ graceful 9 all ! f\r    
gr\ps1 ?\gh ! same sort ( lovel9ess     
di/+ui%es to a c]ta9 ext5t ! two        
fl[]-girls ( ,spr+4 ,altoge!r1 ?is      
,autumn f\nta9 is probably ! f9e/ ( !   
f\r4  ,w9t]4 ,! c5tral figure is        
,nature1 9 ! nak$ness ( w9t]1 re/+ aft] 

! h>ve/s ( autumn & wait+ = ! bir? (    
spr+4 ,at "o side a man ) a spade re/s1 
:ile on ! o!r a man ) a se$-bag is      
already beg9n+ to s[4 ,al?\gh all !     
figures ( ,! ,f\nta9s ( ! ,seasons are  
nude1 !re is ab\t ?is gr\p a s5se ( cold
 nak$ness t well accords ) ! season x   
portrays4  ,^! f\r gr\ps are v prop]ly  
alike 9 composition & feel+-sugge/+     
p]haps t ! diff]5ces betwe5 ! seasons 9 
,cali=nia are b slight4 ,!re is ?r\gh\t 
a conv5tional t\*1 & all are 9 pa/oral  
mood4 ,! gr\ps are by ,furio            
,piccirilli4  ,! ,f\nta9 ( ,c]es is 9 ! 
nor? ext5sion ( ! c\rt1 betwe5 ! ,palace
 ( ,food ,products & ! ,palace (        
,agriculture4 ,! surm\nt+ figure is (   
,c]es1 ,greek goddess ( ! fields &      
especially ( corn4 ,! bas-relief frieze 
repres5ts a gr\p ( danc]s1 sugge/ive ( !
 seasonal fe/ivals ( ! ,greeks4 ,! ma9  
figure has be5 mu* criticiz$1 b an      
unbias$ critic may f9d mu* 9 ! f\nta9 to
 praise4 ,! p$e/al & ! cr[n+ figure are 
well ?\ght out1 & ! proportions ( ! :ole

 are good2 & !re is a feel+ ( classic   
simplicity ?r\gh\t4 ,! frieze ( danc+   
girls1 too1 is exceptionally graceful4  
,if1 !n1 "o discov]s t ,c]es is m mature
 ?an a goddess ev] ought to be1 or t h] 
face sugge/s t ( an exasp]at$           
s*ool-tea*]1 or if "o f9ds ! corn/alk 9 
h] h& a reali/ic ?+ incompatible ) any  
poetic conception1 x is well to /ep back
 until "o gets only ! g5]al effect4 ,=  
!re is mu* to admire 9 ! poise ( !      
figure1 9 ! decorative outl9e1 & 9 !    
sculptor's lightness ( t\*4 ,! f\nta9 0 
design$ by ,evelyn ,beatrice ,longman4  
,m9or ,sculptures4 ,on ! ar*ways at ea/ 
& we/ ( ! c\rt a high-relief figure by  
,augu/ ,jaeg]s is repeat$ eight times1 &
 ! sp&rels ov] ! ar*es are by ! same    
arti/4 ,9 bo? cases ! idea ( abundance  
or fruitfulness aga9 supplies ! motive4 
,! boxes at ! bases ( ! columns on :i*  
,ra9 & ,sun%9e /& are decorat$ )        
agricultural sc5es 9 l[ relief4 ,!      
capitals at ! tops ( ^! columns are     
enri*$ ) gr\ps ( agricultural figures4  

,)9 ! ar*ways at ea/ & we/ ! ceil+s are 
decorat$ ) delicate bas-relief designs1 
patt]n$ aft] ! fam\s ones at ,villa     
,mad]na1 ,rome4  ,mural ,pa9t+s  ,all ! 
murals 9 ! ,c\rt ( ! ,f\r ,seasons are  
by ,h4 ,milton ,bancr(t4 ,9 g5]al !y are
 less int]e/+ ?an ^? ( any o!r c\rt4  ,!
 ,seasons4 ,9 ! f\r corn]s ( ! colonnade
 !re are eight panels1 gr\p$ by twos z  
foll[s3 ,spr+ & ,se$ ,"t2 ,summ] &      
,fruition2 ,autumn & ,h>ve/2 & ,w9t] &  
,fe/ivity4 ,!re is little to hold !     
att5tion ei!r 9 ri*ness ( color or 9    
unusual grace ( composition4 ,moreov]1 !
 arti/ has left no?+ to ! imag9ation 9 !
 symbolism by :i* he expresses ! sev]al 
ideas4 ,! devices are s hackney$1 & !   
mean+ s obvi\s1 t any sort (            
int]pretation w\ld be entirely          
sup]flu\s4  ,panels "u half-dome4 ,on ! 
ea/ wall "u ! dome is ! panel ,art      
,cr[n$ by ,"t4 ,fa!r ,"t cr[ns ,art1    
:ile on "o side /& figures repres5t+    
,weav+1 ,jewelry1 & ,glasswork1 & on !  
o!r ,pr9t+1 ,pott]y1 & ,smi!ry4 ,on !   

opposite wall is ! panel ,man ,receiv+  
,in/ruction 9 ,nature's ,laws4 ,a woman 
holds be=e a babe a tablet inscrib$     
,laws ( ,nature1 :ile on "o side are    
figures ( ,fire1 ,e>? & ,wat]1 & on !   
o!r figures ( ,dea?1 ,love1 & ,life4 ,^!
 two l>g] panels are m pleas+ ?an !     
eight repres5t+ ! ,seasons1 bo? 9 color+
 & 9 figure composition2 & !y make      
pleas+ spots ( bright color 9 ! dome4 ,b
 aga9 ! arti/ is t$i\sly c>eful to make 
8 mean+s pla94 ,n only does ea* figure  
hold its obvi\s symbol prom95tly 9 view1
 b !re are labels nam+ ! figures4 ,to ! 
art /ud5t ! pa9t]'s /ipple-&-l9e me?od1 
produc+ vibration ( light & a c]ta9     
fre%ness ( atmosph]e1 w be ( int]e/1 z  
be+ out ( ! usual run ( mural te*nique4 
,be=e leav+ ! ,c\rt ( ! ,f\r ,seasons "o
 %\ld /& "u ! c5tral ar* ( ! triple     
portal at ! ea/1 & look fir/ to ! ea/   
?r\gh ! ,ar* ( ! ,sett+ ,sun to ! gr\p  
,nations ( ! ,ea/2 & !n to ! we/ along !
 vi/a t ends ) ! kneel+ figure be=e !   
,f9e ,arts temple4 ,! arrangem5t (      

ar*itectural & sculptural units 9 bo?   
vi/as is wor?y ( /udy4    ,! ,c\rt (    
,palms & ! ,c\rt ( ,fl[]s    ,9 ^! two  
c\rts1 :i* pi]ce ! wall$ city on ! s\?1 
opposite ! ,palace ( ,horticulture &    
opposite ,fe/ival ,hall1 is to be f\nd !
 pure/ expression ( t _s ( ! ,italian   
,r5aissance :i* hov]s ov] s mu* ( !     
,exposition ar*itecture4 ,"h1 too1 "o   
f9ds ,jules ,gu]9's color s*eme at its  
ri*e/4 ,bo? c\rts necess>ily lack !     
cloi/ral *>m ( ! ,c\rt ( ,abundance1    
s9ce !y h ! f\r? sides op54 ,b :at !y   
lack 9 ! s5se ( enclosure !y make up 9  
sunn9ess & joy\s color4 ,!y are re/ful &
 w>m & quiet-& arti/ically !y are among 
! mo/ p]fect & mo/ h>moni\s units on !  
gr\nds4  ,! ,c\rt ( ,palms  ,! ,c\rt (  
,palms is directly opposite ! ,palace ( 
,horticulture1 betwe5 ! ,education &    
,lib]al ,arts ,palaces1 & adjo9s ! ,c\rt
 ( ! ,f\r ,seasons4 ,! *>m+ sunk5 g>d5 &
 simple pool reflect ! color$ colonnade1
 ar*es & t[]s ) a s5se ( re/ t is a     
relief & /imulant aft] walk+ miles (    

exhibit halls4 ,al?\gh really ne>ly two 
acres 9 area1 ! c\rt seems small &      
intimate4 ,! proportions are good1 & !  
plant+ p>ticul>ly =tunate4  ,!          
ar*itecture is ,r5aissance1 & is        
sugge/ive ( ! int]ior c\rts ( ! palaces 
( ! ,italian nobles4 ,! colonnade       
columns are ,ionic4 ,! high attic /ory  
or frieze above ! colonnade is rem>kably
 ri*1 ) its orange br[n panels g>l&$ )  
gre5 & r$ fruits1 & decorat$ ) ,c>yatid 
pila/]s4 ,x is wor?y ( /udy = ! way 9   
:i* ar*itect1 sculptor & color director 
h co-op]at$4 ,! ,italian ,t[]s1 t]m9at+ 
! colonnades1 are among ! f9e/ bits (   
ar*itectural design 9 ! :ole build+     
gr\p4 ,?\gh only a fraction ( ! height (
 ! ,t[] ( ,jewels1 !y convey mu* bett] !
 impression ( rea*+ high into ! heav5s1 
( aspiration & uplift4 ,!y are m        
satisfy+1 too1 9 _! comb9ation (        
ar*itectural =ms1 & !y c>ry out notably 
well ! delicate b luxuriant color s*eme 
( ! c\rt4 ,! unusual repeat$ patt]n :i* 
fills ! l>ge wall panels ( ! t[]s is    

wor?y ( att5tion4  ,! ar*itect ( ! c\rt 
0 ,george ,w4 ,kelham4  ,sculpture4 ,!  
only really important /atue 9 ! c\rt is 
t :i* /&s at ! op5+ on ! ,av5ue (       
,palms-call$ ,! ,end ( ! ,trail4 ,an    
,indian1 b[$ at la/ "u ! /orm1 sits     
a/ride a deject$ horse utt] we>9ess1    
disc\ragem5t1 lo/ hope1 express$ 9 e l9e
 ( man & animal4 ,"s see 9 ! /atue only 
! abject despair ( a horse & rid] :5 !  
consci\sness f9ally comes t ! trail is  
def9itely lo/ 9 ! wild]ness2 & x is     
notable en\gh z an expression ( ?is     
tragic !me4 ,b o!rs1 rememb]+ ! hi/ory (
 ! ,indian1 see "h an eloqu5t & pa!tic  
rem9d] ( a race t has seem+ly come to ! 
end ( its trail4 ,z a portrayal ( ?is   
racial trag$y ! gr\p is ev5 m rem>kable 
?an z an expression ( ! hopelessness ( a
 lo/ man & horse4  ,! /atue is h>dly 9  
key ) its ar*itectural surr\nd+s2 b its 
comp>atively isolat$ position prev5ts x 
f seem+ an intrusive elem5t 9 ! c\rt4   
,consid]$ alone x is m individual1 m    
expressive ( indep5d5t & deep mov+      

?\ght1 ?an any o!r sculpture 9 ! gr\nds4
 ,!re is f> m ( real e>ne/ness "h ?an is
 usual 9 exposition sculpture4 ,! ?+ is 
significant1 too1 = ! native note4 ,x is
 wor?y ( s]i\s /udy z indicat+ "o ( !   
mo/ important t5d5cies ( ,am]ican       
sculpture :5 n ti$ to ! purely          
decorative4 ,! sculptor 0 ,james ,e>l   
,fras]4  ,! m9or sculptures 9 ?is c\rt  
consi/ ( ! ,c>yatides by ,john ,bateman 
& ,a4 ,/irl+ ,cald]2 ! sp&rels1 by      
,alb]t ,we9]t2 ,! ,fairy1 by ,c>l       
,gruppe1 :i* cr[ns ! ,italian ,t[]s2 & !
 classic vases at ! portals4  ,! mural  
pa9t+s 9 ?is c\rt are disappo9t+4 ,two  
are surpris+ly poor1 consid]+ ! high    
reputation ( ! arti/s1 & ! ?ird is badly
 plac$4 ,! tympanum 9 ! portal at ! ea/ 
side ( ! c\rt is fill$ by ,*>les ,w4    
,holl[ay's panel1 ,! ,pursuit (         
,pleasure4 ,?is is a conv5tional        
treatm5t ( ! subject1 9 :i* a numb] (   
y\?s & maid5s turn lackadaisically to a 
w+$ figure ( ,pleasure4 ,!re is a pleas+
 lightness ( t\*1 & ! bright r$s & blues

 are 9 keep+ ) ! _s ( ! c\rt-b ! ?+ is1 
someh[1 insipid4 ,?is panel is m pleas+ 
"u illum9ation4 ,9 ! opposite portal is 
,*ilde ,hassam's pa9t+1 ,fruits &       
,fl[]s4 ,?is aga9 is a conv5tional      
treatm5t1 %[+ v obvi\sly vegetable &    
human fruits & fl[]s4 ,! arrangem5t is  
t$i\sly symmetric1 ! color+ is r weak1 &
 !re is a wood5 /iffness ab\t ! figures4
 ,! panel makes a pleasant spot ( color1
 b is by no means up to ! /&>d ( !      
canvases 9 ,hassam's room 9 ! ,palace ( 
,f9e ,arts4  ,! panel ov] ! ma9 doorway1
 at ! nor? end ( ! c\rt1 is by ,ar?ur   
,f4 ,ma!ws1 & is f> sup]ior to ! o!r    
two1 ?\gh un=tunately plac$ 9 a d>k     
spot4 ,x is call$ by ! arti/ ,a         
,victori\s ,_s4 ,! c5tral figure1       
gorge\sly sugge/+ ! ,_s ( ,enlightm5t1  
protects ,y\? f ! discordant elem5ts (  
life f mat]ialism & brute =ce1 z        
repres5t$ by ! re>+ horse & militant    
rid]4 ,y\? is att5d$ by ! peace-br++    
elem5ts ( life1 by ,religion1           
,philosophy or ,education1 & ! ,arts4 ,!

 symbolism "h is s\nd1 ! composition &  
draw+ unusually good1 & ! color+ q      
wond]ful-especially 9 ! orange-yell[    
robe ( ! ,_s4 ,! full deep colors are 9 
%>p contra/ ) ^? ( mo/ ( ! ,exposition  
murals4  ,no "o %\ld leave ?is c\rt )\t 
fir/ paus+ to enjoy ! vi/a ?r\gh ! nor? 
doorway1 %[+ ,alb]t ,jaeg]'s spirit$    
,sacrificial ,bulls on ! ,agriculture & 
,food ,products ,palaces1 ! long        
colonnade ( ! ,c\rt ( ! ,f\r ,seasons1 &
 ! bit ( bay & hills beyond4  ,! ,c\rt (
 ,fl[]s  ,! ,c\rt ( ,fl[]s is opposite  
to ,fe/ival ,hall1 betwe5 ! ,m9es &     
,v>i$ ,indu/ries ,palaces4 ,! fir/      
impression1 z "o comes to x1 is t "h is 
a replica ( ! colorful ,c\rt ( ,palms4  
,b _m diff]5ces become evid5t aft] a few
 mom5ts' /udy4  ,! ar*itecture is       
,italian ,r5aissance1 b ( a m ri*ly     
decorative sort ?an 9 ! ,c\rt ( ,palms4 
,!re is m ov]laid ornam5t1 & on ! :ole1 
less simplicity & quietness & m v>i$    
int]e/4 ,! columns "h are ,cor9?ian1    
arrang$ 9 pairs4 ,! gall]y above !      

colonnade adds to ! sugge/ion ( ! sunny 
,s\?4 ,! ,italian ,t[]s1 :ile simil> 9  
feel+ to ^? ( ! o!r c\rt1 are diff]5t 9 
! arrangem5t ( elem5ts1 ?\gh equally    
successful4 ,! color decoration is aga9 
notable4  ,x is h>dly necess>y to add t 
,george ,w4 ,kelham design$ ?is c\rt    
too4  ,sculpture4 ,! c5t] ( ! c\rt is   
dom9at$ by ,edg> ,walt]'s ,beauty & !   
,bea/ ,f\nta94 ,! surm\nt+ /atue is a   
curi\s comb9ation ( graceful l9es &     
grotesque effects4 ,! /range ,bea/ is no
 less fanta/ic ?an ! "y lady h]self-%e  
:o has adorn$ h] fair body ) no?+ m ?an 
a ,spr+ hat & a pair ( s&als4 ,x is     
probably ?is ne>-nud5ess1 )\t pure      
nak$ness1 t creates ! j>r+ note ( ! gr\p
 ,c]ta9ly !re is a biz>re t\* t some:at 
(fsets ! s9u\s *>m ( ! figure4 ,"u !    
upp] bas9 are f\r pip+ ,pans1 n notable 
individually1 b add+ to ! decorative    
effect4 ,! wall ar\nd ! l[] pool c>ries 
a playful frieze ( animals 9 l[ relief4 
,! ,pione] is ! title ( ! eque/rian     
/atue at ! s\? end ( ! c\rt1 on ! ,av5ue

 ( ,palms4 ,! man is typically ! ,we/]n 
pione]1 z e resid5t ( ! ,pacific ,coa/  
has kn[n him-a patri>*al figure :o =]an 
civilization "h 9 ! ,we/ ( ,am]ica z he 
has 9 all o!r new l&s4 ,head up1 axe &  
gun 9 h&1 look+ /raight =w>d1 he is a   
f9e visualization ( ! ,=ty-n9]4 ,he is1 
too1 an int]e/+ racial contra/ to !     
,indian ( ,! ,end ( ! ,trail4 ,"o       
wond]s1 h[ev]1 ab\t ! horse1 ) !        
elaborate trapp+s t cle>ly belong to    
ano!r era-to ! days ( ,spani% conque/1  
p]haps4 ,c]ta9ly horse & rid] d n seem  
to be conceiv$ 9 ! same _s4 ,! gr\p     
lacks1 too1 t vital int5sity ( feel+ & t
 emotional /r5g? :i* di/+ui% ,! ,end ( !
 ,trail1 ! companion-/atue 9 ! ,c\rt (  
,palms4 ,! ,pione] is by ,solon         
,borglum4  ,! m9or sculpture "h consi/s 
( ,a4 ,/irl+ ,cald]'s attractive ,fl[]  
,girl1 repeat$ 9 ! ni*es along ! loggia2
 dignifi$ ,lions1 by ,alb]t ,laessle1   
flank+ ! ?ree portals2 & aga9 ,c>l      
,gruppe's ,! ,fairy1 atop ! ,italian    
,t[]s4    ,! ,t[] ( ,jewels1 & ! ,f\nta9

 ( ,en]gy    ,x 0 plann$ t ! ,t[] (     
,jewels %\ld be ! great dom9at+ feature 
( ! ar*itectural s*eme ( ! ,exposition2 
t ?is unit m ?an any o!r %\ld /& z a    
triumphal monum5t to celebrate ! op5+ ( 
! ,panama ,canal4 ,! mural pa9t+s1 !    
sculpture & ! inscriptions all c>ry out 
?is idea1 b ! t[]1 9 its ar*itectural   
aspect alone1 fails to live up fully to 
its purpose4 ,x s]ves well to c5t] !    
:ole s*eme1 & to af=d an impos+ pile at 
! ma9 entrance4 ,nev]!less x falls %ort 
( ! high ar*itectural /&>d ( ! c\rts &  
palaces4  ,ar*itecture  ,! ar*itectural 
=ms us$ 9 ! design ( ! t[] are 9 g5]al  
classic2 b ! ar*itect has %[n           
consid]able orig9ality 9 _! arrangem5t &
 mass+4  ,! l[] portion1 embrac+ !      
impos+ ar* & flank+ colonnades1 is v    
dignifi$ & q satisfy+4 ,/&+ close to !  
/ructure1 on ! s\? side1 s t "o is      
consci\s *iefly ( ?is l[] portion1 !re  
comes ! prop] s5se ( nobility-! feel+ t 
"o obta9s f a successful triumphal ar*4 
,! *ief fault ( ! t[] above is t x lacks

 ! long lift+ l9es t w\ld give a s5se ( 
aspiration4 ,x seems j a little squat & 
fat-z if x 7 too heavy on top & splay$  
out at ! sides & bottom4 ,x is also     
some:at %[y1 ) too mu* hung-on ornam5t2 
& ! gre5 columns aga9/ r$ walls are n   
satisfy+-?is be+ "o ( ! v few failures (
 ! color s*eme 9 ! entire gr\p (        
build+s4  ,at night ! t[] takes on a new
 & unexpect$ beauty4 ,! outl9e s(t5s "u 
! illum9ation1 & ! feel+ (              
ov]-decoration & brok5 l9es is lo/4 ,!  
:ole /ructure becomes a huge f+] (      
light1 rea*+ up into ! d>k heav5s-) s(t]
 indirect light+ bel[1 & gl[+           
brilliantly above4 ,ev5 ! hundr$ ?\s&   
p5d5t jewels1 :i* at be/ are b fla%y 9 !
 day "t1 add to ! exquisite fairy l     
effect at night4 ,! illum9ation "h is   
su*1 inde$1 t x mu/ be "o ( ! mo/       
impressive & la/+ memories to be c>ri$  
away by ! visitor4  ,! ,t[] ( ,jewels 0 
design$ by ,?omas ,ha/+s1 ( ! firm      
,c>r]e & ,ha/+s ( ,new ,york4           
,sculpture  ,! sculpture1 l ! mural     

pa9t+s1 deals 9 g5]al ) ! w9n+ ( !      
,am]icas & ! a*ievem5t ( ! canal        
project4  ,sculpture on ! t[]4 ,z "o /&s
 9 ! ,s\? ,g>d5s fac+ ! t[]1 "o sees    
above ! fir/ cornice1 read+ f left to   
"r1 f\r /atues ( ,! ,adv5tur]1 ,!       
,prie/1 ,! ,philosoph]1 & ,! ,soldi]4   
,^! f9ely realiz$ figures1 :i* are by   
,john ,flanagan1 repres5t f\r types ( ! 
e>ly conqu]ors ( ,am]ica4 ,on ! next    
/ory is a repeat$ eque/rian /atue ( !   
,spani% ,conqu]or1 call$ ,! ,armor$     
,horseman1 by ,f4 ,m4 ,l4 ,tonetti4 ,^! 
five /atues are repeat$ on ! o!r ?ree   
faces ( ! t[]4 ,!re is mu* o!r sculpture
 ( a purely decorative sort1 ! motives  
us$ be+ ^? usually f\nd 9 triumphal     
monum5ts1 su* z eagles1 wrea?s1 & !     
beaks ( %ips ) :i* ! ,romans ornam5t$ ! 
columns celebrat+ _! naval successes4   
,eque/rian /atues at entrance4 ,9 front 
( ! two side colonnades are spirit$     
eque/rian /atues4 ,z "o faces ! t[]1 !  
figure at ! left is ( ,piz>ro1 :o       
conqu]$ ! ri*e/ portion ( ,s\? ,am]ica =

 ,spa94 ,?is figure is h]oically        
decorative1 & is by ,*>les ,c>ey        
,rumsey4 ,at ! o!r side ( ! ma9 ar* is  
,*>les ,niehaus' vigor\s /atue (        
,cortez1 :o won ,mexico = ,spa94 ,?is   
figure1 c>ry+ a flag & p5non on a lance1
 & p]fectly seat$ on ! /rong horse1 has 
a live s5se ( movem5t1 & ! :ole gr\p is 
in=m$ ) ! _s ( ! lordly conqu]or4       
,f\nta9s "u ! t[]4 ,)9 ! colonnades to  
ea/ & we/ ( ! ma9 ar*way are            
respectively ! ,f\nta9 ( ,y\? & !       
,f\nta9 ( ,el ,dorado4  ,! ,f\nta9 (    
,y\? consi/s ( a c5tral figure on a     
p$e/al1 & two r\nd$ side panels )       
figures 9 relief4 ,y\? is symboliz$ z a 
girl1 an immature figure1 beautifully   
model$4 ,%e /&s1 p]fectly pois$1 among  
ris+ blossoms4 ,on ! p$e/al are m fl[]s 
9 relief1 & two dimly indicat$          
half-figures ( a man & woman may be     
discov]$4 ,! side panels %[ old p be+   
drawn away 9 %ips mann$ by *]ubs-old p  
:o gaze back wi/fully at ! ,y\? !y are  
leav+4 ,really ! f\nta9 is f> m *>m+ if 

"o =gets all b ! c5tral figure4 ,!re is 
9 t a sweet t5d]ness1 a maid5ly         
lovel9ess1 t makes x ! p]fect embodim5t 
( ,y\?-an embodim5t to be rememb]$ )    
delight aga9 & aga94  ,! f\nta9 0       
design$ by ,edi? ,woodman ,burr\ghs4  ,!
 ,f\nta9 ( ,el ,dorado is on ! o!r side 
( ! ar*way1 & is by ,g]trude ,v&]bilt   
,:itney4 ,x repres5ts1 z a :ole1        
mank9d's pursuit ( ! unatta9able4 ,!    
leg5d ( ,el ,dorado is t !re once liv$ 9
 ,s\? ,am]ica a pr9ce1 ,! ,gild$ ,"o1 :o
 _h s mu* gold t daily he _h 8 body     
cov]$ ) gold du/4 ,_m ,spani% explor]s  
sp5t fruitless ye>s 9 se>* ( ! fabul\sly
 ri* c\ntry ( ?is pr9ce4 ,! idea ( !    
f\nta9 is t ! ,gild$ ,"o1 repres5t+ !   
unatta9able1 ! advantages ( weal? & p[] 
:i* delud$ m5 & wom5 seek )\t value giv5
 to ! _w 9 return1 has j disappe>$ ?r\gh
 ! gateway1 ! gates clos+ aft] him4 ,on 
ei!r side processions ( seek]s :o h     
glimps$ ! ,gild$ ,"o1 /ra9 t[>d !       
gateway4 ,"s loit] 9 love or play1 "s   
drop f fatigue1 "s fight _! way along2 &

 ! fir/ two1 f9d+ t ! pursuit is        
fruitless aft] all1 h dropp$ to _! knees
 9 angui%4 ,! two /&+ figures beside !  
gates are said by ! sculptor to h no    
significance beyond ! fact t !y are j   
gu>dians4  ,! f\nta9 is notable = its   
symbolism & = ! model+ ( ! _m nude      
figures4 ,! panel on ! "r is especially 
decorative1 & has "s notably f9e        
individual figures & gr\ps4 ,! _s ( !   
f\nta91 ) its realism & its note (      
hopelessness1 is n 9 keep+ ) t p]vad+   
mo/ ( ! ,exposition sculpture4 ,aft]    
look+ at ! "w = a "t1 turn & look back  
?r\gh ! two ar*ways at ! c5tral figure (
 ,y\? at ! o!r side4 ,c]ta9ly no figure 
9 ! ,f\nta9 ( ,el ,dorado has ! appeal &
 *>m ( t4  ,mural ,pa9t+s  ,on ! walls (
 ! ar*way "u ! ,t[] ( ,jewels are eight 
pa9t+s celebrat+ ! build+ ( ! ,canal4   
,all are by ,william de ,leftwi* ,dodge4
  ,on ! we/ wall ! fir/ panel is call$  
,discov]y4 ,x portrays ! discov]y ( !   
,pacific ,ocean by ,balboa4  ,! second  
panel is call$ ,atlantic & ,pacific4 ,a 

huge figure ( ,labor1 hav+ br\ght toge!r
 ! oceans1 is op5+ a wat]way f ,we/ to  
,ea/4 ,on ! left an ox-drawn prairie    
s*oon] has arriv$ at ! %ore1 ) types (  
,we/]n civilization4 ,on ! opposite %ore
 types ( ! nations ( ! ,ea/1 9 a        
colorful gr\p1 are /ra9+ =w>d to meet ! 
,we/4  ,! ?ird panel is entitl$ ,!      
,pur*ase4 ,a figure repres5t+ ! ,unit$  
,/ates is tak+ ov] ! canal project f    
,france4 ,! ,fr5* labor]s are ?r[+ d[n  
_! tools1 & ,am]icans press =w>d to take
 !m up4  ,9 ! gr\p on ! opposite wall ! 
fir/ panel is call$ ,labor ,cr[n$4      
,victori\s ,labor is be+ cr[n$ by !     
angel ( ,success1 :ile soldi] & work]s  
come to pay homage4  ,! second panel is 
entitl$ ,! ,gateway ( ,all ,nations4    
,figures symboliz+ ,progress call ! _w  
to pass ?r\gh ! ,canal4 ,neptune holds  
g>l&s by :i* he draws %ips ( ! v>i\s    
nations t[>d ! wat]way4 ,two labor]s re/
 on _! ma*9es & wat* ! procession :i* !y
 h made possible4  ,! la/ panel is call$
 ,a*ievem5t4 ,a woman ) ! symbols ( k1  

or wisdom1 sits en?ron$1 :ile ab\t h]   
are gr\p$ figures repres5t+ ! =ces      
in/rum5tal 9 build+ ! ,canal4 ,at ! left
 are labor]s2 at ! "r figures typify+   
,eng9e]+1 ,m$ical ,sci5ce 7) !          
,caduceus1 ! w& ( ,m]cury1 god (        
m$ic9e71 & ,comm]ce or ,munific5ce4  ,^!
 mural pa9t+s are among ! mo/ int]e/+ & 
mo/ imag9ative ( all ^? at !            
,exposition4 ,"s ( ! gr\ps are          
p>ticul>ly f9e 9 color+4 ,note ! me?od (
 obta9+ ! "r effect ( flatness by       
employ+ a conv5tional diap] patt]n = !  
backgr\nd ?r\gh\t4 ,! panels "h are mu* 
m effective "u full illum9ation at night
 ?an by daylight4  ,! ,f\nta9 ( ,en]gy  
,! ,f\nta9 ( ,en]gy 9 ! ,s\? ,g>d5s 0   
design$ to be ! cr[n+ feature ( !       
sculpture ( ! ,exposition1 j z ! ,t[] ( 
,jewels 0 design$ to dom9ate !          
ar*itectural s*eme2 & x fails ( its high
 purpose 9 mu* ! same way4 ,x is closely
 alli$ ) ! t[] 9 symbolic mean+1        
celebrat+ man's victory ov] ! =ces (    
nature 9 ! successful build+ ( ! canal4 

,9 ! pool at ! base ( ! f\nta9 are a    
numb] ( graceful gr\ps ( wat] sprites on
 dolph9s1 & f\r l>g] gr\ps repres5t+ !  
f\r great seas4 ,! "o to ! ea/ ( ! ma9  
f\nta9 repres5ts ,! ,atlantic ,ocean z a
 woman ) sea-horses 9 "o h& & coral l   
hair1 on ! back ( a conv5tionaliz$      
dolph94 ,at ! nor? ,! ,nor? ,sea is     
repres5t$ by a sort ( sea-man1 )        
occasional f9s & ) a ?ree-prong$ spe> 9 
h&1 rid+ on a walrus4 ,at ! we/ ,!      
,pacific ,ocean is typifi$ by a woman on
 a rem>kable sea mon/]4 ,& on ! s\? a   
sea-man ) negro-l features1 & ) an      
octopus 9 "o h&1 rides on a             
sea-elephant1 repres5t+ ,! ,s\? ,seas4  
,! ma9 p$e/al ( ! /atue is a globe1     
repres5t+ ! e>?4 ,?is is support$ by a  
s]ies ( figures ( m]maids & m]m54 ,!    
,ea/]n & ,we/]n ,hemisph]es are         
repres5t$ by figures recl9+ on ! globe1 
! "o to ! ea/ a cat-head$ woman1 ! "o to
 ! we/ a bullhead$ man4 ,! b&1 decorat$ 
) aquatic figures1 :i* encircles !      
globe1 sugge/s ! f9al completion ( a    

wat]way ab\t ! e>?4  ,en]gy1 ! ,victor1 
! surm\nt+ gr\p1 typifies ! indomitable 
_s t has a*iev$ ! build+ ( ! ,canal4 ,! 
nude figure ( ,en]gy ) arms out/ret*$   
rides a horse ?r\gh ! waves1 :ile on 8  
%\ld]s /& small] figures ( ,valor 7) a  
wrea?7 & ,fame 7) a sword7 h]ald+ !     
triumph4 ,^! small figures are un=tunate
 !y h>dly belong1 & in/9ctively "o is   
worri$ = _! equilibrium4  ,! :ole f\nta9
 is in/9ct ) en]gy1 & expresses joy\s   
a*ievem5t1 z 0 meant4 ,moreov] x is     
rem>kable 9 its bread? ( conception1 9  
imag9ative int]pretation ( ! !me4 ,b x  
lacks t s5se ( repose :i* w\ld make x   
intimately satisfy+4  ,! f\nta9 0       
design$ by ,a4 ,/irl+ ,cald]4           
,palaces ,fac+ ! ,av5ue ( ,palms    ,!  
adoption ( ! wall$-city plan = !        
,exposition meant ! gr\p+ ( ! m impos+  
ar*itectural effects 9 ! int]ior c\rts1 
! out] facades simply =m+ p>ts ( a      
practically cont9u\s wall ab\t ! :ole4  
,inspir$ by ,spani% ar*itecture ( !     
,r5aissance1 ! int5tion 0 to keep ! wall

 spaces 9 g5]al q b>e1 conc5trat+ !     
decorative effects 9 ri* spots at       
c>efully *os5 int]vals4 ,?us ! out]     
facades ( ! c5tral gr\p ( palaces comb9e
 a simple g5]al =m ) a s]ies ( ri*ly    
ornam5tal portals4 ,! ar*itect :o z     
entru/$ ) ! design+ ( ! wall & all !    
portals 0 ,w4 ,b4 ,faville ( ,bliss &   
,faville4  ,c]ta9 ar*itectural &        
sculptural units are repeat$ ?r\gh\t !  
c5tral gr\p4 ,ea* build+ has a l[ c5tral
 dome1 seldom se5 :5 "o is close to any 
( ! ma9 build+s1 b add+ greatly to !    
decorative effect f a slight di/ance4   
,^! domes are ( ,byzant9e /yle1 & are   
color$ 9 h>moniz+ %ades ( gre5 & p9k4 ,!
 small repeat$ corn] domes add ano!r    
,ea/]n t\*1 & are especially effective  
at night4 ,! out] wall is edg$ all ! way
 ar\nd ) a simple cornice & a few r[s ( 
dull r$ tiles1 di/9ctly ,s\!rn 9 feel+1 
& !re=e h>moniz+ ) bo? ! ,spani% & !    
,italian ,r5aissance doorways4  ,! ,w+$ 
,victory is ! f9e decorative figure t   
cr[ns ! gables ( all ! palaces ( !      

wall$-city4 ,x is broadly modell$1      
massive & yet ref9$1 & f any viewpo9t   
/&s out 9 beautiful silh\ette aga9/ !   
sky4 ,x is by ,l\is ,ulri*4  ,palace (  
,v>i$ ,indu/ries  ,be=e turn+ to ! m    
important s\? facade1 x is well to look 
at ! ea/ wall1 ) its dignifi$ & colorful
 portal4 ,?is is ,roman 9 /yle (        
ar*itecture1 to h>monize ) ! ,palace (  
,ma*9]y opposite4 ,x is simil> 9 g5]al  
=m to ! memorial ar*es & gateways ( !   
,romans1 b 9 ! use ( ar*itectural       
motives & 9 decoration x is ( ,italian  
,r5aissance /yle4 ,! ni*es at ea* end ( 
! gall]y conta9 figures ( ,! ,m9]1 by   
,alb]t ,we9]t4 ,! facade is ornam5t$ )  
buttresses at regul> int]vals1 c>ry+    
figures ( ! ,cali=nia ,be> hold+ a      
scut*eon ) ! /ate seal4  ,return+ to !  
,av5ue ( ,palms & ! s\? facade1 "o sees 
! mo/ important arti/ic feature ( !     
build+1 ! c5tral portal4 ,?is is a copy1
 except = ! figures fill+ ! ni*es1 ( !  
fam\s doorway ( ! ,hospital ( ,santa    
,cruz at ,tol$o1 ,spa94 ,x is 9 ,spani% 

,r5aissance /yle1 ( t especially ri*    
type kn[n z ,plat]esque1 due to its     
lik5ess to ! "w ( ! silv]smi?s ( ! "t4  
,= its grace ( composition1 its         
exquisite detail1 its total effect (    
ri*ness & dep?1 ?is portal is wor?y (   
long /udy4  ,! sculpture ( ! portal is  
all by ,ralph ,/ackpole4 ,9 ! l[] ni*es 
are replicas ( ,! ,man ) a ,pick1 a     
figure t has be5 ju/ly admir$ z a s9c]e 
portrayal ( a simple labor+ type4 ,!    
relief panel 9 ! tympanum repres5ts     
v>i\s types ( indu/ry4 ,f left to "r !  
figures typify ,sp9n+1 ,build+1 &       
,agriculture 7or ! clo?+1 %elt]+ & fe$+ 
( mank9d71 & ,manual ,labor1 & ,comm]ce4
 ,! gr\p 9 ! ni*e above ! ar* %[s a "y  
labor] tak+ ! load f ! %\ld]s ( an old  
man4 ,! s+le figure at ! top ( ! ar* %[s
 ! labor] ?9k+1 & is call$ ,p[]4 ,note  
h[ all ^! sculptures1 :ile hav+         
individual int]e/1 fit unobtrusively    
into ! lace-l portal4  ,palace (        
,manufactures  ,! wall ( ?is build+ is  
brok5 by pila/]s & inset decorative     

panels1 & by a s]ies ( ni*es ) animal   
head f\nta9s4 ,! c5tral portal is pure  
,r5aissance ar*itecture1 aga9 sugge/ive 
( ! ,roman gateway 9 =m4  ,! sculptures 
( ! doorway1 includ+ ! two figures (    
male & female labor 9 ! ni*es1 & ! long 
high-relief panel1 are by ,mahonri ,"y1 
:o is not$ = 8 simple1 p[]ful treatm5t (
 mod]n !mes4 ,! panel repres5ts v>i\s   
bran*es ( manufacture1 includ+ metal "w1
 blacksmi?+1 pott]y-mak+1 sp9n+1 &      
ar*itectural sculpture4  ,palace (      
,lib]al ,arts  ,! facade "h exactly     
duplicates t j describ$1 ev5 to ! ni*e  
figures & panel 9 ! portal4  ,palace (  
,education  ,! ,palace ( ,education has 
?ree ,r5aissance portals on ! s\?       
facade4 ,^! are m ,spani% 9 feel+ ?an ^?
 ( ! two palaces j pass$4 ,! tympanum   
panel ( ! c5tral doorway may be tak5 to 
repres5t k9d]g>t5 tea*+1 in/ruction (   
boys & girls1 & self-education 9 "y     
manhood4 ,x is by ,gu/ave ,g]la*4 ,! two
 panels 9 ! walls ov] ! m9or doorways   
treat v obvi\sly ( educational subjects4

 ,!y are flat 9 m s5ses ?an "o1 lack+ ! 
life ( ! c5tral tympanum gr\p4 ,!y are  
by /ud5ts ( two ,am]ican art s*ools4  ,!
 we/ facade ( ! ,palace ( ,education is 
dom9at$ by an imm5se half-dome1         
impressive 9 size & attractively        
decorat$4 ,! /yle ( ar*itecture "h is   
ma9ly ,roman1 to h>monize ) ! ,f9e ,arts
 ,palace :i* x faces across ! lagoon4   
,!re are two spl5did ar*itectural       
f\nta9s1 "u ! half-dome "h & "u1 t ( !  
,palace ( ,food ,products4  ,sculpture4 
,flank+ ! great ar* are columns c>ry+ ! 
nude figure ( a man1 ) h&s cross$1 gaz+ 
fix$ly 9 ?\ght4 ,9 ! (ficial li/ ?is is 
call$ ,philosophy or ,?\ght1 & f x !    
imm5se portal is call$ ,! ,half-dome (  
,philosophy4 ,b ! same figure occupies !
 correspond+ position be=e ! ,food      
,products ,palace1 & is !re call$       
,physical ,vigor4 ,! tru? is t ! arti/  
design$ ! /atue to sugge/ t f9e/ ( all  
unions ( /r5g?1 ! physically p[]ful man 
?9k+4 ,?us ! figure is appropriate to   
bo? a food products build+ & an         

education build+4 ,! figure is /rong1 b 
is n s conv9c+ or appeal+ z ! same      
arti/'s ,man ) a ,pick1 9 ! ,v>i$       
,indu/ries portal4 ,)9 ! half-dome is a 
repeat$ figure ) a scroll inscrib$      
,libris1 by ,alb]t ,we9]t4  ,! six ni*es
 9 ! we/ wall h two repeat$ /atues by   
,*>les ,r4 ,h>ley1 kn[n z ,! ,triumph ( 
! ,field & ,abundance4 ,!y are simply   
repeat$ f ! ,food ,products ,palace to !
 nor?1 :]e !y prop]ly belong1 & w be    
treat$ 9 ! next *apt] 9 connection ) t  
build+4  ,on ! nor? facade ( ! ,palace (
 ,education are duplicates ( ! ?ree s\? 
portals1 ) ! same sculptur$ panels4     
,palaces ,fac+ ! ,m>9a1 & ! ,column (   
,progress    ,! wall$-city idea1 :i*    
?r[s mo/ ( ! f9e ar*itecture into       
int]ior c\rts1 is ev5 m sev]ely c>ri$   
out 9 ! nor? facades ?an 9 ! s\?4 ,!    
palaces on ! ,m>9a1 inde$1 pres5t a wall
 unbrok5 except by ! c5tral doorways & !
 slight corn] projections4 ,! small     
domes at ! corn]s give a ,moori% t\*1   
rem9isc5t ( ,s\!rn ,spa91 & ! portals   

are direct adaptations f ,spani%        
ma/]pieces4  ,palace ( ,m9es  ,! nor?   
facade ( ! ,palace ( ,m9es is free f all
 ornam5t except ! ri*ly decorative      
c5tral portal4 ,?is is wor?y ( prolong$ 
/udy1 be+ "o ( ! f9e/ bits (            
ar*itectural ornam5t at ! ,exposition4  
,x is design$ v closely aft] ,spani%    
models1 & is ( t transitional p]iod (   
,spani% ar*itecture t came betwe5 !     
,go?ic & ! ,r5aissance1 :5 ,go?ic _h be5
 enri*$ ?r\gh ! influ5ce ( ,moori% art1 
& 0 j beg9n+ to feel ! impulse ( !      
,italian ,r5aissance4 ,note h[ ri* is e 
"p ( ! detail2 !n note h[ all detail is 
subord9at$ to ! mass effect ( ! :ole4   
,! /atues 9 ! ni*es ( ! portal are by   
,all5 ,newman4 ,! c5tral mantl$ figure  
is call$ ! ,conqui/ador1 or conqu]or4 ,!
 arti/ has "h portray$ 9 spirit$ fa%ion 
a f9e type ( ,spani% nobility4 ,! figure
 9 ! side ni*es1 ) an old-/yle pi/ol 9 8
 belt & a rope 9 8 h&1 is ,! ,pirate4   
,! ea/ facade ( ! ,palace ( ,m9es       
duplicates t ( ! ,v>i$ ,indu/ries       

,palace1 & ! we/ facade =ms "o side ( ! 
nor? ,c\rt ( ,abundance4  ,palace (     
,transportation  ,"h ! "o notably       
arti/ic feature is ! c5tral portal on ! 
nor? side1 :i* is an exact replica ( !  
,spani% doorway ( ! ,palace ( ,m9es4  ,!
 ,column ( ,progress  ,?is monum5t      
symbolizes ! en]gy1 ! unconqu]able _s t 
is =ev] press+ =w>d to ov]come new      
ob/acles1 :i* has l$ to ! build+ ( !    
,canal4 ,! idea ( su* a monum5t 0       
conceiv$ by ,a4 ,/irl+ ,cald]1 !        
ar*itectural design is f ! h& ( ,w4     
,symmes ,ri*>dson1 ! reliefs at ! base  
are by ,isidore ,konti1 & ! cr[n+ /atue 
is by ,h]mon ,a4 ,mac,neil4 ,! ,column (
 ,progress z a :ole is among ! f9e/     
arti/ic a*ievem5ts ( ! ,exposition1 & m 
?an any o!r1 p]haps1 is wor?y (         
p]petuation 9 p]man5t mat]ials to       
commemorate = all "t ! op5+ ( ! ,panama 
,canal & ! hold+ ( ! ,exposition4       
,reliefs at base4 ,! high relief frieze 
on ! squ>e base ( ! column repres5ts    
mank9d he$+ ! call to a*ievem5t4 ,on !  

s\? face are allegoric figures call+    
mank9d to ! /ruggle1 ! two wom5 hold+   
palm bran*es1 ! insignia ( victory4 ,on 
! o!r ?ree faces are %[n gr\ps ( figures
 /riv+ =w>d at ! call1 press+ on to     
a*ievem5t1 "s joy\sly1 "s labori\sly1 "s
 /opp$ altoge!r 9 ?\ght4 ,! :ole frieze 
sugge/s ! beg9n+ ( progress4  ,9 !      
spiral t w9ds ab\t ! column c]ta9       
int]pret]s h f\nd a symbol ( ! upw>d m>*
 ( human a*ievem5t2 b z ?is spiral      
decoration is f\nd on ! ,column (       
,trajan & ! ,column ( ,m>cus ,aurelius1 
! ,roman prototypes ( ! ,column (       
,progress1 !re probably is no special   
significance 9 its use "h4  ,support+ ! 
cr[n+ gr\p is a drum ) cr\*+ figures (  
toil]s 9 relief1 entitl$ ,! ,burd5      
,be>]s4  ,! ,adv5tur\s ,b[man is ! title
 ( ! surm\nt+ /atue4 ,! h]oic ,b[man1   
fac+ ! skies & ! seas1 & laun*+ 8 arr[  
into ! unkn[n1 is ! symbol ( ! impulse t
 leads m5 to d>e all to a*ieve victory4 
,at ! left ( ! c5tral figure is a man ( 
small] /ature1 lean+ aga9/ ! ,b[man to  

give him support4 ,on ! o!r side a woman
 cr\*es1 look+ up z ! arr[ spe$s on its 
way4 ,! r+-l object 9 ! woman's h&1 :i* 
is s h>d to id5tify :5 "o views ! gr\p f
 ! gr\nd1 is a wrea?4  ,!re is ab\t !   
,b[man a rem>kable s5se ( movem5t1 (    
en]gy1 ( press+ =w>d1 no matt] :at !    
view po9t ( ! spectator4 ,! monum5t %\ld
 be se5 f z f> nor? z possible1 ne> !   
corn] ( ! ,cali=nia build+1 p]haps4 ,f  
"h1 f ! ,esplanade z "o approa*es f ei!r
 ea/ or we/1 & f ! ,c\rt ( ! ,univ]se at
 ! re>1 ! gr\p has ! same inspirational 
quality1 ! same s5se ( joy\s ef=t1 (    
c\rage\s /riv+ t[>d a*ievem5t4 ,! plac+ 
( ! monum5t :]e x closes ?ree important 
vi/as is comm5d$ = /udy to ^? :o h 9    
*>ge ! arti/ic de/9ies ( our cities4    
,palace ( ,agriculture  ,! nor? facade (
 ! ,palace ( ,agriculture is b>e except 
= ! c5tral portal1 :i* aga9 duplicates t
 ( ! ,palace ( ,m9es4  ,palace ( ,food  
,products  ,! nor? facade ( ?is palace  
duplicates t ( ! ,palace ( ,agriculture4
 ,b :5 "o turns ! we/ corn] into        

,adm9i/ration ,av5ue1 "o f9ds an        
entirely diff]5t atmosph]e1 :]e !       
,spani% ar*itecture has giv5 way to     
,italian4 ,! dom9at+ feature ( !        
build+'s we/ facade is an imm5se        
half-dome1 (ficially call$ ,! ,half-dome
 ( ,physical ,vigor4 ,?is is an exact   
replica ( ! ,half-dome ( ,philosophy on 
! ,education ,palace4  ,sculpture4 ,be=e
 ! half-dome "h1 on columns1 are        
replicas ( ,ralph ,/ackpole's /atue ( ! 
physically vigor\s man 9 ?\ght4 ,inside 
! half-dome is a repeat$ figure ( a man 
) a wrea?1 by ,e>l ,cumm+s4  ,9 ! ni*es 
along ! walls are two alt]nat+          
compositions1 ,abundance & ,! ,triumph (
 ! ,field1 by ,*>les ,r4 ,h>ley4        
,abundance is typifi$ by a seat$ woman1 
) ! conv5tional ov]fl[+ cornucopias     
beside h]1 z well z a conglom]ation (   
details sugge/ive ( ! ri*es ( l& & sea4 
,?is gr\p c]ta9ly belongs to ! ,food    
,products build+1 b x really ought to be
 inside1 ) ! fl[]s made ( butt] & ! t[] 
( rais9s4 ,! ,triumph ( ! ,field %[s a  

man seat$1 & ar\nd him a museum ( anci5t
 symbols ( agriculture1 & ( agricultural
 triumph1 su* z 7 once c>ri$ 9 ! annual 
h>ve/ fe/ivals4 ,^! two gr\ps are among 
! mo/ amus+ ?+s at ! ,exposition2 b     
arti/ically !y c h>dly be said to c\nt  
at all4    ,! ,palace ( ,ma*9]y    ,!   
,palace ( ,ma*9]y1 l>ge/ ( all !        
/ructures at ! ,exposition1 t]m9ates !  
ma9 build+ axis at ! ,ea/4 ,x is        
monum5tal 9 proportions1 & is well suit$
 to its purpose ( h\s+ an imm5se display
 ( ma*9es4  ,ar*itecture  ,! ar*itecture
 0 evid5tly inspir$ by ! great ba?s (   
anci5t ,rome1 :i* 7 simil> 9 /yle1 size1
 & detail4 ,! scale is s great-?is is   
said to be ! l>ge/ wood5 build+ 9 ! _w- 
t x is some?+ ( an a*ievem5t to h made !
 /ructure any?+ b b>n l4 ,by ! ri*ness (
 ! cornices & ! c>eful spac+ ( ! op5+s !
 ar*itect has made x ornam5tal1 & has   
giv5 x a sort ( noble dignity-?\gh "o   
hesitates to comp>e x ) ! palaces ( !   
c5tral gr\p4  ,! mo/ int]e/+            
ar*itectural bit 9 connection ) !       

,palace ( ,ma*9]y is ! entrance ve/ibule
 "u ! ?ree c5tral ar*ways4 ,/&+ at ei!r 
end ( ! portico "o obta9s a rem>kable   
impression ( spaci\sness comb9$ )       
decorative complet5ess4 ,! color+ )9 !  
high ve/ibule is p>ticul>ly pleas+4  ,)9
 ! build+ ! unconceal$ truss+1 in/ead ( 
giv+ a s5se ( b>r5ness & lack ( f9i%1   
resolves itself into a sort ( lace-l    
decorative s*eme1 ! :ole effect be+     
peculi>ly ornam5tal4  ,! ,palace (      
,ma*9]y 0 design$ by ,cl>5ce ,r4 ,w>d4  
,sculpture  ,! sculpture "h consi/s ( ! 
s]ies ( f\r nude male figures on !      
column drums1 & sp&rels = ! ma9 & m9or  
doorways1 & a widely diff]5t gr\p1 ,!   
,g5ius ( ,creation1 be=e ! ma9 we/]n    
portal4 ,all b ! latt] gr\p repres5t    
,types ( ,p[]4  ,! figures surm\nt+     
columns1 flank+ ! ?ree ar*es ( ! c5tral 
doorway1 repres5t ,/eam ,p[]1 ,inv5tion1
 ,electricity1 & ,imag9ation4  ,/eam is 
symboliz$ z a man hold+ a long lev]4    
,inv5tion is repres5t$ z a man hold+ =? 
a m9iature w+$ figure at :i* he gazes   

/eadily4  ,! figure ( ,electricity holds
 jagg$ lightn+1 conv5tional symbol (    
electricity4  ,imag9ation1 primal p[]   
back ( all ma*9]y design1 is repres5t$  
by a figure ) arm ?r[n back ( head1 &   
seem+ly ) eyes clos$4  ,consid]$ simply 
z portrayals ( p[]1 ^! f\r virile       
figures are v successful1 & !y s]ve well
 to c>ry out ! s5se ( imm5sity & /r5g? t
 *>act]izes ! entire build+4 ,b !y are n
 at all poli%$ or subtle1 lack+ !       
ref9em5t t w\ld make !m int]e/+ z some?+
 besides vigor\s types4 ,all f\r figures
 are by ,haig ,patigian4 ,!y are repeat$
 9 diff]5t ord] on columns be=e ! nor? &
 s\? portals ( ! build+4  ,! bas-relief 
friezes ab\t ! bases ( ! ve/ibule       
columns are also by ,haig ,patigian4 ,! 
w+$ figure1 typify+ ,ma*9]y1 l5ds itself
 to decorative uses bett] ?an ! purely  
human type1 & ! arti/ has work$ 9 v>i\s 
me*anical symbols q clev]ly4 ,! c>d9al  
pr9ciple 9 sculptural decoration ( ?is  
sort is t ! frieze1 l ! :ole column1 mu/
 c>ry an impression ( support4 ,x w be  

notic$ t no room has be5 left above !   
head or bel[ ! feet2 & ! disposition ( !
 w+s & arms fur!r adds to ! feel+ t !   
figures are a true /ructural unit r ?an 
m]e ornam5t /uck on4  ,! sp&rels ov] !  
m9or ar*es 9 ! ve/ibule1 aga9 typify+   
,ma*9]y1 are equally successful 9 s]v+  
an ar*itectural purpose4 ,mural         
sculpture1 l mural pa9t+1 mu/ nev] be   
all[$ to make a hole 9 ! wall4 ,notice  
h[ fully ! figures cov] ! giv5 space1   
)\t any backgr\nd to draw ! eye beyond !
 surface4 ,^! sp&rels are also by ,haig 
,patigian4 ,! column reliefs & ! sp&rels
 are repeat$ at ! m9or doorways ( !     
build+4  ,! ,g5ius ( ,creation1 a       
magnific5tly conceiv$ gr\p ( sculpture1 
has be5 plac$1 r un=tunately1 9 front ( 
! ma9 we/ portal ( ! ,palace ( ,ma*9]y4 
,x is by ,daniel ,*e/] ,fr5*1 :o is     
g5]ally consid]$ ! dean ( ,am]ican      
sculptors4 ,! ,g5ius ( ,creation is     
portray$ z a huge w+$ figure1 en?ron$   
ov] ! =mless mass ( e>?1 ) head b[$ &   
arms out/ret*$1 call+ human life into   

be+4 ,at ! two sides a man & a woman1   
f9e /rong figures bo?1 /& look+ =?1 !   
man c\rage\sly1 ! woman a little m      
timidly4 ,& at ! back1 z if to signify !
 mutual dep5d5ce ( man & woman1 ! h&s   
seek to t\*4 ,a s]p5t encircles ! base (
 ! gr\p1 symboliz+ wisdom-or z "s pref] 
to int]pret x1 ev]la/+ life4 ,?is s]p5t 
is probably n ! "o t _h s mu* to d ) !  
life ( ! fir/ c\ple on e>?4  ,! /atue   
expresses1 ( c\rse1 ! or?odox idea (    
creation1 & x is int]e/+ to contra/ x ) 
! sculpture ( ! ,c\rt ( ,abundance1 :i* 
9 g5]al gives expression to ! doctr9e ( 
evolution4 ,! /rong1 almo/ sev]e1 mo!rly
 figure is f9ely religi\s 9 feel+4 ,!   
sculptor himself has comm5t$ on !       
religi\s tone t runs ?r\gh mu* ( !      
,exposition sculpture1 rem>k+ especially
 ! preval5ce ( w+$ angel-figures4 ,!    
read] is left to decide h[ f> ?is has   
result$ f ! fact t ! w+$ =m is          
ess5tially decorative1 & h[ f> f        
rev]5ce4  ,view$ entirely f ! ae/hetic  
side1 )\t reg>d to ! symbolism1 ! ,g5ius

 ( ,creation is "o ( ! mo/ satisfy+     
works on ! gr\nds4 ,x is too bad t x 0  
plac$ be=e a backgr\nd ( brok5 spaces1 &
 be=e a colorful facade t makes x seem  
pale4 ,b 9 x is t reposeful /r5g? :i*   
*>act]izes s mu* ( ,fr5*'s "w-a s5se (  
complet5ess1 ( fullness1 t is p]haps !  
mo/ s\l-satisfy+ quality ( great        
sculpture4    ,! ,s\? ,g>d5s1 ,fe/ival  
,hall1 & ! ,palace ( ,horticulture      
,if !re is "o portion ( ! ,exposition   
build+ s*eme t does n seem to belong to 
! ma9 gr\p ( palaces1 x is t :i* lies   
s\? ( ! ,av5ue ( ,palms1 includ+ ! ,s\? 
,g>d5s1 ,fe/ival ,hall1 & ! ,palace (   
,horticulture4 ,! relation ( ! two      
build+s to ! ma9 c\rts & palaces is     
cle>3 ,fe/ival ,hall t]m9at+ ! cross    
axis ?r\gh ! ,c\rt ( ,abundance & !     
,c\rt ( ,fl[]s2 ! ,palace (             
,horticulture t]m9at+ ! cross axis ?r\gh
 ! ,c\rt ( ! ,f\r ,seasons & ! ,c\rt (  
,palms4 ,b ?\gh ! organic relation%ip is
 app>5t1 ! lea/ discrim9at+ ( critics c 
see t ^! build+s are ( an ar*itectural  

/yle n 9 h>mony ) ! c5tral gr\p (       
palaces4 ,bo? /ructures lack t f9e s5se 
( proportion & t simple & impressive    
dignity :i* *>act]ize ! ar*itecture ( ! 
c\rts2 & bo? are m or less pret5ti\s &  
ornate4  ,! ,s\? ,g>d5s  ,! ,s\? ,g>d5s1
 l ! build+s1 h a c]ta9 magnific5ce b at
 ! same "t lack any di/9ctive appeal4 ,!
 ?ree bas9s ) _! f\nta9s are impos+1 & !
 individual b$s ( fl[]s are gorge\s 9 _!
 pr(use mass+ ( color2 b ! di/ances are 
s great1 & ! s5se ( enclosure t means s 
mu* to g>d5s is s f> lack+1 t ! lov] (  
=mal g>d5+ w be less satisfi$ "h ?an at 
sev]al o!r places 9 ! gr\nds4           
,sculpture4 ,! sculpture ( ! ,s\? ,g>d5s
 is all on ! ?ree f\nta9s4 ,! imm5se    
c5tral gr\p1 ! ,f\nta9 ( ,en]gy1 already
 has be5 describ$4 ,9 ! o!r two bas9s ! 
,m]maid ,f\nta9 is repeat$4 ,?is is an  
attractively ornate bit ( decorative    
design1 surm\nt$ by ! figure ( a m]maid 
) a dolph94 ,! figure 0 model$ f designs
 by ,ar?ur ,putnam4 ,x is typical ( !   
f9e /r5g? ( 8 "w1 & at ! same "t appeal+

 by ! grace ( its s9u\s l9es4  ,fe/ival 
,hall  ,fe/ival ,hall1 design$ = ! _m   
conv5tions & musical fe/ivals ( !       
,exposition p]iod1 is ( typically ,fr5* 
ar*itecture ( ! mod]n s*ool4 ,! build+  
is n unpleas+1 b !re is little ab\t x to
 hold ! int]e/4 ,rob]t ,f>quh> 0 !      
ar*itect4  ,sculpture4 ,all ! sculpture 
on ,fe/ival ,hall is ! "w ( ,%]ry ,e4   
,fry4 ,! figures are well suit$ to _!   
purpose1 f ! sl5d] ,tor*-,be>]1 surm\nt+
 ! m9or domes1 to ! heavy recl9+ figures
 on ! pylons at ! ma9 entrance4 ,mo/ ( !
 /atues are too r\ghly f9i%$ to h m ?an 
a decorative int]e/1 b ! two gr\ps      
flank+ ! ma9 /airway are wor?y ( /udy4  
,^! two ,fl[] ,girls1 "o on ei!r side1 h
 a beautiful fl[+ grace4 ,b q ! mo/     
appeal+ ?+s "h are ! two m9or figures   
be=e ! p$e/als on :i* ! ,fl[] ,girls /&4
 ,be=e ! "o at ! nor? is a captivat+ boy
 ,pan ) a liz>d4 ,half hidd5 9 ! %rubb]y
 at ! o!r side is ! sitt+ figure ( a    
girl1 attractively immature & *>m+ 9    
l9e4  ,palace ( ,horticulture  ,!       

,palace ( ,horticulture is *>act]iz$ by 
t comb9ation ( ,ea/]n & ,we/]n          
ar*itectural motives :i* is s noticeable
 ?r\gh\t ! build+s4 ,! dome is          
,byzant9e1 :ile ! re/ ( ! build+ is (   
,r5aissance1 or mod]n1 ,fr5*            
ar*itecture4 ,! dome consid]$ alone is  
an almo/ p]fect bit ( design1           
beautifully proportion$ & f9ely simple4 
,! re/ ( ! build+ is 9 g5]al            
ov]-decorat$1 ! portals especially be+  
heavily load$ d[n ) mean+less ornam5t4  
,apologi/s = ! build+ say t ! pr(use    
ornat5ess rightly sugge/s ! ri*ness (   
,cali=nia's horticulture4 ,p]haps ! be/ 
view ( ! dome is f ! ea/ end ( ! ,av5ue 
( ! ,nations1 ne> ! ,d5m>k build+1      
because f !re "o c see x unob/ruct$1    
escap+ ! di/urb+ effect ( ! portals & _!
 spires4 ,! ,palace ( ,horticulture 0   
design$ by ,bakewell & ,br[n ( ,san     
,francisco4  ,sculpture4 ,all ( !       
sculpture "h is purely decorative4 ,!   
frieze at ! base ( ea* spire1 consi/+ ( 
heavy female figures model$ 9 pairs1 is 

by ,e4 ,l4 ,b\ti]4 ,! ornam5tal         
,c>yatides ( ! por*es are by ,john      
,bateman4    ,palace ( ,f9e ,arts    ,! 
,f9e ,arts ,palace has be5 m admir$1    
probably1 ?an any o!r ar*itectural unit 
at ! ,exposition4 ,! reasons are n f> to
 seek4 ,! ar*itect has us$ ^? classic   
=ms :i* = ages h be5 recogniz$ z be/    
suit$ to monum5tal /ructures1 & yet he  
has us$ !m ) orig9ality4 ,! build+ is   
classically noble1 b )\t classic au/]ity
 or coldness4 ,x is at once beautiful 9 
=m1 ri* 9 decorative detail1 &          
satisfy+ly w>m 9 color4 ,moreov]1 x has 
! f9e/ sett+ ( all ! ,exposition        
build+s4 ,! bigness ( conception1 !     
boldness ) :i* ! l>ge/ ar*itectural     
elem5ts h be5 h&l$1 ! p]fect arrangem5t 
( ar*itecture1 plant+1 & reflect+       
wat]s-all ^! comb9e to create ! mo/     
compell+ picture on ! gr\nds4  ,!       
arrangem5t ( ! build+ is deceptive4 ,z  
"o looks at x across ! lagoon1 x seems l
 a s+le unit1 s well does ! plant+ tie x
 toge!r1 ?\gh !re are really f\r        

unconnect$ /ructures3 ! rotunda1 two    
deta*$ p]i/yles at ! sides1 & ! art     
gall]y prop] at ! back4  ,ar*itecture   
,! /yle ( ar*itecture is ,classic1      
freely treat$4 ,! rotunda is ,roman4 ,! 
p]i/yle is m ,greek 9 feel+1 9 !        
simplicity ( g5]al =m1 ) spl5didly      
model$ capitals1 full /rong columns1 &  
dignifi$ cornice4 ,! curv$ facade ( !   
ma9 build+1 fac+ ! rotunda & p]i/yle1 is
 v orig9al 9 its arrangem5t ( classic   
ar*itectural motives & masses ( foliage1
 ) a ,pompeian p]gola on top4  ,! color 
s*eme ( ! :ole build+ is wor?y ( /udy4  
,& al?\gh ! /ructure :5 se5 by day      
des]ves all ! praise t has be5 be/[$ ^u 
x1 by night its beauty is beyond        
description4 ,"o %\ld sit long at ! edge
 ( ! lagoon opposite ! rotunda1 & wat* !
 illum9at$ build+ itself & its          
reflection 9 ! wat]s bel[1 to feel !    
full spell ( x4 ,no "o %\ld miss1 ei!r1 
! walk betwe5 ! p]i/yle & ! ma9 build+  
on "o ( ^? nights :5 !re is s(t local   
illum9ation1 = n[h]e else on ! gr\nds   

has ! poetry ( light+ be5 s p]fectly    
realiz$4  ,! ar*itect ( ! ,f9e ,arts    
,palace 0 ,b]n>d ,r4 ,maybeck1 a        
,cali=nian4  ,sculpture  ,! sculpture   
ab\t ! lagoon1 includ+ t "u ! p]i/yle & 
rotunda1 is to be treat$ 9 ! next *apt]1
 except t :i* is def9itely a "p ( !     
build+'s integral decorative s*eme4  ,! 
reliefs outside ! rotunda1 on ! attic   
above ! cornice1 repres5t man's ef=t to 
ga9 ! ideal ( art4 ,to see ^! reliefs   
be/1 "o %\ld /& directly across ! lagoon
 f ! rotunda4 ,9 ! panel fac+ ,ea/ "o   
sees ! figure ( ,art p]sonifi$4 ,on ei!r
 side is a gr\p %[+ ! *ampions ( art    
combat+ c5taurs1 t /& = ! commonplace1  
mat]iali/ic ?+s ( life4 ,9 ! next panel 
to ! left1 fac+ ,s\!a/1 is repres5t$ !  
bridl+ ( ! w+$ horse ,pegasus1 :i* to ! 
,greeks symboliz$ ! atta9m5t ( poetic   
inspiration4 ,"h also are figures       
repres5t+ ! arts ( lit]ature1 sculpture 
& music1 by ! famili> symbols1 a lamp1 a
 /atuette & a lute4 ,! panel to ! "r ( !
 c5t] "o %[s ,apollo1 sun-god &         

patron-god ( ! arts1 drawn 9 8 *>iot1 ) 
a procession ( devotees4 ,^! panels are 
repeat$ on ! o!r five faces ab\t ! dome4
 ,!y are among ! f9e/ reliefs on !      
,exposition build+s1 & are by ,bruno    
,l\is ,zimm4  ,! figures )9 ! rotunda1  
surm\nt+ ! eight columns are ,prie/esses
 ( ,culture1 by ,h]b]t ,adams4  ,!      
fl[]-box sculptures are by ,ulric ,h4   
,ell]hus5-bo? ^? on ! gr\nd & ^? at !   
corn]s ( ! boxes surm\nt+ ! p]i/yle4 ,! 
ladies on ! latt]1 look+ s /eadily into 
! boxes1 d n repres5t ,curiosity4 ,!    
plan 0 to h masses ( foliage ov]fl[+1 & 
half-cov]+ ! figures2 & :5 ?is 0 giv5   
up1 ! decorative wom5 gave ! unexpect$  
impression ( be+ deeply absorb$ 9 some?+
 happ5+ out ( sight ( ! spectator bel[4 
,an explanation :i* has ga9$ "s curr5cy 
is t ! figures repres5t ,introspection1 
:i* seems q apropos4  ,! kneel+ figure  
7unnam$7 on ! edge ( ! lagoon be=e !    
rotunda is by ,ralph ,/ackpole4 ,x is "o
 ( ! mo/ appeal+ bits ( all !           
,exposition sculpture1 well express+    

devotion & rev]5ce4 ,x _c be rea*$ f !  
rotunda side1 ?is portion ( ! %ore be+  
clos$ to ! public4  ,! figure ov] !     
doorway ( ! gall]y is ,leo ,l5telli's   
,aspiration4 ,dur+ ! e>ly mon?s ( !     
,exposition ?is /atue 0 susp5d$ f beh9d1
 ! base on :i* x n[ /&s hav+ be5 plac$  
late 9 ! ,spr+4 ,z ! figure fir/ appe>$1
 hang+ 9 air1 x caus$ m comm5t ?an any  
o!r sculpture on ! gr\nds4 ,! mo/       
appropriate explanation 0 t s9ce !      
figure lack$ any visible means ( support
 x probably 0 meant to repres5t         
,cali=nia ,art4 ,ev5 ! rec5t alt]ations 
h fail$ to save x f seem+ graceless &   
out ( place4  ,mural ,pa9t+s  ,! eight  
panels 9 ! dome ( ! rotunda are by      
,rob]t ,reid4 ,!re are two s]ies ( f\r  
pa9t+s ea*1 call$ ,! ,bir? & ,influ5ce (
 ,art1 & ,! ,f\r ,gold's ( ,cali=nia4   
,!y =m p]haps ! lea/ int]e/+ ( ! sev]al 
gr\ps ( murals1 be+ vague 9 mean+1      
unpleasantly re/less 9 composition1 &   
only occasionally attractive 9 color+4  
,! easie/ panel to id5tify is t call$ ,!

 ,bir? ( ,ori5tal ,art1 :i* is on ! we/ 
wall1 close/ to ! doorway ( ! ma9       
build+4 ,/>t+ ) ?is & foll[+ ar\nd !    
dome to ! "r1 ! pictures are 9 ?is ord]3
  #a4 ,! ,bir? ( ,ori5tal ,art4 ,a man 9
 armor on a fanciful1 dragon is attack+ 
an eagle1 symboliz+ man's ef=t to atta9 
! inspiration ( ! heav5s4 ,bel[1 ,*9a c 
be recogniz$ 9 ! man ) a brilliant      
color$ robe1 & ,japan 9 ! woman ) !     
bright p>asol4  #b4 ,gold is symboliz$  
by a woman ) a w&1 on a cornucopia      
ov]fl[+ ) gold4  #c4 ,! ,ideals ( ,all  
,art4 ,! ideals :i* animate arti/s are  
%[n3 ,tru? ) h] glass2 ,religion typifi$
 9 ! ,madonna & *ild2 ,beauty1 ) !      
peacock2 & ! ,militant ,ideal ) a flag4 
,above & bel[ are figures c>ry+ ! wrea? 
& ! palm1 ! arti/'s tok5s ( success 9   
atta9+ ! ideal4  #d4 ,poppies1 ! second 
gold ( ,cali=nia4  #e4 ,! ,bir? (       
,european ,art4 ,f\r figures surr\nd an 
alt> on :i* burns ! sacr$ fire1 ?ree be+
 m]ely att5dants pres]v+ ! flame1 & !   
f\r? ! gu>dian hold+ high a tor* lit at 

! alt>4 ,a man f e>? grasps ?is tor* z  
he leans f 8 fly+ *>iot4 ,a woman 9 !   
l[] corn] holds a cry/al gaz+-globe1    
:]e9 ! future ( art has be5 reveal$1 &  
%e turns to gaze aft] ! man :o is c>ry+ 
! sacr$ fire to e>?4  #f4 ,citrus       
,fruits1 ! ?ird gold ( ,cali=nia4  #g4  
,! ,inspiration ( ,all ,art4 ,two       
,angels ( ,inspiration are at ! top1    
:ile bel[ to ! left are ,sculpture1 ) a 
w+$ /atuette1 & ,ar*itecture1 ) ! scroll
 & compass2 & to ! "r1 ,pa9t+1 ) bru% & 
palette1 ,music1 ) a lyre1 & ,poetry1 ) 
a book4  #h4 ,:eat1 ! f\r? gold (       
,cali=nia4    ,! ,outdoor ,gall]y (     
,sculpture    ,_m ( ! f9e/ bronzes &    
m>bles ( ! sculpture section are giv5 an
 adequate sett+ :i* w\ld be impossible  
)9 ! gall]y build+1 by be+ plac$ 9 !    
op51 along ! two ends ( ! lagoon1 ?r\gh 
! p]i/yles1 & "u ! ,f9e ,arts rotunda4  
,z ?is gr\p ( sculpture embraces all    
types f ! playful to ! v s]i\s1 x is    
fooli% to try to appreciate ! :ole s]ies
 at "o "t4 ,p]haps ! be/ way is to />t  

fir/ to famili>ize oneself ) ! small]   
bronzes ( ! purely lyric type1 ! *>m+   
g>d5 figures1 sun-dials1 & m9iature     
f\nta9s1 t make up su* an attractive "p 
( ! collection4 ,note h[ (t5 ! names (  
,edw>d ,b]ge1 ,janet ,scudd] & ,anna    
,coleman ,ladd recur 9 connection ) ?is 
graceful1 intimately appeal+ sort (     
sculpture4 ,on ano!r day1 :5 life seems 
sob]]1 sp5d all y\r "t 9 /udy ( ! m     
s]i\s works1 su* z ,sa9t ,gaud5s' ,seat$
 ,l9coln1 & ,mc,kenzie's ,! ,"y         
,frankl91 not+ h[ ! dignity1 sur5ess (  
t\*1 & s\nd purpose ( ^! make !m m      
appeal+ ) long] acqua9tance4 ,on ano!r  
day take ! int]m$iate gr\p1 t is        
dignifi$ b less au/]e 9 !me-su* works z 
,%]ry ,fry's ,peace1 & ,b]ge's ,muse    
,f9d+ ! ,head ( ,orpheus4 ,/udi$        
sy/ematically1 !re is 9 ?is s]ies (     
/atues a broad education 9 !            
appreciation ( sculpture4  ,= conv5i5ce 
9 ref]5ce ! :ole s]ies is li/$ "h4 ,9   
reg>d to ^? works :i* ! labels make     
self-explanatory1 no comm5t is add$1    

unless to call att5tion to "s special   
quality :i* ! unpractic$ eye might miss4
 ,:]e ! symbolism or /ory is obscure1 an
 explanation is giv54  ,s\? ( ! lagoon  
are3 #a4 ,sea ,lions by ,fr$]ick ,g4 ,r4
 ,ro?4 #b4 ,! ,sc\t by ,cyrus ,e4       
,dall94 ,note ! rem>kable clean-cut     
quality ( ?is eque/rian /atue4 #c4 ,w9d 
& ,spray f\nta91 by ,anna ,coleman      
,ladd4 #d4 ,diana by ,haig ,patigian-a  
graceful /atue ( ! ,greek goddess ( !   
hunt1 :i* is 9 m>k$ contra/ to ! same   
arti/'s /rong figures on ! ,palace (    
,ma*9]y4 #e4 ,peace by ,%]ry ,e4 ,fry4  
,?is beautifully model$ figure has a    
classic simplicity t is wor?y ( /udy4   
#f4 ,am]ican ,bison by ,a4 ,p4 ,proctor4
  ,beyond ! second ,bison1 beside !     
roadway t runs beh9d ! ,f9e ,arts       
,palace1 is a model ( ! ,kirkpatrick    
,monum5t1 at ,syracuse1 ,new ,york1 by  
,gail ,%]man ,corbett4 ,! c5tral figures
 repres5t an ,indian discov]+ to a      
,jesuit prie/ ! wat]s ( an hi/oric salt 
spr+ at ,syracuse4  ,9 ! circle at ! s\?

 end ( ! p]i/yle are3 #a4 ,seat$ ,l9coln
 by ,augu/us ,/4 ,gaud5s g5]ally        
consid]$ "o ( ! noble/ works ( ! greate/
 ,am]ican sculptor4 ,note especially !  
dignity ( ! :ole1 & ! sympa!tic model+ (
 ! face4 #b4 ,bu/ ( ,halsey ,c4 ,ives by
 ,victor ,s4 ,holm4 #c4 ,bu/ ( ,william 
,h[>d ,taft by ,rob]t ,aitk54 #d4 ,h5ry 
,w>d ,bee*] by ,john ,qu9cy ,adams      
,w>d-a dignifi$ & well-kn[n life-size   
/atue4  ,along ! s\? p]i/yle are 7at !  
"r7 #a4 ,pip+ ,pan by ,l\is ,/4 ,gaud5s4
 #b4 ,fly+ ,cupid by ,janet ,scudd]4 #c4
 ,muse ,f9d+ ! ,head ( ,orpheus by      
,edw>d ,b]ge-a m>ble well expressive (  
g5tle grief4 ,orpheus1 sweete/ musician 
( ,greek my?ology1 aft] fail+ to recov] 
8 belov$ ,eurydice f ! und]world1 9 8   
sorr[ scorn$ ! ,?racian nymphs1 :o 9 _! 
ang] dismemb]$ him4 ,8 head 0 wa%$ up by
 ! sea & f\nd by ! sorr[+ ,muses4 #d4   
7,at ! left7 ,mi*ael ,angelo by ,rob]t  
,aitk51 %[+ ! ma/]-sculpture at "w on "o
 ( 8 fam\s figures4 #e4 7,at ! "r7 ,"y  
,pan by ,janet ,scudd]4 #f4 7,at ! left7

 ,wood ,nymph by ,isidore ,konti4 #g4   
,"y ,"m ) ,*ild by ,furio ,piccirilli4  
#h4 7,at ! "r7 ,wild ,fl[] by ,edw>d    
,b]ge4 #i4 7,at ! left7 ,eurydice by    
,furio ,piccirilli4 #aj4 7,at ! "r7 ,boy
 & ,frog by ,edw>d ,b]ge4 #aa4 7,at !   
left7 ,danc+ ,nymphs by ,ol9 ,l4 ,w>n]4 
#ab4 ,idyl by ,olga ,pop(f ,mull]4 #ac4 
,an ,outca/ by ,attilio ,piccirilli4    
#ad4 7,beside ! doorway7 ,y\? by ,*>les 
,c>ey ,rumsey4 ,be=e ! doorway is to be 
plac$ ,! ,pione] ,"m ,monum5t by ,*>les 
,grafly4  ,ab\t ! rotunda are3 #a4      
7,outside ! s\?we/ ar*way7 ,?omas       
,jeff]son by ,k>l ,bitt]4 #b4 7,9 c5t] (
 rotunda7 ,lafayette by ,paul ,wayl&    
,b>tlett-! /atue giv5 by ,am]ica to     
,france4 #c4 ,l9coln by ,daniel ,*e/]   
,fr5*1 a dignifi$ portrayal t _c be     
ju/ly judg$ f ! pla/] model "h exhibit$4
 #d4 ,relief by ,ri*>d ,h4 ,rec*ia1     
repres5t+ ,ar*itecture4 #e4 ,commodore  
,b>ry ,memorial by ,john ,j4 ,boyle4 #f4
 ,relief by ,ri*>d ,h4 ,rec*ia1         
repres5t+ ,ar*itecture4 #g4 ,pr9ceton   

,/ud5t ,memorial by ,daniel ,*e/] ,fr5* 
a noble treatm5t ( a difficult !me4 #h4 
,! ,"y ,frankl9 by ,rob]t ,tait         
,mc,kenzie4 ,?is is a f9e conception1 9 
:i* ! sculptor has escap$ f !           
conv5tional pa? ( monum5tal portraiture4
 #i4 7,on walls ( we/ ar*way7 ,reliefs  
by ,bela ,l4 ,pratt1 repres5t+          
,sculpture4 #aj4 7,outside we/ ar*way7  
,portrait ( a ,boy by ,alb9 ,polasek4   
#aa4 ,! ,awak5+ by ,l9dsey ,morris      
,/]l+4 #ab4 7,beside nor?we/ ar*way7    
,william ,cull5 ,bryant by ,h]b]t       
,adams4  ,along ! nor? p]i/yle are3 #a4 
7,beside ma9 doorway ( gall]y7 ,beyond  
by ,*e/] ,bea*4 #b4 ,! ,s[] by ,alb9    
,polasek4 #c4 ,! ,c5taur by ,olga ,pop(f
 ,mull]4 #d4 ,boy ) ,fi% by ,bela ,l4   
,pratt4 #e4 7,at ! "r7 ,return+ f !     
,hunt by ,john ,j4 ,boyle4 #f4 7,at !   
left7 ,l',am\r by ,evelyn ,beatrice     
,longman-a m>ble :]e9 ! woman's figure  
is t5d]ly beautiful4 #g4 ,g>d5 ,figure  
by ,edi? ,woodman ,burr\ghs4 #h4 7,at ! 
"r7 ,fight+ ,boys ,f\nta9 by ,janet     

,scudd]4 #i4 ,soldi] ( ,m>a?on by ,paul 
,noquet4 #aj4 7,at ! left7 ,y\? by      
,victor ,d4 ,salvatore4 #aa4 7,at ! "r7 
,primitive ,man by ,olga ,pop(f ,mull]4 
#ab4 ,! ,scalp by ,edw>d ,b]ge-an       
unpleasant bit ( realism4 #ac4 7,at !   
left7 ,apollo by ,haig ,patigian4 #ad4  
7,at ! "r7 ,a ,faun's ,toilet by        
,attilio ,piccirilli4 #ae4 ,duck ,baby  
,f\nta9 by ,edi? ,b>retto ,p>sons4 #af4 
,maid5 ( ! ,roman ,campagna by ,alb9    
,polasek-a figure in/9ct ) ! _s ( !     
antique4  ,on ! circle at ! nor? end ( !
 p]i/yle are3 #a4 7,at ! "r7 ,"y ,diana 
by ,janet ,scudd]-a "y goddess ( ! hunt1
 conceiv$ 9 mod]n _s1 ) rem>kable fre$om
 & grace ( movem5t4 #b4 ,great ,danes by
 ,anna ,vaughan ,hyatt4 #c4 7,9 walk7   
,sundial by ,h>riet ,w4 ,fri%mu?4 #d4   
,bondage by ,c>l ,augu/us ,heb]4 #e4    
,boy ,pan ) ,frog by ,clem5t ,j4        
,b>nhorn4 #f4 ,sundial by ,gail ,%]man  
,corbett4 #g4 ,?ree f\nta9 gr\ps 9 "o   
bas91 all by ,anna ,coleman ,ladd4 ,( ^!
 ! ,sun ,god & ,py?on has be5 especially

 admir$ z a spirit$ & graceful bit ( "w4
 #h4 7,on ! lagoon side ( ! circle7 ,"m 
( ! ,dead by ,c4 ,s4 ,pietro-a s9c]e &  
p[]fully reali/ic "w1 & q unlike any?+  
else 9 ! outdoor gall]y4 #i4 7,9 walk7  
,*ief ,ju/ice ,m>%all by ,h]b]t ,adams4 
#aj4 ,de/9y by ,c4 ,p]cival ,diets*4    
#aa4 ,sundial by ,edw>d ,b]ge4 #ab3     
,daught] ( ,pan by ,r4 ,h9ton ,p]ry4    
#ac4 ,head ( ,l9coln by ,adolph ,a4     
,we9man4  ,along ! roadway to ! left1 z 
"o leaves ! circle1 are two sculptures3 
,bird ,f\nta9 by ,c>ol9e ,risque1 &     
,prima ,mat] by ,victor ,s4 ,holm4      
,nor? ( ! lagoon are3 #a4 ,fragm5t ( !  
,f\nta9 ( ,"t by ,lorado ,taft4 #b4     
,nymph by ,edmond ,t4 ,qu9n4 #c4 ,dy+   
,lion by ,paul ,wayl& ,b>tlett4 #d4     
,rock & ,fl[] ,gr\p by ,anna ,coleman   
,ladd4 #e4 ,:ale-man by ,bela ,l4       
,pratt4  ,on ! isl& at ! nor? end ( !   
lagoon is a f\nta9 by ,rob]t ,pa9e4     
,! ,f9e ,arts ,gall]ies    ,d n visit ! 
,f9e ,arts exhibits bl9dly1 )\t kn[+ :at
 !y are aim$ to %[2 & d n try to see !  

:ole exhibition 9 "o day4 ,fir/ und]/& !
 scope & arrangem5t ( ! displays1 & !n  
foll[ "s def9ite sy/em by :i* y are sure
 to get ! be/ out ( ea* individual      
section4 ,x is bett] to see "o "p       
?or\ghly ?an to c>ry away a confus$     
impression ( ! :ole4  ,! scope ( !      
exhibit is limit$ to pa9t+1 sculpture & 
pr9t-mak+1 except 9 ! ,ori5tal sections4
 ,9 pa9t+ ! prim>y aim has be5 to make a
 repres5tative display ( contempor>y "w4
 ,mo/ ( ! gall]ies conta9 only canvases 
pa9t$ )9 ! la/ t5 ye>s4 ,b 9 ord] to    
correct ! common misconception t        
,am]ican art is entirely a ?+ ( today1  
)\t hi/orical backgr\nd1 a few rooms are
 giv5 up to hi/oric works ( ! v>i\s e>ly
 ,am]ican s*ools1 & to works ( ! =eign  
s*ools t h influ5c$ ! developm5t (      
,am]ican art4  ,! arrangem5t ( !        
gall]ies %\ld be ma/]$ be=e "o />ts to  
/udy4 ,9 g5]al !re are ?ree divisions ( 
exhibits4 ,at ea* end is a gr\p ( =eign 
sections1 & ! great middle space is giv5
 up to ,am]ican art4 ,! accompany+      

diagram is design$ prim>ily to make cle>
 ! location ( ! sev]al divisions4 ,!    
visitor w f9d x wor? :ile to rememb] t a
 ma9 c5tral corridor runs ! :ole l5g? ( 
! ,unit$ ,/ates ,section4 ,by cont9ually
 ref]r+ to ?is corridor1 "o c keep "o's 
be>+s fairly well4  ,! me?od ( see+ !   
gall]ies t is sugge/$ 9 ?is guide is    
bas$ on ! (ficial classification z f> z 
possible3 ! =eign sections are tak5 9   
ord]1 & ! hi/orical section is treat$ 9 
t *ronological sequ5ce :i* ! directors  
int5d$ to %[ =?4 ,b !re is no sy/em 9 ! 
arrangem5t ( ! tw5ty-eight g5]al rooms (
 contempor>y ,am]ican "w1 ,9 treat+ ^! !
 guide aims to sugge/ t5d5cies &        
influ5ces1 r ?an to po9t out ?is or t   
canvas z a good or bad "o4 ,nev]!less x 
is believ$ t e really important picture 
or arti/ is individually m5tion$-s t "o 
:o has us$ ! manual consi/5tly may be   
sure ( hav+ enjoy$ ! cream ( !          
collection1 at ! same "t ga9+ ! wid] k (
 ! ma9 curr5ts ( developm5t4  ,x is     
necess>y to use to a c]ta9 ext5t !      

arbitr>y subject-divisions1 su* z       
portrait1 l&scape1 & figure pa9t+2 & to 
ref] also to reali/ic pa9t+1 :i* t5ds to
 depict ?+s z !y are1 z oppos$ to !     
academic1 :i* recognizes ! wisdom (     
conv5tionalization or idealization4 ,b !
 mo/ important di/9ction1 = ! /ud5t (   
contempor>y t5d5cies1 is t :i* conc]ns !
 t]m ,impressionism4 ,?is "n 9 its      
orig9al & te*nical s5se appli$ to !     
works ( ! m5 :o1 in/ead ( mix+ %ades1   
plac$ diff]5t colors side by side on _! 
canvases to give ! effect ( ! "r %ade at
 a di/ance4 ,z ! exp]im5ts ( ^! arti/s 7
 direct$ *iefly to ! solution ( problems
 ( light1 ! t]m naturally 0 wid5$ to    
include t :ole division ( pa9t+ :i* is  
conc]n$ ) atmosph]ic aspects & color    
h>monies r ?an ) subject-int]e/ & l9e   
composition4 ,t]ms :i* express ! same   
idea 9 g5]al or 9 "p1 are lum9ism &     
ple9-air pa9t+4 ,impressionism has _h m 
effect on ! curr5t ( art ?an has any o!r
 movem5t 9 hi/ory4 ,n only 9 ! h&l+ (   
light & 9 fre%ness ( color+ has ! :ole (

 pa9t+ be5 pr(\ndly *ang$1 b !re is a   
g5]al t5d5cy to pa9t ! impression r ?an 
! actuality1 ! h>moni\s effect r ?an !  
lit]al fact-& ^! ?+s are notably        
illu/rat$ 9 ! ,exposition gall]ies4  ,= 
! sake ( ! visitor :o comes to ! gall]y 
) practically no k ( art1 a ^w may      
pr(itably be said ab\t critical /&>ds4  
,fir/ rememb] t !re are _m qualities :i*
 may make a pa9t+ wor? :ile3 pleas+     
design1 beautiful color1 a compell+     
expression ( emotion or ?\ght1 or a     
poetic sugge/ion ( a fleet+ aspect or   
mood4 ,x is necess>y to judge ea*       
p>ticul> "w by ! arti/'s int5tion1 & n  
by untra9$ p]sonal ta/es4 ,be=e pass+   
judgm5t le>n to "k ! picture well4 ,y   
may f9d t y h be5 attract$ by some?+    
sup]ficial4 ,on ! o!r h&1 y may f9d t ! 
seem+ly less attractive picture1 :i* has
 be5 recomm5d$ by p ( tra9$ judgm5t1    
gr[s m & m pleas+ ) rip] acqua9tance4 ,g
 sl[ly1 /udy ?or\ghly :at y /udy1 & keep
 an op5 m9d-= t way leads to ! wide/    
enjoym5t4  ,unit$ ,/ates ,section3      

,pa9t+  ,! ,unit$ ,/ates ,section       
consi/s *iefly ( contempor>y "w1 b      
includes a small hi/orical section1 :i* 
is to be f\nd to ! left z "o ent]s at ! 
ma9 doorway4 ,x is 9 ?is "p ( ! exhibit 
t "o %\ld />t4  ,! ,hi/orical ,section  
consi/s ( two well-def9$ p>ts4 ,! fir/  
conta9s examples ( =eign s*ools ( pa9t+ 
t h influ5c$ ,am]ican art4 ,! second    
conta9s ! works ( ,am]ican pa9t]s f !   
beg9n+s to ! e>ly ,tw5tie? ,c5tury4 ,!  
,=eign ,hi/orical ,section occupies     
rooms #ia-ib & #fa-fc4  ,gall]y         
#ia-;,e>ly ,s*ools4 ,a gall]y ( old     
pa9t+s1 *iefly ( ! ,italian1 ,flemi% &  
,dut* ,s*ools1 design$ to sugge/ !      
e>lie/ roots ( ,am]ican art4            
,practically all ! canvases are m]e     
e*oes ( ! old ma/]s1 & !y may well be   
pass$ ov] ha/ily by all b ! mo/ ?or\gh  
hi/orical /ud5t4  ,gall]y #ib-;,fr5*    
,influ5ce4 ,?is gall]y & ! next two are 
design$ to %[ works ( ^? s*ools1 *iefly 
,fr5*1 t h _h direct influ5ce ^u        
,am]ican art4 ,on wall ,a is a pa9t+ by 

,c\rbet1 int]e/+ 9 ! light ( t arti/'s  
influ5ce on ,:i/l]'s e>ly "w4 ,b mo/    
important "h are ! examples ( ! ,b>bizon
 ,s*ool1 romantic l&scape pa9t]s ( !    
mid-,n9ete5? ,c5tury1 :o _h mu* to d ) !
 developm5t ( ! ,inness-,wyant gr\p 9   
,am]ica4 ,on wall ,b are two canvases by
 ,corot1 bo? badly plac$1 "o ( :i*      
7#adhf7 is typically poetic & beautiful4
 ,! examples by ,daubigny & ,r\sseau on 
wall ,c are n satisfy+4 ,on wall ,d !   
two ,monticellis sugge/ ! s\rce ( "s ( !
 ri* qualities ( ! "w ( ,kei? & simil>  
,am]ican pa9t]s4  ,gall]y #fb1 adjo9+   
#ib1 %[s ! be/ example ( ,b>bizon "w1 9 
,troyon's beautiful ,l&scape & ,cattle  
on wall ,c4 ,on wall ,a is a small      
pa9t+1 int]e/+ b n *>act]i/ic1 by       
,millet1 :o influ5c$ ! :ole _w ( art    
t[>d s9c]ity4 ,on wall ,b is ,sir       
,laur5s ,alma-,tadema's ,among ! ,ru9s1 
sole repres5tative "h ( ! ,engli% ,s*ool
 ( poli%$ pa9t]s t /rongly influ5c$ a   
numb] ( ,am]ican arti/s4 ,on wall ,d are
 two v int]e/+ portrait /udies by ,franz

 von ,l5ba*1 int5d$ to sugge/ ! influ5ce
 ( ! ,muni* ,s*ool on ,am]ican art1 be=e
 ,am]icans began to flock to ,p>is to   
/udy4  ,gall]y #fa-,rec5t ,fr5*         
,influ5ce4 ,on wall ,a is an unev5      
collection by ,monet1 ! greate/ apo/le (
 ,impressionism4 ,?is gr\p1 ) !         
exception p]haps ( ! sea-%ore sc5e1 %\ld
 be /udi$ ?or\ghly1 9 reg>d to !        
te*nique t juxtaposes colors to give !  
"r resultant tone at a di/ance2 9 reg>d 
to ! g5]al t5d5cy to subord9ate subject 
int]e/ to ! expression ( fleet+ aspects2
 & 9 reg>d to ! ma/]ly h&l+ ( light4 ,no
 o!r gr\p w be ref]r$ to s (t5 9        
connection ) ! ,am]ican gall]ies4 ,on   
wall ,b is a typically joy\s canvas by  
,ga/on ,la ,t\*e1 :o c>ries             
,impressionism into figure "w4 ,on walls
 ,c & ,d are o!r examples ( !           
,impressioni/ ,s*ool1 by ,piss>ro &     
,r5oir & ! ,engli% ,sisley4 ,on wall ,c 
is a portrait by ,eug5e ,c>ri]e4 ,on    
wall ,d is a panel by ,puvis de         
,*avannes1 :o has influ5c$ mod]n mural  

pa9t+ m ?an any o!r arti/4 ,?is picture 
has ! typical union ( ! classic feel+ ) 
v mod]n te*nique1 b x is repres5tative (
 de ,*avannes' mann] r ?an ( 8 :ole art 
at its be/4  ,gall]y #fc-;,engli%       
,influ5ce4 ,?is is ! ri*e/ ( ! hi/orical
 rooms4 ,al?\gh !re is a scatt]$        
collection includ+ ! names ( ,van ,dyke1
 ,guido ,r5i1 ,tiepolo1 ,rib]a1         
,velasquez1 ,goya1 & ,turn]1 on walls ,a
 & ,b1 ! important ?+ is ! f9e          
collection ( ! ,engli% portraiti/s4 ,"h 
are examples1 _m ( !m among ! f9e/1 by  
,hog>?1 ,reynolds1 ,ga9sbor\gh1 ,romney1
 ,lawr5ce1 & ,hoppn]4 ,x is h>dly       
necess>y to po9t out ! close connection 
betwe5 ! "w ( ?is ,engli% gr\p & e>ly   
,am]ican pa9t+1 s9ce a visit to ! adjo9+
 gall]y #fj w %[ h[ ! fir/ important    
developm5t 9 ! ,/ates grew out ( ! art (
 ! "m c\ntry4  ,! ,am]ican ,hi/orical   
,section cov]s ! entire developm5t (    
,am]ican pa9t+ f ! beg9n+ to ! e>ly ye>s
 ( ! pres5t c5tury4 ,to obta9 ! prop]   
sequ5ce1 "o %\ld />t 9 room #fj1 work+  

gradually d[n to #eg1 !n visit+ #fd &   
#ed4  ,gall]y #fj conta9s a pr(usion (  
f9e examples ( ! e>ly portrait s*ool1   
:i* 0 s closely connect$ ) ,engli% art (
 ! "t4 ,gilb]t ,/u>t1 ! mo/ important   
figure1 is repres5t$ by an ext5sive     
collection on wall ,a4 ,9 ?is room1 too1
 are canvases by ,we/1 ,peale1 ,copley1 
& _! foll[]s well into ! ,n9ete5?       
,c5tury4  ,gall]y #ei conta9s *iefly !  
"w ( t b>r5 mid-c5tury p]iod :5         
portraiture & l&scape pa9t+ alike became
 h>d & labor$4 ,ins(> z any =eign       
influ5ces c be detect$ "h1 !y are ( !   
tight s*ools ( ,engl& & ,g]many4        
,gall]y #eh conta9s "s int]e/+ "w ( !   
latt] half ( ! ,n9ete5? ,c5tury-notably 
! pa9t+s by ,ea/man ,johnson1 an        
important figure ( ! "t :5 ,am]ican art 
0 f9d+ itself4 ,alb]t ,bi]/adt's two    
l&scapes are typical ( ! s-call$ ,hudson
 ,riv] ,s*ool1 ! me*anical =]unn] ( !   
,inness-,wyant gr\p4 ,an int]e/+ contra/
 is (f]$ "h by ,h4 ,j4 ,breu]'s ,santa  
,inez ,m\nta9s1 a contempor>y l&scape t 

is full ( ! fre%ness & light (          
pres5t-day ,am]ican pa9t+4  ,gall]y #eg 
%[s ano!r great /ep 9 advance4 ,a g5]\s 
portion ( ! space is giv5 to ,edw9 ,a4  
,abbey1 an ,am]ican-born arti/ :o really
 0 m a "p ( ,engli% art4 ,! exhibit %[s 
cle>ly t ,abbey 0 great] z illu/rator   
?an z pa9t]1 ! f9e/ ?+s "h be+ !        
exquisite p5 draw+s4 ,wall ,d has five  
pa9t+s by ,john ,la,farge1 :o by 8 "w & 
by 8 !ories greatly influ5c$ ,am]ican   
art at ! end ( ! c5tury4 ,wor?y ( /udy1 
too1 are ! m mod]n l&scapes ( ,!odore   
,rob9son4  ,f ?is room "o %\ld turn back
 into ! c5tral l9e ( gall]ies4  ,gall]y 
#fd conta9s hi/orical ,am]ican pa9t+s t 
range ?r\gh ! latt] half ( ! la/ c5tury 
& into ?is1 ) su* well-kn[n names z     
,p>ri%1 ,gif=d1 ,hunt1 ,wylie1 ,m>t91 ! 
,morans1 ,eak9s1 & ev5 ! m rec5t ,fr$]ic
 ,rem+ton4 ,su* pictures z ,f4 ,e4      
,*ur*'s ,niag>a ,falls 7wall ,a71 ,j4   
,g4 ,br[n's ,! ,detective ,/ory 7wall   
,b71 & ,?omas ,hov5d5's ,break+ ,home   
,ties 7wall ,d71 are typical ( :at 0    

accept$ z ! be/ "w a g5]ation or two    
ago4  ,pass+ ?r\gh room #fe1 "o %\ld    
next g to #ed4  ,gall]y #ed is ! mo/    
important 9 ! ,am]ican ,hi/orical       
,section1 = x %[s ! "w ( ! m5 :o really 
emancipat$ ,am]ican pa9t+ f ! old       
h>dness & tightness ( te*nique1 & f !   
old s5tim5talism4 ,wall ,a is giv5 up to
 ! "w ( ! late ,w9sl[ ,hom]1 :o has be5 
call$ ! mo/ ,am]ican ( pa9t]s4 ,!       
sea%ore sc5es alone ( ! ?+s "h are      
repres5tative ( ?is big man at 8 be/4   
,wall ,b has a v>i$ assortm5t by less]  
pa9t]s1 b ones ( importance3 ,blakelock1
 ,curri]1 ,william ,morris ,hunt1 &     
,full]4 ,on walls ,c & ,d ! v important 
canvases are ^? by ,inness & ,wyant1 m5 
:o 7 deeply influ5c$ by ! ,fr5* ,b>bizon
 ,s*ool1 b ^: individual a*ievem5t m>k$ 
! fir/ great /ride t[>d ! bigness1      
fre$om & lightness ( pres5t-day ,am]ican
 l&scape pa9t+4  ,contempor>y ,am]ican  
,pa9t+4 ,leav+ aside ! "o-man rooms = ! 
pres5t1 x is j z well to turn f ! la/   
hi/orical room1 #ed1 into #ee1 &        

progress 9 natural ord] ?r\gh #ef1 #fe1 
#he1 #ff 7! c5tral hall71 & #hj4 ,!     
contempor>y rooms nor? ( ! c5tral hall c
 be be/ visit$ 9 ?ree gr\ps1 ea* foll[+ 
! (ficial room numb]+3 fir/1 #fg to #gd2
 !n #dc to #ea2 & f9ally ! deta*$       
section at ! f> nor? end ( ! build+1    
#aag to #abj4  ,gall]y #ee has a well   
assort$ collection ( contempor>y        
canvases1 b includes no out/&+ features4
  ,gall]y #ef is a typical mod]n        
,am]ican room1 ) good l&scapes 9 ! "w ( 
,breu]1 ,borg1 ,davol1 & ,/okes4        
,gall]y #fe conta9s "s ( ! be/ ,am]ican 
figure pa9t+s 9 ! build+4 ,! f9e/ gr\p  
is t by ,cecilia ,beaux on wall ,d1 :i* 
well displays t rem>kable arti/'s       
brilliant te*nique & flair4 ,x is       
notable h[ _m ( ! really virile pa9t+s  
"h are by wom5 -_m ( !m ( ! y\ng] gr\ps4
 ,f ,m>ion ,pooke's poli%$ b free       
,silh\ettes1 & ,alice ,k5t ,/odd>d's    
appeal+ ,si/]s1 to ,m4 ,jean ,mc,lane's 
joy\sly brilliant canvases on wall ,c1  
!re is a wide range ( a*ievem5t &       

promise4  ,gall]y #he4 ,on walls ,a & ,b
 are five canvases by ,horatio ,walk] t 
are wor?y ( att5tion4 ,b f9] are ,*>les 
,w4 ,haw?orne's f\r pa9t+s on walls ,b &
 ,d4 ,_! bigness ( conception1 s9c]ity &
 s\ndness ( te*nique m>k a com+ ma/]4   
,wall ,c is giv5 up to a display by     
,*>les ,walt] ,/etson1 :i* %[s1 m       
/rongly ?an any o!r 9 ! ,am]ican        
section1 t t5d5cy to ! decorative & !   
idyllic :i* is to be not$ z s /rong 9   
rec5t pa9t+4 ,on wall ,d are ?ree works 
( ,george de,forest ,bru%1 a man :o has 
be5 b little influ5c$ by ! m radical    
t5d5cies4 ,! ,pott] is int]e/+ = !      
pa9/ak+ & m9ute f9i% ( v>y+ surface     
textures4  ,gall]y #ff-;,c5tral ,hall4  
,al?\gh ! important places "h are giv5  
to sculpture1 !re are a few v int]e/+   
pa9t+s3 "s repres5tative l&scapes1 & at 
! ends decorative panels by ,alex&]     
,h>rison & by ,h[>d ,cu%+4  ,gall]y #hj 
is notable = ! "w ( pa9t]s :o h foll[$ r
 closely ! old academic traditions3 = ! 
smoo? & poli%$ canvases ( ,w4 ,m4       

,paxton & ,philip ,leslie ,hale4 ,!re   
are also sev5 l&scapes by ,will>d ,l4   
,metcalf1 fre% attractive "w ( !        
ple9-air s*ool4  ,gall]y #fg is ri* 9   
f9e l&scapes1 & conta9s ! be/ ( !       
exhibition's m>9es4 ,"h are ! only works
 ( ,*>les ,h4 ,davis1 a notable foll[] (
 ! poetic ,inness ,s*ool1 & ( ,leon>d   
,o*tman & ,b5 ,fo/]1 :o /& well to ! =e 
among ! m vigor\s l&scapi/s4 ,also wor?y
 ( att5tion are ! l&scapes ( ,braun1    
,borg1 ,:ite1 ,w5dt1 ,j4 ,f4 ,c>lson1   
,ros5 & ,br[ne4 ,! m>9es repres5t well a
 dep>tm5t ( pa9t+ 9 :i* ,am]icans h long
 excell$2 on wall ,a are f\r by ,paul   
,d\gh]ty1 on ,b & ,c ?ree by ,fr$]ick   
,j4 ,waugh1 & on ,d "o by ,emil ,c>ls54 
,( ! o!r pa9t+s ! mo/ int]e/+ is !      
idyllic bit by ,hugo ,ball9 on wall ,c1 
repres5tative ( ! decorative t5d5cy4    
,gall]y #fh conta9s z its mo/ important 
exhibit ?ree portraits by ,j4 ,c4       
,johans51 on wall ,b1 all typical ( !   
brilliant flu5cy ( ?is rem>kable pa9t]4 
,among ! l&scapes "h ! mo/ important are

 ! two ,s*(ields on wall ,d1 typical ( !
 be/ & sane/ phase ( ,impressionism 9   
,am]ica4 ,v important too are ! canvases
 by ,daniel ,g>b] on wall ,c4  ,gall]y  
#fi conta9s a mix$ collection1 ) su*    
diff]5t good ?+s z ,lawton ,p>k]'s      
poli%$ figure /udies 7wall ,b7 & ,j4    
,francis ,murphy's poetic l&scape 7wall 
,c74 ,on wall ,c is a pa9t+ by ,john ,w4
 ,alex&]1 "o ( ! lead]s 9 ,am]ican art1 
:i* is typical ( 8 me?od ( subord9at+   
subject int]e/ to l9e arrangem5t & color
 composition4  ,gall]y #gj-,portrait    
,room4 ,on wall ,c are ?ree portraits by
 ,irv+ ,r4 ,wiles1 & on ,d two by       
,julian ,/ory-bo? names long well-kn[n 9
 ,am]ican art4 ,b ! surpris+ ?+ is t    
sev]al ( ! canvases by less kn[n m5 /&  
up )1 or ev5 surpass1 ^!4  ,gall]y #ga  
is notable *iefly = "s good l&scapes4   
,gall]y #gb conta9s little to hold !    
att5tion1 unless x is ! gr\p ( canvases 
by ,walt] ,mc,ewen1 :o %[s adh]5ce to ! 
old] traditions1 n only 9 smoo?ness (   
te*nique1 b 9 s5tim5talism & g5]al      

prett9ess4  ,gall]y #gc is giv5 up      
*iefly to ,alson ,cl>k's ov]-sket*y &   
intemp]ately color$ ,panama pictures4 ,!
 mo/ int]e/+ ?+ "h is ,erne/ ,lawson's  
,beg9n+ ( ,w9t]1 on wall ,b1 a          
repres5tative "w by "o ( ! mo/          
successful ,am]ican foll[]s (           
,impressionism4  ,gall]y #gd is a room (
 good l&scapes1 ) a few out/&+ canvases 
l ,w ,s4 ,rob9son's ,gr\p ( ,:ite       
,bir*es on wall ,c4   ,a new />t %\ld be
 made "h by pass+ ?r\gh rooms #gj & #ga 
to #dc1 f :i* ! num]ical ord] c be      
foll[$ back to room #ea1 adjo9+ ! c5tral
 hall4  ,gall]ies #dc & #dd h a range f 
_m m$iocre to a few really good ?+s1    
lack+ any?+ t dem&s special att5tion4   
,gall]y #de is a room ri* 9 comp>ative  
values4 ,note ! delicacy ( treatm5t & ( 
color 9 ,william ,s>ta9's ?ree l&scapes1
 on wall ,a1 & 9 ,birge ,h>rison's      
atmosph]ic pa9t+s on wall ,d4 ,comp>e ^!
 ) ! heavily pa9t$ & ri*ly color$       
canvases by ,walt] ,griff9 on wall ,c1 &
 !n ) ! m /raight=w>d1 vigor\s "w (     

,*>les ,morris ,"y on wall ,b4 ,h>rison1
 ,griff9 & ,"y1 at lea/1 are ( !        
di/9ctly mod]n s*ool2 b note h[         
individually ea* has utiliz$ 8          
inh]itance ( vibrat+ color & light4 ,on 
wall ,a are two f9e figure /udies by    
,rob]t ,reid1 an innovator & a really   
great pa9t]1 ?\gh he did n %[ x :5 he   
pa9t$ ! panels = ! ,f9e ,arts rotunda4  
,gall]y #df4 ,!re is mu* poor mat]ial   
"h2 b on walls ,b & ,c are "s pa9t+s by 
,frank ,v9c5t ,dumond t are int]e/+ = _!
 fre% color+ & _! solv+ ( light         
problems4  ,gall]y #dg conta9s evid5ces 
( progress 9 v>i$ l9es1 f ,e4 ,l4       
,blum5s*e9's big ,indian pictures1 &    
,cohn ,campbell ,coop]'s /udies (       
,am]ican cities1 to ! exp]im5t 9 pa9t+  
fle% aga9/ a ri*ly v>i$ backgr\nd1 by   
,ri*>d ,mill]1 a gift$ ,am]ican :o has  
long liv$ 9 ,p>is4  ,gall]y #dh conta9s 
mu* promis+ "w ( v>i\s t5d5cies1 b no   
out/&+ features4  ,gall]y #di conta9s1  
on wall ,a1 a spl5did collection ( ! "w 
( ,dwight ,w4 ,tryon1 "o ( ! old] s*ool 

( l&scapi/s1 :o help$ to break ! way = !
 mod]ns & has kept up ) !m to a great   
ext5t4 ,) ! exception ( "o canvas1 !    
pictures on walls ,b & ,d are by ,j4    
,ald5 ,weir1 ano!r roadbreak]1 & an     
exp]im5t] ) new effects ( light &       
atmosph]e4 ,9 su* canvases z ,june &    
,:ite ,oak "o f9ds "s ( ! be/ t ,am]ican
 art has built on ! !ories ( ,monet4    
,gall]y #ej conta9s "s good l&scapes1 b 
no?+ t dem&s special att5tion aside f   
,s]geant ,k5dall's ref9$ figure /udies4 
,gall]y #ea is giv5 ov] 9 g5]al to !    
indep5d5ts & extremi/s ( ,am]ican art4  
,"h are canvases by ,glack5s1 ,sloan1 & 
,breck5ridge1 r disappo9t+ to "o :o has 
wat*$ hopefully ! movem5t !y repres5t4  
,c]ta9ly _! exhibits are sugge/ive ( a r
 undiscipl9$ vigor & fre$om4 ,on wall ,c
 ! five canvases 9 ! l[] r[ are by      
,rob]t ,h5ri4 ,!y are ! exp]im5ts ( a   
ma/]1 r ?an 8 be/ works4 ,! truly       
repres5tative ,h5ri picture is ! ,lady 9
 ,black ,velvet1 on wall ,d4 ,?is has a 
wond]ful syn!tic quality1 a suppression 

( detail & a spott+ ( int]e/ at !       
important po9t4 ,!re is1 too1 a         
spiritual quality t is lack+ 9 ! o!r    
canvases4 ,on ! o!r side ( ! doorway is 
,g]trude ,lamb]t's ,black & ,gre51 a    
notably f9e canvas4  ,! only o!r g5]al  
rooms ( ! contempor>y ,am]ican section  
are ^? at ! f> nor? end ( ! build+1     
beyond ! =eign sections1 numb]$ f #aag  
to #abj4  ,gall]y #aag is a sort (      
cat*-all room1 9 :i* are _m ?+s t nev]  
%\ld h be5 admitt$ to ! gall]ies4 ,!    
really int]e/+ feature is ! s]ies (     
canvases by ,frieseke1 full ( light &   
fre$om4 ,gall]y #aah is less m$iocre on 
! :ole1 b lacks any features ( special  
appeal4 ,gall]y #aai includes a surpris+
 conglom]ation ( pa9t+s & draw+s 9 all  
m$iums1 :]e9 ! extremi/s h _! say4 ,!re 
is a weal? ( int]e/ "h1 b "o mu/ h "t to
 sep>ate ! bad f ! good4 ,gall]y #abj is
 also m>k$ g5]\sly by ! new] t5d5cies4  
,! important feature is ! gr\p ( virile 
pa9t+s by ,george ,bell[s1 on wall ,c4  
,^! m>k ! mo/ successful ,am]ican       

attempt to grasp sanely ! bigness &     
fre$om ( ! po/-,impressioni/ movem5ts4  
,"o-man ,rooms4 ,z a "p ( ! plan to %[ !
 v>i\s influ5ces on ! c\rse ( ,am]ican  
art1 x 0 decid$ to give up a numb] (    
rooms to individual displays by lead]s (
 ! sev]al well-m>k$ t5d5cies4 ,gall]ies 
#ge-gi1 #hg-ij1 & #ic1 at ! ea/ side ( !
 build+ on ei!r side ( ! c5t]1 conta9 ^!
 "o-man %[s4  ,gall]y #ge-,s>g5t4 ,"h   
are %[n a numb] ( canvases by ! man     
g5]ally consid]$ ! greate/ liv+ ,am]ican
 pa9t]-c]ta9ly ! greate/ ( !            
portraiti/s4 ,?\gh conta9+ none ( !     
really fam\s pa9t+s1 !re are portraits  
:i* %[ ! typical ,s>g5t brilliancy-!    
swift sur5ess & ! p]fect balance (      
re/ra9t & fre$om4 ,! ,james portrait is 
especially wor?y ( /udy4  ,gall]y       
#gf-,ma!ws4 ,9 ?is room are %[n a numb] 
( canvases by ,ar?ur ,f4 ,ma!ws1 mo/    
important ( ! ,cali=nia pa9t]s1 z well z
 a few by ,francis ,mac,comas1 ano!r    
,cali=nian4 ,ma!ws /&s prim>ily = !     
decorative t5d5cy4 ,8 canvases h a noble

 s5se ( repose t is too (t5 lack+ 9     
contempor>y "w1 & !re is rem>kable color
 h>mony "h4  ,gall]y #gg-,mel*]s4 ,"h   
are repres5tative works by ,g>i ,mel*]s1
 a fam\s ,am]ican :o has long liv$      
abroad4 ,unmi/akably ^! canvases are f a
 ma/]ly bru%2 b ! color+ is n always    
good1 & ! room is some:at disappo9t+4   
,gall]y #gh-;,hassam4 ,by common cons5t 
,*ilde ,hassam is consid]$ ! greate/    
,am]ican foll[] ( ,impressionism4 ,he is
 an innovator :o has c>v$ a sure place =
 himself by add+ a new vigor to ! me?ods
 ( ! orig9al ,impressioni/s4 ,su*       
decorative canvases z #bjcc on wall ,b1 
& su* delicate ones z #bjbi on wall ,d1 
%\ld be comp>$ ) ! ,monets 9 room #fa4  
,gall]y #gi-;,*ase4 ,?is room is design$
 to %[ ! "w ( an ,am]ican :o 0 greatly  
influ5c$ by ! ,muni* ,s*ool ( pa9t]s4   
,william ,m4 ,*ase1 bo? 9 8 portraits & 
9 8 rem>kable /ill-life /udies1 %[s !   
f9e ,g]man ?or\ghness r ?an ,fr5*       
brilliancy4 ,! f\r canvases t hold !    
places ( honor on all f\r walls %[      

cle>ly ! influ5ce ( ,:i/l]4  ,gall]y    
#hg-;,duv5eck4 ,"h are works by ,frank  
,duv5eck1 :o l ,*ase /udi$ at ,muni*4   
,s\nd 9 draughtsman%ip1 /eady1 &        
well-?\ght out1 !y ma9ta9 a rem>kable   
/&>d ( excell5ce4 ,x is in/ructive to   
/ep f "h into ! adjo9+ l>ge gall]y1 :]e 
! ,fr5* influ5ce is pr$om9ant4  ,gall]y 
#hh-,r$field4 ,9 ! w9t] sc5es ( ,e4 ,w4 
,r$field "o f9ds ! sure t\* ( a ma/] ( !
 new & vigor\s s*ool ( ,am]ican         
l&scapi/s4 ,r$field has modifi$         
,impressionism1 cl++ to a c]ta9 reality1
 & yet a*iev+ ! sp>kl+ atmosph]ic       
effects ( ! lum9i/s4  ,gall]y           
#hi-,t>bell4 ,9 contra/ to ,hassam &    
,r$field & ,twa*tman is ,edmund ,c4     
,t>bell1 :o has tak5 b little f !       
,impressioni/ gr\p4 ,8 mo/ *>act]i/ic & 
mo/ appeal+ "w c be se5 9 ! canvases on 
wall ,a1 beautifully light$ int]iors :i*
 %[ ! academic t5d5cy1 b 9 a new &      
delightful way4  ,gall]y #ij-,kei?4 ,?is
 collection ( canvases1 ) its sam5ess ( 
subject & arrangem5t1 is h>dly typical (

 ! late ,william ,kei? at 8 be/4 ,he 0 !
 we/]n repres5tative ( ! ,inness-,wyant 
s*ool ( ! late ,n9ete5? ,c5tury1 ?\gh he
 lean$ m to ! romantic ?an did ! o!rs4  
,gall]y #ic-,twa*tman4 ,"h are ! works (
 a pa9t] :o is clos] to ,monet ?an to ! 
m vigor\s ,am]ican s*ool ( modifi$      
,impressionism4 ,x is well to /udy "o   
wall1 ,a p]haps1 & !n to g to ! ,r$field
 & ,hassam rooms1 & !n to ! gr\p (      
,monets1 to see ! v>i\s ways 9 :i*      
,impressionism has spread4  ,gall]y     
#bf-,:i/l]4 ,! ,:i/l] room is q         
appropriately plac$ ) ! =eign hi/orical 
rooms1 r ?an ) ! o!r "o-man gall]ies-z  
if ,:i/l] %\ld be gr\p$ ) ! influ5ces r 
?an ! influ5c$4 ,! room conta9s none ( !
 arti/'s f9e/ pa9t+s1 b is well         
repres5tative ( ! sev]al sides ( 8 "w4  
,wall ,d %[s ,:i/l] ! portraiti/1 ) 8   
faces & figures t em]ge f a s(t black   
backgr\nd1 v mu* z "o sees a p]son 9 !  
ga!r+ twilight4 ,on walls ,a & ,b x is  
,:i/l] ! colori/1 & on wall ,b          
especially1 ,:i/l] ! r$iscov]] (        

,japanese color & figure composition4   
,on wall ,d is ! ,/udy ( ,jo1 an        
un*>act]i/ic e>ly "w1 :i* %[s ! influ5ce
 ( ,c\rbet4   ,am]ican ,section3 ,pr9ts 
,! ,am]ican pr9ts occupy rooms #bi to   
#cd1 along ! we/ wall ( ! build+ j s\? (
 ! c5tral ve/ibule4 ,! exhibit is v     
repres5tative1 & conta9s bo? hi/orical &
 contempor>y sections4  ,gall]y         
#bi-,pr9ts by ,:i/l]4 ,"h is a          
collection ( ,:i/l]'s et*+s &           
li?ographs1 ) a few draw+s4 ,! di/+ui%+ 
quality is an exquisite delicacy4       
,gall]y #cj-;,hi/orical ,pr9ts4 ,9 ?is  
room "o c trace ! developm5t ( ,am]ican 
engrav+ & et*+ f ! beg9n+s to ! pres5t  
day4 ,/>t+ on wall ,d "o f9ds /eel      
engrav+ illu/rat$ f ! days ( ,paul      
,rev]e to its decad5ce2 !n ! hi/ory (   
wood-engrav+ to its fl[]+ 9 ,cole &     
,wolf2 e>ly & rec5t ,am]ican et*+2 & a  
few mod]n copp] engrav+s & li?ographs4  
,gall]y #ca-,pr9ts by ,p5nell4 ,?is room
 conta9s a spl5did collection ( pr9ts f 
all ( ,joseph ,p5nell's important s]ies1

 9 et*+1 li?ography & mezzot9t-a        
rem>kable display by "o ( ! _w's greate/
 et*]s4  ,gall]ies #cb &                
#cc-;,contempor>y ,et*]s4 ,^! two rooms 
conta9 a ri* collection ( contempor>y   
,am]ican "w t %\ld be /udi$ pr9t by     
pr9t4 ,ev5 a sup]ficial look w indicate 
t ev5 )\t ,p5nell & ,:i/l] ! ,am]ican   
et*]s are do+ "w univ]sally wor? :ile4  
,gall]y #cd-;,color ,pr9ts4 ,"h is an   
int]e/+ collection ( color pr9ts 9 bo?  
et*+ & wood engrav+4 ,x %[s ! a*ievem5t 
( ! y\ng] arti/s 9 m$iums t 7           
practically unkn[n 9 ?is c\ntry t5 ye>s 
ago4   ,am]ican ,section3 ,illu/ration  
,gall]ies #da & #db are giv5 up to      
draw+s & pa9t+s by ,h[>d ,pyle1 :o has  
be5 call$ ! fa!r ( mod]n ,am]ican       
illu/ration4  ,gall]y #bf1 adjo9+ !     
,italian section1 conta9s a small b     
fairly int]e/+ gr\p ( orig9al draw+s =  
illu/ration4 ,9 ! "w ( ,wye?1 ,s*oonov]1
 ,elizabe? ,%ipp5 ,gre51 ,jessie ,wilcox
 ,smi?1 & o!rs1 !re is v /rong evid5ce (
 ,h[>d ,pyle's influ5ce4 ,on wall ,b (  

?is room1 & 9 ! adjo9+ gall]y #bg1 !re  
is a collection ( photographs ( ,am]ican
 sculpture & mural pa9t+s4  ,gall]y #cf1
 adjo9+ ! ma9 we/ ve/ibule1 has a       
miscellane\s collection ( draw+s &      
pa9t+s 9 all m$iums1 rang+ f ! mo/      
delicate & poli%$ to c>icature &        
sket*9ess run riot4 ,!re is a great deal
 ( int]e/1 b little t is important 9 a  
big way4   ,am]ican ,section3 ,m9iatures
  ,gall]ies #cg & #dj conta9 an excell5t
 collection ( m9iatures1 rang+ f a "w by
 ,malbone1 ! fir/ important ,am]ican 9  
?is field1 to t ( su* notable           
contempor>ies z ,w4 ,j4 ,ba]1 ,laura ,c4
 ,hills1 & ,lucia ,fair*ild ,full]4  ,9 
bo? m9iature rooms !re are a numb] (    
pa9t+s & draw+s1 9 v>i\s m$iums1        
includ+1 9 room #dj1 a few oils by      
,jules ,gu]91 ! color wiz>d ( !         
,exposition4   ,am]ican ,section3       
,sculpture  ,( ! monum5tal sculpture ( !
 ,am]ican ,section mo/ ( ! f9e/ examples
 are out-(-doors4 ,! c5tral hall ( !    
gall]y build+ conta9s a collection t is 

wor? /udy+ piece by piece1 includ+ su*  
notable ?+s z ,daniel ,*e/] ,fr5*'s     
,alice ,freeman ,palm] ,memorial1 ,k>l  
,bitt]'s ,sign+ ! ,l\isiana ,pur*ase    
,treaty & ,tappan ,memorial1 & ,rob]t   
,aitk5's ,mausoleum ,door4  ,b by f> !  
mo/ notable ?+ ab\t ! sculpture display 
is ! ext5sive collection ( *>m+ small   
bronzes1 :i* is scatt]$ ?r\gh ! _m      
rooms4 ,! visitor %\ld especially make  
sure ( see+ c]ta9 individual gr\p       
exhibits1 su* z ! v freely r5d]$ figures
 by ,paul ,tr\betzkoy 9 ! ,int]national 
,room 7#ajh71 ,paul ,man%ip's gr\ps1 )  
_! t\* ( classic appeal1 9 gall]y #ic1 &
 ! cases ( /atuettes by ,aba/5ia ,/4    
,leg] ,eb]le & ,bessie ,pott] ,vonnoh1 9
 gall]y #fe4 ,v ri* 9 int]e/1 too1 is ! 
collection ( m$als & plaques1 %[n 9     
gall]ies #ch & #ci4   ,=eign ,sections  
,! =eign sections are 9 two gr\ps1 at ! 
two ends ( ! build+4 ,!re is no sy/em 9 
_! arrangem5t1 & !y are treat$ "h 9 !   
ord] 9 :i* !y happ5 to be plac$1 beg9n+ 
at ! f> s\? end4  ,! ,japanese ,section 

occupies gall]ies #a to #aj4 ,to        
appreciate ,japanese art x is necess>y  
to become accu/om$ to !                 
conv5tionalization ( treatm5t-to und]/& 
:at ! arti/ 0 aft]1 & to judge f t      
/&po9t4 ,x is well to beg9 by /udy+     
works t are m l ,we/]n art-su* ?+s z    
,mov+ ,cl\ds 7#ae7 & ,ev5+3 ,nawa ,h>bor
 7#ab7 9 room #a-;& !n to progress to ! 
works 9 :i* ! conv5tions are m pron\nc$4
 ,note1 ?r\gh\t ! pa9t+s 9 rooms #a1 #b 
& #c1 ! delicacy ( tone1 ! color h>mony1
 & ! f9e s5se ( composition & patt]n4   
,9 gall]ies #h & #aj are collections (  
,japanese sculpture & pa9t+1 done 9 !   
,we/]n mann]4 ,x is int]e/+ to see :at !
 ,ori5tal arti/ c accompli% 9 an ali5   
m$ium2 b nei!r = ! ,japanese nor = !    
,am]ican c ^! works h ! same g5u9e      
appeal z ^? 9 gall]ies #a to #c4 ,! o!r 
rooms conta9 a v>i$ collection (        
porcela91 embroid]y1 wood & ivory c>v+1 
& pr9ts4  ,! ,fr5* ,section is "o ( !   
mo/ int]e/+1 b is h>dly repres5tative ( 
! be/ t c\ntry has a*iev$ 9 art4 ,!     

g5]al av]age is su* t x upholds         
,france's traditional /&+ z ! home (    
good pa9t+1 b ?is is by no means a      
collection ( ma/]pieces4 ,! mo/         
noticeable t5d5cy is t t[>d !           
decorative4 ,! gall]ies ( ! ,fr5*       
section h be5 re-numb]$1 beg9n+ ) #a4   
,gall]y #a is a r poor room on ! :ole1  
?\gh x1 conta9s two canvases on ! nor?  
wall by ,luci5 ,simon1 typical ( t      
arti/'s ma/]ly bread? ( treatm5t4 ,on ! 
we/ wall1 beside ! doorway1 are two (   
,aman-,jean's portraits4 ,! little      
l&scape 7#dbi7 "u "o ( ^!1 by           
,m>cel-,clem5t1 is notable1 z are also  
,jean ,dom]que's decorative canvas on ! 
s\? wall & ,maury's ?ree nude girls on !
 nor?4  ,gall]y #b is mo/ int]e/+ = !   
gr\p on ! nor? wall1 :]e ! place ( honor
 is giv5 to ,h5ri ,m>t9's "w4 ,"h is an 
arti/ :o has c>ri$ ,impressionism to its
 limit ( vibrat+ light & color4 ,! l>ge 
c5tral canvas %\ld be se5 f ! ,japanese 
room4 ,! self-portrait 7#dcc7 is ev5 m  
int]e/+4 ,on ?is wall are pictures t (f]

 a /rik+ comp>ison ( me?ods ( pa9t+4    
,gall]y #c is made especially int]e/+ by
 ! dom9ation ( "o man1 ,maurice ,d5is1  
:o is ! lead] among ! advanc$ decorators
 ( ,france4 ,!re is mu* t is wor?y (    
/udy 9 ! simplicity & 9 ! color ( 8     
panels "h4 ,! room conta9s also a numb] 
( examples ( ! new & ultra-new s*ools1 f
 ,monet & ,degas to ,r$on & ,puy4       
,gall]y #d conta9s few out/&+ features1 
! m cons]vative elem5t pr$om9at+4 ,!re  
is *>m+ color 9 ,c>o-,delvaille's canvas
 on ! ,ea/ wall 7#bgi71 & !re is a      
,luci5 ,simon on ! s\? wall4 ,gall]y #e 
likewise is n v important4  ,gall]y #f  
especially illu/rates ! decorative      
t5d5cy4 ,on ! nor? wall are panels by   
,auburt91 a foll[] ( de ,*avannes1 & by 
,dev\x1 :i* are pure decorations4 ,on ! 
s\? wall is a l>ge canvas by ! celebrat$
 ,m5>d2 b 8 little seascape on ! we/    
wall 7#dde7 is m appeal+1 be+ "o ( ! mo/
 attractive ?+s 9 ! section4 ,note h[ ! 
decorative t5d5cy *>act]izes n only ^!  
outdoor pictures1 b ! neighbor+         

portraits z well4 ,on ! ea/ wall is a   
canvas by le ,sidan]1 a lead] ( !       
ple9-air s*ool1 :i* rem9ds "o t good    
,fr5* l&scapes are few 9 ?is exhibit4   
,! ,italian ,section is ! be/ arrang$ 9 
! gall]ies4 ,!re is a g5]al feel+ (     
ord]l9ess & re/ t is q welcome z "o     
comes f ! ov]cr[d$ ,am]ican rooms4 ,!   
,italian pa9t+s d n give ! impression ( 
an exhibition ( ma/]pieces-inde$ !re are
 v few canvases t dem& special notice-b 
!y are well up to ! av]age set 9 ! o!r  
sections4  ,gall]y #ba is ! mo/ int]e/+4
 ,on ! wall fac+ ! ma9 doorway are five 
pictures by ,ettore ,tito1 p]haps !     
greate/ & c]ta9ly ! mo/ popul>1 (       
,italian pa9t]s4 ,all are /rong1 & !y   
are pa9t$ ) a bigness & a sur5ess ( t\* 
t are compell+4 ,v int]e/+ too are !    
canvases on ! adjo9+ wall by ,camillo   
,innoc5ti1 :o has a*iev$ ! vibrat+ light
 & fre% color+ ( ! ,impressioni/ ,s*ool 
9 an individual way4  ,gall]y #bb       
conta9s a v>i$ collection1 rang+ f !    
academic to ! radical4 ,"h are two      

canvases by ,arturo ,noci1 "o ( ! lead]s
 ( ! ,italian ,secession4 ,gall]y #bc is
 giv5 up ma9ly to sculpture4 ,! mo/     
compell+ ?+ is d',orsi's reali/ic ,tir$ 
,peasant4 ,) ! exception ( "s ( ! small 
bronzes1 ! re/ ( ! sculpture ( ! section
 is h>dly notable4  ,gall]y #bd conta9s 
a v int]e/+ canvas 9 ,pl9io ,nomell9i's 
picture ( a woman & *ild 9 a boat drawn 
up "u a tree4 ,! ?+ is full ( sunlight &
 sp>kl+ color2 & x /rikes a good m$ium  
betwe5 ! old tight pa9t+ & t :i* c>ries 
,impressionism too f>-bo? ( :i* extremes
 c be se5 9 pl5ty 9 ?is room4 ,gall]y   
#be is an av]age room1 )\t special      
features4  ,! ,cuban ,section occupies  
gall]y #bj1 next to ! ,italian section4 
,!re is h>dly a picture "h t does n seem
 labor$ 9 comp>ison ) ! fre$om else:]e4 
,! ,uruguay ,section1 9 ! adjo9+ gall]y 
#ai1 is j ! opposite full ( fre%ness &  
vigor1 & brilliant 9 color4 ,b ! gift ( 
brilliancy is r undiscipl9$1 & :ile !re 
is unmi/akable promise1 "o feels t ! art
 ( ,uruguay has n yet f\nd itself4  ,!  

,*9ese ,section occupies gall]ies #id to
 #ig1 & is notable = ! pa9t+s on silk & 
pap]1 ! cloisonne1 & ! lacqu]4 ,!re is a
 weal? ( int]e/+ mat]ial 9 ! display1 b 
x really requires a great am\nt ( /udy =
 full appreciation4 ,! ,*9ese           
,commission has prep>$ a special        
catalogue1 :i* c be _h 9 ! rooms if "o  
is specially int]e/$4  ,! ,philipp9e    
,section1 9 ! adjo9+ gall]y #ih1 is     
almo/ negligible 9 a build+ :]e !re is s
 mu* really wor? see+ ?\gh "s ( ! pa9t+s
 by ,felix ,hidalgo h a dramatic int]e/4
  ,! ,sw$i% ,section1 9 gall]ies #ii to 
#ajg1 is "o ( ! mo/ important 9 !       
build+4 ,"o :o likes a g5tle1 poli%$    
sort ( art w n be at home "h2 b =       
virile1 fre% & colorful pa9t+ !re is no 
o!r section t a*ieves ! same high /&>d4 
,_m ( ! pictures are s /rong & big t !y 
nev] %\ld h be5 put 9 ^! box-l little   
rooms1 :]e a prop] p]spective is        
impossible4 ,9 ! pa9t+s !re are traces (
 ,fr5* & ,g]man tra9+1 & especially (   
,impressionism2 b ! exhibit %[s m true  

national feel+ & m individual indep5d5ce
 ?an any o!r 9 ! build+4  ,! two featur$
 gr\ps are ! rem>kable pa9t+s &         
tape/ries ( ,gu/av ,adolf ,fjae/ad 9    
gall]y #ajg-well wor?y ( long /udy-& !  
pa9t+s & pr9ts ( ,c>l ,l>sson 9 gall]y  
#aja4 ,b !re are _m o!r ?+s q z         
important3 ! brilliant & fre% canvases (
 ,c>lburg1 ! sn[ sc5es t\*$ ) late      
sunlight1 by ,s*ultzb]g1 & ! compell+   
autumn decorations by ,osslund1 all 9   
gall]y #ajb2 ! illu/rations by ,bau] 9  
gall]y #ajd2 ! big l&scapes by          
,hesselborn 9 gall]y #aje2 & ! deep-ton$
 /udies by ,anna ,bob]g1 & ! virile     
portraits1 9 gall]y #ajf4 ,if y d\bt t  
^! ,sw$i% pa9t]s c d ! poli%$1 poetic   
?+1 z well z ! big vigor\s sort1 g back 
to gall]y #ajc1 & look at ,b]g/rom's    
atmosph]ic ,spr+ ,day4  ,! ,sw$i%       
sculpture is n s rem>kable z ! pa9t+2 b 
! pr9t section 9 gall]y #ii conta9s a   
numb] ( v int]e/+ et*+s & wood engrav+s4
  ,! ,arg5t9e ,section1 9 gall]y #aab1  
%[s mu* t is fre%1 /rong1 & brilliant 9 

color4 ,x is int]e/+ to see h[ mu* clos]
 ^! ,s\? ,am]ican pa9t]s are to ,spa9   
?an to ,france & ,g]many4 ,"h are _m    
e*oes1 n only ( ,velasquez & ,goya1 b ( 
! vital mod]n ,spani>ds l ,zuloaga4 ,!  
collection is v unev52 b 9 ! "w ( m5 l  
,jorge ,b]mudez & ,hector ,nava !re is a
 mighty promise if n any great          
a*ievem5t4 ,! few sculptures are        
unusually /rong & int]e/+4  ,!          
,portuguese ,section1 9 gall]ies #aji to
 #aaa1 has ! appe>ance ( belong+ to an  
old] p]iod 9 ! hi/ory ( art ?an !       
pres5t4 ,"o feels t ! arti/s :o %[      
pictures "h h n t ma/]y ( light :i* m>ks
 ! ,n9ete5? ,c5tury's greate/ advance 9 
pa9t+4 ,c]ta9ly !re is evid5ce ( a g5]al
 reliance on ! old] /&>ds4 ,p]haps ! be/
 works are ^? ( ,columbano1 9 ! c5tral  
gall]y4 ,"h too1 & 9 ! next room1 are "s
 reali/ic works ( ,malhoa t compel      
att5tion4  ,! ,int]national ,room1      
gall]y #ajh1 conta9s all t ! ,exposition
 has ( ,g]man "w4 ,on wall ,c are su*   
spl5did ?+s z ,leo ,putz' ,! ,%ore &    

,he9ri* von ,zugel's ,9 ! ,rh9e ,mead[s2
 & on wall ,a is ,franz ,/uck's ,summ]  
,night-by no means "o ( ?is decorator's 
be/ works1 ?\gh *>act]i/ically ri* &    
deep-ton$4 ,b "o feels ! lack ( ^? o!rs 
:o h lately lift$ ,g]many back among !  
greate/ nations arti/ically3 von ,uhde1 
,lieb]mann1 von ,gebh>dt1 ,kl+]1 ,erl]1 
& von ,h(mann4 ,9 ! same way ! "y &     
virile ,engli% gr\p is n repres5t$1 ?\gh
 9 ?is room is a passable portrait by ! 
great ,john ,lav]y4 ,on wall ,d are two 
,spani% works ( ,lopez-,mezquita1 t are 
wor?y ( att5tion b no?+ ( ,zuloaga or   
,sorolla4  ,! ,holl& ,section1 occupy+  
gall]ies #aac-aaf1 conta9s a display t  
is well balanc$ b )\t out/&+ features4  
,!re are e*oes ( _m dep>t$ glories1 (   
,rembr&t1 ( ,hals1 & ev5 ( ! ,fr5*      
,b>bizon m51 & a few typical beautifully
 light$ ,dut* int]iors4 ,b !re is none (
 ! "w ( ! m5 :om ! art magaz9es h taught
 u to consid] ! repres5tative ,dut*     
pa9t]s ( today3 ,israels1 ! ,m>is       
bro!rs1 & ,mauve4 ,! pr9t room is       

likewise good r ?an spl5did1 unless "o  
excepts ,m4 ,a4 ,j4 ,bau]'s f9e         
,rembr&tian et*+s4 ,*>les van ,wyck's   
small bronzes are notable among !       
sculptures4    ,scatt]$ ,art ,exhibits  
,/ate & ,=eign ,build+s    ,! ,palace ( 
,f9e ,arts has be5 res]v$ exclusively = 
pa9t+1 sculpture & pr9ts1 ) ! result t !
 mat]ial ( ! usual arts & crafts        
exhibitions has be5 badly scatt]$4      
,c]ta9 exhibits h be5 tak5 to ! /ate &  
=eign build+s1 "s ( :i* are also (      
int]e/ ar*itecturally2 b mo/ ( !        
craftswork is to be f\nd 9 ! f\r        
exhibition palaces on ! ,av5ue ( ,palms4
  ,! ,palace ( ,v>i$ ,indu/ries conta9s1
 betwe5 #e? & #f? ,/reets1 ?ree         
important displays3 at ,av5ue ,a is     
,d5m>k's exhibition ( porcela9 & pott]y1
 ) a small section devot$ to ! book     
arts2 at ,av5ue ,b is an excell5t       
display ( ,g]man porcela92 & at ,av5ue  
,d is ! ,ne!rl&s exhibit ( porcela9 &   
pott]y4 ,at #d? ,/reet & ,av5ue ,c is ! 
exhibition ( ,*9ese arts & crafts4 ,!   

,am]ican section ( s-call$ ,dome/ic     
,arts & ,crafts is at #a/ ,/reet &      
,av5ue ,c1 & conta9s a v small b select 
%[+ ( all ! usual h&icrafts4 ,else:]e 9 
! build+ !re are m9or displays (        
textiles1 c]amics1 tape/ries1 silv] "w1 
& int]ior decoration1 in/all$ by        
comm]cial firms4 ,"o c see looms work+1 
jewelry be+ made1 & ,*9a be+ pa9t$4  ,! 
,palace ( ,manufactures is notable = !  
ext5sive arts & crafts exhibit ( ,japan1
 :i* cov]s almo/ "o-qu>t] ( ! build+'s  
floor space2 = t ( ,italy1 :i* includes 
a l>ge numb] ( /atuettes besides ! usual
 dep>tm5ts2 & = ^? ( ,france1 & ,great  
,brita9 & ,irel&4 ,"o w f9d all ( ^!    
displays by walk+ along ,av5ue ,c4  ,!  
,palace ( ,lib]al ,arts conta9s a few   
exhibits ( ! book arts & ar*itecture4 ,!
 mo/ important ar*itectural display is t
 9 ! ,unit$ ,/ates ,gov]nm5t ,section1  
%[n by ! ,national ,f9e ,arts           
,commission4 ,on ,av5ue ,d betwe5 #a/ & 
#e? ,/reets !re are displays ( f9e      
photography4  ,! ,palace ( ,education   

conta9s ! exhibition ( ! ,am]ican art   
s*ools1 at ,av5ue ,b & #f? ,/reet4 ,at  
,av5ue ,e & #crd ,/reet pott]y is made4 
,9 ! gr\p ( palaces on ! ,m>9a !re is   
little to int]e/ 9 art matt]s4 ,9 !     
,m9es ,palace ! ,gov]nm5t's exhibit (   
co9s & m$als is ( "s int]e/4 ,9 !       
,transportation ,palace ! /ud5t ( appli$
 art c f9d mu* to ?9k ab\t 9 ! relation 
( art to automobile design4 ,9 !        
,agriculture & ,food ,products ,palaces 
!re is little to attract ! art-lov]     
except at meal-"t4  ,! ,italian ,build+s
 conta9 an ext5sive museum ( national   
hi/oric art & ar*aeology1 :i* is well   
wor? see+4 ,! mural pa9t+ 9 ! ,royal    
,salon repres5ts ,! ,glorification (    
,italy4 ,! build+s reproduce hi/oric    
,italian /yles ( ar*itecture4 ,! *>m+   
c5tral c\rt1 ! g>d5s1 & ! build+s conta9
 _m replicas ( ma/]pieces ( sculpture4  
,! ,fr5* ,build+ 0 unf9i%$ at ! "t ?is 0
 writt5 7,june fir/71 b x is to conta9  
an ext5sive art display4 ,!re are to be 
a numb] ( /atues by ,rod91 ! greate/ (  

mod]n sculptors1 :i* alone w\ld make a  
visit imp]ative = e art lov]4  ,! ,sw$i%
 ,build+ is "o ( ! mo/ int]e/+          
ar*itecturally1 sugge/+ ! f9e orig9ality
 ( rec5t ,sc&9avian ar*itecture4 ,x is  
wor?y ( note too1 t ! ,norwegian &      
,dani% build+s /rike a note ( fre%ness t
 is 9 f9e contra/ ) mo/ ( ! =eign       
pavilions4 ,9 all ?ree ( ^! build+s !re 
are small exhibits ( pa9t+ & h&iwork4   
,! ,turki% ,build+ conta9s an attractive
 exhibit ( rugs2 & 9 ! ,philipp9e       
,build+ !re is a display ( metal "w &   
basketry4  ,! ,/ate ,build+s are 9 g5]al
 design$ = social purposes4 ,t (        
,p5nsylvania is an int]e/+ bit (        
,colonial ar*itecture1 & conta9s two    
virile & colorful decorations by ,john  
,trumbull1 repres5t+ ,p5n's ,treaty ) ! 
,indians & ,! ,indu/ries ( ,p5nsylvania4
 ,! ,m>yl& ,build+ is also a simple1    
dignifi$ bit ( ,colonial design4 ,!     
,massa*usetts ,build+ reproduces ! fam\s
 ,bulf9* front ( ! ,bo/on ,/ate ,h\se4  
,! ,mission /yle ( ar*itecture is       

pleas+ly exemplifi$ 9 ! ,cali=nia       
,build+4    ,index    ,abundance-#fa    
,adams1 ,h]b]t-#gj ,adv5tur\s ,b[man-#fj
 ,aitk51 ,rob]t-#ag1 #cj1 #gd ,aquatic  
,life-#bb ,ar*itecture z a ,:ole-#i     
,arg5t9e ,f9e ,arts ,section-#id ,armor$
 ,horseman-#di ,arts & ,crafts          
,exhibits-#ig ,bacon1 ,h5ry-#cg         
,bakewell  ,br[n-#fg ,bancr(t1 ,h4      
,milton-#dj ,bateman1 ,john-#dd1 #fg    
,bea*1 ,*e/]-#af ,beauty & ! ,bea/-#dg  
,b5nett1 ,edw>d ,h4-#aj ,b]ge1          
,edw>d-#gb1 #gc ,bitt]1 ,k>l-#aa1 #ia   
,borglum1 ,solon-#dg ,b\ti]1 ,e4 ,l4-#fg
 ,brangwyn1 ,frank-#ai ,bufano1 ,b4-#cb 
,bulls1 ,!-#cg ,burr\ghs1 ,edi?         
,woodman-#ea ,cald]1 ,a4 ,/irl+-#aa1    
#cj1 #ca1 #cb1 #dd1 #dg1 #ec1 #fj ,*ase1
 ,william ,m4-#hh ,*9ese ,f9e ,arts     
,section-#id ,color ,s*eme-#aa ,column (
 ,progress-#fj ,corbett1 ,gail          
,%]man-#gc ,cortez-#di ,c\rt (          
,abundance-#ac ,c\rt ( ,fl[]s-#de ,c\rt 
( ,f\r ,seasons-#ce ,c\rt ( ,palms-#dc  
,c\rt ( ,univ]se-#bc ,crafts            

,exhibits-#ig ,cuban ,f9e ,arts         
,section-#ic ,cumm+s1 ,e>l-#fa ,dall91  
,cyrus ,e4-#gc ,diagram ( ,art          
,gall]ies-#gf ,diagram ( ,gr\nds-#h     
,dodge1 ,w4 de,l4-#eb ,dumond1 ,f4      
,v4-#cd ,duv5eck1 ,frank-#hh ,elem5ts1  
,!-#ba1 #cj ,ell]hus51 ,ulric ,h4-#gj   
,end ( ! ,trail-#dd ,f>quh>1 ,rob]t-#fg 
,faville1 ,w4 ,b4-#ee ,fea/ (           
,sacrifice-#cg ,fe/ival ,hall-#fg       
,fe/ivity-#ca ,f9e ,arts ,gall]ies-#gg  
,flanagan1 ,john-#di ,flor5t9e ,c\rt-#cd
 ,=eign ,build+s-#ih ,f\nta9 ( ,c]es-#dj
 ,f\nta9 ( ,e>?-#ag ,f\nta9 ( ,el       
,dorado-#ea ,f\nta9 ( ,en]gy-#ec ,f\nta9
 ( ,ris+ ,sun-#be ,f\nta9 ( ,sett+      
,sun-#bg ,f\nta9 ( ,y\?-#di ,f\nta9s ( !
 ,seasons-#ci ,fras]1 ,james ,e>l-#dd   
,fr5*1 ,daniel ,*e/]-#gd ,fr5*          
,build+-#ih ,fr5* ,f9e ,arts            
,section-#ib ,fry1 ,%]ry ,e4-#bb1 #fg1  
#gc ,g5ius ( ,creation-#fe ,g]la*1      
,gu/ave-#eg ,gruppe1 ,c>l-#dd1 #dg      
,half-dome ( ,philosophy-#eg ,half-dome 
( ,physical ,vigor-#fa ,h>ley1 ,*>les   

,r4-#fa ,h>ve/-#ci ,hassam1 ,*ilde-#de1 
#hh ,ha/+s1 ,?omas-#di ,hi/orical ,f9e  
,arts-#gi ,holl& ,f9e ,arts ,section-#ie
 ,holl[ay1 ,*>les ,w4-#dd ,illu/ration  
,section-#ij ,int]national ,room-#ie    
,italian ,build+-#ih ,italian ,f9e ,arts
 ,section-#ic ,italian ,t[]s-#dc        
,jaeg]s1 ,alb]t-#cg1 #ci ,jaeg]s1       
,augu/-#dj ,japanese ,f9e ,arts         
,section-#ia ,kei?1 ,william-#hh        
,kelham1 ,george ,w4-#dd1 #dg ,konti1   
,isidore-#fj ,ladd1 ,anna ,coleman-#gb1 
#ge ,laessle1 ,alb]t-#dg ,l5telli1      
,leo-#ag1 #cj1 #ca1 #ga ,light+-#ab     
,longnan1 ,evelyn ,b4-#dj1 #gd ,man%ip1 
,paul-#ca1 #ia ,ma!ws1 ,ar?ur ,f4-#de1  
#hg ,maybeck1 ,b]n>d ,r4-#gj ,mc,kenzie1
 ,rob]t ,t4-#gb1 #gd ,mc,kim1 ,mead     
,:ite-#be ,mc,laren1 ,john-#ab          
,mac,neil1 ,h]mon ,a4-#ca1 #fj          
,m$als-#ia ,mel*]s1 ,g>i-#hh ,m]maid    
,f\nta9-#ff ,m9iature ,section-#ij ,"m (
 ,tomorr[-#cj ,motion-#ca ,mullg>dt1    
,l\is ,c4-#ae ,mullg>dt ,t[]-#ae        
,murals-,9 ,ar*es-#cb ,murals-,c\rt (   

,abundance-#ai ,murals-,c\rt ( ,f\r     
,seasons-#dj ,murals-,c\rt ( ,palms-#dd 
,murals-,f9e ,arts ,rotunda-#ga         
,murals-,t[] ( ,jewels-#eb ,music-#ca   
,nations ( ! ,ea/-#bi ,nations ( !      
,we/-#bi ,newman1 ,all5-#ei ,niehaus1   
,*>les-#di ,outdoor ,gall]y (           
,sculpture-#gb ,palace (                
,agriculture-#fa ,palace (              
,education-#eg1 #ig ,palace ( ,f9e      
,arts-#fi ,palace ( ,food ,products-#fi 
,palace ( ,horticulture-#fg ,palace (   
,lib]al ,arts-#ef1 #ig ,palace (        
,ma*9]y-#fb ,palace ( ,manufactures-#ef1
 #ig ,palace ( ,m9es-#ei ,palace (      
,transportation-#ei ,palace ( ,v>i$     
,indu/ries-#ee1 #ig ,patigian1          
,haig-#fc1 #gc ,p5nell1 ,joseph-#hi     
,philipp9e ,f9e ,arts ,section-#id      
,piccirilli1 ,furio-#dj ,pietro1 ,c4    
,s4-#ge ,pione]1 ,!-#dg ,piz>ro-#di     
,portal ( ,v>i$ ,indu/ries-#ef ,portals 
( ,nor? ,facades-#ei ,portuguese ,f9e   
,arts ,section-#ie ,pr9t ,section-#hi   
,putnam1 ,ar?ur-#ff ,pyle1 ,h[>d-#ij    

,r$field1 ,e4 ,w4-#hh ,reid1 ,rob]t-#ga 
,ri*>dson1 ,w4 ,symmes-#fj ,rod9-#ih    
,ro?1 ,f4 ,g4 ,r4-#cj1 #cb ,rumsey1     
,*>les ,c4-#di ,ryan1 ,w4 ,d',arcy-#ab  
,/4 ,gaud5s-#gb1 #gc ,s>g5t1 ,john      
,s+]-#hg ,scudd]1 ,janet-#ge ,sculpture 
,section-#gb1 #ij ,signs ( ! ,zodiac-   
#ca ,simmons1 ,edw>d-#cc ,s\? ,g>d5s-#ff
 ,/ackpole1 ,ralph-#ef1 #eg1 #fa1 #ga   
,/>s-#ca ,/ate ,build+s-#ih ,sw$i%      
,build+-#ih ,sw$i% ,f9e ,arts           
,section-#id ,t>bell1 ,edmund ,c4-#hh   
,tonetti1 ,f4 ,m4 ,l4-#di ,tor*         
,be>]-#fg ,t[] ( ,jewels-#dh ,t[] (     
,jewels-,height-#cd ,triumph ( !        
,field-#fa ,tr\betzkoy1 ,paul-#ia       
,twa*tman-#hi ,types ( ,p[]-#fb ,ulri*1 
,l\is-#ee ,u4 ,s4 ,f9e ,arts            
,section-#gi ,uruguay ,f9e ,arts        
,section-#ic ,v5etian ,c\rt-#cd         
,victori\s ,_s-#de ,walt]1 ,edg>-#dg    
,w>d1 ,cl>5ce ,r4-#fb ,w>d1 ,j4 ,q4     
,a4-#gc ,wat] ,sprites-#ag ,we9]t1      
,alb]t-#ag1 #dd1 #ef1 #eg ,:i/l]-#hi    
,:itney1 ,g]trude ,v4-#ea ,w+$          

,victory-#ee ,"y1 ,mahonri-#ef ,zimm1   
,bruno ,l\is-#gj    ,copies ( ?is guide 
c be obta9$ f any booksell] or          
newsdeal]1 or w be s5t po/paid on       
receipt ( #ej c5t1 by ,! ,sign ( !      
,b]keley ,oak1 #bbda ,college ,av5ue1   
,b]keley1 ,cali=nia