,transcrib]'s ,notes3 ,und]scores 80 be=e & aft] a ^w or phrase indicate italics 9 ! orig9al text4 ,equal signs 80 be=e & aft] a ^w or phrase indicate bold 9 ! orig9al text4 ,small capitals h be5 conv]t$ to ,,solid capitals4 ,illu/rations h be5 mov$ s !y d n break up p>agraphs4 ,old or antiquat$ spell+s h be5 pres]v$4 ,typographical & punctuation errors h be5 sil5tly correct$4 ,,aug5]',s ,,edition1 ,no4 #ibab4 ,,h&book ,,( ,,viol9 ,,play+ ,,by ,pr(4 ,,c>l ,,s*ro$] ,,translat$ ,,& ,,edit$ ,,by ,j4 ,,mat!ws ,,) ,,an ,,app5dix ,,consi/+ ,,( ,a ,,guide ,,?r\gh ,,viol9 ,,lit]ature ,,& ,a ,,*apt] ,,on ,,! ,,viola ,,f\r? ,,edition ,illu/ration ,,aug5] ,,ltd4 ,,london ,pr9t$ 9 ,engl&4 ,,cont5ts4 ,,"p ,i4 ,! in/rum5t4 page ,orig9 ( ! viol9 #a ,! olde/ viol9s #a ,developm5t & p]fect+ ( ! viol9 #b ,prom95t mak]s ( ! pres5t day #c ,attempts at improv+ ! viol9 #d ,se>* = ! discov]y ( ! old ,italian mak]s' secrets #f ,di/+ui%+ features ( ! old ,italian viol9s #g ,imitations ( ! old ,italian viol9s #aj ,con/itu5t p>ts ( ! viol9 #aj ,function ( ! s\ndpo/ & bass b> #ab ,position ( ! bridge #ab ,am\nt ( pressure on ! upp] table #ac ,dim5sions ( ! viol9 #ac ,! wood #ac ,! v>ni% #ad ,! /r+s #ad ,/r+s pure 9 fif?s #ae ,! /r+ gauge #ae ,pres]vation ( ! /r+s #af ,! b[ #af ,diff]5t p>ts ( ! b[ #ag ,res9 #ah ,viol9 cases #ah ,price ( viol9s #ai ,price ( viol9 cases #ai ,price ( b[s #ai ,pres]vation ( ! in/rum5t #ai ,clean+ ! hair ( ! b[ #bj ,names ( ! /r+s1 & tun+ #bj ,compass ( ! viol9 #ba ,,"p ,,ii4 ,! te*nique ( viol9 play+4 ,position ( ! play] #bb ,hold+ ! viol9 #bb ,position ( left h& & arm #bc ,hold+ ! b[ #be ,position ( "r h& & arm #be ,exam9+ ! mann] ( hold+ #be ,b[+ #be ,pr9cipal signs us$ = ! left h& & = b[+ #bg ,employm5t ( up & d[n b[s #bh ,! fir/ ex]cises #bi ,plac+ ! f+]s #cj ,ex]cise 9 int]vals #cc ,*ords 9 arpeggio #ce ,/ret*+ ! #d f+] #cf ,v>i\s /yles ( b[+ & _! signs #cg ,arpeggi #da ,! close %ake 7vibrato7 #db ,! op5 %ake #db ,! mord5t #dd ,! d\ble %ake #dd ,scale play+ #de ,f+]+ ( scales #df ,*romatic scales #dg ,! positions #dh ,*ang+ ! position #di ,movem5t ( ! f+]s 9 *ang+ positions #di ,diagram %[+ ! positions #ej ,d\ble /ops #ec ,*ords 9 ?ree p>ts #eh ,*ords 9 f\r p>ts #fb ,h>monics #fd ,pizzicato #fi ,,"p ,,iii4 ,! p]=mance4 ,arti/ic r5d]+ #gb ,ta/e #gb ,individuality #gc ,phras+ #gc ,,app5dix4 ,pictorial repres5tation ( ! b[+ #hj ,! mute #ha ,! ,vibrator #hb ,alphabetical li/ ( celebrat$ viol9i/s ( ! #ag1 #ah & #ai c5turies #hd ,viol9i/s ( ! #bj c5tury #ajf ,,translator',s ,,app5dix4 ,! ,viola #ajg ,guide ?r\gh ,viol9 lit]ature #aji ,guide ?r\gh ,viola lit]ature #agi ,,"p ,i4 ,! in/rum5t4 ,orig9 ( ! viol94 ,! inv5tion ( /r+$ in/rum5ts is c]ta9ly ( great antiquity1 b exact in=mation ) reg>d to ! orig9 ( ! viol9 has n come d[n to u4 ,al?\gh /r+$ in/rum5ts 7 9 use be=e ,*ri/ian times1 we "k t ^! _h no?+ 9 common ) ! viol91 or t at any rate ! b[ 0 n !n kn[n4 ,x is !re=e presum$ t its inv5tion & use 9 connection ) /r+$ in/rum5ts occurr$ 9 ! fir/ c5tury ( ! ,*ri/ian era4 ,_m are1 not)/&+1 ( ! op9ion t ! use ( ! b[ 0 kn[n 9 pre-,*ri/ian times1--9 ,india & 9 ,p]sia4 ,pictures ( ,indian & ,p]sian b[$ in/rum5ts exi/1 b ! p]iod :5 !y 7 employ$ is n exactly kn[n4 ,see ,fig4 a & b ( page #b4 ,! olde/ viol9s kn[n are ^? ( ! ,tyrolese ,lute mak] ,gasp>d ,duiffoprugg> 7,tieff5bruck]71 made 9 ! #af c5tury4 ,a few ( ^! in/rum5ts rema9 to ! pres5t day1 & are noticeable on acc\nt ( _! f9e1 cle> tone1 z well z = ! neatness & elegance ( _! workman%ip4 ,developm5t ( ! viol94 ,aft] ,duiffoprugg> ! foll[+ mak]s 7 ^? :o *iefly lab\r$ to p]fect ! viol93--,gasp>d da ,salo 7middle ( ! #ag c5tury71 ,giovanni ,paolo ,magg9i 7#aeij-afdj71 ,&reas ,amati 7#aebj-aehj71 8 sons ,antonius & ,hi]onymus ,amati1 ! son ( ! latt]1 ,nicolas ,amati 7#aeif-afhd71 ! pupils ( ! same3 ,jacob ,/a9] 7#afba-afhc7 & ,antonius ,/radiv>ius 7#afdd-agcg74 ,( ! ,amati viol9s1 ^? ( ,nicolas ,amati are ! be/2 ! mo/ p]fect specim5s ( viol9 mak+1 at pres5t unsurpass$1 7 made by ,/radiv>ius4 ,9 8 in/rum5ts ev]y?+ is p]fect$1--tone1 model1 v>ni%1 etc4 ,illu/ration3 a4 ,rabab--,arabian b[$ in/rum5t 7( ,p]sian orig974 b4 ,raba--,indian viol94 ,aft] ,/radiv>ius ! f9e/ viol9s are ^? ( 8 pupil ,joseph ,gu>n]ius del ,gesu 7#afhc-agde71 & !re are _m ( !m :i* rank ) ^? ( ,/radiv>ius4 ,to ! ,gu>n]ius family ( viol9 mak]s belong ,&reas ,gu>n]ius1 pupil ( ,amati 7middle ( ! #ag c5tury71 8 son ,joseph ,gu>n]ius 7#afhj-agcj71 ,pet] ,gu>n]ius & ! son ( ! eld] 7,&reas7 ,gu>n]ius 7#agbe-agdj74 ,! names ,/radiv>ius & ,joseph ,gu>n]ius m>k ! highe/ a*ievem5t ( viol9 mak+1 & to ! pres5t day none h succe$$ 9 surpass+ !m4 ,( o!r ,italian viol9 mak]s :o h furni%$ u ) good in/rum5ts may be m5tion$ ,aless&ro ,gagliano 7#afie-agbe71 ,c>lo ,b]gonzi 7#agab-agej71 ,laur5tius ,guadagn9i 7close ( ! #ag & beg9n+ ( ! #ah c5tury71 ,joh4 ,bapt4 ,guadagn9i 7#agee-aghe71 ,dom9icus ,montagnana 7#agae-agej71 ,v9c5t ,rugg]i1 ,giov4 ,bapt4 ,rugg]i1 & ,pet] ,jacob ,rugg]i 7beg9n+ ( ! #ah c5tury74 ,9 ,france1 good viol9s 7 made by ,lupot 7#ah c5tury71 ,g&1 ,b]n>del 7#ai c5tury7 & ,vuillaume 7#agih-ahge74 ,9 ,g]many1 besides ,/a9] & 8 pupil ,albani ( ,botz51 ,klotz1 7fa!r & son7 #ag & #ah c5tury 9 ,mitt5walde2 ,wit?alm 7#ah c5tury1 ,nuremburg72 ,baus* 7fa!r & son1 ,leipsic1 #ahje-ahga & #ahbi-ahga71 ,jacob ,diehl 7,hamburg74 ,9 ,engl&1 ,b4 ,banks1 ,salisbury 7#agbg-agie72 ,r4 ,duke1 ,london 7#aged-aghj72 ,jacob ,f5dt & ,c4 ,h>ris 7e>ly "p ( ! pres5t c5tury71 & ,mat!w ,h>die 7,ed9burgh71 h left _m good viol9s4 ,prom95t mak]s ( ! pres5t day4 ,good viol9s are made 9 ! pres5t day by ,hammig 9 ,leipsic2 ,rei*]s1 ,b]l92 ,s*unemann1 ,s*w]92 ,pfab1 ,hamburg2 ,l5k1 ,frank=t2 ,reun]1 ,b]l92 ,ro?1 ,m>kneukir*51 etc4 ,9 ,engl& excell5t in/rum5ts h be5 & are be+ made by ,hill1 ,h>t1 ,*anot1 ,e4 ,)]s1 & ,b\llangi]1 ,london2 ,w4 ,h4 ,mayson1 ,man*e/]2 ,f4 ,devoney1 ,blackpool2 ,j4 ,monk1 ,m]ton1 ,surrey2 & o!rs4 ,9 ,france1 by ,miquel1 ,f\*]1 ,lotte2 & 9 ,am]ica1 ,gemund]4 ,^! h all produc$ s]viceable in/rum5ts4 ,ability to judge prop]ly ! m]its ( a viol91--:e!r new or old1--comes only ) exp]i5ce2 beg9n]s %\ld !re=e be=e pur*as+ consult a play] or tea*] possess+ ! necess>y k4 ,viol9s by ! same mak]1 to all appe>ance exactly alike1 yet frequ5tly diff] greatly 9 tone quality1 & an in/rum5t ( bad tone is a /umbl+ block 9 ! pa? ( progress1 di%e>t5+ ! le>n]4 ,tr4 ,attempts at improv+ ! viol94 ,_m attempts h be5 made at improv+ ! viol9 by alt]+ its =m & proportions1 & by us+ o!r k9ds ( wood3--metal1 glass1 & porcela9 viol9s h also be5 con/ruct$4 ,exp]im5ts h be5 made ) ! bass b>1 bridge1 s\ndpo/1 etc41 9 endeav\rs to make a fur!r advance 9 viol9 mak+2 b all ^! attempts h yield$ no results ( importance4 ,! mo/ rem>kable attempt$ alt]ation ( latt] days proce$s f ! piano mak] ,hagspiel 9 ,dresd51 & consi/s 9 b5d+ or ar*+ ! upp] table ( ! viol9 in/ead ( work+ x out1 ! s\nd-holes appe>+ z r\nd op5+s 9 ! ribs in/ead ( 9 ! upp] surface4 ,! tone ( ^! viol9s is ( surpris+ p[] & volume1 b !y dem& a peculi>1 & some:at firm b[+2 a heavi] b[ is also ne$$4 ,! mak] proce$s on ! assumption t !re exi/s1 9 mod]n or*e/ras a tonal gap betwe5 ! /r+ & ! brass in/rum5t4 ,! tone ( ! /r+$ in/rum5ts is (t5 q ov]p[]$ by ! pr$om9at+ =ce ( ! w9d in/rum5ts4 ,?is is especially noticeable 9 op]a or*e/ras1 :]e _! space w seldom p]mit ( m ?an #aj or #ab fir/ viol9s1 & ! same numb] ( second viol9s2 = in/ance 9 ! in/rum5tation ( ,wagn]'s ,nibelung5 ,r+4 ,9 its production ! w9d in/rum5ts ne$ s mu* space 9 ! or*e/ra1 t in/ead ( a correspond+ increase 9 ! numb] ( ! /r+s1 !y mu/ (t5 be less5$1 naturally occasion+ a want ( balance4 ,a selection ( ! in/rum5ts made by ,h]r ,hagspiel1--viol9s1 violas1 violoncelli & d\ble basses1 w\ld probably t5d to less5 ?is disproportion1 z "o ( !m yields at lea/ z mu* tone z two ( ! ord9>y in/rum5ts4 ,by suffici5t famili>ity ) ! me?od ( us+ !m1 ! tone might be made to bl5d uni=mly ) t ( ! o!r in/rum5ts 9 passages ( a light & s(t "*4 ,9 any case ! inv5tor has ?r[n out a sugge/ion1 & made a beg9n+ t[>ds prep>+ ! way = a correct balance ( tone 9 ! or*e/ra1 & 8 idea !re=e des]ves consid]ation4 ,! au?or is n aw>e if practical exp]im5t 9 ! or*e/ra has be5 made ) ^! in/rum5ts1 b x %\ld c]ta9ly give "s advantage\s result4 ,ano!r inv5tion has be5 produc$ rec5tly by ,h]r ,*ri/oph] ,s*e9]t 9 ,b]l94 ,x consi/s ( a vibrat+ hamm] or tongue = /r+$ in/rum5ts4 ,?is is a little in/rum5t plac$ "u ! bridge ( ! viol91 s t1 7x be+ furni%$ ) a sl5d] hamm]71 ela/ic metal tongues vibrate freely betwe5 ! upp] table & ! /r+s4 ,! vibrat+ hamm] is set 9 motion ?r\gh ! /r+s by ! b[1 ?r\gh :i* simultane\s movem5t ! p[] ( ! in/rum5t is increas$1 & ! tone col\r elicit$4 ,exp]ts h te/$ ! contrivance1 decl>+ x to be a happy idea4 ,pr(essor ,h4 ,ritt]'s inv5tion ( ! normal ?ree-foot$ bridge mu/ also be m5tion$4 ,assum+ t ! bridge 9 use = c5turies1 ) its prescrib$ feet1 does n fully convey ! vibrations ( ! /r+s to ! upp] table1--! two middle /r+s s\nd+ feebl] ?an ! out]1--,pr(4 ,ritt] has made a middle po9t ( contact betwe5 ! bridge & ! upp] table4 ,?is inn] support is int5d$ to make ! middle /r+s s\nd ) ! same int5sity z ! out] ones4 ,illu/ration ,9 8 pamphlet on ! subject 7,wurzburg1 ,g4 ,h]z71 ,h]r ,ritt] demon/rates t 8 ?ree-foot$ bridge has n only an ae/hetic significance1 b claims consid]ation sci5tifically4#a #a ,) ! same int5tion1 ,mr4 ,e4 ,j4 ,bonn1 ( ,brad+1 ,isle ( ,wight1 has produc$ a f\r-foot$ bridge1 :i*1 ^u ! te/imony ( ^? :o h tri$ x1 has 9 "s cases effect$ an improvem5t4 ,te/imonials f great arti/s conc]n+ ^! & o!r attempts at improv+ ! viol9 frequ5tly appe>2 mean:ile1 ! arti/s !mselves are well cont5t ) ! bridge & ! in/rum5t g5]ally z left by ,/radiv>ius4 ,"o w\ld n desire to d5y ! possibility ( fur!r improvem5ts to ! in/rum5t1 yet ne>ly two c5turies ( ceaseless exp]im5t+ h yield$ no result t has be5 consid]$ wor?y ( univ]sal adoption4 ,tr4 ,attempts to discov] ! secrets ( measurem5t ( ! ,italian viol9 mak]s4 ,= a long p]iod viol9 mak+ 0 re/rict$ 7deviations su* z ! exp]im5ts expla9$ above1 not)/&+7 to imitat+ ! fir/ ,italian ma/]s ( ! art1 & endeav\r+ to equal !m4 ,b s consci5ti\s & true 9 all _! p>ts & cont5ts is ! workman%ip ( ! ,italian in/rum5ts t ?is has n be5 atta9$4 ,a v g5]al op9ion is1 t c]ta9 secrets 9 in/rum5t mak+ 7 kn[n to ! ,italian ma/]s b h become lo/1 & _m h made ! attempt to re-discov] ^! secrets4 ,a mak] 9 ,aix la ,*apelle1 nam$ ,ni$]heitmann1 a viol9 amateur1 possess+ a collection ri* 9 valuable old viol9s1 believ$ ! my/]y to be discov]$1 & t x consi/$ 9 impregnat+ ! wood4 ,! sub/ance us$ 0 a species ( p9e f\nd 9 ! vic9ity ( ,cremona1 or ! in/rum5t 0 ma9ly built ( ?is wood4 ,?is p9e 7balsam p9e7 became q decay$ by ! dry+ up ( its res91 & !reby ! key to ! enigma :y 9 spite ( ! close/ imitation ! old ,italian tone 0 n arriv$ at1 0 f\nd4 ,?is p9e exi/s no long] 9 ,italy1 & ?us 0 to be expla9$ ! reason :y not)/&+ ! close/ copy+ ( exi/+ in/rum5ts1 ! old ,italian tone quality 0 n reproduc$4 ,a fri5d ( ,ni$]heitmann's1 ,conc]tmei/] ,h5ry ,s*radieck 7=m]ly ( ,leipsic7 int]e/$ himself greatly 9 ?is discov]y1 & hav+ obta9$ ?r\gh a *emi/ a simil> res9\s sub/ance1 made1 ) ! aid ( ,h]r ,hammig 9 ,leipsic _m trials ) ?is impregnation1 f :i* a rem>kable result 0 to be got1 b :i* 0 n ( long duration4 ,h]r ,s*radieck1 :o w5t lat] to ,am]ica1 kn[+ t ! balsam p9e /ill grew !re1 did n re/ until he f\nd ?is tree1 believ+ t in/rum5ts made f x w\ld aga9 approa* ! old ,italians4 ,sev]al viol9s 7 f\nd already made ) balsam p9e wood1 b ! brilliant expectations t 7 *]i%$ 7 n fulfill$4 ,po9ts ( note 9 ! old ,italian viol9s4 ,magg9i viol9s4 ,^! in/rum5ts are ( l>ge outl9e4 ,! upp] table is highly ar*$ & ! ar*+ rises some:at sudd5ly f ! edges4 ,! wood ( ! upp] table is ?ick & v good4 ,! back1 comp>$ to ! upp] table is less ?ick4 ,! wood ( ! back is tak5 slab-wise 7! trunk ( ! tree be+ cut 9 lay]s across ! :ole bread?74#b ,! sides are %all[4 ,! v>ni% is ?91 transp>5t1 & ( a cle> br[n col\r4 ,! purfl+ is frequ5tly d\bl$2 & spread ov] ! back 9 arabesques4 ,! tone ( ! ,magg9i viol9s is full & heavy1 resembl+ ! viola quality4 ,! ticket is z foll[s3-- ,illu/ration3 ,gio4 ,paolo ,magg9i1 ,bresci4 #b ,reg>d+ ^! two figures z sections ( a trunk ( maple ! fir/ %[s h[ ! slab back is obta9$1 7sur c\*e7 & ! second ! o!r me?od4 ,tr4 ,illu/ration ,&reas ,amati4 ,^! are mo/ly ( small model4 ,! upp] table is ( good1 fairly ?ick wood1 & v highly ar*$ t[>ds ! middle4 ,! back is cut on ! slab4 ,! v>ni% is br[n & transp>5t4 ,! tone is delicate & n p[]ful4 ,antonius & ,hi]onymus ,amati4 ,! viol9s issu$ z ! "w ( ! two bro!rs 9 p>tn]%ip are mu* e/eem$4 ,m in/rum5ts ( small ?an ( l>ge size 71 h[ev]1 produc$ by !m4 ,! upp] table is highly curv$1 & has t[>ds ! edges a groove or furr[4 ,! wood ( ! back & ( ! ribs cut slab-wise4 ,! v>ni% resembles t ( ,&reas ,amati's viol9s4 ,! tone is also small4 ,! label runs3-- ,illu/ration3 ,antonius ,hi]onimus ,amati ,cremon54 ,&r filii #af ,nicolas ,amati4 ,^! in/rum5ts are di/+ui%$ f ^? ( ! o!r ,amati viol9s by a gr&] appe>ance1 bett] & ?ick] v>ni%1 & a m brilliant & p5etrat+ tone4 ,! scroll is some:at small 9 proportion to ! body4 ,label3-- ,illu/ration3 ,nicolaus ,amati ,cremon54 ,hi]onimi4 filii ,antonii nepos fecit ,anno #af ,/radiv>ius4 ,9 ! c>e] ( ,/radiv>ius ?ree p]iods may be trac$1 & ! viol9s proce$+ f ea*1 ( ^! di/9ct p]iods !mselves v>y m or less4 ,! in/rum5ts ( ! fir/ p]iod diff] b little f ,amati viol9s1 & are classifi$ z be+ ( ! s*ool ( ,nicolas ,amati4 ,! in/rum5ts ( ! second p]iod are already q diff]5t f ! fir/4 ,! :ole model is l>g]1 ! ar*+ f9]1 ! wood ( ! upp] table & also ( ! back is /rong]1 & ! v>ni% r$d] 9 col\r4 ,f ! ?ird p]iod proce$$ ! f9e/ viol9s t are 9 exi/5ce4 ,! model is aga9 some:at l>g]1 ! upp] table is flatt]1 ! wood ( ! back & ( ! ribs in/ead ( be+ cut on ! lay]s 9 slab =m 7sur c\*e71 is tak5 on ! qu>t] 7sur maille74 ,! v>ni% is /ill m brilliant1 yet s(t look+1 & s transp>5t t ! beauty ( ! wood und]nea? x is fully br\ght out4 ,! f holes are wond]fully cut1 & ! entire "w is f9ely f9i%$ 9 e detail4 ,! tone fulfils e possible requirem5t1 x is ( great p[] & body1 sp>kl+1 noble1 & yet sympa!tic & sweet4 ,! viol9s made 9 ! la/ ye>s ( ,/radiv>ius reveal ! weakness p]ta9+ to old age4 ,! tone is /ill f9e1 b ! workman%ip is altoge!r inf]ior4 ,f ?is "t =w>d1 :5 ! ar*+ is m prom95t1 & ! v>ni% d>k]1 ! beauty ( ! tone is dim9i%$4 ,label3-- ,illu/ration3 ,antonius ,/radu>ius ,cremon5sis ,faciebat ,a4 #ag ,labels ( v>i\s o!r ,italian mak]s3-- ,illu/ration3 ,francescus ,rugg]i detto il p] 9 ,cremona dell' ,anno #af ,illu/ration3 ,hi]onymus ,amatus ,cremon54 ,nicolai ,figlius ,fecit #ag ,illu/ration3 ,joannes ,bapti/a ,guadagn9i ,ple c5t9us fecit ,m$iolani #ag ,illu/ration3 ,iosephus ,mat? ,albanus fecit ,bulsani 9 ,f]ole ,anno #ag ,illu/ration3 ,ianu>ius ,gaglianus ,allimnus ,antonii ,/radu>ius fecit ,neapoli ,anno #ag ,illu/ration3 ,joseph ,gu>n]ius1 ,&r nepos4 ,cremon #ag ,imitations ( old ,italian viol9s4 ,! old ,italian viol9s h be5 s closely copi$ by _m mak]s1 ) reg>d to model1 wood1 v>ni% & appe>ance ( age1 t x is difficult to discrim9ate betwe5 ! g5u9e & ! spuri\s4 ,x is /ill m difficult :5 ! copy possesses a f9e quality ( tone4 ,x ne$s a practis$1 ke5 eye to det]m9e ! g5u95ess or spuri\sness ( an in/rum5t1 & x may well be t _m1 believ+ !mselves to h b\ght a real old ,italian in/rum5t1 h only obta9$ an imitation !re(4 ,! inside ticket has ( itself be5 closely copi$1 & may be pur*as$ 9 %eets4 ,con/itu5t p>ts ( ! viol94 ,illu/ration3 ,ext]ior4 ,! mo/ important "p is ! upp] table or belly 7a74 ,! o!r p>ts are ! ribs or sides 7b71 ! back 7c71 ! neck 7d71 ! head compris+ ! scroll & peg box 7e71 ! pegs 7f71 ! f+] bo>d 7g71 ! bridge 7h71 ! tailpiece 7i71 ! button#c 7k71 ! nut 7l71 & ! f or s\nd-holes 7m74 ,! int]ior ( ! viol9 conta9s ! s\ndpo/ & ! bass b>4 ,illu/ration3 ,int]ior4 #c ,! semi-circul> projection at ! top ( ! back is also t]m$ ! button4 ,tr4 ,function ( ! ,s\ndpo/ & ! bass b>4 ,! s\ndpo/1 plac$ und]nea? ! "r foot ( ! bridge 7a little way beh9d x7 supports ! upp] table aga9/ ! pressure ( ! /r+s ^u ! bridge1 & ! bass b> s]ves a simil> purpose "u ! left foot ( ! bridge4 ,! s\nd po/1 by connect+ ! upp] table ) ! back1 sets ! entire in/rum5t into vibration1 & by its help ! s\nd waves radiate to all p>ts4 ,position ( ! ,bridge ,! bridge mu/ /& on ! middle ( ! upp] table s t bo? feet are 9 l9e ) ! nicks ( ! f holes4 ,?r\gh ! =w>d pull ( ! /r+s1--increas$ dur+ play+1--! bridge has a t5d5cy to b5d =w>d4 ,to avoid ?is "o mu/ frequ5tly wat*1 & pull x backw>d1 yet keep+ ! feet 9 ! same place4 ,! bridge may be fix$ slop+ some:at backw>d r ?an =w>d4#d #d ,illu/ration ,! quality ( ! wood 9 a bridge1--:e!r h>d or s(t--& its ?ickness 7accord+ to ,otto1 its weight71 mat]ially affect ! tone ( a viol94 ,bridges z suppli$ by deal]s are usually almo/ twice ! prop] ?ickness1 to all[ = rubb+ d[n ) s&pap]4 ,! be/ bridges are ! g5u9e 8,aub]t0 7) ! "n /amp$ inside an oval72 ^? ) l>ge & decid$ r$di% m>k+s %[+ h>dness ( gra91 & ! less di/9ct m>k+s a s(t] quality4 ,:5 fitt+ a viol91 a few ( ea* %\ld be tri$1 fir/ cutt+ ! feet to ! approximate slope ) a %>p p5knife1 !n ) a small piece ( f9e 7,no4 #j47 glass pap] held /eadily betwe5 ! ff holes1 rub ! bridge to & fro ov] ! glass pap] betwe5 ! not*es ( ! ff holes1 until1 on remov+ ! glass pap] x is se5 to fit p]fectly1 /&+ upright :5 ! in/rum5t is level4 ,! sket* %[s ! am\nt ( slope to be made on ! ,e side2 ! di/ances = ! not*es to receive ! /r+s1 & ! am\nt to :i* ! feet mu/ be ?9n$ 9 an ord9>y full siz$ in/rum5t4 ,! height ( ! bridge is dep5d5t1 7= conv5i5ce ( /opp+71 ^u ! height ( ! f+]bo>d4 ,a high bridge gives m p[]1 b (t5 ! quality ( tone is n s good4 ,! ,e /r+ be+ h>d] to press d[n 7by reason ( its great] t5sion7 is kept a little ne>] ! f+]bo>d ?an ! o!rs4 ,f ! end ( ! f+]bo>d1 ! ,e /r+ %\ld be ab\t ?is di/ance ,illu/ration ! ,g ,illu/ration ,on size & size in/rum5ts = *ildr5 ^! di/ances mu/ be r$uc$ ab\t "o-?ird4 ,tr4 ,am\nt ( pressure ^u ! upp] table4 ,?r\gh ! comb9$ influ5ce ( ! /ra9 & pressure ( ! /r+s ^u ! upp] table1 x supports a weight ( ab\t #ajj lbs4 ,aga9/ ?is burd51 ?is1 9 o!r respects1 fragile in/rum5t1 opposes a wond]ful p[] ( resi/ance1 an example ( its +5i\s yet simple con/ruction4 ,size ( ! viol94 ,! viol9 measures 9 ! l5g? ( its body #ad 941 9 bread? 9 ! upp] "p #f_/ 941 9 ! l[] #h_/ 94 ,! top height ( sides #a_/ 942 bottom height ( sides #a 94 ,?ree sizes are di/+ui%$1--8full01 8?ree-qu>t]01 & 8half0 size4 ,^! la/ s]ve = *ildr54 ,! wood ( ! viol94 ,! upp] table is made ( p9e4 ,?is mu/ be v old1 dry1 compact1 /raight 9 gra91 :]eby ! *oice ( suitable wood is r5d]$ difficult4 ,= ! back1 ribs1 neck & bridge1 maple is us$4 ,! s\nd po/ & bass b> consi/ usually ( p9e4 ,= ! f+]bo>d & pegs#e1 ebony is ! mo/ s]viceable4 #e ,box wood & rosewood are also frequ5tly us$ = ! pegs4 ,! =m] gives a firm hold1 b makes a creak+ noise :5 tun+4 ,rosewood answ]s its purpose well1 ?\gh x is n s /rong z ebony1 :i* h[ev] is m apt to slip4 ,tr4 ,! old ,italian viol9 mak]s procur$ _! p9e wood f ,italian ,switz]l&1 & f ! ,s\? ,tyrol2 maple f ,croatia1 ,dalmatia1 & ,turkey4 ,! v>ni%4 ,?is is ( great importance = ! in/rum5t4 ,9 ! fir/ place x pres]ves x f ! influ5ce ( ! wea!r1 & !n x also has its influ5ce ^u ! tone4 ,a f9e v>ni% mu/ be transp>5t1 s t ! wood und]nea? may be fully %[n up1 & x mu/ also be ( a f9e1 b n gl>+ or />+1 col\r4 ,! f9e/ v>ni% is f\nd on ! viol9s ( ,/radiv>ius4 ,two k9ds ( v>ni% are us$1--_s v>ni%1--a gum dissolv$ 9 alcohol2 & oil v>ni%1--a gum dissolv$ 9 oil ( turp5t9e4 ,! /r+s4 ,viol9 /r+s are made f ! inte/9es ( %eep4 ,! l[e/ /r+ has f9e wire spun r\nd x1 silv] wire be+ ! be/4 ,copp] wire is greatly us$1 x be+ mu* *eap]4 ,! be/ /r+s are obta9$ f ,italy1 f ,rome1 ,padua1 & ,naples1 al?\gh v good /r+s are also manufactur$ 9 ,g]many1 at ,m>kneukir*54 ,! value ( a /r+ consi/s pr9cipally 9 its p]fect equality ( ?ickness ?r\gh\t2 above all1 !re mu/ n be knots 9 x4 ,a /r+ spun q ev5ly yields accurate vibrations1 & is on ?is acc\nt pure 9 tone4 ,9 ord] to te/ ! purity ( tone ( ea* /r+1 x may be held z %[n at bo? ends1 pull+ x r tight1 & !n sett+ x into vibration ) "o ( ! f+]s4 ,if x appe>s d\ble1 ?us3-- ,illu/ration x possesses a pure tone2 if1 h[ev]1 x appe>s ?reefold1--if only at "o "p ( x1--x w be false4 ,illu/ration ,/r+s pure 9 fif?s4 ,to obta9 absolutely pure intonation1 ! /r+s mu/ be pure 9 fif?s1 i4 e41 ! notes 9 ^? high] positions :i* are press$ by "o f+] across two /r+s1 mu/ s\nd p]fectly true4 ,_m /r+s are r ?ick] at "o end ?an at ! o!r2 if ?is is n also ! case ) ! adjac5t /r+1 or if ! ?ick] end ( x be n /ret*$ 9 ! same direction z ! o!r /r+1 !n ! two are n true 9 fif?s ) ea* o!r4 ,bo? /r+s mu/ !re=e lie f "o end to ! o!r regul> 9 ?ickness1 or else _! ?9 ends mu/ be laid 9 "o direction4#f ,9 ! latt] case1 h[ev]1 all ! h>monic notes are n true1 & "o also notices t ! int]vals 9 d\ble-/opp+ g5]ally1 z well z 9 fif?s1 are n regul> ^u all ! /r+s4 ,a treatm5t is 9 vogue by mak]s ( /r+s & in/rum5ts by means ( :i* ! /r+s are r5d]$ q pure 9 fif?s4 ,^! prep>$ /r+s are1 h[ev]1 n s durable1 nor s good 9 tone1 z ! unprep>$4 ,b x is ( s]vice to h always a few ( ^! 9 read9ess1 z ! viol9i/ has n always "t en\gh to select ^? /r+s :i* are true4 ,wei*hold1 ,dresd51 supplies /r+s pure 9 fif?s1 :i* may be recomm5d$4 ,! /r+ guage4 ,9 ord] always to h /r+s ( ! same ?ickness1 a /r+ guage is us$1 :i* may be procur$ at any in/rum5t mak]4#g #f ,x is be/ to comp>e ! ends be=e putt+ ! /r+ on1 ty+ ! knot at ! end :i* appe>s ?9ne/4 ,! la/ in* or s at ea* end ( ev5 ! be/ /r+ is (t5 r\gh1 & n s durable z ! re/ ( x4 ,tr4 #g ,to ensure equality ( tone x is v important t ! /r+s %\ld be correctly guag$ ) reg>d to _! relative ?icknesses4 ,if all ! /r+s are too ?ick1 ! in/rum5t w speak ) difficulty 9 delicate passages1 dem&+ a heavi] pressure ( ! b[2 if too ?91 loss ( p[] w be ! result1 ?\gh ) a correspond+ ga9 9 sweetness & cle>ness1 & if "o /r+ be mu* out ( proportion to ! o!rs1 ! fir/ f+] :5 plac$ prop]ly on t /r+ & ! adjac5t "o w n yield a p]fect fif?1 besides ! inequality 9 p[]4 ,! foll[+ diagram %[s a set ( /r+s ( m$ium ?ickness1 toge!r ) ! di/ances ap>t ne> ! bridge on a full siz$ viol91 z suitable = ord9>y h&s4 ,= f+]s t tap] mu* t[>ds ! tips1 or = ^? t are v broad1 ! di/ances may be made a little n>r[] or wid] accord+ly4 ,fir/ /r+s ( silk1 kn[n z 8,acribelles0 are 9 great dem& by play]s ) p]spir+ h&s1 z !y are less affect$ by moi/ure ?an gut1 b ! tone is n s good4 ,!y possess c]ta9 advantages 9 durability1 & /&+ well 9 tune1 b are m difficult to tune1 z a v slight movem5t ( ! peg w s5d !m up half a tone4 ,:5 fray$1 !y %\ld be remov$1 ! quality ( tone !y !n yield be+ v bad1 affect+ ! o!r /r+s4 ,if gut /r+s ( good quality are b\ght1 & ! /r+s c>efully look$ at be=e play+1 breakages at awkw>d mom5ts w seldom occur1 z ! /r&s g5]ally give w>n+ be=e break+ by %[+ symptoms ( unravell+1 especially at ! knot end1 or "u ! b[1--:5 !y %\ld at once be replac$4 ,tr4 ,illu/ration3 ,/r+ guage4 ,c>e ( ! /r+s4 ,t ! /r+s may be kept fre%1 x is advisable to wrap !m 9 oil pap] & !n pres]ve !m 9 a close1 air-tight t9 box4 ,9 ?is way !y may be pres]v$ 9 fit condition = a ye> or m4 ,! b[4 ,?is receiv$ its "n f its anci5t =m1 :i* has und]gone _m alt]ations be=e ! pres5t =m 0 arriv$ at4 ,illu/ration ,illu/ration ,! greate/ improvem5t 9 ! b[ 0 atta9$ by ! ,fr5*man1 ,t\rte1 at ! end ( ! #ah? c5tury4 ,8 b[s possess ! greate/ ela/icity & firmness1 & are1 9 consequ5ce1 ! mo/ successful4 ,aft] ,t\rte1 ,vuillaume 9 ,p>is1 ,john ,dodd 9 ,engl&1 & ,l4 ,baus* 9 ,leipsic1 h made ! be/ b[s4 ,at pres5t ! mo/ celebrat$ b[ mak]s are ,tubbs 9 ,london1 ,knopf 9 ,dresd51 & ,voir9 9 ,p>is4 ,fr5* b[s are mo/ 9 reque/1 al?\gh _m ( !m are made 9 ,g]many1 s5t en gros to ,p>is1 /amp$ !re z ,fr5*1 & issu$ to ! _w z ( ,p>isian make4 ,con/itu5t p>ts ( ! b[4 ,^! are 7a7 ! /ick1 7b7 ! hair1 7c7 ! nut1 7d7 ! screw1 7e7 ! head or po9t1 7f7 ! lapp+4 ,illu/ration ,! /ick is made ( ,p]nambuco or ,brazil wood2 ! hair is :ite horse hair1 t tak5 f liv+ horses be+ ! be/1 ?\gh less (t5 obta9$4 ,! screw s]ves to give ! /ick its prop] curve4 ,! lapp+ helps to give ! f+]s a firm] hold1 avoid+ contact ) ! smoo? /ick4 ,silk1 silv] wire1 or lea!r is us$ = ! lapp+4#h #h ,kid ( reasonable sub/ance gives a pleasant hold = ! f+]s1 al?\gh wire is 9 great] fav\r ) b[ mak]s = appe>ance sake4 ,b x is apt to t>ni% & unravel1 especially :]e ! ?umb comes 9 contact ) x4 ,tr4 ,res94 ,to set ! /r+s 9 vibration1 ! hair ( ! b[ mu/ be rubb$ ) res94 ,its ,g]man "n 8,kolophonium0 is d]iv$ f ! ,grecian t[n ,kolophon1 f :5ce x 0 fir/ procur$4 ,! unprep>$ hair ( a new b[ requires a small quantity ( p[d]$ res9 rubb$ into x4 ,be=e ! b[ is us$1 ! hair %\ld be tri$ ^u "s in/rum5t n 9 use1 or ^u a /ret*$ /r+4 ,dur+ ! ord9>y rubb+ ^u ! hair1 c>e mu/ be tak5 t ! res9 is n rubb$ h>d1 b all[$ to glide lightly ov] ! hair4 ,illu/ration ,x is v usual to hold ! res9 ) ! left & ! b[ ) ! "r h&4 ,9 ?is way ! f+]s ( ! left h& become /icky ) res9 du/1 :i* is detrim5tal to ! /opp+1 & also soils ! /r+s & f+]bo>d4 ,x is bett]1 !re=e1 to rev]se ?is proc$ure4 ,good res9 is suppli$ by ,g& & ,b]nadel 9 ,p>is1 ,hammig 9 ,leipsic1 ,pfab & ,diel 9 ,hamburg1 & o!rs4 ,! mo/ suitable hold]s are ^? :i* op5 on two sides1 & are also provid$ ) a cov]4#i #i ,a conv5i5t =m is t provid$ by _m ,engli% deal]s1 consi/+ simply ( a r\nd box1--pref]ably ( t91--) a hole 9 ! bottom = ! f+] to pu% ! res9 up1 pres]v+ ! upp] surface level4 ,tr4 ,viol9 cases4 ,a good viol9 is wor?y ( a good case1 to protect x aga9/ du/ & damp4 ,x %\ld be s fill$ t ! viol9 lies 9 x securely1 & yet may be easily tak5 out4 ,a lea!r cov]+ = ! case is also conv5i5t1 by means ( :i* ! effects ( any sudd5 %ock are m9imis$4 ,! be/ cases are mo/ly obta9$ f ,p>is1 ?\gh "s v good ones are made 9 ,m>kneukir*54 ,prices ( viol9s4 ,x is n easy to /ate ! exact price ( a viol91 especially ( an old "o1 & "h p>ticul> fancy & habit come also into ! "q4 ,! be/ old ,italian viol9s1 su* z ^? by ,/radiv>ius & ,gu>n]ius1 are 9 our own "t excessively de>1 (t5 #cjj to #ajjj1 & ev5 m4 ,/radiv>ius receiv$ = 8 viol9s ab\t #d ,l\is d'or4 ,amati viol9s are consid]ably less1 co/+ f #aej to #cjj4 ,o!r old ,italian viol9s1 if 9 f9e condition1 co/ #cj & upw>ds4 ,new viol9s by celebrat$ mak]s may co/ f #ae to #cj1 yet "o c (t5 get a v useful in/rum5t = f #ej_/- upw>ds4 ,prices ( ,viol9 cases4 ,cases co/ f #e_/- to #c1 ! latt] price includ+ a lea!r cov]+4 ,prices ( b[s4 ,! b[s ( ,t\rte n[ co/ #be & upw>d4 ,new silv] m\nt$ b[s ( be/ quality co/ ab\t #cj_/-1 m\nt$ 9 ,g]man silv] ab\t #ah_/-4 ,inf]ior qualities may be _h f #c_/- upw>d4 ,! wor? ( a b[ to its possessor consi/s 9 its firmness & ela/icity1 & 9 its prov+ fit to execute e k9d ( b[+ ) c]ta9ty4 ,c>e ( ! in/rum5t4 ,! in/rum5t mu/ always be kept clean & 9 ord]2 e "p %\ld always be 9 prop] condition4 ,! du/ f ! res9 mu/1 e "t aft] play+1 be wip$ f ! upp] table1 f+]bo>d & bridge ) a s(t clo?4 ,! /r+s1 f+]bo>d & neck are !n rubb$ ) an old silk h&k]*ief1 tak+ c>e n to rub ! /r+s to & fro1 b always 9 "o direction1 else small fibres may be loos5$4 ,if ! /r+s are dirty ?r\gh p]spir+ f+]s1 ! upp] ?ree /r+s may be rubb$ ) a little neats' foot oil or almond oil1 or a not*$ almond may be us$4 ,! ,g /r+ may be clean$ ) spirits or by rubb+ ) f9e 7,no4 #a7 glass pap]4 ,! encru/ation ( res9 ^u ! surface ( ! /r+s may be remov$ ) spirits1 obs]v+ t no?+ drops ^u ! upp] table1 to injure ! v>ni%4 ,to keep ! neck q smoo? x may be occasionally rubb$ ) pulv]iz$ pumice /one put into a little musl9 bag4#aj ,! du/ t accumulates inside ! viol9 may be remov$ by w>m+ "s v f9e gravel or gra9s ( :eat1 & ?r[+ !m inside4 ,! in/rum5t is !n %ak5 ab\t1 & on %ak+ ! gra9s out aga9 ?r\gh ! f holes1 ! du/ comes away also4 ,to make ! pegs "w easily & yet hold fa/1 !y mu/ frequ5tly be rubb$ ) dry soap & !n ) *alk1 :]e !y come 9 contact ) ! peg box4 ,clean+ ! hair ( ! b[4 ,if dirty1 unscrew ! nut f ! /ick1 & wa% ! hair ) w>m wat] & soap4 ,!n r9se 9 cold wat]1 & hang up ! b[ to dry4 ,:5 aga9 screw$ up1 p[d]$ res9 is rubb$ into ! hair ) a little bru%4 ,spots ( grease are extract$ by rubb+ ) salt 9 blott+ pap]1 or by a hot iron ) blott+ pap] wrapp$ ar\nd x4 ,nam+ & tun+ ( ! /r+s4 ,! f\r /r+s ( ! viol9 are tun$ 9 p]fect fif?s4 ,! fir/ is ! ,e /r+ 7#a71 ! second ! ,a 7#b71 ! ?ird ! ,d 7#c71 & ! f\r? ! ,g 7#d74 ,! usual practice1 :5 ! pit* ( ! ,a is det]m9$1 is to tune ! ,d to x1 ! ,g to t1 & la/ly ! ,e to ! ,a4#aa #aj ,new "w is fir/ prep>$ ) a /a9+ mixture to ! desir$ dep? ( col\r1 smoo!d & coat$ ) h>d _s v>ni%1 & aga9 poli%$4 ,tr4 #aa ,! ,a may be tak5 f a pit* pipe1 tun+ =k1 or piano1 :i* %\ld be ma9ta9$ at conc]t pit*4 ,9 old viol9s1 if ! belly has yield$ to pressure "u ! "r foot ( ! bridge1 x is well aft] play+ to let d[n ! fir/ /r+4 ,if a /r+ is too flat1 pull x up ab\t a tone above ! prop] pit*1 let x s rema9 = a few seconds & !n l[] x to ! correct pit*4 ,if too %>p1 rev]se ! process4 ,only ! ,a mu/ be tak5 f a keybo>d in/rum5t1 ! fif?s on ! keybo>d be+ n q p]fect1 b 8temp]$04 ,p]fect fif?s c only be obta9$ by a good deal ( practice4 ,advanc$ /ud5ts may te/ ! tun+ quietly by tak+ any two adjac5t /r+s 7) ! little f+] equally on bo?7 9 h>monics1 or by beat+ lightly ) ! /ick on ! /r+4 ,9 ! c\rse ( a piece1 if ev5 ?is is n possible1 a slight pressure above ! nut w %>p5 a /r+1 tugg+ x betwe5 nut & bridge w flatt52 b ?is mu/ only be reg>d$ z a tempor>y exp$i5t4 ,tr4 ,music3 #a #b #c #d e a d g ,compass ( ! viol94 ,! compass ( ! viol9 ext5ds ov] ab\t #d octaves4 ,9 ! or*e/ra to ?is ext5t at mo/3-- ,music ,,"p ,,ii4 ,! te*nique ( viol9 play+4 ,attitude ( ! play]4 ,:5 play+ f notes ! play] places himself opposite ! desk a little to ! left1 s t ! viol9 does n hide ! notes f view4 ,! body %\ld be erect1 b n /iffly s4 ,! "r foot is put outw>d1 ! left /raight1 s t ! toes are 9 a l9e4 ,! weight ( ! body mu/ re/ *iefly on ! left foot4 ,illu/ration ,hold+ ! viol94 ,illu/ration3 ,*9-re/4 ,! viol9 is held ) ! left h& & re/s on ! left coll> bone4 ,! in/rum5t mu/ be horizontal4 ,to give a firm grip1 a small pad is (t5 plac$ betwe5 ! viol9 & ! left %\ld]4 ,a *9-re/ screw$ to ! ribs1 & cov]+ a "p ( ! upp] table1 is also to be recomm5d$4 ,! *9-re/ s]ves also to protect ! v>ni%4 ,to prove t ! viol9 is held securely & well1 ! left h& may be remov$4 ,illu/ration ,position ( ! left h& & ! left arm4 ,! left h& is plac$ s t ! neck ( ! viol9 is held betwe5 ! l[] jo9t ( ! ?umb & ! ?ird ( ! index f+]4 ,! neck mu/ n be gripp$1 b lightly held#ab1 & c>e tak5 t betwe5 ! neck & t "p ( ! h& :i* connects ! ?umb & fir/ f+]1 !re is an op5 space4 ,! inn] "p ( ! h& is kept away f ! f+]bo>d1 s t ! f+]s may fall ^u ! /r+s f above4 ,! position ( ! left arm mu/ be su* z to br+ ! elb[ f> en\gh to ! "r to place x und]nea? ! middle ( ! viol94 ,to atta9 a correct mann] ( hold+1 place ! fir/ f+] on ,music ! second on ! #b note ( ! ,a /r+1 ,music ! ?ird on ! ,d /r+1 ,music & ! f\r? on ! ,g /r+1 ,music s t ! f+]s lie z foll[s3 ,music3 #a #b #c #d ,illu/ration #ab ,! real 8hold+0--z reg>ds ! weight ( ! in/rum5t--is done at ! o!r end by ! *9 press+ ! viol9 aga9/ ! coll> bone4 ,:at fur!r /eady+ p[] is necess>y1 ! l[] jo9t ( ! ?umb mu/ supply1 r ?an ! fir/ f+]4 ,play]s :o h atta9$ consid]able fre$om are able to play c]ta9 passages )\t any portion ( ! side ( ! index f+] com+ into contact ) ! neck4 ,*9-re/s ( v>i\s patt]ns %\ld be tri$1 & t :i* be/ suits ! p>ticul> play] select$1 z bodily proportions diff]4 ,tr4 ,! f+]s be+ lift$ simultane\sly1 & all[$ to rema9 9 position ov] ! /r+s1 ! position ( ! h& w be correct4 ,hold+ ! b[4 ,illu/ration ,! ?umb is plac$ ) its fle%y "p close to ! projection f ! curv$ "p ( ! nut1 tak+ c>e t ! middle knuckle is n b5t inw>d1 b always 9 an outw>d direction4 ,! second jo9t ( ! index f+] mu/ re/ aga9/ ! /ick4 ,! middle f+] is plac$ opposite ! ?umb ^u ! /ick1 :]eupon ! o!r two f+]s foll[1 close to ^!4 ,! little f+] w !n ab\t re/ ) ! l[] "p ( its po9t on ! /ick4 ,position ( ! "r h& & arm4 ,! "r h& mu/ project some:at =w>d1 & above ! b[1 & mu/ be suitably ar*$4 ,! c>riage ( ! arm mu/ be light1 & ! elb[ n prom95tly lift$4 ,:5 play+ on ! l[] /r+s1 ! position ( ! h& & ! l[] "p ( ! arm w naturally be high]4 ,te/+ ! position4 ,hav+ succe$$ 9 acquir+ a firm hold ( ! in/rum5t & ( ! b[1 x is be/ to exam9e be=e a look+-glass ! attitude ( ! :ole body1 :i* mu/ be natural & uncon/ra9$4 ,! body & head %\ld be held erect1 ! %\ld]s some:at back4 ,:5 beg9n+ to draw ! b[ across ! /r+s ! mann] ( hold+ %\ld be exam9$ & correct$ aft] e /roke be=e proce$+ fur!r4 ,b[+4 ,! b[ is plac$ on ! /r+ at ! nut1 or l[] "p ( ! b[1 ! /ick be+ tilt$ t[>ds ! f+]bo>d4 ,! b[ mu/ be drawn /eadily to its po9t1 & exactly p>allel ) ! bridge1 :]eby ! wri/ is compell$ to move1 & at ! end ( ! /roke1 on rea*+ ! po9t ( ! b[1 s9ks s t ! little f+] only re/s at its extreme tip ^u ! /ick4 ,illu/ration ,! upp] arm is s held t ) d[n /rokes ! elb[ rema9s bel[ ! %\ld]1 until a ?ird ( ! b[ is left ov]4 ,if ! production ( a l\d] tone is desir$1 ! b[+ is made clos] to ! bridge & 9 piano passages fur!r away f x4 ,! necess>y p[] = produc+ l\d] tone is obta9$ only f ! ?umb1 index f+]1 & wri/ & ! =e-arm is held z indep5d5tly z possible ( ! upp] arm4 ,illu/ration ,pr9cipal signs us$ = ! left h& & = ! ,b[+4 op5 /r+ d[n b[ #a #a/ f+] up #b #bnd 0 ,sp4 7,spitze7 at ! po9t ( ! b[4 #c #crd 0 ,m4 9 ! middle ( ! b[4 #d #d? 0 ,fr4 7,fros*7 at ! heel 7nut end7 ( ! b[4 ,g4,b4 7,ganz] ,bog57 :ole b[4 ,h4,b4 half b[4 ,use ( ! d[n & up b[s4 ,z a rule1 9 e piece beg9n+ ) a full b> a d[n b[ is us$ = ! fir/ note1 & 9 a piece beg9n+ ) a s+le /roke on ! up-beat 7unacc5t$ beat7 or an up-beat consi/+ ( sev]al notes b\nd toge!r1 legato1 ! up b[ is us$4 ,if ! up-beat conta9s sev]al notes1 x mu/ be s arrang$ t ! la/ ( ^! is play$ ) an up b[4 ,= example3-- ,music ,exceptions to ! rule ( beg9n+ a full b> ) a d[n b[ (t5 occur2 = in/ance1 if ! fir/ b> beg9s piano1 gradually to =te1 z 9 ! op5+ ( ! ,freis*tz ov]ture3-- ,music ,"h "o beg9s ) ! up b[1 because aft]w>ds at ! nut end m p[] c be br\ght to be>1 ?us br++ ! =te into effect4 ,a fur!r example ( exceptional treatm5t is ! beg9n+ ( ! ,euryan! ov]ture3-- ,music ,equally !re are exceptions to ! rule ( beg9n+ up-beats ) ! up b[3-- ,music ,music ,! fir/ b[+ ex]cises4 ,! viol9 be+ prop]ly held1 & ! entire attitude be+ correct 9 e p>ticul>1 ! f+]s ( ! left h& are plac$ on ! /r+s z foll[s3-- ,music ,^u lift+ !m1 let !m rema9 ov] ! /r+s 9 ! same position4 ,! op5 /r+s are !n b[$1 & pref]ably at fir/ ! ,d /r+4 ,aft] ea* b[1 let a pause be obs]v$1 to exam9e e detail ( ! position1 & to revise x4 ,! b[+ ex]cises on ! op5 /r+s are to be cont9u$ until at la/ notes v>y+ 9 value f semibreves to crot*ets are play$ ) ease & c]ta9ty1 & an ev5 tone ( good quality produc$4 ,! fir/ b[+ ex]cises are usually z foll[s3-- ,music3 ,exam9e ! hold+4 ,exam9e ! hold+4 ,music ,ea* ( ^! ex]cises %\ld also be play$ ^u ! o!r /r+s4 ,! ex]cise 9 m9ims & crot*ets 9 half /rokes & 9 ! middle4 ,plac+ ! f+]s4 ,! fir/ ex]cise consi/s 9 sett+ ! fir/ f+] on all ! /r+s 9 succession1 !n ! second 9 conjunction ) ! fir/1 ! ?ird 9 conjunction ) ! o!r two1 & f9ally ! f\r? is add$4 ,music ,9 ! same mann] on ! o!r /r+s4 ,if "o desires to rema9 9 ! key ( ,c#ac1 ! fir/ f+] :5 on ! ,e /r+ mu/ be drawn back a semitone to /op ,f1 & on ! ,g /r+1 ! #b f+] mu/ be put =w>d a semitone to play ! note ,b4 ,! rema9+ notes are /opp$ alike on all ! /r+s4 ,x is bett] at fir/ n to adh]e to ! scale1 b to /op ! notes ( ! o!r /r+s z %[n above on ! ,d /r+2 ?us produc+ ! foll[+ tones3-- #ac ,! easie/ keys = beg9n]s are ,g1 ,d & ,a major1 z 9 ^! keys ! op5 /r+s may all be utiliz$2 ! f+]s fall m naturally into position1 & d n require to be 8set back0 a semitone1 z 9 ,c major 7,f on ! ,e /r+7 & 9 ! keys ) flats4 ,! scales & easy melodies 9 ,g1 ,d & ,a might !re=e1 be practis$ ) ! foll[+ ex]cises1 or if deem$ advisable1 prec$e !m4 ,tr4 ,music3 ,e /r+4 ,music3 ,a /r+4 ,g /r+4 ,next mu/ be practis$ ! putt+ back ( ! fir/1 & ! advanc+ ( ! second f+]s on all ! /r+s1 !n ! advanc+ & )drawal ( all ! f+]s4 ,example3-- ,music ,! f+]s mu/ s desc5d ^u ! /r+s t ! fir/ jo9t /&s p]p5dicul>ly ^u !m4 ,! pressure ( ! f+]s ^u ! /r+s mu/ always be 9 excess ( ! pressure ( ! b[4 ,accord+ to "o's play+1 :e!r =cible or light1 s ! pressure ( ! f+] is increas$ or decreas$4 ,9 sl[ movem5ts & long notes only t f+] is press$ d[n :i* has to play ! note4 ,! o!rs are lift$1 yet s t ea* "o is susp5d$ exactly ov] its prop] place4 ,9 asc5d+ scale passages 9 quick "t1 ! f+]s are all[$ to rema92 9 desc5d+ passages1 "o f+] is lift$ at a "t4 ,! obs]vance ( ?is rule greatly facilitates true intonation 9 desc5d+ scale passages1 z1 ea* f+] be+ already 9 its place ^u ! note to be play$1 ^! places h n aga9 to be sep>ately f\nd4 ,!re are1 h[ev]1 exceptions :i* w come "u notice lat]4 ,aft] ! sett+ back ( ! fir/ f+] & ! putt+ =w>d ( ! second f+] h be5 successfully practis$1 ! 8free0#ad sett+ ( ! #b1 #c1 & #d f+]s foll[s4 #ad i4 e4 )\t ! aid ( ! int]v5+ f+]s4 ,tr4 ,music ,all ! notes 9 regul> ord] f ! op5 ,g on ! ,g /r+ to ,b on ! ,e /r+ mu/ n[ be play$4 ,music ,to atta9 c]ta9ty ( f+]+ 9 ! l[] position1 "o ( ^! two me?ods mu/ next be adopt$4 ,ei!r int]vals--?irds1 f\r?s1 fif?s1 six?s1 sev5?s1 & octaves f ea* note on ea* /r+1 9 ,c major1 mu/ n[ be practis$1 or all ! major & m9or scales may next be play$1 ) ! practice ( ! int]vals 9 all ! keys4 ,*oice mu/ be made z to :i* me?od ( /udy be next pursu$1 accord+ to ! individuality & intellig5ce ( ! le>n]4 ,practice ( int]vals 9 ,c major3 ,music3 ,?irds4 ,music3 ,f\r?s4 ,music3 ,fif?s4 ,music3 ,six?s4 ,music3 ,sev5?s4 ,music3 ,octaves4 ,"h great c>e mu/ be tak5 to di/+ui% betwe5 ! diff]5ces t exi/ 9 ^! int]vals1 :e!r ! #c is m9or or major2 ! fif? p]fect or imp]fect1 etc4 ,simultane\sly ) ! practice ( int]vals = ! left h&1 b[+ ex]cises = ! pass+ ( ! b[ f "o /r+ to ano!r mu/ be tak51 also skipp+ ov] a /r+ z 9 sev5?s & octaves4 ,! scales1 &1 lat]1 int]vals & *ords1 mu/ likewise be /udi$ ) v>i\s b[+s & also legato4 ,fir/1 two notes %\ld be tak5 to "o b[1 !n gradually m1 also ) s+le notes & b\nd notes mix$4 ,! practice ( int]vals may n[ be ext5d$ to ! foll[+4 ,*ord ex]cises 9 arpeggio =m4 ,music ,music ,music ,/ret*+ ! little f+]4 ,to rea* ! ,c 9 ! second octave ) ! little f+]1--^: natural position on ! ,e /r+ is on ! note ,b1--x mu/ be /ret*$1 c>e be+ tak5 to avoid mov+ ! wri/ & alt]+ ! :ole position ( ! h&4 ,music ,! v>i\s k9ds ( b[+4 ,^! are be/ classifi$ into 8prim>y0 b[+s 7,grund-,bog5/ri*e7 ( :i* !re are six diff]5t examples1 & 8second>y0 b[+s 7,neb5-,bog5/ri*e74 ,prim>y b[+s4 #a4 ,! rapid deta*$ /roke ) ! :ole b[ 7,gr& deta*74 ,?is is execut$ 9 su* a mann] t ! b[ moves quickly f its nut to its po9t1 & back aga9 9 ! same l9e1--p>allel to ! bridge4 ,betwe5 ea* /roke !re mu/ be a pause1 b dur+ x ! b[ mu/ n leave ! /r+4 ,x mu/ be s quickly execut$ t a crot*et is made to s\nd l a semiquav]4 ,music ,r5d]+3-- ,music ,! /ick mu/ be firmly held betwe5 ! ?umb & ! fir/ & second f+]s4 ,! elb[1 at ! comm5cem5t ( ! d[n /roke mu/ re/ close to ! body1 &1 on rea*+ ! po9t ( ! b[1 n be rais$ above ! /ick4 ,especial c>e is ne$$ 9 ord] to make ! up /rokes equal 9 p[] to ! d[n /rokes4 #b4 ,! 8s++0 /roke4 ,also execut$ ) ! :ole b[4 ,! fir/ contact mu/ be delicate1 & ! s+le tones mu/ foll[ ea* o!r )\t int]ruption4 ,! play]1 draw+ ! b[ q p>allel ) ! bridge1 mu/ press m & m z ! po9t is rea*$4 ,at ! *ange ( /roke1 ! wri/ makes a slight movem5t1 & ! elb[ assumes ! same positions z 9 ! previ\s gr& deta* b[+4 ,music #c4 ,! deta*$ hamm]$ 7m>tellato7 b[+4 ,?is /roke is *iefly made at ! po9t ( ! b[1 :i* mu/ n leave ! /r+4 ,) e note ! /ick is press$ or pu%$ by ! ?umb 9 ! direction ( ! index f+]1 s t ea* tone is %>ply cut out1 b ) a musical quality4 ,! up /rokes mu/ receive a /rong] pressure4 ,?is b[+ c also be play$ at ! nut end1 & ( c\rse entirely ) ! wri/1 :i* mu/ be held lightly ov] ! /r+s4 ,! elb[ mu/ be tol]ably close to ! body4 ,! m>tel b[+ is an excell5t prep>atory /udy = /accato1 :i* is really only "o out ( a numb] ( m>tel notes tak5 9 "o b[4 ,music ,r5d]+3-- ,music #d4 ,deta*$ /roke ) ! =e-arm4 ,z indicat$ by its "n1 is execut$ by ! =e-arm & ! wri/1 & f ! middle to ! po9t ( ! b[4 ,! upp] arm mu/ rema9 q /ill4 ,9 ?is b[+ no pause mu/ be made betwe5 ! notes1 b !y mu/ be connect$ easily & agreeably toge!r4 ,music #e4 ,! 8skipp+0 /roke4 ,?is /roke is made at ! middle ( ! b[1 :i* mu/ be lightly held betwe5 ! f+]s & controll$ by ! wri/4 ,! /ick is made to vibrate /rongly1 :]eby ! b[ is caus$ to move up & d[n4 ,x is difficult to atta9 an agreem5t betwe5 ! plac+ ( ! f+]s & ! skipp+ movem5t ( ! /ick1 = :i* reason ?is b[+ mu/ fir/ be practis$ on "o note3-- ,music ,aft]w>ds sev]al notes may be tak5 on "o /r+1 !n on ! diff]5t /r+s4 ,music #f4 ,! reb\nd+ or spr++ 7sautill7 b[4 ,?is b[+ diff]s f ! =ego+ 9 t ! b[ reb\nds f ! /r+ aft] ea* note1 & is !n p]mitt$ to fall ^u x aga9 f above4 ,9 ord] to avoid too great dryness or h>dness 9 ! tone1 ! b[ :5 fall+ on ! /r+ mu/ be g5tly controll$4 ,music ,r5d]+3-- ,music ,second>y b[+s4 #a4 ,! b\nd1 or legato b[+4 ,9 ?is1 z _m notes are play$ at "o /roke z may be f\nd connect$ by ! curv$ legato sign1 or z necessitat$ by ! phras+4 ,9 pass+ f "o /r+ to ano!r ! wri/ w require special wat*fulness4 ,music #b4 ,! /accato /roke4 ,?is is1 z already /at$1 a s]ies ( m>tel notes tak5 9 "o b[1 & mu/ fir/ be sl[ly practis$ ) ! up b[1 to ! po9t1 & ) a free wri/2 ! ?umb only ex]t+ a slight pressure ^u ! /ick4 ,! /accato is also execut$ ) ! d[n b[1 beg9n+ ne> ! nut4 ,music #c4 ,! spr++ /accato /roke4 ,?is consi/s ( a s]ies ( reb\nd+ notes 78,prim>y b[+0 ,no4 #f7 tak5 9 "o b[1 & c be r5d]$ bo? by ! up & ! d[n b[s4#ae #ae ,also kn[n z ! ela/ic /accato1 ,rico*et or ,balzate4 ,tr4 ,music #d4 ,! ,tremolo is a succession ( quick notes 9 v %ort /rokes1 & is execut$ ) a loose wri/1 ! upp] half ( ! b[ ly+ ^u ! /r+s4 ,music ,ano!r species ( ,tremolo is ! foll[+3-- ,music ,"h two notes are includ$ 9 "o b[1 ?us caus+ x to resemble ! skipp+ /roke4 ,only ! upp] half ( ! b[ is us$1 & x is held lightly ) ! ?umb & fir/ two f+]s4 #e4 ,! ,ponticello4 ,?is is execut$ ) ! b[ ly+ q close to ! bridge1 :]eby ! tone becomes some:at nasal4 ,:5 s produc$ by ! :ole /r+ or*e/ra x (t5 makes a f9e effect4 #f4 ,flaut&o4 ,also ) ! b[ re/+ on ! /r+1 b1 unlike ! =ego+ b[+1 x is execut$ j ov] ! f+]bo>d4 ,! notes s play$ yield a delicate flute-l quality ( tone4 ,arpeggi4 ,by arpeggi is meant ! int]vals ( a *ord 9 quick succession4 ,^! may be ext5d$ ov] ?ree or f\r /r+s ) ! mo/ v>i$ b[+s & rhy?ms4 ,p>ticul> c>e mu/ be tak5 to keep ! wri/ flexible4#af ,music ,music #af ,9 ! above examples ! l[e/ note is play$ ) a firm acc5t1 beg9n+ ) ! d[n b[1 ! wri/ rema9+ flexible4 ,9 example e ! b[ %\ld be turn$ ov] s z to br+ ! hair almo/ flat ^u ! /r+1 7! hair pref]ably be+ r tight] ?an usual74 ,a slight 8j]k0 imp>t$ to ! d[n /roke s5ds ! b[ skipp+ ov] ! /r+s ( its own accord1 on repeat+ ! same arpeggio a few times4 ,tr4 ,! ,vibrato or close %ake is a trembl+ simil> to ! vibrato ( a vocali/4 ,employ$ occasionally & ) discretion x is ( good effect4 ,on ! viol9 x is produc$ by sett+ ! f+] 9 tremul\s movem5t ^u ! /r+1 s t ! pit* slightly rises & falls4 ,only ! ?umb & ! f+] 9 use mu/ p>ticipate 9 ! hold+ ( ! in/rum5t4 ,!re is no special sign = ! close %ake 9 g5]al use1 its employm5t dep5d+ ^u ! play]'s ta/e4 ,sometimes x is indicat$ by ! ^w vibrato4#ag #ag ,9 ,spohr's me?od1 & 9 a few o!r works1 a wavy l9e ov] ! note indicates its employm5t4 ,tr4 ,! ,trill4 ,music ,! trill is an ev5 alt]nation1--usually quick1--( two adjac5t notes & may be execut$ on all ! notes ( ! viol94 ,! note play$ alt]nately ) ! pr9cipal note may be ei!r a tone or a half tone di/ant4 ,! trill is made bo? ) & )\t a turn at ! end4 ,! turn is play$ 9 "o b[ ) ! %ake1 & at ! same spe$4 ,exceptions exi/ 9 %akes end+ ) a full close4 ,9 a s]ies ( %akes ! turn is res]v$ = ! la/3-- ,music ,v>i\s k9ds ( turns3-- ,music ,music3 ,f9al %ake4 ,usually ! l[] note ( ! two con/itut+ ! trill is tak5 fir/4 ,if x is int5d$ t ! upp] note %\ld beg9 ! trill1 x w be indicat$ by a small note be=e ! pr9cipal note3-- ,music ,! upp] note ( ! trill is always und]/ood to be 9 accordance ) ! key4 ,if x is meant to be rais$ or l[]$ a semitone1 a %>p or flat w be plac$ ov] ! %ake4 ,music ,to execute ! trill ev5ly1 x mu/ fir/ be practis$ sl[ly4 ,! f+] mak+ ! trill mu/ be lift$ high1 fall+ ^u ! /r+ ) firmness & ela/icity1 s t x is aga9 lift$ high4 ,! b[ meantime passes lightly ov] ! /r+4 ,! trill is /udi$ ^u e note 9 bo? tones & semitones4 ,! ,mord5t 7,pralltrill]74 ,! mord5t is a s+le alt]nation ( two notes prec$+ ! pr9cipal note1 & is g5]ally indicat$ by ! foll[+ sign3-- ,music3 a7 ,r5d]+4 or3 ,music3 b7 ,r5d]+4 or3 ,music ,! d\ble trill4 ,to ?is species ( %ake1 difficult ( execution1 applies all t has be5 said ab\t ! s+le trill4 ,! play]'s *ief c>e w consi/ 9 mak+ bo? f+]s fall q simultane\sly ^u ! /r+s4 ,music ,scale practice4 ,scale practice dem&s dilig5t application4 ,by its means we atta9 c]ta9ty ( intonation1 p[] & flexibility ( tone1 z well z famili>ity ) ! v>i\s k9ds ( b[+4 ,! beg9n] mu/ n[ practise all ! major & m9or scales1 9 ! fir/ position1 fir/ 9 mod]ate tempo1 ) :ole b[s3 ,music3 a7 b7 c7 ,!n ) %ort deta*$ /rokes 9 ! middle ( ! b[1 at ! po9t1 & also at ! nut1 & ) ! =ego+ 8prim>y0 b[+s1-- ,music all ) ! utmo/ possible tone1 & aft]w>ds ) v>y+ nuances3-- ,music3 a7 b7 c7 d7 e7 f7 g7 c4 ,! scales are !n practis$ ) v>y+ b[+s & rhy?ms1 legato & /accato1 = example3-- ,music3 a7 b7 c7 d7 e7 f7 g7 h7 c4 ,f+]+ ( ! scales4 ,to ea* note 9 ! fir/ position belongs its own f+]1 :e!r ! note is rais$ or l[]$ a semitone1 ! same f+] be+ us$4 ,z a rule 9 asc5d+ passages ! op5 /r+ is us$2 d[nw>ds1 ! #d f+] is pref]r$ 9 its /ead4 ,if ! notes ( ! op5 /r+s are rais$ a semitone1 usually ! #d f+] plays x on ! /r+ bel[4 ,music ,if ! scale beg9s ) su* a note1 ! fir/ f+] w be us$ twice 9 succession2 = example3-- ,music3 a7 b7 ,! *romatic scales4 ,9 ! *romatic scales1 ! #a1 #b & #c f+]s w ea* be us$ twice 9 succession1 & ( c\rse mu/ be pu%$ =w>d 7or backw>d7 ) firmness to ! next note4 ,! #d has "o note only on ea* /r+ assign$ to x4 ,! f+]+ w be ! same1 :e!r ! scale is express$ by %>ps or flats3-- ,music ,ano!r sy/em ( f+]+1 utiliz+ ! op5 /r+s1 is z foll[s3-- ,music ,! ,positions4 ,! v>i\s places = ! left h&1 up & d[n ! neck1 are kn[n z ! positions1 & ea* is det]m9$ by ! place rea*$ by ! fir/ f+]4 ,if ! h& is s plac$ t ! fir/ f+] is ready to press d[n ^! notes ,music x w be t]m$ ! fir/ position4 ,if ! fir/ f+] is ^u ^! ,music x w be ! second position4 ,! ball ( ! ?umb mu/ n t\* ! neck4 ,z 9 ! fir/ position ! fir/ f+] rema9s ^u ! /r+s z guide4 ,! ?umb also1 lies opposite ! fir/ & second f+]s4 ,music3 ,,iii4 ,position4 ,9 ?is position ! ball ( ! h& comes 9 contact ) ! ribs ( ! viol94 ,music3 ,,iv4 ,position4 ,f ?is position upw>d ! ?umb is )drawn fur!r & fur!r und]nea? ! neck ( ! in/rum5t4 ,music3 ,v4 ,position4 ,music3 ,,vi4 ,position4 ,music3 ,,vii4 ,position4 ,besides ^! !re is ! half position 7nut-position1 or back-%ift7 ,music :i*1 :5 enh>monically *ang$ to ,music belongs to ! fir/ position4 ,! positions reta9 _! names :5 ! notes are %>p5$ or flatt5$ a semitone1 only "o mu/ frequ5tly *ange ! f+] 9 enh>monic passages1 or ! position4 ,*ang+ ! position4 ,slid+ f "o position to ano!r mu/ be execut$ ) ease & c]ta9ty1 & x is especially necess>y to grip ! viol9 betwe5 ! *9 & ! coll> bone1 9 ord] to give ! h& free play4 ,p>ticul> c>e mu/ be be/[$ ^u ,slid+ ! f+]s :il/ *ang+ positions4 ,if 9 pass+ to a high] or l[] position1 ! la/ note ( ! position j left1 & ! fir/ ( ! position aim$ at1 h to be play$ by ! same f+]1 x mu/ slide ov] ! /r+ firmly1 & )\t leav+ x1 :e!r ! notes 9 "q are legato or n4 ,illu/ration3 ,table ( ! ,positions4 ,i4 ,position #j #a #b #c #d #a #b #c #d #a #b #c #d #a #b #c #d 4 4 4 4 4 4 ,,ii4 ,position #a #b #c #d #a #b #c #d #a #b #c #d #a #b #c #d 4 4 4 4 4 ,,iii4 ,position #a #b #c #d #a #b #c #d #a #b #c #d #a #b #c #d 4 4 4 4 ,,iv4 ,position #a #b #c #d #a #b #c #d #a #b #c #d #a #b #c #d 4 4 4 ,v4 ,position #a #b #c #d #a #b #c #d #a #b #c #d #a #b #c #d 4 4 ,,vi4 ,position #a #b #c #d #a #b #c #d #a #b #c #d #a #b #c #d 4 ,,vii4 ,position #a #b #c #d #a #b #c #d #a #b #c #d #a #b #c #d ,music3 a7 b7 ,if ! fir/ note1 :5 asc5d+ to a position1 is to be play$ by a f+] foll[+ t us$ 9 ! l[] position1 ! fir/ mu/ slide ) x1 rema9+ until ! position ( ! h& is aga9 *ang$1 or until releas$ by an advanc+ f+]4 ,! fir/ note mu/ be play$ firmly by ! f+] assign$ to x1 )\t caus+ ! slide to be he>d4 ,9 ! foll[+ examples1 ! accompany+ f+]s are indicat$ by small notes4 ,music3 a7 b7 c7 ,if ! notes ( ! diff]5t positions are to be tak5 ^u two /r+s1 ! f+] goes ) x to ! high] position1 b )\t necess>ily rema9+ on ! /r+4 ,music ,9 proce$+ d[nw>d to ano!r position1 ! f+] on ! la/ note slides ) t :i* is proce$+ 9 advance s f> z to f9d its place 9 ! l[] position1 b ) ! und]/&+ t 9 case ! note t foll[s is n to be play$ ) ! same f+]1 x mu/ n rema9 d[n4 ,music ,if ! fir/ note ( high] position is to be play$ by a f+] :i* is n ! la/ us$ 9 ! l[] position1 x mu/ slide ) x until ! prop] place 9 ! high] position is rea*$1 b mu/ be lift$ z soon z ! f+] :i* has to play ! fir/ note is put on ! /r+4 ,music ,if ! fir/ note 9 a l[] position is to be play$ ) a f+] t 9 ! upp] position is ultimately replac$ by ! f+] foll[+1 ! f+] 9 "q mu/ slide f ! upp] position to its place 9 ! l[]4 ,b ere x has rea*$ x1 ! fir/ note 9 ?is position mu/ be gripp$4 ,music ,if ! notes ( ! diff]5t positions are n b\nd toge!r by means ( legato signs1 ?is slid+ ( ! f+] mu/ take place s quickly t no notes are he>d betwe54 ,if ! notes are b\nd toge!r to be play$ 9 "o b[1 !n ! portam5to or slide w be audible4 ,! play] mu/ bew>e le/ ! portam5to f "o tone to ano!r becomes exagg]at$1 or p]haps ! entire enh>monic scale ly+ betwe5 ! notes w be produc$4 ,all 8:9+0 mu/ be avoid$1 & ! note next t to :i* ! f+] is slid+ %\ld n be he>d4 ,! viol9i/ mu/ "k ! major & m9or scales 9 all ! positions1 above all acquir+ c]ta9ty 9 ! v>i\s positions4 ,on ?is acc\nt /ress mu/ be laid on ! /udy ( ! same ) ! greate/ possible dilig5ce4 ,d\ble /ops4 ,! viol9 is capable ( produc+ a great v>iety ( d\ble notes or d\ble /ops4 ,9 conjunction ) an op5 /r+1 all ! int]vals may be giv54 ,music3 ,unisons3 ,9 unisons1 ! note giv5 by ! op5 /r+ is produc$ simultane\sly on ! next l[] /r+4 ,! f+]+ adju/s itself accord+ to ! position 9 :i* "o is play+1 & x may be practis$ 9 ! fir/ f\r positions4 ,music3 ,seconds3 a7 b7 ,at a1 ! l[] note w be play$ on ! l[] /r+1 b at b ! upp] note is produc$ on ! l[] /r+4 ,! f+]+ at a is con=mable to ! position employ$--ei!r ! #c1 #b or #a f+] may be on ! l[] note4 ,at b1 ! upp] note c be play$ ei!r 9 ! #b1 #c1 #d or #e position & ei!r ! #d1 #c1 #b or #a f+] may be plac$ on ! upp] note4 ,music3 ,?irds3 a7 ,music3 b7 ,! ?irds at a lie 9 ! fir/ two positions4 ,at b1 ! upp] note is tak5 on ! l[] /r+1 & ei!r 9 ! #c1 #d1 #e or #f position4 ,music3 ,f\r?s3 a7 b7 a lies 9 ! fir/ position1 at b ! high] note is aga9 produc$ on ! l[] /r+ 7z a h>monic note7 9 ! #d position4 ,music3 ,fif?s3 ,! p]fect fif?s 9 ?is example h ea* two op5 /r+s2 ! imp]fect fif?s are play$ ei!r 9 ! fir/ or half position4 ,music3 ,six?s3 9 ! fir/ position4 ,music3 ,sev5?s3 9 ! fir/ & second positions4 ,music3 ,octaves3 9 ! fir/ ?ree positions4 ,music3 ,n9?s3 ,! upp] notes 9 ! #a1 #b1 #c or #d positions4 ,music3 ,t5?s3 ,! upp] notes 9 ! #b1 #c1 #d or #e positions4 ,d\ble /ops )\t op5 /r+s4 ,music3 ,unisons4 ,music3 ,seconds4 ,music3 ,major ,?irds4 ,music3 ,m9or ,?irds4 ,?irds are f+]$ ) ! #a & #c1 or ! #b & #d1 also ) ! #c & #d f+]s 9 a s]ies ( ?irds4 ,music3 ,f\r?s4 ,p]fect #d4 ,music3 ,augm5t$ #d4 ,f+]+3 #a_/b1 #b_/c & #c_/d4 ,music3 ,fif?s4 ,p]fect #e4 ,music3 ,imp]fect #e4 ,p]fect fif?s are f+]$ #a_/a1 #b_/b1 #c_/c or #d_/d4 ,imp]fect fif?s are f+]$ ) ! same f+]s z f\r?s4 ,music3 ,major #f4 ,six?s4 ,music3 ,m9or #f4 ,f+]$ #a_/b1 #b_/c & #c_/d4 ,music3 ,sev5?s4 ,f+]$ #a_/c1 #b_/d4 ,music3 ,octaves4 c4 ,f+]$ #a_/d1 9 ! upp] positions frequ5tly #a_/c & #b_/d4 ,x is necess>y to rem>k t ! =ego+ examples d n give ! f+]+ ( ! scales 9 d\ble /ops1 only ! f+]+s :i* may be us$ 9 d\ble /ops z met ) s+ly4 ,to ^! d\ble /ops )\t op5 /r+s1 ^? 9 conjunction ) an op5 /r+ 7pp4 #ec1 #ed7 c /ill be add$ by ?is means1 --t !y are play$ on two l[] /r+s2 e4 g4 ,music3 ,d ,g /r+4 ,! fir/ /ops on ! ,d & ,g /r+ are obvi\sly exclud$ f ?is4 ,*ords ( ?ree notes4 ,9 triple /ops ! two upp] notes h mo/ly ! same duration1 ! l[] note be+ previ\sly releas$ by ! b[4 ,?ree notes may1 h[ev]1 be made to s\nd simultane\sly1 b special skilfulness is requisite1 & ! s\nds _c be ( long duration4 ,=m]ly ,pagan9i1 ,ole ,bull1 & o!r viol9 virtuosi1 us$ a v flat bridge 9 ord] to play 9 ?ree & f\r p>ts4 ,su* tricks may be produc$ ev5 ) ! ord9>y bridge1 by unscrew+ ! nut ( ! b[1 pass+ ! /ick und]nea? ! fiddle1 lett+ ! hair lie ^u ! /r+s1 & hold+ bo? hair & /ick toge!r ) ! "r h&4 ,z a rule1 :5 sev]al *ords 9 ?ree or f\r p>ts succe$ ea* o!r1 !y are play$ ) d[n b[s 9 ord] to obta9 ! necess>y p[] & equality ( tone4 ,"h & also 9 ! f\r "p *ords :i* foll[1 ! easie/ are ^? :i* make use ( ! op5 /r+s3 ,triple /ops ) two op5 /r+s3 ,music ,) "o op5 /r+3 ,music ,music ,music3 ,)\t op5 /r+s3 ,music3 c4 ,f+]+ #b_/a_/a #c_/b_/b & #d_/c_/c ,music3 c4 ,f+]+ #c_/b_/a & #d_/c_/b ,music3 c4 ,f+]+ #b_/c_/a & #c_/d_/b ,music3 c4 ,f+]+ #b_/b_/a #c_/c_/b #d_/d_/c ,music3 c4 ,f+]+ #d_/b_/a ,music3 c4 ,f+]+ #d_/b_/a #d_/c_/b & #c_/b_/a ,music3 c4 ,f+]+ #c_/a_/b & #d_/b_/c ,music3 c4 ,f+]+ #a_/a_/d ,music3 c4 ,f+]+ #a_/c_/b & #b_/d_/c ,music3 c4 ,f+]+ #d_/a_/b #d_/a_/c & #c_/a_/b ,music3 c4 ,f+]+ #b_/a_/d #b_/a_/c & #c_/b_/d ,music ,f+]+ #b_/d_/a ,music ,f+]+ #a_/b_/d ,music ,f+]+ #d_/a_/b ,*ords 9 f\r p>ts 7quadruple /ops74 ,) two op5 /r+s3 ,music ,music ,music ,) "o op5 /r+3 ,music ,)\t op5 /r+s3 ,music3 c4 c4 c4 c4 c4 c4 c4 c4 c4 c4 c4 ,music3 c4 c4 ,h>monics4 ,natural & artificial ,h>monics1 or ,flageolet tones1 may be produc$ on ! viol94 ,! natural h>monics are obta9$ by plac+ ! f+] q lightly1 & )\t pressure1 ^u ! /r+1 & b[+ ) great c>e4 ,f ! middle ( ! /r+ upw>ds t[>ds ! bridge1 & also f ! middle t[>ds ! nut1 lie natural h>monics at ! nodes ( ! /r+4 ,! sign indicat+ t a note is to be play$ z a h>monic1 is ei!r #j1 flageolet or son h>monique4 ,9 ! case ( h>monics :i* yield a note diff]+ f t /opp$ by ! f+]1 ! actual s\nd produc$ is indicat$ by ! sign 4 ,music3 ,g /r+4 ,music3 ,d /r+4 ,music3 ,a /r+4 ,music3 ,e /r+4 ,natural h>monics are also produc$ by plac+ two f+]s lightly & simultane\sly on "o /r+3 ,music3 ,g /r+4 ,d /r+4 ,music3 ,a /r+4 ,e /r+4 ,artificial h>monics4 ,^! are produc$ by play+ two notes on "o /r+1 ! l[] "o be+ press$ d[n firmly1 ! upp] "o lightly4 ,! di/ance ( ^! two notes f ea* o!r may be ei!r a ?ird1 f\r?1 fif? or octave4 ,! mo/ usual artificial h>monics are ^? at a f\r?4 ,at a f\r?3 ,music3 ,g /r+4 ,d /r+4 ,music3 ,a /r+4 ,e /r+4 ,at a fif?3 ,music3 ,g /r+4 ,d /r+4 ,music3 ,a /r+4 ,at a ?ird3 ,music3 ,g /r+4 ,d /r+4 ,music3 ,a /r+4 ,e /r+4 ,artificial h>monics may also be produc$ at ! di/ance ( a m9or ?ird1 b ^! speak ) difficulty4 ,at an octave3 ,music3 ,g /r+4 ,9 l mann] on ! high] /r+s4 ,9 ! l[] positions ^? at ! octave necessitate a wide /ret* betwe5 ! #a & #d f+]s1 r5d]+ !m impossible = small h&s4 ,d\ble h>monics4 ,bo? natural & artificial h>monics may be play$ z d\ble /ops4 ,! =m] speak be/1 ! latt] be+ m difficult4 ,!y require v ?9 /r++4 a4 ,natural d\ble h>monics3 ,music3 ,d ,a ,e ,d ,g /r+4 ,g /r+3 ,d-s4 ,a-s4 ,simil>ly on ! upp] /r+s4 b4 ,artificial d\ble h>monics3 ,! l>ge notes indicate ! notes :i* are to be press$ d[n firmly1 ! small notes ^? to be lightly t\*$1 & ! sign ! actual s\nds produc$4 a4 ,fif?s1 produc$ at ! di/ance ( a fif?1 f\r? & ?ird3 ,music b4 ,?irds4 ,music3 7major7 7m9or7 c4 ,f\r?s4 ,music d4 ,six?s4 ,music3 7major7 7m9or7 e4 ,octaves4 ,music ,! pizzicato4 ,! mo/ usual me?od ( play+ pizzicato is by means ( ! index f+] ( ! "r h&1 by :i* ! /r+ is gripp$ & pluck$4 ,! ?umb is plac$ aga9/ ! f+]bo>d4 ,9 pieces to be play$ pizzicato ?r\gh\t1 ! ?umb may be employ$4 ,9 ?is case ! viol9 is held d[n 7und]nea? ! "r arm71 z1 = in/ance1 9 ! ,s]5ade 9 ,don ,giovanni1 :5 ! viol9 replaces ! m&ol9e3 ,music3 ,allegretto4 ,! sign us$ is pizz41 its cessation1 arco4 ,! pizzicato is also possible ) ! left h&1 & is *iefly ?us employ$ :5 notes play$ by ! b[ & pizzicato notes foll[ ea* o!r quickly4 ,left h& pizzicato is indicat$ by ov] ! notes1 & is usually execut$ by ! f+] :i* has press$ d[n ! prec$+ note1 or else ) ! f\r? f+]4 ,music3 arc4 pizz4 arc4 pizz4 ,music3 r4h4 l4h4 pizz4 arc4 pizz4 arc4 pizz4 arc4 pizz4 arco4 ,notes may be also play$ arco & pizzicato simultane\sly1 = example1 ,music3 pizz4 ,*ords also s\nd well pizzicato1 z = in/ance1 ,music ,if x is desir$ t ! tones %all vibrate well1 ! ?umb is releas$ f ! f+]bo>d1 & ! f+]s ( ! left h& rema9 press$ d[n on _! notes4 ,pizzicato /ops 9 *ords are also mix$ ) notes play$ by ! b[1 & are !n pluck$ ) ! second f+] ( ! "r h&4 ,music3 arc4 pizz4 arc4 pizz4 arc4 pizz4 arc4 pizz4 arc4 pizz4 ,! arco notes are play$ at ! heel ( ! b[1 & ) ! up /roke4 ,,"p ,,iii4 ,! r5d]+4 ,! r5d]+ ( a piece implies its arti/ic reproduction1 e necess>y arti/ic res\rce be+ !re9 bl5d$4 ,! viol9i/ is capable ( a p]fect r5d]+ only if1--9 addition to a firm1 easy te*nique ( ! left h&1 adroitness 9 b[+ & susceptibility to ! modifications ( tone1 & a te*nique equal to all dem&s made ^u x1--he has "u 8 control a high] spiritual musical developm5t1 f9e ta/e1 & a w>m individual feel+4 ,only ?r\gh ! comb9ation ( all ^! qualities c "o re9ve/ ! dead signs ( ! compos] ) _s & life1 & cause 8 "w to pass be=e ! he>]'s s\l z an ideal1 liv+ picture4 ,intellectual culture4 ,"u ?is head mu/ be includ$ a k ( ! !ory ( music1 :i* r5d]s possible ! cle> und]/&+ ( ! sequ5ce ( ideas :i* ! compos] has express$ ?r\gh "t1 degrees ( movem5t1 dynamic signs1 melodic p]iods1 & ! h>monies ^u :i* !y are con/ruct$1 ! rhy?mic comb9ations2 & ?r\gh all ^! peculi>ities ! "* ( a piece z well z ! individuality ( ! compos]4 ,& :]e special directions = ! r5d]+ are n employ$1 to p]ceive f ! text ( ! "w itself ! correct r5d]+4 ,ta/e4 ,to r5d] a piece ( music ) ta/e1 signifies ! reproduction ( ! same s t ! he>] p]ceives ?r\gh ! play] a complete und]/&+ ( x1 & ?r\gh\t its p]=mance receives a correct impression ( its "*4 ,if an arti/ has giv5 expression to all ! compos]'s writt5 dynamic gradations ( tone col\r ) und]/&+ & feel+1 x w be arti/ically ref9$2 if infus$ ) 8 own individuality1 & if no awkw>dness appe> te*nically ) respect to ! manipulation ( 8 in/rum5t1 8 p]=mance w be reg>d$ z ta/eful4 ,x %\ld be especially 8 conc]n to avoid ! num]\s faults common to _m play]s2 = example1 8:9+10 a mawki% drawl+ f "o tone to ano!r1 exagg]ation ( ! close %ake on ! "p ( ! left h&1 in>ti/ic acc5tuation1 unmean+ ?r[+ ( ! b[ ^u ! /r+s1 c4 ,individuality4 ,if ! arti/ has /udi$ & le>n$ h[ to give expression to ! individual feel+ ( ! compos]1 8 own individuality 9 ! p]=mance is also ( great consequ5ce4 ,x consi/s 9 ?is3 t ! same piece 9 p]=mance %all appe> ev] fre% & new4 ,individual feel+ is subject to cont9u\s *ange1 ?r\gh influ5ces f )9 & )\t1 consequ5tly an arti/ :o has acquir$ a full & active control ov] all 8 p[]s does n p]=m a piece ! second "t 9 precisely ! same mann] z ! fir/ "t4 ,:]e h[ev]1 ?is is ! case1 x may be reg>d$ z a sign t ! p]=m] has n yet arriv$ at a complete arti/ic fre$om4 ,phras+4 ,^u ?is subject no exhau/ive treatise w be giv51 b only "s obs]vations ^u intellig5t phras+ z appli$ te*nically to viol9 play+4 ,z 9 s++1 & 9 w9d in/rum5ts ! brea?1 s 9 ! play+ ( /r+$ in/rum5ts ! *ange ( b[+1 is ! pot5t m$ium ?r\gh :i* phrases are divid$1 di/+ui%$ f ea* o!r1 & r5d]$ cle>4 ,/r+$ in/rum5ts pres5t consid]ably great] difficulty 9 ?is respect ?an s++1 on acc\nt ( ! manifold k9ds ( /roke 9 b[+1--(t5 )9 ! compass ( a %ort phrase ! mo/ v>i$ b[+s occur2 moreov]1 x _c be laid d[n t ) ea* phrase or p]iod ! /roke mu/ be *ang$4 ,^! phrases may1 h[ev]1 9 _m cases co9cide ) ! *ange ( b[+1 & ! play] mu/ 9 g5]al make x 8 aim to obta9 correct phras+ by a suitable application & adju/m5t ( ! *anges 9 ! /roke4 ,! foll[+ examples f ,m5delssohn's viol9 conc]to are (t5 incorrectly phras$1 ?r\gh *ang+ ! b[ 9 ! wrong places3-- ,music ,! above passage is ?us r5d]$ by _m viol9i/s3 ,music & 9 ,david's edition ( ! conc]to x is ev5 m>k$ ?us3-- ,music & a simil> passage 9 ?is way3-- ,music ,a prolongation ( ?is !me also %[s incorrect *anges ( b[1 f :i* wrong phras+ ensues3-- ,music3 dim4 sempre pi tranquillo4 ,! b[+s indicat$ und]nea? ! notes %[ ! correct phras+1 & also ! effect aim$ at 9 connect+ ! idea ) ! previ\s example4 ,9 passages :]e ! phras+ is n pla9ly def9$ by ! *anges ( b[1 ! *ange occurr+ 9 ! middle ( a phrase1 ! /rokes mu/ be made to foll[ ea* o!r z smoo?ly z possible 7i4 e4 )\t a break73 ,music3 a4 ,&ante4 b4 ,allegretto ma non troppo4 ,music ,passages :i*1 ow+ to rapid "t & b[+1 are n easily to be r5d]$ cle> by ! play]1 mu/ at lea/ h ! real mean+ ( ! phrase indicat$ ) correct acc5tuation4 ,x w !n become app>5t 9 ! r5d]+2 = example4 ,music3 a4 ,allegro molto vivace4 b4 c4 ,conc]to by ,lip9ski 7,b[+ m>ks by ,david74 ,music3 ,adagio4 ,"h ! phras+ w\ld become cle>] & m intelligible if ! legato signs 7 made to include ! notes next to !m 9 ! foll[+ passages3 7#a7 ! ,e 9 ! second b>2 7#b7 z f> z ,d 9 ! f\r? b>2 7#c7 ,e 9 ! six? b>1 7:i* w\ld be bett] ti$ to ! ,f72 !n 9 ! foll[+ b> ! two d's c\ld be play$ 9 "o b[1 c4 ,x is /ill h>d] ?an 9 compositions by viol9i/s or 9 pieces m>k$ by !m1 to make ! "r *anges ( b[ 9 ! s5se ( ! phras+ 9 ! works ( compos]s :o are n ?or\ghly famili> ) ! te*nical h&l+ ( ! viol91 & ^: indications ( b[+ are some:at ecc5tric1 or m]ely m>k ! diff]5ce betwe5 /accato & legato4 ,ev5 our classical compos]s h n always be5 suffici5tly /rict 9 ?is respect1 & ! appropriate phras+ has be5 suppli$ by _m viol9i/s1 z = example 9 ! ,qu>tets ( ,moz>t & ,bee?ov54 ,! f+]+ is j z ess5tial to correct phras+ z ! b[+4 ,g5]ally ! *anges ( position are made s z to suit ! requirem5ts ( ! phras+1 t x may be r5d]$ smoo?ly4 ,?is is p>ticul>ly ne$ful 9 long sequ5ces ( notes on "o /r+4 ,music3 a4 ,9 ! fir/ f\r b>s ! positions are n s well suit$ to ! phras+ z comp>$ to b>s #e & #f4 ,music3 b4 ,9 ?is passage f ,ri*>d ,wagn]'s 8,siegfri$01 mo/ play]s *ange ! position ) ! fir/ note ( ! ?ird b>1 :]eas x %\ld occur aft] ?is note1 on ! ,c4 ,9 ord] to r5d] x s1 ! #d f+] may be tak5 ?ree times 9 succession1 beg9n+ ) ! highe/ ,c4 ,"h also ! *anges ( b[+ %\ld co9cide ) ! phras+ m>k$4 ,x is ess5tial to a correct r5d]+ t1 ev5 9 ! fir/ pieces play$ by a beg9n]1 a p]ception ( ! phras+ z a :ole %\ld be acquir$2 n1 z is usually ! case1 reg>d+ ! b[+ m>ks & ! legato signs z exclusively det]m9ative ( x4 ,9 ?is respect1 un=tunately1 !re is no?+ (f]$ = ! /ud5t's enlight5m5t & ! improvem5t ( 8 ta/e 9 ! exi/+ viol9 me?ods2 at lea/1 no me?od is kn[n to me conta9+ apposite sugge/ions & rem>ks on ?is head4 ,,app5dix4 ,pictorial repres5tation ( ! b[-/rokes4 ,! signs 9 g5]al use indicat+ ! d[n & up /rokes1 are ^! 4 ,! fir/ sign indicates ! l[] end ( ! b[1 or nut 7,g]4 8,fros*071 ! second1 ! upp] "p or po9t 78,spitze074 ,h]mann ,s*ro$]1 9 8 edition ( ,kreutz]'s #db ,/udies 7d$icat$ to ,joa*im71 has introduc$ a fur!r developm5t ( ^! signs4 ,!y are n plac$ 9 _! usual position1 b sideways4 ,example3-- ,music ,! same 9 a simpl] & m cond5s$ /yle4 ,music3 ,b[ ,d[n /roke4 ,up /roke4 ,read f ! left1 ! b[+s 9 ! fir/ example are %[n toge!r ) _! notes1 & ! signs ( up & d[n /rokes are !n to be f\nd 9 _! ord9>y positions4 ,! editor ( ! ,/udies has1 h[ev]1 giv5 ! pref]5ce to ! employm5t ( ! second mann] ( writ+ ^!1 on acc\nt ( ! simplifi$ & easily produc$ repres5tations ( ! b[1 & also because ( ! compress$ =m ( ! b[+ /rokes giv5 bel[ x4 ,! pictorial signs = ! b[+ are m p>ticul>ly = use 9 su* /udies z exemplify diff]5t me?ods ( play+1 or su* z h gr\ps ( repeat$ phras+s & b[+s2 9 ! rema9+ /udies !y are employ$ :]ev] ! ord9>y signs & t]ms d n suffice to %[ ! relative ext5t ( ! di/ribution ( ! b[4 ,! mute4 ,illu/ration ,! mute is a clamp ) ?ree not*es1 :i*1 to obta9 a muffl$ tone1 is fa/5$ on ! bridge betwe5 ! /r+s4 ,its use is indicat$ by 8con sord9o10 its removal by 8s5za sord9o10 or by 8)0 & 8)\t mute04 ,!re are also mutes :i* are fa/5$ to ! viol9 9 ord] to avoid ?is noisy fix+ & unfix+1 be+ br\ght into action by a slight pu%4 ,^! mutes are n made z a clasp1 b consi/ ( a small plate :i* presses aga9/ ! bridge1 & n ^u x4 ,! simultane\s s\nd+ ( subord9ate & comb9ation tones4 ,)\t ent]+ into ! prov9ce ( musical ac\/ics1 ! well-kn[n exp]im5t only c be m5tion$ "h demon/rat+ t m+l$ ) ! notes "o plays1 o!rs are audible4 ,x is ) ?is object t a snuffbox or a key is laid on ! upp] table ( ! viol94 ,if "o plays d\ble /ops 9 sl[ tempo :il/ "o ( ^! articles is ?us plac$1 n only two notes1 b ?ree1 f\r1 or ev5 m1 may be he>d4 ,9 ord] to obta9 good & correct progressions 9 h>mony1 ! d\ble notes play$ mu/ foll[ 9 suitable sequ5ce4 ,g5]ally1 two int]vals ( ! same k9d %\ld n foll[ ea* o!r4 ,9 ord] to make ! sympa!tic tones m pla9ly audible1 & at ! same "t to obviate ! :izz+ noise produc$ dur+ ! b[+ by ! article plac$ on ! upp] table1 ,h]mann ,s*ro$] has inv5t$ an app>atus call$ 8,vibrator = ! production ( h>monic ov]tones1 & = ! re9=cem5t ( ! comb9ation tones ( /r+$ in/rum5ts0 7,g]m4 ,r4 ,pat5t ,no4 #djbbd74 ,! inv5tor says 9 8 specification 8,rese>*es into ! sympa!tic tones ( in/rum5ts ( ! viol9 species1 & a !ory d$uc$ !refrom z to ! movem5t ( ! b[ ^u ! /r+s01 7,leipsic1 ,c4 ,w4 ,fritzs*7 among/ o!r ?+s ! foll[+3--,9 ord] to produce ^u /r+$ in/rum5ts--m especially ! viol91--! h>monic ov]tones ( ! notes play$1 z well z ! comb9ation tones1 a weight 7g7 is br\ght ov] ! upp] table ( ! viol9 fa/5$ to x1 b all[$ free play4 ,?is weight1 :5 ! in/rum5t is be+ play$1 vibrates ) ! vibrations ( ! upp] table1 be+ kept 9 its place by ! spr+ 7h1 f74 ,t ! weight1 dur+ its vibration1 may be firmly kept 9 "o fix$ position1 ! hold] 7f7 is fa/5$ to ! ribs ( ! viol94 ,on ! o!r h& ! %ift+1 v ela/ic tail 7h7 above ?is hold]1 ) its fa/5$ end 7h7 ov] a peg 7s71 grips ! vibrat+ weight 7g7 controll+ its movem5ts up & d[n ^u ! in/rum5t4 ,) ! spr+ 7h7 9 position1 "o c !n fix ! screw & hold] 7f7 ov] any "p ( ! ribs1 br++ ! weight 7g7 into action ^u v>i\s p>ts ( ! body ( ! viol94 ,yet its application w be/ succe$ if br\ght ^u ! upp] table1 ei!r 9 front (1 or beh9d1 ! bridge1 "u ! two /r+s ,g & ,d1 because "h ! wood ( ! upp] table is br\ght mo/ into vibration1 & also because ! mo/ s]viceable tones ( ^! /r+s--p>ticul>ly ! notes ( ! middle "p ( ! scale--cause ^! subord9ate & comb9ation tones mo/ cle>ly to be he>d4 ,! spr+ be+ q flexible1 may be b5t to any %ape1 & 9 ! circul> =m %[n above helps ! firm position ( ! weight ) respect to ! am\nt ( pressure4 ,! "u1 & some:at concave1 disk ( ! weight is cov]$ ) pap]1 :i* agreeably modifies ! tone quality4 ,illu/ration3 ,vibrator4 ,! use ( ! vibrator p]mits ! production ( curi\s & (t5 /rik+ effects1 especially 9 light & fl[+ play+1 z1 p]*ance1 9 *orales1 :5 ?ree1 f\r or m p>ts become audible 9 regul> h>monic sequ5ce4 ,! tone ( ! viol9 is caus$ to resemble v mu* t ( ! h>monium1 & nuances f ! lighte/ piano to at lea/ mezzo =te are obta9able4 ,celebrat$ viol9 play]s ( ! #ag1 #ah & #ai ,c5turies4 ,adelburg1 ,augu/ von1 born #ahcc1 at ,con/ant9ople1 orig9ally int5d$ = ! ,diplomatic s]vice1 0 a di/+ui%$ viol9i/ & compos]4 ,he 0 taught by ,mays$]4 ,he di$ at ,vi5na1 ,oct4 #bj? #ahgc1 aft] a long p]iod ( m5tal ab]ration4 ,al>d1 ,delph91 born ,m>* #h? #ahae1 at ,bayonne1 a not$ virtuoso & tea*] 7among/ o!rs1 ( ,s>asate72 aft] ,baillot's dea? became pr(essor at ,p>is ,cons]vatoire until 8 retirem5t 9 #ahge4 ,he produc$ conc]tos1 a viol9 s*ool & /udies4 ,di$ ,febr4 #bbnd1 #ahhh4 ,p>is4 ,arditi1 ,luigi1 born #ahbb at ,cresc5t9o 7,italy71 settl$ 9 ,london z conductor4 ,arm+aud1 ,jules1 born #ahbd1 ,p>is1 r5[n$ !re z a qu>tett play]4 ,artot1 ,alex4 ,joseph ,montagney1 born ,feb4 #e? #ahae1 at ,brussels1 di$ ,july #bj? #ahde1 at ,ville d',avray ne> ,p>is4 ,he /udi$ at ,p>is ,cons]vatoire "u ,kreutz]1 became memb] ( sev]al or*e/ras1 !n made ext5d$ conc]t t\rs ?r\gh ,europe & ,am]ica4 ,he wrote a viol9 conc]to1 /r+ qu>tetts1 c4 ,au]1 ,leopold1 born ,may #bh? #ahde1 at ,vespr91 ,hung>y4 ,pupil ( ,dont 9 ,vi5na1 also ( ,joa*im4 ,f #ahfc-ahfe he 0 lead] at ,dusseldorf1 !n at ,hamburg1 & f #ahfh 9 a simil> capacity ) ! ,imp]ial or*e/ra1 ,/4 ,pet]sburg1 & pr(essor at ! ,cons]vatoire !re4 ,baillot1 ,pi]re ,m>ie ,franois de ,sales1 born ,oct4 #a/ #agga1 at ,passy ne> ,p>is1 pupil ( ,viotti4 ,he taught at ! ,p>is ,cons]vatoire1 & wrote a great viol9 me?od1 /udies1 conc]tos & qu>tetts4 ,he di$ ,sept4 #ae? #ahdb4 ,baltz>1 ,?omas1 born 9 ! fir/ half ( ! #ag? c5tury at ,lbeck2 0 reg>d$ 9 8 "t z a ph5om5al play]2 di$ 9 #affc4 ,b>cewicz1 ,/anislaus1 born ,april #af? #aheh1 at ,w>saw1 pupil ( ,laub 9 ,mosc[2 mo/ly engag$ 9 conc]t t\rs4 ,b>ghe]1 ,k>l ,l\is1 born ,dec4 #ca/ #ahcc1 at ,bckeburg1 pupil ( ,spohr1 0 f #ahfc-ahgf ,c\rt ,capellmei/] at ,detmold1 liv$ subsequ5tly at ,hamburg4 ,di$ #aijb4 ,b>?1 ,ri*>d1 born ,june #e? #ahej1 at ,gross-,wanzleb51 ,saxony2 pupil ( ,beck at ,magdeburg1 & ( ,joa*im4 ,became a left-h&$ play]1 ow+ to an accid5t to "o ( 8 f+]s4 ,s9ce #ahhb lead] at ,krefeld4 ,bazz9i1 ,antonio1 born ,nov4 #bd? #ahah1 at ,brescia2 kn[n also z a compos]4 ,he lives 9 ,milan z tea*] ( composition at ! ,cons]vatorio1 & s9ce #ahhj z its ,director4 ,beck]1 ,jean1 born #ahcf1 at ,mannheim2 pupil ( ,kett5us !re & ( ,al>d 9 ,p>is2 0 lead] at ,mannheim & on resign+ 7#aheh7 made conc]t t\rs4 ,at ,flor5ce he f\nd$ ! ,flor5t9e ,qu>tett1 9 #ahff1 ) ,masi1 ,*io/ri & ,hilp]t 7subsequ5tly ,spitz]-,hegyesi71 :i* 0 dissolv$ 9 #ahgj2 he !n travell$ ) 8 *ildr51 pr(essionally1 & di$ 9 #ahhd4 ,b5da1 ,franz1 born ,nov4 #be? #agji1 at ,alt-,b5atky 9 ,bohemia1 0 at fir/ a *oir boy 9 ! ,nicolai ,*ur*1 ,prague1 !n 9 ! *oir ( ! ,dresd5 ,kapelle4 ,lat] he became a viol9i/ 7pupil ( ,konyczek & ,graun71 ent]$ ! ,b]l9 op]a or*e/ra 9 #agcb1 & became lead] 9 #agga4 ,he di$ at ,potsdam1 #aghf4 ,8 bro!rs ,george1 ,johann1 & ,joseph1 & 8 sons ,fri$ri* ,wilhelm ,he9ri*1 & ,k>l ,h]mann ,he9ri*1 also a son ( ,joseph ,b5da's 7,ern/ ,fri$ri* ,johann7 7 all employ$ 9 ! ,royal or*e/ra1 &1 ) ! exception ( ,george & ,ern/1 7 pupils ( ! eld] ,b5da4 ,b5newitz1 ,anton1 born ,m>* #bf? #ahcc1 at ,privret1 ,bohemia2 pupil ( ! ,prague ,cons]vatorium4 ,he 0 lead] at ,salzburg & at ,/uttg>t2 s9ce #ahff pr(essor 91 & s9ce #ahhb ,director (1 ! ,prague ,cons]vatorium4 ,briot1 ,*>les de1 born ,feb4 #bj? #ahjb1 at ,l\va91 ! *ief expon5t ( ! ,belgian s*ool4 ,he taught among/ o!rs ,vieuxtemps & ,prume4 ,8 works are well kn[n1 *iefly 8 conc]tos & ,?mes v>is4 ,he resid$ 9 ,brussels1 became bl9d 9 #aheb1 & di$ 9 ,april #ahgj4 ,besekirsky1 ,basil ,basilewitzs*1 born #ahce1 at ,mosc[2 pupil ( ,leon>d at ,brussels4 ,he appe>$ ) success 9 ,g]many1 ,france1 ,spa91 c41 z a virtuoso4 ,bib]1 ,franz1 born #afch1 at ,w>t5burg on ! ,bohemian fronti]1 di$ #afih at ,salzburg1 :]e he 0 ,capellmei/]4 ,he 0 rais$ to ! nobility by ! ,emp]or ,leopold #a/4 ,a few sonatas compos$ by him are to be f\nd 9 ,david's advanc$ s*ool ( viol9 play+4 ,blagrove1 ,h5ry ,gamble1 born ,oct4 #ahaa1 at ,nott+ham4 ,taught by 8 fa!r1 he play$ 9 public at ! age ( five1 & on ! op5+ ( ! ,royal ,academy ( ,music1 ,london1 0 "o ( ! fir/ pupils1 /udy+ ) ,f4 ,cram]4 ,9 #ahcc-ahcd he /udi$ "u ,spohr4 ,he 0 = #cj ye>s "o ( ! mo/ prom95t ,engli% play]s1 & di$ ,dec4 #ae? #ahgb4 ,blank5see1 ,julius1 born ,april #i? #aheh1 at ,w>tburg 9 ,we/phalia2 pupil ( ,joa*im4 ,he 0 ,kamm]virtuos at ,sond]%aus51 & subsequ5tly lead] at ,nuremburg4 ,bhm1 ,joseph1 born ,april #d? #agie1 at ,pe/h1 di$ ,m>* #bcrd #ahgf2 pupil ( ,rode1 & tea*] ( ,joa*im4 ,he 0 engag$ *iefly 9 ! ,vi5nese ,c\rt or*e/ra1 & z tea*] 9 ! ,vi5na ,cons]vatorium4 ,bohr]1 ,anton1 born #aghc 7#agia87 at ,muni*2 pupil ( ,rud4 ,kreutz]4 ,he 0 lead] at ,b]l9 & ,hanov]1 & di$ 9 #aheb4 ,bott1 ,jean ,joseph1 born ,m>* #i? #ahbf1 at ,cassel1 di$ #ahie1 9 ,am]ica2 pupil ( ,spohr4 ,he 0 lead] at ,cassel1 & subsequ5tly at ,me9+5 & ,hanov] 7,c\rt-,capellmei/]71 :]e he 0 p5sion$ 9 #ahgh4 ,s9ce !n he liv$ 9 ,hamburg1 ,new ,york1 c4 ,b\*]1 ,alex&re ,jean1 born #aggj1 ,p>is1 di$ #ahfa4 ,he 0 a great *>latan 9 viol9 play+1 yet 0 receiv$ ) mu* applause on 8 conc]t t\rs4 ,brass91 ,g]h>d1 born ,june #aj? #ahdd1 at ,aix2 pupil ( ,david4 ,he 0 lead] at ,b]ne & ,go!nburg1 !n tea*] 9 ,/]n's ,cons]vatorium1 ,b]l92 f #ahge-ahhj conductor ( ! ,breslau ,musikv]e92 s9ce !n liv+ 9 ,/4 ,pet]sburg4 ,brodsky1 ,adolph1 born ,m>* #ba/ #ahea1 at ,taganrog 7,russia72 pupil ( ,jos4 ,hellmesb]g] at ,vi5na4 ,he 0 memb] ( ! ,c\rt op]a or*e/ra1 visit$ ,russia z virtuoso1 !n became tea*] 9 ,mosc[ ,cons]vatoire1 aft]w>ds at ! ,leipzig ,cons]vatorium4 ,9 #ahib he w5t to ,am]ica1 b 9 #ahie became pr9cipal ( ! ,man*e/] ,royal ,college ( ,music4 ,burme/]1 ,willy1 born at ,hamburg1 ,m>* #af? #ahfi1 /udi$ "u ,joa*im at ! ,high ,s*ool1 ,b]l91 b elect$ to make a special /udy by himself ( ,pagan9i difficulties1 9 ^: works he is probably unrivall$4 ,he appe>$ 9 ,london 9 #ahie4 ,camb9i1 ,giov4 ,giuseppe1 born #agdf1 at ,livorno1 di$ #ahbe1 ,p>is1 :]e he _h settl$ 9 #aggj4 ,campagnoli1 ,b>tolomeo1 born ,sept4 #aj? #agea1 at ,c5to ne> ,bologna2 pupil ( ,n>d9i4 ,he 0 f #agig lead] at ! ,leipsic ,gew&haus conc]ts2 subsequ5tly director at ,neu-,/relitz1 :]e he di$ ,nov4 #f? #ahbg4 ,wrote a good me?od1 & "s /udies4 ,cannabi*1 ,*ri/ian1 born #agca1 at ,mannheim1 di$ #agig1 at ,muni* 7or #agih at ,frank=t72 0 lead] at ,mannheim1 & 9 ?is capacity1 z also 9 t ( tea*]1 0 q rem>kable4 ,c>rodus1 ,john ,tiplady1 born at ,keighley1 ,york%ire1 ,jan4 #bj? #ahcf1 di$ ,july #ac? #ahie1 9 ,london4 ,he /udi$ ) ,molique 9 ,/uttg>t1 0 lead] ( "s ( ! *ief ,engli% or*e/ras1 & 0 also a f9e solo play]4 ,co551 ,franz1 born ,dec4 #bf? #ahbf1 at ,rott]dam4 ,solo viol9i/ to ! late ,k+ ( ,holl&2 accompli%$ solo & qu>tett play]2 liv+ at ,am/]dam4 ,coll9s1 ,isaac1 born #agig1 di$ #ahga1 9 ,london1 0 a celebrat$ ,engli% p]=m]4 ,8 son ,coll9s1 ,viotti1 0 also an excell5t play]4 ,colonne1 ,ed\>d1 born ,july #bcrd #ahch1 at ,bordeaux2 /udi$ at ! ,p>is ,cons]vatoire "u ,gir>d & ,sauzay1 b became a conductor1 & is1 z su*1 v celebrat$ 9 ,p>is4 ,colyns1 ,jean ,bapti/e1 born ,nov4 #be? #ahcd1 at ,brussels4 ,he /udi$ at ! ,cons]vatoire !re1 has be5 s9ce #ahfc a tea*] 9 t in/itution & s9ce #ahhh also at ! ,antw]p ,s*ool ( ,music4 ,corelli1 ,arcangelo1 born #afec1 at ,fusignano ne> ,imolo 7,bologna71 0 ! f\nd] ( ! ,italian s*ool1 :i* 9 its executive & creative aspects inaugurat$ a m>k$ epo* 9 ! art ( viol9 play+4 ,viol9 composition & te*nique 7 br\ght by him into def9ite =m1 s]v+ z a sure f\ndation = lat] times4 ,l all ! viol9i/s ( t p]iod1 ,corelli 0 also a compos]1 & 9 ?is capacity /ood prom95tly =w>d4 ,8 music has la/$ to our own day1 ! complete edition hav+ be5 br\ght out by ,joa*im & ,*rys&]1 & sep>ate sonatas arrang$ = viol9 & piano by ,g4 ,j5s51 & o!rs4 ,liv+ *iefly 9 ,rome1 ,corelli 0 held 9 extraord9>y e/eem z viol9i/ & compos]1 & a great numb] ( pupils cr[d$ r\nd him4 ,8 mo/ celebrat$ pupils 7 ,gem9iani & ,locatelli4 ,he di$ 9 #agac1 aft] a t\r to ,naples4 ,clem5t1 ,franz1 born #aghj1 at ,vi5na1 di$ !re 9 #ahdb 0 fir/ ,conc]tmei/] at ! !atre 8,an d] ,wi504 ,c\rvoisi]1 ,c>l1 born ,nov4 #ab? #ahdf1 at ,basle2 liv$ 9 ,dusseldorf & enjoy$ mu* fav\r z tea*] & play]4 ,he w5t to ,engl& 9 #ahhe1 & is n[ liv+ 9 ,liv]pool4 ,au?or ( a viol9 s*ool & /udies1 also sundry articles on ! te*nique ( viol9 play+4 ,cram]1 ,wilhelm1 born #agdc or #agde1 at ,mannheim1 di$ #agii1 9 ,london1 :]e he 0 lead] at ! ,italian ,op]a1 & 9 v>i\s conc]t societies4 ,he 0 reg>d$ 9 ,engl& z ! fir/ viol9i/ ( 8 "t4 ,crn]1 ,f]d9&1 ,c>l & ,johann 7bro!rs71 7 all memb]s ( ! ,muni* ,c\rt or*e/ra betwe5 #agcg & #aghf4 ,9 #agdi !y 7 rais$ to ! rank ( ! nobility4 ,csillag1 ,h]mann1 born #aheb1 at ,bakony-,telek 7,hung>y72 pupil ( ,hellmesb]g] at ,vi5na1 became memb] ( ! ,c\rt op]a or*e/ra !re1 & subsequ5tly lead] at ,bad5-,bad51 ,dusseldorf1 ,hamburg & ,rott]dam4 ,f #ahhg-ahhh taught 9 ! ,cons]vatorium at ,hels+=s4 ,damros*1 ,leopold1 born #ahbb1 at ,pos52 pupil ( ,hub]t ,ries1 prep>$ = a m$ical c>e]4 ,he 0 f #aheg ,capellmei/] at ,breslau1 & s9ce #ahga 9 ,new ,york1 :]e he di$ 9 #ahhe4 ,dancla1 ,jean ,bapt4 ,*as41 born ,dec4 #ai? #ahah1 at ,bagnres-de-,bigorre4 ,he ent]$ ! ,p>is ,cons]vatoire at ! age ( #aj2 f\nd$ 9 ,p>is a f9e qu>tett1 ) 8 bro!rs ,leopold & ,arnaud z #bnd viol9 & ',cello4 ,he has compos$ _m melodi\s educational works1 & enjoys great repute z a tea*] 9 ! ,p>is ,cons]vatoire4 ,d&o1 ,j4 ,h4 ,b41 born at ,som]s ,t[n1 #ahjf2 pupil ( ,mori2 di$ ,may1 #ahid4 ,he 0 "o ( ! pione]s ( qu>tett play+ 9 ,engl&1 also = _m ye>s prom95t z lead] ( ! be/ or*e/ras 9 ,london1 9 8 day4 ,david1 ,f]d41 born ,jan4 #ai? #ahaj1 at ,hamburg1 di$ ,july #ah? #ahgc1 at ,klo/]s 9 ,switz]l&2 pupil ( ,spohr2 lead] 9 ! ,leipsic ,gew&haus & !atre or*e/ras f #ahcf until 8 dea?4 ,he 0 di/+ui%$ bo? z tea*] & lead]4 ,z compos]1 he produc$ _m viol9 works1--,conc]tos1 ,v>iations1 ,/udies1 & also a ,s*ool1 besides edit+ _m previ\sly unpubli%$ pieces by ! old ma/]s4 ,de ,ahna1 ,he9ri* ,k>l ,h]mann1 born ,june #bbnd #ahce1 at ,vi5na2 pupil ( ,mays$] & ,mildn]1 until #ahea1 :5 he rel9qui%$ music = a milit>y c>e]1 ent]+ ! ,au/rian army4 ,9 #ahec he became ,lieut5ant1 0 9 ! w> ( #ahei1 b at its conclusion resum$ ! viol94 ,he made conc]t t\rs1 0 engag$ 9 #ahfb 9 ! ,royal op]a or*e/ra1 ,b]l91 & became fir/ ,conc]tmei/]2 he 0 second viol9 9 ,joa*im's qu>tett4 ,di$ ,nov4 #a/ #ahib4 ,d5gremont1 ,maurice1 born ,m>* #ai? #ahff1 9 ,rio de ,janeiro2 pupil ( ,leon>d4 ,dur+ ab\t t5 ye>s he made _m appe>ances 9 ,g]many1 play$ 9 ,london1 at ! ,cry/al ,palace1 ) great success2 & di$ 9 ,bu5os ,ayres1 ,nov4 #ahic4 ,dessau1 ,b]nh>d1 born ,m>* #a/ #ahfa1 9 ,hamburg2 /udi$ at ! ,b]l9 ,high ,s*ool1 0 lead] at ,knigsb]g & ,prague1 n[ 9 ,rott]dam & tea*] 9 ! ,cons]vatorium4 ,ditt]sdorf1 ,k>l von1 born ,nov4 #bnd #agci1 at ,vi5na1 di$ ,oct4 #ca/ #agii1 0 viol9i/ 9 ! ,imp]ial or*e/ra1 & _h mu* success 9 8 t\rs4 ,he 0 subsequ5tly ,capellmei/]1 & compos$ a great deal3 op]as1 symphonies1 qu>tetts1 c4 ,dont1 ,jacob1 born ,m>* #bnd #ahae1 at ,vi5na1 di$ !re ,nov4 #ah? #ahhh2 pupil ( 8 fa!r4 ,he 0 memb] ( ! ,imp]ial or*e/ra & tea*] 9 ! ,cons]vatorium2 produc$ excell5t /udies4 ,dreys*ock1 ,raimund1 born ,aug4 #bj? #ahbd1 at ,zack 9 ,bohemia1 di$ ,feb4 #f? #ahfi2 0 #bnd lead] 9 ! ,leipsic ,gew&haus or*e/ra1 & tea*] 9 ! ,cons]vatorium4 ,dupont1 ,joseph1 born ,aug4 #ba/ #ahba1 ,lige1 di$ ,feb4 #ac? #ahfa4 ,pupil ( ,prume 9 ! ,lige ,cons]vatoire1 subsequ5tly tea*] 9 ! same4 ,dupuis1 ,jacques1 born ,oct4 #ba/ #ahcj1 at ,lige2 taught !re 9 ! ,cons]vatoire2 di$ #ahfj4 ,dupuy1 ,jean ,bapti/e1 born #agge1 at ,c\rcelles ne> ,neu*tel1 di$ ,april #crd #ahbb1 at ,/ockholm2 0 lead] !re1 & also at ,cop5hag54 ,he compos$ conc]tos1 duets & op]as4 ,dur&1 ,fr$]ic1 born at ,w>saw 9 #aggj1 di$ 9 ! middle ( ! #ai? c5tury2 pupil ( ,viotti1 9 ,p>is4 ,he made _m conc]t t\rs2 ent]$ ! ,fr5* army 9 #agif1 became adjutant to a ,g5]al1 b mu/ h tak5 8 leave aft] sev]al ye>s1 = he travell$ aga9 z a virtuoso & became ev5tually viol9i/ 9 ,/rasburg !atre4 ,eb]h>dt1 ,gobi1 born ,m>* #bi? #aheb1 at ,hatt]%eim ne> ,frank=t2 pupil ( ,dietz1 ,he]mann & ,wilhelmj4 ,he 0 lead] at ,b]ne & ,brem51 paid successful visits to ,g]many1 ,switz]l&1 ,au/ria & ,italy1 & s9ce #ahhd has be5 active 9 ,hamburg z soloi/1 pr(essor & au?or4 ,he has compos$ /udies1 viol9 solos1 piano pieces & songs4 ,eck1 ,joh4 ,fri$ri*1 born #agff1 at ,mannheim1 date ( dea? n kn[n2 "o ( ! be/ #ah? c5tury play]s2 liv$ 9 ,muni* & ,p>is4 ,8 bro!r ,eck1 ,franz1 born #aggd1 at ,mannheim1 0 ,spohr's in/ructor1 memb] ( ! ,muni* or*e/ra1 & viol9i/ at ! ,imp]ial ,c\rt 9 ,/4 ,pet]sburg2 he di$ insane at ,bamb]g 9 #ahji4 ,ei*horn1 ,ern/ & ,edu>d 7bro!rs71 born ,april #cj? #ahbb1 & ,oct4 #ag? #ahbc1 respectively1 appe>$ z prodigies f #ahbi to #ahce4 ,bo? f\nd positions 9 ! ,coburg or*e/ra4 ,ern/ di$ ,june #af? #ahdd4 ,ern/1 ,he9r4 ,wilh41 born #ahad1 at ,brnn1 di$ ,oct4 #h? #ahfe1 at ,nice2 pupil ( ,mays$]2 0 mo/ly occupi$ 9 mak+ conc]t t\rs1 ev]y:]e caus+ a pr(\nd s5sation4 ,compos$1 among/ o!r pieces1 a conc]to pa?tique1 ,elegy1 8,otello0 fantasia1 & ,hung>ian v>iations4 ,f]r>i1 ,dom5ico1 born at ! beg9n+ ( ! #ah? c5tury2 pupil ( ,t>t9i4 ,he pass$ 9 ,vi5na = a great viol9i/1 also ex]cis+ 8 pr(ession 9 ,/uttg>t & ,p>is4 ,9 #aghj he 0 murd]$4 ,fiorillo1 ,f$]igo1 born #agec1 at ,brunswick1 date ( dea? n kn[n4 ,8 #cf viol9 ,caprices are celebrat$4 ,fis*]1 ,johann1 born 9 ! middle ( ! #ag? c5tury1 9 ,swabia1 0 "o ( ! fir/ ,g]man viol9i/s :o made a reputation4 ,he 01 at ! beg9n+ ( ! #ah? c5tury1 ,capellmei/] at ,s*w]91 & di$ 9 #agba z ,capellmei/] to ! ,m>grave at ,s*w$t4 ,fleis*hau]1 ,f41 born ,july #bd? #ahcd1 at ,weim>1 pupil ( ,joa*im & ,laub1 s9ce #ahfe ,c\rt lead] at ,me9+54 ,fonta9e1 ,anto9e ,nicolas ,m>ie1 born #aghe1 at ,p>is2 pupil ( ,kreutz]2 travell$ mu*1 & liv$ 9 ,p>is s9ce #ahbe4 ,frnzl1 ,ignaz1 born ,june #crd #agcf1 at ,mannheim1 di$ #ahjc2 0 lead] 9 ! ,electoral or*e/ra2 an accompli%$ or*e/ral play]4 ,8 son & pupil ,frnzl1 ,f]d9&1 born ,may #bd? #aggj1 at ,s*wetz+51 di$ #ahcc1 at ,mannheim1 0 m celebrat$ ?an 8 fa!r4 ,ganz1 ,leopold1 born ,nov4 #bh? #ahaj1 at ,may5ce1 di$ ,june #ae? #ahfi1 at ,b]l91 0 lead] 9 ! ,b]l9 ,c\rt or*e/ra4 ,gav9is1 ,pi]re1 born ,may #aa? #agbf or #agbh1 at ,bordeaux1 di$ ,sept4 #i? #ahjj1 at ,p>is4 ,he wrote /udies1 notably 8,les #bd mat9es04 7,8 fa!r1 ,franois ,gav9is1 0 a viol9 mak]1 & 01 9 #agfb1 dean ( ! ,p>is ,viol9 ,mak]s' ,guild4 ,tr47 ,gem9iani1 ,francesco1 born t[>ds ! end ( ! #ag? c5tury1 at ,lucca1 di$ ,dec4 #agfb1 at ,dubl91 0 "o ( ,corelli's mo/ fam\s pupils4 ,g4 br\ght out ! e>lie/ ,italian viol9 me?od1 :i* became 9 great reque/1 & by :i* ! ess5tial features ( ,corelli's /yle h be5 h&$ d[n to ! pres5t day4 ,! be/ ( 8 viol9 sonatas h be5 publi%$ 9 ,g4 ,j5s5's 8,classis*e ,viol9 ,musik04 ,gi>d9i1 ,felice1 born ,april #ab? #agaf1 at ,tur91 di$ ,dec4 #ag? #agif1 at ,mosc[4 ,he t\r$1 ) brilliant success1 9 ,g]many & ,engl&1 became or*e/ral conductor1 & lat] !atre director1 9 :i* capacity1 h[ev]1 he _h no success4 ,gomp]tz1 ,ri*>d1 born ,april #bg? #ahei1 at ,cologne2 pupil !re ( ,knigsl[ & ,joa*im2 n[ pr(essor 9 ! ,royal ,college ( ,music1 ,london4 ,graun1 ,j4 ,gottlieb1 born at ! comm5cem5t ( ! #ah? c5tury1 di$ ,oct4 #bg? #agga 7bro!r ( ,he9ri* ,graun1 ! compos] ( 8,d] ,tod ,jesu071 0 lead] 9 ! ,c\rt or*e/ra1 ,b]l94 ,grnb]g1 ,max1 born ,dec4 #e? #ahej1 at ,b]l94 ,he 0 solo viol9i/ at ,me9+5 "u ,bl[1 lead] & tea*] 9 ! ,sond]%aus5 ,cons]vatorium1 !n at ,prague1 & n[ lives 9 ,b]l91 :]e he has f\nd$ a ,cons]vatorium2 is a celebrat$ tea*]4 ,hab5eck1 ,franois ,anto9e1 born ,june #a/ #agha1 at ,mezi]es1 di$ ,feb4 #h? #ahdi1 ,p>is2 pupil ( ,baillot 9 ,p>is4 ,he 0 memb] ( ! or*e/ra1 & subsequ5tly conductor1 at ! ,gr& ,opra1 !n became conc]t conductor1 9 :i* capacity he introduc$ ,bee?ov5's symphonies to ! ,p>isians4 ,f\nd] ( ! celebrat$ ,cons]vatoire conc]ts4 ,haddock1 ,edg>1 born 9 ,le$s1 #ahfb1 taught by 8 fa!r2 appe>$ 9 public at ! age ( six4 ,orig9ator ( ! ,le$s ,musical ,ev5+s4 ,halir1 ,k>l1 born ,feb4 #a/ #ahei1 at ,hoh5elbe 9 ,bohemia2 pupil ( ,prague ,cons]vatorium & ( ,joa*im4 ,he 0 soloi/ 9 ,bilse's or*e/ra1 lead] at ,mannheim & n[ at ,weim>4 ,hnfle91 ,georg1 born ,m>* #ag? #ahdh1 at ,breslau2 pupil ( ,david & ,joa*im2 lead] at ! ,royal !atre1 ,hanov]4 ,hann1 ,w4 ,h41 born ,may #cj? #ahca2 musician 9 ord9>y to ! ,que54 ,8 five sons receiv$ _! education fir/ z *oir boys at ! ,*apel ,royal1 aft]w>ds all /udy+ ! viol9 or 'cello at ! ,royal ,academy ( ,music4 ,brahms' ,se/ett = /r+s 0 p]=m$ 9 ,london1 #ahhh1 entirely by ?is musical family4 ,haus]1 ,miska1 born #ahbb1 at ,pressburg1 di$ ,dec4 #h? #ahhg1 ,vi5na2 pupil ( ,bhm & ,mays$] 9 ,vi5na2 travell$ ne>ly all ov] ! _w4 ,a few ( 8 compositions are 9 vogue1--e4 g41 ,! ,bird 9 ! ,tree1 & ,li$] ohne ,worte4 ,heckmann1 ,rob]t1 born ,nov4 #crd #ahdh1 at ,mannheim1 di$ ,nov4 #bi? #ahia1 ,glasg[2 pupil ( ,beck] & ,david4 ,he 0 lead] at ! ,eut]pe1 ,leipsic1 & at ! t[n !atre 9 ,cologne2 !n travell$ z qu>tett play]1 w9n+ univ]sal recognition4 ,he]mann1 ,hugo1 born ,m>* #crd #ahdd1 at ,heilbronn2 pupil ( de ,briot2 0 lead] at ,frank=t1 & s9ce #ahgh pr9cipal viol9 tea*] at ,ho*'s ,cons]vatorium4 ,heg>1 ,fri$r41 born ,oct4 #aa? #ahda1 at ,basle1 pupil ( ,david2 ,conc]tmei/] ) ,bilse1 & at ,zuri*2 n[ director ( ! ,music ,s*ool !re4 ,hellmesb]g]1 ,georg1 born ,april #bd? #ahjj1 at ,vi5na1 di$ ,aug4 #af? #ahgc1 pupil ( ,bhm2 0 memb] ( ! ,imp]ial or*e/ra & tea*] 9 ! ,cons]vatorium4 ,8 elde/ son1 ,georg1 born #ahbh1 0 lead] at ,hanov]1 :]e he di$ 9 #ahec4 ,8 y\ng] bro!r ,hellmesb]g]1 ,joseph1 born ,nov4 #crd #ahbi1 liv$ at ,vi5na z ,director ( ! ,cons]vatorium & ,c\rt-,capellmei/]4 ,he became v not$ z a qu>tett play]4 ,8 son ,joseph1 born #ahee1 0 f #ahgh solo viol9i/ 9 ! ,c\rt or*e/ra2 di$ ,oct4 #bd? #ahic4 ,h]mann1 ,fri$r41 born #ahbh1 at ,frank=t2 /udi$ at ! ,leipsic ,cons]vatorium2 = _m ye>s pr(essor 9 ! same1 & also1 up to #ahgf1 fir/ viola play] 9 ! ,gew&haus conc]ts4 ,he has writt5 *amb] music1 viol9 solos1 c41 besides arrang+ _m classical works = v>i\s comb9ations ( /r+$ in/rum5ts4 ,hess1 ,willy1 pupil ( ,joa*im1 0 lead] at ,frank=t & at ,rott]dam2 !n settl$ 9 ,man*e/] z solo viol9i/ 9 ,sir ,*>les ,hall's or*e/ra2 9 #ahie call$ to ,cologne z lead] 9 ! ,t[n ,or*e/ra & tea*] at ! ,cons]vatorium4 ,hilf1 ,arno1 born ,m>* #ad? #aheh1 /ud5t ( ! ,cons]vatorium1 ,leipsic1 until 8 #ag? ye>4 ,he 0 lead] at ,mosc[1 & 9 #ahhh at ,sond]%aus52 !n jo9$ ! ,gew&haus or*e/ra1 ,leipsic4 ,himmels/oss1 ,ri*>d1 born ,june #ag? #ahdc1 at ,sond]%aus52 pupil ( ,ulri* & ,joa*im2 lead] at ,breslau4 ,hollnd]1 ,gu/av1 born ,feb4 #ae? #ahee1 at ,leobs*tz1 ,silesia2 pupil ( ,david & ,joa*im2 0 lead] & tea*] 9 ,cologne ,cons]vatorium4 ,compos] ( ! 8,sp9n]li$01 & o!r pleas+ viol9 pieces4 ,jacobs51 ,he9r41 born ,jan4 #aj? #ahea1 at ,had]sleb52 pupil ( ,david & ,joa*im4 ,he 0 fir/ viol9i/ 9 ! ,leipsic ,gew&haus or*e/ra1 solo & *amb] music play] to ! ,du*ess ( ,anhalt-,b]nburg at ,ball5/$t1 & s9ce #ahgf tea*] at ! ,b]l9 ,high ,s*ool4 ,di$ #aija4 ,jacobson1 ,simon1 born ,dec4 #bd? #ahci1 at ,mitau2 pupil ( ,david2 lead] at ,brem5 & ,new ,york2 0 aft]w>ds tea*] at ,c9c9nati1 & n[ lives at ,*icago4 ,janits*1 ,anton1 born #agec1 9 ,switz]l&1 di$ #ahab1 z ,capellmei/] to ,c\nt ,burg-,/e9fur?2 pupil ( ,pugnani at ,tur94 ,he 0 lead] at ,trves ) ,pr9ce ,wall]/e9-tt+51 & conductor at ! !atre1 ,hanov]4 ,jansa1 ,leopold1 born #agif1 at ,wild5s*w]t 9 ,bohemia1 di$ ,jan4 #be? #ahge1 at ,vi5na4 ,8 compositions =m]ly enjoy$ mu* fav\r4 ,he liv$ 9 ,brunswick1 ,vi5na1 & ,london4 ,japha1 ,george1 born ,aug4 #bg? #ahce1 at ,knigsb]g1 di$ ,feb4 #be? #ahib1 ,cologne2 pupil ( ,s+]1 ,david & ,al>d2 lead] & tea*] 9 ,cologne ,cons]vatorium4 ,j5s51 ,gu/av1 born ,*ri/mas ,day1 #ahdc1 at ,knigsb]g2 pupil ( ,laub & ,joa*im2 di$ ,nov4 #bf?1 #ahie1 z pr(essor at ! ,cons]vatorium1 ,cologne4 ,he wrote or*e/ral works1 a viol9 sonata1 *amb] music1 c41 besides ably edit+ & arrang+ _m compositions ( ! old ma/]s = viol9 & piano 78,classis*e ,viol9 ,musik01 8,vortrags/udi501 c474 ,joa*im1 ,joseph1 ,pr(41 ,dr41 born ,june #bh? #ahca1 at ,kitse ne> ,pressburg2 pupil ( ,bhm 9 ,vi5na4 ,he 0 lead] at ,leipsic1 ,weim>1 & ,hanov]2 subsequ5tly director ( ! ,high ,s*ool1 ,b]l94 ,he is ! fir/ among liv+ viol9i/s1 & has =m$ a l>ge numb] ( prom95t play]s4 ,kalliwoda1 ,johann ,w5zeslaus1 born ,feb4 #ba/ #ahja1 at ,prague1 di$ ,dec4 #crd #ahff1 at ,k>lsruhe2 conductor ( ,pr9ce ,fr/5b]g's or*e/ra at ,donaues*+54 ,9 addition to viol9 pieces1 he wrote symphonies & ov]tures4 ,kes1 ,willem1 born ,feb4 #af? #ahef1 at ,dordre*t2 pupil ( ,david & ,joa*im4 ,he 0 lead] at ,am/]dam1 & ,capellmei/] at ,dordre*t1 & s9ce #ahhc conductor at ,am/]dam4 ,kiesewett]1 ,*r4 ,gottfri$1 born ,dec4 #bd? #aggg1 at ,ansba*1 di$ ,sept4 #bg? #ahbg1 ,london2 liv$ successively 9 ,am/]dam1 ,old5burg1 ,hamburg1 ,hanov] & ,london4 ,kmpel1 ,augu/1 born ,aug4 #ah? #ahca1 at ,brck5au2 pupil ( ,spohr1 ,david & ,joa*im2 lead] at ,weim>1 retir$ on a p5sion 9 #ahhd1 di$ ,april #g? #ahia1 ,weim>4 ,knigsl[1 ,otto von1 born ,nov4 #ad? #ahbd1 at ,hamburg2 pupil ( ,pacius & ,hafn]1 aft]w>ds ( ,david4 ,f #aheh-ahha1 he 0 lead] at ,cologne & tea*] at ! ,cons]vatorium1 b resign$ ! =m] po/ on acc\nt ( a bad arm2 receiv$ ! title ( ,pr(essor1 & remov$ to ,bonn4 ,di$ #ahih4 ,kopecky1 ,ottok>1 born ,april #bh? #ahej1 at ,*otebor 9 ,bohemia2 pupil ( ,b5newitz 9 ! ,prague ,cons]vatorium4 ,he 0 lead] at ! t[n !atre1 ,brnn1 at ! ,moz>teum1 ,salzburg1 & 9 ! ,sond]%aus5 ,c\rt or*e/ra1 :]e he receiv$ 9 #ahha ! title ( 8,kamm]virtuos04 ,he n[ lives 9 ,hamburg z soloi/ & tea*]4 ,kotek1 ,joseph1 born ,oct4 #be? #ahee1 at ,kam5ez-,podolsk 9 ,russia1 di$ ,jan4 #d? #ahhe1 ,davos2 pupil ( ,laub & ,joa*im2 tea*] at ! ,b]l9 ,high ,s*ool4 ,kreutz]1 ,rudolph1 born at ,v]sailles1 ,nov4 #af? #agff1 di$ ,june #f? #ahca1 ,g5eva4 ,he 0 a fam\s virtuoso1 pr(essor 9 ! ,p>is ,cons]vatoire1 & compos$ mu*4 ,8 #db ,/udies /ill rema9 at ! head ( all /udies1 & h pass$ ?r\gh _m editions4 7,bee?ov5's gr&e/ viol9 sonata1 ,op4 #dg1 is d$icat$ to him1 al?\gh x is said he nev] play$ x4 ,tr47 ,kruse1 ,j4 ,s41 born ,m>* #bcrd #ahei1 at ,melb\rne2 pupil ( ,joa*im 9 ,b]l91 lead] 9 ! ,philh>monic !re1 & s9ce #ahib at ,brem54 ,kudelski1 ,c>l ,mat?ias1 born ,nov4 #ag? #ahjh1 ,b]l91 di$ ,oct4 #crd #ahgg1 ,bad5-,bad52 pupil ( ,ed4 ,rietz & ,lafont2 liv$ 9 ,b]l91 ,russia1 ,hamburg & ,bad5-,bad54 ,lacroix1 born #agef1 at ,remb]ville1 di$ #ahab1 z music director at ,lbeck4 ,lafont1 ,*as4 ,philippe1 born ,dec4 #agha1 at ,p>is1 di$ ,aug4 #ad? #ahci2 pupil ( ,kreutz] & ,rode2 he made _m conc]t t\rs1 & compos$ mu*4 ,held appo9tm5ts 9 ,/4 ,pet]sburg & ,p>is4 ,lalo1 ,ed41 born #ahbc1 at ,lille1 di$ ,april #bbnd #ahib1 ,p>is2 /ud5t at ! ,cons]vatoire4 ,he 0 qu>tett play] 9 ,p>is1 & !n busi$ himself *iefly 9 composition4 ,lamotte1 ,franz1 born #agea1 ,vi5na or 9 ! ,ne!rl&s1 di$ #agha1 9 ,holl&4 ,he 0 a great virtuoso & sight-read]1 b 9 consequ5ce ( 8 loos5ess ( conduct c\ld make no position4 ,lam\reux1 ,*as41 born ,sept4 #bh? #ahcd1 at ,bordeaux2 /udi$ 9 ! ,p>is ,cons]vatoire1 he 0 viol9i/ 9 v>i\s ,p>isian !atres1 aft]w>ds conductor1 & has r5d]$ great s]vice by introduc+ ,g]man compositions into ,france4 ,laub1 ,f]d41 born ,jan4 #ai? #ahcb1 at ,prague1 di$ ,m>* #ag? #ahge1 at ,gries ne> ,botz52 pupil ( ,mildn] at ,prague2 0 lead] at ,weim>1 ,b]l9 & ,mosc[4 ,8 ,polonaise = ! viol9 is well kn[n4 ,laut]ba*1 ,joh4 ,*r41 born ,july #bd? #ahcb1 at ,culmba*2 pupil ( ,frhli* at ,wurzburg1 & de ,briot at ,brussels4 ,he 0 lead] at ,muni*1 aft]w>ds at ,dresd5 7p5sion$ #ahhi71 & taught 9 ! ,dresd5 ,royal ,cons]vatorium until #ahgg4 ,leclair1 born #afig1 at ,lyons1 0 murd]$ 9 ,p>is1 ,oct4 #bbnd #agfd2 lab\r$ *iefly z tea*] & compos] = 8 in/rum5t4 ,8 compositions h appe>$ 9 v>i\s editions1 "s ( 8 be/ sonatas 9 ,g4 ,j5s5's 8,classis*e ,viol9 ,musik04 ,leon>d1 ,hub]t1 born ,april #g? #ahai1 at ,bellaire1 ,belgium1 di$ ,may #f? #ahij1 ,p>is2 pupil ( ,hab5eck 9 ,p>is4 ,he 0 = a long p]iod a tea*] 9 ,brussels ,cons]vatoire1 !n resid$ 9 ,p>is4 ,he produc$ a viol9 s*ool1 besides /udies4 ,lip9ski1 ,c>l ,joseph1 born #agij1 at ,radzyn 9 ,pol&1 di$ ,dec4 #af? #ahfa1 9 ,galicia4 ,he travell$ mu* z a virtuoso1 0 f #ahch-ahei lead] 9 ! ,royal or*e/ra1 ,dresd54 ,8 ,milit>y ,conc]to is ! be/ kn[n among 8 writ+s4 ,locatelli1 ,pietro1 born #afic1 at ,b]gamo1 di$ #agfd1 ,am/]dam2 pupil ( ,corelli2 0 reg>d$ 9 8 day z a great virtuoso4 ,he produc$ 8,l',arte del ,viol9o01 conc]tos & sonatas4 ,lolli1 ,antonio1 born ab\t #agcj1 ,b]gamo1 di$ #ahjb1 ,naples1 01 next to ,locatelli1 ! *ief f\nd] ( pure virtuosity1 & ow$ 8 success to 8 te*nique alone4 ,( 8 arti/ic developm5t !re is little to be said4 ,lotto1 ,isidor1 born ,dec4 #bbnd #ahdj1 at ,w>saw2 pupil ( ,mass>t 9 ,p>is4 ,he 0 tea*] 9 ,/rasburg ,cons]vatorium1 !n 9 t ( 8 native t[n4 ,8 8,fileuse0 is well kn[n4 ,lub91 ,leon de ,/41 born ,july #h? #ahje1 at ,tur91 di$ ,feb4 #ah? #ahej2 pupil ( ,spohr2 0 lead] at ! ,knig/dt] !atre1 ,b]l94 ,m>sick1 ,m>t9 ,pi]re ,joseph1 born ,m>* #i? #ahdi1 at ,lige2 pupil ( ,leon>d1 ,mass>t & ,joa*im4 ,he made himself kn[n ?r\gh sev]al conc]t t\rs 9 ,france1 ,engl&1 ,g]many1 c41 !n settl$ 9 ,p>is s9ce #ahib z viol9 pr(essor at ! ,cons]vatoire4 ,mass>t1 ,joseph ,lamb]t1 born ,july #ai? #ahaa1 at ,lige3 di$ ,feb4 #ac? #ahib1 ,p>is2 pupil ( ,kreutz]4 ,s9ce #ahdc1 he 0 tea*] 9 ,p>is ,cons]vatoire2 taught ,wi5iawski & ,lotto4 ,mat?i1 ,he9r4 ,aug41 born ,oct4 #crd #agha1 ,dresd51 di$ #ahce1 at ,leipsic1 :]e he 0 lead] at ! ,gew&haus2 pupil ( ,kreutz]4 ,maur]1 ,ludwig ,wilh41 born ,feb4 #h? #aghi1 at ,potsdam1 di$ ,oct4 #be? #ahgh1 at ,/4 ,pet]sburg1 :]e he _h liv$ s9ce #ahcb1 hav+ be5 previ\sly lead] 9 ,hanov]4 ,8 conc]to = #d viol9s is well kn[n4 ,mays$]1 ,joseph1 born ,oct4 #bf? #aghi1 at ,vi5na1 di$ !re ,nov4 #ba/ #ahfc2 pupil ( ,s*uppanzigh2 0 lead] 9 ! ,imp]ial or*e/ra4 ,he compos$ _m viol9 pieces1 qu>tetts1 c4 ,mazas1 ,jacques ,frol1 born ,sept4 #bcrd #aghb1 at ,bezires1 di$ #ahdi2 pupil ( ,baillot2 0 tea*] 9 ,p>is ,cons]vatoire4 ,me]ts1 ,lamb]t ,joseph1 born #ahjb1 ,brussels1 di$ !re ,may #ab? #ahfc2 pupil ( ,hab5eck1 ,lafont & ,baillot2 taught 9 ! ,brussels ,cons]vatoire4 ,he publi%$ a viol9 s*ool1 & /udies4 ,me/r9o1 ,nicolo1 born #agdh1 at ,naples1 di$ #agij1 ,p>is1 z lead] ( ! or*e/ra at ! ,opra ,itali54 ,he began z a /reet play]1 und]w5t imprisonm5t on acc\nt ( "s fooli% prank1 & dur+ 8 conf9em5t advanc$ 8 te*nique4 ,mey]1 ,waldem>1 born ,feb4 #d? #ahec1 at ,b]l92 pupil ( ,joa*im1 0 f #ahgc-ahha fir/ viol9i/ 9 ! ,c\rt or*e/ra1 ,b]l91 !n w5t on t\r4 ,8 bro!r ,felix is ,royal ,kamm]virtuos1 & an accompli%$ viol9i/4 ,milanollo1 ! si/]s ,!rese & ,m>ia1 born ,aug4 #bh? #ahbg1 & ,june #ai? #ahcb1 respectively1 at ,savigliano ne> ,tur94 ,!y 7 reg>d$ z juv5ile prodigies dur+ ! ye>s #ahci-ahdf4 ,! y\ng] di$ 9 #ahdh 9 ,p>is1 ! eld] retir$ into private life 9 #aheg4 ,mildn]1 ,moritz1 born #ahac1 at ,turnitz1 ,bohemia1 di$ ,dec4 #d? #ahfe2 0 tea*] 9 ,prague ,cons]vatorium1 & lead] at ! !atre4 ,molique1 ,wilhelm ,b]nh>d1 born ,oct4 #g? #ahjb1 at ,nuremb]g1 di$ ,may #aj? #ahfi1 at ,cann/adt2 pupil ( 8 fa!r & ( ,spohr4 ,he 0 lead] at ,muni* & ,/uttg>t1 made _m conc]t t\rs1 & compos$ _m viol9 pieces1 c4 7,8 #e? conc]to has be5 frequ5tly play$ by ,mr4 ,c>rodus1 & 8 oratorio 8,abraham0 01 = a "t1 9 fav\r4 ,tr47 ,mori1 ,nicolas1 born 9 ,london1 #agic1 di$ ,june #ah? #ahci2 ( ,italian orig92 he occupi$1 = ne>ly #cj ye>s1 a prom95t position 9 ,engl& z a viol9i/4 ,he 0 also a music publi%]4 ,ms]1 ,c>l1 born ,jan4 #bd? #aggd1 at ,b]l91 di$ !re ,jan4 #bg? #ahea4 ,he 0 employ$ at int]vals 9 ! ,b]l9 ,c\rt or*e/ra1 be+ appo9t$ ,royal ,capellmei/] 9 #ahdj4 ,8 son ,ms]1 ,augu/1 born ,dec4 #bj? #ahbe1 ,b]l91 pupil ( 8 fa!r & ( de ,briot1 liv$ = _m ye>s 9 ,s\? ,am]ica1 & di$ on a conc]t t\r !re1 #ahei4 ,moz>t1 ,leopold1 born ,nov4 #ad? #agai1 at ,augsburg1 di$ ,may #bh? #aghg1 at ,salzburg1 :]e he 0 ,vice-,capellmei/]4 ,publi%$ "o ( ! e>lie/ viol9 me?ods4 ,mhlmann1 ,ern/ ,r41 born ,june #e? #ahef1 at ,kl+5?al1 ,saxony2 pupil ( ,david & ,rntg5 at ,leipsic ,cons]vatorium4 ,9 #ahge appo9t$ soloi/ to ! ,du*ess ( ,anhalt-,b]nburg1 at ,ball5/$t2 #ahgf-ahgh at ! t[n !atre1 ,leipsic3 until #ahhb1 lead] 9 ,laub's or*e/ra at ,hamburg2 until #ahhd1 lead] 9 ,neumann's ,wagn] ,t\r2 s9ce !n1 lead] ,hamburg t[n !atre4 ,mll]1 ,c>l ,fri$r41 born ,nov4 #aa? #agig1 at ,brunswick1 di$ ,april #d? #ahgc2 pupil ( ,ms] at ,b]l94 ,he 0 lead] 9 ! celebrat$ qu>tett =m$ by ! bro!rs ,mll]1 & 9 ! ducal or*e/ra4 ,na*z1 ,tivad>1 born ,may #a/ #ahei1 at ,pe/h2 /udi$ at ! ,prague ,cons]vatorium & "u ,joa*im4 ,he has made _m t\rs z virtuoso1 b lives *iefly 9 ,london4 ,n>d9i1 ,pietro1 born #agbb1 at ,fibiana1 di$ #agic1 at ,flor5ce1 pupil ( ,t>t9i4 ,f #agec-agfg he 0 memb] ( ! ,wrtemb]g ,c\rt or*e/ra1 ,/uttg>t2 !n solo play] at ! ,flor5t9e ,c\rt4 ,a few ( 8 sonatas are /ill p]=m$4 ,n>et-,kon+1 ,joh4 ,jos4 ,david1 born ,feb4 #be? #ahch1 at ,am/]dam2 pupil ( ,david1 #ahei-ahgj lead] at ,mannheim1 !n at ,frank=t4 ,n]uda1 ,wilma ,m>ia ,franziska 7,lady ,hall71 born ,m>* #ba/ #ahdj1 at ,brnn2 pupil ( h] fa!r & ( ,jansa2 f\nd h] vocation 9 conc]t t\rs1 n[ lives 9 ,london4 7,lady ,hall has be5 = _m ye>s associat$ ) ! ,monday ,popul> ,conc]ts1 & h] excell5t example has und\bt$ly giv5 a great /imulus to ! /udy ( ! viol9 9 ,engl& by ladies4 ,tr47 ,ole ,bull1 born ,feb4 #e? #ahaj1 at ,b]g52 a self taught viol9i/1 :o made _m conc]t t\rs1 among/ o!rs ?ree times to ,am]ica4 ,f a musical po9t ( view 8 compositions are unimportant1 correspond+ to 8 play+1 & only calculat$ = ! production ( virtuoso effects4 7,ole ,bull di$ ,aug4 #ag? #ahhj1 9 ,norway4 ,8 fir/ appe>ance 9 ,london 0 9 #ahcf4 ,tr47 ,ondricek1 ,franz1 born #ahfc1 at ,prague2 pupil ( ,b5newitz & ,mass>t2 9 #ahhb visit$ ,g]many dur+ 8 conc]t t\rs4 ,play$ 9 ,london #ahie4 ,pagan9i1 ,nicolo1 baptiz$ ,oct4 #bg? #aghb1 ,g5oa1 di$ ,may #bg? #ahdj1 ,nice4 ,! mo/ tal5t$ & gift$ viol9i/ t ev] liv$2 9 e respect an orig9al1 a speciality4 ,ab\t 8 c>e] ! mo/ romantic /ories ( adv5ture 7 circulat$1 to :i* 8 fanta/ic1 almo/ gho/ly1 appe>ance gave rise4 ,( 8 compositions1 ! conc]tos & #bd ,caprices are be/ kn[n4 ,pap9i1 ,guido1 born at ,camagiore ne> ,flor5ce1 ,aug4 #a/ #ahdg2 pupil ( ,giorgetti4 ,= sev]al ye>s he 0 director ( ! ,flor5t9e ,societ del ,qu>tetto2 n[ pr9cipal pr(essor at ! ,royal ,iri% ,academy4 ,writ] ( a me?od & _m effective pieces = 8 in/rum5t4 ,petri1 ,h5ri ,wilh41 born ,april #e? #ahef1 at ,ley/ ne> ,utre*t2 pupil ( ,joa*im2 0 lead] at ,sond]%aus51 ,hanov] & ,leipsic1 !n 9 ! ,dresd5 ,royal or*e/ra4 ,pi*l1 ,w5selaus1 born #agda1 at ,be*9 9 ,bohemia1 di$ #ahje 78 #ahjd71 at ,vi5na2 pupil ( ,ditt]sdorf & ,n>d9i2 liv$ 9 ,vi5na & ,italy4 ,pis5del1 ,joh4 ,georg1 born ,dec4 #bf? #afhg1 at ,c>lsburg1 di$ ,nov4 #be? #agee1 at ,dresd52 pupil ( ,torelli & ,vivaldi4 ,he 0 useful 9 promot+ viol9 play+ at ,dresd51 :]e he 0 lead]2 9 p>ticul>1 he obta9$ f ! viol9s 9 ! or*e/ra great equality 9 play+4 ,pixis1 ,fri$4 ,wilh41 born #aghf1 at ,mannheim1 di$ #ahdb1 at ,prague1 :]e he taught 9 ! ,cons]vatorium4 ,pollitz]1 ,adolphe1 born at ,buda-,pe/h1 9 #ahcb2 /udi$ "u ,bhm 9 ,vi5na ,cons]vatorium4 ,0 aw>d$ ,fir/ ,prize 9 #ahdf1 & w5t on t\r ?r\gh ,g]many4 ,he settl$ 9 ,london 9 #ahej1 became pr9cipal viol9 at ,cov5t ,g>d51 ! ,wagn] & ,g\nod ,conc]ts1 & ! ,alb]t ,hall ,*oral ,society4 ,he has be5 = _m ye>s pr9cipal viol9 tea*]1 & s9ce #ahij co-director1 ( ! ,london ,academy ( ,music4 ,di$ #aijj4 ,pott1 ,aug41 born ,nov4 #g? #ahjf1 at ,nordheim1 di$ ,aug4 #bg? #ahhc1 at ,gratz2 pupil ( ,spohr2 0 ,c\rt ,capellmei/] at ,old5burg until #ahfa1 !n liv$ at ,gratz4 ,prill1 ,c>l1 born ,oct4 #bbnd #ahfd1 at ,b]l92 pupil ( ,joa*im4 ,he 0 solo viol9i/ "u ,bilse1 lead] at ,pawl[sk1 !n at ,magdeburg2 s9ce #ahia1 9 ! ,gew&haus or*e/ra1 ,leipsic4 ,prume1 ,franois1 born ,june #e? #ahaf1 at ,/avelot 7,belgium71 di$ !re ,july #ad? #ahdi2 pupil ( ,hab5eck4 ,0 tea*] 9 ,lige ,cons]vatoire1 & travell$ mu*4 ,( 8 compositions1 8,mlancolie0 0 =m]ly a great fav\rite4 ,pugnani1 ,gaetano1 born #agbg1 di$ #ahjc1 at ,tur92 pupil ( ,t>t9i4 ,he travell$ a great deal1 & 0 f #aggj until 8 demise lead] at ! ,tur9 ,c\rt !atre4 ,he tra9$ ,viotti1 among/ o!rs4 ,rab1 ,aug41 ,vice-,conc]tmei/] at ! ,leipsic !atre & ,gew&haus or*e/ra2 also lead] at ! ,eut]pe4 ,ralph1 ,francis1 born #ahdg1 di$ ,sept4 #h? #ahhg2 educat$ at ! ,r4 ,a4 ,m41 ,london1 :]e he became "o ( ! mo/ valu$ tea*]s4 ,rappoldi1 ,edu>d1 born ,feb4 #ba/ #ahci1 at ,vi5na2 pupil ( ,jansa & ,bhm4 ,he 0 lead] at ,rott]dam1 !n ,capellmei/] at ,lbeck1 ,/ett91 & ,prague1 next tea*] at ! ,b]l9 ,high ,s*ool2 !n lead] 9 ! ,c\rt or*e/ra1 ,dresd51 & s9ce #ahic tea*] at ! ,cons]vatorium !re4 ,di$ #aijc4 ,rehfeldt1 ,fabian1 born ,jan4 #bcrd #ahdb1 ,tu*el2 lead] 9 ! ,royal or*e/ra1 ,b]l91 s9ce #ahgc2 indu/ri\s compos]4 ,rem5yi1 ,edu>d1 born #ahcj1 at ,heves 9 ,hung>y2 /udi$ at ! ,vi5na ,cons]vatorium4 ,he int]rupt$ 8 arti/ic c>e] 9 ord] to take "p 9 ! ,hung>ian revolution & ?us came to be an ,adjutant ( ,grgey's4 ,he !n fl$ to ,am]ica1 liv+ subsequ5tly 9 ,weim>1 ,london1 ,/4 ,pet]sburg & ,p>is1 also 9 ,s\? ,africa1 return+ to ,europe 9 #ahib4 ,di$ ,san ,francisco1 #ahih4 ,ries1 ,hub]t1 born ,april #a/ #ahjb1 at ,bonn1 di$ ,sept4 #ad? #ahhf1 ,b]l92 pupil ( ,spohr2 0 lead] 9 ! ,royal or*e/ra1 ,b]l91 & produc$ _m works = viol94 ,8 son ,ries1 ,franz1 born #ahdf1 ,b]l92 pupil ( 8 fa!r1 & ( ,mass>t 7,p>is7 0 engag$ at ! ,italian ,op]a1 ,london1 z viol9i/1 b gave up p]=m+ 9 #ahgc on acc\nt ( a n]v\s affection ( ! arm1 & f\nd$ a music bus9ess 9 ,dresd54 ,he compos$ _m viol9 pieces & songs4 ,ries1 ,l\is1 bro!r ( ,franz1 0 born 9 ,b]l9 9 #ahcj4 ,he has occupi$ ! po/ ( #bnd viol9 at ! ,monday ,popul> ,conc]ts s9ce #aheg4 ,rietz1 ,edu>d1 born #ahja1 9 ,b]l91 di$ #ahcb1 bro!r ( a =m] ,dresd5 ,capellmei/]1 ,julius ,rietz2 0 memb] ( ! ,royal or*e/ra1 ,b]l94 ,rode1 ,pi]re1 born ,feb4 #bf? #aggd1 at ,bordeaux1 di$ !re ,nov4 #be? #ahcj2 pupil ( ,viotti2 taught 9 ! ,cons]vatoire1 ,p>is1 !n became solo play] 9 ,/4 ,pet]sburg4 ,8 compositions & 8 viol9 s*ool enjoy$ great fav\r4 ,romb]g1 ,&reas1 born ,april #bg? #agfg1 at ,ve*te1 di$ ,nov4 #aj? #ahba1 z ,c\rt-,capellmei/] at ,go?a2 0 previ\sly memb] ( ! or*e/ras 9 ,bonn & ,hamburg4 ,rntg51 ,engelb]t1 born ,sept4 #cj? #ahbi1 at ,dev5t]2 pupil ( ,david1 & aft]w>ds 8 successor z lead] 9 ! ,gew&haus or*e/ra1 ,leipsic1 9 :i* capacity he r5d]$ great s]vice 7he _h be5 a memb] ( ! same or*e/ra = ab\t half a c5tury74 ,di$ #ahig4 ,rosa1 ,c>l1 born ,m>* #ba/ #ahdb1 9 ,hamburg1 0 lead] !re f #ahfc to #ahfe2 !n made conc]t t\rs1 aft]w>ds becom+ op]a impres>io4 ,he di$ 9 ,p>is1 #ahhi4 ,sa9ton1 ,prosp] ,phil4 ,ca!r9e1 born ,june #e? #ahac ,t\l\se1 di$ ,oct4 #ag? #ahij1 ,london2 pupil ( ,hab5eck at ! ,p>is ,cons]vatoire4 ,he made conc]t t\rs ?r\gh\t ,europe1 !n 0 appo9t$ tea*] ( 8 in/rum5t at ! ,t\l\se s*ool ( music4 ,he visit$ ,london 9 #ahdd1 settl+ !re 9 #ahde z pr(essor at ! ,royal ,academy ( ,music1 a po/ :i* he held until 8 dea?4 ,he 0 also lead] 9 ! or*e/ras ( ,cov5t ,g>d5 ,!atre 7#ahdf-ahga7 & ( ,h] ,maje/y's 7#ahga-ahhj71 c4 ,he wrote two viol9 conc]tos1 besides solos4 ,salomon1 ,joh4 ,pet]1 born #agde1 at ,bonn1 di$ #ahae1 9 ,london2 made himself useful 9 produc+ ,haydn's works2 0 lead] 9 ,b]l91 !n liv$ 9 ,london4 ,s>asate1 ,pablo ,m>t9 ,meliton1 y ,navascues1 born ,m>* #aj? #ahdd1 at ,pampeluna 9 ,spa92 pupil ( ,al>d at ,p>is ,cons]vatoire2 ga9$ _w-wide celebrity ?r\gh 8 conc]t t\rs4 ,sauret1 ,emile1 born ,may #bbnd #aheb1 at ,dun-le-,roi 7,*]72 pupil ( de ,briot4 ,he t\r$ ) mu* success1 settl$ 9 ,b]l91 b 0 subsequ5tly call$ to ,london to succe$ ,m4 ,sa9ton z pr(essor at ! ,royal ,academy ( ,music4 ,s*nitzl]1 ,isidor1 born ,june #bnd #ahei1 ,rott]dam2 /udi$ at ,cologne ,cons]vatorium1 also "u ,wir?1 ,wi5iawski1 & ,joa*im2 t\r$ successfully 9 ,r\mania1 ,g]many1 ,am]ica & ,au/ralia4 ,s*radieck1 ,h5ry1 born ,april #bi? #ahdf1 at ,hamburg2 pupil ( ,leon>d & ,david4 ,he 0 lead] 9 ,brem5 & ,hamburg2 !n tea*] 9 ,mosc[ ,cons]vatoire2 9 a simil> capacity at ,leipsic 7#ahgd72 f #ahhc 9 ,c9c9nati1 b return$ to ,g]many 9 ,june #ahhi4 ,s*ro$]1 ,h]mann1 born ,july #bh? #ahdb1 at ,qu$l9burg2 0 soloi/ ) ,bilse 9 #ahff1 !n ) ! ,du*ess ( ,anhalt-,b]nburg4 ,he f\nd$ 9 #ahgj a music s*ool at ,b]l91 is also tea*] 9 ! ,royal ,high ,s*ool 7,*ur* music dep>tm5t71 & receiv$ ! title ( pr(essor 9 #ahhh4 ,wrote a prize me?od1 /udies1 !oretical works1 c4 ,s*ub]t1 ,franz1 born ,july #bbnd #ahjh1 9 ,dresd51 di$ !re #ahgh2 pupil ( ,rolla & ,lafont2 0 lead] 9 ! ,dresd5 ,c\rt or*e/ra4 ,s*uppanzigh1 ,ignaz1 born #aggf1 9 ,vi5na1 di$ !re #ahcj2 pupil ( ,wranitzky4 ,he 0 ! fir/ to introduce qu>tetts into public p]=mances sy/ematically1 ^! r5d]+s be+ held 9 high reg>d4 ,seifriz1 ,max1 born ,oct4 #i? #ahbg1 at ,rottweil1 di$ ,dec4 #bj? #ahhe1 ,/uttg>t4 ,he 0 ,capellmei/] 9 ! ,hoh5zoll]n-,heck+ ,c\rt or*e/ra2 liv$ s9ce #ahfi at ,/uttg>t1 & 0 appo9t$ ,c\rt-,capellmei/] !re 9 #ahga4 ,issu$1 jo9tly ) ,s+]1 a viol9 me?od4 ,seitz1 ,fritz1 born ,june #ab? #ahdh1 at ,gn!rsleb5 ne> ,go?a2 pupil ( ,ulri* at ,sond]%aus51 & ( ,laut]ba* 9 ,dresd52 0 lead] at ,sond]%aus51 at ,magdeburg1 & !n at ,dessau 9 ! ,c\rt or*e/ra4 ,s+]1 ,edmund1 born ,oct4 #ad? #ahca1 at ,totis 9 ,hung>y2 pupil ( ,bhm2 0 lead] at ,pe/h1 ,weim>1 & subsequ5tly ,/uttg>t2 ,pr(essor also 9 ! ,cons]vatorium !re4 ,sivori1 ,erne/o ,camillo1 born ,oct4 #be? #ahae1 at ,g5oa2 pupil ( ,pagan9i2 travell$ mu* z virtuoso1 & di$ 9 #ahid4 ,skalitzky1 ,ern/1 born ,may #cj? #ahec1 at ,prague2 pupil ( ,mildn] & ,joa*im4 ,he 0 f #ahgc-ahgi lead] 9 ! ,p>k or*e/ra1 ,am/]dam1 !n 9 a simil> capacity at ,brem54 ,soldat1 ,m>ie1 born ,m>* #be? #ahfd1 at ,gratz2 pupil ( ,pott & ( ,joa*im2 made successful conc]t t\rs4 ,spohr1 ,l\is1 born ,april #e? #aghd1 at ,brunswick1 di$ ,oct4 #bbnd #ahei1 at ,cassel2 pupil ( ,franz ,eck4 ,he 0 lead] at ,go?a & ,vi5na2 visit$ ,italy1 ,engl& & ,france2 became ,c\rt-,capellmei/] at ,cassel 9 #ahbb1 receiv+ a p5sion 9 #aheg4 ,spohr 0 equally celebrat$ z a viol9i/ & z a compos]4 ,8 mo/ di/+ui%$ pupils 7 ,leon de ,/4 ,lub91 ,ries1 ,david1 ,bott1 ,kmpel1 & ,pott4 ,/amitz1 ,joh4 ,c>l1 born #agai1 at ,deuts*brod 9 ,bohemia1 di$ #agfa1 at ,mannheim2 is reg>d$ z ! f\nd] ( ! ,g]man s*ool ( viol9 play+4 ,he 0 lead] at ,mannheim4 ,8 son ,/amitz1 ,c>l1 born ,may #g? #agdf1 at ,mannheim1 di$ #ahja1 at ,j5a2 0 lead] at ,mannheim1 f9ally music director at ,j5a4 ,/raus1 ,ludwig1 born ,m>* #bh? #ahce1 ,pressburg2 pupil ( ,hellmesb]g] & ,bhm 9 ,vi5na2 0 lead] at ,frank=t2 settl$ 9 #ahfd 9 ,london4 ,di$ #ahii4 ,/russ1 ,fritz1 born ,nov4 #bh? #ahdg1 at ,hamburg1 pupil ( ,au] & ,joa*im2 0 ,kamm]musikus 9 ,s*w]9 & 9 ,b]l91 subsequ5tly lead] 9 ! ,royal or*e/ra4 ,t>t9i1 ,giuseppe1 born ,april #ab? #afib1 ,pirano1 di$ ,feb4 #bf? #aggj1 ,padua1 ! greate/ executant & mo/ prolific compos] ( 8 "t4 ,he wrote hundr$s ( conc]tos & sonatas1 ( :i* ! 8,trillo del ,diavolo0 is ! mo/ celebrat$4 ,8 be/ sonatas are publi%$ 9 ,g4 ,j5s5's 8,classis*e ,viol9 ,musik04 ,telemann1 ,georg ,philipp1 born ,m>* #ad? #afha1 at ,magdeburg1 di$ ,june #be? #agfg1 at ,hamburg2 0 lead] at ,eis5a* & subsequ5tly ,capellmei/] !re2 !n conductor at ,hamburg4 ,?omson1 ,cs>1 born at ,lige1 ,m>* #ah? #aheg2 /udi$ "u ,jacques ,dupuis & ,leon>d4 ,hav+ acquir$ an exceptional te*nique1 he has t\r$ ) great success4 ,he 0 lead] ( ,bilse's or*e/ra1 ,b]l92 s9ce #ahhc1 tea*] at ! ,liege ,cons]vatoire4 ,tua1 ,t]es9a1 born ,may #bg? #ahfg1 at ,tur92 pupil ( ,mass>t 9 ,p>is2 "o ( ! mo/ popul> lady play]s ( ! pres5t "t4 ,ulri*1 ,ed41 born ,april #ab? #ahae1 at ,leipsic1 di$ ,nov4 #bf? #ahgd1 at ,/5dal2 pupil ( ,mat?i2 0 lead] at ,magdeburg & ,sond]%aus54 ,un?an1 a viol9i/ ( ! pres5t day des]v+ m5tion z a curiosity1 9 t hav+ no arms he plays ) 8 toes4 ,v]ac9i1 ,francesco ,m>ia1 born #afhd1 di$ #agei2 9 8 "t a not$ play] & compos]2 liv$ 9 ,italy1 ,engl&1 & ,dresd52 greatly influ5c$ ,t>t9i's developm5t4 ,"s ( 8 sonatas are publi%$ 9 ,g4 ,j5s5's 8,classis*e ,viol9 ,musik04 ,vieuxtemps1 ,h5ri1 born ,feb4 #bj? #ahbj1 at ,vi5na1 di$ ,june #f? #ahha1 at ,algi]s2 pupil ( de ,briot4 ,he visit$ ,g]many1 ,engl&1 ,france & ,russia2 0 nam$ virtuoso 9 *amb] music to ! ,russian ,c\rt 9 #ahdf1 resid$ 9 ,/4 ,pet]sburg until #aheb1 !n travell$ & visit$ ,am]ica1 liv+ subsequ5tly 9 ,frank=t1 ,p>is & ,brussels4 ,viotti1 ,giov4 ,batti/a1 born ,may #bcrd #agec1 at ,fontanelle1 di$ ,m>* #ac? #ahbd1 9 ,london2 pupil ( ,pugnani2 aft] ,corelli & ,torelli1 ! greate/ ,italian viol9i/ ( ! la/ c5tury4 ,he made ext5d$ conc]t t\rs1 z tea*] practis+ *iefly 9 ,p>is1 :]e he also conduct$ ! ,gr& ,opra = a brief p]iod4 ,walt]1 ,b5no1 born ,june #ag? #ahdg1 at ,muni*2 lead] 9 ! ,c\rt or*e/ra !re1 & tea*] at ! ,music ,s*ool4 ,wasielewski1 ,joseph ,w4 von1 born #ahbb1 at ,gross-,lees51 ne> ,dantzic4 ,he 0 educat$ at ! ,leipsic ,cons]vatorium1 :]e he ent]$ ! ,gew&haus or*e/ra2 !n1 aft] becom+ lead] at ,dusseldorf1 & conductor at ,bonn1 settl$ at ,sond]%aus54 ,he has made himself kn[n also z a writ] on musical subjects1 ?r\gh 8 biography ( ,s*umann1 8,! viol9 & its ma/]s01 8,! violoncello & its hi/ory01 c4 ,di$ #ahif4 ,web]1 ,miroslaw1 born ,nov4 #i? #ahed1 at ,prague2 0 memb] ( ! ,sond]%aus5 ,c\rt or*e/ra1 lead] & op]a conductor at ,d>m/adt1 & aft]w>ds 9 ! l capacity at ,wiesbad5 ,c\rt !atre4 ,wi5iawski1 ,h5ry1 born ,july #aj? #ahce1 at ,lubl91 di$ ,april #bnd #ahhj1 at ,mosc[2 pupil ( ,mass>t4 ,9 #ahfj he 0 entitl$ ,imp]ial ,russian ,kamm]virtuoso1 taught = five ye>s 9 ,/4 ,pet]sburg ,cons]vatoire1 travell$ a few ye>s 9 ,am]ica1 !n succe$$ to ,vieuxtemps' duties at ,brussels1 w5t aga9 on t\r1 dy+ 9 ,mosc[ ( he>t disease4 ,wilhelmj1 ,aug4 ,emil ,dan4 ,f]d41 born ,sept4 #ba/ #ahde1 at ,us+5 7,nassau72 pupil ( ,david2 und]took 8 fir/ conc]t t\r 9 #ahfe1 9 ,switz]l&4 ,9 ! foll[+ ye>s he visit$ ,holl&1 ,engl&1 c41 aft]w>ds liv+ ne> ,wiesbad51 ,blasewitz1 & 7#ahid7 ,london4 ,wippl+]1 ,paul ,c>l1 born ,july #g? #ahbd1 at ,halle2 0 lead] at ,aix1 & s9ce #ahfj at ,cassel4 ,wolff1 ,he9r41 born ,jan4 #a/ #ahac1 at ,frank=t2 s9ce #ahch lead] !re4 ,0 also a tal5t$ compos]4 ,wolff1 ,johannes1 born ,may #ahfb1 at ! ,hague2 /udi$ ) ,wir? 9 ,rott]dam1 & ,rappoldi 9 ,dresd51 subsequ5tly ga9+ ! premi] prix 9 ,p>is2 made 8 db at "o ( ,m4 ,pasdel\p's conc]ts2 t\r$ ?r\gh ! cont95t & settl$ 9 ,london4 ,ysaye1 ,eugne1 born at ,lige1 9 #aheh2 /udi$ ! viol9 f ! age ( five1 *iefly ) 8 fa!r4 ,he made ! acqua9tance ( ,wi5iawski 9 #ahgc1 & 0 invit$ by him to ,brussels4 ,t\r$ successfully ?r\gh ,europe1 & is also 9 ! front rank z tea*]2 lives 9 ,brussels4 ,zajic1 ,florian1 born ,may #d? #ahec1 at ,unhos*t 7,bohemia72 pupil ( ,mildn] & ,b5newitz 9 ! ,cons]vatorium1 ,prague4 ,9 #ahgj he became lead] at ,augsburg1 0 f #ahga-ahha 9 ! ,mannheim or*e/ra1 !n1 until #ahhj1 pr9cipal viol9 tea*] 9 ! ,cons]vatorium ( ,/rasburg4 ,f #ahhi he 0 fir/ tea*] at ,/]n's ,cons]vatorium1 ,b]l94 ,he has t\r$ ) success 9 ,g]many1 ,engl&1 ,france1 ,au/ria & ,switz]l&4 ,"s ,viol9i/s ( ! #bj ,c5tury4 ,hall1 ,m>ie1 born at ,newca/le-on-,tyne1 #ahhd1 /udi$ ) ,mossel1 ,kruse ,sevik2 made a successful db 9 ,london1 ,feb4 #af?1 #aijc4 ,heg$s1 ,f]5ez1 born at ,buda-,pe/h1 #ahha1 /udi$ ) ,hubay2 appe>$ 9 ,london1 ,june #aija4 ,kocian1 ,j>oslav1 born 9 ,bohemia1 #ahhd1 9 #ahif became a pupil ( ,sevik's1 visit$ ,london #aijb1 ) great success4 ,kreisl]1 ,fritz1 born at ,vi5na1 ,feb4 #bnd1 #ahge1 /udi$ !re1 lat] ) ,mass>t 9 ,p>is1 :]e at ! age ( #ab he won ! 8,premi] ,prix0 ( ! ,cons]vatoire4 ,introduc$ by ,ri*t]1 he made a highly successful appe>ance 9 ,london 9 #aijb4 ,kubelik1 ,johann1 born ,july #e?1 #ahhj1 at ,mi*le ne> ,prague1 pupil ( ,sevik1 introduc$ to ,engl& by ,ri*t] he became extremely popul> z a ,pagan9i play] ( exceptional te*nique4 ,pecskai1 ,l\is1 born ,july #bj1 #ahhj1 at ,buda-,pe/h1 admitt$ to ! ,academy !re by ! ,m9i/] ( ,public ,in/ruction at ! age ( #g1 visit$ ,london #ahif4 ,riv>de1 ,s]ge ,a*ille1 ( ,fr5* p>5tage1 9 #ahgi %>$ ) ,ondricek ! fir/ prize ( ! ,p>is ,cons]vatoire4 ,appe>$ ) success 9 ,london 9 #ahid4 ,sevik1 ,ottok>1 born #aheb 9 ,bohemia1 ent]$ ! ,prague ,cons]vatorium1 :]e he subsequ5tly became v fam\s z pr(essor ( ! viol94 ,au?or ( "s important /udies4 ,za*>ewit*1 ,mi*ael1 born at ,o/r[1 ,russia1 9 #ahgg2 /udi$ #e ye>s ) ,sevik1 appe>$ ) success 9 ,london 9 #aijc4 ,translator's ,app5dix4 ,! ,viola4 ,! t]ms 8,viola01 8,t5or01 8,brats*e01 8,alto01 & 8,qu9te01 are all us$ 9 diff]5t c\ntries to designate t memb] ( ! viol9 family :i* is tun$ a fif? l[] ?an ! viol94 ,9 ,engl& x is commonly kn[n z ! ,t5or1 f ! fact ( its play+ a "p 9 ! /r+ qu>tet analog\s to t ( ! t5or voice 9 relation to ! o!r voices 9 "p-s++4 ,9 ,italy x 0 t]m$ ! 8,viola di braccio0 to di/+ui% x f ! l>g] viols :i* re/$ on ! gr\nd or 7 support$ by be+ plac$ betwe5 ! p]=m]'s knees4 8,viola0 or 8,alto0 ! ,italians n[ t]m x1 ! music writt5 = x be+ 9 ! alto clef 7middle ,c on ! #c l9e73-- ,illu/ration ,! ,g]man t]m 8,brats*e0 is simply a corruption ( 8,braccio04 8,qu9te0 is ! "n by :i* x is usually call$ 9 ,france1 indicat+ t x is tun$ a fif? l[] ?an ! viol94 ,! tun+ is z foll[s3-- ,music3 #a #b #c #d ,a /r+ ,d /r+ ,g /r+ ,c /r+ ,! ,g & ,c are bo? cov]$ /r+s4 ,occasional high passages necessitate ! employm5t ( ! treble or 8viol90 clef4 ,al?\gh its ?ree upp] /r+s are id5tical 9 pit* ) ! ?ree l[e/ ( ! viol91 ! quality is q diff]5t1 ! viola be+ m re$y & p5etrat+4 ,?is is due to ! disproportion betwe5 ! deep] tun+ ( ! in/rum5t & its dim5sions1 :i* are only ab\t "o-sev5? great] ?an ^? ( ! viol94 ,t5ors 7 =m]ly made 9 sev]al sizes4 ,! pond]\s in/rum5ts ( ,gasp> da ,salo & o!r ,italian mak]s are ( great] int]e/ to collectors ?an ( practical utility1 requir+ arms ( exceptional l5g? to play !m4 ,! l>ge siz$ ,violas 7 kn[n z ! 8,viola t5ore01 & ! ord9>y siz$ in/rum5t z ! 8,viola alto01 & ! two _h (t5 sep>ate p>ts assign$ to !m 9 ! same composition1 d[n to ! "t ( ,h&el4 ,h5ce ! survival ( ! two names ,alto & ,t5or1 appli$ 9 our own day to ! same in/rum5t4 ,! ri* & sympa!tic quality ( tone ( ! viola r5d]s x em95tly suit$ = ! p]=mance ( ,nocturnes1 ,elegies1 & melodies ( a pa!tic or tragic "*4 ,"s beautiful compositions h be5 specially writt5 = x1 & x is to be regrett$ t ^! are s v seldom he>d 9 public4 ,f ! p5etrat+ "* ( ! tone1 new violas are inv>iably h>%] ?an new viol9s or violoncellos1 b =tunately sev]al good mak]s ( ! la/ c5tury h left a numb] ( in/rum5ts :i* h n[ become matur$1 & ! dem& be+ s mu* less ?an = viol9s1 a good m$ium siz$ viola may (t5 be obta9$ at ab\t half ! co/ ( a viol9 ( ! same quality4 ,mr4 ,h]mann ,ritt] ( ,heidelb]g has 9 rec5t ye>s endeav\r$ to revive ! l>ge t5or "u ! "n ( ,ritt]'s ,viola ,alta4 ,sev]al ( ^! in/rum5ts h be5 made1 & !y h be5 us$ ) good effect at ! ,bayreu? ,wagn] ,fe/ivals4 ,vidal's measurem5ts ( a ,/radiv>ius ,viola dat$ #agbc1 are z foll[s3-- 94 ,l5g? ( body 7f base ( button to tail p97 #af_/ ,bread? 7upp] b\ts7 #g_/ 0 7l[] 0 7 #i_/ 0 7inn] 0 7 #e_/ ,height ( ribs 7upp] b\ts7 #a_/ 0 0 0 7l[] 0 7 #a_/ ,,nb4 ,= ,guide ?r\gh ,viola ,lit]ature see page #agi4 ,,guide ,,?r\gh ,,viol9 ,,lit]ature4 ,! ,roman ,figures 7,i1 ,ia1 ,ib1 ,,ii1 etc47 indicate ! ,/eps to :i* ! respective works belong4 ,viol9 ,me?ods4 ,c\rvoisi]1 ,c4 ,viol9 ,s*ool4 7#gfjj a-c74 ,an elaborate me?od 9 ?ree p>ts1 ) five supplem5t>y p>ts con/itut+ a 8,s*ool ( ,velocity0 7#gfjc a-e71 ) copi\s explanations giv5 9 ,engli%1 ,g]man & ,fr5*4 ,david1 ,f4 ,viol9 ,s*ool4 ,h(mann1 ,r4 ,! ,fir/ ,in/ruction 9 ,viol9 ,play+1 complete 7#effh7 or 9 #b ,bks4 7#effh a1 b74 7,d] er/e ,unt]ri*t im ,viol9spiel47 ,op4 #ib4 ,! fir/ elem5ts are expla9$ 9 a v ?or\gh & sy/ematic mann]4 ,= "y amateurs x has moreov] ! advantage ( engag+ _! int]e/ by ! frequ5t use ( well kn[n melodies 9 ! places ( dry mean+less figures4 ,kays]1 ,h4 ,e4 ,popul> ,viol9 ,tutor 7,elem5t>y74 ,op4 #fe4 7#gfjf47 ,a cle> & sy/ematic prim] :i* leads ! pupil on by ! aid ( fav\rite melodies w be always attractive = "y beg9n]s4 ,mazas4 ,petite ,m?ode4 ,popul> ,in/ructor 9 ,viol9 ,play+ 7#b ,bks474 7#gfbc a1 b74 ,simple & progressive1 mak+ mu* use ( op]atic airs & national melodies4 ,ritt]1 ,e4 ,w4 ,practical ,s*ool 7#aj ,bks474 7#gfaj a-k74 ,! explanatory text is cle> & to ! po9t4 ,s*olz1 ,ri*>d4 ,s*ool ( ,arti/ic ,viol9 ,play+4 ,a !oretical & practical ,in/ruction ,book1 9 all matt]s relat+ to /yle1 = mod]ately advanc$ play]s4 ,op4 #i4 7#efha74 ,excell5t "w = /yle & phras+4 ,cle> & exhau/ive explanations ( e *apt] make ! "w p>ticul>ly useful1 especially = ^? :o h n ! opportunity = individual tea*+4 ,s*o51 ,m4 ,practical ,c\rse ( ,in/ruction 7#ab ,bks474 7#gfaa-bb74 ,spohr1 ,l4 ,viol9 ,s*ool4 ,?is monum5tal "w is ( great utility to advanc$ /ud5ts1 b is seldom us$ = beg9n]s by exp]i5c$ tea*]s1 ! ex]cises be+ n suffici5tly graduat$ z to difficulty4 ,s*rd]1 ,pr(4 ,c4 ,cate*ism ( ,viol9 & ,viola ,play+4 #c ,edition 7#ibab74 ,te*nical ,ex]cises4 ,casorti4 ,te*nique ( ! ,b[4 ,c\rvoisi]4 ,l'cole de la ,vlocit4 7#gfjc a1 b74 ,! ,s*ool ( ,velocity4 ,book #a1 ,sy/ematic ,f+] ,ex]cises4 ,book #b1 ,/udies ( ,scales & ,*ords 9 sy/ematic ord]4 ,dancla4 ,op4 #gd4 cole du ,mcanisme4 ,kreuz1 ,e4 ,scales & ,arpeggios 7#c ,bks474 7#effd a-c74 ,ltg51 ,h4 ,scales & ,ex]cises4 7#hffc74 ,ritt]4 ,scale & ,*ord ,ex]cises4 7#efgf74 ,wohlfahrt1 ,f4 ,daily ,ex]cises4 7#gfbd74 ,/udies4 ,/ep ,i4 ,fir/ position only1 & 9 easy keys4 ,bhm]1 ,c4 #ge ,ex]cises 9 ,intonation1 ?r\gh all keys4 ,op4 #ed4 7,e4 ,heim47 #b ,books4 7#efdc a1 b74 ,an excell5t "w greatly facilitat+ ! k ( extreme keys4 ,book #b belongs to ! next /ep4 ,c\rvoisi]1 ,c4 ,! ,s*ool ( ,velocity4 ,book ,i4 ,sy/ematic f+] ex]cises4 7#gfjc a74 ,ex]cises 9 all possible f+]+s ( ! fir/ position4 ,book ,,ii4 ,/udies ( ,scales & *ords 9 sy/ematic ord]4 7#gfjc b74 ,book ,,iii4 ,melodic ,/udies 9 ,major ,keys4 7#gfjc c74 ,books ,,iv & ,v belong to foll[+ /eps4 ,gradus ad ,p>nassum4 ,a ,collection ( ,/udies 9 progressive ord]1 select$1 c>efully revis$1 f+]$1 & edit$1 ) annotations & rem>ks by ,e4 ,heim3-- ,book ,i4 ,fir/ ,position4 #cj ,elem5t>y ,/udies 9 ! mo/ practicable major keys4 ,by ,al>d1 ,ba*1 ,corelli1 ,dont1 ,heim1 ,h]mann1 ,h(mann1 ,kays]1 ,kreuz1 ,ritt]1 ,spohr1 & ,/effani4 7#edga74 ,book ,,ii4 ,fir/ ,position4 #ah ,m advanc$ ,/udies 9 major & m9or keys4 ,easy d\ble-/opp+4 ,enh>monic *ange4 ,by ,ba*1 ,corelli1 ,h&el1 ,h]mann1 ,kreuz1 ,spohr1 & ,/effani4--,half ,position4 #af ,/udies1 *ang+ f ,fir/ to ,half ,position4 ,by ,al>d1 ,dont1 ,h]mann1 ,kreuz1 & ,wi*tl4 7#edgb74 #aj books ( ,graduat$ ,/udies revis$ by ,ern/ ,heim1 conta9+ all ! mat]ial = a s]i\s /udy ( ! ,viol91 ea* book correspond+ 9 difficulty ) ! same book ( 8 ,viol9 ,duets 7,ar5a71 see page #abj & 8 ,viol9 & ,piano pieces 7,palae/ra71 see pages #abh1 #abi4 ,h]+1 ,c4 ,op4 #af4 #be ,/udies = #b ,viol9s 9 all major & m9or keys2 revis$1 phras$1 & f+]$ by ,e4 ,heim4 ,! ,scales z conta9$ 9 #b ,viol9 "p to be play$ by ! /ud5t4 7#efah74 ,h]mann1 ,f4 ,le ,comm5cem5t de l',etude4 7#efab a1 b74 ,9 two books1 conta9+ famili> airs int]sp]s$ ) easy /udies1 ) a #b viol9 "p4 ,h(mann1 ,r4 ,! ,fir/ ,in/ruction 9 ,viol9 ,play+4 7,d] er/e ,unt]ri*t im ,viol9spiel47 ,op4 #ib4 #b ,books4 7#effh a1 b74 ,a ?or\gh elem5t>y c\rse lead+ on to ! foll[+ "w ( ! same au?or4 ,op4 #ij1 ,book ,i4 #hj ,melodic ,/udies4 7#efff a74 ,a well graduat$ c\rse4 ,book #b belongs to ! next grade1 & w\ld prove an excell5t prep>ation = ,kays]'s #cf ,/udies4 7#hffb a74 ,kreuz1 ,e4 ,progressive ,/udies4 ,op4 #cd1 ,bk4 #a4 7#effc a74 ,conta9s #dj progressive ex]cises gradually introduc+ ! notes ( ,c major 9 ! #a position4 ,scale & ,arpeggio ,manual = ! ,viol91 arrang$ ) a special view to ! requirem5ts ( c&idates at ! v>i\s ,local ,exam9ations1 by ,a4 ,lauba*4 7#efgb74 ,?is ,manual is writt5 = ,/ud5ts ( all ,grades4 ,popul> ,in/ructor 9 ,viol9 ,play+3-- ,"p ,i4 ,elem5t>y & ,fir/ ,position4 7#gfbc a74 ,s*n1 ,m4 ,practical ,c\rse ( ,in/ruction3-- ,"p ,i4 ,,abc ( ,viol9 ,play+4 ,introductory ,s*ool4 7#gfaa74 0 ,,ii4 ,fir/ ,/eps 9 practical ,viol9 ,play+4 0 ,,iii4 ,progressive ex]cises 9 ! fir/ position 0 ,,iv4 & 9 all ,scales4 ,9 #c ,books4 7#gfab-ad74 ,p>ts ,v to ,,xii belong to ! foll[+ ,grades4 ,/effani1 ,r4 #ab ,progressive ,/udies1 9 ! fir/ position4 7#efhc74 ,/ep ,,ii4 ,fir/ f\r ,positions4 ,al>d1 ,d4 ,op4 #aj4 tudes mlodiques et progressives4 7#efdj74 also ) #b ,viol9 9 #b ,books4 7#efjj a1 b74 ,bhm]1 ,c4 #ge ,ex]cises 9 ,intonation1 ?r\gh all keys4 ,op4 #ed4 7,e4 ,heim47 ,book #b4 7#efdc b74 ,c\rvoisi]1 ,c4 ,! ,s*ool ( ,velocity4 ,book ,,iv 7#ab ,melodic ,/udies 9 ! fir/ position1 ,m9or74 7#gfjc d74 ,dont1 ,j4 #bd ,ex]cices prp>atoires aux tudes de ,r4 ,kreutz] et ,p4 ,rode4 ,op4 #cg4 7#gfjd74 except ,nos4 #f1 #h1 #i & #ae :i* belong to ,/ep ,,iii4 ,gradus ad ,p>nassum4 ,a ,collection ( ,/udies 9 progressive ord]1 select$1 c>efully revis$1 f+]$1 & edit$1 ) annotations & rem>ks by ,e4 ,heim3-- ,book ,,iii4 ,fir/ ,position4 ,*ords & easy ,arpeggios4 ,*romatic ,passages4 ,second ,position4 ,*ang+ f ,fir/ to ,second ,position1 7,al>d1 ,dont1 ,heim1 ,h]mann1 ,h(mann1 ,hohmann1 ,kays]1 ,ritt]1 ,spohr1 ,/effani1 etc47 7#edgc74 ,book ,,iv4 ,?ird ,position4 ,*ang+ betwe5 ,fir/ & ,?ird ,positions4 ,portam5to & ,tremolo4 7,ba*1 de ,briot1 ,corelli1 ,dont1 ,fiorillo1 ,haydn1 ,h(mann1 ,kays]1 ,kreutz]1 ,mazas1 ,w5zel ,pi*l1 ,righ9i1 ,sc>latti1 ,spohr1 & ,wi*tl47 7#edgd74 ,graduat$ ,/udies revis$ by ,ern/ ,heim2 ea* book corresponds 9 difficulty ) ! same book ( 8 ,viol9 ,duets 8,ar5a01 see page #aba & 8 ,viol9 & pian(orte pieces 8,palae/ra01 see page #acc4 ,h]mann1 ,f4 ,op4 #bd1 ,bk4 #a4 #cj ,/udies 9 ! #a/ position4 7#efei74 also ) #b ,viol94 7#efac74 ,h(mann1 ,r4 ,melodic ,/udies4 ,op4 #ij1 ,book #b4 7#efff b74 ,kays]1 ,h4 ,e4 ,viol9 ,/udies1 c>efully revis$ & f+]$1 ) in/ructive annotations by ,ern/ ,heim3-- #cf elem5t>y & progressive ,/udies 7introductory to ^? ( ,kreutz]74 ,op4 #bj4 ,complete 7#hffb7 or 9 #c ,books4 7#hffb a-c74 ,m9ute in/ructions are giv5 by ,mr4 ,heim at ! end ( ea* /udy z to ! mann] ( execution1 ! "p ( ! b[ to be us$1 & v>i\s f+]+s4 ,ea* #aj b>s are also numb]$ to simplify ! repetition ( s+le portions ( a /udy4 ,an edition is publi%$ ) a sep>ate "p = a #b viol9 7#efaj a-c71 also "o ) pian(orte accompanim5t 7#gcig a-c74 ,kreuz1 ,e4 ,progressive ,/udies4 ,op4 #cd1 ,bks4 #b & #c4 7#effc b1 c74 ,book #b conta9s #bj progressive /udies 9 ! %>p major & m9or keys1 ,book #c1 #bj 9 ! flat major & m9or keys4 ,mazas1 ,f4 #ge ,melodic & ,progressive ,/udies = ! ,viol94 ,op4 #cf4 ,revis$ & f+]$ by ,c4 ,c\rvoisi]3-- ,bk4 ,i4 #cj ,special ,/udies4 7#gfjg a74 ,bk4 ,,ii4 #bg ,brilliant ,/udies4 7#gfjg b74 ,popul> ,in/ructor 9 ,viol9 ,play+3-- ,"p ,i4 ,elem5t>y & ,fir/ ,position4 ,"p ,,ii4 ,high] ,positions4 7#gfbc b74 ,s*n1 ,m4 ,practical ,c\rse ( ,in/ruction3-- ,book ,v4 #df %ort ,ex]cises = ! ,viol9 ) a second viol94 7#gfae74 ,/ep ,,iii4 ,fir/ five ,positions4 ,corelli1 ,arcangelo4 uvres revues p> ,joa*im et ,f4 ,*rys&]4 7,9 score47 #hvo3-- ,livre ,i41 ,op4 #a4 ,sonate da ,*iesa a tre 7,due ,viol9i1 e ,violone1 o ,arcileuto col ,basso p] l',organo74 ,9 ,roma1 #afhc4 ,op4 #b4 ,sonate da ,cam]a a tre 7,due ,viol9i1 e ,violone1 o ,cembalo74 ,9 ,roma1 #afhe4 7#dicf a74 ,livre ,,ii41 ,op4 #c4 ,sonate da ,*iesa a tre 7,due ,viol9i1 e ,violone1 o ,arcileuto1 col ,basso p] l',organo74 ,9 ,mod5a1 #afhi4 ,op4 #d4 ,sonate da ,cam]a a tre 7,due ,viol9i1 e ,violone1 o ,cembalo74 ,9 ,bologna1 #afid4 7#dicf b74 ,livre ,,iii41 ,op4 #e4 ,p>te ,prima4 #f ,sonate a ,viol9o ,solo e ,violone1 o ,cimbalo4 ,p>te ,seconda4 ,preludii1 ,allem&e1 ,corr5ti1 ,gighe1 ,s>ab&e1 ,gavotte1 e ,follia a ,viol9o ,solo e ,violone o ,cimbalo4 7#dicf c74 ,livre ,,iv41 ,v41 ,op4 #f4 ,conc]ti ,grossi con duoi ,viol9i1 e ,violoncello di ,conc]t9o obligati1 e duoi altri ,viol9i1 ,viola e ,basso di ,conc]to ,grosso ad arbitrio *e si potranno radoppi>e4 ,9 ,roma4 #agab4 #b ,livres4 7#dicf d1 e74 ,dont1 ,jacques4 #bj ,ex]cices progressives1 p\r le ,violon 7avec accompagnem5t d'un second ,violon71 ,op4 #ch4 7#gfje74 ,! la/ ( ^! ex]cises belong to ,/ep ,,iv4 ,gradus ad ,p>nassum4 ,a ,collection ( ,/udies 9 progressive ord]1 select$1 c>efully revis$1 f+]$1 & edit$1 ) annotations & rem>ks by ,e4 ,heim3-- ,book ,v4 ,f\r? ,position4 #ae ,/udies1 *ang+ betwe5 ! #a/ & #d? ,positions4 ,by de ,briot1 ,cram]1 ,dont1 ,h(mann1 ,kays]1 ,kreutz]1 ,mazas1 & ,rode4--,fif? ,position4 #be ,/udies1 *ang+ betwe5 ! #a/ & #e? ,positions4 ,by de ,b]iot1 ,dont1 ,h(mann1 ,kays]1 ,kreutz]1 ,maur]1 ,mazas1 & ,rode4 7#edge74 ,graduat$ ,/udies revis$ by ,ern/ ,heim1 ea* book corresponds 9 difficulty ) ! same book ( 8 ,viol9 ,duets 8,ar5a01 see page #abd1 & 8 ,viol9 & ,piano pieces1 8,palae/ra01 see page #adb4 ,h]mann1 ,f4 ,op4 #bd1 ,bk4 #b4 #be ,/udies 9 ! #a/1 #bnd & #crd positions4 7#effj a1 b74 ,h(mann1 ,r4 ,op4 #ia4 #dj ,/udies 9 all positions1 = practice 9 %ift+4 #b ,bks4 7#effg a1 b74 ,kays]1 ,h4 ,e4 #cf elem5t>y & progressive ,/udies 7introductory to ^? ( ,kreutz]7 c>efully revis$1 f+]$1 & ) in/ructive annotations by ,ern/ ,heim4 ,op4 #bj1 ,bk4 ,,iii4 7#hffb c74 also ) ,second ,viol9 7#efaj c71 or ) ,pian(orte ,accompanim5t 7#gcig c74 ,kreuz1 ,e4 ,progressive ,/udies4 ,op4 #cd1 ,bks4 #d & #e4 7#effc d1 e74 ,book #d conta9s 8,introduction ( ! #bnd & #crd positions4 #ae /udies & major & m9or scales ?r\gh all keys 9 ! fir/ ?ree positions40 ,book #d conta9s #ab %ort te*nical ex]cises & #ae /udies 9 ! fir/ ?ree positions1 introduc+ v>i\s te*nical difficulties & arpeggios ?r\gh all keys4 ,s*n1 ,m4 ,practical ,c\rse ( ,in/ruction3-- ,bk4 ,,viii4 ,fundam5tal ,in/ructions 9 ! /udy ( ! positions1 ) examples & easy melodi\s ,duett9os = two ,viol9s 9 v>i\s major & m9or keys 7,?ird ,position74 7#gfah74 ,book ,,ix4 ,! same 7,second ,position74 7#gfai74 ,/ep ,,iv4 ,all ,positions4 ,blagrove1 ,h4 #ab ,/udies4 7#idae74 ,c\rvoisi]1 ,c4 ,! ,s*ool ( ,velocity4 ,book ,v4 ,special ,/udies 9 ,%ift+4 7#gfjc ,e74 ,dancla4 ,op4 #b4 #f ,/udies1 7#efdd74 ,fiorillo1 ,f4 #cf tudes en =me de ,caprices 7,ern/ ,heim7 7#efed74 ,^! /udies imp>t great flexibility to ! b[+1 toge!r ) mu* practice 9 ! high] positions4 ,a c>eful revision ( f+]+ & b[+ ) ! addition ( expression m>ks & "p ( b[ to be us$ di/+ui% ,e4 ,heim's ,edition f all o!rs4 ,! same1 revis$ by ,c>l ,c\rvoisi]4 7#efee74 ,! f+]+ & phras+ has be5 c>efully m>k$ on ! basis ( ! ,joa*im ,s*ool4 ,he avoids slurs ( too great l5g? :i* impair ! p[] ( tone4 ,gradus ad ,p>nassum4 ,a ,collection ( ,/udies 9 progressive ord]1 select$1 c>efully revis$1 f+]$1 & edit$1 ) annotations & rem>ks by ,e4 ,heim3-- ,book ,,vi4 ,six? ,position4 #aj ,/udies1 *ang+ betwe5 ! #a/ & #f? ,positions4 ,by ,fiorillo1 ,h(mann1 ,kreutz]1 ,mazas1 & ,rode4 ,sev5? ,position4 #bj ,/udies1 *ang+ betwe5 ! #a/ & #g? ,positions4 ,by ,al>d1 de ,briot1 ,fiorillo1 ,h(mann1 ,kays]1 ,kreutz]1 ,maur]1 ,mazas1 ,rode1 & ,wi*tl4 7#edgf74 ,book ,,vii4 ,eigh? to twelf? ,positions4 #cj ,/udies arrang$ accord+ to _! ,musico-,te*nical object1 indep5d5t ( ,position4 ,a4 ,/udies on ! ,%ake & ,pass+ ,%ake4 ,by ,al>d1 ,bruni1 ,cram]1 ,david1 ,dont1 ,fiorillo1 ,heim1 ,kays]1 ,kreutz]1 ,mazas1 ,rode1 ,rolla1 ,s*ub]t1 & ,spohr4 7#edgg74 ,graduat$ ,/udies revis$ by ,ern/ ,heim1 ea* book corresponds 9 difficulty ) ! same book ( 8 ,viol9 ,duets1 8,ar5a01 see page #abe1 & 8 ,viol9 & piano pieces1 8,palae/ra01 see page #aea4 ,h]mann1 ,f4 ,op4 #bd1 ,bk4 #c4 #be ,/udies1 #crd to #g? positions4 7#effa74 also ) #b ,viol9 accompanim5t4 7#efae74 ,kays]1 ,h4 ,e4 ,viol9 ,/udies1 c>efully revis$1 f+]$1 & ) in/ructive annotations by ,ern/ ,heim3-- #af ,/udies 7compris+ /udies 9 ! half1 #a/1 #bnd1 #crd1 #d?1 #e?1 #f?1 & #g? ,positions74 ,op4 #bh4 7#hffj74 #af ,/udies 7to foll[ ! #cf ,/udies1 ,op4 #bj74 ,op4 #cj4 7#hffa74 ,?is c>efully revis$ edition is p>ticul>ly useful by frequ5tly giv+ two or m diff]5t f+]+s = "o & ! same /udy or s+le passage4 ,! numb]+ ( e t5? b> is also useful 9 /udy+ sub-sections4 ,kreutz]1 ,r4 #db ,/udies4 ,new ,edition1 revis$ & f+]$ by ,ern/ ,heim4 7#efga74 ,! orig9al text has be5 c>efully adh]$ to4 ,! revision 7f+]+s1 b[+ & m>ks ( expression7 %[ ! same c>e :i* di/+ui%es all ,heim's editions1 :ile ! explanatory rem>ks make ?is ,edition p>ticul>ly valuable4 ,! same1 revis$ & phras$ by ,c>l ,c\rvoisi] 7#effe74 ,c\rvoisi]'s ,edition gives v good advice on ! *oice ( position4 ,:ile ,heim has kept closely to ! orig9al text giv+ advice to ! mann] ( r5d]+ x1 ,c\rvoisi] pref]r$ to give 8 own phras+ etc4 9 ! text1 e4 g4 ! cad5cial figures 9 ! fir/ /udy4 ,kreuz1 ,e4 ,progressive ,/udies4 ,op4 #cd1 ,bks4 #f & #g4 7#effc f1 g74 ,book #f4 #f /udies 9 ! #d? & #e? positions1 & #f /udies 9 ! fir/ six positions 9 flat keys1 major & m9or4 ,book #g4 #ab /udies 9 ! fir/ six positions 9 %>p keys1 major & m9or4 ,mazas1 ,f4 ,op4 #cf1 ,bk4 ,,iii4 #ah ,/udies = ,arti/s4 7#gfjg c74 ,s*n1 ,m4 ,practical ,c\rse ( ,in/ruction3-- ,book ,,xi4 ,fundam5tal ,in/ructions1 examples & pieces 9 ! =m ( ex]cises = ! /udy ( ! positions 7,f\r?1 ,fif?1 ,six?1 & ,sev5? ,positions4 7#gfba74 ,book ,,xii4 #ab ,ex]cises = ! ,viol94 7#gfbb74 ,s*olz1 ,ri*>d4 ,s*ool ( ,arti/ic ,viol9 ,play+4 ,a !oretical & practical ,in/ruction ,book1 9 all matt]s relat+ to /yle1 = mod]ately advanc$ play]s4 ,op4 #i4 7#efha74 ,excell5t "w = /yle & phras+4 ,cle> & exhau/ive explanations ( e *apt] make ! "w p>ticul>ly useful especially = ^?1 :o h n ! opportunity = individual tea*+4 ,wessely1 ,hans4 ,compreh5sive ,scale ,manual4 7#efhf74 ,/ep ,v4 ,difficult4 7,octaves1 ,spr++ ,b[1 ,/accato etc474 ,briot1 ,c4 de4 #f tudes brillantes4 7#efdf74 ,also1 publi%$ ) pian(orte accompanim5t 7#gcci a1 b74 ,campagnoli4 #g ,div]tissem5ts4 ,edit$ by ,g4 ,j5s54 #gfja4 ,gradus ad ,p>nassum4 ,a ,collection ( ,/udies 9 progressive ord]1 select$1 c>efully revis$1 f+]$1 & edit$1 ) annotations & rem>ks by ,e4 ,heim3-- ,book ,,viii4 ,/udies arrang$ accord+ to _! ,musico-,te*nical object1 indep5d5t ( ,position3-- #g ,/udies on ,/accato4 ,by ,fiorillo1 ,kreutz]1 ,mazas1 ,rode1 & ,s*ub]t4 #g ,/udies on ,spr++ ,b[1 ,spiccato1 ,saltato4 ,by ,b5da1 ,bruni1 ,david1 ,kays]1 ,mazas1 & ,wi5iawski4 #g ,/udies on ,octave passages4 ,by ,fiorillo1 ,kays]1 ,kreutz]1 & ,mazas4 #h ,/udies on ,d\ble ,/ops & ,*ords4 ,by ,dont1 ,fiorillo1 ,kays]1 ,kreutz]1 ,/4 ,lub91 & ,wi*tl4 7#edgh74 ,book ,,ix4 ,/udies arrang$ accord+ to _! ,musico-,te*nical object1 indep5d5t ( ,position3-- #h ,/udies on ,d\ble ,/ops & ,*ords4 ,by de ,briot1 ,david1 ,dont1 ,fiorillo1 ,kalliwoda1 ,kreutz]4 #d ,/udies on ! ,d\ble ,%ake4 ,by ,cram]1 ,fiorillo1 ,gav9is1 & ,rode4 #c ,/udies on 8,fly+ ,/accato10 ?r[n /roke4 ,by ,al>d & ,mazas4 #e ,/udies on ,arpeggios 7difficult74 ,by ,david1 ,dont1 ,mazas1 & ,me]ts4 #aj ,/udies on t5?s & o!r l>ge int]vals4 ,by ,dont1 ,fiorillo1 ,gav9is1 ,mazas1 ,h4 ,ries1 & ,rovelli4 7#edgi74 ,graduat$ ,/udies revis$ by ,ern/ ,heim1 ea* book corresponds 9 difficulty ) ! same book ( 8 ,viol9 ,duets1 8,ar5a10 see page #abf1 & 8 ,viol9 & piano pieces1 8,palae/ra10 see page #aef4 ,rode1 ,p4 #bd ,caprices 9 ! =m ( ,/udies = ! ,viol94 ,revis$ & f+]$ by ,ern/ ,heim4 7#efgi74 ,! orig9al text has be5 adh]$ to1 ) v cle> indications ( positions1 f+]+s1 b[+ & m>ks ( expression by ,ern/ ,heim4 ,rode1 ,p4 ,caprices1 revis$ by ,c>l ,c\rvoisi] #efgh4 ,c\rvoisi] does n adh]e altoge!r to ! orig9al text1 b uses 8 own discretion1 "h z else:]e he is c>eful to avoid v long b[s :i* w\ld c\nt]act ! production ( a broad & p[]ful tone4 ,vieuxtemps1 ,h4 ,op4 #af4 #f ,conc]t ,/udies4 ,/ep ,,vi4 ,v difficult4 ,gav9is1 ,p4 #bd tudes #bd ,mat9ees4 ,gradus ad ,p>nassum4 ,a ,collection ( ,/udies 9 progressive ord]1 select$1 c>efully revis$1 f+]$1 & edit$1 ) annotations & rem>ks by ,k4 ,heim3-- ,book ,x4 ,a4 #ag ,/udies 9 ! ,polyphonic ,/yle4--,prelude4 ,fugue4 ,fughetta4 ,by ,ba*1 ,campagnoli1 & ,pi*l4--,b4 #ac ,conc]t ,/udies1 ,h>monics & ,pizzicato ) ! left h&4 ,by ,al>d1 ,dancla1 ,leon>d1 ,lip9sky1 ,mazas1 ,pagan9i1 ,prume1 & ,wi5iawski4 7#edhj74 ,graduat$ ,/udies revis$ by ,ern/ ,heim4 ,ea* book corresponds 9 difficulty ) ! same book ( 8 ,viol9 ,duets1 8,ar5a01 see page #abg1 & 8 ,viol9 & piano piece1 8,palae/ra01 see page #aeh4 ,wi5iawski1 ,h4 ,l'cole mod]ne4 tudes-,caprices4 ,op4 #aj4 ,e4 ,heim4 7#efhg74 ,pieces = ,viol9 ,solo4 ,/ep ,i4 ,9 ! fir/ position4 ,h]mann1 ,fr4 #ej fav\rite ,melodies4 #edfe a4 ,h(mann1 ,r4 ,potp\rris on ,popul> ,melodies f ,classical & ,mod]n ,op]as & ,oratorios4 ,arrang$ by ,r4 ,h(mann4 #de ,books 9 ! fir/ position3-- ,le ,po/illon4 7#edja;a74 ,la ,sonnambula4 7#edjb;a74 ,norma4 7#edjc;a74 ,le ,calife de ,bagdad 7#edjd;a74 ,la ,dame ,blan*e4 7#edje;a74 ,la ,fille du ,rgim5t4 7#edjf;a74 ,lucia di ,lamm]moor4 7#edjg;a74 ,orpheus4 7#edjh;a74 ,! ,messiah4 7#edji;a74 ,! ,creation4 7#edaj;a74 ,zampa4 7#edaa;a74 ,wilds*tz4 7#edab;a74 ,cz> und ,zimm]mann4 7#edac;a74 ,joseph4 7#edad;a74 ,/4 ,paul4 7#edae;a74 ,il ,s]aglio4 7#edaf;a74 ,il ,flauto ,magico4 7#edag;a74 ,don ,giovanni4 7#edah;a74 ,d] ,freis*tz4 7#edai;a74 ,/ep ,,ii4 ,9 v>i\s positions4 ,gurlitt4 ,our ,fav\rite ,tunes4 7#gfjh74 ,h(mann1 ,ri*>d4 ,potp\rris on ,popul> ,melodies f ,classical & ,mod]n ,op]as & ,oratorios4 ,arrang$ by ,r4 ,h(mann4 #de ,books4 ,! ,bohemian ,girl4 7#edbj;a74 ,egmont4 7#edba;a74 ,fidelio4 7#edbb;a74 ,l',elisire d',amore4 7#edbc;a74 ,lucrezia ,borgia4 7#edbd;a74 ,iphignie en ,aulide4 7#edbe;a74 ,judas ,maccabaeus4 7#edbf;a74 ,das ,na*tlag] 9 ,granada4 7#edbg;a74 ,hans ,heil+4 7#edbh;a74 ,a ,midsumm] ,night's ,dream4 7#edbi;a74 ,elijah4 7#edcj;a74 ,les ,hugu5ots4 7#edca;a74 ,le ,prophte4 7#edcb;a74 ,le ,nozze di ,fig>o4 7#edcc;a74 ,die lu/ig5 ,weib] von ,w9dsor4 7#edcd;a74 ,m>itana4 7#edce;a74 ,ob]on4 7#edcf;a74 ,preciosa4 7#edcg;a74 ,d] flieg5de ,hollnd]4 7#edch;a74 ,loh5gr94 7#edci;a74 ,ri5zi4 7#eddj;a74 ,tannhus]4 7#edda;a74 ,il ,b>bi]e4 7#eddb;a74 ,guillaume ,tell4 7#eddc;a74 ,masaniello4 7#eddd;a74 ,fau/4 7,g\nod7 7#edde;a74 ,duets = #b ,viol9s4 ,/ep ,i4 ,fir/ ,position4 ,al>d1 ,d4 ,progressive ,duets1 revis$ & f+]$ by ,e4 ,heim3-- ,book ,i41 ,op4 #bb4 ,elem5t>y4 #a/ position4 7#eeii a74 ,book ,,ii41 ,op4 #bb4 ,elem5t>y4 #a/ position4 7#eeii b74 ,?is excell5t "w %\ld =m e /ud5t's companion f ! fir/ beg9n+ until a degree ( consid]able te*nical skill has be5 rea*$4 ,x ga9s mu* by ,e4 ,heim's c>eful revision z to ! f+]+1 b[+ & all m>ks ( expression4 ,ar5a4 ,a collection ( ,duets = two viol9s1 arrang$ 9 progressive ord]1 c>efully m>k$ & annotat$ by ,e4 ,heim3-- ,book ,i4 ,fir/ position4 #h ,easy ,duets 9 ! mo/ frequ5tly us$ keys1 by ,wi*tl1 ,dancla1 ,al>d1 & de ,briot4 7#aahja s74 ,book ,,ia4 ,fir/ position4 #f ,easy ,duets 9 ! mo/ frequ5tly us$ keys1 by ,blum5?al1 ,kalliwoda1 & ,mazas4 7#aahja a74 ,book ,,ii4 ,fir/ position4 #e ,easy ,duets 9 major & m9or occurr5ce ( easy d\ble-/opp+ & *ords1 by ,pleyel1 ,bruni1 ,mazas1 ,?omas1 & ,ries4 7#aahjb s74 ,book ,i,ia4 ,fir/ position4 #e ,easy ,duets 9 major & m9or 7occurr5ce ( easy d\ble-/opp+ & *ords71 by ,c4 ,gurlitt1 ,kalliwoda1 ,pleyel1 & ,mazas4 7#aahjb a74 #bj ,books ( graduat$ ,duets revis$ by ,ern/ ,heim1 ea* book correspond+ 9 difficulty ) ! same book ( 8 ,viol9 ,/udies 7,gradus ad ,p>nassum71 see page #aaa1 & 8 ,viol9 & ,piano pieces 7,palae/ra71 see pages #abh1 #abi4 ,dancla1 ,c4 ,op4 #be4 #c ,duos faciles4 7#efja74 ,gurlitt4 ,op4 #aej4 ,duos faciles et progressifs4 7#efje74 ,except "o or two m suit$ to ,/ep ,,ii4 ,our ,fav\rite ,tunes4 ,arrang$4 7#gfji74 ,"s ( ^! belong to ,/ep ,,ii4 ,heim1 ,ern/4 ,abec$>ian 9 ,viol9 ,play+4 #de ,elem5t>y ,pieces = ,viol9 ) accompanim5t ( a second ,viol94 #b ,books4 7#eeih a1 b74 ,also publi%$ ) ,piano ,accompanim5t4 7#aadfa a1 b74 ,h]mann1 ,fr4 #ej ,fav\rite ,melodies4 7#edfe b74 ,h(mann1 ,ri*>d4 #cj %ort1 in/ructive ,melodic ,pieces4 ,op4 #aac4 7#efbd74 ,potp\rris on ,popul> ,melodies f classical & mod]n ,op]as & ,oratorios1 arrang$ by ,ri*>d ,h(mann4 #de ,books4 ,/ep #a4 79 ! fir/ position73-- ,le ,po/ilion4 7#edja;b74 ,sonnambula4 7#edjb;b74 ,norma4 7#edjc;b74 ,calife de ,bagdad4 7#edjd;b74 ,dame ,blan*e4 7#edje;b74 ,fille du ,rgim5t4 7#edjf;b74 ,lucia di ,lamm]moor4 7#edjg;b74 ,orpheus4 7#edjh;b74 ,messiah4 7#edji;b74 ,creation4 7#edaj;b74 ,zampa4 7#edaa;b74 ,wilds*tz4 7#edab;b74 ,cz> und ,zimm]mann4 7#edac;b74 ,joseph4 7#edad;b74 ,/4 ,paul4 7#edae;b74 ,il ,s]aglio4 7#edaf;b74 ,il ,flauto ,magico4 7#edag;b74 ,don ,giovanni4 7#edah;b74 ,freis*tz4 7#edai;b74 ,mazas1 ,f4 ,duos faciles et progressifs4 #b ,bks4 7#efjh a1 b74 ,pleyel4 ,op4 #h4 #f ,duos4 7#geig74 ,re9ecke4 ,op4 #abb;a4 #aj ,petits ,morceaux4 7#efcj74 ,delightful little 8bits01 %ort & v easy4 ,ritt]1 ,e4 ,w4 #cj ,ex]cices faciles4 ,bk4 ,i4 7#efca a74 ,s*n1 ,m4 #ah %ort mod]n ,duets = two ,viol9s4 ,9 v>i\s major & m9or keys 7,fir/ ,position74 7#gfaf74 #f easy & melodi\s ,duett9os = two viol9s4 ,9 v>i\s major & m9or keys 7,fir/ ,position74 7#gfag74 ,/ep ,,ii4 ,fir/ f\r ,positions4 ,al>d1 ,d4 ,progressive ,duets1 revis$ & f+]$ by ,e4 ,heim3-- ,book ,,iii1 ,op4 #bb4 ,elem5t>y4 #a/ & #bnd positions4 7#eeii c74 ,?is excell5t "w %\ld =m e /ud5t's companion f ! fir/ beg9n+ until a degree ( consid]able te*nical skill has be5 rea*$4 ,x ga9s mu* by ,e4 ,heim's c>eful revision z to ! f+]+1 b[+ & all m>ks ( expression4 ,album opratique4 7#efci74 ,ar5a4 ,a collection ( ,duets = two viol9s1 arrang$ 9 progressive ord]1 c>efully m>k$ & annotat$ by ,e4 ,heim3-- ,book ,,iii4 ,easy ,duets1 ) *ange betwe5 fir/ & second positions1 by ,mazas1 ,gem9iani1 ,h]+1 & ,ries4 7#aahjc s74 ,book ,,iiia4 ,easy ,duets1 ) *ange betwe5 fir/ & second positions1 by ,gem9iani1 ,mazas1 ,c4 ,g4 ,mll]1 & ,blum5?al4 7#aahjc a74 ,book ,,iv4 ,duets up to ! ?ird position1 by ,ignaz ,la*n]1 ,al>d1 & ,h]+4 7#aahjd s74 ,book ,,iva4 ,duets up to ! ?ird position1 by ,c4 ,gurlitt4 ,ignaz ,la*n]1 & ,viotti4 7#aahjd a74 ,book ,v4 ,duets up to ! f\r? & fif? positions1 by ,h]+1 ,moz>t1 ,kreutz]1 & ,h4 ,ries4 7#aahje s74 ,graduat$ ,duets revis$ by ,ern/ ,heim2 ea* book corresponds 9 difficulty ) ! same book ( 8 ,viol9 ,/udies1 8,gradus ad ,p>nassum01 see page #aab1 & 8 ,viol9 & piano pieces1 8,palae/ra01 see page #acc4 ,dancla1 ,c4 ,op4 #bd & #be4 ,duos faciles4 #b ,bks4 7#efjb-c74 ,gurlitt4 ,our ,fav\rite ,tunes4 ,arrang$ by ,f4 ,h]mann4 7#gfji74 ,h]+1 ,c>l4 #b ,duos1 bo? 9 ! fir/1 & occasionally ! half & second positions4 ,op4 #ae4 ,revis$1 phras$1 & f+]$ by ,ern/ ,heim4 7#efag74 ,h(mann1 ,ri*>d4 #ad in/ructive ,melodic ,pieces4 ,op4 #aad4 7#efbe74 -- ,potp\rris on ,popul> ,melodies f classical & mod]n ,op]as & ,oratorios1 arrang$ by ,ri*>d ,h(mann4 #de ,books4 ,bohemian ,girl4 7#edbj;b74 ,egmont4 7#edba;b74 ,fidelio4 7#edbb;b74 ,l',elisire d'amore4 7#edbc;b74 ,lucrezia ,borgia4 7#edbd;b74 ,iphignie en ,aulide4 7#edbe;b74 ,judas ,maccabaeus4 7#edbf;b74 ,na*tlag]4 7#edbg;b74 ,hans ,heil+4 7#edbh;b74 ,a ,midsumm] ,night's ,dream4 7#edbi;b74 ,elijah4 7#edcj;b74 ,hugu5ots4 7#edca;b74 ,le ,prophte4 7#edcb;b74 ,fig>o4 7#edcc;b74 ,m]ry ,wives ( ,w9dsor4 7#edcd;b74 ,m>itana4 7#edce;b74 ,ob]on4 7#edcf;b74 ,preciosa4 7#edcg;b74 ,d] flieg5de ,hollnd]4 7#edch;b74 ,loh5gr94 7#edci;b74 ,ri5zi4 7#eddj;b74 ,tannhus]4 7#edda;b74 ,il ,b>bi]e4 7#eddb;b74 ,guillaume ,tell4 7#eddc;b74 ,masaniello4 7#eddd;b74 ,fau/4 7,g\nod47 7#edde;b74 ,kalliwoda4 ,op4 #bdc4 ,duos faciles et brillants4 #c ,bks4 7#efjf a-c74 ,kays]1 ,h4 ,e4 ,viol9 ,/udies1 c>efully revis$1 f+]$1 & ) in/ructive annotations by ,ern/ ,heim3-- #cf elem5t>y & progressive ,/udies 7introductory to ^? ( ,kreutz]74 ,op4 #bj4 ,bks4 #a & #b4 7#efaj a1 b74 #af ,/udies 7compris+ /udies 9 ! half1 #a/1 #bnd1 #crd1 #d?1 #e?1 & #g? ,positions74 ,op4 #bh4 7#efai74 ,nos4 #aj & #aa ,/ep ,,iii1 & #ab to #af ,/ep ,,iv4 #af ,/udies 7to foll[ ! #cf ,/udies1 ,op4 #bj74 ,op4 #cj4 7#efbj74 ,nos4 #f & #h ,/ep ,,iii2 ,nos4 #d1 #e1 #i1 #aa1 #ab1 #ac & #af ,/ep ,,iv4 ,la*n]1 ,i4 ,op4 #if1 #ig & #ih4 ,sonat9as 9 ,a1 ,d & ,b4 7#efba-b-c74 ,!re is an air ( brightness & hum\r 9 ^! sonat9as :i* rem9ds "o ( ,haydn & ,moz>t4 ,)\t mak+ great dem&s ^u ! te*nique ( ! play]1 ! sonat9as are brilliant & div]sifi$1 & al?\gh !y *iefly appeal to ! "y !y are nev] *ildi%4 ,op4 #ih ) its *>m+ 8,rococo0 col\r+ is sure to make fri5ds ^u acqua9tance4 ,mazas1 ,f4 ,duos faciles et progressifs2 ,lett]s ,c1 ,d ,e4 #c ,bks4 7#efjh;c-e74 ,pleyel1 ,i4 ,op4 #dh4 #f ,sonat9as4 7#geih74 ,ries1 ,h4 ,progressive ,duets4 7,ern/ ,heim7 #i ,books3-- ,book ,i4 ,fir/ position4 ,easy d\ble-/opp+4 7#efbi;a74 ,book ,,ii4 ,fir/ & second positions4 7#efbi;b74 ,^! melodi\s & graceful compositions are r5d]$ m valuable by ! c>eful revision ( f+]+1 b[+ & m>ks ( expression4 ,!y conta9 a weal? ( te*nical devices4 ,ritt]1 ,e4 ,w4 #cj ,ex]cices faciles4 ,bk4 #b4 7#efca;b74 ,?omas1 ,e4 #d ,duos4 7#efcd;a1 b74 ,/ep ,,iii4 ,five ,positions4 ,al>d1 ,d4 ,progressive ,duets1 revis$ & f+]$ by ,e4 ,heim3-- ,book ,,iv41 ,op4 #bb4 ,elem5t>y4 #crd position4 7#eeii;d74 ,book ,v41 ,op4 #bc4 ,easy4 #crd position4 7#eeii;e74 ,book ,,vi41 ,op4 #bc4 ,easy4 #crd position4 7#eeii;f74 ,book ,,vii41 ,op4 #bc4 ,easy4 #crd position4 7#eeii;g74 ,?is excell5t "w %\ld =m e /ud5t's companion f ! fir/ beg9n+ until a degree ( consid]able te*nical skill has be5 rea*$4 ,x ga9s mu* by ,e4 ,heim's c>eful revision z to ! f+]+1 b[+1 & all m>ks ( expression4 ,ar5a4 ,a collection ( ,duets = two viol9s1 arrang$ 9 progressive ord]1 c>efully m>k$ & annotat$ by ,e4 ,heim3-- ,book ,v4 ,duets up to ! f\r? & fif? positions1 by ,h]+1 ,moz>t4 ,kreutz]1 & ,h4 ,ries4 7#aahje s74 ,book ,,va4 ,duets up to ! fif? position1 by ,j4 ,s4 ,ba*1 ,moz>t1 & ,poll$ro4 7#aahje a74 ,graduat$ ,duets revis$ by ,ern/ ,heim4 ,ea* book corresponds 9 difficulty ) ! same book ( 8 ,viol9 ,/udies 8,gradus ad ,p>nassum01 see page #aad1 & 8 ,viol9 & ,piano pieces1 8,palae/ra01 see page #adb4 ,dont4 #bj ,ex]cices progressifs4 ,op4 #ch4 7#gfje74 ,gurlitt4 ,op4 #aje4 ,ouv]ture des ,m>ionettes4 7#geif74 ,op4 #acg4 8,comm$ietta0 ,ouv]ture4 7#geii74 ,h]mann4 ,op4 #bf4 ,morceaux mlodiques2 ,bks4 #a1 #b1 #c4 7,piano ad lib74 7#ecbh a-c74 ,kays]1 ,h4 ,e4 ,viol9 ,/udies1 c>efully revis$1 f+]$1 & ) in/ructive annotations by ,ern/ ,heim3-- #cf elem5t>y & progressive ,/udies 7introductory to ^? ( ,kreutz]74 ,op4 #bj4 ,book #c4 7#efaj c74 ,molique1 ,b4 #c ,duets4 ,op4 #c4 #c ,books4 7#ajjjh a-c74 ,moz>t1 ,w4 ,a4 ,op4 #gj4 #ab ,duets4 #d ,bks4 ,pleyel1 ,i4 ,op4 #bc4 ,duos4 7#ajhe d74 -- ,op4 #bd4 ,duos4 7#ajhe e74 -- ,op4 #dd4 ,duos4 7#efbh74 ,ries1 ,h4 ,progressive ,duets1 7,ern/ ,heim74 ,book ,,iii4 ,up to ?ird position4 7#efbi c74 ,^! melodi\s & graceful compositions are r5d]$ m valuable by ! c>eful revision ( f+]+1 b[+ & m>ks ( expression4 ,!y conta9 a weal? ( te*nical devices4 ,rode1 ,p4 ,op4 #a4 #f ,duos4 #b ,bks4 ,viotti4 ,conc]t duets4 #ac ,bks4 ,/ep ,,iv4 ,all ,positions4 ,al>d1 ,d4 ,progressive ,duets1 revis$ & f+]$ by ,e4 ,heim3-- ,book ,,viii4 ,op4 #bc4 ,easy4 #e? position4 7#eeii h74 ,book ,,ix4 ,op4 #bg4 ,brilliant4 #g? position4 7#eeii i74 ,book ,x4 ,op4 #bg4 ,brilliant4 ,all positions4 7#eeii k74 ,book ,,xi4 ,op4 #bg4 ,brilliant4 ,all positions4 7#eeii l74 ,book ,,xii4 ,op4 #bg4 ,brilliant4 ,all positions4 7#eeii m74 ,?is excell5t "w %\ld =m e /ud5t's companion f ! fir/ beg9n+ until a degree ( consid]able te*nical skill has be5 rea*$4 ,x ga9s mu* by ,e4 ,heim's c>eful revision z to ! f+]+1 b[+ & all m>ks ( expression4 ,ar5a4 ,a collection ( ,duets = two viol9s1 arrang$ 9 progressive ord]1 c>efully m>k$ & annotat$ by ,e4 ,heim3-- ,book ,,vi4 ,duets up to ! six? & sev5? positions1 by ,h4 ,ries1 ,haydn1 & ,al>d4 7#aahjf s74 ,book ,,via4 ,duets up to ! six? position1 by ,hauptmann & ,blum5?al4 7#aahjf a74 ,an excell5t collection ( graduat$ ,duets revis$ by ,ern/ ,heim2 ea* book corresponds 9 difficulty ) ! same book ( 8 ,viol9 ,/udies 8,gradus ad ,p>nassum01 see page #aae1 & 8 ,viol9 & ,piano pieces1 8,palae/ra01 see page #aea4 ,hauptmann1 ,m4 ,op4 #b4 #b ,duets4 7#ajhb74 -- ,op4 #af4 #c ,duos4 7#efaa74 ,h]mann4 ,op4 #bf4 ,morceaux mlodiques4 ,bks4 #d1 #e4 7#ecbh d1 e74 ,kays]1 ,h4 ,e4 ,viol9 ,/udies1 c>efully revis$1 f+]$1 & ) in/ructive annotations by ,ern/ ,heim3-- #af ,/udies 7compris+ /udies 9 ! half1 #a/1 #bnd1 #crd1 #d?1 #e?1 #f?1 & #g? ,positions74 ,op4 #bh4 7#efai74 ,nos4 #a-i belong to ,,ii2 #aj & #aa to ,,iii4 #af ,/udies 7to foll[ ! #cf ,/udies1 ,op4 #bj74 ,op4 #cj4 7#efbj74 ,nos4 #a-c1 #g1 #aj1 #ad1 #ae belong to ,,ii2 ,nos4 #f & #h to ,,iii4 ,mays$]4 #c celebrat$ ,duets4 ,op4 #cj1 #ca1 & #cb4 7#ajjjg a-c74 ,ries1 ,h4 ,progressive ,duets4 7,ern/ ,heim74 ,book ,,iv4 ,up to six? position4 7#efbi d74 ,book ,v4 ,up to sev5? position4 7#efbi e74 ,book ,,vi--,,ix4 ,9 all positions4 #d ,books4 7#efbi f-i74 ,^! melodi\s & graceful compositions are r5d]$ m valuable by ! c>eful revision ( f+]+1 b[+ & m>ks ( expression4 ,!y conta9 a weal? ( te*nical devices4 ,/ep ,v4 ,difficult4 ,ar5a4 ,a ,collection ( ,duets = ,two ,viol9s1 arrang$ 9 progressive ord]1 c>efully m>k$ & annotat$3-- ,book ,,vii4 #b ,duets 9 all positions 7difficult71 by ,hauptmann & ,de ,briot4 7#aahjg s74 ,book ,,viia4 #c ,duets 9 all positions 7difficult71 by ,haydn1 ,j4 ,b4 ,viotti1 & ,campagnoli4 7#aahjg a74 ,book ,,viii4 #b ,duets 9 all positions 7v difficult71 by ,f4 ,ries1 & ,hauptmann4 7#aahjh s74 ,book ,,viiia4 ,duets 9 all positions4 7,v difficult71 by ,c4 de ,briot1 & ,m4 ,hauptmann4 7#aahjh a74 ,graduat$ ,duets revis$ by ,ern/ ,heim2 ea* book corresponds 9 difficulty ) ! same book ( 8 ,viol9 ,/udies1 8,gradus ad ,p>nassum01 see page #aag1 & 8 ,viol9 & piano pieces1 8,palae/ra01 see page #aef4 ,h]mann4 ,op4 #bd4 tudes spciales4 ,on d\ble /ops1 %ift+ c4 7#efae a74 -- ,op4 #bf4 ,morceaux mlodiques4 ,bk4 #f4 7#ecbh f74 ,kalliwoda4 ,op4 #bcd4 ,gr& ,duo brillant4 7#efjg74 ,rode4 #bd ,caprices 9 ! =m ( ,/udies1 ) #bnd ,viol9 by ,ludwig ,abel2 revis$ by ,e4 ,heim4 7#efcb74 ,! addition ( an excell5t second viol9 "p by ,ludwig ,abel comb9$ ) ! c>eful revision :i* *>act]ises ,heim's "w1 & ! numb]+ ( e fif? b>1 w make ?is edition welcome to all /ud5ts4 ,/ep ,,vi4 ,conc]t ,duets4 ,heim1 ,ern/4 ,ar5a4 ,a ,collection ( ,duets = #b ,viol9s1 arrang$ 9 progressive ord]1 c>efully m>k$ & annotat$3-- ,book ,,ix4 #b ,conc]t ,duets1 by ,spohr & ,h4 ,ries4 7#aahji s74 ,book ,,ixa4 ,conc]t ,duets4 ,nos4 #cc & #cd by ,spohr1 ,no4 #ce by ,mazas4 7#aahji a74 ,book ,x4 #c ,conc]t ,duets by ,spohr4 7#aahaj s74 ,book ,,xa4 ,conc]t ,duets1 by ,m4 ,hauptmann ,l4 ,spohr4 7#aahaj a74 ,spohr1 ,l4 ,op4 #c1 #ci1 #fg1 #adh1 #aej & #aec4 #ad ,gr& ,duets4 7#g ,bks474 ,^! are ! f9e/ & mo/ difficult duets = two viol9s4 ,duets = ,viol9 & ,violoncello4 ,kreutz]4 ,sonatas4 ,op4 #af & #ag4 #b ,bks4 ,,ii4 ,bee?ov54 #c ,duets4 ,,iii4 ,haydn1 ,j4 ,duet 9 ,d4 ,,iii4 ,h(fmann1 ,h4 ,a4 #f ,duos4 ,op4 #e4 ,,iii4 ,leon>d ,s]vais4 ,gr& ,duo de ,conc]t 7,airs ,anglais74 ,,vi4 ,duets = ,viol9 & ,organ4 ,album4 #aj ,pieces4 7#bdej74 ,nos4 #a1 #b1 #c & #f4 ,,ii4 ,nos4 #e1 #f1 #g1 #h4 ,,iii4 ,nos4 #d1 #i & #aj4 ,,iv4 ,beck]1 ,a4 ,op4 #bj4 ,adagio4 7#bjgh74 ,,iv4 ,h5kel1 ,h4 #c ,tonstze von ,j4 ,s4 ,ba*1 arr4 ,no4 #a1 ,b]ceuse2 #b1 ,s>ab&e2 #c1 ,toccata4 7#gcbf74 ,,ii4 ,j5s51 ,gu/av4 ,arioso e ,rondo patetico4 ,op4 #dj4 7#echj74 ,,iv4 ,la*n]1 ,i4 #b ,pieces4 ,op4 #ff4 ,no4 #a1 ,&ant9o2 #b1 ,nocturno4 ,,iv4 ,moz>t4 ,&ante ,cantabile f ,viol9 ,conc]to4 ,op4 #aba4 ,arr4 by ,i4 ,la*n]4 ,,iv4 ,rhe9b]g]1 ,j4 ,op4 #aej4 #f ,pieces4 ,no4 #a1 ,!me ) v>iations2 #b1 ,ab5dli$2 #c1 ,gigue2 #d1 ,pa/orale2 #e1 ,elegie2 #f1 ,ov]ture4 ,spohr4 ,adagio f #i? ,viol9 ,conc]to1 arr4 by ,i4 ,la*n]4 ,,iv4 ,pieces = ,viol9 ) piano accompanim5t4 ,/ep ,i ,a4 ,fir/ ,position1 ,elem5t>y4 ,! simple/ pieces only 7rhy?mically1 z well z te*nically7 are includ$ "u ?is head1 ! melodies be+ almo/ entirely ei!r 9 m9ims & crot*ets1 or 9 crot*ets & quav]s4 ,palae/ra4 ,a ,collection ( ,pieces1 ,sonatas1 ,suites1 & ,conc]t ,pieces = ,viol9 ,solo ) ,pian(orte ,accompanim5t3 arrang$ 9 progressive ord]1 c>efully m>k$ & annotat$ by ,ern/ ,heim3-- ,an excell5t collection ( graduat$ pieces revis$ by ,ern/ ,heim1 ea* book corresponds 9 difficulty ) ! same book ( 8 ,viol9 ,/udies1 8,gradus ad ,p>nassum01 see page #aaa1 & 8 ,viol9 ,duets1 8,ar5a01 see page #abj4 ,book ,,ia4 ,cont5ts4--#d ,pieces on ! op5 /r+s by ,ritt]1 ,re9ecke1 etc41 & #g easy ,pieces 9 ! easie/ keys1 fir/ position1 by ,ritt]1 ,m(fat1 ,aprile1 ,sa9t-,george1 etc4 7#aadga a74 ,book ,,ib4 #i easy ,pieces 9 ! easie/ keys1 fir/ position by ,m(fat1 ,heim1 ,re9ecke1 & ,gurlitt4 7#aadga b74 ,book ,,ic4 ,supplem5t to ,books a & b4 ,piece on ! op5 /r+s by ,bordogni1 & #i easy ,pieces 9 ! easie/ keys by ,m(fat1 ,ritt]1 ,concone1 ,/eph5 ,hell]1 ,volkmann1 ,lauba*1 etc4 7#aadga c74 ,fitz5hag51 ,w4 ,petits ,morceaux4 7,viol9 "p )9 ! compass ( a ,f\r?73-- ,op4 #ch4 ,no4 #a4 ,ave ,m>ia4 ,heim1 ,ern/4 ,abec$>ian 9 ,viol9 ,play+4 ,elem5t>y ,pieces 9 progressive ord]4 ,nos4 #a-be4 ,bk4 #a4 7#aadfa a74 ,mo/ useful & attractive collection = "y beg9n]s4 ,h]+1 ,c>l4 #af ,pieces 9 progressive ord]4 ,op4 #ad4 ,revis$ & m>k$ = tea*+ purposes by ,ern/ ,heim4 7#aadic74 ,nos4 #a-aj4 ,nos4 #aa-af belong to ! foll[+ grade4 --,%ort ,draw+ ,room ,pieces4 ,a v attractive set beg9n+ ) a little prelude = ! op5 /r+s only4 ,book #a conta9s #g melodi\s little pieces1 books #b & #c belong to ! next division4 ,kreuz1 ,e4 ,op4 #be4 #cj ,melodies4 #c ,bks4 7#geae a-c74 ,lauba*1 ,a4 #c ,pieces 7,m5uetto1 ,nocturne ,ib1 ,m>*e militaire74 ,m(fat1 ,a4 #f ,easy ,pieces = "y ,viol9i/s4 7#gebe74 ,ri$+1 ,o4 #f ,easy ,pieces4 ,nocturne1 ,impromptu1 ,romance1 ,nos4 #d1 #e & #f belong to ,ib4 ,ritt]1 ,e4 ,w4 #ab ,%ort ,pieces4 ,book #a conta9s ?ree little pieces = ! op5 /r+s only4 ,book #b utilizes only ! #a/ & #bnd f+]s4 ,book #c introduces ! #crd1 & ,book #d ! #d? f+]4 ,wurm1 ,m>ie4 ,lullaby4 ,/ep ,ib4 ,fir/ ,position1 ,easy & progressive4 ,9 ! easie/ keys only1 b conta9+ a little m movem5t & rhy?mic v>iety4 ,palae/ra4 ,a ,collection ( ,pieces1 ,sonatas1 ,suites1 & ,conc]t ,pieces = ,viol9 ,solo ) ,pian(orte ,accompanim5t2 arrang$ 9 progressive ord]1 c>efully m>k$ & annotat$ by ,ern/ ,heim3-- ,book ,,iia4 ,easy ,pieces 9 major & m9or keys1 & 9 ! fir/ position1 by ,m5delssohn1 ,ritt]1 ,lauba*1 & ,r4 ,h(mann4 7#aadgb a74 ,book ,,iib4 ,easy ,pieces 9 major & m9or keys1 & 9 ! fir/ position1 by ,r4 ,h(mann1 ,h&el1 & ,l4 ,nicole4 ,occurr5ce ( easy d\ble-/opp+1 *ords1 & easy ornam5ts1 by ,lauba*1 ,meo1 & ,haydn4 7#aadgb b74 ,book ,,iic4 ,supplem5t to ,books a & b4 ,pieces by ,wolf]mann1 ,/eph5 ,hell]1 ,ts*ak[sky1 ,kreuz1 & ,kullak4 7#aadgb c74 ,an excell5t ,collection ( ,graduat$ ,viol9 & ,piano pieces revis$ by ,ern/ ,heim2 ea* book corresponds 9 difficulty ) ! same book ( 8 ,viol9 ,duets1 8,ar5a01 see page #abj1 & 8 ,viol9 ,/udies1 8,gradus ad ,p>nassum01 see page #aaa4 ,beazley1 ,j4 ,c4 #f ,little ,pieces4 ,book #a1 8,a /ray ?\ght10 8,on ! lake01 & 8,a happy mom5t02 ,book #b1 8,ev5tide04 8,m$itation0 & 8,m>*04 ,cl>k1 ,scotson4 ,melody 9 ,a4 ,danb1 ,j4 #f ,petits ,morceaux4 ,cantabile ,allegro1 ,petite ,valse1 ,caprice1 ,adagio & ,rondo1 ,m9uet1 ,petite ,b>c>olle4 ,melodi\s & attractive to "y pupils4 ,fitz5hag51 ,w4 ,petits ,morceaux4 7,viol9 "p )9 ! compass ( a f\r?73-- #c ,morceaux4 ,op4 #ch4 ,no4 #b1 ,b>c>olle2 ,no4 #c4 ,mazurka4 ,morceaux4 ,op4 #ci4 ,no4 #a1 ,cavat9e2 ,no4 #b1 ,lndl]2 ,no4 #c1 ,t>antelle4 ,v effective little pieces )9 ! compass ( a f\r?2 ) v attractive piano accompanim5ts4 ,gurlitt1 ,c4 ,our ,favorite ,tunes4 ,melodies1 ,anci5t & ,mod]n4 7#gcge74 --,morceaux de ,salon 7faciles74 ,op4 #adf3-- ,lndl]1 ,neues ,leb51 ,nocturno1 ,impromptu4 7#hfgg a74 --,two m9iature ,sonatas 79 fir/ position74 ,op4 #ahj 9 ,f & ,d4 7#gejj74 ,an excell5t introduction to conc]t$ play+ = musically intellig5t "y beg9n]s4 --,! ,*ase4 7,die ,jagd47 ,op4 #aij1 ,no4 #f4 ,hauptmann1 ,m4 #c ,sonat9as4 7#gchd74 ,! rudim5t>y features ( ! sonata =m are "h pack$ into a v small compass inde$2 all ?ree movem5ts ( ,no4 #a occupy+ only "o page 9 ! viol9 "p4 ,heim1 ,e4 ,abec$>ian 9 ,viol9 ,play+4 ,elem5t>y ,pieces1 transcrib$ & arrang$ 9 progressive ord]4 ,book ,,ii4 ,nos4 #bf-de4 7#aadfa b74 ,h]+1 ,c>l4 #af ,pieces 9 progressive ord]4 ,nos4 #aa-af4 ,op4 #ad4 ,revis$ & m>k$ = tea*+ purposes by ,ern/ ,heim4 7#aadic74 -- #h pieces4 ,op4 #ba4 7,ern/ ,heim47 7#aadid74 -- #aj ,petits ,morceaux4 ,op4 #ff4 7#gcib74 -- ,%ort ,draw+ ,room ,pieces4 ,bks4 #b & #c4 ,h]mann1 ,f4 #ej fav\rite ,melodies2 ! ,viol9 ,"p 9 ! fir/ position4 7#edfe c74 ,! same are also arrang$ = viol9 solo1 7#edfe a72 #b viol9s & piano1 7#edfe d72 ,viol91 violoncello & piano4 7#edfe f74 ,hill1 ,claud ,h4 ,?ree ,pieces4 ,no4 #a1 ,prelude2 ,no4 #b1 ,allegretto2 ,no4 #c1 ,gavotte4 ,hoby1 ,c4 ,album ( ,duets4 ,romance1 ,b\rre1 ,fairy ,tale1 ,alla ,mazurka4 ,especially pleas+ is ,no4 #c4 ,no4 #a conta9s a few b>s only playable to ^? prep>$ to ent] on ,,ii4 ,h(mann1 ,ri*>d4 ,op4 #aja4 ,no4 #a1 ,animation4 --,potp\rris on popul> ,melodies f classical & mod]n op]as & oratorios4 ,adam4 ,d] ,po/ilion4 7#edja c74 ,bell9i4 ,na*tw&l]94 7,sonnambula74 7#edjb c74 ,bell9i4 ,norma4 7#edjc c74 ,boieldieu4 ,le ,calife de ,bagdad4 7#edjd c74 ,boieldieu4 ,la ,dame ,blan*e4 7#edje c74 ,donizetti4 ,la ,fille du ,rgim5t4 7#edjf c74 ,donizetti4 ,lucia di ,lamm]moor4 7#edjg c74 ,gluck4 ,orpheus4 7#edjh c74 ,h&el4 ,! ,messiah4 7#edji c74 ,haydn4 ,! ,creation4 7#edaj c74 ,hrold4 ,zampa4 7#edaa c74 ,lortz+4 ,wilds*tz4 7#edab c74 ,lortz+4 ,cz> und ,zimm]mann4 7#edac c74 ,mhul4 ,joseph4 7#edad c74 ,m5delssohn4 ,/4 ,paul4 7#edae c74 ,moz>t4 ,il ,s]aglio4 7#edaf c74 ,moz>t4 ,il ,flauto ,magico4 7#edag c74 ,moz>t4 ,don ,giovanni4 7#edah c74 ,web]4 ,d] ,freis*tz4 7#edai c74 ,horrocks1 ,a4 ,e4 ,rigaudon4 ,kays]4 ,op4 #fe4 ,ex]cises & ,popul> ,melodies4 7#gcih74 ,kir*n]1 ,?4 #d ,albumbltt]4 7,f4 ,h]mann47 7#gdjj74 ,ko*1 ,f4 ,petite ,suite4 7,allegretto1 ,arietta1 ,s*]zo1 ,romanzetta1 ,alla ,m>cia47 ,op4 #ab4 7#gejh74 ,kreuz1 ,e4 ,op4 #cj4 #f easy ,pieces4 7#geah74 -- ,op4 #cf4 #f easy ,pieces4 #b ,bks4 7#geai a1 b74 ,m>* ,album1 ,book #a4 ,edit$ by ,h]mann4 7#hfhf a74 ,conta9s #ad ,m>*es by ,lully1 ,c\p]91 ,rameau1 ,h&el1 ,haydn1 c4 ,meo1 ,alfonso4 ,! ,dolly's ,dance4 ,m(fat1 ,a4 ,album4 #ab pieces 79 ! easi] positions74 7#gebd74 --,engli% ,classical ,album4 #ab ,pieces = ,viol91 ) figur$ ,bass1 by ,engli% ,ma/]s ( ! #ag? & #ah? c5turies4 7#gebc74 -- #ab ,classical ,pieces 79 ! fir/ position74 #b ,books4 7#gebf a1 b74 -- #ab ,pieces by ,engli% ,ma/]s ( ! #ag? & #ah? ,c5turies4 7#gecg74 ,^! pieces are well writt5 = ! viol94 ,!y are1 moreov]1 melodi\s & h int]e/+ accompanim5ts4 ,nicole1 ,l4 ,m9uet & ,gavotte4 ,our ,fav\rite ,tunes4 ,f a collection ( anci5t & mod]n ,melodies by ,c4 ,gurlitt4 ,arrang$ by ,fr4 ,h]mann4 7#gchh74 ,pleyel4 ,op4 #h4 #f ,duos4 7,h]mann74 7#gede74 ,re9ecke4 ,op4 #abb a4 #aj ,petits ,morceaux4 7#geda74 ,no4 #i belongs to ,,ii4 -- ,op4 #bac4 #aj ,petits ,morceaux4 7#gedb74 ,*>act]i/ic little pieces ) int]e/+ piano "p4 ,ri$+1 ,osk>4 #f ,easy ,pieces4 ,nos4 #d1 #e & #f1 8,tempo di ,valse01 8,polonaise0 & 8,air v>i04 ,ritt]1 ,e4 ,w4 ,brilliant ,duets4 7,! ,viol9 "p 9 ! fir/ position73-- ,no4 #a4 ,v>iations on 8,! ,c>nival ( ,v5ice04 7#geej a74 ,no4 #b4 ,/radella1 by ,flot[4 7#geej b74 ,no4 #c4 ,v>iations4 8,rule1 ,britannia04 7#geej c74 ,no4 #d4 ,rondo1 8,! ,bay ( ,biscay0 & 8,he>ts ( ,oak04 7#geej d74 ,no4 #e4 8,logie ,o',bu*an04 ,fantasia4 7#geej e74 -- #ab ,%ort ,pieces3--,book ,,iv4 7,= all f\r f+]s47 ,no4 #h4 ,m>*2 ,no4 #i1 ,gavotte2 ,no4 #aj4 ,int]mezzo2 ,no4 #aa4 ,romance2 ,no4 #ab1 ,t>antella4 ,s*mitt1 ,j4 #b ,sonat9as4 ,edit$ & f+]$ by ,emile ,?omas4 7#gegb74 ,taub]t1 ,w4 ,s]5ade4 7,m4,f4 #ag7 ,t]s*ak1 ,a4 ,popul> ,melodies3-- ,vol4 ,i4 ,engl&4 #ah ,popul> ,melodies4 7#hfih a74 ,vol4 ,,ii4 ,scotl&4 #bj ,popul> ,melodies4 7#hfih b74 ,vol4 ,,iii4 ,irel&4 #ah ,popul> ,melodies4 7#hfih c74 ,ts*ak[sky4 ,fav\rite airs f ! op]a 8,eugne ,ong904 ,arrang$ by ,v4 ,sorr5o4 7#edfi a74 ,volkmann4 8,9 ! ,mill04 7,no4 #a ( 8,musical ,picture ,book074 7,m4,f4 #ei74 ,wurm1 ,m>ie4 ,m>* 9 ,d4 ,/ep ,,ii4 ,fir/ f\r ,positions4 ,palae/ra4 ,a ,collection ( ,pieces1 ,sonatas1 ,suites1 & ,conc]t ,pieces = ,viol9 ,solo ) ,pian(orte ,accompanim5t2 arrang$ 9 progressive ord]1 c>efully m>k$ & annotat$ by ,ern/ ,heim3-- ,book ,,iiia4 ,r m difficult pieces 9 ! fir/ position2 ,occurr5ce ( *ords1 d\ble-/opp+1 & ornam5ts3 #c ,pieces by ,sa9t-,george & ,j4 ,s4 ,ba*4 ,employm5t ( ! half position3 #c ,pieces by ,gurlitt1 ,re9ecke1 & ,scotson ,cl>k4 7#aadgc a74 ,book ,,iiib4 ,employm5t ( ! half position3 #b ,pieces by ,dolmets* & ,s*ub]t4 ,second position2 *ang+ f fir/ to second position3 #d ,pieces by ,cresc5t9i1 ,boc*]9i1 ,scotson ,cl>k1 & ,s5aill4 7#aadgc b74 ,book ,,iiic4 ,supplem5t to ,books ,a & ,b4 ,pieces by ,wolf]mann1 ,scotson ,cl>k1 ,nicole1 ,kullak1 ,loes*horn1 & ,a4 ,krug4 7#aadgc c74 ,book ,,iva4 ,pieces up to ! ?ird position2 *ange betwe5 ! fir/ & ?ird position )\t ,portam5to3 ,pieces by ,j4 ,s4 ,ba* & ,v]ac9i4 ,*ange betwe5 fir/ & ?ird positions ) ,portam5to3 ,pieces by ,ma?ilde ,heim-,brem1 ,/relezki1 & ,ignaz ,la*n]4 7#aadgd a74 ,book ,,ivb4 ,pieces up to ! ?ird position3 *ange betwe5 ! fir/1 second1 & ?ird positions3 ,pieces by ,gurlitt1 ,haydn1 & ,ignaz ,la*n]4 ,*ange betwe5 ! half1 fir/1 second1 & ?ird positions3 ,pieces by ,h&el & ,m5delssohn4 7#aadgd b74 ,book ,,ivc4 ,supplem5t to ,books ,a & ,b4 ,pieces by ,f4 ,david1 ,a4 ,j5s51 ,de ,briot1 ,h4 ,ries1 & ,n4 ,w4 ,gade4 7#aadgd c74 ,an excell5t ,collection ( ,graduat$ ,viol9 & piano pieces revis$ by ,ern/ ,heim2 ea* book corresponds 9 difficulty ) ! same book ( 8 ,viol9 ,duets1 8,ar5a01 see page #aba & 8 ,viol9 ,/udies1 8,gradus ad ,p>nassum01 see page #aab4 ,adam1 ,a4 ,*ri/mas4 7,m4,f4 #ajh74 ,agrell1 ,j4 ,sonata1 edit$ by ,w4 ,ab]t4 7#aacje74 ,albums4 ,arrang$ by ,f4 ,h]mann1 conta9+ pieces by mod]n compos]s3-- ,vol4 ,,xv4 ,/relezki1 ,m9uet l',antique2 ,ar5sky1 ,s]5ade2 ,dobrzynsky1 ,les ,l>mes2 ,gauti]1 ,le ,secret2 ,raff1 ,*anson ,suisse1 ,rub9/e91 ,b>c>ole2 ,squire1 ,gavotte ,humori/ique2 ,field1 ,notturno2 ,web]1 ,mai5blm*5 ,walz]4 #gcbb p74 ,album ,opratique4 ,vol4 #a4 #ab ,melodies2 ,vol4 #b4 #ae ,melodies4 7#hfhi a1 b74 ,ario/i1 ,attilio4 #f ,sonatas ,lezioni = ,viola d'amore1 transcrib$ by ,g4 ,sa9t-,george4 7#aacaa a-f74 ,atk9son1 ,j4 ,a4 ,petite ,valse4 ,op4 #a4 ,ba*1 ,emanuel4 ,solfegietto4 ,arr4 by ,osc> ,wagn]4 ,ba*1 ,j4 ,s4 ,gavotte 9 ,d4 7,h]mann1 ,c4 ,v4 ,m4 #i74 -- ,gavotte f #f? ,sonata4 7#idja c74 -- ,fif? ,prelude f 8,das ,wohltemp]irte ,klavi]04 ,f4 ,h]mann4 7,m4,f4 #ie74 -- ,my he>t ev] fai?ful4 ,f4 ,h]mann4 7,m4,f4 #aae7 ,beazley1 ,j4 ,c4 ,sonat9a 9 ,f4 -- ,sonat9a 9 ,d m9or4 7#gcbg74 ,bee?ov54 ,&ante ,cantabile f ,trio4 ,op4 #ig4 7,m4 ,f4 #ih74 ,b5nett1 ,w4 ,/]ndale4 ,! ,lake4 7,m4,f4 #gh74 ,boc*]9i1 ,l4 ,m9uet 9 ,a4 ,brooks1 ,w4 ,op4 #dh4 ,album ,lyrique4 #d ,pieces4 7#gccc74 ,burgmll]4 #c ,nocturnes4 7#hfgc74 ,busoni4 ,op4 #bh4 ,bagatell54 ,no4 #c4 7#bddi74 ,*ri/mas-,album4 #aj ,pieces suitable = ,*ri/ma/ide1 arrang$ by ,f4 ,h]mann4 ,albums1 ,vol4 ,,xiv4 7#gcbb o74 ,adam1 ,*ri/mas2 ,grub]1 ,tyrolese ,*ri/mas ,hymn2 ,ba*1 ,aria f ! ,*ri/mas ,oratorio2 ,gurlitt1 ,&ante religioso2 ,re9ecke1 ,*orus ( ,angels2 ,golt]mann1 ,b]ceuse2 ,grieg1 ,*ri/mas ,song2 ,bortnianski1 ,adoration2 ,m5delssohn1 ,*ri/mas ,piece2 ,g\nod1 ,l',angelus4 ,cl>k1 ,s4 ,m>*e aux ,flambeaux4 7#idjc a74 -- ,m>*e indi5ne4 7#idjc b74 -- ,m>*e militaire4 7#idjc c74 -- ,procession ,m>*4 7#idjc d74 -- ,pilgrims' ,m>*4 7#idjc e74 -- ,m$itation4 -- ,melody 9 ,d4 -- #ab ,morceaux 7,orig9al pieces74 7#gcej74 ,"o or two are = ^? ent]+ ,/ep ,,iii1 b all are easy4 ,clem5ti1 ,c4 #f ,sonat9as4 ,op4 #cf4 ,viol9 "p by ,m4 ,reg]4 7#gcea74 ,c\rvoisi]1 ,c4 ,bagatelles4 #f petites ,pices4 ,op4 #ce4 7#idjd74 -- ,recreations4 ,easy ,pieces4 ,op4 #dh4 7,pa/orale1 ,gavotte & ,musette1 ,romance1 ,s*]zo1 ,b>c>olle1 ,waltz47 7#gcee74 ,czibulka4 ,gavotte de la ,pr9cesse4 ,arr4 p> ,fr4 ,h]mann1 7#idjf g74 ,d',alqu51 ,f4 ,nocturne 9 ,g4 ,dancla1 ,j4 ,c4 #ab ,mlodies4 ,arr4 by ,c4 ,gurlitt4 7#gcfa74 ,david1 ,f]d4 ,gondelli$4 7,h]mann47 7,m4,f4 #fi74 ,k9d]li$4 7,h]mann74 7,m4,f4 #ab74 ,remembrance 7,s\v5ir47 ,de-,angelis1 ,g4 ,due ,pezzi facili4 ,op4#i4 7,b]ceuse1 ,gavotta47 7#gcbe74 ,diabelli4 ,sonata 9 ,f4 7,w4 ,ab]t47 7#aacgc74 -- ,sonata 9 ,g4 7,e4 ,?omas47 7#gcdg74 ,dolmets*1 ,a4 ,romance4 ,dorn1 ,ed4 ,gr&e ,m>*e impriale4 7#idjf a74 ,d',ourville1 ,leon4 ,gondol9a4 ,arrang$ by ,e4 ,?omas4 -- ,soires ,musicales4 ,arrang$ by ,r4 ,h(mann3--,! ,mill4 ,! ,smi?y4 ,sp9n+ ,song4 ,sw+ ,song4 ,dussek4 ,op4 #bj4 #f ,sonat9as4 7#bejg74 ,gade1 ,n4 ,w4 ,elegie4 7,m4,f4 #ac74 ,spr+-fl[]4 7,m4,f4 #cb7 ,gauti]1 ,l4 ,le ,secret4 7,m4,f4 #aad74 ,gavotte ,album4 #ad ( ! mo/ celebrat$ ,italian1 ,fr5*1 & ,g]man ,gavottes by ,corelli1 ,c\p]91 ,rameau1 ,ba*1 ,h&el1 ,m>t9i1 ,gluck1 c4 ,f4 ,h]mann74 7#hfhg74 ,gluck1 ,c4 ,w4 ,&ant9o affettuoso 7,j5s51 ,v4 #bb74 ,g\nod1 ,c4 ,l',angelus1 arrang$ by ,f4 ,h]mann4 7,m4,f4 #aac74 -- ,m9uet1 arrang$ by ,cornelius ,gurlitt4 ,golt]mann1 ,g4 ,op4 #aad4 ,sonat9e 9 ,f4 7#gcha74 ,gungl1 ,j4 ,ob]lndl]4 7,m4,f4 #ai74 ,gurlitt1 ,c4 ,morceaux de ,salon 7faciles74 ,op4 #adf3-- ,bk4 ,,ii4 ,lndli*] ,tanz1 ,elegie1 ,aufs*wung1 ,romanze4 7#hfgg b74 ,bk4 ,,iii4 ,b>c>olle1 ,&ante religioso1 ,fantasie1 ,capriccio4 7#hfgg c74 ,pleas+ & useful tea*+ pieces1 ,book ,,iii conta9+ ! mo/ difficult ( ! set1 lead+ into next ,/ep4 ,also publi%$ folio size 9 sep>ate ,nos4 -- ,sn[-flakes 7,s*neeflock574 ,%ort ,pieces4 ,op4 #afd3-- ,book ,i4 ,humoreske1 ,notturno1 ,/nd*51 ,bau]ntanz4 7#gchb a74 ,book ,,ii4 ,elegie1 ,canzonetta1 ,impromptu1 ,lndl]4 7#gchb b74 ,book ,,iii4 ,rv]ie1 ,int]mezzo1 ,adagio4 ,valse noble4 7#gchb c74 ,twelve pleas+ & graceful tea*+ pieces1 also 9 sep>ate ,nos4 -- ,idylle 9 ,d4 -- ,op4 #aij1 ,no4 #g4 8,"u ! ,village ,lime-,tree04 -- ,&ant9o 9 ,b flat1 f ! ,sonat9a1 ,op4 #acd1 ,no4 #b4 ,h&el1 ,g4 ,f4 #b ,suites1 arrang$ by ,g4 ,j5s53-- ,no4 #a 9 ,d4 7#gcgh a7 ,no4 #b 9 ,e m9or4 7#gcgh b74 ,j5s5 has be5 p>ticul>ly happy 9 ! selection ( ! pieces :i* =m ^! ,suites & 8 ?or\gh k ( ! great ma/]'s /yle has enabl$ him to provide accompanim5ts :i* brea! ,h&elian _s1 & are 9 !mselves full ( int]e/4 -- ,adagio religioso ed ,allegro 7,j5s51 ,v4 #ai74 -- ,sonata ,,iii4 7,a maj474 ,arr4 by ,f4 ,h]mann4 7#gcgf74 -- ,sonata ,,xii4 7,f4 maj474 7,dr4 ,riemann47 7#gejb74 -- ,sonatas = ,flute ) ,basso cont9uo1 arrang$2 ) m>ks ( expression by ,gu/av ,j5s54 7#gche74 -- ,s>ab&e4 7,m4,f4 #if74 ,h>tog1 ,h5ri4 ,les ,clo*es4 #eme ,morceau de ,salon4 ,haydn1 ,j4 ,s]5ade4 7,j5s54 ,v4 #b74 -- ,adagio recitativo4 7,j5s54 ,v4 #c74 -- ,ox ,m9uet4 7,m4,f4 #dc74 ,hauptmann4 ,sonata4 ,op4 #f4 7,f4 ,h]mann47 7#gchc74 ,haus]4 ,die ,plume 7,preghi]a74 7,m4,f4 #ee74 -- ,dorfli$4 7,m4,f4 #ef74 ,heim1 ,ern/4 ,ab5dli$ 7,ev5+ ,song74 ,h5nessy1 ,swan4 ,op4 #g4 8,9 ! ,m\nta9s04 ,two poetical little pieces entitl$ 8,mittags/ille0 7,noon71 & 8,zwiegespr*0 7,duet 9 ,canon74 ,h5kel1 ,h4 ,sicili5ne4 ,h5selt1 ,a4 ,la ,fonta9e4 7,m4,f4 #ce74 ,h]mann1 ,f4 ,sonat9a 9 ,g4 7#gchi a74 -- ,op4 #bh1 ,no4 #b4 ,sonat9a 9 ,d4 7#gcij a74 -- ,dance ,movem5ts f ! works ( ,great ,ma/]s4 ,! foll[+ are suitable = ?is ,/ep3-- ,ba*1 ,s>ab&e4 7#gchg a74 ,*]ub9i4 ,ballet music4 7#gchg h74 ,h&el1 ,s*]zo4 7#gchg b74 ,gluck1 ,musette4 7#gchg l74 ,h(fmann1 ,j4 ,cantil5a 9 ,a4 ,h(mann1 ,ri*>d4 ,op4 #gh4 #d ,pieces3--,s*]z9o1 ,romance1 ,gavotte4 ,m9uet4 -- #h ,vortrags/cke4 ,op4 #ajc3--,no4 #a4 ,int]mezzo4 #e4 ,b]ceuse4 -- ,?ree ,%ort ,pieces1 ,op4 #aaj2 ,no4 #c4 ,s*]zo4 -- ,wieg5li$ 7,e4 ,heim74 ,h(mann4 ,potp\rris on popul> ,melodies f classical & mod]n op]as & oratorios4 ,balfe4 ,! ,bohemian ,girl4 7#edbj c74 ,bee?ov54 ,egmont4 7#edba c74 ,bee?ov54 ,fidelio4 7#edbb c74 ,donizetti4 ,l',elisire d'amore4 7#edbc c74 ,donizetti4 ,lucrezia ,borgia4 7#edbd c74 ,gluck4 ,iphignie en ,aulide4 7#edbe c74 ,h&el4 ,judas ,maccabaeus4 7#edbf c74 ,kreutz]4 ,das ,na*tlag] 9 ,granada4 7#edbg c74 ,m>s*n]4 ,hans ,heil+4 7#edbh c74 ,m5delssohn4 ,a ,midsumm] ,night's ,dream4 7#edbi c74 ,m5delssohn4 ,elijah4 7#edcj c74 ,mey]be]4 ,les ,hugu5ots4 7#edca c74 ,mey]be]4 ,le ,prophte4 7#edcb c74 ,moz>t4 ,le ,nozze di ,fig>o4 7#edcc c74 ,nicolai4 ,die lu/ig5 ,weib] von ,w9dsor4 7#edcd c74 ,wallace4 ,m>itana4 7#edce c74 ,web]4 ,ob]on4 7#edcf c74 ,web]4 ,preciosa4 7#edcg c74 ,hollnd]1 ,g4 ,op4 #c4 ,sp9n]li$4 ,jansa1 ,l4 ,op4 #ed4 ,conc]t9o4 7#gcia74 -- 8,les ,fleurs des ,opras01 edit$ & f+]$ by ,c\rvoisi]4 #bj ,bks4 7#gdda-gdfj74 -- ,second ,s]ies4 #g ,books4 7#gdfc-gdfi74 ,j5s51 ,a4 ,lndl]4 7,m4,f4 #h74 ,j5s54 ,w&]bild]4 #b ,bks4 7#babi a1 b74 ,nos4 #g1 #aj1 #aa ( ^! *>m+ pieces belong to ,,iii4 ,kays]4 #cf ,elem5t>y & ,progressive ,/udies1 ,op4 #bj 7introductory to ^? ( ,kreutz]71 revis$ by ,e4 ,heim4 ,books ,i & ,,ii4 7#gcig a1 b74 ,book ,,iii belongs to ! foll[+ /ep4 ,ke>ne1 ,l4 ,canzonetta4 ,kir*n]1 ,f4 ,op4 #ahd a4 ,slumb] ,song4 -- ,hunt+ ,sket*1 ,no4 #c4 ,op4 #fjh4 ,kir*n]1 ,?4 ,feuillet d',album4 7,m4,f4 #ae74 ,kreuz1 ,emil4 ,*ant d'am\r4 ,op4 #dd1 ,no4 #b4 ,kuhlau1 ,f4 ,sonat9es4 ,op4 #hh4 7,emile ,?omas73--,no4 #a1 en ,ut 79 ,c74 #c4 en ,la bmol 79 ,a m9or74 ,la*n]1 ,i4 ,op4 #ic4 #c ,morceaux de ,salon3 ,no4 #b4 ,t>antelle2 #c4 ,danse des ,matelots4 7#geaa b1 c74 ,no4 #a1 ,nocturne belongs to ,,iii4 -- ,op4 #ajh4 #d ,duos4 ,nocturne1 ,gr&e ,polonaise1 ,lndli*e ,idylle 7,c\ntry ,idyll71 ,bhmis*] ,orig9al-,bau]ntanz 7,bohemian ,peasants' ,dance74 -- ,op4 #id4 ,no4 #a1 ,sie/a2 ,no4 #b1 ,gr&e ,polonaise4 -- ,op4 #ii4 ,sonat9a 9 ,a4 7#gejc74 -- ,op4 #ajj4 ,sonat9a 9 ,b4 7#gejd74 -- ,op4 #aja4 ,sonat9a 9 ,g4 7#geje74 ,?ree excell5t sonat9as = "y pupils4 ,la*n]'s music recalls mu* ( ! _s ( ,haydn1--x is /raight=w>d1 heal?y & g5ial 9 "*4 ,! influ5ce ( ,s*umann & ! some:at complicat$ rhy?mical feel+ introduc$ by _m mod]n ,g]man compos]s into _! o!rwise te*nically easy pieces 7r5d]+ !m difficult to be und]/ood by "y beg9n]s :o are n specially gift$7 are "h conspicu\s by _! abs5ce4 ,lang]4 ,g4 ,op4 #bj4 8,grossmtt]*540 ,lndl]4 ,lauba*1 ,f4 #bd ,scotti% ,songs1 arrang$4 7#geac74 ,lee1 ,maurice4 ,cantil5a4--,gavotte de ,l\is ,,xv4--,rve cle/e1 ,morceau de ,salon4 -- ,gavotte du ,duc de ,ri*elieu4 7#idjf f74 -- ,sylvana4 ,m5uet4 7#idjf c74 ,liszt4 ,f4 ,consolation4 7,m4,f4 #af74 ,lully4 ,j4 ,b4 ,entre de l',opra1 8,les ,songes fune/es d',atys04 7,h]mann1 ,c4,v4,m4 #e74 -- ,gavotte et ,rondeau d',alce/e4 7,a m9or74 7,h]mann1 ,c4,v4,m4 #f74 ,m>* ,album4 ,bk4 #b4 ,edit$ by ,h]mann4 7#hfhf b74 ,conta9s #e ,m>*es by ,bee?ov51 #c by ,*]ub9i1 & #a by ,lesueur4 ,m>t9i1 ,g4 ,b4 ,gavotta4 7,j5s51 ,v4 #af74 ,m5delssohn4 #d ,m>*es 7,w$d+ ,m>*1 ,w> ,m>*1 ,m>* f ,italian ,symphony1 ,li$ ohne ,worte 9 ,e m9or74 ,bk4 #e ( ,m>* ,albums4 7#hfhf e74 -- ,*ri/mas ,piece4 ,op4 #gb4 ,no4 #b4 7,m4,f4 #aab74 ,meo1 ,alfonzo4 ,! ,cubanese ,dance4 ,m(fat1 ,a4 ,b\rre et ,musette4 ,gigue anglaise4 ,hebridean ,jorram 7,hebrid5 ,s*iff]li$74 ,mlodie lgiaque4 ,pi]rette4 ,danse ,gracieuse4 ,fantasia on ,engli% ,airs4 ,fantasia on ,iri% ,melodies4 ,moz>t1 ,w4 ,a4 ,allegretto 7,sonata 9 ,g74 7#gcbd c74 -- ,rondo 7,sonata 9 ,f74 7#gcbd c74 -- ,sonata 9 ,d arrang$ f ! ,pian(orte ,duet ,sonata1 ,op4 #c1 ,no4 #a1 by ,w4 ,ab]t4 7#aaeff74 -- ,romanze aus d] 8,na*t-,musik0 7,j5s51 ,v4 #ag74 ,nlck1 ,a4 ,b]ceuse4 ,op4 #ib4 ,our ,favorite ,tunes4 7,h]mann47 7#gchh74 ,nos4 #a1 #b1 #e & #ad belong to ,i b74 ,pap9i1 ,g4 ,deux ,airs ,napolita9s4 ,no4 #a 9 ,d2 ,no4 #b 9 ,d4 ,p]golese1 ,g4 ,b4 ,air4 7,m4,f4 #aaf74 ,pleyel4 ,op4 #dh4 ,six ,sonat9as4 7,f4 ,h]mann47 7#gedf74 ,porpora1 ,niccolo4 ,la ,*asse4 ,pian(orte ,accompanim5t1 arrang$ f ! orig9al figur$ ,bass by ,a4 ,m(fat4 ,poznanski1 ,j4 ,b4 ,la ,p>esse4 ,rameau1 ,j4 ,p4 ,m5uet et ,passepi$s de 8,ca/or et ,pollux04 7,h]mann1 ,c4,v4,m4 ,no4 #g74 -- ,rigodon 7,d>danus74 7,m4,f4 #ii74 -- ,rigodon en ,rondeau 7,d>danus74 7,m4,f4 #ajj74 ,reb]1 ,h4 ,b]ceuse 9 ,g4 ,re9ecke1 ,c4 ,m9iature ,sonat9a 9 ,c4 ,op4 #abb1 ,no4 #i4 -- ,sonate m9iature1 9 ,b m9or4 -- #b ,m9iature ,sonatas 79 fir/ position74 ,op4 #bac4 ,nos4 #aa #ab4 7#gedc74 ,^! f\r sonat9as w\ld suitably foll[ ^? ( ,gurlitt "u ,i4 -- ,ab5dgebet4 7,m4,f4 #ah74 -- ,te>s 7,?rn574 7,m4,f4 #dj74 -- ,*ant d'am\r4 7,m4,f4 #ea74 -- ,f>&ole4 7,m4,f4 #hf74 ,rhe9b]g]1 ,j4 ,masurek4 7,m4,f4 #bj74 ,ries1 ,f4 ,sonat9as 9 ,f1 9 ,a m9or1 & 9 ,c4 7,?omas74 7#gedg74 ,roeckel1 ,j4 ,l4 ,croquis musicaux4 #f ,morceaux4 #b ,books4 7#gefc a1 b74 ,no4 #a4 l'antique4 ,no4 #b4 ,maz\rka-,caprice4 ,no4 #c4 ,simple ,mlodie4 ,no4 #f4 ,s\s la lune4 ,nos4 #d & #e belong to ,,iii4 -- ,air du ,dauph94 7#idjf d74 -- ,la ,k]messe de ,/4 ,cl\d4 7#idjf e74 ,rub9/e91 ,a4 ,romance 7,f74 7,m4,f4 #bd74 ,sa9t-,george4 ,l'anci5 rgime4 ,petite ,suite4 7#gegj;a74 -- ,entre n\s4 ,morceau de ,salon4--,tri/esse4--,vieille ,hi/oire4 ,s*mitt1 ,j4 ,sonat9a 9 ,c4 7,e4 ,?omas74 ,s*ub]t4 ,?ree ,sonat9as4 7,e4 ,?omas74 7#gega74 ,no4 #a 9 ,d1 ,no4 #c 9 ,g2 ,no4 #b belongs to ,,iii4 -- ,mom5t musical4 7,m4,f4 #e74 -- ,ballet de ,rosamonde4 7,m4,f4 #bh74 -- ,m5uet favori4 7,m4,f4 #eb74 -- ,div]tissem5t la hongroise4 7,m4,f4 #ic74 -- ,am ,me]4 ,arr4 by ,emile ,?omas4 -- ,romance f 8,rosamonde40 ,arr4 by ,emile ,?omas4 -- ,s]5ade4 ,arr4 by ,emile ,?omas4 ,s*ub]t1 ,f4 7,dresd574 ,cantabile4 7,m4,f4 #hd74 -- ,romanza espressiva4 7,m4,f4 #aja74 ,s*umann1 ,r4 ,s*lumm]li$4 7,m4,f4 #bf74 -- 8,rev]y0 & 8,at ! ,fireside0 7,h]mann74 -- ,album4 #ef ,pieces arr4 by ,f4 ,h]mann4 7#gegd74 -- ,sc5es ( ,*ildhood 7,k9d]sc5574 ,easy ,pieces4 ,op4 #ae4 ,arrang$ by ,f4 ,h]mann4 7#gege74 ,nos4 #ab & #ac belong to ,,iv4 -- ,album = ! ,"y 7,jug5d-,album74 ,op4 #fh4 ,arrang$ by ,f4 ,h]mann4 7#gegf74 ,no4 #d belongs to ,ia4 ,nos4 #b1 #bc & #db to ,ib4 ,no4 #bb to ,,iii1 & #cc to ,,iv4 ,s*ytte1 ,l4 ,b]ceuse4 7,m4,f4 #hb74 ,s5aill1 ,j4 ,b4 ,aria 9 ,g m9or4 7,j5s51 ,v4 #g74 -- ,sonate4 7,j5s574 7#gdje74 ,simon1 ,a4 ,b]ceuse4 ,edit$ & f+]$ by ,ern/ ,heim4 ,smi?1 ,sydney4 ,! ,lily ( ! ,valley1 op4 #ad4 ,arrang$4 ,spohr1 ,l4 ,romanze 9 ,a4 7,m4,f4 #bb74 -- ,b>c>olle f #c ,duett9os op4 #ace4 7#hfie74 -- ,l>ghetto 9 ,g4 7,m4,f4 #ib74 ,squire1 ,w4 ,h4 ,gavotte s5tim5tale4 -- ,rev]ie4 -- ,s]5ade 9 ,a4 -- ,b\rre4 ,op4 #bd4 -- ,m$itation4 ,op4 #be4 ,/relezki1 ,a4 8,l',abs5ce01 ,mlodie4 -- ,mlodie rligieuse4 -- #d;ime ,m5uet l',antique4 7,m4,f4 #ajc74 ,/russ1 ,fritz4 #b ,*>act]i/ic ,pieces4 ,op4 #ab4 ,no4 #a4 ,gondoli]a4 ,sutcliffe1 ,w4 ,&ante 9 ,e4 ,t>t9i1 ,g4 ,l>ghetto 7,g m9or74 7,j5s51 ,v4 #f74 ,?omas1 ,emile4 ,air de ,ballet4 -- ,danse ,l5te4 -- ,sanss\ci ,valse4 -- ,polka4 -- ,danse ru/ique4 ,light salon pieces 9 simple rhy?ms4 -- ,sonat9e en ,ut 7,c74 ,ts*ak[sky1 ,p4 ,album ( ,fav\rite ,pieces3-- #a4 ,mazurka2 #b4 ,sweet ,dream2 #c4 ,neapolitan ,song2 #d4 ,autumn ,song2 #e4 ,b>c>olle2 #f4 ,&ante cantabile2 #g4 ,*ant sans p>oles2 #h4 ,troka2 #i4 ,*ri/mas4 ,edit$ & p>tly arrang$ by ,fr4 ,h]mann4 7#geij74 ,nos4 #a1 #f1 #g1 #h & #i belong to ,,ii4 -- ,*anson tri/e4 7,m4,f4 #he74 -- ,*ant sans ,p>oles4 7,m4,f4 #bg74 ,valle de ,paz1 ,e4 del4 ,op4 #bi1 ,no4 #b4 ,m9uet4 ,v]ac9i1 ,a4 ,sonata 9 ,a m9or4 7,g4 ,j5s547 7#gdaf74 ,v]ac9i1 ,f4 ,m4 ,m9uet4 7,j5s51 ,v4 #e74 -- ,s>ab&a e ,danza ru/ica4 7,m(fat47 7#gehi74 ,volkmann1 ,r4 ,musical ,picture ,book4 ,arrang$ by ,f4 ,h]mann3-- ,no4 #d4 ,on ! ,lake4 7,m4,f4 #fb74 ,no4 #f4 ,! ,%eph]d4 7,m4,f4 #fd74 ,web]1 ,c4 ,m4 von4 ,lonely4 7,krug47 -- ,mai5blm*54 7,f4 ,h]mann74 7,m4,f4 #aje74 -- ,sonat9a 9 ,c = #d h&s1 arrang$4 7,ab]t47 7#aagfe74 ,witt+1 ,c4 ,&ante alla ,siciliana4 ,wolf]mann1 ,a4 ,fantasia ,no4 #a 9 ,g1 ,no4 #b 9 ,g4 ,melodi\s pieces1 conta9+ excell5t practice4 -- ,romance4 ,no4 #a ( #c pieces4 ,/ep ,,iii4 ,fir/ five ,positions4 ,palae/ra4 ,a ,collection ( ,pieces1 ,sonatas1 ,suites1 & ,conc]t ,pieces1 = ,viol9 ,solo ) ,pian(orte ,accompanim5t3 arrang$ 9 progressive ord]1 c>efully m>k$ & annotat$ by ,ern/ ,heim3-- ,book ,,va4 ,pieces ) *ange f fir/ to f\r? position1 by ,la*n]1 ,gurlitt1 ,h(mann1 & ,m(fat4 ,piece ) *ange f fir/ to fif? position1 by ,lully4 7#aadge;a74 ,book ,,vb4 ,pieces up to ! fif? position1 by ,spohr1 ,gem9iani1 ,moz>t1 & ,h&el4 7#aadge;b74 ,book ,,vc4 ,supplem5t to ,books ,a & ,b4 ,pieces by ,liszt1 ,j5s51 ,hell]1 ,gade1 & ,david4 7#aadge;c74 ,palae/ra1 a collection ( graduat$ pieces1 revis$ by ,ern/ ,heim1 (f]s ! mo/ suitable mat]ial = ! /udy ( /yle & phras+2 ea* book corresponds 9 difficulty ) ! same book ( 8 ,viol9 ,duets4 8,ar5a01 see page #abd1 & 8 ,viol9 ,/udies1 8,gradus ad ,p>nassum01 see page #aad4 ,album de ,danses4 ,vols4 #a & #b1 conta9+ "s ( ! mo/ celebrat$ dances by ,johann & ,josef ,/rauss4 7#gcai;a1 b74 ,album p\r ,violon et ,piano4 #ae ,vols4 ,arrang$ by ,f4 ,h]mann4 7#gcbb a-n74 ,a numb] ( fav\rite pieces1 su* z ,rub9/e9's 8,melody 9 ,f01 ,raff's 8,cavat9a01 etc41 are conta9$ 9 ^! books1 ! majority be+ suit$ to ,,iii1 b a few to ! next ,/ep4 ,ar5sky1 ,a4 ,s]5ade 9 ,g4 7,m4,f4 #ajb74 ,ba*1 ,j4 ,s4 ,air & ,gavotte 7f ! ,or*e/ral ,suite 9 ,d74 7,j5s51 ,v4 #a74 -- ,&ante4 7,sonata 9 ,a m9or1 ,no4 #c47 7,j5s51 ,v4 #ac74 -- ,conc]tos 9 ,a m9or & ,e m9or4 -- ,l>go f a flute ,sonata4 7,j5s51 ,v4 #bj74 -- ,siciliano f a flute ,sonata4 7,j5s51 ,v4 #ba74 -- ,sonata 9 ,g m9or4 7#gdcd74 -- #c ,tonstze1 arr4 von ,h4 ,h5kel4 7#a4 ,b]ceuse2 #b4 ,s>ab&e2 #c4 ,toccata47 7#gcbf74 ,b>?lemon1 ,e4 ,h4 ,sonata 9 ,e m9or4 7#gdba74 ,bati/e1 ,e4 ,voix cle/e4 7,m4,f4 #gj74 ,beck]1 ,j4 ,romance4 7,m4,f4 #db74 ,bee?ov5-,album4 7,arrang$ by ,f4 ,h]mann74 7#gcbi74 ,bee?ov54 #b ,romances 9 ,g & ,f4 7,j5s51 ,v4 #aj1 #aa74 7#gcca74 ,two ( ! *oice/ gems ( viol9 lit]ature4 ,"o ( ! be/ & cle>e/ editions is t f+]$ & edit$ by ,g4 ,j5s54 ,b5da1 ,franz4 #h? ,sonata 9 ,a m9or4 7#gdcc74 ,b5net1 ,w4 ,/]ndale4 ,ov]ture1 8,p>is9a04 7#hfga;a74 -- ,ov]ture1 8,! ,naades04 7#hfga;b74 -- ,ov]ture1 8,! ,wood ,nymphs04 7#hfga;c74 ,briot1 ,c4 de4 #fme ,air v>i4 7#gcce74 -- #gme ,air v>i4 7#gcch74 -- #ab ,mlodies ,itali5nes4 #b ,bks4 7#gccd;a1 b74 -- ,la ,v]g9ella4 7,m4,f4 #hg74 ,blagrove1 ,/anley4 ,rv]ie4 ,bor*1 ,ga/on4 ,b]ceuse 9 ,g4 ,op4 #ej4 -- ,romance 9 ,g4 ,op4 #eg4 7#aacbf74 ,bord]s1 ,w4 ,morceau l',irl&aise4 ,op4 #hg4 -- ,romance & ,bol]o4 ,op4 #hh4 ,duo ,conc]tante4 ,borghi1 ,l4 ,sonata ,no4 #b1 9 ,a major4 7#gdac74 -- ,sonata ,no4 #d1 9 ,g m9or4 7#gdad74 ,brahms1 ,j4 ,op4 #ci4 ,walz]4 7#idjb74 -- ,ung>is*e ,tnze4 #d ,bks474 ,simplifi$ arrangem5t by ,f4 ,h]mann4 ,brau]1 ,max4 ,m$itation on 8,little ,/udy01 by ,s*umann 7,ern/ ,heim74 ,burgmll]4 ,nocturne4 7,m4,f4 #ia74 ,campagnoli4 ,etude4 7,h]mann1 ,c4,v4,m4 #c74 ,*amb] ,music4 ,edit$ by ,h4 ,holmes4 ,a selection f ! ,solo ,sonatas ( ,corelli1 ,t>t9i1 ,ba* & ,h&el4 7#hfgi74 ,*op91 ,f4 ,mazurka4 7,m4,f4 #cd74 -- ,m>*e funbre4 7,m4,f4 #hi74 ,corelli1 ,a4 #ab ,sonatas4 ,op4 #e 7,gu/av ,j5s574 ,b\nd1 ) ,portrait4 7#gced9974 ,"p ,i4 7,sonatas #a to #f74 7#gced;a74 ,"p ,,ii4 7,sonatas #g to #ab74 7#gced;b74 ,! accompanim5ts to ^! beautiful ,sonatas are ! "w ( a true arti/1 :o1 ) all ! te*nical res\rces at 8 comm&1 work$ 9 rev]5tial _s ) reg>d to ! /yle & "* ( ! old ,ma/]4 ,! accompanim5ts are v>i$ & v int]e/+ 9 _! weal? ( contrapuntal device & figuration4 ,! c>eful way 9 :i* all ! ornam5ts are writt5 out1 & ! b[+ & f+]+ add /ill fur!r to ! value ( ?is f9e edition4 ,! same "w 9 ,score by ,joa*im & ,*rys&]3-- ,livre ,,iii4 ,op4 #e1 ,p>te ,prima3 #f ,sonate a ,viol9o ,solo e ,violone1 o ,cembalo4 ,p>te ,seconda3 ,preludii1 ,allem&e1 ,corr5ti1 ,gighe1 ,s>ab&e1 ,gavotte e ,follia a ,viol9o ,solo e ,violone1 o ,cembalo4 7#dicf;c74 -- ,follia con v>iazioni4 7,g4 ,j5s574 7#gdai74 ,aft] a lapse ( two c5turies ! /udy ( ,corelli is /ill indisp5sable4 ,! above new edition has be5 admirably done by ,g4 ,j5s51 :o has avail$ himself ( ! ornam5ts z play$ by ,corelli4 ,danb1 ,j4 ,mazurka de ,salon4 ,david1 ,f]d4 #f ,salon/cke4 ,op4 #bd4 ,revis$ by ,fr4 ,h]mann4 7#gcdi74 -- ,op4 #cj4 8,bunte ,reihe04 7,f4 ,h]mann74 7#gcfc;a1 b74 #bd pieces 9 two books4 ,no4 #a is an attractive ,s*]zo4 ,no4 #e1 a graceful ,gondelli$4 ,no4 #af1 a good wri/ /udy1 ,no4 #bd1 an equally good /accato leggi]o /udy4 ,9 o!rs1 ! keys ( #e & #f %>ps & flats are freely us$4 -- ,romance 9 ,f %>p major 7orig9al key74 -- ,romance 9 ,f major 7transpos$74 -- ,s*]zo4 7,m4,f4 #b74 -- ,ung>is*4 ,op4 #cj1 ,no4 #ai4 7,fr4 ,h]mann74 ,de-,angelis1 ,g4 ,&ante religioso4 ,op4 #g4 -- ,biond9a4 ,mlodie4 ,op4 #aj4 -- ,petite ,lg5de4 ,del ,valle de ,paz1 ,e4 #c ,capricci4 ,op4 #ae4 7#gcfb74 -- ,op4 #bh1 ,no4 #a4 ,srnade ,itali5ne4 -- ,op4 #cb1 ,album4 7,improvisation1 ,t>antelle1 ,melodie1 ,adieu1 ,s]5atella1 ,canzonetta amorosa1 ,b\rre1 ,mazurka47 7#gcfd74 ,delibes1 ,l4 8,sylvia04 ,introduction & ,valse ,l5te4 -- 8,sylvia04 ,b>c>olle & ,pizzicati4 ,arrang$ by ,m4 ,m>sick4 ,dobrzynski1 ,i4 ,f4 ,les ,l>mes4 7,m4,f4 #ajd74 ,dunkl]1 ,e4 ,morceau de ,salon1 revis$ by ,h]mann4 7,m4,f4 #dh74 ,dussek4 ,op4 #fi1 ,no4 #a4 ,sonata 9 ,b4 7,e4 ,?omas47 7#gcfj74 ,a v fav\rite "w4 ,dvorak4 ,op4 #ae4 ,ballade4 7#gcfe74 ,ell]ton4 ,duo 9 ,d m9or4 ,op4 #ef4 7#hfge74 ,ersfeld1 ,c4 ,op4 #ae4 ,romance 9 ,b4 7#gcgc74 ,gabriel-,m>ie4 ,srnade ,bad9e4 ,gade1 ,n4 ,w4 ,op4 #f4 ,sonata 9 ,a4 7#gcfi74 -- ,op4 #ba4 ,sonata 9 ,d m9or4 7#gcgd74 ,gem9iani1 ,f4 ,sonatas ,no4 #a 9 ,a major 7#gdja71 ,no4 #b 9 ,b m9or 7#gdjb71 ,no4 #h 9 ,d m9or 7#gdaa74 -- ,select$ ,sonata movem5ts4 7#gdab74 ,g]man1 ,edw>d4 ,song )\t ,words4 7#aadda74 -- ,salt>elle4 7#gcgj74 -- ,?ree ,dances f 8,h5ry ,,viii04 ,god>d1 ,b4 ,b]ceuse de 8,jocelyn04 ,golt]mann4 ,op4 #ac4 #b ,salon ,pieces4 7,les ,adieux & ,le ,rve47 7#aiif74 -- ,b]ceuse4 ,g\nod1 ,c4 ,s]5ade4 7,m4,f4 #gb74 -- ,m$itation on ,ba*'s #a/ ,prelude4 7,m4,f4 #aah74 ,grieg1 ,e4 ,*ri/mas ,song1 arr4 by ,f4 ,h]mann4 7,m4,f4 #aaj74 ,guillaume4 ,op4 #d4 ,mlancolie2 ,romance4 ,gurlitt1 ,c4 ,op4 #acd4 ,sonat9as3-- ,no4 #a1 9 ,a major 7#gcgb;a72 ,no4 #b1 9 ,f 7#gcgb;b74 ,true & unsophi/icat$ melody di/+ui% ^! two ,sonat9as4 ,! ,&ante ( ! fir/ is p>ticul>ly f9e4 ,h&el4 ,l>go4 ,aria1 8,ombra mai fu01 arr4 by ,r4 ,h(mann4 -- ,sonatas 9 ,a 7#gdbb71 9 ,g m9or 7#gdbf71 9 ,d 7#gdbg71 9 ,e 7#gcgg74 -- ,suites ,nos4 #a & #b4 7,j5s574 7#gcgh;a1 b74 ,^! ,suites belong to ,,ii except = a b> 9 ea*4 ,h>tog4 8,home1 sweet home04 ,v>iations4 7#gchj74 -- ,b]ceuse1 ,i] ,morceau de ,salon4 ,haus]1 ,m4 ,le ,dsir4 7,m4,f4 #d74 -- ,le ,rve4 7,m4,f4 #aa74 -- ,b>c>olle4 7,m4,f4 #ed74 -- ,hung>ian ,dance4 -- #f ,songs )\t ,words4 7#gejf74 ,melodi\s & *>act]i/ic salon pieces4 ,haydn4 ,v>iations 8,gott erhalte ,franz d5 ,kais]04 7,?omas74 ,hell] ,ern/4 ,p5ses fugitives4 7,fr4 ,h]mann73-- ,bk4 ,i4 7,pass1 ,s\v5ir1 ,romance1 ,li$1 ,agitato1 c474 7#gchf;a74 ,bk4 ,,ii4 7,rv]ie1 ,un ,caprice1 ,inquitude1 ,prire p5dant l'orage1 ,int]mezzo1 & ,?me orig9al et v>iations74 7#gchf;b74 ,brilliant & fanciful4 ,v grateful draw+ room pieces4 ,hell]1 ,/eph54 ,rondeau4 7,m4,f4 #hh74 ,h5kel1 ,h4 ,gavotte mod]ne4 ,op4 #ha4 ,h]mann4 ,dance ,movem5ts f ! works ( ,great ,ma/]s4 ,! foll[+ may be tak5 9 ?is ,/ep3-- ,bee?ov54 ,allegretto1 7#gchg f73 ,haydn4 ,na*tw*t] ,m5uett4 7#gchg c73 ,m>s*n]4 ,tanzmusik4 7#gchg;i73 ,monsigny1 ,*aconne4 7#gchg m73 ,moz>t4 ,all',ong>ese4 7#gchg g73 ,moz>t4 ,m9uet4 7#gchg e73 ,rameau4 ,*aconne & ,musette4 7#gchg k74 ,h]rmann1 ,e4 ,op4 #ab4 ,b>c>olle4 7#hfgh74 ,h(fmann1 ,j4 ,bol]o4--,danse des sorcires4--,z+>esca1 ,morceau c>actri/ique4--,rob9 ,adair4 ,fantaisie brillante4 ,h(mann1 ,ri*>d4 ,%ort ,/udy 7,kle9e ,/udie74 ,op4 #aaj1 ,no4 #b4 ,hollnd]1 ,v4 ,polonaise4 7#aaeja74 ,hurl/one4 ,w4 ,sonata 9 ,d m9or4 7#gejg74 ,irel&1 ,john4 ,b]ceuse4 ,j5s51 ,a4 ,trum]ei4 ,z arrang$ by ,wilhelm2 ?is makes a f9e solo = ! f\r? /r+4 -- ,s]5ade 7,/nd*574 ,arrang$ by ,h]mann4 7,m4,f4 #eh74 -- ,w&]bild]4 ,nos4 #g1 #aj & #aa4 7#babi a1 b74 ,j5s51 ,g4 ,op4 #be4 ,suite 9 ,a m9or4 7#hfhj74 ,prlude f ! same4 ,b>c>olle f ! same4 -- ,op4 #bh4 ,?ree ,pieces4 -- ,op4 #ca4 #c ,morceaux ,c>actri/iques4 7#gcid74 -- ,op4 #cf4 #bnd ,romance 9 ,b4 -- ,op4 #ch4 ,b]ceuse4 ,kays]4 #cf ,elem5t>y & ,progressive ,/udies4 ,op4 #bj 7introductory to ^? ( ,kreutz]71 revis$ by ,e4 ,heim4 ,book ,,iii4 7#gcig c74 ,kj]ulf1 ,h4 ,frhl+sli$4 7,m4,f4 #ge74 ,kreuz4 ,e4 8,frhl+sg$ank540 ,op4 #i4 7#geaj74 -- ,f\r ,pieces4 ,op4 #bh4 7#geag74 -- ,cavat9a 9 ,e4 ,op4 #dd4 ,no4 #a4 -- ,srnade napolita9e4 ,op4 #dd1 ,no4 #c4 -- ,le rve4 ,morceau4 ,op4 #de4 ,no4 #c4 ,kck51 ,f4 #f ,duos4 7#hfha a-f74 ,kuhlau4 ,op4 #hh4 #d ,sonat9as4 ,nos4 #b1 #c & #d4 7#gcii74 ,la*n]1 ,ignaz4 ,morceaux de ,salon4 ,op4 #ic3-- ,no4 #a4 ,nocturne4 ,leclair1 ,j4 ,m4 ,&ante1 ,gavotta e ,m9uetto4 7,j5s51 ,v4 #ah74 -- ,s>ab&a & ,tamb\r9o4 7,j5s51 ,v4 #d74 -- ,tamb\r94 7,h]mann1 ,c4,v4,m4 #h74 -- ,sonate ,,iv4 7,g4 ,j5s574 7#gbde74 ,le ,jeune1 ,a4 ,coronation ,m>*4 ,loes*horn1 ,a4 ,a ,*ild's ,dream 7,des ,k9des ,traum74 ,*>act]i/ic piece1 arrang$ by ,ern/ ,heim4 ,loew1 ,j4 ,albumblatt4 7,m4,f4 #f74 ,lully1 ,j4 ,b4 ,gavotte 9 ,d m9or4 7,h]mann1 ,c4,v4,m4 #aj74 ,mac ,cunn1 ,hami%4 ,op4 #cj4 8,highl& ,memories01 ,suite ( #c ,scotti% ,sc5es3 8,by ! ,burnside01 8,on ! ,lo*0 & 8,h>ve/ ,dance04 7#gebj74 ,?ree int]e/+ & q uncommon pieces4 -- ,?ree ,romantic ,pieces4 ,op4 #bg4 ,no4 #a4 ,l',esprance4 ,no4 #b4 ,srnade4 ,no4 #c4 ,rve d'am\r4 ,mack5zie1 ,a4 ,c4 ,op4 #cg1 ,nos4 #c & #d 8,b5$ictus0 & 8,z+>esca04 ,mall>d1 ,c4 8,sehnsu*t und ,h(fnung04 ,m>* ,album4 ,bks4 #c & #d4 ,edit$ by ,h]mann4 7#hfhf;c1 d74 ,m>t9i1 ,g4 ,b4 ,siciliana4 7,j5s51 ,v4 #ae74 ,matras1 ,maud4 ,ballade4 ,op4 #h4 7#gecd74 ,m5delssohn4 ,op4 #d4 ,adieu ,b]l94 7#hfhc74 ,m(fat1 ,alfr$4 ,la ,gracieuse4 ,mazurka4 -- ,lg5de4 -- ,mazurka hongroise4 -- ,fantasia on ,scotti% ,melodies4 ,molique1 ,b4 #f ,morceaux ,c>actri/iques4 ,op4 #da4 7,ern/ ,heim74 7#aaefb74 -- ,op4 #dg4 #f ,mlodies4 #b ,books4 7#idje;a1 b74 ,no4 #f is especially piquant4 ,monsigny4 ,rigaudon4 7#gchg;d74 ,moszk[ski1 ,m4 ,op4 #h4 #e ,valses4 7#gebg7 -- ,op4 #ba4 ,album ,espagnol4 7#gebi74 ,arrang$ by ,e4 ,?omas f ! piano duets4 -- ,op4 #bc4 8,f ,=eign ,p>ts04 7,e4 ,?omas74 7#geca7 -- ,mlodie4 7,m4,f4 #a74 ,moz>t1 ,w4 ,a4 #ah ,sonatas4 ,moz>t's sonatas1 al?\gh pres5t+ no special te*nical difficulties1 require great delicacy & ref9em5t 9 r5d]+4 ,nos4 #h1 9 ,c1 #aa1 9 ,g1 & #ah1 9 ,f1 might be fir/ /udi$4 -- ,&ante1 ,m9uet & ,rondo 7,haffn] ,s]5ade74 7#gdah74 -- ,l>ghetto1 f cl>ionet ,qu9tet4 7,j5s54 ,v4 #ad74 -- ,&ante 9 ,e 7,sonata 9 ,b74 7#gcbd;b74 -- ,adagio1 edit$ by ,e4 ,heim4 7#aaefg74 -- ,adagio4 7,m4,f4 #id74 ,nicod1 ,j4 ,l4 ,b>c>olle4 7,m4,f4 #ca74 ,nosk[ski1 ,s4 ,op4 #bc4 ,cracovi5ne ,mlancolique4 7,m4,f4 #gg74 -- ,op4 #bg4 ,cracovi5ne 9 ,a4 7,m4,f4 #gd74 ,pap9i1 ,guido4 ,trois ,morceaux de ,salon4 7#hfhe73-- ,no4 #a4 ,gavotte4 ,no4 #b4 ,romance sans ,p>oles4 ,no4 #c4 ,s*]zett9o4 ,pap9i's compositions belong to ! bett] class ( salon music1 be+ especially melodi\s & attractive4 ,pfeiff]1 ,g4 ,op4 #gg4 ,gigue dans le g5re anci54 7,?omas74 7#aafcj74 ,pitt1 ,p]cy4 ,canzonetta4 ,op4 #h1 ,no4 #a4 ,pleyel4 ,op4 #dd4 7,h]mann74 7#gedd74 ,pugnani1 ,g4 ,sonata 9 ,e4 7#gdjd74 ,raff1 ,joa*im4 ,pa/orale4 ,op4 #he4 ,no4 #b4 -- ,*anson suisse4 7,m4,f4 #ajf74 ,r5>d1 ,f4 ,b]ceuse4 7,m4,f4 #dd74 ,ries4 ,romance4 7,m4,f4 #i74 ,ritt]4 ,op]atic ,duets4 ,! foll[+ c be tak5 9 ?is ,/ep3--,sonnambula1 7#idjg;c72 ,la ,favorite1 7#idjg;d72 ,lucia di ,lamm]moor1 7#idjg;e72 ,zampa1 7#idjg;f72 ,zaub]flte1 7#idjg;g72 ,loh5gr91 7#idjg;h72 ,tannhus]1 7#idjg;i72 ,ob]on1 7#idjgk72 ,tam+ ( ! ,%rew1 7#idjgl72 ,fly+ ,dut*man1 7#idjgm72 ,fra ,diavolo 7#idjg;a74 ,rode1 ,p4 ,op4 #aj4 ,air ,v>i4 7,j5s5 ,v4 #ab74 7#hfia74 ,roeckel1 ,j4 ,l4 ,croquis musicaux4 ,no4 #d4 ,?me dansant4 ,no4 #e4 ,dans la b>que4 ,rub9/e91 ,a4 #c ,salon ,pieces1 ,op4 #aa1 edit$ by ,e4 ,heim3 ,allegro appassionato4 7#gefb;a74 ,&ante4 7#gefb;b74 ,allegro4 7#gefb;c74 -- ,romance 7,e flat74 7,m4,f4 #cg74 -- ,mlodie4 7,m4,f4 #da74 -- ,russian ,songs4 7,m4,f4 #fg74 -- ,b>c>olle4 7,m4,f4 #ajg74 ,sa9t-,george1 ,g4 ,dsir4 -- ,canzonetta4 ,s*>w5ka1 ,x4 ,op4 #bj4 ,tone ,pictures4 7#idjh74 -- ,danse ,polonaise4 7,m4,f4 #bc74 ,s*oltz1 ,h4 #c ,albumbltt]4 7,m4,f4 #dg74 ,s*ub]t1 ,f4 ,sonat9e1 ,op4 #acg1 ,no4 #b1 9 ,a m9or4 ,revue et doigte p> ,emile ,?omas4 -- ,ave ,m>ia4 ,arr4 by ,emile ,?omas4 ,s*ub]t1 ,f4 7( ,dresd574 ,l',abeille 7,! ,bee74 -- ,allegretto grazioso4 7,m4,f4 #hc74 ,s*umann4 ,op4 #id4 #c ,romances4 7#geha74 -- ,ab5dli$4 7,m4,f4 #c74 -- ,op4 #ajb4 #e ,/cke im ,volk/on4 7#gehc74 -- ,op4 #aac4 ,mr*5bild]4 7#gehd74 -- ,w>um4 7,m4,f4 #ij74 ,simonetti1 ,a4 ,rv]ie4 ,som]vell1 ,ar?ur4 ,:ims4 7,no4 #c ( #c ,orig9al ,pieces74 ,somis1 ,g4 ,b4 ,adagio & ,allegro4 7#gdjc74 ,spohr1 ,l4 ,b>c>ole4 7,m4,f4 #cj74 -- ,alla ,t$esca4 7,m4,f4 #ci74 ,squire1 ,w4 ,h4 ,s]5ade4 ,op4 #ae4 7#gabb b74 -- ,op4 #bf4 ,humoresque4 -- ,gavotte humori/ique4 7#gehf74 ,/relezki1 ,a4 ,appassionata4 -- 8,asphodel01 ,*ant sans p>oles4 -- ,cavat9a en ,r majeur4 -- ,romanza 9 ,e flat4 -- ,en ,valsant4 ,/russ1 ,fritz4 #b ,*>act]i/ic ,pieces4 ,op4 #ab3-- ,no4 #b4 ,idylle4 ,sutcliffe1 ,w4 ,romance4 ,sv5ds51 ,j4 ,s4 ,op4 #bf4 ,romance 9 ,g4 7#gehg74 ,t>t9i4 ,&ante ,cantabile 7#h? ,sonata74 7,j5s54 ,v4 #h74 -- ,giga 9 ,d4 7,j5s54 ,v4 #i74 -- ,sonatas ,nos4 #d & #aj ( ,op4 #a4 7#gdjg74 -- ,sonata ,no4 #h 9 ,c m9or4 7#gdjh74 -- ,sonata 9 ,c major1 & ,giga 9 ,d4 7#gdji74 -- ,pa/orale4 ,h]mann1 ,c4,v4,m4#b74 ,?irlwall4 ,fav\rite ,airs1 ) ,v>iations3-- ,no1 #f4 ,old ,engli% ,song 7,malibran's ,fav\rite74 7#idab f74 ,good /udy = ! b[4 ,?omas1 ,emile4 #are ,fantasie sur les ,airs cossais4 -- #b;de ,fantasie sur les ,airs cossais4 -- ,danse ,sicili5ne4 -- ,danse des ,fes4 -- ,lg5de4 -- ,mditation rligieuse4 ,?om1 ,f4 ,op4 #be4 ,simple ,aveu4 ,ts*ak[sky4 ,&ante ,cantabile4 7,m4,f4 #de74 -- ,romance1 7,m4,f4 #ha74 -- ,troika4 7,m4,f4 #gf74 -- ,album ( ,fav\rite ,pieces3-- #a4 ,mazurka4 #b4 ,sweet ,dream4 #c4 ,neapolitan ,song4 #d4 ,autumn ,song4 #e4 ,b>c>olle4 #f4 ,&ante cantabile4 #g4 ,*ant sans p>oles4 #h4 ,troka4 #i4 ,*ri/mas4 ,edit$ & p>tly arrang$ by ,fr4 ,h]mann4 7#geij74 ,nos4 #b4 #c4 #d4 & #e ,,iii4 ,v]ac9i1 ,f4 ,m4 ,conc]t ,sonata 9 ,e m9or4 7#gdbd74 ,vivaldi1 ,a4 ,sonata 9 ,a4 7#gdbc74 ,vieuxtemps1 ,h4 ,op4 #dj4 ,no4 #a4 ,romance 9 ,f4 ,volkmann1 ,r4 ,hung>ian ,sket*4 7,m4,f4 #ch74 -- ,! ,knights4 7,m4,f4 #df74 -- ,musical ,picture ,book 7arrang$ by ,h]mann74 ,nos4 #b1 8,! ,po/illion03 #c4 ,! ,russians are com+3 #e4 8,! ,cuckoo & ! ,w&]]04 ,wagn]1 ,r4 ,album-,leaf4 7#hfii74 -- ,ri5zi's ,pray]4 7,m4,f4 #fe74 -- ,sp9n+ ,song 7f ,fly+ ,dut*man74 7,m4,f4 #fh74 ,walg]1 ,c>l4 ,s]5ade4 ,web]1 ,c4 ,m4 von4 ,invitation la ,valse4 7,?omas74 ,wi5iawski4 ,op4 #ab4 ,no4 #b4 ,*anson polonaise4 7#gdid74 -- 8,kuyawiak01 #b;de ,mazurka4 7#gdic74 -- ,gigue4 7#gdib74 ,effective & brilliant pieces4 ,no4 #a ( ,op4 #ab belongs to ,,iv4 ,wilhelmj1 ,a4 ,walt]'s ,preisli$ 7f ! 8,mei/]s+]074 ,wer/1 ,r4 ,op4 #be4 ,two ,romances4 ,wurm1 ,m>ie4 ,e/]a ,gavotte4 7,m4,f4 #gi74 ,/ep ,,iv4 ,all ,positions4 ,palae/ra4 ,a ,collection ( ,pieces1 ,sonatas1 ,suites1 & ,conc]t ,pieces = ,viol9 solo ) ,pian(orte accompanim5t2 arrang$ 9 progressive ord]1 c>efully m>k$ & annotat$ by ,e4 ,heim3-- ,book ,,via4 ,pieces up to ! six? position1 by ,max ,brau]1 ,c4 ,gurlitt1 & ,j4 ,s4 ,ba*4 7#aadgf;a74 ,book ,,vib4 ,pieces up to ! sev5? position1 by ,e4 ,?omas1 ,r4 ,orl&o ,morgan1 & ,j4 ,h(fmann4 7#aadgf;b74 ,book ,,vic4 ,supplem5t to ,books ,a & ,b4 ,pieces by ,c4 ,ersfeld1 ,c4 ,gurlitt1 ,b4 ,molique1 ,m4 ,haus]1 & ,a4 ,/relezki4 7#aadgf;c74 ,book ,,viia4 ,pieces up to ! ?irte5? position by ,a4 ,/relezki1 ,p4 ,rode1 de ,angelis1 & ,a4 ,m(fat4 7#aadgg;a74 ,book ,,viib4 ,pieces up to ! ?irte5? position by ,bee?ov51 ,baillot1 de ,angelis1 & ,g4 ,pap9i4 7#aadgg;b74 ,book ,,viic4 ,supplem5t to ,books ,a & ,b4 ,pieces by ,molique1 ,mazas1 & de ,briot4 7#aadgg;c74 ,palae/ra1 a collection ( graduat$ pieces1 revis$ by ,ern/ ,heim1 (f]s ! mo/ suitable mat]ial = ! /udy ( /yle & phras+2 ea* book corresponds 9 difficulty ) ! same book ( 8 ,viol9 ,duets1 8,ar5a01 see page #abe & 8 ,viol9 ,/udies1 8,gradus ad ,p>nassum01 see page #aae4 ,ba*1 ,j4 ,s4 ,aria f ! ,suite = ,or*e/ra1 arrang$ z a ,conc]t ,piece on ! f\r? /r+ by ,ern/ ,heim4 ,ba*e1 ,f4 ,e4 ,romance4 ,op4 #ba4 7#gffd74 ,baillot1 ,p4 ,rondo sur un ,air ,moldavi54 7,h]mann1 ,c4,v4,m4#d74 ,beck]1 ,a4 ,op4 #bj4 ,adagio4 7#bjgh74 ,be]-,walbrunn4 ,op4 #c4 ,%ort ,fantasia 9 ,g m94 7#bicj74 ,bee?ov54 #f ,qu>tets4 ,op4 #ah4 ,f1 ,g1 ,d1 ,c m9or4 ,a & ,b flat4 ,arrang$ by ,f4 ,h]mann4 7#gcda-f74 ,bee?ov5iana4 #c ,bks4 ,extracts f ! pian(orte ,sonatas1 arrang$ = viol9 & piano by ,f4 ,h]mann4 7#gccj;a-c74 ,briot1 ,c4 de4 ,op4 #cb4 #bnd ,conc]to 9 ,b m9or4 -- ,op4 #ajj4 ,scne de ,ballet 7,e4 ,heim74 ,bortniansky4 ,adoration4 7,m4,f4 #aaa74 ,col]idge-,taylor1 ,s4 ,op4 #i4 ,two ,romantic ,pieces1 8,lam5t0 & 8,m]ry-mak+04 7#gceb74 -- ,op4 #ad4 ,leg5d 7f ! ,conc]t/ck71 7#gcec74 ,( decid$ orig9ality2 = musically gift$ /ud5ts only4 -- ,valse-,caprice4 ,op4 #bc4 7#gceh74 -- ,danse ngre1 f 8,african ,suite40 ,op4 #ce4 7#fajj;d74 -- ,a ,negro ,love-,song4 ,op4 #ce1 ,no4 #b4 7#gcei;b74 ,corelli4 ,adagio & ,allegro4 7,h]mann1 ,c4,v4,m4 #a74 ,cui1 ,cs>4 ,b]ceuse4 ,danb1 ,j4 ,b]ceuse4 ,david1 ,f]d4 ,etude4 7,m4,f4 #cf74 ,de-,angelis1 ,g4 ,p5se mlancolique4 ,op4 #h4 ,ern/4 ,elegy4 7#gcff74 ,field4 ,nocturnes 7,h]mann74 7#babh74 ,fleurs des ,opras4 ,tannhus]4 7,c\rvoisi]74 7#gdgj74 ,golt]mann1 ,g4 ,b]ceuse4 7,m4,f4 #aji74 ,g\nod4 ,fau/4 ,potp\rri by ,r4 ,h(mann4 7#edde c74 ,gurlitt1 ,c4 ,op4 #aje4 ,ouv]ture des ,m>ionettes4 7#gcga74 -- ,op4 #acg4 8,comm$ietta0 ,ouv]ture4 7#hfgf74 ,grieg1 ,e4 ,op4 #h4 ,sonata 9 ,f4 -- ,op4 #ac4 ,sonata 9 ,g m9or 7#gebb74 -- ,op4 #de4 ,sonata 9 ,c m9or4 ,?ree ( ! fre%e/ & mo/ poetical ( mod]n sonatas4 ,h>tog1 ,h5ri4 ,prire1 #cme ,morceau de ,salon4 -- ,rv]ie1 #b;d ,morceau de ,salon4 ,haus]1 ,m4 ,*anson de ,b]ceau4 7,m4,f4 #ec74 -- ,ung>is*4 7,m4,f4 #ga74 ,haydn4 ,&ante4 7,m4,f4 #ig74 ,hell]1 ,/eph54 ,feuillet d',album4 ,transcrit p> h4 ,w4 ,ern/4 7,e4 ,heim74 ,h5selt1 ,a4 ,*ant d'am\r4 7,m4,f4 #bi74 ,hill]1 ,f4 ,zur ,guit>re4 7,m4,f4 #di74 ,h(fmann1 ,j4 ,b\rre2 ,gavotte4 ,h(mann1 ,ri*>d4 ,potp\rris on ,popul> ,melodies f classical & mod]n ,op]as & ,oratorios1 arrang$ by ,r4 ,h(mann3-- ,wagn]4 ,d] flieg5de ,hollnd]4 7#edch c74 ,wagn]4 ,loh5gr94 7#edci c74 ,wagn]4 ,ri5zi4 7#eddj c74 ,wagn]4 ,tannhus]4 7#edda c74 ,ross9i4 ,il ,b>bi]e di ,seviglia4 7#eddb c74 ,ross9i4 ,guillaume ,tell4 7#eddc c74 ,aub]4 ,masaniello4 7#eddd c74 ,g\nod4 ,fau/4 7#edde c74 -- #h ,vortrags/cke4 ,op4 #ajc3-- ,no4 #b4 ,b>c>ola4 #c4 ,aria4 #d4 ,bol]o4 #f4 ,zigeun]tanz4 #g4 ,cavat9a4 #h4 ,p]petuum mobile4 ,hollnd]1 ,g4 ,op4 #ej4 ,waldmr*54 ,j5s51 ,gu/av4 ,op4 #ci4 ,capriccio4 ,j5s51 ,g4 ,bol]o 9 ,d m9or4 ,kalliwoda1 ,j4 ,w4 ,op4 #bcg4 ,lndl]4 7,m4,f4 #eg74 ,kreuz1 ,e4 ,op4 #bj4 ,b>c>olle1 f ,conc]to4 ,lass51 ,e4 ,li$]/rauss4 7,m4,f4 #ej74 ,belongs to ,,iii1 except ! op5+ on ! ,g /r+4 ,leclair4 8,le ,tombeau04 ,sonata4 7#gdbh74 ,molique1 ,b4 #f ,melodies4 ,op4 #cf4 7,ern/ ,heim74 7#aaefa74 ,m(fat1 ,a4 ,mlodie am\reuse4 -- ,pun*9ello4 ,gavotte4 ,morgan1 ,r4 ,orl&o4 ,ballade4 ,op4 #bh4 ,moszk[ski1 ,m4 ,op4 #ag1 ,no4 #b4 ,m9uet 7,e4 ,?omas74 -- ,op4 #bc4 8,les ,nations0 7arrang$ by ,na*z74 7#gecj74 ,a less difficult arrangem5t by ,e4 ,?omas is also publi%$4 7#geca74 -- ,valse brillante4 ,arrang$ by ,emile ,?omas4 7#gecb74 ,moz>t1 ,w4 ,a4 ,adagio & ,rondo4 7#gdbj74 ,nosk[ski1 ,s4 ,dumka4 ,op4 #bi4 7,emile ,?omas47 -- ,z+>esca4 ,op4 #bg4 7,m4,f4 #hj74 -- ,les ,l>mes4 ,op4 #cf1 ,no4 #a4 ,palm]1 ,g4 ,a ,dream4 ,nocturne4 ,pap9i1 ,g4 ,deux ,airs ,sudois4 7#aafbb74 ,p>kyns1 ,beatrice4 ,b]ceuse4 ,popp]1 ,d4 ,romance4 7#gedh74 ,ra*man9(f1 ,s4 ,romance 9 ,d m9or4 -- ,hung>ian ,dance4 ,raff1 ,joa*im4 ,six ,morceaux4 ,op4 #he3--,no4 #a1 ,m>cia2 ,no4 #c1 ,cavat9a2 ,no4 #d1 ,s*]z9o2 ,no4 #e1 ,canzona2 ,no4 #f1 ,t>antella4 ,^! pieces d$icat$ to ! late ,ludwig ,/raus are gems ( viol9 lit]ature4 ,! ,cavat9a is "o ( ! mo/ popul> viol9 pieces4 -- ,mditation4 7,m4,f4 #be74 -- ,op4 #gc1 #gh1 #abh1 #abi1 #ade4 #e ,sonatas4 7#befh a-e74 ,"s movem5ts ( ^! f9e ,sonatas belong to ,v4 ,reg]1 ,max4 ,op4 #a4 ,sonata 9 ,d m9or4 7#gece74 -- ,op4 #c4 ,sonata 9 ,d major4 7#gecf74 ,rode4 ,conc]to ,no4 #g4 ,rub9/e91 ,a4 ,op4 #ac4 ,sonata 9 ,g4 ,"o ( ! compos]'s mo/ g5ial works4 -- ,sonata 9 ,d4 ,op4 #ah4 7#gefd74 ,sa9t-,george1 ,g4 ,*ant sans ,p>oles4 ,sauret1 ,e4 ,s\v5ir d',ori5t4 #f ,morceaux1 ,op4 #fc3-- ,book #a4 ,s\v5ir de ,con/ant9ople4 ,danse et ,ronde4 7#aafid a74 ,book #b4 ,la ,revue1 ,gondoli]a et ,a ,pra4 7#aafid b74 ,int]e/+ pieces1 full ( ori5tal col\r+4 -- ,morceaux c>actri/iques4 ,op4 #dg3-- ,no4 #a1 ,canzona2 ,no4 #b1 ,impromptu4 -- ,scnes ,villageoises4 ,op4 #ej4 #e ,morceaux de ,salon3-- ,no4 #a1 ,le ,mat92 ,no4 #b1 ,pa/orale2 ,no4 #c1 ,vieille *anson2 ,no4 #d1 ,danse2 ,no4 #e1 ,idylle4 ,s*>w5ka1 ,xav]4 ,op4 #c4 ,c9q ,danses polonaises4 ,arrang$ by ,g4 ,hollnd]3-- ,no4 #b 7,f %>p m9or72 ,no4 #c 7,d major74 ,nos4 #a1 #d & #e belong to ,v4 -- ,phantasie/ck4 7,m4,f4 #cc74 ,s*ub]t4 ,op4 #gj1 #aei1 #afj & #afb4 ,s*umann4 ,op4 #aje & #aba1 ,sonatas 9 ,a m9or & ,d m9or4 7#gegi1 #gehj74 -- ,op4 #gc4 ,fantasie/ck4 ,simonetti1 ,a4 ,mazurka4 ,s9d+4 ,op4 #aj4 ,suite4 7#bdgg74 -- ,op4 #bg4 ,sonata 9 ,e major4 7#bhbf74 -- ,op4 #cj4 ,romance4 7#bhbg74 -- ,op4 #fa4 #d ,pieces4 #c ,bks4 7#cjej a-c74 ,s9d+'s compositions rank among ! f9e/ works by mod]n ,sc&9avian compos]s4 ,! ,suite ,op4 #aj1 resembles 9 /yle ! 8,holb]g0 ,suite by ,grieg4 ,sitt1 ,hans4 ,op4 #ga4 ,no4 #a4 ,romance4 -- ,op4 #ga4 ,no4 #b4 ,nocturne4 -- ,op4 #ga1 ,no4 #c4 ,s*]zo-,t>antelle4 ,sjgr54 ,op4 #ai4 ,sonata 9 ,g m9or4 7#bbae74 ,?is compos] is a highly tal5t$ memb] ( ! mod]n ,sc&9avian ,s*ool4 ,smetana4 #b ,salon-,pieces4 7#bfcd a-b74 ,f9e & *>act]i/ic pieces ( ! fam\s ,cze*ian ma/]4 ,som]vell1 ,ar?ur4 #c ,orig9al ,pieces3-- ,no4 #a1 ,romance2 ,no4 #b1 ,b>c>olle4 ,spohr1 ,l4 ,op4 #b4 ,conc]to 9 ,d m9or4 -- ,op4 #ace4 ,?ree ,duett9os4 7,no4 #b1 ,s*]zo2 #c4 ,s>ab&e74 7#hfie74 ,! ,b>c>olle1 ,no4 #a1 belongs to ,,ii4 -- ,op4 #ie4 ,duet 9 ,g m9or4 7#idji74 -- ,op4 #aab4 ,duet 9 ,e4 7#idaj74 -- ,op4 #aac4 ,hamburg ,sonata4 7#idaa74 -- #c ,adagios f ! ,viol9 ,conc]tos 7,fr4 ,h]mann74 7#aagje74 ,/an=d1 ,villi]s4 ,lg5de4 ,/relezki1 ,a4 ,romanza 9 ,f4 -- ,s]5ade4 ,op4 #aia1 ,no4 #d4 7,?omas74 ,sutcliffe1 ,w4 ,gavotte ,romantique4 ,?irlwall4 ,fav\rite ,airs1 ) ,v>iations3-- ,no4 #a4 ,engli% ,air4 7#idab a74 ,no4 #b4 ,scot* ,air 7,annie ,laurie74 7#idab b74 ,no4 #c4 ,iri% ,air 7,sprig ( ,%illelagh74 7#idab c74 ,no4 #d4 ,wel% ,air 7,poor ,m>y ,ann74 7#idab d74 ,no4 #e4 ,nor?umbrian ,air 7,weel may ! ,keel r[74 7#idab e74 ,no4 #g4 ,ye ,banks & ,braes4 7#idab g74 ,no4 #h4 ,c>naval de ,v5ise4 7#idab h74 ,^! pieces are excell5t b[+ ex]cises4 ,?om1 ,f4 #a;er ,&ante ,religioso4 ,op4 #gj4 ,ts*ak[sky4 ,*ri/mas4 7,nol74 7,m4,f4 #aag74 -- ,srnade mlancolique4 ,op4 #bf4 ,vieuxtemps1 ,h4 ,rv]ie4 ,adagio4 ,op4 #bb1 ,no4 #c4 7#geid c74 -- ,elgie4 ,op4 #cj4 ,revis$ by ,k4 ,s*olz4 7#geie74 -- ,s\v5ir de ,beau*amps4 ,op4 #cb1 ,no4 #a4 7,fr4 ,h]mann47 7#aagea74 -- ,suite4 ,op4 #dc4 7#behb a74 ,volkmann1 ,r4 ,*ant du ,tr\bad\r1 ,morceau de ,salon1 ,op4 #aj4 ,revu p> ,r4 ,s*olz4 ,wagn]1 ,r4 ,m>* 7f ,tannhus]74 7,m4,f4 #gc74 ,web]4 #f ,sonatas4 ,complete 7,david74 7#aia74 ,wi*tl4 ,fantasias on ,national ,songs4 ,op4 #aai3-- ,no4 #a4 ,home1 sweet ,home4 7#idac a74 ,no4 #b4 ,long1 long ago4 7#idac b74 ,no4 #c4 ,! ,r$ ,s>afan4 7#idac c74 ,no4 #d4 ,santa ,lucia4 7#idac d74 ,no4 #e4 ,rob9 ,adair4 7#idac e74 ,no4 #f4 ,die drei ,ros54 7#idac f74 ,wi5iawski1 ,h4 ,lg5de4 ,op4 #ag4 7#gdie74 ,wer/1 ,r4 ,russian ,suite4 ,f4 ,h]mann4 7#geja74 ,/ep ,v4 ,difficult4 7,octaves1 ,spr++ ,b[1 ,/accato etc47 ,palae/ra4 ,a ,collection ( ,pieces1 ,sonatas1 ,suites1 & ,conc]t ,pieces = ,viol9 ,solo ) ,pian(orte ,accompanim5t2 arrang$ 9 progressive ord]1 c>efully m>k$ & annotat$ by ,ern/ ,heim3-- ,book ,,viiia4 ,conc]t ,piece ) employm5t ( /accato1 by ,spohr4 ,conc]t pieces ) employm5t ( spr++ b[ by ,ba* & ,pagan9i4 7#aadgh a74 ,book ,,viiib4 ,conc]t pieces ) octave passages by ,nosk[ski & ,col]idge-,taylor4 ,conc]t ,pieces ) d\ble-/op & *ord passages by ,bee?ov5 & ,j4 ,h(fmann4 7#aadgh b74 ,book ,,viiic4 ,supplem5t to ,books ,a & ,b4 ,conc]t ,pieces by ,david1 ,vieuxtemps1 ,sauret & ,wi5iawski4 7#aadgh c74 ,book ,,ixa4 ,conc]t ,sonatas 9 classical /yle by ,leclair & ,t>t9i4 7#aadgi a74 ,book ,,ixb4 ,conc]t ,pieces 9 mod]n /yle by ,ern/ & ,spohr4 7#aadgi b74 ,book ,,ixc4 ,supplem5t to ,books ,a & ,b4 ,conc]t ,pieces 9 mod]n /yle by ,wi5iawski1 ,nicod1 & ,vieuxtemps4 7#aadgi c74 ,palae/ra1 a collection ( graduat$ pieces1 revis$ by ,ern/ ,heim1 (f]s ! mo/ suitable mat]ial = ! /udy ( /yle & phras+2 ea* book corresponds 9 difficulty ) ! same book ( 8 ,viol9 ,duets1 8,ar5a01 see page #abf & 8 ,viol9 ,/udies1 8,gradus ad ,p>nassum01 see page #aag4 ,bee?ov54 ,t5 ,sonatas4 ,joa*im4 7#cjca74 ,op4 #dg 7kn[n z ! 8,kreutz]071 ! gr&e/ ( all viol9 sonatas1 & ,op4 #cj1 ,no4 #b 9 ,c m9or1 belong to ?is ,/ep1 ! o!r sonatas be+ less difficult4 ,op4 #ab1 ,no4 #a1 & ,op4 #bd1 %\ld fir/ be tak5 by /ud5ts pass+ f ,moz>t's ,sonatas to ^? ( ,bee?ov54 -- ,op4 #fa4 ,conc]to4 7,wilhelmj74 7#ahi a74 ,briot1 ,c4 de4 ,op4 #cj4 ,le ,tremolo4 ,caprice4 7#idai74 -- ,op4 #ee4 #e? ,conc]to 9 ,d4 ,briot & ,osborne4 ,fantasia on 8,william ,tell04 ,b]lioz1 ,hector4 ,rv]ie et ,caprice4 ,romance1 ,op4 #h4 7,e4 ,heim47 7#aacba74 ,bhm1 ,c4 ,op4 #cad1 ,no4 #b4 ,cavat9a4 ,bru*1 ,m4 ,op4 #db4 ,romanza 9 ,a m9or4 ,col]idge-,taylor1 ,s4 ,hiawa?an ,sket*es4 ,op4 #af4 ,no4 #a1 ,a ,tale2 ,no4 #b4 ,a ,song2 ,no4 #c1 ,a ,dance4 7#gcef74 --,two ,gipsy ,movem5ts4 ,op4 #bj4 7,no4 #a1 ,a ,gipsy ,song2 ,no4 #b1 ,a ,gipsy ,dance74 7#gceg74 ,david1 ,f]d4 ,introd4 & ,v>iations on ,air by ,moz>t4 ,op4 #aa4 7#hfgd74 ,ell]1 ,l4 ,op4 #c4 ,conc]t ,fantasia on ,/yrian ,melodies4 ,haus]4 ,op4 #dc4 ,hung>ian ,rhapsody4 7#befg a74 ,hollnd]1 ,g4 ,op4 #aj4 ,romance4 ,kreutz]4 ,conc]tos1 ,nos4 #ac1 #ad1 #ah1 #ai4 7#ajia a-d74 ,laub4 ,op4 #g4 ,romance ,impromptu4 7#ajib74 --,op4 #h4 ,polonaise4 7#ajic a74 ,laut]ba*4 ,t>antelle4 7#bbjc74 ,leon>d1 ,h4 ,op4 #b4 ,s\v5ir de ,haydn4 ,lip9sky4 ,op4 #ba4 ,conc]t militaire4 7#bfdb74 ,mack5zie1 ,a4 ,c4 ,op4 #dg1 ,no4 #a1 ,highl& ,ballad4 ,m5delssohn4 ,op4 #fd4 ,conc]to4 ,moszk[ski4 ,op4 #af4 ,no4 #a4 ,ballade2 ,no4 #b1 ,bol]o4 7#gebh a1 b74 ,nicod1 ,j4 ,l4 ,romance4 ,op4 #ad4 ,nicod is "o ( ! mo/ tal5t$ & int]e/+ among mod]n compos]s4 ,pagan9i1 ,n4 ,moto ,p]petuo4 ,revis$ & ! orig9al ,or*e/ral accompanim5t arrang$ = ! ,pian(orte by ,ern/ ,heim4 ,a mo/ useful wri/ /udy4 -- ,v>iations de brav\re sur ,mose4 ,a f9e /udy = ! ,g /r+4 ,ragghianti1 ,j4 ,aria di ,danza 78,la ,monf]9a074 ,an excell5t /udy = saltato b[+4 ,ru/1 ,f4 ,w4 ,sonata 9 ,d m9or4 ,sauret1 ,e4 ,op4 #dg1 ,no4 #c4 ,scne ,polonaise4 7#aafic74 ,s*>w5ka1 ,xav]4 ,danses polonaises 7,five ,poli% ,dances47 ,op4 #c4 ,arranges p> ,g4 ,hollnd]4 ,nos4 #a1 #d & #e4 7#gefe74 ,s9d+4 ,op4 #fj4 ,conc]to ,no4 #b 9 ,d major4 7#bigf74 ,sitt1 ,hans4 ,op4 #ba4 #bnd ,conc]to 9 ,a m9or4 ,t>t9i4 ,trille du ,diable4 ,sonata4 ,vieuxtemps1 ,h4 ,fantaisie-,caprice4 ,op4 #aa4 7,h]mann47 7#geib74 -- ,fantaisie4 ,op4 #ba4 7,fr4 ,h]mann74 7#aagej74 -- ,&ante ,rondo4 ,op4 #bi4 7#begf74 -- ,rond9o 7,h]mann74 ,op4 #cb1 ,no4 #b4 7#aageb74 -- ,fantasia appassionata4 ,op4 #ce4 7#behj74 ,wi5iawski1 ,h4 ,adagio lgique4 ,op4 #e4 7,r4 ,s*olz74 7#gdih74 ,/ep ,,vi4 ,v difficult4 7,conc]tos etc47 ,palae/ra4 ,a ,collection ( ,pieces1 ,sonatas1 ,suites1 & ,conc]t ,pieces = ,viol9 solo ) ,pian(orte accompanim5t2 arrang$ 9 progressive ord]1 c>efully m>k$ & annotat$ by ,ern/ ,heim3-- ,book ,,xa4 ,conc]t ,pieces 9 ! ,polyphonic /yle by ,ba* & ,ern/4 7#aadhj a74 ,book ,,xb4 ,conc]t ,pieces 9 ! virtuoso /yle by ,ern/ & ,pagan9i4 7#aadhj b74 ,book ,,xc4 ,supplem5t to ,rooks ,a & ,b4 ,conc]t ,pieces 9 ! virtuoso /yle by ,moszk[ski & ,vieuxtemps4 7#aadhj c74 ,palae/ra1 a collection ( graduat$ pieces1 revis$ by ,ern/ ,heim1 (f]s ! mo/ suitable mat]ial = ! /udy ( /yle & phras+2 ea* book corresponds 9 difficulty ) ! same book ( 8 ,viol9 ,duets1 8,ar5a01 see page #abg1 & 8 ,viol9 ,/udies1 8,gradus ad ,p>nassum01 see page #aah4 ,ba*4 ,*aconne4 7#bdgd74 ,?is edition ( ,ba*'s great "w is ( special int]e/ & value1 z 9 x ! accompanim5ts provid$ by ,m5delssohn & ,s*umann may be comp>$4 -- ,adagio & ,fugue f #e? ,viol9 ,sonata4 7,b4 ,molique47 7#idja a74 ,brahms1 ,j4 ,op4 #gg4 ,conc]to4 ,bru*1 ,m4 ,op4 #bf4 ,conc]to 9 ,g m9or4 ,dancla1 ,c4 ,op4 #ej4 ,romance & ,bol]o4 ,a favorite & brilliant piece4 -- ,op4 #ec4 lgie et ,b>c>olle4 ,david1 ,f]d4 ,&ante et ,s*]zo capriccioso4 ,op4 #af4 7,e4 ,heim47 7#gcdh74 ,ern/1 ,h4 ,w4 ,fantaisie brillante sur la ,m>*e et la ,romance d',otello de ,ross9i4 ,op4 #aa4 7,ern/ ,heim47 7#aadja74 -- ,op4 #bb4 ,hung>ian ,melodies4 7#bhdi74 -- ,op4 #bc4 ,conc]to 9 ,f m9or4 7#bhej74 ,haus]4 ,op4 #cd4 ,bird on ! tree4 7#befe74 ,joa*im1 ,j4 ,op4 #aa4 ,hung>ian ,conc]to4 ,laub4 ,op4 #h4 ,polonaise4 7,wilhelmj74 7#ajic b74 ,pagan9i4 ,fir/ ,conc]to 9 ,e flat4 7#aiia74 -- ,le ,/reghe 7,wit*es' ,dance74 -- ,le ,c>naval de ,v5ise4 -- ,i ,palpiti4 -- ,celebrat$ ,compositions4 7#aiij74 ,rub9/e94 ,op4 #df4 ,conc]to 9 ,g major4 7#acci74 ,s>asate1 ,m4 ,airs ,espagnols4 ,spohr1 ,l4 #g? ,conc]to 9 ,e m9or4 -- #h? ,conc]to 9 ,a m9or 7,gesangsc5e74 -- #i? ,conc]to 9 ,d m9or4 ,vieuxtemps4 ,fantaisie sur ,norma4 ,op4 #ah4 7#begc74 -- ,second ,conc]to 9 ,f m94 ,op4 #ai4 7#begd74 -- #f ,morceaux de ,salon4 ,op4 #bb3-- ,no4 #a4 ,morceau brillant4 7#geid a74 ,no4 #b4 ,air v>i4 7#geid b74 ,no4 #d4 ,s\v5ir du ,bosphore4 7#geid d74 ,no4 #e4 ,t>5telle4 7#geid e74 ,no4 #f4 ,l',orage4 7#geid f74 -- ,conc]to 9 ,d m94 ,op4 #ca4 -- ,la ,*asse4 ,op4 #cb1 ,no4 #c 7,h]mann74 7#aagec74 -- ,/4 ,patrick's ,day4 ,popul> ,melody4 ,op4 #cc1 ,no4 #b4 7#gdig74 -- ,ballade et ,polonaise4 ,op4 #ch4 7#geic74 ,wi5iawski1 ,h4 ,polonaise de ,conc]t4 ,op4 #d4 7,r4 ,s*olz74 7#gdia74 -- ,s\v5ir de ,mosc\4 ,airs ,russes4 ,op4 #f4 7,r4 ,s*olz74 7#gdii74 -- ,capriccio-,valse4 ,op4 #g4 7,fr4 ,h]mann74 7#aagga74 -- ,romance sans ,p>oles4 ,op4 #i4 7,fr4 ,h]mann74 7#aaggb74 -- ,c>naval ,russe4 ,op4 #aa4 7,fr4 ,h]mann74 7#aaggc74 -- ,s*]zo-,t>antelle4 ,op4 #af4 7,fr4 ,h]mann74 7#aaggd74 ,/r+ ,trios4 ,?ree ,viol9s4 ,h]mann1 ,fr4 ,! ,fir/ ,practice 9 ,ensemble ,play+4 #cb ,%ort ,pieces1 arrang$4 #b ,books4 7#ebia a1 b74 ,ib4 ,h(mann1 ,ri*>d4 #d ,pieces 9 an easy /yle = ! use ( ,music-s*ools1 ,academies1 etc4 ,op4 #ajd4 7#ebib74 ,,iii4 ,la*n]1 ,ignaz4 #c ,sonat9as4 ,op4 #ib3--;,,ii4 ,no4 #a1 9 ,b flat major4 7#ebic a74 #b1 9 ,g major4 7#ebic b74 #c1 9 ,a4 7#ebic c74 ,wohlfahrt1 ,f4 ,op4 #hh4 ,melodic pieces4 #b ,bks4 ,i4 ,wi*tl4 #c ,trios4 ,op4 #gi4 ,,ii4 ,two ,viol9s & ,violoncello4 ,corelli1 ,arcangelo4 uvres revues p> ,j4 ,joa*im et ,f4 ,*rys&]4 7,9 ,score47 #hvo43-- ,livre ,i4 ,op4 #a4 #ab ,sonate da ,*iesa a tre 7,du ,viol9i1 e ,violone1 o ,arcileuto col ,basso p] l',organo74 ,9 ,roma1 #afhc4 ,op4 #b3--ab ,sonate da ,cam]a a tre 7,due ,viol9i1 e ,violone1 o ,cembalo74 ,9 ,roma1 #afhe4 7#dicf a74 ,,ii4 ,livre ,,ii4 ,op4 #c4 #ab ,sonate da ,*iesa a tre 7,due ,viol9i1 e ,violone1 o ,arcileuto col ,basso p] l',organo74 ,9 ,mod5a1 #afhi4 ,op4 #d4 #ab ,sonate da ,cam]a a tre 7,due ,viol9i1 e ,violone1 o ,cembalo74 ,9 ,bologna1 #afid4 7#dicf b74 ,,ii4 -- #f ,sonate da ,cam]a a tre 7due ,viol9i1 e ,violone1 o ,cembalo74 ,op]a ,,iv4 ,arrang$ = #b ,viol9s & ,violoncello 79 p>ts71 ) all necess>y indications = ! mode ( execut+1 = b[+ & f+]+ by ,gu/av ,j5s54 7#ecjc74 ,i & ,,ii4 ,gurlitt1 ,cornelius4 ,op4 #aje4 ,ouv]ture des ,m>ionettes4 7#gcab74 ,,ii4 -- ,op4 #acg4 8,comm$ietta0 ,ouv]ture4 7#ecaj74 ,,ii4 -- ,our ,fav\rite ,tunes4 7#ecde74 ,i4 ,h&el4 ,zwei ,suit5 na* ,hndel's*5 ,orig9al-,composition5 h]ausgegeb5 von ,gu/av ,j5s54 7#ecab74 ,,ii4 ,h]rmann1 ,e4 ,petites ,v>iations faciles4 ,op4 #ac4 7#eccb74 ,ib4 ,pleyel1 ,i4 ,j4 uvres4 ,arranges p> ,f4 ,h]mann3-- -- ,op4 #h4 ,six ,trios4 7#gcje74 ,i4 -- ,op4 #dd4 #c ,trios4 7#ecec74 ,,iii4 -- ,op4 #dh4 ,six ,sonat9as4 7#eced74 ,,ii & ,,iii4 ,re9ecke1 ,c4 ,toy symphony 7) #i toy in/rum5ts74 7#gaae74 ,,ii4 ,wanhal4 #ae ,trios ,faciles4 7#ecfj74 ,i4 ,two ,viol9s & ,viola4 ,h(mann1 ,ri*>d4 ,op4 #aab4 ,trio4 7#ecbc74 ,,ii & ,,iii4 ,viol91 ,viola1 & ,violoncello4 ,pleyel1 ,i4 ,j4 ,op4 #dd4 #c ,trios4 7#ecfe74 ,,ii & ,,iii4 ,haydn4 ,op4 #ec4 #c ,trios4 ,,iii4 ,moz>t4 ,div]tim5to4 ,op4 #ai4 ,,iii & ,,iv4 ,bee?ov54 ,op4 #h1 #be4 ,s]5ade & ,trios4 ,,iv4 ,pian(orte ,trios4 ,piano1 ,viol91 & ,violoncello4 ,b>nett1 ,john ,francis4 ,trio4 ,op4 #di1 9 ,c m9or4 7#ibii74 ,,iv4 ,bee?ov54 #f ,qu>tets4 ,op4 #ah4 ,arrang$ by ,f4 ,h]mann4 #f ,books4 7#ibia-if74 ,,iv4 ,bee?ov5iana4 ,extraits des ,sonates p\r ,piano de ,bee?ov5 arrangs p> ,fr4 ,h]mann3-- ,livre ,a4 ,op4 #g2 ,op4 #aj1 ,no4 #b2 ,op4 #bf2 ,op4 #bg1 ,no4 #b4 7#gbdb a74 ,,iii4 ,livre ,b4 ,op4 #aj1 ,no4 #c4 ,complete4 7#gbdb b74 ,,iii4 ,livre ,c4 ,op4 #b4 ,no4 #c2 ,op4 #ac2 ,op4 #ad4 ,no4 #b2 ,op4 #ca4 ,no4 #c4 7#gbdb c74 ,,iii4 ,b5nett1 ,w4 ,/]ndale4 ,*amb] ,trio4 ,op4 #bf4 7#ifei74 ,,iii4 ,brahms1 ,johannes4 ,trio4 ,op4 #h4 7#gbdf74 ,v4 ,dancla1 ,j4 ,c4 #ab ,mlodies4 ,arr4 by ,cornelius ,gurlitt4 7#gbdh74 ,ib4 ,dussek4 ,j4 ,l4 ,fav\rite ,sonata4 ,op4 #cg4 7#gbdi74 ,,ii4 ,ell]ton4 ,trio1 9 ,a4 ,op4 #bg4 7#icjd74 ,,iii4 -- ,trio1 9 ,g4 ,op4 #de4 7#icje74 ,,ii4 -- ,trio1 9 ,e m9or4 ,op4 #df4 7#icjf74 ,,ii4 -- ,trio1 9 ,c m9or4 ,op4 #dg4 7#icjg74 ,,ii4 -- ,trio1 9 ,f4 ,op4 #dh4 7#icjh74 ,,ii4 ,gade1 ,niels4 ,novellett54 ,op4 #bi4 7#gbeg74 ,,iv4 -- ,trio4 ,op4 #db4 7#gbef74 ,,iv4 ,gurlitt4 ,c4 ,op4 #aje4 ,ouv]ture des ,m>ionettes4 7#gbeh7 ,,ii4 -- ,op4 #acg4 8,comm$ietta0 ,ouv]ture4 7#gbfa74 ,,ii4 -- ,our ,fav\rite ,tunes4 ,arrang$ by ,f4 ,h]mann4 7#icaj74 ,ia & b4 -- ,op4 #aha4 ,m9iature ,trio4 7#gbei74 ,,ii4 ,! same ref9em5t ( conception :i* *>act]ises all ,gurlitt's compositions p]vades also ?is "w :i* on acc\nt ( its simplicity is v suitable = beg9n]s4 -- ,op4 #abi4 ,trio im lei*t5 ,/yle4 7#gbfj74 ,,ii4 ,happily conceiv$ = y\?ful m9ds4 ,! compos] has be5 wise 9 giv+ z mu* importance & melodic int]e/ z possible to e in/rum5t4 -- ,op4 #aga4 ,?ird ,trio 7im lei*t]5 ,/yle74 7#gbee74 ,,iii4 ,! te*nique ( ?is ,trio makes great] dem&s ?an ,op4 #abi1 b ! brilliant _s p]vad+ ?is "w :i* appeals to slightly m advanc$ pupils1 w amply repay its /udy4 ,h5nessy1 ,swan4 ,li$] an d5 ,mond3 #a4 ,um ,mitt]na*t2 #b4 ,9 d] ,frhe2 #c4 ,am ,ab5d4 ,op4 #aj4 7#icji74 ,ib4 ,h]mann1 ,f4 ,sonat9e en sol majeur4 7#gchi b74 ,ib4 -- ,sonat9e en r majeur4 7#gcij b74 ,,ii4 ,horsley4 ,trio 9 ,a4 ,op4 #g4 7#iffj74 ,,iv4 ,hudson1 ,j4 ,w4 ,trio 9 ,d4 7#gbfc74 ,,ii4 ,ivimey1 ,j4 ,w4 ,trio4 ,op4 #a1 9 ,d4 7#gbfb74 ,,iv4 ,an excell5t ,op4 #a4 ,int]e/+ subjects well develop$4 ,kalliwoda4 #a/ ,gr& ,trio 9 ,f m9or4 ,op4 #aba4 7#iffa74 ,,iv4 ,kreuz1 ,emil4 ,trio facile4 ,op4 #ca4 7#gbfd74 ,i4 ,mays$]4 #d? ,gr& ,trio1 9 ,g4 ,op4 #ei4 7#iffb74 ,v4 ,mey]1 ,l4 ,trios faciles 7,k9d]-,trios73-- ,no4 #a1 9 ,g4 7#icag a74 ,ib4 #b1 9 ,g4 7#icag b74 ,ib4 #c1 9 ,f4 7#icag c74 ,ib4 ,^! are n only easy & excell5t 9 =m1 b _! cont5ts appeal to y\?ful m9ds1 & !y are invaluable to awak5 ! love = *amb] music 9 *ildr54 ,molique4 #a/ ,trio1 9 ,b flat4 ,op4 #bg4 7#iffc74 ,,iv4 ,pleyel1 ,i4 ,j4 uvres arrangs p> ,f4 ,h]mann3-- -- ,op #h4 ,six ,trios4 7#gbgb74 ,i4 -- ,op4 #dh4 ,six ,sonat9as4 7#ebfa74 ,,ii & ,,iii4 ,potp\rris on ,popul> ,melodies f classical & mod]n ,op]as & ,oratorios4 ,arrang$ by ,r4 ,h(mann4 #de ,books4 ,s]ies ,i4 79 ! fir/ position74 ,i & ,,ii4 ,le ,po/illon4 7#edja e74 ,la ,sonnambula4 7#edjb e74 ,norma4 7#edjc e74 ,le ,calife de ,bagdad4 7#edjd e74 ,la ,dame ,blan*e4 7#edje e74 ,la ,fille du ,rgim5t4 7#edjf e74 ,lucia di ,lamm]moor4 7#edjg e74 ,orpheus4 7#edjh e74 ,! ,messiah4 7#edji e74 ,! ,creation4 7#edaj e74 ,zampa4 7#edaa e74 ,wilds*tz4 7#edab e74 ,cz> und ,zimm]mann4 7#edac e74 ,joseph4 7#edad e74 ,/4 ,paul4 7#edae e74 ,il ,s]aglio4 7#edaf e74 ,il ,flauto ,magico4 7#edag e74 ,don ,giovanni4 7#edah e74 ,d] ,freis*tz4 7#edai e74 ,s]ies ,,ii4 79 v>i\s positions74 ,,ii & ,,iii4 ,! ,bohemian ,girl4 7#edbj e74 ,egmont4 7#edba e74 ,fidelio4 7#edbb e74 ,l',elisire d',amore4 7#edbc e74 ,lucrezia ,borgia4 7#edbd e74 ,iphignie en ,aulide4 7#edbe e74 ,judas ,maccabaeus4 7#edbf e74 ,das ,na*tlag] 9 ,granada4 7#edbg e74 ,hans ,heil+4 7#edbh e74 ,a ,midsumm] ,night's ,dream4 7#edbi e74 ,elijah4 7#edcj e74 ,les ,hugu5ots4 7#edca e74 ,le ,prophte4 7#edcb e74 ,le ,nozze di ,fig>o4 7#edcc e74 ,die lu/ig5 ,weib] von ,w9dsor4 7#edcd e74 ,m>itana4 7#edce e74 ,ob]on4 7#edcf e74 ,preciosa4 7#edcg e74 ,,iii & ,,iv4 ,d] flieg5de ,hollnd]4 7#edch e74 ,loh5gr94 7#edci e74 ,ri5zi4 7#eddj e74 ,tannhus]4 7#edda e74 ,il ,b>bi]e di ,seviglia4 7#eddb e74 ,guillaume ,tell4 7#eddc e74 ,masaniello4 7#eddd e74 ,fau/4 7#edde e74 ,sa9t-,george1 ,g4 ,l'anci5 rgime4 ,petite ,suite4 7#gegj c74 ,ib4 ,s*umann1 ,r4 ,trio4 ,op4 #fc4 ,9 ,d m9or4 7#gbgd74 ,v4 -- ,trio4 ,op4 #hj4 ,9 ,f4 7#gbgc74 ,v4 -- ,phantasie/cke4 ,op4 #hh4 7#gbge74 ,v4 -- #crd ,trio1 9 ,g4 ,op4 #aaj4 7#gbgf74 ,v4 ,silas1 ,e4 ,trios4 ,no4 #a1 9 ,c m9or4 7#ajjea74 ,,iv4 #b1 9 ,a 7,op4 #bg74 7#ajjeb74 ,,iii & ,,iv4 #c1 9 ,c 7,op4 #df74 7#ajjec74 ,,iii4 ,s9d+4 ,op4 #fd4 ,trio 9 ,a m94 7#cjea74 ,,vi4 ,sitt4 ,op4 #fc1 ,nos4 #a #b4 ,trios4 7#bhce a & b74 ,,ii4 ,spohr4 ,trio1 9 ,e m9or4 ,op4 #aai 7,w4 ,s4 ,b4 ,woolh\se74 7#iffd a74 ,,iv4 -- ,trio1 9 ,f4 ,op4 #abc4 7,w4 ,s4 ,b4 ,woolh\se74 7#iffd b74 ,v4 -- ,trio1 9 ,a4 ,op4 #abd4 7,w4 ,s4 ,b4 ,woolh\se74 7#iffd c74 ,v4 -- ,trio1 9 ,b flat4 ,op4 #acc4 7,w4 ,s4 ,b4 ,woolh\se74 7#iffd d74 ,v4 -- ,trio1 9 ,g m9or4 ,op4 #adb4 7,w4 ,s4 ,b4 ,woolh\se74 7#iffd c74 ,v4 ,turn]1 ,bradbury4 ,trio 9 ,c m9or4 7#icbi74 ,,ii4 ,volkmann1 ,r4 ,trio 9 ,b flat m9or4 ,op4 #e4 7#gbhf74 ,,iii4 ,pian(orte & ,two ,viol9s4 ,boyce1 ,william4 ,sonata 9 ,a major4 7,g4 ,j5s574 7#gdcb74 ,,ii4 ,corelli1 ,arcangelo4 #f ,sonate da ,cam]a a tre 7due ,viol9i1 e ,violone1 o ,cembalo74 ,op]a ,,iv4 ,) ,pian(orte ,accompanim5t work$ out f ! ,figur$ ,bass ( ! ,au?or1 & ) all necess>y indications = ! mode ( execut+1 = b[+ & f+]+ by ,gu/av ,j5s54 7#ecjb74 ,i & ,,ii4 ,gurlitt1 ,cornelius4 ,op4 #aje4 ,ouv]ture des ,m>ionettes4 7#gcjg74 ,,ii4 -- ,op4 #acg4 8,comm$ietta0 ,ouv]ture4 7#ecjf74 ,,ii4 -- ,our ,fav\rite ,tunes4 #dj ,melodies1 anci5t & mod]n4 7#eccc74 ,,ii4 ,h]mann1 ,f4 #ej ,fav\rite ,melodies4 7#edfe;d74 ,i4 -- ,morceaux mlodiques4 ,op4 #bf4 #f ,books4 7#ecbh;a-f74 ,bks4 #a-c ,,iii4 ,bks4 #d-f ,,iv & ,v4 ,h]rmann1 ,e4 ,petites ,v>iations faciles4 ,op4 #ac4 7#eccb74 ,ia4 ,lang]1 ,gu/av4 ,grossmtt]*54 7,granny47 ,lndl]4 ,op4 #bj4 ,,ii4 ,pleyel1 ,i4 ,j4 7uvres1 arranges p> ,f4 ,h]mann3-- -- ,op4 #h4 ,six ,trios4 7#gcjh74 ,i4 -- ,op4 #dd4 #c ,trios4 7#eccd74 ,,iii4 -- ,op4 #dh4 ,six ,sonat9as4 7#eccf74 ,i4 ,potp\rris4 ,popul> ,melodies f classical & mod]n ,op]as & ,oratorios4 ,arrang$ by ,r4 ,h(mann4 #de ,books4 ,s]ies ,i4 79 ! fir/ position74 ,i & ,,ii4 ,le ,po/ilion4 7#edja;d74 ,la ,sonnambula4 7#edjb;d74 ,norma4 7#edjc;d74 ,le ,calife de ,bagdad4 7#edjd;d74 ,la ,dame ,blan*e4 7#edje;d74 ,la ,fille du ,rgim5t4 7#edjf;d74 ,lucia di ,lamm]moor4 7#edjg;d74 ,orpheus4 7#edjh;d74 ,! ,messiah4 7#edji;d74 ,! ,creation4 7#edaj;d74 ,zampa4 7#edaa;d74 ,wilds*tz4 7#edab;d74 ,cz> und ,zimm]mann4 7#edac;d74 ,joseph4 7#edad;d74 ,/4 ,paul4 7#edae;d74 ,il ,s]aglio4 7#edaf;d74 ,il ,flauto ,magico4 7#edag;d74 ,don ,giovanni4 7#edah;d74 ,d] ,freis*tz4 7#edai;d74 ,s]ies ,,ii4 79 v>i\s positions74 ,,ii-,,iv4 ,! ,bohemian ,girl4 7#edbj;d74 ,egmont4 7#edba;d74 ,fidelio4 7#edbb;d74 ,l',elisire d',amore4 7#edbc;d74 ,lucrezia ,borgia4 7#edbd;d74 ,iphignie en ,aulide4 7#edbe;d74 ,judas ,maccabaeus4 7#edbf;d74 ,das ,na*tlag] 9 ,granada4 7#edbg;d74 ,hans ,heil+4 7#edbh;d74 ,a ,midsumm] ,night's ,dream4 7#edbi;d74 ,elijah4 7#edcj;d74 ,les ,hugu5ots4 7#edca;d74 ,le ,prophte4 7#edcb;d74 ,le ,nozze di ,fig>o4 7#edcc;d74 ,die lu/ig5 ,weib] von ,w9sdor4 7#edcd;d74 ,m>itana4 7#edce;d74 ,ob]on4 7#edcf;d74 ,preciosa4 7#edcg;d74 ,d] flieg5de ,hollnd]4 7#edch;d74 ,loh5gr94 7#edci;d74 ,ri5zi4 7#eddj;d74 ,tannhus]4 7#edda;d74 ,il ,b>bi]e di ,seviglia4 7#eddb;d74 ,guillaume ,tell4 7#eddc;d74 ,masaniello4 7#eddd;d74 ,fau/4 7#edde;d74 ,purcell1 ,h5ry4 ,sonatas4 ,arrang$ by ,g4 ,j5s53-- ,! ,gold5 ,sonata4 7#gdaj74 ,,ii4 ,sonata 9 ,b m9or4 7#gdbi74 ,,ii4 ,sonata 9 ,a m9or4 7#gdcj74 ,,ii4 ,sonata 9 ,c major4 7#gdca74 ,,ii4 ,sa9t-,george4 ,l'anci5 rgime4 ,petite ,suite4 7#gegj;b74 ,ib4 ,torelli1 ,giuseppe4 ,conc]to4 ,op4 #h4 7,g4 ,j5s574 7#gdag74 ,,ii4 ,v]ac9i1 ,a4 ,sonate4 ,c m94 7,g4 ,j5s574 7#gdae74 ,,ii4 ,weidig1 ,adolf4 ,kle9es ,trio4 ,op4 #i4 7#ebhf74 ,,ii4 ,morceaux d',ensemble4 7,f4 ,h]mann73-- ,*op94 ,m>*e funbre4 7#eccj;a74 ,s*ub]t4 ,mom5t musical4 7#eccj;b74 ,m5delssohn4 ,duo4 ,op4 #ch4 7#eccj;c74 ,fr4 ,h]mann4 ,petite ,m>*e4 7#eccj;d74 ,nicolai4 ,m]ry ,wives ( ,w9dsor4 7#eccj;e74 ,bee?ov54 ,m>*e turque des ,ru9es d',a?nes4 7#eccj;f74 ,moz>t4 ,&ante du #hme ,quatuor4 7#eccj;g74 ,fr4 ,h]mann4 ,b>c>olle4 7#eccj;h74 ,web]4 ,f9ale d',euryan!4 7#eccj;i74 ,s*umann4 ,*ur de ,p>adis et ,pri4 7#eccjk74 ,s*ub]t4 ,entr'acte de ,rosamonde4 7#eccjl74 ,bee?ov54 8,an die ,freude10 ,hymn f #i? ,symphony4 7#eccjm74 ,pian(orte1 ,viol91 & ,viola4 ,gade1 ,niels ,w4 ,novellett54 ,op4 #bi4 ,arrang$ by ,ern/ ,heim4 7#ebfh74 ,,iv4 ,v f9e "w1 n ov]-difficult1 wor?y ( be+ bett] kn[n4 ,j5s51 ,g4 ,phantasie/cke4 ,op4 #bg4 7#ebge74 ,,iv4 ,kreuz1 ,e4 ,trio 9 ,c4 ,op4 #ba4 7#ebga74 ,,iv4 -- ,trio facile1 9 ,c4 ,op4 #cb4 7#ebgb74 ,,ii4 ,la*n]1 ,ignaz4 ,gr& ,trio4 ,op4 #ajb4 7#ebgg74 ,,ii4 -- ,trio 9 ,c4 ,op4 #ajc4 7#ebgh74 ,,ii4 ,pleyel4 #c ,trios4 ,op4 #dd4 7,h]mann74 7#ebhj74 ,,iii4 ,potp\rris on ,popul> ,melodies f classical & mod]n ,op]as & ,oratorios4 ,arrang$ by ,r4 ,h(mann3--,,iii & ,,iv4 ,wagn]4 ,d] flieg5de ,hollnd]4 7#edchs74 ,wagn]4 ,loh5gr94 7#edcis74 ,wagn]4 ,ri5zi4 7#eddjs74 ,wagn]4 ,tannhus]4 7#eddas74 ,ross9i4 ,il ,b>bi]e4 7#eddbs74 ,ross9i4 ,guillaume ,tell4 7#eddcs74 ,aub]4 ,masaniello4 7#eddds74 ,g\nod4 ,fau/4 7#eddes74 ,reg]1 ,max4 ,trio4 ,op4 #b4 7#ebhc74 ,v4 ,weidig1 ,adolf4 ,kle9es ,trio4 ,op4 #i4 7#ebhf74 ,,ii4 ,viol91 ,pian(orte1 & ,organ 7or ,h>monium74 ,audib]t4 ,&ante rligieuse4 7#ieea74 ,,iii4 ,ba*1 ,e4 ,solfeggietto1 arr4 by ,osc> ,wagn]4 7#ighe;b74 ,,ii4 ,also = ,flute1 ,viol91 & ,h>monium4 7#ighe;a74 ,,ii4 ,ba*1 ,j4 ,s4 ,adoration1 ,m$itation on ! #g? %ort ,prelude1 compos$ by ,osc> ,wagn]4 7#ieej74 ,,ii4 ,also ) #bnd ,viol91 & #bnd ,violoncello4 ,cl>k1 ,scotson4 ,m>*e aux ,flambeaux = ,piano1 ,h>monium1 ,viol91 & ,violoncello4 7#hgha74 ,,ii4 -- ,a te o c>a 7,puritani74 7#ieeb74 ,,ii4 -- ,m$itation 9 ,b flat4 7#ieec74 ,,ii4 ,field1 ,j4 ,nocturne 9 ,b flat 7,scotson ,cl>k74 7#ieed74 ,,ii4 ,g\nod1 ,c4 ,m$itation on ! #a/ ,prelude ( ,j4 ,s4 ,ba*1 = ,viol9 7or ,violoncello71 ,h>monium & ,piano4 7#aadej;b74 ,,iii4 ,music ) ,toy ,in/rum5ts4 7,! ,toy ,in/rum5ts may be _h ( ! ,publi%]s7 ,gurlitt1 ,c4 ,k9d]symphonie4 ,toy ,symphony = ,pian(orte 7,viol9 & ,violoncello ad lib474 ,cuckoo1 ,quail1 ,night+ale1 ,trumpet1 ,triangle1 & ,drum4 ,op4 #afi4 7#gajh74 ,,ii4 ,haydn1 ,j4 ,toy ,symphony = ,pian(orte or #b ,viol9s & ,bass1 & #g ,toy ,in/rum5ts4 ,score & ,p>ts4 7#gaji74 ,,ii4 ,re9ecke1 ,c4 ,k9d]-,symphonie4 ,toy ,symphony = ,pian(orte1 #b ,viol9s1 ,violoncello1 & #i ,toy in/rum5ts 7,night+ale1 ,cuckoo1 #b ,trumpets1 ,drum1 ,rattle1 ,bells1 ,glass-bell1 & ,tea-tray74 ,score & p>ts4 7#gaae74 ,,ii4 ,romb]g1 ,b4 ,toy ,symphony 7,k9d]-,s9fonie7 = ,piano 7or #b ,viol9s & ,bass7 ) #g ,toy ,in/rum5ts4 7#gaaf74 ,,ii4 ,/r+ ,qu>tets4 ,qu>tets = #d ,viol9s4 ,cl>k1 ,scotson4 ,gavotte4 7#gbca74 ,,iv4 ,la*n]1 ,i4 ,op4 #ajg4 ,qu>tet 9 ,g4 7#gbbj74 ,,iv4 ,leo1 ,leon>do4 ,conc]to a quattro ,viol9i obbligati1 arr4 = #d ,viol9s ) ,piano accomp4 by ,gu/av ,j5s54 7#ejja74 ,,ii & ,,iii4 ,%aw1 ,sydney4 ,rev]ie4 7#gbci74 ,,ii4 #c ,viol9s & ,viola4 ,h]rmann1 ,e4 ,s]5ade4 ,op4 #ad4 7#gbbh74 ,,iii4 ,la*n]1 ,ignaz4 ,qu>tet 9 ,c4 ,op4 #ajf4 7#gbai74 ,,iii4 #c ,viol9s & ,violoncello4 ,h5kel1 ,h4 ,introduction & ,polacca4 ,piano accompanim5t ad lib4 7#gbac74 ,,iii4 ,sa9t-,george4 ,l'anci5 rgime4 ,petite ,suite 7#gegjm74 ,,ii4 #b ,viol9s1 ,viola & ,violoncello4 ,b>nett1 ,j4 ,f4 ,op4 #h4 ,qu>tet 9 ,d m9or4 7#ibee74 ,,iv4 ,bee?ov54 #f ,qu>tets4 ,op4 #ah4 ,no4 #a1 9 ,f2 ,no4 #b1 9 ,g2 ,no4 #c1 9 ,d2 ,no4 #d1 9 ,c m9or2 ,no4 #e1 9 ,a2 ,no4 #f1 9 ,b flat4 ,revis$ by ,fr4 ,h]mann4 #f ,books4 7#gbja-f74 ,,iv4 -- ,op4 #abg4 ,qu>tet 9 ,e flat4 7,woolh\se47 7#ifcc74 ,v4 -- ,op4 #ei1 #gd1 #ie4 ,qu>tets4 7#aie b74 -- ,op4 #abg4 #acj-acc1 #ace4 ,qu>tets4 7#aie c74 ,bee?ov5iana4 ,extraits des ,sonates p\r ,piano de ,bee?ov51 arrangs p> ,fr4 ,h]mann3-- ,livre ,a4 ,op4 #g2 ,op4 #aj1 ,no4 #b2 ,op4 #bf2 ,op4 #bg1 ,no4 #b4 7#gaig;a74 ,v4 ,livre ,b4 ,op4 #aj1 ,no4 #c4 ,complete4 7#gaig b74 ,v4 ,livre ,c4 ,op4 #b1 ,no4 #c2 ,op #ac2 ,op4 #ad1 ,no4 #b2 ,op4 #ca1 ,no4 #c4 7#gaig c74 ,v4 ,brahms4 ,op4 #ea4 #b ,qu>tets1 ,c m9or & ,a m9or4 -- ,op4 #fg4 ,qu>tet 9 ,b flat4 ,*]ub9i4 #c ,qu>tets4 7#acdf74 ,col]idge-,taylor1 ,s4 ,fantasie/cke4 ,op4 #e4 7#gbjg74 ,v4 ,deane1 ,c4 ,qu>tet 9 ,b flat4 7#ifcd74 ,,iv4 ,ell]ton4 ,op4 #fb4 ,qu>tet4 ,no4 #aj4 7#ibei a74 ,v4 ,score4 #h vo4 7#ibei b74 -- ,op4 #aja4 ,qu>tet4 ,no4 #ci4 7#ibfj a74 ,v4 ,score4 #h vo4 7#ibfj b74 -- ,op4 #ajb4 ,qu>tet4 ,no4 #db4 7#ibfa a74 ,v4 ,score4 #h vo4 7#ibfa b74 ,grieg4 ,op4 #bg4 ,qu>tet4 7#bdhi74 ,v4 ,gurlitt1 ,cornelius3-- -- ,op4 #aje4 ,ouv]ture des ,m>ionettes4 7#gbaj74 ,,iii4 -- ,op4 #acg4 8,comm$ietta0 ,ouv]ture4 7#gbaa74 ,,iii4 ,haydn4 #hc ,qu>tets1 complete4 7#ae74 -- #ae celebrat$ ,qu>tets4 7#bhi74 ,h]mann1 ,fr4 ,lei*te ,/rei*qu>tettstze4 #f easy movem5ts 7,m5delssohn1 #b ,li$] ohne ,worte2 ,bee?ov51 ,s*]zo2 ,s*umann1 ,na*t/ck2 ,ts*ak[sky1 ,romance2 ,ba*1 ,gavotte74 7#gbad74 ,,ii & ,,iii4 ,kreuz1 ,e4 ,qu>tet4 ,op4 #db1 9 ,d m9or4 7#ibfb74 ,v4 -- ,capriccio4 ,op4 #dc4 7#gbaf74 ,,iii4 ,la*n]1 ,ignaz4 ,qu>tet 9 ,g4 ,op4 #ajd4 7#gbag74 ,,ii & ,,iii4 -- ,qu>tet 9 ,a m9or4 ,op4 #aje4 7#gbah74 ,,ii & ,,iii4 -- ,qu>tet 9 ,b flat 7uv4 ,po/h47 7#gbba74 ,,ii & ,,iii4 ,m5delssohn4 #g ,qu>tets4 7#agdb74 ,moz>t4 #aj celebrat$ ,qu>tets4 7#af74 ,ouseley1 ,sir ,f4 ,a4 ,g4 ,qu>tet 9 ,c4 7#ibff a74 ,,iv4 ,score4 #h vo4 7#ibff b74 -- ,qu>tet 9 ,d m9or4 7#ibfg a74 ,,iii4 ,score4 #h vo4 7#ibfg b74 ,p]ry1 ,e4 ,prize ,qu>tet4 7#ifce74 ,,iv4 ,pleyel1 ,i4 ,j4 vres arrangs p> ,f4 ,h]mann3-- -- ,op4 #h4 ,six ,qu>tets4 7#gbbb74 ,i & ,,ii4 -- ,op4 #dh4 ,six ,sonat9as4 7#gbbc74 ,,ii & ,,iii4 ,pr\t1 ,e4 ,op4 #a4 ,prize ,qu>tet4 7#ifcf74 ,,iv4 -- ,op4 #ae4 ,second ,qu>tet1 9 ,b flat4 7#ibgj74 ,,iv4 ,ries1 ,h4 #b ,quatuors faciles4 ,op4 #bj4 ,,ii4 ,rode1 ,p4 ,air v>i4 ,op4 #aj4 7,gu/av ,j5s547 7#hfia74 ,v4 ,arrang$ by ,j5s5 = ,solo ,viol9 ) easy /r+ accompanim5t4 ,sa9t-,george4 ,l'anci5 rgime4 ,petite ,suite4 7#gegj d74 ,,ii4 ,an excell5t & melodi\s qu>tet = beg9n]s4 ,s*ub]t4 ,qu>tets4 #b vols4 7#afh a-b74 ,s*umann4 ,op4 #da4 #c ,qu>tets4 7#bcgi74 ,spohr4 ,op4 #d1 ,no4 #a #b4 ,qu>tets4 7#bdhc a-b74 -- ,op4 #de1 ,no4 #b4 ,qu>tet4 7#bdhc c74 ,/an=d1 ,c4 ,villi]s4 ,qu>tet4 ,no4 #c1 9 ,d m9or4 ,op4 #fd4 ,v4 ,score4 7#ab mo47 7#ibgb a74 ,p>ts4 7#d to47 7#ibgb b74 ,piano ,qu>tets4 ,viol91 ,viola1 ,violoncello1 & ,piano4 ,bee?ov54 ,op4 #af4 ,qu>tet 9 ,e4 7#bid74 ,bee?ov5iana4 ,extraits des ,sonates p\r ,piano de ,bee?ov51 arrangs p> ,fr4 ,h]mann3-- ,livre ,a4 ,op4 #g2 ,op4 #aj1 ,no4 #b2 ,op4 #bf2 ,op4 #bg1 ,no4 #b4 7#gage a74 ,,iv4 ,livre ,b4 ,op4 #aj1 ,no4 #c4 ,complete4 7#gage b74 ,,iv4 ,livre ,c4 ,op4 #b4 ,no4 #c2 ,op4 #ac2 ,op4 #ad1 ,no4 #b2 ,op4 #ca1 ,no4 #c4 7#gage c74 ,,iv4 ,brahms4 ,op4 #be1 ,nos4 #a & #b4 ,qu>tets 9 ,g m9or & ,a major4 ,,vi4 -- ,op4 #fj1 ,no4 #c4 ,qu>tet 9 ,c m9or4 ,,vi4 ,m5delssohn4 ,complete ,qu>tets4 7#agda74 ,moz>t4 #b ,qu>tets 9 ,g m9or ,e4 7#bgb74 ,pfeiff]1 ,g4 ,quatuor en ,f a m9eur4 ,op4 #aai4 7#gahc74 ,,iv4 ,pleyel1 ,i4 ,j4 vres4 ,arrangs p> ,f4 ,h]mann3-- ,op4 #h4 ,six ,qu>tets4 7#gahb74 ,i4 ,op4 #dd4 #c ,qu>tets4 7#gahj74 ,,iii4 ,op4 #dh4 ,six ,sonat9as4 7#gaha74 ,i4 ,pr\t1 ,e4 ,op4 #b1 9 ,c4 ,prize ,qu>tet4 7#ifcg74 ,,iv4 -- ,op4 #ah1 9 ,f4 7#ibec74 ,,iv4 ,rhe9b]g]1 ,j4 ,qu>tet 9 ,e flat4 ,op4 #ch4 7#gahe74 ,,iv4 ,s*ub]t4 ,adagio ,rondo4 7#acdg74 ,s*umann4 ,op4 #dg4 ,piano ,qu>tet4 7#bchj74 ,web]4 ,op4 #h4 ,piano ,qu>tet4 7#bagg74 ,we/rop1 ,h4 ,op4 #b4 ,qu>tet 9 ,a flat4 7#ifch74 ,,iv4 #b ,viol9s1 ,violoncello1 & ,piano4 ,abaco1 ,ev>i/o ,felice ,dall'4 ,suite 7,sonata da ,cam]a7 9 ,g m9or4 ,arrang$ by ,dr4 ,h4 ,riemann4 ,score & ,p>ts4 7#ecij7 ,,ii4 ,boyce1 ,w4 ,sonata 9 ,a major4 7,g4 ,j5s574 7#gdcb74 ,,ii4 ,corelli1 ,arcangelo4 #f ,sonate da ,cam]a a tre 7due ,viol9i1 e ,violone1 o ,cembalo74 ,op]a ,,iv4 ,) ,pian(orte ,accompanim5t work$ out f ! ,figur$ ,bass ( ! au?or1 & ) all necess>y indications = ! mode ( execut+1 = b[+ & f+]+ by ,gu/av ,j5s54 7#gaga74 ,i & ,,ii4 ,h(mann1 ,r4 ,potp\rris on melodies f ,op]as & ,oratorios4 #ai ,bks4 7#edja f-#edai f47 7,viol9 ,p>ts 9 #a/ ,position only74 ,i4 -- ,potp\rris on melodies f ,op]as & ,oratorios4 ,second ,s]ies1 ) use ( ! high] positions4 #bf ,bks4 7#edbj f-#edde f47 ,,ii-,,iv4 ,pleyel4 #c ,qu>tets4 ,op4 #dd4 7,h]mann47 7#gagh74 ,,iii4 ,purcell1 ,h5ry4 ,sonatas4 ,arrang$ by ,g4 ,j5s53-- ,! ,gold5 ,sonata4 7#gdaj a74 ,,ii4 ,sonata 9 ,b m9or4 7#gdbi74 ,,ii4 ,sonata 9 ,a m9or4 7#gdcj74 ,,ii4 ,sonata 9 ,c major4 7#gdca74 ,,ii4 ,squire1 ,w4 ,h4 ,s]5ade4 ,op4 #ae4 7#gabb c47 ,,iv4 ,v]ac9i1 ,antonio4 ,sonata 9 ,c m9or4 ,arrang$ by ,g4 ,j5s54 7#gdae47 ,,ii4 #c ,viol9s & ,piano4 ,gurlitt1 ,c4 ,ouv]ture des ,m>ionettes4 ,op4 #aje4 7#gbji74 ,,ii4 -- 8,comm$ietta0 ,ouv]ture4 ,op4 #acg4 7#gbab74 ,,ii4 ,morceaux d'ensemble4 7,f4 ,h]mann74 ,,ii-,,iv43-- ,*op94 ,m>*e funbre4 7#gbae a74 ,s*ub]t4 ,mom5t musical4 7#gbae b74 ,m5delssohn4 ,duo4 ,op4 #ch4 7#gbae c74 ,fr4 ,h]mann4 ,petite ,m>*e4 7#gbae d74 ,nicolai4 ,m]ry ,wives ( ,w9dsor4 7#gbae e74 ,bee?ov54 ,m>*e turque des ,ru9es d',a?nes4 7#gbae f74 ,moz>t4 ,&ante du #h me ,quatuor4 7#gbae g74 ,fr4 ,h]mann4 ,b>c>olle4 7#gbae h74 ,web]4 ,f9ale d',euryan!4 7#gbae i74 ,s*umann4 ,*ur de ,p>adis et ,pri4 7#gbae k74 ,s*ub]t4 ,entr'acte de ,rosamonde4 7#gbae l74 ,bee?ov54 8,an die ,freude04 ,hymn f #i? ,symphony4 7#gbae m74 ,pap9i1 ,g4 8,hope0 ,m>*4 ,i4 ,sa9t-,george4 ,l'anci5 rgime4 ,petite ,suite4 7#gegj n74 ,,ii4 ,/r+ ,qu9tets4 #c ,viol9s1 ,violoncello1 & ,bass4 ,sa9t-,george4 ,l'anci5 rgime4 ,petite ,suite4 7#gegj k74 ,,ii4 #b ,viol9s1 ,viola 7,t5or71 ,violoncello1 & ,bass4 ,bee?ov5iana4 ,extraits des ,sonates p\r ,piano de ,bee?ov51 arrangs p> ,fr4 ,h]mann3-- ,livre ,a4 ,op4 #g2 ,op4 #aj1 ,no4 #b2 ,op4 #bf1 ,op4 #bg1 ,no4 #b4 7#gadc a74 ,v4 ,livre ,b4 ,op4 #aj1 ,no4 #c4 ,complete4 7#gadc b74 ,v4 ,livre ,c4 ,op4 #b1 ,no4 #c2 ,op4 #ac2 ,op4 #ad1 ,no4 #b2 ,op4 #ca1 ,no4 #c4 7#gadc c74 ,v4 ,boc*]9i4 ,qu9tet = #b ,viol9s1 ,alto1 & #b ,celli4 7#bbca74 ,bor*1 ,ga/on4 ,elgie4 ,op4 #ef1 ,no4 #a4 7#gjac74 ,,iv4 ,dance ,movem5ts f ! ,works ( ,great ,ma/]s4 7,f4 ,h]mann73-- ,j4 ,s4 ,ba*4 ,s>ab&e f ! #bnd ,viol9 ,sonata 7#gaea a74 ,,ii4 ,g4 ,f4 ,h&el4 ,s*]zo f ! ,conc]to 9 ,g m9or4 7#gaea b74 ,,ii4 ,joseph ,haydn4 ,na*tw*t]-,m5uett4 7#gaea c74 ,,iii4 ,monsigny4 ,rigaudon f 8,la ,re9e de ,golconde04 7#gaea d74 ,,iii4 ,moz>t4 ,m9uet f ! ,div]tim5to 9 ,d4 7#gaea e74 ,,iii4 ,bee?ov54 ,allegretto f 8,die ,ges*pfe des ,prome!us40 7#gaea f74 ,,iii4 ,moz>t4 ,all' ong>ese f ,viol9 ,conc]to 9 ,a4 7#gaea g74 ,,iii4 ,*]ub9i4 ,ballet music f 8,ali ,baba40 7#gaea h74 ,,ii4 ,h4 ,m>s*n]4 ,tanzmusik f 8,des ,falkn]s ,braut40 7#gaea i74 ,,iii4 ,rameau4 ,*aconne & ,musette4 7#gaea k74 ,,iii4 ,gluck4 ,musette f 8,armida40 7#gaea l74 ,,ii4 ,monsigny4 ,*aconne f 8,la ,re9e de ,golconde40 7#gaea m74 ,,iii4 ,smy?4 ,qu9tet = #b ,viol9s1 ,alto & #b ,celli4 7#baga74 ,v4 #b ,viol9s1 #b ,violas1 & ,violoncello4 ,bee?ov54 #d ,/r+ ,qu9tets4 7#eii74 ,gade1 ,niels ,w4 ,qu9tet4 ,op4 #h4 7#gach74 ,,iv4 ,haydn4 ,qu9tet conc]tant4 ,op4 #hh4 ,kreuz1 ,e4 ,prize ,qu9tet4 ,op4 #di4 7#gafe74 ,v4 ,m5delssohn4 ,op4 #ah1 #hg4 #b ,qu9tets4 7#agdc74 ,moz>t4 #aj ,/r+ ,qu9tets4 7#ah-ai74 ,s*ub]t4 ,op4 #afc4 ,/r+ ,qu9tet4 7#gge74 ,solos ) ,qu>tet ,accompanim5t4 ,moz>t1 ,w4 ,a4 ,adagio3-- ,= ,viol91 ) ,qu>tet4 7#gaec74 ,,iii4 ,= ,viola1 ) ,qu>tet4 7#gaed74 ,,iii4 ,= ,violoncello1 ) ,qu>tet4 7#gaee74 ,,iii4 ,pian(orte ,qu9tets4 ,piano1 #b ,viol9s1 ,viola1 & ',cello4 ,bee?ov5iana4 ,extraits des ,sonates p\r ,piano de ,bee?ov51 arrangs p> ,fr4 ,h]mann3-- ,livre ,a4 ,op4 #g2 ,op4 #aj1 ,no4 #b2 ,op4 #bf2 ,op4 #bg1 ,no4 #b4 7#gade a74 ,v4 ,livre ,b4 ,op4 #aj1 ,no4 #c4 ,complete4 7#gade b74 ,v4 ,livre ,c4 ,op4 #b1 ,no4 #c2 ,op4 #ac2 ,op4 #ad1 ,no4 #b2 ,op4 #ca1 ,no4 #c4 7#gade c74 ,v4 ,brahms1 ,j4 ,op4 #cd4 ,qu9tet 9 ,f m9or4 ,,iv4 ,gurlitt1 ,cornelius3-- -- ,op4 #aje4 ,ouv]ture des ,m>ionettes4 7#gadi74 ,,ii4 -- ,op4 #acg4 8,comm$ietta0 ,ouv]ture4 7#gada74 ,,ii4 ,pleyel1 ,i4 ,j4 uvres arranges p> ,fr4 ,h]mann3-- -- ,op4 #h4 ,six ,qu9tets4 7#gafj74 ,i4 -- ,op4 #dh4 ,six ,sonat9as4 7#ejba74 ,i4 ,potp\rris on ,popul> ,melodies f classical & mod]n op]as & oratorios4 ,arrang$ by ,r4 ,h(mann4 ,,iii to ,,iv3-- ,wagn]4 ,d] flieg5de ,hollnd]4 7#edch q74 -- ,loh5gr94 7#edci q74 -- ,ri5zi4 7#eddj q74 -- ,tannhus]4 7#edda q74 ,ross9i4 ,il ,b>bi]e4 7#eddb q74 -- ,guillaume ,tell4 7#eddc q74 ,aub]4 ,masaniello4 7#eddd q74 ,g\nod4 ,fau/4 7#edde q74 ,pr\t1 ,e4 ,op4 #c4 ,qu9tet 9 ,g4 7#ibde74 ,,iv4 ,sa9t-,george4 ,l'anci5 rgime4 ,petite ,suite4 7#gegj f74 ,,ii4 ,sa9t-,sans1 ,c4 ,op4 #ad4 ,qu9tet 9 ,a4 ,v4 ,s*umann4 ,op4 #dd4 ,piano ,qu9tet4 7#bcha74 ,v4 ,spohr4 ,op4 #acj4 ,qu9tet4 7,w4 ,s4 ,b4 ,woolh\se47 7#ifcb74 ,,iv4 ,piano1 #c ,viol9s1 & ,violoncello4 ,h5kel1 ,h4 ,introduction & ,polacca4 7#gbac74 ,,iii4 ,sa9t-,george4 ,l'anci5 rgime4 ,petite ,suite4 7#gegj l74 ,,ii4 ,piano & #d ,viol9s4 ,leo1 ,leon>do4 ,conc]to a quattro ,viol9i obbligati1 arrang$ by ,gu/av ,j5s54 7#ejja74 ,,ii & ,,iii4 ,maur]4 ,op4 #ee4 ,conc]tante4 7#bijh74 ,,iii4 ,piano1 ,viol91 ,viola1 ,violoncello1 & ,bass4 ,hummel4 ,gr& ,qu9tet 9 ,e flat m9or4 ,op4 #hg4 7,w4 ,s4 ,b4 ,woolh\se47 7#ifbb74 ,,iv4 ,s*ub]t4 ,op4 #aad4 ,tr\t ,qu9tet4 7#afi74 ,sextets4 ,b5nett1 ,w4 ,s4 ,op4 #h4 ,sextetto4 ,= ,piano1 #b ,viol9s1 ,viola1 ,violoncello1 & ,d\ble ,bass4 7#ifba74 ,,iii4 ,j5s51 ,g4 ,symphonies arranges p\r ,flte 7ou ,violon71 deux ,violons1 ,viola1 ,violoncelle et ,basse3-- ,jos4 ,haydn4 ,en ,r major 7,d major74 7#gaca74 ,,iii4 -- ,en ,,ut m9eur 7,c m9or74 7#gacb74 ,,iii4 ,w4 ,a4 ,moz>t4 ,en ,,ut majeur 7,c major74 7#gacc74 ,,iii4 -- ,en ,,la majeur 7,a major74 7#gacd74 ,,iii4 ,jos4 ,haydn4 ,en ,,si bmol majeur 7,b flat major74 7#gace74 ,,iii4 ,potp\rris on ,popul> ,melodies f classical & mod]n op]as & oratorios4 7,flute1 #b ,viol9s1 ,t5or1 ,violoncello1 & ,pian(orte47 ,arrang$ by ,r4 ,h(mann4 ,,iii to ,,iv3-- ,wagn]4 ,d] flieg5de ,hollnd]4 7#edch n74 -- ,loh5gr94 7#edci n74 -- ,ri5zi4 7#eddj n74 -- ,tannhus]4 7#edda n74 ,ross9i4 ,il ,b>bi]e4 7#eddb n74 -- ,guillaume ,tell4 7#eddc n74 ,aub]4 ,masaniello4 7#eddd n74 ,g\nod4 ,fau/4 7#edde n74 ,sa9t-,george4 ,l'anci5 rgime4 ,petite ,suite3--,,ii4 #b ,violons1 ,alto1 ,violoncelle1 ,contrebasse et ,piano4 7#gegj h74 #c ,violons1 ,violoncelle1 ,contrebasse et ,piano4 7#gegj i74 ,septets4 ,bee?ov54 ,op4 #bj4 ,septet4 7#bdff74 ,corelli1 ,arcangelo4 vres revues p> ,j4 ,joa*im et ,f4 ,*rys&]4 #hvo3-- ,livres ,,iv41 ,v4 ,op4 #f4 ,conc]ti ,grossi con duoi ,viol9i1 e ,violoncello di ,conc]t9o obligati1 e duoi altri ,viol9i1 ,viola e ,basso di ,conc]to ,grosso ad arbitrio *e si potranno radoppi>e4 ,9 ,roma1 #agab4 7,9 ,score47 #b ,books4 7#dicf d1 e74 ,,ii4 ,morceaux d'ensemble1 = #c ,viol9s1 ,viola1 ',cello1 ,c4 ,bass1 & ,piano4 7,f4 ,h]mann73--,,ii4 ,*op94 ,m>*e funbre4 7#gaaj a74 ,s*ub]t4 ,mom5t musical4 7#gaaj b74 ,m5delssohn4 ,duo4 ,op4 #ch4 7#gaaj c74 ,fr4 ,h]mann4 ,petite ,m>*e4 7#gaaj d74 ,nicolai4 ,m]ry ,wives ( ,w9dsor4 7#gaaj e74 ,bee?ov54 ,m>*e turque des ,ru9es d',a?nes4 7#gaaj f74 ,moz>t4 ,&ante du #hme ,quatuor4 7#gaaj g74 ,fr4 ,h]mann4 ,b>c>olle4 7#gaaj h74 ,web]4 ,f9ale d',euryan!4 7#gaaj i74 ,s*umann4 ,*ur de ,p>adis et ,pri4 7#gaaj k74 ,s*ub]t4 ,entr'acte de ,rosamonde4 7#gaaj l74 ,bee?ov54 8,an die ,freude10 ,hymn f #i? ,symphony4 7#gaaj m74 ,squire1 ,w4 ,h4 ,s]5ade4 ,op4 #ae4 ,piano1 #b ,viol9s & ,violoncello1 ) ,flute1 ,cl>9et1 & ,d\ble ,bass ad lib4 7#gabb c74 ,,iv4 ,octets4 ,gade1 ,n4 ,w4 ,octet1 ,op4 #ag1 = #d ,viol9s1 #b ,violas1 & #b ,violoncellos4 7#gajg74 ,v4 ,m5delssohn4 ,op4 #bj4 ,octet4 7#aghb74 ,s*ub]t4 ,op4 #aff4 ,octet4 7#ahdi74 ,old ,*amb] ,music4 ,riemann1 ,dr4 ,hugo4 ,old ,*amb] ,music 7,alte ,kamm]musik74 ,a selection ( ,canzones1 ,sonatas1 etc4 7da *iesa & da cam]a71 = /r+s alone1 or ) a ?or\gh-bass1 by compos]s ( ! #ag? & #ah? c5turies2 edit$ & arrang$4 ,9 score4 #c ,bks4 7#ecia-ic74 ,viol9 & ,or*e/ra4 ,n>d9i1 ,pietro4 ,adagio = ,viol91 arrang$ = ,viol9 & small ,or*e/ra 7#b ,flutes1 #b ,bassoons1 ,viol9s1 ,violoncellos1 & ,contrabass7 by ,gu/av ,j5s54 ,score & p>ts4 7#gjgb74 ,,iii4 ,/r+ ,or*e/ra4 ,bee?ov5iana4 ,extraits des ,sonates p\r ,piano de ,bee?ov51 arrangs p> ,fr4 ,h]mann3-- ,livre ,a4 ,op4 #g2 ,op4 #aj1 ,no4 #b3 ,op4 #bf2 ,op4 #bg1 ,no4 #b4 7#gadc a74 ,v4 ,livre ,b4 ,op4 #aj1 ,no4 #c4 ,complete4 7#gadc b74 ,v4 ,livre ,c4 ,op4 #b1 ,no4 #c2 ,op4 #ac2 ,op4 #ad1 ,no4 #b2 ,op4 #ca1 ,no4 #c4 7#gadc c74 ,v4 ,bor*1 ,ga/on4 ,elgie4 ,op4 #ef1 ,no4 #a4 7,p>ts47 7#gjac74 ,,iv4 ,corelli1 ,arcangelo4 uvres revues p> ,j4 ,joa*im et ,f4 ,*rys&]4 #h vo3-- ,livres ,,iv41 ,v4 ,op4 #f4 ,conc]ti ,grossi con duoi ,viol9i1 e ,violoncello di ,conc]t9o obligati1 e duoi altri ,viol9i1 ,viola e ,basso di ,conc]to ,grosso ad abitrio *e si potranno radoppi>e4 ,9 ,roma1 #agab4 7,9 ,score47 #b ,books4 7#dicf d1 e74 ,,ii4 ,del ,valle de ,paz1 ,e4 ,prlude4 ,op4 #i1 ,no4 #c4 7#gjde74 ,,ii4 -- ,m9uet f 8,ond9a04 ,op4 #ba4 ,,iv4 ,score4 7#gjdd a74 ,p>ts4 7#gjdd b74 -- ,arioso4 ,op4 #bf1 ,no4 #a4 7#gjdf74 ,,iv4 ,haydn1 ,j4 ,symphonies arrang$ by ,gu/av ,j5s53-- ,9 ,d major4 7#gaca74 ,,iii4 ,9 ,c m9or4 7#gacb74 ,,iii4 ,9 ,b flat major4 7#gace74 ,,iii4 ,iliffe1 ,f4 ,pizzicato ,s]5ade4 ,score & ,p>ts4 7#gjeg74 ,,ii4 ,kreuz1 ,emil4 ,suite 9 ,g 7,prelude1 ,allem&e1 ,gigue1 ,int]mezzo1 ,s*]zo1 & ,f9ale74 ,op4 #ch4 7#gjae74 ,,iv4 ,lee1 ,maurice4 ,gavotte du ,palais-,royal4 7#gjff74 ,,ii4 ,moz>t1 ,w4 ,a4 ,symphonies1 arrang$ by ,gu/av ,j5s53-- ,9 ,c major4 7#gacc74 ,,iii4 ,9 ,a major4 7#gacd74 ,,iii4 ,roeckel4 ,air du ,dauph94 ,anci5ne ,danse de la ,c\r4 7#gjhc74 ,sa9t-,george4 ,l'anci5 rgime4 ,petite ,suite4 7#gegj g74 ,,ii4 ,s*>w5ka1 ,x4 ,&ante religioso1 = ,/r+ ,or*e/ra1 ,h>p1 & ,organ4 ,op4 #df ,b4 ,,iv4 ,score4 7#gjhh a74 ,p>ts4 7#gjhh b74 ,s*tt1 ,e4 ,s]5ade 9 ,d4 ,op4 #f4 ,score & ,p>ts4 ,,iii4 ,wer/1 ,r4 ,s\s le ,balcon4 ,s]5ade = ,/r+ ,or*e/ra ) ,violoncello ,obbligato4 ,op4 #gh4 ,v4 ,full ,score4 7#gjih a74 ,or*e/ral ,p>ts4 7#gjih b74 -- ,russian ,suite = ,/r+ ,or*e/ra ) ,viol9 ,obbligato4 ,,iv4 ,full ,score4 7#gjig a74 ,,iv4 ,or*e/ral ,p>ts4 7#gjig b74 ,wurm1 ,m4 ,e/]a ,gavotte4 ,score & ,p>ts4 7#gjii74 ,,iii4 ,dance ,movem5ts f ! ,works ( ,great ,ma/]s4 7,f4 ,h]mann74 ,,ii & ,,iii3-- ,j4 ,s4 ,ba*4 ,s>ab&e f ! #bnd ,viol9 ,sonata4 7#gaea a74 ,g4 ,f4 ,h&el4 ,s*]zo f ! ,conc]to 9 ,g m9or4 7#gaea b74 ,joseph ,haydn4 ,na*tw*t]-,m5uett4 7#gaea c74 ,monsigny4 ,rigaudon f 8,la ,re9e de ,golconde40 7#gaea d74 ,w4 ,a4 ,moz>t4 ,m9uet f ! ,div]tim5to 9 ,d4 7#gaea e74 ,bee?ov54 ,allegretto f 8,die ,ges*pfe des ,prome!us40 7#gaea f74 ,moz>t4 ,all' ong>ese f ,viol9-,conc]to 9 ,a4 7#gaea g74 ,*]ub9i4 ,ballet music f 8,ali ,baba40 7#gaea h74 ,m>s*n]4 ,tanzmusik f 8,des ,falkn]s ,braut40 7#gaea i74 ,rameau4 ,*aconne & ,musette4 7#gaea k74 ,gluck4 ,musette f 8,armida40 7#gaea l74 ,monsigny4 ,*aconne f 8,la ,re9e de ,golconde40 7#gaea m74 ,,nb4 ,any ( ! pieces m5tion$ 9 ! 8,guide0 c be procur$ f ,messrs4 ,aug5] ,co4 ,x w be suffici5t to give ! ,edition ,no4 :]e m>k$2 :]e !re is no ,no41 "n ( au?or & title %\ld be giv54 ,,guide ,,?r\gh ,,viola ,,lit]ature4 ,me?ods = ! ,viola4 ,bruni1 ,a4 ,b4 ,t5or ,me?od4 ,edit$1 ) f+]+1 b[+s1 & m>ks ( expression by ,emil ,kreuz4 7#gfei74 ,h]mann1 ,fr4 ,! ,/udy ( ! ,viola 7,das ,/udium d] ,viola--,l'tude de l',alto73-- ,"p ,i4 ,in/ruction 9 ,viola ,play+3 #bj ,introductory ,ex]cises ) explanatory rem>ks4 7#gfeb a74 ,"p ,,ii4 #bd ,easy ,ex]cises 7#a/ position71 aft] ! ,au?or's 8tudes spciales1 ,op4 #bd1 ,book ,i10 ) #b ,viola ad lib4 7#gfeb b74 ,"p ,,iii4 #ab ,easy ,ex]cises & ,pieces 7#a/ to #crd ,positions71 aft] ,op4 #bd1 ,book #b1 ) ,pian(orte accompanim5t ad lib4 7#gfeb c74 ,lauba*1 ,a4 ,a ,practical ,s*ool = ! ,viola 7,m?ode pratique p\r ,alto71 compris+ ! rudim5ts ( music1 scales1 arpeggi1 progressive ex]cises1 & pieces 9 all major & m9or keys4 7#gfed74 ,ltg51 ,h4 ,practical & ,progressive ,me?od1 int5d$ bo? = beg9n]s & = m advanc$ play]s4 ,conta9+ ,ex]cises by ! greate/ ,ma/]s & "s passages f ! ,works ( ,haydn1 ,moz>t1 ,bee?ov51 ,s*umann1 etc4 ,ltg5's me?od consi/s l>gely ( extracts f ! great ma/]s2 ,h]mann's is ! simple/ c\rse = "y beg9n]s4 ,9 ,lauba*'s me?od ! ex]cises are specially well graduat$ z to difficulty4 ,s*ro$]1 ,c4 ,h&book ( ,viol9 ,play+1 has a *apt] on ,viola ,music4 7#ibab74 ,viola ,/udies4 ,/eps ,i--,,ii4 ,h(mann1 ,r4 ,op4 #hf4 ,! fir/ ,/udies4 7#bgcb74 ,kreuz1 ,e4 ,progressive ,/udies = ! ,viola1 ) accompanim5t ( a second ,viola4 ,op4 #dj3-- ,book ,i4 ,comm5c+ ) ex]cises on ! op5 /r+s1 & gradually introduc+ ! notes ( ,c major 9 ! fir/ position4 7#gfec;a74 -- ,select ,/udies1 tak5 f ! works ( ,campagnoli1 ,mazas1 ,corelli4 ,kreutz]1 ,spohr1 ,fiorillo1 ,w5zel ,pi*l1 ,rode1 & ,gav9is2 9 progressive ord]1 phras$1 f+]$1 & arrang$3-- ,book ,i4 #cj ,elem5t>y ,/udies 9 ! fir/ position1 ) accompanim5t ( a second ,viola1 by ,campagnoli & ,mazas4 7#gfeg;a74 -- ,scales & ,appeggios = ! ,viola1 ?r\gh all major & m9or keys2 sy/ematically arrang$1 b[$1 & f+]$3-- ,book ,i4 ,?r\gh "o & two octaves4 7#gfeh;a74 ,/ep ,,iii4 ,if ,lauba*'s me?od be adopt$1 ,book #c ( ,h]mann 7#gfeb;c7 might suitably foll[1 to be succe$$ by3-- ,bruni4 #be ,/udies f 8 ,me?od 7,e4 ,kreuz74 7#gfei;a74 ,kreuz1 ,e4 ,progressive ,/udies = ! ,viola1 ) accompanim5t ( a second ,viola4 ,op4 #dj3-- ,book ,,ii4 ,/udies 9 ! fir/ position 9 ! flat keys1 major & m9or4 7#gfec;b74 ,book ,,iii4 ,/udies 9 ! fir/ position 9 ! %>p keys1 major & m9or4 7#gfec;c74 -- ,select ,/udies = ! ,viola1 tak5 f ! works ( ,campagnoli1 ,mazas1 ,corelli1 ,kreutz]1 ,spohr1 ,fiorillo1 ,w5zel ,pi*l1 ,rode1 & ,gav9is2 9 progressive ord]1 phras$1 f+]$1 & arrang$3-- ,book ,,ii4 #cj ,/udies 9 ! fir/ position by ,corelli1 ,campagnoli1 ,kreutz]1 & ,spohr4 7#gfeg;b74 ,book ,,iii4 #bj ,/udies 9 ! fir/ ?ree positions1 by ,corelli1 ,campagnoli1 ,kreutz]1 ,fiorillo1 ,spohr1 ,w5zel ,pi*l1 & ,mazas4 7#gfeg;c74 -- ,scales & ,appeggios = ! ,viola1 ?r\gh all major & m9or keys2 sy/ematically arrang$1 b[$1 f+]$3-- ,book ,,ii4 ,?r\gh two & ?ree octaves4 7#gfeh;b74 ,/ep ,,iv4 ,campagnoli1 ,b4 #da ,caprices p\r le ,viola1 revus et doigtes p> ,e4 ,kreuz4 7#gfea74 ,kreuz1 ,e4 ,progressive ,/udies = ! ,viola1 ) accompanim5t ( a second ,viola4 ,op4 #dj3-- ,book ,,iv4 ,introduction ( ! #bnd & #crd positions1 & /udies 9 ! fir/ ?ree positions4 7#gfec d74 -- ,select ,/udies = ! ,viola1 tak5 f ! works ( ,campagnoli1 ,mazas1 ,corelli1 ,kreutz]1 ,spohr1 ,fiorillo1 ,w5zel ,pi*l1 ,rode1 & ,gav9is2 9 progressive ord]1 phras$1 f+]$1 & arrang$3-- ,book ,,iv4 #bj ,/udies 9 ! high] ,positions4 7#gfeg d74 ,book ,v4 #bj ,/udies 9 ! high] ,positions4 7#gfeg c74 ,pieces = ,viola & ,piano4 ,/ep ,i4 ,kreuz1 ,e4 ,! ,violi/4 ,a ,s]ies ( progressive pieces4 ,op4 #ac3-- ,book ,i4 #ab v easy pieces1 comm5c+ ) ! op5 /r+s1 & gradually introduc+ ! notes ( ,c major 9 ! fir/ position 7#gfcf a74 -- #be ,pieces 9 progressive ord]4 ,9 ! #a/ position3-- #a4 ,kreuz4 ,no4 #a ,prelude2 ,no4 #b ,melody4 #b4 ,s*umann4 ,op4 #fh1 ,nos4 #a1 #b4 ,melodie2 ,soldat5m>s*4 #c4 ,gurlitt4 ,b]ceuse1 & 8,heit]] ,morg540 #d4 ,s*umann4 8,trll]li$*50 & 8,jg]li$*540 ,op4 #fh4 #e4 ,fitz5hag54 ,cavat9e4 #f4 ,re9ecke4 ,air1 8,unbekmm]t10 f ,op4 #bac4 #g4 ,kreuz4 ,melody4 #h4 ,s*umann4 8,kle9e ,romanze0 & 8,frhli*] ,l&mann40 #i4 ,gluck4 ,air f 8,orfeo40 #aj4 ,gurlitt4 8,/nd*50 & 8,jagd/ck40 #aa4 ,m5delssohn4 ,li$ ohne ,worte1 ,op4 #cj1 ,no4 #i4 #ab4 ,haydn4 ,aria f 8,die ,jahreszeit540 ,/ep ,,ii4 ,kreuz1 ,e4 ,! ,violi/1 ,bk4 #b4 ,easy ,pieces 9 ,c4 7#gfcf b74 -- ,! ,violi/1 ,bks4 #c1 #d4 #bj progressive melodies 9 ! #a/ position4 7#gfcf c1 d74 -- #be ,pieces 9 progressive ord]4 7,9 ! #a/ position73-- #ac4 ,s*umann4 8,canonis*es ,li$*50 & 8,s*nitt]li$*540 #ad4 ,kreuz4 ,gavotte1 f 8,! ,violi/40 #ae4 ,moz>t4 8,gib mir die ,h&0 f 8,don ,giovanni40 #af4 ,s*ub]t4 8,das ,fis*]md*540 #ag4 ,m5delssohn4 ,v5etian ,gondola ,song4 #ah4 ,s*umann4 ,siciliano4 #ai4 ,kreuz4 8,p5se fugitive10 f 8,! ,violi/40 #bj4 ,re9ecke4 ,f>&ole1 ,op4 #bac1 ,no4 #aj4 #ba4 ,web]4 ,air f 8,d] ,freis*tz40 #bb4 ,bee?ov54 ,sonat9a4 #bc4 ,h&el4 ,aria f ,ouv]ture to 8,ariadne40 #bd4 ,kreuz4 ,romance1 f 8,! ,violi/40 #be4 ,ba*4 ,gavotte1 f ,fr5* ,suite4 ,mac,cunn1 ,hami%4 #c ,romantic ,pieces4 ,op4 #bg3-- ,no4 #a4 ,l',esprance4 ,m5delssohn4 ,op4 #gb4 #f ,pieces4 ,arrang$4 7#gfca74 ,re9ecke4 ,op4 #abb a4 #aj ,petits morceaux4 7#gfdb74 -- ,op4 #bac4 #aj ,petits morceaux4 7#gfdc74 ,albums4 ,vols4 #a & #b4 7#gfbe a1 b74 ,album ,classique4 7,m(fat-,lauba*74 7#eeff74 ,/ep ,,iii4 ,burgmll]4 #c ,nocturnes4 7#gfbf74 ,golt]mann1 ,g4 ,op4 #aad4 ,sonat9a4 7#gfce74 ,h&el4 ,sonata = ,viola da ,gamba & ,cembalo conc]tato1 arrang$ by ,g4 ,j5s54 7#eeea74 ,h]mann1 ,f4 #ab easy ,ex]cises & ,pieces 7#a to #c positions74 7#gfeb c74 ,kalliwoda4 ,op4 #ahf4 #f ,nocturnes4 7#bajd74 ,kreuz1 ,e4 ,select pieces 9 progressive ord]1 ,viola ,"p 9 ! fir/ ?ree positions3-- #bf4 ,moz>t4 ,song f 8,fig>o40 #bg4 ,web]4 ,air f 8,d] ,freis*tz40 #bh4 ,c4 ,gurlitt4 8,buds & ,blossoms40 ,op4 #ajg1 ,no4 #d4 #bi4 ,m5delssohn4 ,song )\t ,words1 ,no4 #ad4 #cj4 ,h&el4 ,l>go4 #ca4 ,s*umann4 ,rev]y4 ,op4 #ae1 ,no4 #g4 #cb4 ,m5delssohn4 ,song )\t ,words1 ,no4 #bb4 #cc4 ,gluck4 ,ballet f 8,orfeo40 #cd4 ,c4 ,gurlitt4 ,sl[ waltz4 ,op4 #adf1 ,no4 #a4 #ce4 ,kj]ulf4 ,long+4 #cf4 ,/relezki4 ,cavat9a4 #cg4 ,m5delssohn4 ,song )\t words1 ,no4 #be4 #ch4 ,e4 ,kreuz4 ,sket*4 ,op4 #ac;e1 ,no4 #c4 #ci4 ,s*ub]t4 ,s]5ade4 #dj4 ,fr4 ,h]mann4 ,rond9o4 ,op4 #bd1 ,no4 #b4 #da4 ,m5delssohn4 ,*ri/mas ,pieces4 ,op4 #gb1 ,nos4 #d & #e4 #db4 ,h&el4 ,sonata4 #dc4 ,haydn4 ,air f 8,! ,creation40 #dd4 ,m5delssohn4 ,song )\t ,words1 ,no4 #ac4 #de4 ,s*umann4 ,fairy ,pictures4 ,mr*5bild]4 ,op4 #aac4 ,no4 #d4 ,kreuz1 ,e4 ,op4 #e4 ,liebesbild]4 7#gfbg74 -- ,op4 #i4 8,frhl+sg$ank50 7,spr+ ,fancies74 7#gfbh74 -- ,op4 #ac4 ,! ,violi/4 ,a ,s]ies ( progressive pieces4 ,book ,v4 ,?ree easy ,sket*es 9 ! fir/ ?ree positions4 7#gfcf;e74 ,book ,,vi4 ,sonata 9 ,a m9or4 7#gfcf;f74 -- ,op4 #de4 ,suite de ,pices4 7,prlude1 ,nocturne1 ,le ,rve1 ,danse ru/ique47 7#eegb74 ,kck54 #f ,duos ,conc]tantes4 #f ,bks4 7#gfbi;a--f74 ,lauba*1 ,a4 #bj ,scotti% ,songs4 7#gfcc74 ,m5delssohn4 ,op4 #d4 ,adieu ,b]l94 7#gfcb74 ,sitt1 ,hans4 ,op4 #ci4 ,albumbltt]4 7#bedi74 ,/ehl+1 ,k4 ,a4 ,morceaux ,favoris4 #aj arrangem5ts 9 sep>ate ,nos3-- ,albumblatt1 ,wagn]2 ,consolation1 ,liszt2 ,ab5dgebet1 ,re9ecke2 ,te>s1 ,re9ecke2 ,la ,fonta9e1 ,h5selt1 ,gavotte & ,rondeau1 ,lully2 ,romance1 ,ries2 ,s*]zo1 ,david2 ,b]ceuse1 ,reb]2 ,mazurek1 ,rhe9b]g]4 ,squire1 ,w4 ,h4 ,gavotte ,humori/ique4 7#gfdg74 ,?omas1 ,e4 ,sans ,s\ci ,waltz4 -- ,sonat9a 9 ,c4 7#gfdd74 ,volkmann4 ,op4 #aa4 ,musical ,picture ,book4 ,arr4 by ,h]mann4 7#gfej74 ,wagn]1 ,r4 ,album-leaf4 7#gfdi74 ,/ep ,,iv4 ,golt]mann4 ,op4 #ae4 ,duo4 7#aiig74 -- ,op4 #be4 7#bbjg74 ,kreuz1 ,e4 ,select ,pieces 9 progressive ord]4 ,viola ,"p 9 ! high] positions3-- #df4 ,s*umann4 ,little ,/udy4 ,op4 #fh1 ,no4 #ad4 #dg4 ,s*ub]t4 ,am ,me]4 #dh4 ,g4 ,golt]mann4 ,romance f ,sonat9a4 ,op4 #aad4 #di4 ,w4 ,h4 ,squire4 ,gavotte ,humori/ique4 #ej4 ,s*umann4 8,/cke im ,volk/on40 ,op4 #ajb1 ,no4 #b4 #ea4 ,s*ub]t4 ,romance4 #eb4 ,a4 ,/relezki4 ,l',abs5ce4 #ec4 ,e4 ,?omas4 ,sans ,s\ci ,valse4 #ed4 ,m5delssohn4 ,song )\t words4 ,no4 #a4 #ee4 ,w4 ,h4 ,squire4 ,rv]ie4 #ef4 ,s*ub]t4 ,ave ,m>ia4 #eg4 ,a4 ,/relezki4 ,asphodel4 ,*ant sans ,p>oles4 #eh4 ,j4 ,s4 ,ba*4 ,air f ! ,or*e/ral ,suite 9 ,d4 #ei4 ,e4 ,kreuz4 ,liebesbild]4 ,op4 #e1 ,no4 #b4 #fj4 ,s*umann4 ,ev5+ ,song4 ,op4 #he1 ,no4 #ab4 ,joa*im4 ,op4 #i4 ,hebrew ,melodies4 7#gfcj74 ,mac,cunn ,hami%4 #c ,romantic ,pieces4 ,op4 #bg3-- ,no4 #b4 ,srnade4 0 #c4 ,rve d'am\r4 ,moz>t4 ,adagio4 7#gfcd74 ,popp]4 ,op4 #e4 ,romance4 7#gfcg74 ,pr\t1 ,e4 ,op4 #bf4 ,sonata 9 ,d major4 7#gfci74 ,s*umann1 ,r4 ,ev5+ ,song4 7#ifgf74 -- #c ,romances4 ,op4 #id4 7#gfda74 -- #e ,/cke im ,volk/on4 ,op4 #ajb4 7#gfde74 -- ,mr*5bild] 7,fairy ,pictures74 ,op4 #aac4 7#gfdf74 ,vieuxtemps4 ,op4 #cj4 ,elegie 7,s*olz74 7#gfdh74 ,/ep ,v4 ,brahms1 ,j4 ,op4 #abj4 ,sonatas 9 ,f m9or & ,e4 ,kreuz1 ,e4 ,op4 #bj4 ,conc]to 9 ,c m9or4 7#eega74 ,an effective mod]n "w4 ,! ,b>c>olle is publi%$ sep>ately z ,no4 #fe ( 8,select pieces40 ,kreuz1 ,e4 ,select ,pieces 9 progressive ord]1 9 ! high] positions3-- #fa4 ,mey]be]4 ,air f 8,les ,hugu5ots40 #fb4 ,e4 ,kreuz4 ,spr+ fancies4 ,op4 #i4 ,no4 #b4 #fc4 ,*op94 ,nocturne4 ,op4 #cg1 ,no4 #a4 #fd4 ,bee?ov54 ,romance 9 ,f major4 ,op4 #ej4 #fe4 ,e4 ,kreuz4 ,b>c>olle f ,conc]to = ,viola & ,or*e/ra4 ,op4 #bj4 ,rub9/e91 ,a4 #c ,salon ,pieces1 ,op4 #aa1 edit$ by ,f4 ,h]mann3-- ,mod]ato4 7#gfch;a74 ,allegro con moto4 7#gfch;b74 ,allegretto4 7#gfch;c74 -- ,op4 #di4 ,sonata4 ,"o ( ! f9e/ compositions = ! viola4 ,duets = ,viol9 & ,viola4 ,fiorillo4 ,op4 #i4 #f ,sonatas4 ,,ii4 ,jansa4 ,op4 #gj4 #f ,duets4 #b ,bks4 7#bbcd;a-b74 ,,iii4 ,kalliwoda4 ,op4 #bjh4 #b ,duets4 7#baje74 ,,iii4 ,kreuz1 ,e4 #d ,duos4 #b ,bks4 7#eeid;a1 b74 ,,ii4 ,moz>t1 ,w4 ,a4 ,op4 #bh4 #b ,duets4 ,,iii4 ,pleyel4 ,op4 #dd4 #c ,duets4 7#gheh74 ,,iii4 -- ,op4 #fi4 #c ,duets4 ,,ii-,,iii4 ,s*o51 ,m4 #f ,easy ,duett9os4 #a & #c positions4 7#gfbj74 ,i-,,ii4 ,spohr1 ,l4 ,op4 #ac4 ,gr& ,duo4 ,v4 ,trios = ,viol91 ,viola & ,piano4 ,gade1 ,niels1 ,w4 ,novellett54 ,op4 #bi4 ,arrang$ by ,ern/ ,heim4 7#ebfh74 ,,iv4 ,j5s51 ,g4 ,phantasie/cke4 ,op4 #bg4 7#ebge74 ,,iv4 ,kreuz1 ,e4 ,trio 9 ,c4 ,op4 #ba4 7#ebga74 ,v4 -- ,trio facile1 9 ,c4 ,op4 #cb4 7#ebgb74 ,,ii4 ,la*n]1 ,ignaz4 ,gr& ,trio4 ,op4 #ajb4 7#ebgg74 ,,ii4 -- ,trio 9 ,c4 ,op4 #ajc4 7#ebgh74 ,,ii4 ,moz>t4 ,trio4 ,op4 #ad4 9 ,e4 ,cl>9et or ,viol91 ,viola & ,piano4 -- ,symphonie ,conc]tante4 7#bbjf74 ,pleyel4 #c ,trios4 ,op4 #dd 7,h]mann74 7#ebhj74 ,,ii4 ,potp\rris on ,popul> ,melodies f classical & mod]n op]as & oratorios4 ,arrang$ by ,r4 ,h(mann3-- ,wagn]4 ,d] flieg5de ,hollnd]4 7#edchs74 ,,iii4 -- ,loh5gr94 7#edcis74 ,,iv4 -- ,ri5zi4 7#eddjs74 ,,iii4 -- ,tannhus]4 7#eddas74 ,,iv4 ,ross9i4 ,il ,b>bi]e4 7#eddbs74 ,,iii4 -- ,guillaume ,tell4 7#eddcs74 ,,iv4 ,aub]4 ,masaniello4 7#eddds74 ,,iii4 ,g\nod4 ,fau/4 7#eddes74 ,,iv4 ,reg]1 ,max4 ,trio4 ,op4 #b4 7#ebhc74 ,,iv4 ,weidig1 ,adolf4 ,kle9es ,trio4 ,op4 #i4 7#ebhf74 ,,ii4 ,,nb4 ,any ( ! pieces m5tion$ 9 ! 8,guide0 c be procur$ f ,messrs4 ,aug5] ,co4 ,x w be suffici5t to give ! ,edition ,no4 :]e m>k$2 :]e !re is no ,no41 "n ( au?or & title %\ld be giv54 ,,guide ,,?r\gh ,,viol9 ,,lit]ature4 ,cont5ts4 ,page ,viol9 ,me?ods #aji ,te*nical ,ex]cises #aaj ,/udies #aaj ,viol9 ,solos #aah ,duets4 ,two ,viol9s4 ,/ep ,i4 ,fir/ position #aai 0 ,,ii4 ,fir/ f\r positions #aba 0 ,,iii4 ,fir/ five positions #abc 0 ,,iv4 ,all positions #abe 0 ,v4 ,difficult #abf 0 ,,vi4 ,conc]t ,duets #abg ,duets = ,viol9 & ,violoncello #abg 0 0 ,viol9 & ,organ #abg ,viol91 ) ,pian(orte accompanim5t4 ,/ep ,ia4 ,fir/ position1 elem5t>y #abh 0 ,ib4 ,fir/ position1 easy & progressive #abi 0 ,,ii4 ,fir/ f\r positions #acc 0 ,,iii4 ,fir/ five positions #adb 0 ,,iv4 ,all positions #aea 0 ,v4 ,difficult4 7,octaves1 ,spr++ ,b[1 ,/accato1 etc47 #aef 0 ,,vi4 ,v difficult4 7,conc]tos1 etc47 #aeh ,/r+ ,trios4 ,?ree ,viol9s #afj ,two ,viol9s & ,violoncello #afa ,two ,viol9s & ,viola #afa ,viol91 ,viola1 & ,violoncello #afa ,piano ,trios4 ,viol91 ,violoncello1 & ,piano #afb ,two ,viol9s & ,piano #afe ,viol91 ,viola1 & ,piano #afg ,viol91 ,piano1 & ,organ 7or ,h>monium7 #afg ,music ) ,toy ,in/rum5ts #afh ,/r+ ,qu>tets4 ,f\r ,viol9s #afh ,?ree ,viol9s & ,viola #afh ,?ree ,viol9s & ,violoncello #afh ,two ,viol9s1 ,viola1 & ,violoncello #afi ,piano ,qu>tets4 ,viol91 ,viola1 ,violoncello1 & ,piano #aga ,two ,viol9s1 ,violoncello1 & ,piano #aga ,?ree ,viol9s & ,piano #agb ,/r+ ,qu9tets4 ,?ree ,viol9s1 ,violoncello1 & ,bass #agb ,two ,viol9s1 ,viola1 ,violoncello1 & ,bass #agc ,two ,viol9s1 two ,violas1 & ,violoncello #agc ,solos ) ,qu>tet ,accompanim5ts #agd ,piano ,qu9tets4 ,two ,viol9s1 ,viola1 ,viol9cello1 & ,piano #agd ,?ree ,viol9s1 ,violoncello1 & ,piano #age ,f\r ,viol9s & ,piano #age ,viol91 ,viola1 ,violoncello1 ,bass1 & ,piano #age ,sextets1 etc4 ,sextets #age ,septets #agf ,octets #agf ,old ,*amb] ,music #agf ,viol9 & ,or*e/ra #agg ,/r+ ,or*e/ra #agg ,,viola ,,lit]ature4 ,me?ods #agi ,/udies #ahj ,duets4 ,viola ) ,pian(orte accompanim5t4 ,/ep ,i #aha 0 ,,ii #ahb 0 ,,iii #ahb 0 ,,iv #ahd 0 ,v #ahe ,viol9 & ,viola #ahe ,trios4 ,viol91 ,viola1 & ,piano #ahe