,illu/ration3 ,g>d5 ( ! ,villa ( ,ca/ello4 ,,! ,,g>d5 ,,z ,a ,,picture ,by ,beatrix ,jones ,,illu/rations ,,by ,,h5ry ,,mcc>t] ,g>d5 lit]ature ( to-day1 z we all "k1 does n conf9e itself m]ely to fl[]s1 insects1 & ! wea!r1 b is equally au?oritative z to a/ronomy1 cook]y1 philosophy1 & ev5 matrimony4 ,"s quotations f old writ+s1 h[ev]1 come back ov] & ov] aga91 l ! burd5 ( a song1 & we h gr[n s accu/om$ to !m t we feel almo/ defraud$ if a g>d5 book does n op5 ) ! fir/ s5t5ce ( ,bacon's /ately essay4 ,^! books h done mu* good 9 mak+ p realize t g>d5s are n pieces ( gr\nd kept solely = ! delight ( g>d5]s ( ! old s*ool1 :o seem to h sp5t _! "t 9 design+ fl[]-b$s ( intricate patt]n fill$ ) b$d+ plants s atroci\s 9 color t a kaleidoscope is ,quak]i% 9 comp>ison4 ,!y h also taught ! great ess5tial ( g>d5+1 t 9 ord] to h good g>d5s we mu/ really c>e = ! plants 9 !m & "k !m individually z well z collectively4 ,?is is an important "p ( ! te*nique ( ! g>d5-mak]2 he mu/ "k intimately ! =m & texture z well z ! color ( all ! plants he uses2 = plants are to ! g>d5] :at 8 palette is to a pa9t]4 ,! two arts ( pa9t+ & g>d5 design are closely relat$1 except t ! l&scape g>d5] pa9ts ) actual color1 l9e1 & p]spective to make a composition1 z ! mak] ( /a9$ glass does1 :ile ! pa9t] has b a flat surface on :i* to create 8 illusion2 he has1 h[ev]1 ! incalculable advantage t no sane p]son w\ld ?9k ( go+ beh9d a picture to see if x 7 equally int]e/+ f t po9t ( view4 ,! pa9t] has ano!r great advantage ov] ! g>d5]1 because1 z he _c possibly transf] to canvas ! millions ( colors & %ad[s :i* make up ! mo/ ord9>y l&scape1 he mu/ elim9ate s _m t 8 pres5tm5t becomes m or less conv5tional1 j z a playwright mu/ recognize ! conv5tions ( ! /age1 & ^! limitations are tak5 = grant$ by ! public1 :]eas ! l&scape g>d5] has to put 8 equally artificial l&scape out 9 real light1 among real trees1 to be b>r$ by real & mov+ %ad[s4 ,! g>d5 design] has no noncommittal canvas at ! back ( 8 picture1 b mu/ be prep>$1 l ! sculptor1 = criticism f any /&po9t1 & x w\ld seem z ?\gh mo/ p 7 irresi/ibly drawn to look at a composition f its lea/ attractive side1 z if1 9 a p>allel case1 !y %\ld criticise only ! backs ( /atues1 all ( :i* are n s beautiful z t ( ! ,v5us ( ,syracuse4 ,! pa9t] has yet ano!r advantage h>d to ov]e/imate1 9 t 8 palette is really 9 great measure ! creation ( 8 p]sonal arti/ic temp]am5t1 express$ ) m or less v>iation 9 all t he does1 :ile ! l&scape ar*itect mu/ take ! elem5ts giv5 him by nature z ! basis ( 8 composition 9 ea* sep>ate piece ( "w2 ?is means t he _c use ! color1 =m1 & texture suit$ to "o place 9 ano!r possibly only a few miles away4 ,! pa9t] also usually foll[s 8 own b5t & seldom v>ies f m>9es to portraits1 or f /ill life to l&scape1 & al?\gh "s h run ! :ole gamut1 ! p]sonality ( ! arti/ unconsci\sly translates 8 subjects into 8 own individual language4 ,! l&scape arti/1 on ! o!r h&1 mu/ subord9ate himself to ! elem5ts giv5 him1 ! climate & ! soil1 ! "* ( ! vegetation1 & la/ b usually n lea/1 ! wi%es ( 8 cli5t4 ,! pa9t] & ! sculptor may f9i% _! "w & x c at once be judg$ z a :ole1 :ile ! p]son :o works ) plants has to make up 8 m9d to see ! p>ticul> %rub he want$ 9 a special spot p]v]sely die1 :ile = ye>s ! %ady groves ( ! future w decorate ! sc5e l fea!r du/]s on broom/icks4 ,illu/ration3 ,f\nta9 9 ! ,g>d5 ( ,ca/ello4 ,al?\gh ea* ye> an increas+ numb] ( p int]e/ !mselves 9 out-(-door life & ! habits ( birds1 trees1 & wild fl[]s1 !y may realize only ! /rik+ contra/ betwe5 a l&scape :]e decidu\s trees pr$om9ate & ano!r :]e ev]gre5s give ! *>act]i/ic note4 ,ev]yone c see ! diff]5ce betwe5 ! au/]ity ( ! rock-b\nd coa/ ( ,ma9e1 ! quiet beauty ( a ,massa*usetts int]vale1 & ! sleepy luxuriance ( ! ,p5nsylvania pa/oral c\ntry1 b slight v>iations betwe5 ^! may (t5 pass unnotic$2 x is only 9 try+ to copy ! expression ( a l&scape1 or r to fit 9 ) its "*1 t x is possible to realize h[ inf9ite & yet h[ m9ute ^! v>iations are4 ,! quality ( ! light is p]haps ! mo/ important4 ,!re is a pellucid quality 9 ! nor!rn atmosph]e :i* does n dem& %ade z d ! ri*] colors & w>m] light f>!r to ! s\?4 ,! recognition ( ! importance ( ! balance betwe5 light & %ade 0 "o ( ! *ief elem5ts 9 ! composition ( ! great ,italian g>d5 arti/s4 ,!y us$ %ad[ z hav+ ! same value ( acc5t z color4 ,_! long & sunlit walks 7 reliev$ by pat*es ( %ade2 _! brilliant & sometimes gl>+ p>t]res1 vibrat+ ) light1 7 contra/$ ) ! cool d>kness ( a little grove4 ,?is feel+ = ! balance betwe5 light & %ade may n h be5 a faculty consci\sly ex]cis$ on _! "p1 b x is unque/ionably a feel+ )\t :i* no arti/ c make a composition at all4 ,we are apt to read into ! p ( a pa/ "t subtleties ( :i* !y probably knew no?+1 on ! pr9ciple ( ,critics :o f ,%akespe>e drew ,m ?an ,%akespe>e ev] knew4 ,! diff]5ce ( ! quality ( light is no d\bt :at unconsci\sly affects ! outdoor art ( diff]5t c\ntries1 & ! dem& ( ! eye = contra/s may be :at makes ! ,engli% g>d5s s full ( d>k yews1 :i* ev5 on dull days make ! bright fl[]s ne> !m seem z if ! sun 7 actually %9+1 :]eas 9 ,italy ! d>k laurels & bays are m apt to be us$ z a contra/ to actual light & n color4 ,x %\ld also be rememb]$ t ! art ( g>d5+ at its be/ is z /rongly national z t ( pa9t+ or sculpture2 9 ! ,engl& ( old days g>d5s :i* 7 hone/ly suppos$ to be ,italian 7 9 reality ,briti%1 j z ! s-call$ 8,engli% g>d5s0 ( ! eighte5? c5tury 7 ei!r ,fr5* or ,italian :5 !y 7 made 9 "o or ! o!r c\ntry4 ,"o reason = ?is 0 t arti/s 7 n di/ract$ by ! multitude ( photographs & rapid m5tal impressions ( travel :i* ) u make individuality s difficult to keep2 = in/ance1 a model se5 9 ,rome is n[ (t5 repeat$ 9 an ali5 ,am]ican g>d51 m]ely because x look$ well 9 ! place = :i* x 0 int5d$4 ,we cov] m gr\nd 9 a %ort holiday ?an our =efa!rs did 9 "o ( _! solemn 8t\rs10 & c br+ home any numb] ( accurate records ( :at we h se54 ,be=e photography 0 inv5t$1 if a travell] want$ to be sure ( rememb]+ a t]race or a summ]-h\se he _h to sket* x m or less accurately2 n[ we snap a cam]a :i* reproduces e detail ) a m9ut5ess usually impossible 9 a draw+4 ,:5 ! old t\ri/ return$ & w5t to "w aga9 !re 0 an exotic flavor 9 8 design1 b he _h necess>ily =gott5 _m m9or po9ts ( decoration1 z 9 m\ld+s & ornam5ts1 s he replac$ !m by ^? ) :i* he 0 famili>1 & 8 neighbors took x z a matt] ( c\rse4 ,n[ we are t]ribly cultivat$ & scrupul\sly accurate2 we "k j h[ ev]y?+ all ov] ! _w looks1 :e!r we h actually se5 x or n1 & if x is a "w ( art we ?9k we "k j 8h[ x 0 done40 ,x is well to rememb] t _m ( ! g>d5 decorations import$ f "o c\ntry to ano!r1 z f ,italy to ,engl&1 look mu* bett] n[ ?an :5 !y 7 fir/ expatriat$4 ,"t & neglect w d wond]s = inappropriate g>d5 ar*itecture2 9 our climate1 = in/ance1 *illy m>ble goddesses w soon lose _! noses & f+]s 9 spite ( _! hib]nation 9 wood5 s5try-boxes1 & f\nta9s w g to pieces if ! g>d5] delays putt+ on !m ! little ?at*$ capes :i* look oddly l ! mack9to%es ( ! ,japanese j9riki%a m54 ,a collection ( fl[]s1 no matt] h[ beautiful !y may be1 does n make a g>d51 any m ?an ! colors on a pa9t]'s palette make 9 !mselves a picture4 ,a real g>d5 is j z artificial z a pa9t+1 & yet x has n ! advantage ( artificial surr\nd+s4 ,! l&scape ar*itect mu/ put 8 composition d[n 9 ! op5 air ) ! sky & ! trees & ! grass z a backgr\nd1 & mu/ juggle ) nature 9 ord] t 8 composition may n look out ( place1 keep+ always 9 8 m9d ! balance betwe5 masses ( color & (fsett+ masses ( gre54 ,x is p]haps = ?is reason t we unconsci\sly feel t a g>d5 is be/ %ut 91 at any rate1 9 "p1 f ! surr\nd+ l9es ( ! l&scape4 ,?is enclosure does n necess>ily mean a wall1 nor does x mean t a g>d5 %\ld h no outlook1 b only t !re %\ld be "s def9ite limit4 ,if "o may use a musical expression1 !re is ! same diff]5ce 9 quality ( color betwe5 a l&scape & a g>d5 t !re is betwe5 an old or*e/ra & a mod]n "o ( ne>ly d\ble its size1 :]e ! p>ts are mu* m subdivid$ & ! s\nd consequ5tly m complicat$4 ,9 ! same way ! vibrations ( color f a g>d51 be+ m closely br\ght toge!r1 are mu* m excit+ ?an 9 an ord9>y l&scape4 ,?is makes x necess>y t ! g>d5 %\ld be treat$ 9 a bold] mann]2 fl[]s mu/ be us$ z color & int]rupt$ by high lights & d>k %ad[s to ?r[ out contra/s4 ,if x is possible to give ov] any consid]able "p ( a place to "o special effect by mass+ rhodod5drons1 spr+-fl[]+ bulbs1 or "o p>ticul> fl[]1 ! result is incalculably great] ?an if ! same numb] ( plants are dott$ ab\t promiscu\sly1 b x mu/ be borne 9 m9d t 9 ord] to get an effect l ?is plant+ mu/ be done on a big scale2 ! arti/ mu/ try to keep /ep ) ! great /ride ( ,nature & copy z f> z may be h] bread? & simplicity4 ,?is c only be attempt$ :]e !re is pl5ty ( room4 ,t5 b>b]ry bu%es 9 a front y>d may be v good because !y are simple1 b !y _c ev5 sugge/ ! broad effect ( :i* we h be5 speak+4 ,illu/ration3 ,%a/a daisies 9 a bord]4 ,a g>d51 l>ge or small1 mu/ be treat$ 9 ! impressioni/ mann]4 ,old pa9t+s & color$ pr9ts are int]e/+ f _! qua9tness1 b !y d n make "o feel ! real effect ( a g>d5 any m ?an if !y 7 9 black & :ite4 ,!y treat x z a "p ( ! l&scape & !re=e subdue its color+ t x may n j> ) ! re/1 :]eas 9 reality a g>d5 vibrates ) color z ! air ris+ ov] "s reflect+ surface on a summ] day vibrates ) heat4 ,illu/ration3 ,moori% fragm5t at ,villa ,re$4 ,! g>d5] mu/ also consid] ! l5g? ( "t 9 ea* ye> 9 :i* 8 "w w be look$ at4 ,9 ! nor? x is difficult to keep "o f be+ m or less unattractive dur+ six mon?s at lea/2 !re=e1 if a c\ntry h\se is to be liv$ 9 = ! l>g] "p ( ! ye> x is bett] n to put ! g>d5 too close to ! h\se1 z 9 t case ! own]s w h = sev]al mon?s a dre>y view ( g>d5 walks ) puddles 9 !m & fl[]-b$s cov]$ ) manure1 or at be/ ) ev]gre5 b\ghs & leaves4 ,if1 h[ev]1 !y only /ay 9 ! c\ntry = two or ?ree mon?s x is comp>atively easy to arrange a mass ( color l a ,turkey c>pet1 9 :i* fl[]s are laid 9 9 broad wa%es4 ,?is brilliant effect c be held = a c\ple ( mon?s1 & dur+ t "t !re ne$ be no holes :]e fl[]s h di$ :i* h s]v$ _! usefulness & left n ev5 a tuft ( gre5 leaves to cov] ! br[n e>?4 ,if ! g>d5 has to be pres5table f e>ly spr+ to late autumn x w be impossible1 unless x cov]s a consid]able piece ( gr\nd1 to d m ?an keep a cont9u\s succession ( bloom 9 small pat*es r ?an 9 great masses4 ,breaks 9 ! surface ( ! gr\nd are also ne$$1 l t]races1 arbors to int]rupt long walks by %ad[1 b5*es & balu/rades4 ,"h is :]e ! old ,italian g>d5s are s successful2 _! f\nta9s & _! /atues1 _! b5*es & _! vases1 are us$ z emphasis to give height or light or v>iation to a "p ( ! composition :i* might o!rwise be un9t]e/+4 ,9 ! great ,italian g>d5 ( ,ca/ello ! :ole int]e/ ( ! p>t]re is focuss$ at ! c5tre by ! spl5did high bronze f\nta9 ( ,h]cules & ,antu by ,john ( ,bologna & ,tribolo4 ,x is difficult to put a rule into words :i* w s]ve z a guide 9 ev5 "o hypo!tical place1 p]haps = ! same reason t no two p w\ld pa9t exactly ! same picture f ! same subject1 or tell ! same /ory 9 ! same words4 ,illu/ration3 ,! pond g>d5 at ,hampton ,c\rt palace4 ,9 nature colors are set r z an incid5t ?an z ! pr9cipal feature ( a l&scape2 ! spr+ fl[]s 9 ! ,alps1 ev5 if !y are n surr\nd$ by trees & mu* grass1 are cov]$ by ! simple expanse ( ! sky2 ! colors 9 an ,am]ican autumn1 ! *ange ( leaf 9 ! trees1 ! gold5-rod & a/]s1 are all play+ 9 a c]ta9 tone ( color4 ,! :ole symphony ( nature *anges at t "t to an entirely diff]5t key f t ( summ]2 ! tawny1 ! br[n1 ! r$ & yell[ & purple h completely *ang$ ! aspect ( ?+s f :at x 0 9 ,july1 :5 !re 0 no?+ b slight gradations 9 a s*eme ) gre5 z its key-note4 ,:]e colors d n *ange1 z among ! ev]gre5s1 ! effect ( ! autumn color+ is mu* m ?an d\bl$1 z !y are ! only objects 9 ! l&scape :i* h rema9$ z !y 74 ,?is un*ang+ quality ( ! ev]gre5s is1 ( c\rse1 ! basis = ! well-kn[n ,fr5* say+ t 8,ev]gre5s are ! joy ( w9t] & ! m\rn+ ( summ]40 ,x _c be too (t5 repeat$ t a g>d5 is an absolutely artificial ?+1 n only z to ! congregation ( fl[]s b pr9cipally z to color1 & = ?is reason mu/ be treat$ z su*4 ,"o c seldom1 if ev]1 comm& a sett+ z wide z nature's 9 :i* to place our "w1 & !re=e we mu/ tune up our sett+s to ! key ( ! :ole artificial composition4 ,writ+ 9 rhym$ v]se has be5 comp>$ to danc+ 9 fett]s1 & to apply t simile to g>d5+1 x may be said t x is l compos+ 9 ,fr5* alex&r9es ) _! measur$ rhy?m & subtle csura4 ,we mu/ keep "t ) ,nature1 & foll[ h] =ms ( expression 9 diff]5t places :ile we c>ry out our own ideas or adaptations4 ,p]haps ! s-call$ natural g>d5 is ! mo/ difficult to fit 9 ) its surr\nd+s1 because !re is no set l9e to act z a backbone to ! composition1 & ! :ole effect mu/ be obta9$ f masses ( color1 contra/+ heights1 & v>ieties ( texture )\t any /raight l9e z an axis1 )\t any ar*itectural accessory = emphasis1 )\t any?+ b an in*oate mass ( trees or %rubs ( a nondescript %ape 9 :i* to put some?+ t w look l a ?\ght-out composition & n a collection ( fl[]s gr[n alphabetically on ! pr9ciple ( a nurs]y-man's catalogue4 ,^! g>d5s are v h>d to design1 f> m s ?an ! =mal g>d51 & almo/ impossible to reproduce1 z pictures ( !m are apt to look l views ( a p]5nial bord]1 & all ! play ( light & color1 :i* is ! mak+ ( ! actual place1 is translat$ only by a little m or less dep? 9 ! values ( black & :ite4 ,! plann+ ( an in=mal g>d5 mu/ be m or less l ! arrangem5t ( a pa9t]'s palette2 & z an arti/ w\ld n ?9k ( putt+ a rosy p9k & a viol5t yell[ side by side1 s ! g>d5] mu/ g ?r\gh c>eful processes ( *oice & elim9ation4 ,ea* g>d5 has "o or m po9ts f :i* x may be se5 to m advantage ?an f o!rs1 & 9 a =mal "o ^! are comp>atively easy to manage1 b 9 ! natural g>d5 ! gr\p+ ( color mu/ be consid]$ f e reasonable po9t ( view1 9 ord] t !re may be no j>r+ comb9ations4 ,illu/ration3 ,approa* to a natural g>d54 ,p]haps x is a c[>dly subt]fuge1 b x is "o :i* is at lea/ safe1 to keep ! bright yell[s & ! p9ks absolutely sep>ate 9 any place :]e masses ( color are us$4 ,if y are go+ to make y\r g>d5 9 "o ( ! v hot gamuts ( color1 y c use ! deep oranges1 ! yell[s & br[ns1 ! sc>lets1 & t wond]ful unifi]1 blue1 z se5 9 ! l>kspurs1 b y _c use a c]ta9 quality ( pap]y :ite 9 "s ?ick petal$ fl[]s1 l ! :ite phloxes & ! ,%a/a daisies1 :i* seem to spr+ out ( any gr\p ( o!r fl[]s 9 :i* !y are plac$1 leav+ ! re/ ( _! companions look+ muddl$ & woolly beside ! int5sity ( _! p]fectly untransluc5t :ite4 ,9 quiet colors1 "s ( ! mi/y :ites1 l gypsophila or antirrh9um1 ! fa9t blues1 su* z v]onica spicata1 ! pale yell[s ( "s ( ! ev5+ primroses1 ) ! dull violets ( aconitum autumnale & ! lilacs ( hesp]us matronalis1 make a subdu$ h>mony less excit+ ?an ! r$ ( ly*nis *alc$onica & ! yell[ ( helian?us /rumosus1 b are m appeal+ & q z effective 9 _! own way4 ,! blaze ( ! high colors may be comp>$ to ! brasses ( an or*e/ra :ile ! quiet] %ades are l ! /r+s4 ,no spl5did & complete g>d51 h[ev]1 c af=d to %ut itself out f ! high colors1 any m ?an a compos] writ+ an op]a w\ld omit all ! horns & trombones4 ,9 "s places :]e special effects are s\ght ! g>d5] may leave out ! fanf>e ( ! yell[s & sc>lets2 p]haps 8 g>d5 w be look$ at (t5 f ! h\se or t]race on hot summ] nights1 & !n he may wi% to get ! peculi> float+ effect ( c]ta9 :ite fl[]s :i* seem to quiv] 9 ! air r ?an to gr[ on /ems4 ,!n1 too1 at dusk ! s*eme *anges aga9 z ! yell[ ( ! daylight fades & ) x takes ! subtl] colors1 leav+ only ! :ites & "s ( ! yell[s to prevail4 ,! elim9ation ( detail at night & ! ?ick quality ( ! light *ange ! effect & ! app>5t di/ance ( colors entirely1 & give a curi\sly subm]g$ appe>ance to ! g>d54 ,illu/ration3 ,an in=mal g>d54 ,"o ( ! mo/ important ?+s t ! impressioni/ s*ool has be5 try+ to tea* u is t %ad[ is a color & mu/ be us$ z "o1 & ! reason :y ! eye seeks relief f a flat surface is n only t x in/9ctively res5ts monotony1 b t x feels ! ne$ ( %ad[4 ,a flat c\ntry l ,holl& may be made beautiful & int]e/+ by ! cl\d %ad[s :i* pass ov] x con/antly f ! ample vault ( its sky1 b x is n easy to imag9e any?+ m dre>y ?an a wide expanse ( level e>? ) no %ad[s at all4 ,?is quality ( %ad[1 :i* mu/ be recogniz$ z color1 makes x "o ( ! mo/ important factors 9 outdoor composition4 ,:o has n notic$ ! beauty ( outl9e ( ! %ad[s ( a gr\p ( trees ?r[n on a lawn by ! lat] aft]noon sun1 ! r\nd-topp$ ones mak+ graci\s curves1 & ! po9t$ ones seem+ /ret*$ out to hurry on ! dusk8 ,illu/ration3 ,a wat] g>d54 ,p mu/ n hesitate to make g>d5s because !y fancy ! difficulties are too great2 x is only by hav+ !m1 liv+ 9 !m1 & nev] ceas+ to notice ! *anges t are con/antly pass+ ov] !m1 ! effects t are good & ^? t are bad1 ! %ad[s t come 9 ! wrong places & ! sup]fluity ( high lights1 t !y w le>n to see2 & n only mu/ !y see b !y mu/ ?9k4 ,!y mu/ notice ! diff]5t lights & %ad[s & see h[ !y *ange ! effect2 !y mu/ rememb] ! plants ^: sc5t beg9s at dusk & ^? ^: fragrance /ops ) ! light4 ,!y mu/ di/+ui% ! fl[]s t are beautiful by night f ^? t are beautiful only by day2 !y mu/ le>n to "k ! s\nds ( ! leaves on diff]5t sorts ( trees2 ! rippl+ & patt]+ ( ! popl>1 ! ru/l+ ( ! oak-leaves 9 w9t]1 & ! swi%+ ( ! ev]gre5s4 ,& by notic+ !y w also le>n t plants are only "o ( ! tools1 al?\gh to be sure "o ( ! mo/ important1 ) :i* a g>d5 is made4 ,!n1 too1 !y w le>n to see t ! g>d51 to be successful1 mu/ be 9 scale ) its surr\nd+s z well z appropriate to !m1 & also t x mu/ be kept up1 z a g>d51 if left to itself1 w quickly make alt]ations 9 ! orig9al s*eme2 c]ta9 plants w become rampant1 o!rs w die out1 & ?us ! delicate balance w be de/roy$4 ,! own] ( a g>d5 is l ! lead] ( an or*e/ra2 he mu/ "k :i* ( 8 in/rum5ts to enc\rage & :i* to re/ra94 ,aft] all ?is notice & /udy & c>e _m ( u may feel t ! m we le>n ab\t g>d5+ ! m !re is left to "k1 b at any rate1 we %all h ga9$ a sort ( work+ hypo!sis on :i* to build ! f\ndations ( a good design4 ,,?is ,,is ,,ano!r ,,day ,by ,don ,m>quis ,i am m9e own prie/1 & ,i %rive myself ,( all my wa/$ ye/]days4 ,?\gh s9 ,& slo? & fooli%ness1 & all ill we$s ,( error1 evil1 & neglect gr[ rank ,& ugly !re1 ,i d>e =give myself ,t error1 s91 & slo? & fooli%ness4 ,god kn[s t ye/]day ,i play$ ! fool2 ,god kn[s t ye/]day ,i play$ ! knave2 ,b %all ,i !re=e cl\d ?is new dawn o'er ,) fog ( futile sighs & va9 regrets8 ,?is is ano!r day6 ,& flu%$ ,hope walks ,ad[n ! sunw>d slopes ) gold5 %oon4 ,?is is ano!r day2 & its "y /r5g? ,is laid ^u ! quiv]+ hills until1 ,l ,egypt's ,memnon1 !y gr[ quick ) song4 ,?is is ano!r day1 & ! bold _w ,leaps up & grasps its light1 & laughs1 z leapt ,prome!us up & wr5*$ ! fire f ,zeus4 ,?is is ano!r day--are its eyes blurr$ ,) maudl9 grief = any wa/$ pa/8 ,a ?\s& ?\s& failures %all n daunt6 ,let du/ clasp du/2 dea?1 dea?--,i am alive6 ,& out ( all ! du/ & dea? ( m9e ,old selves ,i d>e to lift a s++ he>t ,& liv+ fai?2 my _s d>es dr9k deep ,( ! r$ mir? mantl+ 9 ! cup ( morn4 ---------------------------------------- -------------------------------- ,,transcrib]',s ,,notes #a4 ,sil5tly correct$ obvi\s typographical errors & v>iations 9 spell+4 #b4 ,reta9$ ar*aic1 non-/&>d1 & unc]ta9 spell+s z pr9t$4 #c4 ,enclos$ italics font 9 und]scores4