,,cubi/s ,,& ,,po/-,,impressionism ,illu/ration3 ,,gleizes ,man on ,balcony ,cubi/s & ,po/-,impressionism ,,by ,,ar?ur ,,j]ome ,,eddy ,au?or ( 8,delight1 ! ,s\l ( ,art10 8,recollections & ,impressions ( ,james ,a4 ,mc,neill ,:i/l]10 etc4 ,) ,tw5ty-?ree ,reproductions 9 ,color ( ,cubi/ & ,po/-,impressioni/ ,pa9t+s1 & ,=ty-six ,half-,tone ,illu/rations ,illu/ration ,,*icago ,a4 ,c4 ,mc,c,l,u,r,g ,,co4 #aiad ,copyright ,a4 ,c4 ,mc,clurg ,co4 #aiad ,publi%$ ,m>*1 #aiad ,w4 ,f4 ,,hal4 ,,pr9t+ ,,company1 ,,*icago ,,to ,,t ,,_s ! beat+ ( ^: re/less w+s is he>d 9 e l& ,,cont5ts ,*apt] ,page ,i4 ,a ,s5sation #a ,,ii4 ,po/-,impressionism #aa ,,iii4 ,les ,fauves #cc ,,iv4 ,a ,futile ,prote/ #ej ,v4 ,:at is ,cubism8 #fj ,,vi4 ,! ,!ory ( ,cubism #ij ,,vii4 ,! ,new ,art 9 ,muni* #aaj ,,viii4 ,color ,music #adj ,,ix4 ,esoragoto #adg ,x4 ,ugl9ess #aed ,,xi4 ,futurism #afd ,,xii4 ,virile-,impressionism #aia ,,xiii4 ,sculpture #bjb ,,xiv4 ,9 ,conclusion #bjg ,app5dix ,i4 ,exhibitions at #bia ,fif? ,av5ue #baa ,app5dix ,,ii4 ,two ,comm5ts #bad ,bibliography #bbc ,index #bci ,,illu/rations ,,page ,,balla1 ,dog & p]son 9 movem5t #afd ,,be*tejeff1 ,fight ( ! ,amazons #ec ,,blo*1 ,summ] night #ib ,! duel #ic ,,boccioni1 ,head1 h\ses1 light #ahd ,spiral expansion ( muscles 9 action #bjd ,,brancusi1 ,m'lle ,poganey #bjb ,,c>doza1 ,,s\sa1 ,m>9e #d ,leap ( ! rabbit #hd ,/ronghold #adh ,c,,zanne1 ,portrait ( self #bf ,village /reet #bg ,/ill life #cf ,,*abaud1 ,! labor] #af ,cemet]y gates #ajh ,,*>my1 ,l&scape #bjj ,,d]a91 ,=e/ at ,m>tigues #aed ,,dove1 ,bas$ on leaf =ms & spaces #dh ,,du*amp1 ,*ess play]s #fd ,k+ & que5 #gb ,,erbsloh1 ,"y woman #bjg ,,gaugu91 ,portrait ( self #abh ,f>my>d #abi ,sc5e 9 ,tahiti #acb ,,girieud1 ,woman seat$ #ada ,,gleizes1 ,man on balcony ,frontispiece ,orig9al draw+ = man on balcony #gj ,,gris1 ,/ill life #acc ,,h]b91 ,l&scape #if ,/ill life #ahf ,,jawl5sky1 ,head ( a girl #aeh ,,k&9sky1 ,village /reet #bj ,l&scape ) two popl>s #aje ,improvisation ,no4 #bi #aaf ,improvisation ,no4 #cj #abd ,,klee1 ,h\se by ! brook #hh ,,kroll1 ,brooklyn ,bridge #aih ,/ill life #baj ,,leg]1 ,! *imneys #fa ,,lehmbruck1 ,kneel+ woman #bjc ,,m>c1 ,! /e] #ajd ,,matisse1 ,! dance #dd ,woman 9 r$ madras #aab ,portrait heads #bje ,back ( woman #bjf ,,metz+]1 ,! ta/] #fj ,m,,nt]1 ,! boat ride #agb ,! :ite wall #agc ,,picabia1 ,dance at ! spr+ #fh ,,picasso1 ,woman ) m&ol9 #gd ,! poet #ge ,draw+ #ajj ,old woman #adj ,,r\sseau1 ,portrait ( self #ab ,l&scape #ac ,,russolo1 ,rebellion #agh ,,segonzac1 ,pa/urage #ahb ,=e/ #aib ,,sev]9i1 ,! mill9] #hj ,,van ,,gogh1 ,portrait ( self #dj ,cafe #ef ,woman ) fry+ pan #abj ,*air ) pipe #aba ,,van ,,rees1 ,/ill life #hi ,mat]nity #afh ,,villon1 ,"y girl #cb ,,vlam9ck1 ,village #acf ,,w]efk91 ,! c\ntry road #eb ,,zak1 ,! %eph]d #h ,,cubi/s ,,& ,,po/-,,impressionism ,,alas6 ,,alas66 8,x is unlikely t any pa9t]s w ev] aga9 h to face ! ho/ility :i* 0 manife/$ aga9/ ! ,impressioni/s4 ,! repetition ( su* a ph5om5on w\ld be impossible4 ,! case ( ! ,impressioni/s1 9 :i* )]+ scorn yield$ place to admiration1 has put criticism on its gu>d4 ,x w surely /& z a w>n+1 & ought to prev5t ! recurr5ce ( a simil> outbur/ ( indignation aga9/ ! innovators & indep5d5ts :om "t may yet br+ =?40 --8,manet & ! ,fr5* ,impressioni/s10 by ,!odore ,duret1 pp4 #ahj1 #aha4 ,cubi/s & ,po/-,impressionism ,i ,a ,,s5sation ,s9ce ! exhibit at ! ,columbian ,exposition 7#ahic7 no?+ has happ5$ 9 ! _w ( ,am]ican art s /imulat+ z ! rec5t ,,int]national ,,exhibition ,,( ,,mod]n ,,art4 ,new ,york & ,*icago1 spr+ ( #aiac4a 8,/imulat+0 is ! ^w1 = :ile ! rec5t exhibition may h lack$ "s ( ! good1 solidly pa9t$ pictures f\nd 9 ! e>li]1 x conta9$ s mu* t 0 fre%1 new1 orig9al--ecc5tric1 if y pref]--t x gave our art-_w food = ?\ght--& heat$ controv]sy4 99 99 99 99 99 ,art ?rives on controv]sy--l e human endeavor4 ,! fi]c] ! controv]sy ! sur]1 ! s\nd]1 ! san] ! outcome4 99 99 99 99 99 ,p]fection is unatta9able4 ,z man 9 8 l(tie/ flight /ret*es =? 8 h& to seize a /> he drops back to e>?4 ,! f9]1 ! pur] ! developm5t ( any art ! m c]ta9 ! reaction1 ! return to elem5tal conditions--to beg9 ov] aga94 99 99 99 99 99 ,! "y sculptor looks at ! *a/e p]fection ( ,greek sculpture & says1 8,:at is ! use8 ,i w d some?+ diff]5t40 ,! "y pa9t] looks at ! great pa9t]s ( ye/]day & exclaims1 8,:at is ! use8 ,i _c excel !m 9 _! way2 ,i mu/ d some?+ 9 my own way40 ,x is ! same 9 bus9ess2 ! "y m]*ant /udies ! me?ods ( ! successful m5 9 8 l9e & says1 8,x is idle = me to copy _! me?ods4 ,i w d some?+ diff]5t1 some?+ 9 my own way10 & he displays 8 goods diff]5tly1 adv]tises diff]5tly1 conducts 8 bus9ess diff]5tly1 & if successful is hail$ z a g5ius1 if a failure he is reg>d$ z a vision>y or an ecc5tric--! result mak+ all ! diff]5ce 9 ! _w 9 ! v]dict ( ! public4 ,pa9t+ today is a t]rible problem to an absolutely s9c]e1 hone/1 & yet ambiti\s m9d4 ,fir$ to set =? some?+ ( 8 v own1 to avoid plagi>ism & give ! _w some?+ x has nev] yet receiv$1 ! arti/1 9 :atev] direction he advances1 f9ds ! horizon b\nd$ by a great ma/] :om he _c hope to surpass4 ,well1 inde$1 may he ask :at is ! use ( try+ to d :at ,van ,eyck1 ,botticelli1 ,v]me]1 ,rembr&t1 ,v]onese1 ,mi*ael ,angelo1 ,velasquez--nay1 ev5 :at ,con/able1 ,corot1 ,claude ,monet1 & ,signac h done to p]fection8 ,9 despair at surpass+ ! limits set by ! great ma/]s ( progress he h>ks back1 z ! pre-,raphaelites did1 to ! pa9t]s be=e ,raphael4 ,alas1 ,fra ,lippi & ,taddeo ,gaddi are soon f\nd to be too sophi/icat$4 ,he goes back f>!r1 to ,giotto1 to ,orcagna1 ev5 to ! ,egyptians1 & ) ! same result4 ,at la/ he takes 8 c\rage 9 8 h&s &1 ?r[+ ov]bo>d ! :ole c>go ( art hi/ory1 anci5t & mod]n1 he seeks to =get t picture 0 ev] pa9t$1 & ) eyes fre$ f traditional vision he seeks to recreate ! b>b>ic art ( infancy4 ,call ?is man an extremi/ if y l1 b d n lightly dub him ins9c]e & *>latan4 ,he is ! c\nt]p>t 9 art ( ! extremi/ 9 politics1 ! man :o has no pati5ce ) palliative measures1 :o dem&s ! :ole loaf & no?+ b ! loaf1 :o kicks savagely away ! fragm5ts ( bread t5d]$ him by ! mod]ate & respectable4 ,a dang]\s man he may be1 b he is no trifl]2 &1 if he succe$s 9 8 purpose1 z extremi/s sometimes d1 ! :ipp$ _w at 8 feet hails him z re=m] & b5efactor ( humanity4#b 99 99 99 99 99 ,! ,columbian ,exposition gave ,am]ican art a trem5d\s impetus =w>d1 b ( late x has be5 gett+ a little smug2 ! ,int]national ,exhibition came & gave our complac5cy a sev]e jolt4 ,! net result is t ,am]ican art has receiv$ ano!r impulse =w>d2 x w d bigg] & f9] & san] ?+s4 ,x w n copy ! ecc5tricities1 ! exagg]ations1 ! morbid en?usiasms ( ! rec5t exhibition1 because ,am]ica z yet is n giv5 to ecc5tricities & morbidness--?\gh x may be to a y\?ful habit ( exagg]ation4 ,am]ica is ess5tially sane & heal?ful--say q practical--9 its outlook1 h5ce x w absorb all t is good 9 ! extreme mod]n movem5t & reject :at is bad4 ,nei!r our /ud5ts nor our pa9t]s w be c>ri$ (f _! feet b !y w be help$ onw>d4 ,!y w be help$ 9 _! te*nic1 & !y w see ?+s f new angles1 !y w be m indep5d5t1 9 %ort !y w be bett] & bigg] pa9t]s4 ,!y w n be ,cubi/s1 ,orphi/s1 or ,futuri/s1 b !y w absorb all !re is ( good 9 ,cubism1 ,orphism1 ,futurism--& o!r 8isms20 & be> 9 m9d x is ! i/ :o is always blaz+ a trail some:]e2 he may lose himself 9 ! d5se und]gr[? ( 8 !ories b he at lea/ m>ks a pa? o!rs h n trodd54 ,! rec5t exhibition 0 n an isolat$ movem5t4 ,!re are no isolat$ movem5ts 9 life4 ,! ,int]national ,exhibition 0 j z inevitable z ! ,progressive political conv5tion ( #aiab 9 ,*icago4 ,! _w is fill$ ) f]m5t--f]m5t ( new ideas1 f]m5t ( orig9ality & individuality1 ( ass]tion ( indep5d5ce4 ,?is is true 9 religion1 sci5ce1 politics z well z 9 art4 ,x is true 9 bus9ess4 ,new ?\ght is ev]y:]e4 ,! mo/ radical sugge/ions are debat$ at ! d9n] table4 ,9 politics :at w\ld h be5 consid]$ sociali/ic tw5ty ye>s ago is accept$ today z reasonable4 ,to ! cons]vative masses ^! new dep>tures may seem l a wild ov]turn+ ( all t is sacr$1 b !re is no ne$ = fe>2 all t is really s\nd w ga9 9 ! end4 99 99 99 99 99 ,nei!r ,cubism1 ,futurism nor any o!r 8ism0 tr\bles ! really great pa9t]2 x is ! little fell[ :o fumes & swe>s4 ,! poise ( ! great man is n at all di/urb$ by ! ecc5tric & ! biz>re2 on ! contr>y he looks ) a curi\s eye to see if some?+ ( value may n be f\nd4 ,:i/l] w\ld n h pa9t$ ,cubi/ pictures1 b hav+ kn[n ! man ,i c say t no?+ !re may be ( good 9 ,cubism w\ld h gott5 by ! p5etrat+ vision ( t great pa9t]4 ,x is *>act]i/ic ( ! little man to ridicule or res5t ev]y?+ he does n und]/&2 x is *>act]i/ic ( ! great man to be sil5t 9 ! pres5ce ( :at he does n und]/&4 99 99 99 99 99 ,j n[ ! old] m5 are viol5tly oppos$ to ! new]2 !re is no attempt at und]/&+ & !re is abundant ridicule in/ead ( sympa?y4 ,illu/ration3 ,,s\sa ,,c>doza ,m>9e ,?is is inevitable & q 9 accord ) human nature1 b x is a pity4 ,! old & ! new are n rivals2 ! new is simply a dep>ture f ! old1 simply an attempt to d some?+ diff]5t ) l9e & color4 ,! old] m5 %\ld wat* ! y\ng] ) ke5e/ int]e/2 !y may feel sure ! new is =$oom$ to failure1 b t is no cause = rejoic+2 on ! contr>y ! old] man %\ld always be sorry to see ! so>+ flights ( y\? come to grief4 99 99 99 99 99 ,because a man buys a few ,cubi/ pictures x mu/ n be assum$ he is a believ] 9 ,cubism4 ,because a man has a few books on socialism or an>*ism 9 8 libr>y we d n assume he is a sociali/1 or an an>*i/2 on ! contr>y x is commonly assum$ he is simply broadly & sanely int]e/$ 9 social & political !ories4 ,! radical may n conv9ce me he is "r1 b he may %[ me ,i am wrong4 ,! man :o flies into a passion at pictures because !y are n l ! pictures he owns is on a p> ) ! man :o flies into a passion at books because !y are n l ! books he owns--! _w is fill$ ) su* m51 unreceptive1 unresponsive2 _m intellig5t 9 _! n>r[ way1 b bigot$4 ,to mo/ m5 a new idea is a great] %ock ?an a cold plunge 9 w9t]4 ,p]sonally ,i h no m int]e/ 9 ,cubism ?an 9 any o!r 8ism10 b failure to react to new impressions is a sure sign ( age4 ,i w\ld hate to be s old t a new picture or a new idea w\ld fright5 me4 ,i w\ld l to own ,raphaels & ,titians & ,rembr&ts & ,velasquezes1 b ,i c't af=d x4 ,i say ,i w\ld l to own !m2 no1 ,i w\ld n1 = ,i h ! conviction t no man has ! "r to appropriate to himself ! "w ( ! great ma/]s4 ,_! pa9t+s belong to ! _w & %\ld be 9 public places = ! enjoym5t & in/ruction ( all4 ,x is ! high privilege ( ! private buy] to buy ! works ( new m51 & by enc\rag+ !m disclose a ,rembr&t1 a ,hals1 a ,millet1 a ,corot1 a ,manet1 b :5 ! public beg9s to want ! pictures ! private buy]1 in/ead ( bidd+ aga9/ ! public1 %\ld /ep "o side2 8 task is done1 8 opportunity has pass$4 99 99 99 99 99 ,mo/ m5 buy pictures n because !y want !m1 b because "s "o else wants !m4 ,! man :o gives half a million = a ,rembr&t does s n because he kn[s or c>es any?+ ab\t ! picture1 b solely because he is made to believe "s "o else wants x #dej1jjj wor?4 ,read ?is3 ,! cr[n+ ev5t ( ! day 0 ! sale ( ,rembr&t's 8,ba?%eba40 ,! bidd+ />t$ at #aej1jjj francs & )9 a c\ple ( m9utes a p]fect :irlw9d ( bids _h c>ri$ ! price to #ejj1jjj francs (f]$ by a deal]1 ,mr4 ,trotti4 ,already ! small] fry among ! bidd]s _h be5 elim9at$ & ! conte/ 0 circumscrib$ to a small gr\p1 ,messrs4 ,duve51 ,wild5/e91 ,t$esco1 ,mull] & ,trotti be+ ! mo/ ard5t 9 ! battle4 8,six hundr$ ?\s&60 cri$ ,mr4 ,duve54 8,six hundr$ & fifty ?\s&10 said ,mr4 ,wild5/e94 ,mr4 ,duve5 repli$ ) a nod :i* meant ! addition ( ano!r #ej1jjj4 ,!n ) bids ( #aj1jjj & #be1jjj ! price m\nt$1 ! /ruggle develop+ into a duel betwe5 ,mr4 ,wild5/e9 & ,mr4 ,duve54 ,eight hundr$ ?\s& francs 0 rea*$ & left beh9d2 #ijj1jjj francs 9 turn 0 pass$4 8,n9e hundr$ & fifty ?\s&10 rapp$ out ,mr4 ,duve54 8,n9e hundr$ & sixty ?\s&10 respond$ ,mr4 ,wild5/e94 ,!n came 8n9e hundr$ & sev5ty ?\s&0 & 8n9e hundr$ & eighty ?\s&40 ,by ?is "t ! entire ga!r+ 0 spellb\nd by ! spectacle ( ! gladiatorial conte/ = ! picture4 8,n9e hundr$ & n9ety ?\s&10 said ,mr4 ,wild5/e94 ,!re 0 an in/ant ( sil5ce4 8,a million60 ,e eye turn$ f ! speak]1 ,mr4 ,duve51 to gaze on ,mr4 ,wild5/e9 expectantly4 ,!n !re 0 sil5ce1 signify+ 8 )drawal f ! fight4 ,a mighty hubbub arose4 ,! ,rembr&t _h be5 knock$ d[n to ,mr4 ,duve5 = a million francs1 or1 ) ! commission1 #a1ajj1jjj francs4 ,nev] has su* a price be5 giv5 = a ,rembr&t4 ,?is is n deal+ 9 art1 x is art on ! horse-block4 ,"h is ! record ( t "o pa9t+3 #agcd--,sold at ,antw]p = #aji #agia--,sold at ,p>is = #bdj #ahad--,sold at ,london = #ebe #ahcj--,sold at ,london = #gij #ahca--,sold at ,london = #gib #ahcb--,sold at ,london = #a1bfj #ahda--,sold at ,p>is = #a1egf #aiac--,sold at ,p>is = #bbj1jjj 99 99 99 99 99 ,dur+ ! exhibition 9 ,new ,york & ,*icago ! pictures 7 ! "o topic ( conv]sation2 = ! "t be+ x 0 wor? :ile to d9e out2 society became almo/ animat$4 ,i recall "o delightful & irascible old g5tleman1 critic & pa9t]1 :o _h n _h a fre% appreciation = tw5ty-five ye>s4 ,= him art end$ ) ! ,b>bizon s*ool4 ,:i/l]1 ,monet1 ,degas _h no sure places4 99 99 99 99 99 ,we all h ! c\rage ( o!rs' convictions4 ,! new1 h[ev] good1 is always que]2 ! old1 h[ev] bad1 is nev] /range4 ,mo/ p laugh at new pictures because !y are afraid if !y don't laugh at ! pictures1 o!r p w laugh at !m4 ,n[ & !n a man laughs at a que] picture because he c't help x1 he is a joy4 ,laught] is ! hone/ emotion ( ! *ild1 on ! gr[n-up x is (t5 a m>k ( ignorance4 ,x is s easy to ridicule :at "o does n und]/& & d>es n l4 ,laught] nev] /ops to ?9k--if x did !re w\ld be less laught]4 ,if y feel l laugh+ at a picture1 laugh by all means1 x w d y good1 b be sure y really feel l laugh+1 & to make sure ask y\rself ?is "q1 8,if t picture 7 ! only "o 9 ! room & ,i 7 alone ) x w\ld x /rike me z laughable80 99 99 99 99 99 ,x always takes j ab\t s _m ye>s4 ,:at happ5$ ) ! ,b>bizon ,s*ool happ5$ ) ,impressionism2 :at happ5$ ) ,impressionism1 w happ5 ) ,po/-,impressionism2 :at w happ5 ) ,po/-,impressionism w surely happ5 ) po/-po/-,impressionism1 & s on4 ,"o movem5t foll[s ano!r1 z season foll[s season4 ,life is rhy?m4 ,ea* g5]ation ?9ks itself unique 9 its exp]i5ces4 ,we g to an exhibition ( cubi/ pictures & we ?9k no?+ l t ev] happ5$ be=e1 h5ce we feel safe 9 d5\nc+ !m4 ,we admit ,engl& 0 wrong :5 x ridicul$ ,turn]1 t ,france 0 wrong :5 x ridicul$ ,corot1 t ,p>is 0 wrong :5 x d]id$ ,millet1 ,manet1 ,monet1 ,degas1 & a ho/ ( o!r great m51 b we are n wrong :5 we d]ide ! new m54 ,:y8 ,because we ?9k !y are new] & /rang] ?an ! m5 nam$4 ,illu/ration3 ,,zak ,! ,%eph]d ,we accept ,wagn] z a g5ius1 b ,/rauss--oh1 no1 he is too /range1 b !re are /rang] compos]s ?an ,/rauss already at "w & we mu/ travel fa/ to keep up ) ! procession4#c ,be v sure ! ,cubi/s1 ! ,futuri/s1 & all ! o!r que] 8i/s0 w\ld n make ! impression !y are mak+ if !re 7 n a good reason = x1 if ! times 7 n ripe = a *ange4 99 99 99 99 99 ,broadly speak+ we are *ang+ f ! p]fections ( ,impressionism to ! imp]fections ( ,po/-,impressionism2 f ! a*ievem5ts ( a s*ool1 a movem5t1 t has done ! be/ x c\ld1 to ! attempts1 ! exp]im5ts1 ! grop+s1 ( new m5 along new l9es4 ,x is ! purpose ( ?is book to describe "s ( ! *anges t are tak+ place & try to expla9 !m 9 pla91 e-day t]ms4 ,! curse ( art lit]ature & pr(essional art criticism is art-j>gon4 ,e dep>tm5t ( human activity f sport to sci5ce1 baseball to philosophy1 spe$ily develops its own j>gon & ! t5d5cy is = ! j>gon to become d5s] & d5s] & s m & m obscure its subject1 until "s man ) horse-s5se--l ,huxley 9 sci5ce & ,william ,james 9 philosophy--re/ores ! use ( e-day ,engli%4 ,"s j>gon l t ( ! baseball report] is int5sely vivid & amus+1 x is language 9 ! mak+1 b ! j>gon ( ! art critic is deadly1 x is nei!r vivid nor int]e/+--x is simply hypnotic4 ,x is only :5 ! critic gets s angry he =gets 8 j>gon t he becomes intelligible--& betrays himself4 ,! reputation ( _m a prea*]1 _m an orator1 dep5ds :olly ^u 8 comm& ( j>gon1 8 ability to utt] endless phrases :i* are ei!r /ock ideas1 old z ! hills1 or :i* s\nd z if !y meant some?+ b on analysis prove q b>r54 ,,ii ,,po/-,,impressionism ,po/-,impressionism means exactly :at ! prefix means--! art-developm5t foll[+ ,impressionism4 ,x does n mean a fur!r1 or a high]1 or a m subtle =m ( ,impressionism1 b x means some?+ radically diff]5t1 x means a reaction f ,impressionism4 99 99 99 99 99 ,! evolution ( ! new movem5t has be5 logical & inevitable4 ,aft] ! ,b>bizon s*ool ) its romantic repres5tation ( nature1 !re came inevitably ! reali/ic pa9t]s1 head$ by ,c\rbet1 lat] by ,manet--m5 :o pa9t$ ?+s n romantically b reali/ically1 pitilessly1 brutally4 ,!re 0 ! same rage aga9/ ^! m5 z aga9/ ! ,cubi/s today4 ,bo? ,:i/l] & ,manet 7 9 ! ,salon des ,refuses ( #ahfd4 ,along ) ! m5 :o pa9t$ ?+s z !y saw !m1 came naturally m5 l ,monet1 ,sisley1 ,piss>ro1 ,seurat1 ,signac1 :o tri$ endless exp]im5ts 9 ! ef=t to pa9t light z !y saw x4 ,s t ! f9al tw5ty-five ye>s ( ! la/ c5tury 7 giv5 up 9 ,france to attempts to pa9t ?+s & light z !y really are4 ,aft] ! pa9t+ ( ?+s & light "o w\ld say ! art ( pa9t+ _h t\*$ its limits1 t !re 0 no?+ m to d4 ,b1 no1 !re is ! pa9t+ ( nei!r ?+s nor light--! pa9t+ ( emotions--! pa9t+ ( pure l9e & color compositions = ! sake ( ! pleasure su* h>monies af=d--! expression ( "o's inn] self4 ,x 0 :ile ,manet 0 pa9t+ ?+s z !y are1 & ,monet 0 pa9t+ light z x is1 t ,:i/l] 0 pa9t+ bo? ?+s & light b ) an entirely diff]5t object 9 view1 namely1 ! production ( color h>monies sup]ior to ei!r ?+-effects or light-effects4 ,to ! foll[+ rsum x is obvi\s ano!r p>agraph mu/ be add$ to br+ ! record d[n to date4 99 99 99 99 99 ,pa9t+ 9 ,france 9 ! n9ete5? c5tury foll[$ a c\rse p>allel ) t ( ! intellectual life ( ! c\ntry1 x adapt$ itself to ! v>i\s *anges 9 modes ( ?\ght1 x took ^u itself a succession ( =ms correspond+ to ^? :i* 7 evolv$ 9 lit]ature4 ,at ! beg9n+ ( ! c5tury1 "u ! ,empire1 pa9t+ 0 classical4 ,x 0 prim>ily engag$ 9 r5d]+ sc5es borr[$ f ! antique _w ( ,greece & ,rome1 subjects d]iv$ f fable & my?ology4 ,hi/orical pa9t+ =m$ ! ess5ce ( high art4 ,x 0 bas$ ^u ! nude1 treat$ accord+ to ! classical model4 ,two ma/]s--,david & ,+ress--7 its l(tie/ expression4 ,aft] !m classical art 0 cont9u$ 9 an enfeebl$ condition by pa9t]s ( only second>y importance4 ,! new _s ( romanticism1 h[ev]1 :i* _h aris5 9 lit]ature1 also made its appe>ance 9 pa9t+4 ,delacroix 0 ! ma/] 9 :om x f\nd its mo/ complete expression4 ,! tones ( classical art1 sob]1 re/ra9$1 & (t5 cold1 gave place 9 8 "w to w>m & brilliant coloration4 ,= ! nicely balanc$ sc5es ( classical antiquity1 he sub/itut$ compositions tumultu\s ) movem5t4 ,romanticism develop$ fre$om ( action & expressiv5ess ( pose to _! utmo/ limits4 ,pa9t+ 0 !n conqu]$ by realism1 :i* _h also invad$ lit]ature4 ,c\rbet 0 its great initiator4 ,he pa9t$ ! life he saw ar\nd him 9 a direct1 robu/ mann]4 ,he also pa9t$ l&scape ) a tru?fulness t 0 in=m$ by a p[]ful emotion4 ,at ! same "t1 ,r\sseau & ,corot _h also br\ght l&scape pa9t+ into close t\* ) nature4 ,!y _h r$iscov]$ its s\l & its *>m4 ,f9ally1 cr[n+1 z x 71 ! "w ( _! pr$ecessors1 came ,manet & ! ,impressioni/s4#d ,illu/ration3 ,,r\sseau ,portrait ( ,self ,illu/ration3 ,,r\sseau ,l&scape ,turn] 0 ! =]unn] ( ,impressionism1 ! fa!r ( attempts to pa9t brilliant light effects1 ,:i/l] 0 ! =]unn] ( ,po/-,impressionism1 ! fa!r ( attempts to pa9t l9e & color compositions4 ,turn] did n c>ry 8 !ories to ! sci5tific extremes ( ! ,impressioni/s & ,neo-,impressioni/s2 ,:i/l] did n c>ry 8 attempts to ! ab/ract extremes ( ! ,compositionali/s & ! ,cubi/s2 b 9 _! "w are f\nd ! se$s ( all !re is 9 ,impressionism & ,po/-,impressionism4 99 99 99 99 99 8,d y say t ?is is a correct repres5tation ( ,batt]sea ,bridge80 8,i did n int5d x to be a #8correct' portrait ( ! bridge4 ,x is only a moonlight sc5e1 & ! pi] 9 ! c5t] ( ! bridge may or may n be l ! pi]s at ,batt]sea ,bridge z y "k !m 9 broad daylight4 ,z to :at ! picture repres5ts1 t dep5ds ^u :o looks at x4 ,to "s p]sons x may repres5t all t is int5d$2 to o!rs x may repres5t no?+40 8,! prevail+ color is blue80 8,p]haps40 8,are ^? figures on ! top ( ! bridge int5d$ = p80 8,!y are j :at y l40 8,is t a b>ge b5ea?80 8,yes4 ,i am v mu* enc\rag$ at y\r p]ceiv+ t4 ,my :ole s*eme 0 only to br+ ab\t a c]ta9 h>mony ( color40#e 99 99 99 99 99 ,mo/ pa9t]s are s int5t ^u ! subjects ( _! "w !y give little ?\ght to color h>monies4 ,:i/l] 0 ! "o great mod]n exception2 8 fir/ ?\ght 0 to produce beautiful effects 9 l9e & color1 h5ce 8 titles1 8,nocturnes10 8,symphonies10 8,arrangem5ts10 & s on4 ,he did n l to give 8 portraits ! names ( 8 sitt]s4 ,:]e o!r pa9t]s emphasize ! 8subjects0 & ! 8/ories0 ( _! pictures he tri$ to suppress bo? & direct ! att5tion ( ! behold] to ! pa9t+4 ,he 0 ! =]unn] ( rec5t attempts to d ) l9e & color :at ! musician does ) s\nd4 ,he 0 ! lead] ( ! revolt aga9/ ! 8/ory-tell+0 picture4 99 99 99 99 99 ,millet is a good illu/ration ( ! pa9t] to :om 8subject0 0 ev]y?+1 & te*nic ( q second>y importance4 ,i ?9k x is g5]ally conc$$ t z a pa9t]1 a ma/] ( te*nic1 he did n rank v high1 b he _h a faculty = pa9t+ subjects1 sc5es f life1 t grip4 ,z a pa9t] ,:i/l] 0 incomp>ably sup]ior to ,millet1 b j because he 0 a great ma/] ( te*nic & q indiff]5t to ! /ory-tell+ side ( 8 pictures he did n become s popul>4#f 99 99 99 99 99 ,!re are _m actions & reactions 9 art1 _m evolutions & involutions1 b ! great rhy?mical sweep ( ! p5dulum is f1 let u say1 /udio-art to nature-art1 & back f nature-art to /udio-art4 ,f works ( obs]vation to works ( imag9ation1 & back f ! use ( ! imag9ation to ! use ( obs]vation4 ,= a "t m5 "w fev]i%ly 9 ! seclusion ( _! closets pa9t+1 writ+1 modell+1 compos+ beautiful ?+s1 pure products ( _! imag9ations1 !n comes ! reaction & !y feel ! ne$ ( r5ew+ _! vigor by t\*+ heel to e>?4 ,!y draw aside _! curta9s1 ?r[ op5 _! doors & g out into ! sunlight to brea! ! fre% air & ga9 new inspirations f contact ) nature4 ,t is :at happ5s 9 art once 9 s (t54 ,! ,b>bizon s*ool 0 a /udio s*ool4 ,x walk$ ! /reets & ! fields2 x look$ at m5 & wom5 at "w & at play1 b :5 x came to pa9t x did n pa9t outdoors ) object & easel 9 close contact2 x retir$ )9 its doors & trans=m$ life & nature z great romantic /ory-tell]s translate _! impressions into fairy-tales & romances4 99 99 99 99 99 ,x seems a f> cry f ,millet to ,*abaud b 9 "s aspects ( _! attitude t[>d art !y are ne>ly ak94 ,betwe5 ! two !re int]v5$ ,impressionism1 t is all4 ,millet pa9t$ labor4 ,& :at is ! pa9t+ by ,*abaud1 8,! ,labor]10 b a m elem5tal ,millet8 ,x lacks ! romantic1 ! poetic qualities ( ,millet's 8,labor10 = in/ance1 or 8 8,s[]0--pa9t+s fam\s 9 pr9ts & reproductions1 b x is none ! less a vivid repres5tation ( labor4 ,to ! admir]s ( ,millet x may seem sacrilegi\s to ev5 m5tion ,*abaud 9 comp>ison1 b1 conf9+ our att5tion to ! "o pa9t+ reproduc$ h]e91 !re is no "q t 9 its elem5tal /r5g?1 its simplicity1 x possesses a quality1 a c]ta9 bald dramatic quality t ,millet lacks1 ?\gh ,millet's 8,s[]0 may possess qualities y l m4 ,h[ev] x is ) no int5tion to make a comp>ison betwe5 two m5 s v diff]5t1 t ,i m5tion !m1 b r = ! purpose ( po9t+ out t ! attitude ( bo? to _! art is fundam5tally ! same--!y use art to express !mselves & n to imitate :at !y see4 ,?is is ! way ,millet work$4 8,he himself w5t ab\t ,b>bizon l a peasant4 ,& he might h be5 se5 w&]+ ov] ! woods & fields ) an old1 r$ cloak1 wood5 %oes1 & a wea!r-beat5 /raw hat4 ,he rose at sunrise1 & w&]$ ab\t ! c\ntry z 8 p>5ts _h done4 ,he gu>d$ no flocks1 drove no c[s1 & no yokes ( ox5 or horses2 he c>ri$ nei!r mattock nor spade b re/$ on 8 /ick2 he 0 equipp$ ) only ! faculty ( obs]vation & poetic int5tion 444 he leant on ! g>d5 wall ) 8 arms cross$ on 8 brea/1 & look$ into ! sett+ sun z x ?rew a rosy veil ov] field & =e/4 ,he he>d ! *ime ( vesp] bells1 wat*$ ! p pray & !n return home4 ,& he return$ also1 & read ! ,bible by lamplight1 :ile 8 wife sew$ & ! *ildr5 slept4 ,:5 all 0 quiet he clos$ ! book & began to dream4444 ,on ! morr[ he pa9t$40#g ,?is is ! me?od ( all ! v great art ! _w has ev] kn[n--fir/ to see2 & !n to dream & !n on ! morr[ to pa9t4 ,impressionism cut out ! dreams--x pa9t$ :at x saw4 ,!re 7 nev] 9 ! _w peasants su* z ,millet pa9t$1 or woods su* z ,daubigny pa9t$4 ,p ?\ght !re 7 until ! ,impressioni/s came & turn$ on ! light4 ,corot's silv]y glades h a clos] relation%ip to nature4 ,he felt ! reaction t 0 9 ! air4 ,he 0 almo/ an ,illu/ration3 ,,*abaud ,! ,labor] ,impressioni/ b n q4 ,"o feels ! poetic1 ! imag9ative--t is1 ! /udio quality 9 8 "w4 ,he s\ght nature b n 9 ! _s display$ by ! ,impressioni/s4 99 99 99 99 99 ,! reaction began ) ,c\rbet & 0 giv5 a p[]ful impetus by ,manet :o pa9t$ ?+s n z he imag9$ !m b z he saw !m1 & he did n try to see int]e/+ p & ?+s1 he did n look = ! picturesque b he pa9t$ any?+ he happ5$ to see ^u ! !ory t ! value ( a "w ( art dep5ds n ^u its subject b ^u its te*nic2 t ! wor? ( a pa9t+ is to be f\nd 9 ! pa9t+ & n 9 ! object t happ5s to be pa9t$4 99 99 99 99 99 ,manet pa9t$ v few pictures outdoors4 ,9 ! lit]al s5se he did n belong to ! ple9 air s*ool4 ,almo/ all 8 "w 0 done indoors4 ,b x 0 9 no s5se /udio-art z we h us$ ! t]m4 ,he pa9t$ 9 8 /udio z directly z ,monet pa9t$ outdoors4 ,he pa9t$ a sitt] ) ! same realism t ,monet pa9t$ a hay/ack2 & if he pa9t$ a bull fight f memory or f a sket*1 he did x ) ! int5tion to reproduce ! sc5e lit]ally4 ,:i/l] _h 8 lit]al moods1 s to speak2 8 mom5ts :5 ) cle> eye & vision unaffect$ by any consci\s play ( ! imag9ation he w\ld make m>vell\sly fai?ful transcripts f life & nature1 transcripts s fai?ful t ,monet's at _! be/ pale 9 comp>ison4 ,i recall ?ree exquisite m>9es :i* 7 pa9t$ 9 a boat1 ! canvases propp$ aga9/ a seat4 ,b = ! mo/ "p he pa9t$ indoors & ) ! "o end 9 view--! composition ( l9e & color h>monies m beautiful ?an any?+ f\nd 9 nature1 j z ! musician seeks to compose h>monies m beautiful ?an any s\nds f\nd 9 nature4 ,9 ! cle>ness ( 8 vision & ! fai?fulness ) :i* he pa9t$ ! ?+s & p ) :i* he came 9 contact ,:i/l] 0 an ,impressioni/--an ,impressioni/ long be=e ,monet1 b 9 8 se>* aft] color & l9e music1 9 8 attempts to d ?+s beyond & above nature1 he 0 a ,po/-,impressioni/4 99 99 99 99 99 ,f a psy*ological po9t ( view x is n difficult to see h[ ^! movem5ts come ab\t4 ,giv5 exhibitions ye> aft] ye> fill$ ) pa9t+s ( ! imag9ation1 ) idealiz$ peasants su* z ,millet's1 & idealiz$ l&scapes su* z ,r\sseau's1 x is morally c]ta9 ! y\ng] pa9t]s w feel a re/less long+ to return to ! realities ( life1 j z ! read+ or !at] go+ public aft] be+ f$ too long on fairy-tales & romances dem& m reali/ic repres5tations ( life4 ,e man :o reads mu* has 8 fairy-tale p]iod & 8 romantic p]iod foll[$ by a /rong ta/e = realism1 :i* 9 turn is foll[$ by a new & f9] appreciation ( purely imag9ative lit]ature4 ,9 8 beliefs ! normal man passes ?r\gh a simil> s]ies ( reactions f ! acceptance ( ! m>vell\s 9 8 *ildhood & y\? to ! sceptical rejection ( ! miracul\s & ! acceptance ( only ! lit]al & mat]ial 9 8 buoyant manhood1 !nce to ! pr(\nd] philosophy & my/ical speculations ( rip] age4 ,! old1 old conflict betwe5 mat]ialism & idealism1 betwe5 see+-kn[+ & ?9k+-feel+1 betwe5 ! crud] actualities ( ! s5ses & ! f9] actualities ( ! imag9ation6 ,x is n t all m5 at a giv5 "t are ideali/s & at ano!r reali/s1 any m ?an all pa9t]s 9 "o decade are ,impressioni/s1 9 ano!r ,po/-,impressioni/s4 ,life does n move t way4 99 99 99 99 99 ,betwe5 #ahgd & #aijj ,impressionism =g$ to ! front & monopoliz$ ! att5tion ( ! art _w1 yet dur+ t p]iod !re 7 pa9t$ m pictures ( ! ,pre-,impressioni/ s*ools ?an ev] be=e4 ,! ,impressioni/s made all ! noise1 ! ,pre-,impressioni/s did mo/ ( ! "w4 ,! net result 0 a l>ge am\nt ( absorption by ! old] s*ools ( ! good ?+s 9 ,impressionism1 & a noticeable improvem5t 9 pa9t+ g5]ally4 ,j n[ ! ,po/-,impressioni/s occupy ! c5t] ( ! /age & are mak+ !mselves s conspicu\s ! public is almo/ l$ to believe t bo? ,impressioni/s & ,pre-,impressioni/s no long] exi/1 t ev]y?+ once consid]$ good 9 art is be+ relegat$ to ! /oreh\se4 ,aga91 z a matt] ( fact1 ) all ! noise made by ! ,po/-,impressioni/s1 x is beyond "q true t nev] be=e 7 s _m ,impressioni/ & ,pre-,impressioni/ pictures pa9t$ z n[4 ,! /ream ( ,pre-,impressioni/ & ,impressioni/ pictures goes "r on & 9 "t hi/ory w repeat itself1 ! good 9 ,po/-,impressionism w be absorb$ & ! ma9 curr5t t supplies ! great public ) art w be ,pre-impressioni/ ,impressioni/ ,po/-impressioni/1 ) z _m m prefixes z ! +5uity ( ! arti/ c devise to describe 8 vag>ies4 99 99 99 99 99 ,pa9t]s are a good deal l inv5tors1 ea* ( :om ?9ks 8 inv5tion sure to revolutionize ! _w1 to f9d 9 ! end t 8 suppos$ inv5tion is ei!r n new or if new n valuable4 ,n[ & !n a pa9t] l an inv5tor does d some?+ t is revolution>y1 b ^! g5iuses are n common1 & ) ev5 !m critical rese>* inv>iably f9ds !y h simply built ^u ! labors ( o!rs4 ,an ,edison1 a ,bell1 a ,m>coni appe>s only :5 electrical sci5ce has rea*$ a /age :]e ! inv5tions r ?an ! m5 are inevitable4 ,all ?is is /ati/ically demon/rat$ 9 ! records ( pat5t (fices4 99 99 99 99 99 ,we talk ( ?is & t 8p]iod0 9 ! "w ( a pa9t]1 a poet1 a sculptor4 ,(t5 ! *anges 9 mood & te*nic are m>k$ & ! transitions %>ply def9$4 ,= ! mo/ "p !y are ! turn+ f ! imag9ation to obs]vation & vice v]sa4 ,! bra9 is n unlike a factory2 :5 fill$ to ov]fl[+ ) raw mat]ial x mu/ close its doors & "w up its /ock2 :5 x has exhau/$ its /ore ( impressions x mu/ op5 its five s5ses to receive new4 99 99 99 99 99 ,accord+ to ,hegel1 ! great ,g]man philosoph]1 !re are ?ree movem5ts ( ! hi/orical p5dulum2 = example1 we h an age ( mat]ialism foll[$ by an age ^: sole int]e/ is 9 psy*ical ph5om5a2 ?is foll[$ by an age :i* extracts ! tru? f bo? ( ^! opposite hypo!ses1 ! gold5 mean4 ,?us1 9 art1 we h ! classical _s = ! !sis1 ! mod]n art movem5t1 its anti!sis1 & we may confid5tly expect & hope = an age :i* %all select ! bold1 fre% _s ( ! mod]n movem5t & infuse x into ! proportion ( classical art1 :i* %all be ! great syn!sis ( ! arti/ic future4 ,?us ! extravagant & app>5tly insane movem5t ( ! ,futuri/ & ,cubi/ w be ( ! greate/ value 9 reviv+ art1 putt+ r$ blood into art aga94#h ,illu/ration3 ,,k&9sky ,village ,/reet ,a man c und]/& :at is go+ on ab\t him only by a k ( :at has happ5$ 9 ! pa/--! wid] 8 k ( pa/ ev5ts1 ! cle>] 8 und]/&+ ( pres5t4 ,space does n p]mit ! pr9t+ 9 detail ! ridicule t greet$ ,turn]1 ,millet1 ,corot1 ,c\rbet1 b x is important to op5 ! eyes ( ! read] to ! fact t m5 ^: pictures are consid]$ ma/]pieces today1 & comm& fabul\s sums1 7 met ) ! same scorn & d]ision t ! new m5 ( today meet4 ,hi/ory repeats itself--we accept z f9e :at our fa!rs laugh$ at2 our sons w accept z f9e :at we laugh at1 & s on to ! end ( "t4 ,y read]s & especially y museums1 :o are pay+ t5s ( ?\s&s = pictures by ,manet1 ,monet1 ,r5oir & a ho/ ( o!r innovators1 take to he>t :at foll[s4 99 99 99 99 99 ,9 #ahgd ! ,impressioni/s held _! fir/ exhibition 9 a room r5t$ f a photograph]1 #ce ,b\lev>d des ,capuc9es1 ,p>is4 ,!y call$ !mselves1 ,socit anonyme1 des ,arti/es1 ,pe9tres1 ,sculpteurs et ,graveurs4 ,!re 7 ab\t ?irty exhibitors 9 all2 among !m1 ,piss>ro1 ,monet1 ,sisley1 ,r5oir1 ,b]! ,morisot1 ,czanne1 ,guillaum91 :o might be call$ ! extremi/s2 ,degas1 ,bracquemond de ,nittis1 ,br&on1 ,b\d91 ,cals1 ,gu/ave ,coll91 ,lab\*e1 ,lp9e1 ,r\>t1 & o!rs 7 invit$ to take ! edge (f ! novelties ( ! fir/ nam$4#i ,monet exhibit$ a picture nam$ 8,impression2 soleil levant40 ,9 d]ision ,l\is ,l]oy call$ an article on ! exhibition 9 8,*>iv>i0#aj 8,exposition des ,impressioni/s10 & 9 spite ( ! prote/s ( ! pa9t]s !mselves ! "n /uck--j z ! "n ,cubi/s1 d]isively appli$ by ,matisse1 has /uck4 99 99 99 99 99 ,?is exhibition1 :i* m>k$ an epo* 9 ,fr5* art1 0 a failure s f> z imm$iate results w5t4 ,! ridicule 0 su* t ! bett] kn[n arti/s1 a%am$ ( be+ caught 9 ! company ( ! new m51 8took good c>e n to run ! risk a second "t40 ,! pictures 7 subject$ to all sorts ( petty insults1 8su* z ! plac+ ( small co9s ^u ! frames 9 d]ision1 & jokes & jibes40 99 99 99 99 99 ,! next ye> ! ,impressioni/s held no exhibition1 b "u dire ne$ _h a sale at ! ,hotel ,dr\ot4 ,claude ,monet1 ,sisley1 ,r5oir1 ,b]! ,morisot1 ,cals1 ,czanne1 ,degas1 ,guillaum91 de ,nittis1 & ,piss>ro 7 repres5t$4 ,!re 7 "s sev5ty pictures4 ,! pictures 7 dislik$ & = "s unkn[n reason ! arti/s 7 consid]$ z h>d5$ memb]s ( ! community4 ,!y only receiv$ laughable prices4 ,ev5 ! attempt to c>ry out ! auction-room trick ( hav+ fri5ds bid up ! prices 0 n c>ri$ out successfully & _m ( ! pictures 7 bid 9 by ! p5niless fri5ds 9 ?is way1 & )drawn4 ,includ+ ^! mi/akes & ! real sales !y realiz$ n mu* m ?an #b1jjj4 ,9 ?is sale ( #ahge1 ,r5oir's 8,avant le ba90 br\ght #bh2 8,la ,s\rce10 #bb 7aft]w>ds sold = #ad1jjj72 8,une vue du ,pont neuf0 br\ght all ( #fj2 ,claude ,monet's tw5ty pictures av]ag$ f #dj to #fj ea*4 ,! writ] 0 (f]$ 8,avant le ba90 9 #ahid = #a1bjj2 x has s9ce sold = #be1jjj4 ,9 a rec5t lett] f ,m4 ,george ,dur&-,ruel he says3 ,all ! f9e works ( ! ,ma/]s ( ! ,mod]n ,fr5* ,s*ool h advanc$ v mu* 9 value4 ,! 8,portrait ( ! ,*>p5ti] ,family10 :i* is n[ 9 ! ,metropolitan ,museum1 0 ord]$ f ,r5oir = ?ree hundr$ francs2 8,la ,s\rce10 also by ,r5oir1 0 sold 9 a sale 9 #ahgh = #aaj francs4 ,x has be5 s9ce b\ght by ! ,pr9ce de ,wagram = #ge1jjj francs1 & w\ld be wor? today d\ble ! am\nt4 ,! 8,port de ,b\logne10 by ,manet1 0 b\ght f ,manet by my fa!r = #hjj francs & sold to ,faure1 :o lat] on sold x to ,comte de ,camondo = #gj1jjj francs4 ,x w\ld be wor? today ab\t #bej1jjj francs4 8,le ,djeun] dans l',ateli]10 :i* my fa!r b\ght f ,manet & :i* we _h on exhibition at #chi ,fif? ,av5ue 9 #ahie1 ask+ price at t "t #g1jjj1 0 sold aft]w>ds to ,m4 ,pell]9 & b\ght two ye>s ago = ! ,muni* ,museum = #fj1jjj4 ,daubigny 0 "o ( ! few m5 :o appreciat$ ,monet2 he b\ght 8 pictures & urg$ o!rs to buy4 ,:5 he di$ 9 #ahgh a sale ( 8 effects 0 held4 ,duret says3 ,i knew ! 8,canal ,sa>dam10 :i* seem$ to me "o ( ! mo/ beautiful ?+s ,monet _h pa9t$2 ,i made up my m9d to g to ! auction & try to buy x4 ,! sale took place b ! picture 0 n put up4 ,i suppos$ t ! heirs _h decid$ to keep x z a "w !y und]/ood & appreciat$4 ,"o ,sunday1 fifte5 days lat]1 happ5+ by *ance 9 ,l',htel ,dr\ot ,i w5t into a room fill$ ) unf9i%$ works1 old & grimy canvases1 & a mass ( /uff--9 a ^w1 all ! wor?less debris ( a /udio--& !re at "o side ! 8,canal ,sa>dam0 ( ,claude ,monet4444 ,i inquir$ & le>n$ t ! room conta9$ ! sc\r+s ( ,daubigny's /udio1 s5t 9 = sale anonym\sly4 ,x 0 !re ! heirs _h s5t ! picture ( ,monet1 exclud+ x f ! regul> sale because !y ?\ght x w\ld br+ discr$it4 ,x 0 knock$ d[n to me at ! auction = #af4 ,9 #ahid1 :5 my collection 0 sold1 ! picture 0 b\ght by ,m4 ,dur&-,ruel = #a1ajj4 ,9 #aija x 0 )drawn f a sale at ! price ( #f1jjj4 99 99 99 99 99 ,! second exhibition 0 held 9 #ahgf 9 ! gall]ies ( ,dur&-,ruel4 ,9 pass+1 tribute %\ld be paid to ?is great deal] & rem>kable man :o back$ 8 belief 9 ! new m5 ) all he possess$1 to ! jeop>diz+ ( 8 bus9ess1 & :o1 happily1 /ill lives to enjoy ! confirmation ( 8 judgm5t4 ,( ?is exhibition ,alb]t ,wolff1 9 8,fig>o10 said3 ,! ,rue ,peleti] is un=tunate4 ,foll[+ ^u ! burn+ ( ! ,op]a ,h\se1 a new disa/] has fall5 ^u ! qu>t]4 ,!re has j be5 op5$ at ,dur&-,ruel's an exhibition ( :at is said to be pa9t+4 ,! innoc5t pass]by ent]s1 & a cruel spectacle meets 8 t]rifi$ gaze4 ,"h five or six lunatics1 ( :om "o is a woman 7,b]! ,morisot7 h *os5 to exhibit _! works4 ,!re are p :o bur/ out into laught] 9 front ( ^! objects4 ,p]sonally ,i am sadd5$ by !m4 ,^! s-call$ arti/s /yle !mselves ,intransigeants1 ,impressioni/s4 ,!y take pa9t1 bru%es & canvases2 !y ?r[ a few colors on to ! canvas at r&om1 & !n !y sign ! lot4 ,9 ! same way ! inmates ( a madh\se pick up ! /ones on ! road & believe !y h f\nd diamonds4 ,all ( :i* recalls :at ,rusk9 said ( ,:i/l]1 & ! foll[+ *oice bits ab\t ,turn]4 ,!y 7ref]r+ to two ( 8 fam\s pictures7 8mean no?+4 ,!y are produc$ z if by ?r[+ h&fuls ( :ite & blue & r$ at ! canvas1 lett+ :at *anc$ to /ick1 /ick1 & !n %ad[+ 9 "s =ms to make ! appe>ance ( a picture40 ,ano!r picture 8only excites ridicule40 8,no4 #cec caps all = absurdity1 )\t ev5 any ( ! r$eem+ qualities ( ! re/40 444 8! :ole ?+ is truly ludicr\s40#aa ,aga9 ( ,turn]1 8,?is g5tleman has on =m] occasions *os5 to pa9t ) cream1 or *ocolate1 yolk ( egg1 or currant jelly--!re he uses 8 :ole array ( kit*5-/uff4444 ,we _c fancy ! /ate ( eye :i* w p]mit anyone cognizant ( art to treat ^! rhapsodies z ,"l ,byron treat$ 8,*ri/abel20 nei!r c we believe 9 any future revolution :i* %all br+ ! _w r\nd to ! op9ion ( ! wor%ipp]1 if wor%ipp]s su* fr5zies /ill possess40#ab ,9 #ahgg ! ,impressioni/s held _! ?ird exhibition1 aga9 9 ,dur&-,ruel's gall]ies4 ,?is prov$ m audaci\s ?an ! fir/4 8,x gave rise to an extraord9>y outbur/ ( laught]1 contempt1 indignation1 & disgu/4 ,x became a notable ev5t 9 ,p>isian life4 ,x 0 talk$ ab\t 9 ! cafs ( ! b\lev>ds1 9 clubs1 & 9 draw+ rooms1 z "s rem>kable ph5om5on4 ,numb]s ( p w5t to see x4 ,!y 7 n attract$ by any sort ( arti/ic int]e/2 !y simply w5t 9 ord] to give !mselves t unpleasant ?rill :i* is produc$ by ! sight ( any?+ ecc5tric & extravagant4 ,h5ce !re 0 mu* laught] & ge/iculation on ! "p ( ! visitors4 ,!y w5t 9 a mood ( hil>ity2 !y began to laugh :ile /ill 9 ! /reet2 !y laugh$ z !y 7 go+ up ! /airs2 !y 7 convuls$ ) laught] ! fir/ mom5t !y ca/ _! eyes ^u ! pictures40 ,a critic 9 8,la ,*ronique0 said3 ,!y provoke laught]1 & yet !y are lam5table4 ,!y display ! pr(\nde/ ignorance ( draw+1 ( composition1 & ( color4 ,:5 *ildr5 amuse !mselves ) a box ( colors & a piece ( pap] !y d bett]4 ,czanne 0 ! "o among !m :o bo? n[ & = a long "t aft]w>ds excit$ ! mo/ dete/ation4 ,x is n too mu* to say t he 0 reg>d$ almo/ z some?+ mon/r\s & inhuman4 ,aft] ! close ( ! exhibition a sale 0 _h at ! ,hotel ,dr\ot4 8,=ty-five canvases ( ,caillebotte1 ,piss>ro1 ,sisley1 & ,r5oir realiz$ only #a1ebb--;an av]age ( less ?an #cd ea*4 ,! sale took place 9 ! pres5ce ( an amus$ & contemptu\s public1 :o receiv$ ! pictures1 z !y 7 put up at auction1 ) groans4 ,!y amus$ !mselves ) pass+ sev]al ( !m r\nd f h& to h&1 turn$ upside d[n40 ,sixte5 ,r5oirs br\ght #djj4 ,! next ye> 8le ,pont de ,*ateau0 sold = #h1 8,jeune fille dans un ,j>d90 = #f1 & 8,la ,femme au ,*at0 = #af4 ,sisley sold elev5 = #a1chg francs1 or #be ea*4 ,^! prices meant disa/] & ! pa9t] 0 9 great di/ress4 ,9 #ahgh he wrote ,!odore ,duret a pa!tic lett] ask+ if ,duret c\ld n f9d "s fri5d :o w\ld h en\gh confid5ce 9 81 ,sisley's1 future to pay #ajj p] mon? = six mon?s & receive 9 return ?irty pictures4 8,at ! expiration ( six mon?s1 if he is n dispos$ to keep ! ?irty pictures1 he c take ! *ances on a sale ( tw5ty1 get back ! money he paid me1 & h t5 pictures left = no?+40 99 99 99 99 99 ,dur+ ! ,new ,york ,exhibition ! ,metropolitan ,museum b\ght a ,czanne = some?+ l #h1jjj4 ,! price ( a m important 0 #df1jjj4 ,9 ! sev5ties 9 ,p>is !re 0 a deal] 9 arti/s' mat]ials call$ ,pre ,tanguy :o _h a little %op 9 rue de ,nav>94 ,9 #ahgi :5 ,czanne left ,p>is = ! c\ntry he left 8 pictures = ,pre ,tanguy to sell4 ,duret w5t !re to buy "s4 ,he f\nd !m /ack$ aga9/ ! wall1 pil$ accord+ to _! dim5sions1 ! small ones #h ea*1 ! l>ge ones #bj4 99 99 99 99 99 ,?is is an old1 old /ory--! /ory ( ne>ly e great arti/ ( :om we h any k4 ,! _w seems to ne$ p]spective to appreciate a great man4 99 99 99 99 99 ,we are prone to ?9k ! great m5 h j pass$ away2 we d n realize t m5 j z great 9 "o way or ano!r are be+ born e day4 ,! great man usually diff]s f ! ord9>y man only 9 8 "o greatness4 ,on _m sides he may be a v commonplace man1 a petty man1 b on 8 great side he is s f> ,illu/ration3 ,,cezanne ,portrait ( ,self ,illu/ration3 ,c,,zanne ,village ,/reet out ( ! ord9>y t x is almo/ impossible to und]/& him close to4 ,! fact t he is do+ ?+s 9 an extra-ord9>y way causes u in/9ctively to di/ru/ & condemn him4 99 99 99 99 99 ,"o ( ! e>ly buy]s ( ,impressioni/ pictures 0 a di/+ui%$ ,*icago woman1 & h] collection today conta9s "s ( ! f9e/ ,monets1 ,r5oirs1 & ,degases 9 exi/5ce4 ,:5 h] fri5ds he>d %e _h b\ght "s =ty or fifty ,monets !y %ook _! heads 9 dismay at su* folly4 ,?is 0 n _m ye>s ago1 less ?an ?irty1 & n[ ! pictures are 9 dem& ! _w ov] & wor? t51 fifte51 tw5ty times :at !y co/4 ,! same ladies & g5tlem5 :o %ook _! heads at ! ,monets 9 #ahij %ook _! heads at ! ,cubi/s 9 #aiac4 ,if !y live ano!r qu>t] ( a c5tury !y w once m %ake _! heads at ! new art ( t day--= su* is life4 99 99 99 99 99 ,neo-,impressionism 0 ! logical outcome ( ,impressionism4 ,x 0 simply ! attempt to pa9t light 9 /ill m sci5tific fa%ion1 by ! use ( ! prim>y colors laid on 9 f9e po9ts 9 su* a mann] t at ! prop] di/ance ! po9ts fuse & produce ! tone desir$4 ,! use ( small dabs or po9ts ( color in/ead ( bru% /rokes ga9$ = ! movem5t ! "n 8,po9tillism40 ,neo-,impressionism 0 n a reaction f ,impressionism b an attempt to advance /ill fur!r ! pa9t+ ( light effects4 ,seurat & ,signac simply attempt$ to out-,monet ,monet4 ,!y 7 ! la/ ^w 9 ,impressionism4 ,aft] !m ! reaction--,po/-,impressionism1 some?+ fundam5tally diff]5t f & oppos$ to ! v !ory ( ,impressionism4 ,x is1 p]haps1 a national *>act]i/ic ( ! ,fr5* to be int5se on all !y und]take1 & if !re is "o quality common to ! g5]ation ( pa9t]s :o foll[$ ! e>li] impressioni/s x is int5sity4 ,?is e>ne/ passionat5ess has produc$ developm5ts 9 two ma9 directions1 t[>ds m int5se lum9osity & t[>ds m int5se simplification4 ,! fir/ is exemplifi$ 9 ! "w ( ! ,po9tilli/s1 :o c>ri$ x to its logical conclusion1 ! division ( tones1 & built up _! pictures ) po9ts or squ>e t\*es ( pure col\r4 ,paul ,signac1 = example1 is dazzl+ 9 8 sci5tific pres5tm5t ( ! p[] ( light4 ,x is difficult to believe t lum9osity c be c>ri$ fur!r ?an 9 8 radiant canvases ^: =ce makes ! mo/ brilliant ,turn] appe> pale & weak 9 comp>ison4 ,signac's me?od1 x may be not$ 9 pass+1 is a squ>e t\* ( pure col\r z oppos$ to ! circul> spots ( ,seurat1 ! inv5tor ( ,po9tillism1 ,!o van ,rysselb]g1 & ! late ,h5ri-,esmond ,cross4 ,if ,signac has rea*$ ! limit 9 int5se lum9osity1 ,h5ri ,matisse1 ,o?o ,friesz1 & ,&r ,d]a91 among o!rs1 /& = int5se simplification4 ,b x is /ill a little too e>ly to deal ) _! a/oni%+ works1 & any "o s9c]ely desir\s ( compreh5d+ ! aims ( ^! revolution>y pa9t]s may be recomm5d$ to comm5ce 8 c\rse ( initiation by a s]i\s /udy ( ! works ( ,czanne & ,gaugu94 ,^! two deceas$ pa9t]s are to _! y\ng] comrades :at ,m>x & ,kropotk9 are to ! "y social re=m]s ( today4#ac ,we are con/antly l$ a/ray by words--at be/ !y are imp]fect in/rum5ts ( ?\ght4 ,z has be5 (t5 not$ 9 ! lit]ature ( pa9t+1 all art is impressioni/ic 9 ! broad & f9e s5se ( ! t]m4 ,h5ce to divide pa9t]s into ,impressioni/s & ,non-,impressioni/s involves a contradiction4 ,9 pa9t+ 8 purely imag9ative creations ( light effects ,turn] 0 z mu* ( an ,impressioni/ z ,monet 9 pa9t+ 8 closely obs]v$ light effects4 ,9 pa9t+ 8 ideal peasants ,millet yield$ z freely to 8 impressions z did ,manet 9 pa9t+ 8 bull-fight]s4 ,f "o po9t ( view ! diff]5ce is "o ( degree r ?an ( k9d1 namely1 ! degree to :i* ! pa9t] lets 8 impressions s9k 9 & become a "p ( him4 ,monet attempt$ to pa9t light exactly z he saw x1 r$uc+ ! p]sonal equation--t is1 himself--to ! l[e/ possible significance4 ,turn] pa9t$ light z he saw & imag9$ x2 he all[$ 8 impressions to s9k 91 to become a "p ( him1 !n he creat$ a picture4 ,& 8 pictures v>y greatly 9 ! proportion ( obs]vation to imag9ation2 9 "s he pa9t$ almo/ z direct & z coldly f nature z ,monet1 9 o!rs he b>ely us$ 8 obs]vations z gr\ndwork ^u :i* to let 8 imag9ation run riot4 ,x is n /range t s erratic1 s ecc5tric a g5ius bewild]$ ! public & ! critics ( 8 day1 = 9 ! pa9t+ ( light he 0 a g5]ation ahead ( 8 "t1 & 9 ! attempt to pa9t pure color h>monies he 0 two g5]ations ahead4 99 99 99 99 99 ,take1 = in/ance1 8 8,sunrise1 ) a ,sea ,mon/]10 & 8,sunrise1 ) ,boat betwe5 ,headl&s10 9 ! ,tate ,gall]y4 ,if ^! pictures _h be5 hung anonym\sly 9 ! ,int]national ,exhibition 9 ,new ,york !y w\ld h excit$ m laught] ?an any ( ! ,cubi/s4 ,!y are simply color s*emes comp>$ ) :i* an 8,improvisation0 by ,k&9sky is a legible message4 ,a ,turn] 9 ! ,national or ,tate ,gall]y is accept$ z a ma/]piece2 ! same picture hung anonym\sly ) a lot ( extreme ,po/-,impressioni/s 9 ! ,grafton ,gall]y w\ld be ! occasion ( mu* hil>ity4 99 99 99 99 99 ,:ile all pa9t+ is m or less impressioni/ic1 9 ! art lit]ature ( ! day ! t]m 8,impressioni/s0 is appropriat$ to ! s*ool ( m5 :o pa9t 9 ! op5 direct f nature1 & :o attempt to record fai?fully1 _m almo/ me*anically1 _! visual impressions ( objects & light-effects4 ,h5ce ! t]m ,po/-,impressionism means n an acc5tuation or a fur!r developm5t ( ,impressionism su* z ,neo-,impressionism or 8po9tillism10 b a reaction4 ,:5 ,impressionism has _h its day & done its be/1 !n some?+ diff]5t mu/ come1 & logically t some?+ diff]5t is a return to ! art t is ! anti!sis ( ,impressionism--! art ( ! imag9ation--a creative art4#ad 99 99 99 99 99 ,= a g5]ation ! poetic1 ! imag9ative "w ( ! ,b>bizon ,s*ool--to use ?is "o s*ool z typical ( ! pa9t+ ( practically ! entire we/]n _w 9 ! sixties & sev5ties--held sway4 ,!n came ! return to nature1 ! ,impressioni/s1 & = a g5]ation !y held sway4 ,n[1 app>5tly1 we are at ! beg9n+ ( a new movem5t1 a return to imag9ative art1 & ! evid5ces ( ?is return are se5 n only 9 pa9t+ b 9 decoration1 9 sculpture1 9 music1 9 drama1 9 lit]ature1 9 fiction1 9 philosophy1 9 m$ic9e1 9 bus9ess1 9 politics4 ,!re is a dem& = ideals z di/+ui%$ f results4 99 99 99 99 99 ,we h le>n$ t ! prop] end ( poetry is ! expression ( emotion1 to :i* all reason+ & /atem5t ( fact %\ld be subsidi>y2 b we h n le>n$ t pa9t+ %\ld h ! same end1 us+ repres5tation only z a means to t end1 & repres5t+ only ^? facts ( reality :i* h emotional associations = ! pa9t]4 ,9 primitive pictures1 x is true1 we look = ! expression ( emotion r ?an = illusion1 & t is ! reason :y s _m p get a real pleasure f primitive art4 ,!y judge x by ! "r /&>d1 & ask ( x :at x (f]s to !m4 ,b f mod]n pictures !y dem& illusion--t is to say1 ! k9d ( repres5tation !y are us$ to2 & :5 !y d n get x !y accuse ! arti/ ( incompet5ce4#ae 99 99 99 99 99 ,9 pa9t+ ?is reaction1 ?is t5d5cy--call x :at y please--has tak5 _m =ms1 "o ( :i* is ,cubism4 ,:ile ?is book devotes mu* space to ,cubism1 x is solely because 9 its extreme developm5t x is1 f a coldly critical po9t ( view1 ! mo/ ab/ract ^w yet utt]$ 9 pa9t+1 x is ! f>!/ remov$ f impressionism1 & !re=e s]ves admirably to illu/rate a discussion ( ! philosophy ( ,po/-,impressionism4 ,9 a book l ?is1 writt5 z an (f-h& comm5t ^u :at is n[ go+ on 9 ! _w ( art--9 ! _w g5]ally1 = t matt]--x w\ld be q impracticable to foll[ ! developm5t ( ev5 ! pr9cipal l9es ( human activity2#af h5ce ! works & !ories ( ! ,cubi/s h be5 *os5 z typical ( radical & revolution>y ideas & ! attempt is made to f9d :]e9 ^! works & ideas are n s radical & extravagant z !y seem1 b are1 9 fact1 only an illu/ration ( :at is go+ on 9 ! m9ds ( m5 g5]ally4 ,if ! pa9t] :o laughs at a ,cubi/ pa9t+ & d5\nces x w only /op to ?9k he w f9d "o ( two ?+s true1 he himself is ei!r advanc+ 9 8 art or he is n4 ,if he is n1 !re is no?+ fur!r to be said1 8 attitude t[>d ! ,cubi/ pa9t+ is q consi/5t2 b if he is advanc+1 if 8 /yle1 8 te*nic1 8 po9t ( view are *ang+1 h[ev] slightly1 f ye> to ye>1 !n he %\ld be exce$+ly cauti\s h[ he ridicules or condemns1 = )\t kn[+ x he may be travel+ ! highroad1 "o ( ! int]e/+ byways ( :i* is ,cubism4 ,mo/ pa9t]s ( sixty :o are n[ ,impressioni/s & :o ridicule ,cubi/s1 if cross-que/ion$ w\ld be oblig$ to confess t ?irty-f\r ye>s ago !y ridicul$ ! m5 9 ^: foot/eps !y h s9ce foll[$ & :om !y n[ recognize z ma/]s4 99 99 99 99 99 ,9 ! c\rse ( our discussion we %all h occasion to speak ( ! ,futuri/s & o!r extremi/s1 = !y all are "p ( ! "o big reaction1 !y are all ,po/-,impressioni/s1 & all h some?+ to say wor? he>+1 b ! ,cubi/s s]ve our purpose be/ because _! pictures1 f an argum5tative po9t ( view1 are m tangible1 & _! !ories h be5 work$ out 9 pr9t 9 pla9 t]ms4 ,illu/ration3 ,,villon ,"y ,girl ,,iii ,,les ,,fauves ,e developm5t be>s )9 ! se$s ( its dissolution & ! g]ms ( its succession4 ,! se$s ( ! dissolution & ! g]ms ( ! succession ( ,impressionism 7 ,les ,fauves--! ,savages1 ! ,wild ,ones1 z y please4 ,! philosophical /ud5t ( ! hi/ory ( art has no tr\ble 9 trac+ at any "t ! foll[+ curr5ts3 ,a4 ,! ma9 /ream :i* includes all art developm5ts f ! pr(\nde/ & mo/ p]man5t to ! mo/ fleet+ & sup]ficial1 f ! sob]e/ to ! mo/ extravagant4 ,b4 ,b4 4 ,)9 ! ma9 curr5t less] curr5ts ( su* magnitude t !y frequ5tly seem to dom9ate--& (t5 d obscure ! direction (--! ma9 curr5t2 z1 = in/ance1 ,impressionism dom9at$ ! art ( ,france & influ5c$ ! art ( ! entire we/]n _w 9 ! f9al ye>s ( ! la/ c5tury4 ,^! less] curr5ts h _! effect on ! ma9 curr5t1 ?\gh _! ultimate effect is nev] s revolution>y z _! en?usia/s believe2 ! good 9 !m is absorb$1 ! m]etrici\s reject$4 ,c4 ,c4 ,c4 4 ,surface manife/ations ( all k9ds1 (t5 s viol5t !y disguise n only ! ma9 curr5t1 b ! important subsidi>y curr5ts1 & lead m5 to believe = ! mom5t t art is rev]s+ itself1 t all t has be5 done is be+ undone1 t *aos is tak+ ! place ( ord]4 ,^! subsidi>y movem5ts are ) u always1 evid5t 9 e exhibition2 !y are ! exp]im5ts1 ! extravagances ( ea* g5]ation1 ( ea* decade1 ( ea* ye>4 ,"s ( !m conta9 s mu* ( tru? !y develop into ,b4--l>g] curr5ts--8movem5ts20 o!rs are ( su* ephem]al importance !y cause _! s5sations ( ! h\r & pass away1 leav+ beh9d sc>ce di/+ui%able traces4 ,x is ^! la/ movem5ts :i*1 because !y are new & /range1 s impress critics & public t obs]vation loses its s5se ( proportion2 ! =ce ( ! ma9 curr5t 7,a47 is lo/ sight (1 & ! /r5g? ( subsidi>y curr5ts 7,b4 ,b4 7 is ov]look$4 ,! newe/ movem5ts 7,c4 ,c4 ,c4 7 are usually ei!r too bitt]ly d5\nc$ or too widely prais$1 _! true relation%ip is n p]ceiv$2 all s5se ( p]spective is lo/ 9 ! imm$iate pres5ce ( ! />tl+4 ,!re are no h>d & fa/ l9es divid+ any ( ^! curr5ts & movem5ts4 ,:5 & :]e !y beg9 no "o c say2 :5 & :]e !y end no "o c tell4 99 99 99 99 99 ,impressionism is id5tifi$ ) ,monet m ?an any o!r pa9t]1 because all 8 life long he has be5 ! /eadfa/ & consi/5t expon5t ( extreme !ories reg>d+ ! pa9t+ ( light effects4 ,b ,impressionism1 ev5 ! pa9t+ ( light effects1 _h its beg9n+ long be=e ,monet2 ) ! beg9n+ ( pa9t+ itself1 ! g]ms 7 !re4 ,likewise ! g]ms ( e o!r movem5t1 h[ev] extravagant & sup]ficial1 c\ld probably be f\nd 9 ! "w ( "s man or m5 9 ano!r age & c\ntry4 ,:at happ5s is t a comb9ation ( favor+ conditions at a giv5 "t conc5trates human ef=ts & human att5tion ^u a p>ticul> mode1 te*nic1 or !ory & br+s x to ! =e4 ,! names ( ,turn]1 ,manet1 ,:i/l]1 h be5 cit$ z illu/rations ( g5iuses s compreh5sive !y l9k sev]al movem5ts1 sev]al decades1 toge!r4 ,to ^! %\ld be add$ ! "n ( ,degas 9 pa9t+ & t ( ,rod9 9 sculpture4 ,^! m5 h done ?+s f> ahead ( _! own times1 !y h done ?+s _! own times n only did n und]/&1 b ridicul$ & decri$4 ,x 0 only a few ye>s ago t ,p>is--yes1 ,p>is--reject$ ,rod9's ,balzac1 by _m consid]$ ! greate/ ( 8 works4 ,^! m5 illu/rate :at we mean :5 we say t e p]iod 9 art conta9s )9 itself ! se$s ( its dissolution & ! g]ms ( its succession4 ,a movem5t may seem s dom9at+1 s /rong1 s true1 t p exclaim1 8,x is ! f9al ^w1 x w la/ =ev]10 b at ! v mom5t some:]e1 9 obscurity1 !re w be m5 do+ ?+s t are diametrically oppos$ to ! prevail+ curr5t1 ?+s t are de/9$ to be ! ma/]pieces ( a new developm5t4 99 99 99 99 99 ,czanne exhibit$ ) ! ,impressioni/s 9 #ahgd & 0 c\nt$ "o ( !m2 yet 9 a pr(\nd s5se he 0 ! fir/ ( ! ,po/-,impressioni/s4 ,:ile he 0 class$ ) ! ,impressioni/s he _h little 9 common ) !m1 practically no?+ 9 common ) ,monet4 ,all 8 life ,monet has be5 busy ) ! surface ( ?+s2 all 8 life ,czanne 0 busy ) ! sub/ance ( ?+s4 ,:5 ,monet pa9ts a l&scape he pa9ts ! grass & ! fl[]s & ! trees "o sees ba!d 9 sunlight2 :5 ,czanne pa9t$ a l&scape x 0 an elem5tal pres5tm5t ( nature h]self4 ,czanne 0 born 9 ,aix 9 #ahci & di$ 9 ! same place 9 #aije4 ,hav+ inh]it$ j suffici5t to live v mode/ly1 he devot$ 8 entire life to try+ to fa?om ! secrets ( nature & pa9t h] inn]mo/ tru?s4 ,! fact t 8 pictures did n sell1 t ev5 8 fri5ds did n und]/& him1 did n sw]ve him a hair's bread? f ! pa? he _h *os5--to pa9t1 to le>n h[ to pa9t1 simpl] & tru] int]pretations4 ,he liv$ s isolat$ f 8 neighbors t a visitor to ,aix 9 #aijd _h great difficulty 9 f9d+ 8 resid5ce2 0 oblig$1 9 fact1 to resort to ! li/ ( vot]s at ! t[n hall4 ,9 ! ecc5tricities ( 8 daily life he 0 n unlike ,turn]1 b 9 8 art he indulg$ no su* brilliant fancies4 ,he 0 a consi/5t pa9t]4 ,he nev] p]mitt$ 8 imag9ation to run away ) him2 he con/antly *eck$ 8 "w by ! close/ & mo/ p5etrat+ obs]vation ( nature4 ,8 mann] ( "w is describ$ by a devot$ foll[]3#ag ,he 0 work+ on a canvas %[+ ?ree decapitat$ heads on an ,ori5tal c>pet4 ,he _h work$ a mon? e morn+ f six o'clock until half pa/ t54 ,8 daily r\t9e 01 rise v e>ly1 pa9t 9 8 /udio f six to t5-?irty1 breakfa/1 & g out imm$iately into ! surr\nd+ c\ntry to /udy nature until five4 ,on 8 return he _h supp] & w5t at once to b$4 ,i h se5 him s exhau/$ by 8 day's "w t he c\ld nei!r talk nor li/54 8,:at is lack+10 he said to me :ile contemplat+ ! ?ree heads1 8is ! realisation4 ,p]haps ,i %all get x1 b ,i am old & x may be t ,i %all die )\t hav+ rea*$ ! highe/ po9t3 ,to realise6 l ! ,v5etians40 ,n unlike ! lam5t ( ,hokusai at sev5ty ov] 8 imp]fections z a draftsman4 ,illu/ration3 ,c,,zanne ,/ill ,life ,"o's fir/ impression f ev5 half-tone reproductions ( 8 pa9t+s is a feel+ ( con/ruction4 ,i h be=e me a /ill-life--! fruit1 ! b[l1 ! piece ( /uff are n simply pa9t$ b built up z firmly & sci5tifically z a build] builds a h\se--! mat]iality z well z ! beauty is !re4 ,x is j ! same ) 8 portraits1 8 figure pieces & 8 l&scapes2 "o _c escape ! s5se ( ! sub/ance1 ! fundam5tal reality4 ,& to atta9 x all he us$ ! simple/ & mo/ direct te*nic1 n a bru%-/roke1 n a l9e1 n a spot ( color wa/$4 ,x 0 ^! *>act]i/ics :i* made him a pr(\nd ,impressioni/1 9 ! wid] significance ( ! t]m1 b also ! fir/ ( ! ,fauves1 ! fa!r ( ! revolt f ,impressionism 9 its m sup]ficial significance4 99 99 99 99 99 ,) ! "n ( ,czanne are associat$ ! names ( two m5 ^: "w %[s 8 influ5ce1 ,van,gogh & ,gaugu91 & "o ^: "w is :olly diff]5t1 ,h5ri ,r\sseau1 ! cu/om h\se employee :o pa9t$ )\t in/ruction2 lat]1 b also conspicu\sly1 ,h5ri ,matisse4 ,^! are ! lead]s ( ,fauvism4 99 99 99 99 99 ,at ! exhibition 9 ,new ,york "o _h ! unusual opportunity ( see+ 9 close contact _m works ( all f\r4 ,x w\ld be difficult to imag9e pa9t+s m diff]5t 9 inspiration & te*nic4 ,!y _h b "o ?+ 9 common--a pron\nc$ reaction f1 n to say revolt aga9/1 ,impressionism1 evid5c$ p>ticul>ly 9 ! use ( color con/ructively & decoratively r ?an imitatively4 ,color =ce is a feature ( ! new inspiration4 ,! pa9t]s ( today h discov]$ anew ! _w's color+4 ,we n[ recognize ev]y:]e ! p[] & vivaci\sness1 ! ?\s&fold fre%ness1 & ! inf9ite *angefulness ( color4 ,to u colors n[ talk directly2 !y are n dr[n$ by cov]+ t9ts1 n hide-b\nd by a preconceiv$ h>mony4 ,an in/rum5t has ?us be5 giv51 :]e9 innum]able melodies /ill slumb]4 ,color is a means ( repres5tation n only ( :at is color$1 b also ( ! ?ick & ! ?92 ( ! solid & ! liquid2 ( ! light & ( ! heavy2 ( ! h>d & ( ! s(t2 ( ! corporeal & ( ! spaci\s4 ,czanne models ) color2 ) t9t$ color surfaces he builds a l&scape4 ,! prop] c\*+ ( color$ planes c =ce ^u u ! impression ( dep?2 color$ transitions call =? ! impression ( asc5t & ( motion2 spots scatt]$ "h & !re give ! impression ( sprightly vivaci\sness4 ,color is a means ( expression talk+ directly to ! s\l4 ,deep m\rn+ & s(t gl[+1 w>m? ( he>t & cold cl>ity1 confus$ dumbness1 flames ( passion1 sweet devotion--all conditions & all outbur/s ( ! s\l--:at c communicate !m to u m =cefully & m directly ?an a few colors ) _! effect ex]t$ ?r\gh ! eye8 ,z tones draw u ) !m )\t our w & )\t meet+ resi/ance1 s does color subjugate u3 n[ x fills u ) deepe/ sorr[1 !n aga9 we are all gl[+ "u its influ5ce4 ,color is a means ( composition4 ,! =ce ( s5su\s designation1 ! expressive p[] ( ! s\l1 bo? mu/ comb9e & make = an always new1 always orig9al1 & always unique h>mony4 ,! law ( color beauty has n z yet be5 fa?om$ by ! intellect4 ,x is be+ creat$ by feel+ & by subconsci\s exp]i5ce4#ah 99 99 99 99 99 8,czanne1 ,gaugu91 & ,van,gogh 7 m5 ( v diff]5t m9ds2 b !y 7 alike 9 ?is1 t !y all attempt$ to subord9ate repres5tation to expression1 & 7 all det]m9$ to express only _! own emotional exp]i5ce4 ,czanne c\ld n cont5t himself ) impressioni/ triumphs ( repres5tation4 ,above all1 he revolt$ f ! ,impressioni/ insi/5ce on ! mom5t>y aspect ( reality4 ,he 01 s to speak1 a k9d ( ,plato among ! arti/s ( 8 "t1 believ+ t 9 reality !re is a p]man5t ord]1 a design :i* reveals itself to ! eye & m9d ( ! arti/1 & :i* x is 8 bus9ess to expose 9 8 "w4 ,b ?is design he 0 det]m9$ to discov] 9 reality itself1 n 9 ! works ( o!r arti/s4 ,8 task 0 enorm\sly difficult because he w\ld take no?+ :atev] at second h&4 ,nature mu/ tell him all h] own secrets2 & he w\ld n li/5 ev5 to h] :5 %e told him commonplaces4 ,he 0 n int]e/$1 s to speak1 9 h] caprices1 9 h] *ance effects ( beauty t anyone c see4 ,he pa9t$ l&scape z ,titian or ,rembr&t pa9t$ portraits2 se>*+ always = ! p]man5t "* ( ! place1 = t :i*1 indep5d5t ( wea!r or "t1 di/+ui%$ x f o!r places4 ,?is p]man5t elem5t he f\nd 9 /ructure & mass1 b1 l ,titian & ,rembr&t1 he w\ld n ab/ract ^! f color4 ,= him1 z = ^! ma/]s1 /ructure & mass reveal$ !mselves 9 color1 & all ^! mu/ be v]ifi$ by incessant obs]vation4444 ,= him a hill is n a scre5 = ! play ( light2 x is built up ( e>? & rock4 ,nor is a tree a m]e rippl+ surface1 b a liv+ ?+ ) ! /ructure ( its gr[?4 ,ev]y:]e he looks = "*2 yet he subord9ates ! "* ( details to ! "* ( ! :ole4 ,& ! "* ( ! :ole means = him its p]man5t "*1 :i* he expresses 9 a design n impos$ ^u x b discov]$ 9 x1 z ,mi*ael ,angelo discov]$ ! /atue 9 ! block ( m>ble4 8,if ,czanne1 ,gaugu91 & ,van,gogh 7 *>latans1 !y 7 l no o!r *>latans t ev] liv$4 ,if _! aim 0 notoriety1 x is /range t !y %\ld h sp5t solit>y lives ( p5ury & toil4 ,if !y 7 incompet5ts1 !y 7 curi\sly int5t ^u ! mo/ difficult problems ( _! art4 ,! k9d ( simplification :i* !y attempt$ is n easy1 nor1 if accompli%$1 does x make a picture look bett] ?an x is4 ,! bett] _! pictures are1 ! m !y look z if any "o c\ld h pa9t$ !m2 9 fact1 !y look j z easy z ! lyrical poems ( ,wordswor? or ,blake40#ai ,= a glimpse ( ,van,gogh's life & aspirations1 see 8 lett]s publi%$ 9 ,engli% "u ! title1 8,lett]s ( a ,po/-,impressioni/10 writt5 mo/ly to 8 bro!r--simple1 pa!tic docum5ts1 %[+ ! eag]1 e>ne/ /riv+ ( a man :o f9ally w5t insane & %ot himself4 ,critics & oppon5ts ( 8 "w h seiz$ ^u 8 madness z pro( ( lack ( sanity 9 :at he pa9t$--p]haps1 b !n is dullness ! only pro( positive ( sanity8 99 99 99 99 99 ,gaugu91 half ,breton1 half ,p]uvian ,creole1 0 a re/less _s4 8,m ?an once he circumnavigat$ ! globe1 & all 8 life he 0 at recurr+ int]vals a victim to w&]-?ir/4 ,9 e>ly manhood he return$ to ,p>is & made an h]oic attempt to settle d[n4 ,he ent]$ a bank1 & got on !re v well4 8,"o day he saw 9 a deal]'s %op "s pa9t+s :i* br\ght back memories ( ! light & color he _h se5 9 ! tropics4 ,he s\ght out ! pa9t]s ,piss>ro & ,guillaum91 & began pa9t+ at ! age ( ?irty4 ,two ye>s lat]1 9 #ahhj1 he exhibit$ two l&scapes 9 ! mann] ( ,piss>ro4 8,degas made ! decisive impression on him1 by 8 sy/ematic division ( l>ge planes ( color1 & above all1 by 8 /rong draw+40#bj ,illu/ration3 ,,van ,,gogh ,portrait ( ,self 8,gaugu9 0 z s+ul> 9 8 way z ,van,gogh 9 84 ,he did n 8g mad10 b he )drew f civiliz$ society1 buri$ himself 9 ,tahiti & pa9t$ ! natives1 firmly conv9c$ t only amid/ primitive conditions c\ld be f\nd ! inspiration ( pure art4 8,8 combative disposition impell$ him to fight aga9/ pa9t]s1 critics1 deal]s1 buy]s1 & aga9/ e/abli%$ in/itutions & conv5tions4 ,"o w\ld say fate pursu$ him4 ,9 #ahid at ,conc>neau 9 a qu>rel ) "s boatm5 :o _h insult$ him1 8 ankle 0 brok5 by a sabot kick1 leav+ a pa9ful injury f :i* he suff]$ until 8 dea? 79 #aijc740ba ,( 8 aims he said 9 a lett] to a fri5d3 ,physics1 *emi/ry1 &1 above all1 ! /udy ( nature1 h produc$ an epo* ( confusion 9 art1 & x may be truly said t arti/s1 robb$ ( all _! savag]y1 h w&]$ into all k9ds ( pa?s 9 se>* ( ! productive elem5t :i* !y no long] possess4 ,!y n[ act only 9 disord]ly gr\ps1 & are t]rifi$ z if lo/ :5 !y f9d !mselves alone4 ,solitude is n to be recomm5d$ to any "o1 = a man mu/ h /r5g? to be> x alone4 ,all ,i h le>nt f o!rs has be5 an imp$im5t to me4 ,x is true t ,i "k little1 b :at ,i d "k is my own4 ,e human "w is a revelation ( ! individual4 ,h5ce1 !re are two k9ds ( beauty2 "o comes f in/9ct1 ! o!r f labor4 ,! union ( ! two--) ! modification result+ !refrom--produces great & v complicat$ ri*ness4444 ,raphael's great sci5ce does n = a mom5t prev5t me f discov]+ ! in/9ct ( ! beautiful 9 him z ! ess5tial quality4 99 99 99 99 99 ,9 #ahie !re 0 a sale ( ,gaugu9's works at ! ,hotel ,dr\ot4 ,/r9db]g 0 ask$ to write a preface to ! catalogue4 ,9 decl9+1 he admitt$ 8 own 8imm5se ye>n+ to become a savage & create a new _w10 b said ( ,gaugu9's _w1 8x is too sunny = me1 ! lov] ( *i>oscuro4 ,& 9 y\r ,ed5 dwells an ,eve1 :o is n my ideal--= inde$1 ,i too1 h a fem99e ideal1 or two40 ,gaugu9 answ]$1 ,y\r civilization is y\r disease1 my b>b>ism is my re/oration to heal?4 ,! ,eve ( y\r civiliz$ conception makes u ne>ly all misogyni/s4 ,! old ,eve1 :o %ock$ y 9 my /udio1 w p]haps seem less odi\s to y "s day4 ,i h p]haps be5 unable to d m ?an sugge/ my _w1 :i* seems unreal to y4 ,x is a f> cry f ! sket* to ! realisation ( ! dream4 ,b ev5 ! sugge/ion ( ! happ9ess is l a =eta/e ( ,nirvana--only ! ,eve ,i h pa9t$ c /& nak$ be=e u4 ,y\rs w\ld always be %ameless 9 ! natural /ate1 &1 if beautiful1 ! s\rce ( pa9 & evil4#bb ,he _h a pr(\nd admiration = ,czanne1 & 0 (t5 *>g$ ) imitat+ him1 & 9 "s ( 8 pictures !re is a c]ta9 resemblance 9 con/ruction1 b two pa9t]s c\ld sc>ce be less alike 9 ! h&l+ ( color4 ,gaugu9 h&l$ color = ! pure joy ( x4#bc ,czanne us$ color z a mason uses bricks4 ,gaugu9's admiration = ,czanne 0 n reciprocat$4 8,gaugu9 likes y\r "w imm5sely1 & imitates y10 a fri5d once said to ,czanne4 8,eh6 he does n und]/& me10 0 ! angry response4 8,i nev] h & nev] w accept a lack ( modell+ or graduation2 t is nons5se4 ,gaugu9 is n a pa9t]2 he produces simply ,*9ese figures40 99 99 99 99 99 ,gaugu9 0 a dream]2 ,czanne1 9 8 way1 0 q an exact ?9k]1 = in/ance1 he expla9$ 8 ideas ( =m & color z foll[s3 ,ev]y?+ 9 nature is modell$ on ! l9es ( ! sph]e1 ! cone1 & ! cyl9d]1 & "o mu/ und]/& h[ to pa9t ^! simple figures1 "o c !n pa9t any?+4 ,design & color are n di/9ct2 to precisely ! ext5t t "o pa9ts1 "o draws2 ! m ! color h>monizes1 ! cle>] & pur] ! design4 ,:5 ! color is at its f9e/1 ! =m also atta9s its p]fection4 ,contra/s & h>monies ( tones--t is ! secret ( draw+ & modell+4#bd ,9 ! sugge/ion ( ! l9es ( ! sph]e1 ! cone1 & ! cyl9d]1 z ! elem5ts ( all art1 "o recognizes ! alphabet ( cubism4 ,b 9 r$uc+ draw+ to ^! elem5ts ,czanne1 )\t kn[+ x1 simply repeat$ :at ,alb]t ,dur] pr9t$ 9 book =m ne>ly f\r hundr$ ye>s ago1 & :at ! ,*9ese & ,japanese _h discov]$ c5turies e>li]4#be ,! fact t ! "w ( f\r m5 s diff]5t1 ,czanne1 ,h5ri ,r\sseau1 ,van,gogh1 ,gaugu91 began to be appreciat$ ab\t ! same "t1 %[s h[ ripe ! ,p>is art _w 0 = ! reaction f ,impressionism--= a great movem5t 9 creative & decorative art4 99 99 99 99 99 ,matisse taught draw+ & = a "t--f #ahie to #ahii--pa9t$ along conv5tional l9es4 ,influ5c$ by ,czanne he !n broke ) ! academic & s\ght new light effects1 effects q diff]5t f ^? ( ! ,impressioni/s4 ,he s\ght to break ) all anci5t laws1 & 8 use ( color became & /ill is l>gely 8 own4#bf ,:ile 8 color+ is always int]e/+ & 8 draw+ facile1 !re is at times some?+ ab\t 8 "w t is n satisfy+1 an atmosph]e ( sup]ficiality4 ,he is describ$1 h[ev]1 by ^? :o "k him z a pa9t] ( almo/ b\rgeois e>ne/ness & s9c]ity1 tak+ himself & 8 "w mo/ s]i\sly4 ,at ! same "t _m ( 8 canvasses give ! impression ( hav+ be5 execut$ 9 a _s ( %e] audacity4 99 99 99 99 99 ,to be sure1 !re is a rhy?m & sw+ to "s ( 8 mov+ figures t is delightful1 delightful 9 ! elem5tal simplicity ( ! draw+ & ! seem+ly--b only seem+ly--naive color+4 ,yet ev5 ) ^! canvases !re is (t5 ! feel+1 8,) s mu* skill1 :y did he n d bett]80--a feel+ ( disappo9tm5t1 ( dissatisfaction4 ,"o is dispos$ to agree ) ! op9ion t ,matisse's 8true gifts are ^? ( address1 ( s\plesse1 ( quick assimilation1 ( limit$ b easily acquir$ k--ess5tially fem99e gifts40,a 8,on a beauc\p vant le gt d',h5ri ,matisse4 ,il n'e/ pas niable1 mais d'une qualit secondaire4 ,c'e/ le gt d'une modi/e2 son am\r de la conleur vaut un am\r du *iffon40 ,he lives 9 a simple c\ntry h\se 9 a suburb out ( ,p>is4 ,8 /udio is pa9t$ :ite1 )9 & )\t1 ) imm5se w9d[s4#bg ,i f\nd n a long-hair$1 slov5ly-dress$1 ecc5tric man1 z ,i _h imag9$1 b a fre%1 heal?y1 robu/1 blonde g5tleman1 :o look$ ev5 m ,g]man ?an ,fr5*1 & ^: simple & unaffect$ cordiality put me directly at my ease4 ,conc]n+ 8 e>ly exp]i5ces1 ,matisse said3 8,i began at ! ,ecole des ,beaux ,arts4 ,:5 ,i op5$ my /udio1 ye>s aft]1 = "s "t ,i pa9t$ j l any "o else4 ,b ?+s didn't g at all1 & ,i 0 v unhappy4 ,!n1 little by little1 ,i began to pa9t z ,i felt4 ,"o _c d successful "w :i* has mu* feel+ unless "o sees ! subject v simply1 & "o mu/ d ?is 9 ord] to express "o's self z cle>ly z possible4 ,illu/ration3 ,,matisse ,! ,dance 8,i /udi$ 9 ! s*ools morn+s1 & ,i copi$ at ! ,l\vre 9 ! aft]noons = t5 ye>s4 ,i made copies = ! ,gov]nm5t1 b :5 ,i introduc$ "s ( my own emotional impressions1 or p]sonal translations ( ! pictures1 ! ,gov]nm5t did n c>e to buy2 x only want$ a photographic copy40 ,( 8 pres5t me?ods he said3 8,i c]ta9ly d ?9k ( h>mony & color1 & ( composition1 too4 ,draw+ is = me ! art ( be+ able to express myself ) l9e4 ,:5 an arti/ or /ud5t draws a nude figure ) pa9/ak+ c>e1 ! result is draw+1 & n emotion4 ,a true arti/ _c see color :i* is n h>moni\s4 ,o!rwise x is a moy51 or recipe4 ,an arti/ %\ld express 8 feel+ ) ! h>mony or idea ( color :i* he possesses naturally4 ,he %\ld n copy ! walls1 or objects on a table1 b he %\ld1 above all1 express a vision ( color1 ! h>mony ( :i* corresponds to 8 feel+4 ,&1 above all1 "o mu/ be hone/ ) "o's self4 8,if "o feels no emotion1 "o %\ld n pa9t4 ,:5 ,i came 9 "h to "w ?is morn+ ,i _h no emotion1 s ,i took a horseback ride4 ,:5 ,i return$ ,i felt l pa9t+1 & _h all ! emotion ,i want$4 8,i nev] use pa/els or wat] colors1 & ,i only make /udies f models1 n to use 9 a picture--mais p\r me n\rrir--to /r5g!n my k2 & ,i nev] "w f a previ\s sket* or /udy1 b f memory4 ,i n[ draw ) feel+1 & n anatomically4 ,i "k h[ to draw correctly1 hav+ /udi$ =m s long4 8,i always use a prelim9>y canvas ! same size = a sket* z = a f9i%$ picture1 & ,i always beg9 ) color4 ,) l>ge canvases ?is is m fatigu+1 b m logical4 ,i may h ! same s5tim5t ,i obta9$ 9 ! fir/1 b ?is lacks solidity1 & a decorative s5se4 ,i nev] ret\* a sket*2 ,i take a new canvas ! same size1 z ,i may *ange ! composition some:at4 ,b ,i always /rive to give ! same feel+1 :ile c>ry+ x on fur!r4 ,a picture %\ld1 = me1 always be decorative4 ,:ile work+ ,i nev] try to ?9k1 only to feel4 8,i h a class ( sixty pupils & make !m draw accurately1 z a /ud5t always %\ld d at ! beg9n+4 ,i d n enc\rage !m to "w z ,i d n[40 ,:5 ask$ ab\t a clay model ( a nude woman ) abnormal legs1 he pick$ up a small ,javanese /atue ) a head all out ( proportion to ! body & ask$3 8,is n t beautiful80 ,8 int]view] answ]$1 8,i see no beauty :]e !re is lack ( proportion4 ,to my m9d no sculpture has ev] equal$ t ( ! ,greeks1 unless x be ,mi*ael ,angelo's40 ,he repli$3 8,b !re y are1 back to ! classic1 ! =mal4 ,we ( today are try+ to express ourselves today--n[--! tw5tie? c5tury--& n to copy :at ! ,greeks saw & felt 9 art ov] two ?\s& ye>s ago4 ,! ,greek sculptors always foll[$ a set1 fix$ =m1 & nev] %[$ any s5tim5t4 ,! v e>ly ,greeks & ! ,primitives only work$ f ! basis ( emotion1 b ?is grew cold1 & disappe>$ 9 ! foll[+ c5turies4 ,x makes no diff]5ce :at are ! proportions1 if !re is feel+4 ,& if ! sculptor :o model$ ?is makes me ?9k only ( a dw>f1 !n he has fail$ to express ! beauty :i* %\ld ov]p[] all lack ( proportion1 & ?is is only done ?r\gh or by means ( 8 emotions4 8,my favorite ma/]s are ,goya1 ,dur]1 ,rembr&t1 ,corot1 & ,manet4 ,i (t5 g to ! ,l\vre1 & !re ,i /udy ,*>d9's "w m ?an any o!r2 ,i g !re to /udy 8 te*nic40 ,8 palette 0 a l>ge "o1 & s *aotic & disord]ly 7 ! vivid colors on x t a close resemblance c\ld be trac$ to "s ( 8 pictures4 8,i nev] mix mu*2 ,i use small bru%es & nev] m ?an twelve colors4 ,i use black to cool ! blue4 8,i seldom pa9t portraits2 &1 if ,i d1 only 9 a decorative mann]4 ,i c see !m 9 no o!r way40 ,"o's ideas ( ! man & ( 8 "w are entirely oppos$ to ea* o!r3 ,! latt] abnormal to ! la/ degree1 & ! man an ord9>y1 heal?y individual1 su* z "o meets by ! doz5 e day4 ,on ?is po9t ,matisse %[$ "s emotion4 8,oh1 d tell ! ,am]ican p t ,i am a normal man2 t ,i am a devot$ husb& & fa!r2 t ,i h ?ree f9e *ildr52 t ,i g to ! !at]1 ride horseback1 h a com=table home1 a f9e g>d5 t ,i love1 fl[]s1 etc41 j l any man40 ,z if to be> out ?is description ( himself1 he took me to ! salon 9 8 p]fectly normal h\se1 to see a normal copy :i* he _h made at ! ,l\vre1 & he bade me good-by & invit$ me to call aga9 l a p]fectly normal g5tleman4#bh ,matisse diff]s f ,czanne1 ,van,gogh1 ,gaugu91 9 ! acc5tuation ( feel+ z di/+ui%$ f obs]vation4 ,:ile ! ?ree la/ nam$ s\ght fre% inspiration f close & ev] clos] contact ) nature1 he seeks 8 inspiration 9 8 own emotions4 ,x is ?is trait t makes him "o ( ! lead]s ( ,po/-,impressionism1 z well z a ,fauve4 99 99 99 99 99 ,f ! =ego+ x is cle> t ,fauvism does n mean a p>ticul> mode or te*nic1 l ,classicism1 ,romanticism1 ,realism1 ,impressionism1 etc41 etc4 ,x means a mood r ?an a mode4 ,e pa9t] 9 revolt aga9/ prevail+ ta/e & /&>ds 0 & is a ,fauve4 ,n all ,po/-,impressioni/s are ,fauves1 b _m are s call$1 = in/ance1 ! foll[+3#bi ,odilon ,r$on1 ,o?on ,friez1 ,picasso 7! f\nd] ( ,cubism71 ,van ,dong51 ,&r ,d]a91 ,vlam9ck1 ,m>quet1 ,george ,braque1 ,ra\l ,dufy1 ,rob]t ,delauney1 ,m'lle ,laur5c91 ,jean ,metz+]1 ,pi]re ,girieud1 ,v]hoev54 ,( ! above f\r are well kn[n ,cubi/s2 ,r$on is a poetic p]sonality q ap>t2 :ile ! o!rs exhibit m>k$ individualities 9 _! "w4 ,les ,fauves 9 ,g]many are 8,die ,wild510 embrac+ ! 8,brcke0 ( ,dresd51 ! 8,neue ,sezession0 ( ,b]l91 ! 8,neue ,v]e9igung0 ( ,muni*4#cj ,^? ( ,russia are ,l>ion(f1 ,p4 ,kuznez(f1 ,s>jan1 ,d5iss[1 ,kants*1 ,s*al[sky1 ,mas*k(f1 ,frau ,gonts*>(1 von ,wis51 ,w4 & ,d4 ,burljuk1 ,kanabe1 ,jakul(2 & o!rs :o live 9 =eign c\ntries1 su* z ,s*]ecz[a1 ,p>is2 ,k&9sky ,w]efk9a1 ,jawl5sky1 ,be*teyeff1 ,g59 9 ,muni*4#ca ,among ! be/ kn[n ,engli% arti/s :o might fairly be class$ z 8,fauves0 are ,f]guson1 ,peploe1 ,lewis1 ,wyndhov] ,lewis1 ,duncan ,grant1 ,mrs4 ,bell1 ,fr$]ic ,et*ells1 ,miss ,et*ells1 ,eric ,gill1 ,sp5c] ,f4 ,gore1 & a man :o has done h]oic s]vice = ! new movem5t1 ,rog] ,fry4 ,!re are1 h[ev]1 comp>atively speak+1 s few 8,fauves0 9 ,engl& t ! guns ( ! critics ru/ on ! racks2 :ile 9 ,am]ica !y are s scatt]$ !y h z yet attract$ no att5tion by conc]t$ action4 ,almo/ ! only man 9 ?is c\ntry :o has p]si/5tly pa9t$ 9 ,cubi/ fa%ion = any l5g? ( "t is ,ar?ur ,dove1 "o ( ^: pictures is reproduc$4 ,:5 ask$ h[ he came to pa9t z he does ,dove said3 ,aft] hav+ come to ! conclusion t !re 7 a few pr9ciples exi/5t 9 all good art f ! e>lie/ examples we h1 ?r\gh ! ,ma/]s to ! pres5t1 ,i set ab\t x to analyze ^! pr9ciples z !y are f\nd 9 works ( art & 9 nature4 ,"o ( ^! pr9ciples :i* seem$ mo/ evid5t 0 ! *oice ( ! simple motif4 ,?is same law held 9 nature1 a few =ms & a few colors suffic$ = ! creation ( an object4 ,consequ5tly ,i gave up my m disord]ly me?ods 7impressionism72 9 o!r words1 ,i gave up try+ to express an idea by /at+ innum]able little facts1 ! /atem5t ( facts hav+ no m to d ) ! art ( pa9t+ ?an /ati/ics ) lit]ature4 ,he !n ref]s to 8t p]fect s5se ( ord] :i* exi/s 9 ! e>ly ,*9ese pa9t+10 & goes on3 ,! fir/ /ep 0 to *oose f nature a motif 9 color1 & ) t motif to pa9t f nature1 ! =m /ill be+ objective4 ,! second /ep 0 to apply ?is same pr9ciple to =m1 ! actual dep5d5ce ^u ! object 7lit]al to repres5tation7 disappe>+1 & ! means ( expression becom+ purely subjective4 ,aft] work+ = sometime 9 ?is way1 ,i no long] obs]v$ 9 ! old way1 & n only began to ?9k subjectively1 b also to rememb] c]ta9 s5sations purely ?r\gh _! =m & color1 t is by c]ta9 %apes1 planes1 light1 or "* l9es det]m9$ by ! meet+ ( su* planes4 ,) ! introduction ( ! l9e motif ! expression grew m pla/ic1 & ! /ruggle ) ! means became less evid5t4 ,illu/ration3 ,,dove ,bas$ on ,leaf ,=ms & ,spaces ,ref]r+ to ! pa9t+ reproduc$ he said3 ,x is a *oice ( ?ree colors1 r$1 yell[1 & gre51 & ?ree =ms select$ f trees & ! spaces betwe5 !m t to me 7 expressive ( ! movem5t ( ! ?+ :i* ,i felt4 ,z to go+ fur!r & expla9+ :at ,i felt1 t w\ld be q z /upid z to play on an in/rum5t be=e deaf p]sons4 ,! deaf p]son is simply n s5sitive to s\nd & _c appreciate2 & a p]son :o is n s5sitive to =m & color z su* w\ld be q z helpless4 ,! majority ( p seem to be 9 ! position ( deaf p]sons4 ,!y see o!rs li/5+ int5tly1 & app>5tly enjoy+ some?+1 & because !y fail to he>1 !y at once draw ! false conclusion t ! tr\ble is ) ! in/rum5t or ! p]=m]s4 ,9 ,novemb] la/ a gr\p ( "y ,am]icans held an exhibition ( v mod]n "w 9 ,! ,mac,dowell ,club 9 ,new ,york4 ,! exhibitors 7 ,oliv] ,*affee1 ,konrad ,cram]1 ,&rew ,dasburg1 ,grace ,johnson1 ,ar?ur ,lee1 ,h5ry ,l4 ,mc,fee1 ,paul ,rohl&1 ,william ,zora*4 ,,iv ,a ,,futile ,,prote/ ,! ,cubi/ pictures 9 ! ,salon d',automne1 #aiab1 0 ! occasion ( ! foll[+ lett] f ,m4 ,lempu1 pa9t] & doy5 du ,conseil municipal de la ,ville de ,p>is1 address$ ,m4 ,br>d1 ,s\s-,secrtaire d',etat des ,beaux-,arts4#cb ,if ! voice ( a municipal c\nsellor c\ld rea* y1 ,i w\ld beg y1 w\ld pray y to g & take a turn ar\nd ! ,autumn ,salon4 ,g !re1 sir1 & al?\gh y are a m9i/]1 ,i tru/ t y w come away z mu* disgu/$ z are _m p :om ,i "k1 & ,i hope1 also1 t y w say to y\rself 9 an und]tone3 8,h ,i inde$ ! "r to loan a public build+ to a lot ( malefactors :o conduct !mselves 9 ! _w ( art z d ! apa*es 9 ord9>y life80 ,y w ask y\rself1 ,mr4 ,m9i/]1 9 leav+ ! place1 if nature & ! human =m h ev] be=e suff]$ su* outrages2 y w admit ) regret t 9 ?is ,salon ! mo/ trivial ugl9esses & vulg>ities t c be imag9$ are !re display$ & accumulat$2 & y w aga9 ask y\rself1 ,mr4 ,m9i/]1 if ! dignity ( ! ,gov]nm5t ( :i* y =m "p is n injur$1 inasmu* z x appe>s to take "u its protection su* a sc&al by %elt]+ horrors l ^! 9 a national build+4 ,! ,gov]nm5t ( ! ,republic1 z x seems to me1 ought to be m c>eful & m respectful ( ! arti/ic dignity ( ,france4 ,a ye> ago1 & = ano!r reason1 ,i wrote to y\r pr$ecessor1 :o1 by ! way1 took no notice ( my lett]2 b :at is a/oni%+--does he n let ev]ybody ?9k t he is a m]idional1 :]eas he 0 born n[h]e else ?an at ,montm>tre8 ,a fri5d :isp]s to me t y are f ,or!z2 we are1 !re=e1 fell[-t[nsm51 = t is almo/ z if y came f ,montrejeau2 s !n1 8,di\s bibant60 7,dieu vivant67 x w n be long be=e y w make kn[n to ! ,belgian1 ,frantz ,j\rda91 :o has v mode/ly set = himself ! mission ( re=m+ ,fr5* art1 & :o1 9 ord] to ?or\ghly demon/rate 8 ability to d s1 has deposit$--,i w n say (fal--b ! /ore ( 8,la ,sam>ita9e0 almo/ opposite ! ,l\vre1 :i* fact is a sure pro( ( ! sup]iority ( 8 mon/rosity ( a /ructure ov] ! beautiful ar*itecture ( ! ,r5aissance4 ,please1 !re=e1 make kn[n to ?is ar*itect t 9 ! future he may locate 8 re=ms & 8 re=m]s :]e he pleases1 b n aga9 9 a public build+1 & = s do+1 all ^? :o h ta/e & love = beautiful ?+s w applaud y4 ,please accept1 ,mr4 ,m9i/]1 ! assurance ( my highe/ reg>ds4 ,lempu4 99 99 99 99 99 ,! ,committee ( ! ,autumn ,salon1 9 reply1 made ! foll[+ /atem5t3 ,! committee ( ! ,autumn ,salon consid]s t ! only reply :i* x c make to ! especially sev]e attacks t h be5 made on x ?is ye> is to make ann\ncem5t ( ! pr9ciple t directs x3 8,to admit all ef=ts ( consci5ti\s art1 :atev] !y may be1 h[ev] p]sonal1 & h[ev] /range !y may seem to ! anci5t =mulae40 ,! ,autumn ,salon is n & does n wi% to be ! cons]vator ( a s*ool ) a fix$ =mula2 x wi%es1 r1 to rema9 ! gr\nd ( g5]\s combat & ( ! emulation necess>y 9 a c\ntry l ours1 9 ord] to br+ out & fructify bo? arti/s & works ( art4 ,! ,gov]nm5t1 ^: rle is n to direct1 b to enc\rage ! arti/ic ef=t ( ! nation1 c consid] only 9 ! mo/ k9dly way a ,salon :i* has be5 ! fir/ to give reception to _m arti/s n[ celebrat$1 :i* has giv5 a place hi!rto unkn[n to decorative art1 & :i*1 be=e all o!r expositions1 has plac$ music & lit]ature on a p> ) pa9t+ & sculpture4 99 99 99 99 99 ,!n ! newspap]s publi%$ ! foll[+ item ( news3 ,m4 ,j4 ,l4 ,breton1 deputy f ,*]b\rg1 proposes to put to ! ,assi/ant-,secret>y ( ,/ate = ! ,beaux ,arts1 9 ! c\rse ( ! next discussion ( 8 budget1 a "q reg>d+ ! 8sc&al0 ( ! ,autumn ,salon1 & to ask him n to all[ ! use ( ! ,gr& ,palais = su* manife/ations1 :i* discr$it ,fr5* art 9 our national palaces4 ,?is is ! "q :i* 0 put to ! consult+ commission *>g$ ) giv+ its advice reg>d+ ! multiple concessions = ! ,gr& ,palais 9 #aiac4 ,m4 ,pascal1 ( ! ,in/itute1 :o pres5t$ ! "q1 conclud$ unfavorably4 ,aft] a long & lively discussion1 ! commission rang$ itself by a l>ge majority on ! side ( ! propon5t4 ,let u recall ! prote/s t h be5 address$ to ! ,autumn ,salon4 ,!y 7 ! subject1 a few weeks ago1 ( a lett] f ,mr4 ,lampu1 dean ( ! municipal c\ncil1 :o prote/$ aga9/ ! invasion ( cubism into ! gall]ies ( ! palace ( expositions4 ,x is n[ up to ,m4 ,lon ,br>d1 ,assi/ant-,secret>y ( ,/ate = ! ,beaux ,arts1 to take f9al action4 99 99 99 99 99 ,on v>ni%+ day1 ,mr4 ,gabriel ,m\rey wrote 9 ! ,j\rnal3 8,:at a pity x is t !re is no law p]mitt+ ! tak+ ( legal action aga9/ pa9t]s :o cultivate hatr$ ( beauty 9 ! public m9d4 ,^! pa9t]s are ! advance-gu>d arti/s & ! ,cubi/s40 ,m4 ,m\rey neglect$ to tell u if ! legal action :i* he proposes to u w\ld be civil or p5al4 ,9 our op9ion1 x w\ld be necess>y to make a di/9ction3 ,! ri* pa9t]s might be condemn$ to pay a p5alty1 &1 s t ! ,gov]nm5t might n be liable to lose its rights :]e !re is no?+1 ! poor pa9t]s might be hung up high & %ort4 ,oh1 tol]ance6 oh1 progress6 oh1 ! tw5tie? c5tury6 ,9 connection ) ! controv]sy 8,l',art ,dcoratif0 quot$ ! foll[+ lett] f ,b\*] to 8 pupil ,fragon>d3 8,my de> ,fragon>d3 ,y are go+ to see 9 ,italy ! works ( ,raphael1 ,mi*ael ,angelo1 & _! imitators2 ,i say to y 9 confid5ce & z a fri5d1 if y take ^! p s]i\sly y are lo/40 99 99 99 99 99 ,n ! lea/ int]e/+ & amus+ feature ( ! lively article f :i* ! above extracts are tak5 is its own d5unciation ( ! cubi/s en bloc4 ,illu/ration3 ,,w]efk9 ,! ,c\ntry ,road ,illu/ration3 ,,be*tejeff ,fight ( ! ,amazons ,x resolutely assails ! m or?odox critics = :at !y say ab\t all ! mod]ns x likes & !n x e*oes _! language 9 its own condemnation ( a body ( m5 :o are /riv+ e>ne/ly 9 _! way to d ?+s4 99 99 99 99 99 8,oh6 tol]ance1 oh6 progress6 ,oh6 tw5tie? c5tury60 99 99 99 99 99 ,"o has only to gr\p ! conflict+ op9ions ( great pa9t]s & critics to see h[ mu* dep5ds ^u ! po9t ( view & ! p]sonal equation4 ,to say c]ta9 pictures are wor?less is a matt] ( individual ta/e & judgm5t2 !y may be wor?less to me & n to y1 j z clo!s "o man likes ano!r w\ld refuse to we>4 ,b to say a s*ool or a movem5t1 irrespective ( p>ticul> works1 is a wor?less movem5t involves n "o's ta/e b "o's philosophy ( life2 x involves ! proposition t a movem5t 9 art t *all5ges ! att5tion ( ! art-_w is s devoid ( =ce ( any k9d t x is unwor?y att5tion--an obvi\s contradiction4 ,cubism has produc$ a lot ( inane1 un9t]e/+1 & ugly pictures1 pictures hopelessly bad 9 bo? l9e & color1 b x has also produc$ pictures t are f9e 9 l9e & color2 b :e!r a p>ticul> picture is good or bad is ( no importance :atsoev] 9 comp>ison ) ! l>g] & m vital "q3 ,:at is ! relation ( ,cubism to ! art ( today & tomorr[8 99 99 99 99 99 ,:5 ! ,socit ,nationale des ,beaux-,arts 0 f\nd$ 9 #ahij 9 a _s ( revolt aga9/ ! old ,salon ,socit des ,arti/es ,franais--:i* dates its expositions f #afgc--! s*ism 0 complete & ! movem5t 0 d5\nc$ z revolution>y4 ,! art _w 0 divid$ into two bitt]ly ho/ile camps4 ,! two ,salons seem$ absolutely irreconcilable4 ,n[ !y exhibit side by side 9 practically ! same build+4 ,! visitor c /& 9 ! ma9 gall]y ( ! "o & gaze into ! gall]ies ( ! o!r4 ,! only di/9ctions are sep>ate catalogues & an extra *>ge ( a franc or two if y wi% to pass f ! "o to ! o!r4 99 99 99 99 99 ,pass+ f ! old ,salon to ! new]1 "o /ill has--to a slight degree--! feel+ ( pass+ f old] & m cons]vative pictures to a new]1 light]1 & some:at m mod]n collection4 ,& !re is a diff]5ce b x is s slight t casual visitors d n notice x4 ,9 fact n9e out ( t5 :o visit ! two ,salons w\ld ?9k !y 7 9 b "o exhibition1 select$ & arrang$ by ! same committee1 7 x n = ! additional fee & ! two catalogues4 ,!re is no reason today :y ! two ,salons %\ld n coalesce & make "o exhibition4 ,9 less ?an tw5ty-five ye>s ! old] has absorb$ mu* ( :at 0 good 9 ! revolution>y =ce ( ! y\ng]1 & s mu* ( ! revolution>y en?usiasm ( ! y\ng] has subsid$ t ! memb]s ( ! new ,socit fight side by side ) ! memb]s ( ! old aga9/ ! two m radical exhibitions1 ! ,salon d',automne1 organiz$ 9 #aijc1 & ! ,socit des ,arti/es ,indep5d5ts1 organiz$ 9 #ahhd4 99 99 99 99 99 ,9 "t ! ,salon d',automne w become q z cons]vative z ! two old] ,salons & !re w be no reason :y x %\ld n exhibit & coalesce ) ! old]4 ,:at is happ5+ 9 ,p>is has happ5$ 9 ,muni*4 ,! ,muni* ,secessioni/s1 once d5\nc$ z ae/hetic an>*i/s1 h s f> subsid$ t !y exhibit ) ! academic pa9t]s1 reta9+ a fa9t %[ ( id5tity by hav+ ! ^w 8,secessioni/0 ov] ! doors ( ! few rooms !y fill4 ,! old ,secession hav+ subsid$1 ! 8,neue ,sezession0 has be5 organiz$ by 8,die ,wild50 ( ,muni* & t is n[ rampant2 9 t5 or tw5ty ye>s x w be absorb$ 9 ! ma9 /ream & a /ill new] secession *all5ge att5tion--& s on to ! end ( progress1 = progress dep5ds ^u new & new] & ev] new] dep>tures4 ,already !re is a division 9 ! ,new ,secession2 ! 8,blue ,rid]s0 h )drawn4 99 99 99 99 99 ,mon?s aft] ! above 0 writt5 ! ,london correspond5t ( ! 8,*icago ,tribune0--,nov4 #b1 #aiac--wrote z foll[s ab\t ! po/-impressioni/ exhibition 9 ! ,grafton ,gall]ies3 ,_m ( ! pictures :i* w\ld h provok$ happy laught] ?ree ye>s ago n[ look q ord9>y4 ,! public is inur$ to !m z mu* z x is inur$ to ,:i/l] or ,degas1 & 9 a little "t "s ( !m w be deal]s' pictures1 j l ! works ( ! ,b>bizon s*ool4 ,!re is1 = in/ance1 no?+ extraord9>y ab\t ! 8,int]ior ( a ,caf10 by ,van,gogh1 except its quiet excell5ce4 ,x is all se5 z ju/ly & yea z newly z a "* 9 "o ( ,tol/oi's novels4 ,"o feels t any "o c\ld h pa9t$ x :o _h _h ! luck to see x s4 ,! 8,boats at ,an*or10 also by ,van,gogh1 is m]ely a s\nd b n v int]e/+ impressioni/ picture1 & 8 fl[] piece is ev5 academic 9 a delightful way4 ,czanne's 8,boys ,ba?+0 is "o ( ^? works on :i* ! art ( mod]n pa9t]s l ,m4 ,friesz is bas$4 ,x looks l a repres5tation ( some?+ se5 in/antane\sly1 & yet at ! same "t x is all design$ l a "w ( ,ni*olas ,p\ss9's4 ,m4 ,matisse's 8,joaqu9a0 is timidly ski$1 b x is n 9 ! lea/ infuriat+1 l 8 fam\s g5tleman 9 pajamas4 ,inde$1 8 me?od "h ju/ifies itself at fir/ sight1 = by no o!r means1 "o feels1 c\ld he h express$ ! vitality ( 8 sitt] s simply & int5sely4 ,m4 ,friesz's 8,g>d5 at ,coimbra0 is "o ( ! pictures t w\ld h a/oni%$ u all ?ree or f\r ye>s ago1 b :i* n[ looks only pleasant & simple4 ,s are ! works ( ,m4 ,m>quet & ,m4 ,d\cet1 & ev5 ,m4 ,h]b9 no long] seems a bad jok]4 ,! 8,polka0 & 8,waltz0 ( ,mr4 ,sev]9i1 ! futuri/1 are q agreeable to ! eye1 if x refuses to all[ itself to be puzzl$ by ! m9d2 b1 if futuri/ pa9t+s c be academic1 !y are a little academic1 or at lea/ sy/ematic4 ,"o feels t any "o c\ld be taught to d !m pretty well 9 a /udio4 ,among ! wat] colors !re are "s pleasant works by ,m4 ,d\cet & "s rem>kable exp]im5ts by ,m4 ,pe*/e94 ,! color pr9ts ( ,m4 ,manzana are m ,*9ese ?an ,japanese 9 _s1 especially ! pr9t ( horses2 & ! li?ographs ( ,m4 ,matisse may help "s e>ne/ beg9n]s to see "s m]it 9 8 pa9t+4 ,at any rate1 any "o :o looks at !m mu/ see t he c draw4 ,! exhibition conta9s a good deal ( rubbi%1 b f> less ?an mo/ exhibitions ( :at is consid]$ or?odox art4 99 99 99 99 99 ,! ,salon d',indep5dants t5ds to rema9 radical not)/&+ x 0 f\nd$ s long ago z #ahhd because x has b "o article 9 its cre$1 8! suppression ( juries ( admission & p]mission to arti/s to exhibit freely _! works to ! judgm5t ( ! public40 ,by pay+ five doll>s any arti/--real or suppos$--is entitl$ to s mu* space & c fill t space ) su* pictures z he pleases1 irrespective ( _! m]it4 ,z a result1 ea* exhibition conta9s orig9al1 revolution>y & radical "w mix$ ) an imm5se am\nt ( pa9t+ & sculpture t is hopelessly bad & "s positively objectionable4 ,! cont9u$ vitality ( ! ,indep5d5t ,salon is due to ! fact x has no (ficials or committees to control its exhibitions & *eck ! appe>ance ( radical "w4 ,illu/ration3 ,,van ,,gogh ,caf ,! ?ree o!r ,salons gr[ cons]vative 9 ! natural age+ ( _! managem5t2 !y />t ) all ! en?usiasm ( y\? b z bo? memb]s & (fic]s get old] !y t5d to monopolize mu* ( ! available space = !mselves &1 naturally1 !y admit only ^? newcom]s ^: "w does n detract or di/ract f _! own4 ,t is ! hi/ory ( ! ,royal ,academy 9 ,london1 ( ! ,national ,academy 9 ,new ,york1 & ( e organization ! managem5t ( :i* has ! "r to hang _! own & reject ! works ( o!rs4 99 99 99 99 99 ,9 ! developm5t ( art all ^! exhibitions h _! values4 ,!y are n unlike an army 9 a campaign1 ) its sc\ts1 its skirmi%]s1 its advance gu>d1 & its m sl[ly mov+ ma9 body--9 ! end x is ! ma9 body t does ! mo/ "w4 ,! value ( e new movem5t lies 9 ! possibility ( its ultimately contribut+ some?+ to ! mass1 n 9 ! possibility ( its de/roy+ :at has be5 done4 99 99 99 99 99 ,"o has b to recall t bo? ,:i/l] & ,manet--to m5tion no o!rs--7 oblig$ to exhibit 9 ! ,salon des ,refuses ( _! day to realize t an indep5d5t salon has its place 9 ! art _w q z important z an (ficial2 9 fact1 :]ev] !re is an (ficial exhibition !re %\ld be an un-(ficial1 or indep5d5t1 z a natural complem5t1 o!rwise ! opportunity ( ! public to see = itself is limit$ by (ficial discretion4 99 99 99 99 99 ,= in/ance1 x is ! rule ( ! ,national ,academy 9 ,new ,york t e memb] & associate has ! "r to hang a picture irrespective ( its m]its4 ,z ! space is limit$ ! *ance = new m5 is small inde$4 ,fur!rmore x is ! old] m5 :o pass ^u ! works ( ! new] & naturally !y feel an in/9ctive av]sion to pa9t+s t cla% ) or di/ract att5tion f _! own1 h5ce ! m radical1 ! m novel1 ! m int]e/+ ! picture ! less *ance x has ( be+ accept$4 ,?is is bo? a fault & a virtue 9 ! ,academy--! fault & ! virtue ( extreme cons]vatism4 ,to correct ! fault o!r exhibitions1 held "u fre] conditions1 are absolutely necess>y n only to ! progress ( arti/s1 "y & old1 b to /imulate int]e/ 9 ! public1 to make ! public feel t x is some?+ m ?an a passive spectator ) no?+ to say1 b on ! contr>y its sympa!tic coop]ation & f9al v]dict ( approval are desir$4 99 99 99 99 99 ,no?+ is m deadly to ! art ( a c\ntry ?an a s+le annual (ficial exhibition su*1 = in/ance1 z t ( ! ,royal ,academy 9 ,london1 or ! old ,salon z x 0 ?irty ye>s ago 9 ,p>is4 ,! int]e/ ( ! public is n ar\s$4 ,! (ficial selection is accept$ z a matt] ( c\rse4 ,:at is 9 ! exhibitions is suppos$ to be good1 :at is n accept$ is suppos$ to be bad4 ,z a result1 ! really good pictures 9 su* exhibitions are n appreciat$ at _! true value1 :ile ! poor are b\ght simply because !y are !re4 ,! tru? is x requires ! new salons1 ! indep5d5t exhibitions to give vitality to ! old1 to tea* ! public to appreciate ! good 9 ! old4 ,good art1 l ev]y?+ else good1 spr+s f controv]sy1 f ! ass]tion ( ! individual1 f ! mighty /ruggle ( e s9c]e & en?usia/ic man to conv9ce ! _w t he is "r & t 8 works & ways are bett] ?an ^? ( all o!r m54 99 99 99 99 99 ,t is j :at ! new m5 are /riv+ to d n[--ea* is try+ to conv9ce ! _w he is "r1 t 8 me?ods1 8 dep>tures1 8 !ories are true4 ,! ,cubi/ does n admit mu* ( value 9 ! ,futuri/1 :ile ! latt] see no?+ at all 9 ,cubism4 ,9 %ort ! 8isms0 are m at w> among !mselves ?an ) ! old] s*ools4 ,out ( ! see?+ conflict ( =ces good is sure to come2 ! am\nt ( good dep5d+ directly ^u ! %>pness ( ! conflict4 ,v ,,:at ,,is ,,cubism8 ,:at is 8,cubism80 ,"o m "n add$ to ! long roll ( 8movem5ts0 9 art4 ,)9 ! memory ( liv+ m5 we h _h 8,classici/s10 8,romantici/s10 8,ideali/s10 8,naturali/s10 8,reali/s10 8,pre-,raphaelites10 & _m m4 ,today we h ! 8,neo-,impressioni/s10 ! 8,po9tili/s10 ! 8,lum9i/s10 ! 8,futuri/s10 ! 8,orphi/s10 ! 8,s5sationali/s10 ! 8,compositionali/s10 ! 8,syn*roni/s10 ! 8,cubi/s0--tomorr[8 ,new & ev] new dep>tures1 exp]im5ts1 a*ievem5ts4 ,all ( :i* goes to prove t art is liv+1 = ! sign ( life is flux4 99 99 99 99 99 ,! o!r day ,i saw ?ree well-kn[n ,am]ican pa9t]s /&+ be=e a cubi/ picture laugh+2 pa9t]s ( =ty ye>s ago w\ld h laugh$ q z he>tily at ! works ( ea* ( ! ?ree4 ,! innovation ( today is ! conv5tional ( tomorr[4 ,because ! names ( ,rembr&t & ,hals are n[ h\sehold words 9 art we are quick to assume _! pictures 7 always consid]$ great4 ,n s4 ,j n[ x is a fad ( millionaires to own ,rembr&ts2 consequ5tly he is ov]-appreciat$ & ridicul\sly ov]pric$4 99 99 99 99 99 ,! b>e ?\ght ( ! scorn t greet$ ,wagn]'s op]as1 ! poems ( ,br[n+1 & ,:itman1 s5ds a cold ,illu/ration3 ,,metz+] ,! ,ta/] ,illu/ration3 ,,leg] ,! ,*imneys *ill d[n our backs1 makes u pause 9 our headlong criticism le/ we1 too1 pillory ourselves4 ,viol5t judgm5ts are good fun1 b !y (t5 come back to plague u4 ,( ,wagn]'s 8,mei/]s+]0 ,rusk9 said3 ,( all ! bte1 clumsy1 blund]+1 boggl+1 baboon-head$ /uff ,i ev] saw on a human /age t ?+ la/ night--z f> z ! /ory & act+ w5t--& ( all ! affect$1 sapless1 s\l-less1 beg9n+less1 endless1 topless1 bottomless1 topsiturvie/1 tuneless1 scrannelpipie/1 tongs & bonie/ dogg]el ( s\nds ,i ev] endur$ ! deadl9ess (1 t et]nity ( no?+ 0 ! deadlie/ z f> z its s\nd w5t4 ,i nev] 0 s reliev$1 s f> z ,i c rememb]1 9 my life by ! /opp+ ( any s\nd1 n except+ railroad :i/les1 z ,i 0 by ! cessation ( ! cobbl]'s bell[+2 ev5 ! s]5ad]'s c>icatur$ twangle 0 a re/ aft]4 ,z = ! great 8,li$10 ,i nev] made out :]e x began or :]e x end$ except by ! fell['s com+ (f ! horse block4 ,f :i* ! inf]5ce is n unw>rant$ t ,wagn] did n please ,rusk96 99 99 99 99 99 ,oppos$ to all movem5ts 9 art & life is ! academic m9d1 f$ on le>n+1 /eep$ 9 tradition1 h5ce cons]vative4 ,! t]m is n "h us$ 9 a reproa*ful s5se2 on ! contr>y1 ! philosoph] lays /ress ^u ! value ( ! academic 9 progress2 x is ! elem5t t pres]ves2 x is ! mass ^u :i* humanity re/s2 x is ! old & /able2 x is ! pa/ ^u :i* ! future is built2 x is ! ess5tial gr\ndwork ( new ?\ght & new ef=t4 99 99 99 99 99 ,! life ( ! individual passes f ! en?usiasms1 ! radicalisms ( y\? to ! s]5e & self-satisfi$ outlook ( old age :i* in/9ctively opposes novelty & *ange--! academic attitude4 ,y\? makes fri5ds ) e *ance acqua9tance1 age %uns ! /range4 ,we are all ,impressioni/s & ,futuri/s at "s times 9 our lives1 b we t5d to petrify4 ,scl]osis ( ! art]ies is bad1 b no?+ comp>$ ) scl]osis ( ! emotions4 ,we n only t5d to become petrifi$ z we gr[ old]1 b ev5 9 our y\? we h our petrifi$ sides1 our h>d spots4 ,h[ev] progressive we may be 9 c]ta9 directions we are sure to be /ubbornly cons]vative 9 o!rs4 ,! man :o laughs at a cubi/ picture may be a cubi/--t is1 an innovator--9 8 pr(ession or bus9ess4 ,! man :o is a cons]vative 9 religion may be a radical 9 politics1 & vice v]sa4 ,z a matt] ( fact mo/ ( ! foll[]s ( ,lloyd ,george 9 ,engl& are ! greate/ /ickl]s = ! in]rancy & ! lit]al int]pretation ( ! ,scriptures1 :ile mo/ ( ! hide-b\nd cons]vatives are exce$+ly tol]ant t[>d 8mod]nism0 & 8high] criticism0 9 ! *ur*4 ,s x goes4 ,! m]*ant or manufactur]1 ! doctor or lawy] :o is up to date 9 bus9ess or pr(ession1 :o is ke5ly receptive t[>d ! late/ & mo/ revolution>y me?ods1 inv5tions1 discov]ies1 may be--usually is--a hopeless reaction>y t[>d o!r l9es ( human endeavor1 a hopeless cons]vative :5 x comes1 = in/ance1 to look+ at pictures4 99 99 99 99 99 ,n[ & !n "o meets a man s sympa!tically obs]vant & receptive t1 l a good rubb] ball1 he is resili5t at all po9ts ( contact4 ,b = ! mo/ "p we are l defective balls1 resili5t only 9 spots1 &1 l rubb]1 we become less & less resili5t ) age4 99 99 99 99 99 ,happy ! man or woman :o reta9s until late 9 life ! p[] to react to new impressions & to exp]i5ce new emotions4 ,! tr\ble ) mo/ ( u is t ev5 :5 we d react to new impressions & exp]i5ce new emotions we are afraid to admit x4 ,if any "o ( u1 :ile alone 9 a museum1 happ5$ to run across a /range pa9t+ or a /range piece ( sculpture--say a ,javanese or a cubi/ production--we w\ld n bur/ out laugh+ any m ?an we w\ld laugh at "s ( ! ar*aic sculptures & primitive works t are f\nd 9 e great collection4 ,on ! contr>y1 we w\ld probably /udy x ) good heal?y curiosity4 ,b :5 ! cr[d is ab\t we are afraid to express our curiosity1 we are afraid to be hone/ly & g5u9ely int]e/$1 s we take refuge 9 laught]1 x is s mu* easi] to mask our ignorance ) ridicule ?an confess x by frankly ask+ = in=mation4 ,! man :o does n und]/& a play or a book always condemns x4 99 99 99 99 99 ,x w\ld n be difficult to pick out among "o's bus9ess acqua9tances ^? :o are cons]vative1 t is1 academic1 & ^? :o are inv5tive1 speculative1 v5turesome1 & s on to ! 8wild en?usia/s10 8crazy fell[s10 :o are always do+ ! unexpect$2 fail+ (t5 b sometimes succe$+ s brilliantly ! _w foll[s 9 _! foot/eps4 99 99 99 99 99 ,!re is no?+ /range ab\t ! ,cubi/s--except _! pictures4 ,_! pictures /rike u z /range because we d n und]/& !m1 b if !y 7 simply try+ to d :at ?\s&s ( inv5tors are try+ to d ! _w ov]1 namely1 devise some?+ new to meet ! ne$s ( mank9d we w\ld laugh at !m no m ?an--& j z mu* z--! _w laugh$ at ! ,wright bro!rs :5 !y 7 work+ on ! fly+ ma*9e4 ,!re are romantici/s1 reali/s1 impressioni/s1 futuri/s1 cubi/s1 9 ! !at]4 ,! romantic play is an old1 b /ill delightful /ory4 ,we h _h realism on ! /age s long x has become almo/ academic4 ,j n[ !re is com+ f ! ,sc&9avian c\ntries & f ,g]many & ,russia a =m ( dramatic repres5tation t is ess5tially ,cubi/1 ,futuri/1 & ,orphi/ 9 its expression4#cc ,?is f]m5t ( new ideas is v di/urb+ to m5 :o are afraid ( *ange1 :o favor ?+s z !y are1 :o l to g to b$ at ! same h\r & get up at ! same h\r1 to d today :at !y did ye/]day4 ,b ! new ideas w n d[n2 !y are con/antly break+ out 9 unexpect$ places & :ile !y may seem to be diff]5t ideas :5 express$ 9 music1 pa9t+1 sculpture1 poetry1 ar*itecture1 f ^? express$ 9 sci5ce1 religion1 politics1 social re=m1 & bus9ess g5]ally1 !y are n2 !y are all fundam5tally ! same1 namely1 !y are ! ideas ( a progress s rapid & radical x may be revolution>y & 9 a measure de/ructive4 99 99 99 99 99 ,9 ! v nature ( ?+s x is n giv5 to _m m5 to be receptive to new ideas 9 _m l9es1 = t implies ?9k+ = !mselves 9 _m l9es4 ,! m int5se & advanc$ a man is 9 "o l9e ( ?\ght1 ! m apt he is to accept ready made ! ideas ( o!rs 9 o!r subjects4 ,x is a sav+ ( "t = ! radical sci5ti/ to accept 8 politics & religion ready made f ^? :o devote _! "t to ^? matt]s--! sci5ti/ does n always d s1 b (t5 :5 he ?9ks he is ass]t+ 8 indep5d5ce by reject+ curr5t beliefs he is do+ s )\t any real ideas & convictions ( 8 own4 ,illu/ration3 ,,du*amp ,*ess ,play]s ,:at has be5 said s f> has be5 a plea = tol]ance1 = a sob] suppression ( ha/y judgm5t 9 ! pres5ce ( ! /range4 ,few m5 seem able to control _! res5tm5ts & risibilities 9 ! pres5ce ( pa9t+s t seem to contradict all ! tea*+s & traditions ( art2 b because !y d seem to /& 9 opposition to all we h be5 taught to believe1 !y are all ! m wor?y our mo/ s]i\s consid]ation4 ,x is ! man :o *all5ges & d5ies :o /irs o!r m5 to ?9k = !mselves4 ,t is ! *ief value ( ! cubi/ pa9t+s--!y compel u to ?9k = ourselves1 to take a c>eful inv5tory ( our /ock ( /]eotyp$ notions2 ) ! result t :ile we may n accept ! !ories ( ! ,cubi/s1 we _c fail to readju/ our own notions on a broad] basis4 99 99 99 99 99 ,i w\ld be v sorry if any read] %\ld take up ?is volume "u ! impression x is a plea = ,cubism or any o!r 8ism0 9 ei!r art or life4 ,if x is a plea = any?+1 x is = tol]ance & intellig5t receptivity1 = an attitude ( sympa!tic appreciation t[>d ev]y?+ t is new & /range & revolution>y 9 life4 ,n t we w necess>ily end by accept+ ! new & ! /range & ! revolution>y1 b we _c get ! good !re may be 9 !m unless our attitude is "o ( sympa!tic z well z critical receptivity4 99 99 99 99 99 ,x is some?+ m ?an a m]e co9cid5ce t ! upheaval 9 ! art _w has p>allel$ ! upheaval 9 ! political _w4 ,! exhibitions ( extreme mod]n pictures 7 fir/ held 9 ,engl& j :5 extreme radical !ories 7 ga9+ ! asc5d5cy4 ,! ,int]national ,exhibition 9 ,am]ica foll[$ hot 9 ! foot/eps ( ! split 9 ! ,republican p>ty & ! triumph ( ! ,democratic along l9es s progressive z to seem almo/ sociali/ic4 ,! arti/s :o organiz$ ! exhibition did n realize x1 b !y 7 animat$ by precisely ! same motive t animat$ ! organiz]s ( ! ,progressive p>ty--an irresi/ible desire = a *ange4 99 99 99 99 99 ,y\? gazes curi\sly at ! exp]im5t--pa9t+1 poem1 play--f :i* age turns 9 ang]4 ,cubi/ pa9t+s int]e/ ! "y2 !y irritate ! old4 ,no?+ keeps a man "y s effectually z a vivid & sympa!tic int]e/ 9 e new & seem+ly revolution>y movem5t4 99 99 99 99 99 ,p :o look$ at ! cubi/ pa9t+s & laugh$ did s ?r\gh ignorance2 ! sad "p 0 t _m frankly said !y did n c>e to und]/&2 n a few insi/$ ! pa9t+s 7 q )\t mean+1 utt]ly devoid ( s5se4 ,9 o!r words1 ! public1 day aft] day & week aft] week1 /ruggl$ & paid to see works t 7 mean+less6 ,pa9t]s1 sculptors1 critics1 argu$ & f\ght ov] canvases devoid ( significance6 ,a p>adox6 ,= if devoid ( significance1 :y %\ld ! _w ( arti/s1 critics1 writ]s1 argue1 swe>1 & fight ov] !m8 ,! "q answ]s itself2 ! tr\ble is ! works d possess a significance1 a significance f> beyond ! m]its ( any p>ticul> "o1 f> beyond ! m]its ( cubism itself2 !y are significant ( ! _s ( *ange t is )9 & ab\t u1 ! _s ( unre/1 ( ! /riv+1 ( ! se>*+ = great] & m beautiful ?+s4 ,cubism w pass away1 b ! _s ( *ange w n pass away4 ,"o en?usiasm w foll[ ano!r en?usiasm s long z m5 possess ambition4 ,already !re are signs t ,cubism is pass+4 ,"s ( ! m5 are call+ !mselves ,neo-,cubi/s & ,po/-,cubi/s1 & !y are pa9t+ 9 v diff]5t mann]4 ,"o has b to look at a s]ies ( ,picasso's "w to see h[ (t5 & radically he has *ang$ 8 /yle 9 ^! t5 ye>s f draw+ & pa9t+ ) great facility & success 9 ,impressioni/ic & ,neo-,impressioni/ic mann] to ! mo/ ab/ract ,cubism2 :at he w be do+ two ye>s h5ce1 no "o c pr$ict1 save t1 judg+ by ! pa/1 he w n be pa9t+ ,cubi/ pictures4 99 99 99 99 99 ,! "n 8,cubism0 0 giv5 to ! new s*ool 89 d]ision1 9 ! autumn ( #aijh1 by ,h5ri ,matisse1 :o happ5$ to see a picture ( build+s ! cubical repres5tation ( :i* /ruck him =cibly40#cd ,t ye> ,georges ,braque exhibit$ a ,cubi/ picture 9 ! ,salon des ,indep5d5ts4 ,9 #aiaj1 ,jean ,metz+] exhibit$ a ,cubi/ portrait 9 ! ,salle d',automne1 & a numb] ( pictures 7 hung 9 ! ,salon des ,indep5d5ts4 ,! fir/ collection 0 ga!r$ toge!r 9 room #da at ! ,salon des ,indep5d5ts 9 #aiaa4 ,! same ye> ! fir/ exhibition outside ( ,p>is 0 held 9 ,brussels1 & !re ! names 8,cubism0 & 8,cubi/es0 7 adopt$4 ,9 #aiaa ! exposition ( ! ,cubi/s 9 ! ,salle d',automne caus$ consid]able s5sation4 ,gleizes1 ,metz+]1 ,leg]1 &1 = ! fir/ "t1 ,m>cel ,du*amp & 8 bro!r1 ! sculptor-ar*itect1 ,du*amp-,villon1 exhibit$4 ,o!r expositions 7 held 9 ,novemb]1 #aiaa1 at ! gall]y d',art ,contempora9e rue ,tron*et2 9 #aiab1 at ! ,salon des ,indep5d5ts1 :]e ,juan ,gris fir/ exhibit$2 9 ,may ( ! same ye>1 9 ,b>celona2 9 ,june1 at ,r\51 :]e ,picabia jo9$ ! new s*ool4 ,! diff]5t t5d5cies ( ! movem5t are describ$ z foll[s3#ce #a4 ,cubism sci5tifique is ! t5d5cy t[>d pure cubism2 x is ! pa9t+ ) elem5ts borr[$ n f ! realities ( vision1 b ! realities ( k4 ,! geometrical l9es1 :i* s impress$ all :o fir/ saw _! sci5tific works1 result$ f ! attempt to pa9t ! ess5tial--r ?an ! visual--realities ( ?+s :i* 7 r5d]$ on canvas ) an ab/ract purity1 & 9 :i* objective realities & /ory-tell+ qualities 7 elim9at$4 ,mo/ ( ,picasso's geometrical repres5tations & ,du*amp's 8,k+ & ,que50 are good illu/rations ( sci5tific or pure ,cubism4 #b4 ,cubism physique is pa9t+ compositions ! elem5ts ( :i* are borr[$ = ! mo/ "p f realities ( vision4 ,inasmu* z objective realities are m or less 9 evid5ce 9 ^! works1 !y are n pure ,cubism4 ,picasso's 8,woman & ! ,pot ( ,mu/>d0 is a v /rik+--& indiff]5t--example ( ,cubism physique1 :i* simply means cubi/ pa9t+s 9 :i* figures & objects are m or less app>5t to ! casual obs]v]4 ,9 ,m>cel ,du*amp's 8,*ess ,play]s0 ! figures are q pla92 9 ,picabia's 8,dance at ! ,spr+0 "o figure is di/+ui%able at fir/ glance1 ! second is n s easily disc]n$1 :ile ! spr+ is m obscure1 ?\gh pla9 en\gh aft] a little /udy4 ,x is "u ?is head t "s ( ! mo/ int]e/+ ,illu/ration3 ,,picabia ,dance at ! ,spr+ & also "s ( ! mo/ exasp]at+ cubi/ pictures w be f\nd4 ,to ! ext5t t figures & objects are block$ 9 9 planes & masses 9 a big1 elem5tal way1 ! result may be bo? impressive & beautiful--,d]a9's 8,=e/ at ,m>tigues0 is an example 9 po9t2 b 9 s f> z ! picture is a puzzle1 cle> only 9 "p1 ! result is exasp]at+2 ! obs]v]1 h[ev] sympa!tic 8 attitude1 is div]t$ f enjoy+ ! art ( ! pa9t] to ! attempt to discov] ! hidd5 objects4 ,to ! =ego+ two divisions are add$ two m1 :i* are1 9 reality1 b subdivisions or ref9em5ts ( ,cubism ,sci5tifique4 ,!re are really b ! two extremes--^? :o repres5t objects m or less cubically1 i4e41 9 planes & masses ( l9e & color2 & ^? :o compose h>monies ( l9e & color t h no relation to figures or objects4 ,9 ! pa9t+s ( ! "o1 objects are m or less app>5t2 9 ^? ( ! o!r no object is disc]nible1 because none is repres5t$ or sugge/$4 #c4 ,cubism ,orphique is creat$ entirely by ! arti/2 x takes no?+ f visual1 objective realities1 b is d]iv$ :olly f ! pa9t]'s imag9ation2 x is pure art4 #d4 ,cubism in/9ctive is describ$ z ! pa9t+ ( compositions ( color1 n bas$ ^u objective realities1 b sugge/$ by ! in/9ct & int5tions ( ! arti/4 ,! arti/ :o foll[s 8 in/9ct1 8 fancy ( ! mom5t1 ?\gh he may pa9t beautiful compositions1 lacks ! cle> compreh5sion ( him :o pa9ts accord+ to "s well ?\ght out1 arti/ic cre$4 99 99 99 99 99 ,x is q obvi\s t subdivisions ?ree & f\r are bas$ ^u temp]am5tal r ?an logical or sci5tific di/9ctions4 ,to ref] to "s ( ! pictures reproduc$3 ,!re is no my/]y ab\t ! 8,man on ! ,balcony40 ,he is q 9 evid5ce2 ! backgr\nd is a little puzzl+1 yet fairly obvi\s4 ,! att5tion ( ! casual obs]v] is n div]t$ f ! mode & mann] ( pa9t+--f ! ,cubism ( ! picture1 s to speak4 ,x is n a "q ( 8,n[ ,i see x1 n[ ,i don't see x40 ,x is obvi\sly ! figure ( a man lean+ on some?+1 app>5tly a rail+1 ) a confus$ backgr\nd4 ,b s f> z unc]ta9ty reg>d+ ! backgr\nd & accessories is conc]n$1 t tr\bles no "o1 = unc]ta9ty 9 detail is6 *>act]i/ic ( ! backgr\nds ( _m f9e & fam\s portraits4 ,! po9t is t ! 8,man on ! ,balcony0 belongs to t class ( ,cubi/ pictures :]e9 ! object is almo/ z well def9$ z 9 pictures ) :i* ! public is m famili>2 :]eas ! 8,k+ & ,que50 belongs to ! extreme class :]e9 ! objects h be5 r$uc$ to symbols or ab/ractions4 ,! "o is ! pa9t+ ( objects 9 ,cubi/ fa%ion2 ! o!r is ! pa9t+ ( ideas 9 ,cubi/ fa%ion4 99 99 99 99 99 ,( all ! ,cubi/ pictures exhibit$1 mo/ p lik$ 8,! ,man on ! ,balcony0 be/4 ,:y8 ,because x look$ l a good pa9t+ ( a man 9 arm\r4 8,i l ! #8,man 9 ,arm\r1'0 0 an expression frequ5tly he>d4 ,all ( :i* goes to %[ t appreciation is l>gely a matt] ( association r ?an ( k & ta/e4 ,tell ! p x is n a man 9 arm\r1 & imm$iately !y ask1 9 a tone ( disgu/1 8,!n :at is he80 & ! picture !y lik$ a mom5t be=e becomes ridicul\s 9 _! eyes4 ,illu/ration3 ,,gleizes ,orig9al draw+ = 8,man on ,balcony0 ,! orig9al design is an almo/ academic freeh& draw+ ( a man--arti/ or workman--lean+ aga9/ ! rail+ ( a balcony1 ) ro(s ( ! city at 8 back4 ,b>r+ ! squ>e treatm5t ( h& & foot1 !re is little to sugge/ ,cubism4 ,! draw+ is un9t]e/+1 ! pa9t+ is un9t]e/+4 ,by block+ out details1 emphasiz+ planes1 & lay+ /ress on masses1 ! arti/ made 8 pa9t+ incomp>ably m dignifi$ & /rong] ?an 8 design4 ,if he _h pa9t$ an academic picture1 foll[+ ! l9es ( 8 orig9al sket*1 ! pa9t+ probably w\ld h be5 q commonplace4 99 99 99 99 99 ,! 8,*ess ,play]s0 gives "o a s+ul> impression ( human absorption 9 a game2 x is elem5tal & imp]sonal4 ,beh9d ! two play]s are onlook]s1 equally int5t4 ,"o play] is re/+ 8 *9 ^u 8 h&1 ! o!r holds a piece app>5tly mak+ a move4 ,! arti/ has arbitr>ily plac$ ! m5 & bo>d close to ! eye ( ! play] mak+ ! move4 ,:ile mo/ p might pref] lifelike portraits ( two m5 play+ *ess1 is x n true t ?is curi\s r$uction ( ! play]s to elem5tal planes & masses gives a v vivid impression ( int5se absorption1 & also a /range feel+ ( ! elem5tal8 ,a sculptor admir$ ?is picture greatly4 99 99 99 99 99 ,two figures 7 ! basis ( ! 8,k+ & ! ,que510 ! k+ at ! "r1 & ! que5 at ! left2 b 9 ! f9i%$ picture ^! two figures 7 r$uc$ to planes1 & appe> z ! two upright conical or cubical masses t are s evid5t1 & a philosophical significance 0 attribut$ to ! s*eme1 namely1 a repres5tation ( ! /atic & dynamic =ms ( life2 ! /atic be+ repres5t$ 9 ! upright masses1 ! k+ & que5--dyna/ic1 p]man5t--:ile ! dynamic =ces are repres5t$ 9 ! /ream ( cubical =ms t fl[ 9 diff]5t directions ab\t ! two m p]man5t masses4 ,on its te*nical side1 ,cubism is simply a sy/ematic use ( planes4 99 99 99 99 99 ,! p[] ( l9es is a manife/ation ( ! new mode ( repres5tation4 ,x is n a semblance ( ?+s1 b a _w ( objects t ! picture =ces u to take 9 ) a glance4 ,! objects may n get lo/4 ,! outl9e is ! dem>cation & designation ( ! objects4 ,by its out] ess5ce _! inn] nature is express$4 ,! nature ( objects is n fix$ by a correct draw+1 b by a =ceful & emotional1 int5sive & p]vasive outl9e4 ,n 9 _! re/fulness & ) _! details d ! objects s]ve ! picture1 b by _! relations to ea* o!r1 :i* relations comb9$ lead up to ! climax4 ,! long l9es =m ! /ructure ( ! picture4 ,!y decide h[ ! picture is to be con/ruct$ f its p>ts1 & h[ ! p>ts are to be int]lock$ 9 ord] to become a :ole4 ,! long l9es def9e ! measure & rhy?m ( ! "w4 ,l9es are ! vibrations ( ! s\l2 l9es are reflections ( ! w1 ! rigidity ( t :i* endures4 ,l curr5ts ( =ces !y fl[ aga9/ ea* o!r & unite into "o4 ,! small] ones accompany !m ) playful gambols1 l a multiple e*o1 ! s\nds ( :i* melt away 9 ! di/ance4 ,! picture is n a nicely divid$ plane4 ,x is l a _w aris+ f *aos4 ,its ess5ce is ! law ( ord] work+ itself out4 ,! picture is an agglom]ation ( agitat$ memb]s1 an agglom]ation ( planes pulsat+ ) blood1 enliv5$ by brea?4 ,! planes may be /ratifi$1 p>allel & simil> to ea* o!r2 !y may re> & pile !mselves aga9/ ea* o!r1 or !y may int]lock l cogs4 ,!y may liquefy & melt away1 or !y may d\ble up & =m !mselves into balls4 ,!y may1 m quietly1 re/ )9 !mselves1 becom+ effective ?r\gh ! contra/ ( _! ess5ce & yet ma9ta9+ !mselves4 ,out ( !m orig9ates ! picture's spaci\sness1 out ( !m ! liv+ =ce ( ! picture4 ,! dynamics ( ! planes is a manife/ation ( ! new /yle4#cf ,illu/ration3 ,,du*amp ,k+ & ,que5 ,pass+ "o morn+ among a numb] ( fir/ ye> /ud5ts draw+ f ca/s 9 ! ,*icago ,art ,in/itute1 ,i 0 /ruck by ! l>ge numb] :o 7 mak+ :at w\ld pass = ,cubi/ sket*es2 yet n "o ( ^! "y /ud5ts _h se5 a ,cubi/ picture4 ,all 7 simply foll[+ ! regul> c\rse ( in/ruction & draw+ 9 planes4 ,i rememb] "o draw+ ( a /atue by ,mi*ael ,angelo4 ,!re 0 n a /raight l9e 9 ! /atue2 !re 0 n a curv$ l9e 9 ! draw+2 ! draw+ 0 block$ out f> m solidly & geometrically ?an1 = in/ance1 ei!r ! orig9al design = 8,! ,man on ! ,balcony0 or ! f9i%$ pa9t+4 ,9 ano!r room ,i ran across a tea*] :o 0 indicat+ by a few geometrical l9es drawn f po9ts ! ess5tial features ( a /atue ! pupil 0 ab\t to beg9 block+ 94 ,! l9es look$ exactly l ! geometrical l9es 9 a draw+ by ,picasso4 ,!re is1 !re=e1 no?+ fundam5tally new or /range 9 ! te*nic ( ! ,cubi/s2 x is simply a return to ! use ( ! elem5tal 9 draw+1 ( ! v ,a1 ,b1 ,c ( design4 ,! new & ! /range lie 9 ! fact t ! ,cubi/s /op ) planes & l9es2 !y d n attempt to model ! surfaces ( ! ?+s !y pa9t4 99 99 99 99 99 ,n t ! use ( planes is all !re is to ! !ory ( ,cubism1 = ! !ory ext5ds f> beyond ! pa9t+ ( surfaces2 x embraces ! pres5tation ( ! v sub/ance & nature ( p]sons & objects by means ( a te*nic 9 :i* planes are ! vital feature4 99 99 99 99 99 ,alb]t ,dr] wrote a book on ! proportions ( ! human figure2 x 0 publi%$ 9 #aebh1 & translat$ into _m languages4 ,he r$uc$ ! human figure to c]ta9 elem5tal l9es4#cg ,illu/ration ,apply+ ^! pr9ciples to ! h&1 he gets ?is result3 ,illu/ration ,x is int]e/+ to comp>e ?is sectional diagram ( ! h& ) ! h& ( 8,! ,man on ! ,balcony40 ,fur!rmore1 "o has b to consid] ! elem5tal l9es at ! top ( ! page ) ! words ( ,czanne1 quot$ on page #dc1 & ) ! fundam5tal propositions ( ,*9ese & ,japanese art1 to realize t 9 ! la/ analysis ! ,illu/ration3 ,,picasso ,woman ) ,m&ol9 ,illu/ration3 ,,picasso ,! ,poet m9ds ( m5 9 all ages & all c\ntries foll[ v closely ! same *annels4 ,!re are b two l9es1 curv$ & /raight1 & ) ^! two l9es all outw>d semblances ( ?+s are con/ruct$4 ,s f> z ! unaid$ eye is conc]n$1 e curv$ l9e may be entirely compos$ ( small /raight l9es1 ! curv$ effect be+ due to a s]ies ( m9ute angles4 ,! foll[+ are ,dur]'s diagrams %[+ h[ to obta9 sections & modifications3 ,illu/ration ,he applies ^! sections to ! human figure z foll[s3 ,illu/ration ,illu/ration ,s f> z ! use ( planes & angles is conc]n$1 ^! diagrams by ,dur] %\ld s]ve to dis>m criticism4 ,t ! human figure c be decompos$ into /raight l9es & angles w be a revelation to mo/ ( ^? :o laugh$ at ! ,cubi/ pa9t+s1 & only ! au?ority ( a great "n w\ld conv9ce t any good c\ld result f su* an analysis4 ,suppose any "o ( ! ,dur] diagrams _h be5 fram$ & hung 9 ! ,cubi/ section2 w\ld x n h be5 treat$ ) ridicule8 ,! m5 :o arrang$ ! exhibition c\ld h play$ ) critics & arti/s--! m5 :o claim to "k--by includ+ _m ?+s ( recogniz$ position 9 academic art & tea*+s1 :i* w\ld h seem$ z absurd z ! newe/ ( ! new pictures4 99 99 99 99 99 ,! v high ae/hetic value ( draw+ & pa9t+ 9 planes1 & ) small reg>d to ! s-call$ laws ( p]spective1 is illu/rat$ 9 ! r>e beauty ( ,*9ese & ,japanese pa9t+s4 ,f ! po9t ( view ( _! greate/ pa9t]s1 we c>ry p]spective & imitation to extremes t de/roy art4 ,"o value ( ! ,cubi/ movem5t lies 9 ar\s+ a s5se ( ! /r5g? possess$ by ! simple & elem5tal4 ,9 ori5tal art1 9 ar*aic art1 9 primitive ,italian art1 9 n a little mod]n decorative "w1 we h long recogniz$ ! beauty ( draw+ 9 planes & ( ! use ( color arbitr>ily4 ,! ,cubi/s are %[+ u--p]haps too viol5tly & imp]fectly--t x is possible to pa9t pictures & portraits 9 planes & masses )\t imitation4 ,t x is possible we "k1 = ! ori5tals h done x = two ?\s& ye>s2 nev]!less1 we /ubbornly resi/ ! attempt 9 we/]n art4 ,we ackn[l$ge ! s+ul> beauty ( ! ,italian primitives1 yet we dem& t portraits & pa9t+s ( today %all be c>efully modell$ 9 ! va9 ef=t to accurately & me*anically copy nature4 99 99 99 99 99 ,9 "s ( ,s>g5t's be/ portraits n only ! lights & %ad[s b "* & p]sonality are indicat$ by bru%-/rokes z arbitr>y 9 l9e & color z ^? ( a ,cubi/--/rokes t foll[ nei!r ! l9es nor ! colors ( ! orig9al1 b :i* convey ) trem5d\s p[] ! "*4 ,aga91 we all "k h[ insipid are mo/ ( ! portraits t are fai?fully r\nd$ & modell$ to reproduce e curve ( ! sitt]s' features4 ,! tru? is !re is m ( ,cubism 9 great pa9t+ ?an we dream1 & ! extravagances ( ! ,cubi/s may s]ve to op5 our eyes to beauties we h always felt )\t q und]/&+4 ,take1 = in/ance1 ! /ronge/ ?+s by ,w9sl[ ,hom]2 ! /r5g? lies 9 ! big1 elem5tal mann] 9 :i* ! arti/ r5d]$ 8 impressions 9 l9es & masses :i* dep>t$ widely f photographic reproductions ( sc5es & p4 ,rod9's bronzes exhibit ^! same elem5tal qualities1 qualities :i* are pu%$ to viol5t extremes 9 ,cubi/ sculpture4 ,b may x n be pr(\ndly true t ^! v extremes1 ^! v extravagances1 by caus+ u to bl9k & rub our eyes1 end 9 a f9] und]/&+ & appreciation ( su* "w z ,rod9's8 ,8 ,balzac is1 9 a pr(\nd s5se1 8 mo/ colossal "w1 & at ! same "t 8 mo/ elem5tal4 ,9 its simplicity1 9 its use ( planes & masses1 x is--"o might say1 solely = purposes ( illu/ration--,cubi/1 ) none ( ! extravagances ( ,cubism4 ,x is purely ,po/-,impressioni/ic4 ,tw5ty or tw5ty-five ye>s ago pa9t]s :o us$ a broad te*nic1 & especially ^? :o us$ ! palette knife to lay ! pigm5t 9 flat sweeps1 7 look$ ^u z *>latans & s5sationali/s4 ,today _! pictures are accept$ 9 ! mo/ cons]vative exhibitions & ! public passes ) sc>cely a comm5t4 ,?is broad te*nic is simply pa9t+ 9 planes--9 a s5se1 simply modifi$ ,cubism4 ,to illu/rate3 ,! surface ( an orange may be s c>efully pa9t$ or modell$ 9 clay t ! effect is a p]fect sph]e ) no /raight l9es2 or x may be pa9t$ or modell$ 9 m9ute planes & no curv$ l9es2 or ! use ( planes may be c>ri$ s f> ! orange is repres5t$ by angles s %>p ! %ape is almo/ cubical--x is all a "q ( ! ext5t to :i* ! arti/ c>ries ! use ( plane surfaces4 ,! few] ! planes us$ & ! l>g] _! size1 ! ne>] ! sub/ance & m obvi\s ! repres5tation ( mass4 ,! small] ! planes & ! l>g] _! numb]1 ! ne>] ! surface--! m sup]ficial ! repres5tation4 99 99 99 99 99 ,! division ( planes c be c>ri$--geometrically--to su* an ext5t t ! unaid$ eye c no long] di/+ui% ! m9ute flat surfaces1 & ! effect is a p]fect sph]e4 ,:at is true conc]n+ ! pa9t+ or modell+ ( an orange is true ( ! pa9t+ or modell+ ( all objects4 99 99 99 99 99 8,x has be5 *>g$ t ! new m5 are too mu* giv5 to ! geometrical4 ,b geometrical figures are ! ess5tial elem5ts ( draw+4 ,geometry1 ! sci5ce :i* deals ) ext5sion1 its measure & its relations1 has ev] be5 ! basis ( pa9t+4 ,illu/ration3 ,,sev]9i ,! ,mill9] 8,up to ! pres5t "t ! ?ree dim5sions ( ,euclid h suffic$ to express ! problems t inf9ity gives rise to 9 ! s\ls ( great arti/s4 8,geometry is to ! pla/ic arts :at gramm> is to ! art ( ! writ]4 8,today philosoph]s d n conf9e _! speculations to ! ?ree dim5sions ( ,euclid4 ,pa9t]s1 by int5tion1 s to speak1 h cause naturally to preoccupy !mselves ) ^! new l9es ( ext5sion :i*1 9 ! language ( mod]n /udios1 are class$ "u ! t]m1 f\r? dim5sion40#ch 99 99 99 99 99 ,speak+ ( ,czanne1 x is said3 ,to him a sph]e 0 n always r\nd1 a cube always squ>e1 or an ellipse always elliptical4 ,?us ! traditional oval ( ! conv5tional face disappe>$ 9 8 portraits1 ! g5]ally accept$ r\nd surfaces ( a vase or b[l 0 repres5t$ z flat & d5t$ 9 spots & ! horizontal /ability ( ! horizon 0 r5d]$ elliptical :5ev] x s appe>$ to him4 ,! g5]al tru?fulness ( 8 obs]vations may readily be te/$ by any "o ( normal vision :o w c>efully obs]ve ! actual appe>ance ( ! surfaces ( a r\nd sug> b[l1 = example1 :5 plac$ 9 ! light ( a w9d[4 ,x w be f\nd t c]ta9 planes are z flat z ! table1 t o!rs pres5t ! appe>ance ( d5ts & holl[s1 & ! m cle>ly ?is is p]ceiv$ ! m grotesque w ! object appe> z comp>$ ) ! preconceiv$ image ( x e/abli%$ 9 our m9ds by ! unconsci\s int]action ( ! s5se ( t\* & sight4 ,we "k t1 sci5tifically reg>d$1 !re is no su* ?+ z a r\nd surface1 t :at appe>s to be su* is simply ! closely adju/$ juxtaposition ( inf9itesimal planes t are ea* p]fectly flat4 ,& ! v fact t pa9t]s ref] to ! surface ( a figure z planes is indicative ( a p>tial recognition ( ?is basic *>act]i/ic ( /ructure4 ,nev]!less1 bo? arti/s & laym5 p]si/ 9 speak+ ( ! r\ndness ( a torso1 = example1 :5 9 reality1 if we c\ld disassociate ! s5se ( r\ndness f ! appe>ance ( r\ndness z did ,czanne1 we w\ld f9d l>ge surfaces ( sph]oids q flat4 ,!re9 lies ! real secret ( ! art ( ,czanne :o is ! fir/ ( reali/s4 ,9 a s5se1 8,cubism0 is a mislead+ t]m1 =1 9 ! fir/ place1 8,cubi/0 pictures are n pa9t$ 9 cubes1 b 9 all sorts ( angles & curves2 9 ! second place1 ! !ory does n call = angles4 ,! !ory be+ ! expression ( emotion 9 l9e & color1 !re is no conceivable reason :y cubes & angles %\ld be us$ to ! exclusion ( curves1 swirls1 sweeps1 da%es4 ,on ! contr>y1 ( all =ms1 cubes & angles w\ld seem to be ! mo/ inappropriate = emotional expression1 s9ce !y are peculi>ly sugge/ive ( ! geometrical & ! matt]-(-fact4 8,curvism0 or 8,swirlism0 w\ld describe ! movem5t j z well1 save t = ! "t be+ angles are v mu* 9 evid5ce4 ,picabia says t 8,cubism0 is a misnom] = ! movem5t4 ,he says3 ,aft] impressionism1 neo-impressionism1 !n cubism1 :i* s\ght a geometric ?ird dim5sion 9 pa9t+1 ! expression ( ?+s se5 9 geometrical figures4 ,b a purely subjective art _c1 ( c\rse1 be b\nd by any =m ( expression ! mom5t t expression becomes a conv5tion1 an e/abli%$ body ( laws ) accept$ values4 ,!re=e1 he has cut loose f cubism1 & is :at1 aga9 = h&y classification--an evil habit f :i* we _c emancipate ourselves--may p]haps be/ be call$ 8po/-cubi/10 ) entirely unfett]$1 spontane\s1 ev]-v>y+ means ( expression 9 =m & color waves1 accord+ to ! comm&s1 ! ne$s1 ! inspiration ( ! impression1 ! mood receiv$4 ,objective expression is /rictly b>r$4 ,he ev5 ignores =m z f> z possible1 seek+ 8color h>monies40 ,h>mony & equilibrium are 8 device4 99 99 99 99 99 ,b ! ,cubi/s are rapidly gett+ away f ! cubes & angles4 ,x is q possible t a ye> or two h5ce we %all see no m purely ,cubi/ pictures4 ,t does n mean ! movem5t w come to an end--n at all4 ,! movem5t t[>d ab/ract pa9t+1 t[>d ! use ( l9e & pa9t on canvas = m]e pleasure ( us+ !m1 & )\t copy+ objects 9 ei!r life or nature1 is 9 its infancy4 99 99 99 99 99 8,b ,i don't und]/& !m60 ,is x necess>y to y\r enjoym5t t y %\ld8 ,d y und]/& :at ,c>uso is s++8 ,d y und]/& t ,fr5* song reproduc$ by ! phonograph8 ,d y und]/& :at ! or*e/ra is play+8 ,d y und]/& ! patt]n 9 t ,p]sian rug8 ,h[ _m p :o rave ov] ,japanese art h ! remote/ idea :at ?is or t preci\s pr9t or pa9t+ repres5ts8 ,does an intricate design on a bit ( ,ori5tal pott]y please y8 ,& is y\r enjoym5t less5$ "o :it by ! fact x is all a my/]y to y8 ,:y w y accept z beautiful & buy at a high price a pa9t+ y d n und]/& because x is by a ,*9ese arti/1 & reject z ugly ! pa9t+ by a ,fr5* arti/ simply because y _c see 8:at he is driv+ at08 99 99 99 99 99 ,suppose a ,cubi/ picture is a beautiful s*eme ( color2 is x less beautiful 9 color because y d n und]/& ! pa9t]'s !ory8 ,8 pa9t+ may be f9e1 8 !ory absurd4 ,w\ld y\r enjoym5t ( ,c>uso be increas$ if he sang 9 ,engli% ! ridicul\s /uff he s+s 9 ,italian8 ,=tunate x is = mo/ gr& op]a t we d n und]/&--we are n div]t$ f ! music by ! nons5se ( ! libretto4 ,! enjoym5t ( music is a curi\s ?+4 ,fir/ ( all1 !re are all k9ds ( music1 f rag-"t to ,bee?ov51 & ea* k9d has its foll[+4 ,!n ! foll[+ ( ea* k9d breaks up into its rag-"t & ,bee?ov5 divisions4 ,t is to say1 9 an audi5ce li/5+ to rag-"t !re are always a few :o enjoy ! music 9 a ,bee?ov5 way--= :at !re is ( real value 9 x4 ,:ile 9 an audi5ce li/5+ to a ,bee?ov5 symphony !re are always a goodly numb]1 (t5 a big majority1 :o enjoy x 9 a rag-"t way--j ! emotional reaction1 )\t kn[+ a ?+ ab\t ! music4 ,!re are two entirely di/9ct enjoym5ts ( ! same composition--! purely intellectual & ! purely emotional4 ,!re may be a m+l+ ( ! two1 b z a rule :at "o ga9s ! o!r loses4 ,! man :o foll[s ! score1 is famili> ) ! diff]5t int]pretations ( ?is & t lead]1 ^: e> cat*es e failure by any "p ( ! or*e/ra to respond1 & s on1 & s on--t man is con/antly hold+ 8 emotional response subject to 8 intellectual appreciation4 ,:at is a f9e p]=mance to mo/ ( ! audi5ce may be a v indiff]5t p]=mance to him4 ,true1 :5 ! p]=mance is s f9e x c>ries him (f 8 feet1 !n he gets an enjoym5t--intellectual & emotional--f> f9] ?an ! enjoym5t exp]i5c$ by o!rs4 ,9 a s5se1 he is ! "o man wor? play+ =4 ,b :ile x is a f9e ?+ to bo? und]/& & enjoy1 und]/&+ is n ess5tial to enjoym5t 9 ! purely emotional s5se--to ! enjoym5t mo/ p feel :5 li/5+ to music4 ,! voice ( a /reet s+] borne 9 ^u ! night air1 ev5 ! s\nd ( a hurdy-gurdy1 pleases1 ?\gh we d n ,illu/ration3 ,,s\sa ,,c>doza ,leap ( ! ,rabbit "k ! song or ! air4 ,!re is a species ( pleasure 9 n kn[+ t is dissipat$ :5 we recall or are told4 ,_m ( our enjoym5ts are m ?an half dreamy4 ,is x n true t ! dreamy elem5t is ess5tial to purely emotional enjoym5t8 ,i confess to a v ignorant enjoym5t ( music4 ,if ,i am at a conc]t ,i d n l to be told :at x is all ab\t4 ,i enjoy good music )\t kn[+ or c>+ :y1 & ,i l to he> x )\t be+ seat$ :]e ,i am m ?an half-hypnotiz$ by ! rhy?mical movem5ts ( ! or*e/ra1 especially ! fasc9at+ b[+ ( ! viol9s4 99 99 99 99 99 ,:at is true ( ! enjoym5t ( music %\ld be true ( ! enjoym5t ( pa9t+4 ,b ) pa9t+1 mo/ p insi/ ^u und]/&+4 ,!y w li/5 to ,patti )\t kn[+ h] language1 b !y w n look at a pa9t+ unless !y "k ! pa9t]'s language4 99 99 99 99 99 ,:y n accept at _! face value all pictures t are beautiful 9 l9e & color1 )\t bo!r+ ab\t _! mean+8 ,p]haps !y h no mean+ beyond ! vagrant fancy ( ! arti/4 ,take ! ?ree pictures by ,s\sa ,c>doza4 ,suppose !y h no m significance ?an s _m illu/rations to a fairy tale2 !y are int]e/+ 9 l9e & fasc9at+ 9 color4 ,if ! 8,/ronghold0 _h be5 on a ,delft platt]1 or ! 8,leap ( ! ,rabbit0 on a piece ( ,p]sian pott]y1 ev]yone w\ld h laud$ _! beauty1 & collectors w\ld give t5 or tw5ty times ! mode/ prices ( ! canvases4 ,:5 put to p 9 t matt]-(-fact way ! response is almo/ always favorable to ! pictures4 ,9 an int]e/+ monograph entitl$ 8,is ,x ,art80#ci ! writ] says3 ,x w be se51 !re=e1 t ! ef=ts ( ^! m5 to give a subjective r5d]+ ( actuality results 9 no?+ bett] ?an a poorly realiz$ =m ( objectivity :i* is z mu* ! creation ( ! spectator z ( ! arti/1 inasmu* z ! vaguely adumbrat$ =ms 9 ! picture simply s]ve z a h9t to t reality ( :i* x is a wilfully di/ort$ symbol1 & ! discov]y ( ! 8mu/>d pot0 w\ld sc>cely h be5 possible )\t ! happy coop]ation ( ! title ) ! spectator's previ\s k ( ! actual appe>ance ( a mu/>d pot4 ,)\t ! int]v5tion ( ! title & ! association ( ideas call$ =? !reby ?r\gh ! memory ( pa/ exp]i5ces ) actuality1 ^! pictures w\ld be totally mean+less ev5 to ! mo/ recondite4 ,!y w\ld inevitably be r$uc$ to a p]sonal sy/em ( %or?&1 an individual code1 z x 71 compreh5sible only to ! orig9ator4 ,reg>d$ f t viewpo9t1 ^! enigmatic pa9t+s & draw+s may v possibly be altoge!r successful4 ,at all ev5ts x is only fair to assume t ^! works express to ! orig9ator :at he int5d$ !m to express4 ,b x is q obvi\s t !y express some?+ q diff]5t to ! spectator :o has n be5 initiat$ into ! mean+ ( ?is p]sonal =m ( %or?&1 & ! app5d+ ( an objective title to :at is int5d$ z a subjective impression ( ! actual _w h>dly help him ov] ! difficulty4 ,on ! contr>y x takes him j t f> away f ! impression ! arti/ desires to produce1 plung+ him deep] into t _w ( reality out ( :i* he 0 to be extricat$ by ?is new art1 & !re is no d\bt t 9 ! m9ds ( ev5 ! mo/ intellig5t spectator x only s]ves to re5=ce 8 conception ( reality ^u :i* he is =c$ to fall back by ! objective titles z well z ! concrete repres5tations ( :at is suppos$ to be a subjective mood4 ,i ?9k x may safely be said t 9 no case does ?is mood manife/ itself to ! p]sons to :om x is address$1 al?\gh by a process ( auto-hypnotism1 a c]ta9 few no d\bt succe$ 9 mak+ !mselves believe t !y p5etrate ! real inw>dness ( ^! arbitr>ily individual m5tal processes4 ,grant$ t ^! v disc]n+ ones d respond to ! real int5tion ( ^! ab/ractions x _c be d5i$ t ?is "w is ! mo/ circumscrib$ 9 its appeal ( any?+ s f> produc$ 9 ! "n ( art &1 until its work+ premise is made cle>]1 its influ5ce mu/ be correspond+ly limit$4 ,at pres5t x appe>s to me to be a too purely p]sonal equation to be intelligible to o!rs ?an ! arti/ himself & !re=e1 g5]ally speak+1 x c n be reg>d$ z art1 :atev] else x may be4 ,= t t communicates no?+ expresses no?+ & z ! (fice ( art is fir/ & la/ expression ?is new =m is z yet outside ( ! doma9 ( art4 ,b t makes ! attitude ( ! obs]v] ! te/ :e!r a giv5 product is or is n art1 :ile ! true te/ is ! attitude ( ! produc]4 ,:e!r a giv5 "w is or is n art is det]m9$ & =ev] fix$ at ! "t ( its production4 ,if art to him :o creates x1 x is art to all humanity = all "t2 nei!r a man's neighbors nor future g5]ations c deprive x ( its "*4 99 99 99 99 99 ,q a good _m ye>s ago ,i made ! attempt1 9 lecture & book =m1 to def9e art4#dj ,:at is ,art8 ,! "q is z old z man himself1 = we h no records ( m5 )\t "s manife/ation ( ! art impulse4444 ,man is ! comb9ation ( ?\ght & symbol2 ?\ght /riv+ to express itself1 & symbol1 ! means :]eby x a*ieves t end4 ,! symbol may be s\nd1 ^w1 or song2 or x may be l9e1 =m1 or /ructure2 x matt]s n4 ,a cry is ! language ( ! *ild2 spee* is ! e-day utt]ance ( ! man2 ! he>t ( ! s+] bur/s =? 9 song2 ! musician speaks 9 h>monies1 ! pa9t] 9 l9e & color1 ! sculptor 9 =m1 ! ar*itect 9 /ructure1 ! poet 9 rhyme & rhy?m--& ea* is sil5t save 9 8 own way4444 ,n[ :at is ! di/9ction betwe5 ?\ght expression :i* is art & ?\ght expression :i* is n art8 ,9 its broade/ significance1 & 9 its v ess5ce1 art is delight 9 ?\ght & symbol4 ,m>k ! union--art is delight 9 bo? ! ?\ght & ! symbol4 ,)\t ! d\ble delight--! comb9ation ( ^! two q di/9ct delights1 !re c be no art4 ,to ! writ] ( prose !re may come a beautiful fancy2 he delights 9 x & ha/5s to record 8 ?\ght4 ,he may write ! mo/ fl[+1 ! mo/ p]fect prose1 b z he writes he is /ill occupi$ ) 8 ?\ght2 8 sole object is to f9d words :i* w b express x4 ,! same fancy comes to ! poet2 he1 too1 delights 9 x1 & seeks to record x2 b :5 ! poet t\*es p5 to pap] he is seiz$ ) a new & an entirely di/9ct delight1 a delight 9 8 me?od ( express+ 8 ?\ght2 he may ev5 p]mit 8 delight 9 8 symbol1 ! fl[1 rhy?m & r+ ( rhyme1 to sweep him onw>d 9 =getfulness ( 8 fir/ fancy--lit]ature is fill$ ) su* examples4 ,n[ & !n a writ] ( prose expresses himself s f9ely1 writes s well1 t we feel in/9ctively & imm$iately n only ! delight 9 ! ?\ght1 b also a c]ta9 am\nt ( delight 9 ! mann] ( express+ ! ?\ght1 9 ! /yle1 444 & to ! ext5t ( ! d\ble delight su* prose is art1 = art1 z we %all see1 is by no means conf9$ to ! five s-call$ f9e arts4 ,no h>d & fa/ l9e c be drawn betwe5 t :i* is art & t :i* is n art1 ! "o fades imp]ceptibly into ! o!r4 ,& f>!r on 9 ! same little volume3#da ,! curr5t notions ( art are su* & ! curr5t notions ( labor are su* t x may seem to mo/ ( y z ?\gh any attempt to discuss ! two toge!r c\ld result only 9 a wa/e ( words2 yet "t 0 :5 art & labor 7 s intimately unit$ 9 ! great doma9 ( human ef=t t ! "o almo/ inv>iably impli$ m or less ( ! o!r2 & ! "t w yet be :5 !re w be no labor )\t at lea/ "s art1 ev5 z !re is n[ & ev] has be5 no art )\t at lea/ "s labor4 ,art lies n 9 ! employm5t1 b 9 ! mann] ( ! employm5t ( ! p[]s ( nature = an end2 n 9 ! task1 b 9 ! attitude ( ! work] t[>ds 8 task4 99 99 99 99 99 ,:e!r a ,cubi/ pa9t+ is or is n art does n dep5d ^u ! op9ion ( ei!r critic or multitude2 if x did x w\ld be art to "o man & n to ano!r1 art to "o g5]ation & n to ano!r--an illogical conclusion4 ,illu/ration3 ,,klee ,h\se by ! ,brook ,illu/ration3 ,,van ,,rees ,/ill ,life ,mo/ ,cubi/ pictures are pla9ly ! "w ( m5 :o are pr(\ndly mov$ by an idea & :o are /riv+ to express t idea 9 a highly orig9al mann]4 ,x may be ! mann] !y h *os5 is s ab/ract1 s sci5tifically !oretical1 t x w 9 ! end--if pursu$--kill ! imag9ation1 /ifle all delight1 & s result 9 failure z art expression2 b s long z ! m5 take s9c]e delight 9 bo? :at !y are try+ to say & _! mann] ( utt]ance1 x is impossible to d5y ! "* ( art to _! works4 ,9 proportion to _! orig9ality & d>+1 !re may be m ( liv+ & vital art 9 :at !y are do+ ?an 9 ! art ( ! academic pa9t] :o foll[s 9 ! foot/eps ( o!rs )\t any p>ticul> ef=t4 ,9 o!r words1 x is q conceivable !re may be m ( vital & liv+ art 9 a movem5t doom$ to failure ?an 9 a movem5t t has a*iev$ success & become /agnant4 ,! vitality lies 9 ! elem5t ( e>ne/ /riv+ r ?an 9 ! direction ! /riv+ takes4 ,,vi ,,! ,,!ory ,,( ,,cubism ,! art t is at h& is a highly subjective art z di/+ui%$ f ! highly objective art ( ! ,impressioni/ & ,reali/1 b no man c say j :at =ms ?is new art w assume4 ,cubism is "o attempt1 ,futurism is ano!r1 ,compositional pa9t+ is ano!r2 !re w be _m m attempts be=e fre$om ( expression is atta9$4 ,cubism is int]e/+ because x acc5tuates ! value ( planes & %[s :at c be done ) elem5tal propositions 9 draw+4 ,b ! /ud5t or pa9t] :o turns to ,cubism because he ?9ks x is to become a fad & w pay1 runs ! risk ( mak+ a great mi/ake2 he w\ld bett] /ick to old] me?ods4 99 99 99 99 99 ,! ,orphi/s h be5 m5tion$2 !re 7 no ,orphi/ pictures 9 ! ,int]national ,exhibition4 ,! movem5t is bas$ on ! purely practical proposition t color 9 itself1 & color alone )\t draw+1 may be beautiful4 ,s !y j place l9es & masses ( color on a canvas & frame ! canvas4 ,x s\nds absurd1 yet ! !ory is ! v f\ndation ( wall decoration1 ( int]ior furni%+1 ( dressmak+--! m]e juxtaposition ( masses ( color1 ) or )\t patt]n4 ,! ,orphi/ 8picture0 may n be mu* ( a picture 9 ! accept$ s5se ( ! t]m1 b x may af=d pleasure z a color comb9ation & may be ( v real value to ! decorator1 ! furni%]1 ! dressmak]1 ! sc5e-pa9t]1 ! co/um]4 ,! !ory is n new4 ,s long z man has lov$ color he has us$ x irrespective ( patt]n4 ,"o "p ( ! !ory ( ! ,cubi/s is z old z t ( ! ,orphi/s4 ,x is simply t ! pa9t] c d ) l9e & color :at ! compos] does ) s\nd4 ,9 o!r words !y dem& ! same fre$om 9 ! use ( l9e & color t e great compos] has 9 ! use ( s\nd4 ,if1 = in/ance1 a great musician composes a pa/oral symphony does he imitate ! moo+ ( c[s1 ! bleat+ ( lambs1 ! rippl+ ( brooks8 ,su* attempts w\ld be recogniz$ z *eap 9 ! extreme4 8,v well10 ! ,cubi/ says1 8if ,i pa9t a pa/oral symphony :y %\ld ,i s mu* z sugge/ c[s1 %eep1 l&scape1 brook8 ,:y %\ld p insi/ ^u see+ 9 my pa9t+ :at !y _c he> 9 ,moz>t's or ,bee?ov5's music80 99 99 99 99 99 ,! comp>ison :i* ,picabia is fonde/ ( mak+ is t ) absolute music4 ,! rules ( musical composition1 he po9ts out1 are suffici5tly hamp]+ 9 !mselves to ! compos]'s mood1 or call x inspiration4 ,words1 z ( songs1 /ill fur!r conf9e 8 vision ( melody1 ev5 ?\gh !y give 9 ! beg9n+ ! impression t evokes ! mood4 ,songs )\t words1 ! expression ( ! impression made on him by a great poem )\t ! necessity ( foll[+ 9 musical =m ! lit]>y =m ( ! poet1 leave him f> fre]1 give 8 subjectivity f> wid] scope4 ,mod]n compos]s h rebell$ aga9/ ! old fett]s2 mod]n pa9t]s h begun to feel ! same ne$ ( a fre]1 an absolute me?od ( expression4 ,h5ce1 8po/-impressionism10 :i* refuses altoge!r to be b\nd by objectivity1 by lit]al reproduction ( ! object se51 9 connection ) ! mood1 ! aft]-impression1 receiv$ & fix$ on ! canvas4 ,a compos] may be inspir$ by a walk 9 ! c\ntry1 says ,m4 ,picabia1 & produce a production ( ! l&scape sc5e1 ( its details ( =m & color8 ,no2 he expresses x 9 s\nd waves1 he translates x into an expression ( ! impression1 ! mood4 ,& z !re are absolute s\nd waves1 s !re are absolute waves ( color & =m4 ,mod]n music has won its way2 ?is mod]n pa9t+1 too1 w f9d appreciation & und]/&+ 9 ! days to come4 99 99 99 99 99 ,! ,cubi/s h set !mselves a h>d task4 ,x is a good deal easi] to s+ an emotion ?an pa9t "o4 ,x is a good deal easi] to pa9t an object ?an s+ "o--!re9 lies ! tr\ble4 ,yet 9 ! beg9n+ bo? music & pa9t+ 7 imitative4 ,music imitat$ natural s\nds2 draw+ & pa9t+ imitat$ natural objects4 ,b soon m5 began to s+ = ! pleasure ( s++ & play on in/rum5ts = ! pleasure ( play+1 & ! imitation ( natural s\nds 0 left f> beh9d z primitive & elem5tal1 & music t5d$ to become m & m expressive ( emotions1 elem5tal emotions at fir/1 f9] & pur] emotions lat]1 until 9 ! we/]n _w ab/ract purity 0 rea*$ 9 ,bee?ov54 ,s9ce ,bee?ov5 !re has be5 a reaction to m imitative music1 z 9 ! op]as ( ,wagn]4 ,:ile music dep>t$ f>!r & f>!r f imitation ( natural s\nds1 draw+ & pa9t+ progress$ t[>d ! m p]fect repres5tation ( natural objects4 ,or r pa9t+ develop$ along two di/9ct l9es--"o ! m p]fect repres5tation ( objects = ! sake ( ! repres5tation2 ! o!r compositions ( l9e & color--n ,illu/ration3 ,,blo* ,summ] ,night ,illu/ration3 ,,blo* ,! ,duel imitative--= ! sake ( ! pleasure af=d$ by ! patt]n & ! color s*eme4 ,?is second developm5t p>allels t ( music--compositions ( l9e & color1 l compositions ( s\nd = ! pleasure !y give1 & n = ! associations !y ar\se4 ,/range z x may s\nd1 x is nev]!less true1 t f\r-fif?s ( ! pleasure we get 9 our daily lives out ( l9e & color is n f ! imitative developm5t1 ! picture side1 b f ! non-imitative1 ! ab/ract side4 ,our clo!s1 our homes1 our public build+s1 our cities1 our l&scapes are made beautiful by ! use ( l9e & color 9 patt]ns & masses--9 h>moni\s composition4 ,x is only "h & !re t we come 9 contact ) ei!r l9e or color us$ imitatively4 ,we all "k h[ di/ress+ly tiresome a wall-pap] becomes if x is made up ( imitative sc5es--t is1 a s]ies ( pictures1 & ! bett] ! pictures ! soon] we tire ( ! pap]4 ,:ile a pap] t conta9s no imitative spots1 or 9 :i* ! imitative features are s subdu$ & conv5tionaliz$ we feel !m r ?an see !m1 may be re/ful & pleas+2 & a wall t is a monotone if bord]$ by wa9scot+ & frieze 9 monotones1 may we> ! be/ ( all4 99 99 99 99 99 ,b :ile ! great1 ! practical use ( l9e & color foll[$ p>allel l9es ) s\nd & got f>!r & f>!r away f imitative features1 ! art ( pa9t+1 z x is commonly call$1 develop$ 9 j ! opposite direction1 x became m & m imitative1 until ( late ye>s x w\ld seem t ! la/ ^w has be5 said 9 ! reproduction ( natural objects & natural light & color effects4 ,( c\rse ! la/ ^w has n be5 said1 & nev] w be said s long z individuals are born1 b s mu* has be5 said t x is n surpris+ !re is a reaction1 nor is x surpris+ t "o phase ( ?is reaction %\ld be an attempt to use l9e & color z ! decorator & ! dressmak] & a ?\s& o!rs use !m1 to express & k9dle pleasurable emotions4 ,9 %ort x is n surpris+ t ! pa9t] ( pictures %\ld awak5 to ! realization ( ! fact t o!rs use & h us$1 f ! beg9n+1 l9e & color to make delightful compositions t h no relation to natural objects1 z ! musician uses s\nd to make delightful compositions t h no relation to natural noises4 99 99 99 99 99 ,z a rule wom5 h a f9] in/9ct = ! use & arrangem5t ( color ?an pa9t]s4 ,few wives ( pa9t]s w\ld tru/ _! husb&s to decorate _! d9n] tables4 ,look at ! gruesome & ugly 8/ill lifes0 done by pa9t]s ( r5[n4 ,i saw "o ! o!r day ( "s fi% on a platt] by an ,am]ican pa9t] fam\s = su* ?+s4 ,if 8 wife _h f\nd t platt] ( dead & clammy fi% 9 h] draw+ room %e w\ld h exclaim$1 8,= goodness sake1 h[ did t get 9 "h8 ,take x back to ! kit*540 99 99 99 99 99 ,look at ! naive & absurd compositions ( fl[]s & fruit t pa9t]s put toge!r to pa9t2 no woman ( ta/e w\ld p]mit !m on h] tea table4 ,i "k a *>m+ woman ^: d9n] tables are a dream ( beauty1 v]itable compositions 9 :i* fl[]s & fruits & lights & e detail are f> m ?\ghtfully consid]$ ?an are ! details 9 mo/ pictures4 ,9 %ort1 )\t kn[+ x %e creates a "w ( art ea* "t %e ent]ta9s4 ,imag9e :at h] table w\ld be if left to an arti/ or a committee ( arti/s--or h] husb&6 ,mo/ pa9t]s' /udios are ei!r devoid ( all color arrangem5t or positively ugly4 ,s f> z color goes _m a portrait owes its success m to ! modi/e ?an ! arti/4 99 99 99 99 99 ,f ! pa9t+ ( color h>monies & l9e h>monies x is b a /ep to insi/ t l9e & color composition may be us$ l s\nd compositions to express "o's moods & emotions4 ,t is :at ^! mod]n m5 are try+ to d4 ,y may n ?9k x is possible = !m to succe$ b :y %\ld y ridicule ! attempt8 ,! attempt is an ambiti\s "o1 x is an attempt to ext5d ! sph]e ( pa9t+1 & x may lead to new & beautiful ?+s4 ,%\ld we n wat* x ) int]e/ & sympa?y ev5 if y ?9k x =$oom$ to failure8 99 99 99 99 99 ,wat* a pa9t] prep>+ to pa9t a picture ( /ill life4 ,he takes a vase ( fl[]s & places x on a table2 beside x he poses1 p]haps a brass b[l & "s o!r objects1 hav+ reg>d ?r\gh\t = light &1 above all1 = proportion & color4 ,t is :5 he is really pa9t+ 8 picture1 :5 he is really compos+1 receiv+ 8 impression1 creat+ 8 subjective mood4 ,! objective "p ( 8 "w is done2 all t rema9s n[ is to give expression to t impression1 t mood4 ,in/ead ( ?us all[+ 8 inspiration to ga9 its full value & significance1 he sits d[n & reproduces x ) a v>y+ degree ( lit]alness4 ,he becomes no?+ m or less ?an a copyi/1 a photograph] ( 8 own "w4 ,he kills )9 himself its subjective values1 or1 at be/1 seeks to give !m expression filt]$ by objectivity4 ,or1 aga91 consid] ! case ( ! portrait pa9t]4 ,he /udies sitt]s f e po9t ( view1 ga!r+ impressions4 ,!n he beg9s to exp]im5t ) poses1 drap]ies1 light effects1 seek+ to height5 ! impression already receiv$ f ! sitt] himself4 ,at la/ he is cont5t ) pose1 drap]ies1 backgr\nd1 lights--8 picture is !re4 ,b :y1 !n1 g to ! tr\ble ( pa9t+ x1 ( copy+ x8 ,if ! "w he has done1 f9i%$ 9 all its details1 is to b5efit him1 he mu/ proce$ f x & beyond x4 ,8 real "w !n is to communicate to o!rs ! mood awak5$ 9 him4#db 99 99 99 99 99 ,9 ano!r int]view ,picabia said3 ,y ( ,new ,york %\ld be quick to und]/& me & my fell[ pa9t]s4 ,y\r ,new ,york is ! cubi/1 ! futuri/ city4 ,x expresses 9 its ar*itecture1 its life1 its _s1 ! mod]n ?\ght4 ,y h pass$ ?r\gh all ! old s*ools1 & are futuri/s 9 ^w & de$ & ?\ght4 ,y h be5 affect$ by all ^! s*ools j z we h be5 affect$ by our old] s*ools4 ,because ( y\r extreme mod]nity !re=e1 y %\ld quickly und]/& ! /udies :i* ,i h made s9ce my arrival 9 ,new ,york4 ,!y express ! _s ( ,new ,york z ,i feel x1 & ! cr[d$ /reets ( y\r city z ,i feel !m1 _! surg+1 _! unre/1 _! comm]cialism1 & _! atmosph]ic *>m4 ,y see no =m8 ,no sub/ance8 ,is x t ,i g out into y\r city & see no?+8 ,i see mu*1 mu* m1 p]haps1 ?an y :o are us$ to x see4 ,i see y\r /up5d\s skyscrap]s1 y\r mammo? build+s & m>vell\s subways1 a ?\s& evid5ces ( y\r great weal? on all sides4 ,! t5s ( ?\s&s ( work]s & toil]s1 y\r al]t & %rewd-look+ %op girls1 all hurry+ some:]e4 ,i see y\r !at] cr[ds at night gleam+1 flutt]+1 smil+ly happy1 sm>tly g[n$4 ,!re y h ! _s ( mod]nity aga94 ,b ,i d n pa9t ^! ?+s :i* my eye sees4 ,i pa9t t :i* my bra91 my s\l1 sees4 ,i walk f ! ,batt]y to ,c5tral ,p>k4 ,i m+le ) y\r work]s1 & y\r ,fif? ,av5ue monda9es4 ,my bra9 gets ! impression ( ea* movem5t2 !re is ! driv+ hurry ( ! =m]1 _! brea?less ha/e to rea* ! place ( _! "w 9 ! morn+ & _! equal ha/e to rea* _! homes at night4 ,!re is ! languid grace ( ! latt]1 emanat+ a subtle p]fume1 a m subtle s5su\sness4 ,i he> e language 9 ! _w spok51 ! /accato ( ! ,new ,york]1 ! s(t cad5ces ( ! ,lat9 p1 ! heavy rumble ( ! ,teuton1 & ! ensemble rema9s 9 my s\l z ! ensemble ( "s great op]a4 ,at night f y\r h>bor ,i look at y\r mammo? build+s4 ,i see y\r city z a city ( a]ial lights & %ad[s2 ! /reets are y\r %ad[s4 ,y\r h>bor 9 ! daylight %[s ! %ipp+ ,illu/ration3 ,,h]b9 ,l&scape ( a _w1 ! flags ( all c\ntries add _! color to t giv5 by y\r sky1 y\r wat]s1 & y\r pa9t$ craft ( e size4 ,i absorb ^! impressions4 ,i am 9 no hurry to put !m on canvas4 ,i let !m rema9 9 my bra91 & !n :5 ! _s ( creation is at flood-tide1 ,i improvise my pictures z a musician improvises music4 ,! h>monies ( my /udies gr[ & take =m "u my bru%1 z ! musician's h>monies gr[ "u 8 f+]s4 ,8 music is f 8 bra9 & 8 s\l j z my /udies are f my bra9 & s\l4 ,is ?is n cle> to y8 99 99 99 99 99 ,y say all ?is _c be done4 ,t is precisely ! "q1 & "o ?+ c]ta91 x _c & w n be done1 unless "s "o tries to d x4 ,x is j z legitimate to attempt to express "o's emotions by ! use ( l9e & color z by ! use ( s\nd z 9 music1 or by ! use ( motion z 9 pantomime4 ,"o man says1 8,i w pa9t ! portrait ( a beautiful woman40 ,a second says1 8,i w n pa9t h] portrait1 b ,i w put on canvas a composition ( colors s joy\s x w express my admiration = h]40 ,a ?ird says1 8,i w compose a sonata or a symphony or a #8song )\t words' to express my love = h]40 ,! public accepts )\t "q ! "w ( ! fir/ & ?ird--! portrait pa9t] & ! musician--b rejects ! "w ( ! second--! pa9t] ( h>monies4 ,:y8 ,because he does n copy ! features & ! dress ( ! woman4 ,picabia aga9 says3 ,art1 art1 :at is art8 ,is x copy+ fai?fully a p]son's face8 ,a l&scape8 ,no1 t is ma*9]y4 ,pa9t+ ,nature z %e is1 is n art1 x is me*anical g5ius4 ,! old ma/]s turn$ out by h& ! mo/ p]fect models1 ! mo/ fai?ful copies ( :at !y saw4 ,t all _! pa9t+s are n alike is due to ! fact t no two m5 see ! same ?+s ! same way4 ,^? old ma/]s 71 & _! mod]n foll[]s are1 fai?ful depict]s ( ! actual1 b ,i d n call t art today1 because we h outgr[n x4 ,x is old1 & only ! new %\ld live4 ,creat+ a picture )\t models is art4 ,!y 7 successful1 ^? old ma/]s2 !y fill$ a place 9 our life t _c be fill$ o!rwise1 b we h outgr[n !m4 ,x is a mo/ excell5t ?+ to keep _! pa9t+s 9 ! art museums z curiosities = u & = ^? :o w come aft] u4 ,_! pa9t+s are to u :at ! alphabet is to ! *ild4 ,we mod]ns1 if s y ?9k ( u1 express ! _s ( ! mod]n "t1 ! tw5tie? c5tury4 ,& we express x on canvas ! way ! great compos]s express x 9 _! music4 ,!re is pl5ty ( cle> expression & f9e en?usiasm 9 ^? ?ree p>agraphs4 99 99 99 99 99 ,!re is1 h[ev]1 ano!r side to ,cubism & "o n s easy to und]/&4 ,pa9t+ color h>monies = ! sake ( _! emotional effect is easy ( compreh5sion4 ,b :5 ! ,cubi/ sets out to convey ! impression1 n ( ! surfaces1 b ( ! v sub/ance ( ?+s1 he is attempt+ some?+ v diff]5t f :at has h]et(ore be5 consid]$ )9 ! sph]e ( pa9t+4 ,possibly he is attempt+ some?+ pa9t+ _c d4 ,! !ory is s ab/ract & s sci5tific x comes ne> p>alyz+ ! art4 ,x is too coldly logical & unemotional to produce great art1 = great art is & mu/ be fundam5tally emotional4 ,( ,picasso1 ! f\nd] & lead+ expon5t ( ,cubism1 a sympa!tic writ] says3 ,8 :ole t5d5cy is a negation ( ! ma9 t5ets ( ! gospel ( ,czanne ^: conception ( =m he rejects1 toge!r ) ,monet's conception ( light & color4 ,to him bo? are non-exi/5t4 ,in/ead he endeavors 8to produce ) 8 "w an impression1 n ) ! subject1 b ! mann] 9 :i* he expresses x10 to quote 8 confrre1 ,m>ius ,de ,zayas1 :o /udi$ ! raison d'tre ( ?is "w1 toge!r ) ,picasso4 ,describ+ 8 process ( ae/hetic d$uction fur!r1 ,m4 ,de ,zayas tells u t 8he 7,picasso7 receives a direct impression f ext]nal nature2 he analyzes1 develops1 & translates x1 & aft]w>ds executes x 9 8 own p>ticul> /yle1 ) ! int5tion t ! picture %\ld be ! pictorial equival5t ( ! emotion produc$ by nature4 ,9 pres5t+ 8 "w he wants ! spectator to look = ! emotion or idea g5]at$ f ! spectacle & n ! spectacle itself4 8,f ?is to ! psy*ology ( =m !re is b "o /ep1 & ! arti/ has giv5 x resolutely & delib]ately4 ,in/ead ( ! physical manife/ation he seeks 9 =m ! psy*ic "o1 & on acc\nt ( 8 peculi> temp]am5t1 8 psy*ical manife/ation inspires him ) geometrical s5sations4 ,:5 he pa9ts he does n limit himself to tak+ f an object only ^? planes :i* ! eye p]ceives1 b deals ) all ^? :i*1 accord+ to him1 con/itute ! individuality ( =m2 & ) 8 peculi> fantasy he develops & trans=ms !m4 8,& ?is sugge/s to him new impressions1 :i* he manife/s ) new =ms1 because f ! idea ( ! repres5tation ( a be+1 a new be+ is born1 p]haps diff]5t f ! fir/ "o1 & ?is becomes ! repres5t$ be+4 ,ea* "o ( 8 pa9t+s is ! coeffici5t ( ! impressions t =m has p]=m$ 9 8 _s1 & 9 ^! pa9t+s ! public mu/ see ! realization ( an arti/ic ideal1 & mu/ judge !m by ! ab/ract s5sation !y produce1 )\t try+ to look = ! factors t ent]$ into ! composition ( ! f9al result4 8,z x is n 8 purpose to p]petuate on canvas an aspect ( ! ext]nal _w1 by :i* to produce an arti/ic impression1 b to repres5t ) ! bru% ! impression he has directly receiv$ f nature1 syn!siz$ by 8 fantasy1 he does n put on ! canvas ! remembrance ( a pa/ s5sation1 b describes a pres5t s5sation4444 ,9 8 pa9t+s p]spective does n exi/2 9 !m !re are no?+ b h>monies sugge/$ by =m1 & regi/]s :i* succe$ !mselves1 to compose a g5]al h>mony :i* fills ! rectangle t con/itutes ! picture4 8,foll[+ ! same philosophical sy/em 9 deal+ ) light1 z ! "o he foll[s 9 reg>d to =m1 to him color does n exi/1 b only ! effects ( light4 ,?is produces 9 matt] c]ta9 vibrations1 :i* produce 9 ! individual c]ta9 impressions4 ,f ?is x results t ,picasso's pa9t+s pres5t to u ! evolution by :i* light & =m h op]at$ 9 develop+ !mselves 9 8 bra9 to produce ! idea1 & 8 composition is no?+ b ! syn!tic expression ( 8 emotion40 ,?us x w be se5 t he tries to repres5t 9 ess5ce :at seems to exi/ only 9 sub/ance4 ,&1 inasmu* z 8 psy*ical impressions inspire 9 him geometrical s5sations1 c]ta9 ( ^! exhibits are 9 ! nature ( geometrical ab/ractions t h little or no?+ 9 common ) any?+ hi!rto produc$ 9 art4 ,its :ole t5d5cy w\ld appe> to be away f art into ! realm ( metaphysics4 ,"h is a design1 a patt]n ( triangles1 ellipses & semi-circles t at fir/ glance appe>s to be little m ?an ! incoh]5t passage ( a compass across ! pap] 9 ! h&s ( "s abs5t-m9d$ eng9e]4 ,aft] a little att5tive /udy1 h[ev]1 ^! enigmatic l9es resolve !mselves into ! semblance ( a human figure & "o beg9s to discov] a cle>ly def9$ int5tion beh9d ?is app>5t *aos ( ideat$ s5sations4 ,!re is evid5t a me?od 9 8 madness :i*1 aft] all1 may only be tru? turn$ inside out4 ,& ?is is :at %\ld make "o pause & inve/igate ! matt] fur!r4 ,! fact t "o may get no?+ out ( x z yet 9 ! way ( tangible or ev5 vaguely exp]i5c$ emotions is beside ! po9t4 ,! int]e/ 9 ?is :ole matt] re/s on ! fact t "h is reveal$ a new =m ( ae/hetic expression z yet only t5tative & grop+ p]haps1 b rea*+ out 9 new directions4 ,& x mu/ n be =gott5 t ! pione] is usually misund]/ood2 he is s f> 9 advance ( curr5t ideas z to be out ( t\* ) 8 fell[ m5 :o might appropriately be call$ foll[-m51 !y lag s f> beh9d ! progress ( new ideas4 ,czanne & ,picasso--!y m>k ! p>t+ ( ! ways3 a fulfilm5t & a promise4 ,quo ,vadis8#dc ,n _m ye>s ago ,picasso 0 pa9t+ "u ! influ5ce ( ! po9tilli/s4 ,almo/ e ye> he *ang$ 8 /yle1 until he develop$ ! pure1 ! geometrical ,cubism ( ! draw+ %[n h]e94 ,he _h a p]iod ( pa9t+ v un9t]e/+ blue portraits1 "o ( :i* 0 %[n at ! exhibition4 ,8 8,woman ) ! ,mu/>d ,pot0 belongs ) 8 sculpture1 :i* is int]e/+ b1 to mo/ p1 ugly4 ,he has su* ph5om5al p[]s ( absorption & 8 te*nical facility is su* t he does any?+ he pleases ,illu/ration3 ,,picasso ,draw+ ) ease1 & :at he does today is no sure indication ( :at he w attempt tomorr[4 ,= ! mom5t he seems absorb$ 9 ! music ( planes1 s to speak4 ,take1 = in/ance1 a /ill life :]e9 !re seem to be a pipe1 a wall1 a musical in/rum5t1 a glass1 some?+ l a /airway1 /reet signs1 etc4 ,^! may or may n h be5 ! objects ! pa9t] _h be=e him1 b :e!r !y are or n x is q cle> t he 0 n cont5t ) deal+ ) sup]ficial planes1 t is1 ) ! visible l9es & surfaces ( ! objects1 b he lets ! planes project & int]sect v mu* z if ! objects 7 semi-transp>5t4 ,to /ate ! matt] 9 o!r words--by us+ only ! ess5tial l9es ( an object & treat+ ! object z o!rwise m or less transp>5t1 "o readily und]/&s :y ! ess5tial l9es ( all objects 9 ! re> %[ ?r\gh1 & ! result is a confus$ mass ( planes ) "h & !re m conspicu\s surface indications su* z ! pipe1 ! signs1 ! glass1 etc4 ,9 mu* ( ,picasso's lat] "w he suppresses all su* surface indications1 until only a few absolutely elem5tal l9es rema94 ,! result is a picture s sci5tific1 s ab/ract1 x appeals to b few & excites no emotion 9 anyone because x 0 n ! result ( emotion 9 ! arti/4 ,9 %ort1 ,picasso & a few foll[]s h rea*$ a degree ( ab/raction 9 ! suppression ( ! real & ! p>ticul> t _! pictures repres5t ab\t ! same degree ( emotion z ! demon/ration ( a difficult geometrical proposition4 ,beyond ! few l9es !y use !re is ! b>e canvas2 !y h rea*$ ! limit & !y mu/ turn 9 _! tracks4 ,! reaction is b\nd to come1 & come quickly4 ,mean:ile ! ,cubi/s1 :o h be5 pa9t+ along emotional1 z di/+ui%$ f ! coldly sci5tific l9es1 are /ill turn+ out pictures t possess a *>m 9 l9e & color irrespective ( _! !oretical significance & mu* may /ill be done 9 ?is direction4 99 99 99 99 99 ,! ,cubi/s are fond ( quot+ ! foll[+ f ,plato3 ,socrates3 ,:at ,i am say+ is n1 inde$1 directly obvi\s4 ,i mu/ !re=e try to make x cle>4 ,= ,i w endeavor to speak ( ! beauty ( figures1 n z ! majority ( p]sons und]/& !m su* z ^? ( animals1 & "s pa9t+s to ! life2 b z reason says1 ,i allude to some?+ /raight & r\nd1 & ! figures =m$ f !m by ! turn]'s la!1 bo? sup]ficial & solid & ^? by ! plumb-l9e & ! angle-rule1 if y und]/& me4 ,= ^!1 ,i say1 are n beautiful = a p>ticul> purpose1 z o!r ?+s are2 b are by nature ev] beautiful by !mselves1 & possess c]ta9 peculi> pleasures1 n at all simil> to ^? f scrat*+2 & colors possess+ ?is "* are beautiful & h simil> pleasures4--,f 8,philebus40 99 99 99 99 99 ,e really great pa9t] mu/ h mom5ts :51 z he ?9ks ( ! days & ye>s sp5t pa9t+ ?+s--j ?+s = p to look at & see--he asks himself1 8,is x wor? :ile to sp5d all "o's life pa9t+ ?+s "o sees8 ,is x n possible to pa9t ! ?+s "o feels80 99 99 99 99 99 ,s>g5t is tir$ ( portrait pa9t+--:y8 ,because he longs to d some?+ else4 ,b :at he is do+ is simply ano!r =m ( portrait pa9t+--& n s big4 ,he has simply turn$ f m5 & wom5 to *airs & tables--s to speak2 t is1 f portraits ( p to pictures ( ?+s--all ! same art4 ,s f> z any "o kn[s he has n tri$ to make compositions ( l9e & color t w\ld be beautiful 9 !mselves4 ,9 %ort1 great pa9t] z he is1 he seems to lack ! ambition or ! inspiration to try to d :at ,:i/l] = m ?an =ty ye>s 0 try+ to d--lift pa9t+ f ! rut ( reality to a plane m ne>ly on a level ) t occupi$ by ! greate/ ma/]s ( ,*9a & ,japan4 99 99 99 99 99 ,! foll[+ p>agraphs f a little book on ,cubism by two well kn[n ,cubi/ pa9t]s ?r[ "s light on ! subject3 ,we %\ld be ! fir/ to blame ^? :o1 to hide _! incapacity1 %\ld attempt to fabricate puzzles4 ,sy/ematic obscurity betrays itself by its p]si/5ce4 ,in/ead ( a veil :i* ! m9d gradually draws aside z x adv5tures t[>d progressive weal?1 x is m]ely a curta9 hid+ a void4 ,x is n surpris+ t p ignorant ( pa9t+ %\ld n spontane\sly %>e our assurance2 b no?+ is m absurd ?an t !y %\ld be irritat$ !reby4 ,mu/ ! pa9t]1 to please !m1 turn back 9 8 "w1 re/ore ?+s to ! commonplace appe>ance f :i* x is 8 mission to deliv] !m8 ,f ! fact t ! object is truly transub/antiat$1 s t ! mo/ accu/om$ eye has "s difficulty 9 discov]+ x1 a great *>m results4 ,! picture :i* only surr5d]s itself sl[ly seems always to wait until we int]rogate x1 z ?\gh x res]v$ an inf9ity ( replies to an inf9ity ( que/ions4#dd ,by way ( comm5t on ?is p>agraph3 ,:y %\ld we d5y to pa9t+ "o ( ! greate/ *>ms ( poetry--elusiv5ess8 ,great poetry is r>ely sup]ficially pla9 to ! casual read]4 ,great music is nev] sup]ficially pla9 to ! casual he>]4 ,b ! attitude ( ! public is t great pa9t+ %all always be sup]ficially pla9 to ! casual obs]v]4 ,a pa9t] may pa9t ?+s e "o und]/&s at a glance1 b is x n 8 "r1 if he wi%es1 to pa9t ?+s no "o und]/&s b himself8 ,9 o!r words1 :at "r h we to say to ! poet1 8,if y don't write ?+s we und]/& y are no poet10 or to ! pa9t]1 8,if y don't pa9t ?+s we und]/& y are no pa9t]80 ,! only diff]5ce betwe5 poet & pa9t] is t "o uses a p51 ! o!r a bru% to express himself4 99 99 99 99 99 ,)\t employ+ any allegorical or symbolical lit]>y artifice1 m]ely by inflections ( l9es & colors1 a pa9t] c %[1 9 ! same picture1 a ,*9ese city1 a ,fr5* t[n1 toge!r ) m\nta9s1 oceans1 fauna1 & flora1 & nations ) _! hi/ories & _! desires--all t sep>ates !m 9 ext]nal reality4 ,di/ance or "t1 concrete fact1 or pure conception1 no?+ refuses to be utt]$ 9 ! language ( ! pa9t]1 z 9 t ( ! poet1 ! musician1 or ! sci5ti/4 ,"h is a mo/ significant /atem5t ( a tru? & an ass]tion ( fre$om4 ,we all "k h[ ! poet 9 a doz5 l9es may give u glimpses ( ! univ]se2 he may leap f fl[] to />1 f city to city1 nation to nation1 age to age2 no?+ conf9es him1 he kn[s no re/ra9t4 ,9 "o %ort poem he may give u glimpses ( ! f\r qu>t]s ( ! globe--( ,a!ns1 ,london1 ,*icago1 ,pek94 ,8 imag9ation kn[s no b\nds1 8 art is unlimit$4 ,= ! fir/ "t 9 ! hi/ory ( pa9t+ pa9t]s are sy/ematically claim+ ! same indep5d5ce1 ! same "r to express !mselves freely 9 ea* canvas1 to pa9t 9 ! "o picture if !y see fit glimpses ( diff]5t c\ntries1 cities1 sc5es1 diff]5t times z well z places2 to use !m & sugge/ !m z freely z ! poet does to express a mood--& :y n8 ,b ! pa9t] mu/ be sure ( 8 mood1 & be d\bly sure t :at he is try+ to say requires a weal? ( illu/ration1 o!rwise 8 pa9t+ w be b a fanta/ic jumble1 ,illu/ration3 ,,m>c ,! ,/e] ,illu/ration3 ,,k&9sky ,l&scape ,) ,two ,popl>s j z _m poems lose !mselves 9 n a weal? b a confus$ mass ( irrelevant illu/rations4 99 99 99 99 99 ,! ass]tion ( fre$om is "o ?+1 ! ex]cise ( x is q ano!r4 ,! po9t is t1 fundam5tally1 !re is no reason :y a pa9t] %\ld n %[ 9 "o canvas ?+s & ev5ts unrelat$ 9 ei!r space or "t1 leav+ ! obs]v] to "w out ! m or less hidd5 mean+ ( x all4 ,!re is no reason :y he %\ld be ti$ d[n to ! reali/ic pa9t+ ( an apple or an apple tree if he pref]s to pa9t "s flight ( ! imag9ation into :i* apple & apple tree ent] toge!r ) /range glimpses ( temples & pyramids1 play+ *ildr5 & arm$ battalions1 weep+ wom5 & fight+ m54 ,read ! =ego+ l9es once m4 ,eight objects are m5tion$--apple1 apple tree1 temples1 pyramids1 *ildr51 battalions1 weep+ wom51 fight+ m5--by no possibility c\ld ^! /rangely div]se objects be f\nd gr\p$ toge!r 9 actual life1 yet x is safe to say t z y read !m no feel+ ( utt] incongruity 0 exp]i5c$4 ,on ! contr>y y\r imag9ation unconsci\sly creat$ a picture1 vague & indi/9ct because fleet+1 :i* comb9$ !m all1 possibly a /range1 poetic sc5e ) or*>ds & play+ *ildr51 temples & pyramids 9 ! di/ance1 ) arm$ battalions1 weep+ wom5 & fight+ m5 pass+ by 9 cl\ds or fanciful %apes4 ,?\s&s ( su* pictures are pa9t$ e ye> & !y are mo/ly r poor works ( ! imag9ation4 ,!re is1 h[ev]1 no reason :y ! same fre$om1 ! same arbitr>y indiff]5ce to actualities1 %\ld n be ex]cis$ 9 ! pa9t+ ( good pictures4 ,no reason :y1 = in/ance1 pa9t]s %\ld n exp]im5t freely ) all ! s-call$ laws ( art1 & t is :at ! ,cubi/s & o!rs ( ! mod]ns are do+4 99 99 99 99 99 ,t ! ultimate aim ( pa9t+ is to t\* ! cr[d we h admitt$2 b pa9t+ mu/ n address ! cr[d 9 ! language ( ! cr[d2 x mu/ employ its own language1 9 ord] to move1 dom9ate1 & direct ! cr[d1 n 9 ord] to be und]/ood4 ,x is s ) religions & philosophies4 ,! arti/ :o conc$es no?+1 :o does n expla9 himself & relates no?+1 accumulates an int]nal /r5g? ^: radiance %9es on e h&4 ,x is 9 consummat+ ourselves )9 ourselves t we %all purify humanity2 x is by increas+ our own ri*es t we %all enri* o!rs2 x is by k9dl+ ! he>t ( ! /> = our own pleasure t we %all exalt ! univ]se4 99 99 99 99 99 ,to expla9 ,cubism1 or any attempt 9 art to suppress ! objective1 "o mu/ fall back on music4 ,grieg calls a c]ta9 composition 8,9 ! ,hall ( ! ,m\nta9 ,k+40 ,n = a mom5t did he attempt reali/ically to sugge/ a hall1 a m\nta91 a k+ or any object2 to h done s w\ld h be5 folly4 ,& if t p>ticul> composition 7 play$ = ! fir/ "t be=e a body ( ke5 musicians1 no title m5tion$1 & n a ^w said ab\t its be+ a "p ( ! ,pe] ,gynt suite1 no two w\ld agree z to :at ! compos] _h 9 m9d1 ?\gh _m might h v int]e/+ impressions reg>d+ ! mood ( ! compos] 9 writ+ x4 ,b once und]/& x is "p ( ! ,pe] ,gynt suite & once told x is 8,9 ! ,hall ( ! ,m\nta9 ,k+10 ! weird & fasc9at+ music expla9s itself1 x is recogniz$ z a wond]fully successful attempt to realize an impressive sc5e by a comb9ation ( s\nds4 99 99 99 99 99 ,! v]ie/ tyro 9 music feels ! *eapness ( imitative music1 ! imitation ( ! night+ale1 ! ripple ( notes to imitate a rippl+ brook1 ! beat+ ( a drum to imitate ?und]1 ! tremolo ( viol9s to repres5t fright1 etc41 etc4 ,f su* bald attempts at realism to ! ab/ract beauty ( a symphony by ,bee?ov5 is a va/ int]val4 ,! sev]ely logical compos] w n "n 8 symphony = fe> ( sugge/+ ideas t w int]f]e ) ! pure enjoym5t ( 8 ab/ract conception4 ,!re h be5 pa9t]s--l ,:i/l]--:o pref]r$ to call _! works 8,h>monies0 or 8,arrangem5ts0 or 8,/udies0 r ?an subject _! canvases to a clamor+ horde ( sugge/ions by *oos+ names t mu/ inevitably div]t ! obs]v]4 ,h[ev] at times a "n helps1 x at lea/ puts u on ! "r track1 x enables u to measure ! piece ( music or ! picture by ! arti/'s int5tion4 ,if x is utt]ly impossible = ! be/ & mo/ sympa!tic m9ds aft] long /udy to f9d any sugge/ion ( ! title 9 ! "w1 x means ei!r ! arti/ has be5 unsuccessful 9 convey+ 8 idea 9 s\nd or 9 l9e & color1 or--:at (t5 happ5s--he has c>elessly & arbitr>ily *os5 a title aft] 8 "w 0 f9i%$1 a title t imp]fectly fits 8 orig9al impulse4 99 99 99 99 99 ,x is mo/ disappo9t+ to he> a man g into raptures ov] :at he _c expla94 ,! greate/ enemies ( ! mod]ns are _! fri5ds4 ,b !re h be5 publi%$ a numb] ( books 9 ,g]man & ,fr5* t are well wor? read+ if approa*$ ) an op5 m9d4 ,if read ) preconceiv$ notions & prejudices ! result w be v irritat+4 ,sev]al arti/s1 notably ,k&9sky1 h tak5 ! utmo/ pa9s to expla9 9 pr9t :at !y believe & :at !y are try+ to d4 ,b x is (t5 q z difficult to und]/& "s ( ! ?+s ! pa9t]s write ab\t _! "w z x is to und]/& _! pictures2 b ?is is because "s ( ! new m5 c>ry _! !ories s f> x is h>d = ! layman to foll[1 h[ev] e>ne/ & sympa!tic 8 ef=ts4 ,b because we d n und]/& :at a man says is no good reason = call+ him an ignoramus4 ,! tr\ble may be ) him1 x is probably ) u4 ,at all ev5ts ea* re-read+1 l ea* re-scrut9y ( ! pictures1 yields cle>] results4 ,to a man really & pr(\ndly int]e/$ 9 art no?+ has occurr$ 9 _m a g5]ation s full ( significance1 s wor?y "o's e>ne/ att5tion1 z ! pres5t new movem5ts--all ! m int]e/+ because *ang+ s rapidly & because "s ( !m are c]ta9 to be s fleet+4 ,! art in/itute :i* does n secure & pres]ve "s examples illu/rative ( ! extraord9>y upheaval 9 ! art _w is d]elict--z d]elict z a natural hi/ory museum w\ld be if x pass$ ov] indiff]5tly ! evid5ce ( "s my/]i\s upheaval 9 nature4 99 99 99 99 99 ,:5 a man /&s be=e a cubi/ pa9t+ or an improvisation by ,k&9sky & says he sees all sorts ( ?+s 9 x1 d n take him too s]i\sly2 he is l memb]s ( ^? extraord9>y ,br[n+ ,clubs :o de/roy our enjoym5t ( ! poetry by read+ into ea* l9e ?+s ! poet nev] dream$4 99 99 99 99 99 ,! ,cubi/s & mo/ ( ! mod]ns are v "y m51 :at !y ?9k is ( f> less int]e/ ?an :at !y d4 ,:at a "y man does is (t5 ( vital importance1 :at he ?9ks may be ( no importance at all--save to himself4 ,mov$ by ! mo/ naive !ories & en?usiasms y\? ,illu/ration3 ,,*abaud ,cemet]y ,gates w d wond]ful ?+s1 ?+s ! sob] reflection ( age w\ld fe> to d4 ,"o ( ! *>ms ( ! ,cubi/s is _! *ild-l fai? 9 ! absolute supremacy ( _! art2 ?is fai? is int]e/+ 9 !m because x leads !m to produce works t cause u to /op & look & ?9k1 b :5 _! foll[]s indulge ! same bl9d fai? 9 pr9t _! utt]ances are mo/ly incoh]5t & boresome4 99 99 99 99 99 ,! viol5t p>tisan :o sees all sorts ( ?+s 9 ! mod]n pa9t+ is at "o extreme1 ! viol5t oppon5t :o sees no?+ at all is at ! o!r--let !m fight x out4 ,! tru? lies midway1 t !re is some?+ wor? f9d+ 9 ev5 ! mo/ extravagant attempts ( ! new movem5t no ?\ghtful man w d5y4 ,! v fact ! pa9t+s attract su* cr[ds & excite s mu* controv]sy proves !re is some?+ = s]i\s inve/igation2 ! some?+ may n turn out to be ( ov]:elm+ importance1 b x w h its influ5ce ^u ! future ( art4 ,no "o = a mom5t d\bts t ! exhibitions held 9 ,new ,york1 ,*icago1 & ,bo/on are de/9$ to h a v great effect ^u ,am]ican art1 especially ^u ! art ( ! m5 mo/ bitt]ly oppos$ to ,cubism1 & ev]y?+ ak9 to ,cubism4 ,! academic has receiv$ a sev]e b heal?ful jolt4 ,:atev] affects u has1 at lea/1 ! m]it ( affect+ u1 & :atev] moves u to d bett] "w1 :e!r 9 an old way or a new way1 has ! m]it ( affect+ u = good4 ,,vii ,,! ,,new ,,art ,,9 ,,muni* 8,,we cl+ m closely to ! old ma/]s2 :at we are do+ is simply ! natural developm5t ( _! pr9ciples & _! me?ods10 said a well-kn[n pa9t] ( ,muni* :ile speak+ ( ! ,cubi/s & o!r mod]ns ( ,p>is1 & ! words _h direct ref]5ce to ! head ( a woman1 by ,jawl5ski1 reproduc$ h]e9 9 color4 ,x w\ld be difficult to conv9ce ! casual obs]v] t ?is head has any relation%ip to portraits by ,titian1 & yet-- 99 99 99 99 99 ,! ,cubi/s are also equally quick to demon/rate ! logical connection betwe5 _! works & ^? ( ! old ma/]s1 trac+ ! connection ?r\gh ,c\rbet1 ,el ,greco1 & s on4 ,! tru?1 ( c\rse1 is t ev]y?+ mod]n is a developm5t ( some?+ anci5t1 t no?+ exi/s unrelat$4 ,art is z cont9u\s z ev]y?+ else 9 life & nature4 ,"o ?+ fl[s inevitably out ( ano!r4 99 99 99 99 99 ,sorolla & ,zoloaga are ! *ildr5 ( ,velasquez4 ,puvis de ,*avannes may seem ne>] ,raphael & ! ,italian ,primitives ?an ,degas & ,manet1 b he is simply ! fruition ( "o collat]al l9e1 :ile ,degas is ! fruition ( ano!r1 & ,manet ( ano!r--!y are all pa9t]s1 & ! art ( pa9t+ admits endless v>iations 9 !ory & te*nic4 99 99 99 99 99 ,x is1 !re=e1 true t e mod]n exp]im5t1 h[ev] /range1 may trace its g5ealogy to ! ,old ,ma/]s & ?r\gh !m to ! ,primitives1 & ?r\gh !m to ! ,cave ,pa9t]s4 ,s t :5 a ,muni* arti/ argues t ! /range heads ( ,jawl5sky & ! /ill /rang] compositions ( ,k&9sky are bas$ ^u ! be/ !re is 9 ,italian art1 ! proposition 9 its broad significance may be conc$$ & pl5ty ( room be /ill left = />tl+ diff]5ces betwe5 ! art ( ,v5ice 9 ! sixte5? c5tury & t ( ,muni* 9 ! tw5tie?4 99 99 99 99 99 ,!re is1 h[ev]1 "s slight b tangible f\ndation = ! ass]tion t ! "w ( ! extreme m5 ( ,muni* is clos] to t ( ! ,old ,ma/]s ?an ! "w ( ! extreme m5 ( ,p>is1 9 t mo/ ( ! =m] pa9t m solidly & sub/antially1 :ile mo/ ( ! latt] pa9t m lightly & sup]ficially--j ab\t ! diff]5ce t exi/s betwe5 ! two cities1 ! two environm5ts4 ,! work] 9 ,muni* _c help be+ influ5c$ by ! ,g]man atmosph]e1 ! work] 9 ,p>is _c help be+ influ5c$ by ! ,fr5*--9 fact ea* is :]e he is because he f9ds ! p>ticul> atmosph]e cong5ial4 99 99 99 99 99 8,! ,new ,arti/s' ,f$]ation10 9 ,muni*1 0 f\nd$ 9 ,janu>y1 #aiji1 by ,adolf ,erbslh1 ,alexej von ,jawl5sky1 ,wassily ,k&9sky1 ,alex&] ,kanoldt1 ,alfr$ ,kub91 ,gabriele ,mnt]1 ,m>ianna von ,w]efk91 ,he9ri* ,s*nabel1 & ,osk> ,witt5/e94 ,dur+ ! fir/ ye> ,paul ,baum1 ,wladimir von ,be*tejeff1 ,erma ,bossi1 ,k>l ,h(]1 ,moissey ,koga1 & ,alb]t ,sa*>(f jo9$4 ,paul ,baum & ,k>l ,h(] soon resign$ _! memb]%ip4 ,9 #aiaj ! ,fr5*m51 ,pi]re ,girieud & ,le ,fauconni]1 became memb]s1 & 9 #aiaa ,franz ,m>c & ,otto ,fis*]1 foll[$ 9 #aiab by ,alex&] ,mogilewsky4 ,! fir/ exhibition 0 held 9 ! w9t] ( #aiji 9 ! ,mod]n ,gall]y1 ,muni*4 ,indignation & d]isive laught]1 & insults f ! press 7 ! outw>d result4 ,/ill ! se$ scatt]$ 0 n lo/4 ,simil> exhibitions 7 held 9 _m cities ( ,g]many & ,switz]l&4 ,ev]y:]e !y met ) opposition1 b also made "s fri5ds at ea* place4 ,! second exhibition1 held 9 ! fall ( ! foll[+ ye>1 br\ght ! memb]s into contact ) a l>ge numb] ( outside arti/s1 "s ( :om h become ( great importance 9 ! new art1 & mo/ ( :om 71 up to t "t1 unkn[n 9 ,g]many4 ,^! 7 ! ,g]mans1 ,h]mann ,hall]1 ,b]nh>d ,hoetg]1 ,eug5 ,kahl]1 ,adolf ,ni$]2 ! ,fr5*m51 ,georges ,bracque1 ,&r ,d]a91 ,kees ,van ,dong51 ,francisco ,durio1 ,pablo ,picasso1 ,georges ,r\ault1 & ,maurice de ,vlam9ck2 f9ally1 ! ,russians1 ,mogilewsky1 ,david & ,wladimir ,burljuk1 & ,s]aphim ,sudb994 ,?is 0 ! fir/ exhibition at :i* x 0 possible to rightly e/imate ! developm5t & ! int]national "* ( ! new movem5t4 ,! prep>ations = ! exhibition 9 ! ye> #aiaa l$ to a split4 ,"s ( ! memb]s insi/$ t1 z reg>d$ _! works1 ! cu/om ( a jury %\ld be disp5s$ )1 :ile o!rs 7 9 favor ( hav+ ! entries rigidly judg$ 9 ord] to insure prop] selection4 ,k&9sky1 ,kub91 ,m>c1 & ,gabriele ,mnt] 9 consequ5ce ann\nc$ _! )drawal f ! f$]ation4 ,?us a diff]5ce ( op9ion & convictions 0 op5ly v5t$ t _h exi/$ 9 secret = q a "t4 ,! memb]s nam$1 "u ! "n ( 8,r$aktion des ,blau5 ,reit]s10 op5$ a sep>ate exhibition & h s9ce cont9u$ to "w "u ?is bann]4 ,! ,new ,arti/s' ,f$]ation1 s9ce its ?ird exhibition 9 #aiab1 has held a s]ies ( exhibits ( ! works ( individual arti/s 9 its rooms at ,muni*1 & its memb]s are repres5t$ at ne>ly all important exhibitions 9 ,g]many & ,switz]l&4#de 99 99 99 99 99 ,! key-note ( ! mod]n movem5t 9 art is expression ( self2 t is1 ! expression ( "o's inn] self z di/+ui%$ f ! repres5tation ( ! out] _w4 99 99 99 99 99 ,illu/ration3 ,,matisse ,woman 9 ,r$ ,madras ,i h be=e me six ( ,jawl5sky's heads1 pa9t$ a ye> or s ap>t4 ,!y range f almo/ conv5tional portrait /udies 9 /rong impressioni/ic mann] to heads v l ,matisse's 8,madras ,r\ge10 !nce to ! head reproduc$1 :i* 0 ! la/ pa9t$4 ,! s]ies %[s an int]e/+ developm5t ( ! pa9t]'s convictions1 8 te*nic rema9s ess5tially ! same1 facile & compet5t1 only ! late/ picture places a mu* great] /ress ^u 8 res\rces4 ,x 0 app>5t f ?+s 9 8 /udio1 canvases t5 or twelve ye>s old1 t he c\ld h made a comm]cial success z a pa9t] ( portraits4 99 99 99 99 99 ,to say t ,jawl5sky's late/ heads ) _! /range1 expressive1 exagg]at$ eyes are n :olly new "o has only to turn to any "w on ,greek pa9t+ :]e9 are reproduc$ "s ( ! encau/ic & temp]a portraits f\nd 9 ! ,fayum "s tw5ty-odd ye>s ago4 99 99 99 99 99 ,:5 ask$ :y he pref]r$ 8 late/ "w to ! e>li]1 ,jawl5sky said3 8,i h put m ( myself into !m2 !y are m expressive ( :at ,i feel40 ,& he w5t on to say ! developm5t seem$ to him natural & logical4 ,he c\ld n und]/& :y ! heads %\ld /rike o!rs z que] or laughable s9ce !y 7 ! products ( absolute s9c]ity4 ,( 8 "w a fri5dly critic says3 ,jawl5sky1 =m]ly an (fic] 9 ! ,russian army1 resign$ a capta9's commission & turn$ to pa9t+4 ,today he looks back into an arti/ic pa/ ri* 9 *anges & j z ri* 9 successes a*iev$4 ,gaugu91 ,van,gogh & ,czanne h giv5 mu* to him2 m rec5tly1 ori5tal & primitive art1 ,byzant9e pictures & antique ,g]man woodc>v+s h n be5 )\t influ5ce on him4 ,8 color is peculi>ly 8 own1 ) its limpidity1 its bloom1 & bold modulations1 ! spontane\s1 expressive =ce ( :i* h a mo/ refre%+ effect4 ,9 its s(t & surpris+ beauty "o may p]haps discov] a di/9ctly ,russian quality4 ,x is almo/ an inju/ice t[>d ?is arti/'s pictures to reproduce !m colorless4 ,8 /ill-life pictures excel 9 composition & *>m by _! color effects4 ,9 8 l&scapes a peculi> mood f9ds expression1 always /rik+1 always orig9al1 & (t5 ) great simplicity & beauty4 ,8 heads & half figures might be t]m$ snap%ots ( ! s\l3 a pose1 a motion1 a glance ( ! eye1 reta9$ by ! briefe/ & mo/ effective means4 ,"h1 too1 a consci\s simplify+ & exagg]ation becomes m & m evid5t4 ,= ?is arti/1 art itself has ! grace ( a ge/ure2 ! s\l "p imm$iately becomes expression1 & ?us is %[n ev]y:]e ! creative quality ( an impulsive nature t owes its be/ to ! inspiration ( ! mom5t1 & f x proce$s to "w ) a mo/ happy facility4#df 99 99 99 99 99 ,m>ianna von ,w]efk91 a ,russian1 uses wat] color1 g\a*e1 & pref]s ! my/]y ( ! night to daylight4 ,h] pictures are int]e/+ human docum5ts4 ,%e does n seek />tl+ or novel pictur$ effects4 99 99 99 99 99 ,!re is ano!r & almo/ unkn[n arti/1 ,p4 ,klee1 :o is v highly e/eem$ by ! mo/ advanc$ m54 ,!re is c]ta9ly an exquisite ref9em5t to 8 l9e2 x is s alive x sc9tillates4 ,gabriele ,mnt] has a vision ( ?+s q h] own1 a s5se ( humor & ( life t p5etrates b5ea? ! surface1 & t manife/s itself 9 a te*nic t is1 "o might say1 almo/ non*alant4 ,a4 ,blo* is a "y ,am]ican1 liv+ 9 ,muni*1 :o has alli$ himself ) ! ,blue ,knights & made an impression by 8 v p]sonal expressions4 ,he 0 giv5 a "o-man exhibition 9 ,b]l9 9 ,decemb] la/1 & 8 pictures 7 highly prais$ 9 a well-writt5 article 9 ! ,b]l9 ,bors5-,c\ri]4 ,absolute & unsw]v+ fidelity to "o's ideals is ! only sure road to success1 & ?is sort ( s9c]ity is manife/ 9 ! "w ( ,blo*4 ,franz ,m>c is 9 a class by himself4 ,he is ! animal pa9t] ( ! ,blue ,knights1 & 8 pictures h a fairly /eady sale not)/&+ !y are extreme 9 conception & execution4 ,animal =ms & _! phases ( composition seem to appeal to him1 b he (t5 uses ! =ms z arbitr>ily z ,matisse uses 8 nudes to secure an effect ( life or grace4 ,8 color is always delightful1 & !re is a fl[1 a rhy?m to 8 pictures t is fasc9at+4 ,9 an article 9 8,d] ,blaue ,reit]0 he says3 ,x is rem>kable h[ spiritual acquisitions are valu$ s diff]5tly by m5 z comp>$ ) mat]ial4 ,if someone conqu]s a new colony = 8 c\ntry ev]ybody applauds2 if1 h[ev]1 someone has ! inspiration to give to mank9d a new & purely spiritual value1 x is reject$ ) scorn & indignation1 ! gift is suspect$1 & ! p try to suppress & cru% x4 ,is n ?is a frightful condition8 ,& speak+ ( ! new movem5t 9 art1 :i* he consid]s a spiritual (f]+ to ! public1 he says3 ,! public is aga9/ u1 ) scorn & abuse x refuses our pictures2 b we may be "r4 ,!y may n want our gifts1 b p]haps !y _c help accept+ !m4 ,we h ! consci\sness t our _w ( ideas is no c>d h\se ) :i* we play1 b x conta9s ! vital elem5ts ( a movem5t ! vibrations ( :i* are felt today ! _w ov]4 ,9 ! or?odox s5se ^! m5 may or may n be religi\s--,i d n "k--b "o ?+ is c]ta91 !re is an imm5se am\nt ( religi\s p[] 9 _! propag&a4 99 99 99 99 99 ,! mo/ extreme man n only ( ,muni* b ( ! entire mod]n art movem5t is ,wassily ,k&9sky1 also a ,russian4 ,!re 0 "o ( 8 ,improvisations 9 ! ,int]national ,exhibition4#dg ,x did n hang ) ! ,cubi/s1 n ev5 9 ! l>ge room ) ,matisse & o!r radical m54 ,evid5tly ^? 9 *>ge ( ! hang+ did n "k :at to make ( x or :at to d ) x1 s !y side-track$ x on a wall t 0 p>tly 9 %ad[4 ,visitors :o paus$ to look at x dismiss$ x z mean+less splot*es ( pa9t1 & pass$ on4 ,!re is ?is to be said = ! public1 t ) no ^w ( explanation "o ( ,k&9sky's ,improvisations does seem--at fir/ glance--! la/ ^w 9 extravagance2 on f\r? or fif? glance x appe>s to h a *>m ( color t is fasc9at+2 on /udy x beg9s to s\nd l color music4 99 99 99 99 99 ,!re 7 ?ree ( 8 canvases 9 ! ,london ,exhibition 9 ,alb]t ,hall 9 ,july1 #aiac1 8,l&scape ) ,two ,popl>s10 8,improvisation ,no4 #bi10 & 8,improvisation ,no4 #cj10 ! la/ reproduc$ h]e9 9 color4 ,( ^! ?ree pa9t+s a critic said3#dh ,by f> ! be/ pictures !re seem$ to me to be ! ?ree works by ,k&9sky4 ,!y are ( peculi> int]e/1 because "o is a l&scape 9 :i* ! disposition ( ! =ms is cle>ly prompt$ by a ?+ se51 :ile ! o!r two are improvisations4 ,9 ^! ! =ms & colors h no possible ju/ification1 except ! rightness ( _! relations4 ,?is1 ( c\rse1 is really true ( all art1 b :]e repres5tation ( natural =m comes 91 ! s5ses are apt to be trick$ into acquiesc5ce by ! intellig5ce4 ,9 ^! improvisations1 !re=e1 ! =m has to /& ! te/ )\t any adv5titi\s aids4 ,x seem$ to me t !y did ?is1 & e/abli%$ _! "r to be :at !y 74 ,9 fact1 ^! seem$ to me ! mo/ complete pictures 9 ! exhibition1 to be ^? :i* _h ! mo/ def9ite & coh]5t expressive p[]4 ,und\bt$ly repres5tation1 besides ! evocative p[] :i* x has ?r\gh association ( ideas1 ,illu/ration3 ,,k&9sky ,improvisation ,no4 #bi has also a value 9 assi/+ u to coord9ate =ms1 &1 until ,picasso & ,k&9sky tri$ to d )\t x1 ?is function at lea/ 0 always reg>d$ z a necessity4 ,t is :y ( ! ?ree pictures by ,k&9sky1 ! l&scape /rikes "o mo/ at fir/4 ,ev5 if "o does n recognize x z a l&scape1 x is easi] to f9d "o's way ab\t 9 x1 because ! =ms h ! same sort ( relations z ! =ms ( nature1 :]eas 9 ! two o!rs !re is no rem9isc5ce ( ! g5]al /ructure ( ! visible _w4 ,! l&scape is easi]1 b t is all4 ,z "o contemplates ! ?ree1 "o f9ds t aft] a "t ! improvisations become m def9ite1 m logical & m closely knit 9 /ructure1 m surpris+ly beautiful 9 _! color oppositions1 m exact 9 _! equilibrium4 ,!y are pure visual music4 ,p :o d n f9d a picture turn away disappo9t$ & irritat$1 b _m turn back to look aga91 attract$ by ! /r5g? & *>m ( ! compositions1 & 9 ! end n a few reluctantly conc$e1 8,yes1 !y h f9e color1 b--0 & !n foll[s ! old dem& = "s famili> object z an*orage4 99 99 99 99 99 ,( ,k&9sky's qualifications f ! academic po9t ( view let x be said he is a sup]b draftsman1 ?\gh he no long] atta*es any importance to draw+ p] se2 & he is a ma/] ( color comb9ations4 ,"o w\ld say t ! two1 ma/]y ( draw+ & ma/]y ( color1 w\ld make a great pa9t]1 & s !y did & d4 ,i h at h& "s ( 8 e>li] "w along conv5tional l9es1 & ,i h se5 temp]a draw+s ( ,moroccan sc5es t w\ld delight a ,:i/l]1 !y are s delicate & s fill$ ) subtle *>m4 ,!n ,i h a s]ies ( sket*es1 ext5d+ ov] a numb] ( ye>s1 :i* %[ ! developm5t ( 8 lat] works4 99 99 99 99 99 ,he has expla9$ 8 !ories at l5g? 9 8 book1 8,ueb] das ,gei/ege 9 d] ,kun/10#di & 9 num]\s articles1 notably 9 8,d] ,blaue ,reit]40 ,! keynote ( ! entire mod]n movem5t is f\nd 9 ! fir/ s5t5ce ( 8 book1 8,e "w ( art is ! *ild ( its own times40 ,a man may s /eep himself 9 hi/ory & tradition t all he does is rem9isc5t ( ! pa/1 b su* "w m>ks no progress & su* m5 are negligible factors 9 ! advancem5t ( mank9d4 ,x is ! man :o yields himself to 8 times1 :o absorbs all !re is ( good 9 ! life ab\t him1 :o sees ev]y?+1 feels ev]y?+1 :o m+les ) 8 respect = ! a*ievem5ts ( ! pa/ a mighty admiration = ! triumphs ( ! pres5t--su* a man is a lead] among 8 fell[s2 brilliant ?9k]1 d>+ adv5tur]1 he blazes ! way = ! timid to foll[4 ,if we 7 ,greeks ( ! fif? c5tury we w\ld c>ve ! m>bles !y did4 ,if we 7 ,romans "u ! ,caes>s we w\ld build ! build+s !y built4 ,if we 7 ,*ri/ians ( ! middle ages we w\ld re> ca!drals4 ,if we 7 ,engli%1 ,fr5*1 ,g]man1 ,*9ese1 or ,japanese1 we w\ld d ! ?+s !y d1 l ! ?+s !y l4 ,b we are none ( ^! peoples2 we are ,am]icans liv+ 9 an age ( /eam & electricity1 ( automobiles & a]oplanes1 9 an age ( kaleidoscopic *anges1 ( m>vel\s & />tl+ developm5ts4 ,:at mu/ happ5 9 pa9t+1 music1 sculpture8 ,exactly :at has happ5$ 9 ar*itecture4 ,pa9t+1 music1 sculpture t w g ) our mighty /eel build+s1 ) our factories & railroads4 ,pa9t+1 music1 sculpture v>i$ 9 =m1 z old & z new z ! bra9 ( man c conceive1 b always & ess5tially our own4 ,t is ! secret1 x mu/ be *>act]i/ic ( our age--our own4 99 99 99 99 99 ,?is is n a placid age4 ,x is an age ( fev]i% activities1 brilliant imag9+s1 pr(\nd emotions4 ,h5ce our art w n be placid1 b w be an art ( ! imag9ation & ! emotions4 ,v5turesome s\ls w n be cont5t to pa9t ?+s1 or ev5 p1 b !y w pa9t !mselves1 n _! out] selves1 b _! inn]2 !y w put on canvas :at !y feel4 ,t is z ne> ! f9al ^w 9 art z man c utt]--to pa9t in/ead ( speak 8 mo/ subtle emotions4 99 99 99 99 99 ,9 a rec5t article#ej ,k&9sky summ>ises "p ( 8 !ory z foll[s3 ,a "w ( art consi/s ( two elem5ts1 ! inn] & ! out]4 ,! inn] is ! emotion 9 ! s\l ( ! arti/4 ,?is emotion has ! p[] to ar\se a simil> feel+ 9 ! s\l ( ! obs]v]4 ,! s\l be+ connect$ ) ! body x is affect$ ?r\gh ! m$ium ( ! s5ses--feel+s2 emotions are /irr$ & ar\s$ by s5sations4 ,h5ce our s5sations are ! bridge1 ! physical connection betwe5 ! immat]ial1 ! emotion 9 ! s\l ( ! arti/1 to ! mat]ial1 result+ 9 ! production ( ! "w ( art4 ,& aga9 ! s5sations are ! bridge f ! mat]ial1 ! arti/1 & 8 "w1 to ! immat]ial1 emotion 9 ! s\l ( ! obs]v]4 ,! sequ5ce is1 emotion 79 arti/7--s5sations--"w--s5sations--emotio n 79 obs]v]74 ,! two emotions w be l & equal to ! ext5t ! "w is successful4 ,9 ?is respect a pa9t+ is no diff]5t f a song1 ea* is a message2 ! successful s+] succe$s 9 ar\s+ 9 8 he>]s ! emotions he feels2 ! successful pa9t] %\ld d no less4 ,! inn] elem5t1 emotion1 mu/ exi/1 else ! "w w be a %am4 ,! inn] elem5t det]m9es ! "* ( ! "w4 ,9 ord] t ! inn] elem5t :i* at fir/ exi/s only z an emotion1 may develop into "w1 ! second elem5t--! out] is us$ z ! embodim5t4 ,!re=e emotion is always seek+ means ( expression1 seek+ a mat]ial =m1 a =m t c /ir ! s5ses4#ea ,! vital1 ! det]m9+ elem5t is ! inn]1 t controls ! out] =m1 ev5 z ! idea 9 ! m9d det]m9es ! words we use1 & n ! words ! idea4 ,!re=e ! selection ( ! =m ( a "w ( art is det]m9$ by ! inn] irresi/ible =ce--?is is ! only un*angeable law ( art4 ,a beautiful "w is ! product ( ! h>moni\s coop]ation ( ! two elem5ts1 ! inn] & out]4 ,a pa9t+1 = in/ance1 is an intellectual organism :i*1 l e mat]ial organism1 consi/s ( _m p>ts4 ,^! s+le p>ts1 if isolat$1 are z lifeless z a f+] sev]$ f ! h&4 ,! s+le p>ts live only ?r\gh ! :ole4 ,! endless numb] ( s+le p>ts 9 a pa9t+ is divid$ into two gr\ps3 #a4 ,! design$ =m4 #b4 ,! picturesque =m4 99 99 99 99 99 ,an exam9ation ( a "w ( art1 especially a pa9t+1 ,illu/ration3 ,,van ,,gogh ,woman ) ,fry+ ,pan ,illu/ration3 ,,van ,,gogh ,*air ) ,pipe usually discov]s ! pres5ce ( p>ts & =ms drawn f nature1 f objects4 ,z ! imitation ( natural =ms =ms no "p ( ! def9ition ( pure art h[ is x ^! objective repres5tations creep 98 ,! orig9 ( pa9t+ 0 ! same z t ( ! o!r arts1 & ( e human action4 ,x 0 purely practical4 ,if a native hunt] *ases game = days1 he is induc$ to d s by hung]4 ,if today a pr9cely hunt] *ases game1 he is induc$ to d s by ! desire = enjoym5t4 ,j z hung] is ( bodily value1 "h ! enjoym5t is ( ae/hetic value4 ,if a savage requires artificial s\nds = 8 dance1 he is induc$ !reto by sexual impulse4 ,! artificial s\nds1 f :i* ?r\gh c5turies ! music ( today develop$1 mov$ savages to an expression ( passion 9 ! =m ( danc+4 ,if ! man ( today att5ds a conc]t he is n seek+ ! music = practical results1 b pleasure4 ,also "h ! orig9al practical motive *ang$ to ! ae/hetic4 ,t means t also "h ! practical want ( ! body *ang$ to t ( ! s\l4 ,dur+ ?is progress t[>d ref9em5t 7or spirituality7 ( ! mo/ simple practical 7or bodily7 wants1 two consequ5ces are to be notic$ ?r\gh\t3 ,! sep>ation ( ! spiritual f ! bodily elem5t & its fur!r indep5d5t developm5t ?r\gh ! diff]5t arts4 ,"h ! above m5tion$ laws 7( ! inn] elem5t & ! =m7 gradually apply ) ev] increas+ =ce1 until f9ally out ( ea* art comes a pure art4 ,?is is a /eady1 logical1 natural gr[?1 l ! gr[? ( a tree4 ,! process is to be notic$ 9 pa9t+4 ,fir/ p]iod1 ,orig93 ,practical desire to make use ( physical4 ,second ,p]iod1 ,developm5t3 ,! gradual sep>ation ( ?is practical purpose1 & ! gradual asc5dancy ( ! spiritual elem5t4 ,?ird ,p]iod1 ,aim3 ,! atta9m5t ( a high] /age 9 pure art2 9 ?is ! rema9s ( ! practical desire are totally sep>at$ 7ab/ract$74 ,pure art speaks f s\l to s\l1 x is n dep5d5t ^u ! use ( objective & imitative =ms4 ,we c di/+ui% all ( ^! ?ree /ages 9 v>i\s comb9ations 9 pa9t+s ( today4 ,fir/ ,p]iod3 ,reali/ic ,pa9t+4 ,! realism "h is und]/ood to be su* z develop$ traditionally into ! n9ete5? c5tury--! practical desire to exhibit objective realities--portraits1 l&scapes1 hi/orical pa9t+s1 etc41 9 ! direct s5se4 ,second ,p]iod3 ,naturali/ic ,pa9t+s 9 ! =m ( ,impressionism1 ( ! ,new ,impressionism & ,expressionism--to :i* p>tly ,cubism & ,futurism belongs3 ,! sep>ation ( ! practical aim & ! g5]al prepond]ance ( ! spiritual elem5t2 f ,impressionism ?r\gh ,neo-,impressionism to ,expressionism always increas+ sep>ation & always increas+ prepond]ance ( ! spiritual4 ,app>5tly 9 ?is f9] developm5t nature z su* is no m tak5 into consid]ation2 b ?is is only 8app>5tly0 s1 = z a matt] ( fact nature is us$ z a motive1 a backgr\nd1 a basis = ! pictures1 & if ! attempt is made to sep>ate ! natural or objective "p ( ! picture f ! purely arti/ic1 ! result is ! picture falls = lack ( support4 99 99 99 99 99 ,9 o!r words1 9 mo/ ( ev5 ! v ab/ract pa9t+s1 su* z ev5 ,picasso's1 !re is a f\ndation1 a backgr\nd ( objects )\t :i* ! pictures w\ld n exi/4 ,picasso may ref9e a 8,woman ) a ,m&ol910 to a doz5 int]sect+ l9es t disclose nei!r woman nor m&ol91 b bo? 7 pres5t 9 8 m9d's eye :5 he creat$ 8 "w1 & )\t !m ! "w has no reason = exi/+4 ,x is "h t "o beg9s to und]/& ,k&9sky's attitude1 & h[ diametrically he div]ges f ,picasso4 ,! two h no?+ 9 common save ! desire to produce m ab/ract art1 b ,picasso ab/ractions are bas$ on ! out] _w1 :ile ,k&9sky's are bas$ on ! inn]4 ,:5 ,picasso has ref9$ nature1 t is1 ?+s outside him1 to ! la/ degree1 to ! simple/ mode ( expression 9 l9e & mass1 he has rea*$ an impasse1 fur!r progress is impossible1 fur!r sci5tific subdivision 9 unatta9able1 8 art 9 t direction is f9i%$4 ,b ,k&9sky has be=e him an unlimit$ view4 ,) him ! elim9ation ( nature1 ( all ?+s physical f 8 compositions1 simply gives him great] fre$om 9 ! pa9t+ ( compositions repres5t+ ?+s--moods--spiritual4 99 99 99 99 99 ,to g on ) 8 own explanation1 n 9 8 exact words1 b 9 sub/ance3 ,x is ?us se5 t 9 bo? ! fir/ & second signs 9 ! developm5t ( art1 ! objective f\ndation or backgr\nd is n ( simply second>y importance1 b ( fir/2 x is ess5tial because )\t x ! "w w\ld n exi/4 ,to create pure art x is necess>y to elim9ate ?is backgr\nd ( ! physical1 & sub/itute = x pure arti/ic =m1 :i* alone c give ! picture indep5d5t life4 ,?is /ep we f9d 9 ! dawn+ ?ird p]iod ( pa9t+--,compositional pa9t+4 ,accord+ to ! s*eme ( ! ?ree p]iods1 we h arriv$ at ! ?ird "o--:i* 0 designat$ z ! ,aim4 ,9 ! compositional pa9t+ :i* is develop+ today we see ! signs ( ! atta9m5t ( ! high] /ep ( pure art1 9 :i* ! rema9s ( ! practical desire 7all evid5ces ( objectivity7 c be p]fectly sep>at$1 :i* c speak f s\l to s\l 9 purely arti/ic language4 ,! consci\s & (t5times also /ill unconsci\s /riv+1 :i* /rongly 7& ev] /rong]7 %[s itself today1 to replace ! objective 7subject pa9t+s7 by pure con/ruction 7pure composition7 is ! fir/ sign ( ! dawn+ ( t pure art to :i* ! pa/ art p]iods inevitably l$4 ,i h be5 try+ to briefly deal ) ! entire developm5t & m especially ! situation today 9 broad s*ematic outl9es2 !re=e !re are _m defici5cies 7gaps7 :i* necess>ily rema9 uncov]$1 & !re are pass$ ov] _m int]e/+ less] developm5ts1 :i* are inevitable 9 progress1 l small] bran*es on ! tree1 :i* ext5d outw>d not)/&+ ! tree's gr[? upw>d4 ,! fur!r developm5t1 :i* is p5d+ 9 pa9t+1 w /ill h to suff] _m seem+ contradictions & div]sions1 z 0 ! case ) music1 :i* today we "k already z pure art4 ,! pa/ tea*es u t ! developm5t ( humanity consi/s 9 ! increas+ spirituality ( v>i\s factors4 ,among ^! factors art takes ! fir/ place4 ,among ! arts pa9t+ is foll[+ ! road t leads x f ! practical-effici5cy to ! intellectual-effici5cy4 ,f ! subject-picture to ! pure composition4 ,to bett] und]/& ! =ego+ take ! 8,improvisation ,no4 #cj40eb ,x is a v pure example ( compositional pa9t+1 b x ,illu/ration3 ,,k&9sky ,improvisation ,no4 #cj is n absolutely pure1 9 t x conta9s _m m or less obvi\s sugge/ions ( famili> =ms & objects4 ,"s workm5 :o happ5$ to be h&l+ ! pa9t+1 ref]r$ to x z ! 8,w> ,picture10 & _m casual obs]v]s insi/ x is an impression ( w> or ( a battle field4 ,?is is because two cannon are q pla9 9 ! l[] "r-h& corn]1 & ! two oblong blue masses project+ f ! cannons' m\?s w\ld seem to be ! smoke ( ! dis*>ges4 ,!n1 too1 ! seem+ cataclysmic effect1 ! sugge/ion ( a helmet1 a tott]+ t[]1 bann]s1 a]ial fla%es or fireworks1 all acc5tuate ! impression ( conflict & explosions4 ,if "o looks long en\gh 9 ?is mood x is n difficult to read into ! canvas all sorts ( int]pretations ( a w>like "*4 ,yet ! pa9t+ 0 8improvis$0--compos$ ) no direct int5tion ( sugge/+ w>4 ,9 8 own p]sonal note book :]e9 he keeps a record ( all 8 "w1 ,k&9sky id5tifies ! picture by a ha/y p5cil sket* & ! words1 8,blue ,spla%es10 or 8,masses10 & 8,cannons40 ,( ! pa9t+ he says 9 a lett]3 ,! designation 8,cannons10 select$ by me = my own use1 is n to be conceiv$ z indicat+ ! 8cont5ts0 ( ! picture4 ,^! cont5ts are inde$ :at ! spectator lives1 or feels :ile "u ! effect ( ! =m & color comb9ations ( ! picture4 ,?is picture is ne>ly 9 ! %ape ( a cross4 ,! c5tre--some:at bel[ ! middle--is =m$ by a l>ge1 irregul> blue plane4 7,! blue color 9 itself c\nt]acts ! impression caus$ by ! cannons67 ,bel[ ?is c5tre !re is a muddy-gray1 ragg$ second c5tre almo/ equal 9 importance to ! fir/ "o4 ,! f\r corn]s ext5d+ ! oblique cross into ! corn]s ( ! picture are heavi] ?an ! two c5tres1 especially heavi] ?an ! fir/1 & !y v>y f ea* o!r 9 *>act]i/ics1 9 l9es1 cont\rs1 & colors4 ,?us ! picture becomes light]1 or loos] 9 ! c5tre1 & heavi]1 or tight] t[>ds ! corn]s4 ,! s*eme ( ! con/ruction is ?us ton$ d[n1 ev5 made invisible = _m1 by ! loos5ess ( ! =ms4 ,l>g] or small] rema9s ( objectivity 7! cannons1 = in/ance7 produce 9 ! spectator t second>y tone :i* objects call =? 9 all :o feel4 ,! pres5ce ( ! cannons 9 ! picture c\ld probably be expla9$ by ! con/ant w> talk t _h be5 go+ on ?r\gh\t ! ye>4 ,b ,i did n int5d to give a repres5tation ( w>2 to d s w\ld h requir$ diff]5t pictorial means2 besides1 su* tasks d n int]e/ me--at lea/ n j n[4 ,?is entire description is *iefly an analysis ( ! picture :i* ,i h pa9t$ r subconsci\sly 9 a /ate ( /rong inn] t5sion4 ,s int5sively did ,i feel ! necessity ( "s ( ! =ms1 t ,i rememb] hav+ giv5 l\d voic$ directions to myself1 z = in/ance3 8,b ! corn]s mu/ be heavy60 ,9 su* cases x is ( importance exactly to disc]n all ?+s1 ! weight1 = in/ance1 by ! feel+4 ,g5]ally speak+1 ,i might almo/ decl>e t :]e ! feel+ t lies 9 ! s\l1 9 ! eye1 & 9 ! h& is /rong en\gh to faultlessly det]m9e ! f9e/ measurem5ts & weights1 8s*ematism0 & ! mu*-dread$ 8consciosity0 w n become dang]\s4 ,on ! contr>y1 9 ?is case1 ! said elem5ts w ev5 prove immeasurably b5eficial4 ,i w\ld t all my pictures might be judg$ exclusively f ?is po9t ( view1 & t ! non-ess5tials might completely disappe> f ! judgm5t4 99 99 99 99 99 ,9 subsequ5t lett]s he said3 ,:atev] ,i might say ab\t myself or my pictures c t\* ! pure arti/ic mean+ only sup]ficially4 ,! obs]v] mu/ le>n to look at ! picture z a graphic repres5tation ( a mood & n z a repres5tation ( objects4 99 99 99 99 99 ,all t anyone c say ab\t pictures1 & :at ,i might say myself1 c t\* ! cont5ts1 ! pure arti/ic mean+1 ( a picture only sup]ficially4 ,ea* spectator = himself mu/ le>n to view ! picture solely z a graphic repres5tation ( a mood1 pass+ ov] z unimportant su* details z repres5tations or sugge/ions ( natural objects4 ,?is ! spectator c d aft] a "t1 & :]e "o c d x1 _m c4 ,giv5 a "w ( art1 pa9t+1 sculpture1 music--any?+--its appreciation & und]/&+ dep5d ^u ! attitude ( ! audi5ce4 ,a "w ( art may be1 & ultimately mu/ be view$ f two v diff]5t po9ts ( view--! po9t ( view ( ! arti/1 & ! po9t ( view ( ! obs]v]4 ,! great majority ( p view a pa9t+ only f ! latt] po9t ( view1 only 9 ! light ( _! preconceiv$ notions & prejudices--h5ce ! ridicule ( ! /range & ! prote/ aga9/ ! new4 ,a v1 v small m9ority--a m9ority s small x numb]s sc>ce "o 9 t5 ?\s&--view a new "w se>*+ly & at ! same "t sympa!tically f ! arti/'s po9t ( view1 seek+ dilig5tly to f9d out :at he is try+ to d1 & n p]mitt+ a s+le prejudice or preconceiv$ notion ( _! own to bias _! judgm5t4 ,aft] ?is class ( obs]v]s h asc]ta9$ :at ! arti/ int5d$1 !n1 & n until !n1 d !y turn & view ! "w f _! own po9t ( view--t is1 9 ! light ( _! own likes & dislikes4 ,_! f9al appreciation may be t grant+ ! !ories ( ! arti/ ! picture is a f9e "o1 b !y d n agree ) ! arti/'s !ories1 h5ce ! picture f _! po9t ( view is a failure z a "w ( art4 ,to rightly view a "w ( art is an act ( creation2 ! true obs]v] is a pa9t]2 ! true read] is a poet4 99 99 99 99 99 ,x is n at all /range t ! great majority ref]r$ to %\ld res5t ,k&9sky's improvisations1 = !y are n easy to und]/&1 ?\gh mo/ ( !m are und5iably fasc9at+ 9 color4 ,x is n ev5 /range t a l>ge p]c5tage ( ! intellig5t & sympa!tic m9ority %\ld f9ally rea* ! conclusion t ! !ories ( ! arti/ are n s\nd1 & !re=e all 8 "w bas$ on 8 extreme !ories fails z art "w1 b ! attitude ( ?is fraction ( ! m9ority is an attitude ( intellig5t & consci5ti\s conviction1 rea*$ aft] long & imp>tial inve/igation1 :ile ! attitude ( ! great majority is t ( impulsive ignorance & irritation1 rea*$ on fir/ impression & )\t ! slighte/ attempt at und]/&+4 99 99 99 99 99 ,to illu/rate3 ,! great majority ( p on fir/ he>+ ,*9ese music exclaim1 8,:at a horrid d960 & turn away4 ,a v1 v small m9ority1 ab\t "o man 9 a million1 say1 8,true1 x s\nds to u l a d91 b to a p ( extraord9>y civilization x is music2 ! matt] is wor? inve/igat+10 & on inve/igation x w\ld be f\nd t ,*9ese music f "t immemorial has be5 "u /ate sup]vision4#ec ,! v anci5t scale 0 p5tatonic--five tones4 ,x 0 9 ! sev5? c5tury1 ,b4,c41 t ! ,asiatic flute 0 introduc$ into ,greece & ! ,greek ,doric scale trans=m$ into "o ( five tones4#ed ,among ! m cultivat$ nations1 ! ,*9ese1 & ,celts ( ,scotl& & ,irel& /ill reta9 ! scale ( five notes )\t semitones1 al?\gh bo? h become acqua9t$ ) ! complete scale ( sev5 tones4 ,! division ( ! octave into twelve semitones1 & ! transposition ( scales h also be5 discov]$ by ?is intellig5t & skilful nation4 ,b1 g5]ally speak+1 bo? ! ,gaels & ! ,*9ese1 not)/&+ _! acqua9tance ) ! mod]n tonal sy/em1 hold fa/ by ! old4 ,& x _c be d5i$ t by avoid+ ! semitones ,illu/ration3 ,,gaugu9 ,portrait ( ,self ,illu/ration3 ,,gaugu9 ,f>my>d ( ! diatonic scale1 ,scot* airs receive a peculi>ly bright & mobile "*1 al?\gh we _c say z mu* = ! ,*9ese4#ee ,:ile we are cont5t ) a scale divid$ into semitones1 ! m delicate ori5tal e> requires qu>t] tones4 ,! ,arab octave is divid$ into tw5ty-f\r int]vals4 ,a di/+ui%$ musician on a visit to ,cairo wrote ,helmholtz z foll[s3 8,?is ev5+ ,i h li/5$ att5tively to ! song on ! m9>ets1 to try to appreciate ! qu>t]-tones :i* ,i _h n suppos$ to exi/1 z ,i _h ?\ght ! ,arabs sang out ( tune4 ,b today z ,i 0 ) ! d]vi%es ,i became c]ta9 t su* qu>t]-tones exi/$4#ef ,9 discuss+ ! developm5t ( our mod]n1 equal temp]am5t 7adopt$ comm]cially 9 ,engl& = pianos n until #ahdf71 ,helmholtz says1 8,amiot reports equal temp]am5t f ,*9a long previ\sly ev5 to ,py?agoras40#eg ,! ,*9ese are ! only p :o1 ?\s&s ( ye>s ago1 possess$ a sy/em ( octaves1 a circle ( fif?s1 & a normal tone4 ,) ?is k1 h[ev]1 _! eighty-f\r scales1 ea* ( :i* has a special philosophical signification1 appe> all ! m incompreh5sible to u4#eh 8,! ,*9ese believe _! music to be ! fir/ 9 ! _w4 ,european music !y consid] to be b>b>ic & horrible40#ei 99 99 99 99 99 ,all ?is goes to %[ h[ haz>d\s x is to jump to ! conclusion t :at we don't und]/& has no mean+4 ,to "o ignorant ( ,*9ese or ,japanese or ,hebrew h&writ+ x seems j z absurd & mean+less z a draw+ by ,picasso or a pa9t+ by ,k&9sky1 b to ! e>ne/ & indefatigable se>*] aft] hidd5 mean+s ! /range h&writ+ & ! /range pictures bo? deliv] up a message4 99 99 99 99 99 ,( su* pa9t+s z ,k&9sky's improvisations x is (t5 flippantly said1 8,!y pa9t t way because !y c't draw40 ,z a matt] ( fact mo/ ( ! extreme mod]ns su* z ,picasso1 ,matisse1 ,k&9sky1 are pa/-ma/]s ( ! art ( draw+4 ,b !y d n n[ atta* ! importance to draw+1 m]ely = ! sake ( draw+1 !y once did4 ,k&9sky's own attitude is express$ 9 ! foll[+ extract f a lett]3 ,z reg>ds o!r arti/s1 ,i am v tol]ant1 b at ! same "t mo/ sev]e2 my op9ion ( arti/s is influ5c$ b little by consid]ations ( ! elem5t ( =m1 pure & simple2 ,i expect ( ! arti/ to be> )9 at lea/ ! 8sacr$ sp>k0 7if n 8flame074 ,!re really is no?+ easi] ?an to ma/] ! =m ( some?+ or someone4 ,boeckl9 is quot$ z hav+ said t ev5 a poodle-dog might le>n h[ to draw1 & 9 ?is he 0 correct4 ,at ! s*ools ,i att5d$ ,i _h m ?an a hundr$ colleagues :o _h le>n$ some?+1 _m _h 9 good "t manag$ to draw q well & anatomically correct--/ill1 !y 7 n arti/s1 n a pf5nig's wor?4 ,9 %ort1 ,i value only ^? arti/s :o really are arti/s2 t is1 :o consci\sly or unconsci\sly1 9 an entirely orig9al =m1 or 9 a /yle be>+ _! p]sonal impr9t1 embody ! expression ( _! inn] self2 :o1 consci\sly or unconsci\sly1 "w only = ?is end & _c "w o!rwise4 ,! numb] ( su* arti/s is v few4 ,if ,i 7 a collector ,i w\ld buy ! works ( su* ev5 if !re 7 weaknesses 9 :at !y did2 su* weaknesses gr[ less 9 "t & f9ally disappe> entirely1 & ?\gh !y may be app>5t 9 ! e>li] works ( ! arti/ /ill !y d n deprive ev5 ^! e>li] & less p]fect works ( value4 ,b ! o!r weakness1 t ( lack ( s\l1 nev] decreases ) "t1 b is sure to gr[ worse & become m & m app>5t1 & s r5d] absolutely valueless works t te*nically may be v correct4 ,! entire hi/ory ( art is pro( ( ?is4 ,! union ( bo? k9ds ( /r5g?--t ( intellect or spirituality ) t ( =m1 or te*nical p]fection--is mo/ r>e1 z is also demon/rat$ by ! hi/ory ( art4 99 99 99 99 99 ,f 8 exce$+ly ab/ruse article 8,on ! ,"q ( ,=m0 9 8,d] ,blaue ,reit]10 ,i take & p>aphrase ! foll[+3 ,at c]ta9 times our inn] =ces--impulses--mature & ! result is a long+ to create some?+1 & we try to f9d a mat]ial =m--manife/ation--= ! new value t exi/s 9 u 9 spiritual or intellectual =m4 ,?is is ! seek+ ( ! spiritual = mat]ial expression4 ,matt] is b ! /ore h\se out ( :i* ! _s selects ! necess>y elem5ts to secure ! objective result4 ,?us ! creative _s is hidd5 9 ! matt]1 beh9d ! mat]ial manife/ation ?r\gh :i* x mu/ make itself kn[n4 ,b (t5 ! mat]ial envelope is s d5se t only a few p c disc]n ! spiritual idea )9 & beh9d x2 "s p nev] p5etrate beh9d ! matt] at all1 & !re=e1 nev] compreh5d ! spiritual message4 ,:ile _m compreh5d ! spiritual cont5t beh9d ! outw>d =ms ( religion1 !y d n realize t !re is1 or %\ld be1 a spiritual cont5t beh9d ! outw>d =ms ( art4 ,!re are :ole epo*s :5 m5 seem bl9d to ! spiritual tru?s t are beh9d mat]ial manife/ations2 g5]ally speak+1 ! n9ete5? c5tury 0 a c5tury ( mat]ialism4 ,x is z if a black h& 7 plac$ ov] ! eyes ( m5 s !y %\ld n see ! spiritual =ces beh9d ! mat]ial1 & ! production ( new spiritual values is f\ght by mock]y & calumny4 ,! man :o produces ! new value is held up to ridicule & call$ a *>latan4 ,! joy ( liv+ is ! p]petual victory ( ! new1 ! spiritual value4 ,b ev5 z m5 le>n to appreciate ! new ( ye/]day & today !y e/abli% x z a b>ri] aga9/ ! new ( tomorr[4 ,spiritual developm5t & evolution are a con/ant ?r[+ d[n ( ^! b>s t are z con/antly re-erect$ by ! mat]ialism & bl9dness ( mank9d4 ,!re=e ! important ?+ is n only ! impulse to create new spiritual values1 b lib]ty to d s4 ,! spiritual is ! absolute1 ! outw>d =m is relative1 x is born ( ! place & ! h\r4 ,!re=e "o %\ld n fall into ! wor%ip ( a p>ticul> =m1 b %\ld use :atev] =m be/ s]ves to express ! spiritual cont5t4 ,&1 naturally1 ea* arti/ mu/ use 8 own =m to express 8 own ideas1 & =m %\ld h ! /amp ( p]sonality4 ,ea* nation1 ea* epo* w develop its own =ms1 or peculi>ities ( =ms1 & x is ! reflection ( ! nation1 ! epo*1 ! individual 9 ! p>ticul> =m t is kn[n z1 or makes ! /yle4 ,:5 a gr\p ( arti/s is animat$ by ! same _s ! =ms !y use w be s alike ! result w be a 8movem5t0 or 8s*ool0 9 art2 b a 8s*ool0 %\ld n be p]mitt$ to dom9ate ! fre$om ( o!rs4 ,e individual mu/ be at lib]ty to *oose ! =m t be/ expresses ! spiritual message he wi%es to utt]4 ,! =m--picture--may be agreeable or disagreeable1 beautiful or ugly1 h>moni\s or di%>moni\s1 b x mu/ n be judg$ on its outw>d appe>ance2 x mu/ be judg$ by ! idea1 ! spiritual value beh9d x4 ,we mu/ look ?r\gh ! =m to ! spiritual1 z we w\ld look ?r\gh ! de=m$ body ( ! cripple to ! s\l ( ! man4 ,9 practical life we nev] meet a man :o1 if he wi%es ,illu/ration3 ,,gaugu9 ,sc5e 9 ,tahiti ,illu/ration3 ,,gris ,/ill ,life to g to ,b]l91 gets (f ! tra9 at ,reg5sb]g4 ,b 9 spiritual life x is a common ?+ to f9d p :o /ep out at ,reg5sb]g4 ,sometimes ! eng9e driv] refuses to g on & all ! travel]s h to leave ! tra9 at ,reg5sb]g4 ,h[ _m :o are look+ = ,god /op be=e a c>v$ image6 ,h[ _m :o are look+ = art are caught by "s =m t has be5 us$ by "s great arti/ to express 8 ideas6 ,& 9 conclusion he ass]ts1 x is n ( vital importance :e!r ! =m is p]sonal1 national1 accord+ to prevail+ mode1 or :e!r x is relat$ to 8s*ools10 8movem5ts10 etc41 etc41 or is isolat$4 8,! important "q is :e!r ! =m has gr[n out ( ! inn]1 spiritual necessity40 99 99 99 99 99 ,9 art1 especially 9 pa9t+1 we h today /rik+ ri*ness ( =m :i* %[s ! imm5se /riv+ t is go+ on4 ,to adh]e /ubbornly to "o =m is to travel a lane t has no outlet4 ,_m call ! pres5t /ate ( pa9t+ 8an>*y10 & s !y say ( music1 b ?is appe>ance ( an>*y1 ( lawlessness1 is due to ! work+s ( spiritual =ces t _c be express$ 9 old =ms1 b dem& new manife/ations4 ,x is "o ?+ to reproduce on canvas an accurate repres5tation ( an object1 b su* a repres5tation is no m ?an ! out] %ell2 to f9d out :e!r ! picture has any real1 any spiritual value "o mu/ get rid ( ?is out] %ell4 ,/ep by /ep ! 8objective10 ! photographic elem5ts are elim9at$ until 9 ! end !re may be no trace ( any object1 & ) ?is elim9ation ! spiritual cont5t becomes pla9] & pla9]4 ,! /eps are3 ,realism--ab/raction-- ,ab/raction--reality4 99 99 99 99 99 ,objects ne$ n necess>ily be elim9at$ f a picture1 b !y %\ld be us$ n = ! sake ( =c+ _! photographic lik5esses ^u ! obs]v]1 b solely to m p]fectly express ! inn]1 ! spiritual significance ( ! "w4 ,if a pa9t] introduces a sugge/ion ( a l&scape or a bit ( /ill life x %\ld be = ! purpose ( mak+ 8 mean+1 8 inn] feel+ pla9] to ! behold]1 & n = ! purpose ( mak+ a color$ photograph ( a field or fl[]s4 ,!re=e x does n matt] :e!r actual or ab/ract =ms are us$ by ! arti/1 s long z bo? are us$ to express spiritual values4 ,! sole "q reg>d+ =m ! arti/ %\ld put to himself is1 8,:i* =m1 or comb9ation ( =ms1 %all ,i use 9 ?is case to express mo/ fully & pla9ly my spiritual mood80 99 99 99 99 99 ,! ideal art critic is n ! critic :o tries to discov] mi/akes1 ignorance1 imitations 9 ! =m1 b he :o tries to feel & und]/& h[ ! =m expresses ! inn] feel+ ( ! arti/ & :o tries to make ! public und]/&4 ,a pa9t] may use new & /range =ms = ! sake ( ! =ms1 j = ! sake ( pa9t+ new & /range pictures1 b ! result w be lifeless4 ,x is only :5 new & /range =ms are us$ because !y are necess>y to express a spiritual cont5t t ! result is a liv+ "w ( art4 8,! _w rev]b]ates2 x is a cosmos ( spiritually work+ human be+s4 ,?us matt] is liv+ _s40 99 99 99 99 99 ,r a f9e philosophy1 is x n8 ,"o _c b feel t out ( su* ?\ghts good works mu/ come4 99 99 99 99 99 ,to quote once m f a p]sonal lett]3 8,i h n[ be5 exhibit+ = almo/ fifte5 ye>s1 & = ! same fifte5 ye>s ,i h be5 he>+ 7al?\gh m r>ely ( late7 t ,i h gone too f> on my way2 t 9 "t my exagg]ations w mo/ surely decrease1 & t ,i w\ld yet pa9t 9 an #8entirely diff]5t mann]'2 t ,i w\ld #8return to nature4' ,i _h to he> ?is = ! fir/ "t :5 ,i exhibit$ my /udies pa9t$ on ! naturali/ basis ) ! horn 7spatula74 8,! tru? ( ! matt] is t e really gift$ arti/1 t is1 an arti/ work+ "u an impulse f )91 mu/ g 9 a way t 9 "s my/ical mann] has be5 laid out = him f ! v />t4 ,8 life is no?+ b ! fulfillm5t ( a task set = him 7= him1 n by himself74 ,meet+ ) enmity f ! />t1 he feels only vaguely & indi/9ctly t he c>ries a message = ! expression ( :i* he mu/ f9d a c]ta9 mann]4 ,?is is ! p]iod ( #8/orm & /ress1' !n foll[ desp]ate se>*+1 pa91 great pa9--until f9ally 8 eyes op5 & he says to himself1 #8,!re is my way4' ,! re/ ( 8 life lies along ?is pa?4 ,& "o mu/ foll[ x to ! v la/ h\r :e!r "o wants to d s1 or n4 ,& no "o mu/ imag9e t ?is is a ,sunday aft]noon's walk1 = :i* "o selects ! r\te at w4 ,nei!r is !re any ,sunday ab\t x2 x is a work+ day1 9 ! /ronge/ s5se possible4 ,& ! great] ! arti/1 ! m "o-sid$ is he 9 8 "w2 true1 he reta9s ! ability to d #8nice' "w ( o!r k9d 7by reason ( 8 #8tal5t'71 b inn]ly weighty1 inf9itely deep1 & immeasurable s]i\s ?+s he c a*ieve only 9 8 "o-sid$ art4 ,tal5t is n an electric pocket lant]n1 ! rays ( :i* "o may at w direct n[ hi!r & !n ?i!r2 x is a /> = :i* ! pa? is be+ prescrib$ by ! de> ,"l4 8,z f> z ,i am conc]n$ p]sonally1 ,i 0 z if ?und]/ruck1 :5 = ! fir/ "t & 9 only a g5]al mann] ,i began to see my way4 ,i 0 aw$4 ,i deem$ ?is inspiration to be a delusion1 a #8temptation4' 8,y w easily und]/& :at d\bts ,i _h to ov]come1 until ,i became conv9c$ t ,i _h to foll[ ?is way4 ,( c\rse1 ,i cle>ly und]/ood :at x means #8to drop ! objective4' ,) :at d\bts ,i 0 tr\bl$ reg>d+ my own p[]s6 ,= ,i knew at once :at p[]s 7 absolutely requir$ = ?is task4 ,h[ ?is inn] developm5t proce$$1 h[ ev]y?+ pu%$ me on to ?is way & h[ ! ext]ior developm5t sl[ly b logically 7/ep by /ep7 foll[$ suit1 y w see f my book t is to appe> %ortly 79 ,engli%74 ,all t ,i /ill see ahead ( me1 all ^! tasks1 ! ev]-increas+ weal? ( possibilities1 ! ev]-gr[+ dep? ( pa9t+ ,i _c describe4 ,& "o mu/ & may n describe su* ?+s3 !y mu/ mature inn]ly 9 secret conf9em5t & may n be express$ o!rwise ?an by ! pa9t]'s art4 8,if 9 "t y acquire ! ability to m exactly live my pictures1 y w h to admit t ! elem5t ( #8*ance' is v r>ely met ) 9 ^! pictures1 & t x is m ?an amply cov]$ by ! l>ge positive sides--s amply1 inde$1 t x is n wor? :ile to m5tion ^? weak spots4 8,my con/ructive =ms1 al?\gh outw>dly appe>+ indi/9ct1 are 9 fact rigidly fix$ z if !y 7 cut 9 /one4 8,^! explanations lead u too f>2 !y c\ld help only if illu/rat$ by examples4 ,also1 ?is lett] is already mu* long] ?an x ought to be4 ,i tru/ t ,i h express$ myself cle>ly6 ,^! ?+s are s inf9itely complicat$1 ,illu/ration3 ,,vlam9ck ,village & h[ (t5 d ,i deviate f my !me & ?us 7in/ead ( produc+ #8cl>ity'7 cause confusion to become worse conf\nd$60 99 99 99 99 99 ,! result are pa9t+s su* z ! f\r reproduc$ 9 color & half-tone4 ,! brilliant color comb9ations & h>monies ( ! orig9als are inadequately disclos$ 9 ! reproductions1 ! scale is too r$uc$4 ,b ! =ms are well indicat$1 /range1 curi\s =ms1 mean+less on fir/ impression b insi/5t4 ,mo/ p are repell$ at once by ! l&scapes because !y seem s badly drawn a *ild c\ld d bett]2 b ev5 z l&scapes1 z impressions ( nature--or r ( some?+ 9 nature--! pictures w n be d5i$4 ,if !y 7 int5d$ to be accurate repres5tations ( natural sc5es1 m\nta9s1 fields1 trees1 h\ses1 !y w\ld be ridicul\s inde$1 b !y are n s int5d$1 !re=e !y %\ld n be s judg$4 ,9 look+ at ^! pictures--compositions1 r1 x is b fair to look at !m f ! po9t ( view ( ! pa9t]1 try to read !m z he wrote !m4 99 99 99 99 99 8,compositional0 pa9t+ is no radical dep>ture1 no new discov]y4 ,! in/9ct ( ! *ild is to 8compose10 to create4 ,x is only aft] mu* *id+ & correction t ! *ild draws lit]ally--copies :at x sees4 99 99 99 99 99 ,x takes a big & /rong man to pass ?r\gh s*ools & academies & come out unsca!d4 ,! art s*ool is a gods5d to tal5t & m$iocrity2 x is a m5ace to g5ius4 ,mo/ pa9t+s are 8compositional0 to "s ext5t4 ,b f ! lit]alness ( ,monet's hay /acks to ! ab/ract qualities ( ,k&9sky's improvisations ! int]val is great4 ,!re is1 too1 a diff]5ce 9 k9d1 z well z degree1 betwe5 ! compositions ( ! pa9t] :o simply re-arranges nature1 p]sons1 or objects to secure a pleas+ or effective result1 & ! pa9t] :o uses nature1 life1 or objects z s _m signs or notes to express 8 inn] feel+s2 ! =m] pa9ts to impress o!rs1 ! latt] pa9ts to express himself to o!rs4 ,! "o is ?9k+ all ! "t ( 8 picture1 ! o!r is ?9k+ all ! "t ( 8 message4 ,all great pa9t]s h comb9$ ! two attitudes1 !y h express$ !mselves 9 pictures t n only convey ! message b z pictures impress o!rs--t is *>act]i/ic ( ! _w's great art4 ,at ! mom5t ! p5dulum is sw++ t[>d ! extreme :]e ev]y?+ is subord9at$ to ! expression ( ! arti/'s self1 & ! indications are t "s subtle & wond]ful ?+s w be pa9t$ be=e ! p5dulum sw+s back4 99 99 99 99 99 ,to :at ext5t ! public g5]ally w accept pure compositional pa9t+ x is impossible to say2 b ! numb] ( ^? :o enjoy x w /eadily increase until !re w be _m lov]s ( art :o w collect only ! mo/ ab/ract works4 99 99 99 99 99 ,a ,russian pa9t] ( great /r5g? b entirely diff]5t inspiration & te*nic 0 ask$1 8,d y l ,k&9sky's ,improvisations80 8,v mu*40 8,d y und]/& !m80 8,no40 8,!n :y d y l !m80 8,because !y give me pleasure & ,i am sure t z ,i look at !m !y excite 9 me ! same pleasure !y excit$ 9 him :5 he pa9t$ !m2 he has succe$$ 9 convey+ to me 8 own emotions & t is ! mo/ any arti/ c hope to d40 ,:i* br+s u back to ! proposition laid d[n 9 an e>li] *apt]3 ! emotional reaction to music & pa9t+ may be & usually is q indep5d5t ( ! intellectual1 & :ile x may be ei!r increas$ or dim9i%$ 9 volume by und]/&+1 x is necess>ily *ang$ 9 "*4 99 99 99 99 99 ,ano!r arti/1 an ,au/rian1 0 ask$3 8,h[ d y l ,k&9sky's ,improvisations80 ,aft] a mom5t's hesitation he repli$ sl[ly3 8,!y int]e/ me imm5sely1 & ,i admire ! man's c\rage to express himself 9 8 own way reg>dless :e!r p und]/& him or n1 b he goes s f> t x is almo/ impossible = ev5 8 fri5ds & sympa?iz]s to und]/& 8 pictures4 ,he goes s f> he is q alone1 no "o c foll[1 & !re9 ,i ?9k p]haps he makes a mi/ake1 = aft] all pictures %\ld be s pa9t$ t ^? :o e>ne/ly try c und]/& !m40 ,b t is j ! "q t e great arti/ is oblig$ to put to himself1 8,%all ,i write or pa9t s t o!rs w und]/&1 or %all ,i express myself 9 my own way ev5 ?\gh no "o b myself compreh5ds & ev5 ,i fail at times80 ,x is j z bad to pa9t ) ! sole purpose ( be+ und]/ood--comm]cialism--z x is to pa9t ) ! sole purpose ( be+ misund]/ood--*>latanism4 ,,viii ,,color ,,music ,color music is no new idea1 b ( late x is f9d+ new expression4 ,:ile pa9t]s are beg9n+ to pa9t color h>monies t are indep5d5t ( ! repres5tations ( natural objects1 o!rs are seek+ ! same emotional effects ) color$ lights4 ,a 8color organ0 has be5 inv5t$#fj :i* deals ) color = its own sake z music does ) s\nd1 !reby op5+ up a new _w ( beauty & int]e/ z yet to a great ext5t unexplor$4 ,:5 y ent] ,mr4 ,rim+ton's ,engli% /udio y see at "o end ( x a curi\s in/rum5t ) a keybo>d & /ops1 :ile at ! o!r end is a :ite scre51 hung 9 folds to give great] dep? & life to ! colors play+ ^u x4 ,:at happ5s :5 ! in/rum5t is play$ is ?us describ$ by ,mr4 ,rim+ton3 8,imag9e a d>k5$ conc]t room4 ,at "o end !re is a l>ge scre5 ( :ite drap]y 9 folds1 surr\nd$ ) black & fram$ by two b&s ( pure :ite light4 ,^u ?is we w suppose1 z an example ( a simple color composition1 t !re appe>s ! fa9te/ possible flu% ( rose color1 :i* v gradually fades away :ile we are enjoy+ its purity & subtlety ( t9t1 & we return to d>kness4 ,!n1 ) an int]val1 x is repeat$ 9 ?ree successive phases1 ! la/ ( :i* is /rong] & m prolong$4 8,:ile x is /ill l+]+ ^u ! scre51 a rapid s]ies ( t\*es ( pale lav5d] notes ( color beg9 to flit across x1 gradually /r5g!n+ into deep violet4 ,?is aga9 becomes %ot ) ame?y/1 & aft]w>d *ang+ gradually into a brok5 t9t ( ruby1 gives a return to ! w>m] tones ( ! op5+ passage4 8,a delicate primrose n[ appe>s1 & ) little runs & flu%es ( pulsation leads ?r\gh sev]al passages ( indescribable c9namon ,illu/ration3 ,,picasso ,old ,woman ,illu/ration3 ,,girieud ,woman ,seat$ color to deep topaz4 ,!n sudd5ly int]weav+s ( /range gre5 & peacock blue1 ) n[ & !n a t\* ( pure :ite1 make u seem to feel ! tremul\sness ( ! ,m$it]ranean on a breezy day1 & z ! color deep5s !re are h>monies ( violet & blue gre5 :i* recall its waves "u a ,tramontana sky4 ,m & m p[]ful !y gr[1 & ! eye revels 9 ! dep? & magnific5ce ( ! color z ! executant /rikes *ord aft] *ord among ! bass notes ( ! in/rum5t4 8,!n sudd5ly ! scre5 is aga9 d>k & !re is only a rhy?mic & e*o+ beat ( ! dy+ color ^u x4 ,at la/ ?is disappe>s also1 & !re is ano!r sil5t pause1 !n "o hesitat+ t9t ( fad$ rose z at ! op5+ ( ! composition4 8,^u ?is foll[s a /rong] return ( ! color1 & z ! scre5 once m beg9s to gl[ ) note aft] note ( r$ & sc>let1 we are prep>$ = ! rapid cresc5do :i* f9ally leads up to a s]ies ( /accato & =te *ords ( pure crimson :i* almo/ />tle u ) ! =ce ( _! color be=e !y die away into blackness6 8,?is10 says ,mr4 ,rim+ton1 8is an extremely simple example1 b x may suffice to %[ ! k9d ( effect produc$ by an unadorn$ =m ( mobile color n accompani$ by music4 ,9 "s cases a musical accompanim5t 0 f\nd to add greatly to ! int]e/ ( a color composition4 ,! ne>e/ approa* to color music 9 nature is to be f\nd 9 c]ta9 sunsets40 ,( ! emotional & ae/hetic effect ( color music on v>i\s behold]s we read3 ,! am\nt ( pleasure & int]e/ d]iv$ f color compositions v>ies imm5sely ) individuals4 ,an int]e/+ in/ance ( ?is 0 ! case ( a well-kn[n ,london doctor1 :o told ! au?or1 aft] fir/ see+ a recital ( color-music1 t he 0 absolutely unappreciative ( any =m ( 8s\nd music20 t x 01 9 fact1 a pa9 to him1 & t he _h always dete/$ x4 8,b10 he said1 8f ! mom5t t ,i fir/ saw a display ( mobile color1 ,i realiz$ :at ,i _h miss$ all my life ?r\gh my inability to appreciate music4 ,x op5$ up a new _w ( s5sations to me & gave me ! greate/ m5tal pleasure ,i h ev] exp]i5c$40 ,?is cle>ly %[s t to "s p]sons mobile color w\ld1 or does1 fill ! place :i* music c n occupy 9 _! lives4 ,on ! o!r h&1 !re c be little d\bt t to "s1 ?\gh !y w\ld h>dly own x1 color ( any k9d is m or less unpleasant1 & !y w\ld pref] to live 9 a monotonic _w4 ,"o mu/ !re=e be prep>$ = a great v>iety ( op9ions ) reg>d to any su* art z t ( mobile color4 ,! majority ( p w probably d]ive a mod]ate b increas+ pleasure f x4 ,!re are _m to :om x at once provides a surpass+ly int]e/+ s\rce ( enjoym5t & education1 & "s to :om1 l my m$ical fri5d1 x w op5 up an entirely new _w ( s5sations2 & !re are o!rs1 aga91 to :om x w be supremely di/a/eful4 ,x is well to recognize ?is to avoid disappo9tm5t1 & be prep>$ = v div]g5t expressions ( op9ion ab\t x4 ,speak+ broadly1 x appeals mo/ to ^? :o h _h an arti/ic tra9+ into :i* color has ent]$1 & x is less attractive to ^? ^: int]e/s c5t] 9 music4 ,?is is n :at ! au?or p]sonally expect$4 ,he imag9$ t ! connection ) music be+ s close on "s po9ts1 ^? :o w\ld take ! greate/ int]e/ 9 mobile color w\ld be musicians2 b1 ) "s /rik+ exceptions among di/+ui%$ musicians1 ! musical _w1 z f> z x has yet come into contact ) color-music1 has be5 at fir/ incl9$ to see po9ts ( div]g5ce r ?an ^? ( analogy & to look ^u ! art z a possible rival4 ,a simil> attitude is (t5 adopt$ t[>d any new dep>ture 9 sci5ce or art1 & !re is no reason = res5t+ x2 x m]ely makes ! coop]ation ( ^? among musicians :o are able to take a sympa!tic view & welcome ! endeavor to op5 up new fields ( inve/igation all ! m valuable4 99 99 99 99 99 ,f "t immemorial *ild & man h tak5 ! ke5e/ delight 9 fireworks & color$ lights :i* are aft] all a species ( light music4 ,s9ce ! adoption ( electricity = light+ x is comp>atively easy to produce ! mo/ wond]ful effects bo? indoors & out4 ,z yet little ?\ght has be5 giv5 to produc+ h>moni\s light effects on /reets--save 9 adv]tis+ signs4 ,= ! mo/ "p ! light+ is g>i% 9 ! extreme1 (t5 positively pa9ful to ! eyes1 b 9 "t ?is w be correct$4 ,public au?orities coop]at+ ) private own]s w "w out s*emes = light+ /reets & %ops t w yield *>m+ effects4 99 99 99 99 99 ,already mu* has be5 done 9 ! !at]1 especially 9 ,russia & ,g]many4 ,! value ( light effects is be+ recogniz$4 ,s(t music is (t5 play$ to enhance ! effect ( a t5d] or pa!tic sc5e1 & x is q common = ! lights to *ange 9 h>mony4 ,by ! use ( light alone z an accompanim5t to a love sc5e ! same effect on ! audi5ce c be secur$ z by ! use ( s(t music4 ,s f> all ?is has be5 done crudely & = ! mo/ "p unsci5tifically4 ,produc] & electrician h work$ toge!r 9 a haphaz>d way1 (t5 ) great success1 sometimes ) mo/ disagreeable results4 ,! v t]m 8/age light+0 is n inspir+1 b ! art ( light music w be develop$ & be taught 9 !ory & practice4 ,ma/]s ( ! art w come & m5 w realize t x is j z great an art to satisfy ! eye ) light melodies z x is to please ! e> ) s\nd melodies4 ,!re yet may be ent]ta9m5ts :]e only light music is play$ z !re are conc]ts :]e only s\nd music is play$4 ,& :y n8 ,j ask y\rself ! "q--,:y n8 ,( all ! organs ( s5se ! eye is ! mo/ delicate & ! mo/ wond]ful4 ,! e> responds to air waves t travel at ! rate ( #a1ajj feet p] second & v>y 9 frequ5cy f #af to #cb1jjj p] second4 ,! musical notes v>y f #cb to #e1jjj beats p] second4 ,! eye responds to e!r waves t travel at ! rate ( #ahb1jjj miles p] second & v>y 9 frequ5cy f #djj millions millions--! l[e/ r$ ( ! spectrum--to #gej millions millions 7r$ #djj1jjj1jjj1jjj1jjj2 violet #gej1jjj1jjj1jjj1jjj7 ! highe/ violet4 99 99 99 99 99 ,man has devot$ ages to develop+ h>monies 9 ! comb9ation ( air waves1 & he has r$uc$ s\nd music to a sci5ce4 ,he has devot$ all ! ages ( 8 be+ to ! use ( color 9 "o way & ano!r to please 8 eye1 b only ( late has he made any attempt to und]/& ! sci5ce ( light & color music4 99 99 99 99 99 ,! mat]ial civilization we h atta9$ 9 comp>ison ) ! spiritual civilization we %\ld atta9 is fairly well indicat$ by ! va/ diff]5ce betwe5 ! crude & natural art ( s\nd effects :i* is1 s f>1 man's mo/ ab/ract a*ievem5t 9 art1 & ! incomp>ably f9] & m e!real art ( light & color effects :i* w be "o ( ! cr[n+ a*ievem5ts ( man's nobl] future4 99 99 99 99 99 ,! pa9t] ( easel pictures arrogates to himself ! "n arti/ & to 8 "w ! phrase f9e art4 ,he looks d[n ^u ! h\se pa9t]1 ! dressmak]1 & ! int]ior decorator4 ,yet z comp>$ ) ^? :o clo! our bodies & decorate our homes 9 h>monies ( l9e & color ! pa9t] ( easel pictures cuts v little figure 9 life2 he plays 8 "p b mu* ( 8 inspiration is drawn f ! "w ( ! o!r two4 ,x %\ld nev] be =gott5 t 9 all ! great portraits ( ! _w ! clo!s & ! int]iors t furni% ! beautiful color s*emes prec$$ ! pictures (t5 by g5]ations4 ,! co/um] & ! decorator "w ye> 9 & ye> out1 f g5]ation to g5]ation1 ?r\gh\t ! c5turies1 ) n s mu* z a ?\ght ( ! pa9t] 9 ! corn] ) 8 little canvas1 fai?fully copy+4 ,n[ & !n a great pa9t]1 a great sculptor1 takes (f 8 coat1 turns workman = ! mom5t & makes sculptures = build+s1 pa9ts pictures on walls1 devises co/umes1 & contributes to mak+ our environm5t m beautiful4 ,b n infrequ5tly ! sculptor & ! pa9t] upset ! equilibrium ( ! "w ( o!rs by do+ ?+s :i* are out ( key or out ( proportion4 ,! 8f9e arti/0 may br+ ! "w ( decorat+ to a /&/ill by pa9t+ spotty easel pictures on walls t %\ld be treat$ 9 h>mony ) ! entire build+ & ) its uses4 99 99 99 99 99 ,! "t w come :5 art s*ools w tea* pure color composition z well z draw+ & ! pa9t+ ( pictures4 ,:y %\ld n prizes be (f]$ = color h>monies8 ,z x is n[ pupils are taught ev]y?+ except ! use ( color = ! sake ( color4 99 99 99 99 99 ,:at is a 8/ill life08 ,simply a pa9t+ ( a numb] ( objects select$ & arrang$ prim>ily = _! color notes4 ,:y n pa9t ! notes )\t ! fruit & di%es8 ,s f> z ! color h>mony is conc]n$ ! figure ( an orange1 an apple1 a banana is n ess5tial2 9 reality ! photographic realization di/racts4 ,b ! public is n accu/om$ to pure color music1 x is n accu/om$ to see+ canvases t conta9 only color h>monies ) no sugge/ion ( object or =m1 x dem&s t ! note ( yell[ %all be a lemon or a banana1 t ! note ( purple %all assume ! %ape ( a plum & s on1 & s on2 yet all ! "t ! enjoym5t d]iv$ f a f9e 8/ill life0 is f ! h>mony t results f ! comb9ation ( colors1 & 9 no s5se f ! objects arbitr>ily & artificially gr\p$ toge!r4 99 99 99 99 99 ,! use ( l9e & color imitatively to depict objects is "o ?+4 ,! use ( l9e & color freely to produce pure l9e h>monies & pure color h>monies1 ) no ref]5ce to objects is q ano!r1 & 9 a s5se1 a f> high] art--a m ab/ract art4 ,x is t[>d ! developm5t ( ?is m ab/ract art t ! mod]n exp]im5ts are t5d+4 ,! net result 9 ! long run w be ! education ( a consid]able fraction ( ! public to ! appreciation ( pure l9e & color music & a consequ5t dem& = pa9t+s t are simply pure l9e & color compositions4 ,) ?is developm5t ( a ta/e = a v ab/ract art all ! arts & crafts are c]ta9 to be b5eficially affect$4 ,! /udy ( l9e = ! sake ( l9e1 & ( color = ! sake ( color if sy/ematically pursu$ w make all draftsm5 great] ma/]s ( l9e1 & all pa9t]s--to ! humble/ h\se pa9t]--great] ma/]s ( color4 ,,ix ,,esoragoto ,nei!r ! ,cubi/s nor ,k&9sky tr\bl$ a v di/+ui%$ ,japanese exp]t :o sp5t _m days at ! exhibition4 8,! pr9ciples ( all ?is are old1 v old1 9 ,japan40 ,he 0 f> m int]e/$ 9 ! extreme draw+s & pa9t+s ?an 9 ! m academic4 ,po9t+ to a draw+ t seem$ sc>ce m ?an a few c>eless /rokes1 he said1 8,t is q 9 ! _s ( ! be/ ,japanese art40 ,( ! 8,k+ & ,que50 he said1 8,i l t v mu*10 & s on1 pass+ f "o ,cubi/ picture to ano!r1 comm5t+ ^u ea* s]i\sly & intellig5tly4 99 99 99 99 99 ,to ei!r copy or be 9 ! slighte/ degree hamp]$ by nature is a m>k ( inf]iority 9 ,*9ese & ,japanese art4 ,! v ab/ract art ( ! ,ori5t has its elaborate conv5tions1 b ^? conv5tions are all 9 ! direction ( pure art1 :]eas ! conv5tions ( our art 7music always except$7 are all 9 ! direction ( imitation4 ,x 0 a !ory ( ! great ,*9ese tea*]1 ,*9anp91 & p>ticul>ly en=c$ by him1 t trees1 plants1 & grasses take ! =m ( a circle1 call$ 9 art ,r9 kan2 or a semi-circle1 ,han kan2 or an aggregation ( half circles1 call$ fi%-scales1 ,gyo s92 or a modification ( ^! latt]1 call$ mov+ fi%-scales1 ,g s9 ,katsu4#fa 99 99 99 99 99 ,9 reg>d to pa9t+ mov+ wat]s1 :e!r deep or %all[1 9 riv]s or brooks1 bays or oceans1 ,*9anp9 decl>$ x 0 impossible = ! eye to seize _! exact =ms because !y are ev] *ang+ & h no fix$1 def9ite %ape2 !re=e1 !y _c be sket*$ satisfactorily2 yet1 z mov+ wat] mu/ be repres5t$ 9 pa9t+1 x %\ld be long & m9utely contemplat$ by ! arti/ & its g5]al "*--:e!r leap+ 9 ! brook1 fl[+ 9 ! riv]1 ro>+ 9 ! cat>act1 surg+ 9 ! ocean or lapp+ ! %ore--obs]v$ & reflect$ ^u1 & aft] ! eye & ! memory are bo? suffici5tly tra9$ & ! v s\l ( ! arti/ is saturat$1 z x 71 ) ?is "o subject1 & he feels 8 :ole be+ calm & compos$1 he %\ld retire to ! privacy ( 8 /udio & ) ! e>ly morn+ sun to gladd5 8 _s !re attempt to reproduce ! movem5t ( ! fl[2 n by copy+ :at he has se51 = ! effect w\ld be /iff & wood51 b by symboliz+ accord+ to c]ta9 laws :at he feels & rememb]s4 99 99 99 99 99 ,x beg9s to be pla9 :y ! ,japanese exp]t 0 pr(\ndly int]e/$ 9 ! mod]n pictures & draw+s4 99 99 99 99 99 ,"o ( ! mo/ important pr9ciples 9 ! art ( ,japanese pa9t+--inde$ a fundam5tal & entirely di/9ctive *>act]i/ic--is t call$ liv+ movem5t1 sei d1 or ,kokoro ma*i1 x be+1 s to say1 ! transfusion into ! "w ( ! felt nature ( ! ?+ to be pa9t$ by ! arti/4 ,:atev] ! subject to be translat$--:e!r riv] or tree1 rock or m\nta91 bird or fl[]1 fi% or animal--! arti/ at ! mom5t ( pa9t+ x mu/ feel its v nature1 :i*1 by ! magic ( 8 art1 he transf]s into 8 "w to rema9 =ev]1 affect+ all :o see x ) ! same s5sations he exp]i5c$ :5 execut+ x4 ,?is is n an imag9>y pr9ciple1 b a /rictly en=c$ law ( ,japanese pa9t+4 ,! /ud5t is insi/5tly admoni%$ to obs]ve x4 ,%\ld 8 subject be a tree he is urg$ :5 pa9t+ x to feel ! /r5g? :i* %oots ?r\gh ! bran*es & su/a9s ! limbs2 or if a fl[] to try to feel ! grace ) :i* x exp&s or b[s its blossoms4 ,inde$1 no?+ is m con/antly urg$ ^u 8 att5tion ?an ?is great und]ly+ pr9ciple t x is impossible to express 9 art :at "o does n fir/ feel4 99 99 99 99 99 8,waga kokoro waga te woyaku ,waga te waga kokoro ni ozuru40 ,our _s mu/ make our h& its s]vitor2 ,our h& mu/ respond to ea* behe/ ( our _s4 ,illu/ration3 ,,s\sa ,,c>doza ,/ronghold ,! ,japanese arti/ is taught t ev5 to ! plac+ ( a dot 9 ! eyeball ( a tig]1 he mu/ fir/ feel ! savage1 cruel1 fel9e "* ( ! bea/1 & only "u su* influ5ce %\ld he apply ! bru%4 ,if he pa9t a /orm he mu/ at ! mom5t realize pass+ ov] him ! v tornado :i* te>s up trees f _! roots & h\ses f _! f\ndations4 ,%\ld he depict ! seacoa/ ) its cliffs & mov+ wat]s1 at ! mom5t ( putt+ ! wave-b\nd rocks into ! picture he mu/ feel t !y are be+ plac$ !re to resi/ ! fi]ce/ movem5t ( ! ocean1 :ile to ! waves 9 turn he mu/ give an irresi/ible p[] to c>ry all be=e !m4 ,?us1 by ?is s5tim5t call$ liv+ movem5t 7sei d71 reality is imp>t$ to ! inanimate object4 ,?is is "o ( ! m>vel\s secrets ( ,japanese pa9t+ h&$ d[n f ! great ,*9ese pa9t]s & bas$ on psy*ological pr9ciples--matt] responsive to m9d4#fb 99 99 99 99 99 ,9 ! light ( ! =ego+1 "o beg9s to und]/& :y ,w9sl[ ,hom] pa9t$ su* wond]ful realizations ( ! sea & rocky coa/s--he liv$ remov$ f m51 8 mo/ intimate fri5ds ! rocks & waves4 ,"o also beg9s to und]/& h[ pa9t]s :o %[ great /r5g? & promise 9 _! e>li] works1 bas$ ^u surr\nd+s !y "k1 lose bo? /r5g? & promise :51 flu%$ by prosp]ity or attract$ by t9sel & glitt]1 !y e/abli% _! /udios 9 cities & /ill try to pa9t ! sea or ! c\ntry4 99 99 99 99 99 ,japanese arti/s are n b\nd d[n to ! lit]al pres5tation ( ?+s se54 ,!y h a canon1 call$ esoragoto1 :i* lit]ally means an inv5t$ picture1 or a picture into :i* c]ta9 fictions are pa9t$4 ,e pa9t+ to be effective mu/ be esoragoto2 t is !re mu/ ent] !re9 c]ta9 arti/ic lib]ties4 ,x %\ld aim n s mu* to reproduce ! exact ?+ z its s5tim5t1 call$ kokoro mo*i1 :i* is ! mov+ _s ( ! sc5e2 x mu/ n be a facsimile4 99 99 99 99 99 ,x is relat$ t ,okubo ,%ibutsu1 fam\s = pa9t+ bamboo1 0 reque/$ to execute a kakemono repres5t+ a bamboo =e/4 ,cons5t+1 he pa9t$ ) all 8 well-kn[n skill a picture 9 :i* ! entire bamboo grove 0 9 r$4 ,! patron ^u its receipt m>vel$ at ! extraord9>y skill ) :i* ! pa9t+ _h be5 execut$1 &1 repair+ to ! arti/'s resid5ce1 he said3 8,ma/]1 ,i h come to ?ank y = ! picture2 b1 excuse me1 y h pa9t$ ! bamboo r$40 8,well10 cri$ ! ma/]1 89 :at color w\ld y desire x80 8,9 black1 ( c\rse10 repli$ ! patron4 8,& :o10 answ]$ ! arti/1 8ev] saw a black-leav$ bamboo80 ,?is /ory well illu/rates esoragoto4 ,! ,japanese are s accu/om$ to associate true color ) :at ! sumi ! black s commonly us$ 9 ,japan /&s =1 t n only is fiction 9 ?is respect p]missible b actually miss$ :5 n employ$4 99 99 99 99 99 ,esoragoto is a v good ^w = ! ,po/-,impressioni/s to appropriate4 ,we h no ^w 9 ,engli% & ,i "k ( none 9 ,fr5* t is any:]e ne> its equival5t4 ,impressionism is pa9t+ ) a m9imum ( esoragoto2 ,po/-,impressionism is pa9t+ ) a maximum ( esoragoto4 ,! p5dulum 9 art & lit]ature sw+s f less esoragoto to m--f reali/ic transcription ) a m9imum ( self1 to ideali/ic compositions ) a maximum ( self4 99 99 99 99 99 ,all ! great art ( ! _w is esoragoto4 ,! greate/ pa9t+s 9 ! _w are indoor n outdoor pa9t+s--9-self n out-self4 ,all ! great ,italian pa9t+s & frescoes are creations ( ! imag9ation4 ,! portraits ( ,velasquez1 ,rembr&t1 ,hals are esoragoto4 ,!y are ! sitt]s idealiz$ by ! g5ius ( ! arti/s4 ,!y are f> remov$ f photographic realism4 ,:y are ! portraits ( ! same man or woman pa9t$ by diff]5t arti/s s unlike8 ,because ea* is m or less esoragoto--m or less ! reflection ( ! pa9t] r ?an ! sitt]4 99 99 99 99 99 ,= a long "t we h be5 s influ5c$ by ! !ories ( ! ,impressioni/s1 ! reali/s1 ! ple9-air s*ool1 t we res5t x :5 an arti/ says1 8,i w pa9t some?+ m beautiful ?an nature2 ,i w pa9t nature h]self m beautiful ?an %e is4 ,i w pa9t ! _s ( nature4 ,i w pa9t trees t d n look l trees1 b w give y ! feel+1 ! dignity1 ! p[] ( trees4 ,i w pa9t ! e>?1 n z x looks1 b 9 a way t w give y an impression ( its f]tility & fecundity4 ,i w pa9t y fl[]s1 n by fai?fully copy+ !m z !y are 9 ! field1 b z !y bloom & blossom 9 y\r memory4 ,i w pa9t y m5 & wom51 n z y see !m on ! /reet & 9 ! draw+ room--sup]ficial resemblances--b z !y really are to y & to me1 human be+s ! true significance ( :i* is n express$ 9 ! droop+ ( a m\/a*e1 ! lift+ ( an eyebr[4 ,i w pa9t !m 9 black or br[n or r$ or blue1 or 9 gold or bronze1 z does ! sculptor2 ,i w pa9t !m 9 a way s /range y h nev] se5 ! l be=e1 b ,i w make y feel _! humanity40 99 99 99 99 99 ,to illu/rate ! arbitr>y mann] :i* ! great ori5tal arti/s use colors to produce h>moni\s results irrespective ( nature1 ,i once us$ a numb] ( old ,*9ese pa9t+s borr[$ f a fam\s collection--9 ea* ( :i* ! hair ( ! figures 0 pa9t$ blue4 ,& :y n8 ,black1 br[n1 or flax5 w\ld n h giv5 ! effect ! pa9t] desir$1 any m ?an ,c1 ,d1 or ,e w\ld take ! place ( ,f 9 a *ord4 ,! ,ori5tal ne$s a note ( blue & s pa9ts ! hair blue4 ,& :5 "o comes to ?9k ( x1 next to "s m>vel\s %ades ( r$1 blue hair is f> m positive & picturesque ?an gray1 or yell[1 or any black b a glossy rav54 ,we nev] ?9k ( res5t+ a t]ra cotta horse 9 a pr9t by ,hokusai2 x does n di/urb u because we in/9ctively recognize ! fact t a /rong note ( t]ra cotta is ne$$ precisely :]e x is us$--a t]ra cotta horse1 or rock1 or man1 x matt]s n4 99 99 99 99 99 ,human faces ( gold1 silv]1 bronze1 ev5 m>ble--t uglie/ ( all /ones1 9 its natural /ate--d n worry u4 ,9 fact :5 we look at m>ble sculpture we are 9 ! attitude ( ! man :o ord]$ ! pa9t+ ( ! bamboo =e/4 ,we are s accu/om$ to see+ gho/ly :ite m>ble bu/s & /atues we actually res5t x if ! sculptor /a9s or colors ! m>ble n to make x m reali/ic1 b to make x m beautiful4 ,yet all ,greek sculpture 0 pa9t$ or treat$ ) wax 9 su* a mann] ! h>%ness ( ! /one 0 modifi$4 ,! s5sitive vision ( ! ,greeks c\ld n tol]ate ! cold1 h>d :it5ess4 ,mu* ( our enjoym5t ( anci5t sculpture is due to its discoloration1 to :at "t & ! elem5ts h done to its surfaces4 99 99 99 99 99 ,our appreciation ( art w nev] be true until we c gaze ) unprejudic$ eye ^u any comb9ation ( l9es & colors ! arti/ *ooses to use4 ,s long z we dem& t he %all use only ^? comb9ations we are accu/om$ to1 j s long d we by our attitude *eck 8 developm5t4 ,! av]age man is bewild]$ by ! new & ! /range2 he is bewild]$ by new cities1 new c\ntries1 new peoples1 new pictures1 new sculpture1 new ar*itecture1 new music1 new books1 new ideas--because he is n us$ to !m & does n und]/& !m2 he does n "k :e!r to l !m or n s he condemns !m 9 ord] to make a pret5se ( kn[+4 99 99 99 99 99 ,! r>e man is n bewild]$ by ! new & ! /range at home or abroad1 9 art or life4 ,he is int]e/$ & at once sets ab\t le>n+ & compreh5d+4 ,he loves ! new & ! /range in/9ctively because !y excite 8 curiosity & pique 8 intellig5ce4 ,he loves to meet ! new & ! /range z an ar*eologi/ loves to f9d an inscription 9 an unkn[n tongue--= ! hidd5 significance4 99 99 99 99 99 ,?is *apt] may be conclud$ appropriately by f\r w>n+s :i* ,*9ese wisdom p\rs into ! e>s ( art /ud5ts4 ,_m ( ! mod]n pa9t]s %\ld pond] ^! precepts4 8,ja1 ,kan1 ,zoku1 ,rai40 8,ja ref]s to attempt$ orig9ality 9 a pa9t+ )\t ! ability to give x "*1 dep>t+ f all law to produce some?+ n r$ucible to any law or pr9ciple4 8,kan is produc+ only sup]ficial pleas+ effect )\t any p[] 9 ! bru% /roke--a *>act]less pa9t+1 to *>m only ! ignorant4 8,zoku ref]s to ! fault ( pa9t+ f a m]c5>y motive only--?9k+ ( money in/ead ( art4 8,rai is ! base imitation ( or copy+ or cribb+ f o!rs40 ,x ,,ugl9ess ,! mod]n movem5t is 9 ! direction ( great] fre$om1 fre$om to produce beautiful ?+s 9 "o's own way4 ,unhappily _m ( ! ?+s produc$ are n beautiful n[--n ne>ly s dignifi$ & beautiful z ?\s&s ^u ?\s&s ( old pictures4 ,"o's fir/ impression on ent]+ an exhibition ( extreme mod]n works is n an impression ( beauty b ( ugl9ess4 ,!re is no d5y+ t1 & x takes ev5 ! mo/ imp>tial & sympa!tic obs]v] a long "t to pick out ! ?+s :i* are f9e 9 color & l9e & to readju/ 8 notions ( beauty4 ,_m ( ! pictures are brutal & mo/ ( !m are crude1 b :ile ! fir/ impression may be "o ( ugl9ess x is m1 x is "o ( exce$+ vitality4 ,!re is no?+ mu/y ab\t ! mod]ns1 _! canvases are s alive !y scream4 ,z comp>$ ) ! subdu$ tones ( an academic exhibition a mod]n seems l a babel ( discordant s\nds1 b ! confusion is m app>5t ?an real4 ,by go+ day aft] day "o gets accu/om$ to ! newness1 ! fre%ness1 ! /rang5ess ( x all & beg9s to und]/& & appreciate ! "o big1 dom9ant note--vitality4 99 99 99 99 99 ,!n1 too1 :5 we say ! fir/--& la/ = mo/ p--impression is "o ( ugl9ess1 we mu/ n =get ,illu/ration3 ,,d]a9 ,=e/ at ,m>tigues t our appreciations are prim>ily ! result ( environm5t & habit1 & only second>ily1 & ) comp>atively few1 ! result ( intellig5t discipl9e4 ,we l :at we are accu/om$ to & dislike :at we are n accu/om$ to4 ,few take ! pa9s to discipl9e _! likes & dislikes4 99 99 99 99 99 ,sev5ty ye>s ago public & critics ?\ght ,turn] ugly 9 ! extreme4 ,sixty ye>s ago public & critics ?\ght ,millet ugly 9 ! extreme4 ,fifty ye>s ago public & critics ?\ght ,manet ugly 9 ! extreme4 ,=ty ye>s ago public & critics ?\ght ,monet ugly 9 ! extreme4 ,?irty ye>s ago public & critics ?\ght ,czanne ugly 9 ! extreme4 ,tw5ty ye>s ago public & critics ?\ght ,gaugu9 ugly 9 ! extreme4 ,t5 ye>s ago public & critics ?\ght ,van,gogh ugly 9 ! extreme4 ,today public & critics ?9k ! ,cubi/s & ne>ly all ! new m5 ugly 9 ! extreme4 ,ea* decade has its m5 9 art1 music1 sci5ce1 lit]ature ^: works at fir/ seem ugly1 only to w9 out 9 ! long run4 ,h5ce ! dang] 9 pron\nc+ ?is or t pa9t+ ugly2 x may seem grotesque & hide\s today2 ?irty ye>s h5ce x may comm& ?\s&s f m5 & museums eag] to possess x4 ,t has be5 ! hi/ory ( _m great pa9t+s4 99 99 99 99 99 ,/ill we d h our notions reg>d+ ! ugly & ! beautiful1 & :ile our notions *ange & develop ye> by ye> !y naturally control at ea* giv5 mom5t2 t is1 we _c say we ?9k a picture or a piece ( music is beautiful today because ! *ances are we w ?9k x beautiful a doz5 ye>s h5ce1 any m ?an we c say we l olives on fir/ ta/+ !m1 simply because mo/ p come to l !m aft] a "t4 ,to ! ,london public 9 #ahdj ! pictures ( ,turn] 7 absurd4 ,to ! ,p>is public 9 #ahgd ! pictures ( ! ,impressioni/s 7 ridicul\s4 ,to ! ,new ,york public 9 #aiac ! pictures ( ! ,cubi/s 7 grotesque4 ,^! sev]al publics 7 n to blame2 !y c\ld n help _! impressions4 ,!y _h be5 br\ght up on v diff]5t picture-food & did n l ! ta/e ( ! new4 ,! attitude ( ! public 0 normal1 logical1 & sane4 ,if ! p _h receiv$ ! new m5 ) wild acclamations ( joy & call$ !m great on fir/ sight x w\ld h meant su* in/ability ( op9ion & "* z to r5d] ! homage absolutely wor?less4 ,9 a s5se1 t5acity ( op9ion on ! "p ( ! public is ! salvation ( art z well z ( morals2 x is ess5tial to sub/antial progress4 ,!re=e ! ev]la/+ conflict betwe5 ! old & ! new is a normal conflict2 ! cla% betwe5 ! public & new art1 new music1 new ?\ght is a heal?ful cla%1 because ! fi]c] ! conflict ! m c]ta9 t :at survives w be wor? hav+4 99 99 99 99 99 ,! only excuse = an ugly picture is sup]b te*nic--& ev5 !n ! excuse is n a v good "o = ! same te*nic %\ld pa9t a beautiful ?+4 ,!re 7 pl5ty ( ugly pictures 9 ! exhibition2 "s 7 int]e/+ on acc\nt ( _! te*nic1 o!rs 7 )\t any excuse at all--j ugly4 ,a great pa9t] may pa9t ?+s1 a great writ] may write ?+s :i* no am\nt ( good pa9t+ & no am\nt ( good writ+ c excuse--!re are pl5ty ( su* pa9t+s & books 9 ! _w4 ,b because !re 7 a numb] ( ugly--ugly to ! ext5t ( be+ objectionable--pictures 9 ! exhibition1 t %\ld n & does n detract f ! m]its ( m5 :o did n pa9t !m4 ,an ugly "w is a comm5t ^u him :o produces x & ^u ^? :o accept x4 ,x is a gold5 opportunity1 a t\*/one to ^? :o reject x4 99 99 99 99 99 ,!re is a great deal ( ! ugly 9 ! "w ( ,matisse1 mix$ ) a great deal ( extraord9>y te*nic4 ,he is a good man to /udy1 b a bad man to imitate--= t matt]1 ! same1 9 a pr(\nd] s5se1 may be said ( e man ( ability4 ,!n1 too1 x %\ld nev] be =gott5 t ref9em5t is an ess5tial elem5t 9 all great art4 99 99 99 99 99 ,! supreme ju/ification ( ! new art is t its works %all t5d t[>d ! beautiful4 ,if !y make = ugl9ess _! exi/5ce is )\t rhyme or reason4 ,_m ( ! new m5 seem to =get ?is4 ,h[ev]1 ev5 ! ugly1 ! grotesque1 ! hide\s has its use4 ,any art may become s smug1 s complac5t1 s conceit$ t x requires ! %ock ( ! ugly to /ir x to new life4 ,aft] ,b\gu]eau1 ,matisse 0 inevitable4 ,h[ev]1 a v little ( ! ugly goes a long ways1 a v little ( ,matisse at 8 wor/ is all t is ne$$ z an antidote to ,b\gu]eau4 ,zola-l fidelity 9 depict+ ! ugly 9 life has its uses--& abuses4 99 99 99 99 99 ,x is easy en\gh to pa9t a conglom]ation ( angles & cubes1 b x w be z holl[ & mean+less z ! patt]n ( an oilclo? unless x has s9c]ity beh9d x4 ,no d\bt _m ( ! new m5 lack s9c]ity4 ,d\btless n a few are inspir$ ) simply ! desire to create a s5sation1 b ^! m5 soon betray !mselves4 ,! arti/ may n succe$ 9 mak+ 8 mean+ cle>1 b ! public--yes1 ev5 ! mu* despis$ public--w in/9ctively feel :e!r !re is "s mean+1 "s int5tion wor? f9d+ out4 ,t 0 ! secret ( ! success ( ! ,cubi/ pictures4 ,!y attract$ ?rongs because !y 7 /range1 b ! ?rongs w\ld nev] h gaz$ z !y did unless beh9d ! outw>d /rang5ess !re _h n be5 an inw>d s]i\sness ( purpose4 8,^? fell[s are try+ to d some?+10 0 an expression (t5 he>d4 99 99 99 99 99 ,! pap]s w\ld say1 8,!y are simply mak+ fun ( ! public10 b ! public1 g5]ally speak+1 did n feel t way4 ,a goodly section ( ! public made fun ( ! pictures1 b v few p hone/ly felt ! pictures made fun ( ! public--if any?+ !y 7 r too s]i\s4 99 99 99 99 99 ,to return to ! proposition t a ,cubi/ picture--be+ s l>gely esoragoto--mu/ be well pa9t$4 ,illu/ration3 ,,jawl5sky ,head ( a ,girl ,! pa9t] ( sc5es & ?+s is help$ out by 8 subject4 ,! portrait ( a beautiful woman may be v badly pa9t$1 b if x conveys ! impression ( a beautiful woman x is accept$4 ,! ,cubi/ :o tries to pa9t 8 impression ( a beautiful woman has no lik5ess to help him out2 he mu/ make 8 pa9t+ s beautiful 9 itself t ^? :o see x w1 )\t kn[+ :y1 get "s ( ! enjoym5t f ! m]e composition ( l9e & color t ! arti/ receiv$ f kn[+ ! woman :o inspir$ ! picture4 ,to d ?is a man mu/ be a great] ma/] ( l9e & color1 a great] te*nician1 ?an ! av]age portrait pa9t]4 99 99 99 99 99 ,ask ! av]age portrait pa9t] to pa9t a composition ( l9e & color1 beautiful 9 itself )\t ref]5ce to any object1 & n "o 9 a hundr$ c d x4 ,! av]age portrait pa9t] f9ds 8 compositions ( l9e & color ready-made2 he takes !m z !y come to him4 ,he has little practice 9 compos+ = himself4 99 99 99 99 99 ,h[ev] disconc]t+ ! exhibition 0 to mo/ pa9t]s x %\ld h be5 /imulat+ to decorators & int]ior furni%]s4 ,! old] pictures are ( little help to ! decorator4 ,on ! contr>y he r dreads _! pres5ce on 8 walls4 ,a room may be q upset by a /rong picture4 ,to make ! ,leyl& d9+ room h>monize ) ! 8,pr9cess f ! ,l& ( ,porcela90 ,:i/l] pa9t$ practically e in* ( walls & ceil+s1 completely cov]+ co/ly woodwork & old ,spani% lea!r4 ,to rightly hold a ,rembr&t a room mu/ be subdu$ & ri* 9 tone1 o!rwise ! picture is a dead weight4 ,! great] ! picture1 ! m completely ! surr\nd+s mu/ ei!r rise to x or be completely subord9at$ to x4 ,x is n s ) ! m ab/ract ,cubi/ pictures2 !y d n ?ru/ a great l&scape or a p[]ful p]sonality into ! room2 !y are n int5d$ to ?ru/ any object ^u ! att5tion ( ! visitor4 ,int5d$ to express simply ! mood or emotion ( ! pa9t]1 !y are unobtrusive1 z unobtrusive z a patt]n ( ! wall cov]+1 a rug1 or a tape/ry2 9 effect !y are n unlike a tape/ry1 save !y are ess5tially mod]n 9 feel+1 & !re=e fit into our mod]n rooms z tape/ries--& (t5 rugs--d n4 99 99 99 99 99 ,imag9e ! editorial room ( a live1 up-to-date newspap]--say a typical yell[ j\rnal--hung ) ,titians & ,rembr&ts6 ,! pap] w\ld be p>alyz$1 ! editorial /aff w\ld be depress$ by ! dignity & ! sobriety1 by ! old-_w flavor4 ,:]eas a lot ( ,cubi/1 ,futuri/1 ,orphi/ pictures w\ld be q 9 keep+ ) mod]n j\rnali/ic me?ods1 & /imulat+ 9 ! extreme4 ,9 ! picturesque language ( curr5t j\rnalism1 !y w\ld be 8live /uff40 99 99 99 99 99 ,x is wor? not+ 9 pass+ t ! "t is probably com+ :5 ab\t z _m pictures w be b\ght = (fices z = homes1 & few] & few] w be b\ght = ^? gravey>ds ( art--private gall]ies4 ,:y %\ld m5 buy pictures & hang !m :]e !y are seldom se51 (t5 9 places :]e ! light is s bad !y _c be se58 ,:]e d mo/ m5 sp5d mo/ ( _! "t8 ,9 _! places ( bus9ess4 ,!n :y n make _! places ( bus9ess attractive & livable8 ,e man kn[s h[ relax+ & delightful x w\ld be if 9 ! mid/ ( a busy aft]noon he c\ld drop bus9ess = a mom5t & read an int]e/+ book or li/5 to "s good music4 ,well1 we c't d t2 x takes too long to get into a book1 & music is n at h&4 ,b we c turn f our desks & 9 a second lose ourselves 9 ! contemplation ( a beautiful picture4 99 99 99 99 99 ,! physician cov]s ! walls ( 8 (fice ) pr9ts ( su* pictures z ,rembr&t's 8,lesson 9 ,anatomy40 ,ugh6 ,! lawy] cov]s ! walls ( 8 (fice ) du/y lawbooks4 ,:ew6 ,! manufactur] cov]s ! walls ( 8 (fice ) pr9ts ( factories1 ma*9]y1 goods1 etc41 etc4 ,%op6 ,%op6 ,%op6 ,no relief any:]e = man1 pati5t1 cli5t1 or cu/om]4 ,tir$ eyes t seek re/ 9 *ange are met ) ! same old /ory--reflections ( ! daily gr9d4 ,speak+ f exp]i5ce1 ,i c say t next to gett+ out ( an (fice = a brief respite1 ! contemplation ( pictures yields ! greate/ re/1 actually enabl+ "o to d m "w p] day ) less fatigue4 ,x is s refre%+ to get up f "o's desk = only a few mom5ts & be in/antly transport$ f> away on ! w+s ( ! imag9ation ( a pa9t]4 ,x is a re/1 a complete re/1 = ! tir$ bra9-cells1 to lift "o's eyes f "o's "w & gaze at a picture--! effect is l unto t ( di/ant music waft$ ?r\gh ! op5 w9d[4 ,( all m5 9 ! _w1 ! busy ,am]ican is mo/ 9 ne$ ( pictures on ! walls ( 8 (fice--n "o or two1 b _m4 ,! busi] he is1 ! m he ne$s2 8 walls %\ld be a blaze ( color4 99 99 99 99 99 ,mo/ ( our bank]s & corporation magnates sp5d l>ge sums 9 8solid mahogany fitt+s40 ,_! (fices resemble old-fa%ion$ ,pullman sleep]s4 ,co/ is ! "o impressive feature4 ,woodwork1 furniture1 rugs1 ev]y?+ to ! ink/& are massive &--oppressive4 ,ev]y?+ is admirably calculat$ to make "w m burd5some2 comm]cial & f9ancial life m sombre4 ,:y n ! rev]se ( all ?is8 ,:y fit up an (fice s t x is ab\t z invit+ z a tomb8 ,:y n make x s attractive t a man w look =w>d ea* morn+ to ent]+ x8 ,:y n s invit+ t fri5ds & /rang]s w be glad to visit x8 ,:y %\ld an (fice be a place :]e no "o goes except = bus9ess8 ,:y %\ld n m5 say to "o ano!r1 8,come 9 a m9ute2 ,i h a new picture ,i want to %[ y08 99 99 99 99 99 ,"o has simply to ent] ! (fices & s*ool-rooms ( any art in/itute to realize ! holl[ness ( ! pret5se ( love = ! beautiful4 ,inf9ite pa9s are tak5 to arrange ! pictures & sculpture 9 ! gall]ies2 once out ( ! gall]ies1 & all feel+ ( art disappe>s2 ! (fices & s*ool-rooms are m sordid1 b>r51 & un9vit+ ?an mo/ %ops & factories4 ,9 o!r words1 ! v m5 :o are suppos$ to be devot+ _! lives to ! s]vice ( art1 to mak+ ! _w m beautiful1 :o promote exhibitions & urge p to buy pictures1 are cont5t to pass all _! work+ lives amid/ surr\nd+s unreliev$ by a s+le picture1 unadorn$ by a s+le fresco4 ,!re is a great opportunity = mission>y "w 9 ?is direction4 ,:y %\ld n ! _m organizations su* z 8,fri5ds ( ,am]ican ,art10 etc41 ^: dis9t]e/$ purpose is to advance art1 organize a movem5t ! object ( :i* w be to place1 by loan+ if necess>y1 pictures & small sculpture 9 ! (fices & bus9ess haunts ( ! busy ,am]ican man1 & s create a new dem& = beautiful ?+s8 ,once fill a man's (fice ) pictures1 he w be reluctant to let !m g4 ,,xi ,,futurism ,!re 7 no ,futuri/ pictures 9 ! exhibition1 b !re 7 sev]al m or less influ5c$ by ,futurism1 notably ! 8,nude ,desc5d+ ! ,/airs10 by ,du*amp4 ,9 _m respects ?is 0 ! lea/ satisfactory ( 8 pictures1 because x is nei!r good ,cubism nor good ,futurism4 ,x is easy to di/+ui% a figure drawn 9 m or less ,cubi/ fa%ion1 at ! "r--! spectator's "r--( ! confus$ mass ( l9es2 x is q easy1 if ! balance ( ! picture be cov]$4 ,! confus$ mass is j s _m ov]lapp+ figures com+ d[n ! /airs4 ,z a *ild exclaim$ "o day1 8,:y1 ,i see !m2 !re's "o on e /ep40 ,! ,cubi/ draw+ did n bo!r ! *ild4 99 99 99 99 99 ,a sympa!tic writ] says ( ! picture3 ,m4 ,du*amp says 9 effect some?+ l ?is3 8,if y pa9t a girl com+ d[n/airs1 on any "o /ep y w n %[ h] mov+4 ,if y pa9t a girl on e /ep1 l ,burne-,jones ) ! #8,gold5 ,/air' y h a cr[d & /ill no movem5t4 ,b if y get ! =ms d[n to simple/ & mo/ ess5tial1 j sway+ %\ld]s & hip & knee1 b5t head & spr+y sole--& !n %[ !m on e /ep & betwe5 all ! /eps1 pass+ & always pass+ "o into ! next1 y give ! s5se ( movem5t1 z ) a run ( arpeggios on ! h>p or a cad5za on ! viol94 ,y & y\r fri5ds don't feel ! movem5t--too bad1 my fri5ds & ,i d40 ,& pure movem5t is :at1 aft] all1 "h 0 s\ght4 ,pure movem5t1 x w h>dly be que/ion$1 ^! m5 c give4 ,illu/ration3 ,,balla ,dog & ,p]son 9 ,movem5t ,picabia makes ! l9es 9 8 8,dance at ! ,spr+0 leap & sw+ & flick] l a fiddl]'s b[4 ,if he & o!rs want1 :5 !y *oose1 to ab&on ! la/ pret5se ( repres5tation & convey directly to y ! way !y feel mass & motion1 z music conveys inn] exp]i5ce always1 :o is to /op !m8 99 99 99 99 99 ,futurism _h its beg9n+ 9 ,italy a few ye>s ago4 ,! fir/ exhibition 9 ,p>is 0 held 9 ,febru>y1 #aiab4 ,"o ( its fundam5tal notions 9 pa9t+ is a c]ta9 !ory reg>d+ ! pa9t+ ( motion4 ,x is t 9 ord] rightly1 sci5tifically1 to indicate motion on a canvas x is n suffici5t to pa9t ! figure ( a man 9 an attitude ( walk+1 b a s]ies ( m or less cle>ly outl9$ figures mu/ be %[n ov]lapp+1 a sort ( c9ematograph effect2 v mu* z e pa9t] %[s a blur ( spokes to indicate a :eel turn+1 if an individual is 9 motion !re mu/ be a blur ( _m ov]lapp+ individuals4 7,see ! half-tone ( ! girl ) ! dog47 ,! !ory is int]e/+1 x is bas$ on recogniz$ optical conditions1 & no d\bt ! exp]im5ts w h _! value4 ,"s v int]e/+ results h be5 obta9$ 9 photography already4 99 99 99 99 99 ,! program ( ! ,futuri/s is1 h[ev]1 f> m ambiti\s ?an ! m]e pa9t+ ( motion effects4 ,!y h issu$ ! foll[+ =mal 8,manife/oes03 #a4 8,manife/o ( ,futurism10 ,febru>y1 #aiji2 writt5 by ,f4 ,t4 ,m>9etti4#fc #b4 8,manife/o ( ,futuri/ ,pa9t]s10 ,april1 #aiaj4 #c4 8,manife/o ( ,futuri/ ,musicians10 ,may1 #aiaa4 #d4 8,manife/o ( ! ,futuri/ ,woman10 ,m>*1 #aiab4 #e4 8,manife/o ( ,futuri/ ,sculpture10 ,april1 #aiab4 #f4 8,manife/o ( ! ,te*nic ( ,futuri/ ,lit]ature10 ,may1 #aiab4 ,supplem5t to same1 ,augu/1 #aiab4 ,& e few mon?s new decl>ations ( fai? are issu$ 9 ,milan1 ea*1 if possible1 m viol5t & extravagant ?an its =]unn]4 ,if ! public look$ ^u ! ,cubi/ pictures z 8crazy10 :at w\ld x ?9k ( ^! manife/oes if pr9t$ 9 ,engli% & scatt]$ broadca/8 ,! "w ( madm56 ,s _m madm5 & vision>ies h influ5c$ ! _w by _! utt]ances t we mu/ n turn a deaf e>4 99 99 99 99 99 ,! ,futuri/s are ! an>*i/s ( ! art & lit]>y _w4 ,! ,cubi/s1 ,orphi/s1 & o!r extreme mod]ns all reason f ! pa/2 ! ,futuri/s w\ld break ) ! pa/ entirely--z if x 7 possible6 ,all :o d n agree ) !m are ,pass-i/s1 & e =m ( art & lit]ature up to ,futurism belongs to ,pass-ism1 & is !re=e condemn$4 99 99 99 99 99 ,!re is mu* 9 ,futurism t is repellant1 j z !re is mu* 9 ,an>*ism t is repellant4 ,:5 m5 pu% _! opposition to e/abli%$ ord] to extremes1 _! hatr$ ( ! traditional & conv5tional is su* !y indulge 9 wild & fooli% excesses2 !y ev5 defy law & ord] & dec5cy1 & require curb+4 99 99 99 99 99 ,! unprejudic$ read] w f9d a great deal t is sugge/ive 9 "s ( ^! ,futuri/ decl>ations mix$ ) mu* t is philosophically & e?ically uns\nd4 ,take1 = in/ance1 "s ( ! propositions reg>d+ ! te*nic ( ! lit]ature ( ! future3 #a4 ,use only ! inf9ite =m ( ! v]b1 because only ! inf9ite mood gives ! s5se ( ! cont9uity ( life4 #b4 ,aboli% ! use ( ! adjective s t ! n\n /&+ alone may speak = itself ) all its =ce4 ,! adjective implies modification1 an arre/ ( judgm5t1 m$itation1 & is1 !re=e1 oppos$ to ! human vision dynamic1 to ! =ce & en]getic fl[ ( human ?\ght4 #c4 ,aboli% ! adv]b1 :i* is a sup]flu\s ref9em5t1 a fa/idi\s hamp]+ ( human expression4 #d4 ,new punctuation3 ,adjectives & adv]bs & conjunctive phrases be+ suppress$1 punctuation goes ) !m naturally1 9 ! v>i$ cont9uity ( a liv+ /yle :i* creates itself )\t ! use ( absurd commas & p]iods4 ,to acc5tuate c]ta9 movem5ts & indicate _! directions1 c]ta9 ma!matical & unusual signs w be us$4 #e4 ,aboli% ! 8,i0 f lit]ature1 t is to say1 psy*ology2 replace ! 8,i10 ! ego1 by ! matt]1 ! ess5ce ( :i* mu/ be appreciat$ by intuitions4 ,h]et(ore ! matt]1 ! real sub/ance ( a book or a poem1 has be5 obscur$ by ! int]v5tion ( ! ego ( ! writ]1 by ! p]si/5t 8,i0 ( ! au?or1 :o is too mu* pre-occupi$ ) himself & fill$ ) prejudices & conceits 9 8 own supreme wisdom4 ,9 %ort1 writ]s use ! subjects ( ! works z vehicles to exploit !mselves4 7,"h ! ,futuri/s c]ta9ly put _! f+] on "o ( ! weak spots 9 lit]ature47 #f4 ,revolution 9 typographical appe>ance3 ,suppress ! ornam5ts1 fancy initials1 c41 c41 ( ! pres5t$ pr9t$ page1 :i* imp$e r ?an assi/ ! natural fl[ ( expression4 8,we w employ on ! same page ?ree or f\r inks ( diff]5t colors1 & tw5ty diff]5t *>act]s1 if necess>y3 = example1 italics to express rapid s5sations2 capitals = viol5t2 c41 c4 ,new conception ( ! graphic pr9t$ page40 99 99 99 99 99 ,all ( :i* s\nds wildly extravagant1 b 9 sum & sub/ance x simply means ! dea? ( !1 let u say1 ,h5ry ,james /yle & ! apo!osis ( ! front page ( ! mod]n s5sational j\rnal4 ,& is x n true t ! pa9fully involv$ & boresome /yle ( ,h5ry ,james--! adjectival & adv]bial /yle1 ! /yle ( endless qualifications1 ! ass]tion & amplification ( ! 8ego0 /yle--is rapidly becom+ obsolete 9 fiction z x has long be5 obsolete 9 ,am]ican j\rnalism8 ,& is x n true t ! t]se1 ! sub/antive1 ! j\rnali/ic /yle1 toge!r ) ! pr9t$ page 9 _m colors & _m types1 is ga9+ vogue8 ,9 ev5 ! matt] ( punctuation ! pa9/ak+ use ( ! comma & ! semicolon has yield$ to ! free use ( ! da%4 ,only a %ort "t ago !re appe>$ a lam5tation by a well-kn[n writ] ov] ! use ( ! da% 9 dialogue4 ,he c\nt$ an unbelievable numb] on "o page ( a popul> magaz9e1 ea* ( :i*1 he ?\ght1 %\ld h be5 replac$ by "o ( ! m or?odox signs4 ,b ! or?odox signs are too sl[4 ,mod]n conv]sation does n move 9 /udi$ phrases & r\nd$ p]iods2 its sign is ! da%1 because ! da% ei!r breaks ! ?\ght abruptly or c>ries x ov] into ! words ( ! next speak]4 99 99 99 99 99 ,fur!rmore1 be=e leav+ ! subject1 x %\ld be ,illu/ration3 ,,van ,,rees ,mat]nity not$ t !re is com+ ov] our lit]ature a pr(\nd1 a radical *ange1 a *ange 9 ! direction ( t]s]1 m =cible expression2 a *ange 9 ! direction ( ! elim9ation ( sup]flu\s words1 ( cond5sation1 to ! end t ! imag9ation & intellig5ce ( ! read] w be call$ m & m into play4 ,x is conceivable t ! read+ public may become s intellig5t & s ke5ly s5sitive t "o ^w w suffice to convey a weal? ( in=mation or sugge/ion :]e a page is n[ necess>y4 ,c]ta9 x is1 if mank9d is progress+ at all1 x is progress+ 9 t direction4 99 99 99 99 99 ,! rise ( ! pr9t$ drama means ! fall ( ! descriptive novel4 ,a few ye>s ago no ,am]ican publi%] w\ld risk ! pr9t+ ( a play2 n[ e play ( any m]it & _m ( no m]it are issu$ 9 book =m4 ,! noveli/ devotes two-?irds ( 8 book to descriptions ( p]sons & places1 & mo/ ( ! rema9+ ?ird to banal psy*ological analysis & comm5t4 ,he leaves little to ! imag9ation ( ! read]1 :o is told ! color ( ! h]o9e's eyes & hair1 ! numb] ( h] dimples1 ! l5g? ( h] smile1 ! %ape ( h] tee?1 h] make ( face p[d]1 toge!r ) endless ref]5ces to h] hats1 g[ns1 %oes1 p>asols1 etc41 etc4 ,usually ! noveli/ has "s "y woman acqua9tance 9 m9d1 & he lit]ally =ces ! woman he likes ^u ! read]1 :o may be 9 love ) an entirely diff]5t type1 & :o1 if left to himself1 w\ld f9d ! girl he likes 9 ! pages ( ! /ory4 ,! dramati/ does no?+ ( ! k9d4 8,m>y ,smi?1 age ab\t tw5ty10 suffices = him4 ,%akespe>e gives no m ?an ! "n4 ,z = description ( places1 8a room10 or 8an (fice10 8a wood10 8a g>d510 answ]s e purpose4 ,manag]s & play]s h no tr\ble 9 build+ up bo? sc5es & *>act]s2 ! less 8directions10 ! m room = individual initiative4 ,nor is ! read] ( a play tr\bl$ by entire abs5ce ( description & 8directions40 ,8 imag9ation supplem5ts ! dramati/'s1 & he creates h]oes & h]o9es to please himself4 ,t psy*ological analysis is n only n ess5tial to ! psy*ological novel1 b positively detrim5tal1 is demon/rat$ by ! entire abs5ce ( su* analysis 9 s pr(\nd a psy*ological /udy z ,hamlet4 ,paul ,b\rget is z obsolete z ,h5ry ,james4 99 99 99 99 99 ,b]n>d ,%aw is ! "o conspicu\s reaction>y4 ,he /ill exploits ! ego1 & writes z if 8 read]s 7 fools--p]haps !y are4 99 99 99 99 99 ,! popul>ity ( ! c9ematograph lies n 9 ! *eapness ( ! ent]ta9m5t1 nor 9 its novelty1 :i* wore (f long ago1 b 9 ! fact t x is )\t words & ea* onlook] enjoys 8 own int]pretation2 f *ild to old man1 e "o 9 ! audi5ce is 8 own playwright1 supply+ 8 own dialogue z ! sc5es flick] on ! curta94 ,! be/ ( mod]n plays leave mu* to ! imag9ation ( ! audi5ce4 ,words & bits ( bus9ess absolutely necess>y ?irty ye>s ago are consid]$ *ildi%ly obvi\s n[adays1 z is amply demon/rat$ 9 revivals ( old plays4 ,app>5tly ! developm5t is t[>d m action & less dialogue--m c9ematograph1 few] words4 ,sc5]y w become less & less obvi\s--save1 ( c\rse1 :]e x is int5d$ to be ( fir/ importance4 ,9 ! !at] ( ! future !re w be less & less on ! /age to int]f]e ) ! play--( ! spectator's imag9ation4 99 99 99 99 99 ,!re is a precisely p>allel t5d5cy 9 pr9t--m action1 few] words2 m sugge/ion1 less description4 ,! future novel w leave m & m to be suppli$ by ! read]4 ,p>agraphs1 pages1 :ole *apt]s n[ deem$ ess5tial1 w be omitt$4 ,9 books su* z hi/ories1 philosophical works1 sci5tific treatises1 c41 c41 ! skill & art ( ! pr9t] w be exhau/$ to make ! page n only attractive b expressive--readable at a glance1 in/ead (1 z n[1 to make ! volumes z =bidd+ z possible4 ,! mu*-despis$ 8yell[ j\rnal0 ( ,am]ica has taught a valuable lesson 9 ! art ( emphasis1 & its effect is se5 n only 9 ! make-up ( newspap]s b ( p]iodicals1 & w be felt 9 ! make-up ( books4#fd 99 99 99 99 99 ,9 ,am]ica ! art ( adv]tis+ has f> out/ripp$ ! art ( lit]ature4 ,! adv]tis+ pages ( our p]iodicals are (t5 m int]e/+ & always m alive ?an ! lit]>y4 ,a magaz9e devotes pages to an article or a /ory e l9e ( :i* betrays ! writ]'s evid5t desire to write z _m words z possible4 ,9 ! adv]tis+ pages1 to e squ>e in*1 ! m9ds n ( "o b ( ?ree or f\r exp]ts h be5 conc5trat$ ^u ! attempt to express an idea 9 z few words z possible & 9 su* a mann] x w /& out & be read ) a m9imum ( tr\ble4 ,:y %\ld n /ories be told t way8 ,:y %\ld n all lit]ature be writt5 & pr9t$ t way8 ,! proposition may seem a />tl+ "o1 b ! t5d5cy is t way4 ,we f9d fault ) our plays1 our poetry1 our fiction1 our s]i\s lit]ature2 we compla9 p pref] ! fla%y p]iodical2 well ! ^w fla%y is d\bly descriptive--x is commonly us$ to describe ! quality b x also measures "t4 99 99 99 99 99 ,mean:ile mo/ ( u und]rate ! intellig5ce ( our read]s & use m words ?an are necess>y to c>ry our mean+s4 ,! ,futuri/s !mselves use an abundance ( words 9 advocat+ _! cause1 ?\gh _! examples ( ,futuri/ lit]ature conta9 _m l9es & pages t are writt5 9 /rict accordance ) _! !ories4 ,m>9ette says 9 s _m words1 8,philosophy1 sci5ce1 politics1 j\rnalism1 mu/ /ill make use ( ! conv5tional syntax & punctuation2 ,i am myself oblig$ to use !m to expla9 my ideas40 99 99 99 99 99 ,m>* #h1 #aiaj1 9 ! ,!atre ,*i>ella1 at ,tur91 be=e an audi5ce ( ?ree ?\s&1 ! ,futuri/ pa9t]s laun*$ _! fir/ decl>ation ( fai?1 8:i* conta9$10 to foll[ _! own words1 8all our pr(\nd disgu/s & hatr$s1 our revolts aga9/ vulg>ity1 aga9/ academic & p$antic m$iocrity1 aga9/ ! fanatic cult ( :at is antique40 ,illu/ration3 ,,munt] ,! ,boat ,ride ,illu/ration3 ,,munt] ,! ,:ite ,wall #a4 ,our desire = ! tru? no long] cont5ts itself ) =m & color z h]et(ore und]/ood4 #b4 ,:at we wi% to reproduce on ! canvas is n an in/ant or a mom5t ( immobility ( ! univ]sal =ce t surr\nds u1 b ! s5sation ( t =ce itself4 #c4 ,z a matt] ( fact ev]y?+ moves1 ev]y?+ runs1 ev]y?+ trans=ms rapidly4 ,a pr(ile is nev] immobile be=e u1 b x appe>s & disappe>s )\t ceas+4 ,giv5 ! fact ( ! mom5t>y p]si/5ce ( ! image on ! ret9a1 objects 9 movem5t multiply1 *ange =m & foll[ l vibrations 9 space4 ,a runn+ horse has n f\r legs1 b tw5ty1 & _! movem5ts are triangul>4 #d4 ,no?+ is absolute 9 pa9t+4 ,t :i* 0 a tru? = ! pa9t]s ( ye/]day1 is a lie = ^? ( today4 ,we decl>e1 = example1 t a portrait %\ld n resemble its sitt]1 & t ! pa9t] c>ries 9 8 own imag9ation ! l&scape he wi%es to place ^u ! canvas4 ,on ?is po9t ! ,futuri/s & ,cubi/s agree4 #e4 ,to pa9t ! human figure x is n necess>y to pa9t ! figure b simply to give its envelopm5t4 ,space does n exi/4 ,millions ( miles sep>ate u f ! sun1 yet t is no reason :y ! h\se be=e u %\ld n be encas$ 9 ! sol> disk4 ,9 our "w we c secure effects simil> to ^? ( ! ,x-ray4 ,opacity does n exi/4 ,!y pa9t all sides ( an object z if !y saw ?r\gh x4 ,!y w pa9t a platt] on a table & ! "p ( ! table cov]$ by ! platt]2 !y w pa9t ! entire coll> ab\t ! neck s t x is visible ?r\gh ! neck4 ,!y ignore n only ! ord9>y conceptions ( space1 b "t does n exi/ = !m4 ,:]e 9 ord9>y pa9t+ ! box ( bonbons t is pass$ at a baptism may be pa9t$ clos$ on a table1 ! ,futuri/ %[s :at is inside ! box1 also ! p assembl$ to :om ! bonbons are giv51 & ! infant to be baptiz$1 & p]haps ! m>riage ( ! fa!r & "m1 ! c>riages outside ! *ur*1 etc41 etc4#fe ,!y illu/rate fur!r1 ,! sixte5 p]sons ab\t u 9 a mov+ omnibus are 9 turn & at ! same "t1 "o1 t51 f\r1 ?ree2 !y are immobile & yet move2 !y g1 come1 b\nd+ along ! /reet1 sudd5ly lo/ 9 ! sun1 !n return seat$ be=e y1 l s _m symbols p]si/5t ( univ]sal vibration4 ,h[ (t5 x happ5s t ^u ! *eek ( ! p]son ) :om we are talk+ we see ! horse t passes f> away at ! end ( ! /reet4 ,our bodies become p>ts ( ! seat ^u :i* we re/ & ! seat becomes "p ( u4 ,! omnibus m]ges 9 ! h\ses t x passes1 & ! h\ses mix ) ! bus & become "p ( x4 #f4 ,! con/ruction ( pictures up to ?is "t has be5 /upidly traditional4 ,pa9t]s h always %[n ?+s & p]sons be=e u4 ,we place ! spectator 9 ! mid/ ( ! picture4 ,h]et(ore we h look$ at pictures2 x is ! idea ( ! ,futuri/ t we %\ld look ?r\gh !m1 t ! pictures %\ld give u new visions ( life & ?+s1 new s5sations1 new emotions4 ,we decl>e3 ,t "o %\ld hate e =m ( imitation & glorify e =m ( orig9ality4 ,t x is necess>y to revolt aga9/ ! tyranny ( ! words 8h>mony0 & 8good ta/e10 expressions too ela/ic & ) :i* "o might easily condemn ! works ( ,rembr&t1 ,goya1 & ,rod94 ,t art critics are useless & detrim5tal4 ,t x is necess>y to bru% aside all ! subjects already us$1 9 ord] to adequately express our turbul5t life ( /eel1 ( pride1 ( fev]i% rapidity4 ,t ! "n madm5 appli$ to all innovators %all be consid]$ a title ( honor4 ,t ! univ]sal =ce mu/ be %[n 9 pa9t+ z a s5sation dynamic4 ,above all1 s9c]ity & purity are requir$ 9 ! portrayal ( nature4 ,t movem5t & light de/roy ! mat]iality ( objects4 ,we are oppos$ to ! use ( ^? bitum9\s colors by :i* x is attempt$ to secure ! effect ( "t on mod]n pictures4 ,we are oppos$ to ! sup]ficial & elem5t>y ar*aism bas$ on ! flat t9ts & l9e> mann] ( ! ,egyptians1 :i* makes pa9t+ pu]ile & grotesque4 ,we are oppos$ to ! false mod]nism ( ! ,secessioni/s & ,indep5d5ts :o h built up new 8s*ools0 z pontifical z ! old4 ,! nude 9 pa9t+ is z nause\s z adult]y 9 lit]ature4 ,to expla9 ?is la/ article3 ,!re is no?+ immoral 9 our eyes1 x is ! monotony ( nudity t we fight aga9/4 ,pa9t]s possess$ ( ! desire to display on canvas ! bodies ( ! wom5 ) :om !y are 9 love h trans=m$ picture exhibitions into gall]ies ( portraits ( disreputables4 ,we dem& = ! next t5 ye>s ! absolute suppression ( ! nude 9 pa9t+4 99 99 99 99 99 ,! fir/ exhibition ( ,futuri/ pa9t+s 9 ,london 0 at ! ,sackville ,gall]y 9 ,m>*1 #aiab4 ,! pa9t]s pr9t$ by way ( preface to ! little catalogue a /atem5t ( _! beliefs & aims4 ,f ?is /atem5t ! foll[+ p>agraphs are tak53 8,we are "y & our art is viol5tly revolution>y40 ,speak+ ( ! ,cubi/s & ,po/-,impressioni/s g5]ally3 8,:ile we admire ! h]oism ( ^! pa9t]s ( great wor?1 :o h display$ a laudable contempt = arti/ic comm]cialism & a p[]ful hatr$ ( academism1 we feel ourselves & we decl>e ourselves to be absolutely oppos$ to _! art4 8,!y ob/9ately cont9ue to pa9t objects motionless1 froz51 & all ! /atic aspects ( nature2 !y wor%ip ! traditionalism ( ,p\ss91 ( ,+res1 ( ,corot1 age+ & petrify+ _! art ) an ob/9ate atta*m5t to ! pa/1 :i* to our eyes rema9s totally incompreh5sible4 8,we1 on ! contr>y1 ) po9ts ( view p]ta9+ ess5tially to ! future1 seek = a /yle ( motion1 a ?+ :i* has nev] be5 attempt$ be=e u4 8,all ! tru?s le>nt 9 ! s*ools or 9 ! /udios are aboli%$ = u4 ,our h&s are free en\gh & pure en\gh to />t ev]y?+ afre%4 8,x is indisputable t sev]al ( ! ae/hetic decl>ations ( our ,fr5* comrades display a sort ( mask$ academism4 8,is x n1 inde$1 a return to ! ,academy to decl>e t ! subject1 9 pa9t+1 is ( p]fectly insignificant value8 8,we decl>e1 on ! contr>y1 t !re c be no mod]n pa9t+ )\t ! />t+ po9t ( an absolutely mod]n s5sation1 & none c contradict u :5 we /ate t pa9t+ & s5sation are two insep>able words4 8,if our pictures are futuri/1 x is because !y are ! result ( absolutely futuri/ conceptions1 e?ical1 ae/hetic1 political1 & social4 8,to pa9t f ! pos+ model is an absurdity1 & an act ( m5tal c[>dice1 ev5 if ! model be translat$ ^u ! picture 9 l9e>1 sph]ical1 or cubic =ms4 8,to l5d an allegorical significance to an ord9>y nude figure1 d]iv+ ! mean+ ( ! picture f ! objects held by ! model or f ^? :i* are arrang$ ab\t him1 is to our m9d ! evid5ce ( a traditional & academic m5tality4 8,:ile we repudiate impressionism1 we emphatically condemn ! pres5t reaction :i*1 9 ord] to kill impressionism1 br+s back pa9t+ to old academic =ms4 8,x is only possible to react aga9/ impressionism by surpass+ x4 8,no?+ is m absurd ?an to fight x by adopt+ ! pictural laws :i* prec$$ x4 8,! po9ts ( contact :i* ! que/ ( /yle may h ) ! s-call$ classic art d n conc]n u4 8,o!rs w seek1 & w1 no d\bt1 discov]1 ^! analogies :i* 9 any case _c be look$ ^u z a return to me?ods1 conceptions1 & values transmitt$ by classical pa9t+4 8,a few examples w illu/rate our !ory4 8,we see no diff]5ce betwe5 "o ( ^? nude figures commonly call$ arti/ic & an anatomical plate4 ,!re is1 on ! o!r h&1 an enorm\s diff]5ce betwe5 "o ( ^! nude figures & our futuri/ conception ( ! human body4 8,p]spective1 su* z x is und]/ood by ! majority ( pa9t]s1 has = u ! v same value :i* x l5ds to an eng9e]'s design4 8,! simultane\sness ( /ates ( m9d 9 ! "w ( art3 t is ! intoxicat+ aim ( our art4 8,let u expla9 aga9 by examples4 ,9 pa9t+ a p]son on a balcony1 se5 f inside ! room1 we d n limit ! sc5e to :at ! squ>e frame ( ! w9d[ r5d]s visible2 b we try to r5d] ! sum total ( visual s5sations :i* ! p]son on ! balcony has exp]i5c$2 ! sun-ba!d ?rong 9 ! /reet1 ! d\ble r[ ( h\ses :i* /ret* to "r & left1 ! befl[]$ balconies1 etc4 ,?is implies ! simultane\sness ( ! ambi5t1 &1 !re=e1 ! dislocation & dismemb]m5t ( objects1 ! scatt]+ & fusion ( details1 fre$ f accept$ logic1 & indep5d5t f "o ano!r4 8,9 ord] to make ! spectator live 9 ! c5t] ( ! picture1 z we express x 9 our manife/o1 ! picture mu/ be ! syn!sis ( :at "o rememb]s & ( :at "o sees4 8,y mu/ r5d] ! invisible :i* /irs & lives beyond int]v5+ ob/acles1 :at we h on ! "r1 on ! left1 & beh9d u1 & n m]ely ! small squ>e ( life artificially compress$1 z x 71 by ! w+s ( a /age40 ,?is feel+ ( transp>5cy is fundam5tal to ! !ory4 8,we h decl>$ 9 our manife/o t :at mu/ be r5d]$ is ! dynamic s5sation1 t is to say1 ! p>ticul> rhy?m ( ea* object1 its incl9ation1 its movem5t1 or1 to put x m exactly1 its int]ior =ce4 8,x is usual to consid] ! human be+ 9 its diff]5t aspects ( motion or /illness1 ( joy\s excitem5t or grave melan*oly4 8,:at is ov]look$ is t all inanimate objects display1 by _! l9es1 calmness or fr5zy1 sadness or gaiety4 ,^! v>i\s t5d5cies l5d to ! l9es ( :i* !y are =m$ a s5se & "* ( weighty /ability or ( a]ial lightness4 8,e object reveals by its l9es h[ x w\ld resolve itself 7 x to foll[ ! t5d5cies ( its =ces4 8,?is decomposition is n gov]n$ by fix$ laws b x v>ies accord+ to ! *>act]i/ic p]sonality ( ! object & ! emotions ( ! onlook]4 8,fur!rmore1 e object influ5ces its neighb\r1 n by reflections ( light 7! f\ndation ( impressioni/ic primitivism71 b by a real competition ( l9es & by real conflicts ( planes1 foll[+ ! emotional law :i* gov]ns ! picture 7! f\ndation ( futuri/ primitivism74 8,) ! desire to int5sify ! ae/hetic emotions by bl5d+1 s to speak1 ! pa9t$ canvas ) ! s\l ( ! spectator1 we h decl>$ t ! latt] #8mu/ 9 future be plac$ 9 ! c5t] ( ! picture4' 8,we may fur!r expla9 our idea by a comp>ison drawn f ! evolution ( music4 8,n only h we radically ab&on$ ! motive fully develop$ accord+ to its det]m9$ &1 !re=e1 artificial equilibrium1 b we sudd5ly & purposely int]sect ea* motive ) "o or m o!r motives ( :i* we nev] give ! full developm5t b m]ely ! initial1 c5tral1 or f9al notes4 8,z y see1 !re is ) u n m]ely v>iety1 b *aos & cla%+ ( rhy?ms1 totally oppos$ to "o ano!r1 :i* we nev]!less assemble into a new h>mony4 8,we ?us arrive at :at we call ! pa9t+ ( /ates ( m9d4 8,"o may rem>k1 also1 9 our pictures spots1 l9es1 zones ( col\r :i* d n correspond to any reality1 b :i*1 9 accordance ) a law ( our int]ior ma!matics1 musically prep>e & enhance ! emotion ( ! spectator4 8,we ?us create a sort ( emotive ambi5ce1 seek+ by intuition ! sympa?ies & ! l9ks :i* exi/ betwe5 ,illu/ration3 ,,russolo ,rebellion ! ext]ior 7concrete7 sc5e & ! int]ior 7ab/ract7 emotion4 ,^? l9es1 ^? spots1 ^? zones ( col\r1 app>5tly illogical & mean+less1 are ! my/]i\s keys to our pictures4 8,conclusion3 ,our futuri/ pa9t+ embodies ?ree new conceptions ( pa9t+3 8#a4 ,t :i* solves ! "q ( volumes 9 a picture1 z oppos$ to ! liquefaction ( objects fav\r$ by ! vision ( ! impressioni/s4 8#b4 ,t :i* leads u to translate objects accord+ to ! =ce l9es :i* di/+ui% !m1 & by :i* is obta9$ an absolutely new p[] ( objective poetry4 8#c4 ,t 7! natural consequ5ce ( ! o!r two7 :i* w\ld give ! emotional ambi5ce ( a picture1 ! syn!sis ( ! v>i\s ab/ract rhy?ms ( e object1 f :i* !re spr+s a f\nt ( pictural lyricism hi!rto unkn[n40 99 99 99 99 99 ,! explanations ( two pictures are z foll[s3 8,leave-tak+10 by ,boccioni3 8,9 ! mid/ ( ! confusion ( dep>ture1 ! m+l$ concrete & ab/ract s5sations are translat$ into =ce l9es & rhy?ms 9 quasi-musical h>mony3 m>k ! undulat+ l9es & ! *ords made up ( ! comb9ations ( figures & objects4 ,! prom95t elem5ts1 su* z ! numb] ( ! eng9e1 its pr(ile %[n 9 ! upp] "p ( ! picture1 its w9d-cutt+ =ep>t 9 ! c5t]1 symbolical ( p>t+1 indicate ! features ( ! sc5e t rema9 indelibly impress$ ^u ! m9d40 8,rebellion10 by ,russolo3 8,! collision ( two =ces1 t ( ! revolution>y elem5t made up ( en?usiasm & r$ lyricism aga9/ ! =ce ( in]tia & reaction>y resi/ance ( tradition4 ,! angles are ! vibratory waves ( ! =m] =ce 9 motion4 ,! p]spective ( ! h\ses is de/roy$ j z a box] is b5t d\ble by receiv+ a bl[ 9 ! w9d40 99 99 99 99 99 ,! !ory ( ! ,futuri/s is vividly illu/rat$ 9 ! foll[+ note to a picture call$ 8,! ,/reet ,ent]s ! ,h\se40 8,! dom9at+ s5sation is t :i* "o w\ld exp]i5ce on op5+ a w9d[3 all life1 ! noises ( ! /reet ru% 9 at ! same "t z ! movem5t & reality ( ! objects outside4 ,! pa9t] does n limit himself to :at he sees 9 ! squ>e frame ( ! w9d[ z w\ld a simple photograph]1 b he also reproduces :at he w\ld see by look+ out on e side f ! balcony40 ,to ! layman ?is attitude is almo/ incompreh5sible4 ,= in/ance1 ! ,cubi/1 ,pi]re ,dumont1 says ( 8 picture1 8,! ,ca!dral at ,r\503 ,"o mu/ n expect to f9d 9 ?is picture an exact repres5tation ( ! ca!dral at ,r\51 b r my idea1 my p]sonal p]ception1 ( ?is ca!dral z ,i see x4 ,9 pa9t+ my picture ,i did n pa9t f a fix$ po9t & always f ! same po9t1 b ,i /udi$ ! ca!dral & surr\nd+s f all po9ts ( view & obta9$ a p]sonal conception ( x1 :i* ,i reproduc$ on my canvas4 ,i only includ$ ! details :i* /ruck me mo/ =cibly1 & ?\ght x necess>y to break up ! monotony ( ! ro(s 9 ! fir/ plan by "o ( ! mo/ beautiful details ( ! ca!dral--a /atue ( a sa9t1 :o is c]ta9ly n 9 8 "r place z f> z ! eye is conc]n$1 b does really occupy ! place :i* he occupies 9 my conception ( :at 0 be=e me4 99 99 99 99 99 ,t a pa9t] %\ld delib]ately attempt to %[ on "o canvas features ( all sides ( a build+1 /rikes ! layman--& _m arti/s--z a 8crazy0 attempt to a*ieve ! impossible2 b x is n impossible1 z a mom5t's reflection %[s4 ,x is1 ( c\rse1 easy to %[ all sides & all details ( a build+1 int]ior & ext]ior1 on "o %eet or canvas1 by draw+ or pa9t+1 "o aft] ano!r1 9 panorama effect--t is done 9 e ar*itect's draw+-room4 ,x is also equally possible to sup]impose ^! deta*$ draw+s "o ov] ! o!r & see or feel ! outl9es ?r\gh4 ,t is1 ! draw+ or photograph ( ! ext]ior ( a ca!dral may be s made z to %[ 9 outl9e or %ad[y sub/ance ! alt> )94 ,illu/rations along ^! l9es are common 9 fiction--gho/ly1 %ad[y1 my/ical effects1 effects secur$ only by treat+ /ones & walls & human be+s z semi-transp>5t4 ,9 ?is way e feature ( a ca!dral t /rikes ! arti/1 :e!r on ! outside or inside1 :e!r a feature s p]man5t z a /atue or s fleet+ z a w$d+ c]emony1 may be indicat$ 9 8 picture4 ,by suppress+ e detail save ! mo/ /rik+1 :at purports to be ! picture ( a ca!dral may appe> to be fragm5ts ( spires1 bronze doors1 /atues1 alt>s1 lights1 processions1 ! brilliant color ( a prie/'s robe1 ! :ite note ( a bridal veil4 ,ano!r man pa9t+ 8 impressions ( ! same subject might cat* glimpses ( entirely diff]5t features4 ,if we c 9 our m9d's eye see :at is beh9d an object2 if1 = in/ance1 we c picture to ourselves cle>ly ! *ildr5 play+ 9 ! y>d back ( a h\se1 :y may n ! pa9t]1 if he *ooses1 sugge/ to u 9 8 picture ( ! h\se ! vital feature ( ! *ildr5 9 ! re>8 ,! feat is a seem+ly impossible "o4 ,p]haps nei!r ! ,cubi/s nor ! ,futuri/s h accompli%$ x successfully2 b because x is difficult is no reason :y ! attempt %\ld n be made4 ,!oretically !re is no?+ to be said aga9/ pictures :i* %[ :at bo? ! eye & ! m9d's eye ( ! arti/ see4 ,! works ( ! ultra-mod]n m5 c be und]/ood only by ! aid ( ! imag9ation1 by ! aid ( ! m9d's eye to see ?r\gh1 & ab\t & into ?+s1 to see ! inn] conditions1 happ5+s1 & significance ( ?+s4 ,/at$ 9 o!r t]ms1 ! extreme mod]n is no long] cont5t to pa9t :at is be=e 8 eyes at a giv5 mom5t & f a giv5 po9t ( view2 he is no long] cont5t to act ! "p ( a cam]a1 mak+ reproductions ( :at is 9 front ( x4 ,he dem&s ! fre$om to walk ar\nd 8 subject1 fly ov] x1 ent] x1 f9d out all ab\t x1 & !n record on canvas ! sum & sub/ance ( 8 obs]vations & reflections4 ,! result may n look l a ca!dral1 b if done by a g5ius x may give a f9e impression ( c]ta9 sali5t features ( ! build+1 inside & out1 & also a vivid impression ( "s ( its great c]emonies4 ,:y n try to pa9t ! p[] z well z ! proportions8 99 99 99 99 99 ,if ! ,am]ican public f\nd ! "w ( ,lehmbruck & ,brancusi que]1 :at w\ld x ?9k ( ! ,futuri/ sculpture8 ,! two female figures exhibit$ by ,lehmbruck 7 simply decorative elongations ( natural =ms4 ,9 te*nic !y 7 q conv5tional4 ,_! modell+ 0 along purely classical l9es1 f> m sev]ely classical ?an mu* ( ! reali/ic "w ( ,rod94 ,! heads by ,brancusi 7 ideali/ic 9 ! extreme2 ! sculptor c>ri$ 8 !ories ( mass & =m s f> he delib]ately lo/ all resemblance to actuality4 ,he uses 8 subjects z motives r ?an models4 ,9 ?is respect he is n unlike--?\gh m extreme ?an--! great ,japanese & ,*9ese arti/s1 :o use life & nature arbitr>ily to secure ! results !y desire4 ,i h a gold5 bronze head--a 8,sleep+ ,muse10 by ,illu/ration3 ,,segonzac ,pa/urage ,brancusi--s simple1 s sev]e 9 its beauty1 x might h come f ! ,ori5t4 99 99 99 99 99 ,( ?is head & two o!r pieces ( sculpture exhibit$ by ,brancusi 9 ,july1 #aiac1 at ! ,alli$ ,arti/s' ,exhibition 9 ,london1 ,rog] ,fry said 9 8,! ,nation10 ,augu/ #b3 ,con/ant9 ,brancusi's sculptures h n1 ,i ?9k1 be5 se5 be=e 9 ,engl&4 ,8 ?ree heads are ! mo/ rem>kable works ( sculpture at ! ,alb]t ,hall4 ,two are 9 brass & "o 9 /one4 ,!y %[ a te*nical skill :i* is almo/ disquiet+1 a skill :i* might lead him1 9 default ( any ov]p[]+ imag9ative purpose1 to become a brilliant pa/i*eur4 ,b x seem$ to me !re 0 evid5ce ( passionate conviction2 t ! simplification ( =ms 0 no m]e ex]cise 9 pla/ic design1 b a real int]pretation ( ! rhy?m ( life4 ,^! ab/ract vivid =ms into :i* he compresses 8 heads give a vivid pres5tm5t ( "*2 !y are n empty ab/ractions1 b fill$ ) a cont5t :i* has be5 cle>ly1 & passionately appreh5d$4 99 99 99 99 99 ,futuri/ sculpture1 l ,futuri/ pa9t+1 />ts ) a fundam5tal dep>ture4 ,all sculpture1 classic z well z ,impressioni/ic & ,po/-,impressioni/ic1 deals ) an object or a gr\p ( objects4 ,x models & reproduces !m deta*$ f _! environm5t4 ,futuri/ sculpture seeks to reproduce a figure or an object atta*$ to & a "p ( its fleet+ & fl[+ surr\nd+s1 its atmosph]e1 its m$ium4 ,x goes fur!r2 x seeks to convey n only ! impression ( ! tru? t a figure is a "p ( its environm5t1 b t its atmosph]e & environm5t fl[s ?r\gh ! figure & ! figure ?r\gh ! environm5t1 t no?+ is segregat$ b ev]y?+ fus+4 ,! philosophical ?\ght is old1 z old z ! e>lie/ ,greek philosophy1 b ! attempt to express ! ?\ght 9 /one1 wood1 bronze1 is new4 ,we may feel sure ! attempt is futile1 t x _c succe$1 b our scepticism is no reason :y a sculptor 9 8 en?usiasm %\ld n make ! attempt4 99 99 99 99 99 ,9 ,june & ,july la/ a ,futuri/ sculptor1 ,boccioni1 exhibit$ "s ( 8 "w 9 ,p>is4 ,"o example1 8,head--,h\ses--,light10 0 lit]ally a conglom]ate ( a human bu/ ( h]oic size1 ) h&s cross$ 9 front1 & ! foll[+ accessories3 ,on ! top ( ! head ! fronts ( sev]al small h\ses1 ) doors1 w9d[s1 & all details j z ! sculptor saw ! h\ses _m blocks back ( 8 model4 ,! casual obs]v] w\ld be completely my/ifi$ on see+ sev]al h\se fronts />t out ( ! head ( a bu/2 b :5 "o und]/&s t x is a fundam5tal belief ( ! ,futuri/s t all t is )9 ! vision1 actual or imag9$1 ( pa9t] or sculptor is a "p ( ! picture or bu/1 ! reason :y ( ! h\ses is pla94 ,f "o %\ld] ( ! figure />ts ab\t eighte5 in*es ( a wood5 rail+ & iron grill "w1 "p ( a balcony1 j z ! sculptor glimps$ x a block or s d[n ! /reet4 ,a little to ! back ( ! %\ld] is a slightly incl9$ level surface ab\t a foot squ>e2 on ?is surface is ! toy figure1 an in* high1 ( a woman 9 /reet co/ume4 ,! figure 0 probably b\ght at a toy /ore1 j z ! wood5 rail+ & iron grill "w might h be5 pick$ up at any second-h& %op4 ,! little figure ( ! woman & ! level surface repres5t "s op5 squ>e t--judg+ f ! dim9utive size ( ! figure--mu/ h be5 a long di/ance away1 f> en\gh away = a human be+ to appe> no tall] ?an an in*4 ,! entire bu/ 0 crudely color$1 & "o side ( ! ,illu/ration3 ,,boccioni ,head--,h\ses--,light face 0 modell$ 9 d[nw>d fl[+ l9es & pa9t$ yell[ to repres5t rays ( /rong sunlight4 ,! figure 0 ugly 9 ! extreme2 ! l9es 7 ugly1 ! color+ ugly1 ! te*nic clumsy2 b z an illu/ration ( a !ory ! "w 0 bo? curi\s & int]e/+4 99 99 99 99 99 ,9 ! cre$ ( ! ,futuri/ are f\nd ! foll[+3 #a4 ,sculpture mu/ give life to objects by mak+ s5sible _! ext5sion 9 space1 = no "o today c d5y t an object cont9ues to :]e ano!r object beg9s1 & t all ?+s t are ab\t u--automobile1 h\se1 tree1 /reet1 etc41 etc4--trav]se our bodies1 divid+ u into planes & sections1 =m+ an arabesque ( curv$ & /raight l9es4 ,?is trav]s+ ( ea* object by ! planes occupi$ by all o!r objects is call$ 9 ! transc5d5tal t]m9ology ( ,futurism1 8,comp5etration ( planes40 7,"h ,futuri/ & ,cubi/ aga9 meet47 #b4 ,a ,futuri/ sculptural composition w conta9 9 itself ! m>vell\s ma!matical & geometrical elem5ts ( mod]n objects4 ,^! objects w n be plac$ close to ! /atue1 l s _m deta*$ explanatory attributes or decorative elem5ts1 b accord+ to ! laws ( ! new conception ( h>mony !y w be embodi$ 9 ! muscul> l9es ( ! body4 ,= example1 we may see ! :eel ( an automobile />t+ out ( ! body ( a *auffeur1 ! l9e ( a table trav]s+ ! head ( a man :o is read+1 & ! pages ( 8 book may project ?r\gh 8 *e/4 #c4 ,! abolition complete ( ! l9e f9i%$ & ! /atue isolat$6 ,?r[ op5 ! figure l a w9d[ & make "p ( x ! surr\nd+s 9 :i* x exi/s4 ,! sidewalk may ext5d to y\r table2 y\r head may trav]se & include ! /reet1 & at ! same mom5t y\r lamp may unite h\se to h\se by its se>*+ rays4 ,! entire _w precipitates itself ^u u1 amalgamates ) u1 creat+ a h>mony t w n be controll$ except by creative intuition4 #d4 ,d n be afraid to g outside "o art & receive assi/ance f o!rs4 ,!re is no su* ?+ z pa9t+ alone1 sculpture alone1 music alone1 poetry alone2 !re is simply creation4 ,h5ce if a p>ticul> sculptural composition ne$s "s special movem5t to augm5t or contra/ ! rhy?m ( ! ensemble1 !re is no reason :y "o %\ld n make use ( a small motor to secure ! effect4 #e4 ,x is necess>y to get rid ( ! idea1 purely lit]>y & traditional1 t m>ble & bronze are ! mat]ials t mu/ be us$ 9 great sculpture4 ,! sculptor may use tw5ty mat]ials 9 "o "w if requir$ to express 8 idea4 ,he may use glass1 wood1 cem5t1 c>dbo>d1 lea!r1 clo?1 mirrors1 electric lights1 etc4 #f4 ,x is only by *oos+ subjects absolutely mod]n t "o c discov] new motives & ideas4 #g4 ,x is necess>y to ab&on ! nude & ! traditional conception ( ! /atue & ! monum5t4 #h4 ,:at ! ,futuri/ sculpture creates is1 9 a way1 ! ideal bridge t unites ! inf9ite pla/ic ext]ior ) ! inf9ite pla/ic int]ior4 ,t is :y ! objects nev] f9i%1 b !y int]sect ) endless comb9ations bo? sympa!tic & av]se4 ,! feel+ ( ! spectator is at ! c5t] ( ! "w1 n alo( & outside1 z ) traditional sculpture4 99 99 99 99 99 ,all ?is s\nds wildly extravagant1 b n absolutely incoh]5t4 99 99 99 99 99 ,! obvi\s objection to ! attempt ( ! ,futuri/ sculptor to include 9 8 composition an object & its environm5t ,illu/ration3 ,,h]b9 ,/ill ,life is f\nd 9 8 own proposition--:i* is philosophically valid--t ! univ]se is ! atmosph]e1 ! environm5t ( e object f a gra9 ( s& to a planet4 ,h5ce ! ,futuri/ figure t %[s a few h\ses1 a bit ( a rail+1 a glimpse ( a di/ant squ>e1 is m compreh5sive ?an ! conv5tional bu/ to only an inf9itesimal degree2 only almo/ inf9itesimal fractions ( ! envelop+ univ]se are %[n4 ,! effect is fragm5t>y & confus+4 ,o!r sculptors1 conspicu\sly ,rod9 9 "s ( 8 "w1 get ! effect ( atmosph]e & environm5t by deta*+ ! figure or composition only p>tially f ! block ( m>ble or mass ( bronze1 leav+ to ! imag9ation ( ! obs]v] ! f9i%+ ( ! "w1 ! supply+ ( bo? environm5t & atmosph]e4 ,t w\ld seem to be ! f9]1 ! pur]1 ! m ab/ract way4 99 99 99 99 99 ,9 fact1 !re is an obvi\s contradiction betwe5 ! cre$ ( ! ,futuri/ sculptor & ! ,futuri/ writ]4 ,! =m] feels impell$ to %[ environm5t by encumb]+ 8 figure ) an ov]:elm+ mass ( details1 h\ses1 rail+s1 sidewalks1 petty figures1 etc41 etc4--all ! qualify+ objects t happ5 )9 8 vision1 leav+ no?+ to ! imag9ation ( 8 obs]v]2 :ile ! ,futuri/ writ] w\ld elim9ate f lit]ature all adjectival & adv]bial words & phrases1 leav+ ! n\ns 7! simple figures ( sculpture7 to /& alone4 99 99 99 99 99 ,_m ?+s c be done 9 pa9t+ t _c be done 9 sculpture4 ,a figure may be pa9t$ aga9/ a backgr\nd ( an entire city1 or aga9/ ! heav5s2 or x may be pa9t$ 9 ! mid/ ( a battle1 or a tra9 wreck2 ! flight ( ye>s c be indicat$1 c5turies may be swept into "o canvas4 ,9 sculpture ?is _c be done save1 9 a measure1 9 su* crude mixtures ( sculpture1 relief1 & pa9t$ sc5es z ^? l>ge circul> panoramas s popul> tw5ty ye>s ago1 :]e ! spectator /ood 9 ! c5t]--:]e ! !ory ( ! ,futuri/ requires him to be--& gaz$ f life-size figures & objects at 8 feet across small] & small]1 until reality imp]ceptibly jo9$ ! pa9t$ canvas1 :i* gave a s5se ( great di/ance--entire battle-fields4 ,! ,futuri/ sculptor _c give ?is s5se ( environm5t & atmosph]e by atta*+ dim9utive h\ses & bits ( balconies to ! bu/ ( a man4 99 99 99 99 99 ,9 read+ _! extravagant decl>ations & d5unciations ( ! pa/ x mu/ be rememb]$ t extremes beget extremes1 t en?usia/s habitually indulge 9 extravagant argum5ts & !ories = ! purpose ( attract+ att5tion & /imulat+ discussion4 ,9 an address rec5tly deliv]$ 9 ,london1 ! lead] ( ,futurism w>n$ 8 he>]s n to accept too lit]ally ! />tl+ extravagances ( "s ( ! ,futuri/ manife/oes & lit]ature4 ,he /at$ frankly t _m ( ! mo/ viol5t propositions 7 utt]$ = ! purpose ( ar\s+ public att5tion to :at !y consid]$ v real evils 9 our mod]n life4 ,= in/ance1 :5 ! ,futuri/s cry1 8,d[n ) all museums10 8,de/roy all rema9s ( antiquity10 !y d n mean t if !y 7 giv5 ! p[] !y w\ld d ^! ?+s1 b :at !y desire is to ar\se ,italy & ! anci5t _w to ! fact t ,italy has a position z a mod]n nation4 ,! ,futuri/s res5t ! attitude ( ! _w t[>d ,rome & ,a!ns2 !y res5t ! attitude ( travel]s :o visit ^? two places solely to look at ! rema9s ( ! anci5t _w2 !y believe t ,italy is j z mu* a mod]n nation z is ,am]ica1 & t ,rome is j z mu* alive z is ,new ,york1 & !y w\ld h p come to ,italy1 n to see ru9s1 b to see h] factories & indu/ries & places ( bus9ess4 ,:5 "o rightly consid]s ! matt] ?is is a v rational & patriotic attitude1 & x is ! only attitude t is :olly consi/5t ) ! developm5t & progress ( a nation z a vital =ce 9 ! _w ( today4 ,view$ 9 ! light ( ! int5se patriotism :i* is beh9d "s ( ^! wildly extravagant d5unciations ( ! pa/1 !y d n seem s devoid ( reason4 ,we 9 ,am]ica h no pa/ to oppress u2 !re=e x is difficult = u to realize ! feel+ ( a mod]n nation1 or a mod]n city1 :i* ! civiliz$ _w w n accept z mod]n1 b insi/s ^u view+ z a museum ( antiquities4 99 99 99 99 99 ,! address ref]r$ to also said3 8,futurism 0 fir/ put =w>d by me = ! purpose ( r5ovat+ & reawak5+ ! ,italian race to a true appreciation ( ! true art 9 lit]ature z well z 9 pa9t+ & sculpture4 ,precisely because x has a spl5did pa/1 ,italy is today 9 "s sort dis9h]it$4 ,! cult ( ! pa/ is upheld among !m by a :ole _w ( int]e/$ p1 & ! ,futuri/ movem5t 9 its creative ef=t is hamp]$ n only by su* economic h9drances b by ! m5tal c[>dice ( p4 8,9 art y mu/ cont9ually advance2 ^? :o /op are already dead1 or c&idates = dea?4 ,! ,romanticism ( arti/s l ,baudelaire & ,wagn] & ,flaub]t 0 inspir$ by two or ?ree pr9ciples :i* are worn out today4 #8,salambo' 0 ! type romance ( t old s5sibility4 ,9 a c]ta9 s5se su* ,romanticism is ! id5tification ( ! idea ( beauty ) ! idea ( woman4 ,we are at ! end ( t p]iod4 8,woman z ! c5t]1 ! obsession has already gone out ( poetry4 ,z a leit-motif %e has no long] ! same =ce2 o!r problems h tak5 h] place4 ,accord+ to our view1 poetry is no?+ b a m int5se1 a m exalt$1 life--& t is :y we combat ! con/ant intrusion into x ( ! #8dome/ic triangle' 9 v>i\s =ms1 & :i* has be5 its ru94 8,n[1 ,futuri/s are f\nd ev]y:]e4 ,9 ,engl& y h ,h4 ,g4 ,wells4 ,we all realize ! ne$ to be m rapid1 m int5se1 m ess5tial1 & ?\gh our me?od ( expression has be5 /igmatiz$ z #8telegraphic lyricism' ,i take no exception to t s long z x makes p talk & br+s !m to exam9e our und]ly+ rules ( action4 8,art1 ei!r pla/ic or active1 is n a religion4 ,x is ! be/ "p ( our /r5g?1 ( our physiological be+4 ,x is1 9 consequ5ce1 absurd to consid] x z a sy/em1 z some?+ to wor%ip ) jo9$ h&s2 x %\ld express all ! int5sity ( life--its beauty1 greatness1 its fire1 its brutality1 its sordidness4 8,futurism 9 poetry repres5ts a realism pr(\nd1 rapid1 int5se--! v complex ( our life ( today40 ,,xii ,,virile-,,impressionism ,:at is happ5+ 9 ,am]ica8 ,exactly :at might be expect$ 9 a "y1 vigor\s1 & virile c\ntry4 ,am]ica has be5 ke5ly susceptible to art influ5ces f e section4 ,h] /ud5ts are ev]y:]e1 h] exhibitions are ga!r$ f ! f\r qu>t]s ( ! globe4 ,%e is v mu* alive to :at ,europe is do+1 %e has long be5 int]e/$ 9 :at ,*9a & ,japan h done4 ,:ile h] art is 9 ! ma9 cons]vative1 x is n ! cons]vatism ( /ubbornness or /olidity1 x is r ! cons]vatism ( isolation2 b h] isolation is a ?+ ( ! pa/4 ,communication is s frequ5t1 travel s easy1 transportation s *eap1 t bo? art & arti/s fl[ hi!r & ?i!r almo/ unre/rict$4 ,9 spite ( ?is fre$om ( int]-communication1 ! developm5t ( ,am]ican art has be5 along indep5d5t l9es--at lea/ along "o indep5d5t l9e1 a l9e s individual 9 its *>act]i/ics x des]ves ! "n ,am]ican-,impressionism1 or1 m g5]ically1 ,virile-,impressionism4 ,by ,virile-,impressionism is meant a mann] ( view+ nature & a mode ( pa9t+ q diff]5t f ! m sup]ficial ref9em5ts ( ,impressionism on ! "o h& & ! extraord9>y developm5ts ( ,po/-,impressionism on ! o!r4 ,let u try to make ?is cle>4 99 99 99 99 99 ,z already not$1 ,impressionism atta9$ a logical end 9 ! pa9t+ ( brilliant light effects1 especially 9 ! works ( ! ,neo-,impressioni/s1 ! po9tilli/s4 ,9 %ort1 ! drift ( ,impressionism 9 ,france 0 t[>d m & m brilliant reflections ( ! surfaces ( ?+s4 ,?is extreme att5tuation 0 q =eign to ! _s ( ,am]ica1 :i* is m mat]ial & practical4 99 99 99 99 99 ,x may be our fault1 x is c]ta9ly our virtue1 t we are mat]ial & practical 9 our outlook4 ,9 a big1 sane s5se we are dream]s4 ,only dream]s c\ld c>ry ! ,panama ,canal to completion1 &1 to m5tion less] works1 only dream]s c\ld build su* t]m9als z ! ,p5nsylvania & ,new ,york ,c5tral 9 ,new ,york1 & su* build+s z ! ,woolwor? & ! ,manhattan4 ,b our dreams always take practical %ape4 ,we are a nation ( inv5tors because we are a nation ( dream]s4 ,h5ce1 :ile our arti/s 7 quick to respond to all t is good & /rong 9 ,impressionism1 !y f\nd little satisfaction 9 ! ultra-ref9em5ts ( ,neo-,impressionism4 ,! result 0 t :5 ,france press$ ,impressionism to its extreme1 a normal & heal?y reaction took place 9 ,am]ican art4 ,_m ( ! /rong pa9t]s ( ,am]ica began do+ ?+s ( _! own4 ,!y /ill adh]$ closely to nature4 ,!y rema9$ ,impressioni/s 9 ! old] significance ( ! t]m1 b !y pa9t$ n ! surfaces ( ?+s b ! sub/ance--9 %ort1 !y 7 ,czanne-,impressioni/s z di/+ui%$ f ,monet-,impressioni/s4 ,= in/ance1 ,w9sl[ ,hom] 0 a great & true ,impressioni/1 b he _h no?+ 9 common ) ! ,neo-,impressioni/s1 & little 9 common ) ,monet4 ,he _h1 h[ev]1 a great deal 9 common ) ,czanne4 ,8 pictures give "o an impression ( nature h]self1 ( ! p[] ( ! sea1 ! adamant ( ! rocks1 ! significance ( life1 yet ea* "o is an accurate transcript ( :at he saw4 ,he did ,illu/ration3 ,,segonzac ,=e/ n g into 8 /udio & create pictures out ( 8 imag9ation2 he let 8 imag9ation play ^u nature1 b nature controll$ all he did4 ,he 01 9 a s5se1 ! greate/ ( ,am]ican-,impressioni/s--he 0 a ,virile-,impressioni/4 ,!re are _m ,virile-,impressioni/s 9 ,europe1 b !y are s _m individuals2 "h ,virile-,impressionism is ! result ( racial1 national1 geographical conditions4 ,x 0 inevitable t ,impressionism 9 ,am]ica %\ld foll[ along virile & sub/antial l9es r ?an along n]v\s & sup]ficial2 x is ! way ! c\ntry is built4 99 99 99 99 99 ,s>g5t is a ,virile-,impressioni/4 ,he pa9ts /rik+ lik5esses1 b he also pa9ts m>vell\s *>act]izations2 t is1 he gets b5ea? ! sk9 ( 8 sitt]s & pa9ts !m z !y are1 n z !y seem4 ,8 s5se ( color is v defici5t2 _m ( 8 portraits f a decorative po9t ( view are almo/ ! rev]se ( pleas+2 he _h n ! fa9te/ appreciation ( ! subtle ref9em5ts ( ! ?+s ,:i/l] /rove s long & e>ne/ly to a*ieve2 9 8 be/ ?+s he is /rong & direct to ! po9t ( brutality--all ( :i* is *>act]i/ic ( ,virile-,impressionism1 & exactly :at "o w\ld expect f a vigor\s1 muscul>1 frank ,am]ican4 ,?\gh ,s>g5t sp5ds mo/ ( 8 "t on ! o!r side1 he is no m ,engli% ?an ,fr5*2 8 pictures fit into an ,am]ican exhibition f> m com=tably ?an into ! ,royal ,academy or ! old ,salon4 ,rob]t ,h5ri is ano!r /rong ,virile-,impressioni/4 99 99 99 99 99 ,! attitude ( ,am]ican pa9t]s t[>d ! extreme mod]n developm5ts is bo? curi\s & int]e/+4 ,on ! op5+ ( ! ,int]national ,exhibition !re 0 an outbur/ ( viol5t indignation f ! old] m51 ord9>y spee* fail$ to express _! feel+s1 & !y ru%$ into pr9t ) language z viol5t z ! press w\ld accept4 ,all t made lively read+ & l5t ze/ to curr5t lit]ature4 ,six mon?s lat] ?is feel+ ( angry opposition l>gely subsid$4 ,z an illu/ration1 "o ( ! bitt]e/ ( ! ,academicians accept$ z a 8good idea0 ! organization ( an indep5d5t exhibition1 op5 to arti/s )\t ! int]v5tion ( a jury1 "u ! auspices ( ! ,national ,academy1 z soon z a build+ c\ld be provid$ t w\ld adequately h\se all exhibitions4 ,aga91 ! v cons]vative au?orities ( a l>ge art in/itute li/5$ receptively to ! sugge/ion t e art museum ow$ ! public two ?+s 9 ! way ( exhibitions3 ,fir/1 exhibitions select$ by juries :i* w\ld give ! public ! b5efit ( ! be/ exp]t judgm5t available4 ,second1 exhibitions :]e9 pa9t]s & sculptors b>r$ by ! juries w\ld h opportunities to pres5t _! works to ! judgm5t ( ! public4 ,9 %ort1 sugge/ions t w\ld n h be5 li/5$ to be=e ! ,int]national are n[ discuss$ z q )9 ! range ( possibilities4 ,!re is no dang] ( ^! ?+s com+ to pass 9 ! imm$iate future2 !re is /ill too mu* lat5t opposition1 b ! virul5t has measurably subsid$4 ,s mu* = ! old] m54 99 99 99 99 99 ,! y\ng] 7 naturally mu* m tol]ant4 ,!y 7 m--!y 7 bo? curi\s & receptive4 ,_m ( !m se>*$ ) eag] eye = valuable h9ts1 = ways & means to p]fect _! own art4 ,x 0 a great pleasure to wat* & talk ) ^! "y m51 ! ris+ g5]ation4 ,_m ( !m1 to _! own surprise1 f\nd !y _h be5 work+ along mod]n l9es )\t fully realiz+ x4 ,!y _h n cut loose f ,impressionism1 b !y 7 do+ ?+s con/ructively r ?an sup]ficially2 !y 7 pa9t+ l ,czanne r ?an ,monet4 99 99 99 99 99 ,if ! attempt 7 made to "n ^! y\ng] m51 ! result w\ld be inju/ice to _m ^: works are unkn[n to ! writ]1 & ! argum5t w\ld be confus$4 ,to speak1 !re=e1 ( "o ( ! pa9t+s reproduc$1 take ! 8,/ill ,life10 by ,kroll4 ,9 ! decorative arrangem5t ( ! drap]ies & 9 ! mann] 9 :i* ! fruit & /one jug are pa9t$1 ! feel+ is q ,po/-,impressioni/ic2 :ile ! glimpse ( ! /reet out ! w9d[ is purely ,impressioni/ic4 ,t is to say1 all )9 ! w9d[ is pa9t$ solidly & con/ructively1 q "u ! influ5ce ( ,czanne2 all t is )\t is pa9t$ fleet+ly & sup]ficially1 m "u ! influ5ce ( ,monet4 ,x 0 done int5tionally1 to secure a c]ta9 effect ( contra/2 b ! result is nei!r ,fr5*-,impressionism nor ,po/-,impressionism1 b ,am]ican-,impressionism--a c]ta9 eclecticism4 ,! glimpse ( ! /reet is delightful1 b ! arbitr>ily arrang$ int]ior is m ?an delightful2 x possesses /r5g? ( l9e1 f9e color1 & solid masses1 done con/ructively4 ,/ill1 "o has only to comp>e ?is picture ) ! 8,/ill ,life10 by ,h]b91 & ! 8,=e/ at ,m>tigues10 by ,d]a91 to see h[ close to nature x is1 h[ ,impressioni/ic x is z di/+ui%$ f ! ,po/-,impressioni/ic1 or creative1 _s4 ,kroll pa9t$ :at he felt1 controll$ by :at he saw4 ,d]a9 pa9t$ :at he felt1 influ5c$ only slightly by :at he _h se54 99 99 99 99 99 ,! =ego+ illu/rates ! position ( ! m vigor\s ( ! y\ng] ,am]ican pa9t]s2 !y are s /rong1 s virile1 s muscul>--let u say--t in/9ctively !y lean t[>d ! pa9t+ ( ?+s 9 a big1 broad con/ructive mann]2 ! ref9em5ts ( sup]ficial impressionism d n int]e/ !m4 ,at ! same "t !y h n rea*$ ! po9t :]e !y are will+ to let g ( nature entirely & d purely creative ?+s4 ,p]haps ?is is j z well4 ,am]ica--l e new c\ntry--is s ess5tially practical1 practical 9 ev5 its mo/ imag9ative flights1 t x is difficult = its pa9t]s to retire )9 !mselves & d ?+s t h only an esot]ic or metaphysical relation to actualities2 t sort ( ?+ 9 bo? art & lit]ature is mu* easi] on ! cont95t ?an 9 ei!r ,engl& or ,am]ica2 x is especially easy 9 ! highly *>g$ & hyp]-artificial atmosph]e ( ,p>is4 99 99 99 99 99 ,purely creative "w is done 9 a ma/]ly mann]--9 8 be/ ?+s--by ,ar?ur ,davies4 ,x is attempt$ & q successfully by ,k5ne? ,mill]1 to m5tion only two ( _m4 ,to ! casual obs]v] ,davies may seem to lose himself at times 9 8 !ories1 to press 8 dreams & speculations beyond ! conf9es ( 8 art1 b on ?is po9t ! op9ion ( ! 8casual obs]v]0 is ( little value1 = ,davies's pictures _c be casually obs]v$2 !y *all5ge ! att5tion ( ! mo/ s]i\s & repay /udy4 ,i make no pret5se to hav+ fa?om$ _! my/]y1 to und]/&+ _! inn] significance1 b enjoy & h always enjoy$ ! m>vell\sly f9e way 9 :i* !y are done1 & _! r>e decorative quality4 ,"h is a man do+ creative "w1 "w 9 :i* he plays ) & uses nature to atta9 ends f> above & f> remov$ f nature4 ,he is 9 no s5se a ,virile-,impressioni/1 no "o w\ld ?9k ( class+ him z an ,impressioni/ at all4 ,yet he is n a ,po/-,impressioni/ z ! t]m has be5 def9$ 9 ?is book4 ,he belongs r to ! class ( inspir$ or poetic pa9t]s1 a few ( :om are ) u always1 m5 :o nei!r f\nd nor belong to a 8s*ool10 b :o express on canvas or 9 /one _! fancies 9 a way t rem9ds "o ( fairy-tales4 ,davies may admire mu* ( ! "w ( "s ( ! ultra ,po/-,impressioni/s2 he likes1 = in/ance1 mu* ( ,matisse's "w2 he may ev5 fancy he has some?+ 9 common ) ^! m51 b he has n4 ,he 0 pa9t+ 8 pictures long be=e !irs 7 v mu* kn[n1 & he w\ld h pa9t$ 8 if !irs _h nev] be5 produc$ at all4 ,matisse is mov$ by a _s fundam5tally diff]5t f t :i* animates ,davies4 99 99 99 99 99 8,! ,bridge10 by ,kroll1 is ano!r /rik+ example ( ,am]ican-,impressioni/ic art4 ,x is "o ( a s]ies ( pictures ( l[] ,new ,york1 ea* pa9t$ 8on ! spot10 "s f ro(s & high places difficult ( access & dang]\s4 ,x is comp>atively easy to g out & make a few sket*es ( portions ( a city l ,new ,york & !n retire to ! /udio & pa9t fa9t & sup]ficial reproductions1 su* inadequate reproductions z appe> on ! walls ( any metropolitan exhibition2 x is q ano!r ?+ to plant "o's easel on slipp]y rocky heights & day aft] day1 9 ! cold1 pa9t f nature z directly z ,monet ev] pa9t$ & 9 a mu* m virile way4 ,x takes imag9ation & en?usiasm & ! sup]b confid5ce ( y\? to attempt su* colossal ?+s1 & x takes an unusual te*nical facility to 8get away0 ) ! attempt4 99 99 99 99 99 ,w9sl[ ,hom]'s "n has be5 m5tion$ & m5tion$ ) ! respect due "o ( ! greate/ pa9t]s ?is c\ntry has produc$1 b ! besett+ weakness ( picture buy]s is undue rev]5ce = ! man :o has 8arriv$10 above all = ! ma/] :o is dead4 ,bett] pictures are be+ pa9t$ 9 ,am]ica today ?an ,hom] pa9t$1 & he w\ld be ! fir/ to say s if liv+4 ,s9ce he pa9t$ 8 be/ pictures ! art ( pa9t+ has advanc$1 pa9t]s h improv$ _! te*nic & broad5$ _! outlook4 ,!re are pictures be+ pa9t$ today by "y ,am]icans t w be wor? f> m ?an ,hom]'s1 & t is said ) ! full realization t no lov] ( :at is big & /rong 9 art c\ld ask = m virile impressions ( nature ?an ^? ( ,hom] at 8 be/4 99 99 99 99 99 ,:5 ! ,morgan pictures 7 hang+ 9 ! ,metropolitan ,museum1 acclaim$ 9 p>rot phrases by critics & visit$ by multitudes1 x 0 a delight1 a v]itable refre%+ ( ! s\l1 to get away f ! smell ( ! dead into ! liv+ atmosph]e ( ! ,he>n collection & see pictures t belong to u1 to our own times1 t are fle% ( our fle%1 bone ( our bone4 ,e picture 9 ! ,morgan collection _h its vital relation ,illu/ration3 ,,kroll ,brooklyn ,bridge to life once--:5 x 0 pa9t$ & :]e x 0 pa9t$4 ,n "o has ev5 a remote relation to ! life ( ,am]ica4 ,!y are valuable1 v valuable1 9 ! s5se t old tape/ries1 old armor1 old brocades1 old pott]y1 etc41 etc41 are valuable--valuable z illu/rat+ ! hi/ory & developm5t ( pa9t+1 & beautiful z _m old ?+s are beautiful--b n half s beautiful z ! liv+ & brea?+ ?+s ( today4 99 99 99 99 99 ,b h[ c we appreciate ! beauty ( ! ?+s our pa9t]s & sculptors are do+ :5 we are bl9d to ! sup]b1 ! magnific5t beauty ( :at our eng9e]-build]s are do+--our /eel 8sky-scrap]s0--,am]ica's greate/ a*ievem5t & unique contribution to ! arts--an absolutely new ar*itecture8 99 99 99 99 99 ,?\gh ! arti/ may be quick to disav[ all su* int5tion1 x is obvi\s t !re is mu* ,po/-,impressionism 9 ,john ,w4 ,alex&]'s "w4 ,9 bo? 8 te*nic & 8 inspiration he is v ,po/-,impressioni/ic4 ,9 ! delightful sweep ( 8 l9e1 & ! purely decorative use ( color1 he dep>ts f> f nature4 ,! attitude ( ,s>g5t t[>d a model or sitt] & t ( ,alex&] are diametrically oppos$1 ! "o seeks to pa9t a vigor\s *>act]ization ( ! p]son be=e him1 ! o!r seeks to create a picture1 & to d s by a te*nic s diff]5t f t commonly us$ x /ill occasions mu* ( ! wond]m5t x excit$ ye>s ago4 ,"s ( ! portraits by ,alex&] are conspicu\s on ! walls ( an exhibition = v mu* ! same reasons su* a picture z ,van ,rees's 8,mat]nity0 w\ld be conspicu\s4 ,! l&scape & cattle piece by ,segonzac are bo? examples ( ,virile-,impressionism4 ,b ,segonzac has pa9t$ _m o!r pictures t are ,po/-,impressioni/ic--arbitr>y 9 design & execution1 & /ill o!rs t are bo? ,virile-,impressioni/ic & ,po/-,impressioni/ic1 su* z 8 l>ge canvas1 8,a ,pa/oral10 %[n at ! ,int]national1 :]e9 ! cattle are ,virile-,impressioni/ic creations :ile ! nude figures & ! entire s*eme are purely ,po/-,impressioni/ic4 99 99 99 99 99 ,! two l&scapes by ,vlam9ck & ,*>my are good examples ( ! transition /ate f ,virile-,impressionism to ,po/-,impressionism4 ,!y are suffici5tly close to nature to be ,impressioni/ic 9 ! l>ge s5se ( ! t]m2 at ! same "t !y are s arbitr>y & decorative 9 te*nic z to be q ,po/-,impressioni/ic4 ,!y are ab\t z f> remov$ f ! av]age exhibition ( ,impressioni/ic pictures z !y are f ! creative & ab/ract art ( ! ,cubi/s1 yet !y w hang ) ei!r )\t unduly %ock+ ! spectator's s5se ( ! fitness ( ?+s4 99 99 99 99 99 ,! ?ree ,c>doza's are purely ,po/-,impressioni/ic2 !y are *>m+ examples ( :at might be call$ romantic ,po/-,impressionism z di/+ui%$ f ! m ab/ract conceptions ( ! ,cubi/s2 !y h no m relation to life ?an a fairy tale1 r less if any?+1 = !y are prim>ily decorative r ?an significant4 99 99 99 99 99 ,zak's 8,%eph]d0 is also ,po/-,impressioni/ic1 romantic 9 feel+ l ,c>doza's1 b ( deep] human significance4 ,! utt] lonel9ess ( ! %eph]d's life1 ! monotony ( its outlook1 ! note ( resignation1 are all z subtly indicat$ ,illu/ration3 ,,*>my ,l&scape z are any ( ! human qualities 9 ,millet's pictures ( peasant life2 yet 9 te*nic & composition ! picture is ess5tially ,po/-,impressioni/ic1 a decorative & musical "w ( ! creative imag9ation4 ,"o w\ld n be f> a/ray 9 class+ x ) ! poetic "w ( ,ar?ur ,davies4 ,,xiii ,,sculpture ,developm5ts 9 sculpture d n always p>allel ^? 9 pa9t+4 ,9 comp>ison pa9t+ is s facile t x l5ds itself easily to exp]im5ts1 responds quickly to moods & fancies4 ,9 %ort1 pa9t+ is m susceptible--m volatile4 ,n t ! pa9t] & ! sculptor are diff]5t human be+s1 b ! m$iums :]eby !y express !mselves are s diff]5t1 & ! dem&s = _! "w are s unequal1 t sculpture usually lags beh9d 9 new v5tures4 ,! sculptor1 h[ev] great 8 desire1 _c af=d to make ! exp]im5ts ! pa9t] makes1 or at ! be/ he c only embody 8 new ideas & aspirations 9 un9vit+ pla/] ca/s4 ,he is b\nd by "s ( ! conditions t hamp] ! ar*itect1 "o ( :i* is difficulty 9 f9d+ a patron :o w take ! risk & pay ! exp5se ( innovations4 99 99 99 99 99 ,! reaction 9 sculpture has be5 f ! classic along two oppos$ l9es3 ,a4 ,back to nature4 ,b4 ,purely creative4 99 99 99 99 99 ,! movem5t back to nature1 to a clos] obs]vation ( life1 ev5 to ! r5d]+ ( ! human figure ) brutal frankness1 is exemplifi$ 9 ! "w ( ,matisse1 "w s ugly--to mo/ p--x seems a grotesque c>icature ( ,illu/ration3 ,,brancusi ,m'lle ,poganey ,illu/ration3 ,,lehmbruck ,kneel+ ,woman ! human =m1 b ! human =m today is nev] s symmetrical1 s p]fect z 9 classic sculpture1 & "o suspects ! ,greeks !mselves idealiz$ _! "y m5 & maid5s4 ,long be=e ,matisse1 ,rod9 />t$ ! 8return to nature40 ,8 8,age ( ,bronze10 #ahgg1 0 s lit]al a transcript x 0 d5\nc$ z a ca/ f life2 sculptors & critics refus$ to believe human f+]s c\ld model s p]fect an impression4 ,8 8,sa9t ,john10 8,eve10 8,b\rgeois ( ,calais10 8,le ,p5seur10 8,la ,belle ,heaulmire10 to m5tion only a few1 7 all creat$ 9 a _s diametrically oppos$ to ! classic--yet ,rod9 is a mo/ intellig5t lov] ( ! classic4 ,p] contra1 mo/ ( ,rod9's m>bles are a f9e mixture ( ! classic & purely mod]n--( ! classic & ! romantic4 ,! po9t "h is t 9 "s ( 8 bronzes he exhibits z cle> & m]ciless an obs]vation ( nature z ,matisse or any o!r mod]n4 ,x may be said once = all t 9 ! numb] & v>iety ( ?+s he does1 9 ! mann] 9 :i* he l9ks pa/ & pres5t1 ,rod9 /&s q alone among sculptors4 ,if he has little sympa?y ) ! extreme sculpture ( ! h\r x is because life is %ort & 9 8 life "t he has cov]$ s va/ a t]ritory1 respond$ to s _m impulses1 anci5t & mod]n1 he is n unnaturally reluctant to emb>k ^u new exp]im5ts or int]e/ himself vitally 9 :at o!rs are do+4 99 99 99 99 99 ,! be/ ,am]ican sculpture1 ev5 m ?an ,am]ican pa9t+1 is solidly virile-impressioni/ic1 notably ! "w ( su* m5 z ,b>n>d & ,borghlum4 ,davidson has "o foot firmly plant$ )9 ! conf9es ( ,po/-,impressionism1 b he has by no means cut loose f ! pa/4 ,8 8,decorative ,panel0 9 ! ,exhibition 0 purely po/-impressioni/ic1 a "w ( ! imag9ation1 :ile 8 figures 7 virile-impressioni/ic4 99 99 99 99 99 ,x is only by comp>+ ! "w ( ^! new m5 ) t ( ,/4 ,gaud5s1 ,fr5*1 ,mac,monies--to m5tion no o!rs--t "o beg9s to rightly und]/& :at is meant by ! 8reaction to nature40 ,!re is pl5ty ( pure obs]vation & pl5ty ( f9e imag9ation 9 ! "w ( ^? ?ree m51 b !re is also mu* ( ! purely classical1 & n "o ( !m %[$ or %[s any desire to break ) tradition1 :ile ! v ess5ce ( ! mod]n movem5t is a disreg>d1 consci\s or unconsci\s1 = tradition2 9 _m ( ! new m5 !re is a viol5t revolt aga9/ ! dom9ation ( ! pa/4 99 99 99 99 99 ,x is :5 we come to ! "w ( ,brancusi & ,ar*ipanko t we f9d ! mo/ />tl+ examples ( ! reaction along purely creative l9es4 ,nature is purposely left f> beh9d1 z f> beh9d z 9 ,cubi/ pictures1 & = v mu* ! same reasons4 ,( ,brancusi some?+ has be5 said already4 ,( all ! sculpture 9 ! ,int]national ,exhibition ! two pieces t excit$ ! mo/ ridicule 7 ,brancusi's egg-%ap$ portrait ( ,mlle4 ,pogany & 8,family ,life0 by ,ar*ipanko4 ,bo? are creative works1 products ( ! imag9ation1 b 9 _! inspiration !y are fundam5tally diff]5t4 99 99 99 99 99 ,9 8 symmetrical oval head ) ! spiral masses :]e ! neck w\ld be1 x is app>5t ! sculptor's int]e/ is 9 ! play ( l9e & relation ( masses1 no pr(\nd human problem tr\bl$ him4 ,t !re is a relation betwe5 ! /range %ape ( ! head & 8 !ories ( life & art no ,illu/ration3 ,,boccioni ,spiral ,expansion ( ,muscles 9 ,action ,illu/ration3 ,,matisse ,portrait ,heads s]i\s obs]v] ( 8 o!r "w c\ld d\bt1 b 8 unusual te*nic ov]-%ad[s o!r int]e/4 99 99 99 99 99 ,9 8 8,family ,life10 ! gr\p ( man1 woman1 *ild1 ,ar*ipanko delib]ately subord9at$ all ?\ght ( beauty ( =m to an attempt to realize 9 /one ! relation 9 life t is at ! v basis ( human & social exi/5ce4 ,spiritual1 emotional1 & ma!matical intellectuality1 too1 is beh9d ! family gr\p ( ,ar*ipanko4 ,?is gr\p1 9 pla/]1 might h be5 made ( d\gh4 ,x repres5ts a featureless1 l>ge1 /rong male--"o gets ! impression ( /r5g? f humps & lumps--an impression ( a female1 less vivid1 & ! vague k t a *ild is mix$ up 9 ! g5]al embrace4 ,! faces are r blocky1 ! :ole gr\p ) arms int]tw9$--arms t end sudd5ly1 no h&s1 might be ! sket* ( a sculpture to be4 ,b :5 "o gets an insight x is int5sely m int]e/+4 ,x is1 ev5tually1 cle> t 9 portray+ 8 idea ( family love ! sculptor has built 8 figures ) pyramidal /r5g?2 !y are graft$ toge!r ) love & geometric design1 _! limbs are brac+s1 ties ( /r5g?1 !y repres5t1 n individuals1 b ! /ructure itself ( family life4 ,n family life z "o sees x1 b ! unse51 ! deep emotional unse51 & 9 mak+ 8 gr\p :5 ! sculptor f\nd himself v]g+ ^u ! se5--t is1 :5 he no long] felt ! unse5--he /opp$4 ,!re=e ! h&s 7 n ess5tial4 ,& ?is expression is made 9 ! simple/ way4 ,"s w hoot at x1 b o!rs w feel ! respect t is due "o :o simplifies & expresses ! deep ?+s ( life4 ,y may say t su* is lit]ature 9 m>ble--well1 x is ! mod]ne/ sculpture4#ff 99 99 99 99 99 ,! gr\p is s angul>1 s ,cubi/1 s ugly accord+ to accept$ notions1 t few look long en\gh to see :at ! sculptor means2 yet /range z ! gr\p 0 x und5iably gave a p[]ful impression ( ! b9d+1 ! bl5d+ "* ( ! family tie1 a mu* m p[]ful impression ?an gr\ps 9 conv5tional academic pose c\ld give4 ,9 consid]+ ! extreme mod]n movem5t 9 sculpture x mu/ n be =gott5 t gr\ps & figures j z /range h be5 done 9 ! pa/--t ev5 que]] & m grotesque ?+s h be5 us$ to adorn *ur*es & alt>s4 ,true1 ^? sculptures & c>v+s are naive & primitive1 b may n ! naive & primitive be clos] to life & to life's great tru?s ?an ! sophi/icat$ & classical8 ,t is ! "q4 ,! answ] ( ! mod]ns is t ! sw+ ( ! p5dulum 9 art is f ! naive & primitive ?r\gh ! m & m conv5tional to ! fix$ & lifeless mold ( ! classic & academic1 !n back aga9 to ! naive1 trav]s+ ! romantic1 9 its c\rse1 bo? ways4 ,illu/ration3 ,,matisse ,back ( ,woman ,illu/ration3 ,,erbsloh ,"y ,woman ,,xiv ,,9 ,,conclusion ,to ga!r ! loose ends ( ! argum5t 9 "o ske94 99 99 99 99 99 ,impressionism 0 ! natural1 ! inevitable reaction f ! romantic & /ory-tell+ art ( ! =ties1 fifties1 & sixties--a return to nature f ! /udio1 to works ( ! obs]vation f works ( ! imag9ation4 ,impressionism develop$ along ?ree div]g+ l9es3 ,a4 ,sup]ficial ,impressionism--,monet4 ,b4 ,reali/ic ,impressionism--,manet4 ,c4 ,sub/antial ,impressionism--,czanne4 99 99 99 99 99 ,a4 ,sup]ficial--! pa9t+ ( light effects1 ! impressionism ( ,monet1 culm9at$ 9 ! extreme ref9em5ts ( ! po9tilli/s1 ! ,neo-,impressioni/s1 ,seurat & ,signac4 ,9 sup]ficial ,impressionism ! la/ ^w seems to h be5 said = ! "t be+4 ,any numb] ( delightful pictures--light effects--are be+ pa9t$1 & w cont9ue to be pa9t$1 b ! e>ly en?usiasm has l>gely subsid$4 ,sup]ficial ,impressionism leads naturally to ! pa9t+ ( pure color effects--color music1 orphism1 compositional pa9t+4 ,aft] ! la/ ^w 9 ! obs]vation ( light effects ,po/-,impressioni/ic attempts to create pure color effects1 irrespective ( natural--t is a logical reaction4 ,b4 ,reali/ic ,impressionism p5etrates a little deep]4 ,:ile ,monet & 8 foll[]s1 ,signac & ,seurat1 dealt m & m ) ! play ( light on ! surface ( ?+s1 ,manet & 8 foll[]s pa9t$ clos] to ! he>t ( ?+s4 ,:ile ,monet 0 cont5t to pa9t a hay /ack tw5ty times 9 z _m diff]5t lights1 ,manet pref]r$ a t\* ( life & "* 9 8 pictures4 ,:ile he 0 fir/ & la/ a pa9t]1 he 0 n s absorb$ 9 secur+ purely te*nical effects z to be :olly bl9d to ! human elem5t1 h5ce 8 wond]ful portraits1 8 bullfights1 8 glimpses ( city life--pictures big 9 m s5ses ?an "o4 ,/ill he & 8 foll[]s 7 prim>ily int]e/$ 9 ! aspect ( ?+s1 ! *>act]i/ics z di/+ui%$ f ! fundam5tal "* ( ?+s4 ,he p5etrat$ f> deep] ?an ,monet1 s mu* deep] ! two _h little 9 common1 b he did n get s close to ! he>t t he =got ! sk92 he 0 always a pa9t] ( appe>ances1 b 9 a big z di/+ui%$ f a sup]ficial way4 ,! reali/ic ,impressionism ( ,manet has by no means run its c\rse4 ,"s ( ! f9e/ pa9t+ 9 ! _w has be5 done & is be+ done along ?is l9e4 ,x is ! l9e ( ,franz ,hals & ,velasquez2 x is ! l9e ( m5 s diff]5t z ,:i/l] & ,s>g5t 9 _! be/ portraits4 ,! natural reaction f p]fection 9 ?is l9e is high] acc5tuation ( *>act]i/ics--9 ! extreme c>icature4 ,t is1 giv5 ! la/ ^w 9 ! pa9t+ ( "* by great m5 9 a solid way1 ! logical attempts ( new m5 or less] m5 w be ! indication ( "* 9 a light] & m sup]ficial way4 ,! p5etrat+ obs]vation ( ! old] m5 gives way to ! ke5 & playful fancies ( ! y\ng]4 ,! same sitt] yields ) ! =m] a p[]ful portrait1 ) ! latt] a fasc9at+ picture :i* may be q z reveal+ bo? z a lik5ess & z a *>act]ization4 ,c4 ,sub/antial ,impressionism is n s easy to def9e & diff]5tiate4 ,x is f> f sup]ficial b has mu* 9 common ) reali/ic4 ,x is easie/ to simply say x is ! ,impressionism ( ,czanne & ^? :o h read :at has already be5 said ab\t ,czanne w und]/&4 ,czanne 0 n cont5t to pa9t ei!r ! surface or ! *>act]i/ics ( ?+s or p2 he s\ght to g deep]1 to get at ! v sub/ance & to place on canvas _! elem5tal qualities4 ,z a natural result ! long] he pa9t$ ! less int]e/+ 8 pictures became sup]ficially1 b ! great] _! int]e/ fundam5tally4 ,:ile ,monet became m & m a popul> pa9t]1 a pa9t] = ! deal] & ! buy]1 ,czanne became m & m a pa9t]'s pa9t]1 do+ ?+s t only ! te*nically skill$ c\ld rightly appreciate4 ,int]e/$ solely 9 ! pr(\nde/ problems ( 8 art & pa9t+ only = ^? :o _h a v great k ( art1 he attract$ comp>atively few foll[]s2 ! pa? he foll[$ promis$ little 9 ! way ( imm$iate fame & rew>ds4 ,/ill dur+ 8 la/ ye>s he _h 8 ard5t admir]s & aft] 8 dea? 8 simple1 /rong con/ructive1 elem5tal pictures began to be widely appreciat$4 ,!y make no pret5se to ! sup]ficial *>m ( color or composition t attracts ! av]age obs]v]1 b !y fasc9ate e man :o /udies ?+s long en\gh to ev5 p>tially und]/& :at ! arti/ 0 s e>ne/ly try+ to d4 ,sub/antial or ,czanne ,impressionism l$ naturally to ! ,virile-,impressionism ( today1 a way ( see+ & pa9t+ ?+s t is a comp\nd ( ! ,impressionism ( ,manet ) t ( ,czanne4 ,!re is a great & glori\s future = ,virile-,impressionism4 ,"s ( ! greate/ portraits & pictures 9 ! _w w be pa9t$ ) ! p5etrat+ vision ( a ,czanne1 modifi$ by ! cle>1 cool obs]vation ( a ,manet4 ,! logical reaction f c>ry+ obs]vation ( nature to ! ext5t ,czanne c>ri$ x is pa9t+ ( ! sub/ance ( ?+s creatively1 !oretically1 z 9 ,cubism4 ,czanne c>ri$ ! use ( planes imitatively s f> t x 0 b a /ep to _! use arbitr>ily & sci5tifically4 ,sub/antial ,impressionism leads naturally to sub/antial ,po/-,impressionism2 or 9 o!r words1 ! sub/ance ( ?+s pa9t$ impressioni/ically 7m or less imitatively7 leads logically to ! pa9t+ ( ! sub/ance ( ?+s creatively ,po/-,impressioni/ically4 ,illu/ration3 ,,kroll ,/ill ,life ,,app5dix ,i ,,exhibitions ,,at #bia ,,fif? ,,av5ue ,dur+ a numb] ( ye>s prior to #aiac ,mr4 ,alfr$ ,/ieglitz gave exhibitions ( extreme mod]n "w 9 8 ,small ,photo-,secession ,gall]y1 #bia ,fif? ,av5ue1 ,new ,york1 & ! ,int]national 0 ! outcome1 ! logical culm9ation ( ^! e>li] ef=ts4 ,mr4 ,/ieglitz prep>$ ! foll[+ *ronological n>rative3 ,9 ! end ( ,novemb]1 #aijf1 8#bia0 78,photo-,secession ,gall]y10 8,little ,gall]y10 etc41 etc47 0 op5$ ) an exhibition ( pictorial photography4 ,! exhibition repres5t$ ! be/ "w ( ,/ei*51 ,frank ,eug5e1 ,kasebi]1 ,cl>5ce ,:ite1 ,/ieglitz1 ,coburn1 ,brigman1 ,h]b]t ,g4 ,fr5*1 & ab\t ?irty o!rs1 all ,am]icans4 ,?is exhibition 0 foll[$ up by a s]ies ( exhibitions--usually "o-man--( ! pick$ "w :i* _h be5 done 9 pictorial photography ! _w ov]4 ,9 #aijg ! fir/ exhibition n devot$ to photography 0 t ( ,miss ,pamela ,coleman ,smi?4 ,?is exhibition creat$ a s5sation4 ,at ! "t x ar\s$ ! ire ( mo/ ( ! ,new ,york critics4 ,foll[+ ?is !re 7 %[n ,willie ,geig]'s 7,muni*7 be/ et*+s & ,ex ,libris4 ,?is 0 ! fir/ %[ ( 8 9 ,am]ica4 ,b ! real beg9n+1 ,i suppose1 ( ! s-call$ ,mod]n "w %[n at 8#bia0 0 ! exhibition ( ab\t sixty ( ,rod9's *oice/ draw+s4 ,^! 7 select$ by ,rod9 & ,/ei*5 = ! special exhibition4 ,! exhibition ar\s$ int5se indignation 9 ,new ,york among/ ! critics & among/ mo/ pa9t]s 7m5 l ,*ase1 ,alex&]1 & o!rs ( ?is type feel+ t su* ?+s 7 n meant = ! public74 ,april1 #aijh1 ,matisse 0 introduc$ to ! ,am]ican public = ! fir/ "t4 ,?is exhibition ( ,matisse's repres5t$ ! complete evolution ( ,matisse f 8 academic p]iod up to date4 ,x includ$ et*+s1 draw+s1 wat] colors1 li?ographs1 & oil pa9t+s4 ,janu>y1 #aiji1 ! "w ( ,m>ius ,de ,zayas 0 introduc$ = ! fir/ "t4 ,m>*1 #aiji1 ,john ,m>9 & ,alfr$ ,maur] 7! 8new0 ,maur]7 7 introduc$4 ,! "w ( ^! ,am]icans seem$ to upset ! equilibrium ( ! academicians ev5 m ?an ! 8jokes0 ( ,rod9 & ,matisse4 ,may1 #aiji1 ,m>sd5 ,h>tley 0 introduc$ to ! public = ! fir/ "t4 ,decemb]1 #aiji1 ,t\l\se ,lautrec ,exhibition4 ,a v *oice collection ( 8 li?ographs4 ,fir/ ,lautrec ,exhibition 9 ,am]ica4 ,febru>y1 #aiaj1 second ,m>9 ,exhibition4 ,m>*1 #aiaj1 exhibition ( ! "w ( 8,y\ng] ,am]ican ,pa9t]s03 ,ar?ur ,g4 ,dove1 ,ar?ur ,b4 ,c>les1 ,l4 ,fell[s1 ,m>sd5 ,h>tley1 ,putnam ,br9dley1 ,john ,m>91 ,alfr$ ,maur]1 ,/ei*51 ,max ,web]4 ,?is 0 ! fir/ collective exhibition ( ,mod]n "w by ,am]icans4 ,april1 #aiaj1 second ,rod9 ,exhibition4 ,! v late/ draw+s ( ,rod9 7 %[n1 toge!r ) elev5 ( 8 e>lie/ ones4 ,at ! same "t ! be/ small bronze ( ! 8,p5seur0 7loan$ by ,mrs4 ,john ,w4 ,simpson7 0 exhibit$4 ,novemb]1 #aiaj1 ,exhibition ( li?ographs by ,czanne1 ,r5oir1 ,manet1 & ,t\l\se ,lautrec4 ,toge!r ) ^!1 draw+s & pa9t+s by ,h5ri ,r\sseau1 j deceas$4 ,?is exhibition introduc$ ,r\sseau = ! fir/ "t to ,am]ica1 z well z x introduc$ ,czanne4 ,janu>y1 #aiaa1 ,exhibition by ,max ,web]1 ,am]ican4 ,febru>y1 #aiaa1 ,m>9 ,exhibition 7?ird74 ,m>*1 #aiaa1 a s]ies ( ,czanne wat] colors4 ,! fir/ "o-man %[ ( ,czanne's 9 ,am]ica4 ,^! wat] colors 7 mo/ c>efully select$ & really repres5t a side ( ,czanne :i* is und]e/imat$ by all ^?1 ev5 ,czanne lov]s1 :o d n fully und]/& ,czanne's importance4 ,april1 #aiaa1 ,picasso4 ,draw+s1 li?ographs1 wat] colors1 etc4 ,a s]ies ( eighty %[+ ! complete evolution ( ,picasso4 ,! fir/ introduction ( ,picasso to ,am]ica & ! fir/ exhibition any:]e ( ,picasso held 9 ?is s5se4 ,febru>y1 #aiab1 second ,h>tley exhibition4 ,febru>y1 #aiab1 fir/ ,ar?ur ,g4 ,dove exhibition4 ,m>*1 #aiab1 sculptures & late/ draw+s by ,matisse4 ,fir/ introduction to ,am]ica ( ,matisse1 ! sculptor4 ,april1 #aiab1 ,exhibition ( ,*ildr5's ,"w1 %[+ relation%ip ( t to mu* ( ! _s ( s-call$ 8,mod]n0 "w1 fir/ exhibition ( its k9d held 9 ,am]ica4 ,decemb]1 #aiab1 draw+s & pa9t+s by ,a4 ,walk[itz4 ,janu>y1 #aiac1 f\r? ,m>9 ,exhibition--! n[ fam\s ,new ,york skyscrap] s]ies 7 %[n4 ,m>*1 #aiac1 ,picabia's ,new ,york "w4 ,! fir/ "o-man %[ ( ,picabia held 9 ,am]ica4 ,april1 #aiac1 ,exhibition ( ,de ,zaya's ab/ract c>icature4 ,possibly ! mo/ mod]n expression ( ! human portrait4 ,incid5tally1 )\t hav+ _h (ficial %[s1 ! "w ( ,eli ,nadelmann 7,p>is7 & ,manolo1 0 introduc$ to ,am]ica by examples ( _! "w be+ %[n4 ,outside ( all ^! exhibitions1 ( c\rse1 mu/ be add$ ! exhibition ( color-photography1 fir/ 9 ,am]ica1 9 #aijg1 & num]\s o!r exhibitions1 ( important photographic "w4 ,,app5dix ,,ii ,,two ,,comm5ts ,x is only fair to ! press to say t "h & !re1 9 mo/ unexpect$ places1 n only articles b editorials appe>$ admoni%+ ! public to be cauti\s ab\t condemn+ ! new art too impulsively4 ,we h *os5 two su* expressions f places s diff]5t1 z ,london1 & ,r5o1 ,nevada4 ,apropos ! ,russian ,ballet & its extraord9>y music1 ! ,london 8,times10 9 a lead+ editorial1 ,july #ac1 #aiac1 said3 8,we h ent]$ into "o ( ^? p]iods ( arti/ic revolution 9 :i* ! public1 audi5ce1 or spectators become p>tisans & express _! op9ions z if !y 7 at a political meet+4 ,! ,russian ,ballet1 = in/ance1 produc$ a conflict ( op9ion la/ ,friday1 :i* recalls ! conflicts provok$ by ! plays ( ,victor ,hugo 9 ! ?irties4 ,po/-,impressionism n[ is :at ! ,romantic movem5t 0 !n4 ,to "o p>ty x means ! end ( all beauty2 to ! o!r a new bir? ( x4 ,p no long] clap or hiss because !y ?9k a p>ticul> p]=mance is well or ill done4 ,ev5 9 ,engl&1 :]e ! arts are n commonly tak5 v s]i\sly1 !y are beg9n+ to clap or hiss on pr9ciple1 & to feel t !y are mak+ hi/ory :5 !y d s4 ,p>tisans on bo? sides are probably n v cle> 9 _! m9ds :y !y l ,po/-,impressionism or dislike x2 b ! ^w1 vague & clumsy z x is1 does imply to !m a set ( t5d5cies by :i* all ! arts may be ru9$ or reg5]at$4 ,x is n m]ely a fa%ion 9 pa9t+1 b1 l ,romanticism1 a movem5t ( ! m9d :i* is try+ to express itself ?r\gh all means ( arti/ic expression4 8,( ?is ! new turn tak5 by ! ,russian ,ballet is a /rik+ pro(2 = no "o c suppose t ! arti/s conc]n$ 9 t ent]prise are hat]s ( beauty because ( _! own incompet5ce to a*ieve x4 ,!y h e mat]ial inducem5t to cont9ue delight+ ! _w ) ,ballets l ,c>nival or ,s*eh]azade2 &1 if !y attempt a new k9d ( art1 x mu/ be because !y are driv5 to x by "s =ce 9 !mselves too p[]ful to be )/ood4 ,ma/]s l ,m4 ,nij9sky d n try dang]\s exp]im5ts on ! public = ! m]e pleasure ( try+ !m2 & x is a little presumptu\s to assume t !y are sudd5ly afflict$ by %e] p]v]sity ( ta/e4 ,x is m probable t !y are possess$ by t ard\r ( discov]y :i* is common bo? to great arti/s & to great m5 ( sci5ce1 inde$ to all m5 ^: int]e/ 9 life is /rong] ?an _! desire = _! own com=t4 8,mo/ p make ! mi/ake ( ?9k+ t ! developm5t ( an art consi/s altoge!r ( :at is call$ inv5tion & n ( discov]y2 & = t reason !y (t5 res5t innovations z m]e p]v]sities4 ,if a ?+ has be5 well done already !y _c see :y x %\ld n cont9ue to be done4 ,b ! arti/ kn[s t he _c inv5t aga9 :at has be5 once inv5t$4 ,he kn[s1 too1 t ^! seem+ inv5tions are also discov]ies ( ! possibilities ( 8 art2 & t :5 discov]y has be5 c>ri$ v f> 9 "o direction x _c be c>ri$ any fur!r4 ,! hi/ory ( all arts proves ?is4 ,aft] ,mi*el ,angelo no "o c\ld inv5t any?+ fre% 9 8 mann]1 because he _h discov]$ all t c\ld be discov]$ ab\t 8 me?od ( art4 ,r5aissance ar*itecture prevail$ 9 ,europe because no new discov]ies 7 possible 9 ,go?ic4 8,! ,romantic movem5t *ang$ ,engli% poetry :5 !re 0 no?+ m to be said 9 ! mann] ( ,pope4 ,y may pref] ! old art to ! new1 b ev5 if y are "r 9 pref]r+ x1 y are n !re=e "r 9 condemn+ ^? :o practice ! new art4 ,= !y h no alt]native4 ,ei!r !y mu/ be m]e imitators ( ! great m5 ( ! pa/ or !y mu/ make a new />t2 & ! true arti/ c no m cont5t himself ) imitation ?an ! true philosoph] c cont5t himself ) repeat+ :at o!r philosoph]s h said4 8,beh9d all repres5tation 9 ! arts !re is ! impulse ( expression2 & t w make its discov]ies :]ev] !re is mo/ to be discov]$1 turn+ naturally to ^? elem5ts ( ! art :i* h lately be5 neglect$4 ,if we und]/& ?is we %all see t a new arti/ic movem5t1 su* z ,po/-,impressionism1 is n to be judg$ m]ely by a few pictures or to be condemn$ because ^? pictures seem to u v unlike reality4 ,:atev] may come ( x1 x is some?+ t is happ5+ 9 all ! arts1 because discov]y is turn+ 9 a new direction4 ,all ! successes ( ! pa/ are ob/acles to new success ( ! same k9d1 & discov]y naturally takes a l9e ( lea/ resi/ance away f !m4 ,= a long "t1 9 e art1 arti/s h be5 rais+ expectations :i* !y f\nd x difficult1 if n impossible1 to satisfy4 ,9 pa9t+1 ) its ef=t at complete illusion1 !y h provok$ comp>isons ) ,velasquez4 ,9 music1 ) its elaborate =ms1 !y mu/ d z well z ,bee?ov5 if !y are to succe$4 ,! dance1 z we are us$ to x1 dem&s an easy grace 9 e movem5t1 :i* ,m4 ,nij9sky himself _c comb9e ) novelties ( expression4 ,he has f\nd t1 if he is to be a discov]] 9 8 art1 he mu/ tea* 8 public n to expect ?is easy grace1 ?is =mal & accu/om$ beauty1 f ! />t4 ,& t is ! purpose ( ,po/-,impressionism 9 all ! arts4 ,x is det]m9$ n to ar\se expectations :i* x _c satisfy4 8,! public may beg9 by ?9k+ x all crude & ugly & *ildi%2 & x w be ! m delight$ by any beauties :i* x discov]s aft]w>ds4 ,hi!rto ! arts h promis$ m ?an !y c\ld possibly p]=m4 ,n[ !y %all promise no?+1 & s p]=m at lea/ m ?an !y promise4 ,x is natural1 p]haps1 t ! public %\ld res5t ?is z a k9d ( disc\rtesy4 ,! arti/ :o makes no pr(essions seems to !m lack+ 9 respect1 & !y are incl9$ to hoot him z an impud5t *>latan4 ,b !re are v few arti/s :o wi% to be hoot$1 & ! real *>latan usually flatt]s 8 public4 ,:atev] may be said aga9/ ,po/-,impressioni/s 9 all ! arts1 !y are n flatt]]s40 99 99 99 99 99 ,x is a f> cry f ,london to ,r5o1 & ! diff]5ces betwe5 ! two places are n measur$ by ! miles betwe5 !m4 ,lead+ editorial f ! 8,j\rnal10 ,r5o1 ,july #aa1 #aiac3 ,,simple ,,solomon 8,:5 ,solomon /ak$ 8 reputation = wisdom z well z orig9ality on ! ass]tion t !re is no?+ new "u ! sun1 he did n ?9k "s day ! ,cubi/ pa9t]1 ! ,futuri/ arti/1 & ! color musician w\ld rise 9 ! tw5tie? c5tury & make him ridicul\s4 ,!re is some?+ new "u ! sun ev5 9 ^! dep>tures1 & l ev]y?+ orig9al s9ce ! fir/ s91 ! innovations are n[ r\ndly condemn$4 8,x is ! fa%ion n[ to condemn ! ,cubi/ & ! ,futuri/ 9 art1 ev5 z n long ago x 0 ! fa%ion to condemn ! reali/1 ! impressioni/ & ! ,po/-,impressioni/2 b x is a peculi> tribute to ! au?ority ( an innovation t x requires su* a g5]al attack ( condemnation4 ,a trivial ?+ requires m]e neglect2 a w> ( condemnation implies "s /rong & virile ?+ to be subdu$4 8,^! new ?+s h a sub/antial basis = exi/5ce2 else !y w\ld n exi/4 ,_! novelty has caus$ "s extravagant adh]5ts to c>ry !m to unreasonable excess4 ,!y h abus$ ! discov]ies1 n us$ !m4 ,!y w pass away b ! new pr9ciples w survive4 8,! cubi/ takes 8 cue f ! idea ( p]spective itself--c>ri$ to excess4 ,no "o c imag9e any?+ b /raight l9es z ! basis = #8vani%+ po9ts4' ,curv$ l9es1 :ile app>5t & obvi\s1 are n ! sci5tific repres5tations ( actualities4 ,! ?+s we see /rike ! eye on ! basis ( flat images & our imag9ation br+s out %ape & significance4 ,x is b a simple rev]sal to pres5t flat art & give ! imag9ation equal play 9 recon/ruct+ real images 9 ! eye4 8,if we take a half-tone engrav+ & exam9e x ) a magnify+ glass we f9d x is a s]ies ( holes ( uni=m size b m or less d5se on ! surface accord+ to ! requirem5ts ( light1 %ade & l9e4 ,magnify a half-tone #ajj times & we h a l>ge grat+ ( black & :ite circles or squ>es4 ,t is cubi/ art4 ,x requires a slight %ift 9 ! po9t ( view1 a little developm5t & /imulation ( ! imag9ation--no?+ m4 8,:5 ,gulliv] visit$ ! ,brobd+nagians & view$ ! complexions ( _! wom5 at close range1 x almo/ made him sick--yet !y 7 not$ beauties4 ,he look$ too close4 ,:5 !y look$ at him !y obs]v$ no complexion--!y look$ too f>4 ,yet ea* _h a concrete complexion & ! only tr\ble 0 ! po9t ( view & ! %ock ( comp>ison4 8,! futuri/s h a v novel &1 at ?is "t1 an outl&i% art4 ,"o ( !m has a full page picture us$ z an adv]tisem5t ( ! peculi> s\nd ( a horn4 ,x is a picture ( a s\nd t saws its way ?r\gh o!r s\nds4 ,!re is a /raight1 fan-l picture = a con/ant1 augm5t+ note1 ris+ 9 scale4 ,x is gray4 ,!re is a black ellipse = a l\d v>y+ noise ( fairly regul> v>iation ( note1 & s on4 ,! =eign noise ( ! horn is %[n z utt]ly unlike 9 =m1 int5sity1 regul>ity or h>mony1 any o!r s\nd4 8,if "o has a diagram "o c und]/& ! futuri/ art &1 :5 "o und]/&s1 he approves4 ,! new arts are simply aids to comp>ison1 discrim9ation & inspiration4 ,!y h all ! delights ( w9e-ta/+ or salad-judg+--& "s salads are vile4 8,! color musician has develop$ only ano!r ex]cise 9 discrim9ation4 ,if we 7 to make ma!matics ( music we w\ld f9d t !re is an exact relation betwe5 ! numb] ( vibrations ( notes an octave ap>t2 a con/ant relation betwe5 ! vibrations 9 ! natural & ! %>p2 a direct ratio betwe5 ! vibrations ( ! notes 9 a *ord2 a =mula = h>mony & ano!r = discord4 ,x is an int]e/+ ma!matical /udy1 a sci5ce z well z an art1 & x proves t our appreciation ?r\gh ! s5ses is bas$ on natural ma!matical sequ5ces & on well und]/ood ratios1 season$ = v>iety's sake by div]g5ces f type4 8,n[ ! color musician has tak5 ! spectrum & made notes out ( x l ! notes on ! gamut4 ,he has a color-scale & c d z mu* on x = ! delight ( ! eye z a musician c ) ! musical scale = ! e>4 ,he m]ely br+s out an extra way ( enjoy+ di/9ctions & ( enjoy+ t mo/ re/ful ( enjoyable ?+s--conv5tionality4 ,! c]ta9ty & ! satisfaction ( ! conv5tional is ab\t ! mo/ assur+ ?+ 9 all exp]i5ce4 ,!re is no m /eady+ feel+ 9 all ! _w ?an to "k t two & two make f\r1 & t c-a-t spells cat4 ,! m ways by :i* we c be assur$ ( ! belief we hold by fai?1 t !re is an uni=m1 un*ang+1 all-p]vad+ rule 9 ! _w1 argu+ an individual1 ma/]+ c5tral consci\sness & direction1 ! happi] we are4 8,! cubi/s & ! futuri/s & ! color musicians may be faddi/s1 b !y help to drive out old ,solomon's pessimism4 ,!y help u to und]/& by purely human exp]i5ce h[ x is t !re may be "s ?+s :i* ev5 humans _c und]/&--b :i* are40 ,,bibliography ,,engli% ,9 attempt+ ?is bibliography ( ! mod]n movem5t 9 art1 ! se>* 9 p]iodical lit]ature 9 ,engl&1 ,france1 & ,g]many has be5 c>ri$ back no f>!r ?an #aijh4 ,,is ,,art ,a ,,failure8 by ,rob]t ,f[l]4 ,n9ete5? ,c5tury1 ,july1 #aiab4 ,,art1 ,a ,,new ,,v5ture ,,94 ,exhibition at ! ,omega ,work%ops4 ,times1 ,july #i1 #aiac4 ,,bak/1 ,,leon4 ,art ,exhibitions4 ,a ,great ,design]4 ,times1 ,june #ag1 #aiab4 ,morn+ ,po/1 ,june #ah1 #aiab4 ,,bak/1 ,,leon4 ,exhibition4 ,a!naeum1 ,july #f1 #aiab4 ,,b]l9 ,,secession4 ,= %ort notices on see 8,/udio03 ,,li1 p4 #bda2 ,,li1 p4 #cbh2 ,,lii1 p4 #fh2 ,,lii1 p4 #aec2 ,,lii1 p4 #bdj2 ,,liii1 p4 #cbd2 ,,liv1 p4 #hd2 ,,lv1 p4 #ei2 ,,lv1 p4 #bdi2 ,,lvi1 p4 #bda4 ,c,,zanne4 ,article by ,maurice ,d5is4 ,burl+ton ,magaz9e1 ,,xvi ,"p ,i1 p4 #bjg2 ,"p ,,ii1 p4 #bge4 ,czanne4 ,manet & ! ,fr5* ,impressioni/s4 ,piss>o--,claude ,monet--,sisley--,rnoir--,b]! ,morisot--,czanne--,guillaume4 ,translat$ by ,j4 ,e4 ,craw=d ,flit*4 ,illu/rat$ ) #cd et*+s1 #d wood engrav+s1 & #cb reproductions 9 half-tone ,no4 #i by ,!odore ,duret4 ,j4 ,b4 ,lipp9cott ,co41 ,philadelphia1 #aiaj4 ,c,,zanne4 ,czanne & ,gaugu94 ,a!naeum1 ,dec4 #b1 #aiaa4 ,c,,zanne4 ,czanne & ,gaugu94 ,london ,times1 ,nov4 #bh1 #aiaa4 ,,c\rbet4 ,exhibition4 ,times1 ,m>* #h1 #aiaa4 ,,cubi/s4 ,cubism4 ,alb]t ,gleizes & ,jean ,metz+]4 ,translat$ f ! ,fr5*1 ) illu/rations4 ,t4 ,fi%] ,unw91 #aiab4 ,,drama ,,& ,,art1 ,,! ,,new ,,_s ,,94 ,huntley ,c>t]4 ,london1 ,frank ,palm]1 #aiab4 ,,futuri/s4 ,a!naeum1 ,m>* #i1 #aiab4 ,,futuri/s4 ,spectator1 ,m>* #af1 #aiab4 ,,futuri/s4 ,! ,initial ,manife/o ( ,futurism4 ,f4 ,t4 ,m>9etti4 ,pr9t$ 9 ! ,catalogue ( ,exhibition 9 ! ,sackville ,gall]y1 ,london1 ( works by ! ,italian ,futuri/ pa9t]s1 ,m>*1 #aiab4 ,,futuri/s4 ,sev]9i 7,g9o74 ,introduction to catalogue ( 8 pictures on view at ! ,m>lbor\gh ,gall]ies1 ,duke /reet1 ,london1 #aiac4 ,,gaugu94 ,czanne & ,gaugu94 ,london ,times1 ,nov4 #bh1 #aiaa4 ,,h>rison1 ,,fr$]ic4 ,ais*ro ,latreia--,! ,cult ( ! ,f\l4 ,n9ete5? ,c5tury1 ,febru>y1 #aiab4 ,,h9d1 ,c4 ,,lewis4 ,! ,consolations ( a ,critic4 ,london1 ,a4 & ,c4 ,black1 #aiaa4 ,,h\rticg1 ,,l\is4 ,art 9 ,france4 ,london1 ,he9emann1 #aiaa4 ,,hunek]1 ,,james4 ,prom5ades ( an ,impressioni/4 ,,impressioni/s4 ,! ,po/ ,impressioni/s4 ,article by ,clutton-,brock 7,a71 ,burl+ton ,magaz9e1 ,,xviii1 p4 #baf4 ,,int]national ,,society4 ,exhibitions4 ,times1 ,april #h1 #aiaa2 ,spectator1 ,april #ae1 #aiaa4 ,,london ,,salon4 ,see ,times ,july #h1 #aiaa2 ,july #cj1 #aiab1 ,effects ( ,arti/ic ,fre$om2 ,july #g1 #aiac4 ,,maccoll1 ,d4 ,s4 ,ugl9ess1 ,beauty & ,mr4 ,fr$]ic ,h>rison4 ,n9ete5? ,c5tury1 ,m>*1 #aiab4 ,,maillol4 ,! ,sculpture ( ,maillol4 ,rog] ,fry4 ,burl+ton ,magaz9e1 ,,xvii1 p4 #bf4 ,,mei]-,,graefe1 ,,alfr$ ,,julius4 ,mod]n ,art1 ,be+ a ,contribution to a ,new ,sy/em ( ,ae/hetics4 ,translat$ f ! ,g]man by ,flor5ce ,simmons & ,george ,w4 ,*ry/al4 #b vols4 ,london1 #aijh4 ,,muni* ,,neue ,,v]e9igung4 ,/udio1 ,,liii1 p4 #cbj4 ,,new ,,engli% ,,art ,,club ,,exhibition4 ,spectator1 ,nov4 #cj1 #aiab4 ,,po/ ,,impressioni/s4 ,! ,po/ ,impressioni/s4 ,c4 ,lewis ,h9d4 ,london1 ,me?u5 ,co41 #aiaa4 ,,po/ ,,impressioni/s4 ,review ( ,mr4 ,h9d's ,book4 ,a!naeum1 ,july #h1 #aiaa4 ,,po/ ,,impressioni/s4 ,notes on ! ,po/ ,impressioni/ ,pa9t]s at ! ,grafton ,gall]ies4 ,c4 ,j4 ,holmes4 #aiaj-aiaa4 ,,po/ ,,impressioni/s4 ,on ,po/ ,impressionism4 ,sir ,william ,ri*mond4 ,times1 ,jan4 #aj1 #aiaa4 ,,po/ ,,impressioni/s4 ,pages on ,art4 ,*>les ,ricketts4 ,conta9+ article on ,po/-,impressionism at ! ,grafton ,gall]y4 ,london1 ,con/able ,co41 #aiac4 ,,po/ ,,impressioni/s4 ,fr5* ,arti/s ( ,today4 ,london1 ,he9emann1 #aiab4 ,,po/ ,,impressioni/s4 ,f ,impressionism to ! ,spectral ,palette4 ,h4 ,p4 ,h4 ,friswell4 ,saturday ,review1 ,feb4 #bc1 #aija4 ,,po/ ,,impressioni/s4 ,=eword to catalogue ( exhibition by ,frank ,rutt]4 ,dor ,gall]ies1 ,london4 ,,po/ ,,impressioni/s4 ,lett] on ,! ,po/ ,impressioni/s at ! ,grafton ,gall]y4 ,a4 ,w>r5 ,d[4 ,spectator1 ,oct4 #ab1 #aiab4 ,,po/ ,,impressioni/s4 ,a!naeum1 ,jan4 #g1 #aiaa2 ,decemb]1 #aiaa4 ,,po/ ,,impressioni/s4 ,a ,ye> ( ,po/-,impressionism4 ,d4 ,s4 ,mac,coll4 ,n9ete5? ,c5tury1 ,febru>y1 #aiab2 8,! ,spectral ,palette10 ,saturday ,review1 ,feb4 #i1 #aija4 ,,po/ ,,impressioni/s4 ,! ,po/ ,impressioni/ & ,o!rs4 ,yo%io ,m>k9o4 ,n9ete5? ,c5tury1 ,febru>y1 #aiac4 ,,revolution ,,9 ,,art4 ,a!naeum1 ,feb4 #d1 #aiaa4 ,,rod91 ,,augu/e4 ,art4 ,f ! ,fr5* ( ,paul ,gsell4 ,london1 ,hodd] ,/\ghton4 ,,sculpture4 ,gills1 ,eric4 ,times1 ,jan4 #bg1 #aiaa4 ,,sculpture4 ,po/ ,impressioni/ ,sculptures4 ,a!naeum1 ,jan4 #bh1 #aiaa4 ,,sculpture4 ,! ,sculpture ( ,maillol4 ,rog] ,fry4 ,burl+ton ,magaz9e1 ,,xvii1 p4 #bf4 ,,van ,,gogh4 ,! ,lett]s ( a ,po/ ,impressioni/1 ,be+ ! ,famili> ,correspond5ce ( ,v9c5t ,van ,gogh4 ,translat$ f ! ,g]man by ,an?ony ,m4 ,ludovici4 ,london1 ,con/able ,co41 #aiab4 ,,van ,,gogh4 ,review ( ,v4 ,van ,gogh's ,lett]s4 ,a!naeum1 ,dec4 #ba1 #aiab4 ,,van ,,gogh4 ,rief/ahl1 ,r4 ,mey]4 ,"p ,i1 ,v9c5t ,van ,gogh1 ,burl+ton ,magaz9e1 ,,xviii1 p4 #ia2 ,"p ,,ii1 ,van ,gogh's ,/yle 9 ,relation to ,nature1 ,burl+ton ,magaz9e1 ,,xviii1 p4 #aee4 ,,van ,,gogh4 ,! ,lett]s ( ,v9c5t ,van ,gogh4 ,f4 ,melian ,/awell 7review7 ,burl+ton ,magaz9e1 ,,xvix1 p4 #aeb4 ,,fr5* ,,apoll9aire1 ,,guillaume4 ,m$itations e/htiques4 ,les pe9tres cubi/es4 #are srie3 ,pablo ,picasso1 ,georges ,braque1 ,jean ,metz+]1 ,alb]t ,gleizes1 ,juan ,gris1 ,mlle4 ,m>ie ,laur5c91 ,f]n& ,lg]1 ,francis ,picabia1 ,m>cel ,du*amp1 ,du*amp ,villon4 ,p>is1 ,eug4 ,figuire1 #aiac4 ,9-#dj1 #hd p4 et #df plan*es1 reproductions4 ,,b]n>d1 ,,emile4 ,s\v5irs sur ,p4 ,czanne4 ,p>is1 (fice c5tral de librairie1 #e rue ,palat9e1 #aijh4 ,9-#ab4 ,,buzzi1 ,,paolo4 ,a]oplani4 ,canti alati di ,paolo ,buzzi4 ,col4 ,i,ie ,proclama futuri/a di ,f4 ,t4 ,m>9etti4 ,milano1 edizione di ,poesia1 #aiji4 ,9-#af1 #bhb p4 ,,d5is1 ,,maurice4 ,?ories #ahij-aiaj4 ,du symbolisme et de ,gaugu9 v]s un n\vel ordre classique4 ,p>is1 ,biblio?que de l'occid5t1 #ag rue ,eble1 #aiab4 ,9-#hj1 #bgb p4 ,,duhem1 ,,h5ri4 ,impressions d'art contempora94 ,p>is1 ,eug4 ,figuire1 #aiac4 ,9-#abj1 #chb p4 ,,gleizes1 ,,alb]t ,,et ,,metz+]1 ,,jean4 ,du cubisme4 ,p>is1 ,eug4 ,figuire1 #aiab4 ,9-#dj1 #hj1 #dd p41 et #cj pl41 reproductions4 ,,guy1 ,,mi*el4 ,le d]ni] tat de la pe9ture4 ,p>is1 ,union franaise d'dition1 ,le ,feu1 #aiaa4 ,9-#af1 plaquette4 ,,letalle1 ,,abel4 ,ides et figurations d'art4 ,p>is1 ,e4 ,sansot1 #aiaa4 ,9-#afj4 ,,m>9etti1 ,f4 ,t4 ,le futurisme4 ,p>is1 ,e4 ,sansot1 #aiaa4 ,9-#ab1 #bdj p4 ,la ,i]e dition itali5ne e/ de4 ,,m>9etti1 ,f4 ,t4 ,c\pes lectriques4 ,drama en trois actes avec une prface sur le futurisme4 ,p>is1 ,e4 ,sansot1 #aiji4 ,9-#ab1 #aid p4 ,,m>9etti1 ,f4 ,t4 ,le monoplan du pape1 roman politique en v]s libres4 ,p>is1 ,e4 ,sansot1 #aiac4 ,9-#af1 #cdi p4 ,les pe9tres futuri/es itali5s4 ,exposition du ,lundi #e1 au ,m>di #bd ,fvri] #aiab4 ,p>is1 ,b]nheim1 ,jeune1 #aiab4 ,oct4 ,9-#af1 #cb p41 #h fig4 ou reproductions4 ,catalogues des pe9tres futuri/es et sculpteurs4 ,p>is1 ,b]nheim-,jeune1 #aiab4 ,9-#af4 ,mme opuscule que le prcd5t peu de *ose prs #c ditions3 en franais1 en anglais1 en itali54 ,,mell]io1 ,,&r4 ,le m\vem5t idali/e en pe9ture4 ,p>is1 ,h4 ,fl\ry1 #ahif4 ,9-#hj1 #ge p4 ,,mell]io1 ,,&r4 ,l',exposition de #aijj et l'impressionnisme4 ,p>is1 ,h4 ,fl\ry1 #aijj4 ,9-#hj1 #dh p4 ,,nocq1 ,,h5ry4 ,t5dances n\velles4 ,enqute sur l'volution des indu/ries d'art4 ,p>is1 ,h4 ,fl\ry1 #ahif4 ,9-#hj1 #bjd p4 ,,salmon1 ,,&r4 ,la jeune pe9ture franaise4 ,p>is1 ,socit des ,tr5te4 ,alb]t ,messe91 #aiaj4 ,9-#hj1 #abd p4 ,lors p>atre pro*a9em5t du mme auteur3 ,,salmon1 ,,&r4 ,la jeune sculpture franaise4 ,p>is1 ,socit des ,tr5te4 ,alb]t ,messe91 #aiab4 ,9-#hj4 ,,signac1 ,,paul4 ,d',eugne ,delacroix au no-impressionnisme4 ,p>is1 ,fl\ry1 #aiaa4 ,9-#hj1 #abj p4 7n\velle dition7 ,la ,i]e dition en #ahii4 ,,uhde1 ,j4 ,b4 ,h5ri ,r\sseau1 7dit ,r\sseau le ,d\ani]7 ,p>is1 ,eug4 ,figuire1 #aiac4 ,9-#dj1 avec reproductions4 ,,en ,,pr,,p>ation4 ,,morisse1 ,,*>les4 ,gaugu94 ,9-#hj4 ,*ez l'diteur ,h4 ,fl\ry1 ,b\lev>d des ,capuc9es1 ,p>is4 ,a not] p\r p>atre pro*a9em5t s\s la direction de ,guillaume ,apoll9aire1 la librairie ,eugne ,figuire ,p>is1 #g rue ,corneille2 ,une volume sur ,czanne1 sur ,seurat1 sur ,dgas1 sur ,rnois1 p> des auteurs diffr5ts4 ,une volume galem5t sur ,les pe9tres orphiques p> ,guillaume ,apoll9aire lui-mme4 not] aussi l'ouvrage suivant3 ,r,,noir4 ,album de qu>ante reproductions dont #d fac-simils en c\leur et #cf phototypes4 ,prface d',octave ,mirebeau4 ,texte des plus notoires criva9s de t\s les pays4 ,p>is1 *ez ,b]nheim-,jeune1 #bh b\lev>d de la ,madele9e1 #aiac4 ,9 folio4 ,,articles4 ,,alex&re1 ,,ars,,ne4 ,maurice ,d5is4 ,sign3 ,arsne ,alex&re4 ,9-#dj1 #f pages1 #e reproductions4 ,l'art et les arti/es4 ,tome ,,viii1 ,janvi]1 #aiji4 ,,apoll9aire1 ,,guillaume4 ,h5ri ,matisse4 ,sign3 ,guillaume ,apoll9aire4 ,9-#hj1 #e pages1 et #c reproductions4 ,la ,phalange4 ,no4 du #ae ,dcembre1 #aijg4 ,,aurel4 ,l',ensiegnem5t d',emile-,anto9e ,b\rdelle4 ,sign3 ,aurel4 ,9-#hj1 #ad p4 ,la ,phalange4 ,no4 du #bj ,m>s1 #aiab4 ,,b]taux1 ,,emile4 ,notes sur le ,grco4 ,i4 ,les ,portraits4 ,,ii4 ,l',itali5ne4 ,,iii4 ,le ,byzantisme4 #c articles dans de revue de l'art anci5 et mod]ne1 ,annes3 #aiaa1 ,ju92 #aiab1 ,dcembre et #aiac1 ,janvi]4 ,nombreuses reproductions et plan*es hors texte4 ,,besson1 ,,georges4 ,le gr& palais aux be/iaux4 ,sign3 ,georges ,besson4 ,9-#hj1 #e pages4 ,la ,phalange4 ,no4 du #bj ,dcembre1 #aiab4 ,,bricaut1 ,,jean4 ,essai sur la c\leur4 ,sign3 ,jean ,bricaut4 ,9-#hj1 #e pages4 ,la ,phalange4 ,no4 du #bj ,avril1 #aiac4 ,,cornu1 ,,paul4 ,b]n>d ,naud91 dess9ateur et graveur4 ,sign3 ,paul ,cornu4 ,les ,cahi]s du ,c5tre4 #dj ,srie1 ,m>s1 #aiac4 ,a not] dans cette mme revue2 ,la ,phalange--,lon ,w]? puis ,georges ,besson rdig5t le mois du pe9tre donnet propos des diffr5tes expositions la gal]ie ,b]nheim-,jeune1 la ,gal]ie ,vol>d et autres1 des ap]u et des consid]ations s\v5t =t intressants sur le cubisme et le no-impressionisme et sur de nombreux arti/es tels que ,czanne1 ,gaugu91 ,van ,gogh1 ,rnois1 ,ciss>o1 ,seurat1 etc4 ,dans de ,m]cure de ,france1 ,*>les ,morisse1 puis ,gu/ave ,kahn1 font le mme s\s la rubrique ,art et art mod]ne4 ,,c\/uri]1 ,,lucie4 ,georges ,seurat4 7#ahhi-ahia47 ,sign3 ,lucie ,c\/uri]4 ,9-#dj1 #af pages1 #ae reproductions4 ,art dcoratif4 ,revue de l'art anci5 et de la vie arti/ique mod]ne4 ,no4 #agd1 #bj ,ju91 #aiab4 ,,c\/uri]1 ,,lucie4 ,pi]re ,bonn>d4 ,sign3 ,lucie ,c\/uri]4 ,9-#dj1 #af pages1 #af reproductions4 ,art dcoratif4 ,revue de l'art anci5 et de la vie arti/ique mod]ne4 ,no4 #ahf1 #bj ,dcembre1 #aiab4 ,,c\/uri]1 ,,lucie4 ,h5ri-,edmond ,cross4 ,sign3 ,lucie ,c\/uri]4 ,9-#dj1 #af pages1 #ae reproductions4 ,art dcoratif4 ,revue de l'art anci5 et de la vie arti/ique mod]ne4 ,no4 #ahi1 ,m>s1 #aiac4 ,,c\/uri]1 ,,lucie4 ,maurice ,d5is4 ,sign3 ,lucie ,c\/uri]4 ,9-#dj1 #af pages1 #af reproductions4 ,art dcoratif4 ,revue de l'art anci5 et de la vie arti/ique mod]ne4 ,no4 #aia1 ,mai1 #aiac4 ,,d5is1 ,,maurice4 ,maillol4 7,ari/ide47 ,sign3 ,maurice ,d5is4 ,9-#dj1 #f p41 #e reproductions4 ,l'art et les arti/es4 ,tome ,,viii1 ,janvi]1 #aiji4 ,,dev]91 ,,ed\>d4 ,paul-,emile ,col94 ,sign3 ,ed\>d ,dev]94 ,9-#dj1 #h pages1 #g reproductions4 ,art dcoratif4 ,revue de l'art anci5 et de la vie arti/ique mod]ne4 ,no4 #aij1 ,avril1 #aiac4 ,,faure1 ,,elie4 ,paul ,czanne4 ,sign3 ,elie ,faure4 ,9-#dj1 #af pages1 #ag reproductions dont #a en c\leur4 ,art dcoratif4 ,revue de l'art anci5 et de la vie arti/ique mod]ne4 ,no4 #aeg1 ,octobre1 #aiaa4 ,,faure1 ,,elie4 ,francisco ,itur9o4 ,sign3 ,elie ,faure4 ,9-#dj1 #d p41 #c reproductions4 ,art dcoratif4 ,revue de l'art anci5 et de la vie arti/ique mod]ne4 ,no4 #agh1 #bj ,aot1 #aiab4 ,,godet1 ,,pi]re4 ,v9c5t ,van ,gogh4 ,sign3 ,pi]re ,godet4 ,9-#dj1 #af p41 #ad reproductions dont une en c\leur4 ,art dcoratif4 ,revue de l'art anci5 et de la vie arti/ique mod]ne4 ,no4 #aef1 ,septembre1 #aiaa4 ,,godet1 ,,pi]re4 ,puvis de ,*avannes et la pe9ture d'auj\rd'hui4 ,sign3 ,pi]re ,godet4 ,9-#dj1 #af pages1 #ac reproductions4 ,art dcoratif4 ,revue de l'art anci5 et de la vie arti/ique mod]ne4 ,no4 #afd1 ,janvi]1 #aiab4 ,,godet1 ,,pi]re4 ,un pe9tre suisse4 ,cuno ,amiet4 ,sign3 ,pi]re ,godet4 ,9-#dj1 #aj pages1 #aa reproductions4 ,art dcoratif4 ,revue de l'art anci5 et de la vie arti/ique mod]ne4 ,no4 #aga1 #e ,mai1 #aiab4 ,,guy1 ,,mi*el4 ,paul ,gaugu94 ,sign3 ,mi*el ,guy4 ,9-#dj1 #af pages1 #ac reproductions4 ,art dcoratif4 ,revue de l'art anci5 et de la vie arti/ique mod]ne4 ,no4 #aea1 ,avril1 #aiaa4 ,,guy1 ,,mi*el4 ,les ,fauves4 ,sign3 ,mi*el ,guy4 ,9-#hi1 #i pages4 ,la ,phalange4 ,no4 du #ae1 ,septembre1 #aijg4 ,,guy1 ,,mi*el1 van ,gogh4 ,sign3 ,mi*el ,guy4 ,9-#hj4 ,la ,phalange4 ,no4 du #ae1 ,fvri]1 #aijh4 ,,h5ri1 ,,frantz4 ,la ,collection ,h5ri ,r\>t4 ,sign3 ,h5ri ,frantz4 ,9-#dj1 #ca pages et #cb reproductions4 ,art dcoratif4 ,revue de l'art anci5 et de la vie arti/ique mod]ne4 ,no4 #ahe1 #e ,dcembre1 #aiab4 ,conti5t de nombreux ap]u sur des uvres des pe9tres impressioni/es tels que ,czanne1 ,rnoir1 ,monet1 ,degois1 etc4 ,,la551 ,,jean4 ,jacob ,smits4 ,sign3 ,jean ,la554 ,9-#dj1 #i pages1 #h reproductions4 ,art dcoratif4 ,revue de l'art anci5 et de la vie arti/ique mod]ne4 ,no4 #aba1 ,octobre1 #aijh4 ,,m>val1 ,,jacquel9e1 ,les danseurs de ,fl&r94 ,sign3 ,jacquel9e ,m>val4 ,9-#dj1 #ab pages1 #ab reproductions4 ,art dcoratif4 ,revue de l'art anci5 et de la vie arti/ique mod]ne4 ,no4 #aij1 ,avril1 #aiac4 ,,maucla91 ,,camille4 ,ga/on ,cruni]4 ,sign3 ,camille ,maucla94 ,9-#dj1 #ab pages1 #ad reproductions et #a plan*e en c\leur hors texte4 ,art dcoratif4 ,revue de l'art anci5 et de la vie arti/ique mod]ne4 ,no4 #aci1 ,avril1 #aiaj4 ,,mei]-,,graefe1 ,j4 ,grco pe9tre b>oque4 ,sign3 ,j4 ,mei]-,graefe4 ,trav4 de l'allem& p> ,pi]re ,godet4 ,9-#dj1 #cf pages1 #ce reproductions4 ,art dcoratif4 ,revue de l'art anci5 et de la vie arti/ique mod]ne4 ,no4 #ahb1 #bj ,octobre1 #aiab4 ,,ritt]1 ,,william4 ,frank ,brangwyn4 ,sign3 ,william ,ritt]4 ,9-#dj1 #ad p41 #ad reproductions4 ,l'art dcoratif1 revue de l'art anci5 et de la vie arti/ique mod]ne4 ,no4 #add1 ,septembre1 #aiaj4 ,,rivi,,re1 ,,jacques4 ,c\ss9 et la pe9ture contempora9e4 ,sign3 ,jacques ,rivire4 ,9-#dj1 #af pages1 #ad reproductions4 ,art dcoratif4 ,revue de l'art anci5 et de la vie arti/ique mod]ne4 ,no4 #afg1 ,m>s1 #aiab4 ,,salmon1 ,,&r4 ,odilon ,rdon4 ,sign3 ,&r ,salmon4 ,9-#dj1 #af pages1 #af reproductions4 ,art dcoratif4 ,revue de l'art anci5 et de la vie arti/ique mod]ne4 ,no4 #ahg1 ,janvi]1 #aiac4 ,,salmon1 ,,&r4 ,m>ie ,laur5c94 ,sign3 ,&r ,salmon4 ,9-#dj1 #f pages1 et #f reproductions4 ,art dcoratif4 ,revue de l'art anci5 et de la vie arti/ique mod]ne4 ,nos4 #aid-aih1 ,aot-,septembre1 #aiac4 ,t\g5dhold1 ,jacques4 ,boriss(f ,m\ssat(f4 ,sign3 ,jacques ,t\g5dhold4 ,9-#dj1 #ab pages1 #ac reproductions4 ,art dcoratif4 ,revue de l'art anci5 et de la vie arti/ique mod]ne4 ,no4 #ahh1 ,fvri]1 #aiac4 ,vauxcelles1 ,l\is4 ,a propos des bois sculptes de ,paul ,gaugu94 ,9-#afj1 #b pages1 #c reproductions4 ,art dcoratif4 ,revue de l'art anci5 et de la vie arti/ique mod]ne4 ,no4 #adh1 ,janvi]1 #aiaa4 ,w]?1 ,lon4 ,ari/ide ,maillol4 ,sign3 ,lon ,w]?4 ,9-#dj1 #af pages1 #af reproductions4 ,art dcoratif4 ,revue de l'art anci5 et de la vie arti/ique mod]ne4 ,no4 #ahh1 ,fvri]1 #aiac4 ,,g]man ,a*t ,jahre ,secession v4 ,ludwig ,hevesi1 ,wi5 #aijf4 ,! ,po/-,impressioni/1 by ,lewis ,h9d1 ,london 7p4 #dab-dag ,die ,na*-,impressioni/574 ,aus d] ,correspond5z1 ,kun/ u4 ,kn/l]1 ,,ii4 p4 #bfd1 #dag1 #dfb1 #dic4 #aijd4 ,aus d] ,correspond5z1 ,kun/ u4 ,kn/l]1 ,,iii1 p4 #ci-dj1 #hf1 #abj1 #afi1 #bad-bag1 #bfa-bfb1 #bih-cjj1 #cdg-cdh1 #cia-cib1 #dcf-dch1 #dgi-dhj u4 #ebh4 #aije4 ,aus/ellung b4 ,cassir] von ,h4 ,ros5hag51 ,kun/ fr ,alle1 ,,xix4 p4 #dja-djc1 #aiac-ad4 ,aus/ellung d] ,kubi/5 9 dem ,mod]ne ,kun/kr+1 zu ,am/]dam1 p4 #acg-adj1 ,kun/*r1 ,,xxiii4 ,aus/ellung 9 ,b]l91 ,kun/*r1 #ji4 ,,xx4 p4 #bch4 ,aus/ellung 9 ,kln v4 ,g4 ,e4 ,l?g51 ,deuts*e ,kun/ u4 ,dekoration1 ,,xxxii4 p4 #agi-ahb4 ,aus/ellung 9 ,mn*51 ,kun/ fr ,alle1 ,,xxvi4 p4 #ba-bb1 #aiaj-aa4 ,bi]mann1 ,georg1 ,b]nh>d ,hoetg]1 e9 deuts*] ,bildau] d] ,geg5w>t1 ,mn*51 ,h4 ,goltz1 #aiad4 ,briefe von ,e4 ,s*ur1 ,kun/ fr ,alle1 #jh1 ,,xxiii4 p4 #efb-fgj4 ,cato1 ,die ,s*weiz] ,abteilung d] int]national5 ,kun/aus/ellung ,mn*51 ,mn*51 #aiac4 ,czanne u4 ,hodl]1 ,e9fhrung 9 die ,probleme d] ,mal]ei d] ,geg5w>t von ,fritz ,burg]1 #aiac1 ,delph9 ,v]lag1 ,mn*51 ,text und ,tafelb&4 ,coell51 ,ludwig1 ,die neue ,mal]ei3 ,d] ,impressionismus2 ,van ,gogh und ,czanne2 ,die ,romantik d] neu5 ,mal]ei2 ,gaugu9 und ,matisse1 ,picasso u4 d] ,kubismus2 ,die ,expressioni/51 ,mn*51 #aiab2 ,e4 ,w4 ,bonsels ,co41 #b;d edition4 ,coh5-,gots*alk ,zeits*rift fr bild5de ,kun/1 ,,xix4 p4 #bbe-bce4 #aijg-jh4 ,das ,erwa*5 des ,gei/es von ,wilhelm ,mi*el1 ,deuts*e ,kun/ u4 ,dekoration1 ,,xxxii4 p4 #i-aa4 ,das ,kolorit i4 d4 ,zeitg5ssis*5 deuts*5 ,mal]ei4 ,e9 ,mahnwort von ,a4 ,giesecke4 p4 #da-dc1 ,kun/na*ri*t51 ,beiblatt d] ,kun/welt4 ,,ii4 ,jahrgang ,no4 #f ,mrz #aiac4 ,d] ,blaue ,reit]1 h]ausgegeb5 von ,k&9sky1 ,mn*51 #aiab4 ,d] ,blaue ,reit] von ,hans ,titeze1 ,kun/ fr ,alle1 ,,xxvii4 p4 #edc-eej4 ,d] ,kubismus i4 d4 franzsis*5 ,kamm]1 ,kun/*r1 ,,xxiv4 p4 #agf4 ,d] ,mod]ne ,impressionismus von ,mei]-,graefe4 ,die ,kun/ ,h]ausgegeb5 von ,ri*>d ,mu!r1 ,v]lag ,julius ,b>d1 ,b]l94 ,d] ,/urm ,v]an/altete bi%] folg5de ,aus/ellung5 9 ,b]l9 ,w4 #i4 ,potsdam]/r4 #acd a4 #a4 ,d] ,blaue ,reit]1 ,osk>1 ,kokos*ka4 #b4 ,die ,futuri/53 ,boccioni1 ,c>ra1 ,russolo1 ,sev]9i4 #c4 ,franzsis*e ,graphik1 ,pablo ,picasso4 #d4 ,deuts*e ,expressioni/53 ,campemdonk1 ,blo*1 ,jawl5sky1 ,k&9sky1 ,m>c1 ,mnt]4 #e4 ,franzsis*e ,expressioni/53 ,braque1 ,d]a91 ,o?on1 ,friess1 ,h]b9 ,m>ie ,laur5c91 de ,vlam9ck4 #f4 ,jungbelgis*e ,kn/l]4 #g4 ,k&9sky4 #h4 ,die ,pa!tik]3 ,ludwig ,meid]1 ,jacob ,/e9h>dt4 #i4 ,egon ,adl]1 ,van ,gaugu91 ,ar?ur ,segal4 #aj4 ,die ,neue ,secession4 #aa4 ,gabriele ,mnt]4 #ab4 ,rob]t ,delaunay1 ,ard5go ,s(fici4 #ac4 ,alfr$ ,re?4 #ad4 ,franz ,m>c4 #ae4 ,d] ,mod]ne ,bund1 ,s*weiz4 #af4 ,g9o ,sev]9i4 ,d]i1 ,max1 ,die neue ,mal]ei3 ,impressionismus1 ,po9tillismus1 ,futuri/51 die gross5 ,ueb]gangsmei/]1 ,kubi/51 ,expressionismus1 ,absolute ,mal]ei1 ,mn*52 ,pip]1 #aiac2 ) illu/rations4 ,die ,aus/ellung von ,w]k5 ,zurckgewiess5] d] ,b]l9] ,secession #aiaj1 ,neue ,secession1 p4 #ddj-dda1 ,kun/*r1 ,,xxi4 ,die ,franzsis*5 ,bild] d] ,sammlung ,kohn] von ,hugo ,hab]feld mit ,abbildung ,gaugu91 ,czanne1 ,gogh1 etc41 ,d] ,cic]one1 ,,iii4 p4 #egi-ehi4 #aiaa4 ,die ,frhbild]1 von ,h4 ,hildebr&t1 p4 #cgf-cgh1 ,kun/ u4 ,kn/l]1 ,,xi4 #aiac4 ,die ,futuri/5 9 ,rom1 ,kun/na*ri*t51 ,beiblatt d] ,kun/welt1 ,,ii4 p4 #dh1 ,jahrg4 ,no4 #f4 ,mrz #aiac4 ,die ,grundlag5 d] jng/5 ,kun/bewegung4 ,e9 ,vortrag von ,emil ,utitz1 ,v]lag v4 ,f]d4 ,enke1 ,/uttg>t #aiac4 ,die ,haupt/rmung5 des ,,xix ,jahrhund]ts von ,julius ,leis*+4 ,die ,impressioni/5 von ,heilbut1 ,e41 ,b]l91 ,cassi]]4 ,die ,impressioni/5aus/ellung d] ,secession von ,e4 ,heilbut1 ,kun/ u4 ,kn/l]1 ,i4 p4 #afi-bjg4 ,die ,int]nationale ,aus/ellung des ,sond]bundes v4 ,a4 ,=tlage1 ,kln1 ,d] ,cic]one1 ,,iv4 p4 #edg-eef4 #aiab 7mit abbildung van ,gogh1 ,czanne1 ,gaugu91 ,picasso74 ,die ,jungmod]n51 ,neue ,secession1 ,brcke1 p4 #ddc-ddd1 ,kun/*r1 ,,xxiii4 ,die ,jng/5 von ,k>l ,s*effl]1 ,kun/ und ,kn/l]1 ,,xi4 ,s4 #cia-dji4 ,die ,neue ,kun/ 9 ,wi5 ,salon ,mie?ke1 ,kun/*r1 ,,xxiv4 p4 #bhf-bhg4 ,die neue ,mal]ei von ,l4 ,coell54 ,d] ,impressionismus von ,gogh u4 ,czanne1 ,gaugu9 u4 ,mattise1 ,picasso u4 d4 ,kubismus4 ,v]lag ,e4 ,w4 ,bons* ,co41 ,mn*54 ,die ,p]snli*5 ,er9n]ung5 ,n4 ,b4 ,m5des da ,co/a's an se95 ,late9s*l]--mitgeteilt v4 ,max ,eisl]1 ,kun/ u4 ,kn/l]1 ,x4 p4 #ih-ajd4 ,die ,secession von ,r4 ,kle91 ,mod]ne ,zeitfrag51 ,nr4 #i ,h]ausgegeb5 von ,dr4 ,hans ,l&sb]g1 ,pan-,v]lag4 ,die ,,xxvi ,aus/ellung d] ,b]l9] ,secession1 ,deuts*e ,kun/ u4 ,dekoration1 ,,xxxii1 p4 #bci-bde1 ,d>m/adt4 ,die ,zurckgewiess5 auf d] ,b]l9] ,secession1 ,kun/*r1 ,,xxiv4 p4 #dhj-dhb4 ,du ,quesne1 ,p]snli*e ,er9n]ung5 an ,v9c5t ,van ,gogh1 ,mn*51 #aiac2 ,r4 ,pip] ,co41 #c;d ed42 #bd plates4 ,entwickelung des ,impressionismus 9 ,mal]ei u4 ,pla/ik v4 ,mei]-,graefe1 ,secession ,wi54 ,entwickelungsges*i*te d] ,mod]n5 ,kun/ von ,j4 ,mei]-,graefe ,i4-,,iii4 7,,iii4 ,b& ,abbildung571 ,v]lag ,jul ,h(fmann1 ,/uttg>t4 ,er9n]ung5 an--von ,emile ,b]n>d1 ,kun/ u4 ,kn/l]1 ,,vi1 p4 #dba-dbi1 p4 #dge-dhj1 p4 #eba-ebg4 #aijh4 ,er/] ,deuts*] ,h]b/salon ,b]l9 #aiac1 ,d] ,/urm1 ,b]l9 ,w4 #i1 ,potsdam]/rasse #acd;a1 mit e9] ,vorr$e von ,h]w>? ,wald54 ,fis*]1 ,otto1 ,das neue ,bild1 publi%$ by ! ,new ,mn*5 ,arti/s' ,league2 ,mn*51 #aiab2 ,delph9 ,v]lag2 #d1 ) #cf art plates4 ,franzsis* ,import5 von ,felix ,lor5z1 ,die ,kun/welt1 ,,iii4 p4 #gjj-gja4 #aiab4 ,fri$ri*1 ,hans1 ,hodl]1 die ,s*weiz und ,deuts*l&1 ,mn*52 ,james ,v]lag1 #aiac4 ,futuri/5 und ,g5oss5 bei d] ,arbeit1 ,die ,kun/welt1 ,,ii4 #c4 p4 #ahi-aia1 #aiab4 ,futuri/5 v4 ,rud4 ,kle91 ,b]l91 ,deuts*e ,kun/ u4 ,dekoration1 ,,xxx4 p4 #bgd-bgg1 #aiab1 ,d>m/adt4 ,gaugu91 ,paul1 ,noa-,noa1 ,b]l91 ,cassir]1 #aiaa1 #b;d ed4 ,gogh1 ,v4 ,von1 ,briefe deuts*e ,ausgabe besorgt von ,m4 ,mau?n]1 ,,ii4 ,auflage1 ,bruno ,cassi]]1 ,b]l94 ,gott s*tz die ,kun/1 von ,t]5tius1 ,die ,kun/welt1 ,,ii4 p4 #cec-cfj4 #aiab4 ,haus5/e91 ,wilh41 ,die ,neue ,kun/2 ,zur ,naturges*i*te d] ,kritik1 ,9 ,katalog d] ,,ii1 ,gesamtaus/ellung ,neue ,kun/1 ,hans ,goltz1 ,mn*51 #aiac2 illu/rat$4 ,haus5/e91 ,w41 ,die bild5de ,kun/ d] ,geg5w>t1 ,/uttg>t1 ,deuts*e ,v]lagsan/alt1 #aiad4 ,h]mann1 ,curt1 ,d] ,kampf um d5 ,/il4 ,probleme d] mod]n5 ,mal]ei1 ) #h autotypes2 ,b]l91 ,ed4 ,reiss' ,v]lag1 #aiaa2 #h4 ,hildebr&1 ,hans1 ,adolph ,/lzel als ,zei*n]1 ,/uttg>t1 ,deuts*e ,v]lagsan/alt1 #aiac2 #h4 ,impressionismus4 ,e9 ,problem d] ,mal]ei i4 d4 ,antike und ,neuzeit von ,w]n] ,weisba* ,i41 ,b]l9 #aiaj1 ,,ii4 #aiaa4 ,impressionismus v4 ,la=gue1 ,kun/ u4 ,kn/l]1 ,,iii4 p4 #eja-ejf4 ,impressioni/5 ,gugs-,maud van ,gogh1 ,piss>ro-,czanne1 ,,ii1 ,aufl4 ,mn*5 u4 ,leipzig #aijg4 ,impressioni/is*e ,weltans*auung v4 ,s*effl]1 ,k41 ,zukunft1 ,,xlv4 p4 #ach-adg4 ,jacob1 ,les oeuvres burlesques et my/iques de ,frre ,natorel mort au ,c\v5t1 illu/rat$ ) wood cuts by ,&r ,dra92 ,p>is1 #aiab4 ,jacob1 ,sa9t ,natorel1 illu/rat$ ) wat] colors by ,pablo ,picasso1 ,p>is1 #aiaa4 ,kampf1 ,im-um die ,kun/1 ,reply to ! 8,prote/ by ,g]man ,arti/s10 ,mn*51 ,r4 ,pip] ,co41 #aiaa2 #h4 ,k&9sky b] das ,gei/ige 9 d] ,kun/1 ,mn*5 #aiab1 ,v]lag ,pip] ,co4 ,k&9sky1 ,ueb] das ,gei/ige 9 d] ,kun/1 insbesond]e 9 d] ,mal]ei1 ,mn*51 ,r4 ,pip] ,co41 #aiab2 #h4 ,katalog d] ,sond]aus/ellung v4 ,v4 van ,gogh1 ,am/]dam1 ,/dt4 ,museum #aije4 ,kritik se9] ,arbeit51 ,p>is] ,h]b/salon4 ,s4 #dg-dh1 ,zeits*rift fr ,bild5de ,kun/1 ,,xvii4 #aijf-jg4 ,kubi/5 u4 ,naz>5]1 ,kn/*r41 ,,xxiv4 p4 #aac-aae4 ,kun/1 ,deuts*e und franzsis*e1 ,a symposium ( ,g]man arti/s1 gall]y directors1 collectors & au?ors2 ,mn*51 ,r4 ,pip] ,co41 #aiac2 #ho4 ,kun/ und ,kn/l]1 ,v4 p4 #cci-cei1 #aijg4 ,kun/ und ,kn/l]1 ,,vi4 p4 #cee-cgf1 #aijh4 ,kun/*r41 ,zeits*rift fr bild5de ,kun/1 ,,xiv4 p4 #dbj4 #aijb-jc4 ,le ,fauconni]1 ,die ,auffassung uns]] ,zeit und das ,gemlde1 translat$ by ,g]trude ,o/haus 9 connection ) ! exposition at ! ,folkwang museum 9 ,hag51 ,we/phalia1 ,mn*51 #aiac2 #ho4 ,mal]is*e ,impressions und ,kolori/is*e ,ry?mus1 ,beoba*tung5 b] ,mal]ei d] ,geg5w>t von ,wilh4 ,neimey]4 ,sond]bund ,aus/ellung #aiaj1 ,dsseldorf1 mit ,abbildung5 unt] &]5 von ,a4 v4 ,jawl5sky1 ,h5ri ,matisse1 ,w4 ,k&9sky4 ,m>9etti1 ,f4 ,p41 ,le ,futurisme1 ,t\rs1 #aiaa2 ,e4 ,arrauset ,cie4 ,mei]-,graefe1 ,paul ,czanne1 ,mn*51 #aiaj1 ,r4 ,pip] ,co42 #d?-#f? ed41 #aiac4 ,neue ,kun/1 ,katalog d] ,,ii4 ,gesamtaus/ellung ,augu/-,septemb]1 #aiac4 ,hans ,goltz1 ,mn*51 ,odeonsplatz #a 7mit ,abbildung5 von ,picasso1 ,matisse1 ,k&9sky1 ,jawl5sky74 ,noa-,noa-,tagebu*1 p4 #gh-ha1 p4 #abe-abg1 ,kun/ u4 ,kn/l]1 ,,vi4 p4 #afj-afd1 #aijh4 ,noa-,noa von ,p4 ,fe*t]-,auf5?alt 9 ,tahiti1 ,kun/ fr ,alle1 #jh4 ,,xxiii4 ,s4 #bej-bee4 ,notiz b] ,k&9sky1 p4 #dcd4 ,kun/ fr ,alle ,,xxvii4 ,notiz5 e9es ,mal]s1 ,kun/ u4 ,kn/l]1 ,,vii4 p4 #cce-cdg1 #aiji4 ,p>is auf d] ,juryfrei5 ,kun/*au 9 ,b]l9 v4 ,j4 v4 ,bl[1 ,kun/*r41 ,,xxiv4 p4 #bdi-bed4 ,paul ,czanne v4 ,julius ,mei]-,graefe ,mn*51 #aiaj1 ,v]lag ,r4 ,pip] ,co4 ,paul ,gaugu91 ,gall]ie ,mie?ke1 ,katalog mit ,biogr4 von ,rudolf ,adalb]t ,mey]1 ,mrz-,april #aijg4 ,paul ,gaugu91 #ahdg-aijc1 p> ,jean de ,roton*amp1 ,p>is *ez4 ,ed4 ,druet4 ,paul ,gaugu91 v4 ,dr4 ,mey] ,rief/al1 ,p>is1 p4 #aji-aaf4 ,deuts*e ,kun/ u4 ,dekoration ,,xxvii1 ,d>m/adt4 ,p]snli*e ,er9n]ung5 an ,v4 van ,gogh1 ,e4 ,h4 du ,quesne1 ,mn*5 ,pip] #aiaa4 ,pratella1 ,franc1 ,balita1 ,musica ,futuri/a p] ,onte/a1 ,bologna1 ,f4 ,bongiovanni1 #aiac4 ,raphael1 ,max1 ,von ,monet zu ,picasso2 ,grundzge e9] ,ae/hetik und ,entwickelung d] mod]n5 ,mal]ei1 ,mn*51 ,delph9 ,v]lag1 #aiac2 #ho4 ,reit]1 ,d] blaue1 ,e9 ,dokum5t des ,expressionismus4 ,h]ausgeb]3 ,k&9sky und ,franz ,m>c1 ,mn*51 ,r4 ,pip] ,co41 #aiab2 ) #cd plates4 ,s(fici1 ,ard5zo1 ,cubismo e oltre1 ,flor5ce1 ,libr]ia della ,voce1 #aiac4 ,syd[1 ,eck>t v41 ,cuno ,amiet4 ,e9e ,e9fhrung 9 e9 nationales ,w]k4 ,9 8,kun/ges*i*te des ,ausl&es10 issue #ajf1 ,/rassburg1 #aiac2 ) #aa plates2 #do4 ,ueb] ,impressionismus von ,j4 ,mei]-,graefe1 p4 #ade-afb1 ,kun/ fr ,alle1 ,,xxv4 #aiji u4 #aj4 ,utitz1 ,die ,grundlag5 d] jng/5 ,kun/bewegung4 ,e9 ,vortrag1 ,/uttg>t1 ,enke1 #aiac2 #ho4 v4 ,mey] ,rief/ahl1 ,burl+ton ,magaz9e1 ,,xviii4 p4 #ia-ii4 #aee-afb4 ,van ,gogh1 ,v9c41 ,briefe4 ,deuts* von ,n4 ,mau?n]1 ,b]l91 ,p4 ,cassir]1 #aiaa2 #d? ed42 ) #ae draw+s2 #ho4 ,v9c5t ,van ,gogh1 ,mn*51 #aiaj1 ,r4 ,pip] ,co42 #d?-#f? ed41 #aiab4 ,v9c5t ,van ,gogh u4 ,gaugu9 zum ,klassizismus1 ,kun/ u4 ,kn/l]1 #ji1 ,,viii4 p4 #hf-aja4 ,v9c5t ,van ,gogh von ,julius ,mei]-,graefe1 ,mn*5 #aiaj4 ,vom ,w]t des ,neo-,impressionismus von ,a4 ,l4 ,plehn1 ,kun/ fr ,alle1 ,,xix4 p4 #ead-ebb4 ,von ,eug5 ,delacroix zum ,neo-,impressionismus4 ,e9zige deuts*e autorisi]te ,ueb]setzung1 ,krefeld1 #aijc1 ,rhe9is*] ,v]lag ,g4 ,a4 ,hohns ,shne4 ,von ,impressionismus zum ,neo-,impressionismus4 ,autoris4 ,ueb]setzung1 ,b]l91 ,v]lag4 ,k4 ,s*nabel4 ,von ,p4 ,gaugu91 ,kun/ u4 ,kn/l]1 ,,viii4 p4 #egi-ehf4 ,von ,paul ,gaugu91 ,kun/ u4 ,kn/l]1 ,,viii4 p4 #egi-ehf4 #aiaj4 ,0 i/ uns impressioni/is*e ,mal]ei von ,a4 ,gold1 ,deuts*l&1 ,,iii4 p4 #cbh-cdb4 ,weese1 ,ar?41 ,f]d9& ,hodl]1 ,b]l91 #aiaj2 ,francke4 ,worr+]1 ,wilh41 ,ab/raction und ,e9fhlung4 ,e9 ,beitrag zur ,/ilpsy*ologie1 ,mn*51 ,pip]1 #aiaa2 #c;d ed42 #ho4 ,zum ,klassizismus von ,maurice ,d5is1 ,kun/ u4 ,kn/l]1 ,,viii4 p4 #hf-aja1 #aiaj4 ,,articles4 ,alt1 ,!od41 ,hodl] und se9e ,zeitg5oss51 ,d] ,?rm]1 ,,xv1 #aiab-ac1 p4 #fbf-cg4 ,apoll9aire1 ,guill41 ,ralit1 pe9ture pure1 ,d] ,/urm1 #aijb1 ,no4 #ach-ci4 ,apoll9aire1 ,guill41 ,die mod]ne ,mal]ei4 ,ueb]setzt von ,jean ,jacques1 ,d] ,/urm1 #aijc1 ,no4 #adh-di4 ,av5>ius1 ,von ,van ,gogh1 ,kun/w>t1 ,,xxiv1 #aiaj1 ,i1 p4 #ef-ei4 ,av5>ius1 ,f]d41 ,futuri/51 ,kun/w>t1 ,,xxv1 #aiab1 ,,iii1 p4 #bgh-ha4 ,beckmann1 ,frz41 ,g$ank5 b] zeitgemsse und unzeitgemsse ,kun/4 ,a reply to ,die neue ,mal]ei1 by ,frz4 ,m>c41 ,pan1 ,,ii1 #a1 p4 #dii-ejb4 ,bahne1 ,adolf1 ,d] ,mal] ,franz ,m>c1 ,pan1 ,,iii1 #aiac1 p4 #faf-ah4 ,b5d]1 ,ewald1 ,deuts*e ,kun/ um #aiac1 ,zeits*rift fr bild5de ,kun/1 new s]ies #bd1 #aiab-ac1 p4 #bhg1cjb1 ) #a illu/ration4 ,b5d]1 ,ewald1 ,f4 ,a4 ,we9zheim]1 ,zeits*rift f4 bild5de ,kun/1 new s]ies ,,xxiv1 #aiab-ac1 p4 #cje-h1 ) illu/rations4 ,b5k>d1 ,ern/ ,a41 ,f]d9& ,hodl]1 ,zur ,hodl]aus/ellung im ,frankfurt] ,kun/v]e91 ,zeits*rift f4 bild5de ,kun/1 new s]ies ,,xxiii1 #aiaa-ab1 p4 #g-ab1 ) illu/rations4 ,b]+]1 ,jos4 ,aug41 ,deuts*e ,kun/nte1 ,sddeuts*e ,monat%efte1 ,,xi1 #aiac-ad1 p4 #aih-bjh4 ,b]n>d1 ,emile1 ,er9n]ung5 an ,paul ,czanne1 ,kun/ und ,kn/l]1 vol4 ,,vi1 #aijh1 p4 #dba1 #dge1 #eba1 ) illu/ration4 ,bi]mann1 ,hans ,georg1 ,b]nh>d ,hoetg]1 ,kun/ f4 ,alle1 ,,xxviii1 #aiab-ac1 p4 #che-if1 ) illu/rations4 ,breu]1 ,rob]t1 ,max ,pe*/e91 ,deuts*e ,kun/ u4 ,dekoration1 ,,xxix1 #aiaa-ab1 p4 #dbc-cf1 ) illu/rations4 ,cor9?1 ,lovis1 ,die neue/e ,mal]ei1 ,pan1 ,,ii1 #aiaj-aa1 p4 #dcb-g4 ,d5is1 ,maurice1 ,von ,gaugu9 und ,van ,gogh zum ,klassizismus1 ,kun/ u4 ,kn/l]1 ,b]l91 ,,viii1 #aiaj1 p4 #hf-aja1 ) illu/rations4 ,d5is1 ,maurice1 ,edmund ,cross1 ,kun/ u4 ,kn/l]1 ,b]l91 ,,ix1 #aiaj-aa1 p4 #bid-f4 ,d5n]t1 ,die ,kun/ d] ,urm5s*5 und d] ,all]mod]n/51 ,d] ,trm]1 ,,xvi1 #aiac1 p4 #bif-cja4 ,dreyfus1 ,alb41 ,paul ,czanne1 ,zeits*rift f4 bild5de ,kun/1 new s]ies ,,xxiv1 #aiab-ac2 p4 #aig-bjf1 ) illu/r4 ,eisl]1 ,max1 ,die p]snli*5 ,er9n]ung5 ,n4 ,b4 ,m5des da ,co/a's an se95 ,late9s*l] ,v9c5t ,van ,gogh1 ,kun/ und ,kn/l]1 ,x1 #aiaa-ab1 p4 #ih-ajd1 ) illu/rations4 ,fe*t]1 ,paul1 ,die ,=tbildung5 des ,impressionismus1 ,deuts*e ,kun/ u4 ,dekoration1 ,,xxix1 #aiaa-ab2 p4 #bii-cjd4 ,=tlage1 ,arnold1 ,die int]nationale ,aus/ellung des ,sond]bundes1 ,cic]one ,,iv1 #aiab1 p4 #edg-ef1 ) illu/rations2 ,kun/ f4 ,alle1 ,,xxviii1 #aiab-ac1 p4 #hd-ic1 ) illu/rations4 ,=tlage1 ,arnold1 ,georg ,m9ne1 ,kun/ f4 ,alle1 ,,xxviii1 #aiab-ac2 p4 #cdg-ec1 ) illu/rations4 ,fri$eb]g]1 ,hans1 ,zei*nung5 von ,max ,pe*/e91 ) illu/rations1 ,cic]one1 ,v1 #aiac1 p4 #bhi-ia4 ,fri$ri*1 ,hans1 ,e9e ,analyse des ,futurismus1 ,janus 7,mn*571 ,,ii1 #a1 #aiab-ac1 p4 #agc-g4 ,die ,h9ri*tung ,paul ,czanne's dur* ,max ,beckmann1 ,janus1 ,,ii1 #a1 #aiab-ac2 p4 #cfb-d4 ,futuri/5 und ,g5oss5 bei d] ,arbeit1 ,kun/welt1 ,,ii1 #aiab-ac2 vol4 #a1 p4 #ahi-ia4 ,gaugu91 ,paul1 ,v9c5t ,van ,gogh1 ,kun/ u4 ,kn/l]1 ,b]l91 ,,viii1 #aiaj2 p4 #egi-hf1 ) #f illu/rations4 ,haus5/e91 ,wilh41 ,vom ,kubismus1 ,d] ,/urm1 ,,iv1 #aiac2 p4 #agj-ga4 ,alb]t ,weisg]b]1 ,zeit im ,bilde1 ,,xi1 #aiac2 p4 #bfda-g2 ) illu/rations4 ,von d] neu5 ,kun/ ,zum ,somm]s*au von #aiac im ,kun/salon ,goltz 9 ,mn*51 ,zeit im ,bild1 ,,xi1 #aiac2 p4 #bahe-ib2 ) illu/rations4 ,holl1 ,j4 ,c41 ,aprs l'impressionnisme1 ,physionomie de l'art actuel1 ,la leon de l'impressionnisme1 ,,xx ,sicle1 ,p>is4 ,mi*el1 ,wilh41 ,das ,weltans*auli*e d] neu5 ,mal]ei1 ,deuts*e ,kun/ u4 ,dekoration1 ,,xvii1 #aiac-ad2 p4 #cc-ci4 ,k&9sky1 ,ueb] ,kun/v]/eh51 ,d] ,/urm1 #aiab1 ,no4 #abi2 illu/rat$4 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illu/rat$4 ,osborn1 ,max1 ,b]nh>d ,hoetg]1 ,v4 ,collective ,exhibition ( ,mod]n ,art by ,hans ,goltz1 ,muni*1 #aiac2 ) _m illu/rations4 ,pe*/e91 ,max1 ,0 i/ mit dem ,picasso81 ,pan1 ,,ii1 i1 #aiab2 p4 #ffe-i4 ,rivire1 ,jacques1 ,gaugu91 translat$ f ! ,fr5* by ,jean ,jacques1 ,d] ,/urm1 #aiab2 ,nos4 #acd-e4 ,rote1 ,m4 ,k41 ,pablo ,picasso1 ,kun/ fr ,aile1 ,,xxviii1 #aiab-ac2 p4 #cgg-hc2 illu/rat$4 ,b]nh>d ,hoetg]1 ,d] ,cic]one1 ,v4 #aiac2 p4 #aig-bjc2 illu/rat$4 ,bewegung5 9 d] neu5 ,kun/ und ihre ,aussi*t51 ,kun/ fr ,alle1 ,,xxviii1 #aiab-ac2 p4 #bib-cje2 illu/rat$4 ,rov]e1 ,jean1 ,paul ,czanne2 ,er9n]ung51 ,kun/ und ,kn/l]1 ,x1 #aiaa-ab2 p4 #dgg-hf2 illu/rat$4 ,salmon1 ,&r1 ,la jeune pe9ture franaise1 ,p>is1 #aiab4 ,s*41 ,k4 ,e41 ,kubi/5 und ,naz>5]1 ,kun/*ronik1 new s]ies1 ,,xxiv1 #aiab-ac2 p4 #aac-d4 ,s*aef]1 ,w41 ,b]nh>d ,hoetg]1 ,die ,rhe9l&e1 ,,xvii1 #aiji2 p4 #ac-ad2 illu/rat$4 ,die junge und die jng/e ,mal]ei4 7,gloss5 zur ,sond]bund-,aus/ellung 9 ,kln47 ,v9c5t ,van ,gogh2 ,czanne2 ,d] blaue ,reit]1 ,deuts*e ,monat%efte1 ,dsseldorf1 ,,xii1 #aiab2 p4 #bhd-cag-cee4 ,s*midt1 ,max1 ,f9ke1 ,igc41 ,weiss1 ,konr41 ,e9e ,aus/ellung des ,sond]bundes 7at ,dsseldorf71 ,ho*l&1 ,,xiii1 #a1 #aiaj-aa2 p4 #bde & #eaf-ag4 ,s*midt1 ,paul ,f]d41 ,ueb] die ,expressioni/51 ,deuts*e ,monat%efte1 ,,xi1 #aiaa2 p4 #dbg-i4 ,die int]nationale ,aus/ellung des ,sond]bundes 9 ,kln #aiab1 ,zeits*rift fr bild5de ,kun/1 new s]ies ,,xxiii1 #aiaa-ab2 p4 #bbi-ch2 illu/rat$4 ,s*o5lank1 ,m4 ,r41 ,brief an ,pe*/e91 ,pan1 ,,ii1 #b1 #aiab2 p4 #gch-i4 ,s*ulze1 ,otto1 ,bildhau] ,b]nh>d ,hoetg]1 ,deuts*e ,kun/ und ,dekoration1 ,,xxvii1 #aiaj-aa2 p4 #aaf-bc2 illu/rat$4 ,/orck1 ,willy ,f41 ,aus/ellung des deuts*5 ,kn/l]bundes 9 ,mannheim #aiac1 ,deuts*e ,kun/ und ,dekoration1 ,,xxvii1 #aiac-ad2 p4 #i-bg2 illu/rat$4 ,/4 ,k41 ,die ,zuknftl]1 ,d] ,trm]1 ,,xiv1 #aiab1 ,,ii2 p4 #dbb-d4 ,t]5tius1 ,gott s*tz' die ,kun/1 ,e9 ,fas*+skapitel1 ,die ,kun/welt1 ,i1 #aiab2 p4 #cec-fj2 illu/rat$4 ,w>/at1 ,w41 ,die 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(1 #ai2 ( ,les ,fauves1 #cc2 me?od (1 #af2 reali/ic1 & ! great portrait pa9t]s1 #bjh2 reali/ic leads to1 #bjg-bjh2 sub/antial leads to1 #bjh-baj2 sub/antial1 leads to ,po/-,impressionism1 #baj2 summ+ up (1 #bjg2 sup]ficial leads to1 #bjg ,impressions1 reaction to1 #fb-fc ,impressioni/s1 #aa2 & ,futuri/s1 we all are at times1 #fb2 d]ivation ( "n1 #ba2 e>ly exhibitions (1 #ba-bf ,impressioni/ pictures b\ght by ,*icago woman1 #bg ,int]national ,exhibition1 #a1 #c1 #d1 #bf2 co9cid$ ) o!r upheavals 9 life1 #fe2 effect ( on society1 #g2 indignation ( old] m51 #aid2 no ,futuri/ pictures1 #afd2 pl5ty ( ugly pictures 91 #aeg2 y\ng] m5 curi\s1 #aid-aie ,jakul(1 #dg ,james1 ,h5ry1 /yle obsolete1 #afh ,japanese art esoragoto1 #adg2 pa9t+ bamboo =e/1 #aej2 sumi1 #aej2 p]spective 91 #gh2 pr9ciples (1 #adg-adi ,j>gon 9 art & o!r dep>tm5ts ( ?\ght1 #aj ,jawl5sky1 #dg1 #aaj1 #aaa1 #aac ,johnson1 #di ,j\rnal1 ,r5o1 ,nevada1 editorial f1 #bag ,kahl]1 #aab ,kanabe1 #dg ,k&9sky1 #aaa1 #aab2 & ,turn]1 #bi2 article 9 8,d] ,blaue ,reit]10 #aca-ace2 e/imate by o!r arti/s1 #ach1 #aci2 extreme 9 !ories & "w1 #aae2 8 improvisations1 #aaf2 8 pictures 9 ,london exhibition1 #aaf2 8 writ+s1 #ajg2 ,improvisations1 #abd-abh2 lett]s f1 #abd-abh2 p]sonal lett] reg>d+ 8 developm5t1 #ace-acg2 prais$ by a critic1 #aaf-aag2 spiritual values & necessities1 #acc-ace2 qualifications & !ories1 #aag-abh ,kanoldt1 #aaa ,kants*1 #dg ,koga1 #aaa1 #aad ,kram]1 #a ,kroll1 a virile ,impressioni/1 #aie1 #aif ,kuhn1 #a ,kuznez(f1 #dg ,lempu1 lett] f1 #ej ,l>ion(f1 #dg ,laur5c91 #dg ,laugh+ at :at is /range1 #fc ,laught] at ! 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new art 91 #aaj ,mnt]1 #aaa1 #aab1 #aad ,m!r1 #af ,music & pa9t+1 developm5t (1 #ib-id ,music1 *anges ( appreciations 91 #i2 ,*9ese1 #abh-abi2 color organ1 #adj-adf2 ,greek1 #abh-abi2 imitative1 #ajf-ajg2 9 color1 #adj-adf2 ( ,s*o5b]g1 #i2 ,ori5tal1 #abh-abi2 ,russian ,ballet1 #i2 s\nd waves1 #adc2 und]/ood 9 diff]5t ways by diff]5t he>]s1 #hd-he2 us$ to expla91 #ajf-ajg ,my]s1 #a ,nankivell1 #a ,national ,academy 9 ,new ,york cons]vative1 #eg ,nature is liv+ _s1 #acd ,neo-,cubi/s1 #fg ,neo-,impressioni/s1 #ac2 logical outcome ( ,impressionism1 #bg ,new & /range1 av]age man bewild]$ by1 #aec ,new ideas & "w1 #e ,newspap]1 pictures 9 editorial room (1 #afj ,new ,york1 impressions by a ,cubi/1 #if-ig ,ni$]1 #aab ,nocturnes1 #ad ,objects fl[ ?r\gh "o ano!r 7see *apt] on ,cubism7 ,objective art1 #ij ,obs]vation & imag9ation 9 art1 #ad-ae ,(fices1 decoration (1 #afb2 pictures 91 #afa ,(ficial exhibitions & indep5d5t1 value (1 #eg ,old & new m51 #d1 #e ,old ma/]s & ! new art1 #aaj ,old ma/]s1 works belong to public1 #f ,op]a n und]/ood1 #hc-hd ,orphi/s1 #fj2 !ory (1 #ij-ia ,organ1 = color music1 #adj-adf ,pa*1 #a ,pa9t]s l inv5tors1 #ai-bj ,pa9t+1 a t]rible problem1 #b2 & music1 developm5t (1 #ib-id2 & sculpture comp>$1 #ahg-ahh2 9 ,france1 #ai? c5tury1 #ab ,p>is comp>$ ) ,muni*1 #aaa ,peploe1 #dg ,p]fections ( ,impressionism to imp]fections ( ,po/-,impressionism1 #i ,p]fection unatta9able1 #a ,p]iods 9 "w ( arti/1 #bj ,photo-,secession ,gall]y1 #a ,picabia1 calls ,cubism a misnom]1 #hb2 comp>ison made by1 #ia-ib2 8,dance at ! ,spr+10 #fh2 explanation ( ab/ract pa9t+1 #ie-ig2 impressions ( ,new ,york1 #if-ig ,picasso1 #dg1 #aab2 *anges 9 /yle1 #fg2 8 developm5t1 #ajj-aja2 8 !ory1 #ih-ajj2 8,woman & ! ,pot ( ,mu/>d10 #fh2 8,woman ) a ,m&ol910 #abc ,pictures1 easel1 #add ,planes1 z us$ by ,picasso1 #aja2 draw+ 91 #gc-gh2 illu/rat$ 9 modell+ an orange1 #hj ,plato1 quotation f1 #ajb ,po9tilli/s1 #bh ,port]1 #a ,portrait pa9t+ & cubism1 #aei2 & ! modi/es1 #ie2 ! av]age1 #aei ,po/-,cubi/s1 #fg ,po/-,impressionism1 #aa2 aim (1 #cj2 & reaction1 #cj2 fundam5tally diff]5t f ,impressionism1 #bg1 #bh2 :at x means1 #aa2 ,exhibition 9 ,london1 #ee ,pr5d]ga/1 #a ,prices1 absurd = old ma/]s1 #f-g2 ( fam\s ,impressioni/ pictures1 #bb-bf ,private buy]1 8 opportunity1 #f ,progressive ,political ,conv5tion1 #d ,progressive ,political ,p>ty1 #ff ,prote/1 a futile1 #ej ,public in/9ctively feels1 #aeh ,public1 normal attitude t[>d new pictures1 #aef ,reaction 9 art1 #b ,realism & ,c\rbet1 #ab ,r$on1 #dg ,rembr&t1 sale ( 8,ba?%eba10 #f-g2 ov]pric$1 #fj ,resili5t1 m5 :o are1 #fb ,revolution>y movem5ts1 int]e/ 91 #ff ,ridicule1 ( fam\s ,impressioni/s1 #bb-bf2 ( ! /range1 #fe2 :i* greet$ great ma/]s1 #ba ,rim+ton1 #adj-adf ,rod91 #ce1 #ahb2 attitude t[>ds sculpture1 #bjc2 8 ,balzac purely ,po/-,impressioni/ic1 #gi2 8 te*nic1 #gi ,rohl&1 #di ,romanticism1 #ab ,royal ,academy 9 ,london cons]vative1 #eg ,r\sseau1 #cg ,r\ault1 #aab ,russia1 new movem5t 91 #dg ,russian ,ballet1 #i ,rusk91 op9ion ( ,wagn]1 #fa ,russolo1 #agi ,rutt]1 #c1 #bh1 #db ,sa*>(f1 #aaa ,salmon1 #dc ,salon d',automne1 #ed2 exhibition #aiab1 #ej ,salon des ,refuses1 #aa ,salon d',indep5dants1 plan (1 #ef ,salons gr[ cons]vative1 #eg ,s>g5t1 a virile ,impressioni/1 #aic2 & ,alex&]1 #aii2 & ,:i/l]1 #aic2 8 te*nic1 #gi2 tir$ ( portrait pa9t+1 #ajb ,s>jan1 #dg ,s*al[sky1 #dg ,s*]ecz[a1 #dg ,s*nabel1 #aaa ,s*ools1 effect (1 #acg1 #ach ,sculpture1 #bjb-bje2 7see ,futurism72 ,am]ican1 #bjc-bjd2 comp>$ ) pa9t+1 #ahg-ahh2 creative works1 #bjd-bje2 developm5ts 91 #bjb-bjc2 ,futuri/ 7see ,futurism72 ,greek1 #bjc2 ,matisse1 #bjb2 obs]vation & imag9ation 91 #bjd2 pa9t$1 #aeb2 primitive elem5t 91 #bjf2 ,rod91 #bjc2 spiritual elem5t 91 #bje2 "w ( ,brancusi & ,ar*ipanko1 #bjd ,secessioni/s1 ,muni*1 #ee ,segonzac1 #bjj ,segu91 #db ,%aw1 ,b]n>d1 a reaction>y1 #agj ,sky-scrap]s1 #aii ,sloan1 #a ,socit des ,arti/es ,francais1 #ec-ed ,socit des ,arti/es ,indep5d5ts1 #ed ,socit ,nationale des ,beaux-,arts1 #ec-ed ,s\nd waves1 #adc ,s\sa ,c>doza1 #he ,/4 ,gaud5s1 #bjd ,/ieglitz1 #a1 #aaf2 8 exhibitions1 #baa-bac ,/ill lifes1 #id1 #ade ,/ory-tell+ pictures1 #ad ,/rauss & o!r compos]s1 #i ,/r9db]g & ,gaugu91 #da-db ,/riv+ z an elem5t ( vitality1 #hi ,/udios1 art & nature art1 #ad2 mo/ly ugly1 #ie ,subjective art1 #ij ,subjects 9 pa9t+1 #ac-ad ,sub/ance ( ?+s difficult to pa9t1 #ih ,sudb991 #aab ,symphonies1 #ad ,syn*roni/s1 #fj ,ta/e1 attitude ( public normal1 #aef2 *ange 9 public ta/e1 #ee-ef2 *anges f decade to decade1 #aee-aef ,taylor1 #a ,!at]1 ,cubi/s1 ,futuri/s1 etc41 91 #fd2 color effects 91 #adb-adc2 future developm5t ( play1 #agj-aga ,?+s1 pa9t+ (1 #aa ,times1 ,london1 editorial f1 #bad ,times ripe = a *ange 9 art1 #i ,tol]ance1 a plea =1 #fe ,tribune1 ,*icago1 article on ,london ,exhibition1 #ee ,tuck]1 #a ,turn] & light effects1 #bh2 =]unn] ( ,impressionism1 #ac2 8 /range pictures1 #bi2 ridicul$ 9 ,engl&1 #h ,ugl9ess1 #aed-afc2 a matt] ( ta/e1 #aed-aef2 & sup]b te*nic1 #aef2 a realism1 #aeh2 a t\*/one = ta/e1 #aeg2 great ma/]s ?\ght ugly1 #aee-aef2 9 sculpture1 #bje-bjf2 ,matisse1 #aeg ,van ,dong51 #dg1 #aab ,van ,gogh1 #cg2 lett]s (1 #dj ,v]hoev51 #dg ,virile ,impressionism1 #aia-bja2 glori\s future =1 #bji-baj2 mat]ial & practical1 #aib2 outcome ( sub/antial ,impressionism1 #bji-baj ,visual music1 #aag ,vitality1 a new art1 #aed ,vlam9ck1 #dg1 #aab1 #bjj ,wagn] & ,rusk91 #fa2 ,rusk9's ridicule1 #fj ,w]efk91 #dg1 #aaa1 #aad ,:i/l]1 #d1 #aa2 z a ,po/-,impressioni/1 #ah2 z an ,impressioni/1 #ah2 & ,s>g5t & reali/ic ,impressionism1 #bjh2 comp>$ ) ,s>g5t1 #aic2 =]unn] ( ,po/-,impressionism1 #ac2 8 lit]al moods1 #ag2 ma/] ( te*nic1 #ad2 on level ) ,*9ese ma/]s1 #ajc2 suit aga9/ ,rusk91 #ac ,:itman1 ridicule (1 #fj ,witt5/e91 #aaa ,"y1 #a ,y\?1 & new exp]im5ts1 #ff2 radicalisms (1 #fa ,zak1 #bjj ,zora*1 #di ,,footnotes3 #a ,! names ( ! m5 :o1 9 a _s ( dis9t]e/$ devotion to art1 organiz$ ?is exhibition %\ld n be =gott54 ,!y 73 ,ar?ur ,b4 ,davies1 ,j4 ,m[bray ,cl>ke1 ,elm] ,l4 ,mc,rae1 ,walt ,kuhn1 ,k>l ,&]son1 ,george ,bell[s1 ,d4 ,putnam ,br9ley1 ,leon ,dabo1 ,jo ,davidson1 ,guy ,p5e ,du,bois1 ,%]ry ,e4 ,fry1 ,william ,j4 ,glack5s1 ,rob]t ,h5ri1 ,e4 ,a4 ,kram]1 ,erne/ ,lawson1 ,jonas ,lie1 ,george ,b4 ,luks1 ,j]ome ,my]s1 ,frank ,a4 ,nankivell1 ,bruce ,port]1 ,walt] ,pa*1 ,maurice ,pr5d]ga/1 ,john ,sloan1 ,h5ry ,fit* ,taylor1 ,all5 ,tuck]1 ,mahonri ,"y4 ,= detail$ acc\nt ( e>li] exhibitions held by ,mr4 ,alfr$ ,/ieglitz--! real pione]--9 ! ,photo-,secession ,gall]y1 #bia ,fif? ,ave41 ,new ,york1 see ,app5dix4 #b 8,revolution 9 ,art10 by ,frank ,rutt]1 pp4 #ad1 #ae4 #c ,five %ort pieces ( ! music by ,arnold ,s*o5b]g 7 play$ = ! fir/ "t 9 ,*icago1 ,decemb] #ca1 #aiac1 by ! ,*icago ,symphony ,or*e/ra4 8,_h ,mr4 ,ri*>d ,swivell] be5 pres5t at ! p]=mance ( ! new ,/rav9sky-,nij9sky ballet1 #8,le ,sacre du ,pr9temps1' at ,drury ,lane on ,friday night he w\ld c]ta9ly h pron\nc$ x #8a /agg]]4' ,bo? ! music ( ,m4 ,/rav9sky & ! *oreography ( ,m4 ,nij9sky are m defiantly an>*ical ?an any?+ we h ev] _h be=e1 & ! purport ( x all 0 a d>k my/]y1 ev5 ?\gh ,mr4 ,edw9 ,evans 0 deput$ to ?r[ light on x 9 a long explanatory prologue4 ,z e "o kn[s by ?is "t1 ,m4 ,nij9sky is ! apo/le ( a sort ( #8po/-impressioni/' or #8,cubi/' revolution ( ! dance1 9 :i* m]e gracefulness is ru?lessly sacrific$ to significance & =ce ( expression1 & ev]y?+ is /at$ 9 t]ms ( symbolism1 & 9 ! new ballet he seems to h c>ri$ 8 !ories into ! mo/ extreme practice4444 ,m4 ,/rav9sky seems z det]m9$ to make ! he>] sit up z 8 colleague4 ,save t he condesc5ds to regul> rhy?ms1 8 music is ! la/ ^w 9 emancipation f =m & ! cacophony ( x is at times di/ress+40--7,london ,sunday ,times1 ,july #ac1 #aiac1 f its article on ! new ,russian ballet1 ! s5sation ( ! season47 #d 8,manet & ! ,fr5* ,impressioni/s10 by ,!odore ,duret1 ,introduction4 #e ,te/imony ( ,:i/l] 9 suit ( 8,:i/l] v4 ,rusk940 #f ,h[ little ! _w c>$ = ,millet :5 he liv$ is a matt] ( hi/ory4 ,he pa9t$ 8 greate/ pictures 9 a room )\t a fire1 9 /raw %oes1 & ) a horse blanket on 8 %\ld]s1 & (t5 he & 8 wife w5t )\t food4 8,all 8 ef=ts to exhibit 9 ,p>is 7 9 va94 ,ev5 9 #ahei1 #8,dea? & ! ,woodcutt]' 0 reject$ by ! ,salon4 ,! public laugh$1 be+ accu/om$ to peasants 9 comic op]a1 &1 at be/1 8 pictures 7 honor$ by a c>icature 9 a humor\s pap]40 ,8 pictures br\ght f fifty to sixty doll>s4 #g 8,hi/ory ( ,mod]n ,pa9t+10 ,ri*>d ,mu!r1 ,vol4 ,,ii1 pp4 #dhg-h4 #h 8,! ,new ,movem5t 9 ,art f a ,philosophical ,/&po9t10 by ,!o4 ,le,fitz ,simons4 #i ,see 8,manet & ! ,fr5* ,impressioni/s10 by ,duret1 p4 #aab et seq41 & a readable article1 8,! ,ma/] ,impressioni/s10 by ,c4 ,l4 ,borgmey]1 9 8,f9e ,arts ,j\rnal0 = ,m>*1 #aiac4 #aj ,april #be1 #ahgd4 #aa 8,libr>y ,gazette10 ,may #ad1 #ahdb1 p4 #cca4 #ab 8,a!naeum10 ,may #ad1 #ahdb1 p4 #dcc4 #ac 8,revolution 9 ,art10 by ,frank ,rutt]1 p4 #ag1 #ah4 #ad ,! int]e/ express$ 9 mu* impressioni/ pa9t+ is only an int]e/ ( curiosity4 ,! pa9t] repres5ts facts t he has only j notic$4 ,he is l a clev] j\rnali/ :o makes an article out ( 8 fir/ obs]vations ( a new c\ntry4 ,b ! aim ( ! ,po/-,impressioni/ is to sub/itute ! deep] & m la/+ emotional int]e/ = ! int]e/ ( curiosity4 ,l ! great ,*9ese arti/s1 !y h tri$ to "k ?or\ghly :at !y pa9t be=e !y beg9 to pa9t x1 & out ( ! fulness ( _! k to *oose only :at has an emotional int]e/ = !m4 ,_! repres5tations h ! brevity & conc5trat$ =ce ( ! poet's descriptions4 ,he does n g out into ! c\ntry ) a note-book & !n v]sify all t he has obs]v$4 ,8 descriptions are (t5 empty ( fact1 j because he only tells u :at is ( emotional int]e/ to himself & relevant to ! subject ( 8 poem2 & !y are ju/ifi$1 n by ! in=mation !y convey1 b by ! emotion !y communicate ?r\gh ! rhy?m ( s\nd & words4 ,! ,po/-,impressioni/s try to repres5t z ! poet describes4 ,!y try to give e picture an emotional subject-matt] & to make all repres5tation relevant to x4 8,! ,po/-,impressioni/s10 by ,a4 ,*ilton-,brock1 8,burl+ton ,magaz9e10 ,janu>y1 #aiaa4 #ae 8,! ,po/-,impressioni/s10 by ,a4 ,*ilton-,brock1 8,burl+ton ,magaz9e10 ,janu>y1 #aiaa4 #af ,9 ano!r book1 8,! ,new ,competition10 ! writ] has attempt$ ?is 9 relation to bus9ess & economics4 #ag 8,s\v5irs ,sur ,paul ,czanne10 by ,emile ,b]n>d1 #aiab4 #ah 8,das ,neue ,bild10 ,otto ,fis*]1 #aa-ab4 ,sev]al ( ! half-tone reproductions :i* we use are f ?is "w on ,muni* art4 #ai 8,! ,po/-,impressioni/s10 by ,a4 ,*ilton-,brock1 8,burl+ton ,magaz9e10 ,janu>y1 #aiaa4 #bj 8,revolution 9 ,art10 by ,frank ,rutt]1 p4 #bg4 #ba 8,paul ,gaugu910 by ,mi*ael ,puy1 8,l',art ,dcoratif10 ,april1 #aiaa4 #bb 8,revolution 9 ,art10 by ,frank ,rutt]1 #cb-cc4 ,n[ t ! great ,sw$i% dramati/1 & pessimi/1 is becom+ kn[n to ! ,engli%-speak+ _w1 ^! words ( ,gaugu9's are s+ul>ly int]e/+--& j4 #bc ,see 8,paul ,gaugu910 by ,arm& ,segu91 8,l',occid5t10 ,m>*1 ,april1 & ,may1 #aijc4 #bd 8,s\v5irs ( ,paul ,czanne10 by ,emile ,b]n>d1 p4 #cf4 #be ,see 8,laws ( ,japanese ,pa9t+10 ,h5ry ,p4 ,b[ie1 by long odds ! be/ book 9 ,engli% on ! subject4 #bf ,see 8,la ,jeune ,pe9ture ,franaise10 pas4 ,&r ,salmon1 pp4 #ah1 #ai4 #bg 8,la ,jeune ,pe9ture ,franaise10 ,&r ,salmon1 p4 #ai4 #bh ,f an article & int]view by ,c4 ,t4 ,mac,chesney1 pr9t$ 9 ! 8,new ,york ,times10 ,m>* #i1 #aiac4 #bi ,see 8,le ,jeune ,pe9ture ,franaise10 ,&r ,salmon1 #aiab4 #cj 8,d] ,blaue ,reit]10 p4 #e4 #ca ,see 8,d] ,blaue ,reit]10 pp4 #ag1 #ah4 #cb 8,l',art ,dcoratif10 ,nov4 #aiab4 #cc ,see 8,! ,new ,_s 9 ,drama & ,art10 by ,huntley ,c>t]4 #cd ,?is & ! foll[+ *ronological in=mation are f 8,les ,pe9tres #8,cubi/es1'0 by ,guillaume ,apoll9>e1 #bb et seq4 #ce 8,les ,pe9tres #8,cubi/es1'0 pp4 #bd-bf4 #cf 8,das ,neue ,bild10 ,otto ,fis*]1 pp4 #ab-ac4 #cg ,see 8,! ,mask10 ,vol4 ,,vi1 pp4 #fd-ge4 #ch 8,les ,pe9tres #8,cubi/es1'0 ,guillaume ,apoll9>e1 p4 #ae4 #ci 8,is ,x ,art8 ,po/-,impressionism1 ,cubism1 ,futurism10 by ,j4 ,n4 ,laurvik4 ,! sub-title is obvi\sly confus+1 s9ce ,po/-,impressionism includes all ! developm5ts foll[+ ,impressionism4 #dj 8,delight2 ! ,s\l ( ,art10 p4 #i et seq4 #da 8,delight2 ! ,s\l ( ,art10 lecture ,v1 8,delight 9 ,labor40 #db ,f 8,an ,int]view ) ,francois ,picabia10 9 ! 8,new ,york ,tribune40 #dc ,j4 ,n4 ,laurvik1 9 8,bo/on ,ev5+ ,transcript40 #dd 8,cubism10 ,gleizes & ,metz+] 7,eng4 ,edition74 #de 8,das ,neue ,bild10 by ,otto ,fis*]1 pp4 #bb1 #bc4 #df 8,das ,neue ,bild10 p4 #cd4 #dg ,x 0 pur*as$ by ,mr4 ,alfr$ ,/ieglitz4 #dh ,rog] ,fry 9 8,! ,nation10 ,augu/ #b1 #aiac4 #di ,second edition1 ,muni*1 ,r4 ,pip] ,co41 #aiab4 #ej 8,d] ,/urm10 ,b]l94 #ea ,see pages #hg-hh = quotation f 8,delight2 ! ,s\l ( ,art40 #eb ,x %\ld be /at$ t ! brilliant colors ( ! orig9al are v inadequately %[n 9 ! reproduction = ! reason ! pa9t+ is s l>ge x does n reproduce well s small4 #ec 8,! ,hi/ory ( ,music10 ,emil ,nauman1 ,vol4 #a1 p4 #g et seq4 #ed ,see 8,s5sations ( ,tone10 ,helmholtz1 ,eng41 ,edit41 p4 #beh4 #ee ,helmholtz1 p4 #beh4 #ef ,ibid41 p4 #bfe4 #eg ,= a sci5tific inve/igation ( ,siamese & ,japanese scales1 see additions to ,engli% edition ( ,helmholtz1 8,s5sation ( ,tone10 p4 #eef4 #eh 8,hi/ory ( ,music10 ,nauman1 ,vol4 ,i1 p4 #aj4 #ei ,ibid41 ,vol4 ,i1 p4 #ab4 #fj ,by ,mr4 ,a4 ,w4 ,rim+ton1 ,pr(essor ( ,f9e ,arts at ,que5's ,college1 ,london4 ,see 8 book1 8,color ,music40 #fa 8,on ! ,laws ( ,japanese ,pa9t+10 by ,b[ie1 p4 #ee4 #fb 8,on ! ,basis ( ,japanese ,pa9t+10 ,b[ie1 pp4 #gg-gi4 #fc ,signor ,m>9etti is ! f\nd] ( ! s*ool2 he is n a pa9t]1 b a writ]1 editor ( 8,poesia40 ,he is a "y man & is foll[$ by a small b& ( "y en?usia/ic writ]s1 poets1 musicians1 pa9t]s1 sculptors1 ^: innovations /rike ev5 ! cubi/s z wild extravagances4 ,9 fact1 ,futurism & ,cubism h v little 9 common except innovation2 bo? are revolution>y b o!rwise diametrically oppos$ 9 _m ( _! aims & !ories4 #fd ,be=e see+ any ( ! ,futuri/ lit]ature & influ5c$ only by developm5ts 9 ! pr9t+ ( newspap]s & p]iodicals 9 ,am]ica1 ! writ] caus$ a book on an economic subject to be pr9t$ 9 su* a mann] t1 s f> z possible1 ea* page display$ on its face its cont5ts4 ,! attempt 0 made to s break up ! pages & s use italics & capitals t ! task ( ! read] w\ld be light5$4 ,! attempt attract$ ! v favorable att5tion ( review]s1 sev]al rem>k+ t 8! arts ( ! adv]tis] _h be5 us$ to display ! ideas0--& t 0 true4 #fe ,f an article by ,ray ,ny/1 a ,belgian critic 9 8,la ,belgique ,arti/ique et ,libraire40 #ff ,writ] 9 8,! ,times-,democrat10 ,new ,orleans4