,illustration3 ,,chambers',s ,,journal ,,of ,,popular ,,literature1 ,,science1 ,,and ,,art ,fifth ,series ,,established ,,by ,,william ,,and ,,robert ,,chambers1 #ahcb ,,conducted ,,by ,r4 ,,chambers 7,,secundus7 ,,no4 #c4--,,vol4 ,i4 ,,saturday1 ,,january #ai1 #ahhd4 ,,price #a;d4 ,,girls1 ,,wives1 ,,and ,,mothers4 ,a ,,word ,,to ,,the ,,middle ,,classes4 ,there may be theoretically much to sympathise with in the cry for the yet higher culture of the women of our middle classes1 but at the same time not a little to find fault with in practice4 ,while it is difficult to believe that there can be such a thing as over-education of the human subject1 male or female1 there may yet be false lines of training1 which lead to a dainty misplaced refinement1 quite incompatible with the social position the woman may be called to fill in after-life1 and which too often presupposes1 what even education has a difficulty in supplying--a subsistence in life4 ,where we equip1 we too frequently impede4 ,in the hurry to be intelligent and accomplished1 the glitter of drawing-room graces is an object of greater desire than the more homely but not less estimable virtues identified with the kitchen4 ,our young housewives are imbued with far too much of the sthete at the expense of the cook2 too much of the stage1 and too little of the home4 ,in abandoning the equally mistaken views of our grandfathers on women's up-bringing1 we have gone to the opposite extreme1 to the exclusion of anything like a means to an end2 and in the blindest disregard of the recipients' circumstances in life1 present and prospective4 ,in considering what the aim of female education ought to be1 it is surely not too much to expect that of all things it should mentally and physically fit our women for the battle of life4 ,its application and utility should not have to end where they practically do at present--at the altar4 ,while it is necessary to provide a common armour for purposes of general defence1 there certainly ought to be a special strengthening of the harness where most blows are to be anticipated2 and if not to all1 certainly to middle-class women1 the years of battle come after1 not before marriage4 ,every one of them1 then1 ought to be trained in conformity with the supreme law of her being1 to prove a real helpmate to the man that takes her to wife4 ,make sure that she is first of all thoroughly qualified for a mother's part1 in what may be called a working sphere of life2 then add whatever graces may be desirable as a sweetening1 according to taste1 means1 and opportunity4 ,it is in this happy blending of abstract knowledge with the economy of a home1 that true success in the education of middle-class women must be sought4 ,in the training of our boys1 utility in after-life is seldom lost sight of4 ,why should it be too often the reverse in the education of our girls1 whose great vocation in life1 as wives and mothers1 is a birthright they cannot renounce1 which no lord of creation can deprive them of1 and which no sticklers for what they are pleased to call the rights of women can logically disown8 ,no doubt1 among the last-named there are extreme people1 who cannot1 from the very nature of their own individual circumstances1 see anything in wifely cares save the shackles of an old-world civilisation4 ,in their eyes1 motherhood is a tax upon pleasure1 and an abasement of the sex4 ,with them1 there need be no parley4 ,there is no pursuit under the sun that a woman will not freely forsake--often at a sacrifice--for the wifely cares that supervene on marriage2 and therein1 few will deny1 lies her great and natural sphere in life4 ,than it1 there is no nobler4 ,in it1 she can encounter no rival2 and any attempt to divest herself of nature's charge can have but one ending4 ,the blandishments of a cold stheticism can never soothe1 animate1 and brighten the human soul1 like the warm1 suffusive joys which cluster round the married state4 ,here we may briefly digress to remark1 that in our opinion1 no valid objections can be urged against women entering professional life1 provided they stick to it4 ,they already teach1 and that is neither the lightest nor least important of masculine pursuits4 ,why should they not prescribe for body and soul8 why not turn their proverbial gifts of speech to a golden account at the bar8 ,it would be in quitting any of these professions1 and taking up the rle of wife and mother1 which they would have to learn at the expense of their own and others' happiness1 that the real mischief of the liberty would lie4 ,in nine cases out of ten1 their failure in the second choice would be assured1 thereby poisoning all social well-being at its very source4 ,the woman not over- but mis-educated is becoming an alarmingly fruitful cause of the downward tendencies of much of our middle-class society4 ,she herself is less to blame for this1 than the short-sighted1 though possibly well-meant policy of her parents and guardians1 who1 in the worst spirit of the age1 veneer their own flesh and blood1 as they do their furniture1 for appearance' sake4 ,let us glance at the educational equipment they provide their girls with1 always premising that our remarks are to be held as strictly applicable only to the middle ranks of our complex society4 ,our typical young woman receives a large amount of miscellaneous education1 extending far through her teens1 and amounting to a very fair mastery of the ,rs4 ,if she limp in any of these1 it will be in the admittedly vexatious processes of arithmetic4 ,she will have a pretty ready command of the grammatical and idiomatic uses of her mother-tongue2 a fairly firm hold of the geography of this planet1 and an intelligent conception of the extra-terrestrial system4 ,she will have plodded through piles of ,french and ,german courses1 learning many things from them but the language4 ,she will have a fair if not profound knowledge of history4 ,she can1 in all likelihood1 draw a little1 and even paint2 but of all her accomplishments1 what she must imperatively excel in is music4 ,from tender years1 she will have diligently laboured at all the musical profundities2 and her chances in the matrimonial market of the future are probably regarded as being in proportion to her proficient manipulation of the keyboard4 ,if she can sing1 well and good2 play on the piano she must4 ,if1 as a girl1 she has no taste for instrumental music1 and no ear to guide her flights in harmony1 the more reason why she should1 with the perseverance of despair1 thump away on the irresponsive ivories1 in defiance of every instinct in her being4 ,the result at twenty may be something tangible in some cases1 but extremely unsatisfactory at the price4 ,during all these years1 she has been systematically kept ignorant of almost every domestic care4 ,of the commonplaces of cookery she has not the remotest idea4 ,a great educationist1 whose statement we have good reason to indorse1 asserts that there are thousands of our young housewives that do not know how to cook a potato4 ,this may seem satire4 ,it is1 we fear1 in too many cases1 true1 and we quote it with a view to correct rather than chastise4 ,the misapplications of young miss's upbringing do not end here4 ,she cannot sew to any purpose4 ,if she deign to use a needle at all1 it is to embroider a smoking-cap for a lover or a pair of slippers for papa4 ,to sew on a button1 or cut out and unite the plainest piece of male or female clothing1 is not always within her powers1 or at least her inclinations4 ,prosaic vulgar work1 fit only for dressmakers and milliners6 ,she will spend weeks and months over eighteen inches of what she is pleased to call lace1 while the neighbouring seamstress is making up all her underclothing1 to pay for which1 papa has not too much money2 but then it is genteel4 ,she cannot knit4 ,a pair of worsted cuffs or a lanky cravat is something great to attain to2 while a stocking1 even were the charwomen less easily paid1 is sure to come off the needles right-lined as any of ,euclid's parallelograms--all leg and no ankle--a suspicion of foot1 but never a vestige of heel4 ,to darn the hole that so soon appears in the loosely knitted fabric1 would be a servile1 reproachful task1 quite staggering to the sentimental aspirations of our engaged ,angelina4 ,yet darning and the divine art of mending will one day be to her a veritable philosopher's stone1 whose magic influences will shed beams of happiness over her household1 and fortunate will she be if she have not to seek it with tears4 ,by the sick-bed1 where she ought to be supreme1 she is often worse than useless4 ,the pillows that harden on the couch of convalescence1 too rarely know her softening touch4 ,she may be all kindness and attention--for the natural currents of her being are full to repletion of sweetness and sympathy--yet as incapable of really skilled service as an artist's lay-figure4 ,and1 as a last touch to the sorry picture1 instead of being in any way a source of comfort to the bread-winners of her family1 or a lessening of the strain on their purse-strings1 she is a continual cause of extra work to servants1 of anxiety to her parents1 of ennui to herself4 ,apparently1 the chief mission of the young lady to whom we address ourselves1 is to entice some eligible young man into the responsibilities of wedlock4 ,he1 poor fellow1 succumbs not so much to intrinsic merits1 as to fine lady-like airs4 ,he sees the polish on the surface1 and takes for granted that there is good solid wear underneath4 ,our young miss has conquered1 and quits the family roof-tree1 sweetly conscious of her orange wreath of victory2 but alas6--we are sorry to say it--do not her conquests too often end at the altar1 unless she resolutely set herself to learn the exacting mysteries of her new sphere1 and1 what is far more difficult1 to unlearn much that she has acquired8 ,that she often does at this stage make a bold and firm departure from the toyish fancies of her training1 and makes1 from the sheer plasticity and devotion of her character1 wonderful strides in the housewife's craft1 we cheerfully confess4 ,were it otherwise1 the domestic framework of society would be in a far more disorganised condition than it happily is4 ,but why handicap her for the most important1 most arduous portion of her race in life8 ,why train her to be the vapid fine lady1 with almost the certainty that1 by so doing1 you are taking the surest means of rendering her an insufficient wife and mother8 ,and1 unfortunately1 not always1 in fact but seldom1 is she able1 when she crosses her husband's threshold1 to tear herself away from her omnivorous novel-reading1 piano-playing1 and all the other alleviations of confirmed idleness4 ,the sweets of the honeymoon and an undefined vacation beyond make no great calls on her as a helpmate and wife4 ,if her husband's means permit of a servant or two1 the smoother the water and the plainer the sailing for the nonce2 although these keen-scented critics in the kitchen will1 in a very short time1 detect and take the grossest advantage of their mistress's inexperience4 ,besides1 if we reflect that among our middle classes more marry on an income of two hundred pounds than on a higher1 it becomes painfully apparent that two or three servants are the one thing our young housewife needs1 but cannot possibly afford4 ,she is now1 however1 only about to begin her life-work1 and if there is such a thing clearly marked out for a being on this globe1 it is for woman4 ,by birthright1 she is the mother of the human race4 ,could she have a greater1 grander field for enterprise8 ,how admirably has nature fitted her for performing the functions of the mother and adorning the province of the wife6 ,hence1 there devolves upon her a responsibility which no extraneous labour in more inviting fields can excuse4 ,no philosophy1 no tinkering of the constitution1 no success in the misnamed higher walks of life and knowledge1 will atone for the failure of the mother4 ,let her shine a social star of the first magnitude1 let her be supreme in every intellectual circle1 and then marry1 as she is ever prone to do1 in spite of all theories2 and if she fail as a mother1 she fails as a woman and as a human being4 ,she becomes a mere rag1 a tatter of nature's cast-off clothing1 spiritless1 aimless1 a failure in this great world of work4 ,as her family increases1 the household shadows deepen1 where all should be purity1 sweetness1 and light4 ,the domestic ship may even founder through the downright1 culpable incapacity of her that takes the helm4 ,her children never have the air of comfort and cleanliness4 ,in their clothes1 the stitch is never in time4 ,the wilful neglect1 and consequent waste1 in this one matter of half-worn clothing is almost incredible4 ,a slatternly atmosphere pervades her entire home4 ,with the lapse of time our young wife becomes gradually untidy1 dishevelled1 and even dirty1 in her own person2 and at last sits down for good1 disconsolate and overwhelmed by her unseen foe4 ,her husband can find no pleasure in the #8hugger-mugger1' as ,carlyle phrases it1 of his home2 there is no brightness in it to cheer his hours of rest4 ,he returns from his daily labours to a chaos1 which he shuns by going elsewhere2 and so the sequel of misery and neglect takes form4 ,as a first precaution against such a calamity1 let us strip our home-life of every taint of quackery4 ,let us regard women's education1 like that of men1 as a means to a lifelong end1 never forgetting that if we unfit it for everyday practice1 we render it a mere useless gem1 valuable in a sense1 but unset4 ,middle-class women will be the better educated1 in every sense1 the more skilled they are in the functions of the mother and the duties of the wife4 ,give them every chance of proving thrifty wives and good mothers1 in addition to1 or1 where that is impossible1 to the exclusion of accomplished brides4 ,let some part of their training as presently constituted1 such as the rigours of music1 and the fritterings of embroidery1 give way1 in part1 to the essential acquirements which every woman1 every mother should possess1 and which no gold can buy4 ,give us a woman1 then1 natural in her studies1 her training1 her vocations1 and her dress1 and in the words of the wisest of men1 who certainly had a varied experience of womankind1 we shall have something #8far more precious than rubies4 ,she will not be afraid of the snow for her household2 strength and honour will be her clothing2 her husband shall have no need of spoil2 he shall be known in the gates1 when he sitteth among the elders2 he shall praise her2 and her children shall call her blessed4' ,,by ,,mead ,,and ,,stream4 ,,chapter ,,iv4--,,in ,,the ,,oak ,,parlour4 ,and so1 it had been only a bit of ,uncle ,dick's kindly forethought and common-sense which had prompted the alarming words he had spoken to ,madge4 ,how she and ,philip laughed at the chimerical idea that there could be any possible combination of circumstances in time or space which could alter their thoughts regarding each other6 ,the birds in the orchard1 in the intervals of pecking the fruit1 seemed to sing a joyous laughing chorus at the absurdity of it--notwithstanding that the admission of it might be prudent4 ,but when they came down to the point of vague admission that in the abstract and in relation to other couples--of course it could not apply to their own case--,uncle ,dick's counsel was such as prudent young people about to separate should keep in mind1 an expression of perplexity flitted across ,madge's face4 ,she looked at him with those tenderly wistful serious eyes1 half doubting whether or not to utter the thought which had come to her4 #8,but what ,i cannot understand1' she said slowly1 #8is why ,uncle ,dick should have been in such a temper4 ,you know that although he may fly into a passion at anything that seems to him wrong1 he never keeps it up4 ,now he had all the time riding home from ,kingshope to cool1 and yet when he spoke to me he seemed to be as angry as if he had just come out of the room where the quarrel took place4' #8,what can it matter to us8' was the blithe response4 #8,he is not angry with me or with you1 and so long as that is the case we need not mind if he should quarrel with all creation4' #8,i'll tell you what we will do1' she said1 and the disappearance of all perplexity from her face showed that she was quite of his opinion1 although she wanted to have it supported by another authority4 #8,what is that8' #8,we will go in and ask ,aunt ,hessy what she thinks about it4444 ,are you aware1 sir' 7this with a pretty assumption of severity71 #8that you have not seen aunty to-day1 and that you have not even inquired about her8' #8,that is bad1' he muttered2 but it was evident that the badness which he felt was the interruption of the happy wandering through the orchard by this summary recall to duty4 ,in his remorse1 however1 he was ready to sacrifice his present pleasure2 for ,aunt ,hessy was a stanch friend of theirs1 and it might be that her cheery way of looking at things would dispel the last lingering cloud of doubt from ,madge's mind regarding the misunderstanding between his father and ,uncle ,dick4 #8,then we had better go in at once2 we shall find her in the dairy4' ,mrs ,crawshay was superintending the operations of three buxom maidens who were scalding the large cans in which the milk was conveyed every morning to the metropolis4 ,her ruddy face with the quiet1 kindly gray eyes was that of a woman in her prime1 and even her perfectly white hair did not detract from the sense of youth which was expressed in her appearance3 it was an additional charm4 ,she was nearly sixty4 ,her age was a standing joke of ,uncle ,dick's4 ,he had made the discovery that she was a month older than himself1 and he magnified it into a year4 #8,can't you see8' he would say1 #8if you are born in ,december and ,i am born in ,january1 that makes exactly a year's difference8' ,then there would be a loud guffaw1 and ,uncle ,dick would feel that he had completely overcome the ,missus4 ,the words and the guffaw were as a rule simultaneous1 and if nobody happened to be present1 it usually ended in ,uncle ,dick putting his arm round her neck and saying with a lump in his throat3 #8,my old lass--young always to me4' ,he had not the slightest notion of the poetry that was in his soul whilst he spoke4 ,mrs ,crawshay believed in young love4 ,she had been very happy in hers4 ,she had been brought up on a farm4 ,lads had come about her of course1 and she had put them aside with a--#8,nay1 lad1 ,i'm not for thee1' and had thought no more about them4 ,then ,dick ,crawshay had come1 and--she did not know why--she had said3 #8,yes1 thou art my lad4' ,they had been very happy notwithstanding their losses--indeed the losses seemed to have drawn them closer together4 #8,it's only you and me1 my old lass1' he would say in their privacy4 #8,only you and me1 ,dick1' she would say as her gray head rested on his breast with all the emotion of youth in her heart4 99 99 99 99 99 #8,go into the oak parlour1' said ,mrs ,crawshay cheerily to the young folks1 when she understood their mission2 #8and ,i'll be with you in a minute4' ,the oak parlour was the stateroom of the house4 ,it was long and high2 the oak of the panels and beams which supported the pointed roof were of that dark hue which only time can impart4 ,the three narrow windows had been lengthened by ,dick's father1 and when the moon shone through them they were like three white ghosts looking in upon the dark chamber4 ,but the moon did not often get a chance of doing this1 for there was only a brief period of the year during which there was not a huge fire blazing in the great old-fashioned ingle4 ,there were four portraits of former ,crawshays and three of famous horses2 with these exceptions the walls were bare1 for none of the family had ever been endowed with much love of art4 ,there were some legends still current about the mysteries hidden behind the sombre panels4 ,one of the panels was specially honoured because it was reputed to have a recess behind it in which the king had found shelter for a time during his flight from the ,roundheads4 ,but owing to the indifference or carelessness of successive generations1 nobody was now quite sure to which of the panels this honour properly belonged4 ,there had been occasional attempts made to discover the royal hiding-place1 but they had hitherto failed4 ,the furniture was plain and substantial1 displaying the styles of several periods of manufacture4 ,in spite of the stiff straight lines of most of the things in the room1 the red curtains1 the red table-cover1 the odd variety of the chairs gave the place a homely and1 when the fire was ablaze1 a cosy expression4 ,this stateroom was correctly called #8parlour1' and it had been the scene of many a revel4 ,as ,philip and ,madge were on their way to the oak parlour1 a servant presented a card to the latter4 #8,he asked for you1 miss1' said the girl1 and passed on to the kitchen4 ,madge looked at the card1 and instantly held it out to ,philip4 #8,hullo6--my father1' ejaculated he1 adding with a laugh3 #8,now you can see that this mountain of yours is not even a molehill4' #8,how can you tell that8' #8,because my father is the reverse of ,uncle ,dick4 ,he never forgets--,i doubt if he ever forgives--an unpleasant word4 ,and yet here he is4 ,come along at once--but we had better say nothing to him about the affair unless he speaks of it himself4' ,they entered the room together1 smiling hopefully4 ,mr ,lloyd ,hadleigh was standing at a window1 hat in one hand1 slim umbrella in the other1 and staring hard at the shrubs4 ,he had a way of staring hard at everything1 and yet the way was so calm and thoughtful that he did not appear to see anything or anybody1 and thus the stare was not offensive4 #8,the guv'nor always seems to be dreaming about you when he looks at you1 and you never know when he's going to speak--that's awk'ard1' was the description of his expression given by ,caleb ,kersey1 one of the occasional labourers on ,ringsford4 ,he was a man of average height1 firmly built2 square face2 thick black moustache2 close cropped black hair1 with only an indication of thinning on the top and showing few streaks of white4 ,his age was not more than fifty1 and he had attained the full vigour of life4 #8,people talk about the fire and 8go0 of thirty1' he would say in his dry way4 #8,it is nonsense4 ,at that age a man is either going downhill or going up it1 and in either case he is too much occupied and worried to have time to be happy4 ,that was the most miserable period of my life4' ,coldness was the first impression of his outward character4 ,no one had ever seen him in a passion4 ,successful in business1 he had provided well for the five children of a very early marriage4 ,he never referred to that event1 and had been long a widower without showing the slightest inclination to establish a new mistress at ,ringsford4 ,he turned on the entrance of ,madge and ,philip1 saluting the former with grave politeness2 then to the latter3 #8,there are some letters for you at home1 ,philip4' #8,thank you1 sir2 but ,i have no doubt they can wait4 ,i am to stay for dinner here4' #8,from the postmarks ,i judge they are of importance4' #8,ah--then ,i know who they are from1 and in that case there is no hurry at all1 for the mail does not leave until ,monday4' ,mr ,hadleigh addressed himself to ,madge--no sign of annoyance in voice or manner4 #8,may ,i be permitted to have a few minutes' conversation with you in private1 ,miss ,heathcote8' #8,i beg your pardon1 sir1' broke in ,philip hastily2 #8,i did not understand you to mean that you found me in the way4--,if your aunt should ask for me1 ,miss ,heathcote1 ,i shall be in the garden4' ,with a good-natured inclination of the head1 he went out4 ,and as he walked down the garden path filling his pipe1 he muttered to himself thoughtfully3 #8,seems to me he grows queerer and queerer every day4 ,what can be the matter with him8 ,if anybody else had asked for a private interview so solemnly1 ,i should have taken it for granted that he was going to propose4444 ,daresay he wants to give some explanation of that confounded row1 and make his apologies through ,madge4 ,i should like him to do that4' ,but ,mr ,hadleigh was neither going to propose nor to make apologies4 ,he smiled1 a curious sort of half-sad1 half-amused smile1 and there was really something interesting in the expression of his eyes at the moment4 #8,the truth is1 ,miss ,heathcote1 that ,i cannot acknowledge weakness before ,philip4 ,he is such a reckless fellow about money1 that he would tell me ,i ought to give in at once to the labourers4' #8,i am sure he would not1 ,mr ,hadleigh1 if he thought you were in the right4' #8,i am not one likely to hold out if convinced that ,i am in the wrong4' #8,few men do under these conditions1 ,mr ,hadleigh1' said ,madge1 smiling4 #8,well1 at anyrate1 ,i want your assistance very much2 will you give it8' #8,with great pleasure1 if it is worth anything to you4' #8,it is worth everything2 for what harvest ,i might have on the home-farm--and ,i understand it promises to be a good one--is likely to be lost unless you help me4' #8,how can that be1 ,mr ,hadleigh8' #8,through beer4 ,this is how the matter stands4 ,you know the dispute about the wages1 and ,i am willing to give in to that4 ,but on this question of beer in the field ,i am firm4 ,the men and women shall have the price of it2 but ,i will neither give beer on the field nor permit them to bring it there4 ,a great reform is to be worked in this matter1 and ,i mean to do what little ,i can to advance it4 ,i am sure1 ,miss ,heathcote1 you must acknowledge that ,i am right in adhering to this resolution4' #8,i have been brought up in some very old-fashioned notions1 ,mr ,hadleigh1' she answered with pretty evasiveness4 #8,there is a high principle at stake in it1 my dear ,miss ,heathcote1 and it is worth fighting for4' #8,but ,i do not yet see how my services are to be of use to you1' she said1 anxious to avoid this debatable subject4 ,it was one on which her uncle had quite different views from those of ,mr ,hadleigh4 ,and1 therefore1 she could not altogether sympathise with the latter's enthusiasm1 eager as she was to see the people steady and sober1 for she remembered at the moment that he had made a considerable portion of his fortune out of a brewery4 #8,that was exactly what ,i was about to explain1' he replied4 #8,i came to beg you to speak to ,caleb ,kersey4' #8,caleb6--why1 he never touches anything stronger than tea4' #8,that may be2 but he believes that other people have a right to do so if they like4 ,he has persuaded every man and woman who comes to me or my bailiff to put the question3 8,is there to be beer80 ,when they are answered3 8,no2 but the money10 they turn on their heels and march off1 so that at this moment we have only two men4 ,now1 my dear ,miss ,heathcote1 will you persuade ,kersey to stop his interference8' #8,i do not see that he is interfering2 but ,i will speak to him4' #8,thanks1 thanks4 ,if you were with me ,i should have no difficulty4' #8,you would find me a very bad second1' she answered1 laughing1 #8for ,i should say--submit to old customs until persuasion alters them1 since force never can4' ,two things struck ,madge during this interview and the commonplaces about nothing which followed it3 ,the first1 how much more frank and at ease he seemed to be with her than with any one else2 and the second was1 how loath he seemed to go4 ,the owner of ,ringsford said to himself as he was driven away3 #8,i shall be glad when she is ,philip's wife4' ,,chapter ,v4--,a ,,new ,,eden4 ,she was still standing at the door to which she had accompanied ,mr ,hadleigh1 and was looking after him1 when a kindly voice behind her said3 #8,he does look a woeful man4 ,i wonder if he has any real friends4' ,madge turned4 ,aunt ,hessy was standing there1 a pitying expression on her comely face1 and she was wiping her hands in her apron4 ,there was nothing in ,mrs ,crawshay's manner or appearance to indicate her ,quaker antecedents1 except the frequent use of thee and thou--she did not always use that form of speech--and the quiet tone of all the colours of her dress4 ,yet1 until her marriage she had been1 like her father1 a good ,wesleyan2 after her marriage she accompanied her husband to the church in which his family had kept their place for so many generations4 ,to her simple faith it was the same whether she worshipped in church or chapel4 #8,why do you say that1 aunt8' #8,because he seems to be so much alone4' #8,mr ,hadleigh alone6 ,what about all the people who visit the manor8' #8,ay1 they visit the manor1' answered ,aunt ,hessy1 with a slight shake of the head and a quiet smile4 ,that set ,madge thinking4 ,he did impress her as a solitary man1 notwithstanding his family1 his many visitors1 his school treats1 his flower-shows1 and other signs of a busy and what ought to be a happy life4 ,then there was the strange thing that he should come to ask her assistance to enable him to come to terms with the harvesters4 #8,i believe you are right1 aunt4 ,he is very much alone1 and ,i suppose that was why he came to me to-day4' #8,what did he want8' asked ,dame ,crawshay1 with unusual quickness and an expression of anxiety ,madge could not remember ever having seen on her face before4 ,she did not understand it until long afterwards4 ,having explained the object of ,mr ,hadleigh's visit1 as she understood it1 she was surprised to see how much relieved her aunt looked4 ,knowing that that good woman had never had a secret in her life1 and never made the least mystery about anything1 she put the question direct3 #8,did you expect him to say anything else8' #8,i don't know1 ,madge4 ,he is a queer man1 ,mr ,hadleigh1 in a-many ways4 ,he spoke to your uncle about this1 and he would have nothing to do with it4' #8,and that is why they fell out at the market1 ,i suppose4' #8,where is ,philip8 ,he must take after his mother1 for he is straightforward in everything4' #8,he is out in the garden4 ,shall ,i go for him8' #8,nay4 ,i want more peas1 so we can find him on our way for them4' ,philip had not gone far4 ,he had walked down to the duck-pond2 but after that distant excursion1 he kept near the little gate beside the dairy1 glancing frequently at the house-door4 ,he was dallying with the last hours of the bright morning of his love1 and he grudged every moment that ,madge was away from him4 ,a few days hence he would be looking back to this one with longing eyes4 ,how miserable he would be on board that ship6 ,how he would hate the sound of the machinery1 knowing that every stroke of the piston was taking him so much farther away from her4 ,and then1 as the waters widened and stretched into the sky1 would not his heart sink1 and would he not wish that he had never started on this weary journey8 ,in response to that lover-like question1 he heard the echo of ,madge's voice in his brain3 #8,it was your mother's wish4' ,this simple reminder was enough1 for he cherished the sad memory of that sweet pale face1 which smiled upon him hopefully a moment before it became calm in death4 ,he sprang away from these sorrowful reflections4 ,yes2 he would look back longingly to this day when sea and sky shut out ,willowmere and ,madge from sight4 ,but they would both be palpable to his mental vision2 and he would look forward to that still brighter day of his return1 his mission fulfilled1 and nothing to do but marry ,madge and live happy ever after4 ,ay1 that should comfort him and make the present parting bearable4 ,besides1 who could say with what fortune he might come back8 ,the uncle to whom he was going was rumoured to be the possessor of fabulous wealth1 and although married he was childless4 ,true1 also1 he was reported to be so eccentric that nobody could understand him1 or form the slightest conception of how he would act under any given circumstances4 ,but it was known that before he went abroad1 his sister--,philip's mother--had been the one creature in whom all his affection seemed to be concentrated4 ,an inexplicable coldness appeared in his conduct towards her after her marriage4 ,the reason had never been explained4 ,shortly before her death1 however1 there had come a letter from him1 which made her very happy4 ,but she had burned the letter1 by his instructions1 without showing it to any one or revealing its contents4 ,evidently it was this letter which induced her to lay upon her son the charge of going to her brother ,austin ,shield1 whenever he should be summoned4 ,but the uncle held no correspondence with any one at ,ringsford4 ,that he was still alive1 could be only surmised from vague reports and the fact that on every anniversary of ,mrs ,hadleigh's birthday1 with one exception1 a fresh wreath of flowers was found on her grave--placed there1 it was believed1 by his orders4 ,then a few months ago1 a letter had come to ,philip1 containing an invitation from his uncle1 suggesting possible advantages1 and inclosing a draft for expenses4 ,so1 being summoned1 he was going2 and whether the result should be good or ill fortune1 his mother's last command would be obeyed1 and he would return with a clear conscience to marry ,madge4 ,that thought kept him in good-humour throughout the weary ages which seemed to elapse before he saw ,madge and her aunt approaching4 ,he ran to meet them4 #8,i thought you were never coming1' was his exclamation4 #8,thou'lt be able to do without her for a longer time than this without troubling thyself1 by-and-by1' said ,dame ,crawshay with one of her pleasant smiles4 #8,when that day comes1 ,i will say you are a prophetess of evil1' he retorted1 laughing1 but with an air of affectionate respect4 ,that was the feeling with which she inspired everybody4 #8,nay1 lad2 but it need not be evil1 for you may be apart1 surely1 doing good for each other4' #8,yes2 but not without wishing we were together4' #8,wilt ever be wishing that8' #8,for ever and ever4' ,he answered with burlesque solemnity outwardly2 but ,madge knew that he spoke from his heart1 and in the full faith of his words4 ,she gave him a quiet glance with those soft wistful eyes1 and he was very happy4 ,they had reached a tall row of peas1 at which ,dame ,crawshay had been already busy that morning1 as a wooden chair placed beside it indicated4 ,here she seated herself1 and began to pluck the peas1 shelling them as she plucked2 then dropping the pods into her lap and the peas into a basin4 ,she performed the operation with mechanical regularity1 which did not in any way interfere with conversation4 ,madge1 kneeling beside her1 helped with nimble fingers2 and ,philip1 hands clasped behind him1 stood looking on admiringly4 ,the sun was shining upon them2 and1 darting shafts of light through the surrounding trees1 made bright spots amidst the moving shadows underneath4 ,everything seemed to be still and sleepy4 ,the breeze was so light that there was only a gentle rustle of leaves1 and through it was heard the occasional thud of an over-ripe apple or pear as it fell1 and the drowsy hum of the bees4 ,light1 warmth1 peace4 #8,ah1' thought ,philip1 #8if we could only go on this way always6 ,if we could fix ourselves thus as in a photograph1 what a blessed ,eden this would be6' #8,thou'dst find it dull soon1 ,philip1 standing there looking at us shelling peas1 if thou wert forced to do it1' said ,dame ,crawshay1 looking up at him with a curious smile4 #8,that shows you cannot guess my thoughts4 ,they were of quite a different nature1 for ,i was wishing that there had been some fixing process in nature1 so that there might never be any change in our present positions4' ,madge looked as if she had been thinking something very similar2 but she went on silently shelling peas2 and a sunbeam shooting through a gap in the green pea hedge1 made a golden radiance on her face4 #8,eh1 deary me1 what love will do6' exclaimed the dame1 laughing1 but shaking her head regretfully1 as if sorry that she could not look at things in the same hopeful humour4 #8,other people have talked like that in the heyday of life4 ,some have found a little of their hope fulfilled2 many have found none of it3 all have found that they had to give up the thought of a great deal of what they expected4 ,some take their disappointment with wise content and make the best of things as they find them4 ,they jog along as happily as mortals may1 like ,dick and me2 a-many kick against the pricks and suffer sorely for it2 but all have to give in sooner or later1 and own that the world could not get along if everybody could arrange it to suit his own pleasure4' ,how gently this good-natured philosopher brought them down from the clouds to what foolish enthusiasts call contemptuously #8the common earth4' ,sensible people use the same phrase1 but they use it respectfully1 knowing that this #8common earth' may be made beautiful or ugly as their own actions instruct their vision4 ,to ,philip it was quite true that most people sought something they could never attain2 that many people fancied they had found the something they wanted1 and discovered afterwards1 to their sorrow1 that they had not found the thing at all4 ,but then1 you see1 it was an entirely different condition of affairs in his case4 ,he had found what he wanted1 and knew that there could be no mistake about it4 ,to ,madge1 her aunt's wisdom appeared to be very cold and even wrong in some respects1 considering the placid and happy experiences of her own life4 ,she had her great faith in ,philip--her dream of a life which should be made up of devotion to him under any circumstances of joy or sorrow1 and she could not believe that it was possible that their experience should be as full of crosses as that of others4 ,and yet there was a strange faintness at her heart1 as if she were vaguely conscious that there were possibilities which neither she nor ,philip could foresee or understand4 #8,we shall be amongst the wise folk1' said ,philip confidently1 #8and take things as they come1 contentedly4 ,we shall be easily contented1 so long as we are true to each other--and ,i don't think you imagine there is any chance of a mistake in that respect4' ,aunt ,hessy went on shelling peas for a time in silence4 ,there was a thoughtful expression on her kindly face1 and there was even a suggestion of sadness in it4 ,here were two young people--so young1 so happy1 so full of faith in each other--just starting on that troublous journey called ,life1 and she had to speak those words of warning which always seem so harsh to the pupils1 until1 after bitter experience1 they look back and say3 #8,if ,i had only taken the warning in time1 what might have been8' ,by-and-by she spoke very softly3 #8,thou art thinking1 ,madge1 that ,i am croaking2 and thou1 ,philip1 are thinking the same4444 ,nay1 there is no need to deny it4 ,but ,i do not mean to dishearten thee4 ,all ,i want is to make thee understand that there are many things we reckon as certain in the heyday of life1 that never come to us4' #8,i daresay1' said ,philip1 plucking a pea-pod and chewing it savagely2 #8but don't you think1 ,mrs ,crawshay1 that this is very like throwing cold-water on us1 and that throwing cold-water is very apt to produce the misadventure which you think possible8--that is1 that something might happen to alter our plans8' #8,i am sorry for that1 lad2 ,i do not mean to throw cold-water on thee2 but rather to help thee and to help ,madge to look at things in a sensible way4 ,listen4 ,i had a friend once who was like ,madge2 and she had a friend who was1 as it might be1 like you1 ,philip4 ,he went away1 as you are going1 to seek his fortune in foreign parts4 ,there was a blunder between them1 and she got wedded to another man4 ,her first lad came back1 and finding how things were1 he went away again and never spoke more to her4' #8,they must have been miserable4' #8,for a while they were miserable enough2 but they got over it4' #8,i'll be bound the man never married4' #8,there thou'dst be bound wrong4 ,he did marry1 and is now wealthy and prosperous1 though she was taken away in a fever long ago4' #8,ay1 but is he happy8' #8,that is only known to himself and ,him that knows us all4' #8,well1 for our future ,i will trust ,madge1' said ,philip1 taking her hand1 #8in spite of all your forebodings2 and she will trust me4' ,dame ,crawshay had filled her basin with peas1 and she rose4 #8,god bless thee1 ,philip1 wherever thou goest1 and make thy hopes realities1' she said with what seemed to the lovers unnecessary solemnity4 ,the dame went into the house4 ,madge and ,philip went down the meadow1 and under the willows by the merry river1 forgot that there was any parting before them or any danger that their fortunes might be crossed4 ,those bright days6 ,can they ever come again1 or can any future joy be so full1 so perfect8 ,there are no love-speeches--little talk of any kind1 and what there is1 is commonplace enough4 ,there is no need for speech4 ,there is only--only6--the sense of the dear presence that makes all the world beautiful1 leaving the heart nothing more to desire4 ,but the dreams in the sunshine there under the willows1 with the river murmuring sympathetic harmonies at their feet6 ,the dreams of a future1 and yet no future2 for it is always to be as now4 ,can it be possible that this man and woman will ever look coldly on each other--ever speak angry1 passionate words8 ,can it be possible that there will ever flit across their minds one instant's regret that they had come together8 ,no1 no3 the dreams are of the future2 but the future will be always as now--full of faith and gladness4 ,,the ,,cliff-,,houses ,,of ,,ca,,on ,,de ,,chelly4 ,the fourth and most southerly iron link of railway which will soon stretch across the ,north ,american continent from ocean to ocean is rapidly approaching completion along the thirty-fifth parallel2 already it has reached the ,san ,francisco mountains in its course to the ,pacific4 ,while avoiding the chances of blockade by snow1 liable in higher latitudes1 it has struck through a little explored region among the vast plains of ,arizona and ,new ,mexico4 ,it is not easy at once to realise the extent of table-lands1 greater in area than ,great ,britain and ,ireland1 upon which no soul has a settled habitation4 ,the sun beats down with terrible force on these dry undulating plains1 where at most times nothing relieves the eye1 as it wanders away to the dim horizon1 save a few cactus and sage-bush plants4 ,but at seasons1 heavy rains change dry gulches into roaring torrents1 and parched lowlands into broad lakes1 covering the country with a fine grass1 on which millions of sheep1 horses1 and cattle are herded by wandering ,navajo and ,moqui ,indians4 ,to the periodical rains1 as well as to geological convulsions1 are traced the causes of those wondrous chasms1 which in places break abruptly the rolling surface of the prairie1 and extend in rocky gorges for many miles4 ,they are called caons4 ,the grandeur of the scenery found in one of them1 ,caon de ,chelly1 can scarcely be overstated4 ,caon de ,chelly--pronounced ,canyon de ,shay--is in the north of ,arizona4 ,it takes its name from a ,frenchman1 who is said to have been the first white man to set foot within its walls2 but except the record of a recent visit by the ,united ,states ,geological ,survey1 no account of it seems to have hitherto appeared4 ,the picturesque features of this magnificent ravine are unrivalled2 and what lends a more fascinating interest1 is the existence1 among its rocky walls1 of dwellings once occupied by a race of men1 who1 dropping into the ocean of the past with an unwritten history1 are only known to us as cave-dwellers4 ,in ,october #ahhb1 an exploring party1 headed by ,professor ,stevenson of the ,ethnological ,bureau1 ,washington1 and escorted by a number of soldiers and ,indian guides1 set out for this remarkable spot4 ,one of the party1 ,lieutenant ,t4 ,v4 ,keam1 has furnished the following details of their investigations4 ,after travelling one hundred and twenty miles out from the nearest military post1 ,fort ,defiance1 and crossing a desert some twenty miles broad1 the entrance to ,caon de ,chelly was reached4 ,the bed of the ravine is entirely composed of sand1 which is constantly being blown along it1 with pitiless force1 by sudden gusts of wind4 ,the walls of the caon are red sandstone2 at first1 but some fifty feet high1 they increase gradually1 until at eighteen miles they reach an elevation of twelve hundred feet1 which is about the highest point1 and continue without decreasing for at least thirty miles4 ,the first night1 ,professor ,stevenson's party camped three miles from the mouth of the caon1 under a grove of cotton-wood trees1 and near a clear flowing stream of water4 ,here the scene was an impressive one4 ,a side ravine of great magnitude intersected the main caon1 and at the junction there stood out1 like a sentinel1 far from the rest of the cliff1 one solemn brown stone shaft eight hundred feet high4 ,in the morning1 continuing the journey through the awful grandeur of the gorge1 the walls still increased in height1 some having a smooth and beautifully coloured surface reaching to one thousand feet2 others1 from the action of water1 sand storms1 and atmospheric effects1 cut and broken into grand arches1 battlements1 and spires of every conceivable shape4 ,at times would be seen an immense opening in the wall1 stretching back a quarter of a mile1 the sides covered with verdure of different shades1 reaching to the summit1 where tall firs with giant arms seemed dwarfed to the size of a puny gooseberry bush1 and the lordly oak was only distinguished by the beautiful sheen of its leaves4 ,on the second night the camp was formed at the base of a cliff1 in which were descried1 planted along a niche at a height of nearly one hundred feet1 some cliff-dwellings4 ,next morning1 these were reached after a dangerous climb1 by means of a rope thrown across a projecting stick1 up the almost perpendicular sides of this stupendous natural fortress4 ,the village was perched on its narrow ledge of rock1 facing the south1 and was overshadowed by an enormous arch1 formed in the solid side of the caon4 ,overlapping the ruins for at least fifty feet1 at a height above them of sixty feet1 it spread its protecting roof five hundred feet from end to end4 ,no moisture ever penetrated beyond the edge of this red shield of nature2 and to its shelter1 combined with the dryness of the atmosphere and preserving nature of the sand1 is to be attributed the remarkable state of preservation1 after such a lapse of time1 in which the houses of the cliff-dwellers were found4 ,some of them still stood three stories high1 built in compact form1 close together within the extremely limited space1 the timber used to support the roof being in some cases perfectly sound4 ,the white stone employed is gypsum1 cut with stone implements1 but having the outer edges smoothly dressed and evenly laid up2 the stones of equal size placed parallel with each other presenting a uniform and pleasing appearance4 ,no remains of importance were found here1 excepting a finely woven sandal1 and some pieces of netting made from the fibre of the yucca plant4 ,but on proceeding two miles farther up the caon1 another group of ruins was discovered1 which contained relics of a very interesting character4 ,the interior of some of the larger houses was painted with a series of red bands and squares1 fresh in colour1 and contained fragments of ornamented pottery1 besides what appeared to be pieces of blankets made from birds' feathers2 these1 perhaps1 in ages past bedecked the shoulders of some red beauty1 when the grim old walls echoed the fierce war-songs of a long-lost nation4 ,but the most fortunate find at this spot1 and the first of that description made in the country1 was a cyst1 constructed of timber smoothly plastered on the inside1 containing remains of three of the ancient cliff-dwellers4 ,one was in a sitting posture1 the skin of the thighs and legs being in a perfect state of preservation4 ,these ruins1 as in the former case1 were protected from the weather by an overhanging arch of rock4 ,at several points on the journey through ,caon de ,chelly1 hieroglyphics were traced1 graven on the cliff wall4 ,most of the designs were unintelligible2 but figures of animals1 such as the bear and mountain sheep or goat1 were prominent4 ,another cliff village was observed of a considerable size1 but planted three hundred feet above the caon bed1 in such a position that it is likely to remain sacred from the foot of man for still further generations4 ,the same elements which in geologic time fashioned the caves and recesses of the caon walls1 have in later times worn the approaches away1 so that to-day they do not even furnish a footing for the bear or coyote4 ,in what remote age and for how many generations the cliff-dwellers lived in these strange fastnesses1 will probably never be determined4 ,faint traces of still older buildings are found here and there in the bed of ,caon de ,chelly2 and it is conjectured that this region was once densely populated along the watercourses1 and that the tribes having been driven from their homes by a powerful foe1 the remnant sought refuge in the caves of the caon walls4 ,of the great antiquity of these structures1 there is no question4 ,the ,indian of to-day knows nothing of their history1 has not even traditions concerning them4 ,the ,navajo1 with a few poles plastered with a heavy deposit of earth1 constructs his hogan or wigwam1 and rarely remains in the same place winter and summer4 ,he has no more idea of constructing a dwelling like those so perfectly preserved in the cliffs1 than he has of baking specimens of pottery such as are found in fragments amongst the walls4 ,in the fine quality of paste1 in the animal handles--something like old ,japanese ware--and in the general ornamentation1 these exhibit a high order of excellence4 ,some specimens of what is called laminated ware are remarkable2 threadlike layers of clay are laid one on each other with admirable delicacy and patience4 ,in these fragments may yet be read something of the history of a vanished race4 ,they illuminate a dark corner in the world's history1 and seem to indicate a people who once felt civilising influences higher than anything known by those uncouth figures whose camp-fires now glimmer at night across the silent starlit prairie4 ,,two ,,days ,,in ,a ,,lifetime4 ,a ,,story ,,in ,,eight ,,chapters4 ,,chapter ,,iii4 ,captain ,bowood came forward4 #8,sir ,frederick1 your servant2 glad to see you1' he said in his hearty sailor-like fashion4 #8,i am glad to see you1 ,captain1' responded the ,baronet as he proffered his hand4 #8,how's the gout this morning8' #8,so1 so4 ,might be better--might be worse4--,you here1 ,miss ,saucebox6' he added1 turning to ,elsie4 #8,why are you not at your lessons--eh1 now8' #8,as if anybody could learn ,latin roots on a sunny morning like this6' ,then1 clasping one of his arms with both her hands1 and looking up coaxingly into his face1 she said3 #8,you might give me a holiday1 nunky dear4' #8,why1 why8 ,a holiday indeed6--,listen to her1 ,sir ,frederick4 ,the baggage is always begging for holidays4' #8,but the baggage doesn't always get them1' was the answer with a pretty pout4 ,then1 after another glance at the long-haired stranger1 who was already busy with the piano1 she said to herself3 #8,it is he2 ,i am sure of it4 ,and yet if ,i had not heard his voice1 ,i should not have known him4' ,captain ,bowood at this time had left his sixtieth birthday behind him1 but he carried his years lightly4 ,he was a bluff1 hearty-looking1 loud-voiced man1 with a very red face1 and very white hair and whiskers4 ,a fever1 several years previously1 had radically impaired his eyesight1 since which time he had taken to wearing gold-rimmed spectacles4 ,he had a choleric temper2 but his bursts of petulance were like those summer storms which are over almost as soon as they have broken1 and leave not a cloud behind4 ,throughout the ,american ,civil ,war1 ,captain ,bowood had been known as one of the most daring and successful blockade-runners1 and it was during those days of danger and excitement that he laid the foundation of the fortune on which he had since retired4 ,no man was more completely ruled by his wife than the choleric but generous-hearted ,captain1 and no man suspected the fact less than he did4 #8,i drove over this morning1' said ,sir ,frederick1 #8to see you about that bay mare which ,i hear you are desirous of getting rid of4' #8,yes1 yes--just so4 ,we'll go to the stable and have a look at her4 ,by-the-bye1 ,i was talking to ,boyd just now1 when your name cropped up4 ,it seems he met you when you were both in ,south ,america4 ,oscar ,boyd1 engineering fellow and all that4 ,you remember him1 eh1 now8' #8,i certainly do remember a ,mr ,boyd2 but it is many years since we met4' ,then to himself the ,baronet said3 #8,can this be the other man8 ,oh6 ,lady ,dimsdale4' #8,a very agreeable fellow1' said the ,captain4 #8,here on a visit for a couple of days4 ,a little matter of business between him and me to save lawyers' expenses4' #8,the other man1 without a doubt1' thought the ,baronet4 #8,his wife must be dead4' ,miss ,brandon had slipped unobserved out of the room4 ,she was now sitting in the veranda1 making-believe to be intent over her ,latin verbs1 but in reality waiting impatiently till the coast should be clear4 ,she had not long to wait4 ,presently she heard the ,captain say in his cheery loud-voiced way3 #8,come along1 ,sir ,frederick2 we shall just have time to look at the mare before luncheon2' and a minute later1 she heard the shutting of a door4 ,then she shut her book1 rose from her seat1 and crossing on tiptoe to the open ,french-window1 she peeped into the room4 #8,is that you1 ,charley8' she asked in a voice that was little above a whisper4 #8,whom else should it be8' answered the young man1 looking round from the piano with a smile4 #8,i was nearly sure of it from the first2 but then you look such a guy6' #8,she calls me a guy6 after all the trouble ,i have taken to get myself up like a foreign nobleman4' ,speaking thus1 he took off his spectacles and wig1 and stood revealed1 as pleasant-looking a young fellow as one would see in a day's march4 ,elsie ran forward with a little cry of surprise and delight4 #8,now ,i know you for my own6' she exclaimed2 and when he took her in his arms and kissed her--more than once--she offered not the slightest resistance4 #8,but what a dreadful risk to run6' she went on as soon as she was set at liberty4 #8,suppose your uncle--good gracious6' #8,my uncle8 ,he can't eat me1 that's certain2 and he has already cut me off with the proverbial shilling4' #8,my poor boy6 ,fate is very1 very hard upon you4 ,we are both down on our luck1 ,charley2 but we can die together1 can't we8' ,as she propounded this question1 she held out her box of bon-bons4 ,charley took one1 she took another1 and then the box was put away4 #8,a pan of charcoal'--she went on1 giving her sweetmeat a gustatory turn over with her tongue--#8door and windows close shut--you go to sleep and forget to wake up4 ,what could be simpler8' #8,hardly anything4 ,but we have not quite come to that yet4 ,of course1 that dreadful ,vice-chancellor won't let me marry you for some time to come2 but he can't help himself when you are one-and-twenty4' #8,that won't be for nearly four years1' answered ,elsie with a pout4 #8,what a long1 long time to look forward to6' #8,we have only to be true to each other1 which ,i am sure we shall be1 and it will pass away far more quickly than you imagine4 ,by that time1 ,i hope to be earning enough money to find you a comfortable home4' #8,there's my money1 you know1 ,charley dear4' #8,i don't mean to have anything to do with that4 ,if ,i can't earn enough to keep my wife1 ,i'll never marry4' #8,oh6' #8,but ,i shall do that1 dear4 ,why1 ,i'm getting five guineas a week already2 and if ,i'm not getting three times as much as that by the time you are twenty-one1 ,i'll swallow my wig4' #8,your uncle will never forgive you for going on the stage4' #8,o yes1 he will1 by-and-by1 when he sees that ,i am making a fair living by it and really mean to stick to it--having sown all my wild-oats2 and above all1 when he finds how well they speak of me in his favourite newspaper4 ,and that reminds me that it was what the ,telephone said about me that caused old ,brooker our manager to raise my screw from four guineas a week to five4 ,i cut the notice out of the paper1 you may be sure4 ,here it is4' ,speaking thus1 ,master ,charles produced his pocket-book2 and drew from it a printed slip of paper1 which he proceeded to read aloud3 #88,although we have had occasion more than once to commend the acting of ,mr ,warden0--that's me--8we were certainly surprised last evening by his very masterly rendering of the part of ,captain ,cleveland4 ,his byplay was remarkably clever2 and his impassioned love-making in the third act1 where timidity or hesitation would have been fatal to the piece1 brought down the house1 and earned him two well-merited recalls4 ,we certainly consider that there is no more promising jeune premier than ,mr ,warden now on the stage40 ,there1 my pet1 what do you think of that8' asked the young actor as he put back the slip of paper into his pocket-book4 ,but his pet vouchsafed no answer4 ,her face was turned from him2 a tear fell from her eye4 ,his arms were round her in a moment4 #8,my darling child1 what can be the matter8' he asked4 #8,i--,i wish you had never gone on the stage1' said ,elsie1 with a sob in her voice4 #8,i--,i wish you were still a tea-broker6' #8,good gracious6 what makes you wish anything so absurd8' #8,it's not absurd4 ,doesn't the newspaper speak of your 8impassioned love-making80 ,and then people--lovers1 ,i mean--are always kissing each other on the stage4' #8,just as they do sometimes in real life2' and with that he suited the action to the word4 #8,don't1 ,mr ,summers1 please4' ,and she pushed him away1 and her eyes flashed through her tears1 and she looked very pretty4 ,mr ,summers sat down on a chair and was unfeeling enough to laugh4 #8,why1 what a little goose you are6' he said4 #8,i don't see it at all4' ,this with a toss of her head4 ,certainly1 it is not pleasant to be called a goose4 #8,you must know1 if you come to think of it1 that both love-making and kissing on the stage are only so much make-believe1 however real they may seem to the audience4 ,during the last six months1 it has been my fate to have to make love to about a dozen different ladies2 and during the next six months ,i shall probably have to do the same thing to as many more2 but to imagine on that account that ,i really care for any of them1 or that they really care for me1 would be as absurd as to suppose that because in the piece we shall play to-morrow night ,i shall hunt ,tom ,bowles--who is the villain of the drama--through three long acts1 and kill him in the fourth1 he and ,i must necessarily hate each other4 ,the fact is that ,tom and ,i are the best of friends1 and generally contrive to lodge together when on our travels4' ,elsie was half convinced that she had made a goose of herself1 but of course was not prepared to admit it4 #8,i see that ,miss ,wylie is acting in your company1' she said4 #8,i saw her in ,london about a year ago2 she is very1 very pretty4' #8,miss ,wylie is a very charming woman4' #8,and you make love to her8' #8,every night of my life--for a little while4' ,elsie felt her unreasonable mood coming back4 #8,then why don't you marry her8' she asked with a ring of bitterness in her voice4 ,again that callous-hearted young man laughed4 #8,considering that she is married already1 and the happy mother of two children1 ,i can hardly see the feasibility of your suggestion4' #8,then why does she call herself 8,miss ,wylie80' #8,it's a way they have in the profession4 ,she goes by her maiden name4 ,in reality1 she is ,mrs ,berrington4 ,her husband travels with her4 ,he plays 8heavy fathers40' ,miss ,brandon looked mystified4 ,her lover saw it4 #8,you see this suit of clothes1' he said1 #8and this wig and these spectacles4 ,they are part of the 8make-up0 of a certain character ,i played last week4 ,i was the ,count von ,rosenthal1 in love with the beautiful daughter of a poor music-master4 ,in order to be able to make love to her1 and win her for myself1 and not for my title and riches1 ,i go in the guise of a student1 and take lodgings in the same house where she and her father are living4 ,after many mishaps1 all ends as it ought to do4 ,charlotte and ,i fall into each other's arms1 and her father blesses us both with tears in his eyes4 ,miss ,wylie played the ,professor's daughter1 and her husband played the father's part1 and very well he did it too4' #8,her husband allowed you to make love to his wife8' said ,miss ,brandon1 with wide-open eyes4 #8,of course he did2 and he was not so foolish as to be jealous1 like some people4 ,why should he be8' ,elsie was fully convinced by this time that she had made a goose of herself4 #8,you may kiss me1 ,charley1' she said with much sweetness4 #8,dear boy1 ,i forgive you4' ,suddenly the sound of a footstep caused them to start and fly asunder4 ,there1 close to the open ,french-window1 stood ,captain ,bowood1 glaring from one to the other of them4 ,miss ,brandon gave vent to a little shriek and fled from the room4 ,the ,captain came forward1 a fine frenzy in his eye4 #8,who the deuce may you be1 sir8' he spluttered1 although he had recognised ,charley at the first glance4 #8,i have the honour to be your very affectionate and obedient nephew1 sir4' ,the ,captain's reply to this was an inarticulate growl4 ,next moment1 his eye fell on the discarded wig4 #8,and what the dickens may this be1 sir8' he asked as he lifted up the article in question on the end of his cane4 #8,a trifle of property1 sir1 belonging to your affectionate and obedient nephew2' and with that he took the wig off the end of the cane and crammed it into his pocket4 #8,so1 so4 ,this is the way1 you young jackanapes1 that you set my commands at defiance1 and steal into my house after being forbidden ever to set foot in it again6 ,you young snake-in-the-grass6 ,you crocodile6 ,it would serve you right to give you in charge to the police4 ,how do ,i know that you are not after my spoons and forks8 ,come now4' #8,i am glad to find1 sir1 that your powers of vituperation are in no way impaired since ,i had the pleasure of seeing you last4 ,time cannot wither them4--,hem6 ,i believe1 sir1 that you have had the honour of twice paying my debts1 amounting in the aggregate to the trifling sum of five hundred pounds4 ,in this paper1 sir1 you will find twenty-five sovereigns1 being my first dividend of one shilling in the pound4 ,a further dividend will be paid at the earliest possible date4' ,as ,mr ,summers spoke thus1 he drew from his waistcoat pocket a small sealed packet and placed the same quietly on the table4 ,the irate ,captain glanced at the packet and then at his imperturbable nephew4 ,the cane trembled in his fingers2 for a moment or two he could not command his voice4 #8,what1 what6' he cried at last4 #8,the boy will drive me crazy4 ,what does he mean with his confounded rigmarole8 ,dividend6 ,shilling in the pound6 ,bother me1 if ,i can make head or tail of his foolery6' #8,and yet1 sir1 both my words and my meaning were clear enough1 as no doubt you will find when you come to think them over in your calmer moments4--,and now ,i have the honour to wish you a very good-morning2 and ,i hope to afford you the pleasure of seeing me again before long4' ,speaking thus1 ,charles ,summers made his uncle a very low bow1 took up his hat1 and walked out of the room4 #8,there's insolence6 ,there's audacity6' burst out the ,captain as soon as he found himself alone4 #8,the pleasure of seeing him again--eh8 ,only let me find him here without my leave--,i'll--,i'll---- ,i don't know what ,i won't do6--,and now ,i come to think of it1 it looks very much as if he and ,miss ,saucebox were making love to each other4 ,how dare they8 ,i'll haul 'em both up before the ,vice-chancellor4' ,here his eye fell on the packet on the table4 ,he took it up and examined it4 #8,twenty-five sovereigns1 did he say8 ,as if ,i was going to take the young idiot's money6 ,i'll keep it for the present1 and send it back to him by-and-by4 ,must teach him a lesson4 ,do him all the good in the world4 ,false hair and spectacles1 eh8 ,deceived his old uncle finely4 ,just the sort of trick ,i should have delighted in when ,i was a boy4 ,but ,master ,charley will be clever if he catches the old fox asleep a second time4' ,he had reached the ,french-window on his way out1 when he came to a sudden stand1 and gave vent to a low whistle4 #8,ha1 ha6 ,lady ,dimsdale and ,mr ,boyd1 and mighty taken up with each other they seem4 ,well1 well4 ,i'm no spoil-sport4 ,i'll not let them know ,i've seen them4 ,looks uncommonly as if ,dan ,cupid had got them by the ears4 ,a widow too6 ,all widows ought to be labelled 8,dangerous40' ,smiling and chuckling to himself1 the ,captain drew back1 crossed the room1 and went out by the opposite door4 ,,the ,,colour-,,sense4 ,the phenomenon of ,colour is one with which all who are not blind must of necessity be familiar4 ,so accustomed1 indeed1 have we been to it throughout all our lives1 that most of us are inclined to take it for granted1 and probably trouble ourselves very seldom as to its true cause4 ,a brief discussion1 therefore1 of the nature of the ,colour-sense may1 we trust1 prove not uninteresting to our readers4 ,what1 then1 is colour8 ,it is obvious that it may be considered in two ways2 we may either discuss the impression it makes on the mind1 or the real external causes to which it is due4 ,viewed in the first light1 colour is as much a sensation as is that of being struck or burnt4 ,viewed from the latter stand-point1 it is merely a property of light2 hence1 in order correctly to understand its nature1 we must first briefly examine the nature of this phenomenon4 ,according to modern scientific men1 light is not a material substance1 but consists of a kind of motion or vibration communicated by the luminous body to the surrounding medium1 and travelling throughout space with an enormous velocity4 ,the medium1 however1 through which light-waves travel is not air1 nor any of the ordinary forms of matter4 ,of its real nature nothing is known1 and its very existence is only assumed in order to account for the observed phenomena4 ,it must be very subtle and very elastic2 but it is a curious fact that the nature of the vibrations in question would seem to preclude the supposition that it is a fluid1 these being rather such as would be met with in the case of a solid4 ,to this medium1 whatever its true nature may be1 the name of ether is given4 ,the sensation1 then1 which we know by the name of ,light is to be regarded as the effect on the retina of the eye of certain very rapid vibrations in the ether of the universe4 ,all these waves travel with the same swiftness2 but they are not all of the same length1 nor of the same frequency2 and investigation has shown that it is to this difference of wave-length that difference of colour is due4 ,in other words1 the impression to which we give the name of a certain colour is due to the effect on the retina of vibrations of a certain frequency4 ,this conclusion is arrived at by a very simple experiment1 in which advantage is taken of the following principle4 ,so long as a ray of light is passing through the same medium1 it travels in one straight line2 but in passing obliquely from one medium into another of different density1 its path is bent through a certain angle1 just as a column of soldiers has a tendency to change its direction of march when obliquely entering a wood or other difficult ground4 ,now1 this angle is naturally greatest in the case of the shortest waves1 so that when a ray of light is thus bent out of its course--or1 as it is called1 #8refracted'--the various sets of vibrations of which it is composed all travel in different directions1 and may be separately examined4 ,in fact the ray of light is analysed1 or broken up into its component parts4 ,the most convenient apparatus to employ for this purpose is a prism of glass4 ,it is found1 as is well known1 that if a beam of ordinary sun-light be allowed to pass through the prism and be then received on a screen1 it is resolved into a band of colours succeeding one another in the order of those of the rainbow4 ,such a band of colours is called a #8spectrum4' ,now1 of the visible portion of the spectrum the red rays are those which undergo the least refraction1 while the violet rays are bent through the greatest angle1 the other colours in their natural order being intermediate4 ,from what has been said above1 it is evident that1 this being the case1 the portion of the light consisting of waves of greatest length and least frequency is that which produces on the eye the sensation of red1 and that each of the other colours is caused by vibrations of a certain definite length4 ,we are speaking now of the visible part of the spectrum4 ,as a matter of fact1 the waves of least and greatest frequency make no impression on the eye at all2 but the former have the greatest heating power1 while the latter are those which chiefly produce chemical effects such as are utilised in photography4 ,having now arrived at the nature of colour1 we are in a position to apply these facts to the discussion of coloured substances4 ,when light falls on a body1 a portion of it is turned back or1 as it is called1 #8reflected' from the surface2 another part is taken up or #8absorbed' by the substance2 while1 in the case of a transparent body1 a third portion passes on through it1 and is said to be #8transmitted4' ,most bodies absorb the different parts of the light in different proportions1 and hence their various colours are produced4 ,the colour of a transparent substance is that of the light which it transmits2 while an opaque body is said to be of the colour of the light which it reflects1 or rather of that part of it which is irregularly scattered4 ,there are three colours in the solar spectrum which are called #8primary1' owing to the fact that they cannot be produced by mixtures4 ,these are red1 violet1 and deep olive green4 ,the generally-received idea that red1 blue1 and yellow are primary colours1 is by recent scientific authorities not regarded as tenable2 it arose from observations on mixtures of pigments rather than of coloured light4 ,for instance1 objects seen through two plates of glass1 one of which is blue and the other yellow1 appear green2 but this by no means justifies us in saying that a mixture of blue and yellow light is green4 ,for remembering that the two glasses do not appear coloured by reason of their adding anything to the light1 but rather through their stopping the passage of certain rays1 we shall see that the green light which is finally transmitted is not a mixture of yellow and blue at all1 but is rather that portion of the light which both of the glasses allow to pass4 ,the blue glass will probably stop all rays except blue1 violet1 and green2 the yellow glass1 all but green1 yellow1 and orange4 ,the only light1 therefore1 which can pass through both glasses is green4 ,the same remark applies to mixtures of pigments1 each particle being really transparent1 though the whole bulk appears opaque4 ,it is easy1 however1 to obtain real mixtures of coloured lights by employing suitable arrangements1 of which one of the simplest consists of a disc painted with alternate bands of colours and rapidly rotated4 ,by such means it is found that a mixture of blue and yellow is not green1 but white or gray1 and that yellow can itself be produced by a mixture of red and green in proper proportions4 ,the late ,professor ,clerk ,maxwell made an interesting series of experiments on colour mixtures by means of an apparatus known as ,maxwell's ,colour-box1 by which any number of colours could be combined in any required proportions4 ,it would1 however1 be beyond the scope of the present paper to discuss the many important results which followed from his investigations4 ,helmholtz believed the three primary colour sensations to be due to the action of three sets of nerves at the back of the retina1 each of which is excited only by vibrations within a certain range of frequency2 and this theory is now generally held4 ,in the case of some persons1 the sensation corresponding to red is wholly absent1 and the spectrum appears to consist of two colours with white or gray between4 ,the nature of these colours is1 for obvious reasons1 difficult to determine2 but one doubtless nearly corresponds to our sensation of blue1 while the other is a deep colour1 probably dark green4 ,persons thus affected are usually called #8colour-blind2' but this epithet is a misnomer1 and the term #8dichroic vision' has been suggested for the phenomenon instead4 ,we have already remarked that our range of vision is comparatively narrow1 the extreme portions of the spectrum making no impression on the retina4 ,but we have no reason to think that these limits have been the same in all ages4 ,the evidence would rather tend to show that the human eye is undergoing a slow and gradual development1 which enables it to distinguish between colours which the ancients regarded as identical1 and may in future render it able to perceive some portions at least of the parts of the spectrum which are now invisible4 ,the ,vedas of ,india1 which are among the most ancient writings known1 attest that in the most remote ages only white and black could be distinguished4 ,it would seem as if the perception of different degrees of intensity of light preceded by a long time the appreciation of various kinds of colours4 ,after weighing the evidence1 ,magnus has come to the conclusion that red was the first colour to become visible1 then yellow and orange2 and afterwards1 though at a considerable interval1 green1 blue1 and violet in order4 ,various passages in the ,old ,testament have been cited as proof that the ancients failed to perceive all the colours seen by us1 one of the most remarkable being in ,ezekiel i4 #bg and #bh1 where the prophet compares the appearance of the brightness round about the fire to that of the #8bow that is in the cloud in the day of rain'--which passage has been cited by ,mr ,gladstone in his article in the ,nineteenth ,century for ,october #ahgg1 as indicating a want of appreciation of distinct colours among the ancients4 ,this is not quite clear1 however1 as the appearance round about the supernatural fire might have assumed auroral or rainbow tints4 ,but the most important evidence on the apparent want of capacity among the ancients to discriminate between colours is that afforded by the writings of ,homer1 who1 in the opinion of ,magnus1 could neither have perceived green nor blue4 ,the point has been carefully examined by ,mr ,gladstone1 who comes to the conclusion that this estimate is quite within the mark4 ,inquiring in detail into each of ,homer's colour-epithets1 he shows that almost all must be in reality regarded as expressing degrees of intensity rather than of quality1 and that the few exceptions are all confined to red and yellow4 ,the brilliant blue sky of the southern climes where ,homer lived must have appeared to him as of a neutral gray hue4 ,of course1 the suggestion that the writings usually assigned to ,homer were in reality the productions of many authors1 does not invalidate the reasoning at all1 as we do not attribute any defect in vision to the poet which was not equally manifested by his contemporaries4 ,it is curious that the distinction between green and blue is not yet perfectly developed in all nations4 ,travellers tell us that the ,burmese often confuse these colours in a remarkable manner4 ,this and other facts suggest that the development of the colour-sense is not yet completed2 and that in the future our range of perception may be still further enlarged1 so that the now invisible rays may be recognised by the eye as distinct colours4 #8,,so ,,unreasonable ,,of ,,step-,,mother6' ,a ,,sketch ,,from ,,life4 ,not long before the death of ,george ,eliot1 on a return trip to ,london by the ,midland route1 ,i broke my journey at ,leicester1 to pay a flying visit to ,coventry1 where the great writer had spent many of her happiest days4 ,there ,i was privileged by having for escort one of her most valued friends2 and many interesting reminiscences were for our benefit called to mind1 especially of a visit paid to ,edinburgh1 #8mine own romantic town1' and of the impression the beauty of its situation had made on her mind4 ,next morning1 every favourite haunt of hers was searched out and commented on1 as well as the interesting points of the quaint old city of ,coventry2 and bidding good-bye to our hospitable friends1 ,i departed alone by the evening mail for ,leicester1 there to wait for the midnight train to ,edinburgh1 feeling satisfied that the hours had been well spent4 ,arrived in ,leicester1 ,i was fortunate in finding a fellow-countryman in one of the porters1 who at once took me and my belongings under his especial protection1 and when he had seen me comfortably #8happit up' on one of the sofas of the luxurious waiting-room1 he retired1 bidding me take a quiet forty winks1 and keep my mind quite easy1 for he would give me timely notice of the arrival of the ,scotch train4 ,scarcely had ,i begun to feel the loneliness of my situation1 when the door opened1 and a female figure entered1 rather unwilling1 apparently2 nay1 seemed to be pushed in1 while a deep male voice advised that she should rest by the fire1 and not put herself about so4 ,by a succession of jerks1 she advanced to the chair by the fire opposite to my sofa2 and finding that ,i was not asleep1 as she had supposed1 at once1 and without any circumlocution1 began to unburden her mind1 her words flowing from her mouth at express speed1 regardless of comma or full stop4 #8,not put myself about6 ,humph6 ,that's so like men4--,ain't it now1 miss8 ,ah1 ,i dessay you've 'ad your own share of worriting before now1 and know 'ow downright masterful and provoking they can be at times4 ,i tell you w'at1 miss1 if you want to be at peace at all1 you've got to say black is w'ite1 if they 'ave a mind that it should be so4--,not put myself about6 ,i'd like to know 'ow one with a 'eart and a soul in their body could 'elp being put about1 as ,i am4' ,i ventured to hope nothing serious had occurred to disturb her composure or to put her about1 my voice at once disclosing that ,i hailed from the ,north1 and also that ,i was of a sympathetic nature4 #8,put about6' she once more exclaimed4 #8,why1 ,i am put about2 yes--no use trying to appear as if ,i was anything else4 ,yes2 only think1 miss6 ,not 'alf an hour gone1 a telegram was brought to our 'ouse by the telegraph-boy4 ,his mother1 a widow1 keeps a little bit of a shop not many doors from our own4 ,yes2 he 'ands it in saying it was for father4 ,i opened it2 and there1 staring me right in the eyes were them words3 8,step-mother is lying a-dying40--,not put about6 ,i'd just like to know 'ow anybody could 'ave been anything else than put about1 after that4 ,now1 miss1 you must understand that ,john--that's my 'usband--is a great go-to-meeting-man4 ,why1 at that very moment he might be at the church meeting1 or he might 'ave been at the ,building meeting1 or he might 'ave been at a ,masonic meeting1 or he might 'ave been at any other meeting under the sun4 ,and w'atever was ,i to do8 for there was the telegraph-boy2 there was the telegram1 with the words as plain as plain3 8,step-mother is lying a-dying40 ,i put on my bonnet and shawl2 ,i 'urried to father's office--he is a master-builder1 is father1 with sixteen men under him and three apprentices2 and ,john1 my son1 for partner4 ,i rushed in quite out of breath1 not expecting to find any one there at that time of night2 but there ,i found ,john--that's my son--and says ,i1 without taking time to sit down1 though ,i was like to drop3 8,john1 w'atever is to be done6 ,here's a telegraph-boy has brought a telegram for father to say1 #8step-mother is a-dying4'0 #8,now1 miss1 ,i just put it to you1 if them telegrams1 coming so sudden at hours w'en no one expects postmen's knocks1 and bringing such news as that1 ain't enough to put any one about6 ,augh6 ,men are so queer2 there's no nerves in their bodies1 and can't understand us women4 ,i've no patience with them4 ,there was ,john--that's my son--w'at did he do8 ,why1 look at me quite composed1 as if it weren't no news at all1 and says he3 8,don't put yourself about1 mother4 ,father has gone off not many minutes ago to the paddock1 to give little ,bobbie a ride40 ,and with that he takes down a time-table1 to look at it for the last train1 puts on his hat1 calls for a cab1 and says quite composed3 8,jump in1 mother4 ,we'll go in pursuit of father1 and then we'll catch the train quite easily40 ,it seemed to me the horse just crept up the 'ill like a snail2 only ,john would 'ave it they were going faster than their usual pace4 ,w'en we came to our door1 w'at do you think we saw1 now1 miss8--,no2 you'll never guess1 ,i dessay4 ,why1 father1 to be sure6 ,yes2 there he was2 and there was the pony2 and there was little ,bobbie--all three of 'em just about to start for a long ride into the country4 ,i 'ad carried the telegram in my pocket2 and do you know1 miss1 after all my flurry and worry1 w'at did ,john--that's my 'usband--say1 think you8--,augh6 ,men are so unreasonable1 and w'at's more1 such cool and 'eartless pieces4 ,yes2 that's w'at they are2 and ,i don't care who hears me a-saying it4 #8,john--that's father--after he had read the telegram1 he turns to me1 and says he3 8,why1 mother1 'ave your senses left your 'ead altogether8 ,w'atever made you carry off the telegram6 ,couldn't you 'ave stayed quietly at 'ome1 instead of putting yourself about in this here fashion8 ,if you 'ad1 we'd 'ave been at the station without any hurry at all1 by this time40 #8,i felt too angry to speak1 ,i do declare1 miss4 ,i think the older men grow1 the more aggravating they get to a sensitive nature4 ,so ,i gathered the things together father said we'd better take with us1 into my travelling-basket1 without as much as a single word--a stranger coming in would 'ave thought me dumb--while father sent a man back to the paddock with little ,bobbie and the pony4 ,we then got into the cab once more2 and here we are1 with ,john--that's my son--a-looking after the tickets and the luggage2 and father smoking his pipe outside as cool as cool4 ,o dear1 if they wouldn't put me out with their 8,keep cool1 mother2 no need to fluster and flurry so1 mother0--8,take it easy1 good ooman2 don't put yourself about0--,i'd bear it better1 ,i certainly should4 #8,is step-mother nice8 you ask4 ,oh--well--that's just as you take it4 ,some people say she's nice2 some say she's quite the opposite4 ,but'--and here she drew her chair closer to me1 and in a more confidential tone1 continued3 #8,i tell you w'at1 miss--,i've said it before1 and ,i say it again--step-mother1 in spite of her religious pro-fession and san'timonious ways1 is cantankerous4 ,no use a-trying to hide it--step-mother is just w'at ,i say1 can-tankerous4 ,i've said it before2 ,i say it again--she'd show her cantankerousness to the very last4 ,and han't my words come true1 for here she is lying a-dying1 and ,mary-,anne's wedding fixed for ,friday of this very week6--,o my--now that ,i come to 'ave a quiet moment to think1 w'atever am ,i to do8 ,it's so unreasonable of step-mother6 ,why1 the dressmaker was coming this very evening to fit my dress on for the second time--a new black silk it is--and w'atever will she think1 w'en she finds ,i've gone off without as much as a good-bye message8 ,you see1 miss1 ,mary-,anne is going to marry into quite a genteel family4 ,father1 and ,john--that's my son--he comes to me not many weeks gone1 and says he3 8,mother1 ,i 'ope you are going to 'ave a nice dress for this wedding4 ,i 'ope it will be a silk or a satin you decide to buy40 ,and says ,i3 8,john1 you know w'at father is1 and 'as been all his life--a just man to all2 but a man who looks upon gay clothes as not necessary4 ,and then1 ,john1 you know as well as ,i do that father is rather close-fisted w'en money has to be paid out--like his own father before him1 who was looked upon by all as the most parsimonious man in the town4 ,i don't say father is quite as bad2 but close-fisted ,i do say he is1 ,john2 and you know it4 ,were ,i to say3 #8,father1 ,i'd like to 'ave a silk dress for this wedding'--and ,i don't hide the fact from you1 ,john1 that ,i certainly should--he'd just laugh4 ,i know it beforehand4 ,he'd say3 #8,why1 mother1 'aven't you been content with a good stuff-dress all our married life1 and can't you go on to the end so8 ,i've over and over again said my wife looked as well as most women in the town of ,leicester4'0 #88,but10 says ,john--that's my son--8mother1 you owe your duty certainly to father4 ,i'm not going against it2 but w'at ,i says is3 ,you owe your duty to your son also2 and w'en ,i wish my mother to look better than she's ever done before1 why--to oblige me--you'll go and purchase the best silk-dress in town1 'ave it made fashionable1 with frills and all the fal-de-rals and etceteras2 send in the account in my name2 and if father makes any objections1 why1 let him settle the matter with me40 #8,you see1 miss1 ,john is getting to be so like father--both firm1 very2 and if they take a notion of any kind w'atever into their 'eads1 you'd move this station as soon as move them from their purpose2 so the dress 'as been bought2 and w'at father will say to it--for it's to be made in the height of the fashion--,i can't say4' ,a few judicious questions about the step-mother who was lying a-dying1 drew from my companion that the said old lady was rich as well as cantankerous2 and that1 as there were other relations who might step in to the injury of the worthy builder1 who was her only stepson1 it was1 to say the least1 but prudent to be on the spot4 #8,ah1 yes1 miss1' she exclaimed1 stretching her hands out to keep the heat of the fire from her face1 #8this is a very strange world4 ,only on ,sunday1 the vicar was preaching to us against worldly-mindedness1 telling us that as we came naked into the world1 so we left it1 carrying nothing away4 ,but1 miss1 step-mother ain't like the most of people2 and she's going to manage to take with her as much money as she possibly can4--,how is she going to do it8 ,why1 miss--she's going to 'ave a coffin6--,no need to look surprised1 miss4 ,o yes2 we all bury our dead in coffins2 but w'at kind of a coffin is step-mother going to 'ave1 do you think8 ,no2 don't try to guess1 for you'd be down to ,scotland and up again before it would ever come into your 'ead4--,no2 not a velvet one1 nor a satin2 but a hoak one4--,yes2 ,i thought you would get a scare4 ,a hoak coffin is w'at it is to be4 ,and she's going to 'ave bearers--six of 'em4 ,each bearer is to 'ave 'at-bands and scarfs1 and two pounds apiece4 ,and if all that pomp and tomfoolery ain't taking so much money out of the world with her1 ,i don't know w'at is4 ,w'en ,john--that's father--heard of it1 says he to me3 8,mother1 if you survives me1 bury me plain1 but comf'able20 and says ,i3 8,father1 if you survives me1 ,i 'ope you will do the same by me--plain1 but comf'able2 for ,i tell you w'at1 father1 ,i'd not lie easy underground thinking of the waste of good money over such 'umbug40' ,here the waiting-room door opened hurriedly1 and the worthy woman bounded to her feet at the one word #8,mother6' pronounced in such a decided tone that ,i too was standing beside her before ,i knew what ,i was doing1 with all my wraps tossed higgledy-piggledy on the floor4 ,advancing with her to the door1 she got out of me that my immediate destination was ,scotland--a place1 to her mind1 evidently as remote as the arctic regions2 and in her astonishment1 she forgot the necessity there was to hurry to get in to her train1 now ready to start again4 ,she even seemed to forget that step-mother was lying a-dying1 as she insisted upon introducing me to her husband1 whose huge body was wrapped in a greatcoat1 with tippet after tippet on it up to his neck4 #8,only to think1 ,john--this lady is going to ,scotland all alone1 ,john6 ,she'll be travelling all night4--,o dear1 however are you to do it1 miss2 ain't you afraid8--,yes1 ,john2 ,i'm coming4--,good-bye1 miss2 we've 'ad quite a pleasant chat1 ,i do assure you2 the time seems to 'ave flown4' ,i hurried her along the platform1 whispering to her as ,i did so3 #8,i hope step-mother will rally a bit2 that if she must pass away1 it may be next week1 so that ,mary-,anne may get her wedding comfortably over4' ,at the very door of the carriage she paused1 seized my hand1 shook it warmly1 as she exclaimed3 #8,well1 now1 you 'ave a feeling 'eart2 but ,i don't expect her to be so accommodating4 ,no2 ,i've said it before1 and ,i say it again--step-mother is--can-ta---- ,why1 w'atever is the matter8' ,next thing that happened1 the little woman was lifted up bodily in her son's arms--a counterpart of his father--and deposited in the carriage2 while her husband1 in spite of his lumbering large body1 succeeded in jumping in just as the patience of all the railway officials was exhausted1 and the signal given to start the train4 ,before it was lost to view1 a white handkerchief fluttered out1 by way of good-bye1 causing a smile to rise over the calm features of ,john the younger1 who1 lifting his hat politely to me1 bade me good-evening1 adding3 #8,mother is no great traveller1 so she is easily put about4 ,dessay if she went often from 'ome1 she'd learn to be more composed4' ,from that hour ,i have never ceased to regret that ,i did not ask the good-natured young builder to forward me a local paper with the account of the death and burial of #8step-mother4' ,no doubt there would be due notice taken of such an interesting personage1 as she lay in state in her #8hoak' coffin1 surrounded by her bearers in the flowing scarfs and hat-bands4 ,sharp as my friends generally give me credit for being1 ,i own ,i committed a grievous blunder2 ,i am therefore obliged to leave my story without an end1 not being able even to add that the fair ,mary-,anne's wedding came off on the appointed day1 or was postponed till after the complimentary days of mourning were past4 ,i cheer myself with the thought that #8,john--that's father'--being a firm man and a sensible1 would insist upon the previous arrangements standing good1 seeing that the bridegroom--a most important fact ,i have omitted to record--had a fortnight's holiday reluctantly granted to him by his employers4 ,why1 now that ,i think of it1 my countryman the railway porter would have sent me any number of papers1 judging by the kindly interest he took in my behalf1 and the determined manner he fought for a particular seat for me in a particular carriage when the time came for my train to start4 #8,na1 na1 mem2 nae need for thanks2 blood's thicker than water1' he said4 #8,never you fear1 now that the ,scotch guard has ta'en up your cause2 you're a' right2 he'll see that ye're safely housed4' ,and safely housed ,i was1 and went steaming out of the station with my worthy friend hanging on by the door1 calling to me3 #8,if you're ever in the town o' ,perth1 mem1 my auld mother would be downright pleased to see you1 for my sake4 ,tell her ,i'm getting on as weel as can be expeckit1 sae far frae hame4' ,all night1 my disturbed sleep was made doubly so by dreams of old women of every age and style4 ,now ,i was hunting for the porter's nameless mother2 now ,i was standing by the bedside of the step-mother who was lying a-dying4 ,again ,i was an active assistant at a marriage ceremony1 with the fair ,mary-,anne1 surrounded by her genteel relations1 leaning on my shoulder1 weeping copiously at the idea of travelling to ,scotland4 ,once more ,i stood gazing down on the old step-mother2 and just as the day dawned1 ,i was fairly roused1 in my determination not to be smothered under an oak coffin and a pyramid of scarfs1 hat-bands1 and bearers1 by the tumbling of my own bonnet-box from the luggage-rack above me4 ,,french ,,detectives4 #8,the ,secret ,police' in ,france are not only personally unknown to the general public1 but1 save in exceptional cases1 even to each other4 ,it is known where they may be found at a moment's notice when wanted2 but1 as a rule1 they do not frequent the prefecture more than can be helped4 ,they have nothing whatever to do with serving summonses or executing warrants4 ,there are among them men who have lived in almost every class of life1 and each of them has what may be called a special line of business of his own4 ,in the course of their duty1 some of them mix with the receivers of stolen goods1 others with thieves1 many with what are called in ,paris commercial rascals1 and not a few with those whose #8industry' it is to melt silver and other property of a like valuable nature4 ,forgers1 sharpers of all kinds1 housebreakers and horse-stealers--a very numerous class in ,paris--have each all their special agents of the police1 who watch them1 and know where to lay hands upon them when they are wanted4 ,a ,french detective who cannot assume and act up to any character1 and who cannot disguise himself in any manner so effectually as not to be recognised even by those who know him best1 is not considered fit to hold his appointment4 ,their ability in this way is marvellous4 ,some years ago1 one of them made a bet that he would in the course of the next few days address a gentleman with whom he was acquainted four times1 for at least ten minutes each time1 and that he should not know him on any occasion until the detective had discovered himself4 ,as a matter of course1 the gentleman was on his guard1 and mistrusted every one who came near him4 ,but the man won his bet4 ,it is needless to enter into the particulars4 ,suffice it to say that in the course of the next four days he presented himself in the character of a bootmaker's assistant1 a fiacre-driver1 a venerable old gentleman with a great interest in the ,bourse1 and finally as a waiter in the hotel in which the gentleman was staying4 #8,,not ,,lost1 ,,but ,,gone ,,before4' ,my little child1 with clustering hair1 ,strewn o'er thy dear1 dead brow1 ,though in the past divinely fair1 ,more lovely art thou now4 ,god bade thy gentle soul depart1 ,on brightly shimmering wings2 ,yet near thy clay1 thy mother's heart ,all weakly1 fondly clings4 ,my beauteous child1 with lids of snow ,closed o'er thy dim blue eyes1 ,should it not soothe my grief to know ,they shine beyond the skies8 ,above thy silent cot ,i kneel1 ,with heart all crushed and sore1 ,while through the gloom these sweet words steal3 #8,not lost1 but gone before4' ,my darling child1 these flowers ,i lay ,on locks too fair1 too bright1 ,for the damp grave-mist1 cold and gray1 ,to dim their sunny light4 ,soft baby tresses bathed in tears1 ,your gold was all mine own6 ,ah1 weary months6 ah1 weary years6 ,that ,i must dwell alone4 ,my only child1 ,i hold thee still1 ,clasped in my fond embrace6 ,my love1 my sweet6 how fixed1 how chill1 ,this smile upon thy face6 ,the grave is cold1 my clasp is warm1 ,yet give thee up ,i must2 ,and birds will sing when thy loved form ,lies mouldering in the dust4 ,my angel child1 thy tiny feet ,dance through my broken dreams2 ,ah me1 how joyous1 quaint1 and sweet1 ,their baby pattering seems6 ,i hush my breath1 to hear thee speak2 ,i see thy red lips part2 ,but wake to feel thy cold1 cold cheek1 ,close to my breaking heart6 ,soon1 soon my burning tears shall fall ,upon thy coffin lid2 ,nor may those tears thy soul recall ,to earth--nay1 ,god forbid6 ,be happy in ,his love1 for ,i ,resigned1 though wounded sore1 ,can hear ,his angels whispering nigh3 #8,not lost1 but gone before4' ,,fanny ,,forrester4 99 99 99 99 99 ,printed and ,published by ,w4 ,r4 ,,chambers1 #dg ,paternoster ,row1 ,,london1 and #cci ,high ,street1 ,,edinburgh4 99 99 99 99 99 ,all ,rights ,reserved4 99 99 99 99 99 ,transcriber's note3 ,the following changes have been made to this text4 ,page #dg3 wa't to w'at--8know w'at is40