,illustration3 uncaptioned ,famous ,hymns of the ,world ,series ,lead ,kindly ,light ,,its ,,origin ,,and ,,its ,,romance ,,by ,,allan ,,sutherland ,,with ,,an ,,introduction ,,by ,,the ,,rev4 ,,henry ,c4 ,mc,c,o,o,k ,d4,d41 ,,ll4,d41 ,sc4,d4 ,illustrated ,illustration3 ,decorative glyph ,,new ,,york ,,frederick ,a4 ,,stokes ,,company ,,publishers ,copyright1 #aije ,by ,the ,butterick ,publishing ,co41 ,ltd4 ,copyright1 #aijf ,by ,frederick ,a4 ,stokes ,company ,illustration3 uncaptioned ,,introductory ,,by ,,the ,,rev4 ,,henry ,c4 ,mc,c,o,o,k1 ,d4,d41 ,,ll4,d41 ,sc4,d4#a ,from the earliest eras of history1 religion has been wedded to song4 ,in every stage of civilisation and in well-nigh every form of worship this has been true4 ,from the rude ululations of savage medicine-men1 with the monotonous beat of tum-tums1 to the splendid ,levitical choir of the ,hebrew temple that rendered the psalms to the accompaniment of stringed and brazen instruments1 the record does not vary4 ,how rhythm and melody react upon the religious sentiment1 and why religious experience naturally flows in rhythmic utterance1 one need not here inquire4 ,such inquiries belong to the natural history of sacred psalmody4 ,but there are our sacred books to attest the facts4 ,a large part of them are poems4 ,the poets of ancient ,israel were true prophets4 ,the core of the ,hebrew religion and worship lay within its religious songs2 and these are the portions of its ritual that have lived2 and one may safely predict that they shall run the whole cycle of being with our race4 ,as far back as the days of ,moses1 we read of ,miriam under a prophetic impulse breaking forth into song to commemorate the deliverance of ,israel from the ,egyptians on the peninsular shore of the ,red ,sea4 ,a refrain of that hymn has come down to us3 8,sing unto the ,lord for ,he hath triumphed gloriously2 ,the horse and his rider ,he hath whelmed within the sea40 ,that such religious songs were not rare and that their musical utterance was even then organized as a part of worship1 appears from the fact that ,miriam's countrywomen accompanied her with their guitars1 and joined in the chorus4 ,the ,songs of ,deborah illumined the period of the ,judges4 ,they have been given a place by competent critics among the noblest lyrics of antiquity4 ,one of these1 ,heinrich ,ewald1 speaks of them as so artistic1 with all their antique simplicity1 that they show to what 8refined art poetry early aspired1 and what a delicate perception of beauty breathed already beneath its stiff and cumbrous soul40 ,the ,gospel era dawned in the midst of holy songs1 hymned by angels1 by holy men and women1 and by the ,mother of our ,lord4 ,from that day on the ,church of ,jesus has been vocal with psalmody4 ,the primitive ,church had her spiritual songs4 ,the saintliness of the early ,christian ages survives in the ,greek and ,latin hymns1 and the pleasant task of translating and assembling the choicest of these has occupied many gifted minds4 ,the ,protestant ,reformation of the sixteenth century was borne forward on waves of sacred song4 ,the sweet voice of the student lad that appealed from the snowy street to the heart of ,dame ,ursula ,cotta1 and opened her doors to ,martin ,luther1 was a type of the new time4 ,the new songs of the ,reformation and the old psalms renewed in the vernacular and in popular musical forms1 prepared the way of multitudes for the revived truths of the ,gospel4 ,luther's musical taste and talent impressed itself upon ,germany1 and thence upon ,europe4 ,his free spirit found utterance outside of the ,biblical forms of praise in metrical renderings of his own and other religious experiences4 ,calvin saw the value and authority of popular praises1 and encouraged and procured their use in the new organisation of reformed worship of which he was the chief agent4 ,but his more conservative spirit in such matters held to the ancient psalms2 and this influenced all ,europe outside of ,germany4 ,the ,church of ,england used the version of ,sternhold and ,hopkins1 and these will be found appended to the early prayer-books4 ,rous's version was substantially that best liked and approved by the ,church of ,scotland4 ,the historic 8,huguenot ,psalter0 was the joint work of ,clement ,marot and ,theodore ,beza1 the former having rendered into ,french metre the first fifty psalms1 and the latter the remaining one hundred4 ,these1 set to popular music1 caught the ear and heart of the people of all ranks4 ,they ran rapidly throughout ,french-speaking nations1 and became as well known as the 8,gospel ,hymns0 in the palmy days of ,moody and ,sankey4 ,the ,hebrew ,psalter embodies the religious experiences of the chosen people1 whose faith1 more spiritual than that of any other nation of antiquity1 was inbreathed and nurtured by the ,holy ,spirit4 ,it is not to be supposed that the one hundred and fifty psalms included within the canonical psalter were the only ones that the poets of ,israel hymned4 ,but these1 in the process of an inspired selection and a devotional development1 were the ones that filled and satisfied the religious consciousness of that most spiritual people1 and became the vehicle of not only a national but of an international praise4 ,for the ,book of ,psalms is a book for all nations4 ,the very divinity of its origin insures its catholic humanity4 ,it has proved its high ethnic qualities by ages of world-wide usage4 ,a cloud of witnessing praises1 rising from the ,church of every age and name throughout centuries of testing1 testifies to its fitness4 ,if the taste of this era--much to the regret of some of us--has largely rejected metrical versions in the vernacular1 yet their use1 after the manner of the ancients1 in chants1 still holds and even widens in the ,church's service of praise4 ,it is significant that the hymns which have fastened themselves upon the hearts of the devout in any one branch of the ,church are those which are loved and used by all who honor and love the name of ,christ4 ,in all ages the truly devout are one in spiritual sympathy1 and therefore the forms of praise which utter the devotions of one heart bear alike to ,god the aspirations of another4 ,the ,calvinistic ,toplady1 ,watts1 and ,bonar2 the ,methodist ,wesleys2 the ,anglican ,heber1 ,ken1 and ,keble2 the ,romanist ,faber and ,newman1 and all the goodly company of the sons and daughters of ,asaph1 when uttering the devotions of their souls1 speak in one tongue4 ,there is something divine in the flame of sacred poesy that burns out therefrom the dross of sect4 ,the hymns of the most rigid denominations are rarely sectarian4 ,there is not a presbyter or priest in this whole land1 who1 with due tact and good faith1 could not conduct a mission or service of song as chaplain of a congregation of soldiers or sailors made up of ,protestants and ,roman ,catholics1 of all phases of ecclesiastical opinions1 without one discordant note and with perfect approval and enjoyment of all4 ,this the writer1 as a ,government chaplain in two wars and for a quarter of a century in the ,national ,guard1 has repeatedly done and seen done4 ,such great catholic missions as those of ,moody and ,sankey1 ,whittle and ,bliss1 ,torrey and ,alexander1 which have appealed to all classes1 conditions1 and creeds1 and have made their services so largely a service of song1 have been and remain impressive witnesses of the substantial unity of the devout when they engage in the worship of praise4 ,lead1 kindly ,light1 amid the encircling gloom1 ,lead ,thou me on2 ,the night is dark1 and ,i am far from home2 ,lead ,thou me on3 ,keep ,thou my feet2 ,i do not ask to see ,the distant scene1--one step enough for me4 ,i was not ever thus1 nor prayed that ,thou ,shouldst lead me on2 ,i loved to choose and see my path2 but now ,lead ,thou me on4 ,i loved the garish day1 and1 spite of fears1 ,pride ruled my will3 remember not past years4 ,so long ,thy power hath blest me1 sure it still ,will lead me on ,o'er moor and fen1 o'er crag and torrent1 till ,the night is gone2 ,and with the morn those angel faces smile1 ,which ,i have loved long since1 and lost awhile4 ,illustration3 uncaptioned ,,lead1 ,,kindly ,,light ,hezekiah ,butterworth1 an authority on hymnology1 pronounces this to be 8the sweetest and most trustful of modern hymns02 while ,colonel ,nicholas ,smith says1 8,christians of all denominations and of every grade of culture feel its charm and find in it #8a language for some of the deepest yearnings of the soul4' ,the hymn-books do not contain a more exquisite lyric4 ,as a prayer for a troubled soul for guidance1 it ranks with the most deservedly famous church songs in the ,english language40 ,its distinguished author1 ,john ,henry ,newman1 was born ,february #ba1 #ahja1 the son of a ,london banker1 and seventy-eight years later became a ,cardinal of the ,roman ,catholic ,church4 ,at the early age of nineteen he was graduated from ,trinity ,college1 ,oxford1 and became a tutor in ,oriel ,college4 ,he was ordained in #ahbd1 and in #ahbh was made vicar of ,st4 ,mary's ,protestant ,episcopal ,church1 ,oxford4 ,he was a popular1 forceful preacher1 with fluent speech1 perfect diction1 and a splendid fund of illustration which he always used with telling effect4 ,he was deeply interested in the heart-life of men1 and was ever ready to encourage them to speak to him freely of their experiences and temptations4 ,he exercised a strong influence over the students who thronged his church4 ,in ,december1 #ahcb1 because of impaired health1 he went with friends to southern ,europe4 ,the spiritual unrest1 kindled by the 8,oxford ,movement10 which finally led him to unite with the ,roman ,catholic ,church1 in #ahde1 was already upon him2 he sought eagerly and conscientiously for divine guidance in solving the great doctrinal problems that vexed his soul4 ,it was during this period of inner disquietude and of anxious thought for the future of the ,established ,church1 of which he was still a member1 that his noble hymn1 8,lead1 ,kindly ,light10 had birth--a hymn which has voiced the heartfelt prayers of thousands for spiritual guidance4 ,in the minds of many there is intimate association of thought between ,newman's supplication3 8,lead1 kindly ,light1 amid the encircling gloom1 ,lead ,thou me on60 and another intensely human heart-cry for direction and companionship in the hour of need--,henry ,francis ,lyte's 8,abide with me1 fast falls the eventide3 ,the darkness deepens3 ,lord1 with me abide40 ,it is interesting to know that both of these hymns were composed on the sacred day of rest3 ,newman's1 on ,sunday1 ,june #af1 #ahcc2 and ,lyte's1 on ,sunday1 ,september #e1 #ahdg4 ,newman has left us this very entertaining description of the circumstances under which his hymn was written3 8,i went to the various coasts of the ,mediterranean2 parted with my friends at ,rome2 went down for the second time to ,sicily1 without companion1 at the end of ,april4 ,i struck into the middle of the ,island1 and fell ill of a fever at ,leonforte4 ,my servant thought ,i was dying1 and begged for my last directions4 ,i gave them1 as he wished1 but ,i said1 #8,i shall not die4' ,i repeated #8,i shall not die1 for ,i have not sinned against the ,light2 ,i have not sinned against the ,light4' ,i have never been able quite to make out what ,i meant4 8,i got to ,castro-,giovanni1 and was laid up there for nearly three weeks4 ,toward the end of ,may ,i left for ,palermo1 taking three days for the journey4 ,before starting from my inn1 on the morning of ,may #bf or #bg1 ,i sat down on my bed and began to sob violently4 ,my servant1 who had acted as my nurse1 asked what ailed me4 ,i could only answer him1 #8,i have a work to do in ,england4' ,illustration3 uncaptioned 8,i was aching to get home2 yet1 for want of a vessel1 ,i was kept at ,palermo for three weeks4 ,i began to visit the churches1 and they calmed my impatience1 though ,i did not attend any of the services4 ,at last ,i got off in an orange boat1 bound for ,marseilles4 ,then it was that ,i wrote the lines1 #8,lead1 ,kindly ,light4' ,we were becalmed a whole week in the ,straits of ,bonifacio4 ,i was writing the whole of my passage40 ,elsewhere he informs us that the exact date on which the hymn was written was ,june #af4 ,it is pleasant to think that this much-loved hymn1 the fervent prayer of a doubt-tossed soul1 was written in one of the majestic calms that sometimes lull to sleep the sunny waters of the ,mediterranean2 and that it caught some of its delicious fragrance from the perfume that was wafted over the waters from the golden cargo with which the vessel was freighted4 ,it would require but little imagination to picture the scene3 the clumsy boat1 the idly-hanging sails1 the listless1 swarthy crew1 the brilliant young minister emaciated by mental and physical suffering1 the solemn sea1 and over all the matchless ,italian sky and the tender twilight calm4 ,fit hour and surroundings for such a hymn to have its being4 ,in striking contrast1 the music to which the words are inseparably wedded1 was composed by ,dr4 ,john ,b4 ,dykes as he walked through the ,strand1 one of the busiest thoroughfares of ,london4 ,it may be that the tumultuous street was typical of the wild unrest in ,newman's heart when he began his hymn2 if so1 surely the quiet waters of the ,mediterranean on that holy ,sabbath evening might well represent his spiritual calm when it was ended--even though subsequent controversial storms were destined to beat fiercely upon his soul4 ,in this connection it may prove interesting to read the following from the ,random ,recollections of the ,rev4 ,george ,huntington3 8,i had been paying ,cardinal ,newman a visit4 ,for some reason ,i happened to mention his well-known hymn1 #8,lead1 ,kindly ,light1' which he said he wrote when a very young man4 ,i ventured to say1 #8,it must be a great pleasure to you to know that you have written a hymn treasured wherever ,english-speaking ,christians are to be found2 and where are they not to be found8' ,he was silent for some moments1 and then said with emotion1 #8,yes1 deeply thankful1 and more than thankful6' ,then1 after another pause1 #8,but1 you see1 it is not the hymn1 but the tune1 that has gained the popularity6 ,the tune is by ,dykes1 and ,dr4 ,dykes was a great master4'0 ,perhaps nothing more fully illustrates the general acceptability of this beautiful hymn than the fact that 8when the ,parliament of ,religion met in ,chicago during the ,columbian ,exposition1 the representatives of almost every creed known to man found two things on which they were agreed3 ,they could all join in the ,lord's ,prayer1 and all could sing #8,lead1 ,kindly ,light4'0 ,when some one1 a few years ago1 asked ,william ,e4 ,gladstone to give the names of the hymns of which he was most fond1 he replied that he was not quite sure that he had any favourites2 and then1 after a moment's thought1 he said3 8,lead1 ,kindly ,light10 and 8,rock of ,ages40 ,illustration3 uncaptioned 8,i know no song1 ancient or modern10 writes the ,rev4 ,l4 ,a4 ,banks1 ,d4,d41 8that with such combined tenderness1 pathos1 and faith1 tells the story of the ,christian pilgrim who walks by faith and not by sight4 ,no doubt it is this fidelity to heart experience1 common to us all1 that makes the hymn such a universal favourite4 ,there are dark nights1 and homesick hours1 and becalmed seas for each of us1 in which it is natural for man to cry out in ,newman's words3 8#8,the night is dark1 and ,i am far from home1 ,lead ,thou me on4'0 ,the ,rev4 ,james ,b4 ,ely1 ,d4,d41 writes as follows3 8,it is my desire to relate one interesting incident in connection with #8,lead1 ,kindly ,light4' ,this hymn was sung in the ,lemon ,hill ,pavilion1 ,fairmount ,park1 ,philadelphia1 on a recent ,sabbath morning1 at a time when the very atmosphere1 the beautiful trees and the glowing sun seemed to emphasise and make very real the sentiments expressed4 ,a young man in the audience1 who was a ,christian1 but greatly burdened with many anxieties1 felt while this hymn was being sung and the music repeated by the cornet1 that ,god was preparing him for some special trial through which he must pass4 ,during the day and all through the week the melody and the words haunted him2 and there was also a growing feeling in his heart that he ought to go to his old home and visit his mother4 ,finally1 on ,friday noon1 he determined that he would start that very evening1 and made his plans to do so4 ,just before leaving his place of business1 a telegram came informing him of his mother's sudden death4 ,while the news was a great shock to him1 yet the singing of the hymn and its constant reiteration in his thoughts during the week had1 in a measure1 prepared him for his sore bereavement4 ,the hymn has since become one of his most sacred possessions4 ,i have written regarding this unusual incident because the experience is so fresh in my mind and so real4 ,i may add that this hymn has again and again been sung by large audiences1 and always with telling spiritual effect40 ,many will recall that this hymn was a special favourite of the late ,president ,mc,kinley1 and that it was sung far and wide in the churches on the first anniversary of his death and burial4 ,the last stanza of the hymn rings out with a grand declaration of triumphant1 child-like faith and assurance3 8,so long ,thy power hath blest me1 sure it still ,will lead me on ,o'er moor and fen1 o'er crag and torrent1 till ,the night is gone2 ,and with the morn those angel faces smile1 ,which ,i have loved long since1 and lost awhile40 ,there has been some controversy as to the author's meaning in the last two lines4 ,nearly a half century after they were written some one asked the ,cardinal to give an explanation1 and in a letter dated ,january #ah1 #ahgi1 he thus wisely replied3 8,you flatter me by your question2 but ,i think it was ,keble who1 when asked it in his own case1 answered that poets were not bound to be critics1 or to give a sense to what they had written2 and though ,i am not1 like him1 a poet1 at least ,i may plead that ,i am not bound to remember my own meaning1 whatever it was1 at the end of almost fifty years4 ,anyhow1 there must be a statute of limitation for writers of verse1 or it would be quite tyranny if1 in an art which is the expression1 not of truth1 but of imagination and sentiment1 one were obliged to be ready for examination on the transient state of mind which came upon one when homesick1 or seasick1 or in any other way sensitive or excited40 ,illustration3 uncaptioned ,cardinal ,newman died ,august #aa1 #ahij1 fifty-seven years after his hymn had made his name immortal4 ,in addition to the quotations from ,hezekiah ,butterworth and ,colonel ,nicholas ,smith1 with which the study of this hymn begins1 it will doubtless prove interesting to read what other men of prominence have said in this connection3 8,this much-loved hymn40--,dr4 ,louis ,f4 ,benson1 author of 8,studies of ,familiar ,hymns40 8,its sincerity of feeling and purity of expression have made it universally acceptable40--,samuel ,willoughby ,duffield1 author of 8,english ,hymns40 8,this is truer to the life of thoughtful men than almost any other hymn1 but it is so subjective and personal that it is more for the closet than for the ,church4 ,it is the favourite hymn of our students40--,the ,president of a prominent ,university4 8,it can scarcely be called either a great poem or a great hymn1 and certainly it is not a lyric4 ,yet it has certain striking passages1 and appeals to those who for any reason are beset by darkness40--,rev4 ,david ,r4 ,breed1 ,d4,d41 author of 8,the ,history and ,use of ,hymns and ,hymn-,tunes40 8,the beautiful hymn1 #8,lead1 ,kindly ,light1' is of value to the ,church for its poetry and its pathos4 ,for times of depression and darkness come to nearly all of us1 and this is just the cry which the heart bowed down would use at such times of anxious and sacred communion40--,rev4 ,g4 ,l4 ,stevens1 editor of 8,hymns and ,carols40 8,the most stirring thing ,i know is that struggling cry of the wanderer for light1 #8,for ,i am far from home4' ,the writer's personality adds pathos to his tender song4 ,out of this song1 appropriated by a struggling soul to himself1 one is prepared for the sublime and recovering thought in the dream of the wanderer1 #8with sun gone down1' and the way appearing #8steps up to heaven4'0--,rev4 ,william ,v4 ,milligan1 ,d4,d41 ,cambridge1 ,ohio4 ,footnotes #a,president of the ,presbyterian ,historical ,society2 ,chaplain of the ,forty-first ,regiment1 ,illinois ,volunteers1 #ahfa-fb2 ,chaplain of the ,second ,regiment1 ,pennsylvania ,volunteers1 during the ,spanish-,american ,war2 ,founder of the ,national ,relief ,commission1 in ,spanish-,american ,war2 ,author of 8,the ,latimers3 ,a ,scotch-,irish ,historic ,romance of the ,western ,insurrection10 8,women ,friends of ,jesus10 8,the ,last ,days of ,jesus10 8,the ,gospel of ,nature10 8,tenants of an ,old ,farm10 8,american ,spiders and their ,spinning-work10 8,old ,farm ,fairies10 8,the ,agricultural ,ant of ,texas10 8,the ,honey and ,occident ,ants10 and 8,martial ,graves of our ,fallen ,heroes in ,santiago de ,cuba3 ,a ,record of the ,spanish-,american ,war40 ,transcriber's ,notes --,silently corrected a few typos4 --,retained publication information from the printed edition3 this e,book is public-domain in the country of publication4 --,in the text versions only1 text in italics is delimited by underscores4