,biltmore ,house and ,gardens ,,biltmore ,,estate ,biltmore-,asheville ,north ,carolina ,,open ,,to ,,visitors ,illustration3 ,biltmore ,house ,from ,the ,esplanade ,illustration3 ,decorative capital ,a ,approached from the ,biltmore ,lodge ,gate of ,biltmore ,estate1 along a three-mile drive of paved roads which wind their way through plantations of flowering shrubs and forests of pine1 hemlock and hardwood1 ,biltmore ,house1 for nearly half a century unique among the great country houses of ,america1 comes into view with almost startling suddenness4 ,a sharp turn through the wrought iron gates of the north entrance gives one the first view of the magnificent mansion completed by ,george ,w4 ,vanderbilt in #ahie4 ,illustration3 ,banquet ,hall and ,its ,triple ,fireplace ,following in many details the lines of ,french ,renaissance chateaux1 particularly those of ,blois and ,chambord1 ,biltmore ,house was designed by ,richard ,m4 ,hunt1 of ,new ,york4 ,the landscape setting of the mansion and the estate was planned by ,frederick ,law ,olmsted1 designer of ,central ,park1 ,new ,york1 and executed under the direction of ,c4 ,d4 ,beadle1 for more than sixty years ,superintendent of the ,estate4 ,by many1 the great estate surrounding the mansion is believed to be the finest example of landscape design in ,america4 ,the visitor can profitably study the exterior of the mansion before passing through the main portal4 ,the structure has a frontage of #ghj feet4 ,the breadth of the house1 from the main door to the west front1 is #aej feet4 ,the facade rises in three distinct levels1 graduated from portals to finials4 ,the characteristic ,french peaked roof1 with its dormer windows and lofty chimneys1 relieves any tendency toward severity4 ,the walls are of hand-tooled ,indiana limestone2 the roof is of slate4 ,biltmore ,house1 begun in #ahij1 was completed and opened in #ahie after five years of intensive construction4 ,special railroad tracks were laid from what is now ,biltmore station to the site--three miles away--for the conveyance of the great mass of construction material required4 ,hundreds of skilled artisans from various parts of this country and ,europe worked unremittingly1 while other hundreds of laborers from the mountain sections of ,north ,carolina were given steady employment during the period of construction4 ,the visitor gains the first impression of the mansion's magnitude when passing through the main entrance door1 flanked by sixteenth century lions of ,italian marble1 into the great hall which gives access to the main rooms4 ,the self-supporting arches surrounding the ,palm ,court are ceiled with tiles especially made by the celebrated artist and architect1 ,rafael ,guastavino1 while the arches and dome of the broad circular stairway which spirals to the topmost floor from the left side of the hall are of ,indiana limestone4 ,facing the entrance door from the rear of the hall is a ceremonial furnishing of ,cardinal ,richelieu1 showing the ,cardinal's coat-of-arms1 motto and hat2 it is one of a pair1 the other is hung on the wall of the second-floor corridor4 ,the grand staircase1 modeled after that of the ,chateau ,blois1 winds its way around the massive wrought iron chandelier which extends downward from the roof to the ,entrance ,hall ceiling1 and bears a light cluster for each landing4 ,while visitors are free to choose their own itinerary1 the tour of the mansion usually begins at the ,court of ,palms1 adjoining the ,entrance ,hall4 ,this court is a sunken area1 encircled with marble and1 in almost every season1 adorned with masses of flowers from the gardens and greenhouses4 ,the central fountain is surmounted by a statue of a boy and swan1 the work of ,karl ,bitter1 the ,austro-,american sculptor4 ,on the walls are copies of the ,parthenon ,reliefs1 now in the ,british ,museum4 ,from the ,court of ,palms the visitor enters the ,oak ,drawing ,room1 panelled in ,norwegian oak4 ,most of the engravings hanging here are after paintings by ,landseer4 ,heads of deer1 buffalo1 moose1 and bear also adorn the walls4 ,the three bronzes over the fireplace are by ,barye1 while on the bookcase at the left are four ,chinese ,celadon vases4 ,the ,spanish table in the center is of late eighteenth century origin1 as is the writing desk facing the entrance4 ,from the ,oak ,drawing ,room one enters the great ,banquet ,hall1 one of the chief centers of attraction4 ,copied in large measure from an old ,norman banquet hall1 this room is #gb feet long2 its ceiling reaches a height of #ge feet4 ,at one end a triple fireplace1 extending almost across the entire width of the room1 is surmounted by a frieze by ,bitter1 8,the ,return ,from ,the ,chase40 ,high above the frieze are grouped the flags of the great powers of ,europe at the time ,columbus discovered ,america4 ,the outstanding objects of interest in the ,banquet ,hall are five sixteenth century tapestries depicting the story of ,vulcan and the loves of ,venus and ,mars4 ,it is the unconfirmed legend that these tapestries1 woven of silk and gold1 adorned the tent of the ,french ,king1 ,francis ,i1 on the occasion of his historic meeting with ,henry ,,viii of ,england on the ,field of the ,cloth of ,gold4 ,the various figures on the tapestries1 which were made in ,brussels after the cartoons of the ,bolognese painter1 ,primaticcio1 stand out in striking relief4 ,particularly does one note the beauty and naturalness of the four medallions1 one at each corner4 ,on the walls are replicas of the flags of the thirteen original states1 and the ,biltmore ,estate ,world ,war service flag1 with its fifty-three stars--three of them gold--hangs proudly over the center arch4 ,at the opposite end of the ,banquet ,hall from the fireplace1 sets of shelves display brass and copper pieces of ,dutch1 ,spanish and ,french origin which are attributed to artisans of the seventeenth century4 ,the large pipes in the organ loft above are flanked by wood carved reliefs by ,karl ,bitter1 depicting scenes from ,wagner's operas4 ,from the ,banquet ,hall the visitor proceeds to the ,dining ,room1 the walls of which are wainscotted in red marble1 surmounted by tooled ,spanish leather2 the upholstery is of ,genoese velvet in red and gold4 ,on the right is the fireplace by ,wedgwood4 ,portraits of members of the ,vanderbilt family hang from the walls4 ,in this room are displayed beautiful ivory carvings and lustre-ware4 ,in the ,print ,room are rare engravings by ,earlom1 ,mc,ardell1 ,turner1 ,cousins1 ,ward and ,cole4 ,on the center pillar of the entrance is the remarkable engraving1 8,the ,executioner10 by ,prince ,rupert1 after ,spagnoletto2 underneath it is 8,the ,virgin and ,child10 engraved by ,theodore ,caspara ,furstenbergh1 after ,correggio4 ,the large reassembled engraving on the left wall shows the family pedigree of ,maximilian the ,great1 by ,albrecht ,durer 7#aeae72 the six engravings on either side of this piece are also by ,durer4 ,a ,spanish cabinet of the sixteenth century is placed on the left of the large ,durer engraving2 on the right a ,dutch cabinet of the late seventeenth century4 ,on the right of the entrance1 in the center of the end wall1 is an ,italian ebony dresser of the sixteen-seventeenth century2 between the windows are a number of bronze busts by ,meunier4 ,an antique that attracts much interest1 especially among students of history1 is found in the right hand corner of this room1 near the entrance--the chess table and set of chessmen once owned by ,napoleon ,bonaparte1 and used by him during the six years of his imprisonment on the island of ,st4 ,helena4 ,tradition has it that the emperor's heart was placed in the drawer of this table1 after being sealed in a silver box1 following the autopsy performed by ,antommarchi4 ,doctor ,o',meara1 a physician placed in attendance on ,napoleon by the ,british government1 says in his memoirs that ,lady ,holland1 of ,england1 presented the famous ,corsican with a chess table1 and it is probable that this is the table referred to by ,o',meara4 ,from the ,print ,room visitors enter the ,tapestry ,gallery4 ,covering almost the entire #ij-;foot length of the walls are ,flemish tapestries of the late fifteenth century1 depicting ,prudence1 ,faith and ,charity4 ,on the left of the first fireplace is a sofa in ,french tapestry of ,henry ,,iii period1 late sixteenth century2 the six tapestry chairs in the center of the gallery are ,louis ,,xiv4 ,four chairs and the sofa under the middle tapestry are of ,louis ,,xiv period4 ,illustration3 ,in ,the ,tapestry ,gallery ,illustration3 ,the ,grand ,spiral ,stairway ,in the center is a large refectory table from an old ,english monastery1 probably removed from its original setting during the reign of ,henry ,,viii4 ,twelve ,dresden china figures of the ,twelve ,apostles1 bearing imprint of the ,imperial ,arms of ,austria1 are believed to have come from a private chapel of the ,hapsburgs4 ,over the door into the ,library is a portrait of ,george ,w4 ,vanderbilt by ,sargent2 on the left a ,sargent portrait of his mother1 ,mrs4 ,william ,h4 ,vanderbilt1 and on the right a portrait of ,mrs4 ,peter ,goelet ,gerry 7formerly ,mrs4 ,george ,w4 ,vanderbilt7 by ,boldini4 ,illustration3 ,the ,dining ,room ,moving into the ,library the visitor's attention centers on the famous ceiling painted by ,tiepolo1 the last outstanding artist of the ,venetian school1 who died in #aggj4 ,the canvas1 which covers the library ceiling1 was obtained by ,mr4 ,vanderbilt from an old ,italian palace1 on his pledge that the name of the former owner should never be revealed4 ,the unique library1 panelled in ,circassian walnut1 contains more than #bj1jjj volumes1 among them rare works on art1 architecture and landscape gardens4 ,over the fireplace hangs an ,italian tapestry1 of the late seventeenth century4 ,two white porcelain vases of eighteenth century1 three large ,chinese goldfish bowls1 credited to the ,ming dynasty1 and a piece of sixteenth century ,spanish embroidery on the long table at the end of the room1 are other rare objects of interest4 ,the carved black marble fireplace on the left is nine feet wide and six feet high2 the figures on the andirons are by ,bitter4 ,leaving the ,library one mounts the grand staircase to the second floor and enters the ,first ,hall1 a room #gb by #ce feet4 ,here are hung many valuable paintings1 among them ,sargent's life-size portraits of ,richard ,morris ,hunt and ,frederick ,law ,olmsted1 designers of the house and the estate respectively4 ,here also is seen a large ,persian palace or temple rug1 middle sixteenth century1 #cc by #be feet4 ,the furniture here is ,venetian1 late eighteenth century4 ,another object of interest is a ,spanish ,wedding ,vestment ,chest4 ,above is an ,italian mirror1 nineteenth century4 ,opening from the hall is the ,louis ,,xvi ,bedroom with furniture of that period4 ,the ,south ,bedroom1 once occupied by ,mr4 ,vanderbilt1 commands from its windows views of rarely excelled scenic splendor4 ,in this room the carving and panelling are of walnut2 the furniture is ,spanish1 ,italian and ,portuguese of the early eighteenth century4 ,the bed1 hung in red and gold1 is ,spanish4 ,the ,north ,bedroom is upholstered in purple and gold ,genoese velvet4 ,the ,oak ,sitting ,room1 between the ,north and ,south ,bedrooms1 contains several large and beautiful bronzes by ,barye1 ,meunier and ,mene4 ,there also is a ,maria di ,medici settee bearing the private monogram of that tempestuous queen1 and on the wall are displayed ,sargent's portraits of ,mrs4 ,kissam and ,mrs4 ,bacon4 ,the visitor emerging from the mansion looks down upon a grassy ,esplanade1 in the center of which are a fountain and pool1 with driveways on either side4 ,beyond the ,esplanade is a magnificent structure of stone1 the 8,rampe ,douce10 with its three turtle founts1 erected to enable one1 whether mounted or afoot1 to reach the bridle paths and glades above and beyond4 ,below the level of the ,library ,terrace and the ,esplanade1 surrounded by boxwood and holly hedges1 are the ,swimming ,pool and ,italian ,garden4 ,the holly hedge is studded at regular intervals with ,italian sculptured urns4 ,here is the wall with ivy from ,kenilworth ,castle1 and a veritable forest of old ,wistaria vine greets the visitor in the ,pergola4 ,here1 as in almost every other part of the grounds adjacent to the mansion1 are rare examples of beautiful statuary procured by ,mr4 ,vanderbilt on his travels abroad4 ,beyond the ,library ,terrace are the ,italian ,garden1 the ,shrub ,garden1 the ,walled ,garden1 the ,spring ,garden and the ,azalea ,garden1 in the aggregate containing about thirty-five acres of rare and beautiful plants and flowers in almost endless variety1 which bloom in seasonal succession4 ,the greenhouses at the end of the ,walled ,garden are devoted to the cultivation of plants and flowers used in the adornment of the mansion4 ,the giant palms and ferns of many varieties present a truly tropical scene4 ,an estate of some #ab1jjj acres surrounds ,biltmore ,house2 formerly it comprised more than #ajj1jjj acres1 but a large portion of the forest area was granted to the government by ,mrs4 ,vanderbilt after ,mr4 ,vanderbilt's death1 as the nucleus of ,pisgah ,national ,forest1 and #a1ejj acres were allotted for development of the ,biltmore ,forest ,country ,club and the ,town of ,biltmore ,forest4 ,the estate1 with its #ag miles of paved and macadam roads1 and #abj miles of equestrian trails and earth roads1 gives employment to more than #ejj people1 the greater number of these being engaged in the operation of the ,biltmore ,dairy ,farms and kindred activities4 ,the ,biltmore herd of some #abjj pure-bred ,jerseys is one of the largest1 and is recognized as one of the finest1 in the country4 ,as a result of the efforts on behalf of the ,asheville ,chamber of ,commerce1 ,biltmore ,house was opened to the public ,march #ae1 #aicj1 sixteen years after ,mr4 ,vanderbilt's death4 ,admission tickets are on sale at the ,biltmore ,estate office on the ,plaza in ,biltmore1 and at the ,asheville ,chamber of ,commerce4 ,illustration3 ,a ,section of ,the ,library ,transcriber's ,notes --,silently corrected a few typos4 --,there was no publication information in the printed edition3 this e,book is believed public-domain in the country of publication4 --,in the text versions only1 text in italics is delimited by underscores4