,,the ,,essays ,,of ,,adam ,,smith ,,essays ,,on ,i4 ,,moral ,,sentiments2 ,,ii4 ,,astronomical ,,inquiries2 ,,iii4 ,,formation ,,of ,,languages2 ,,iv4 ,,history ,,of ,,ancient ,,physics2 ,v4 ,,ancient ,,logic ,,and ,,metaphysics2 ,,vi4 ,,the ,,imitative ,,arts2 ,,vii4 ,,music1 ,,dancing1 ,,poetry2 ,,viii4 ,,the ,,external ,,senses2 ,,ix4 ,,english ,,and ,,italian ,,verses4 ,,by ,,adam ,,smith1 ,,ll4,d4 ,f4,r4,s41 ,author of the ',inquiry into the ,nature and ,causes of the ,wealth of ,nations4' ----- ,,london3 ,,alex4 ,,murray ,,co41 #cj1 ,,queen ,,square1 ,w4,c4 #ahgb4 ,,london3 ,,bradbury1 ,,evans1 ,,and ,,co41 ,,printers1 ,,whitefriars4 ,,biographical ,,notice4 ----- ,,adam ,,smith1 the author of these ,essays and of the ',inquiry into the ,nature and ,causes of the ,wealth of ,nations1' was born at ,kirkaldy1 ,june #e1 #agbc1 a few months after the death of his father4 ,he was a sickly child1 and indulged by his mother1 who was the object of his filial gratitude for sixty years4 ,when about three years old1 and at the house of ,douglass of ,strathenry1 his mother's brother1 he was carried off by tinkers or gipsies1 but soon recovered from them4 ,at the burgh school of his native town he made rapid progress1 and soon attracted notice by his passion for books1 and by the extraordinary powers of his memory4 ,his weakness of body prevented him joining in athletic sports1 but his generous and friendly temperament made him a favourite with his schoolmates2 and he was noted then1 as through after life1 for absence in company and a habit of speaking to himself when alone4 ,from the grammar school of ,kirkaldy1 he was sent1 in #agcg1 to the ,university of ,glasgow1 whence1 in #agdj1 he went to ,baliol ,college1 ,oxford1 enjoying an exhibition on the ,snell foundation4 ,when at ,glasgow ,college1 his favourite studies were mathematics and natural philosophy1 but that did not long divert his mind from pursuits more congenial to him1 more particularly the political history of mankind1 which gave scope to the power of his comprehensive genius1 and gratified his ruling passion of contributing to the happiness and the improvement of society4 ,to his early taste for ,greek generally1 may be due the clearness and fulness with which he states his political reasonings4 ,at ,oxford he employed himself frequently in the practice of translation1 with a view to the improvement of his own style1 and used to commend such exercises to all who cultivate the art of composition4 ,he also cultivated with the greatest care the study of languages2 and his knowledge of them led him to a peculiar experience in everything that could illustrate the institutions1 the manners1 and the ideas of different ages and nations4 ,after a residence at ,oxford of seven years1 he returned to ,kirkaldy1 and lived two years with his mother1 engaged in studies1 but without any fixed plan for his future life4 ,he had been originally destined for the ,church of ,england2 but not finding the ecclesiastical profession suitable to his taste1 he took chance of obtaining some of those moderate preferments1 to which literary attainments lead in ,scotland4 ,removing to ,edinburgh in #agdh1 he read lectures on rhetoric and belles lettres1 under the patronage of ,lord ,kames2 and when in ,edinburgh became intimate with ,david ,hume4 ,in #agea he was elected ,professor of ,logic in the ,university of ,glasgow2 and1 the year following1 he became ,professor of ,moral ,philosophy there2 a situation he held for thirteen years1 and used to look back on as the most useful and happy of his life2 and1 though but a narrow scene for his ambition1 may have led to the future eminence of his literary character4 ,in delivering his lectures1 ,mr4 ,smith trusted #b almost entirely to extemporary elocution4 ,his manner1 though not graceful1 was plain and unaffected1 and he never failed to interest his hearers4 ,each discourse consisted commonly of several distinct propositions1 which he successively endeavoured to prove and illustrate4 ,at first he often appeared to speak with hesitation2 but1 as he advanced1 the matter seemed to crowd upon him1 his manner became warm and animated1 and his expression easy and fluent4 ,his reputation as a philosopher attracted a multitude of students from a great distance to the ,university2 and those branches of science which he taught became fashionable1 and his opinions were the chief topics of discussion in the clubs and literary societies of ,glasgow4 ,while ,adam ,smith became thus eminent as a public lecturer1 he was gradually laying the foundation of a more extensive reputation by preparing for the press his ,system of ,morals2 and the first edition of his ,essays appeared in 9999#agei1 under the title of ,,the ,,theory ,,of ,,moral ,,sentiments4 ,of this essay1 ,dugald ,stewart remarks1 'that whatever opinion we may entertain of the justness of its conclusions1 it must be allowed to be a singular effort of invention1 ingenuity1 and subtilty2 that it contains a large mixture of important truth1 and has had the merit of directing the attention of philosophers to a view of human nature1 which had formerly in a great measure escaped their notice2 and no work1 undoubtedly1 can be mentioned1 ancient or modern1 which exhibits so complete a view of those facts with respect to our moral perceptions1 which it is one great object of this branch of science to refer to their general laws2 and well deserves the careful study of all whose taste leads them to prosecute similar enquiries4 ,these facts are presented in the most happy and beautiful lights2 and when the subject leads him to address the imagination and the heart1 the variety and felicity of his illustrations1 the richness and fluency of his eloquence2 and the skill with which he wins the attention and commands the passions of his readers1 leave him1 among our ,english moralists1 without a rival4 ,towards the close of #agfc1 ,mr4 ,smith arranged to visit the continent with the ,duke of ,buccleugh1 returning to ,london in #agff4 ,for the next ten years he lived quietly with his mother at ,kirkaldy2 and in #aggf1 accounted to the world for his long retreat1 by the publication of his ',,inquiry ,,into ,,the ,,nature ,,and ,,causes ,,of ,,the ,,wealth ,,of ,,nations4' ,in #aggh1 ,mr4 ,smith was appointed a ,commissioner of ,customs in ,scotland1 the pecuniary emoluments of which were considerable4 ,in #aghd1 he lost his mother4 ,in #aghh1 his cousin1 ,miss ,douglass1 died1 to whom he had been strongly attached2 and in ,july1 #agij1 he died1 having1 a short while before1 in conversation with his friend ,riddell1 regretted that ',,he ,,had ,,done ,,so ,,little4' ,above biographic notes and literary opinions have been abridged from a paper on ',the ,life and ,writings of ,adam ,smith1' by ,professor ,dugald ,stewart1 of ,edinburgh1 #agic--;,a4 ,m4 ,,advertisement ,,to ,,the ,,sixth ,,edition4 ----- ,,since the first publication of the ,,theory ,,of ,,moral ,,sentiments1 which was in the beginning of the year #agei1 several corrections1 and a good many illustrations of the doctrines contained in it1 have occurred to me4 ,but the various occupations in which the different accidents of my life necessarily involved me1 have till now prevented me from revising this work with the care and attention which ,i always intended4 ,the reader will find the principal alterations which ,i have made in this ,new ,edition1 in the last ,chapter of the third ,section of ,part ,first2 and in the four first ,chapters of ,part ,third4 ,part ,sixth1 as it stands in this ,new ,edition1 is altogether new4 ,in ,part ,seventh1 ,i have brought together the greater part of the different passages concerning the ,stoical ,philosophy1 which1 in the former ,editions1 had been scattered about in different parts of the work4 ,i have likewise endeavoured to explain more fully1 and examine more distinctly1 some of the doctrines of that famous sect4 ,in the fourth and last ,section of the same ,part1 ,i have thrown together a few additional observations concerning the duty and the principle of veracity4 ,there are1 besides1 in other parts of the work1 a few other alterations and corrections of no great moment4 ,in the last paragraph of the first ,edition of the present work1 ,i said that ,i should in another discourse endeavour to give an account of the general principles of law and government1 and of the different revolutions which they had undergone in the different ages and periods of society2 not only in what concerns justice1 but in what concerns police1 revenue1 and arms1 and whatever else is the object of law4 ,in the ,inquiry concerning the ,nature and ,causes of the ,wealth of ,nations1 ,i have partly executed this promise2 at least so far as concerns police1 revenue1 and arms4 ,what remains1 the theory of jurisprudence1 which ,i have long projected1 ,i have hitherto been hindered from executing1 by the same occupations which had till now prevented me from revising the present work4 ,though my very advanced age leaves me1 ,i acknowledge1 very little expectation of ever being able to execute this great work to my own satisfaction2 yet1 as ,i have not altogether abandoned the design1 and as ,i wish still to continue under the obligation of doing what ,i can1 ,i have allowed the paragraph to remain as it was published more than thirty years ago1 when ,i entertained no doubt of being able to execute every thing which it announced4 ,,essays ,,by ,,adam ,,smith ,,on ,,philosophical ,,subjects ----- ,,advertisement ,,by ,,the ,,editors4 ,,the much lamented author of these ,essays left them in the hands of his friends to be disposed of as they thought proper1 having immediately before his death destroyed many other manuscripts which he thought unfit for being made public4 ,when these were inspected1 the greater number of them appeared to be parts of a plan he once had formed1 for giving a connected history of the liberal sciences and elegant arts4 ,it is long since he found it necessary to abandon that plan as far too extensive2 and these parts of it lay beside him neglected until his death4 ,his friends are persuaded1 however1 that the reader will find in them that happy connection1 that full and accurate expression1 and that clear illustration which are conspicuous in the rest of his works2 and that though it is difficult to add much to the great fame he so justly acquired by his other writings1 these will be read with satisfaction and pleasure4 ,,joseph ,,black4 ,,james ,,hutton4 ,,contents4 ----- ,,the ,,theory ,,of ,,moral ,,sentiments4 ,,part ,i4 ,,of ,,the ,,propriety ,,of ,,actions4 ,,page ,,sec4 ,i4 ,of the ,sense of ,propriety 4 4 4 4 #i ,,ch4 ,i4 ,of ,sympathy 4 4 4 4 4 4 #i-ac ,,ch4 ,,ii4 ,of the ,pleasure of ,mutual ,sympathy 4 4 #ac-af ,,ch4 ,,iii41 ,,iv4 ,of the manner in which we judge of the ,propriety or ,impropriety of the ,affections of other ,men1 by their ,concord or ,dissonance with our own 4 4 4 4 4 4 4 #af-bc ,,ch4 ,v4 ,of the amiable and respectable ,virtues 4 #bc-bf ,,sec4 ,,ii4 ,of the ,degrees of the different ,passions which are consistent with ,propriety 4 4 #bf ,,ch4 ,i4 ,of the ,passions which take their ,origin from the ,body 4 4 4 4 4 4 4 #bf-cj ,,ch4 ,,ii4 ,of those ,passions which take their ,origin from a particular ,turn or ,habit of the ,imagination 4 4 4 4 4 4 #cj-cb ,,ch4 ,,iii4 ,of the unsocial ,passions 4 4 4 #cb-cg ,,ch4 ,,iv4 ,of the social ,passions 4 4 4 4 #cg-ci ,,ch4 ,v4 ,of the selfish ,passions 4 4 4 4 #ci-da ,,sec4 ,,iii4 ,of the ,effects of ,prosperity and ,adversity upon the ,judgment of ,mankind with regard to the ,propriety of ,action2 and why it is more easy to obtain their ,approbation in the one ,state than in the other 4 4 4 4 4 4 #db ,,ch4 ,i4 ,that though our ,sympathy with ,sorrow is generally a more lively ,sensation than our ,sympathy with ,joy1 it commonly falls much more short of the ,violence of what is naturally felt by the ,person principally concerned 4 4 #db-dg ,,ch4 ,,ii4 ,of the ,origin of ,ambition1 and of the ,distinction of ,ranks 4 4 4 4 #dg-ef ,,ch4 ,,iii4 ,of the ,corruption of our ,moral ,sentiments1 which is occasioned by this ,disposition to admire the ,rich and the ,great1 and to despise or neglect ,persons of poor and mean ,condition 4 4 #ef-fj ----- ,,part ,,ii4 ,,of ,,merit ,,and ,,demerit2 ,,or1 ,,of ,,the ,,objects ,,of ,,reward ,,and ,,punishment4 ,,sec4 ,i4 ,of the ,sense of ,merit and ,demerit--,introduction #fa ,,ch4 ,i4 ,that whatever appears to be the proper ,object of ,gratitude1 appears to deserve ,reward2 and that1 in the same ,manner1 whatever appears to be the proper ,object of ,resentment1 appears to deserve ,punishment 4 4 4 4 4 4 #fa-fc #f ,,ch4 ,,ii4 ,of the proper ,objects of ,gratitude and ,resentment 4 4 4 4 4 4 #fc-fe ,,ch4 ,,iii4 ,that where there is no ,approbation of the ,conduct of the ,person who confers the ,benefit1 there is little ,sympathy with the ,gratitude of him who receives it3 and that1 on the contrary1 where there is no ,disapprobation of the ,motives of the ,person who does the ,mischief1 there is no sort of ,sympathy with the ,resentment of him who suffers it 4 4 4 4 4 4 #fe-fg ,,ch4 ,,iv4 ,recapitulation of the foregoing ,chapters 4 #fg-fh ,,ch4 ,v4 ,the ,analysis of the ,sense of ,merit and ,demerit #fh-gj ,,sec4 ,,ii4 ,of ,justice and ,beneficence ,,ch4 ,i4 ,comparison of those two ,virtues 4 4 #gj-ge ,,ch4 ,,ii4 ,of the sense of ,justice1 of ,remorse1 and of the ,consciousness of ,merit 4 4 4 4 #ge-gh ,,ch4 ,,iii4 ,of the ,utility of this ,constitution of ,nature #gh-hd ,,sec4 ,,iii4 ,of the ,influence of ,fortune upon the ,sentiments of ,mankind1 with regard to the ,merit or ,demerit of ,actions--,introduction 4 4 4 4 #hd-he ,,ch4 ,i4 ,of the ,causes of this ,influence of ,fortune 4 #he-hh ,,ch4 ,,ii4 ,of the ,extent of this ,influence of ,fortune #hh-ie ,,ch4 ,,iii4 ,of the final ,cause of this ,irregularity of ,sentiments 4 4 4 4 4 4 #if-ii ----- ,,part ,,iii4 ,,of ,,the ,,foundation ,,of ,,our ,,judgments ,,concerning ,,our ,,own ,,sentiments ,,and ,,conduct1 ,,and ,,of ,,the ,,sense ,,of ,,duty4 ,,ch4 ,i4 ,of the ,principle of ,self-approbation and of ,self-disapprobation 4 4 4 4 4 #ii-ajb ,,ch4 ,,ii4 ,of the ,love of ,praise1 and of that of ,praise-worthiness2 and of the ,dread of ,blame1 and of that of ,blame-worthiness4 4 4 4 #ajb-aah ,,ch4 ,,iii4 ,of the ,influence and ,authority of ,conscience 4 4 4 4 4 4 #aah-acg ,,ch4 ,,iv4 ,of the ,nature of ,self-deceit1 and of the ,origin and ,use of general ,rules 4 4 4 #acg-adb ,,ch4 ,v4 ,of the ,influence and ,authority of the general ,rules of ,morality1 and that they are justly regarded as the ,laws of the ,deity 4 4 #adb-aej ,,ch4 ,,vi4 ,in what ,cases the ,sense of ,duty ought to be the sole ,principle of our ,conduct2 and in what ,cases it ought to concur with other ,motives 4 #aej-aeh ----- ,,part ,,iv4 ,,of ,,the ,,effect ,,of ,,utility ,,upon ,,the ,,sentiment ,,of ,,approbation4 ,,ch4 ,i4 ,of the ,beauty which the ,appearance of ,utility bestows upon all the ,productions of ,art1 and of the extensive ,influence of this ,species of ,beauty 4 4 4 4 4 4 #aeh-afe ,,ch4 ,,ii4 ,of the ,beauty which the ,appearance of ,utility bestows upon the ,characters and ,actions of ,men2 and how far the ,perception of this ,beauty may be regarded as one of the original ,principles of ,approbation 4 4 4 4 #afe-aga #g ----- ,,part ,v4 ,,of ,,the ,,influence ,,of ,,custom ,,and ,,fashion ,,upon ,,the ,,sentiments ,,of ,,moral ,,approbation ,,and ,,disapprobation4 ,,ch4 ,i4 ,of the ,influence of ,custom and ,fashion upon our ,notions of ,beauty and ,deformity 4 4 #aga-agf ,,ch4 ,,ii4 ,of the ,influence of ,custom and ,fashion upon ,moral ,sentiments 4 4 4 4 4 #agf-ahg ----- ,,part ,,vi4 ,,of ,,the ,,character ,,of ,,virtue4--,,introduction1 #ahg4 ,,sec4 ,i4 ,of the ,character of the ,individual1 so far as it affects his own ,happiness2 or of ,prudence 4 #ahg-aib ,,sec4 ,,ii4 ,of the ,character of the ,individual1 so far as it can affect the ,happiness of other ,people--,introduction 4 4 4 4 #aib-aic ,,ch4 ,i4 ,of the ,order in which ,individuals are recommended by ,nature to our ,care and ,attention #aic-bja ,,ch4 ,,ii4 ,of the ,order in which ,societies are by ,nature recommended to our ,beneficence 4 4 #bja-bjh ,,ch4 ,,iii4 ,of universal ,benevolence 4 4 4 #bjh-baj ,,sec4 ,,iii4 ,of ,self-command 4 4 4 4 #baj-bcc ,conclusion of the ,sixth ,part 4 4 4 4 #bcc-bcf ----- ,,part ,,vii4 ,,of ,,systems ,,of ,,moral ,,philosophy4 ,,sec4 ,i4 ,of the ,questions which ought to be examined in a ,theory of ,moral ,sentiments 4 4 4 #bcf-bcg ,,sec4 ,,ii4 ,of the different ,accounts which have been given of the ,nature of ,virtue--,introduction 4 #bcg ,,ch4 ,i4 ,of those ,systems which make ,virtue consist in ,propriety 4 4 4 4 4 #bcg-bfj ,,ch4 ,,ii4 ,of those ,systems which make ,virtue consist in ,prudence 4 4 4 4 4 #bfj-bfe ,,ch4 ,,iii4 ,of those ,systems which make ,virtue consist in ,benevolence 4 4 4 4 4 #bfe-bga ,,ch4 ,,iv4 ,of licentious ,systems 4 4 4 #bga-bgh ,,sec4 ,,iii4 ,of the different ,systems which have been formed concerning the ,principle of ,approbation--,introduction 4 4 4 #bgi ,,ch4 ,i4 ,of those ,systems which deduce the ,principle of ,approbation from ,self-love 4 4 4 #bgi-bha ,,ch4 ,,ii4 ,of those ,systems which make ,reason the ,principle of ,approbation 4 4 4 #bhb-bhd ,,ch4 ,,iii4 ,of those ,systems which make ,sentiment the ,principle of ,approbation 4 4 4 #bhe-bij ,,sec4 ,,iv4 ,of the ,manner in which different ,authors have treated of the practical ,rules of ,morality #bij-cjd #h ----- ,,considerations ,,concerning ,,the ,,formation ,,of ,,languages4 #cje-cbe ----- ,,essays ,,on ,,philosophical ,,subjects4 ,,the ,,principles ,,which ,,lead ,,and ,,direct ,,philosophical ,,inquiries1 ,,as ,,illustrated ,,by ,,the ,,history ,,of ,,astronomy #cbe-cbf ,,sec4 ,i4 ,of the ,effects of ,unexpectedness1 or of ,surprise 4 4 4 4 4 #cbf-cbi ,,sec4 ,,ii4 ,of ,wonder1 or the ,effects of ,novelty 4 #cbi-ccg ,,sec4 ,,iii4 ,of the ,origin of ,philosophy 4 4 #cch-cdb ,,sec4 ,,iv4 ,the ,history of ,astronomy 4 4 4 #cdb-chd ----- ,,the ,,principles ,,which ,,lead ,,and ,,direct ,,philosophical ,,inquiries1 ,,illustrated ,,by ,,the ,,history ,,of ,,the ,,ancient ,,physics 4 4 4 4 4 #che-cie ----- ,,the ,,principles ,,which ,,lead ,,and ,,direct ,,philosophical ,,inquiries1 ,,illustrated ,,by ,,the ,,history ,,of ,,ancient ,,logics ,,and ,,metaphysics 4 4 4 4 #cie-dje ----- ,,of ,,the ,,nature ,,of ,,that ,,imitation ,,which ,,takes ,,place ,,in ,,what ,,are ,,called ,,the ,,imitative ,,arts 4 4 4 #dje ,part ,i41 #dje-dae4 ,part ,,ii41 #dae-dcb4 ,part ,,iii 4 #dcb-dcd ----- ,,of ,,the ,,affinity ,,between ,,music1 ,,dancing1 ,,and ,,poetry #dce-dch ----- ,,of ,,the ,,external ,,senses 4 4 4 4 #dch-dci ,of the ,sense of ,touching1 #dci-ddd4 ,of the ,sense of ,tasting1 #ddd-dde4 ,of the ,sense of ,smelling1 #dde4 ,of the ,sense of ,hearing1 #dde-dej4 ,of the ,sense of ,seeing 4 4 4 4 4 4 #dej-dfh ----- ,,of ,,the ,,affinity ,,between ,,certain ,,english ,,and ,,italian ,,verses 4 4 4 4 4 4 #dfh-dgc ,,the ,,theory ,,of ,,moral ,,sentiments ----- ,part ,i4--,of the ,propriety of ,action4 ,,sec4 ,i4--,,of ,,the ,,sense ,,of ,,propriety4 ,,chap4 ,i4--,of ,sympathy4 ,,how selfish soever man may be supposed1 there are evidently some principles in his nature1 which interest him in the fortune of others1 and render their happiness necessary to him1 though he derives nothing from it except the pleasure of seeing it4 ,of this kind is pity or compassion1 the emotion which we feel for the misery of others1 when we either see it1 or are made to conceive it in a very lively manner4 ,that we often derive sorrow from the sorrow of others1 is a matter of fact too obvious to require any instances to prove it2 for this sentiment1 like all the other original passions of human nature1 is by no means confined to the virtuous and humane1 though they perhaps may feel it with the most exquisite sensibility4 ,the greatest ruffian1 the most hardened violator of the laws of society1 is not altogether without it4 ,as we have no immediate experience of what other men feel1 we can form no idea of the manner in which they are affected1 but by conceiving what we ourselves should feel in the like situation4 ,though our brother is upon the rack1 as long as we ourselves are at our ease1 our senses will never inform us of what he suffers4 ,they never did1 and never can1 carry us beyond our own person1 and it is by the imagination only that we can form any conception of what are his sensations4 ,neither can that faculty help us to this any other way1 than by representing to us what would be our own1 if we were in his case4 ,it is the impressions of our own senses only1 not those of his1 which our imaginations copy4 ,by the imagination we place ourselves in his situation1 we conceive ourselves enduring all the same torments1 we enter as it were into his body1 and become in some measure the same person with him1 and thence form some idea of his sensations1 and even feel something which1 though weaker in degree1 is not altogether unlike them4 ,his agonies1 when they are thus brought home to ourselves1 when we have thus adopted and made them our own1 begin at last to affect us1 #aj and we then tremble and shudder at the thought of what he feels4 ,for as to be in pain or distress of any kind excites the most excessive sorrow1 so to conceive or to imagine that we are in it1 excites some degree of the same emotion1 in proportion to the vivacity or dulness of the conception4 ,that this is the source of our fellow-feeling for the misery of others1 that it is by changing places in fancy with the sufferer1 that we come either to conceive or to be affected by what he feels1 may be demonstrated by many obvious observations1 if it should not be thought sufficiently evident of itself4 ,when we see a stroke aimed and just ready to fall upon the leg or arm of another person1 we naturally shrink and draw back our own leg or our own arm2 and when it does fall1 we feel it in some measure1 and are hurt by it as well as the sufferer4 ,the mob1 when they are gazing at a dancer on the slack rope1 naturally writhe and twist and balance their own bodies1 as they see him do1 and as they feel that they themselves must do if in his situation4 ,persons of delicate fibres and a weak constitution of body complain1 that in looking on the sores and ulcers which are exposed by beggars in the streets1 they are apt to feel an itching or uneasy sensation in the corresponding part of their own bodies4 ,the horror which they conceive at the misery of those wretches affects that particular part in themselves more than any other2 because that horror arises from conceiving what they themselves would suffer1 if they really were the wretches whom they are looking upon1 and if that particular part in themselves was actually affected in the same miserable manner4 ,the very force of this conception is sufficient1 in their feeble frames1 to produce that itching or uneasy sensation complained of4 ,men of the most robust make1 observe that in looking upon sore eyes they often feel a very sensible soreness in their own1 which proceeds from the same reason2 that organ being in the strongest man more delicate1 than any other part of the body is in the weakest4 ,neither is it those circumstances only1 which create pain or sorrow1 that call forth our fellow-feeling4 ,whatever is the passion which arises from any object in the person principally concerned1 an analogous emotion springs up1 at the thought of his situation1 in the breast of every attentive spectator4 ,our joy for the deliverance of those heroes of tragedy or romance who interest us1 is as sincere as our grief for their distress1 and our fellow-feeling with their misery is not more real than that with their happiness4 ,we enter into their gratitude towards those faithful friends who did not desert them in their difficulties2 and we heartily go along with their resentment against those perfidious traitors who injured1 abandoned1 or deceived them4 ,in every passion of which the mind of man is susceptible1 the emotions of the by-stander always correspond to what1 by bringing the case home to himself1 he imagines should be the sentiments of the sufferer4 #aa ,pity and compassion are words appropriated to signify our fellow-feeling with the sorrow of others4 ,sympathy1 though its meaning was1 perhaps1 originally the same1 may now1 however1 without much impropriety1 be made use of to denote our fellow-feeling with any passion whatever4 ,upon some occasions sympathy may seem to arise merely from the view of a certain emotion in another person4 ,the passions1 upon some occasions1 may seem to be transfused from one man to another1 instantaneously1 and antecedent to any knowledge of what excited them in the person principally concerned4 ,grief and joy1 for example1 strongly expressed in the look and gestures of any one1 at once affect the spectator with some degree of a like painful or agreeable emotion4 ,a smiling face is1 to everybody that sees it1 a cheerful object2 as a sorrowful countenance1 on the other hand1 is a melancholy one4 ,this1 however1 does not hold universally1 or with regard to every passion4 ,there are some passions of which the expressions excite no sort of sympathy1 but before we are acquainted with what gave occasion to them1 serve rather to disgust and provoke us against them4 ,the furious behaviour of an angry man is more likely to exasperate us against himself than against his enemies4 ,as we are unacquainted with his provocation1 we cannot bring his case home to ourselves1 nor conceive anything like the passions which it excites4 ,but we plainly see what is the situation of those with whom he is angry1 and to what violence they may be exposed from so enraged an adversary4 ,we readily1 therefore1 sympathise with their fear or resentment1 and are immediately disposed to take part against the man from whom they appear to be in so much danger4 ,if the very appearances of grief and joy inspire us with some degree of the like emotions1 it is because they suggest to us the general idea of some good or bad fortune that has befallen the person in whom we observe them3 and in these passions this is sufficient to have some little influence upon us4 ,the effects of grief and joy terminate in the person who feels those emotions1 of which the expressions do not1 like those of resentment1 suggest to us the idea of any other person for whom we are concerned1 and whose interests are opposite to his4 ,the general idea of good or bad fortune1 therefore1 creates some concern for the person who has met with it1 but the general idea of provocation excites no sympathy with the anger of the man who has received it4 ,nature1 it seems1 teaches us to be more averse to enter into this passion1 and1 till informed of its cause1 to be disposed rather to take part against it4 ,even our sympathy with the grief or joy of another1 before we are informed of the cause of either1 is always extremely imperfect4 ,general lamentations1 which express nothing but the anguish of the sufferer1 create rather a curiosity to inquire into his situation1 along with some #ab disposition to sympathize with him1 than any actual sympathy that is very sensible4 ,the first question which we ask is1 ,what has befallen you8 ,till this be answered1 though we are uneasy both from the vague idea of his misfortune1 and still more from torturing ourselves with conjectures about what it may be1 yet our fellow-feeling is not very considerable4 ,sympathy1 therefore1 does not arise so much from the view of the passion1 as from that of the situation which excites it4 ,we sometimes feel for another1 a passion of which he himself seems to be altogether incapable2 because1 when we put ourselves in his case1 that passion arises in our breast from the imagination1 though it does not in his from the reality4 ,we blush for the impudence and rudeness of another1 though he himself appears to have no sense of the impropriety of his own behaviour2 because we cannot help feeling with what confusion we ourselves should be covered1 had we behaved in so absurd a manner4 ,of all the calamities to which the condition of mortality exposes mankind1 the loss of reason appears1 to those who have the least spark of humanity1 by far the most dreadful1 and they behold that last stage of human wretchedness1 with deeper commiseration than any other4 ,but the poor wretch1 who is in it1 laughs and sings perhaps1 and is altogether insensible of his own misery4 ,the anguish which humanity feels1 therefore1 at the sight of such an object cannot be the reflection of any sentiment of the sufferer4 ,the compassion of the spectator must arise altogether from the consideration of what he himself would feel if he was reduced to the same unhappy situation1 and1 what perhaps is impossible1 was at the same time able to regard it with his present reason and judgment4 ,what are the pangs of a mother1 when she hears the moanings of her infant that during the agony of disease cannot express what it feels8 ,in her idea of what it suffers1 she joins1 to its real helplessness1 her own consciousness of that helplessness1 and her own terrors for the unknown consequences of its disorder2 and out of all these1 forms1 for her own sorrow1 the most complete image of misery and distress4 ,the infant1 however1 feels only the uneasiness of the present instant1 which can never be great4 ,with regard to the future1 it is perfectly secure1 and in its thoughtlessness and want of foresight1 possesses an antidote against fear and anxiety1 the great tormentors of the human breast1 from which1 reason and philosophy will1 in vain1 attempt to defend it when it grows up to a man4 ,we sympathize even with the dead1 and overlooking what is of real importance in their situation1 that awful futurity which awaits them1 we are chiefly affected by those circumstances which strike our senses1 but can have no influence upon their happiness4 ,it is miserable1 we think1 to be deprived of the light of the sun2 to be shut out from life and #ac conversation2 to be laid in the cold grave1 a prey to corruption and the reptiles of the earth2 to be no more thought of in this world1 but to be obliterated1 in a little time1 from the affections1 and almost from the memory1 of their dearest friends and relations4 ,surely1 we imagine1 we can never feel too much for those who have suffered so dreadful a calamity4 ,the tribute of our fellow-feeling seems doubly due to them now1 when they are in danger of being forgot by every body2 and1 by the vain honours which we pay to their memory1 we endeavour1 for our own misery1 artificially to keep alive our melancholy remembrance of their misfortune4 ,that our sympathy can afford them no consolation seems to be an addition to their calamity2 and to think that all we can do is unavailing1 and that1 what alleviates all other distress1 the regret1 the love1 and the lamentations of their friends1 can yield no comfort to them1 serves only to exasperate our sense of their misery4 ,the happiness of the dead1 however1 most assuredly1 is affected by none of these circumstances2 nor is it the thought of these things which can ever disturb the profound security of their repose4 ,the idea of that dreary and endless melancholy1 which the fancy naturally ascribes to their condition1 arises altogether from our joining to the change which has been produced upon them1 our own consciousness of that change1 from our putting ourselves in their situation1 and from our lodging1 if ,i may be allowed to say so1 our own living souls in their inanimated bodies1 and thence conceiving what would be our emotions in this case4 ,it is from this very illusion of the imagination1 that the foresight of our own dissolution is so terrible to us1 and that the idea of those circumstances1 which undoubtedly can give us no pain when we are dead1 makes us miserable while we are alive4 ,and from thence arises one of the most important principles in human nature1 the dread of death1 the great poison to the happiness1 but the great restraint upon the injustice of mankind1 which1 while it afflicts and mortifies the individual1 guards and protects the society4 ----- ,,chap4 ,,ii4--,of the ,pleasure of mutual ,sympathy4 ,,but whatever may be the cause of sympathy1 or however it may be excited1 nothing pleases us more than to observe in other men a fellow-feeling with all the emotions of our own breast2 nor are we ever so much shocked as by the appearance of the contrary4 ,those who are fond of deducing all our sentiments from certain refinements of self-love1 think themselves at no loss to account1 according to their own principles1 both for this pleasure and this pain4 ,man1 say they1 conscious of his own weakness1 and of the need which he has for the assistance of others1 rejoices whenever he observes that they adopt his own passions1 because he is then assured of that assistance2 and #ad grieves whenever he observes the contrary1 because he is then assured of their opposition4 ,but both the pleasure and the pain are always felt so instantaneously1 and often upon such frivolous occasions1 that it seems evident that neither of them can be derived from any such self-interested consideration4 ,a man is mortified when1 after having endeavoured to divert the company1 he looks round and sees that nobody laughs at his jests but himself4 ,on the contrary1 the mirth of the company is highly agreeable to him1 and he regards this correspondence of their sentiments with his own as the greatest applause4 ,neither does his pleasure seem to arise altogether from the additional vivacity which his mirth may receive from sympathy with theirs1 nor his pain from the disappointment he meets with when he misses this pleasure2 though both the one and the other1 no doubt1 do in some measure4 ,when we have read a book or poem so often that we can no longer find any amusement in reading it by ourselves1 we can still take pleasure in reading it to a companion4 ,to him it has all the graces of novelty2 we enter into the surprise and admiration which it naturally excites in him1 but which it is no longer capable of exciting in us2 we consider all the ideas which it presents rather in the light in which they appear to him1 than in that in which they appear to ourselves1 and we are amused by sympathy with his amusement which thus enlivens our own4 ,on the contrary1 we should be vexed if he did not seem to be entertained with it1 and we could no longer take any pleasure in reading it to him4 ,it is the same case here4 ,the mirth of the company1 no doubt1 enlivens our own mirth1 and their silence1 no doubt1 disappoints us4 ,but though this may contribute both to the pleasure which we derive from the one1 and to the pain which we feel from the other1 it is by no means the sole cause of either2 and this correspondence of the sentiments of others with our own appears to be a cause of pleasure1 and the want of it a cause of pain1 which cannot be accounted for in this manner4 ,the sympathy1 which my friends express with my joy1 might1 indeed1 give me pleasure by enlivening that joy3 but that which they express with my grief could give me none1 if it served only to enliven that grief4 ,sympathy1 however1 enlivens joy and alleviates grief4 ,it enlivens joy by presenting another source of satisfaction2 and it alleviates grief by insinuating into the heart almost the only agreeable sensation which it is at that time capable of receiving4 ,it is to be observed accordingly1 that we are still more anxious to communicate to our friends our disagreeable than our agreeable passions1 that we derive still more satisfaction from their sympathy with the former than from that with the latter1 and that we are still more shocked by the want of it4 ,how are the unfortunate relieved when they have found out a person to whom they can communicate the cause of their sorrow8 ,upon his sympathy they seem to disburthen themselves of a part of their #ae distress3 he is not improperly said to share it with them4 ,he not only feels a sorrow of the same kind with that which they feel1 but1 as if he had derived a part of it to himself1 what he feels seems to alleviate the weight of what they feel4 ,yet by relating their misfortunes they in some measure renew their grief4 ,they awaken in their memory the remembrance of those circumstances which occasion their affliction4 ,their tears accordingly flow faster than before1 and they are apt to abandon themselves to all the weakness of sorrow4 ,they take pleasure1 however1 in all this1 and1 it is evident1 are sensibly relieved by it2 because the sweetness of his sympathy more than compensates the bitterness of that sorrow1 which1 in order to excite this sympathy1 they had thus enlivened and renewed4 ,the cruellest insult1 on the contrary1 which can be offered to the unfortunate1 is to appear to make light of their calamities4 ,to seem not to be affected with the joy of our companions is but want of politeness2 but not to wear a serious countenance when they tell us their afflictions1 is real and gross inhumanity4 ,love is an agreeable1 resentment a disagreeable1 passion2 and accordingly we are not half so anxious that our friends should adopt our friendships1 as that they should enter into our resentments4 ,we can forgive them though they seem to be little affected with the favours which we may have received1 but lose all patience if they seem indifferent about the injuries which may have been done to us3 nor are we half so angry with them for not entering into our gratitude1 as for not sympathizing with our resentment4 ,they can easily avoid being friends to our friends1 but can hardly avoid being enemies to those with whom we are at variance4 ,we seldom resent their being at enmity with the first1 though upon that account we may sometimes affect to make an awkward quarrel with them2 but we quarrel with them in good earnest if they live in friendship with the last4 ,the agreeable passions of love and joy can satisfy and support the heart without any auxiliary pleasure4 ,the bitter and painful emotions of grief and resentment more strongly require the healing consolation of sympathy4 ,as the person who is principally interested in any event is pleased with our sympathy1 and hurt by the want of it1 so we1 too1 seem to be pleased when we are able to sympathize with him1 and to be hurt when we are unable to do so4 ,we run not only to congratulate the successful1 but to condole with the afflicted2 and the pleasure which we find in the conversation of one whom in all the passions of his heart we can entirely sympathize with1 seems to do more than compensate the painfulness of that sorrow with which the view of his situation affects us4 ,on the contrary1 it is always disagreeable to feel that we cannot sympathize with him1 and instead of being pleased with this exemption from sympathetic pain1 it hurts us to find that we cannot share his uneasiness4 ,if we hear a person loudly lamenting his misfortunes1 which however1 upon bringing the case home to ourselves1 we feel1 can produce #af no such violent effect upon us1 we are shocked at his grief2 and1 because we cannot enter into it1 call it pusillanimity and weakness4 ,it gives us the spleen1 on the other hand1 to see another too happy or too much elevated1 as we call it1 with any little piece of good fortune4 ,we are disobliged even with his joy2 and1 because we cannot go along with it1 call it levity and folly4 ,we are even put out of humour if our companion laughs louder or longer at a joke than we think it deserves2 that is1 than we feel that we ourselves could laugh at it4 ----- ,,chap4 ,,iii4--,of the ,manner in which we judge of the ,propriety or ,impropriety of the ,affections of other ,men1 by their ,concord or ,dissonance with our own4 ,,when the original passions of the person principally concerned are in perfect concord with the sympathetic emotions of the spectator1 they necessarily appear to this last just and proper1 and suitable to their objects2 and1 on the contrary1 when1 upon bringing the case home to himself1 he finds that they do not coincide with what he feels1 they necessarily appear to him unjust and improper1 and unsuitable to the causes which excite them4 ,to approve of the passions of another1 therefore1 as suitable to their objects1 is the same thing as to observe that we entirely sympathize with them2 and not to approve of them as such1 is the same thing as to observe that we do not entirely sympathize with them4 ,the man who resents the injuries that have been done to me1 and observes that ,i resent them precisely as he does1 necessarily approves of my resentment4 ,the man whose sympathy keeps time to my grief1 cannot but admit the reasonableness of my sorrow4 ,he who admires the same poem1 or the same picture1 and admires them exactly as ,i do1 must surely allow the justness of my admiration4 ,he who laughs at the same joke1 and laughs along with me1 cannot well deny the propriety of my laughter4 ,on the contrary1 the person who1 upon these different occasions1 either feels no such emotion as that which ,i feel1 or feels none that bears any proportion to mine1 cannot avoid disapproving my sentiments on account of their dissonance with his own4 ,if my animosity goes beyond what the indignation of my friend can correspond to2 if my grief exceeds what his most tender compassion can go along with2 if my admiration is either too high or too low to tally with his own2 if ,i laugh loud and heartily when he only smiles1 or1 on the contrary1 only smile when he laughs loud and heartily2 in all these cases1 as soon as he comes from considering the object1 to observe how ,i am affected by it1 according as there is more or less disproportion between his sentiments and mine1 ,i must incur a greater or less degree of his disapprobation3 and upon all occasions his own sentiments are the standards and measures by which he judges of mine4 #ag ,to approve of another man's opinions is to adopt those opinions1 and to adopt them is to approve of them4 ,if the same arguments which convince you convince me likewise1 ,i necessarily approve of your conviction2 and if they do not1 ,i necessarily disapprove of it3 neither can ,i possibly conceive that ,i should do the one without the other4 ,to approve or disapprove1 therefore1 of the opinions of others is acknowledged1 by every body1 to mean no more than to observe their agreement or disagreement with our own4 ,but this is equally the case with regard to our approbation or disapprobation of the sentiments or passions of others4 ,there are1 indeed1 some cases in which we seem to approve without any sympathy or correspondence of sentiments1 and in which1 consequently1 the sentiment of approbation would seem to be different from the perception of this coincidence4 ,a little attention1 however1 will convince us that even in these cases our approbation is ultimately founded upon a sympathy or correspondence of this kind4 ,i shall give an instance in things of a very frivolous nature1 because in them the judgments of mankind are less apt to be perverted by wrong systems4 ,we may often approve of a jest1 and think the laughter of the company quite just and proper1 though we ourselves do not laugh1 because1 perhaps1 we are in a grave humour1 or happen to have our attention engaged with other objects4 ,we have learned1 however1 from experience1 what sort of pleasantry is upon most occasions capable of making us laugh1 and we observe that this is one of that kind4 ,we approve1 therefore1 of the laughter of the company1 and feel that it is natural and suitable to its object2 because1 though in our present mode we cannot easily enter into it1 we are sensible that upon most occasions we should very heartily join in it4 ,the same thing often happens with regard to all the other passions4 ,a stranger passes by us in the street with all the marks of the deepest affliction2 and we are immediately told that he has just received the news of the death of his father4 ,it is impossible that1 in this case1 we should not approve of his grief4 ,yet it may often happen1 without any defect of humanity on our part1 that1 so far from entering into the violence of his sorrow1 we should scarce conceive the first movements of concern upon his account4 ,both he and his father1 perhaps1 are entirely unknown to us1 or we happen to be employed about other things1 and do not take time to picture out in our imagination the different circumstances of distress which must occur to him4 ,we have learned1 however1 from experience1 that such a misfortune naturally excites such a degree of sorrow1 and we know that if we took time to consider his situation1 fully in all its parts1 we should1 without doubt1 most sincerely sympathize with him4 ,it is upon the consciousness of this conditional sympathy1 that our approbation of his sorrow is founded1 even in those cases in which that sympathy does not actually take place2 #ah and the general rules derived from our preceding experience of what our sentiments would commonly correspond with1 correct upon this1 as upon many other occasions1 the impropriety of our present emotions4 ,the sentiment or affection of the heart from which any action proceeds1 and upon which its whole virtue or vice must ultimately depend1 may be considered under two different aspects1 or in two different relations2 first1 in relation to the cause which excites it1 or the motive which gives occasion to it2 and secondly1 in relation to the end which it proposes1 or the effect which it tends to produce4 ,in the suitableness or unsuitableness1 in the proportion or disproportion which the affection seems to bear to the cause or object which excites it1 consists the propriety or impropriety1 the decency or ungracefulness of the consequent action4 ,in the beneficial or hurtful nature of the effects which the affection aims at1 or tends to produce1 consists the merit or demerit of the action1 the qualities by which it is entitled to reward1 or is deserving of punishment4 ,philosophers have1 of late years1 considered chiefly the tendency of affections1 and have given little attention to the relation which they stand in to the cause which excites them4 ,in common life1 however1 when we judge of any person's conduct1 and of the sentiments which directed it1 we constantly consider them under both these aspects4 ,when we blame in another man the excesses of love1 of grief1 of resentment1 we not only consider the ruinous effect which they tend to produce1 but the little occasion which was given for them4 ,the merit of his favourite1 we say1 is not so great1 his misfortune is not so dreadful1 his provocation is not so extraordinary1 as to justify so violent a passion4 ,we should have indulged1 we say1 perhaps1 have approved of the violence of his emotion1 had the cause been in any respect proportioned to it4 ,when we judge in this manner of any affection as proportioned or disproportioned to the cause which excites it1 it is scarce possible that we should make use of any other rule or canon but the correspondent affection in ourselves4 ,if1 upon bringing the case home to our own breast1 we find that the sentiments which it gives occasion to1 coincide and tally with our own1 we necessarily approve of them as proportioned and suitable to their objects2 if otherwise1 we necessarily disapprove of them1 as extravagant and out of proportion4 ,every faculty in one man is the measure by which he judges of the like faculty in another4 ,i judge of your sight by my sight1 of your ear by my ear1 of your reason by my reason1 of your resentment by my resentment1 of your love by my love4 ,i neither have1 nor can have1 any other way of judging about them4 #ai ,,chap4 ,,iv4--,the same ,subject continued4 ,,we may judge of the propriety or impropriety of the sentiments of another person by their correspondence or disagreement with our own1 upon two different occasions2 either1 first1 when the objects which excite them are considered without any peculiar relation1 either to ourselves or to the person whose sentiments we judge of2 or1 secondly1 when they are considered as peculiarly affecting one or other of us4 #a4 ,with regard to those objects which are considered without any peculiar relation either to ourselves or to the person whose sentiments we judge of2 wherever his sentiments entirely correspond with our own1 we ascribe to him the qualities of taste and good judgment4 ,the beauty of a plain1 the greatness of a mountain1 the ornaments of a building1 the expression of a picture1 the composition of a discourse1 the conduct of a third person1 the proportions of different quantities and numbers1 the various appearances which the great machine of the universe is perpetually exhibiting1 with the secret wheels and springs which produce them2 all the general subjects of science and taste1 are what we and our companions regard as having no peculiar relation to either of us4 ,we both look at them from the same point of view1 and we have no occasion for sympathy1 or for that imaginary change of situations from which it arises1 in order to produce1 with regard to these1 the most perfect harmony of sentiments and affections4 ,if1 notwithstanding1 we are often differently affected1 it arises either from the different degrees of attention1 which our different habits of life allow us to give easily to the several parts of those complex objects1 or from the different degrees of natural acuteness in the faculty of the mind to which they are addressed4 ,when the sentiments of our companion coincide with our own in things of this kind1 which are obvious and easy1 and in which1 perhaps1 we never found a single person who differed from us1 though we1 no doubt1 must approve of them1 yet he seems to deserve no praise or admiration on account of them4 ,but when they not only coincide with our own1 but lead and direct our own2 when in forming them he appears to have attended to many things which we had overlooked1 and to have adjusted them to all the various circumstances of their objects2 we not only approve of them1 but wonder and are surprised at their uncommon and unexpected acuteness and comprehensiveness1 and he appears to deserve a very high degree of admiration and applause4 ,for approbation heightened by wonder and surprise1 constitutes the sentiment which is properly called admiration1 and of which applause is the natural expression4 ,the decision of the man who judges that exquisite beauty is preferable to the grossest deformity1 or that twice two are equal to four1 must certainly be approved of by #bj all the world1 but will not1 surely1 be much admired4 ,it is the acute and delicate discernment of the man of taste1 who distinguishes the minute1 and scarce perceptible differences of beauty and deformity2 it is the comprehensive accuracy of the experienced mathematician1 who unravels1 with ease1 the most intricate and perplexed proportions2 it is the great leader in science and taste1 the man who directs and conducts our own sentiments1 the extent and superior justness of whose talents astonish us with wonder and surprise1 who excites our admiration1 and seems to deserve our applause2 and upon this foundation is grounded the greater part of the praise which is bestowed upon what are called the intellectual virtues4 ,the utility of those qualities1 it may be thought1 is what first recommends them to us2 and1 no doubt1 the consideration of this1 when we come to attend to it1 gives them a new value4 ,originally1 however1 we approve of another man's judgment1 not as something useful1 but as right1 as accurate1 as agreeable to truth and reality3 and it is evident we attribute those qualities to it for no other reason but because we find that it agrees with our own4 ,taste1 in the same manner1 is originally approved of1 not as useful1 but as just1 as delicate1 and as precisely suited to its object4 ,the idea of the utility of all qualities of this kind1 is plainly an afterthought1 and not what first recommends them to our approbation4 #b4 ,with regard to those objects1 which affect in a particular manner either ourselves or the person whose sentiments we judge of1 it is at once more difficult to preserve this harmony and correspondence1 and at the same time1 vastly more important4 ,my companion does not naturally look at the misfortune that has befallen me1 or the injury that has been done me1 from the same point of view in which ,i consider them4 ,they affect me much more nearly4 ,we do not view them from the same station1 as we do a picture1 or a poem1 or a system of philosophy1 and are1 therefore1 apt to be very differently affected by them4 ,but ,i can much more easily overlook the want of this correspondence of sentiments with regard to such indifferent objects as concern neither me nor my companion1 than with regard to what interests me so much as the misfortune that has befallen me1 or the injury that has been done me4 ,though you despise that picture1 or that poem1 or even that system of philosophy1 which ,i admire1 there is little danger of our quarrelling upon that account4 ,neither of us can reasonably be much interested about them4 ,they ought all of them to be matters of great indifference to us both2 so that1 though our opinions may be opposite1 our affections may still be very nearly the same4 ,but it is quite otherwise with regard to those objects by which either you or ,i are particularly affected4 ,though your judgments in matters of speculation1 though your sentiments in matters of taste1 are quite opposite to mine1 ,i can easily overlook this opposition2 and if ,i #ba have any degree of temper1 ,i may still find some entertainment in your conversation1 even upon those very subjects4 ,but if you have either no fellow-feeling for the misfortunes ,i have met with1 or none that bears any proportion to the grief which distracts me2 or if you have either no indignation at the injuries ,i have suffered1 or none that bears any proportion to the resentment which transports me1 we can no longer converse upon these subjects4 ,we become intolerable to one another4 ,i can neither support your company1 nor you mine4 ,you are confounded at my violence and passion1 and ,i am enraged at your cold insensibility and want of feeling4 ,in all such cases1 that there may be some correspondence of sentiments between the spectator and the person principally concerned1 the spectator must1 first of all1 endeavour1 as much as he can1 to put himself in the situation of the other1 and to bring home to himself every little circumstance of distress which can possibly occur to the sufferer4 ,he must adopt the whole case of his companion with all its minutest incidents2 and strive to render as perfect as possible1 that imaginary change of situation upon which his sympathy is founded4 ,after all this1 however1 the emotions of the spectator will still be very apt to fall short of the violence of what is felt by the sufferer4 ,mankind1 though naturally sympathetic1 never conceive1 for what has befallen another1 that degree of passion which naturally animates the person principally concerned4 ,that imaginary change of situation1 upon which their sympathy is founded1 is but momentary4 ,the thought of their own safety1 the thought that they themselves are not really the sufferers1 continually intrudes itself upon them2 and though it does not hinder them from conceiving a passion somewhat analogous to what is felt by the sufferer1 hinders them from conceiving any thing that approaches to the same degree of violence4 ,the person principally concerned is sensible of this1 and at the same time passionately desires a more complete sympathy4 ,he longs for that relief which nothing can afford him but the entire concord of the affections of the spectators with his own4 ,to see the emotions of their hearts1 in every respect1 beat time to his own1 in the violent and disagreeable passions1 constitutes his sole consolation4 ,but he can only hope to obtain this by lowering his passion to that pitch1 in which the spectators are capable of going along with him4 ,he must flatten1 if ,i may be allowed to say so1 the sharpness of its natural tone1 in order to reduce it to harmony and concord with the emotions of those who are about him4 ,what they feel1 will1 indeed1 always be1 in some respects1 different from what he feels1 and compassion can never be exactly the same with original sorrow2 because the secret consciousness that the change of situations1 from which the sympathetic sentiment arises1 is but imaginary1 not only lowers it in degree1 but1 in some measure1 varies it in kind1 and gives it a quite different modification4 ,these two #bb sentiments1 however1 may1 it is evident1 have such a correspondence with one another1 as is sufficient for the harmony of society4 ,though they will never be unisons1 they may be concords1 and this is all that is wanted or required4 ,in order to produce this concord1 as nature teaches the spectators to assume the circumstance of the person principally concerned1 so she teaches this last in some measure to assume those of the spectators4 ,as they are continually placing themselves in his situation1 and thence conceiving emotions similar to what he feels2 so he is as constantly placing himself in theirs1 and thence conceiving some degree of that coolness about his own fortune1 with which he is sensible that they will view it4 ,as they are constantly considering what they themselves would feel1 if they actually were the sufferers1 so he is as constantly led to imagine in what manner he would be affected if he was only one of the spectators of his own situation4 ,as their sympathy makes them look at it1 in some measure1 with his eyes1 so his sympathy makes him look at it1 in some measure1 with theirs1 especially when in their presence and acting under their observation3 and as the reflected passion1 which he thus conceives1 is much weaker than the original one1 it necessarily abates the violence of what he felt before he came into their presence1 before he began to recollect in what manner they would be affected by it1 and to view his situation in this candid and impartial light4 ,the mind1 therefore1 is rarely so disturbed1 but that the company of a friend will restore it to some degree of tranquillity and sedateness4 ,the breast is1 in some measure1 calmed and composed the moment we come into his presence4 ,we are immediately put in mind of the light in which he will view our situation1 and we begin to view it ourselves in the same light2 for the effect of sympathy is instantaneous4 ,we expect less sympathy from a common acquaintance than from a friend3 we cannot open to the former all those little circumstances which we can unfold to the latter3 we assume1 therefore1 more tranquillity before him1 and endeavour to fix our thoughts upon those general outlines of our situation which he is willing to consider4 ,we expect still less sympathy from an assembly of strangers1 and we assume1 therefore1 still more tranquillity before them1 and always endeavour to bring down our passion to that pitch1 which the particular company we are in may be expected to go along with4 ,nor is this only an assumed appearance3 for if we are at all masters of ourselves1 the presence of a mere acquaintance will really compose us1 still more than that of a friend2 and that of an assembly of strangers still more than that of an acquaintance4 ,society and conversation1 therefore1 are the most powerful remedies for restoring the mind to its tranquillity1 if1 at any time1 it has unfortunately lost it2 as well as the best preservatives of that equal and #bc happy temper1 which is so necessary to self-satisfaction and enjoyment4 ,men of retirement and speculation1 who are apt to sit brooding at home over either grief or resentment1 though they may often have more humanity1 more generosity1 and a nicer sense of honour1 yet seldom possess that equality of temper which is so common among men of the world4 ----- ,,chap4 ,v4--,of the amiable and respectable ,virtues4 ,,upon these two different efforts1 upon that of the spectator to enter into the sentiments of the person principally concerned1 and upon that of the person principally concerned to bring down his emotions to what the spectator can go along with1 are founded two different sets of virtues4 ,the soft1 the gentle1 the amiable virtues1 the virtues of candid condescension and indulgent humanity1 are founded upon the one3 the great1 the awful and respectable1 the virtues of self-denial1 of self-government1 of that command of the passions which subjects all the movements of our nature to what our own dignity and honour1 and the propriety of our own conduct require1 take their origin from the other4 ,how amiable does he appear to be1 whose sympathetic heart seems to re-echo all the sentiments of those with whom he converses1 who grieves for their calamities1 who resents their injuries1 and who rejoices at their good fortune6 ,when we bring home to ourselves the situation of his companions1 we enter into their gratitude1 and feel what consolation they must derive from the tender sympathy of so affectionate a friend4 ,and for a contrary reason1 how disagreeable does he appear to be1 whose hard and obdurate heart feels for himself only1 but is altogether insensible to the happiness or misery of others6 ,we enter1 in this case1 too1 into the pain which his presence must give to every mortal with whom he converses1 to those especially with whom we are most apt to sympathize1 the unfortunate and the injured4 ,on the other hand1 what noble propriety and grace do we feel in the conduct of those who1 in their own case1 exert that recollection and self-command which constitute the dignity of every passion1 and which bring it down to what others can enter into8 ,we are disgusted with that clamorous grief1 which1 without any delicacy1 calls upon our compassion with sighs and tears and importunate lamentations4 ,but we reverence that reserved1 that silent and majestic sorrow1 which discovers itself only in the swelling of the eyes1 in the quivering of the lips and cheeks1 and in the distant1 but affecting1 coldness of the whole behaviour4 ,it imposes the like silence upon us4 ,we regard it with respectful attention1 and watch with anxious concern over our whole behaviour1 lest by any impropriety we should disturb that concerted tranquillity1 which it requires so great an effort to support4 ,the insolence and brutality of anger1 in the same manner1 when we #bd indulge its fury without check or restraint1 is of all objects the most detestable4 ,but we admire that noble and generous resentment which governs its pursuit of the greatest injuries1 not by the rage which they are apt to excite in the breast of the sufferer1 but by the indignation which they naturally call forth in that part of the impartial spectator2 which allows no word1 no gesture1 to escape it beyond what this more equitable sentiment would dictate2 which never1 even in thought1 attempts any greater vengeance1 nor desires to inflict any greater punishment1 than what every indifferent person would rejoice to see executed4 ,and hence it is1 that to feel much for others and little for ourselves1 that to restrain our selfish1 and to indulge our benevolent affections1 constitutes the perfection of human nature2 and can alone produce among mankind that harmony of sentiments and passions in which consists their whole grace and propriety4 ,as to love our neighbour as we love ourselves is the great law of ,christianity1 so it is the great precept of nature to love ourselves only as we love our neighbour1 or what comes to the same thing1 as our neighbour is found capable of loving us4 ,as taste and good judgment1 when they are considered as qualities which deserve praise and admiration1 are supposed to imply a delicacy of sentiment and an acuteness of understanding not commonly to be met with2 so the virtues of sensibility and self-command are not apprehended to consist in the ordinary1 but in the uncommon degrees of those qualities4 ,the amiable virtue of humanity requires1 surely1 a sensibility much beyond what is possessed by the rude vulgar of mankind4 ,the great and exalted virtue of magnanimity undoubtedly demands much more than that degree of self-command1 which the weakest of mortals is capable of exerting4 ,as in the common degree of the intellectual qualities1 there is no ability2 so in the common degree of the moral1 there is no virtue4 ,virtue is excellence1 something uncommonly great and beautiful1 which rises far above what is vulgar and ordinary4 ,the amiable virtues consist in that degree of sensibility which surprises by its exquisite and unexpected delicacy and tenderness4 ,the awful and respectable1 in that degree of self-command which astonishes by its amazing superiority over the most ungovernable passions of human nature4 ,there is1 in this respect1 a considerable difference between virtue and mere propriety2 between those qualities and actions which deserve to be admired and celebrated1 and those which simply deserve to be approved of4 ,upon many occasions1 to act with the most perfect propriety1 requires no more than that common and ordinary degree of sensibility or self-command which the most worthless of mankind are possest of1 and sometimes even that degree is not necessary4 ,thus1 to give a very low instance1 to eat when we are hungry1 is certainly1 upon #be ordinary occasions1 perfectly right and proper1 and cannot miss being approved of as such by every body4 ,nothing1 however1 could be more absurd than to say it was virtuous4 ,on the contrary1 there may frequently be a considerable degree of virtue in those actions which fall short of the most perfect propriety2 because they may still approach nearer to perfection than could well be expected upon occasions in which it was so extremely difficult to attain it3 and this is very often the case upon those occasions which require the greatest exertions of self-command4 ,there are some situations which bear so hard upon human nature1 that the greatest degree of self-government1 which can belong to so imperfect a creature as man1 is not able to stifle altogether the voice of human weakness1 or reduce the violence of the passions to that pitch of moderation1 in which the impartial spectator can entirely enter into them4 ,though in those cases1 therefore1 the behaviour of the sufferer fall short of the most perfect propriety1 it may still deserve some applause1 and even in a certain sense may be denominated virtuous4 ,it may still manifest an effort of generosity and magnanimity of which the greater part of men are wholly incapable2 and though it fails of absolute perfection1 it may be a much nearer approximation towards perfection1 than what1 upon such trying occasions1 is commonly either to be found or to be expected4 ,in cases of this kind1 when we are determining the degree of blame or applause which seems due to any action1 we very frequently make use of two different standards4 ,the first is the idea of complete propriety and perfection1 which1 in those difficult situations1 no human conduct ever did1 or ever can come up to2 and in comparison with which the actions of all men must for ever appear blamable and imperfect4 ,the second is the idea of that degree of proximity or distance from this complete perfection1 which the actions of the greater part of men commonly arrive at4 ,whatever goes beyond this degree1 how far soever it may be removed from absolute perfection1 seems to deserve applause2 and whatever falls short of it1 to deserve blame4 ,it is in the same manner that we judge of the productions of all the arts which address themselves to the imagination4 ,when a critic examines the work of any of the great masters in poetry or painting1 he may sometimes examine it by an idea of perfection1 in his own mind1 which neither that nor any other human work will ever come up to2 and as long as he compares it with this standard1 he can see nothing in it but faults and imperfections4 ,but when he comes to consider the rank which it ought to hold among other works of the same kind1 he necessarily compares it with a very different standard1 the common degree of excellence which is usually attained in this particular art2 and when he judges of it by this new measure1 it may often appear to deserve the highest applause1 upon account of its approaching #bf much nearer to perfection than the greater part of those works which can be brought into competition with it4 ----- ,,sec4 ,,ii4--,,of ,,the ,,degrees ,,of ,,the ,,different ,,passions ,,which ,,are ,,consistent ,,with ,,propriety4 ,,introduction4--,the propriety of every passion excited by objects peculiarly related to ourselves1 the pitch which the spectator can go along with1 must lie1 it is evident1 in a certain mediocrity4 ,if the passion is too high1 or if it is too low1 he cannot enter into it4 ,grief and resentment for private misfortunes and injuries may easily1 for example1 be too high1 and in the greater part of mankind they are so4 ,they may likewise1 though this more rarely happens1 be too low4 ,we denominate the excess weakness and fury3 and we call the defect stupidity1 insensibility1 and want of spirit4 ,we can enter into neither of them1 but are astonished and confounded to see them4 ,this mediocrity1 however1 in which the point of propriety consists1 is different in different passions4 ,it is high in some1 and low in others4 ,there are some passions which it is indecent to express very strongly1 even upon those occasions1 in which it is acknowledged that we cannot avoid feeling them in the highest degree4 ,and there are others of which the strongest expressions are upon many occasions extremely graceful1 even though the passions themselves do not1 perhaps1 arise so necessarily4 ,the first are those passions with which1 for certain reasons1 there is little or no sympathy3 the second are those with which1 for other reasons1 there is the greatest4 ,and if we consider all the different passions of human nature1 we shall find that they are regarded as decent1 or indecent1 just in proportion as mankind are more or less disposed to sympathize with them4 ----- ,,chap4 ,i4--,of the ,passions which take their ,origin from the ,body4 #a4 ,,it is indecent to express any strong degree of those passions which arise from a certain situation or disposition of the body2 because the company1 not being in the same disposition1 cannot be expected to sympathize with them4 ,violent hunger1 for example1 though upon many occasions not only natural1 but unavoidable1 is always indecent1 and to eat voraciously is universally regarded as a piece of ill manners4 ,there is1 however1 some degree of sympathy1 even with hunger4 ,it is agreeable to see our companions eat with a good appetite1 and all expressions of loathing are offensive4 ,the disposition of body which is habitual to a man in health1 makes his stomach easily keep time1 if ,i may be allowed so coarse an expression1 with the one1 and not with the other4 #bg ,we can sympathize with the distress which excessive hunger occasions when we read the description of it in the journal of a siege1 or of a sea voyage4 ,we imagine ourselves in the situation of the sufferers1 and thence readily conceive the grief1 the fear1 and consternation1 which must necessarily distract them4 ,we feel1 ourselves1 some degree of those passions1 and therefore sympathize with them3 but as we do not grow hungry by reading the description1 we cannot properly1 even in this case1 be said to sympathize with their hunger4 ,it is the same case with the passion by which ,nature unites the two sexes4 ,though naturally the most furious of all the passions1 all strong expressions of it are upon every occasion indecent1 even between persons in whom its most complete indulgence is acknowledged by all laws1 both human and divine1 to be perfectly innocent4 ,there seems1 however1 to be some degree of sympathy even with this passion4 ,to talk to a woman as we should to a man is improper3 it is expected that their company should inspire us with more gaiety1 more pleasantry1 and more attention2 and an entire insensibility to the fair sex1 renders a man contemptible in some measure even to the men4 ,such is our aversion for all the appetites which take their origin from the body2 all strong expressions of them are loathsome and disagreeable4 ,according to some ancient philosophers1 these are the passions which we share in common with the brutes1 and which1 having no connexion with the characteristical qualities of human nature1 are upon that account beneath its dignity4 ,but there are many other passions which we share in common with the brutes1 such as resentment1 natural affection1 even gratitude1 which do not1 upon that account1 appear to be so brutal4 ,the true cause of the peculiar disgust which we conceive for the appetites of the body when we see them in other men1 is that we cannot enter into them4 ,to the person himself who feels them1 as soon as they are gratified1 the object that excited them ceases to be agreeable3 even its presence often becomes offensive to him2 he looks round to no purpose for the charm which transported him the moment before1 and he can now as little enter into his own passion as another person4 ,when we have dined1 we order the covers to be removed2 and we should treat in the same manner the objects of the most ardent and passionate desires1 if they were the objects of no other passions but those which take their origin from the body4 ,in the command of those appetites of the body consists that virtue which is properly called temperance4 ,to restrain them within those bounds which regard to health and fortune prescribes1 is the part of prudence4 ,but to confine them within those limits which grace1 which propriety1 which delicacy1 and which modesty1 require1 is the office of temperance4 #b4 ,it is for the same reason that to cry out with bodily pain1 how intolerable soever1 appears always unmanly and unbecoming4 ,there #bh is1 however1 a good deal of sympathy even with bodily pain4 ,if1 as has already been observed1 ,i see a stroke aimed1 and just ready to fall upon the leg1 or arm1 of another person1 ,i naturally shrink and draw back my own leg1 or my own arm3 and when it does fall1 ,i feel it in some measure1 and am hurt by it as well as the sufferer4 ,my hurt1 however1 is1 no doubt1 excessively slight1 and1 upon that account1 if he makes any violent outcry1 as ,i cannot go along with him1 ,i never fail to despise him4 ,and this is the case of all the passions which take their origin from the body3 they excite either no sympathy at all1 or such a degree of it1 as is altogether disproportioned to the violence of what is felt by the sufferer4 ,it is quite otherwise with those passions which take their origin from the imagination4 ,the frame of my body can be but little affected by the alterations which are brought about upon that of my companion3 but my imagination is more ductile1 and more readily assumes1 if ,i may say so1 the shape and configuration of the imaginations of those with whom ,i am familiar4 ,a disappointment in love1 or ambition1 will1 upon this account1 call forth more sympathy than the greatest bodily evil4 ,those passions arise altogether from the imagination4 ,the person who has lost his whole fortune1 if he is in health1 feels nothing in his body4 ,what he suffers is from the imagination only1 which represents to him the loss of his dignity1 neglect from his friends1 contempt from his enemies1 dependence1 want1 and misery1 coming fast upon him2 and we sympathize with him the more strongly upon this account1 because our imaginations can the more readily mould themselves upon his imagination1 than our bodies can mould themselves upon his body4 ,the loss of a leg may generally be regarded as a more real calamity than the loss of a mistress4 ,it would be a ridiculous tragedy1 however1 of which the catastrophe was to turn upon a loss of that kind4 ,a misfortune of the other kind1 how frivolous soever it may appear to be1 has given occasion to many a fine one4 ,nothing is so soon forgot as pain4 ,the moment it is gone the whole agony of it is over1 and the thought of it can no longer give us any sort of disturbance4 ,we ourselves cannot then enter into the anxiety and anguish which we had before conceived4 ,an unguarded word from a friend will occasion a more durable uneasiness4 ,the agony which this creates is by no means over with the word4 ,what at first disturbs us is not the object of the senses1 but the idea of the imagination4 ,as it is an idea1 therefore1 which occasions our uneasiness1 till time and other accidents have in some measure effaced it from our memory1 the imagination continues to fret and rankle within1 from the thought of it4 ,pain never calls forth any very lively sympathy unless it is accompanied with danger4 ,we sympathize with the fear1 though not with the agony of the sufferer4 ,fear1 however1 is a passion derived altogether #bi from the imagination1 which represents1 with an uncertainty and fluctuation that increases our anxiety1 not what we really feel1 but what we may hereafter possibly suffer4 ,the gout or the tooth-ache1 though exquisitely painful1 excite very little sympathy2 more dangerous diseases1 though accompanied with very little pain1 excite the highest4 ,some people faint and grow sick at the sight of a chirurgical operation1 and that bodily pain which is occasioned by tearing the flesh1 seems1 in them1 to excite the most excessive sympathy4 ,we conceive in a much more lively and distinct manner the pain which proceeds from an external cause1 than we do that which arises from an internal disorder4 ,i can scarce form an idea of the agonies of my neighbour when he is tortured with the gout1 or the stone2 but ,i have the clearest conception of what he must suffer from an incision1 a wound1 or a fracture4 ,the chief cause1 however1 why such objects produce such violent effects upon us1 is their novelty4 ,one who has been witness to a dozen dissections1 and as many amputations1 sees1 ever after1 all operations of this kind with great indifference1 and often with perfect insensibility4 ,though we have read or seen represented more than five hundred tragedies1 we shall seldom feel so entire an abatement of our sensibility to the objects which they represent to us4 ,in some of the ,greek tragedies there is an attempt to excite compassion1 by the representation of the agonies of bodily pain4 ,philoctetes cries out and faints from the extremity of his sufferings4 ,hippolytus and ,hercules are both introduced as expiring under the severest tortures1 which1 it seems1 even the fortitude of ,hercules was incapable of supporting4 ,in all these cases1 however1 it is not the pain which interests us1 but some other circumstance4 ,it is not the sore foot1 but the solitude1 of ,philoctetes which affects us1 and diffuses over that charming tragedy1 that romantic wildness1 which is so agreeable to the imagination4 ,the agonies of ,hercules and ,hippolytus are interesting only because we foresee that death is to be the consequence4 ,if those heroes were to recover1 we should think the representation of their sufferings perfectly ridiculous4 ,what a tragedy would that be of which the distress consisted in a colic6 ,yet no pain is more exquisite4 ,these attempts to excite compassion by the representation of bodily pain1 may be regarded as among the greatest breaches of decorum of which the ,greek theatre has set the example4 ,the little sympathy which we feel with bodily pain1 is the foundation of the propriety of constancy and patience in enduring it4 ,the man1 who under the severest tortures allows no weakness to escape him1 vents no groan1 gives way to no passion which we do not entirely enter into1 commands our highest admiration4 ,his firmness enables him to keep time with our indifference and insensibility4 ,we admire and entirely go along with the magnanimous effort which he makes for this purpose4 ,we approve of his behaviour1 and from our experience of the common #cj weakness of human nature1 we are surprised1 and wonder how he should be able to act so as to deserve approbation4 ,approbation1 mixed and animated by wonder and surprise1 constitutes the sentiment which is properly called admiration1 of which1 applause is the natural expression1 as has already been observed4 ----- ,,chap4 ,,ii4--,of those ,passions which take their ,origin from a particular ,turn or ,habit of the ,imagination4 ,,even of the passions derived from the imagination1 those which take their origin from a peculiar turn or habit it has acquired1 though they may be acknowledged to be perfectly natural1 are1 however1 but little sympathized with4 ,the imaginations of mankind1 not having acquired that particular turn1 cannot enter into them2 and such passions1 though they may be allowed to be almost unavoidable in some part of life1 are always1 in some measure1 ridiculous4 ,this is the case with that strong attachment which naturally grows up between two persons of different sexes1 who have long fixed their thoughts upon one another4 ,our imagination not having run in the same channel with that of the lover1 we cannot enter into the eagerness of his emotions4 ,if our friend has been injured1 we readily sympathize with his resentment1 and grow angry with the very person with whom he is angry4 ,if he has received a benefit1 we readily enter into his gratitude1 and have a very high sense of the merit of his benefactor4 ,but if he is in love1 though we may think his passion just as reasonable as any of the kind1 yet we never think ourselves bound to conceive a passion of the same kind1 and for the same person for whom he has conceived it4 ,the passion appears to every body1 but the man who feels it1 entirely disproportioned to the value of the object2 and love1 though it is pardoned in a certain age because we know it is natural1 is always laughed at1 because we cannot enter into it4 ,all serious and strong expressions of it appear ridiculous to a third person2 and though a lover may be good company to his mistress1 he is so to nobody else4 ,he himself is sensible of this2 and as long as he continues in his sober senses1 endeavours to treat his own passion with raillery and ridicule4 ,it is the only style in which we care to hear of it2 because it is the only style in which we ourselves are disposed to talk of it4 ,we grow weary of the grave1 pedantic1 and long-sentenced love of ,cowley and ,petrarca1 who never have done with exaggerating the violence of their attachments2 but the gaiety of ,ovid1 and the gallantry of ,horace1 are always agreeable4 ,but though we feel no proper sympathy with an attachment of this kind1 though we never approach even in imagination towards conceiving a passion for that particular person1 yet as we either have conceived1 or may be disposed to conceive1 passions of the same kind1 we readily #ca enter into those high hopes of happiness which are proposed from its gratification1 as well as into that exquisite distress which is feared from its disappointment4 ,it interests us not as a passion1 but as a situation that gives occasion to other passions which interest us2 to hope1 to fear1 and to distress of every kind3 in the same manner as in a description of a sea voyage1 it is not the hunger which interests us1 but the distress which that hunger occasions4 ,though we do not properly enter into the attachment of the lover1 we readily go along with those expectations of romantic happiness which he derives from it4 ,we feel how natural it is for the mind1 in a certain situation1 relaxed with indolence1 and fatigued with the violence of desire1 to long for serenity and quiet1 to hope to find them in the gratification of that passion which distracts it1 and to frame to itself the idea of that life of pastoral tranquillity and retirement which the elegant1 the tender1 and the passionate ,tibullus takes so much pleasure in describing2 a life like what the poets describe in the ,fortunate ,islands1 a life of friendship1 liberty1 and repose2 free from labour1 and from care1 and from all the turbulent passions which attend them4 ,even scenes of this kind interest us most1 when they are painted rather as what is hoped1 than as what is enjoyed4 ,the grossness of that passion1 which mixes with1 and is1 perhaps1 the foundation of love1 disappears when its gratification is far off and at a distance2 but renders the whole offensive1 when described as what is immediately possessed4 ,the happy passion1 upon this account1 interests us much less than the fearful and the melancholy4 ,we tremble for whatever can disappoint such natural and agreeable hopes3 and thus enter into all the anxiety1 and concern1 and distress of the lover4 ,hence it is1 that1 in some modern tragedies and romances1 this passion appears so wonderfully interesting4 ,it is not so much the love of ,castalio and ,monimia which attaches us in the orphan1 as the distress which that love occasions4 ,the author who should introduce two lovers1 in a scene of perfect security1 expressing their mutual fondness for one another1 would excite laughter1 and not sympathy4 ,if a scene of this kind is ever admitted into a tragedy1 it is always1 in some measure1 improper1 and is endured1 not from any sympathy with the passion that is expressed in it1 but from concern for the dangers and difficulties with which the audience foresee that its gratification is likely to be attended4 ,the reserve which the laws of society impose upon the fair sex1 with regard to this weakness1 renders it more peculiarly distressful in them1 and1 upon that very account1 more deeply interesting4 ,we are charmed with the love of ,phdra1 as it is expressed in the ,french tragedy of that name1 notwithstanding all the extravagance and guilt which attend it4 ,that very extravagance and guilt may be said1 in some measure1 to recommend it to us4 ,her fear1 her shame1 her remorse1 her horror1 her despair1 become thereby more natural and interesting4 ,all the #cb secondary passions1 if ,i may be allowed to call them so1 which arise from the situation of love1 become necessarily more furious and violent2 and it is with these secondary passions only that we can properly be said to sympathize4 ,of all the passions1 however1 which are so extravagantly disproportioned to the value of their objects1 love is the only one that appears1 even to the weakest minds1 to have any thing in it that is either graceful or agreeable4 ,in itself1 first of all1 though it may be ridiculous1 it is not naturally odious2 and though its consequences are often fatal and dreadful1 its intentions are seldom mischievous4 ,and then1 though there is little propriety in the passion itself1 there is a good deal in some of those which always accompany it4 ,there is in love a strong mixture of humanity1 generosity1 kindness1 friendship1 esteem2 passions with which1 of all others1 for reasons which shall be explained immediately1 we have the greatest propensity to sympathize1 even notwithstanding we are sensible that they are1 in some measure1 excessive4 ,the sympathy which we feel with them1 renders the passion which they accompany less disagreeable1 and supports it in our imagination1 notwithstanding all the vices which commonly go along with it2 though in the one sex it necessarily leads to the last ruin and infamy2 and though in the other1 where it is apprehended to be least fatal1 it is almost always attended with an incapacity for labour1 a neglect of duty1 a contempt of fame1 and even of common reputation4 ,notwithstanding all this1 the degree of sensibility and generosity with which it is supposed to be accompanied1 renders it to many the object of vanity2 and they are fond of appearing capable of feeling what would do them no honour if they had really felt it4 ,it is for a reason of the same kind1 that a certain reserve is necessary when we talk of our own friends1 our own studies1 our own professions4 ,all these are objects which we cannot expect should interest our companions in the same degree in which they interest us4 ,and it is for want of this reserve1 that the one half of mankind make bad company to the other4 ,a philosopher is company to a philosopher only2 the member of a club1 to his own little knot of companions4 ----- ,,chap4 ,,iii4--,of the unsocial ,passions4 ,,there is another set of passions1 which1 though derived from the imagination1 yet before we can enter into them1 or regard them as graceful or becoming1 must always be brought down to a pitch much lower than that to which undisciplined nature would raise them4 ,these are1 hatred and resentment1 with all their different modifications4 ,with regard to all such passions1 our sympathy is divided between the person who feels them1 and the person who is the object of them4 ,the #cc interests of these two are directly opposite4 ,what our sympathy with the person who feels them would prompt us to wish for1 our fellow-feeling with the other would lead us to fear4 ,as they are both men1 we are concerned for both1 and our fear for what the one may suffer1 damps our resentment for what the other has suffered4 ,our sympathy1 therefore1 with the man who has received the provocation1 necessarily falls short of the passion which naturally animates him1 not only upon account of those general causes which render all sympathetic passions inferior to the original ones1 but upon account of that particular cause which is peculiar to itself1 our opposite sympathy with another person4 ,before resentment1 therefore1 can become graceful and agreeable1 it must be more humbled and brought down below that pitch to which it would naturally rise1 than almost any other passion4 ,mankind1 at the same time1 have a very strong sense of the injuries that are done to another4 ,the villain1 in a tragedy or romance1 is as much the object of our indignation1 as the hero is that of our sympathy and affection4 ,we detest ,iago as much as we esteem ,othello2 and delight as much in the punishment of the one1 as we are grieved at the distress of the other4 ,but though mankind have so strong a fellow-feeling with the injuries that are done to their brethren1 they do not always resent them the more that the sufferer appears to resent them4 ,upon most occasions1 the greater his patience1 his mildness1 his humanity1 provided it does not appear that he wants spirit1 or that fear was the motive of his forbearance1 the higher the resentment against the person who injured him4 ,the amiableness of the character exasperates their sense of the atrocity of the injury4 ,these passions1 however1 are regarded as necessary parts of the character of human nature4 ,a person becomes contemptible who tamely sits still1 and submits to insults1 without attempting either to repel or to revenge them4 ,we cannot enter into his indifference and insensibility3 we call his behaviour mean-spiritedness1 and are as really provoked by it as by the insolence of his adversary4 ,even the mob are enraged to see any man submit patiently to affronts and ill usage4 ,they desire to see this insolence resented1 and resented by the person who suffers from it4 ,they cry to him with fury1 to defend or to revenge himself4 ,if his indignation rouses at last1 they heartily applaud1 and sympathize with it4 ,it enlivens their own indignation against his enemy1 whom they rejoice to see him attack in turn1 and are as really gratified by his revenge1 provided it is not immoderate1 as if the injury had been done to themselves4 ,but though the utility of those passions to the individual1 by rendering it dangerous to insult or to injure him1 be acknowledged2 and though their utility to the public1 as the guardians of justice1 and of the equality of its administration1 be not less considerable1 as shall be shewn hereafter2 yet there is still something disagreeable in the #cd passions themselves1 which makes the appearance of them in other men the natural object of our aversion4 ,the expression of anger towards any body present1 if it exceeds a bare intimation that we are sensible of his ill usage1 is regarded not only as an insult to that particular person1 but as a rudeness to the whole company4 ,respect for them ought to have restrained us from giving way to so boisterous and offensive an emotion4 ,it is the remote effects of these passions which are agreeable2 the immediate effects are mischief to the person against whom they are directed4 ,but it is the immediate1 and not the remote effects of objects which render them agreeable or disagreeable to the imagination4 ,a prison is certainly more useful to the public than a palace2 and the person who founds the one is generally directed by a much juster spirit of patriotism1 than he who builds the other4 ,but the immediate effects of a prison1 the confinement of the wretches shut up in it1 are disagreeable2 and the imagination either does not take time to trace out the remote ones1 or sees them at too great a distance to be much affected by them4 ,a prison1 therefore1 will always be a disagreeable object2 and the fitter it is for the purpose for which it was intended1 it will be the more so4 ,a palace1 on the contrary1 will always be agreeable2 yet its remote effects may often be inconvenient to the public4 ,it may serve to promote luxury1 and set the example of the dissolution of manners4 ,its immediate effects1 however1 the conveniency1 the pleasure1 and the gaiety of the people who live in it1 being all agreeable1 and suggesting to the imagination a thousand agreeable ideas1 that faculty generally rests upon them1 and seldom goes further in tracing its more distant consequences4 ,trophies of the instruments of music or of agriculture1 imitated in painting or in stucco1 make a common and an agreeable ornament of our halls and dining rooms4 ,a trophy of the same kind1 composed of the instruments of surgery1 of dissecting and amputation-knives1 of saws for cutting the bones1 of trepanning instruments1 c41 would be absurd and shocking4 ,instruments of surgery1 however1 are always more finely polished1 and generally more nicely adapted to the purposes for which they are intended1 than instruments of agriculture4 ,the remote effects of them too1 the health of the patient1 is agreeable2 yet as the immediate effect of them is pain and suffering1 the sight of them always displeases us4 ,instruments of war are agreeable1 though their immediate effect may seem to be in the same manner pain and suffering4 ,but then it is the pain and suffering of our enemies1 with whom we have no sympathy4 ,with regard to us1 they are immediately connected with the agreeable ideas of courage1 victory1 and honour4 ,they are themselves1 therefore1 supposed to make one of the noblest parts of dress1 and the imitation of them one of the finest ornaments of architecture4 ,it is the same case with the qualities of the mind4 ,the ancient stoics were of opinion1 that as the world was governed by the #ce all-ruling providence of a wise1 powerful1 and good ,god1 every single event ought to be regarded1 as making a necessary part of the plan of the universe1 and as tending to promote the general order and happiness of the whole3 that the vices and follies of mankind1 therefore1 made as necessary a part of this plan as their wisdom or their virtue2 and by that eternal art which educes good from ill1 were made to tend equally to the prosperity and perfection of the great system of nature4 ,no speculation of this kind1 however1 how deeply soever it might be rooted in the mind1 could diminish our natural abhorrence for vice1 whose immediate effects are so destructive1 and whose remote ones are too distant to be traced by the imagination4 ,it is the same case with those passions we have been just now considering4 ,their immediate effects are so disagreeable1 that even when they are most justly provoked1 there is still something about them which disgusts us4 ,these1 therefore1 are the only passions of which the expressions1 as ,i formerly observed1 do not dispose and prepare us to sympathize with them1 before we are informed of the cause which excites them4 ,the plaintive voice of misery1 when heard at a distance1 will not allow us to be indifferent about the person from whom it comes4 ,as soon as it strikes our ear1 it interests us in his fortune1 and1 if continued1 forces us almost involuntarily to fly to his assistance4 ,the sight of a smiling countenance1 in the same manner1 elevates even the pensive into that gay and airy mood1 which disposes him to sympathize with1 and share the joy which it expresses2 and he feels his heart1 which with thought and care was before that shrunk and depressed1 instantly expanded and elated4 ,but it is quite otherwise with the expressions of hatred and resentment4 ,the hoarse1 boisterous1 and discordant voice of anger1 when heard at a distance1 inspires us either with fear or aversion4 ,we do not fly towards it1 as to one who cries out with pain and agony4 ,women1 and men of weak nerves1 tremble and are overcome with fear1 though sensible that themselves are not the objects of the anger4 ,they conceive fear1 however1 by putting themselves in the situation of the person who is so4 ,even those of stouter hearts are disturbed2 not indeed enough to make them afraid1 but enough to make them angry2 for anger is the passion which they would feel in the situation of the other person4 ,it is the same case with hatred4 ,mere expressions of spite inspire it against nobody1 but the man who uses them4 ,both these passions are by nature the objects of our aversion4 ,their disagreeable and boisterous appearance never excites1 never prepares1 and often disturbs our sympathy4 ,grief does not more powerfully engage and attract us to the person in whom we observe it1 than these1 while we are ignorant of their cause1 disgust and detach us from him4 ,it was1 it seems1 the intention of ,nature1 that those rougher and more unamiable emotions1 which drive men from one another1 should be less easily and more rarely communicated4 #cf ,when music imitates the modulations of grief or joy1 it either actually inspires us with those passions1 or at least puts us in the mood which disposes us to conceive them4 ,but when it imitates the notes of anger1 it inspires us with fear4 ,joy1 grief1 love1 admiration1 devotion1 are all of them passions which are naturally musical4 ,their natural tones are all soft1 clear1 and melodious2 and they naturally express themselves in periods which are distinguished by regular pauses1 and which upon that account are easily adapted to the regular returns of the correspondent airs of a tune4 ,the voice of anger1 on the contrary1 and of all the passions which are akin to it1 is harsh and discordant4 ,its periods too are all irregular1 sometimes very long1 and sometimes very short1 and distinguished by no regular pauses4 ,it is with difficulty therefore1 that music can imitate any of those passions2 and the music which does imitate them is not the most agreeable4 ,a whole entertainment may consist1 without any impropriety1 of the imitation of the social and agreeable passions4 ,it would be a strange entertainment which consisted altogether of the imitations of hatred and resentment4 ,if those passions are disagreeable to the spectator1 they are not less so to the person who feels them4 ,hatred and anger are the greatest poison to the happiness of a good mind4 ,there is1 in the very feeling of those passions1 something harsh1 jarring1 and convulsive1 something that tears and distracts the breast1 and is altogether destructive of that composure and tranquillity of mind which is so necessary to happiness1 and which is best promoted by the contrary passions of gratitude and love4 ,it is not the value of what they lose by the perfidy and ingratitude of those they live with1 which the generous and humane are most apt to regret4 ,whatever they may have lost1 they can generally be very happy without it4 ,what most disturbs them is the idea of perfidy and ingratitude exercised towards themselves2 and the discordant and disagreeable passions which this excites1 constitute1 in their own opinion1 the chief part of the injury which they suffer4 ,how many things are requisite to render the gratification of resentment completely agreeable1 and to make the spectator thoroughly sympathize with our revenge8 ,the provocation must first of all be such that we should become contemptible1 and be exposed to perpetual insults1 if we did not1 in some measure1 resent it4 ,smaller offences are always better neglected2 nor is there anything more despicable than that froward and captious humour which takes fire upon every slight occasion of quarrel4 ,we should resent more from a sense of the propriety of resentment1 from a sense1 that mankind expect and require it of us1 than because we feel in ourselves the furies of that disagreeable passion4 ,there is no passion1 of which the human mind is capable1 concerning whose justness we ought to be so doubtful1 concerning whose indulgence we ought so carefully to consult our natural sense of #cg propriety1 or so diligently to consider what will be the sentiments of the cool and impartial spectator4 ,magnanimity1 or a regard to maintain our own rank and dignity in society1 is the only motive which can ennoble the expressions of this disagreeable passion4 ,this motive must characterize our whole style and deportment4 ,these must be plain1 open1 and direct2 determined without positiveness1 and elevated without insolence2 not only free from petulance and low scurrility1 but generous1 candid1 and full of all proper regards1 even for the person who has offended us4 ,it must appear1 in short1 from our whole manner1 without our labouring affectedly to express it1 that passion has not extinguished our humanity2 and that if we yield to the dictates of revenge1 it is with reluctance1 from necessity1 and in consequence of great and repeated provocations4 ,when resentment is guarded and qualified in this manner1 it may be admitted to be even generous and noble4 ----- ,,chap4 ,,iv4--,of the ,social ,passions4 ,,as it is a divided sympathy which renders the whole set of passions just now mentioned1 upon most occasions1 so ungraceful and disagreeable3 so there is another set opposite to these1 which a redoubled sympathy renders almost always peculiarly agreeable and becoming4 ,generosity1 humanity1 kindness1 compassion1 mutual friendship and esteem1 all the social and benevolent affections1 when expressed in the countenance or behaviour1 even towards those who are not peculiarly connected with ourselves1 please the indifferent spectator upon almost every occasion4 ,his sympathy with the person who feels those passions1 exactly coincides with his concern for the person who is the object of them4 ,the interest1 which1 as a man1 he is obliged to take in the happiness of this last1 enlivens his fellow-feeling with the sentiments of the other1 whose emotions are employed about the same object4 ,we have always1 therefore1 the strongest disposition to sympathize with the benevolent affections4 ,they appear in every respect agreeable to us4 ,we enter into the satisfaction both of the person who feels them1 and of the person who is the object of them4 ,for as to be the object of hatred and indignation gives more pain than all the evil which a brave man can fear from his enemies3 so there is a satisfaction in the consciousness of being beloved1 which1 to a person of delicacy and sensibility1 is of more importance to happiness1 than all the advantage which he can expect to derive from it4 ,what character is so detestable as that of one who takes pleasure to sow dissention among friends1 and to turn their most tender love into mortal hatred8 ,yet wherein does the atrocity of this so much abhorred injury consist8 ,is it in depriving them of the frivolous good offices1 which1 had their friendship continued1 they might have expected from one another8 ,it is in #ch depriving them of that friendship itself1 in robbing them of each other's affections1 from which both derived so much satisfaction2 it is in disturbing the harmony of their hearts1 and putting an end to that happy commerce which had before subsisted between them4 ,these affections1 that harmony1 this commerce1 are felt1 not only by the tender and the delicate1 but by the rudest vulgar of mankind1 to be of more importance to happiness than all the little services which could be expected to flow from them4 ,the sentiment of love is1 in itself1 agreeable to the person who feels it4 ,it soothes and composes the breast1 seems to favour the vital motions1 and to promote the healthful state of the human constitution2 and it is rendered still more delightful by the consciousness of the gratitude and satisfaction which it must excite in him who is the object of it4 ,their mutual regard renders them happy in one another1 and sympathy1 with this mutual regard1 makes them agreeable to every other person4 ,with what pleasure do we look upon a family1 through the whole of which reign mutual love and esteem1 where the parents and children are companions for one another1 without any other difference than what is made by respectful affection on the one side1 and kind indulgence on the other2 where freedom and fondness1 mutual raillery and mutual kindness1 show that no opposition of interest divides the brothers1 nor any rivalship of favour sets the sisters at variance1 and where every thing presents us with the idea of peace1 cheerfulness1 harmony1 and contentment8 ,on the contrary1 how uneasy are we made when we go into a house in which jarring contention sets one half of those who dwell in it against the other2 where1 amidst affected smoothness and complaisance1 suspicious looks and sudden starts of passion betray the mutual jealousies which burn within them1 and which are every moment ready to burst out through all the restraints which the presence of the company imposes8 ,those amiable passions1 even when they are acknowledged to be excessive1 are never regarded with aversion4 ,there is something agreeable even in the weakness of friendship and humanity4 ,the too tender mother1 the too indulgent father1 the too generous and affectionate friend1 may sometimes1 perhaps1 on account of the softness of their natures1 be looked upon with a species of pity1 in which1 however1 there is a mixture of love1 but can never be regarded with hatred and aversion1 nor even with contempt1 unless by the most brutal and worthless of mankind4 ,it is always with concern1 with sympathy and kindness1 that we blame them for the extravagance of their attachment4 ,there is a helplessness in the character of extreme humanity which more than any thing interests our pity4 ,there is nothing in itself which renders it either ungraceful or disagreeable4 ,we only regret that it is unfit for the world1 because the world is unworthy of it1 and because it must expose the person who is endowed with it as a prey to the perfidy #ci and ingratitude of insinuating falsehood1 and to a thousand pains and uneasinesses1 which1 of all men1 he the least deserves to feel1 and which generally too he is1 of all men1 the least capable of supporting4 ,it is quite otherwise with hatred and resentment4 ,too violent a propensity to those detestable passions1 renders a person the object of universal dread and abhorrence1 who1 like a wild beast1 ought1 we think1 to be hunted out of all civil society4 ----- ,,chap4 ,v4--,of the ,selfish ,passions4 ,,besides those two opposite sets of passions1 the social and unsocial1 there is another which holds a sort of middle place between them2 is never either so graceful as is sometimes the one set1 nor is ever so odious as is sometimes the other4 ,grief and joy1 when conceived upon account of our own private good or bad fortune1 constitute this third set of passions4 ,even when excessive1 they are never so disagreeable as excessive resentment1 because no opposite sympathy can ever interest us against them3 and when most suitable to their objects1 they are never so agreeable as impartial humanity and just benevolence2 because no double sympathy can ever interest us for them4 ,there is1 however1 this difference between grief and joy1 that we are generally most disposed to sympathize with small joys and great sorrows4 ,the man who1 by some sudden revolution of fortune1 is lifted up all at once into a condition of life1 greatly above what he had formerly lived in1 may be assured that the congratulations of his best friends are not all of them perfectly sincere4 ,an upstart1 though of the greatest merit1 is generally disagreeable1 and a sentiment of envy commonly prevents us from heartily sympathizing with his joy4 ,if he has any judgment1 he is sensible of this1 and instead of appearing to be elated with his good fortune1 he endeavours1 as much as he can1 to smother his joy1 and keep down that elevation of mind with which his new circumstances naturally inspire him4 ,he affects the same plainness of dress1 and the same modesty of behaviour1 which became him in his former station4 ,he redoubles his attention to his old friends1 and endeavours more than ever to be humble1 assiduous1 and complaisant4 ,and this is the behaviour which in his situation we most approve of2 because we expect1 it seems1 that he should have more sympathy with our envy and aversion to his happiness1 than we have with his happiness4 ,it is seldom that with all this he succeeds4 ,we suspect the sincerity of his humility1 and he grows weary of this constraint4 ,in a little time1 therefore1 he generally leaves all his old friends behind him1 some of the meanest of them excepted1 who may1 perhaps1 condescend to become his dependents3 nor does he always acquire any new ones2 the #dj pride of his new connections is as much affronted at finding him their equal1 as that of his old ones had been by his becoming their superior2 and it requires the most obstinate and persevering modesty to atone for this modification to either4 ,he generally grows weary too soon1 and is provoked1 by the sullen and suspicious pride of the one1 and by the saucy contempt of the other1 to treat the first with neglect1 and the second with petulance1 till at last he grows habitually insolent1 and forfeits the esteem of all4 ,if the chief part of human happiness arises from the consciousness of being beloved1 as ,i believe it does1 those sudden changes of fortune seldom contribute much to happiness4 ,he is happiest who advances more gradually to greatness1 whom the public destines to every step of his preferment long before he arrives at it1 in whom1 upon that account1 when it comes1 it can excite no extravagant joy1 and with regard to whom it cannot reasonably create either any jealousy in those he overtakes1 or envy in those he leaves behind4 ,mankind1 however1 more readily sympathize with those smaller joys which flow from less important causes4 ,it is decent to be humble amidst great prosperity2 but we can scarce express too much satisfaction in all the little occurrences of common life1 in the company with which we spent the evening last night1 in the entertainment that was set before us1 in what was said and what was done1 in all the little incidents of the present conversation1 and in all those frivolous nothings which fill up the void of human life4 ,nothing is more graceful than habitual cheerfulness1 which is always founded upon a peculiar relish for all the little pleasures which common occurrences afford4 ,we readily sympathize with it3 it inspires us with the same joy1 and makes every trifle turn up to us in the same agreeable aspect in which it presents itself to the person endowed with this happy disposition4 ,hence it is that youth1 the season of gaiety1 so easily engages our affections4 ,that propensity to joy which seems even to animate the bloom1 and to sparkle from the eyes of youth and beauty1 though in a person of the same sex1 exalts1 even the aged1 to a more joyous mood than ordinary4 ,they forget1 for a time1 their infirmities1 and abandon themselves to those agreeable ideas and emotions to which they have long been strangers1 but which1 when the presence of so much happiness recalls them to their breast1 take their place there1 like old acquaintance1 from whom they are sorry to have ever been parted1 and whom they embrace more heartily upon account of this long separation4 ,it is quite otherwise with grief4 ,small vexations excite no sympathy1 but deep affliction calls forth the greatest4 ,the man who is made uneasy by every little disagreeable incident1 who is hurt if either the cook or the butler have failed in the least article of their duty1 who feels every defect in the highest ceremonial of politeness1 whether it be shown to himself or to any other person1 who takes it amiss that his intimate friend did not bid him good-morrow when they met in the #da forenoon1 and that his brother hummed a tune all the time he himself was telling a story2 who is put out of humour by the badness of the weather when in the country1 by the badness of the roads when upon a journey1 and by the want of company and dulness of all public diversions when in town2 such a person1 ,i say1 though he should have some reason1 will seldom meet with much sympathy4 ,joy is a pleasant emotion1 and we gladly abandon ourselves to it upon the slightest occasion4 ,we readily1 therefore1 sympathize with it in others1 whenever we are not prejudiced by envy4 ,but grief is painful1 and the mind1 even when it is our own misfortune1 naturally resists and recoils from it4 ,we would endeavour either not to conceive it at all1 or to shake it off as soon as we have conceived it4 ,our aversion to grief will not1 indeed1 always hinder us from conceiving it in our own case upon very trifling occasions1 but it constantly prevents us from sympathizing with it in others when excited by the like frivolous causes3 for our sympathetic passions are always less irresistible than our original ones4 ,there is1 besides1 a malice in mankind1 which not only prevents all sympathy with little uneasinesses1 but renders them in some measure diverting4 ,hence the delight which we all take in raillery1 and in the small vexation which we observe in our companion1 when he is pushed1 and urged1 and teased upon all sides4 ,men of the most ordinary good-breeding dissemble the pain which any little incident may give them2 and those who are more thoroughly formed to society1 turn of their own accord1 all such incidents into raillery1 as they know their companions will do for them4 ,the habit which a man1 who lives in the world1 has acquired of considering how every thing that concerns himself will appear to others1 makes those frivolous calamities turn up in the same ridiculous light to him1 in which he knows they will certainly be considered by them4 ,our sympathy1 on the contrary1 with deep distress1 is very strong and very sincere4 ,it is unnecessary to give an instance4 ,we weep even at the feigned representation of a tragedy4 ,if you labour1 therefore1 under any signal calamity1 if by some extraordinary misfortune you are fallen into poverty1 into diseases1 into disgrace and disappointment2 even though your own fault may have been1 in part1 the occasion1 yet you may generally depend upon the sincerest sympathy of all your friends1 and1 as far as interest and honour will permit1 upon their kindest assistance too4 ,but if your misfortune is not of this dreadful kind1 if you have only been a little baulked in your ambition1 if you have only been jilted by your mistress1 or are only hen-pecked by your wife1 lay your account with the raillery of all your acquaintance4 ----- #db ,,sec4 ,,iii4--,,of ,,the ,,effects ,,of ,,prosperity ,,and ,,adversity ,,upon ,,the ,,judgment ,,of ,,mankind ,,with ,,regard ,,to ,,the ,,propriety ,,of ,,action2 ,,and ,,why ,,it ,,is ,,more ,,easy ,,to ,,obtain ,,their ,,approbation ,,in ,,the ,,one ,,state ,,than ,,in ,,the ,,other4 ,,chap4 ,i4--,that though our ,sympathy with ,sorrow is generally a more lively ,sensation than our ,sympathy with ,joy1 it commonly falls much more ,short of the ,violence of what is naturally felt by the ,person principally concerned4 ,,our sympathy with sorrow1 though not more real1 has been more taken notice of than our sympathy with joy4 ,the word sympathy1 in its most proper and primitive signification1 denotes our fellow-feeling with the sufferings1 not that with the enjoyments1 of others4 ,a late ingenious and subtile philosopher thought it necessary to prove1 by arguments1 that we had a real sympathy with joy1 and that congratulation was a principle of human nature4 ,nobody1 ,i believe1 ever thought it necessary to prove that compassion was such4 ,first of all1 our sympathy with sorrow is1 in some sense1 more universal than that with joy4 ,though sorrow is excessive1 we may still have some fellow-feeling with it4 ,what we feel does not1 indeed1 in this case1 amount to that complete sympathy1 to that perfect harmony and correspondence of sentiments1 which constitutes approbation4 ,we do not weep1 and exclaim1 and lament1 with the sufferer4 ,we are sensible1 on the contrary1 of his weakness and of the extravagance of his passion1 and yet often feel a very sensible concern upon his account4 ,but if we do not entirely enter into1 and go along with1 the joy of another1 we have no sort of regard or fellow feeling for it4 ,the man who skips and dances about with that intemperate and senseless joy which we cannot accompany him in1 is the object of our contempt and indignation4 ,pain besides1 whether of mind or body1 is a more pungent sensation than pleasure1 and our sympathy with pain1 though it falls greatly short of what is naturally felt by the sufferer1 is generally a more lively and distinct perception than our sympathy with pleasure1 though this last often approaches more nearly1 as ,i shall show immediately1 to the natural vivacity of the original passion4 ,over and above all this1 we often struggle to keep down our sympathy with the sorrow of others4 ,whenever we are not under the observation of the sufferer1 we endeavour1 for our own sake1 to suppress it as much as we can1 and we are not always successful4 ,the opposition which we make to it1 and the reluctance with which we yield to it1 necessarily oblige us to take more particular notice of it4 ,but we never have occasion to make this opposition to our sympathy with joy4 #dc ,if there is any envy in the case1 we never feel the least propensity towards it2 and if there is none1 we give way to it without any reluctance4 ,on the contrary1 as we are always ashamed of our own envy1 we often pretend1 and sometimes really wish to sympathize with the joy of others1 when by that disagreeable sentiment we are disqualified from doing so4 ,we are glad1 we say1 on account of our neighbour's good fortune1 when in our hearts1 perhaps1 we are really sorry4 ,we often feel a sympathy with sorrow when we would wish to be rid of it2 and we often miss that with joy when we would be glad to have it4 ,the obvious observation1 therefore1 which it naturally falls in our way to make1 is1 that our propensity to sympathize with sorrow must be very strong1 and our inclination to sympathize with joy very weak4 ,notwithstanding this prejudice1 however1 ,i will venture to affirm1 that1 when there is no envy in the case1 our propensity to sympathize with joy is much stronger than our propensity to sympathize with sorrow2 and that our fellow-feeling for the agreeable emotion approaches much more nearly to the vivacity of what is naturally felt by the persons principally concerned1 than that which we conceive for the painful one4 ,we have some indulgence for that excessive grief which we cannot entirely go along with4 ,we know what a prodigious effort is requisite before the sufferer can bring down his emotions to complete harmony and concord with those of the spectator4 ,though he fails1 therefore1 we easily pardon him4 ,but we have no such indulgence for the intemperance of joy2 because we are not conscious that any such vast effort is requisite to bring it down to what we can entirely enter into4 ,the man who1 under the greatest calamities1 can command his sorrow1 seems worthy of the highest admiration2 but he who1 in the fulness of prosperity1 can in the same manner master his joy1 seems hardly to deserve any praise4 ,we are sensible that there is a much wider interval in the one case than in the other1 between what is naturally felt by the person principally concerned1 and what the spectator can entirely go along with4 ,what can be added to the happiness of the man who is in health1 who is out of debt1 and has a clear conscience8 ,to one in this situation1 all accessions of fortune may properly be said to be superfluous2 and if he is much elevated on account of them1 it must be the effect of the most frivolous levity4 ,this situation1 however1 may very well be called the natural and ordinary state of mankind4 ,notwithstanding the present misery and depravity of the world1 so justly lamented1 this really is the state of the greater part of men4 ,the greater part of men1 therefore1 cannot find any great difficulty in elevating themselves to all the joy which any accession to this situation can well excite in their companion4 ,but though little can be added to this state1 much may be taken from #dd it4 ,though between this condition and the highest pitch of human prosperity1 the interval is but a trifle2 between it and the lowest depth of misery the distance is immense and prodigious4 ,adversity1 on this account1 necessarily depresses the mind of the sufferer much more below its natural state1 than prosperity can elevate him above it4 ,the spectator1 therefore1 must find it much more difficult to sympathize entirely1 and keep perfect time1 with his sorrow1 than thoroughly to enter into his joy1 and must depart much further from his own natural and ordinary temper of mind in the one case than in the other4 ,it is on this account1 that though our sympathy with sorrow is often a more pungent sensation than our sympathy with joy1 it always falls much more short of the violence of what is naturally felt by the person principally concerned4 ,it is agreeable to sympathize with joy2 and wherever envy does not oppose it1 our heart abandons itself with satisfaction to the highest transports of that delightful sentiment4 ,but it is painful to go along with grief1 and we always enter into it with reluctance4#a ,when we attend to the representation of a tragedy1 we struggle against that sympathetic sorrow which the entertainment inspires as long as we can1 and we give way to it at last only when we can no longer avoid it2 we even then endeavour to cover our concern from the company4 ,if we shed any tears1 we carefully conceal them1 and are afraid1 lest the spectators1 not entering into this excessive tenderness1 should regard it as effeminacy and weakness4 ,the wretch whose misfortunes call upon our compassion feels with what reluctance we are likely to enter into his sorrow1 and therefore proposes his grief to us with fear and hesitation3 he even smothers the half of it1 and is ashamed1 upon account of this hard-heartedness of mankind1 to give vent to the fulness of his affliction4 ,it is otherwise with the man who riots in joy and success4 ,wherever envy does not interest us against him1 he expects our completest sympathy4 ,he does not fear1 therefore1 to announce himself with shouts of exultation1 in full confidence that we are heartily disposed to go along with him4 ,footnote #a3 ,it has been objected to me that as ,i found the sentiment of approbation1 which is always agreeable1 upon sympathy1 it is inconsistent with my system to admit any disagreeable sympathy4 ,i answer1 that in the sentiment of approbation there are two things to be taken notice of2 first1 the sympathetic passion of the spectator2 and secondly1 the emotion which arises from his observing the perfect coincidence between this sympathetic passion in himself1 and the original passion in the person principally concerned4 ,this last emotion1 in which the sentiment of approbation properly consists1 is always agreeable and delightful4 ,the other may either be agreeable or disagreeable1 according to the nature of the original passion1 whose features it must always1 in some measure1 retain4 ,why should we be more ashamed to weep than to laugh before company8 ,we may often have as real occasion to do the one as to do the other2 but we always feel that the spectators are more likely to go along with us in the agreeable1 than in the painful emotion4 ,it is #de always miserable to complain1 even when we are oppressed by the most dreadful calamities4 ,but the triumph of victory is not always ungraceful4 ,prudence1 indeed1 would often advise us to bear our prosperity with more moderation2 because prudence would teach us to avoid that envy which this very triumph is1 more than any thing1 apt to excite4 ,how hearty are the acclamations of the mob1 who never bear any envy to their superiors1 at a triumph or a public entry8 ,and how sedate and moderate is commonly their grief at an execution8 ,our sorrow at a funeral generally amounts to no more than an affected gravity2 but our mirth at a christening or a marriage1 is always from the heart1 and without any affectation4 ,upon these1 and all such joyous occasions1 our satisfaction1 though not so durable1 is often as lively as that of the persons principally concerned4 ,whenever we cordially congratulate our friends1 which1 however1 to the disgrace of human nature1 we do but seldom1 their joy literally becomes our joy3 we are1 for the moment1 as happy as they are3 our heart swells and overflows with real pleasure3 joy and complacency sparkle from our eyes1 and animate every feature of our countenance1 and every gesture of our body4 ,but on the contrary1 when we condole with our friends in their afflictions1 how little do we feel1 in comparison of what they feel8 ,we sit down by them1 we look at them1 and while they relate to us the circumstances of their misfortune1 we listen to them with gravity and attention4 ,but while their narration is every moment interrupted by those natural bursts of passion which often seem almost to choke them in the midst of it2 how far are the languid emotions of our hearts from keeping time to the transports of theirs8 ,we may be sensible1 at the same time1 that their passion is natural1 and no greater than what we ourselves might feel upon the like occasion4 ,we may even inwardly reproach ourselves with our own want of sensibility1 and perhaps1 on that account1 work ourselves up into an artificial sympathy1 which however1 when it is raised1 is always the slightest and most transitory imaginable2 and generally1 as soon as we have left the room1 vanishes1 and is gone for ever4 ,nature1 it seems1 when she loaded us with our own sorrows1 thought they were enough1 and therefore did not command us to take any further share in those of others1 than what was necessary to prompt us to relieve them4 ,it is on account of this dull sensibility to the afflictions of others1 that magnanimity amidst great distress appears always so divinely graceful4 ,his behaviour is genteel and agreeable who can maintain his cheerfulness amidst a number of frivolous disasters4 ,but he appears to be more than mortal who can support in the same manner the most dreadful calamities4 ,we feel what an immense effort is requisite to silence those violent emotions which naturally agitate and distract those in his situation4 ,we are amazed to find that he can command himself so entirely4 ,his firmness at the same time1 perfectly #df coincides with our insensibility4 ,he makes no demand upon us for that more exquisite degree of sensibility which we find1 and which we are mortified to find1 that we do not possess4 ,there is the most perfect correspondence between his sentiments and ours1 and on that account the most perfect propriety in his behaviour4 ,it is a propriety too1 which1 from our experience of the usual weakness of human nature1 we could not reasonably have expected he should be able to maintain4 ,we wonder with surprise and astonishment at that strength of mind which is capable of so noble and generous an effort4 ,the sentiment of complete sympathy and approbation1 mixed and animated with wonder and surprise1 constitutes what is properly called admiration1 as has already been more than once take notice of4 ,cato1 surrounded on all sides by his enemies1 unable to resist them1 disdaining to submit to them1 and reduced1 by the proud maxims of that age1 to the necessity of destroying himself2 yet never shrinking from his misfortunes1 never supplicating with the lamentable voice of wretchedness1 those miserable sympathetic tears which we are always so unwilling to give2 but on the contrary1 arming himself with manly fortitude1 and the moment before he executes his fatal resolution1 giving1 with his usual tranquillity1 all necessary orders for the safety of his friends2 appears to ,seneca1 that great preacher of insensibility1 a spectacle which even the gods themselves might behold with pleasure and admiration4 ,whenever we meet1 in common life1 with any examples of such heroic magnanimity1 we are always extremely affected4 ,we are more apt to weep and shed tears for such as1 in this manner1 seem to feel nothing for themselves1 than for those who give way to all the weakness of sorrow and in this particular case1 the sympathetic grief of the spectator appears to go beyond the original passion in the person principally concerned4 ,the friends of ,socrates all wept when he drank the last potion1 while he himself expressed the gayest and most cheerful tranquillity4 ,upon all such occasions the spectator makes no effort1 and has no occasion to make any1 in order to conquer his sympathetic sorrow4 ,he is under no fear that it will transport him to any thing that is extravagant and improper2 he is rather pleased with the sensibility of his own heart1 and gives way to it with complacence and self-approbation4 ,he gladly indulges1 therefore1 the most melancholy views which can naturally occur to him1 concerning the calamity of his friend1 for whom1 perhaps1 he never felt so exquisitely before1 the tender and tearful passion of love4 ,but it is quite otherwise with the person principally concerned4 ,he is obliged1 as much as possible1 to turn away his eyes from whatever is either naturally terrible or disagreeable in his situation4 ,too serious an attention to those circumstances1 he fears1 might make so violent an impression upon him1 that he could no longer keep within the bounds of moderation1 or render himself the object of the complete sympathy and approbation of the spectators4 #dg ,he fixes his thoughts1 therefore1 upon those only which are agreeable1 the applause and admiration which he is about to deserve by the heroic magnanimity of his behaviour4 ,to feel that he is capable of so noble and generous an effort1 to feel that in this dreadful situation he can still act as he would desire to act1 animates and transports him with joy1 and enables him to support that triumphant gaiety which seems to exult in the victory he thus gains over his misfortunes4 ,on the contrary1 he always appears1 in some measure1 mean and despicable1 who is sunk in sorrow and dejection upon account of any calamity of his own4 ,we cannot bring ourselves to feel for him what he feels for himself1 and what1 perhaps1 we should feel for ourselves if in his situation3 we1 therefore1 despise him2 unjustly perhaps1 if any sentiment could be regarded as unjust1 to which we are by nature irresistibly determined4 ,the weakness of sorrow never appears in any respect agreeable1 except when it arises from what we feel for ourselves4 ,a son1 upon the death of an indulgent and respectable father1 may give way to it without much blame4 ,his sorrow is chiefly founded upon a sort of sympathy with his departed parent2 and we readily enter into his humane emotion4 ,but if he should indulge the same weakness upon account of any misfortune which affected himself only1 he would no longer meet with any such indulgence4 ,if he should be reduced to beggary and ruin1 if he should be exposed to the most dreadful dangers1 if he should even be led out to a public execution1 and there shed one single tear upon the scaffold1 he would disgrace himself for ever in the opinion of all the gallant and generous part of mankind4 ,their compassion for him1 however1 would be very strong1 and very sincere2 but as it would still fall short of this excessive weakness1 they would have no pardon for the man who could thus expose himself in the eyes of the world4 ,his behaviour would affect them with shame rather than with sorrow2 and the dishonour which he had thus brought upon himself would appear to them the most lamentable circumstance in his misfortune4 ,how did it disgrace the memory of the intrepid ,duke of ,biron1 who had so often braved death in the field1 that he wept upon the scaffold1 when he beheld the state to which he was fallen1 and remembered the favour and the glory from which his own rashness had so unfortunately thrown him8 ----- ,,chap4 ,,ii4--,of the ,origin of ,ambition1 and of the ,distinction of ,ranks4 ,,it is because mankind are disposed to sympathize more entirely with our joy than with our sorrow1 that we make parade of our riches1 and conceal our poverty4 ,nothing is so mortifying as to be obliged to expose our distress to the view of the public1 and to feel1 that though #dh our situation is open to the eyes of all mankind1 no mortal conceives for us the half of what we suffer4 ,nay1 it is chiefly from this regard to the sentiments of mankind1 that we pursue riches and avoid poverty4 ,for to what purpose is all the toil and bustle of this world8 what is the end of avarice and ambition1 of the pursuit of wealth1 of power1 and pre-eminence8 ,is it to supply the necessities of nature8 ,the wages of the meanest labourer can supply them4 ,we see that they can afford him food and clothing1 the comfort of a house and of a family4 ,if we examine his oeconomy with rigour1 we should find that he spends a great part of them upon conveniences1 which may be regarded as superfluities1 and that1 upon extraordinary occasions1 he can give something even to vanity and distinction4 ,what then is the cause of our aversion to his situation1 and why should those who have been educated in the higher ranks of life1 regard it as worse than death1 to be reduced to live1 even without labour1 upon the same simple fare with him1 to dwell under the same lowly roof1 and to be clothed in the same humble attire8 ,do they imagine that their stomach is better or their sleep sounder in a palace than in a cottage8 ,the contrary has been so often observed1 and1 indeed1 is so very obvious1 though it had never been observed1 that there is nobody ignorant of it4 ,from whence1 then arises that emulation which runs through all the different ranks of men1 and what are the advantages which we propose by the great purpose of human life which we call bettering our condition8 ,to be observed1 to be attended to1 to be taken notice of with sympathy1 complacency1 and approbation1 arc all the advantages which we can propose to derive from it4 ,it is the vanity1 not the ease or the pleasure1 which interests us4 ,but vanity is always founded upon the belief of our being the object of attention and approbation4 ,the rich man glories in his riches1 because he feels that they naturally draw upon him the attention of the world1 and that mankind are disposed to go along with him in all those agreeable emotions with which the advantages of his situation so readily inspire him4 ,at the thought of this1 his heart seems to swell and dilate itself within him1 and he is fonder of his wealth upon this account1 than for all the other advantages it procures him4 ,the poor man1 on the contrary1 is ashamed of his poverty4 ,he feels that it either places him out of the sight of mankind1 or1 that if they take any notice of him1 they have1 however1 scarce any fellow-feeling with the misery and distress which he suffers4 ,he is mortified upon both accounts2 for though to be overlooked1 and to be disapproved of1 are things entirely different1 yet as obscurity covers us from the daylight of honour and approbation1 to feel that we are taken no notice of1 necessarily damps the most agreeable hope1 and disappoints the most ardent desire1 of human nature4 ,the poor man goes out and comes in unheeded1 and when in the midst of a crowd is in the same obscurity as if shut up in his own hovel4 ,those humble #di cares and painful attentions which occupy those in his situation1 afford no amusement to the dissipated and the gay4 ,they turn away their their eyes from him1 if the extremity of his distress forces them to look at him1 it is only to spurn so disagreeable an object from among them4 ,the fortunate and the proud wonder at the insolence of human wretchedness1 that it should dare to present itself before them1 and with the loathsome aspect of its misery presume to disturb the serenity of their happiness4 ,the man of rank and distinction1 on the contrary1 is observed by all the world4 ,every body is eager to look at him1 and to conceive1 at least by sympathy1 that joy and exultation with which his circumstances naturally inspire him4 ,his actions are the objects of the public care4 ,scarce a word1 scarce a gesture1 can fall from him that is altogether neglected4 ,in a great assembly he is the person upon whom all direct their eyes2 it is upon him that their passions seem to wait with expectation1 in order to receive that movement and direction which he shall impress upon them2 and if his behaviour is not altogether absurd1 he has1 every moment1 an opportunity of interesting mankind1 and of rendering himself the object of the observation and fellow feeling of every body about him4 ,it is this1 which1 notwithstanding the restraint it imposes1 notwithstanding the loss of liberty with which it is attended1 renders greatness the object of envy1 and compensates1 in the opinion of mankind1 all that toil1 all that anxiety1 all those mortifications which must be undergone in the pursuit of it2 and what is of yet more consequence1 all that leisure1 all that ease1 all that careless security1 which are forfeited for ever by the acquisition4 ,when we consider the condition of the great1 in those delusive colours in which the imagination is apt to paint it1 it seems to be almost the abstract idea of a perfect and happy state4 ,it is the very state which1 in all our waking dreams and idle reveries1 we had sketched out to ourselves as the final object of our desires4 ,we feel1 therefore1 a peculiar sympathy with the satisfaction of those who are in it4 ,we favour all their inclinations1 and forward all their wishes4 ,what pity1 we think1 that any thing should spoil and corrupt so agreeable a situation4 ,we could even wish them immortal2 and it seems hard to us1 that death should at last put an end to such perfect enjoyment4 ,it is cruel1 we think1 in ,nature to compel them from their exalted stations to that humble1 but hospitable home1 which she has provided for all her children4 ,great king1 live for ever6 is the compliment which1 after the manner of eastern adulation1 we should readily make them1 if experience did not teach us its absurdity4 ,every calamity that befals them1 every injury that is done them1 excites in the breast of the spectator ten times more compassion and resentment than he would have felt1 had the same things happened to other men4 ,it is the misfortune of kings only which afford the proper subjects for tragedy4 ,they resemble #ej in this respect1 the misfortunes of lovers4 ,those two situations are the chief which interest us upon the theatre2 because1 in spite of all that reason and experience can tell us to the contrary1 the prejudices of the imagination attach to these two states a happiness superior to any other4 ,to disturb1 or to put an end to such perfect enjoyment1 seems to be the most atrocious of all injuries4 ,the traitor who conspires against the life of his monarch1 is thought a greater monster than any other murderer4 ,all the innocent blood that was shed in the civil wars provoked less indignation than the death of ,charles ,i4 ,a stranger to human nature1 who saw the indifference of men about the misery of their inferiors1 and the regret and indignation which they feel for the misfortunes and sufferings of those above them1 would be apt to imagine1 that pain must be more agonizing1 and the convulsions of death more terrible to persons of higher rank1 than they are to those of meaner stations4 ,upon this disposition of mankind1 to go along with all the passions of the rich and the powerful1 is founded the distinction of ranks1 and the order of society4 ,our obsequiousness to our superiors more frequently arises from our admiration for the advantages of their situation1 than from any private expectations of benefit from their goodwill4 ,their benefits can extend but to a few2 but their fortunes interest almost every body4 ,we are eager to assist them in completing a system of happiness that approaches so near to perfection2 and we desire to serve them for their own sake1 without any recompense but the vanity or the honour of obliging them4 ,neither is our deference to the inclinations founded chiefly1 or altogether1 upon a regard to the utility of such submission1 and to the order of society1 which is best supported by it4 ,even when the order of society seems to require that we should oppose them1 we can hardly bring ourselves to do it4 ,that kings are servants of the people1 to be obeyed1 resisted1 deposed1 or punished1 as the public conveniency may require1 is the doctrine of reason and philosophy2 but it is not the doctrine of nature4 ,nature would teach us to submit to them for their own sake1 to tremble and bow down before their exalted station1 to regard their smile as a reward sufficient to compensate any services1 and to dread their displeasure1 though no other evil were to follow from it1 as the severest of all mortifications4 ,to treat them in any respect as men1 to reason and dispute with them upon ordinary occasions1 requires such resolution1 that there are few men whose magnanimity can support them in it1 unless they are likewise assisted by similarity and acquaintance4 ,the strongest motives1 the most furious passions1 fear1 hatred1 and resentment1 are scarce sufficient to balance this natural disposition to respect them3 and their conduct must1 either justly or unjustly1 have excited the highest degree of those passions1 before the bulk of the people can be brought to oppose them with violence1 or to desire to see them #ea either punished or deposed4 ,even when the people have been brought this length1 they are apt to relent every moment1 and easily relapse into their habitual state of deference to those whom they have been accustomed to look upon as their natural superiors4 ,they cannot stand the mortification of their monarch4 ,compassion soon takes the place of resentment1 they forget all past provocations1 their old principles of loyalty revive1 and they run to re-establish the ruined authority of their old masters1 with the same violence with which they had opposed it4 ,the death of ,charles ,i4 brought about the restoration of the royal family4 ,compassion for ,james ,,ii41 when he was seized by the populace in making his escape on ship-board1 had almost prevented the ,revolution1 and made it go on more heavily than before4 ,do the great seem insensible of the easy price at which they may acquire the public admiration2 or do they seem to imagine that to them1 as to other men1 it must be the purchase either of sweat or of blood8 ,by what important accomplishments is the young nobleman instructed to support the dignity of his rank1 and to render himself worthy of that superiority over his fellow citizens1 to which the virtue of his ancestors had raised them3 ,is it by knowledge1 by industry1 by patience1 by self-denial1 or by virtue of any kind8 ,as all his words1 as all his motions are attended to1 he learns an habitual regard to every circumstance of ordinary behaviour1 and studies to perform all those small duties with the most exact propriety4 ,as he is conscious how much he is observed1 and how much mankind are disposed to favour all his inclinations1 he acts1 upon the most indifferent occasions1 with that freedom and elevation which the thought of this naturally inspires4 ,his air1 his manner1 his deportment1 all mark that elegant and graceful sense of his own superiority1 which those who are born to inferior stations can hardly ever arrive at4 ,these are the arts by which he proposes to make mankind more easily submit to his authority1 and to govern their inclinations according to his own pleasure3 and in this he is seldom disappointed4 ,these arts1 supported by rank and pre-eminence1 are1 upon ordinary occasions1 sufficient to govern the world4 ,lewis ,,xiv4 during the greater part of his reign1 was regarded1 not only in ,france1 but over all ,europe1 as the most perfect model of a great prince4 ,but what were the talents and virtues by which he acquired this great reputation8 ,was it by the scrupulous and inflexible justice of all his undertakings1 by the immense dangers and difficulties with which they were attended1 or by the unwearied and unrelenting application with which he pursued them8 ,was it by his extensive knowledge1 by his exquisite judgment1 or by his heroic valour8 ,it was by none of these qualities4 ,but he was1 first of all1 the most powerful prince in ,europe1 and consequently held the highest rank among kings2 and then says his historian1 'he surpassed all his courtiers in the gracefulness of his shape1 and the majestic beauty of his features4 ,the #eb sound of his voice1 noble and affecting1 gained those hearts which his presence intimidated4 ,he had a step and a deportment which could suit only him and his rank1 and which would have been ridiculous in any other person4 ,the embarrassment which he occasioned to those who spoke to him1 flattered that secret satisfaction with which he felt his own superiority4 ,the old officer1 who was confounded and faltered in asking him a favour1 and not being able to conclude his discourse1 said to him3 ,sir1 your majesty1 ,i hope1 will believe that ,i do not tremble thus before your enemies3 had no difficulty to obtain what he demanded4' ,these frivolous accomplishments1 supported by his rank1 and1 no doubt too1 by a degree of other talents and virtues1 which seems1 however1 not to have been much above mediocrity1 established this prince in the esteem of his own age1 and have drawn1 even from posterity1 a good deal of respect for his memory4 ,compared with these1 in his own times1 and in his own presence1 no other virtue1 it seems1 appeared to have any merit4 ,knowledge1 industry1 valour1 and beneficence trembled1 were abashed1 and lost all dignity before them4 ,but it is not by accomplishments of this kind1 that the man of inferior rank must hope to distinguish himself4 ,politeness is so much the virtue of the great1 that it will do little honour to any body but themselves4 ,the coxcomb1 who imitates their manner1 and affects to be eminent by the superior propriety of his ordinary behaviour1 is rewarded with a double share of contempt for his folly and presumption4 ,why should the man1 whom nobody thinks it worth while to look at1 be very anxious about the manner in which he holds up his head1 or disposes of his arms while he walks through a room8 ,he is occupied surely with a very superfluous attention1 and with an attention too that marks a sense of his own importance1 which no other mortal can go along with4 ,the most perfect modesty and plainness1 joined to as much negligence as is consistent with the respect due to the company1 ought to be the chief characteristics of the behaviour of a private man4 ,if ever he hopes to distinguish himself1 it must be by more important virtues4 ,he must acquire dependants to balance the dependants of the great1 and he has no other fund to pay them from1 but the labour of his body and the activity of his mind4 ,he must cultivate these therefore3 he must acquire superior knowledge in his profession and superior industry in the exercise of it4 ,he must be patient in labour1 resolute in danger1 and firm in distress4 ,these talents he must bring into public view1 by the difficulty1 importance1 and at the same time1 good judgment of his undertakings1 and by the severe and unrelenting application1 with which he pursues them4 ,probity and prudence1 generosity and frankness1 must characterize his behaviour upon all ordinary occasions2 and he must1 at the same time1 be forward to engage in all those situations1 in which it requires the greatest talents and virtues to act with propriety1 but in which the greatest applause is to be acquired by those who can #ec acquit themselves with honour4 ,with what impatience does the man of spirit and ambition1 who is depressed by his situation1 look round for some great opportunity to distinguish himself8 ,no circumstances1 which can afford this1 appear to him undesirable4 ,he even looks forward with satisfaction to the prospect of foreign war or civil dissension2 and1 with secret transport and delight1 sees through all the confusion and bloodshed which attend them1 the probability of those wished-for occasions presenting themselves1 in which he may draw upon himself the attention and admiration of mankind4 ,the man of rank and distinction1 on the contrary1 whose whole glory consists in the propriety of his ordinary behaviour1 who is contented with the humble renown which this can afford him1 and has no talents to acquire any other1 is unwilling to embarrass himself with what can be attended either with difficulty or distress4 ,to figure at a ball is his great triumph1 and to succeed in an intrigue of gallantry1 his highest exploit4 ,he has an aversion to all public confusions1 not from the love of mankind1 for the great never look upon their inferiors as their fellow-creatures2 nor yet from want of courage1 for in that he is seldom defective2 but from a consciousness that he possesses none of the virtues which are required in such situations1 and that the public attention will certainly be drawn away from him by others4 ,he may be willing to expose himself to some little danger1 and to make a campaign when it happens to be the fashion4 ,but he shudders with horror at the thought of any situation which demands the continual and long exertion of patience1 industry1 fortitude1 and application of thought4 ,these virtues are hardly ever to be met with in men who are born to those high stations4 ,in all governments1 accordingly1 even in monarchies1 the highest offices are generally possessed1 and the whole detail of the administration conducted1 by men who were educated in the middle and inferior ranks of life1 who have been carried forward by their own industry and abilities1 though loaded with the jealousy1 and opposed by the resentment1 of all those who were born their superiors1 and to whom the great1 after having regarded them first with contempt1 and afterwards with envy1 are at last contented to truckle with the same abject meanness with which they desire that the rest of mankind should behave to themselves4 ,it is the loss of this easy empire over the affections of mankind which renders the fall from greatness so insupportable4 ,when the family of the king of ,macedon was led in triumph by ,paulus milius1 their misfortunes1 it is said1 made them divide with their conqueror the attention of the ,roman people4 ,the sight of the royal children1 whose tender age rendered them insensible of their situation1 struck the spectators1 amidst the public rejoicings and prosperity1 with the tenderest sorrow and compassion4 ,the king appeared next in the procession2 and seemed like one confounded and astonished1 and bereft of all #ed sentiment1 by the greatness of his calamities4 ,his friends and ministers followed after him4 ,as they moved along1 they often cast their eyes upon their fallen sovereign1 and always burst into tears at the sight2 their whole behaviour demonstrating that they thought not of their own misfortunes1 but were occupied entirely by the superior greatness of his4 ,the generous ,romans1 on the contrary1 beheld him with disdain and indignation1 and regarded as unworthy of all compassion the man who could be so mean-spirited as to bear to live under such calamities4 ,yet what did those calamities amount to8 ,according to the greater part of historians1 he was to spend the remainder of his days1 under the protection of a powerful and humane people1 in a state which in itself should seem worthy of envy1 a state of plenty1 ease1 leisure1 and security1 from which it was impossible for him even by his own folly to fall4 ,but he was no longer to be surrounded by that admiring mob of fools1 flatterers1 and dependants1 who had formerly been accustomed to attend upon all his motions4 ,he was no longer to be gazed upon by multitudes1 nor to have it in his power to render himself the object of their respect1 their gratitude1 their love1 their admiration4 ,the passions of nations were no longer to mould themselves upon his inclinations4 ,this was that insupportable calamity which bereaved the king of all sentiment2 which made his friends forget their own misfortunes2 and which the ,roman magnanimity could scarce conceive how any man could be so mean-spirited as to bear to survive4 ',love1' says my ,lord ,rochefaucault1 'is commonly succeeded by ambition2 but ambition is hardly ever succeeded by love4' ,that passion1 when once it has got entire possession of the breast1 will admit neither a rival nor a successor4 ,to those who have been accustomed to the possession1 or even to the hope of public admiration1 all other pleasures sicken and decay4 ,of all the discarded statesmen who for their own ease have studied to get the better of ambition1 and to despise those honours which they could no longer arrive at1 how few have been able to succeed8 ,the greater part have spent their time in the most listless and insipid indolence1 chagrined at the thoughts of their own insignificancy1 incapable of being interested in the occupations of private life1 without enjoyment except when they talked of their former greatness1 and without satisfaction except when they were employed in some vain project to recover it4 ,are you in earnest resolved never to barter your liberty for the lordly servitude of a court1 but to live free1 fearless1 and independent8 ,there seems to be one way to continue in that virtuous resolution2 and perhaps but one4 ,never enter the place from whence so few have been able to return2 never come within the circle of ambition2 nor ever bring yourself into comparison with those masters of the earth who have already engrossed the attention of half mankind before you4 ,of such mighty importance does it appear to be1 in the imaginations #ee of men1 to stand in that situation which sets them most in the view of general sympathy and attention4 ,and thus1 place1 that great object which divides the wives of aldermen1 is the end of half the labours of human life2 and is the cause of all the tumult and bustle1 all the rapine and injustice1 which avarice and ambition have introduced into this world4 ,people of sense1 it is said1 indeed despise place2 that is1 they despise sitting at the head of the table1 and are indifferent who it is that is pointed out to the company by that frivolous circumstance1 which the smallest 9999advantage is capable of overbalancing4 ,but rank1 distinction1 pre-eminence1 no man despises1 unless he is either raised very much above1 or sunk very much below1 the ordinary standard of human nature2 unless he is either so confirmed in wisdom and real philosophy1 as to be satisfied that1 while the propriety of his conduct renders him the just object of approbation1 it is of little consequence though he be neither attended to1 nor approved of2 or so habituated to the idea of his own meanness1 so sunk in slothful and sottish indifference1 as entirely to have forgot the desire and almost the very wish for superiority over his fellows4 ,as to become the natural object of the joyous congratulations and sympathetic attentions of mankind is1 in this manner1 the circumstance which gives to prosperity all its dazzling splendour2 so nothing darkens so much the gloom of adversity as to feel that our misfortunes are the objects1 not of the fellow-feeling1 but of the contempt and aversion of our brethren4 ,it is upon this account that the most dreadful calamities are not always those which it is most difficult to support4 ,it is often more mortifying to appear in public under small disasters1 than under great misfortunes4 ,the first excite no sympathy2 but the second1 though they may excite none that approaches to the anguish of the sufferer1 call forth1 however1 a very lively compassion4 ,the sentiments of the spectators are1 in this last case1 less wide of those of the sufferer1 and their imperfect fellow-feeling lends him some assistance in supporting his misery4 ,before a gay assembly1 a gentleman would be more mortified to appear covered with filth and rags than with blood and wounds4 ,this last situation would interest their pity2 the other would provoke their laughter4 ,the judge who orders a criminal to be set in the pillory1 dishonours him more than if he had condemned him to the scaffold4 ,the great prince1 who1 some years ago1 caned a general officer at the head of his army1 disgraced him irrecoverably4 ,the punishment would have been much less had he shot him through his body4 ,by the laws of honour1 to strike with a cane dishonours1 to strike with a sword does not1 for an obvious reason4 ,those slighter punishments1 when inflicted on a gentleman1 to whom dishonour is the greatest of all evils1 come to be regarded among a humane and generous people1 as the most dreadful of any4 ,with regard to persons of that rank1 therefore1 they are universally laid aside1 and the law1 while #ef it takes their life upon many occasions1 respects their honour upon almost all4 ,to scourge a person of quality1 or to set him in the pillory1 upon account of any crime whatever1 is a brutality of which no ,european government1 except that of ,russia1 is capable4 ,a brave man is not rendered contemptible by being brought to the scaffold2 he is1 by being set in the pillory4 ,his behaviour in the one situation may gain him universal esteem and admiration4 ,no behaviour in the other can render him agreeable4 ,the sympathy of the spectators supports him in the one case1 and saves him from that shame1 that consciousness that his misery is felt by himself only1 which is of all sentiments the most unsupportable4 ,there is no sympathy in the other2 or1 if there is any1 it is not with his pain1 which is a trifle1 but with his consciousness of the want of sympathy with which this pain is attended4 ,it is with his shame1 not with his sorrow4 ,those who pity him1 blush and hang down their heads for him4 ,he droops in the same manner1 and feels himself irrecoverably degraded by the punishment1 though not by the crime4 ,the man1 on the contrary1 who dies with resolution1 as he is naturally regarded with the erect aspect of esteem and approbation1 so he wears himself the same undaunted countenance2 and1 if the crime does not deprive him of the respect of others1 the punishment never will4 ,he has no suspicion that his situation is the object of contempt or derision to any body1 and he can1 with propriety1 assume the air1 not only of perfect serenity1 but of triumph and exultation4 ',great dangers4' says the ,cardinal de ,retz1 'have their charms1 because there is some glory to be got1 even when we miscarry4 ,but moderate dangers have nothing but what is horrible1 because the loss of reputation always attends the want of success4' ,his maxim has the same foundation with what we have been just now observing with regard to punishments4 ,human virtue is superior to pain1 to poverty1 to danger1 and to death2 nor does it even require its utmost efforts to despise them4 ,but to have its misery exposed to insult and derision1 to be led in triumph1 to be set up for the hand of scorn to point at1 is a situation in which its constancy is much more apt to fail4 ,compared with the contempt of mankind1 all other external evils are easily supported4 ----- ,,chap4 ,,iii4-- ,of the ,corruption of our ,moral ,sentiments1 which is occasioned by this ,disposition to admire the ,rich and the ,great1 and to despise or neglect ,persons of poor and mean ,condition4 ,,this disposition to admire1 and almost to worship1 the rich and the powerful1 and to despise or1 at least1 to neglect persons of poor and mean condition1 though necessary both to establish and to maintain the #eg distinction of ranks and the order of society1 is1 at the same time1 the great and most universal cause of the corruption of our moral sentiments4 ,that wealth and greatness are often regarded with the respect and admiration which are due only to wisdom and virtue2 and that the contempt1 of which vice and folly are the only proper objects1 is often most unjustly bestowed upon poverty and weakness1 has been the complaint of moralists in all ages4 ,we desire both to be respectable and to be respected4 ,we dread both to be contemptible and to be contemned4 ,but1 upon coming into the world1 we soon find that wisdom and virtue are by no means the sole objects of respect2 nor vice and folly1 of contempt4 ,we frequently see the respectful attentions of the world more strongly directed towards the rich and the great1 than towards the wise and the virtuous4 ,we see frequently the vices and follies of the powerful much less despised than the poverty and weakness of the innocent4 ,to deserve1 to acquire1 and to enjoy the respect and admiration of mankind1 are the great objects of ambition and emulation4 ,two different roads are presented to us1 equally leading to the attainment of this so much desired object2 the one1 by the study of wisdom and the practice of virtue2 the other1 by the acquisition of wealth and greatness4 ,two different characters are presented to our emulation2 the one1 of proud ambition and ostentatious avidity2 the other1 of humble modesty and equitable justice4 ,two different models1 two different pictures1 are held out to us1 according to which we may fashion our own character and behaviour2 the one more gaudy and glittering in its colouring2 the other more correct and more exquisitely beautiful in its outline3 the one forcing itself upon the notice of every wandering eye2 the other1 attracting the attention of scarce any body but the most studious and careful observer4 ,they are the wise and the virtuous chiefly1 a select1 though1 ,i am afraid1 but a small party1 who are the real and steady admirers of wisdom and virtue4 ,the great mob of mankind are the admirers and worshippers1 and1 what may seem more extraordinary1 most frequently the disinterested admirers and worshippers1 of wealth and greatness4 ,the respect which we feel for wisdom and virtue is1 no doubt1 different from that which we conceive for wealth and greatness2 and it requires no very nice discernment to distinguish the difference4 ,but1 notwithstanding this difference1 those sentiments bear a very considerable resemblance to one another4 ,in some particular features they are1 no doubt1 different1 but1 in the general air of the countenance1 they seem to be so very nearly the same1 that inattentive observers are very apt to mistake the one for the other4 ,in equal degrees of merit there is scarce any man who does not respect more the rich and the great1 than the poor and the humble4 ,with most men the presumption and vanity of the former are much more admired1 than the real and solid merit of the latter4 ,it is scarce #eh agreeable to good morals1 or even to good language1 perhaps1 to say1 that mere wealth and greatness1 abstracted from merit and virtue1 deserve our respect4 ,we must acknowledge1 however1 that they almost constantly obtain it2 and that they may1 therefore1 be considered as1 in some respects1 the natural objects of it4 ,those exalted stations may1 no doubt1 be completely degraded by vice and folly4 ,but1 the vice and folly must be very great1 before they can operate this complete degradation4 ,the profligacy of a man of fashion is looked upon with much less contempt and aversion1 than that of a man of meaner condition4 ,in the latter1 a single transgression of the rules of temperance and propriety1 is commonly more resented1 than the constant and avowed contempt of them ever is in the former4 ,in the middling and inferior stations of life1 the road to virtue and that to fortune1 to such fortune1 at least1 as men in such stations can reasonably expect to acquire1 are1 happily1 in most cases1 very nearly the same4 ,in all the middling and inferior professions1 real and solid professional abilities1 joined to prudent1 just1 firm1 and temperate conduct1 can very seldom fail of success4 ,abilities will even sometimes prevail where the conduct is by no means correct4 ,either habitual imprudence1 however1 or injustice1 or weakness1 or profligacy1 will always cloud1 and sometimes depress altogether1 the most splendid professional abilities4 ,men in the inferior and middling stations of life1 besides1 can never be great enough to be above the law1 which must generally overawe them into some sort of respect for1 at least1 the more important rules of justice4 ,the success of such people1 too1 almost always depends upon the favour and good opinion of their neighbours and equals2 and without a tolerably regular conduct these can very seldom be obtained4 ,the good old proverb1 therefore1 that honesty is the best policy1 holds1 in such situations1 almost always perfectly true4 ,in such situations1 therefore1 we may generally expect a considerable degree of virtue2 and1 fortunately for the good morals of society1 these are the situations of the greater part of mankind4 ,in the superior stations of life the case is unhappily not always the same4 ,in the courts of princes1 in the drawing-rooms of the great1 where success and preferment depend1 not upon the esteem of intelligent and well-informed equals1 but upon the fanciful and foolish favour of ignorant1 presumptuous1 and proud superiors2 flattery and falsehood too often prevail over merit and abilities4 ,in such societies the abilities to please1 are more regarded than the abilities to serve4 ,in quiet and peaceable times1 when the storm is at a distance1 the prince1 or great man1 wishes only to be amused1 and is even apt to fancy that he has scarce any occasion for the service of any body1 or that those who amuse him are sufficiently able to serve him4 ,the external graces1 the frivolous accomplishments of that impertinent and foolish thing called a man of fashion1 are commonly more admired than the solid and #ei masculine virtues of a warrior1 a statesman1 a philosopher1 or a legislator4 ,all the great and awful virtues1 all the virtues which can fit1 either for the council1 the senate1 or the field1 are1 by the insolent and insignificant flatterers1 who commonly figure the most in such corrupted societies1 held in the utmost contempt and derision4 ,when the ,duke of ,sully was called upon by ,louis the ,thirteenth1 to give his advice in some great emergency1 he observed the favourites and courtiers whispering to one another1 and smiling at his unfashionable appearance4 ',whenever your ,majesty's father1' said the old warrior and statesman1 'did me the honour to consult me1 he ordered the buffoons of the court to retire into the antechamber4' ,it is from our disposition to admire1 and consequently to imitate1 the rich and the great1 that they are enabled to set1 or to lead1 what is called the fashion4 ,their dress is the fashionable dress2 the language of their conversation1 the fashionable style2 their air and deportment1 the fashionable behaviour4 ,even their vices and follies are fashionable2 and the greater part of men are proud to imitate and resemble them in the very qualities which dishonour and degrade them4 ,vain men often give themselves airs of a fashionable profligacy1 which1 in their hearts1 they do not approve of1 and of which1 perhaps1 they are really not guilty4 ,they desire to be praised for what they themselves do not think praiseworthy1 and are ashamed of unfashionable virtues which they sometimes practise in secret1 and for which they have secretly some degree of real veneration4 ,there are hypocrites of wealth and greatness1 as well as of religion and virtue2 and a vain man is as apt to pretend to be what he is not1 in the one way1 as a cunning man is in the other4 ,he assumes the equipage and splendid way of living of his superiors1 without considering that whatever may be praiseworthy in any of these1 derives its whole merit and propriety from its suitableness to that situation and fortune which both require and can easily support the expense4 ,many a poor man places his glory in being thought rich1 without considering that the duties 7if one may call such follies by so venerable a name7 which that reputation imposes upon him1 must soon reduce him to beggary1 and render his situation still more unlike that of those whom he admires and imitates1 than it had been originally4 ,to attain to this envied situation1 the candidates for fortune too frequently abandon the paths of virtue2 for unhappily1 the road which leads to the one1 and that which leads to the other1 lie sometimes in very opposite directions4 ,but the ambitious man flatters himself that1 in the splendid situation to which he advances1 he will have so many means of commanding the respect and admiration of mankind1 and will be enabled to act with such superior propriety and grace1 that the lustre of his future conduct will entirely cover1 or efface1 the foulness of the steps by which he arrived at that elevation4 ,in many governments the candidates for the highest stations are above the law2 and1 if they #fj can attain the object of their ambition1 they have no fear of being called to account for the means by which they acquired it4 ,they often endeavour1 therefore1 not only by fraud and falsehood1 the ordinary and vulgar arts of intrigue and cabal2 but sometimes by the perpetration of the most enormous crimes1 by murder and assassination1 by rebellion and civil war1 to supplant and destroy those who oppose or stand in the way of their greatness4 ,they more frequently miscarry than succeed2 and commonly gain nothing but the disgraceful punishment which is due to their crimes4 ,but1 though they should be so lucky as to attain that wished-for greatness1 they are always most miserably disappointed in the happiness which they expect to enjoy in it4 ,it is not ease or pleasure1 but always honour1 of one kind or another1 though frequently an honour very ill understood1 that the ambitious man really pursues4 ,but the honour of his exalted station appears1 both in his own eyes and in those of other people1 polluted and denied by the baseness of the means through which he rose to it4 ,though by the profusion of every liberal expense2 though by excessive indulgence in every profligate pleasure1 the wretched1 but usual1 resource of ruined characters2 though by the hurry of public business1 or by the prouder and more dazzling tumult of war1 he may endeavour to efface1 both from his own memory and from that of other people1 the remembrance of what he has done2 that remembrance never fails to pursue him4 ,he invokes in vain the dark and dismal powers of forgetfulness and oblivion4 ,he remembers himself what he has done1 and that remembrance tells him that other people must likewise remember it4 ,amidst all the gaudy pomp of the most ostentatious greatness2 amidst the venal and vile adulation of the great and of the learned2 amidst the more innocent1 though more foolish1 acclamations of the common people2 amidst all the pride of conquest and the triumph of successful war1 he is still secretly pursued by the avenging furies of shame and remorse2 and1 while glory seems to surround him on all sides1 he himself1 in his own imagination1 sees black and foul infamy fast pursuing him1 and every moment ready to overtake him from behind4 ,even the great ,csar1 though he had the magnanimity to dismiss his guards1 could not dismiss his suspicions4 ,the remembrance of ,pharsalia still haunted and pursued him4 ,when1 at the request of the senate1 he had the generosity to pardon ,marcellus1 he told that assembly1 that he was not unaware of the designs which were carrying on against his life2 but that1 as he had lived long enough both for nature and for glory1 he was contented to die1 and therefore despised all conspiracies4 ,he had1 perhaps1 lived long enough for nature4 ,but the man who felt himself the object of such deadly resentment from those whose favour he wished to gain1 and whom he still wished to consider as his friends1 had certainly lived too long for real glory2 or for all the happiness which he could ever hope to enjoy in the love and esteem of his equals4 #fa ,part ,,ii4--,of ,merit and ,demerit2 or1 of the ,objects of ,reward and ,punishment4 ,,sec4 ,i4--,,of ,,the ,,sense ,,of ,,merit ,,and ,,demerit4 ,,introduction4--,there is another set of qualities ascribed to the actions and conduct of mankind1 distinct from their propriety or impropriety1 their decency or ungracefulness1 and which are the objects of a distinct species of approbation and disapprobation4 ,these are ,merit and ,demerit1 the qualities of deserving reward and of deserving punishment4 ,it has already been observed1 that the sentiment or affection of the heart1 from which any action proceeds1 and upon which its whole virtue or vice depends1 may be considered under two different aspects1 or in two different relations3 first1 in relation to the cause or object which excites it2 and1 secondly1 in relation to the end which it proposes1 or to the effect which it tends to produce3 that upon the suitableness or unsuitableness1 upon the proportion or disproportion1 which the affection seems to bear to the cause or object which excites it1 depends the propriety or impropriety1 the decency or ungracefulness of the consequent action2 and that upon the beneficial or hurtful effects which the affection proposes or tends to produce1 depends the merit or demerit1 the good or ill desert of the action to which it gives occasion4 ,wherein consists our sense of the propriety or impropriety of actions1 has been explained in the former part of this discourse4 ,we come now to consider1 wherein consists that of their good or ill desert4 ----- ,,chap4 ,i4--,that whatever appears to be the proper ,object of ,gratitude1 appears to deserve ,reward2 and that1 in the same ,manner1 whatever appears to be the proper ,object of ,resentment1 appears to deserve ,punishment4 ,,to us1 therefore1 that action must appear to deserve reward1 which appears to be the proper and approved object of that sentiment1 which most immediately and directly prompts us to reward1 or to do good to another4 ,and in the same manner1 that action must appear to deserve punishment1 which appears to be the proper and approved object of that sentiment which most immediately and directly prompts us to punish1 or to inflict evil upon another4 ,the sentiment which most immediately and directly prompts us to reward1 is gratitude2 that which most immediately and directly prompts us to punish1 is resentment4 #fb ,to us1 therefore1 that action must appear to deserve reward1 which appears to be the proper and approved object of gratitude2 as1 on the other hand1 that action must appear to deserve punishment1 which appears to be the proper and approved object of resentment4 ,to reward1 is to recompense1 to remunerate1 to return good for good received4 ,to punish1 too1 is to recompense1 to remunerate1 though in a different manner2 it is to return evil for evil that has been done4 ,there are some other passions1 besides gratitude and resentment1 which interest us in the happiness or misery of others2 but there are none which so directly excite us as to be instruments of either4 ,the love and esteem which grow upon acquaintance and habitual approbation1 necessarily lead us to be pleased with the good fortune of the man who is the object of such agreeable emotions1 and consequently to be willing to lend a hand to promote it4 ,our love1 however1 is fully satisfied1 though his good fortune should be brought about without our assistance4 ,all that this passion desires is to see him happy1 without regarding who was the author of his prosperity4 ,but gratitude is not to be satisfied in this manner4 ,if the person to whom we owe many obligations1 is made happy without our assistance1 though it pleases our love1 it does not content our gratitude4 ,till we have recompensed him1 till we ourselves have been instrumental in promoting his happiness1 we feel ourselves still loaded with that debt which his past services have laid upon us4 ,the hatred and dislike1 in the same manner1 which grow upon the habitual disapprobation1 would often lead us to take a malicious pleasure in the misfortune of the man whose conduct and character excite so painful a passion4 ,but though dislike and hatred harden us against all sympathy1 and sometimes dispose us even to rejoice at the distress of another1 yet1 if there is no resentment in the case1 if neither we nor our friends have received any great personal provocation1 these passions would not naturally lead us to wish to be instrumental in bringing it about4 ,though we could fear no punishment in consequence of our having had some hand in it1 we would rather that it should happen by other means4 ,to one under the dominion of violent hatred it would be agreeable1 perhaps1 to hear1 that the person whom he abhorred and detested was killed by some accident4 ,but if he had the least spark of justice1 which1 though this passion is not very favourable to virtue1 he might still have1 it would hurt him excessively to have been himself1 even without design1 the occasion of this misfortune4 ,much more would the very thought of voluntarily contributing to it shock him beyond all measure4 ,he would reject with horror even the imagination of so execrable a design2 and if he could imagine himself capable of such an enormity1 he would begin to regard to himself in the same odious light in which he had considered the person who was the object of his dislike4 ,but it is quite otherwise with resentment3 if the person #fc who had done us some great injury1 who had murdered our father or our brother1 for example1 should soon afterwards die of a fever1 or even be brought to the scaffold upon account of some other crime1 though it might soothe our hatred1 it would not fully gratify our resentment4 ,resentment would prompt us to desire1 not only that he should be punished1 but that he should be punished by our means1 and upon account of that particular injury which he had done to us4 ,resentment cannot be fully gratified1 unless the offender is not only made to grieve in his turn1 but to grieve for that particular wrong which we have suffered from him4 ,he must be made to repent and be sorry for this very action1 that others1 through fear of the like punishment1 may be terrified from being guilty of the like offence4 ,the natural gratification of this passion tends1 of its own accord1 to produce all the political ends of punishment2 the correction of the criminal1 and example to the public4 ,gratitude and resentment1 therefore1 are the sentiments which most immediately and directly prompt to reward and to punish4 ,to us1 therefore1 he must appear to deserve reward1 who appears to be the proper and approved object of gratitude2 and he to deserve punishment1 who appears to be that of resentment4 ----- ,,chap4 ,,ii4--,of the proper ,objects of ,gratitude and ,resentment4 ,to be the proper and approved object either of gratitude or resentment1 can mean nothing but to be the object of that gratitude and of that resentment which naturally seems proper1 and is approved of4 ,but these1 as well as all the other passions of human nature1 seem proper and are approved of1 when the heart of every impartial spectator entirely sympathizes with them1 when every indifferent by-stander entirely enters into and goes along with them4 ,he1 therefore1 appears to deserve reward1 who1 to some person or persons1 is the natural object of a gratitude which every human heart is disposed to beat time to1 and thereby applaud3 and he1 on the other hand1 appears to deserve punishment1 who in the same manner is to some person or persons the natural object of a resentment which the breast of every reasonable man is ready to adopt and sympathize with4 ,to us1 surely1 that action must appear to deserve reward1 which every body who knows of it would wish to reward1 and therefore delights to see rewarded3 and that action must as surely appear to deserve punishment1 which every body who hears of it is angry with1 and upon that account rejoices to see punished4 #a4 ,as we sympathize with the joy of our companions1 when in prosperity1 so we join with them in the complacency and satisfaction with which they naturally regard whatever is the cause of their good fortune4 #fd ,we enter into the love and affection which they conceive for it1 and begin to love it too4 ,we should be sorry for their sakes if it was destroyed1 or even if it was placed at too great a distance from them1 and out of the reach of their care and protection1 though they should lose nothing by its absence except the pleasure of seeing it4 ,if it is man who has thus been the fortunate instrument of the happiness of his brethren1 this is still more peculiarly the case4 ,when we see one man assisted1 protected1 relieved by another1 our sympathy with the joy of the person who receives the benefit serves only to animate our fellow-feeling with his gratitude towards him who bestows it4 ,when we look upon the person who is the cause of his pleasure with the eyes with which we imagine he must look upon him1 his benefactor seems to stand before us in the most engaging and amiable light4 ,we readily therefore sympathize with the grateful affection which he conceives for a person to whom he has been so much obliged2 and consequently applaud the returns which he is disposed to make for the good offices conferred upon him4 ,as we entirely enter into the affection from which these returns proceed1 they necessarily seem every way proper and suitable to their object4 #b4 ,in the same manner1 as we sympathize with the sorrow of our fellow-creature whenever we see his distress1 so we likewise enter into his abhorrence and aversion for whatever has given occasion to it4 ,our heart1 as it adopts and beats time to his grief1 so is it likewise animated with that spirit by which he endeavours to drive away or destroy the cause of it4 ,the indolent and passive fellow-feeling1 by which we accompany him in his sufferings1 readily gives way to that more vigorous and active sentiment by which we go along with him in the effort he makes1 either to repeal them1 or to gratify his aversion to what has given occasion to them4 ,this is still more peculiarly the case1 when it is man who has caused them4 ,when we see one man oppressed or injured by another1 the sympathy which we feel with the distress of the sufferer seems to serve only to animate our fellow-feeling with his resentment against the offender4 ,we are rejoiced to see him attack his adversary in his turn1 and are eager and ready to assist him whenever he exerts himself for defence1 or even for vengeance within a certain degree4 ,if the injured should perish in the quarrel1 we not only sympathize with the real resentment of his friends and relations1 but with the imaginary resentment which in fancy we lend to the dead1 who is no longer capable of feeling that or any other human sentiment4 ,but as we put ourselves in his situation1 as we enter1 as it were1 into his body1 and in our imaginations1 in some measure1 animate anew the deformed and mangled carcass of the slain1 when we bring home in this manner his case to our own bosoms1 we feel upon this1 as upon many other occasions1 an emotion which the person principally concerned is incapable of feeling1 and which yet we feel by an illusive #fe sympathy with him4 ,the sympathetic tears which we shed for that immense and irretrievable loss1 which in our fancy he appears to have sustained1 seem to be but a small part of the duty which we owe him4 ,the injury which he has suffered demands1 we think1 a principal part of our attention4 ,we feel that resentment which we imagine he ought to feel1 and which he would feel1 if in his cold and lifeless body there remained any consciousness of what passes upon earth4 ,his blood1 we think1 calls aloud for vengeance4 ,the very ashes of the dead seem to be disturbed at the thought that his injuries are to pass unrevenged4 ,the horrors which are supposed to haunt the bed of the murderer1 the ghosts which superstition imagines rise from their graves to demand vengeance upon those who brought them to an untimely end1 all take their origin from this natural sympathy with the imaginary resentment of the slain4 ,and with regard1 at least1 to this most dreadful of all crimes1 ,nature1 antecedent to all reflection upon the utility of punishment1 has in this manner stamped upon the human heart1 in the strongest and most indelible characters1 an immediate and instinctive approbation of the sacred and necessary law of retaliation4 ----- ,,chap4 ,,iii4--,that where there is no ,approbation of the ,conduct of the ,person who confers the ,benefit1 there is little ,sympathy with the ,gratitude of him who receives it3 and that1 on the ,contrary1 where there is no ,disapprobation of the ,motives of the ,person who does the ,mischief1 there is no ,sort of ,sympathy with the ,resentment of him who suffers it4 ,,it is to be observed1 however1 that1 how beneficial soever on the one hand1 or hurtful soever on the other1 the actions or intentions of the person who acts may have been to the person who is1 if ,i may say so1 acted upon1 yet if in the one case there appears to have been no propriety in the motives of the agent1 if we cannot enter into the affections which influenced his conduct1 we have little sympathy with the gratitude of the person who receives the benefit3 or if1 in the other case1 there appears to have been no impropriety in the motives of the agent1 if1 on the contrary1 the affections which influenced his conduct are such as we must necessarily enter into1 we can have no sort of sympathy with the resentment of the person who suffers4 ,little gratitude seems due in the one case1 and all sort of resentment seems unjust in the other4 ,the one action seems to merit little reward1 the other to deserve no punishment4 #a4 ,first1 ,i say1 that wherever we cannot sympathize with the affections of the agent1 wherever there seems to be no propriety in the motives which influenced his conduct1 we are less disposed to enter into the #ff gratitude of the person who received the benefit of his actions4 ,a very small return seems due to that foolish and profuse generosity which confers the greatest benefits from the most trivial motives1 and gives an estate to a man merely because his name and surname happen to be the same with those of the giver4 ,such services do not seem to demand any proportionable recompense4 ,our contempt for the folly of the agent hinders us from thoroughly entering into the gratitude of the person to whom the good office has been done4 ,his benefactor seems unworthy of it4 ,as when we place ourselves in the situation of the person obliged1 we feel that we could conceive no great reverence for such a benefactor1 we easily absolve him from a great deal of that submissive veneration and esteem which we should think due to a more respectable character2 and provided he always treats his weak friend with kindness and humanity1 we are willing to excuse him from many attentions and regards which we should demand to a worthier patron4 ,those princes who have heaped1 with the greatest profusion1 wealth1 power and honours1 upon their favourites1 have seldom excited that degree of attachment to their persons which has often been experienced by those who were more frugal of their favours4 ,the well-natured1 but injudicious prodigality of ,james the ,first of ,great ,britain seems to have attached nobody to his person2 and that prince1 notwithstanding his social and harmless disposition1 appears to have lived and died without a friend4 ,the whole gentry and nobility of ,england exposed their lives and fortunes in the cause of ,charles ,i41 his more frugal and distinguishing son1 notwithstanding the coldness and distant severity of his ordinary deportment4 #b4 ,secondly1 ,i say1 ,that wherever the conduct of the agent appears to have been entirely directed by motives and affections which we thoroughly enter into and approve of1 we can have no sort of sympathy with the resentment of the sufferer1 how great soever the mischief which may have been done to him4 ,when two people quarrel1 if we take part with1 and entirely adopt the resentment of one of them1 it is impossible that we should enter into that of the other4 ,our sympathy with the person whose motives we go along with1 and whom therefore we look upon as in the right1 cannot but harden us against all fellow-feeling with the other1 whom we necessarily regard as in the wrong4 ,whatever this last1 therefore1 may have suffered1 while it is no more than what we ourselves should have wished him to suffer1 while it is no more than what our own sympathetic indignation would have prompted us to inflict upon him1 it cannot either displease or provoke us4 ,when an inhuman murderer is brought to the scaffold1 though we have some compassion for his misery1 we can have no sort of fellow-feeling with his resentment1 if he should be so absurd as to express any against either his prosecutor or his judge4 ,the natural tendency of their just indignation against so vile a criminal is indeed the most fatal and #fg ruinous to him4 ,but it is impossible that we should be displeased with the tendency of a sentiment1 which1 when we bring the case home to ourselves1 we feel that we cannot avoid adopting4 ----- ,,chap4 ,,iv4--,recapitulation of the foregoing ,chapters4 #a4 ,,we do not therefore thoroughly and heartily sympathize with the gratitude of one man towards another1 merely because this other has been the cause of his good fortune1 unless he has been the cause of it from motives which we entirely go along with4 ,our heart must adopt the principles of the agent1 and go along with all the affections which influenced his conduct1 before it can entirely sympathize with and beat time to1 the gratitude of the person who has been benefited by his actions4 ,if in the conduct of the benefactor there appears to have been no propriety1 how beneficial soever its effects1 it does not seem to demand1 or necessarily to require1 any proportionable recompense4 ,but when to the beneficent tendency of the action is joined the propriety of the affection from which it proceeds1 when we entirely sympathize and go along with the motives of the agent1 the love which we conceive for him upon his own account enhances and enlivens our fellow-feeling with the gratitude of those who owe their prosperity to his good conduct4 ,his actions seem then to demand1 and1 if ,i may say so1 to call aloud for a proportionable recompense4 ,we then entirely enter into that gratitude which prompts to bestow it4 ,the benefactor seems then to be the proper object of reward1 when we thus entirely sympathize with1 and approve of1 that sentiment which prompts to reward him4 ,when we approve of1 and go along with1 the affection from which the action proceeds1 we must necessarily approve of the action1 and regard the person towards whom it is directed1 as its proper and suitable object4 #b4 ,in the same manner1 we cannot at all sympathize with the resentment of one man against another1 merely because this other has been the cause of his misfortune1 unless he has been the cause of it from motives which we cannot enter into4 ,before we can adopt the resentment of the sufferer1 we must disapprove of the motives of the agent1 and feel that our heart renounces all sympathy with the affections which influenced his conduct4 ,if there appears to have been no impropriety in these1 how fatal soever the tendency of the action which proceeds from them to those against whom it is directed1 it does not seem to deserve any punishment1 or to be the proper object of any resentment4 ,but when to the hurtfulness of the action is joined the impropriety of the affection from whence it proceeds1 when our heart rejects with #fh abhorrence all fellow-feeling with the motives of the agent1 we then heartily and entirely sympathize with the resentment of the sufferer4 ,such actions seem then to deserve1 and1 if ,i may say so1 to call aloud for1 a proportionable punishment2 and we entirely enter into1 and thereby approve of1 that resentment which prompts to inflict it4 ,the offender necessarily seems then to be the proper object of punishment1 when we thus entirely sympathize with1 and thereby approve of1 that sentiment which prompts to punish4 ,in this case too1 when we approve1 and go along with1 the affection from which the action proceeds1 we must necessarily approve the action1 and regard the person against whom it is directed1 as its proper and suitable object4 ----- ,,chap4 ,v4--,the ,analysis of the ,sense of ,merit and ,demerit4 #a4 ,as our sense1 therefore1 of the propriety of conduct arises from what ,i shall call a direct sympathy with the affections and motives of the person who acts1 so our sense of its merit arises from what ,i shall call an indirect sympathy with the gratitude of the person who is1 if ,i may say so1 acted upon4 ,as we cannot indeed enter thoroughly into the gratitude of the person who receives the benefit1 unless we beforehand approve of the motives of the benefactor1 so1 upon this account1 the sense of merit seems to be a compounded sentiment1 and to be made up of two distinct emotions2 a direct sympathy with the sentiments of the agents1 and an indirect sympathy with the gratitude of those who receive the benefit of his actions4 ,we may1 upon many different occasions1 plainly distinguish those two different emotions combining and uniting together in our sense of the good desert of a particular character or action4 ,when we read in history concerning actions of proper and beneficent greatness of mind1 how eagerly do we enter into such designs8 ,how much are we animated by that high-spirited generosity which directs them8 ,how keen are we for their success8 ,how grieved at their disappointment8 ,in imagination we become the very person whose actions are represented to us3 we transport ourselves in fancy to the scenes of those distant and forgotten adventures1 and imagine ourselves acting the part of a ,scipio or a ,camillus1 a ,timoleon or an ,aristides4 ,so far our sentiments are founded upon the direct sympathy with the person who acts4 ,nor is the indirect sympathy with those who receive the benefit of such actions less sensibly felt4 ,whenever we place ourselves in the situation of these last1 with what warm and affectionate fellow-feeling do we enter into their gratitude towards those who served them so essentially8 ,we embrace1 as it were1 their benefactor along with them4 ,our heart #fi readily sympathizes with the highest transports of their grateful affection4 ,no honours1 no rewards1 we think1 can be too great for them to bestow upon him4 ,when they make this proper return for his services1 we heartily applaud and go along with them2 but are shocked beyond1 all measure1 if by their conduct they appear to have little sense of the obligations conferred upon them4 ,our whole sense1 in short1 of the merit and good desert of such actions1 of the propriety and fitness of recompensing them1 and making the person who performed them rejoice in his turn1 arises from the sympathetic emotions of gratitude and love1 with which1 when we bring home to our own breast the situation of those principally concerned1 we feel ourselves naturally transported towards the man who could act with such proper and noble beneficence4 #b4 ,in the same manner as our sense of the impropriety of conduct arises from a want of sympathy1 or from a direct antipathy to the affections and motives of the agent1 so our sense of its demerit arises from what ,i shall here too call an indirect sympathy with the resentment of the sufferer4 ,as we cannot indeed enter into the resentment of the sufferer1 unless our heart beforehand disapproves the motives of the agent1 and renounces all fellow-feeling with them2 so upon this account the sense of demerit1 as well as that of merit1 seems to be a compounded sentiment1 and to be made up of two distinct emotions2 a direct antipathy to the sentiments of the agent1 and an indirect sympathy with the resentment of the sufferer4 ,we may here too1 upon many different occasions1 plainly distinguish those two different emotions combining and uniting together in our sense of the ill desert of a particular character or action4 ,when we read in history concerning the perfidy and cruelty of a ,borgia or a ,nero1 our heart rises up against the detestable sentiments which influenced their conduct1 and renounces with horror and abomination all fellow-feeling with such execrable motives4 ,so far our sentiments are founded upon the direct antipathy to the affections of the agent3 and the indirect sympathy with the resentment of the sufferers is still more sensibly felt4 ,when we bring home to ourselves the situation of the persons whom those scourges of mankind insulted1 murdered1 or betrayed1 what indignation do we not feel against such insolent and inhuman oppressors of the earth8 ,our sympathy with the unavoidable distress of the innocent sufferers is not more real nor more lively1 than our fellow-feeling with their just and natural resentment4 ,the former sentiment only heightens the latter1 and the idea of their distress serves only to inflame and blow up our animosity against those who occasioned it4 ,when we think of the anguish of the sufferers1 we take part with them more earnestly against their oppressors2 we enter with more eagerness into all their schemes of vengeance1 and feel ourselves every #gj moment wreaking1 in imagination1 upon such violators of the laws of society1 that punishment which our sympathetic indignation tells us is due to their crimes4 ,our sense of the horror and dreadful atrocity of such conduct1 the delight which we take in hearing that it was properly punished1 the indignation which we feel when it escapes this due retaliation1 our whole sense and feeling1 in short1 of its ill desert1 of the propriety and fitness of inflicting evil upon the person who is guilty of it1 and of making him grieve in his turn1 arises from the sympathetic indignation which naturally boils up in the breast of the spectator1 whenever he thoroughly brings home to himself the case of the sufferer4#b ,footnote #b3 ,to ascribe in this manner our natural sense of the ill desert of human actions to a sympathy with the resentment of the sufferer1 may seem1 to the greater part of the people1 to be a degradation of that sentiment4 ,resentment is commonly regarded as so odious a passion1 that they will be apt to think it impossible that so laudable a principle1 as the sense of the ill desert of vice1 should in any respect be founded upon it4 ,they will be more willing1 perhaps1 to admit that our sense of the merit of good actions is founded upon a sympathy with the gratitude of the persons who receive the benefit of them2 because gratitude1 as well as all the other benevolent passions1 is regarded as an amiable principle1 which can take nothing from the worth of whatever is founded upon it4 ,gratitude and resentment1 however1 are in every respect1 it is evident1 counterparts to one another2 and if our sense of merit arises from a sympathy with the one1 our sense of demerit can scarce miss to proceed from a fellow-feeling with the other4 ,let it be considered1 too1 that resentment1 though in the degree in which we too often see it1 the most odious1 perhaps1 of all the passions1 is not disapproved of when properly humbled and entirely brought down to the level of the sympathetic indignation of the spectator4 ,when we who are the bystanders1 feel that our own animosity entirely corresponds with that of the sufferer1 when the resentment of this last does not in any respect go beyond our own1 when no word1 no gesture1 escapes him that denotes an emotion more violent than what we can keep time to1 and when he never aims at inflicting any punishment beyond what we should rejoice to see inflicted1 or what we ourselves would upon this account even desire to be the instruments of inflicting1 it is impossible that we should not entirely approve of his sentiment4 ,our own emotion in this case must1 in our eyes1 undoubtedly justify his4 ,and as experience teaches us how much the greater part of mankind are incapable of this moderation1 and how great an effort must be made in order to bring down the rude and undisciplined impulse of resentment to this suitable temper1 we cannot avoid conceiving a considerable degree of esteem and admiration for one who appears capable of exerting so much self-command over one of the most ungovernable passions of his nature4 ,when indeed the animosity of the sufferer exceeds1 as it almost always does1 that we can go along with1 as we cannot enter into it1 we necessarily disapprove of it4 ,we even disapprove of it more than we should of an equal excess of almost any other passion derived from the imagination4 ,and this too violent resentment1 instead of carrying us along with it becomes itself the object of our resentment and indignation4 ,we enter into the opposite resentment of the person who is the object of this unjust emotion1 and who is in danger of suffering from it4 ,revenge1 therefore1 the excess of resentment1 appears to be the most detestable of all the passions1 and is the object of the horror and indignation of every body4 ,and as in the way in which this passion commonly discovers itself among mankind1 it is excessive a hundred times for once that it is immoderate1 we are very apt to consider it as altogether odious and detestable1 because in its most ordinary appearances it is so4 ,nature1 however1 even in the present depraved state of mankind1 does not seem to have dealt so unkindly with us1 as to have endowed us with any principle which is wholly and in every respect evil1 or which1 in no degree and in no direction1 can be the proper object of praise and approbation4 ,upon some occasions we are sensible that this passion1 which is generally too strong1 may likewise be too weak4 ,we sometimes complain that a particular person shows too little spirit1 and has too little sense of the injuries that have been done to him2 and we are as ready to despise him for the defect1 as to hate him for the excess of this passion4 ,the inspired writers would not surely have talked so frequently or so strongly of the wrath and anger of ,god1 if they had regarded every degree of those passions as vicious and evil1 even in so weak and imperfect a creature as man4 ,let it be considered too1 that the present inquiry is not concerning a matter of right1 if ,i may say so1 but concerning a matter of fact4 ,we are not at present examining upon what principles a perfect being would approve of the punishment of bad actions2 but upon what principles so weak and imperfect a creature as man actually and in fact approves of it4 ,the principles which ,i have just now mentioned1 it is evident1 have a very great effect upon his sentiments2 and it seems wisely ordered that it should be so4 ,the very existence of society requires that unmerited and unprovoked malice should be restrained by proper punishments2 and consequently1 that to inflict those punishments should be regarded as a proper and laudable action4 ,though man1 therefore1 be naturally endowed with a desire of the welfare and preservation of society1 yet the ,author of nature has not entrusted it to his reason to find out that a certain application of punishments is the proper means of attaining this end2 but has endowed him with an immediate and instinctive approbation of that very application which is most proper to attain it4 ,the oeconomy of nature is in this respect exactly of a piece with what it is upon many other occasions4 ,with regard to all those ends which1 upon account of their peculiar importance1 may be regarded1 if such an expression is allowable1 as the favourite ends of nature1 she has constantly in this manner not only endowed mankind with an appetite for the end which she proposes1 but likewise with an appetite for the means by which alone this end can be brought about1 for their own sakes1 and independent of their tendency to produce it4 ,thus self-preservation1 and the propagation of the species1 are the great ends which ,nature seems to have proposed in the formation of all animals4 ,mankind are endowed with a desire of those ends1 and an aversion to the contrary2 with a love of life1 and a dread of dissolution2 with a desire of the continuance and perpetuity of the species1 and with an aversion to the thoughts of its entire extinction4 ,but though we are in this manner endowed with a very strong desire of those ends1 it has not been intrusted to the slow and uncertain determinations of our reason to find out the proper means of bringing them about4 ,nature has directed us to the greater part of these by original and immediate instincts4 ,hunger1 thirst1 the passion which unites the two sexes1 the love of pleasure1 and the dread of pain1 prompt us to apply those means for their own sakes1 and without any consideration of their tendency to those beneficent ends which the great ,director of nature intended to produce by them4 ,before ,i conclude this note1 ,i must take notice of a difference between the approbation of propriety and that of merit or beneficence4 ,before we approve of the sentiments of any person as proper and suitable to their objects1 we must not only be affected in the same manner as he is1 but we must perceive this harmony and correspondence of sentiments between him and ourselves4 ,thus1 though upon hearing of a misfortune that had befallen my friend1 ,i should conceive precisely that degree of concern which he gives way to2 yet till ,i am informed of the manner in which he behaves1 till ,i perceive the harmony between his emotions and mine1 ,i cannot be said to approve of the sentiments which influence his behaviour4 ,the approbation of propriety therefore requires1 not only that we should entirely sympathize with the person who acts1 but that we should perceive this perfect concord between his sentiments and our own4 ,on the contrary1 when ,i hear of a benefit that has been bestowed upon another person1 let him who has received it be affected in what manner he pleases1 if1 by bringing his case home to myself1 ,i feel gratitude arise in my own breast1 ,i necessarily approve of the conduct of his benefactor1 and regard it as meritorious1 and the proper object of reward4 ,whether the person who has received the benefit conceives gratitude or not1 cannot1 it is evident1 in any degree alter our sentiments with regard to the merit of him who has bestowed it4 ,no actual correspondence of sentiments1 therefore1 is here required4 ,it is sufficient that if he was grateful1 they would correspond2 and our sense of merit is often founded upon one of those illusive sympathies1 by which1 when we bring home to ourselves the case of another1 we are often affected in a manner in which the person principally concerned is incapable of being affected4 ,there is a similar difference between our disapprobation of demerit1 and that of impropriety4 ----- ,,sect4 ,,ii4--,,of ,,justice ,,and ,,beneficence4 ,,chap4 ,i4--,comparison of those two ,virtues4 ,,actions of a beneficent tendency1 which proceed from proper motives1 seem alone to require reward2 because such alone are the approved objects of gratitude1 or excite the sympathetic gratitude of the spectator4 ,actions of a hurtful tendency1 which proceed from improper motives1 seem alone to deserve punishment2 because such alone are the approved objects of resentment1 or excite the sympathetic resentment of the spectator4 ,beneficence is always free1 it cannot be extorted by force1 the mere #ga want of it exposes to no punishment2 because the mere want of beneficence tends to do no real positive evil4 ,it may disappoint of the #gb good which might reasonably have been expected1 and upon that account it may justly excite dislike and disapprobation3 it cannot1 however1 provoke any resentment which mankind will go along with4 ,the man who does not recompense his benefactor1 when he has it in his power1 and when his benefactor needs his assistance1 is1 no doubt1 guilty of the blackest ingratitude4 ,the heart of every impartial spectator rejects all fellow-feeling with the selfishness of his motives1 and he is the proper object of the highest disapprobation4 ,but still he does no positive hurt to any body4 ,he only does not do that good which in propriety he ought to have done4 ,he is the object of hatred1 a passion which is naturally excited by impropriety of sentiment and behaviour2 not of resentment1 a passion which is never properly called forth but by actions which tend to do real and positive hurt to some particular persons4 ,his want of gratitude1 therefore1 cannot be punished4 ,to oblige him by force to perform1 what in gratitude he ought to perform1 and what every impartial spectator would approve of him for performing1 would1 if possible1 be still more improper than his neglecting to perform it4 ,his benefactor would dishonour himself if he attempted by violence to constrain him to gratitude1 and it would be impertinent for any third person1 who was not the superior of either1 to intermeddle4 ,but of all the duties of beneficence1 those which gratitude recommends to us approach nearest to what is called a perfect and complete obligation4 ,what friendship1 what generosity1 what charity1 would prompt us to do with universal approbation1 is still more free1 and can still less be extorted by force than the duties of gratitude4 ,we talk of the debt of gratitude1 not of charity1 or generosity1 nor even of friendship1 when friendship is mere esteem1 and has not been enhanced and complicated with gratitude for good offices4 ,resentment seems to have been given us by nature for defence1 and for defence only4 ,it is the safeguard of justice and the security of innocence4 ,it prompts us to beat off the mischief which is attempted to be done to us1 and to retaliate that which is already done2 that the #gc offender may be made to repent of his injustice1 and that others1 through fear of the like punishment1 may be terrified from being guilty of the like offence4 ,it must be reserved therefore for these purposes1 nor can the spectator ever go along with it when it is exerted for any other4 ,but the mere want of the beneficent virtues1 though it may disappoint us of the good which might reasonably be expected1 neither does1 nor attempts to do1 any mischief from which we can have occasion to defend ourselves4 ,there is however another virtue1 of which the observance is not left to the freedom of our own wills1 which may be extorted by force1 and of which the violation exposes to resentment1 and consequently to punishment4 ,this virtue is justice3 the violation of justice is injury3 it does real and positive hurt to some particular persons1 from motives which are naturally disapproved of4 ,it is1 therefore1 the proper object of resentment1 and of punishment1 which is the natural consequence of resentment4 ,as mankind go along with and approve of the violence employed to avenge the hurt which is done by injustice1 so they much more go along with1 and approve of1 that which is employed to prevent and beat off the injury1 and to restrain the offender from hurting his neighbours4 ,the person himself who meditates an injustice is sensible of this1 and feels that force may1 with the utmost propriety1 be made use of1 both by the person whom he is about to injure1 and by others1 either to obstruct the execution of his crime1 or to punish him when he has executed it4 ,and upon this is founded that remarkable distinction between justice and all the other social virtues1 which has of late been particularly insisted upon by an author of very great and original genius1 that we feel ourselves to be under a stricter obligation to act according to justice1 than agreeably to friendship1 charity1 or generosity2 that the practice of these last mentioned virtues seems to be left in some measure to our own choice1 but that1 somehow or other1 we feel ourselves to be in a peculiar manner tied1 bound1 and obliged to the observation of justice4 ,we feel1 that is to say1 that force may1 with the utmost propriety1 and with the approbation of all mankind1 be made use of to constrain us to observe the rules of the one1 but not to follow the precepts of the other4 ,we must always1 however1 carefully distinguish what is only blamable1 or the proper object of disapprobation1 from what force may be employed either to punish or to prevent4 ,that seems blamable which falls short of that ordinary degree of proper beneficence which experience teaches us to expect of every body2 and on the contrary1 that seems praise-worthy which goes beyond it4 ,the ordinary degree itself seems neither blamable nor praise-worthy4 ,a father1 a son1 a brother1 who behaves to the correspondent relation neither better nor worse than the greater part of men commonly do1 seems properly to deserve neither praise nor blame4 ,he who surprises us by extraordinary and #gd unexpected1 though still proper and suitable kindness1 or on the contrary1 by extraordinary and unexpected as well as unsuitable unkindness1 seems praise-worthy in the one case1 and blamable in the other4 ,even the most ordinary degree of kindness or beneficence1 however1 cannot among equals1 be extorted by force4 ,among equals each individual is naturally1 and antecedent to the institution of civil government1 regarded as having a right both to defend himself from injuries1 and to exact a certain degree of punishment for those which have been done to him4 ,every generous spectator not only approves of his conduct when he does this1 but enters so far into his sentiments as often to be willing to assist him4 ,when one man attacks1 or robs1 or attempts to murder another1 all the neighbours take the alarm1 and think that they do right when they run1 either to revenge the person who has been injured1 or to defend him who is in danger of being so4 ,but when a father fails in the ordinary degree of parental affection towards a son2 when a son seems to want that filial reverence which might be expected to his father2 when brothers are without the usual degree of brotherly affection2 when a man shuts his breast against compassion1 and refuses to relieve the misery of his fellow-creatures1 when he can with the greatest ease2 in all these cases1 though every body blames the conduct1 nobody imagines that those who might have reason1 perhaps1 to expect more kindness1 have any right to extort it by force4 ,the sufferer can only complain1 and the spectator can intermeddle no other way than by advice and persuasion4 ,upon all such occasions1 for equals to use force against one another1 would be thought the highest degree of insolence and presumption4 ,a superior may1 indeed1 sometimes1 with universal approbation1 oblige those under his jurisdiction to behave1 in this respect1 with a certain degree of propriety to one another4 ,the laws of all civilized nations oblige parents to maintain their children1 and children to maintain their parents1 and impose upon men many other duties of beneficence4 ,the civil magistrate is entrusted with the power not only of preserving the public peace by restraining injustice1 but of promoting the prosperity of the commonwealth1 by establishing good discipline1 and by discouraging every sort of vice and impropriety2 he may prescribe rules1 therefore1 which not only prohibit mutual injuries among fellow-citizens1 but command mutual good offices to a certain degree4 ,when the sovereign commands what is merely indifferent1 and what1 antecedent to his orders1 might have been omitted without any blame1 it becomes not only blamable but punishable to disobey him4 ,when he commands1 therefore1 what1 antecedent to any such order1 could not have been omitted without the greatest blame1 it surely becomes much more punishable to be wanting in obedience4 ,of all the duties of a lawgiver1 however1 this perhaps is that which it requires the greatest delicacy and reserve to execute with propriety and judgment4 ,to #ge neglect it altogether exposes the commonwealth to many gross disorders and shocking enormities1 and to push it too far is destructive of all liberty1 security1 and justice4 ,though the mere want of beneficence seems to merit no punishment from equals1 the greater exertions of that virtue appear to deserve the highest reward4 ,by being productive of the greatest good1 they are the natural and approved objects of the liveliest gratitude4 ,though the breach of justice1 on the contrary1 exposes to punishment1 the observance of the rules of that virtue seems scarce to deserve any reward4 ,there is1 no doubt1 a propriety in the practice of justice1 and it merits1 upon that account1 all the approbation which is due to propriety4 ,but as it does no real positive good1 it is entitled to very little gratitude4 ,mere justice is1 upon most occasions1 but a negative virtue1 and only hinders us from hurting our neighbour4 ,the man who barely abstains from violating either the person1 or the estate1 or the reputation of his neighbours1 has surely very little positive merit4 ,he fulfils1 however1 all the rules of what is peculiarly called justice1 and does every thing which his equals can with propriety force him to do1 or which they can punish him for not doing4 ,we may often fulfil all the rules of justice by sitting still and doing nothing4 ,as every man doth1 so shall it be done to him1 and retaliation seems to be the great law which is dictated to us by ,nature4 ,beneficence and generosity we think due to the generous and beneficent4 ,those whose hearts never open to the feelings of humanity1 should1 we think1 be shut out in the same manner1 from the affections of all their fellow-creatures1 and be allowed to live in the midst of society1 as in a great desert where there is nobody to care for them1 or to inquire after them4 ,the violator of the laws of justice ought to be made to feel himself that evil which he has done to another2 and since no regard to the sufferings of his brethren is capable of restraining him1 he ought to be over-awed by the fear of his own4 ,the man who is barely innocent1 who only observes the laws of justice with regard to others1 and merely abstains from hurting his neighbours1 can merit only that his neighbours in their turn should respect his innocence1 and that the same laws should be religiously observed with regard to him4 ----- ,,chap4 ,,ii4--,of the ,sense of ,justice1 of ,remorse1 and of the ,consciousness of ,merit4 ,,there can be no proper motive for hurting our neighbour1 there can be no incitement to do evil to another1 which mankind will go along with1 except just indignation for evil which that other has done to us4 ,to disturb his happiness merely because it stands in the way of our own1 to take from him what is of real use to him merely because it #gf may be of equal or of more use to us1 or to indulge1 in this manner1 at the expense of other people1 the natural preference which every man has for his own happiness above that of other people1 is what no impartial spectator can go along with4 ,every man is1 no doubt1 by nature1 first and principally recommended to his own care2 and as he is fitter to take care of himself than of any other person1 it is fit and right that it should be so4 ,every man1 therefore1 is much more deeply interested in whatever immediately concerns himself1 than in what concerns any other man3 and to hear1 perhaps1 of the death of another person1 with whom we have no particular connexion1 will give us less concern1 will spoil our stomach or break our rest much less1 than a very insignificant disaster which has befallen ourselves4 ,but though the ruin of our neighbour may affect us much less than a very small misfortune of our own1 we must not ruin him to prevent that small misfortune1 nor even to prevent our own ruin4 ,we must1 here1 as in all other cases1 view ourselves not so much according to that light in which we may naturally appear to ourselves1 as according to that in which we naturally appear to others4 ,though every man may1 according to the proverb1 be the whole world to himself1 to the rest of mankind he is a most insignificant part of it4 ,though his own happiness may be of more importance to him than that of all the world besides1 to every other person it is of no more consequence than that of any other man4 ,though it may be true1 therefore1 that every individual1 in his own breast1 naturally prefers himself to all mankind1 yet he dares not look mankind in the face1 and avow that he acts according to this principle4 ,he feels that in this preference they can never go along with him1 and that how natural soever it may be to him1 it must always appear excessive and extravagant to them4 ,when he views himself in the light in which he is conscious that others will view him1 he sees that to them he is but one of the multitude in no respect better than any other in it4 ,if he would act so as that the impartial spectator may enter into the principles of his conduct1 which is what of all things he has the greatest desire to do1 he must1 upon this1 as upon all other occasions1 humble the arrogance of his self-love1 and bring it down to something which other men can go along with4 ,they will indulge it so far as to allow him to be more anxious about1 and to pursue with more earnest assiduity1 his own happiness than that of any other person4 ,thus far1 whenever they place themselves in his situation1 they will readily go along with him4 ,in the race for wealth1 for honours1 and preferments1 he may run as hard as he can1 and strain every nerve and every muscle1 in order to outstrip all his competitors4 ,but if he should justle1 or throw down any of them1 the indulgence of the spectators is entirely at an end4 ,it is a violation of fair play1 which they cannot admit of4 ,this man is to them1 in every respect1 as good as he3 they do not enter into that self-love by which he prefers himself so #gg much to this other1 and cannot go along with the motive from which he hurt him4 ,they readily1 therefore1 sympathize with the natural resentment of the injured1 and the offender becomes the object of their hatred and indignation4 ,he is sensible that he becomes so1 and feels that those sentiments are ready to burst out against him4 ,as the greater and more irreparable the evil that is done1 the resentment of the sufferer runs naturally the higher2 so does likewise the sympathetic indignation of the spectator1 as well as the sense of guilt in the agent4 ,death is the greatest evil which one man can inflict upon another1 and excites the highest degree of resentment in those who are immediately connected with the slain4 ,murder1 therefore1 is the most atrocious of all crimes which affect individuals only1 in the sight both of mankind1 and of the person who has committed it4 ,to be deprived of that which we are possessed of1 is a greater evil than to be disappointed of what we have only the expectation4 ,breach of property1 therefore1 theft and robbery1 which take from us what we are possessed of1 are greater crimes than breach of contract1 which only disappoints us of what we expected4 ,the most sacred laws of justice1 therefore1 those whose violation seems to call loudest for vengeance and punishment1 are the laws which guard the life and person of our neighbour2 the next are those which guard his property and possessions2 and last of all come those which guard what are called his personal rights1 or what is due to him from the promises of others4 ,the violator of the more sacred laws of justice can never reflect on the sentiments which mankind must entertain with regard to him1 without seeing all the agonies of shame1 and horror1 and consternation4 ,when his passion is gratified1 and he begins coolly to reflect on his past conduct1 he can enter into none of the motives which influenced it4 ,they appear now as detestable to him as they did always to other people4 ,by sympathizing with the hatred and abhorrence which other men must entertain for him1 he becomes in some measure the object of his own hatred and abhorrence4 ,the situation of the person1 who suffered by his injustice1 now calls upon his pity4 ,he is grieved at the thought of it2 regrets the unhappy effects of his own conduct1 and feels at the same time that they have rendered him the proper object of the resentment and indignation of mankind1 and of what is the natural consequence of resentment1 vengeance and punishment4 ,the thought of this perpetually haunts him1 and fills him with terror and amazement4 ,he dares no longer look society in the face1 but imagines himself as it were rejected1 and thrown out from the affections of all mankind4 ,he cannot hope for the consolation of sympathy in this his greatest and most dreadful distress4 ,the remembrance of his crimes has shut out all fellow-feeling with him from the hearts of his fellow-creatures4 ,the sentiments which they entertain with regard to him1 are the very thing which he is most afraid of4 ,every thing seems #gh hostile1 and he would be glad to fly to some inhospitable desert1 where he might never more behold the face of a human creature1 nor read in the countenance of mankind the condemnation of his crimes4 ,but solitude is still more dreadful than society4 ,his own thoughts can present him with nothing but what is black1 unfortunate1 and disastrous1 the melancholy forebodings of incomprehensible misery and ruin4 ,the horror of solitude drives him back into society1 and he comes again into the presence of mankind1 astonished to appear before them1 loaded with shame and distracted with fear1 in order to supplicate some little protection from the countenance of those very judges1 who he knows have already all unanimously condemned him4 ,such is the nature of that sentiment1 which is properly called remorse2 of all the sentiments which can enter the human heart the most dreadful4 ,it is made up of shame from the sense of the impropriety of past conduct2 of grief for the effects of it2 of pity for those who suffer by it2 and of the dread and terror of punishment from the consciousness of the justly provoked resentment of all rational creatures4 ,the opposite behaviour naturally inspires the opposite sentiment4 ,the man who1 not from frivolous fancy1 but from proper motives1 has performed a generous action1 when he looks forward to those whom he has served1 feels himself to be the natural object of their love and gratitude1 and1 by sympathy with them1 of the esteem and approbation of all mankind4 ,and when he looks backward to the motive from which he acted1 and surveys it in the light in which the indifferent spectator will survey it1 he still continues to enter into it1 and applauds himself by sympathy with the approbation of this supposed impartial judge4 ,in both these points of view his own conduct appears to him every way agreeable4 ,his mind1 at the thought of it1 is filled with cheerfulness1 serenity1 and composure4 ,he is in friendship and harmony with all mankind1 and looks upon his fellow-creatures with confidence and benevolent satisfaction1 secure that he has rendered himself worthy of their most favourable regards4 ,in the combination of all these sentiments consists the consciousness of merit1 or of deserved reward4 ----- ,,chap4 ,,iii4--,of the ,utility of this ,constitution of ,nature4 ,,it is thus that man1 who can subsist only in society1 was fitted by nature to that situation for which he was made4 ,all the members of human society stand in need of each others assistance1 and are likewise exposed to mutual injuries4 ,where the necessary assistance is reciprocally afforded from love1 from gratitude1 from friendship1 and esteem1 the society flourishes and is happy4 ,all the different members of it are bound together by the agreeable bands of love and affection1 #gi and are1 as it were1 thereby drawn to one common centre of mutual good offices4 ,but though the necessary assistance should not be afforded from such generous and disinterested motives1 though among the different members of the society there should be no mutual love and affection1 the society1 though less happy and agreeable1 will not necessarily be dissolved4 ,society may subsist among different men1 as among different merchants1 from a sense of its utility1 without any mutual love or affection2 and though no man in it should owe any obligation1 or be bound in gratitude to any other1 it may still be upheld by a mercenary exchange of good offices according to an agreed valuation4 ,society1 however1 cannot subsist among those who are at all times ready to hurt and injure one another4 ,the moment that injury begins1 the moment that mutual resentment and animosity take place1 all the bands of it are broke asunder1 and the different members of which it consisted are1 as it were1 dissipated and scattered abroad by the violence and opposition of their discordant affections4 ,if there is any society among robbers and murderers1 they must at least1 according to the trite observation1 abstain from robbing and murdering one another4 ,beneficence1 therefore1 is less essential to the existence of society than justice4 ,society may subsist1 though not in the most comfortable state1 without beneficence2 but the prevalence of injustice must utterly destroy it4 ,though ,nature1 therefore1 exhorts mankind to acts of beneficence1 by the pleasing consciousness of deserved reward1 she has not thought it necessary to guard and enforce the practice of it by the terrors of merited punishment in case it should be neglected4 ,it is the ornament which embellishes1 not the foundation which supports1 the building1 and which it was1 therefore1 sufficient to recommend1 but by no means necessary to impose4 ,justice1 on the contrary1 is the main pillar that upholds the whole edifice4 ,if it is removed1 the great1 the immense fabric of human society1 that fabric which to raise and support seems in this world1 if ,i may say so1 to have been the peculiar and darling care of ,nature1 must in a moment crumble into atoms4 ,in order to enforce the observation of justice1 therefore1 ,nature has implanted in the human breast that consciousness of ill-desert1 those terrors of merited punishment which attend upon its violation1 as the great safeguards of the association of mankind1 to protect the weak1 to curb the violent1 and to chastise the guilty4 ,men1 though naturally sympathetic1 feel so little for another1 with whom they have no particular connexion1 in comparison of what they feel for themselves2 the misery of one1 who is merely their fellow-creature1 is of so little importance to them in comparison even of a small conveniency of their own2 they have it so much in their power to hurt him1 and may have so many temptations to do so1 that if this principle did not stand up within them in his #hj defence1 and overawe them into a respect for his innocence1 they would1 like wild beasts1 be at all times ready to fly upon him2 and a man would enter an assembly of men as he enters a den of lions4 ,in every part of the universe we observe means adjusted with the nicest artifice to the ends which they are intended to produce2 and in the mechanism of a plant1 or animal body1 admire how every thing is contrived for advancing the two great purposes of nature1 the support of the individual1 and the propagation of the species4 ,but in these1 and in all such objects1 we still distinguish the efficient from the final cause of their several motions and organizations4 ,the digestion of the food1 the circulation of the blood1 and the secretion of the several juices which are drawn from it1 are operations all of them necessary for the great purposes of animal life4 ,yet we never endeavour to account for them from those purposes as from their efficient causes1 nor imagine that the blood circulates1 or that the food digests of its own accord1 and with a view or intention to the purposes of circulation or digestion4 ,the wheels of the watch are all admirably adjusted to the end for which it was made1 the pointing of the hour4 ,all their various motions conspire in the nicest manner to produce this effect4 ,if they were endowed with a desire and intention to produce it1 they could not do it better4 ,yet we never ascribe any such desire or intention to them1 but to the watch-maker1 and we know that they are put into motion by a spring1 which intends the effect it produces as little as they do4 ,but though1 in accounting for the operations of bodies1 we never fail to distinguish in this manner the efficient from the final cause1 in accounting for those of the mind we are very apt to confound these two different things with one another4 ,when by natural principles we are led to advance those ends which a refined and enlightened reason would recommend to us1 we are very apt to impute to that reason1 as to their efficient cause1 the sentiments and actions by which we advance those ends1 and to imagine that to be the wisdom of man1 which in reality is the wisdom of ,god4 ,upon a superficial view1 this cause seems sufficient to produce the effects which are ascribed to it2 and the system of human nature seems to be more simple and agreeable when all its different operations are thus deduced from a single principle4 ,as society cannot subsist unless the laws of justice are tolerably observed1 as no social intercourse can take place among men who do not generally abstain from injuring one another2 the consideration of this necessity1 it has been thought1 was the ground upon which we approved of the enforcement of the laws of justice by the punishment of those who violated them4 ,man1 it has been said1 has a natural love for society1 and desires that the union of mankind should be preserved for its own sake1 and though he himself was to derive no benefit from it4 ,the orderly and flourishing state of society is agreeable to him1 and he takes delight in contemplating it4 ,its disorder and confusion1 on the #ha contrary1 is the object of his aversion1 and he is chagrined at whatever tends to produce it4 ,he is sensible too that his own interest is connected with the prosperity of society1 and that the happiness1 perhaps the preservation of his existence1 depends upon its preservation4 ,upon every account1 therefore1 he has an abhorrence at whatever can tend to destroy society1 and is willing to make use of every means1 which can hinder so hated and so dreadful an event4 ,injustice necessarily tends to destroy it4 ,every appearance of injustice1 therefore1 alarms him1 and he runs 7if ,i may say so71 to stop the progress of what1 if allowed to go on1 would quickly put an end to every thing that is dear to him4 ,if he cannot restrain it by gentle and fair means1 he must bear it down by force and violence1 and at any rate must put a stop to its further progress4 ,hence it is1 they say1 that he often approves of the enforcement of the laws of justice even by the capital punishment of those who violate them4 ,the disturber of the public peace is hereby removed out of the world1 and others are terrified by his fate from imitating his example4 ,such is the account commonly given of our approbation of the punishment of injustice4 ,and so far this account is undoubtedly true1 that we frequently have occasion to confirm our natural sense of the propriety and fitness of punishment1 by reflecting how necessary it is for preserving the order of society4 ,when the guilty is about to suffer that just retaliation1 which the natural indignation of mankind tells them is due to his crimes2 when the insolence of his injustice is broken and humbled by the terror of his approaching punishment2 when he ceases to be an object of fear1 with the generous and humane he begins to be an object of pity4 ,the thought of what he is about to suffer extinguishes their resentment for the sufferings of others to which he has given occasion4 ,they are disposed to pardon and forgive him1 and to save him from that punishment1 which in all their cool hours they had considered as the retribution due to such crimes4 ,here1 therefore1 they have occasion to call to their assistance the consideration of the general interest of society4 ,they counterbalance the impulse of this weak and partial humanity by the dictates of a humanity that is more generous and comprehensive4 ,they reflect that mercy to the guilty is cruelty to the innocent1 and oppose to the emotions of compassion which they feel for a particular person1 a more enlarged compassion which they feel for mankind4 ,sometimes too we have occasion to defend the propriety of observing the general rules of justice by the consideration of their necessity to the support of society4 ,we frequently hear the young and the licentious ridiculing the most sacred rules of morality1 and professing1 sometimes from the corruption1 but more frequently from the vanity of their hearts1 the most abominable maxims of conduct4 ,our indignation rouses1 and we are eager to refute and expose such detestable #hb principles4 ,but though it is their intrinsic hatefulness and detestableness1 which originally inflames us against them1 we are unwilling to assign this as the sole reason why we condemn them1 or to pretend that it is merely because we ourselves hate and detest them4 ,the reason1 we think1 would not appear to be conclusive4 ,yet why should it not1 if we hate and detest them because they are the natural and proper objects of hatred and detestation8 ,but when they are asked why we should not act in such or such a manner1 the very question seems to suppose that1 to those who ask it1 this manner of acting does not appear to be for its own sake the natural and proper object of those sentiments4 ,we must show them1 therefore1 that it ought to be so for the sake of something else4 ,upon this account we generally cast about for other arguments1 and the consideration which first occurs to us1 is the disorder and confusion of society which would result from the universal prevalence of such practices4 ,we seldom fail1 therefore1 to insist upon this topic4 ,but though it commonly requires no great discernment to see the destructive tendency of all licentious practices to the welfare of society1 it is seldom this consideration which first animates us against them4 ,all men1 even the most stupid and unthinking1 abhor fraud1 perfidy and injustice1 and delight to see them punished4 ,but few men have reflected upon the necessity of justice to the existence of society1 how obvious soever that necessity may appear to be4 ,that it is not a regard to the preservation of society1 which originally interests us in the punishment of crimes committed against individuals1 may be demonstrated by many obvious considerations4 ,the concern which we take in the fortune and happiness of individuals does not1 in common cases1 arise from that which we take in the fortune and happiness of society4 ,we are no more concerned for the destruction or loss of a single man1 because this man is a member or part of society1 and because we should be concerned for the destruction of society1 than we are concerned for the loss of a single guinea1 because this guinea is a part of a thousand guineas1 and because we should be concerned for the loss of the whole sum4 ,in neither case does our regard for the individuals arise from our regard for the multitude3 but in both cases our regard for the multitude is compounded and made up of the particular regards which we feel for the different individuals of which it is composed4 ,as when a small sum is unjustly taken from us1 we do not so much prosecute the injury from a regard to the preservation of our whole fortune1 as from a regard to that particular sum which we have lost2 so when a single man is injured or destroyed1 we demand the punishment of the wrong that has been done to him1 not so much from a concern for the general interest of society1 as from a concern for that very individual who has been injured4 ,it is to be observed1 however1 that this concern does not necessarily include #hc in it any degree of those exquisite sentiments which are commonly called love1 esteem1 and affection1 and by which we distinguish our particular friends and acquaintance4 ,the concern which is requisite for this1 is no more than the general fellow-feeling which we have with every man merely because he is our fellow-creature4 ,we enter into the resentment even of an odious person1 when he is injured by those to whom he has given no provocation4 ,our disapprobation of his ordinary character and conduct does not in this case altogether prevent our fellow-feeling with his natural indignation2 though with those who are not either extremely candid1 or who have not been accustomed to correct and regulate their natural sentiments by general rules1 it is very apt to damp it4 ,upon some occasions1 indeed1 we both punish and approve of punishment1 merely from a view to the general interest of society1 which1 we imagine1 cannot otherwise be secured4 ,of this kind are all the punishments inflicted for breaches of what is called either civil police1 or military discipline4 ,such crimes do not immediately or directly hurt any particular person2 but their remote consequences1 it is supposed1 do produce1 or might produce1 either a considerable inconveniency1 or a great disorder in the society4 ,a sentinel1 for example1 who falls asleep upon his watch1 suffers death by the laws of war1 because such carelessness might endanger the whole army4 ,this severity may1 upon many occasions1 appear necessary1 and1 for that reason1 just and proper4 ,when the preservation of an individual is inconsistent with the safety of a multitude1 nothing can be more just than that the many should be preferred to the one4 ,yet this punishment1 how necessary soever1 always appears to be excessively severe4 ,the natural atrocity of the crime seems to be so little1 and the punishment so great1 that it is with great difficulty that our heart can reconcile itself to it4 ,though such carelessness appears very blamable1 yet the thought of this crime does not naturally excite any such resentment as would prompt us to take such dreadful revenge4 ,a man of humanity must recollect himself1 must make an effort1 and exert his whole firmness and resolution1 before he can bring himself either to inflict it1 or to go along with it when it is inflicted by others4 ,it is not1 however1 in this manner1 that he looks upon the just punishment of an ungrateful murderer or parricide4 ,his heart1 in this case1 applauds with ardour1 and even with transport1 the just retaliation which seems due to such detestable crimes1 and which1 if1 by any accident1 they should happen to escape1 he would be highly enraged and disappointed4 ,the very different sentiments with which the spectator views those different punishments1 is a proof that his approbation of the one is far from being founded upon the same principles with that of the other4 ,he looks upon the sentinel as an unfortunate victim1 who1 indeed1 must1 and ought to be1 devoted to the safety of numbers1 but whom still1 in his heart1 he would #hd be glad to save2 and he is only sorry1 that the interest of the many should oppose it4 ,but if the murderer should escape from punishment1 it would excite his highest indignation1 and he would call upon ,god to avenge1 in another world1 that crime which the injustice of mankind had neglected to chastise upon earth4 ,for it well deserves to be taken notice of1 that we are so far from imagining that injustice ought to be punished in this life1 merely on account of the order of society1 which cannot otherwise be maintained1 that ,nature teaches us to hope1 and religion1 we suppose1 authorises us to expect1 that it will be punished1 even in a life to come4 ,our sense of its ill desert pursues it1 if ,i may say so1 even beyond the grave1 though the example of its punishment there cannot serve to deter the rest of mankind1 who see it not1 who know it not1 from being guilty of the like practices here4 ,the justice of ,god1 however1 we think1 still requires1 that he should hereafter avenge the injuries of the widow and the fatherless1 who are here so often insulted with impunity4 ,in every religion1 and in every superstition that the world has ever beheld1 accordingly1 there has been a ,tartarus as well as an ,elysium2 a place provided for the punishment of the wicked1 as well as one for the reward of the just4 ----- ,,sect4 ,,iii4--,,of ,,the ,,influence ,,of ,,fortune ,,upon ,,the ,,sentiments ,,of ,,mankind1 ,,with ,,regard ,,to ,,the ,,merit ,,or ,,demerit ,,of ,,their ,,actions4 ,,introduction4--,whatever praise or blame can be due to any action1 must belong either1 first1 to the intention or affection of the heart1 from which it proceeds1 or1 secondly1 to the external action or movement of the body1 which this affection gives occasion to2 or1 lastly1 to the good or bad consequences1 which actually1 and in fact1 proceed from it4 ,these three different things constitute the whole nature and circumstances of the action1 and must be the foundation of whatever quality can belong to it4 ,that the two last of these three circumstances cannot be the foundation of any praise or blame1 is abundantly evident2 nor has the contrary ever been asserted by any body4 ,the external action or movement of the body is often the same in the most innocent and in the most blamable actions4 ,he who shoots a bird1 and he who shoots a man1 both of them perform the same external movement3 each of them draws the trigger of a gun4 ,the consequences which actually1 and in fact1 happen to proceed from any action1 are1 if possible1 still more indifferent either to praise or blame1 than even the external movement of the body4 ,as they depend1 not upon the agent1 but upon fortune1 they cannot be #he the proper foundation for any sentiment1 of which his character and conduct are the objects4 ,the only consequences for which he can be answerable1 or by which he can deserve either approbation or disapprobation of any kind1 are those which were some way or other intended1 or those which1 at least1 show some agreeable or disagreeable quality in the intention of the heart1 from which he acted4 ,to the intention or affection of the heart1 therefore1 to the propriety or impropriety1 to the beneficence or hurtfulness of the design1 all praise or blame1 all approbation or disapprobation1 of any kind1 which can justly be bestowed upon any action must ultimately belong4 ,when this maxim is thus proposed1 in abstract and general terms1 there is nobody who does not agree to it4 ,its self-evident justice is acknowledged by all the world1 and there is not a dissenting voice among all mankind4 ,every body allows1 that how different soever the accidental1 the unintended and unforeseen consequences of different actions1 yet1 if the intentions or affections from which they arose were1 on the one hand1 equally proper and equally beneficent1 or1 on the other1 equally improper and equally malevolent1 the merit or demerit of the actions is still the same1 and the agent is equally the suitable object either of gratitude or of resentment4 ,but how well soever we may seem to be persuaded of the truth of this equitable maxim1 when we consider it after this manner1 in abstract1 yet when we come to particular cases1 the actual consequences which happen to proceed from any action1 have a very great effect upon our sentiments concerning its merit or demerit1 and almost always either enhance or diminish our sense of both4 ,scarce1 in any one instance1 perhaps1 will our sentiments be found1 after examination1 to be entirely regulated by this rule1 which we all acknowledge ought entirely to regulate them4 ,this irregularity of sentiment1 which every body feels1 which scarce any body is sufficiently aware of1 and which nobody is willing to acknowledge1 ,i proceed now to explain2 and ,i shall consider1 first1 the cause which gives occasion to it1 or the mechanism by which ,nature produces it2 secondly1 the extent of its influence2 and1 last of all1 the end which it answers1 or the purpose which the ,author of nature seems to have intended by it4 ----- ,,chap4 ,i4--,of the ,causes of this ,influence of ,fortune4 ,,the causes of pain and pleasure1 whatever they are1 or however they operate1 seem to be the objects1 which1 in all animals1 immediately excite those two passions of gratitude and resentment4 ,they are excited by inanimated1 as well as by animated objects4 ,we are angry1 for a #hf moment1 even at the stone that hurts us4 ,a child beats it1 a dog barks at it1 a choleric man is apt to curse it4 ,the least reflection1 indeed1 corrects this sentiment1 and we soon become sensible1 that what has no feeling is a very improper object of revenge4 ,when the mischief1 however1 is very great1 the object which caused it becomes disagreeable to us ever after1 and we take pleasure to burn or destroy it4 ,we should treat1 in this manner1 the instrument which had accidentally been the cause of the death of a friend1 and we should often think ourselves guilty of a sort of inhumanity1 if we neglected to vent this absurd sort of vengeance upon it4 ,we conceive1 in the same manner1 a sort of gratitude for those inanimated objects1 which have been the causes of great or frequent pleasure to us4 ,the sailor1 who1 as soon as he got ashore1 should mend his fire with the plank upon which he had just escaped from a shipwreck1 would seem to be guilty of an unnatural action4 ,we should expect that he would rather preserve it with care and affection1 as a monument that was1 in some measure1 dear to him4 ,a man grows fond of a snuffbox1 of a pen-knife1 of a staff which he has long made use of1 and conceives something like a real love and affection for them4 ,if he breaks or loses them1 he is vexed out of all proportion to the value of the damage4 ,the house which we have long lived in1 the tree1 whose verdure and shade we have long enjoyed1 are both looked upon with a sort of respect that seems due to such benefactors4 ,the decay of the one1 or the ruin of the other1 affects us with a kind of melancholy1 though we should sustain no loss by it4 ,the ,dryads and the ,lares of the ancients1 a sort of genii of trees and houses1 were probably first suggested by this sort of affection1 which the authors of those superstitions felt for such objects1 and which seemed unreasonable1 if there was nothing animated about them4 ,but1 before any thing can be the proper object of gratitude or resentment1 it must not only be the cause of pleasure or pain1 it must likewise be capable of feeling them4 ,without this other quality1 those passions cannot vent themselves with any sort of satisfaction upon it4 ,as they are excited by the causes of pleasure and pain1 so their gratification consists in retaliating those sensations upon what gave occasion to them2 which it is to no purpose to attempt upon what has no sensibility4 ,animals1 therefore1 are less improper objects of gratitude and resentment than animated objects4 ,the dog that bites1 the ox that gores1 are both of them punished4 ,if they have been the causes of the death of any person1 neither the public1 nor the relations of the slain1 can be satisfied1 unless they are put to death in their turn3 nor is this merely for the security of the living1 but1 in some measure1 to revenge the injury of the dead4 ,those animals1 on the contrary1 that have been remarkably serviceable to their masters1 become the objects of a very lively gratitude4 ,we are shocked at the brutality of that officer1 #hg mentioned in the ,turkish ,spy1 who stabbed the horse that had carried him across an arm of the sea1 lest that animal should afterwards distinguish some other person by a similar adventure4 ,but1 though animals are not only the causes of pleasure and pain1 but are also capable of feeling those sensations1 they are still far from being complete and perfect objects1 either of gratitude or resentment2 and those passions still feel1 that there is something wanting to their entire gratification4 ,what gratitude chiefly desires1 is not only to make the benefactor feel pleasure in his turn1 but to make him conscious that he meets with this reward on account of his past conduct1 to make him pleased with that conduct1 and to satisfy him that the person upon whom he bestowed his good offices was not unworthy of them4 ,what most of all charms us in our benefactor1 is the concord between his sentiments and our own1 with regard to what interests us so nearly as the worth of our own character1 and the esteem that is due to us4 ,we are delighted to find a person who values us as we value ourselves1 and distinguishes us from the rest of mankind1 with an attention not unlike that with which we distinguish ourselves4 ,to maintain in him these agreeable and flattering sentiments1 is one of the chief ends proposed by the returns we are disposed to make to him4 ,a generous mind often disdains the interested thought of extorting new favours from its benefactor1 by what may be called the importunities of its gratitude4 ,but to preserve and to increase his esteem1 is an interest which the greatest mind does not think unworthy of its attention4 ,and this is the foundation of what ,i formerly observed1 and when we cannot enter into the motives of our benefactor1 when his conduct and character appear unworthy of our approbation1 let his services have been ever so great1 our gratitude is always sensibly diminished4 ,we are less flattered by the distinction2 and to preserve the esteem of so weak1 or so worthless a patron1 seems to be an object which does not deserve to be pursued for its own sake4 ,the object1 on the contrary1 which resentment is chiefly intent upon1 is not so much to make our enemy feel pain in his turn1 as to make him conscious that he feels it upon account of his past conduct1 to make him repent of that conduct1 and to make him sensible1 that the person whom he injured did not deserve to be treated in that manner4 ,what chiefly enrages us against the man who injures or insults us1 is the little account which he seems to make of us1 the unreasonable preference which he gives to himself above us1 and that absurd self-love1 by which he seems to imagine1 that other people may be sacrificed at any time1 to his conveniency or his humour4 ,the glaring impropriety of his conduct1 the gross insolence and injustice which it seems to involve in it1 often shock and exasperate us more than all the mischief which we have suffered4 ,to bring him back to a more just sense of what is due to other people1 to make him sensible of what he owes us1 and of the wrong that he has #hh done to us1 is frequently the principal end proposed in our revenge1 which is always imperfect when it cannot 9999accomplish this4 ,when our enemy appears to have done us no injury1 when we are sensible that he acted quite properly1 that1 in his situation1 we should have done the same thing1 and that we deserved from him all the mischief we met with2 in that case1 if we have the least spark either of candour or justice1 we can entertain no sort of resentment4 ,before any thing1 therefore1 can be the complete and proper object1 either of gratitude or resentment1 it must possess three different qualifications4 ,first1 it must be the cause of pleasure in the one case1 and of pain in the other4 ,secondly1 it must be capable of feeling those sensations4 ,and1 thirdly1 it must not only have produced those sensations1 but it must have produced them from design1 and from a design that is approved of in the one case1 and disapproved of in the other4 ,it is by the first qualification1 that any object is capable of exciting those passions3 it is by the second1 that it is in any respect capable of gratifying them3 the third qualification is not only necessary for their complete satisfaction1 but as it gives a pleasure or pain that is both exquisite and peculiar1 it is likewise an additional exciting cause of those passions4 ,as what gives pleasure or pain1 therefore1 either in one way or another1 is the sole exciting cause of gratitude and resentment2 though the intentions of any person should be ever so proper and beneficent1 on the one hand1 or ever so improper and malevolent on the other2 yet1 if he has failed in producing either the good or the evil which he intended1 as one of the exciting causes is wanting in both cases1 less gratitude seems due to him in the one1 and less resentment in the other4 ,and1 on the contrary1 though in the intentions of any person1 there was either no laudable degree of benevolence on the one hand1 or no blamable degree of malice on the other2 yet1 if his actions should produce either great good or great evil1 as one of the exciting causes takes place upon both these occasions1 some gratitude is apt to arise towards him in the one1 and some resentment in the other4 ,a shadow of merit seems to fall upon him in the first1 a shadow of demerit in the second4 ,and1 as the consequences of actions are altogether under the empire of ,fortune1 hence arises her influence upon the sentiments of mankind with regard to merit and demerit4 ----- ,,chap4 ,,ii4--,of the ,extent of this ,influence of ,fortune4 ,,the effect of this influence of fortune is1 first1 to diminish our sense of the merit or demerit of those actions which arose from the most laudable or blamable intentions1 when they fail of producing their proposed effects3 and1 secondly1 to increase our sense of the merit or demerit of #hi actions1 beyond what is due to the motives or affections from which they proceed1 when they accidentally give occasion either to extraordinary pleasure or pain4 #a4 ,first1 ,i say1 though the intentions of any person should be ever so proper and beneficent1 on the one hand1 or ever so improper and malevolent1 on the other1 yet1 if they fail in producing their effects1 his merit seems imperfect in the one case1 and his demerit incomplete in the other4 ,nor is this irregularity of sentiment felt only by those who are immediately affected by the consequence of any action4 ,it is felt1 in some measure1 even by the impartial spectator4 ,the man who solicits an office for another1 without obtaining it1 is regarded as his friend1 and seems to deserve his love and affection4 ,but the man who not only solicits1 but procures it1 is more peculiarly considered as his patron and benefactor1 and is entitled to his respect and gratitude4 ,the person obliged1 we are apt to think1 may1 with some justice1 imagine himself on a level with the first3 but we cannot enter into his sentiments1 if he does not feel himself inferior to the second4 ,it is common indeed to say1 that we are equally obliged to the man who has endeavoured to serve1 as to him who actually did so4 ,it is the speech which we constantly make upon every unsuccessful attempt of this kind2 but which1 like all other fine speeches1 must be understood with a grain of allowance4 ,the sentiments which a man of generosity entertains for the friend who fails1 may often indeed be nearly the same with those which he conceives for him who succeeds3 and the more generous he is1 the more nearly will those sentiments approach to an exact level4 ,with the truly generous1 to be beloved1 to be esteemed by those whom they themselves think worthy of esteem1 gives more pleasure1 and thereby excites more gratitude1 than all the advantages which they can ever expect from those sentiments4 ,when they lose those advantages therefore1 they seem to lose but a trifle1 which is scarce worth regarding4 ,they still however lose something4 ,their pleasure therefore1 and consequently their gratitude1 is not perfectly complete3 and accordingly if1 between the friend who fails and the friend who succeeds1 all other circumstances are equal1 there will1 even in the noblest and best mind1 be some little difference of affection in favour of him who succeeds4 ,nay1 so unjust are mankind in this respect1 that though the intended benefit should be procured1 yet if it is not procured by the means of a particular benefactor1 they are apt to think that less gratitude is due to the man1 who with the best intentions in the world could do no more than help it a little forward4 ,as their gratitude is in this case divided among the different persons who contributed to their pleasure1 a smaller share of it seems due to any one4 ,such a person1 we hear men commonly say1 intended no doubt to serve us2 and we really believe exerted himself to the utmost of his abilities for that purpose4 ,we are not1 however1 obliged to him for this benefit2 #ij since1 had it not been for the concurrence of others1 all that he could have done would never have brought it about4 ,this consideration1 they imagine1 should1 even in the eyes of the impartial spectator1 diminish the debt which they owe to him4 ,the person himself who has unsuccessfully endeavoured to confer a benefit1 has by no means the same dependency upon the gratitude of the man whom he meant to oblige1 nor the same sense of his own merit towards him1 which he would have had in the case of success4 ,even the merit of talents and abilities which some accident has hindered from producing their effects1 seems in some measure imperfect1 even to those who are fully convinced of their capacity to produce them4 ,the general who has been hindered by the envy of ministers from gaining some great advantage over the enemies of his country1 regrets the loss of the opportunity for ever after4 ,nor is it only upon account of the public that he regrets it4 ,he laments that he was hindered from performing an action which would have added a new lustre to his character in his own eyes1 as well as in those of every other person4 ,it satisfies neither himself nor others to reflect that the plan or design was all that depended on him1 that no greater capacity was required to execute it than what was necessary to concert it3 that he was allowed to be every way capable of executing it1 and that had he been permitted to go on1 success was infallible4 ,he still did not execute it2 and though he might deserve all the approbation which is due to a magnanimous and great design1 he still wanted the actual merit of having performed a great action4 ,to take the management of any affair of public concern from the man who has almost brought it to a conclusion1 is regarded as the most invidious injustice4 ,as he had done so much1 he should1 we think1 have been allowed to acquire the complete merit of putting an end to it4 ,it was objected to ,pompey1 that he came in upon the victories of ,lucullus1 and gathered those laurels which were due to the fortune and valour of another4 ,the glory of ,lucullus1 it seems1 was less complete even in the opinion of his own friends1 when he was not permitted to finish that conquest which his conduct and courage had put in the power of almost any man to finish4 ,it mortifies an architect when his plans are either not executed at all1 or when they are so far altered as to spoil the effect of the building4 ,the plan1 however1 is all that depends upon the architect4 ,the whole of his genius is1 to good judges1 as completely discovered in that as in the actual execution4 ,but a plan does not1 even to the most intelligent1 give the same pleasure as a noble and magnificent building4 ,they may discover as much both of taste and genius in the one as in the other4 ,but their effects are still vastly different1 and the amusement derived from the first1 never approaches to the wonder and admiration which are sometimes excited by the second4 ,we may believe of many men1 that their talents are #ia superior to those of ,csar and ,alexander2 and that in the same situations they would perform still greater actions4 ,in the mean time1 however1 we do not behold them with that astonishment and admiration with which those two heroes have been regarded in all ages and nations4 ,the calm judgments of the mind may approve of them more1 but they want the splendour of great actions to dazzle and transport it4 ,the superiority of virtues and talents has not1 even upon those who acknowledge that superiority1 the same effect with the superiority of achievements4 ,as the merit of an unsuccessful attempt to do good seems thus1 in the eyes of ungrateful mankind1 to be diminished by the miscarriage1 so does likewise the demerit of an unsuccessful attempt to do evil4 ,the design to commit a crime1 how clearly soever it may be proved1 is scarce ever punished with the same severity as the actual commission of it4 ,the case of treason is perhaps the only exception4 ,that crime immediately affecting the being of the government itself1 the government is naturally more jealous of it than of any other4 ,in the punishment of treason1 the sovereign resents the injuries which are immediately done to himself3 in the punishment of other crimes he resents those which are done to other men4 ,it is his own resentment which he indulges in the one case2 it is that of his subjects which by sympathy he enters into in the other4 ,in the first case1 therefore1 as he judges in his own cause1 he is very apt to be more violent and sanguinary in his punishments than the impartial spectator can approve of4 ,his resentment too rises here upon smaller occasions1 and does not always1 as in other cases1 wait for the perpetration of the crime1 or even for the attempt to commit it4 ,a treasonable concert1 though nothing has been done1 or even attempted in consequence of it1 nay1 a treasonable conversation1 is in many countries punished in the same manner as the actual commission of treason4 ,with regard to all other crimes1 the mere design1 upon which no attempt has followed1 is seldom punished at all1 and is never punished severely4 ,a criminal design1 and a criminal action1 it may be said indeed1 do not necessarily suppose the same degree of depravity1 and ought not therefore to be subjected to the same punishment4 ,we are capable1 it may be said1 of resolving1 and even of taking measures to execute1 many things which1 when it comes to the point1 we feel ourselves altogether incapable of executing4 ,but this reason can have no place when the design has been carried the length of the last attempt4 ,the man1 however1 who fires a pistol at his enemy but misses him1 is punished with death by the laws of scarce any country4 ,by the old law of ,scotland1 though he should wound him1 yet1 unless death ensues within a certain time1 the assassin is not liable to the last punishment4 ,the resentment of mankind1 however1 runs so high against this crime1 their terror for the man who shows himself capable of committing it is so great1 that the mere attempt to #ib commit it ought in all countries to be capital4 ,the attempt to commit smaller crimes is almost always punished very lightly1 and sometimes is not punished at all4 ,the thief1 whose hand has been caught in his neighbour's pocket before he had taken any thing out of it1 is punished with ignominy only4 ,if he had got time to take away an handkerchief1 he might have been put to death4 ,the house-breaker1 who has been found setting a ladder to his neighbour's window1 but had not got into it1 is not exposed to the capital punishment4 ,the attempt to ravish is not punished as a rape4 ,the attempt to seduce a married woman is not punished at all1 though seduction is punished severely4 ,our resentment against the person who only attempted to do a mischief1 is seldom so strong as to bear us out in inflicting the same punishment upon him1 which we should have thought due if he had actually done it4 ,in the one case1 the joy of our deliverance alleviates our sense of the atrocity of his conduct2 in the other1 the grief of our misfortune increases it4 ,his real demerit1 however1 is undoubtedly the same in both cases1 since his intentions were equally criminal2 and there is in this respect1 therefore an irregularity in the sentiments of all men1 and a consequent relaxation of discipline in the laws of1 ,i believe1 all nations of the most civilized1 as well as of the most barbarous4 ,the humanity of a civilized people disposes them either to dispense with1 or to mitigate punishments1 wherever their natural indignation is not goaded on by the consequences of the crime4 ,barbarians1 on the other hand1 when no actual consequence has happened from any action1 are not apt to be very delicate or inquisitive about the motives4 ,the person himself who either from passion1 or from the influence of bad company1 has resolved1 and perhaps taken measures to perpetrate some crime1 but who has fortunately been prevented by an accident which put it out of his power1 is sure1 if he has any remains of conscience1 to regard this event all his life after as a great and signal deliverance4 ,he can never think of it without returning thanks to ,heaven1 for having been thus graciously pleased to save him from the guilt in which he was just ready to plunge himself1 and to hinder him from rendering all the rest of his life a scene of horror1 remorse1 and repentance4 ,but though his hands are innocent1 he is conscious that his heart is equally guilty as if he had actually executed what he was so fully resolved upon4 ,it gives great ease to his conscience1 however1 to consider that the crime was not executed1 though he knows that the failure arose from no virtue in him4 ,he still considers himself as less deserving of punishment and resentment2 and this good fortune either diminishes1 or takes away altogether1 all sense of guilt4 ,to remember how much he was resolved upon it1 has no other effect than to make him regard his escape as the greater and more miraculous3 for he still fancies that he has escaped1 and he looks back upon the danger to which his peace of mind was exposed1 with that terror1 with which one #ic who is in safety may sometimes remember the hazard he was in of falling over a precipice1 and shudder with horror at the thought4 #b4 ,the second effect of this influence of fortune1 is to increase our sense of the merit or demerit of actions beyond what is due to the motives or affection from which they proceed1 when they happen to give occasion to extraordinary pleasure or pain4 ,the agreeable or disagreeable effects of the action often throw a shadow of merit or demerit upon the agent1 though in his intention there was nothing that deserved either praise or blame1 or at least that deserved them in the degree in which we are apt to bestow them4 ,thus1 even the messenger of bad news is disagreeable to us1 and1 on the contrary1 we feel a sort of gratitude for the man who brings us good tidings4 ,for a moment we look upon them both as the authors1 the one of our good1 the other of our bad fortune1 and regard them in some measure as if they had really brought about the events which they only give an account of4 ,the first author of our joy is naturally the object of a transitory gratitude3 we embrace him with warmth and affection1 and should be glad1 during the instant of our prosperity1 to reward him as for some signal service4 ,by the custom of all courts1 the officer1 who brings the news of a victory1 is entitled to considerable preferments1 and the general always chooses one of his principal favourites to go upon so agreeable an errand4 ,the first author of our sorrow is1 on the contrary1 just as naturally the object of a transitory resentment4 ,we can scarce avoid looking upon him with chagrin and uneasiness2 and the rude and brutal are apt to vent upon him that spleen which his intelligence gives occasion to4 ,tigranes1 ,king of ,armenia1 struck off the head of the man who brought him the first account of the approach of a formidable enemy4 ,to punish in this manner the author of bad tidings1 seems barbarous and inhuman3 yet1 to reward the messenger of good news1 is not disagreeable to us2 we think it suitable to the bounty of kings4 ,but why do we make this difference1 since1 if there is no fault in the one1 neither is there any merit in the other8 ,it is because any sort of reason seems sufficient to authorize the exertion of the social and benevolent affections2 but it requires the most solid and substantial to make us enter into that of the unsocial and malevolent4 ,but though in general we are averse to enter into the unsocial and malevolent affections1 though we lay it down for a rule that we ought never to approve of their gratification1 unless so far as the malicious and unjust intention of the person1 against whom they are directed1 renders him their proper object2 yet1 upon some occasions1 we relax of this severity4 ,when the negligence of one man has occasioned some unintended damage to another1 we generally enter so far into the resentment of the sufferer1 as to approve of his inflicting a punishment upon the offender much beyond what the offence would have appeared to deserve1 had no such unlucky consequence followed from it4 #id ,there is a degree of negligence1 which would appear to deserve some chastisement though it should occasion no damage to any body4 ,thus1 if a person should throw a large stone over a wall into a public street without giving warning to those who might be passing by1 and without regarding where it was likely to fall1 he would undoubtedly deserve some chastisement4 ,a very accurate police would punish so absurd an action1 even though it had done no mischief4 ,the person who has been guilty of it1 shows an insolent contempt of the happiness and safety of others4 ,there is real injustice in his conduct4 ,he wantonly exposes his neighbour to what no man in his senses would choose to expose himself1 and evidently wants that sense of what is due to his fellow-creatures1 which is the basis of justice and of society4 ,gross negligence therefore is1 in the law1 said to be almost equal to malicious design4 7,lata culpa prope dolum est47 ,when any unlucky consequences happen from such carelessness1 the person who has been guilty of it1 is often punished as if he had really intended those consequences2 and his conduct1 which was only thoughtless and insolent1 and what deserved some chastisement1 is considered as atrocious1 and as liable to the severest punishment4 ,thus if1 by the imprudent action above-mentioned1 he should accidentally kill a man1 he is1 by the laws of many countries1 particularly by the old law of ,scotland1 liable to the last punishment4 ,and though this is no doubt excessively severe1 it is not altogether inconsistent with our natural sentiments4 ,our just indignation against the folly and inhumanity of his conduct is exasperated by our sympathy with the unfortunate sufferer4 ,nothing1 however1 would appear more shocking to our natural sense of equity1 than to bring a man to the scaffold merely for having thrown a stone carelessly into the street without hurting any body4 ,the folly and inhumanity of his conduct1 however1 would in this case be the same2 but still our sentiments would be very different4 ,the consideration of this difference may satisfy us how much the indignation1 even of the spectator1 is apt to be animated by the actual consequences of the action4 ,in cases of this kind there will1 if ,i am not mistaken1 be found a great degree of severity in the laws of almost all nations2 as ,i have already observed that in those of an opposite kind there was a very general relaxation of discipline4 ,there is another degree of negligence which does not involve in it any sort of injustice4 ,the person who is guilty of it treats his neighbour as he treats himself1 means no harm to any body1 and is far from entertaining any insolent contempt for the safety and happiness of others4 ,he is not1 however1 so careful and circumspect in his conduct as he ought to be1 and deserves upon this account some degree of blame and censure1 but no sort of punishment4 ,yet if1 by a negligence 7,culpa levis7 of this kind he should occasion some damage to another person1 he is by the laws of1 ,i believe1 all countries1 obliged to compensate it4 #ie ,and though this is1 no doubt1 a real punishment1 and what no mortal would have thought of inflicting upon him1 had it not been for the unlucky accident which his conduct gave occasion to2 yet this decision of the law is approved of by the natural sentiments of all mankind4 ,nothing1 we think1 can be more just than that one man should not suffer by the carelessness of another2 and that the damage occasioned by blamable negligence1 should be made up by the person who was guilty of it4 ,there is another species of negligence 7,culpa levissima71 which consists merely in a want of the most anxious timidity and circumspection1 with regard to all the possible consequences of our actions4 ,the want of this painful attention1 when no bad consequences follow from it1 is so far from being regarded as blamable1 that the contrary quality is rather considered as such4 ,that timid circumspection which is afraid of every thing1 is never regarded as a virtue1 but as a quality which more than any other incapacitates for action and business4 ,yet when1 from a want of this excessive care1 a person happens to occasion some damage to another1 he is often by the law obliged to compensate it4 ,thus1 by the ,aquilian law1 the man1 who not being able to manage a horse that had accidentally taken fright1 should happen to ride down his neighbour's slave1 is obliged to compensate the damage4 ,when an accident of this kind happens1 we are apt to think that he ought not to have rode such a horse1 and to regard his attempting it as an unpardonable levity2 though without this accident we should not only have made no such reflection1 but should have regarded his refusing it as the effect of timid weakness1 and of an anxiety about merely possible events1 which it is to no purpose to be aware of4 ,the person himself1 who by an accident even of this kind has involuntarily hurt another1 seems to have some sense of his own ill desert1 with regard to him4 ,he naturally runs up to the sufferer to express his concern for what has happened1 and to make every acknowledgment in his power4 ,if he has any sensibility1 he necessarily desires to compensate the damage1 and to do every thing he can to appease that animal resentment which he is sensible will be apt to arise in the breast of the sufferer4 ,to make no apology1 to offer no atonement1 is regarded as the highest brutality4 ,yet why should he make an apology more than any other person8 ,why should he1 since he was equally innocent with any other by-stander1 be thus singled out from among all mankind1 to make up for the bad fortune of another8 ,this task would surely never be imposed upon him1 did not even the impartial spectator feel some indulgence for what may be regarded as the unjust resentment of that other4 ----- #if ,,chap4 ,,iii4--,of the final ,cause of this ,irregularity of ,sentiments4 ,,such is the effect of the good or bad consequence of actions upon the sentiments both of the person who performs them1 and of others2 and thus1 ,fortune1 which governs the world1 has some influence where we should be least willing to allow her any1 and directs in some measure the sentiments of mankind1 with regard to the character and conduct both of themselves and others4 ,that the world judges by the event1 and not by the design1 has been in all ages the complaint1 and is the great discouragement of virtue4 ,every body agrees to the general maxim1 that as the event does not depend on the agent1 it ought to have no influence upon our sentiments1 with regard to the merit or propriety of his conduct4 ,but when we come to particulars1 we find that our sentiments are scarce in any one instance exactly conformable to what this equitable maxim would direct4 ,the happy or unprosperous event of any action1 is not only apt to give us a good or bad opinion of the prudence with which it was conducted1 but almost always too animates our gratitude or resentment1 our sense of the merit or demerit of the design4 ,nature1 however1 when she implanted the seeds of this irregularity in the human breast1 seems1 as upon all other occasions1 to have intended the happiness and perfection of the species4 ,if the hurtfulness of the design1 if the malevolence of the affection1 were alone the causes which excited our resentment1 we should feel all the furies of that passion against any person in whose breast we suspected or believed such designs or affections were harboured1 though they had never broke out into any actions4 ,sentiments1 thoughts1 intentions1 would become the objects of punishment2 and if the indignation of mankind run as high against them as against actions2 if the baseness of the thought which had given birth to no action1 seemed in the eyes of the world as much to call aloud for vengeance as the baseness of the action1 every court of judicature would become a real inquisition4 ,there would be no safety for the most innocent and circumspect conduct4 ,bad wishes1 bad views1 bad designs1 might still be suspected3 and while these excited the same indignation with bad conduct1 while bad intentions were as much resented as bad actions1 they would equally expose the person to punishment and resentment4 ,actions1 therefore1 which either produce actual evil1 or attempt to produce it1 and thereby put us in the immediate fear of it1 are by the ,author of nature rendered the only proper and approved objects of human punishment and resentment4 ,sentiments1 designs1 affections1 though it is from these that according to cool reason human actions derive their whole merit or demerit1 are placed by the great ,judge of hearts beyond the limits of every human jurisdiction1 and are reserved for the cognisance of his own unerring tribunal4 ,that necessary rule of justice1 therefore1 that #ig men in this life are liable to punishment for their actions only1 not for their designs and intentions1 is founded upon this salutary and useful irregularity in human sentiments concerning merit or demerit1 which at first sight appears so absurd and unaccountable4 ,but every part of nature1 when attentively surveyed1 equally demonstrates the providential care of its ,author1 and we may admire the wisdom and goodness of ,god even in the weakness and folly of men4 ,nor is that irregularity of sentiments altogether without its utility1 by which the merit of an unsuccessful attempt to serve1 and much more that of mere good inclinations and kind wishes1 appears to be imperfect4 ,man was made for action1 and to promote by the exertion of his faculties such changes in the external circumstances both of himself and others1 as may seem most favourable to the happiness of all4 ,he must not be satisfied with indolent benevolence1 nor fancy himself the friend of mankind1 because in his heart he wishes well to the prosperity of the world4 ,that he may call forth the whole vigour of his soul1 and strain every nerve1 in order to produce those ends which it is the purpose of his being to advance1 ,nature has taught him1 that neither himself nor mankind can be fully satisfied with his conduct1 nor bestow upon it the full measure of applause1 unless he has actually produced them4 ,he is made to know1 that the praise of good intentions1 without the merit of good offices1 will be but of little avail to excite either the loudest acclamations of the world1 or even the highest degree of self applause4 ,the man who has performed no single action of importance1 but whose whole conversation and deportment express the justest1 the noblest1 and most generous sentiments1 can be entitled to demand no very high reward1 even though his inutility should be owing to nothing but the want of an opportunity to serve4 ,we can still refuse it him without blame4 ,we can still ask him1 ,what have you done8 ,what actual service can you produce1 to entitle you to so great a recompense8 ,we esteem you1 and love you2 but we owe you nothing4 ,to reward indeed that latent virtue which has been useless only for want of an opportunity to serve1 to bestow upon it those honours and preferments1 which1 though in some measure it may be said to deserve them1 it could not with propriety have insisted upon1 is the effect of the most divine benevolence4 ,to punish1 on the contrary1 for the affections of the heart only1 where no crime has been committed1 is the most insolent and barbarous tyranny4 ,the benevolent affections seem to deserve most praise1 when they do not wait till it becomes almost a crime for them not to exert themselves4 ,the malevolent1 on the contrary1 can scarce be too tardy1 too slow1 or deliberate4 ,it is even of considerable importance1 that the evil which is done without design should be regarded as a misfortune to the doer as well as to the sufferer4 ,man is thereby taught to reverence the happiness of his brethren1 to tremble lest he should1 even unknowingly1 do any thing #ih that can hurt them1 and to dread that animal resentment which1 he feels1 is ready to burst out against him1 if he should1 without design1 be the unhappy instrument of their calamity4 ,as in the ancient heathen religion1 that holy ground which had been consecrated to some god1 was not to be trod upon but upon solemn and necessary occasions1 and the man who had even ignorantly violated it1 became piacular from that moment1 and1 until proper atonement should be made1 incurred the vengeance of that powerful and invisible being to whom it had been set apart2 so by the wisdom of nature1 the happiness of every innocent man is1 in the same manner1 rendered holy1 consecrated1 and hedged round against the approach of every other man2 not to be wantonly trod upon1 not even to be1 in any respect1 ignorantly and involuntarily violated1 without requiring some expiation1 some atonement in proportion to the greatness of such undesigned violation4 ,a man of humanity1 who accidentally1 and without the smallest degree of blamable negligence1 has been the cause of the death of another man1 feels himself piacular1 though not guilty4 ,during his whole life he considers this accident as one of the greatest misfortunes that could have befallen him4 ,if the family of the slain is poor1 and he himself in tolerable circumstances1 he immediately takes them under his protection1 and1 without any other merit1 thinks them entitled to every degree of favour and kindness4 ,if they are in better circumstances1 he endeavours by every submission1 by every expression of sorrow1 by rendering them every good office which he can devise or they accept of1 to atone for what has happened1 and to propitiate1 as much as possible1 their1 perhaps natural1 though no doubt most unjust resentment1 for the great1 though involuntary1 offence which he has given unto them4 ,the distress which an innocent person feels1 who1 by some accident1 has been led to do something which1 if it had been done with knowledge and design1 would have justly exposed him to the deepest reproach1 has given occasion to some of the finest and most interesting scenes both of the ancient and of the modern drama4 ,it is this fallacious sense of guilt1 if ,i may call it so1 which constitutes the whole distress of ,oedipus and ,jocasta upon the ,greek1 of ,monimia and ,isabella upon the ,english1 theatre4 ,they are all in the highest degree piacular1 though not one of them is in the smallest degree guilty4 ,notwithstanding1 however1 all these seeming irregularities of sentiment1 if man should unfortunately either give occasion to those evils which he did not intend1 or fail in producing that good which he intended1 ,nature has not left his innocence altogether without consolation1 nor his virtue altogether without reward4 ,he then calls to his assistance that just and equitable maxim1 ,that those events which did not depend upon our conduct1 ought not to diminish the esteem that is due to us4 ,he summons up his whole magnanimity and firmness of #ii soul1 and strives to regard himself1 not in the light in which he at present appears1 but in that in which he ought to appear1 in which he would have appeared had his generous designs been crowned with success1 and in which he would still appear1 notwithstanding their miscarriage1 if the sentiments of mankind were either altogether candid and equitable1 or even perfectly consistent with themselves4 ,the more candid and humane part of mankind entirely go along with the efforts which he thus makes to support himself in his own opinion4 ,they exert their whole generosity and greatness of mind1 to correct in themselves this irregularity of human nature1 and endeavour to regard his unfortunate magnanimity in the same light in which1 had it been successful1 they would1 without any such generous exertion1 have naturally been disposed to consider it4 ----- ,part ,,iii4 ,of the ,foundation of our ,judgments concerning our own ,sentiments and ,conduct1 and of the ,sense of ,duty4 ,,chap4 ,i4--,of the ,principle of ,self-approbation and of ,self -disapprobation4 ,,in the two foregoing parts of this discourse1 ,i have chiefly considered the origin and foundation of our judgments concerning the sentiments and conduct of others4 ,i come now to consider more particularly the origin of those concerning our own4 ,the principle by which we naturally either approve or disapprove of our own conduct1 seems to be altogether the same with that by which we exercise the like judgments concerning the conduct of other people4 ,we either approve or disapprove of the conduct of another man according as we feel that1 when we bring his case home to ourselves1 we either can or cannot entirely sympathize with the sentiments and motives which directed it4 ,and1 in the same manner1 we either approve or disapprove of our own conduct1 according as we feel that1 when we place ourselves in the situation of another man1 and view it1 as it were1 with his eyes and from his station1 we either can or cannot entirely enter into and sympathize with the sentiments and motives which influenced it4 ,we can never survey our own sentiments and motives1 we can never form any judgment concerning them2 unless we remove ourselves1 as it were1 from our own natural station1 and endeavour to view them as at a certain distance from us4 ,but we can do this in no other way than by endeavouring to view them with the eyes of other people1 or as other people are likely to view them4 ,whatever judgment we can form concerning them1 accordingly1 must always bear some secret reference1 either to what are1 or to what1 upon a certain condition1 #ajj would be1 or to what1 we imagine1 ought to be the judgment of others4 ,we endeavour to examine our own conduct as we imagine any other fair and impartial spectator would examine it4 ,if1 upon placing ourselves in his situation1 we thoroughly enter into all the passions and motives which influenced it1 we approve of it1 by sympathy with the approbation of this supposed equitable judge4 ,if otherwise1 we enter into his disapprobation1 and condemn it4 ,were it possible that a human creature could grow up to manhood in some solitary place1 without any communication with his own species1 he could no more think of his own character1 of the propriety or demerit of his own sentiments and conduct1 of the beauty or deformity of his own mind1 than of the beauty or deformity of his own face4 ,all these are objects which he cannot easily see1 which naturally he does not look at1 and with regard to which he is provided with no mirror which can present them to his view4 ,bring him into society1 and he is immediately provided with the mirror which he wanted before4 ,it is placed in the countenance and behaviour of those he lives with1 which always mark when they enter into1 and when they disapprove of his sentiments2 and it is here that he first views the propriety and impropriety of his own passions1 the beauty and deformity of his own mind4 ,to a man who from his birth was a stranger to society1 the objects of his passions1 the external bodies which either pleased or hurt him1 would occupy his whole attention4 ,the passions themselves1 the desires or aversions1 the joys or sorrows1 which those objects excited1 though of all things the most immediately present to him1 could scarce ever be the objects of his thoughts4 ,the idea of them could never interest him so much as to call upon his attentive consideration4 ,the consideration of his joy could in him excite no new joy1 nor that of his sorrow any new sorrow1 though the consideration of the causes of those passions might often excite both4 ,bring him into society and all his own passions will immediately become the causes of new passions4 ,he will observe that mankind approve of some of them1 and are disgusted by others4 ,he will be elevated in the one case1 and cast down in the other2 his desires and aversions1 his joys and sorrows1 will now often become the causes of new desires and new aversions1 new joys and new sorrows3 they will now1 therefore1 interest him deeply1 and often call upon his most attentive consideration4 ,our first ideas of personal beauty and deformity1 are drawn from the shape and appearance of others1 not from our own4 ,we soon become sensible1 however1 that others exercise the same criticism upon us4 ,we are pleased when they approve of our figure1 and are disobliged when they seem to be disgusted4 ,we become anxious to know how far our appearance deserves either their blame or approbation4 ,we examine our persons limb by limb1 and by placing ourselves before a looking-glass1 or by some such expedient1 endeavour as much as #aja possible1 to view ourselves at the distance and with the eyes of other people4 ,if1 after this examination1 we are satisfied with our own appearance1 we can more easily support the most disadvantageous judgments of others4 ,if1 on the contrary1 we are sensible that we are the natural objects of distaste1 every appearance of their disapprobation mortifies us beyond all measure4 ,a man who is tolerably handsome1 will allow you to laugh at any little irregularity in his person2 but all such jokes are commonly unsupportable to one who is really deformed4 ,it is evident1 however1 that we are anxious about our own beauty and deformity1 only upon account of its effect upon others4 ,if we had no connexion with society1 we should be altogether indifferent about either4 ,in the same manner our first moral criticisms are exercised upon the characters and conduct of other people2 and we are all very forward to observe how each of these affects us4 ,but we soon learn1 that other people are equally frank with regard to our own4 ,we become anxious to know how far we deserve their censure or applause1 and whether to them we must necessarily appear those agreeable or disagreeable creatures which they represent us4 ,we begin1 upon this account1 to examine our own passions and conduct1 and to consider how these must appear to them2 by considering how they would appear to us if in their situation4 ,we suppose ourselves the spectators of our own behaviour1 and endeavour to imagine what effect it would1 in this light1 produce upon us4 ,this is the only looking-glass by which we can1 in some measure1 with the eyes of other people1 scrutinize the propriety of our own conduct4 ,if in this view it pleases us1 we are tolerably satisfied4 ,we can be more indifferent about the applause1 and1 in some measure1 despise the censure of the world2 secure that1 however misunderstood or misrepresented1 we are the natural and proper objects of approbation4 ,on the contrary1 if we are doubtful about it1 we are often1 upon that very account1 more anxious to gain their approbation1 and1 provided we have not already1 as they say1 shaken hands with infamy1 we are altogether distracted at the thoughts of their censure1 which then strikes us with double severity4 ,when ,i endeavour to examine my own conduct1 when ,i endeavour to pass sentence upon it1 and either to approve or condemn it1 it is evident that1 in all such cases1 ,i divide myself1 as it were1 into two persons2 and that ,i1 the examiner and judge1 represent a different character from that other ,i1 the person whose conduct is examined into and judged of4 ,the first is the spectator1 whose sentiments with regard to my own conduct ,i endeavour to enter into1 by placing myself in his situation1 and by considering how it would appear to me1 when seen from that particular point of view4 ,the second is the agent1 the person whom ,i properly call myself1 and of whose conduct1 under the character of a spectator1 ,i was endeavouring to form some opinion4 ,the first is the judge2 the second the person judged of4 ,but that the #ajb judge should1 in every respect1 be the same with the person judged of1 is as impossible1 as that the cause should1 in every respect1 be the same with the effect4 ,to be amiable and to be meritorious2 that is1 to deserve love and to deserve reward1 are the great characters of virtue2 and to be odious and punishable1 of vice4 ,but all these characters have an immediate reference to the sentiments of others4 ,virtue is not said to be amiable1 or to be meritorious1 because it is the object of its own love1 or of its own gratitude2 but because it excites those sentiments in other men4 ,the consciousness that it is the object of such favourable regards1 is the source of that inward tranquillity and self-satisfaction with which it is naturally attended1 as the suspicion of the contrary gives occasion to the torments of vice4 ,what so great happiness as to be beloved1 and to know that we deserve to be beloved8 ,what so great misery as to be hated1 and to know that we deserve to be hated8 ----- ,,chap4 ,,ii4--,of the ,love of ,praise1 and of that of ,praise-worthiness2 and of the dread of ,blame1 and of that of ,blame-worthiness4 ,,man naturally desires1 not only to be loved1 but to be lovely2 or to be that thing which is the natural and proper object of love4 ,he naturally dreads1 not only to be hated1 but to be hateful2 or to be that thing which is the natural and proper object of hatred4 ,he desires1 not only praise1 but praise-worthiness2 or to be that thing which1 though it should be praised by nobody1 is1 however1 the natural and proper object of praise4 ,he dreads1 not only blame1 but blame-worthiness2 or to be that thing which1 though it should be blamed by nobody1 is1 however1 the natural and proper object of blame4 ,the love of praise-worthiness is by no means derived altogether from the love of praise4 ,those two principles1 though they resemble one another1 though they are connected1 and often blended with one another1 are yet1 in many respects1 distinct and independent of one another4 ,the love and admiration which we naturally conceive for those whose character and conduct we approve of1 necessarily dispose us to desire to become ourselves the objects of the like agreeable sentiments1 and to be as amiable and as admirable as those whom we love and admire the most4 ,emulation1 the anxious desire that we ourselves should excel1 is originally founded in our admiration of the excellence of others4 ,neither can we be satisfied with being merely admired for what other people are admired4 ,we must at least believe ourselves to be admirable for what they are admirable4 ,but1 in order to attain this satisfaction1 we must become the impartial spectators of our own character and conduct4 ,we must endeavour to view them with the eyes of other #ajc people1 or as other people are likely to view them4 ,when seen in this light1 if they appear to us as we wish1 we are happy and contented4 ,but it greatly confirms this happiness and contentment when we find that other people1 viewing them with those very eyes with which we1 in imagination only1 were endeavouring to view them1 see them precisely in the same light in which we ourselves had seen them4 ,their approbation necessarily confirms our own self-approbation4 ,their praise necessarily strengthens our own sense of our own praise-worthiness4 ,in this case1 so far is the love of praise-worthiness from being derived altogether from that of praise2 that the love of praise seems1 at least in a great measure1 to be derived from that of praise-worthiness4 ,the most sincere praise can give little pleasure when it cannot be considered as some sort of proof of praise-worthiness4 ,it is by no means sufficient that1 from ignorance or mistake1 esteem and admiration should1 in some way or other1 be bestowed upon us4 ,if we are conscious that we do not deserve to be so favourably thought of1 and that if the truth were known1 we should be regarded with very different sentiments1 our satisfaction is far from being complete4 ,the man who applauds us either for actions which we did not perform1 or for motives which had no sort of influence upon our conduct1 applauds not us1 but another person4 ,we can derive no sort of satisfaction from his praises4 ,to us they should be more mortifying than any censure1 and should perpetually call to our minds1 the most humbling of all reflections1 the reflection of what we ought to be1 but what we are not4 ,a woman who paints1 could derive1 one should imagine1 but little vanity from the compliments that are paid to her complexion4 ,these1 we should expect1 ought rather to put her in mind of the sentiments which her real complexion would excite1 and mortify her the more by the contrast4 ,to be pleased with such groundless applause is a proof of the most superficial levity and weakness4 ,it is what is properly called vanity1 and is the foundation of the most ridiculous and contemptible vices1 the vices of affectation and common lying2 follies which1 if experience did not teach us how common they are1 one should imagine the least spark of common sense would save us from4 ,the foolish liar1 who endeavours to excite the admiration of the company by the relation of adventures which never had any existence2 the important coxcomb1 who gives himself airs of rank and distinction which he well knows he has no just pretensions to2 are both of them1 no doubt1 pleased with the applause which they fancy they meet with4 ,but their vanity arises from so gross an illusion of the imagination1 that it is difficult to conceive how any rational creature should be imposed upon by it4 ,when they place themselves in the situation of those whom they fancy they have deceived1 they are struck with the highest admiration for their own persons4 ,they look upon themselves1 not in that light in which1 they know1 they ought to appear to their companions1 but in that in which they believe their #ajd companions actually look upon them4 ,their superficial weakness and trivial folly hinder them from ever turning their eyes inwards1 or from seeing themselves in that despicable point of view in which their own consciences must tell them that they would appear to every body1 if the real truth should ever come to be known4 ,as ignorant and groundless praise can give no solid joy1 no satisfaction that will bear any serious examination1 so1 on the contrary1 it often gives real comfort to reflect1 that though no praise should actually be bestowed upon us1 our conduct1 however1 has been such as to deserve it1 and has been in every respect suitable to those measures and rules by which praise and approbation are naturally and commonly bestowed4 ,we are pleased1 not only with praise1 but with having done what is praise-worthy4 ,we are pleased to think that we have rendered ourselves the natural objects of approbation1 though no approbation should ever actually be bestowed upon us3 and we are mortified to reflect that we have justly merited the blame of those we live with1 though that sentiment should never actually be exerted against us4 ,the man who is conscious to himself that he has exactly observed those measures of conduct which experience informs him are generally agreeable1 reflects with satisfaction on the propriety of his own behaviour4 ,when he views it in the light in which the impartial spectator would view it1 he thoroughly enters into all the motives which influenced it4 ,he looks back upon every part of it with pleasure and approbation1 and though mankind should never be acquainted with what he has done1 he regards himself1 not so much according to the light in which they actually regard him1 as according to that in which they would regard him if they were better informed4 ,he anticipates the applause and admiration which in this case would be bestowed upon him1 and he applauds and admires himself by sympathy with sentiments1 which do not indeed actually take place1 but which the ignorance of the public alone hinders from taking place1 which he knows are the natural and ordinary effects of such conduct1 which his imagination strongly connects with it1 and which he has acquired a habit of conceiving as something that naturally and in propriety ought to follow from it4 ,men have voluntarily thrown away life to acquire after death a renown which they could no longer enjoy4 ,their imagination1 in the mean time1 anticipated that fame which was in future times to be bestowed upon them4 ,those applauses which they were never to hear rung in their ears2 the thoughts of that admiration1 whose effects they were never to feel1 played about their hearts1 banished from their breasts the strongest of all natural fears1 and transported them to perform actions which seem almost beyond the reach of human nature4 ,but in point of reality there is surely no great difference between that approbation which is not to be bestowed till we can no longer enjoy it1 and that which1 indeed1 is never to be bestowed1 but which would be bestowed1 if the world was ever made to #aje understand properly the real circumstances of our behaviour4 ,if the one often produces such violent effects1 we cannot wonder that the other should always be highly regarded4 ,nature1 when she formed man for society1 endowed him with an original desire to please1 and an original aversion to offend his brethren4 ,she taught him to feel pleasure in their favourable1 and pain in their unfavourable regard4 ,she rendered their approbation most flattering and most agreeable to him for its own sake2 and their disapprobation most mortifying and most offensive4 ,but this desire of the approbation1 and this aversion to the disapprobation of his brethren1 would not alone have rendered him fit for that society for which he was made4 ,nature1 accordingly1 has endowed him1 not only with a desire of being approved of1 but with a desire of being what ought to be approved of2 or of being what he himself approves of in other men4 ,the first desire could only have made him wish to appear to be fit for society4 ,the second was necessary in order to render him anxious to be really fit4 ,the first could only have prompted him to the affectation of virtue1 and to the concealment of vice4 ,the second was necessary in order to inspire him with the real love of virtue1 and with the real abhorrence of vice4 ,in every well-formed mind this second desire seems to be the strongest of the two4 ,it is only the weakest and most superficial of mankind who can be much delighted with that praise which they themselves know to be altogether unmerited4 ,a weak man may sometimes be pleased with it1 but a wise man rejects it upon all occasions4 ,but1 though a wise man feels little pleasure from praise where he knows there is no praise-worthiness1 he often feels the highest in doing what he knows to be praise-worthy1 though he knows equally well that no praise is ever to be bestowed upon it4 ,to obtain the approbation of mankind1 where no approbation is due1 can never be an object of any importance to him4 ,to obtain that approbation where it is really due1 may sometimes be an object of no great importance to him4 ,but to be that thing which deserves approbation1 must always be an object of the highest4 ,to desire1 or even to accept of praise1 where no praise is due1 can be the effect only of the most contemptible vanity4 ,to desire it where it is really due is to desire no more than that a most essential act of justice should be done to us4 ,the love of just fame1 of true glory1 even for its own sake1 and independent of any advantage which he can derive from it1 is not unworthy even of a wise man4 ,he sometimes1 however1 neglects1 and even despises it2 and he is never more apt to do so than when he has the most perfect assurance of the perfect propriety of every part of his own conduct4 ,his self-approbation1 in this case1 stands in need of no confirmation from the approbation of other men4 ,it is alone sufficient1 and he is contented with it4 ,this self-approbation1 if not the only1 is at least the principal object1 #ajf about which he can or ought to be anxious4 ,the love of it is the love of virtue4 ,as the love and admiration which we naturally conceive for some characters1 dispose us to wish to become ourselves the proper objects of such agreeable sentiments2 so the hatred and contempt which we as naturally conceive for others1 dispose us1 perhaps still more strongly1 to dread the very thought of resembling them in any respect4 ,neither is it1 in this case1 too1 so much the thought of being hated and despised that we are afraid of1 as that of being hateful and despicable4 ,we dread the thought of doing any thing which can render us the just and proper objects of the hatred and contempt of our fellow-creatures2 even though we had the most perfect security that those sentiments were never actually to be exerted against us4 ,the man who has broke through all those measures of conduct1 which can alone render him agreeable to mankind1 though he should have the most perfect assurance that what he had done was for ever to be concealed from every human eye1 it is all to no purpose4 ,when he looks back upon it1 and views it in the light in which the impartial spectator would view it1 he finds that he can enter into none of the motives which influenced it4 ,he is abashed and confounded at the thoughts of it1 and necessarily feels a very high degree of that shame which he would be exposed to1 if his actions should ever come to be generally known4 ,his imagination1 in this case too1 anticipates the contempt and derision from which nothing saves him but the ignorance of those he lives with4 ,he still feels that he is the natural object of these sentiments1 and still trembles at the thought of what he would suffer1 if they were ever actually exerted against him4 ,but if what he had been guilty of was not merely one of those improprieties which are the objects of simple disapprobation1 but one of those enormous crimes which excite detestation and resentment1 he could never think of it1 as long as he had any sensibility left1 without feeling all the agony of horror and remorse2 and though he could be assured that no man was ever to know it1 and could even bring himself to believe that there was no ,god to revenge it1 he would still feel enough of both these sentiments to embitter the whole of his life3 he would still regard himself as the natural object of the hatred and indignation of all his fellow-creatures2 and1 if his heart was not grown callous by the habit of crimes1 he could not think without terror and astonishment even of the manner in which mankind would look upon him1 of what would be the expression of their countenance and of their eyes1 if the dreadful truth should ever come to be known4 ,these natural pangs of an affrighted conscience are the dmons1 the avenging furies1 which1 in this life1 haunt the guilty1 which allow them neither quiet nor repose1 which often drive them to despair and distraction1 from which no assurance of secrecy can protect them1 from which no principles of irreligion can entirely deliver them1 and from which #ajg nothing can free them but the vilest and most abject of all states1 a complete insensibility to honour and infamy1 to vice and virtue4 ,men of the most detestable characters1 who1 in the execution of the most dreadful crimes1 had taken their measures so coolly as to avoid even the suspicion of guilt1 have sometimes been driven1 by the horror of their situation1 to discover1 of their own accord1 what no human sagacity could ever have investigated4 ,by acknowledging their guilt1 by submitting themselves to the resentment of their offended fellow-citizens1 and1 by thus satiating that vengeance of which they were sensible that they had become the proper objects1 they hoped1 by their death to reconcile themselves1 at least in their own imagination1 to the natural sentiments of mankind2 to be able to consider themselves as less worthy of hatred and resentment2 to atone1 in some measure1 for their crimes1 and1 by thus becoming the objects rather of compassion than of horror1 if possible1 to die in peace and with the forgiveness of all their fellow-creatures4 ,compared to what they felt before the discovery1 even the thought of this1 it seems was happiness4 ,in such cases1 the horror of blame-worthiness seems1 even in persons who cannot be suspected of any extraordinary delicacy or sensibility of character1 completely to conquer the dread of blame4 ,in order to allay that horror1 in order to pacify1 in some degree1 the remorse of their own consciences1 they voluntarily submitted themselves both to the reproach and to the punishment which they knew were due to their crimes1 but which1 at the same time1 they might easily have avoided4 ,they are the most frivolous and superficial of mankind only who can be much delighted with that praise which they themselves know to be altogether unmerited4 ,unmerited reproach1 however1 is frequently capable of mortifying very severely even men of more than ordinary constancy4 ,men of the most ordinary constancy1 indeed1 easily learn to despise those foolish tales which are so frequently circulated in society1 and which1 from their own absurdity and falsehood1 never fail to die away in the course of a few weeks1 or of a few days4 ,but an innocent man1 though of more than ordinary constancy1 is often1 not only shocked1 but most severely mortified by the serious1 though false1 imputation of a crime2 especially when that imputation happens unfortunately to be supported by some circumstances which gave it an air of probability4 ,he is humbled to find that any body should think so meanly of his character as to suppose him capable of being guilty of it4 ,though perfectly conscious of his own innocence1 the very imputation seems often1 even in his own imagination1 to throw a shadow of disgrace and dishonour upon his character4 ,his just indignation1 too1 at so very gross an injury1 which1 however1 it may frequently be improper and sometimes even impossible to revenge1 is itself a very painful sensation4 ,there is no greater tormentor of the human breast than violent resentment which cannot be gratified4 ,an innocent man1 brought to #ajh the scaffold by the false imputation of an infamous or odious crime1 suffers the most cruel misfortune which it is possible for innocence to suffer4 ,the agony of his mind may1 in this case1 frequently be greater than that of those who suffer for the like crimes1 of which they have been actually guilty4 ,profligate criminals1 such as common thieves and highwaymen1 have frequently little sense of the baseness of their own conduct1 and consequently no remorse4 ,without troubling themselves about the justice or injustice of the punishment1 they have always been accustomed to look upon the gibbet as a lot very likely to fall to them4 ,when it does fall to them1 therefore1 they consider themselves only as not quite so lucky as some of their companions1 and submit to their fortune1 without any other uneasiness than what may arise from the fear of death2 a fear which1 even by such worthless wretches1 we frequently see1 can be so easily1 and so very completely conquered4 ,the innocent man1 on the contrary1 over and above the uneasiness which this fear may occasion1 is tormented by his own indignation at the injustice which has been done to him4 ,he is struck with horror at the thoughts of the infamy which the punishment may shed upon his memory1 and foresees1 with the most exquisite anguish1 that he is hereafter to be remembered by his dearest friends and relations1 not with regret and affection1 but with shame1 and even with horror for his supposed disgraceful conduct3 and the shades of death appear to close round him with a darker and more melancholy gloom than naturally belongs to them4 ,such fatal accidents1 for the tranquillity of mankind1 it is to be hoped1 happen very rarely in any country2 but they happen sometimes in all countries1 even in those where justice is in general very well administered4 ,the unfortunate ,calas1 a man of much more than ordinary constancy 7broke upon the wheel and burnt at ,tholouse for the supposed murder of his own son1 of which he was perfectly innocent71 seemed1 with his last breath1 to deprecate1 not so much the cruelty of the punishment1 as the disgrace which the imputation might bring upon his memory4 ,after he had been broke1 and was just going to be thrown into the fire1 the monk1 who attended the execution1 exhorted him to confess the crime for which he had been condemned4 ',my father1' said ,calas1 'can you yourself bring yourself to believe that ,i am guilty8' ,to persons in such unfortunate circumstances1 that humble philosophy which confines its views to this life1 can afford1 perhaps1 but little consolation4 ,every thing that could render either life or death respectable is taken from them4 ,they are condemned to death and to everlasting infamy4 ,religion can alone afford them any effectual comfort4 ,she alone can tell them that it is of little importance what man may think of their conduct1 while the all-seeing ,judge of the world approves of it4 ,she alone can present to them the view of another world2 a world of more candour1 humanity1 and justice1 than the present2 where their #aji innocence is in due time to be declared1 and their virtue to be finally rewarded3 and the same great principle which can alone strike terror into triumphant vice1 affords the only effectual consolation to disgraced and insulted innocence4 ,in smaller offences1 as well as in greater crimes1 it frequently happens that a person of sensibility is much more hurt by the unjust imputation1 than the real criminal is by the actual guilt4 ,a woman of gallantry laughs even at the well-founded surmises which are circulated concerning her conduct4 ,the worst founded surmise of the same kind is a mortal stab to an innocent virgin4 ,the person who is deliberately guilty of a disgraceful action1 we may lay it down1 ,i believe1 as a general rule1 can seldom have much sense of the disgrace2 and the person who is habitually guilty of it1 can scarce ever have any4 ,when every man1 even of middling understanding1 so readily despises unmerited applause1 how it comes to pass that unmerited reproach should often be capable of mortifying so severely men of the soundest and best judgment1 may1 perhaps1 deserve some consideration4 ,pain1 ,i have already had occasion to observe1 is1 in almost all cases1 a more pungent sensation than the opposite and correspondent pleasure4 ,the one1 almost always1 depresses us much more below the ordinary1 or what may be called the natural1 state of our happiness1 than the other ever raises us above it4 ,a man of sensibility is apt to be more humiliated by just censure than he is ever elevated by just applause4 ,unmerited applause a wise man rejects with contempt upon all occasions2 but he often feels very severely the injustice of unmerited censure4 ,by suffering himself to be applauded for what he has not performed1 by assuming a merit which does not belong to him1 he feels that he is guilty of a mean falsehood1 and deserves1 not the admiration1 but the contempt of those very persons who1 by mistake1 had been led to admire him4 ,it may1 perhaps1 give him some well-founded pleasure to find that he has been1 by many people1 thought capable of performing what he did not perform4 ,but1 though he may be obliged to his friends for their good opinion1 he would think himself guilty of the greatest baseness if he did not immediately undeceive them4 ,it gives him little pleasure to look upon himself in the light in which other people actually look upon him1 when he is conscious that1 if they knew the truth1 they would look upon him in a very different light4 ,a weak man1 however1 is often much delighted with viewing himself in this false and delusive light4 ,he assumes the merit of every laudable action that is ascribed to him1 and pretends to that of many which nobody ever thought of ascribing to him4 ,he pretends to have done what he never did1 to have written what another wrote1 to have invented what another discovered2 and is led into all the miserable vices of plagiarism and common lying4 ,but though no man of #aaj middling good sense can derive much pleasure from the imputation of a laudable action which he never performed1 yet a wise man may suffer great pain from the serious imputation of a crime which he never committed4 ,nature1 in this case1 has rendered the pain1 not only more pungent than the opposite and correspondent pleasure1 but she has rendered it so in a much greater than the ordinary degree4 ,a denial rids a man at once of the foolish and ridiculous pleasure2 but it will not always rid him of the pain4 ,when he refuses the merit which is ascribed to him1 nobody doubts his veracity4 ,it may be doubted when he denies the crime which he is accused of4 ,he is at once enraged at the falsehood of the imputation1 and mortified to find that any credit should be given to it4 ,he feels that his character is not sufficient to protect him4 ,he feels that his brethren1 far from looking upon him in that light in which he anxiously desires to be viewed by them1 think him capable of being guilty of what he is accused of4 ,he knows perfectly that he has not been guilty4 ,he knows perfectly what he has done2 but1 perhaps1 scarce any man can know perfectly what he himself is capable of doing4 ,what the peculiar constitution of his own mind may or may not admit of1 is1 perhaps1 more or less a matter of doubt to every man4 ,the trust and good opinion of his friends and neighbours1 tends more than any thing to relieve him from this most disagreeable doubt2 their distrust and unfavourable opinion to increase it4 ,he may think himself very confident that their unfavourable judgment is wrong3 but this confidence can seldom be so great as to hinder that judgment from making some impression upon him2 and the greater his sensibility1 the greater his delicacy1 the greater his worth in short1 this impression is likely to be the greater4 ,the agreement or disagreement both of the sentiments and judgments of other people with our own1 is1 in all cases1 it must be observed1 of more or less importance to us1 exactly in proportion as we ourselves are more or less uncertain about the propriety of our own sentiments1 about the accuracy of our own judgments4 ,a man of sensibility may sometimes feel great uneasiness lest he should have yielded too much even to what may be called an honourable passion2 to his just indignation1 perhaps1 at the injury which may have been done either to himself or to his friend4 ,he is anxiously afraid lest1 meaning only to act with spirit1 and to do justice1 he may1 from the too great vehemence of his emotion1 have done a real injury to some other person2 who1 though not innocent1 may not have been altogether so guilty as he at first apprehended4 ,the opinion of other people becomes1 in this case1 of the utmost importance to him4 ,their approbation is the most healing balsam2 their disapprobation1 the bitterest and most tormenting poison that can be poured into his uneasy mind4 ,when he is perfectly satisfied with every part of his own conduct1 the judgment of other people is often of less importance to him4 #aaa ,there are some very noble and beautiful arts1 in which the degree of excellence can be determined only by a certain nicety of taste1 of which the decisions1 however1 appear always1 in some measure1 uncertain4 ,there are others1 in which the success admits1 either of clear demonstration1 or very satisfactory proof4 ,among the candidates for excellence in those different arts1 the anxiety about the public opinion is always much greater in the former than in the latter4 ,the beauty of poetry is a matter of such nicety1 that a young beginner can scarce ever be certain that he has attained it4 ,nothing delights him so much1 therefore1 as the favourable judgments of his friends and of the public2 and nothing mortifies him so severely as the contrary4 ,the one establishes1 the other shakes1 the good opinion which he is anxious to entertain concerning his own performances4 ,experience and success may in time give him a little more confidence in his own judgment4 ,he is at all times1 however1 liable to be most severely mortified by the unfavourable judgments of the public4 ,racine was so disgusted by the indifferent success of his ,phdra1 the finest tragedy1 perhaps1 that is extant in any language1 that1 though in the vigour of his life1 and at the height of his abilities1 he resolved to write no more for the stage4 ,that great poet used frequently to tell his son1 that the most paltry and impertinent criticism had always given him more pain than the highest and justest eulogy had ever given him pleasure4 ,the extreme sensibility of ,voltaire to the slightest censure of the same kind is well known to every body4 ,the ,dunciad of ,mr4 ,pope is an everlasting monument of how much the most correct1 as well as the most elegant and harmonious of all the ,english poets1 had been hurt by the criticisms of the lowest and most contemptible authors4 ,gray 7who joins to the sublimity of ,milton the elegance and harmony of ,pope1 and to whom nothing is wanting to render him1 perhaps1 the first poet in the ,english language1 but to have written a little more7 is said to have been so much hurt by a foolish and impertinent parody of two of his finest odes1 that he never afterwards attempted any considerable work4 ,those men of letters who value themselves upon what is called fine writing in prose1 approach somewhat to the sensibility of poets4 ,mathematicians1 on the contrary1 who may have the most perfect assurance1 both of the truth and of the importance of their discoveries1 are frequently very indifferent about the reception which they may meet with from the public4 ,the two greatest mathematicians that ,i ever had the honour to be known to1 and ,i believe1 the two greatest that have lived in my time1 ,dr4 ,robert ,simpson of ,glasgow1 and ,dr4 ,matthew ,stewart of ,edinburgh1 never seemed to feel even the slightest uneasiness from the neglect with which the ignorance of the public received some of their most valuable works4 ,the great work of ,sir ,isaac ,newton1 his ,mathematical ,principles of ,natural ,philosophy1 ,i #aab have been told1 was for several years neglected by the public4 ,the tranquillity of that great man1 it is probable1 never suffered1 upon that account1 the interruption of a single quarter of an hour4 ,natural philosophers1 in their independency upon the public opinion1 approach nearly to mathematicians1 and1 in their judgments concerning the merit of their own discoveries and observations1 enjoy some degree of the same security and tranquillity4 ,the morals of those different classes of men of letters are1 perhaps1 sometimes somewhat affected by this very great difference in their situation with regard to the public4 ,mathematicians and natural philosophers1 from their independency upon the public opinion1 have little temptation to form themselves into factions and cabals1 either for the support of their own reputation1 or for the depression of that of their rivals4 ,they are almost always men of the most amiable simplicity of manners1 who live in good harmony with one another1 are the friends of one another's reputation1 enter into no intrigue in order to secure the public applause1 but are pleased when their works are approved of1 without being either much vexed or very angry when they are neglected4 ,it is not always the same case with poets1 or with those who value themselves upon what is called fine writing4 ,they are very apt to divide themselves into a sort of literary faction2 each cabal being often avowedly1 and almost always secretly1 the mortal enemy of the reputation of every other1 and employing all the mean arts of intrigue and solicitation to pre-occupy the public opinion in favour of the works of its own members1 and against those of its enemies and rivals4 ,in ,france1 ,despreaux and ,racine did not think it below them to set themselves at the head of a literary cabal1 in order to depress the reputation1 first of ,quinault and ,perreault1 and afterwards of ,fontenelle and ,la ,motte1 and even to treat the good ,la ,fontaine with a species of most disrespectful kindness4 ,in ,england1 the amiable ,mr4 ,addison did not think it unworthy of his gentle and modest character to set himself at the head of a little cabal of the same kind1 in order to keep down the rising reputation of ,mr4 ,pope4 ,mr4 ,fontenelle1 in writing the lives and characters of the members of the academy of sciences1 a society of mathematicians and natural philosophers1 has frequent opportunities of celebrating the amiable simplicity of their manners2 a quality which1 he observes1 was so universal among them as to be characteristical1 rather of that whole class of men of letters1 than of any individual4 ,mr4 ,d',alembert1 in writing the lives and characters of the members of the ,french ,academy1 a society of poets and fine writers1 or of those who are supposed to be such1 seems not to have had such frequent opportunities of making any remark of this kind1 and no where pretends to represent this amiable quality as characteristical of that class of men of letters whom he celebrates4 #aac ,our uncertainty concerning our own merit1 and our anxiety to think favourably of it1 should together naturally enough make us desirous to know the opinion of other people concerning it2 to be more than ordinarily elevated when that opinion is favourable1 and to be more than ordinarily mortified when it is otherwise3 but they should not make us desirous either of obtaining the favourable1 or of avoiding the unfavourable opinion1 by intrigue and cabal4 ,when a man has bribed all the judges1 the most unanimous decision of the court1 though it may gain him his law-suit1 cannot give him any assurance that he was in the right3 and had he carried on his law-suit merely to satisfy himself that he was in the right1 he never would have bribed the judges4 ,but though he wished to find himself in the right1 he wished likewise to gain his law-suit2 and therefore he bribed the judges4 ,if praise were of no consequence to us1 but as a proof of our own praise-worthiness1 we never should endeavour to obtain it by unfair means4 ,but1 though to wise men it is1 at least in doubtful cases1 of principal consequence upon this account2 it is likewise of some consequence upon its own account3 and therefore 7we cannot1 indeed1 upon such occasions1 call them wise men71 but men very much above the common level have sometimes attempted both to obtain praise1 and to avoid blame1 by very unfair means4 ,praise and blame express what actually are1 praise-worthiness and blame-worthiness what naturally ought to be1 the sentiments of other people with regard to our character and conduct4 ,the love of praise is the desire of obtaining the favourable sentiments of our brethren4 ,the love of praise-worthiness is the desire of rendering ourselves the proper objects of those sentiments4 ,so far those two principles resemble and are akin to one another4 ,the like affinity and resemblance take place between dread of blame and that of blame-worthiness4 ,the man who desires to do1 or who actually does1 a praise-worthy action1 may likewise desire the praise which is due to it1 and sometimes1 perhaps1 more than is due to it4 ,the two principles are in this case blended together4 ,how far his conduct may have been influenced by the one1 and how far by the other1 may frequently be unknown even to himself4 ,it must almost always be so to other people4 ,they who are disposed to lessen the merit of his conduct1 impute it chiefly or altogether to the mere love of praise1 or to what they call mere vanity4 ,they who are disposed to think more favourably of it1 impute it chiefly or altogether to the love of praise-worthiness2 to the love of what is really honourable and noble in human conduct2 to the desire1 not merely of obtaining1 but of deserving the approbation and applause of his brethren4 ,the imagination of the spectator throws upon it either the one colour or the other1 according either to his habits of thinking1 or to the favour or dislike which he may bear to the person whose conduct he is considering4 #aad ,some splenetic philosophers1 in judging of human nature1 have done as peevish individuals are apt to do in judging of the conduct of one another1 and have imputed to the love of praise1 or to what they call vanity1 every action which ought to be ascribed to that of praise-worthiness4 ,i shall hereafter have occasion to give an account of some of their systems1 and shall not at present stop to examine them4 ,very few men can be satisfied with their own private consciousness that they have attained those qualities1 or performed those actions1 which they admire and think praise-worthy in other people2 unless it is1 at the same time1 generally acknowledged that they possess the one1 or have performed the other2 or1 in other words1 unless they have actually obtained that praise which they think due both to the one and to the other4 ,in this respect1 however1 men differ considerably from one another4 ,some seem indifferent about the praise1 when1 in their own minds1 they are perfectly satisfied that they have attained the praise-worthiness4 ,others appear much less anxious about the praise-worthiness than about the praise4 ,no man can be completely1 or even tolerably satisfied1 with having avoided every thing blame-worthy in his conduct1 unless he has likewise avoided the blame or the reproach4 ,a wise man may frequently neglect praise1 even when he has best deserved it2 but1 in all matters of serious consequence1 he will most carefully endeavour so to regulate his conduct as to avoid1 not only blame-worthiness1 but1 as much as possible1 every probable imputation of blame4 ,he will never1 indeed1 avoid blame by doing any thing which he judges blame-worthy2 by omitting any part of his duty1 or by neglecting any opportunity of doing any thing which he judges to be really and greatly praise-worthy4 ,but1 with these modifications1 he will most anxiously and carefully avoid it4 ,to show much anxiety about praise1 even for praise-worthy actions1 is seldom a mark of great wisdom1 but generally of some degree of weakness4 ,but1 in being anxious to avoid the shadow of blame or reproach1 there may be no weakness1 but frequently there may be the most praise-worthy prudence4 ',many people1' says ,cicero1 'despise glory1 who are yet most severely mortified by unjust reproach2 and that most inconsistently4' ,this inconsistency1 however1 seems to be founded in the unalterable principles of human nature4 ,the all-wise ,author of ,nature has1 in this manner1 taught man to respect the sentiments and judgments of his brethren2 to be more or less pleased when they approve of his conduct1 and to be more or less hurt when they disapprove of it4 ,he has made man1 if ,i may say so1 the immediate judge of mankind2 and has1 in this respect1 as in many others1 created him after his own image1 and appointed him his vicegerent upon earth1 to superintend the behaviour of his brethren4 ,they are taught by nature1 to acknowledge that power and jurisdiction which #aae has thus been conferred upon him1 to be more or less humbled and mortified when they have incurred his censure1 and to be more or less elated when they have obtained his applause4 ,but though man has1 in this manner1 been rendered the immediate judge of mankind1 he has been rendered so only in the first instance2 and an appeal lies from his sentence to a much higher tribunal1 to the tribunal of their own consciences1 to that of the supposed impartial and well-informed spectator1 to that of the man within the breast1 the great judge and arbiter of their conduct ,the jurisdictions of those two tribunals are founded upon principles which1 though in some respects resembling and akin1 are1 however1 in reality different and distinct4 ,the jurisdiction of the man without1 is founded altogether in the desire of actual praise1 and in the aversion to actual blame4 ,the jurisdiction of the man within1 is founded altogether in the desire of praise-worthiness1 and in the aversion to blame-worthiness2 in the desire of possessing those qualities1 and performing those actions1 which we love and admire in other people2 and in the dread of possessing those qualities1 and performing those actions1 which we hate and despise in other people4 ,if the man without should applaud us1 either for actions which we have not performed1 or for motives which had no influence upon us2 the man within can immediately humble that pride and elevation of mind which such groundless acclamations might otherwise occasion1 by telling us1 that as we know that we do not deserve them1 we render ourselves despicable by accepting them4 ,if1 on the contrary1 the man without should reproach us1 either for actions which we never performed1 or for motives which had no influence upon those which we may have performed1 the man within may immediately correct this false judgment1 and assure us1 that we are by no means the proper objects of that censure which has so unjustly been bestowed upon us4 ,but in this and in some other cases1 the man within seems sometimes1 as it were1 astonished and confounded by the vehemence and clamour of the man without4 ,the violence and loudness with which blame is sometimes poured out upon us1 seems to stupify and benumb our natural sense of praise-worthiness and blame-worthiness2 and the judgments of the man within1 though not1 perhaps1 absolutely altered or perverted1 are1 however1 so much shaken in the steadiness and firmness of their decision1 that their natural effect1 in securing the tranquillity of the mind1 is frequently in a great measure destroyed4 ,we scarce dare to absolve ourselves1 when all our brethren appear loudly to condemn us4 ,the supposed impartial spectator of our conduct seems to give his opinion in our favour with fear and hesitation2 when that of all the real spectators1 when that of all those with whose eyes and from whose station he endeavours to consider it1 is unanimously and violently against us4 ,in such cases1 this demigod within the breast appears1 like the demigods of the poets1 though #aaf partly of immortal1 yet partly too of mortal extraction4 ,when his judgments are steadily and firmly directed by the sense of praise-worthiness and blame-worthiness1 he seems to act suitably to his divine extraction3 but when he suffers himself to be astonished and confounded by the judgments of ignorant and weak man1 he discovers his connexion with mortality1 and appears to act suitably1 rather to the human1 than to the divine1 part of his origin4 ,in such cases1 the only effectual consolation of humbled and afflicted man lies in an appeal to a still higher tribunal1 to that of the all-seeing ,judge of the world1 whose eye can never be deceived1 and whose judgments can never be perverted4 ,a firm confidence in the unerring rectitude of this great tribunal1 before which his innocence is in due time to be declared1 and his virtue to be finally rewarded1 can alone support him under the weakness and despondency of his own mind1 under the perturbation and astonishment of the man within the breast1 whom nature has set up as1 in this life1 the great guardian1 not only of his innocence1 but of his tranquillity4 ,our happiness in this life is thus1 upon many occasions1 dependent upon the humble hope and expectation of a life to come3 a hope and expectation deeply rooted in human nature2 which can alone support its lofty ideas of its own dignity2 can alone illumine the dreary prospect of its continually approaching mortality1 and maintain its cheerfulness under all the heaviest calamities to which1 from the disorders of this life1 it may sometimes be exposed4 ,that there is a world to come1 where exact justice will be done to every man1 where every man will be ranked with those who1 in the moral and intellectual qualities1 are really his equals2 where the owner of those humble talents and virtues which1 from being depressed by fortunes1 had1 in this life1 no opportunity of displaying themselves2 which were unknown1 not only to the public1 but which he himself could scarce be sure that he possessed1 and for which even the man within the breast could scarce venture to afford him any distinct and clear testimony2 where that modest1 silent1 and unknown merit1 will be placed upon a level1 and sometimes above those who1 in this world1 had enjoyed the highest reputation1 and who1 from the advantage of their situation1 had been enabled to perform the most splendid and dazzling actions2 is a doctrine1 in every respect so venerable1 so comfortable to the weakness1 so flattering to the grandeur of human nature1 that the virtuous man who has the misfortune to doubt of it1 cannot possibly avoid wishing most earnestly and anxiously to believe it4 ,it could never have been exposed to the derision of the scoffer1 had not the distribution of rewards and punishments1 which some of its most zealous assertors have taught us was to be made in that world to come1 been too frequently in direct opposition to all our moral sentiments4 ,that the assiduous courtier is often more favoured than the faithful and active servant2 that attendance and adulation are often shorter #aag and surer roads to preferment than merit or service2 and that a campaign at ,versailles or ,st4 ,james's is often worth two either in ,germany or ,flanders1 is a complaint which we have all heard from many a venerable1 but discontented1 old officer4 ,but what is considered as the greatest reproach even to the weakness of earthly sovereigns1 has been ascribed1 as an act of justice1 to divine perfection2 and the duties of devotion1 the public and private worship of the ,deity1 have been represented1 even by men of virtue and abilities1 as the sole virtues which can either entitle to reward or exempt from punishment in the life to come4 ,they were the virtues perhaps1 most suitable to their station1 and in which they themselves chiefly excelled2 and we are all naturally disposed to over-rate the excellencies of our own characters4 ,in the discourse which the eloquent and philosophical ,massillon pronounced1 on giving his benediction to the standards of the regiment of ,catinat1 there is the following address to the officers3 ',what is most deplorable in your situation1 gentlemen1 is1 that in a life hard and painful1 in which the services and the duties sometimes go beyond the rigour and severity of the most austere cloisters2 you suffer always in vain for the life to come1 and frequently even for this life4 ,alas6 the solitary monk in his cell1 obliged to mortify the flesh and to subject it to the spirit1 is supported by the hope of an assured recompense1 and by the secret unction of that grace which softens the yoke of the ,lord4 ,but you1 on the bed of death1 can you dare to represent to ,him your fatigues and the daily hardships of your employment8 can you dare to solicit ,him for any recompense8 and in all the exertions that you have made1 in all the violences that you have done to yourselves1 what is there that ,he ought to place to ,his own account8 ,the best days of your life1 however1 have been sacrificed to your profession1 and ten years' service has more worn out your body1 than would1 perhaps1 have done a whole life of repentance and mortification4 ,alas6 my brother1 one single day of those sufferings1 consecrated to the ,lord1 would1 perhaps1 have obtained you an eternal happiness4 ,one single action1 painful to nature1 and offered up to ,him1 would1 perhaps1 have secured to you the inheritance of the saints4 ,and you have done all this1 and in vain1 for this world4' ,to compare1 in this manner1 the futile mortifications of a monastery1 to the ennobling hardships and hazards of war2 to suppose that one day1 or one hour1 employed in the former should1 in the eye of the great ,judge of the world1 have more merit than a whole life spent honourably in the latter1 is surely contrary to all our moral sentiments3 to all the principles by which nature has taught us to regulate our contempt or admiration4 ,it is this spirit1 however1 which1 while it has reserved the celestial regions for monks and friars1 or for those whose conduct and conversation resembled those of monks and friars1 has condemned to the infernal all the heroes1 all the statesmen and lawgivers1 all the poets #aah and philosophers of former ages2 all those who have invented1 improved1 or excelled in the arts1 which contribute to the subsistence1 to the conveniency1 or to the ornament of human life2 all the great protectors1 instructors1 and benefactors of mankind2 all those to whom our natural sense of praise-worthiness forces us to ascribe the highest merit and most exalted virtue4 ,can we wonder that so strange an application of this most respectable doctrine should sometimes have exposed it to contempt and derision2 with those at least who had themselves1 perhaps1 no great taste or turn for the devout and contemplative virtues8#c ,footnote #c3 ,vous y grillez sage et docte ,platon1 ,divin ,homere1 eloquent ,ciceron1 etc4 ,see ,voltaire4 ----- ,,chap4 ,,iii4--,of the ,influence and ,authority of ,conscience4 ,,but though the approbation of his own conscience can scarce1 upon some extraordinary occasions1 content the weakness of man2 though the testimony of the supposed impartial spectator of the great inmate of the breast1 cannot always alone support him2 yet the influence and authority of this principle is1 upon all occasions1 very great2 and it is only by consulting this judge within1 that we can ever see what relates to ourselves in its proper shape and dimensions2 or that we can ever make any proper comparison between our own interests and those of other people4 ,as to the eye of the body1 objects appear great or small1 not so much according to their real dimensions1 as according to the nearness or distance of their situation2 so do they likewise to what may be called the natural eye of the mind3 and we remedy the defects of both these organs pretty much in the same manner4 ,in my present situation an immense landscape of lawns1 and woods1 and distant mountains1 seems to do no more than cover the little window which ,i write by1 and to be out of all proportion less than the chamber in which ,i am sitting4 ,i can form a just comparison between those great objects and the little objects around me1 in no other way1 than by transporting myself1 at least in fancy1 to a different station1 from whence ,i can survey both at nearly equal distances1 and thereby form some judgment of their real proportions4 ,habit and experience have taught me to do this so easily and so readily1 that ,i am scarce sensible that ,i do it2 and a man must be1 in some measure1 acquainted with the philosophy of vision1 before he can be thoroughly convinced1 how little those distant objects would appear to the eye1 if the imagination1 from a knowledge of their real magnitudes1 did not swell and dilate them4 ,in the same manner1 to the selfish and original passions of human nature1 the loss or gain of a very small interest of our own1 appears to be of vastly more importance1 excites a much more passionate joy or #aai sorrow1 a much more ardent desire or aversion1 than the greatest concern of another with1 whom we have no particular connexion4 ,his interests1 as long as they are surveyed from this station1 can never be put into the balance with our own1 can never restrain us from doing whatever may tend to promote our own1 how ruinous so ever to him4 ,before we can make any proper comparison of those opposite interests1 we must change our position4 ,we must view them1 neither from our own place nor yet from his1 neither with our own eyes nor yet with his1 but from the place and with the eyes of a third person1 who has no particular connexion with either1 and who judges with impartiality between us4 ,here1 too1 habit and experience have taught us to do this so easily and so readily1 that we are scarce sensible that we do it2 and it requires1 in this case too1 some degree of reflection1 and even of philosophy1 to convince us1 how little interest we should take in the greatest concerns of our neighbour1 how little we should be affected by whatever relates to him1 if the sense of propriety and justice did not correct the otherwise natural inequality of our sentiments4 ,let us suppose that the great empire of ,china1 with all its myriads of inhabitants1 was suddenly swallowed up by an earthquake1 and let us consider how a man of humanity in ,europe1 who had no sort of connexion with that part of the world1 would be affected upon receiving intelligence of this dreadful calamity4 ,he would1 ,i imagine1 first of all1 express very strongly his sorrow for the misfortune of that unhappy people1 he would make many melancholy reflections upon the precariousness of human life1 and the vanity of all the labours of man1 which could thus be annihilated in a moment4 ,he would1 too1 perhaps1 if he was a man of speculation1 enter into many reasonings concerning the effects which this disaster might produce upon the commerce of ,europe1 and the trade and business of the world in general4 ,and when all this fine philosophy was over1 when all these humane sentiments had been once fairly expressed1 he would pursue his business or his pleasure1 take his repose or his diversion1 with the same ease and tranquillity1 as if no such accident had happened4 ,the most frivolous disaster which could befal himself would occasion a more real disturbance4 ,if he was to lose his little finger to-morrow1 he would not sleep to-night2 but1 provided he never saw them1 he will snore with the most profound security over the ruin of a hundred millions of his brethren1 and the destruction of that immense multitude seems plainly an object less interesting to him1 than this paltry misfortune of his own4 ,to prevent1 therefore1 this paltry misfortune to himself1 would a man of humanity be willing to sacrifice the lives of a hundred millions of his brethren1 provided he had never seen them8 ,human nature startles with horror at the thought1 and the world1 in its greatest depravity and corruption1 never produced such a villain as could be capable of entertaining it4 ,but what makes this #abj difference8 ,when our passive feelings are almost always so sordid and so selfish1 how comes it that our active principles should often be so generous and so noble8 ,when we are always so much more deeply affected by whatever concerns ourselves than by whatever concerns other men1 what is it which prompts the generous1 upon all occasions1 and the mean upon many1 to sacrifice their own interests to the greater interests of others8 ,it is not the soft power of humanity1 it is not that feeble spark of benevolence which ,nature has lighted up in the human heart1 that is thus capable of counteracting the strongest impulses of self-love4 ,it is a stronger power1 a more forcible motive1 which exerts itself upon such occasions4 ,it is reason1 principle1 conscience1 the inhabitant of the breast1 the man within1 the great judge and arbiter of our conduct4 ,it is he who1 whenever we are about to act so as to affect the happiness of others1 calls to us1 with a voice capable of astonishing the most presumptuous of our passions1 that we are but one of the multitude1 in no respect better than any other in it2 and when we prefer ourselves so shamefully and so blindly to others1 we become the proper objects of resentment1 abhorrence1 and execration4 ,it is from him only that we learn the real littleness of ourselves1 and of whatever relates to ourselves1 and the natural misrepresentations of self-love can be corrected only by the eye of this impartial spectator4 ,it is he who shows us the propriety of generosity and the deformity of injustice2 the propriety of resigning the greatest interests of our own1 for the yet greater interests of others1 and the deformity of doing the smallest injury to another1 in order to obtain the greatest benefit to ourselves4 ,it is not the love of our neighbour1 it is not the love of mankind1 which upon many occasions prompts us to the practice of those divine virtues4 ,it is a stronger love1 a more powerful affection1 which generally takes place upon such occasions2 the love of what is honourable and noble1 of the grandeur1 and dignity1 and superiority of our own characters4 ,when the happiness or misery of others depends in any respect upon our conduct1 we dare not1 as self-love might suggest to us1 prefer the interest of one to that of many4 ,the man within immediately calls to us1 that we value ourselves too much and other people too little1 and that1 by doing so1 we render ourselves the proper object of the contempt and indignation of our brethren4 ,neither is this sentiment confined to men of extraordinary magnanimity and virtue4 ,it is deeply impressed upon every tolerably good soldier1 who feels that he would become the scorn of his companions1 if he could be supposed capable of shrinking from danger1 or of hesitating1 either to expose or to throw away his life1 when the good of the service required it4 ,one individual must never prefer himself so much even to any other individual1 as to hurt or injure that other1 in order to benefit himself1 though the benefit to the one should be much greater than the hurt or #aba injury to the other4 ,the poor man must neither defraud nor steal from the rich1 though the acquisition might be much more beneficial to the one than the loss could be hurtful to the other4 ,the man within immediately calls to him in this case too1 that he is no better than his neighbour1 and that by his unjust preference he renders himself the proper object of the contempt and indignation of mankind2 as well as of the punishment which that contempt and indignation must naturally dispose them to inflict1 for having thus violated one of those sacred rules1 upon the tolerable observation of which depend the whole security and peace of human society4 ,there is no commonly honest man who does not more dread the inward disgrace of such an action1 the indelible stain which it would for ever stamp upon his own mind1 than the greatest external calamity which1 without any fault of his own1 could possibly befal him2 and who does not inwardly feel the truth of that great stoical maxim1 that for one man to deprive another unjustly of any thing1 or unjustly to promote his own advantage by the loss or disadvantage of another1 is more contrary to nature1 than death1 than poverty1 than pain1 than all the misfortunes which can affect him1 either in his body1 or in his external circumstances4 ,when the happiness or misery of others1 indeed1 in no respect depends upon our conduct1 when our interests are altogether separated and detached from theirs1 so that there is neither connexion nor competition between them1 we do not always think it so necessary to restrain1 either our natural and1 perhaps1 improper anxiety about our own affairs1 or our natural and1 perhaps1 equally improper indifference about those of other men4 ,the most vulgar education teaches us to act1 upon all important occasions1 with some sort of impartiality between ourselves and others1 and even the ordinary commerce of the world is capable of adjusting our active principles to some degree of propriety4 ,but it is the most artificial and refined education only1 it has been said1 which can correct the inequalities of our passive feelings2 and we must for this purpose1 it has been pretended1 have recourse to the severest1 as well as to the profoundest philosophy4 ,two different sets of philosophers have attempted to teach us this hardest of all the lessons of morality4 ,one set have laboured to increase our sensibility to the interests of others2 another1 to diminish that to our own4 ,the first would have us feel for others as we naturally feel for ourselves4 ,the second would have us feel for ourselves as we naturally feel for others4 ,both1 perhaps1 have carried their doctrines a good deal beyond the just standard of nature and propriety4 ,the first are those whining and melancholy moralists1 who are perpetually reproaching us with our happiness1 while so many of our brethren are in misery1#a99 who regard as impious the natural joy of #abb prosperity1 which does not think of the many wretches that are at every instant labouring under all sorts of calamities1 in the languor of poverty1 in the agony of disease1 in the horrors of death1 under the insults and oppressions of their enemies4 ,commiseration for those miseries which we never saw1 which we never heard of1 but which we may be assured are at all times infesting such numbers of our fellow-creatures1 ought1 they think1 to damp the pleasures of the fortunate1 and to render a certain melancholy dejection habitual to all men4 ,but first of all1 this extreme sympathy with misfortunes which we know nothing about1 seems altogether absurd and unreasonable4 ,take the whole earth at an average1 for one man who suffers pain or misery1 you will find twenty in prosperity and joy1 or at least in tolerable circumstances4 ,no reason1 surely1 can be assigned why we should rather weep with the one than rejoice with the twenty4 ,this artificial commiseration1 besides1 is not only absurd1 but seems altogether unattainable2 and those who affect this character have commonly nothing but a certain affected and sentimental sadness1 which1 without reaching the heart1 serves only to render the countenance and conversation impertinently dismal and disagreeable4 ,and last of all1 this disposition of mind1 though it could be attained1 would be perfectly useless1 and could serve no other purpose than to render miserable the person who possessed it4 ,whatever interest we take in the fortune of those with whom we have no acquaintance or connexion1 and who are placed altogether out of the sphere of our activity1 can produce only anxiety to ourselves without any manner of advantage to them4 ,to what purpose should we trouble ourselves about the world in the moon8 ,all men1 even those at the greatest distance1 are no doubt entitled to our good wishes1 and our good wishes we naturally give them4 ,but if1 notwithstanding1 they should be unfortunate1 to give ourselves any anxiety upon that account1 seems to be no part of our duty4 ,that we should be but little interested1 therefore1 in the fortune of those whom we can neither serve nor hurt1 and who are in every respect so very remote from us1 seems wisely ordered by nature2 and if it were possible to alter in this respect the original constitution of our frame1 we could yet gain nothing by the change4 ,footnote #a993 ,ah6 little think the gay licentious proud1 c4 ,see ,thomson's ,seasons1 ,winter4 ,see also ,pascal4 ,it is never objected to us that we have too little fellow-feeling with the joy of success4 ,wherever envy does not prevent it1 the favour which we bear to prosperity is rather apt to be too great2 and the same moralists who blame us for want of sufficient sympathy with the miserable1 reproach us for the levity with which we are too apt to admire and almost to worship the fortunate and the powerful4 ,among the moralists who endeavour to correct the natural inequality of our passive feelings by diminishing our sensibility to what peculiarly concerns ourselves1 we may count all the ancient sects of philosophers1 but particularly the ancient ,stoics4 ,man1 according to the ,stoics1 #abc ought to regard himself1 not as something separated and detached1 but as a citizen of the world1 a member of the vast commonwealth of nature4 ,to the interest of this great community1 he ought at all times to be willing that his own little interest should be sacrificed4 ,whatever concerns himself1 ought to affect him no more than whatever concerns any other equally important part of this immense system4 ,we should view ourselves1 not in the light in which our own selfish passions are apt to place us1 but in the light in which any other citizen of the world would view us4 ,what befalls ourselves we should regard as what befalls our neighbour1 or1 what comes to the same thing1 as our neighbour regards what befalls us4 ',when our neighbour1' says ,epictetus1 'loses his wife1 or his son1 there is nobody who is not sensible that this is a human calamity1 a natural event altogether according to the ordinary course of things2 but when the same thing happens to ourselves1 then we cry out1 as if we had suffered the most dreadful misfortune4 ,we ought1 however1 to remember how we were affected when this accident happened to another1 and such as we were in his case1 such ought we to be in our own4' ,those private misfortunes1 for which our feelings are apt to go beyond the bounds of propriety1 are of two different kinds4 ,they are either such as affect us only indirectly1 by affecting1 in the first place1 some other persons who are particularly dear to us2 such as our parents1 our children1 our brothers and sisters1 our intimate friends2 or they are such as affect ourselves immediately and directly1 either in our body1 in our fortune1 or in our reputation2 such as pain1 sickness1 approaching death1 poverty1 disgrace1 etc4 ,in misfortunes of the first kind1 our emotions may1 no doubt1 go very much beyond what exact propriety will admit of2 but they may likewise fall short of it1 and they frequently do so4 ,the man who should feel no more for the death or distress of his own father1 or son1 than for those of any other man's father or son1 would appear neither a good son nor a good father4 ,such unnatural indifference1 far from exciting our applause1 would incur our highest disapprobation4 ,of these domestic affections1 however1 some are most apt to offend by their excess1 and others by their defect4 ,nature1 for the wisest purposes1 has rendered1 in most men1 perhaps in all men1 parental tenderness a much stronger affection than filial piety4 ,the continuance and propagation of the species depend altogether upon the former1 and not upon the latter4 ,in ordinary cases1 the existence and preservation of the child depend altogether upon the care of the parents4 ,those of the parents seldom depend upon that of the child4 ,nature1 therefore1 has rendered the former affection so strong1 that it generally requires not to be excited1 but to be moderated2 and moralists seldom endeavour to teach us how to indulge1 but generally how to restrain our fondness1 our excessive attachment1 the unjust preference which we #abd are disposed to give to our own children above those of other people4 ,they exhort us1 on the contrary1 to an affectionate attention to our parents1 and to make a proper return to them1 in their old age1 for the kindness which they had shown to us in our infancy and youth4 ,in the ,decalogue we are commanded to honour our fathers and mothers4 ,no mention is made of the love of our children4 ,nature has sufficiently prepared us for the performance of this latter duty4 ,men are seldom accused of affecting to be fonder of their children than they really are4 ,they have sometimes been suspected of displaying their piety to their parents with too much ostentation4 ,the ostentatious sorrow of widows has1 for a like reason1 been suspected of insincerity4 ,we should respect1 could we believe it sincere1 even the excess of such kind affections2 and though we might not perfectly approve1 we should not severely condemn it4 ,that it appears praise-worthy1 at least in the eyes of those who affect it1 the very affectation is a proof4 ,even the excess of those kind affections which are most apt to offend by their excess1 though it may appear blamable1 never appears odious4 ,we blame the excessive fondness and anxiety of a parent1 as something which may1 in the end1 prove hurtful to the child1 and which1 in the mean time1 is excessively inconvenient to the parent2 but we easily pardon it1 and never regard it with hatred and detestation4 ,but the defect of this usually excessive affection appears always peculiarly odious4 ,the man who appears to feel nothing for his own children1 but who treats them upon all occasions with unmerited severity and harshness1 seems of all brutes the most detestable4 ,the sense of propriety1 so far from requiring us to eradicate altogether that extraordinary sensibility which we naturally feel for the misfortunes of our nearest connections1 is always much more offended by the defect1 than it ever is by the excess of that sensibility4 ,the stoical apathy is1 in such cases1 never agreeable1 and all the metaphysical sophism by which it is supported can seldom serve any other purpose than to blow up the hard insensibility of a coxcomb to ten times its native impertinence4 ,the poets and romance writers1 who best paint the refinements and delicacies of love and friendship1 and of all other private and domestic affections1 ,racine and ,voltaire2 ,richardson1 ,maurivaux1 and ,riccoboni2 are1 in such cases1 much better instructors than the philosophers ,zeno1 ,chrysippus1 or ,epictetus4 ,that moderated sensibility to the misfortunes of others1 which does not disqualify us for the performance of any duty2 the melancholy and affectionate remembrance of our departed friends2 the pang1 as ,gray says1 to secret sorrow dear2 are by no means undelicious sensations4 ,though they outwardly wear the features of pain and grief1 they are all inwardly stamped with the ennobling characters of virtue and of self-approbation4 ,it is otherwise in the misfortunes which affect ourselves immediately #abe and directly1 either in our body1 in our fortune1 or in our reputation4 ,the sense of propriety is much more apt to be offended by the excess1 than by the defect of our sensibility1 and there are but few cases in which we can approach too near to the stoical apathy and indifference4 ,that we have very little fellow-feeling with any of the passions which take their origin from the body1 has already been observed4 ,that pain which is occasioned by an evident cause2 such as1 the cutting or tearing of the flesh2 is1 perhaps1 the affection of the body with which the spectator feels the most lively sympathy4 ,the approaching death of his neighbour1 too1 seldom fails to affect him a good deal4 ,in both cases1 however1 he feels so very little in comparison of what the person principally concerned feels1 that the latter can scarce ever offend the former by appearing to suffer with too much ease4 ,the mere want of fortune1 mere poverty1 excites little compassion4 ,its complaints are too apt to be the objects rather of contempt than of fellow-feeling4 ,we despise a beggar2 and1 though his importunities may extort an alms from us1 he is scarce ever the object of any serious commiseration4 ,the fall from riches to poverty1 as it commonly occasions the most real distress to the sufferer1 so it seldom fails to excite the most sincere commiseration in the spectator4 ,though1 in the present state of society1 this misfortune can seldom happen without some misconduct1 and some very considerable misconduct too1 in the sufferer2 yet he is almost always so much pitied that he is scarce ever allowed to fall into the lowest state of poverty2 but by the means of his friends1 frequently by the indulgence of those very creditors who have much reason to complain of his imprudence1 is almost always supported in some degree of decent1 though humble1 mediocrity4 ,to persons under such misfortunes1 we could1 perhaps1 easily pardon some degree of weakness2 but at the same time1 they who carry the firmest countenance1 who accommodate themselves with the greatest ease to their new situation1 who seem to feel no humiliation from the change1 but to rest their rank in the society1 not upon their fortune1 but upon their character and conduct1 are always the most approved of1 and command our highest and most affectionate admiration4 ,as1 of all the external misfortunes which can affect an innocent man immediately and directly1 the undeserved loss of reputation is certainly the greatest2 so a considerable degree of sensibility to whatever can bring on so great a calamity1 does not always appear ungraceful or disagreeable4 ,we often esteem a young man the more1 when he resents1 though with some degree of violence1 any unjust reproach that may have been thrown upon his character or his honour4 ,the affliction of an innocent young lady1 on account of the groundless surmises which may have been circulated concerning her conduct1 appears often perfectly amiable4 ,persons of an advanced age1 whom long experience of the folly and injustice of the world has taught to pay little regard1 #abf either to its censure or to its applause1 neglect and despise obloquy1 and do not even deign to honour its futile authors with any serious resentment4 ,this indifference1 which is founded altogether on a firm confidence in their own well-tried and well-established characters1 would be disagreeable in young people1 who neither can nor ought to have any such confidence4 ,it might in them be supposed to forebode1 in their advancing years1 a most improper insensibility to real honour and infamy of character4 ,in all other private misfortunes which affect ourselves immediately and directly1 we can very seldom offend by appearing to be too little affected4 ,we frequently remember our sensibility to the misfortunes of others with pleasure and satisfaction4 ,we can seldom remember that to our own1 without some degree of shame and humiliation4 ,if we examine the different shades and gradations of weakness and self-command1 as we meet with them in common life1 we shall very easily satisfy ourselves that this control of our passive feeling must be acquired1 not from the abstruse syllogisms of a quibbling dialectic1 but from that great discipline which ,nature has established for the acquisition of this and of every other virtue2 a regard to the sentiments of the real or supposed spectator of our conduct4 ,a very young child has no self-command2 but1 whatever are its emotions1 whether fear1 or grief1 or anger1 it endeavours always1 by the violence of his outcries1 to alarm1 as much as it can1 the attention of its nurse or of its parents4 ,while it remains under the custody of such partial protectors1 its anger is the first and1 perhaps1 the only passion which it is taught to moderate4 ,by noise and threatening they are1 for their own ease1 often obliged to frighten it into good temper2 and the passion which incites it to attack1 is restrained by that which teaches it to attend to its own safety4 ,when it is old enough to go to school1 or to mix with its equals1 it soon finds that they have no such indulgent partiality4 ,it naturally wishes to gain their favour1 and to avoid their hatred or contempt4 ,regard even to its own safety teaches it to do so2 and it soon finds that it can do so in no other way than by moderating not only its anger1 but all its other passions1 to the degree which its play-fellows and companions are likely to be pleased with4 ,it thus enters into the great school of self-command1 it studies to be more and more master of itself1 and begins to exercise over its own feelings a discipline which the practice of the longest life is very seldom sufficient to bring to complete perfection4 ,in all private misfortunes1 in pain1 in sickness1 in sorrow1 the weakest man1 when his friend1 and still more when a stranger visits him1 is immediately impressed with the view in which they are likely to look upon his situation4 ,their view calls off his attention from his own view2 and his breast is1 in some measure1 becalmed the moment they come into his presence4 ,this effect is produced instantaneously and1 #abg as it were1 mechanically2 but1 with a weak man1 it is not of long continuance4 ,his own view of his situation immediately recurs upon him4 ,he abandons himself1 as before1 to sighs and tears and lamentations2 and endeavours1 like a child that has not yet gone to school1 to produce some sort of harmony between his own grief and the compassion of the spectator1 not by moderating the former1 but by importunately calling upon the latter4 ,with a man of a little more firmness1 the effect is somewhat more permanent4 ,he endeavours1 as much as he can1 to fix his attention upon the view which the company are likely to take of his situation4 ,he feels1 at the same time1 the esteem and approbation which they naturally conceive for him when he thus preserves his tranquillity2 and1 though under the pressure of some recent and great calamity1 appears to feel for himself no more than what they really feel for him4 ,he approves and applauds himself by sympathy with their approbation1 and the pleasure which he derives from this sentiment supports and enables him more easily to continue this generous effort4 ,in most cases he avoids mentioning his own misfortune2 and his company1 if they are tolerably well bred1 are careful to say nothing which can put him in mind of it4 ,he endeavours to entertain them1 in his usual way1 upon indifferent subjects1 or1 if he feels himself strong enough to venture to mention his misfortune1 he endeavours to talk of it as1 he thinks1 they are capable of talking of it1 and even to feel it no further than they are capable of feeling it4 ,if he has not1 however1 been well inured to the hard discipline of self-command1 he soon grows weary of this restraint4 ,a long visit fatigues him2 and1 towards the end of it1 he is constantly in danger of doing1 what he never fails to do the moment it is over1 of abandoning himself to all the weakness of excessive sorrow4 ,modern good manners1 which are extremely indulgent to human weakness1 forbid1 for some time1 the visits of strangers to persons under great family distress1 and permit those only of the nearest relations and most intimate friends4 ,the presence of the latter1 it is thought1 will impose less restraint than that of the former2 and the sufferers can more easily accommodate themselves to the feelings of those1 from whom they have reason to expect a more indulgent sympathy4 ,secret enemies1 who fancy that they are not known to be such1 are frequently fond of making those charitable visits as early as the most intimate friends4 ,the weakest man in the world1 in this case1 endeavours to support his manly countenance1 and1 from indignation and contempt of their malice to behave with as much gaiety and ease as he can4 ,the man of real constancy and firmness1 the wise and just man who has been thoroughly bred in the great school of self-command1 in the bustle and business of the world1 exposed1 perhaps1 to the violence and injustice of faction1 and to the hardships and hazards of war1 maintains this control of his passive feelings upon all occasions2 and whether in #abh solitude or in society1 wears nearly the same countenance1 and is affected very nearly in the same manner4 ,in success and in disappointment1 in prosperity and in adversity1 before friends and before enemies1 he has often been under the necessity of supporting this manhood4 ,he has never dared to forget for one moment the judgment which the impartial spectator would pass upon his sentiments and conduct4 ,he has never dared to suffer the man within his breast to be absent one moment from his attention4 ,with the eyes of this great inmate he has always been accustomed to regard whatever relates to himself4 ,this habit has become perfectly familiar to him4 ,he has been in the constant practice1 and1 indeed1 under the constant necessity1 of modelling1 or of endeavouring to model1 not only his outward conduct and behaviour1 but1 as much as he can1 even his inward sentiments and feelings1 according to those of this awful and respectable judge4 ,he does not merely affect the sentiments of the impartial spectator4 ,he really adopts them4 ,he almost identifies himself with1 he almost becomes himself that impartial spectator1 and scarce even feels but as that great arbiter of his conduct directs him to feel4 ,the degree of the self-approbation with which every man1 upon such occasions1 surveys his own conduct1 is higher or lower1 exactly in proportion to the degree of self-command which is necessary in order to obtain that self-approbation4 ,where little self-command is necessary1 little self-approbation is due4 ,the man who has only scratched his finger1 cannot much applaud himself1 though he should immediately appear to have forgot this paltry misfortune4 ,the man who has lost his leg by a cannon shot1 and who1 the moment after1 speaks and acts with his usual coolness and tranquillity1 as he exerts a much higher degree of self-command1 so he naturally feels a much higher degree of self-approbation4 ,with most men1 upon such an accident1 their own natural view of their own misfortune would force itself upon them with such a vivacity and strength of colouring1 as would entirely efface all thought of every other view4 ,they would feel nothing1 they could attend to nothing1 but their own pain and their own fear2 and not only the judgment of the ideal man within the breast1 but that of the real spectators who might happen to be present1 would be entirely overlooked and disregarded4 ,the reward which ,nature bestows upon good behaviour under misfortune1 is thus exactly proportioned to the degree of that good behaviour4 ,the only compensation she could possibly make for the bitterness of pain and distress is thus1 too1 in equal degrees of good behaviour1 exactly proportioned to the degree of that pain and distress4 ,in proportion to the degree of self-command which is necessary in order to conquer our natural sensibility1 the pleasure and pride of the conquest are so much the greater2 and this pleasure and pride are so great that no man can be altogether unhappy who completely enjoys them4 ,misery #abi and wretchedness can never enter the breast in which dwells complete self-satisfaction2 and though it may be too much1 perhaps1 to say1 with the ,stoics1 that1 under such an accident as that above mentioned1 the happiness of a wise man is in every respect equal to what it could have been under any other circumstances2 yet it must be acknowledged1 at least1 that this complete enjoyment of his own self-applause1 though it may not altogether extinguish1 must certainly very much alleviate his sense of his own sufferings4 ,in such paroxysms of distress1 if ,i may be allowed to call them so1 the wisest and firmest man1 in order to preserve his equanimity1 is obliged1 ,i imagine1 to make a considerable1 and even a painful exertion4 ,his own natural feeling of his own distress1 his own natural view of his own situation1 presses hard upon him1 and he cannot1 without a very great effort1 fix his attention upon that of the impartial spectator4 ,both views present themselves to him at the same time4 ,his sense of honour1 his regard to his own dignity1 directs him to fix his whole attention upon the one view4 ,his natural1 his untaught1 and undisciplined feelings1 are continually calling it off to the other4 ,he does not1 in this case1 perfectly identify himself with the ideal man within the breast1 he does not become himself the impartial spectator of his own conduct4 ,the different views of both characters exist in his mind separate and distinct from one another1 and each directing him to a behaviour different from that to which the other directs him4 ,when he follows that view which honour and dignity point out to him1 ,nature does not1 indeed1 leave him without a recompense4 ,he enjoys his own complete self-approbation1 and the applause of every candid and impartial spectator4 ,by her unalterable laws1 however1 he still suffers2 and the recompense which she bestows1 though very considerable1 is not sufficient completely to compensate the sufferings which those laws inflict4 ,neither is it fit that it should4 ,if it did completely compensate them1 he could1 from self-interest1 have no motive for avoiding an accident which must necessarily diminish his utility both to himself and to society2 and ,nature1 from her parental care of both1 meant that he should anxiously avoid all such accidents4 ,he suffers1 therefore2 and though in the agony of the paroxysm1 he maintains1 not only the manhood of his countenance1 but sedateness and sobriety of judgment1 it requires his utmost and most fatiguing exertions to do so4 ,by the constitution of human nature1 however1 agony can never be permanent2 and1 if he survives the paroxysm1 he soon comes1 without any effort1 to enjoy his ordinary tranquillity4 ,a man with a wooden leg suffers1 no doubt1 and foresees that he must continue to suffer during the remainder of his life1 a very considerable inconveniency4 ,he soon comes to view it1 however1 exactly as every impartial spectator views it2 as an inconveniency under which he can enjoy all the ordinary pleasures both of solitude and of society4 ,he soon identifies #acj himself with the ideal man within the breast1 he soon becomes himself the impartial spectator of his own situation4 ,he no longer weeps1 he no longer laments1 he no longer grieves over it1 as a weak man may sometimes do in the beginning4 ,the view of the impartial spectator becomes so perfectly habitual to him1 that1 without effort1 without exertion1 he never thinks of surveying his misfortune in any other view4 ,the never-failing certainty with which all men1 sooner or later1 accommodate themselves to whatever becomes their permanent situation1 may1 perhaps1 induce us to think that the ,stoics were1 at least1 thus far very nearly in the right2 that1 between one permanent situation and another1 there was1 with regard to real happiness1 no essential difference3 or that1 if there were any difference1 it was no more than just sufficient to render some of them the objects of simple choice or preference2 but not of any earnest or anxious desire3 and others1 of simple rejection1 as being fit to be set aside or avoided2 but not of any earnest or anxious aversion4 ,happiness consists in tranquillity and enjoyment4 ,without tranquillity there can be no enjoyment2 and where there is perfect tranquillity there is scarce any thing which is not capable of amusing4 ,but in every permanent situation1 where there is no expectation of change1 the mind of every man1 in a longer or shorter time1 returns to its natural and usual state of tranquillity4 ,in prosperity1 after a certain time1 it falls back to that state2 in adversity1 after a certain time1 it rises up to it4 ,in the confinement and solitude of the ,bastile1 after a certain time1 the fashionable and frivolous ,count de ,lauzun recovered tranquillity enough to be capable of amusing himself with feeding a spider4 ,a mind better furnished would1 perhaps1 have both sooner recovered its tranquillity1 and sooner found1 in its own thoughts1 a much better amusement4 ,the great source of both the misery and disorders of human life1 seems to arise from over-rating the difference between one permanent situation and another4 ,avarice over-rates the difference between poverty and riches3 ambition1 that between a private and a public station3 vain-glory1 that between obscurity and extensive reputation4 ,the person under the influence of any of those extravagant passions1 is not only miserable in his actual situation1 but is often disposed to disturb the peace of society1 in order to arrive at that which he so foolishly admires4 ,the slightest observation1 however1 might satisfy him1 that1 in all the ordinary situations of human life1 a well-disposed mind may be equally calm1 equally cheerful1 and equally contented4 ,some of those situations may1 no doubt1 deserve to be preferred to others3 but none of them can deserve to be pursued with that passionate ardour which drives us to violate the rules either of prudence or of justice2 or to corrupt the future tranquillity of our minds1 either by shame from the remembrance of our own folly1 or by remorse from the horror of our own injustice4 ,wherever prudence does not direct1 #aca wherever justice does not permit1 the attempt to change our situation1 the man who does attempt it1 plays at the most unequal of all games of hazard1 and stakes every thing against scarce any thing4 ,what the favourite of the ,king of ,epirus said to his master1 may be applied to men in all the ordinary situations of human life4 ,when the king had recounted to him1 in their proper order1 all the conquests which he proposed to make1 and had come to the last of them2 ,and what does your ,majesty propose to do then8 said the favourite3--,i propose then1 said the king1 to enjoy myself with my friends1 and endeavour to be good company over a bottle4--,and what hinders your ,majesty from doing so now8 replied the favourite4 ,in the most glittering and exalted situation that our idle fancy can hold out to us1 the pleasures from which we propose to derive our real happiness1 are almost always the same with those which1 in our actual1 though humble station1 we have at all times at hand1 and in our power4 ,except the frivolous pleasures of vanity and superiority1 we may find1 in the most humble station1 where there is only personal liberty1 every other which the most exalted can afford2 and the pleasures of vanity and superiority are seldom consistent with perfect tranquillity1 the principle and foundation of all real and satisfactory enjoyment4 ,neither is it always certain that1 in the splendid situation which we aim at1 those real and satisfactory pleasures can be enjoyed with the same security as in the humble one which we are so very eager to abandon4 ,examine the records of history1 recollect what has happened within the circle of your own experience1 consider with attention what has been the conduct of almost all the greatly unfortunate1 either in private or public life1 whom you may have either read of1 or heard of1 or remember2 and you will find that the misfortunes of by far the greater part of them have arisen from their not knowing when they were well1 when it was proper for them to sit still and to be contented4 ,the inscription upon the tomb-stone of the man who had endeavoured to mend a tolerable constitution by taking physic2 ',i was well2 ,i wished to be better2 here ,i am2' may generally be applied with great justness to the distress of disappointed avarice and ambition4 ,it may be thought a singular1 but ,i believe it to be a just1 observation1 that1 in the misfortunes which admit of some remedy1 the greater part of men do not either so readily or so universally recover their natural and usual tranquillity1 as in those which plainly admit of none4 ,in misfortunes of the latter kind1 it is chiefly in what may be called the paroxysm1 or in the first attack1 that we can discover any sensible difference between the sentiments and behaviour of the wise and those of the weak man4 ,in the end1 ,time1 the great and universal comforter1 gradually composes the weak man to the same degree of tranquillity which a regard to his own dignity1 which manhood teaches the wise man to assume in the beginning4 ,the case of the man with the wooden #acb leg is an obvious example of this4 ,in the irreparable misfortunes occasioned by the death of children1 or of friends and relations1 even a wise man may for some time indulge himself in some degree of moderated sorrow4 ,an affectionate1 but weak woman1 is often1 upon such occasions1 almost perfectly distracted4 ,time1 however1 in a longer or shorter period1 never fails to compose the weakest woman to the same degree of tranquillity as the strongest man4 ,in all the irreparable calamities which affect himself immediately and directly1 a wise man endeavours1 from the beginning1 to anticipate and to enjoy before-hand1 that tranquillity which he foresees the course of a few months1 or a few years1 will certainly restore to him in the end4 ,in the misfortunes for which the nature of things admits1 or seems to admit1 of a remedy1 but in which the means of applying that remedy are not within the reach of the sufferer1 his vain and fruitless attempts to restore himself to his former situation1 his continual anxiety for their success1 his repeated disappointments upon their miscarriage1 are what chiefly hinder him from resuming his natural tranquillity1 and frequently render miserable1 during the whole of his life1 a man to whom a greater misfortune1 but which plainly admitted of no remedy1 would not have given a fortnight's disturbance4 ,in the fall from royal favour to disgrace1 from power to insignificancy1 from riches to poverty1 from liberty to confinement1 from strong health to some1 lingering1 chronical1 and perhaps incurable disease1 the man who struggles the least1 who most easily and readily acquiesces in the fortune which has fallen to him1 very soon recovers his usual and natural tranquillity1 and surveys the most disagreeable circumstances of his actual situation in the same light1 or1 perhaps1 in a much less unfavourable light1 than that in which the most indifferent spectator is disposed to survey them4 ,faction1 intrigue1 and cabal1 disturb the quiet of the unfortunate statesman4 ,extravagant projects1 visions of gold mines1 interrupt the repose of the ruined bankrupt4 ,the prisoner1 who is continually plotting to escape from his confinement1 cannot enjoy that careless security which even a prison can afford him4 ,the medicines of the physician are often the greatest torment of the incurable patient4 ,the monk who1 in order to comfort ,joanna of ,castile1 upon the death of her husband ,philip1 told her of a king1 who1 fourteen years after his decease1 had been restored to life again1 by the prayers of his afflicted queen1 was not likely1 by his legendary tale1 to restore sedateness to the distempered mind of that unhappy princess4 ,she endeavoured to repeat the same experiment in hopes of the same success2 resisted for a long time the burial of her husband1 soon after raised his body from the grave1 attended it almost constantly herself1 and watched1 with all the impatient anxiety of frantic expectation1 the happy moment when her wishes were to be gratified by the revival of her beloved ,philip4#d ,footnote #d3 ,see ,robertson's ,charles ,v4 vol4 ii4 pp4 #ad and #ae1 first edit4 #acc ,our sensibility to the feelings of others1 so far from being inconsistent with the manhood of self-command1 is the very principle upon which that manhood is founded4 ,the very same principle or instinct which1 in the misfortune of our neighbour1 prompts us to compassionate his sorrow2 in our own misfortune1 prompts us to restrain the abject and miserable lamentations of our own sorrow4 ,the same principle or instinct which1 in his prosperity and success1 prompts us to congratulate his joy2 in our own prosperity and success1 prompts us to restrain the levity and intemperance of our own joy4 ,in both cases1 the propriety of our own sentiments and feelings seems to be exactly in proportion to the vivacity and force with which we enter into and conceive his sentiments and feelings4 ,the man of the most perfect virtue1 the man whom we naturally love and revere the most1 is he who joins1 to the most perfect command of his own original and selfish feelings1 the most exquisite sensibility both to the original and sympathetic feelings of others4 ,the man who1 to all the soft1 the amiable1 and the gentle virtues1 joins all the great1 the awful1 and the respectable1 must surely be the natural and proper object of our highest love and admiration4 ,the person best fitted by nature for acquiring the former of those two sets of virtues1 is likewise necessarily best fitted for acquiring the latter4 ,the man who feels the most for the joys and sorrows of others1 is best fitted for acquiring the most complete control of his own joys and sorrows4 ,the man of the most exquisite humanity1 is naturally the most capable of acquiring the highest degree of self-command4 ,he may not1 however1 always have acquired it2 and it very frequently happens that he has not4 ,he may have lived too much in ease and tranquillity4 ,he may have never been exposed to the violence of faction1 or to the hardships and hazards of war4 ,he may have never experienced the insolence of his superiors1 the jealous and malignant envy of his equals1 or the pilfering injustice of his inferiors4 ,when1 in an advanced age1 some accidental change of fortune exposes him to all these1 they all make too great an impression upon him4 ,he has the disposition which fits him for acquiring the most perfect self-command2 but he has never had the opportunity of acquiring it4 ,exercise and practice have been wanting2 and without these no habit can ever be tolerably established4 ,hardships1 dangers1 injuries1 misfortunes1 are the only masters under whom we can learn the exercise of this virtue4 ,but these are all masters to whom nobody willingly puts himself to school4 ,the situations in which the gentle virtue of humanity can be most happily cultivated1 are by no means the same with those which are best fitted for forming the austere virtue of self-command4 ,the man who is himself at ease can best attend to the distress of others4 ,the man who is himself exposed to hardships is most immediately called #acd upon to attend to1 and to control his own feelings4 ,in the mild sunshine of undisturbed tranquillity1 in the calm retirement of undissipated and philosophical leisure1 the soft virtue of humanity flourishes the most1 and is capable of the highest improvement4 ,but1 in such situations1 the greatest and noblest exertions of self-command have little exercise4 ,under the boisterous and stormy sky of war and faction1 of public tumult and confusion1 the sturdy severity of self-command prospers the most1 and can be the most successfully cultivated4 ,but1 in such situations1 the strongest suggestions of humanity must frequently be stifled or neglected2 and every such neglect necessarily tends to weaken the principle of humanity4 ,as it may frequently be the duty of a soldier not to take1 so it may sometimes be his duty not to give quarter2 and the humanity of the man who has been several times under the necessity of submitting to this disagreeable duty1 can scarce fail to suffer a considerable diminution4 ,for his own ease1 he is too apt to learn to make light of the misfortunes which he is so often under the necessity of occasioning2 and the situations which call forth the noblest exertions of self-command1 by imposing the necessity of violating sometimes the property1 and sometimes the life of our neighbour1 always tend to diminish1 and too often to extinguish altogether1 that sacred regard to both1 which is the foundation of justice and humanity4 ,it is upon this account1 that we so frequently find in the world men of great humanity who have little self-command1 but who are indolent and irresolute1 and easily disheartened1 either by difficulty or danger1 from the most honourable pursuits2 and1 on the contrary1 men of the most perfect self-command1 whom no difficulty can discourage1 no danger appal1 and who are at all times ready for the most daring and desperate enterprises1 but who1 at the same time1 seem to be hardened against all sense either of justice or humanity4 ,in solitude1 we are apt to feel too strongly whatever relates to ourselves3 we are apt to over-rate the good offices we may have done1 and the injuries we may have suffered3 we are apt to be too much elated by our own good1 and too much dejected by our own bad fortune4 ,the conversation of a friend brings us to a better1 that of a stranger to a still better1 temper4 ,the man within the breast1 the abstract and ideal spectator of our sentiments and conduct1 requires often to be awakened and put in mind of his duty1 by the presence of the real spectator3 and it is always from that spectator1 from whom we can expect the least sympathy and indulgence1 that we are likely to learn the most complete lesson of self-command4 ,are you in adversity8 ,do not mourn in the darkness of solitude1 do not regulate your sorrow according to the indulgent sympathy of your intimate friends2 return1 as soon as possible1 to the daylight of the world and of society4 ,live with strangers1 with those who know nothing1 or care nothing about your misfortune2 do not even shun the #ace company of enemies2 but give yourself the pleasure of mortifying their malignant joy1 by making them feel how little you are affected by your calamity1 and how much you are above it4 ,are you in prosperity8 ,do not confine the enjoyment of your good fortune to your own house1 to the company of your own friends1 perhaps of your flatterers1 of those who build upon your fortune the hopes of mending their own2 frequent those who are independent of you1 who can value you only for your character and conduct1 and not for your fortune4 ,neither seek nor shun1 neither intrude yourself into nor run away from the society of those who were once your superiors1 and who may be hurt at finding you their equal1 or1 perhaps1 even their superior4 ,the impertinence of their pride may1 perhaps1 render their company too disagreeable3 but if it should not1 be assured that it is the best company you can possibly keep2 and if1 by the simplicity of your unassuming demeanour1 you can gain their favour and kindness1 you may rest satisfied that you are modest enough1 and that your head has been in no respect turned by your good fortune4 ,the propriety of our moral sentiments is never so apt to be corrupted1 as when the indulgent and partial spectator is at hand1 while the indifferent and impartial one is at a great distance4 ,of the conduct of one independent nation towards another1 neutral nations are the only indifferent and impartial spectators4 ,but they are placed at so great a distance that they are almost quite out of sight4 ,when two nations are at variance1 the citizen of each pays little regard to the sentiments which foreign nations may entertain concerning his conduct4 ,his whole ambition is to obtain the approbation of his own fellow-citizens2 and as they are all animated by the same hostile passions which animate himself1 he can never please them so much as by enraging and offending their enemies4 ,the partial spectator is at hand3 the impartial one at a great distance4 ,in war and negotiation1 therefore1 the laws of justice are very seldom observed4 ,truth and fair dealing are almost totally disregarded4 ,treaties are violated2 and the violation1 if some advantage is gained by it1 sheds scarce any dishonour upon the violator4 ,the ambassador who dupes the minister of a foreign nation1 is admired and applauded4 ,the just man who disdains either to take or to give any advantage1 but who would think it less dishonourable to give than to take one2 the man who1 in all private transactions1 would be the most beloved and the most esteemed2 in those public transactions is regarded as a fool and an idiot1 who does not understand his business2 and he incurs always the contempt1 and sometimes even the detestation of his fellow-citizens4 ,in war1 not only what are called the laws of nations1 are frequently violated1 without bringing 7among his own fellow-citizens1 whose judgments he only regards7 any considerable dishonour upon the violator2 but those laws themselves are1 the greater part of them1 laid down with #acf very little regard to the plainest and most obvious rules of justice4 ,that the innocent1 though they may have some connexion or dependency upon the guilty 7which1 perhaps1 they themselves cannot help71 should not1 upon that account1 suffer or be punished for the guilty1 is one of the plainest and most obvious rules of justice4 ,in the most unjust war1 however1 it is commonly the sovereign or the rulers only who are guilty4 ,the subjects are almost always perfectly innocent4 ,whenever it suits the conveniency of a public enemy1 however1 the goods of the peaceable citizens are seized both at land and at sea2 their lands are laid waste1 their houses are burnt1 and they themselves1 if they presume to make any resistance1 are murdered or led into captivity2 and all this in the most perfect conformity to what are called the laws of nations4 ,the animosity of hostile factions1 whether civil or ecclesiastical1 is often still more furious than that of hostile nations2 and their conduct towards one another is often still more atrocious4 ,what may be called the laws of faction have often been laid down by grave authors with still less regard to the rules of justice than what are called the laws of nations4 ,the most ferocious patriot never stated it as a serious question1 ,whether faith ought to be kept with public enemies8--,whether faith ought to be kept with rebels8 ,whether faith ought to be kept with heretics8 are questions which have been often furiously agitated by celebrated doctors both civil and ecclesiastical4 ,it is needless to observe1 ,i presume1 that both rebels and heretics are those unlucky persons1 who1 when things have come to a certain degree of violence1 have the misfortune to be of the weaker party4 ,in a nation distracted by faction1 there are1 no doubt1 always a few1 though commonly but a very few1 who preserve their judgment untainted by the general contagion4 ,they seldom amount to more than1 here and there1 a solitary individual1 without any influence1 excluded1 by his own candour1 from the confidence of either party1 and who1 though he may be one of the wisest1 is necessarily1 upon that very account1 one of the most insignificant men in the society4 ,all such people are held in contempt and derision1 frequently in detestation1 by the zealots of both parties4 ,a true party-man hates and despises candour2 and1 in reality1 there is no vice which could so effectually disqualify him for the trade of a party-man as that single virtue4 ,the real1 revered1 and impartial spectator1 therefore1 is1 upon no occasion1 at a greater distance than amidst the violence and rage of contending parties4 ,to them1 it may be said1 that such a spectator scarce exists any where in the universe4 ,even to the great ,judge of the universe1 they impute all their own prejudices1 and often view that ,divine ,being as animated by all their own vindictive and implacable passions4 ,of all the corrupters of moral sentiments1 therefore1 faction and fanaticism have always been by far the greatest4 #acg ,concerning the subject of self-command1 ,i shall only observe further1 that our admiration for the man who1 under the heaviest and most unexpected misfortunes1 continues to behave with fortitude and firmness1 always supposes that his sensibility to those misfortunes is very great1 and such as it requires a very great effort to conquer or command4 ,the man who was altogether insensible to bodily pain1 could deserve no applause from enduring the torture with the most perfect patience and equanimity4 ,the man who had been created without the natural fear of death1 could claim no merit from preserving his coolness and presence of mind in the midst of the most dreadful dangers4 ,it is one of the extravagancies of ,seneca1 that the ,stoical wise man was1 in this respect1 superior even to a god2 that the security of the god was altogether the benefit of nature1 which had exempted him from suffering2 but that the security of the wise man was his own benefit1 and derived altogether from himself and from his own exertions4 ,the sensibility of some men1 however1 to some of the objects which immediately affect themselves1 is sometimes so strong as to render all self-command impossible4 ,no sense of honour can control the fears of the man who is weak enough to faint1 or to fall into convulsions1 upon the approach of danger4 ,whether such weakness of nerves1 as it has been called1 may not1 by gradual exercise and proper discipline1 admit of some cure1 may1 perhaps1 be doubtful4 ,it seems certain that it ought never to be trusted or employed4 ----- ,,chap4 ,,iv4--,of the ,nature of ,self-deceit1 and of the ,origin and ,use of general ,rules4 ,,in order to pervert the rectitude of our own judgments concerning the propriety of our own conduct1 it is not always necessary that the real and impartial spectator should be at a great distance4 ,when he is at hand1 when he is present1 the violence and injustice of our own selfish passions are sometimes sufficient to induce the man within the breast to make a report very different from what the real circumstances of the case are capable of authorising4 ,there are two different occasions upon which we examine our own conduct1 and endeavour to view it in the light in which the impartial spectator would view it3 first1 when we are about to act2 and secondly1 after we have acted4 ,our views are apt to be very partial in both cases2 but they are apt to be most partial when it is of most importance that they should be otherwise4 ,when we are about to act1 the eagerness of passion will seldom allow us to consider what we are doing1 with the candour of an indifferent person4 ,the violent emotions which at that time agitate us1 discolour our views of things1 even when we are endeavouring to place ourselves #ach in the situation of another1 and to regard the objects that interest us in the light in which they will naturally appear to him4 ,the fury of our own passions constantly calls us back to our own place1 where every thing appears magnified and misrepresented by self-love4 ,of the manner in which those objects would appear to another1 of the view which he would take of them1 we can obtain1 if ,i may say so1 but instantaneous glimpses1 which vanish in a moment1 and which1 even while they last1 are not altogether just4 ,we cannot even for that moment divest ourselves entirely of the heat and keenness with which our peculiar situation inspires us1 nor consider what we are about to do with the complete impartiality of an equitable judge4 ,the passions1 upon this account1 as ,father ,malebranche says1 all justify themselves1 and seem reasonable and proportioned to their objects1 as long as we continue to feel them4 ,when the action is over1 indeed1 and the passions which prompted it have subsided1 we can enter more coolly into the sentiments of the indifferent spectator4 ,what before interested us is now become almost as indifferent to us as it always was to him1 and we can now examine our own conduct with his candour and impartiality4 ,the man of today is no longer agitated by the same passions which distracted the man of yesterday3 and when the paroxysm of emotion1 in the same manner as when the paroxysm of distress1 is fairly over1 we can identify ourselves1 as it were1 with the ideal man within the breast1 and1 in our own character1 view1 as in the one case1 our own situation1 so in the other1 our own conduct1 with the severe eyes of the most impartial spectator4 ,but our judgments now are often of little importance in comparison of what they were before2 and can frequently produce nothing but vain regret and unavailing repentance2 without always securing us from the like errors in time to come4 ,it is seldom1 however1 that they are quite candid even in this case4 ,the opinion which we entertain of our own character depends entirely on our judgment concerning our past conduct4 ,it is so disagreeable to think ill of ourselves1 that we often purposely turn away our view from those circumstances which might render that judgment unfavourable4 ,he is a bold surgeon1 they say1 whose hand does not tremble when he performs an operation upon his own person2 and he is often equally bold who does not hesitate to pull off the mysterious veil of self-delusion1 which covers from his view the deformities of his own conduct4 ,rather than see our own behaviour under so disagreeable an aspect1 we too often1 foolishly and weakly1 endeavour to exasperate anew those unjust passions which had formerly misled us2 we endeavour by artifice to awaken our old hatreds1 and irritate afresh our almost forgotten resentments3 we even exert ourselves for this miserable purpose1 and thus persevere in injustice1 merely because we once were unjust1 and because we are ashamed and afraid to see that we were so4 #aci ,so partial are the views of mankind with regard to the propriety of their own conduct1 both at the time of action and after it2 and so difficult is it for them to view it in the light in which any indifferent spectator would consider it4 ,but if it was by a peculiar faculty1 such as the moral sense is supposed to be1 that they judged of their own conduct1 if they were endued with a particular power of perception which distinguished the beauty or deformity of passions and affections2 as then passions would be more immediately exposed to the view of this faculty1 it would judge more accurately concerning them1 than concerning those of other men1 of which it had only a more distant prospect4 ,this self-deceit1 this fatal weakness of mankind1 is the source of half the disorders of human life4 ,if we saw ourselves in the light in which others see us1 or in which they would see us if they knew all1 a reformation would generally be unavoidable4 ,we could not otherwise endure the sight exposed to us4 ,nature1 however1 has not left this weakness1 which is of so much importance1 altogether without a remedy2 nor has she abandoned us entirely to the delusions of self-love4 ,our continual observations upon the conduct of others1 insensibly lead us to form to ourselves certain general rules concerning what is fit and proper either to be done or to be avoided4 ,some of their actions shock all our natural sentiments4 ,we hear every body about us express the like detestation against them4 ,this still further confirms1 and even exasperates our natural sense of their deformity4 ,it satisfies us that we view them in the proper light1 when we see other people view them in the same light4 ,we resolve never to be guilty of the like1 nor ever1 upon any account1 to render ourselves in this manner the objects of universal disapprobation4 ,we thus naturally lay down to ourselves a general rule1 that all such actions are to be avoided1 as tending to render us odious1 contemptible1 or punishable1 the objects of all those sentiments for which we have the greatest dread and aversion4 ,other actions1 on the contrary1 call forth our approbation1 and we hear every body around us express the same favourable opinion concerning them4 ,every body is eager to honour and reward them4 ,they excite all those sentiments for which we have by nature the strongest desire2 the love1 the gratitude1 the admiration of mankind4 ,we become ambitious of performing the like2 and thus naturally lay down to ourselves a rule of another kind1 that every opportunity of acting in this manner is to be sought after4 ,it is thus that the general rules of morality are formed4 ,they are ultimately founded upon experience of what1 in particular instances1 our moral faculties1 our natural sense of merit and propriety1 approve1 or disapprove of4 ,we do not originally approve or condemn particular actions2 because1 upon examination1 they appear to be agreeable or inconsistent with a certain general rule4 ,the general rule1 on the contrary1 is formed1 by finding from experience1 that all actions of a #adj certain kind1 or circumstanced in a certain manner1 are approved or disapproved of4 ,to the man who first saw an inhuman murder1 committed from avarice1 envy1 or unjust resentment1 and upon one too that loved and trusted the murderer1 who beheld the last agonies of the dying person1 who heard him1 with his expiring breath1 complain more of the perfidy and ingratitude of his false friend1 than of the violence which had been done to him1 there could be no occasion1 in order to conceive how horrible such an action was1 that he should reflect1 that one of the most sacred rules of conduct was what prohibited the taking away the life of an innocent person1 that this was a plain violation of that rule1 and consequently a very blamable action4 ,his detestation of this crime1 it is evident1 would arise instantaneously and antecedent to his having formed to himself any such general rule4 ,the general rule1 on the contrary1 which he might afterwards form1 would be founded upon the detestation which he felt necessarily arise in his own breast1 at the thought of this and every other particular action of the same kind4 ,when we read in history or romance1 the account of actions either of generosity or of baseness1 the admiration which we conceive for the one1 and the contempt which we feel for the other1 neither of them arise from reflecting that there are certain general rules which declare all actions of the one kind admirable1 and all actions of the other contemptible4 ,those general rules1 on the contrary1 are all formed from the experience we have had of the effects which actions of all different kinds naturally produce upon us4 ,an amiable action1 a respectable action1 an horrid action1 are all of them actions which naturally excite for the person who performs them1 the love1 the respect1 or the horror of the spectator4 ,the general rules which determine what actions are1 and what are not1 the objects of each of those sentiments1 can be formed no other way than by observing what actions actually and in fact excite them4 ,when these general rules1 indeed1 have been formed1 when they are universally acknowledged and established1 by the concurring sentiments of mankind1 we frequently appeal to them as to the standards of judgment1 in debating concerning the degree of praise or blame that is due to certain actions of a complicated and dubious nature4 ,they are upon these occasions commonly cited as the ultimate foundations of what is just and unjust in human conduct2 and this circumstance seems to have misled several very eminent authors1 to draw up their systems in such a manner1 as if they had supposed that the original judgments of mankind with regard to right and wrong1 were formed like the decisions of a court of judicatory1 by considering first the general rule1 and then1 secondly1 whether the particular action under consideration fell properly within its comprehension4 ,those general rules of conduct1 when they have been fixed in our mind by habitual reflection1 are of great use in correcting the #ada misrepresentations of self-love concerning what is fit and proper to be done in our particular situation4 ,the man of furious resentment1 if he was to listen to the dictates of that passion1 would perhaps regard the death of his enemy1 as but a small compensation for the wrong1 he imagines1 he has received2 which1 however1 may be no more than a very slight provocation4 ,but his observations upon the conduct of others1 have taught him how horrible all such sanguinary revenges appear4 ,unless his education has been very singular1 he has laid it down to himself as an inviolable rule1 to abstain from them upon all occasions4 ,this rule preserves its authority with him1 and renders him incapable of being guilty of such a violence4 ,yet the fury of his own temper may be such1 that had this been the first time in which he considered such an action1 he would undoubtedly have determined it to be quite just and proper1 and what every impartial spectator would approve of4 ,but that reverence for the rule which past experience has impressed upon him1 checks the impetuosity of his passion1 and helps him to correct the too partial views which self-love might otherwise suggest1 of what was proper to be done in his situation4 ,if he should allow himself to be so far transported by passion as to violate this rule1 yet1 even in this case1 he cannot throw off altogether the awe and respect with which he has been accustomed to regard it4 ,at the very time of acting1 at the moment in which passion mounts the highest1 he hesitates and trembles at the thought of what he is about to do3 he is secretly conscious to himself that he is breaking through those measures of conduct which1 in all his cool hours1 he had resolved never to infringe1 which he had never seen infringed by others without the highest disapprobation1 and of which the infringement1 his own mind forebodes1 must soon render him the object of the same disagreeable sentiments4 ,before he can take the last fatal resolution1 he is tormented with all the agonies of doubt and uncertainty2 he is terrified at the thought of violating so sacred a rule1 and at the same time is urged and goaded on by the fury of his desires to violate it4 ,he changes his purpose every moment2 sometimes he resolves to adhere to his principle1 and not indulge a passion which may corrupt the remaining part of his life with the horrors of shame and repentance2 and a momentary calm takes possession of his breast1 from the prospect of that security and tranquillity which he will enjoy when he thus determines not to expose himself to the hazard of a contrary conduct4 ,but immediately the passion rouses anew1 and with fresh fury drives him on to commit what he had the instant before resolved to abstain from4 ,wearied and distracted with those continual irresolutions1 he at length1 from a sort of despair1 makes the last fatal and irrecoverable step2 but with that terror and amazement with which one flying from an enemy1 throws himself over a precipice1 where he is sure of meeting with more certain destruction than from any thing that pursues him from behind4 ,such #adb are his sentiments even at the time of acting2 though he is then1 no doubt1 less sensible of the impropriety of his own conduct than afterwards1 when his passion being gratified and palled1 he begins to view what he has done in the light in which others are apt to view it2 and actually feels1 what he had only foreseen very imperfectly before1 the stings of remorse and repentance begin to agitate and torment him4 ----- ,,chap4 ,v4--,of the ,influence and ,authority of the general ,rules of ,morality1 and that they are justly regarded as the ,laws of the ,deity4 ,,the regard of those general rules of conduct1 is what is properly called a sense of duty1 a principle of the greatest consequence in human life1 and the only principle by which the bulk of mankind are capable of directing their actions4 ,many men behave very decently1 and through the whole of their lives avoid any considerable degree of blame1 who yet1 perhaps1 never felt the sentiment upon the propriety of which we found our approbation of their conduct1 but acted merely from a regard to what they saw were the established rules of behaviour4 ,the man who has received great benefits from another person1 may1 by the natural coldness of his temper1 feel but a very small degree of the sentiment of gratitude4 ,if he has been virtuously educated1 however1 he will often have been made to observe how odious those actions appear which denote a want of this sentiment1 and how amiable the contrary4 ,though his heart therefore is not warmed with any grateful affection1 he will strive to act as if it was1 and will endeavour to pay all those regards and attentions to his patron which the liveliest gratitude could suggest4 ,he will visit him regularly2 he will behave to him respectfully2 he will never talk of him but with expressions of the highest esteem1 and of the many obligations which he owes to him4 ,and what is more1 he will carefully embrace every opportunity of making a proper return for past services4 ,he may do all this too without any hypocrisy or blamable dissimulation1 without any selfish intention of obtaining new favours1 and without any design of imposing either upon his benefactor or the public4 ,the motive of his actions may be no other than a reverence for the established rule of duty1 a serious and earnest desire of acting1 in every respect1 according to the law of gratitude4 ,a wife1 in the same manner1 may sometimes not feel that tender regard for her husband which is suitable to the relation that subsists between them4 ,if she has been virtuously educated1 however1 she will endeavour to act as if she felt it1 to be careful1 officious1 faithful1 and sincere1 and to be deficient in none of those attentions which the sentiment of conjugal affection could have prompted her to perform4 ,such a friend1 and such a wife1 are neither of them1 undoubtedly1 the very best of their #adc kinds2 and though both of them may have the most serious and earnest desire to fulfil every part of their duty1 yet they will fail in many nice and delicate regards1 they will miss many opportunities of obliging1 which they could never have overlooked if they had possessed the sentiment that is proper to their situation4 ,though not the very first of their kinds1 however1 they are perhaps the second2 and if the regard to the general rules of conduct has been very strongly impressed upon them1 neither of them will fail in any very essential part of their duty4 ,none but those of the happiest mould are capable of suiting1 with exact justness1 their sentiments and behaviour to the smallest difference of situation1 and of acting upon all occasions with the most delicate and accurate propriety4 ,the coarse clay of which the bulk of mankind are formed1 cannot be wrought up to such perfection4 ,there is scarce any man1 however1 who by discipline1 education1 and example1 may not be so impressed with a regard to general rules1 as to act upon almost every occasion with tolerable decency1 and through the whole of his life to avoid any considerable degree of blame4 ,without this sacred regard to general rules1 there is no man whose conduct can be much depended upon4 ,it is this which constitutes the most essential difference between a man of principle and honour and a worthless fellow4 ,the one adheres1 on all occasions1 steadily and resolutely to his maxims1 and preserves through the whole of his life one even tenor of conduct4 ,the other1 acts variously and accidentally1 as humour1 inclination1 or interest chance to be uppermost4 ,nay1 such are the inequalities of humour to which all men are subject1 that without this principle1 the man who1 in all his cool hours1 had the most delicate sensibility to the propriety of conduct1 might often be led to act absurdly upon the most frivolous occasions1 and when it was scarce possible to assign any serious motive for his behaving in this manner4 ,your friend makes you a visit when you happen to be in a humour which makes it disagreeable to receive him3 in your present mood his civility is very apt to appear an impertinent intrusion2 and if you were to give way to the views of things which at this time occur1 though civil in your temper1 you would behave to him with coldness and contempt4 ,what renders you incapable of such a rudeness1 is nothing but a regard to the general rules of civility and hospitality1 which prohibit it4 ,that habitual reverence which your former experience has taught you for these1 enables you to act1 upon all such occasions1 with nearly equal propriety1 and hinders those inequalities of temper1 to which all men are subject1 from influencing your conduct in any very sensible degree4 ,but if without regard to these general rules1 even the duties of politeness1 which are so easily observed1 and which one can scarce have any serious motive to violate1 would yet be so frequently violated1 what would become of the duties of justice1 of truth1 of chastity1 of fidelity1 which it is often so difficult to observe1 and which there may be so #add many strong motives to violate8 ,but upon the tolerable observance of these duties depends the very existence of human society1 which would crumble into nothing if mankind were not generally impressed with a reverence for those important rules of conduct4 ,this reverence is still further enhanced by an opinion which is first impressed by nature1 and afterwards confirmed by reasoning and philosophy1 that those important rules of morality are the commands and laws of the ,deity1 who will finally reward the obedient and punish the transgressors of their duty4 ,this opinion or apprehension1 ,i say1 seems first to be impressed by nature4 ,men are naturally led to ascribe to those mysterious beings1 whatever they are1 which happen1 in any country to be the objects of religious fear1 all their own sentiments and passions4 ,they have no other1 they can conceive no other to ascribe to them4 ,those unknown intelligences which they imagine but see not1 must necessarily be formed with some sort of resemblance to those intelligences of which they have experience4 ,during the ignorance and darkness of pagan superstition1 mankind seem to have formed the ideas of their divinities with so little delicacy1 that they ascribed to them1 indiscriminately1 all the passions of human nature1 those not excepted which do the least honour to our species1 such as lust1 hunger1 avarice1 envy1 revenge4 ,they could not fail1 therefore1 to ascribe to those beings1 for the excellence of whose nature they still conceived the highest admiration1 those sentiments and qualities which are the great ornaments of humanity1 and which seem to raise it to a resemblance of divine perfection1 the love of virtue and beneficence1 and the abhorrence of vice and injustice4 ,the man who was injured1 called upon ,jupiter to be witness of the wrong that was done to him1 and could not doubt1 but that divine being would behold it with the same indignation which would animate the meanest of mankind1 who looked on when injustice was committed4 ,the man who did the injury1 felt himself to be the proper object of the detestation and resentment of mankind2 and his natural fears led him to impute the same sentiments to those awful beings1 whose presence he could not avoid1 and whose power he could not resist4 ,these natural hopes1 and fears1 and suspicions1 were propagated by sympathy1 and confirmed by education2 and the gods were universally represented and believed to be the rewarders of humanity and mercy1 and the avengers of perfidy and injustice4 ,and thus religion1 even in its rudest form1 gave a sanction to the rules of morality1 long before the age of artificial reasoning and philosophy4 ,that the terrors of religion should thus enforce the natural sense of duty1 was of too much importance to the happiness of mankind1 for nature to leave it dependent upon the slowness and uncertainty of philosophical researches4 ,these researches1 however1 when they came to take place1 confirmed those original anticipations of nature4 ,upon whatever we suppose that #ade moral faculties are founded1 whether upon a certain modification of reason1 upon an original instinct1 called a moral sense1 or upon some other principle of our nature1 it cannot be doubted1 that they were given us for the direction of our conduct in this life4 ,they carry along with them the most evident badges of this authority1 which denote that they were set up within us to be the supreme arbiters of all our actions1 to superintend all our senses1 passions1 and appetites1 and to judge how each of them was either to be indulged or restrained4 ,our moral faculties are by no means1 as some have pretended1 upon a level in this respect with the other faculties and appetites of our nature1 endowed with no more right to restrain these last1 than these last are to restrain them4 ,no other faculty or principle of action judges of any other4 ,love does not judge of resentment1 nor resentment of love4 ,those two passions may be opposite to one another1 but cannot1 with any propriety1 be said to approve or disapprove of one another4 ,but it is the peculiar office of those faculties now under our consideration to judge1 to bestow censure or applause upon all the other principles of our nature4 ,they may be considered as a sort of senses of which those principles are the objects4 ,every sense is supreme over its own objects4 ,there is no appeal from the eye with regard to the beauty of colours1 nor from the ear with regard to the harmony of sounds1 nor from the taste with regard to the agreeableness of flavours4 ,each of those senses judges in the last resort of its own objects4 ,whatever gratifies the taste is sweet1 whatever pleases the eye is beautiful1 whatever soothes the ear is harmonious4 ,the very essence of each of those qualities consists in its being fitted to please the sense to which it is addressed4 ,it belongs to our moral faculties1 in the same manner to determine when the ear ought to be soothed1 when the eye ought to be indulged1 when the taste ought to be gratified1 when and how far every other principle of our nature ought either to be indulged or restrained4 ,what is agreeable to our moral faculties1 is fit1 and right1 and proper to be done2 the contrary wrong1 unfit1 and improper4 ,the sentiments which they approve of1 are graceful and becoming3 the contrary1 ungraceful and unbecoming4 ,the very words1 right1 wrong1 fit1 improper1 graceful1 unbecoming1 mean only what pleases or displeases those faculties4 ,since these1 therefore1 were plainly intended to be the governing principles of human nature1 the rules which they prescribe are to be regarded as the commands and laws of the ,deity1 promulgated by those vicegerents which he has thus set up within us4 ,all general rules are commonly denominated laws3 thus the general rules which bodies observe in the communication of motion1 are called the laws of motion4 ,but those general rules which our moral faculties observe in approving or condemning whatever sentiment or action is subjected to their examination1 may much more justly be denominated such4 ,they have a much greater resemblance to what are properly called laws1 those #adf general rules which the sovereign lays down to direct the conduct of his subjects4 ,like them they are rules to direct the free actions of men3 they are prescribed most surely by a lawful superior1 and are attended too with the sanction of rewards and punishments4 ,those vicegerents of ,god within us1 never fail to punish the violation of them1 by the torments of inward shame1 and self-condemnation2 and on the contrary1 always reward obedience with tranquillity of mind1 with full contentment and self-satisfaction4 ,there are innumerable other considerations which serve to confirm the same conclusion4 ,the happiness of mankind1 as well as of all other rational creatures1 seems to have been the original purpose intended by the ,author of nature1 when he brought them into existence4 ,no other end seems worthy of that supreme wisdom and divine benignity which we necessarily ascribe to him2 and this opinion1 which we are led to by the abstract consideration of his infinite perfections1 is still more confirmed by the examination of the works of nature1 which seem all intended to promote happiness1 and to guard against misery4 ,but by acting accordingly to the dictates of our moral faculties1 we necessarily pursue the most effectual means for promoting the happiness of mankind1 and may therefore be said1 in some sense1 to co-operate with the ,deity1 and to advance as far as in our power the plan of ,providence4 ,by acting otherwise1 on the contrary1 we seem to obstruct1 in some measure1 the scheme which the ,author of nature has established for the happiness and perfection of the world1 and to declare ourselves1 if ,i may say so1 in some measure the enemies of ,god4 ,hence we are naturally encouraged to hope for his extraordinary favour and reward in the one case1 and to dread his sure vengeance and punishment in the other4 ,there are besides many other reasons1 and many other natural principles1 which all tend to confirm and inculcate the same salutary doctrine4 ,if we consider the general rules by which external prosperity and adversity are commonly distributed in this life1 we shall find1 that notwithstanding the disorder in which all things appear to be in this world1 yet even here every virtue naturally meets with its proper reward1 with the recompense which is most fit to encourage and promote it2 and this too so surely1 that it requires a very extraordinary concurrence of circumstances entirely to disappoint it4 ,what is the reward most proper for encouraging industry1 prudence1 and circumspection8 ,success in every sort of business4 ,and is it possible that in the whole of life these virtues should fail of attaining it8 ,wealth and external honours are their proper recompense1 and the recompense which they can seldom fail of acquiring4 ,what reward is most proper for promoting the practice of truth1 justice1 and humanity8 ,the confidence1 the esteem1 the love of those we live with4 ,humanity does not desire to be great1 but to be beloved4 ,it is not in being rich that truth #adg and justice would rejoice1 but in being trusted and believed1 recompenses which those virtues must almost always acquire4 ,by some very extraordinary and unlucky circumstance1 a good man may come to be suspected of a crime of which he was altogether incapable1 and upon that account be most unjustly exposed for the remaining part of his life to the horror and aversion of mankind4 ,by an accident of this kind he may be said to lose his all1 notwithstanding his integrity and justice2 in the same manner as a cautious man1 notwithstanding his utmost circumspection1 may be ruined by an earthquake or an inundation4 ,accidents of the first kind1 however1 are perhaps still more rare1 and still more contrary to the common course of things than those of the second2 and it still remains true1 that the practice of truth1 justice1 and humanity is a certain and almost infallible method of acquiring what these virtues chiefly aim at1 the confidence and love of those we live with4 ,a person may be very easily misrepresented with regard to a particular action2 but it is scarce possible that he should be so with regard to the general tenor of his conduct4 ,an innocent man may be believed to have done wrong3 this1 however1 will rarely happen4 ,on the contrary1 the established opinion of the innocence of his manners1 will often lead us to absolve him where he has really been in the fault1 notwithstanding very strong presumptions4 ,a knave1 in the same manner1 may escape censure1 or even meet with applause1 for a particular knavery1 in which his conduct is not understood4 ,but no man was ever habitually such1 without being almost universally known to be so1 and without being even frequently suspected of guilt1 when he was in reality perfectly innocent4 ,and so far as vice and virtue can be either punished or rewarded by the sentiments and opinions of mankind1 they both1 according to the common course of things meet even here with something more than exact and impartial justice4 ,but though the general rules by which prosperity and adversity are commonly distributed1 when considered in this cool and philosophical light1 appear to be perfectly suited to the situation of mankind in this life1 yet they are by no means suited to some of our natural sentiments4 ,our natural love and admiration for some virtues is such1 that we should wish to bestow on them all sorts of honours and rewards1 even those which we must acknowledge to be the proper recompenses of other qualities1 with which those virtues are not always accompanied4 ,our detestation1 on the contrary1 for some vices is such1 that we should desire to heap upon them every sort of disgrace and disaster1 those not excepted which are the natural consequences of very different qualities4 ,magnanimity1 generosity1 and justice1 command so high a degree of admiration1 that we desire to see them crowned with wealth1 and power1 and honours of every kind1 the natural consequences of prudence1 industry1 and application2 qualities with which those virtues are not inseparably connected4 ,fraud1 falsehood1 brutality1 and #adh violence1 on the other hand1 excite in every human breast such scorn and abhorrence1 that our indignation rouses to see them possess those advantages which they may in some sense be said to have merited1 by the diligence and industry with which they are sometimes attended4 ,the industrious knave cultivates the soil1 the indolent man leaves it uncultivated4 ,who ought to reap the harvest8 ,who starve1 and who live in plenty8 ,the natural course of things decides it in favour of the knave3 the natural sentiments of mankind in favour of the man of virtue4 ,man judges1 that the good qualities of the one are greatly over-recompensed by those advantages which they tend to procure him1 and that the omissions of the other are by far too severely punished by the distress which they naturally bring upon him2 and human laws1 the consequences of human sentiments1 forfeit the life and the estate of the industrious and cautious traitor1 and reward1 by extraordinary recompenses1 the fidelity and public spirit of the improvident and careless good citizen4 ,thus man is by ,nature directed to correct1 in some measure1 that distribution of things which she herself would otherwise have made4 ,the rules which for this purpose she prompts him to follow1 are different from those which she herself observes4 ,she bestows upon every virtue1 and upon every vice1 that precise reward or punishment which is best fitted to encourage the one1 or to restrain the other4 ,she is directed by this sole consideration1 and pays little regard to the different degrees of merit and demerit1 which they may seem to possess in the sentiments and passions of man4 ,man1 on the contrary1 pays regard to this only1 and would endeavour to render the state of every virtue precisely proportioned to that degree of love and esteem1 and of every vice to that degree of contempt and abhorrence1 which he himself conceives for it4 ,the rules which she follows are fit for her1 as1 those which he follows are for him3 but both are calculated to promote the same great end1 the order of the world1 and the perfection and happiness of human nature4 ,but though man is thus employed to alter that distribution of things which natural events would make1 if left to themselves2 though1 like the gods of the poets1 he is perpetually interposing1 by extraordinary means1 in favour of virtue1 and in opposition to vice1 and1 like them1 endeavours to turn away the arrow that is aimed at the head of the righteous1 but to accelerate the sword of destruction that is lifted up against the wicked2 yet he is by no means able to render the fortune of either quite suitable to his own sentiments and wishes4 ,the natural course of things cannot be entirely controlled by the impotent endeavours of man3 the current is too rapid and too strong for him to stop it2 and though the rules which direct it appear to have been established for the wisest and best purposes1 they sometimes produce effects which shock all his natural sentiments4 ,that a great combination of men should prevail over a small one2 that those who engage in an #adi enterprise with forethought and all necessary preparation1 should prevail over such as oppose them without any2 and that every end should be acquired by those means only which nature has established for acquiring it1 seems to be a rule not only necessary and unavoidable in itself1 but even useful and proper for rousing the industry and attention of mankind4 ,yet1 when1 in consequence of this rule1 violence and artifice prevail over sincerity and justice1 what indignation does it not excite in the breast of every human spectator8 ,what sorrow and compassion for the sufferings of the innocent1 and what furious resentment against the success of the oppressor8 ,we are equally grieved and enraged at the wrong that is done1 but often find it altogether out of our power to redress it4 ,when we thus despair of finding any force upon earth which can check the triumph of injustice1 we naturally appeal to heaven1 and hope that the great ,author of our nature will himself execute hereafter what all the principles which he has given us for the direction of our conduct prompt us to attempt even here2 that he will complete the plan which he himself has thus taught us to begin2 and will1 in a life to come1 render to every one according to the works which he has performed in this world4 ,and thus we are led to the belief of a future state1 not only by the weaknesses1 by the hopes and fears of human nature1 but by the noblest and best principles which belong to it1 by the love of virtue1 and by the abhorrence of vice and injustice4 ',does it suit the greatness of ,god1' says the eloquent and philosophical bishop of ,clermont1 with that passionate and exaggerating force of imagination1 which seems sometimes to exceed the bounds of decorum2 'does it suit the greatness of ,god1 to leave the world which he has created in so universal a disorder8 ,to see the wicked prevail almost always over the just2 the innocent dethroned by the usurper2 the father become the victim of the ambition of an unnatural son2 the husband expiring under the stroke of a barbarous and faithless wife8 ,from the height of his greatness ought ,god to behold those melancholy events as a fantastical amusement1 without taking any share in them8 ,because he is great1 should he be weak1 or unjust1 or barbarous8 ,because men are little1 ought they to be allowed either to be dissolute without punishment or virtuous without reward8 ,o ,god6 if this is the character of your ,supreme ,being2 if it is you whom we adore under such dreadful ideas2 ,i can no longer acknowledge you for my father1 for my protector1 for the comforter of my sorrow1 the support of my weakness1 the rewarder of my fidelity4 ,you would then be no more than an indolent and fantastical tyrant1 who sacrifices mankind to his vanity1 and who has brought them out of nothing only to make them serve for the sport of his leisure and of his caprice4' ,when the general rules which determine the merit and demerit of actions1 come thus to be regarded as the laws of an all-powerful ,being1 who watches over our conduct and1 who1 in a life to come1 will reward #aej the observance1 and punish the breach of them2 they necessarily acquire a new sacredness from this consideration4 ,that our regard to the will of the ,deity ought to be the supreme rule of our conduct1 can be doubted of by nobody who believes his existence4 ,the very thought of disobedience appears to involve in it the most shocking impropriety4 ,how vain1 how absurd would it be for man1 either to oppose or to neglect the commands that were laid upon him by ,infinite ,wisdom1 and ,infinite ,power6 ,how unnatural1 how impiously ungrateful1 not to reverence the precepts that were prescribed to him by the infinite goodness of his ,creator1 even though no punishment was to follow their violation4 ,the sense of propriety too is here well supported by the strongest motives of self-interest4 ,the idea that1 however we may escape the observation of man1 or be placed above the reach of human punishment1 yet we are always acting under the eye1 and exposed to the punishment of ,god1 the great avenger of injustice1 is a motive capable of restraining the most headstrong passions1 with those at least who1 by constant reflection1 have rendered it familiar to them4 ,it is in this manner that religion enforces the natural sense of duty3 and hence it is1 that mankind are generally disposed to place great confidence in the probity of those who seem deeply impressed with religious sentiments4 ,such persons1 they imagine1 act under an additional tie1 besides those which regulate the conduct of other men4 ,the regard to the propriety of action1 as well as to reputation1 the regard to the applause of his own breast1 as well as to that of others1 are motives which they suppose have the influence over the religious man1 as over the man of the world4 ,but the former lies under another restraint1 and never acts deliberately but as in the presence of that ,great ,superior who is finally to recompense him according to his deeds4 ,a greater trust is reposed1 upon this account1 in the regularity and exactness of his conduct4 ,and wherever the natural principles of religion are not corrupted by the factious and party zeal of some worthless cabal2 wherever the first duty which it requires1 is to fulfil all the obligations of morality2 wherever men are not taught to regard frivolous observances1 as more immediate duties of religion than acts of justice and beneficence2 and to imagine1 that by sacrifices1 and ceremonies1 and vain supplications1 they can bargain with the ,deity for fraud1 and perfidy1 and violence1 the world undoubtedly judges right in this respect1 and justly places a double confidence in the rectitude of the religious man's behaviour4 ----- ,,chap4 ,,vi4--,in what ,cases the ,sense of ,duty ought to be the sole ,principle of our ,conduct2 and in what ,cases it ought to concur with other ,motives4 ,,religion affords such strong motives to the practice of virtue1 and #aea guards us by such powerful restraints from the temptations of vice1 that many have been led to suppose1 that religious principles were the sole laudable motives of action4 ,we ought neither1 they said1 to reward from gratitude1 nor punish from resentment2 we ought neither to protect the helplessness of our children1 nor afford support to the infirmities of our parents1 from natural affection4 ,all affections for particular objects1 ought to be extinguished in our breast1 and one great affection take the place of all others1 the love of the ,deity1 the desire of rendering ourselves agreeable to him1 and of directing our conduct1 in every respect1 according to his will4 ,we ought not to be grateful from gratitude1 we ought not to be charitable from humanity1 we ought not to be public-spirited from the love of our country1 nor generous and just from the love of mankind4 ,the sole principle and motive of our conduct in the performance of all those different duties1 ought to be a sense that ,god has commanded us to perform them4 ,i shall not at present take time to examine this opinion particularly2 ,i shall only observe1 that we should not have expected to have found it entertained by any sect1 who professed themselves of a religion in which1 as it is the first precept to love the ,lord our ,god with all our heart1 with all our soul1 and with all our strength1 so it is the second to love our neighbour as we love ourselves2 and we love ourselves surely for our own sakes1 and not merely because we are commanded to do so4 ,that the sense of duty should be the sole principle of our conduct1 is no where the precept of ,christianity2 but that it should be the ruling and the governing one1 as philosophy1 and as1 indeed1 common sense directs4 ,it may be a question1 however1 in what cases our actions ought to arise chiefly or entirely from a sense of duty1 or from a regard to general rules2 and in what cases some other sentiment or affection ought to concur1 and have a principal influence on our conduct4 ,the decision of this question1 which cannot1 perhaps1 be given with any very great accuracy1 will depend upon two different circumstances2 first1 upon the natural agreeableness or deformity of the sentiment or affection which would prompt us to any action independent of all regard to general rules2 and1 secondly1 upon the precision and exactness1 or the looseness and inaccuracy1 of the rules themselves4 ,i4 ,first1 ,i say1 it will depend upon the natural agreeableness or deformity of the affection itself1 how far our actions ought to arise from it1 or entirely proceed from a regard to the general rule4 ,all those graceful and admired actions1 to which the benevolent affections would prompt us1 ought to proceed as much from the passions themselves1 as from any regard to the general rules of conduct4 ,a benefactor thinks himself but ill requited1 if the person upon whom he has bestowed his good offices1 repays them merely from a cold sense of duty1 and without any affection to his person4 ,a husband is dissatisfied with the most obedient wife1 when he imagines her conduct is animated #aeb by no other principle besides her regard to what the relation she stands in requires4 ,though a son should fail in none of the offices of filial duty1 yet if he wants that affectionate reverence which it so well becomes him to feel1 the parent may justly complain of his indifference4 ,nor could a son be quite satisfied with a parent who1 though he performed all the duties of his situation1 had nothing of that fatherly fondness which might have been expected from him4 ,with regard to all such benevolent and social affections1 it is agreeable to see the sense of duty employed rather to restrain than to enliven them1 rather to hinder us from doing too much1 than to prompt us to do what we ought4 ,it gives us pleasure to see a father obliged to check his own fondness for his children1 a friend obliged to set bounds to his natural generosity1 a person who has received a benefit1 obliged to restrain the too sanguine gratitude of his own temper4 ,the contrary maxim takes place with regard to the malevolent and unsocial passions4 ,we ought to reward from the gratitude and generosity of our own hearts1 without any reluctance1 and without being obliged to reflect how great the propriety of rewarding3 but we ought always to punish with reluctance1 and more from a sense of the propriety of punishing1 than from any savage disposition to revenge4 ,nothing is more graceful than the behaviour of the man who appears to resent the greatest injuries1 more from a sense that they deserve1 and are the proper objects of resentment1 than from feeling himself the furies of that disagreeable passion2 who1 like a judge1 considers only the general rule1 which determines what vengeance is due for each particular offence2 who1 in executing that rule1 feels less for what himself has suffered1 than for what the offender is about to suffer2 who1 though in wrath1 does ever remember mercy1 and is disposed to interpret the rule in the most gentle and favourable manner1 and to allow all the alleviations which the most candid humanity could1 consistently with good sense1 admit of4 ,as the selfish passions1 according to what has formerly been observed1 hold1 in other respects1 a sort of middle place1 between the social and unsocial affections1 so do they likewise in this4 ,the pursuit of the objects of private interest1 in all common1 little1 and ordinary cases1 ought to flow rather from a regard to the general rules which prescribe such conduct1 than from any passion for the objects themselves2 but upon more important and extraordinary occasions1 we should be awkward1 insipid1 and ungraceful1 if the objects themselves did not appear to animate us with a considerable degree of passion4 ,to be anxious1 or to be laying a plot either to gain or to save a single shilling1 would degrade the most vulgar tradesman in the opinion of all his neighbours4 ,let his circumstances be ever so mean1 no attention to any such small matters1 for the sake of the things themselves1 must appear in his conduct4 ,his situation may require the most severe oeconomy and the #aec most exact assiduity3 but each particular exertion of that oeconomy and assiduity must proceed1 not so much from a regard for that particular saving or gain1 as for the general rule which to him prescribes1 with the utmost rigour1 such a tenor of conduct4 ,his parsimony to-day must not arise from a desire of the particular three-pence which he will save by it1 nor his attendance in his shop from a passion for the particular ten-pence which he will acquire by it3 both the one and the other ought to proceed solely from a regard to the general rule1 which prescribes1 with the most unrelenting severity1 this plan of conduct to all persons in his way of life4 ,in this consists the difference between the character of a miser and that of a person of exact oeconomy and assiduity4 ,the one is anxious about small matters for their own sake2 the other attends to them only in consequence of the scheme of life which he has laid down to himself4 ,it is quite otherwise with regard to the more extraordinary and important objects of self-interest4 ,a person appears mean-spirited1 who does not pursue these with some degree of earnestness for their own sake4 ,we should despise a prince who was not anxious about conquering or defending a province4 ,we should have little respect for a private gentleman who did not exert himself to gain an estate1 or even a considerable office1 when he could acquire them without either meanness or injustice4 ,a member of parliament who shews no keenness about his own election1 is abandoned by his friends1 as altogether unworthy of their attachment4 ,even a tradesman is thought a poor-spirited fellow among his neighbours1 who does not bestir himself to get what they call an extraordinary job1 or some uncommon advantage4 ,this spirit and keenness constitutes the difference between the man of enterprise and the man of dull regularity4 ,those great objects of self-interest1 of which the loss or acquisition quite changes the rank of the person1 are the objects of the passion properly called ambition2 a passion1 which when it keeps within the bounds of prudence and justice1 is always admired in the world1 and has even sometimes a certain irregular greatness1 which dazzles the imagination1 when it passes the limits of both these virtues1 and is not only unjust but extravagant4 ,hence the general admiration for heroes and conquerors1 and even for statesmen1 whose projects have been very daring and extensive though altogether devoid of justice1 such as those of the ,cardinals of ,richlieu and of ,retz4 ,the objects of avarice and ambition differ only in their greatness4 ,a miser is as furious about a halfpenny1 as a man of ambition about the conquest of a kingdom4 ,,ii4 ,secondly1 ,i say1 it will depend partly upon the precision and upon the exactness1 or the looseness and the inaccuracy of the general rules themselves1 how far our conduct ought to proceed entirely from a regard to them4 ,the general rules of almost all the virtues1 the general rules which #aed determine what are the offices of prudence1 of charity1 of generosity1 of gratitude1 of friendship1 are in many respects loose and inaccurate1 admit of many exceptions1 and require so many modifications1 that it is scarce possible to regulate our conduct entirely by a regard to them4 ,the common proverbial maxims of prudence1 being founded in universal experience1 are perhaps the best general rules which can be given about it4 ,to affect1 however1 a very strict and literal adherence to them would evidently be the most absurd and ridiculous pedantry4 ,of all the virtues ,i have just now mentioned1 gratitude is that1 perhaps1 of which the rules are the most precise1 and admit of the fewest exceptions4 ,that as soon as we can we should make a return of equal1 and if possible of superior1 value to the services we have received1 would seem to be a pretty plain rule1 and one which admitted of scarce any exceptions4 ,upon the most superficial examination1 however1 this rule will appear to be in the highest degree loose and inaccurate1 and to admit of ten thousand exceptions4 ,if your benefactor attended you in your sickness1 ought you to attend him in his8 or can you fulfil the obligation of gratitude1 by making a return of a different kind8 ,if you ought to attend him1 how long ought you to attend him8 ,the same time which he attended you1 or longer1 and how much longer8 ,if your friend lent you money in your distress1 ought you to lend him money in his8 ,how much ought you to lend him8 ,when ought you to lend him8 ,now1 or to-morrow1 or next month8 ,and for how long a time8 ,it is evident1 that no general rule can be laid down1 by which a precise answer can1 in all cases1 be given to any of these questions4 ,the difference between his character and yours1 between his circumstances and yours1 may be such1 that you may be perfectly grateful1 and justly refuse to lend him a half-penny3 and1 on the contrary1 you may be willing to lend1 or even to give him ten times the sum which he lent you1 and yet justly be accused of the blackest ingratitude1 and of not having fulfilled the hundredth part of the obligation you lie under4 ,as the duties of gratitude1 however1 are perhaps the most sacred of all those which the beneficent virtues prescribe to us1 so the general rules which determine them are1 as ,i said before1 the most accurate4 ,those which ascertain the actions required by friendship1 humanity1 hospitality1 generosity1 are still more vague and indeterminate4 ,there is1 however1 one virtue of which the general rules determine with the greatest exactness every external action which it requires4 ,this virtue is justice4 ,the rules of justice are accurate in the highest degree1 and admit of no exceptions or modifications1 but such as may be ascertained as accurately as the rules themselves1 and which generally1 indeed1 flow from the very same principles with them4 ,if ,i owe a man ten pounds1 justice requires that ,i should precisely pay him ten pounds1 either at the time agreed upon1 or when he demands it4 ,what ,i ought to perform1 how much ,i ought to perform1 when and where ,i #aee ought to perform it1 the whole nature and circumstances of the action prescribed1 are all of them precisely fixed and determined4 ,though it may be awkward and pedantic1 therefore1 to affect too strict an adherence to the common rules of prudence or generosity1 there is no pedantry in sticking fast by the rules of justice4 ,on the contrary1 the most sacred regard is due to them2 and the actions which this virtue requires are never so properly performed1 as when the chief motive for performing them is a reverential and religious regard to those general rules which require them4 ,in the practice of the other virtues1 our conduct should rather be directed by a certain idea of propriety1 by a certain taste for a particular tenor of conduct1 than by any regard to a precise maxim or rule2 and we should consider the end and foundation of the rule1 more than the rule itself4 ,but it is otherwise with regard to justice3 the man who in that refines the least1 and adheres with the most obstinate steadfastness to the general rules themselves1 is the most commendable1 and the most to be depended upon4 ,though the end of the rules of justice be1 to hinder us from hurting our neighbour1 it may frequently be a crime to violate them1 though we could pretend with some pretext of reason1 that this particular violation could do no hurt4 ,a man often becomes a villain the moment he begins1 even in his own heart1 to chicane in this manner4 ,the moment he thinks of departing from the most staunch and positive adherence to what those inviolable precepts prescribe to him1 he is no longer to be trusted1 and no man can say what degree of guilt he may not arrive at4 ,the thief imagines he does no evil1 when he steals from the rich1 what he supposes they may easily want1 and what possibly they may never even know has been stolen from them4 ,the adulterer imagines he does no evil1 when he corrupts the wife of his friend1 provided he covers his intrigue from the suspicion of the husband1 and does not disturb the peace of the family4 ,when once we begin to give way to such refinements1 there is no enormity so gross of which we may not be capable4 ,the rules of justice may be compared to the rules of grammar2 the rules of the other virtues1 to the rules which critics lay down for the attainment of what is sublime and elegant in composition4 ,the one1 are precise1 accurate1 and indispensable4 ,the other1 are loose1 vague1 and indeterminate1 and present us rather with a general idea of the perfection we ought to aim at1 than afford us any certain and infallible directions for acquiring it4 ,a man may learn to write grammatically by rule1 with the most absolute infallibility2 and so1 perhaps1 he may be taught to act justly4 ,but there are no rules whose observance will infallibly lead us to the attainment of elegance or sublimity in writing2 though there are some which may help us1 in some measure1 to correct1 and ascertain the vague ideas which we might otherwise have entertained of those perfections4 ,and there are no rules by the knowledge of which we can infallibly be taught to act upon all occasions with #aef prudence1 with just magnanimity1 or proper beneficence3 though there are some which may enable us to correct and ascertain1 in several respects1 the imperfect ideas which we might otherwise have entertained of those virtues--the rules of justice4 ,it may sometimes happen1 that with the most serious and earnest desire of acting so as to deserve approbation1 we may mistake the proper rules of conduct1 and thus be misled by that very principle which ought to direct us4 ,it is in vain to expect1 that in this case mankind should entirely approve of our behaviour4 ,they cannot enter into that absurd idea of duty which influenced us1 nor go along with any of the actions which follow from it4 ,there is still1 however1 something respectable in the character and behaviour of one who is thus betrayed into vice1 by a wrong sense of duty1 or by what is called an erroneous conscience4 ,how fatally soever he maybe misled by it1 he is still1 with the generous and humane1 more the object of commiseration than of hatred or resentment4 ,they lament the weakness of human nature1 which exposes us to such unhappy delusions1 even while we are most sincerely labouring after perfection1 and endeavouring to act according to the best principle which can possibly direct us4 ,false notions of religion are almost the only causes which can occasion any very gross perversion of our natural sentiments in this way2 and that principle which gives the greatest authority to the rules of duty1 is alone capable of distorting our ideas of them in any considerable degree4 ,in all other cases1 common sense is sufficient to direct us1 if not to the most exquisite propriety of conduct1 yet to something which is not very far from it2 and provided we are in earnest desirous to do well1 our behaviour will always1 upon the whole1 be praiseworthy4 ,that to obey the will of the ,deity1 is the first rule of duty1 all men are agreed4 ,but concerning the particular commandments which that will may impose upon us1 they differ widely from one another4 ,in this1 therefore1 the greatest mutual forbearance and toleration is due2 and though the defence of society requires that crimes should be punished1 from whatever motives they proceed1 yet a good man will always punish them with reluctance1 when they evidently proceed from false notions of religious duty4 ,he will never feel against those who commit them that indignation which he feels against other criminals1 but will rather regret1 and sometimes even admire their unfortunate firmness and magnanimity1 at the very time that he punishes their crime4 ,in the tragedy of ,mahomet1 one of the finest of ,mr4 ,voltaire's1 it is well represented1 what ought to be our sentiments for crimes which proceed from such motives4 ,in that tragedy1 two young people of different sexes1 of the most innocent and virtuous dispositions1 and without any other weakness except what endears them the more to us1 a mutual fondness for one another1 are instigated by the strongest motives of a false religion1 to commit a horrid murder1 that shocks all the principles of human nature4 ,a #aeg venerable old man1 who had expressed the most tender affection for them both1 for whom1 notwithstanding he was the avowed enemy of their religion1 they had both conceived the highest reverence and esteem1 and who was in reality their father1 though they did not know him to be such1 is pointed out to them as a sacrifice which ,god had expressly required at their hands1 and they are commanded to kill him4 ,while about executing this crime1 they are tortured with all the agonies which can arise from the struggle between the idea of the indispensableness of religious duty on the one side1 and compassion1 gratitude1 reverence for the age1 and love for the humanity and virtue of the person whom they are going to destroy1 on the other4 ,the representation of this exhibits one of the most interesting1 and perhaps the most instructive spectacle that was ever introduced upon any theatre4 ,the sense of duty1 however1 at last prevails over all the amiable weaknesses of human nature4 ,they execute the crime imposed upon them2 but immediately discover their error1 and the fraud which had deceived them1 and are distracted with horror1 remorse1 and resentment4 ,such as are our sentiments for the unhappy ,seid and ,palmira1 such ought we to feel for every person who is in this manner misled by religion1 when we are sure that it is really religion which misleads him1 and not the pretence of it1 which is made too often a cover to some of the worst of human passions4 ,as a person may act wrong by following a wrong sense of duty1 so nature may sometimes prevail1 and lead him to act right in opposition to it4 ,we cannot in this case be displeased to see that motive prevail1 which we think ought to prevail though the person himself is so weak as to think otherwise4 ,as his conduct1 however1 is the effect of weakness1 not principle1 we are far from bestowing upon it any thing that approaches to complete approbation4 ,a bigoted ,roman ,catholic1 who1 during the massacre of ,st4 ,bartholomew1 had been so overcome by compassion1 as to save some unhappy ,protestants1 whom he thought it his duty to destroy1 would not seem to be entitled to that high applause which we should have bestowed upon him1 had he exerted the same generosity with complete self-approbation4 ,we might be pleased with the humanity of his temper1 but we should still regard him with a sort of pity which is altogether inconsistent with the admiration that is due to perfect virtue4 ,it is the same case with all the other passions4 ,we do not dislike to see them exert themselves properly1 even when a false notion of duty would direct the person to restrain them4 ,a very devout ,quaker1 who upon being struck upon one cheek1 instead of turning up the other1 should so far forget his literal interpretation of our ,saviour's precept1 as to bestow some good discipline upon the brute that insulted him1 would not be disagreeable to us4 ,we should laugh and be diverted with his spirit1 and rather like him the better for it4 ,but we should by no means regard him with that respect and esteem which would seem due to one #aeh who1 upon a like occasion1 had acted properly from a just sense of what was proper to be done4 ,no action can properly be called virtuous1 which is not accompanied with the sentiment of self-approbation4 ----- ,part ,,iv4 ,of the ,effect of ,utility upon the ,sentiment of ,approbation4 ,,chap4 ,i4-- ,of the ,beauty which the ,appearance of ,utility bestows upon all the ,productions of ,art1 and of the extensive ,influence of this ,species of ,beauty4 ,,that utility is one of the principal sources of beauty has been observed by every body1 who has considered with any attention what constitutes the nature of beauty4 ,the conveniency of a house gives pleasure to the spectator as well as its regularity1 and he is as much hurt when he observes the contrary defect1 as when he sees the correspondent windows of different forms1 or the door not placed exactly in the middle of the building4 ,that the fitness of any system or machine to produce the end for which it was intended1 bestows a certain propriety and beauty upon the whole1 and renders the very thought and contemplation of it agreeable1 is so obvious that nobody has over-looked it4 ,the cause too1 why utility pleases1 has of late been assigned by an ingenious and agreeable philosopher1 who joins the greatest depth of thought to the greatest elegance of expression1 and possesses the singular and happy talent of treating the abstrusest subjects not only with the most perfect perspicuity1 but with the most lively eloquence4 ,the utility of any object1 according to him1 pleases the master by perpetually suggesting to him the pleasure or conveniency which it is fitted to promote4 ,every time he looks at it1 he is put in mind of this pleasure2 and the object in this manner becomes a source of perpetual satisfaction and enjoyment4 ,the spectator enters by sympathy into the sentiments of the master1 and necessarily views the object under the same agreeable aspect4 ,when we visit the palaces of the great1 we cannot help conceiving the satisfaction we should enjoy if we ourselves were the masters1 and were possessed of so much artful and ingeniously contrived accommodation4 ,a similar account is given why the appearance of inconveniency should render any object disagreeable both to the owner and to the spectator4 ,but that this fitness1 this happy contrivance of any production of art1 should often be more valued1 than the very end for which it was intended2 and that the exact adjustment of the means for attaining any conveniency or pleasure1 should frequently be more regarded1 than that very conveniency or pleasure1 in the attainment of which their whole merit would seem to consist1 has not1 so far as ,i know1 been yet taken #aei notice of by any body4 ,that this1 however1 is very frequently the case1 may be observed in a thousand instances1 both in the most frivolous and in the most important concerns of human life4 ,when a person comes into his chamber1 and finds the chairs all standing in the middle of the room1 he is angry with his servant1 and rather than see them continue in that disorder1 perhaps takes the trouble himself to set them all in their places with their backs to the wall4 ,the whole propriety of this new situation arises from its superior conveniency in leaving the floor free and disengaged4 ,to attain this conveniency he voluntarily puts himself to more trouble than all he could have suffered from the want of it2 since nothing was more easy1 than to have set himself down upon one of them1 which is probably what he does when his labour is over4 ,what he wanted1 therefore1 it seems1 was not so much this conveniency1 as that arrangement of things which promotes it4 ,yet it is this conveniency alone which may ultimately recommend that arrangement1 and bestows upon it the whole of its propriety and beauty4 ,a watch1 in the same manner1 that falls behind above two minutes in a day1 is despised by one curious in watches4 ,he sells it perhaps for a couple of guineas1 and purchases another at fifty1 which will not lose above a minute in a fortnight4 ,the sole use of watches1 however1 is to tell us what o'clock it is1 and to hinder us from breaking any engagement1 or suffering any other inconveniency by our ignorance in that particular point4 ,but the person so nice with regard to this machine1 will not always be found either more scrupulously punctual than other men1 or more anxiously concerned upon any other account1 to know precisely what time of day it is4 ,what interests him is not so much the attainment of this piece of knowledge1 as the perfection of the machine which enables him to attain it4 ,how many people ruin themselves by laying out money on trinkets of frivolous utility8 ,what pleases these lovers of toys is not so much the utility1 as the aptness of the machines which are fitted to promote it4 ,all their pockets are stuffed with little conveniences4 ,they contrive new pockets1 unknown in the clothes of other people1 in order to carry a greater number4 ,they walk about loaded with a multitude of baubles1 in weight and sometimes in value not inferior to an ordinary ,jew's-box1 some of which may sometimes be of some little use1 but all of which might at all times be very well spared1 and of which the whole utility is not worth the fatigue of bearing the burden4 ,nor is it only with regard to such frivolous objects that our conduct is influenced by this principle2 it is often the secret motive of the most serious and important pursuits of both private and public life4 ,the poor man's son1 whom ,heaven in its anger has visited with ambition1 when he begins to look around him1 admires the condition of the rich4 ,he finds the cottage of his father too small for his #afj accommodation1 and fancies he should be lodged more at his ease in a palace4 ,he is displeased with being obliged to walk a-foot1 or to endure the fatigue of riding on horseback4 ,he sees his superiors carried about in machines1 and imagines that in one of these he could travel with less inconveniency4 ,he feels himself naturally indolent1 and willing to serve himself with his own hands as little as possible2 and judges1 that a numerous retinue of servants would save him from a great deal of trouble4 ,he thinks if he had attained all these1 he would sit still contentedly1 and be quiet1 enjoying himself in the thought of the happiness and tranquillity of his situation4 ,he is enchanted with the distant idea of this felicity4 ,it appears in his fancy like the life of some superior rank of beings1 and1 in order to arrive at it1 he devotes himself for ever to the pursuit of wealth and greatness4 ,to obtain the conveniences which these afford1 he submits in the first year1 nay1 in the first month of his application1 to more fatigue of body and more uneasiness of mind than he could have suffered through the whole of his life from the want of them4 ,he studies to distinguish himself in some laborious profession4 ,with the most unrelenting industry he labours night and day to acquire talents superior to all his competitors4 ,he endeavours next to bring those talents into public view1 and with equal assiduity solicits every opportunity of employment4 ,for this purpose he makes his court to all mankind2 he serves those whom he hates1 and is obsequious to those whom he despises4 ,through the whole of his life he pursues the idea of a certain artificial and elegant repose which he may never arrive at1 for which he sacrifices a real tranquillity that is at all times in his power1 and which1 if in the extremity of old age he should at last attain to it1 he will find to be in no respect preferable to that humble security and contentment which he had abandoned for it4 ,it is then1 in the last dregs of life1 his body wasted with toil and diseases1 his mind galled and ruffled by the memory of a thousand injuries and disappointments which he imagines he has met with from the injustice of his enemies1 or from the perfidy and ingratitude of his friends1 that he begins at last to find that wealth and greatness are mere trinkets of frivolous utility1 no more adapted for procuring ease of body or tranquillity of mind than the tweezer-cases of the lover of toys2 and1 like them too1 more troublesome to the person who carries them about with him than all the advantages they can afford him are commodious4 ,there is no other real difference between them1 except that the conveniences of the one are somewhat more observable than those of the other4 ,the palaces1 the gardens1 the equipage1 the retinue of the great1 are objects of which the obvious conveniency strikes every body4 ,they do not require that their masters should point out to us wherein consists their utility4 ,of our own accord we readily enter into it1 and by sympathy enjoy and thereby applaud the satisfaction which they are fitted to afford him4 ,but the #afa curiosity of a tooth-pick1 of an ear-picker1 of a machine for cutting the nails1 or of any other trinket of the same kind1 is not so obvious4 ,their conveniency may perhaps be equally great1 but it is not so striking1 and we do not so readily enter into the satisfaction of the man who possesses them4 ,they are therefore less reasonable subjects of vanity than the magnificence of wealth and greatness2 and in this consists the sole advantage of these last4 ,they more effectually gratify that love of distinction so natural to man4 ,to one who was to live alone in a desolate island it might be a matter of doubt1 perhaps1 whether a palace1 or a collection of such small conveniencies as are commonly contained in a tweezer-case1 would contribute most to his happiness and enjoyment4 ,if he is to live in society1 indeed1 there can be no comparison1 because in this1 as in all other cases1 we constantly pay more regard to the sentiments of the spectator1 than to those of the person principally concerned1 and consider rather how his situation will appear to other people1 than how it will appear to himself4 ,if we examine1 however1 why the spectator distinguishes with such admiration the condition of the rich and the great1 we shall find that is is not so much upon account of the superior ease or pleasure which they are supposed to enjoy1 as of the numberless artificial and elegant contrivances for promoting this ease or pleasure4 ,he does not even imagine that they are really happier than other people3 but he imagines that they possess more means of happiness4 ,and it is the ingenious and artful adjustment of those means to the end for which they were intended1 that is the principal source of his admiration4 ,but in the languor of disease and the weariness of old age1 the pleasures of the vain and empty distinctions of greatness disappear4 ,to one1 in this situation1 they are no longer capable of recommending those toilsome pursuits in which they had formerly engaged him4 ,in his heart he curses ambition1 and vainly regrets the ease and the indolence of youth1 pleasures which are fled for ever1 and which he has foolishly sacrificed for what1 when he has got it1 can afford him no real satisfaction4 ,in this miserable aspect does greatness appear to every man when reduced either by spleen or disease to observe with attention his own situation1 and to consider what it is that is really wanting to his happiness4 ,power and riches appear then to be1 what they are1 enormous and operose machines contrived to produce a few trifling conveniencies to the body1 consisting of springs the most nice and delicate1 which must be kept in order with the most anxious attention1 and which in spite of all our care are ready every moment to burst into pieces1 and to crush in their ruins their unfortunate possessor4 ,they are immense fabrics1 which it requires the labour of a life to raise1 which threaten every moment to overwhelm the person that dwells in them1 and which while they stand1 though they may save him from some smaller inconveniencies1 can protect him from none of the severer #afb inclemencies of the season4 ,they keep off the summer shower1 not the winter storm1 but leave him always as much1 and sometimes more1 exposed than before1 to anxiety1 to fear1 and to sorrow2 to diseases1 to danger1 and to death4 ,but though this splenetic philosophy1 which in time of sickness or low spirits is familiar to every man1 thus entirely depreciates those great objects of human desire1 when in better health and in better humour1 we never fail to regard them under a more agreeable aspect4 ,our imagination1 which in pain and sorrow seems to be confined and cooped up within our own persons1 in times of ease and prosperity expands itself to every thing around us4 ,we are then charmed with the beauty of that accommodation which reigns in the palaces and oeconomy of the great3 and admire how every thing is adapted to promote their ease1 to prevent their wants1 to gratify their wishes1 and to amuse and entertain their most frivolous desires4 ,if we consider the real satisfaction which all these things are capable of affording1 by itself and separated from the beauty of that arrangement which is fitted to promote it1 it will always appear in the highest degree contemptible and trifling4 ,but we rarely view it in this abstract and philosophical light4 ,we naturally confound it in our imagination with the order1 the regular and harmonious movement of the system1 the machine or oeconomy by means of which it is produced4 ,the pleasures of wealth and greatness1 when considered in this complex view1 strike the imagination as something grand and beautiful and noble1 of which the attainment is well worth all the toil and anxiety which we are so apt to bestow upon it4 ,and it is well that nature imposes upon us in this manner4 ,it is this deception which rouses and keeps in continual motion the industry of mankind4 ,it is this which first prompted them to cultivate the ground1 to build houses1 to found cities and commonwealths1 and to invent and improve all the sciences and arts1 which ennoble and embellish human life2 which have entirely changed the whole face of the globe1 have turned the rude forests of nature into agreeable and fertile plains1 and made the trackless and barren ocean a new fund of subsistence1 and the great high road of communication to the different nations of the earth4 ,the earth by these labours of mankind has been obliged to redouble her natural fertility1 and to maintain a greater multitude of inhabitants4 ,it is to no purpose1 that the proud and unfeeling landlord views his extensive fields1 and without a thought for the wants of his brethren1 in imagination consumes himself the whole harvest that grows upon them4 ,the homely and vulgar proverb1 that the eye is larger than the belly1 never was more fully verified than with regard to him4 ,the capacity of his stomach bears no proportion to the immensity of his desires1 and will receive no more than that of the meanest peasant4 ,the rest he is obliged to distribute among those1 #afc who prepare1 in the nicest manner1 that little which he himself makes use of1 among those who fit up the palace in which this little is to be consumed1 among those who provide and keep in order all the different baubles and trinkets which are employed in the oeconomy of greatness2 all of whom thus derive from his luxury and caprice1 that share of the necessaries of life1 which they would in vain have expected from his humanity or his justice4 ,the produce of the soil maintains at all times nearly that number of inhabitants which it is capable of maintaining4 ,the rich only select from the heap what is most precious and agreeable4 ,they consume little more than the poor1 and in spite of their natural selfishness and rapacity1 though they mean only their own conveniency1 though the sole end which they propose from the labours of all the thousands whom they employ1 be the gratification of their own vain and insatiable desires1 they divide with the poor the produce of all their improvements4 ,they are led by an invisible hand to make nearly the same distribution of the necessaries of life1 which would have been made1 had the earth been divided into equal portions among all its inhabitants1 and thus without intending it1 without knowing it1 advance the interest of the society1 and afford means to the multiplication of the species4 ,when ,providence divided the earth among a few lordly masters1 it neither forgot nor abandoned those who seemed to have been left out in the partition4 ,these last1 too1 enjoy their share of all that it produces4 ,in what constitutes the real happiness of human life1 they are in no respect inferior to those who would seem so much above them4 ,in ease of the body and peace of the mind1 all the different ranks of life are nearly upon a level1 and the beggar1 who suns himself by the side of the highway1 possesses that security which kings are fighting for4 ,the same principle1 the same love of system1 the same regard to the beauty of order1 of art and contrivance1 frequently serves to recommend those institutions which tend to promote the public welfare4 ,when a patriot exerts himself for the improvement of any part of the public police1 his conduct does not always arise from pure sympathy with the happiness of those who are to reap the benefit of it4 ,it is not commonly from a fellow-feeling with carriers and waggoners that a public-spirited man encourages the mending of high roads4 ,when the legislature establishes premiums and other encouragements to advance the linen or woollen manufactures1 its conduct seldom proceeds from pure sympathy with the wearer of cheap or fine cloth1 and much less from that with the manufacturer or merchant4 ,the perfection of police1 the extension of trade and manufactures1 are noble and magnificent objects4 ,the contemplation of them pleases us1 and we are interested in whatever can tend to advance them4 ,they make part of the great system of government1 and the wheels of the political machine seem to move with more harmony and ease by means of them4 ,we #afd take pleasure in beholding the perfection of so beautiful and grand a system1 and we are uneasy till we remove any obstruction that can in the least disturb or encumber the regularity of its motions4 ,all constitutions of government1 however1 are valued only in proportion as they tend to promote the happiness of those who live under them4 ,this is their sole use and end4 ,from a certain spirit of system1 however1 from a certain love of art and contrivance1 we sometimes seem to value the means more than the end1 and to be eager to promote the happiness of our fellow-creatures1 rather from a view to perfect and improve a certain beautiful and orderly system1 than from any immediate sense or feeling of what they either suffer or enjoy4 ,there have been men of the greatest public spirit1 who have shown themselves in other respects not very sensible to the feelings of humanity4 ,and on the contrary1 there have been men of the greatest humanity1 who seem to have been entirely devoid of public spirit4 ,every man may find in the circle of his acquaintance instances both of the one kind and the other4 ,who had ever less humanity1 or more public spirit1 than the celebrated legislator of ,muscovy8 ,the social and well-natured ,james the ,first of ,great ,britain seems1 on the contrary1 to have had scarce any passion1 either for the glory or the interest of his country4 ,would you awaken the industry of the man who seems almost dead to ambition1 it will often be to no purpose to describe to him the happiness of the rich and the great2 to tell him that they are generally sheltered from the sun and the rain1 that they are seldom hungry1 that they are seldom cold1 and that they are rarely exposed to weariness1 or to want of any kind4 ,the most eloquent exhortation of this kind will have little effect upon him4 ,if you would hope to succeed1 you must describe to him the conveniency and arrangement of the different apartments in their palaces2 you must explain to him the propriety of their equipages1 and point out to him the number1 the order1 and the different offices of all their attendants4 ,if any thing is capable of making impression upon him1 this will4 ,yet all these things tend only to keep off the sun and the rain1 and save them from hunger and cold1 from want and weariness4 ,in the same manner1 if you would implant public virtue in the breast of him who seems heedless of the interest of his country1 it will often be to no purpose to tell him1 what superior advantages the subjects of a well-governed state enjoy2 that they are better lodged1 that they are better clothed1 that they are better fed4 ,these considerations will commonly make no great impression4 ,you will be more likely to persuade1 if you describe the great system of public police which procures these advantages1 if you explain the connexions and dependencies of its several parts1 their mutual subordination to one another1 and their general subserviency to the happiness of the society2 if you show how this system might be introduced into his own country1 what it is that hinders it from taking place there at present1 how those #afe obstructions might be removed1 and all the several wheels of the machine of government be made to move with more harmony and smoothness1 without grating upon one another1 or mutually retarding one another's motions4 ,it is scarce possible that a man should listen to a discourse of this kind1 and not feel himself animated to some degree of public spirit4 ,he will1 at least for a moment1 feel some desire to remove those obstructions1 and to put into motion so beautiful and so orderly a machine4 ,nothing tends so much to promote public spirit as the study of politics1 of the several systems of civil government1 their advantages and disadvantages1 of the constitution of our own country1 its situation1 and interest with regard to foreign nations1 its commerce1 its defence1 the disadvantages it labours under1 the dangers to which it may be exposed1 how to remove the one1 and how to guard against the other4 ,upon this account political disquisition1 if just and reasonable and practicable1 are of all the works of speculation the most useful4 ,even the weakest and the worst of them are not altogether without their utility4 ,they serve at least to animate the public passions of men1 and rouse them to seek out the means of promoting the happiness of the society4 ----- ,,chap4 ,,ii4--,of the ,beauty which the ,appearance of ,utility bestows upon the ,characters and the ,actions of ,men2 and how far the ,perception of this ,beauty may be regarded as one of the original ,principles of ,approbation4 ,,the characters of men1 as well as the contrivances of art1 or the institutions of civil government1 may be fitted either to promote or to disturb the happiness both of the individual and of the society4 ,the prudent1 the equitable1 the active1 resolute1 and sober character promises prosperity and satisfaction1 both to the person himself and to every one connected with him4 ,the rash1 the insolent1 the slothful1 effeminate1 and voluptuous1 on the contrary1 forebodes ruin to the individual1 and misfortune to all who have any thing to do with him4 ,the first turn of mind has at least all the beauty which can belong to the most perfect machine that was ever invented for promoting the most agreeable purpose3 and the second1 all the deformity of the most awkward and clumsy contrivance4 ,what institution of government could tend so much to promote the happiness of mankind as the general prevalence of wisdom and virtue8 ,all government is but an imperfect remedy for the deficiency of these4 ,whatever beauty1 therefore1 can belong to civil government upon account of its utility1 must in a far superior degree belong to these4 ,on the contrary1 what civil policy can be so ruinous and destructive as the vices of men8 ,the fatal effects of bad government arise from nothing1 but that it does not #aff sufficiently guard against the mischiefs which human wickedness so often gives occasion to4 ,this beauty and deformity which characters appear to derive from their usefulness or inconveniency1 are apt to strike1 in a peculiar manner1 those who consider1 in an abstract and philosophical light1 the actions and conduct of mankind4 ,when a philosopher goes to examine why humanity is approved of1 or cruelty condemned1 he does not always form to himself1 in a very clear and distinct manner1 the conception of any one particular action either of cruelty or of humanity1 but is commonly contented with the vague and indeterminate idea which the general names of those qualities suggest to him4 ,but it is in particular instances only that the propriety or impropriety1 the merit or demerit of actions is very obvious and discernible4 ,it is only when particular examples are given that we perceive distinctly either the concord or disagreement between our two affections and those of the agent1 or feel a social gratitude arise towards him in the one case1 or a sympathetic resentment in the other4 ,when we consider virtue and vice in an abstract and general manner1 the qualities by which they excite these several sentiments seem in a great measure to disappear1 and the sentiments themselves become less obvious and discernible4 ,on the contrary1 the happy effects of the one and the fatal consequences of the other seem then to rise up to the view1 and as it were to stand out and distinguish themselves from all the other qualities of either4 ,the same ingenious and agreeable author who first explained why utility pleases1 has been so struck with this view of things1 as to resolve our whole approbation of virtue into a perception of this species of beauty which results from the appearance of utility4 ,no qualities of the mind1 he observes1 are approved of as virtuous1 but such as are useful or agreeable either to the person himself or to others2 and no qualities are disapproved of as vicious but such as have a contrary tendency4 ,and ,nature1 indeed1 seems to have so happily adjusted our sentiments of approbation and disapprobation1 to the conveniency both of the individual and of the society1 that after the strictest examination it will be found1 ,i believe1 that this is universally the case4 ,but still ,i affirm1 that it is not the view of this utility or hurtfulness which is either the first or principal source of our approbation and disapprobation4 ,these sentiments are no doubt enhanced and enlivened by the perception of the beauty or deformity which results from this utility or hurtfulness4 ,but still1 ,i say1 that they were originally and essentially different from this perception4 ,for first of all1 it seems impossible that the approbation of virtue should be a sentiment of the same kind with that by which we approve of a convenient and well-contrived building2 or that we should have no other reason for praising a man than that for which we commend a chest of drawers4 #afg ,and secondly1 it will be found1 upon examination1 that the usefulness of any disposition of mind is seldom the first ground of our approbation2 and that the sentiment of approbation always involves in it a sense of propriety quite distinct from the perception of utility4 ,we may observe this with regard to all the qualities which are approved of as virtuous1 both those which1 according to this system1 are originally valued as useful to ourselves1 as well as those which are esteemed on account of their usefulness to others4 ,the qualities most useful to ourselves are1 first of all1 superior reason and understanding1 by which we are capable of discerning the remote consequences of all our actions1 and of fore-seeing the advantage or detriment which is likely to result from them3 and secondly1 self-command1 by which we are enabled to abstain from present pleasure or to endure present pain1 in order to obtain a greater pleasure1 or to avoid a greater pain in some future time4 ,in the union of those two qualities consists the virtue of prudence1 of all the virtues that which is the most useful to the individual4 ,with regard to the first of those qualities1 it has been observed on a former occasion1 that superior reason and understanding are originally approved of as just and right and accurate1 and not merely as useful or advantageous4 ,it is in the abstruser sciences1 particularly in the higher parts of mathematics1 that the greatest and most admired exertions of human reason have been displayed4 ,but the utility of those sciences1 either to the individual or to the public1 is not very obvious1 and to prove it1 requires a discussion which is not always very easily comprehended4 ,it was not1 therefore1 their utility which first recommended them to the public admiration4 ,this quality was but little insisted upon1 till it became necessary to make some reply to the reproaches of those1 who1 having themselves no taste for such sublime discoveries1 endeavoured to depreciate them as useless4 ,that self-command1 in the same manner1 by which we restrain our present appetites1 in order to gratify them more fully upon another occasion1 is approved of1 as much under the aspect of propriety1 as under that of utility4 ,when we act in this manner1 the sentiments which influence our conduct seem exactly to coincide with those of the spectator4 ,the spectator1 however1 does not feel the solicitations of our present appetites4 ,to him the pleasure which we are to enjoy a week hence1 or a year hence1 is just as interesting as that which we are to enjoy this moment4 ,when for the sake of the present1 therefore1 we sacrifice the future1 our conduct appears to him absurd and extravagant in the highest degree1 and he cannot enter into the principles which influence it4 ,on the contrary1 when we abstain from present pleasure1 in order to secure greater pleasure to come1 when we act as if the remote object interested us as much as that which immediately presses upon the senses1 as our #afh affections exactly correspond with his own1 he cannot fail to approve of our behaviour3 and as he knows from experience1 how few are capable of this self-command1 he looks upon our conduct with a considerable degree of wonder and admiration4 ,hence arises that eminent esteem with which all men naturally regard a steady perseverance in the practice of frugality1 industry1 and application1 though directed to no other purpose than the acquisition of fortune4 ,the resolute firmness of the person who acts in this manner1 and in order to obtain a great though remote advantage1 not only gives up all present pleasures1 but endures the greatest labour both of mind and body1 necessarily commands our approbation4 ,that view of his interest and happiness which appears to regulate his conduct1 exactly tallies with the idea which we naturally form of it4 ,there is the most perfect correspondence between his sentiments and our own1 and at the same time1 from our experience of the common weakness of human nature1 it is a correspondence which we could not reasonably have expected4 ,we not only approve1 therefore1 but in some measure admire his conduct1 and think it worthy of a considerable degree of applause4 ,it is the consciousness of this merited approbation and esteem which is alone capable of supporting the agent in this tenor of conduct4 ,the pleasure which we are to enjoy ten years hence interests us so little in comparison with that which we may enjoy today1 the passion which the first excites1 is naturally so weak in comparison with that violent emotion which the second is apt to give occasion to1 that the one could never be any balance to the other1 unless it was supported by the sense of propriety1 by the consciousness that we merited the esteem and approbation of every body1 by acting in the one way1 and that we became the proper objects of their contempt and derision by behaving in the other4 ,humanity1 justice1 generosity1 and public spirit1 are the qualities most useful to others4 ,wherein consists the propriety of humanity and justice has been explained upon a former occasion1 where it was shown how much our esteem and approbation of those qualities depended upon the concord between the affections of the agent and those of the spectators4 ,the propriety of generosity and public spirit is founded upon the same principle with that of justice4 ,generosity is different from humanity4 ,those two qualities1 which at first sight seem so nearly allied1 do not always belong to the same person4 ,humanity is the virtue of a woman1 generosity of a man4 ,the fair sex1 who have commonly much more tenderness than ours1 have seldom so much generosity4 ,that women rarely make considerable donations1 is an observation of the civil law4 7,raro mulieres donare solent47 ,humanity consists merely in the exquisite fellow-feeling which the spectator entertains with the sentiments of the persons principally concerned1 so as to grieve for their sufferings1 to resent their injuries1 and to rejoice at their good #afi fortune4 ,the most humane actions require no self-denial1 no self-command1 no great exertion of the sense of propriety4 ,they consist only in doing what this exquisite sympathy would of its own accord prompt us to do4 ,but it is otherwise with generosity4 ,we never are generous except when in some respect we prefer some other person to ourselves1 and sacrifice some great and important interest of our own to an equal interest of a friend or of a superior4 ,the man who gives up his pretensions to an office that was the great object of his ambition1 because he imagines that the services of another are better entitled to it2 the man who exposes his life to defend that of his friend1 which he judges to be of more importance1 neither of them act from humanity1 or because they feel more exquisitely what concerns that other person that what concerns themselves4 ,they both consider those opposite interests1 not in the light in which they naturally appear to themselves1 but in that in which they appear to others4 ,to every bystander1 the success or preservation of this other person may justly be more interesting than their own2 but it cannot be so to themselves4 ,when to the interest of this other person1 therefore1 they sacrifice their own1 they accommodate themselves to the sentiments of the spectator1 and by an effort of magnanimity act according to those views of things which they feel must naturally occur to any third person4 ,the soldier who throws away his life in order to defend that of his officer1 would perhaps be but little affected by the death of that officer1 if it should happen without any fault of his own2 and a very small disaster which had befallen himself might excite a much more lively sorrow4 ,but when he endeavours to act so as to deserve applause1 and to make the impartial spectator enter into the principles of his conduct1 he feels1 that to every body but himself1 his own life is a trifle compared with that of his officer1 and that when he sacrifices the one to the other1 he acts quite properly and agreeably to what would be the natural apprehensions of every impartial bystander4 ,it is the same case with the greater exertions of public spirit4 ,when a young officer exposes his life to acquire some inconsiderable addition to the dominions of his sovereign1 it is not because the acquisition of the new territory is1 to himself1 an object more desirable than the preservation of his own life4 ,to him his own life is of infinitely more value than the conquest of a whole kingdom for the state which he serves4 ,but when he compares those two objects with one another1 he does not view them in the light in which they naturally appear to himself1 but in that in which they appear to the nation he fights for4 ,to them the success of the war is of the highest importance2 the life of a private person of scarce any consequence4 ,when he puts himself in their situation1 he immediately feels that he cannot be too prodigal of his blood1 if1 by shedding it1 he can promote so valuable a purpose4 ,in thus thwarting1 from a sense of duty and propriety1 the strongest of #agj all natural propensities1 consists the heroism of his conduct4 ,there is many an honest ,englishman1 who1 in his private station1 would be more seriously disturbed by the loss of a guinea1 than by the national loss of ,minorca1 who yet1 had it been in his power to defend that fortress1 would have sacrificed his life a thousand times rather than1 through his fault1 have let it fall into the hands of the enemy4 ,when the first ,brutus led forth his own sons to a capital punishment1 because they had conspired against the rising liberty of ,rome1 he sacrificed what1 if he had consulted his own breast only1 would appear to be the stronger to the weaker affection4 ,brutus ought naturally to have felt much more for the death of his own sons1 than for all that probably ,rome could have suffered from the want of so great an example4 ,but he viewed them1 not with the eyes of a father1 but with those of a ,roman citizen4 ,he entered so thoroughly into the sentiments of this last character1 that he paid no regard to that tie1 by which he himself was connected with them2 and to a ,roman citizen1 the sons even of ,brutus seemed contemptible1 when put into the balance with the smallest interest of ,rome4 ,in these and in all other cases of this kind1 our admiration is not so much founded upon the utility1 as upon the unexpected1 and on that account the great1 the noble1 and exalted propriety of such actions4 ,this utility1 when we come to view it1 bestows upon them1 undoubtedly a new beauty1 and upon that account still further recommends them to our approbation4 ,this new beauty1 however1 is chiefly perceived by men of reflection and speculation1 and it is by no means the quality which first recommends such actions to the natural sentiments of the bulk of mankind4 ,it is to be observed1 that so far as the sentiment of approbation arises from the perception of this beauty of utility1 it has no reference of any kind to the sentiments of others4 ,if it was possible1 therefore1 that a person should grow up to manhood without any communication with society1 his own actions might1 notwithstanding1 be agreeable or disagreeable to him on account of their tendency to his happiness or disadvantage4 ,he might perceive a beauty of this kind in prudence1 temperance1 and good conduct1 and a deformity in the opposite behaviour3 he might view his own temper and character with that sort of satisfaction with which we consider a well-contrived machine1 in the one case3 or with that sort of distaste and dissatisfaction with which we regard a very awkward and clumsy contrivance1 in the other4 ,as these perceptions1 however1 are merely a matter of taste1 and have all the feebleness and delicacy of that species of perceptions1 upon the justness of which what is properly called taste is founded1 they probably would not be much attended to by one in his solitary and miserable condition4 ,even though they should occur to him1 they would by no means have the same effect upon him1 antecedent to his connexion with society1 which they would have in consequence of that connexion4 ,he #aga would not be cast down with inward shame at the thought of this deformity2 nor would he be elevated with secret triumph of mind from the consciousness of the contrary beauty4 ,he would not exult from the notion of deserving reward in the one case1 nor tremble from the suspicion of meriting punishment in the other4 ,all such sentiments suppose the idea of some other being1 who is the natural judge of the person that feels them2 and it is only by sympathy with the decisions of this arbiter of his conduct1 that he can conceive1 either the triumph of self-applause1 or the shame of self-condemnation4 ----- ,part ,v4--,of the ,influence of ,custom and ,fashion upon the ,sentiments of ,moral ,approbation and ,disapprobation4 ,,chap4 ,i4--,of the ,influence of ,custom and ,fashion upon our notions of ,beauty and ,deformity4 ,,there are other principles besides those already enumerated1 which have a considerable influence upon the moral sentiments of mankind1 and are the chief causes of the many irregular and discordant opinions which prevail in different ages and nations concerning what is blamable or praise-worthy4 ,these principles are custom and fashion1 principles which extend their dominion over our judgments concerning beauty of every kind4 ,when two objects have frequently been seen together1 the imagination acquires a habit of passing easily from the one to the other4 ,if the first appear1 we lay our account that the second is to follow4 ,of their own accord they put us in mind of one another1 and the attention glides easily along them4 ,though1 independent of custom1 there should be no real beauty in their union1 yet when custom has thus connected them together1 we feel an impropriety in their separation4 ,the one we think is awkward when it appears without its usual companion4 ,we miss something which we expected to find1 and the habitual arrangement of our ideas is disturbed by the disappointment4 ,a suit of clothes1 for example1 seems to want something if they are without the most insignificant ornament which usually accompanies them1 and we find a meanness or awkwardness in the absence even of a haunch button4 ,when there is any natural propriety in the union1 custom increases our sense of it1 and makes a different arrangement appear still more disagreeable than it would otherwise seem to be4 ,those who have been accustomed to see things in a good taste1 are more disgusted by whatever is clumsy or awkward4 ,where the conjunction is improper1 custom either diminishes1 or takes away altogether1 our sense of the impropriety4 ,those who have been accustomed to slovenly disorder lose all sense of neatness or elegance4 ,the modes of furniture or dress which #agb seem ridiculous to strangers1 give no offence to the people who have been used to them4 ,fashion is different from custom1 or rather is a particular species of it4 ,that is not the fashion which every body wears1 but which those wear who are of a high rank1 or character4 ,the graceful1 the easy1 and commanding manners of the great1 joined to the usual richness and magnificence of their dress1 give a grace to the very form which they happen to bestow upon it4 ,as long as they continue to use this form1 it is connected in our imaginations with the idea of something that is genteel and magnificent1 and though in itself it should be indifferent1 it seems1 on account of this relation1 to have something about it that is genteel and magnificent too4 ,as soon as they drop it1 it loses all the grace1 which it had appeared to possess before1 and being now used only by the inferior ranks of people1 seems to have something of their meanness and their awkwardness4 ,dress and furniture are allowed by all the world to be entirely under the dominion of custom and fashion4 ,the influence of those principles1 however1 is by no means confined to so narrow a sphere1 but extends itself to whatever is in any respect the object of taste1 to music1 to poetry1 to architecture4 ,the modes of dress and furniture are continually changing1 and that fashion appearing ridiculous to-day which was admired five years ago1 we are experimentally convinced that it owed its vogue chiefly or entirely to custom and fashion4 ,clothes and furniture are not made of very durable materials4 ,a well-fancied coat is done in a twelve-month1 and cannot continue longer to propagate1 as the fashion1 that form according to which it was made4 ,the modes of furniture change less rapidly than those of dress2 because furniture is commonly more durable4 ,in five or six years1 however1 it generally undergoes an entire revolution1 and every man in his own time sees the fashion in this respect change many different ways4 ,the productions of the other arts are much more lasting1 and1 when happily imagined1 may continue to propagate the fashion of their make for a much longer time4 ,a well-contrived building may endure many centuries3 a beautiful air may be delivered down by a sort of tradition1 through many successive generations3 a well-written poem may last as long as the world2 and all of them continue for ages together1 to give the vogue to that particular style1 to that particular taste or manner1 according to which each of them was composed4 ,few men have an opportunity of seeing in their own times the fashion in any of these arts change very considerably4 ,few men have so much experience and acquaintance with the different modes which have obtained in remote ages and nations1 as to be thoroughly reconciled to them1 or to judge with impartiality between them and what takes place in their own age and country4 ,few men therefore are willing to allow1 that custom or fashion have much influence upon their judgments concerning what is beautiful #agc or otherwise1 in the productions of any of those arts2 but imagine that all the rules1 which they think ought to be observed in each of them1 are founded upon reason and nature1 not upon habit or prejudice4 ,a very little attention may convince them of the contrary1 and satisfy them1 that the influence of custom and fashion over dress and furniture1 is not more absolute than over architecture1 poetry1 and music4 ,can any reason1 for example1 be assigned why the ,doric capital should be appropriated to a pillar1 whose height is equal to eight diameters2 the ,ionic volute to one of nine2 and the ,corinthian foliage to one of ten8 ,the propriety of each of those appropriations can be founded upon nothing but habit and custom4 ,the eye having been used to see a particular proportion connected with a particular ornament1 would be offended if they were not joined together4 ,each of the five orders has its peculiar ornaments1 which cannot be changed for any other1 without giving offence to all those who know any thing of the rules of architecture4 ,according to some architects1 indeed1 such is the exquisite judgment with which the ancients have assigned to each order its proper ornaments1 that no others can be found which are equally suitable4 ,it seems1 however1 a little difficult to be conceived that these forms1 though1 no doubt1 extremely agreeable1 should be the only forms which can suit those proportions1 or that there should not be five hundred others which1 antecedent to established custom1 would have fitted them equally well4 ,when custom1 however1 has established particular rules of building1 provided they are not absolutely unreasonable1 it is absurd to think of altering them for others which are only equally good1 or even for others which1 in point of elegance and beauty1 have naturally some little advantage over them4 ,a man would be ridiculous who should appear in public with a suit of clothes quite different from those which are commonly worn1 though the new dress should in itself be ever so graceful or convenient4 ,and there seems to be an absurdity of the same kind in ornamenting a house after a quite different manner from that which custom and fashion have prescribed2 though the new ornaments should in themselves be somewhat superior to the common ones in use4 ,according to the ancient rhetoricians1 a certain measure or verse was by nature appropriated to each particular species of writing1 as being naturally expressive of that character1 sentiment1 or passion1 which ought to predominate in it4 ,one verse1 they said1 was fit for grave and another for gay works1 which could not1 they thought1 be interchanged without the greatest impropriety4 ,the experience of modern times1 however1 seems to contradict this principle1 though in itself it would appear to be extremely probable4 ,what is the burlesque verse in ,english1 is the heroic verse in ,french4 ,the tragedies of ,racine and the ,henriad of ,voltaire1 are nearly in the same verse with1 ,let me have your advice in a weighty affair4 #agd ,the burlesque verse in ,french1 on the contrary1 is pretty much the same with the heroic verse of ten syllables in ,english4 ,custom has made the one nation associate the ideas of gravity1 sublimity1 and seriousness1 to that measure which the other has connected with whatever is gay1 flippant1 and ludicrous4 ,nothing would appear more absurd in ,english1 than a tragedy written in the ,alexandrine verses of the ,french2 or in ,french1 than a work of the same kind in hexametery1 or verses of ten syllables4 ,an eminent artist will bring about a considerable change in the established modes of each of those arts1 and introduce a new fashion of writing1 music1 or architecture4 ,as the dress of an agreeable man of high rank recommends itself1 and how peculiar and fantastical soever1 comes soon to be admired and imitated2 so the excellencies of an eminent master recommend his peculiarities1 and his manner becomes the fashionable style in the art which he practises4 ,the taste of the ,italians in music and architecture has1 within these fifty years1 undergone a considerable change1 from imitating the peculiarities of some eminent masters in each of those arts4 ,seneca is accused by ,quintilian of having corrupted the taste of the ,romans1 and of having introduced a frivolous prettiness in the room of majestic reason and masculine eloquence4 ,sallust and ,tacitus have by others been charged with the same accusation1 though in a different manner4 ,they gave reputation1 it is pretended1 to a style1 which though in the highest degree concise1 elegant1 expressive1 and even poetical1 wanted1 however1 ease1 simplicity1 and nature1 and was evidently the production of the most laboured and studied affectation4 ,how many great qualities must that writer possess1 who can thus render his very faults agreeable8 ,after the praise of refining the taste of a nation1 the highest eulogy1 perhaps1 which can be bestowed upon any author1 is to say1 that he corrupted it4 ,in our own language1 ,mr4 ,pope and ,dr4 ,swift have each of them introduced a manner different from what was practised before1 into all works that are written in rhyme1 the one in long verses1 the other in short4 ,the quaintness of ,butler has given place to the plainness of ,swift4 ,the rambling freedom of ,dryden1 and the correct but often tedious and prosaic languor of ,addison1 are no longer the objects of imitation1 but all long verses are now written after the manner of the nervous precision of ,mr4 ,pope4 ,neither is it only over the productions of the arts1 that custom and fashion exert their dominion4 ,they influence our judgments1 in the same manner1 with regard to the beauty of natural objects4 ,what various and opposite forms are deemed beautiful in different species of things8 ,the proportions which are admired in one animal1 are altogether different from those which are esteemed in another4 ,every class of things has its own peculiar conformation1 which is approved of1 and has a beauty of its own1 distinct from that of every other species4 #age ,it is upon this account that a learned ,jesuit1 ,father ,buffier1 has determined that the beauty of every object consists in that form and colour1 which is most usual among things of that particular sort to which it belongs4 ,thus1 in the human form1 the beauty of each feature lies in a certain middle1 equally removed from a variety of other forms that are ugly4 ,a beautiful nose1 for example1 is one that is neither very long1 nor very short1 neither very straight1 nor very crooked1 but a sort of middle among all these extremes1 and less different from any one of them1 than all of them are from one another4 ,it is the form which nature seems to have aimed at in them all1 which1 however1 she deviates from in a great variety of ways1 and very seldom hits exactly2 but to which all those deviations still bear a very strong resemblance4 ,when a number of drawings are made after one pattern1 though they may all miss it in some respects1 yet they will all resemble it more than they resemble one another2 the general character of the pattern will run through them all2 the most singular and odd will be those which are most wide of it2 and though very few will copy it exactly1 yet the most accurate delineations will bear a greater resemblance to the most careless1 than the careless ones will bear to one another4 ,in the same manner1 in each species of creatures1 what is most beautiful bears the strongest characters of the general fabric of the species1 and has the strongest resemblance to the greater part of the individuals with which it is classed4 ,monsters1 on the contrary1 or what is perfectly deformed1 are always most singular and odd1 and have the least resemblance to the generality of that species to which they belong4 ,and thus the beauty of each species1 though in one sense the rarest of all things1 because few individuals hit this middle form exactly1 yet in another1 is the most common1 because all the deviations from it resemble it more than they resemble one another4 ,the most customary form1 therefore1 is in each species of things1 according to him1 the most beautiful4 ,and hence it is that a certain practice and experience in contemplating each species of objects is requisite before we can judge of its beauty1 or know wherein the middle and most usual form consists4 ,the nicest judgment concerning the beauty of the human species will not help us to judge of that of flowers1 or horses1 or any other species of things4 ,it is for the same reason that in different climates1 and where different customs and ways of living take place1 as the generality of any species receives a different conformation from those circumstances1 so different ideas of its beauty prevail4 ,the beauty of a ,moorish is not exactly the same with that of an ,english horse4 ,what different ideas are formed in different nations concerning the beauty of the human shape and countenance8 ,a fair complexion is a shocking deformity upon the coast of ,guinea4 ,thick lips and a flat nose are a beauty4 ,in some nations long ears that hang down upon the shoulders are the objects of universal admiration4 ,in ,china if a lady's foot is so #agf large as to be fit to walk upon1 she is regarded as a monster of ugliness4 ,some of the savage nations in ,north ,america tie four boards round the heads of their children1 and thus squeeze them1 while the bones are tender and gristly1 into a form that is almost perfectly square4 ,europeans are astonished at the absurd barbarity of this practice1 to which some missionaries have imputed the singular stupidity of those nations among whom it prevails4 ,but when they condemn those savages1 they do not reflect that the ladies in ,europe had1 till within these very few years1 been endeavouring1 for near a century past1 to squeeze the beautiful roundness of their natural shape into a square form of the same kind4 ,and that1 notwithstanding the many distortions and diseases which this practice was known to occasion1 custom had rendered it agreeable among some of the most civilized nations which1 perhaps1 the world has ever beheld4 ,such is the system of this learned and ingenious father1 concerning the nature of beauty2 of which the whole charm1 according to him1 would thus seem to arise from its falling in with the habits which custom had impressed upon the imagination1 with regard to things of each particular kind4 ,i cannot1 however1 be induced to believe that our sense even of external beauty is founded altogether on custom4 ,the utility of any form1 its fitness for the useful purposes for which it was intended evidently recommends it1 and renders it agreeable to us1 independent of custom4 ,certain colours are more agreeable than others1 and give more delight to the eye the first time it ever beholds them4 ,a smooth surface is more agreeable than a rough one4 ,variety is more pleasing than a tedious undiversified uniformity4 ,connected variety1 in which each new appearance seems to be introduced by what went before it1 and in which all the adjoining parts seem to have some natural relation to one another1 is more agreeable than a disjointed and disorderly assemblage of unconnected objects4 ,but though ,i cannot admit that custom is the sole principle of beauty1 yet ,i can so far allow the truth of this ingenious system as to grant1 that there is scarce any one external form so beautiful as to please1 if quite contrary to custom and unlike whatever we have ever been used to in that particular species of things3 or so deformed as not to be agreeable1 if custom uniformly supports it1 and habituates us to see it in every single individual of the kind4 ----- ,,chap4 ,,ii4--,of the ,influence of ,custom and ,fashion upon ,moral ,sentiments4 ,,since our sentiments concerning beauty of every kind1 are so much influenced by custom and fashion1 it cannot be expected1 that those1 concerning the beauty of conduct1 should be entirely exempted from #agg the dominion of those principles4 ,their influence here1 however1 seems to be much less than it is every where else4 ,there is1 perhaps1 no form of external objects1 how absurd and fantastical soever1 to which custom will not reconcile us1 or which fashion will not render even agreeable4 ,but the characters and conduct of a ,nero1 or a ,claudius1 are what no custom will ever reconcile us to1 what no fashion will ever render agreeable2 but the one will always be the object of dread and hatred2 the other of scorn and derision4 ,the principles of the imagination1 upon which our sense of beauty depends1 are of a very nice and delicate nature1 and may easily be altered by habit and education3 but the sentiments of moral approbation and disapprobation1 are founded on the strongest and most vigorous passions of human nature2 and though they may be warped1 cannot be entirely perverted4 ,but though the influence of custom and fashion upon moral sentiments1 is not altogether so great1 it is however perfectly similar to what it is every where else4 ,when custom and fashion coincide with the natural principles of right and wrong1 they heighten the delicacy of our sentiments1 and increase our abhorrence for every thing which approaches to evil4 ,those who have been educated in what is really good company1 not in what is commonly called such1 who have been accustomed to see nothing in the persons whom they esteemed and lived with1 but justice1 modesty1 humanity1 and good order2 are more shocked with whatever seems to be inconsistent with the rules which those virtues prescribe4 ,those1 on the contrary1 who have had the misfortune to be brought up amidst violence1 licentiousness1 falsehood1 and injustice1 lose1 though not all sense of the impropriety of such conduct1 yet all sense of its dreadful enormity1 or of the vengeance and punishment due to it4 ,they have been familiarized with it from their infancy1 custom has rendered it habitual to them1 and they are very apt to regard it as1 what is called1 the way of the world1 something which either may1 or must be practised1 to hinder us from being made the dupes of our own integrity4 ,fashion1 too1 will sometimes give reputation to a certain degree of disorder1 and1 on the contrary1 discountenance qualities which deserve esteem4 ,in the reign of ,charles ,,ii4 a degree of licentiousness was deemed the characteristic of a liberal education4 ,it was connected1 according to the notions of those times1 with generosity1 sincerity1 magnanimity1 loyalty1 and proved that the person who acted in this manner1 was a gentleman1 and not a puritan4 ,severity of manners1 and regularity of conduct1 on the other hand1 were altogether unfashionable1 and were connected1 in the imagination of that age1 with cant1 cunning1 hypocrisy1 and low manners4 ,to superficial minds1 the vices of the great seem at all times agreeable4 ,they connect them1 not only with the splendour of fortune1 but with many superior virtues1 which they ascribe to their superiors2 with the spirit of freedom and #agh independency1 with frankness1 generosity1 humanity1 and politeness4 ,the virtues of the inferior ranks of people1 on the contrary1 their parsimonious frugality1 their painful industry1 and rigid adherence to rules1 seems to them mean and disagreeable4 ,they connect them1 both with the meanness of the station to which those qualities do commonly belong1 and with many great vices which1 they suppose1 very usually accompany them2 such as an abject1 cowardly1 ill-natured1 lying1 and pilfering disposition4 ,the objects with which men in the different professions and states of life are conversant1 being very different1 and habituating them to very different passions1 naturally form in them very different characters and manners4 ,we expect in each rank and profession1 a degree of those manners1 which1 experience has taught us1 belong to it4 ,but as in each species of things1 we are particularly pleased with the middle conformation1 which1 in every part and feature1 agrees most exactly with the general standard which nature seems to have established for things of that kind2 so in each rank1 or1 if ,i may say so1 in each species of men1 we are particularly pleased1 if they have neither too much1 nor too little of the character which usually accompanies their particular condition and situation4 ,a man1 we say1 should look like his trade and profession2 yet the pedantry of every profession is disagreeable4 ,the different periods of life have1 for the same reason1 different manners assigned to them4 ,we expect in old age1 that gravity and sedateness which its infirmities1 its long experience1 and its worn-out sensibility seem to render both natural and respectable2 and we lay our account to find in youth that sensibility1 that gaiety and sprightly vivacity which experience teaches us to expect from the lively impressions that all interesting objects are apt to make upon the tender and unpractised senses of that early period of life4 ,each of those two ages1 however1 may easily have too much of these peculiarities which belong to it4 ,the flirting levity of youth1 and the immovable insensibility of old age1 are equally disagreeable4 ,the young1 according to the common saying1 are most agreeable when in their behaviour there is something of the manners of the old1 and the old1 when they retain something of the gaiety of the young4 ,either of them1 however1 may easily have too much of the manners of the other4 ,the extreme coldness1 and the dull formality1 which are pardoned in old age1 make youth ridiculous4 ,the levity1 the carelessness1 and the vanity1 which are indulged in youth1 will render old age contemptible4 ,the peculiar character and manners which we are led by custom to appropriate to each rank and profession1 have sometimes perhaps a propriety independent of custom2 and are what we should approve of for their own sakes1 if we took into consideration all the different circumstances which naturally affect those in each different state of life4 ,the propriety of a person's behaviour1 depends not upon its #agi suitableness to any one circumstance of his situation1 but to all the circumstances1 which1 when we bring his case home to ourselves1 we feel1 should naturally call upon his attention4 ,if he appears to be so much occupied by any one of them1 as entirely to neglect the rest1 we disapprove of his conduct1 as something which we cannot entirely go along with1 because not properly adjusted to all the circumstances of his situation3 yet1 perhaps1 the emotion he expresses for the object which principally interests him1 does not exceed what we should entirely sympathize with1 and approve of1 in one whose attention was not required by any other thing4 ,a parent in private life might1 upon the loss of an only son1 express without blame a degree of grief and tenderness1 which would be unpardonable in a general at the head of an army1 when glory1 and the public safety1 demanded so great a part of his attention4 ,as different objects ought1 upon common occasions1 to occupy the attention of men of different professions1 so different passions ought naturally to become habitual to them2 and when we bring home to ourselves their situation in this particular respect1 we must be sensible1 that every occurrence should naturally affect them more or less1 according as the emotion which it excites1 coincides or disagrees with the fixed habit and temper of their minds4 ,we cannot expect the same sensibility to the gay pleasures and amusements of life in a clergyman1 which we lay our account with in an officer4 ,the man whose peculiar occupation it is to keep the world in mind of that awful futurity which awaits him1 who is to announce what may be the fatal consequences of every deviation from the rules of duty1 and who is himself to set the example of the most exact conformity1 seems to be the messenger of tidings1 which cannot1 in propriety1 be delivered either with levity or indifference4 ,his mind is supposed to be continually occupied with what is too grand and solemn1 to leave any room for the impressions of those frivolous objects1 which fill up the attention of the dissipated and the gay4 ,we readily feel therefore1 that1 independent of custom1 there is a propriety in the manners which custom has allotted to this profession2 and that nothing can be more suitable to the character of a clergyman1 than that grave1 that austere and abstracted severity1 which we are habituated to expect in his behaviour4 ,these reflections are so very obvious1 that there is scarce any man so inconsiderate1 as not1 at some time1 to have made them1 and to have accounted to himself in this manner for his approbation of the useful character of the clerical order4 ,the foundation of the customary character of some other professions is not so obvious1 and our approbation of it is founded entirely in the habit1 without being either confirmed or enlivened by any reflections of this kind4 ,we are led by custom1 for example1 to annex the character of gaiety1 levity1 and sprightly freedom1 as well as of some degree of dissipation1 to the military profession4 ,yet1 if we were #ahj to consider what mood or tone of temper would be most suitable to this situation1 we should be apt to determine1 perhaps1 that the most serious and thoughtful turn of mind would best become those whose lives are continually exposed to uncommon danger1 and who should therefore be more constantly occupied with the thoughts of death and its consequences than other men4 ,it is this very circumstance1 however1 which is not improbably the occasion why the contrary turn of mind prevails so much among men of this profession4 ,it requires so great an effort to conquer the fear of death1 when we survey it with steadiness and attention1 that those who are constantly exposed to it1 find it easier to turn away their thoughts from it altogether1 to wrap themselves up in careless security and indifference1 and to plunge themselves1 for this purpose1 into every sort of amusement and dissipation4 ,a camp is not the element of a thoughtful or a melancholy man3 persons of that cast1 indeed1 are often abundantly determined1 and are capable1 by a great effort1 of going on with inflexible resolution to the most unavoidable death4 ,but to be exposed to continual1 though less imminent danger1 to be obliged to exert1 for a long time1 a degree of this effort1 exhausts and depresses the mind1 and renders it incapable of all happiness and enjoyment4 ,the gay and careless1 who have occasion to make no effort at all1 who fairly resolve never to look before them1 but to lose in continual pleasures and amusements all anxiety about their situation1 more easily support such circumstances4 ,whenever1 by any peculiar circumstances1 an officer has no reason to lay his account with being exposed to any uncommon danger1 he is very apt to lose the gaiety and dissipated thoughtlessness of his character4 ,the captain of a city guard is commonly as sober1 careful1 and penurious an animal as the rest of his fellow-citizens4 ,a long peace is1 for the same reason1 very apt to diminish the difference between the civil and the military character4 ,the ordinary situation1 however1 of men of this profession1 renders gaiety1 and a degree of dissipation1 so much their usual character2 and custom has1 in our imagination1 so strongly connected this character with this state of life1 that we are very apt to despise any man1 whose peculiar humour or situation renders him incapable of acquiring it4 ,we laugh at the grave and careful faces of a city guard1 which so little resemble those of their profession4 ,they themselves seem often to be ashamed of the regularity of their own manners1 and1 not to be out of the fashion of their trade1 are fond of affecting that levity1 which is by no means natural to them4 ,whatever is the deportment which we have been accustomed to see in a respectable order of men1 it comes to be so associated in our imagination with that order1 that whenever we see the one1 we lay our account that we are to meet with the other1 and when disappointed1 miss something which we expected to find4 ,we are embarrassed1 and put to a stand1 and know not how to address ourselves to a character1 which plainly #aha affects to be of a different species from those with which we should have been disposed to class it4 ,the different situations of different ages and countries are apt1 in the same manner1 to give different characters to the generality of those who live in them1 and their sentiments concerning the particular degree of each quality1 that is either blamable or praise-worthy1 vary according to that degree which is usual in their own country1 and in their own times4 ,that degree of politeness which would be highly esteemed1 perhaps would be thought effeminate adulation1 in ,russia1 would be regarded as rudeness and barbarism at the court of ,france4 ,that degree of order and frugality1 which1 in a ,polish nobleman1 would be considered as excessive parsimony1 would be regarded as extravagance in a citizen of ,amsterdam4 ,every age and country look upon that degree of each quality1 which is commonly to be met with in those who are esteemed among themselves1 as the golden mean of that particular talent or virtue4 ,and as this varies1 according as their different circumstances render different qualities more or less habitual to them1 their sentiments concerning the exact propriety of character and behaviour vary accordingly4 ,among civilized nations1 the virtues which are founded upon humanity1 are more cultivated than those which are founded upon self-denial and the command of the passions4 ,among rude and barbarous nations1 it is quite otherwise1 the virtues of self-denial are more cultivated than those of humanity4 ,the general security and happiness which prevail in ages of civility and politeness1 afford little exercise to the contempt of danger1 to patience in enduring labour1 hunger1 and pain4 ,poverty may easily be avoided1 and the contempt of it therefore almost ceases to be a virtue4 ,the abstinence from pleasure becomes less necessary1 and the mind is more at liberty to unbend and to indulge its natural inclinations in all those particular respects4 ,among savages and barbarians it is quite otherwise4 ,every savage undergoes a sort of ,spartan discipline1 and by the necessity of his situation is inured to every sort of hardship4 ,he is in continual danger3 he is often exposed to the greatest extremities of hunger1 and frequently dies of pure want4 ,his circumstances not only habituate him to every sort of distress1 but teach him to give way to none of the passions which that distress is apt to excite4 ,he can expect from his countrymen no sympathy or indulgence for such weakness4 ,before we can feel much for others1 we must in some measure be at ease ourselves4 ,if our own misery pinches us very severely1 we have no leisure to attend to that of our neighbour3 and all savages are too much occupied with their own wants and necessities1 to give much attention to those of another person4 ,a savage1 therefore1 whatever be the nature of his distress1 expects no sympathy from those about him1 and disdains1 upon that account1 to expose himself1 by allowing the least weakness to escape #ahb him4 ,his passions1 how furious and violent soever1 are never permitted to disturb the serenity of his countenance or the composure of his conduct and behaviour4 ,the savages in ,north ,america1 we are told1 assume upon all occasions the greatest indifference1 and would think themselves degraded if they should ever appear in any respect to be overcome1 either by love1 or grief1 or resentment4 ,their magnanimity and self-command1 in this respect1 are almost beyond the conception of ,europeans4 ,in a country in which all men are upon a level1 with regard to rank and fortune1 it might be expected that the mutual inclinations of the two parties should be the only thing considered in marriages1 and should be indulged without any sort of control4 ,this1 however1 is the country in which all marriages1 without exception1 are made up by the parents1 and in which a young man would think himself disgraced for ever1 if he showed the least preference of one woman above another1 or did not express the most complete indifference1 both about the time when1 and the person to whom1 he was to be married4 ,the weakness of love1 which is so indulged in ages of humanity and politeness1 is regarded among savages as the most unpardonable effeminacy4 ,even after the marriage1 the two parties seem to be ashamed of a connexion which is founded upon so sordid a necessity4 ,they do not live together4 ,they see one another by stealth only4 ,they both continue to dwell in the houses of their respective fathers1 and the open cohabitation of the two sexes1 which is permitted without blame in all other countries1 is here considered as the most indecent and unmanly sensuality4 ,nor is it only over this agreeable passion that they exert this absolute self-command4 ,they often bear1 in the sight of all their countrymen1 with injuries1 reproach1 and the grossest insults1 with the appearance of the greatest insensibility1 and without expressing the smallest resentment4 ,when a savage is made prisoner of war1 and receives1 as is usual1 the sentence of death from his conquerors1 he hears it without expressing any emotion1 and afterwards submits to the most dreadful torments1 without ever bemoaning himself1 or discovering any other passion but contempt of his enemies4 ,while he is hung by the shoulders over a slow fire1 he derides his tormentors1 and tells them with how much more ingenuity he himself had tormented such of their countrymen as had fallen into his hands4 ,after he has been scorched and burnt1 and lacerated in all the most tender and sensible parts of his body for several hours together1 he is often allowed1 in order to prolong his misery1 a short respite1 and is taken down from the stake3 he employs this interval in talking upon all indifferent subjects1 inquires after the news of the country1 and seems indifferent about nothing but his own situation4 ,the spectators express the same insensibility2 the sight of so horrible an object seems to make no impression upon them2 they scarce look at the prisoner1 except when they lend a hand to torment him4 ,at other times they smoke tobacco1 and amuse themselves #ahc with any common object1 as if no such matter was going on4 ,every savage is said to prepare himself from his earliest youth for this dreadful end4 ,he composes1 for this purpose1 what they call the song of death1 a song which he is to sing when he has fallen into the hands of his enemies1 and is expiring under the tortures which they inflict upon him4 ,it consists of insults upon his tormentors1 and expresses the highest contempt of death and pain4 ,he sings this song upon all extraordinary occasions1 when he goes out to war1 when he meets his enemies in the field1 or whenever he has a mind to show that he has familiarised his imagination to the most dreadful misfortunes1 and that no human event can daunt his resolution or alter his purpose4 ,the same contempt of death and torture prevails among all other savage nations4 ,there is not a negro from the coast of ,africa1 who does not in this respect1 possess a degree of magnanimity which the soul of his sordid master is too often scarce capable of conceiving4 ,fortune never exerted more cruelly her empire over mankind1 than when she subjected those nations of heroes to the refuse of the jails of ,europe1 to wretches who possess the virtues neither of the countries which they come from1 nor of those which they go to1 and whose levity1 brutality1 and baseness1 expose them to the contempt of the vanquished4 ,this heroic and unconquerable firmness1 which the custom and education of his country demand of every savage1 is not required of those who are brought up to live in civilized societies4 ,if these last complain when they are in pain1 if they grieve when they are in distress1 if they allow themselves either to be overcome by love1 or to be discomposed by anger1 they are easily pardoned4 ,such weaknesses are not apprehended to affect the essential parts of their character4 ,as long as they do not allow themselves to be transported to do anything contrary to justice or humanity1 they lose but little reputation1 though the serenity of their countenance1 or the composure of their discourse and behaviour should be somewhat ruffled and disturbed4 ,a humane and polished people1 who have more sensibility to the passions of others1 can more readily enter into an animated and passionate behaviour1 and can more easily pardon some little excess4 ,the person principally concerned is sensible of this2 and being assured of the equity of his judges1 indulges himself in stronger expressions of passion1 and is less afraid of exposing himself to their contempt by the violence of his emotions4 ,we can venture to express more emotion in the presence of a friend than in that of a stranger1 because we expect more indulgence from the one than from the other4 ,and in the same manner the rules of decorum amongst civilized nations1 admit of a more animated behaviour1 than is approved of among barbarians4 ,the first converse together with the openness of friends2 the second with the reserve of strangers4 ,the emotion and vivacity with which the ,french and the ,italians1 the two most polished nations upon the continent1 express #ahd themselves on occasions that are at all interesting1 surprise at first those strangers who happen to be travelling among them1 and who1 having been educated among a people of duller sensibility1 cannot enter into this passionate behaviour1 of which they have never seen any example in their own country4 ,a young ,french nobleman will weep in the presence of the whole court upon being refused a regiment4 ,an ,italian1 says the ,abbot ,du ,bos1 expresses more emotion on being condemned in a fine of twenty shillings1 than an ,englishman on receiving the sentence of death4 ,cicero1 in the times of the highest ,roman politeness1 could1 without degrading himself1 weep with all the bitterness of sorrow in the sight of the whole senate and the whole people2 as it is evident he must have done in the end of almost every oration4 ,the orators of the earlier and ruder ages of ,rome could not probably1 consistent with the manners of the times1 have expressed themselves with so much emotion4 ,it would have been regarded1 ,i suppose1 as a violation of nature and propriety in the ,scipios1 in the ,leliuses1 and in the elder ,cato1 to have exposed so much tenderness to the view of the public4 ,those ancient warriors could express themselves with order1 gravity1 and good judgment3 but are said to have been strangers to that sublime and passionate eloquence which was first introduced into ,rome1 not many years before the birth of ,cicero1 by the two ,gracchi1 by ,crassus1 and by ,sulpitius4 ,this animated eloquence1 which has been long practised1 with or without success1 both in ,france and ,italy1 is but just beginning to be introduced into ,england4 ,so wide is the difference between the degrees of self-command which are required in civilized and in barbarous nations1 and by such different standards do they judge of the propriety of behaviour4 ,this difference gives occasion to many others that are not less essential4 ,a polished people being accustomed to give way1 in some measure1 to the movements of nature1 become frank1 open1 and sincere4 ,barbarians1 on the contrary1 being obliged to smother and conceal the appearance of every passion1 necessarily acquire the habits of falsehood and dissimulation4 ,it is observed by all those who have been conversant with savage nations1 whether in ,asia1 ,africa1 or ,america1 that they are equally impenetrable1 and that1 when they have a mind to conceal the truth1 no examination is capable of drawing it from them4 ,they cannot be trepanned by the most artful questions4 ,the torture itself is incapable of making them confess any thing which they have no mind to tell4 ,the passions of a savage too1 though they never express themselves by an outward emotion1 but lie concealed in the breast of the sufferer1 are1 notwithstanding1 all mounted to the highest pitch of fury4 ,though he seldom shows any symptoms of anger1 yet his vengeance1 when he comes to give way to it1 is always sanguinary and dreadful4 ,the least affront drives him to despair4 ,his countenance and discourse indeed1 are still sober and composed1 and express nothing #ahe but the most perfect tranquillity of mind3 but his actions are often the most furious and violent4 ,among the ,north ,americans it is not uncommon for persons of the tenderest age and more fearful sex to drown themselves upon receiving only a slight reprimand from their mothers1 and this too without expressing any passion1 or saying any thing1 except1 you shall no longer have a daughter4 ,in civilized nations the passions of men are not commonly so furious or so desperate4 ,they are often clamorous and noisy1 but are seldom very hurtful2 and seem frequently to aim at no other satisfaction1 but that of convincing the spectator1 that they are in the right to be so much moved1 and of procuring his sympathy and approbation4 ,all these effects of custom and fashion1 however1 upon the moral sentiments of mankind1 are inconsiderable1 in comparison of those which they give occasion to in some other cases2 and it is not concerning the general style of character and behaviour1 that those principles produce the greatest perversion of judgment1 but concerning the propriety or impropriety of particular usages4 ,the different manners which custom teaches us to approve of in the different professions and states of life1 do not concern things of the greatest importance4 ,we expect truth and justice from an old man as well as from a young1 from a clergyman as well as from an officer2 and it is in matters of small moment only that we look for the distinguishing marks of their respective characters4 ,with regard to these1 too1 there is often some unobserved circumstance which1 if it was attended to1 would show us1 that1 independent of custom1 there was a propriety in the character which custom had taught us to allot to each profession4 ,we cannot complain1 therefore1 in this case1 that the perversion of natural sentiment is very great4 ,though the manners of different nations require different degrees of the same quality1 in the character which they think worthy of esteem1 yet the worst that can be said to happen even here1 is that the duties of one virtue are sometimes extended so as to encroach a little upon the precincts of some other4 ,the rustic hospitality that is in fashion among the ,poles encroaches1 perhaps1 a little upon oeconomy and good order2 and the frugality that is esteemed in ,holland1 upon generosity and good-fellowship4 ,the hardiness demanded of savages diminishes their humanity2 and1 perhaps1 the delicate sensibility required in civilized nations1 sometimes destroys the masculine firmness of the character4 ,in general1 the style of manners which takes place in any nation1 may commonly upon the whole be said to be that which is most suitable to its situation4 ,hardiness is the character most suitable to the circumstances of a savage2 sensibility to those of one who lives in a very civilized country4 ,even here1 therefore1 we cannot complain that the moral sentiments of men1 as displayed by them1 are very grossly perverted4 ,it is not therefore in the general style of conduct or behaviour that #ahf custom authorises the widest departure from what is the natural propriety of action4 ,with regard to particular usages1 its influence is often much more destructive of good morals1 and it is capable of establishing1 as lawful and blameless1 particular actions1 which shock the very plainest principles of right and wrong4 ,can there be greater barbarity1 for example1 than to hurt an infant8 ,its helplessness1 its innocence1 its amiableness1 call forth the compassion1 even of an enemy1 and not to spare that tender age is regarded as the most furious effort of an enraged and cruel conqueror4 ,what then should we imagine must be the heart of a parent who could injure that weakness which even a furious enemy is afraid to violate8 ,yet the exposition1 that is1 the murder of new-born infants1 was a practice allowed of in almost all the states of ,greece1 even among the polite and civilized ,athenians2 and whenever the circumstances of the parent rendered it inconvenient to bring up the child1 to abandon it to hunger or to wild beasts was regarded without blame or censure4 ,this practice had probably begun in times of the most savage barbarity4 ,the imaginations of men had been first made familiar with it in that earliest period of society1 and the uniform continuance of the custom had hindered them afterwards from perceiving its enormity4 ,we find1 at this day1 that this practice prevails among all savage nations2 and in that rudest and lowest state of society it is undoubtedly more pardonable than in any other4 ,the extreme indigence of a savage is often such that he himself is frequently exposed to the greatest extremity of hunger1 he often dies of pure want1 and it is frequently impossible for him to support both himself and his child4 ,we cannot wonder1 therefore1 that in this case he should abandon it4 ,one who1 in flying from an enemy1 whom it was impossible to resist1 should throw down his infant1 because it retarded his flight1 would surely be excusable2 since1 by attempting to save it1 he could only hope for the consolation of dying with it4 ,that in this state of society1 therefore1 a parent should be allowed to judge whether he can bring up his child1 ought not to surprise us so greatly4 ,in the latter ages of ,greece1 however1 the same thing was permitted from views of remote interest or conveniency1 which could by no means excuse it4 ,uninterrupted custom had by this time so thoroughly authorised the practice1 that not only the loose maxims of the world tolerated this barbarous prerogative1 but even the doctrine of philosophers1 which ought to have been more just and accurate1 was led away by the established custom1 and upon this1 as upon many other occasions1 instead of censuring1 supported the horrible abuse1 by far-fetched considerations of public utility4 ,aristotle talks of it as of what the magistrate ought upon many occasions to encourage4 ,the humane ,plato is of the same opinion1 and1 with all that love of mankind which seems to animate all his writings1 no where marks this practice with disapprobation4 ,when custom can give sanction to so dreadful a violation of humanity2 we #ahg may well imagine that there is scarce any particular practice so gross which it cannot authorise4 ,such a thing1 we hear men every day saying1 is commonly done1 and they seem to think this a sufficient apology for what1 in itself1 is the most unjust and unreasonable conduct4 ,there is an obvious reason why custom should never pervert our sentiments with regard to the general style and character of conduct and behaviour1 in the same degree as with regard to the propriety or unlawfulness of particular usages4 ,there never can be any such custom4 ,no society could subsist a moment1 in which the usual strain of men's conduct and behaviour was of a piece with the horrible practice ,i have just now mentioned4 ----- ,part ,,vi4--,of the ,character of ,virtue4 ,,introduction4--,when we consider the character of any individual1 we naturally view it under two different aspects2 first1 as it may affect his own happiness2 and secondly1 as it may affect that of other people4 ----- ,,sec4 ,i4--,,of ,,the ,,character ,,of ,,the ,,individual1 ,,so ,,far ,,as ,,it ,,affects ,,his ,,own ,,happiness2 ,,or ,,of ,,prudence4 ,,the preservation and healthful state of the body seem to be the objects which ,nature first recommends to the care of every individual4 ,the appetites of hunger and thirst1 the agreeable or disagreeable sensations of pleasure and pain1 of heat and cold1 c41 may be considered as lessons delivered by the voice of ,nature herself1 directing him what he ought to choose1 and what he ought to avoid1 for this purpose4 ,the first lessons which he is taught by those to whom his childhood is entrusted1 tend1 the greater part of them1 to the same purpose4 ,their principal object is to teach him how to keep out of harm's way4 ,as he grows up1 he soon learns that some care and foresight are necessary for providing the means of gratifying those natural appetites1 of procuring pleasure and avoiding pain1 of procuring the agreeable and avoiding the disagreeable temperature of heat and cold4 ,in the proper direction of this care and foresight consists the art of preserving and increasing what is called his external fortune4 ,though it is in order to supply the necessities and conveniencies of the body1 that the advantages of external fortune are originally recommended to us1 yet we cannot live long in the world without perceiving that the respect of our equals1 our credit and rank in the society we live in1 depend very much upon the degree in which we possess1 or are supposed to possess1 those advantages4 ,the desire of becoming the #ahh proper objects of this respect1 of deserving and obtaining this credit and rank among our equals1 is1 perhaps1 the strongest of all our desires1 and our anxiety to obtain the advantages of fortune is accordingly much more excited and irritated by this desire1 than by that of supplying all the necessities and conveniencies of the body1 which are always very easily supplied to us4 ,our rank and credit among our equals1 too1 depend very much upon1 what1 perhaps1 a virtuous man would wish them to depend entirely1 our character and conduct1 or upon the confidence1 esteem1 and good-will1 which these naturally excite in the people we live with4 ,the care of the health1 of the fortune1 of the rank and reputation of the individual1 the objects upon which his comfort and happiness in this life are supposed principally to depend1 is considered as the proper business of that virtue which is commonly called ,prudence4 ,we suffer more1 it has already been observed1 when we fall from a better to a worse situation1 than we ever enjoy when we rise from a worse to a better4 ,security1 therefore1 is the first and the principal object of prudence4 ,it is averse to expose our health1 our fortune1 our rank1 or reputation1 to any sort of hazard4 ,it is rather cautious than enterprising1 and more anxious to preserve the advantages which we already possess1 than forward to prompt us to the acquisition of still greater advantages4 ,the methods of improving our fortune1 which it principally recommends to us1 are those which expose to no loss or hazard2 real knowledge and skill in our trade or profession1 assiduity and industry in the exercise of it1 frugality1 and even some degree of parsimony1 in all our expenses4 ,the prudent man always studies seriously and earnestly to understand whatever he professes to understand1 and not merely to persuade other people that he understands it2 and though his talents may not always be very brilliant1 they are always perfectly genuine4 ,he neither endeavours to impose upon you by the cunning devices of an artful impostor1 nor by the arrogant airs of an assuming pedant1 nor by the confident assertions of a superficial and impudent pretender4 ,he is not ostentatious even of the abilities which he really possesses4 ,his conversation is simple and modest1 and he is averse to all the quackish arts by which other people so frequently thrust themselves into public notice and reputation4 ,for reputation in his profession he is naturally disposed to rely a good deal upon the solidity of his knowledge and abilities2 and he does not always think of cultivating the favour of those little clubs and cabals1 who1 in the superior arts and sciences1 so often erect themselves into the supreme judges of merit2 and who make it their business to celebrate the talents and virtues of one another1 and to decry whatever can come into competition with them4 ,if he ever connects himself with any society of this kind1 it is merely in self-defence1 not with a view to impose upon the public1 but to #ahi hinder the public from being imposed upon1 to his disadvantage1 by the clamours1 the whispers1 or the intrigues1 either of that particular society1 or of some other of the same kind4 ,the prudent man is always sincere1 and feels horror at the very thought of exposing himself to the disgrace which attends upon the detection of falsehood4 ,but though always sincere1 he is not always frank and open2 and though he never tells any thing but the truth1 he does not always think himself bound1 when not properly called upon1 to tell the whole truth4 ,as he is cautious in his actions1 so he is reserved in his speech2 and never rashly or unnecessarily obtrudes his opinion concerning either things or persons4 ,the prudent man1 though not always distinguished by the most exquisite sensibility1 is always very capable of friendship4 ,but his friendship is not that ardent and passionate1 but too often transitory affection1 which appears so delicious to the generosity of youth and inexperience4 ,it is a sedate1 but steady and faithful attachment to a few well-tried and well-chosen companions2 in the choice of whom he is not guided by the giddy admiration of shining accomplishments1 but by the sober esteem of modesty1 discretion1 and good conduct4 ,but though capable of friendship1 he is not always much disposed to general sociality4 ,he rarely frequents1 and more rarely figures in those convivial societies which are distinguished for the jollity and gaiety of their conversation4 ,their way of life might too often interfere with the regularity of his temperance1 might interrupt the steadiness of his industry1 or break in upon the strictness of his frugality4 ,but though his conversation may not always be very sprightly or diverting1 it is always perfectly inoffensive4 ,he hates the thought of being guilty of any petulance or rudeness4 ,he never assumes impertinently over any body1 and1 upon all common occasions1 is willing to place himself rather below than above his equals4 ,both in his conduct and conversation1 he is an exact observer of decency1 and respects with an almost religious scrupulosity1 all the established decorums and ceremonials of society4 ,and1 in this respect1 he sets a much better example than has frequently been done by men of much more splendid talents and virtues1 who1 in all ages1 from that of ,socrates and ,aristippus1 down to that of ,dr4 ,swift and ,voltaire1 and from that of ,philip and ,alexander the ,great1 down to that of the great ,czar ,peter of ,muscovy1 have too often distinguished themselves by the most improper and even insolent contempt of all the ordinary decorums of life and conversation1 and who have thereby set the most pernicious example to those who wish to resemble them1 and who too often content themselves with imitating their follies1 without even attempting to attain their perfections4 ,in the steadiness of his industry and frugality1 in his steadily sacrificing the ease and enjoyment of the present moment for the probable #aij expectation of the still greater ease and enjoyment of a more distant but more lasting period of time1 the prudent man is always both supported and rewarded by the entire approbation of the impartial spectator1 and of the representative of the impartial spectator1 the man within the breast4 ,the impartial spectator does not feel himself worn out by the present labour of those whose conduct he surveys2 nor does he feel himself solicited by the importunate calls of their present appetites4 ,to him their present1 and what is likely to be their future1 situation1 are very nearly the same3 he sees them nearly at the same distance1 and is affected by them very nearly in the same manner4 ,he knows1 however1 that to the persons principally concerned1 they are very far from being the same1 and that they naturally affect them in a very different manner4 ,he cannot therefore but approve1 and even applaud1 that proper exertion of self-command1 which enables them to act as if their present and their future situation affected them nearly in the same manner in which they affect him4 ,the man who lives within his income1 is naturally contented with his situation1 which1 by continual1 though small accumulations1 is growing better and better every day4 ,he is enabled gradually to relax1 both in the rigour of his parsimony and in the severity of his application2 and he feels with double satisfaction this gradual increase of ease and enjoyment1 from having felt before the hardship which attended the want of them4 ,he has no anxiety to change so comfortable a situation and does not go in quest of new enterprises and adventures1 which might endanger1 but could not well increase the secure tranquillity which he actually enjoys4 ,if he enters into any new projects or enterprises1 they are likely to be well concerted and well prepared4 ,he can never be hurried or driven into them by any necessity1 but has always time and leisure to deliberate soberly and coolly concerning what are likely to be their consequences4 ,the prudent man is not willing to subject himself to any responsibility which his duty does not impose upon him4 ,he is not a bustler in business where he has no concern2 is not a meddler in other people's affairs2 is not a professed counsellor or adviser1 who obtrudes his advice where nobody is asking it4 ,he confines himself1 as much as his duty will permit1 to his own affairs1 and has no taste for that foolish importance which many people wish to derive from appearing to have some influence in the management of those of other people4 ,he is averse to enter into any party disputes1 hates faction1 and is not always very forward to listen to the voice even of noble and great ambition4 ,when distinctly called upon1 he will not decline the service of his country1 but he will not cabal in order to force himself into it1 and would be much better pleased that the public business were well managed by some other person1 than that he himself should have the trouble1 and incur the 9999responsibility1 of managing it4 ,in the bottom of his heart he #aia would prefer the undisturbed enjoyment of secure tranquillity1 not only to all the vain splendour of successful ambition1 but to the real and solid glory of performing the greatest and most magnanimous actions4 ,prudence1 in short1 when directed merely to the care of the health1 of the fortune1 and the rank and reputation of the individual1 though it is regarded as a most respectable1 and even in some degree1 as an amiable and agreeable quality1 yet it never is considered as one1 either of the most endearing1 or of the most ennobling of the virtues4 ,it commands a certain cold esteem1 but does not seem entitled to any very ardent love or admiration4 ,wise and judicious conduct1 when directed to greater and nobler purposes than the care of the health1 the fortune1 the rank and reputation of the individual1 is frequently and very properly called prudence4 ,we talk of the prudence of the great general1 of the great statesman1 of the great legislator4 ,prudence is1 in all these cases1 combined with many greater and more splendid virtues1 with valour1 with extensive and strong benevolence1 with a sacred regard to the rules of justice1 and all these supported by a proper degree of self-command4 ,this superior prudence1 when carried to the highest degree of perfection1 necessarily supposes the art1 the talent1 and the habit or disposition of acting with the most perfect propriety in every possible circumstance and situation4 ,it necessarily supposes the utmost perfection of all the intellectual and of all the moral virtues4 ,it is the best head joined to the best heart4 ,it is the most perfect wisdom combined with the most perfect virtue4 ,it constitutes very nearly the character of the ,academical or ,peripatetic sage1 as the superior prudence does that of the ,epicurean4 ,mere imprudence1 or the mere want of the capacity to take care of one's-self1 is1 with the generous and humane1 the object of compassion2 with those of less delicate sentiments1 of neglect1 or1 at worst1 of contempt1 but never of hatred or indignation4 ,when combined with other vices1 however1 it aggravates in the highest degree the infamy and disgrace which would otherwise attend them4 ,the artful knave1 whose dexterity and address exempt him1 though not from strong suspicions1 yet from punishment or distinct detection1 is too often received in the world with an indulgence which he by no means deserves4 ,the awkward and foolish one1 who1 for want of this dexterity and address1 is convicted and brought to punishment1 is the object of universal hatred1 contempt1 and derision4 ,in countries where great crimes frequently pass unpunished1 the most atrocious actions become almost familiar1 and cease to impress the people with that horror which is universally felt in countries where an exact administration of justice takes place4 ,the injustice is the same in both countries2 but the imprudence is often very different4 ,in the latter1 great crimes are evidently great follies4 ,in the former1 they are not always considered as #aib such4 ,in ,italy1 during the greater part of the sixteenth century1 assassinations1 murders1 and even murders under trust1 seem to have been almost familiar among the superior ranks of people4 ,csar ,borgia invited four of the little princes in his neighbourhood1 who all possessed little sovereignties1 and commanded little armies of their own1 to a friendly conference at ,senigaglia1 where1 as soon as they arrived1 he put them all to death4 ,this infamous action1 though certainly not approved of even in that age of crimes1 seems to have contributed very little to the discredit1 and not in the least to the ruin of the perpetrator4 ,that ruin happened a few years after from causes altogether disconnected with this crime4 ,machiavel1 not indeed a man of the nicest morality even for his own times1 was resident1 as minister from the republic of ,florence1 at the court of ,csar ,borgia when this crime was committed4 ,he gives a very particular account of it1 and in that pure1 elegant1 and simple language which distinguishes all his writings4 ,he talks of it very coolly2 is pleased with the address with which ,csar ,borgia conducted it2 has much contempt for the dupery and weakness of the sufferers2 but no compassion for their miserable and untimely death1 and no sort of indignation at the cruelty and falsehood of their murderer4 ,the violence and injustice of great conquerors are often regarded with foolish wonder and admiration2 those of petty thieves1 robbers1 and murderers1 with contempt1 hatred1 and even horror upon all occasions4 ,the former1 though they are a hundred times more mischievous and destructive1 yet when successful1 they often pass for deeds of the most heroic magnanimity4 ,the latter are always viewed with hatred and aversion1 as the follies1 as well as the crimes1 of the lowest and most worthless of mankind4 ,the injustice of the former is certainly1 at least1 as great as that of the latter2 but the folly and imprudence are not near so great4 ,a wicked and worthless man of parts often goes through the world with much more credit than he deserves4 ,a wicked and worthless fool appears always1 of all mortals1 the most hateful1 as well as the most contemptible4 ,as prudence combined with other virtues1 constitutes the noblest2 so imprudence combined with other vices1 constitutes the vilest of all characters4 ----- ,,sect4 ,,ii4--,,of ,,the ,,character ,,of ,,the ,,individual1 ,,so ,,far ,,as ,,it ,,can ,,affect ,,the ,,happiness ,,of ,,other ,,people4 ,,introduction4--,the character of every individual1 so far as it can affect the happiness of other people1 must do so by its disposition either to hurt or to benefit them4 ,proper resentment for injustice attempted1 or actually committed1 is the only motive which1 in the eyes of the impartial spectator1 can justify our hurting or disturbing in any respect the happiness of our neighbour4 #aic ,to do so from any other motive is itself a violation of the laws of justice1 which force ought to be employed either to restrain or to punish4 ,the wisdom of every state or commonwealth endeavours1 as well as it can1 to employ the force of the society to restrain those who are subject to its authority from hurting or disturbing the happiness of one another4 ,the rules which it establishes for this purpose1 constitute the civil and criminal law of each particular state or country4 ,the principles upon which those rules either are1 or ought to be founded1 are the subject of a particular science1 of all sciences by far the most important1 but hitherto1 perhaps1 the least cultivated1 that of natural jurisprudence2 concerning which it belongs not to our present subject to enter into any detail4 ,a sacred and religious regard not to hurt or disturb in any respect the happiness of our neighbour1 even in those cases where no law can properly protect him1 constitutes the character of the perfectly innocent and just man2 a character which1 when carried to a certain delicacy of attention1 is always highly respectable and even venerable for its own sake1 and can scarce ever fail to be accompanied with many other virtues1 with great feeling for other people1 with great humanity and great benevolence4 ,it is a character sufficiently understood1 and requires no further explanation4 ,in the present section ,i shall only endeavour to explain the foundation of that order which nature seems to have traced out for the distribution of our good offices1 or for the direction and employment of our very limited powers of beneficence3 first1 towards individuals2 and secondly1 towards societies4 ,the same unerring wisdom1 it will be found1 which regulates every other part of her conduct1 directs1 in this respect too1 the order of her recommendations2 which are always stronger or weaker in proportion as our beneficence is more or less necessary1 or can be more or less useful4 ----- ,,chap4 ,i4--,of the ,order in which ,individuals are recommended by ,nature to our ,care and ,attention4 ,,every man1 as the ,stoics used to say1 is first and principally recommended to his own care2 and every man is certainly1 in every respect1 fitter and abler to take care of himself than of any other person4 ,every man feels his own pleasures and his own pains more sensibly than those of other people4 ,the former are the original sensations2 the latter the reflected or sympathetic images of those sensations4 ,the former may be said to be the substance2 the latter the shadow4 ,after himself1 the members of his own family1 those who usually live in the same house with him1 his parents1 his children1 his brothers and sisters1 are naturally the objects of his warmest affections4 ,they are naturally and usually the persons upon whose happiness or misery his conduct must have the greatest influence4 ,he is more habituated to #aid sympathize with them4 ,he knows better how every thing is likely to affect them1 and his sympathy with them is more precise and determinate1 than it can be with the greater part of other people4 ,it approaches nearer1 in short1 to what he feels for himself4 ,this sympathy too1 and the affections which are founded on it1 are by nature more strongly directed towards his children than towards his parents1 and his tenderness for the former seems generally a more active principle1 than his reverence and gratitude towards the latter4 ,in the natural state of things1 it has already been observed1 the existence of the child1 for some time after it comes into the world1 depends altogether upon the care of the parent2 that of the parent does not naturally depend upon the care of the child4 ,in the eye of nature1 it would seem1 a child is a more important object than an old man2 and excites a much more lively1 as well as a much more universal sympathy4 ,it ought to do so4 ,every thing may be expected1 or at least hoped1 from the child4 ,in ordinary cases1 very little can be either expected or hoped from the old man4 ,the weakness of childhood interests the affections of the most brutal and hard-hearted4 ,it is only to the virtuous and humane1 that the infirmities of old age are not the objects of contempt and aversion4 ,in ordinary cases1 an old man dies without being much regretted by any body4 ,scarce a child can die without rending asunder the heart of somebody4 ,the earliest friendships1 the friendships which are naturally contracted when the heart is most susceptible of that feeling1 are those among brothers and sisters4 ,their good agreement1 while they remain in the same family1 is necessary for its tranquillity and happiness4 ,they are capable of giving more pleasure or pain to one another than to the greater part of other people4 ,their situation renders their mutual sympathy of the utmost importance to their common happiness2 and1 by the wisdom of nature1 the same situation1 by obliging them to accommodate to one another1 renders that sympathy more habitual1 and thereby more lively1 more distinct1 and more determinate4 ,the children of brothers and sisters are naturally connected by the friendship which1 after separating into different families1 continues to take place between their parents4 ,their good agreement improves the enjoyment of that friendship2 their discord would disturb it4 ,as they seldom live in the same family1 however1 though of more importance to one another than to the greater part of other people1 they are of much less than brothers and sisters4 ,as their mutual sympathy is less necessary1 so it is less habitual1 and therefore proportionally weaker4 ,the children of cousins1 being still less connected1 are of still less importance to one another2 and the affection gradually diminishes as the relation grows more and more remote4 ,what is called affection1 is in reality nothing but habitual sympathy4 ,our concern in the happiness or misery of those who are the objects of #aie what we call our affections2 our desire to promote the one1 and to prevent the other2 are either the actual feeling of that habitual sympathy1 or the necessary consequences of that feeling4 ,relations being usually placed in situations which naturally create this habitual sympathy1 it is expected that a suitable degree of affection should take place among them4 ,we generally find that it actually does take place2 we therefore naturally expect that it should2 and we are1 upon that account1 more shocked when1 upon any occasion1 we find that it does not4 ,the general rule is established1 that persons related to one another in a certain degree1 ought always to be affected towards one another in a certain manner1 and that there is always the highest impropriety1 and sometimes even a sort of impiety1 in their being affected in a different manner4 ,a parent without parental tenderness1 a child devoid of all filial reverence1 appear monsters1 the objects1 not of hatred only1 but of horror to their neighbours4 ,though in a particular instance1 the circumstances which usually produce those natural affections1 as they are called1 may1 by some accident1 not have taken place1 yet respect for the general rule will frequently1 in some measure1 supply their place1 and produce something which1 though not altogether the same1 may bear1 however1 a very considerable resemblance to those affections4 ,a father is apt to be less attached to a child1 who1 by some accident1 has been separated from him in its infancy1 and who does not return to him till it is grown up to manhood4 ,the father is apt to feel less paternal tenderness for the child2 the child1 less filial reverence for the father4 ,brothers and sisters1 when they have been educated in distant countries1 are apt to feel a similar diminution of affection4 ,with the dutiful and the virtuous1 however1 respect for the general rule will frequently produce something which1 though by no means the same1 yet may very much resemble those natural affections4 ,even during the separation1 the father and the child1 the brothers or the sisters1 are by no means indifferent to one another4 ,they all consider one another as persons to and from whom certain affections are due1 and they live in the hopes of being some time or another in a situation to enjoy that friendship which ought naturally to have taken place among persons so nearly connected4 ,till they meet1 the absent son1 the absent brother1 are frequently the favourite son1 the favourite brother4 ,they have never offended1 or1 if they have1 it is so long ago1 that the offence is forgotten1 as some childish trick not worth the remembering4 ,every account they have heard of one another1 if conveyed by people of any tolerable good nature1 has been1 in the highest degree1 flattering and favourable4 ,the absent son1 the absent brother1 is not like other ordinary sons and brothers2 but an all-perfect son1 an all-perfect brother2 and the most romantic hopes are entertained of the happiness to be enjoyed in the friendship and conversation of such persons4 ,when they meet1 it is #aif often with so strong a disposition to conceive that habitual sympathy which constitutes the family affection1 that they are very apt to fancy they have actually conceived it1 and to behave to one another as if they had4 ,time and experience1 however1 ,i am afraid1 too frequently undeceive them4 ,upon a more familiar acquaintance1 they frequently discover in one another habits1 humours1 and inclinations1 different from what they expected1 to which1 from want of habitual sympathy1 from want of the real principle and foundation of what is properly called family-affection1 they cannot now easily accommodate themselves4 ,they have never lived in the situation which almost necessarily forces that easy accommodation1 and though they may now be sincerely desirous to assume it1 they have really become incapable of doing so4 ,their familiar conversation and intercourse soon become less pleasing to them1 and1 upon that account1 less frequent4 ,they may continue to live with one another in the mutual exchange of all essential good offices1 and with every other external appearance of decent regard4 ,but that cordial satisfaction1 that delicious sympathy1 that confidential openness and ease1 which naturally take place in the conversation of those who have lived long and familiarly with one another1 it seldom happens that they can completely enjoy4 ,it is only1 however1 with the dutiful and the virtuous1 that the general rule has even this slender authority4 ,with the dissipated1 the profligate1 and the vain1 it is entirely disregarded4 ,they are so far from respecting it1 that they seldom talk of it but with the most indecent derision2 and an early and long separation of this kind never fails to estrange them most completely from one another4 ,with such persons1 respect for the general rule can at best produce only a cold and affected civility 7a very slender semblance of real regard72 and even this1 the slightest offence1 the smallest opposition of interest1 commonly puts an end to altogether4 ,the education of boys at distant great schools1 of young men at distant colleges1 of young ladies in distant nunneries and boarding-schools1 seems1 in the higher ranks of life1 to have hurt most essentially the domestic morals1 and consequently the domestic happiness1 both of ,france and ,england4 ,do you wish to educate your children to be dutiful to their parents1 to be kind and affectionate to their brothers and sisters8 put them under the necessity of being dutiful children1 of being kind and affectionate brothers and sisters3 educate them in your own house4 ,from their parent's house1 they may1 with propriety and advantage1 go out every day to attend public schools3 but let their dwelling be always at home4 ,respect for you must always impose a very useful restraint upon their conduct2 and respect for them may frequently impose no useless restraint upon your own4 ,surely no acquirement1 which can possibly be derived from what is called a public education1 can make any sort of compensation for what #aig is almost certainly and necessarily lost by it4 ,domestic education is the institution of nature2 public education1 the contrivance of man4 ,it is surely unnecessary to say1 which is likely to be the wisest4 ,in some tragedies and romances1 we meet with many beautiful and interesting scenes1 founded upon what is called1 the force of blood1 or upon the wonderful affection which near relations are supposed to conceive for one another1 even before they know that they have any such connection4 ,this force of blood1 however1 ,i am afraid1 exists no where but in tragedies and romances4 ,even in tragedies and romances1 it is never supposed to take place between any relations1 but those who are naturally bred up in the same house2 between parents and children1 between brothers and sisters4 ,to imagine any such mysterious affection between cousins1 or even between aunts or uncles1 and nephews or nieces1 would be too ridiculous4 ,in pastoral countries1 and in all countries where the authority of law is not alone sufficient to give perfect security to every member of the state1 all the different branches of the same family commonly choose to live in the neighbourhood of one another4 ,their association is frequently necessary for their common defence4 ,they are all1 from the highest to the lowest1 of more or less importance to one another4 ,their concord strengthens their necessary association3 their discord always weakens1 and might destroy it4 ,they have more intercourse with one another1 than with the members of any other tribe4 ,the remotest members of the same tribe claim some connection with one another2 and1 where all other circumstances are equal1 expect to be treated with more distinguished attention than is due to those who have no such pretensions4 ,it is not many years ago that1 in the ,highlands of ,scotland1 the chieftain used to consider the poorest man of his clan1 as his cousin and relation4 ,the same extensive regard to kindred is said to take place among the ,tartars1 the ,arabs1 the ,turkomans1 and1 ,i believe1 among all other nations who are nearly in the same state of society in which the ,scots ,highlanders were about the beginning of the present century4 ,in commercial countries1 where the authority of law is always perfectly sufficient to protect the meanest man in the state1 the descendants of the same family1 having no such motive for keeping together1 naturally separate and disperse1 as interest or inclination may direct4 ,they soon cease to be of importance to one another2 and1 in a few generations1 not only lose all care about one another1 but all remembrance of their common origin1 and of the connection which took place among their ancestors4 ,regard for remote relations becomes1 in every country1 less and less1 according as this state of civilization has been longer and more completely established4 ,it has been longer and more completely established in ,england than in ,scotland2 and remote relations are1 accordingly1 more considered in the latter country than in the #aih former1 though1 in this respect1 the difference between the two countries is growing less and less every day4 ,great lords1 indeed1 are1 in every country1 proud of remembering and acknowledging their connection with one another1 however remote4 ,the remembrance of such illustrious relations flatters not a little the family pride of them all2 and it is neither from affection1 nor from any thing which resembles affection1 but from the most frivolous and childish of all vanities1 that this remembrance is so carefully kept up4 ,should some more humble1 though1 perhaps1 much nearer kinsman1 presume to put such great men in mind of his relation to their family1 they seldom fail to tell him that they are bad genealogists1 and miserably ill-informed concerning their own family history4 ,it is not in that order that we are to expect any extraordinary extension of1 what is called1 natural affection4 ,i consider what is called natural affection as more the effect of the moral than of the supposed physical connection between the parent and the child4 ,a jealous husband1 indeed1 notwithstanding the moral connection1 notwithstanding the child's having been educated in his own house1 often regards1 with hatred and aversion1 that unhappy child which he supposes to be the offspring of his wife's infidelity4 ,it is the lasting monument of a most disagreeable adventure2 of his own dishonour1 and of the disgrace of his family4 ,among well-disposed people1 the necessity or conveniency of mutual accommodation1 very frequently produces a friendship not unlike that which takes place among those who are born to live in the same family4 ,colleagues in office1 partners in trade1 call one another brothers2 and frequently feel towards one another as if they really were so4 ,their good agreement is an advantage to all2 and1 if they are tolerably reasonable people1 they are naturally disposed to agree4 ,we expect that they should do so2 and their disagreement is a sort of a small scandal4 ,the ,romans expressed this sort of attachment by the word necessitudo1 which1 from the etymology1 seems to denote that it was imposed by the necessity of the situation4 ,even the trifling circumstance of living in the same neighbourhood1 has some effect of the same kind4 ,we respect the face of a man whom we see every day1 provided he has never offended us4 ,neighbours can be very convenient1 and they can be very troublesome1 to one another4 ,if they are good sort of people1 they are naturally disposed to agree4 ,we expect their good agreement2 and to be a bad neighbour is a very bad character4 ,there are certain small good offices1 accordingly1 which are universally allowed to be due to a neighbour in preference to any other person who has no such connection4 ,this natural disposition to accommodate and to assimilate1 as much as we can1 our own sentiments1 principles1 and feelings1 to those which we see fixed and rooted in the persons whom we are obliged to live and converse a great deal with1 is the cause of the contagious effects of both #aii good and bad company4 ,the man who associates chiefly with the wise and the virtuous1 though he may not himself become either wise or virtuous1 cannot help conceiving a certain respect at least for wisdom and virtue2 and the man who associates chiefly with the profligate and the dissolute1 though he may not himself become profligate and dissolute1 must soon lose1 at least1 all his original abhorrence of profligacy and dissolution of manners4 ,the similarity of family characters1 which we so frequently see transmitted through several successive generations1 may1 perhaps1 be partly owing to this disposition to assimilate ourselves to those whom we are obliged to live and converse a great deal with4 ,the family character1 however1 like the family countenance1 seems to be owing1 not altogether to the moral1 but partly too to the physical connection4 ,the family countenance is certainly altogether owing to the latter4 ,but of all attachments to an individual1 that which is founded altogether upon esteem and approbation of his good conduct and behaviour1 confirmed by much experience and long acquaintance1 is1 by far1 the most respectable4 ,such friendships1 arising not from a constrained sympathy1 not from a sympathy which has been assumed and rendered habitual for the sake of convenience and accommodation2 but from a natural sympathy1 from an involuntary feeling that the persons to whom we attach ourselves are the natural and proper objects of esteem and approbation2 can exist only among men of virtue4 ,men of virtue only can feel that entire confidence in the conduct and behaviour of one another1 which can1 at all times1 assure them that they can never either offend or be offended by one another4 ,vice is always capricious3 virtue only is regular and orderly4 ,the attachment which is founded upon the love of virtue1 as it is certainly1 of all attachments1 the most virtuous2 so it is likewise the happiest1 as well as the most permanent and secure4 ,such friendships need not be confined to a single person1 but may safely embrace all the wise and virtuous1 with whom we have been long and intimately acquainted1 and upon whose wisdom and virtue we can1 upon that account1 entirely depend4 ,they who would confine friendship to two persons1 seem to confound the wise security of friendship with the jealousy and folly of love4 ,the hasty1 fond1 and foolish intimacies of young people1 founded1 commonly1 upon some slight similarity of character1 altogether unconnected with good conduct1 upon a taste1 perhaps1 for the same studies1 the same amusements1 the same diversions1 or upon their agreement in some singular principle or opinion1 not commonly adopted2 those intimacies which a freak begins1 and which a freak puts an end to1 how agreeable soever they may appear while they last1 can by no means deserve the sacred and the venerable name of friendship4 ,of all the persons1 however1 whom nature points out for our peculiar beneficence1 there are none to whom it seems more properly directed #bjj than to those whose beneficence we have ourselves already experienced4 ,nature1 which formed men for that mutual kindness so necessary for their happiness1 renders every man the peculiar object of kindness to the persons to whom he himself has been kind4 ,though their gratitude should not always correspond to his beneficence1 yet the sense of his merit1 the sympathetic gratitude of the impartial spectator1 will always correspond to it4 ,the general indignation of other people against the baseness of their ingratitude will even1 sometimes1 increase the general sense of his merit4 ,no benevolent man ever lost altogether the fruits of his benevolence4 ,if he does not always gather them from the persons from whom he ought to have gathered them1 he seldom fails to gather them1 and with a tenfold increase1 from other people4 ,kindness is the parent of kindness2 and if to be beloved by our brethren be the great object of our ambition1 the surest way of obtaining it is1 by our conduct to show that we really love them4 ,after the persons who are recommended to our beneficence1 either their connection with ourselves1 by their personal qualities1 or by their past services1 come those who are pointed out1 not indeed to1 what is called1 our friendship1 but to our benevolent attention and good offices2 those who are distinguished by their extraordinary situation2 the greatly fortunate and the greatly unfortunate1 the rich and the powerful1 the poor and the wretched4 ,the distinction of ranks1 the peace and order of society1 are1 in a great measure1 founded upon the respect which we naturally conceive for the former4 ,the relief and consolation of human misery depend altogether upon our compassion for the latter4 ,the peace and order of society1 is of more importance than even the relief of the miserable4 ,our respect for the great1 accordingly1 is most apt to offend by its excess2 our fellow-feeling for the miserable1 by its defect4 ,moralists exhort us to charity and compassion4 ,they warn us against the fascination of greatness4 ,this fascination1 indeed1 is so powerful1 that the rich and the great are too often preferred to the wise and the virtuous4 ,nature has wisely judged that the distinction of ranks1 the peace and order of society1 would rest more securely upon the plain and palpable difference of birth and fortune1 than upon the invisible and often uncertain difference of wisdom and virtue4 ,the undistinguishing eyes of the great mob of mankind can well enough perceive the former3 it is with difficulty that the nice discernment of the wise and the virtuous can sometimes distinguish the latter4 ,in the order of all those recommendations to virtue1 the benevolent wisdom of nature is equally evident4 ,it may1 perhaps1 be unnecessary to observe1 that the combination of two or more of those exciting causes of kindness1 increases the kindness4 ,the favour and partiality which1 when there is no envy in the case1 we naturally bear to greatness1 are much increased when it is joined with wisdom and virtue4 ,if1 notwithstanding that wisdom and #bja virtue1 the great man should fall into those misfortunes1 those dangers and distresses1 to which the most exalted stations are often the most exposed1 we are much more deeply interested in his fortune than we should be in that of a person equally virtuous1 but in a more humble situation4 ,the most interesting subjects of tragedies and romances are the misfortunes of virtuous and magnanimous kings and princes4 ,if1 by the wisdom and manhood of their exertions1 they should extricate themselves from those misfortunes1 and recover completely their former superiority and security1 we cannot help viewing them with the most enthusiastic and even extravagant admiration4 ,the grief which we felt for their distress1 the joy which we feel for their prosperity1 seem to combine together in enhancing that partial admiration which we naturally conceive both for the station and the character4 ,when those different beneficent affections happen to draw different ways1 to determine by any precise rules in what cases we ought to comply with the one1 and in what with the other1 is1 perhaps1 altogether impossible4 ,in what cases friendship ought to yield to gratitude1 or gratitude to friendship2 in what cases the strongest of all natural affections ought to yield to a regard for the safety of those superiors upon whose safety often depends that of the whole society2 and in what cases natural affection may1 without impropriety1 prevail over that regard2 must be left altogether to the decision of the man within the breast1 the supposed impartial spectator1 the great judge and arbiter of our conduct4 ,if we place ourselves completely in his situation1 if we really view ourselves with his eyes1 and as he views us1 and listen with diligent and reverential attention to what he suggests to us1 his voice will never deceive us4 ,we shall stand in need of no casuistic rules to direct our conduct4 ,these it is often impossible to accommodate to all the different shades and gradations of circumstance1 character1 and situation1 to differences and distinctions which1 though not imperceptible1 are1 by their nicety and delicacy1 often altogether undefinable4 ,in that beautiful tragedy of ,voltaire1 the ,orphan of ,china1 while we admire the magnanimity of ,zamti1 who is willing to sacrifice the life of his own child1 in order to preserve that of the only feeble remnant of his ancient sovereigns and masters2 we not only pardon1 but love the maternal tenderness of ,idame1 who1 at the risk of discovering the important secret of her husband1 reclaims her infant from the cruel hands of the ,tartars1 into which it had been delivered4 ----- ,,chap4 ,,ii4--,of the ,order in which ,societies are by ,nature recommended to our ,beneficence4 ,,the same principles that direct the order in which individuals are recommended to our beneficence1 direct that likewise in which societies #bjb are recommended to it4 ,those to which it is1 or may be of most importance1 are first and principally recommended to it4 ,the state or sovereignty in which we have been born and educated1 and under the protection of which we continue to live1 is1 in ordinary cases1 the greatest society upon whose happiness or misery our good or bad conduct can have much influence4 ,it is accordingly1 by nature1 most strongly recommended to us4 ,not only we ourselves1 but all the objects of our kindest affections1 our children1 our parents1 our relations1 our friends1 our benefactors1 all those whom we naturally love and revere the most1 are commonly comprehended within it2 and their prosperity and safety depend in some measure upon its prosperity and safety4 ,it is by nature1 therefore1 endeared to us1 not only by all our selfish1 but by all our private benevolent affections4 ,upon account of our own connexion with it1 its prosperity and glory seem to reflect some sort of honour upon ourselves4 ,when we compare it with other societies of the same kind1 we are proud of its superiority1 and mortified in some degree if it appears in any respect below them4 ,all the illustrious characters which it has produced in former times 7for against those of our own times envy may sometimes prejudice us a little71 its warriors1 its statesmen1 its poets1 its philosophers1 and men of letters of all kinds2 we are disposed to view with the most partial admiration1 and to rank them 7sometimes most unjustly7 above those of all other nations4 ,the patriot who lays down his life for the safety1 or even for the vain-glory of this society1 appears to act with the most exact propriety4 ,he appears to view himself in the light in which the impartial spectator naturally and necessarily views him1 as but one of the multitude1 in the eye of that equitable judge1 of no more consequence than any other in it1 but bound at all times to sacrifice and devote himself to the safety1 to the service1 and even to the glory of the greater number4 ,but though this sacrifice appears to be perfectly just and proper1 we know how difficult it is to make it1 and how few people are capable of making it4 ,his conduct1 therefore1 excites not only our entire approbation1 but our highest wonder and admiration1 and seems to merit all the applause which can be due to the most heroic virtue4 ,the traitor1 on the contrary1 who1 in some peculiar situation1 fancies he can promote his own little interest by betraying to the public enemy that of his native country2 who1 regardless of the judgment of the man within the breast1 prefers himself1 in this respect so shamefully and so basely1 to all those with whom he has any connexion2 appears to be of all villains the most detestable4 ,the love of our own nation often disposes us to view1 with the most malignant jealousy and envy1 the prosperity and aggrandisement of any other neighbouring nation4 ,independent and neighbouring nations1 having no common superior to decide their disputes1 all live in continual dread and suspicion of one another4 ,each sovereign1 expecting #bjc little justice from his neighbours1 is disposed to treat them with as little as he expects from them4 ,the regard for the laws of nations1 or for those rules which independent states profess or pretend to think themselves bound to observe in their dealings with one another1 is often very little more than mere pretence and profession4 ,from the smallest interest1 upon the slightest provocation1 we see those rules every day1 either evaded or directly violated without shame or remorse4 ,each nation foresees1 or imagines it foresees1 its own subjugation in the increasing power and aggrandisement of any of its neighbours2 and the mean principle of national prejudice is often founded upon the noble one of the love of our own country4 ,the sentence with which the elder ,cato is said to have concluded every speech which he made in the senate1 whatever might be the subject1 ',it is my opinion likewise that ,carthage ought to be destroyed1' was the natural expression of the savage patriotism of a strong but coarse mind1 enraged almost to madness against a foreign nation from which his own had suffered so much4 ,the more humane sentence with which ,scipio ,nasica is said to have concluded all his speeches1 ',it is my opinion likewise that ,carthage ought not to be destroyed1' was the liberal expression of a more enlarged and enlightened mind1 who felt no aversion to the prosperity even of an old enemy1 when reduced to a state which could no longer be formidable to ,rome4 ,france and ,england may each of them have some reason to dread the increase of the naval and military power of the other2 but for either of them to envy the internal happiness and prosperity of the other1 the cultivation of its lands1 the advancement of its manufactures1 the increase of its commerce1 the security and number of its ports and harbours1 its proficiency in all the liberal arts and sciences1 is surely beneath the dignity of two such great nations4 ,these are all real improvements of the world we live in4 ,mankind are benefited1 human nature is ennobled by them4 ,in such improvements each nation ought1 not only to endeavour itself to excel1 but from the love of mankind1 to promote1 instead of obstructing the excellence of its neighbours4 ,these are all proper objects of national emulation1 not of national prejudice or envy4 ,the love of our own country seems not to be derived from the love of mankind4 ,the former sentiment is altogether independent of the latter1 and seems sometimes even to dispose us to act inconsistently with it4 ,france may contain1 perhaps1 near three times the number of inhabitants which ,great ,britain contains4 ,in the great society of mankind1 therefore1 the prosperity of ,france should appear to be an object of much greater importance than that of ,great ,britain4 ,the ,british subject1 however1 who1 upon that account1 should prefer upon all occasions the prosperity of the former to that of the latter country1 would not be thought a good citizen of ,great ,britain4 ,we do not love our country merely as a part of the great society of mankind3 we love #bjd it for its own sake1 and independently of any such consideration4 ,that wisdom which contrived the system of human affections1 as well as that of every other part of nature1 seems to have judged that the interest of the great society of mankind would be best promoted by directing the principal attention of each individual to that particular portion of it1 which was most within the sphere both of his abilities and of his understanding4 ,national prejudices and hatreds seldom extend beyond neighbouring nations4 ,we very weakly and foolishly1 perhaps1 call the ,french our natural enemies2 and they perhaps1 as weakly and foolishly1 consider us in the same manner4 ,neither they nor we bear any sort of envy to the prosperity of ,china or ,japan4 ,it very rarely happens1 however1 that our good-will towards such distant countries can be exerted with much effect4 ,the most extensive public benevolence which can commonly be exerted with any considerable effect1 is that of the statesmen1 who project and form alliances among neighbouring or not very distant nations1 for the preservation either of1 what is called1 the balance of power1 or of the general peace and tranquillity of the states within the circle of their negotiations4 ,the statesmen1 however1 who plan and execute such treaties1 have seldom anything in view1 but the interest of their respective countries4 ,sometimes1 indeed1 their views are more extensive4 ,the ,count d',avaux1 the plenipotentiary of ,france1 at the treaty of ,munster1 would have been willing to sacrifice his life 7according to the ,cardinal de ,retz1 a man not over-credulous in the virtue of other people7 in order to have restored1 by that treaty1 the general tranquillity of ,europe4 ,king ,william seems to have had a zeal for the liberty and independency of the greater part of the sovereign states of ,europe2 which1 perhaps1 might be a good deal stimulated by his particular aversion to ,france1 the state from which1 during his time1 that liberty and independency were principally in danger4 ,some share of the same spirit seems to have descended to the first ministry of ,queen ,anne4 ,every independent state is divided into many different orders and societies1 each of which has its own particular powers1 privileges1 and immunities4 ,every individual is naturally more attached to his own particular order or society1 than to any other4 ,his own interest1 his own vanity1 the interest and vanity of many of his friends and companions1 are commonly a good deal connected with it4 ,he is ambitious to extend its privileges and immunities4 ,he is zealous to defend them against the encroachments of every other order of society4 ,upon the manner in which any state is divided into the different orders and societies which compose it1 and upon the particular distribution which has been made of their respective powers1 privileges1 and immunities1 depends1 what is called1 the constitution of that particular state4 #bje ,upon the ability of each particular order or society to maintain its own powers1 privileges1 and immunities1 against the encroachments of every other1 depends the stability of that particular constitution4 ,that particular constitution is necessarily more or less altered1 whenever any of its subordinate parts is either raised above or depressed below whatever had been its former rank and condition4 ,all those different orders and societies are dependent upon the state to which they owe their security and protection4 ,that they are all subordinate to that state1 and established only in subserviency to its prosperity and preservation1 is a truth acknowledged by the most partial member of every one of them4 ,it may often1 however1 be hard to convince him that the prosperity and preservation of the state requires any diminution of the powers1 privileges1 and immunities of his own particular order of society4 ,this partiality1 though it may sometimes be unjust1 may not1 upon that account1 be useless4 ,it checks the spirit of innovation4 ,it tends to preserve whatever is the established balance among the different orders and societies into which the state is divided2 and while it sometimes appears to obstruct some alterations of government which may be fashionable and popular at the time1 it contributes in reality to the stability and permanency of the whole system4 ,the love of our country seems1 in ordinary cases1 to involve in it two different principles2 first1 a certain respect and reverence for that constitution or form of government which is actually established2 and secondly1 an earnest desire to render the condition of our fellow-citizens as safe1 respectable1 and happy as we can4 ,he is not a citizen who is not disposed to respect the laws and to obey the civil magistrate2 and he is certainly not a good citizen who does not wish to promote1 by every means in his power1 the welfare of the whole society of his fellow citizens4 ,in peaceable and quiet times1 those two principles generally coincide and lead to the same conduct4 ,the support of the established government seems evidently the best expedient for maintaining the safe1 respectable1 and happy situation of our fellow-citizens2 when we see that this government actually maintains them in that situation4 ,but in times of public discontent1 faction1 and disorder1 those two different principles may draw different ways1 and even a wise man may be disposed to think some alteration necessary in that constitution or form of government1 which1 in its actual condition1 appears plainly unable to maintain the public tranquillity4 ,in such cases1 however1 it often requires1 perhaps1 the highest effort of political wisdom to determine when a real patriot ought to support and endeavour to re-establish the authority of the old system1 and when we ought to give way to the more daring1 but often dangerous1 spirit of innovation4 ,foreign war and civil faction are the two situations which afford the most splendid opportunities for the display of public spirit4 ,the hero #bjf who serves his country successfully in foreign war gratifies the wishes of the whole nation1 and is1 upon that account1 the object of universal gratitude and admiration4 ,in times of civil discord1 the leaders of the contending parties1 though they may be admired by one half of their fellow-citizens1 are commonly execrated by the other4 ,their characters and the merit of their respective services appear commonly more doubtful4 ,the glory which is acquired by foreign war is1 upon this account1 almost always more pure and more splendid than that which can be acquired in civil faction4 ,the leader of the successful party1 however1 if he has authority enough to prevail upon his own friends to act with proper temper and moderation 7which he frequently has not71 may sometimes render to his country a service much more essential and important than the greatest victories and the most extensive conquests4 ,he may re-establish and improve the constitution1 and from the very doubtful and ambiguous character of the leader of a party1 he may assume the greatest and noblest of all characters1 that of the reformer and legislator of a great state2 and1 by the wisdom of his institutions1 secure the internal tranquillity and happiness of his fellow-citizens for many succeeding generations4 ,amidst the turbulence and disorder of faction1 a certain spirit of system is apt to mix itself with that public spirit which is founded upon the love of humanity1 upon a real fellow-feeling with the inconveniencies and distresses to which some of our fellow-citizens may be exposed4 ,this spirit of system commonly takes the direction of that more gentle public spirit1 always animates it1 and often inflames it even to the madness of fanaticism4 ,the leaders of the discontented party seldom fail to hold out some plausible plan of reformation which1 they pretend1 will not only remove the inconveniencies and relieve the distresses immediately complained of1 but will prevent1 in all time coming1 any return of the like inconveniencies and distresses4 ,they often propose1 upon this account1 to new model the constitution1 and to alter1 in some of its most essential parts1 that system of government under which the subjects of a great empire have enjoyed1 perhaps1 peace1 security1 and even glory1 during the course of several centuries together4 ,the great body of the party are commonly intoxicated with the imaginary beauty of this ideal system1 of which they have no experience1 but which has been represented to them in all the most dazzling colours in which the eloquence of their leaders could paint it4 ,those leaders themselves1 though they originally may have meant nothing but their own aggrandisement1 become many of them in time the dupes of their own sophistry1 and are as eager for this great reformation as the weakest and most foolish of their followers4 ,even though the leaders should have preserved their own heads1 as indeed they commonly do1 free from this fanaticism1 yet they dare not always disappoint the expectation of their #bjg followers2 but are often obliged1 though contrary to their principle and their conscience1 to act as if they were under the common delusion4 ,the violence of the party1 refusing all palliatives1 all temperaments1 all reasonable accommodations1 by requiring too much frequently obtains nothing2 and those inconveniencies and distresses which1 with a little moderation1 might in a great measure have been removed and relieved1 are left altogether without the hope of a remedy4 ,the man whose public spirit is prompted altogether by humanity and benevolence1 will respect the established powers and privileges even of individuals1 and still more those of the great orders and societies1 into which the state is divided4 ,though he should consider some of them as in some measure abusive1 he will content himself with moderating what he often cannot annihilate without great violence4 ,when he cannot conquer the rooted prejudices of the people by reason and persuasion1 he will not attempt to subdue them by force2 but will religiously observe what1 by ,cicero1 is justly called the divine maxim of ,plato1 never to use violence to his country no more than to his parents4 ,he will accommodate1 as well as he can1 his public arrangements to the confirmed habits and prejudices of the people2 and will remedy1 as well as he can1 the inconveniencies which may flow from the want of those regulations which the people are averse to submit to4 ,when he cannot establish the right1 he will not disdain to ameliorate the wrong2 but like ,solon1 when he cannot establish the best system of laws1 he will try to establish the best that the people can bear4 ,the man of system1 on the contrary1 is apt to be very wise in his own conceit3 and is often so enamoured with the supposed beauty of his own ideal plan of government1 that he cannot suffer the smallest deviation from any part of it4 ,he goes on to establish it completely and in all its parts1 without any regard either to the great interests1 or to the strong prejudices which may oppose it4 ,he seems to imagine that he can arrange the different members of a great society with as much ease as the hand arranges the different pieces upon a chess-board4 ,he does not consider that the pieces upon the chess-board have no other principle of motion besides that which the hand impresses upon them2 but that1 in the great chess-board of human society1 every single piece has a principle of motion of its own1 altogether different from that which the legislature might choose to impress upon it4 ,if those two principles coincide and act in the same direction1 the game of human society will go on easily and harmoniously1 and is very likely to be happy and successful4 ,if they are opposite or different1 the game will go on miserably1 and human society must be at all times in the highest degree of disorder4 ,some general1 and even systematical1 idea of the perfection of policy and law1 may no doubt be necessary for directing the views of the statesman4 ,but to insist upon establishing1 and upon establishing all #bjh at once1 and in spite of all opposition1 every thing which that idea may seem to require1 must often be the highest degree of arrogance4 ,it is to erect his own judgment into the supreme standard of right and wrong4 ,it is to fancy himself the only wise and worthy man in the commonwealth1 and that his fellow-citizens should accommodate themselves to him and not he to them4 ,it is upon this account1 that of all political speculators1 sovereign princes are by far the most dangerous4 ,this arrogance is perfectly familiar to them4 ,they entertain no doubt of the immense superiority of their own judgment4 ,when such imperial and royal reformers1 therefore1 condescend to contemplate the constitution of the country which is committed to their government1 they seldom see any thing so wrong in it as the obstructions which it may sometimes oppose to the execution of their own will4 ,they hold in contempt the divine maxim of ,plato1 and consider the state as made for themselves1 not themselves for the state4 ,the great object of their reformation1 therefore1 is to remove those obstructions2 to reduce the authority of the nobility2 to take away the privileges of cities and provinces1 and to render both the greatest individuals and the greatest orders of the state1 as incapable of opposing their commands1 as the weakest and most insignificant4 ----- ,,chap4 ,,iii4--,of ,universal ,benevolence4 ,,though our effectual good offices can very seldom be extended to any wider society than that of our country2 our good-will is circumscribed by no boundary1 but may embrace the immensity of the universe4 ,we cannot form the idea of any innocent and sensible being1 whose happiness we should not desire1 or to whose misery1 when distinctly brought home to the imagination1 we should not have some degree of aversion4 ,the idea of a mischievous1 though sensible1 being1 indeed1 naturally provokes our hatred3 but the ill-will which1 in this case1 we bear to it1 is really the effect of our universal benevolence4 ,it is the effect of the sympathy which we feel with the misery and resentment of those other innocent and sensible beings1 whose happiness is disturbed by its malice4 ,this universal benevolence1 how noble and generous soever1 can be the source of no solid happiness to any man who is not thoroughly convinced that all the inhabitants of the universe1 the meanest as well as the greatest1 are under the immediate care and protection of that great1 benevolent1 and all-wise ,being1 who directs all the movements of nature2 and who is determined1 by his own unalterable perfections1 to maintain in it1 at all times1 the greatest possible quantity of happiness4 ,to this universal benevolence1 on the contrary1 the very suspicion of a fatherless world1 must be the most melancholy of all reflections2 from the #bji thought that all the unknown regions of infinite and incomprehensible space may be filled with nothing but endless misery and wretchedness4 ,all the splendour of the highest prosperity can never enlighten the gloom with which so dreadful an idea must necessarily overshadow the imagination2 nor1 in a wise and virtuous man1 can all the sorrow of the most afflicting adversity ever dry up the joy which necessarily springs from the habitual and thorough conviction of the truth of the contrary system4 ,the wise and virtuous man is at all times willing that his own private interest should be sacrificed to the public interest of his own particular order or society4 ,he is at all times willing1 too1 that the interest of this order or society should be sacrificed to the greater interest of the state or sovereignty1 of which it is only a subordinate part4 ,he should1 therefore1 be equally willing that all those inferior interests should be sacrificed to the greater interest of the universe1 to the interest of that great society of all sensible and intelligent beings1 of which ,god himself is the immediate administrator and director4 ,if he is deeply impressed with the habitual and thorough conviction that this benevolent and all-wise ,being can admit into the system of his government1 no partial evil which is not necessary for the universal good1 he must consider all the misfortunes which may befal himself1 his friends1 his society1 or his country1 as necessary for the prosperity of the universe1 and therefore as what he ought1 not only to submit to with resignation1 but as what he himself1 if he had known all the connexions and dependencies of things1 ought sincerely and devoutly to have wished for4 ,nor does this magnanimous resignation to the will of the great ,director of the universe1 seem in any respect beyond the reach of human nature4 ,good soldiers1 who both love and trust their general1 frequently march with more gaiety and alacrity to the forlorn station1 from which they never expect to return1 than they would to one where there was neither difficulty nor danger4 ,in marching to the latter1 they could feel no other sentiment than that of the dulness of ordinary duty2 in marching to the former1 they feel that they are making the noblest exertion which it is possible for man to make4 ,they know that their general would not have ordered them upon this station1 had it not been necessary for the safety of the army1 for the success of the war4 ,they cheerfully sacrifice their own little systems to the prosperity of a greater system4 ,they take an affectionate leave of their comrades1 to whom they wish all happiness and success2 and march out1 not only with submissive obedience1 but often with shouts of the most joyful exultation1 to that fatal1 but splendid and honourable station to which they are appointed4 ,no conductor of an army can deserve more unlimited trust1 more ardent and zealous affection1 than the great ,conductor of the universe4 ,in the greatest public as well as private disasters1 a wise man ought to consider that he himself1 his friends and countrymen1 #baj have only been ordered upon the forlorn station of the universe2 that had it not been necessary for the good of the whole1 they would not have been so ordered2 and that it is their duty1 not only with humble resignation to submit to this allotment1 but to endeavour to embrace it with alacrity and joy4 ,a wise man should surely be capable of doing what a good soldier holds himself at all times in readiness to do4 ,the idea of that divine ,being1 whose benevolence and wisdom have1 from all eternity1 contrived and conducted the immense machine of the universe1 so as at all times to produce the greatest possible quantity of happiness1 is certainly of all the objects of human contemplation by far the most sublime4 ,every other thought necessarily appears mean in the comparison4 ,the man whom we believe to be principally occupied in this sublime contemplation1 seldom fails to be the object of our highest veneration2 and though his life should be altogether contemplative1 we often regard him with a sort of religious respect much superior to that with which we look upon the most active and useful servant of the commonwealth4 ,the ,meditations of ,marcus ,antoninus1 which turn principally upon this subject1 have contributed more1 perhaps1 to the general admiration of his character1 than all the different transactions of his just1 merciful1 and beneficent reign4 ,the administration of the great system of the universe1 however1 the care of the universal happiness of all rational and sensible beings1 is the business of ,god and not of man4 ,to man is allotted a much humbler department1 but one much more suitable to the weakness of his powers1 and to the narrowness of his comprehension2 the care of his own happiness1 of that of his family1 his friends1 his country3 that he is occupied in contemplating the more sublime1 can never be an excuse for his neglecting the more humble department2 and he must not expose himself to the charge which ,avidius ,cassius is said to have brought1 perhaps unjustly1 against ,marcus ,antoninus2 that while he employed himself in philosophical speculations1 and contemplated the prosperity of the universe1 he neglected that of the ,roman empire4 ,the most sublime speculation of the contemplative philosopher can scarce compensate the neglect of the smallest active duty4 ----- ,,sec4 ,,iii4--,,of ,,self-,,command4 ,,the man who acts according to the rules of perfect prudence1 of strict justice1 and of proper benevolence1 may be said to be perfectly virtuous4 ,but the most perfect knowledge of those rules will not alone enable him to act in this manner3 his own passions are very apt to mislead him3 sometimes to drive him and sometimes to seduce him to violate all the rules which he himself1 in all his sober and cool hours1 approves of4 ,the most perfect knowledge1 if it is not supported by the most perfect self-command1 will not always enable him to do his duty4 #baa ,some of the best of the ancient moralists seem to have considered those passions as divided into two different classes3 first1 into those which it requires a considerable exertion of self-command to restrain even for a single moment2 and secondly1 into those which it is easy to restrain for a single moment1 or even for a short period of time2 but which1 by their continual and almost incessant solicitations1 are1 in the course of a life1 very apt to mislead into great deviations4 ,fear and anger1 together with some other passions which are mixed or connected with them1 constitute the first class4 ,the love of ease1 of pleasure1 of applause1 and of many other selfish gratifications1 constitute the second4 ,extravagant fear and furious anger1 it is often difficult to restrain even for a single moment4 ,the love of ease1 of pleasure1 of applause1 and other selfish gratifications1 it is always easy to restrain for a single moment1 or even for a short period of time2 but1 by their continual solicitations1 they often mislead us into many weaknesses which we have afterwards much reason to be ashamed of4 ,the former set of passions may often be said to drive1 the latter to seduce us1 from our duty4 ,the command of the former was1 by the ancient moralists above alluded to1 denominated fortitude1 manhood1 and strength of mind2 that of the latter1 temperance1 decency1 modesty1 and moderation4 ,the command of each of those two sets of passions1 independent of the beauty which it derives from its utility2 from its enabling us upon all occasions to act according to the dictates of prudence1 of justice1 and of proper benevolence2 has a beauty of its own1 and seems to deserve for its own sake a certain degree of esteem and admiration4 ,in the one case1 the strength and greatness of the exertion excites some degree of that esteem and admiration4 ,in the other1 the uniformity1 the equality and unremitting steadiness of that exertion4 ,the man who1 in danger1 in torture1 upon the approach of death1 preserves his tranquillity unaltered1 and suffers no word1 no gesture to escape him which does not perfectly accord with the feelings of the most indifferent spectator1 necessarily commands a very high degree of admiration4 ,if he suffers in the cause of liberty and justice1 for the sake of humanity and the love of his country1 the most tender compassion for his sufferings1 the strongest indignation against the injustice of his persecutors1 the warmest sympathetic gratitude for his beneficent intentions1 the highest sense of his merit1 all join and mix themselves with the admiration of his magnanimity1 and often inflame that sentiment into the most enthusiastic and rapturous veneration4 ,the heroes of ancient and modern history1 who are remembered with the most peculiar favour and affection1 are many of them those who1 in the cause of truth1 liberty1 and justice1 have perished upon the scaffold1 and who behaved there with that ease and dignity which became them4 ,had the enemies of ,socrates suffered him to die quietly in his bed1 the #bab glory even of that great philosopher might possibly never have acquired that dazzling splendour in which it has been beheld in all succeeding ages4 ,in the ,english history1 when we look over the illustrious heads which have been engraven by ,vertue and ,howbraken1 there is scarce any body1 ,i imagine1 who does not feel that the axe1 the emblem of having been beheaded1 which is engraved under some of the most illustrious of them1 under those of the ,sir ,thomas ,mores1 of the ,raleighs1 the ,russels1 the ,sydneys1 c41 sheds a real dignity and depth of interest over the characters to which it is affixed1 much superior to what they can derive from all the futile ornaments of heraldry1 with which they are sometimes accompanied4 ,nor does this magnanimity give lustre only to the characters of innocent and virtuous men4 ,it draws some degree of favourable regard even upon those of the greatest criminals2 and when a robber or highwayman is brought to the scaffold1 and behaves there with decency and firmness1 though we perfectly approve of his punishment1 we often cannot help regretting that a man who possessed such great and noble powers should have been capable of such mean enormities4 ,war is the great school both for acquiring and exercising this species of magnanimity4 ,death1 as we say1 is the king of terrors2 and the man who has conquered the fear of death1 is not likely to lose his presence of mind at the approach of any other natural evil4 ,in war1 men become familiar with death1 and are thereby necessarily cured of that superstitious horror with which it is viewed by the weak and inexperienced4 ,they consider it merely as the loss of life1 and as no further the object of aversion than as life may happen to be that of desire4 ,they learn from experience1 too1 that many seemingly great dangers are not so great as they appear2 and that1 with courage1 activity1 and presence of mind1 there is often a good probability of extricating themselves with honour from situations where at first they could see no hope4 ,the dread of death is thus greatly diminished2 and the confidence or hope of escaping it1 augmented4 ,they learn to expose themselves to danger with less reluctance4 ,they are less anxious to get out of it1 and less apt to lose their presence of mind while they are in it4 ,it is this habitual contempt of danger and death which ennobles the profession of a soldier1 and bestows upon it1 in the natural apprehensions of mankind1 a rank and dignity superior to that of any other profession2 and the skilful and successful exercise of this profession1 in the service of their country1 seems to have constituted the most distinguishing feature in the character of the favourite heroes of all ages4 ,great warlike exploit1 though undertaken contrary to every principle of justice1 and carried on without any regard to humanity1 sometimes interests us1 and commands even some degree of a certain sort of esteem for the very worthless characters which conduct it4 ,we are #bac interested even in the exploits of the buccaneers2 and read with some sort of esteem and admiration1 the history of the most worthless men1 who1 in pursuit of the most criminal purposes1 endured greater hardships1 surmounted greater difficulties1 and encountered greater dangers1 than perhaps any which the course of history gives an account of4 ,the command of anger appears upon many occasions not less generous and noble than that of fear4 ,the proper expression of just indignation composes many of the most splendid and admired passages both of ancient and modern eloquence4 ,the ,philippics of ,demosthenes1 the ,catalinarians of ,cicero1 derive their whole beauty from the noble propriety with which this passion is expressed4 ,but this just indignation is nothing but anger restrained and properly attempered to what the impartial spectator can enter into4 ,the blustering and noisy passion which goes beyond this1 is always odious and offensive1 and interests us1 not for the angry man1 but for the man with whom he is angry4 ,the nobleness of pardoning appears1 upon many occasions1 superior even to the most perfect propriety of resenting4 ,when either proper acknowledgments have been made by the offending party1 or even without any such acknowledgments1 when the public interest requires that the most mortal enemies should unite for the discharge of some important duty1 the man who can cast away all animosity1 and act with confidence and cordiality towards the person who had most grievously offended him1 does seem most justly to merit our highest admiration4 ,the command of anger1 however1 does not always appear in such splendid colours4 ,fear is contrary to anger1 and is often the motive which restrains it2 and in such cases the meanness of the motive takes away all the nobleness of the restraint4 ,anger prompts to attack1 and the indulgence of it seems sometimes to show a sort of courage and superiority to fear4 ,the indulgence of anger is sometimes an object of vanity4 ,that of fear never is4 ,vain and weak men1 among their inferiors1 or those who dare not resist them1 often affect to be ostentatiously passionate1 and fancy that they show1 what is called1 spirit in being so4 ,a bully tells many stories of his own insolence1 which are not true1 and imagines that he thereby renders himself1 if not more amiable and respectable1 at least more formidable to his audience4 ,modern manners1 which1 by favouring the practice of duelling1 may be said1 in some cases1 to encourage private revenge1 contribute1 perhaps1 a good deal to render1 in modern times1 the restraint of anger by fear still more contemptible than it might otherwise appear to be4 ,there is always something dignified in the command of fear1 whatever may be the motive upon which it is founded4 ,it is not so with the command of anger4 ,unless it is founded altogether in the sense of decency1 of dignity1 and propriety1 it never is perfectly agreeable4 ,to act according to the dictates of prudence1 of justice1 and proper #bad beneficence1 seems to have no great merit where there is no temptation to do otherwise4 ,but to act with cool deliberation in the midst of the greatest dangers and difficulties2 to observe religiously the sacred rules of justice in spite both of the greatest interests which might tempt1 and the greatest injuries which might provoke us to violate them2 never to suffer the benevolence of our temper to be damped or discouraged by the malignity and ingratitude of the individuals towards whom it may have been exercised2 is the character of the most exalted wisdom and virtue4 ,self-command is not only itself a great virtue1 but from it all the other virtues seem to derive their principal lustre4 ,the command of fear1 the command of anger1 are always great and noble powers4 ,when they are directed by justice and benevolence1 they are not only great virtues1 but increase the splendour of those other virtues4 ,they may1 however1 sometimes be directed by very different motives2 and in this case1 though still great and respectable1 they may be excessively dangerous4 ,the most intrepid valour may be employed in the cause of the greatest injustice4 ,amidst great provocations1 apparent tranquillity and good humour may sometimes conceal the most determined and cruel resolution to revenge4 ,the strength of mind requisite for such dissimulation1 though always and necessarily contaminated by the baseness of falsehood1 has1 however1 been often much admired by many people of no contemptible judgment4 ,the dissimulation of ,catherine of ,medicis is often celebrated by the profound historian ,davila2 that of ,lord ,digby1 afterwards ,earl of ,bristol1 by the grave and conscientious ,lord ,clarendon2 that of the first ,ashley ,earl of ,shaftesbury1 by the judicious ,mr4 ,locke4 ,even ,cicero seems to consider this deceitful character1 not indeed as of the highest dignity1 but as not unsuitable to a certain flexibility of manners1 which1 he thinks may1 notwithstanding1 be1 upon the whole1 both agreeable and respectable4 ,he exemplifies it by the characters of ,homer's ,ulysses1 of the ,athenian ,themistocles1 of the ,spartan ,lysander1 and of the ,roman ,marcus ,crassus4 ,this character of dark and deep dissimulation occurs most commonly in times of great public disorder2 amidst the violence of faction and civil war4 ,when law has become in a great measure impotent1 when the most perfect innocence cannot alone insure safety1 regard to self-defence obliges the greatest part of men to have recourse to dexterity1 to address1 and to apparent accommodation to whatever happens to be1 at the moment1 the prevailing party4 ,this false character1 too1 is frequently accompanied with the coolest and most determined courage4 ,the proper exercise of it supposes that courage1 as death is commonly the certain consequence of detection4 ,it may be employed indifferently1 either to exasperate or to allay those furious animosities of adverse factions which impose the necessity of assuming it2 and though it may sometimes be useful1 it is at least equally liable to be excessively pernicious4 #bae ,the command of the less violent and turbulent passions seems much less liable to be abused to any pernicious purpose4 ,temperance1 decency1 modesty1 and moderation1 are always amiable1 and can seldom be directed to any bad end4 ,it is from the unremitting steadiness of those gentler exertions of self-command1 that the amiable virtue of chastity1 that the respectable virtues of industry and frugality1 derive all that sober lustre which attends them4 ,the conduct of all those who are contented to walk in the humble paths of private and peaceable life1 derives from the same principle the greater part of the beauty and grace which belong to it2 a beauty and grace1 which1 though much less dazzling1 is not always less pleasing than those which accompany the more splendid actions of the hero1 the statesman1 or the legislator4 ,after what has already been said1 in several different parts of this discourse1 concerning the nature of self-command1 ,i judge it unnecessary to enter into any further detail concerning those virtues4 ,i shall only observe at present1 that the point of propriety1 the degree of any passion which the impartial spectator approves of1 is differently situated in different passions4 ,in some passions the excess is less disagreeable than the defect2 and in such passions the point of propriety seems to stand high1 or nearer to the excess than to the defect4 ,in other passions1 the defect is less disagreeable than the excess2 and in such passions the point of propriety seems to stand low1 or nearer to the defect than to the excess4 ,the former are the passions which the spectator is most1 the latter1 those which he is least disposed to sympathize with4 ,the former1 too1 are the passions of which the immediate feeling or sensation is agreeable to the person principally concerned2 the latter1 those of which it is disagreeable4 ,it may be laid down as a general rule1 that the passions which the spectator is most disposed to sympathize with1 and in which1 upon that account1 the point of propriety may be said to stand high1 are those of which the immediate feeling or sensation is more or less agreeable to the person principally concerned3 and that1 on the contrary1 the passions which the spectator is least disposed to sympathize with1 and in which1 upon that account1 the point of propriety may be said to stand low1 are those of which the immediate feeling or sensation is more or less disagreeable1 or even painful1 to the person principally concerned4 ,this general rule1 so far as ,i have been able to observe1 admits not of a single exception4 ,a few examples will at once both sufficiently explain it and demonstrate the truth of it4 ,the disposition to the affections which tend to unite men in society to humanity1 kindness1 natural affection1 friendship1 esteem1 may sometimes be excessive4 ,even the excess of this disposition1 however1 renders a man interesting to every body4 ,though we blame it1 we still regard it with compassion1 and even with kindness1 and never with dislike4 ,we are more sorry for it than angry at it4 ,to the person #baf himself1 the indulgence even of such excessive affections is1 upon many occasions1 not only agreeable1 but delicious4 ,upon some occasions1 indeed1 especially when directed1 as is too often the case1 towards unworthy objects1 it exposes him to much real and heartfelt distress4 ,even upon such occasions1 however1 a well-disposed mind regards him with the most exquisite pity1 and feels the highest indignation against those who affect to despise him for his weakness and imprudence4 ,the defect of this disposition1 on the contrary1 what is called hardness of heart1 while it renders a man insensible to the feelings and distresses of other people1 renders other people equally insensible to his2 and1 by excluding him from the friendship of all the world1 excludes him from the best and most comfortable of all social enjoyments4 ,the disposition to the affections which drive men from one another1 and which tend1 as it were1 to break the bands of human society2 the disposition to anger1 hatred1 envy1 malice1 revenge2 is1 on the contrary1 much more apt to offend by its excess than by its defect4 ,the excess renders a man wretched and miserable in his own mind1 and the object of hatred1 and sometimes even of horror1 to other people4 ,the defect is very seldom complained of4 ,it may1 however1 be defective4 ,the want of proper indignation is a most essential defect in the manly character1 and1 upon many occasions1 renders a man incapable of protecting either himself or his friends from insult and injustice4 ,even that principle1 in the excess and improper direction of which consists the odious and detestable passion of envy1 may be defective4 ,envy is that passion which views with malignant dislike the superiority of those who are really entitled to all the superiority they possess4 ,the man1 however1 who1 in matters of consequence1 tamely suffers other people1 who are entitled to no such superiority1 to rise above him or get before him1 is justly condemned as mean-spirited4 ,this weakness is commonly founded in indolence1 sometimes in good nature1 in an aversion to opposition1 to bustle and solicitation1 and sometimes1 too1 in a sort of ill-judged magnanimity1 which fancies that it can always continue to despise the advantage which it then despises1 and1 therefore1 so easily gives up4 ,such weakness1 however1 is commonly followed by much regret and repentance2 and what had some appearance of magnanimity in the beginning frequently gives place to a most malignant envy in the end1 and to a hatred of that superiority1 which those who have once attained it1 may often become really entitled to1 by the very circumstance of having attained it4 ,in order to live comfortably in the world1 it is1 upon all occasions1 as necessary to defend our dignity and rank1 as it is to defend our life or our fortune4 ,our sensibility to personal danger and distress1 like that to personal provocation1 is much more apt to offend by its excess than by its defect4 ,no character is more contemptible than that of a coward2 no character is more admired than that of the man who faces death with intrepidity1 #bag and maintains his tranquillity and presence of mind amidst the most dreadful dangers4 ,we esteem the man who supports pain and even torture with manhood and firmness2 and we can have little regard for him who sinks under them1 and abandons himself to useless outcries and womanish lamentations4 ,a fretful temper1 which feels1 with too much sensibility1 every little cross accident1 renders a man miserable in himself and offensive to other people4 ,a calm one1 which does not allow its tranquillity to be disturbed1 either by the small injuries1 or by the little disasters incident to the usual course of human affairs2 but which1 amidst the natural and moral evils infesting the world1 lays its account and is contented to suffer a little from both1 is a blessing to the man himself1 and gives ease and security to all his companions4 ,our sensibility1 however1 both to our own injuries and to our own misfortunes1 though generally too strong1 may likewise be too weak4 ,the man who feels little for his own misfortunes1 must always feel less for those of other people1 and be less disposed to relieve them4 ,the man who has little resentment for the injuries which are done to himself1 must always have less for those which are done to other people1 and be less disposed either to protect or to avenge them4 ,a stupid insensibility to the events of human life necessarily extinguishes all that keen and earnest attention to the propriety of our own conduct1 which constitutes the real essence of virtue4 ,we can feel little anxiety about the propriety of our own actions1 when we are indifferent about the events which may result from them4 ,the man who feels the full distress of the calamity which has befallen him1 who feels the whole baseness of the injustice which has been done to him1 but who feels still more strongly what the dignity of his own character requires2 who does not abandon himself to the guidance of the undisciplined passions which his situation might naturally inspire2 but who governs his whole behaviour and conduct according to those restrained and corrected emotions which the great inmate1 the great demi-god within the breast prescribes and approves of2 is alone the real man of virtue1 the only real and proper object of love1 respect1 and admiration4 ,insensibility and that noble firmness1 that exalted self-command1 which is founded in the sense of dignity and propriety1 are so far from being altogether the same1 that in proportion as the former takes place1 the merit of the latter is1 in many cases1 entirely taken away4 ,but though the total want of sensibility to personal injury1 to personal danger and distress1 would1 in such situations1 take away the whole merit of self-command1 that sensibility1 however1 may very easily be too exquisite1 and it frequently is so4 ,when the sense of propriety1 when the authority of the judge within the breast1 can control this extreme sensibility1 that authority must no doubt appear very noble and very great4 ,but the exertion of it may be too fatiguing2 it may have too much to do4 ,the individual1 by a great effort1 may behave perfectly #bah well4 ,but the contest between the two principles1 the warfare within the breast1 may be too violent to be at all consistent with internal tranquillity and happiness4 ,the wise man whom ,nature has endowed with this too exquisite sensibility1 and whose too lively feelings have not been sufficiently blunted and hardened by early education and proper exercise1 will avoid1 as much as duty and propriety will permit1 the situations for which he is not perfectly fitted4 ,the man whose feeble and delicate constitution renders him too sensible to pain1 to hardship1 and to every sort of bodily distress1 should not wantonly embrace the profession of a soldier4 ,the man of too much sensibility to injury1 should not rashly engage in the contests of faction4 ,though the sense of propriety should be strong enough to command all those sensibilities1 the composure of the mind must always be disturbed in the struggle4 ,in this disorder the judgment cannot always maintain its ordinary acuteness and precision2 and though he may always mean to act properly1 he may often act rashly and imprudently1 and in a manner which he himself will1 in the succeeding part of his life1 be for ever ashamed of4 ,a certain intrepidity1 a certain firmness of nerves and hardiness of constitution1 whether natural or acquired1 are undoubtedly the best preparatives for all the great exertions of self-command4 ,though war and faction are certainly the best schools for forming every man to this hardiness and firmness of temper1 though they are the best remedies for curing him of the opposite weaknesses1 yet1 if the day of trial should happen to come before he has completely learned his lesson1 before the remedy has had time to produce its proper effect1 the consequences might not be agreeable4 ,our sensibility to the pleasures1 to the amusements1 and enjoyments of human life1 may offend1 in the same manner1 either by its excess or by its defect4 ,of the two1 however1 the excess seems less disagreeable than the defect4 ,both to the spectator and to the person principally concerned1 a strong propensity to joy is certainly more pleasing than a dull insensibility to the objects of amusement and diversion4 ,we are charmed with the gaiety of youth1 and even with the playfulness of childhood3 but we soon grow weary of the flat and tasteless gravity which too frequently accompanies old age4 ,when this propensity1 indeed1 is not restrained by the sense of propriety1 when it is unsuitable to the time or to the place1 to the age or to the situation of the person1 when1 to indulge it1 he neglects either his interest or his duty2 it is justly blamed as excessive1 and as hurtful both to the individual and to the society4 ,in the greater part of such cases1 however1 what is chiefly to be found fault with is1 not so much the strength of the propensity to joy1 as the weakness of the sense of propriety and duty4 ,a young man who has no relish for the diversions and amusements that are natural and suitable to his age1 who talks of nothing but his book or his business1 is disliked as formal and pedantic2 and we give him no credit #bai for his abstinence even from improper indulgences1 to which he seems to have so little inclination4 ,the principle of self-estimation may be too high1 and it may likewise be too low4 ,it is so very agreeable to think highly1 and so very disagreeable to think meanly of ourselves1 that1 to the person himself1 it cannot well be doubted1 but that some degree of excess must be much less disagreeable than any degree of defect4 ,but to the impartial spectator1 it may perhaps be thought1 things must appear quite differently1 and that to him1 the defect must always be less disagreeable than the excess4 ,and in our companions1 no doubt1 we much more frequently complain of the latter than of the former4 ,when they assume upon us1 or set themselves before us1 their self-estimation mortifies our own4 ,our own pride and vanity prompt us to accuse them of pride and vanity1 and we cease to be the impartial spectators of their conduct4 ,when the same companions1 however1 suffer any other man to assume over them a superiority which does not belong to him1 we not only blame them1 but often despise them as mean-spirited4 ,when1 on the contrary1 among other people1 they push themselves a little more forward1 and scramble to an elevation disproportioned1 as we think1 to their merit1 though we may not perfectly approve of their conduct1 we are often1 upon the whole1 diverted with it2 and1 where there is no envy in the case1 we are almost always much less displeased with them1 than we should have been1 had they only suffered themselves to sink below their proper station4 ,in estimating our own merit1 in judging of our own character and conduct1 there are two different standards to which we naturally compare them4 ,the one is the idea of exact propriety and perfection1 so far as we are each of us capable of comprehending that idea4 ,the other is that degree of approximation to this idea which is commonly attained in the world1 and which the greater part of our friends and companions1 of our rivals and competitors1 may have actually arrived at4 ,we very seldom 7,i am disposed to think1 we never7 attempt to judge of ourselves without giving more or less attention to both these different standards4 ,but the attention of different men1 and even of the same man at different times1 is often very unequally divided between them2 and is sometimes principally directed towards the one1 and sometimes towards the other4 ,so far as our attention is directed towards the first standard1 the wisest and best of us all1 can1 in his own character and conduct1 see nothing but weakness and imperfection2 can discover no ground for arrogance and presumption1 but a great deal for humility1 regret1 and repentance4 ,so far as our attention is directed towards the second1 we may be affected either in the one way or in the other1 and feel ourselves1 either really above1 or really below1 the standard with which we seek to compare ourselves4 #bbj ,the wise and virtuous man directs his principal attention to the first standard2 the idea of exact propriety and perfection4 ,there exists in the mind of every man1 an idea of this kind1 gradually formed from his observations upon the character and conduct both of himself and of other people4 ,it is the slow1 gradual1 and progressive work of the great demigod within the breast1 the great judge and arbiter of conduct4 ,this idea is in every man more or less accurately drawn1 its colouring is more or less just1 its outlines are more or less exactly designed1 according to the delicacy and acuteness of that sensibility1 with which those observations were made1 and according to the care and attention employed in making them4 ,in the wise and virtuous man they have been made with the most acute and delicate sensibility1 and the utmost care and attention have been employed in making them4 ,every day some feature is improved2 every day some blemish is corrected4 ,he has studied this idea more than other people1 he comprehends it more distinctly1 he has formed a much more correct image of it1 and is much more deeply enamoured of its exquisite and divine beauty4 ,he endeavours1 as well as he can1 to assimilate his own character to this archetype of perfection4 ,but he imitates the work of a divine artist1 which can never be equalled4 ,he feels the imperfect success of all his best endeavours1 and sees1 with grief and affliction1 in how many different features the mortal copy falls short of the immortal original4 ,he remembers1 with concern and humiliation1 how often1 from want of attention1 from want of judgment1 from want of temper1 he has1 both in words and actions1 both in conduct and conversation1 violated the exact rules of perfect propriety2 and has so far departed from that model1 according to which he wished to fashion his own character and conduct4 ,when he directs his attention towards the second standard1 indeed1 that degree of excellence which his friends and acquaintances have commonly arrived at1 he may be sensible of his own superiority4 ,but1 as his principal attention is always directed towards the first standard1 he is necessarily much more humbled by the one comparison1 than he ever can be elevated by the other4 ,he is never so elated as to look down with insolence even upon those who are really below him4 ,he feels so well his own imperfection1 he knows so well the difficulty with which he attained his own distant approximation to rectitude1 that he cannot regard with contempt the still greater imperfections of other people4 ,far from insulting over their inferiority1 he views it with the most indulgent commiseration1 and1 by his advice as well as example1 is at all times willing to promote their further advancement4 ,if1 in any particular qualification1 they happen to be superior to him 7for who is so perfect as not to have many superiors in many different qualifications871 far from envying their superiority1 he1 who knows how difficult it is to excel1 esteems and honours their excellence1 and never fails to bestow upon it the full measure of applause #bba which it deserves4 ,his whole mind1 in short1 is deeply impressed1 his whole behaviour and deportment are distinctly stamped with the character of real modesty2 with that of a very moderate estimation of his own merit1 and1 at the same time1 with a very full sense of the merit of other people4 ,in all the liberal and ingenious arts1 in painting1 in poetry1 in music1 in eloquence1 in philosophy1 the great artist feels always the real imperfection of his own best works1 and is more sensible than any man how much they fall short of that ideal perfection of which he has formed some conception1 which he imitates as well as he can1 but which he despairs of ever equalling4 ,it is the inferior artist only1 who is ever perfectly satisfied with his own performances4 ,he has little conception of this ideal perfection1 about which he has little employed his thoughts2 and it is chiefly to the works of other artists1 of1 perhaps1 a still lower order1 that he deigns to compare his own works4 ,boileau1 the great ,french poet 7in some of his works1 perhaps not inferior to the greatest poet of the same kind1 either ancient or modern71 used to say1 that no great man was ever completely satisfied with his own works4 ,his acquaintance ,santeuil 7a writer of ,latin verses1 and who1 on account of that school-boy accomplishment1 had the weakness to fancy himself a poet71 assured him that he himself was always completely satisfied with his own4 ,boileau replied1 with1 perhaps1 an arch ambiguity1 that he certainly was the only great man that ever was so4 ,boileau1 in judging of his own works1 compared them with the standard of ideal perfection1 which1 in his own particular branch of the poetic art1 he had1 ,i presume1 meditated as deeply1 and conceived as distinctly1 as it is possible for man to conceive it4 ,santeuil1 in judging of his own works1 compared them1 ,i suppose1 chiefly to those of the other ,latin poets of his own time1 to the great part of whom he was certainly very far from being inferior4 ,but to support and finish off1 if ,i may say so1 the conduct and conversation of a whole life to some resemblance of this ideal perfection1 is surely much more difficult than to work up to an equal resemblance any of the productions of any of the ingenious arts4 ,the artist sits down to his work undisturbed1 at leisure1 in the full possession and recollection of all his skill1 experience1 and knowledge4 ,the wise man must support the propriety of his own conduct in health and sickness1 in success and in disappointment1 in the hour of fatigue and drowsy indolence1 as well as in that of the most awakened attention4 ,the most sudden and unexpected assaults of difficulty and distress must never surprise him4 ,the injustice of other people must never provoke him to injustice4 ,the violence of faction must never confound him4 ,all the hardships and hazards of war must never either dishearten or appal him4 ,of the persons who1 in estimating their own merit1 in judging of their own character and conduct1 direct by far the greater part of their #bbb attention to the second standard1 to that ordinary degree of excellence which is commonly attained by other people1 there are some who really and justly feel themselves very much above it1 and who1 by every intelligent and impartial spectator1 are acknowledged to be so4 ,the attention of such persons1 however1 being always principally directed1 not to the standard of ideal1 but to that of ordinary perfection1 they have little sense of their own weaknesses and imperfections2 they have little modesty2 and are often assuming1 arrogant1 and presumptuous2 great admirers of themselves1 and great contemners of other people4 ,though their characters are in general much less correct1 and their merit much inferior to that of the man of real and modest virtue2 yet their excessive presumption1 founded upon their own excessive self-admiration1 dazzles the multitude1 and often imposes even upon those who are much superior to the multitude4 ,the frequent1 and often wonderful1 success of the most ignorant quacks and impostors1 both civil and religious1 sufficiently demonstrate how easily the multitude are imposed upon by the most extravagant and groundless pretensions4 ,but when those pretensions are supported by a very high degree of real and solid merit1 when they are displayed with all the splendour which ostentation can bestow upon them1 when they are supported by high rank and great power1 when they have often been successfully exerted1 and are1 upon that account1 attended by the loud acclamations of the multitude2 even the man of sober judgment often abandons himself to the general admiration4 ,the very noise of those foolish acclamations often contributes to confound his understanding1 and while he sees those great men only at a certain distance1 he is often disposed to worship them with a sincere admiration1 superior even to that with which they appear to worship themselves4 ,when there is no envy in the case1 we all take pleasure in admiring1 and are1 upon that account1 naturally disposed1 in our own fancies1 to render complete and perfect in every respect the characters which1 in many respects1 are so very worthy of admiration4 ,the excessive self-admiration of those great men is well understood1 perhaps1 and even seen through1 with some degree of derision1 by those wise men who are much in their familiarity1 and who secretly smile at those lofty pretensions1 which1 by people at a distance1 are often regarded with reverence1 and almost with adoration4 ,such1 however1 have been1 in all ages1 the greater part of those men who have procured to themselves the most noisy fame1 the most extensive reputation2 a fame and reputation1 too1 which have too often descended to the remotest posterity4 ,great success in the world1 great authority over the sentiments and opinions of mankind1 have very seldom been acquired without some degree of this excessive self-admiration4 ,the most splendid characters1 the men who have performed the most illustrious actions1 who have brought about the greatest revolutions1 both in the situations and #bbc opinions of mankind2 the most successful warriors1 the greatest statesmen and legislators1 the eloquent founders and leaders of the most numerous and most successful sects and parties2 have many of them been1 not more distinguished for their very great merit1 than for a degree of presumption and self-admiration altogether disproportioned even to that very great merit4 ,this presumption was1 perhaps1 necessary1 not only to prompt them to undertakings which a more sober mind would never have thought of1 but to command the submission and obedience of their followers to support them in such undertakings4 ,when crowned with success1 accordingly1 this presumption has often betrayed them into a vanity that approached almost to insanity and folly4 ,alexander the ,great appears1 not only to have wished that other people should think him a god1 but to have been at least very well-disposed to fancy himself such4 ,upon his deathbed1 the most ungodlike of all situations1 he requested of his friends that1 to the respectable list of deities1 into which himself had long before been inserted1 his old mother ,olympia might likewise have the honour of being added4 ,amidst the respectful admiration of his followers and disciples1 amidst the universal applause of the public1 after the oracle1 which probably had followed the voice of that applause1 had pronounced him the wisest of men1 the great wisdom of ,socrates1 though it did not suffer him to fancy himself a god1 yet was not great enough to hinder him from fancying that he had secret and frequent intimations from some invisible and divine being4 ,the sound head of ,csar was not so perfectly sound as to hinder him from being much pleased with his divine genealogy from the goddess ,venus2 and1 before the temple of this pretended great-grandmother1 to receive1 without rising from his seat1 the ,roman senate1 when that illustrious body came to present him with some decrees conferring upon him the most extravagant honours4 ,this insolence1 joined to some other acts of an almost childish vanity1 little to be expected from an understanding at once so very acute and comprehensive1 seems1 by exasperating the public jealousy1 to have emboldened his assassins1 and to have hastened the execution of their conspiracy4 ,the religion and manners of modern times give our great men little encouragement to fancy themselves either gods or even prophets4 ,success1 however1 joined to great popular favour1 has often so far turned the heads of the greatest of them1 as to make them ascribe to themselves both an importance and an ability much beyond what they really possessed2 and1 by this presumption1 to precipitate themselves into many rash and sometimes ruinous adventures4 ,it is a characteristic almost peculiar to the great ,duke of ,marlborough1 that ten years of such uninterrupted and such splendid success as scarce any other general could boast of1 never betrayed him into a a single rash action1 scarce into a single rash word or expression4 ,the same temperate coolness and self-command cannot1 ,i think1 be ascribed to any other great warrior of later times2 not to ,prince ,eugene1 not to #bbd the late ,king of ,prussia1 not 9999the great ,prince of ,cond1 not even to ,gustavus ,adolphus4 ,turenne seems to have approached the nearest to it2 but several different transactions of his life sufficiently demonstrate that it was in him by no means so perfect as it was in the great ,duke of ,marlborough4 ,in the humble projects of private life1 as well as in the ambitious and proud pursuits of high stations1 great abilities and successful enterprise1 in the beginning1 have frequently encouraged to undertakings which necessarily led to bankruptcy and ruin in the end4 ,the esteem and admiration which every impartial spectator conceives for the real merit of those spirited1 magnanimous1 and high-minded persons1 as it is a just and well-founded sentiment1 so it is a steady and permanent one1 and altogether independent of their good or bad fortune4 ,it is otherwise with that admiration which he is apt to conceive for their excessive self-estimation and presumption4 ,while they are successful1 indeed1 he is often perfectly conquered and overborne by them4 ,success covers from his eyes1 not only the great imprudence1 but frequently the great injustice of their enterprises2 and far from blaming this defective part of their character1 he often views it with the most enthusiastic admiration4 ,when they are unfortunate1 however1 things change their colours and their names4 ,what was before heroic magnanimity1 resumes its proper appellation of extravagant rashness and folly2 and the blackness of that avidity and injustice1 which was before hid under the splendour of prosperity1 comes full into view1 and blots the whole lustre of their enterprise4 ,had ,csar1 instead of gaining1 lost the battle of ,pharsalia1 his character would1 at this hour1 have ranked a little above that of ,cataline1 and the weakest man would have viewed his enterprise against the laws of his country in blacker colours1 than1 perhaps even ,cato1 with all the animosity of a party-man1 ever viewed it at the time4 ,his real merit1 the justness of his taste1 the simplicity and elegance of his writings1 the propriety of his eloquence1 his skill in war1 his resources in distress1 his cool and sedate judgment in danger1 his faithful attachment to his friends1 his unexampled generosity to his enemies1 would all have been acknowledged2 as the real merit of ,cataline1 who had many great qualities1 is acknowledged at this day4 ,but the insolence and injustice of his all-grasping ambition would have darkened and extinguished the glory of all that real merit4 ,fortune has in this1 as well as in some other respects already mentioned1 great influence over the moral sentiments of mankind1 and1 according as she is either favourable or adverse1 can render the same character the object1 either of general love and admiration1 or of universal hatred and contempt4 ,this great disorder in our moral sentiments is by no means1 however1 without its utility2 and we may on this1 as well as on many other occasions1 admire the wisdom of ,god even in the weakness and folly of man4 ,our admiration of #bbe success is founded upon the same principle with our respect for wealth and greatness1 and is equally necessary for establishing the distinction of ranks and the order of society4 ,by this admiration of success we are taught to submit more easily to those superiors1 whom the course of human affairs may assign to us2 to regard with reverence1 and sometimes even with a sort of respectful affection1 that fortunate violence which we are no longer capable of resisting2 not only the violence of such splendid characters as those of a ,csar or an ,alexander1 but often that of the most brutal and savage barbarians1 of an ,attila1 a ,gengis1 or a ,tamerlane4 ,to all such mighty conquerors the great mob of mankind are naturally disposed to look up with a wondering1 though1 no doubt1 with a very weak and foolish admiration4 ,by this admiration1 however1 they are taught to acquiesce with less reluctance under that government which an irresistible force imposes upon them1 and from which no reluctance could deliver them4 ,though in prosperity1 however1 the man of excessive self-estimation may sometimes appear to have some advantage over the man of correct and modest virtue2 though the applause of the multitude1 and of those who see them both only at a distance1 is often much louder in favour of the one than it ever is in favour of the other2 yet1 all things fairly computed1 the real balance of advantage is1 perhaps in all cases1 greatly in favour of the latter and against the former4 ,the man who neither ascribes to himself1 nor wishes that other people should ascribe to him1 any other merit besides that which really belongs to him1 fears no humiliation1 dreads no detection2 but rests contented and secure upon the genuine truth and solidity of his own character4 ,his admirers may neither be very numerous nor very loud in their applauses2 but the wisest man who sees him the nearest and who knows him the best1 admires him the most4 ,to a real wise man the judicious and well-weighed approbation of a single wise man1 gives more heartfelt satisfaction than all the noisy applauses of ten thousand ignorant though enthusiastic admirers4 ,he may say with ,parmenides1 who1 upon reading a philosophical discourse before a public assembly at ,athens1 and observing1 that1 except ,plato1 the whole company had left him1 continued1 notwithstanding1 to read on1 and said that ,plato alone was audience sufficient for him4 ,it is otherwise with the man of excessive self-estimation4 ,the wise men who see him the nearest1 admire him the least4 ,amidst the intoxication of prosperity1 their sober and just esteem falls so far short of the extravagance of his own self-admiration1 that he regards it as mere malignity and envy4 ,he suspects his best friends4 ,their company becomes offensive to him4 ,he drives them from his presence1 and often rewards their services1 not only with ingratitude1 but with cruelty and injustice4 ,he abandons his confidence to flatterers and traitors1 who pretend to idolize his vanity and presumption2 and that #bbf character which in the beginning1 though in some respects defective1 was1 upon the whole1 both amiable and respectable1 becomes contemptible and odious in the end4 ,amidst the intoxication of prosperity1 ,alexander killed ,clytus1 for having preferred the exploits of his father ,philip to his own2 put ,calisthenes to death in torture1 for having refused to adore him in the ,persian manner2 and murdered the great friend of his father1 the venerable ,parmenio1 after having1 upon the most groundless suspicions1 sent first to the torture and afterwards to the scaffold the only remaining son of that old man1 the rest having all before died in his own service4 ,this was that ,parmenio of whom ,philip used to say1 that the ,athenians were very fortunate who could find ten generals every year1 while he himself1 in the whole course of his life1 could never find one but ,parmenio4 ,it was upon the vigilance and attention of this ,parmenio that he reposed at all times with confidence and security1 and1 in his hours of mirth and jollity1 used to say1 ',let us drink1 my friends3 we may do it with safety1 for ,parmenio never drinks4' ,it was this same ,parmenio1 with whose presence and counsel1 it had been said1 ,alexander had gained all his victories2 and without his presence and counsel1 he had never gained a single victory4 ,the humble1 admiring1 and flattering friends1 whom ,alexander left in power and authority behind him1 divided his empire among themselves1 and after having thus robbed his family and kindred of their inheritance1 put1 one after another1 every single surviving individual of them1 whether male or female1 to death4 ,we frequently1 not only pardon1 but thoroughly enter into and sympathize with the excessive self-estimation of those splendid characters in which we observe a great and distinguished superiority above the common level of mankind4 ,we call them spirited1 magnanimous1 and high-minded2 words which all involve in their meaning a considerable degree of praise and admiration4 ,but we cannot enter into and sympathize with the excessive self-estimation of those characters in which we can discern no such distinguished superiority4 ,we are disgusted and revolted by it2 and it is with some difficulty that we can either pardon or suffer it4 ,we call it pride or vanity2 two words1 of which the latter always1 and the former for the most part1 involve in their meaning a considerable degree of blame4 ,those two vices1 however1 though resembling1 in some respects1 as being both modifications of excessive self-estimation1 are yet1 in many respects1 very different from one another4 ,the proud man is sincere1 and1 in the bottom of his heart1 is convinced of his own superiority2 though it may sometimes be difficult to guess upon what that conviction is founded4 ,he wishes you to view him in no other light than that in which1 when he places himself in your situation1 he really views himself4 ,he demands no more of you than1 what he thinks1 justice4 ,if you appear not to respect him as he #bbg respects himself1 he is more offended than mortified1 and feels the same indignant resentment as if he had suffered a real injury4 ,he does not even then1 however1 deign to explain the grounds of his own pretensions4 ,he disdains to court your esteem4 ,he affects even to despise it1 and endeavours to maintain his assumed station1 not so much by making you sensible of his superiority1 as of your own meanness4 ,he seems to wish not so much to excite your esteem for himself1 as to mortify that for yourself4 ,the vain man is not sincere1 and1 in the bottom of his heart1 is very seldom convinced of that superiority which he wishes you to ascribe to him4 ,he wishes you to view him in much more splendid colours than those in which1 when he places himself in your situation1 and supposes you to know all that he knows1 he can really view himself4 ,when you appear to view him1 therefore1 in different colours1 perhaps in his proper colours1 he is much more mortified than offended4 ,the grounds of his claim to that character which he wishes you to ascribe to him1 he takes every opportunity of displaying1 both by the most ostentatious and unnecessary exhibition of the good qualities and accomplishments which he possesses in some tolerable degree1 and sometimes even by false pretensions to those which he either possesses in no degree1 or in so very slender a degree that he may well enough be said to possess them in no degree4 ,far from despising your esteem1 he courts it with the most anxious assiduity4 ,far from wishing to mortify your self-estimation1 he is happy to cherish it1 in hopes that in return you will cherish his own4 ,he flatters in order to be flattered4 ,he studies to please1 and endeavours to bribe you into a good opinion of him by politeness and complaisance1 and sometimes even by real and essential good offices1 though often displayed1 perhaps1 with unnecessary ostentation4 ,the vain man sees the respect which is paid to rank and fortune1 and wishes to usurp this respect1 as well as that for talents and virtues4 ,his dress1 his equipage1 his way of living1 accordingly1 all announce both a higher rank and a greater fortune than really belong to him2 and in order to support this foolish imposition for a few years in the beginning of his life1 he often reduces himself to poverty and distress long before the end of it4 ,as long as he can continue his expense1 however1 his vanity is delighted with viewing himself1 not in the light in which you would view him if you knew all that he knows2 but in that in which1 he imagines1 he has1 by his own address1 induced you actually to view him4 ,of all the illusions of vanity that is1 perhaps1 the most common4 ,obscure strangers who visit foreign countries1 or who1 from a remote province1 come to visit1 for a short time1 the capital of their own country1 most frequently attempt to practise it4 ,the folly of the attempt1 though always very great and most unworthy of a man of sense1 may not be altogether so great upon such as upon most other #bbh occasions4 ,if their stay is short1 they may escape any disgraceful detection2 and1 after indulging their vanity for a few months or a few years1 they may return to their own homes1 and repair1 by future parsimony1 the waste of their past profusion4 ,the proud man can very seldom be accused of this folly4 ,his sense of his own dignity renders him careful to preserve his independency1 and1 when his fortune happens not to be large1 though he wishes to be decent1 he studies to be frugal and attentive in all his expenses4 ,the ostentatious expense of the vain man is highly offensive to him4 ,it outshines1 perhaps1 his own4 ,it provokes his indignation as an insolent assumption of a rank which is by no means due2 and he never talks of it without loading it with the harshest and severest reproaches4 ,the proud man does not always feel himself at his ease in the company of his equals1 and still less in that of his superiors4 ,he cannot lay down his lofty pretensions1 and the countenance and conversation of such company overawe him so much that he dare not display them4 ,he has recourse to humbler company1 for which he has little respect1 which he would not willingly choose1 and which is by no means agreeable to him2 that of his inferiors1 his flatterers1 and dependants4 ,he seldom visits his superiors1 or1 if he does1 it is rather to show that he is entitled to live in such company1 than for any real satisfaction that he enjoys in it4 ,it is as ,lord ,clarendon says of the ,earl of ,arundel1 that he sometimes went to court1 because he could there only find a greater man than himself2 but that he went very seldom1 because he found there a greater man than himself4 ,it is quite otherwise with the vain man4 ,he courts the company of his superiors as much as the proud man shuns it4 ,their splendour1 he seems to think1 reflects a splendour upon those who are much about them4 ,he haunts the courts of kings and the levees of ministers1 and gives himself the air of being a candidate for fortune and preferment1 when in reality he possesses the much more precious happiness1 if he knew how to enjoy it1 of not being one4 ,he is fond of being admitted to the tables of the great1 and still more fond of magnifying to other people the familiarity with which he is honoured there4 ,he associates himself1 as much as he can1 with fashionable people1 with those who are supposed to direct the public opinion1 with the witty1 with the learned1 with the popular2 and he shuns the company of his best friends whenever the very uncertain current of public favour happens to run in any respect against them4 ,with the people to whom he wishes to recommend himself1 he is not always very delicate about the means which he employs for that purpose2 unnecessary ostentation1 groundless pretensions1 constant assentation1 frequently flattery1 though for the most part a pleasant and sprightly flattery1 and very seldom the gross and fulsome flattery of a parasite4 ,the proud man1 on the contrary1 never flatters1 and is frequently scarce civil to any body4 #bbi ,notwithstanding all its groundless pretensions1 however1 vanity is almost always a sprightly and a gay1 and very often a good-natured passion4 ,pride is always a grave1 a sullen1 and a severe one4 ,even the falsehoods of the vain man are all innocent falsehoods1 meant to raise himself1 not to lower other people4 ,to do the proud man justice he very seldom stoops to the baseness of falsehood4 ,when he does1 however1 his falsehoods are by no means so innocent4 ,they are all mischievous1 and meant to lower other people4 ,he is full of indignation at the unjust superiority1 as he thinks it1 which is given to them4 ,he views them with malignity and envy1 and1 in talking of them1 often endeavours1 as much as he can1 to extenuate and lessen whatever are the grounds upon which their superiority is supposed to be founded4 ,whatever tales are circulated to their disadvantage1 though he seldom forges them himself1 yet he often takes pleasure in believing them1 is by no means unwilling to repeat them1 and even sometimes with some degree of exaggeration4 ,the worst falsehoods of vanity are what we call white lies3 those of pride1 whenever it condescends to falsehood1 are all of the opposite complexion4 ,our dislike to pride and vanity generally disposes us to rank the persons whom we accuse of those vices rather below than above the common level4 ,in this judgment however1 ,i think1 we are most frequently in the wrong1 and that both the proud and the vain man are often 7perhaps for the most part7 a good deal above it2 though not near so much as either the one really thinks himself1 or as the other wishes you to think him4 ,if we compare them with their own pretensions1 they may appear the just objects of contempt4 ,but when we compare them with what the greater part of their rivals and competitors really are1 they may appear quite otherwise1 and very much above the common level4 ,where there is this real superiority1 pride is frequently attended with many respectable virtues2 with truth1 with integrity1 with a high sense of honour1 with cordial and steady friendship1 with the most inflexible firmness and resolution4 ,vanity1 with many amiable ones2 with humanity1 with politeness1 with a desire to oblige in all little matters1 and sometimes with a real generosity in great ones2 a generosity1 however1 which it often wishes to display in the most splendid colours that it can4 ,by their rivals and enemies1 the ,french1 in the last century1 were accused of vanity2 the ,spaniards1 of pride2 and foreign nations were disposed to consider the one as the more amiable2 the other1 as the more respectable people4 ,the words vain and vanity are never taken in a good sense4 ,we sometimes say of a man1 when we are talking of him in good humour1 that he is the better for his vanity1 or that his vanity is more diverting than offensive2 but we still consider it as a foible and a ridiculous feature in his character4 ,the words proud and pride1 on the contrary1 are sometimes taken in #bcj a good sense4 ,we frequently say of a man1 that he is too proud1 or that he has too much noble pride1 ever to suffer himself to do a mean thing4 ,pride is1 in this case1 confounded with magnanimity4 ,aristotle1 a philosopher who certainly knew the world1 in drawing the character of the magnanimous man1 paints him with many features which1 in the two last centuries1 were commonly ascribed to the ,spanish character3 that he was deliberate in all his resolutions2 slow1 and even tardy1 in all his actions2 that his voice was grave1 his speech deliberate1 his step and motion slow2 that he appeared indolent and even slothful1 not at all disposed to bustle about little matters1 but to act with the most determined and vigorous resolution upon all great and illustrious occasions3 that he was not a lover of danger1 or forward to expose himself to little dangers1 but to great dangers2 and that1 when he exposed himself to danger1 he was altogether regardless of his life4 ,the proud man is commonly too well contented with himself to think that his character requires any amendment4 ,the man who feels himself all-perfect1 naturally enough despises all further improvement4 ,his self-sufficiency and absurd conceit of his own superiority1 commonly attend him from his youth to his most advanced age2 and he dies1 as ,hamlet says1 'with all his sins upon his head1 unanointed1 unanealed4' ,it is frequently quite otherwise with the vain man4 ,the desire of the esteem and admiration of other people1 when for qualities and talents which are the natural and proper objects of esteem and admiration1 is the real love of true glory2 a passion which1 if not the very best passion of human nature1 is certainly one of the best4 ,vanity is very frequently no more than an attempt prematurely to usurp that glory before it is due4 ,though your son1 under five-and-twenty years of age1 should be but a coxcomb2 do not1 upon that account1 despair of his becoming1 before he is forty1 a very wise and worthy man1 and a real proficient in all those talents and virtues to which1 at present1 he may only be an ostentatious and empty pretender4 ,the great secret of education is to direct vanity to proper objects4 ,never suffer him to value himself upon trivial accomplishments4 ,but do not always discourage his pretensions to those that are of real importance4 ,he would not pretend to them if he did not earnestly desire to possess them4 ,encourage this desire2 afford him every means to facilitate the acquisition2 and do not take too much offence1 although he should sometimes assume the air of having attained it a little before the time4 ,such1 ,i say1 are the distinguishing characteristics of pride and vanity1 when each of them acts according to its proper character4 ,but the proud man is often vain2 and the vain man is often proud4 ,nothing can be more natural than that the man1 who thinks much more highly of himself than he deserves1 should wish that other people should think still more highly of him3 or that the man1 who wishes that other people #bca should think more highly of him than he thinks of himself1 should1 at the same time1 think much more highly of himself than he deserves4 ,those two vices being frequently blended in the same character1 the characteristics of both are necessarily confounded2 and we sometimes find the superficial and impertinent ostentation of vanity joined to the most malignant and derisive insolence of pride4 ,we are sometimes1 upon that account1 at a loss how to rank a particular character1 or whether to place it among the proud or among the vain4 ,men of merit considerably above the common level1 sometimes underrate as well as over-rate themselves4 ,such characters1 though not very dignified1 are often1 in private society1 far from being disagreeable4 ,his companions all feel themselves much at their ease in the society of a man so perfectly modest and unassuming4 ,if those companions1 however1 have not both more discernment and more generosity than ordinary1 though they may have some kindness for him1 they have seldom much respect2 and the warmth of their kindness is very seldom sufficient to compensate the coldness of their respect4 ,men of no more than ordinary discernment never rate any person higher than he appears to rate himself4 ,he seems doubtful himself1 they say1 whether he is perfectly fit for such a situation or such an office2 and immediately give the preference to some impudent blockhead who entertains no doubt about his own qualifications4 ,though they should have discernment1 yet1 if they want generosity1 they never fail to take advantage of his simplicity1 and to assume over him an impertinent superiority which they are by no means entitled to4 ,his good nature may enable him to bear this for some time2 but he grows weary at last1 and frequently when it is too late1 and when that rank1 which he ought to have assumed1 is lost irrecoverably1 and usurped1 in consequence of his own backwardness1 by some of his more forward1 though much less meritorious companions4 ,a man of this character must have been very fortunate in the early choice of his companions1 if1 in going through the world1 he meets always with fair justice1 even from those whom1 from his own past kindness1 he might have some reason to consider as his best friends2 and a youth1 who may be too unassuming and too unambitious1 is frequently followed by an insignificant1 complaining1 and discontented old age4 ,those unfortunate persons whom nature has formed a good deal below the common level1 seem oftentimes to rate themselves still more below it than they really are4 ,this humility appears sometimes to sink them into idiotism4 ,whoever has taken the trouble to examine idiots with attention1 will find that1 in many of them1 the faculties of the understanding are by no means weaker than in several other people1 who1 though acknowledged to be dull and stupid1 are not1 by any body1 accounted idiots4 ,many idiots1 with no more than ordinary education1 have been taught to read1 write1 and account tolerably well4 ,many #bcb persons1 never accounted idiots1 notwithstanding the most careful education1 and notwithstanding that1 in their advanced age1 they have had spirit enough to attempt to learn what their early education had not taught them1 have never been able to acquire1 in any tolerable degree1 any one of those three accomplishments4 ,by an instinct of pride1 however1 they set themselves upon a level with their equals in age and situation2 and1 with courage and firmness1 maintain their proper station among their companions4 ,by an opposite instinct1 the idiot feels himself below every company into which you can introduce him4 ,ill-usage1 to which he is extremely liable1 is capable of throwing him into the most violent fits of rage and fury4 ,but no good usage1 no kindness or indulgence1 can ever raise him to converse with you as your equal4 ,if you can bring him to converse with you at all1 however1 you will frequently find his answers sufficiently pertinent1 and even sensible4 ,but they are always stamped with a distinct consciousness of his own great inferiority4 ,he seems to shrink and1 as it were1 to retire from your look and conversation2 and to feel1 when he places himself in your situation1 that1 notwithstanding your apparent condescension1 you cannot help considering him as immensely below you4 ,some idiots1 perhaps the greater part1 seem to be so1 chiefly or altogether1 from a certain numbness or torpidity in the faculties of the understanding4 ,but there are others1 in whom those faculties do not appear more torpid or benumbed than in many other people who are not accounted idiots4 ,but that instinct of pride1 necessary to support them upon an equality with their brethren1 seems to be totally wanting in the former and not in the latter4 ,that degree of self-estimation1 therefore1 which contributes most to the happiness and contentment of the person himself1 seems likewise most agreeable to the impartial spectator4 ,the man who esteems himself as he ought1 and no more than he ought1 seldom fails to obtain from other people all the esteem that he himself thinks due4 ,he desires no more than is due to him1 and he rests upon it with complete satisfaction4 ,the proud and the vain man1 on the contrary1 are constantly dissatisfied4 ,the one is tormented with indignation at the unjust superiority1 as he thinks it1 of other people4 ,the other is in continual dread of the shame1 which1 he foresees1 would attend upon the detection of his groundless pretensions4 ,even the extravagant pretensions of the man of real magnanimity1 though1 when supported by splendid abilities and virtues1 and1 above all1 by good fortune1 they impose upon the multitude1 whose applauses he little regards1 do not impose upon those wise men whose approbation he can only value1 and whose esteem he is most anxious to acquire4 ,he feels that they see through1 and suspects that they despise his excessive presumption2 and he often suffers the cruel misfortune of becoming1 first the jealous #bcc and secret1 and at last the open1 furious1 and vindictive enemy of those very persons1 whose friendship it would have given him the greatest happiness to enjoy with unsuspicious security4 ,though our dislike to the proud and the vain often disposes us to rank them rather below than above their proper station1 yet1 unless we are provoked by some particular and personal impertinence1 we very seldom venture to use them ill4 ,in common cases1 we endeavour1 for our own ease1 rather to acquiesce1 and1 as well as we can1 to accommodate ourselves to their folly4 ,but1 to the man who under-rates himself1 unless we have both more discernment and more generosity than belong to the greater part of men1 we seldom fail to do1 at least1 all the injustice which he does to himself1 and frequently a great deal more4 ,he is not only more unhappy in his own feelings than either the proud or the vain1 but he is much more liable to every sort of ill-usage from other people4 ,in almost all cases1 it is better to be a little too proud1 than1 in any respect1 too humble2 and1 in the sentiment of self-estimation1 some degree of excess seems1 both to the person himself and to the impartial spectator1 to be less disagreeable than any degree of defect of that feeling4 ,in this1 therefore1 as well as in every other emotion1 passion1 and habit1 the degree that is most agreeable to the impartial spectator is likewise most agreeable to the person himself2 and according as either the excess or the defect is least offensive to the former1 so1 either the one or the other is in proportion least disagreeable to the latter4 ----- ,,conclusion ,,of ,,the ,,sixth ,,part4 ,,concern for our own happiness recommends to us the virtue of prudence3 concern for that of other people1 the virtues of justice and beneficence2 of which1 the one restrains us from hurting1 the other prompts us to promote that happiness4 ,independent of any regard either to what are1 or to what ought to be1 or to what upon a certain condition would be1 the sentiments of other people1 the first of those three virtues is originally recommended to us by our selfish1 the other two by our benevolent affections4 ,regard to the sentiments of other people1 however1 comes afterwards both to enforce and to direct the practice of all those virtues2 and no man during1 either the whole course of his life1 or that of any considerable part of it1 ever trod steadily and uniformly in the paths of prudence1 of justice1 or of proper beneficence1 whose conduct was not principally directed by a regard to the sentiments of the supposed impartial spectator1 of the great inmate of the breast1 the great judge and arbiter of conduct4 ,if in the course of the day we have swerved in any respect from the rules which he prescribes to us2 if we have either exceeded or relaxed in our frugality2 #bcd if we have either exceeded or relaxed in our industry2 if through passion or inadvertency1 we have hurt in any respect the interest or happiness of our neighbour2 if we have neglected a plain and proper opportunity of promoting that interest and happiness2 it is this inmate who1 in the evening1 calls us to an account for all those omissions and violations1 and his reproaches often make us blush inwardly both for our folly and inattention to our own happiness1 and for our still greater indifference and inattention1 perhaps1 to that of other people4 ,but though the virtues of prudence1 justice1 and beneficence1 may1 upon different occasions1 be recommended to us almost equally by two different principles2 those of self-command are1 upon most occasions1 principally and almost entirely recommended to us by one2 by the sense of propriety1 by regard to the sentiments of the supposed impartial spectator4 ,without the restraint which this principle imposes1 every passion would1 upon most occasions1 rush headlong1 if ,i may say so1 to its own gratification4 ,anger would follow the suggestions of its own fury2 fear those of its own violent agitations4 ,regard to no time or place would induce vanity to refrain from the loudest and most impertinent ostentation2 or voluptuousness from the most open1 indecent1 and scandalous indulgence4 ,respect for what are1 or for what ought to be1 or for what upon a certain condition would be1 the sentiments of other people1 is the sole principle which1 upon most occasions1 over-awes all those mutinous and turbulent passions into that tone and temper which the impartial spectator can enter into and cordially sympathize with4 ,upon some occasions1 indeed1 those passions are restrained1 not so much by a sense of their impropriety1 as by prudential considerations of the bad consequences which might follow from their indulgence4 ,in such cases1 the passions1 though restrained1 are not always subdued1 but often remain lurking in the breast with all their original fury4 ,the man whose anger is restrained by fear1 does not always lay aside his anger1 but only reserves its gratification for a more safe opportunity4 ,but the man who1 in relating to some other person the injury which has been done to him1 feels at once the fury of his passion cooled and becalmed by sympathy with the more moderate sentiments of his companion1 who at once adopts those more moderate sentiments1 and comes to view that injury1 not in the black and atrocious colours in which he had originally beheld it1 but in the much milder and fairer light in which his companion naturally views it2 not only restrains1 but in some measure subdues1 his anger4 ,the passion becomes really less than it was before1 and less capable of exciting him to the violent and bloody revenge which at first1 perhaps1 he might have thought of inflicting on his enemy4 ,those passions which are restrained by the sense of propriety1 are all in some degree moderated and subdued by it4 ,but those which are #bce restrained only by prudential considerations of any kind1 are1 on the contrary1 frequently inflamed by the restraint1 and sometimes 7long after the provocation given1 and when nobody is thinking about it7 burst out absurdly and unexpectedly1 and that with tenfold fury and violence4 ,anger1 however1 as well as every other passion1 may1 upon many occasions1 be very properly restrained by prudential considerations4 ,some exertion of manhood and self-command is even necessary for this sort of restraint2 and the impartial spectator may sometimes view it with that sort of cold esteem due to that species of conduct which he considers as a mere matter of vulgar prudence2 but never with that affectionate admiration with which he surveys the same passions1 when1 by the sense of propriety1 they are moderated and subdued to what he himself can readily enter into4 ,in the former species of restraint1 he may frequently discern some degree of propriety1 and1 if you will1 even of virtue2 but it is a propriety and virtue of a much inferior order to those which he always feels with transport and admiration in the latter4 ,the virtues of prudence1 justice1 and beneficence1 have no tendency to produce any but the most agreeable effects4 ,regard to those effects1 as it originally recommends them to the actor1 so does it afterwards to the impartial spectator4 ,in our approbation of the character of the prudent man1 we feel1 with peculiar complacency1 the security which he must enjoy while he walks under the safeguard of that sedate and deliberate virtue4 ,in our approbation of the character of the just man1 we feel1 with equal complacency1 the security which all those connected with him1 whether in neighbourhood1 society1 or business must derive from his scrupulous anxiety never either to hurt or offend4 ,in our approbation of the character of the beneficent man1 we enter into the gratitude of all those who are within the sphere of his good offices1 and conceive with them the highest sense of his merit4 ,in our approbation of all those virtues1 our sense of their agreeable effects1 of their utility1 either to the person who exercises them1 or to some other persons1 joins with our sense of their propriety1 and constitutes always a considerable1 frequently the greater part of that approbation4 ,but in our approbation of the virtues of self-command1 complacency with their effects sometimes constitutes no part1 and frequently but a small part1 of that approbation4 ,those effects may sometimes be agreeable1 and sometimes disagreeable2 and though our approbation is no doubt stronger in the former case1 it is by no means altogether destroyed in the latter4 ,the most heroic valour may be employed indifferently in the cause either of justice or of injustice2 and though it is no doubt much more loved and admired in the former case1 it still appears a great and respectable quality even in the latter4 ,in that1 and in all the other ,virtues of self-command1 the splendid and dazzling #bcf quality seems always to be the greatness and steadiness of the exertion1 and the strong sense of propriety which is necessary in order to make and to maintain that exertion4 ,the effects are too often but too little regarded4 ----- ,part ,,vii4--,of ,systems of ,moral ,philosophy4 ,,sec4 ,i4--,,of ,,the ,,questions ,,which ,,ought ,,to ,,be ,,examined ,,in ,a ,,theory ,,of ,,moral ,,sentiments4 ,,if we examine the most celebrated and remarkable of the different theories which have been given concerning the nature and origin of our moral sentiments1 we shall find that almost all of them coincide with some part or other of that which ,i have been endeavouring to give an account of2 and that if every thing which has already been said be fully considered1 we shall be at no loss to explain what was the view or aspect of nature which led each particular author to form his particular system4 ,from some one or other of those principles which ,i have been endeavouring to unfold1 every system of morality that ever had any reputation in the world has1 perhaps1 ultimately been derived4 ,as they are all of them1 in this respect1 founded upon natural principles1 they are all of them in some measure in the right4 ,but as many of them are derived from a partial and imperfect view of nature1 there are many of them too in some respects in the wrong4 ,in treating of the principles of morals there are two questions to be considered4 ,first1 wherein does virtue consist8 ,or what is the tone of temper1 and tenor of conduct1 which constitutes the excellent and praise-worthy character1 the character which is the natural object of esteem1 honour1 and approbation8 ,and1 secondly1 by what power or faculty in the mind is it1 that this character1 whatever it be1 is recommended to us8 ,or in other words1 how and by what means does it come to pass1 that the mind prefers one tenor of conduct to another1 denominates the one right and the other wrong2 considers the one as the object of approbation1 honour1 and reward1 and the other of blame1 censure1 and punishment8 ,we examine the first question when we consider whether virtue consists in benevolence1 as ,dr4 ,hutcheson imagines2 or in acting suitably to the different relations we stand in1 as ,dr4 ,clark supposes2 or in the wise and prudent pursuit of our own real and solid happiness1 as has been the opinion of others4 ,we examine the second question1 when we consider1 whether the virtuous character1 whatever it consists in1 be recommended to us by self-love1 which makes us perceive that this character1 both in ourselves and others1 tends most to promote our own private interest2 or by reason1 which points out to us the difference between one character and #bcg another1 in the same manner as it does that between truth and falsehood2 or by a peculiar power of perception1 called a moral sense1 which this virtuous character gratifies and pleases1 as the contrary disgusts and displeases it2 or last of all1 by some other principle in human nature1 such as a modification of sympathy1 or the like4 ,i shall begin with considering the systems which have been formed concerning the first of these questions1 and shall proceed afterwards to examine those concerning the second4 ----- ,,sec4 ,,ii4--,,of ,,the ,,different ,,accounts ,,which ,,have ,,been ,,given ,,of ,,the ,,nature ,,of ,,virtue4 ,,introduction4 ,the different accounts which have been given of the nature of virtue1 or of the temper of mind which constitutes the excellent and praise-worthy character1 may be reduced to three different classes4 ,according to some1 the virtuous temper of mind does not consist in any one species of affections1 but in the proper government and direction of all our affections1 which may be either virtuous or vicious according to the objects which they pursue1 and the degree of vehemence with which they pursue them4 ,according to these authors1 therefore1 virtue consists in propriety4 ,according to others1 virtue consists in the judicious pursuit of our own private interest and happiness1 or in the proper government and direction of those selfish affections which aim solely at this end4 ,in the opinion of these1 therefore1 virtue consists in prudence4 ,another set of authors make virtue consist in those affections only which aim at the happiness of others1 not in those which aim at our own4 ,according to them1 therefore1 disinterested benevolence is the only motive which can stamp upon actions the character of virtue4 ,the character of virtue1 it is evident1 must either be ascribed indifferently to all our affections1 when under proper government and direction2 or be confined to some one class or division of them4 ,the great division of our affections is into the selfish and the benevolent4 ,if the character of virtue1 therefore1 cannot be ascribed indifferently to all our affections1 when under proper government and direction1 it must be confined either to those which aim directly at our own private happiness1 or to those which aim directly at that of others4 ,if virtue1 therefore1 does not consist in propriety1 it must consist either in prudence or in benevolence4 ,besides these three1 it is scarce possible to imagine that any other account can be given of the nature of virtue4 ,i shall endeavour to show hereafter how all the other accounts1 which are seemingly different from any of these1 coincide at bottom with some one or other of them4 #bch ,,chap4 ,i4--,of those ,systems which make ,virtue consist in ,propriety4 ,,according to ,plato1 to ,aristotle1 and to ,zeno1 virtue consists in the propriety of conduct1 or in the suitableness of the affection from which we act to the object which excites it4 ,i4 ,in the system of ,plato 7,see ,plato de ,rep4 lib4 iv47 the soul is considered as something like a little state or republic1 composed of three different faculties or orders4 ,the first is the judging faculty1 the faculty which determines not only what are the proper means for attaining any end1 but also what ends are fit to be pursued1 and what degree of relative value we ought to put upon each4 ,this faculty ,plato called1 as it is very properly called1 reason1 and considered it as what had a right to be the governing principle of the whole4 ,under this appellation1 it is evident1 he comprehended not only that faculty by which we judge of truth and falsehood1 but that by which we judge of the propriety or the impropriety of our desires and affections4 ,the different passions and appetites1 the natural subjects of this ruling principle1 but which are so apt to rebel against their master1 he reduced to two different classes or orders4 ,the first consisted of those passions1 which are founded in pride and resentment1 or in what the schoolmen called the irascible part of the soul2 ambition1 animosity1 the love of honour1 and the dread of shame1 the desire of victory1 superiority1 and revenge2 all those passions1 in short1 which are supposed either to rise from1 or to denote what1 by a metaphor in our language1 we commonly call spirit or natural fire4 ,the second consisted of those passions which are founded in the love of pleasure1 or in what the schoolmen called the concupiscible part of the soul4 ,it comprehended all the appetites of the body1 the love of ease and of security1 and of all the sensual gratifications4 ,it rarely happens that we break in upon that plan of conduct1 which the governing principle prescribes1 and which in all our cool hours we had laid down to ourselves as what was most proper for us to pursue1 but when prompted by one or other of those two different sets of passions2 either by ungovernable ambition and resentment1 or by the importunate solicitations of present ease and pleasure4 ,but though these two orders of passions are so apt to mislead us1 they are still considered as necessary parts of human nature3 the first having been given to defend us against injuries1 to assert our rank and dignity in the world1 to make us aim at what is noble and honourable1 and to make us distinguish those who act in the same manner2 the second1 to provide for the support and necessities of the body4 ,in the strength1 acuteness1 and perfection of the governing principle was placed the essential virtue of prudence1 which1 according to ,plato1 #bci consisted in a just and clear discernment1 founded upon general and scientific ideas1 of the ends which were proper to be pursued1 and of the means which were proper for attaining them4 ,when the first set of passions1 those of the irascible part of the soul1 had that degree of strength and firmness1 which enabled them1 under the direction of reason1 to despise all dangers in the pursuit of what was honourable and noble2 it constituted the virtue of fortitude and magnanimity4 ,this order of passions1 according to this system1 was of a more generous and noble nature than the other4 ,they were considered upon many occasions as the auxiliaries of reason1 to check and restrain the inferior and brutal appetites4 ,we are often angry at ourselves1 it was observed1 we often become the objects of our own resentment and indignation1 when the love of pleasure prompts to do what we disapprove of2 and the irascible part of our nature is in this manner called in to assist the rational against the concupiscible4 ,when all those three different parts of our nature were in perfect concord with one another1 when neither the irascible nor concupiscible passions ever aimed at any gratification which reason did not approve of1 and when reason never commanded any thing1 but what these of their own accord were willing to perform3 this happy composure1 this perfect and complete harmony of soul1 constituted that virtue which in their language is expressed by a word which we commonly translate temperance1 but which might more properly be translated good temper1 or sobriety and moderation of mind4 ,justice1 the last and greatest of the four cardinal virtues1 took place1 according to this system1 when each of those three faculties of the mind confined itself to its proper office1 without attempting to encroach upon that of any other2 when reason directed and passion obeyed1 and when each passion performed its proper duty1 and exerted itself towards its proper object easily and without reluctance1 and with that degree of force and energy1 which was suitable to the value of what it pursued4 ,in this consisted that complete virtue1 that perfect propriety of conduct1 which ,plato1 after some of the ancient ,pythagoreans1 has well denominated ,justice4 ,the word1 it is to be observed1 which expresses justice in the ,greek language1 has several different meanings2 and as the correspondent word in all other languages1 so far as ,i know1 has the same1 there must be some natural affinity among those various significations4 ,in one sense we are said to do justice to our neighbour when we abstain from doing him any positive harm1 and do not directly hurt him1 either in his person1 or in his estate1 or in his reputation4 ,this is that justice which ,i have treated of above1 the observance of which may be extorted by force1 and the violation of which exposes to punishment4 ,in another sense we are said not to do justice to our neighbour unless we conceive for him all that love1 respect1 and esteem1 which his character1 his #bdj situation1 and his connexion with ourselves1 render suitable and proper for us to feel1 and unless we act accordingly4 ,it is in this sense that we are said to do injustice to a man of merit who is connected with us1 though we abstain from hurting him in every respect1 if we do not exert ourselves to serve him and to place him in that situation in which the impartial spectator would be pleased to see him4 ,the first sense of the word coincides with what ,aristotle and the ,schoolmen call commutative justice1 and with what ,grotius calls the justitia expletrix1 which consists in abstaining from what is another's1 and in doing voluntarily whatever we can with propriety be forced to do4 ,the second sense of the word coincides with what some have called distributive justice1#e and with the justitia attributrix of ,grotius1 which consists in proper beneficence1 in the becoming use of what is our own1 and in the applying it to those purposes1 either of charity or generosity1 to which it is most suitable1 in our situation1 that it should be applied4 ,in this sense justice comprehends all the social virtues4 ,there is yet another sense in which the word justice is sometimes taken1 still more extensive than either of the former1 though very much akin to the last2 and which runs too1 so far as ,i know1 through all languages4 ,it is in this last sense that we are said to be unjust1 when we do not seem to value any particular object with that degree of esteem1 or to pursue it with that degree of ardour which to the impartial spectator it may appear to deserve or to be naturally fitted for exciting4 ,thus we are said to do injustice to a poem or a picture1 when we do not admire them enough1 and we are said to do them more than justice when we admire them too much4 ,in the same manner we are said to do injustice to ourselves when we appear not to give sufficient attention to any particular object of self-interest4 ,in this last sense1 what is called justice means the same thing with exact and perfect propriety of conduct and behaviour1 and comprehends in it1 not only the offices of both commutative and distributive justice1 but of every other virtue1 of prudence1 of fortitude1 of temperance4 ,it is in this last sense that ,plato evidently understands what he calls justice1 and which1 therefore1 according to him1 comprehends in it the perfection of every sort of virtue4 ,footnote #e3 ,the distributive justice of ,aristotle is somewhat different4 ,it consists in the proper distribution of rewards from the public stock of a community4 ,see ,aristotle ,ethic4 ,nic4 #a4 #e4 c4 #b4 ,such is the account given by ,plato of the nature of virtue1 or of that temper of mind which is the proper object of praise and approbation4 ,it consists1 according to him1 in that state of mind in which every faculty confines itself within its proper sphere without encroaching upon that of any other1 and performs its proper office with that precise degree of strength and vigour which belongs to it4 ,his account1 it is evident1 coincides in every respect with what we have said above concerning the propriety of conduct4 ,,ii4 ,virtue1 according to ,aristotle 7,ethic4 ,nic4 #a4 #b4 c4 #e4 et seq4 et #a4 #c4 #bda c4 #d4 et seq471 consists in the habit of mediocrity according to right reason4 ,every particular virtue1 according to him1 lies in a kind of middle between two opposite vices1 of which the one offends from being too much1 the other from being too little affected by a particular species of objects4 ,thus the virtue of fortitude or courage lies in the middle between the opposite vices of cowardice and of presumptuous rashness1 of which the one offends from being too much1 and the other from being too little affected by the objects of fear4 ,thus too the virtue of frugality lies in a middle between avarice and profusion1 of which the one consists in an excess1 the other in a defect of the proper attention to the objects of self-interest4 ,magnanimity1 in the same manner1 lies in a middle between the excess of arrogance and the defect of pusillanimity1 of which the one consists in too extravagant1 the other in too weak a sentiment of our own worth and dignity4 ,it is unnecessary to observe that this account of virtue corresponds1 too1 pretty exactly with what has been said above concerning the propriety and impropriety of conduct4 ,according to ,aristotle 7,ethic4 ,nic4 lib4 ii4 ch4 #a1 #b1 #c1 and #d471 indeed1 virtue did not so much consist in those moderate and right affections1 as in the habit of this moderation4 ,in order to understand this1 it is to be observed1 that virtue may be considered either as the quality of an action1 or the quality of a person4 ,considered as the quality of an action1 it consists1 even according to ,aristotle1 in the reasonable moderation of the affection from which the action proceeds1 whether this disposition be habitual to the person or not4 ,considered as the quality of a person1 it consists in the habit of this reasonable moderation1 in its having become the customary and usual disposition of the mind4 ,thus the action which proceeds from an occasional fit of generosity is undoubtedly a generous action1 but the man who performs it1 is not necessarily a generous person1 because it may be the single action of the kind which he ever performed4 ,the motive and disposition of heart1 from which this action was performed1 may have been quite just and proper3 but as this happy mood seems to have been the effect rather of accidental humour than of any thing steady or permanent in the character1 it can reflect no great honour on the performer4 ,when we denominate a character generous or charitable1 or virtuous in any respect1 we mean to signify that the disposition expressed by each of those appellations is the usual and customary disposition of the person4 ,but single actions of any kind1 how proper and suitable soever1 are of little consequence to show that this is the case4 ,if a single action was sufficient to stamp the character of any virtue upon the person who performed it1 the most worthless of mankind might lay claim to all the virtues2 since there is no man who has not1 upon some occasions1 acted with prudence1 justice1 temperance1 and fortitude4 ,but though single actions1 how laudable soever1 reflect very little praise upon the #bdb person who performs them1 a single vicious action performed by one whose conduct is usually pretty regular1 greatly diminishes and sometimes destroys altogether our opinion of his virtue4 ,a single action of this kind sufficiently shows that his habits are not perfect1 and that he is less to be depended upon1 than1 from the usual train of his behaviour1 we might have been apt to imagine4 ,aristotle too 7,mag4 ,mor4 lib4 i4 ch4 #a47 when he made virtue to consist in practical habits1 had it probably in his view to oppose the doctrine of ,plato1 who seems to have been of opinion that just sentiments and reasonable judgments concerning what was fit to be done or to be avoided1 were alone sufficient to constitute the most perfect virtue4 ,virtue1 according to ,plato1 might be considered as a species of science1 and no man1 he thought1 could see clearly and demonstratively what was right and what was wrong1 and not act accordingly4 ,passion might make us act contrary to doubtful and uncertain opinions1 not to plain and evident judgments4 ,aristotle1 on the contrary1 was of opinion that no conviction of the understanding was capable of getting the better of inveterate habits1 and that our good morals arose not from knowledge but from action4 ,,iii4 ,according to ,zeno1#f the founder of the ,stoical doctrine1 every animal was by nature recommended to its own care1 and was endowed with the principle of self-love1 that it might endeavour to preserve1 not only its existence1 but all the different parts of its nature1 in the best and most perfect state of which they were capable4 ,footnote #f3 ,see ,cicero de finibus1 lib4 iii42 also ,diogenes ,laertius in ,zenone1 lib4 vii4 segment #hd4 ,the self-love of man embraced1 if ,i may say so1 his body and all its different members1 his mind and all its different faculties and powers1 and desired the preservation and maintenance of them all in their best and most perfect condition4 ,whatever tended to support this state of existence was1 therefore1 by nature pointed out to him as fit to be chosen2 and whatever tended to destroy it1 as fit to be rejected4 ,thus health1 strength1 agility1 and ease of body as well as the external conveniences which could promote these2 wealth1 power1 honours1 the respect and esteem of those we live with2 were naturally pointed out to us as things eligible1 and of which the possession was preferable to the want4 ,on the other hand1 sickness1 infirmity1 unwieldiness1 pain of body1 as well as all the external inconveniences which tend to occasion or bring on any of them2 poverty1 the want of authority1 the contempt or hatred of those we live with2 were1 in the same manner1 pointed out to us as things to be shunned and avoided4 ,in each of those two opposite classes of objects1 there were some which appeared to be more the objects either of choice or rejection1 than others in the same class4 ,thus1 in the first class1 health appeared evidently preferable to strength1 and strength to agility2 reputation to power1 and power to riches4 ,and thus too1 in the second class1 sickness was more to be avoided than #bdc unwieldiness of body1 ignominy than poverty1 and poverty than the loss of power4 ,virtue and the propriety of conduct consisted in choosing and rejecting all different objects and circumstances according as they were by nature rendered more or less the objects of choice or rejection2 in selecting always from among the several objects of choice presented to us1 that which must be chosen1 when we could not obtain them all2 and in selecting1 too1 out of the several objects of rejection offered to us1 that which was least to be avoided1 when it was not in our power to avoid them all4 ,by choosing and rejecting with this just and accurate discernment1 by thus bestowing upon every object the precise degree of attention it deserved1 according to the place which it held in this natural scale of things1 we maintained1 9999according to the ,stoics1 that perfect rectitude of conduct which constituted the essence of virtue4 ,this was what they called to live consistently1 to live according to nature1 and to obey those laws and directions which nature1 or the ,author of nature1 had prescribed for our conduct4 ,so far the ,stoical idea of propriety and virtue is not very different from that of ,aristotle and the ancient ,peripatetics4 ,among those primary objects which nature had recommended to us as eligible1 was the prosperity of our family1 of our relations1 of our friends1 of our country1 of mankind1 and of the universe in general4 ,nature too1 had taught us1 that as the prosperity of two was preferable to that of one1 that of many1 or of all1 must be infinitely more so4 ,that we ourselves were but one1 and that consequently wherever our prosperity was inconsistent with that1 either of the whole1 or of any considerable part of the whole1 it ought1 even in our own choice1 to yield to what was so vastly preferable4 ,as all the events in this world were conducted by the providence of a wise1 powerful1 and good ,god1 we might be assured that whatever happened tended to the prosperity and perfection of the whole4 ,if we ourselves1 therefore1 were in poverty1 in sickness1 or in any other calamity1 we ought1 first of all1 to use our utmost endeavours1 so far as justice and our duty to others will allow1 to rescue ourselves from this disagreeable circumstance4 ,but if1 after all we could do1 we found this impossible1 we ought to rest satisfied that the order and perfection of the universe required that we should in the mean time continue in this situation4 ,and as the prosperity of the whole should1 even to us1 appear preferable to so insignificant a part as ourselves1 our situation1 whatever it was1 ought from that moment to become the object of our liking1 if we would maintain that complete propriety and rectitude of sentiment and conduct in which consisted the perfection of our nature4 ,if1 indeed1 any opportunity of extricating ourselves should offer1 it became our duty to embrace it4 ,the order of the universe1 it was evident1 no longer required our continuance in this situation1 and the great ,director of the world plainly called upon us to leave it1 by so clearly pointing out #bdd the road which we were to follow4 ,it was the same case with the adversity of our relations1 our friends1 our country4 ,if1 without violating any more sacred obligation1 it was in our power to prevent or put an end to their calamity1 it undoubtedly was our duty to do so4 ,the propriety of action1 the rule which ,jupiter had given us for the direction of our conduct1 evidently required this of us4 ,but if it was altogether out of our power to do either1 we ought then to consider this event as the most fortunate which could possibly have happened3 because we might be assured that it tended most to the prosperity and order of the whole1 which was that we ourselves1 if we were wise and equitable1 ought most of all to desire4 ,it was our own final interest considered as a part of that whole1 of which the prosperity ought to be1 not only the principal1 but the sole object of our desire4 ',in what sense1' says ,epictetus1 'are some things said to be according to our nature1 and others contrary to it8 ,it is in that sense in which we consider ourselves as separated and detached from all other things4 ,for thus it may be said to be according to the nature of the foot to be always clean4 ,but if you consider it as a foot1 and not as something detached from the rest of the body1 it must behove it some times to trample in the dirt1 and sometimes to tread upon thorns1 and sometimes1 too1 to be cut off for the sake of the whole body2 and if it refuses this1 it is no longer a foot4 ,thus1 too1 ought we to conceive with regard to ourselves4 ,what are you8 ,a man4 ,if you consider yourself as something separated and detached1 it is agreeable to your nature to live to old age1 to be rich1 to be in health4 ,but if you consider yourself as a man1 and as a part of a whole1 upon account of that whole1 it will behove you sometimes to be in sickness1 sometimes to be exposed to the inconveniency of a sea voyage1 sometimes to be in want1 and at last perhaps to die before your time4 ,why then do you complain8 ,do not you know that by doing so1 as the foot ceases to be a foot1 so you cease to be man8' ,a wise man never complains of the destiny of ,providence1 nor thinks the universe in confusion when he is out of order4 ,he does not look upon himself as a whole1 separated and detached from every other part of nature1 to be taken care of by itself and for itself4 ,he regards himself in the light in which he imagines the great genius of human nature1 and of the world1 regards him4 ,he enters1 if ,i may say so1 into the sentiments of that divine ,being1 and considers himself as an atom1 a particle1 of an immense and infinite system1 which must and ought to be disposed of according to the conveniency of the whole4 ,assured of the wisdom which directs all the events of human life1 whatever lot befalls him1 he accepts it with joy1 satisfied that1 if he had known all the connections and dependencies of the different parts of the universe1 it is the very lot which he himself would have wished for4 ,if it is life1 he is contented to live2 and if it is death1 as nature must have no further #bde occasion for his presence here1 he willingly goes where he is appointed4 ,i accept1 said a cynical philosopher1 whose doctrines were in this respect the same as those of the ,stoics1 ,i accept1 with equal joy and satisfaction1 whatever fortune can befall me4 ,riches or poverty1 pleasure or pain1 health or sickness1 all is alike3 nor would ,i desire that the gods should in any respect change my destination4 ,if ,i was to ask of them any thing beyond what their bounty has already bestowed1 it should be that they would inform me beforehand what it was their pleasure should be done with me1 that ,i might of my own accord place myself in this situation1 and demonstrate the cheerfulness with which ,i embraced their allotment4 ,if ,i am going to sail1 says ,epictetus1 ,i choose the best ship and the best pilot1 and ,i wait for the fairest weather that my circumstances and duty will allow4 ,prudence and propriety1 the principles which the gods have given me for the direction of my conduct1 require this of me2 but they require no more3 and if1 notwithstanding1 a storm arises1 which neither the strength of the vessel nor the skill of the pilot are likely to withstand1 ,i give myself no trouble about the consequence4 ,all that ,i had to do is done already4 ,the directors of my conduct never command me to be miserable1 to be anxious1 desponding1 or afraid4 ,whether we are to be drowned1 or to come to a harbour1 is the business of ,jupiter1 not mine4 ,i leave it entirely to his determination1 nor ever break my rest with considering which way he is likely to decide it1 but receive whatever may come with equal indifference and security4 ,from this perfect confidence in that benevolent wisdom which governs the universe1 and from this entire resignation to whatever order that wisdom might think proper to establish1 it necessarily followed1 that to the ,stoical wise man1 all the events of human life must be in a great measure indifferent4 ,his happiness consisted altogether1 first1 in the contemplation of the happiness and perfection of the great system of the universe1 of the good government of the great republic of gods and men1 of all rational and sensible beings2 and1 secondly1 in discharging his duty1 in acting properly in the affairs of this great republic whatever little part that wisdom had assigned to him4 ,the propriety or impropriety of his endeavours might be of great consequence to him4 ,their success or disappointment could be of none at all2 could excite no passionate joy or sorrow1 no passionate desire or aversion4 ,if he preferred some events to others1 if some situations were the objects of his choice and others of his rejection1 it was not because he regarded the one as in themselves in any respect better than the other1 or thought that his own happiness would be more complete in what is called the fortunate than in what is regarded as the distressful situation2 but because the propriety of action1 the rule which the gods had given him for the direction of his conduct1 required him to choose and reject in this manner4 ,all his affections were absorbed and swallowed up in #bdf two great affections2 in that for the discharge of his own duty1 and in that for the greatest possible happiness of all rational and sensible beings4 ,for the gratification of this latter affection1 he rested with the most perfect security upon the wisdom and power of the great ,superintendent of the universe4 ,his sole anxiety was about the gratification of the former2 not about the event1 but about the propriety of his own endeavours4 ,whatever the event might be1 he trusted to a superior power and wisdom for turning it to promote that great end which he himself was most desirous of promoting4 ,this propriety of choosing and rejecting1 though originally pointed out to us1 and as it were recommended and introduced to our acquaintance by the things1 and for the sake of the things1 chosen and rejected2 yet when we had once become thoroughly acquainted with it1 the order1 the grace1 the beauty which we discerned in this conduct1 the happiness which we felt resulted from it1 necessarily appeared to us of much greater value than the actual obtaining of all the different objects of choice1 or the actual avoiding of all those of rejection4 ,from the observation of this propriety arose the happiness and the glory2 from the neglect of it1 the misery and the disgrace of human nature4 ,but to a wise man1 to one whose passions were brought under perfect subjection to the ruling principles of his nature1 the exact observation of this propriety was equally easy upon all occasions4 ,was he in prosperity1 he returned thanks to ,jupiter for having joined him with circumstances which were easily mastered1 and in which there was little temptation to do wrong4 ,was he in adversity1 he equally returned thanks to the director of this spectacle of human life1 for having opposed to him a vigorous athlete1 over whom1 though the contest was likely to be more violent1 the victory was more glorious1 and equally certain4 ,can there be any shame in that distress which is brought upon us without any fault of our own1 and in which we behave with perfect propriety8 ,there can1 therefore1 be no evil1 but1 on the contrary1 the greatest good and advantage4 ,a brave man exults in those dangers in which1 from no rashness of his own1 his fortune has involved him4 ,they afford an opportunity of exercising that heroic intrepidity1 whose exertion gives the exalted delight which flows from the consciousness of superior propriety and deserved admiration4 ,one who is master of all his exercises has no aversion to measure his strength and activity with the strongest4 ,and1 in the same manner1 one who is master of all his passions1 does not dread any circumstance in which the ,superintendent of the universe may think proper to place him4 ,the bounty of that divine ,being has provided him with virtues which render him superior to every situation4 ,if it is pleasure1 he has temperance to refrain from it2 if it is pain1 he has constancy to bear it2 if it is danger or death1 he has magnanimity and fortitude to despise it4 ,the events of human life can never find him unprepared1 or at a loss how to maintain that #bdg propriety of sentiment and conduct which1 in his own apprehension1 constitutes at once his glory and his happiness4 ,human life the ,stoics appear to have considered as a game of great skill2 in which1 however1 there was a mixture of chance1 or of what is vulgarly understood to be chance4 ,in such games the stake is commonly a trifle1 and the whole pleasure of the game arises from playing well1 from playing fairly1 and playing skilfully4 ,if notwithstanding all his skill1 however1 the good player should1 by the influence of chance1 happen to lose1 the loss ought to be a matter1 rather of merriment1 than of serious sorrow4 ,he has made no false stroke2 he has done nothing which he ought to be ashamed of2 he has enjoyed completely the whole pleasure of the game4 ,if1 on the contrary1 the bad player notwithstanding all his blunders1 should1 in the same manner1 happen to win1 his success can give him but little satisfaction4 ,he is mortified by the remembrance of all the faults which he committed4 ,even during the play he can enjoy no part of the pleasure which it is capable of affording4 ,from ignorance of the rules of the game1 fear and doubt and hesitation are the disagreeable sentiments that precede almost every stroke which he plays2 and when he has played it1 the mortification of finding it a gross blunder1 commonly completes the unpleasing circle of his sensations4 ,human life1 with all the advantages which can possibly attend it1 ought1 according to the ,stoics1 to be regarded but as a mere twopenny stake2 a matter by far too insignificant to merit any anxious concern4 ,our only anxious concern ought to be1 not about the stake1 but about the proper method of playing4 ,if we placed our happiness in winning the stake1 we placed it in what depended upon causes beyond our power and out of our direction4 ,we necessarily exposed ourselves to perpetual fear and uneasiness1 and frequently to grievous and mortifying disappointments4 ,if we placed it in playing well1 in playing fairly1 in playing wisely and skilfully2 in the propriety of our own conduct in short2 we placed it in what1 by proper discipline1 education1 and attention1 might be altogether in our own power1 and under our own direction4 ,our happiness was perfectly secure1 and beyond the reach of fortune4 ,the event of our actions1 if it was out of our power1 was equally out of our concern1 and we could never feel either fear or anxiety about it2 nor ever suffer any grievous1 or even any serious disappointment4 ,human life itself1 as well as every different advantage or disadvantage which can attend it1 might1 they said1 according to different circumstances1 be the proper object either of our choice or of our rejection4 ,if1 in our actual situation1 there were more circumstances agreeable to nature than contrary to it2 more circumstances which were the objects of choice than of rejection2 life1 in this case1 was1 upon the whole1 the proper object of choice1 and the propriety of conduct required that we should remain in it4 ,if1 on the other hand1 there #bdh were1 in our actual situation1 without any probable hope of amendment1 more circumstances contrary to nature than agreeable to it2 more circumstances which were the objects of rejection than of choice2 life itself1 in this case1 became1 to a wise man1 the object of rejection1 and he was not only at liberty to remove out of it1 but the propriety of conduct1 the rule which the gods had given him for the direction of his conduct1 required him to do so4 ,i am ordered1 says ,epictetus1 not to dwell at ,nicopolis4 ,i do not dwell there4 ,i am ordered not to dwell at ,athens4 ,i do not dwell at ,athens4 ,i am ordered not to dwell in ,rome4 ,i do not dwell in ,rome4 ,i am ordered to dwell in the little and rocky island of ,gyar4 ,i go and dwell there4 ,but the house smokes in ,gyar4 ,if the smoke is moderate1 ,i will bear it1 and stay there4 ,if it is excessive1 ,i will go to a house from whence no tyrant can remove me4 ,i keep in mind always that the door is open1 that ,i can walk out when ,i please1 and retire to that hospitable house which is at all times open to all the world2 for beyond my undermost garment1 beyond my body1 no man living has any power over me4 ,if your situation is upon the whole disagreeable2 if your house smokes too much for you1 said the ,stoics1 walk forth by all means4 ,but walk forth without repining2 without murmuring or complaining4 ,walk forth calm1 contented1 rejoicing1 returning thanks to the gods1 who1 from their infinite bounty1 have opened the safe and quiet harbour of death1 at all times ready to receive us from the stormy ocean of human life2 who have prepared this sacred1 this inviolable1 this great asylum1 always open1 always accessible2 altogether beyond the reach of human rage and injustice2 and large enough to contain both all those who wish1 and all those who do not wish to retire to it3 an asylum which takes away from every man every pretence of complaining1 or even of fancying that there can be any evil in human life1 except such as he may suffer from his own folly and weakness4 ,the ,stoics1 in the few fragments of their philosophy which have come down to us1 sometimes talk of leaving life with a gaiety1 and even with a levity1 which1 were we to consider those passages by themselves1 might induce us to believe that they imagined we could with propriety leave it whenever we had a mind1 wantonly and capriciously1 upon the slightest disgust or uneasiness4 ',when you sup with such a person1' says ,epictetus1 'you complain of the long stories which he tells you about his ,mysian wars4 ,now my friend1 says he1 having told you how ,i took possession of an eminence at such a place1 ,i will tell you how ,i was besieged in such another place4 ,but if you have a mind not to be troubled with his long stories1 do not accept of his supper4 ,if you accept of his supper1 you have not the least pretence to complain of his long stories4 ,it is the same case with what you call the evils of human life4 ,never complain of that of which it is at all times in your power to rid yourself4' ,notwithstanding this gaiety and even #bdi levity of expression1 however1 the alternative of leaving life1 or of remaining in it1 was1 according to the ,stoics1 a matter of the most serious and important deliberation4 ,we ought never to leave it till we were distinctly called upon to do so by that superintending ,power which had originally placed us in it4 ,but we were to consider ourselves as called upon to do so1 not merely at the appointed and unavoidable term of human life4 ,whenever the providence of that superintending ,power had rendered our condition in life upon the whole the proper object rather of rejection than of choice2 the great rule which he had given us for the direction of our conduct1 then required us to leave it4 ,we might then be said to hear the awful and benevolent voice of that divine ,being distinctly calling upon us to do so4 ,it was upon this account that1 according to the ,stoics1 it might be the duty of a wise man to remove out of life though he was perfectly happy2 while1 on the contrary1 it might be the duty of a weak man to remain in it1 though he was necessarily miserable4 ,if1 in the situation of the wise man1 there were more circumstances which were the natural objects of rejection than of choice1 the whole situation became the object of rejection1 and the rule which the gods had given him for the direction of his conduct1 required that he should remove out of it as speedily as particular circumstances might render convenient4 ,he was1 however1 perfectly happy even during the time that he might think proper to remain in it4 ,he had placed his happiness1 not in obtaining the objects of his choice1 or in avoiding those of his rejection2 but in always choosing and rejecting with exact propriety2 not in the success1 but in the fitness of his endeavours and exertions4 ,if1 in the situation of the weak man1 on the contrary1 there were more circumstances which were the natural objects of choice than of rejection2 his whole situation became the proper object of choice1 and it was his duty to remain in it4 ,he was unhappy1 however1 from not knowing how to use those circumstances4 ,let his cards be ever so good1 he did not know how to play them1 and could enjoy no sort of real satisfaction1 either in the progress1 or in the event of the game1 in whatever manner it might happen to turn out4 7,cicero de finibus1 lib4 #c4 c4 #ac47 ,the propriety1 upon some occasions1 of voluntary death1 though it was1 perhaps1 more insisted upon by the ,stoics1 than by any other sect of ancient philosophers1 was1 however1 a doctrine common to them all1 even to the peaceable and indolent ,epicureans4 ,during the age in which flourished the founders of all the principal sects of ancient philosophy2 during the ,peloponnesian war and for many years after its conclusion1 all the different republics of ,greece were1 at home1 almost always distracted by the most furious factions2 and abroad1 involved in the most sanguinary wars1 in which each fought1 not merely for superiority or dominion1 but either completely to extirpate all its enemies1 or1 what was not less cruel1 to reduce them into the vilest of #bej all states1 that of domestic slavery1 and to sell them1 man1 woman1 and child1 like so many herds of cattle1 to the highest bidder in the market4 ,the smallness of the greater part of those states1 too1 rendered it1 to each of them1 no very improbable event1 that it might itself fall into that very calamity which it had so frequently1 either1 perhaps1 actually inflicted1 or at least attempted to inflict upon some of its neighbours4 ,in this disorderly state of things1 the most perfect innocence1 joined to both the highest rank and the greatest public services1 could give no security to any man that1 even at home and among his own relations and fellow-citizens1 he was not1 at some time or another1 from the prevalence of some hostile and furious faction1 to be condemned to the most cruel and ignominious punishment4 ,if he was taken prisoner in war1 or if the city of which he was a member was conquered1 he was exposed1 if possible1 to still greater injuries and insults4 ,but every man naturally1 or rather necessarily1 familiarizes his imagination with the distresses to which he foresees that his situation may frequently expose him4 ,it is impossible that a sailor should not frequently think of storms and shipwrecks and foundering at sea1 and of how he himself is likely both to feel and to act upon such occasions4 ,it was impossible1 in the same manner1 that a ,grecian patriot or hero should not familiarize his imagination with all the different calamities to which he was sensible his situation must frequently1 or rather constantly1 expose him4 ,as an ,american savage prepares his death-song1 and considers how he should act when he has fallen into the hands of his enemies1 and is by them put to death in the most lingering tortures1 and amidst the insults and derision of all the spectators2 so a ,grecian patriot or hero could not avoid frequently employing his thoughts in considering what he ought both to suffer and to do in banishment1 in captivity1 when reduced to slavery1 when put to the torture1 when brought to the scaffold4 ,but the philosophers of all the different sects very justly represented virtue2 that is1 wise1 just1 firm and temperate conduct2 not only as the most probable1 but as the certain and infallible road to happiness even in this life4 ,this conduct1 however1 could not always exempt1 and might even sometimes expose the person who followed it to all the calamities which were incident to that unsettled situation of public affairs4 ,they endeavoured1 therefore1 to show that happiness was either altogether1 or at least in a great measure1 independent of fortune2 the ,stoics1 that it was so altogether2 the ,academic and ,peripatetic philosophers1 that it was so in a great measure4 ,wise1 prudent1 and good conduct was1 in the first place1 the conduct most likely to ensure success in every species of undertaking2 and secondly1 though it should fail of success1 yet the mind was not left without consolation4 ,the virtuous man might still enjoy the complete approbation of his own breast2 and might still feel that1 how untoward soever things might be without1 all was calm and peace and #bea concord within4 ,he might generally comfort himself1 too1 with the assurance that he possessed the love and esteem of every intelligent and impartial spectator1 who could not fail both to admire his conduct1 and to regret his misfortune4 ,those philosophers endeavoured1 at the same time1 to show1 that the greatest misfortunes to which human life was liable1 might be supported more easily than was commonly imagined4 ,they endeavoured to point out the comforts which a man might still enjoy when reduced to poverty1 when driven into banishment1 when exposed to the injustice of popular clamour1 when labouring under blindness1 under deafness1 in the extremity of old age1 upon the approach of death4 ,they pointed out1 too1 the considerations which might contribute to support his constancy under the agonies of pain and even of torture1 in sickness1 in sorrow for the loss of children1 for the death of friends and relations1 etc4 ,the few fragments which have come down to us of what the ancient philosophers had written upon these subjects1 form1 perhaps1 one of the most instructive1 as well as one of the most interesting remains of antiquity4 ,the spirit and manhood of their doctrines make a wonderful contrast with the desponding1 plaintive1 and whining tone of some modern systems4 ,but while those ancient philosophers endeavoured in this manner to suggest every consideration which could1 as ,milton says1 arm the obdured breast with stubborn patience1 as with triple steel2 they1 at the same time1 laboured above all to convince their followers that there neither was nor could be any evil in death2 and that1 if their situation became at any time too hard for their constancy to support1 the remedy was at hand1 the door was open1 and they might1 without fear1 walk out when they pleased4 ,if there was no world beyond the present1 death1 they said1 could be no evil2 and if there was another world1 the gods must likewise be in that other1 and a just man could fear no evil while under their protection4 ,those philosophers1 in short1 prepared a death-song1 if ,i may say so1 which the ,grecian patriots and heroes might make use of upon the proper occasions2 and1 of all the different sects1 the ,stoics1 ,i think it must be acknowledged1 had prepared by far the most animated and most spirited song4 ,suicide1 however1 never seems to have been very common among the ,greeks4 ,excepting ,cleomenes1 ,i cannot at present recollect any very illustrious either patriot or hero of ,greece1 who died by his own hand4 ,the death of ,aristomenes is as much beyond the period of true history as that of ,ajax4 ,the common story of the death of ,themistocles1 though within that period1 bears upon its face all the marks of a most romantic fable4 ,of all the ,greek heroes whose lives have been written by ,plutarch1 ,cleomenes appears to have been the only one who perished in this manner4 ,theramines1 ,socrates1 and ,phocion1 who certainly did not want courage1 suffered themselves to be sent to prison1 and #beb submitted patiently to that death to which the injustice of their fellow-citizens had condemned them4 ,the brave ,eumenes allowed himself to be delivered up1 by his own mutinous soldiers1 to his enemy ,antigonus1 and was starved to death1 without attempting any violence4 ,the gallant ,philopoe men suffered himself to be taken prisoner by the ,messenians1 was thrown into a dungeon1 and was supposed to have been privately poisoned4 ,several of the philosophers1 indeed1 are said to have died in this manner2 but their lives have been so very foolishly written1 that very little credit is due to the greater part of the tales which are told of them4 ,three different accounts have been given of the death of ,zeno the ,stoic4 ,one is1 that after enjoying1 for ninety-eight years1 the most perfect state of health1 he happened1 in going out of his school1 to fall2 and though he suffered no other damage than that of breaking or dislocating one of his fingers1 he struck the ground with his hand1 and1 in the words of the ,niobe of ,euripides1 said1 ,i come1 why doest thou call me8 and immediately went home and hanged himself4 ,at that great age1 one should think1 he might have had a little more patience4 ,another account is1 that1 at the same age1 and in consequence of a like accident1 he starved himself to death4 ,the third account is1 that1 at seventy-two years of age1 he died in the natural way2 by far the most probable account of the three1 and supported too by the authority of a cotemporary1 who must have had every opportunity of being well-informed2 of ,persus1 originally the slave1 and afterwards the friend and disciple of ,zeno4 ,the first account is given by ,apollonius of ,tyre1 who flourished about the time of ,augustus ,csar1 between two and three hundred years after the death of ,zeno4 ,i know not who is the author of the second account4 ,apollonius1 who was himself a ,stoic1 had probably thought it would do honour to the founder of a sect which talked so much about voluntary death1 to die in this manner by his own hand4 ,men of letters1 though1 after their death1 they are frequently more talked of than the greatest princes or statesmen of their times1 are generally1 during their life1 so obscure and insignificant that their adventures are seldom recorded by cotemporary historians4 ,those of after-ages1 in order to satisfy the public curiosity1 and having no authentic documents either to support or to contradict their narratives1 seem frequently to have fashioned them according to their own fancy2 and almost always with a great mixture of the marvellous4 ,in this particular case the marvellous1 though supported by no authority1 seems to have prevailed over the probable1 though supported by the best4 ,diogenes ,laertius plainly gives the preference to the story of ,apollonius4 ,lucian and ,lactantius appear both to have given credit to that of the great age and of the violent death4 ,this fashion of voluntary death appears to have been much more prevalent among the proud ,romans1 than it ever was among the lively1 ingenious1 and accommodating ,greeks4 ,even among the ,romans1 the #bec fashion seems not to have been established in the early and1 what are called1 the virtuous ages of the republic4 ,the common story of the death of ,regulus1 though probably a fable1 could never have been invented1 had it been supposed that any dishonour could fall upon that hero1 from patiently submitting to the tortures which the ,carthaginians are said to have inflicted upon him4 ,in the later ages of the republic1 some dishonour1 ,i apprehend1 would have attended this submission4 ,in the different civil wars which preceded the fall of the commonwealth1 many of the eminent men of all the contending parties chose rather to perish by their own hands1 than to fall into those of their enemies4 ,the death of ,cato1 celebrated by ,cicero1 and censured by ,csar1 and become the subject of a very serious controversy between1 perhaps1 the two most illustrious advocates that the world had ever beheld1 stamped a character of splendour upon this method of dying which it seems to have retained for several ages after4 ,the eloquence of ,cicero was superior to that of ,csar4 ,the admiring prevailed greatly over the censuring party1 and the lovers of liberty1 for many ages afterwards1 looked up to ,cato as to the most venerable martyr of the republican party4 ,the head of a party1 the ,cardinal de ,retz observes1 may do what he pleases2 as long as he retains the confidence of his own friends1 he can never do wrong2 a maxim of which his eminence had himself1 upon several occasions1 an opportunity of experiencing the truth4 ,cato1 it seems1 joined to his other virtues that of an excellent bottle companion4 ,his enemies accused him of drunkenness1 but1 says ,seneca1 whoever objected this vice to ,cato1 will find it easier to prove that drunkenness is a virtue1 than that ,cato could be addicted to any vice4 ,under the ,emperors this method of dying seems to have been1 for a long time1 perfectly fashionable4 ,in the epistles of ,pliny we find an account of several persons who chose to die in this manner1 rather from vanity and ostentation1 it would seem1 than from what would appear1 even to a sober and judicious ,stoic1 any proper or necessary reason4 ,even the ladies1 who are seldom behind in following the fashion1 seem frequently to have chosen1 most unnecessarily1 to die in this manner2 and1 like the ladies in ,bengal1 to accompany1 upon some occasions1 their husbands to the tomb4 ,the prevalence of this fashion certainly occasioned many deaths which would not otherwise have happened4 ,all the havoc1 however1 which this1 perhaps the highest exertion of human vanity and impertinence1 could occasion1 would1 probably1 at no time1 be very great4 ,the principle of suicide1 the principle which would teach us1 upon some occasions1 to consider that violent action as an object of applause and approbation1 seems to be altogether a refinement of philosophy4 ,nature1 in her sound and healthful state1 seems never to prompt us to suicide4 ,there is1 indeed1 a species of melancholy 7a disease to which human nature1 among its other calamities1 is unhappily subject7 which #bed seems to be accompanied with1 what one may call1 an irresistible appetite for self-destruction4 ,in circumstances often of the highest external prosperity1 and sometimes too1 in spite even of the most serious and deeply impressed sentiments of religion1 this disease has frequently been known to drive its wretched victims to this fatal extremity4 ,the unfortunate persons who perish in this miserable manner1 are the proper objects1 not of censure1 but of commiseration4 ,to attempt to punish them1 when they are beyond the reach of all human punishment1 is not more absurd than it is unjust4 ,that punishment can fall only on their surviving friends and relations1 who are always perfectly innocent1 and to whom the loss of their friend1 in this disgraceful manner1 must always be alone a very heavy calamity4 ,nature1 in her sound and healthful state1 prompts us to avoid distress upon all occasions2 upon many occasions to defend ourselves against it1 though at the hazard1 or even with the certainty of perishing in that defence4 ,but1 when we have neither been able to defend ourselves from it1 nor have perished in that defence1 no natural principle1 no regard to the approbation of the supposed impartial spectator1 to the judgment of the man within the breast1 seems to call upon us to escape from it by destroying ourselves4 ,it is only the consciousness of our own weakness1 of our own incapacity to support the calamity with proper manhood and firmness1 which can drive us to this resolution4 ,i do not remember to have either read or heard of any ,american savage1 who1 upon being taken prisoner by some hostile tribe1 put himself to death1 in order to avoid being afterwards put to death in torture1 and amidst the insults and mockery of his enemies4 ,he places his glory in supporting those torments with manhood1 and in retorting those insults with tenfold contempt and derision4 ,this contempt of life and death1 however1 and1 at the same time1 the most entire submission to the order of ,providence2 the most complete contentment with every event which the current of human affairs could possibly cast up1 may be considered as the two fundamental doctrines upon which rested the whole fabric of ,stoical morality4 ,the independent and spirited1 but often harsh ,epictetus1 may be considered as the great apostle of the first of those doctrines3 the mild1 the humane1 the benevolent ,antoninus1 of the second4 ,the emancipated slave of ,epaphroditus1 who1 in his youth1 had been subjected to the insolence of a brutal master1 who1 in his riper years1 was1 by the jealousy and caprice of ,domitian1 banished from ,rome and ,athens1 and obliged to dwell at ,nicopolis1 and who1 by the same tyrant1 might expect every moment to be sent to ,gyar1 or1 perhaps1 to be put to death2 could preserve his own tranquillity only by fostering in his mind the most sovereign contempt of human life4 ,he never exults so much1 accordingly2 his eloquence is never so animated as when he represents the futility and nothingness of all its pleasures and all its pains4 #bee ,the good-natured emperor1 the absolute sovereign of the whole civilized part of the world1 who certainly had no peculiar reason to complain of his own allotment1 delights in expressing his contentment with the ordinary course of things1 and in pointing out beauties even in those parts of it where vulgar observers are not apt to see any4 ,there is a propriety and even an engaging grace1 he observes1 in old age as well as in youth2 and the weakness and decrepitude of the one state are as suitable to nature as the bloom and vigour of the other4 ,death1 too1 is just as proper a termination of old age1 as youth is of childhood1 or manhood of youth4 ',as we frequently say1' he remarks upon another occasion1 'that the physician has ordered to such a man to ride on horseback1 or to use the cold bath1 or to walk barefooted2 so ought we to say1 that ,nature1 the great conductor and physician of the universe1 has ordered to such a man a disease1 or the amputation of a limb1 or the loss of a child4' ,by the prescriptions of ordinary physicians the patient swallows many a bitter potion1 undergoes many a painful operation4 ,from the very uncertain hope1 however1 that health may be the consequence1 he gladly submits to all4 ,the harshest prescriptions of the great ,physician of nature1 the patient may1 in the same manner1 hope will contribute to his own health1 to his own final prosperity and happiness3 and he may be perfectly assured that they not only contribute1 but are indispensably necessary to the health1 to the prosperity and happiness of the universe1 to the furtherance and advancement of the great plan of ,jupiter4 ,had they not been so1 the universe would never have produced them2 its all-wise ,architect and ,conductor would never have suffered them to happen4 ,as all1 even the smallest of the co-existent parts of the universe1 are exactly fitted to one another1 and all contribute to compose one immense and connected system1 so all1 even apparently the most insignificant of the successive events which follow one another1 make parts1 and necessary parts1 of that great chain of causes and effects which had no beginning1 and which will have no end2 and which1 as they all necessarily result from the original arrangement and contrivance of the whole2 so they are all essentially necessary1 not only to its prosperity1 but to its continuance and preservation4 ,whoever does not cordially embrace whatever befalls him1 whoever is sorry that it has befallen him1 whoever wishes that it had not befallen him1 wishes1 so far as in him lies1 to stop the motion of the universe1 to break that great chain of succession1 by the progress of which that system can alone be continued and preserved1 and1 for some little conveniency of his own1 to disorder and discompose the whole machine of the world4 ',o world1' says he1 in another place1 'all things are suitable to me which are suitable to thee4 ,nothing is too early or too late to me which is seasonable for thee4 ,all is fruit to me which thy seasons bring forth4 ,from thee are all things2 in thee are all things2 for thee are all things4 ,one man #bef says1 ,o beloved city of ,cecrops4 ,wilt not thou say1 ,o beloved city of ,god8' ,from these very sublime doctrines the ,stoics1 or at least some of the ,stoics1 attempted to deduce all their paradoxes4 ,the ,stoical wise man endeavoured to enter into the views of the great ,superintendent of the universe1 and to see things in the same light in which that divine ,being beheld them4 ,but1 to the great ,superintendent of the universe1 all the different events which the course of his providence may bring forth1 what to us appear the smallest and the greatest1 the bursting of a bubble1 as ,mr4 ,pope says1 and that of a world1 for example1 were perfectly equal1 were equally parts of that great chain which he had predestined from all eternity1 were equally the effects of the same unerring wisdom1 of the same universal and boundless benevolence4 ,to the ,stoical wise man1 in the same manner1 all those different events were perfectly equal4 ,in the course of those events1 indeed1 a little department1 in which he had himself some little management and direction1 had been assigned to him4 ,in this department he endeavoured to act as properly as he could1 and to conduct himself according to those orders which1 he understood1 had been prescribed to him4 ,but he took no anxious or passionate concern either in the success1 or in the disappointment of his own most faithful endeavours4 ,the highest prosperity and the total destruction of that little department1 of that little system which had been in some measure committed to his charge1 were perfectly indifferent to him4 ,if those events had depended upon him1 he would have chosen the one1 and he would have rejected the other4 ,but as they did not depend upon him1 he trusted to a superior wisdom1 and was perfectly satisfied that the event which happened1 whatever it might be1 was the very event which he himself1 had he known all the connections and dependencies of things1 would most earnestly and devoutly have wished for4 ,whatever he did under the influence and direction of those principles was equally perfect2 and when he stretched out his finger1 to give the example which they commonly made use of1 he performed an action in every respect as meritorious1 as worthy of praise and admiration1 as when he laid down his life for the service of his country4 ,as1 to the great ,superintendent of the universe1 the greatest and the smallest exertions of his power1 the formation and dissolution of a world1 the formation and dissolution of a bubble1 were equally easy1 were equally admirable1 and equally the effects of the same divine wisdom and benevolence2 so1 to the ,stoical wise man1 what we would call the great action required no more exertion than the little one1 was equally easy1 proceeded from exactly the same principles1 was in no respect more meritorious1 nor worthy of any higher degree of praise and admiration4 ,as all those who had arrived at this state of perfection were equally #beg happy1 so all those who fell in the smallest degree short of it1 how nearly soever they might approach to it1 were equally miserable4 ,as the man1 they said1 who was but an inch below the surface of the water1 could no more breathe than he who was an hundred yards below it2 so the man who had not completely subdued all his private1 partial1 and selfish passions1 who had any other earnest desire but that for the universal happiness1 who had not completely emerged from that abyss of misery and disorder into which his anxiety for the gratification of those private1 partial1 and selfish passions had involved him1 could no more breathe the free air of liberty and independency1 could no more enjoy the security and happiness of the wise man1 than he who was most remote from that situation4 ,as all the actions of the wise man were perfect and equally perfect2 so all those of the man who had not arrived at this supreme wisdom were faulty1 and1 as some ,stoics pretended1 equally faulty4 ,as one truth1 they said1 could not be more true1 nor one falsehood more false than another2 so an honourable action could not be more honourable1 nor a shameful one more shameful than another4 ,as in shooting at a mark1 the man who missed it by an inch had equally missed it with him who had done so by a hundred yards2 so the man who1 in what to us appears the most insignificant action1 had acted improperly and without a sufficient reason1 was equally faulty with him who had done so in1 what to us appears1 the most important2 the man who has killed a cock1 for example1 improperly and without a sufficient reason1 was as criminal as he who had murdered his father4 ,if the first of those two paradoxes should appear sufficiently violent1 the second is evidently too absurd to deserve any serious consideration4 ,it is1 indeed1 so very absurd that one can scarce help suspecting that it must have been in some measure misunderstood or misrepresented4 ,at any rate1 ,i cannot allow myself to believe that such men as ,zeno or ,cleanthes1 men1 it is said1 of the most simple as well as of the most sublime eloquence1 could be the authors1 either of these1 or of the greater part of the other ,stoical paradoxes1 which are in general mere impertinent quibbles1 and do so little honour to their system that ,i shall give no further account of them4 ,i am disposed to impute them rather to ,chrysippus1 the disciple and follower1 indeed1 of ,zeno and ,cleanthes1 but who1 from all that has been delivered down to us concerning him1 seems to have been a mere dialectical pedant1 without taste or elegance of any kind4 ,he may have been the first who reduced their doctrines into a scholastic or technical system of artificial definitions1 divisions1 and subdivisions2 one of the most effectual expedients1 perhaps1 for extinguishing whatever degree of good sense there may be in any moral or metaphysical doctrine4 ,such a man may very easily be supposed to have understood too literally some animated expressions of his masters in describing the happiness of the man of #beh perfect virtue1 and the unhappiness of whoever might fall short of that character4 ,the ,stoics in general seem to have admitted that there might be a degree of proficiency in those who had not advanced to perfect virtue and happiness4 ,they distributed those proficients into different classes1 according to the degree of their advancement2 and they called the imperfect virtues which they supposed them capable of exercising1 not rectitudes1 but proprieties1 fitnesses1 decent and becoming actions1 for which a plausible or probable reason could be assigned1 what ,cicero expresses by the ,latin word officia1 and ,seneca1 ,i think more exactly1 by that of convenientia4 ,the doctrine of those imperfect1 but attainable virtues1 seems to have constituted what we may call the practical morality of the ,stoics4 ,it is the subject of ,cicero's ,offices2 and is said to have been that of another book written by ,marcus ,brutus1 but which is now lost4 ,the plan and system which ,nature has sketched out for our conduct1 seems to us to be altogether different from that of the ,stoical philosophy4 ,by ,nature the events which immediately affect that little department in which we ourselves have some little management and direction1 which immediately affect ourselves1 our friends1 our country1 are the events which interest us the most1 and which chiefly excite our desires and aversions1 our hopes and fears1 our joys and sorrows4 ,should those passions be1 what they are very apt to be1 too vehement1 ,nature has provided a proper remedy and correction4 ,the real or even the imaginary presence of the impartial spectator1 the authority of the man within the breast1 is always at hand to overawe them into the proper tone and temper of moderation4 ,if1 notwithstanding our most faithful exertions1 all the events which can affect this little department1 should turn out the most unfortunate and disastrous1 ,nature has by no means left us without consolation4 ,that consolation may be drawn1 not only from the complete approbation of the man within the breast1 but1 if possible1 from a still nobler and more generous principle1 from a firm reliance upon1 and a reverential submission to1 that benevolent wisdom which directs all the events of human life1 and which1 we may be assured1 would never have suffered those misfortunes to happen1 had they not been indispensably necessary for the good of the whole4 ,nature has not prescribed to us this sublime contemplation as the great business and occupation of our lives4 ,she only points it out to us as the consolation of our misfortunes4 ,the ,stoical philosophy prescribes it as the great business and occupation of our lives4 ,that philosophy teaches us to interest ourselves earnestly and anxiously in no events1 external to the good order of our own minds1 to the propriety of our own choosing and rejecting1 except in those which concern a #bei department where we neither have nor ought to have any sort of management or direction1 the department of the great ,superintendent of the universe4 ,by the perfect apathy which it prescribes to us1 by endeavouring1 not merely to moderate1 but to eradicate all our private1 partial1 and selfish affections1 by suffering us to feel for whatever can befall ourselves1 our friends1 our country1 not even the sympathetic and reduced passions of the impartial spectator1 it endeavours to render us altogether indifferent and unconcerned in the success or miscarriage of every thing which ,nature has prescribed to us as the proper business and occupation of our lives4 ,the reasonings of philosophy1 it may be said1 though they may confound and perplex the understanding1 can never break down the necessary connection which ,nature has established between causes and their effects4 ,the causes which naturally excite our desires and aversions1 our hopes and fears1 our joys and sorrows1 would no doubt1 notwithstanding all the reasonings of ,stoicism1 produce upon each individual1 according to the degree of his actual sensibility1 their proper and necessary effects4 ,the judgments of the man within the breast1 however1 might be a good deal affected by those reasonings1 and that great inmate might be taught by them to attempt to overawe all our private1 partial1 and selfish affections into a more or less perfect tranquillity4 ,to direct the judgments of this inmate is the great purpose of all systems of morality4 ,that the ,stoical philosophy had very great influence upon the character and conduct of its followers1 cannot be doubted2 and that1 though it might sometimes incite them to unnecessary violence1 its general tendency was to animate them to actions of the most heroic magnanimity and most extensive benevolence4 ,,iv4 ,besides these ancient1 there are some modern systems1 according to which virtue consists in propriety2 or in the suitableness of the affection from which we act1 to the cause or object which excites it4 ,the system of ,dr4 ,clark1 which places virtue in acting according to the relation of things1 in regulating our conduct according to the fitness or incongruity which there may be in the application of certain actions to certain things1 or to certain relations3 that of ,mr4 ,wollaston1 which places it in acting according to the truth of things1 according to their proper nature and essence1 or in treating them as what they really are1 and not as what they are not3 that of my ,lord ,shaftesbury1 which places it in maintaining a proper balance of the affections1 and in allowing no passion to go beyond its proper sphere2 are all of them more or less inaccurate descriptions of the same fundamental idea4 ,none of those systems either give1 or even pretend to give1 any precise or distinct measure by which this fitness or propriety of affection can be ascertained or judged of4 ,that precise and distinct measure can be found no where but in the sympathetic feelings of the impartial and well-informed spectator4 #bfj ,the description of virtue1 besides1 which is either given1 or at least meant and intended to be given in each of those systems1 for some of the modern authors are not very fortunate in their manner of expressing themselves1 is no doubt quite just1 so far as it goes4 ,there is no virtue without propriety1 and wherever there is propriety some degree of approbation is due4 ,but still this description is imperfect4 ,for though propriety is an essential ingredient in every virtuous action1 it is not always the sole ingredient4 ,beneficent actions have in them another quality by which they appear not only to deserve approbation but recompense4 ,none of those systems account either easily or sufficiently for that superior degree of esteem which seems due to such actions1 or for that diversity of sentiment which they naturally excite4 ,neither is the description of vice more complete4 ,for1 in the same manner1 though impropriety is a necessary ingredient in every vicious action1 it is not always the sole ingredient2 and there is often the highest degree of absurdity and impropriety in very harmless and insignificant actions4 ,deliberate actions1 of a pernicious tendency to those we live with1 have1 besides their impropriety1 a peculiar quality of their own by which they appear to deserve1 not only disapprobation1 but punishment2 and to be the objects1 not of dislike merely1 but of resentment and revenge3 and none of those systems easily and sufficiently account for that superior degree of detestation which we feel for such actions4 ----- ,,chap4 ,,ii4--,of those ,systems which make ,virtue consist in ,prudence4 ,,the most ancient of those systems which make virtue consist in prudence1 and of which any considerable remains have come down to us1 is that of ,epicurus1 who is said1 however1 to have borrowed all the leading principles of his philosophy from some of those who had gone before him1 particularly from ,aristippus2 though it is very probable1 notwithstanding this allegation of his enemies1 that at least his manner of applying those principles was altogether his own4 ,according to ,epicurus 7,cicero de finibus1 lib4 i4 ,diogenes ,laert4 #a4 x47 bodily pleasure and pain were the sole ultimate objects of natural desire and aversion4 ,that they were always the natural objects of those passions1 he thought required no proof4 ,pleasure might1 indeed1 appear sometimes to be avoided2 not1 however1 because it was pleasure1 but because1 by the enjoyment of it1 we should either forfeit some greater pleasure1 or expose ourselves to some pain that was more to be avoided than this pleasure was to be desired4 ,pain1 in the same manner1 might appear sometimes to be eligible2 not1 however1 because it was pain1 but because by enduring it we might either avoid a still #bfa greater pain1 or acquire some pleasure of much more importance4 ,that bodily pain and pleasure1 therefore1 were always the natural objects of desire and aversion1 was1 he thought1 abundantly evident4 ,nor was it less so1 he imagined1 that they were the sole ultimate objects of those passions4 ,whatever else was either desired or avoided1 was so1 according to him1 upon account of its tendency to produce one or other of those sensations4 ,the tendency to procure pleasure rendered power and riches desirable1 as the contrary tendency to produce pain made poverty and insignificancy the objects of aversion4 ,honour and reputation were valued1 because the esteem and love of those we live with were of the greatest consequence both to procure pleasure and to defend us from pain4 ,ignominy and bad fame1 on the contrary1 were to be avoided1 because the hatred1 contempt1 and resentment of those we lived with1 destroyed all security1 and necessarily exposed us to the greatest bodily evils4 ,all the pleasures and pains of the mind were1 according to ,epicurus1 ultimately derived from those of the body4 ,the mind was happy when it thought of the past pleasures of the body1 and hoped for others to come3 and it was miserable when it thought of the pains which the body had formerly endured1 and dreaded the same or greater thereafter4 ,but the pleasures and pains of the mind1 though ultimately derived from those of the body1 were vastly greater than their originals4 ,the body felt only the sensation of the present instant1 whereas the mind felt also the past and the future1 the one by remembrance1 the other by anticipation1 and consequently both suffered and enjoyed much more4 ,when we are under the greatest bodily pain1 he observed1 we shall always find1 if we attend to it1 that it is not the suffering of the present instant which chiefly torments us1 but either the agonizing remembrance of the past1 or the yet more horrible dread of the future4 ,the pain of each instant1 considered by itself1 and cut off from all that goes before and all that comes after it1 is a trifle1 not worth the regarding4 ,yet this is all which the body can ever be said to suffer4 ,in the same manner1 when we enjoy the greatest pleasure1 we shall always find that the bodily sensation1 the sensation of the present instant1 makes but a small part of our happiness1 that our enjoyment chiefly arises either from the cheerful recollection of the past1 or the still more joyous anticipation of the future1 and that the mind always contributes by much the largest share of the entertainment4 ,since our happiness and misery1 therefore1 depended chiefly on the mind1 if this part of our nature was well disposed1 if our thoughts and opinions were as they should be1 it was of little importance in what manner our body was affected4 ,though under great bodily pain1 we might still enjoy a considerable share of happiness1 if our reason and judgment maintained their superiority4 ,we might entertain ourselves #bfb with the remembrance of past1 and with the hopes of future pleasure2 we might soften the rigour of our pains1 by recollecting what it was which1 even in this situation1 we were under any necessity of suffering4 ,that this was merely the bodily sensation1 the pain of the present instant1 which by itself could never be very great4 ,that whatever agony we suffered from the dread of its continuance1 was the effect of an opinion of the mind1 which might be corrected by juster sentiments2 by considering that1 if our pains were violent1 they would probably be of short duration2 and that if they were of long continuance1 they would probably be moderate1 and admit of many intervals of ease2 and that1 at any rate1 death was always at hand and within call to deliver us1 which as1 according to him1 it put an end to all sensation1 either of pain or pleasure1 could not be regarded as an evil4 ,when we are1 said he1 death is not2 and when death is1 we are not2 death therefore can be nothing to us4 ,if the actual sensation of positive pain was in itself so little to be feared1 that of pleasure was still less to be desired4 ,naturally the sensation of pleasure was much less pungent than that of pain4 ,if1 therefore1 this last could take so very little from the happiness of a well-disposed mind1 the other could add scarce any thing to it4 ,when the body was free from pain and the mind from fear and anxiety1 the superadded sensation of bodily pleasure could be of very little importance2 and though it might diversify1 could not properly be said to increase the happiness of this situation4 ,in ease of body1 therefore1 and in security of tranquillity of mind1 consisted1 according to ,epicurus1 the most perfect state of human nature1 the most complete happiness which man was capable of enjoying4 ,to obtain this great end of natural desire was the sole object of all the virtues1 which1 according to him1 were not desirable upon their own account1 but chiefly upon account of their tendency to bring about this situation4 ,prudence1 for example1 though1 according to this philosophy1 the source and principle of all the virtues1 was not desirable upon its own account4 ,that careful and laborious and circumspect state of mind1 ever watchful and ever attentive to the most distant consequences of every action1 could not be a thing pleasant or agreeable for its own sake1 but upon account of its tendency to procure the greatest goods and to keep off the greatest evils4 ,to abstain from pleasure too1 to curb and restrain our natural passions for enjoyment1 which was the office of temperance1 could never be desirable for its own sake4 ,the whole value of this virtue arose from its utility1 from its enabling us to postpone the present enjoyment for the sake of a greater to come1 or to avoid a greater pain that might ensue from it4 ,temperance1 in short1 was1 according to the ,epicureans1 nothing but prudence with regard to pleasure4 #bfc ,to support labour1 to endure pain1 to be exposed to danger or to death1 the situations which fortitude would often lead us into1 were surely still less the objects of natural desire4 ,they were chosen only to avoid greater evils4 ,we submitted to labour1 in order to avoid the greater shame and pain of poverty1 and we exposed ourselves to danger and to death in defence of our liberty and property1 the means and instruments of pleasure and happiness2 or in defence of our country1 in the safety of which our own was necessarily comprehended4 ,fortitude enabled us to do all this cheerfully1 as the best which1 in our present situation1 could possibly be done1 and was in reality no more than prudence1 good judgment1 and presence of mind in properly appreciating pain1 labour1 and danger1 always choosing the less in order to avoid the greater evil4 ,it is the same case with justice4 ,to abstain from what is another's was not desirable on its own account1 and it could not surely be better for you1 that ,i should possess what is my own1 than that you should possess it4 ,you ought1 however1 to abstain from whatever belongs to me1 because by doing otherwise you will provoke the resentment and indignation of mankind4 ,the security and tranquillity of your mind will be entirely destroyed4 ,you will be filled with fear and consternation at the thought of that punishment which you will imagine that men are at all times ready to inflict upon you1 and from which no power1 no art1 no concealment1 will ever1 in your own fancy1 be sufficient to protect you4 ,the other species of justice which consists in doing proper good offices to different persons1 according to the various relations of neighbours1 kinsmen1 friends1 benefactors1 superiors1 or equals1 which they may stand in to us1 is recommended by the same reasons4 ,to act properly in all these different relations procures us the esteem and love of those we live with2 as to do otherwise excites their contempt and hatred4 ,by the one we naturally secure1 by the other we necessarily endanger our own ease and tranquillity1 the great and ultimate objects of all our desires4 ,the whole virtue of justice1 therefore1 the most important of all the virtues1 is no more than discreet and prudent conduct with regard to our neighbours4 ,such is the doctrine of ,epicurus concerning the nature of virtue4 ,it may seem extraordinary that this philosopher1 who is described as a person of the most amiable manners1 should never have observed1 that1 whatever may be the tendency of those virtues1 or of the contrary vices1 with regard to our bodily ease and security1 the sentiments which they naturally excite in others are the objects of a much more passionate desire or aversion than all their other consequences2 that to be amiable1 to be respectable1 to be the proper object of esteem1 is by every well-disposed mind more valued than all the ease and security which love1 respect1 and esteem can procure us2 that1 on the contrary1 to be odious1 to be contemptible1 to be the proper object of indignation1 is #bfd more dreadful than all that we can suffer in our body from hatred1 contempt1 or indignation2 and that consequently our desire of the one character1 and our aversion to the other1 cannot arise from any regard to the effects which either of them may produce upon the body4 ,this system is1 no doubt1 altogether inconsistent with that which ,i have been endeavouring to establish4 ,it is not difficult1 however1 to discover from what phasis1 if ,i may say so1 from what particular view or aspect of nature1 this account of things derives its probability4 ,by the wise contrivance of the ,author of nature1 virtue is upon all ordinary occasions1 even with regard to this life1 real wisdom1 and the surest and readiest means of obtaining both safety and advantage4 ,our success or disappointment in our undertakings must very much depend upon the good or bad opinion which is commonly entertained of us1 and upon the general disposition of those we live with1 either to assist or to oppose us4 ,but the best1 the surest1 the easiest1 and the readiest way of obtaining the advantageous1 and of avoiding the unfavourable judgments of others1 is undoubtedly to render ourselves the proper objects of the former and not of the latter4 ',do you desire1' said ,socrates1 'the reputation of a good musician8 ,the only sure way of obtaining it1 is to become a good musician4 ,would you desire in the same manner to be thought capable of serving your country either as a general or as a statesman8 ,the best way in this case too is really to acquire the art and experience of war and government1 and to become really fit to be a general or a statesman4 ,and in the same manner if you would be reckoned sober1 temperate1 just1 and equitable1 the best way of acquiring this reputation is to become sober1 temperate1 just1 and equitable4 ,if you can really render yourself amiable1 respectable1 and the proper object of esteem1 there is no fear of your not soon acquiring the love1 the respect1 and esteem of those you live with4' ,since the practice of virtue1 therefore1 is in general so advantageous1 and that of vice so contrary to our interest1 the consideration of those opposite tendencies undoubtedly stamps an additional beauty and propriety upon the one1 and a new deformity and impropriety upon the other4 ,temperance1 magnanimity1 justice1 and beneficence1 come thus to be approved of1 not only under their proper characters1 but under the additional character of the highest wisdom and most real prudence4 ,and in the same manner1 the contrary vices of intemperance1 pusillanimity1 injustice1 and either malevolence or sordid selfishness1 come to be disapproved of1 not only under their proper characters1 but under the additional character of the most short-sighted folly and weakness4 ,epicurus appears in every virtue to have attended to this species of propriety only4 ,it is that which is most apt to occur to those who are endeavouring to persuade others to regularity of conduct4 ,when men by their practice1 and perhaps too by their maxims1 manifestly show that the natural beauty of virtue is not like to have much effect upon #bfe them1 how is it possible to move them but by representing the folly of their conduct1 and how much they themselves are in the end likely to suffer by it8 ,by running up all the different virtues too to this one species of propriety1 ,epicurus indulged a propensity1 which is natural to all men1 but which philosophers in particular are apt to cultivate with a peculiar fondness1 as the great means of displaying their ingenuity1 the propensity to account for all appearances from as few principles as possible4 ,and he1 no doubt1 indulged this propensity still further1 when he referred all the primary objects of natural desire and aversion to the pleasures and pains of the body4 ,the great patron of the atomical philosophy1 who took so much pleasure in deducing all the powers and qualities of bodies from the most obvious and familiar1 the figure1 motion1 and arrangement of the small parts of matter1 felt no doubt a similar satisfaction1 when he accounted1 in the same manner1 for all the sentiments and passions of the mind from those which are most obvious and familiar4 ,the system of ,epicurus agreed with those of ,plato1 ,aristotle1 and ,zeno1 in making virtue consist in acting in the most suitable manner to obtain 7,prima natur7 primary objects of natural desire4 ,it differed from all of them in two other respects2 first1 in the account which it gave of those primary objects of natural desire2 and secondly1 in the account which it gave of the excellence of virtue1 or of the reason why that quality ought to be esteemed4 ,the primary objects of natural desire consisted1 according to ,epicurus1 in bodily pleasure and pain1 and in nothing else3 whereas1 according to the other three philosophers1 there were many other objects1 such as knowledge1 such as the happiness of our relations1 of our friends1 and of our country1 which were ultimately desirable for their own sakes4 ,virtue too1 according to ,epicurus1 did not deserve to be pursued for its own sake1 nor was itself one of the ultimate objects of natural appetite1 but was eligible only upon account of its tendency to prevent pain and to procure ease and pleasure4 ,in the opinion of the other three1 on the contrary1 it was desirable1 not merely as the means of procuring the other primary objects of natural desire1 but as something which was in itself more valuable than them all4 ,man1 they thought1 being born for action1 his happiness must consist1 not merely in the agreeableness of his passive sensations1 but also in the propriety of his active exertions4 ----- ,,chap4 ,,iii4--,of those ,systems which make ,virtue consist in ,benevolence4 ,,the system which makes virtue consist in benevolence1 though ,i think #bff not so ancient as all those which ,i have already given an account of1 is1 however1 of very great antiquity4 ,it seems to have been the doctrine of the greater part of those philosophers who1 about and after the age of ,augustus1 called themselves ,eclectics1 who pretended to follow chiefly the opinions of ,plato and ,pythagoras1 and who upon that account are commonly known by the name of the later ,platonists4 ,in the divine nature1 according to these authors1 benevolence or love was the sole principle of action1 and directed the exertion of all the other attributes4 ,the wisdom of the ,deity was employed in finding out the means for bringing about those ends which his goodness suggested1 and his infinite power was exerted to execute them4 ,benevolence1 however1 was still the supreme and governing attribute1 to which the others were subservient1 and from which the whole excellency1 or the whole morality1 if ,i may be allowed such an expression1 of the divine operations1 was ultimately derived4 ,the whole perfection and virtue of the human mind consisted in some resemblance or participation of the divine perfections1 and1 consequently1 in being filled with the same principle of benevolence and love which influenced all the actions of the ,deity4 ,the actions of men which flowed from this motive were alone truly praise-worthy1 or could claim any merit in the sight of the ,deity4 ,it was by actions of charity and love only that we could imitate1 as became us1 the conduct of ,god1 that we could express our humble and devout admiration of his infinite perfections1 that by fostering in our own minds the same divine principle1 we could bring our own affections to a greater resemblance with his holy attributes1 and thereby become more proper objects of his love and esteem2 till we arrived at that immediate converse and communication with the ,deity to which it was the great object of this philosophy to raise us4 ,this system1 as it was much esteemed by many ancient fathers of the ,christian church1 so after the ,reformation it was adopted by several divines of the most eminent piety and learning and of the most amiable manners2 particularly1 by ,dr4 ,ralph ,cudworth1 by ,dr4 ,henry ,more1 and by ,mr4 ,john ,smith of ,cambridge4 ,but of all the patrons of this system1 ancient or modern1 the late ,dr4 ,hutcheson was undoubtedly1 beyond all comparison1 the most acute1 the most distinct1 the most philosophical1 and what is of the greatest consequence of all1 the soberest and most judicious4 ,that virtue consists in benevolence is a notion supported by many appearances in human nature4 ,it has been observed already1 that proper benevolence is the most graceful and agreeable of all the affections1 that it is recommended to us by a double sympathy1 that as its tendency is necessarily beneficent1 it is the proper object of gratitude and reward1 and that upon all these accounts it appears to our natural sentiments to possess a merit superior to any other4 ,it has been observed1 too1 that even the weaknesses of benevolence are not very #bfg disagreeable to us1 whereas those of every other passion are always extremely disgusting4 ,who does not abhor excessive malice1 excessive selfishness1 or excessive resentment8 ,but the most excessive indulgence even of partial friendship is not so offensive4 ,it is the benevolent passions only which can exert themselves without any regard or attention to propriety1 and yet retain something about them which is engaging4 ,there is something pleasing even in mere instinctive good-will1 which goes on to do good offices without once reflecting whether by this conduct it is the proper object either of blame or approbation4 ,it is not so with the other passions4 ,the moment they are deserted1 the moment they are unaccompanied by the sense of propriety1 they cease to be agreeable4 ,as benevolence bestows upon those actions which proceed from it1 a beauty superior to all others1 so the want of it1 and much more the contrary inclination1 communicates a peculiar deformity to whatever evidences such a disposition4 ,pernicious actions are often punishable for no other reason than because they show a want of sufficient attention to the happiness of our neighbour4 ,besides all this1 ,dr4 ,hutcheson 7,inquiry concerning ,virtue1 sect4 #a4 and #b47 observed1 that whenever in any action1 supposed to proceed from benevolent affections1 some other motive had been discovered1 our sense of the merit of this action was just so far diminished as this motive was believed to have influenced it4 ,if an action1 supposed to proceed from gratitude1 should be discovered to have arisen from an expectation of some new favour1 or if what was apprehended to proceed from public spirit1 should be found out to have taken its origin from the hope of a pecuniary reward1 such a discovery would entirely destroy all notion of merit or praise-worthiness in either of these actions4 ,since1 therefore1 the mixture of any selfish motive1 like that of a baser alloy1 diminished or took away altogether the merit which would otherwise have belonged to any action1 it was evident1 he imagined1 that virtue must consist in pure and disinterested benevolence alone4 ,when those actions1 on the contrary1 which are commonly supposed to proceed from a selfish motive1 are discovered to have arisen from a benevolent one1 it greatly enhances our sense of their merit4 ,if we believed of any person that he endeavoured to advance his fortune from no other view but that of doing friendly offices1 and of making proper returns to his benefactors1 we should only love and esteem him the more4 ,and this observation seemed still more to confirm the conclusion1 that it was benevolence only which could stamp upon any action the character of virtue4 ,last of all1 what1 he imagined1 was an evident proof of the justness of this account of virtue1 in all the disputes of casuists concerning the rectitude of conduct1 the public good1 he observed1 was the standard to which they constantly referred2 thereby universally acknowledging #bfh that whatever tended to promote the happiness of mankind was right and laudable and virtuous1 and the contrary1 wrong1 blamable1 and vicious4 ,in the late debates about passive obedience and the right of resistance1 the sole point in controversy among men of sense was whether universal submission would probably be attended with greater evils than temporary insurrections when privileges were invaded4 ,whether what1 upon the whole1 tended most to the happiness of mankind1 was not also morally good1 was never once1 he said1 made a question by them4 ,since benevolence1 therefore1 was the only motive which could bestow upon any action the character of virtue1 the greater the benevolence which was evidenced by any action1 the greater the praise which must belong to it4 ,those actions which aimed at the happiness of a great community1 as they demonstrated a more enlarged benevolence than those which aimed only at that of a smaller system1 so were they1 likewise1 proportionally the more virtuous4 ,the most virtuous of all affections1 therefore1 was that which embraced as its object the happiness of all intelligent beings4 ,the least virtuous1 on the contrary1 of those to which the character of virtue could in any respect belong1 was that which aimed no further than at the happiness of an individual1 such as a son1 a brother1 a friend4 ,in directing all our actions to promote the greatest possible good1 in submitting all inferior affections to the desire of the general happiness of mankind1 in regarding one's self but as one of the many1 whose prosperity was to be pursued no further than it was consistent with1 or conducive to that of the whole1 consisted the perfection of virtue4 ,self-love was a principle which could never be virtuous in any degree of in any direction4 ,it was vicious whenever it obstructed the general good4 ,when it had no other effect than to make the individual take care of his own happiness1 it was merely innocent1 and though it deserved no praise1 neither ought it to incur any blame4 ,those benevolent actions which were performed1 notwithstanding some strong motive from self-interest1 were the more virtuous upon that account4 ,they demonstrated the strength and vigour of the benevolent principle4 ,dr4 ,hutcheson#g was so far from allowing self-love to be in any case a motive of virtuous actions1 that even a regard to the pleasure of self-approbation1 to the comfortable applause of our own consciences1 according to him1 diminished the merit of a benevolent action4 ,this was a selfish motive1 he thought1 which1 so far as it contributed to any action1 demonstrated the weakness of that pure and disinterested benevolence which could alone stamp upon the conduct of man the character of virtue4 ,in the common judgments of mankind1 however1 this regard #bfi to the approbation of our own minds is so far from being considered as what can in any respect diminish the virtue of any action1 that it is often rather looked upon as the sole motive which deserves the appellation of virtuous4 ,footnote #g3 ,inquiry concerning ,virtue1 sect4 #b4 art4 #d42 also ,illustrations on the ,moral ,sense1 sect4 #e1 last paragraph4 ,such is the account given of the nature of virtue in this amiable system1 a system which has a peculiar tendency to nourish and support in the human heart the noblest and the most agreeable of all affections1 and not only to check the injustice of self-love1 but in some measure to discourage that principle altogether1 by representing it as what could never reflect any honour upon those who were influenced by it4 ,as some of the other systems which ,i have already given an account of1 do not sufficiently explain from whence arises the peculiar excellency of the supreme virtue of beneficence1 so this system seems to have the contrary defect1 of not sufficiently explaining from whence arises our approbation of the inferior virtues of prudence1 vigilance1 circumspection1 temperance1 constancy1 firmness4 ,the view and aim of our affections1 the beneficent and hurtful effects which they tend to produce1 are the only qualities at all attended to in this system4 ,their propriety and impropriety1 their suitableness and unsuitableness1 to the cause which excites them1 are disregarded altogether4 ,regard to our own private happiness and interest1 too1 appear upon many occasions very laudable principles of action4 ,the habits of oeconomy1 industry1 discretion1 attention1 and application of thought1 are generally supposed to be cultivated from self-interested motives1 and at the same time are apprehended to be very praise-worthy qualities1 which deserve the esteem and approbation of every body4 ,the mixture of a selfish motive1 it is true1 seems often to sully the beauty of those actions which ought to arise from a benevolent affection4 ,the cause of this1 however1 is not that self-love can never be the motive of a virtuous action1 but that the benevolent principle appears in this particular case to want its due degree of strength1 and to be altogether unsuitable to its object4 ,the character1 therefore1 seems evidently imperfect1 and upon the whole to deserve blame rather than praise4 ,the mixture of a benevolent motive in an action to which self-love alone ought to be sufficient to prompt us1 is not so apt indeed to diminish our sense of its propriety1 or of the virtue of the person who performs it4 ,we are not ready to suspect any person of being defective in selfishness4 ,this is by no means the weak side of human nature1 or the failing of which we are apt to be suspicious4 ,if we could really believe1 however1 of any man1 that1 was it not from a regard to his family and friends1 he would not take that proper care of his health1 his life1 or his fortune1 to which self-preservation alone ought to be sufficient to prompt him1 it would undoubtedly be a failing1 though one of those amiable failings which render a person rather the object of pity than of contempt or hatred4 ,it would still1 however1 somewhat diminish the #bgj dignity and respectableness of his character4 ,carelessness and want of oeconomy are universally disapproved of1 not1 however1 as proceeding from a want of benevolence1 but from a want of proper attention to the objects of self-interest4 ,though the standard by which casuists frequently determine what is right or wrong in human conduct1 be its tendency to the welfare or disorder of society1 it does not follow that a regard to the welfare of society should be the sole virtuous motive of action1 but only that1 in competition1 it ought to cast the balance against all other motives4 ,benevolence may1 perhaps1 be the sole principle of action in the ,deity1 and there are several not improbable arguments which tend to persuade us that it is so4 ,it is not easy to conceive what other motive an independent and all-perfect ,being1 who stands in need of nothing external1 and whose happiness is complete in himself1 can act from4 ,but whatever may be the case with the ,deity1 so imperfect a creature as man1 the support of whose existence requires so many things external to him1 must often act from many other motives4 ,the condition of human nature were peculiarly hard1 if those affections1 which1 by the very nature of our being1 ought frequently to influence our conduct1 could upon no occasion appear virtuous1 or deserve esteem and commendation from any body4 ,those three systems1 that which places virtue in propriety1 that which places it in prudence1 and that which makes it consist in benevolence1 are the principal accounts which have been given of the nature of virtue4 ,to one or other of them1 all the other descriptions of virtue1 how different soever they may appear1 are easily reducible4 ,that system which places virtue in obedience to the will of the ,deity1 may be accounted either among those which make it consist in prudence1 or among those which make it consist in propriety4 ,when it is asked1 why we ought to obey the will of the ,deity1 this question1 which would be impious and absurd in the highest degree1 if asked from any doubt that we ought to obey him1 can admit but of two different answers4 ,it must either be said that we ought to obey the will of the ,deity because he is a ,being of infinite power1 who will reward us eternally if we do so1 and punish us eternally if we do otherwise3 or it must be said1 that independent of any regard to our own happiness1 or to rewards and punishments of any kind1 there is a congruity and fitness that a creature should obey its creator1 that a limited and imperfect being should submit to one of infinite and incomprehensible perfections4 ,besides one or other of these two1 it is impossible to conceive that any other answer can be given to this question4 ,if the first answer be the proper one1 virtue consists in prudence1 or in the proper pursuit of our own final interest and happiness2 since it is upon this account that we are obliged to obey the will of the ,deity4 ,if the second answer be the proper one1 virtue must consist in propriety1 since the ground of our #bga obligation to obedience is the suitableness or congruity of the sentiments of humility and submission to the superiority of the object which excites them4 ,that system which places virtue in utility1 coincides too with that which makes it consist in propriety4 ,according to this system1 all those qualities of the mind which are agreeable or advantageous1 either to the person himself or to others1 are approved of as virtuous1 and the contrary are disapproved of as vicious4 ,but the agreeableness or utility of any affection depends upon the degree which it is allowed to subsist in4 ,every affection is useful when it is confined to a certain degree of moderation2 and every affection is disadvantageous when it exceeds the proper bounds4 ,according to this system therefore1 virtue consists not in any one affection1 but in the proper degree of all the affections4 ,the only difference between it and that which ,i have been endeavouring to establish1 is1 that it makes utility1 and not sympathy1 or the correspondent affection of the spectator1 the natural and original measure of this proper degree4 ----- ,,chap4 ,,iv4--,of ,licentious ,systems4 ,,all those systems1 which ,i have hitherto given an account of1 suppose that that there is a real and essential distinction between vice and virtue1 whatever these qualities may consist in4 ,there is a real and essential difference between the propriety and impropriety of any affection1 between benevolence and any other principle of action1 between real prudence and short-sighted folly or precipitate rashness4 ,in the main1 too1 all of them contribute to encourage the praiseworthy1 and to discourage the blameable disposition4 ,it may be true1 perhaps1 of some of them1 that they tend1 in some measure1 to break the balance of the affections1 and to give the mind a particular bias to some principles of action1 beyond the proportion that is due to them4 ,the ancient systems1 which place virtue in propriety1 seem chiefly to recommend the great1 the awful1 and the respectable virtues1 the virtues of self-government and self-command2 fortitude1 magnanimity1 independency upon fortune1 the contempt of all outward accidents1 of pain1 poverty1 exile and death4 ,it is in these great exertions that the noblest propriety of conduct is displayed4 ,the soft1 the amiable1 the gentle virtues1 all the virtues of indulgent humanity are1 in comparison1 but little insisted upon1 and seem1 on the contrary1 by the ,stoics in particular1 to have been often regarded as weaknesses1 which it behoved a wise man not to harbour in his breast4 ,the benevolent system1 on the other hand1 while it fosters and encourages all those milder virtues in the highest degree1 seems entirely to neglect the more awful and respectable qualities of the mind4 ,it #bgb even denies them the appellation of virtues4 ,it calls them moral abilities1 and treats them as qualities which do not deserve the same sort of esteem and approbation1 that is due to what is properly denominated virtue4 ,all those principles of action which aim only at our own interest1 it treats1 if that be possible1 still worse4 ,so far from having any merit of their own1 they diminish1 it pretends1 the merit of benevolence1 when they co-operate with it2 and prudence1 it is asserted1 when employed only in promoting private interest1 can never even be imagined a virtue4 ,that system1 again1 which makes virtue consist in prudence only1 while it gives the highest encouragement to the habits of caution1 vigilance1 sobriety1 and judicious moderation1 seems to degrade equally both the amiable and respectable virtues1 and to strip the former of all their beauty1 and the latter of all their grandeur4 ,but notwithstanding these defects1 the general tendency of each of those three systems is to encourage the best and most laudable habits of the human mind1 and it were well for society1 if1 either mankind in general1 or even those few who pretend to live according to any philosophical rule1 were to regulate their conduct by the precepts of any one of them4 ,we may learn from each of them something that is both valuable and peculiar4 ,if it was possible1 by precept and exhortation1 to inspire the mind with fortitude and magnanimity1 the ancient systems of propriety would seem sufficient to do this4 ,or if it was possible1 by the same means1 to soften it into humanity1 and to awaken the affections of kindness and general love towards those we live with1 some of the pictures which the benevolent system presents us1 might seem capable of producing this effect4 ,we may learn from the system of ,epicurus1 though undoubtedly the most imperfect of all the three1 how much the practice of both the amiable and respectable virtues is conducive to our own interest1 to our own ease and safety and quiet even in this life4 ,as ,epicurus placed happiness in the attainment of ease and security1 he exerted himself in a particular manner to show that virtue was1 not merely the best and the surest1 but the only means of acquiring those invaluable possessions4 ,the good effects of virtue upon our inward tranquillity and peace of mind1 are what other philosophers have chiefly celebrated4 ,epicurus1 without neglecting this topic1 has chiefly insisted 9999upon the influence of that amiable quality on our outward prosperity and safety4 ,it was upon this account that his writings were so much studied in the ancient world by men of all different philosophical parties4 ,it is from him that ,cicero1 the great enemy of the ,epicurean system1 borrows his most agreeable proofs that virtue alone is sufficient to secure happiness4 ,seneca1 though a ,stoic1 the sect most opposite to that of ,epicurus1 yet quotes this philosopher more frequently than any other4 ,there is1 however1 another system which seems to take away altogether the distinction between vice and virtue1 and of which the #bgc tendency is1 upon that account1 wholly pernicious3 ,i mean the system of ,dr4 ,mandeville4 ,though the notions of this author are in almost every respect erroneous1 there are1 however1 some appearances in human nature1 which1 when viewed in a certain manner1 seem at first sight to favour them4 ,these described and exaggerated by the lively and humorous1 though coarse and rustic eloquence of ,dr4 ,mandeville1 have thrown upon his doctrines an air of truth and probability which is very apt to impose upon the unskilful4 ,dr4 ,mandeville considers whatever is done from a sense of propriety1 from a regard to what is commendable and praiseworthy1 as being done from a love of praise and commendation1 or as he calls it from vanity4 ,man1 he observes1 is naturally much more interested in his own happiness than in that of others1 and it is impossible that in his heart he can ever really prefer their prosperity to his own4 ,whenever he appears to do so1 we may be assured that he imposes upon us1 and that he is then acting from the same selfish motives as at all other times4 ,among his other selfish passions1 vanity is one of the strongest1 and he is always easily flattered and greatly delighted with the applauses of those about him4 ,when he appears to sacrifice his own interest to that of his companions1 he knows that this conduct will be highly agreeable to their self-love1 and that they will not fail to express their satisfaction by bestowing upon him the most extravagant praises4 ,the pleasure which he expects from this1 over-balances1 in his opinion1 the interest which he abandons in order to procure it4 ,his conduct1 therefore1 upon this occasion1 is in reality just as selfish1 and arises from just as mean a motive as upon any other4 ,he is flattered1 however1 and he flatters himself with the belief that it is entirely disinterested2 since1 unless this was supposed1 it would not seem to merit any commendation either in his own eyes or in those of others4 ,all public spirit1 therefore1 all preference of public to private interest1 is1 according to him1 a mere cheat and imposition upon mankind2 and that human virtue which is so much boasted of1 and which is the occasion of so much emulation among men1 is the mere offspring of flattery begot upon pride4 ,whether the most generous and public-spirited actions may not1 in some sense1 be regarded as proceeding from self-love1 ,i shall not at present examine4 ,the decision of this question is not1 ,i apprehend1 of any importance towards establishing the reality of virtue1 since self-love may frequently be a virtuous motive of action4 ,i shall only endeavour to show that the desire of doing what is honourable and noble1 of rendering ourselves the proper objects of esteem and approbation1 cannot with any propriety be called vanity4 ,even the love of well-grounded fame and reputation1 the desire of acquiring esteem by what is really estimable1 does not deserve that name4 ,the first is the love of virtue1 the noblest and the best passion of human nature4 ,the second #bgd is the love of true glory1 a passion inferior no doubt to the former1 but which in dignity appears to come immediately after it4 ,he is guilty of vanity who desires praise for qualities which are either not praise-worthy in any degree1 or not in that degree in which he expects to be praised for them2 who sets his character upon the frivolous ornaments of dress and equipage1 or upon the equally frivolous accomplishments of ordinary behaviour4 ,he is guilty of vanity who desires praise for what indeed very well deserves it1 but what he perfectly knows does not belong to him4 ,the empty coxcomb who gives himself airs of importance which he has no title to1 the silly liar who assumes the merit of adventures which never happened1 the foolish plagiary who gives himself out for the author of what he has no pretensions to1 are properly accused of this passion4 ,he too is said to be guilty of vanity who is not contented with the silent sentiments of esteem and approbation1 who seems to be fonder of their noisy expressions and acclamations than of the sentiments themselves1 who is never satisfied but when his own praises are ringing in his ears1 and who solicits with the most anxious importunity all external marks of respect1 is fond of titles1 of compliments1 of being visited1 of being attended1 of being taken notice of in public places with the appearance of deference and attention4 ,this frivolous passion is altogether different from either of the two former1 and is the passion of the lowest and the least of mankind1 as they are of the noblest and the greatest4 ,but though these three passions1 the desire of rendering ourselves the proper objects of honour and esteem1 or of becoming what is honourable and estimable2 the desire of acquiring honour and esteem by really deserving those sentiments2 and the frivolous desire of praise at any rate1 are widely different2 though the two former are always approved of1 while the latter never fails to be despised2 there is1 however1 a certain remote affinity among them1 which1 exaggerated by the humorous and diverting eloquence of this lively author1 has enabled him to impose upon his readers4 ,there is an affinity between vanity and the love of true glory1 as both these passions aim at acquiring esteem and approbation4 ,but they are different in this1 that the one is a just1 reasonable1 and equitable passion1 while the other is unjust1 absurd1 and ridiculous4 ,the man who desires esteem for what is really estimable1 desires nothing but what he is justly entitled to1 and what cannot be refused him without some sort of injury4 ,he1 on the contrary1 who desires it upon any other terms1 demands what he has no just claim to4 ,the first is easily satisfied1 is not apt to be jealous or suspicious that we do not esteem him enough1 and is seldom solicitous about receiving many external marks of our regard4 ,the other1 on the contrary1 is never to be satisfied1 is full of jealousy and suspicion that we do not esteem him so much as he desires1 because he has some secret consciousness that he desires more than he deserves4 ,the least #bge neglect of ceremony1 he considers as a mortal affront1 and as an expression of the most determined contempt4 ,he is restless and impatient1 and perpetually afraid that we have lost all respect for him1 and is upon this account always anxious to obtain new expressions of our esteem1 and cannot be kept in temper but by continual attendance and adulation4 ,there is an affinity1 too1 between the desire of becoming what is honourable and estimable and the desire of honour and esteem1 between the love of virtue and the love of true glory4 ,they resemble one another not only in this respect1 that both aim at really being what is honourable and noble1 but even in that respect in which the love of true glory resembles what is properly called vanity1 some reference to the sentiments of others4 ,the man of the greatest magnanimity1 who desires virtue for its own sake1 and is most indifferent about what actually are the opinions of mankind with regard to him1 is still1 however1 delighted with the thoughts of what they should be1 with the consciousness that though he may neither be honoured nor applauded1 he is still the proper object of honour and applause1 and that if mankind were cool and candid and consistent with themselves1 and properly informed of the motives and circumstances of his conduct1 they would not fail to honour and applaud him4 ,though he despises the opinions which are actually entertained of him1 he has the highest value for those which ought to be entertained of him4 ,that he might think himself worthy of those honourable sentiments1 and1 whatever was the idea which other men might conceive of his character1 that when he should put himself in their situation1 and consider1 not what was1 but what ought to be their opinion1 he should always have the highest idea of it himself1 was the great and exalted motive of his conduct4 ,as even in the love of virtue1 therefore1 there is still some reference1 though not to what is1 yet to what in reason and propriety ought to be1 the opinion of others1 there is even in this respect some affinity between it and the love of true glory4 ,there is1 however1 at the same time1 a very great difference between them4 ,the man who acts solely from a regard to what is right and fit to be done1 from a regard to what is the proper object of esteem and approbation1 though these sentiments should never be bestowed upon him1 acts from the most sublime and godlike motive which human nature is even capable of conceiving4 ,the man1 on the other hand1 who while he desires to merit approbation1 is at the same time anxious to obtain it1 though he1 too1 is laudable in the main1 yet his motives have a greater mixture of human infirmity4 ,he is in danger of being mortified by the ignorance and injustice of mankind1 and his happiness is exposed to the envy of his rivals and the folly of the public4 ,the happiness of the other1 on the contrary1 is altogether secure and independent of fortune1 and of the caprice of those he lives with4 ,the contempt and hatred which #bgf may be thrown upon him by the ignorance of mankind1 he considers as not belonging to him1 and is not at all mortified by it4 ,mankind despise and hate him from a false notion of his character and conduct4 ,if they knew him better1 they would esteem and love him4 ,it is not him whom1 properly speaking1 they hate and despise1 but another person whom they mistake him to be4 ,our friend1 whom we should meet at a masquerade in the garb of our enemy1 would be more diverted than mortified1 if under that disguise we should vent our indignation against him4 ,such are the sentiments of a man of real magnanimity1 when exposed to unjust censure4 ,it seldom happens1 however1 that human nature arrives at this degree of firmness4 ,though none but the weakest and most worthless of mankind are much delighted with false glory1 yet1 by a strange inconsistency1 false ignominy is capable of mortifying those who appear the most resolute and determined4 ,dr4 ,mandeville is not satisfied with representing the frivolous motive of vanity1 as the source of all those actions which are commonly accounted virtuous4 ,he endeavours to point out the imperfection of human virtue in many other respects4 ,in every case1 he pretends1 it falls short of that complete self-denial which it pretends to1 and1 instead of a conquest1 is commonly no more than a concealed indulgence of our passions4 ,wherever our reserve with regard to pleasure falls short of the most ascetic abstinence1 he treats it as gross luxury and sensuality4 ,every thing1 according to him1 is luxury which exceeds what is absolutely necessary for the support of human nature1 so that there is vice even in the use of a clean shirt or of a convenient habitation4 ,the indulgence of the inclination to sex1 in the most lawful union1 he considers as the same sensuality with the most hurtful gratification of that passion1 and derides that temperance and that chastity which can be practised at so cheap a rate4 ,the ingenious sophistry of his reasoning1 is here1 as upon many other occasions1 covered by the ambiguity of language4 ,there are some of our passions which have no other names except those which mark the disagreeable and offensive degree4 ,the spectator is more apt to take notice of them in this degree than in any other4 ,when they shock his own sentiments1 when they give him some sort of antipathy and uneasiness1 he is necessarily obliged to attend to them1 and is from thence naturally led to give them a name4 ,when they fall in with the natural state of his own mind1 he is very apt to overlook them altogether1 and either gives them no name at all1 or1 if he gives them any1 it is one which marks rather the subjection and restraint of the passion1 than the degree which it still is allowed to subsist in1 after it is so subjected and restrained4 ,thus the common names 7luxury and lust7 of the love of pleasure1 and of the love of sex1 denote a vicious and offensive degree of those passions4 ,the words temperance and chastity1 on the other hand1 seem to mark rather the restraint and subjection which they are kept under1 than the degree #bgg which they are still allowed to subsist in4 ,when he can show1 therefore1 that they still subsist in some degree1 he imagines1 he has entirely demolished the reality of the virtues of temperance and chastity1 and shown them to be mere impositions upon the inattention and simplicity of mankind4 ,those virtues1 however1 do not require an entire insensibility to the objects of the passions which they mean to govern4 ,they only aim at restraining the violence of those passions so far as not to hurt the individual1 and neither disturb nor offend society4 ,it is the great fallacy of ,dr4 ,mandeville's book 7,fable of the ,bees7 to represent every passion as wholly vicious1 which is so in any degree and in any direction4 ,it is thus that he treats every thing as vanity which has any reference1 either to what are1 or to what ought to be the sentiments of others2 and it is by means of this sophistry1 that he establishes his favourite conclusion1 that private vices are public benefits4 ,if the love of magnificence1 a taste for the elegant arts and improvements of human life1 for whatever is agreeable in dress1 furniture1 or equipage1 for architecture1 statuary1 painting1 and music1 is to be regarded as luxury1 sensuality1 and ostentation1 even in those whose situation allows1 without any inconveniency1 the indulgence of those passions1 it is certain that luxury1 sensuality1 and ostentation are public benefits3 since without the qualities upon which he thinks proper to bestow such opprobrious names1 the arts of refinement could never find encouragement1 and must languish for want of employment4 ,some popular ascetic doctrines which had been current before his time1 and which placed virtue in the entire extirpation and annihilation of all our passions1 were the real foundation of this licentious system4 ,it was easy for ,dr4 ,mandeville to prove1 first1 that this entire conquest never actually took place among men2 and secondly1 that if it was to take place universally1 it would be pernicious to society1 by putting an end to all industry and commerce1 and in a manner to the whole business of human life4 ,by the first of these propositions1 he seemed to prove that there was no real virtue1 and that what pretended to be such1 was a mere cheat and imposition upon mankind2 and by the second1 that our private vices were public benefits1 since without them no society could prosper or flourish4 ,such is the system of ,dr4 ,mandeville1 which once made so much noise in the world1 and which1 though1 perhaps1 it never gave occasion to more vice than what would have been without it1 at least taught that vice1 which arose from other causes1 to appear with more effrontery1 and to avow the corruption of its motives with a profligate audaciousness which had never been heard of before4 ,but how destructive soever this system may appear1 it could never have imposed upon so great a number of persons1 nor have occasioned so general an alarm among those who are the friends of better principles1 had it not in some respects bordered upon the truth4 ,a system of #bgh natural philosophy may appear very plausible1 and be for a long time very generally received in the world1 and yet have no foundation in nature1 nor any sort of resemblance to the truth4 ,the vortices of ,des ,cartes were regarded by a very ingenious nation1 for near a century together1 as a most satisfactory account of the revolutions of the heavenly bodies4 ,yet it has been demonstrated1 to the conviction of all mankind1 that these pretended causes of those wonderful effects1 not only do not actually exist1 but are utterly impossible1 and if they did exist1 could produce no such effects as are ascribed to them4 ,but it is otherwise with systems of moral philosophy1 and an author who pretends to account for the origin of our moral sentiments1 cannot deceive us so grossly1 nor depart so very far from all resemblance to the truth4 ,when a traveller gives an account of some distant country1 he may impose upon our credulity1 the most groundless and absurd fictions as the most certain matters of fact4 ,but when a person pretends to inform us of what passes in our neighbourhood1 and of the affairs of the very parish which we live in1 though here too1 if we are so careless as not to examine things with our own eyes1 he may deceive us in many respects1 yet the greatest falsehoods which he imposes upon us must bear some resemblance to the truth1 and must even have a considerable mixture of truth in them4 ,an author who treats of natural philosophy1 and pretends to assign the causes of the great phenomena of the universe1 pretends to give an account of the affairs of a very distant country1 concerning which he may tell us what he pleases1 and as long as his narration keeps within the bounds of seeming possibility1 he need not despair of gaining of belief4 ,but when he proposes to explain the origin of our desires and affections1 of our sentiments of approbation and disapprobation1 he pretends to give an account1 not only of the affairs of the very parish that we live in1 but of our own domestic concerns4 ,though here too1 like indolent masters who put their trust in a steward who deceives them1 we are very liable to be imposed upon1 yet we are incapable of passing any account which does not preserve some little regard to the truth4 ,some of the articles1 at least1 must be just1 and even those which are most overcharged must have had some foundation1 otherwise the fraud would be detected even by that careless inspection which we are disposed to give4 ,the author who should assign1 as the cause of any natural sentiment1 some principle which neither had any connection with it1 nor resembled any other principle which had some such connection1 would appear absurd and ridiculous to the most injudicious and unexperienced reader4 ----- #bgi ,,sec4 ,,iii4--,,of ,,the ,,different ,,systems ,,which ,,have ,,been ,,formed ,,concerning ,,the ,,principle ,,of ,,approbation4 ,,introduction4--,after the inquiry concerning the nature of virtue1 the next question of importance in ,moral ,philosophy1 is concerning the principle of approbation1 concerning the power or faculty of the mind which renders certain characters agreeable or disagreeable to us1 makes us prefer one tenor of conduct to another1 denominate the one right and the other wrong1 and consider the one as the object of approbation1 honour1 and reward1 or the other as that of blame1 censure1 and punishment4 ,three different accounts have been given of this principle of approbation4 ,according to some1 we approve and disapprove both of our own actions and of those of others1 from self-love only1 or from some view of their tendency to our own happiness or disadvantage3 according to others1 reason1 the same faculty by which we distinguish between truth and falsehood1 enables us to distinguish between what is fit and unfit both in actions and affections3 according to others1 this distinction is altogether the effect of immediate sentiment and feeling1 and arises from the satisfaction or disgust with which the view of certain actions or affections inspires us4 ,self-love1 reason and sentiment1 therefore1 are the three different sources which have been assigned for the principle of approbation4 ,before ,i proceed to give an account of those different systems1 ,i must observe1 that the determination of this second question1 though of the greatest importance in speculation1 is of none in practice4 ,the question concerning the nature of virtue necessarily has some influence upon our notions of right and wrong in many particular cases4 ,that concerning the principle of approbation can possibly have no such effect4 ,to examine from what contrivance or mechanism within1 those different notions or sentiments arise1 is a mere matter of philosophical curiosity4 ----- ,,chap4 ,i4--,of those ,systems which deduce the ,principle of ,approbation from ,self-love4 ,,those who account for the principle of approbation from self-love1 do not all account for it in the same manner1 and there is a good deal of confusion and inaccuracy in all their different systems4 ,according to ,mr4 ,hobbes1 and many of his followers 7,puffendorff1 ,mandeville71 man is driven to take refuge in society1 not by any natural love which he bears to his own kind1 but because without the assistance of others he is incapable of subsisting with ease or safety4 ,society1 upon this account1 becomes necessary to him1 and whatever tends to its support and welfare1 he considers as having a remote tendency to his own #bhj interest2 and1 on the contrary1 whatever is likely to disturb or destroy it1 he regards as in some measure hurtful or pernicious to himself4 ,virtue is the great support1 and vice the great disturber of human society4 ,the former1 therefore1 is agreeable1 and the latter offensive to every man2 as from the one he foresees the prosperity1 and from the other the ruin and disorder of what is so necessary for the comfort and the security of his existence4 ,that the tendency of virtue to promote1 and of vice to disturb the order of society1 when we consider it coolly and philosophically1 reflects a very great beauty upon the one1 and a very great deformity upon the other1 cannot1 as ,i have observed upon a former occasion1 be called in question4 ,human society1 when we contemplate it in a certain abstract and philosophical light1 appears like a great1 an immense machine1 whose regular and harmonious movements produce a thousand agreeable effects4 ,as in any other beautiful and noble machine that was the production of human art1 whatever tended to render its movements more smooth and easy1 would derive a beauty from this effect1 and1 on the contrary1 whatever tended to obstruct them would displease upon that account3 so virtue1 which is1 as it were1 the fine polish to the wheels of society1 necessarily pleases2 while vice1 like the vile rust1 which makes them jar and grate upon one another1 is as necessarily offensive4 ,this account1 therefore1 of the origin of approbation and disapprobation1 so far as it derives them from a regard to the order of society1 runs into that principle which gives beauty to utility1 and which ,i have explained upon a former occasion2 and it is from thence that this system derives all that appearance of probability which it possesses4 ,when those authors describe the innumerable advantages of a cultivated and social1 above a savage and solitary life2 when they expatiate upon the necessity of virtue and good order for the maintenance of the one1 and demonstrate how infallibly the prevalence of vice and disobedience to the laws tend to bring back the other1 the reader is charmed with the novelty and grandeur of those views which they open to him3 he sees plainly a new beauty in virtue1 and a new deformity in vice1 which he had never taken notice of before1 and is commonly so delighted with the discovery1 that he seldom takes time to reflect1 that this political view having never occurred to him in his life before1 cannot possibly be the ground of that approbation and disapprobation with which he has been accustomed to consider those different qualities4 ,when those authors1 on the other hand1 deduce from self-love the interest which we take in the welfare of society1 and the esteem which upon that account we bestow upon virtue1 they do not mean1 that when we in this age applaud the virtue of ,cato1 and detest the villany of ,cataline1 our sentiments are influenced by the notion of any benefit we receive from the one1 or of any detriment we suffer from the other4 ,it was not because the prosperity or subversion of society1 in those remote #bha ages and nations1 was apprehended to have any influence upon our happiness or misery in the present times2 that according to those philosophers1 we esteemed the virtuous and blamed the disorderly character4 ,they never imagined that our sentiments were influenced by any benefit or damage which we 9999supposed actually to redound to us1 from either2 but by that which might have redounded to us1 had we lived in those distant ages and countries2 or by that which might still redound to us1 if in our own times we should meet with characters of the same kind4 ,the idea1 in short1 which those authors were groping about1 but which they were never able to unfold distinctly1 was that indirect sympathy which we feel with the gratitude or resentment of those who received the benefit or suffered the damage resulting from such opposite characters3 and it was this which they were indistinctly pointing at1 when they said1 that it was not the thought of what we had gained or suffered which prompted our applause or indignation1 but the conception or imagination of what we might gain or suffer if we were to act in society with such associates4 ,sympathy1 however1 cannot1 in any sense1 be regarded as a selfish principle4 ,when ,i sympathize with your sorrow or your indignation1 it may be pretended1 indeed1 that my emotion is founded in self-love1 because it arises from bringing your case home to myself1 from putting myself in your situation1 and thence conceiving what ,i should feel in the like circumstances4 ,but though sympathy is very properly said to arise from an imaginary change of situations with the person principally concerned1 yet this imaginary change is not supposed to happen to me in my own person and character1 but in that of the person with whom ,i sympathize4 ,when ,i condole with you for the loss of your only son1 in order to enter into your grief ,i do not consider what ,i1 a person of such a character and profession1 should suffer1 if ,i had a son1 and if that son was unfortunately to die2 but ,i consider what ,i should suffer if ,i was really you1 and ,i not only change circumstances with you1 but ,i change persons and characters4 ,my grief1 therefore1 is entirely upon your account1 and not in the least upon my own4 ,it is not1 therefore in the least selfish4 ,how can that be regarded as a selfish passion1 which does not arise even from the imagination of any thing that has befallen1 or that relates to myself1 in my own proper person and character1 but which is entirely occupied about what relates to you8 ,a man may sympathize with a woman in child-bed2 though it is impossible that he should conceive himself as suffering her pains in his own proper person and character4 ,that whole account of human nature1 however1 which deduces all sentiments and affections from self-love1 which has made so much noise in the world1 but which1 as far as ,i know1 has never yet been fully and distinctly explained1 seems to me to have arisen from some confused misapprehension of the system of sympathy4 #bhb ,,chap4 ,,ii4--,of those ,systems which make ,reason the ,principle of ,approbation4 ,,it is well known to have been the doctrine of ,mr4 ,hobbes1 that a state of nature is a state of war2 and that antecedent to the institution of civil government1 there could be no safe or peaceable society among men4 ,to preserve society1 therefore1 according to him1 was to support civil government1 and to destroy civil government was the same thing as to put an end to society4 ,but the existence of civil government depends upon the obedience that is paid to the supreme magistrate4 ,the moment he loses his authority1 all government is at an end4 ,as self-preservation1 therefore1 teaches men to applaud whatever tends to promote the welfare of society1 and to blame whatever is likely to hurt it2 so the same principle1 if they would think and speak consistently1 ought to teach them to applaud upon all occasions obedience to the civil magistrate1 and to blame all disobedience and rebellion4 ,the very ideas of laudable and blamable1 ought to be the same with those of obedience and disobedience4 ,the laws of the civil magistrate1 therefore1 ought to be regarded as the sole ultimate standards of what was just and unjust1 of what was right and wrong4 ,it was the avowed intention of ,mr4 ,hobbes1 by propagating these notions1 to subject the consciences of men immediately to the civil1 and not to the ecclesiastical powers1 whose turbulence and ambition1 he had been taught1 by the example of his own times1 to regard as the principal source of the disorders of society4 ,his doctrine1 upon this account1 was peculiarly offensive to theologians1 who accordingly did not fail to vent their indignation against him with great asperity and bitterness4 ,it was likewise offensive to all sound moralists1 as it supposed that there was no natural distinction between right and wrong1 that these were mutable and changeable1 and depended upon the mere arbitrary will of the civil magistrate4 ,this account of things1 therefore1 was attacked from all quarters1 and by all sorts of weapons1 by sober reason as well as by furious declamation4 ,in order to confute so odious a doctrine1 it was necessary to prove1 that antecedent to all law or positive institution1 the mind was naturally endowed with a faculty1 by which it distinguished in certain actions and affections1 the qualities of right1 laudable1 and virtuous1 and in others those of wrong1 blamable1 and vicious4 ,law1 it was justly observed by ,dr4 ,cudworth 7,immutable ,morality1 #a4 #a71 could not be the original source of those distinctions2 since upon the supposition of such a law1 it must either be right to obey it1 and wrong to disobey it1 or indifferent whether we obeyed it or disobeyed it4 ,that law which it was indifferent whether we obeyed or disobeyed1 could not1 it was evident1 be the source of those distinctions2 neither #bhc could that which it was right to obey and wrong to disobey1 since even this still supposed the antecedent notions or ideas of right and wrong1 and that obedience to the law was conformable to the idea of right1 and disobedience to that of wrong4 ,since the mind1 therefore1 had a notion of those distinctions antecedent to all law1 it seemed necessarily to follow1 that it derived this notion from reason1 which pointed out the difference between right and wrong1 in the same manner in which it did that between truth and falsehood3 and this conclusion1 which1 though true in some respects1 is rather hasty in others1 was more easily received at a time when the abstract science of human nature was but in its infancy1 and before the distinct offices and powers of the different faculties of the human mind had been carefully examined and distinguished from one another4 ,when this controversy with ,mr4 ,hobbes was carried on with the greatest warmth and keenness1 no other faculty had been thought of from which any such ideas could possibly be supposed to arise4 ,it became at this time1 therefore1 the popular doctrine1 that the essence of virtue and vice did not consist in the conformity or disagreement of human actions with the law of a superior1 but in their conformity or disagreement with reason1 which was thus considered as the original source and principle of approbation and disapprobation4 ,that virtue consists in conformity to reason1 is true in some respects1 and this faculty may very justly be considered as1 in some sense1 the source and principle of approbation and disapprobation1 and of all solid judgments concerning right and wrong4 ,it is by reason that we discover those general rules of justice by which we ought to regulate our actions3 and it is by the same faculty that we form those more vague and indeterminate ideas of what is prudent1 of what is decent1 of what is generous or noble1 which we carry constantly about with us1 and according to which we endeavour1 as well as we can1 to model the tenor of our conduct4 ,the general maxims of morality are formed1 like all other general maxims1 from experience and induction4 ,we observe in a great variety of particular cases what pleases or displeases our moral faculties1 what these approve or disapprove of1 and1 by induction from this experience1 we establish those general rules4 ,but induction is always regarded as one of the operations of reason4 ,from reason1 therefore1 we are very properly said to derive all those general maxims and ideas4 ,it is by these1 however1 that we regulate the greater part of our moral judgments1 which would be extremely uncertain and precarious if they depended altogether upon what is liable to so many variations as immediate sentiment and feeling1 which the different states of health and humour are capable of altering so essentially4 ,as our most solid judgments1 therefore1 with regard to right and wrong1 are regulated by maxims and ideas derived from an induction of reason1 virtue may very properly be said to consist in a conformity to #bhd reason1 and so far this faculty may be considered as the source and principle of approbation and disapprobation4 ,but though reason is undoubtedly the source of the general rules of morality1 and of all the moral judgments which we form by means of them2 it is altogether absurd and unintelligible to suppose that the first perceptions of right and wrong can be derived from reason1 even in those particular cases upon the experience of which the general rules are formed4 ,these first perceptions1 as well as all other experiments upon which any general rules are founded1 cannot be the object of reason1 but of immediate sense and feeling4 ,it is by finding in a vast variety of instances that one tenor of conduct constantly pleases in a certain manner1 and that another as constantly displeases the mind1 that we form the general rules of morality4 ,but reason cannot render any particular object either agreeable or disagreeable to the mind for its own sake4 ,reason may show that this object is the means of obtaining some other which is naturally either pleasing or displeasing1 and in this manner may render it either agreeable or disagreeable for the sake of something else4 ,but nothing can be agreeable or disagreeable for its own sake1 which is not rendered such by immediate sense and feeling4 ,if virtue1 therefore1 in every particular instance1 necessarily pleases for its own sake1 and if vice as certainly displeases the mind1 it cannot be reason1 but immediate sense and feeling1 which thus reconciles us to the one1 and alienates us from the other4 ,pleasure and pain are the great objects of desire and aversion3 but these are distinguished1 not by reason1 but by immediate sense and feeling4 ,if virtue1 therefore1 be desirable for its own sake1 and if vice be1 in the same manner1 the object of aversion1 it cannot be reason which originally distinguishes those different qualities1 but immediate sense and feeling4 ,as reason1 however1 in a certain sense1 may justly be considered as the principle of approbation and disapprobation1 these sentiments were1 through inattention1 long regarded as originally flowing from the operations of this faculty4 ,dr4 ,hutcheson had the merit of being the first who distinguished with any degree of precision in what respect all moral distinctions may be said to arise from reason1 and in what respect they are founded upon immediate sense and feeling4 ,in his illustrations upon the moral sense he has explained this so fully1 and1 in my opinion1 so unanswerably1 that1 if any controversy is still kept up about this subject1 ,i can impute it to nothing1 but either to inattention to what that gentleman has written1 or to a superstitious attachment to certain forms of expression1 a weakness not very uncommon among the learned1 especially in subjects so deeply interesting as the present1 in which a man of virtue is often loath to abandon even the propriety of a single phrase which he has been accustomed to4 #bhe ,,chap4 ,,iii4--,of those ,systems which make ,sentiment the ,principle of ,approbation4 ,,those systems which make sentiment the principle of approbation may be divided into two different classes4 ,i4 ,according to some the principle of approbation is founded upon a sentiment of a peculiar nature1 upon a particular power of perception exerted by the mind at the view of certain actions or affections2 some of which affecting this faculty in an agreeable and others in a disagreeable manner1 the former are stamped with the characters of right1 laudable1 and virtuous2 the latter with those of wrong1 blamable1 and vicious4 ,this sentiment being of a peculiar nature distinct from every other1 and the effect of a particular power of perception1 they give it a particular name1 and call it a moral sense4 ,,ii4 ,according to others1 in order to account for the principle of approbation1 there is no occasion for supposing any new power of perception which had never been heard of before3 ,nature1 they imagine acts here1 as in all other cases1 with the strictest oeconomy1 and produces a multitude of effects from one and the same cause2 and sympathy1 a power which has always been taken notice of1 and with which the mind is manifestly endowed1 is1 they think1 sufficient to account for all the effects ascribed to this peculiar faculty4 ,i4 ,dr4 ,hutcheson 7,inquiry concerning ,virtue7 had been at great pains to prove that the principle of approbation was not founded on self-love4 ,he had demonstrated1 too1 that it could not arise from any operation of reason4 ,nothing remained1 he thought1 but to suppose it a faculty of a peculiar kind1 with which ,nature had endowed the human mind1 in order to produce this one particular and important effect4 ,when self-love and reason were both excluded1 it did not occur to him that there was any other known faculty of the mind which could in any respect answer this purpose4 ,this new power of perception he called a moral sense1 and supposed it to be somewhat analogous to the external senses4 ,as the bodies around us1 by affecting these in a certain manner1 appear to possess the different qualities of sound1 taste1 odour1 colour2 so the various affections of the human mind1 by touching this particular faculty in a certain manner1 appear to possess the different qualities of amiable and odious1 of virtuous and vicious1 of right and wrong4 ,the various senses or powers of perception 7,treatise of the ,passions7 from which the human mind derives all its simple ideas1 were1 according to this system1 of two different kinds1 of which the one were called the direct or antecedent1 the other1 the reflex or consequent senses4 ,the direct senses were those faculties from which the mind derived the perception of such species of things as did not presuppose #bhf the antecedent perception of any other4 ,thus sounds and colours were objects of the direct senses4 ,to hear a sound or to see a colour does not presuppose the antecedent perception of any other quality or object4 ,the reflex or consequent senses1 on the other hand1 were those faculties from which the mind derived the perception of such species of things as presupposed the antecedent perception of some other4 ,thus harmony and beauty were objects of the reflex senses4 ,in order to perceive the harmony of a sound1 or the beauty of a colour1 we must first perceive the sound or the colour4 ,the moral sense was considered as a faculty of this kind4 ,that faculty1 which ,mr4 ,locke calls reflection1 and from which he derived the simple ideas of the different passions and emotions of the human mind1 was1 according to ,dr4 ,hutcheson1 a direct internal sense4 ,that faculty again by which we perceived the beauty or deformity1 the virtue or vice1 of those different passions and emotions1 was a reflex1 internal sense4 ,dr4 ,hutcheson endeavoured still further to support this doctrine1 by showing that it was agreeable to the analogy of nature1 and that the mind was endowed with a variety of other reflex senses exactly similar to the moral sense2 such as a sense of beauty and deformity in external objects2 a public sense1 by which we sympathize with the happiness or misery of our fellow-creatures2 a sense of shame and honour1 and a sense of ridicule4 ,but notwithstanding all the pains which this ingenious philosopher has taken to prove that the principle of approbation is founded in a peculiar power of perception1 somewhat analogous to the external senses1 there are some consequences1 which he acknowledges to follow from this doctrine1 that will1 perhaps1 be regarded by many as a sufficient confutation of it4 ,the qualities1 he allows1#h which belong to the objects of any sense1 cannot1 without the greatest absurdity1 be ascribed to the sense itself4 ,who ever thought of calling the sense of seeing black or white1 the sense of hearing loud or low1 or the sense of tasting sweet or bitter8 ,and1 according to him1 it is equally absurd to call our moral faculties virtuous or vicious1 morally good or evil4 ,these qualities belong to the objects of those faculties1 not to the faculties themselves4 ,if any man1 therefore1 was so absurdly constituted as to approve of cruelty and injustice as the highest virtues1 and to disapprove of equity and humanity as the most pitiful vices1 such a constitution of mind might indeed be regarded as inconvenient both to the individual and to the society1 and likewise as strange1 surprising1 and unnatural in itself2 but it could not1 without the greatest absurdity1 be denominated vicious or morally evil4 ,footnote #h3 ,illustrations upon the ,moral ,sense1 sect4 i4 p4 #bcg1 et seq42 third edition4 ,yet surely if we saw any man shouting with admiration and applause at a barbarous and unmerited execution1 which some insolent tyrant had ordered1 we should not think we were guilty of any great absurdity #bhg in denominating this behaviour vicious and morally evil in the highest degree1 though it expressed nothing but depraved moral faculties1 or an absurd approbation of this horrid action1 as of what was noble1 magnanimous1 and great4 ,our heart1 ,i imagine1 at the sight of such a spectator1 would forget for a while its sympathy with the sufferer1 and feel nothing but horror and detestation1 at the thought of so execrable a wretch4 ,we should abominate him even more than the tyrant who might be goaded on by the strong passions of jealousy1 fear1 and resentment1 and upon that account be more excusable4 ,but the sentiments of the spectator would appear altogether without cause or motive1 and therefore most perfectly and completely detestable4 ,there is no perversion of sentiment or affection which our heart would be more averse to enter into1 or which it would reject with greater hatred and indignation than one of this kind2 and so far from regarding such a constitution of mind as being merely something strange or inconvenient1 and not in any respect vicious or morally evil1 we should rather consider it as the very last and most dreadful stage of depravity4 ,correct moral sentiments1 on the contrary1 naturally appear in some degree laudable and morally good4 ,the man1 whose censure and applause are upon all occasions suited with the greatest accuracy to the value or unworthiness of the object1 seems to deserve a degree even of moral approbation4 ,we admire the delicate precision of his moral sentiments3 they lead our own judgments1 and1 upon account of their uncommon and surprising justness1 they even excite our wonder and applause4 ,we cannot indeed be always sure that the conduct of such a person would be in any respect correspondent to the precision and accuracy of his judgment concerning the conduct of others4 ,virtue requires habit and resolution of mind1 as well as delicacy of sentiment2 and unfortunately the former qualities are sometimes wanting1 where the latter is in the greatest perfection4 ,this disposition of mind1 however1 though it may sometimes be attended with imperfections1 is incompatible with any thing that is grossly criminal1 and is the happiest foundation upon which the superstructure of perfect virtue can be built4 ,there are many men who mean very well1 and seriously purpose to do what they think their duty1 who notwithstanding are disagreeable because of the coarseness of their moral sentiments4 ,it may be said1 perhaps1 that though the principle of approbation is not founded upon any perception that is in any respect analogous to the external senses1 it may still be founded upon a peculiar sentiment which answers this one particular purpose and no other4 ,approbation and disapprobation1 it may be pretended1 are certain feelings or emotions which arise in the mind upon the view of different characters and actions2 and as resentment might be called a sense of injuries1 or gratitude a sense of benefits1 so these may very properly receive the name of a sense of right and wrong1 or of a moral sense4 #bhh ,but this account of things1 though it may not be liable to the same objections with the foregoing1 is exposed to others which may be equally unanswerable4 ,first of all1 whatever variations any particular emotion may undergo1 it still preserves the general features which distinguish it to be an emotion of such a kind1 and these general features are always more striking and remarkable than any variation which it may undergo in particular cases4 ,thus anger is an emotion of a particular kind3 and accordingly its general features are always more distinguishable than all the variations it undergoes in particular cases4 ,anger against a man is1 no doubt1 somewhat different from anger against a woman1 and that again from anger against a child4 ,in each of those three cases1 the general passion of anger receives a different modification from the particular character of its object1 as may easily be observed by the attentive4 ,but still the general features of the passion predominate in all these cases4 ,to distinguish these1 requires no nice observation3 a very delicate attention1 on the contrary1 is necessary to discover their variations3 every body takes notice of the former2 scarce any body observes the latter4 ,if approbation and disapprobation1 therefore1 were1 like gratitude and resentment1 emotions of a particular kind1 distinct from every other1 we should expect that in all the variations which either of them might undergo1 it would still retain the general features which mark it to be an emotion of such a particular kind1 clear1 plain and easily distinguishable4 ,but in fact it happens quite otherwise4 ,if we attend to what we really feel when upon different occasions we either approve or disapprove1 we shall find that our emotion in one case is often totally different from that in another1 and that no common features can possibly be discovered between them4 ,thus the approbation with which we view a tender1 delicate1 and humane sentiment1 is quite different from that with which we are struck by one that appears great1 daring1 and magnanimous4 ,our approbation of both may1 upon different occasions1 be perfect and entire2 but we are softened by the one1 and we are elevated by the other1 and there is no sort of resemblance between the emotions which they excite in us4 ,but1 according to that system which ,i have been endeavouring to establish1 this must necessarily be the case4 ,as the emotions of the person whom we approve of1 are1 in those two cases1 quite opposite to one another1 and as our approbation arises from sympathy with those opposite emotions1 what we feel upon the one occasion1 can have no sort of resemblance to what we feel upon the other4 ,but this could not happen if approbation consisted in a peculiar emotion which had nothing in common with the sentiments we approved of1 but which arose at the view of those sentiments1 like any other passion at the view of its proper object4 ,the same thing holds true with regard to disapprobation4 ,our horror for cruelty has no sort of resemblance to our contempt for #bhi mean-spiritedness4 ,it is quite a different species of discord which we feel at the view of those two different vices1 between our own minds and those of the person whose sentiments and behaviour we consider4 ,secondly1 ,i have already observed1 that not only the different passions or affections of the human mind which are approved or disapproved of1 appear morally good or evil1 but that proper and improper approbation appear1 to our natural sentiments1 to be stamped with the same characters4 ,i would ask1 therefore1 how it is1 that1 according to this system1 we approve or disapprove of proper or improper approbation8 ,to this question there is1 ,i imagine1 but one reasonable answer which can possibly be given4 ,it must be said1 that when the approbation with which our neighbour regards the conduct of a third person coincides with our own1 we approve of his approbation1 and consider it as1 in some measure1 morally good2 and that1 on the contrary1 when it does not coincide with our own sentiments1 we disapprove of it1 and consider it as1 in some measure1 morally evil4 ,it must be allowed1 therefore1 that1 at least in this one case1 the coincidence or opposition of sentiment1 between the observer and the person observed1 constitutes moral approbation or disapprobation4 ,and if it does so in this one case1 ,i would ask1 why not in every other8 to what purpose imagine a new power of perception in order to account for those sentiments8 ,against every account of the principle of approbation1 which makes it depend upon a peculiar sentiment1 distinct from every other1 ,i would object that it is strange that this sentiment1 which ,providence undoubtedly intended to be the governing principle of human nature1 should hitherto have been so little taken notice of1 as not to have got a name in any language4 ,the word ,moral ,sense is of very late formation1 and cannot yet be considered as making part of the ,english tongue4 ,the word ,approbation has but within these few years been appropriated to denote peculiarly any thing of this kind4 ,in propriety of language we approve of whatever is entirely to our satisfaction1 of the form of a building1 of the contrivance of a machine1 of the flavour of a dish of meat4 ,the word ,conscience does not immediately denote any moral faculty by which we approve or disapprove4 ,conscience supposes1 indeed1 the existence of some such faculty1 and properly signifies our consciousness of having acted agreeably or contrary to its directions4 ,when love1 hatred1 joy1 sorrow1 gratitude1 resentment1 with so many other passions which are all supposed to be the subjects of this principle1 have made themselves considerable enough to get titles to know them by1 is it not surprising that the sovereign of them all should hitherto have been so little heeded1 that1 a few philosophers excepted1 nobody has yet thought it worth while to bestow a name upon that principle4 ,when we approve of any character or action1 the sentiments which we feel1 are1 according to the foregoing system1 derived from four #bij sources1 which are in some respects different from one another4 ,first1 we sympathize with the motives of the agent2 secondly1 we enter into the gratitude of those who receive the benefit of his actions2 thirdly1 we observe that his conduct has been agreeable to the general rules by which those two sympathies generally act2 and1 last of all1 when we consider such actions as making a part of a system of behaviour which tends to promote the happiness either of the individual or of the society1 they appear to derive a beauty from this utility1 not unlike that which we ascribe to any well-contrived machine4 ,after deducting1 in any one particular case1 all that must be acknowledged to proceed from some one or other of these four principles1 ,i should be glad to know what remains1 and ,i shall freely allow this overplus to be ascribed to a moral sense1 or to any other peculiar faculty1 provided any body will ascertain precisely what this overplus is4 ,it might be expected1 perhaps1 that if there was any such peculiar principle1 such as this moral sense is supposed to be1 we should feel it1 in some particular cases1 separated and detached from every other1 as we often feel joy1 sorrow1 hope1 and fear1 pure and unmixed with any other emotion4 ,this1 however1 ,i imagine1 cannot even be pretended4 ,i have never heard any instance alleged in which this principle could be said to exert itself alone and unmixed with sympathy or antipathy1 with gratitude or resentment1 with the perception of the agreement or disagreement of any action to an established rule1 or last of all1 with that general taste for beauty and order which is excited by inanimated as well as by animated objects4 ,,ii4 ,there is another system which attempts to account for the origin of our moral sentiments from sympathy1 distinct from that which ,i have been endeavouring to establish4 ,it is that which places virtue in utility1 and accounts for the pleasure with which the spectator surveys the utility of any quality from sympathy with the happiness of those who are affected by it4 ,this sympathy is different both from that by which we enter into the motives of the agent1 and from that by which we go along with the gratitude of the persons who are benefited by his actions4 ,it is the same principle with that by which we approve of a well-contrived machine4 ,but no machine can be the object of either of those two last-mentioned sympathies4 ,i have already1 in the fourth part of this discourse1 given some account of this system4 ----- ,,sec4 ,,iv4--,,of ,,the ,,manner ,,in ,,which ,,different ,,authors ,,have ,,treated ,,of ,,the ,,practical ,,rules ,,of ,,morality4 ,,it was observed in the third part of this discourse1 that the rules of justice are the only rules of morality which are precise and accurate2 that those of all the other virtues are loose1 vague1 and indeterminate2 #bia that the first may be compared to the rules of grammar2 the others to those which critics lay down for the attainment of what is sublime and elegant in composition1 and which present us rather with a general idea of the perfection we ought to aim at1 than afford us any certain and infallible directions for acquiring it4 ,as the different rules of morality admit such different degrees of accuracy1 those authors who have endeavoured to collect and digest them into systems have done it in two different manners2 and one set has followed through the whole that loose method to which they were naturally directed by the consideration of one species of virtues2 while another has as universally endeavoured to introduce into their precepts that sort of accuracy of which only some of them are susceptible4 ,the first have written like critics1 the second like grammarians4 ,i4 ,the first1 among whom we may count all the ancient moralists1 have contented themselves with describing in a general manner the different vices and virtues1 and with pointing out the deformity and misery of the one disposition1 as well as the propriety and happiness of the other1 but have not affected to lay down many precise rules that are to hold good unexceptionally in all particular cases4 ,they have only endeavoured to ascertain1 as far as language is capable of ascertaining1 first1 wherein consists the sentiment of the heart1 upon which each particular virtue is founded1 what sort of internal feeling or emotion it is which constitutes the essence of friendship1 of humanity1 of generosity1 of justice1 of magnanimity1 and of all the other virtues1 as well as of the vices which are opposed to them3 and1 secondly1 what is the general way of acting1 the ordinary tone and tenor of conduct to which each of those sentiments would direct us1 or how it is that a friendly1 a generous1 a brave1 a just1 and a humane man1 would upon ordinary occasions1 choose to act4 ,to characterize the sentiment of the heart1 upon which each particular virtue is founded1 though it requires both a delicate and an accurate pencil1 is a task1 however1 which may be executed with some degree of exactness4 ,it is impossible1 indeed1 to express all the variations which each sentiment either does or ought to undergo1 according to every possible variation of circumstances4 ,they are endless1 and language wants names to mark them by4 ,the sentiment of friendship1 for example1 which we feel for an old man is different from that which we feel for a young3 that which we entertain for an austere man different from that which we feel for one of softer and gentler manners3 and that again from what we feel for one of gay vivacity and spirit4 ,the friendship which we conceive for a man is different from that with which a woman affects us1 even where there is no mixture of any grosser passion4 ,what author could enumerate and ascertain these and all the other infinite varieties which this sentiment is capable of undergoing8 ,but still the general sentiment of friendship and familiar #bib attachment which is common to them all1 may be ascertained with a sufficient degree of accuracy4 ,the picture which is drawn of it1 though it will always be in many respects incomplete1 may1 however1 have such a resemblance as to make us know the original when we meet with it1 and even distinguish it from other sentiments to which it has a considerable resemblance1 such as good-will1 respect1 admiration4 ,to describe1 in a general manner1 what is the ordinary way of acting to which each virtue would prompt us1 is still more easy4 ,it is1 indeed1 scarce possible to describe the internal sentiment or emotion upon which it is founded1 without doing something of this kind4 ,it is impossible by language to express1 if ,i may say so1 the invisible features of all the different modifications of passion as they show themselves within4 ,there is no other way of marking and distinguishing them from one another1 but by describing the effects which they produce without1 the alterations which they occasion in the countenance1 in the air and external behaviour1 the resolutions they suggest1 the actions they prompt to4 ,it is thus that ,cicero1 in the first book of his ,offices1 endeavours to direct us to the practice of the four cardinal virtues1 and that ,aristotle in the practical parts of his ,ethics1 points out to us the different habits by which he would have us regulate our behaviour1 such as liberality1 magnificence1 magnanimity1 and even jocularity and good humour1 qualities which that indulgent philosopher has thought worthy of a place in the catalogue of the virtues1 though the lightness of that approbation which we naturally bestow upon them1 should not seem to entitle them to so venerable a name4 ,such works present us with agreeable and lively pictures of manners4 ,by the vivacity of their descriptions they inflame our natural love of virtue1 and increase our abhorrence of vice3 by the justness as well as delicacy of their observations they may often help both to correct and to ascertain our natural sentiments with regard to the propriety of conduct1 and suggesting many nice and delicate attentions1 form us to a more exact justness of behaviour1 than what1 without such instruction1 we should have been apt to think of4 ,in treating of the rules of morality1 in this manner1 consists the science which is properly called ,ethics1 a science which1 though like criticism1 it does not admit of the most accurate precision1 is1 however1 both highly useful and agreeable4 ,it is of all others the most susceptible of the embellishments of eloquence1 and by means of them of bestowing1 if that be possible1 a new importance upon the smallest rules of duty4 ,its precepts1 when thus dressed and adorned1 are capable of producing upon the flexibility of youth1 the noblest and most lasting impressions1 and as they fall in with the natural magnanimity of that generous age1 they are able to inspire1 for a time at least1 the most heroic resolutions1 and thus tend both to establish and confirm the best and most useful habits of which the mind of man is susceptible4 ,whatever precept and exhortation can do to #bic animate us to the practice of virtue1 is done by this science delivered in this manner4 ,,ii4 ,the second set of moralists1 among whom we may count all the casuists of the middle and latter ages of the ,christian church1 as well as all those who in this and in the preceding century have treated of what is called natural jurisprudence1 do not content themselves with characterizing in this general manner that tenor of conduct which they would recommend to us1 but endeavour to lay down exact and precise rules for the direction of every circumstance of our behaviour4 ,as justice is the only virtue with regard to which such exact rules can properly be given2 it is this virtue1 that has chiefly fallen under the consideration of those two different sets of writers4 ,they treat of it1 however1 in a very different manner4 ,those who write upon the principles of jurisprudence1 consider only what the person to whom the obligation is due1 ought to think himself entitled to exact by force2 what every impartial spectator would approve of him for exacting1 or what a judge or arbiter1 to whom he had submitted his case1 and who had undertaken to do him justice1 ought to oblige the other person to suffer or to perform4 ,the casuists1 on the other hand1 do not so much examine what it is1 that might properly be exacted by force1 as what it is1 that the person who owes the obligation ought to think himself bound to perform from the most sacred and scrupulous regard to the general rules of justice1 and from the most conscientious dread1 either of wronging his neighbour1 or of violating the integrity of his own character4 ,it is the end of jurisprudence to prescribe rules for the decisions of judges and arbiters4 ,it is the end of casuistry to prescribe rules for the conduct of a good man4 ,by observing all the rules of jurisprudence1 supposing them ever so perfect1 we should deserve nothing but to be free from external punishment4 ,by observing those of casuistry1 supposing them such as they ought to be1 we should be entitled to considerable praise by the exact and scrupulous delicacy of our behaviour4 ,it may frequently happen that a good man ought to think himself bound1 from a sacred and conscientious regard to the general rules of justice1 to perform many things which it would be the highest injustice to extort from him1 or for any judge or arbiter to impose upon him by force4 ,to give a trite example2 a highwayman1 by the fear of death1 obliges a traveller to promise him a certain sum money4 ,whether such a promise1 extorted in this manner by force1 ought to be regarded as obligatory1 is a question that has been much debated4 ,if we consider it merely as a question of jurisprudence1 the decision can admit of no doubt4 ,it would be absurd to suppose that the highwayman can be entitled to use force to constrain the other to perform4 ,to extort the promise was a crime which deserved the highest punishment1 and to extort the performance would only be adding a new crime #bid to the former4 ,he can complain of no injury who has been only deceived by the person by whom he might justly have been killed4 ,to suppose that a judge ought to enforce the obligation of such promises1 or that the magistrate ought to allow them to sustain action at law1 would be the most ridiculous of all absurdities4 ,if we consider this question1 therefore1 as a question of jurisprudence1 we can be at no loss about the decision4 ,but if we consider it as a question of casuistry1 it will not be so easily determined4 ,whether a good man1 from a conscientious regard to that most sacred rule of justice1 which commands the observance of all serious promises1 would not think himself bound to perform1 is at least much more doubtful4 ,that no regard is due to the disappointment of the wretch who brings him into this situation1 that no injury is done to the robber1 and consequently that nothing can be extorted by force1 will admit of no sort of dispute4 ,but whether some regard is not1 in this case1 due to his own dignity and honour1 to the inviolable sacredness of that part of his character which makes him reverence the law of truth and abhor every thing that approaches to treachery and falsehood1 may1 perhaps1 more reasonably be made a question4 ,the casuists accordingly are greatly divided about it4 ,one party1 with whom we may count ,cicero among the ancients1 among the moderns1 ,puffendorf1 ,barbeyrac his commentator1 and above all the late ,dr4 ,hutcheson1 one who in most cases was by no means a loose casuist1 determine1 without any hesitation1 that no sort of regard is due to any such promise1 and that to think otherwise is mere weakness and superstition4 ,another party1 among whom we may reckon 7,st4 ,augustine1 ,la ,placette7 some of the ancient fathers of the church1 as well as some very eminent modern casuists1 have been of another opinion1 and have judged all such promises obligatory4 ,if we consider the matter according to the common sentiments of mankind1 we shall find that some regard would be thought due even to a promise of this kind2 but that it is impossible to determine how much1 by any general rule that will apply to all cases without exception4 ,the man who was quite frank and easy in making promises of this kind1 and who violated them with as little ceremony1 we should not choose for our friend and companion4 ,a gentleman who should promise a highwayman five pounds and not perform1 would incur some blame4 ,if the sum promised1 however1 was very great1 it might be more doubtful what was proper to be done4 ,if it was such1 for example1 that the payment of it would entirely ruin the family of the promiser1 if it was so great as to be sufficient for promoting the most useful purposes1 it would appear in some measure criminal1 at least extremely improper1 to throw it for the sake of a punctilio into such worthless hands4 ,the man who should beggar himself1 or who should throw away an hundred thousand pounds1 though he could afford that #bie vast sum1 for the sake of observing such a parole with a thief1 would appear to the common sense of mankind1 absurd and extravagant in the highest degree4 ,such profusion would seem inconsistent with his duty1 with what he owed both to himself and others1 and what1 therefore1 regard to a promise extorted in this manner1 could by no means authorise4 ,to fix1 however1 by any precise rule1 what degree of regard ought to be paid to it1 or what might be the greatest sum which could be due from it1 is evidently impossible4 ,this would vary according to the characters of the persons1 according to their circumstances1 according to the solemnity of the promise1 and even according to the incidents of the rencounter3 and if the promiser had been treated with a great deal of that sort of gallantry1 which is sometimes to be met with in persons of the most abandoned characters1 more would seem due than upon other occasions4 ,it may be said in general1 that exact propriety requires the observance of all such promises1 wherever it is not inconsistent with some other duties that are more sacred2 such as regard to the public interest1 to those whom gratitude1 whom natural affection1 or whom the laws of proper beneficence should prompt us to provide for4 ,but1 as was formerly taken notice of1 we have no precise rules to determine what external actions are due from a regard to such motives1 nor1 consequently1 when it is that those virtues are inconsistent with the observance of such promises4 ,it is to be observed1 however1 that whenever such promises are violated1 though for the most necessary reasons1 it is always with some degree of dishonour to the person who made them4 ,after they are made1 we may be convinced of the impropriety of observing them4 ,but still there is some fault in having made them4 ,it is at least a departure from the highest and noblest maxims of magnanimity and honour4 ,a brave man ought to die1 rather than make a promise which he can neither keep without folly1 nor violate without ignominy4 ,for some degree of ignominy always attends a situation of this kind4 ,treachery and falsehood are vices so dangerous1 so dreadful1 and1 at the same time1 such as may so easily1 and1 upon many occasions1 so safely be indulged1 that we are more jealous of them than of almost any other4 ,our imagination therefore attaches the idea of shame to all violations of faith1 in every circumstance and in every situation4 ,they resemble1 in this respect1 the violations of chastity in the fair sex1 a virtue of which1 for the like reasons1 we are excessively jealous2 and our sentiments are not more delicate with regard to the one1 than with regard to the other4 ,breach of chastity dishonours irretrievably4 ,no circumstances1 no solicitation can excuse it2 no sorrow1 no repentance atone for it4 ,we are so nice in this respect that even a rape dishonours1 and the innocence of the mind cannot1 in our imagination1 wash out the pollution of the body4 ,it is the same case with the violation of faith1 when it has been solemnly pledged1 even to the most #bif worthless of mankind4 ,fidelity is so necessary a virtue1 that we apprehend it in general to be due even to those to whom nothing else is due1 and whom we think it lawful to kill and destroy4 ,it is to no purpose that the person who has been guilty of the breach of it1 urges that he promised in order to save his life1 and that he broke his promise because it was inconsistent with some other respectable duty to keep it4 ,these circumstances may alleviate1 but cannot entirely wipe out his dishonour4 ,he appears to have been guilty of an action with which1 in the imaginations of men1 some degree of shame is inseparably connected4 ,he has broken a promise which he had solemnly averred he would maintain2 and his character1 if not irretrievably stained and polluted1 has at least a ridicule affixed to it1 which it will be very difficult entirely to efface2 and no man1 ,i imagine1 who had gone through an adventure of this kind would be fond of telling the story4 ,this instance may serve to show wherein consists the difference between casuistry and jurisprudence1 even when both of them consider the obligations of the general rules of justice4 ,but though this difference be real and essential1 though those two sciences propose quite different ends1 the sameness of the subject has made such a similarity between them1 that the greater part of authors whose professed design was to treat of jurisprudence1 have determined the different questions they examine1 sometimes according to the principles of that science1 and sometimes according to those of casuistry1 without distinguishing1 and1 perhaps1 without being themselves aware1 when they did the one1 and when the other4 ,the doctrine of the casuists1 however1 is by no means confined to the consideration of what a conscientious regard to the general rules of justice would demand of us4 ,it embraces many other parts of ,christian and moral duty4 ,what seems principally to have given occasion to the cultivation of this species of science was the custom of auricular confession1 introduced by the ,roman ,catholic superstition1 in times of barbarism and ignorance4 ,by that institution1 the most secret actions1 and even the thoughts of every person1 which could be suspected of receding in the smallest degree from the rules of ,christian purity1 were to be revealed to the confessor4 ,the confessor informed his penitents whether1 and in what respect1 they had violated their duty1 and what penance it behoved them to undergo1 before he could absolve them in the name of the offended ,deity4 ,the consciousness1 or even the suspicion of having done wrong1 is a load upon every mind1 and is accompanied with anxiety and terror in all those who are not hardened by long habits of iniquity4 ,men1 in this1 as in all other distresses1 are naturally eager to disburthen themselves of the oppression which they feel upon their thoughts1 by unbosoming the agony of their mind to some person whose secrecy and discretion they can confide in4 ,the shame1 which they suffer from this #big acknowledgment1 is fully compensated by that alleviation of their uneasiness which the sympathy of their confidence seldom fails to occasion4 ,it relieves them to find that they are not altogether unworthy of regard1 and that however their past conduct may be censured1 their present disposition is at least approved of1 and is perhaps sufficient to compensate the other1 at least to maintain them in some degree of esteem with their friend4 ,a numerous and artful clergy had1 in those times of superstition1 insinuated themselves into the confidence of almost every private family4 ,they possessed all the little learning which the times could afford1 and their manners1 though in many respects rude and disorderly1 were polished and regular compared with those of the age they lived in4 ,they were regarded1 therefore1 not only as the great directors of all religious1 but of all moral duties4 ,their familiarity gave reputation to whoever was so happy as to possess it1 and every mark of their disapprobation stamped the deepest ignominy upon all who had the misfortune to fall under it4 ,being considered as the great judges of right and wrong1 they were naturally consulted about all scruples that occurred1 and it was reputable for any person to have it known that he made those holy men the confidants of all such secrets1 and took no important or delicate step in his conduct without their advice and approbation4 ,it was not difficult for the clergy1 therefore1 to get it established as a general rule1 that they should be entrusted with what it had already become fashionable to entrust them1 and with what they generally would have been entrusted1 though no such rule had been established4 ,to qualify themselves for confessors became thus a necessary part of the study of churchmen and divines1 and they were thence led to collect what are called cases of conscience1 nice and delicate situations in which it is hard to determine whereabouts the propriety of conduct may lie4 ,such works1 they imagined1 might be of use both to the directors of consciences and to those who were to be directed2 and hence the origin of books of casuistry4 ,the moral duties which fell under the consideration of the casuists were chiefly those which can1 in some measure at least1 be circumscribed within general rules1 and of which the violation is naturally attended with some degree of remorse and some dread of suffering punishment4 ,the design of that institution which gave occasion to their works1 was to appease those terrors of conscience which attend upon the infringement of such duties4 ,but it is not every virtue of which the defect is accompanied with any very severe compunctions of this kind1 and no man applies to his confessor for absolution1 because he did not perform the most generous1 the most friendly1 or the most magnanimous action which1 in his circumstances1 it was possible to perform4 ,in failures of this kind1 the rule that is violated is commonly not very determinate1 and is generally of such a nature too1 that though the observance of it might entitle to honour and reward1 the violation #bih seems to expose to no positive blame1 censure1 or punishment4 ,the exercise of such virtues the casuists seem to have regarded as a sort of works of supererogation1 which could not be very strictly exacted1 and which it was therefore unnecessary for them to treat of4 ,the breaches of moral duty1 therefore1 which came before the tribunal of the confessor1 and upon that account fell under the cognisance of the casuists1 were chiefly of three different kinds4 ,first and principally1 breaches of the rules of justice4 ,the rules here are all express and positive1 and the violation of them is naturally attended with the consciousness of deserving1 and the dread of suffering punishment both from ,god and man4 ,secondly1 breaches of the rules of chastity4 ,these in all grosser instances are real breaches of the rules of justice1 and no person can be guilty of them without doing the most unpardonable injury to some other4 ,in smaller instances1 when they amount only to a violation of those exact decorums which ought to be observed in the conversation of the two sexes1 they cannot indeed justly be considered as violations of the rules of justice4 ,they are generally1 however1 violations of a pretty plain rule1 and1 at least in one of the sexes1 tend to bring ignominy upon the person who has been guilty of them1 and consequently to be attended in the scrupulous with some degree of shame and contrition of mind4 ,thirdly1 breaches of the rules of veracity4 ,the violation of truth1 it is to be observed1 is not always a breach of justice1 though it is so upon many occasions1 and consequently cannot always expose to any external punishment4 ,the vice of common lying1 though a most miserable meanness1 may frequently do hurt to nobody1 and in this case no claim of vengeance or satisfaction can be due either to the persons imposed upon1 or to others4 ,but though the violation of truth is not always a breach of justice1 it is always a breach of a very plain rule1 and what does naturally tend to cover with shame the person who has been guilty of it4 ,there seems to be in young children an instinctive disposition to believe whatever they are told4 ,nature seems to have judged it necessary for their preservation that they should1 for some time at least1 put implicit confidence in those to whom the care of their childhood1 and of the earliest and most necessary parts of their education1 is intrusted4 ,their credulity1 accordingly1 is excessive1 and it requires long and much experience of the falsehood of mankind to reduce them to a reasonable degree of diffidence and distrust4 ,in grown-up people the degrees of credulity are1 no doubt1 very different4 ,the wisest and most experienced are generally the least credulous4 ,but the man scarce lives who is not more credulous than he ought to be1 and who does not1 upon many occasions1 give credit to tales1 which not only turn out to be perfectly false1 but which a very moderate degree of reflection and #bii attention might have taught him could not well be true4 ,the natural disposition is always to believe4 ,it is acquired wisdom and experience only that teach incredulity1 and they very seldom teach it enough4 ,the wisest and most cautious of us all frequently gives credit to stories which he himself is afterwards both ashamed and astonished that he could possibly think of believing4 ,the man whom we believe is necessarily1 in the things concerning which we believe him1 our leader and director1 and we look up to him with a certain degree of esteem and respect4 ,but as from admiring other people we come to wish to be admired ourselves2 so from being led and directed by other people we learn to wish to become ourselves leaders and directors4 ,and as we cannot always be satisfied merely with being admired1 unless we can at the same time persuade ourselves that we are in some degree really worthy of admiration2 so we cannot always be satisfied merely with being believed1 unless we are at the same time conscious that we are really worthy of belief4 ,as the desire of praise and that of praise-worthiness1 though very much akin1 are yet distinct and separate desires2 so the desire of being believed and that of being worthy of belief1 though very much akin too1 are equally distinct and separate desires4 ,the desire of being believed1 the desire of persuading1 of leading and directing other people1 seems to be one of the strongest of all our natural desires4 ,it is1 perhaps1 the instinct upon which is founded the faculty of speech1 the characteristical faculty of human nature4 ,no other animal possesses this faculty1 and we cannot discover in any other animal any desire to lead and direct the judgment and conduct of its fellows4 ,great ambition1 the desire of real1 superiority1 of leading and directing1 seems to be altogether peculiar to man1 and speech is the great instrument of ambition1 of real superiority1 of leading and directing the judgments and conduct of other people4 ,it is always mortifying not to be believed1 and it is doubly so when we suspect that it is because we are supposed to be unworthy of belief and capable of seriously and wilfully deceiving4 ,to tell a man that he lies1 is of all affronts the most mortal4 ,but whoever seriously and wilfully deceives is necessarily conscious to himself that he merits this affront1 that he does not deserve to be believed1 and that he forfeits all title to that sort of credit from which alone he can derive any sort of ease1 comfort1 or satisfaction in the society of his equals4 ,the man who had the misfortune to imagine that nobody believed a single word he said1 would feel himself the outcast of human society1 would dread the very thought of going into it1 or of presenting himself before it1 and could scarce fail1 ,i think1 to die of despair4 ,it is probable1 however1 that no man ever had just reason to entertain this humiliating opinion of himself4 ,the most notorious liar1 ,i am disposed to believe1 tells the fair truth at least twenty times for once that he seriously and #cjj deliberately lies2 and1 as in the most cautious the disposition to believe is apt to prevail over that to doubt and distrust2 so in those who are the most regardless of truth1 the natural disposition to tell it prevails upon most occasions over that to deceive1 or in any respect to alter or to disguise it4 ,we are mortified when we happen to deceive other people1 though unintentionally1 and from having been ourselves deceived4 ,though this involuntary falsehood may frequently be no mark of any want of veracity1 of any want of the most perfect love of truth1 it is always in some degree a mark of want of judgment1 of want of memory1 of improper credulity1 of some degree of precipitancy and rashness4 ,it always diminishes our authority to persuade1 and always brings some degree of suspicion upon our fitness to lead and direct4 ,the man who sometimes misleads from mistake1 however1 is widely different from him who is capable of wilfully deceiving4 ,the former may be trusted upon many occasions2 the latter very seldom upon any4 ,frankness and openness conciliate confidence4 ,we trust the man1 who seems willing to trust us4 ,we see clearly1 we think1 the road by which he means to conduct us1 and we abandon ourselves with pleasure to his guidance and direction4 ,reserve and concealment1 on the contrary1 call forth diffidence4 ,we are afraid to follow the man who is going we do not know where4 ,the great pleasure of conversation and society1 besides1 arises from a certain correspondence of sentiments and opinions1 from a certain harmony of minds1 which like so many musical instruments coincide and keep time with one another4 ,but this most delightful harmony cannot be obtained unless there is a free communication of sentiments and opinions4 ,we all desire1 upon this account1 to feel how each other is affected1 to penetrate into each other's bosoms1 and to observe the sentiments and affections which really subsist there4 ,the man who indulges us in this natural passion1 who invites us into his heart1 who1 as it were1 sets open the gates of his breast to us1 seems to exercise a species of hospitality more delightful than any other4 ,no man1 who is in ordinary good temper1 can fail of pleasing1 if he has the courage to utter his real sentiments as he feels them1 and because he feels them4 ,it is this unreserved sincerity which renders even the prattle of a child agreeable4 ,how weak and imperfect soever the views of the open-hearted1 we take pleasure to enter into them1 and endeavour1 as much as we can1 to bring down our own understanding to the level of their capacities1 and to regard every subject in the particular light in which they appear to have considered it4 ,this passion to discover the real sentiments of others is naturally so strong1 that it often degenerates into a troublesome and impertinent curiosity to pry into those secrets of our neighbours which they have very justifiable reasons for concealing2 and1 upon many occasions1 it requires prudence and a strong sense of propriety to govern this1 as #cja well as all the other passions of human nature1 and to reduce it to that pitch which any impartial spectator can approve of4 ,to disappoint this curiosity1 however1 when it is kept within proper bounds1 and aims at nothing which there can be any just reason for concealing1 is equally disagreeable in its turn4 ,the man who eludes our most innocent questions1 who gives no satisfaction to our most inoffensive inquiries1 who plainly wraps himself up in impenetrable obscurity1 seems1 as it were1 to build a wall about his breast4 ,we run forward to get within it1 with all the eagerness of harmless curiosity2 and feel ourselves all at once pushed back with rude and offensive violence4 ,the man of reserve and concealment1 though seldom a very amiable character1 is not disrespected or despised4 ,he seems to feel coldly towards us1 and we feel as coldly towards him4 ,he is not much praised or beloved1 but he is as little hated or blamed4 ,he very seldom1 however1 has occasion to repent of his caution1 and is generally disposed rather to value himself upon the prudence of his reserve4 ,though his conduct1 therefore1 may have been very faulty1 and sometimes even hurtful1 he can very seldom be disposed to lay his case before the casuists1 or to fancy that he has any occasion for their acquittal or for their approbation4 ,it is not always so with the man1 who1 from false information1 from inadvertency1 from precipitancy and rashness1 has involuntarily deceived4 ,though it should be in a matter of little consequence1 in telling a piece of common news1 for example1 if he is a real lover of truth1 he is ashamed of his own carelessness1 and never fails to embrace the first opportunity of making the fullest acknowledgments4 ,if it is in a matter of some consequence1 his contrition is still greater2 and if any unlucky or fatal consequence has followed from his misinformation1 he can scarce ever forgive himself4 ,though not guilty1 he feels himself to be in the highest degree1 what the ancients called1 piacular1 and is anxious and eager to make every sort of atonement in his power4 ,such a person might frequently be disposed to lay his case before the casuists1 who have in general been very favourable to him1 and though they have sometimes justly condemned him for rashness1 they have universally acquitted him of the ignominy of falsehood4 ,but the man who had the most frequent occasion to consult them1 was the man of equivocation and mental reservation1 the man who seriously and deliberately meant to deceive1 but who1 at the same time1 wished to flatter himself that he had really told the truth4 ,with him they have dealt variously4 ,when they approved very much of the motives of his deceit1 they have sometimes acquitted him1 though1 to do the casuists justice1 they have in general and much more frequently condemned him4 ,the chief subjects of the works of the casuists1 therefore1 were the conscientious regard that is due to the rules of justice2 how far we #cjb ought to respect the life and property of our neighbour2 the duty of restitution2 the laws of chastity and modesty1 and wherein consisted what1 in the language of the casuists1 were called the sins of concupiscence2 the rules of veracity1 and the obligation of oaths1 promises1 and contracts of all kinds4 ,it may be said in general of the works of the casuists that they attempted1 to no purpose1 to direct by precise rules what it belongs to feeling and sentiment only to judge of4 ,how is it possible to ascertain by rules the exact point at which1 in every case1 a delicate sense of justice begins to run into a frivolous and weak scrupulosity of conscience8 ,when is it that secrecy and reserve begin to grow into dissimulation8 ,how far may an agreeable irony be carried1 and at what precise point it begins to degenerate into a detestable lie8 ,what is the highest pitch of freedom and ease of behaviour which can be regarded as graceful and becoming1 and when is it that it first begins to run into a negligent and thoughtless licentiousness8 ,with regard to all such matters1 what would hold good in any one case would scarce do so exactly in any other1 and what constitutes the propriety and happiness of behaviour varies in every case with the smallest variety of situation4 ,books of casuistry1 therefore1 are generally as useless as they are commonly tiresome4 ,they could be of little use to one who should consult them upon occasion1 even supposing their decisions to be just2 because1 notwithstanding the multitude of cases collected in them1 yet upon account of the still greater variety of possible circumstances1 it is a chance1 if among all those cases there be found one exactly parallel to that under consideration4 ,one1 who is really anxious to do his duty1 must be very weak1 if he can imagine that he has much occasion for them2 and with regard to one who is negligent of it1 the very style of those writings is not such as is likely to awaken him to more attention4 ,none of them tend to animate us to what is generous and noble4 ,none of them do tend to soften us to what is gentle and humane4 ,many of them1 on the contrary1 tend rather to teach us to chicane with our own consciences1 and by their vain subtilties serve to authorise innumerable evasive refinements with regard to the most essential articles of our duty4 ,that frivolous accuracy which they attempted to introduce into subjects which do not admit of it1 almost necessarily betrayed them into those dangerous errors1 and at the same time rendered their works dry and disagreeable1 abounding in abstruse and metaphysical distinctions1 but incapable of exciting in the heart any of those emotions which it is the principal use of books of morality to excite in the readers4 ,the two useful parts of moral philosophy1 therefore1 are ,ethics and ,jurisprudence3 casuistry ought to be rejected altogether2 and the ancient moralists appear to have judged much better1 who1 in treating of the same subjects1 did not affect any such nice exactness1 but #cjc contented themselves with describing1 in a general manner1 what is the sentiment upon which justice1 modesty1 and veracity are founded1 and what is the ordinary way of acting to which those great virtues would commonly prompt us4 ,something indeed1 not unlike the doctrine of the casuists1 seems to have been attempted by several philosophers4 ,there is something of this kind in the third book of ,cicero's ,offices1 where he endeavours like a casuist1 to give rules for our conduct in many nice cases1 in which it is difficult to determine whereabouts the point of propriety may lie4 ,it appears too1 from many passages in the same book1 that several other philosophers had attempted something of the same kind before him4 ,neither he nor they1 however1 appear to have aimed at giving a complete system of this sort1 but only meant to show how situations may occur1 in which it is doubtful1 whether the highest propriety of conduct consists in observing or in receding from what1 in ordinary cases1 are the rules of our duty4 ,every system of positive law may be regarded as a more or less imperfect attempt towards a system of natural jurisprudence1 or towards an enumeration of the particular rules of justice4 ,as the violation of justice is what men will never submit to from one another1 the public magistrate is under a necessity of employing the power of the commonwealth to enforce the practice of this virtue4 ,without this precaution1 civil society would become a scene of bloodshed and disorder1 every man revenging himself at his own hand whenever he fancied he was injured4 ,to prevent the confusion which would attend upon every man's doing justice to himself1 the magistrate1 in all governments that have acquired any considerable authority1 undertakes to do justice to all1 and promises to hear and to redress every complaint of injury4 ,in all well-governed states1 too1 not only judges are appointed for determining the controversies of individuals1 but rules are prescribed for regulating the decisions of those judges2 and these rules are1 in general1 intended to coincide with those of natural justice4 ,it does not1 indeed1 always happen that they do so in every instance4 ,sometimes what is called the constitution of the state1 that is1 the interest of the government2 sometimes the interest of particular orders of men who tyrannize the government1 warp the positive laws of the country from what natural justice would prescribe4 ,in some countries1 the rudeness and barbarism of the people hinder the natural sentiments of justice from arriving at that accuracy and precision which1 in more civilized nations1 they naturally attain to4 ,their laws are1 like their manners1 gross and rude and undistinguishing4 ,in other countries the unfortunate constitution of their courts of judicature hinders any regular system of jurisprudence from ever establishing itself among them1 though the improved manners of the people may be such as would admit of the most accurate4 ,in no country do the decisions of positive #cjd law coincide exactly1 in every case1 with the rules which the natural sense of justice would dictate4 ,systems of positive law1 therefore1 though they deserve the greatest authority1 as the records of the sentiments of mankind in different ages and nations1 yet can never be regarded as accurate systems of the rules of natural justice4 ,it might have been expected that the reasonings of lawyers1 upon the different imperfections and improvements of the laws of different countries1 should have given occasion to an inquiry into what were the natural rules of justice independent of all positive institution4 ,it might have been expected that these reasonings should have led them to aim at establishing a system of what might properly be called natural jurisprudence1 or a theory of the general principles which ought to run through and be the foundation of the laws of all nations4 ,but though the reasonings of lawyers did produce something of this kind1 and though no man has treated systematically of the laws of any particular country1 without intermixing in his work many observations of this sort2 it was very late in the world before any such general system was thought of1 or before the philosophy of law was treated of by itself1 and without regard to the particular institutions of any one nation4 ,in none of the ancient moralists1 do we find any attempt towards a particular enumeration of the rules of justice4 ,cicero in his ,offices1 and ,aristotle in his ,ethics1 treat of justice in the same general manner in which they treat of all the other virtues4 ,in the laws of ,cicero and ,plato1 where we might naturally have expected some attempts towards an enumeration of those rules of natural equity1 which ought to be enforced by the positive laws of every country1 there is1 however1 nothing of this kind4 ,their laws are laws of police1 not of justice4 ,grotius seems to have been the first who attempted to give the world any thing like a system of those principles which ought to run through1 and be the foundation of the laws of all nations2 and his treatise of the laws of war and peace1 with all its imperfections1 is perhaps at this day the most complete work that has yet been given upon this subject4 ,i shall in another discourse endeavour to give an account of the general principles of law and government1 and of the different revolutions they have undergone in the different ages and periods of society1 not only in what concerns justice1 but in what concerns police1 revenue1 and arms1 and whatever else is the object of law4 ,i shall not1 therefore1 at present1 enter into any further detail concerning the history of jurisprudence4 ----- ,,considerations ,,concerning ,,the ,,first ,,formation ,,of ,,languages1 ,,etc41 ,,etc4 ,,the assignation of particular names to denote particular objects1 that is1 the institution of nouns substantive1 would1 probably1 be one of the first steps towards the formation of language4 ,two savages1 who had never been taught to speak1 but had been bred up remote from the societies of men1 would naturally begin to form that language by which they would endeavour to make their mutual wants intelligible to each other1 by uttering certain sounds1 whenever they meant to denote certain objects4 ,those objects only which were most familiar to them1 and which they had most frequent occasion to mention would have particular names assigned to them4 ,the particular cave whose covering sheltered them from the weather1 the particular tree whose fruit relieved their hunger1 the particular fountain whose water allayed their thirst1 would first be denominated by the words cave1 tree1 fountain1 or by whatever other appellations they might think proper1 in that primitive jargon1 to mark them4 ,afterwards1 when the more enlarged experience of these savages had led them to observe1 and their necessary occasions obliged them to make mention of other caves1 and other trees1 and other fountains1 they would naturally bestow1 upon each of those new objects1 the same name1 by which they had been accustomed to express the similar objects they were first acquainted with4 ,the new objects had none of them any name of its own1 but each of them exactly resembled another object1 which had such an appellation4 ,it was impossible that those savages could behold the new objects1 without recollecting the old ones2 and the name of the old ones1 to which the new bore so close a resemblance4 ,when they had occasion1 therefore1 to mention or to point out to each other1 any of the new objects1 they would naturally utter the name of the correspondent old one1 of which the idea could not fail1 at that instant1 to present itself to their memory in the strongest and liveliest manner4 ,and thus1 those words1 which were originally the proper names of individuals1 would each of them insensibly become the common name of a multitude4 ,a child that is just learning to speak1 calls every person who comes to the house its papa or its mamma2 and thus bestows upon the whole species those names which it had been taught to apply to two individuals4 ,i have #cjf known a clown1 who did not know the proper name of the river which ran by his own door4 ,it was the river1 he said1 and he never heard any other name for it4 ,his experience1 it seems1 had not led him to observe any other river4 ,the general word river1 therefore1 was1 it is evident1 in his acceptance of it1 a proper name1 signifying an individual object4 ,if this person had been carried to another river1 would he not readily have called it a river8 ,could we suppose any person living on the banks of the ,thames so ignorant as not to know the general word river but to be acquainted only with the particular word ,thames1 if he was brought to any other river1 would he not readily call it a ,thames8 ,this1 in reality1 is no more than what they1 who are well acquainted with the general word1 are very apt to do4 ,an ,englishman1 describing any great river which he may have seen in some foreign country1 naturally says1 that it is another ,thames4 ,the ,spaniards1 when they first arrived upon the coast of ,mexico1 and observed the wealth1 populousness1 and habitations of that fine country1 so much superior to the savage nations which they had been visiting for some time before1 cried out1 that it was another ,spain4 ,hence it was called ,new ,spain2 and this name has stuck to that unfortunate country ever since4 ,we say1 in the same manner1 of a hero1 that he is an ,alexander2 of an orator1 that he is a ,cicero2 of a philosopher1 that he is a ,newton4 ,this way of speaking1 which the grammarians call an ,antonomasia1 and which is still extremely common1 though now not at all necessary1 demonstrates how mankind are disposed to give to one object the name of any other1 which nearly resembles it1 and thus to denominate a multitude1 by what originally was intended to express an individual4 ,it is this application of the name of an individual to a great multitude of objects1 whose resemblance naturally recalls the idea of that individual1 and of the name which expresses it1 that seems originally to have given occasion to the formation of those classes and assortments1 which1 in the schools1 are called genera and species1 and of which the ingenious and eloquent ,m4 ,rousseau of ,geneva finds himself so much at a loss to account for the origin4 ,what constitutes a species is merely a number of objects1 bearing a certain degree of resemblance to one another1 and on that account denominated by a single appellation1 which may be applied to express any one of them4 ,when the greater part of objects had thus been arranged under their proper classes and assortments1 distinguished by such general names1 it was impossible that the greater part of that almost infinite number of individuals1 comprehended under each particular assortment or species1 could have any peculiar or proper names of their own1 distinct from the general name of the species4 ,when there was occasion1 therefore1 to mention any particular object1 it often became necessary to distinguish it from the other objects comprehended under the same general name1 either1 first1 by its peculiar qualities2 or1 secondly1 by the #cjg peculiar relation which it stood in to some other things4 ,hence the necessary origin of two other sets of words1 of which the one should express quality2 the other1 relation4 ,nouns adjective are the words which express quality considered as qualifying1 or1 as the schoolmen say1 in concrete with1 some particular subject4 ,thus the word green expresses a certain quality considered as qualifying1 or as in concrete with1 the particular subject to which it may be applied4 ,words of this kind1 it is evident1 may serve to distinguish particular objects from others comprehended under the same general appellation4 ,the words green tree1 for example1 might serve to distinguish a particular tree from others that were withered or that were blasted4 ,prepositions are the words which express relation considered1 in the same manner1 in concrete with the co-relative object4 ,thus the prepositions of1 to1 for1 with1 by1 above1 below1 c41 denote some relation subsisting between the objects expressed by the words between which the prepositions are placed2 and they denote that this relation is considered in concrete with the co-relative object4 ,words of this kind serve to distinguish particular objects from others of the same species1 when those particular objects cannot be so properly marked out by any peculiar qualities of their own4 ,when we say1 the green tree of the meadow1 for example1 we distinguish a particular tree1 not only by the quality which belongs to it1 but by the relation which it stands in to another object4 ,as neither quality nor relation can exist in abstract1 it is natural to suppose that the words which denote them considered in concrete1 the way in which we always see them subsist1 would be of much earlier invention than those which express them considered in abstract1 the way in which we never see them subsist4 ,the words green and blue would1 in all probability1 be sooner invented than the words greenness and blueness2 the words above and below1 than the words superiority and inferiority4 ,to invent words of the latter kind requires a much greater effort of abstraction than to invent those of the former4 ,it is probable therefore1 that such abstract terms would be of much later institution4 ,accordingly1 their etymologies generally show that they are so1 they being generally derived from others that are concrete4 ,but though the invention of nouns adjective be much more natural than that of the abstract nouns substantive derived from them1 it would still1 however1 require a considerable degree of abstraction and generalization4 ,those1 for example1 who first invented the words green1 blue1 red1 and the other names of colours1 must have observed and compared together a great number of objects1 must have remarked their resemblances and dissimilitudes in respect of the quality of colour1 and must have arranged them1 in their own minds1 into different classes and assortments1 according to those resemblances and #cjh dissimilitudes4 ,an adjective is by nature a general1 and in some measure an abstract word1 and necessarily pre-supposes the idea of a certain species or assortment of things1 to all of which it is equally applicable4 ,the word green could not1 as we were supposing might be the case of the word cave1 have been originally the name of an individual1 and afterwards have become1 by what grammarians call an ,antonomasia1 the name of a species4 ,the word green denoting1 not the name of a substance1 but the peculiar quality of a substance1 must from the very first have been a general word1 and considered as equally applicable to any other substance possessed of the same quality4 ,the man who first distinguished a particular object by the epithet of green1 must have observed other objects that were not green1 from which he meant to separate it by this appellation4 ,the institution of this name1 therefore1 supposes comparison4 ,it likewise supposes some degree of abstraction4 ,the person who first invented this appellation must have distinguished the quality from the object to which it belonged1 and must have conceived the object as capable of subsisting without the quality4 ,the invention1 therefore1 even of the simplest nouns adjective must have required more metaphysics than we are apt to be aware of4 ,the different mental operations1 of arrangement or classing1 of comparison1 and of abstraction1 must all have been employed1 before even the names of the different colours1 the least metaphysical of all nouns adjective1 could be instituted4 ,from all which ,i infer1 that when languages were beginning to be formed1 nouns adjective would by no means be the words of the earliest invention4 ,there is nothing expedient for denoting the different qualities of different substance1 which as it requires no abstraction1 nor any conceived separation of the quality from the subject1 seems more natural than the invention of nouns adjective1 and which1 upon this account1 could hardly fail1 in the first formation of language1 to be thought of before them4 ,this expedient is to make some variation upon the noun substantive itself1 according to the different qualities which it is endowed with4 ,thus in many languages1 the qualities both of sex and of the want of sex are expressed by different terminations in the nouns substantive1 which denote objects so qualified4 ,in ,latin1 for example1 lupus1 lupa2 equus1 equa2 juvencus1 juvenca2 ,julius1 ,julia2 ,lucretius1 ,lucretia1 c41 denote the qualities of male and female in the animals and persons to whom such appellations belong1 without needing the addition of any adjective for this purpose4 ,on the other hand1 the words1 forum1 pratum1 plaustrum1 denote by their peculiar termination the total absence of sex in the different substances which they stand for4 ,both sex1 and the want of all sex1 being naturally considered as qualities modifying and inseparable from the particular substances to which they belong1 it was natural to express them rather by a modification in the noun substantive1 than by any general and abstract word #cji expressive of this particular species of quality4 ,the expression bears1 it is evident1 in this way1 a much more exact analogy to the idea or object which it denotes than in the other4 ,the quality appears1 in nature1 as a modification of the substance1 and as it is thus expressed in language1 by a modification of the noun substantive1 which denotes that substance1 the quality and the subject are1 in this case1 blended together1 if ,i may say so1 in the expression1 in the same manner as they appear to be in the object and in the idea4 ,hence the origin of the masculine1 feminine1 and neutral genders1 in all the ancient languages4 ,by means of these1 the most important of all distinctions1 that of substances into animated and inanimated1 and that of animals into male and female1 seem to have been sufficiently marked without the assistance of adjectives1 or of any general names denoting this most extensive species of qualifications4 ,there are no more than these three genders in any of the languages with which ,i am acquainted2 that is to say1 the formation of nouns substantive can1 by itself1 and without the accompaniment of adjectives1 express no other qualities but those three above mentioned1 the qualities of male1 of female1 of neither male nor female4 ,i should not1 however1 be surprised1 if1 in other languages with which ,i am unacquainted1 the different formations of nouns substantive should be capable of expressing many other different qualities4 ,the different diminutives of the ,italian1 and of some other languages1 do1 in reality1 sometimes express a great variety of different modifications in the substances denoted by those nouns which undergo such variations4 ,it was impossible1 however1 that nouns substantive could1 without losing altogether their original form1 undergo so great a number of variations1 as would be sufficient to express that almost infinite variety of qualities1 by which it might1 upon different occasions1 be necessary to specify and distinguish them4 ,though the different formation of nouns substantive1 therefore1 might1 for some time1 forestall the necessity of inventing nouns adjective1 it was impossible that this necessity could be forestalled altogether4 ,when nouns adjective came to be invented1 it was natural that they should be formed with some similarity to the substantives to which they were to serve as epithets or qualifications4 ,men would naturally give them the same terminations with the substantives to which they were first applied1 and from that love of similarity of sound1 from that delight in the returns of the same syllables1 which is the foundation of analogy in all languages1 they would be apt to vary the termination of the same adjective1 according as they had occasion to apply it to a masculine1 to a feminine1 or to a neutral substantive4 ,they would say1 magnus lupus1 magna lupa1 magnum pratum1 when they meant to express a great he wolf1 a great she wolf1 or a great meadow4 ,this variation1 in the termination of the noun adjective1 according to #caj the gender of the substantive1 which takes place in all the ancient languages1 seems to have been introduced chiefly for the sake of a certain similarity of sound1 of a certain species of rhyme1 which is naturally so very agreeable to the human ear4 ,gender1 it is to observed1 cannot properly belong to a noun adjective1 the signification of which is always precisely the same1 to whatever species of substantives it is applied4 ,when we say1 a great man1 a great woman1 the word great has precisely the same meaning in both cases1 and the difference of the sex in the subjects to which it may be applied1 makes no sort of difference in its signification4 ,magnus1 magna1 magnum1 in the same manner1 are words which express precisely the same quality1 and the change of the termination is accompanied with no sort of variation in the meaning4 ,sex and gender are qualities which belong to substances1 but cannot belong to the qualities of substances4 ,in general1 no quality1 when considered in concrete1 or as qualifying some particular subject1 can itself be conceived as the subject of any other quality2 though when considered in abstract it may4 ,no adjective therefore can qualify any other adjective4 ,a great good man1 means a man who is both great and good4 ,both the adjectives qualify the substantive2 they do not qualify one another4 ,on the other hand1 when we say1 the great goodness of the man1 the word goodness denoting a quality considered in abstract1 which may itself be the subject of other qualities1 is upon that account capable of being qualified by the word great4 ,if the original invention of nouns adjective would be attended with so much difficulty1 that of prepositions would be accompanied with yet more4 ,every preposition1 as ,i have already observed1 denotes some relation considered in concrete with the co-relative object4 ,the preposition above1 for example1 denotes the relation of superiority1 not in abstract1 as it is expressed by the word superiority1 but in concrete with some co-relative object4 ,in this phrase1 for example1 the tree above the cave1 the word above expresses a certain relation between the tree and the cave1 and it expresses this relation in concrete with the co-relative object1 the cave4 ,a preposition always requires1 in order to complete the sense1 some other word to come after it2 as may be observed in this particular instance4 ,now1 ,i say1 the original invention of such words would require a yet greater effort of abstraction and generalization1 than that of nouns adjective4 ,first of all1 the relation is1 in itself1 a more metaphysical object than a quality4 ,nobody can be at a loss to explain what is meant by a quality2 but few people will find themselves able to express1 very distinctly1 what is understood by a relation4 ,qualities are almost always the objects of our external senses2 relations never are4 ,no wonder therefore1 that the one set of objects should be so much more comprehensible than the other4 ,secondly1 though prepositions always express the relation which they stand for1 in concrete with the co-relative object1 they could not have #caa originally been formed without a considerable effort of abstraction4 ,a preposition denotes a relation1 and nothing but a relation4 ,but before men could institute a word1 which signified a relation1 and nothing but a relation1 they must have been able1 in some measure1 to consider this relation abstractedly from the related objects2 since the idea of those objects does not1 in any respect1 enter into the signification of the preposition4 ,the invention of such a word1 therefore1 must have required a considerable degree of abstraction4 ,thirdly1 a preposition is from its nature a general word1 which1 from its very first institution1 must have been considered as equally applicable to denote any other similar relation4 ,the man who first invented the word above1 must not only have distinguished1 in some measure1 the relation of superiority from the objects which were so related1 but he must also have distinguished this relation from other relations1 such as1 from the relation of inferiority denoted by the word below1 from the relation of juxta-position1 expressed by the word beside1 and the like4 ,he must have conceived this word1 therefore1 as expressive of a particular sort or species of relation distinct from every other1 which could not be done without a considerable effort of comparison and generalization4 ,whatever were the difficulties1 therefore1 which embarrassed the first invention of nouns adjective1 the same1 and many more1 must have embarrassed that of prepositions4 ,if mankind1 therefore1 in the first formation of languages1 seem to have1 for some time1 evaded the necessity of nouns adjective1 by varying the termination of the names of substances1 according as these varied in some of their most important qualities1 they would much more find themselves under the necessity of evading1 by some similar contrivance1 the yet more difficult invention of prepositions4 ,the different cases in the ancient languages is a contrivance of precisely the same kind4 ,the genitive and dative cases1 in ,greek and ,latin1 evidently supply the place of the prepositions2 and by a variation in the noun substantive1 which stands for the co-relative term1 express the relation which subsists between what is denoted by that noun substantive1 and what is expressed by some other word in the sentence4 ,in these expressions1 for example1 fructus arboris1 the fruit of the tree2 sacer ,herculi1 sacred to ,hercules2 the variations made in the co-relative words1 arbor and ,hercules1 express the same relations which are expressed in ,english by the prepositions of and to4 ,to express a relation in this manner1 did not require any effort of abstraction4 ,it was not here expressed by a peculiar word denoting relation and nothing but relation1 but by a variation upon the co-relative term4 ,it was expressed here1 as it appears in nature1 not as something separated and detached1 but as thoroughly mixed and blended with the co-relative object4 ,to express relation in this manner1 did not require any effort of generalization4 ,the words arboris and ,herculi1 while they involve in #cab their signification the same relation expressed by the ,english prepositions of and to1 are not1 like those prepositions1 general words1 which can be applied to express the same relation between whatever other objects it might be observed to subsist4 ,to express relation in this manner did not require any effort of comparison4 ,the words arboris and ,herculi are not general words intended to denote a particular species of relations which the inventors of those expressions meant1 in consequence of some sort of comparison1 to separate and distinguish from every other sort of relation4 ,the example1 indeed1 of this contrivance would soon probably be followed1 and whoever had occasion to express a similar relation between any other objects would be very apt to do it by making a similar variation on the name of the co-relative object4 ,this1 ,i say1 would probably1 or rather certainly happen2 but it would happen without any intention or foresight in those who first set the example1 and who never meant to establish any general rule4 ,the general rule would establish itself insensibly1 and by slow degrees1 in consequence of that love of analogy and similarity of sound1 which is the foundation of by far the greater part of the rules of grammar4 ,to express relation1 therefore1 by a variation in the name of the co-relative object1 requiring neither abstraction1 nor generalization1 nor comparison of any kind1 would1 at first1 be much more natural and easy1 than to express it by those general words called prepositions1 of of which the first invention must have demanded some degree of all those operations4 ,the number of cases is different in different languages4 ,there are five in the ,greek1 six in the ,latin1 and there are said to be ten in the ,armenian language4 ,it must have naturally happened that there should be a greater or a smaller number of cases1 according as in the terminations of nouns substantive the first formers of any language happened to have established a greater or a smaller number of variations1 in order to express the different relations they had occasion to take notice of1 before the invention of those more general and abstract prepositions which could supply their place4 ,it is1 perhaps1 worth while to observe that those prepositions1 which in modern languages hold the place of the ancient cases1 are1 of all others1 the most general1 and abstract1 and metaphysical2 and of consequence1 would probably be the last invented4 ,ask any man of common acuteness1 ,what relation is expressed by the preposition above8 ,he will readily answer1 that of superiority4 ,by the preposition below8 ,he will as quickly reply that of inferiority4 ,but ask him1 what relation is expressed by the preposition of1 and1 if he has not beforehand employed his thoughts a good deal upon these subjects1 you may safely allow him a week to consider of his answer4 ,the prepositions above and below do not denote any of the relations expressed by the cases in the #cac ancient languages4 ,but the preposition of1 denotes the same relation1 which is in them expressed by the genitive case2 and which1 it is easy to observe1 is of a very metaphysical nature4 ,the preposition of1 denotes relation in general1 considered in concrete with the co-relative object4 ,it marks that the noun substantive which goes before it1 is somehow or other related to that which comes after it1 but without in any respect ascertaining1 as is done by the preposition above1 what is the peculiar nature of that relation4 ,we often apply it1 therefore1 to express the most opposite relations2 because1 the most opposite relations agree so far that each of them comprehends in it the general idea or nature of a relation4 ,we say1 the father of the son1 and the son of the father2 the fir-trees of the forest1 and the forest of the fir-trees4 ,the relation in which the father stands to the son is1 it is evident1 a quite opposite relation to that in which the son stands to the father2 that in which the parts stand to the whole1 is quite opposite to that in which the whole stands to the parts4 ,the word of1 however1 serves very well to denote all those relations1 because in itself it denotes no particular relation1 but only relation in general2 and so far as any particular relation is collected from such expressions1 it is inferred by the mind1 not from the preposition itself1 but from the nature and arrangement of the substantives1 between which the preposition is placed4 ,what ,i have said concerning the preposition of1 may in some measure be applied to the prepositions to1 for1 with1 by1 and to whatever other prepositions are made use of in modern languages1 to supply the place of the ancient cases4 ,they all of them express very abstract and metaphysical relations1 which any man1 who takes the trouble to try it1 will find it extremely difficult to express by nouns substantive1 in the same manner as we may express the relation denoted by the preposition above1 by the noun substantive superiority4 ,they all of them1 however1 express some specific relation1 and are1 consequently1 none of them so abstract as the preposition of1 which may be regarded as by far the most metaphysical of all prepositions4 ,the prepositions1 therefore1 which are capable of supplying the place of the ancient cases1 being more abstract than the other prepositions1 would naturally be of more difficult invention4 ,the relations at the same time which those prepositions express1 are1 of all others1 those which we have most frequent occasion to mention4 ,the prepositions above1 below1 near1 within1 without1 against1 c41 are much more rarely made use of1 in modern languages1 than the prepositions of1 to1 for1 with1 from1 by4 ,a preposition of the former kind will not occur twice in a page2 we can scarce compose a single sentence without the assistance of one or two of the latter4 ,if these latter prepositions1 therefore1 which supply the place of the cases1 would be of such difficult invention on account of their abstractedness1 some expedient to supply their place must have been of indispensable necessity1 on account of the frequent occasion #cad which men have to take notice of the relations which they denote4 ,but there is no expedient so obvious1 as that of varying the termination of one of the principal words4 ,it is1 perhaps1 unnecessary to observe1 that there are some of the cases in the ancient languages1 which1 for particular reasons1 cannot be represented by any prepositions4 ,these are the nominative1 accusative1 and vocative cases4 ,in those modern languages1 which do not admit of any such variety in the terminations of their nouns substantive1 the correspondent relations are expressed by the place of the words1 and by the order and construction of the sentence4 ,as men have frequently occasion to make mention of multitudes as well as of single objects1 it became necessary that they should have some method of expressing number4 ,number may be expressed either by a particular word1 expressing number in general1 such as the words many1 more1 c41 or by some variation upon the words which express the things numbered4 ,it is this last expedient which mankind would probably have recourse to1 in the infancy of language4 ,number1 considered in general1 without relation to any particular set of objects numbered1 is one of the most abstract and metaphysical ideas1 which the mind of man is capable of forming2 and1 consequently1 is not an idea1 which would readily occur to rude mortals1 who were just beginning to form a language4 ,they would naturally1 therefore1 distinguish when they talked of a single1 and when they talked of a multitude of objects1 not by any metaphysical adjectives1 such as the ,english a1 an1 many1 but by a variation upon the termination of the word which signified the objects numbered4 ,hence the origin of the singular and plural numbers1 in all the ancient languages2 and the same distinction has likewise been retained in all the modern languages1 at least1 in the greater part of the words4 ,all primitive and uncompounded languages seem to have a dual1 as well as a plural number4 ,this is the case of the ,greek1 and ,i am told of the ,hebrew1 of the ,gothic1 and of many other languages4 ,in the rude beginnings of society1 one1 two1 and more1 might possibly be all the numeral distinctions which mankind would have any occasion to take notice of4 ,these they would find it more natural to express1 by a variation upon every particular noun substantive1 than by such general and abstract words as one1 two1 three1 four1 c4 ,these words1 though custom has rendered them familiar to us1 express1 perhaps1 the most subtile and refined abstractions1 which the mind of man is capable of forming4 ,let any one consider within himself1 for example1 what he means by the word three1 which signifies neither three shillings1 nor three pence1 nor three men1 nor three horses1 but three in general2 and he will easily satisfy himself that a word1 which denotes so very metaphysical an abstraction1 could not be either a very obvious or a very early invention4 ,i have read of some savage nations1 whose language #cae was capable of expressing no more than the three first numeral distinctions4 ,but whether it expressed those distinctions by three general words1 or by variations upon the nouns substantive1 denoting the things numbered1 ,i do not remember to have met with any thing which could clearly determine4 ,as all the same relations which subsist between single1 may likewise subsist between numerous objects1 it is evident there would be occasion for the same number of cases in the dual and in the plural1 as in the singular number4 ,hence the intricacy and complexness of the declensions in all the ancient languages4 ,in the ,greek there are five cases in each of the three numbers1 consequently fifteen in all4 ,as nouns adjective1 in the ancient languages1 varied their terminations according to the gender of the substantive to which they were applied1 so did they likewise according to the case and the number4 ,every noun adjective in the ,greek language1 therefore1 having three genders1 and three numbers1 and five cases in each number1 may be considered as having five and forty different variations4 ,the first formers of language seem to have varied the termination of the adjective1 according to the case and the number of the substantive1 for the same reason which made them vary it according to the gender2 the love of analogy1 and of a certain regularity of sound4 ,in the signification of adjectives there is neither case nor number1 and the meaning of such words is always precisely the same1 notwithstanding all the variety of termination under which they appear4 ,magnus vir1 magni viri1 magnorum virorum2 a great man1 of a great man1 of great men2 in all these expressions the words1 magnus1 magni1 magnorum1 as well as the word great1 have precisely one and the same signification1 though the substantives to which they are applied have not4 ,the difference of termination in the noun adjective is accompanied with no sort of difference in the meaning4 ,an adjective denotes the qualification of a noun substantive4 ,but the different relations in which that noun substantive may occasionally stand1 can make no sort of difference upon its qualification4 ,if the declensions of the ancient languages are so very complex1 their conjugations are infinitely more so4 ,and the complexness of the one is founded upon the same principle with that of the other1 the difficulty of forming1 in the beginnings of language1 abstract and general terms4 ,verbs must necessarily have been coval with the very first attempts towards the formation of language4 ,no affirmation can be expressed without the assistance of some verb4 ,we never speak but in order to express our opinion that something either is or is not4 ,but the word denoting this event1 or this matter of fact1 which is the subject of our affirmation1 must always be a verb4 ,impersonal verbs1 which express in one word a complete event1 which preserve in the expression that perfect simplicity and unity1 #caf which there always is in the object and in the idea1 and which suppose no abstraction1 or metaphysical division of the event into its several constituent members of subject and attribute1 would1 in all probability1 be the species of verbs first invented4 ,the verbs pluit1 it rains2 ningit1 it snows2 tonat1 it thunders2 lucet1 it is day2 turbatur1 there is a confusion1 c41 each of them express a complete affirmation1 the whole of an event1 with that perfect simplicity and unity with which the mind conceives it in nature4 ,on the contrary1 the phrases1 ,alexander ambulat1 ,alexander walks2 ,petrus sedet1 ,peter sits1 divide the event1 as it were1 into two parts1 the person or subject1 and the attribute1 or matter of fact1 affirmed of that subject4 ,but in nature1 the idea or conception of ,alexander walking1 is as perfectly and completely one simple conception1 as that of ,alexander not walking4 ,the division of this event1 therefore1 into two parts1 is altogether artificial1 and is the effect of the imperfection of language1 which1 upon this1 as upon many other occasions1 supplies1 by a number of words1 the want of one1 which could express at once the whole matter of fact that was meant to be affirmed4 ,every body must observe how much more simplicity there is in the natural expression1 pluit1 than in the more artificial expressions1 imber decidit1 the rain falls2 or tempestas est pluvia1 the weather is rainy4 ,in these two last expressions1 the simple event1 or matter of fact1 is artificially split and divided in the one1 into two2 in the other1 into three parts4 ,in each of them it is expressed by a sort of grammatical circumlocution1 of which the significancy is founded upon a certain metaphysical analysis of the component parts of the idea expressed by the word pluit4 ,the first verbs1 therefore1 perhaps even the first words1 made use of in the beginnings of language1 would in all probability be such impersonal verbs4 ,it is observed accordingly1 ,i am told1 by the ,hebrew grammarians1 that the radical words of their language1 from which all the others are derived1 are all of them verbs1 and impersonal verbs4 ,it is easy to conceive how1 in the progress of language1 those impersonal verbs should become personal4 ,let us suppose1 for example1 that the word venit1 it comes1 was originally an impersonal verb1 and that it denoted1 not the coming of something in general1 as at present1 but the coming of a particular object1 such as the lion4 ,the first savage inventors of language1 we shall suppose1 when they observed the approach of this terrible animal1 were accustomed to cry out to one another1 venit1 that is1 the lion comes2 and that this word thus expressed a complete event1 without the assistance of any other4 ,afterwards1 when1 on the further progress of language1 they had begun to give names to particular substances1 whenever they observed the approach of any other terrible object1 they would naturally join the name of that object to the word venit1 and cry out1 venit ursus1 venit lupus4 ,by degrees the word venit would thus come to signify the coming of any #cag terrible object1 and not merely the coming of the lion4 ,it would1 now1 therefore1 express1 not the coming of a particular object1 but the coming of an object of a particular kind4 ,having become more general in its signification1 it could no longer represent any particular distinct event by itself1 and without the assistance of a noun substantive1 which might serve to ascertain and determine its signification4 ,it would now1 therefore1 have become a personal1 instead of an impersonal verb4 ,we may easily conceive how1 in the further progress of society1 it might still grow more general in its signification1 and come to signify1 as at present1 the approach of any thing whatever1 whether it were good1 bad1 or indifferent4 ,it is probably in some such manner as this1 that almost all verbs have become personal1 and that mankind have learned by degrees to split and divide almost every event into a great number of metaphysical parts1 expressed by the different parts of speech1 variously combined in the different members of every phrase and sentence4#a ,the same sort of progress seems to have been made in the art of speaking as in the art of writing4 ,when mankind first began to attempt to express their ideas by writing1 every character represented a whole word4 ,but the number of words being almost infinite1 the memory found itself quite loaded and oppressed by the multitude of characters which it was obliged to retain4 ,necessity taught them1 therefore1 to divide words into their elements1 and to invent characters which should represent1 not the words themselves1 but the elements of which they were composed4 ,in consequence of this invention1 every particular word came to be represented1 not by one character1 but by a multitude of characters2 and the expression of it in writing became much more intricate and complex than before4 ,but though particular words were thus represented by a greater number of characters1 the whole language was expressed by a much smaller1 and about four and twenty letters were found capable of supplying the place of that immense multitude of characters1 which were requisite before4 ,in the same manner1 in the beginnings of language1 men seem to have attempted to express every particular event1 which they had occasion to take notice of1 by a particular word1 which expressed at once the whole of that event4 ,but as the number of words must1 in this case1 have become really infinite in consequence of the really infinite variety of events1 men found themselves partly compelled by necessity1 and partly conducted by nature1 to divide #cah every event into what may be called its metaphysical elements1 and to institute words1 which should denote not so much the events1 as the elements of which they were composed4 ,the expression of every particular event1 became in this manner more intricate and complex1 but the whole system of the language became more coherent1 more connected1 more easily retained and comprehended4 ,footnote #a3 ,as the far greater part of verbs express1 at present1 not an event1 but the attribute of an event1 and1 consequently1 require a subject1 or nominative case1 to complete their signification1 some grammarians1 not having attended to this progress of nature1 and being desirous to make their common rules quite universal1 and without any exception1 have insisted that all verbs required a nominative1 either expressed or understood2 and have1 accordingly1 put themselves to the torture to find some awkward nominatives to those few verbs which still expressing a complete event1 plainly admit of none4 ,pluit1 for example1 according to ,sanctius1 means pluvia pluit1 in ,english1 the rain rains4 ,see ,sanctii ,minerva1 #a4 #c4 c4 #a4 ,when verbs1 from being originally impersonal1 had thus1 by the division of the event into its metaphysical elements1 become personal it is natural to suppose that they would first be made use of in the third person singular4 ,no verb is ever used impersonally in our language nor1 so far as ,i know1 in any other modern tongue4 ,but in the ancient languages1 whenever any verb is used impersonally1 it is always in the third person singular4 ,the termination of those verbs1 which are still always impersonal1 is constantly the same with that of the third person singular of personal verbs4 ,the consideration of these circumstances1 joined to the naturalness of the thing itself1 may therefore serve to convince us that verbs first became personal in what is now called the third person singular4 ,but as the event1 or matter of fact1 which is expressed by a verb1 may be affirmed either of the person who speaks1 or of the person who is spoken to1 as well as of1 some third person or object1 it becomes necessary to fall upon some method of expressing these two peculiar relations of the event4 ,in the ,english language this is commonly done1 by prefixing1 what are called the personal pronouns1 to the general word which expresses the event affirmed4 ,i came1 you came1 he or it came2 in these phrases the event of having come is1 in the first1 affirmed of the speaker2 in the second1 of the person spoken to2 in the third1 of some other person or object4 ,the first formers of language1 it may be imagined1 might have done the same thing1 and prefixing in the same manner the two first personal pronouns1 to the same termination of the verb1 which expressed the third person singular1 might have said ego venit1 tu venit1 as well as ille or illud venit4 ,and ,i make no doubt but they would have done so1 if at the time when they had first occasion to express these relations of the verb there had been any such words as either ego or tu in their language4 ,but in this early period of the language1 which we are now endeavouring to describe1 it is extremely improbable that any such words would be known4 ,though custom has now rendered them familiar to us1 they1 both of them1 express ideas extremely metaphysical and abstract4 ,the word ,i1 for example1 is a word of a very particular species4 ,whatever speaks may denote itself by this personal pronoun4 ,the word ,i1 therefore1 is a general word1 capable of being predicated1 as the logicians say1 of an infinite variety of objects4 ,it differs1 however1 from all other general words in this respect2 that the 9999objects of which it may be predicated1 do not form any particular species of objects distinguished from all others4 ,the #cai word ,i1 does not1 like the word man1 denote a particular class of objects separated from all others by peculiar qualities of their own4 ,it is far from being the name of a species1 but1 on the contrary1 whenever it is made use of1 it always denotes a precise individual1 the particular person who then speaks4 ,it may be said to be1 at once1 both what the logicians call1 a singular1 and what they call1 a common term2 and to join1 in its signification the seemingly opposite qualities of the most precise individuality and the most extensive generalization4 ,this word1 therefore1 expressing so very abstract and metaphysical an idea1 would not easily or readily occur to the first formers of language4 ,what are called the personal pronouns1 it may be observed1 are among the last words of which children learn to make use4 ,a child1 speaking of itself1 says1 ,billy walks1 ,billy sits1 9999instead of ,i walk1 ,i sit4 ,as in the beginnings of language1 therefore1 mankind seem to have evaded the invention of at least the more abstract prepositions1 and to have expressed the same relations which these now stand for1 by varying the termination of the co-relative term1 so they likewise would naturally attempt to evade the necessity of inventing those more abstract pronouns by varying the termination of the verb1 according as the event which it expressed was intended to be affirmed of the first1 second1 or third person4 ,this seems1 accordingly1 to be the universal practice of all the ancient languages4 ,in ,latin1 veni1 venisti1 venit1 sufficiently denote1 without any other addition1 the different events expressed by the ,english phrases1 ,i came1 you came1 he or it came4 ,the verb would1 for the same reason1 vary its termination1 according as the event was intended to be affirmed of the first1 second1 or third persons plural2 and what is expressed by the ,english phrases1 we came1 ye came1 they came1 would be denoted by the ,latin words1 venimus1 9999venistis1 veneunt4 ,those primitive languages1 too1 which upon account of the difficulty of inventing numeral names1 had introduced a dual1 as well as a plural number1 into the declension of their nouns substantive1 would probably1 from analogy1 do the same thing in the conjugations of their verbs4 ,and thus in all original languages1 we might expect to find1 at least six1 if not eight or nine variations1 in the termination of every verb1 according as the event which it denoted was meant to be affirmed of the first1 second1 or third persons singular1 dual1 or plural4 ,these variations again being repeated1 along with others1 through all its different tenses1 through all its different modes1 and through all its different voices1 must necessarily have rendered their conjugations still more intricate and complex than their declensions4 ,language would probably have continued upon this footing in all countries1 nor would ever have grown more simple in its declensions and conjugations1 had it not become more complex in its composition1 in consequence of the mixture of several languages with one another1 occasioned by the mixture of different nations4 ,as long as any #cbj language was spoke by those only who learned it in their infancy1 the intricacy of its declensions and conjugations could occasion no great embarrassment4 ,the far greater part of those who had occasion to speak it1 had acquired it at so very early a period of their lives1 so insensibly and by such slow degrees1 that they were scarce ever sensible of the difficulty4 ,but when two nations came to be mixed with one another1 either by conquest or migration1 the case would be very different4 ,each nation1 in order to make itself intelligible to those with whom it was under the necessity of conversing1 would be obliged to learn the language of the other4 ,the greater part of individuals too1 learning the new language1 not by art1 or by remounting to its rudiments and first principle1 but by rote1 and by what they commonly heard in conversation1 would be extremely perplexed by the intricacy of its declensions and conjugations4 ,they would endeavour1 therefore1 to supply their ignorance of these1 by whatever shift the language could afford them4 ,their ignorance of the declensions they would naturally supply by the use of prepositions2 and a ,lombard1 who was attempting to speak ,latin1 and wanted to express that such a person was a citizen of ,rome1 or a benefactor to ,rome1 if he happened not to be acquainted with the genitive and dative cases of the word ,roma1 would naturally express himself by prefixing the prepositions ad and de to the nominative2 and instead of ,rom1 would say1 ad ,roma1 and de ,roma4 ,al ,roma and di ,roma1 accordingly1 is the manner in which the present ,italians1 the descendants of the ancient ,lombards and ,romans1 express this and all other similar relations4 ,and in this manner prepositions seem to have been introduced1 in the room of the ancient declensions4 ,the same alteration has1 ,i am informed1 been produced upon the ,greek language1 since the taking of ,constantinople by the ,turks4 ,the words are1 in a great measure1 the same as before2 but the grammar is entirely lost1 prepositions having come in the place of the old declensions4 ,this change is undoubtedly a simplification of the language1 in point of rudiments and principle4 ,it introduces1 instead of a great variety of declensions1 one universal declension1 which is the same in every word1 of whatever gender1 number1 or termination4 ,a similar expedient enables men1 in the situation above mentioned1 to get rid of almost the whole intricacy of their conjugations4 ,there is in every language a verb1 known by the name of the substantive verb2 in ,latin1 sum2 in ,english1 ,i am4 ,this verb denotes not the existence of any particular event1 but existence in general4 ,it is1 upon that account1 the most abstract and metaphysical of all verbs2 and1 consequently1 could by no means be a word of early invention4 ,when it came to be invented1 however1 as it had all the tenses and modes of any other verb1 by being joined with the passive participle1 it was capable of supplying the place of the whole passive voice1 and of rendering this part of their conjugations as simple and uniform as the #cba use of prepositions had rendered their declensions4 ,a ,lombard1 who wanted to say1 ,i am loved1 but could not recollect the word amor1 naturally endeavoured to supply his ignorance1 by saying ego sum amatus4 ,io sono amato1 is at this day the ,italian expression1 which corresponds to the ,english phrase above mentioned4 ,there is another verb1 which1 in the same manner1 runs through all languages1 and which is distinguished by the name of the possessive verb2 in ,latin1 habeo2 in ,english1 ,i have4 ,this verb1 likewise1 denotes an event of an extremely abstract and metaphysical nature1 and1 consequently1 cannot be supposed to have been a word of the earliest invention4 ,when it came to be invented1 however1 by being applied to the passive participle1 it was capable of supplying a great part of the active voice1 as the substantive verb had supplied the whole of the passive4 ,a ,lombard1 who wanted to say1 ,i had loved1 but could not recollect the word amaveram1 would endeavour to supply the place of it1 by saying either ego habebam amatum or ego habui amatum4 ,io avev amato1 or ,io ebbi amato1 are the correspondent ,italian expressions at this day4 ,and thus upon the intermixture of different nations with one another1 the conjugations1 by means of different auxiliary verbs1 were made to approach the simplicity and uniformity of the declensions4 ,in general it may be laid down for a maxim1 that the more simple any language is in its composition1 the more complex it must be in its declensions and its conjugations2 and on the contrary1 the more simple it is in its declensions and its conjugations1 the more complex it must be in its composition4 ,the ,greek seems to be1 in a great measure1 a simple1 uncompounded language1 formed from the primitive jargon of those wandering savages1 the ancient ,hellenians and ,pelasgians1 from whom the ,greek nation is said to have been descended4 ,all the words in the ,greek language are derived from about three hundred primitives1 a plain evidence that the ,greeks formed their language almost entirely among themselves1 and that when they had occasion for a new word1 they were not accustomed1 as we are1 to borrow it from some foreign language1 but to form it1 either by composition or derivation1 from some other word or words1 in their own4 ,the declensions and conjugations1 therefore1 of the ,greek are much more complex than those of any other ,european language with which ,i am acquainted4 ,the ,latin is a composition of the ,greek and of the ancient ,tuscan languages4 ,its declensions and conjugations accordingly are much less complex than those of the ,greek2 it has dropped the dual number in both4 ,its verbs have no optative mood distinguished by any peculiar termination4 ,they have but one future4 ,they have no aorist distinct from the preterit-perfect2 they have no middle voice2 and even many of their tenses in the passive voice are eked out1 in the same manner as in the modern languages1 by the help of the substantive verb joined to #cbb the passive participle4 ,in both the voices1 the number of infinitives and participles is much smaller in the ,latin than in the ,greek4 ,the ,french and ,italian languages are each of them compounded1 the one of the ,latin and the language of the ancient ,franks1 the other of the same ,latin and the language of the ancient ,lombards4 ,as they are both of them1 therefore1 more complex in their composition than the ,latin1 so are they likewise more simple in their declensions and conjugations4 ,with regard to their declensions1 they have both of them lost their cases altogether2 and with regard to their conjugations1 they have both of them lost the whole of the passive1 and some part of the active voices of their verbs4 ,the want of the passive voice they supply entirely by the substantive verb joined to the passive participle2 and they make out part of the active1 in the same manner1 by the help of the possessive verb and the same passive participle4 ,the ,english is compounded of the ,french and the ancient ,saxon languages4 ,the ,french was introduced into ,britain by the ,norman conquest1 and continued1 till the time of ,edward ,,iii4 to be the sole language of the law as well as the principal language of the court4 ,the ,english1 which came to be spoken afterwards1 and which continues to be spoken now1 is a mixture of the ancient ,saxon and this ,norman ,french4 ,as the ,english language1 therefore1 is more complex in its composition than either the ,french or the ,italian1 so is it likewise more simple in its declensions and conjugations4 ,those two languages retain1 at least1 a part of the distinction of genders1 and their adjectives vary their termination according as they are applied to a masculine or to a feminine substantive4 ,but there is no such distinction in the ,english language1 whose adjectives admit of no variety of termination4 ,the ,french and ,italian languages have1 both of them1 the remains of a conjugation2 and all those tenses of the active voice1 which cannot be expressed by the possessive verb joined to the passive participle1 as well as many of those which can1 are1 in those languages1 marked by varying the termination of the principal verb4 ,but almost all those other tenses are in the ,english eked out by other auxiliary verbs1 so that there is in this language scarce even the remains of a conjugation4 ,i love1 ,i loved1 loving1 are all the varieties of termination which the greater part of the ,english verbs admit of4 ,all the different modifications of meaning1 which cannot be expressed by any of those three terminations1 must be made out by different auxiliary verbs joined to some one or other of them4 ,two auxiliary verbs supply all the deficiencies of the ,french and ,italian conjugations2 it requires more than half a dozen to supply those of the ,english1 which1 besides the substantive and possessive verbs1 makes use of do1 did2 will1 would2 shall1 should2 can1 could2 may1 might4 ,it is in this manner that language becomes more simple in its rudiments and principles1 just in proportion as it grows more complex in #cbc its composition1 and the same thing has happened in it1 which commonly happens with regard to mechanical engines4 ,all machines are generally1 when first invented1 extremely complex in their principles1 and there is often a particular principle of motion for every particular movement which it is intended they should perform4 ,succeeding improvers observe1 that one principle may be so applied as to produce several of those movements2 and thus the machine becomes gradually more and more simple1 and produces its effects with fewer wheels1 and fewer principles of motion4 ,in language1 in the same manner1 every case of every noun1 and every tense of every verb1 was originally expressed by a particular distinct word1 which served for this purpose and for no other4 ,but succeeding observations discovered1 that one set of words was capable of supplying the place of all that infinite number1 and that four or five prepositions1 and half a dozen auxiliary verbs1 were capable of answering the end of all the declensions1 and of all the conjugations in the ancient languages4 ,but this simplification of languages1 though it arises1 perhaps1 from similar causes1 has by no means similar effects with the correspondent simplification of machines4 ,the simplification of machines renders them more and more perfect1 but this simplification of the rudiments of languages renders them more and more imperfect1 and less proper for many of the purposes of language2 and this for the following reasons4 ,first of all1 languages are by this simplification rendered more prolix1 several words having become necessary to express what could have been expressed by a single word before4 ,thus the words1 ,dei and ,deo1 in the ,latin1 sufficiently show1 without any addition1 what relation the object signified is understood to stand in to the objects expressed by the other words in the sentence4 ,but to express the same relation in ,english1 and in all other modern languages1 we must make use of1 at least1 two words1 and say1 of ,god1 to ,god4 ,so far as the declensions are concerned1 therefore1 the modern languages are much more prolix than the ancient4 ,the difference is still greater with regard to the conjugations4 ,what a ,roman expressed by the single word amavissem1 an ,englishman is obliged to express by four different words1 ,i should have loved4 ,it is unnecessary to take any pains to show how much this prolixness must enervate the eloquence of all modern languages4 ,how much the beauty of any expression depends upon its conciseness1 is well known to those who have any experience in composition4 ,secondly1 this simplification of the principles of languages renders them less agreeable to the ear4 ,the variety of termination in the ,greek and ,latin1 occasioned by their declensions and conjugations1 gives a sweetness to their language altogether unknown to ours1 and a variety unknown to any other modern language4 ,in point of sweetness1 the ,italian1 perhaps1 may surpass the ,latin1 and almost equal the ,greek2 but in point of variety1 it is greatly inferior to both4 #cbd ,thirdly1 this simplification1 not only renders the sounds of our language less agreeable to the ear1 but it also restrains us from disposing such sounds as we have1 in the manner that might be most agreeable4 ,it ties down many words to a particular situation1 though they might often be placed in another with much more beauty4 ,in the ,greek and ,latin1 though the adjective and substantive were separated from one another1 the correspondence of their terminations still showed their mutual reference1 and the separation did not necessarily occasion any sort of confusion4 ,thus in the first line of ,virgil1 ,tityre tu patul recubans sub tegmine fagi2 we easily see that tu refers to recubans1 and patul to fagi2 though the related words are separated from one another by the intervention of several others2 because the terminations1 showing the correspondence of their cases1 determine their mutual reference4 ,but if we were to translate this line literally into ,english1 and say1 ,tityrus1 thou of spreading reclining under the shade beech1 ,o,edipus himself could not make sense of it2 because there is here no difference of termination1 to determine which substantive each adjective belongs to4 ,it is the same case with regard to verbs4 ,in ,latin the verb may often be placed1 without any inconveniency or ambiguity1 in any part of the sentence4 ,but in ,english its place is almost always precisely determined4 ,it must follow the subjective and precede the objective member of the phrase in almost all cases4 ,thus in ,latin whether you say1 ,joannem verberavit ,robertas1 or ,robertas verberavit ,joannem1 the meaning is precisely the same1 and the termination fixes ,john to be the sufferer in both cases4 ,but in ,english ,john beat ,robert1 and ,robert beat ,john1 have by no means the same signification4 ,the place therefore of the three principal members of the phrase is in the ,english1 and for the same reason in the ,french and ,italian languages1 almost always precisely determined2 whereas in the ancient languages a greater latitude is allowed1 and the place of those members is often1 in a great measure1 indifferent4 ,we must have recourse to ,horace1 in order to interpret some parts of ,milton's literal translation2 ,who now enjoys thee credulous all gold1 ,who always vacant1 always amiable ,hopes thee2 of flattering gales ,unmindful are verses which it is impossible to interpret by any rules of our language4 ,there are no rules in our language1 by which any man could discover1 that1 in the first line1 credulous referred to who1 and not to thee2 or that all gold referred to any thing2 or1 that in the fourth line1 unmindful1 referred to who1 in the second1 and not to thee in the third2 or1 on the contrary1 that1 in the second line1 always vacant1 always amiable1 referred to thee in the third1 and not to who in the same line with it4 ,in the ,latin1 indeed1 all this is abundantly plain4 #cbe ,qui nunc te fruitur credulus aure1 ,qui semper vacuam1 semper amabilem ,sperat te2 nescius aur fallacis4 ,because the terminations in the ,latin determine the reference of each adjective to its proper substantive1 which it is impossible for any thing in the ,english to do4 ,how much this power of transposing the order of their words must have facilitated the compositions of the ancients1 both in verse and prose1 can hardly be imagined4 ,that it must greatly have facilitated their versification it is needless to observe2 and in prose1 whatever beauty depends upon the arrangement and construction of the several members of the period1 must to them have been acquirable with much more ease1 and to much greater perfection than it can be to those whose expression is constantly confined by the prolixness1 constraint1 and monotony of modern languages4 ---------- ,,the ,,principles ,,which ,,lead ,,and ,,direct ,,philosophical ,,enquiries2 ,,as ,,illustrated ,,by ,,the ,,history ,,of ,,astronomy4 ----- ,,wonder1 surprise1 and admiration1 are words which1 though often confounded1 denote1 in our language1 sentiments that are indeed allied1 but that are in some respects different also1 and distinct from one another4 ,what is new and singular1 excites that sentiment which1 in strict propriety1 is called ,wonder2 what is unexpected1 ,surprise2 and what is great or beautiful1 ,admiration4 ,we wonder at all extraordinary and uncommon objects1 at all the rarer phenomena of nature1 at meteors1 comets1 eclipses1 at singular plants and animals1 and at every thing1 in short1 with which we have before been either little or not at all acquainted2 and we still wonder1 though forewarned of what we are to see4 ,we are surprised at those things which we have seen often1 but which we least of all expected to meet with in the place where we find them2 we are surprised at the sudden appearance of a friend1 whom we have seen a thousand times1 but whom we did not at all imagine we were to see then4 ,we admire the beauty of a plain or the greatness of a mountain1 #cbf though we have seen both often before1 and though nothing appears to us in either1 but what we had expected with certainty to see4 ,whether this criticism upon the precise meaning of these words be just1 is of little importance4 ,i imagine it is just1 though ,i acknowledge1 that the best writers in our language have not always made use of them according to it4 ,milton1 upon the appearance of ,death to ,satan1 says1 that ,the ,fiend what this might be admir'd1 ,admir'd1 not fear'd4------ ,but if this criticism be just1 the proper expression should have been wonder'd4 ,dryden1 upon the discovery of ,iphigenia sleeping1 says that ,the fool of nature stood with stupid eyes1 ,and gaping mouth1 that testified surprise4 ,but what ,cimon must have felt upon this occasion could not so much be ,surprise1 as ,wonder and ,admiration4 ,all that ,i contend for is1 that the sentiments excited by what is new1 by what is unexpected1 and by what is great and beautiful are really different1 however the words made use of to express them may sometimes be confounded4 ,even the admiration which is excited by beauty1 is quite different 7as will appear more fully hereafter7 from that which is inspired by greatness1 though we have but one word to denote them4 ,these sentiments1 like all others when inspired by one and the same object1 mutually support and enliven one another3 an object with which we are quite familiar1 and which we see every day1 produces1 though both great and beautiful1 but a small effect upon us2 because our admiration is not supported either by ,wonder or by ,surprise3 and if we have heard a very accurate description of a monster1 our ,wonder will be the less when we see it2 because our previous knowledge of it will in a great measure prevent our ,surprise4 ,it is the design of this essay to consider particularly the nature and causes of each of these sentiments1 whose influence is of far wider extent than we should be apt upon a careless view to imagine4 ,i shall begin with ,surprise4 ----- ,,sec4 ,i4--,of the ,effect of ,unexpectedness1 or of ,surprise4 ,,when an object of any kind1 which has been for some time expected and foreseen1 presents itself1 whatever be the emotion which it is by nature fitted to excite1 the mind must have been prepared for it1 and must even in some measure have conceived it before-hand2 because the idea of the object having been so long present to it1 must have before-hand excited some degree of the same emotion which the object itself would excite3 the change1 therefore1 which its presence produces comes thus to be less considerable1 and the emotion or passion which it excites glides gradually and easily into the heart1 without violence1 pain or difficulty4 #cbg ,but the contrary of all this happens when the object is unexpected2 the passion is then poured in all at once upon the heart1 which is thrown1 if it is a strong passion1 into the most violent and convulsive emotions1 such as sometimes cause immediate death2 sometimes1 by the suddenness of the ecstacy1 so entirely disjoint the whole frame of the imagination1 that it never after returns to its former tone and composure1 but falls either into a frenzy or habitual lunacy2 and such as almost always occasion a momentary loss of reason1 or of that attention to other things which our situation or our duty requires4 ,how much we dread the effects of the more violent passions1 when they come suddenly upon the mind1 appears from those preparations which all men think necessary when going to inform any one of what is capable of exciting them4 ,who would choose all at once to inform his friend of an extraordinary calamity that had befallen him1 without taking care before-hand1 by alarming him with an uncertain fear1 to announce1 if one may say so1 his misfortune1 and thereby prepare and dispose him for receiving the tidings8 ,those panic terrors which sometimes seize armies in the field1 or great cities1 when an enemy is in the neighbourhood1 and which deprive for a time the most determined of all deliberate judgments1 are never excited but by the sudden apprehension of unexpected danger4 ,such violent consternations1 which at once confound whole multitudes1 benumb their understandings1 and agitate their hearts1 with all the agony of extravagant fear1 can never be produced by any foreseen danger1 how great soever4 ,fear1 though naturally a very strong passion1 never rises to such excesses1 unless exasperated both by wonder1 from the uncertain nature of the danger1 and by surprise1 from the suddenness of the apprehension4 ,surprise1 therefore1 is not to be regarded as an original emotion of a species distinct from all others4 ,the violent and sudden change produced upon the mind1 when an emotion of any kind is brought suddenly upon it1 constitutes the whole nature of ,surprise4 ,but when not only a passion and a great passion comes all at once upon the mind1 but when it comes upon it while the mind is in the mood most unfit for conceiving it1 the ,surprise is then the greatest4 ,surprises of joy when the mind is sunk into grief1 or of grief when it is elated with joy1 are therefore the most unsupportable4 ,the change is in this case the greatest possible4 ,not only a strong passion is conceived all at once1 but a strong passion the direct opposite of that which was before in possession of the soul4 ,when a load of sorrow comes down upon the heart that is expanded and elated with gaiety and joy1 it seems not only to damp and oppress it1 but almost to crush and bruise it1 as a real weight would crush and bruise the body4 ,on the contrary1 when from an unexpected change of fortune1 a tide of gladness seems1 if ,i may say so1 to spring up all at once within it1 when #cbh depressed and contracted with grief and sorrow1 it feels as if suddenly extended and heaved up with violent and irresistible force1 and is torn with pangs of all others most exquisite1 and which almost always occasion faintings1 deliriums1 and sometimes instant death4 ,for it may be worth while to observe1 that though grief be a more violent passion than joy1 as indeed all uneasy sensations seem naturally more pungent than the opposite agreeable ones1 yet of the two1 ,surprises of joy are still more insupportable than ,surprises of grief4 ,we are told that after the battle of ,thrasimenus1 while a ,roman lady1 who had been informed that her son was slain in the action1 was sitting alone bemoaning her misfortunes1 the young man who escaped came suddenly into the room to her1 and that she cried out and expired instantly in a transport of joy4 ,let us suppose the contrary of this to have happened1 and that in the midst of domestic festivity and mirth1 he had suddenly fallen down dead at her feet1 is it likely that the effects would have been equally violent8 ,i imagine not4 ,the heart springs to joy with a sort of natural elasticity1 it abandons itself to so agreeable an emotion1 as soon as the object is presented2 it seems to pant and leap forward to meet it1 and the passion in its full force takes at once entire and complete possession of the soul4 ,but it is otherwise with grief2 the heart recoils from1 and resists the first approaches of that disagreeable passion1 and it requires some time before the melancholy object can produce its full effect4 ,grief comes on slowly and gradually1 nor ever rises at once to that height of agony to which it is increased after a little time4 ,but joy comes rushing upon us all at once like a torrent4 ,the change produced1 therefore1 by a surprise of joy is more sudden1 and upon that account more violent and apt to have more fatal effects1 than that which is occasioned by a surprise of grief2 there seems1 too1 to be something in the nature of surprise1 which makes it unite more easily with the brisk and quick motion of joy1 than with the slower and heavier movement of grief4 ,most men who can take the trouble to recollect1 will find that they have heard of more people who died or became distracted with sudden joy1 than with sudden grief4 ,yet from the nature of human affairs1 the latter must be much more frequent than the former4 ,a man may break his leg1 or lose his son1 though he has had no warning of either of these events1 but he can hardly meet with an extraordinary piece of good fortune1 without having had some foresight of what was to happen4 ,not only grief and joy1 but all the other passions1 are more violent1 when opposite extremes succeed each other4 ,is any resentment so keen as what follows the quarrels of lovers1 or any love so passionate as what attends their reconcilement8 ,even the objects of the external senses affect us in a more lively manner1 when opposite extremes succeed to or are placed beside each other4 ,moderate warmth seems intolerable heat if felt after extreme #cbi cold4 ,what is bitter will seem more so when tasted after what is very sweet2 a dirty white will seem bright and pure when placed by a jet black4 ,the vivacity in short of every sensation1 as well as of every sentiment1 seems to be greater or less in proportion to the change made by the impression of either upon the situation of the mind or organ2 but this change must necessarily be the greatest when opposite sentiments and sensations are contrasted1 or succeed immediately to one another4 ,both sentiments and sensations are then the liveliest2 and this superior vivacity proceeds from nothing but their being brought upon the mind or organ when in a state most unfit for conceiving them4 ,as the opposition of contrasted sentiments heightens their vivacity1 so the resemblance of those which immediately succeed each other renders them more faint and languid4 ,a parent who has lost several children immediately after one another1 will be less affected with the death of the last than with that of the first1 though the loss in itself be1 in this case1 undoubtedly greater2 but his mind being already sunk into sorrow1 the new misfortune seems to produce no other effect than a continuance of the same melancholy1 and is by no means apt to occasion such transports of grief as are ordinarily excited by the first calamity of the kind2 he receives it1 though with great dejection1 yet with some degree of calmness and composure1 and without anything of that anguish and agitation of mind which the novelty of the misfortune is apt to occasion4 ,those who have been unfortunate through the whole course of their lives are often indeed habitually melancholy1 and sometimes peevish and splenetic1 yet upon any fresh disappointment1 though they are vexed and complain a little1 they seldom fly out into any more violent passion1 and never fall into those transports of rage or grief which often1 upon like occasions1 distract the fortunate and successful4 ,upon this are founded1 in a great measure1 some of the effects of habit and custom4 ,it is well known that custom deadens the vivacity of both pain and pleasure1 abates the grief we should feel for the one1 and weakens the joy we should derive from the other4 ,the pain is supported without agony1 and the pleasure enjoyed without rapture3 because custom and the frequent repetition of any object comes at last to form and bend the mind or organ to that habitual mood and disposition which fits them to receive its impression1 without undergoing any very violent change4 ----- ,,sec4 ,,ii4--,of ,wonder1 or of the ,effects of ,novelty4 ,,it is evident that the mind takes pleasure in observing the resemblances that are discoverable betwixt different objects4 ,it is by means of such observations that it endeavours to arrange and methodise all its ideas1 and to reduce them into proper classes and assortments4 ,where it can observe but one single quality that is common to a great #ccj variety of otherwise widely different objects1 that single circumstance will be sufficient for it to connect them all together1 to reduce them to one common class1 and to call them by one general name4 ,it is thus that all things endowed with a power of self-motion1 beasts1 birds1 fishes1 insects1 are classed under the general name of ,animal2 and that these again1 along with those which want that power1 are arranged under the still more general word1 ,substance3 and this is the origin of those assortments of objects and ideas which in the schools are called ,genera and ,species1 and of those abstract and general names1 which in all languages are made use of to express them4 ,the further we advance in knowledge and experience1 the greater number of divisions and subdivisions of those ,genera and ,species we are both inclined and obliged to make4 ,we observe a greater variety of particularities amongst those things which have a gross resemblance2 and having made new divisions of them1 according to those newly-observed particularities1 we are then no longer to be satisfied with being able to refer an object to a remote genus1 or very general class of things1 to many of which it has but a loose and imperfect resemblance4 ,a person1 indeed1 unacquainted with botany may expect to satisfy your curiosity1 by telling you1 that such a vegetable is a weed1 or1 perhaps in still more general terms1 that it is a plant4 ,but a botanist will neither give nor accept of such an answer4 ,he has broke and divided that great class of objects into a number of inferior assortments1 accord to those varieties which his experience has discovered among them2 and he wants to refer each individual plant to some tribe of vegetables1 with all of which it may have a more exact resemblance1 than with many things comprehended under the extensive genus of plants4 ,a child imagines that it gives a satisfactory answer when it tells you1 that an object whose name it knows not is a thing1 and fancies that it informs you of something1 when it thus ascertains to which of the two most obvious and comprehensive classes of objects a particular impression ought to be referred2 to the class of realities or solid substances which it calls things1 or to that of appearances which it calls nothings4 ,whatever1 in short1 occurs to us we are fond of referring to some species or class of things1 with all of which it has a nearly exact resemblance3 and though we often know no more about them than about it1 yet we are apt to fancy that by being able to do so1 we show ourselves to be better acquainted with it1 and to have a more thorough insight into its nature4 ,but when something quite new and singular is presented1 we feel ourselves incapable of doing this4 ,the memory cannot1 from all its stores1 cast up any image that nearly resembles this strange appearance4 ,if by some of its qualities it seems to resemble1 and to be connected with a species which we have before been acquainted with1 it is by others separated and detached from that1 and from all the #cca other assortments of things we have hitherto been able to make4 ,it stands alone and by itself in the imagination1 and refuses to be grouped or confounded with any set of objects whatever4 ,the imagination and memory exert themselves to no purpose1 and in vain look around all their classes of ideas in order to find one under which it may be arranged4 ,they fluctuate to no purpose from thought to thought1 and we remain still uncertain and undetermined where to place it1 or what to think of it4 ,it is this fluctuation and vain recollection1 together with the emotion or movement of the spirits that they excite1 which constitute the sentiment properly called ,wonder1 and which occasion that staring1 and sometimes that rolling of the eyes1 that suspension of the breath1 and that swelling of the heart1 which we may all observe1 both in ourselves and others1 when wondering at some new object1 and which are the natural symptoms of uncertain and undetermined thought4 ,what sort of a thing can that be8 ,what is that like8 are the questions which1 upon such an occasion1 we are all naturally disposed to ask4 ,if we can recollect many such objects which exactly resemble this new appearance1 and which present themselves to the imagination naturally1 and as it were of their own accord1 our ,wonder is entirely at an end4 ,if we can recollect but a few1 and which it requires too some trouble to be able to call up1 our ,wonder is indeed diminished1 but not quite destroyed4 ,if we can recollect none1 but are quite at a loss1 it is the greatest possible4 ,with what curious attention does a naturalist examine a singular plant1 or a singular fossil1 that is presented to him8 ,he is at no loss to refer it to the general genus of plants or fossils2 but this does not satisfy him1 and when he considers all the different tribes or species of either with which he has hitherto been acquainted1 they all1 he thinks1 refuse to admit the new object among them4 ,it stands alone in his imagination1 and as it were detached from all the other species of that genus to which it belongs4 ,he labours1 however1 to connect it with some one or other of them4 ,sometimes he thinks it may be placed in this1 and sometimes in that other assortment2 nor is he ever satisfied1 till he has fallen upon one which1 in most of its qualities1 it resembles4 ,when he cannot do this1 rather than it should stand quite by itself1 he will enlarge the precincts1 if ,i may say so1 of some species1 in order to make room for it2 or he will create a new species on purpose to receive it1 and call it a ,play of ,nature1 or give it some other appellation1 under which he arranges all the oddities that he knows not what else to do with4 ,but to some class or other of known objects he must refer it1 and betwixt it and them he must find out some resemblance or ether1 before he can get rid of that ,wonder1 that uncertainty and anxious curiosity excited by its singular appearance1 and by its dissimilitude with all the objects he had hitherto observed4 ,as single and individual objects thus excite our ,wonder when1 by #ccb their uncommon qualities and singular appearance1 they make us uncertain to what species of things we ought to refer them2 so a succession of objects which follow one another in an uncommon train or order1 will produce the same effect1 though there be nothing particular in any one of them taken by itself4 ,when one accustomed object appears after another1 which it does not usually follow1 it first excites1 by its unexpectedness1 the sentiment properly called ,surprise1 and afterwards1 by the singularity of the succession1 or order of its appearance1 the sentiment properly called ,wonder4 ,we start and are surprised at seeing it there1 and then wonder how it came there4 ,the motion of a small piece of iron along a plain table is in itself no extraordinary object1 yet the person who first saw it begin1 without any visible impulse1 in consequence of the motion of a loadstone at some little distance from it1 could not behold it without the most extreme ,surprise2 and when that momentary emotion was over1 he would still wonder how it came to be conjoined to an event with which1 according to the ordinary train of things1 he could have so little suspected it to have any connection4 ,when two objects1 however unlike1 have often been observed to follow each other1 and have constantly presented themselves to the senses in that order1 they come to be connected together in the fancy1 that the idea of the one seems1 of its own accord1 to call up and introduce that of the other4 ,if the objects are still observed to succeed each other as before1 this connection1 or1 as it has been called1 this association of their ideas1 becomes stricter and stricter1 and the habit of the imagination to pass from the conception of the one to that of the other1 grows more and more rivetted and confirmed4 ,as its ideas move more rapidly than external objects1 it is continually running before them1 and therefore anticipates1 before it happens1 every event which falls out according to this ordinary course of things4 ,when objects succeed each other in the same train in which the ideas of the imagination have thus been accustomed to move1 and in which1 though not conducted by that chain of events presented to the senses1 they have acquired a tendency to go on of their own accord1 such objects appear all closely connected with one another1 and the thought glides easily along them1 without effort and without interruption4 ,they fall in with the natural career of the imagination2 and as the ideas which represented such a train of things would seem all mutually to introduce each other1 every last thought to be called up by the foregoing1 and to call up the succeeding2 so when the objects themselves occur1 every last event seems1 in the same manner1 to be introduced by the foregoing1 and to introduce the succeeding4 ,there is no break1 no stop1 no gap1 no interval4 ,the ideas excited by so coherent a chain of things seem1 as it were1 to float through the mind of their own accord1 without obliging it to exert itself1 or to make any effort in order to pass from one of them to another4 #ccc ,but if this customary connection be interrupted1 if one or more objects appear in an order quite different from that to which the imagination has been accustomed1 and for which it is prepared1 the contrary of all this happens4 ,we are at first surprised by the unexpectedness of the new appearance1 and when that momentary emotion is over1 we still wonder how it came to occur in that place4 ,the imagination no longer feels the usual facility of passing from the event which goes before to that which comes after4 ,it is an order or law of succession to which it has not been accustomed1 and which it therefore finds some difficulty in following1 or in attending to4 ,the fancy is stopped and interrupted in that natural movement or career1 according to which it was proceeding4 ,those two events seem to stand at a distance from each other2 it endeavours to bring them together1 but they refuse to unite2 and it feels1 or imagines it feels1 something like a gap or interval betwixt them4 ,it naturally hesitates1 and1 as it were1 pauses upon the brink of this interval2 it endeavours to find out something which may fill up the gap1 which1 like a bridge1 may so far at least unite those seemingly distant objects1 as to render the passage of the thought betwixt them smooth1 and natural1 and easy4 ,the supposition of a chain of intermediate1 though invisible1 events1 which succeed each other in a train similar to that in which the imagination has been accustomed to move1 and which links together those two disjointed appearances1 is the only means by which the imagination can fill up this interval1 is the only bridge which1 if one may say so1 can smooth its passage from the one object to the other4 ,thus1 when we observe the motion of the iron1 in consequence of that of the loadstone1 we gaze and hesitate1 and feel a want of connection betwixt two events which follow one another in so unusual a train4 ,but when1 with ,des ,cartes1 we imagine certain invisible effluvia to circulate round one of them1 and by their repeated impulses to impel the other1 both to move towards it1 and to follow its motion1 we fill up the interval betwixt them1 we join them together by a sort of bridge1 and thus take off that hesitation and difficulty which the imagination felt in passing from the one to the other4 ,that the iron should move after the loadstone seems1 upon this hypothesis1 in some measure according to the ordinary course of things4 ,motion after impulse is an order of succession with which of all things we are the most familiar4 ,two objects which are so connected seem1 to our mind1 no longer to be disjointed1 and the imagination flows smoothly and easily along them4 ,such is the nature of this second species of ,wonder1 which arises from an unusual succession of things4 ,the stop which is thereby given to the career of the imagination1 the difficulty which it finds in passing along such disjointed objects1 and the feeling of something like a gap or interval betwixt them1 constitute the whole essence of this emotion4 ,upon the clear discovery of a connecting chain of intermediate events1 #ccd it vanishes altogether4 ,what obstructed the movement of the imagination is then removed4 ,who wonders at the machinery of the opera-house who has once been admitted behind the scenes8 ,in the wonders of nature1 however1 it rarely happens that we can discover so clearly this connecting chain4 ,with regard to a few even of them1 indeed1 we seem to have been really admitted behind the scenes1 and our wonder accordingly is entirely at an end4 ,thus the eclipses of the sun and moon1 which once1 more than all the other appearances in the heavens1 excited the terror and amazement of mankind1 seem now no longer to be wonderful1 since the connecting chain has been found out which joins them to the ordinary course of things4 ,nay1 in those cases in which we have been less successful1 even the vague hypothesis of ,des ,cartes1 and the yet more indetermined notions of ,aristotle1 have1 with their followers1 contributed to give some coherence to the appearances of nature1 and might diminish1 though they could not destroy1 their wonder4 ,if they did not completely fill up the interval betwixt the two disjointed objects1 they bestowed upon them1 however1 some sort of loose connection which they wanted before4 ,that the imagination feels a real difficulty in passing along two events which follow one another in an uncommon order1 may be confirmed by many obvious observations4 ,if it attempts to attend beyond a certain time to a long series of this kind1 the continual efforts it is obliged to make1 in order to pass from one object to another1 and thus follow the progress of the succession1 soon fatigue it1 and if repeated too often1 disorder and disjoint its whole frame4 ,it is thus that too severe an application to study sometimes brings on lunacy and frenzy1 in those especially who are somewhat advanced in life1 but whose imaginations1 from being too late in applying1 have not got those habits which dispose them to follow easily the reasonings in the abstract sciences4 ,every step of a demonstration1 which to an old practitioner is quite natural and easy1 requires from them the most intense application of thought4 ,spurred on1 however1 either by ambition or by admiration for the subject1 they still continue till they become1 first confused1 then giddy1 and at last distracted4 ,could we conceive a person of the soundest judgment1 who had grown up to maturity1 and whose imagination had acquired those habits1 and that mould1 which the constitution of things in this world necessarily impresses upon it1 to be all at once transported alive to some other planet1 where nature was governed by laws quite different from those which take place here2 as he would be continually obliged to attend to events1 which must to him appear in the highest degree jarring1 irregular1 and discordant1 he would soon feel the same confusion and giddiness begin to come upon him1 which would at last end in the same manner1 in lunacy and distraction4 ,neither1 to produce this effect1 is it necessary that the objects should be either #cce great or interesting1 or even uncommon1 in themselves4 ,it is sufficient that they follow one another in an uncommon order4 ,let any one attempt to look over even a game of cards1 and to attend particularly to every single stroke1 and if he is unacquainted with the nature and rules of the games2 that is1 with the laws which regulate the succession of the cards2 he will soon feel the same confusion and giddiness begin to come upon him1 which1 were it to be continued for days and months1 would end in the same manner1 in lunacy and distraction4 ,but if the mind be thus thrown into the most violent disorder1 when it attends to a long series of events which follow one another in an uncommon train1 it must feel some degree of the same disorder1 when it observes even a single event fall out in this unusual manner3 for the violent disorder can arise from nothing but the too frequent repetition of this smaller uneasiness4 ,that it is the unusualness alone of the succession which occasions this stop and interruption in the progress of the imagination as well as the notion of an interval betwixt the two immediately succeeding objects1 to be filled up by some chain of intermediate events1 is not less evident4 ,the same orders of succession1 which to one set of men seem quite according to the natural course of things1 and such as require no intermediate events to join them1 shall to another appear altogether incoherent and disjointed1 unless some such events be supposed3 and this for no other reason1 but because such orders of succession are familiar to the one1 and strange to the other4 ,when we enter the work-houses of the most common artizans2 such as dyers1 brewers1 distillers2 we observe a number of appearances1 which present themselves in an order that seems to us very strange and wonderful4 ,our thought cannot easily follow it1 we feel an interval betwixt every two of them1 and require some chain of intermediate events1 to fill it up1 and link them together4 ,but the artizan himself1 who has been for many years familiar with the consequences of all the operations of his art1 feels no such interval4 ,they fall in with what custom has made the natural movement of his imagination3 they no longer excite his ,wonder1 and if he is not a genius superior to his profession1 so as to be capable of making the very easy reflection1 that those things1 though familiar to him1 may be strange to us1 he will be 9999disposed rather to laugh at1 than sympathize with our ,wonder4 ,he cannot conceive what occasion there is for any connecting events to unite those appearances1 which seem to him to succeed each other very naturally4 ,it is their nature1 he tells us1 to follow one another in this order1 and that accordingly they always do so4 ,in the same manner bread has1 since the world begun been the common nourishment of the human body1 and men have so long seen it1 every day1 converted into flesh and bones1 substances in all respects so unlike it1 that they have seldom had the curiosity to inquire by what process of #ccf intermediate events this change is brought about4 ,because the passage of the thought from the one object to the other is by custom become quite smooth and easy1 almost without the supposition of any such process4 ,philosophers1 indeed1 who often look for a chain of invisible objects to join together two events that occur in an order familiar to all the world1 have endeavoured to find out a chain of this kind betwixt the two events ,i have just now mentioned2 in the same manner as they have endeavoured1 by a like intermediate chain1 to connect the gravity1 the elasticity1 and even the cohesion of natural bodies1 with some of their other qualities4 ,these1 however1 are all of them such combinations of events as give no stop to the imaginations of the bulk of mankind1 as excite no ,wonder1 nor any apprehension that there is wanting the strictest connection between them4 ,but as in those sounds1 which to the greater part of men seem perfectly agreeable to measure and harmony1 the nicer ear of a musician will discover a want1 both of the most exact time1 and of the most perfect coincidence2 so the more practised thought of a philosopher1 who has spent his whole life in the study of the connecting principles of nature1 will often feel an interval betwixt two objects1 which1 to more careless observers1 seem very strictly conjoined4 ,by long attention to all the connections which have ever been presented to his observation1 by having often compared them with one another1 he has1 like the musician1 acquired1 if one may so1 a nicer ear1 and a more delicate feeling with regard to things of this nature4 ,and as to the one1 that music seems dissonance which falls short of the most perfect harmony2 so to the other1 those events seem altogether separated and disjoined1 which may fall short of the strictest and most perfect connection4 ,philosophy is the science of the connecting principles of nature4 ,nature1 after the largest experience that common observation can acquire1 seems to abound with events which appear solitary and incoherent with all that go before them1 which therefore disturb the easy movement of the imagination2 which makes its ideas succeed each other1 if one may say so1 by irregular starts and sallies2 and which thus tend1 in some measure1 to introduce those confusions and distractions we formerly mentioned4 ,philosophy1 by representing the invisible chains which bind together all these disjointed objects1 endeavours to introduce order into this chaos of jarring and discordant appearances1 to allay this tumult of the imagination1 and to restore it1 when it surveys the great revolutions of the universe1 to that tone of tranquillity and composure1 which is both most agreeable in itself1 and most suitable to its nature4 ,philosophy1 therefore1 may be regarded as one of those arts which address themselves to the imagination2 and whose theory and history1 upon that account1 fall properly within the circumference of our subject4 ,let us endeavour to trace it1 from its first origin1 up to that summit of perfection to which it is at present #ccg supposed to have arrived1 and to which1 indeed1 it has equally been supposed to have arrived in almost all former times4 ,it is the most sublime of all the agreeable arts1 and its revolutions have been the greatest1 the most frequent1 and the most distinguished of all those that have happened in the literary world4 ,its history1 therefore1 must1 upon all accounts1 be the most entertaining and the most instructive4 ,let us examine1 therefore1 all the different systems of nature1 which1 in these western parts of the world1 the only parts of whose history we know anything1 have successively been adopted by the learned and ingenious2 and1 without regarding their absurdity or probability1 their agreement or inconsistency with truth and reality1 let us consider them only in that particular point of view which belongs to our subject2 and content ourselves with inquiring how far each of them was fitted to soothe the imagination1 and to render the theatre of nature a more coherent1 and therefore a more magnificent spectacle1 than otherwise it would have appeared to be4 ,according as they have failed or succeeded in this1 they have constantly failed or succeeded in gaining reputation and renown to their authors2 and this will be found to be the clue that is most capable of conducting us through all the labyrinths of philosophical history3 for in the mean time1 it will serve to confirm what has gone before1 and to throw light upon what is to come after1 that we observe1 in general1 that no system1 how well soever in other respects supported1 has ever been able to gain any general credit on the world1 whose connecting principles were not such as were familiar to all mankind4 ,why has the chemical philosophy in all ages crept along in obscurity1 and been so disregarded by the generality of mankind1 while other systems1 less useful1 and not more agreeable to experience1 have possessed universal admiration for whole centuries together8 ,the connecting principles of the chemical philosophy are such as the generality of mankind know nothing about1 have rarely seen1 and have never been acquainted with2 and which to them1 therefore1 are incapable of smoothing the passage of the imagination betwixt any two seemingly disjointed objects4 ,salts1 sulphurs1 and mercuries1 acids and alkalis1 are principles which can smooth things to those only who live about the furnace2 but whose most common operations seem1 to the bulk of mankind1 as disjointed as any two events which the chemists would connect together by them4 ,those artists1 however1 naturally explained things to themselves by principles that were familiar to themselves4 ,as ,aristotle observes1 that the early ,pythagoreans1 who first studied arithmetic1 explained all things by the properties of numbers2 and ,cicero tells us1 that ,aristoxenus1 the musician1 found the nature of the soul to consist in harmony4 ,in the same manner1 a learned physician lately gave a system of moral philosophy upon the principles of his own art1 in which wisdom and virtue were the healthful state of the soul2 the different vices and follies1 the different diseases #cch to which it was subject2 in which the causes and symptoms of those diseases were ascertained2 and1 in the same medical strain1 a proper method of cure prescribed4 ,in the same manner also1 others have written parallels of painting and poetry1 of poetry and music1 of music and architecture1 of beauty and virtue1 of all the fine arts2 systems which have universally owed their origin to the lucubrations of those who were acquainted with the one art1 but ignorant of the other2 who therefore explained to themselves the phenomena1 in that which was strange to them1 by those in that which was familiar2 and with whom1 upon that account1 the analogy1 which in other writers gives occasion to a few ingenious similitudes1 became the great hinge upon which every thing turned4 ----- ,,sect4 ,,iii4--,of the ,origin of ,philosophy4 ,,mankind1 in the first ages of society1 before the establishment of law1 order1 and security1 have little curiosity to find out those hidden chains of events which bind together the seemingly disjointed appearances of nature4 ,a savage1 whose subsistence is precarious1 whose life is every day exposed to the rudest dangers1 has no inclination to amuse himself with searching out what1 when discovered1 seems to serve no other purpose than to render the theatre of nature a more connected spectacle to his imagination4 ,many of these smaller incoherences1 which in the course of things perplex philosophers1 entirely escape his attention4 ,those more magnificent irregularities1 whose grandeur he cannot overlook1 call forth his amazement4 ,comets1 eclipses1 thunder1 lightning1 and other meteors1 by their greatness1 naturally overawe him1 and he views them with a reverence that approaches to fear4 ,his inexperience and uncertainty with regard to every thing about them1 how they came1 how they are to go1 what went before1 what is to come after them1 exasperate his sentiment into terror and consternation4 ,but our passions1 as ,father ,malbranche observes1 all justify themselves2 that is1 suggest to us opinions which justify them4 ,as those appearances terrify him1 therefore1 he is disposed to believe every thing about them which can render them still more the objects of his terror4 ,that they proceed from some intelligent1 though invisible causes1 of whose vengeance and displeasure they are either the signs or the effects1 is the notion of all others most capable of enhancing this passion1 and is that1 therefore1 which he is most apt to entertain4 ,to this1 too1 that cowardice and pusillanimity1 so natural to man in his uncivilized state1 still more disposes him2 unprotected by the laws of society1 exposed1 defenceless1 he feels his weakness upon all occasions2 his strength and security upon none4 ,but all the irregularities of nature are not of this awful or terrible kind4 ,some of them are perfectly beautiful and agreeable4 ,these1 #cci therefore1 from the same impotence of mind1 would be beheld with love and complacency1 and even with transports of gratitude2 for whatever is the cause of pleasure naturally excites our gratitude4 ,a child caresses the fruit that is agreeable to it1 as it beats the stone that hurts it4 ,the notions of a savage are not very different4 ,the ancient ,athenians1 who solemnly punished the axe which had accidentally been the cause of the death of a man1 erected altars1 and offered sacrifices to the rainbow4 ,sentiments not unlike these1 may sometimes1 upon such occasions1 begin to be felt even in the breasts of the most civilized1 but are presently checked by the reflection1 that the things are not their proper objects4 ,but a savage1 whose notions are guided altogether by wild nature and passion1 waits for no other proof that a thing is the proper object of any sentiment1 than that it excites it4 ,the reverence and gratitude1 with which some of the appearances of nature inspire him1 convince him that they are the proper objects of reverence and gratitude1 and therefore proceed from some intelligent beings1 who take pleasure in the expressions of those sentiments4 ,with him1 therefore1 every object of nature1 which by its beauty or greatness1 its utility or hurtfulness1 is considerable enough to attract his attention1 and whose operations are not perfectly regular1 is supposed to act by the direction of some invisible and designing power4 ,the sea is spread out into a calm1 or heaved into a storm1 according to the good pleasure of ,neptune4 ,does the earth pour forth an exuberant harvest8 ,it is owing to the indulgence of ,ceres4 ,does the vine yield a plentiful vintage8 ,it flows from the bounty of ,bacchus4 ,do either refuse their presents8 ,it is ascribed to the displeasure of those offended deities4 ,the tree which now flourishes and now decays1 is inhabited by a ,dryad1 upon whose health or sickness its various appearances depend4 ,the fountain1 which sometimes flows in a copious1 and sometimes in a scanty stream1 which appears sometimes clear and limpid1 and at other times muddy and disturbed1 is affected in all its changes by the ,naiad who dwells within it4 ,hence the origin of ,polytheism1 and of that vulgar superstition which ascribes all the irregular events of nature to the favour or displeasure of intelligent1 though invisible beings1 to gods1 demons1 witches1 genii1 fairies4 ,for it may be observed1 that in all polytheistic religions1 among savages1 as well as in the early ages of heathen antiquity1 it is the irregular events of nature only that are ascribed to the agency and power of their gods4 ,fire burns1 and water refreshes2 heavy bodies descend1 and lighter substances fly upwards1 by the necessity of their own nature2 nor was the invisible hand of ,jupiter ever apprehended to be employed in those matters4 ,but thunder and lightning1 storms and sunshine1 those more irregular events1 were ascribed to his favour1 or his anger4 ,man1 the only designing power with which they were acquainted1 never acts but either to stop or to alter the course which natural events would take1 if left to themselves4 #cdj ,those other intelligent beings1 whom they imagined1 but knew not1 were naturally supposed to act in the same manner2 not to employ themselves in supporting the ordinary course of things1 which went on of its own accord1 but to stop1 to thwart1 and to disturb it4 ,and thus1 in the first ages of the world1 the lowest and most pusillanimous superstition supplied the place of philosophy4 ,but when law has established order and security1 and subsistence ceases to be precarious1 the curiosity of mankind is increased1 and their fears are diminished4 ,the leisure which they then enjoy renders them more attentive to the appearances of nature1 more observant of her smallest irregularities1 and more desirous to know what is the chain which links them together4 ,that some such chain subsists betwixt all her seemingly disjointed phenomena1 they are necessarily led to conceive2 and that magnanimity and cheerfulness which all generous natures acquire who are bred in civilized societies1 where they have so few occasions to feel their weakness1 and so many to be conscious of their strength and security1 renders them less disposed to employ1 for this connecting chain1 those invisible beings whom the fear and ignorance of their rude forefathers had engendered4 ,those of liberal fortunes1 whose attention is not much occupied either with business or with pleasure1 can fill up the void of their imagination1 which is thus disengaged from the ordinary affairs of life1 no other way than by attending to that train of events which passes around them4 ,while the great objects of nature thus pass in review before them1 many things occur in an order to which they have not been accustomed4 ,their imagination1 which accompanies with ease and delight the regular progress of nature1 is stopped and embarrassed by those seeming incoherences2 they excite their wonder1 and seem to require some chain of intermediate events1 which1 by connecting them with something that has gone before1 may thus render the whole course of the universe consistent and of a piece4 ,wonder1 therefore1 and not any expectation of advantage from its discoveries1 is the first principle which prompts mankind to the study of ,philosophy1 of that science which pretends to lay open the concealed connections that unite the various appearances of nature2 and they pursue this study for its own sake1 as an original pleasure or good in itself1 without regarding its tendency to procure them the means of many other pleasures4 ,greece1 and the ,greek colonies in ,sicily1 ,italy1 and the ,lesser ,asia1 were the first countries which1 in these western parts of the world1 arrived at a state of civilized society4 ,it was in them1 therefore1 that the first philosophers1 of whose doctrine we have any distinct account1 appeared4 ,law and order seem indeed to have been established in the great monarchies of ,asia and ,egypt1 long before they had any footing in ,greece3 yet1 after all that has been said concerning the learning of the ,chaldeans and ,egyptians1 whether there ever was in those nations #cda any thing which deserved the name of science1 or whether that despotism which is more destructive of security and leisure than anarchy itself1 and which prevailed over all the ,east1 prevented the growth of ,philosophy1 is a question which1 for want of monuments1 cannot be determined with any degree of precision4 ,the ,greek colonies having been settled amid nations either altogether barbarous1 or altogether unwarlike1 over whom1 therefore1 they soon acquired a very great authority1 seem1 upon that account1 to have arrived at a considerable degree of empire and opulence before any state in the parent country had surmounted that extreme poverty1 which1 by leaving no room for any evident distinction of ranks1 is necessarily attended with the confusion and misrule which flows from a want of all regular subordination4 ,the ,greek islands being secure from the invasion of land armies1 or from naval forces1 which were in those days but little known1 seem1 upon that account too1 to have got before the continent in all sorts of civility and improvement4 ,the first philosophers1 therefore1 as well as the first poets1 seem all to have been natives1 either of their colonies1 or of their islands4 ,it was from thence that ,homer1 ,archilochus1 ,stesichorus1 ,simonides1 ,sappho1 ,anacreon1 derived their birth4 ,thales and ,pythagoras1 the founders of the two earliest sects of philosophy1 arose1 the one in an ,asiatic colony1 the other in an island2 and neither of them established his school in the mother country4 ,what was the particular system of either of those two philosophers1 or whether their doctrine was so methodized as to deserve the name of a system1 the imperfection1 as well as the uncertainty of all the traditions that have come down to us concerning them1 make it impossible to determine4 ,the school of ,pythagoras1 however1 seems to have advanced further in the study of the connecting principles of nature1 than that of the ,ionian philosopher4 ,the accounts which are given of ,anaximander1 ,anaximenes1 ,anaxagoras1 ,archelaus1 the successors of ,thales1 represent the doctrines of those sages as full of the most inextricable confusion4 ,something1 however1 that approaches to a composed and orderly system1 may be traced in what is delivered down to us concerning the doctrine of ,empedocles1 of ,archytas1 of ,timus1 and of ,ocellus the ,lucanian1 the most renowned philosophers of the ,italian school4 ,the opinions of the two last coincide pretty much2 the one1 with those of ,plato2 the other1 with those of ,aristotle2 nor do those of the two first seem to have been very different1 of whom the one was the author of the doctrine of the ,four ,elements1 the other the inventor of the ,categories2 who1 therefore1 may be regarded as the founders1 the one1 of the ancient ,physics2 the other1 of the ancient ,dialectic2 and1 how closely these were connected will appear hereafter4 ,it was in the school of ,socrates1 however1 from ,plato and ,aristotle1 that ,philosophy first received that form1 which introduced her1 if one #cdb may say so1 to the general acquaintance of the world4 ,it is from them1 therefore1 that we shall begin to give her history in any detail4 ,whatever was valuable in the former systems1 which was at all consistent with their general principles1 they seem to have consolidated into their own4 ,from the ,ionian philosophy1 ,i have not been able to discover that they derived anything4 ,from the ,pythagorean school1 both ,plato and ,aristotle seem to have derived the fundamental principles of almost all their doctrines4 ,plato1 too1 appears to have borrowed something from two other sects of philosophers1 whose extreme obscurity seems to have prevented them from acquiring themselves any extensive reputation2 the one was that of ,cratylus and ,heraclitus2 the other was ,xenophanes1 ,parmenides1 ,melissus1 and ,zeno4 ,to pretend to rescue the system of any of those ante-,socratic sages1 from that oblivion which at present covers them all1 would be a vain and useless attempt4 ,what seems1 however1 to have been borrowed from them1 shall sometimes be marked as we go along4 ,there was still another school of philosophy1 earlier than ,plato1 from which1 however1 he was so far from borrowing any thing1 that he seems to have bent the whole force of his reason to discredit and expose its principles4 ,this was the philosophy of ,leucippus1 9999,democritus1 and ,protagoras1 which accordingly seems to have submitted to his eloquence1 to have lain dormant1 and to have been almost forgotten for some generations1 till it was afterwards more successfully revived by ,epicurus4 ----- ,,sec4 ,,iv4--,the ,history of ,astronomy4 ,,of all the phenomena of nature1 the celestial appearances are1 by their greatness and beauty1 the most universal objects of the curiosity of mankind4 ,those who surveyed the heavens with the most careless attention1 necessarily distinguished in them three different sorts of objects2 the ,sun1 the ,moon1 and the ,stars4 ,these last1 appearing always in the same situation1 and at the same distance with regard to one another1 and seeming to revolve every day round the earth in parallel circles1 which widened gradually from the poles to the equator1 were naturally thought to have all the marks of being fixed1 like so many gems1 in the concave side of the firmament1 and of being carried round by the diurnal revolutions of that solid body3 for the azure sky1 in which the stars seem to float1 was readily apprehended1 upon account of the uniformity of their apparent motions1 to be a solid body1 the roof or outer wall of the universe1 to whose inside all those little sparkling objects were attached4 ,the ,sun and ,moon1 often changing their distance and situation1 in regard to the other heavenly bodies1 could not be apprehended to be attached to the same sphere with them4 ,they assigned1 therefore1 to #cdc each of them1 a sphere of its own2 that is1 supposed each of them to be attached to the concave side of a solid and transparent body1 by whose revolutions they were carried round the earth4 ,there was not1 indeed1 in this case1 the same ground for the supposition of such 9999a sphere as in that of the ,fixed ,stars2 for neither the ,sun nor the ,moon appear to keep always at the same distance with regard to any one of the other heavenly bodies4 ,but as the motion of the ,stars had been accounted for by an hypothesis of this kind1 it rendered the theory of the heavens more uniform1 to account for that of the ,sun and ,moon in the same manner4 ,the sphere of the sun they placed above that of the ,moon2 as the ,moon was evidently seen in eclipses to pass betwixt the ,sun and the ,earth4 ,each of them was supposed to revolve by a motion of its own1 and at the same time to be affected by the motion of the ,fixed ,stars4 ,thus1 the ,sun was carried round from east to west by the communicated movement of this outer sphere1 which produced his diurnal revolutions1 and the vicissitudes of day and night2 but at the same time he had a motion of his own1 contrary to this1 from west to east1 which occasioned his annual revolution1 and the continual shifting of his place with regard to the ,fixed ,stars4 ,this motion was more easy1 they thought1 when carried on edgeways1 and not in direct opposition to the motion of the outer sphere1 which occasioned the inclination of the axis of the sphere of the ,sun1 to that of the sphere of the ,fixed ,stars2 this again produced the obliquity of the ecliptic1 and the consequent changes of the seasons4 ,the moon1 being placed below the sphere of the ,sun1 had both a shorter course to finish1 and was less obstructed by the contrary movement of the sphere of the ,fixed ,stars1 from which she was farther removed4 ,she finished her period1 therefore1 in a shorter time1 and required but a month1 instead of a year1 to complete it4 ,the ,stars1 when more attentively surveyed1 were some of them observed to be less constant and uniform in their motions than the rest1 and to change their situations with regard to the other heavenly bodies2 moving generally eastward1 yet appearing sometimes to stand still1 and sometimes even1 to move westwards4 ,these1 to the number of five1 were distinguished by the name of ,planets1 or ,wandering ,stars1 and marked with the particular appellations of ,saturn1 ,jupiter1 ,mars1 ,venus1 and ,mercury4 ,as1 like the ,sun and ,moon1 they seem to accompany the motion of the ,fixed ,stars from east to west1 but at the same time to have a motion of their own1 which is generally from west to east2 they were each of them1 as well as those two great lamps of heaven1 apprehended to be attached to the inside of a solid concave and transparent sphere1 which had a revolution of its own1 that was almost directly contrary to the revolution of the outer heaven1 but which1 at the same time1 was hurried along by the superior violence and greater rapidity of this last4 ,this is the system of concentric ,spheres1 the first regular system of #cdd ,astronomy1 which the world beheld1 as it was taught in the ,italian school before ,aristotle1 and his two contemporary philosophers1 ,eudoxus and ,callippus1 had given it all the perfection which it is capable of receiving4 ,though rude and inartificial1 it is capable of connecting together1 in the imagination1 the grandest and the most seemingly disjointed appearances in the heavens4 ,the motions of the most remarkable objects in the celestial regions1 the ,sun1 the ,moon1 the ,fixed ,stars1 are sufficiently connected with one another by this hypothesis4 ,the eclipses of these two great luminaries are1 though not so easily calculated1 as easily explained1 upon this ancient1 as upon the modern system4 ,when these early philosophers explained to their disciples the very simple causes of those dreadful phenomena1 it was under the seal of the most sacred secrecy1 that they might avoid the fury of the people1 and not incur the imputation of impiety1 when they thus took from the gods the direction of those events1 which were apprehended to be the most terrible tokens of their impending vengeance4 ,the obliquity of the ecliptic1 the consequent changes of the seasons1 the vicissitudes of day and night1 and the different lengths of both days and nights in the different seasons1 correspond too1 pretty exactly1 with this ancient doctrine4 ,and if there had been no other bodies discoverable in the heavens1 besides the ,sun1 the ,moon1 and the ,fixed ,stars1 this hypothesis might have stood the examinations of all ages and gone down triumphant to the remotest posterity4 ,if it gained the belief of mankind by its plausibility1 it attracted their wonder and admiration2 sentiments that still more confirmed their belief1 by the novelty and beauty of that view of nature which it presented to the imagination4 ,before this system was taught in the world1 the earth was regarded as1 what it appears to the eye1 a vast1 rough1 and irregular plain1 the basis and foundation of the universe1 surrounded on all sides by the ocean1 and whose roots extended themselves through the whole of that infinite depth which is below it4 ,the sky was considered as a solid hemisphere1 which covered the earth1 and united with the ocean at the extremity of the horizon4 ,the ,sun1 the ,moon1 and all the heavenly bodies rose out of the eastern1 climbed up the convex side of the heavens1 and descended again into the western ocean1 and from thence1 by some subterraneous passages1 returned to their first chambers in the east4 ,nor was this notion confined to the people1 or to the poets who painted the opinions of the people2 it was held by ,xenophanes1 founder of the ,eleatic philosophy1 after that of the ,ionian and ,italian schools1 the earliest that appeared in ,greece4 ,thales of ,miletus too1 who1 according to ,aristotle1 represented the ,earth as floating upon an immense ocean of water1 may have been nearly of the same opinion2 notwithstanding what we are told by ,plutarch and ,apuleius concerning his astronomical discoveries1 all of which must plainly have been of a much later date4 ,to those #cde who had no other idea of nature1 besides what they derived from so confused an account of things1 how agreeable must that system have appeared1 which represented the ,earth as distinguished into land and water1 self-balanced and suspended in the centre of the universe1 surrounded by the elements of ,air and ,ether1 and covered by eight polished and crystalline ,spheres1 each of which was distinguished by one or more beautiful and luminous bodies1 and all of which revolved round their common centre1 by varied1 but by equable and proportionable motions4 ,it seems to have been the beauty of this system that gave ,plato the notion of something like an harmonic proportion1 to be discovered in the motions and distances of the heavenly bodies2 and which suggested to the earlier ,pythagoreans1 the celebrated fancy of the ,music of the ,spheres2 a wild and romantic idea1 yet such as does not ill correspond with that admiration1 which so beautiful a system1 recommended too by the graces of novelty1 is apt to inspire4 ,whatever are the defects which this account of things labours under1 they are such1 as to the first observers of the heavens could not readily occur4 ,if all the motions of the ,five ,planets cannot1 the greater part of them may1 be easily connected by it2 they and all their motions are the least remarkable objects in the heavens2 the greater part of mankind take no notice of them at all2 and a system1 whose only defect lies in the account which it gives of them1 cannot thereby be much disgraced in their opinion4 ,if some of the appearances too of the ,sun and ,moon1 the sometimes accelerated and again retarded motions of those luminaries but ill correspond with it2 these1 too1 are such as cannot be discovered but by the most attentive observation1 and such as we cannot wonder that the imaginations of the first enquirers should slur over1 if one may say so1 and take little notice of4 ,it was1 however1 to remedy those defects1 that ,eudoxus1 the friend and auditor of ,plato1 found it necessary to increase the number of the ,celestial ,spheres4 ,each ,planet is sometimes observed to advance forward in that eastern course which is peculiar to itself1 sometimes to retire backwards1 and sometimes again to stand still4 ,to suppose that the sphere of the planet should by its own motion1 if one may say so1 sometimes roll forwards1 sometimes roll backwards1 and sometimes do neither the one nor the other1 is contrary to all the natural propensities of the imagination1 which accompanies with ease and delight any regular and orderly motion1 but feels itself perpetually stopped and interrupted1 when it endeavours to attend to one so desultory and uncertain4 ,it would pursue1 naturally and of its own accord1 the direct or progressive movement of the ,sphere1 but is every now and then shocked1 if one may say so1 and turned violently out of its natural career by the retrograde and stationary appearances of the ,planet1 betwixt which and its more usual motion1 the fancy feels a want of connection1 a gap or interval1 which it cannot fill up1 but by supposing #cdf some chain of intermediate events to join them4 ,the hypothesis of a number of other spheres revolving in the heavens1 besides those in which the luminous bodies themselves were infixed1 was the chain with which ,eudoxus endeavoured to supply it4 ,he bestowed four of these ,spheres upon each of the five ,planets2 one in which the luminous body itself revolved1 and three others above it4 ,each of these had a regular and constant1 but a peculiar movement of its own1 which it communicated to what was properly the ,sphere of the ,planet1 and thus occasioned that diversity of motions observable in those bodies4 ,one of these ,spheres1 for example1 had an oscillatory motion1 like the circular pendulum of a watch4 ,as when you turn round a watch1 like a ,sphere upon its axis1 the pendulum will1 while turned round along with it1 still continue to oscillate1 and communicate to whatever body is comprehended within it1 both its own oscillations and the circular motion of the watch2 so this oscillating ,sphere1 being itself turned round by the motion of the ,sphere above it1 communicated to the ,sphere below it1 that circular1 as well as its own oscillatory motions2 produced by the one1 the daily revolutions3 by the other1 the direct1 stationary1 and retrograde appearances of the ,planet1 which derived from a third ,sphere that revolution by which it performed its annual period4 ,the motions of all these ,spheres were in themselves constant and equable1 such as the imagination could easily attend to and pursue1 and which connected together that otherwise incoherent diversity of movements observable in the ,sphere of the ,planet4 ,the motions of the ,sun and ,moon being more regular than those of the ,five ,planets1 by assigning three ,spheres to each of them1 ,eudoxus imagined he could connect together all the diversity of movements discoverable in either4 ,the motion of the ,fixed ,stars being perfectly regular1 one ,sphere he judged sufficient for them all4 ,so that1 according to this account1 the whole number of ,celestial ,spheres amounted to twenty-seven4 ,callippus1 though somewhat younger1 the contemporary of ,eudoxus1 found that even this number was not enough to connect together the vast variety of movements which he discovered in those bodies1 and therefore increased it to thirty-four4 ,aristotle1 upon a yet more attentive observation1 found that even all these ,spheres would not be sufficient1 and therefore added twenty-two more1 which increased their number to fifty-six4 ,later observers discovered still new motions1 and new inequalities1 in the heavens4 ,new ,spheres were therefore still to be added to the system1 and some of them to be placed even above that of the ,fixed ,stars4 ,so that in the sixteenth century1 when ,fracostorio1 smit with the eloquence of ,plato and ,aristotle1 and with the regularity and harmony of their system1 in itself perfectly beautiful1 though it corresponds but inaccurately with the phenomena1 endeavoured to revive this ancient ,astronomy1 which had long given place to that of ,ptolemy and ,hipparchus1 he found it necessary to multiply #cdg the number of ,celestial ,spheres to seventy-two2 neither were all these found to be enough4 ,this system had now become as intricate and complex as those appearances themselves1 which it had been invented to render uniform and coherent4 ,the imagination1 therefore1 found itself but little relieved from that embarrassment1 into which those appearances had thrown it1 by so perplexed an account of things4 ,another system1 for this reason1 not long after the days of ,aristotle1 was invented by ,apollonius1 which was afterwards perfected by ,hipparchus1 and has since been delivered down to us by ,ptolemy1 the more artificial system of ,eccentric ,spheres and ,epicycles4 ,in this system1 they first distinguished between the real and apparent motion of the heavenly bodies4 ,these1 they observed1 upon account of their immense distance1 must necessarily appear to revolve in circles concentric with the globe of the ,earth1 and with one another3 but that we cannot1 therefore1 be certain that they really revolve in such circles1 since1 though they did not1 they would still have the same appearance4 ,by supposing1 therefore1 that the ,sun and the other ,planets revolved in circles1 whose centres were very distant from the centre of the ,earth2 that consequently1 in the progress of their revolution1 they must sometimes approach nearer1 and sometimes recede further from it1 and must to its inhabitants appear to move faster in the one case1 and slower in the other1 those philosophers imagined they could account for the apparently unequal velocities of all those bodies4 ,by supposing1 that in the solidity of the ,sphere of each of the ,five ,planets there was formed another little ,sphere1 called an ,epicycle1 which revolved round its own centre1 at the same time that it was carried round the centre of the ,earth by the revolution of the great ,sphere1 betwixt whose concave and convex sides it was inclosed2 in the same manner as we might suppose a little wheel inclosed within the outer circle of a great wheel1 and which whirled about several times upon its own axis1 while its centre was carried round the axis of the great wheel1 they imagined they could account for the retrograde and stationary appearances of those most irregular objects in the heavens4 ,the ,planet1 they supposed1 was attached to the circumference1 and whirled round the centre of this little ,sphere1 at the same time that it was carried round the earth by the movement of the great ,sphere4 ,the revolution of this little ,sphere1 or ,epicycle1 was such1 that the ,planet1 when in the upper part of it2 that is1 when furthest off and least sensible to the eye2 was carried round in the same direction with the centre of the ,epicycle1 or with the ,sphere in which the ,epicycle was inclosed3 but when in the lower part1 that is1 when nearest and most sensible to the eye2 it was carried round a direction contrary to that of the centre of the ,epicycle3 in the same manner as every point in the upper part of the outer circle of a coach-wheel revolves forward in the #cdh same direction with the axis1 while every point1 in the lower part1 revolves backwards in a contrary direction to the axis4 ,the motions of the ,planet1 therefore1 surveyed from the ,earth1 appeared direct1 when in the upper part of the ,epicycle1 and retrograde1 when in the lower4 ,when again it either descended from the upper part to the lower1 or ascended from the lower to the upper1 it appeared stationary4 ,but1 though1 by the eccentricity of the great ,sphere1 they were thus able1 in some measure1 to connect together the unequal velocities of the heavenly bodies1 and by the revolutions of the little ,sphere1 the direct1 stationary1 and retrograde appearances of the ,planets1 there was another difficulty that still remained4 ,neither the ,moon1 nor the three superior ,planets1 appear always in the same part of the heavens1 when at their periods of most retarded motion1 or when they are supposed to be at the greatest distance from the ,earth4 ,the apogeum therefore1 or the point of greatest distance from the ,earth1 in the ,spheres of each of those bodies1 must have a movement of its own1 which may carry it successively through all the different points of the ,ecliptic4 ,they supposed1 therefore1 that while the great eccentric ,sphere revolved eastwards round its centre1 that its centre too revolved westwards in a circle of its own1 round the centre of the ,earth1 and thus carried its apogeum through all the different points of the ,ecliptic4 ,but with all those combined and perplexed circles2 though the patrons of this system were able to give some degree of uniformity to the real directions of the ,planets1 they found it impossible so to adjust the velocities of those supposed ,spheres to the phenomena1 as that the revolution of any one of them1 when surveyed from its own centre1 should appear perfectly equable and uniform4 ,from that point1 the only point in which the velocity of what moves in a circle can be truly judged of1 they would still appear irregular and inconstant1 and such as tended to embarrass and confound the imagination4 ,they invented1 therefore1 for each of them1 a new ,circle1 called the ,equalizing ,circle1 from whose centre they should all appear perfectly equable3 that is1 they so adjusted the velocities of these ,spheres1 as that1 though the revolution of each of them would appear irregular when surveyed from its own centre1 there should1 however1 be a point comprehended within its circumference1 from whence its motions should appear to cut off1 in equal times1 equal portions of the ,circle1 of which that point was supposed to be the centre4 ,nothing can more evidently show how much the repose and tranquillity of the imagination is the ultimate end of philosophy1 than the invention of this ,equalizing ,circle4 ,the motions of the heavenly bodies had appeared inconstant and irregular1 both in their velocities and in their directions4 ,they were such1 therefore1 as tended to embarrass and confound the imagination1 whenever it attempted to trace them4 ,the invention of ,eccentric ,spheres1 of ,epicycles1 and of the #cdi revolution of the centres of the ,eccentric ,spheres1 tended to allay this confusion1 to connect together those disjointed appearances1 and to introduce harmony and order into the mind's conception of the movements of those bodies4 ,it did this1 however1 but imperfectly2 it introduced uniformity and coherence into their real directions4 ,but their velocities1 when surveyed from the only point in which the velocity of what moves in a ,circle can be truly judged of1 the centre of that ,circle1 still remained1 in some measure1 inconstant as before2 and still1 therefore1 embarrassed the imagination4 ,the mind found itself somewhat relieved from this embarrassment1 when it conceived1 that how irregular soever the motions of each of those ,circles might appear1 when surveyed from its own centre1 there was1 however1 in each of them1 a point1 from whence its revolution would appear perfectly equable and uniform1 and such as the imagination could easily follow4 ,those philosophers transported themselves1 in fancy1 to the centres of these imaginary ,circles1 and took pleasure in surveying from thence1 all those fantastical motions1 arranged1 according to that harmony and order1 which it had been the end of all their researches to bestow upon them4 ,here1 at last1 they enjoyed that tranquillity and repose which they had pursued through all the mazes of this intricate hypothesis2 and here they beheld this1 the most beautiful and magnificent part of the great theatre of nature1 so disposed and constructed1 that they could attend1 with delight1 to all the revolutions and changes that occurred in it4 ,these1 the ,system of ,concentric1 and that of ,eccentric ,spheres1 seem to have been the two ,systems of ,astronomy1 that had most credit and reputation with that part of the ancient world1 who applied themselves particularly to the study of the heavens4 ,cleanthes1 however1 and the other philosophers of the ,stoical sect who came after him1 appear to have had a system of their own1 quite different from either4 ,but though justly renowned for their skill in dialectic1 and for the security and sublimity of their moral doctrines1 those sages seem never to have had any high reputation for their knowledge of the heavens2 neither is the name of any one of them ever counted in the catalogue of the great astronomers1 and studious observers of the ,stars among the ancients4 ,they rejected the doctrine of the ,solid ,spheres2 and maintained1 that the celestial regions were filled with a fluid ether1 of too yielding a nature to carry along with it1 by any motion of its own1 bodies so immensely great as the ,sun1 ,moon1 and ,five ,planets4 ,these1 therefore1 as well as the ,fixed ,stars1 did not derive their motion from the circumambient body1 but had each of them1 in itself1 and peculiar to itself1 a vital principle of motion1 which directed it to move with its own peculiar velocity1 and its own peculiar direction4 ,it was by this internal principle that the ,fixed ,stars revolved directly from east to west in circles parallel to the ,equator1 greater or less1 according to their distance or nearness to the ,poles1 and with velocities so proportioned1 #cej that each of them finished its diurnal period in the same time1 in something less than twenty-three hours and fifty-six minutes4 ,it was1 by a principle of the same kind1 that the ,sun moved westward1 for they allowed of no eastward motion in the heavens1 but with less velocity than the ,fixed ,stars1 so as to finish his diurnal period in twenty-four hours1 and1 consequently1 to fall every day behind them1 by a space of the heavens nearly equal to that which he passes over in four minutes2 that is1 nearly equal to a degree4 ,this revolution of the ,sun1 too1 was neither directly westwards1 nor exactly circular2 but after the ,summer ,solstice1 his motion began gradually to decline a little southwards1 appearing in his meridian to-day1 further south than yesterday2 and to-morrow still further south than to-day2 and thus continuing every day to describe a spiral line round the ,earth1 which carried him gradually further and further southwards1 till he arrived at the ,winter ,solstice4 ,here this spiral line began to change its direction1 and to bring him gradually1 every day1 further and further northwards1 till it again restored him to the ,summer ,solstice4 ,in the same manner they accounted for the motion of the ,moon1 and that of the ,five ,planets1 by supposing that each of them revolved westwards1 but with directions and velocities1 that were both different from one another1 and continually varying2 generally1 however1 in spherical lines1 and somewhat inclined to the ,equator4 ,this system seems never to have had the vogue4 ,the system of ,concentric as well as that of ,eccentric ,spheres gives some sort of reason1 both for the constancy and equability of the motion of the ,fixed ,stars1 and for the variety and uncertainty of that of the ,planets4 ,each of them bestows some sort of coherence upon those apparently disjointed phenomena4 ,but this other system seems to leave them pretty much as it found them4 ,ask a ,stoic1 why all the ,fixed ,stars perform their daily revolutions in circles parallel to each other1 though of very different diameters1 and with velocities so proportioned that they all finish their period at the same time1 and through the whole course of it preserve the same distance and situation with regard to one another8 ,he can give no other answer1 but that the peculiar nature1 or if one may say so1 the caprice of each ,star directs it to move in that peculiar manner4 ,his system affords him no principle of connection1 by which he can join together1 in his imagination1 so great a number of harmonious revolutions4 ,but either of the other two systems1 by the supposition of the solid firmament1 affords this easily4 ,he is equally at a loss to connect together the peculiarities that are observed in the motions of the other heavenly bodies2 the spiral motion of them all2 their alternate progression from north to south1 and from south to north2 the sometimes accelerated1 and again retarded motions of the ,sun and ,moon2 the direct retrograde and stationary appearances of the ,planets4 ,all these have1 in his system1 #cea no bond of union1 but remain as loose and incoherent in the fancy1 as they at first appeared to the senses1 before philosophy had attempted1 by giving them a new arrangement1 by placing them at different distances1 by assigning to each some peculiar but regular principle of motion1 to methodize and dispose them into an order that should enable the imagination to pass as smoothly1 and with as little embarrassment1 along them1 as along the most regular1 most familiar1 and most coherent appearances of nature4 ,such were the systems of ,astronomy that1 in the ancient world1 appear to have been adopted by any considerable party4 ,of all of them1 the system of ,eccentric ,spheres was that which corresponded most exactly with the appearances of the heavens4 ,it was not invented till after those appearances had been observed1 with some accuracy1 for more than a century together2 and it was not completely digested by ,ptolemy till the reign of ,antoninus1 after a much longer course of observations4 ,we cannot wonder1 therefore1 that it was adapted to a much greater number of the phenomena1 than either of the other two systems1 which had been formed before those phenomena were observed with any degree of attention1 which1 therefore1 could connect them together only while they were thus regarded in the gross1 but which1 it could not be expected1 should apply to them when they came to be considered in the detail4 ,from the time of ,hipparchus1 therefore1 this system seems to have been pretty generally received by all those who attended particularly to the study of the heavens4 ,that astronomer first made a catalogue of the ,fixed ,stars2 calculated1 for six hundred years1 the revolutions of the ,sun1 ,moon1 and ,five ,planets2 marked the places in the heavens1 in which1 during all that period1 each of those bodies should appear2 ascertained the times of the eclipses of the ,sun and ,moon1 and the particular places of the ,earth in which they should be visible4 ,his calculations were founded upon this system1 and as the events corresponded to his predictions1 with a degree of accuracy which1 though inferior to what ,astronomy has since arrived at1 was greatly superior to any thing which the world had then known1 they ascertained1 to all astronomers and mathematicians1 the preference of his system1 above all those which had been current before4 ,it was1 however1 to astronomers and mathematicians1 only1 that they ascertained this2 for1 notwithstanding the evident superiority of this system1 to all those with which the world was then acquainted1 it was never adopted by one sect of philosophers4 ,philosophers1 long before the days of ,hipparchus1 seem to have abandoned the study of nature1 to employ themselves chiefly in ethical1 rhetorical1 and dialectical questions4 ,each party of them too1 had by this time completed their peculiar system or theory of the universe1 and no human consideration could then have induced them to give up any part of it4 ,that supercilious and ignorant contempt too1 with #ceb which at this time they regarded all mathematicians1 among whom they counted astronomers1 seems even to have hindered them from enquiring so far into their doctrines as to know what opinions they held4 ,neither ,cicero nor ,seneca1 who have so often occasion to mention the ancient systems of ,astronomy1 takes any notice of that of ,hipparchus4 ,his name is not to be found in the writings of ,seneca4 ,it is mentioned but once in those of ,cicero1 in a letter to ,atticus1 but without any note of approbation1 as a geographer1 and not as an astronomer4 ,plutarch1 when he counts up1 in his second book1 concerning the opinions of philosophers1 all the ancient systems of ,astronomy1 never mentions this1 the only tolerable one which was known in his time4 ,those three authors1 it seems1 conversed only with the writings of philosophers4 ,the elder ,pliny1 indeed1 a man whose curiosity extended itself equally to every part of learning1 describes the system of ,hipparchus1 and never mentions its author1 which he has occasion to do often1 without some note of that high admiration which he had so justly conceived for his merit4 ,such profound ignorance in those professed instructors of mankind1 with regard to so important a part of the learning of their own times1 is so very remarkable1 that ,i thought it deserved to be taken notice of1 even in this short account of the revolutions of the philosophy of the ancients4 ,systems in many respects resemble machines4 ,a machine is a little system1 created to perform1 as well as to connect together1 in reality1 those different movements and effects which the artist has occasion for4 ,a system is an imaginary machine invented to connect together in the fancy those different movements and effects which are already in reality performed4 ,the machines that are first invented to perform any particular movement are always the most complex1 and succeeding artists generally discover that1 with fewer wheels1 with fewer principles of motion1 than had originally been employed1 the same effects may be more easily produced4 ,the first systems1 in the same manner1 are always the most complex1 and a particular connecting chain1 or principle1 is generally thought necessary to unite every two seemingly disjointed appearances3 but it often happens1 that one great connecting principle is afterwards found to be sufficient to bind together all the discordant phenomena that occur in a whole species of things4 ,how many wheels are necessary to carry on the movements of this imaginary machine1 the system of ,eccentric ,spheres6 ,the westward diurnal revolution of the ,firmament1 whose rapidity carries all the other heavenly bodies along with it1 requires one4 ,the periodical eastward revolutions of the ,sun1 ,moon1 and ,five ,planets1 require1 for each of those bodies1 another4 ,their differently accelerated and retarded motions require1 that those wheels1 or circles1 should neither be concentric with the ,firmament1 nor with one another2 which1 more than any thing1 seems to disturb the harmony of the universe4 ,the #cec retrograde and stationary appearance of the ,five ,planets1 as well as the extreme inconstancy of the ,moon's motion1 require1 for each of them1 an ,epicycle1 another little wheel attached to the circumference of the great wheel1 which still more interrupts the uniformity of the system4 ,the motion of the apogeum of each of those bodies requires1 in each of them1 still another wheel1 to carry the centres of their ,eccentric ,spheres round the centre of the ,earth4 ,and thus1 this imaginary machine1 though1 perhaps1 more simple1 and certainly better adapted to the phenomena than the ,fifty-six ,planetary ,spheres of ,aristotle1 was still too intricate and complex for the imagination to rest in it with complete tranquillity and satisfaction4 ,it maintained its authority1 however1 without any diminution of reputation1 as long as science was at all regarded in the ancient world4 ,after the reign of ,antoninus1 and1 indeed1 after the age of ,hipparchus1 who lived almost three hundred years before ,antoninus1 the great reputation which the earlier philosophers had acquired1 so imposed upon the imaginations of mankind1 that they seem to have despaired of ever equalling their renown4 ,all human wisdom1 they supposed1 was comprehended in the writings of those elder sages4 ,to abridge1 to explain1 and to comment upon them1 and thus show themselves1 at least1 capable of understanding some of their sublime mysteries1 became now the only road to reputation4 ,proclus and ,theon wrote commentaries upon the system of ,ptolemy2 but1 to have attempted to invent a new one1 would then have been regarded1 not only as presumption1 but as impiety to the memory of their so much revered predecessors4 ,the ruin of the empire of the ,romans1 and1 along with it1 the subversion of all law and order1 which happened a few centuries afterwards1 produced the entire neglect of that study of the connecting principles of nature1 to which leisure and security can alone give occasion4 ,after the fall of those great conquerors and civilizers of mankind1 the empire of the ,caliphs seems to have been the first state under which the world enjoyed that degree of tranquillity which the cultivation of the sciences requires4 ,it was under the protection of those generous and magnificent princes1 that the ancient philosophy and astronomy of the ,greeks were restored and established in the ,east2 that tranquillity1 which their mild1 just1 and religious government diffused over their vast empire1 revived the curiosity of mankind1 to inquire into the connecting principles of nature4 ,the 9999fame of the ,greek and ,roman learning1 which was then recent in the memories of men1 made them desire to know1 concerning these abstruse subjects1 what were the doctrines of the so much renowned sages of those two nations4 ,they translated1 therefore1 into the ,arabian language1 and studied1 with great eagerness1 the works of many ,greek philosophers1 particularly of ,aristotle1 ,ptolemy1 ,hippocrates1 and ,galen4 ,the superiority which they easily discovered in them1 above the rude essays which #ced their own nation had yet had time to produce1 and which were such1 we may suppose1 as arise every where in the first infancy of science1 necessarily determined them to embrace their systems1 particularly that of ,astronomy3 neither were they ever afterwards able to throw off their authority4 ,for1 though the munificence of the ,abassides1 the second race of the ,caliphs1 is said to have supplied the ,arabian astronomers with larger and better instruments than any that were known to ,ptolemy and ,hipparchus1 the study of the sciences seems1 in that mighty empire1 to have been either of too short1 or too interrupted a continuance1 to allow them to make any considerable correction in the doctrines of those old mathematicians4 ,the imaginations of mankind had not yet got time to grow so familiar with the ancient systems1 as to regard them without some degree of that astonishment which their grandeur and novelty excited2 a novelty of a peculiar kind1 which had at once the grace of what was new1 and the authority of what was ancient4 ,they were still1 therefore1 too much enslaved to those systems1 to dare to depart from them1 when those confusions which shook1 and at last overturned the peaceful throne of the ,caliphs1 banished the study of the sciences from that empire4 ,they had1 however1 before this1 made some considerable improvements3 they had measured the obliquity of the ,ecliptic1 with more accuracy than had been done before4 ,the tables of ,ptolemy had1 by the length of time1 and by the inaccuracy of the observations upon which they were founded1 become altogether wide of what was the real situation of the heavenly bodies1 as he himself indeed had foretold they would do4 ,it became necessary1 therefore1 to form new ones1 which was accordingly executed by the orders of the ,caliph ,almamon1 under whom1 too1 was made the first mensuration of the ,earth that we know off1 after the commencement of the ,christian era1 by two ,arabian astronomers1 who1 in the plain of ,sennaar1 measured two degrees of its circumference4 ,the victorious arms of the ,saracens carried into ,spain the learning1 as well as the gallantry1 of the ,east2 and along with it1 the tables of ,almamon1 and the ,arabian translations of ,ptolemy and ,aristotle2 and thus ,europe received a second time1 from ,babylon1 the rudiments of the science of the heavens4 ,the writings of ,ptolemy were translated from ,arabic into ,latin2 and the ,peripatetic philosophy was studied in ,averroes and ,avicenna with as much eagerness and as much submission to its doctrines in the ,west1 as it had been in the ,east4 ,the doctrine of the ,solid ,spheres had1 originally1 been invented1 in order to give a physical account of the revolutions of the heavenly bodies1 according to the system of ,concentric ,circles1 to which that doctrine was very easily accommodated4 ,those mathematicians who invented the doctrine of ,eccentric ,circles and ,epicycles1 contented themselves with showing1 how1 by supposing the heavenly bodies to revolve in such orbits1 the phenomena might be connected together1 #cee and some sort of uniformity and coherence be bestowed upon their real motions4 ,the physical causes of those motions they left to the consideration of the philosophers2 though1 as appears from some passages of ,ptolemy1 they had some general apprehension1 that they were to be explained by a like hypothesis4 ,but1 though the system of ,hipparchus was adopted by all astronomers and mathematicians1 it never was received1 as we have already observed1 by any one sect of philosophers among the ancients4 ,no attempt1 therefore1 seems to have been made amongst them1 to accommodate to it any such hypothesis4 ,the schoolmen1 who received1 at once1 from the ,arabians1 the philosophy of ,aristotle1 and the astronomy of ,hipparchus1 were necessarily obliged to reconcile them to one another1 and to connect together the revolutions of the ,eccentric ,circles and ,epicycles of the one1 by the solid ,spheres of the other4 ,many different attempts of this kind were made by many different philosophers3 but1 of them all1 that of ,purbach1 in the fifteenth century1 was the happiest and the most esteemed4 ,though his hypothesis is the simplest of any of them1 it would be in vain to describe it without a scheme2 neither is it easily intelligible with one2 for1 if the system of ,eccentric ,circles and ,epicycles was before too perplexed and intricate for the imagination to rest in it with complete tranquillity and satisfaction1 it became much more so1 when this addition had been made to it4 ,the world1 justly indeed1 applauded the ingenuity of that philosopher1 who could unite1 so happily1 two such seemingly inconsistent systems4 ,his labours1 however1 seem rather to have increased than to have diminished the causes of that dissatisfaction1 which the learned soon began to feel with the system of ,ptolemy4 ,he1 as well as all those who had worked upon the same plan before1 by rendering this account of things more complex1 rendered it more embarrassing than it had been before4 ,neither was the complexness of this system the sole cause of the dissatisfaction1 which the world in general began1 soon after the days of ,purbach1 to express for it4 ,the tables of ,ptolemy having1 upon account of the inaccuracy of the observations on which they were founded1 become altogether wide of the real situation of the heavenly bodies1 those of ,almamon1 in the ninth century1 were1 upon the same hypothesis1 composed to correct their deviations4 ,these again1 a few ages afterwards1 became1 for the same reason1 equally useless4 ,in the thirteenth century1 ,alphonsus1 the philosophical ,king of ,castile1 found it necessary to give orders for the composition of those tables1 which bear his name4 ,it is he1 who is so well known for the whimsical impiety of using to say1 that1 had he been consulted at the creation of the universe1 he could have given good advice2 an apophthegm which is supposed to have proceeded from his dislike to the intricate system of ,ptolemy4 ,in the fifteenth century1 the deviation of the ,alphonsine tables began to be as sensible1 as those of ,ptolemy and #cef ,almamon had been before4 ,it appeared evident1 therefore1 that1 though the system of ,ptolemy might1 in the main1 be true1 certain corrections were necessary to be made in it before it could be brought to correspond with exact precision to the phenomena4 ,for the revolution of his ,eccentric ,circles and ,epicycles1 supposing them to exist1 could not1 it was evident1 be precisely such as he represented them2 since the revolutions of the heavenly bodies deviated1 in a short time1 so widely from what the most exact calculations1 that were founded upon his hypothesis1 represented them4 ,it had plainly1 therefore1 become necessary to correct1 by more accurate observations1 both the velocities and directions of all the wheels and circles of which his hypothesis is composed4 ,this1 accordingly1 was begun by ,purbach1 and carried on by ,regiomontanus1 the disciple1 the continuator1 and the 9999perfecter of the system of ,purbach2 and one1 whose untimely death1 amidst innumerable projects for the recovery of old1 and the invention and advancement of new sciences1 is1 even at this day1 to be regretted4 ,when you have convinced the world1 that an established system ought to be corrected1 it is not very difficult to persuade them that it should be destroyed4 ,not long1 therefore1 after the death of ,regiomontanus1 ,copernicus began to meditate a new system1 which should connect together the new appearances1 in a more simple as well as a more accurate manner1 than that of ,ptolemy4 ,the confusion1 in which the old hypothesis represented the motions of the heavenly bodies1 was1 he tells us1 what first suggested to him the design of forming a new system1 that these1 the noblest works of nature1 might no longer appear devoid of that harmony and proportion which discover themselves in her meanest productions4 ,what most of all dissatisfied him1 was the notion of the ,equalizing ,circle1 which1 by representing the revolutions of the ,celestial ,spheres1 as equable only1 when surveyed from a point that was different from their centres1 introduced a real inequality into their motions2 contrary to that most natural1 and indeed fundamental idea1 with which all the authors of astronomical systems1 ,plato1 ,eudoxus1 ,aristotle1 even ,hipparchus and ,ptolemy themselves1 had hitherto set out1 that the real motions of such beautiful and divine objects must necessarily be perfectly regular1 and go on1 in a manner1 as agreeable to the imagination1 as the objects themselves are to the senses4 ,he began to consider1 therefore1 whether1 by supposing the heavenly bodies to be arranged in a different order from that in which ,aristotle and ,hipparchus has placed them1 this so much sought for uniformity might not be bestowed upon their motions4 ,to discover this arrangement1 he examined all the obscure traditions delivered down to us1 concerning every other hypothesis which the ancients had invented1 for the same purpose4 ,he found1 in ,plutarch1 that some old ,pythagoreans had represented the ,earth as revolving in the centre of the universe1 like a wheel round its own axis2 and that #ceg others1 of the same sect1 had removed it from the centre1 and represented it as revolving in the ,ecliptic like a star round the central fire4 ,by this central fire1 he supposed they meant the ,sun2 and though in this he was very widely mistaken1 it was1 it seems1 upon this interpretation1 that he began to consider how such an hypothesis might be made to correspond to the appearances4 ,the supposed authority of these old philosophers1 if it did not originally suggest to him his system1 seems1 at least1 to have confirmed him in an opinion1 which1 it is not improbable1 that he had beforehand other reasons for embracing1 notwithstanding what he himself would affirm to the contrary4 ,it then occurred to him1 that1 if the ,earth was supposed to revolve every day round its axis1 from west to east1 all the heavenly bodies would appear to revolve1 in a contrary direction1 from east to west4 ,the diurnal revolution of the heavens1 upon this hypothesis1 might be only apparent2 the firmament1 which has no other sensible motion1 might be perfectly at rest2 while the ,sun1 the ,moon1 and the ,five ,planets1 might have no other movement beside that eastward revolution1 which is peculiar to themselves4 ,that1 by supposing the ,earth to revolve with the ,planets1 round the ,sun1 in an orbit1 which comprehended within it the orbits of ,venus and ,mercury1 but was comprehended within those of ,mars1 ,jupiter1 and ,saturn1 he could1 without the embarrassment of ,epicycles1 connect together the apparent annual revolutions of the ,sun1 and the direct1 retrograde1 and stationary appearances of the ,planets3 that while the ,earth really revolved round the ,sun on one side of the heavens1 the ,sun would appear to revolve round the ,earth on the other2 that while she really advanced in her annual course1 he would appear to advance eastward in that movement which is peculiar to himself4 ,that1 by supposing the axis of the ,earth to be always parallel to itself1 not to be quite perpendicular1 but somewhat inclined to the plane of her orbit1 and consequently to present to the ,sun1 the one pole when on the one side of him1 and the other when on the other1 he would account for the obliquity of the ,ecliptic2 the ,sun's seemingly alternate progression from north to south1 and from south to north1 the consequent change of the seasons1 and different lengths of the days and nights in the different seasons4 ,if this new hypothesis thus connected together all these appearances as happily as that of ,ptolemy1 there were others which it connected together much better4 ,the three superior ,planets1 when nearly in conjunction with the ,sun1 appear always at the greatest distance from the ,earth1 are smallest1 and least sensible to the eye1 and seem to revolve forward in their direct motion with the greatest rapidity4 ,on the contrary1 when in opposition to the ,sun1 that is1 when in their meridian about midnight1 they appear nearest the ,earth1 are largest1 and most sensible to the eye1 and seem to revolve backwards in their retrograde motion4 ,to explain these appearances1 the system of ,ptolemy supposed #ceh each of these ,planets to be at the upper part of their several ,epicycles1 in the one case2 and at the lower1 in the other4 ,but it afforded no satisfactory principle of connection1 which could lead the mind easily to conceive how the ,epicycles of those ,planets1 whose spheres were so distant from the sphere of the ,sun1 should thus1 if one may say so1 keep time to his motion4 ,the system of ,copernicus afforded this easily1 and like a more simple machine1 without the assistance of ,epicycles1 connected together1 by fewer movements1 the complex appearances of the heavens4 ,when the superior ,planets appear nearly in conjunction with the ,sun1 they are then in the side of their orbits1 which is almost opposite to1 and most distant from the ,earth1 and therefore appear smallest1 and least sensible to the eye4 ,but1 as they then revolve in a direction which is almost contrary to that of the ,earth1 they appear to advance forward with double velocity2 as a ship1 that sails in a contrary direction to another1 appears from that other1 to sail both with its own velocity1 and the velocity of that from which it is seen4 ,on the contrary1 when those ,planets are in opposition to the ,sun1 they are on the same side of the ,sun with the ,earth1 are nearest it1 most sensible to the eye1 and revolve in the same direction with it2 but1 as their revolutions round the ,sun are slower than that of the ,earth1 they are necessarily left behind by it1 and therefore seem to revolve backwards2 as a ship which sails slower than another1 though it sails in the same direction1 appears from that other to sail backwards4 ,after the same manner1 by the same annual revolution of the ,earth1 he connected together the direct and retrograde motions of the two inferior ,planets1 as well as the stationary appearances of all the ,five4 ,there are some other particular phenomena of the two inferior ,planets1 which correspond still better to this system1 and still worse to that of ,ptolemy4 ,venus and ,mercury seem to attend constantly upon the motion of the ,sun1 appearing1 sometimes on the one side1 and sometimes on the other1 of that great luminary2 ,mercury being almost always buried in his rays1 and ,venus never receding above forty-eight degrees from him1 contrary to what is observed in the other three ,planets1 which are often seen in the opposite side of the heavens1 at the greatest possible distance from the ,sun4 ,the system of ,ptolemy accounted for this1 by supposing that the centres of the ,epicycles of these two ,planets were always in the same line with those of the ,sun and the ,earth2 that they appeared therefore in conjunction with the ,sun1 when either in the upper or lower part of their ,epicycles1 and at the greatest distance from him1 when in the sides of them4 ,it assigned1 however1 no reason why the ,epicycles of these two ,planets should observe so different a rule from that which takes place in those of the other three1 nor for the enormous ,epicycle of ,venus1 whose sides must have been forty-eight degrees distant from the ,sun1 while its centre was in conjunction with him1 and whose diameter must have covered #cei more than a quadrant of the ,great ,circle4 ,but how easily all these appearances coincide with the hypothesis1 which represents those two inferior ,planets revolving round the ,sun in orbits comprehended within the orbit of the ,earth1 is too obvious to require an explanation4 ,thus far did this new account of things render the appearances of the heavens more completely coherent than had been done by any of the former systems4 ,it did this1 too1 by a more simple and intelligible1 as well as more beautiful machinery4 ,it represented the ,sun1 the great enlightener of the universe1 whose body was alone larger than all the ,planets taken together1 as established immovable in the centre1 shedding light and heat on all the worlds that circulated around him in one uniform direction1 but in longer or shorter periods1 according to their different distances4 ,it took away the diurnal revolution of the firmament1 whose rapidity1 upon the old hypothesis1 was beyond what even thought could conceive4 ,it not only delivered the imagination from the embarrassment of ,epicycles1 but from the difficulty of conceiving these two opposite motions going on at the same time1 which the system of ,ptolemy and ,aristotle bestowed upon all the ,planets2 ,i mean1 their diurnal westward1 and periodical eastward revolutions4 ,the ,earth's revolution round its own axis took away the necessity for supposing the first1 and the second was easily conceived when by itself4 ,the ,five ,planets1 which seem1 upon all other systems1 to be objects of a species by themselves1 unlike to every thing to which the imagination has been accustomed1 when supposed to revolve along with the ,earth round the ,sun1 were naturally apprehended to be objects of the same kind with the ,earth1 habitable1 opaque1 and enlightened only by the rays of the ,sun4 ,and thus this hypothesis1 by classing them in the same species of things1 with an object that is of all others the most familiar to us1 took off that wonder and that uncertainty which the strangeness and singularity of their appearance had excited2 and thus far1 too1 better answered the great end of ,philosophy4 ,neither did the beauty and simplicity of this system alone recommend it to the imagination2 the novelty and unexpectedness of that view of nature1 which it opened to the fancy1 excited more wonder and surprise than the strangest of those appearances1 which it had been invented to render natural and familiar1 and these sentiments still more endeared it4 ,for1 though it is the end of ,philosophy1 to allay that wonder1 which either the unusual or seemingly disjointed appearances of nature excite1 yet she never triumphs so much1 as when1 in order to connect together a few1 in themselves1 perhaps1 inconsiderable objects1 she has1 if ,i may say so1 created another constitution of things1 more natural1 indeed1 and such as the imagination can more easily attend to1 but more new1 more contrary to common opinion and expectation1 than any of those appearances themselves4 ,as1 in the instance before us1 in order to connect together some seeming irregularities in the motions of #cfj the ,planets1 the most inconsiderable objects in the heavens1 and of which the greater part of mankind have no occasion to take any notice during the whole course of their lives1 she has1 to talk in the hyperbolical language of ,tycho ,brahe1 moved the ,earth from its foundations1 stopped the revolution of the ,firmament1 made the ,sun stand still1 and subverted the whole order of the ,universe4 ,such were the advantages of this new hypothesis1 as they appeared to its author1 when he first invented it4 ,but1 though that love of paradox1 so natural to the learned1 and that pleasure1 which they are so apt to take in exciting1 by the novelties of their supposed discoveries1 the amazement of mankind1 may1 notwithstanding what one of his disciples tells us to the contrary1 have had its weight in prompting ,copernicus to adopt this system2 yet1 when he had completed his ,treatise of ,revolutions1 and began coolly to consider what a strange doctrine he was about to offer to the world1 he so much dreaded the prejudice of mankind against it1 that1 by a species of continence1 of all others the most difficult to a philosopher1 he detained it in his closet for thirty years together4 ,at last1 in the extremity of old age1 he allowed it to be extorted from him1 but he died as soon as it was printed1 and before it was published to the world4 ,when it appeared in the world1 it was almost universally disapproved of1 by the learned as well as by the ignorant4 ,the natural prejudices of sense1 confirmed by education1 prevailed too much with both1 to allow them to give it a fair examination4 ,a few disciples only1 whom he himself had instructed in his doctrine1 received it with esteem and admiration4 ,one of them1 ,reinholdus1 formed1 upon this hypothesis1 larger and more accurate astronomical tables1 than what accompanied the ,treatise of ,revolutions1 in which ,copernicus had been guilty of some errors in calculation4 ,it soon appeared1 that these ,prutenic ,tables1 as they were called1 corresponded more exactly with the heavens1 than the ,tables of ,alphonsus4 ,this ought naturally to have formed a prejudice in favour of the diligence and accuracy of ,copernicus in observing the heavens4 ,but it ought to have formed none in favour of his hypothesis2 since the same observations1 and the result of the same calculations1 might have been accommodated to the system of ,ptolemy1 without making any greater alteration in that system than what ,ptolemy had foreseen1 and had even foretold should be made4 ,it formed1 however1 a prejudice in favour of both1 and the learned began to examine1 with some attention1 an hypothesis which afforded the easiest methods of calculation1 and upon which the most exact predictions had been made4 ,the superior degree of coherence1 which it bestowed upon the celestial appearances1 the simplicity and uniformity which it introduced into the real directions and velocities of the ,planets1 soon disposed many astronomers1 first to favour1 and at last to embrace a system1 which thus connected together so happily1 #cfa the most disjointed of those objects that chiefly occupied their thoughts4 ,nor can any thing more evidently demonstrate1 how easily the learned give up the evidence of their senses to preserve the coherence of the ideas of their imagination1 than the readiness with which this1 the most violent paradox in all philosophy1 was adopted by many ingenious astronomers1 notwithstanding its inconsistency with every system of physics then known in the world1 and notwithstanding the great number of other more real objections1 to which1 as ,copernicus left it1 this account of things was most justly exposed4 ,it was adopted1 however1 nor can this be wondered at1 by astronomers only4 ,the learned in all other sciences1 continued to regard it with the same contempt as the vulgar4 ,even astronomers were divided about its merit2 and many of them rejected a doctrine1 which not only contradicted the established system of ,natural ,philosophy1 but which1 considered astronomically only1 seemed1 to them1 to labour under several difficulties4 ,some of the objections against the motion of the ,earth1 that were drawn from the prejudices of sense1 the patrons of this system1 indeed1 easily enough got over4 ,they represented1 that the ,earth might really be in motion1 though1 to its inhabitants1 it seemed to be at rest2 and that the ,sun and ,fixed ,stars might really be at rest1 though from the ,earth they seemed to be in motion2 in the same manner as a ship1 which sails through a smooth sea1 seems to those who are in it1 to be at rest1 though really in motion2 while the objects which she passes along1 seem to be in motion1 though really at rest4 ,but there were some other objections1 which1 though grounded upon the same natural prejudices1 they found it more difficult to get over4 ,the earth had always presented itself to the senses1 not only as at rest1 but as inert1 ponderous1 and even averse to motion4 ,the imagination had always been accustomed to conceive it as such1 and suffered the greatest violence1 when obliged to pursue1 and attend it1 in that rapid motion which the system of ,copernicus bestowed upon it4 ,to enforce their objection1 the adversaries of this hypothesis were at pains to calculate the extreme rapidity of this motion4 ,they represented1 that the circumference of the ,earth had been computed to be above twenty-thousand miles3 if the ,earth1 therefore1 was supposed to revolve every day round its axis1 every point of it near the equator would pass over above twenty-three thousand miles in a day2 and consequently1 near a thousand miles in an hour1 and about sixteen miles in a minute2 a motion more rapid than that of a cannon ball1 or even than the swifter progress of sound4 ,the rapidity of its periodical revolution was yet more violent than that of its diurnal rotation4 ,how1 therefore1 could the imagination ever conceive so ponderous a body to be naturally endowed with so dreadful a movement8 ,the ,peripatetic ,philosophy1 the only philosophy then known in the world1 still further confirmed #cfb this prejudice4 ,that philosophy1 by a very natural1 though1 perhaps1 groundless distinction1 divided all motion into ,natural and ,violent4 ,natural motion was that which flowed from an innate tendency in the body1 as when a stone fell downwards3 ,violent motion1 that which arose from external force1 and which was1 in some measure1 contrary to the natural tendency of the body1 as when a stone was thrown upwards1 or horizontally4 ,no violent motion could be lasting2 for1 being constantly weakened by the natural tendency of the body1 it would soon be destroyed4 ,the natural motion of the ,earth1 as was evident in all its parts1 was downwards1 in a straight line to the centre2 as that of fire and air was upwards1 in a straight line from the centre4 ,it was the heavens only that revolved naturally in a circle4 ,neither1 therefore1 the supposed revolution of the ,earth round its own centre1 nor that round the ,sun1 could be natural motions2 they must therefore be violent1 and consequently could be of no long continuance4 ,it was in vain that ,copernicus replied1 that gravity was1 probably1 nothing else besides a tendency in the different parts of the same ,planet1 to unite themselves to one another2 that this tendency took place1 probably1 in the parts of the other ,planets1 as well as in those of the ,earth2 that it could very well be united with a circular motion2 that it might be equally natural to the whole body of the ,planet1 and to every part of it2 that his adversaries themselves allowed1 that a circular motion was natural to the heavens1 whose diurnal revolution was infinitely more rapid than even that motion which he had bestowed upon the ,earth2 that though a like motion was natural to the ,earth1 it would still appear to be at rest to its inhabitants1 and all the parts of it to tend in a straight line to the centre1 in the same manner as at present4 ,but this answer1 how satisfactory soever it may appear to be now1 neither did nor could appear to be satisfactory then4 ,by admitting the distinction betwixt natural and violent motions1 it was founded upon the same ignorance of mechanical principles with the objection4 ,the systems of ,aristotle and ,hipparchus supposed1 indeed1 the diurnal motion of the heavenly bodies to be infinitely more rapid than even that dreadful movement which ,copernicus bestowed upon the ,earth4 ,but they supposed1 at the same time1 that those bodies were objects of a quite different species1 from any we are acquainted with1 near the surface of the ,earth1 and to which1 therefore1 it was less difficult to conceive that any sort of motion might be natural4 ,those objects1 besides1 had never presented themselves to the senses1 as moving otherwise1 or with less rapidity1 than these systems represented them4 ,the imagination1 therefore1 could feel no difficulty in following a representation which the senses had rendered quite familiar to it4 ,but when the ,planets came to be regarded as so many ,earths1 the case was quite altered4 ,the imagination had been accustomed to conceive such objects as tending rather to rest than motion2 and this idea of their natural #cfc inertness1 encumbered1 if one may say so1 and clogged its flight whenever it endeavoured to pursue them in their periodical courses1 and to conceive them as continually rushing through the celestial spaces1 with such violent and unremitting rapidity4 ,nor were the first followers of ,copernicus more fortunate in their answers to some other objections1 which were founded indeed in the same ignorance of the laws of motion1 but which1 at the same time1 were necessarily connected with that way of conceiving things1 which then prevailed universally in the learned world4 ,if the earth1 it was said1 revolved so rapidly from west to east1 a perpetual wind would set in from east to west1 more violent than what blows in the greatest hurricanes2 a stone1 thrown westwards would fly to a much greater distance than one thrown with the same force eastwards2 as what moved in a direction1 contrary to the motion of the ,earth1 would necessarily pass over a greater portion of its surface1 than what1 with the same velocity1 moved along with it4 ,a ball1 it was said1 dropped from the mast of a ship under sail1 does not fall precisely at the foot of the mast1 but behind it2 and in the same manner1 a stone dropped from a high tower would not1 upon the supposition of the ,earth's motion1 fall precisely at the bottom of the tower1 but west of it1 the ,earth being1 in the mean time1 carried away eastward from below it4 ,it is amusing to observe1 by what1 subtile and metaphysical evasions the followers of ,copernicus endeavoured to elude this objection1 which before the doctrine of the ,composition of ,motion had been explained by ,galileo1 was altogether unanswerable4 ,they allowed1 that a ball dropped from the mast of a ship under sail would not fall at the foot of the mast1 but behind it2 because the ball1 they said1 was no part of the ship1 and because the motion of the ship was natural neither to itself nor to the ball4 ,but the stone was a part of the earth1 and the diurnal and annual revolutions of the ,earth were natural to the whole1 and to every part of it1 and therefore to the stone4 ,the stone1 therefore1 having naturally the same motion with the ,earth1 fell precisely at the bottom of the tower4 ,but this answer could not satisfy the imagination1 which still found it difficult to conceive how these motions could be natural to the earth2 or how a body1 which had always presented itself to the senses as inert1 ponderous1 and averse to motion1 should naturally be continually wheeling about both its own axis and the ,sun1 with such violent rapidity4 ,it was1 besides1 argued by ,tycho ,brahe1 upon the principles of the same philosophy which had afforded both the objection and the answer1 that even upon the supposition1 that any such motion was natural to the whole body of the ,earth1 yet the stone1 which was separated from it1 could no longer be actuated by that motion4 ,the limb1 which is cut off from an animal1 loses those animal motions which were natural to the whole4 ,the branch1 which is cut off from the trunk1 loses that vegetative #cfd motion which is natural to the whole tree4 ,even the metals1 minerals1 and stones1 which were dug out from the bosom of the ,earth1 lose those motions which occasioned their production and increase1 and which were natural to them in their original state4 ,though the diurnal and annual motion of the ,earth1 therefore1 had been natural to them while they were contained in its bosom1 it could no longer be so when they were separated from it4 ,tycho ,brahe1 the great restorer of the science of the heavens1 who had spent his life1 and wasted his fortune upon the advancement of ,astronomy1 whose observations were both more numerous and more accurate than those of all the astronomers who had gone before him1 was himself so much affected by the force of this objection1 that1 though he had never mentioned the system of ,copernicus without some note of high admiration he had conceived for its author1 he could never himself be induced to embrace it2 yet all his astronomical observations tended to confirm it4 ,they demonstrated1 that ,venus and ,mercury were sometimes above1 and sometimes below the ,sun2 and that1 consequently1 the ,sun1 and not the ,earth1 was the centre of their periodical revolutions4 ,they showed1 that ,mars1 when in his meridian at midnight1 was nearer to the ,earth than the ,earth is to the ,sun2 though1 when in conjunction with the ,sun1 he was much more remote from the ,earth than that luminary2 a discovery which was absolutely inconsistent with the system of ,ptolemy1 which proved1 that the ,sun1 and not the ,earth1 was the centre of the periodical revolutions of ,mars1 as well as of ,venus and ,mercury2 and which demonstrated that the ,earth was placed betwixt the orbits of ,mars and ,venus4 ,they made the same thing probable with regard to ,jupiter and ,saturn2 that they1 too1 revolved round the ,sun2 and that1 therefore1 the ,sun1 if not the centre of the universe1 was at least1 that of the planetary system4 ,they proved that ,comets were superior to the ,moon1 and moved through the heavens in all possible directions2 an observation incompatible with the ,solid ,spheres of ,aristotle and ,purbach1 and which1 therefore1 overturned the physical part1 at least1 of the established systems of ,astronomy4 ,all these observations1 joined to his aversion to the system1 and perhaps1 notwithstanding the generosity of his character1 some little jealousy for the fame of ,copernicus1 suggested to ,tycho the idea of a new hypothesis1 in which the ,earth continued to be1 as in the old account1 the immovable centre of the universe1 round which the firmament revolved every day from east to west1 and1 by some secret virtue1 carried the ,sun1 the ,moon1 and the ,five ,planets along with it1 notwithstanding their immense distance1 and notwithstanding that there was nothing betwixt it and them but the most fluid ether4 ,but1 although all these seven bodies thus obeyed the diurnal revolution of the ,firmament1 they had each of them1 as in the old system1 too1 a #cfe contrary periodical eastward revolution of their own1 which made them appear to be every day1 more or less1 left behind by the ,firmament4 ,the ,sun was the centre of the periodical revolutions of the ,five ,planets2 the ,earth1 that of the ,sun and ,moon4 ,the ,five ,planets followed the ,sun in his periodical revolution round the ,earth1 as they did the ,firmament in its diurnal rotation4 ,the three superior ,planets comprehended the ,earth within the orbit in which they revolved round the ,sun1 and had each of them an ,epicycle to connect together1 in the same manner as in the system of ,ptolemy1 their direct1 retrograde1 and stationary appearances4 ,as1 notwithstanding their immense distance1 they followed the ,sun in his periodical revolution round the ,earth1 keeping always at an equal distance from him1 they were necessarily brought much nearer to the ,earth when in opposition to the ,sun1 than than when in conjunction with him4 ,mars1 the nearest of them1 when in his meridian at midnight1 came within the orbit which the ,sun described round the ,earth1 and consequently was then nearer to the ,earth than the ,earth was to the ,sun4 ,the appearances of the two inferior ,planets were explained1 in the same manner1 as in the system of ,copernicus1 and consequently required no ,epicycle to connect them4 ,the circles in which the ,five ,planets performed their periodical revolutions round the ,sun1 as well as those in which the ,sun and ,moon performed theirs round the ,earth1 were1 as both in the old and new hypothesis1 ,eccentric ,circles1 to connect together their differently accelerated and retarded motions4 ,such was the system of ,tycho ,brahe1 compounded1 as is evident1 out of these of ,ptolemy and ,copernicus2 happier than that of ,ptolemy1 in the account which it gives of the motions of the two inferior ,planets2 more complex1 by supposing the different revolutions of all the ,five to be performed round two different centres2 the diurnal round the ,earth1 the periodical round the ,sun1 but1 in every respect1 more complex and more incoherent than that of ,copernicus4 ,such1 however1 was the difficulty that mankind felt in conceiving the motion of the ,earth1 that it long balanced the reputation of that otherwise more beautiful system4 ,it may be said1 that those who considered the heavens only1 favoured the system of ,copernicus1 which connected so happily all the appearances which presented themselves there2 but that those who looked upon the ,earth1 adopted the account of ,tycho ,brahe1 which1 leaving it at rest in the centre of the universe1 did less violence to the usual habits of the imagination4 ,the learned were1 indeed1 sensible of the intricacy1 and of the many incoherences of that system2 that it gave no account why the ,sun1 ,moon1 and ,five ,planets1 should follow the revolution of the ,firmament2 or why the ,five ,planets1 notwithstanding the immense distance of the three superior ones1 should obey the periodical motion of the ,sun2 or why the ,earth1 though placed between the orbits of ,mars and ,venus1 should remain immovable in the centre #cff of the ,firmament1 and constantly resist the influence of whatever it was1 which carried bodies that were so much larger than itself1 and that were placed on all sides of it1 periodically round the ,sun4 ,tycho ,brahe died before he had fully explained his system4 ,his great and merited renown disposed many of the learned to believe1 that1 had his life been longer1 he would have connected together many of these incoherences1 and knew methods of adapting his system to some other appearances1 with which none of his followers could connect it4 ,the objection to the system of ,copernicus1 which was drawn from the nature of motion1 and that was most insisted on by ,tycho ,brahe1 was at last fully answered by ,galileo2 not1 however1 till about thirty years after the death of ,tycho1 and about a hundred after that of ,copernicus4 ,it was then that ,galileo1 by explaining the nature of the composition of motion1 by showing1 both from reason and experience1 that a ball dropped from the mast of a ship under sail would fall precisely at the foot of the mast1 and by rendering this doctrine1 from a great number of other instances1 quite familiar to the imagination1 took off1 perhaps1 the principal objection which had been made to this hypothesis of the astronomers4 ,several other astronomical difficulties1 which encumbered this account of things1 were removed by the same philosopher4 ,copernicus1 after altering the centre of the world1 and making the ,earth1 and all the ,planets revolve round the ,sun1 was obliged to leave the ,moon to revolve round the ,earth as before4 ,but no example of any such secondary ,planet having then been discovered in the heavens1 there seemed still to be this irregularity remaining in the system4 ,galileo1 who first applied telescopes to ,astronomy1 discovered1 by their assistance1 the ,satellites of ,jupiter1 which1 revolving round that ,planet1 at the same time that they were carried along with it in its revolution1 round either the ,earth1 or the ,sun1 made it seem less contrary to the analogy of nature1 that the ,moon should both revolve round the ,earth1 and accompany her in her revolution round the ,sun4 ,it had been objected to ,copernicus1 that1 if ,venus and ,mercury revolved round the ,sun in an orbit comprehended within the orbit of the ,earth1 they would show all the same phases with the ,moon2 present1 sometimes their darkened1 and sometimes their enlightened sides to the ,earth1 and sometimes part of the one1 and part of the other4 ,he answered1 that they undoubtedly did all this2 but that their smallness and distance hindered us from perceiving it4 ,this very bold assertion of ,copernicus was confirmed by ,galileo4 ,his telescopes rendered the phases of ,venus quite sensible1 and thus demonstrated1 more evidently than had been done1 even by the observations of ,tycho ,brahe1 the revolutions of these two ,planets round the ,sun1 as well as so far destroyed the system of ,ptolemy4 ,the mountains and seas1 which1 by the help of the same instrument1 #cfg he discovered1 or imagined he had discovered in the ,moon1 rendering that ,planet1 in every respect1 similar to the ,earth1 made it seem less contrary to the analogy of nature1 that1 as the ,moon revolved round the ,earth1 the ,earth should revolve round the ,sun4 ,the spots which1 in the same manner1 he discovered in the ,sun1 demonstrating1 by their motion1 the revolution of the ,sun round his axis1 made it seem less improbable that the ,earth1 a body so much smaller than the ,sun1 should likewise revolve round her axis in the same manner4 ,succeeding telescopical observations1 discovered1 in each of the ,five ,planets1 spots not unlike those which ,galileo had observed in the ,moon1 and thereby seemed to demonstrate what ,copernicus had only conjectured1 that the ,planets were naturally opaque1 enlightened only by the rays of the ,sun1 habitable1 diversified by seas and mountains1 and1 in every respect1 bodies of the same kind with the earth2 and thus added one other probability to this system4 ,by discovering1 too1 that each of the ,planets revolved round its own axis1 at the same time that it was carried round either the ,earth or the ,sun1 they made it seem quite agreeable to the analogy of nature1 that the ,earth1 which1 in every other respect1 resembled the ,planets1 should1 like them too1 revolve round its own axis1 and at the same time perform its periodical motion round the ,sun4 ,while1 in ,italy1 the unfortunate ,galileo was adding so many probabilities to the system of ,copernicus1 there was another philosopher employing himself in ,germany1 to ascertain1 correct1 and improve it2 ,kepler1 with great genius1 but without the taste1 or the order and method of ,galileo1 possessed1 like all his other countrymen1 the most laborious industry1 joined to that passion for discovering proportions and resemblances betwixt the different parts of nature1 which1 though common to all philosophers1 seems1 in him1 to have been excessive4 ,he had been instructed1 by ,mstlinus1 in the system of ,copernicus2 and his first curiosity was1 as he tells us1 to find out1 why the ,planets1 the ,earth being counted for one1 were ,six in number2 why they were placed at such irregular distances from the ,sun2 and whether there was any uniform proportion betwixt their several distances1 and the times employed in their periodical revolutions4 ,till some reason1 or proportion of this kind1 could be discovered1 the system did not appear to him to be completely coherent4 ,he endeavoured1 first1 to find it in the proportions of numbers1 and plain figures2 afterwards1 in those of the regular solids2 and1 last of all1 in those of the musical divisions of the ,octave4 ,whatever was the science which ,kepler was studying1 he seems constantly to have pleased himself with finding some analogy betwixt it and the system of the universe2 and thus1 arithmetic and music1 plane and solid geometry1 came all of them by turns to illustrate the doctrine of the ,sphere1 in the explaining of which he was1 by his #cfh profession1 principally employed4 ,tycho ,brahe1 to whom he had presented one of his books1 though he could not but disapprove of his system1 was pleased1 however1 with his genius1 and with his indefatigable diligence in making the most laborious calculations4 ,that generous and magnificent ,dane invited the obscure and indigent ,kepler to come and live with him1 and communicated to him1 as soon as he arrived1 his observations upon ,mars1 in the arranging and methodizing of which his disciples were at that time employed4 ,kepler1 upon comparing them with one another1 found1 that the orbit of ,mars was not a perfect circle2 that one of its diameters was somewhat longer than the other2 and that it approached to an oval1 or an ellipse1 which had the ,sun placed in one of its foci4 ,he found1 too1 that the motion of the ,planet was not equable2 that it was swiftest when nearest the ,sun1 and slowest when furthest from him2 and that its velocity gradually increased1 or diminished1 according as it approached or receded from him4 ,the observations of the same astronomer discovered to him1 though not so evidently1 that the same things were true of all the other ,planets2 that their orbits were elliptical1 and that their motions were swiftest when nearest the ,sun1 and slowest when furthest from him4 ,they showed the same things1 too1 of the ,sun1 if supposed to revolve round the ,earth2 and consequently of the ,earth1 if it also was supposed to revolve round the ,sun4 ,that the motions of all the heavenly bodies were perfectly circular1 had been the fundamental idea upon which every astronomical hypothesis1 except the irregular one of the ,stoics1 had been built4 ,a circle1 as the degree of its curvature is every where the same1 is of all curve lines the simplest and the most easily conceived4 ,since it was evident1 therefore1 that the heavenly bodies did not move in straight lines1 the indolent imagination found1 that it could most easily attend to their motions if they were supposed to revolve in perfect circles4 ,it had1 upon this account1 determined that a circular motion was the most perfect of all motions1 and that none but the most perfect motion could be worthy of such beautiful and divine objects2 and it had upon this account1 so often1 in vain1 endeavoured to adjust to the appearances1 so many different systems1 which all supposed them to revolve in this perfect manner4 ,the equality of their motions was another fundamental idea1 which1 in the same manner1 and for the same reason1 was supposed by all the founders of astronomical systems4 ,for an equal motion can be more easily attended to1 than one that is continually either accelerated or retarded4 ,all inconsistency1 therefore1 was declared to be unworthy those bodies which revolved in the celestial regions1 and to be fit only for inferior and sublunary things4 ,the calculations of ,kepler overturned1 with regard to the ,planets1 both these natural prejudices of the imagination2 destroyed their circular orbits2 and introduced into their #cfi real motions1 such an equality as no equalizing circle would remedy4 ,it was1 however1 to render their motion perfectly equable1 without even the assistance of a equalizing circle1 that ,copernicus1 as he himself assures us1 had originally invented his system4 ,since the calculations of ,kepler1 therefore1 overturned what ,copernicus had principally in view in establishing his system1 we cannot wonder that they should at first seem rather to embarrass than improve it4 ,it is true1 by these elliptical orbits and unequal motions1 ,kepler disengaged the system from the embarrassment of those small ,epicycles1 which ,copernicus1 in order to connect the seemingly accelerated and retarded movements of the ,planets1 with their supposed real equality1 had been obliged to leave in it4 ,for it is remarkable1 that though ,copernicus had delivered the orbits of the ,planets from the enormous ,epicycles of ,hipparchus1 that though in this consisted the great superiority of his system above that of the ancient astronomers1 he was yet obliged1 himself1 to abandon1 in some measure1 this advantage1 and to make use of some small ,epicycles1 to join together those seeming irregularities4 ,his ,epicycles indeed1 like the irregularities for whose sake they were introduced1 were but small ones1 and the imaginations of his first followers seem1 accordingly1 either to have slurred them over altogether1 or scarcely to have observed them4 ,neither ,galileo1 nor ,gassendi1 the two most eloquent of his defenders1 take any notice of them4 ,nor does it seem to have been generally attended to1 that there was any such thing as ,epicycles in the system of ,copernicus1 till ,kepler1 in order to vindicate his own elliptical orbits1 insisted1 that even1 according to ,copernicus1 the body of the ,planet was to be found but at two different places in the circumference of that circle which the centre of its ,epicycle described4 ,it is true1 too1 that an ellipse is1 of all curve lines after a circle1 the simplest and most easily conceived2 and it is true1 besides all this1 that1 while ,kepler took from the motion of the ,planets the easiest of all proportions1 that of equality1 he did not leave them absolutely without one1 but ascertained the rule by which their velocities continually varied2 for a genius so fond of analogies1 when he had taken away one1 would be sure to substitute another in its room4 ,notwithstanding all this1 notwithstanding that his system was better supported by observations than any system had ever been before1 yet1 such was the attachment to the equal motions and circular orbits of the ,planets1 that it seems1 for some time1 to have been in general but little attended to by the learned1 to have been altogether neglected by philosophers1 and not much regarded even by astronomers4 ,gassendi1 who began to figure in the world about the latter days of ,kepler1 and who was himself no mean astronomer1 seems indeed to have conceived a good deal of esteem for his diligence and accuracy in accommodating the observations of ,tycho ,brahe to the system of #cgj ,copernicus4 ,but ,gassendi appears to have had no comprehension of the importance of those alterations which ,kepler had made in that system1 as is evident from his scarcely ever mentioning them in the whole course of his voluminous writings upon ,astronomy4 ,des ,cartes1 the contemporary and rival of ,gassendi1 seems to have paid no attention to them at all1 but to have built his ,theory of the ,heavens1 without any regard to them4 ,even those astronomers1 whom a serious attention had convinced of the justness of his corrections1 were still so enamoured with the circular orbits and equal motion1 that they endeavoured to compound his system with those ancient but natural prejudices4 ,thus1 ,ward endeavoured to show that1 though the ,planets moved in elliptical orbits1 which had the ,sun in one of their foci1 and though their velocities in the elliptical line were continually varying1 yet1 if a ray was supposed to be extended from the centre of any one of them to the other focus1 and to be carried along by the periodical motion of the ,planet1 it would make equal angles in equal times1 and consequently cut off equal portions of the circle of which that other focus was the centre4 ,to one1 therefore1 placed in that focus1 the motion of the ,planet would appear to be perfectly circular and perfectly equable1 in the same manner as in the ,equalizing ,circles of ,ptolemy and ,hipparchus4 ,thus ,bouillaud1 who censured this hypothesis of ,ward1 invented another of the same kind1 infinitely more whimsical and capricious4 ,the ,planets1 according to that astronomer1 always revolve in circles2 for that being the most perfect figure1 it is impossible they should revolve in any other4 ,no one of them1 however1 continues to move in any one circle1 but is perpetually passing from one to another1 through an infinite number of circles1 in the course of each revolution2 for an ellipse1 said he1 is an oblique section of a cone1 and in a cone1 betwixt the two vortices of the ellipse there is an infinite number of circles1 out of the infinitely small portions of which the elliptical line is compounded4 ,the ,planet1 therefore which moves in this line1 is1 in every point of it1 moving in an infinitely small portion of a certain circle4 ,the motion of each ,planet1 too1 according to him1 was necessarily1 for the same reason1 perfectly equable4 ,an equable motion being the most perfect of all motions4 ,it was not1 however1 in the elliptical line1 that it was equable1 but in any one of the circles that were parallel to the base of that cone1 by whose section this elliptical line had been formed3 for1 if a ray was extended from the ,planet to any one of those circles1 and carried along by its periodical motion1 it would cut off equal portions of that circle in equal times2 another most fantastical equalising circle1 supported by no other foundation besides the frivolous connection between a cone and an ellipse1 and recommended by nothing but the natural passion for circular orbits and equable motions4 ,it may be regarded as the last effort of this passion1 and may serve to show the force of that principle which could #cga thus oblige this accurate observer1 and great improver of the ,theory of the ,heavens1 to adopt so strange an hypothesis4 ,such was the difficulty and hesitation with which the followers of ,copernicus adopted the corrections of ,kepler4 ,the rule1 indeed1 which ,kepler ascertained for determining the gradual acceleration or retardation in the movement of the ,planets1 was intricate1 and difficult to be comprehended2 it could therefore but little facilitate the progress of the imagination in tracing those revolutions which were supposed to be conducted by it4 ,according to that astronomer1 if a straight line was drawn from the centre of each ,planet to the ,sun1 and carried along by the periodical motion of the ,planet1 it would describe equal areas in equal times1 though the ,planet did not pass over equal spaces2 and the same rule he found1 took place nearly with regard to the ,moon4 ,the imagination1 when acquainted with the law by which any motion is accelerated or retarded1 can follow and attend to it more easily1 than when at a loss1 and1 as it were1 wandering in uncertainty with regard to the proportion which regulates its varieties2 the discovery of this analogy therefore1 no doubt1 rendered the system of ,kepler more agreeable to the natural taste of mankind3 it1 was1 however1 an analogy too difficult to be followed1 or comprehended1 to render it completely so4 ,kepler1 besides this1 introduced another new analogy into the system1 and first discovered1 that there was one uniform relation observed betwixt the distances of the ,planets from the ,sun1 and the times employed in their periodical motions4 ,he found1 that their periodical times were greater than in proportion to their distances1 and less than in proportion to the squares of those distances2 but1 that they were nearly as the mean proportionals betwixt their distances and the squares of their distances2 or1 in other words1 that the squares of their periodical times were nearly as the cubes of their distances2 an analogy1 which1 though1 like all others1 it no doubt rendered the system somewhat more distinct and comprehensible1 was1 however1 as well as the former1 of too intricate a nature to facilitate very much the effort of the imagination in conceiving it4 ,the truth of both these analogies1 intricate as they were1 was at last fully established by the observations of ,cassini4 ,that astronomer first discovered1 that the secondary ,planets of ,jupiter and ,saturn revolved round their primary ones1 according to the same laws which ,kepler had observed in the revolutions of the primary ones round the ,sun1 and that of the ,moon round the earth2 that each of them described equal areas in equal times1 and that the squares of their periodic times were as the cubes of their distances4 ,when these two last abstruse analogies1 which1 when ,kepler at first observed them1 were but little regarded1 had been thus found to take place in the revolutions of the ,four ,satellites of ,jupiter1 and in those of the ,five of ,saturn1 they were #cgb now thought not only to confirm the doctrine of ,kepler1 but to add a new probability to the ,copernican hypothesis4 ,the observations of ,cassini seem to establish it as a law of the system1 that1 when one body revolved round another1 it described equal areas in equal times2 and that1 when several revolved round the same body1 the squares of their periodic times were as the cubes of their distances4 ,if the ,earth and the ,five ,planets were supposed to revolve round the ,sun1 these laws1 it was said1 would take place universally4 ,but if1 according to the system of ,ptolemy1 the ,sun1 ,moon1 and ,five ,planets were supposed to revolve round the ,earth1 the periodical motions of the ,sun and ,moon1 would1 indeed1 observe the first of these laws1 would each of them describe equal areas in equal times2 but they would not observe the second1 the squares of their periodic times would not be as the cubes of their distances3 and the revolutions of the ,five ,planets would observe neither the one law nor the other4 ,or if1 according to the system of ,tycho ,brahe1 the ,five ,planets were supposed to revolve round the ,sun1 while the ,sun and ,moon revolved round the ,earth1 the revolutions of the ,five ,planets round the ,sun1 would1 indeed1 observe both these laws2 but those of the ,sun and ,moon round the ,earth would observe only the first of them4 ,the analogy of nature1 therefore1 could be preserved completely1 according to no other system but that of ,copernicus1 which1 upon that account1 must be the true one4 ,this argument is regarded by ,voltaire1 and the ,cardinal of ,polignac1 as an irrefragable demonstration2 even ,m',laurin1 who was more capable of judging1 nay1 ,newton himself1 seems to mention it as one of the principal evidences for the truth of that hypothesis4 ,yet1 an analogy of this kind1 it would seem1 far from a demonstration1 could afford1 at most1 but the shadow of a probability4 ,it is true1 that though ,cassini supposed the ,planets to revolve in an oblong curve1 it was in a curve somewhat different from that of ,kepler4 ,in the ellipse1 the sum of the two lines which are drawn from any one point in the circumference to the two foci1 is always equal to that of those which are drawn from any other point in the circumference to the same foci4 ,in the curve of ,cassini1 it is not the sum of the lines1 but the rectangles which are contained under the lines1 that are always equal4 ,as this1 however1 was a proportion more difficult to be comprehended by astronomers than the other1 the curve of ,cassini has never had the vogue4 ,nothing now embarrassed the system of ,copernicus1 but the difficulty which the imagination felt in conceiving bodies so immensely ponderous as the ,earth and the other ,planets revolving round the ,sun with such incredible rapidity4 ,it was in vain that ,copernicus pretended1 that1 notwithstanding the prejudices of sense1 this circular motion might be as natural to the ,planets1 as it is to a stone to fall to the ground4 ,the imagination had been accustomed to conceive such #cgc objects as tending rather to rest than motion4 ,this habitual idea of their natural inertness was incompatible with that of their natural motion4 ,it was in vain that ,kepler1 in order to assist the fancy in connecting together this natural inertness with their astonishing velocities1 talked of some vital and immaterial virtue1 which was shed by the ,sun into the surrounding spaces1 which was whirled about with his revolution round his own axis1 and which1 taking hold of the ,planets1 forced them1 in spite of their ponderousness and strong propensity to rest1 thus to whirl about the centre of the system4 ,the imagination had no hold of this immaterial virtue1 and could form no determinate idea of what it consisted in4 ,the imagination1 indeed1 felt a gap1 or interval1 betwixt the constant motion and the supposed inertness of the ,planets1 and had in this1 as in all other cases1 some general idea or apprehension that there must be a connecting chain of intermediate objects to link together these discordant qualities4 ,wherein this connecting chain consisted1 it was1 indeed1 at a loss to conceive2 nor did the doctrine of ,kepler lend it any assistance in this respect4 ,that doctrine1 like almost all those of the philosophy in fashion during his time1 bestowed a name upon this invisible chain1 called it an immaterial virtue1 but afforded no determinate idea of what was its nature4 ,des ,cartes was the first who attempted to ascertain1 precisely1 wherein this invisible chain consisted1 and to afford the imagination a train of intermediate events1 which1 succeeding each other in an order that was of all others the most familiar to it1 should unite those incoherent qualities1 the rapid motion1 and the natural inertness of the ,planets4 ,des ,cartes was the first who explained wherein consisted the real inertness of matter2 that it was not in an aversion to motion1 or in a propensity to rest1 but in a power of continuing indifferently either at rest of in motion1 and of resisting1 with a certain force1 whatever endeavoured to change its state from the one to the other4 ,according to that ingenious and fanciful philosopher1 the whole of infinite space was full of matter1 for with him matter and extension were the same1 and consequently there could be no void4 ,this immensity of matter1 he supposed to be divided into an infinite number of very small cubes2 all of which1 being whirled about upon their own centres1 necessarily gave occasion to the production of two different elements4 ,the first consisted of those angular parts1 which1 having been necessarily rubbed off1 and grinded yet smaller by their mutual friction1 constituted the most subtle and movable part of matter4 ,the second consisted of those little globules that were formed by the rubbing off of the first4 ,the interstices betwixt these globules of the second element was filled up by the particles of the first4 ,but in the infinite collisions1 which must occur in an infinite space filled with matter1 and all in motion1 it must necessarily happen that many of the globules of the second element should be broken and grinded down into the first4 ,the quantity #cgd of the first element having been thus increased beyond what was sufficient to fill up the interstices of the second1 it must1 in many places1 have been heaped up together1 without any mixture of the second along with it4 ,such1 according to ,des ,cartes1 was the original division of matter4 ,upon this infinitude of matter thus divided1 a certain quantity of motion was originally impressed by the ,creator of all things1 and the laws of motion were so adjusted as always to preserve the same quantity in it1 without increase1 and without diminution4 ,whatever motion was lost by one part of matter1 was communicated to some other2 and whatever was acquired by one part of matter1 was derived from some other3 and thus1 through an eternal revolution1 from rest to motion1 and from motion to rest1 in every part of the universe1 the quantity of motion in the whole was always the same4 ,but1 as there was no void1 no one part of matter could be moved without thrusting some other out of its place1 nor that without thrusting some other1 and so on4 ,to avoid1 therefore1 an infinite progress1 he supposed that the matter which any body pushed before it1 rolled immediately backwards1 to supply the place of that matter which flowed in behind it2 and as we may observe in the swimming of a fish1 that the water which it pushes before it1 immediately rolls backward1 to supply the place of what flows in behind it1 and thus forms a small circle or vortex round the body of the fish4 ,it was1 in the same manner1 that the motion originally impressed by the ,creator upon the infinitude of matter1 necessarily produced in it an infinity of greater and smaller vortices1 or circular streams3 and the law of motion being so adjusted as always to preserve the same quantity of motion in the universe1 those vortices either continued for ever1 or by their dissolution gave birth to others of the same kind4 ,there was1 thus1 at all times1 an infinite number of greater and smaller vortices1 or circular streams1 revolving in the universe4 ,but1 whatever moves in a circle1 is constantly endeavouring to fly off from the centre of its revolution4 ,for the natural motion of all bodies is in a straight line4 ,all the particles of matter1 therefore1 in each of those greater vortices1 were continually pressing from the centre to the circumference1 with more or less force1 according to the different degrees of their bulk and solidity4 ,the larger and more solid globules of the second element forced themselves upwards to the circumference1 while the smaller1 more yielding1 and more active particles of the first1 which could flow1 even through the interstices of the second1 were forced downwards to the centre4 ,they were forced downwards to the centre1 notwithstanding their natural tendency was upwards to the circumference2 for the same reason that a piece of wood1 when plunged in water1 is forced upwards to the surface1 notwithstanding its natural tendency is downwards to the bottom2 because its tendency downwards is less strong than that of the particles of water1 which1 therefore1 #cge if one may say so1 press in before it1 and thus force it upwards4 ,but there being a greater quantity of the first element than what was necessary to fill up the interstices of the second1 it was necessarily accumulated in the centre of each of these great circular streams1 and formed there the fiery and active substance of the ,sun4 ,for1 according to that philosopher1 the ,solar ,systems were infinite in number1 each ,fixed ,star being the centre of one3 and he is among the first of the moderns1 who thus took away the boundaries of the ,universe2 even ,copernicus and ,kepler1 themselves1 having confined it within1 what they supposed1 to be the vault of the ,firmament4 ,the centre of each vortex being thus occupied by the most active and movable parts of matter1 there was necessarily among them1 a more violent agitation than in any other part of the vortex1 and this violent agitation of the centre cherished and supported the movement of the whole4 ,but1 among the particles of the first element1 which fill up the interstices of the second1 there are many1 which1 from the pressure of the globules on all sides of them1 necessarily receive an angular form1 and thus constitute a third element of particles less fit for motion than those of the other two4 ,as the particles1 however1 of this third element were formed in the interstices of the second1 they are necessarily smaller than those of the second1 and are1 therefore1 along with those of the first1 urged down towards the centre1 where1 when a number of them happen to take hold of one another1 they form such spots upon the surface of the accumulated particles of the first element1 as are often discovered by telescopes upon the face of that ,sun which enlightens and animates our particular system4 ,those spots are often broken and dispelled1 by the violent agitation of the particles of the first element1 as has hitherto happily been the case with those which have successively been formed upon the face of our ,sun4 ,sometimes1 however1 they encrust the whole surface of that fire which is accumulated in the centre2 and the communication betwixt the most active and the most inert parts of the vortex being thus interrupted1 the rapidity of its motion immediately begins to languish1 and can no longer defend it from being swallowed up and carried away by the superior violence of some other like circular stream2 and in this manner1 what was once a ,sun1 becomes a ,planet4 ,thus1 the time was1 according to this system1 when the ,moon was a body of the same kind with the ,sun1 the fiery centre of a circular stream of ether1 which flowed continually round her2 but her face having been crusted over by a congeries of angular particles1 the motion of this circular stream began to languish1 and could no longer defend itself from being absorbed by the more violent vortex of the ,earth1 which was then1 too1 a ,sun1 and which chanced to be placed in its neighbourhood4 ,the ,moon1 therefore1 became a ,planet1 and revolved round the ,earth4 ,in process of time1 the same fortune1 which had thus befallen the ,moon1 befell also #cgf the ,earth2 its face was encrusted by a gross and inactive substance2 the motion of its vortex began to languish1 and it was absorbed by the greater vortex of the ,sun3 but though the vortex of the ,earth had thus become languid1 it still had force enough to occasion both the diurnal revolution of the ,earth1 and the monthly motion of the ,moon4 ,for a small circular stream may easily be conceived as flowing round the body of the ,earth1 at the same time that it is carried along by that great ocean of ether which is continually revolving round the ,sun2 in the same manner1 as in a great whirlpool of water1 one may often see several small whirlpools1 which revolve round centres of their own1 and at the same time are carried round the centre of the great one4 ,such was the cause of the original formation and consequent motions of the ,planetary ,system4 ,when a solid body is turned round its centre1 those parts of it1 which are nearest1 and those which are remotest from the centre1 complete their revolutions in one and the same time4 ,but it is otherwise with the revolutions of a fluid2 the parts of it which are nearest the centre complete their revolutions in a shorter time1 than those which are remoter4 ,the ,planets1 therefore1 all floating1 in that immense tide of ether which is continually setting in from west to east round the body of the ,sun1 complete their revolutions in a longer or a shorter time1 according to their nearness or distance from him4 ,there was1 however1 according to ,des ,cartes1 no very exact proportion observed betwixt the times of their revolutions and their distances from the centre4 ,for that nice analogy1 which ,kepler had discovered betwixt them1 having not yet been confirmed by the observations of ,cassini1 was1 as ,i before took notice1 entirely disregarded by ,des ,cartes4 ,according to him1 too1 their orbits might not be perfectly circular1 but be longer the one way than the other1 and thus approach to an ,ellipse4 ,nor yet was it necessary to suppose1 that they described this figure with geometrical accuracy1 or even that they described always precisely the same figure4 ,it rarely happens1 that nature can be mathematically exact with regard to the figure of the objects she produces1 upon account of the infinite combinations of impulses1 which must conspire to the production of each of her effects4 ,no two ,planets1 no two animals of the same kind1 have exactly the same figure1 nor is that of any one of them perfectly regular4 ,it was in vain1 therefore1 that astronomers laboured to find that perfect constancy and regularity in the motions of the heavenly bodies1 which is to be found in no other parts of nature4 ,these motions1 like all others1 must either languish or be accelerated1 according as the cause which produces them1 the revolution of the vortex of the ,sun1 either languishes1 or is accelerated2 and there are innumerable events which may occasion either the one or the other of those changes4 ,it was thus1 that ,des ,cartes endeavoured to render familiar to the imagination1 the greatest difficulty in the ,copernican system1 the rapid #cgg motion of the enormous bodies of the ,planets4 ,when the fancy had thus been taught to conceive them as floating in an immense ocean of ether1 it was quite agreeable to its usual habits to conceive1 that they should follow the stream of this ocean1 how rapid soever4 ,this was an order of succession to which it had been long accustomed1 and with which it was1 therefore1 quite familiar4 ,this account1 too1 of the motions of the ,heavens1 was connected with a vast1 an immense system1 which joined together a greater number of the most discordant phenomena of nature1 than had been united by any other hypothesis2 a system in which the principles of connection1 though perhaps equally imaginary1 were1 however1 more distinct and determinate1 than any that had been known before2 and which attempted to trace to the imagination1 not only the order of succession by which the heavenly bodies were moved1 but that by which they1 and almost all other natural objects1 had originally been produced4--,the ,cartesian philosophy begins now to be almost universally rejected1 whilst the ,copernican system continues to be universally received4 ,yet it is not easy to imagine1 how much probability and coherence this admired system was long supposed to derive from that exploded hypothesis4 ,till ,des ,cartes had published his principles1 the disjointed and incoherent system of ,tycho ,brahe1 though it was embraced heartily and completely by scarce any body1 was yet constantly talked of by all the learned1 as1 in point of probability1 upon a level with ,copernicus4 ,they took notice1 indeed1 of its inferiority with regard to coherence and connection1 expressing hopes1 however1 that these defects might be remedied by some future improvements4 ,but when the world beheld that complete1 and almost perfect coherence1 which the philosophy of ,des ,cartes bestowed upon the system of ,copernicus1 the imaginations of mankind could no longer refuse themselves the pleasure of going along with so harmonious an account of things4 ,the system of ,tycho ,brahe was every day less and less talked of1 till at last it was forgotten altogether4 ,the system of ,des ,cartes1 however1 though it connected together the real motions of the heavenly bodies according to the system of ,copernicus1 more happily than had been done before1 did so only when they were considered in the gross2 but did not apply to them1 when they were regarded in the detail4 ,des ,cartes1 as was said before1 had never himself observed the ,heavens with any particular application4 ,though he was not ignorant1 therefore1 of any of the observations which had been made before his time1 he seems to have paid them no great degree of attention2 which1 probably1 proceeded from his own inexperience in the study of ,astronomy4 ,so far1 therefore1 from accommodating his system to all the minute irregularities1 which ,kepler had ascertained in the movements of the ,planets2 or from showing1 particularly1 how these irregularities1 and no other1 should arise from it1 he contented himself with observing1 that perfect uniformity could not #cgh be expected in their motions1 from the nature of the causes which produced them2 that certain irregularities might take place in them1 for a great number of successive revolutions1 and afterwards gave way to others of a different kind3 a remark which1 happily1 relieved him from the necessity of applying his system to the observations of ,kepler1 and the other ,astronomers4 ,but when the observations of ,cassini had established the authority of those laws1 which ,kepler had first discovered in the system1 the philosophy of ,des ,cartes1 which could afford no reason why such particular laws should be observed1 might continue to amuse the learned in other sciences1 but could no longer satisfy those that were skilled in ,astronomy4 ,sir ,isaac ,newton first attempted to give a physical account of the motions of the ,planets1 which should accommodate itself to all the constant irregularities which astronomers had ever observed in their motions4 ,the physical connection1 by which ,des ,cartes had endeavoured to bind together the movements of the ,planets1 was the laws of impulse2 of all the orders of succession1 those which are most familiar to the imagination2 as they all flow from the inertness of matter4 ,after this quality1 there is no other with which we are so well acquainted as that of gravity4 ,we never act upon matter1 but we have occasion to observe it4 ,the superior genius and sagacity of ,sir ,isaac ,newton1 therefore1 made the most happy1 and1 we may now say1 the greatest and most admirable improvement that was ever made in philosophy1 when he discovered1 that he could join together the movements of the ,planets by so familiar a principle of connection1 which completely removed all the difficulties the imagination had hitherto felt in attending to them4 ,he demonstrated1 that1 if the ,planets were supposed to gravitate towards the ,sun1 and to one another1 and at the same time to have had a projecting force originally impressed upon them1 the primary ones might all describe ellipses in one of the foci of which that great luminary was placed2 and the secondary ones might describe figures of the same kind round their respective primaries1 without being disturbed by the continual motion of the centres of their revolutions4 ,that if the force1 which retained each of them in their orbits1 was like that of gravity1 and directed towards the ,sun1 they would1 each of them1 describe equal areas in equal times4 ,that if this attractive power of the ,sun1 like all other qualities which are diffused in rays from a centre1 diminished in the same proportion as the squares of the distances increased1 their motions would be swiftest when nearest the ,sun1 and slowest when farthest off from him1 in the same proportion in which1 by observation1 they are discovered to be2 and that upon the same supposition1 of this gradual diminution of their respective gravities1 their periodic times would bear the same proportion to their distances1 which ,kepler and ,cassini had established betwixt them4 ,having thus shown1 that gravity might be the #cgi connecting principle which joined together the movements of the ,planets1 he endeavoured next to prove that it really was so4 ,experience shows us1 what is the power of gravity near the surface of the ,earth4 ,that it is such as to make a body fall1 in the first second of its descent1 through about fifteen ,parisian feet4 ,the ,moon is about sixty semidiameters of the ,earth distant from its surface4 ,if gravity1 therefore1 was supposed to diminish1 as the squares of the distance increase1 a body1 at the ,moon1 would fall towards the ,earth in a minute2 that is1 in sixty seconds1 through the same space1 which it falls near its surface in one second4 ,but the arch which the ,moon describes in a minute1 falls1 by observation1 about fifteen ,parisian feet below the tangent drawn at the beginning of it4 ,so far1 therefore1 the ,moon may be conceived as constantly falling towards the ,earth4 ,the system of ,sir ,isaac ,newton corresponded to many other irregularities which ,astronomers had observed in the ,heavens4 ,it assigned a reason1 why the centres of the revolutions of the ,planets were not precisely in the centre of the ,sun1 but in the common centre of gravity of the ,sun and the ,planets4 ,from the mutual attraction of the ,planets1 it gave a reason for some other irregularities in their motions2 irregularities1 which are quite sensible in those of ,jupiter and ,saturn1 when those ,planets are nearly in conjunction with one another4 ,but of all the irregularities in the ,heavens1 those of the ,moon had hitherto given the greatest perplexity to ,astronomers2 and the system of ,sir ,isaac ,newton corresponded1 if possible1 yet more accurately with them than with any of the other ,planets4 ,the ,moon1 when either in conjunction1 or in opposition to the ,sun1 appears furthest from the ,earth1 and nearest to it when in her quarters4 ,according to the system of that philosopher1 when she is in conjunction with the ,sun1 she is nearer the ,sun than the ,earth is2 consequently1 more attracted to him1 and1 therefore1 more separated from the ,earth4 ,on the contrary1 when in opposition to the ,sun1 she is further from the ,sun than the ,earth4 ,the ,earth1 therefore1 is more attracted to the ,sun3 and consequently1 in this case1 too1 further separated from the ,moon4 ,but1 on the other hand1 when the ,moon is in her quarters1 the ,earth and the ,moon1 being both at equal distance from the ,sun1 are equally attracted to him4 ,they would not1 upon this account alone1 therefore1 be brought nearer to one another4 ,as it is not in parallel lines however that they are attracted towards the ,sun1 but in lines which meet in his centre1 they are1 thereby1 still further approached to one another4 ,sir ,isaac ,newton computed the difference of the forces with which the ,moon and the ,earth ought1 in all those different situations1 according to his theory1 to be impelled towards one another2 and found1 that the different degrees of their approaches1 as they had been observed by ,astronomers1 corresponded exactly to his computations4 ,as the attraction of the ,sun1 in the conjunctions and oppositions1 diminishes the gravity of #chj the ,moon towards the ,earth1 and1 consequently1 makes her necessarily extend her orbit1 and1 therefore1 require a longer periodical time to finish it4 ,but1 when the ,moon and the ,earth are in that part of the orbit which is nearest the ,sun1 this attraction of the ,sun will be the greatest2 consequently1 the gravity of the ,moon towards the ,earth will there be most diminished2 her orbit be most extended2 and her periodic time be1 therefore1 the longest4 ,this is1 also1 agreeable to experience1 and in the very same proportion1 in which1 by computation1 from these principles1 it might be expected4 ,the orbit of the ,moon is not precisely in the same ,plane with that of the ,earth2 but makes a very small angle with it4 ,the points of intersection with those two ,planes1 are called1 the ,nodes of the ,moon4 ,these ,nodes of the ,moon are in continual motion1 and in eighteen or nineteen years1 revolve backwards1 from east to west1 through all the different points of the ,ecliptic4 ,for the ,moon1 after having finished her periodical revolution1 generally intersects the orbit of the ,earth somewhat behind the point where she had intersected it before4 ,but1 though the motion of the ,nodes is thus generally retrograde1 it is not always so1 but is sometimes direct1 and sometimes they appear even stationary2 the ,moon generally intersects the ,plane of the ,earth's orbit behind the point where she had intersected it in her former revolution2 but she sometimes intersects it before that point1 and sometimes in the very same point4 ,it is the situation of those ,nodes which determines the times of ,eclipses1 and their motions had1 upon this account1 at all times1 been particularly attended to by ,astronomers4 ,nothing1 however1 had perplexed them more1 than to account for these so inconsistent motions1 and1 at the same time1 preserve their so much sought-for regularity in the revolutions of the ,moon4 ,for they had no other means of connecting the appearances together than by supposing the motions which produced them1 to be1 in reality1 perfectly regular and equable4 ,the history of ,astronomy1 therefore1 gives an account of a greater number of theories invented for connecting together the motions of the ,moon1 than for connecting together those of all the other heavenly bodies taken together4 ,the theory of gravity1 connected together1 in the most accurate manner1 by the different actions of the ,sun and the ,earth1 all those irregular motions2 and it appears1 by calculation1 that the time1 the quantity1 and the duration of those direct and retrograde motions of the ,nodes1 as well as of their stationary appearances1 might be expected to be exactly such1 as the observations of ,astronomers have determined them4 ,the same principle1 the attraction of the ,sun1 which thus accounts for the motions of the ,nodes1 connects1 too1 another very perplexing irregularity in the appearances of the ,moon2 the perpetual variation in the inclination of her orbit to that of the ,earth4 ,as the ,moon revolves in an ellipse1 which has the centre of the #cha ,earth in one of its foci1 the longer axis of its orbit is called the ,line of its ,apsides4 ,this line is found1 by observation1 not to be always directed towards the same points of the ,firmament1 but to revolve forwards from west to east1 so as to pass through all the points of the ,ecliptic1 and to complete its period in about nine years2 another irregularity1 which had very much perplexed ,astronomers1 but which the theory of gravity sufficiently accounted for4 ,the ,earth had hitherto been regarded as perfectly globular1 probably for the same reason which had made men imagine1 that the orbits of the ,planets must necessarily be perfectly circular4 ,but ,sir ,isaac ,newton1 from mechanical principles1 concluded1 that1 as the parts of the ,earth must be more agitated by her diurnal revolution at the ,equator1 than at the ,poles1 they must necessarily be somewhat elevated at the first1 and flattened at the second4 ,the observation1 that the oscillations of pendulums were slower at the ,equator than at the ,poles1 seeming to demonstrate1 that gravity was stronger at the ,poles1 and weaker at the ,equator1 proved1 he thought1 that the ,equator was further from the centre than the ,poles4 ,all the measures1 however1 which had hitherto been made of the ,earth1 seemed to show the contrary1 that it was drawn out towards the ,poles1 and flattened towards the ,equator4 ,newton1 however1 preferred his mechanical computations to the former measures of ,geographers and ,astronomers2 and in this he was confirmed by the observations of ,astronomers on the figure of ,jupiter1 whose diameter at the ,pole seems to be to his diameter at the ,equator1 as twelve to thirteen2 a much greater inequality than could be supposed to take place betwixt the correspondent diameters of the ,earth1 but which was exactly proportioned to the superior bulk of ,jupiter1 and the superior rapidity with which he performs his diurnal revolutions4 ,the observations of ,astronomers at ,lapland and ,peru have fully confirmed ,sir ,isaac's system1 and have not only demonstrated1 that the figure of the ,earth is1 in general1 such as he supposed it2 but that the proportion of its axis to the diameter of its ,equator is almost precisely such as he had computed it4 ,and of all the proofs that have ever been adduced of the diurnal revolution of the ,earth1 this perhaps is the most solid and most satisfactory4 ,hipparchus1 by comparing his own observations with those of some former ,astronomers1 had found that the equinoctial points were not always opposite to the same part of the ,heavens1 but that they advanced gradually eastward by so slow a motion1 as to be scarce sensible in one hundred years1 and which would require thirty-six thousand to make a complete revolution of the ,equinoxes1 and to carry them successively through all the different points of the ,ecliptic4 ,more accurate observations discovered that this procession of the ,equinoxes was not so slow as ,hipparchus had imagined it1 and that it required somewhat less than twenty-six thousand years to give them a complete #chb revolution4 ,while the ancient system of ,astronomy1 which represented the ,earth as the immovable centre of the universe1 took place1 this appearance was necessarily accounted for1 by supposing that the ,firmament1 besides its rapid diurnal revolution round the poles of the ,equator1 had likewise a slow periodical one round those of the ,ecliptic4 ,and when the system of ,hipparchus was by the schoolmen united with the solid ,spheres of ,aristotle1 they placed a new crystalline ,sphere above the ,firmament1 in order to join this motion to the rest4 ,in the ,copernican system1 this appearance had hitherto been connected with the other parts of that hypothesis1 by supposing a small revolution in the ,earth's axis from east to west4 ,sir ,isaac ,newton connected this motion by the same principle of gravity1 by which he had united all the others1 and showed1 how the elevation of the parts of the ,earth at the ,equator must1 by the attraction of the ,sun1 produce the same retrograde motion of the ,nodes of the ,ecliptic1 which it produced of the ,nodes of the ,moon4 ,he computed the quantity of motion which could arise from this action of the ,sun1 and his calculations here too corresponded with the observations of ,astronomers4 ,comets have hitherto1 of all the appearances in the ,heavens1 been the least attended to by ,astronomers4 ,the rarity and inconstancy of their appearance1 seemed to separate them entirely from the constant1 regular1 and uniform objects in the ,heavens1 and to make them resemble more the inconstant1 transitory1 and accidental phenomena of those regions that are in the neighbourhood of the ,earth4 ,aristotle1 ,eudoxus1 ,hipparchus1 ,ptolemy1 and ,purbach1 therefore1 had all degraded them below the ,moon1 and ranked them among the meteors of the upper regions of the air4 ,the observations of ,tycho ,brahe demonstrated1 that they ascended into the celestial regions1 and were often higher than ,venus or the ,sun4 ,des ,cartes1 at random1 supposed them to be always higher than even the orbit of ,saturn2 and seems1 by the superior elevation he thus bestowed upon them1 to have been willing to compensate that unjust degradation which they had suffered for so many ages before4 ,the observations of some later ,astronomers demonstrated1 that they too revolved about the ,sun1 and might therefore be parts of the ,solar ,system4 ,newton accordingly applied his mechanical principle of gravity to explain the motions of these bodies4 ,that they described equal areas in equal times1 had been discovered by the observations of some later ,astronomers2 and ,newton endeavoured to show how from this principle1 and those observations1 the nature and position of their several orbits might be ascertained1 and their periodic times determined4 ,his followers have1 from his principles1 ventured even to predict the returns of several of them1 particularly of one which is to make its appearance in #ageh4a ,we must wait for that time #chc before we can determine1 whether his philosophy corresponds as happily to this part of the system as to all the others4 ,in the meantime1 however1 the ductility of this principle1 which applied itself so happily to these1 the most irregular of all the celestial appearances1 and which has introduced such complete coherence into the motions of all the ,heavenly ,bodies1 has served not a little to recommend it to the imaginations of mankind4 ,footnote #a3 ,it must be observed1 that the whole of this ,essay was written previous to the date here mentioned2 and that the return of the comet happened agreeably to the prediction4 ,but of all the attempts of the ,newtonian philosophy1 that which would appear to be the most above the reach of human reason and experience1 is the attempt to compute the weights and densities of the ,sun1 and of the several ,planets4 ,an attempt1 however1 which was indispensably necessary to complete the coherence of the ,newtonian system4 ,the power of attraction which1 according to the theory of gravity1 each body possesses1 is in proportion to the quantity of matter contained in that body4 ,but the periodic time in which one body1 at a given distance1 revolves round another that attracts it1 is shorter in proportion as this power is greater1 and consequently as the quantity of matter in the attracting body4 ,if the densities of ,jupiter and ,saturn were the same with that of the ,earth1 the periodic times of their several ,satellites would be shorter than by observation they are found to be4 ,because the quantity of matter1 and consequently the attracting power of each of them1 would be as the cubes of their diameters4 ,by comparing the bulks of those ,planets1 and the periodic times of their ,satellites1 it is found that1 upon the hypothesis of gravity1 the density of ,jupiter must be greater than that of ,saturn1 and the density of the ,earth greater than that of ,jupiter4 ,this seems to establish it as a law in the system1 that the nearer the several ,planets approach to the ,sun1 the density of their matter is the greater3 a constitution of things which seems to be the most advantageous of any that could have been established2 as water of the same density with that of our ,earth1 would freeze under the ,equator of ,saturn1 and boil under that of ,mercury4 ,such is the system of ,sir ,isaac ,newton1 a system whose parts are all more strictly connected together1 than those of any other philosophical hypothesis4 ,allow his principle1 the universality of gravity1 and that it decreases as the squares of the distance increase1 and all the appearances1 which he joins together by it1 necessarily follow4 ,neither is their connection merely a general and loose connection1 as that of most other systems1 in which either these appearances1 or some such like appearances1 might indifferently have been expected4 ,it is everywhere the most precise and particular that can be imagined1 and ascertains the time1 the place1 the quantity1 the duration of each individual phenomenon1 to be exactly such as1 by observation1 they have been determined to be4 ,neither are the principles of union1 which it employs1 such as the imagination can find any difficulty in going along with4 ,the gravity of matter is1 of all its qualities1 after its inertness1 #chd that which is most familiar to us4 ,we never act upon it without having occasion to observe this property4 ,the law too1 by which it is supposed to diminish as it recedes from its centre1 is the same which takes place in all other qualities which are propagated in rays from a centre1 in light1 and in every thing else of the same kind4 ,it is such1 that we not only find that it does take place in all such qualities1 but we arc necessarily determined to conceive that1 from the nature of the thing1 it must take place4 ,the opposition which was made in ,france1 and in some other foreign nations1 to the prevalence of this system1 did not arise from any difficulty which mankind naturally felt in conceiving gravity as an original and primary mover in the constitution of the universe4 ,the ,cartesian system1 which had prevailed so generally before it1 had accustomed mankind to conceive motion as never beginning1 but in consequence of impulse1 and had connected the descent of heavy bodies1 near the surface of the ,earth1 and the other ,planets1 by this more general bond of union2 and it was the attachment the world had conceived for this account of things1 which indisposed them to that of ,sir ,isaac ,newton4 ,his system1 however1 now prevails over all opposition1 and has advanced to the acquisition of the most universal empire that was ever established in philosophy4 ,his principles1 it must be acknowledged1 have a degree of firmness and solidity that we should in vain look for in any other system4 ,the most sceptical cannot avoid feeling this4 ,they not only connect together most perfectly all the phenomena of the ,heavens1 which had been observed before his time2 but those also which the persevering industry and more perfect instruments of later ,astronomers have made known to us have been either easily and immediately explained by the application of his principles1 or have been explained in consequence of more laborious and accurate calculations from these principles1 than had been instituted before4 ,and even we1 while we have been endeavouring to represent all philosophical systems as mere inventions of the imagination1 to connect together the otherwise disjointed and discordant phenomena of ,nature1 have insensibly been drawn in1 to make use of language expressing the connecting principles of this one1 as if they were the real chains which ,nature makes use of to bind together her several operations4 ,can we wonder then1 that it should have gained the general and complete approbation of mankind1 and that it should now be considered1 not as an attempt to connect in the imagination the phenomena of the ,heavens1 but as the greatest discovery that ever was made by man1 the discovery of an immense chain of the most important and sublime truths1 all closely connected together1 by one capital fact1 of the reality of which we have daily experience4 99 99 99 99 99 99 99 99 99 99 99 99 99 99 99 99 #che ,note by the ,editors4 ,the ,author1 at the end of this ,essay1 left some ,notes and ,memorandums1 from which it appears1 that he considered this last part of his ,history of ,astronomy as imperfect1 and needing several additions4 ,the ,editors1 however1 chose rather to publish than suppress it4 ,it must be viewed1 not as a ,history or ,account of ,sir ,isaac ,newton's ,astronomy1 but chiefly as an additional illustration of those ,principles in the ,human ,mind which ,mr4 ,smith has pointed out to be the universal motives of ,philosophical ,researches4 ---------- ,,the ,,principles ,,which ,,lead ,,and ,,direct ,,philosophical ,,enquiries2 ,,illustrated ,,by ,,the ,,history ,,of ,,the ,,ancient ,,physics4 ----- ,,from arranging and methodizing the ,system of the ,heavens1 ,philosophy descended to the consideration of the inferior parts of ,nature1 of the ,earth1 and of the bodies which immediately surround it4 ,if the objects1 which were here presented to its view1 were inferior in greatness or beauty1 and therefore less apt to attract the attention of the mind1 they were more apt1 when they came to be attended to1 to embarrass and perplex it1 by the variety of their species1 and by the intricacy and seeming irregularity of the laws or orders of their succession4 ,the species of objects in the ,heavens are few in number2 the ,sun1 the ,moon1 the ,planets1 and the ,fixed ,stars1 are all which those philosophers could distinguish4 ,all the changes too1 which are ever observed in these bodies1 evidently arise from some difference in the velocity and direction of their several motions2 but the variety of meteors in the air1 of clouds1 rainbows1 thunder1 lightning1 winds1 rain1 hail1 snow1 is vastly greater2 and the order of their succession seems to be still more irregular and inconstant4 ,the species of fossils1 minerals1 plants1 animals1 which are found in the ,waters1 and near the surface of the ,earth1 are still more intricately diversified2 and if we regard the #chf different manners of their production1 their mutual influence in altering1 destroying1 supporting one another1 the orders of their succession seem to admit of an almost infinite variety4 ,if the imagination1 therefore1 when it considered the appearances in the ,heavens1 was often perplexed1 and driven out of its natural career1 it would be much more exposed to the same embarrassment1 when it directed its attention to the objects which the ,earth presented to it1 and when it endeavoured to trace their progress and successive revolutions4 ,to introduce order and coherence into the mind's conception of this seeming chaos of dissimilar and disjointed appearances1 it was necessary to deduce all their qualities1 operations1 and laws of succession1 from those of some particular things1 with which it was perfectly acquainted and familiar1 and along which its imagination could glide smoothly and easily1 and without interruption4 ,but as we would in vain attempt to deduce the heat of a stove from that of an open chimney1 unless we could show that the same fire which was exposed in the one1 lay concealed in the other2 so it was impossible to deduce the qualities and laws of succession1 observed in the more uncommon appearances of ,nature1 from those of such as were more familiar1 if those customary objects were not supposed1 however disguised in their appearance1 to enter into the composition of those rarer and more singular phenomena4 ,to render1 therefore1 this lower part of the great theatre of nature a coherent spectacle to the imagination1 it became necessary to suppose1 first1 ,that all the strange objects of which it consisted were made up out of a few1 with which the mind was extremely familiar3 and secondly1 ,that all their qualities1 operations and rules of succession1 were no more than different diversifications of those to which it had long been accustomed1 in these primary and elementary objects4 ,of all the bodies of which these inferior parts of the universe seem to be composed1 those with which we are most familiar1 are the ,earth1 which we tread upon2 the ,water1 which we every day use2 the ,air1 which we constantly breathe2 and the ,fire1 whose benign influence is not only required for preparing the common necessaries of life1 but for the continual support of that vital principle which actuates both plants and animals4 ,these therefore1 were by ,empedocles1 and the other philosophers of the ,italian school1 supposed to be the elements1 out of which1 at least1 all the inferior parts of nature were composed4 ,the familiarity of those bodies to the mind1 naturally disposed it to look for some resemblance to them in whatever else was presented to its consideration4 ,the discovery of some such resemblance united the new object to an assortment of things1 with which the imagination was perfectly acquainted4 ,and if any analogy could be observed betwixt the operations and laws of succession of the compound1 and those of the simple objects1 the movement of the fancy1 in tracing their progress1 #chg became quite smooth1 and natural1 and easy4 ,this natural anticipation1 too1 was still more confirmed by such a slight and inaccurate analysis of things1 as could be expected in the infancy of science1 when the curiosity of mankind1 grasping at an account of all things before it had got full satisfaction with regard to any one1 hurried on to build1 in imagination1 the immense fabric of the universe4 ,the heat1 observed in both plants and animals1 seemed to demonstrate1 that ,fire made a part of their composition4 ,air was not less necessary for the subsistence of both1 and seemed1 too1 to enter into the fabric of animals by respiration1 and into that of plants by some other means4 ,the juices which circulated through them showed how much of their texture was owing to ,water4 ,and their resolution into ,earth by putrefaction discovered that this element had not been left out in their original formation4 ,a similar analysis seemed to show the same principles in most of the other compound bodies4 ,the vast extent of those bodies seemed to render them1 upon another account1 proper to be the great stores out of which nature compounded all the other species of things4 ,earth and ,water divide almost the whole of the terrestrial globe between them4 ,the thin transparent covering of the ,air surrounds it to an immense height upon all sides4 ,fire1 with its attendant1 light1 seems to descend from the celestial regions1 and might1 therefore1 either be supposed to be diffused through the whole of those etherial spaces1 as well as to be condensed and conglobated in those luminous bodies1 which sparkle across them1 as by the ,stoics2 or1 to be placed immediately under the sphere of the ,moon1 in the region next below them1 as by the ,peripatetics1 who could not reconcile the devouring nature of ,fire with the supposed unchangeable essence of their solid and crystalline spheres4 ,the qualities1 too1 by which we are chiefly accustomed to characterize and distinguish natural bodies1 are all of them found1 in the highest degree in those ,four ,elements4 ,the great divisions of the objects1 near the surface of the ,earth1 are those into hot and cold1 moist and dry1 light and heavy4 ,these are the most remarkable properties of bodies2 and it is upon them that many of their other most sensible qualities and powers seem to depend4 ,of these1 heat and cold were naturally enough regarded by those first enquirers into nature1 as the active1 moisture and dryness1 as the passive qualities of matter4 ,it was the temperature of heat and cold which seemed to occasion the growth and dissolution of plants and animals2 as appeared evident from the effects of the change of the seasons upon both4 ,a proper degree of moisture and dryness was not less necessary for these purposes2 as was evident from the different effects and productions of wet and dry seasons and soils4 ,it was the heat and cold1 however1 which actuated and determined those two otherwise inert qualities of things1 to a state either of rest or motion4 ,gravity and levity were regarded #chh as the two principles of motion1 which directed all sublunary things to their proper place3 and all those six qualities1 taken together1 were1 upon such an inattentive view of nature1 as must be expected in the beginnings of philosophy1 readily enough apprehended to be capable of connecting together the most remarkable revolutions1 which occur in these inferior parts of the universe4 ,heat and dryness were the qualities which characterized the element of ,fire2 heat and moisture that of ,air2 moisture and cold that of ,water2 cold and dryness that of ,earth4 ,the natural motion of two of these elements1 ,earth and ,water1 was downwards1 upon account of their gravity4 ,this tendency1 however1 was stronger in the one than in the other1 upon account of the superior gravity of ,earth4 ,the natural motion of the two other elements1 ,fire and ,air1 was upwards1 upon account of their levity2 and this tendency1 too1 was stronger in the one than in the other1 upon account of the superior levity of ,fire4 ,let us not despise those ancient philosophers1 for thus supposing1 that these two elements had a positive levity1 or a real tendency upwards4 ,let us remember1 that this notion has an appearance of being confirmed by the most obvious observations2 that those facts and experiments1 which demonstrate the weight of the ,air1 and which no superior sagacity1 but chance alone1 presented to the moderns1 were altogether unknown to them2 and that1 what might1 in some measure1 have supplied the place of those experiments1 the reasonings concerning the causes of the ascent of bodies1 in fluids specifically heavier than themselves1 seem to have been unknown in the ancient world1 till ,archimedes discovered them1 long after their system of physics was completed1 and had acquired an established reputation3 that those reasonings are far from being obvious1 and that by their inventor1 they seem to have been thought applicable only to the ascent of ,solids in ,water1 and not even to that of ,solids in ,air1 much less to that of one fluid in another4 ,but it is this last only which could explain the ascent of flame1 vapours1 and fiery exhalations1 without the supposition of a specific levity4 ,thus1 each of those ,four ,elements had1 in the system of the ,universe1 a place which was peculiarly allotted to it1 and to which it naturally tended4 ,earth and ,water rolled down to the centre2 the ,air spread itself above them2 while the ,fire soared aloft1 either to the celestial region1 or to that which was immediately below it4 ,when each of those simple bodies had thus obtained its proper sphere1 there was nothing in the nature of any one of them to make it pass into the place of the other1 to make the ,fire descend into the ,air1 the ,air into the ,water1 or the ,water into the ,earth2 or1 on the contrary1 to bring up the ,earth into the place of the ,water1 the ,water into that of the ,air1 or the ,air into that of the ,fire4 ,all sublunary things1 therefore1 if left to themselves1 would have remained in an eternal repose4 ,the revolution of the heavens1 those of the ,sun1 ,moon1 and ,five ,planets1 #chi by producing the vicissitudes of ,day and ,night1 and of the ,seasons1 prevented this torpor and inactivity from reigning through the inferior parts of nature2 inflamed by the rapidity of their circumvolutions1 the element of ,fire1 and forced it violently downwards into the ,air1 into the ,water1 and into the ,earth1 and thereby produced those mixtures of the different elements which kept up the motion and circulation of the lower parts of ,nature2 occasioned1 sometimes1 the entire transmutation of one element into another1 and sometimes the production of forms and species different from them all1 and in which1 though the qualities of them all might be found1 they were so altered and attempered by the mixture1 as scarce to be distinguishable4 ,thus1 if a small quantity of ,fire was mixed with a great quantity of ,air1 the moisture and moderate warmth of the one entirely surmounted and changed into their own essence the intense heat and dryness of the other2 and the whole aggregate became ,air4 ,the contrary of which happened1 if a small quantity of ,air was mixed with a great quantity of ,fire3 the whole1 in this case1 became ,fire4 ,in the same manner1 if a small quantity of ,fire was mixed with a great quantity of ,water1 then1 either the moisture and cold of the ,water might surmount the heat and dryness of the ,fire1 so that the whole should become ,water2 or1 the moisture of the ,water might surmount the dryness of the ,fire1 while1 in its turn1 the heat of the ,fire surmounted the coldness of the ,water1 so as that the whole aggregate1 its qualities being heat and moisture1 should become ,air1 which was regarded as the more natural and easy metamorphosis of the two4 ,in the same manner they explained how like changes were produced by the different mixtures of ,fire and ,earth1 ,earth and ,water1 ,water and ,air1 ,air and ,earth2 and thus they connected together the successive transmutations of the elements into one another4 ,every mixture of the ,elements1 however1 did not produce an entire transmutation4 ,they were sometimes so blended together1 that the qualities of the one1 not being able to destroy1 served only to attemper those of the other4 ,thus ,fire1 when mixed with ,water1 produced sometimes a watery vapour1 whose qualities were heat and moisture2 which partook at once of the levity of the ,fire1 and of the gravity of the ,water1 and which was elevated by the first into the ,air1 but retained by the last from ascending into the region of ,fire4 ,the relative cold1 which they supposed prevailed in the middle region of the ,air1 upon account of its equal distance1 both from the region of ,fire1 and from the rays that are reflected by the surface of the ,earth1 condensed this vapour into ,water2 the ,fire escaped it1 and flew upwards1 and the ,water fell down in rain1 or1 according to the different degrees of cold that prevailed in the different seasons1 was sometimes congealed into snow1 and sometimes into hail4 ,in the same manner1 ,fire1 when mixed with ,earth1 produced sometimes a fiery exhalation1 whose qualities #cij were heat and dryness1 which being elevated by the levity of the first into the ,air condensed by the cold1 so as to take fire1 and being at the same time surrounded by watery vapours1 burst forth into thunder and lightning1 and other fiery meteors4 ,thus they connected together the different appearances in the ,air1 by the qualities of their ,four ,elements2 and from them1 too1 in the same manner1 they endeavoured to deduce all the other qualities in the other homogeneous bodies1 that are near the surface of the ,earth4 ,thus1 to give an example1 with regard to the hardness and softness of bodies2 heat and moisture1 they observed1 were the great softeners of matter4 ,whatever was hard1 therefore1 owed that quality either to the absence of heat1 or to the absence of moisture4 ,ice1 crystal1 lead1 gold1 and almost all metals1 owed their hardness to the absence of heat1 and were1 therefore1 dissolvable by ,fire4 ,rock-salt1 nitre1 alum1 and hard clay1 owed that quality to the absence of moisture1 and were therefore1 dissolvable in water4 ,and1 in the same manner1 they endeavoured to connect together most of the other tangible qualities of matter4 ,their principles of union1 indeed1 were often such as had no real existence1 and were always vague and undetermined in the highest degree2 they were such1 however1 as might be expected in the beginnings of science1 and such as1 with all their imperfections1 could enable mankind both to think and to talk1 with more coherence1 concerning those general subjects1 than without them they would have been capable of doing4 ,neither was their system entirely devoid either of beauty or magnificence4 ,each of the ,four ,elements having a particular region allotted to it1 had a place of rest1 to which it naturally tended1 by its motion1 either up or down1 in a straight line1 and where1 when it had arrived1 it naturally ceased to move4 ,earth descended1 till it arrived at the place of ,earth2 ,water1 till it arrived at that of ,water2 and ,air1 till it arrived at that of ,air2 and there each of them tended to a state of eternal repose and inaction4 ,the ,spheres consisted of a ,fifth ,element1 which was neither light nor heavy1 and whose natural motion made it tend1 neither to the centre1 nor from the centre1 but revolve round it in a circle4 ,as1 by this motion1 they could never change their situation with regard to the centre1 they had no place of repose1 no place to which they naturally tended more than to any other1 but revolved round and round for ever4 ,this ,fifth ,element was subject neither to generation nor corruption1 nor alteration of any kind2 for whatever changes may happen in the ,heavens1 the senses can scarce perceive them1 and their appearance is the same in one age as in another4 ,the beauty1 too1 of their supposed crystalline spheres seemed still more to entitle them to this distinction of unchangeable immortality4 ,it was the motion of those ,spheres1 which occasioned the mixtures of the ,elements1 and from hence1 the production of all the forms and species1 that diversify the world4 ,it was the approach of the ,sun and of the #cia other ,planets1 to the different parts of the ,earth1 which1 by forcing down the element of ,fire1 occasioned the generation of those forms4 ,it was the recess of those bodies1 which1 by allowing each ,element to escape to its proper sphere1 brought about1 in an equal time1 their corruption4 ,it was the periods of those great lights of ,heaven1 which measured out to all sublunary things1 the term of their duration1 of their growth1 and of their decay1 either in one1 or in a number of seasons1 according as the ,elements of which they were composed1 were either imperfectly or accurately blended and mixed with one another4 ,immortality1 they could bestow upon no individual form1 because the principles out of which it was formed1 all tending to disengage themselves1 and to return to their proper spheres1 necessarily1 at last1 brought about its dissolution4 ,but1 though all individuals were thus perishable1 and constantly decaying1 every species was immortal1 because the subject-matter out of which they were made1 and the revolution of the ,heavens1 the cause of their successive generations1 continued to be always the same4 ,in the first ages of the world1 the seeming incoherence of the appearances of nature1 so confounded mankind1 that they despaired of discovering in her operations any regular system4 ,their ignorance1 and confusion of thought1 necessarily gave birth to that pusillanimous superstition1 which ascribes almost every unexpected event1 to the arbitrary will of some designing1 though invisible beings1 who produced it for some private and particular purpose4 ,the idea of an universal mind1 of a ,god of all1 who originally formed the whole1 and who governs the whole by general laws1 directed to the conservation and prosperity of the whole1 without regard to that of any private individual1 was a notion to which they were utterly strangers4 ,their gods1 though they were apprehended to interpose1 upon some particular occasions1 were so far from being regarded as the creators of the world1 that their origin was apprehended to be posterior to that of the world4 ,the ,earth1 according to ,hesiod1 was the first production of the chaos4 ,the ,heavens arose out of the ,earth1 and from both together1 all the gods1 who afterwards inhabited them4 ,nor was this notion confined to the vulgar1 and to those poets who seem to have recorded the vulgar theology4 ,of all the philosophers of the ,ionian school1 ,anaxagoras1 it is well known1 was the first who supposed that mind and understanding were requisite to account for the first origin of the world1 and who1 therefore1 compared with the other philosophers of his time1 talked1 as ,aristotle observes1 like a sober man among drunkards2 but whose opinion was1 at the time1 so remarkable1 that he seems to have got a sirname from it4 ,the same notion1 of the spontaneous origin of the world1 was embraced1 too1 as the same author tells1 by the early ,pythagoreans1 a sect1 which1 in the ancient world1 was never regarded as irreligious4 ,mind1 and understanding1 and consequently ,deity1 being #cib the most perfect1 were necessarily1 according to them1 the last productions of ,nature4 ,for in all other things1 what was most perfect1 they observed1 always came last4 ,as in plants and animals1 it is not the seed that is most perfect1 but the complete animal1 with all its members1 in the one2 and the complete plant1 with all its branches1 leaves1 flowers1 and fruits1 in the other4 ,this notion1 which could take place only while ,nature was still considered as1 in some measure1 disorderly and inconsistent in her operations1 was necessarily renounced by those philosophers1 when1 upon a more attentive survey1 they discovered1 or imagined they had discovered1 more distinctly1 the chain which bound all her different parts to one another4 ,as soon as the ,universe was regarded as a complete machine1 as a coherent system1 governed by general laws1 and directed to general ends1 viz4 its own preservation and prosperity1 and that of all the species that are in it2 the resemblance which it evidently bore to those machines which are produced by human art1 necessarily impressed those sages with a belief1 that in the original formation of the world there must have been employed an art resembling the human art1 but as much superior to it1 as the world is superior to the machines which that art produces4 ,the unity of the system1 which1 according to this ancient philosophy1 is most perfect1 suggested the idea of the unity of that principle1 by whose art it was formed2 and thus1 as ignorance begot superstition1 science gave birth to the first theism that arose among those nations1 who were not enlightened by divine ,revelation4 ,according to ,timus1 who was followed by ,plato1 that intelligent ,being who formed the world endowed it with a principle of life and understanding1 which extends from its centre to its remotest circumference1 which is conscious of all its changes1 and which governs and directs all its motions to the great end of its formation4 ,this soul of the world was itself a ,god1 the greatest of all the inferior1 and created deities2 of an essence that was indissoluble1 by any power but by that of him who made it1 and which was united to the body of the world1 so as to be inseparable by every force1 but his who joined them1 from the exertion of which his goodness secured them4 ,the beauty of the celestial spheres attracting the admiration of mankind1 the constancy and regularity of their motions seeming to manifest peculiar wisdom and understanding1 they were each of them supposed to be animated by an ,intelligence of a nature that was1 in the same manner1 indissoluble and immortal1 and inseparably united to that sphere which it inhabited4 ,all the mortal and changeable beings which people the surface of the earth were formed by those inferior deities2 for the revolutions of the heavenly bodies seemed plainly to influence the generation and growth of both plants and animals1 whose frail and fading forms bore the too evident marks of the weakness of those inferior causes1 which joined their different parts to one another4 ,according to ,plato and ,timus1 neither the #cic ,universe1 nor even those inferior deities who govern the ,universe1 were eternal1 but were formed in time1 by the great ,author of all things1 out of that matter which had existed from all eternity4 ,this at least their words seemed to import1 and thus they are understood by ,cicero1 and by all the other writers of earlier antiquity1 though some of the later ,platonists have interpreted them differently4 ,according to ,aristotle1 who seems to have followed the doctrine of ,ocellus1 the world was eternal2 the eternal effect of an eternal cause4 ,he found it difficult1 it would seem1 to conceive what could hinder the ,first ,cause from exerting his divine energy from all eternity4 ,at whatever time he began to exert it1 he must have been at rest during all the infinite ages of that eternity which had passed before it4 ,to what obstruction1 from within or from without1 could this be owing8 or how could this obstruction1 if it ever had subsisted1 have ever been removed8 ,his idea of the nature and manner of existence of this ,first ,cause1 as it is expressed in the last book of his ,physics1 and the five last chapters of his ,metaphysics1 is indeed obscure and unintelligible in the highest degree1 and has perplexed his commentators more than any other parts of his writings4 ,thus far1 however1 he seems to express himself plainly enough3 that the ,first ,heavens1 that of the ,fixed ,stars1 from which are derived the motions of all the rest1 is revolved by an eternal1 immovable1 unchangeable1 unextended being1 whose essence consists in intelligence1 as that of a body consists in solidity and extension2 and which is therefore necessarily and always intelligent1 as a body is necessarily and always extended3 that this ,being was the first and supreme mover of the ,universe3 that the inferior ,planetary ,spheres derived each of them its peculiar revolution from an inferior being of the same kind2 eternal1 immovable1 unextended1 and necessarily intelligent3 that the sole object of the intelligences of those beings was their own essence1 and the revolution of their own spheres2 all other inferior things being unworthy of their consideration2 and that therefore whatever was below the ,moon was abandoned by the gods to the direction of ,nature1 and ,chance1 and ,necessity4 ,for though those celestial beings were1 by the revolutions of their several ,spheres1 the original causes of the generation and corruption of all sublunary forms1 they were causes who neither knew nor intended the effects which they produced4 ,this renowned philosopher seems1 in his theological notions1 to have been directed by prejudices which1 though extremely natural1 are not very philosophical4 ,the revolutions of the ,heavens1 by their grandeur and constancy1 excited his admiration1 and seemed1 upon that account1 to be effects not unworthy a ,divine ,intelligence4 ,whereas the meanness of many things1 the disorder and confusion of all things below1 exciting no such agreeable emotion1 seemed to have no marks of being directed by that ,supreme ,understanding4 ,yet1 though this opinion saps the foundations of human worship1 and must have the #cid same effects upon society as ,atheism itself1 one may easily trace1 in the ,metaphysics upon which it is grounded1 the origin of many of the notions1 or rather of many of the expressions1 in the scholastic theology1 to which no notions can be annexed4 ,the ,stoics1 the most religious of all the ancient sects of philosophers1 seem in this1 as in most other things1 to have altered and refined upon the doctrine of ,plato4 ,the order1 harmony1 and coherence which this philosophy bestowed upon the ,universal ,system1 struck them with awe and veneration4 ,as1 in the rude ages of the world1 whatever particular part of ,nature excited the admiration of mankind1 was apprehended to be animated by some particular divinity2 so the whole of ,nature having1 by their reasonings1 become equally the object of admiration1 was equally apprehended to be animated by a ,universal ,deity1 to be itself a ,divinity1 an ,animal2 a term which to our ears seems by no means synonymous with the foregoing2 whose body was the solid and sensible parts of ,nature1 and whose soul was that etherial ,fire1 which penetrated and actuated the whole4 ,for of all the four elements1 out of which all things were composed1 ,fire or ,ether seemed to be that which bore the greatest resemblance to the ,vital ,principle which informs both plants and animals1 and therefore most likely to be the ,vital ,principle which animated the ,universe4 ,this infinite and unbounded ,ether1 which extended itself from the centre beyond the remotest circumference of ,nature1 and was endowed with the most consummate reason and intelligence1 or rather was itself the very essence of reason and intelligence1 had originally formed the world1 and had communicated a portion1 or ray1 of its own essence to whatever was endowed with life and sensation1 which1 upon the dissolution of those forms1 either immediately or some time after1 was again absorbed into that ocean of ,deity from whence it had originally been detached4 ,in this system the ,sun1 the ,moon1 the ,planets1 and the ,fixed ,stars1 were each of them also inferior divinities1 animated by a detached portion of that etherial essence which was the soul of the world4 ,in the system of ,plato1 the ,intelligence which animated the world was different from that which originally formed it4 ,neither were these which animated the celestial spheres1 nor those which informed inferior terrestrial animals1 regarded as portions of this plastic soul of the world4 ,upon the dissolution of animals1 therefore1 their souls were not absorbed in the soul of the world1 but had a separate and eternal existence1 which gave birth to the notion of the transmigration of souls4 ,neither did it seem unnatural1 that1 as the same matter which had composed one animal body might be employed to compose another1 that the same intelligence which had animated one such being should again animate another4 ,but in the system of the ,stoics1 the intelligence which originally formed1 and that which animated the world1 were one and the same1 all inferior intelligences were detached portions #cie of the great one2 and therefore1 in a longer1 or in a shorter time1 were all of them1 even the gods themselves1 who animated the celestial bodies1 to be at last resolved into the infinite essence of this almighty ,jupiter1 who1 at a distant period1 should1 by an universal conflagration1 wrap up all things1 in that etherial and fiery nature1 out of which they had originally been deduced1 again to bring forth a new ,heaven and a new ,earth1 new animals1 new men1 new deities2 all of which would again1 at a fated time1 be swallowed up in a like conflagration1 again to be re-produced1 and again to be re-destroyed1 and so on without end4 ---------- ,,the ,,principles ,,which ,,lead ,,and ,,direct ,,philosophical ,,enquiries2 ,,illustrated ,,by ,,the ,,history ,,of ,,the ,,ancient ,,logics ,,and ,,metaphysics4 ----- ,,in every transmutation1 either of one element into another1 or of one compound body either into the elements out of which it was composed1 or into another compound body1 it seemed evident1 that both in the old and in the new species1 there was something that was the same1 and something that was different4 ,when ,fire was changed into ,air1 or ,water into ,earth1 the ,stuff1 or ,subject-matter of this ,air and this ,earth1 was evidently the same with that of the former ,fire or ,water2 but the ,nature or ,species of those new bodies was entirely different4 ,when1 in the same manner1 a number of fresh1 green1 and odoriferous flowers were thrown together in a heap1 they1 in a short time1 entirely changed their nature1 became putrid and loathsome1 and dissolved into a confused mass of ordure1 which bore no resemblance1 either in sensible qualities or in its effects1 to their former beautiful appearance4 ,but how different soever the species1 the subject-matter of the flowers1 and of the ordure1 was1 in this case too1 evidently the same4 ,in every body therefore1 whether simple or mixed1 there were evidently two principles1 whose combination constituted the whole nature of that particular body4 ,the first was the ,stuff1 or ,subject-matter1 out of which it was made2 the second was the ,species1 the ,specific ,essence1 the ,essential1 or1 as the schoolmen have called it1 the ,substantial ,form of the ,body4 #cif ,the first seemed to be the same in all bodies1 and to have neither qualities nor powers of any kind1 but to be altogether inert and imperceptible by any of the senses1 till it was qualified and rendered sensible by its union with some species or essential form4 ,all the qualities and powers of bodies seemed to depend upon their species or essential forms4 ,it was not the stuff or matter of ,fire1 or ,air1 or ,earth1 or ,water1 which enabled those elements to produce their several effects1 but that essential form which was peculiar to each of them4 ,for it seemed evident that ,fire must produce the effects of ,fire1 by that which rendered it ,fire2 ,air1 by that which rendered it ,air2 and that in the same manner all other simple and mixed bodies must produce their several effects1 by that which constituted them such or such bodies2 that is1 by their ,specific ,essence or essential forms4 ,but it is from the effects of bodies upon one another1 that all the changes and revolutions in the material world arise4 ,since these1 therefore1 depend upon the specific essences of those bodies1 it must be the business of philosophy1 that science which endeavours to connect together all the different changes that occur in the world1 to determine wherein the ,specific ,essence of each object consists1 in order to foresee what changes or revolutions may be expected from it4 ,but the ,specific ,essence of each individual object is not that which is peculiar to it as an individual1 but that which is common to it1 with all other objects of the same kind4 ,thus the ,specific ,essence of the ,water1 which now stands before me1 does not consist in its being heated by the ,fire1 or cooled by the ,air1 in such a particular degree2 in its being contained in a vessel of such a form1 or of such dimensions4 ,these are all accidental circumstances1 which are altogether extraneous to its general nature1 and upon which none of its effects as ,water depend4 ,philosophy1 therefore1 in considering the general nature of ,water1 takes no notice of those particularities which are peculiar to this water1 but confines itself to those things which are common to all ,water4 ,if1 in the progress of its inquiries1 it should descend to consider the nature of ,water that is modified by such particular accidents1 it still would not confine its consideration to this water contained in this vessel1 and thus heated at this fire1 but would extend its views to ,water in general contained in such kind of vessels1 and heated to such a degree at such a fire4 ,in every case1 therefore1 ,species1 or ,universals1 and not ,individuals1 are the objects of ,philosophy4 ,because whatever effects are produced by individuals1 whatever changes can flow from them1 must all proceed from some universal nature that is contained in them4 ,as it was the business of ,physics1 or ,natural ,philosophy1 to determine wherein consisted the ,nature and ,essence of every particular ,species of things1 in order to connect together all the different events that occur in the material world2 so there were two other sciences1 which1 though they had originally arisen out of that system of ,natural ,philosophy ,i have just #cig been describing1 were1 however1 apprehended to go before it1 in the order in which the knowledge of ,nature ought to be communicated4 ,the first of these1 ,metaphysics1 considered the general nature of ,universals1 and the different sorts or species into which they might be divided4 ,the second of these1 ,logics1 was built upon this doctrine of ,metaphysics2 and from the general nature of ,universals1 and of the sorts into which they were divided1 endeavoured to ascertain the general rules by which we might distribute all particular objects into general classes1 and determine to what class each individual object belonged2 for in this1 they justly enough apprehended1 consisted the whole art of philosophical reasoning4 ,as the first of these two sciences1 ,metaphysics1 is altogether subordinate to the second1 ,logic1 they seem1 before the time of ,aristotle1 to have been regarded as one1 and to have made up between them that ancient ,dialectic of which we hear so much1 and of which we understand so little3 neither does this separation seem to have been much attended to1 either by his own followers1 the ancient ,peripatetics1 or by any other of the old sects of philosophers4 ,the later schoolmen1 indeed1 have distinguished between ,ontology and ,logic2 but their ,ontology contains but a small part of what is the subject of the metaphysical books of ,aristotle1 the greater part of which1 the doctrines of ,universals1 and everything that is preparatory to the arts of defining and dividing1 has1 since the days of ,porphery1 been inserted into their ,logic4 ,according to ,plato and ,timus1 the principles out of which the ,deity formed the ,world1 and which were themselves eternal1 were three in number4 ,the ,subject-matter of things1 the ,species1 or ,specific ,essences of things1 and what was made out of these1 the sensible objects themselves4 ,these last had no proper or durable existence1 but were in perpetual flux and succession4 ,for as ,heraclitus had said that no man ever passed the same river twice1 because the water which he had passed over once was gone before he could pass over it a second time2 so1 in the same manner1 no man ever saw1 or heard1 or touched the same sensible object twice4 ,when ,i look at the window1 for example1 the visible species1 which strikes my eyes this moment1 though resembling1 is different from that which struck my eyes the immediately preceding moment4 ,when ,i ring the bell1 the sound1 or audible species1 which ,i hear this moment1 though resembling in the same manner1 is different1 however1 from that which ,i heard the moment before4 ,when ,i lay my hand on the table1 the tangible species which ,i feel this moment1 though resembling1 in the same manner1 is numerically different too from that which ,i felt the moment before4 ,our sensations1 therefore1 never properly exist or endure one moment2 but1 in the very instant of their generation1 perish and are annihilated for ever4 ,nor are the causes of those sensations more permanent4 ,no corporeal substance is ever exactly the #cih same1 either in whole or in any assignable part1 during two successive1 moments1 but by the perpetual addition of new parts1 as well as loss of old ones1 is in continual flux and succession4 ,things of so fleeting a nature can never be the objects of science1 or of any steady or permanent judgment4 ,while we look at them1 in order to consider them1 they are changed and gone1 and annihilated for ever4 ,the objects of science1 and of all the steady judgments of the understanding1 must be permanent1 unchangeable1 always existent1 and liable neither to generation nor corruption1 nor alteration of any kind4 ,such are the species or specific essences of things4 ,man is perpetually changing every particle of his body2 and every thought of his mind is in continual flux and succession4 ,but humanity1 or human nature1 is always existent1 is always the same1 is never generated1 and is never corrupted4 ,this1 therefore1 is the object of science1 reason1 and understanding1 as man is the object of sense1 and of those inconstant opinions which are founded upon sense4 ,as the objects of sense were apprehended to have an external existence1 independent of the act of sensation1 so these objects of the understanding were much more supposed to have an external existence independent of the act of understanding4 ,those external essences were1 according to ,plato1 the exemplars1 according to which the ,deity formed the world1 and all the sensible objects that are in it4 ,the ,deity comprehended within his infinite essence1 all these species1 or external exemplars1 in the same manner as he comprehended all sensible objects4 ,plato1 however1 seems to have regarded the first of those as equally distinct with the second from what we would now call the ,ideas or ,thoughts of the ,divine ,mind1#a and even to have supposed1 that they had a particular place of existence1 beyond the sphere of the visible #cii corporeal world2 though this has been much controverted1 both by the later ,platonists1 and by some very judicious modern critics1 who have followed the interpretation of the later ,platonists1 as what did most #djj honour to the judgment of that renowned philosopher4 ,all the objects in this world1 continued he1 are particular and individual4 ,here1 therefore1 the human mind has no opportunity of seeing any ,species1 or ,universal ,nature4 ,whatever ideas it has1 therefore1 of such beings1 for it plainly has them1 it must derive from the memory of what it has seen1 in some former period of its existence1 when it had an opportunity of visiting the place or ,sphere of ,universals4 ,for some time after it is immersed in the body1 during its infancy1 its childhood1 and a great part of its youth1 the violence of those passions which it derives from the body1 and which are all directed to the particular and individual objects of this world1 hinder it from turning its attention to those ,universal ,natures1 with which it had been conversant in the world from whence it came4 ,the ,ideas1 of these1 therefore1 seem1 in this first period of its existence here1 to be overwhelmed in the confusion of those turbulent emotions1 and to be almost entirely wiped out of its remembrance4 ,during the continuance of this state1 it is incapable of ,reasoning1 ,science and ,philosophy1 which are conversant about ,universals4 ,its whole attention is turned towards particular objects1 concerning which1 being directed by no general notions1 it forms many vain and false opinions1 and is filled with error1 perplexity1 and confusion4 ,but1 when age has abated the violence of its passions1 and composed the confusion of its thoughts1 it then becomes more capable of reflection1 and of turning its attention to those almost forgotten ideas of things with which it had been conversant in the former state of its existence4 ,all the particular objects in this sensible world1 being formed after the eternal exemplars in that intellectual world1 awaken1 upon account of their resemblance1 insensibly1 and by slow degrees1 the almost obliterated ideas of these last4 ,the beauty1 which is shared in different degrees among terrestrial objects1 revives the same idea of that ,universal ,nature of beauty which exists in the intellectual world3 particular acts of justice1 of the universal nature of justice2 particular reasonings1 and particular sciences1 of the universal nature of science and reasoning2 particular roundnesses1 of the universal nature of roundness2 particular squares1 of the universal nature of squareness4 ,thus science1 which is conversant about ,universals1 is derived from memory2 and to instruct any person concerning the general nature of any subject1 is no more than to awaken in him the remembrance of what he formerly knew about it4 ,this both ,plato and ,socrates imagined they could still further confirm1 by the fallacious experiment1 #dja which showed1 that a person might be led to discover himself1 without any information1 any general truth1 of which he was before ignorant1 merely by being asked a number of properly arranged and connected questions concerning it4 ,footnote #a3 ,he calls them1 indeed1 ,ideas1 a word which1 in him1 in ,aristotle1 and all the other writers of earlier antiquity1 signifies a ,species1 and is perfectly synonymous with that other word ,greek3 ,eidos1 more frequently made use of by ,aristotle4 ,as1 by some of the later sects of philosophers1 particularly by the ,stoics1 all species1 or specific essences1 were regarded as mere creatures of the mind1 formed by abstraction1 which had no real existence external to the thoughts that conceived them1 the word ,idea came1 by degrees1 to its present signification1 to mean1 first1 an abstract thought or conception2 and afterwards1 a thought or conception of any kind2 and thus became synonymous with that other ,greek word1 ,greek3 ,ennoia1 from which it had originally a very different meaning4 ,when the later ,platonists1 who lived at a time when the notion of the separate existence of specific essences was universally exploded1 began to comment upon the writings of ,plato1 and upon that strange fancy that1 in his writings1 there was a double doctrine2 and that they were intended to seem to mean one thing1 while at bottom they meant a very different1 which the writings of no man in his senses ever were1 or ever could be intended to do2 they represented his doctrine as meaning no more1 than that the ,deity formed the world after what we would now call an ,idea1 or plan conceived in his own mind1 in the same manner as any other artist4 ,but1 if ,plato had meant to express no more than this most natural and simple of all notions1 he might surely have expressed it more plainly1 and would hardly1 one would think1 have talked of it with so much emphasis1 as of something which it required the utmost reach of thought to comprehend4 ,according to this representation1 ,plato's notion of ,species1 or ,universals1 was the same with that of ,aristotle4 ,aristotle1 however1 does not seem to understand it as such2 he bestows a great part of his ,metaphysics upon confuting it1 and opposes it in all his other works2 nor does he1 in any one of them1 give the least hint1 or insinuation1 as if it could be suspected that1 by the ,ideas of ,plato1 was meant the thoughts or conceptions of the ,divine ,mind4 ,is it possible that he1 who was twenty years in his school1 should1 during all that time1 have misunderstood him1 especially when his meaning was so very plain and obvious8 ,neither is this notion of the separate existence of ,species1 distinct both from the mind which conceives them1 and from the sensible objects which are made to resemble them1 one of those doctrines which ,plato would but seldom have occasion to talk of4 ,however it may be interpreted1 it is the very basis of his philosophy2 neither is there a single dialogue in all his works which does not refer to it4 ,shall we suppose1 that that great philosopher1 who appears to have been so much superior to his master in every thing but eloquence1 wilfully1 and upon all occasions1 misrepresented1 not one of the deep and mysterious doctrines of the philosophy of ,plato1 but the first and most fundamental principle of all his reasonings2 when the writings of ,plato were in the hands of every body2 when his followers and disciples were spread all over ,greece2 when almost every ,athenian of distinction1 that was nearly of the same age with ,aristotle1 must have been bred in his school2 when ,speusippus1 the nephew and successor of ,plato1 as well as ,xenocrates1 who continued the school in the ,academy1 at the same time that ,aristotle held his in the ,lyceum1 must have been ready1 at all times1 to expose and affront him for such gross disingenuity4 ,does not ,cicero1 does not ,seneca understand this doctrine in the same manner as ,aristotle has represented it8 ,is there any author in all antiquity who seems to understand it otherwise1 earlier than ,plutarch1 an author who seems to have been as bad a critic in philosophy as in history1 and to have taken every thing at second-hand in both1 and who lived after the origin of that eclectic philosophy1 from whence the later ,platonists arose1 and who seems himself to have been one of that sect8 ,is there any one passage in any ,greek author1 near the time of ,aristotle and ,plato1 in which the word ,idea is used in its present meaning1 to signify a thought or conception8 ,are not the words1 which in all languages express reality or existence1 directly opposed to those which express thought1 or conception only8 ,or1 is there any other difference betwixt a thing that exists1 and a thing that does not exist1 except this1 that the one is a mere conception1 and that the other is something more than a conception8 ,with what propriety1 therefore1 could ,plato talk of those eternal species1 as of the only things which had any real existence1 if they were no more than the conceptions of the ,divine ,mind8 ,had not the ,deity1 according to ,plato1 as well as according to the ,stoics1 from all eternity1 the idea of every individual1 as well as of every species1 and of the state in which every individual was to be1 in each different instance of its existence8 ,were not all the divine ideas1 therefore1 of each individual1 or of all the different states1 which each individual was to be in during the course of its existence1 equally eternal and unalterable with those of the species8 ,with what sense1 therefore1 could ,plato say1 that the first were eternal1 because the ,deity had conceived them from all eternity1 since he had conceived the others from all eternity too1 and since his ideas of the ,species could1 in this respect1 have no advantage of those of the individual8 ,does not ,plato1 in many different places1 talk of the ,ideas of ,species or ,universals as innate1 and having been impressed upon the mind in its state of pre-existence1 when it had an opportunity of viewing these ,species as they are in themselves1 and not as they are expressed in their copies1 or representatives upon earth8 ,but if the only place of the existence of those ,species was the ,divine ,mind1 will not this suppose1 that ,plato either imagined1 like ,father ,malbranche1 that in its state of pre-existence1 the mind saw all things in ,god3 or that it was itself an emanation of the ,divinity8 ,that he maintained the first opinion1 will not be pretended by any body who is at all versed in the history of science4 ,that enthusiastic notion1 though it may seem to be favoured by some passages in the ,fathers1 was never1 it is well known1 coolly and literally maintained by any body before that ,cartesian philosopher4 ,that the human mind was itself an emanation of the ,divine1 though it was the doctrine of the ,stoics1 was by no means that of ,plato2 though1 upon the notion of a pretended double doctrine1 the contrary has lately been asserted4 ,according to ,plato1 the ,deity formed the soul of the world out of that substance which is always the same1 that is1 out of ,species or ,universals2 out of that which is always different1 that is1 out of corporeal substances2 and out of a substance that was of a middle nature between these1 which it is not easy to understand what he meant by4 ,out of a part of the same composition1 he made those inferior intelligences who animated the celestial spheres1 to whom he delivered the remaining part of it1 to form from thence the souls of men and animals4 ,the souls of those inferior deities1 though made out of a similar substance or composition1 were not regarded as parts or emanations of that of the world2 nor were those of animals1 in the same manner1 regarded as parts or emanations of those inferior deities3 much less were any of them regarded as parts1 or emanations of the great ,author of all things4 ,the more the soul was accustomed to the consideration of those ,universal ,natures1 the less it was attached to any particular and individual objects2 it approached the nearer to the original perfection of its nature1 from which1 according to this philosophy1 it had fallen4 ,philosophy1 which accustoms it to consider the general ,essence of things only1 and to abstract from all their particular and sensible circumstances1 was1 upon this account1 regarded as the great purifier of the soul4 ,as death separated the soul from the body1 and from the bodily senses and passions1 it restored it to that intellectual world1 from whence it had originally descended1 where no sensible ,species called off its attention from those general ,essences of things4 ,philosophy1 in this life1 habituating it to the same considerations1 brings it1 in some degree1 to that state of happiness and perfection1 to which death restores the souls of just men in a life to come4 ,such was the doctrine of ,plato concerning the ,species or ,specific ,essence of things4 ,this1 at least1 is what his words seem to import1 and thus he is understood by ,aristotle1 the most intelligent and the most renowned of all his disciples4 ,it is a doctrine1 which1 like many of the other doctrines of abstract ,philosophy1 is more coherent in the expression than in the idea2 and which seems to have arisen1 more from the nature of language1 than from the nature of things4 ,with all its imperfections it was excusable1 in the beginnings of philosophy1 and is not a great deal more remote from the truth1 than many others which have since been substituted in its room by some of the greatest pretenders to accuracy and precision4 ,mankind have had1 at all times1 a strong propensity to realize their own abstractions1 of which we shall immediately see an example1 in the notions of that very philosopher who first exposed the ill-grounded foundation of those ,ideas1 or ,universals1 of ,plato and ,timus4 ,to explain the nature1 and to account for the origin of general ,ideas1 is1 even at this day1 the greatest difficulty in abstract philosophy4 ,how the human mind1 when it reasons concerning the general nature of triangles1 should either conceive1 as ,mr4 ,locke imagines it does1 the idea of a triangle1 which is neither obtusangular1 nor rectangular1 nor acutangular2 but which was at once both none and of all those together2 or should1 as ,malbranche thinks necessary for this purpose1 comprehend at once1 within its finite capacity1 all possible triangles of all possible forms and dimensions1 which are infinite in number1 is a question1 to which it is surely not easy to give a satisfactory answer4 ,malbranche1 to solve it1 had recourse to the enthusiastic and unintelligible notion of the intimate union of the human mind with the divine1 in whose infinite #djb essence the immensity of such species could alone be comprehended2 and in which alone1 therefore1 all finite intelligences could have an opportunity of viewing them4 ,if1 after more than two thousand years reasoning about this subject1 this ingenious and sublime philosopher was forced to have recourse to so strange a fancy1 in order to explain it1 can we wonder that ,plato1 in the very first dawnings of science1 should1 for the same purpose1 adopt an hypothesis1 which has been thought1 without much reason1 indeed1 to have some affinity to that of ,malbranche1 and which is not more out of the way8 ,what seems to have misled those early philosophers1 was1 the notion1 which appears1 at first1 natural enough1 that those things1 out of which any object is composed1 must exist antecedent to that object4 ,but the things out of which all particular objects seem to be composed1 are the stuff or matter of those objects1 and the form or specific ,essence1 which determines them to be of this or that class of things4 ,these1 therefore1 it was thought1 must have existed antecedent to the object which was made up between them4 ,plato1 who held1 that the sensible world1 which1 according to him1 is the world of individuals1 was made in time1 necessarily conceived1 that both the universal matter1 the object of spurious reason1 and the specific essence1 the object of proper reason and philosophy out of which it was composed1 must have had a separate existence from all eternity4 ,this intellectual world1 very different from the intellectual world of ,cudworth1 though much of the language of the one has been borrowed from that of the other1 was necessarily and always existent2 whereas the sensible world owed its origin to the free will and bounty of its author4 ,a notion of this kind1 as long as it is expressed in very general language2 as long as it is not much rested upon1 nor attempted to be very particularly and distinctly explained1 passes easily enough1 through the indolent imagination1 accustomed to substitute words in the room of ideas2 and if the words seem to hang easily together1 requiring no great precision in the ideas4 ,it vanishes1 indeed2 is discovered to be altogether incomprehensible1 and eludes the grasp of the imagination1 upon an attentive consideration4 ,it requires1 however1 an attentive consideration2 and if it had been as fortunate as many other opinions of the same kind1 and about the same subject1 it might1 without examination1 have continued to be the current philosophy for a century or two4 ,aristotle1 however1 seems immediately to have discovered1 that it was impossible to conceive1 as actually existent1 either that general matter1 which was not determined by any particular species1 or those species which were not embodied1 if one may say so1 in some particular portion of matter4 ,aristotle1 too1 held1 as we have already observed the eternity of the sensible world4 ,though he held1 therefore1 that all sensible objects were made up of two principles1 both of which1 he calls1 equally1 substances1 the matter and the specific essence1 he was #djc not obliged to hold1 like ,plato1 that those principles existed prior in the order of time to the objects which they afterwards composed4 ,they were prior1 he said1 in nature1 but not in time1 according to a distinction which was of use to him upon some other occasion4 ,he distinguished1 too1 betwixt actual and potential existence4 ,by the first1 he seems to have understood what is commonly meant by existence or reality2 by the second1 the bare possibility of existence4 ,his meaning1 ,i say1 seems to amount to this2 though he does not explain it precisely in this manner4 ,neither the material ,essence of body could1 according to him1 exist actually without being determined by some ,specific ,essence1 to some particular class of things1 nor any ,specific ,essence without being embodied in some particular portion of matter4 ,each of these two principles1 however1 could exist potentially in this separate state4 ,that matter existed potentially1 which1 being endowed with a particular form1 could be brought into actual existence2 and that form1 which1 by being embodied in a particular portion of matter1 could1 in the same manner1 be called forth into the class of complete realities4 ,this potential existence of matter and form1 he sometimes talks of1 in expressions which resemble those of ,plato1 to whose notion of separate ,essence it bears a very great affinity4 ,aristotle1 who seems in many things original1 and who endeavoured to seem to be so in all things1 added the principle of privation to those of matter and form1 which he had derived from the ancient ,pythagorean school4 ,when ,water is changed into ,air1 the transmutation is brought about by the material principle of those two elements being deprived of the form of ,water1 and then assuming the form of ,air4 ,privation1 therefore1 was a third principle opposite to form1 which entered into the generation of every ,species1 which was always from some other ,species4 ,it was a principle of generation1 but not of composition1 as is most obvious4 ,the ,stoics1 whose opinions were1 in all the different parts of philosophy1 either the same with1 or very nearly allied to those of ,aristotle and ,plato1 though often disguised in very different language1 held1 that all things1 even the elements themselves1 were compounded of two principles1 upon one of which depended all the active1 and upon the other all the passive1 powers of these bodies4 ,the last of these1 they called ,matter2 the first1 the ,cause1 by which they meant the very same thing which ,aristotle and ,plato understood1 by their specific ,essences4 ,matter1 according to the ,stoics1 could have no existence separate from the cause or efficient principle which determined it to some particular class of things4 ,neither could the efficient principle exist separately from the material1 in which it was always necessarily embodied4 ,their opinion1 therefore1 so far coincided with that of the old ,peripatetics4 ,the efficient principle1 they said1 was the ,deity4 ,by which they meant1 that it was a detached portion of the etherial and divine nature1 #djd which penetrated all things1 that constituted what ,plato would have called the ,specific ,essence of each individual object2 and so far their opinion coincides pretty nearly with that of the latter ,platonists1 who held1 that the ,specific ,essences of all things were detached portions of their created deity1 the soul of the world2 and with that of some of the ,arabian and ,scholastic ,commentators of ,aristotle1 who held that the substantial forms of all things descended from those ,divine ,essences which animated the ,celestial ,spheres4 ,such was the doctrine of the four principal ,sects of the ancient ,philosophers1 concerning the ,specific ,essences of things1 of the old ,pythagoreans1 of the ,academical1 the ,peripatetic1 and the ,stoical ,sects4 ,as this doctrine of ,specific ,essences seems naturally enough to have arisen from that ancient system of ,physics1 which ,i have above described1 and which is1 by no means1 devoid of probability1 so many of the doctrines of that system1 which seems to us1 who have been long accustomed to another1 the most incomprehensible1 necessarily flow from this metaphysical notion4 ,such are those of generation1 corruption1 and alteration2 of mixture1 condensation1 and rarefaction4 ,a body was generated or corrupted1 when it changed its ,specific ,essence1 and passed from one denomination to another4 ,it was altered when it changed only some of its qualities1 but still retained the same ,specific ,essence1 and the same denomination4 ,thus1 when a flower was withered1 it was not corrupted2 though some of its qualities were changed1 it still retained the ,specific ,essence1 and therefore justly passed under the denomination of a flower4 ,but1 when1 in the further progress of its decay1 it crumbled into earth1 it was corrupted2 it lost the ,specific ,essence1 or substantial form of the flower1 and assumed that of the earth1 and therefore justly changed its denomination4 ,the ,specific ,essence1 or universal nature that was lodged in each particular class of bodies1 was not itself the object of any of our senses1 but could be perceived only by the understanding4 ,it was by the sensible qualities1 however1 that we judged of the ,specific ,essence of each object4 ,some of these sensible qualities1 therefore1 we regarded as essential1 or such as showed1 by their presence or absence1 the presence or absence of that essential form from which they necessarily flowed4 ,others were accidental1 or such whose presence or absence had no such necessary consequences4 ,the first of these two sorts of qualities was called ,properties2 the second1 ,accidents4 ,in the ,specific ,essence of each object itself1 they distinguished two parts2 one of which was peculiar and characteristical of the one class of things of which that particular object was an individual1 the other was common to it with some other higher classes of things4 ,these two parts were1 to the ,specific ,essence1 pretty much what the ,matter and the ,specific ,essence were to each individual body4 ,the one1 which was called the ,genus1 was modified and determined by the other1 #dje which was called the ,specific ,difference1 pretty much in the same manner as the universal matter contained in each body was modified and determined by the ,specific ,essence of that particular class of bodies4 ,these four1 with the ,specific ,essence or ,species itself1 made up the number of the ,five ,universals1 so well known in the schools by the names of ,genus1 ,species1 ,differentia1 ,proprium1 and ,accidens4 99 99 99 99 99 ---------- ,,of ,,the ,,nature ,,of ,,that ,,imitation ,,which ,,takes ,,place ,,in ,,what ,,are ,,called ,,the ,,imitative ,,arts4 ----- ,,part ,i4 ,,the most perfect imitation of an object of any kind must in all cases1 it is evident1 be another object of the same kind1 made as exactly as possible after the same model4 ,what1 for example1 would be the most perfect imitation of the carpet which now lies before me8--,another carpet1 certainly1 wrought as exactly as possible after the same pattern4 ,but1 whatever might be the merit or beauty of this second carpet1 it would not be supposed to derive any from the circumstance of its having been made in imitation of the first4 ,this circumstance of its being not an original1 but a copy1 would even be considered as some diminution of that merit2 a greater or smaller1 in proportion as the object was of a nature to lay claim to a greater or smaller degree of admiration4 ,it would not much diminish the merit of a common carpet1 because in such trifling objects1 which at best can lay claim to so little beauty or merit of any kind1 we do not always think it worth while to affect originality3 it would diminish a good deal that of a carpet of very exquisite workmanship4 ,in objects of still greater importance1 this exact1 or1 as it would be called1 this servile imitation1 would be considered as the most unpardonable blemish4 ,to build another ,st4 ,peter's or ,st4 ,paul's church1 of exactly the same dimensions1 proportions1 and ornaments with the present buildings at ,rome or ,london1 would be supposed to argue such a miserable barrenness of genius and invention in the architect as would disgrace the most expensive magnificence4 ,the exact resemblance of the correspondent parts of the same object #djf is frequently considered as a beauty1 and the want of it as a deformity2 as in the correspondent members of the human body1 in the opposite wings of the same building1 in the opposite trees of the same alley1 in the correspondent compartments of the same piece of carpet-work1 or of the same flower-garden1 in the chairs or tables which stand in the correspondent parts of the same room1 etc4 ,but in objects of the same kind1 which in other respects are regarded as altogether separate and unconnected1 this exact resemblance is seldom considered as a beauty1 nor the want of it as a deformity4 ,a man1 and in the same manner a horse1 is handsome or ugly1 each of them1 on account of his own intrinsic beauty or deformity1 without any regard to their resembling or not resembling1 the one1 another man1 or the other1 another horse4 ,a set of coach-horses1 indeed1 is supposed to be handsomer when they are all exactly matched2 but each horse is1 in this case1 considered not as a separated and unconnected object1 or as a whole by himself1 but as a part of another whole1 to the other parts of which he ought to bear a certain correspondence3 separated from the set1 he derives neither beauty from his resemblance1 nor deformity from his unlikeness to the other horses which compose it4 ,even in the correspondent parts of the same object1 we frequently require no more than a resemblance in the general outline4 ,if the inferior members of those correspondent parts are too minute to be seen distinctly1 without a separate and distinct examination of each part by itself1 as a separate and unconnected object1 we should sometimes even be displeased if the resemblance was carried beyond this general outline4 ,in the correspondent parts of a room we frequently hang pictures of the same size2 those pictures1 however1 resemble one another in nothing but the frame1 or1 perhaps1 in the general character of the subject2 if the one is a landscape1 the other is a landscape too2 if the one represents a religious or a bacchanalian subject1 its companion represents another of the same kind4 ,nobody ever thought of repeating the same picture in each correspondent frame4 ,the frame1 and the general character of two or three pictures1 is as much as the eye can comprehend at one view1 or from one station4 ,each picture1 in order1 to be seen distinctly1 and understood thoroughly1 must be viewed from a particular station1 and examined by itself as a separate and unconnected object4 ,in a hall or portico1 adorned with statues1 the niches1 or perhaps the pedestals1 may exactly resemble one another1 but the statues are always different ,even the masks which are sometimes carried upon the different key-stones of the same arcade1 or of the correspondent doors and windows of the same front1 though they may all resemble one another in the general outline1 yet each of them has always its own peculiar features1 and a grimace of its own4 ,there are some ,gothic buildings in which the correspondent windows resemble one another only in the general outline1 and not in the smaller #djg ornaments and subdivisions4 ,these are different in each1 and the architect had considered them as too minute to be seen distinctly1 without a particular and separate examination of each window by itself1 as a separate and unconnected object4 ,a variety of this sort1 however1 ,i think1 is not agreeable4 ,in objects which are susceptible only of a certain inferior order of beauty1 such as the frames of pictures1 the niches or the pedestals of statues1 c41 there seems frequently to be affectation in the study of variety1 of which the merit is scarcely ever sufficient to compensate the want of that perspicuity and distinctness1 of that easiness to be comprehended and remembered1 which is the natural effect of exact uniformity4 ,in a portico of the ,corinthian or ,ionic order1 each column resembles every other1 not only in the general outline1 but in all the minutest ornaments2 though some of them1 in order to be seen distinctly1 may require a separate and distinct examination in each column1 and in the entablature of each intercolumnation4 ,in the inlaid tables1 which1 according to the present fashion1 are sometimes fixed in the correspondent parts of the same room1 the pictures only are different in each4 ,all the other more frivolous and fanciful ornaments are commonly1 so far at least as ,i have observed the fashion1 the same in them all4 ,those ornaments1 however1 in order to be seen distinctly1 require a distinct examination of each table4 ,the extraordinary resemblance of two natural objects1 of twins1 for example1 is regarded as a curious circumstance2 which1 though it does not increase1 yet does not diminish the beauty of either1 considered as a separate and unconnected object4 ,but the exact resemblance of two productions of art1 seems to be always considered as some diminution of the merit of at least one of them2 as it seems to prove1 that one of them1 at least1 is a copy either of the other1 or of some other original4 ,one may say1 even of the copy of a picture1 that it derives its merit1 not so much from its resemblance to the original1 as from its resemblance to the object which the original was meant to resemble4 ,the owner of the copy1 so far from setting any high value upon its resemblance to the original1 is often anxious to destroy any value or merit which it might derive from this circumstance4 ,he is often anxious to persuade both himself and other people that it is not a copy1 but an original1 of which what passes for the original is only a copy4 ,but1 whatever merit a copy may derive from its resemblance to the original1 an original can derive none from the resemblance of its copy4 ,but though a production of art seldom derives any merit from its resemblance to another object of the same kind1 it frequently derives a great deal from its resemblance to an object of a different kind1 whether that object be a production of art or of nature4 ,a painted cloth1 the work of some laborious ,dutch artist1 so curiously shaded and coloured as to represent the pile and softness of a woollen one1 might derive some merit from its resemblance even to the sorry carpet which now #djh lies before me4 ,the copy might1 and probably would1 in this case1 be of much greater value than the original4 ,but if this carpet was represented as spread1 either upon a floor or upon a table1 and projecting from the background of the picture1 with exact observation of perspective1 and of light and shade1 the merit of the imitation would be still even greater4 ,in ,painting1 a plain surface of one kind is made to resemble1 not only a plain surface of another1 but all the three dimensions of a solid substance4 ,in ,statuary and ,sculpture1 a solid substance of one kind1 is made to resemble a solid substance of another4 ,the disparity between the object imitating1 and the object imitated1 is much greater in the one art than in the other2 and the pleasure arising from the imitation seems greater in proportion as this disparity is greater4 ,in ,painting1 the imitation frequently pleases1 though the original object be indifferent1 or even offensive4 ,in ,statuary and ,sculpture it is otherwise4 ,the imitation seldom pleases1 unless the original object be in a very high degree either great1 or beautiful1 or interesting4 ,a butcher's-stall1 or a kitchen-dresser1 with the objects which they commonly present1 are not certainly the happiest subjects1 even for ,painting4 ,they have1 however1 been represented with so much care and success by some ,dutch masters1 that it is impossible to view the pictures without some degree of pleasure4 ,they would be most absurd subjects for ,statuary or ,sculpture1 which are1 however1 capable of representing them4 ,the picture of a very ugly or deformed man1 such as sop1 or ,scarron1 might not make a disagreeable piece of furniture4 ,the statue certainly would4 ,even a vulgar ordinary man or woman1 engaged in a vulgar ordinary action1 like what we see with so much pleasure in the pictures of ,rembrandt1 would be too mean a subject for ,statuary4 ,jupiter1 ,hercules1 and ,apollo1 ,venus and ,diana1 the ,nymphs and the ,graces1 ,bacchus1 ,mercury1 ,antinous1 and ,meleager1 the miserable death of ,laocoon1 the melancholy fate of the children of ,niobe1 the ,wrestlers1 the fighting1 the dying gladiator1 the figures of gods and goddesses1 of heroes and heroines1 the most perfect forms of the human body1 placed either in the noblest attitudes1 or in the most interesting situations which the human imagination is capable of conceiving1 are the proper1 and therefore have always been the favourite1 subjects of ,statuary3 that art cannot1 without degrading itself1 stoop to represent any thing that is offensive1 or mean1 or even indifferent4 ,painting is not so disdainful2 and1 though capable of representing the noblest objects1 it can1 without forfeiting its title to please1 submit to imitate those of a much more humble nature4 ,the merit of the imitation alone1 and without any merit in the imitated object1 is capable of supporting the dignity of ,painting3 it cannot support that of ,statuary4 ,there would seem1 therefore1 to be more merit in the one species of imitation than in the other4 #dji ,in ,statuary1 scarcely any drapery is agreeable4 ,the best of the ancient statues were either altogether naked or almost naked2 and those of which any considerable part of the body is covered1 are represented as clothed in wet linen--a species of clothing which most certainly never was agreeable to the fashion of any country4 ,this drapery too is drawn so tight1 as to express beneath its narrow foldings the exact form and outline of any limb1 and almost of every muscle of the body4 ,the clothing which thus approached the nearest to no clothing at all1 had1 it seems1 in the judgment of the great artists of antiquity1 been that which was most suitable to ,statuary4 ,a great painter of the ,roman school1 who had formed his manner almost entirely upon the study of the ancient statues1 imitated at first their drapery in his pictures2 but he soon found that in ,painting it had the air of meanness and poverty1 as if the persons who wore it could scarce afford clothes enough to cover them2 and that larger folds1 and a looser and more flowing drapery1 were more suitable to the nature of his art4 ,in ,painting1 the imitation of so very inferior an object as a suit of clothes is capable of pleasing2 and1 in order to give this object all the magnificence of which it is capable1 it is necessary that the folds should be large1 loose1 and flowing4 ,it is not necessary in ,painting that the exact form and outline of every limb1 and almost of every muscle of the body1 should be expressed beneath the folds of the drapery2 it is sufficient if these are so disposed as to indicate in general the situation and attitude of the principal limbs4 ,painting1 by the mere force and merit of its imitation1 can venture1 without the hazard of displeasing1 to substitute1 upon many occasions1 the inferior in the room of the superior object1 by making the one1 in this manner1 cover and entirely conceal a great part of the other4 ,statuary can seldom venture to do this1 but with the utmost reserve and caution2 and the same drapery1 which is noble and magnificent in the one art1 appears clumsy and awkward in the other4 ,some modern artists1 however1 have attempted to introduce into ,statuary the drapery which is peculiar to ,painting4 ,it may not1 perhaps1 upon every occasion1 be quite so ridiculous as the marble periwigs in ,westminster ,abbey3 but if it does not always appear clumsy and awkward1 it is at best always insipid and uninteresting4 ,it is not the want of colouring which hinders many things from pleasing in ,statuary which please in ,painting2 it is the want of that degree of disparity between the imitating and the imitated object1 which is necessary1 in order to render interesting the imitation of an object which is itself not interesting4 ,colouring1 when added to ,statuary1 so far from increasing1 destroys almost entirely the pleasure which we receive from the imitation2 because it takes away the great source of that pleasure1 the disparity between the imitating and the imitated object4 ,that one solid and coloured object should exactly resemble another solid and coloured object1 seems to be a matter of no #daj great wonder or admiration4 ,a painted statue1 though it may resemble a human figure much more exactly than any statue which is not painted1 is generally acknowledged to be a disagreeable and even an offensive object2 and so far are we from being pleased with this superior likeness1 that we are never satisfied with it2 and1 after viewing it again and again1 we always find that it is not equal to what we are disposed to imagine it might have been3 though it should seem to want scarce any thing but the life1 we could not pardon it for thus wanting what it is altogether impossible it should have4 ,the works of ,mrs4 ,wright1 a self-taught artist of great merit1 are perhaps more perfect in this way than any thing ,i have ever seen4 ,they do admirably well to be seen now and then as a show2 but the best of them we shall find1 if brought home to our own house1 and placed in a situation where it was to come often into view1 would make1 instead of an ornamental1 a most offensive piece of household furniture4 ,painted statues1 accordingly1 are universally reprobated1 and we scarce ever meet with them4 ,to colour the eyes of statues is not altogether so uncommon3 even this1 however1 is disapproved by all good judges4 ',i cannot bear it1' 7a gentleman used to say1 of great knowledge and judgment in this art71 ',i cannot bear it2 ,i always want them to speak to me4' ,artificial fruits and flowers sometimes imitate so exactly the natural objects which they represent1 that they frequently deceive us4 ,we soon grow weary of them1 however2 and1 though they seem to want nothing but the freshness and the flavour of natural fruits and flowers1 we cannot pardon them1 in the same manner1 for thus wanting what it is altogether impossible they should have4 ,but we do not grow weary of a good flower and fruit painting4 ,we do not grow weary of the foliage of the ,corinthian capital1 or of the flowers which sometimes ornament the frieze of that order4 ,such imitations1 however1 never deceive us2 their resemblance to the original objects is always much inferior to that of artificial fruits and flowers4 ,such as it is1 however1 we are contented with it2 and1 where there is such disparity between the imitating and the imitated objects1 we find that it is as great as it can be1 or as we expect that it should be4 ,paint that foliage and those flowers with the natural colours1 and1 instead of pleasing more1 they will please much less4 ,the resemblance1 however1 will be much greater2 but the disparity between the imitating and the imitated objects will be so much less1 that even this superior resemblance will not satisfy us4 ,where the disparity is so very great1 on the contrary1 we are often contented with the most imperfect resemblance2 with the very imperfect resemblance1 for example1 both as to the figure and the colour1 of fruits and flowers in shell-work4 ,it may be observed1 however1 that1 though in ,sculpture the imitation of flowers and foliage pleases as an ornament of architecture1 as a part of the dress which is to set off the beauty of a different and a more #daa important object1 it would not please alone1 or as a separate and unconnected object1 in the same manner as a fruit and flower painting pleases4 ,flowers and foliage1 how elegant and beautiful soever1 are not sufficiently interesting2 they have not dignity enough1 if ,i may say so1 to be proper subjects for a piece of ,sculpture1 which is to please alone1 and not to appear as the ornamental appendage of some other object4 ,in ,tapestry and ,needle-work1 in the same manner as in ,painting1 a plain surface is sometimes made to represent all the three dimensions of a solid substance4 ,but both the shuttle of the weaver1 and the needle of the embroiderer1 are instruments of imitation so much inferior to the pencil of the painter1 that we are not surprised to find a proportionable inferiority in their productions4 ,we have all more or less experience that they usually are much inferior3 and1 in appreciating a piece of ,tapestry or ,needle-work1 we never compare the imitation of either with that of a good picture1 for it never could stand that comparison1 but with that of other pieces of ,tapestry or ,needle-work4 ,we take into consideration1 not only the disparity between the imitating and the imitated object1 but the awkwardness of the instruments of imitation2 and if it is as well as any thing that can be expected from these1 if it is better than the greater part of what actually comes from them1 we are often not only contented but highly pleased4 ,a good painter will often execute in a few days a subject which would employ the best tapestry-weaver for many years2 though1 in proportion to his time1 therefore1 the latter is always much worse paid than the former1 yet his work in the end comes commonly much dearer to market4 ,the great expense of good ,tapestry1 the circumstance which confines it to the palaces of princes and of great lords1 gives it1 in the eyes of the greater part of the people1 an air of riches and magnificence1 which contributes still further to compensate the imperfection of its imitation4 ,in arts which address themselves1 not to the prudent and the wise1 but to the rich and the great1 to the proud and the vain1 we ought not to wonder if the appearances of great expense1 of being what few people can purchase1 of being one of the surest characteristics of great fortune1 should often stand in the place of exquisite beauty1 and contribute equally to recommend their productions4 ,as the idea of expense seems often to embellish1 so that of cheapness seems as frequently to tarnish the lustre even of very agreeable objects4 ,the difference between real and false jewels is what even the experienced eye of a jeweller can sometimes with difficulty distinguish4 ,let an unknown lady1 however1 come into a public assembly1 with a head-dress which appears to be very richly adorned with diamonds1 and let a jeweller only whisper in our ear that they are false stones1 not only the lady will immediately sink in our imagination from the rank of a princess to that of a very ordinary woman1 but the #dab head-dress1 from being an object of the most splendid magnificence1 will at once become an impertinent piece of tawdry and tinsel finery4 ,it was some years ago the fashion to ornament a garden with yew and holly trees1 clipped into the artificial shapes of pyramids1 and columns1 and vases1 and obelisks4 ,it is now the fashion to ridicule this taste as unnatural4 ,the figure of a pyramid or obelisk1 however1 is not more unnatural to a yew-tree than to a block of porphyry or marble4 ,when the yew-tree is presented to the eye in this artificial shape1 the gardener does not mean that it should be understood to have grown in that shape3 he means1 first1 to give it the same beauty of regular figure1 which pleases so much in porphyry and marble2 and1 secondly1 to imitate in a growing tree the ornaments of those precious materials3 he means to make an object of one kind resembling another object of a very different kind2 and to the original beauty of figure to join the relative beauty of imitation3 but the disparity between the imitating and the imitated object is the foundation of the beauty of imitation4 ,it is because the one object does not naturally resemble the other1 that we are so much pleased with it1 when by art it is made to do so4 ,the shears of the gardener1 it may be said1 indeed1 are very clumsy instruments of ,sculpture4 ,they are so1 no doubt1 when employed to imitate the figures of men1 or even of animals4 ,but in the simple and regular forms of pyramids1 vases1 and obelisks1 even the shears of the gardener do well enough4 ,some allowance1 too1 is naturally made for the necessary imperfection of the instrument1 in the same manner as in ,tapestry and ,needle-work4 ,in short1 the next time you have an opportunity of surveying those out-of-fashion ornaments1 endeavour only to let yourself alone1 and to restrain for a few minutes the foolish passion for playing the critic1 and you will be sensible that they are not without some degree of beauty2 that they give the air of neatness and correct culture at least to the whole garden2 and that they are not unlike what the 'retired leisure1 that' 7as ,milton says7 'in trim gardens takes his pleasure1' might be amused with4 ,what then1 it may be said1 has brought them into such universal disrepute among us8 ,in a pyramid or obelisk of marble1 we know that the materials are expensive1 and that the labour which wrought them into that shape must have been still more so4 ,in a pyramid or obelisk of yew1 we know that the materials could cost very little1 and the labour still less4 ,the former are ennobled by their expense2 the latter degraded by their cheapness4 ,in the cabbage-garden of a tallow-chandler we may sometimes perhaps have seen as many columns and vases and other ornaments in yew1 as there are in marble and porphyry at ,versailles3 it is this vulgarity which has disgraced them4 ,the rich and the great1 the proud and the vain will not admit into their gardens an ornament which the meanest of the people can have as well as they4 ,the taste for these ornaments came originally from ,france2 where1 notwithstanding that #dac inconstancy of fashion with which we sometimes reproach the natives of that country1 it still continues in good repute4 ,in ,france1 the condition of the inferior ranks of people is seldom so happy as it frequently is in ,england2 and you will there seldom find even pyramids and obelisks of yew in the garden of a tallow-chandler4 ,such ornaments1 not having in that country been degraded by their vulgarity1 have not yet been excluded from the gardens of princes and lords4 ,the works of the great masters in ,statuary and ,painting1 it is to be observed1 never produce their effect by deception4 ,they never are1 and it never is intended that they should be1 mistaken for the real objects which they represent4 ,painted ,statuary may sometimes deceive an inattentive eye3 proper ,statuary never does4 ,the little pieces of perspective in ,painting1 which it is intended should please by deception1 represent always some very simple1 as well as insignificant1 objects3 a roll of paper1 for example1 or the steps of a staircase1 in the dark corner of some passage or gallery4 ,they are generally the works too of some very inferior artists4 ,after being seen once1 and producing the little surprise which it is meant they should excite1 together with the mirth which commonly accompanies it1 they never please more1 but appear to be ever after insipid and tiresome4 ,the proper pleasure which we derive from those two imitative arts1 so far from being the effect of deception1 is altogether incompatible with it4 ,that pleasure is founded altogether upon our wonder at seeing an object of one kind represent so well an object of a very different kind1 and upon our admiration of the art which surmounts so happily that disparity which ,nature had established between them4 ,the nobler works of ,statuary and ,painting appear to us a sort of wonderful phenomena1 differing in this respect from the wonderful phenomena of ,nature1 that they carry1 as it were1 their own explication along with them1 and demonstrate1 even to the eye1 the way and manner in which they are produced4 ,the eye1 even of an unskilful spectator1 immediately discerns1 in some measure1 how it is that a certain modification of figure in ,statuary1 and of brighter and darker colours in ,painting1 can represent1 with so much truth and vivacity1 the actions1 passions1 and behaviour of men1 as well as a great variety of other objects4 ,the pleasing wonder of ignorance is accompanied with the still more pleasing satisfaction of science4 ,we wonder and are amazed at the effect2 and we are pleased ourselves1 and happy to find that we can comprehend1 in some measure1 how that wonderful effect is produced upon us4 ,a good looking-glass represents the objects which are set before it with much more truth and vivacity than either ,statuary or ,painting4 ,but1 though the science of optics may explain to the understanding1 the looking-glass itself does not at all demonstrate to the eye how this effect is brought about4 ,it may excite the wonder of ignorance2 and #dad in a clown1 who had never beheld a looking-glass before1 ,i have seen that wonder rise almost to rapture and extasy2 but it cannot give the satisfaction of science4 ,in all looking-glasses the effects are produced by the same means1 applied exactly in the same manner4 ,in every different statue and picture the effects are produced1 though by similar1 yet not by the same means2 and those means too are applied in a different manner in each4 ,every good statue and picture is a fresh wonder1 which at the same time carries1 in some measure1 its own explication along with it4 ,after a little use and experience1 all looking-glasses cease to be wonders altogether2 and even the ignorant become so familiar with them1 as not to think that their effects require any explication4 ,a looking-glass1 besides1 can represent only present objects2 and1 when the wonder is once fairly over1 we choose1 in all cases1 rather to contemplate the substance than to gaze at the shadow4 ,one's own face becomes then the most agreeable object which a looking-glass can represent to us1 and the only object which we do not soon grow weary with looking at2 it is the only present object of which we can see only the shadow3 whether handsome or ugly1 whether old or young1 it is the face of a friend always1 of which the features correspond exactly with whatever sentiment1 emotion1 or passion we may happen at that moment to feel4 ,in ,statuary1 the means by which the wonderful effect is brought about appear more simple and obvious than in ,painting2 where the disparity between the imitating and the imitated object being much greater1 the art which can conquer that greater disparity appears evidently1 and almost to the eye1 to be founded upon a much deeper science1 or upon principles much more abstruse and profound4 ,even in the meanest subjects we can often trace with pleasure the ingenious means by which ,painting surmounts this disparity4 ,but we cannot do this in ,statuary1 because the disparity not being so great1 the means do not appear so ingenious4 ,and it is upon this account1 that in ,painting we are often delighted with the representation of many things1 which in ,statuary would appear insipid1 and not worth the looking at4 ,it ought to be observed1 however1 that though in ,statuary the art of imitation appears1 in many respects1 inferior to what it is in ,painting1 yet1 in a room ornamented with both statues and pictures of nearly equal merit1 we shall generally find that the statues draw off our eye from the pictures4 ,there is generally but one or little more than one1 point of view from which a picture can be seen with advantage1 and it always presents to the eye precisely the same object4 ,there are many different points of view from which a statue may be seen with equal advantage1 and from each it presents a different object4 ,there is more variety in the pleasure which we receive from a good statue1 than in that which we receive from a good picture2 and one statue may frequently be the subject of many good pictures or drawings1 all different #dae from one another4 ,the shadowy relief and projection of a picture1 besides1 is much flattened1 and seems almost to vanish away altogether1 when brought into comparison with the real and solid body which stands by it4 ,how nearly soever these two arts may seem to be akin1 they accord so very ill with one another1 that their different productions ought1 perhaps1 scarce ever to be seen together4 ----- ,,part ,,ii4 ,,after the pleasures which arise from the gratification of the bodily appetites1 there seem to be none more natural to man than ,music and ,dancing4 ,in the progress of art and improvement they are1 perhaps1 the first and earliest pleasures of his own invention2 for those which arise from the gratification of the bodily appetites cannot be said to be his own invention4 ,no nation has yet been discovered so uncivilized as to be altogether without them4 ,it seems even to be amongst the most barbarous nations that the use and practice of them is both most frequent and most universal1 as among the negroes of ,africa and the savage tribes of ,america4 ,in civilized nations1 the inferior ranks of people have very little leisure1 and the superior ranks have many other amusements2 neither the one nor the other1 therefore1 can spend much of their time in ,music and ,dancing4 ,among savage nations1 the great body of the people have frequently great intervals of leisure1 and they have scarce any other amusement2 they naturally1 therefore1 spend a great part of their time in almost the only one they have4 ,what the ancients called ,rhythmus1 what we call ,time or ,measure1 is the connecting principle of those two arts2 ,music consisting in a succession of a certain sort of sounds1 and ,dancing in a succession of a certain sort of steps1 gestures1 and motions1 regulated according to time or measure1 and thereby formed1 into a sort of whole or system2 which in the one art is called a song or tune1 and in the other a dance2 the time or measure of the dance corresponding always exactly with that of the song or tune which accompanies and directs it4#a ,footnote #a3 ,the ,author's ,observations on the ,affinity between ,music1 ,dancing1 and ,poetry1 are annexed to the end of ,part ,,iii4 of this ,essay4 ,the human voice1 as it is always the best1 so it would naturally be the first and earliest of all musical instruments3 in singing1 or in its first attempts towards singing1 it would naturally employ sounds as similar as possible to those which it had been accustomed to2 that is1 it would employ words of some kind or other1 pronouncing them only in time and measure1 and generally with a more melodious tone than had been usual in common conversation4 ,those words1 however1 might not1 and probably would not1 for a long time have any meaning1 but might resemble the syllables which we make use of in fol-faing1 or the #daf derry-down-down of our common ballads2 and serve only to assist the voice in forming sounds proper to be modulated into melody1 and to be lengthened or shortened according to the time and measure of the tune4 ,this rude form of vocal ,music1 as it is by far the most simple and obvious1 so it naturally would be the first and earliest4 ,in the succession of ages it could not fail to occur1 that in room of those unmeaning or musical words1 if ,i may call them so1 might be substituted words which expressed some sense or meaning1 and of which the pronunciation might coincide as exactly with the time and measure of the tune1 as that of the musical words had done before4 ,hence the origin of ,verse or ,poetry4 ,the ,verse would for a long time be rude and imperfect4 ,when the meaning words fell short of the measure required1 they would frequently be eked out with the unmeaning ones1 as is sometimes done in our common ballads4 ,when the public ear came to be so refined as to reject1 in all serious ,poetry1 the unmeaning words altogether1 there would still be a liberty assumed of altering and corrupting1 upon many occasions1 the pronunciation of the meaning ones1 for the sake of accommodating them to the measure4 ,the syllables which composed them would1 for this purpose1 sometimes be improperly lengthened1 and sometimes improperly shortened2 and though no unmeaning words were made use of1 yet an unmeaning syllable would sometimes be stuck to the beginning1 to the end1 or into the middle of a word4 ,all these expedients we find frequently employed in the verses even of ,chaucer1 the father of the ,english ,poetry4 ,many ages might pass away before verse was commonly composed with such correctness1 that the usual and proper pronunciation of the words alone1 and without any other artifice1 subjected the voice to the observation of a time and measure1 of the same kind with the time and measure of the science of ,music4 ,the ,verse would naturally express some sense which suited the grave or gay1 the joyous or melancholy humour of the tune which it was sung to2 being as it were blended and united with that tune1 it would seem to give sense and meaning to what otherwise might not appear to have any1 or at least any which could be clearly understood1 without the accompaniment of such an explication4 ,a pantomime dance may frequently answer the same purpose1 and1 by representing some adventure in love or war1 may seem to give sense and meaning to a ,music1 which might not otherwise appear to have any4 ,it is more natural to mimic1 by gestures and motions1 the adventures of common life1 than to express them in ,verse or ,poetry4 ,the thought itself is more obvious1 and the execution is much more easy4 ,if this mimicry was accompanied by ,music1 it would of its own accord1 and almost without any intention of doing so1 accommodate1 in some measure1 its different steps and movements to the time and measure of the tune2 especially if the same person both sung the tune #dag and performed the mimicry1 as is said to be frequently the case among the savage nations of ,africa and ,america4 ,pantomime ,dancing might in this manner serve to give a distinct sense and meaning to ,music many ages before the invention1 or at least before the common use of ,poetry4 ,we hear little1 accordingly1 of the ,poetry of the savage nations who inhabit ,africa and ,america1 but a great deal of their pantomime dances4 ,poetry1 however1 is capable of expressing many things fully and distinctly1 which ,dancing either cannot represent at all1 or can represent but obscurely and imperfectly2 such as the reasonings and judgments1 of the understanding2 the ideas1 fancies1 and suspicions of the imagination2 the sentiments1 emotions1 and passions of the heart4 ,in the power of expressing a meaning with clearness and distinctness1 ,dancing is superior to ,music1 and ,poetry to ,dancing4 ,of those three ,sister ,arts1 which originally1 perhaps1 went always together1 and which at all times go frequently together1 there are two which can subsist alone1 and separate from their natural companions1 and one which cannot4 ,in the distinct observation of what the ancients called ,rhythmus1 of what we call ,time and ,measure1 consists the essence both of ,dancing and of ,poetry or ,verse2 or the characteristical quality which distinguishes the former from all other motion and action1 and the latter from all other discourse4 ,but1 concerning the proportion between those intervals and divisions of duration which constitute what is called time and measure1 the ear1 it would seem1 can judge with much more precision than the eye2 and ,poetry1 in the same manner as ,music1 addresses itself to the ear1 whereas ,dancing addresses itself to the eye4 ,in ,dancing1 the rhythmus1 the proper proportion1 the time and measure of its motions1 cannot distinctly be perceived1 unless they are marked by the more distinct time and measure of ,music4 ,it is otherwise in ,poetry2 no accompaniment is necessary to mark the measure of good ,verse4 ,music and ,poetry1 therefore1 can each of them subsist alone2 ,dancing always requires the accompaniment of ,music4 ,it is ,instrumental ,music which can best subsist apart1 and separate from both ,poetry and ,dancing4 ,vocal ,music1 though it may1 and frequently does1 consist of notes which have no distinct sense or meaning1 yet naturally calls for the support of ,poetry4 ,but1 ',music1 married to immortal ,verse1' as ,milton says1 or even to words of any kind which have a distinct sense or meaning1 is necessarily and essentially imitative4 ,whatever be the meaning of those words1 though1 like many of the songs of ancient ,greece1 as well as some of those of more modern times1 they may express merely some maxims of prudence and morality1 or may contain merely the simple narrative of some important event1 yet even in such didactic and historical songs there will still be imitation2 there will still be a thing of one kind1 which by art is made to #dah resemble a thing of a very different kind2 there will still be ,music imitating discourse2 there will still be ,rhythmus and ,melody1 shaped and fashioned into the form either of a good moral counsel1 or of an amusing and interesting story4 ,in this first species of imitation1 which being essential to1 is therefore inseparable from1 all such ,vocal ,music1 there may be1 and there commonly is1 added a second4 ,the words may1 and commonly do1 express the situation of some particular person1 and all the sentiments and passions which he feels from that situation4 ,it is a joyous companion who gives vent to the gaiety and mirth with which wine1 festivity1 and good company inspire him4 ,it is a lover who complains1 or hopes1 or fears1 or despairs4 ,it is a generous man who expresses either his gratitude for the favours1 or his indignation at the injuries1 which may have been done to him4 ,it is a warrior who prepares himself to confront danger1 and who provokes or desires his enemy4 ,it is a person in prosperity who humbly returns thanks for the goodness1 or one in affliction who with contrition implores the mercy and forgiveness of that invisible ,power to whom he looks up as the ,director of all the events of human life4 ,the situation may comprehend1 not only one1 but two1 three1 or more persons2 it may excite in them all either similar or opposite sentiments2 what is a subject of sorrow to one1 being an occasion of joy and triumph to another2 and they may all express1 sometimes separately and sometimes together1 the particular way in which each of them is affected1 as in a duo1 trio1 or a chorus4 ,all this it may1 and it frequently has been said is unnatural2 nothing being more so1 than to sing when we are anxious to persuade1 or in earnest to express any very serious purpose4 ,but it should be remembered1 that to make a thing of one kind resemble another thing of a very different kind1 is the very circumstance which1 in all the ,imitative ,arts1 constitutes the merits of imitation2 and that to shape1 and as it were to bend1 the measure and the melody of ,music1 so as to imitate the tone and the language of counsel and conversation1 the accent and the style of emotion and passion1 is to make a thing of one kind resemble another thing of a very different kind4 ,the tone and the movements of ,music1 though naturally very different from those of conversation and passion1 may1 however1 be so managed as to seem to resemble them4 ,on account of the great disparity between the imitating and the imitated object1 the mind in this1 as in the other cases1 cannot only be contented1 but delighted1 and even charmed and transported1 with such an imperfect resemblance as can be had4 ,such imitative ,music1 therefore1 when sung to words which explain and determine its meaning1 may frequently appear to be a very perfect imitation4 ,it is upon this account1 that even the incomplete ,music of a recitative seems to express sometimes all the sedateness and composure of serious but calm discourse1 and sometimes all the #dai exquisite sensibility of the most interesting passion4 ,the more complete ,music of an air is still superior1 and1 in the imitation of the more animated passions1 has one great advantage over every sort of discourse1 whether ,prose or ,poetry1 which is not sung to ,music4 ,in a person who is either much depressed by grief or enlivened by joy1 who is strongly affected either with love or hatred1 with gratitude or resentment1 with admiration or contempt1 there is commonly one thought or idea which dwells upon his mind1 which continually haunts him1 which1 when he has chased it away1 immediately returns upon him1 and which in company makes him absent and inattentive4 ,he can think but of one object1 and he cannot repeat to them that object so frequently as it recurs upon him4 ,he takes refuge in solitude1 where he can with freedom either indulge the extasy or give way to the agony of the agreeable or disagreeable passion which agitates him2 and where he can repeat to himself1 which he does sometimes mentally1 and sometimes even aloud1 and almost always in the same words1 the particular thought which either delights or distresses him4 ,neither ,prose nor ,poetry can venture to imitate those almost endless repetitions of passion4 ,they may describe them as ,i do now1 but they dare not imitate them2 they would become most insufferably tiresome if they did4 ,the ,music of a passionate air1 not only may1 but frequently does1 imitate them2 and it never makes its way so directly or so irresistibly to the heart as when it does so4 ,it is upon this account that the words of an air1 especially of a passionate one1 though they are seldom very long1 yet are scarce ever sung straight on to the end1 like those of a recitative2 but are almost always broken into parts1 which are transposed and repeated again and again1 according to the fancy or judgment of the composer4 ,it is by means of such repetitions only1 that ,music can exert those peculiar powers of imitation which distinguish it1 and in which it excels all the other ,imitative ,arts4 ,poetry and ,eloquence1 it has accordingly been often observed1 produce their effect always by a connected variety and succession of different thoughts and ideas3 but ,music frequently produces its effects by a repetition of the same idea2 and the same sense expressed in the same1 or nearly the same1 combination of sounds1 though at first perhaps it may make scarce any impression upon us1 yet1 by being repeated again and again1 it comes at last gradually1 and by little and little1 to move1 to agitate1 and to transport us4 ,to these powers of imitating1 ,music naturally1 or rather necessarily1 joins the happiest choice in the objects of its imitation4 ,the sentiments and passions which ,music can best imitate are those which unite and bind men together in society2 the social1 the decent1 the virtuous1 the interesting and affecting1 the amiable and agreeable1 the awful and respectable1 the noble1 elevating1 and commanding passions4 ,grief and distress are interesting and affecting2 humanity and compassion1 joy and admiration1 are amiable and agreeable2 devotion is awful #dbj and respectable2 the generous contempt of danger1 the honourable indignation at injustice1 are noble1 elevating1 and commanding4 ,but it is these and such like passions which ,music is fittest for imitating1 and which it in fact most frequently imitates4 ,they are1 if ,i may say so1 all ,musical ,passions2 their natural tones are all clear1 distinct1 and almost melodious2 and they naturally express themselves in a language which is distinguished by pauses at regular1 and almost equal1 intervals2 and which1 upon that account1 can more easily be adapted to the regular returns of the correspondent periods of a tune4 ,the passions1 on the contrary1 which drive men from one another1 the unsocial1 the hateful1 the indecent1 the vicious passions1 cannot easily be imitated by ,music1 ,the voice of furious anger1 for example1 is harsh and discordant2 its periods are all irregular1 sometimes very long and sometimes very short1 and distinguished by no regular pauses4 ,the obscure and almost inarticulate grumblings of black malice and envy1 the screaming outcries of dastardly fear1 the hideous growlings of brutal and implacable revenge1 are all equally discordant4 ,it is with difficulty that ,music can imitate any of those passions1 and the ,music which does imitate them is not the most agreeable4 ,a whole entertainment may consist1 without any impropriety1 of the imitation of the social and amiable passions4 ,it would be a strange entertainment which consisted altogether in the imitation of the odious and the vicious4 ,a single song expresses almost always some social1 agreeable1 or interesting passion4 ,in an opera the unsocial and disagreeable are sometimes introduced1 but it is rarely1 and as discords are introduced into harmony1 to set off by their contrast the superior beauty of the opposite passions4 ,what ,plato said of ,virtue1 that it was of all beauties the brightest1 may with some sort of truth be said of the proper and natural objects of musical imitation4 ,they are either the sentiments and passions1 in the exercise of which consist both the glory and the happiness of human life1 or they are those from which it derives its most delicious pleasures1 and most enlivening joys2 or1 at the worst and the lowest1 they are those by which it calls upon our indulgence and compassionate assistance to its unavoidable weaknesses1 distresses1 and misfortunes4 ,to the merit of its imitation and to that of its happy choice in the objects which it imitates1 the great merits of ,statuary and ,painting1 ,music joins another peculiar and exquisite merit of its own4 ,statuary and ,painting cannot be said to add any new beauties of their own to the beauties of ,nature which they imitate2 they may assemble a greater number of those beauties1 and group them in a more agreeable manner than they are commonly1 or perhaps ever1 to be found in ,nature4 ,it may perhaps be true1 what the artists are so very fond of telling us1 that no woman ever equalled1 in all the parts of her body1 the beauty of the ,venus of ,medicis1 nor any man that of the ,apollo of ,belvidere4 ,but they must allow1 surely1 that there is no particular #dba beauty in any part or feature of those two famous statues1 which is not at least equalled1 if not much excelled1 by what is to be found in many living subjects4 ,but ,music1 by arranging1 and as it were bending to its own time and measure1 whatever sentiments and passions it expresses1 not only assembles and groups1 as well as ,statuary and ,painting1 the different beauties of ,nature which it imitates1 but it clothes them1 besides1 with a new and an exquisite beauty of its own2 it clothes them with melody and harmony1 which1 like a transparent mantle1 far from concealing any beauty1 serve only to give a brighter colour1 a more enlivening lustre and a more engaging grace to every beauty which they infold4 ,to these two different sorts of imitation1--to that general one1 by which ,music is made to resemble discourse1 and to that particular one1 by which it is made to express the sentiments and feelings with which a particular situation inspires a particular person1--there is frequently joined a third4 ,the person who sings may join to this double imitation of the singer the additional imitation of the actor2 and express1 not only by the modulation and cadence of his voice1 but by his countenance1 by his attitudes1 by his gestures1 and by his motions1 the sentiments and feelings of the person whose situation is painted in the song4 ,even in private company1 though a song may sometimes perhaps be said to be well sung1 it can never be said to be well performed1 unless the singer does something of this kind2 and there is no comparison between the effect of what is sung coldly from a music-book at the end of a harpsichord1 and of what is not only sung1 but acted with proper freedom1 animation1 and boldness4 ,an opera actor does no more than this2 and an imitation which is so pleasing1 and which appears even so natural1 in private society1 ought not to appear forced1 unnatural1 or disagreeable upon the stage4 ,in a good opera actor1 not only the modulations and pauses of his voice1 but every motion and gesture1 every variation1 either in the air of his head1 or in the attitude of his body1 correspond to the time and measure of ,music3 they correspond to the expression of the sentiment or passion which the ,music imitates1 and that expression necessarily corresponds to this time and measure4 ,music is as it were the soul which animates him1 which informs every feature of his countenance1 and even directs every movement of his eyes4 ,like the musical expression of a song1 his action adds to the natural grace of the sentiment or action which it imitates1 a new and peculiar grace of its own2 the exquisite and engaging grace of those gestures and motions1 of those airs and attitudes which are directed by the movement1 by the time and measure of ,music2 this grace heightens and enlivens that expression4 ,nothing can be more deeply affecting than the interesting scenes of the serious opera1 when to good ,poetry and good ,music1 to the ,poetry of ,metastasio and the ,music of ,pergolese1 is added the #dbb execution of a good actor4 ,in the serious opera1 indeed1 the action is too often sacrificed to the ,music2 the castrati1 who perform the principal parts1 being always the most insipid and miserable actors4 ,the sprightly airs of the comic opera are1 in the same manner1 in the highest degree enlivening and diverting4 ,though they do not make us laugh so loud as we sometimes do at the scenes of the common comedy1 they make us smile more frequently2 and the agreeable gaiety1 the temperate joy1 if ,i may call it so1 with which they inspire us1 is not only an elegant1 but a most delicious pleasure4 ,the deep distress and the great passions of tragedy are capable of producing some effect1 though it should be but indifferently acted4 ,it is not so with the lighter misfortunes and less affecting situations of comedy3 unless it is at least tolerably acted1 it is altogether insupportable4 ,but the castrati are scarce ever tolerable actors2 they are accordingly seldom admitted to play in the comic opera2 which1 being upon that account commonly better performed than the serious1 appears to many people the better entertainment of the two4 ,the imitative powers of ,instrumental are much inferior to those of ,vocal ,music2 its melodious but unmeaning and inarticulated sounds cannot1 like the articulations of the human voice1 relate distinctly the circumstances of any particular story1 or describe the different situations which those circumstances produced2 or even express clearly1 and so as to be understood by every hearer1 the various sentiments and passions which the parties concerned felt from these situations3 even its imitation of other sounds1 the objects which it can certainly best imitate1 is commonly so indistinct1 that alone1 and without any explication1 it might not readily suggest to us what was the imitated object4 ,the rocking of a cradle is supposed to be imitated in that concerto of ,correlli1 which is said to have been composed for the ,nativity3 but unless we were told beforehand1 it might not readily occur to us what it meant to imitate1 or whether it meant to imitate any thing at all2 and this imitation 7which1 though perhaps as successful as any other1 is by no means the distinguished beauty of that admired composition7 might only appear to us a singular and odd passage in ,music4 ,the ringing of bells and the singing of the lark and nightingale are imitated in the symphony of ,instrumental ,music which ,mr4 ,handel has composed for the ,allegro and ,penseroso of ,milton3 these are not only sounds but musical sounds1 and may therefore be supposed to be more within the compass of the powers of musical imitation4 ,it is accordingly universally acknowledged1 that in these imitations this great master has been remarkably successful2 and yet1 unless the verses of ,milton explained the meaning of the ,music1 it might not even in this case readily occur to us what it meant to imitate1 or whether it meant to imitate any thing at all4 ,with the explication of the words1 indeed1 the imitation appears1 what it certainly is1 a very fine one2 but without #dbc that explication it might perhaps appear only a singular passage1 which had less connexion either with what went before or with what came after it1 than any other in the ,music4 ,instrumental ,music is said sometimes to imitate motion2 but in reality it only either imitates the particular sounds which accompany certain motions1 or it produces sounds of which the time and measure bear some correspondence to the variations1 to the pauses and interruptions1 to the successive accelerations and retardations of the motion which it means to imitate3 it is in this way that it sometimes attempts to express the march and array of an army1 the confusion and hurry of a battle1 c4 ,in all these cases1 however1 its imitation is so very indistinct1 that without the accompaniment of some other art1 to explain and interpret its meaning1 it would be almost always unintelligible2 and we could scarce ever know with certainty1 either what it meant to imitate1 or whether it meant to imitate any thing at all4 ,in the imitative arts1 though it is by no means necessary that the imitating should so exactly resemble the imitated object1 that the one should sometimes be mistaken for the other1 it is1 however1 necessary that they should resemble at least so far1 that the one should always readily suggest the other4 ,it would be a strange picture which required an inscription at the foot to tell us1 not only what particular person it meant to represent1 but whether it meant to represent a man or a horse1 or whether it meant to be a picture at all1 and to represent any thing4 ,the imitations of instrumental ,music may1 in some respects1 be said to resemble such pictures4 ,there is1 however1 this very essential difference between them1 that the picture would not be much mended by the inscription2 whereas1 by what may be considered as very little more than such an inscription1 instrumental ,music1 though it cannot always even then1 perhaps1 be said properly to imitate1 may1 however1 produce all the effects of the finest and most perfect imitation4 ,in order to explain how this is brought about1 it will not be necessary to descend into any great depth of philosophical speculation4 ,that train of thoughts and ideas which is continually passing through the mind does not always move on with1 the same pace1 if ,i may say so1 or with the same order and connection4 ,when we are gay and cheerful1 its motion is brisker and more lively1 our thoughts succeed one another more rapidly1 and those which immediately follow one another seem frequently either to have but little connection1 or to be connected rather by their opposition than by their mutual resemblance4 ,as in this wanton and playful disposition of mind we hate to dwell long upon the same thought1 so we do not much care to pursue resembling thoughts2 and the variety of contrast is more agreeable to us than the sameness of resemblance4 ,it is quite otherwise when we are melancholy and desponding2 we then frequently find ourselves haunted1 as it were1 by some thought which we would gladly chase away1 but #dbd which constantly pursues us1 and which admits no followers1 attendants1 or companions1 but such as are of its own kindred and complexion4 ,a slow succession of resembling or closely connected thoughts is the characteristic of this disposition of mind2 a quick succession of thoughts1 frequently contrasted and in general very slightly connected1 is the characteristic of the other4 ,what may be called the natural state of the mind1 the state in which we are neither elated nor dejected1 the state of sedateness1 tranquillity1 and composure1 holds a sort of middle place between those two opposite extremes2 our thoughts may succeed one another more slowly1 and with a more distinct connection1 than in the one2 but more quickly and with a greater variety1 than in the other4 ,acute sounds are naturally gay1 sprightly1 and enlivening2 grave sounds solemn1 awful1 and melancholy4 ,there seems too to be some natural connection between acuteness in tune and quickness in time or succession1 as well as between gravity and slowness3 an acute sound seems to fly off more quickly than a grave one3 the treble is more cheerful than the bass2 its notes likewise commonly succeed one another more rapidly4 ,but instrumental ,music1 by a proper arrangement1 by a quicker or slower succession of acute and grave1 of resembling and contrasted sounds1 can not only accommodate itself to the gay1 the sedate1 or the melancholy mood2 but if the mind is so far vacant as not to be disturbed by any disorderly passion1 it can1 at least for the moment1 and to a certain degree1 produce every possible modification of each of those moods or dispositions4 ,we all readily distinguish the cheerful1 the gay1 and the sprightly ,music1 from the melancholy1 the plaintive1 and the affecting2 and both these from what holds a sort of middle place between them1 the sedate1 the tranquil1 and the composing4 ,and we are all sensible that1 in the natural and ordinary state of the mind1 ,music can1 by a sort of incantation1 sooth and charm us into some degree of that particular mood or disposition which accords with its own character and temper4 ,in a concert of instrumental ,music the attention is engaged1 with pleasure and delight1 to listen to a combination of the most agreeable and melodious sounds1 which follow one another1 sometimes with a quicker1 and sometimes with a slower succession2 and in which those that immediately follow one another sometimes exactly or nearly resemble1 and sometimes contrast with one another in tune1 in time1 and in order of arrangement4 ,the mind being thus successively occupied by a train of objects1 of which the nature1 succession1 and connection correspond1 sometimes to the gay1 sometimes to the tranquil1 and sometimes to the melancholy mood or disposition1 it is itself successively led into each of those moods or dispositions2 and is thus brought into a sort of harmony or concord with the ,music which so agreeably engages its attention4 #dbe ,it is not1 however1 by imitation properly1 that instrumental ,music produces this effect3 instrumental ,music does not imitate1 as vocal ,music1 as ,painting1 or as ,dancing would imitate1 a gay1 a sedate1 or a melancholy person2 it does not tell us1 as any of those other arts could tell us1 a pleasant1 a serious1 or a melancholy story4 ,it is not1 as in vocal ,music1 in ,painting1 or in ,dancing1 by sympathy with the gaiety1 the sedateness1 or the melancholy and distress of some other person1 that instrumental ,music soothes us into each of these dispositions3 it becomes itself a gay1 a sedate1 or a melancholy object2 and the mind naturally assumes the mood or disposition which at the time corresponds to the object which engages its attention4 ,whatever we feel from instrumental ,music is an original1 and not a sympathetic feeling3 it is our own gaiety1 sedateness1 or melancholy2 not the the reflected disposition of another person4 ,when we follow the winding alleys of some happily situated and well laid out garden1 we are presented with a succession of landscapes1 which are sometimes gay1 sometimes gloomy1 and sometimes calm and serene2 if the mind is in its natural state1 it suits itself to the objects which successively present themselves1 and varies in some degree its mood and present humour with every variation of the scene4 ,it would be improper1 however1 to say that those scenes imitated the gay1 the calm1 or the melancholy mood of the mind2 they may produce in their turn each of those moods1 but they cannot imitate any of them4 ,instrumental ,music1 in the same manner1 though it can excite all those different dispositions1 cannot imitate any of them4 ,there are no two things in nature more perfectly disparate than sound and sentiment2 and it is impossible by any human power to fashion the one into any thing that bears any real resemblance to the other4 ,this power of exciting and varying the different moods and dispositions of the mind1 which instrumental ,music really possesses to a very considerable degree1 has been the principal source of its reputation for those great imitative powers which have been ascribed to it4 ',painting1' says an author1 more capable of feeling strongly than of analysing accurately1 ,mr4 ,rousseau of ,geneva1 ',painting1 which presents its imitations1 not to the imagination1 but to the senses1 and to only one of the senses1 can represent nothing besides the objects of sight4 ,music1 one might imagine1 should be equally confined to those of hearing4 ,it imitates1 however1 every thing1 even those objects which are perceivable by sight only4 ,by a delusion that seems almost inconceivable1 it can1 as it were1 put the eye into the ear2 and the greatest wonder1 of an art which acts only by motion and succession1 is1 that it can imitate rest and repose4 ,night1 ,sleep1 ,solitude1 and ,silence are all within the compass of musical imitation4 ,though all ,nature should be asleep1 the person who contemplates it is awake2 and the art of the musician consists in substituting1 in the room of an #dbf image of what is not the object of hearing1 that of the movements which its presence would excite in the mind of the spectator4'--,that is1 of the effects which it would produce upon his mood and disposition4 ',the musician 7continues the same author7 will sometimes1 not only agitate the waves of the sea1 blow up the flames of a conflagration1 make the rain fall1 the rivulets flow and swell the torrents1 but he will paint the horrors of a hideous desert1 darken the walls of a subterraneous dungeon1 calm the tempest1 restore serenity and tranquillity to the air and the sky1 and shed from the orchestra a new freshness over the groves and the fields4 ,he will not directly represent any of these objects1 but he will excite in the mind the same movements which it would feel from seeing them4' ,upon this very eloquent description of ,mr4 ,rousseau ,i must observe1 that without the accompaniment of the scenery and action of the opera1 without the assistance either of the scene-painter or of the poet1 or of both1 the instrumental ,music of the orchestra could produce none of the effects which are here ascribed to it3 and we could never know1 we could never even guess1 which of the gay1 melancholy1 or tranquil objects above mentioned it meant to represent to us2 or whether it meant to represent any of them1 and not merely to entertain us with a concert of gay1 melancholy1 or tranquil ,music2 or1 as the ancients called them1 of the ,diastaltic1 of the ,systaltic1 or of the ,middle ,music4 ,with that accompaniment1 indeed1 though it cannot always even then1 perhaps1 be said properly to imitate1 yet by supporting the imitation of some other art1 it may produce all the same effects upon us as if itself had imitated in the finest and most perfect manner4 ,whatever be the object or situation which the scene-painter represents upon the theatre1 the ,music of the orchestra1 by disposing the mind to the same sort of mood and temper which it would feel from the presence of that object1 or from sympathy with the person who was placed in that situation1 can greatly enhance the effect of that imitation3 it can accommodate itself to every diversity of scene4 ,the melancholy of the man who1 upon some great occasion1 only finds himself alone in the darkness1 the silence and solitude of the night1 is very different from that of one who1 upon a like occasion1 finds himself in the midst of some dreary and inhospitable desert2 and even in this situation his feelings would not be the same as if he was shut up in a subterraneous dungeon4 ,the different degrees of precision with which the ,music of the orchestra can accommodate itself to each of those diversities1 must depend upon the taste1 the sensibility1 the fancy and imagination of the composer3 it may sometimes1 perhaps1 contribute to this precision1 that it should imitate1 as well as it can1 the sounds which either naturally accompany1 or which might be supposed to accompany1 the particular objects represented4 ,the symphony in the ,french opera of ,alcyone1 which imitated the violence of the winds and the dashing of the waves1 in the #dbg tempest which was to drown ,coix1 is much commended by cotemporary writers4 ,that in the opera of ,isse1 which imitated that murmuring in the leaves of the oaks of ,dodona1 which might be supposed to precede the miraculous pronunciation of the oracle3 and that in the opera of ,amadis1 of which the dismal accents imitated the sounds which might be supposed to accompany the opening of the tomb of ,ardari1 before the apparition of the ghost of that warrior1 are still more celebrated4 ,instrumental ,music1 however1 without violating too much its own melody and harmony1 can imitate but imperfectly the sounds of natural objects1 of which the greater part have neither melody nor harmony4 ,great reserve1 great discretion1 and a very nice discernment are requisite1 in order to introduce with propriety such imperfect imitations1 either into ,poetry or ,music2 when repeated too often1 when continued too long1 they appear to be what they really are1 mere tricks1 in which a very inferior artist1 if he will only give himself the trouble to attend to them1 can easily equal the greatest4 ,i have seen a ,latin translation of ,mr4 ,pope's ,ode on ,st4 ,cecilia's ,day1 which in this respect very much excelled the original4 ,such imitations are still easier in ,music4 ,both in the one art and in the other1 the difficulty is not in making them as well as they are capable of being made1 but in knowing when and how far to make them at all3 but to be able to accommodate the temper and character of the ,music to every peculiarity of the scene and situation with such exact precision1 that the one shall produce the very same effect upon the mind as the other1 is not one of those tricks in which an inferior artist can easily equal the greatest2 it is an art which requires all the judgment1 knowledge1 and invention of the most consummate master4 ,it is upon this art1 and not upon its imperfect imitation1 either of real or imaginary sounds1 that the great effects of instrumental ,music depend2 such imitations ought perhaps to be admitted only so far as they may sometimes contribute to ascertain the meaning1 and thereby to enhance the effects of this art4 ,by endeavouring to extend the effects of scenery beyond what the nature of the thing will admit of1 it has been much abused2 and in the common1 as well as in the musical drama1 many imitations have been attempted1 which1 after the first and second time we have seen them1 necessarily appear ridiculous3 such are1 the ,thunder rumbling from the ,mustard-bowl1 and the ,snow of ,paper and thick ,hail of ,pease1 so finely exposed by ,mr4 ,pope4 ,such imitations resemble those of painted ,statuary2 they may surprise at first1 but they disgust ever after1 and appear evidently such simple and easy tricks as are fit only for the amusement of children and their nurses at a puppet-show4 ,the thunder of either theatre ought certainly never to be louder than that which the orchestra is capable of producing2 and their most dreadful tempests ought never to exceed what the scene painter is capable of representing4 ,in such imitations there may be an art which merits #dbh some degree of esteem and admiration4 ,in the other there can be none which merits any4 ,this abuse of scenery has both subsisted much longer1 and been carried to a much greater degree of extravagance1 in the musical than in the common drama4 ,in ,france it has been long banished from the latter2 but it still continues1 not only to be tolerated1 but to be admired and applauded in the former4 ,in the ,french operas1 not only thunder and lightning1 storms and tempests1 are commonly represented in the ridiculous manner above mentioned1 but all the marvellous1 all the supernatural of ,epic ,poetry1 all the metamorphoses of ,mythology1 all the wonders of ,witchcraft and ,magic1 every thing that is most unfit to be represented upon the stage1 are every day exhibited with the most complete approbation and applause of that ingenious nation4 ,the music of the orchestra producing upon the audience nearly the same effect which a better and more artful imitation would produce1 hinders them from feeling1 at least in its full force1 the ridicule of those childish and awkward imitations which necessarily abound in that extravagant scenery4 ,and in reality such imitations1 though no doubt ridiculous every where1 yet certainly appear somewhat less so in the musical than they would in the common drama4 ,the ,italian opera1 before it was reformed by ,apostolo1 ,zeno1 and ,metastasio1 was in this respect equally extravagant1 and was upon that account the subject of the agreeable raillery of ,mr4 ,addison in several different papers of the ,spectator4 ,even since that reformation it still continues to be a rule1 that the scene should change at least with every act2 and the unity of place never was a more sacred law in the common drama1 than the violation of it has become in the musical3 the latter seems in reality to require both a more picturesque and a more varied scenery1 than is at all necessary for the former4 ,in an opera1 as the ,music supports the effect of the scenery1 so the scenery often serves to determine the character1 and to explain the meaning of the ,music2 it ought to vary therefore as that character varies4 ,the pleasure of an opera1 besides1 is in its nature more a sensual pleasure1 than that of a common comedy or tragedy2 the latter produce their effect principally by means of the imagination3 in the closet1 accordingly1 their effect is not much inferior to what it is upon the stage4 ,but the effect of an opera is seldom very great in the closet2 it addresses itself more to the external senses1 and as it soothes the ear by its melody and harmony1 so we feel that it ought to dazzle the eye with the splendour of its scenery4 ,in an opera the instrumental ,music of the orchestra supports the imitation both of the poet and of the actor1 as well as of the scene-painter4 ,the overture disposes the mind to that mood which fits it for the opening of the piece4 ,the ,music between the acts keeps up the impression which the foregoing had made1 and prepares us for that which the following is to make4 ,when the orchestra interrupts1 as it #dbi frequently does1 either the recitative or the air1 it is in order either to enforce the effect of what had gone before1 or to put the mind in the mood which fits it for hearing what is to come after4 ,both in the recitatives and in the airs it accompanies and directs the voice1 and often brings it back to the proper tone and modulation1 when it is upon the point of wandering away from them2 and the correctness of the best vocal ,music is owing in a great measure to the guidance of instrumental2 though in all these cases it supports the imitation of another art1 yet in all of them it may be said rather to diminish than to increase the resemblance between the imitating and the imitated object4 ,nothing can be more unlike to what really passes in the world1 than that persons engaged in the most interesting situations1 both of public and private life1 in sorrow1 in disappointment1 in distress1 in despair1 should1 in all that they say and do1 be constantly accompanied with a fine concert of instrumental ,music4 ,were we to reflect upon it1 such accompaniment must in all cases diminish the probability of the action1 and render the representation still less like nature than it otherwise would be4 ,it is not by imitation1 therefore1 that instrumental ,music supports and enforces the imitations of the other arts2 but it is by producing upon the mind1 in consequence of other powers1 the same sort of effect which the most exact imitation of nature1 which the most perfect observation of probability1 could produce4 ,to produce this effect is1 in such entertainments1 the sole end and purpose of that imitation and observation4 ,if it can be equally well produced by other means1 this end and purpose may be equally well answered4 ,but if instrumental ,music can seldom be said to be properly imitative1 even when it is employed to support the imitation of some other art1 it is commonly still less so when it is employed alone4 ,why should it embarrass its melody and harmony1 or constrain its time and measure1 by attempting an imitation which1 without the accompaniment of some other art to explain and interpret its meaning1 nobody is likely to understand8 ,in the most approved instrumental ,music1 accordingly1 in the overtures of ,handel and the concertos of ,correlli1 there is little or no imitation1 and where there is any1 it is the source of but a very small part of the merit of those compositions4 ,without any imitation1 instrumental ,music can produce very considerable effects2 though its powers over the heart and affections are1 no doubt1 much inferior to those of vocal ,music1 it has1 however1 considerable powers3 by the sweetness of its sounds it awakens agreeably1 and calls upon the attention2 by their connection and affinity it naturally detains that attention1 which follows easily a series of agreeable sounds1 which have all a certain relation both to a common1 fundamental1 or leading note1 called the key note2 and to a certain succession or combination of notes1 called the song or composition4 ,by means of this relation each foregoing sound seems to introduce1 and as it were prepare the mind for the following3 by its #dcj rhythmus1 by its time and measure1 it disposes that succession of sounds into a certain arrangement1 which renders the whole more easy to be comprehended and remembered4 ,time and measure are to instrumental ,music what order and method are to discourse2 they break it into proper parts and divisions1 by which we are enabled both to remember better what is gone before1 and frequently to foresee somewhat of what is to come after2 we frequently foresee the return of a period which we know must correspond to another which we remember to have gone before2 and1 according to the saying of an ancient philosopher and musician1 the enjoyment of ,music arises partly from memory and partly from foresight4 ,when the measure1 after having been continued so long as to satisfy us1 changes to another1 that variety1 which thus disappoints1 becomes more agreeable to us than the uniformity which would have gratified our expectation3 but without this order and method we could remember very little of what had gone before1 and we could foresee still less of what was to come after2 and the whole enjoyment of ,music would be equal to little more than the effect of the particular sounds which rung in our ears at every particular instant4 ,by means of this order and method it is1 during the progress of the entertainment1 equal to the effect of all that we remember1 and of all that we foresee2 and at the conclusion of the entertainment1 to the combined and accumulated effect of all the different parts of which the whole was composed4 ,a well-composed concerto of instrumental ,music1 by the number and variety of the instruments1 by the variety of the parts which are performed by them1 and the perfect concord or correspondence of all these different parts2 by the exact harmony or coincidence of all the different sounds which are heard at the same time1 and by that happy variety of measure which regulates the succession of those which are heard at different times1 presents an object so agreeable1 so great1 so various1 and so interesting1 that alone1 and without suggesting any other object1 either by imitation or otherwise1 it can occupy1 and as it were fill up1 completely the whole capacity of the mind1 so as to leave no part of its attention vacant for thinking of any thing else4 ,in the contemplation of that immense variety of agreeable and melodious sounds1 arranged and digested1 both in their coincidence and in their succession1 into so complete and regular a system1 the mind in reality enjoys not only a very great sensual1 but a very high intellectual pleasure1 not unlike that which it derives from the contemplation of a great system in any other science4 ,a full concerto of such instrumental ,music1 not only does not require1 but it does not admit of any accompaniment4 ,a song or a dance1 by demanding an attention which we have not to spare1 would disturb1 instead of heightening1 the effect of the ,music2 they may often very properly succeed1 but they cannot accompany it4 ,that music seldom means to tell any particular story1 or to imitate any #dca particular event1 or in general to suggest any particular object1 distinct from that combination of sounds of which itself is composed4 ,its meaning1 therefore1 may be said to be complete in itself1 and to require no interpreters to explain it4 ,what is called the subject of such ,music is merely1 as has already been said1 a certain leading combination of notes1 to which it frequently returns1 and to which all its digressions and variations bear a certain affinity4 ,it is altogether different from what is called the subject of a poem or a picture1 which is always something which is not either in the poem or in the picture1 or something distinct from that combination1 either of words on the one hand or of colours on the other1 of which they are respectively composed4 ,the subject of a composition of instrumental ,music is part of that composition3 the subject of a poem or picture is part of neither4 ,the effect of instrumental ,music upon the mind has been called its expression4 ,in the feeling it is frequently not unlike the effect of what is called the expression of ,painting1 and is sometimes equally interesting4 ,but the effect of the expression of ,painting arises always from the thought of something which1 though distinctly and clearly suggested by the drawing and colouring of the picture1 is altogether different from that drawing and colouring4 ,it arises sometimes from sympathy with1 sometimes from antipathy and aversion to1 the sentiments1 emotions1 and passions which the countenance1 the action1 the air and attitude of the persons represented suggest4 ,the melody and harmony of instrumental ,music1 on the contrary1 do not distinctly and clearly suggest any thing that is different from that melody and harmony4 ,whatever effect it produces is the immediate effect of that melody and harmony1 and not of something else which is signified and suggested by them3 they in fact signify and suggest nothing4 ,it may be proper to say that the complete art of painting1 the complete merit of a picture1 is composed of three distinct arts or merits2 that of drawing1 that of colouring1 and that of expression4 ,but to say1 as ,mr4 ,addison does1 that the complete art of a musician1 the complete merit of a piece of ,music1 is composed or made up of three distinct arts or merits1 that of melody1 that of harmony1 and that of expression1 is to say1 that it is made up of melody and harmony1 and of the immediate and necessary effect of melody and harmony3 the division is by no means logical2 expression in painting is not the necessary effect either of good drawing or of good colouring1 or of both together2 a picture may be both finely drawn and finely coloured1 and yet have very little expression3 but that effect upon the mind which is called expression in ,music1 is the immediate and necessary effect of good melody4 ,in the power of producing this effect consists the essential characteristic which distinguishes such melody from what is bad or indifferent4 ,harmony may enforce the effect of good melody1 but without good melody the most skilful harmony can produce no effect which deserves the name #dcb of expression2 it can do little more than fatigue and confound the ear4 ,a painter may possess1 in a very eminent degree1 the talents of drawing and colouring1 and yet possess that of expression in a very inferior degree4 ,such a painter1 too1 may have great merit4 ,in the judgment of ,du ,piles1 even the celebrated ,titian was a painter of this kind4 ,but to say that a musician possessed the talents of melody and harmony in a very eminent degree1 and that of expression in a very inferior one1 would be to say1 that in his works the cause was not followed by its necessary and proportionable effect4 ,a musician may be a very skilful harmonist1 and yet be defective in the talents of melody1 air1 and expression2 his songs may be dull and without effect4 ,such a musician too may have a certain degree of merit1 not unlike that of a man of great learning1 who wants fancy1 taste1 and invention4 ,instrumental ,music1 therefore1 though it may1 no doubt1 be considered in some respects as an imitative art1 is certainly less so than any other which merits that appellation2 it can imitate but a few objects1 and even these so imperfectly1 that without the accompaniment of some other art1 its imitation is scarce ever intelligible3 imitation is by no means essential to it1 and the principal effect it is capable of producing arises from powers altogether different from those of imitation4 ----- ,,part ,,iii4 ,,the imitative powers of ,dancing are much superior to those of instrumental ,music1 and are at least equal1 perhaps superior1 to those of any other art4 ,like instrumental ,music1 however1 it is not necessarily or essentially imitative1 and it can produce very agreeable effects1 without imitating any thing4 ,in the greater part of our common dances there is little or no imitation1 and they consist almost entirely of a succession of such steps1 gestures1 and motions1 regulated by the time and measure of ,music1 as either display extraordinary grace or require extraordinary agility4 ,even some of our dances1 which are said to have been originally imitative1 have1 in the way in which we practise them1 almost ceased to be so4 ,the minuet1 in which the woman1 after passing and repassing the man several times1 first gives him up one hand1 then the other1 and then both hands1 is said to have been originally a ,moorish dance1 which emblematically represented the passion of love4 ,many of my readers may have frequently danced this dance1 and1 in the opinion of all who saw them1 with great grace and propriety1 though neither they nor the spectators once thought of the allegorical meaning which it originally intended to express4 ,a certain measured1 cadenced step1 commonly called a dancing step1 which keeps time with1 and as it were beats the measure of1 the ,music which accompanies and directs it1 is the essential characteristic which #dcc distinguishes a dance from every other sort of motion4 ,when the dancer1 moving with a step of this kind1 and observing this time and measure1 imitates either the ordinary or the more important actions of human life1 he shapes and fashions1 as it were1 a thing of one kind1 into the resemblance of another thing of a very different kind3 his art conquers the disparity which ,nature has placed between the imitating and the imitated object1 and has upon that account some degree of that sort of merit which belongs to all the imitative arts4 ,this disparity1 indeed1 is not so great as in some other of those arts1 nor consequently the merit of the imitation which conquers it4 ,nobody would compare the merit of a good imitative dancer to that of a good painter or statuary4 ,the dancer1 however1 may have a very considerable degree of merit1 and his imitation perhaps may sometimes be capable of giving us as much pleasure as that of either of the other two artists4 ,all the subjects1 either of ,statuary or of ,history ,painting1 are within the compass of his imitative powers2 and in representing them1 his art has even some advantage over both the other two4 ,statuary and ,history ,painting can represent but a single instant of the action which they mean to imitate3 the causes which prepared1 the consequences which followed1 the situation of that single instant are altogether beyond the compass of their imitation4 ,a pantomime dance can represent distinctly those causes and consequences2 it is not confined to the situation of a single instant2 but1 like ,epic ,poetry1 it can represent all the events of a long story1 and exhibit a long train and succession of connected and interesting situations4 ,it is capable therefore of affecting us much more than either ,statuary or ,painting4 ,the ancient ,romans used to shed tears at the representations of their pantomimes1 as we do at that of the most interesting tragedies2 an effect which is altogether beyond the powers of ,statuary or ,painting4 ,the ancient ,greeks appear to have been a nation of dancers1 and both their common and their stage dances seem to have been all imitative4 ,the stage dances of the ancient ,romans appear to have been equally so4 ,among that grave people it was reckoned indecent to dance in private societies2 and they could therefore have no common dances2 and among both nations imitation seems to have been considered as essential to dancing4 ,it is quite otherwise in modern times3 though we have pantomime dances upon the stage1 yet the greater part even of our stage dances are not pantomime1 and cannot well be said to imitate any thing4 ,the greater part of our common dances either never were pantomime1 or1 with a very few exceptions1 have almost all ceased to be so4 ,this remarkable difference of character between the ancient and the modern dances seems to be the natural effect of a correspondent difference in that of the music1 which has accompanied and directed both the one and the other4 #dcd ,in modern times we almost always dance to instrumental music1 which being itself not imitative1 the greater part of the dances which it directs1 and as it were inspires1 have ceased to be so4 ,in ancient times1 on the contrary1 they seem to have danced almost always to vocal music2 which being necessarily and essentially imitative1 their dances became so too4 ,the ancients seem to have had little or nothing of what is properly called instrumental music1 or of music composed not to be sung by the voice1 but to be played upon instruments1 and both their wind and stringed instruments seem to have served only as an accompaniment and direction to the voice4 ,in the country it frequently happens1 that a company of young people take a fancy to dance1 though they have neither fiddler nor piper to dance to4 ,a lady undertakes to sing while the rest of the company dance3 in most cases she sings the notes only1 without the words1 and then the voice being little more than a musical instrument1 the dance is performed in the usual way1 without any imitation4 ,but if she sings the words1 and if in those words there happens to be somewhat more than ordinary spirit and humour1 immediately all the company1 especially all the best dancers1 and all those who dance most at their ease1 become more or less pantomimes1 and by their gestures and motions express1 as well as they can1 the meaning and story of the song4 ,this would be still more the case1 if the same person both danced and sung2 a practice very common among the ancients3 it requires good lungs and a vigorous constitution2 but with these advantages and long practice1 the very highest dances may be performed in this manner4 ,i have seen a ,negro dance to his own song1 the war-dance of his own country1 with such vehemence of action and expression1 that the whole company1 gentlemen as well as ladies1 got up upon chairs and tables1 to be as much as possible out of the way of his fury4 ,in the ,greek language there are two verbs which both signify to dance2 each of which has its proper derivatives1 signifying a dance and a dancer4 ,in the greater part of ,greek authors1 these two sets of words1 like all others which are nearly synonymous1 are frequently confounded1 and used promiscuously4 ,according to the best critics1 however1 in strict propriety1 one of these verbs signifies to dance and sing at the same time1 or to dance to one's own music4 ,the other to dance without singing1 or to dance to the music of other people4 ,there is said too to be a correspondent difference in the signification of their respective derivatives4 ,in the choruses of the ancient ,greek tragedies1 consisting sometimes of more than fifty persons1 some piped and some sung1 but all danced1 and danced to their own music4 99 99 99 99 99 99 99 99 99 99 #dce 999999 ,the following ,observations were found among ,mr4 ,,smith',s ,manuscripts1 without any intimation whether they were intended as part of this1 or of a different ,essay4 ,as they appeared too valuable to be suppressed1 the ,editors have annexed them to this ,essay4 ,of the ,affinity between ,music1 ,dancing1 and ,poetry4 ,,in the second part of the preceding ,essay ,i have mentioned the connection between the two arts of ,music and ,dancing1 formed by the ,rhythmus1 as the ancients termed it1 or1 as we call it1 the tune or measure that equally regulates both4 ,it is not1 however1 every sort of step1 gesture1 or motion1 of which the correspondence with the tune or measure of ,music will constitute a ,dance4 ,it must be a step1 gesture1 or motion of a particular sort4 ,in a good opera-actor1 not only the modulations and pauses of his voice1 but every motion and gesture1 every variation1 either in the air of his head or in the attitude of his body1 correspond to the time and measure of ,music4 ,the best opera-actor1 however1 is not1 according to the language of any country in ,europe1 understood to dance1 yet in the performance of his part1 he makes use of what is called the stage step2 but even this step is not understood to be a dancing step4 ,though the eye of the most ordinary spectator readily distinguishes between what is called a dancing step and any other step1 gesture1 or motion1 yet it may not perhaps be very easy to express what it is which constitutes this distinction4 ,to ascertain exactly the precise limits at which the one species begins1 and the other ends1 or to give an accurate definition of this very frivolous matter1 might perhaps require more thought and attention than the very small importance of the subject may seem to deserve4 ,were ,i1 however1 to attempt to do this1 ,i should observe1 that though in performing any ordinary action--in walking1 for example--from the one end of the room to the other1 a person may show both grace and agility1 yet if he betrays the least intention of showing either1 he is sure of offending more or less1 and we never fail to accuse him of some degree of vanity and affectation4 ,in the performance of any such ordinary action1 every person wishes to appear to be solely occupied about the proper purpose of the action3 if he means to show either grace or agility1 he is careful to conceal that meaning1 and he is very seldom successful in doing so3 he offends1 however1 just in proportion as he betrays it1 and he almost always betrays it4 ,in ,dancing1 on the contrary1 every person professes1 and avows1 as it were1 the intention of displaying some degree either of grace or of agility1 or of both4 ,the display of one1 or other1 or both of these qualities1 is in reality the proper purpose of the action2 and there can never be any disagreeable vanity or affectation in following #dcf out the proper purpose of any action4 ,when we say of any particular person1 that he gives himself many affected airs and graces in ,dancing1 we mean either that he gives himself airs and graces which are unsuitable to the nature of the ,dance1 or that he executes awkwardly1 perhaps exaggerates too much1 7the most common fault in ,dancing17 the airs and graces which are suitable to it4 ,every ,dance is in reality a succession of airs and graces of some kind or other1 and of airs and graces which1 if ,i may say so1 profess themselves to be such4 ,the steps1 gestures1 and motions which1 as it were1 avow the intention of exhibiting a succession of such airs and graces1 are the steps1 the gestures1 and the motions which are peculiar to ,dancing1 and when these are performed to the time and the measure of ,music1 they constitute what is properly called a ,dance4 ,but though every sort of step1 gesture1 or motion1 even though performed to the time and measure of ,music1 will not alone make a ,dance1 yet almost any sort of sound1 provided it is repeated with a distinct rhythmus1 or according to a distinct time and measure1 though without any variation as to gravity or acuteness1 will make a sort of ,music1 no doubt indeed1 an imperfect one4 ,drums1 cymbals1 and1 so far as ,i have observed1 all other instruments of percussion1 have only one note2 this note1 however1 when repeated with a certain rhythmus1 or according to a certain time and measure1 and sometimes1 in order to mark more distinctly that time and measure1 with some little variation as to loudness and lowness1 though without any as to acuteness and gravity1 does certainly make a sort of ,music1 which is frequently far from being disagreeable1 and which even sometimes produces considerable effects4 ,the simple note of such instruments1 it is true1 is generally a very clear1 or what is called a melodious1 sound4 ,it does not however seem indispensably necessary that it should be so4 ,the sound of the muffled drum1 when it beats the dead march1 is far from being either clear or melodious1 and yet it certainly produces a species of ,music which is sometimes affecting4 ,even in the performance of the most humble of all artists1 of the man who drums upon the table with his fingers1 we may sometimes distinguish the measure1 and perhaps a little of the humour1 of some favourite song2 and we must allow that even he makes some sort of ,music4 ,without a proper step and motion1 the observation of tune alone will not make a ,dance2 time alone1 without tune1 will make some sort of ,music4 ,that exact observation of tune1 or of the proper intervals of gravity and acuteness1 which constitutes the great beauty of all perfect ,music1 constitutes likewise its great difficulty4 ,the time1 or measure of a song are simple matters1 which even a coarse and unpractised ear is capable of distinguishing and comprehending3 but to distinguish and comprehend all the variations of the tune1 and to conceive with precision the exact proportion of every note1 is what the finest and most cultivated #dcg ear is frequently no more than capable of performing4 ,in the singing of the common people we may generally remark a distinct enough observation of time1 but a very imperfect one of tune4 ,to discover and to distinguish with precision the proper intervals of tune1 must have been a work of long experience and much observation4 ,in the theoretical treatises upon ,music1 what the authors have to say upon time is commonly discussed in a single chapter of no great length or difficulty4 ,the theory of tune fills commonly all the rest of the volume1 and has long ago become both an extensive and an abstruse science1 which is often but imperfectly comprehended1 even by intelligent artists4 ,in the first rude efforts of uncivilized nations towards singing1 the niceties of tune could be but little attended to3 ,i have1 upon this account1 been frequently disposed to doubt of the great antiquity of those national songs1 which it is pretended have been delivered down from age to age by a sort of oral tradition1 without having been ever noted or distinctly recorded for many successive generations4 ,the measure1 the humour of the song1 might perhaps have been delivered down in this manner1 but it seems scarcely possible that the precise notes of the tune should have been so preserved4 ,the method of singing some of what we reckon our old ,scotch songs1 has undergone great alterations within the compass of my memory1 and it may have undergone still greater before4 ,the distinction between the sounds or tones of singing and those of speaking seems to be of the same kind with that between the steps1 gestures1 and motions of ,dancing1 and those of any other ordinary action2 though in speaking1 a person may show a very agreeable tone of voice1 yet if he seems to intend to show it1 if he appears to listen to the sound of his own voice1 and as it were to tune it into a pleasing modulation1 he never fails to offend1 as guilty of a most disagreeable affectation4 ,in speaking1 as in every other ordinary action1 we expect and require that the speaker should attend only to the proper purpose of the action1 the clear and distinct expression of what he has to say4 ,in singing1 on the contrary1 every person professes the intention to please by the tone and cadence of his voice2 and he not only appears to be guilty of no disagreeable affectation in doing so1 but we expect and require that he should do so4 ,to please by the choice and arrangement of agreeable sounds is the proper purpose of all ,music1 vocal as well as instrumental2 and we always expect and require1 that every person should attend to the proper purpose of whatever action he is performing4 ,a person may appear to sing1 as well as to dance1 affectedly2 he may endeavour to please by sounds and tones which are unsuitable to the nature of the song1 or he may dwell too much on those which are suitable to it1 or in some other way he may show an overweening conceit of his own abilities1 beyond what seems to be warranted by his performance4 ,the disagreeable affectation appears #dch to consist always1 not in attempting to please by a proper1 but by some improper modulation of the voice4 ,it was early discovered that the vibrations of chords or strings1 which either in their lengths1 or in their densities1 or in their degrees of tension1 bear a certain proportion to one another1 produce sounds which correspond exactly1 or1 as the musicians say1 are the unisons of those sounds or tones of the human voice which the ear approves of in singing4 ,this discovery has enabled musicians to speak with distinctness and precision concerning the musical sounds or tones of the human voice2 they can always precisely ascertain what are the particular sounds or tones which they mean1 by ascertaining what are the proportions of the strings of which the vibrations produce the unisons of those sounds or tones4 ,what are called the intervals2 that is1 the differences1 in point of gravity and acuteness1 between the sounds or tones of a singing voice1 are much greater and more distinct than those of the speaking voice4 ,though the former1 therefore1 can be measured and appreciated by the proportions of chords or strings1 the latter cannot4 ,the nicest instruments cannot express the extreme minuteness of these intervals4 ,the heptamerede of ,mr4 ,sauveur could express an interval so small as the seventh part of what is called a comma1 the smallest interval that is admitted in modern ,music4 ,yet even this instrument1 we are informed by ,mr4 ,duclos1 could not express the minuteness of the intervals in the pronunciation of the ,chinese language2 of all the languages in the world1 that of which the pronunciation is said to approach the nearest to singing1 or in which the intervals are said to be the greatest4 ,as the sounds or tones of the singing voice1 therefore1 can be ascertained or appropriated1 while those of the speaking voice cannot2 the former are capable of being noted or recorded1 while the latter are not4 ---------- ,,adam ,,smith ,,on ,,the ,,external ,,senses2 ,,the ,senses1 by which we perceive external objects1 are commonly reckoned ,five in ,number2 viz4 ,seeing1 ,hearing1 ,smelling1 ,tasting1 and ,touching4 ,of these1 the four first mentioned are each of them confined to particular parts or organs of the body2 the ,sense of ,seeing is confined to the ,eyes2 that of ,hearing to the ,ears2 that of ,smelling to the ,nostrils2 and that of ,tasting to the ,palate4 ,the ,sense of ,touching alone #dci seems not to be confined to any particular organ1 but to be diffused through almost every part of the body2 if we except the hair and the nails of the fingers and toes1 ,i believe through every part of it4 ,i shall say a few words concerning each of these ,senses2 beginning with the last1 proceeding backwards in the opposite order to that in which they are commonly enumerated4 ,of the ,sense of ,,touching4 ,the objects of ,touch always present themselves as pressing upon1 or as resisting the particular part of the body which perceives them1 or by which we perceive them4 ,when ,i lay my hand upon the table1 the table presses upon my hand1 or resists the further motion of my hand1 in the same manner as my hand presses upon the table4 ,but pressure or resistance necessarily supposes externality in the thing which presses or resists4 ,the table could not press upon1 or resist the further motion of my hand1 if it was not external to my hand4 ,i feel it accordingly as something which is not merely an affection of the hand1 but altogether external to and independent of my hand4 ,the agreeable1 indifferent1 or painful sensation of pressure1 accordingly as ,i happen to press hardly or softly1 ,i feel1 no doubt1 as affections of my hand2 but the thing which presses and which resists ,i feel as something altogether different from those affections1 as external to my hand1 and as being altogether independent of it4 ,in moving my hand along the table it soon comes1 in every direction1 to a place where this pressure or resistance ceases4 ,this place we call the boundary1 or end of the table2 of which the extent and figure are determined by the extent and direction of the lines or surfaces which constitute this boundary or end4 ,it is in this manner that a man born blind1 or who has lost his sight so early that he has no remembrance of visible objects1 may form the most distinct idea of the extent and figure of all the different parts of his own body1 and of every other tangible object which he has an opportunity of handling and examining4 ,when he lays his hand upon his foot1 as his hand feels the pressure or resistance of his foot1 so his foot feels that of his hand4 ,they are both external to one another1 but they are1 neither of them1 altogether so external to him4 ,he feels in both1 and he naturally considers them as parts of himself1 or at least as something which belongs to him1 and which1 for his own comfort1 it is necessary that he should take some care of4 ,when he lays his hand upon the table1 though his hand feels the pressure of the table1 the table does not feel1 at least he does not know that it feels1 the pressure of his hand4 ,he feels it therefore as something external1 not only to his hand1 but to himself1 as something which makes no part of himself1 and in the state and condition of which he has not necessarily any concern4 #ddj ,when he lays his hand upon the body either of another man1 or of any other animal1 though he knows1 or at least may know1 that they feel the pressure of his hand as much as he feels that of their body3 yet as this feeling is altogether external to him1 he frequently gives no attention to it1 and at no time takes any further concern in it than he is obliged to do by that fellow-feeling which ,nature has1 for the wisest purposes1 implanted in man1 not only towards all other men1 but 7though no doubt in a much weaker degree7 towards all other animals4 ,having destined him to be the governing animal in this world1 it seems to have been her benevolent intention to inspire him with some degree of respect1 even for the meanest and weakest of his subjects4 ,this power or quality of resistance we call ,solidity2 and the thing which possesses it1 the ,solid ,body or ,thing4 ,as we feel it as something altogether external to us1 so we necessarily conceive it as something altogether independent of us4 ,we consider it1 therefore1 as what we call a ,substance1 or as a thing that subsists by itself1 and independent of any other thing4 ,solid and substantial1 accordingly1 are two words which1 in common language1 are considered either as altogether or as nearly synonymous4 ,solidity necessarily supposes some degree of extension1 and that in all the three directions of length1 breadth1 and thickness4 ,all the solid bodies1 of which we have any experience1 have some degree of such bulk or magnitude4 ,it seems to be essential to their nature1 and without it1 we cannot even conceive how they should be capable of pressure or resistance2 are are the powers by which they are made known to us1 and by which alone they are capable of acting upon our own1 and upon all other bodies4 ,extension1 at least any sensible extension1 supposes divisibility4 ,the body may be so hard1 that our strength is not sufficient to break it2 we still suppose1 however1 that if a sufficient force were applied1 it might be so broken2 and1 at any rate1 we can always1 in fancy at least1 imagine it to be divided into two or more parts4 ,every solid and extended body1 if it be not infinite1 7as the universe may be conceived to be17 must have some shape or figure1 or be bounded by certain lines and surfaces4 ,every such body must likewise be conceived as capable both of motion and of rest2 both of altering its situation with regard to other surrounding bodies1 and of remaining in the same situation4 ,that bodies of small or moderate bulk1 are capable of both motion and rest we have constant experience4 ,great masses1 perhaps1 are according to the ordinary habits of the imagination1 supposed to be more fitted for rest than for motion4 ,provided a sufficient force could be applied1 however1 we have no difficulty in conceiving that the greatest and most unwieldy masses might be made capable of motion4 ,philosophy teaches us1 7and by reasons too to which it is scarcely possible to #dda refuse our assent17 that the earth itself1 and bodies much larger than the earth1 are not only movable1 but are at all times actually in motion1 and continually altering their situation1 in respect to other surrounding bodies1 with a rapidity that almost passes all human comprehension4 ,in the system of the universe1 at least according to the imperfect notions which we have hitherto been able to attain concerning it1 the great difficulty seems to be1 not to find the most enormous masses in motion1 but to find the smallest particle of matter that is perfectly at rest with regard to all other surrounding bodies4 ,these four qualities1 or attributes of extension1 divisibility1 figure1 and mobility1 or the capacity of motion or rest1 seem necessarily involved in the idea or conception of a solid substance4 ,they are1 in reality1 inseparable from that idea or conception1 and the solid substance cannot possibly be conceived to exist without them4 ,no other qualities or attributes seem to be involved1 in the same manner1 in this our idea or conception of solidity4 ,it would1 however1 be rash from thence to conclude that the solid substance can1 as such1 possess no other qualities or attributes4 ,this rash conclusion1 notwithstanding1 has been not only drawn1 but insisted upon1 as an axiom of indubitable certainty1 by philosophers of very eminent reputation4 ,of these external and resisting substances1 some yield easily1 and change their figure1 at least in some degree1 in consequence of the pressure of our hand3 others neither yield nor change their figure1 in any respect1 in consequence of the utmost pressure which our hand alone is capable of giving them4 ,the former we call soft1 the latter hard1 bodies4 ,in some bodies the parts are so very easily separable1 that they not only yield to a very moderate pressure1 but easily receive the pressing body within them1 and without much resistance allow it to traverse their extent in every possible direction4 ,these are called ,fluid1 in contradistinction to those of which the parts not being so easily separable1 are upon that account peculiarly called ,solid ,bodies2 as if they possessed1 in a more distinct and perceptible manner1 the characteristical quality of solidity or the power of resistance4 ,water1 however 7one of the fluids with which we are most familiar71 when confined on all sides 7as in a hollow globe of metal1 which is first filled with it1 and then sealed hermetically71 has been found to resist pressure as much as the very hardest1 or what we commonly call the most solid bodies4 ,some fluids yield so very easily to the slightest pressure1 that upon1 ordinary occasions we are scarcely sensible of their resistance2 and are upon that account little disposed to conceive them as bodies1 or as things capable of pressure and resistance4 ,there was a time1 as we may learn from ,aristotle and ,lucretius1 when it was supposed to require some degree of philosophy to demonstrate that air was a real solid body1 or capable of pressure and resistance4 ,what1 in ancient #ddb times1 and in vulgar apprehensions1 was supposed to be doubtful with regard to air1 still continues to be so with regard to light1 of which the rays1 however condensed or concentrated1 have never appeared capable of making the smallest resistance to the motion of other bodies1 the characteristical power or quality of what are called bodies1 or solid substances4 ,some philosophers accordingly doubt1 and some even deny1 that light is a material or corporeal substance4 ,though all bodies or solid substances resist1 yet all those with which we are acquainted appear to be more or less compressible1 or capable of having1 without any diminution in the quantity of their matter1 their bulk more or less reduced within a smaller space than that which they usually occupy4 ,an experiment of the ,florentine academy was supposed to have fully demonstrated that water was absolutely incompressible4 ,the same experiment1 however1 having been repeated with more care and accuracy1 it appears1 that water1 though it strongly resists compression1 is1 however1 when a sufficient force is applied1 like all other bodies1 in some degree liable to it4 ,air1 on the contrary1 by the application of a very moderate force1 is easily reducible within a much smaller portion of space than that which it usually occupies4 ,the condensing engine1 and what is founded upon it1 the wind-gun1 sufficiently demonstrate this3 and even without the help of such ingenious and expensive machines1 we may easily satisfy ourselves of the truth of this proportion1 by squeezing a full-blown bladder of which the neck is well tied4 ,the hardness or softness of bodies1 or the greater or smaller force with which they resist any change of shape1 seems to depend altogether upon the stronger or weaker degree of cohesion with which their parts are mutually attracted to one another4 ,the greater or smaller force with which they resist compression may1 upon many occasions1 be owing partly to the same cause3 but it may likewise be owing to the greater or smaller proportion of empty space comprehended within their dimensions1 or intermixed with the solid parts which compose them4 ,a body which comprehended no empty space within its dimensions1 which1 through all its parts1 was completely filled with the resisting substance1 we are naturally disposed to conceive as something which would be absolutely incompressible1 and which would resist1 with unconquerable force1 every attempt to reduce it within narrower dimensions4 ,if the solid and resisting substance1 without moving out of its place1 should admit into the same place another solid and resisting substance1 it would from that moment1 in our apprehension1 cease to be a solid and resisting substance1 and would no longer appear to possess that quality1 by which alone it is made known to us1 and which we therefore consider as constituting its nature and essence1 and as altogether inseparable from it4 ,hence our notion of what has been called impenetrability of matter2 or of the absolute impossibility that two #ddc solid resisting substances should occupy the same place at the same time4 ,this doctrine1 which is as old as ,leucippus1 ,democritus1 and ,epicurus1 was in the last century revived by ,gassendi1 and has since been adopted by ,newton and the far greater part of his followers4 ,it may at present be considered as the established system1 or as the system that is most in fashion1 and most approved of by the greater part of the philosophers of ,europe4 ,though it has been opposed by several puzzling arguments1 drawn from that species of metaphysics which confounds every thing and explains nothing1 it seems upon the whole to be the most simple1 the most distinct1 and the most comprehensible account that has yet been given of the phenomena which are meant to be explained by it4 ,i shall only observe1 that whatever system may be adopted concerning the hardness or softness1 the fluidity or solidity1 the compressibility or incompressibility of the resisting substance1 the certainty of our distinct sense and feeling of its ,externality1 or of its entire independency upon the organ which perceives it1 or by which we perceive it1 cannot in the smallest degree be affected by any such system4 ,i shall not therefore attempt to give any further account of such systems4 ,heat and cold being felt by almost every part of the human body1 have commonly been ranked along with solidity and resistance1 among the qualities which are the objects of ,touch4 ,it is not1 however1 ,i think1 in our language proper to say that we touch1 but that we feel the qualities of heat and cold4 ,the word feeling1 though in many cases we use it as synonymous to touching1 has1 however1 a much more extensive signification1 and is frequently employed to denote our internal1 as well as our external1 affections4 ,we feel hunger and thirst1 we feel joy and sorrow1 we feel love and hatred4 ,heat and cold1 in reality1 though they may frequently be perceived by the same parts of the human body1 constitute an order of sensations altogether different from those which are the proper objects of ,touch4 ,they are naturally felt1 not as pressing upon the organ1 but as in the organ4 ,what we feel while we stand in the sunshine during a hot1 or in the shade during a frosty1 day1 is evidently felt1 not as pressing upon the body1 but as in the body4 ,it does not necessarily suggest the presence of any external object1 nor could we from thence alone infer the existence of any such object4 ,it is a sensation which neither does nor can exist any where but either in the organ which feels it1 or in the unknown principle of perception1 whatever that may be1 which feels in that organ1 or by means of that organ4 ,when we lay our hand upon a table1 which is either heated or cooled a good deal beyond the actual temperature of our hand1 we have two distinct perceptions3 first1 that of the solid or resisting table1 which is necessarily felt as something external to1 and independent of1 the hand which feels it2 and secondly1 #ddd that of the heat or cold1 which by the contact of the table is excited in our hand1 and which is naturally felt as nowhere but in our hand1 or in the principle of perception which feels in our hand4 ,but though the sensations of heat and cold do not necessarily suggest the presence of any external object1 we soon learn from experience that they are commonly excited by some such object3 sometimes by the temperature of some external body immediately in contact with our own body1 and sometimes by some body at either a moderate or a great distance from us2 as by the fire in a chamber1 or by the sun in a summer's day4 ,by the frequency and uniformity of this experience1 by the custom and habit of thought which that frequency and uniformity necessarily occasion1 the ,internal ,sensation1 and the ,external ,cause of that ,sensation1 come in our conception to be so strictly connected1 that in our ordinary and careless way of thinking1 we are apt to consider them as almost one and the same thing1 and therefore denote them by one and the same word4 ,the confusion1 however1 is in this case more in the word than in the thought2 for in reality we still retain some notion of the distinction1 though we do not always evolve it with that accuracy which a very slight degree of attention might enable us to do4 ,when we move our hand1 for example1 along the surface of a very hot or of a very cold table1 though we say that the table is hot or cold in every part of it1 we never mean that1 in any part of it1 it feels the sensations either of heat or of cold1 but that in every part of it1 it possesses the power of exciting one or other of those sensations in our bodies4 ,the philosophers who have taken so much pains to prove that there is no heat in the fire1 meaning that the sensation or feeling of heat is not in the fire1 have laboured to refute an opinion which the most ignorant of mankind never entertained4 ,but the same word being1 in common language1 employed to signify both the sensation and the power of exciting that sensation1 they1 without knowing it perhaps1 or intending it1 have taken advantage of this ambiguity1 and have triumphed in their own superiority1 when by irresistible arguments they establish an opinion which1 in words indeed1 is diametrically opposite to the most obvious judgments of mankind1 but which in reality is perfectly agreeable to those judgments4 ,of the ,sense of ,,tasting4 ,,when we taste any solid or liquid substance1 we have always two distinct perceptions3 first1 that of the solid or liquid body1 which is naturally felt as pressing upon1 and therefore as external to1 and independent of1 the organ which feels it2 and secondly1 that of particular taste1 relish1 or savour which it excites in the palate or organ of ,tasting1 and which is naturally felt1 not as pressing upon1 as external to1 or as independent of1 that organ2 but as altogether in the organ1 and nowhere but in the organ1 or in the principle of perception which feels in #dde that organ4 ,when we say that the food which we eat has an agreeable or disagreeable taste in every part of it1 we do not thereby mean that it has the feeling or sensation of taste in any part of it1 but that in every part of it1 it has the power of exciting that feeling or sensation in our palates4 ,though in this case we denote by the same word 7in the same manner1 and for the same reason1 as in the case of heat and cold7 both the sensation and the power of exciting that sensation1 this ambiguity of language misleads the natural judgments of mankind in the one case as little as in the other4 ,nobody ever fancies that our food feels its own agreeable or disagreeable taste4 ,of the ,sense of ,,smelling4 ,,every smell or odour is naturally felt as in the nostrils2 not as pressing upon or resisting the organ1 not as in any respect external to1 or independent of1 the organ1 but as altogether in the organ1 and nowhere else but in the organ1 or in the principle of perception which feels in that organ4 ,we soon learn from experience1 however1 that this sensation is commonly excited by some external body2 by a flower1 for example1 of which the absence removes1 and the presence brings back1 the sensation4 ,this external body we consider as the cause of this sensation1 and we denominate by the same words both the sensation and the power by which the external body produces this sensation4 ,but when we say that the smell is in the flower1 we do not thereby mean that the flower itself has any feeling of the sensation which we feel2 but that it has the power of exciting this sensation in our nostrils1 or in the principle of perception which feels in our nostrils4 ,though this sensation1 and the power by which it is excited1 are thus denoted by the same word1 this ambiguity of language misleads1 in this case1 the natural judgments of mankind as little as in the two preceding4 ,of the ,sense of ,,hearing4 ,,every sound is naturally felt as in the ,ear1 the organ of ,hearing4 ,sound is not naturally felt as resisting or pressing upon the organ1 or as in any respect external to1 or independent of1 the organ4 ,we naturally feel it as an affection of our ,ear1 as something which is altogether in our ,ear1 and nowhere but in our ,ear1 or in the principle of perception which feels in our ,ear4 ,we soon learn from experience1 indeed1 that the sensation is frequently excited by bodies at a considerable distance from us2 often at a much greater distance1 than those ever are which excite the sensation of ,smelling4 ,we learn too from experience that this sound or sensation in our ,ears receives different modifications1 according to the distance and direction of the body which originally causes it4 ,the sensation is stronger1 the sound is louder1 when that body is near4 ,the sensation is weaker1 the sound is lower1 when that body is at a distance4 ,the sound1 or sensation1 too undergoes some #ddf variation according as the body is placed on the right hand or on the left1 before or behind us4 ,in common language we frequently say1 that the sound seems to come from a great or from a small distance1 from the right hand or from the left1 from before or from behind us4 ,we frequently say too that we hear a sound at a great or small distance1 on our right hand or on our left4 ,the real sound1 however1 the sensation in our ear1 can never be heard or felt any where but in our ear1 it can never change its place1 it is incapable of motion1 and can come1 therefore1 neither from the right nor from the left1 neither from before nor from behind us4 ,the ,ear can feel or hear nowhere but where it is1 and cannot stretch out its powers of perception1 either to a great or to a small distance1 either to the right or to the left4 ,by all such phrases we in reality mean nothing but to express our opinion concerning either the distance or the direction of the body which excites the sensation of sound4 ,when we say that the sound is in the bell1 we do not mean that the bell hears its own sound1 or that any thing like our sensation is in the bell1 but that it possesses the power of exciting that sensation in our organ of ,hearing4 ,though in this1 as well as in some other cases1 we express by the same word1 both the ,sensation1 and the ,power of exciting that ,sensation2 this ambiguity of language occasions scarce any confusion in the thought1 and when the different meanings of the word are properly distinguished1 the opinions of the vulgar1 and those of the philosopher1 though apparently opposite1 on examination turn out to be exactly the same4 ,these four classes of secondary qualities1 as philosophers have called them1 or to speak more properly1 these four classes of ,sensations2 ,heat and ,cold1 ,taste1 ,smell1 and ,sound2 being felt1 not as resisting or pressing upon the organ1 but as in the organ1 are not naturally perceived as external and independent substances2 or even as qualities of such substances2 but as mere affections of the organ1 and what can exist nowhere but in the organ4 ,they do not possess1 nor can we even conceive them as capable of possessing1 any one of the qualities1 which we consider as essential to1 and inseparable from1 external solid and independent substances4 ,first1 ,they have no extension4 ,they are neither long nor short2 they are neither broad nor narrow2 they are neither deep nor shallow4 ,the bodies which excite them1 the spaces within which they may be perceived1 may possess any of those dimensions2 but the ,sensations themselves can possess none of them4 ,when we say of a ,note in ,music1 that it is long or short1 we mean that it is so in point of duration4 ,in point of extension we cannot even conceive1 that it should be either the one or the other4 ,secondly1 ,those ,sensations have no figure4 ,they are neither round nor square1 though the bodies which excite them1 though the spaces within which they may be perceived1 may be either the one or the other4 #ddg ,thirdly1 ,those ,sensations are incapable of motion4 ,the bodies which excite them may be moved to a greater or to a smaller distance4 ,the ,sensations become fainter in the one case1 and stronger in the other4 ,those bodies may change their direction with regard to the organ of ,sensation4 ,if the change be considerable1 the ,sensations undergo some sensible variation in consequence of it4 ,but still we never ascribe motion to the ,sensations4 ,even when the person who feels any of those ,sensations1 and consequently the organ by which he feels them1 changes his situation1 we never1 even in this case1 say1 that the ,sensation moves1 or is moved4 ,it seems to exist always1 where alone it is capable of existing1 in the organ which feels it4 ,we never even ascribe to those ,sensations the attribute of rest2 because we never say that any thing is at rest1 unless we suppose it capable of motion4 ,we never say that any thing does not change its situation with regard to other things1 unless we can suppose it to be capable of changing that situation4 ,fourthly1 ,those ,sensations1 as they have no extension1 so they can have no divisibility4 ,we cannot even conceive that a degree of ,heat or ,cold1 that a ,smell1 a ,taste1 or a ,sound1 should be divided 7in the same manner as the solid and extended substance may be divided7 into two halves1 or into four quarters1 or into any number of parts4 ,but though all these ,sensations are equally incapable of division2 there are three of them1 ,taste1 ,smell1 and ,sound2 which seem capable of a certain composition and decomposition4 ,a skilful cook will1 by his taste1 perhaps1 sometimes distinguish the different ingredients1 which enter into the composition of a new sauce1 and of which the simple tastes make up the compound one of the sauce4 ,a skilful perfumer may1 perhaps1 sometimes be able to do the same thing with regard to a new scent4 ,in a concert of vocal and instrumental music1 an acute and experienced ,ear readily distinguishes all the different sounds which strike upon it at the same time1 and which may1 therefore1 be considered as making up one compound sound4 ,is it by nature1 or by experience1 that we learn to distinguish between simple and compound ,sensations of this kind8 ,i am disposed to believe that it is altogether by experience2 and that naturally all ,tastes1 ,smells1 and ,sounds1 which affect the organ of ,sensation at the same time1 are felt as simple and uncompounded ,sensations4 ,it is altogether by experience1 ,i think1 that we learn to observe the different affinities and resemblances which the compound ,sensation bears to the different simple ones1 which compose it1 and to judge that the different causes1 which excite those different simple ,sensations1 enter into the composition of that cause which excites the compounded one4 ,it is sufficiently evident that this composition and decomposition is altogether different from that union and separation of parts1 which constitutes the divisibility of solid extension4 #ddh ,the ,sensations of ,heat and ,cold seem incapable even of this species of composition and decomposition4 ,the ,sensations of ,heat and ,cold may be stronger at one time and weaker at another4 ,they may differ in degree1 but they cannot differ in kind4 ,the ,sensations of ,taste1 ,smell1 and ,sound1 frequently differ1 not only in degree1 but in kind4 ,they are not only stronger and weaker1 but some ,tastes are sweet and some bitter2 some ,smells are agreeable1 and some offensive2 some ,sounds are acute1 and some grave2 and each of these different kinds or qualities1 too1 is capable of an immense variety of modifications4 ,it is the combination of such simple ,sensations1 as differ not only in degree but in kind1 which constitutes the compounded ,sensation4 ,these four classes of ,sensations1 therefore1 having none of the qualities which are essential to1 and inseparable from1 the solid1 external1 and independent substances which excite them1 cannot be qualities or modifications of those substances4 ,in reality we do not naturally consider them as such2 though in the way in which we express ourselves on the subject1 there is frequently a good deal of ambiguity and confusion4 ,when the different meanings of words1 however1 are fairly distinguished1 these ,sensations are1 even by the most ignorant and illiterate1 understood to be1 not the qualities1 but merely the effects of the solid1 external1 and independent substances upon the sensible and living organ1 or upon the principle of perception which feels in that organ4 ,philosophers1 however1 have not in general supposed that those exciting bodies produce those ,sensations immediately1 but by the intervention of one1 two1 or more intermediate causes4 ,in the ,sensation of ,taste1 for example1 though the exciting body presses upon the organ of ,sensation1 this pressure is not supposed to be the immediate cause of the ,sensation of ,taste4 ,certain juices of the exciting body are supposed to enter the pores of the palate1 and to excite1 in the irritable and sensible fibres of that organ1 certain motions or vibrations1 which produce there the ,sensation of ,taste4 ,but how those juices should excite such motions1 or how such motions should produce1 either in the organ1 or in the principle of perception which feels in the organ1 the ,sensation of ,taste2 or a ,sensation1 which not only does not bear the smallest resemblance to any motion1 but which itself seems incapable of all motion1 no philosopher has yet attempted1 nor probably ever will attempt1 to explain to us4 ,the ,sensations of ,heat and ,cold1 of ,smell and ,sound1 are frequently excited by bodies at a distance1 sometimes at a great distance1 from the organ which feels them4 ,but it is a very ancient and well-established axiom in metaphysics1 that nothing can act where it is not2 and this axiom1 it must1 ,i think1 be acknowledged1 is at least perfectly agreeable to our natural and usual habits of thinking4 ,the ,sun1 the great source of both ,heat and ,light1 is at an immense #ddi distance from us4 ,his rays1 however 7traversing1 with inconceivable rapidity1 the immensity of the intervening regions71 as they convey the ,sensation of ,light to our eyes1 so they convey that of ,heat to all the sensible parts of our body4 ,they even convey the power of exciting that ,sensation to all the other bodies that surround us4 ,they warm the earth and air1 we say2 that is1 they convey to the earth and the air the power of exciting that ,sensation in our bodies4 ,a common fire produces1 in the same manner1 all the same effects2 though the sphere of its action is confined within much narrower limits4 ,the odoriferous body1 which is generally too at some distance from us1 is supposed to act upon our organs by means of certain small particles of matter1 called ,effluvia1 which being sent forth in all possible directions1 and drawn into our nostrils by the inspiration of breathing1 produce there the ,sensation of ,smell4 ,the minuteness of those small particles of matter1 however1 must surpass all human comprehension4 ,inclose in a gold box1 for a few hours1 a small quantity of musk4 ,take out the musk1 and clean the box with soap and water as carefully as it is possible4 ,nothing can be supposed to remain in the box1 but such effluvia as1 having penetrated into its interior pores1 may have escaped the effects of this cleansing4 ,the box1 however1 will retain the smell of musk for many1 ,i do not know for how many years2 and these effluvia1 how minute soever we may suppose them1 must have had the powers of subdividing themselves1 and of emitting other effluvia of the same kind1 continually1 and without any interruption1 during so long a period4 ,the nicest balance1 however1 which human art has ever been able to invent1 will not show the smallest increase of weight in the gold box immediately after it has been thus carefully cleaned4 ,the ,sensation of ,sound is frequently felt at a much greater distance from the sounding1 than that of ,smell ever is from the odoriferous body4 ,the vibrations of the sounding body1 however1 are supposed to produce certain correspondent vibrations and pulses in the surrounding atmosphere1 which being propagated in all directions1 reach our organ of ,hearing1 and produce there the ,sensation of ,sound4 ,there are not many philosophical doctrines1 perhaps1 established upon a more probable foundation1 than that of the propagation of ,sound by means of the pulses or vibrations of the air4 ,the experiment of the bell1 which1 in an exhausted receiver1 produces no sensible ,sound1 would alone render this doctrine somewhat more than probable4 ,but this great probability is still further confirmed by the computations of ,sir ,isaac ,newton1 who has shown that1 what is called the velocity of ,sound1 or the time which passes between the commencement of the action of the sounding body1 and that of the ,sensation in our ear1 is perfectly suitable to the velocity with which the pulses and vibrations of an elastic fluid of the same density with the air1 are naturally propagated4 ,dr4 #dej ,benjamin ,franklin has made objections to this doctrine1 but1 ,i think1 without success4 ,such are the intermediate causes by which philosophers have endeavoured to connect the ,sensation in our organs1 with the distant bodies which excite them4 ,how those intermediate causes1 by the different motions and vibrations which they may be supposed to excite on our organs1 produce there those different ,sensations1 none of which bear the smallest resemblance to vibration or motion of any kind1 no philosopher has yet attempted to explain to us4 ,of the ,sense of ,,seeing4 ,,dr4 ,,berkley1 in his ,new ,theory of ,vision1 one of the finest examples of philosophical analysis that is to be found1 either in our own1 or in any other language1 has explained1 so very distinctly1 the nature of the objects of ,sight3 their dissimilitude to1 as well as their correspondence and connection with those of ,touch1 that ,i have scarcely any thing to add to what he has already done4 ,it is only in order to render some things1 which ,i shall have occasion to say hereafter1 intelligible to such readers as may not have had an opportunity of studying his book1 that ,i have presumed to treat of the same subject1 after so great a master4 ,whatever ,i shall say upon it1 if not directly borrowed from ,dr4 ,berkley1 has at least been suggested by what he has already said4 ,that the objects of ,sight are not perceived as resisting or pressing upon the organ which perceives them1 is sufficiently obvious4 ,they cannot therefore suggest1 at least in the same manner as the objects of ,touch1 their externality and independency of existence4 ,we are apt1 however1 to imagine that we see objects at a distance from us1 and that consequently the externality of their existence is immediately perceived by our sight4 ,but if we consider that the distance of any object from the eye1 is a line turned endways to it2 and that this line must consequently appear to it1 but as one point2 we shall be sensible that distance from the eye cannot be the immediate object of ,sight1 but that all visible objects must naturally be perceived as close upon the organ1 or more properly1 perhaps1 like all other ,sensations1 as in the organ which perceives them4 ,that the objects of ,sight are all painted in the bottom of the eye1 upon a membrane called the retina1 pretty much in the same manner as the like objects are painted in a ,camera ,obscura1 is well known to whoever has the slightest tincture of the science of ,optics3 and the principle of perception1 it is probable1 originally perceives them1 as existing in that part of the organ1 and nowhere but in that part of the organ4 ,no optician1 accordingly1 no person who has ever bestowed any moderate degree of attention upon the nature of ,vision1 has ever pretended that distance from the eye was the immediate object of ,sight4 ,how it is that1 by #dea means of our ,sight we learn to judge of such distances ,opticians have endeavoured to explain in several different ways4 ,i shall not1 however1 at present1 stop to examine their systems4 ,the objects of ,touch are solidity1 and those modifications of solidity which we consider as essential to it1 and inseparable from it2 solid extension1 figure1 divisibility1 and mobility4 ,the objects of ,sight are colour1 and those modifications of colour which1 in the same manner1 we consider as essential to it1 and inseparable from it2 coloured extension1 figure1 divisibility1 and mobility4 ,when we open our eyes1 the sensible coloured objects1 which present themselves to us1 must all have a certain extension1 or must occupy a certain portion of the visible surface which appears before us4 ,they must too have all a certain figure1 or must be bounded by certain visible lines1 which mark upon that surface the extent of their respective dimensions4 ,every sensible portion of this visible or coloured extension must be conceived as divisible1 or as separable into two1 three1 or more parts4 ,every portion too of this visible or coloured surface must be conceived as moveable1 or as capable of changing its situation1 and of assuming a different arrangement with regard to the other portions of the same surface4 ,colour1 the visible1 bears no resemblance to solidity1 the tangible object4 ,a man born blind1 or who has lost his sight so early as to have no remembrance of visible objects1 can form no idea or conception of colour4 ,touch alone can never help him to it4 ,i have heard1 indeed1 of some persons who had lost their sight after the age of manhood1 and who had learned to distinguish by the touch alone1 the different colours of cloths or silks1 the goods which it happened to be their business to deal in4 ,the powers by which different bodies excite in the organs of ,sight the ,sensations of different colours1 probably depend upon some difference in the nature1 configuration1 and arrangement of the parts which compose their respective surfaces4 ,this difference may1 to a very nice and delicate touch1 make some difference in the feeling1 sufficient to enable a person1 much interested in the case1 to make this distinction in some degree1 though probably in a very imperfect and inaccurate one4 ,a man born blind might possibly be taught to make the same distinctions4 ,but though he might thus be able to name the different colours1 which those different surfaces reflected1 though he might thus have some imperfect notion of the remote causes of the ,sensations1 he could have no better idea of the ,sensations themselves1 than that other blind man1 mentioned by ,mr4 ,locke1 had1 who said that he imagined the ,colour of ,scarlet resembled the ,sound of a ,trumpet4 ,a man born deaf may1 in the same manner1 be taught to speak articulately4 ,he is taught how to shape and dispose of his organs1 so as to pronounce each letter1 syllable1 and word4 ,but still1 though he may have some imperfect idea of the remote causes of #deb the ,sounds which he himself utters1 of the remote causes of the ,sensations which he himself excites in other people2 he can have none of those ,sounds or ,sensations themselves4 ,if it were possible1 in the same manner1 that a man could be born without the ,sense of ,touching1 that of ,seeing could never alone suggest to him the idea of ,solidity1 or enable him to form any notion of the external and resisting substance4 ,it is probable1 however1 not only that no man1 but that no animal was ever born without the ,sense of ,touching1 which seems essential to1 and inseparable from1 the nature of animal life and existence4 ,it is unnecessary1 therefore1 to throw away any reasoning1 or to hazard any conjectures1 about what might be the effects of what ,i look upon as altogether an impossible supposition4 ,the eye when pressed upon by any external and solid substance1 feels1 no doubt1 that pressure and resistance1 and suggests to us 7in the same manner as every other feeling part of the body7 the external and independent existence of that solid substance4 ,but in this case1 the eye acts1 not as the organ of ,sight1 but as an organ of ,touch2 for the eye possesses the ,sense of ,touching in common with almost all the other parts of the body4 ,the extension1 figure1 divisibility1 and mobility of ,colour1 the sole object of ,sight1 though1 on account of their correspondence and connection with the extension1 figure1 divisibility1 and mobility of ,solidity1 they are called by the same name1 yet seem to bear no sort of resemblance to their namesakes4 ,as ,colour and ,solidity bear no sort of resemblance to one another1 so neither can their respective modifications4 ,dr4 ,berkley very justly observes1 that though we can conceive either a coloured or a solid line to be prolonged indefinitely1 yet we cannot conceive the one to be added to the other4 ,we cannot1 even in imagination1 conceive an object of ,touch to be prolonged into an object of ,sight1 or an object of ,sight into an object of ,touch4 ,the objects of ,sight and those of ,touch constitute two worlds1 which1 though they have a most important correspondence and connection with one another1 bear no sort of resemblance to one another4 ,the tangible world1 as well as all the different parts which compose it1 has three dimensions1 ,length1 ,breadth1 and ,depth4 ,the visible world1 as well as all the different parts which compose it1 has only two1 ,length and ,breadth4 ,it presents to us only a plain or surface1 which1 by certain shades and combinations of ,colour1 suggests and represents to us 7in the same manner as a picture does7 certain tangible objects which have no ,colour1 and which therefore can bear no resemblance to those shades and combinations of ,colour4 ,those shades and combinations suggest those different tangible objects as at different distances1 according to certain rules of ,perspective1 which it is1 perhaps1 not very easy to say how it is that we learn1 whether by some particular instinct1 or by some application of either reason or experience1 which #dec has become so perfectly habitual to us1 that we are scarcely sensible when we make use of it4 ,the distinctness of this ,perspective1 the precision and accuracy with which1 by means of it1 we are capable of judging concerning the distance of different tangible objects1 is greater or less1 exactly in proportion as this distinctness1 as this precision and accuracy1 are of more or less importance to us4 ,we can judge of the distance of near objects1 of the chairs and tables for example1 in the chamber where we are sitting1 with the most perfect precision and accuracy2 and if in broad daylight we ever stumble over any of them1 it must be1 not from any error in the ,sight1 but from some defect in the attention4 ,the precision and accuracy of our judgment concerning such near objects are of the utmost importance to us1 and constitute the great advantage which a man who sees has over one who is unfortunately blind4 ,as the distance increases1 the distinctness of this ,perspective1 the precision and accuracy of our judgment gradually diminish4 ,of the tangible objects which are even at the moderate distance of one1 two1 or three miles from the eye1 we are frequently at a loss to determine which is nearest1 and which remotest4 ,it is seldom of much importance to us to judge with precision concerning the situation of the tangible objects which are even at this moderate distance4 ,as the distance increases1 our judgments become more and more uncertain2 and at a very great distance1 such as that of the fixed stars1 it becomes altogether uncertain4 ,the most precise knowledge of the relative situation of such objects could be of no other use to the enquirer than to satisfy the most unnecessary curiosity4 ,the distances at which different men can by ,sight distinguish1 with some degree of precision1 the situation of the tangible objects which the visible ones represent1 is very different2 and this difference1 though it1 no doubt1 may sometimes depend upon some difference in the original configuration of their eyes1 yet seems frequently to arise altogether from the different customs and habits which their respective occupations have led them to contract4 ,men of letters1 who live much in their closets1 and have seldom occasion to look at very distant objects1 are seldom far-sighted4 ,mariners1 on the contrary1 almost always are2 those especially who have made many distant voyages1 in which they have been the greater part of their time out of sight of land1 and have in daylight been constantly looking out towards the horizon for the appearance of some ship1 or of some distant shore4 ,it often astonishes a landsman to observe with what precision a sailor can distinguish in the offing1 not only the appearance of a ship which is altogether invisible to the landsman1 but the number of her masts1 the direction of her course1 and the rate of her sailing4 ,if she is a ship of his acquaintance1 he frequently can tell her name1 before the landsman has been able to discover even the appearance of a ship4 #ded ,visible objects1 ,colour1 and all its different modifications1 are in themselves mere shadows or pictures1 which seem to float1 as it were1 before the organ of ,sight4 ,in themselves1 and independent of their connection with the tangible objects which they represent1 they are of no importance to us1 and can essentially neither benefit us nor hurt us4 ,even while we see them we are seldom thinking of them4 ,even when we appear to be looking at them with the greatest earnestness1 our whole attention is frequently employed1 not upon them1 but upon the tangible objects represented by them4 ,it is because almost our whole attention is employed1 not upon the visible and representing1 but upon the tangible and represented objects1 that in our imaginations we arc apt to ascribe to the former a degree of magnitude which does not belong to them1 but which belongs altogether to the latter4 ,if you shut one eye1 and hold immediately before the other a small circle of plain glass1 of not more than half an inch in diameter1 you may see through that circle the most extensive prospects2 lawns and woods1 and arms of the sea1 and distant mountains4 ,you are apt to imagine that the ,landscape which is thus presented to you1 that the visible ,picture which you thus see1 is immensely great and extensive4 ,the tangible objects which this visible ,picture represents1 undoubtedly are so4 ,but the visible ,picture which represents them can be no greater than the little visible circle through which you see it4 ,if while you are looking through this circle1 you could conceive a fairy hand and a fairy pencil to come between your eye and the glass1 that pencil could delineate upon that little glass the outline of all those extensive lawns and woods1 and arms of the sea1 and distant mountains1 in the full and the exact dimensions with which they are really seen by the naked eye4 ,every visible object which covers from the eye any other visible object1 must appear at least as large as that other visible object4 ,it must occupy at least an equal portion of that visible plain or surface which is at that time presented to the eye4 ,opticians accordingly tell us1 that all the visible objects which are seen under equal angles must to the eye appear equally large4 ,but the visible object1 which covers from the eye any other visible object1 must necessarily be seen under angles at least equally large as those under which that other object is seen4 ,when ,i hold up my finger1 however1 before my eye1 it appears to cover the greater part of the visible chamber in which ,i am sitting4 ,it should therefore appear as large as the greater part of that visible chamber4 ,but because ,i know that the tangible finger bears but a very small proportion to the greater part of the tangible chamber1 ,i am apt to fancy that the visible finger bears but a like proportion to the greater part of the visible chamber4 ,my judgment corrects my eyesight1 and1 in my fancy1 reduces the visible object1 which represents the little tangible one1 below its real visible dimensions2 and1 on the #dee contrary1 it augments the visible object which represents the great tangible one a good deal beyond those dimensions4 ,my attention being generally altogether occupied about the tangible and represented1 and not at all about the visible and representing objects1 my careless fancy bestows upon the latter a proportion which does not in the least belong to them1 but which belongs altogether to the former4 ,it is because the visible object which covers any other visible object must always appear at least as large as that other object1 that opticians tell us that the sphere of our vision appears to the eye always equally large2 and that when we hold our hand before our eye in such a manner that we see nothing but the inside of the hand1 we still see precisely the same number of visible points1 the sphere of our vision is still as completely filled1 the retina of the eye is as entirely covered with the object which is thus presented to it1 as when we survey the most extensive horizon4 ,a young gentleman who was born with a cataract upon each of his eyes1 was1 in one thousand seven hundred and twenty-eight1 couched by ,mr4 ,cheselden1 and by that means for the first time made to see distinctly4 ',at first1' says the operator1 'he could bear but very little sight1 and the things he saw he thought extremely large2 but upon seeing things larger1 those first seen he conceived less1 never being able to imagine any lines beyond the bounds he saw2 the room he was in1 he said1 he knew to be but part of the house1 yet he could not conceive that the whole house would look bigger4' ,it was unavoidable that he should at first conceive1 that no visible object could be greater1 could present to his eye a greater number of visible points1 or could more completely fill the comprehension of that organ1 than the narrowest sphere of his vision4 ,and when that sphere came to be enlarged1 he still could not conceive that the visible objects which it presented could be larger than those which he had first seen4 ,he must probably by this time have been in some degree habituated to the connection between visible and tangible objects1 and enabled to conceive that visible object to be small which represented a small tangible object2 and that to be great1 which represented a great one4 ,the great objects did not appear to his sight greater than the small ones had done before2 but the small ones1 which1 having filled the whole sphere of his vision1 had before appeared as large as possible1 being now known to represent much smaller tangible objects1 seemed in his conception to grow smaller4 ,he had begun now to employ his attention more about the tangible and represented1 than about the visible and representing objects2 and he was beginning to ascribe to the latter the proportions and dimensions which properly belonged altogether to the former4 ,as we frequently ascribe to the objects of ,sight a magnitude and proportion which does not really belong to them1 but to the objects of #def ,touch which they represent1 so we likewise ascribe to them a steadiness of appearance1 which as little belongs to them1 but which they derive altogether from their connection with the same objects of ,touch4 ,the chair which now stands at the farther end of the room1 ,i am apt to imagine1 appears to my eye as large as it did when it stood close by me1 when it was seen under angles at least four times larger than those under which it is seen at present1 and when it must have occupied1 at least1 sixteen times that portion which it occupies at present1 of the visible plain or surface which is now before my eyes4 ,but as ,i know that the magnitude of the tangible and represented chair1 the principal object of my attention1 is the same in both situations1 ,i ascribe to the visible and representing chair 7though now reduced to less than the sixteenth part of its former dimensions7 a steadiness of appearance1 which certainly belongs not in any respect to it1 but altogether to the tangible and represented one4 ,as we approach to1 or retire from1 the tangible object which any visible one represents1 the visible object gradually augments in the one case1 and diminishes in the other4 ,to speak accurately1 it is not the same visible object which we see at different distances1 but a succession of visible objects1 which1 though they all resemble one another1 those especially which follow near after one another2 yet are all really different and distinct4 ,but as we know that the tangible object which they represent remains always the same1 we ascribe to them too a sameness which belongs altogether to it3 and we fancy that we see the same tree at a mile1 at half a mile1 and at a few yards distance4 ,at those different distances1 however1 the visible objects are so very widely different1 that we are sensible of a change in their appearance4 ,but still1 as the tangible objects which they represent remain invariably the same1 we ascribe a sort of sameness even to them too4 ,it has been said1 that no man ever saw the same visible object twice2 and this1 though1 no doubt1 an exaggeration1 is1 in reality1 much less so than at first view it appears to be4 ,though ,i am apt to fancy that all the chairs and tables1 and other little pieces of furniture in the room where ,i am sitting1 appear to my eye always the same1 yet their appearance is in reality continually varying1 not only according to every variation in their situation and distance with regard to where ,i am sitting1 but according to every1 even the most insensible variation in the altitude of my body1 in the movement of my head1 or even in that of my eyes4 ,the perspective necessarily varies according to all even the smallest of these variations2 and consequently the appearance of the objects which that perspective presents to me4 ,observe what difficulty a portrait painter finds1 in getting the person who sits for his picture to present to him precisely that view of the countenance from which the first outline was drawn4 ,the painter is scarce ever completely satisfied with the situation of the face which is presented to #deg him1 and finds that it is scarcely ever precisely the same with that from which he rapidly sketched the first outline4 ,he endeavours1 as well as he can1 to correct the difference from memory1 from fancy1 and from a sort of art of approximation1 by which he strives to express as nearly as he can1 the ordinary effect of the look1 air1 and character of the person whose picture he is drawing4 ,the person who draws from a statue1 which is altogether immovable1 feels a difficulty1 though1 no doubt1 in a less degree1 of the same kind4 ,it arises altogether from the difficulty which he finds in placing his own eye precisely in the same situation during the whole time which he employs in completing his drawing4 ,this difficulty is more than doubled upon the painter who draws from a living subject4 ,the statue never is the cause of any variation or unsteadiness in its own appearance4 ,the living subject frequently is4 ,the benevolent purpose of nature in bestowing upon us the sense of seeing1 is evidently to inform us concerning the situation and distance of the tangible objects which surround us4 ,upon the knowledge of this distance and situation depends the whole conduct of human life1 in the most trifling as well as in the most important transactions4 ,even animal motion depends upon it2 and without it we could neither move1 nor even sit still1 with complete security4 ,the objects of sight1 as ,dr4 ,berkley finely observes1 constitute a sort of language which the ,author of ,nature addresses to our eyes1 and by which he informs us of many things1 which it is of the utmost importance to us to know4 ,as1 in common language1 the words or sounds bear no resemblance to the thing which they denote1 so1 in this other language1 the visible objects bear no sort of resemblance to the tangible object which they represent1 and of whose relative situation1 with regard both to ourselves and to one another1 they inform us4 ,he acknowledges1 however1 that though scarcely any word be by nature better fitted to express one meaning than any other meaning1 yet that certain visible objects are better fitted than others to represent certain tangible objects4 ,a visible square1 for example1 is better fitted than a visible circle to represent a tangible square4 ,there is1 perhaps1 strictly speaking1 no such thing as either a visible cube1 or a visible globe1 the objects of sight being all naturally presented to the eye as upon one surface4 ,but still there are certain combinations of colours which are fitted to represent to the eye1 both the near and the distant1 both the advancing and the receding lines1 angles1 and surfaces of the tangible cube2 and there are others fitted to represent1 in the same manner1 both the near and the receding surface of the tangible globe4 ,the combination which represents the tangible cube1 would not be fit to represent the tangible globe2 and that which represents the tangible globe1 would not be fit to represent the tangible cube4 ,though there may1 therefore1 be no resemblance between visible and tangible #deh objects1 there seems to be some affinity or correspondence between them sufficient to make each visible object fitter to represent a certain precise tangible object than any other tangible object4 ,but the greater part of words seem to have no sort of affinity or correspondence with the meanings or ideas which they express2 and if custom had so ordered it1 they might with equal propriety have been made use of to express any other meanings or ideas4 ,dr4 ,berkley1 with that happiness of illustration which scarcely ever deserts him1 remarks1 that this in reality is no more than what happens in common language2 and that though letters bear no sort of resemblance to the words which they denote1 yet that the same combination of letters which represents one word1 would not always be fit to represent another2 and that each word is always best represented by its own proper combination of letters4 ,the comparison1 however1 it must be observed1 is here totally changed4 ,the connection between visible and tangible objects was first illustrated by comparing it with that between spoken language and the meanings or ideas which spoken language suggests to us2 and it is now illustrated by the connection between written language and spoken language1 which is altogether different4 ,even this second illustration1 besides1 will not apply perfectly to the case4 ,when custom1 indeed has perfectly ascertained the powers of each letter2 when it has ascertained1 for example1 that the first letter of the alphabet shall always represent such a sound1 and the second letter such another sound2 each word comes then to be more properly represented by one certain combination of written letters or characters1 than it could be by any other combination4 ,but still the characters themselves are altogether arbitrary1 and have no sort of affinity or correspondence with the articulate sounds which they denote4 ,the character which marks the first letter of the alphabet1 for example1 if custom had so ordered it1 might1 with perfect propriety1 have been made use of to express the sound which we now annex to the second1 and the character of the second to express that which we now annex to the first4 ,but the visible characters which represent to our eyes the tangible globe1 could not so well represent the tangible cube2 nor could those which represent the tangible cube1 so properly represent the tangible globe4 ,there is evidently1 therefore1 a certain affinity and correspondence between each visible object and the precise tangible object represented by it1 much superior to what takes place either between written and spoken language1 or between spoken language and the ideas or meanings which it suggests4 ,the language which nature addresses to our eyes1 has evidently a fitness of representation1 an aptitude for signifying the precise things which it denotes1 much superior to that of any of the artificial languages which human art and ingenuity have ever been able to invent4 #dei ,that this affinity and correspondence1 however1 between visible and tangible objects could not alone1 and without the assistance of observation and experience1 teach us1 by any effort of reason1 to infer what was the precise tangible object which each visible one represented1 if it is not sufficiently evident from what has been already said1 it must be completely so from the remarks of ,mr4 ,cheselden upon the young gentleman above-mentioned1 whom he had couched for a cataract4 ',though we say of this gentleman1 that he was blind1' observes ,mr4 ,cheselden1 'as we do of all people who have ripe cataracts2 yet they are never so blind from that cause but that they can discern day from night2 and for the most part1 in a strong light1 distinguish black1 white1 and scarlet2 but they cannot perceive the shape of any thing2 for the light by which these perceptions are made1 being let in obliquely through aqueous humour1 or the anterior surface of the crystalline1 7by which the rays cannot be brought into a focus upon the retina17 they can discern in no other manner than a sound eye can through a glass of broken jelly1 where a great variety of surfaces so differently refract the light1 that the several distinct pencils of rays cannot be collected by the eye into their proper foci2 wherefore the shape of an object in such a case cannot be at all discerned though the colour may3 and thus it was with this young gentleman1 who1 though he knew those colours asunder in a good light1 yet when he saw them after he was couched1 the faint ideas he had of them before were not sufficient for him to know them by afterwards2 and therefore he did not think them the same which he had before known by those names4' ,this young gentleman1 therefore1 had some advantage over one who from a state of total blindness had been made for the first time to see4 ,he had some imperfect notion of the distinction of colours2 and he must have known that those colours had some sort of connection with the tangible objects which he had been accustomed to feel4 ,but had he emerged from total blindness1 he could have learnt this connection only from a very long course of observation and experience4 ,how little this advantage availed him1 however1 we may learn partly from the passages of ,mr4 ,cheselden's narrative1 already quoted1 and still more from the following3 ',when he first saw1' says that ingenious operator1 'he was so far from making any judgment about distances1 that he thought all objects whatever touched his eyes 7as he expressed7 as what he felt did his skin2 and thought no objects so agreeable as those which were smooth and regular1 though he could form no judgment of their shape1 or guess what it was in any object that was pleasing to him4 ,he knew not the shape of any thing1 nor any one thing from another1 however different in shape or magnitude2 but upon being told what things were1 whose form he before knew from feeling1 he would carefully observe1 that he might know them again2 but having too many #dfj objects to learn at once1 he forgot many of them2 and 7as he said7 at first learned to know1 and again forgot a thousand things in a day4 ,one particular only 7though it may appear trifling7 ,i will relate3 ,having often forgot which was the cat and which was the dog1 he was ashamed to ask2 but catching the cat 7which he knew by feeling7 he was observed to look at her steadfastly1 and then setting her down1 said1 ,so1 puss6 ,i shall know you another time4' ,when the young gentleman said1 that the objects which he saw touched his eyes1 he certainly could not mean that they pressed upon or resisted his eyes2 for the objects of sight never act upon the organ in any way that resembles pressure or resistance4 ,he could mean no more than that they were close upon his eyes1 or1 to speak more properly1 perhaps1 that they were in his eyes4 ,a deaf man1 who was made all at once to hear1 might in the same manner naturally enough say1 that the sounds which he heard touched his ears1 meaning that he felt them as close upon his ears1 or1 to speak perhaps more properly1 as in his ears4 ,mr4 ,cheselden adds afterwards3 ',we thought he soon knew what pictures represented which were showed to him1 but we found afterwards we were mistaken2 for about two months after he was couched1 he discovered at once they represented solid bodies1 when to that time1 he considered them only as party-coloured planes1 or surfaces diversified with variety of paints2 but even then he was no less surprised1 expecting the pictures would feel like the things they represented1 and was amazed when he found those parts1 which by their light and shadow appeared now round and uneven1 felt only flat like the rest2 and asked which was the lying sense1 feeling or seeing8' ,painting1 though1 by combinations of light and shade1 similar to those which ,nature makes use of in the visible objects which she presents to our eyes1 it endeavours to imitate those objects2 yet it never has been able to equal the perspective of ,nature1 or to give to its productions that force and distinctness of relief and rejection which ,nature bestows upon hers4 ,when the young gentleman was just beginning to understand the strong and distinct perspective of ,nature1 the faint and feeble perspective of ,painting made no impression upon him1 and the picture appeared to him what it really was1 a plain surface bedaubed with different colours4 ,when he became more familiar with the perspective of ,nature1 the inferiority of that of ,painting did not hinder him from discovering its resemblance to that of ,nature4 ,in the perspective of ,nature1 he had always found that the situation and distance of the tangible and represented objects1 corresponded exactly to what the visible and representing ones suggested to him4 ,he expected to find the same thing in the similar1 though inferior perspective of ,painting1 and was disappointed when he found that the visible and tangible objects had not1 in this case1 their usual correspondence4 #dfa ',in a year after seeing1' adds ,mr4 ,cheselden1 'the young gentleman being carried upon ,epsom-downs1 and observing a large prospect1 he was exceedingly delighted with it1 and called it a new kind of seeing4' ,he had now1 it is evident1 come to understand completely the language of ,vision4 ,the visible objects which this noble prospect presented to him did not now appear as touching1 or as close upon his eye4 ,they did not now appear of the same magnitude with those small objects to which1 for some time after the operation1 he had been accustomed1 in the little chamber where he was confined4 ,those new visible objects at once1 and as it were of their own accord1 assumed both the distance and the magnitude of the great tangible objects which they represented4 ,he had now1 therefore1 it would seem1 become completely master of the language of ,vision1 and he had become so in the course of a year2 a much shorter period than that in which any person1 arrived at the age of manhood1 could completely acquire any foreign language4 ,it would appear too1 that he had made very considerable progress even in the two first months4 ,he began at that early period to understand even the feeble perspective of ,painting2 and though at first he could not distinguish it from the strong perspective of ,nature1 yet he could not have been thus imposed upon by so imperfect an imitation1 if the great principles of ,vision had not beforehand been deeply impressed upon his mind1 and if he had not1 either by the association of ideas1 or by some other unknown principle1 been strongly determined to expect certain tangible objects in consequence of the visible ones which had been presented to him4 ,this rapid progress1 however1 may1 perhaps1 be accounted for from that fitness of representation1 which has already been taken notice of1 between visible and tangible objects4 ,in this language of ,nature1 it may be said1 the analogies are more perfect2 the etymologies1 the declensions1 and conjugations1 if one may say so1 are more regular than those of any human language4 ,the rules are fewer1 and those rules admit of no exceptions4 ,but though it may have been altogether by the slow paces of observation and experience that this young gentleman acquired the knowledge of the connection between visible and tangible objects2 we cannot from thence with certainty infer1 that young children have not some instinctive perception of the same kind4 ,in him this instinctive power1 not having been exerted at the proper season1 may1 from disuse1 have gone gradually to decay1 and at last have been completely obliterated4 ,or1 perhaps 7what seems likewise very possible71 some feeble and unobserved remains of it may have somewhat facilitated his acquisition of what he might otherwise have found it much more difficult to acquire a knowledge of4 ,that1 antecedent to all experience1 the young of at least the greater part of animals possess some instinctive perception of this kind1 seems abundantly evident4 ,the hen never feeds her young by dropping the #dfb food into their bills1 as the linnet and thrush feed theirs4 ,almost as soon as her chickens are hatched1 she does not feed them1 but carries them to the field to feed1 where they walk about at their ease1 it would seem1 and appear to have the most distinct perception of all the tangible objects which surround them4 ,we may often see them1 accordingly1 by the straightest road1 run to and pick up any little grains which she shows them1 even at the distance of several yards2 and they no sooner come into the light than they seem to understand this language of ,vision as well as they ever do afterwards4 ,the young of the partridge and of the grouse seem to have1 at the same early period1 the most distinct perceptions of the same kind4 ,the young partridge1 almost as soon as it comes from the shell1 runs about among long grass and corn2 the young grouse among long heath1 and would both most essentially hurt themselves if they had not the most acute1 as well as distinct perception of the tangible objects which not only surround them but press upon them on all sides4 ,this is the case too with the young of the goose1 of the duck1 and1 so far as ,i have been able to observe1 with those of at least the greater part of the birds which make their nests upon the ground1 with the greater part of those which are ranked by ,linnus in the orders of the hen and the goose1 and of many of those long-shanked and wading birds which he places in the order that he distinguishes by the name of ,grall4 ,the young of those birds that build their nests in bushes1 upon trees1 in the holes and crevices of high walls1 upon high rocks and precipices1 and other places of difficult access2 of the greater part of those ranked by ,linnus in the orders of the hawk1 the magpie1 and the sparrow1 seem to come blind from the shell1 and to continue so for at least some days thereafter4 ,till they are able to fly they are fed by the joint labour of both parents4 ,as soon as that period arrives1 however1 and probably for some time before1 they evidently enjoy all the powers of ,vision in the most complete perfection1 and can distinguish with most exact precision the shape and proportion of the tangible objects which every visible one represents4 ,in so short a period they cannot be supposed to have acquired those powers from experience1 and must therefore derive them from some instinctive suggestion4 ,the sight of birds seems to be both more prompt and more acute than that of any other animals4 ,without hurting themselves they dart into the thickest and most thorny bushes1 fly with the utmost rapidity through the most intricate forests1 and while they are soaring aloft in the air1 discover upon the ground the insects and grains upon which they feed4 ,the young of several sorts of quadrupeds seem1 like those of the greater part of birds which make their nests upon the ground1 to enjoy as soon as they come into the world the faculty of seeing as completely as they ever do afterwards4 ,the day1 or the day after they are dropped1 the calf follows the cow1 and the foal the mare1 to the field2 and though #dfc from timidity they seldom remove far from the mother1 yet they seem to walk about at their ease2 which they could not do unless they could distinguish1 with some degree of precision1 the shape and proportion of the tangible objects which each visible one represents4 ,the degree of precision1 however1 with which the horse is capable of making this distinction1 seems at no period of his life to be very complete4 ,he is at all times apt to startle at many visible objects1 which1 if they distinctly suggested to him the real shape and proportion of the tangible objects which they represent1 could not be the objects of fear2 at the trunk or root of an old tree1 for example1 which happens to be laid by the roadside1 at a great stone1 or the fragment of a rock which happens to lie near the way where he is going4 ,to reconcile him1 even to a single object of this kind1 which has once alarmed him1 frequently requires some skill1 as well as much patience and good temper in the rider4 ,such powers of sight1 however1 as ,nature has thought proper to render him capable of acquiring1 he seems to enjoy from the beginning1 in as great perfection as he ever does afterwards4 ,the young of other quadrupeds1 like those of the birds which make their nests in places of difficult access1 come blind into the world4 ,their sight1 however1 soon opens1 and as soon as it does so1 they seem to enjoy it in the most complete perfection1 as we may all observe in the puppy and the kitten4 ,the same thing1 ,i believe1 may be said of all other beasts of prey1 at least of all those concerning which ,i have been able to collect any distinct information4 ,they come blind into the world2 but as soon as their sight opens1 they appear to enjoy it in the most complete perfection4 ,it seems difficult to suppose that man is the only animal of which the young are not endowed with some instinctive perception of this kind4 ,the young of the human species1 however1 continue so long in a state of entire dependency1 they must be so long carried about in the arms of their mothers or of their nurses1 that such an instinctive perception may seem less necessary to them than to any other race of animals4 ,before it could be of any use to them1 observation and experience may1 by the known principle of the association of ideas1 have sufficiently connected in their young minds each visible object with the corresponding tangible one which it is fitted to represent4 ,nature1 it may be said1 never bestows upon any animal any faculty which is not either necessary or useful1 and an instinct of this kind would be altogether useless to an animal which must necessarily acquire the knowledge which the instinct is given to supply1 long before that instinct could be of any use to it4 ,children1 however1 appear at so very early a period to know the distance1 the shape1 and magnitude of the different tangible objects which are presented to them1 that ,i am disposed to believe that even they may have some instinctive perception of this kind2 though possibly in a much weaker degree than the greater part #dfd of other animals4 ,a child that is scarcely a month old1 stretches out its hands to feel any little plaything that is presented to it4 ,it distinguishes its nurse1 and the other people who are much about it1 from strangers4 ,it clings to the former1 and turns away from the latter4 ,hold a small looking-glass before a child of not more than two or three months old1 and it will stretch out its little arms behind the glass1 in order to feel the child which it sees1 and which it imagines is at the back of the glass4 ,it is deceived1 no doubt2 but even this sort of deception sufficiently demonstrates that it has a tolerably distinct apprehension of the ordinary perspective of ,vision1 which it cannot well have learnt from observation and experience4 ,do any of our other senses1 antecedently to such observation and experience1 instinctively suggest to us some conception of the solid and resisting substances which excite their respective sensations1 though these sensations bear no sort of resemblance to those substances8 ,the sense of ,tasting certainly does not4 ,before we can feel the sensation1 the solid and resisting substance which excites it must be pressed against the organs of ,taste1 and must consequently be perceived by them4 ,antecedently to observation and experience1 therefore1 the sense of ,tasting can never be said instinctively to suggest some conception of that substance4 ,it may1 perhaps1 be otherwise with the sense of ,smelling4 ,the young of all suckling animals1 7of the ,mammalia of ,linnus17 whether they are born with sight or without it1 yet as soon as they come into the world apply to the nipple of the mother in order to suck4 ,in doing this they are evidently directed by the ,smell4 ,the ,smell appears either to excite the appetite for the proper food1 or at least to direct the new-born animal to the place where that food is to be found4 ,it may perhaps do both the one and the other4 ,that when the stomach is empty1 the ,smell of agreeable food excites and irritates the appetite1 is what we all must have frequently experienced4 ,but the stomach of every new-born animal is necessarily empty4 ,while in the womb it is nourished1 not by the mouth1 but by the navel-string4 ,children have been born apparently in the most perfect health and vigour1 and have applied to suck in the usual manner2 but immediately1 or soon after1 have thrown up the milk1 and in the course of a few hours have died vomiting and in convulsions4 ,upon opening their bodies it has been found that the intestinal tube or canal had never been opened or pierced in the whole extent of its length2 but1 like a sack1 admitted of no passage beyond a particular place4 ,it could not have been in any respect by the mouth1 therefore1 but altogether by the navel-string1 that such children had been nourished and fed up to the degree of health and vigour in which they were born4 ,every animal1 while in the womb1 seems to draw its nourishment1 more like a vegetable1 from the root1 than like an animal #dfe from the mouth2 and that nourishment seems to be conveyed to all the different parts of the body by tubes and canals in many respects different from those which afterwards perform the same function4 ,as soon as it comes into the world1 this new set of tubes and canals which the providential care of ,nature had for a long time before been gradually preparing1 is all at once and instantaneously opened4 ,they are all empty1 and they require to be filled4 ,an uneasy sensation accompanies the one situation1 and an agreeable one the other4 ,the smell of the substance which is fitted for filling them1 increases and irritates that uneasy sensation1 and produces in the infant hunger1 or the appetite for food4 ,but all the appetites which take their origin from a certain state of the body1 seem to suggest the means of their own gratification2 and1 even long before experience1 some anticipation or preconception of the pleasure which attends that gratification4 ,in the appetite for sex1 which frequently1 ,i am disposed to believe almost always1 comes a long time before the age of puberty1 this is perfectly and distinctly evident4 ,the appetite for food suggests to the new-born infant the operation of sucking1 the only means by which it can possibly gratifying that appetite4 ,it is continually sucking4 ,it sucks whatever is presented to its mouth4 ,it sucks even when there is nothing presented to its mouth1 and some anticipation or preconception of the pleasure which it is to enjoy in sucking1 seems to make it delight in putting its mouth into the shape and configuration by which it alone can enjoy that pleasure4 ,there are other appetites in which the most unexperienced imagination produces a similar effect upon the organs which ,nature has provided for their gratification4 ,the smell not only excites the appetite1 but directs to the object which can alone gratify that appetite4 ,but by suggesting the direction towards that object1 the ,smell must necessarily suggest some notion of distance and externality1 which are necessarily involved in the idea of direction2 in the idea of the line of motion by which the distance can best be overcome1 and the mouth brought into contact with the unknown substance which is the object of the appetite4 ,that the ,smell should alone suggest any preconception of the shape or magnitude of the external body to which it directs1 seems not very probable4 ,the sensation of ,smell seems to have no sort of affinity or correspondence with shape or magnitude2 and whatever preconception the infant may have of these1 7and it may very probably have some such preconception17 is likely to be suggested1 not so much directly by the ,smell1 and indirectly by the appetite excited by that ,smell2 as by the principle which teaches the child to mould its mouth into the conformation and action of sucking1 even before it reaches the object to which alone that conformation and action can be usefully applied4 ,the ,smell1 however1 as it suggests the direction by which the external #dff body must be approached1 must suggest at least some vague idea or preconception of the existence of that body2 of the thing to which it directs1 though not perhaps of the precise shape and magnitude of that thing4 ,the infant1 too1 feeling its mouth attracted and drawn as it were towards that external body1 must conceive the ,smell which thus draws and attracts it1 as something belonging to or proceeding from that body1 or what is afterwards denominated and obscurely understood to be as a sort of quality or attribute of that body4 ,the ,smell1 too1 may very probably suggest some even tolerably distinct perception of the ,taste of the food to which it directs4 ,the respective objects of our different external senses seem1 indeed1 the greater part of them1 to bear no sort of resemblance to one another4 ,colour bears no sort of resemblance to ,solidity1 nor to ,heat1 nor to ,cold1 nor to ,sound1 nor to ,smell1 nor to ,taste4 ,to this general rule1 however1 there seems to be one1 and perhaps but one exception4 ,the sensations of ,smell and ,taste seem evidently to bear some sort of resemblance to one another4 ,smell appears to have been given to us by ,nature as the director of ,taste4 ,it announces1 as it were1 before trial1 what is likely to be the ,taste of the food which is set before us4 ,though perceived by a different organ1 it seems in many cases to be but a weaker sensation nearly of the same kind with that of the ,taste which that announces4 ,it is very natural to suppose1 therefore1 that the ,smell may suggest to the infant some tolerably distinct preconception of the ,taste of the food which it announces1 and may1 even before experience1 make its mouth1 as we say1 water for that food4 ,that numerous division of animals which ,linnus ranks under the class of worms1 have1 scarcely any of them1 any head4 ,they neither see nor hear1 have neither eyes nor ears2 but many of them have the power of self-motion1 and appear to move about in search of their food4 ,they can be directed in this search by no other sense than that of ,smelling4 ,the most accurate microscopical observations1 however1 have never been able to discover in such animals any distinct organ of ,smell4 ,they have a mouth and a stomach1 but no nostrils4 ,the organ of ,taste1 it is probable1 has in them a sensibility of the same kind with that which the olfactory nerves have in more perfect animals4 ,they may1 as it were1 taste at a distance1 and be attracted to their food by an affection of the same organ by which they afterwards enjoy it2 and ,smell and ,taste may in them be no otherwise distinguished than as weaker or stronger sensations derived from the same organ4 ,the sensations of ,heat and ,cold1 when excited by the pressure of some body either heated or cooled beyond the actual temperature of our own organs1 cannot be said1 antecedently to observation and experience1 instinctively to suggest any conception of the solid and resisting substance which excites them4 ,what was said of the sense of ,taste may very properly be said here4 ,before we can feel those sensations1 #dfg the pressure of the external body which excites them must necessarily suggest1 not only some conception1 but the most distinct conviction of its own external and independent existence4 ,it may be otherwise1 perhaps1 when those sensations are either of them excited by the temperature of the external air4 ,in a calm day when there is no wind1 we scarcely perceive the external air as a solid body2 and the sensations of ,heat and ,cold1 it may be thought1 are then felt merely as affections of our own body1 without any reference to any thing external4 ,several cases1 however1 may be conceived1 in which it must be allowed1 ,i imagine1 that those sensations1 even when excited in this manner1 must suggest some vague notion of some external thing or substance which excites them4 ,a new-born animal1 which had the power of self-motion1 and which felt its body1 either agreeably or disagreeably1 more heated or more cooled on the one side than on the other1 would1 ,i imagine1 instinctively and antecedently to all observation and experience1 endeavour to move towards the side in which it felt the agreeable1 and to withdraw from that in which it felt the disagreeable sensation4 ,but the very desire of motion supposes some notion or preconception of externality2 and the desire to move towards the side of the agreeable1 or from that of the disagreeable sensation1 supposes at least some vague notion of some external thing or place which is the cause of those respective sensations4 ,the degrees of ,heat and ,cold which are agreeable1 it has been found from experience1 are likewise healthful2 and those which are disagreeable1 unwholesome4 ,the degree of their unwholesomeness1 too1 seems to be pretty much in proportion to that of their disagreeableness4 ,if either of them is so disagreeable as to be painful1 it is generally destructive2 and1 that1 too1 in a very short period of time4 ,those sensations appear to have been given us for the preservation of our own bodies4 ,they necessarily excite the desire of changing our situation when it is unwholesome or destructive2 and when it is healthy1 they allow us1 or rather they entice us1 to remain in it4 ,but the desire of changing our situation necessarily supposes some idea of externality2 or of motion into a place different from that in which we actually are2 and even the desire of remaining in the same place supposes some idea of at least the possibility of changing4 ,those sensations could not well have answered the intention of ,nature1 had they not thus instinctively suggested some vague notion of external existence4 ,that ,sound1 the object of the sense of ,hearing1 though perceived itself as in the ear1 and nowhere but in the ear1 may likewise1 instinctively1 and antecedently to all observation and experience1 obscurely suggest some vague notion of some external substance or thing which excites it1 ,i am much disposed to believe4 ,i acknowledge1 however1 that ,i have not been able to recollect any one instance in which this sense seems so distinctly to produce this effect1 as that of ,seeing1 that #dfh of ,smelling1 and even that of ,heat and ,cold1 appear to do in some particular cases4 ,unusual and unexpected ,sound alarms always1 and disposes us to look about for some external substance or thing as the cause which excites it1 or from which it proceeds4 ,sound1 however1 considered merely as a sensation1 or as an affection of the organ of ,hearing1 can in most cases neither benefit nor hurt us4 ,it may be agreeable or disagreeable1 but in its own nature it does not seem to announce any thing beyond the immediate feeling4 ,it should not therefore excite any alarm4 ,alarm is always the fear of some uncertain evil beyond what is immediately felt1 and from some unknown and external cause4 ,but all animals1 and men among the rest1 feel some degree of this alarm1 start1 are roused and rendered circumspect and attentive by unusual and unexpected ,sound4 ,this effect1 too1 is produced so readily and so instantaneously that it bears every mark of an instinctive suggestion of an impression immediately struck by the hand of ,nature1 which does not wait for any recollection of past observation and experience4 ,the hare1 and all those other timid animals to whom flight is the only defence1 are supposed to possess the sense of ,hearing in the highest degree of activeness4 ,it seems to be the sense in which cowards are very likely to excel4 ,the three senses of ,seeing1 ,hearing1 and ,smelling1 seem to be given to us by ,nature1 not so much in order to inform us concerning the actual situation of our bodies1 as concerning that of those other external bodies1 which1 though at some distance from us1 may sooner or later affect the actual situation1 and eventually either benefit or hurt us4 ---------- ,,of ,,the ,,affinity ,,between ,,certain ,,english ,,and ,,italian ,,verses4 ----- ,,the measure of the verses1 of which the octave of the ,italians1 their terzetti1 and the greater part of their sonnets1 are composed1 seems to be as nearly the same with that of the ,english ,heroic ,rhyme1 as the different genius and pronunciation of the two languages will permit4 ,the ,english ,heroic ,rhyme is supposed to consist sometimes of ten1 and sometimes of eleven syllables3 of ten1 when the verse ends with a single1 and of eleven1 when it ends with a double rhyme4 ,the correspondent ,italian verse is supposed to consist sometimes of #dfi ten1 sometimes of eleven1 and sometimes of twelve syllables1 according as it happens to end with a single1 a double1 or a triple rhyme4 ,the rhyme ought naturally to fall upon the last syllable of the verse2 it is proper likewise that it should fall upon an accented syllable1 in order to render it more sensible4 ,when1 therefore1 the accent happens to fall1 not upon the last syllable1 but upon that immediately before it1 the rhyme must fall both upon the accented syllable and upon that which is not accented4 ,it must be a double rhyme4 ,in the ,italian language1 when the accent falls neither upon the last syllable1 nor upon that immediately before it1 but upon the third syllable from the end1 the rhyme must fall upon all the three4 ,it must be a triple rhyme1 and the verse is supposed to consist of twelve syllables3 ,fors era ver1 non per credbile1 c4 ,triple rhymes are not admitted into ,english ,heroic ,verse4 ,in the ,italian language the accent falls much more rarely1 either upon the third syllable from the end of a word1 or upon the last syllable1 than it does upon the one immediately before the last4 ,in reality1 this second syllable from the end seems1 in that language1 to be its most common and natural place4 ,the ,italian ,heroic ,poetry1 therefore1 is composed principally of double rhymes1 or of verses supposed to consist of eleven syllables4 ,triple rhymes occur but seldom1 and single rhymes still more seldom4 ,in the ,english language the accent falls frequently upon the last syllable of the word4 ,our language1 besides1 abounds in words of one syllable1 the greater part of which do 7for there are few which do not7 admit of being accented4 ,words of one syllable are most frequently the concluding words of ,english rhymes4 ,for both these reasons1 ,english ,heroic ,rhyme is principally composed of single rhymes1 or of verses supposed to consist of ten syllables4 ,double ,rhymes occur almost as rarely in it1 as either single or triple do in the ,italian4 ,the rarity of double rhymes in ,english ,heroic ,verse makes them appear odd1 and awkward1 and even ludicrous1 when they occur4 ,by the best writers1 therefore1 they are reserved for light and ludicrous occasions2 when1 in order to humour their subject1 they stoop to a more familiar style than usual4 ,when ,mr4 ,pope says2 ,worth makes the man1 and want of it the fellow2 ,the rest is all but leather or prunello2 he means1 in compliance with his subject1 to condescend a good deal below the stateliness of his diction on the ,essay on ,man4 ,double rhymes abound more in ,dryden than in ,pope1 and in ,butler's ,hudibras more than in ,dryden4 ,the rarity both of single and of triple rhyme in ,italian ,heroic ,verse1 gives them the same odd and ludicrous air which double rhymes have #dgj in ,english ,verse4 ,in ,italian1 triple rhymes occur more frequently than single rhymes4 ,the slippery1 or if ,i may be allowed to use a very low1 but a very expressive word1 the glib pronunciation of the triple rhyme 7verso sotrucciolo7 seems to depart less from the ordinary movement of the double rhyme1 than the abrupt ending of the single rhyme 7verso tronco e cadente71 of the verse that appears to be cut off and to fall short of the usual measure4 ,single rhymes accordingly appear in ,italian verse much more burlesque than triple rhymes4 ,single rhymes occur very rarely in ,ariosto2 but frequently in the more burlesque poem of ,ricciardetto4 ,triple rhymes occur much oftener in all the best writers4 ,it is thus1 that what in ,english appears to be the verse of the greatest gravity and dignity1 appears in ,italian to be the most burlesque and ludicrous2 for no other reason1 ,i apprehend1 but because in the one language it is the ordinary verse1 whereas in the other it departs most from the movements of ordinary verse4 ,the common ,italian ,heroic ,poetry being composed of double rhymes1 it can admit both of single and of triple rhymes2 which seem to recede from the common movement on opposite sides to nearly equal distances4 ,the common ,english ,heroic ,poetry1 consisting of single rhymes1 it can admit of double2 but it cannot admit of triple rhymes1 which would recede so far from the common movements as to appear perfectly burlesque and ridiculous4 ,in ,english1 when a word accented upon the third syllable from the end happens to make the last word of a verse1 the rhyme falls upon the last syllable only4 ,it is a single rhyme1 and the verse consists of no more than ten syllables3 but as the last syllable is not accented1 it is an imperfect rhyme1 which1 however1 when confined to the second verse of the couplet1 and even there introduced but rarely1 may have a very agreeable grace1 and the line may even seem to run more easy and natural by means of it3 ,bt of this frme1 the berings1 and the tes4 ,the strct connctions1 nce depndencies1 c4 ,when by a well accented syllable in the end of the first line of a couplet1 it has once been clearly ascertained what the rhyme is to be1 a very slight allusion to it1 such as can be made by a syllable of the same termination that is not accented1 may often be sufficient to mark the coincidence in the second line2 a word of this kind in the end of the first line seldom succeeds so well3 ,th' inhabitants of old ,jerusalem ,were ,jebusites2 the town so called from them4 ,a couplet in which both verses were terminated in this manner1 would be extremely disagreeable and offensive4 ,in counting the syllables1 even of verses which to the ear appear sufficiently correct1 a considerable indulgence must frequently be given1 #dga before they can1 in either language1 be reduced to the precise number of ten1 eleven1 or twelve1 according to the nature of the rhyme4 ,in the following couplet1 for example1 there are1 strictly speaking1 fourteen syllables in the first line1 and twelve in the second4 ,and many a h7umo7urous1 many an amorous lay1 ,was sung by many a bard1 on many a day4 ,by the rapidity1 however1 or1 if ,i may use a very low word a second time1 by the glibness of the pronunciation1 those fourteen syllables in the first line1 and those twelve in the second1 appear to take up the time but of ten ordinary syllables4 ,the words many a1 though they plainly consist of three distinct syllables1 or sounds1 which are all pronounced successively1 or the one after the other1 yet pass as but two syllables2 as do likewise these words1 h7umo7uro7us1 and amorous4 ,the words heaven and given1 in the same manner1 consist each of them of two syllables1 which1 how rapidly so ever they may be pronounced1 cannot be pronounced but successively1 or the one after the other4 ,in verse1 however1 they are considered as consisting but of one syllable4 ,in counting the syllables of the ,italian ,heroic ,verse1 still greater indulgences must be allowed3 three vowels must there frequently be counted as making but one syllable1 though they are all pronounced1 rapidly indeed1 but in succession1 or the one after the other1 and though no two of them are supposed to make a diphthong4 ,in these licenses too1 the ,italians seem not to be very regular1 and the same concourse of vowels which in one place makes but one syllable1 will in another sometimes make two4 ,there are even some words which in the end of a verse are constantly counted for two syllables1 but which in any other part of it are never counted for more than one2 such as the words suo1 tuo1 suoi1 tuoi4 ,ruscelli observes1 that in the ,italian ,heroic ,verse the accent ought to fall upon the fourth1 the sixth1 the eighth1 and the tenth syllables2 and that if it falls upon the third1 the fifth1 the seventh1 or the ninth syllables1 it will spoil the verse4 ,in ,english1 if the accent falls upon any of the above-mentioned odd syllables1 it equally spoils the verse4 ,bow'd their stiff necks1 loaden with stormy blasts1 though a line of ,milton1 has not the ordinary movement of an ,english ,heroic ,verse1 the accent falls upon the third and sixth syllables4 ,in ,italian frequently1 and in ,english sometimes1 an accent is with great grace thrown upon the first syllable1 in which case it seldom happens that any other syllable is accented before the fourth2 ,cnto l'arm pietse e'l capitno4 ,frst in these filds ,i tr the slvan strins4 ,both in ,english and in ,italian the second syllable may be accented #dgb with great grace1 and it generally is so when the first syllable is not accented3 ,e in van l' inferno a' lui s' oppose2 e in vano ,s' arm d' ,asia1 e di ,libia il popol misto1 c4 ,let us1 since life can little more supply ,than just to look about us1 and to die1 c4 ,both in ,english and in ,italian ,verse1 an accent1 though it must never be misplaced1 may sometimes be omitted with great grace4 ,in the last of the above-quoted ,english ,verses there is no accent upon the eighth syllable2 the conjunction and not admitting of any4 ,in the following ,italian ,verse there is no accent upon the sixth syllable3 ,o ,musa1 tu1 che di caduchi allori1 c4 ,the preposition di will as little admit of an accent as the conjunction and4 ,in this case1 however1 when the even syllable is not accented1 neither of the odd syllables immediately before or behind it must be accented4 ,neither in ,english nor in ,italian can two accents running be omitted4 ,it must be observed1 that in ,italian there are two accents1 the grave and the acute3 the grave accent is always marked by a slight stroke over the syllable to which it belongs2 the acute accent has no mark4 ,the ,english language knows no distinction between the grave and the acute accents4 ,the same author observes1 that in the ,italian ,verse the ,pause1 or what the grammarians call the ,cesura1 may with propriety be introduced after either the third1 the fourth1 the fifth1 the sixth1 or the seventh syllables4 ,the like observations have been made by several different writers upon the ,english ,heroic ,verse4 ,dobie admires particularly the verse in which there are two pauses2 one after the fifth1 and another after the ninth syllable4 ,the example he gives is from ,petrarch3 ,nel dolce tempo de la prima etade1 c4 ,in this verse1 the second pause1 which he says comes after the ninth syllable1 in reality comes in between the two vowels1 which1 in the ,italian way of counting syllables1 compose the ninth syllable4 ,it may be doubtful1 therefore1 whether this pause may not be considered as coming after the eighth syllable4 ,i do not recollect any good ,english ,verse in which the pause comes in after the ninth syllable4 ,we have many in which it comes in after the eighth3 ,yet oft1 before his infant eyes1 would run1 c4 ,in which verse there are two pauses2 one after the second1 and the other after the eighth syllable4 ,i have observed many ,italian ,verses in which the pause comes after the second syllable4 ,both the ,english and the ,italian ,heroic ,verse1 perhaps1 are not so #dgc properly composed of a certain number of syllables1 which vary according to the nature of the rhyme2 as of a certain number of intervals1 7of five invariably17 each of which is equal in length1 or time1 to two ordinary distinct syllables1 though it may sometimes contain more1 of which the extraordinary shortness compensates the extraordinary number4 ,the close frequently of each of those intervals1 but always of every second interval1 is marked by a distinct accent4 ,this accent may frequently1 with great grace1 fall upon the beginning of the first interval2 after which1 it cannot1 without spoiling the verse1 fall any where but upon the close of an interval4 ,the syllable or syllables which come after the accent that closes the fifth interval are never accented4 ,they make no distinct interval1 but are considered as a sort of excrescence of the verse1 and are in a manner counted for nothing4 ,,the ,,end4 ,,bradbury1 ,,evans1 ,,and ,,co41 ,,printers1 ,,whitefriars4 9999999999999999999999999999999999999999 99999999999999999999 ,transcriber's ,note ,page numbers ,page numbers printed in the text are given within 4 ,footnotes ,most footnotes in the text are indicated by an asterisk4 ,here they are numbered within each work and placed at the end of paragraph in which they occur4 ,one footnote in the first essay is numbered2 it is here given as #a994 ,diacritics ,the only sign needing special mention is the breve used in the last essay to indicate short syllables4 ,on a u1 it is transcribed 7u4 ,spelling ,corrections ,the following changes have been made to the printed text 7usually with reference to earlier editions74 ,corrected words are marked with two asterisks preceding4 ,page ,printed text ,correction ,biographical ,notice #ageg #agei 7by reference to ,stewart's full note7 #h ,the page numbers for the first essay are out by two 7so e4g4 #cbg-cbh #cbe-cbf not marked in text ,of the ,affinity etc4 begins on #dce1 not #dcd as in printed text #ee advantange advantage #hh acomplish accomplish #aij resposibility responsibility #bbd the the the #bdc acccording according #bgb unpon upon #bha suppposed supposed #cah object objects #cai insteads instead #cai venisitis venistis #cce dis-disposed disposed #cdb ,democratus ,democritus #cdc such sphere such a sphere #cec same fame #cef perfector perfecter