,transcriber's ,note ,in the ,plain ,text version of this e,book1 superscripts are indicated by 1 subscripts by 1 italics by paired underscores1 and boldface by paired equals signs4 ,underlining in the advertisement at the end of the book is indicated by paired underscores1 not distinguished from italics4 ,the 8,westminster0 ,series ,,glass ,,manufacture ,,glass ,,manufacture ,,by ,,walter ,,rosenhain ,b4,a4 ,b4,c4,e4 ,,superintendent ,,of ,,the ,,department ,,of ,,metallurgy ,,and ,,metallurgical ,,chemistry ,,at ,,the ,,national ,,physical ,,laboratory ,illustration ,,new ,,york ,d4 ,,van ,,nostrand ,,company #bc ,,murray ,,and #bg ,,warren ,,streets #aijh ,,bradbury1 ,,agnew1 ,,co4 ,,ld41 ,,printers1 ,,london ,,and ,,tonbridge4 ,,preface ,the present volume on ,glass ,manufacture has been written chiefly for the benefit of those who are users of glass1 and therefore makes no claim to be an adequate guide or help to those engaged in glass manufacture itself4 ,for this reason the account of manufacturing processes has been kept as non-technical as possible2 no detailed drawings of plant or appliances have been given1 and only a few illustrative diagrams have been introduced for the purpose of avoiding lengthy verbal descriptions4 ,in describing each process the object in view has been to give an insight into the rationale of each step1 so far as it is known or understood1 and thus to indicate the possibilities and limitations of the process and of its resulting products rather than to provide a detailed guide to the technique of the various operations4 ,the practical aim of the book has further been safeguarded by the fact that the processes described in these pages are1 with the exception of those described as obsolete1 to the author's definite knowledge1 in commercial use at the present time4 ,for this reason many apparently ingenious and beautiful processes described in earlier books on glass have not been mentioned here1 since the author could find no trace of their employment beyond the records of the various patents involved4 ,on the other hand the reader must be warned to bear in mind that the peculiar conditions of the glass manufacturing industry have led to the practice on the part of manufacturers of keeping their processes as secret as possible1 so that the task of the author who would give an accurate account of the best modern processes used in any given department of the industry is beset with great difficulties4 ,the author has endeavoured to steer the best course open to him under these circumstances1 and he would appeal to the paucity of glass literature in the ,english language as evidence of the difficulty to which he refers4 ,in addition to these difficulties1 which arise largely from considerations of a commercial nature1 the writer of a book on glass is further confronted with technical difficulties of no inconsiderable order4 ,as already indicated1 the aim of the present author has been to describe processes from the point of view of principles and methods rather than as mere rule-of-thumb descriptions of manufacturing manipulations1 but in doing this he is met at every turn by the fact that from the scientific side the greater part of the field of glass manufacture is a 8terra incognita40 ,in making this statement the labours of many eminent scientific workers are by no means forgotten1 but the entire field is so large and beset with such great experimental difficulties that even the labours of a list of investigators that includes the names of ,fraunhofer and ,faraday1 ,stokes1 ,hopkinson1 ,abb and ,schott1 have resulted in little more than an accumulation of empirical data which1 while they have been productive of great direct practical results1 have left the science of glass still in a very elementary condition4 ,to take two examples in illustration of this fact we may mention the question of the connection between chemical composition and any of the physical properties of glass1 such as refraction and dispersion of light1 and on the more mechanical side the question why all processes1 such as rolling or moulding1 which involve the contact of hot glass with metal result in a roughening of the glass surface4 ,the former question has been studied by several of the investigators named above1 ,schott and ,abb having particularly devoted an enormous amount of labour and money to the study of the question with results which have proved disappointing from the scientific point of view4 ,by prolonged experimenting and the employment of a costly system of trial and error an important series of novel and useful glasses has been produced by these workers1 but no law by whose aid the optical properties of a glass of given chemical composition could be predicted has yet been discovered1 and as a summary of the known facts only the vaguest general principles are available for the guidance of those who wish to produce glasses of definite properties4 ,the same applies in a similar degree to most of the other properties of glass1 with the exception1 perhaps1 of density and thermal expansion2 attempts to generalise from the known data of a limited number of glasses generally meet with unqualified failure4 ,the conclusion which one is forced to admit is that the fundamental principles underlying the nature and constitution of glasses have yet to be discovered4 ,a study of the other question mentioned above as an example of the limitations of our knowledge leads to the same conclusion2 an almost endless succession of inventors have busied themselves with devices for overcoming the roughening action of rollers and moulds upon glass1 but without any real success4 ,a long list of other examples of the same kind could be given1 our knowledge of the physical and chemical principles underlying many of the phenomena met with in glass manufacture being deplorably deficient4 ,it will thus be seen that to write a truly scientific account of glass manufacture is at the present time impossible1 and the reader is asked to bear this in mind if he should find the chemical or physical explanations given in this book less frequent or less adequate than could be desired4 ,having dwelt somewhat emphatically on the limitations of our present scientific knowledge as applied to glass manufacture1 it is perhaps scarcely necessary at the present time to emphasise the fact that this state of affairs should act as the strongest incentive to further investigation of the whole subject4 ,the difficulty1 however1 lies in the fact that such investigation can scarcely be carried on by voluntary workers in ordinary laboratories1 but must be undertaken with the active help of glass manufacturers at their works4 ,glass is essentially a substance that cannot be satisfactorily handled in small quantities1 particularly so far as all the phenomena connected with its production and manipulation while hot are concerned2 the influences of containing vessels1 of furnace gases and of rapid cooling are all enormously exaggerated if ounces instead of hundredweights or tons of glass are used for experimental purposes1 and these influences and others of the same nature vitally affect all the results of small-scale laboratory operations4 ,the progress of our scientific knowledge of glass--and the consequent development of the glass industry from its present state where rule-of-thumb and 8practical experience0 still hold excessive sway--lies in the hands of those concerned in the industry itself4 ,it must be admitted that to undertake such work involves the expenditure of much time and money on the part of a manufacturer1 while the field is so large and the problems so complicated that any adequate return cannot be promised for the immediate future2 on the other hand the very size of the field and the difficulty of the problems offers the promise of the greatest ultimate reward2 a really important scientific discovery in connection with glass would be certain to bring in its train industrial developments whose limits it is impossible to foresee4 ,the industrial success of the glass-works of ,schott in ,jena is often quoted as a brilliant example of commercial success resulting from purely scientific investigations in this actual field2 an example of still greater magnitude is furnished by the success of the aniline dye works of ,germany which are built up on purely scientific achievements4 ,the glass industry as a whole1 supplying some of the absolute necessaries of modern life1 should be capable of offering the greatest rewards to success1 and the example of other industries has shown that ultimate success is bound to reward properly-conducted and perseverant scientific research4 ,nowhere is this more urgently needed than in the whole field of glass manufacture4 ,the author is indebted to ,mr4 ,w4 ,c4 ,hancock for valuable assistance in the reading of proofs and various suggestions in connection with the contents of this book4 ,,table ,,of ,,contents ,,page ,,preface v ,,chapter ,i4 ,,the ,,physical ,,and ,,chemical ,,properties ,,of ,,glass4 ,definition of the term 8,glass0--,amorphous structure the common feature of all vitreous bodies--,glass a congealed fluid--,glasses not definite chemical compounds but complex solutions--,range of chemical composition available for glass-making--,considerations governing chemical composition--,influence of composition on physical properties--,chemical stability of glass-- ,permanence of glass surfaces--,action of water1 acids1 and alkalies on glass--,action of light on glass p4 #a ,,chapter ,,ii4 ,,the ,,physical ,,properties ,,of ,,glass4 ,mechanical properties3 tensile strength1 crushing strength1 elasticity1 ductility1 and hardness--,thermal properties of glass3 thermal endurance1 coefficient of expansion1 thermal conductivity--,thermometer glass--,electrical properties of glass--,transparency and colour of glass p4 #ah ,,chapter ,,iii4 ,,the ,,raw ,,materials ,,of ,,glass ,,manufacture4 ,general considerations--,chemical purity1 moisture1 and physical condition1 constancy of quality--,sources of silica1 sand and sandstone--,felspar--,sources of alkali3 ,soda ash 7carbonate of soda71 salt-cake 7sulphate of soda71 pearl ash 7carbonate of potash7--,alkali nitrates--,natural minerals containing alkalies--,sources of other bases3 ,lime1 chalk1 limestone1 slaked lime-- ,gypsum 7sulphate of lime7--,barium compounds--,magnesia and zinc--,lead oxide1 red lead--,aluminium1 manganese1 arsenic--,carbon--,coke1 charcoal1 anthracite coal p4 #ce ,,chapter ,,iv4 ,,crucibles ,,and ,,furnaces ,,for ,,the ,,fusion ,,of ,,glass4 ,fire-clay and silica-brick--,manufacture of glass-melting pots--,drying and first heating of pots--,blocks for tank and other furnaces--,uses of silica brick--,furnaces-- ,coal-fired and gas-fired furnaces--,gas producers-- ,regenerative furnaces1 principles and construction of ,siemens' furnaces--,recuperative furnaces--,general arrangements of modern tank furnaces--,relative advantages of tank and pot furnaces p4 #ed ,,chapter ,v4 ,,the ,,process ,,of ,,fusion4 ,mixing of raw materials by hand and by machinery--,the charging operation--,chemical reactions during melting of carbonate mixtures1 and of sulphate mixtures--,influence of carbon on the reactions--,the fining process p4 #gc ,,chapter ,,vi4 ,,processes ,,used ,,in ,,the ,,working ,,of ,,glass4 ,ladling1 gathering1 and casting--,limitations of ladling-- ,ladling used for rolled glass1 gathering for blown glass--,rolling of glass--,blowing processes and operations--,use of moulds--,pressing--,moulding p4 #hd ,,chapter ,,vii4 ,,bottle ,,glass4 ,raw materials--,furnaces--,predominance of tank furnaces-- ,process of blowing bottles by hand--,gathering1 marvering1 blowing--,use of fire-clay and metal moulds-- ,formation of neck--,improved appliances1 moulds and tools--,manufacture of bottles by machinery--,the 8,boucher0 bottle-blowing machine--,annealing of bottles-- ,large bottles1 carboys--,aids to the blower--,sievert's process--,large shallow vessels1 bath-tubs p4 #ie ,,chapter ,,viii4 ,,blown ,,and ,,pressed ,,glass4 ,raw materials--,bohemian glass and flint glass--,gathering and blowing--,chair work--,hand work--,production of tumblers by hand--,application of coloured glass to blown articles--,use of moulds as aids to blowing--,roughening effect of moulds--,fire-polishing by reheating--,use of compressed air--,pressed glass--,moulds and presses-- ,capacity and limitations of pressing process p4 #ajh ,,chapter ,,ix4 ,,rolled ,,or ,,plate ,,glass4 ,rolled plate glass--,furnaces--,raw materials--,process of ladling--,the rolling table--,annealing--,cutting and sorting--,patterns on rolled plate--8,figured0 rolled plate--,machine used for double-rolling--,polished plate--,raw materials--,casting from melting pots-- ,special casting pots--,the rolling table--,importance of flatness--,annealing kilns--,grinding and polishing processes--,machines used for grinding and polishing-- ,method of holding the glass--,abrasives and polishing materials--,theory of the polishing process--,limiting sizes of polished plate--,homogeneity of polished plate-- ,uses of plate glass--,bent polished plate--,mirrors-- ,bevelling1 process and machines--,wired plate glass1 rolled and polished--,difficulties and limitations-- ,advantages of wired glass p4 #abb ,,chapter ,x4 ,,sheet ,,and ,,crown ,,glass4 ,comparison of sheet with polished plate--,raw materials for sheet--,furnaces3 various forms of tank furnaces-- ,blowing process--,gathering1 forming the gathering on blocks1 forming the shoulder of the cylinder1 blowing the cylinder1 opening the end of the cylinder1 detaching cylinder from pipe--,cutting off the 8cap0--,splitting the cylinder--,flattening and annealing--,cutting and sorting sheet-glass--,defects of sheet-glass--,variations of the process--,attempts to produce 8sheet0 glass by rolling--,sievert's process--,direct drawing processes-- ,the ,american process for drawing cylinders--,fourcault's processes--,difficulties and limitations--,crown glass-- ,the blowing process--,limitations p4 #adi ,,chapter ,,xi4 ,,coloured ,,glasses4 ,definition of coloured glass--,physical causes of colour-- ,colouring substances3 copper1 silver1 gold1 carbon1 tin1 arsenic1 sulphur1 chromium1 uranium1 fluorine1 manganese1 iron1 nickel1 cobalt--,range and depths of tints available--,intensely coloured glasses--,the process of 8flashing0--,character of 8flashed0 glass--,colours produced on glass by painting3 use of coloured 8glazes0 as paints--,ancient stained glass and modern glass-- ,technical uses of coloured glass1 photography1 railway and marine signals p4 #agh ,,chapter ,,xii4 ,,optical ,,glass4 ,nature and properties of optical glass--,homogeneity-- ,formation and removal of stri in solutions and in glass--,transparency and colour--,absorption of light in 8decolourised0 glasses--,refraction and dispersion-- ,definitions--,refractive index1 dispersion1 medium dispersion1 the quantity --,specification of optical properties in terms of certain spectrum lines--,table of typical optical glasses and their optical constants-- ,crown and flint glasses--,relation between refraction and dispersion in the older and newer glasses--,work of ,abb and ,schott--,applications of the new glasses-- ,non-proportionality of dispersion in different types of glass--,resulting imperfections of achromatism-- ,the relative partial dispersions of glasses--,pairs of glasses giving perfect achromatism not yet fully available--,constants of ,schott's telescope crown and flint--,narrow range of optical glasses1 consequent limitations in lens design--,causes of these narrow limits--,possible directions of extension--,chemical stability of optical glasses--,double refraction in optical glass arising from imperfect annealing p4 #bje ,,chapter ,,xiii4 ,,optical ,,glass4 ,the manufacture of optical glass--,raw materials-- ,mixing--,furnaces and crucibles--,kilns for heating pots--,transfer of pots from kiln to melting furnace-- ,introduction of cullet and raw materials--,the fining process1 difficulties and limitations--,the stirring process--,the final cooling of the glass--,rough sorting of the glass fragments--,moulding and final annealing of the moulded glass--,grinding and polishing of plates and discs for examination2 smallness of yield obtained-- ,difficulty of obtaining large blocks of perfect glass p4 #bbc ,,chapter ,,xiv4 ,,miscellaneous ,,products4 ,glass tubing--,gathering and drawing of ordinary tubes-- ,special varieties of tube--,combustion tubes--,tubes of vitreous silica--,varieties of vitreous silica-- ,transparent1 glass-like silica ware--,great cost of production--,translucent 8milky0 silica ware produced electrically--,great thermal endurance of vitreous silica--,sensitiveness to chemical action of all basic substances at high temperatures--,glass rod and fibre-- ,glass wool--,quartz fibres--,glass beads--,artificial gems--,use of very dense flint glass coloured to imitate precious stones--,means of distinguishing imitations-- ,precious stones produced by artificial means--,chilled glass--,great strength and fragility of chilled glass-- ,rupert's drops--,manufacture of 8tempered0 glass by ,siemens--,de ,la ,bastie's process--,massive glass1 used for house construction and paving blocks--,water-glass 7silicate of soda or potash71 manufacture in tank furnaces--,glass for lighthouse lenses and searchlight mirrors--,production by casting glass in iron moulds-- ,sizes and types of lenses and prisms produced p4 #bch ,,appendix--,bibliography of ,glass ,manufacture p4 #bec ,,glass ,,manufacture ,,chapter ,i4 ,,the ,,physical ,,and ,,chemical ,,properties ,,of ,,glass4 ,although the term 8glass0 denotes a group of bodies which possess in common a number of well-defined and characteristic properties1 it is difficult to frame a satisfactory definition of the term itself4 ,thus while the property of transparency is at once suggested by the word 8glass10 there are a number of true glasses which are not transparent1 and some of which are not even translucent4 ,hardness and brittleness also are properties more or less characteristic of glasses1 yet very wide differences are to be found in this respect also1 and bodies1 both harder and more fragile than glass1 are to be found among minerals and metals4 ,perhaps the only really universal property of glasses is that of possessing an amorphous structure1 so that vitreous bodies as a whole may be regarded as typical of 8structureless0 solids4 ,all bodies1 whether liquid or solid1 must possess an ultimate structure1 be it atomic1 molecular or electronic in character1 but the structure here referred to is not that of individual molecules but rather the manner of grouping or aggregation of molecules4 ,in the great majority of mineral or inorganic bodies the molecules in the solid phase are arranged in a definite grouping and the body is said to have a crystalline structure2 evidences of this structure are generally visible to the unaided eye or can be revealed by the microscope4 ,vitreous bodies on the other hand are characterised by the entire absence of such a structure1 and the mechanical1 optical and chemical behaviour of such bodies is consistent only with the assumption that their molecules possess the same arrangement1 or rather lack of arrangement1 that is found in liquids4 ,the intimate resemblance between vitreous bodies and true liquids is further emphasised when it is realised that true liquids can in many instances pass into the vitreous state without undergoing any critical change or exhibiting any discontinuity of behaviour1 such as is exhibited during the freezing of a crystalline body4 ,in the latter class of substances the passage from the liquid to the crystalline state takes place at one definite temperature1 and the change is accompanied by a considerable evolution of heat1 so that the cooling of the mass is temporarily arrested4 ,in the case of glasses1 on the other hand1 the passage from the liquid to the apparently solid condition is gradual and perfectly continuous1 no evolution of heat or retardation of cooling being observed even by the aid of the most delicate instruments4 ,we are thus justified in speaking of glasses as 8congealed liquids10 the process of congealing in this case involving no change of structure1 no re-arrangement of the molecules1 but simply implies a gradual stiffening of the liquid until the viscosity becomes so great that the body behaves like a solid4 ,it is1 however1 just this power of becoming exceedingly stiff or viscous when cooled down to ordinary temperatures that renders the existence of vitreous bodies possible4 ,all glasses are capable of undergoing the change to the crystalline state when kept for a sufficient time at a suitable temperature4 ,the process which then takes place is known as 8devitrification10 and sometimes gives rise to serious manufacturing difficulties4 ,molten glass may be regarded as a mutual solution of a number of chemical substances--usually silicates and borates4 ,when cooled in the ordinary way these bodies remain mutually dissolved1 and ordinary glass is thus simply a congealed solution4 ,the dissolved substances have1 however1 natural freezing-points of their own1 and if the molten mass be kept for any length of time at a temperature a little below one of these freezing-points1 that particular substance will begin to solidify separately in the form of crystals4 ,the facility with which this will occur depends upon the properties of the ingredients and upon the proportions in which they are present in the glass4 ,in some cases this devitrification sets in so readily that it can scarcely be prevented at all1 while in other cases the glass must be maintained at the proper temperature for hours before crystallisation can be induced to set in4 ,in either of these cases1 provided that the glass is cooled sufficiently rapidly to prevent crystallisation1 the sequence of events during the subsequent cooling of the mass is this3 as the temperature falls further and further below the natural freezing-point of one or other of the dissolved bodies1 the tendency of that body to crystallise out at first rapidly increases2 as the temperature falls1 however1 the resistance which the liquid presents to the motion of the molecules increases at a still greater rate1 so that two opposing forces are at work1 one of them an increasing tendency towards crystallisation1 the other a still more rapidly increasing resistance to any change4 ,there is thus for every glass a certain critical range of temperature during which the greatest tendency exists for the crystallising forces to overcome the internal resistance2 through this range the glass must be cooled at a relatively rapid rate if devitrification is to be avoided2 at lower temperatures the crystallising forces require increasingly longer periods of time to produce any sensible effect1 until1 as the ordinary temperature is approached1 the forces of internal resistance entirely prevent all tendency to crystallisation4 ,the phenomena just described in reality constitute the natural limit to the range of bodies which can be obtained in the vitreous state3 as we approach this limit the glass requires more and more rapid cooling through the critical range of temperature1 and is thus more and more liable to devitrify during the manufacturing processes1 until finally the limit is set when no industrially feasible rapidity of cooling suffices to retain the mass in the vitreous state4 ,while the range of bodies that can be obtained in the vitreous state is very large1 only a comparatively small number of substances are ordinarily incorporated in industrial glasses4 ,with the exception of certain special glasses used for scientific purposes1 such as the construction of optical lenses1 thermometers and vessels intended to resist unusual treatment1 all industrial glasses are of the nature of mixed silicates of a few bases1 viz41 the alkalies1 sodium and potassium1 the alkaline earths1 calcium1 magnesium1 strontium1 and barium1 the oxides of iron and aluminium 7generally present in minor quantities71 and lead oxide4 ,the manner in which these various elements enter into combination and solution with one another has been much investigated1 and the more general conclusions have been anticipated in what has been said above4 ,it is abundantly evident that glasses are not definite chemical compounds1 but rather solutions1 in varying proportions1 of a series of definite compounds in one another4 ,in many cases the actual constitution of industrial glasses is so complex as1 for the present at all events1 to baffle adequate chemical expression4 ,one of the factors that limit the range of possible compositions of glasses has already been indicated1 and two others must now be discussed4 ,for industrial purposes1 the cost and rarity of the ingredients becomes a vital bar at a certain stage2 thus the use of such elements as lithium1 thallium1 etc41 is prohibitively costly4 ,in another direction the glass-maker is very effectively restrained by the limitations of his furnaces as regards temperature4 ,the presence of excessive proportions of silica1 lime1 alumina1 etc41 tends to raise the temperature required for the free fusion of the glass1 and when this temperature seriously exceeds #afjj ,c41 the manufacture of the glass in ordinary furnaces becomes impossible4 ,thus pure silica can be converted into a glass possessing very valuable properties1 but the requisite temperature cannot be attained in regenerative gas-fired furnaces such as are ordinarily used by glass manufacturers4 ,the production of this glass has accordingly been carried on upon a small scale only by means of laboratory furnaces heated by oxy-acetylene flames1 while latterly a less perfect variety of silica glass-ware has been produced on a large scale by the aid of electric furnaces4 ,such methods are1 however1 obviously limited to very special products commanding special prices4 ,a further limitation in the choice of chemical components is placed upon the manufacturer by the actual chemical behaviour of the glass both during manufacture and in use4 ,as regards chemical behaviour during manufacture1 it must be borne in mind that1 although glasses are of the nature of solutions rather than of compounds1 yet these solutions tend towards a state of saturation2 thus a glass rich in silica and deficient in bases will readily dissolve any basic materials with which it may come in contact1 while1 on the other hand1 a glass rich in bases and poor in acid constituents such as silica1 boric acid or alumina1 will readily absorb acid bodies from its surroundings4 ,during the process of melting1 glass is universally contained in fire-clay vessels4 ,these are chosen1 as regards their own chemical composition1 so as to offer to the molten glass a few of those materials in which the glass itself is deficient2 yet a limit arises in this respect also1 since glasses very rich in bases1 such as the very dense lead and barium glass made for optical purposes1 rapidly attack any fire-clay with which they may come in contact4 ,the finished glass also betrays its chemical composition by its chemical behaviour towards the atmospheric agents1 such as moisture and carbonic acid1 with which it comes in contact2 glasses containing an excessive proportion of alkali1 for example1 are found to be seriously hygroscopic and to undergo rapid decomposition1 especially in a damp atmosphere4 ,within the limits set by these considerations1 the glass manufacturer chooses the chemical composition of his glass according to the purpose for which it is intended2 for most industrial products the cheapest and most accessible raw materials that will yield a glass of the requisite appearance are employed1 while for special purposes the dependence of physical properties upon chemical composition is utilised1 as far as possible1 in order to attain a glass specially suited to the particular requirements in question4 ,thus the flint and barium glasses used for table and ornamental ware derive from the dense and strongly refracting oxides of lead and barium their properties of brilliancy and weight4 ,the fusibility and softness imparted to the glass by the presence of these bases further adapts it to its purpose by facilitating the complicated manipulations to which the glass must be subjected in the manufacturing processes4 ,taking our next example at almost the opposite extreme1 the hardest 8combustion tubing10 which is intended to resist a red heat without appreciable softening1 is manufactured by reducing the basic contents of the glass to the lowest possible degree1 especially minimising the alkali content1 and using the most refractory bases available1 such as lime1 magnesia1 and alumina in the highest possible proportions4 ,such glass is1 of course1 difficult to melt1 and special furnaces are required for its production1 but on the other hand this material meets requirements which ordinary soda-lime or flint glass tubing could never approach4 ,another instance of these refractory glasses is to be found in the ,jena special thermometer glasses and in the ,french 7,tonnelot7 8,verre dur02 the best of these glasses show little or no plasticity at temperatures approaching #ejj ,c41 and have thus rendered possible a considerable extension of the range of the mercury thermometer4 ,further modification of chemical composition has resulted in the production of glasses which are far less subject to those gradual changes which occur in ordinary glass when used for the manufacture of thermometers--changes which vitiated the accuracy of most early thermometers4 ,a still more extensive adaptation of chemical composition to the attainment of desired physical properties has been reached primarily as a result of the labours of ,schott and ,abb1 in the case of optical glasses4 ,the work of these men1 and the developments which have followed from it1 both at the works founded by them at ,jena and elsewhere1 have so profoundly modified our knowledge of the range of possibilities embraced by the class of vitreous bodies1 that it is not at all easy at the present time to realise the former narrow and restricted meaning of the term 8glass40 ,the subject of the dependence of the optical properties of glass upon chemical composition will be referred to in detail in ,chapter ,,xii4 on 8,optical ,glass10 but the outline of the influence of composition on properties here given could not be closed without some reference to this pioneer work of the ,german investigators4 ,the chemical behaviour of glass surfaces1 to which we have already referred1 is of the utmost importance to all users of glass4 ,the relatively neutral chemical behaviour of glass is1 in fact1 one of its most useful properties1 and1 next to its transparency1 most frequently the governing factor in its employment for various purposes4 ,thus the entire use of glass for table-ware depends primarily upon the fact that it does not appreciably affect the composition and flavour of edible solids or liquids with which it is brought into contact--a property which is only very partially shared even by the noble metals4 ,again1 the use of glass windows in places exposed to the weather would not be feasible if window-glass were appreciably attacked by the action of water or of the gases of the atmosphere4 ,for these general purposes1 it is true1 most ordinary glasses are adequately resistant1 but this degree of perfection in this respect is only the outcome of the centuries of experience which the practical glass-maker has behind him in the manufacture and behaviour of such glass4 ,when1 however1 a higher degree of chemical resistance is required for special purposes1 as for instance when glass is called upon to resist exposure to hot1 damp climates1 or is intended to contain corrosive liquids1 the rules which are an adequate guide to the glass-maker in meeting ordinary requirements are no longer sufficient1 particularly when the glass is expected to meet other stringent requirements as well4 ,it has1 in fact1 frequently happened that a glass-maker1 in striving to improve the colour or quality of his glass1 as regards freedom from defects1 brilliancy of surface1 etc41 has spoilt the chemical durability of his products4 ,the reason lies in the fact1 long known in general terms1 that an increased alkali content reduces the chemical resistance of glass1 while at the same time such an increase of alkali is the readiest means whereby the glass-maker can improve his glass in other respects by making it more fusible and easier to work in every way4 ,this subject of the chemical stability of glass surfaces attracted much attention during the later part of last century1 and careful investigations on the subject were carried out1 particularly at the ,german ,reichsanstalt 7,imperial ,physical ,laboratory7 at ,charlottenburg4 ,here also the labours of ,schott and ,abb proved helpful1 until at the present time such glass as that used by the ,jena firm in the production of laboratory ware1 and certain other special glasses of that kind1 are fitted to meet the most stringent requirements4 ,leaving aside the inferior glasses1 containing1 generally1 more than #ae per cent4 of alkali1 the behaviour of glass surfaces to the principal chemical agents may be summed up in the following statements4 ,pure water attacks all glass to a greater or lesser extent2 in the best glasses the prolonged action of cold water merely extracts a minute trace of alkalies1 but in less perfect kinds the extraction of alkali is considerable on prolonged exposure even in the cold1 and becomes rapidly more serious if the temperature is raised4 ,superheated water1 i4e41 water under steam pressure1 becomes an active corroding agent1 and the best glasses can only resist its action for a limited time4 ,for the gauge-glass tubes of steam boilers working at the high pressures1 which are customary at the present time1 specially durable glasses are required and can be obtained1 although many of the gauge-tubes ordinarily sold are quite unfit for the purpose1 both from the present point of view and from that of strength and 8thermal endurance40 ,in certain classes of glass1 the action of water1 especially when hot1 is not entirely confined to the surface1 some water penetrating into the mass of the glass to an appreciable depth4 ,the exact mechanism of this action is not known1 but the writer inclines to the view that it arises from a partial hydration of some of the silica or silicates present in the glass4 ,if such glasses be dried in the ordinary way and subsequently heated1 the surface will be riddled with minute cracks1 some glass may even flake off1 and the whole surface will be dulled4 ,as such penetrating action sometimes takes place--in the poorer kinds of glass--by the action of atmospheric moisture when the glass is merely stored in a damp place1 it is often mistaken for 8devitrification40 ,this latter action1 however1 is not known to occur at the ordinary temperature1 although glass when heated in a flame frequently shows the phenomenon2 it is1 however1 entirely distinct from the surface 8corrosion0 just described4 ,water containing alkaline substances in solution acts upon all glasses in a relatively rapid manner2 it acts by first abstracting silica from the glass1 the alkali and lime being dissolved or mechanically removed at a later stage4 ,water containing acid bodies in solution--i4e41 dilute acid--on the other hand acts upon most varieties of glass decidedly less energetically than even pure water1 and much less vigorously than alkaline solutions2 this peculiar behaviour probably depends upon the tendency of acids to prevent the hydration of silica1 this substance being thereby enabled to act as a barrier to the solvent action of the water upon the alkaline constituents of the glass4 ,the better varieties of glass are also practically impervious to the action of strong acids1 although certain of these1 such as phosphoric and hydrofluoric1 exert a rapid action on all kinds of glass4 ,only certain special glasses1 containing an excessive proportion of basic constituents and of such substances as boric or phosphoric acid1 are capable of being completely decomposed by the action of strong acids1 such as hydrochloric or nitric1 the bases entering into combination with the acids1 while the silicic and other acids are liberated4 ,in connection with the action of acids upon glass1 mention should be made of certain special actions that are of practical importance4 ,the dissolving action of hydrofluoric acid upon glass is1 of course1 well known4 ,it is used in practice both in the liquid and gaseous form1 and also in that of compounds from which it is readily liberated 7such as ammonium or sodium fluoride71 for the purpose of 8etching0 glass1 and also in decomposing glass for purposes of chemical analysis4 ,next in importance ranks the action of carbonic acid gas upon glass1 especially in the presence of moisture4 ,the action in question is probably indirect in character2 the moisture of the air1 condensing upon the surface of the glass1 first exerts its dissolving action1 and thus draws from the glass a certain quantity of alkali1 which almost certainly at first goes into solution as alkali hydrate 7potassium or sodium hydroxide72 this alkaline solution1 however1 rapidly absorbs carbonic acid from the air1 and the carbonate of the alkali is formed4 ,if the glass dries1 this carbonate forms a coating of minute crystals on the surface of the glass1 giving it a dull1 dimmed appearance2 this1 however1 only occurs ordinarily with soda glasses1 since the carbonate of potassium is too hygroscopic to remain in the dry solid state in any ordinary atmosphere4 ,potash glasses are1 as such1 no more stable chemically than soda glasses1 but they are for the reason just given less liable to exhibit a dim surface4 ,if the dimming process1 in the case of a soda glass1 has not gone too far1 the brightness of the surface of the glass may be practically restored by washing it with water1 in which the minute crystals of carbonate of soda readily dissolve1 while separated silica is removed mechanically4 ,an attempt made to clean the same dimmed surface by dry wiping would only result in finally ruining the surface1 since the small sharp crystals of carbonate of soda would be rubbed about over the surface1 scratching it in all directions4 ,the dimming process in the case of the less resistant glasses is not only confined to the formation of alkaline carbonates2 the films of alkaline solution which are formed on the surface of glass form a ready breeding-ground for certain forms of bacteria and fungi1 whose growth occurs partly at the expense of the glass itself2 the precise nature of these actions has not been fully studied1 but there can be little doubt that silicate minerals--and glass is to be reckoned among these--are subject to bacterial decomposition1 a well-known example in another direction being the 8maturing0 of clays by storage in the dark1 the change in the clay being accompanied by an evolution of ammonia gas4 ,in the case of glass it has been shown that specks of organic dust falling upon a surface give rise to local decomposition4 ,in this connection it is interesting to note the effect of the presence of a small proportion of boric acid in some glasses4 ,the presence of this ingredient in small proportions is known to render the glass more resistant to atmospheric agencies1 and more especially to render it less sensitive to the effects of organic dust particles lying upon the surface4 ,it has been suggested--probably rightly--that the boric acid1 entering into solution in the film of surface moisture1 exerts its well-known antiseptic properties1 thus protecting the glass from bacterial and fungoid activity4 ,the durability of glass under the action of atmospheric agents is a matter of such importance that numerous efforts have been made to establish a satisfactory test whereby this property of a given glass may be ascertained without actually awaiting the results of experience obtained by actual use under unfavourable conditions4 ,one of the earliest of the tests proposed consisted in exposing surfaces of the glass to the vapour of hydrochloric acid4 ,for this purpose some strong hydrochloric acid is placed in a glass or porcelain basin1 and strips of the glass to be tested are placed across the top of the basin1 the whole being covered with a bell-jar4 ,after several days the glass is examined1 and as a rule the less stable glasses show a dull1 dimmed surface as compared with the more stable ones4 ,a more satisfactory form of test depends upon the fact that aqueous ether solutions react readily with the less stable kinds of glass2 if a suitable dye1 such as iod-eosin1 be dissolved in the water-ether solution1 then the effect upon the less stable glasses when immersed in the solution is the formation of a strongly adherent pink film4 ,the density or depth of colour of this film may be regarded as measuring the stability of the glass2 the best kinds of glass remain practically free from coloured film even on prolonged exposure4 ,a test of a somewhat different kind is one devised in its original form by ,dr4 ,zschimmer1 of the ,jena glass works2 this depends upon the fact that the disintegrating action of moist air can be very much accelerated if both the moisture and the temperature of the air surrounding the glass be considerably increased4 ,for this purpose the samples of glass are exposed to a current of air saturated with moisture at a temperature of about #hj ,c4 in a specially arranged incubator for one or more days1 means being provided for securing a constant stream of moist air during the whole time4 ,on examining the glass surfaces after this exposure--any wiping or other cleaning of the surfaces being avoided--various qualities of glass are found to show widely varying appearances4 ,the best and most stable glasses remain entirely unaffected2 less stable kinds show small specks1 which merge into a generally dulled surface in unstable kinds4 ,there is no doubt that this test gives a sharp classification of glasses1 but it yet remains to be proved that this classification agrees with their true relative durability in practice2 the writer is inclined to doubt whether this is really the case1 since certain glasses that have proved very satisfactory in this respect in practical use all over the world were classed among the less stable kinds by this test4 ,before leaving the subject of the chemical behaviour of glass1 a reference should be made to the changes which glass undergoes when acted upon by light and other radiations4 ,under the influence of prolonged exposure to strong light1 particularly to sunlight1 and still more so to ultra-violet light1 or the light of the sun at high altitudes1 practically all kinds of glass undergo changes which generally take the form of changes of colour4 ,glasses containing manganese especially are apt to assume a purple or brown tinge under such circumstances1 although the powerful action of radium radiations is capable of producing similar discoloration in glasses free from manganese4 ,apart from these latter effects1 of which very little is known as yet1 there can be no doubt that the action of light brings about chemical changes within the glass1 but it is by no means easy to ascertain the true nature of these changes1 although they most probably consist in a transfer of oxygen from one to another of the oxides present in the glass4 ,although it has not been definitely proved1 it seems very unlikely that the glass either loses or gains in any constituent during these changes4 ,good examples of the changes undergone by glass under the action of sunlight are frequently found in skylights1 where the oldest panes sometimes show a decided purple tint which they did not possess when first put in place4 ,the glass spheres of the instruments used for obtaining records of the duration of sunshine at meteorological stations also show signs of the changes due to light--the glass of these spheres when new has a light greenish tint1 but after prolonged use the colour changes to a decided yellow4 ,the coloured glass in stained-glass windows also shows signs of having undergone changes of tint in consequence of prolonged exposure to light2 glass removed from ancient windows usually shows a deeper tint in those portions which have been protected from the direct action of light by the leading in which the glass was set1 and it is at least an open question whether the beauty of ancient glass may not be1 in part1 due to the mellowing effect of light upon some of the tints of the design4 ,this photo-sensitiveness of glass is also of some importance in connection with the manufacture of photographic plates4 ,it has been found that if the glass plate of a strongly-developed negative be cleaned1 a decided trace of the former image is retained by the glass1 and this image is apt to re-appear as a 8ghost0 if the same glass be again coated with sensitive emulsion and again exposed and developed4 ,the best makers of plates recognise this fact and do not re-coat glass that has once been used for the production of a negative4 ,,chapter ,,ii4 ,,the ,,physical ,,properties ,,of ,,glass4 ,the ,mechanical ,properties of ,glass are of considerable importance in many directions4 ,although glass is rarely used in such a manner that it is directly called upon to sustain serious mechanical stresses1 the ordinary uses of glass in the glazing of large windows and skylights depend upon the strength of the material to a very considerable extent4 ,thus in the handling of plate-glass in the largest sheets1 the mechanical strength of the plates must be relied upon to a considerable extent1 and it is this factor which really limits the size of plate that can be safely handled and installed4 ,the same limitation applies to sheet-glass also1 for1 although its lighter weight renders it less liable to break under its own weight1 its thinner section renders it much more liable to accidental fracture4 ,in special cases1 also1 the mechanical strength of glass must be relied upon to a considerable extent4 ,gauge tubes of high-pressure boilers1 port-hole glasses in ships1 the glass prisms inserted in pavement lights1 and the glass bricks which have found some use in ,france1 as well as champagne bottles and mineral water bottles and syphons1 are all examples of uses in which glass is exposed to direct stresses4 ,it is1 therefore1 a little surprising that while the mechanical properties of metals1 timbers1 and all manner of other materials have been studied in the fullest possible manner1 those of glass have received very little attention1 at all events so far as published data go4 ,one reason for this state of affairs is probably to be found in the fact that it is by no means easy to determine the strength of so brittle and hard a body as glass4 ,as a consequence even the scanty data available can only be regarded as first approximations4 ,the following data are only intended to give an idea of the general order of strength to be looked for in glass3-- ,tensile strength3 ,from #a to #d tons per sq4 in4 7,trautwine74 0 to #a 0 0 0 7,henrivaux74 0 #b to #e 0 0 0 7,winkelmann and ,schott74 0 #e to #f 0 0 0 7,kowalski74 ,crushing strength3 ,from #i to #af tons per sq4 in4 7,trautwine74 0 #c to #h 0 0 0 7,winkelmann and ,schott74 0 #bj to #bg 0 0 0 7,kowalski74 ,of the above figures the experiments of ,winkelmann and ,schott are probably by far the most reliable1 but these refer to a series of special ,jena glasses1 selected with a view to determining the influence of chemical composition on mechanical properties1 and1 unfortunately1 this series does not include glasses at all closely resembling those ordinarily used for practical purposes4 ,the attempt to connect tensile and crushing strength with chemical composition was also only very partially successful2 but the results serve to show that the chemical composition has a profound influence on the mechanical strength of glass1 so that by systematic research it would probably be possible to produce glasses of considerably greater mechanical strength than those at present known4 ,it must be noted in this connection that the mechanical properties of glass depend to a very considerable extent upon the rate of cooling which the specimen in question has undergone4 ,it is well known that by rapid cooling1 or quenching1 the hardness of glass can be considerably increased2 such treatment also increases the strength both as against tension and compression1 and numerous processes have been put forward for the purpose of utilising these effects in practice4 ,unfortunately the 8hardened0 glass thus obtained is extremely sensitive to minute scratches1 and flies to pieces as soon as the surface is broken1 and the great internal stress which always exists in such glass is thereby relieved4 ,all these peculiarities are1 of course1 dependent as to their degree upon the rapidity with which the glass has been cooled1 and the aim of inventors in this field has been to devise a rapid cooling process which should strike the happy mean between the increased strength and the induced brittleness resulting from quenching4 ,thus processes for 8tempering0 glass by cooling it in a blast of steam or in a bath of hot oil or grease have been brought forward2 but1 although some such glass is manufactured1 no very extensive practical application has resulted4 ,elasticity and ,ductility of ,glass4--,in a series of glasses investigated by ,winkelmann and ,schott1 the modulus of elasticity 7,young's ,modulus7 varied from #c1ejj to #e1ajj tons per sq4 in41 the value being largely dependent upon the chemical composition of the glass4 ,measurable ductility has not been observed in glass under ordinary conditions except in the case of champagne bottles under test by internal hydraulic pressure2 in these tests it was found that a permanent increase of volume of a few tenths of a cubic centimetre could be obtained by the application of an internal pressure just short of that required to burst the bottle--pressure of the order of #ah to #cj atmospheres being involved4 ,this small permanent set has been ascribed to incipient fissuring of the glass1 and this explanation is probably correct4 ,on the other hand1 it is in the writer's opinion very probable that glass is capable of decided flow under the prolonged action of relatively small forces2 the behaviour of large discs of worked optical glass suggests some such action1 but the view as yet lacks full experimental confirmation4 ,the ,hardness of glass is a property of some importance in most of the applications of glass4 ,the durability of glass objects which are exposed to handling or to periodical cleaning must largely depend upon the power of the glass to resist scratching2 this applies to such objects as plate-glass windows and mirrors1 spectacle and other lenses1 and in a minor degree to table-ware4 ,on the other hand1 the exact definition and means of measuring hardness are not yet satisfactorily settled4 ,experimenters have found it very difficult to measure the direct resistance to scratching1 since it is found1 for example1 that two glasses of very different hardness are yet capable of decidedly scratching each other under suitable conditions4 ,resort has therefore been had to other methods of measuring hardness2 the method which1 from the experimental point of view1 is1 perhaps1 the most satisfactory1 depends upon principles laid down by ,hertz and elaborated experimentally by ,auerbach4 ,this depends upon measuring the size of the circular area of contact produced when a spherical lens is pressed against a flat plate of the same glass with a known pressure4 ,auerbach himself found some difficulty in deciding the exact connection between the 8indentation modulus0 thus determined and the actual hardness of the glass4 ,this method is1 therefore1 of theoretical interest rather than of use in testing glasses for hardness4 ,a test of a more practical kind consists in exposing specimens of the glasses to be tested to abrasion against a revolving disc of cast-iron fed with emery or other abrasive1 and to measure the loss of weight which results from a given amount of abrading action under a known contact pressure4 ,if a number of specimens of different glasses are exposed to this test at one time1 a very good comparison of their power of resisting abrasion can be obtained4 ,it is not quite certain that this test measures the actual 8hardness0 of the glass1 but it affords some information as to its power of resisting abrasion1 and for many purposes this power is the important factor4 ,hardness being1 as indicated above1 a somewhat indefinite term1 it is not possible to give any precise statement as to the influence of chemical composition upon the hardness of glass4 ,in general terms it may be said that glasses rich in silica and lime will be found to be hard1 while glasses rich in alkali1 lead or barium1 are likely to be soft4 ,it must1 however1 be borne in mind that rapid cooling1 or even the lack of careful annealing1 will produce a very great increase of hardness in even the softest glasses4 ,the actual behaviour of a given specimen of glass will1 therefore1 depend at least as much upon the nature of the processes which it has undergone as upon its chemical composition4 ,the ,thermal ,properties of ,glass1 although not of such general importance as the mechanical properties1 are yet of considerable interest in a large number of the practical uses to which glass is constantly applied4 ,perhaps the most important of these properties is that known as thermal endurance1 which measures the amount of sudden heating or cooling to which glass may be exposed without risk of fracture2 the chimneys employed in connection with incandescent gas burners1 boiler gauge glasses1 laboratory vessels1 and even table and domestic utensils are all exposed at times to sudden changes of temperature1 and in many cases the value of the glass in question depends principally upon its power of undergoing such treatment without breakage4 ,the property of 8thermal endurance0 itself depends upon a considerable number of more or less independent factors1 and their influence will be readily understood if we follow the manner in which sudden change of temperature produces stress and1 sometimes1 fracture in glass objects4 ,if we suppose a hot liquid to be poured into a cold vessel1 the first effect upon the material of the vessel will be to raise the temperature of the inner surface4 ,under the influence of this rise of temperature the material of this inner layer expands1 or endeavours to expand1 being restrained by the resistance of the central and outer layers of material which are still cold2 the result of this contest is1 that while the inner layer is thrown into a state of compression1 the outer and central layers are thrown into a state of tension4 ,accordingly1 if the tension so produced is sufficiently great1 the outer layers fracture under tension and the whole vessel is shattered by the propagation of the crack thus initiated4 ,from this description of the process it will be seen that a high coefficient of expansion and a low modulus of elasticity will both favour fracture1 while high tensile strength will tend to prevent it4 ,the thermal conductivity of the glass will also affect the result1 because the intensity of the tensile stress set up in the colder layers of glass will depend upon the temperature gradient which exists in the glass2 thus if glass were a good conductor of heat it would never be possible to set up a sufficient difference of temperature between adjacent layers to produce fracture2 for the same reason1 vessels of very thin glass are less apt to break under temperature changes than those having thick walls1 since the greatest difference of temperature that can be set up between the inner and outer layers of a thin-walled vessel can never be very considerable4 ,it also follows from these considerations1 that if a cold glass vessel be simultaneously heated or cooled from both sides1 it can be safely exposed to a much more sudden change of temperature than it could withstand if heated from one side alone2 on the other hand1 when very thick masses of glass have to be heated1 this must be done very gradually1 as a considerable time will necessarily elapse before an increment of temperature applied to the outside will penetrate to the centre of the mass4 ,it should also be noted here1 that in addition to the thermal conductivity of the glass1 its heat capacity or specific heat also enters into this question1 since heat will obviously penetrate more slowly through a glass whose own rise of temperature absorbs a greater quantity of heat4 ,it will thus be seen that 8thermal endurance0 is a somewhat complicated property1 depending upon the factors named above1 viz43 coefficient of expansion1 thermal conductivity1 specific heat1 ,young's modulus of elasticity1 and tensile strength4 ,the coefficient of thermal expansion varies considerably in different glasses1 and we can here only state the limiting values between which these coefficients usually lie2 these are #cg #aj-g as the lower1 and #abb #aj-g as the upper limit4 ,these figures express the cubical expansion of the glass per degree ,centigrade1 the corresponding figures for steel and brass respectively being about #cfj #aj-g and #fdh #aj-g respectively4 ,it should be noted that vitreous bodies of extremely low expansibility are obtainable by the suitable choice of ingredients1 but in some cases these 8glasses0 are white opaque bodies1 and in all cases they present great difficulty in manufacture1 owing to the fact that alkalies and lime must be avoided in their composition4 ,quite apart from the question of thermal endurance1 the expansive properties of glass are of some importance4 ,thus when several kinds of glass have to be united1 as1 for example1 in the process of producing 8flashed0 coloured glass1 it is essential that their coefficients of expansion should be as nearly as possible the same2 otherwise considerable stresses will be set up when the glasses1 which have been joined at a red heat1 are allowed to cool4 ,on the other hand1 this mutual stressing of two glasses owing to differences in their thermal expansion has been utilised for the production of tubes and other glass objects possessing special strength4 ,if a tube be drawn out of glass consisting of two layers1 one considerably more expansible than the other1 and the cooling process be rightly conducted1 it is possible to produce a tube in which both the inner and outer layers of glass are under a considerable compressive stress4 ,not only is glass1 as we have seen above1 enormously stronger as against compression than it is against tension1 but glass under compressive stress behaves as though it were a much tougher material1 being less liable to injury by scratches or blows4 ,moreover1 if a tube in this condition be heated and then exposed to sudden cooling1 the first effect of the application of cold will be a contraction of the surface layers1 resulting in a relief of the initial condition of compression4 ,these tubes are1 therefore1 remarkably indifferent to sudden cooling1 although they are naturally more sensitive to sudden heating4 ,in this respect they differ entirely from ordinary glass1 which is considerably more sensitive to sudden cooling than to sudden heating1 particularly when the heat or cold is applied to all the surfaces of the object at the same time4 ,the special tubes made of two layers of glass above referred to are manufactured by the ,jena ,glass ,works for special purposes1 among which boiler gauge glasses are the most important4 ,it should be also mentioned here that the remarkable thermal endurance of vitrified silica1 which can be raised to a red heat and then immersed in cold water without risk of breakage1 is chiefly due to its very low coefficient of expansion4 ,in another direction the expansive properties of glass are of importance wherever glass is rigidly attached to metal4 ,at the present time this is done in several industrial products1 such as incandescent electric lamps and 8wired0 plate glass4 ,in certain varieties of incandescent lamps1 metallic wires are sealed into the glass bulbs1 and the only metal available for this purpose1 at all events until recently1 has been platinum1 whose coefficient of expansion is low as compared with most metals1 and whose freedom from oxidation when heated to the necessary temperature makes it easy to produce a clean joint between glass and metal4 ,more recently the use of certain varieties of nickel steel has been patented for this purpose1 since it is possible to obtain nickel steel alloys of almost any desired coefficient of expansion from that of the alloy known as 8invar10 having a negligibly small expansion compared with that of ordinary steel4 ,by choosing a suitable member of this series a metal could be obtained whose coefficient of expansion corresponds exactly with that of the glass to which it is to be united4 ,the oxidation of the nickel steel when heated to the temperature necessary for effecting its union with the glass presented serious difficulties to the production of a tight joint1 and several devices for avoiding this oxidation have been patented4 ,in the incandescent electric lamp1 although the joint between glass and metal is required to be perfectly air-tight1 the two bodies are only attached to one another over a very short length4 ,in wired plate glass1 however1 an entire layer of wire netting is interposed between two layers of glass1 the wire being inserted during the process of rolling4 ,here a certain amount of oxidation of the wire is not of any serious importance1 as it only appears to give rise to a few bubbles1 whose presence does not interfere with the strength and usefulness of the glass2 but any considerable difference of coefficient of expansion will produce the most serious results on account of the great lengths of glass and metal that are attached to each other4 ,this factor has been neglected by some manufacturers1 with the result that much of the wired glass of commerce is liable to crack spontaneously some time after it has left the manufacturer's hands1 while there is also much loss by breakage during the process of manufacture4 ,thermal expansion is a vital factor in yet another of the uses of glass4 ,our ordinary instrument for measuring temperature--the mercury thermometer--is very considerably affected by the expansive behaviour of glass4 ,when a mercury thermometer is warmed the mercury column rises in the stem because the mercury expands upon warming to a greater extent than the glass vessel1 bulb and stem1 in which it is contained4 ,the subject of the graduations and corrections of the mercury glass thermometer is a very large one and somewhat outside the scope of the present volume2 but attention should be drawn in this place to the peculiarities of the behaviour of glass that have been discovered in this connection4 ,one of these is that when first blown the bulb of a thermometer takes a very considerable time to acquire its final volume1 the result being1 that if a freshly made thermometer is graduated1 after some time the zero of the instrument will be found considerably changed1 generally in a direction which indicates that the volume of the bulb has slightly increased4 ,by a special annealing or 8ageing0 process this change can be completed in a comparatively short time before the instrument is graduated4 ,there is1 however1 a further peculiarity which is prominent in some thermometers1 although very greatly reduced in the best modern glasses4 ,this becomes apparent in a decided change of zero whenever the thermometer has been exposed for any length of time to a high temperature1 the zero gradually returning more or less to its original position in the course of time4 ,with thermometers made of glasses liable to these aberrations1 the reading for a given temperature depended largely upon the immediate past history of the instrument2 but1 thanks to the ,jena ,works1 thermometer glasses are now available which are almost entirely free from this defect4 ,in this connection the curious fact has been observed that glass containing both the alkalies 7potash and soda7 shows these thermal effects much more markedly than a glass containing one of the alkalies only4 ,the thermal conductivity of glass1 except in so far as it affects the thermal endurance1 is not a matter of any great direct practical importance1 although the fact that glass is always a comparatively poor conductor of heat is utilised in many of its applications1 as1 for example1 the construction of conservatories and hot-houses1 although even in that case the opacity of glass to thermal radiations of long wave-lengths is of more importance than its low thermal conductivity4 ,similar statements apply1 in a still more marked degree1 to the subject of the specific heat of glass4 ,the electrical properties of glass are of much greater practical importance1 glass being frequently used in electrical appliances as an insulating medium4 ,the insulating properties of glass1 as well as the property known as the specific inductive capacity1 vary greatly according to the chemical composition of the material4 ,generally speaking1 the harder glasses1 i4e41 those richest in silica and lime1 are the best insulators1 while soft glasses1 rich in lead or alkali1 are much poorer in this respect4 ,in practice1 particularly when the glass insulator is exposed to even a moderately damp atmosphere1 the nature of the glass affects the resulting insulation or absence of insulation1 in another way4 ,almost all varieties of glass have the property of condensing upon their surfaces a decided film or layer of moisture from the atmosphere1 and1 as we have seen above1 glasses differ very considerably in the degree to which they display this hygroscopic tendency4 ,the softer glasses are much more hygroscopic than the hard ones1 and the resulting film of surface moisture serves to lessen or even to break down the insulating power of the glass1 the electricity leaking away along the film of moisture4 ,in the case of appliances for static electricity1 where very high voltages have to be dealt with1 an endeavour is sometimes made to avoid this leakage by varnishing the surface of the glass with shellac or other similar substance1 and this proves a satisfactory remedy up to a certain point4 ,quite recently a variety of glass has been brought forward which is peculiar in having a comparatively low electrical resistance1 so that for certain purposes it can be used as an electric conductor4 ,although interesting in itself1 this glass is not very likely to prove useful even for the limited number of applications that could be found for an electrically conducting glass1 since it is very rich in alkali1 and is1 therefore1 likely to be unstable chemically1 even under the action of atmospheric agencies alone4 ,the most valuable and in many ways the most interesting of the properties of glass--its transparency--has not been dealt with as yet1 and all mention of this subject has been postponed to the end of the present chapter1 because the whole subject of the optical properties of glass will be dealt with more fully in the chapter on optical glass 7,chap4 ,,xii471 so that a very brief reference only need be made to the matter here4 ,there can be no doubt that1 in most of its practical applications1 transparency is the fundamental and essential property which leads to the employment of glass in the place of either stronger or cheaper materials4 ,by transparency1 in this sense1 we wish to include mere translucence also1 since very frequently it is as necessary to avoid undisturbed visibility as it is to secure the admission of light4 ,it is indeed hard to find any use to which glass is extensively put into which the function of transmitting light does not very largely enter4 ,almost the only such example of use is the modern application of opal glass to the covering of walls1 and the use--not as yet widely extended--of pressed glass blocks as bricks and paving stones2 in these cases it is the hardness and smoothness of surface that gives to the vitreous body its superiority over other materials1 but apart from these special cases1 the fact remains that well over #ie per cent4 of the glass used in the world is employed for purposes where transmission of light is essential to the attainment of the desired result1 either from the point of view of utility or from that of beauty4 ,it is interesting to note that the power of transmitting light is not shared by many solid bodies4 ,some colloidal organic bodies1 such as gelatine and celluloid1 possess the property to a degree comparable with glass1 while certain mineral crystals1 such as quartz and fluor-spar1 may even surpass the finest glass in this respect2 while some of the other optical properties of glass are greatly exceeded by such natural substances as the diamond and the ruby4 ,but the very brevity of this list is in itself striking1 because it must be borne in mind that transparency by no means constitutes the only common characteristic of vitreous bodies4 ,although the transparency of glass is so valuable and indeed so essential a property of that substance1 it must be remembered that no kind of glass is perfectly transparent4 ,quite apart from the fact that of the light that falls upon a glass surface1 however perfectly polished1 a considerable proportion is turned back by reflection at the surface of entry and again by reflection at the surface of exit from the glass1 a certain proportion of light is absorbed during its passage through the glass itself1 and the transmitted beam is correspondingly weakened4 ,in the purest and best glasses this absorption is so small that in any moderate thickness very delicate instruments are required to show that there has been any loss of light at all2 but even the best glass1 when examined through a thickness of #bj in4 or more1 always shows the effects of the absorption of light quite unmistakably4 ,in fact1 not only does all glass absorb light1 but it does this to a different degree according to the colour of the light1 so that in passing through the glass a beam of white light becomes weakened in one of its constituent colours more than in the others1 with the result that the emergent light is slightly coloured4 ,thus the purest and whitest of glasses1 when examined in very thick pieces1 always show a decided blue or green tint1 although this tint is quite invisible on looking through a few inches of the glass4 ,the ordinary glass of commerce1 however1 is far removed from even this approach to perfect transparency4 ,the best plate glass shows a slight greenish-blue tint1 which is just perceptible to the trained eye when a single sheet of moderate thickness is laid down upon a piece of white paper4 ,when a sheet of this glass is viewed edgewise1 in such a way that the light reaching the eye has traversed a considerable thickness1 the greenish-blue tint of the glass becomes more apparent4 ,by holding strips of various kinds of glass1 cut to an equal length1 close together and comparing the colour exhibited by their ends1 a means of comparing the colours of apparently 8white0 glasses is readily obtained4 ,it will be found that different specimens of glass differ most markedly in this respect4 ,sheet glass is1 as a rule1 decidedly deeper in colour than polished plate1 but rolled plate is as a rule much greener--the colour of this glass can1 in fact1 in most cases be seen quite plainly in looking through or at the sheets in the ordinary way4 ,the question of how far the colour of glass affects the value of the light which it transmits depends for its answer upon the purpose to which the lighted space is to be put4 ,where delicate comparisons of colour are to be made1 or other delicate work involving the use of the colour sense is to be carried on1 it is essential that all colouration of the entering daylight should be avoided1 and the use of the most colourless glass obtainable will be desirable4 ,again1 in photographic studios it is important to secure a glass which shall absorb as small a proportion of the chemically active rays contained in daylight as possible1 and special glasses for this purpose are available4 ,although for the present the price of these special glasses may prove prohibitive for the glazing of studio lights1 their use is found highly advantageous where artificial light is to be used to the best advantage4 ,on the other hand1 for every-day purposes1 the slight tinge of colour introduced into the light by the colour of ordinary sheet and plate glass1 or even of greenish rolled plate glass1 has no deleterious effect whatever1 the majority of persons being entirely unconscious of its presence4 ,the transmission of light by glass1 its absorption1 refraction1 dispersion1 etc41 are1 however1 best grouped together as the 8optical0 properties of glass1 and under that heading they will receive a fuller treatment in connection with the subject of the manufacture of glass for optical purposes4 ,,chapter ,,iii4 ,,the ,,raw ,,materials ,,of ,,glass ,,manufacture4 ,the choice of raw materials for all branches of glass manufacture is a matter of vital importance4 ,as a rule all 8fixed0 bodies that are once introduced into the glass-melting pot or furnace appear in the finished glass1 while volatile or combustible bodies are more or less completely eliminated during the process of fusion4 ,thus while the chemical manufacturer can purify his products by filtration1 crystallisation or some other process of separation1 the glass-maker must eliminate all undesirable ingredients before they are permitted to enter the furnace1 and the stringency of this condition is increased by the fact that the transparency of glass makes the detection of defects of colour or quality exceedingly easy4 ,for the production of the best varieties of glass1 therefore1 an exacting standard of purity is applied to the substances used as raw materials4 ,as the quality of the product decreases1 so also do the demands upon the purity of raw materials1 until finally for the manufacture of common green bottles1 even such very heterogeneous substances as basaltic rock and the miscellaneous residues of broken1 defective and half-melted glass forming the refuse of other glassworks may be utilised more or less satisfactorily4 ,for the best kinds of glass the most desirable quality in raw materials is thus as near an approach to purity as possible under commercial conditions1 and next to that1 as great a constancy of composition as possible4 ,for instance1 the quantity of moisture contained in a ton of sand appreciably affects the resulting composition of the glass1 and if the sand cannot be obtained perfectly dry1 it should at least contain a constant proportion of moisture1 otherwise it becomes necessary to determine1 by chemical tests1 the percentage of moisture in the sand that is used from day to day1 and to adjust the quantity used in accordance with the results of these tests1 a proceeding which1 of course1 materially complicates the whole process4 ,in other cases1 variable composition is not so readily allowed for1 and uncontrollable variations in the composition of the glass result--at times the quality falls off unaccountably1 or the glass refuses to melt freely at the usual temperature4 ,the systematic employment of chemical analysis in the supervision of both the raw materials and of various products will frequently enable the manufacturer to trace the causes of such undesirable occurrences2 but however necessary such control undoubtedly is1 it cannot entirely compensate for the use of raw materials liable to too great a variation in composition or physical character4 ,for not only the chemical composition1 but also the physical condition and properties of the material are of importance in glass manufacture4 ,thus it is essential that materials to be used for glass-melting should be obtainable in a reasonably fine state of division1 and in this connection it must be remembered that both exceedingly hard bodies and soft plastic substances can only be ground with very great difficulty4 ,further1 where a substance occurs naturally as a powder1 this powder should be of uniform and not too fine a grain1 more especially if it belongs to the class of refractory rather than of fluxing ingredients4 ,in that case the presence of coarser grains will result in their presence in the undissolved state in the finished glass1 unless excessive heat and duration of 8founding0 be employed to permit of their dissolution4 ,this applies chiefly to siliceous and calcareous ingredients1 but hardened nodules of salt-cake may behave in a similar manner4 ,a further consideration in the choice of raw materials is facility of storage4 ,thus limestone in the shape of large lumps of stone which are only ground to powder as required1 is readily stored1 and undergoes no deleterious change even if exposed to the weather2 on the other hand1 sulphate of soda 7salt-cake71 if stored even in moderately dry places1 rapidly agglomerates into hard masses1 at the same time absorbing a certain percentage of moisture4 ,such properties are not always to be avoided1 salt-cake for example being at the present time an indispensable ingredient in many kinds of glass-making1 but the value of a substance is in some cases materially lessened by such causes4 ,the raw materials ordinarily employed in glass-making may be grouped into the following classes3-- 7#a7 ,sources of silica4 7#b7 ,sources of alkalies4 7#c7 ,sources of bases other than alkalies4 7#a7 ,sources of ,silica4--,the principal source of silica is sand4 ,this substance occurs in nature in geological deposits1 often of very considerable area and depth4 ,these deposits of sand have always been formed by the disintegration of a siliceous rock1 and the fragments so formed have been sifted and transported by the agency of water1 being finally deposited by a river either in the sea 7marine deposits7 or in lakes 7lacustrine deposits71 while the action of the water1 either during transport or after deposition1 has frequently worn the individual particles into the shape of rounded grains4 ,in consequence of this origin1 the chemical composition of sand varies very greatly with the nature of the rock whose denudation gave rise to the deposit4 ,where rocks very rich in silica1 or even consisting of nearly pure silica1 have been thus denuded1 the resulting sand is often very pure1 deposits containing up to #iii per cent4 silica being known4 ,more frequently1 however1 the sand contains fragments of more or less decomposed felspar1 which introduce alumina1 iron and alkalies into its composition4 ,finally1 8sands0 of all ranges of composition from the pure varieties just referred to down to the clay marls1 very rich in iron and alumina1 are known4 ,for the best varieties of glass1 viz41 optical glass1 flint glass and the whitest sheet-glass1 as well as for the best ,bohemian glass1 a very pure variety of sand is required1 preferably containing less than #jje per cent4 of iron1 and not more than #jje per cent4 of other impurities such as alumina1 lime or alkali4 ,as a matter of fact1 sands containing so little iron rarely contain any other impurity except alumina in measurable quantities4 ,the best-known deposit of such sand in ,europe is that at ,fontainebleau near ,paris1 but equally good sand is found at ,lippe in ,germany1 whence sand is delivered commercially with a guaranteed silica content of #iiih per cent4 ,sand of excellent quality1 although not quite so good as the above1 is obtained at ,hohenbocka in ,germany 7,saxony7 and at a few other places in ,europe4 ,in ,england no deposit of sand of such purity is at present being exploited4 ,next in order of value to these exceedingly pure sands1 come the glass-making sands of ,belgium1 notably of ,epinal4 ,these usually contain from #jb to #jc per cent4 of iron and rather more alumina1 but they are used very largely for the manufacture of sheet and plate-glass4 ,when the standard of quality is further relaxed1 a large number of sand deposits become available1 and the manufacturers of each district avail themselves of more or less local supplies2 thus in ,england the sands of ,leighton in ,bedfordshire and of ,lynn on the ,east ,coast1 are largely used4 ,finally1 for the manufacture of the cheapest class of bottles1 sands containing up to #b per cent4 of iron and a considerable proportion of other substances are employed4 ,silica1 in various states of purity1 occurs in nature in a number of other forms than that of sand4 ,by far the commonest of these is that of more or less compact sedimentary rock1 known as 8sandstone40 ,as far as chemical composition is concerned1 some of these stones are admirably suited for making the best kinds of glass1 although as a rule a stone is not so homogeneous as the material of a good sand-bed4 ,the stone has the further disadvantage that it requires to be crushed to powder before it can be used for glass-making1 and the crushed product is generally a mixture of grains of all sizes ranging from a fine dust to the largest size of grain passed by the sieves attached to the crushing machine4 ,the presence of the very fine particles is a distinct objection from the glass-maker's point of view1 so that it would probably be necessary to wash the sand so as to remove this dust--a process that in itself adds to the cost of the crushed stone and at the same time leads to the loss of a serious percentage of the material4 ,objections of the same kind apply1 but with still greater force1 to the use of powdered quartz or flint as sources of silica for the glass-maker2 further1 these materials are exceedingly hard and therefore difficult to crush1 so that the price of the materials is prohibitive for glass-making purposes4 ,the use of ground quartz and flint is therefore confined to the ceramic industries in which these substances serve as sources of silica for both bodies and glazes2 in former times1 however1 ground flint was extensively used in the manufacture of the best kinds of glass1 as the still surviving name of 8flint glass0 testifies4 ,minerals of the felspar class1 consisting essentially of silicates of alumina and one or more of the alkalies1 are extensively used in glass-making and should be mentioned here1 since their high silica-content 7up to #gj per cent47 constitutes an effective source of silica4 ,as a source of this substance1 however1 most felspars would be far too expensive1 and their use is due to their content of alumina and alkali4 7#b7 ,sources of ,alkali4--,originally the alkaline constituents of glass were derived from the ashes of plants and of seaweed or 8kelp02 in both cases the alkali was obtained in the form of carbonate and was ordinarily used in a very impure form2 at the present time1 however1 the original source of alkali for industrial purposes is found in the natural deposits and other sources of the chlorides of sodium and potassium4 ,at the present time it is not yet industrially possible to introduce the alkalies into glass mixtures in the natural form of chlorides4 ,the principal difficulty in doing this arises from the fact that the chlorides are volatile at the temperature of glass-melting furnaces and are only acted upon by hot silica in the presence of water vapour4 ,introduced into an ordinary glass furnace1 therefore1 these salts would be driven off as vapour before they could combine with the other ingredients in the desired form of double silicates4 ,alkalies are1 therefore1 introduced into the glass mixture in less volatile and more readily attackable forms4 ,of these the carbonate is historically the earlier1 while the sulphate is at the present time industrially by far the more important4 ,the ,carbonate of ,soda1 or soda ash1 which is used in the production of some special glasses1 and is an ingredient of ,english flint glasses1 is produced by either of two well-known chemical processes4 ,one of these is the 8black ash10 or 8,le ,blanc0 process1 in which the chloride is first converted into sulphate by the direct action of sulphuric acid1 and the sulphate thus formed is converted into the carbonate by calcination with a mixture of calcium carbonate and coal4 ,the sodium carbonate thus formed is separated by solution and subsequent evaporation4 ,a purer form of sodium carbonate can be obtained with great regularity by the 8ammonia soda0 process1 in which a solution of sodium chloride is acted upon by ammonia and carbonic acid under pressure4 ,soda ash produced by this process is now supplied regularly for glass-making purposes in a state of great purity and constancy of composition4 ,it is upon these qualities that the great advantages of this substance depend1 since its relatively high cost precludes its use except for special kinds of glass1 and for these purposes the qualities named are of great value4 ,for most purposes of glass-making1 such as the production of sheet and plate-glass of all kinds1 the alkali is introduced in the form of salt-cake--i4e41 sulphate of soda4 ,this product is obtained as the result of the first step of the ,le ,blanc process of alkali manufacture--i4e41 by the action of sulphuric acid on sodium chloride2 salt-cake is thus a relatively crude product1 and its use is due to the fact that it is by far the cheapest source of alkali available for glass-making4 ,there are1 however1 certain disadvantages connected with its use4 ,the chief of these is the fact that silica cannot decompose salt-cake without the aid of a reducing agent2 such a reducing agent is partly supplied by the flame-gases in the atmosphere of the furnace1 but in addition to these a certain proportion of carbon1 in the form of coke1 charcoal or anthracite coal must be added to all glass mixtures containing salt-cake4 ,the use of a slightly incorrect quantity of carbon for this purpose leads to disastrous results1 while even under the best conditions it is not easy to remove all traces of sulphur compounds from glass made in this way4 ,a further risk of trouble arises in connection with salt-cake from the fact that it is never entirely free from more or less deleterious impurities4 ,according to the exact manner in which it has been prepared1 the substance always contains a small excess either of undecomposed sodium chloride or of free sulphuric acid1 or the latter may be present in the form of sulphate of lime4 ,a good salt-cake1 however1 should contain at least #ig per cent4 of anhydrous sodium sulphate1 and not more than #aj per cent4 of either sodium chloride or sulphuric acid4 ,while pure sodium sulphate is readily soluble in water1 ordinary salt-cake always leaves an insoluble residue1 consisting frequently of minute particles of clay or other material derived from the lining of the furnace in which it was prepared1 or from the tools with which it was handled2 and these impurities are liable to become deleterious to the glass if present in any quantity4 ,the insoluble residue should not exceed #je per cent4 in amount1 and in the best salt-cake is generally under #jb per cent4 ,salt-cake possesses certain other properties that make it somewhat troublesome to deal with as a glass-making material4 ,thus1 on prolonged exposure1 particularly to moist air1 the powdered salt-cake absorbs moisture from the atmosphere and undergoes partial conversion into the crystalline form of 8,glauber's ,salt10 a process which results in the formation of exceedingly hard masses4 ,ground salt-cake1 therefore1 cannot be stored for any length of time without incurring the necessity of regrinding1 and this accretive action even comes into play when mixtures of glass-making materials1 containing salt-cake as one ingredient1 are stored4 ,in practice1 therefore1 salt-cake can only be ground as it is wanted1 and its physical properties make it difficult to grind it at all fine1 while the dust arising from this process is peculiarly irritating1 although not seriously injurious to health4 ,potash is utilised in glass-making almost entirely in the form of carbonate1 generally called 8pearl-ash40 ,originally derived from the ashes of wood and other land plants1 this substance is now manufactured by processes similar to those described in the case of soda1 the raw material being potassium chloride derived from natural deposits such as those at ,stassfurth4 ,the pearl-ash thus commercially obtainable is a fairly pure substance1 but its use is complicated by the fact that it is strongly hygroscopic and rapidly absorbs water from the atmosphere4 ,where it is desired to produce potash glasses of constant composition1 frequent analytical determinations of the moisture contents of the pearl-ash are necessary1 and the composition of the glass mixture requires adjustment in accordance with the results of these determinations4 ,the alkalies are also introduced into glass in the form of nitrates 7potassium nitrate1 or saltpetre1 and sodium nitrate1 or nitre72 but although these substances act as sources of alkali in the glass1 they are employed essentially for the sake of their oxygen contents4 ,such oxidising agents are not1 of course1 added to glass mixtures containing sulphates and carbon1 but are employed to purify the mixtures containing alkali carbonates1 and more especially to oxidise the flint glasses4 ,since these substances are only introduced into glass in small quantities their extreme purity is not of such great importance to the glass-maker1 and the ordinary 8refined0 qualities of both nitrates are found amply pure enough to answer the highest requirements4 ,a certain number of natural minerals which contain an appreciable quantity of alkali are sometimes utilised as raw materials for glass manufacture4 ,the most important of these are the minerals of the felspar class already referred to4 ,these1 however1 contain a considerable proportion of alumina1 while all but the purest varieties also contain more or less considerable quantities of iron4 ,some glass-makers regard alumina as an undesirable constituent1 while others take the opposite view1 and upon this view their use of felspathic minerals will depend4 ,for the cheaper varieties of glass1 however1 such as bottle glass1 felspathic minerals and rocks1 such as granite and basalt1 are freely used as raw materials4 ,another mineral in which both alkali and alumina are found is cryolite4 ,this mineral is a double fluoride of soda and alumina1 whose properties are particularly valuable in the production of opal and opalescent glasses4 ,as a mere source of alkali1 however1 cryolite is much too expensive4 7#c7 ,sources of ,bases other than ,alkalies4--,the most important of these are lime and lead oxide1 the former being required for the production of all varieties of plate and sheet-glass1 as well as for bottles and a large proportion of pressed and blown glass1 while lead is an essential ingredient of all flint glass4 ,the only other base having any considerable commercial importance in connection with glass-making is barium oxide1 while oxide of zinc1 magnesia1 and a few other substances are used in the manufacture of special glasses for scientific1 optical or technical purposes1 where glass of special properties is required4 ,the metallic oxides which are used for the production of coloured glass are1 of course1 also basic bodies4 ,these will be treated in connection with coloured glasses1 with the exception of manganese dioxide1 which is used in large quantities in the manufacture of many ordinary 8white0 glasses4 ,calcium ,oxide 7lime7 is generally introduced into glass mixtures in the form of either the carbonate or the hydrated oxide 7slaked lime74 ,the carbonate may be derived either from natural sources1 or it may be of chemical origin1 while the hydrate is always obtained by the calcination of the carbonate1 followed by 8slaking0 the lime thus produced4 ,natural calcium carbonate occurs in great quantities in the form of chalk and limestone rocks4 ,both varieties are used for glass-making4 ,chalk is a soft friable material which is apt to clog during the grinding operations1 particularly as the natural product is generally somewhat moist4 ,as regards the greater part of its mass1 chalk is often found in a state of great purity1 but it is frequently contaminated by the presence of scattered masses of flint4 ,chemically this impurity is not very objectionable to the glass-maker1 since it merely introduces a small proportion of silica whose presence need scarcely be allowed for in laying down the mixture4 ,on the other hand1 if any fragments of flint remain in the mixture when put into the furnace1 they prove very refractory1 and are apt to be found as opaque enclosures in the finished glass4 ,natural limestone can also be obtained in great purity in many parts of the world4 ,it is generally a hard and rather brittle rock that can be readily ground to powder of the requisite degree of fineness4 ,flint concretions are not so frequently found in this material1 but1 on the other hand1 it is often contaminated with magnesia and iron4 ,the former ingredient1 when present in small quantities1 tends to make the glass hard and viscous1 so that limestone of the lowest possible magnesia content should be used1 especially for the harder kinds of glass1 such as plate and sheet-glass1 etc4 ,the iron contents of the limestone used must also be low where a white glass is required2 but since a smaller quantity of limestone is used for a given weight of glass produced than the quantity of sand used for the same purpose1 the presence of a somewhat higher percentage of iron is permissible in the limestone as compared with the sand2 for the better varieties of glass1 however1 the iron should not exceed #jc per cent4 of the limestone4 ,slaked lime is sometimes used as the source of lime for special glasses where the process of manufacture renders it desirable to avoid the evolution of carbonic acid gas which takes place when the carbonate is heated and attacked by silica4 ,when slaked lime is used only the water vapour of the hydrate is driven off1 and this occurs at a much lower temperature4 ,for the production of slaked lime1 an adequately pure form of limestone1 preferably in the form of large lumps1 is burnt in a kiln until the carbonic acid is entirely driven off2 after cooling1 the lime so formed is slaked by hand4 ,the product so obtained is1 however1 apt to vary both as regards contents of moisture and carbonic acid1 which latter is readily absorbed from the atmosphere2 the use of this material1 therefore1 requires frequent analytical determinations of the lime contents and corresponding adjustments of the mixture if constant results are required4 ,it is possible to introduce lime into glass mixtures in the form of gypsum or calcium sulphate1 but the decomposition of this compound1 like that of sodium sulphate1 requires the intervention of a reducing agent such as carbon1 and the difficulties arising from this source in connection with the use of salt-cake are still further increased in the case of the calcium compound4 ,since limestones of considerable purity are more or less plentiful in many districts1 the commercial value of calcium sulphate for glass-making is probably slight4 ,the ,compounds of ,barium may best be dealt with at this stage1 since they are chemically so closely allied to the compounds of lime just described4 ,barium occurs in nature in considerable quantities in the minerals known as barytes 7heavy spar7 and witherite respectively4 ,the former is essentially sulphate of barium1 while the latter is a carbonate of barium4 ,the use of the sulphate meets with the same objection here as in the case of calcium sulphate discussed above1 except that the barium compound is much more easily reduced and decomposed than the lime compound4 ,the natural mineral witherite is used to a considerable extent in the production of barium glasses1 and these have been found capable of replacing lead glasses for certain purposes4 ,on the other hand1 for the best kinds of barium glasses1 viz41 those required for optical purposes1 the element is introduced in the form of artificially prepared salts4 ,of these the most important is the carbonate1 commercially described as 8precipitated carbonate of barium02 this precipitated compound1 however1 does not ordinarily correspond to the chemically pure substance1 but contains more or less considerable quantities of sulphur compounds4 ,the question whether these impurities are or are not objectionable can only be determined for each particular case1 since much depends upon the special character of the glass to be produced4 ,both the nitrate and the hydrate of barium are commercially available1 but they are very costly ingredients for use in the production of even the most expensive kinds of glass2 these substances are1 however1 obtainable in a state of considerable purity1 although the hydrate has the inconvenient property of rapidly absorbing carbonic acid from the atmosphere1 thus becoming converted into the carbonate4 ,magnesia is another glass-forming base that is closely related1 chemically1 to calcium and barium4 ,this element is usually introduced into glass mixtures in the form of either the carbonate or the oxide4 ,the carbonate occurs in nature in a more or less pure state in the form of magnesite1 and by calcination1 the oxide is obtained4 ,the natural mineral and its product are1 of course1 by far the cheapest sources of magnesia1 but as the element is only used in comparatively small quantities1 the artificial precipitated carbonate or calcined magnesia are frequently preferred4 ,magnesia is only introduced intentionally in notable quantities in special glasses where the properties it confers are of special value2 in ordinary lime glasses this element1 as has already been mentioned1 is to be regarded as an undesirable impurity4 ,zinc oxide lies1 chemically1 between the bases already discussed on the one hand1 and lead oxide on the other4 ,this element is only introduced into special optical glasses1 a special 8zinc crown0 having found some application4 ,chemically prepared zinc oxide is almost the only form in which the element is used1 but the very volatile character of this substance must be borne in mind when it is introduced into glass mixtures4 ,lead is one of the most widely-used ingredients of glass2 the glasses containing this substance in notable quantity are all characterised to a greater or less degree by similar properties1 such as considerable density and high refractive power1 and are classed together under the name 8flint glasses40 ,lead is now almost universally introduced into glass mixtures in the form of red lead1 although the other oxides of lead might be employed almost equally well4 ,red lead is a mixture of two oxides of lead 7,pb,o and ,pb#b,o#c7 in approximately such proportions as to correspond to the formula ,pb#c,o#d4 ,it is prepared by the roasting of metallic lead in suitable furnaces1 where the molten lead is exposed to currents of hot air4 ,the product is obtainable in considerable purity1 very small proportions of silica1 derived from the furnace bed1 and of iron derived from the tools with which the lead is handled1 being the principal foreign substances found in good red lead4 ,silver would be an objectionable impurity1 but owing to the modern perfect methods of de-silvering lead1 that element is rarely found in lead products4 ,analytical control of red lead as used in the glass mixtures1 and consequent adjustments of the mixture1 are1 however1 necessary where exact constancy in the glass produced is desired4 ,the reason for this necessity lies in the fact that the oxygen content1 and therefore the lead-oxide 7,pb,o7 content1 varies decidedly from batch to batch1 while the material as actually delivered and used frequently contains notable proportions of moisture4 ,a word should perhaps be said here as to methods of handling red lead on account of the injurious effects which the inhalation of lead dust produces upon the workmen exposed to it4 ,for glass-making purposes it is not feasible to adopt the method adopted by potters of first 8fritting0 the lead and thus rendering it comparatively insoluble and innocuous2 even if this were done1 the difficulty would only be moved one step further back1 and would have to be overcome by those who undertook the preparation of the frit4 ,the proper solution of the problem1 in the writer's opinion1 is to be found in properly preventing the formation of lead dust1 or at all events in protecting the workmen from the risk of inhaling it4 ,where only small quantities of lead glass are made1 and therefore only small quantities of lead are handled and mixed at a time1 it is no doubt sufficient to provide the workmen engaged on this task with some efficient form of respirator to be worn during the whole of the time that they are engaged on such work1 and to take the further precautions necessary--by way of cleanliness and the provision of proper mess-rooms--to avoid any risk of lead dust either directly or indirectly contaminating their food4 ,where1 however1 large quantities of flint-glass are made every day1 it is possible and proper to make more perfect arrangements for the mechanical handling and mixing of the lead with the other ingredients by the provision of suitable mixing and transporting machinery1 so arranged as to be dust-tight4 ,it is only fair to state1 however1 that partly under their own initiative1 partly under pressure from the authorities1 glass makers in this country are complying with these requirements in an adequate manner4 ,aluminium4--,there are several varieties of glass into which alumina enters in notable quantities1 the principal examples being certain optical and many opal glasses1 while most ordinary glasses contain this substance in greater or less degree4 ,in the latter1 the alumina is derived by the inevitable processes of solution1 from the fire-clay vessels or walls within which the molten glass is contained1 while in some cases the element is intentionally introduced in small proportions 7about #b per cent4 to #c per cent4 of ,al#b,o#c7 by the use of felspar as an ingredient of the mixture4 ,where larger proportions of alumina are required1 the substance is introduced in the form of the hydrate1 which is obtainable commercially in a state of almost chemical purity1 but of course at a correspondingly high cost4 ,in opal glasses alumina is derived partly or wholly from felspars1 or in some cases from the use of the mineral cryolite4 ,this is a double fluoride of aluminium and sodium which is found in great natural masses1 chiefly in ,greenland4 ,owing to the high price of this mineral1 however1 artificial substitutes of nearly identical composition and properties have been introduced and are used successfully in the glass and enamelling industries4 ,manganese4--,although the oxides of this element really belong to the class of colouring compounds1 they are so widely used in the manufacture of ordinary 8white0 glasses that it is desirable to deal with them here4 ,the element manganese is most usually introduced into glass mixtures in the form of the per-oxide 7,mn,o#b71 although the lower oxide 7,mn#c,o#d7 can also be used4 ,the material ordinarily used is the natural manganese ore1 mined chiefly in ,russia2 the purest forms of this ore consist almost entirely of the per-oxide1 but 8brown0 ores1 containing more or less of the lower oxide1 are also used with success4 ,these ores always contain small amounts of iron and silica1 but provided the iron is not present in any considerable quantity1 the value of the ore is measured by the percentage of manganese which it contains4 ,the colouring and 8decolourising0 action of manganese will be discussed in a later chapter4 ,certain other substances1 which have been suggested as either substitutes for1 or improvements upon1 manganese for this purpose need only be mentioned here1 viz41 nickel1 selenium and gold4 ,arsenic is another substance frequently introduced into 8white0 glass mixtures4 ,this element is universally introduced in the form of the white arsenic of commerce 7i4e41 arsenious acid1 ,as#b,o#c7 which is obtained in a pure form by a process of sublimation4 ,owing to the very poisonous nature of this material1 special precautions must be taken in its use for glass-making purposes to avoid all risk of poisoning4 ,carbon4--,as has already been indicated1 an admixture of carbon in some suitable form is essential in the case of certain glass mixtures4 ,the carbon for this purpose may be used in the form of either charcoal1 coke1 or anthracite coal4 ,of these1 charcoal is undoubtedly the purest form of carbon1 but it is excessively expensive in this country4 ,coke varies very much in quality according to the coal from which it has been produced1 but it always contains notable proportions of ash rich in iron1 and also some sulphur4 ,anthracite coal can be obtained in a very pure form1 containing considerably less ash than that found in most kinds of coke1 and this is therefore probably the most convenient form of carbon for this purpose4 ,,chapter ,,iv4 ,,crucibles ,,and ,,furnaces ,,for ,,the ,,fusion ,,of ,,glass4 ,for the successful production of substances which are formed by a process of fusion1 the use of refractory materials of a proper kind is of great importance4 ,in the production of glass the double difficulty has to be overcome of finding substances capable of being formed into furnaces and crucibles which shall not only resist the softening and melting action of the furnace heat for long periods of time1 but shall also resist the dissolving action of the molten glass itself4 ,the refractory materials employed in connection with glass-making thus fall into two distinct groups1 members of one group being those which meet both of the above requirements and can therefore be used in positions exposed to direct contact with molten glass1 while members of the second group are materials which resist the action of the heat and flame gases but cannot resist the dissolving effect of the glass itself2 these1 of course1 can only be placed where molten glass is not liable to touch them4 ,we shall deal with the former group first4 ,those portions of glass-melting plant which come into contact with molten glass are almost universally made of some form of fire-clay4 ,to discuss in detail the composition and properties of the varieties of fire-clay best suited to this purpose would exceed the entire limits of this book1 so that only a few leading principles can be stated4 ,taking first the clays intended for the production of crucibles or 8pots10 we find that for the purposes of the production of such objects the prepared clay must possess a certain degree of plasticity while damp and a considerable degree of strength when dried4 ,the dried and burnt material must be so refractory as to resist the high temperatures used in glass-melting without undergoing fusion or even serious softening4 ,clays of various composition and physical nature also differ very widely in their power of resisting the chemical attack of molten glass2 all clays are more or less dissolved under these circumstances1 but not only the rate1 but also the manner1 of dissolution is of importance1 so that frequently a clay which dissolves rapidly but uniformly is preferred to one which dissolves more slowly but in such an irregular manner as to throw off particles of undissolved material which contaminate the glass in the form of opaque enclosures or 8stones40 ,it is also to be noted that the best results in this direction can only be obtained by careful adaptation of the clay employed to the particular kind of glass which is to be melted in the crucibles in question4 ,in ,england this question has not received the amount of attention it deserves1 but in ,germany and ,america the available fire-clays of the country have been systematically studied and exploited4 ,as a result the glass-maker has at his disposal a large selection of materials of accurately known physical and chemical properties4 ,by carefully correlating these with the performance of his 8pots0 in the furnaces1 the manufacturer is able to select the most suitable material1 and is1 moreover1 in a position to know in what direction to look for improvement or for replacement if the supply of a satisfactory brand should cease4 ,we may now follow briefly the process of manufacture of a fire-clay pot or crucible4 ,the size and shape of the crucible will depend upon the particular purpose for which it is intended4 ,crucibles varying in capacity from #d cwt4 to #b tons of glass are used for various kinds of glass1 but the more usual sizes lie between #cj in4 and #ej in4 in diameter4 ,for many kinds of glass the shape of the pot is simply that of an open basin1 circular or oval in plan and larger in diameter at the brim than at the base 7,fig4 #a71 but for the production of flint glass1 and of other glasses which are to be protected from contact with the flame and gases of the furnace1 so-called 8covered0 pots are used4 ,in these the basin--here of a more nearly cylindrical shape--is covered over by a dome1 and access is allowed only by a relatively small hooded opening 7,fig4 #b74 ,covered pots are built up on wooden moulds1 which are made collapsible1 and are removed before the drying of the pot is begun4 ,illustration3 ,,fig4 #a4--,open 8pot0 or crucible for glass melting4 ,illustration3 ,,fig4 #b4--;,covered pot for glass melting1 as used for flint glass and optical glass4 ,the material for pot-making is first prepared with great care4 ,the proper variety of clay having been selected1 it is ground to a fine powder in suitable mills and carefully sieved2 with this fine clay powder is mixed1 in accurately determined proportions1 a quantity of crushed burnt fire-clay4 ,in some works this burnt material is obtained by simply grinding up fragments of old used pots1 but the better practice is to burn specially-selected fire-clay separately for this purpose4 ,the quantity of such burnt material added to the mixture depends upon the chemical nature and especially on the plasticity of the virgin clay employed2 with so-called 8fat0 or very plastic clays up to #ej per cent4 of burnt material is added1 but with the leaner clays1 such as those of the ,stourbridge district in ,england1 very much smaller proportions are used4 ,the object of this addition of burnt material is to facilitate the safe drying of the finished pots and to diminish--by dilution--the total amount of contraction which takes place both when plastic clay is allowed to dry1 and further when the dry mass is subsequently burnt2 the burnt material or 8chamotte10 having already undergone these shrinking processes1 acts both as a neutral diluent and also as a skeleton strengthening the whole mass and reducing the tendency to form cracks4 ,the virgin clay and chamotte having been intimately mixed1 the whole mass is 8wet up0 by the addition of a proper proportion of water and prolonged and vigorous kneading1 usually in a suitable pug mill4 ,the mass leaves this mill as a fairly stiff1 plastic dough1 but the full toughness and plasticity of such clay mixtures can only be developed by prolonged storage of the damp mass4 ,in the next stage of the process1 the plastic clay is passed to the 8pot maker0 in the form of thick rolls1 and with these he gradually builds up the pots or crucibles from day to day1 allowing the lowest parts to dry sufficiently to enable them to bear the weight of the upper parts without giving way4 ,the building of large pots in this way occupies several weeks1 and during this time the premature drying of any part of the pot must be carefully avoided4 ,after the completion of the pot1 drying is allowed to take place1 slowly at first1 but more vigorously after a time when the risk of cracking is smaller2 when it is taken into use1 the pot is usually many months old and is thoroughly air-dry4 ,the clay1 however1 is still hydrated1 i4e41 contains chemically combined water1 and this is only expelled during the early stages of the burning process4 ,this process is carried out in smaller furnaces or kilns placed near the melting furnaces4 ,in these the pot or pots are exposed to a very gradually increasing temperature1 until a bright red heat is finally attained4 ,this is a delicate process in which great care is required to secure gradual and uniform heating1 especially during the earlier stages1 otherwise the pots are apt to crack and become useless4 ,finally1 when a bright red heat has been maintained for at least a day1 the pots are ready to be placed in the furnace1 and this is ordinarily done while both pots and furnace are at a red heat1 the pots never being allowed to cool down again once they have been burnt4 ,fire-clay is also used in the manufacture of bricks and blocks of various sizes required for the construction of glass-melting furnaces4 ,here fire-clay is only used in positions where contact with molten glass is expected1 as in the walls of the basin or tank proper in 8tank0 furnaces1 or at a level below that of the pot or crucible in pot furnaces2 in the latter position leakage of glass from broken pots or overflow being liable to result in an accumulation of molten glass on the floors or walls of the furnace and passages4 ,the fire-bricks used in these latter positions are usually of a much poorer quality of fire-clay than that used for the manufacture of pots1 and this is justified in so far as certain of the requirements that apply to crucibles do not apply here--but on the other hand the use of more refractory bricks would result in a longer life for the furnace4 ,such bricks1 it should be noted1 are not laid in mortar when used for furnace construction1 but are set in a thin paste of fire-clay in water1 and these joints are kept as thin as possible4 ,the part of the furnace known as the 8siege0 7,french 8sige071 i4e41 the floor of the furnace upon which the pots are placed1 is usually built of very large blocks of fire-clay1 made of coarse materials calculated to give great strength4 ,at or near the points where the flame enters the furnace1 these blocks rapidly wear away1 partly by melting but chiefly by a process of abrasion1 for it seems that a rapidly moving flame has an abrading action of a very marked kind4 ,the actual tanks or basins which contain the molten glass in tank furnaces are also built of large blocks of fire-clay1 but these are made of the best procurable materials1 and should receive at least as much care in every respect as crucibles2 it is true that their shape and size gives them greater strength1 but on the other hand these blocks are expected to resist the contact of molten glass for very much longer periods of time than the average crucible4 ,to understand the requirements for tank-blocks it is necessary to anticipate the next section to the extent of stating that in tank furnaces the glass is contained1 during melting1 refining and working1 in a basin built up of large blocks4 ,these blocks are not cemented together in any way1 but are built up 8dry0 and are supported on the outside by a system of iron bars and rods4 ,the molten glass penetrates between the blocks to a certain extent1 but as the outside of all such blocks is intentionally kept as cold as possible the glass rapidly stiffens as it penetrates further into these interstices1 and this stiffened glass effectually binds the blocks together and prevents all leakage4 ,it will thus be seen that the blocks are exposed to the full heat of the furnace and to the corroding action of the glass on the inner side1 but are kept cold on the outer side4 ,as this state of affairs tends to produce cracks1 these blocks are necessarily made of rather coarse material4 ,on the other hand1 the material of a block never gets so hot as the wall of a crucible1 which is heated from both sides1 so that extreme refractoriness is not so essential4 ,it is impossible1 within the limits of this chapter1 to go into the details of the choice of materials for tank-blocks2 it is a subject upon which no finally satisfactory conclusion has yet been reached1 and what has been said above will suffice to show the nature of the considerations upon which such choice must be based4 ,we now turn to the second class of refractory materials used in the construction of glass-melting furnaces1 viz41 those which are so placed as not to come into contact with molten glass4 ,here mechanical strength and refractoriness are almost the only considerations1 but in the roof-vaults or 8crowns0 of tank furnaces and also of furnaces in which glass is melted in open pots1 there is the further consideration that the material of the bricks used shall not contain notable quantities of any colouring oxide1 since small flakes1 etc41 are apt to drop down into the molten glass1 and would thus be liable to cause serious discolouration4 ,such a material as chrome-ore brick is therefore excluded4 ,as a matter of fact1 some form of 8silica brick0 is in universal use4 ,bricks of this material1 otherwise known as 8,dinas bricks0 from the place of their first origin1 in ,wales1 consist of about #ih per cent4 of silica 7,si,o#b74 ,pure silica cannot be baked or burnt into coherent bricks entirely by itself1 since it possesses neither plasticity when wet nor any binding power when burnt1 but an admixture of about #b per cent4 of lime and a little alumina makes it possible first to mould the bricks when wet and then to burn them so as to form fairly strong1 coherent blocks4 ,these are of amply adequate refractoriness for the highest temperatures that can be attained in industrial gas-fired furnaces1 and their mechanical strength is sufficient to make it possible to build vaults of considerable span1 but on the other hand this material requires very gradual heating and constant watching while the temperature is rising or falling to any considerable extent2 the reason for this difficulty lies in the fact that silica bricks swell very markedly during heating1 so that unless a vault built of this material is given room to spread somewhat1 it will rise seriously and may even break up completely4 ,this risk is avoided by gradually slackening the tie-bolts that hold the vault together1 and correspondingly 8taking up the slack0 as the vault cools when the furnace is let out4 ,sudden local heat also has a disastrous effect on this material1 producing serious flaking4 ,for positions where intense heat is to be borne1 and at the same time mechanical strength is required1 silica brick is a most valuable material1 but owing to its chemical composition it is rapidly attacked by molten glass or by any material containing a notable proportion of basic constituents1 so that the silica bricks can only be employed out of contact with glass4 ,we now turn to consider1 very briefly1 the general design and arrangement of some typical glass-melting furnaces4 ,the oldest and simplest form of furnace is1 in effect1 simply a box built of fire-brick1 in the centre of which stands the crucible1 while a fire of wood or coal is placed upon either side4 ,to attain any great degree of heat by such means1 however1 the size of the box or chamber and especially of the grates in which the fires are maintained must be properly proportioned both to the dimensions of the crucible and to each other4 ,the grates are generally wide and deep1 while draught is provided by means of a tall conical chimney which stands over the entire chamber and communicates with it by a number of small openings4 ,in a more refined furnace1 the chamber itself is double1 and the flame1 after playing around the crucible in the inside of the chamber1 is made to pass through the space between the outer and inner chamber before passing to the chimney or cone4 ,we need not give any greater attention to these primitive furnaces1 since they are practically obsolete at the present time4 ,in modern furnaces the process of combustion is carried on in two distinct stages2 the first stage takes place in a subsidiary appliance known as a 8gas producer10 where part of the heat which the fuel is capable of generating is utilised for the production of a combustible gas2 this gas passes into the furnace proper1 either direct1 while it is still hot from the producer1 or after being conveyed some distance1 when it is again heated up by the waste heat of the furnace4 ,in either case the gas is hot when it enters the furnace proper1 and there it meets a current of air1 also heated by the aid of the waste heat of the furnace4 ,hot gas and hot air burn rapidly and completely1 and if properly proportioned yield exceedingly high temperatures4 ,seeing that in this process a part of the heat of combustion yielded by the fuel is generated in a subsidiary appliance and is thus lost to the furnace1 it appears at first sight somewhat surprising that this system of firing is very considerably more efficient than the old 8direct0 system where the whole of the fuel is burnt in the furnace itself4 ,but the advantage arises from the fact that in the newer system the fuel is handled in the gaseous form4 ,this has the advantage1 first and most important1 that the heat escaping from the furnace in the hot products of combustion 7chimney gases7 can be transferred to the incoming unburnt gas and air and can thus be returned to the furnace4 ,the manner in which this is accomplished will be considered below1 but it may be noted here that in some furnaces the escaping products of combustion are so thoroughly cooled that they are unable to produce an effective draught in the chimney of the furnace4 ,another advantage of the use of gaseous fuel is the fact that complete combustion can be obtained without the use of so great excess of air1 such as is required when solid fuels are to be burnt completely4 ,for this reason much higher temperatures can be readily obtained with gaseous fuel1 while the pre-heating of both gas and air also facilitates the attainment of high temperatures2 further1 the great facility with which the flow of either gas or air can be regulated by means of suitable valves1 makes it possible to secure much greater regularity in the working of the furnaces4 ,finally1 in modern gas-producers1 the amount of sensible heat generated and therefore lost to the furnace1 is kept very low1 the greater part of the heat set free by the partial combustion of coal in the producer being absorbed by the decomposition of a corresponding quantity of steam into hydrogen and carbonic oxide gas4 ,the gas as it leaves one of these producers is not very hot1 and the percentage of heat lost in this way is therefore much smaller than in the older forms of gas-producer4 ,it is again impossible1 within the limits of this chapter1 to enter into the details of construction and working of gas-producers4 ,we must content ourselves with saying that most modern producers are of the form of a tower in which a thick bed of fuel is partially burnt and partly gasified under the action of a blast of air mixed with steam4 ,the chemical actions that take place are complicated1 but the final result is the production of a gas containing from #b to #h or #aj per cent4 of carbonic acid1 #aj to #bj per cent4 of hydrogen1 #h to #be per cent4 of carbonic oxide 7,,co71 #a to #c per cent4 methane 7,,ch#d71 and #de to #fj per cent4 of nitrogen1 with varying quantities of moisture1 tarry matter1 and ammonia4 ,in good producer gas1 the combustible constituents 7hydrogen1 carbonic oxide and methane7 should total from #cj to #dh per cent4 of the whole by volume1 but the exact composition to be expected depends very much on the type of producer and the class of fuel used4 ,some producers are capable of dealing with exceedingly low-grade fuels1 and the gas which they yield can still be utilised for obtaining the highest temperatures--a proceeding that would have been impossible if it had been attempted to burn these fuels directly in the furnace4 ,illustration3 ,,fig4 #c4--;,diagram of the arrangements of a regenerative furnace4 ,the gas on leaving the producer passes along fire-brick flues or passages to the furnace proper2 the path which it is now caused to take varies somewhat according to the arrangement of the furnace in question4 ,modern gas-fired furnaces usually belong to one of two distinct types according to the manner in which the heat of the escaping products of combustion is utilised for heating the incoming gas and air2 these two types are known as the 8regenerative0 and the 8recuperative0 respectively4 ,in regenerative furnaces the hot products of combustion1 after leaving the furnace chamber proper1 and before reaching the chimney1 pass through chambers which are loosely stacked with fire-bricks2 these chambers absorb the heat of the escaping gases1 and thus rapidly become hot4 ,as soon as a sufficiently high temperature is attained in these chambers or 8regenerators10 the path of the gas-currents is altered2 the escaping products of combustion are made to pass through1 and thus to heat a second set of regenerating chambers1 while the incoming gas and air are drawn through the heated regenerator chambers before entering the furnace chamber proper4 ,the incoming gas and air are thus heated1 absorbing in turn the heat stored in the brickwork of the regenerators4 ,it is evident that two sets of such regenerators are sufficient1 the one set undergoing the heating process at the hands of the escaping products of combustion1 while the other set is giving up its heat to the incoming gas and air2 when this process has gone far enough1 it is only necessary to interchange the two sets of chambers1 by the operation of suitable valves1 and this series of alternations may be continued indefinitely4 ,the arrangement is shown diagrammatically in ,fig4 #c4 ,in recuperative furnaces the same principle is utilised in a somewhat different manner2 the outgoing products of combustion pass through tubular channels formed in fire-clay blocks1 while the ingoing gas and air pass around the outside of these same blocks2 the heat of the outgoing gases is thus transferred to the incoming gases by the process of conduction through the fire-clay walls of the recuperator tubes4 ,the relative merits of the two systems have been hotly contested2 the regenerative system has the advantage of avoiding all reliance on the heat conductivity of fire-clay1 while it also avoids the somewhat complicated special tubular blocks required for the other system2 on the other hand1 the recuperative system avoids the necessity for all 8reversing0 valves and their regular periodical working1 while it also occupies somewhat less space4 ,temperatures sufficiently high for all glass-melting purposes can be attained by both means4 ,in both systems of furnace1 heated gas and heated air are admitted to the furnace by separate fire-brick flues or passages1 air and gas being allowed to mix just before they enter the furnace chamber proper4 ,the economy and efficiency of the furnace depend to a very great extent upon the manner in which this mixing is accomplished4 ,rapid and complete mixing of air and gas results in an intensely hot1 but short and local flame1 while slower mixing tends to lengthen the flame and spread the heat through the entire furnace chamber2 on the other hand if the mixing of gas and air is too slow1 combustion may not have been completed in the short time occupied by the gases in passing through the furnace1 and combustion may either continue in the outflow flues and regenerators1 or it may be prevented by the narrowness of these passages1 and unburnt gases may pass to the chimney4 ,when the openings or 8ports0 are properly proportioned1 and the draught of the chimney is properly regulated1 combustion should be just complete as the gases leave the furnace chamber1 and under these circumstances small tongues of keen flame will escape from every opening in the furnace2 large smoky flames issuing from a gas-fired furnace indicate incomplete combustion4 ,illustration3 ,,fig4 #d4--,sectional diagram of a regenerative pot furnace working with covered pots4 ,as has already been indicated1 glass is melted either in pots or crucibles of various shapes and sizes1 or in open tank furnaces4 ,the general arrangement of a pot furnace working with closed or 8covered0 crucibles is shown in ,fig4 #d4 ,in this particular furnace1 the 8ports0 or apertures by which the gas and air enter the furnace chamber1 are placed in the floor of the chamber1 but these apertures are often placed in the side or end walls1 or even in a central column1 the object being in all cases to heat all the pots as uniformly as possible and to avoid any intense local heating1 which would merely endanger the particular crucible exposed to it1 without greatly aiding the real work of the furnace4 ,in pot furnaces1 however1 in which the more refractory kinds of glass are to be melted1 it is generally considered desirable that the flame should be made to play about the pots in such a way as to heat the lower parts of the pots most strongly4 ,in connection with the question of the uniformity of heat distribution in a gas-fired furnace it must further be borne in mind that in the case of regenerative furnaces the direction of the flame is reversed every time the valves are thrown over1 and in practice this is done about once every half-hour2 this proceeding1 of course1 tends very much to equalise the temperature of the two sides of the furnace4 ,in recuperative furnaces1 on the other hand1 the direction of the flame is not changed1 and for that reason a flame returning upon itself1 usually called a horse-shoe flame1 is often employed2 this is obtained by placing the entry and exit ports side by side at one end of the furnace2 the impetus of the flame gases and their rapid expansion during combustion carry the flame out across the furnace1 while the chimney draught ultimately sucks it back to the exit ports1 the shape of the flame being shown in ,fig4 #e4 ,illustration3 ,,fig4 #e4--;,diagram of a furnace with 8horse-shoe0 flame4 ,in general arrangement1 a tank furnace for glass melting resembles an open-hearth steel furnace4 ,the tank or basin1 as already indicated1 is built up of a number of large fire-clay blocks1 forming a bath varying in depth from #bj in4 to #db in4 according to the design of the furnace and the kind of glass to be melted in it4 ,the ports for entry of gas and air and for exit of the products of combustion are in most modern furnaces placed in the side walls of the furnace just above the level of the glass1 the whole being covered by a vault built of silica brick4 ,figs4 #f and #g show the general arrangement of a simple form of tank-furnace such as that used in the manufacture of rolled plate glass4 ,the furnace indicated in the diagram is intended for regenerative working with alternating directions of flame2 in recuperative furnaces the horse-shoe flame is always used in tanks1 while this arrangement of ports is sometimes adopted for regenerative tanks also1 particularly in the manufacture of bottles4 ,for the production of sheet glass1 tank furnaces are generally sub-divided into two compartments and are also provided with various constrictions intended to arrest impurities and to allow only clear glass to pass1 but as regards the arrangement of flues and ports there is a very general similarity between various furnaces of this type4 ,illustration3 ,,fig4 #f4--,longitudinal sectional diagram of tank furnace4 ,illustration3 ,,fig4 #g4--,transverse sectional diagram of tank furnace1 showing regenerators and gas and air passages4 ,it is beyond the scope of this book to discuss the relative merits of tank and pot melting furnaces2 wherever the former can be made to produce glass of adequate quality for the purpose desired1 the great economy of the tank furnace inevitably carries all before it1 so that bottle glass1 for example1 is now made exclusively in tanks1 and the same applies also to rolled plate of the ordinary kind1 and to the great majority of sheet glass4 ,on the other hand1 where special qualities of glass are required in relatively small quantities1 or where the requirements as to quality are very extreme1 the pot furnace remains indispensable4 ,optical glass and coloured glasses are examples of this kind1 although some tinted glasses are used in sufficient quantity to justify the use of small tank furnaces for their production4 ,the causes of the greater economy of the tank furnace are numerous1 and complicated by the detailed requirements of each particular manufacture1 but the most important factors in the question may be summed up thus3-- 7#a7 ,the tank furnace utilises the heat of the flame more efficiently1 as the glass is exposed to the heat in a basin whose surface covers the entire area of the furnace1 while in a pot furnace there is much vacant1 unused space4 7#b7 ,the tank furnace permits of continuous working1 the raw materials being introduced at one end while the glass is being withdrawn and worked at the other end4 ,there are thus no idle periods1 and each part of the furnace remains at or near the same temperature during the whole time that a furnace is alight4 ,for a given size of plant1 therefore1 a tank furnace yields a much larger output1 with a relatively smaller fuel consumption4 7#c7 ,the tank furnace obviates the need for pots or crucibles1 which are not only costly and troublesome to produce1 but are liable to premature failure and require periodical renewal1 which involves a serious loss of time for the furnace4 7#d7 ,finally1 the molten glass in a tank furnace can be always maintained at or near one constant level and is1 therefore1 always convenient for withdrawal by means of the gatherer's pipe or the ladle4 ,in pot furnaces1 on the other hand1 the composition of the glass can be more accurately regulated1 and the molten glass itself can be more effectively protected from contamination either by matter dropping into it or by the action of the furnace gases1 while in pots it is also possible to effectually melt together materials which1 in the open basin of a tank1 could not be kept together long enough to combine4 ,,chapter ,v4 ,,the ,,process ,,of ,,fusion4 ,it has already been indicated that1 for glass-making purposes1 the raw materials are required in a state of reasonably fine division4 ,the exact degree of fineness required depends very much upon the nature of the ingredient in question1 the general rule being that the more refractory and chemically resistant materials require to be most finely ground1 while substances which melt and react readily1 such as soda ash and salt-cake1 do not require very fine grinding4 ,assuming that the materials are available in a suitable state of fineness1 the first step in the process of glass melting consists in securing their admixture in the proper proportions4 ,this may be done by hand entirely1 by hand aided by some machinery1 or entirely automatically4 ,the process of hand mixing is only available for relatively small quantities of material and requires very careful supervision if inadequate mixing is to be avoided4 ,in most cases the actual weighing out is done by hand1 while the mixing is done by machinery4 ,in this process the separate ingredients are weighed out from barrows or skips and are tipped into a large hopper whence each batch1 as soon as it is completed1 passes into the mixing chamber of the mixing machine4 ,this may consist of nothing more than a cylindrical chamber in which steel arms revolve and stir up the contents1 but more modern appliances take the form of rotating barrels or cylinders1 set up on an inclined axis and provided with suitable shelves and baffles2 in these the materials are very thoroughly shaken over and mixed4 ,where hand mixing is adopted1 the various ingredients of each batch are thrown into a large bin and are there turned over several times with shovels1 the entire material being ultimately sieved through a wire sieve of suitable mesh4 ,in all cases the resulting mixture should be perfectly uniform in colour and texture1 and analyses of different samples should show only small variations4 ,with the mixture thus prepared the 8cullet0 or broken glass which is to be re-melted is now incorporated2 ideally this should also be uniformly distributed1 but this is rarely attempted in practice on the large scale4 ,the next step in the process is the introduction of the mixture into the furnace4 ,in the case of tank furnaces this is a simple matter1 since in these the temperature is kept as nearly constant as possible1 and raw materials may1 therefore1 be introduced at almost any time1 the amount introduced being so regulated as to keep the level of the molten glass or 8metal0 as nearly constant as possible4 ,the actual introduction is managed by means of a large opening or door at what is known as the 8melting end0 of the furnace4 ,normally this opening is covered by a large fire-brick block suspended by a chain running over pulleys and counterbalanced by a counterpoise weight4 ,when charging is to begin1 this block is raised and the opening is uncovered4 ,the raw materials are then introduced either by hand1 by the aid of long-handled shovels1 or they are first filled into a long scoop moved by mechanical means forward into the furnace1 where it is given a half-turn1 which empties the contents out1 and is then rapidly withdrawn4 ,this charging process may be repeated every half-hour1 or larger quantities may be introduced once every four hours1 according to the practice that may be adopted at any particular furnace4 ,in the case of pot furnaces the charging process is not so simple4 ,here the first charge of raw materials has to be introduced into a pot which has been almost entirely emptied during the working-out process1 and the temperature of the furnace has also fallen very considerably during this time4 ,before new material is introduced1 the heat of the furnace must first be adequately restored4 ,if this is not done1 the fusion of the glass takes an abnormal course and very imperfect results arise4 ,further1 the quantity of material introduced at one time must be carefully adjusted to the capacity of the pot4 ,during the earlier stages of fusion most glass mixtures form large masses of foam1 and if the crucible has been too heavily charged this foam overflows1 with the result that valuable material is lost and the floor and passages of the furnace are clogged with glass4 ,a certain amount of overflow1 as well as leakage from defective crucibles1 is1 however1 unavoidable1 and for this purpose every pot furnace is provided with a chamber so placed that the glass will flow into it and so be prevented from finding its way into the regenerators or other parts where its presence would hinder the working of the furnace4 ,these receptacles or 8pockets0 must1 however1 be periodically cleared of their contents from outside1 and this constitutes one of the most irksome operations connected with glass manufacture4 ,owing to the occurrence of foaming and to the fact that the raw materials occupy much more space than the glass formed from them1 it is necessary to fill the pot with fresh batches of raw materials several times1 the quantity which can be introduced decreasing each time4 ,the number of times that this must be done depends upon the particular circumstances1 but from four to eight 8fillings0 are commonly used for various kinds of glass and size of pot4 ,the precise stage at which a fresh batch of raw materials should be introduced is another matter requiring careful attention4 ,for some purposes it is necessary to wait until the previous batch is completely melted1 while in other cases raw material may be added whilst some of the previous batch is still floating on the surface of the glass in the pot4 ,we have now to consider the chemical reactions which take place in the mixture of raw materials that are introduced into the hot furnace4 ,the exact course of these reactions is not known in very great detail1 as this could only be ascertained by an elaborate research on the nature of the intermediate products that result under various circumstances4 ,a research of this kind would throw much light on the whole of the melting processes but is in itself so difficult that it has not yet been carried out at all fully4 ,we can therefore only give an account of the chemical changes from our knowledge of the end-results and of a few intermediate products that are known4 ,to take the simplest case1 we may consider a mixture consisting of sand1 carbonate of lime and carbonate of soda mixed in suitable proportions4 ,in such a case we know that the mere action of heat alone will produce two changes--the carbonate of soda will melt and the carbonate of lime will lose its carbonic acid and be 8burnt0 or converted into caustic lime4 ,the first stage of the fusion process thus probably results in a mass consisting of sand grains and grains of carbonate of lime undergoing decomposition1 all cemented together by molten carbonate of soda4 ,this mass will be full of bubbles1 some derived from the air enclosed between the grains of the original mixture and thus trapped by the melting mass1 and others formed by the carbonic acid which is being driven off in the form of gas by the decomposition of the carbonate of lime4 ,at the temperature of the furnace1 however1 silica has the properties of a strong acid1 and not only attacks the carbonate of lime much in the same manner as1 for instance1 hydrochloric acid would do in the cold1 but the silica also attacks the carbonate of soda1 which heat alone can scarcely decompose4 ,the exact order in which these reactions take place will depend upon the temperature of the furnace and the degree of mixing attained in the preparation of the raw materials4 ,although in the long run the final result will probably be the same as regards purely chemical constitution1 much of the technical success of the process must depend upon the exact sequence of the changes involved1 as this must govern the number and size of the bubbles that are formed in the glass and the fluidity of the mass from which these bubbles have to free themselves4 ,in the present state of our knowledge1 however1 we can only say that the final result is the complete expulsion of all carbonic acid from the compounds present 7although it may remain entangled in the glass in the form of bubbles7 and the formation of silicates of both lime and soda which remain in the finished glass in a state partly of mutual chemical combination1 partly of mutual solution4 ,the description of the process of fusion just given applies1 with slight modifications1 to the melting of ordinary flint-glass mixtures as well as to lime glasses1 with the one modification that the carbonate of lime of the lime-soda glass is replaced by red-lead1 and the gas evolved by the decomposition of the red-lead is oxygen in place of the carbonic acid evolved from the decomposition of the carbonate of lime4 ,in the case of both lime and flint glasses1 however1 certain other substances besides those mentioned are usually introduced in small quantities4 ,although these substances do not very materially affect the end-products of the chemical reactions1 they very materially affect the intermediate stages1 and thus serve the purpose for which they are introduced by affecting the course of the chemical changes in a favourable manner4 ,the substances usually employed for this purpose are arsenic and nitrate of either soda or potash4 ,the manner in which the arsenic acts is very obscure and cannot be discussed in detail here2 the chief factors in its action are1 however1 its volatility and its power of either absorbing oxygen or parting with it according to circumstances4 ,the action of the nitrates is chiefly dependent upon the oxygen which they yield on decomposition by heat4 ,this oxygen is in some cases stored up by other ingredients of the mixture and only given off at a much later stage1 when the evolution of this gas assists in the removal of the last small bubbles of inert air or carbonic acid gas still left in the glass4 ,the oxidising action of the nitrates1 however1 serves chiefly for the destruction of organic matter and the full oxidation of any iron present2 both processes which tend to improve the colour of the glass1 while in the case of flint glasses the presence of these oxidising additions is necessary to avoid all risk of reduction of lead1 since this would result in the complete blackening of the glass4 ,a much more complicated set of reactions occur when the alkali of a soda-lime glass is introduced either partly or wholly in the form of sulphate of soda 7salt-cake74 ,we have already pointed out that the unaided action of heat and of silica is not sufficient to bring about the rapid decomposition of sulphate of soda which is required for successful glass manufacture1 and that the intervention of reducing agents is required4 ,for this purpose a certain amount of carbon in the form of coke1 charcoal or anthracite coal1 is introduced into all salt-cake mixtures1 but the reducing gases of the furnace atmosphere also play an important part in the reactions that take place4 ,here again it is not possible to give anything but an incomplete account of what takes place4 ,the rationale of the whole process lies1 no doubt1 in the fact that sulphite of soda 7,na#b,,so#c7 is much more readily decomposed by the action of hot silica than the sulphate 7,na#b,,so#d7 itself1 so that the essential action of the reducing agents consists in robbing the sulphate of part of its oxygen1 thus reducing it to the condition of sulphite and rendering it accessible to the attack of silicic acid4 ,but if we attempt to express such a reaction in the usual manner by a chemical equation from which the quantity of carbon required to effect the reduction in question can be calculated1 we find that the amount of carbon required in practice is very considerably less than that given by this theory2 it follows therefore that either this very large amount of reducing action must be ascribed to the furnace gases1 or that the actual reactions are not strictly of the kind we have described4 ,both explanations are probably partly correct1 and in practice the amount of carbon to be used in a given mixture and furnace can only be found by actual trial1 in which the manufacturer is1 of course1 guided by the results obtained with other furnaces of a similar type4 ,the end-product of the reactions is again a mixture of silicates1 but a certain amount of undecomposed sulphate is always found in such glasses1 while gaseous oxides of sulphur escape from these furnaces in considerable quantity4 ,under exceptional circumstances the glass may even contain sulphides of soda or of lime1 and sometimes even suspended carbon1 but these are abnormal constituents and result in the serious discolouration of the glass4 ,it is obvious that to a mixture containing carbon as a reducing agent such oxidising materials as nitrates cannot be added1 but small quantities of arsenic and of manganese dioxide are added because their other properties are sufficiently valuable to outweigh their disadvantages as oxidising agents4 ,having now briefly considered the process of fusion proper1 we pass to the second stage in the melting of glass4 ,in a properly conducted glass-furnace1 when the last trace of undecomposed raw materials has disappeared1 we find the glass as a transparent mass throughout which gas bubbles are thickly disseminated4 ,for the majority of purposes it is necessary to free the glass as perfectly as possible from these bubbles before it is worked into its final form4 ,this freeing or 8fining0 process is carried out by further and more intense heating of the molten glass1 which is thereby rendered more fluid and allows the bubbles to disengage themselves by rising to the surface4 ,this occurs much more readily when the bubbles are large2 very minute bubbles1 in fact1 show no inclination to rise through the fluid mass4 ,the glass-maker accordingly compounds his mixtures of raw materials in such a way as to yield large bubbles1 or1 failing that1 he adds to the molten mass some substance that evolves a great many large bubbles1 and these in their upward course through the glass sweep the small ones away with them4 ,the added substance may be an inorganic volatile body1 such as arsenic1 or more frequently some vegetable substance containing much moisture is introduced into the glass4 ,the most usual method is to place a potato in the crook of a forked iron rod and then to dip the rod with the attached potato into the molten glass2 the heat at once begins to drive off the moisture and to decompose the potato1 so that there is a violent ebullition of the whole mass4 ,this 8boiling up0 process assists the fining considerably and also serves to mix the whole contents of the pot very thoroughly1 but it has some attendant disadvantages1 such as the introduction of oxide of iron into the glass from the rod which is used in the operation1 while the contaminated material adhering to the walls of the pot itself is dragged off and mixed with the rest of the glass by the violent stirring action that takes place4 ,it is1 of course1 further obvious that this process can only be usefully applied to glass melted in pots1 since the bulk of the molten glass in a tank furnace could not be reached at all in this manner4 ,mixtures that are to be melted in tanks must therefore be capable of freeing themselves of their enclosed bubbles without such outside aid4 ,in a tank1 in fact1 the whole melting process proceeds on somewhat different lines1 since the temperature of the furnace is never intentionally varied1 while on the other hand the melting glass travels down the furnace into regions whose temperature can be regulated to favour the various stages of the process that take place in each part of the furnace4 ,on the whole1 however1 it is an undoubted fact that while the running of a pot furnace can be varied1 within wide limits1 to suit the requirements of whatever mixture it is desired to melt1 in the case of tank furnaces the mixture must be closely adjusted to the requirements of the furnace1 whose general 8run0 cannot be very readily altered4 ,the completion of the 8fining0 process is generally determined by taking samples of the glass out of the pot or tank and examining them for enclosed bubbles4 ,such samples may be obtained in a variety of ways1 the most usual method being to dip a flat iron rod just below the surface of the glass and to lift it out vertically upwards1 thus retaining on the flat surface of the rod some of the glass that lay there at the moment when the rod was immersed4 ,these test samples or 8proofs0 are examined very carefully1 and if no trace of bubbles can be observed the glass is generally regarded as 8fine10 but it is by no means certain that the absence of bubbles from such a small sample will prove that the whole mass is free2 that1 however1 is a point where the melter's experience enables him to judge how far he may rely upon the indications given by the 8proofs40 ,when the glass is 8fine0 it frequently happens that the surface of the molten mass is contaminated by specks of foreign matter floating on the glass2 for the purpose of removing these1 the surface of all glass is skimmed before work is begun upon it4 ,this is done by removing the surface skin of glass by means of suitably shaped iron rods1 upon which small masses of molten glass are first 8gathered40 ,finally1 it only remains to reduce the temperature of the glass from that of the melting and fining process to the much lower temperature at which the various methods of working the glass are carried out4 ,in pot furnaces this is accomplished by lowering the temperature of the entire furnace1 while in tank furnaces the fine glass flows into the working chamber of the tank which is always kept at the working temperature4 ,,chapter ,,vi4 ,,processes ,,used ,,in ,,the ,,working ,,of ,,glass4 ,in the previous chapter we have followed in outline the process of fusion and fining of glass1 leaving the molten material ready for working up into the final shape4 ,up to that point the process is very similar in all kinds of glass1 although the furnaces1 pots and utensils employed vary considerably1 as do also the temperatures to which the materials are heated at various stages4 ,the working processes1 however1 differ entirely from one class of product to another1 as obviously the process employed for the production of a sheet of plate-glass can have little in common with that used in the manufacture of a wine-glass4 ,on the other hand1 the modes of working hot glass are not so numerous as the products that are produced1 so that we find very similar appliances and manipulation recurring in various branches of the industry4 ,for that reason we propose to deal here with the principal methods of manipulating glass1 leaving the details of each method as applied to special purposes to be discussed in connection with the special product in question4 ,the first stage in the working of all glass is the removal of a suitable quantity of molten glass from the furnace4 ,practically only three methods are available1 viz41 ladling1 pouring and gathering4 ,if we think of a familiar substance of physical properties somewhat resembling those of glass1 we may take thick treacle and suppose it confined in a jar or bottle2 there are three obvious ways of extracting it from the bottle3 we may ladle it out with a spoon1 or we may pour it out by tilting the whole bottle1 or we may dip a spoon or fork into the thick liquid1 slowly draw it out and turn it round as we do so1 thus bringing out on the spoon or fork a round adherent mass or 8gathering0 of treacle4 ,in the case of molten glass1 the process of ladling is by far the simplest1 but it has certain very decided limitations and disadvantages4 ,these arise from the fact that a ladle cannot be introduced into molten glass without contaminating the whole mass of glass1 at any rate with numerous air bubbles4 ,the metal of the ladle carries with it a considerable amount of closely adherent air which is partially detached while in contact with the hot glass1 so that both the contents of the ladle and the glass remaining in the furnace are contaminated4 ,these bubbles might perhaps be avoided if hot ladles were used1 but in that case the glass would adhere to the surface of the metal1 and each ladle would require laborious cleaning after each time that it was used4 ,in practice1 therefore1 ladling is only used for the production of those classes of glass where the presence of a certain number of air-bells is not injurious1 and the ladles are kept cold by immersion in water after each time of use4 ,the use of the cold ladle has1 however1 the further disadvantage that a certain quantity of the glass withdrawn in the ladle is very considerably chilled by contact with the cold metal1 and is thus too stiff to undergo the further processes satisfactorily--this chilled glass has1 therefore1 to be rejected from each ladleful2 this not only involves loss of glass1 but also necessitates the separation of this spoilt glass from the rest4 ,the general process of rolling requires little treatment here4 ,two essentially different processes are used2 in one the glass is thrown on a flat table and rolled out by a moving roller passing along the table2 in the other the glass passes between two moving rollers1 and the sheet so formed is received on a moving table or slab4 ,the former mode of rolling is used for the production of the ordinary rolled plate glass2 if the surface of both table and roller is smooth1 the glass also has a comparatively smooth surface1 but the surface is far from being level or free from irregularities4 ,it has been found that it is quite impossible to prevent these irregularities1 which appear to arise from the buckling of the glass against the iron surfaces with which it comes into contact2 when rolled1 the glass is too stiff to recover its true1 smooth surface under the influence of surface tension1 so that it retains all the marks of roller and table--nor can the roller be made perfectly smooth1 since in that case it appears to slip over the glass and does not roll it out properly4 ,all efforts1 therefore1 to produce a glass having a true and smooth surface by direct rolling have failed1 and are likely to fail1 so long as tables and rollers are made of materials similar to those now in use4 ,the process of rolling on a stationary table is1 however1 used for the manufacture of plate-glass2 but here the slab as rolled has still the rough1 uneven surface similar to that of ordinary 8rolled plate10 and this is removed and replaced by a true polished surface by the mechanical processes of grinding and polishing4 ,the second mode of rolling1 i4e41 with two or more 8stationary0 rollers and a moving table1 is used for the production of rolled plate having special surface features or patterns2 the variety of rolled glass known as 8figured rolled plate10 having a deeply imprinted pattern1 is produced in this way4 ,this method requires much more complicated mechanical appliances1 some of which are still protected by patent rights4 ,ladling being thus limited to the production of inferior kinds of glass1 the better varieties are dependent upon either gathering or pouring4 ,the former process is limited as regards the quantity of glass that can be dealt with in one piece1 although surprisingly large quantities can be gathered upon a single pipe2 the great masses of glass1 however1 that are required for the production of modern polished plate could not be handled in this way1 and the method of pouring is accordingly adopted4 ,for this purpose either the pots in which the glass has been originally melted1 or others specially designed for this purpose1 and into which the molten glass has been transferred1 are removed bodily from the furnace by the aid of powerful mechanical appliances2 they are then carried by overhead cranes to the place where the glass is to be rolled into the form of a plate1 and there the pot is tilted and the molten glass is allowed to run out and to form a pool on the rolling table1 the passage of the great roller ultimately rolling the pool out into a sheet much as dough is rolled out with a rolling-pin4 ,this process is obviously only possible with pots or crucibles of a suitable size1 and is1 moreover1 very destructive to these pots1 since they are exposed to such great variations of temperature4 ,in the case of tank furnaces1 numerous devices have been patented for allowing the glass to flow out over a sill or weir of suitable size1 ready to be rolled or drawn into the form of sheets or slabs2 but none of these devices have1 so far as the writer is aware1 found their way into practice2 the reason for this probably lies in the fact that it is not easy to find a material which will present a smooth face to the outflowing glass1 such materials as fire-clay leading to contamination from detached fragments1 while chilled metal leads to local chilling of the glass4 ,unless1 therefore1 the various processes of drawing glass into sheets direct from the furnace undergo very material improvement1 the laborious process of gathering is likely to retain its importance even in the production of such large objects as sheets of window glass4 ,in its essence the process of gathering consists in introducing into the glass a heated iron rod or tube to which a small quantity of glass is allowed to adhere2 rod and glass are removed from the furnace together1 and the small adherent ball of glass is allowed to cool so far as to become stiff enough to carry its own weight4 ,the rod with its adherent ball is then again dipped into the glass1 where a fresh layer of glass attaches itself to the ball already on the rod4 ,the whole is again withdrawn1 allowed to cool down1 and then dipped into the molten glass again to gather a fresh quantity4 ,this cycle of operations is repeated until the desired quantity of glass is attached to the rod or tube4 ,these operations1 particularly when weights of thirty or forty pounds of glass have to be gathered1 require the exercise of a great deal of skill and care2 the introduction of the gathering into the molten glass is each time liable to produce air-bells which would spoil the whole mass of glass or would contaminate the contents of the crucible1 while subsequently the mass of hot glass adhering to the rod or pipe tends to run down and even to drop off entirely if not properly checked by suitable rotation of the pipe4 ,further1 the manual labour and exposure to heat involved for the operator all tend to increase the cost of such work4 ,mechanical aids have been invented1 and some of these are in actual use1 but they are chiefly confined to mechanism for relieving the operator of the great weight of the gathering in its later stages4 ,just as ladling is nearly always preliminary to rolling1 so gathering is usually the preliminary to some blowing process1 although the blowing is often combined with and sometimes replaced by the mechanical pressing of the glass4 ,where the glass is to be blown1 the gathering is always made on a glass-maker's pipe4 ,this is an iron tube from #d to #f ft4 long1 provided at one end with a wooden casing to serve as a handle1 and with a suitably arranged mouthpiece for blowing4 ,the shape of the lower or 8butt0 end of the pipe depends upon the character and size of the objects to be blown2 for small articles the pipe must be narrow and light1 but for heavy sheet-glass the butt of the pipe is extended into a conical mass whose base is from #b to #c in4 in diameter4 ,the bore of the pipe at both ends also depends upon the class of work for which it is intended4 ,the first stage of all blowing processes consists in the formation of a hollow sphere by blowing into the pipe1 the pressure of the breath being as a rule sufficient to cause the gradual distension of the hot mass of glass4 ,from this rudimentary hollow sphere the various shapes of blown articles are then evolved by a series of manipulations which vary very widely in different branches of manufacture4 ,they generally consist1 however1 in gradually changing the shape of the mass of glass by the pressure either of hand tools or of specially prepared moulds or blocks against which the glass is held or turned1 either with or without simultaneous blowing into the pipe4 ,the extent to which the aid of such moulds and blocks is invoked varies continuously from the production of the hand-made vase or glass to the moulded bottle2 in the former1 practically only hand tools1 whose shape bears no direct resemblance to that of the finished article1 are employed1 while in the latter the elongated hollow mass of glass is placed inside a mould1 and internal air-pressure is used to press the glass into contact with the mould from which the shape of the finished bottle is thus directly derived4 ,the art of the blower further takes the fullest advantages of the peculiar physical properties of glass while in the heated viscous condition1 the material being made to flow under the action of gravity and centrifugal forces1 as well as under the pressure of the breath1 the glass being held aloft1 twirled or swung about to ensure the production of the various shapes required4 ,for the great majority of such purposes the unaided manipulations of the operator are sufficient1 but various mechanical aids are used to facilitate the more laborious stages of the work1 while for the simpler forms that are required in very great numbers1 such as bottles1 the whole of the operations are now carried out by automatic machines4 ,of the more usual mechanical aids at the disposal of the glass-blower1 we have already mentioned hand-tools1 blocks1 and moulds of various kinds4 ,next in importance to these is the use of compressed air for blowing large or heavy articles2 the pressure available by the human breath is very limited1 and the volume of air that can be thus delivered is not very large1 while the constant use of the lungs for such a purpose is trying for the workman4 ,in many works1 therefore1 air under pressure is supplied to the benches or stages where the blowing is done1 and the blowers' pipes can be coupled to this air-supply by means of flexible connections when required4 ,the principal difficulty lies in the correct regulation of the air-pressure for each special purpose2 but this difficulty has been overcome by the use of delicate valves under the control of each blower1 who can thus regulate the pressure to his own exact requirements4 ,such a system1 of course1 requires some little practice on the part of the men using it1 but when they have become accustomed to the working of the plant the results achieved are decidedly better and more regular than those obtained by mouth blowing4 ,besides the use of compressed air supplied in the way just indicated1 several other devices are in use to aid the blower in producing the requisite pressure in the interior of the hollow bodies he is producing4 ,the simplest of all these consists in utilising the expansive force of the air enclosed in the hollow body when that body is exposed to heat4 ,thus1 for instance1 in blowing a cylinder of sheet-glass1 if the blower holds his thumb over the aperture of his pipe1 and brings the closed end of the cylinder near the hot 8blowing hole10 the heat which softens that end of the glass will also act upon the enclosed air1 and will very rapidly produce such an expansive effect as to burst open the softened end of the cylinder1 and this means of opening the closed ends of the cylinder is frequently employed in practice4 ,it is1 of course1 obvious that any other expansive fluid might be employed in a similar manner1 and in some blowing processes it has long been the practice to introduce a small quantity of water into the interior of the hollow body1 when the rapid expansion of the steam produced thereby is utilised for the purpose of generating the requisite internal pressure4 ,this use of the expansive force of steam generated by the heat of the hot glass body has received great development at the hands of ,sievert in ,germany1 whose process is described in ,chapter ,,vii4 ,whatever mechanical aids are employed to facilitate the various stages of the process1 all glass blowing involves a series of operations requiring considerable skill1 while the whole manner of dealing with the glass is essentially extravagant of material1 except perhaps in the production of bottles or flasks having narrow mouths4 ,the reason for this latter statement lies in the fact that by blowing it is only possible to produce closed or nearly closed hollow bodies or vessels2 thus a blown wine-glass or tumbler is formed with a hood or dome closing in the open top of the glass1 and this hood or dome has subsequently to be removed by subsidiary processes1 such as cutting off by the aid of strong local heat or by grinding1 and the cut edge has to be provided with a smooth finish4 ,in the case of comparatively small articles like glasses the loss involved from this cause is not so very great1 but were large flat bowls or dishes to be produced by blowing1 the loss in the dome or covering would be very serious4 ,this difficulty is entirely avoided by the process of pressing glass4 ,we have already indicated the manner in which moulds are used for the production of the desired shape in the case of bottles1 etc41 but in these cases1 where the final object is to be a hollow vessel1 the glass is readily forced into contact with the mould by means of internal air--or steam--pressure2 in the process to which we are now referring1 however1 the hot glass is forced into contact with the external mould by means of an internal plunger which is forced downward with considerable force4 ,by this means1 flat or shallow bodies can be produced without the preliminary formation of a completely closed vessel1 while it is obvious that by the use of suitable moulds1 complicated and elaborate shapes can be produced4 ,it is true1 of course1 that pressed articles do not show the same smooth and brilliant surface which is characteristic of the fire-polish of blown articles1 while the facility with which elaborate surface ornamentation can be applied by this process has not tended to artistic refinement in design1 but the great majority of cheap and useful glass articles of domestic use have been made available by the development of the pressing industry4 ,in the ordinary course1 pressed glass is produced direct from the molten material1 which is introduced into the presses either by gathering or by means of ladles1 but for some special purposes glass is brought into its final shape by mechanical pressure after having first been allowed to solidify and having then been specially re-heated to undergo the pressing or moulding process4 ,this is principally done in the case of the best kinds of optical glass1 where the molten glass is first allowed to cool in the actual crucible and is then broken up into lumps of a suitable size1 from which the more defective portions can be rejected1 the more perfect portions only being heated up again in special kilns and then forced to take the desired shape by being pressed--sometimes with hand tools only and sometimes by the aid of powerful presses--into moulds of the required shape4 ,small lenses1 however1 for which the requirements of quality are not so high are sometimes pressed direct from small gatherings taken from the molten glass in the crucible4 ,,chapter ,,vii4 ,,bottle ,,glass4 ,although bottles are in some respects the cheapest and crudest products that are manufactured of glass1 their uses are so innumerable and their numbers so enormous that their production constitutes a most important branch of the industry4 ,in the choice of raw materials for the production of ordinary bottles cheapness is necessarily the first consideration4 ,natural minerals1 bye-products of other industries1 and the crudest chemicals are utilised so long as it is possible by compounding these ingredients in suitable proportions to obtain a glass whose composition meets the somewhat crude requirements which bottles are expected to meet4 ,the most essential of these requirements are that the bottles shall be strong enough to resist the internal pressure which may come upon them when used for the storage of fermented or effervescent liquors as well as the shock of ordinary use1 while the glass itself must possess sufficient chemical resistance to remain unattacked by the more or less corrosive liquids which it is called upon to contain4 ,further1 from the point of view of the bottle manufacturer it is desirable that the glass shall be readily fusible1 easily worked1 and easily annealed4 ,in other branches of glass manufacture increased fusibility is often attained by increasing the alkali contents of the glass1 but in bottle making this is inadmissible1 both on account of the prohibitive cost of alkali and because an increased alkali content renders the glass more liable to chemical attack4 ,on the other hand1 in many varieties of bottle the colour of the glass is nearly1 or quite1 immaterial so that the introduction of relatively large proportions of iron oxide is permissible4 ,this substance acts as a flux and assists in the production of a fusible1 workable glass containing little alkali4 ,such alkali as bottle glass does contain is frequently derived from felspathic minerals1 which generally also contain considerable proportions of iron4 ,the use of these minerals also introduces notable proportions of alumina into the glass4 ,in certain classes of bottles1 notably those used for special wines1 certain shades of colour are required--the well-known 8,hock bottle0 colour being an example4 ,the presence of iron in the glass tends to the production of a green or greenish-yellow colour deepening to a black opacity if the quantity of iron be high4 ,the lighter shades of this green tint may be 8neutralised0 by the introduction of manganese into the glass1 the resulting colours ranging from light amber to purple2 nickel oxide is also sometimes used as a colouring material in these glasses4 ,in the production of ordinary bottles the continuous tank furnace has now entirely superseded the old pot furnaces1 the character of the product being in this case particularly suited to this process of production4 ,the modern bottle-glass tank is generally an oblong basin having one semi-circular end4 ,the flame is often of the 8horse-shoe0 type1 the gases both entering and leaving the furnace at the flat or charging end of the furnace4 ,the raw materials are thrown into the furnace at the square end of the tank1 and the glass flows uninterruptedly down the furnace to the colder semi-circular end where the working holes are situated4 ,at these points fire-clay rings are kept floating on the glass1 and from within these the gatherer takes his gathering1 the rings serving to retain the grosser impurities carried down by the glass4 ,the producing power of such a furnace1 even when the bottles are blown by hand1 is very considerable2 a furnace having ten working holes and containing normally about #he tons of molten glass will yield some four million bottles per annum1 and furnaces of considerably larger capacity are in use4 ,the methods of bottle making are at the present time passing through what is probably a stage of transition4 ,up to the middle of last century the processes in use were little better than those of the middle ages2 the first step of a more modern development of the industry took the direction of improved tools and implements for carrying out the old operations4 ,more recently a whole series of inventions have been put forward with the aim of producing bottles by entirely different and wholly mechanical processes with the object of eliminating the uncertain element of skilled labour entirely4 ,while it must be admitted that some of the earlier of these inventions proved to be brilliantly ingenious failures1 there is little doubt that here1 as in other manufacturing processes1 the machine-made article will ultimately supersede the hand-made product4 ,even now1 mechanical processes are largely in use both in ,america and ,europe1 and at some recent exhibitions machine-made bottles have been shown which in every point of quality were superior to the best hand-made goods4 ,the first stage in the production of bottles by hand1 and also for most of the machine processes1 is that of gathering the requisite quantity of glass4 ,the bottle-blower's pipe is between #e and #f ft4 long1 and is provided with a slightly enlarged end or 8nose0 upon which the glass is gathered4 ,three gatherings are generally sufficient for the production of ordinary bottles1 but for extra large bottles1 and especially for carboys1 heavier gatherings are necessary1 and for these the gatherer must go to the furnace four1 five1 or even six times4 ,when the requisite quantity of glass has been gathered on the pipe the gathering is worked and rounded by rolling it either on a flat metal plate or 8marver10 or in a hollowed block made of wood or more rarely of metal2 by this process the glass is formed into a well-rounded1 symmetrical pear-shaped body4 ,the blower now distends the mass gradually by the pressure of his breath1 at the same time swinging the pipe1 the effect of these movements being to draw the bulk of the glass downwards1 leaving a thinner and colder portion having the rudimentary shape of the neck of the bottle next to the pipe4 ,in the oldest form of the process the next stage in the production of the bottle is accomplished by the aid of a cylindrical mould of fire-clay1 whose diameter is that of the external size of the finished bottle4 ,the pear-shaped bulb of glass is for this purpose re-heated at the melting furnace1 and is then placed inside the fire-clay mould4 ,by vigorous blowing1 and a rapid rotation of the pipe and glass1 the bulb is forced to assume the cylindrical shape of the mould1 the glass forming the neck of the bottle being at this stage of the process too cold and stiff to be further deformed4 ,the next step is the formation of the concavity found in the base of wine and beer bottles2 this is produced by pushing up the hot plastic glass that forms the bottom of the bottle as it leaves the clay mould4 ,this is done by a second workman using an iron rod known as the 8pontil10 upon which a small mass of glass has previously been gathered4 ,this mass of glass remains attached to the bottom of the bottle1 which is thus for the moment fastened both to the 8pontil0 and to the blower's pipe4 ,the blower1 however1 immediately detaches the bottle from the pipe at the point where the neck of the bottle is intended to end1 effecting this by locally chilling the glass--a process known by the descriptive term of 8wetting off40 ,the unfinished bottle is now attached to and handled by means of the 8pontil40 ,the neck is softened by re-heating it over the furnace1 and is then moulded into the desired shape by the aid of specially-shaped tongs4 ,finally a thread of glass is wound round the end of the neck to produce the thickening usually found at that point4 ,the finished bottle1 still attached to the 8pontil10 is now carried to the annealing kiln1 where it is placed in position and detached from the 8pontil0 by a sharp blow1 which severs the glass that had been gathered on the 8pontil0 from the bottom of the bottle4 ,the process1 in the form described above1 has been obsolete for many years1 improvements1 consisting of appliances for facilitating the various operations1 having been gradually introduced4 ,the most important of these is the substitution of metal moulds for the fire-clay moulds of earlier times4 ,these metallic moulds are made to open and close at will by the action of a pedal1 and are designed to give the entire bottle its final shape1 except for the indentation of the bottom1 although this is sometimes produced by a convex piece placed on the bottom of the mould4 ,in the formation of the neck thickening1 also1 important mechanical aids have become almost universal4 ,these last consist of tongs provided with rollers and arranged to rotate about an axis that terminates in a tapered spike which enters the neck of the bottle2 by pressing the tongs together so as to bring the rollers against the outside of the neck and rotating the whole1 the rollers are made to form the neck thickening in an accurate and rapid manner4 ,important and valuable as these improvements of the ancient process of bottle-blowing undoubtedly are1 they do not touch the main disadvantages of the process--disadvantages that seriously affect the economy of the process and the well-being of the workers employed upon it4 ,it is consequently not surprising that a great number of inventors have laboured at the problem of the purely mechanical production of bottles4 ,a large number of patents have accordingly been taken out in connection with bottle-making machinery4 ,the first of these to attain any favour was that devised by ,ashley1 but although great claims were made for it1 its use has not extended4 ,at the present time1 however1 there are a number of bottle-works actually at work producing bottles by mechanical means2 one of the most successful of these machines is that devised by ,boucher1 of ,cognac4 ,the products of this machine1 exhibited in ,paris at the exhibition of #aijj1 were equal1 and possibly superior1 to the best hand-made bottles4 ,the ,boucher machine1 although by no means entirely automatic1 requires no highly-skilled labour beyond that of a workman whose duty it is to operate the various levers of the machine at the right instant and in the proper order4 ,the details of the machine1 as set forth in the patents and other published descriptions1 are somewhat complicated1 and vary somewhat in the different models2 the general principle and mode of operation is1 however1 the same in all varieties of the machine1 and we shall therefore give a brief account of it here4 ,in the ,boucher process1 the glass is first gathered from the furnace1 but as no blowing-pipes are required1 the gathering is done on a light iron rod1 thus saving the gatherer much of the labour of carrying the heavy pipes4 ,the requisite quantity of the glass so gathered is then dropped into the first or 8measuring0 mould of the machine1 the 8thread0 being cut by hand by the operator4 ,from the measuring mould1 the glass is next caused to pass into the 8neck0 mould2 the glass flows into this mould1 and is further pressed into it by the aid of compressed air1 applied above the free surface of the glass4 ,at this stage the still liquid glass has the external shape of the neck of the bottle1 but the mass of glass is solid1 i4e41 no cavity has yet been produced in it4 ,the formation of the cavity is next begun by the action of a plunger which is driven into the 8solid0 mass of glass filling the neck mould1 this plunger thus punching out the passage through the neck of the bottle4 ,as soon as the plunger is withdrawn1 compressed air is admitted into the cavity so formed1 and the mass of glass is at the same time inverted1 and that part occupying the position of what is to be the shoulder of the bottle is allowed to descend while being blown out by the compressed air4 ,this process of distension is limited1 and the desired shape is imparted to the mass by bringing towards it a third mould1 by contact with which the glass is considerably stiffened--a row of jets of compressed air1 impinging on the outside of the glass forming the shoulder of the bottle1 being further used to stiffen the glass1 once the requisite extension has been attained4 ,the mass has now a shape very similar to that known as a 8parason0 in hand bottle-blowing1 and is by this time decidedly stiff4 ,it is now introduced into the finishing mould and is blown into perfect contact with the mould by powerful air-pressure1 thus attaining the proper shape of barrel and base2 the indentation of the base is1 however1 sometimes produced on a separate machine or press4 ,during all these operations the neck of the bottle1 which was the first part to be formed1 has remained firmly held in the neck mould1 and all the movements that have been described are performed by means of levers actuating movements of this mould as a whole1 which1 of course1 carry the glass with them4 ,the last movement of the levers1 which releases the bottle from the finishing mould1 also opens the neck mould1 and thus leaves the bottle finished and entirely free4 ,it will be seen that the process adopted in this machine follows as closely as possible the various stages of hand blowing1 but that the mechanical movements of the machine replace the laborious and difficult technique of the blower4 ,one such machine is capable of producing as many as #abj bottles1 each weighing #a lbs41 per hour1 but this is accomplished only by having some of the moulds in duplicate and so arranged as to come into use alternately4 ,the machine itself is attended by one 8moulder10 who operates the levers1 and by a youth1 who carries the finished bottles to the annealing kiln1 while1 of course1 the services of a gatherer are also required4 ,the appearance of a bottle works equipped with these machines is in striking contrast to that of a hand-blowing works1 where the stages around the working-holes are crowded with men doing arduous work under very severe conditions of temperature and atmosphere4 ,finally1 it must be pointed out that the use of the ,boucher machine is by no means confined to the production of the cheapest kinds of bottles1 but that it has shown itself especially well suited to the production of champagne and other bottles that are required to withstand a high internal pressure1 the machine-made bottles showing excellent results under pressure tests4 ,the machine is also used for the production of moulded glass-ware of white glass1 since it can be adapted to the production of any kind of glass vessel that can be produced by blowing into a mould4 ,the annealing of bottles was formerly carried out in large chambers or kilns of very simple construction1 in which the bottles were stacked as made1 the kiln being previously heated to the requisite temperature3 when full1 the kiln was closed up in a rough temporary manner and allowed to cool naturally1 thus annealing the bottles stacked within it4 ,in this branch of glass-making also1 however1 the continuous annealing kiln has superseded the older kinds1 and continuous kilns are now almost universal in bottle-making4 ,in these kilns1 which consist of long tunnels1 kept hot at one end and having a gradually decreasing temperature as the other end is approached1 the bottles are stacked on trucks which are slowly drawn through the kiln from the hot to the cold end4 ,at the cold end the trucks are unloaded and are then returned1 by an outside route1 to the charging end1 but of course the bottles cannot be stacked on the truck until it has actually entered the hot end of the tunnel and acquired the temperature there prevailing4 ,in a slightly different form of kiln1 the bottles are carried down the kiln on a species of conveyer belt formed of iron plates1 but the principle of all these appliances is similar even when used for very different kinds of glass4 ,in the account of bottle manufacture given above we have referred almost exclusively to the mode of production of the ordinary bottles used for the storage of such liquids as wine1 beer1 spirits1 etc41 and we will now deal with some other branches of manufacture closely allied to these4 ,an important branch of glass manufacture is the production of vessels of large dimensions4 ,those most closely allied to ordinary bottles are the vessels known as carboys1 used for the storage and transportation in bulk of chemical liquids1 and especially of acids4 ,formerly these were blown by hand in a manner closely resembling that used for ordinary bottles1 but the weight of the mass of glass to be handled by gatherer and blower is very great1 while the lung-power of a blower is not sufficient to produce the great expansion required4 ,formerly the only aid available to the blower was the device of injecting into the hot1 hollow glass body1 at an early stage of the process1 a quantity of water or alcohol2 this liquid was immediately vapourised by the heat of the glass1 and if the blower closed the mouthpiece end of his pipe by placing his thumb over it1 the expansive force of the vapour so generated served to blow out the glass to the desired extent4 ,more recently mechanical aids to the production of these large vessels have become available1 first in the shape of mechanical arrangements for relieving the workmen of the full weight of the glass and pipe by providing suitable arms upon which the whole can be supported without interfering with the blower's freedom of manipulating the pipe and glass in the desired way2 further1 a supply of compressed air1 which can be readily connected with the pipe at any desired moment1 facilitates the blowing process4 ,a process of producing hollow glass vessels of very large size by purely mechanical means has1 however1 been introduced during recent years by ,p4 ,sievert1 of ,dresden4 ,by the methods of this inventor1 glass vessels of quite unprecedented size--such as bath-tubs freely accommodating full-grown men--can be produced4 ,for this purpose the glass is spread out on the surface of a large cast-iron plate1 provided with numerous small holes through which steam or compressed air may be blown when desired4 ,the slab of viscous glass1 when properly spread over this plate1 is clamped down against it all around the outside edge by means of a suitably-shaped iron collar1 which holds the glass in air-tight contact against the plate beneath4 ,the whole iron plate1 with the slab of glass clamped to it1 is now turned over1 so that the glass hangs down under the plate4 ,the glass immediately begins to sag under its own weight1 and is assisted in this tendency by a suitable blowing of steam or air into the space between the plate and the glass4 ,in blowing bath-tubs in this way the glass is allowed to distend downwards until the desired depth is attained1 when further distension is arrested by bringing a flat supporting plate under the glass1 which is pressed against this flat plate by the pressure of the air1 thus forming the flat bottom of the tub4 ,in this process the outline of the object is determined by the shape of the clamping bars or plate that fix the edges of the hot glass against the iron plate described above1 and by this means almost any desired shape can be given to objects of simple form4 ,it is obvious that this process can also be employed for blowing a hollow body into contact with a mould of any desired form and forcing the hot glass to take the exact shape of the mould2 for smaller bodies1 however1 the blowing in of separately generated steam is not required1 the heat of the molten glass itself being used to generate the necessary steam4 ,for this purpose the requisite quantity of glass is dropped on the surface of a wet slab of asbestos4 ,on this surface the glass remains floating upon a layer of steam1 which is constantly renewed by the intense heating action of the hot glass on the water contained in the asbestos below4 ,the moulds used in this process are provided with a sharp edge or lip1 and as soon as the glass has spread into a slab of sufficient size1 the inverted mould is brought down upon the glass and pressed against it4 ,the sharp lip or edge of the mould forces the glass into close contact with the asbestos under it all around the edge of the mould1 thereby enclosing the space existing between the rest of the glass and the wet asbestos4 ,the heat of the glass continues to generate steam at a rapid rate1 but now the steam can no longer escape from under the glass around the edges1 and therefore blows the glass upwards into the mould1 ultimately forcing the glass into intimate contact with the surface of the mould2 when this is accomplished1 the pressure of the steam rises rapidly1 and ultimately lifts the entire mould and glass sufficiently to allow the excess steam to escape--and this is the sign that the blowing is complete4 ,the whole process takes only a very few seconds1 and is very successful when applied to suitable glass and used with moulds of proper shape4 ,it is1 of course1 obvious that ordinary narrow-mouthed bottles could not be produced in this way1 but wide-mouthed bottles and jars are made in this manner1 although the chief utility of the process lies in the production of comparatively shallow articles1 which are not of a shape that lends itself to pressing4 ,,chapter ,,viii4 ,,blown ,,and ,,pressed ,,glass4 ,in many ways very similar to the processes employed in the production of bottles are those used in the manufacture of all hollow glass vessels that are produced by blowing1 either with or without the aid of moulds4 ,apart from the actual shapes of the articles themselves1 however1 the principal difference between bottles and the better classes of hollow glass-ware lies in the composition and quality of the glass itself4 ,in this respect all grades of manufacture are to be met with1 from the light-coloured greenish or bluish glass used for medicine bottles to the most perfectly colourless and brilliant 8crystal0 or flint glass4 ,this gradation in the perfection of the glass represents a corresponding gradation in the care bestowed upon the choice of raw materials and the various manipulations of melting the glass4 ,as we have seen1 for the commonest kinds of bottles1 where colour and quality are immaterial1 all kinds of fusible materials can be utilised1 loamy or ferruginous sands and refuse glass of all kinds being employed4 ,where somewhat higher requirements have to be met1 rather purer sands have to be used as sources of silica1 while lime and alkali must be introduced in purer forms1 the alkali in the shape of the cheapest qualities of salt-cake and the lime in that of lime-stones reasonably free from iron and magnesia4 ,finally1 for the best qualities of glass the purest sand obtainable is used1 being often specially washed to remove all loamy matter1 while the alkali is introduced in the form of carbonate1 a chemical product which in its better qualities is practically free from injurious impurities4 ,in these high-class products two very distinct kinds of glass are met with4 ,one class1 of which the ,bohemian 8crystal0 is the highest example1 is chemically of the nature of an alkali-lime silicate1 the alkali in the case of the ,bohemian glass being potash2 the other variety of glass contains no lime1 its place being taken by lead1 typical of this class being ,english flint glass4 ,in some varieties of glass1 lead is also replaced1 partially or entirely1 by barium1 but this material is chiefly used for the manufacture of pressed glass4 ,the higher grades of quality in glass1 which thus require increased refinement in the raw materials1 also demand increased refinement in the furnaces and appliances employed in their melting4 ,the tank-furnace1 which holds the field in bottle manufacture1 is scarcely met with in the production of the better qualities of hollow glass-ware2 medicine bottles and other articles of moderate quality might be produced in tanks1 but the quantity of glass required for such purposes is seldom large enough to justify such large plant4 ,for the best qualities of colourless glass-ware1 however1 the tank-furnace could not be used on account of the fact that both as regards colour and freedom from defects1 the product of a tank-furnace is never equal to the best product of pot-furnaces4 ,for flint-glass1 indeed1 covered pots or crucibles must be used in order to adequately protect the molten glass from the reducing action of the furnace gases and from contamination by dust4 ,the materials of which the pots are constructed are also chosen with a view to avoiding all risk of introducing colouring or otherwise injurious impurities from that source4 ,in all processes for the production of hollow glass-ware1 the glass or 8metal0 is taken from the pot by the process of gathering which has already been described2 where blown articles are to be produced1 as distinct from pressed goods1 the initial stage is always the formation of a small hollow globe or bulb at the end of the glass-blower's pipe4 ,the subsequent manipulations depend upon the nature of the article to be produced4 ,the article may either be made entirely by hand work1 or rather 8chair0 work1 as it is usually called1 or the manipulations may be facilitated and the product cheapened--while its character is1 of course1 also modified--by the aid of moulds1 which are used to bring the object to its proper shape and to impress upon it certain decorative mouldings or markings4 ,as we have already seen1 ordinary bottles are now always blown with the aid of moulds1 and the same applies to medicine bottles1 lamp chimneys1 and the bulbs for electric light2 in connection with lamp-chimneys it should be noted that they are blown in moulds in the form of cylindrical bottles with a flat bottom and a domed top1 the ends being subsequently cut off4 ,many of the cheaper varieties of tumblers and glasses are also blown in moulds1 but they can be1 and sometimes are1 produced by hand1 and as their manufacture is typical of that of all hand-blown hollow ware1 we shall now describe it in some detail as an example of this class of work4 ,the implements used by the glass-blower and his assistants for this work are few and simple4 ,the largest item is the glass-blower's bench or chair1 which is simply a rough wooden bench provided with two projecting side-rails or arms4 ,when finishing a piece of work the blower sits on this bench1 and the pipe lies across the two rails in front of him in such a position that by rolling it backwards and forwards along the rails he can readily keep the pipe in gentle rotation4 ,in addition to the ordinary blower's pipe and a 8pontil0 or rod for attaching small quantities of glass whereby the piece in hand can be held1 the only other tools used by the blower are a number of shears and pincers of various shapes which serve for cutting off1 pressing in1 and distending the glass as required1 a flat board and a stone or metal plat or 8marver0 being also used for the purpose of moulding the glass4 ,as already indicated1 the first step in the production of such an object as a tumbler consists in gathering a suitable quantity of glass on the pipe and blowing it into a small bulb4 ,this bulb is blown out to the proper size and is then elongated by gently swinging the pipe4 ,the next step is the flattening of the lower end of the bulb by gently pressing it on the 8marver0 or flat plate provided for such purposes2 in this way the flat bottom of the glass is formed1 and the bulb now has the shape of the finished glass1 but remains attached to the pipe by a shoulder and neck4 ,the earliest practice was to separate the tumbler from the pipe at such a point as to leave the tumbler of the correct length1 the remaining operation consisting in holding the glass1 first fixed to a pontil for the purpose1 into the furnace so as to heat the broken edge2 this edge was thereby rounded off1 and the brim of the glass could be widened or otherwise shaped by rotating the glass or pressing it in or out by the aid of pieces of wood4 ,in modern practice1 however1 this is not usual1 the glass being separated from the pipe well above the shoulder and annealed in this shape4 ,subsequently the glass is finished in a trimming room or workshop by being cut off at the desired point and having the rough edge rounded off by the aid of a blowpipe flame4 ,the cutting-off operation is carried out in a great variety of ways1 the most usual being by the action of heat applied locally and suddenly1 either by the aid of specially-shaped flat blowpipe flames or by an electrically-heated wire4 ,machines for carrying out this operation1 as well as the subsequent rounding of the edge automatically1 are in use1 but the latter process is sometimes replaced by slightly grinding and polishing the edges4 ,illustration3 ,,fig4 #h4--,sectional diagram of the evolution of a tumbler4 ,the evolution of an ordinary tumbler1 as just described1 and as illustrated diagrammatically in ,fig4 #h1 is typical of the whole process of hollow-glass blowing1 but of course the number of operations1 as well as the care and skill involved in each step1 increases rapidly as the form of the vessel becomes more complex2 in the highest class of work a very considerable element of artistic taste and judgment on the part of the operative also becomes essential1 for1 although the form of the object as well as the choice of colour and ornamentation are chosen by the designer1 the blower has to translate the drawing of the designer into glass1 and although his skill enables him to attain a considerable degree of fidelity in his rendering1 many details remain at his own option1 and the proper management of these is no small factor in the success of the whole work4 ,in this connection mention should perhaps be made of the application of colour and other decorations to this kind of glass4 ,a very considerable range of effects of this kind is now available to the glass-worker4 ,in the first place the body of the glass used for the production of the articles in question may be coloured by the addition of suitable colouring materials to the molten glass or raw materials1 as explained in ,chapter ,,xi41 but this procedure has very obvious limitations2 where the article is built up of glass from several gatherings--as1 for example1 is the case in an ordinary wine-glass1 where the bowl1 leg and foot are each made of separate gatherings--it is possible to use glass of different colours for these different parts1 and this is commonly done in the production of wine glasses having ruby or green bowls and white legs and feet4 ,a further modification in the application of colour is obtainable by taking up two or more gatherings on the same pipe and superposing a large gathering of white glass on a smaller one of coloured glass2 this is analogous to the process of 8flashing0 sheet glass1 described in ,chapter ,x4 and this process lends itself to a variety of manipulations resulting in the distribution of the coloured layer of glass in almost any desired manner over the object in hand4 ,the principal objection to this process1 however1 lies in the fact that pots of molten glass of all the colours desired must be kept available to the blower at the same time1 and this is not easily arranged for in any reasonably economical manner4 ,for this reason1 and also because the manipulations are simpler1 coloured glass intended for application to blown glass-ware is generally used in the form of short rods previously prepared2 these rods are suitably heated1 and the coloured glass can then be applied to the article in hand at any desired place and in as small or large a quantity as required4 ,if the two glasses thus brought into contact are properly related to one another as regards chemical composition and physical properties1 they blend very readily and perfectly1 and the result is quite as good as could be obtained by using the coloured glass in the molten condition4 ,other decorations1 such as gilding or other metallic lustres and also various kinds of iridescence1 are produced upon the finished glass4 ,metallic lustres are obtained by placing upon the surface of the glass1 and slightly fusing into it a layer of particles of the actual metal4 ,in some cases this is done by rolling the glass vessel1 while still hot1 in a mass of metallic foil of the kind desired1 when a sufficient quantity readily adheres2 in other cases the metal is applied in the form of a flux or glaze containing a large proportion of an easily-reduced compound of the metal1 and this is afterwards reduced to the metallic state by the action of heat1 sometimes aided by that of smoke or other reducing gases4 ,an iridescent surface is produced upon certain varieties of glass by the corrosive action of acid vapours2 in fact1 in localities where the atmosphere is tainted with sulphur fumes it is quite usual to see an iridescent lustre on the surface of ordinary window glass4 ,there are1 of course1 numerous other means of decorating blown and other glass1 such as cutting1 engraving1 etching1 silvering1 etc41 but it would lie beyond the scope of the present volume to deal with these1 since they are outside the field of actual glass manufacture4 ,in the production of hollow glass-ware by hand1 the glass-blower avails himself to the full of the property so characteristic of glass of assuming a pasty or viscous condition when suitably heated2 by raising or lowering the temperature of his material1 the blower can at will render it stiffer or more fluid2 by blowing he can distend it1 draw it out by the aid of gravity or centrifugal action1 or he can mould it with the aid of rods and tongs of suitable shape1 while at times he allows it to fall or festoon under its own weight while held aloft4 ,with all these manipulations at his disposal1 the skilful operative is able to work the glass to his will and to fashion objects of great variety and beauty1 but it should be noted that objects produced by hand in this way will bear the mark of the processes employed in their production in the fact that they do not possess the extreme regularity of size and shape which are associated with machine-made articles2 there is a certain natural variability in the exact shape of curves and festoons that is foreign to the products of mechanical processes4 ,for some purposes this variability is a disadvantage1 while to some minds it appears as a defect1 and methods have been devised for facilitating the production of strictly uniform glass-ware by the use of moulds as an aid to the work of the glass-blower4 ,while undoubtedly reducing the value and beauty of the ware from the purely artistic standpoint1 these aids to hand-work have rendered possible an immense expansion of the entire industry1 since1 with the use of moulds1 presentable glass-ware can be produced by hands far less skilled than those required for pure hand-work4 ,in the description given above of bottle-blowing by hand we have already seen an example of the use of moulds in aiding the blower to form his object to the desired size and shape4 ,much more complicated and decorative objects can1 however1 be produced by the use of moulds4 ,such objects as globes and shades for gas1 oil and electric lamps1 when of a light substance and suitable shape1 are usually produced by blowing bulbs of glass into moulds1 where they acquire the general shape as well as the detailed decorated surface configuration which they afterwards present4 ,here again the body remains a closed vessel1 and is only opened and trimmed to the final shape at the end of the operation when all the blowing and moulding have been done4 ,articles blown in this way very frequently show 8mould marks10 since the contact of the hot glass with the relatively cold surface of the mould results in a certain crinkling or roughening of the glass1 much as in the process of rolling4 ,this effect can be minimised by dressing the interior surfaces of the moulds with suitable greasy dressings1 whose chief property should be that they do not stick to the hot glass and leave little or no residue when gradually burnt away in the mould2 the proper care of the moulds and their maintenance is in fact the first essential to successful manufacture in this as well as in the pressed-glass industry4 ,even under the most favourable conditions1 however1 the surface of glass blown into moulds is not so good as that of hand-blown articles which have never come into contact with cold materials1 and therefore retain undiminished the natural 8fire polish0 which glass possesses when allowed to cool freely from the molten state4 ,an effort at producing a similar brilliance of surface on moulded and pressed articles is often made by exposing them1 after they have attained their final form1 to the heat of a furnace to such an extent as to soften the surfaces and allow the glass to re-solidify under the undisturbed influence of surface-tension much as it would do in solidifying freely in the first place4 ,unfortunately this process cannot be carried out without more or less softening the entire article1 so that skilful manipulation is required to prevent serious deformation of the object1 while a certain amount of rounding off in all sharp corners and angles cannot be avoided4 ,the air-pressure required to bring the whole of the surfaces of a large and possibly complicated piece of glass into contact with the surfaces of the mould is sometimes very considerable1 and the lung-power of the blower is often insufficient for the purpose2 in many works1 therefore1 compressed air is supplied for the purpose1 arrangements being employed whereby the operative can quickly connect the mouthpiece of his pipe with the air-main1 while he can accurately control the pressure by means of a suitable valve4 ,the ,sievert process of moulding by the aid of steam pressure has already been described4 ,although the evolution of the industry scarcely followed this path1 it is not a large step to pass from a process in which air-pressure is used to drive viscous glass into contact with a mould to a process in which the pressure of the air is replaced by the pressure of a suitably-shaped solid plunger1 and this is essentially the widely-used process of glass pressing4 ,in the first instance this mode of manufacture is obviously applicable to solid or flat and shallow articles which could not be conveniently evolved from the spherical bulb which stands as embryo of all blown glass2 at first sight it would seem in fact as though the process must be limited to articles of such a shape that a plunger can readily enter and leave the concave portions4 ,by the ingenious device1 however1 of pressing two halves of a closed or nearly closed vessel simultaneously in two adjacent moulds and then pressing the two halves together while still hot enough to unite1 it has been made possible to produce by the press alone such objects as water-jugs1 for example1 into which a plunger could not possibly be introduced when finished4 ,the process of pressing being a purely mechanical one and requiring no very elaborate plant and little skilled labour1 has placed upon the market a host of cheap and extremely useful articles1 thus serving to widen very considerably the useful applications of glass4 ,on the other hand1 the process has been and is still used to some extent for the production of articles intended to imitate the products of other processes such as hand-blown and cut glass1 with the result that a great deal of glass has been produced which cannot possibly be classed as beautiful and much of which can lay as little claim to utility4 ,the essential feature of the process of glass pressing consists1 as already indicated1 in forcing a layer of glass into contact with a mould by the pressure of a mechanically actuated plunger4 ,for this purpose a suitable mould and plunger as well as a press for holding the former and actuating the latter are required4 ,the moulds are generally made of a special quality of close-grained cast-iron1 and they are kept trimmed and dressed in much the same manner as the moulds used for blowing 7except that the latter are sometimes made of wood74 ,for the purpose of facilitating the removal of the finished article1 the moulds are generally made in several pieces which fit into one another and can be separated by means of hinges4 ,a very important point about these moulds is that the various pieces should fit accurately into one another1 since otherwise a minute 8fin0 of glass will be forced into every interstice1 and the traces of these fins will always remain visible on the finished article2 the very perfect fit required to entirely prevent the formation of such fins is1 of course1 scarcely attainable in practice except in the case of new moulds1 so that the traces of fins are generally to be found on all pressed articles1 and serve as a ready means of identifying these products when an attempt is made to imitate better classes of glass-ware by their means4 ,the presses used in this process are generally of the hand-lever type2 power presses could no doubt be used1 but it is contended that the hand-press has a very great advantage in allowing the operator to judge by touch when sufficient pressure has been exerted1 and this is an important consideration1 since an excessive pressure would either force the glass out of the mould altogether or would be liable to burst or injure the mould seriously4 ,the actual presses consist of vertical guides and levers for controlling the movement of the plunger and a table for holding the moulds1 and in some cases a system of cranks and levers for opening and closing the moulds4 ,the process of pressing is exceedingly simple4 ,the proper quantity of glass is gathered from the pot on a solid rod and dropped into the mould4 ,the thread of glass which remains between the glass in the mould and that remaining on the iron is cut off with a pair of shears1 and then the plunger is lowered into the mould and allowed to remain there until the glass has stiffened sufficiently to retain its shape1 when the plunger is withdrawn4 ,in this proceeding it will be seen that the glass is forced into intimate contact with the relatively cold surfaces of mould and plunger1 and while undergoing this treatment the glass must remain sufficiently plastic to readily adapt itself to the configuration of the mould4 ,it is therefore not surprising to find that the pressing process can only be used successfully with glass of a kind specially adapted for it4 ,certain varieties of flint glass and some barium glasses are used for this purpose1 but the greater quantity of pressed glass1 particularly as produced on the ,continent1 is made of a lime-alkali silicate containing considerable quantities of both soda and potash and relatively little lime2 while sufficiently resistant for most purposes1 this glass is particularly soft and adaptable while in the viscous condition4 ,the deleterious effect produced upon glass surfaces when brought into contact with relatively cold metal has already been referred to above1 and it only remains to add that this is the principal difficulty with which the glass-pressing process has to contend4 ,it is overcome to some extent by the aid of the reheating process described above2 but this is only a partial remedy1 and in the majority of pressed glass products the surface is 8covered0 as far as possible by the application of relief decorations such as grooves1 spirals1 and ribbings4 ,an attempt is sometimes made to imitate the appearance of cut glass1 but the rounding of the angles during the reheating process destroys the sharpness of the effect and allows of the ready detection of the imitation1 while the cheapness of the decoration when applied in the mould has frequently led manufacturers to grossly over-decorate1 and1 therefore1 destroy all claim to beauty in their wares4 ,,chapter ,,ix4 ,,rolled ,,or ,,plate-,,glass4 ,in the present chapter we propose to deal with all those processes of glass manufacture in which the first stage consists in converting the glass into a slab or plate by some process of rolling4 ,we have already considered the general character of the rolling process1 and have seen that1 although hot1 viscous glass lends itself readily to being rolled into sheets or slabs1 these cannot be turned out with a smooth1 flat surface4 ,in practice the surface of rolled glass is always more or less dimmed by contact with the minute irregularities of table or roller1 and larger irregularities of the surface arise from the buckling that occurs at a great many places in the sheet4 ,these limitations govern the varieties of glass that can be produced by processes that involve rolling1 and have led to the somewhat curious result that both the cheapest and roughest1 as well as the best and most expensive kinds of flat glass1 are produced by rolling processes4 ,ordinary rough 8rolled plate10 such as that used in the skylights of workshops and of railway stations1 is the extreme on the one hand1 while polished plate-glass represents the other end of the scale4 ,the apparent paradox is1 however1 solved when it is noted that in the production of polished plate-glass the character of the surface of the glass as it leaves the rollers is of very minor importance1 since it is entirely obliterated by the subsequent processes of grinding1 smoothing1 and polishing4 ,intermediate between the rough 8rolled0 and the 8polished0 plate-glass we have a variety of glasses in which the appearance of the rolled surface is hidden or disguised to a greater or lesser extent by the application of a pattern that is impressed upon the glass during the rolling process2 thus we have rolled plate having a ribbed or lozenge-patterned surface1 or the well-known variety of 8figured rolled0 plate1 sometimes known as 8,muranese10 whose elaborate and deeply-imprinted patterns give a very brilliant effect4 ,rolled plate-glass being practically the roughest and cheapest form of glazing1 is principally employed where appearance is not considered1 and its chief requirement is1 therefore1 cheapness1 although both the colour and quality of the glass are of importance as affecting the quantity and character of the light which it admits to the building where the glass is used4 ,on the ground of cheapness it will be obvious from what we have said above 7,chapter ,,iv471 that such glass can only be produced economically in large tank furnaces1 and these are universally used for this purpose4 ,the requirements as regards freedom from enclosed foreign bodies of small size and of enclosed air-bells are not very high in such glass1 and1 therefore1 tanks of very simple form are generally used4 ,no refinements for regulating the temperature of various parts of the furnace in order to ensure perfect fining of the glass are required1 and the furnace generally consists simply of an oblong chamber or tank1 at one end of which the raw materials are fed in1 while the glass is withdrawn by means of ladles from one or two suitable apertures at the other end4 ,for economical working1 however1 the furnace must be capable of working at a high temperature1 because a cheap glass mixture is necessarily somewhat infusible1 at all events where colour is considered4 ,this will be obvious if we remember that the fusibility of a glass depends upon its alkali contents1 and alkali is the most expensive constituent of such glasses4 ,the actual raw materials used in the production of rolled plate-glass are sand1 limestone and salt-cake1 with the requisite addition of carbon and of fluxing and purifying materials4 ,the selection of these materials is made with a view to the greatest purity and constancy of composition which is available within the strictly-set limits of price which the low value of the finished product entails4 ,these materials are handled in very large quantities1 outputs of from #fj to #aej tons of finished glass per week from a single furnace being by no means uncommon2 mechanical means of handling the raw materials and of charging them into the furnace are therefore adopted wherever possible4 ,the glass is withdrawn from the furnace by means of large iron ladles4 ,these ladles are used of varying sizes in such a way as to contain the proper amount of glass to roll to the various sizes of sheets required4 ,the sizes used are sometimes very large1 and ladles holding as much as #ahj to #bjj lbs4 of glass are used4 ,these ladles1 when filled with glass1 are not carried by hand1 but are suspended from slings attached to trolleys that run on an overhead rail4 ,the ladler1 whose body is protected by a felt apron and his face by a mask having view-holes glazed with green glass1 takes the empty ladle from a water-trough1 in which it has been cooled1 carries it to the slightly inclined gangway that leads up to the opening in the front of the furnace1 and there introduces the ladle into the molten glass1 giving it a half-turn so as to fill it with a 8solid0 mass of glass4 ,by giving the ladle two or three rapid upward jerks1 the operator then detaches the glass in the ladle as far as possible from the sheets and threads of glass which would otherwise follow its withdrawal2 then the part of the handle of the ladle near the bowl is placed in the hook attached to the overhead trolley1 and by bearing his weight on the other end of the handle1 the workman draws the whole ladle up from the molten bath in the furnace and out through the working aperture4 ,this operation only takes a few seconds to perform1 but during this time the ladler is exposed to great heat1 as a more or less intense flame generally issues from the working aperture1 whence it is drawn upward under the hood of the furnace4 ,from the furnace opening1 the ladler1 generally aided by a boy1 runs the full ladle to the rolling table and there empties the ladle upon the table just in front of the roller4 ,in doing this1 two distinctly different methods are employed4 ,in one1 only the perfectly fluid portion of the glass is poured out of the ladle by gradually tilting it1 the chilled glass next to the walls of the ladle being retained there and ultimately returned to the furnace while still hot4 ,in the other method1 the chilling of the glass is minimised as far as possible1 and the entire contents of the ladle are emptied upon the rolling table by the ladler1 who turns the entire ladle over with a rapid jerk which is so arranged as to throw the coldest part of the glass well away from the rest4 ,when the sheet is subsequently rolled this chilled portion is readily recognised by its darker colour1 and since it lies entirely at one end of the sheet it is detached before the sheet goes any further4 ,neither method appears to present any preponderating advantage4 ,illustration3 ,,fig4 #i4--,rolling table for rolled plate-glass4 ,the rolling table used in the manufacture of rolled plate is essentially a cast-iron slab of sufficient size to accommodate the largest sheet which is to be rolled2 over this slab moves a massive iron roller which may be actuated either by hand or by mechanical power--the latter1 however1 being now almost universal4 ,the thickness of the sheet to be rolled is regulated by means of slips of iron placed at the sides of the table in such a way as to prevent the roller from descending any further towards the surface of the table3 so long as the layer of glass is thicker than these slips1 the entire weight of the roller comes upon the soft glass and presses it down1 but as soon as the required thickness is attained1 the weight of the roller is taken by the iron slips and the glass is not further reduced in thickness4 ,the width of the sheet is regulated by means of a pair of iron guides1 formed to fit the forward face of the roller and the surface of the table1 in the manner indicated in ,fig4 #i4 ,the roller1 as it moves forward1 pushes these guides before it1 and the glass is confined between them4 ,when the roller has passed over the glass1 the sheet is left on the iron table in a red-hot1 soft condition1 and it must be allowed to cool and harden to a certain extent before it can be safely moved4 ,in this interval1 the chilled portion--if any--is partially severed by an incision made in the sheet by means of a long iron implement somewhat like a large knife1 and then the sheet is loosened from the bed of the table by passing under it1 with a smooth rapid stroke1 a flat-bladed iron tool4 ,the sheet is next removed to the annealing kiln or 8lear10 being first drawn on to a stone slab and thence pushed into the mouth of the kiln4 ,at this stage the chilled portion of the sheet is completely severed by a blow which causes the glass to break along the incision previously made4 ,the rolled-plate annealing kiln is essentially a long1 low tunnel1 kept hot at one end1 where the freshly-rolled sheets are introduced1 and cold at the other end1 the temperature decreasing uniformly down the length of the tunnel4 ,the sheets pass down this tunnel at a slow rate1 and are thus gradually cooled and annealed sufficiently to undergo the necessary operations of cutting1 etc4 ,although thus simple in principle1 the proper design and working of these 8lears0 is by no means simple or easy1 since success depends upon the correct adjustment of temperatures throughout the length of the tunnel and a proper rate of movement of the sheets1 while the manner of handling and supporting the sheets is vital to their remaining flat and unbroken4 ,the actual movement of the sheets is effected by a system of moving grids which run longitudinally down the tunnel4 ,the sheets ordinarily lie flat upon the stone slabs that form the floor of the tunnel1 and the grids are lowered into recesses cut to receive them4 ,at regular intervals the iron grid bars are raised just sufficiently to lift the sheets from the bed of the kiln1 and are then moved longitudinally a short distance1 carrying the sheets forward with them and immediately afterwards again depositing them on the stone bed4 ,the grids return to their former position while lowered into their recesses below the level of the kiln bed4 ,when they emerge from the annealing kiln or 8lear0 the sheets of rolled plate-glass are carried to the cutting and sorting room4 ,here the sheets are trimmed and cut to size4 ,the edges of the sheets as they leave the rolling table are somewhat irregular1 and sometimes a little 8beaded10 while the ends are always very irregular4 ,ends and edges are therefore cut square or 8trimmed0 by the aid of the cutting diamond4 ,for this purpose the sheet is laid upon a flat table1 the smoothest side of the sheet being placed upwards1 and long cuts are taken with a diamond--good diamonds of adequate size and skilful operators being necessary to ensure good cutting on such thick glass over long lengths4 ,strips of glass six or eight feet long and half an inch wide are frequently detached in the course of this operation1 and the final separation is aided by slight tapping of the underside of the glass just below the cut and--if necessary--by breaking the strip off by the aid of suitable tongs4 ,no very elaborate 8sorting0 of rolled plate glass is required1 except perhaps that the shade of colour in the glass may vary slightly from time to time1 and it is generally preferable to keep to one shade of glass in filling any particular order4 ,apart from this1 the rolled plate cutter has merely to cut out gross defects which would interfere too seriously with the usefulness of the glass4 ,as we have already indicated1 air-bells and minute enclosures of opaque matter are not objectionable in this kind of glass1 but large pieces of opaque material must generally be cut out and rejected1 not only because they are too unsightly to pass even for rough glazing purposes1 but also because they entail a considerable risk of spontaneous cracking of the glass--in fact1 visible cracks are nearly always seen around large 8stones10 as these inclusions are called4 ,these may arise from various causes1 such as incomplete melting of the raw materials1 or the contamination of the raw materials with infusible impurities1 but the most fruitful source of trouble in this direction lies in the crumbling of the furnace lining1 which introduces small lumps of partially melted fire-clay into the glass4 ,in a rolled plate tank furnace which is properly constructed and worked1 the percentage of sheets which have to be cut up on account of such enclosures should be very small1 at all events until the furnace is old1 when the linings naturally show an increasing tendency to disintegrate4 ,returning now to the rolling process1 it is readily seen that a very slight modification will result in the production of rolled plate-glass having a pattern impressed upon one surface2 this modification consists in engraving upon the cast-iron plate of the rolling table in intaglio any pattern that is to appear upon the glass in relief4 ,as a matter of fact only very simple patterns are produced in this way1 such as close parallel longitudinal ribbing and a lozenge-pattern1 the reason probably being that the cost of cutting an elaborate pattern over the large area of the bed-plate of one of these tables would be very considerable4 ,further1 as these tables and their bed-plates are so very heavy1 they are not readily interchanged or left standing idle1 so that only patterns required in very great quantity could be profitably produced in this way4 ,these disadvantages are1 however1 largely overcome by the double-rolling machine4 ,in this machine1 into whose rather elaborate details we cannot enter here1 the glass is rolled out into a sheet of the desired size and thickness by being passed between two rollers revolving about stationary axes1 the finished sheet emerging over another roller1 and passing on to a stone slab that moves forward at the same rate as the sheet is fed down upon it4 ,in this machine a pattern can be readily imprinted upon the soft sheet as it passes over the last roller by means of a fourth roller1 upon which the pattern is engraved2 this is pressed down upon the sheet1 and leaves upon it a clear1 sharp and deep impress of its pattern4 ,the general arrangement of the rollers in this machine is shown in the diagram of ,fig4 #aj1 which represents the sectional elevation of the appliance4 ,after leaving the rolling machine1 the course of the 8figured rolled plate0 produced in this manner is exactly similar to that of ordinary rolled plate1 except that as a somewhat softer kind of glass is generally used for 8figured10 the temperature of the annealing kilns requires somewhat different adjustment4 ,the cutting of the glass also requires rather more care1 and it should be noted that such glass can only be cut with a diamond on the smooth side2 the side upon which the pattern has been impressed in relief cannot be materially affected by a diamond4 ,this is one reason why it is not feasible to produce such glass with a pattern on both sides4 ,illustration3 ,,fig4 #aj4--,sectional diagram of machine for rolling 8figured rolled0 plate-glass4 ,figured rolled glass1 being essentially of an ornamental or decorative nature1 is generally produced in either brilliantly white glass or in special tints and colours1 and the mixtures used for attaining these are1 of course1 the trade property of the various manufacturers2 the whiteness of the glass1 however1 is only obtainable by the use of very pure and1 therefore1 expensive materials4 ,as regards the coloured plate-glasses1 a general account of the principles underlying the production of coloured glass will be found in ,chapter ,,xi4 ,the manufacture of polished plate-glass really stands somewhat by itself1 almost the only feature which it has in common with the branches of manufacture just described being the initial rolling process4 ,the raw materials for the production of plate-glass are chosen with the greatest possible care to ensure purity and regularity2 owing to the very considerable thickness of glass which is sometimes employed in plate1 and also to the linear dimensions of the sheets which allow of numerous internal reflections1 the colour of the glass would become unpleasantly obtrusive if the shade were at all pronounced4 ,the actual raw materials used vary somewhat from one works to another2 but1 as a rule1 they consist of sand1 limestone1 and salt-cake1 with some soda-ash and the usual additions of fluxing and purifying material such as arsenic1 manganese1 etc4 ,the glass is generally melted in pots1 and extreme care is required to ensure perfect melting and fining1 since very minute defects are readily visible in this glass when finished1 and1 of course1 detract most seriously from its value4 ,the method of transferring the glass from the melting-pot to the rolling table differs somewhat in different works4 ,in many cases the melting-pots themselves are taken bodily from the furnace and emptied upon the bed-plate of the rolling machine1 while in other cases the glass is first transferred to smaller 8casting0 pots1 where it has to be heated again until it has freed itself from the bubbles enclosed during the transference1 and then these smaller pots are used for pouring the glass upon the rolling slab4 ,the advantage of the latter more complicated method lies1 no doubt1 in the fact that the large melting-pots1 which have to bear the brunt of the heat and chemical action during the early stages of melting1 are not exposed to the great additional strain of being taken from the hot furnace and exposed for some time to the cold outside air4 ,apart from the mechanical risks of fracture1 this treatment exposes the pots to grave risks of breakage from unequal expansion and contraction on account of the great differences of temperature involved4 ,where smaller special casting-pots are used1 these are not exposed to such prolonged heat in the furnace1 and are never exposed to the chemical action of the raw materials1 so that these subsidiary pots may perhaps be made of a material better adapted to withstand sudden changes of temperature than the high-class fire-clay which must be used in the construction of melting pots4 ,on the other hand1 the transference of the glass from the melting to the casting-pots involves a laborious operation of ladling and the refining of the glass1 with its attendant expenditure of time and fuel4 ,finally1 the production of plate-glass in tank furnaces could only be attempted by the aid of such casting-pots in which the glass would have to undergo a second fining after being ladled from the tank1 and this would materially lessen the economy of the tank for this purpose1 while it is by no means an easy matter to produce in tank furnaces qualities of glass equal as regards colour and purity to the best products of the pot furnace4 ,the withdrawal of the pots containing the molten glass from the furnace is now universally carried out by powerful machinery4 ,the pots are provided on their outer surface with projections by which they can be held in suitably-shaped tongs or cradles4 ,a part of the furnace wall1 which is constructed each time in a temporary manner1 is broken down2 the pot is raised from the bed or 8siege0 of the furnace by the aid of levers1 and is then bodily lifted out by means of a powerful fork4 ,the pot is then lifted and carried by means of cranes until it is in position above the rolling table2 there the pot is tilted and the glass poured out in a steady stream upon the table1 care being taken to avoid the inclusion of air-bells in the mass during the process of pouring4 ,when empty1 the pot is returned to the furnace as rapidly as possible1 the glass being meanwhile rolled out into a slab by the machine4 ,except for the greater size and weight of both table and roller1 the plate-glass rolling table is similar to that already described in connection with rolled plate4 ,of course1 since the glass is poured direct from the pot1 there is no chilled glass to be removed4 ,further1 owing to the large size of sheets frequently required1 the bed of the rolling table cannot be made of a single slab of cast-iron1 a number of carefully jointed plates being1 in fact1 preferable1 as they are less liable to warp under the action of the hot glass4 ,in arranging the whole of the rolling plant1 the chief consideration to be kept in mind is that it is necessary to produce a flat sheet of glass of as nearly as possible equal thickness all over4 ,the final thickness of the whole slab when ground and polished into a sheet of plate-glass must necessarily be slightly less than that of the thinnest part of the rough rolled sheet4 ,if1 therefore1 there are any considerable variations of thickness1 the result will be that in some parts of the sheet a considerable thickness of glass will have to be removed during the grinding process4 ,this will arise to a still more serious extent if the sheet as a whole should be bent or warped so as to depart materially from flatness4 ,the two cases are illustrated diagrammatically in ,fig4 #aa1 which shows sectional views of the sheets before and after grinding on an exaggerated scale4 ,illustration3 ,,fig4 #aa4--,sectional diagram illustrating waste of glass in grinding curved or irregular plate4 ,while it is evident that careful design of the rolling table will avoid all tendency to the formation of sheets of such undesirable form1 it is a much more difficult matter to avoid all distortion of the sheet during the annealing process and while the sheet is being moved from the rolling table to the annealing kiln4 ,owing to the great size of the slabs of glass to be dealt with1 and still more to the stringent requirement of flatness1 the continuous annealing kiln1 in which the glass travels slowly down a tunnel from the hot to the cold end1 has not been adopted for the annealing of plate-glass1 and a form of annealing kiln is still used for that glass which is similar in its mode of operation to the old-fashioned kilns that were used for other kinds of glass before the continuous kiln was introduced4 ,these kilns simply consist of chambers in which the hot glass is sealed up and allowed to cool slowly and uniformly during a more or less protracted period4 ,in the case of plate-glass1 the slabs are laid flat on the stone bed of the kiln4 ,this stone bed is built up of carefully dressed stone1 or blocks of fire-brick bedded in sand in such a way that they can expand freely laterally without causing any tendency for the floor to buckle upwards as it would do if the blocks were set firmly against one another4 ,the whole chamber is previously heated to the requisite temperature at which the glass still shows a very slight plasticity4 ,the hot glass slabs from the rolling table are laid upon the bed of this kiln1 several being usually placed side by side in the one chamber1 and the slabs in the course of the first few hours settle down to the contour of the bed of the kiln1 from which shape and position they are never disturbed until they are removed when quite cold4 ,in modern practice the cooling of a kiln is allowed to occupy from four to five days2 even this rate of cooling is only permissible if care is taken to provide for the even cooling of all parts of the kiln1 and for this purpose special air-passages are built into the walls of the chamber and beneath the bed upon which the glass rests1 and air circulation is admitted to these in such a way as to allow the whole of the kiln to cool down at the same rate2 in the absence of such special arrangements1 the upper parts of the kiln would probably cool much more rapidly than the base1 so that the glass would be much warmer on its under than on its upper surface4 ,when the slabs of plate-glass are removed from the annealing kilns they very closely resemble sheets of rolled plate in appearance1 and they are quite sufficiently transparent to allow of examination and the rejection of the more grossly defective portions2 the more minute defects1 of course1 can only be detected after the sheets have been polished1 but this preliminary examination saves the laborious polishing of much useless glass4 ,the process of grinding and polishing plate-glass consists of three principal stages4 ,in the first stage the surfaces of the glass are ground so as to be as perfectly flat and parallel as possible2 in order to effect this object as rapidly as possible1 a coarse abrasive is used which leaves the glass with a rough grey surface4 ,in the second stage1 that of smoothing1 these rough grey surfaces are ground down with several grades of successively finer abrasive until finally an exceedingly smooth grey surface is left4 ,in the third and final stage1 the smooth grey surface is converted into the brilliant polished surface with which we are familiar by the action of a polishing medium4 ,originally the various stages of the grinding and polishing processes were carried out by hand1 but a whole series of ingenious machines has been produced for effecting the same purpose more rapidly and more perfectly than hand-labour could ever do4 ,we cannot hope to give any detailed account of the various systems of grinding and polishing machines which are even now in use1 but must content ourselves with a survey of some of the more important considerations governing the design and construction of such machinery4 ,in the first place1 before vigorous mechanical work can be applied to the surface of a plate of glass1 that plate must be firmly fixed in a definite position relatively to the rest of the machinery1 and such firm fixing of a plate of glass is by no means readily attained1 since the plate must be supported over its whole area if local fracture is to be avoided4 ,while the surface of the plate is in the uneven condition in which it leaves the rolling table1 such a firm setting of the glass can only be attained by bedding it in plaster1 and this must be done in such a manner as to avoid the formation of air-bubbles between plaster and glass2 if bubbles are allowed to form1 they constitute places where the glass is unsupported4 ,during the grinding and polishing processes these unsupported places yield to the heavy pressure that comes upon them1 and irregularities in the finished polished surfaces result4 ,the most perfect adhesion between glass and plaster is attained by spreading the paste of plaster on the up-turned surface of the slab of glass and lowering the iron bed-plate of the grinding table down upon it1 the bed-plate with the adhering slab of glass being afterwards turned over and brought into position in the grinding machine4 ,when one side of the glass has been polished1 it is generally found sufficient to lay the slab down on a bed of damp cloth1 to which it adheres very firmly1 although sliding is entirely prevented by a few blocks fixed to the table in such a way as to abut against the edges of the sheet4 ,in many works1 however1 the glass is set in plaster for the grinding and polishing of the second side as well as of the first4 ,the process of grinding and polishing is still regarded in many plate-glass works as consisting of three distinct processes1 known as rough grinding1 smoothing and polishing respectively4 ,formerly these three stages of the process were carried out separately2 at first by hand1 and later by three different machines4 ,in the most modern practice1 however1 the rough and smooth grinding are done on the same machine1 the only change required being the substitution of a finer grade of abrasive at each step for the coarser grade used in the previous stage4 ,for the polishing process1 however1 the rubbing implements themselves must be of a different kind1 for while the grinding and smoothing is generally done by means of cast-iron rubbers moving over the glass1 the polishing is done with felt pads4 ,the table of the machine1 to which the glass under treatment is attached1 is therefore made movable1 and when the grinding and smoothing processes are complete1 the table with its attached glass is moved so as to come beneath a superstructure carrying the polishing rubbers1 and the whole is then elevated so as to allow the rubbers to bear on the glass4 ,the earliest forms of grinding machines gave a reciprocal motion to the table which carries the glass1 or the grinding rubbers were moved backward and forward over the stationary table4 ,rotary machines1 however1 were introduced and rapidly asserted their superiority1 until1 at the present time1 practically all plate-glass is ground on rotating tables1 some of these attaining a diameter of over #cj ft4 ,the grinding 8rubbers0 consist of heavy iron slabs1 or of wood boxes shod with iron1 but of much smaller diameter than the grinding table4 ,the rubbers themselves are rotary1 being caused to rotate either by the frictional drive of the rotating table below them1 or by the action of independent driving mechanism1 but the design of the motions must be so arranged that the relative motion of rubber and glass shall be approximately the same at all parts of the glass sheets1 otherwise curved instead of plane surfaces would be formed4 ,this condition can be met by placing the axes of the rubbers at suitable points on the diameter of the table4 ,the abrasive is fed on to the glass in the form of a thin paste1 and when each grade or 8course0 has done the work required of it1 the whole table is washed down thoroughly with water and then the next finer grade is applied4 ,the function of the first or coarsest grade is simply to remove the surface irregularities and to form a rough but plane surface4 ,the abrasive ordinarily employed is sharp sand1 but only comparatively light pressure can be applied1 especially at the beginning of this stage1 since at that period the weight of the rubber is at times borne by relatively small areas of glass that project here and there above the general level of the slab4 ,as these are ground away1 the rubbers take a larger and more uniform bearing1 and greater pressure can be applied4 ,the subsequent courses of finer abrasives are only required to remove the coarse pittings left in the surface by the action of the first rough grinding sand2 the finer abrasive replaces the deep pits of the former grade by shallower pits1 and this is carried on in a number of steps until a very smooth 8grey0 surface is attained and the smoothing process is complete4 ,the revolving table or 8platform0 is now detached from the driving mechanism1 and moved along suitably placed rails on wheels provided for that purpose1 until it stands below the polishing mechanism4 ,here it is attached to a fresh driving mechanism1 and it is then either raised so as to bring the glass into contact with the felt-covered polishing rubbers1 or the latter are lowered down upon the glass4 ,the polishing rubbers are large felt-covered slabs of wood or iron which are pressed against the glass with considerable force2 their movement is very similar to that of the grinding rubbers1 but in place of an abrasive they are supplied with a thin paste of rouge and water4 ,the time required for the polishing process depends upon the perfection of the smoothing that has been attained2 in favourable cases two or three hours are sufficient to convert the 8grey0 surface into a perfectly polished one2 where1 however1 somewhat deeper pits have been left in the glass1 the time required for polishing may be much longer1 and the polish attained will not be so perfect4 ,the mode of action of a polishing medium such as rouge is now recognised to be totally different in character from that of even the finest abrasive2 the grains of the abrasive act by their hardness and the sharpness of their edges1 chipping away tiny particles of the glass1 so that the glass steadily loses weight during the grinding and smoothing processes4 ,during the polishing process1 however1 there is little or no further loss of weight1 the glass forming the hills or highest parts of the minutely pitted surface being dragged or smeared over the surface in such a way as to gradually fill up the pits and hollows4 ,the part played by the polishing medium is probably partly chemical and partly physical1 but it results1 together with the pressure of the rubber1 in giving to the surface molecules of the glass a certain amount of freedom of movement1 similar to that of the molecules of a viscid liquid2 the surface layers of glass are thus enabled to 8flow0 under the action of the polisher and to smooth out the surface to the beautiful level smoothness which is so characteristic of the surfaces of liquids at rest4 ,this explanation of the polishing process enables us to understand why the proper consistency of the polishing paste1 as well as the proper adjustment of the speed and pressure of the rubbers1 plays such an important part in successful polishing2 it also serves to explain the well-known fact that rapid polishing only takes place when the glass surface has begun to be perceptibly heated by the friction spent upon it4 ,it has been estimated that1 on the average1 slabs of plate-glass lose one-third of their original weight in the grinding and polishing processes1 and it is obvious that the erosion of this great weight of glass must absorb a great amount of mechanical energy1 while the cost of the plant and upkeep is proportionately great4 ,every factor that tends to diminish either the total weight of glass to be removed per square yard of finished plate1 or reduces the cost of removal1 must be of the utmost importance in this manufacture4 ,the flatness of the plates as they leave the annealing kiln has already been referred to1 and the reason why the processes of grinding and polishing have formed the subject for innumerable patents will now be apparent4 ,the very large expansion of the use of plate-glass in modern building construction1 together with the steady reduction in the prices of plate1 are evidence of the success that has attended the efforts of inventors and manufacturers in this direction4 ,at the present time1 plate-glass is manufactured in very large sheets1 measuring up to #bf ft4 in length by #ad ft4 in width1 and in thickness varying from #c_/afth of an inch up to #a in41 or more1 for special purposes4 ,at the same time the quality of the glass is far higher to-day than it was at earlier times4 ,this high quality chiefly results from more careful choice of raw materials and greater freedom from the defects arising during the melting and refining processes1 while a rigid process of inspection is applied to the glass as it comes from the polishing machines4 ,for this purpose the sheets are examined in a darkened room by the aid of a lamp placed in such a way that its oblique rays reveal every minute imperfection of the glass2 these imperfections are marked with chalk1 and the plate is subsequently cut up so as to avoid the defects that have thus been detected4 ,perhaps the most remarkable fact about the quality of modern plate-glass is its relatively high degree of homogeneity4 ,glass1 as we have seen in ,chapter ,i41 is not a chemically homogeneous substance1 but rather a mixture of a number of substances of different density and viscosity4 ,wherever this mixture is not sufficiently intimate1 the presence of diverse constituents becomes apparent in the form of stri1 arising from the refraction or bending of light-rays as they pass from one medium into another of different density4 ,except in glass that has undergone elaborate stirring processes1 such stri are never absent1 but the skill of the glass-maker consists in making them as few and as minute as possible1 and causing them to assume directions and positions in which they shall be as inconspicuous as possible4 ,in plate-glass this is generally secured in a very perfect manner1 and to ordinary observation no stri are visible when a piece of plate-glass is looked at in the ordinary way1 i4e41 through its smallest thickness2 if the same piece of glass be looked at transversely1 the edges having first been polished in such a way as to render this possible1 the glass will be seen to be full of stri1 generally running in fine lines parallel with the polished surfaces of the glass4 ,this uniform direction of the stri is partly derived from the fact that the glass has been caused to flow in this direction by the action of the roller when first formed into a slab1 but this process would not obliterate any serious inequalities of density which might exist in the glass as it leaves the pot1 so that successful results are only attainable if great care is taken to secure the greatest possible homogeneity in the glass during the melting process4 ,at the present time probably the greater bulk of plate-glass is used for the purpose of glazing windows of various kinds1 principally the show windows of shops1 etc4 ,as used for this purpose the glass is finished when polished and cut to size4 ,the only further manipulation that is sometimes required is that of bending the glass to some desired curvature1 examples of bent plate-glass window-panes being very frequently seen4 ,this bending is carried out on the finished glass1 i4e41 after it has been polished2 the glass is carefully heated in a special furnace until softened1 and is then gently made to lie against a stone or metal mould which has been provided with the desired curvature4 ,it is obvious that during this operation there are great risks of spoiling the glass2 roughening of the surface by contact with irregular surfaces on either the mould1 the floor of the kiln1 or the implements used in handling the glass1 can only be avoided by the exercise of much skill and care1 while all dust must also be excluded since any particles settling on the surface of the hot glass would be 8burnt in10 and could not afterwards be detached4 ,small defects can1 of course1 be subsequently removed by local hand-polishing1 and this operation is nearly always resorted to where polished glass has to undergo fire-treatment for the purpose of bending4 ,in addition to its use for glazing in the ordinary sense1 plate-glass is employed for a number of purposes2 the most important and frequent of these is in the construction of the better varieties of mirrors4 ,for this purpose the glass is frequently bevelled at the edges1 and sometimes a certain amount of cutting is also introduced on the face of the mirror4 ,bevelling is carried out on special grinding and polishing machines1 and a great variety of these are in use at the present time4 ,the process consists in grinding off the corners of the sheet of glass and replacing the rough perpendicular edge left by the cutting diamond by a smooth polished slope running down from the front surface to the lower edge at an angle of from #de to #fj degrees4 ,since only relatively small quantities of glass have to be removed1 small grinding rubbers only are used1 and in some of the latest machines these take the form of rapidly-revolving emery or carborundum wheels4 ,these grinding wheels have proved so successful in grinding even the hardest metals that it is surprising to find their use in the glass industry almost entirely restricted to the 8cutting0 of the better kinds of flint and 8crystal0 glass for table ware or other ornamental purposes4 ,the reason probably lies in the fact that the use of such grinding wheels results in the generation of a very considerable amount of local heat1 this effect being intensified on account of the low heat-conducting power of glass4 ,if a piece of glass be held even lightly against a rapidly-revolving emery wheel it will be seen that the part in contact with the wheel is visibly red-hot4 ,this local heating is liable to lead to chipping and cracking of the glass1 and these troubles are those actually experienced when emery or carborundum grinding is attempted on larger pieces of glass4 ,in the case of at least one modern bevel-grinding machine1 however1 it is claimed that the injurious effects of local heating are avoided by carrying out the entire operation under water4 ,for the purpose of use in mirrors1 plate-glass is frequently silvered1 and this process is carried on so extensively that it has come to constitute an entire industry which has no essential connection with glass manufacture itself2 for that reason we do not propose to enter on the subject here1 only adding that the nature and quality of the glass itself considerably affects the ease and success of the various silvering processes4 ,ordinary plate-glass1 of course1 takes the various silvering coatings very easily and uniformly1 but there are numerous kinds of glass to which this does not apply1 although there are probably few varieties of glass which are sufficiently stable for practical use1 and to which a silvering coating cannot be satisfactorily applied1 provided that the most suitable process be chosen in each case4 ,while there is little if any use for coloured glass in the form of polished plate1 entirely opaque plate-glass1 coloured both black and white1 is used for certain purposes4 ,thus1 glass fascias over shop-fronts1 the counters and shelves of some shops1 and even tombstones are sometimes made of black or white polished plate4 ,from the point of view of glass manufacture1 however1 these varieties only differ from ordinary plate-glass in respect of certain additions to the raw materials1 resulting in the production of the white or black opacity4 ,the subsequent treatment of the glass is identical with that of ordinary plate-glass1 except that these opaque varieties are rarely required to be polished on both sides1 so that the operations are simplified to that extent4 ,certain limitations to the use of all kinds of plate-glass1 whether rough-rolled1 figured or polished1 were formerly set by the fact that under the influence of fire1 partitions of glass were liable to crack1 splinter and fall to pieces1 thus causing damage beyond their own destruction and leaving a free passage for the propagation of the fire4 ,to overcome these disadvantages1 glass manufacturers have been led to introduce a network or meshing of wire into the body of such glass4 ,provided that the glass and wire can be made so as to unite properly1 then the properties of such reinforced or 8wired0 glass should be extremely valuable4 ,in the event of breakage from any cause1 such as fire or a violent blow1 while the glass would still crack1 the fragments would be held together by the wire network1 and the plates of glass as a whole would remain in place1 neither causing destruction through flying fragments nor allowing fire or1 for the matter of that1 burglar a free passage4 ,the utility of such a material has been readily recognised1 but the difficulty lies in its production4 ,these difficulties arise from two causes4 ,the most serious of these is the considerable difference between the thermal expansion of the glass and of the wire to be embedded in it4 ,the wire is necessarily introduced into red-hot glass while the latter is being rolled or cast1 and therefore glass and wire have to cool down from a red heat together4 ,during this cooling process the wire contracts much more than the glass1 and breakage either results immediately1 or the glass is left in a condition of severe strain and is liable to crack spontaneously afterwards4 ,an attempt has been made to overcome this difficulty by using wire made of a nickel steel alloy1 whose thermal expansion is very similar to that of glass2 but1 as a matter of fact1 this similarity of thermal expansion is only known to hold for a short range of moderate temperatures1 and probably does not hold when the steel alloy is heated to redness4 ,in another direction1 greater success is to be attained by the use of wire of a very ductile metal which should yield to the stress that comes upon it during cooling2 probably copper wire would answer the purpose1 but the great cost of copper is a deterrent from its use4 ,a second difficulty is met with in introducing wire netting into glass during the rolling operation1 and this lies in effecting a clean join between glass and wire4 ,most metals when heated give off a considerable quantity of gas1 and when this gas is evolved after the wire has been embedded in glass1 numerous bubbles are formed1 and these not only render the glass very unsightly but also lessen the adhesion between the wire and the glass4 ,this difficulty1 however1 can be overcome more readily than the first1 since the surface of the metal can be kept clean and the gas expelled from the interior of the wire by preliminary heating4 ,on the whole1 however1 wired glass is perhaps still to be regarded as a product whose evolution is not yet complete1 and there can be no doubt that there are great possibilities open to the material when its manufacture has been more fully developed4 ,,chapter ,x4 ,,sheet ,,and ,,crown ,,glass4 ,in the preceding chapter we have dealt with the processes of manufacture employed in the production of both the crudest and the most perfect forms of flat glass as used for such purposes as the glazing of window openings4 ,the products now to be dealt with are of an intermediate character1 sheet-glass possessing many of the properties of polished plate1 but lacking some very important ones2 thus sheet-glass is sufficiently transparent to allow an observer to see through it with little or no disturbance--in the best varieties of sheet-glass the optical distortion caused by its irregularities is so small that the glass appears nearly as perfect as polished plate--but in the cheap glass that is used for the glazing of ordinary windows1 sheets are often employed which produce the most disturbing1 and sometimes the most ludicrous1 distortions of objects seen through them4 ,it is a curious fact that even in good houses the use of such inferior glass is tolerated without comment1 the general public being1 apparently1 remarkably nonobservant in this respect4 ,in another direction sheet-glass has the great advantage over plate-glass that it is very much lighter1 or can at least be produced of much smaller weight and thickness1 although this advantage entails the consequent disadvantage that sheet-glass is usually much weaker than plate1 and can only be used in much smaller sizes4 ,in recent times the production of relatively thin plate-glass has1 however1 made such strides that it is now possible to obtain polished plate-glass thin enough and light enough for almost every architectural purpose4 ,finally1 the most important advantage of sheet-glass1 and the one which alone secures its use in a great number of cases in preference to plate-glass1 is its cheapness1 the price of ordinary sheet-glass being about one-fourth that of plate-glass of the same size4 ,the raw materials for the manufacture of sheet-glass are sand1 limestone1 salt-cake1 and a few accessory substances1 such as arsenic1 oxide of manganese1 anthracite coal or coke1 which differ considerably according to the practice of each particular works4 ,in a general way these materials have already been dealt with in ,chapter ,,iii41 and we need only add here that the sheet-glass manufacturer must keep in view two decidedly conflicting considerations4 ,on the one hand the requirements made in the case of sheet-glass as regards colour and purity render a rigorous choice of raw material and the exclusion of anything at all doubtful very desirable2 but on the other hand the chief commercial consideration in connection with this product is its cheapness1 and in order to maintain a low selling price at a profit to himself the manufacturer must rigorously exclude all expensive raw materials4 ,for this reason sheet-glass1 works such as those of ,belgium and some parts of ,germany1 which have large deposits of pure sand close at hand1 possess a very considerable advantage over those in less favoured situations1 since sand in particular forms so large a proportion of the glass1 and the cost of carriage frequently exceeds1 and in many cases very greatly exceeds1 the actual price of the sand itself4 ,the same considerations will apply1 although in somewhat lesser degree1 to the other bulky materials1 such as limestone and salt-cake2 but both these are more generally obtainable at moderate prices than are glass-making sands of adequate quality for sheet manufacture4 ,ordinary 8white0 sheet-glass is now almost universally produced in tank furnaces1 and a very great variety of these furnaces are used or advocated for the purpose4 ,it would be beyond the scope of the present book to enter in detail into the construction of these various types of furnace or to discuss their relative merits at length4 ,only a brief outline of the chief characteristics of the most important forms of sheet-tank furnaces will therefore be given here4 ,sheet tanks differ from each other in several important respects2 these relate to the sub-division of the tank into one1 two1 or even three more or less separate chambers1 to the depth of the bath of molten glass and the height of the 8crown0 or vault of the furnace chamber1 to the shape and position of the apertures by which the gas and air are admitted into the furnace1 and the resultant shape and disposition of the flame1 and finally to the position and arrangement of the regenerative appliances by which some of the heat of the waste gases is returned into the furnace4 ,taking these principal points in order1 we find that in some sheet tank furnaces the whole furnace constitutes a single large chamber4 ,in this type of furnace the whole process of fusion and fining of the glass goes on in this single chamber1 and an endeavour is made to graduate the temperature of the furnace in a suitable manner from the hot end where the raw materials have to be melted down to the colder end where the glass must be sufficiently viscous to be gathered on the pipes4 ,it is obvious that this control of the temperature cannot be so perfect in a furnace of the single chamber type as in one that is sub-divided4 ,such sub-divided furnaces are1 as a matter of fact1 much more frequent in sheet-glass practice2 but this practice differs widely as to the manner and degree of the sub-division introduced4 ,in the extreme form the glass practically passes through three independent furnaces merely connected with one another by suitable openings of relatively small area through which the glass flows from one to the other4 ,if it were possible to build furnaces of materials that could resist the action of heat and of molten glass to an indefinite extent1 it is probable that this extreme type would prove the best1 since it gives the operator of the furnace the means of controlling the flow of glass in such a way that no unmelted material can leave the melting chamber and enter the fining chamber1 and that no insufficiently fined glass can leave the fining chamber and find its way into the working chamber4 ,but in practice the fact that this extreme sub-division introduces a great deal of extra furnace wall1 exposed both to heat and to contact with the glass1 involves very serious compensating disadvantages--the cost of construction1 maintenance and renewal of the furnace is greatly increased1 while there is also an increased source of contamination of the glass from the erosion of the furnace walls4 ,it is1 therefore1 in accordance with expectations to find that the most successful furnaces for the production of sheet-glass are intermediate in this respect between the simple open furnace and the completely sub-divided one4 ,in some cases the working chamber is separated from the melting and fining chamber by a transverse wall above the level of the glass1 while fire-clay blocks floating in the glass just below this cross wall serve to complete the separation and to retain any surface impurities that may float down the furnace4 ,as regards the depth of glass in the tank1 practice also varies very much4 ,the advantages claimed for a deep bath are that the fire-clay bottom of the furnace is thereby kept colder and is consequently less attacked1 so that this portion of the furnace will last for many years4 ,on the other hand the existence of a great mass of glass at a moderate heat may easily prove the source of contamination arising from crystallisation or 8devitrification0 occurring there and spreading into the hotter glass above4 ,also1 if for any reason it should become necessary to remove part or all of the contents of the tank1 the greater mass of glass in those with deep baths becomes a formidable obstacle4 ,on the whole1 however1 modern practice appears to favour the use of deeper baths1 depths of #b ft4 #f in4 or even #c ft4 being very usual1 while depths up to #d ft4 have been used4 ,the question of the proper height of the 8crown0 or vault of the furnace is of considerable importance to the proper working of the tank4 ,for the purpose of producing the most perfect combustion1 it is now contended that a large free flame-space is required4 ,the earlier glass-melting tanks1 like the earlier steel furnaces1 were built with very low crowns1 forcing the flame into contact with the surface of the molten glass1 the object being to promote direct heating by immediate contact of flame and glass2 the modern tendency1 however1 is strongly in the direction of higher crowns1 leaving the heating of the glass to be accomplished by radiation rather than direct conduction of heat4 ,there can be little doubt that up to a certain point the enlargement of the flame-space tends towards greater cleanliness of working and a certain economy of fuel1 but if the height of a furnace crown be excessive there is a decided loss of economy4 ,flame-spaces as high as #f ft4 from the level of the glass to the highest part of the crown have been used1 but the more usual heights range from #b ft4 to #e ft4 ,the 8ports0 or apertures by which pre-heated gas and air enter the furnace chamber differ very widely in various furnaces4 ,in some cases the gas and air are allowed to meet in a small combustion chamber just before entering the furnace itself1 while in other cases the gas and air enter the furnace by entirely separate openings1 only meeting in the furnace chamber4 ,the latter arrangement tends to the formation of a highly reducing flame1 which is advantageous for the reduction of salt-cake1 but is by no means economical as regards fuel consumption4 ,on the other hand1 by producing a perfect mixing of the entering gas and air in suitable proportions1 the other type of ports can be made to give almost any kind of flame desired1 although their tendency is to form a more oxidising atmosphere within the furnace4 ,the latter type of ports1 although widely varied in detail1 are now almost universally adopted in sheet tank furnaces4 ,all modern tank furnaces work on the principle of the recovery of heat from the heated products of combustion as they leave the furnace1 and the return of this heat to the furnace by utilising it to pre-heat the incoming gas and air2 but the means employed to effect the application of this 8regenerative0 principle differ considerably in various types of plant4 ,perhaps the most widely-used form of furnace is the direct descendant of the original ,siemens regenerative furnace1 in which four regenerator chambers are provided with means for reversing the flow of gas and air in such a way that each pair of chambers serves alternately to absorb the heat of the outgoing gases and subsequently to return this heat to the incoming air that passes through one1 and the incoming gas that passes through the other of these chambers4 ,in these furnaces1 the regenerator chambers themselves are generally placed underneath the melting furnace1 and they are built of fire-brick and filled with loosely-stacked fire-bricks1 whose function it is to absorb or deliver the heat4 ,in the most modern type of furnaces of this class1 the gas-regenerators are omitted entirely1 the air only being pre-heated by means of regenerators1 while the gas enters the furnace direct from the producer1 thus carrying with it the heat generated in the producer during the gasification of the fuel4 ,while this arrangement is undoubtedly economical1 it has the serious disadvantage1 especially in the manufacture of sheet-glass1 that the gas1 rushing direct from the producer into the furnace1 carries with it a great deal of dust and ash1 which it has no opportunity of depositing1 as in the older types of furnace1 in long flues4 ,the most serious disadvantages of the ordinary types of regenerative furnaces are due to the considerable dimensions of the regenerative apparatus1 necessitating a costly form of construction and occupying a large space1 while the necessity of periodically reversing the valves so as to secure the alternation in the flow of outgoing and incoming gases requires special attention on the part of the men engaged in operating the furnace1 as well as the construction and maintenance of valves under conditions of heat and dirt that are not favourable to the life of mechanical appliances4 ,it is claimed that all these disadvantages are overcome to a considerable extent in one or other of the various forms of furnace known as 8recuperative40 ,in these furnaces there is no alternation of flow1 and the regenerator chambers are replaced by the 8recuperators40 ,these consist of a large number of small flues or pipes passing through a built-up mass of fire-brick in two directions at right-angles to one another2 through the pipes running in one direction the waste gases pass out to the chimney1 while the incoming gas and air pass through the other set of pipes4 ,a transference of heat between the two currents of gas takes place by the conductivity of the fire-brick1 and thus the outgoing gases are continuously cooled while the ingoing gases are heated--the transference of heat being somewhat similar to that which takes place in the surface condenser of a steam engine4 ,theoretically this is a much simpler arrangement than that of separate regenerator chambers1 and to some extent it is found preferable in practice1 but there are certain disadvantages associated with the system which arise principally from the peculiar nature of the material--fire-brick--of which the recuperators must be constructed4 ,in the first place1 the heat-conductivity of fire-brick is not very high1 so that1 in order to secure efficiency1 the recuperators must be large1 and while the individual pipes must be of small diameter1 their area as a whole must be large enough to allow the gases to pass through somewhat slowly4 ,next1 owing to the tendency of fire-brick to warp1 shrink and crack under the prolonged effects of high temperatures1 it becomes difficult to prevent leakage of gases from one set of pipes into the other4 ,if this occurs to a moderate extent its only effect will be to allow some of the combustible gas to pass direct to the chimney1 and at the same time a dilution of the gases entering the furnace by an addition of products of combustion from the waste-gas flues4 ,this1 of course1 will materially reduce the efficiency of the furnace and require a higher fuel consumption if the temperature of the furnace is to be maintained at its proper level4 ,if1 however1 the leakage should become more serious1 a disastrous explosion might easily result1 particularly if the nature of the leakage were such as to allow the incoming gas and air to mix in the flues4 ,it follows from these considerations that1 although the recuperative furnace is somewhat simpler and cheaper to construct1 it requires1 if anything1 more careful maintenance than the older forms of regenerative furnace4 ,tank furnaces for the production of sheet-glass in this country are generally worked from early on ,monday morning until late on ,saturday night1 glass-blowing operations being suspended during ,sunday1 although the heat of the furnace must be maintained4 ,on the ,continent1 and especially in ,belgium1 the work in connection with these furnaces goes on without any intermission on ,sunday--a difference which1 however desirable the ,english practice may be1 has the effect of handicapping the output of a ,british furnace of equal capacity by about #aj per cent4 without materially lessening the working cost4 ,the process of blowing sheet-glass in an ,english glassworks is generally carried out by groups of three workmen1 viz41 a 8pipe-warmer10 a 8gatherer0 and a 8blower10 although the precise division of the work varies according to circumstances4 ,the pipe-warmer's work consists in the first place in fetching the blowing-pipe from a small subsidiary furnace in which he has previously placed it for the purpose of warming up the thick 8nose0 end upon which the glass is subsequently gathered4 ,the sheet-blower's pipe itself is an iron tube about #d ft4 #f in4 long1 provided at the one end with a wooden sleeve or handle1 and a mouthpiece1 while the other end is thickened up into a substantial cone1 having a round end4 ,before introducing the pipe into the opening of the tank furnace1 the pipe-warmer must see that the hot end of the pipe is free from scale or dirt and must test1 by blowing through it1 whether the pipe is free from internal obstructions4 ,he then places the butt of the pipe in the opening of the furnace and allows it to acquire as nearly as possible the temperature of the molten glass4 ,when this is the case the pipe is either handed on to the gatherer1 or the pipe-warmer1 who is usually only a youth1 may take the process one step further before handing it on to the more highly skilled workman4 ,this next step consists in taking up the first gathering of glass on the pipe4 ,for this purpose the hot nose of the pipe is dipped into the molten glass1 turned slowly round once or twice and then removed1 the thread of viscous glass that comes up with the pipe being cut off against the fire-clay ring that floats in the glass in front of the working opening4 ,a small quantity of glass is thus left adhering to the nose of the pipe1 and this is now allowed to cool down until it is fairly stiff1 the whole pipe being meanwhile rotated so as to keep this first gathering nicely rounded1 while a slight application of air-pressure1 by blowing down the pipe1 forms a very small hollow space in the mass of glass and secures the freedom of the opening of the pipe4 ,when the glass forming the first gathering has cooled sufficiently1 the gatherer proceeds to take up the second gathering upon it4 ,the pipe is again introduced into the furnace and gradually dipped into the molten glass1 but this must be done with great care so as to avoid the inclusion of air-bells between the glass already on the pipe and the new layer of hotter glass that is now taken up4 ,this freedom from air-bells is secured by a skilful gatherer by a gradual rotation of the pipe as it is lowered into the glass1 thus allowing the two layers of glass to come into contact with a sort of rolling motion that allows the air time to escape4 ,when completely immersed1 the pipe is rotated a few times and is then withdrawn and the 8thread0 again cut off4 ,the mass of glass on the end of the pipe is now considerably larger than before and requires more careful manipulation to cause it to retain the proper1 nearly spherical1 shape4 ,during the cooling process which now follows the pipe is laid across an iron trough1 kept brimful of water2 this serves to cool the pipe itself1 and also allows the pipe to be readily rotated backwards and forwards by rolling it a little way along the trough4 ,when the whole mass of glass has again cooled sufficiently to be manipulated without risk of rapid deformation1 a third gathering of glass is taken up1 in precisely the same manner as that already described for the second gathering1 and if the quantity of glass required is large1 or the glass itself is so hot and fluid that only a comparatively small weight adheres at each time of gathering1 the process may be repeated a fourth or even a fifth time1 but as the weight of pipe and adhering glass increases with each gathering1 each step becomes more laborious1 while the hot glass1 being now held on a much larger sphere1 tends to flow off more readily1 so that greater skill is required to avoid 8losing0 the gathering4 ,the care and skill with which these operations of gathering are carried out determine1 to a large extent1 the quality of the resulting sheet of glass2 any want of regularity in the shape of the gathering leads inevitably to variations of thickness in different parts of the sheet1 while careless gathering will introduce bubbles or 8blisters0 and other markings4 ,during the intermediate cooling stages the glass must be protected from dust and dirt of all kinds1 since minute specks falling upon the hot glass give rise to an evolution of minute gas bubbles which become painfully evident in the sorting room4 ,when the last gathering has been taken up and the mass cooled so far as to allow of its being carried about without fear of loss1 the glass forms an approximately spherical mass1 with the nose-end of the pipe at or near the centre of the sphere4 ,the next stages of the process consist in the preliminary shaping of this mass in such a way as to bring the bulk of the glass beyond the end of the pipe1 and then in forming just beyond the end of the pipe a widened shoulder of thinner and therefore colder glass1 of the diameter required for the cylinder into which the glass is to be blown4 ,this is done by bringing the glass into the successive shapes shown in ,fig4 #ab1 the forming of the glass being effected by the aid of specially shaped blocks and other shaping instruments in which the glass is turned and blown4 ,the final shape attained at this stage is a squat cylinder containing the bulk of the glass at its lower end1 and connected to the pipe by the thinner and colder neck and shoulder already mentioned4 ,illustration3 ,,fig4 #ab4--;,early stages in the formation of cylinders for sheet glass4 ,at this point of the process the pipe with its adherent glass is handed over to the blower proper4 ,this operator works on a special stage erected in front of small furnaces1 called 8blowing holes10 although in some works these are dispensed with1 and the stages are erected in front of the melting furnace itself4 ,the sheet-blower's stage is simply a platform placed over or at the side of a suitable excavation which gives the blower the necessary space to swing the pipe and cylinder freely at arm's length4 ,the blowing process itself involves very little actual blowing1 but depends rather upon the action of gravitation and on centrifugal effects for the formation of the large1 elongated cylinder from the squat cylinder with which the blower commences4 ,the process consists in holding the thick1 lower end of the cylinder in the heating-furnace1 and when sufficiently hot1 withdrawing it and swinging the pipe with a pendulum movement in the blower's pit4 ,the cylinder thus elongates itself under its own weight1 and any tendency to collapse is counteracted by the application of air-pressure by the mouth1 the pipe being also1 at times1 rotated rapidly about its own axis4 ,the re-heating of the lower end of the cylinder is repeated several times1 until finally the glass has assumed the form of a cylinder of equal thickness all over1 but closed with a rounded dome at the lower end 7,fig4 #ac74 ,this rounded end is now opened4 ,in the case of fairly thin and light cylinders this is done by holding the thumb over the mouthpiece of the pipe in such a way as to make an air-tight seal1 and then heating the end of the cylinder in the blowing-hole4 ,the heat both softens the glass at the end and at the same time causes considerable expansion of the air enclosed in the cylinder1 with the result that the end of the cylinder is burst open4 ,after a little further heating1 during which the glass at the end of the cylinder becomes very soft1 and takes a wavy1 curly shape1 the blower withdraws the cylinder from the furnace1 and holding it vertically downwards in his pit1 spins it rapidly about its longitudinal axis4 ,the soft glass at the lower end immediately opens out under the centrifugal action1 and the blower increases the speed of rotation until the soft glass has opened out far enough to form a true continuation of the rest of the cylinder1 and in this position it is allowed to solidify4 ,with thick1 heavy cylinders1 the first opening of the end is done in a different way4 ,a small quantity of hot glass is taken up by an assistant on an iron rod1 and is laid upon the centre of the closed end of the cylinder4 ,the heat of this mass of hot glass softens the glass of the cylinder1 and the operator1 with the aid of a special pair of shears1 cuts out a small circle of this softened glass1 thus opening the end of the cylinder4 ,the final operation of straightening out the opened end is carried out in the same way as described above for lighter cylinders4 ,illustration3 ,,fig4 #ac4--,later stage in sheet glass blowing4 ,the completed cylinder1 still attached to the pipe1 is now carried away from the blowing-stage and laid upon a wooden rack2 then the blower takes up a piece of cold iron1 and placing it against the neck of glass attaching the cylinder to the pipe1 produces a crack2 a short jerk then serves to completely sever the pipe from the cylinder4 ,a boy now takes the pipe to a stand where it is allowed to cool and where the adhering glass cracks off from it prior to passing it back to the pipe-warmer for fresh use4 ,on the wooden rack the cylinder of glass is allowed to cool to a certain extent1 and then the remaining portion of the neck and shoulder 7see ,fig4 #ac7 are removed4 ,this is done by a boy who passes a thread of soft1 hot glass around the cylinder at the point where it is to be cut off2 the thread of hot glass merely serves to produce intense local heating1 for as soon as it has become stiff1 the thread of glass is pushed off and a cold or moist iron is applied to the cylinder at the point where it had been heated by the thread4 ,as a rule a crack immediately runs completely round the cylinder along the line of the thread1 and the 8cap0 is thus removed4 ,the glass is now in the form of a uniform cylinder open at both ends1 but it must be opened out into a flat sheet before it can assume the familiar form of sheet-glass4 ,the first stage in the opening-out process is that of splitting4 ,for this purpose the cylinders are carried to a special stand1 upon which they are laid in a horizontal position1 and here a crack or cut is made along one of the generating-lines of the cylinder4 ,this may be done either by the application of a hot iron1 followed1 if necessary1 by slight moistening1 or by the aid of a cut from a heavy diamond drawn skilfully down the inside of the cylinder4 ,it will be seen from the account of the process so far given1 that the glass has as yet undergone no real annealing1 although the blower is expected to 8anneal0 his cylinder during the blowing process1 as far as possible1 by never allowing it to cool too suddenly1 and this degree of annealing is usually sufficient to save the cylinder from breaking under its internal stresses when left to cool on the racks4 ,the surface of the glass1 however1 is left in a decidedly hardened condition1 especially on the outside1 which has necessarily been most rapidly cooled4 ,for this reason--among others--the splitting cut is always made on the inside of the cylinder4 ,the difference between the rates of cooling of the outside and inside of the cylinder has a further effect1 which becomes evident as soon as the cylinder is split4 ,the outside having become hard while the inside was still relatively soft1 the outer layers of glass are in a state of compression and the inner layers in a state of tension in the cold cylinder4 ,as soon as the cylinder is split1 however1 these stresses are to some extent relieved1 the inner layers being then free to contract and the outer layers to expand2 the result is an increase in the curvature of the cylinder1 which slightly decreases in diameter1 the cut edges overlapping4 ,if the cylinder has been cooled rather too quickly1 or if the glass itself has a high coefficient of expansion1 this release of internal stresses at the moment of splitting becomes very marked1 and each cylinder splits with the sound of a small explosion1 while if the internal stresses are still more severe1 the cylinders may even fly to pieces as soon as they are cut4 ,the next stage in the manufacture of a sheet of glass is the flattening and annealing process4 ,for this purpose the split cylinders are taken to a special kiln1 generally known as a 8lear10 or 8lehr10 where they are first of all raised to a dull red-heat2 they are then lifted1 one at a time1 on to a smooth stone or slab placed in a chamber of the kiln where the heat is great enough to soften the glass4 ,here the cylinder is laid down with the split edges upwards1 and by means of a wooden tool the glass is slowly spread out1 being finally rubbed down into perfect contact with the slab or 8lagre40 ,from the flattening slab1 the sheet as it now is passes into the annealing kiln1 which communicates with the flattening chamber4 ,this consists1 similarly to other continuous annealing kilns already described in connection with other varieties of glass1 of a long tunnel1 heated to the temperature of the flattening kiln at one end and nearly cold at the other4 ,the sheets are moved down this tunnel at a uniform slow rate by the action of a system of grids which1 at intervals1 lift the sheets from the bottom of the kiln1 move them forward by a short distance1 and again deposit them on the bottom1 the grids themselves returning to their former position by a retrograde movement made below the level of the kiln-bottom1 and therefore not affecting the glass4 ,on leaving the annealing kiln the sheets of glass are sometimes covered with a white deposit arising from the products of combustion in the kiln and their interaction with the glass itself4 ,this deposit can be removed by simple mechanical rubbing1 but it is usual to dip the glass into a weak acid bath1 which dissolves the white film and leaves the glass clear and bright1 ready for use4 ,from the annealing kiln the finished sheets of glass are taken to the sorting room1 where they are examined in a good light against a black background1 and are sorted according to their quality for different purposes4 ,the defects which are found in sheet-glass are of a very varied nature1 as would be anticipated from the long and complicated process of manufacture which the material undergoes in the course of its transformation from the raw materials into the finished sheet of glass4 ,a full enumeration of all possible defects1 with their technical names1 need not be given here1 but a description of the more important and frequent ones will be useful4 ,the defects may be conveniently grouped according to the stage of the process from which they originate4 ,the first class of defects accordingly embraces those that arise from the condition of the glass as it exists in the working-end of the furnace4 ,chief of these are white opaque enclosures1 known as 8stones40 ,these may arise from a variety of causes within the furnace1 such as an admixture of infusible impurities with the raw materials1 insufficient heat or duration of melting1 leading to a residue of unmelted raw material in the finished glass1 or from defective condition of the interior of the furnace1 leading to contamination of the glass with small particles of fire-brick4 ,further1 if any part of the furnace has been allowed to remain at too low a temperature1 or if the composition of the glass is unsuitable1 crystallisation may occur in the glass1 and white patches of crystalline material may find their way into the finished sheets4 ,another defect that may arise from the condition of the glass in the furnace is the presence of numerous small bubbles1 known as 8seed0 in the glass4 ,by the blowing process these are drawn out into pointed ovals1 and they are rarely quite absent from sheet-glass4 ,they arise from either incomplete fining of the glass in the furnace or from allowing the glass to come into contact with minute particles of dust during the gathering process4 ,another possible defect to the glass itself may be found at times in too deep a colour4 ,this is only seen readily when a sheet of some size is examined edgewise1 as most varieties of ordinary sheet-glass are too free from colour to allow this to be judged by looking through the sheet in the ordinary way4 ,it follows from this fact that for practical purposes1 where the light always traverses one thickness of the glass only1 a slight difference of colour should be regarded as a very minor consideration1 at all events as compared with freedom from other defects4 ,the gathering process in its turn is responsible for further defects of sheet-glass4 ,some of these1 such as defects arising from the use of a dirty pipe1 are never allowed to pass beyond the sorting-room1 and are therefore of no interest to the user of glass4 ,of those whose traces are seen in the glass that passes into use1 8blisters0 and 8string0 are the most important4 8,blisters0 are somewhat larger1 flat air-bells1 arising from the inclusion of air between successive layers of the gathering4 8,string0 is a very common defect in all sheet-glass4 ,to some extent it may arise from want of homogeneity in the glass itself4 ,if this consists of layers of different densities and viscosities1 the gatherer will take these up on his gathering1 and ultimately they will form thickened ridges of glass running around the cylinders and across the sheets4 ,such stri1 due to want of homogeneity in the glass1 are much more common in flint glass than in the soda-lime glasses used for sheet manufacture1 but are not unknown in the latter4 ,on the other hand1 even if the glass be as homogeneous as possible1 the gatherer can produce these stri if he takes up his glass from a place close to the side of the fire-clay ring that floats in the furnace in front of his working opening4 ,glass always acts chemically upon fire-clay1 gradually forming a layer of glass next to the fire-clay that contains much more alumina than the rest of the contents of the furnace4 ,such a layer is formed on the surface of each ring in a sheet tank1 but if the gathering is taken from the centre of the ring1 this thick viscous layer of aluminiferous glass remains undisturbed4 ,if1 however1 the gatherer brings his pipe too near the side of the ring1 the glass will draw some of this different layer on to the gathering1 and this glass will form thick ridges and stri running across the sheet in all directions4 ,another defect for which the gatherer is generally responsible is that of variation of thickness within the same sheet4 ,the blower1 however1 can also produce this defect4 ,during the blowing proper1 a further series of defects may be introduced1 principally by allowing particles of glass derived from certain stages of the process to fall upon the hot glass of the cylinder and there become attached permanently4 ,more serious1 and also more frequent1 is the greater or less malformation of the cylinder4 ,if the glass as it leaves the blower is of any shape other than that of a true cylinder1 it becomes impossible to spread it into a truly flat sheet in the flattening kiln4 ,sometimes1 in practice1 the 8cylinder0 is wider at one end than at the other1 or1 worse still1 it is of uneven diameter1 showing expanded and contracted areas alternately4 ,when such a cylinder comes to be spread out on the slab it cannot be flattened completely1 and various hollows and hillocks are left1 which mar the flatness of the sheet and interfere with the regular passage of light through it when in use4 ,finally1 the process of flattening is apt to introduce defects of its own4 ,the most common of these are scratches arising from marks left by the flattening tool2 indeed1 in all sheet glass it is quite possible to see1 by careful examination of the surfaces1 upon which side the flattening tool was used4 ,sheet-glass thus has one side decidedly brighter and better in surface than the other1 the better side being that which rested upon the 8lagre0 during the flattening process4 ,on the other hand1 if the slab itself be not quite perfect1 or if any foreign body be allowed to rest upon it1 that side of the glass will be marked in a corresponding manner4 ,in the account of the manufacture of sheet-glass given above1 we have outlined one typical form of the process1 but nearly every stage is subject to modifications according to the practice and particular circumstances of each works4 ,we will now describe one or two special modifications that are of more general importance4 ,first1 as regards the melting process1 although the tank-furnace has almost entirely superseded the pot furnace for the production of ordinary sheet-glass1 there are still some special circumstances under which the pot furnace is capable of holding its own4 ,thus1 where for special purposes it is desired to produce a variety of sheet-glass which1 as regards all defects arising out of the glass itself1 and especially as regards colour1 is required to be as perfect as possible1 melting in pots is found advantageous1 and for some very special purposes even covered 7hooded7 pots are used4 ,for such special purposes1 too1 sulphate of soda is eliminated from the raw materials and carbonate of soda 7soda ash7 substituted4 ,for the production of tinted glasses also1 whether they are tinted throughout their mass1 or merely covered with a thin layer of tinted glass 78flashed071 manufacture in pot rather than tank furnaces is generally adopted1 the exact nature and composition of the glass being far better under control in the case of pots4 ,the blowing process is also subject to wide variations of practice4 ,the most important of these variations concerns the shape and dimensions of the cylinders4 ,in ,english and ,belgian works the dimensions of the cylinders are so chosen that the length of the cylinder constitutes the longest dimension of the finished sheet1 the diameter of the cylinder forming the shorter dimension4 ,in some parts of ,germany1 however1 the practice is the reverse of this1 the cylinders being blown shorter and much wider1 so that the circumference of the cylinder constitutes the longest dimension of the finished sheet4 ,it is1 however1 pretty generally recognised that the latter method has very serious disadvantages1 although it is claimed that somewhat more perfect glass can be obtained by its means4 ,for the production of a special variety of glass1 known as 8blown plate glass10 this method of blowing short wide cylinders is still adhered to4 ,this is a very pure form of sheet-glass1 blown into thick1 small sheets which are subsequently ground and polished in the same manner as plate-glass4 ,here the great thickness of glass required seems to render the blowing of long cylinders very difficult1 and the other form is therefore adopted4 ,on the other hand1 ,english patent plate-glass1 which is made by grinding and polishing the best quality of ordinary sheet-glass1 is made from glass blown into long narrow cylinders in the manner described in detail above4 ,the process of blowing described above is capable1 with slight modifications1 of yielding glass with surfaces other than the plain smooth face of ordinary sheet-glass4 ,thus fluted and 8muffled0 glass are produced in a very similar manner to that described above for ordinary sheet1 except that the fluting or the irregular surface markings which constitute the peculiarities of these two varieties of glass1 are impressed upon the surface of the cylinder at an early stage in the process4 ,from the outline description given above of the usual method of manufacture of sheet-glass1 it will readily be seen that this is a long1 complicated1 and laborious process1 involving the employment of much skilled labour1 and involving the production of a relatively complicated form1 viz41 the closed cylinder1 as a preliminary to the production of a very simple form1 viz41 the flat sheet4 ,it is therefore by no means surprising to find that a great many inventors have worked and are still working at the problem of a direct mechanical method of producing flat glass possessing a natural 8fire polish0 at least equal to that of ordinary sheet-glass4 ,the earlier inventors have almost uniformly endeavoured to attain this object by attempting to improve the process of rolling glass1 with a view to obtaining rolled sheets having a satisfactory surface4 ,we have already indicated why these efforts have never met with success and what reasons there are for believing that they are never likely to attain their object4 ,a totally different line is that taken by ,sievert1 to whose inventions we have already referred in connection with the mechanical production of blown articles4 ,this inventor has endeavoured to utilise his process for blowing large articles of glass for the direct production of sheets of flat glass4 ,his method is to blow1 by the steam process described in another chapter1 a large cubical vessel1 having flat sides1 the flatness of these sides being ensured by blowing the vessel into or against a mould having flat sides4 ,this flat-sided vessel is ultimately to be cut up into five large sheets4 ,this process also appears to involve some of the main difficulties of rolling as regards the means of transferring the glass from the furnace to the plate of the blowing machine1 and in practice the inventor has not yet succeeded in producing glass of sufficiently good surface for the purposes of sheet glass4 ,another class of processes entirely avoid all means of transferring molten glass from the furnace to any machine1 by working on glass direct from the molten bath itself4 ,some of these processes are in actual use in ,america1 and others are being experimented with in ,europe1 but their complete technical and commercial success has yet to be proved2 there can1 however1 be little doubt that they have overcome the greatest of the many difficulties that stood in the way of the mechanical production of sheet-glass1 and that they are therefore destined very shortly to solve the problem completely1 in which case they would1 of course1 rapidly supersede the hand process4 ,one of the earliest of these direct processes proposed to allow the molten glass to flow out from the furnace1 downward1 through a narrow slit formed in the side or bottom of the tank4 ,the impossibility of keeping such a narrow orifice open and at the same time regulating the flow of glass made this proposal impracticable1 although the use of drawing orifices has been revived in one of the latest processes4 ,the ,american process1 which is said to be at work under commercial conditions1 is not entirely satisfactory in this respect--that it is a mechanical process for the production of cylinders and not of flat sheets1 so that the subsidiary processes of splitting and flattening still remain to be carried out as before4 ,in this process an iron ring is lowered into the bath of molten glass through an aperture from above2 the glass is allowed to adhere to the ring which is then slowly raised by mechanical means1 drawing a cylinder of glass with it4 ,if left to itself1 such a cylinder1 owing to the effects of surface tension in the glass1 would soon contract and break off1 but the ,american invention avoids this action by chilling each bit of the cylinder as soon as it is formed4 ,this is done by the aid of air blasts delivered upon both sides of the glass as it emerges from the bath1 and it is claimed that by this means cylinders of any desired length and diameter may be drawn direct from the bath4 ,the obviously great mechanical difficulties connected with these operations have probably been overcome1 but not without sacrificing much of the simplicity of the arrangement1 and the relative economy of this process as a whole1 compared with the hand process1 has yet to assert itself4 ,the inventions of ,fourcault1 which are at present being developed on the ,continent by a syndicate of glass manufacturers1 aim at a much more direct process4 ,here also the glass is drawn direct from the molten bath by the aid of a drawing-iron that is immersed in the glass and then slowly raised1 but in this case the piece immersed is simply a straight bar1 and the aim is to draw out a flat sheet4 ,in this case the tendency1 under surface tension1 is to contract the sheet into a thread1 and apparently the simple device of chilling the emerging glass is not adequate to prevent this in a satisfactory manner1 and subsidiary devices have been added4 ,those that have been patented include a mechanism of linked metal rods so arranged as to be immersed and drawn out of the glass continuously with the emerging sheet1 in such a manner as to support the vertical edges of the glass and so aid in resisting the tendency of the glass to contract laterally4 ,another device consists in the use of a slit or orifice formed in a large fire-brick that floats on the surface of the glass4 ,through this orifice the glass is drawn1 of the desired thickness and width4 ,the use of this orifice1 however1 interferes markedly with the perfection of the product1 and in fact all the glass produced in this way shows quite plainly a set of longitudinal striations due to the inevitable irregularities in the lips of the drawing slot4 ,further1 it appears to be impracticable to draw thin glass in this way1 a thickness of from #b to #c millimetres 7about #a_/h inch7 being the least that is practicable1 on account of the large amount of breakage that occurs with weaker sheets4 ,this process1 in its present stage of development1 however promising1 does not appear to have solved the problem of mechanical manufacture of sheet-glass1 since it is just in the thinner1 lighter kinds of glass that the advantages of sheet are most pronounced4 ,on the other hand1 it is quite possible that this drawing process1 or some development arising from it1 may shortly supplant the casting process in the production of polished plate-glass1 although for the largest sizes of this product also1 the difficulty and danger of handling the weights involved may prove a serious obstacle4 ,crown ,glass4--,although this is a branch of manufacture that is nearly obsolete1 it deserves brief notice here1 partly because it is still used for the production of special articles1 and also because it illustrates some interesting possibilities in the use and manipulation of glass4 ,the process of blowing crown glass may be briefly described as that of first blowing an approximately spherical hollow ball1 then opening this at one side and expanding the glass into a flat disc by the action of centrifugal forces produced by a rapid rotation of the glass in front of a large opening in a special heating furnace4 ,the actual process involves1 of course1 the preliminary of gathering the proper quantity of glass1 much in the manner already described in connection with sheet-glass manufacture4 ,this gathering is then blown out into a hollow spherical vessel4 ,this vessel is now attached to a subsidiary iron rod by means of a small gathering of hot glass1 applied at the point opposite the pipe itself1 the glass being thus1 for a moment1 attached to both the pipe and the 8pontil0 or 8punty0 7as the rod is called74 ,the pipe is1 however1 detached by cracking off the neck of the original glass1 which now remains attached to the pontil in the shape of an open bowl4 ,this bowl is now re-heated very strongly in front of a special furnace1 the open side of the bowl being presented to the fire4 ,the pontil is meanwhile held in a horizontal position and rotated4 ,as the glass softens the rotation spreads it out1 until finally the entire mass of glass is formed into a simple flat disc spinning rapidly before the mouth of the furnace4 ,this flat disc or 8table0 of crown glass is allowed to cool somewhat1 is detached from the pontil by a sharp jerk1 and is then annealed in a simple kiln in which the glass is stacked1 sealed up1 and allowed to cool naturally4 ,it is obvious that by this process no very large sheets of glass can be produced2 tables #d ft4 in diameter are already on the large side1 and these can only be cut up into much smaller sheets on account of the lump of glass by which the table was originally attached to the pontil1 and which remains fixed in the centre of the finished disc4 ,for certain ornamental purposes1 where an 8antique0 appearance is desired1 these bullions are valued1 but for practical purposes they interfere very seriously with the use of the glass4 ,as a matter of fact1 even several inches away from the central bullion itself1 crown glass is generally marked with circular wavings1 which render it readily recognisable in the windows of older buildings1 but which decidedly detract from the perfection of the glass4 ,on the other hand1 crown glass is still valued for certain purposes1 such as microscope slides and cover glasses1 where entire freedom from surface markings1 such as those found in sheet glass as a result of the flattening operations1 is desirable4 ,while1 therefore1 the process has merely an historical interest so far as ordinary sheet-glass purposes are concerned1 it is still used in special cases4 ,,chapter ,,xi4 ,,coloured ,,glasses4 ,in various chapters throughout the foregoing portions of this book we have had occasion to refer to the colour of glass and the causes affecting it1 but these references have chiefly been made from the point of view of the production of glasses as nearly colourless as possible under the circumstances4 ,while it is obvious that for the great majority of the purposes for which it is used the absence of all visible coloration is desirable or even essential in the glass employed1 there are numerous other uses where a definite coloration is required4 ,thus we have1 as industrial and technical uses of coloured glass1 the employment of ruby1 green and purple glasses for signalling purposes1 as in the signal lamps of our railways1 the red tail-lights of motor-cars1 or even the red or green sectors of certain harbour lights and lighthouses2 again1 coloured glasses1 ruby1 green1 and yellow1 are extensively employed in connection with photography4 ,rather less exacting in their demands upon the correctness of the colour employed are the architectural and ornamental uses to which coloured glass is so extensively put in both public and domestic buildings1 while1 finally1 coloured glass is largely the foundation upon which the stained-glass worker builds up his artistic achievements2 in another direction1 coloured glass is also utilised in the production of ornamental articles and of some table-ware4 ,while it must be admitted that in a great many cases the colour-resources of the glass maker are hopelessly misapplied1 yet in really artistic hands few other materials are capable of yielding results of equal beauty4 ,by the 8colour0 of a glass is generally understood the tint or colour which is observed when it is viewed1 in comparatively thin slices1 by transmitted light2 the actual colour is thus a property1 not so much of the kind or variety of glass as of each individual piece1 since thick pieces out of the same melting will show a different tint from that seen in thinner pieces4 ,as we have already pointed out1 such glasses as sheet or plate1 which appear practically colourless when viewed in the ordinary way1 show a very decided green colour when viewed through a considerable thickness4 ,in the same way1 a very thin layer of the glass known as 8flashing ruby0 shows a brilliant red tint1 but a thickness of one-sixteenth of an inch is sufficient to render the glass practically opaque1 giving it a black appearance by both transmitted and reflected light4 ,again1 cobalt blue glass1 when examined with a spectroscope in thin layers1 is found to transmit a notable proportion of red rays1 but thicker pieces entirely suppress these rays4 ,these phenomena will be readily understood when we recollect that colour in a transparent medium arises from the fact that the medium has different absorbing powers for light of different colours4 ,all transparent substances1 and certainly glass1 are only partially transparent3 all light waves passing through such a substance are gradually absorbed1 and the extent to which they are absorbed differs according to the length of these waves4 ,it always happens that for some special wave-lengths the substance has the power of absorbing the energy of the entering waves and converting it into heat-vibrations of its own molecules or atoms4 ,in the most transparent and colourless glasses this process1 so far as the waves of ordinary light are concerned1 only goes on to a negligibly slight extent2 if1 however1 we extend our view beyond the range of ordinary visible light1 and consider the region of shorter waves that lies in the spectrum beyond the violet1 we find that ordinary colourless glass becomes strongly absorbent2 thus to waves of about half the length of those which produce upon our eyes the impression of yellow light1 ordinary glass is as opaque as is a piece of metal to white light4 ,in this wider sense1 then1 we may fairly say that all glasses are coloured--i4e41 all have a power of selective absorption2 but in the case of those which are nearly colourless in the ordinary sense1 this absorption takes place only for waves which are either decidedly shorter or decidedly longer than those to which our eyes are sensitive4 ,those glasses which appear coloured in the ordinary sense1 on the other hand1 owe this property to the fact that the power of absorption for light-waves extends into the region of the visible spectrum2 thus a blue or violet glass is practically opaque to red rays1 while a red glass is opaque to blue1 green or violet rays4 ,this statement may be verified in a striking manner by holding over one another a piece of deep blue or green glass and a similar piece of ruby glass--the combination will be found to be very nearly opaque even when each glass by itself is practically transparent4 ,the question which now naturally presents itself to us is1 what is the essential difference between1 for instance1 a piece of red glass and a piece of 8white0 glass that confers upon the former the power of absorbing blue light8 ,a perfectly complete and satisfactory answer to this question is not1 in the writer's opinion1 available in the present state of our knowledge1 but to a certain extent the difference between the two kinds of glass can be explained4 ,the difference is produced1 in the first instance by introducing into the colourless glass some additional chemical element or elements1 the substances in question being generally known as 8colouring oxides10 although they are by no means always introduced in the form of oxides1 and are frequently present in the glass in entirely different forms4 ,to a certain extent the colour of the glass may be ascribed to a definite 8colouring0 property of the chemical elements concerned2 thus most of the chemical compounds of such elements as nickel1 cobalt1 iron1 manganese and copper are more or less deeply coloured substances1 and it would seem as if the atoms or 8ions0 of these elements had the specific power of absorbing certain varieties of light-waves while not materially affecting others4 ,but this specific 8colouring0 property is not so easily explained when we recollect that the colours of iron compounds1 for example1 may be green or red according to the state of combination in which that element is present1 and that iron has also the power of imparting either a green or a yellow colour to glass according to circumstances4 ,the detailed discussion of these questions1 however1 lies outside our present scope1 and we must confine ourselves to the broad statement that colouring substance in glass may be roughly divided into two kinds or groups2 the first and probably the largest group are those bodies which occur in glass in true solution1 the element itself being present in the combined state as a silicate or other such compound 7borate1 phosphate1 etc47 which is soluble in the glass4 ,in this class1 the colouring effect upon the glass is specifically that of the element introduced1 and is brought about in the same way as the colouring of water when a coloured salt--such as copper sulphate--is dissolved in it4 ,the second class of colouring substances1 however1 behave in a different manner2 they are probably present in the glass in a state of extremely fine division1 and held not in true solution1 but really in a sort of mechanical suspension that approximates to the condition of what is known as a 8colloidal solution40 ,the point which is known beyond doubt1 thanks to the researches of ,siedentopf and ,szigmondi on ultra-microscopical particles1 is that in certain coloured glasses1 of which ruby glass is the best example1 the colouring substance1 be it gold or cuprous oxide1 is present in the form of minute but by no means atomic or molecular particles suspended in the glass4 ,the presence of these particles has been made optically evident1 although it can hardly be said that they have been rendered visible1 and it is at all events probable that these suspended particles act each as a whole in absorbing the light-waves characteristic of the colour which they produce in glass4 ,this being the case1 it is easy to understand how readily the colour of such glasses is altered or spoilt by manipulations which involve heating and cooling at different rates--too rapid a rate of cooling producing a different grouping of the minute particles1 altering their size or shape1 or even obliterating them entirely by allowing the element in question to go into or to remain in solution in the glass4 ,while it would be entirely foreign to the purpose of this volume to give in this place a series of recipes for the production of various kinds of coloured glass1 it will be desirable to state in general terms the colours or range of colours which can be produced in various kinds of glass by the introduction of those chemical elements which are ordinarily used in this way4 ,in general terms it may be said that the lighter elements do not as a rule tend to the production of coloured glasses1 while the heavier elements1 so far as they can be retained in the glass in either solution or suspension1 tend to produce an intense colouring effect4 ,the element lead appears to form a striking exception to this rule1 but this is due to the fact that while the silicates of most of the other heavy elements are more or less unstable1 the silicate of lead is very stable1 and can only be decomposed by the action of reducing agents4 ,when lead silicates are decomposed in this way1 however1 the resulting glass immediately receives an exceedingly deep colour1 being turned a deep opaque black1 although in very thin layers the colour is decidedly brown4 ,on the other hand1 glasses very rich in lead are always decidedly yellow in colour1 and it has been shown that this coloration is due to the natural colour of lead silicates and not to the presence of impurities4 ,what has just been said of lead applies1 with only very slight modification1 also to the rare metal thallium and its compounds1 which have been introduced into glass for special purposes4 ,leaving these two exceptional bodies on one side1 we now pass to a consideration of the elements in the order of their chemical grouping4 ,the rare elements will not be considered except in certain cases where their presence in traces is liable to affect results attained in practice4 ,the ,alkali ,metals1 sodium1 potassium1 lithium1 etc41 and their compounds1 have no specific colouring effect1 although the presence of soda or of potash in a glass affects the colours produced by such substances as manganese1 nickel1 selenium1 etc4 ,copper1 as would be anticipated from the deep colour of most of its compounds1 produces powerful colouring effects on glass4 ,cupric silicates produce intense green1 to greenish-blue tints4 ,copper1 either as metal or oxide1 added to glass in the ordinary way1 always produces the green colour2 but when the full oxidation of the copper is prevented by the presence of a reducing body1 and the glass is cooled slowly1 or is exposed to repeated heating followed by slow cooling1 an intense ruby coloration is produced4 ,in practice this colour is produced by introducing tin as well as copper into the mixture1 and so regulating the conditions of melting as to favour reduction rather than oxidation of the copper4 ,under these circumstances the copper is left in the glass in a finely divided and evenly suspended state2 if exactly the right state of division and suspension is arrived at1 a beautiful red tint is the result1 although the coloration of the glass is so intense that it can only be employed in very thin sheets1 being 8flashed0 upon the surface of colourless glass to give it the necessary strength and thickness for practical use4 ,it is further very easy to slightly alter the arrangement of the copper in the glass1 with the result of producing an opaque1 streaky substance resembling sealing-wax in colour and appearance1 this product being1 of course1 useless from the glass-maker's point of view4 ,finally1 by exceedingly slow cooling1 and under other favouring conditions which are not really understood1 the particles of suspended colouring-material--be it metallic copper or cuprous oxide--grow in size and attain visible dimensions1 appearing as minute shimmering flakes1 thus producing the beautiful substance known as 8aventurine40 ,silver is never introduced into glass mixtures1 the reason being that it is so readily reduced to the metallic state from all its compounds that it cannot be retained in the glass except in a finely-divided form1 causing the glass to assume a black1 metallic appearance resembling the stains produced by the reduction of lead in flint glasses4 ,on the other hand1 silver yields a beautiful yellow colour when applied to glass as a surface stain1 and it is widely used for that purpose4 ,gold is introduced into glass for the production of brilliant ruby tints2 its behaviour is very similar to that of copper1 except that the noble metal has a great tendency to return to the metallic state without the aid of reducing agents4 ,no addition of tin is therefore required1 but the rate of cooling1 etc41 must be properly regulated1 since rapidly cooled glass containing gold shows no special colour1 the rich ruby tint being only developed when the glass is re-heated and cooled slowly4 ,the colouring effect of gold is undoubtedly more regular and uniform than that of copper1 and it is accordingly possible to obtain much lighter shades of red with the aid of the noble metal4 8,gold ruby0 can therefore be obtained of a tint light enough to be used in sheets of ordinary thickness1 and the process of 8flashing0 is not essential4 ,the elements of the second group1 such as magnesium1 calcium1 strontium1 barium1 zinc and cadmium1 exert no strong specific colouring action on glass1 with perhaps the exception of cadmium1 and that element only does so to any considerable extent in combination with sulphur1 sulphide of cadmium having the power of producing rich yellow colours in glass4 ,the sulphur compounds of barium also readily produce deep green and yellow colours1 and the formation of these tints is1 indeed1 very difficult to avoid in the case of glasses containing much barium4 ,a colouring effect has sometimes been ascribed to zinc1 but this is not in accordance with facts4 ,of the elements of the third group1 only boron and aluminium are ever found in glass in any notable quantity4 ,boron is present in the form of boric acid or borates1 and as such produces no colouring effect1 nor does there seem to be any tendency for the separation of free boron4 ,the compounds of aluminium also possess no colouring effect1 although certain compounds of this element are utilised for imparting a white opacity to glass for certain purposes--such glass being known as 8opal40 ,the elements of the fourth group are of greater importance in connection with glass4 ,carbon is capable of exerting powerful colouring effects when introduced into glass4 ,these effects are of two kinds1 viz41 indirect in consequence of the reducing action of carbon on other substances present1 and direct from the presence of finely-divided carbon or carbides in the glass4 ,the latter are similar in kind to those produced by the presence of other finely-divided elementary bodies 7copper1 gold1 lead1 etc47 except that the lightness of the carbon particles tends to the production of yellow and brown colours rather than of red and black1 while the chemical nature of carbon renders the glass in which it is suspended indifferent to rapid cooling1 so far as the carbon tint is concerned4 ,the indirect effects of carbon1 in reducing other substances that may be present in the glass1 become evident with much smaller proportions of carbon than are required to produce visible direct effects4 ,as we have seen above1 carbon1 in the form of coke1 charcoal or anthracite coal1 is regularly introduced1 as a reducing medium1 into glass mixtures containing sulphate of soda4 ,if even a slight excess of carbon be used for this purpose1 the formation of sulphides and poly-sulphides of sodium and of calcium results1 and these bodies1 like all sulphides1 impart a greenish-yellow tint to the glass1 at the same time bringing other undesirable results in their train4 ,silicon1 in the form of silicic acid and its compounds1 is a fundamental constituent of all varieties of glass1 and in this form is in no sense a colouring substance2 on the other hand1 there is no doubt that under some conditions silicon may be reduced to the metallic state at temperatures which normally occur in glass-furnaces1 and it is practically certain1 that if present in glass in this condition1 silicon would colour the glass4 ,it is just possible that some of the colouring effects produced in ordinary glass by powerful reducing agents1 such as carbon1 either in the solid form or as a constituent of furnace gases1 may be due to the reduction of silicon in the glass4 ,tin by itself does not appear to have any colouring effect upon glass1 except that its oxide1 in a finely suspended state1 produces opalescence and1 in large quantities1 white opacity4 ,tin1 however1 is used in conjunction with copper in the production of copper-ruby1 to which reference has already been made4 ,lead and ,thallium have already been dealt with1 and it only remains to add that their presence in the glass1 although not in itself producing any intense colouring action1 increases the colouring effects of other substances4 ,this is probably merely a particular case of the fact that dense glasses1 of high refractive index1 are more sensitive to colouring agencies than the lighter glasses of low refractive index2 this applies to barium as well as to lead and thallium glasses4 ,phosphorus occurs in some few glasses in the form of phosphoric acid1 and this substance1 as such1 has no colouring effect4 ,calcium phosphate1 however1 is sometimes added to glasses for the purpose of producing opalescence4 ,its action in this respect is probably similar to that of tin oxide and aluminium fluoride1 these substances all remaining undissolved in the glass in the form of minute particles in a finely divided and suspended state4 ,arsenic does not exert a colouring effect on glass1 and owing to its volatile nature it can only be retained in glass in small quantities and under special conditions4 ,a 8decolourising0 action is sometimes ascribed to arsenic1 but if this action really exists it can only be ascribed to the fact that arsenic compounds are capable of acting as carriers of oxygen1 and their presence thus tends to facilitate the oxidation of impurities contained in the glass4 ,a further reference to this subject will be found below in reference to the compounds of manganese4 ,antimony1 although frequently added to special glass mixtures1 does not appear to produce any very powerful effects1 except possibly in the direction of producing white opacity if present in large proportions4 ,the sulphide of antimony1 however1 exerts a colouring influence1 although its volatile and unstable character renders the effects uncertain4 ,vanadium1 owing to its rarity1 is probably never added to glass mixtures for colouring purposes1 although it is capable of producing vivid yellow and greenish tints when present even in minute proportions4 ,on the other hand1 vanadium occurs in small proportions in a number of fire-clays1 including some of those of the ,stourbridge district1 and glass melted in pots containing this element is liable to have its colour spoilt by taking up the vanadium from the clay4 ,sulphur is an element whose presence in various forms is liable to affect the colour of glass in a variety of ways4 ,the colouring effects of sodium-1 calcium-1 cadmium-1 and antimony-sulphides have already been referred to4 ,sulphur probably never exists in glass in the uncombined state at all1 but sulphur and its oxides1 which are often contained in furnace gases1 sometimes exert a very marked action upon hot glass4 ,the presence of sulphur gases in the atmospheres of blowing-holes and annealing kilns is liable to produce in the glass a peculiar yellowish milkiness which penetrates for a considerable depth into the mass of the glass and cannot be removed by subsequent treatment4 ,glass vessels1 particularly if made of glass produced from raw materials among which salt-cake has figured1 are also affected by contact with fused sulphur or its vapour1 the effect being a gradual disintegration of the glass4 ,the precise mechanism of these actions is not known at present1 but they probably consist in the formation of sulphur compounds within the glass1 possibly giving rise to an evolution of minute bubbles of gas4 ,selenium1 which is chemically so closely related to sulphur1 is a relatively rare element1 which is1 however1 finding some use in glass-manufacture as a colouring and a decolouring agent4 ,the introduction of selenium or of its compounds under suitable conditions into a glass mixture produces or tends to produce a peculiar yellowish-pink coloration1 the intensity of the colour produced being dependent upon the chemical nature of the glass as a whole and1 of course1 upon the amount of selenium left in the glass at the end of the melting process1 this latter in turn depending upon the duration and temperature of the process in question4 ,the pink colour of selenium glass is best developed in those containing barium as a base1 but it is also developed in lead glasses1 while soda-lime glasses do not show the colour so well4 ,as a 8decolouriser0 the action of selenium is entirely that of producing a complementary colour which is intended to 8cover0 the green or blue tint of the glass2 where the depth of the tint to be 8covered0 is small1 selenium can be used very successfully in this way1 although it is a relatively costly substance for such a purpose4 ,no oxidising or 8cleansing0 action can be ascribed to selenium or its compounds4 ,chromium is one of the most intensely active colouring substances that are available for the glass-maker1 and it is accordingly used very extensively4 ,it has the advantage of relative cheapness1 and can be conveniently obtained and introduced into glass in the form of pure compounds whose colouring effect can be accurately anticipated2 the colours produced by the aid of chromium have the further advantage of being very constant in character1 being little affected by oxidising or reducing conditions1 and only very slightly by the length or temperature of the melting process4 ,the rate of cooling1 in fact1 appears to be the only factor that materially affects the colours produced by compounds of chromium4 ,the colours produced by chromium alone are various depths of a bright green1 the depth varying1 of course1 with the proportion of chromium that is present in the glass and with the purity of the glass itself4 ,very frequently1 chromium is used in conjunction with either iron or copper to produce various tints of 8cold blue0 and 8celadon green0 respectively4 ,this element is most usually introduced into the glass mixture in the form of potassium bichromate2 although other compounds might be employed1 this substance presents several advantages to the glass maker4 ,in the first place1 since the colouring effect of chromium is very intense1 it must be used in very small quantities1 and if chromic oxide itself were used1 the weighing would have to be carried out with extreme care2 potassium bichromate1 however1 contains a much smaller proportion of the effective colouring substance1 so that much larger weights can be employed1 and the accuracy of weighing required is proportionately reduced4 ,a further consideration arises from the fact that chromic oxide is itself an extremely refractory body1 and is therefore comparatively difficult to incorporate with glass1 while its presence tends to make the glass itself more viscid and refractory2 the simultaneous introduction of the alkali1 as provided by the use of the bichromate1 is thus an advantage in restoring the fluidity and softness of the glass when finished1 while also facilitating the solution of the chromium in the glass during the fusion process2 this process of solution1 however1 takes some time1 chromium glasses being liable to appear patchy if insufficient time is given to the 8founding40 ,uranium is one of the rarer and more costly elements1 but is nevertheless used in glass-making for special purposes on account of the very beautiful fluorescent yellow colour which it imparts when added in small proportions4 ,this yellow is quite characteristic and unmistakable1 so that none of the other varieties of yellow glass can ever be used as a substitute for uranium glass1 but the great cost of the latter prevents its extended use4 ,uranium is usually introduced into glass mixtures in the form of a chemical compound1 such as uranyl-acetate or uranyl-nitrate1 both these substances being obtainable in the form of small1 intensely bright yellow crystals4 ,fluorine occurs in a number of glasses in the form of dissolved or suspended fluorides1 principally fluoride of aluminium4 ,the element is not essentially a colouring substance1 and is only mentioned here because the fluoride named is the most frequently used means of producing 8opal0 glass4 ,the fluoride is most frequently introduced into the glass mixtures as calcium fluoride1 used in conjunction with felspar1 or as cryolite1 a natural mineral which consists of a double fluoride of sodium and aluminium4 ,manganese is one of the most important colouring elements used by the glass-maker4 ,when introduced into glass in the absence of other colouring ingredients1 compounds of manganese produce a range of colours lying in the region of pinkish-purple to violet1 according to the chemical nature of the glass4 ,the exact colour produced varies according as the glass has lead1 lime or barium as its base1 and it also depends upon the presence of soda or potash as the alkaline constituent4 ,the nature and intensity of the colour1 however1 which the addition of a given percentage of manganese will produce depends upon other factors besides the chemical composition of the bases used in the mixture4 ,the heat and duration of the 8found0 and the reducing or oxidising conditions of the furnace in which it has been carried on very materially affect the result4 ,thus1 a glass having a slight tinge of pink or purple derived from manganese can be rendered entirely colourless by the action of reducing gases or by introducing into the glass a reducing substance1 such as a piece of wood4 ,it will thus be seen that while manganese is a most useful element for the glass-maker1 its employment requires much skill and care1 and generally involves some troublesome manipulations before the desired result is attained4 ,in practice1 manganese is most frequently used with other colouring ingredients for the production of what may be called 8compound0 colours1 the function of the manganese being to provide the 8warm0 element1 i4e41 the pink or purple component1 required4 ,one of the most important uses of manganese coming under this head is its use as a 8decolouriser40 ,by a 8decolouriser0 the glass-maker understands a substance which can be used to improve the colour of a glass which1 from the nature of its raw materials and conditions of melting1 would have a greener colour than is thought desirable for the product in question4 ,it may be said at once that the most perfect and satisfactory method of obtaining the better colour required is to adopt the use of purer raw materials and methods of melting less liable to lead to contamination of the glass4 ,on the other hand1 this radical course is often impossible on the ground of expense1 and the less satisfactory course must be adopted of covering one undesirable colour by another complementary colour which would1 in itself1 be equally undesirable4 ,the rationale of this procedure depends upon the fact that a slight amount of absorption of light is not readily detected by the human eye if it be uniformly or nearly uniformly distributed over the whole range of the visible spectrum1 i4e41 if the colour of the resulting light is nearly neutral1 while an equally slight absorption in one region of the spectrum1 while actually allowing more light to pass through the glass1 is at once detected by the eye owing to the colour of the transmitted light4 ,now it has been found that the colour produced in glass by the addition of very small proportions of manganese is approximately complementary to the greenish-blue tinge of the less pure varieties of ordinary glass2 the addition of manganese in suitable proportions to such glass therefore results in the production of a glass which transmits light of approximately neutral1 usually slightly yellow1 colour1 the increased total absorption only becoming noticeable in large pieces4 ,this 8covering0 of the greenish tinge is generally most completely successful in the case of soda-flint glasses1 but the method is also used to a certain extent in the case of the soda-lime glasses used for sheet and plate-glass manufacture4 ,manganese added to glass for this purpose is generally introduced into the mixture in the form of the powdered black oxide 7manganese dioxide71 which is available as a natural ore in a condition of sufficient purity4 ,added in this form1 the manganese compound exerts a double action1 the decomposition of the dioxide resulting in the liberation of oxygen within the mass of melting glass1 and this oxygen itself exerts a favourable influence on the resulting colour of the glass1 since it removes organic materials whose subsequent reducing action would be deleterious1 and it also converts all iron compounds present into the more highly-oxidised 7ferric7 state in which their colouring effects are less intense4 ,the actual colouring effect of the manganese itself is1 of course1 afterwards developed1 and produces the effects discussed above4 ,the 8covering0 of the greenish tints due to iron and other compounds is only possible when these are present in very small proportions4 ,when larger quantities of these substances have been introduced into the glass the addition of manganese modifies the resulting colour1 but is no longer able to neutralise it4 ,a very large range of colours can be obtained by using various proportions of iron and manganese1 the best-known of these being the warm brown tint known as 8hock-bottle10 while all shades between this and the bright green of iron and the purple of manganese can be obtained by suitable mixtures4 ,what has been said above as to the sensitiveness of manganese colours applies with even greater force to these mixed tints1 since here both the iron and the manganese compounds are liable to undergo changes of oxidation4 ,copper-manganese and chromium-manganese colours are also used1 as indeed almost any number of colouring ingredients may be simultaneously introduced into a glass mixture1 the resulting colour being1 as a rule1 purely additive4 ,iron is so widely distributed among the materials of the earth's crust that it is exceedingly difficult to exclude it entirely from any kind of glass1 although the purest varieties of glass contain the merest traces of this element4 ,cheaper varieties of glass1 however1 always contain iron in measurable quantity1 while the cheapest kinds of glass contain considerable proportions of this element4 ,the colouring effects of iron have already been alluded to at various points in the earlier chapters as well as in the section on manganese just preceding4 ,little further remains to be said here4 ,just as the less highly oxidised compounds of iron--i4e41 the 8ferrous0 compounds--always show a decided green tint1 so glasses containing iron when melted under the usually prevalent reducing conditions of a glass-making furnace1 show a decided green tint whose depth depends upon the amount of iron present1 provided no manganese or other 8decolouriser0 has been introduced4 8,ferrous0 compounds are1 however1 readily converted into the more highly oxidised or 8ferric0 state by the action of oxidising agents1 and this change can also be brought about in molten glass by the action of such substances as nitrates or other sources of oxygen4 ,the ferric compounds1 however1 show characteristic yellow tints which are much less intense and vivid than the corresponding green colours of the 8ferrous0 series1 and a similar result is brought about by the oxidation of iron compounds contained in glass2 hence the 8washing0 or cleansing effects ascribed to oxidising agents introduced in the fusion of glass4 ,it should1 however1 be borne in mind that the oxidation of other substances besides iron compounds1 viz41 organic matter1 carbon and sulphur compounds1 may1 and probably does1 play a most important part in this process in the case of most varieties of glass4 ,nickel exerts a powerful colouring influence on glass1 in accordance with the fact that most of the other compounds of this element are also deeply coloured4 ,the exact colour produced in glass depends upon the nature of the glass and on the condition of oxidation in which the nickel is present4 ,the colours1 however1 are usually of a greenish-brown tint1 although brighter colours can be produced by nickel under special conditions4 ,this element is not1 however1 much used as a colouring agent in practice1 although it has been advocated as a 8decolouriser40 ,the writer is not1 however1 aware that it has ever been successfully used for this purpose1 and1 in fact1 the colours to which it gives rise do not appear to be even approximately complementary to the ordinary green and blue tints which 8decolourisers0 are intended to cover4 ,cobalt is one of the most powerful colouring agents in glass1 and is very largely used in the production of all varieties of blue glass4 ,the blue colour produced by cobalt is1 in fact1 probably the most 8certain0 of the colours available to the glass-maker1 this tint being least affected by all those circumstances that lead to variations in other tints4 ,almost the only difficulty involved in the use of cobalt is the great colouring power of this element1 which requires that for most purposes only very small quantities may be added to the glass mixture4 ,formerly cobalt was added to glass mixtures in the form of 8zaffre10 which was a very impure form of cobalt oxide4 ,at the present time1 however1 the more expensive but much more satisfactory pure oxide of cobalt is in almost universal use4 ,this substance shows a perfectly constant composition and1 by means of accurate weighing1 enables the glass-maker to introduce precisely the right amount of cobalt into his batch4 ,the range of colours which are available to the modern glass manufacturer are1 as will be seen from a consideration of the list of colouring elements given above1 practically unlimited1 particularly as these substances can be used in almost any combination to produce mixed or intermediate tints4 ,this practically infinite variety of possible tints1 indeed1 involves the principal difficulty encountered by the manufacturer of coloured glass1 i4e41 that of matching his tints1 or of keeping the colour of any particular variety of glass so constant that pieces produced at various times can be used indiscriminately together4 ,this ideal is1 perhaps1 never entirely realised1 but in the case of glasses intended for special technical uses the ideal degree of constancy is very closely approached4 ,in addition to being called upon to produce a large variety of different tints1 the glass-maker is also called upon to produce various depths of the same tint4 ,in many cases this can be readily done by the simple means of varying the amount of colouring material added to the glass4 ,where the colouring effect of small quantities of these substances is not excessively powerful there is no very great difficulty in doing this1 but in certain cases this mode of regulating the intensity of the colour is not available4 ,thus copper-ruby glass cannot readily be made of so light a tint as to appear of reasonable depth when used in sheets of the thickness of ordinary sheet-glass4 ,as has already been indicated1 the desired tint is obtained by the process of 8flashing10 i4e41 of placing a very thin layer of deep ruby-coloured glass upon the surface of a sheet of ordinary more or less colourless glass of the usual thickness4 ,this is generally accomplished by having a pot of molten ruby glass available close to a pot from which colourless glass is being gathered4 ,a small gathering of ruby glass is first taken up on the pipe1 and the remaining gatherings required for the production of the sheet are taken from the pot of colourless glass4 ,when such a composite gathering is blown into a cylinder in the manner described in the previous chapter1 the ruby glass lies as a thin layer over the inner face of the cylinder1 but special care and skill on the part of the gatherer and blower is required to ensure that this layer shall be evenly distributed and of the right thickness to produce just the tint of ruby required4 ,since the whole layer of red glass is so thin1 a very slight want of uniformity in its distribution leads to wide variations of tint1 and in practice these are often seen in the less successful cylinders of such glass4 ,the chemical composition of the ruby and the colourless glass which are to be employed for this purpose must also be properly adapted to one another in order to produce two glasses which shall have as nearly the same coefficient of thermal expansion as possible4 ,if this requirement is not met1 the resulting glass is subjected to internal strains which may lead to fracture1 while1 if the ruby glass has the higher coefficient of expansion1 the sheet after flattening tends to draw itself up on the 8flashed0 side and cannot be passed out of the annealing kiln in a properly flat condition4 ,although most usually applied to copper-ruby glass1 the flashing process is often used with other colours also4 ,coloured glass of this kind is at once recognised when looked at through the edges4 ,thus examined the glass simply shows the greenish tint of ordinary sheet-glass which constitutes practically the entire thickness of the sheet4 ,in the same way1 if such 8flashed0 glass be cut or etched in such a way that the layer of coloured glass is removed in places1 the resulting pattern appears in white on the coloured ground--a feature which is utilised for certain decorative purposes4 ,the flashing process just described1 it should be noted1 is applicable to any form of glass-ware which is blown from a gathering1 and the coloured layer can be applied either upon the inside or outside of any object thus produced4 ,in addition to the palette of colours which the glass-maker is able to supply1 the artist in stained glass has a further range of colours at his disposal in the form of stains and transparent colours which can be applied to the surface of glass and developed and rendered more or less permanent by being properly 8fired40 ,the colours produced in this way are also1 in one sense1 coloured glasses1 or rather glazes1 whose raw materials are put upon the glass by the brush of the painter1 and only subsequently caused to combine and melt by suitable heating4 ,the degree of heat applicable under these circumstances is1 however1 very limited by the necessity of avoiding any great softening of the substratum of glass1 while many of the colours themselves are composed of materials which could not resist very high temperatures4 ,the fluxes used in the composition of these colours must for this reason be of a very fusible kind1 with the inevitable result of a greatly reduced chemical stability as compared with the glass itself4 ,the whole subject of painting on glass1 even from the purely technical as apart from the sthetic point of view1 is a very wide one1 and lies outside the scope of the present volume4 ,only one further technical point in connection with glass-painting and stained glass work will therefore be touched upon here4 ,this is an example of the fact that the more technically 8perfect0 modern product is not always preferable for special purposes which have been well served by older and far less 8perfect0 products4 ,the production of technically excellent coloured glass in modern times was1 somewhat surprisingly at first1 accompanied by a very marked decline in the artistic beauty of stained glass windows produced with this modern material2 the ancient art of stained glass was1 therefore1 for a time regarded as a 8lost art10 and glass-makers were blamed for being unable to produce the brilliant and beautiful tints which had been formerly available4 ,more careful study1 however1 revealed the fact that while the actual colour of modern glass was at least as brilliant and varied as that of ancient glass1 the difference lay in the fact that the modern glass was practically entirely free from such imperfections as air-bubbles1 stri1 and other defects which improved appliances and methods had enabled the glass-maker to eliminate from his products4 ,finding the beauty of his wares greatly improved by this increased purity of the glass in the case of window glass and table ware1 it was natural for the glass-maker to endeavour to produce the same 8improvement0 in the coloured glasses intended for artistic purposes and1 indeed1 it is more than likely that the stained-glass workers themselves pressed this line of improvement upon him by a demand for 8better0 glass4 ,it turned out1 however1 on close examination1 that this very perfection of modern glass rendered it less adapted for these artistic purposes4 ,a perfect piece of glass1 having smooth surfaces and no internal regularities1 allows the rays of light falling upon it to pass through undeflected in direction1 and merely changed in colour1 according to the tint of the glass in question4 ,on looking at the glass1 external objects can be quite clearly seen1 and much of the interest and mystery of the glass itself is lost4 ,on the other hand1 when falling upon a piece of glass having an irregular surface1 and containing all manner of irregularities such as stri1 air-bells1 and even pieces of enclosed solid matter1 the light is scattered1 refracted1 and deflected into all manner of directions until it almost appears to emanate from the body of the glass itself1 which thus appears almost to shine with an internal light of its own2 the eye can hardly perceive the presence of external objects1 and the whole window appears as a brilliant self-luminous object4 ,once their attention had been drawn to these facts1 modern glass-makers endeavoured1 and with much success1 to reproduce the desirable qualities of the ancient glass1 while still availing themselves of modern methods to produce more stable glasses and a wider range of colours4 ,the irregular surface of the old glass is imitated by using rolled or 8muffed0 instead of ordinary blown glass1 while the internal texture is rendered non-homogeneous by the deliberate introduction of solid and gaseous impurities and by manipulations so arranged as to leave the glass in layers of different density1 which appear in the finished glass as 8stri40 ,as a consequence1 it is probably not too much to claim that the modern workers in coloured glass have materials at their disposal which are at least as suitable for the purpose as those that were available in the best days of the ancient art4 ,some reference has already been made to the technical uses of coloured glass1 but one or two further points in that connection remain to be discussed4 ,for such technical purposes as railway and marine signals1 the consensus of practical experience has decided in favour of certain colours of glass1 such as red and green of particular tints4 ,on the other hand1 for various purposes in connection with photography1 the glass-maker does not appear to have been able to meet the new requirements1 with the result that flimsy and otherwise unsatisfactory screens made of gelatine or celluloid stained with organic dyes are employed in place of coloured glass in such cases1 for example1 as the covering of lamps for use in photographers' 8dark0 rooms1 and for the light-filters used for orthochromatic and tri-chromatic photography4 ,in all these cases it is necessary to use a transparent coloured medium which transmits only light of a certain very definite range of wave-lengths1 and there is no doubt that for the glass-maker1 who is confined to the use of a number of elementary bodies for his colouring media1 it is by no means easy to comply with these requirements of exact transmission and absorption4 ,on the other hand1 the field of available coloured glasses has not been fully explored from this point of view1 the only extensive work on the subject having been done in connection with the ,jena firm of ,schott1 who have put upon the market a series of coloured glasses of accurately-known absorbing power4 ,there is1 however1 little doubt that a much greater extension of this field is possible1 and that it will be opened up by a glass-maker who undertakes the exhaustive study of coloured glasses from this point of view1 although it must be admitted that there is considerable doubt whether the results obtainable by the aid of aniline and other dyes as applied to gelatine can ever be equalled by coloured glasses4 ,,chapter ,,xii4 ,,optical ,,glass4 ,optical glass differs so widely from all other varieties of glass that its manufacture may almost be regarded as a separate industry1 to which1 indeed1 a separate volume could well be devoted4 ,in the present chapter we propose to give an outline of the most important properties of optical glass1 and in the next chapter to describe the more important features of the processes used in its production4 ,the properties which affect the value of optical glass may roughly be divided into two groups4 ,the first group comprises the specifically 8optical0 properties--i4e41 those directly influencing the behaviour of light in its passage through the glass1 while the second group covers those properties of a more general nature1 which are of special importance in glass that is to be used for optical purposes4 ,optical ,properties of ,glass4--,the most essential property of glass in this respect is homogeneity4 ,we have already indicated that glass can never be regarded as a definite chemical substance or compound1 but that it usually consists of mutual solutions of various complex silicates1 borates1 etc4 ,solutions being of the very nature of mixtures of two or more different substances1 it follows that they can only become homogeneous when complete mixing has taken place4 ,we have a familiar example of the formation of such a solution when sugar is dissolved in water4 ,the water near the sugar becomes saturated with sugar and of different density from the remaining water2 if the liquid is slightly stirred a very characteristic phenomenon makes its appearance--the pure water and the dense sugar solution do not at once mix completely1 the denser liquid remaining for a time disseminated throughout the whole fluid mass in the form of more or less fine lines1 sheets1 or eddies1 and these are visible because the imperfectly mixed liquids have different effects on the light passing through them4 ,in the case of sugar-water we are1 however1 dealing with a very mobile liquid1 and a few turns of a tea-spoon suffice to render the mixture complete1 and the liquid1 which for a few moments had appeared turbid1 becomes homogeneous and transparent4 ,in the case of glass1 when the raw materials are melted together1 a mixture is formed of liquids of differing densities similar to that which was temporarily formed in the sugar-water solution4 ,molten glass1 however1 is never so mobile a liquid as ordinary water1 nor is it in the ordinary course of manufacture subjected to any such thorough mixing action as that which is produced by a spoon in a glass of water4 ,in glass as ordinarily manufactured1 therefore1 it is not surprising to find that the lack of homogeneity which originates during the melting persists to the end4 ,its effects can be traced whenever a thick piece of ordinary glass is carefully examined1 when the threads or layers of differing densities can be recognised in the form of minute internal irregularities in the glass4 ,these defects are known as stri or veins1 and their presence in glass intended for the better kind of optical work renders the glass useless4 ,as will be seen below in the production of optical glass1 special means are adopted for the purpose of rendering it as homogeneous as possible2 in fact1 the early history of optical glass manufacture is simply the history of attempts to overcome this very defect4 ,the problem is1 however1 beset by chemical and physical difficulties of no mean order1 and even in the best modern practice only a small proportion of each melting or crucible full of glass is entirely free from veins or stri4 ,in many cases these defects are very minute1 and sometimes escape observation until the stage of the finished lens is reached4 ,at that stage1 however1 their presence becomes painfully evident from the fact that they interfere seriously with the sharp definition of the images formed by the lens in question4 ,it will be seen that in such a case time and money has been wasted by grinding and polishing what turns out to be a useless piece of glass4 ,methods are1 therefore1 used for examining the glass before it is worked1 whereby the existence of the smallest stri can scarcely escape detection4 ,these methods depend upon the principle that a beam of parallel light passing through a plate of glass will meet with no disturbance so long as the glass is homogeneous1 but if stri are present1 they will cause the light to deviate from parallelism wherever it falls upon them4 ,under such illumination1 therefore1 the stri will appear as either dark or bright lines1 when they can be readily detected4 ,one form of apparatus used for this purpose is illustrated in ,fig4 #ad4 ,illustration3 ,,fig4 #ad4--;,diagram of stri-testing apparatus4 ,l1 source of light2 ,s1 slit2 ,a and ,b1 simple convex lenses2 ,g1 glass under test2 ,e1 eye of observer4 ,the arrows indicate the paths of light-rays4 ,transparency and colour are obviously fundamentally important properties of glass4 ,in one sense homogeneity is essential to transparency1 but the aspect of the subject which we are now considering is that of the absorption of light in the course of regular transmission through glass4 ,it may be said at once that no glass is either perfectly transparent or1 what comes to nearly the same thing1 perfectly free from colour4 ,in the case of the best optical glasses it is true that the absorption of light is very slight1 but even these1 when considerable thicknesses are viewed1 show a greenish-yellow or bluish colouring4 ,on the other hand1 certain optical glasses which are used at the present time for many of our best lenses absorb light so strongly or are so deeply coloured that a thickness of a few inches is sufficient to reveal this defect4 ,to some extent public taste or opinion which objects to the use of even a slightly greenish glass in optical instruments of good quality is to blame for the tint of these glasses4 ,in many cases glass-makers could produce a very slightly greenish glass1 but in order to overcome this colour they deliberately add to the glass a colouring oxide imparting to the glass a colour more or less complementary to the natural green tint4 ,the result is a more or less neutral-tinted glass which1 however1 absorbs much more light than the naturally green glass would have done4 ,since such glass is frequently used for photographic lenses1 it is interesting to note that the light rays whose transmission is sacrificed in order to avoid the green tint are those lying at or near the blue end of the spectrum1 so that the photographic rapidity of the resulting lenses is decidedly reduced by the use of such glass4 ,refraction and ,dispersion4--,the quantitative properties of glass1 governing its effect upon incident and transmitted light1 are1 of course1 of fundamental importance in all its optical uses4 ,the fundamental optical constant of each variety of optical glass is known as its refractive index2 this number really represents the ratio of the velocity with which light waves are propagated through the glass to the velocity with which they travel through free space4 ,not only does this ratio vary with every change in the chemical composition and physical condition of the glass1 but it also varies according to the length of the light waves themselves4 ,in other words1 the short waves of blue light are transmitted through glass with a different velocity from that with which the longer waves of red light are transmitted4 ,the consequence is that when a beam of white light is passed through a prism it is split up and spread out into a number of beams representing all the colours of the spectrum in their proper order1 the blue light suffering the greatest deflection from its original path1 while the red light suffers least deflection4 ,both the actual and relative amount by which light rays of various colours are deflected under such circumstances depends upon the nature of the glass in question2 therefore1 to fully characterise the optical properties of a given kind of glass it is necessary to state not only its refractive index but to specify the refractive indices for a sufficient number of different wave-lengths of light1 suitably distributed through the spectrum4 ,for this purpose a number of well-marked spectrum lines have been chosen1 the systematic use of the particular set of lines which is now usually employed being due to the initiative of ,abb and ,schott at ,jena1 who initiated the system of specifying the optical properties of glass in this way4 ,the actual lines chosen are the line known as ,a1 corresponding to a wave-length of #jgfgg micro-millimetres1 and the lines known as ,c1 ,d1 ,f1 and ,g1 whose wave-lengths1 in the same units1 are #jfefc1 #jehic1 #jdhfb1 and #jdcda respectively4 ,the ,a line1 however1 lies so near the extreme red end of the spectrum that the data concerning it are seldom required4 ,as a matter of fact1 the actual refractive index is only stated in most tables of optical glasses for sodium light 7,d line71 the dispersive properties of the glass being indicated by tabulating the differences between the refractive indices for the various lines1 the table thus containing columns marked ,c-,d1 ,d-,f1 ,f-,g4 ,these figures are usually described as the 8dispersion0 of the glass from ,c to ,d1 ,d to ,f1 etc4 ,in addition to these figures it is usual to tabulate what is called the 8mean dispersion0 of the glass1 which is simply the difference between the refractive indices for ,c and ,f lines2 this interval is usually taken as representing that part of the spectrum which is of the greatest importance for visual purposes4 ,a further constant which is of great importance in the calculations for achromatic lenses is obtained by dividing the mean dispersion into the refractive index for the ,d line minus one 7usually written 7,c-,f7_/7n,d-#a774 ,this term1 for which no satisfactory name has yet been suggested1 characterises the ratio of the dispersive power of the glass to its total refracting power4 ,it is usually denoted by the ,greek letter 4 ,the following table 7taken from the ,catalogue of the ,optical ,convention1 #aije7 gives a list of optical glasses produced by ,messrs4 ,chance1 of ,birmingham4 ,this list1 although it is not nearly so long as that issued by the ,french and ,german firms who manufacture optical glass1 contains examples of the most important types of optical glass which are available at the present time4 ,those1 however1 who wish to use the data for the purpose of lens calculation are advised to consult the latest issues of the optical glass-makers' catalogues1 since the range of types available1 and even the actual figures for some of the glasses1 are liable to variation from time to time4 ,,table ,,of ,,optical ,,properties4 ---------------------------------------- ------------------------- ,partial and ,medium ,relative ,partial ,dispersions4 ,dis- ------------------------------ ,name4 n,d4 4 per- ,c-,d ,d-,f ,f-,g sion4 ,c-,d4 --- ,d-,f4 --- ,f-,g4 --- ,c-,f4 ,c-,f4 ,c-,f4 ,c-,f4 ---------------------------------------- -------------------- ,extra ,hard ,crown #adieifddjjggjjjbbhbifjjedbgjdjjdcaefj ,boro-silicate ,crown #aejiffccjjhjcjjbcfbidjjefbgjjjjddfeee ,hard ,crown #aeagefjejjhefjjbebbidjjfjdgjfjjdhdeed 99,medium ,barium ,crown #aegchegijjiijjjbicbifjjfiggjdjjeebeeg 99,densest ,barium ,crown #afjfeegijajdfjjcjhbidjjgchgjejjehiefc ,soft ,crown #aeaebefijjijfjjbfdbiajjfdbgjhjjeagegj 99,medium ,barium ,crown #aeffjefcjajjfjjbigbiejjgjigjdjjegfegb ,barium ,light ,flint #aedebecejajbjjjbihbibjjgbbgjajjehbegj ,extra ,light ,flint #aecafdijjajhejjcacbhhjjggbgaajjfcjehj ,extra ,light ,flint #aecccdhejajiijjcbbbicjjggggjgjjfdjehb ,boro-silicate ,flint #aefbcdgdjaahgjjcdcbhijjhddgaajjficehd 99,barium ,light ,flint #aehccdffjabeajjcfbbhhjjhhigaajjgbaegf ,soda ,flint #aedhbdehjaaiejjcdcbhgjjhebgacjjfijegg ,light ,flint #aedgbdehjaaifjjcdhbiajjhdhgjijjgjgeia ,light ,flint #aefajdcbjabiijjcgbbhgjjibggacjjggjeic ,light ,flint #aegfjdajjadjdjjdjbbhfjajjbgacjjhdjeih ,light ,flint #aeghgdjgjadbjjjdjdbhdjajafgaejjhdjeia ,dense ,flint #afaahcfijafegjjdgjbhdjaahggafjajjdfjf ,dense ,flint #afbadcfajagbbjjdiabhejabcagaejajdffjh ,dense ,flint #afbbecfjjagbijjdicbhfjabcfgaejajedfji ,extra ,dense ,flint #afdficcgjaiagjjedabhejacgfgbjjaagjfee ,densest ,flint #agabibiijbchdjjfgjbhajagadghijaffafgh ---------------------------------------- -------------------- ,in the table on p4 #bab the first column contains the ordinary trade names by which the various types of glass are known4 ,these names1 while somewhat arbitrary1 indicate in a rough way the chemical nature of the glass concerned4 ,thus the word 8flint0 always implies a glass containing lead and therefore having a comparatively high refractive index and low value of 1 while the word 8crown10 originally applied only to lime-silicate glasses1 is now used for all glass having a high value of 4 ,in the next column of the table are given the refractive indices of the glasses1 while the third column contains the values of 4 ,it will be seen that the glasses are arranged in descending order of magnitude in respect of this constant4 ,an inspection of the figures in these two columns will reveal the fact that for the majority of the glasses contained in this table the value of decreases as the refractive index increases4 ,the glasses which are an exception to this rule are indicated by an 994 ,as a matter of fact this rule applied to all glasses that were known or were at all events commercially available prior to the modern advances in optical glass manufacture which were initiated by ,abb and ,schott of ,jena4 ,it was ,abb's insight into the requirements of optical instrument design that led him to realise the importance of overcoming this limitation in the ratio between the dispersive and refractive powers of glass4 ,with the collaboration of ,schott he succeeded in producing a whole series of previously unknown varieties of optical glass in which the relation between n,d and is not that of approximately simple inverse proportionality which holds for the older crown and flint-glasses4 ,most valuable and in many ways most typical of these new glasses are those known as the 8barium crown0 glasses1 which combine the high refractive index of a light flint or even a dense flint-glass with the high value of an ordinary crown glass4 ,it would lead too far into the subject of lens construction to explain in detail the possibility opened up to the optician by the use of these newer varieties of glass4 ,we must content ourselves with pointing out that the great forward strides marked by the production of apochromatic microscope objectives1 of anastigmatic photographic lenses1 and the modern telescope objectives are all based upon the employment of these new optical media2 and although optical glasses of these newer types are at the present time produced in the optical glass manufactories of ,france and ,england1 in quality and quantity at least equal to the output of the ,jena works themselves1 these great optical achievements stand as a lasting monument to the pioneer work of ,abb and ,schott in this field4 ,the last six columns of the table of optical glasses given above contain figures which define the manner in which each of the glasses named distributes the various sections of the spectrum4 ,the columns ,c-,d1 ,d-,f1 and ,f to ,g give as already indicated the differences between the refractive indices for the ,c1 ,d1 ,f and ,g lines respectively2 the smaller figures in the intermediate columns indicate the ratio of each of these differences to the mean dispersion of the glass4 ,if all kinds of glass distributed the various portions of the spectrum in the same proportionate manner1 merely differing in the total amount of dispersion produced1 these figures would be identically the same for all glasses4 ,in actual fact it will be seen that the figures differ very widely from one type of glass to another4 ,a moment's consideration will show that when two glasses are used in a lens for the purpose of achromatising one another1 i4e41 when one is used to neutralise the dispersion of the other1 such achromatisation can only be perfect if these ratios 7the relative partial dispersions7 are the same for both glasses4 ,to put the same statement in more concrete terms1 if the spectrum produced by one glass is comparatively long-drawn out at the red end1 relatively compressed at the blue end1 while in the other glass the opposite relation holds between the two ends of the dispersion spectrum1 it is evident that the two spectra can never be superposed in such a way as to entirely neutralise one another--the spectrum produced by the one glass will predominate and leave a residual colour at the blue end1 while the other will predominate at the other end4 ,in the case of lenses achromatised by the use of such glasses1 there will always be a slight fringe of colour around the borders of the images which they produce4 ,one of the aims which ,abb and ,schott set themselves in the production of new varieties of optical glass was to obtain one or more pairs of glasses in which the relative partial dispersions should be as nearly alike as possible while the actual values of should differ as widely as possible4 ,some success in this direction was at first claimed by the ,jena workers1 but unfortunately some of the most promising glasses in this respect were found to be too unstable for practical use and had ultimately to be abandoned4 ,at the present time the only pair of really perfectly achromatic glasses offered by the ,jena firm is that tabulated below1 and it will be seen that although the relative partial dispersions are very closely alike1 the values of the two glasses only differ by #aj1 and at least one of these glasses is not readily obtainable in really satisfactory optical quality4 ,on the other hand1 practically perfectly achromatised lenses 7generally known as 8apochromatic07 have been produced1 especially by ,zeiss of ,jena1 for microscopic purposes1 by the careful selection of glasses suited to each other in this respect4 ,such a solution of the problem is further facilitated by the fact that in these lenses more than two varieties of glass can be used to neutralise one another1 while a natural mineral 7fluorite7 is also employed4 ,from the glass-maker's point of view1 however1 the problem of producing a satisfactory pair of glasses capable of entirely achromatising one another has yet to be solved4 ---------------------------------------- --------------------- c-d d-f f-g ,name4 n,d ,c-,f4 ,c-,d4 --- ,d-,f4 --- ,f-,g4 --- c-f4 c-f4 c-f4 ---------------------------------------- --------------------- ,telescope ,crown #aebedfagjjheb #jjbej #bib #jjfjb #gjg #jjdhd #efh ,telescope ,flint #aebaaeahjjajjgjjbig #bid #jjgaj #gje #jjegg #egc ---------------------------------------- --------------------- ,the table of optical glasses given above1 although brief as compared with the lists issued by ,french and ,german optical glass-makers1 fairly covers the range of practically available glasses1 and a rapid inspection will at once show how extremely limited this range really is4 ,thus the refractive index varies only between the limits #adi and #aga1 and even if we admit as practical glasses such extreme types--offered by some makers--as would extend this range to #adj in one direction and to #ahj in the other1 this does not affect the present argument4 ,of course1 a glass of a refractive index as low as #aj1 or even #aaj1 is not theoretically possible1 since the mere density of any substance enters into the factors that affect its refractive index1 and a glass having a density lower than that of water 7whose refractive index is about #ac7 is scarcely conceivable4 ,in the other direction1 however1 the limits met with in the case of glass are considerably exceeded by certain natural mineral substances4 ,thus the diamond has a refractive index of #bdb1 while the garnets show refractive indices from #age to #aha4 ,the values of found in the table of optical glasses are still more narrowly restricted1 lying between #fg and #bi1 while such a mineral as fluorite shows a value of #ied4 ,these facts show that it is physically possible to obtain transparent substances having optical properties lying far beyond the limited range covered by our present optical glasses1 and it scarcely needs showing that if such an extended range of materials were available greatly increased possibilities would be opened up to the designer of optical instruments4 ,it is consequently interesting to inquire as to the actual causes which limit the range of optical glasses at present available4 ,it will be found that these limits are set by the properties of glass itself4 ,while the more ordinary kinds of glass1 having average optical properties and showing dispersive powers roughly conforming to the law of inverse proportionality with refractive index which governs the older varieties of optical glass1 are chemically stable substances1 showing little tendency to undergo either chemical changes or to crystallise during cooling1 the more extreme glasses exhibit these undesirable features to an increasing extent the more nearly the limit of our present range is approached4 ,as the chemical composition of a glass is 8forced0 by the addition of special substances intended to affect its optical properties in an abnormal direction1 so the chemical and physical stability of the glass is rapidly lessened4 ,the more extreme glasses1 in fact1 behave as active chemical agents readily entering into reaction or combination even with relatively inert substances in their environment--they act vigorously upon the fire-clay vessels in which they are melted1 and they are readily attacked by acids1 moisture or even warm air1 when in the finished condition1 while many of them can only be prevented from assuming the condition of a crystalline 7and opaque7 agglomerate by being rapidly cooled through certain critical ranges of temperature4 ,a limit to the possibility of production is set by these tendencies when they exceed a certain amount--a point being reached where it ceases to be practicable to overcome the tendency of the glass to self-destruction4 ,on the lines of our present glasses1 therefore1 it does not appear hopeful to look for any considerable extension of the range of our optical media4 ,on the other hand1 as the known optical properties of transparent crystalline minerals show1 a much greater range of optical constants would become available if it were possible to manufacture artificial mineral crystals of sufficient size and purity for optical purposes1 and the author believes that in this direction progress in optical materials is ultimately bound to lie#a4 #a ,see a ,paper by the present author on 8,possible ,directions of ,progress in ,optical ,glass0--,proceedings of the ,optical ,convention1 ,london1 #aije4 ,in addition to possessing the requisite optical constants1 a good colour and perfect homogeneity1 certain other properties are essential in good optical glass4 ,these are the general physical and chemical qualities which are essential in all good glass1 but especially emphasised by the fact that the requirements for optical glass are more stringent than for any other variety of the material4 ,thus chemical stability is of the greatest importance1 for the best lenses would soon become useless if the action of atmospheric moisture were to affect them appreciably--the polished surfaces would rapidly become dull and the whole lens would soon be rendered useless4 ,the conditions governing the chemical stability of glass and the methods of testing this quality have already been indicated 7,chapters ,i4 and ,,ii474 ,the harder varieties of optical glass1 such as the glasses quoted in the above table under the names of 8,hard ,crown0 and ,boro-,silicate ,crown1 are probably among the most durable and chemically resistant of all varieties of glass1 but as we have already indicated1 when extreme optical properties are required1 the necessary chemical composition of the glass always entails a sacrifice of this great chemical stability1 until a limit is reached where valuable optical properties no longer counterbalance the serious disadvantage of a chemical composition which renders the glass liable to rapid disintegration4 ,in certain special cases it is1 perhaps1 possible to protect lenses made of such unstable glass by covering them with cemented-on lenses of stable glass1 but this device entails concomitant limitations in the design of the optical system and is1 therefore1 rarely used4 ,in any case1 however1 it is well for the lens-designer to consider the relative stability of the glasses employed when arranging the order in which they are to be used1 since it is obviously preferable to put a hard1 durable glass on the outside of his system1 where it is most directly exposed to atmospheric moisture1 and is also subject to handling and 8cleaning0 by inexpert hands4 ,this latter factor is a very important one for the life of any lens4 ,in the first place1 a glass surface is very seriously affected by the minute film of organic matter which is left upon it when it has been touched with even a clean finger2 unless the glass is of the best quality in this respect1 such fingermarks readily develop into iridescent spots and may even turn into black stains4 ,particles of dust allowed to settle on the surface of the glass will affect it in the same way1 so that the protection afforded by mere mechanical enclosure in the tube of an instrument is of decided value in preserving a glass surface4 ,it should1 however1 be noted that in some instances the interior metal surfaces of optical instruments are varnished with substances that give off vapours for a long time after the instrument is completed1 and in that case the inside lenses are apt to be tarnished in consequence4 ,on the other hand1 outside lenses are also exposed to direct mechanical injury from handling and 8cleaning40 ,as far as the latter operation is concerned1 it frequently happens1 particularly in glasses containing soda1 that a slight surface dimming is formed on the glass when it has been left in a more or less damp place for a long time4 ,this dimming is chiefly due to the formation on the surface of a great number of very minute crystals of carbonate of soda1 which are hard and sharp enough to scratch the glass itself if rubbed about over it4 ,if such a lens be wiped with a dry cloth1 however clean and soft1 the effect is a permanent injury to the polished surface1 which could readily be avoided by first washing the lens with clean water1 or even by using a wet cloth instead of a dry one for the first wiping4 ,the mechanical hardness of the glass is an important factor in determining its resistance to such injurious treatment or to the effects of accidental contact with hard1 sharp bodies4 ,the subject of the hardness of glass has already been discussed in a general way in ,chapter ,,ii41 and little remains to be added here4 ,broadly speaking1 a high degree of hardness and a low refractive index are found together4 ,this statement is certainly true where any considerable difference of hardness is considered1 as1 for example1 in comparing a hard crown glass with a dense flint2 but where the difference of refractive index or of density is small1 it is not at all certain that the lighter glass will also be the harder4 ,the properties involved in the quality known as 8hardness0 also affect in a very marked manner the behaviour of glass when subjected to the grinding and polishing processes4 ,the ease with which a good polish can be obtained varies very much in different kinds of glass1 both the hardest and the softest glasses showing themselves difficult in this respect4 ,the harder glasses are certainly less liable to accidental scratching during the polishing operations1 and generally work in a cleaner manner2 but the time required to produce a satisfactory polish is much greater owing to the resistance to displacement offered by the molecules4 ,both the speed of working and the pressure exerted during the polishing operation have1 in fact1 to be carefully adapted to the quality of the glass in this respect if the best possible results are to be obtained4 ,another property which is essential in optical glass of the highest quality is that of freedom from internal strains4 ,this subject will be again referred to later in connection with the annealing processes used in the manufacture of optical glass1 and it need only be mentioned here that the presence of internal strain is readily recognised in glass1 by the aid of the polariscope4 ,perfectly annealed glass1 entirely free from internal strains1 produces no effect upon a beam of polarised light passing through it1 while even slightly strained glass becomes markedly doubly-refracting4 ,for many purposes of optics this double refraction becomes undesirable or even inadmissible1 especially as it is accompanied by small variations in the effective index of refraction of various portions of the mass of glass4 ,further1 if the amount of double refraction observed is at all serious it indicates a state of strain which may easily lead to the fracture of the whole piece1 particularly when undergoing the earlier stages of the grinding process or if exposed to shocks of any sort4 ,as will be seen below1 perfectly annealed glass is obtainable1 but very special means are required for its production1 and the optician should for that reason avoid making unnecessarily extreme demands in this direction4 ,the very small amount of double refraction frequently found in the better class of optical glass is entirely harmless for most purposes4 ,,chapter ,,xiii4 ,,optical ,,glass4 ,the process of manufacturing the best qualities of optical glass may be briefly described as consisting in obtaining a crucible full of the purest and most homogeneous glass1 and then allowing it to cool slowly and to solidify in situ4 ,from the resulting mass of glass the best pieces are picked and moulded into the desired shape for optical use4 ,it will be seen at once that in this process there is an essential difference from all others that have been described in this book--viz41 that the glass is never removed from the melting-pot while molten1 and that none of the operations of gathering1 pouring1 rolling1 pressing1 or blowing are applied to it4 ,the reason for this apparently irrational mode of procedure lies in the fact that the perfect homogeneity essential for optical purposes can only be attained by laborious means1 and can then only be retained if the glass is left to solidify undisturbed2 any movement by the introduction of pipes or ladles would result in the contamination of the glass by stri and other objectionable defects4 ,the choice and proportion of raw materials used in the production of any given quality of optical glass is governed by the chemical composition which experiment has shown to be necessary to yield the desired optical properties4 ,the composition of optical glass mixtures cannot therefore be varied to suit the conditions of the furnace or to facilitate ready melting and fining1 so that many of the usual resources of the glass-maker cease to be available in the very case where their aid would be most welcome to facilitate the production of technically perfect glass4 ,on the other hand1 the manufacturer has a certain amount of choice as to the precise form in which the various chemical ingredients are to be introduced into the mixture1 and he makes his choice among oxides1 carbonates1 nitrates1 and hydrates1 according to the behaviour that it is desired to impart to the mass during the earlier stages of fusion4 ,the state of purity in which the various substances are commercially obtainable also enters largely into the question1 since the greatest possible degree of purity in the raw materials is essential to the production of glass of good colour1 or rather freedom from colour4 ,since homogeneity is so essential in the finished product1 very thorough mixing of the raw materials is necessary in the case of optical glass1 and the ingredients are for this purpose generally used in a state of finer division than is necessary with other varieties of glass4 ,as a rule the quantities of mixture of any one kind that are required are not large enough to justify the use of mechanical appliances1 and very careful hand-mixing is carried out4 ,although it is quite possible to obtain successful meltings from raw materials alone1 it is preferable to mix with these a certain proportion of 8cullet0 or broken glass derived from a previous melting of the same sort4 ,the broken glass used for this purpose is first carefully picked over for the purpose of rejecting pieces that contain visible impurities1 although pieces showing stri are not usually rejected4 ,the greater part of this cullet is generally mixed as evenly as possible with the raw materials1 but a certain proportion is reserved for another purpose1 as explained below4 ,the furnaces used for the production of optical glass vary very much in type in different works4 ,in some the old-fashioned conical coal furnaces are still used1 the disadvantages attached to their employment being outweighed--in the opinion of the manufacturers--by their simplicity and ease of regulation4 ,in other works gas-fired regenerative furnaces of the most recent type are installed1 and in these also optical glass of the highest quality can be produced4 ,as a rule1 however1 optical glass furnaces differ from other pot-furnaces found in glass-works in this respect--that the former are usually constructed to receive one pot or crucible only1 while in other glass furnaces from four to twelve or even twenty pots are heated at the same time4 ,the reason for this restriction in the capacity of the furnaces lies in the fact that since the mixtures used for optical glass cannot be adjusted to suit the furnace1 the latter must be worked as far as possible in such a way as to suit the mixture to be melted in it1 and this implies that every pot will require its own adjustment of times and temperatures1 and this it would be difficult1 if not impossible1 to secure if more than one pot were heated in the same furnace4 ,it is further to be remembered that the amount of care and attention required during the melting of a pot of optical glass is out of all proportion to that needed with other varieties1 so that little would be gained by having a number of pots in one furnace1 since several sets of men would be required to tend them4 ,in addition to the single-pot melting furnace1 a very important part of the equipment of the optical glass works is formed by a number of kilns or ovens which are used for the preliminary heating1 and sometimes for the final cooling of the various crucibles or pots4 ,similar kilns are used in other branches of the industry1 but in those cases the pots1 once introduced into the furnace1 are expected to last for a number of weeks1 or even months4 ,in optical glass manufacture1 on the other hand1 a pot is used once only1 so that fresh pots are required for every new melting4 ,the kilns in which these pots are heated up before being placed in the melting furnace are thus in very frequent use4 ,as a rule they are simply fire-brick chambers provided with sufficient grate-room and flue-space to be gradually raised to a red heat in the course of four or five days1 while for the purpose of gradual cooling they can be sealed up like the annealing kilns used for polished plate-glass4 ,the pots or crucibles in which optical glass is melted are usually of the same shape as the covered pots used for flint-glass as illustrated in ,fig4 #b4 ,the optical glass pots1 however1 are made considerably thinner in the wall1 since they are not required to withstand the prolonged action of molten glass in the same way as pots used for flint-glass manufacture4 ,on the other hand1 the fire-clays used for this purpose must be chosen with special care so as to avoid any contamination of the glass by iron or other impurities which might reach the glass from the pot4 ,for the production of certain special glasses1 in fact1 pots made of special materials are required1 since these glasses1 when molten1 produce a rapid chemical attack upon ordinary fire-clays4 ,a certain amount of the aluminiferous material of the pot is1 in fact1 always introduced into the glass by the gradual dissolving action of glass on fire-clay which we have already described4 ,the glass contaminated with these aluminiferous substances is generally more viscous than the rest of the contents of the pot1 and therefore ordinarily remains more or less adherent to the walls of the crucible1 but the inevitable disturbances which accompany the processes of melting and fining lead to the dissemination of some of this viscous glass through the entire pot in the form of veins or stri1 which are only removed during the stirring process4 ,on the other hand1 more of this viscous glass is constantly being formed so long as the glass remains molten1 and if disturbances are not sufficiently avoided during the later stages of the process fresh veins may easily be formed4 ,the actual operations of producing a melting of optical glass begin by the gradual heating-up of the pot in the kiln just described4 ,when the pot has reached a full red heat the doors of the kiln are opened and the pot drawn out by means of a long heavy iron fork running on wheels2 this implement is run into the mouth of the kiln and the tines of the fork are pushed under the pot1 and the latter is then readily lifted up and withdrawn from the kiln4 ,meanwhile the temperature of the furnace has been regulated in such a manner as to be approximately equal to that attained by the heating kiln1 so that the pot1 when transferred as rapidly as possible from the kiln to the furnace1 is not subjected to any very sudden heating2 were it attempted to place the new pot in a furnace at full melting heat the fire-clay would shrink rapidly and the entire vessel would fall to pieces4 ,even under the best conditions it is not possible to avoid the occasional failure of a pot by cracking either at this or a slightly later stage of the process4 ,the latter occurrence is apt to be particularly disastrous1 as the pot may then be full of molten glass1 which runs out and is lost4 ,as soon as the empty pot has been put into place1 the melting furnace is carefully sealed up by means of temporary work built of large fire-bricks1 the whole being so arranged that the mouth of the hood of the pot is left accessible by means of an aperture in the temporary furnace wall4 ,this aperture can be closed by one or more slabs of fire-clay1 and when these are removed an opening is left by which the raw materials are introduced1 and through which the other manipulations are carried out4 ,when this stage of the process is reached1 the wagons containing the mixed raw materials are usually wheeled into place in front of the furnace1 but the introduction of the materials themselves into the pot is not begun until several hours later1 when the furnace has been vigorously heated and an approach to the melting heat has been attained4 ,when the furnace and pot have attained the necessary temperature1 but before the raw materials are introduced1 a small quantity of the cullet1 which has been reserved for this purpose1 is thrown into the pot and allowed time to melt1 and then only is the first charge of mixture put into the pot4 ,the object of this proceeding is to coat the bottom and part of the walls of the pot with a layer of molten glass which serves to protect it from the chemical and physical attack of the raw materials during the violent action which takes place when they are first exposed to the furnace heat4 ,the gradual filling of the pot with molten glass is now carried out by the introduction of successive charges of raw material2 as the mixture not only occupies more space than the glass it forms1 but also froths up a good deal during melting1 the quantities introduced each time must be carefully adjusted so as to avoid an overflow of half-melted glass through the mouth of the pot4 ,as the pot is more and more nearly filled1 the space left for the raw materials is proportionately diminished1 and the later charges are therefore much smaller than the first few4 ,when1 finally1 sufficient material has been introduced to fill the pot completely1 the next stage of the process commences4 ,when the last charge of raw materials has melted1 the glass in the pot is left in the state of a more or less viscous liquid full of bubbles of all sizes2 it is essential that these bubbles should escape and leave the glass pure and 8fine10 and this result can only be achieved by raising the temperature of the furnace and allowing the glass to become more fluid1 while the rise of temperature also causes the bubbles to expand owing to the expansion of the gas contained in them4 ,in both ways1 rise of temperature facilitates the escape of the bubbles1 and the furnace is therefore heated to the full1 and this extreme heat is maintained until the glass is free from bubbles4 ,in the case of the more fusible glasses the temperature required for this purpose is not excessively high1 and1 indeed1 in the case of these glasses care is taken to avoid too high a temperature1 as it entails other disadvantages4 ,in the case of the harder crown glasses1 however1 the difficulty lies in producing an adequately high temperature without at the same time endangering the life of furnace and crucible4 ,the difficulty of freeing the molten glass from bubbles constitutes one of the causes that limit the range of our optical glasses in one direction--still harder glasses could be melted1 but it would not be feasible to maintain a temperature high enough to render them fluid enough to 8fine40 ,in the case of other kinds of glass1 again1 it becomes impossible to entirely remove the bubbles from the molten mass even when very hot and very fluid4 ,the exact cause is not known1 but in some kinds of glass the bubbles formed are so minute that even when the glass is perfectly mobile the bubbles show no tendency to escape1 while in other kinds of glass there appears to be a steady evolution of minute bubbles as soon as the temperature is raised with a view to removing those already in the glass4 ,as this property attaches to some of the most valuable of the newer varieties of optical glass1 opticians and the public have learnt to put up with the presence of minute bubbles in the lenses and prisms made of these glasses4 ,these bubbles are1 however1 very minute and do not interfere with the optical performance of the lenses1 c41 except to the extent of arresting and scattering the very small proportion of light that falls upon them2 their presence is therefore to be regarded as a small but unavoidable drawback to the use of glasses which offer advantages that completely outweigh this defect4 ,returning to the melting process1 we find that the extreme heating required for the purpose of 8fining0 the glass is continued for a considerable period of time1 as long as thirty hours in some cases1 the glass being examined from time to time to test its condition as regards freedom from bubbles4 ,this is done by taking a small sample of glass out of the pot and examining it to see if it still contains bubbles4 ,in some works this test is made by taking up a very small gathering of glass on the end of a small pipe and blowing it into a spherical flask2 on looking at such a flask in a suitable light the presence of even minute bubbles is readily detected4 ,in other works a simpler process is adopted1 a small quantity of glass being ladled out of the pot on the surface of a flat iron rod4 ,it is allowed to cool on the rod1 and when pushed off forms a small bar of glass some eight or ten inches long and about an inch wide2 in this also the presence of bubbles is easily detected4 ,these test pieces are known among glass-makers as 8proofs40 ,when proofs1 taken as just described1 have shown that the glass is free from bubbles1 the extreme heat of the furnace is allowed to abate1 and the fire-clay slabs in front of the mouth of the pot are removed4 ,the next step is that of skimming the surface of the glass4 ,since most of the materials liable to contaminate the contents of a pot are specifically lighter than the molten glass1 they will be found floating on the surface1 and the surface glass is therefore removed with a view to ridding the glass of anything that may have been accidentally introduced and that has not melted and become incorporated with the molten mass4 ,the next steps in the process are those of stirring the molten glass with a view to rendering it homogeneous and free from stri4 ,the stirrer used for this purpose is usually a cylinder of fire-clay1 previously burnt and heated4 ,this is provided with a deep square hole in one end1 and it is held at first by means of a small iron bar passed into this hole4 ,by this means the red-hot cylinder of fire-clay is introduced into the open mouth of the pot1 and when it has attained approximately the temperature of the molten glass it is dipped into the glass itself1 in which it ultimately floats4 ,when stirring is to begin1 the square1 down-turned end of a long iron bar is introduced into the corresponding square hole in the upper end of the stirrer1 and by this means the fire-clay cylinder is held in a vertical position in the glass and given the steady rotatory movement which constitutes the stirring process4 ,for this purpose the long iron bar just mentioned is made to pass over a swivel-wheel1 while a workman moves it steadily by the aid of a large wooden handle4 ,this operation is always laborious and trying2 the workman is necessarily exposed to the intense heat radiated from the open mouth of the crucible1 so that men have to relieve each other at frequent intervals4 ,during the earlier stages of the stirring process the glass is very hot and mobile1 but the stirring is continued1 with short intervals1 until the glass is so cold and stiff that the stirrer can scarcely be moved in it at all1 so that the work of moving the stirrer becomes heavy towards the end of the operation4 ,the actual amount of stirring required varies according to the nature of the glass1 and the size of the pot or crucible in question4 ,some meltings are found to be satisfactory after as little as four hours' stirring1 while for others as much as #bj hours are required4 ,when the glass has stiffened to such an extent that it is no longer possible to continue the stirring1 preparations are made for the final cooling-down of the pot of glass4 ,the fire-clay stirrer is sometimes withdrawn from the glass1 but this is laborious1 and entails dragging a considerable quantity of glass out of the pot with the clay cylinder2 more usually1 therefore1 the stirrer is simply left embedded in the glass4 ,the next object to be accomplished is that of cooling the glass as rapidly as safety will permit until it has become definitely 8set0--the purpose being to prevent the recrudescence of stri as a result of convection currents or other causes which might disturb the homogeneity of the glass4 ,this rapid cooling is obtained in various ways2 in one mode of procedure the furnace is so arranged that by opening a number of apertures provided for the purpose cold air is drawn in and the pot and its contents chilled thereby without being moved4 ,this method has the advantage that the pot containing the viscous glass is never moved or disturbed in any way1 but on the other hand the cooling which can be effected within the furnace itself is never very rapid1 and the furnace as well as the pot is chilled4 ,further when the glass has been chilled down to a certain point this rapid rate of cooling must be arrested1 as otherwise the whole contents of the pot would crack and splinter into minute fragments4 ,where the pot has been left in the furnace this can only be done by sealing up the whole furnace with temporary brickwork and lutings of fire-clay1 leaving it to act as an annealing kiln until the glass has cooled down approximately to the ordinary temperature1 a process that occupies a period of from one to two weeks according to the size of the melting4 ,such enforced idleness of a melting furnace is of course very undesirable from an economical point of view1 and it is generally avoided by adopting the alternative method of drawing the pot bodily out of the furnace as soon as the stirring operation is ended4 ,for this purpose the temporary brickwork forming the front of the furnace is broken down1 and with the aid of a long crow-bar the bottom of the pot is levered up from the bed or siege of the furnace to which it adheres strongly1 being bound down by the sticky viscous mass of molten glass and half-molten fire-clay which always accumulates on the bed of the furnace4 ,the pot being temporarily held up by the insertion of a piece of fire-brick1 the tines of a long and heavy iron fork running on a massive iron truck are introduced beneath the pot2 an iron band provided with long handles is then passed around the pot1 and the latter is then drawn forward by the aid of suitable pulley blocks4 ,the tines of the fork are then raised1 and the pot is wheeled out of the furnace and deposited upon a suitable support4 ,here it is allowed to cool to the requisite extent1 when it is again picked up on the tines of the fork and deposited in an annealing kiln which has been previously warmed to a suitable temperature4 ,it will be seen that this handling of a heavy mass of intensely hot material involves much labour1 while there is also a risk of losing the glass if the pot should break before the glass has set sufficiently4 ,every care is taken to prevent such an accident1 the pot being wrapped round with chains or otherwise supported in such a way that a small crack could not readily develop into a large gap4 ,when such a melting of glass has cooled sufficiently1 either in the furnace or in the annealing kiln1 to be safely handled1 the whole pot is drawn out1 and the fire-clay shell1 which is generally found cracked into many pieces1 is broken away by the aid of a hammer4 ,under favourable circumstances the whole of the glass may have cooled intact as one solid lump sometimes weighing over half a ton4 ,unless special care is taken1 however1 it is more usual to find the glass more or less fissured1 a number of large lumps being accompanied by a great mass of small fragments4 ,these are now picked over1 and all those which are free from visible imperfections or which can be readily detached from such imperfections by the aid of a chipping hammer are put upon one side for further treatment4 ,the next step of this treatment consists in moulding the rough broken lump into the shape of plates1 blocks1 or discs according to the purpose for which the glass may be required by the optician4 ,the plant used for the moulding process varies widely1 but in all cases the operation consists in gradually heating the glass in a suitable kiln until it is soft enough to adapt itself to the shape of the mould provided for the purpose4 ,in some cases these moulds are made of fire-clay1 and the glass is simply allowed to settle into them by its own weight2 in other cases iron moulds are used1 and the glass is worked into them by the aid of gentle pressure from wood or metal moulding tools4 ,in yet other cases1 particularly where the glass is required in the form of small thin discs or where it is to be formed into the approximate shape of concave or convex lenses1 the aid of a press is sometimes invoked4 ,in all cases the moulding process is followed by the final annealing1 which consists in cooling the glass very gradually from the red heat at which it has been moulded1 down to the ordinary temperature4 ,the length of time occupied by such cooling depends very much upon the size of the object and also upon the degree of refinement to which it is necessary to carry the removal of small internal strains in the glass4 ,for many purposes it is sufficient to allow it to cool down naturally in a large kiln in the course of six or eight days4 ,for special purposes1 however1 where perfect freedom from double refraction is demanded1 much greater refinements are required1 and special annealing kilns1 whose temperature can be accurately regulated and maintained1 are employed4 ,in these the annealing operation can be carried out so gradually that a rate of cooling in which a fall of #a ,c4 occupies several hours can be maintained1 so that very perfectly annealed glass can be produced even in discs or blocks of large size4 ,when removed from the annealing kiln the plates or discs of optical glass are taken to a grinding or polishing workshop1 where certain of their faces or edges are ground and polished in such a way as to permit of the examination of the glass for bubbles1 stri and other defects in the manner indicated in the previous chapter4 ,as the amount of sorting that can be done while the glass is still in rough fragments is necessarily very limited1 it follows that a considerable proportion of the glass which has been moulded and annealed must be rejected as useless when thus finally examined4 ,a yield of perfect optical glass1 amounting to #aj or at most #bj per cent4 of the total contents of each pot1 is therefore all that can be expected1 and smaller yields are by no means infrequent--a consideration that will serve to explain the relatively high price of optical as compared with other varieties of glass4 ,a consideration of the various factors that are involved in the production of a piece of perfect optical glass will make it apparent that the cost and difficulty of its production increases rapidly with the weight of the piece to be produced1 so that it is not surprising to find that the price of very large discs of perfect optical glass such as those required for large astronomical telescopes1 reaches figures which become prohibitive when very large sizes are considered4 ,thus1 while it is quite possible to obtain say #ajj pounds of good glass from a single melting if the glass is to be used in the form of pieces not weighing more than five or six pounds each1 it is only rarely that a single block of perfect glass can be found weighing #ajj pounds4 ,in the former case the best pieces can be picked1 the worst defects can be eliminated by chipping the rough fragments1 and at a later stage other defective pieces can be cut off or ground away2 not so where a large single block is required4 ,a single fine vein1 perhaps too small to be visible to the unaided eye1 may be found to run through a whole block in such a way that it cannot be removed without breaking or cutting up the whole piece1 and it will be seen that the frequency with which this is liable to occur increases with the volume of the piece required4 ,the difficulties of re-heating and moulding are also increased enormously with the size of the individual pieces of glass that have to be dealt with1 and where very large pieces have to be heated and cooled accidental breakage becomes a serious risk4 ,in view of these difficulties it is not surprising to find that the dimensions of our astronomical refractors appear to have approached their limit1 but rather are we led to admiration of the skill and enterprise that has pushed this limit so far as to produce discs of optical glass measuring as much as one metre in diameter4 ,,chapter ,,xiv4 ,,miscellaneous ,,products4 ,the field of glass-manufacture is so wide and the number and variety of its products so great1 that in the limited compass of this volume it is impossible to fully enumerate them all2 there are1 however1 a certain number of these products which1 while of considerable importance in themselves1 yet do not fall readily under any of the headings of the preceding chapters4 ,a short space will therefore be devoted to some of these in this place4 ,glass ,tubing4--,a widely-useful form of glass is that of tubes of all sizes and shapes1 ranging from the fine capillary tubes used in the construction of thermometers to the heavy drawn or pressed pipes that have been employed for drainage and other purposes4 ,the process of manufacture employed varies according to the size and nature of the tube that is required4 ,thus lamp-chimneys are really a variety of tube1 used in short lengths and made of relatively wide diameter and thin walls4 ,these are not1 however1 ordinarily made in the form of long tubes cut into short sections1 but--as has already been mentioned--they are blown into moulds in the form of a thin-walled cylindrical bottle1 whose neck and bottom are subsequently removed4 ,by this process the various forms of chimneys for oil-lamps1 having contractions at certain parts of their length1 can be readily produced4 ,the articles more strictly described as glass tubes are1 however1 produced by a process in which actual blowing plays only a very minor part4 ,a gathering of suitable size is taken up on a pipe1 a very small interior hollow space is produced by blowing into the pipe1 and then the gathering is elongated by swinging the pipe in a suitable manner4 ,the end of the elongated gathering furthest from the pipe is then attached to a rod or 8pontil0 held by a second workman1 and the two men then proceed to move apart1 drawing out the gathering of glass between them4 ,according to the bore and thickness of wall required in the tube1 the men regulate the speed at which they move apart2 the thinner the tube is to be the more rapidly they move1 in order to draw the glass out to a sufficient extent before it hardens too much4 ,the rate of drawing must1 of course1 also be adapted to the nature of the glass in question1 and this will vary very widely4 ,for the production of the smaller bored tubes the men find it necessary to separate at a smart trot1 while heavy tubes such as are used for gauge-glasses1 are drawn of hard glass by a very gradual movement4 ,in some cases1 the setting of the glass1 when the tube has attained the desired thickness1 is hastened by the aid of an air-blast1 or--in more primitive fashion--by boys waving fans over the hot glass4 ,in any case1 suitable troughs are provided for receiving the tube when drawn1 and from these the tube is taken to an annealing kiln to undergo this necessary operation4 ,the glass used for the production of tubing varies very widely according to the purpose for which the product is intended4 ,almost any of the more usual varieties of glass can be readily drawn out into tubes1 and the choice of the kind of glass to be employed is therefore left to other considerations4 ,tubing required for the use of the lamp-worker1 i4e41 for the production of instruments or other articles by the aid of the glass-blower's blow-pipe1 must have the capacity of undergoing repeated cooling and heating without showing signs of crystallisation 7devitrification71 while reasonable softness in the flame is also required4 ,for this purpose1 also1 glass containing lead is not admissible1 since this would blacken under the influence of the blow-pipe flame4 ,soda-lime glasses rather rich in alkali are most frequently used for these purposes2 one consequence of their chemical composition1 however1 is that such glass tends to undergo decomposition when stored for any length of time1 more especially in damp places4 ,frequently this decomposition only manifests itself on heating the glass in a flame1 when it either flies to pieces or turns dull and rough on the surface4 ,such glass is sometimes said to have 8devitrified10 but this is not really the case2 what has actually happened is that the atmospheric moisture has penetrated for some little distance into the thickness of the glass1 probably hydrating some of the silica2 on heating1 this moisture is driven off1 with the result that either a few large cracks1 or innumerable fine ones1 are formed4 ,in the latter case these do not readily disappear when the glass is softened and the dull1 rough surface is left at the end of the operation4 ,for purposes where the glass is to be exposed to high temperatures1 tubing made of so-called 8hard glass0 is employed4 ,this is practically a form of ,bohemian crystal glass1 the chemical composition being that of a potash-lime glass rather rich in lime4 ,to some extent this ,bohemian hard glass has been superseded by the special 8combustion tube0 glass manufactured by ,schott1 of ,jena4 ,this is a very refractory borosilicate glass containing some magnesia2 it certainly withstands higher temperatures than hard ,bohemian glass1 and is rather less sensitive to changes of temperature2 on the other hand1 it has the inconvenient property of showing a white opalescence when it has once been heated1 and this1 after a time1 renders the glass completely opaque4 ,for many purposes1 where heat-resisting qualities are chiefly required1 ordinary glass has now a formidable rival in the shape of vitrified silica1 which is now available as a satisfactory commercial product4 ,this substance offers the great advantage that for most ordinary purposes it may be regarded as entirely infusible1 since the intense heat of an oxygen-fed flame is required to soften or melt the silica4 ,further1 vitreous silica has an extremely low coefficient of expansion1 and appears also to have a rather high coefficient of thermal conductivity4 ,the result is that tubes and other articles made of this material possess an astonishing amount of thermal endurance 7see ,chapter ,,ii474 ,a white-hot tube or rod of this material can be plunged into cold water with impunity1 and no special care need be exercised in heating or cooling articles made of this substance1 unless articles of great size and thickness are involved1 and even with these only little caution is needed4 ,the only disadvantages which must be balanced against the great advantages just named lie in the relatively high cost of the articles and in their somewhat sensitive behaviour to certain chemical influences4 ,as regards cost1 vitreous silica is at present available in two different forms2 in the first form it resembles ordinary glass very closely in appearance1 the shape and finish of the tubes and vessels of this kind having undergone very great improvements quite recently4 ,this silica glass has1 in fact1 been worked from molten silica in a way more or less analogous to that in which ordinary glass is worked1 the great extra cost of the silica ware being due1 in part1 at all events1 to the extremely high temperature required for melting and working this material2 ordinarily1 in the production of the class of silica ware now referred to1 this heat is generated by the liberal--and therefore expensive--use of oxygen gas4 ,in great contrast to this glass-like1 transparent silica ware is the other form in which this material is available4 ,this is a series of products obtained from the fusion of silica in special forms of electric furnace2 in this ware the minute bubbles so readily formed in the fusion of all forms of quartz are not even partially eliminated1 and by their presence--often in the form of long-drawn-out1 capillary hollows--they impart to this ware its very characteristic milky appearance4 ,the price of this product1 which is mostly used in the form of tubes1 although such articles as basins1 crucibles1 and even muffles of considerable size are available1 is much lower than that of the transparent variety1 being in fact decidedly lower than that of the best porcelain2 on the other hand1 even this price is considerably above that of the best glass tubing4 ,apart from the question of cost1 the use of silica ware is further limited by its sensitiveness to all forms of basic materials4 ,thus alkaline solutions cannot be allowed to come into contact with this substance1 since they attack it vigorously1 especially when warm4 ,at high temperatures all basic materials produce a rapid attack on silica ware1 the silica1 in fact1 behaving as a strongly acid body at and above a red heat4 ,the attack which occurs when such a substance as iron or copper oxide is allowed to come into contact with heated vitrified silica is1 in fact1 so rapid that a tube is completely destroyed in a few minutes1 the formation of silicates resulting in the cracking and disintegration of the whole piece4 ,while1 therefore1 silica ware1 especially in its cheaper forms1 undoubtedly possesses great advantages and possibilities1 its use must be carried on with careful reference to its chemical nature4 ,vitreous silica1 in addition to the uses and advantages just named1 has also an interest from the optical point of view2 this arises from the fact that it is transparent to short 7ultra-violet7 light waves to which all ordinary varieties of glass are completely opaque4 ,quite recently1 the ,jena works have produced special glasses which are more transparent to these ultra-violet rays than ordinary glass1 but even these fall far short of silica in this respect4 ,this property of transparence to ultra-violet light is utilised in two widely different directions4 ,one of these is in the production of ultra-violet light when required for medical or other special purposes2 a most energetic source of such rays is available by the use of tubes of vitrified silica within which the mercury-vapour arc is produced4 ,in another direction the employment of quartz lenses makes it possible to take advantage of the optical properties of ultra-violet light in connection with microscopy2 for the purpose of constructing a perfect optical system1 crystalline quartz would be useless1 since its property of double refraction would interfere hopelessly with the performance of the lenses4 ,this is now overcome by the use of vitreous silica lenses1 in the case of the 8ultra-violet microscope10 as made by ,carl ,zeiss1 of ,jena4 ,so far1 however1 it has only been possible to produce quite small pieces of vitreous silica sufficiently free from bubbles to be used for optical purposes4 ,the great difficulty lies not so much in merely melting the quartz down as in freeing it from the air-bubbles enclosed within it2 the course usually adopted with glass1 of raising the temperature and allowing the bubbles to rise to the surface1 becomes impossible in this case1 because the silica itself begins to vapourise and even to boil vigorously at temperatures not very far above its melting point4 ,quite recently1 however1 two ,american workers have claimed to be able to overcome this difficulty by the use of both vacuum and high pressure applied at the earlier and later stages of the fusion process respectively1 so that it may shortly be possible to produce vitreous silica in large and perfectly clear blocks4 ,we have already indicated that glass tubing and rod form the basis upon which the glass-worker1 with the aid of the blow-pipe or 8lamp10 fashions his productions1 which1 of course1 include a great number of scientific instruments and appliances used more especially in the field of chemistry4 ,in another direction also glass tubing serves as a basis for a branch of the glass industry2 this is the manufacture of certain classes of glass beads1 which are formed by cutting up a heated glass tube of suitable diameter and colour into short1 more or less spherical sections4 ,in some cases the colour of the beads is secured by using glass of the desired tint1 but in other cases the beads are made of colourless glass1 and a colouring substance is placed in the interior of the bead4 ,solid glass rods are also employed for a variety of purposes2 their mode of manufacture is exactly analogous to that of tubing1 except that the gathering is drawn out without having first had a hollow space produced at its centre by the blower4 ,in its most attenuated form glass rod becomes glass thread or fibre2 this is produced by drawing hot glass very rapidly1 the resulting thread being wound on a large wheel4 ,at one time this material found considerable use1 since it was found possible to spin and weave the thinnest glass fibres into fabrics which could be used for dress purposes4 ,it is not1 however1 to be regretted that this fashion has neither extended nor survived1 since it was certainly liable to produce serious injury to health4 ,it is a well-known fact that there are few more injurious or even dangerous substances to be inhaled into the human throat and lungs than finely-divided glass2 glass fibre1 moreover1 when subjected to constant bending and wear1 is bound to undergo frequent fracture1 and the atmosphere of a ball-room1 for example1 in which several such dresses were worn would soon be contaminated with innumerable fine1 sharp particles of glass which would produce an injurious effect on those inhaling them4 ,at the present time glass fibre is used for little else than the 8glass wool0 required for certain special purposes in chemical laboratories4 ,fused quartz or silica fibres1 of extreme tenuity1 but of relatively very great strength1 are employed in many scientific instruments1 where their extreme lightness and perfect elasticity and freedom from what is known as 8elastic fatigue0 renders them of very great value4 ,these fibres are not drawn from a mass of molten silica1 as is done with glass1 but are produced by attaching a nail or bolt to a small bead of fused silica produced by the aid of an oxygen-fed blowpipe2 the nail or bolt is then suddenly shot away down a long passage or similar space by means of a cross-bow1 drawing a very fine fibre of silica with it2 the most difficult part of this operation1 however1 consists in finding and handling the fibres thus produced4 ,artificial ,gems4--,the fact that pieces of suitably-coloured glass can be made to show a superficial1 but sometimes more or less deceptive1 resemblance to precious stones1 has led to the manufacture of imitation jewels of all descriptions4 ,the glass used for this purpose is usually a very dense flint-glass whose high refractive index facilitates the imitation which is aimed at4 ,the external shapes of gems are1 of course1 readily imitated by cutting and grinding the glass1 while the requisite colours are attainable by means of the colouring materials described in ,chapter ,,xi4 ,to a casual observer the difference in sparkle and brilliance which arises from the difference between the refractive index of the heavy flint-glass 7about #ah7 and that of minerals 7which ranges from #ag to #bb7 is not readily apparent1 but closer examination will at once reveal the difference4 ,the determination of the optical constants by means of a refractometer would at once reveal the true character of the imitation1 but an even readier test is that of hardness4 ,the dense flint-glass is naturally soft1 and is readily scratched by most of the harder minerals1 while the precious stones1 more particularly garnets1 rubies and diamonds1 are very hard4 ,if an attempt is made to scratch an ordinary sheet of window-glass1 it will be found that most real precious stones will do so readily1 while flint-glass imitations will fail to make more than a slight mark1 which is more smear than scratch4 ,the test by determining the specific gravity is also obviously applicable1 since the flint-glass will readily betray its presence by its high density 7over #d74 ,in quite a different class from the imitation gems made of cut flint-glass are the artificial gems1 which in nature and composition are exact reproductions of natural gems1 but which have been produced by artificial processes4 ,as far as the writer is aware these are only found in any large numbers in the case of the ruby1 but in that case1 at all events1 it is said that the production of the artificial crystals is at least as costly as the purchase of the natural stones4 ,there can1 however1 be very little doubt that as the processes of fusion and crystallisation become better known and understood1 and the chemistry of silicate minerals is developed1 the artificial production of mineral crystals in1 at all events1 moderate sizes will become increasingly possible2 it is even to be hoped that their production will be so far perfected as to place their really valuable properties at the service of man4 ,chilled ,glass4--,in all the processes of glass manufacture described in the present book1 annealing has always played an important part4 ,the glass1 after it has undergone its last treatment under the influence of heat1 is subjected to a gradual cooling process with the object of freeing it from the internal strains which it would otherwise retain1 and which would1 ordinarily1 endanger its existence and interfere with its use4 ,it is1 however1 well known that surfaces of glass subjected to such internal strains as result in a compressive stress on the glass near the surface1 are less liable to injury1 and are apparently stronger than when the glass is annealed and the stresses are removed4 ,on the other hand1 glass surfaces under tension are extremely delicate and fragile4 ,in some respects1 therefore1 glass which has not been annealed may appear to be stronger than the annealed product4 ,the well-known case of the ,rupert's drop is an example of this kind4 ,rupert's drops are produced by dropping molten glass into water2 they generally take the form of a more or less spherical body having a long tail1 tapering off into a thread1 attached to it4 ,such a ,rupert's drop may be struck with a heavy hammer1 and will safely resist a blow that would splinter a similar body made of annealed glass4 ,if1 however1 the surface be scratched1 or the tip of the tail be broken off1 the entire 8drop0 breaks up1 sometimes with a violent explosion1 into minute fragments4 ,numerous inventors1 among whom ,de la ,bastie and ,siemens figure most conspicuously1 have endeavoured to utilise these properties of chilled glass1 not exactly by endeavouring to produce that extreme degree of internal strain which is characteristic of the ,rupert's drop1 but by producing what they describe as 8tempered0 glass1 in which the internal strains have been reduced by less violent cooling to such an extent as to retain some of the advantages of the hardened1 internally strained condition while approximating more or less to the safer state of annealed glass4 ,at one time articles of this kind were frequently seen as curiosities1 such as tumblers that could be dropped on the floor without breaking1 etc41 but these articles generally ended by receiving a slight scratch or chip and promptly falling into fragments4 ,as a matter of fact1 however1 some tempered glass is actually manufactured by the firm of ,siemens at the present time for special purposes4 ,de la ,bastie's process was tried in ,england1 and some success was claimed for it2 but it is not in commercial operation at the present time1 and never appears to have attained any great importance4 ,massive ,glass4--,enthusiasts for the extension of the use of glass have endeavoured to apply it to a great variety of purposes1 including the construction of buildings and the paving of streets4 ,in the former case1 which was exemplified at the ,paris ,exhibition of #aijj1 advantage was taken of the light-transmitting power of the material1 but although the buildings erected with large blocks of cast glass were not displeasing in effect1 this use has not found any considerable extension4 ,for paving purposes1 the hardness and durability of glass are the only useful qualities1 and here also--although several trials have been made in ,france--no signs of any considerable application of the new products are as yet visible4 ,what has been said above with reference to the injurious character of glass dust applies1 further1 to glass pavements1 since their natural wear would result in the formation of considerable quantities of this dust4 ,the advocates of glass paving1 however1 suggest that the hardness of glass would greatly reduce the actual amount of wear1 and that consequently the dust would be reduced considerably4 ,this is a matter which prolonged experience alone can decide1 but it does not seem obvious that glass blocks should wear more slowly than stone setts made of good granite1 for example4 ,on the other hand1 the glass blocks could probably be produced more cheaply1 since the labour of cutting to size would be obviated by casting the blocks to the desired dimensions4 ,water-glass1 or silicate of soda or potash is perhaps scarcely to be classed under the heading of 8,glass ,manufacture0 at all1 but it bears a certain relationship to glass in several ways4 ,thus one of the modes of manufacturing water-glass is by the fusion of sand and alkali in tank furnaces somewhat resembling those used for glass production2 the fused silicate1 moreover1 solidifies as a vitreous mass1 in which respect it also resembles such substances as borax1 etc4 ,the uses of silicate of soda and potash are1 however1 so far removed from the field of glass-manufacture that we cannot enter into them here4 ,in concluding this chapter1 we wish to describe one more product of the glassworks1 and this includes some of the most impressive and splendid examples of the glass-maker's art4 ,these are the great mirrors and lenses by whose aid our lighthouses and searchlights send forth their powerful beams of light4 ,although these objects are called 8mirrors0 and 8lenses10 since they fulfil the functions of such optical organs1 yet in their nature and mode of manufacture they are so far removed from the glass used for the production of other kinds of lenses that they could not be included under the heading of 8optical glass40 ,the characteristic feature in the manufacture of optical glass is the manner in which each separate pot or melting is allowed to cool down and to break up into irregular fragments which are subsequently moulded to the desired shape4 ,were it attempted to manufacture the large glass bodies required for lighthouse purposes in this manner1 the cost would approximate to that of the large discs used for telescope objectives1 and this would of course be entirely prohibitive4 ,the requirements as regards colour1 homogeneity and freedom from other defects1 which must be met in lighthouse lenses1 are further not nearly so stringent as those which are essential in ordinary optical work of good quality4 ,the reason for this difference arises from the fact that lighthouse lenses and searchlight mirrors are used merely to impart a desired direction to a beam of light1 and not for the purpose of producing sharply-defined images2 slight irregularities in the glass are therefore not of such serious importance4 ,lighthouse glass can therefore be produced by rather less elaborate means2 although every care is taken to make the glass as perfect as possible1 it is brought into approximately the desired form by casting the molten glass in iron moulds of the proper shape4 ,when removed from these moulds and annealed1 the glass is fixed on large revolving tables and ground and polished to the final shape of lenses and annular lens-segments as required for the various types of ,fresnel lighthouse lenses4 ,in this way complete rings1 forming annular lenses1 are produced up to #dh inches diameter4 ,rings of larger size are usually built up of a number of segments1 and these built-up rings sometimes have a radius as large as #g feet4 ,for the majority of lighthouse lenses1 it should be added1 a hard soda-lime glass having a refractive index of #aej to #aeb is used1 but for special purposes a dense flint-glass having a refractive index of #afc is employed4 ,mirrors for searchlight purposes are of very varied forms and sizes1 the shape depending largely upon the particular form of beam which they are designed to project4 ,for many purposes a parabolic form is required1 while in others1 where a flat1 fan-shaped beam is to be produced1 a form having an elliptical section in a horizontal plane and a parabolic section in the vertical plane is required4 ,in most cases these mirrors are produced by bending plates of glass1 previously raised to the necessary degree of heat1 over suitably shaped moulds1 the surface being subsequently re-polished to remove any roughness resulting from the bending process4 ,another type of mirrors is that known as 8,mangin10 which has two spherical surfaces placed eccentrically in such a way that the centre of the mirror is considerably thinner than the periphery2 in this type of mirror the reflecting action of the back surface is modified by the refracting action of the front surface1 but both are spherical1 and can therefore be accurately ground and polished by the usual mechanical means4 ,such mirrors are manufactured of single pieces of glass up to #f feet in diameter4 ,,appendix ,,bibliography4 ,the existing literature of glass manufacture is so limited that a complete bibliography could almost be given on a single page2 in the ,english language1 in particular1 there are exceedingly few books and papers on the subject4 ,the ,french and ,german literature of the subject is a little more extensive4 ,in giving a list of the works1 and more particularly in referring to those which he has consulted in the preparation of the present volume1 the author thinks it will be an advantage to indicate their scope1 and1 to some extent1 what he believes to be their value1 in order to save the student the trouble of seeking out comparatively inaccessible works only to find that they contain little that is of value for his purpose4 ,english ,books and ,papers on ,glass ,manufacture4 ,the ,principles of ,glass ,making 7,george ,bell ,sons74 ,by ,powell ,chance4 ,an elementary book giving a clear and concise account of the older processes1 more especially in connection with flint and plate-glass4 ,glass4 ,articles in #ith ,edition of ,encyclopdia ,britannica4 ,a detailed account of processes1 more or less covering the entire subject1 but the processes described are mostly obsolete at the present time4 ,glass4 ,article in ,supplement to #ith ,edition of ,encyclopdia ,britannica4 ,by ,harry ,j4 ,powell4 ,a brief summary of more recent developments4 ,particularly valuable in reference to artistic ,english flint-glass4 ,jena ,glass4 ,by ,hovestadt1 translated by ,j4 ,d4 and ,a4 ,everett4 ,contains a full account of the scientific work on glass and its practical application1 done in connection with the ,jena ,works of ,schott4 ,particularly interesting in connection with the subjects of ,chapters ,i41 ,,ii41 ,,xii41 and ,,xiii4 ,as the title indicates1 the book is written from the ,jena point of view1 and scarcely does justice to work done elsewhere4 ,the book has gained considerably at the hands of the translators4 ,some ,properties of ,glass4 ,by ,w4 ,rosenhain4 7,transactions of the ,optical ,society of ,london1 #aijc47 ,gives a brief account of the properties of glass as affecting its optical uses4 ,possible ,directions of ,progress in ,optical ,glass4 ,by ,w4 ,rosenhain4 7,proceedings of the ,optical ,convention1 ,london1 #aije47 ,has been referred to in the text of this book 7,chapter ,,xii474 ,catalogue of the ,optical ,convention ,exhibition1 ,london1 #aije4 ,contains historical and general notices of optical and lighthouse glass1 glass-working machinery1 etc4 ,glass for ,optical ,instruments4 ,by ,r4 ,t4 ,glazebrook4 7,cantor ,lectures to the ,society of ,arts47 ,gives an account of modern optical glass manufacture4 ,old ,english ,glasses4 ,by ,albert ,hartshorne4 ,gives an account of the history of glass-making in ,england4 ,the ,methods of ,glass ,blowing4 ,by ,w4 ,shenstone4 ,describes the manipulation of glass-blowing for experimental purposes1 i4e41 lamp work4 ,french ,books on ,glass ,manufacture4 ,guide du ,verrier4 ,by ,g4 ,bontemps4 ,a classical work by one of the greatest experts of his day4 ,much of the contents of the book is1 however1 entirely out of date at the present time4 ,the book is interesting as being the work of the man who introduced optical glass manufacture into ,england4 ,verres et ,emaux4 ,by ,l4 ,coffignal4 ,chiefly of interest in connection with the subjects of ,chapter ,,viii4 ,le ,verre et le ,crystal4 ,by ,j4 ,henrivaux4 7,p4 ,vicq ,dunod et ,cie41 ,paris47 ,a lengthy book profusely illustrated and giving a great wealth of detailed information4 ,the writer was for some time the general manager of one of the largest plate-glass manufactories in ,europe2 his account of plate-glass manufacture is1 therefore1 especially valuable4 ,much space in this book is devoted to historical and sthetical matter4 ,la ,verrerie au ,,xxieme ,sicle4 ,by ,j4 ,henrivaux4 7,paris1 ,r4 ,bernard et ,cie41 #aijc47 ,practically a supplement to the preceding2 some of the processes and products described are1 however1 not of a practical nature4 ,chiefly valuable for recent developments in plate-glass and bottle-glass manufacture4 ,german ,books on ,glass ,manufacture4 ,die ,glasfabrikation4 ,by ,r4 ,gerner4 7,a4 ,hartleben's ,verlag1 ,vienna and ,leipzig1 #ahig47 ,a concise and clear account of most of the more important processes of glass manufacture4 ,very practical in character4 ,the information given appears to be reliable1 although far from complete4 ,die ,herstellung ,grosser ,glaskoerper and ,die ,bearbeitung ,grosser ,glaskoerper4 ,by ,c4 ,wetzel4 7,hartleben's ,verlag1 ,vienna and ,leipzig1 #aijj and #aija respectively47 ,describes numerous special processes and appliances devised for use in connection with large glass objects4 ,some of these descriptions1 however1 appear to be little more than transcripts from patent specifications4 ,glasfabriken und ,hohlglasfabrikation4 ,by ,r4 ,dralle4 7,leipzig1 ,baumgaertner1 #ahhf47 ,looked upon as a classic in ,germany4 ,gives detailed plans and drawings of entire bottle-works1 including furnaces and all accessories4 ,deals principally with bottle manufacture4 ,die ,glasfabrikation4 ,by ,dr4 ,e4 ,tscheuschner4 7,weimar1 ,b4 ,h4 ,voigt1 #ahhh47 ,a full detailed account of all processes known at the time4 ,the rapid progress of modern practice has1 however1 already rendered this book to some extent obsolete4 ,jenaer ,glas4 ,by ,hovestadt4 ,already referred to in respect of the ,english translation4 ,der ,sprechsaal4 7,schmidt1 ,weimar47 ,a trade journal devoted to the discussion of technical matters relating to the glass and ceramic industries4 ,occasionally contains articles and abstracts of technical or scientific interest in connection with glass manufacture4 99 99 99 99 99 ,in addition to the books and papers named in the above list1 a great number of scientific papers1 notes1 etc41 are to be found scattered throughout the technical and scientific publications of the world2 those that have proved of real interest and importance have1 however1 left their mark on the industry1 and will be found described or referred to in connection with the various branches of manufacture described in the present volume or in the books named above4 ,,index ,a4 ,abb1 #h1 #aj1 #baj1 #bah ,absorption of light in glass1 #cb1 #agi ,acid1 action of1 on glass1 #aa boric1 action of1 on glass1 #aa1 #ahf carbonic1 action of1 on glass1 #ab hydrofluoric1 action of1 on glass1 #ab phosphoric1 action of1 on glass1 #aa ,air1 compressed1 #ia1 #aje1 #aag ,alkali chlorides1 use of1 in glass manufacture1 #da content of hygroscopic glass1 #f metals1 #ahd nitrates1 #dd1 #gh sources of1 #dj ,alkaline liquids1 action of1 on glass1 #aa ,aluminium1 #ea1 #ahf ,ammonia soda1 #da ,anastigmatic photographic lenses1 #bac ,ancient windows1 colours of1 #af1 #bjb ,annealing bottles1 #ajc kiln1 #ajc for optical glass1 #bce for plate glass1 #ace for rolled plate glass1 #abg ,anthracite coal1 #db1 #ec1 #gi ,antimony1 #ahh ,apochromatic objectives1 #bac ,arsenic1 #eb1 #gh1 #aje1 #aag1 #ahh ,artificial gems1 #bdf ,auerbach1 #bb ,aventurine1 #ahe ,b4 ,bacteria1 action of1 on glass1 #ac ,barium compounds1 #dg1 #ahf crown glass1 #bab glass1 #g ,barytes1 #dh ,bases other than alkalies1 sources of1 #de ,beads1 #bdd ,behaviour1 chemical1 of glass1 #f ,bending plate glass1 #add ,bevelling1 #ade ,black ash1 #da ,blisters in sheet glass1 #afj1 #afh ,blocks1 fire-clay1 #eh tank1 #ei ,blower1 sheet glass1 #aeh ,blower's chair1 #aaa ,blowing glass1 #hi holes1 #ia1 #afa1 #ahi sheet glass1 #afa ,blown glass1 decoration of1 #aad plate glass1 #aga ,bohemian glass1 #aji1 #bdj ,boiling up1 #ha ,bottles1 annealing of1 #ajc blowing1 improvements in1 #ii machines1 #ajj colour of1 #if manufacture1 furnace for1 #ig moulds for blowing1 #ih production of1 by hand1 #ih raw materials for1 #ie strength of1 #ah ,boric acid1 #aa ,boron1 #ahf ,boro-silicate crown1 #bab ,boucher's bottle-blowing machine1 #aja ,bricks1 fire-clay1 #eh silica1 #fj ,bubbles in optical glass1 #bcj removal of1 #ha ,burning1 pots1 #eh ,c4 ,cadmium1 #ahf ,calcium carbonate1 #df oxide1 #de1 #ahf sulphate1 #dg ,carbon1 #ec1 #gi1 #ahf ,carbonate of soda1 #da ,carbonic acid1 action of1 on glass1 #ab ,carboys1 blowing of1 #ajd ,casting plate glass1 #acb ,chair1 glass-blower's1 #aaa ,chalk1 #df ,chamotte1 #eg ,chance1 #baa ,charcoal1 #db1 #eh1 #gi ,charging furnaces1 #ge ,chemical behaviour of glass1 #f composition of glass1 #e of optical glass1 #bag reactions during fusion1 #gf ,chilled glass1 #bdg ,chimneys1 gaslight1 #bc lamp1 #bch ,chromium1 colouring effect of1 #aij ,cleaning of lenses1 #bbj ,coal1 anthracite1 #db1 #ec1 #gi ,cobalt1 colouring effect of1 #aig ,coke1 #db1 #ec1 #gi ,colour of ancient windows1 #af glass1 #cb theory of1 #aha optical glass1 #bjh sheet glass1 #afg ,coloured blown glass1 #aac glass1 #agh technical uses of1 #bjc ,combustion tubing1 #g1 #bda ,compressed air for glass blowing1 #ia1 #aje1 #aag ,conductivity1 electrical1 of glass1 #cj thermal1 of glass1 #bd1 #bi ,copper1 colouring effect of1 #ahd ruby1 #ahd1 #ahh1 #aih ,corrosion of glass1 #aa ,covered pots1 #ef1 #aji ,crown1 boro-silicate1 #bai glass1 #age1 #baa hard1 #bab1 #bai soft1 #bab telescope1 #bae ,crowns1 furnace1 #fj ,crucibles1 manufacture of1 #ef for glass melting1 #ed ,crushing strength of glass1 #ai ,cryolite1 #eb ,crystallisation of glass1 #c ,crystals1 mineral1 #bah ,cullet1 #gd for optical glass1 #bbd ,cutting rolled plate glass1 #abh ,cylinders1 sheet glass1 #afa1 #aga ,d4 ,decolourisation of glass1 #eb1 #ahh1 #aij1 #aic1 #aig ,decoration of blown glass1 #aad ,defects in rolled plate glass1 #abi sheet glass1 #aff ,definition of glass1 #a ,de la ,bastie1 #bdh ,devitrification1 #c1 #aa ,diamond1 refractive index of1 #baf ,dimming of glass surfaces1 #ab ,dinas bricks1 #fa ,dipping of sheet glass1 #aff ,dispersion of optical glass1 #bji partial1 #bad ,double refraction in optical glass1 #bba rolling machine1 #acj ,drawing tubes1 #bci ,ductility of glass1 #bj ,durability of glass1 tests for1 #ad ,dust1 action of1 on lenses1 #bbj glass1 #bde ,e4 ,elasticity of glass1 #bj1 #bd ,electrical properties of glass1 #bi ,epinal1 #ci ,etching of glass1 #ab ,expansion1 coefficient of thermal1 #bd1 #be ,f4 ,felspar1 #dj1 #dd ,fibres1 glass1 #bde silica1 #bde ,figured rolled plate glass1 #hg1 #acj cutting of1 #aca ,finger-marks on lenses1 #bai ,fining of glass1 #ha optical glass1 #bbi ,fire-clay1 action of1 on glass1 #f for pots1 #ee wetting up1 #eg ,fire-polish1 #aag ,flashed glass1 #be1 #aii ,flint1 #dj boro-silicate1 #bab dense1 #bab1 #bdf densest1 #bab extra dense1 #bab glass1 #g1 #di1 #gh1 #ajh1 #baa light1 #bab soda1 #bab telescope1 #bae ,fluorite1 refractive index of1 #baf ,fontainebleau1 #ch ,founding of optical glass1 #bbg ,fourcault process1 #agd ,fresnel1 #bea ,furnace crowns1 #fj gas1 #fc ,furnaces for bottle manufacture1 #ig glass melting1 #ed1 #fb optical glass1 #bbe plate glass1 #acc rolled plate glass1 #abb sheet glass1 #aea1 #agj ports1 #fg recuperative1 #ff1 #aef regenerative1 #ff1 #aee tank1 #ei1 #fi economy of1 #gb ,fusion1 process of1 #gc temperature of glass1 #e ,freezing of glass1 #b ,g4 ,gaslight1 chimneys for1 #bc ,gas producers1 #fb1 #fd ,gatherer1 #aeh ,gathering of glass1 #he1 #hh1 #aeh ,gauge tubes1 #aj1 #ah1 #bc1 #bf ,gems1 artificial1 #bdf ,ghosts1 photographic1 #af ,glauber's salt1 #dc ,gold1 colouring effect of1 #ahe ,grinding plate glass1 #acg ,gypsum1 #dg ,h4 ,hardened glass1 #bj ,hardness of glass1 #ba tests for1 #bb ,heavy spar1 #dh ,henrivaux1 #ai ,hertz1 #bb ,hock-bottle colour1 #aie ,hohenbocka1 #ch ,hollow glass-ware1 #ajh ,horse-shoe flame1 #fi ,hydrofluoric acid1 action of1 on glass1 #ab ,hygroscopic glass1 alkali content of1 #f ,i4 ,indentation modulus1 #bb ,index1 refractive1 #baf ,insulating properties of glass1 #bi ,iron1 #if colouring effect of1 #aif oxidation of1 in glass1 #aie ,irregularities caused by rolling1 #hf ,j4 ,jena1 #g1 #aj1 #ad1 #bf1 #bi1 #bjc1 #baj1 #bac1 #bda ,k4 ,kelp1 #dj ,kowalski1 #ai ,l4 ,laboratory ware1 #aj1 #bc ,ladling glass1 #he rolled plate glass1 #abd ,lagre1 #aff ,lamp-chimneys1 #aaj1 #bch ,lamp-work1 #bdj1 #bdd ,large vessels1 production of1 #aje ,lead1 #di1 #ahc1 #ahh ,lear for rolled plate glass1 #abg sheet glass1 #afe ,leighton1 #ci ,lenses1 cleaning of1 #bbj finger-marks on1 #bbj pressing small1 #id ,light1 action of1 on glass1 #ae ,lighthouse glass1 #agh1 #bej ,lime1 slaked1 #de ,lime-stone1 #df ,limited range of vitreous bodies1 #d ,lippe1 #ch ,lynn1 #ci ,m4 ,machines1 bevelling1 #ade double rolling1 #acj grinding1 #aci polishing1 #ada ,magnesia1 #dh1 #ahf ,manganese1 #ae1 #eb1 #hj ,mangin mirrors1 #beb ,marver1 #aaa ,massive glass1 #bdi ,mechanical properties of glass1 #ah ,metal1 attachment of1 to glass1 #bf ,minerals1 crystalline1 #bag ,mirrors1 #ade searchlight1 #bea ,mixing of materials1 #gc ,moulds for glass-blowing1 #ij1 #aaj1 #aaf pressed glass1 #aai ,muffled glass1 #agb ,muranese glass1 #abc ,n4 ,nickel1 #if colouring effect of1 #aig steel1 #bg1 #adh ,nitrates1 alkali1 #dd1 #gh ,o4 ,objectives1 apochromatic1 #bac telescope1 #bah ,opal glass1 #de1 #eb1 #ahf ,opaque plate glass1 #adf ,open pots1 #ef ,optical glass1 annealing1 #bce chemical composition of1 #bag cooling of1 #bcc cost of1 #bcg fining1 #bbi founding1 #bbg furnaces for1 #bbe hardness of1 #bbj moulding1 #bce pressing1 #ic range of1 #baf raw materials for1 #bbc sorting1 #bce stability of1 #bai strain in1 #bba stirring1 #bca yield of1 #bcf properties of glass1 #bje ,p4 ,painting on glass1 #bja ,parason1 #ajb ,patent plate glass1 #aga ,paving stones1 glass1 #bdi ,pearl ash1 #dc ,phosphoric acid1 #aa ,phosphorus1 #ahh ,photographic ghosts1 #af lenses1 anastigmatic1 #bac colour of1 #bji ,pipe1 glass-maker's1 #hi sheet-blower's1 #aeh warmer1 #aeh ,plate glass1 annealing kiln for1 #ace bending of1 #add blown1 #aga casting1 #acb colour of1 #cc figured rolled1 #hg flatness of1 #acd furnaces for1 #acc grinding machines1 #aci of1 #acg mirrors1 #ade opaque1 #adf polishing machines1 #ada polishing of1 #acg raw materials for1 #acb rolled1 #hf1 #abc silvering1 #adf sizes of1 #adc strength of1 #ae stri in1 #adc wired1 #bg1 #adg ,platinum1 #bg ,polishing1 theory of1 #ada ,pontil1 #ih1 #agf1 #bci ,potash1 #dc ,potato1 use of1 in glass melting1 #ha ,ports1 furnace1 #fg ,pots1 burning of1 #eh covered1 #ef drying of1 #eh for flint glass1 #aji optical glass1 #bbf manufacture of1 #ef open1 #ef ,pouring of glass1 #he1 #hg ,pressed glass1 #ib1 #aah composition of1 #abj ,presses for glass1 #aai ,proofs1 #hb1 #bca ,purity of materials1 #cf ,q4 ,quartz1 #dj ,r4 ,range1 limited1 of vitreous bodies1 #d ,recuperative furnaces1 #ff1 #aef ,red lead1 #di ,refraction1 double1 in optical glass1 #bba of light in optical glass1 #bji ,refractive index1 #baf ,regenerative furnace1 #ff1 #aee ,reichsanstalt1 #aj ,resistance to crystallisation of glass1 #d ,rings for lighthouse lenses1 #bea ,rod1 glass1 #bde ,rolled plate glass1 #hf1 #abc annealing1 #abg cutting1 #abh defects of1 #abi figured1 #acj furnaces1 #abc ladling1 #abd raw materials for1 #abd rolling1 #abf sorting1 #abi surface of1 #abb ,rolling of glass1 #hf ,rubies1 artificial1 #bdg ,ruby1 copper1 #ahd1 #ahh1 #aih flashed1 #ahd gold1 #ahe ,rupert's drops1 #bdh ,s4 ,salt-cake1 #cg1 #db1 #gi1 #ahi ,sand1 #ch ,sandstone1 #ci ,schott1 #h1 #ai1 #bjc1 #bac1 #bda ,scratches on sheet glass1 #afi ,searchlights1 #bej ,seed in sheet glass1 #afg ,selenium1 colouring effect of1 #aij ,sheet glass1 #gj blisters in1 #afj1 #afh blowing1 #afa colour of1 #cc1 #afg compared with plate1 #adi cylinders1 #afa1 #aga defects of1 #aff dipping1 #aff flattening1 #afe furnaces1 #aea1 #agj lear1 #afe mechanical production of1 #agc raw materials for1 #aej sorting1 #aff splitting1 #afd strength of1 #ah ,siedentopf1 #ahb ,siege blocks1 #ei ,siemens1 #bdh ,sievert1 #ib1 #aje1 #aag1 #agb processes1 #aje1 #aag ,signal glasses1 #bjc ,silica bricks1 #fa glass1 #e1 #bf1 #bda sources of1 #cg ,silicon1 colouring effect of1 #ahg ,silver1 colouring effect of1 #ahe ,silvering plate glass1 #adf ,sizes of plate glass1 #adb ,soda ash1 #da carbonate1 #da sulphate1 #cg1 #db1 #gi sulphide1 #hj sulphite1 #gi ,solidification of glass1 #a ,solutions1 analogy of1 with glass1 #bjf ,sorting rolled plate glass1 #abi ,specific heat of glass1 #be1 #bi inductive capacity of glass1 #bi ,stains1 coloured1 #bjj ,stassfurth1 #dd ,stones in rolled plate glass1 #abi sheet glass1 #afg ,storage of materials1 #cg ,strain in optical glass1 #bba ,strength of glass1 #ai ,stri in coloured glass1 #bjc optical glass1 #bjf1 #bbg plate glass1 #adc testing apparatus1 #bjg ,string in sheet glass1 #afh ,strontium1 #hf ,structure of glass1 #a ,sulphur1 colouring effect of1 #ahi ,surfaces1 chemical behaviour of glass1 #h1 #aj ,szigmondi1 #ahb ,t4 ,table1 rolling1 #abf ,tank blocks1 #ei furnaces1 #ei1 #fi economy of1 #gb for sheet glass1 #aeb ,telescope objectives1 #bac ,temperature of fusion of glass1 #e ,tempered glass1 #bj1 #bdh ,tensile strength of glass1 #ai ,thallium1 #ahc1 #ahh ,theory of colours in glass1 #aha polishing1 #ada ,thermal endurance of glass1 #bc properties of glass1 #bc ,thermometer glass1 #g1 #h1 #bh ,tin1 colouring effect of1 #ahg ,tonnelot1 #g ,transparency of glass1 #ca optical glass1 #bjh ,trautwine1 #ai ,tubing1 #bch combustion1 #g drawing of1 #bci ,tumblers1 #aaa ,u4 ,ultra-violet microscope1 #bdc ,v4 ,vanadium1 colouring effect of1 #ahi ,veins in optical glass1 #bjf1 #bbg ,w4 ,water1 action of1 on glass1 #aj glass1 #bej ,wetting up clay1 #eg ,winkelmann1 #ai ,wired plate glass1 #bg1 #adg ,witherite1 #dh ,wool1 glass1 #bde ,y4 ,young's modulus1 #bj ,z4 ,zaffre1 #aig ,zeiss1 #bac1 #bdd ,zinc1 colouring effect of1 #di1 #ahf ,zschimmer1 #ad ,,bradbury1 ,,agnew1 ,,co4 ,,ld41 ,,printers1 ,,london ,,and ,,tonbridge4 ,d4 ,,van ,,nostrand ,,company ,publish the following ,catalogues which will be sent gratis on ,application4444 ,,chemical4 #add ,page ,alphabetical and ,classified ,list of ,books on ,chemistry1 ,chemical ,technology and ,physics4 ,arranged by subjects and authors4 ,,electrical4 #aab ,page ,classified ,catalogue of ,electrical ,books4 ,indexed4 #h page list of ,electrical ,books issued in #aijg4 ,,technical4 #abb ,page ,list arranged by ,authors4 #dh ,page ,list of ,scientific ,books recently issued and in preparation4 #h ,page ,supplemental ,list of ,books on ,manufactures and ,industries4 #h ,page ,list of ,books just issued4 ,,monthly ,,record4 #af ,page ,monthly ,record of ,scientific ,literature ,sent regularly to any address1 on request4 #bc ,murray and #bg ,warren ,streets1 ,new ,york4 ,d4 ,van ,nostrand ,company ,announce the early issue of the ,,westminster ,,series4 #hvo1 cloth1 fully illustrated1 ,each1 #b4jj net4 ,much of the information forthcoming in these volumes is either not available to the general public1 or if available1 is widely scattered4 ,these volumes will be issued at short intervals4 ,,now ,,ready4 ,,india-,,rubber ,,and ,,its ,,manufacture1 with ,chapters on ,gutta-,percha and ,balata4 ,by ,h4 ,l4 ,terry1 ,f4,i4,c41 ,assoc4 ,inst4 ,m4,m4 ,,electric ,,power ,,and ,,traction4 ,by ,f4 ,h4 ,davies1 ,a4,m4,i4,e4,e4 ,,liquid ,,and ,,gaseous ,,fuels1 ,,and ,,the ,,part ,,they play in ,modern ,power ,production4 ,by ,professor ,vivian ,b4 ,lewes1 ,f4,i4,c41 ,f4,c4,s4 ,,coal4 ,by ,james ,tonge1 ,m4,i4,m4,e41 ,f4,g4,s41 etc4 7,lecturer on ,mining at ,victoria ,university1 ,manchester74 ,,the ,,book3 ,its ,history and ,development4 ,by ,cyril ,davenport1 ,v4,d41 ,f4,s4,a4 ,,iron ,,and ,,steel4 ,by ,j4 ,h4 ,stansbie1 ,b4,sc41 ,f4,i4,c4 ,,town ,,gas ,,for ,,lighting ,,and ,,heating4 ,by ,w4 ,h4 ,y4 ,webber1 ,c4 ,e4 ,,glass4 ,by ,walter ,rosenhain1 ,superintendent of the ,department of ,metallurgy in the ,national ,physical ,laboratory1 late ,scientific ,adviser in the ,glass ,works of ,messrs4 ,chance ,bros4 ,co4 ,,in ,,preparation4 ,,patents4 ,trade ,marks and ,designs4 ,by ,kenneth ,r4 ,swan 7,oxon471 of the ,inner ,temple1 ,barrister-at-,law4 ,,the ,,manufacture ,,of ,,paper4 ,by ,r4 ,w4 ,sindall1 ,f4,c4,s4 ,,wood ,,pulp ,,and ,,its ,,applications4 ,by ,c4 ,f4 ,cross1 ,e4 ,j4 ,bevan1 and ,r4 ,w4 ,sindall4 ,,steam ,,engines4 ,by ,j4 ,t4 ,rossiter1 ,m4,i4,e4,e41 ,a4,m4,i4,m4,e4 ,,precious ,,stones4 ,with a ,chapter on ,artificial ,stones4 ,by ,w4 ,goodchild1 ,m4,b41 ,b4,ch4 ,,electric ,,lamps4 ,by ,maurice ,solomon1 ,a4,c4,g4,i41 ,a4,m4,i4,e4,e4 ,,steam ,,locomotives4 ,by ,vaughan ,pendred1 ,m4,i4,mech4,e4 ,,gold ,,and ,,precious ,,metals4 ,by ,thomas ,k4 ,rose1 ,d4,sc41 of the ,royal ,mint4 ,,electro-,,metallurgy4 ,by ,j4 ,b4 ,c4 ,kershaw1 ,f4,i4,c4 ,,photography4 ,by ,alfred ,watkins1 ,president-,elect of the ,photographic ,convention1 #aijg4 ,,commercial ,,paints ,,and ,,painting4 ,by ,a ,s4 ,jennings1 ,hon4 ,consulting ,examiner1 ,city and ,guilds of ,london ,institute4 ,,brewing ,,and ,,distilling4 ,by ,james ,grant1 ,f4,s4,c4 ,publishers and ,booksellers1 #bc ,murray and #bg ,warren ,streets1 ,,new ,,york4 ,transcriber's ,notes ,punctuation1 hyphenation1 and spelling were made consistent when a predominant preference was found in this book2 otherwise they were not changed4 ,simple typographical errors were corrected2 occasional unbalanced quotation marks retained4 ,ambiguous hyphens at the ends of lines were retained4 ,the appearance of the ,table of ,contents has been altered slightly4 ,index not checked for proper alphabetization or correct page references4 ,in the ,index1 it was unclear to the ,transcriber whether some of the indentations indicated sub-entries or implied ditto marks1 so the indentations have been treated here as multiple levels of sub-entries4