,,on ,,the ,,various ,,forces ,,of ,,nature4 ,,works by ,,richard ,a4 ,,proctor4 ,,easy ,,star ,,lessons4 ,with ,star ,maps for ,every ,night in the ,year1 ,drawings of the ,constellations1 c4 ,crown #hvo1 cloth extra1 #fs4 ,,flowers ,,of ,,the ,,sky4 ,with #ee ,illustrations4 ,small crown #hvo1 cloth extra1 #cs4 #f;d4 ,,saturn ,,and ,,its ,,system4 ,revised ,edition1 with #ac ,steel ,plates4 ,demy #hvo1 cloth extra1 #ajs4 #f;d4 ,,familiar ,,science ,,studies4 ,crown #hvo1 cloth extra1 #fs4 ,,mysteries ,,of ,,time ,,and ,,space4 ,with ,illustrations4 ,crown #hvo1 cloth extra1 #fs4 ,,the ,,universe ,,of ,,suns1 and other ,science ,gleanings4 ,with ,illustrations4 ,crown #hvo1 cloth extra1 #fs4 ,,wages ,,and ,,wants ,,of ,,science ,,workers4 ,crown #hvo1 #as4 #f;d4 ,by ,dr4 ,,andrew ,,wilson1 ,f4,r4,s4,e4 ,,chapters ,,on ,,evolution3 ,a ,popular ,history of the ,darwinian and ,allied ,theories of ,development4 ,second ,edition1 with #bei ,illustrations4 ,crown #hvo1 cloth extra1 #gs4 #f;d4 ,,leaves ,,from ,a ,,naturalist',s ,,note-,,book4 ,post #hvo1 cloth limp1 #bs4 #f;d4 ,,leisure-,,time ,,studies1 chiefly ,biological4 ,third ,edition1 with a ,new ,preface and ,numerous ,illustrations4 ,crown #hvo1 cloth extra1 #fs4 ,,studies ,,in ,,life ,,and ,,sense4 ,with numerous ,illustrations4 ,crown #hvo1 cloth extra4 #fs4 ,,common ,,accidents ,,and ,,how ,,to ,,treat ,,them4 ,with ,illustrations4 ,crown #hvo1 #as42 cloth1 #as4 #f;d4 ,,glimpses ,,of ,,nature4 ,with #ce ,illustrations4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 ,by ,dr4 ,j4 ,e4 ,,taylor1 ,f4,l4,s4 ,,the ,,sagacity ,,and ,,morality ,,of ,,plants3 ,a ,sketch of the ,life and ,conduct of the ,vegetable ,kingdom4 ,with ,coloured ,frontispiece and #ajj ,illustrations4 ,crown #hvo1 cloth extra1 #gs4 #f;d4 ,,our ,,common ,,british ,,fossils1 and ,where to ,find ,them4 ,a ,handbook for ,students4 ,with over #cjj ,illustrations4 ,crown #hvo1 cloth extra1 #gs4 #f;d4 ,,the ,,playtime ,,naturalist4 ,with #cff ,illustrations4 ,crown #hvo1 cloth extra1 #es4 ,by ,,grant ,,allen4 ,,the ,,evolutionist ,,at ,,large4 ,crown #hvo1 cloth extra1 #fs4 ,,colin ,,clout',s ,,calendar4 ,crown #hvo1 cloth extra1 #fs4 ,by ,w4 ,,mattieu ,,williams1 ,f4,r4,a4,s4 ,,science ,,in ,,short ,,chapters4 ,crown #hvo1 cloth extra1 #gs4 #f;d4 ,a ,,simple ,,treatise ,,on ,,heat4 ,with ,illustrations4 ,crown #hvo1 cloth limp1 #bs4 #f;d4 ,,the ,,chemistry ,,of ,,cookery4 ,crown #hvo1 cloth extra1 #fs4 ,by ,sir ,,david ,,brewster4 ,,more ,,worlds ,,than ,,one3 ,the ,creed of the ,philosopher and the ,hope of the ,christian4 ,with ,plates4 ,post #hvo1 cloth extra1 #ds4 #f;d4 ,,the ,,martyrs ,,of ,,science3 ,lives of ,,galileo1 ,,tycho ,,brahe1 and ,,kepler4 ,with ,portraits4 ,post #hvo1 cloth extra1 #ds4 #f;d4 ,,letters ,,on ,,natural ,,magic4 ,a new ,edition1 with numerous ,illustrations1 and ,chapters on ,additional ,phenomena of ,natural ,magic1 by ,j4 ,a4 ,,smith4 ,post #hvo1 cloth extra1 #ds4 #f;d4 ,by ,,michael ,,faraday4 ,,the ,,chemical ,,history ,,of ,a ,,candle4 ,with ,illustrations4 ,edited by ,,william ,,crookes1 ,f4,c4,s4 ,post #hvo1 cloth extra1 #ds4 #f;d4 ,,on ,,the ,,various ,,forces ,,of ,,nature1 and their ,relations to each other4 ,with numerous ,illustrations4 ,edited by ,,william ,,crookes1 ,f4,c4,s4 ,post #hvo1 cloth extra1 #ds4 #f;d4 ,,london3 ,,chatto ,,windus1 ,,piccadilly4 ,,on ,,the ,various ,forces of ,nature ,,and ,,their ,,relations ,,to ,,each ,,other3 ,a ,,course ,,of ,,lectures ,,delivered ,,before ,a ,,juvenile ,,audience ,,at ,,the ,,royal ,,institution ,,by ,,michael ,,faraday1 ,d4,c4,l41 ,f4,r4,s4 ,,edited ,,by ,,william ,,crookes1 ,f4,c4,s4 ,illustration3 ,colophon ,a ,,new ,,edition1 ,,with ,,illustrations4 ,london3 ,,chatto ,,windus1 ,,piccadilly4 #ahid4 ,,preface4 ,which was first1 ,matter or ,force8 ,if we think on this question1 we shall find that we are unable to conceive of matter without force1 or of force without matter4 ,when ,god created the elements of which the earth is composed1 ,he created certain wondrous forces1 which are set free1 and become evident when matter acts on matter4 ,all these forces1 with many differences1 have much in common1 and if one is set free1 it will immediately endeavour to free its companions4 ,thus1 heat will enable us to eliminate light1 electricity1 magnetism1 and chemical action2 chemical action will educe light1 electricity1 and heat4 ,in this way we find that all the forces in nature tend to form mutually dependent systems2 and as the motion of one star affects another1 so force in action liberates and renders evident forces previously tranquil4 ,we say tranquil1 and yet the word is almost without meaning in the ,cosmos4--,where do we find tranquillity8 ,the sea1 the seat of animal1 vegetable1 and mineral changes1 is at war with the earth1 and the air lends itself to the strife4 ,the globe1 the scene of perpetual intestine change1 is1 as a mass1 acting on1 and acted on1 by the other planets of our system1 and the very system itself is changing its place in space1 under the influence of a known force springing from an unknown centre4 ,for many years the ,english public had the privilege of listening to the discourses and speculations of ,professor ,faraday1 at the ,royal ,institution1 on ,matter and ,forces2 and it is not too much to say that no lecturer on ,physical ,science1 since the time of ,sir ,humphrey ,davy1 was ever listened to with more delight4 ,the pleasure which all derived from the expositions of ,faraday was of a somewhat different kind from that produced by any other philosopher whose lectures we have attended4 ,it was partially derived from his extreme dexterity as an operator3 with him we had no chance of apologies for an unsuccessful experiment--no hanging fire in the midst of a series of brilliant demonstrations1 producing that depressing tendency akin to the pain felt by an audience at a false note from a vocalist4 ,all was a sparkling stream of eloquence and experimental illustration4 ,we would have defied a chemist loving his science1 no matter how often he might himself have repeated an experiment1 to feel uninterested when seeing it done by ,faraday4 ,the present publication presents one or two points of interest4 ,in the first place1 the ,lectures were especially intended for young persons1 and are therefore as free as possible from technicalities2 and in the second place1 they are printed as they were spoken1 verbatim et literatim4 ,a careful and skilful reporter took them down2 and the manuscript1 as deciphered from his notes1 was subsequently most carefully corrected by the ,editor as regards any scientific points which were not clear to the short-hand writer2 hence all that is different arises solely from the impossibility1 alas6 of conveying the manner as well as the matter of the ,lecturer4 ,may the readers of these ,lectures derive one-tenth of the pleasure and instruction from their perusal which they gave to those who had the happiness of hearing them6 ,w4 ,,crookes4 ,,contents4 ,,lecture ,i4 ,,page ,,the ,,force ,,of ,,gravitation1 #ac ,,lecture ,,ii4 ,,gravitation--,,cohesion1 #dd ,,lecture ,,iii4 ,,cohesion--,,chemical ,,affinity1 #gb ,,lecture ,,iv4 ,,chemical ,,affinity--,,heat1 #ii ,,lecture ,v4 ,,magnetism--,,electricity1 #abb ,,lecture ,,vi4 ,,the ,,correlation ,,of ,,the ,,physical ,,forces1 #adg ,,light-,,house ,,illumination--,,the ,,electric ,,light1 #agc ,,notes1 #aie ,book ,catalogue ,,the ,,various ,,forces ,,of ,,nature4 ,,lecture ,i4 ,,the ,,force ,,of ,,gravitation4 ,it grieves me much to think that ,i may have been a cause of disturbance in your ,christmas arrangements#a1 for nothing is more satisfactory to my mind than to perform what ,i undertake2 but such things are not always left in our own power1 and we must submit to circumstances as they are appointed4 ,i will to-day do my best1 and will ask you to bear with me if ,i am unable to give more than a few words2 and as a substitute1 ,i will endeavour to make the illustrations of the sense ,i try to express as full as possible2 and if we find by the end of this lecture that we may be justified in continuing them1 thinking that next week our power shall be greater1--why1 then1 with submission to you1 we will take such course as you may think fit1--either to go on1 or discontinue them2 and although ,i now feel much weakened by the pressure of illness 7a mere cold7 upon me1 both in facility of expression and clearness of thought1 ,i shall here claim1 as ,i always have done on these occasions1 the right of addressing myself to the younger members of the audience4 ,and for this purpose1 therefore1 unfitted as it may seem for an elderly infirm man to do so1 ,i will return to second childhood and become1 as it were1 young again amongst the young4 ,let us now consider1 for a little while1 how wonderfully we stand upon this world4 ,here it is we are born1 bred1 and live1 and yet we view these things with an almost entire absence of wonder to ourselves respecting the way in which all this happens4 ,so small1 indeed1 is our wonder1 that we are never taken by surprise2 and ,i do think that1 to a young person of ten1 fifteen1 or twenty years of age1 perhaps the first sight of a cataract or a mountain would occasion him more surprise than he had ever felt concerning the means of his own existence1--how he came here2 how he lives2 by what means he stands upright2 and through what means he moves about from place to place4 ,hence1 we come into this world1 we live1 and depart from it1 without our thoughts being called specifically to consider how all this takes place2 and were it not for the exertions of some few inquiring minds1 who have looked into these things and ascertained the very beautiful laws and conditions by which we do live and stand upon the earth1 we should hardly be aware that there was anything wonderful in it4 ,these inquiries1 which have occupied philosophers from the earliest days1 when they first began to find out the laws by which we grow1 and exist1 and enjoy ourselves1 up to the present time1 have shewn us that all this was effected in consequence of the existence of certain forces1 or abilities to do things1 or powers1 that are so common that nothing can be more so2 for nothing is commoner than the wonderful powers by which we are enabled to stand upright--they are essential to our existence every moment4 ,it is my purpose to-day to make you acquainted with some of these powers2 not the vital ones1 but some of the more elementary1 and1 what we call1 physical powers3 and1 in the outset1 what can ,i do to bring to your minds a notion of neither more nor less than that which ,i mean by the word power1 or force8 ,suppose ,i take this sheet of paper1 and place it upright on one edge1 resting against a support before me 7as the roughest possible illustration of something to be disturbed71 and suppose ,i then pull this piece of string which is attached to it4 ,i pull the paper over4 ,i have therefore brought into use a power of doing so--the power of my hand carried on through this string in a way which is very remarkable when we come to analyse it2 and it is by means of these powers conjointly 7for there are several powers here employed7 that ,i pull the paper over4 ,again1 if ,i give it a push upon the other side1 ,i bring into play a power1 but a very different exertion of power from the former2 or1 if ,i take now this bit of shell-lac a stick of shell-lac about #ab inches long and #a in diameter and rub it with flannel1 and hold it an inch or so in front of the upper part of this upright sheet1 the paper is immediately moved towards the shell-lac1 and by now drawing the latter away1 the paper falls over without having been touched by anything4 ,you see--in the first illustration ,i produced an effect than which nothing could be commoner--,i pull it over now1 not by means of that string or the pull of my hand1 but by some action in the shell-lac4 ,the shell-lac1 therefore1 has a power wherewith it acts upon the sheet of paper2 and as an illustration of the exercise of another kind of power1 ,i might use gunpowder with which to throw it over4 ,now1 ,i want you to endeavour to comprehend that when ,i am speaking of a power or force1 ,i am speaking of that which ,i used just now to pull over this piece of paper4 ,i will not embarrass you at present with the name of that power1 but it is clear there was a something in the shell-lac which acted by attraction1 and pulled the paper over2 this1 then1 is one of those things which we call power1 or force2 and you will now be able to recognise it as such in whatever form ,i shew it to you4 ,we are not to suppose that there are so very many different powers2 on the contrary1 it is wonderful to think how few are the powers by which all the phenomena of nature are governed4 ,there is an illustration of another kind of power in that lamp2 there is a power of heat--a power of doing something1 but not the same power as that which pulled the paper over3 and so1 by degrees1 we find that there are certain other powers 7not many7 in the various bodies around us4 ,and thus1 beginning with the simplest experiments of pushing and pulling1 ,i shall gradually proceed to distinguish these powers one from the other1 and compare the way in which they combine together4 ,this world upon which we stand 7and we have not much need to travel out of the world for illustrations of our subject2 but the mind of man is not confined like the matter of his body1 and thus he may and does travel outwards2 for wherever his sight can pierce1 there his observations can penetrate7 is pretty nearly a round globe1 having its surface disposed in a manner of which this terrestrial globe by my side is a rough model2 so much is land and so much is water1 and by looking at it here we see in a sort of map or picture how the world is formed upon its surface4 ,then1 when we come to examine further1 ,i refer you to this sectional diagram of the geological strata of the earth1 in which there is a more elaborate view of what is beneath the surface of our globe4 ,and when we come to dig into or examine it 7as man does for his own instruction and advantage1 in a variety of ways71 we see that it is made up of different kinds of matter1 subject to a very few powers1 and all disposed in this strange and wonderful way1 which gives to man a history--and such a history--as to what there is in those veins1 in those rocks1 the ores1 the water springs1 the atmosphere around1 and all varieties of material substances1 held together by means of forces in one great mass1 #h1jjj miles in diameter1 that the mind is overwhelmed in contemplation of the wonderful history related by these strata 7some of which are fine and thin like sheets of paper71--all formed in succession by the forces of which ,i have spoken4 ,i now shall try to help your attention to what ,i may say by directing1 to-day1 our thoughts to one kind of power4 ,you see what ,i mean by the term matter--any of these things that ,i can lay hold of with the hand1 or in a bag 7for ,i may take hold of the air by enclosing it in a bag7--they are all portions of matter with which we have to deal at present1 generally or particularly1 as ,i may require to illustrate my subject4 ,here is the sort of matter which we call water1--it is there ice pointing to a block of ice upon the table1 there water pointing to the water boiling in a flask1 here vapour--you see it issuing out from the top of the flask4 ,do not suppose that that ice and that water are two entirely different things1 or that the steam rising in bubbles and ascending in vapour there is absolutely different from the fluid water4 ,it may be different in some particulars1 having reference to the amounts of power which it contains2 but it is the same1 nevertheless1 as the great ocean of water around our globe1 and ,i employ it here for the sake of illustration1 because if we look into it we shall find that it supplies us with examples of all the powers to which ,i shall have to refer4 ,for instance1 here is water--it is heavy2 but let us examine it with regard to the amount of its heaviness1 or its gravity4 ,i have before me a little glass vessel and scales nearly equipoised scales1 one of which contained a half-pint glass vessel1 and the glass vessel is at present the lighter of the two2 but if ,i now take some water and pour it in1 you see that that side of the scales immediately goes down2 that shews you 7using common language1 which ,i will not suppose for the present you have hitherto applied very strictly7 that it is heavy3 and if ,i put this additional weight into the opposite scale1 ,i should not wonder if this vessel would hold water enough to weigh it down4 ,the ,lecturer poured more water into the jar1 which again went down4 ,why do ,i hold the bottle above the vessel to pour the water into it8 ,you will say1 because experience has taught me that it is necessary4 ,i do it for a better reason--because it is a law of nature that the water should fall towards the earth1 and therefore the very means which ,i use to cause the water to enter the vessel are those which will carry the whole body of water down4 ,that power is what we call gravity1 and you see there pointing to the scales a good deal of water gravitating towards the earth4 ,now here exhibiting a small piece of platinum#b is another thing which gravitates towards the earth as much as the whole of that water4 ,see what a little there is of it--that little thing is heavier than so much water placing the metal in opposite scales to the water4 ,what a wonderful thing it is to see that it requires so much water as that a half-pint vessel full to fall towards the earth1 compared with the little mass of substance ,i have here6 ,and again1 if ,i take this metal a bar of aluminium#c about eight times the bulk of the platinum1 we find the water will balance that as well as it did the platinum2 so that we get1 even in the very outset1 an example of what we want to understand by the words forces or powers4 ,i have spoken of water1 and first of all of its property of falling downwards4 ,you know very well how the oceans surround the globe--how they fall round the surface1 giving roundness to it1 clothing it like a garment2 but1 besides that1 there are other properties of water4 ,here1 for instance1 is some quick-lime1 and if ,i add some water to it1 you will find another power or property in the water4#d ,it is now very hot1 it is steaming up1 and ,i could perhaps light phosphorus or a lucifer match with it4 ,now1 that could not happen without a force in the water to produce the result2 but that force is entirely distinct from its power of falling to the earth4 ,again1 here is another substance some anhydrous sulphate of copper#e which will illustrate another kind of power4 ,the ,lecturer here poured some water over the white sulphate of copper1 which immediately became blue1 evolving considerable heat at the same time4 ,here is the same water1 with a substance which heats nearly as much as the lime does2 but see how differently4 ,so great indeed is this heat in the case of lime1 that it is sufficient sometimes 7as you see here7 to set wood on fire2 and this explains what we have sometimes heard1 of barges laden with quick-lime taking fire in the middle of the river1 in consequence of this power of heat brought into play by a leakage of the water into the barge4 ,you see how strangely different subjects for our consideration arise1 when we come to think over these various matters1--the power of heat evolved by acting upon lime with water1 and the power which water has of turning this salt of copper from white to blue4 ,i want you now to understand the nature of the most simple exertion of this power of matter called weight1 or gravity4 ,bodies are heavy--you saw that in the case of water when ,i placed it in the balance4 ,here ,i have what we call a weight an iron half cwt4--a thing called a weight1 because in it the exercise of that power of pressing downwards is especially used for the purposes of weighing2 and ,i have also one of these little inflated india-rubber bladders1 which are very beautiful although very common 7most beautiful things are common71 and ,i am going to put the weight upon it1 to give you a sort of illustration of the downward pressure of the iron1 and of the power which the air possesses of resisting that pressure4 ,it may burst1 but we must try to avoid that ,during the last few observations the ,lecturer had succeeded in placing the half cwt4 in a state of quiescence upon the inflated india-rubber ball1 which consequently assumed a shape very much resembling a flat cheese with round edges4 ,there you see a bubble of air bearing half a hundred weight1 and you must conceive for yourselves what a wonderful power there must be to pull this weight downwards1 to sink it thus in the ball of air4 ,illustration3 ,fig4 #a4 ,let me now give you another illustration of this power4 ,you know what a pendulum is4 ,i have one here 7fig4 #a71 and if ,i set it swinging1 it will continue to swing to and fro4 ,now1 ,i wonder whether you can tell me why that body oscillates to and fro--that pendulum bob as it is sometimes called4 ,observe1 if ,i hold the straight stick horizontally1 as high as the position of the balls at the two ends of its journey you see that the ball is in a higher position at the two extremities than it is when in the middle4 ,starting from one end of the stick1 the ball falls towards the centre2 and then rising again to the opposite end1 it constantly tries to fall to the lowest point1 swinging and vibrating most beautifully1 and with wonderful properties in other respects--the time of its vibration1 and so on--but concerning which we will not now trouble ourselves4 ,if a gold leaf1 or piece of thread1 or any other substance1 were hung where this ball is1 it would swing to and fro in the same manner1 and in the same time too4 ,do not be startled at this statement3 ,i repeat1 in the same manner and in the same time2 and you will see by and by how this is4 ,now1 that power which caused the water to descend in the balance--which made the iron weight press upon and flatten the bubble of air--which caused the swinging to and fro of the pendulum1--that power is entirely due to the attraction which there is between the falling body and the earth4 ,let us be slow and careful to comprehend this4 ,it is not that the earth has any particular attraction towards bodies which fall to it1 but1 that all these bodies possess an attraction1 every one towards the other4 ,it is not that the earth has any special power which these balls themselves have not2 for just as much power as the earth has to attract these two balls dropping two ivory balls1 just so much power have they in proportion to their bulks to draw themselves one to the other2 and the only reason why they fall so quickly to the earth is owing to its greater size4 ,now1 if ,i were to place these two balls near together1 ,i should not be able1 by the most delicate arrangement of apparatus1 to make you1 or myself1 sensible that these balls did attract one another3 and yet we know that such is the case1 because1 if instead of taking a small ivory ball1 we take a mountain1 and put a ball like this near it1 we find that1 owing to the vast size of the mountain1 as compared with the billiard ball1 the latter is drawn slightly towards it2 shewing clearly that an attraction does exist1 just as it did between the shell-lac which ,i rubbed and the piece of paper which was overturned by it4 ,now1 it is not very easy to make these things quite clear at the outset1 and ,i must take care not to leave anything unexplained as ,i proceed2 and1 therefore1 ,i must make you clearly understand that all bodies are attracted to the earth1 or1 to use a more learned term1 gravitate4 ,you will not mind my using this word2 for when ,i say that this penny-piece gravitates1 ,i mean nothing more nor less than that it falls towards the earth1 and if not intercepted1 it would go on falling1 falling1 until it arrived at what we call the centre of gravity of the earth1 which ,i will explain to you by and by4 ,illustration3 ,fig4 #b4 ,i want you to understand that this property of gravitation is never lost1 that every substance possesses it1 that there is never any change in the quantity of it2 and1 first of all1 ,i will take as illustration a piece of marble4 ,now this marble has weight--as you will see if ,i put it in these scales2 it weighs the balance down1 and if ,i take it off1 the balance goes back again and resumes its equilibrium4 ,i can decompose this marble and change it1 in the same manner as ,i can change ice into water and water into steam4 ,i can convert a part of it into its own steam easily1 and shew you that this steam from the marble has the property of remaining in the same place at common temperatures1 which water-steam has not4 ,if ,i add a little liquid to the marble1 and decompose it#f1 ,i get that which you see--the ,lecturer here put several lumps of marble into a glass jar1 and poured water and then acid over them2 the carbonic acid immediately commenced to escape with considerable effervescence--the appearance of boiling1 which is only the separation of one part of the marble from another4 ,now this marble steam1 and that water steam1 and all other steams gravitate1 just like any other substance does--they all are attracted the one towards the other1 and all fall towards the earth2 and what ,i want you to see is1 that this steam gravitates4 ,i have here 7fig4 #b7 a large vessel placed upon a balance1 and the moment ,i pour this steam into it1 you see that the steam gravitates4 ,just watch the index1 and see whether it tilts over or not4 ,the ,lecturer here poured the carbonic acid out of the glass in which it was being generated into the vessel suspended on the balance1 when the gravitation of the carbonic acid was at once apparent4 ,look how it is going down4 ,how pretty that is6 ,i poured nothing in but the invisible steam1 or vapour1 or gas which came from the marble1 but you see that part of the marble1 although it has taken the shape of air1 still gravitates as it did before4 ,now1 will it weigh down that bit of paper8 ,placing a piece of paper in the opposite scale4 ,yes1 more than that2 it nearly weighs down this bit of paper4 ,placing another piece of paper in4 ,and thus you see that other forms of matter besides solids and liquids tend to fall to the earth2 and1 therefore1 you will accept from me the fact--that all things gravitate1 whatever may be their form or condition4 ,now here is another chemical test which is very readily applied4 ,some of the carbonic acid was poured from one vessel into another1 and its presence in the latter shewn by introducing into it a lighted taper1 which was immediately extinguished4 ,you see from this result also that it gravitates4 ,all these experiments shew you that1 tried by the balance1 tried by pouring like water from one vessel to another1 this steam1 or vapour1 or gas1 is1 like all other things1 attracted to the earth4 ,illustration3 ,fig4 #c4 and ,fig4 #d4 ,there is another point ,i want in the next place to draw your attention to4 ,i have here a quantity of shot2 each of these falls separately1 and each has its own gravitating power1 as you perceive when ,i let them fall loosely on a sheet of paper4 ,if ,i put them into a bottle1 ,i collect them together as one mass2 and philosophers have discovered that there is a certain point in the middle of the whole collection of shots that may be considered as the one point in which all their gravitating power is centred1 and that point they call the centre of gravity3 it is not at all a bad name1 and rather a short one--the centre of gravity4 ,now suppose ,i take a sheet of pasteboard1 or any other thing easily dealt with1 and run a bradawl through it at one corner ,a 7fig4 #c71 and ,mr4 ,anderson hold that up in his hand before us1 and ,i then take a piece of thread and an ivory ball1 and hang that upon the awl--then the centre of gravity of both the pasteboard and the ball and string are as near as they can get to the centre of the earth2 that is to say1 the whole of the attracting power of the earth is1 as it were1 centred in a single point of the cardboard--and this point is exactly below the point of suspension4 ,all ,i have to do1 therefore1 is to draw a line1 ,a ,b1 corresponding with the string1 and we shall find that the centre of gravity is somewhere in that line4 ,but where8 ,to find that out1 all we have to do is to take another place for the awl 7fig4 #d71 hang the plumb-line1 and make the same experiment1 and there at the point ,c is the centre of gravity--there where the two lines which ,i have traced cross each other2 and if ,i take that pasteboard1 and make a hole with the bradawl through it at that point1 you will see that it will be supported in any position in which it may be placed4 ,now1 knowing that1 what do ,i do when ,i try to stand upon one leg8 ,do you not see that ,i push myself over to the left side1 and quietly take up the right leg1 and thus bring some central point in my body over this left leg4 ,what is that point which ,i throw over8 ,you will know at once that it is the centre of gravity--that point in me where the whole gravitating force of my body is centred1 and which ,i thus bring in a line over my foot4 ,illustration3 ,fig4 #e4 and ,fig4 #f4 ,here is a toy ,i happened to see the other day1 which will1 ,i think1 serve to illustrate our subject very well4 ,that toy ought to lie something in this manner 7fig4 #e72 and would do so if it were uniform in substance4 ,but you see it does not2 it will get up again4 ,and now philosophy comes to our aid2 and ,i am perfectly sure1 without looking inside the figure1 that there is some arrangement by which the centre of gravity is at the lowest point when the image is standing upright2 and we may be certain1 when ,i am tilting it over 7see fig4 #f71 that ,i am lifting up the centre of gravity 7a71 and raising it from the earth4 ,all this is effected by putting a piece of lead inside the lower part of the image1 and making the base of large curvature2 and there you have the whole secret4 ,but what will happen if ,i try to make the figure stand upon a sharp point8 ,you observe1 ,i must get that point exactly under the centre of gravity1 or it will fall over thus endeavouring unsuccessfully to balance it2 and this you see is a difficult matter--,i cannot make it stand steadily4 ,but if ,i embarrass this poor old lady with a world of trouble1 and hang this wire with bullets at each end about her neck1 it is very evident that1 owing to there being those balls of lead hanging down on either side1 in addition to the lead inside1 ,i have lowered the centre of gravity1 and now she will stand upon this point 7fig4 #g72 and what is more1 she proves the truth of our philosophy by standing sideways4 ,illustration3 ,fig4 #g4 ,illustration3 ,fig4 #h4 ,i remember an experiment which puzzled me very much when a boy4 ,i read it in a conjuring book1 and this was how the problem was put to us3 8,how10 as the book said1 8how to hang a pail of water1 by means of a stick1 upon the side of a table0 7fig4 #h74 ,now1 ,i have here a table1 a piece of stick1 and a pail1 and the proposition is1 how can that pail be hung to the edge of this table8 ,it is to be done2 and can you at all anticipate what arrangement ,i shall make to enable me to succeed8 ,why1 this4 ,i take a stick1 and put it in the pail between the bottom and the horizontal piece of wood1 and thus give it a stiff handle--and there it is2 and what is more1 the more water ,i put into the pail the better it will hang4 ,it is very true that before ,i quite succeeded ,i had the misfortune to push the bottoms of several pails out2 but here it is hanging firmly 7fig4 #i71 and you now see how you can hang up the pail in the way which the conjuring books require4 ,illustration3 ,fig4 #i4 ,again1 if you are really so inclined 7and ,i do hope all of you are71 you will find a great deal of philosophy in this holding up a cork and a pointed thin stick about a foot long4 ,do not refer to your toy-books1 and say you have seen that before4 ,answer me rather1 if ,i ask you have you understood it before8 ,it is an experiment which appeared very wonderful to me when ,i was a boy2 ,i used to take a piece of cork 7and ,i remember1 ,i thought at first that it was very important that it should be cut out in the shape of a man2 but by degrees ,i got rid of that idea71 and the problem was to balance it on the point of a stick4 ,now1 you will see ,i have only to place two sharp-pointed sticks one on each side1 and give it wings1 thus1 and you will find this beautiful condition fulfilled4 ,illustration3 ,fig4 #aj4 ,we come now to another point3--,all bodies1 whether heavy or light1 fall to the earth by this force which we call gravity4 ,by observation1 moreover1 we see that bodies do not occupy the same time in falling4 ,i think you will be able to see that this piece of paper and that ivory ball fall with different velocities to the table dropping them2 and if1 again1 ,i take a feather and an ivory ball1 and let them fall1 you see they reach the table or earth at different times--that is to say1 the ball falls faster than the feather4 ,now1 that should not be so1 for all bodies do fall equally fast to the earth4 ,there are one or two beautiful points included in that statement4 ,first of all1 it is manifest that an ounce1 or a pound1 or a ton1 or a thousand tons1 all fall equally fast1 no one faster than another3 here are two balls of lead1 a very light one and a very heavy one1 and you perceive they both fall to the earth in the same time4 ,now1 if ,i were to put into a little bag a number of these balls sufficient to make up a bulk equal to the large one1 they would also fall in the same time2 for if an avalanche fall from the mountains1 the rocks1 snow and ice1 together falling towards the earth1 fall with the same velocity1 whatever be their size4 ,i cannot take a better illustration of this than that of gold leaf1 because it brings before us the reason of this apparent difference in the time of the fall4 ,here is a piece of gold-leaf4 ,now1 if ,i take a lump of gold and this gold-leaf1 and let them fall through the air together1 you see that the lump of gold--the sovereign1 or coin--will fall much faster than the gold leaf4 ,but why8 ,they are both gold1 whether sovereign or gold-leaf4 ,why should they not fall to the earth with the same quickness8 ,they would do so1 but that the air around our globe interferes very much where we have the piece of gold so extended and enlarged as to offer much obstruction on falling through it4 ,i will1 however1 shew you that gold-leaf does fall as fast when the resistance of the air is excluded--for if ,i take a piece of gold-leaf and hang it in the centre of a bottle1 so that the gold1 and the bottle1 and the air within shall all have an equal chance of falling1 then the gold-leaf will fall as fast as anything else4 ,and if ,i suspend the bottle containing the gold-leaf to a string1 and set it oscillating like a pendulum1 ,i may make it vibrate as hard as ,i please1 and the gold-leaf will not be disturbed1 but will swing as steadily as a piece of iron would do2 and ,i might even swing it round my head with any degree of force1 and it would remain undisturbed4 ,or ,i can try another kind of experiment3--if ,i raise the gold-leaf in this way pulling the bottle up to the ceiling of the theatre by means of a cord and pulley1 and then suddenly letting it fall to within a few inches of the lecture-table1 and allow it then to fall from the ceiling downwards 7,i will put something beneath to catch it1 supposing ,i should be maladroit71 you will perceive that the gold-leaf is not in the least disturbed4 ,the resistance of the air having been avoided1 the glass bottle and gold-leaf all fall exactly in the same time4 ,here is another illustration1--,i have hung a piece of gold-leaf in the upper part of this long glass vessel1 and ,i have the means1 by a little arrangement at the top1 of letting the gold-leaf loose4 ,before we let it loose we will remove the air by means of an air pump1 and while that is being done1 let me shew you another experiment of the same kind4 ,take a penny-piece1 or a half-crown1 and a round piece of paper a trifle smaller in diameter than the coin1 and try them1 side by side1 to see whether they fall at the same time dropping them4 ,you see they do not--the penny-piece goes down first4 ,but1 now place this paper flat on the top of the coin1 so that it shall not meet with any resistance from the air1 and upon then dropping them you see they do both fall in the same time exhibiting the effect4 ,i dare say1 if ,i were to put this piece of gold-leaf1 instead of the paper1 on the coin1 it would do as well4 ,it is very difficult to lay the gold-leaf so flat that the air shall not get under it and lift it up in falling1 and ,i am rather doubtful as to the success of this1 because the gold-leaf is puckery2 but will risk the experiment4 ,there they go together6 letting them fall and you see at once that they both reach the table at the same moment4 ,we have now pumped the air out of the vessel1 and you will perceive that the gold-leaf will fall as quickly in this vacuum as the coin does in the air4 ,i am now going to let it loose1 and you must watch to see how rapidly it falls4 ,there6 letting the gold loose there it is1 falling as gold should fall4 ,i am sorry to see our time for parting is drawing so near4 ,as we proceed1 ,i intend to write upon the board behind me certain words1 so as to recall to your minds what we have already examined--and ,i put the word ,,forces as a heading2 and ,i will then add1 beneath1 the names of the special forces according to the order in which we consider them3 and although ,i fear that ,i have not sufficiently pointed out to you the more important circumstances connected with this force of ,,gravitation1 especially the law which governs its attraction 7for which1 ,i think1 ,i must take up a little time at our next meeting71 still ,i will put that word on the board1 and hope you will now remember that we have in some degree considered the force of gravitation--that force which causes all bodies to attract each other when they are at sensible distances apart1 and tends to draw them together4 ,,lecture ,,ii4 ,,gravitation--,,cohesion4 ,do me the favour to pay me as much attention as you did at our last meeting1 and ,i shall not repent of that which ,i have proposed to undertake4 ,it will be impossible for us to consider the ,laws of ,nature1 and what they effect1 unless we now and then give our sole attention1 so as to obtain a clear idea upon the subject4 ,give me now that attention1 and then1 ,i trust1 we shall not part without your knowing something about those ,laws1 and the manner in which they act4 ,you recollect1 upon the last occasion1 ,i explained that all bodies attracted each other1 and that this power we called gravitation4 ,i told you that when we brought these two bodies two equal sized ivory balls suspended by threads near together1 they attracted each other1 and that we might suppose that the whole power of this attraction was exerted between their respective centres of gravity2 and furthermore1 you learned from me1 that if1 instead of a small ball1 ,i took a larger one1 like that changing one of the balls for a much larger one1 there was much more of this attraction exerted2 or1 if ,i made this ball larger and larger1 until1 if it were possible1 it became as large as the ,earth itself--or1 ,i might take the ,earth itself as the large ball--that then the attraction would become so powerful as to cause them to rush together in this manner dropping the ivory ball4 ,you sit there upright1 and ,i stand upright here1 because we keep our centres of gravity properly balanced with respect to the earth2 and ,i need not tell you that on the other side of this world the people are standing and moving about with their feet towards our feet1 in a reversed position as compared with us1 and all by means of this power of gravitation to the centre of the earth4 ,i must not1 however1 leave the subject of gravitation1 without telling you something about its laws and regularity2 and first1 as regards its power with respect to the distance that bodies are apart4 ,if ,i take one of these balls and place it within an inch of the other1 they attract each other with a certain power4 ,if ,i hold it at a greater distance off1 they attract with less power2 and if ,i hold it at a greater distance still1 their attraction is still less4 ,now this fact is of the greatest consequence2 for1 knowing this law1 philosophers have discovered most wonderful things4 ,you know that there is a planet1 ,uranus1 revolving round the sun with us1 but eighteen hundred millions of miles off2 and because there is another planet as far off as three thousand millions of miles1 this law of attraction1 or gravitation1 still holds good--and philosophers actually discovered this latter planet1 ,neptune1 by reason of the effects of its attraction at this overwhelming distance4 ,now ,i want you clearly to understand what this law is4 ,they say 7and they are right7 that two bodies attract each other inversely as the square of the distance--a sad jumble of words until you understand them2 but ,i think we shall soon comprehend what this law is1 and what is the meaning of the 8inverse square of the distance40 ,illustration3 ,fig4 #aa4 ,i have here 7fig4 #aa7 a lamp ,a1 shining most intensely upon this disc1 ,b1 ,c1 ,d2 and this light acts as a sun by which ,i can get a shadow from this little screen1 ,b ,f 7merely a square piece of card71 which1 as you know1 when ,i place it close to the large screen1 just shadows as much of it as is exactly equal to its own size4 ,but now let me take this card ,e1 which is equal to the other one in size1 and place it midway between the lamp and the screen3 now look at the size of the shadow ,b ,d--it is four times the original size4 ,here1 then1 comes the 8inverse square of the distance40 ,this distance1 ,a ,e1 is one1 and that distance1 ,a ,b1 is two2 but that size ,e being one1 this size ,b ,d of shadow is four instead of two1 which is the square of the distance2 and1 if ,i put the screen at one-third of the distance from the lamp1 the shadow on the large screen would be nine times the size4 ,again1 if ,i hold this screen here1 at ,b ,f1 a certain amount of light falls on it2 and if ,i hold it nearer the lamp at ,e1 more light shines upon it4 ,and you see at once how much--exactly the quantity which ,i have shut off from the part of this screen1 ,b ,d1 now in shadow2 moreover1 you see that if ,i put a single screen here1 at ,g1 by the side of the shadow1 it can only receive one-fourth of the proportion of light which is obstructed4 ,that1 then1 is what is meant by the inverse of the square of the distance4 ,this screen ,e is the brightest1 because it is the nearest2 and there is the whole secret of this curious expression1 inversely as the square of the distance4 ,now1 if you cannot perfectly recollect this when you go home1 get a candle and throw a shadow of something--your profile1 if you like--on the wall1 and then recede or advance1 and you will find that your shadow is exactly in proportion to the square of the distance you are off the wall2 and then if you consider how much light shines on you at one distance1 and how much at another1 you get the inverse accordingly4 ,so it is as regards the attraction of these two balls--they attract according to the square of the distance1 inversely4 ,i want you to try and remember these words1 and then you will be able to go into all the calculations of astronomers as to the planets and other bodies1 and tell why they move so fast1 and why they go round the sun without falling into it1 and be prepared to enter upon many other interesting inquiries of the like nature4 ,let us now leave this subject which ,i have written upon the board under the word ,,force--,,gravitation--and go a step further4 ,all bodies attract each other at sensible distances4 ,i shewed you the electric attraction on the last occasion 7though ,i did not call it so72 that attracts at a distance3 and in order to make our progress a little more gradual1 suppose ,i take a few iron particles dropping some small fragments of iron on the table4 ,there1 ,i have already told you that in all cases where bodies fall1 it is the particles that are attracted4 ,you may consider these then as separate particles magnified1 so as to be evident to your sight2 they are loose from each other--they all gravitate--they all fall to the earth--for the force of gravitation never fails4 ,now1 ,i have here a centre of power which ,i will not name at present1 and when these particles are placed upon it1 see what an attraction they have for each other4 ,illustration3 ,fig4 #ab4 ,here ,i have an arch of iron filings 7fig4 #ab7 regularly built up like an iron bridge1 because ,i have put them within a sphere of action which will cause them to attract each other4 ,see6--,i could let a mouse run through it1 and yet if ,i try to do the same thing with them here on the table1 they do not attract each other at all4 ,it is that the magnet which makes them hold together4 ,now1 just as these iron particles hold together in the form of an elliptical bridge1 so do the different particles of iron which constitute this nail hold together and make it one4 ,and here is a bar of iron--why1 it is only because the different parts of this iron are so wrought as to keep close together by the attraction between the particles that it is held together in one mass4 ,it is kept together1 in fact1 merely by the attraction of one particle to another1 and that is the point ,i want now to illustrate4 ,if ,i take a piece of flint and strike it with a hammer1 and break it thus breaking off a piece of the flint1 ,i have done nothing more than separate the particles which compose these two pieces so far apart1 that their attraction is too weak to cause them to hold together1 and it is only for that reason that there are now two pieces in the place of one4 ,i will shew you an experiment to prove that this attraction does still exist in those particles1 for here is a piece of glass 7for what was true of the flint and the bar of iron is true of the piece of glass1 and is true of every other solid--they are all held together in the lump by the attraction between their parts71 and ,i can shew you the attraction between its separate particles2 for if ,i take these portions of glass1 which ,i have reduced to very fine powder1 you see that ,i can actually build them up into a solid wall by pressure between two flat surfaces4 ,the power which ,i thus have of building up this wall is due to the attraction of the particles1 forming as it were the cement which holds them together2 and so in this case1 where ,i have taken no very great pains to bring the particles together1 you see perhaps a couple of ounces of finely-pounded glass standing as an upright wall4 ,is not this attraction most wonderful8 ,that bar of iron one inch square has such power of attraction in its particles--giving to it such strength--that it will hold up twenty tons weight before the little set of particles in the small space1 equal to one division across which it can be pulled apart1 will separate4 ,in this manner suspension bridges and chains are held together by the attraction of their particles2 and ,i am going to make an experiment which will shew how strong is this attraction of the particles4 ,the ,lecturer here placed his foot on a loop of wire fastened to a support above1 and swung with his whole weight resting upon it for some moments4 ,you see while hanging here all my weight is supported by these little particles of the wire1 just as in pantomimes they sometimes suspend gentlemen and damsels4 ,how can we make this attraction of the particles a little more simple8 ,there are many things which if brought together properly will shew this attraction4 ,here is a boy's experiment 7and ,i like a boy's experiment74 ,get a tobacco-pipe1 fill it with lead1 melt it1 and then pour it out upon a stone1 and thus get a clean piece of lead 7this is a better plan than scraping it--scraping alters the condition of the surface of the lead74 ,i have here some pieces of lead which ,i melted this morning for the sake of making them clean4 ,now these pieces of lead hang together by the attraction of their particles2 and if ,i press these two separate pieces close together1 so as to bring their particles within the sphere of attraction1 you will see how soon they become one4 ,i have merely to give them a good squeeze1 and draw the upper piece slightly round at the same time1 and here they are as one1 and all the bending and twisting ,i can give them will not separate them again3 ,i have joined the lead together1 not with solder1 but simply by means of the attraction of the particles4 ,this1 however1 is not the best way of bringing those particles together--we have many better plans than that2 and ,i will shew you one that will do very well for juvenile experiments4 ,there is some alum crystallised very beautifully by nature 7for all things are far more beautiful in their natural than their artificial form71 and here ,i have some of the same alum broken into fine powder4 ,in it ,i have destroyed that force of which ,i have placed the name on this board--,,cohesion1 or the attraction exerted between the particles of bodies to hold them together4 ,now ,i am going to shew you that if we take this powdered alum and some hot water1 and mix them together1 ,i shall dissolve the alum--all the particles will be separated by the water far more completely than they are here in the powder2 but then1 being in the water1 they will have the opportunity as it cools 7for that is the condition which favours their coalescence7 of uniting together again and forming one mass4#g ,now1 having brought the alum into solution1 ,i will pour it into this glass basin1 and you will1 to-morrow1 find that those particles of alum which ,i have put into the water1 and so separated that they are no longer solid1 will1 as the water cools1 come together and cohere1 and by to-morrow morning we shall have a great deal of the alum crystallised out--that is to say1 come back to the solid form4 ,the ,lecturer here poured a little of the hot solution of alum into the glass dish1 and when the latter had thus been made warm1 the remainder of the solution was added4 ,i am now doing that which ,i advise you to do if you use a glass vessel1 namely1 warming it slowly and gradually2 and in repeating this experiment1 do as ,i do--pour the liquid out gently1 leaving all the dirt behind in the basin3 and remember that the more carefully and quietly you make this experiment at home1 the better the crystals4 ,to-morrow you will see the particles of alum drawn together2 and if ,i put two pieces of coke in some part of the solution 7the coke ought first to be washed very clean1 and dried71 you will find to-morrow that we shall have a beautiful crystallisation over the coke1 making it exactly resemble a natural mineral4 ,now1 how curiously our ideas expand by watching these conditions of the attraction of cohesion6--how many new phenomena it gives us beyond those of the attraction of gravitation6 ,see how it gives us great strength4 ,the things we deal with in building up the structures on the earth are of strength 7we use iron1 stone1 and other things of great strength72 and only think that all those structures you have about you--think of the 8,great ,eastern10 if you please1 which is of such size and power as to be almost more than man can manage--are the result of this power of cohesion and attraction4 ,i have here a body in which ,i believe you will see a change taking place in its condition of cohesion at the moment it is made4 ,it is at first yellow1 it then becomes a fine crimson red4 ,just watch when ,i pour these two liquids together--both colourless as water4 ,the ,lecturer here mixed together solutions of perchloride of mercury and iodide of potassium1 when a yellow precipitate of biniodide of mercury fell down1 which almost immediately became crimson red4 ,now1 there is a substance which is very beautiful1 but see how it is changing colour4 ,it was reddish-yellow at first1 but it has now become red4#h ,i have previously prepared a little of this red substance1 which you see formed in the liquid1 and have put some of it upon paper4 ,exhibiting several sheets of paper coated with scarlet biniodide of mercury4#i ,there it is--the same substance spread upon paper2 and there1 too1 is the same substance2 and here is some more of it exhibiting a piece of paper as large as the other sheets1 but having only very little red colour on it1 the greater part being yellow1 a little more of it1 you will say4 ,do not be mistaken2 there is as much upon the surface of one of these pieces of paper as upon the other4 ,what you see yellow is the same thing as the red body1 only the attraction of cohesion is in a certain degree changed2 for ,i will take this red body1 and apply heat to it 7you may perhaps see a little smoke arise1 but that is of no consequence71 and if you look at it1 it will first of all darken--but see1 how it is becoming yellow4 ,i have now made it all yellow1 and what is more1 it will remain so2 but if ,i take any hard substance1 and rub the yellow part with it1 it will immediately go back again to the red condition4 ,exhibiting the experiment4 ,there it is4 ,you see the red is not put back1 but brought back by the change in the substance4 ,now warming it over the spirit lamp here it is becoming yellow again1 and that is all because its attraction of cohesion is changed4 ,and what will you say to me when ,i tell you that this piece of common charcoal is just the same thing1 only differently calesced1 as the diamonds which you wear8 7,i have put a specimen outside of a piece of straw which was charred in a particular way--it is just like black lead47 ,now1 this charred straw1 this charcoal1 and these diamonds1 are all of them the same substance1 changed but in their properties as respects the force of cohesion4 ,here is a piece of glass producing a piece of plate-glass about two inches square--7,i shall want this afterwards to look to and examine its internal condition7--and here is some of the same sort of glass differing only in its power of cohesion1 because while yet melted it has been dropped into cold water exhibiting a 8,prince ,rupert's drop04#aj 7fig4 #ac72 and if ,i take one of these little tear-like pieces and break off ever so little from the point1 the whole will at once burst and fall to pieces4 ,i will now break off a piece of this4 ,the ,lecturer nipped off a small piece from the end of one of the ,rupert's drops1 whereupon the whole immediately fell to pieces4 ,there6 you see the solid glass has suddenly become powder--and more than that1 it has knocked a hole in the glass vessel in which it was held4 ,i can shew the effect better in this bottle of water2 and it is very likely the whole bottle will go4 ,a #f-oz4 vial was filled with water1 and a ,rupert's drop placed in it1 with the point of the tail just projecting out2 upon breaking the tip off1 the drop burst1 and the shock being transmitted through the water to the sides of the bottle1 shattered the latter to pieces4 ,here is another form of the same kind of experiment4 ,i have here some more glass which has not been annealed showing some thick glass vessels#aa 7fig4 #ad71 and if ,i take one of these glass vessels and drop a piece of pounded glass into it 7or ,i will take some of these small pieces of rock crystal--they have the advantage of being harder than glass71 and so make the least scratch upon the inside1 the whole bottle will break to pieces1--it cannot hold together4 ,the ,lecturer here dropped a small fragment of rock crystal into one of these glass vessels1 when the bottom immediately came out and fell upon the plate4 ,there6 it goes through1 just as it would through a sieve4 ,illustration3 ,fig4 #ac4 and ,fig4 #ad4 ,now1 ,i have shewn you these things for the purpose of bringing your minds to see that bodies are not merely held together by this power of cohesion1 but that they are held together in very curious ways4 ,and suppose ,i take some things that are held together by this force1 and examine them more minutely4 ,i will first take a bit of glass1 and if ,i give it a blow with a hammer1 ,i shall just break it to pieces4 ,you saw how it was in the case of the flint when ,i broke the piece off2 a piece of a similar kind would come off1 just as you would expect2 and if ,i were to break it up still more1 it would be as you have seen1 simply a collection of small particles of no definite shape or form4 ,but supposing ,i take some other thing1 this stone for instance 7fig4 #ae7 taking a piece of mica#ab1 and if ,i hammer this stone1 ,i may batter it a great deal before ,i can break it up4 ,i may even bend it without breaking it2 that is to say1 ,i may bend it in one particular direction without breaking it much1 although ,i feel in my hands that ,i am doing it some injury4 ,but now1 if ,i take it by the edges1 ,i find that it breaks up into leaf after leaf in a most extraordinary manner4 ,why should it break up like that8 ,not because all stones do1 or all crystals2 for there is some salt 7fig4 #af7--you know what common salt is#ac3 here is a piece of this salt which by natural circumstances has had its particles so brought together that they have been allowed free opportunity of combining or coalescing2 and you shall see what happens if ,i take this piece of salt and break it4 ,it does not break as flint did1 or as the mica did1 but with a clean sharp angle and exact surfaces1 beautiful and glittering as diamonds breaking it by gentle blows with a hammer2 there is a square prism which ,i may break up into a square cube4 ,you see these fragments are all square--one side may be longer than the other1 but they will only split up so as to form square or oblong pieces with cubical sides4 ,now1 ,i go a little further1 and ,i find another stone 7fig4 #ag7 ,iceland1 or calc-spar#ad1 which ,i may break in a similar way1 but not with the same result4 ,here is a piece which ,i have broken off1 and you see there are plain surfaces perfectly regular with respect to each other2 but it is not cubical--it is what we call a rhomboid4 ,it still breaks in three directions most beautifully and regularly1 with polished surfaces1 but with sloping sides1 not like the salt4 ,why not8 ,it is very manifest that this is owing to the attraction of the particles1 one for the other1 being less in the direction in which they give way than in other directions4 ,i have on the table before me a number of little bits of calcareous spar1 and ,i recommend each of you to take a piece home1 and then you can take a knife and try to divide it in the direction of any of the surfaces already existing4 ,you will be able to do it at once2 but if you try to cut it across the crystals1 you cannot--by hammering1 you may bruise and break it up--but you can only divide it into these beautiful little rhomboids4 ,illustration3 ,fig4 #ae4 ,illustration3 ,fig4 #af4 and ,fig4 #ag4 ,now ,i want you to understand a little more how this is--and for this purpose ,i am going to use the electric light again4 ,you see1 we cannot look into the middle of a body like this piece of glass4 ,we perceive the outside form1 and the inside form1 and we look through it2 but we cannot well find out how these forms become so3 and ,i want you1 therefore1 to take a lesson in the way in which we use a ray of light for the purpose of seeing what is in the interior of bodies4 ,light is a thing which is1 so to say1 attracted by every substance that gravitates 7and we do not know anything that does not74 ,all matter affects light more or less by what we may consider as a kind of attraction1 and ,i have arranged 7fig4 #ah7 a very simple experiment upon the floor of the room for the purpose of illustrating this4 ,i have put into that basin a few things which those who are in the body of the theatre will not be able to see1 and ,i am going to make use of this power1 which matter possesses1 of attracting a ray of light4 ,if ,mr4 ,anderson pours some water1 gently and steadily1 into the basin1 the water will attract the rays of light downwards1 and the piece of silver and the sealing-wax will appear to rise up into the sight of those who were before not high enough to see over the side of the basin to its bottom4 ,mr4 ,anderson here poured water into the basin1 and upon the ,lecturer asking whether any body could see the silver and sealing-wax1 he was answered by a general affirmative4 ,now1 ,i suppose that everybody can see that they are not at all disturbed1 whilst from the way they appear to have risen up1 you would imagine the bottom of the basin and the articles in it were two inches thick1 although they are only one of our small silver dishes and a piece of sealing-wax which ,i have put there4 ,the light which now goes to you from that piece of silver was obstructed by the edge of the basin1 when there was no water there1 and you were unable to see anything of it2 but when we poured in water1 the rays were attracted down by it1 over the edge of the basin1 and you were thus enabled to see the articles at the bottom4 ,illustration3 ,fig4 #ah4 and ,fig4 #ai4 ,i have shewn you this experiment first1 so that you might understand how glass attracts light1 and might then see how other substances1 like rock-salt and calcareous spar1 mica1 and other stones1 would affect the light2 and1 if ,dr4 ,tyndall will be good enough to let us use his light again1 we will first of all shew you how it may be bent by a piece of glass 7fig4 #ai74 ,the electric lamp was again lit1 and the beam of parallel rays of light which it emitted was bent about and decomposed by means of the prism4 ,now1 here you see1 if ,i send the light through this piece of plain glass1 ,a1 it goes straight through1 without being bent1 unless the glass be held obliquely1 and then the phenomenon becomes more complicated2 but if ,i take this piece of glass1 ,b a prism1 you see it will shew a very different effect4 ,it no longer goes to that wall1 but it is bent to this screen1 ,c2 and how much more beautiful it is now throwing the prismatic spectrum on the screen4 ,this ray of light is bent out of its course by the attraction of the glass upon it4 ,and you see ,i can turn and twist the rays to and fro1 in different parts of the room1 just as ,i please4 ,now it goes there1 now here4 ,the ,lecturer projected the prismatic spectrum about the theatre4 ,here ,i have the rays once more bent on to the screen1 and you see how wonderfully and beautifully that piece of glass not only bends the light by virtue of its attraction1 but actually splits it up into different colours4 ,now1 ,i want you to understand that this piece of glass the prism being perfectly uniform in its internal structure1 tells us about the action of these other bodies which are not uniform--which do not merely cohere1 but also have within them1 in different parts1 different degrees of cohesion1 and thus attract and bend the light with varying powers4 ,we will now let the light pass through one or two of these things which ,i just now shewed you broke so curiously2 and1 first of all1 ,i will take a piece of mica4 ,here1 you see1 is our ray of light4 ,we have first to make it what we call polarised2 but about that you need not trouble yourselves--it is only to make our illustration more clear4 ,here1 then1 we have our polarised ray of light1 and ,i can so adjust it as to make the screen upon which it is shining either light or dark1 although ,i have nothing in the course of this ray of light but what is perfectly transparent turning the analyser round4 ,i will now make it so that it is quite dark2 and we will1 in the first instance1 put a piece of common glass into the polarised ray1 so as to shew you that it does not enable the light to get through4 ,you see the screen remains dark4 ,the glass then1 internally1 has no effect upon the light4 ,the glass was removed1 and a piece of mica introduced4 ,now1 there is the mica which we split up so curiously into leaf after leaf1 and see how that enables the light to pass through to the screen1 and how1 as ,dr4 ,tyndall turns it round in his hand1 you have those different colours1 pink1 and purple1 and green1 coming and going most beautifully--not that the mica is more transparent than the glass1 but because of the different manner in which its particles are arranged by the force of cohesion4 ,illustration3 ,fig4 #bj4 ,now we will see how calcareous spar acts upon this light1--that stone which split up into rhombs1 and of which you are each of you going to take a little piece home4 ,the mica was removed1 and a piece of calc-spar introduced at ,a4 ,see how that turns the light round and round1 and produces these rings and that black cross 7fig4 #bj74 ,look at those colours--are they not most beautiful for you and for me8--for ,i enjoy these things as much as you do4 ,in what a wonderful manner they open out to us the internal arrangement of the particles of this calcareous spar by the force of cohesion4 ,and now ,i will shew you another experiment4 ,here is that piece of glass which before had no action upon the light4 ,you shall see what it will do when we apply pressure to it4 ,here1 then1 we have our ray of polarised light1 and ,i will first of all shew you that the glass has no effect upon it in its ordinary state1--when ,i place it in the course of the light1 the screen still remains dark4 ,now1 ,dr4 ,tyndall will press that bit of glass between three little points1 one point against two1 so as to bring a strain upon the parts1 and you will see what a curious effect that has4 ,upon the screen two white dots gradually appeared4 ,ah6 these points shew the position of the strain--in these parts the force of cohesion is being exerted in a different degree to what it is in the other parts1 and hence it allows the light to pass through4 ,how beautiful that is--how it makes the light come through some parts1 and leaves it dark in others1 and all because we weaken the force of cohesion between particle and particle4 ,whether you have this mechanical power of straining1 or whether we take other means1 we get the same result2 and1 indeed1 ,i will shew you by another experiment that if we heat the glass in one part1 it will alter its internal structure1 and produce a similar effect4 ,here is a piece of common glass1 and if ,i insert this in the path of the polarised ray1 ,i believe it will do nothing4 ,there is the common glass introducing it--no light passes through--the screen remains quite dark2 but ,i am going to warm this glass in the lamp1 and you know yourselves that when you pour warm water upon glass you put a strain upon it sufficient to break it sometimes--something like there was in the case of the ,prince ,rupert's drops4 ,the glass was warmed in the spirit-lamp1 and again placed across the ray of light4 ,now you see how beautifully the light goes through those parts which are hot1 making dark and light lines just as the crystal did1 and all because of the alteration ,i have effected in its internal condition2 for these dark and light parts are a proof of the presence of forces acting and dragging in different directions within the solid mass4 ,,lecture ,,iii4 ,,cohesion--,,chemical ,,affinity4 ,we will first return for a few minutes to one of the experiments made yesterday4 ,you remember what we put together on that occasion--powdered alum and warm water2 here is one of the basins then used4 ,nothing has been done to it since2 but you will find on examining it1 that it no longer contains any powder1 but a multitude of beautiful crystals4 ,here also are the pieces of coke which ,i put into the other basin--they have a fine mass of crystals about them4 ,that other basin ,i will leave as it is4 ,i will not pour the water from it1 because it will shew you that the particles of alum have done something more than merely crystallise together4 ,they have pushed the dirty matter from them1 laying it around the outside or outer edge of the lower crystals--squeezed out as it were by the strong attraction which the particles of alum have for each other4 ,and now for another experiment4 ,we have already gained a knowledge of the manner in which the particles of bodies--of solid bodies--attract each other1 and we have learnt that it makes calcareous spar1 alum1 and so forth1 crystallise in these regular forms4 ,now1 let me gradually lead your minds to a knowledge of the means we possess of making this attraction alter a little in its force2 either of increasing1 or diminishing1 or apparently of destroying it altogether4 ,i will take this piece of iron a rod of iron about two feet long1 and a quarter of an inch in diameter1 it has at present a great deal of strength1 due to its attraction of cohesion2 but if ,mr4 ,anderson will make part of this red-hot in the fire1 we shall then find that it will become soft1 just as sealing-wax will when heated1 and we shall also find that the more it is heated the softer it becomes4 ,ah6 but what does soft mean8 ,why1 that the attraction between the particles is so weakened that it is no longer sufficient to resist the power we bring to bear upon it4 ,mr4 ,anderson handed to the ,lecturer the iron rod1 with one end red-hot1 which he shewed could be easily twisted about with a pair of pliers4 ,you see1 ,i now find no difficulty in bending this end about as ,i like2 whereas ,i cannot bend the cold part at all4 ,and you know how the smith takes a piece of iron and heats it1 in order to render it soft for his purpose3 he acts upon our principle of lessening the adhesion of the particles1 although he is not exactly acquainted with the terms by which we express it4 ,and now we have another point to examine2 and this water is again a very good substance to take as an illustration 7as philosophers we call it all water1 even though it be in the form of ice or steam74 ,why is this water hard8 pointing to a block of ice because the attraction of the particles to each other is sufficient to make them retain their places in opposition to force applied to it4 ,but what happens when we make the ice warm8 ,why1 in that case we diminish to such a large extent the power of attraction that the solid substance is destroyed altogether4 ,let me illustrate this3 ,i will take a red-hot ball of iron ,mr4 ,anderson1 by means of a pair of tongs1 handed to the ,lecturer a red-hot ball of iron1 about two inches in diameter1 because it will serve as a convenient source of heat placing the red-hot iron in the centre of the block of ice4 ,you see ,i am now melting the ice where the iron touches it4 ,you see the iron sinking into it1 and while part of the solid water is becoming liquid1 the heat of the ball is rapidly going off4 ,a certain part of the water is actually rising in steam--the attraction of some of the particles is so much diminished that they cannot even hold together in the liquid form1 but escape as vapour4 ,at the same time1 you see ,i cannot melt all this ice by the heat contained in this ball4 ,in the course of a very short time ,i shall find it will have become quite cold4 ,here is the water which we have produced by destroying some of the attraction which existed between the particles of the ice1--for below a certain temperature the particles of water increase in their mutual attraction1 and become ice2 and above a certain temperature the attraction decreases1 and the water becomes steam4 ,and exactly the same thing happens with platinum1 and nearly every substance in nature2 if the temperature is increased to a certain point1 it becomes liquid1 and a further increase converts it into a gas4 ,is it not a glorious thing for us to look at the sea1 the rivers1 and so forth1 and to know that this same body in the northern regions is all solid ice and icebergs1 while here1 in a warmer climate1 it has its attraction of cohesion so much diminished as to be liquid water4 ,well1 in diminishing this force of attraction between the particles of ice1 we made use of another force1 namely1 that of heat2 and ,i want you now to understand that this force of heat is always concerned when water passes from the solid to the liquid state4 ,if ,i melt ice in other ways1 ,i cannot do without heat 7for we have the means of making ice liquid without heat2 that is to say1 without using heat as a direct cause74 ,suppose1 for illustration1 ,i make a vessel out of this piece of tinfoil bending the foil up into the shape of a dish4 ,i am making it metallic1 because ,i want the heat which ,i am about to deal with to pass readily through it2 and ,i am going to pour a little water on this board1 and then place the tin vessel on it4 ,now if ,i put some of this ice into the metal dish1 and then proceed to make it liquid by any of the various means we have at our command1 it still must take the necessary quantity of heat from something1 and in this case it will take the heat from the tray1 and from the water underneath1 and from the other things round about4 ,well1 a little salt added to the ice has the power of causing it to melt1 and we shall very shortly see the mixture become quite fluid1 and you will then find that the water beneath will be frozen--frozen1 because it has been forced to give up that heat which is necessary to keep it in the liquid state1 to the ice on becoming liquid4 ,i remember once1 when ,i was a boy1 hearing of a trick in a country alehouse2 the point was how to melt ice in a quart-pot by the fire1 and freeze it to the stool4 ,well1 the way they did it was this3 they put some pounded ice in a pewter pot and added some salt to it1 and the consequence was1 that when the salt was mixed with it1 the ice in the pot melted 7they did not tell me anything about the salt1 and they set the pot by the fire1 just to make the result more mysterious71 and in a short time the pot and the stool were frozen together1 as we shall very shortly find it to be the case here4 ,and all because salt has the power of lessening the attraction between the particles of ice4 ,here you see the tin dish is frozen to the board--,i can even lift this little stool up by it4 ,illustration3 ,fig4 #ba4 ,this experiment cannot1 ,i think1 fail to impress upon your minds the fact1 that whenever a solid body loses some of that force of attraction by means of which it remains solid1 heat is absorbed2 and if1 on the other hand1 we convert a liquid into a solid1 e4g41 water into ice1 a corresponding amount of heat is given out4 ,i have an experiment shewing this to be the case4 ,here 7fig4 #ba7 is a bulb1 ,a1 filled with air1 the tube from which dips into some coloured liquid in the vessel ,b4 ,and ,i dare say you know that if ,i put my hand on the bulb ,a1 and warm it1 the coloured liquid which is now standing in the tube at ,c will travel forward4 ,now we have discovered a means1 by great care and research into the properties of various bodies1 of preparing a solution of a salt#ae which1 if shaken or disturbed1 will at once become a solid2 and as ,i explained to you just now 7for what is true of water is true of every other liquid71 by reason of its becoming solid1 heat is evolved1 and ,i can make this evident to you by pouring it over this bulb2--there6 it is becoming solid1 and look at the coloured liquid1 how it is being driven down the tube1 and how it is bubbling out through the water at the end2 and so we learn this beautiful law of our philosophy1 that whenever we diminish the attraction of cohesion1 we absorb heat--and whenever we increase that attraction1 heat is evolved4 ,this1 then1 is a great step in advance1 for you have learned a great deal in addition to the mere circumstance that particles attract each other4 ,but you must not now suppose that because they are liquid they have lost their attraction of cohesion2 for here is the fluid mercury1 and if ,i pour it from one vessel into another1 ,i find that it will form a stream from the bottle down to the glass--a continuous rod of fluid mercury1 the particles of which have attraction sufficient to make them hold together all the way through the air down to the glass itself2 and if ,i pour water quietly from a jug1 ,i can cause it to run in a continuous stream in the same manner4 ,again1 let me put a little water on this piece of plate-glass1 and then take another plate of glass and put it on the water2 there6 the upper plate is quite free to move1 gliding about on the lower one from side to side2 and yet1 if ,i take hold of the upper plate and lift it up straight1 the cohesion is so great that the lower one is held up by it4 ,see how it runs about as ,i move the upper one6 and this is all owing to the strong attraction of the particles of the water4 ,let me shew you another experiment4 ,if ,i take a little soap and water--not that the soap makes the particles of the water more adhesive one for the other but it certainly has the power of continuing in a better manner the attraction of the particles 7and let me advise you1 when about to experiment with soap-bubbles1 to take care to have everything clean and soapy74 ,i will now blow a bubble2 and that ,i may be able to talk and blow a bubble too1 ,i will take a plate with a little of the soapsuds in it1 and will just soap the edges of the pipe1 and blow a bubble on to the plate4 ,now1 there is our bubble4 ,why does it hold together in this manner8 ,why1 because the water of which it is composed has an attraction of particle for particle1--so great1 indeed1 that it gives to this bubble the very power of an india-rubber ball2 for you see1 if ,i introduce one end of this glass tube into the bubble1 that it has the power of contracting so powerfully as to force enough air through the tube to blow out a light 7fig4 #bb7--the light is blown out4 ,and look6 see how the bubble is disappearing1 see how it is getting smaller and smaller4 ,illustration3 ,fig4 #bb4 and ,fig4 #bc4 ,there are twenty other experiments ,i might shew you to illustrate this power of cohesion of the particles of liquids4 ,for instance1 what would you propose to me if1 having lost the stopper out of this alcohol bottle1 ,i should want to close it speedily with something near at hand4 ,well1 a bit of paper would not do1 but a piece of linen cloth would1 or some of this cotton wool which ,i have here4 ,i will put a tuft of it into the neck of the alcohol bottle1 and you see1 when ,i turn it upside down1 that it is perfectly well stoppered1 so far as the alcohol is concerned2 the air can pass through1 but the alcohol cannot4 ,and if ,i were to take an oil vessel1 this plan would do equally well1 for in former times they used to send us oil from ,italy in flasks stoppered only with cotton wool 7at the present time the cotton is put in after the oil has arrived here1 but formerly it used to be sent so stoppered74 ,now1 if it were not for the particles of liquid cohering together1 this alcohol would run out2 and if ,i had time1 ,i could have shewn you a vessel with the top1 bottom1 and sides altogether formed like a sieve1 and yet it would hold water1 owing to this cohesion4 ,you have now seen that the solid water can become fluid by the addition of heat1 owing to this lessening the attractive force between its particles1 and yet you see that there is a good deal of attractive force remaining behind4 ,i want now to take you another step beyond4 ,we saw that if we continued applying heat to the water 7as indeed happened with our piece of ice here71 that we did at last break up that attraction which holds the liquid together2 and ,i am about to take some ether 7any other liquid would do1 but ether makes a better experiment for my purpose71 in order to illustrate what will happen when this cohesion is broken up4 ,now1 this liquid ether1 if exposed to a very low temperature1 will become a solid2 but if we apply heat to it1 it becomes vapour1 and ,i want to shew you the enormous bulk of the substance in this new form--when we make ice into water1 we lessen its bulk1 but when we convert water into steam1 we increase it to an enormous extent4 ,you see it is very clear that as ,i apply heat to the liquid ,i diminish its attraction of cohesion--it is now boiling1 and ,i will set fire to the vapour1 so that you may be enabled to judge of the space occupied by the ether in this form by the size of its flame1 and you now see what an enormously bulky flame ,i get from that small volume of ether below4 ,the heat from the spirit-lamp is now being consumed1 not in making the ether any warmer1 but in converting it into vapour2 and if ,i desired to catch this vapour and condense it 7as ,i could without much difficulty71 ,i should have to do the same as if ,i wished to convert steam into water and water into ice3 in either case it would be necessary to increase the attraction of the particles1 by cold or otherwise4 ,so largely is the bulk occupied by the particles increased by giving them this diminished attraction1 that if ,i were to take a portion of water a cubic inch in bulk 7,a1 fig4 #bc7 ,i should produce a volume of steam of that size1 ,b #agjj cubic inches2 nearly a cubic foot1 so greatly is the attraction of cohesion diminished by heat2 and yet it still remains water4 ,you can easily imagine the consequences which are due to this change in volume by heat--the mighty powers of steam and the tremendous explosions which are sometimes produced by this force of water4 ,i want you now to see another experiment1 which will perhaps give you a better illustration of the bulk occupied by a body when in the state of vapour4 ,here is a substance which we call iodine1 and ,i am about to submit this solid body to the same kind of condition as regards heat that ,i did the water and the ether putting a few grains of iodine into a hot glass globe1 which immediately became filled with the violet vapour1 and you see the same kind of change produced4 ,moreover1 it gives us the opportunity of observing how beautiful is the violet-coloured vapour from this black substance1 or rather the mixture of the vapour with air 7for ,i would not wish you to understand that this globe is entirely filled with the vapour of iodine74 ,if ,i had taken mercury and converted it into vapour 7as ,i could easily do71 ,i should have a perfectly colourless vapour2 for you must understand this about vapours1 that bodies in what we call the vaporous1 or the gaseous state1 are always perfectly transparent1 never cloudy or smoky3 they are1 however1 often coloured1 and we can frequently have coloured vapours or gases produced by colourless particles themselves mixing together1 as in this case the ,lecturer here inverted a glass cylinder full of binoxide of nitrogen#af over a cylinder of oxygen1 when the dark-red vapour of hypo-nitrous acid was produced4 ,here also you see a very excellent illustration of the effect of a power of nature which we have not as yet come to1 but which stands next on our list--,,chemical ,,affinity4 ,and thus you see we can have a violet vapour or an orange vapour1 and different other kinds of vapour2 but they are always perfectly transparent1 or else they would cease to be vapours4 ,i am now going to lead you a step beyond this consideration of the attraction of the particles for each other4 ,you see we have come to understand that1 if we take water as an illustration1 whether it be ice1 or water1 or steam1 it is always to be considered by us as water4 ,well1 now prepare your minds to go a little deeper into the subject4 ,we have means of searching into the constitution of water beyond any that are afforded us by the action of heat1 and among these one of the most important is that force which we call voltaic electricity1 which we used at our last meeting for the purpose of obtaining light1 and which we carried about the room by means of these wires4 ,this force is produced by the battery behind me1 to which1 however1 ,i will not now refer more particularly3 before we have done we shall know more about this battery1 but it must grow up in our knowledge as we proceed4 ,now1 here 7fig4 #bd7 is a portion of water in this little vessel ,c1 and besides the water there are two plates of the metal platinum1 which are connected with the wires 7,a and ,b7 coming outside1 and ,i want to examine that water1 and the state and the condition in which its particles are arranged4 ,if ,i were to apply heat to it1 you know what we should get2 it would assume the state of vapour1 but it would nevertheless remain water1 and would return to the liquid state as soon as the heat was removed4 ,now1 by means of these wires 7which are connected with the battery behind me1 and come under the floor and up through the table71 we shall have a certain amount of this new power at our disposal4 ,here you see it is causing the ends of the wires to touch--that is the electric light we used yesterday1 and by means of these wires we can cause water to submit itself to this power2 for the moment ,i put them into metallic connection 7at ,a and ,b71 you see the water boiling in that little vessel 7,c71 and you hear the bubbling of the gas that is going through the tube 7,d74 ,see how ,i am converting the water into vapour2 and if ,i take a little vessel 7,e71 and fill it with water1 and put it in the trough over the end of the tube 7,d71 there goes the vapour ascending into the vessel4 ,and yet that is not steam2 for you know that if steam is brought near cold water1 it would at once condense1 and return back again to water4 ,this then cannot be steam1 for it is bubbling through the cold water in this trough2 but it is a vaporous substance1 and we must therefore examine it carefully1 to see in what way the water has been changed4 ,and now1 in order to give you a proof that it is not steam1 ,i am going to shew you that it is combustible2 for if ,i take this small vessel to a light1 the vapour inside explodes in a manner that steam could never do4 ,illustration3 ,fig4 #bd4 ,i will now fill this large bell-jar 7,f7 with water2 and ,i propose letting the gas ascend into it1 and ,i will then shew you that we can reproduce the water back again from the vapour or air that is there4 ,here is a strong glass vessel 7,g71 and into it we will let the gas 7from ,f7 pass4 ,we will there fire it by the electric spark1 and then after the explosion you will find that we have got the water back again3 it will not be much1 however1 for you will recollect that ,i shewed you how small a portion of water produced a very large volume of vapour4 ,mr4 ,anderson will now pump all the air out of this vessel 7,g72 and when ,i have screwed it on to the top of our jar of gas 7,f71 you will see upon opening the stop-cocks 7,h ,h ,h7 the water will jump up1 shewing that some of the gas has passed into the glass vessel4 ,i will now shut these stop-cocks1 and we shall be able to send the electric spark through the gas by means of the wires 7,i1 ,k7 in the upper part of the vessel1 and you will see it burn with a most intense flash4 ,mr4 ,anderson here brought a ,leyden jar1 which he discharged through the confined gas by means of the wires ,i1 ,k4 ,you saw the flash2 and now that you may see that there is no longer any gas remaining1 if ,i place it over the jar and open the stop-cocks again1 up will go the gas1 and we can have a second combustion2 and so ,i might go on again and again1 and ,i should continue to accumulate more and more of the water to which the gas has returned4 ,now1 is not this curious8--in this vessel 7,c7 we can go on making from water a large bulk of permanent gas1 as we call it1 and then we can reconvert it into water in this way4 ,mr4 ,anderson brought in another ,leyden jar1 which1 however1 from some cause would not ignite the gas4 ,it was therefore recharged1 when the explosion took place in the desired manner4 ,how beautifully we get our results when we are right in our proceedings6--it is not that ,nature is wrong when we make a mistake4 ,now1 ,i will lay this vessel 7,g7 down by my right hand1 and you can examine it by and by3 there is not very much water flowing down1 but there is quite sufficient for you to see4 ,another wonderful thing about this mode of changing the condition of the water is this--that we are able to get the separate parts of which it is composed1 at a distance the one from the other1 and to examine them1 and see what they are like1 and how many of them there are2 and for this purpose ,i have here some more water in a slightly different apparatus to the former one 7fig4 #be71 and if ,i place this in connection with the wires of the battery 7at ,a ,b71 ,i shall get a similar decomposition of the water at the two platinum plates4 ,now1 ,i will put this little tube 7,o7 over there1 and that will collect the gas together that comes from this side 7,a71 and this tube 7,h7 will collect the gas that comes from the other side 7,b72 and ,i think we shall soon be able to see a difference4 ,in this apparatus the wires are a good way apart from each other1 and it now seems that each of them is capable of drawing off particles from the water and sending them off1 and you see that one set of particles 7,h7 is coming off twice as fast as those collected in the other tube 7,o74 ,something is coming out of the water there 7at ,h7 which burns setting fire to the gas2 but what comes out of the water here 7at ,o71 although it will not burn1 will support combustion very vigorously4 ,the ,lecturer here placed a match with a glowing tip in the gas1 when it immediately rekindled4 ,illustration3 ,fig4 #be4 ,here1 then1 we have two things1 neither of them being water alone1 but which we get out of the water4 ,water is therefore composed of two substances different to itself1 which appear at separate places when it is made to submit to the force which ,i have in these wires2 and if ,i take an inverted tube of water and collect this gas 7,h71 you will see that it is by no means the same as the one we collected in the former apparatus 7fig4 #bd74 ,that exploded with a loud noise when it was lighted1 but this will burn quite noiselessly--it is called hydrogen2 and the other we call oxygen--that gas which so beautifully brightens up all combustion1 but does not burn of itself4 ,so now we see that water consists of two kinds of particles attracting each other in a very different manner to the attraction of gravitation or cohesion2 and this new attraction we call chemical affinity1 or the force of chemical action between different bodies4 ,we are now no longer concerned with the attraction of iron for iron1 water for water1 wood for wood1 or like bodies for each other1 as we were when dealing with the force of cohesion3 we are dealing with another kind of attraction1--the attraction between particles of a different nature one to the other4 ,chemical affinity depends entirely upon the energy with which particles of different kinds attract each other4 ,oxygen and hydrogen are particles of different kinds1 and it is their attraction to each other which makes them chemically combine and produce water4 ,i must now shew you a little more at large what chemical affinity is4 ,i can prepare these gases from other substances1 as well as from water2 and we will now prepare some oxygen4 ,here is another substance which contains oxygen--chlorate of potash4 ,i will put some of it into this glass retort1 and ,mr4 ,anderson will apply heat to it4 ,we have here different jars filled with water2 and when1 by the application of heat1 the chlorate of potash is decomposed1 we will displace the water1 and fill the jars with gas4 ,now1 when water is opened out in this way by means of the battery--which adds nothing to it materially1 which takes nothing from it materially 7,i mean no matter2 ,i am not speaking of force71 which adds no matter to the water--it is changed in this way3 the gas which you saw burning a little while ago1 called hydrogen1 is evolved in large quantity1 and the other gas1 oxygen1 is evolved in only half the quantity2 so that these two areas represent water1 and these are always the proportions between the two gases4 ---------------------- #h ,oxygen1 #hh4i ,oxygen4 #a ,hydrogen1 #aa4a ----------- ---- ,hydrogen4 ,water1 #ajj4j #i ----------- ,but oxygen is sixteen times the weight of the other--eight times as heavy as the particles of hydrogen in the water2 and you therefore know that water is composed of nine parts by weight--one of hydrogen and eight of oxygen2 thus3-- ,hydrogen1 #df4b cubic inches1 #a grain4 ,oxygen1 #bc4a cubic inches1 #h grains4 ---- -- ,water 7steam71 #fi4c cubic inches1 #i grains4 ,now1 ,mr4 ,anderson has prepared some oxygen1 and we will proceed to examine what is the character of this gas4 ,first of all1 you remember1 ,i told you that it does not burn1 but that it affects the burning of other bodies4 ,i will just set fire to the point of this little bit of wood1 and then plunge it into the jar of oxygen1 and you will see what this gas does in increasing the brilliancy of the combustion4 ,it does not burn--it does not take fire as the hydrogen would--but how vividly the combustion of the match goes on4 ,again1 if ,i were to take this wax taper and light it1 and turn it upside down in the air1 it would in all probability put itself out1 owing to the wax running down into the wick4 ,the ,lecturer here turned the lighted taper upside down1 when in a few seconds it went out4 ,now1 that will not happen in oxygen gas2 you will see how differently it acts 7fig4 #bf74 ,the taper was again lighted1 turned upside down1 and then introduced into a jar of oxygen4 ,look at that6 see how the very wax itself burns1 and falls down in a dazzling stream of fire1 so powerfully does the oxygen support combustion4 ,again1 here is another experiment which will serve to illustrate the force1 if ,i may so call it1 of oxygen4 ,i have here a circular flame of spirit of wine1 and with it ,i am about to shew you the way in which iron burns1 because it will serve very well as a comparison between the effect produced by air and oxygen4 ,if ,i take this ring flame1 ,i can shake by means of a sieve the fine particles of iron filings through it1 and you will see the way in which they burn4 ,the ,lecturer here shook through the flame some iron filings1 which took fire and fell through with beautiful scintillations4 ,but if ,i now hold the flame over a jar of oxygen the experiment was repeated over a jar of oxygen1 when the combustion of the filings1 as they fell into the oxygen1 became almost insupportably brilliant1 you see how wonderfully different the effect is in the jar2 because there we have oxygen instead of common air4 ,illustration3 ,fig4 #bf4 ,,lecture ,,iv4 ,,chemical ,,affinity--,,heat4 ,we shall have to pay a little more attention to the forces existing in water before we can have a clear idea on the subject4 ,besides the attraction which there is between its particles to make it hold together as a liquid or a solid1 there is also another force1 different from the former--one which1 yesterday1 by means of the voltaic battery1 we overcame1 drawing from the water two different substances--which1 when heated by means of the electric spark1 attracted each other1 and rushed into combination to reproduce water4 ,now1 ,i propose to-day to continue this subject1 and trace the various phenomena of chemical affinity2 and for this purpose1 as we yesterday considered the character of oxygen1 of which ,i have here two jars 7oxygen being those particles derived from the water which enable other bodies to burn71 we will now consider the other constituent of water2 and1 without embarrassing you too much with the way in which these things are made1 ,i will proceed now to shew you our common way of making hydrogen4 7,i called it hydrogen yesterday--it is so called because it helps to generate water47,a ,i put into this retort some zinc1 water1 and oil of vitriol1 and immediately an action takes place1 which produces an abundant evolution of gas1 now coming over into this jar1 and bubbling up in appearance exactly like the oxygen we obtained yesterday4 ,a 1 8water10 and 1 8,i generate40 ,illustration3 ,fig4 #bg4 ,the processes1 you see1 are very different1 though the result is the same1 in so far as it gives us certain gaseous particles4 ,here1 then1 is the hydrogen4 ,i shewed you yesterday certain qualities of this gas2 now let me exhibit you some other properties4 ,unlike oxygen1 which is a supporter of combustion1 and will not burn1 hydrogen itself is combustible4 ,there is a jar full of it2 and if ,i carry it along in this manner1 and put a light to it1 ,i think you will see it take fire1 not with a bright light--you will at all events hear it1 if you do not see it4 ,now1 that is a body entirely different from oxygen3 it is extremely light2 for although yesterday you saw twice as much of this hydrogen produced on the one side as on the other1 by the voltaic battery1 it was only one-eighth the weight of the oxygen4 ,i carry this jar upside-down4 ,why8 ,because ,i know that it is a very light body1 and that it will continue in this jar upside-down quite as effectually as the water will in that jar which is not upside-down2 and just as ,i can pour water from one vessel into another in the right position to receive it1 so can ,i pour this gas from one jar into another when they are upside-down4 ,see what ,i am about to do4 ,there is no hydrogen in this jar at present1 but ,i will gently turn this jar of hydrogen up under this other jar 7fig4 #bh71 and then we will examine the two4 ,we shall see1 on applying a light1 that the hydrogen has left the jar in which it was at first1 and has poured upwards into the other1 and there we shall find it4 ,illustration3 ,fig4 #bh4 ,you now understand that we can have particles of very different kinds1 and that they can have different bulks and weights2 and there are two or three very interesting experiments which serve to illustrate this4 ,for instance1 if ,i blow soap bubbles with the breath from my mouth1 you will see them fall1 because ,i fill them with common air1 and the water which forms the bubble carries it down4 ,but now1 if ,i inhale hydrogen gas into my lungs 7it does no harm to the lungs1 although it does no good to them71 see what happens4 ,the ,lecturer inhaled some hydrogen1 and after one or two ineffectual attempts1 succeeded in blowing a splendid bubble1 which rose majestically and slowly to the ceiling of the theatre1 where it burst4 ,that shews you very well how light a substance this is2 for1 notwithstanding all the heavy bad air from my lungs1 and the weight of the bubble1 you saw how it was carried up4 ,i want you now to consider this phenomenon of weight as indicating how exceedingly different particles are one from the other2 and ,i will take as illustrations these very common things--air1 water1 the heaviest body1 platinum1 and this gas3 and observe how they differ in this respect2 for if ,i take a piece of platinum of that size 7fig4 #bi71 it is equal to the weight of portions of water1 air1 and hydrogen of the bulks ,i have represented in these spheres4 ,and this illustration gives you a very good idea of the extraordinary difference with regard to the gravity of the articles having this enormous difference in bulk4 ,the following tabular statement having reference to this illustration appeared on the diagram board4 ----------------------------------- ,hydrogen1 #a ----------------------------------- ,air1 #ad4d #a ----------------------------------- ,water1 #aaidc #hbi #a ----------------------------------- ,platinum1 #befggd #aghca #ba4e ----------------------------------- ,whenever oxygen and hydrogen unite together they produce water2 and you have seen the extraordinary difference between the bulk and appearance of the water so produced1 and the particles of which it consists chemically4 ,now1 we have never yet been able to reduce either oxygen or hydrogen to the liquid state2 and yet their first impulse1 when chemically combined1 is to take up first this liquid condition1 and then the solid condition4 ,we never combine these different particles together without producing water2 and it is curious to think how often you must have made the experiment of combining oxygen and hydrogen to form water without knowing it4 ,take a candle1 for instance1 and a clean silver spoon 7or a piece of clean tin will do71 and if you hold it over the flame1 you immediately cover it with dew--not a smoke--which presently evaporates4 ,this perhaps will serve to shew it better4 ,mr4 ,anderson will put a candle under that jar1 and you will see how soon the water is produced 7fig4 #cj74 ,look at that dimness on the sides of the glass1 which will soon produce drops1 and trickle down into the plate4 ,well1 that dimness and these drops are water1 formed by the union of the oxygen of the air with the hydrogen existing in the wax of which that candle is formed4 ,illustration3 ,fig4 #cj4 ,and now1 having brought you in the first place to the consideration of chemical attraction1 ,i must enlarge your ideas so as to include all substances which have this attraction for each other--for it changes the character of bodies1 and alters them in this way and that way in the most extraordinary manner1 and produces other phenomena wonderful to think about4 ,here is some chlorate of potash1 and there some sulphuret of antimony4#ag ,we will mix these two different sets of particles together2 and ,i want to shew you in a general sort of way some of the phenomena which take place when we make different particles act together4 ,now1 ,i can make these bodies act upon each other in several ways4 ,in this case ,i am going to apply heat to the mixture2 but if ,i were to give a blow with a hammer1 the same result would follow4 ,a lighted match was brought to the mixture1 which immediately exploded with a sudden flash1 evolving a dense white smoke4 ,there you see the result of the action of chemical affinity overcoming the attraction of cohesion of the particles4 ,again1 here is a little sugar#ah1 quite a different substance from the black sulphuret of antimony1 and you shall see what takes place when we put the two together4 ,the mixture was touched with sulphuric acid1 when it took fire and burnt gradually1 and with a brighter flame than in the former instance4 ,observe this chemical affinity travelling about the mass1 and setting it on fire1 and throwing it into such wonderful agitation6 ,i must now come to a few circumstances which require careful consideration4 ,we have already examined one of the effects of this chemical affinity2 but to make the matter more clear we must point out some others4 ,and here are two salts dissolved in water#ai4 ,they are both colourless solutions1 and in these glasses you cannot see any difference between them4 ,but if ,i mix them1 ,i shall have chemical attraction take place4 ,i will pour the two together into this glass1 and you will at once see1 ,i have no doubt1 a certain amount of change4 ,look1 they are already becoming milky1 but they are sluggish in their action--not quick as the others were--for we have endless varieties of rapidity in chemical action4 ,now1 if ,i mix them together1 and stir them1 so as to bring them properly together1 you will soon see what a different result is produced4 ,as ,i mix them1 they get thicker and thicker1 and you see the liquid is hardening and stiffening1 and before long ,i shall have it quite hard2 and before the end of the lecture it will be a solid stone--a wet stone1 no doubt1 but more or less solid--in consequence of the chemical affinity4 ,is not this changing two liquids into a solid body a wonderful manifestation of chemical affinity8 ,there is another remarkable circumstance in chemical affinity1 which is1 that it is capable of either waiting or acting at once4 ,and this is very singular1 because we know of nothing of the kind in the forces either of gravitation or cohesion4 ,for instance1 here are some oxygen particles1 and here is a lump of carbon particles4 ,i am going to put the carbon particles into the oxygen2 they can act1 but they do not--they are just like this unlighted candle4 ,it stands here quietly on the table1 waiting until we want to light it4 ,but it is not so in this other case4 ,here is a substance1 gaseous like the oxygen1 and if ,i put these particles of metal into it1 the two combine at once4 ,the copper and the chlorine unite by their power of chemical affinity1 and produce a body entirely unlike either of the substances used4 ,and in this other case1 it is not that there is any deficiency of affinity between the carbon and oxygen2 for the moment ,i choose to put them in a condition to exert their affinity1 you will see the difference4 ,the piece of charcoal was ignited1 and introduced into the jar of oxygen1 when the combustion proceeded with vivid scintillations4 ,now1 this chemical action is set going exactly as it would be if ,i had lighted the candle1 or as it is when the servant puts coals on and lights the fire3 the substances wait until we do something which is able to start the action4 ,can anything be more beautiful than this combustion of charcoal in oxygen8 ,you must understand that each of these little sparks is a portion of the charcoal1 or the bark of the charcoal1 thrown off white-hot into the oxygen1 and burning in it most brilliantly1 as you see4 ,and now let me tell you another thing1 or you will go away with a very imperfect notion of the powers and effects of this affinity4 ,there you see some charcoal burning in oxygen4 ,well1 a piece of lead will burn in oxygen just as well as the charcoal does1 or indeed better2 for absolutely that piece of lead will act at once upon the oxygen as the copper did in the other vessel with regard to the chlorine4 ,and here also a piece of iron3 if ,i light it and put it into the oxygen1 it will burn away just as the carbon did4 ,and ,i will take some lead1 and shew you that it will burn in the common atmospheric oxygen at the ordinary temperature4 ,these are the lumps of lead which1 you remember1 we had the other day--the two pieces which clung together4 ,now these pieces1 if ,i take them to-day and press them together1 will not stick2 and the reason is1 that they have attracted from the atmosphere a part of the oxygen there present1 and have become coated as with a varnish by the oxide of lead1 which is formed on the surface by a real process of combustion or combination4 ,there you see the iron burning very well in oxygen2 and ,i will tell you the reason why those scissors and that lead do not take fire whilst they are lying on the table4 ,here the lead is in a lump1 and the coating of oxide remains on its surface2 whilst there you see the melted oxide is clearing itself off from the iron1 and allowing more and more to go on burning4 ,in this case1 however holding up a small glass tube containing lead pyrophorus4#bj1 the lead has been very carefully produced in fine powder1 and put into a glass tube1 and hermetically sealed1 so as to preserve it2 and ,i expect you will see it take fire at once4 ,this has been made about a month ago1 and has thus had time enough to sink down to its normal temperature4 ,what you see1 therefore1 is the result of chemical affinity alone4 ,the tube was broken at the end1 and the lead poured out on to a piece of paper1 whereupon it immediately took fire4 ,look1 look at the lead burning2 why1 it has set fire to the paper6 ,now1 that is nothing more than the common affinity always existing between very clean lead and the atmospheric oxygen2 and the reason why this iron does not burn until it is made red-hot is1 because it has got a coating of oxide about it1 which stops the action of the oxygen--putting a varnish1 as it were1 upon its surface1 as we varnish a picture1 absolutely forming a substance which prevents the natural chemical affinity between the bodies from acting4 ,i must now take you a little further in this kind of illustration--or consideration1 ,i would rather call it--of chemical affinity4 ,this attraction between different particles exists also most curiously in cases where they are previously combined with other substances4 ,here is a little chlorate of potash1 containing the oxygen which we found yesterday could be procured from it4 ,it contains the oxygen there combined and held down by its chemical affinity with other things2 but still it can combine with sugar1 as you saw4 ,this affinity can thus act across substances2 and ,i want you to see how curiously what we call combustion acts with respect to this force of chemical affinity4 ,if ,i take a piece of phosphorus and set fire to it1 and then place a jar of air over the phosphorus1 you see the combustion which we are having there on account of chemical affinity 7combustion being in all cases the result of chemical affinity74 ,the phosphorus is escaping in that vapour1 which will condense into a snow-like mass at the close of the lecture4 ,but suppose ,i limit the atmosphere1 what then8 why1 even the phosphorus will go out4 ,here is a piece of camphor1 which will burn very well in the atmosphere1 and even on water it will float about and burn1 by reason of some of its particles gaining access to the air4 ,but if ,i limit the quantity of air by placing a jar over it1 as ,i am now doing1 you will soon find the camphor will go out4 ,well1 why does it go out8 ,not for want of air1 for there is plenty of air remaining in the jar4 ,perhaps you will be shrewd enough to say1 for want of oxygen4 ,this1 therefore1 leads us to the inquiry as to whether oxygen can do more than a certain amount of work4 ,the oxygen there 7fig4 #cj7 cannot go on burning an unlimited quantity of candle1 for that has gone out1 as you see2 and its amount of chemical attraction or affinity is just as strikingly limited3 it can no more be fallen short of or exceeded than can the attraction of gravitation4 ,you might as soon attempt to destroy gravitation1 or weight1 or all things that exist1 as to destroy the exact amount of force exerted by this oxygen4 ,and when ,i pointed out to you that #h by weight of oxygen to #a by weight of hydrogen went to form water1 ,i meant this1 that neither of them would combine in different proportions with the other2 for you cannot get #aj of hydrogen to combine with #f of oxygen1 or #aj of oxygen to combine with #f of hydrogen--it must be #h of oxygen and #a of hydrogen4 ,now1 suppose ,i limit the action in this way3 this piece of cotton wool burns1 as you see1 very well in the atmosphere2 and ,i have known of cases of cotton-mills being fired as if with gunpowder1 through the very finely-divided particles of cotton being diffused through the atmosphere in the mill1 when it has sometimes happened that a flame has caught these raised particles1 and it has run from one end of the mill to the other1 and blown it up4 ,that1 then1 is on account of the affinity which the cotton has for the oxygen2 but suppose ,i set fire to this piece of cotton1 which is rolled up tightly1 it does not go on burning1 because ,i have limited the supply of oxygen1 and the inside is prevented from having access to the oxygen1 just as it was in the case of the lead by the oxide4 ,but here is some cotton which has been imbued with oxygen in a certain manner4 ,i need not trouble you now with the way it is prepared2 it is called gun-cotton4#ba ,see how that burns setting fire to a piece2 it is very different from the other1 because the oxygen that must be present in its proper amount is put there beforehand4 ,and ,i have here some pieces of paper which are prepared like the gun-cotton#bb1 and imbued with bodies containing oxygen4 ,here is some which has been soaked in nitrate of strontia--you will see the beautiful red colour of its flame2 and here is another which ,i think contains baryta1 which gives that fine green light2 and ,i have here some more which has been soaked in nitrate of copper--it does not burn quite so brightly1 but still very beautifully4 ,in all these cases the combustion goes on independent of the oxygen of the atmosphere4 ,and here we have some gunpowder put into a case1 in order to shew that it is capable of burning under water4 ,you know that we put it into a gun1 shutting off the atmosphere1 with shot1 and yet the oxygen which it contains supplies the particles with that without which chemical action could not proceed4 ,now1 ,i have a vessel of water here1 and am going to make the experiment of putting this fuse under the water1 and you will see whether that water can extinguish it4 ,here it is burning out of the water1 and there it is burning under the water2 and so it will continue until exhausted1 and all by reason of the requisite amount of oxygen being contained within the substance4 ,it is by this kind of attraction of the different particles one to the other that we are enabled to trace the laws of chemical affinity1 and the wonderful variety of the exertions of these laws4 ,now1 ,i want you to observe that one great exertion of this power1 which is known as chemical affinity1 is to produce ,,heat and light4 ,you know1 as a matter of fact1 no doubt1 that when bodies burn they give out heat2 but it is a curious thing that this heat does not continue--the heat goes away as soon as the action stops1 and you see thereby that it depends upon the action during the time it is going on4 ,it is not so with gravitation3 this force is continuous1 and is just as effective in making that lead press on the table as it was when it first fell there4 ,nothing occurs there which disappears when the action of falling is over2 the pressure is upon the table1 and will remain there until the lead is removed2 whereas1 in the action of chemical affinity to give light and heat1 they go away immediately the action is over4 ,this lamp seems to evolve heat and light continuously2 but it is owing to a constant stream of air coming into it on all sides1 and this work of producing light and heat by chemical affinity will subside as soon as the stream of air is interrupted4 ,what1 then1 is this curious condition of heat8 ,why is the evolution of another power of matter1 of a power new to us1 and which we must consider as if it were now for the very first time brought under our notice8 ,what is heat8 ,we recognise heat by its power of liquefying solid bodies and vaporising liquid bodies1 by its power of setting in action1 and very often overcoming1 chemical affinity4 ,then1 how do we obtain heat8 ,we obtain it in various ways--most abundantly by means of the chemical affinity we have just before been speaking about2 but we can also obtain it in many other ways4 ,friction will produce heat4 ,the ,indians rub pieces of wood together until they make them hot enough to take fire2 and such things have been known as two branches of a tree rubbing together so hard as to set the tree on fire4 ,i do not suppose ,i shall set these two pieces of wood on fire by friction2 but ,i can readily produce heat enough to ignite some phosphorus4 ,the ,lecturer here rubbed two pieces of cedar-wood strongly against each other for a minute1 and then placed on them a piece of phosphorus1 which immediately took fire4 ,and if you take a smooth metal button stuck on a cork1 and rub it on a piece of soft deal wood1 you will make it so hot as to scorch wood and paper1 and burn a match4 ,illustration3 ,fig4 #ca4 ,i am now going to shew you that we can obtain heat1 not by chemical affinity alone1 but by the pressure of air4 ,suppose ,i take a pellet of cotton and moisten it with a little ether1 and put it into a glass tube 7fig4 #ca71 and then take a piston and press it down suddenly1 ,i expect ,i shall be able to burn a little of that ether in the vessel4 ,it wants a suddenness of pressure1 or we shall not do what we require4 ,the piston was forcibly pressed down1 when a flame1 due to the combustion of the ether1 was visible in the lower part of the syringe4 ,all we want is to get a little ether in vapour1 and give fresh air each time1 and so we may go on again and again getting heat enough by the compression of air to fire the ether-vapour4 ,this1 then1 ,i think1 will be sufficient1 accompanied with all you have previously seen1 to shew you how we procure heat4 ,and now for the effects of this power4 ,we need not consider many of them on the present occasion1 because when you have seen its power of changing ice into water and water into steam1 you have seen the two principal results of the application of heat4 ,i want you now to see how it expands all bodies--all bodies but one1 and that under limited circumstances4 ,mr4 ,anderson will hold a lamp under that retort1 and you will see the moment he does so that the air will issue abundantly from the neck1 which is under water1 because the heat which he applies to the air causes it to expand4 ,and here is a brass rod 7fig4 #cb7 which goes through that hole1 and fits also accurately into this gauge2 but if ,i make it warm with this spirit-lamp1 it will only go in the gauge or through the hole with difficulty2 and if ,i were to put it into boiling-water1 it would not go through at all4 ,again1 as soon as the heat escapes from bodies they collapse4 ,see how the air is contracting in the vessel1 now that ,mr4 ,anderson has taken away his lamp3 the stem of it is filling with water4 ,notice1 too1 now1 that although ,i cannot get the tube through this hole or into the gauge1 the moment ,i cool it by dipping it into water1 it goes through with perfect facility2 so that we have a perfect proof of this power of heat to contract and expand bodies4 ,illustration3 ,fig4 #cb4 ,,lecture ,v4 ,,magnetism--,,electricity4 ,i wonder whether we shall be too deep to-day or not4 ,remember that we spoke of the attraction by gravitation of all bodies to all bodies by their simple approach4 ,remember that we spoke of the attraction of particles of the same kind to each other1--that power which keeps them together in masses1--iron attracted to iron1 brass to brass1 or water to water4 ,remember that we found1 on looking into water1 that there were particles of two different kinds attracted to each other2 and this was a great step beyond the first simple attraction of gravitation2 because here we deal with attraction between different kinds of matter4 ,the hydrogen could attract the oxygen1 and reduce it to water1 but it could not attract any of its own particles2 so that there we obtained a first indication of the existence of two attractions4 ,to-day we come to a kind of attraction even more curious than the last1 namely1 the attraction which we find to be of a double nature--of a curious and dual nature4 ,and ,i want first of all to make the nature of this doubleness clear to you4 ,bodies are sometimes endowed with a wonderful attraction1 which is not found in them in their ordinary state4 ,for instance1 here is a piece of shell-lac1 having the attraction of gravitation1 having the attraction of cohesion2 and if ,i set fire to it1 it would have the attraction of chemical affinity to the oxygen in the atmosphere4 ,now1 all these powers we find in it as if they were parts of its substance2 but there is another property which ,i will try and make evident by means of this ball1 this bubble of air a light india-rubber ball1 inflated and suspended by a thread4 ,there is no attraction between this ball and this shell-lac at present3 there may be a little wind in the room slightly moving the ball about1 but there is no attraction4 ,but if ,i rub the shell-lac with a piece of flannel rubbing the shell-lac1 and then holding it near the ball1 look at the attraction which has arisen out of the shell-lac1 simply by this friction1 and which ,i may take away as easily by drawing it gently through my hand4 ,the ,lecturer repeated the experiment of exciting the shell-lac1 and then removing the attractive power by drawing it through his hand4 ,again1 you will see ,i can repeat this experiment with another substance2 for if ,i take a glass rod and rub it with a piece of silk covered with what we call amalgam1 look at the attraction which it has1 how it draws the ball towards it2 and then1 as before1 by quietly rubbing it through the hand1 the attraction will be all removed again1 to come back by friction with this silk4 ,illustration3 ,fig4 #cc4 ,but now we come to another fact4 ,i will take this piece of shell-lac and make it attractive by friction2 and remember that whenever we get an attraction of gravity1 chemical affinity1 adhesion1 or electricity 7as in this case71 the body which attracts is attracted also2 and just as much as that ball was attracted by the shell-lac1 the shell-lac was attracted by the ball4 ,now1 ,i will suspend this piece of excited shell-lac in a little paper stirrup1 in this way 7fig4 #cc71 in order to make it move easily1 and ,i will take another piece of shell-lac1 and after rubbing it with flannel1 will bring them near together4 ,you will think that they ought to attract each other2 but now what happens8 ,it does not attract2 on the contrary1 it very strongly repels1 and ,i can thus drive it round to any extent4 ,these1 therefore1 repel each other1 although they are so strongly attractive--repel each other to the extent of driving this heavy piece of shell-lac round and round in this way4 ,but if ,i excite this piece of shell-lac1 as before1 and take this piece of glass and rub it with silk1 and then bring them near1 what think you will happen8 ,the ,lecturer held the excited glass near the excited shell-lac1 when they attracted each other strongly4 ,you see1 therefore1 what a difference there is between these two attractions1--they are actually two kinds of attraction concerned in this case1 quite different to anything we have met with before2 but the force is the same4 ,we have here1 then1 a double attraction--a dual attraction or force--one attracting1 and the other repelling4 ,again1 to shew you another experiment which will help to make this clear to you4 ,suppose ,i set up this rough indicator again the excited shell-lac suspended in the stirrup--it is rough1 but delicate enough for my purpose2 and suppose ,i take this other piece of shell-lac1 and take away the power1 which ,i can do by drawing it gently through the hand2 and suppose ,i take a piece of flannel 7fig4 #cd71 which ,i have shaped into a cap for it and made dry4 ,i will put this shell-lac into the flannel1 and here comes out a very beautiful result4 ,i will rub this shell-lac and the flannel together 7which ,i can do by twisting the shell-lac round71 and leave them in contact2 and then1 if ,i ask1 by bringing them nearer our indicator1 what is the attractive force8--it is nothing6 ,but if ,i take them apart1 and then ask what will they do when they are separated--why1 the shell-lac is strongly repelled1 as it was before1 but the cap is strongly attractive2 and yet if ,i bring them both together again1 there is no attraction--it has all disappeared the experiment was repeated4 ,those two bodies1 therefore1 still contain this attractive power3 when they were parted1 it was evident to your senses that they had it1 though they do not attract when they are together4 ,illustration3 ,fig4 #cd4 ,illustration3 ,fig4 #ce4 ,this1 then1 is sufficient in the outset to give you an idea of the nature of the force which we call ,,electricity4 ,there is no end to the things from which you can evolve this power4 ,when you go home1 take a stick of sealing-wax--,i have rather a large stick1 but a smaller one will do--and make an indicator of this sort 7fig4 #ce74 ,take a watch-glass 7or your watch itself will do2 you only want something which shall have a round face71 and now1 if you place a piece of flat glass upon that1 you have a very easily moved centre4 ,and if ,i take this lath and put it on the flat glass 7you see ,i am searching for the centre of gravity of this lath--,i want to balance it upon the watch-glass71 it is very easily moved round2 and if ,i take this piece of sealing-wax and rub it against my coat1 and then try whether it is attractive holding it near the lath1 you see how strong the attraction is2 ,i can even draw it about4 ,here1 then1 you have a very beautiful indicator1 for ,i have1 with a small piece of sealing-wax and my coat1 pulled round a plank of that kind2 so you need be in no want of indicators to discover the presence of this attraction4 ,there is scarcely a substance which we may not use4 ,here are some indicators 7fig4 #cf74 ,i bend round a strip of paper into a hoop1 and we have as good an indicator as can be required4 ,see how it rolls along1 travelling after the sealing-wax4 ,if ,i make them smaller1 of course we have them running faster1 and sometimes they are actually attracted up into the air4 ,here also is a little collodion balloon4 ,it is so electrical that it will scarcely leave my hand unless to go to the other4 ,see1 how curiously electrical it is3 it is hardly possible for me to touch it without making it electrical2 and here is a piece which clings to anything it is brought near1 and which it is not easy to lay down4 ,and here is another substance1 gutta-percha1 in thin strips3 it is astonishing how1 by rubbing this in your hands1 you make it electrical4 ,but our time forbids us to go further into this subject at present4 ,you see clearly there are two kinds of electricities which may be obtained by rubbing shell-lac with flannel1 or glass with silk4 ,illustration3 ,fig4 #cf4 ,now1 there are some curious bodies in nature 7of which ,i have two specimens on the table7 which are called magnets or loadstones--ores of iron1 of which there is a great deal sent from ,sweden4 ,they have the attraction of gravitation1 and attraction of cohesion1 and certain chemical attraction2 but they also have a great attractive power1 for this little key is held up by this stone4 ,now1 that is not chemical attraction1--it is not the attraction of chemical affinity1 or of aggregation of particles1 or of cohesion1 or of electricity 7for it will not attract this ball if ,i bring it near it72 but it is a separate and dual attraction--and1 what is more1 one which is not readily removed from the substance1 for it has existed in it for ages and ages in the bowels of the earth4 ,now1 we can make artificial magnets 7you will see me to-morrow make artificial magnets of extraordinary power74 ,and let us take one of these artificial magnets1 and examine it1 and see where the power is in the mass1 and whether it is a dual power4 ,you see it attracts these keys1 two or three in succession1 and it will attract a very large piece of iron4 ,that1 then1 is a very different thing indeed to what you saw in the case of the shell-lac2 for that only attracted a light ball1 but here ,i have several ounces of iron held up4 ,and if we come to examine this attraction a little more closely1 we shall find it presents some other remarkable differences3 first of all1 one end of this bar 7fig4 #cg7 attracts this key1 but the middle does not attract4 ,it is not1 then1 the whole of the substance which attracts4 ,if ,i place this little key in the middle1 it does not adhere2 but if ,i place it there1 a little nearer the end1 it does1 though feebly4 ,is it not1 then1 very curious to find that there is an attractive power at the extremities which is not in the middle--to have thus in one bar two places in which this force of attraction resides6 ,if ,i take this bar and balance it carefully on a point1 so that it will be free to move round1 ,i can try what action this piece of iron has on it4 ,well1 it attracts one end1 and it also attracts the other end1 just as you saw the shell-lac and the glass did1 with the exception of its not attracting in the middle4 ,but if now1 instead of a piece of iron1 ,i take a magnet1 and examine it in a similar way1 you see that one of its ends repels the suspended magnet--the force then is no longer attraction1 but repulsion2 but if ,i take the other end of the magnet and bring it near1 it shews attraction again4 ,illustration3 ,fig4 #cg4 and ,fig4 #ch4 ,you will see this better1 perhaps1 by another kind of experiment4 ,here 7fig4 #ch7 is a little magnet1 and ,i have coloured the ends differently1 so that you may distinguish one from the other4 ,now this end 7,s7 of the magnet 7fig4 #cg7 attracts the uncoloured end of the little magnet4 ,you see it pulls it towards it with great power2 and as ,i carry it round1 the uncoloured end still follows4 ,but now1 if ,i gradually bring the middle of the bar magnet opposite the uncoloured end of the needle1 it has no effect upon it1 either of attraction or repulsion1 until1 as ,i come to the opposite extremity 7,n71 you see that it is the coloured end of the needle which is pulled towards it4 ,we are now therefore dealing with two kinds of power1 attracting different ends of the magnet--a double power1 already existing in these bodies1 which takes up the form of attraction and repulsion4 ,and now1 when ,i put up this label with the word ,,magnetism1 you will understand that it is to express this double power4 ,now1 with this loadstone you may make magnets artificially4 ,here is an artificial magnet 7fig4 #ci7 in which both ends have been brought together in order to increase the attraction4 ,this mass will lift that lump of iron2 and1 what is more1 by placing this keeper1 as it is called1 on the top of the magnet1 and taking hold of the handle1 it will adhere sufficiently strongly to allow itself to be lifted up--so wonderful is its power of attraction4 ,if you take a needle1 and just draw one of its ends along one extremity of the magnet1 and then draw the other end along the other extremity1 and then gently place it on the surface of some water 7the needle will generally float on the surface1 owing to the slight greasiness communicated to it by the fingers71 you will be able to get all the phenomena of attraction and repulsion1 by bringing another magnetised needle near to it4 ,illustration3 ,fig4 #ci4 ,i want you now to observe1 that although ,i have shewn you in these magnets that this double power becomes evident principally at the extremities1 yet the whole of the magnet is concerned in giving the power4 ,that will at first seem rather strange2 and ,i must therefore shew you an experiment to prove that this is not an accidental matter1 but that the whole of the mass is really concerned in this force1 just as in falling the whole of the mass is acted upon by the force of gravitation4 ,i have here 7fig4 #dj7 a steel bar1 and ,i am going to make it a magnet1 by rubbing it on the large magnet 7fig4 #ci74 ,i have now made the two ends magnetic in opposite ways4 ,i do not at present know one from the other1 but we can soon find out4 ,you see when ,i bring it near our magnetic needle 7fig4 #ch7 one end repels and the other attracts2 and the middle will neither attract nor repel--it cannot1 because it is half-way between the two ends4 ,but now1 if ,i break out that piece 7n s71 and then examine it--see how strongly one end 7n7 pulls at this end 7,s1 fig4 #ch71 and how it repels the other end 7,n74 ,and so it can be shewn that every part of the magnet contains this power of attraction and repulsion1 but that the power is only rendered evident at the end of the mass4 ,you will understand all this in a little while2 but what you have now to consider is1 that every part of this steel is in itself a magnet4 ,here is a little fragment which ,i have broken out of the very centre of the bar1 and you will still see that one end is attractive and the other is repulsive4 ,now1 is not this power a most wonderful thing8 and very strange the means of taking it from one substance and bringing it to other matters8 ,i cannot make a piece of iron or anything else heavier or lighter than it is4 ,its cohesive power it must and does have2 but1 as you have seen by these experiments1 we can add or subtract this power of magnetism1 and almost do as we like with it4 ,illustration3 ,fig4 #dj4 ,illustration3 ,fig4 #da4 ,and now we will return for a short time to the subject treated of at the commencement of this lecture4 ,you see here 7fig4 #da7 a large machine1 arranged for the purpose of rubbing glass with silk1 and for obtaining the power called electricity2 and the moment the handle of the machine is turned1 a certain amount of electricity is evolved1 as you will see by the rise of the little straw indicator 7at ,a74 ,now1 ,i know from the appearance of repulsion of the pith ball at the end of the straw1 that electricity is present in those brass conductors 7,b ,b71 and ,i want you to see the manner in which that electricity can pass away4 ,touching the conductor 7,b7 with his finger1 the ,lecturer drew a spark from it1 and the straw electrometer immediately fell4 ,there1 it has all gone2 and that ,i have really taken it away1 you shall see by an experiment of this sort4 ,if ,i hold this cylinder of brass by the glass handle1 and touch the conductor with it1 ,i take away a little of the electricity4 ,you see the spark in which it passes1 and observe that the pith-ball indicator has fallen a little1 which seems to imply that so much electricity is lost2 but it is not lost3 it is here in this brass2 and ,i can take it away and carry it about1 not because it has any substance of its own1 but by some strange property which we have not before met with as belonging to any other force4 ,let us see whether we have it here or not4 ,the ,lecturer brought the charged cylinder to a jet from which gas was issuing2 the spark was seen to pass from the cylinder to the jet1 but the gas did not light4 ,ah6 the gas did not light1 but you saw the spark2 there is1 perhaps1 some draught in the room which blew the gas on one side1 or else it would light4 ,we will try this experiment afterwards4 ,you see from the spark that ,i can transfer the power from the machine to this cylinder1 and then carry it away and give it to some other body4 ,you know very well1 as a matter of experiment1 that we can transfer the power of heat from one thing to another2 for if ,i put my hand near the fire it becomes hot4 ,i can shew you this by placing before us this ball1 which has just been brought red-hot from the fire4 ,if ,i press this wire to it1 some of the heat will be transferred from the ball2 and ,i have only now to touch this piece of gun-cotton with the hot wire1 and you see how ,i can transfer the heat from the ball to the wire1 and from the wire to the cotton4 ,so you see that some powers are transferable1 and others are not4 ,observe how long the heat stops in this ball4 ,i might touch it with the wire1 or with my finger1 and if ,i did so quickly1 ,i should merely burn the surface of the skin2 whereas1 if ,i touch that cylinder1 however rapidly1 with my finger1 the electricity is gone at once--dispersed on the instant1 in a manner wonderful to think of4 ,illustration3 ,fig4 #db4 ,i must now take up a little of your time in shewing you the manner in which these powers are transferred from one thing to another2 for the manner in which force may be conducted or transmitted is extraordinary1 and most essential for us to understand4 ,let us see in what manner these powers travel from place to place4 ,both heat and electricity can be conducted2 and here is an arrangement ,i have made to shew how the former can travel4 ,it consists of a bar of copper 7fig4 #db72 and if ,i take a spirit-lamp 7this is one way of obtaining the power of heat71 and place it under that little chimney1 the flame will strike against the bar of copper and keep it hot4 ,now1 you are aware that power is being transferred from the flame of that lamp to the copper1 and you will see by-and-by that it is being conducted along the copper from particle to particle2 for1 inasmuch as ,i have fastened these wooden balls by a little wax at particular distances from the point where the copper is first heated1 first one ball will fall1 and then the more distant ones1 as the heat travels along--and thus you will learn that the heat travels gradually through the copper4 ,you will see that this is a very slow conduction of power1 as compared with electricity4 ,if ,i take cylinders of wood and metal1 joined together at the ends1 and wrap a piece of paper round1 and then apply the heat of this lamp to the place where the metal and wood join1 you will see how the heat will accumulate where the wood is1 and burn the paper with which ,i have covered it2 but where the metal is beneath1 the heat is conducted away too fast for the paper to be burned4 ,and so1 if ,i take a piece of wood and a piece of metal joined together1 and put it so that the flame should play equally both upon one and the other1 we shall soon find that the metal will become hot before the wood2 for if ,i put a piece of phosphorus on the wood1 and another piece on the copper1 you will find that the phosphorus on the copper will take fire before that on the wood is melted--and this shews you how badly the wood conducts heat4 ,but with regard to the travelling of electricity from place to place1 its rapidity is astonishing4 ,i will1 first of all1 take these pieces of glass and metal1 and you will soon understand how it is that the glass does not lose the power which it acquired when it is rubbed by the silk4 ,by one or two experiments ,i will shew you4 ,if ,i take this piece of brass and bring it near the machine1 you see how the electricity leaves the latter1 and passes to the brass cylinder4 ,and1 again1 if ,i take a rod of metal and touch the machine with it1 ,i lower the indicator2 but when ,i touch it with a rod of glass1 no power is drawn away1--shewing you that the electricity is conducted by the glass and the metal in a manner entirely different3 and to make you see that more clearly1 we will take one of our ,leyden jars4 ,now1 ,i must not embarrass your minds with this subject too much2 but if ,i take a piece of metal1 and bring it against the knob at the top and the metallic coating at the bottom1 you will see the electricity passing through the air as a brilliant spark4 ,it takes no sensible time to pass through this2 and if ,i were to take a long metallic wire1 no matter what the length--at least as far as we are concerned--and if ,i make one end of it touch the outside1 and the other touch the knob at the top1 see how the electricity passes6--it has flashed instantaneously through the whole length of this wire4 ,is not this different from the transmission of heat through this copper bar 7fig4 #db71 which has taken a quarter of an hour or more to reach the first ball8 ,illustration3 ,fig4 #dc4 ,here is another experiment1 for the purpose of shewing the conductibility of this power through some bodies1 and not through others4 ,why do ,i have this arrangement made of brass8 pointing to the brass work of the electrical machine1 fig4 #da4 ,because it conducts electricity4 ,and why do ,i have these columns made of glass8 ,because they obstruct the passage of electricity4 ,and why do ,i put that paper tassel 7fig4 #dc7 at the top of the pole1 upon a glass rod1 and connect it with this machine by means of a wire8 ,you see at once that as soon as the handle of the machine is turned1 the electricity which is evolved travels along this wire and up the wooden rod1 and goes to the tassel at the top1 and you see the power of repulsion with which it has endowed these strips of paper1 each spreading outwards to the ceiling and sides of the room4 ,the outside of that wire is covered with gutta-percha4 ,it would not serve to keep the force from you when touching it with your hands1 because it would burst through2 but it answers our purpose for the present4 ,and so you perceive how easily ,i can manage to send this power of electricity from place to place1 by choosing the materials which can conduct the power4 ,suppose ,i want to fire a portion of gunpowder1 ,i can readily do it by this transferable power of electricity4 ,i will take a ,leyden jar1 or any other arrangement which gives us this power1 and arrange wires so that they may carry the power to the place ,i wish2 and then placing a little gunpowder on the extremities of the wires1 the moment ,i make the connection by this discharging rod1 ,i shall fire the gunpowder4 ,the connection was made1 and the gunpowder ignited4 ,and if ,i were to shew you a stool like this1 and were to explain to you its construction1 you could easily understand that we use glass legs1 because these are capable of preventing the electricity from going away to the earth4 ,if1 therefore1 ,i were to stand on this stool1 and receive the electricity through this conductor1 ,i could give it to anything that ,i touched4 ,the ,lecturer stood upon the insulating stool1 and placed himself in connection with the conductor of the machine4 ,now1 ,i am electrified--,i can feel my hair rising up as the paper tassel did just now4 ,let us see whether ,i can succeed in lighting gas by touching the jet with my finger4 ,the ,lecturer brought his finger near a jet from which gas was issuing1 when1 after one or two attempts1 the spark which came from his finger to the jet set fire to the gas4 ,you now see how it is that this power of electricity can be transferred from the matter in which it is generated1 and conducted along wires and other bodies1 and thus be made to serve new purposes utterly unattainable by the powers we have spoken of on previous days2 and you will not now be at a loss to bring this power of electricity into comparison with those which we have previously examined2 and to-morrow we shall be able to go further into the consideration of these transferable powers4 ,,lecture ,,vi4 ,,the ,,correlation ,,of ,,the ,,physical ,,forces4 ,we have frequently seen1 during the course of these lectures1 that one of those powers or forces of matter1 of which ,i have written the names on that board1 has produced results which are due to the action of some other force4 ,thus1 you have seen the force of electricity acting in other ways than in attracting3 you have also seen it combine matters together1 or disunite them1 by means of its action on the chemical force2 and in this case1 therefore1 you have an instance in which these two powers are related4 ,but we have other and deeper relations than these2 we have not merely to see how it is that one power affects another--how the force of heat affects chemical affinity1 and so forth--but we must try and comprehend what relation they bear to each other1 and how these powers may be changed one into the other2 and it will to-day require all my care1 and your care too1 to make this clear to your minds4 ,i shall be obliged to confine myself to one or two instances1 because1 to take in the whole extent of this mutual relation and conversion of forces1 would surpass the human intellect4 ,in the first place1 then1 here is a piece of fine zinc-foil2 and if ,i cut it into narrow strips and apply to it the power of heat1 admitting the contact of air at the same time1 you will find that it burns2 and then1 seeing that it burns1 you will be prepared to say that there is chemical action taking place4 ,you see all ,i have to do is to hold the piece of zinc at the side of the flame1 so as to let it get heated1 and yet to allow the air which is flowing into the flame from all sides to have access to it2--there is the piece of zinc burning just like a piece of wood1 only brighter4 ,a part of the zinc is going up into the air1 in the form of that white smoke1 and part is falling down on to the table4 ,this1 then1 is the action of chemical affinity exerted between the zinc and the oxygen of the air4 ,i will shew you what a curious kind of affinity this is by an experiment1 which is rather striking when seen for the first time4 ,i have here some iron filings and gunpowder1 and will mix them carefully together1 with as little rough handling as possible4 ,now1 we will compare the combustibility1 so to speak1 of the two4 ,i will pour some spirit of wine into a basin1 and set it on fire3 and1 having our flame1 ,i will drop this mixture of iron filings and gunpowder through it1 so that both sets of particles will have an equal chance of burning4 ,and now1 tell me which of them it is that burns8 ,you see a plentiful combustion of the iron-filings4 ,but ,i want you to observe that1 though they have equal chances of burning1 we shall find that by far the greater part of the gunpowder remains untouched4 ,i have only to drain off this spirit of wine1 and let the powder which has gone through the flame dry1 which it will do in a few minutes1 and ,i will then test it with a lighted match4 ,so ready is the iron to burn1 that it takes1 under certain circumstances1 even less time to catch fire than gunpowder4 ,as soon as the gunpowder was dry1 ,mr4 ,anderson handed it to the ,lecturer1 who applied a lighted match to it1 when a sudden flash shewed how large a proportion of gunpowder had escaped combustion when falling through the flame of alcohol4 ,these are all cases of chemical affinity2 and ,i shew them to make you understand that we are about to enter upon the consideration of a strange kind of chemical affinity1 and then to see how far we are enabled to convert this force of affinity into electricity or magnetism1 or any other of the forces which we have discussed4 ,here is some zinc 7,i keep to the metal zinc1 as it is very useful for our purpose71 and ,i can produce hydrogen gas by putting the zinc and sulphuric acid together1 as they are in that retort4 ,there you see the mixture which gives us hydrogen--the zinc is pulling the water to pieces and setting free hydrogen gas4 ,now1 we have learned by experience that1 if a little mercury is spread over that zinc1 it does not take away its power of decomposing the water1 but modifies it most curiously4 ,see how that mixture is now boiling2 but when ,i add a little mercury to it1 the gas ceases to come off4 ,we have now scarcely a bubble of hydrogen set free1 so that the action is suspended for the time4 ,we have not destroyed the power of chemical affinity1 but modified it in a wonderful and beautiful manner4 ,here are some pieces of zinc covered with mercury1 exactly in the same way as the zinc in that retort is covered2 and if ,i put this plate into sulphuric acid1 ,i get no gas--but this most extraordinary thing occurs1 that if ,i introduce along with the zinc another metal which is not so combustible1 then ,i reproduce all the action4 ,i am now going to put to the amalgamated zinc in this retort some portions of copper wire 7copper not being so combustible a metal as the zinc71 and observe how ,i get hydrogen again4 ,as in the first instance1 there the bubbles are coming over through the pneumatic trough1 and ascending faster and faster in the jar4 ,the zinc now is acting by reason of its contact with the copper4 ,every step we are now taking brings us to a knowledge of new phenomena4 ,that hydrogen which you now see coming off so abundantly does not come from the zinc1 as it did before1 but from the copper4 ,here is a jar containing a solution of copper4 ,if ,i put a piece of this amalgamated zinc into it1 and leave it there1 it has scarcely any action2 and here is a plate of platinum1 which ,i will immerse in the same solution1 and might leave it there for hours1 days1 months1 or even years1 and no action would take place4 ,but by putting them both together1 and allowing them to touch 7fig4 #dd71 you see what a coating of copper there is immediately thrown down on the platinum4 ,why is this8 ,the platinum has no power of itself to reduce that metal from that fluid1 but it has in some mysterious way received this power by its contact with the metal zinc4 ,here1 then1 you see a strange transfer of chemical force from one metal to another--the chemical force from the zinc is transferred1 and made over to the platinum by the mere association of the two metals4 ,i might take1 instead of the platinum1 a piece of copper or of silver1 and it would have no action of its own on this solution2 but the moment the zinc was introduced and touched the other metal1 then the action would take place1 and it would become covered with copper4 ,now1 is not this most wonderful and beautiful to see8 ,we still have the identical chemical force of the particles of zinc acting1 and yet in some strange manner we have power to make that chemical force1 or something it produces1 travel from one place to another--for we do make the chemical force travel from the zinc to the platinum by this very curious experiment of using the two metals in the same fluid in contact with each other4 ,illustration3 ,fig4 #dd4 and ,fig4 #de4 ,let us now examine these phenomena a little more closely4 ,here is a drawing 7fig4 #de7 in which ,i have represented a vessel containing the acid liquid1 and the slips of zinc and platinum or copper1 and ,i have shewn them touching each other outside by means of a wire coming from each of them 7for it matters not whether they touch in the fluid or outside--by pieces of metal attached--they still by that communication between them have this power transferred from one to another74 ,now1 if instead of only using one vessel1 as ,i have shewn there1 ,i take another1 and another1 and put in zinc and platinum1 zinc and platinum1 zinc and platinum1 and connect the platinum of one vessel with the zinc of another1 the platinum of this vessel with the zinc of that1 and so on1 we should only be using a series of these vessels instead of one4 ,this we have done in that arrangement which you see behind me4 ,i am using what we call a ,grove's voltaic battery1 in which one metal is zinc1 and the other platinum1 and ,i have as many as forty pairs of these plates all exercising their force at once in sending the whole amount of chemical power there evolved through these wires under the floor1 and up to these two rods coming through the table4 ,we need do no more than just bring these two ends in contact1 when the spark shews us what power is present2 and what a strange thing it is to see that this force is brought away from the battery behind me1 and carried along through these wires4 ,i have here an apparatus 7fig4 #df7 which ,sir ,humphry ,davy constructed many years ago1 in order to see whether this power from the voltaic battery caused bodies to attract each other in the same manner as the ordinary electricity did4 ,he made it in order to experiment with his large voltaic battery1 which was the most powerful then in existence4 ,you see there are in this glass jar two leaves of gold1 which ,i can cause to move to and fro by this rack-work4 ,i will connect each of these gold leaves with separate ends of this battery2 and1 if ,i have a sufficient number of plates in the battery1 ,i shall be able to shew you that there will be some attraction between those leaves1 even before they come in contact4 ,if ,i bring them sufficiently near when they are in communication with the ends of the battery1 they will be drawn gently together2 and you will know when this takes place1 because the power will cause the gold leaves to burn away1 which they could only do when they touched each other4 ,now1 ,i am going to cause these two leaves of gold to approach gradually1 and ,i have no doubt that some of you will see that they approach before they burn2 and those who are too far off to see them approach will see by their burning that they have come together4 ,now they are attracting each other1 long before the connection is complete2 and there they go6 burnt up in that brilliant flash--so strong is the force4 ,you thus see1 from the attractive force at the two ends of this battery1 that these are really and truly electrical phenomena4 ,illustration3 ,fig4 #df4 and ,fig4 #dg4 ,now1 let us consider what is this spark4 ,i take these two ends and bring them together1 and there ,i get this glorious spark1 like the sunlight in the heavens above us4 ,what is this8 ,it is the same thing which you saw when ,i discharged the large electrical machine1 when you saw one single bright flash2 it is the same thing1 only continued1 because here we have a more effective arrangement4 ,instead of having a machine which we are obliged to turn for a long time together1 we have here a chemical power which sends forth the spark2 and it is wonderful and beautiful to see how this spark is carried about through these wires4 ,i want you to perceive1 if possible1 that this very spark and the heat it produces 7for there is heat7 is neither more nor less than the chemical force of the zinc--its very force carried along wires and conveyed to this place4 ,i am about to take a portion of the zinc and burn it in oxygen gas1 for the sake of shewing you the kind of light produced by the actual combustion in oxygen gas of some of this metal4 ,a tassel of zinc-foil was ignited at a spirit-lamp1 and introduced into a jar of oxygen1 when it burnt with a brilliant light4 ,that shews you what the affinity is when we come to consider it in its energy and power4 ,and the zinc is being burned in the battery behind me at a much more rapid rate than you see in that jar1 because the zinc is there dissolving and burning1 and produces here this great electric light4 ,that very same power1 which in that jar you saw evolved from the actual combustion of the zinc in oxygen1 is carried along these wires and made evident here2 and you may1 if you please1 consider that the zinc is burning in those cells1 and that this is the light of that burning bringing the two poles in contact1 and shewing the electric light2 and we might so arrange our apparatus as to shew that the amounts of power evolved in either case are identical4 ,having thus obtained power over the chemical force1 how wonderfully we are able to convey it from place to place6 ,when we use gunpowder for explosive purposes1 we can send into the mine chemical affinity by means of this electricity2 not having provided fire beforehand1 we can send it in at the moment we require it4 ,now1 here 7fig4 #dg7 is a vessel containing two charcoal points1 and ,i bring it forward as an illustration of the wonderful power of conveying this force from place to place4 ,i have merely to connect these by means of wires to the opposite ends of the battery1 and bring the points in contact4 ,see what an exhibition of force we have6 ,we have exhausted the air so that the charcoal cannot burn2 and1 therefore1 the light you see is really the burning of the zinc in the cells behind me--there is no disappearance of the carbon1 although we have that glorious electric light2 and the moment ,i cut off the connection1 it stops4 ,here is a better instance to enable some of you to see the certainty with which we can convey this force1 where1 under ordinary circumstances1 chemical affinity would not act4 ,we may absolutely take these two charcoal poles down under water1 and get our electric light there2--there they are in the water1 and you observe1 when ,i bring them into connection1 we have the same light as we had in that glass vessel4 ,now1 besides this production of light1 we have all the other effects and powers of burning zinc4 ,i have a few wires here which are not combustible1 and ,i am going to take one of them1 a small platinum wire1 and suspend it between these two rods1 which are connected with the battery2 and1 when contact is made at the battery1 see what heat we get 7fig4 #dh74 ,is not that beautiful8--it is a complete bridge of power4 ,there is metallic connection all the way round in this arrangement2 and where ,i have inserted the platinum1 which offers some resistance to the passage of the force1 you see what an amount of heat is evolved1--this is the heat which the zinc would give if burnt in oxygen2 but as it is being burnt in the voltaic battery1 it is giving it out at this spot4 ,i will now shorten this wire for the sake of shewing you1 that the shorter the obstructing wire is1 the more and more intense is the heat1 until at last our platinum is fused and falls down1 breaking off the circuit4 ,illustration3 ,fig4 #dh4 ,illustration3 ,fig4 #di4 ,here is another instance4 ,i will take a piece of the metal silver1 and place it on charcoal1 connected with one end of the battery1 and lower the other charcoal pole on to it4 ,see how brilliantly it burns 7fig4 #di74 ,here is a piece of iron on the charcoal--see what a combustion is going on2 and we might go on in this way1 burning almost everything we place between the poles4 ,now1 ,i want to shew you that this power is still chemical affinity--that if we call the power which is evolved at this point heat1 or electricity1 or any other name referring to its source1 or the way in which it travels1 we still shall find it to be chemical action4 ,here is a coloured liquid which can shew by its change of colour the effects of chemical action4 ,i will pour part of it into this glass1 and you will find that these wires have a very strong action4 ,i am not going to shew you any effects of combustion or heat2 but ,i will take these two platinum plates1 and fasten one to the one pole1 and the other to the other end1 and place them in this solution1 and in a very short time you will see the blue colour will be entirely destroyed4 ,see1 it is colourless now6--,i have merely brought the end of the wires into the solution of indigo1 and the power of electricity has come through these wires1 and made itself evident by its chemical action4 ,there is also another curious thing to be noticed1 now we are dealing with the chemistry of electricity1 which is1 that the chemical power which destroys the colour is only due to the action on one side4 ,i will pour some more of this sulpho-indigotic acid#bc into a flat dish1 and will then make a porous dyke of sand1 separating the two portions of fluid into two parts 7fig4 #ej72 and now we shall be able to see whether there is any difference in the two ends of the battery1 and which it is that possesses this peculiar action4 ,you see it is the one on my right hand which has the power of destroying the blue--for the portion on that side is thoroughly bleached--while nothing has apparently occurred on the other side4 ,i say apparently1 for you must not imagine that1 because you cannot perceive any action1 none has taken place4 ,illustration3 ,fig4 #ej4 ,here we have another instance of chemical action4 ,i take these platinum plates again1 and immerse them in this solution of copper1 from which we formerly precipitated some of the metal1 when the platinum and zinc were both put in it together4 ,you see that these two platinum plates have no chemical action of any kind--they might remain in the solution as long as ,i liked1 without having any power of themselves to reduce the copper2--but the moment ,i bring the two poles of the battery in contact with them1 the chemical action1 which is there transformed into electricity and carried along the wires1 again becomes chemical action at the two platinum poles2 and now we shall have the power appearing on the left-hand side1 and throwing down the copper in the metallic state on the platinum plate2 and in this way ,i might give you many instances of the extraordinary way in which this chemical action1 or electricity1 may be carried about4 ,that strange nugget of gold1 of which there is a model in the other room--and which has an interest of its own in the natural history of gold1 and which came from ,ballarat1 and was worth #h1jjj1 or #i1jjj1 when it was melted down last ,november--was brought together in the bowels of the earth1 perhaps ages and ages ago1 by some such power as this4 ,and there is also another beautiful result dependent upon chemical affinity in that fine lead-tree#bd--the lead growing and growing by virtue of this power4 ,the lead and the zinc are combined together in a little voltaic arrangement1 in a manner far more important than the powerful one you see here2 because1 in nature1 these minute actions are going on for ever1 and are of great and wonderful importance in the precipitation of metals and formation of mineral veins1 and so forth4 ,these actions are not for a limited time1 like my battery here1 but they act for ever in small degrees1 accumulating more and more of the results4 ,i have here given you all the illustrations that time will permit me to shew you of chemical affinity producing electricity1 and electricity again becoming chemical affinity4 ,let that suffice for the present1 and let us now go a little deeper into the subject of this chemical force1 or this electricity--which shall ,i name first--the one producing the other in a variety of ways8 ,these forces are also wonderful in their power of producing another of the forces we have been considering1 namely1 that of magnetism2 and you know that it is only of late years1 and long since ,i was born1 that the discovery of the relations of these two forces of electricity and chemical affinity to produce magnetism have become known4 ,philosophers had been suspecting this affinity for a long time1 and had long had great hopes of success2 for in the pursuit of science we first start with hopes and expectations4 ,these we realise and establish1 never again to be lost1 and upon them we found new expectations of further discoveries1 and so go on pursuing1 realising1 establishing1 and founding new hopes again and again4 ,illustration3 ,fig4 #ea4 ,illustration3 ,fig4 #eb4 ,now1 observe this3 here is a piece of wire which ,i am about to make into a bridge of force--that is to say1 a communicator between the two ends of the battery4 ,it is copper wire only1 and is therefore not magnetic of itself4 ,we will examine this wire with our magnetic needle 7fig4 #ea72 and though connected with one extreme end of the battery1 you see that1 before the circuit is completed1 it has no power over the magnet4 ,but observe it when ,i make contact2 watch the needle--see how it is swung round1 and notice how indifferent it becomes if ,i break contact again2 so you see we have this wire evidently affecting the magnetic needle under these circumstances4 ,let me shew you that a little more strongly4 ,i have here a quantity of wire1 which has been wound into a spiral2 and this will affect the magnetic needle in a very curious manner1 because1 owing to its shape1 it will act very like a real magnet4 ,the copper spiral has no power over that magnetic needle at present2 but if ,i cause the electric current to circulate through it1 by bringing the two ends of the battery in contact with the ends of the wire which forms the spiral1 what will happen8 ,why1 one end of the needle is most powerfully drawn to it2 and if ,i take the other end of the needle1 it is repelled3 so you see ,i have produced exactly the same phenomena as ,i had with the bar magnet1--one end attracting1 and the other repelling4 ,is not this1 then1 curious1 to see that we can construct a magnet of copper8 ,furthermore1 if ,i take an iron bar1 and put it inside the coil1 so long as there is no electric current circulating round1 it has no attraction1--as you will observe if ,i bring a little iron filings or nails near the iron4 ,but now1 if ,i make contact with the battery1 they are attracted at once4 ,it becomes at once a powerful magnet--so much so1 that ,i should not wonder if these magnetic needles on different parts of the table pointed to it4 ,and ,i will shew you by another experiment what an attraction it has4 ,this piece and that piece of iron1 and many other pieces1 are now strongly attracted 7fig4 #eb72 but as soon as ,i break contact1 the power is all gone1 and they fall4 ,what1 then1 can be a better or a stronger proof than this of the relation of the powers of magnetism and electricity8 ,again1 here is a little piece of iron which is not yet magnetised4 ,it will not at present take up any one of these nails2 but ,i will take a piece of wire and coil it round the iron 7the wire being covered with cotton in every part1 it does not touch the iron71 so that the current must go round in this spiral coil4 ,i am1 in fact1 preparing an electro-magnet 7we are obliged to use such terms to express our meaning1 because it is a magnet made by electricity--because we produce by the force of electricity a magnet of far greater power than a permanent steel one74 ,it is now completed1 and ,i will repeat the experiment which you saw the other day1 of building up a bridge of iron nails4 ,the contact is now made1 and the current is going through2 it is now a powerful magnet4 ,here are the iron nails which we had the other day2 and now ,i have brought this magnet near them1 they are clinging so hard that ,i can scarcely move them with my hand 7fig4 #ec74 ,but when the contact is broken1 see how they fall4 ,what can shew you better than such an experiment as this the magnetic attraction with which we have endowed these portions of iron8 ,here1 again1 is a fine illustration of this strong power of magnetism4 ,it is a magnet of the same sort as the one you have just seen4 ,i am about to make the current of electricity pass through the wires which are round this iron for the purpose of shewing you what powerful effects we get4 ,here are the poles of the magnet2 and let us place on one of them this long bar of iron4 ,you see1 as soon as contact is made1 how it rises in position 7fig4 #ed72 and if ,i take such a piece as this cylinder1 and place it on1 woe be to me if ,i get my finger between3 ,i can roll it over1 but if ,i try to pull it off1 ,i might lift up the whole magnet2 but ,i have no power to overcome the magnetic power which is here evident4 ,i might give you an infinity of illustrations of this high magnetic power4 ,there is that long bar of iron held out2 and ,i have no doubt that1 if ,i were to examine the other end1 ,i should find that it was a magnet4 ,see what power it must have to support not only these nails but all those lumps of iron hanging on to the end4 ,what1 then1 can surpass these evidences of the change of chemical force into electricity1 and electricity into magnetism8 ,i might shew you many other experiments whereby ,i could obtain electricity and chemical action1 heat and light1 from a magnet2 but what more need ,i shew you to prove the universal correlation of the physical forces of matter1 and their mutual conversion one into another8 ,illustration3 ,fig4 #ec4 ,illustration3 ,fig4 #ed4 ,and now1 let us give place1 as juveniles1 to the respect we owe to our elders2 and for a time let me address myself to those of our seniors who have honoured me with their presence during these lectures4 ,i wish to claim this moment for the purpose of tendering our thanks to them1 and my thanks to you all1 for the way in which you have borne the inconvenience that ,i at first subjected you to4 ,i hope that the insight which you have here gained into some of the laws by which the universe is governed1 may be the occasion of some amongst you turning your attention to these subjects2 for what study is there more fitted to the mind of man than that of the physical sciences8 ,and what is there more capable of giving him an insight into the actions of those laws1 a knowledge of which gives interest to the most trifling phenomenon of nature1 and makes the observing student find-- 8----tongues in trees1 books in the running brooks1 ,sermons in stones1 and good in everything80 ,,lecture ,,on ,,light-,,house ,,illumination--,,the ,,electric ,,light4 ,delivered before the ,royal ,institution on ,friday1 #ith ,march1 #ahfj4 ,there is no part of my life which gives me more delight than my connection with the ,trinity ,house4 ,the occupation of nations joined together to guide the mariner over the sea1 to all a point of great interest1 is infinitely more so to those who are concerned in the operations which they carry into effect2 and it certainly has astonished me1 since ,i have been connected with the ,trinity ,house1 to see how beautifully and how wonderfully shines forth amongst nations at large the desire to do good2 and you will not regret having come here to-night1 if you follow me in the various attempts which have been made to carry out the great object of guiding in safety all people across the dark and dreary waste of waters4 ,it is wonderful to think how eagerly efforts at improvement are made by the various public bodies--the ,trinity ,house in this country1 and ,commissions in ,france and other nations2 and whilst the improvements progress1 we come to the knowledge of such curious difficulties1 and such odd modes of getting over those difficulties1 as are not easy to be conceived4 ,i must ask you this evening to follow me from the simplest possible method of giving a sign by means of a light to persons at a distance1 to the modes at which we have arrived in the present day2 and to consider the difficulties which arise when carrying out these improvements to a practical result1 and the extraordinary care which those who have to judge on these points must take in order to guard against the too hasty adoption of some fancied improvement1 thus1 as has happened in some few cases1 doing harm instead of good4 ,if ,i try to make you understand these things partly by old models1 and partly by those which we have here1 it is only that ,i may the better be enabled to illustrate that which ,i look forward to as the higher mode of lighting1 by means of the electric lamp and the lime light4 ,illustration3 ,fig4 #ee4 ,there is nothing more simple than a candle being set down in a cottage window to guide a husband to his home2 but when we want to make a similar guide on a large scale1 not merely over a river or over a moor1 but over large expanses of sea1 how can we then make the signal1 using only a candle8 ,i have shewn in this diagram 7fig4 #ee7 what we may imagine to be the rays of a candle or any other source of light emanating from the centre of a sphere in all directions round to infinite distances4 ,after this simple kind of light had been used for some time--it being found to be liable to be obscured by fogs1 or distance1 or other circumstance--there arose the attempt to make larger lights by means of fires2 and after that there was introduced a very important refinement in the mode of dealing with the light1 namely1 the principle of reflection1--for1 understand this 7which is not known by all1 and not known by many who should know it71 that when we take a source of light--a single candle1 for instance1 giving off any quantity of light--we can by no means increase that light3 we can make arrangements around and about the light1 as you see here1 but we can by no means increase the quantity of light4 ,the utmost ,i can do is to direct the light which the lamp gives me by taking a certain portion of the rays going off on one side and reflecting them on to the course of the rays which issue in the opposite direction4 ,first of all1 let us consider how we may gather in the rays of light which pass off from this candle4 ,you will easily see that if ,i could take the half-rays on the one side1 and could send them by any contrivance over to the other side1 ,i should gain an advantage in light on the side to which ,i directed them4 ,this is effected in a beautiful manner by the parabolic mirror1 by means of which ,i gather all that portion of the rays which are included in it--upwards1 downwards1 sideways1 anywhere within its sphere of action3 they are all picked up and sent forward4 ,you thus see what a beautiful and important invention is that of the parabolic reflector for throwing forward the rays of light4 ,illustration3 ,fig4 #ef4 ,before ,i go further into the subject of reflection1 let me point out a further mode of dealing with the direction of the light4 ,for instance1 here is a candle1 and ,i can employ the principle of refraction to bend and direct the rays of light2 and if ,i want to increase the light in any one direction1 ,i must either take a reflector or use the principle of refraction4 ,i will place this lens 7fig4 #ef7 in front of the candle1 and you will easily see that by its means ,i can throw on to that sheet of paper a great light2 that is to say1 that instead of the light being thrown all about1 it is refracted and concentrated on to that paper4 ,so here ,i have another means of bending the light and sending it in one direction2 and you see above a still better arrangement for the same purpose1--one which comes up to the maximum1 ,i may say1 of the ability of directing light by this means4 ,you are aware that without that arrangement of glass the light would be dispersed in all directions2 but the lens being there1 all the light which passes through it is thrown into parallel beams and cast horizontally along4 ,there is consequently no loss of light--the beam goes forward of the same dimensions1 and will consequently continue to go forward for five or ten miles1 or so long as the imperfection of the atmosphere does not absorb it3 and see1 what a glorious power that is1 to be able to convert what was just now darkness on that paper into brilliant light6 ,whenever we have refraction of this sort1 we are liable to an evil consequent upon the necessary imperfections in the form of the lens2 and ,dr4 ,tyndall will take this lens1 and will shew you even in this small and perfect apparatus what is the evil of spherical aberration with which we have to fight4 ,this can be illustrated by means of the electric lamp3 if you look at the screen1 you will see produced1 by means of this lens1 a figure of the coal points4 ,this image is produced by the rays which pass through the middle of the lens1 a piece of card with a hole in the centre being placed in front2 but if1 keeping the rest of the apparatus in the same position1 ,i change this card for another piece which will only allow the rays to pass through the edge of the lens1 you observe how inferior the image will be4 ,in order to get it distinct1 ,i have to bring the screen much nearer the lamp2 and so1 if ,i take the card away altogether1 and allow the light to pass through all parts of the lens1 we cannot get a perfect image1 because the different parts of the lens are not able to act together4 ,this spherical aberration is1 therefore1 what we try to avoid by building up compound lenses in the manner here shewn 7fig4 #eh74 ,look at this beautiful apparatus--is it not a most charming piece of workmanship8 ,buffon first1 and ,fresnel afterwards1 built up these kind of lenses1 ring within ring1 each at its proper adjustment1 to compensate for the effects of spherical aberration4 ,the ring round that centre lens is ground so as to obviate what would otherwise give rise to spherical aberration2 and the next ring being corrected in the same manner1 you will perceive1 if you look at the disc of light thrown by the apparatus upstairs1 that there is nothing like the amount of aberration that there would have been if it had been one great bull's-eye4 ,here is one of ,fresnel's lamps of the fourth order so constructed 7fig4 #eg73 observe the fine effect obtained by these different lenses1 as you see them revolve before you1 and understand that all this upper part is made to form part of the lens1 each prism throwing its rays to increase the effect2 and although you may think it is imperfect1 because1 if you happen to sit below or above the horizontal line1 you perceive but little if any of the light1 yet you must bear in mind that we want the rays to go in a straight line to the horizon4 ,so that all that building up of rings of glass is for the purpose of producing one fine and glorious lens of a large size1 to send the rays all in one direction4 ,here is another apparatus used to pull the rays down to a horizontal sheet of light1 so that the mariner may see it as a constant and uniform fixed light4 ,the former lamp is a revolving one1 and the light is seen only at certain times1 as the lenses move round1 and these are the points which make them valuable in their application4 ,illustration3 ,fig4 #eg4 ,there are various orders and sizes of lights in light-houses1 to shine for twenty or thirty miles over the sea1 and to give indications according to the purposes for which they are required2 but suppose we want more effect than is produced by these means1 how are we to get more light8 ,here comes the difficulty4 ,we cannot get more light1 because we are limited by the condition of the burner4 ,in any of these cases1 if the spreading of the ray1 or divergence1 as it is called1 is not restrained1 it soon fails from weakness2 and if it does not diverge at all1 it makes the light so small1 that perhaps only one in a hundred can see it at the same time4 ,the ,south ,foreland light-house is1 ,i think1 #cjj or #djj feet above the level of the sea2 and therefore it is necessary to have a certain divergence of the beam of light1 in order that it may shine along the sea to the horizon4 ,i have drawn here two wedges--one has an angle of #ae1 and shews you the manner in which the light opens out from this reflector1 seen at the distance of half-a-mile or more2 the other wedge has an angle of #f1 which is the beautiful angle of ,fresnel4 ,when the angle is less than #f1 the mariner is not quite sure that he will see the light--he may be beneath or above it2 and1 in practice1 it is found that we cannot have a larger angle than #ae1 or a less one than #f4 ,in order1 therefore1 to get more light1 we must have more combustion1 more cotton1 more oil2 but already there are in that lamp four wicks1 put in concentric rings1 one within the other2 and we cannot increase them much more1 owing to the divergence which would be caused by an increase in the size of the light--the more the divergence1 the more the light is diffused and lost4 ,we are therefore restrained1 by the condition of the light and the apparatus1 to a certain sized lamp4 ,at ,teignmouth1 some of the revolving lights have ten lamps and reflectors1 all throwing their light forward at once4 ,but even with ten lamps and reflectors1 we do not get sufficient light2 and we want1 therefore1 a means of getting a light more intense than a candle in the space of a candle--not merely an accumulation of candle upon candle1 but a concentration1 into the space of a candle1 of a greater amount of light2 and it is here that the electric light comes to be of so much value4 ,let me now shew you what are the properties of that light which make it useful for light-house illumination1 and which has been brought to a practical condition by the energy and constancy of ,professor ,holmes4 ,i will1 first of all1 shew you the image of the charcoal points on the screen1 and draw your attention to the spot where the light is produced4 ,there are the coal points4 ,the two carbons are brought within a certain distance2 the electricity is being urged across by the voltaic battery1 and the coal points are brought into an intense state of ignition4 ,you will observe that the light is essentially given by the carbons4 ,you see that one is much more luminous than the other1 and that is the end which principally forms the spark4 ,the other does not shine so much1 and there is a space between the two1 which1 although not very luminous1 is most important to the production of the light4 ,dr4 ,tyndall will help me in shewing you that a blast of wind will blow out that light--the electric light can1 in fact1 be blown out easier than a candle4 ,we have the power of getting our light where we please4 ,if ,i cause the electricity to pass between carbon and mercury1 ,i get a most intense and beautiful light--most of it being given off from the portion of the mercury between the liquid and the solid pole4 ,i can shew you that the light is sometimes produced by the vapour between the two poles better1 if ,i take silver1 than when ,i use mercury4 ,here is the carbon pole1 there is the silver1 and there is the beautiful green light1 which comes from the intervening portions4 ,now1 that light is more easily blown out than the common lamp1 the slightest puff of wind being sufficient to extinguish it1 as you will see if ,dr4 ,tyndall breathes upon it4 ,you see1 therefore1 how we are able1 by using this electric spark1 to get1 first of all1 the light into a very small space4 ,that oil-lamp has a burner #c inches in diameter4 ,compare the size of the flame with the space occupied by this electric light4 ,next1 compare the intensity of this light with any other4 ,if ,i take this candle1 and place it by the side1 ,i actually seem to put out the candle4 ,we are thus able to get a light which1 while it surpasses all others in brilliancy1 is at the same time not too large2 for ,i might put this light into an apparatus not larger than a hat1 and yet ,i could count upon the rays being useful4 ,moreover1 when such large burners are used in a lantern1 we have to consider whether the bars of the window do not interfere to throw a shadow or otherwise2 but with this light there will be no difficulty of that sort1 as a single small speculum1 no larger than a hat1 will send it in any direction we please2 and it is wonderful what advantages1 by reason of its small bulk1 we have in the consideration of the different kinds of apparatus required1 reflecting or refracting1 irrespective of other reasons for using the electric light4 ,and it is these kind of things which make us decide most earnestly and carefully in favour of the electric light4 ,illustration3 ,fig4 #eh4 ,i am going to shew you the effect that will take place with that large lens1 when we throw the oil-lamp out of action1 and put the electric light into use4 ,it is astonishing to find how little the eye can compare the relative intensities of two lights4 ,look at that screen1 and try to recollect the amount of light thrown upon it from the #c inch lamp of ,fresnel2 and1 now1 when we shift the lens sideways1 look at the glorious light arising from that small carbon point 7fig4 #eh7--see how beautifully it shines in the focus of that lens1 and throws the rays forward4 ,at present1 the electric light is put at just the same distance as the oil light2 and therefore1 being in the focus of the lens1 we have parallel rays which are thrown forward in a perfectly straight line--as you will see by comparing the size of the lens with that of the light thrown on the screen4 ,you will now see how far we can affect this beam of light by increasing or diminishing the distance of the lamp4 ,we are able1 by a small adjustment1 to get a beam of a large or small angle2 and observe what power ,i have now over it1--for if ,i want to increase the degrees of divergence1 ,i am limited by the power of light1 in the case of the oil-lamp2 but1 with the electric light1 ,i can make it spread over any width of the horizon by this simple adjustment4 ,these1 then1 are some of the reasons which make it desirable to employ the electric light4 ,illustration3 ,fig4 #ei4 ,by means of a magnet1 and of motion1 we can get the same kind of electricity as ,i have here from the battery2 and1 under the authority of the ,trinity ,house1 ,professor ,holmes has been occupied in introducing the magneto-electric light in the light-house at the ,south ,foreland2 for the voltaic battery has been tried under every conceivable circumstance1 and1 ,i take the liberty of saying1 it has hitherto proved a decided failure4 ,here1 however1 is an instrument wrought only by mechanical motion4 ,the moment we give motion to this soft iron in front of the magnet1 we get a spark4 ,it is true1 in this apparatus it is very small1 but it is sufficient for you to judge of its character4 ,it is the magneto-electric light2 and an instrument has been constructed1 as there shewn 7fig4 #ei71 which represents a number of magnets placed radially upon a wheel--three wheels of magnets and two sets of helices4 ,when the machine1 which is worked by a two-horse power engine1 is properly set in motion1 and the different currents are all brought together1 and thrown by ,professor ,holmes up into the lantern1 we have a light equal to the one we have been using this evening4 ,for the last six months the ,south ,foreland has been shining by means of this electric light--beyond all comparison1 better than its former light4 ,it has shone into ,france1 and has been seen there and taken notice of by the authorities1 who work with beautiful accord with us in all these matters4 ,never for once during six months has it failed in doing its duty--never once--more than was expected by the inventor4 ,it has shone forth with its own peculiar character1 and this even with the old apparatus2 for1 as yet1 no attempt has been made to construct special reflectors or refractors for it1 because it is not yet established4 ,i will not tell you that the problem of employing the magneto-electric spark for light-house illumination is quite solved yet1 although ,i desire it should be established most earnestly 7for ,i regard this magnetic spark as one of my own offspring74 ,the thing is not yet decidedly accomplished1 and what the considerations of expense and other matters may be1 ,i cannot tell4 ,i am only here to tell you as a philosopher1 how far the results have been carried2 but ,i do hope that the authorities will find it a proper thing to carry out in full4 ,if it cannot be introduced at all the light-houses--if it can only be used at one--why1 really1 it will be an honour to the nation which can originate such an improvement as this--one which must of necessity be followed by other nations4 ,you may ask1 what is the use of this bright light8 ,it would not be useful to us1 were it not for the constant changes which are taking place in the atmosphere1 which is never pure4 ,even when we can see the stars clearly on a bright night1 it is not a pure atmosphere4 ,the light of a light-house1 more than any other1 is liable to be dimmed by vapours and fogs2 and where we most want this great power1 is not in the finest condition of the atmosphere1 but when the mariner is in danger--when the sleet and rain are falling1 and the fogs arise1 and the winds are blowing1 and he is nearing coasts where the water is shallow1 and abounds with rocks1--then is his time of danger1 when he most wants this light4 ,i am going to shew you how1 by means of a little steam1 ,i can completely obscure this glorious sun1 this electric light which you see4 ,the cloud now obscuring the light on the screen is only such a cloud as you see when sitting in a train on a fine summer's day4 ,you may observe that the vapour passing out of the funnel casts as deep a shadow on the ground as the black funnel2 the very sun itself is extinguished by the steam from the funnel1 so that it cannot give any light2 and the sun itself1 if set in the light-house1 would not be able to penetrate such a vapour4 ,now1 the haze of this cloud of steam is just what we have to overcome1 and the electric light is as soon1 proportionally1 extinguished by an obstruction of this kind as any other light4 ,if we take two lights1 one four times the intensity of the other1 and we extinguish half of one by a vapour1 we extinguish half of the other--and that is a fact which cannot be set aside by any arrangement4 ,but1 then1 we fall back upon the amount of light which the electric spark does give us in aid of the power of penetrating the fog2 for the light of the electric spark shines so far at times1 that even before it has arisen above the horizon1 twenty-five miles off1 it can be seen4 ,this intense light has1 therefore1 that power which we can take advantage of1--of bearing a great deal of obstruction1 before it is entirely obscured by fogs or otherwise4 ,taking care that we do not lead our authorities into error by the advice given1 we hope that we shall soon be able to recommend the ,trinity ,house1 from what has passed1 to establish either one or more good electric lights in this country4 ,,notes4 ,,lecture ,i4 #a ,page #ac4 ,the opening lecture was twice postponed on account of ,dr4 ,faraday's illness4 #b ,page #bb4 ,platinum1 with one exception1 the heaviest body known1 is #ba times heavier than water4 #c ,page #bb4 ,aluminium is #b times heavier than water4 #d ,pages #bc and #bd4 ,power or ,property in ,water4--,this power--the heat by which the water is kept in a fluid state--is said1 under ordinary circumstances1 to be latent or insensible4 ,when1 however1 the water changes its form1 and1 by uniting with the lime or sulphate of copper1 becomes solid1 the heat which retained it in a liquid state is evolved4 #e ,page #bc4 ,anhydrous ,sulphate of ,copper3 sulphate of copper deprived of its water of crystallisation4 ,to obtain it1 the blue sulphate is calcined in an earthen crucible4 #f ,page #bi4 ,add a little liquid to the marble1 and decompose it4--,marble is composed of carbonic acid and lime1 and1 in chemical language1 is called carbonate of lime4 ,when sulphuric acid is added to it1 the carbonic acid is set free1 and the sulphuric acid unites with the lime to form sulphate of lime4 ,carbonic acid1 under ordinary circumstances1 is a colourless invisible gas1 about half as heavy again as air4 ,dr4 ,faraday first shewed that1 under great pressure1 it could be obtained in a liquid state4 ,thilorier1 a ,french chemist1 afterwards found that it could be solidified4 ,,lecture ,,ii4 #g ,page #ee4 ,crystallisation of ,alum4--,the solution must be saturated--that is1 it must contain as much alum as can possibly be dissolved4 ,in making the solution1 it is best to add powdered alum to hot water as long as it dissolves2 and when no more is taken up1 allow the solution to stand a few minutes1 and then pour it off from the dirt and undissolved alum4 #h ,page #eg4 ,red ,precipitate of ,biniodide of ,mercury4--,a little care is necessary to obtain this precipitate4 ,the solution of potassium should be added to the solution of perchloride of mercury 7corrosive sublimate7 very gradually4 ,the red precipitate which first falls is redissolved when the liquid is stirred3 when a little more of the iodide of potassium is added1 a pale1 red precipitate is formed1 which1 on the further addition of the iodide1 changes into the brilliant scarlet biniodide of mercury4 ,if too much iodide of potassium is added1 the scarlet precipitate disappears1 and a colourless solution is left4 #i ,page #eg4 ,paper ,coated with ,scarlet ,biniodide of ,mercury4--,in order to fix the biniodide on paper1 it must be mixed with a little weak gum water1 and then spread over the paper1 which must be dried without heat4 ,biniodide of ,mercury is said to be dimorphous2 that is1 is able to assume two different forms4 #aj ,page #ei4 8,prince ,rupert's ,drops40-,these are made by pouring drops of melted green glass into cold water4 ,they were not1 as is commonly supposed1 invented by ,prince ,rupert1 but were first brought to ,england by him1 in #affj4 ,they excited a great deal of curiosity1 and were considered 8a kind of miracle in nature40 #aa ,page #fj4 ,thick ,glass ,vessels4--,they are called ,proofs or ,bologna phials4 #ab ,page #fa4 ,mica4--,a silicate of alumina and magnesia4 ,it has a bright metallic lustre--hence its name1 from mico1 to shine4 #ac ,page #fb4 ,common salt1 or chloride of sodium1 crystallises in the form of solid cubes1 which1 aggregated together1 form a mass1 which may be broken up into the separate cubes4 #ad ,page #fb4 ,iceland or ,calc ,spar4--,native carbonate of lime in its primitive crystalline form4 ,,lecture ,,iii4 #ae ,page #gi4 ,solution of a ,salt4--,acetate of soda4 ,a solution saturated1 or nearly so1 at the boiling point1 is necessary1 and it must be allowed to cool1 and remain at rest until the experiment is made4 #af ,page #hf4 ,binoxide of ,nitrogen and ,hypo-nitrous ,acid4--,binoxide of nitrogen is formed when nitric acid and a little water are added to some copper turnings4 ,it produces deep red fumes as soon as it comes in contact with the air1 by combining with the oxygen of the latter to form hypo-nitrous acid4 ,binoxide of nitrogen is composed of two parts oxygen and one part of nitrogen2 hypo-nitrous acid is composed of one part of nitrogen and three parts of oxygen4 ,,lecture ,,iv4 #ag ,page #ajf4 ,chlorate of ,potash and ,sulphuret of ,antimony4--,great care must be taken in mixing these substances1 as the mixture is dangerously explosive4 ,they must be powdered separately1 and mixed together with a feather on a sheet of paper1 or by passing them several times through a small sieve4 #ah ,page #ajg4 ,the mixture of chlorate of potash and sugar does not require the same precautions4 ,they may be rubbed together in a pestle and mortar without fear4 ,one part of chlorate of potash and three parts of sugar will answer4 ,the mixture need only be touched with a glass rod dipped in oil of vitriol4 #ai ,page #ajg4 ,two ,salts ,dissolved in ,water4--,sulphate of soda and chloride of calcium4 ,the solutions must be saturated for the experiment to succeed well4 #bj ,page #aaa4 ,lead ,pyrophorous4--,this is a tartrate of lead which has been heated in a glass tube to dull redness as long as vapours are emitted4 ,as soon as they cease to be evolved1 the end of the tube is sealed1 and it is allowed to cool4 #ba ,page #aae4 ,gun-,cotton is made by immersing cotton-wool in a mixture of sulphuric acid and the strongest nitric acid1 or of sulphuric acid and nitrate of potash4 #bb ,page #aae4 ,paper ,prepared like ,gun-,cotton4--,it should be bibulous paper1 and must be soaked for ten minutes in a mixture of ten parts by measure of oil of vitriol with five parts of strong fuming nitric acid4 ,the paper must afterwards be thoroughly washed with warm distilled water1 and then carefully dried at a gentle heat4 ,the paper is then saturated with chlorate of strontia1 or chlorate of baryta1 or nitrate of copper1 by immersion in a warm solution of these salts4 7,see ,chemical ,news1 ,vol4 ,i41 page #cf47 ,,lecture ,,vi4 #bc ,page #afb4 ,sulpho-indigotic ,acid4--,a mixture of one part of indigo and fifteen parts of concentrated oil of vitriol4 ,it is bleached on the side at which hydrogen gas is evolved1 in consequence of the liberated hydrogen withdrawing oxygen from the indigo1 thereby forming a colourless deoxidised indigo4 ,in making the experiment1 only enough of the sulpho-indigotic acid must be added to give the water a decided blue colour4 #bd ,page #afd4 ,lead ,tree4--,to make a lead tree1 pass a bundle of brass wires through the cork of a bottle1 and fasten a plate of zinc round them just as they issue from the cork1 so that the zinc may be in contact with every one of the wires4 ,make the wires to diverge so as to form a sort of cone1 and having filled the bottle quite full of a solution of sugar of lead1 insert the wires and cork1 and seal it down1 so as to perfectly exclude the air4 ,in a short time the metallic lead will begin to crystallise around the divergent wires1 and form a beautiful object4 ,,the ,,end4 ,,bell ,,and ,,bain1 ,,limited1 ,,printers1 ,,glasgow4 ,telegraphic ,address--,,bookstore1 ,,london4 ,telephone ,no4--#cebd ,,central4 ,,an ,,alphabetical ,,catalogue ,,of ,,books ,,in ,,fiction ,,and ,,general ,,literature ,,published ,,by ,,chatto ,,windus #aaa ,,st4 ,,martin',s ,,lane ,,charing ,,cross ,,london1 ,w4,c4 ,,june1 #aijd4 ,a ,b ,c 7,the7 of ,cricket3 a ,black ,view of the ,game4 7#bf ,illustrations47 ,by ,,hugh ,,fielding4 ,demy #hvo1 #as4 ,adams 7,w4 ,davenport71 ,works by4 ,a ,dictionary of the ,drama3 ,a ,guide to the ,plays1 ,playwrights1 ,players1 and ,playhouses of the ,united ,kingdom and ,america1 from the ,earliest ,times to the ,present4 ,vol4 ,i4 7,a to ,g74 ,demy #hvo1 cloth1 #ajs4 #f;d4 net4 ,shortly4 ,quips and ,quiddities4 ,selected by ,w4 ,,davenport ,,adams4 ,post #hvo1 cloth limp1 #bs4 #f;d4 ,agony ,column 7,the7 of #8,the ,times1' from #ahjj to #ahgj4 ,edited1 with an ,introduction1 by ,,alice ,,clay4 ,post #hvo1 cloth limp1 #bs4 #f;d4 ,alden 7,w4 ,l474--,drewitt's ,dream4 ,crown #hvo1 cloth1 gilt top1 #fs4 ,alexander 7,mrs471 ,novels by4 ,post #hvo1 illustrated boards1 #bs4 each4 ,maid1 ,wife1 or ,widow8 ,blind ,fate4 ,crown #hvo1 cloth1 #cs4 #f;d4 each2 post #hvo1 picture boards1 #bs4 each4 ,valerie's ,fate4 ,a ,life ,interest4 ,mona's ,choice4 ,by ,woman's ,wit4 ,crown #hvo1 cloth #cs4 #f;d4 each4 ,the ,cost of her ,pride4 ,a ,golden ,autumn4 ,barbara1 ,lady's ,maid and ,peeress4 ,mrs4 ,crichton's ,creditor4 ,a ,missing ,hero4 ,a ,fight with ,fate4 ,the ,step-mother4 ,allen 7,f4 ,m474--,green as ,grass4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,allen 7,grant71 ,works by4 ,crown #hvo1 cloth1 #fs4 each4 ,the ,evolutionist at ,large4 ,moorland ,idylls4 ,post-,prandial ,philosophy4 ,crown #hvo1 art linen1 #cs4 #f;d4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 each2 post #hvo1 illustrated boards1 #bs4 each4 ,babylon4 #ab ,illustrations4 ,strange ,stories4 ,the ,beckoning ,hand4 ,for ,maimie's ,sake4 ,philistia4 ,in all ,shades4 ,the ,devil's ,die4 ,this ,mortal ,coil4 ,the ,tents of ,shem4 ,the ,great ,taboo4 ,dumaresq's ,daughter4 ,under ,sealed ,orders4 ,the ,duchess of ,powysland4 ,blood ,royal4 ,ivan ,greet's ,masterpiece4 ,the ,scallywag4 #bd ,illusts4 ,at ,market ,value4 ,the ,tents of ,shem4 ,,popular ,,edition1 medium #hvo1 #f;d4 ,anderson 7,mary74--,othello's ,occupation4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,andrews 7,e4 ,benjamin74--,the ,united ,states in ,our ,own ,time4 ,with #ejj ,illustrations4 ,royal #hvo1 cloth1 gilt top1 #afs4 net4 ,antrobus 7,c4 ,l471 ,novels by4 ,crown #hvo1 cloth1 gilt top4 #fs4 each4 ,quality ,corner4 ,wildersmoor4 ,the ,wine of ,finvarra4 ,appleton 7,g4 ,w471 ,novels by4 ,rash ,conclusions4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,the ,lady ,in ,sables4 ,crown #hvo1 cloth1 gilt top1 #fs4 ,arnold 7,edwin ,lester71 ,stories by4 ,the ,wonderful ,adventures of ,phra the ,phnician4 ,crown #hvo1 cloth extra1 with #ab ,illustrations by ,h4 ,m4 ,,paget1 #cs4 #f;d42 post #hvo1 ,illustrated boards1 #bs4 ,the ,constable of ,st4 ,nicholas4 ,with ,frontispiece by ,s4 ,l4 ,,wood4 ,crown #hvo1 cloth1 #cs4 #f;d42 picture cloth1 flat back1 #bs4 ,ashton 7,john71 ,works by4 ,english ,caricature and ,satire on ,napoleon the ,first4 ,with #aae ,illustrations4 ,crown #hvo1 cloth1 #gs4 #f;d4 ,social ,life in the ,reign of ,queen ,anne4 ,with #he ,illustrations4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,crown #hvo1 cloth1 gilt top1 #fs4 each4 ,social ,life under the ,regency4 ,with #ij ,illustrations4 ,florizel's ,folly3 ,the ,story of ,,george ,,iv4 ,with ,photogravure ,frontispiece and #ab ,illustrations4 ,art 7,the7 of ,amusing3 ,a ,collection of ,graceful ,arts1 ,games1 ,tricks1 ,puzzles1 and ,charades4 ,by ,,frank ,,bellew4 ,with #cjj ,illustrations4 ,crown #hvo1 cloth extra1 #ds4 #f;d4 ,artemus ,ward's ,works4 ,with ,portrait and ,facsimile4 ,crown #hvo1 cloth extra1 #cs4 #f;d4--,also a ,,popular ,,edition post #hvo1 picture boards1 #bs4 ,bacteria1 ,yeast ,fungi1 and ,allied ,species1 ,a ,synopsis of4 ,by ,w4 ,b4 ,,grove1 ,b4,a4 ,with #hg ,illustrations4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 ,bardsley 7,rev4 ,c4 ,wareing1 ,m4,a471 ,works by4 ,english ,surnames3 ,their ,sources and ,significations4 ,crown #hvo1 cloth1 #gs4 #f;d4 ,curiosities of ,puritan ,nomenclature4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,barr 7,robert71 ,stories by4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,in a ,steamer ,chair4 ,with ,frontispiece and ,vignette by ,,demain ,,hammond4 ,from ,whose ,bourne1 c4 ,with #dg ,illustrations by ,,hal ,,hurst and others4 ,revenge6 ,with #ab ,illustrations by ,,lancelot ,,speed and others4 ,a ,woman ,intervenes4 ,with #h ,illustrations by ,,hal ,,hurst4 ,crown #hvo1 cloth1 gilt top1 #fs4 each4 ,the ,unchanging ,east3 ,notes on a ,visit to the ,farther ,edge of the ,mediterranean4 ,a ,prince of ,good ,fellows4 ,with #ae ,illustrations by ,,edmund ,j4 ,,sullivan4 ,barrett 7,frank71 ,novels by4 ,post #hvo1 illustrated boards1 #bs4 each2 cloth1 #bs4 #f;d4 each4 ,the ,sin of ,olga ,zassoulich4 ,between ,life and ,death4 ,folly ,morrison4 ,little ,lady ,linton4 ,honest ,davie4 ,john ,ford2 and ,his ,helpmate4 ,a ,recoiling ,vengeance4 ,lieut4 ,barnabas4 ,found ,guilty4 ,for ,love and ,honour4 ,crown #hvo1 cloth1 #cs4 #f;d4 each2 post #hvo1 picture boards1 #bs4 each2 cloth limp1 #bs4 #f;d4 each4 ,fettered for ,life4 ,a ,missing ,witness4 ,with #h ,illustrations by ,w4 ,h4 ,,margetson4 ,the ,woman of the ,iron ,bracelets4 ,the ,harding ,scandal4 ,a ,prodigal's ,progress4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,under a ,strange ,mask4 ,with #ai ,illusts4 by ,e4 ,f4 ,,brewtnall4 ,was ,she ,justified8 ,lady ,judas4 ,crown #hvo1 cloth1 gilt top1 #fs4 ,baring ,gould 7,sabine1 ,author of #8,john ,herring1' c471 ,novels by4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 each2 post #hvo1 illustrated boards1 #bs4 each4 ,red ,spider4 ,eve4 ,beaconsfield1 ,lord4 ,by ,t4 ,p4 ,o',,connor1 ,m4,p4 ,cr4 #hvo1 cloth1 #es4 ,bechstein 7,ludwig74--,as ,pretty as ,seven1 and other ,german ,stories4 ,with ,additional ,tales by the ,brothers ,,grimm1 and #ih ,illustrations by ,,richter4 ,square #hvo1 cloth extra1 #fs4 #f;d42 gilt edges1 #gs4 #f;d4 ,bennett 7,arnold71 ,novels by4 ,crown #hvo1 cloth1 gilt top1 #fs4 each4 ,anna of the ,five ,towns4 ,leonora4 ,a ,great ,man4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,the ,grand ,babylon ,hotel4 ,the ,gates of ,wrath4 ,bennett 7,w4 ,c41 ,,ll4,d474--,songs for ,sailors4 ,post #hvo1 cl4 limp1 #bs4 ,bewick 7,thomas7 and his ,pupils4 ,by ,,austin ,,dobson4 ,with #ie ,illustrations4 ,square #hvo1 cloth extra1 #cs4 #f;d4 ,bierce 7,ambrose74--,in the ,midst of ,life3 ,tales of ,soldiers and ,civilians4 ,crown #hvo1 cloth extra1 #cs4 #f;d42 post #hvo1 illustrated boards1 #bs4 ,bill ,nye's ,comic ,history of the ,united ,states4 ,with #adf ,illustrations by ,f4 ,,opper4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 ,bindloss 7,harold71 ,novels by4 ,crown #hvo1 cloth1 gilt top1 #fs4 each4 ,a ,sower of ,wheat4 ,the ,concession-,hunters4 ,the ,mistress of ,bonaventure4 ,ainslie's ,ju-,ju3 ,a ,romance of the ,hinterland4 ,cr4 #hvo1 cloth1 #cs4 #f;d42 picture cloth1 flat back1 #bs4 ,blackburn's 7,henry7 ,art ,handbooks3 ,academy ,notes1 #ahge-gi4 ,in ,one ,vol41 with #fjj ,illustrations4 ,cloth1 #fs4 ,academy ,notes1 #ahij-id4 ,in ,one ,vol41 with #hjj ,illustrations4 ,cloth1 #gs4 #f;d4 ,academy ,notes1 #ahie-ii4 ,in ,one ,vol41 with #hjj ,illustrations4 ,cloth1 #fs4 ,grosvenor ,notes1 ,vol4 ,i44 #ahgg-hb4 ,with #cjj ,illustrations4 ,demy #hvo1 cloth1 #fs4 ,grosvenor ,notes1 ,vol4 ,,ii41 #ahhc-hg4 ,with #cjj ,illustrations4 ,demy #hvo1 cloth1 #fs4 ,the ,new ,gallery1 #ahhh-ib4 ,with #bej ,illustrations4 ,demy #hvo1 cloth1 #fs4 ,english ,pictures at the ,national ,gallery4 ,with #aad ,illustrations4 #as4 ,old ,masters at the ,national ,gallery4 ,with #abh ,illustrations4 #as4 #f;d4 ,an ,illustrated ,catalogue to the ,national ,gallery4 ,with #bdb ,illustrations4 ,cloth1 #cs4 ,bodkin 7,m4 ,mc,d41 ,k4,c471 ,books by4 ,dora ,myrl1 the ,lady ,detective4 ,crown #hvo1 cloth1 #cs4 #f;d42 picture cloth1 flat back1 #bs4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,shillelagh and ,shamrock4 ,patsey the ,omadaun4 ,bourget 7,paul74--,a ,living ,lie4 ,translated by ,,john ,,de ,,villiers4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,besant 7,sir ,walter7 and ,james ,rice1 ,novels by4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 each2 post #hvo1 illustrated boards1 #bs4 each2 cloth limp4 #bs4 #f;d4 each4 ,ready-,money ,mortiboy4 ,the ,golden ,butterfly4 ,my ,little ,girl4 ,with ,harp and ,crown4 ,this ,son of ,vulcan4 ,the ,monks of ,thelema4 ,by ,celia's ,arbour4 ,the ,chaplain of the ,fleet4 ,the ,seamy ,side4 ,the ,case of ,mr4 ,lucraft4 #8,twas in ,trafalgar's ,bay4 ,the ,ten ,years' ,tenant4 ,there are also ,,library ,,editions of all excepting the first two4 ,large crown #hvo1 cloth1 #fs4 each4 ,besant 7,sir ,walter71 ,novels by4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 each2 post #hvo1 illustrated boards1 #bs4 each2 cloth limp1 #bs4 #f;d4 each4 ,all ,sorts and ,conditions of ,men4 ,with #ab ,illustrations by ,,fred4 ,,barnard4 ,the ,captains' ,room1 c4 ,with ,frontispiece by ,e4 ,j4 ,,wheeler4 ,all in a ,garden ,fair4 ,with #f ,illustrations by ,,harry ,,furniss4 ,dorothy ,forster4 ,with ,frontispiece by ,,charles ,,green4 ,uncle ,jack1 and other ,stories4 ,children of ,gibeon4 ,the ,world ,went ,very ,well ,then4 ,with #ab ,illustrations by ,a4 ,,forestier4 ,herr ,paulus3 ,his ,rise1 his ,greatness1 and his ,fall4 ,the ,bell of ,st4 ,paul's4 ,for ,faith and ,freedom4 ,with ,illustrations by ,a4 ,,forestier and ,f4 ,,waddy4 ,to ,call ,her ,mine1 c4 ,with #i ,illustrations by ,a4 ,,forestier4 ,the ,holy ,rose1 c4 ,with ,frontispiece by ,f4 ,,barnard4 ,armorel of ,lyonesse3 ,a ,romance of ,to-day4 ,with #ab ,illustrations by ,f4 ,,barnard4 ,st4 ,katherine's by the ,tower4 ,with #ab ,illustrations by ,c4 ,,green4 ,verbena ,camellia ,stephanotis1 c4 ,with a ,frontispiece by ,,gordon ,,browne4 ,the ,ivory ,gate4 ,the ,rebel ,queen4 ,beyond the ,dreams of ,avarice4 ,with #ab ,illustrations by ,w4 ,h4 ,,hyde4 ,in ,deacon's ,orders1 c4 ,with ,frontispiece by ,a4 ,,forestier4 ,the ,revolt of ,man4 ,the ,master ,craftsman4 ,the ,city of ,refuge4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,a ,fountain ,sealed4 ,the ,changeling4 ,the ,fourth ,generation4 ,the ,orange ,girl4 ,with #h ,illustrations by ,f4 ,,pegram4 ,crown #hvo1 cloth1 gilt top1 #fs4 each4 ,the ,lady of ,lynn4 ,with #ab ,illustrations by ,g4 ,,demain-,,hammond4 ,no ,other ,way4 ,with #ab ,illustrations by ,,charles ,d4 ,,ward4 ,crown #hvo1 picture cloth1 flat back1 #bs4 each4 ,st4 ,katherine's by the ,tower4 ,the ,rebel ,queen4 ,,popular ,,editions1 medium #hvo1 #f;d4 each4 ,all ,sorts and ,conditions of ,men4 ,the ,chaplain of the ,fleet4 ,the ,golden ,butterfly4 ,orange ,girl4 ,for ,faith and ,freedom4 ,ready-,money ,mortiboy4 ,children of ,gibeon4 ,,large ,,type4 ,,fine ,,paper ,,editions4 post #hvo1 cloth1 #bs4 net each2 leather1 gilt edges1 #cs4 net each4 ,all ,sorts and ,conditions of ,men4 ,london4 ,demy #hvo1 cloth1 #gs4 #f;d4 each4 ,london4 ,with #abe ,illustrations4 ,westminster4 ,with ,etching by ,f4 ,s4 ,,walker1 and #acj ,illustrations4 ,south ,london4 ,with ,etching by ,f4 ,s4 ,,walker1 and #aah ,illustrations4 ,east ,london4 ,with an ,etched ,frontispiece by ,f4 ,s4 ,,walker1 and #ef ,illustrations by ,,phil ,,may1 ,l4 ,,raven ,,hill1 and ,,joseph ,,pennell4 ,jerusalem3 ,the ,city of ,herod and ,saladin4 ,by ,,walter ,,besant and ,e4 ,h4 ,,palmer4 ,with a new ,chapter1 a ,map1 and #ab ,illustrations4 ,crown #hvo1 buckram1 #fs4 each4 ,as ,we ,are and ,as ,we ,may ,be4 ,essays and ,historiettes4 ,the ,eulogy of ,richard ,jefferies4 ,with a ,portrait4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,fifty ,years ,ago4 ,with #add ,illustrations4 ,gaspard de ,coligny4 ,with a ,portrait4 ,sir ,richard ,whittington4 ,lord ,mayor of ,london4 ,the ,charm1 and other ,drawing-room ,plays4 ,with #ej ,illustrations by ,,chris ,,hammond1 c4 ,the ,art of ,fiction4 ,fcap4 #hvo1 cloth1 #as4 net4 ,blundell's ,worthies1 #afjd-afid4 ,by ,m4 ,l4 ,,banks1 ,m4,a4 ,with #aj ,illustrations4 ,demy #hvo1 cloth1 #gs4 #f;d4 net4 ,bourne 7,h4 ,r4 ,fox71 ,books by4 ,english ,merchants4 ,with #cb ,illustrations4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,the ,other ,side of the ,emin ,pasha ,relief ,expedition4 ,crown #hvo1 cloth1 #fs4 ,boyd4--,a ,versailles ,christmas-tide4 ,by ,,mary ,,stuart ,,boyd4 ,with #ec ,illustrations by ,a4 ,s4 ,,boyd4 ,fcap4 #dto1 cloth gilt and gilt top1 #fs4 ,boyle 7,frederick71 ,works by4 ,post #hvo1 illustrated bds41 #bs4 each4 ,chronicles of ,no-,man's ,land4 ,camp ,notes4 ,savage ,life4 ,brand 7,john74--,observations on ,popular ,antiquities2 chiefly illustrating the ,origin of our ,vulgar ,customs1 ,ceremonies1 and ,superstitions4 ,with the ,additions of ,sir ,,henry ,,ellis4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,brayshaw 7,j4 ,dodsworth74--,slum ,silhouettes3 ,stories of ,london ,life4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,brewer's 7,rev4 ,dr47 ,dictionaries4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,the ,reader's ,handbook of ,famous ,names in ,fiction1 ,allusions1 ,references1 ,proverbs1 ,plots1 ,stories1 and ,poems4 ,a ,new ,edition1 ,revised4 ,a ,dictionary of ,miracles3 ,imitative1 ,realistic1 and ,dogmatic4 ,brewster 7,sir ,david71 ,works by4 ,post #hvo1 cloth1 #ds4 #f;d4 each4 ,more ,worlds than ,one3 ,the ,creed of the ,philosopher and ,hope of the ,christian4 ,with ,plates4 ,the ,martyrs of ,science3 ,,galileo1 ,,tycho ,,brahe1 and ,,kepler4 ,letters on ,natural ,magic4 ,with numerous ,illustrations4 ,bright 7,florence74--,a ,girl ,capitalist4 ,cr4 #hvo1 cloth1 gilt top1 #fs4 ,brillat-,savarin4--,gastronomy as a ,fine ,art4 ,translated by ,r4 ,e4 ,,anderson1 ,m4,a4 ,post #hvo1 half-bound1 #bs4 ,bryden 7,h4 ,a474--,an ,exiled ,scot3 ,a ,romance4 ,with a ,frontispiece1 by ,j4 ,s4 ,,crompton1 ,r4,i4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,brydges 7,harold74--,uncle ,sam at ,home4 ,with #ia ,illustrations4 ,post #hvo1 illustrated boards1 #bs42 cloth limp1 #bs4 #f;d4 ,buchanan 7,robert71 ,poems and ,novels by4 ,the ,complete ,poetical ,works of ,robert ,buchanan4 #b vols41 crown #hvo1 buckram1 with ,portrait ,frontispiece to each volume1 #abs4 ,crown #hvo1 cloth1 #cs4 #f;d4 each2 post #hvo1 illustrated boards1 #bs4 each4 ,the ,shadow of the ,sword4 ,a ,child of ,nature4 ,with ,frontispiece4 ,god and the ,man4 ,with #aa ,illustrations by ,,fred4 ,,barnard4 ,lady ,kilpatrick4 ,the ,martyrdom of ,madeline4 ,with ,frontispiece by ,a4 ,w4 ,,cooper4 ,love ,me for ,ever4 ,with ,frontispiece4 ,annan ,water4 ,foxglove ,manor4 ,the ,new ,abelard4 ,rachel ,dene4 ,matt3 ,a ,story of a ,caravan4 ,with ,frontispiece4 ,the ,master of the ,mine4 ,with ,frontispiece4 ,the ,heir of ,linne4 ,woman and the ,man4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,red and ,white ,heather4 ,andromeda3 ,an ,idyll of the ,great ,river4 ,the ,shadow of the ,sword4 ,,popular ,,edition1 medium #hvo1 #f;d4 ,the ,charlatan4 ,by ,,robert ,,buchanan and ,,henry ,,murray4 ,crown #hvo1 cloth1 with a ,frontispiece by ,t4 ,h4 ,,robinson1 #cs4 #f;d42 post #hvo1 picture boards1 #bs4 ,burgess 7,gelett7 and ,will ,irwin4--,the ,picaroons3 ,a ,san ,francisco ,night's ,entertainment4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,burton 7,robert74--,the ,anatomy of ,melancholy4 ,with ,translations of the ,quotations4 ,demy #hvo1 cloth extra1 #gs4 #f;d4 ,melancholy ,anatomised3 ,an ,abridgment of ,,burton',s ,,anatomy4 ,post #hvo1 half-cl41 #bs4 #f;d4 ,caine 7,hall71 ,novels by4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 each2 post #hvo1 illustrated boards1 #bs4 each2 cloth limp1 #bs4 #f;d4 each4 ,the ,shadow of a ,crime4 ,a ,son of ,hagar4 ,the ,deemster4 ,also ,,library ,,editions of the three novels1 set in new type1 crown #hvo1 bound uniform with ,the ,christian1 #fs4 each2 and ,,cheap ,,popular ,,editions1 medium #hvo1 portrait-cover1 #f;d4 each4--,also the ,,fine-,,paper ,,edition of ,the ,deemster1 post #hvo1 cloth1 gilt top1 #bs4 net2 leather1 gilt edges1 #cs4 net4 ,cameron 7,commander ,v4 ,lovett74--,the ,cruise of the #8,black ,prince' ,privateer4 ,post #hvo1 picture boards1 #bs4 ,canada 7,greater73 ,the ,past1 ,present1 and ,future of the ,canadian ,north-,west4 ,by ,e4 ,b4 ,,osborn1 ,b4,a4 ,with a ,map4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,captain ,coignet1 ,soldier of the ,empire3 ,an ,autobiography4 ,edited by ,,loredan ,,larchey4 ,translated by ,mrs4 ,,carey4 ,with #ajj ,illustrations4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,carlyle 7,thomas74--,on the ,choice of ,books4 ,post #hvo1 cl41 #as4 #f;d4 ,carruth 7,hayden74--,the ,adventures of ,jones4 ,with #ag ,illustrations4 ,fcap4 #hvo1 cloth1 #bs4 ,chambers 7,robert ,w471 ,stories of ,paris ,life by4 ,the ,king in ,yellow4 ,crown #hvo1 cloth1 #cs4 #f;d42 fcap4 #hvo1 cloth limp1 #bs4 #f;d4 ,in the ,quarter4 ,fcap4 #hvo1 cloth1 #bs4 #f;d4 ,chapman's 7,george71 ,works4 ,vol4 ,i41 ,plays ,complete1 including the ,doubtful ,ones4--,vol4 ,,ii41 ,poems and ,minor ,translations1 with ,essay by ,a4 ,c4 ,,swinburne4--,vol4 ,,iii41 ,translations of the ,iliad and ,odyssey4 ,three ,vols41 crown #hvo1 cloth1 #cs4 #f;d4 each4 ,chaucer for ,children3 ,a ,golden ,key4 ,by ,mrs4 ,h4 ,r4 ,,haweis4 ,with #h ,coloured ,plates and #cj ,woodcuts4 ,crown #dto1 cloth extra1 #cs4 #f;d4 ,chaucer for ,schools4 ,with the ,story of his ,times and his ,work4 ,by ,mrs4 ,h4 ,r4 ,,haweis4 ,a ,new ,edition1 revised4 ,with a ,frontispiece4 ,demy #hvo1 cloth1 #bs4 #f;d4 ,chess1 ,the ,laws and ,practice of4 ,with an ,analysis of the ,openings4 ,by ,,howard ,,staunton4 ,edited by ,r4 ,b4 ,,wormald4 ,crown #hvo1 cloth1 #es4 ,the ,minor ,tactics of ,chess3 ,a ,treatise on the ,deployment of the ,forces in obedience to ,strategic ,principle4 ,by ,f4 ,k4 ,,young and ,e4 ,c4 ,,howell4 ,long fcap4 #hvo1 cloth1 #bs4 #f;d4 ,the ,hastings ,chess ,tournament4 ,containing the ,authorised ,account of the #bcj ,games played ,aug4-,sept41 #ahie4 ,with ,annotations by ,,pillsbury1 ,,lasker1 ,,tarrasch1 ,,steinitz1 ,,schiffers1 ,,teichmann1 ,,bardeleben1 ,,blackburne1 ,,gunsberg1 ,,tinsley1 ,,mason1 and ,,albin2 ,biographical ,sketches of the ,chess ,masters1 and #bb ,portraits4 ,edited by ,h4 ,f4 ,,cheshire4 ,cheaper ,edition4 ,crown #hvo1 cloth1 #es4 ,chapple 7,j4 ,mitchell74--,the ,minor ,chord3 ,the ,story of a ,prima ,donna4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,clare 7,austin71 ,stories by4 ,for the ,love of a ,lass4 ,post #hvo1 illustrated boards1 #bs42 cloth1 #bs4 #f;d4 ,by the ,rise of the ,river3 ,tales and ,sketches in ,south ,tynedale4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,crown #hvo1 cloth1 gilt top1 #fs4 each4 ,the ,tideway4 ,randal of ,randalholme4 ,clive 7,mrs4 ,archer71 ,novels by4 ,post #hvo1 cloth1 #cs4 #f;d4 each2 picture boards1 #bs4 each4 ,paul ,ferroll4 ,why ,paul ,ferroll ,killed his ,wife4 ,clodd 7,edward1 ,f4,r4,a4,s474--,myths and ,dreams4 ,cr4 #hvo1 #cs4 #f;d4 ,coates 7,ann74--,rie's ,diary4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,cobban 7,j4 ,maclaren71 ,novels by4 ,the ,cure of ,souls4 ,post #hvo1 ,illustrated boards1 #bs4 ,the ,red ,sultan4 ,crown #hvo1 cloth extra1 #cs4 #f;d42 post #hvo1 illustrated boards1 #bs4 ,the ,burden of ,isabel4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 ,collins 7,c4 ,allston74--,the ,bar ,sinister4 ,post #hvo1 boards1 #bs4 ,collins 7,john ,churton1 ,m4,a471 ,books by4 ,cr4 #hvo1 cl41 #cs4 #f;d4 each4 ,illustrations of ,tennyson4 ,jonathan ,swift4 ,a ,biographical and ,critical ,study4 ,collins 7,mortimer and ,frances71 ,novels by4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 each2 post #hvo1 illustrated boards1 #bs4 each4 ,from ,midnight to ,midnight4 ,you ,play me ,false4 ,blacksmith and ,scholar4 ,the ,village ,comedy4 ,post #hvo1 illustrated boards1 #bs4 each4 ,transmigration4 ,a ,fight with ,fortune4 ,sweet ,anne ,page4 ,sweet and ,twenty4 ,frances4 ,collins 7,wilkie71 ,novels by4 ,crown #hvo1 cloth extra1 many ,illustrated1 #cs4 #f;d4 each2 post #hvo1 picture boards1 #bs4 each2 cloth limp1 #bs4 #f;d4 each4 99,antonina4 99,basil4 99,hide and ,seek4 99,the ,woman in ,white4 99,the ,moonstone4 99,man and ,wife4 99,the ,dead ,secret4 99,after ,dark4 99,the ,queen of ,hearts4 ,no ,name4 ,my ,miscellanies4 ,armadale4 ,poor ,miss ,finch4 ,miss or ,mrs48 ,the ,new ,magdalen4 ,the ,frozen ,deep4 ,the ,law and the ,lady4 ,the ,two ,destinies4 ,the ,haunted ,hotel4 ,the ,fallen ,leaves4 ,jezebel's ,daughter4 ,the ,black ,robe4 ,heart and ,science4 #8,i ,say ,no4' ,a ,rogue's ,life4 ,the ,evil ,genius4 ,little ,novels4 ,the ,legacy of ,cain4 ,blind ,love4 ,marked 99 have been reset in new type1 in uniform style4 ,,popular ,,editions1 medium #hvo1 #f;d4 each4 ,the ,moonstone4 ,the ,woman in ,white4 ,antonina4 ,the ,new ,magdalen4 ,the ,dead ,secret4 ,man and ,wife4 ,no ,name4 ,armadale4 ,the ,woman in ,white4 ,,large ,,type1 ,,fine ,,paper ,,edition4 ,pott #hvo1 cloth1 gilt top1 #bs4 net2 leather1 gilt edges1 #cs4 net4 ,colman's 7,george7 ,humorous ,works3 #8,broad ,grins1' #8,my ,nightgown and ,slippers1' c4 ,with ,life and ,frontispiece4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 ,colquhoun 7,m4 ,j474--,every ,inch a ,soldier4 ,crown #hvo1 cloth1 #cs4 #f;d42 post #hvo1 illustrated boards1 #bs4 ,colt-breaking1 ,hints on4 ,by ,w4 ,m4 ,,hutchison4 ,cr4 #hvo1 cl41 #cs4 #f;d4 ,compton 7,herbert71 ,novels by4 ,the ,inimitable ,mrs4 ,massingham4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,the ,wilful ,way4 ,crown #hvo1 cloth1 gilt top1 #fs4 ,cooper 7,edward ,h474--,geoffory ,hamilton4 ,cr4 #hvo1 cloth1 #cs4 #f;d4 ,cornish 7,j4 ,f474--,sour ,grapes3 ,a ,novel4 ,cr4 #hvo1 cloth1 gilt top1 #fs4 ,cornwall4--,popular ,romances of the ,west of ,england2 or1 ,the ,drolls1 ,traditions1 and ,superstitions of ,old ,cornwall4 ,collected by ,,robert ,,hunt1 ,f4,r4,s4 ,with two ,steel ,plates by ,,george ,,cruikshank4 ,crown #hvo1 cloth1 #gs4 #f;d4 ,cotes 7,v4 ,cecil74--,two ,girls on a ,barge4 ,with #dd ,illustrations by ,f4 ,h4 ,,townsend4 ,crown #hvo1 cloth extra1 #cs4 #f;d42 post #hvo1 cloth1 #bs4 #f;d4 ,craddock 7,c4 ,egbert71 ,stories by4 ,the ,prophet of the ,great ,smoky ,mountains4 ,crown #hvo1 cloth1 #cs4 #f;d42 post #hvo1 illustrated boards1 #bs4 ,his ,vanished ,star4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,crellin 7,h4 ,n474--,romances of the ,old ,seraglio ,with #bh ,illustrations by ,s4 ,l4 ,,wood4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,cresswell 7,henry74--,a ,lady of ,misrule4 ,cr4 #hvo1 cloth1 gilt top1 #fs4 ,crim 7,matt474--,adventures of a ,fair ,rebel4 ,crown #hvo1 cloth extra1 with a ,frontispiece by ,,dan4 ,,beard1 #cs4 #f;d42 post #hvo1 illustrated boards1 #bs4 ,crockett 7,s4 ,r47 and others4--,tales of ,our ,coast4 ,by ,s4 ,r4 ,,crockett1 ,,gilbert ,,parker1 ,,harold ,,frederic1 #8,q41' and ,w4 ,,clark ,,russell4 ,with #b ,illustrations by ,,frank ,,brangwyn4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,croker 7,mrs4 ,b4 ,m471 ,novels by4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 each2 post #hvo1 illustrated boards1 #bs4 each2 cloth limp1 #bs4 #f;d4 each4 ,pretty ,miss ,neville4 ,proper ,pride4 ,a ,bird of ,passage4 ,diana ,barrington4 ,two ,masters4 ,interference4 ,a ,family ,likeness4 ,a ,third ,person4 ,mr4 ,jervis4 ,village ,tales ,jungle ,tragedies4 ,the ,real ,lady ,hilda4 ,married or ,single8 ,crown #hvo1 cloth extra1 #cs4 #f;d4 each4 ,some ,one ,else4 ,in the ,kingdom of ,kerry4 ,miss ,balmaine's ,past4 ,jason1 c4 ,beyond the ,pale4 ,infatuation4 ,terence4 ,with #f ,illustrations by ,,sidney ,,paget4 ,the ,cat's-paw4 ,with #ab ,illustrations by ,,fred4 ,,pegram4 #8,to ,let1' c4 ,post #hvo1 picture boards1 #bs42 cloth limp1 #bs4 #f;d4 ,,popular ,,editions1 medium #hvo1 #f;d4 each4 ,diana ,barrington4 ,pretty ,miss ,neville4 ,cruikshank's ,comic ,almanack4 ,complete in ,,two ,,series3 ,the ,,first1 from #ahce to #ahdc2 the ,,second1 from #ahdd to #ahec4 ,a ,gathering of the ,best ,humour of ,,thackeray1 ,,hood1 ,,mayhew1 ,,albert ,,smith1 ,a',,beckett1 ,,robert ,,brough1 c4 ,with numerous ,steel ,engravings and ,woodcuts by ,,george ,,cruikshank1 ,,hine1 ,,landells1 c4 ,two ,vols41 crown #hvo1 cloth gilt1 #gs4 #f;d4 each4 ,the ,life of ,george ,cruikshank4 ,by ,,blanchard ,,jerrold4 ,with #hd ,illustrations and a ,bibliography4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 ,cumming 7,c4 ,f4 ,gordon71 ,works by4 ,large cr4 #hvo1 cloth1 #fs4 each4 ,in the ,hebrides4 ,with an ,autotype ,frontispiece and #bc ,illustrations4 ,in the ,himalayas and on the ,indian ,plains4 ,with #db ,illustrations4 ,two ,happy ,years in ,ceylon4 ,with #bh ,illustrations4 ,via ,cornwall to ,egypt4 ,with a ,photogravure ,frontispiece4 ,cussans 7,john ,e474--,a ,handbook of ,heraldry2 with ,instructions for ,tracing ,pedigrees and ,deciphering ,ancient ,,mss41 c4 ,fourth ,edition1 revised1 with #djh ,woodcuts and #b ,coloured ,plates4 ,crown #hvo1 cloth extra1 #fs4 ,daudet 7,alphonse74--,the ,evangelist2 or1 ,port ,salvation4 ,crown #hvo1 cloth extra1 #cs4 #f;d42 post #hvo1 illustrated boards1 #bs4 ,davenant 7,francis1 ,m4,a474--,hints for ,parents on the ,choice of a ,profession for their ,sons when ,starting in ,life4 ,crown #hvo1 cloth1 #as4 #f;d4 ,davidson 7,hugh ,coleman74--,mr4 ,sadler's ,daughters4 ,with a ,frontispiece by ,,stanley ,,wood4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 ,davies 7,dr4 ,n4 ,e4 ,yorke-71 ,works by4 ,cr4 #hvo1 #as4 ea42 cl41 #as4 #f;d4 ea4 ,one ,thousand ,medical ,maxims and ,surgical ,hints4 ,nursery ,hints3 ,a ,mother's ,guide in ,health and ,disease4 ,foods for the ,fat3 ,the ,dietetic ,cure of ,corpulency and of ,gout4 ,aids to ,long ,life4 ,crown #hvo1 #bs42 cloth limp1 #bs4 #f;d4 ,davies' 7,sir ,john7 ,complete ,poetical ,works4 ,collected and ,edited1 with ,introduction and ,notes1 by ,rev4 ,a4 ,b4 ,,grosart1 ,d4,d4 ,two ,vols41 crown #hvo1 cloth1 #cs4 #f;d4 each4 ,de ,guerin 7,maurice71 ,the ,journal of4 ,edited by ,g4 ,s4 ,,trebutien4 ,with a ,memoir by ,,sainte-,,beuve4 ,translated from the #bjth ,french ,edition by ,,jessie ,p4 ,,frothingham4 ,fcap4 #hvo1 half-bound1 #bs4 #f;d4 ,de ,maistre 7,xavier74--,a ,journey ,round my ,room4 ,translated by ,,henry ,,attwell4 ,post #hvo1 cloth limp1 #bs4 #f;d4 ,de ,mille 7,james74--,a ,strange ,manuscript found in a ,copper ,cylinder4 ,crown #hvo1 cloth1 with #ai ,illustrations by ,,gilbert ,,gaul1 #cs4 #f;d42 post #hvo1 illustrated boards1 #bs4 ,derby 7,the73 ,the ,blue ,ribbon of the ,turf4 ,with ,brief ,accounts of ,,the ,,oaks4 ,by ,,louis ,,henry ,,curzon4 ,crown #hvo1 cloth limp1 #bs4 #f;d4 ,dewar 7,t4 ,r474--,a ,ramble ,round the ,globe4 ,with #bbj ,illustrations4 ,crown #hvo1 cloth extra1 #gs4 #f;d4 ,de ,windt 7,harry71 ,books by4 ,through the ,gold-,fields of ,alaska to ,bering ,straits4 ,with ,map and #cc full-page ,illustrations4 ,cheaper ,issue4 ,demy #hvo1 cloth1 #fs4 ,true ,tales of ,travel and ,adventure4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,dickens 7,charles71 ,about ,england with4 ,by ,,alfred ,,rimmer4 ,with #eg ,illustrations by ,c4 ,a4 ,,vanderhoof and the ,,author4 ,square #hvo1 cloth1 #cs4 #f;d4 ,dictionaries4 ,the ,reader's ,handbook of ,famous ,names in ,fiction1 ,allusions1 ,references1 ,proverbs1 ,plots1 ,stories1 and ,poems4 ,by ,rev4 ,e4 ,c4 ,,brewer1 ,,ll4,d4 ,a ,new ,edition1 ,revised4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,a ,dictionary of ,miracles3 ,imitative1 ,realistic1 and ,dogmatic4 ,by the ,rev4 ,e4 ,c4 ,,brewer1 ,,ll4,d4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,familiar ,short ,sayings of ,great ,men4 ,with ,historical and ,explanatory ,notes by ,,samuel ,a4 ,,bent1 ,a4,m4 ,crown #hvo1 cloth extra1 #gs4 #f;d4 ,the ,slang ,dictionary3 ,etymological1 ,historical1 and ,anecdotal4 ,crown #hvo1 cloth1 #fs4 #f;d4 ,words1 ,facts1 and ,phrases3 ,a ,dictionary of ,curious1 ,quaint1 and ,out-of-the-,way ,matters4 ,by ,,eliezer ,,edwards4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 ,dilke 7,rt4 ,hon4 ,sir ,charles1 ,bart41 ,m4,p474--,the ,british ,empire4 ,crown #hvo1 buckram1 #cs4 #f;d4 ,dobson 7,austin71 ,works by4 ,thomas ,bewick and his ,pupils4 ,with #ie ,illustrations4 ,square #hvo1 cloth1 #cs4 #f;d4 ,four ,frenchwomen4 ,with ,four ,portraits4 ,crown #hvo1 buckram1 gilt top1 #fs4 ,eighteenth ,century ,vignettes4 ,,in ,,three ,,series4 ,crown #hvo1 buckram1 #fs4 each4 ,a ,paladin of ,philanthropy1 and other ,papers4 ,with #b ,illusts4 ,cr4 #hvo1 buckram1 #fs4 ,side-walk ,studies4 ,with #e ,illustrations4 ,crown #hvo1 buckram1 gilt top1 #fs4 ,dobson 7,w4 ,t474--,poetical ,ingenuities and ,eccentricities4 ,post #hvo1 cloth limp1 #bs4 #f;d4 ,donovan 7,dick71 ,detective ,stories by4 ,post #hvo1 illustrated boards1 #bs4 each2 cloth limp1 #bs4 #f;d4 each4 ,the ,man-,hunter4 ,caught at ,last4 ,tracked and ,taken4 ,who ,poisoned ,hetty ,duncan8 ,tracked to ,doom4 ,link by ,link4 ,suspicion ,aroused4 ,a ,detective's ,triumphs4 ,in the ,grip of the ,law4 ,from ,information ,received4 ,riddles ,read4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 each2 post #hvo1 illustrated boards1 #bs4 each3 cloth1 #bs4 #f;d4 each4 ,the ,mystery of ,jamaica ,terrace4 ,the ,chronicles of ,michael ,danevitch4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,the ,records of ,vincent ,trill1 of the ,detective ,service4--,also picture cloth1 flat back1 #bs4 ,the ,adventures of ,tyler ,tatlock1 ,private ,detective4 ,deacon ,brodie2 or1 ,behind the ,mask4 ,tales of ,terror4 ,dark ,deeds4 ,crown #hvo1 cloth limp1 #bs4 #f;d42 picture cloth1 flat back1 #bs4 ,wanted6 ,crown #hvo1 picture cloth1 flat back1 #bs42 post #hvo1 illust4 boards1 #bs42 cloth limp1 #bs4 #f;d4 ,the ,man from ,manchester4 ,with #bc ,illustrations2 ,crown #hvo1 cloth1 #cs4 #f;d42 picture cloth1 flat back1 #bs42 post #hvo1 picture boards1 #bs42 cloth limp1 #bs4 #f;d4 ,dowling 7,richard74--,old ,corcoran's ,money4 ,crown #hvo1 cl41 #cs4 #f;d4 ,doyle 7,a4 ,conan74--,the ,firm of ,girdlestone4 ,cr4 #hvo1 cl41 #cs4 #f;d4 ,dramatists1 ,the ,old4 ,cr4 #hvo1 cl4 ex41 with ,portraits1 #cs4 #f;d4 per ,vol4 ,ben ,jonson's ,works4 ,with ,notes1 ,critical and ,explanatory1 and a ,biographical ,memoir by ,,william ,,gifford4 ,edited by ,colonel ,,cunningham4 ,three ,vols4 ,chapman's ,works4 ,three ,vols4 ,vol4 ,i4 contains the ,plays complete2 ,vol4 ,,ii41 ,poems and ,minor ,translations1 with an ,essay by ,a4 ,c4 ,,swinburne2 ,vol4 ,,iii41 ,translations of the ,iliad and ,odyssey4 ,marlowe's ,works4 ,edited1 with ,notes1 by ,colonel ,,cunningham4 ,one ,vol4 ,massinger's ,plays4 ,from ,,gifford',s ,text4 ,edited by ,colonel ,,cunningham4 ,one ,vol4 ,dublin ,castle and ,dublin ,society1 ,recollections of4 ,by ,a ,,native4 ,crown #hvo1 cloth1 gilt top4 #fs4 ,duncan 7,sara ,jeannette3 ,mrs4 ,,everard ,,cotes71 ,books by4 ,crown #hvo1 cloth extra1 #gs4 #f;d4 each4 ,a ,social ,departure4 ,with #aaa ,illustrations by ,f4 ,h4 ,,townsend4 ,an ,american ,girl in ,london4 ,with #hj ,illustrations by ,f4 ,h4 ,,townsend4 ,the ,simple ,adventures of a ,memsahib4 ,with #cg ,illustrations by ,f4 ,h4 ,,townsend4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 each4 ,a ,daughter of ,to-,day4 ,vernon's ,aunt4 ,with #dg ,illustrations by ,,hal ,,hurst4 ,dutt 7,romesh ,c474--,england and ,india3 ,a ,record of ,progress during ,one ,hundred ,years4 ,crown #hvo1 cloth1 #bs4 ,early ,english ,poets4 ,edited1 with ,introductions and ,annotations1 by ,rev4 ,a4 ,b4 ,,grosart1 ,d4,d4 ,crown #hvo1 cloth boards1 #cs4 #f;d4 per ,volume4 ,fletcher's 7,giles7 ,complete ,poems4 ,one ,vol4 ,davies' 7,sir ,john7 ,complete ,poetical ,works4 ,two ,vols4 ,sidney's 7,sir ,philip7 ,complete ,poetical ,works4 ,three ,vols4 ,edgcumbe 7,sir ,e4 ,r4 ,pearce74--,zephyrus3 ,a ,holiday in ,brazil and on the ,river ,plate4 ,with #da ,illustrations4 ,crown #hvo1 cloth extra1 #es4 ,edwardes 7,mrs4 ,annie71 ,novels by4 ,a ,point of ,honour4 ,post #hvo1 ,illustrated boards1 #bs4 ,archie ,lovell4 ,crown #hvo1 cloth1 #cs4 #f;d42 illustrated boards4 #bs4 ,a ,plaster ,saint4 ,cr4 #hvo1 cl41 #cs4 #f;d4 ,edwards 7,eliezer74--,words1 ,facts1 and ,phrases3 ,a ,dictionary of ,curious1 ,quaint1 and ,out-of-the-,way ,matters4 ,cheaper ,edition4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,egerton 7,rev4 ,j4 ,c41 ,m4,a474--,sussex ,folk and ,sussex ,ways4 ,with ,introduction by ,rev4 ,dr4 ,h4 ,,wace1 and ,four ,illustrations4 ,crown #hvo1 cloth extra1 #es4 ,eggleston 7,edward74--,roxy3 ,a ,novel4 ,post #hvo1 illust4 boards1 #bs4 ,englishman 7,an7 in ,paris4 ,notes and ,recollections during the ,reign of ,louis ,philippe and the ,empire4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,englishman's ,house1 ,the3 ,a ,practical ,guide for ,selecting or ,building a ,house4 ,by ,c4 ,j4 ,,richardson4 ,coloured ,frontispiece and #ecd ,illusts4 ,cr4 #hvo1 cloth1 #cs4 #f;d4 ,eyes1 ,our3 ,how to ,preserve ,them4 ,by ,,john ,,browning4 ,cr4 #hvo1 #as4 ,familiar ,short ,sayings of ,great ,men4 ,by ,,samuel ,,arthur ,,bent1 ,a4,m4 ,fifth ,edition1 ,revised and ,enlarged4 ,crown #hvo1 cloth extra1 #gs4 #f;d4 ,faraday 7,michael71 ,works by4 ,post #hvo1 cloth extra1 #ds4 #f;d4 each4 ,the ,chemical ,history of a ,candle3 ,lectures delivered before a ,juvenile ,audience4 ,edited by ,,william ,,crookes1 ,f4,c4,s4 ,with numerous ,illustrations4 ,on the ,various ,forces of ,nature1 and their ,relations to each other4 ,edited by ,,william ,,crookes1 ,f4,c4,s4 ,with ,illustrations4 ,farrer 7,j4 ,anson74--,war3 ,three ,essays4 ,crown #hvo1 cloth1 #as4 #f;d4 ,fenn 7,g4 ,manville71 ,novels by4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 each2 post #hvo1 illustrated boards1 #bs4 each4 ,the ,new ,mistress4 ,witness to the ,deed4 ,the ,tiger ,lily4 ,the ,white ,virgin4 ,crown #hvo1 cloth #cs4 #f;d4 each4 ,a ,woman ,worth ,winning4 ,cursed by a ,fortune4 ,the ,case of ,ailsa ,gray4 ,commodore ,junk4 ,black ,blood ,double ,cunning4 ,a ,fluttered ,dovecote4 ,king of the ,castle4 ,the ,master of the ,ceremonies4 ,the ,story of ,antony ,grace4 ,the ,man with a ,shadow4 ,one ,maid's ,mischief4 ,this ,man's ,wife4 ,in ,jeopardy4 ,crown #hvo1 cloth1 gilt top1 #fs4 each4 ,the ,bag of ,diamonds1 and ,three ,bits of ,paste4 ,running ,amok3 a ,story of ,adventure4 ,the ,cankerworm3 being ,episodes of a ,woman's ,life4 ,black ,shadows4 ,a ,crimson ,crime4 ,crown #hvo1 cloth1 gilt top1 #fs42 picture cloth1 flat back1 #bs4 ,fiction1 ,a ,catalogue of1 with ,descriptive ,notices and ,reviews of over ,,nine ,,hundred ,,novels1 will be sent free by ,messrs4 ,,chatto ,,windus upon application4 ,fin-,bec4--,the ,cupboard ,papers3 ,observations on the ,art of ,living and ,dining4 ,post #hvo1 cloth limp1 #bs4 #f;d4 ,firework-,making1 ,the ,complete ,art of2 or1 ,the ,pyrotechnist's ,treasury4 ,by ,,thomas ,,kentish4 ,with #bfg ,illustrations4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,first ,book1 ,my4 ,by ,,walter ,,besant1 ,,james ,,payn1 ,w4 ,,clark ,,russell1 ,,grant ,,allen1 ,,hall ,,caine1 ,,george ,r4 ,,sims1 ,,rudyard ,,kipling1 ,a4 ,,conan ,,doyle1 ,m4 ,e4 ,,braddon1 ,f4 ,w4 ,,robinson1 ,h4 ,,rider ,,haggard1 ,r4 ,m4 ,,ballantyne1 ,i4 ,,zangwill1 ,,morley ,,roberts1 ,d4 ,,christie ,,murray1 ,,mary ,,corelli1 ,j4 ,k4 ,,jerome1 ,,john ,,strange ,,winter1 ,,bret ,,harte1 #8,q41' ,,robert ,,buchanan1 and ,r4 ,l4 ,,stevenson4 ,with a ,prefatory ,story by ,,jerome ,k4 ,,jerome1 and #ahe ,illustrations4 ,a ,new ,edition4 ,small demy #hvo1 art linen1 #cs4 #f;d4 ,fitzgerald 7,percy71 ,works by4 ,little ,essays3 ,passages from the ,letters of ,,charles ,,lamb4 ,post #hvo1 cloth1 #bs4 #f;d4 ,fatal ,zero4 ,crown #hvo1 cloth extra1 #cs4 #f;d42 post #hvo1 illustrated boards1 #bs4 ,post #hvo1 illustrated boards1 #bs4 each4 ,bella ,donna4 ,polly4 ,the ,lady of ,brantome4 ,never ,forgotten4 ,the ,second ,mrs4 ,tillotson4 ,seventy-five ,brooke ,street4 ,sir ,henry ,irving3 ,twenty ,years at the ,lyceum4 ,with ,portrait4 ,crown #hvo1 cloth1 #as4 #f;d4 ,flammarion 7,camille71 ,works by4 ,popular ,astronomy3 ,a ,general ,description of the ,heavens4 ,translated by ,j4 ,,ellard ,,gore1 ,f4,r4,a4,s4 ,with ,three ,plates and #bhh ,illustrations4 ,medium #hvo1 cloth1 #ajs4 #f;d4 ,urania3 ,a ,romance4 ,with #hg ,illustrations4 ,crown #hvo1 cloth extra4 #es4 ,fletcher's 7,giles1 ,b4,d47 ,complete ,poems3 ,christ's ,victorie in ,heaven1 ,christ's ,victorie on ,earth1 ,christ's ,triumph over ,death1 and ,minor ,poems4 ,with ,notes by ,rev4 ,a4 ,b4 ,,grosart1 ,d4,d4 ,crown #hvo1 cloth boards1 #cs4 #f;d4 ,forbes 7,hon4 ,mrs4 ,walter ,r4 ,d474--,dumb4 ,crown #hvo1 cl41 #cs4 #f;d4 ,francillon 7,r4 ,e471 ,novels by4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 each2 post #hvo1 illustrated boards4 #bs4 each4 ,one by ,one4 ,a ,real ,queen4 ,a ,dog and his ,shadow4 ,ropes of ,sand4 ,illust4 ,post #hvo1 illustrated boards1 #bs4 each4 ,queen ,cophetua4 ,olympia4 ,romances of the ,law4 ,king or ,knave8 ,jack ,doyle's ,daughter4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,frederic 7,harold71 ,novels by4 ,post #hvo1 cloth extra1 #cs4 #f;d4 each2 illustrated boards4 #bs4 each4 ,seth's ,brother's ,wife4 ,the ,lawton ,girl4 ,fry's 7,herbert7 ,royal ,guide to the ,london ,charities1 #aijd4 ,edited by ,,john ,,lane4 ,published ,annually4 ,crown #hvo1 cloth1 #as4 #f;d4 ,gardening ,books4 ,post #hvo1 #as4 each2 cloth limp1 #as4 #f;d4 each4 ,a ,year's ,work in ,garden and ,greenhouse4 ,by ,,george ,,glenny4 ,household ,horticulture4 ,by ,,tom and ,,jane ,,jerrold4 ,illustrated4 ,the ,garden that ,paid the ,rent4 ,by ,,tom ,,jerrold4 ,gaulot 7,paul71 ,books by3 ,the ,red ,shirts3 ,a ,tale of 8,the ,terror40 ,translated by ,,john ,,de ,,villiers4 ,with a ,frontispiece by ,,stanley ,,wood4 ,crown #hvo1 cloth1 #cs4 #f;d42 picture cloth1 flat back1 #bs4 ,crown #hvo1 cloth1 gift top1 #fs4 each4 ,love and ,lovers of the ,past4 ,with a ,frontispiece4 ,translated by ,c4 ,,laroche1 ,m4,a4 ,a ,conspiracy under the ,terror4 ,with ,illustrations and ,facsimiles4 ,gentleman's ,magazine1 ,the4 #as4 ,monthly4 ,contains ,stories1 ,articles upon ,literature1 ,science1 ,biography1 and ,art1 and #8,table ,talk' by ,,sylvanus ,,urban4 ,bound ,volumes for recent years kept in stock1 #hs4 #f;d4 each4 ,cases for binding1 #bs4 each4 ,german ,popular ,stories4 ,collected by the ,brothers ,,grimm and ,translated by ,,edgar ,,taylor4 ,with ,introduction by ,,john ,,ruskin1 and #bb ,steel ,plates after ,,george ,,cruikshank4 ,square #hvo1 cloth1 #fs4 #f;d42 gilt edges1 #gs4 #f;d4 ,gibbon 7,chas471 ,novels by4 ,cr4 #hvo1 cl41 #cs4 #f;d4 ea42 post #hvo1 bds41 #bs4 ea4 ,robin ,gray4 ,with ,frontispiece4 ,the ,golden ,shaft4 ,with ,frontispiece4 ,the ,flower of the ,forest4 ,the ,braes of ,yarrow4 ,of ,high ,degree4 ,queen of the ,meadow4 ,post #hvo1 illustrated boards1 #bs4 each ,the ,dead ,heart4 ,for ,lack of ,gold4 ,what ,will the ,world ,say8 ,for the ,king4 ,a ,hard ,knot4 ,in ,pastures ,green4 ,in ,love and ,war4 ,a ,heart's ,problem4 ,by ,mead and ,stream4 ,fancy ,free4 ,loving a ,dream4 ,in ,honour ,bound4 ,heart's ,delight4 ,blood-,money4 ,gibney 7,somerville74--,sentenced6 ,crown #hvo1 cloth1 #as4 #f;d4 ,gilbert's 7,w4 ,s47 ,original ,plays4 ,in #c ,series1 post #hvo1 #bs4 #f;d4 each4 ,the ,,first ,,series contains3 ,the ,wicked ,world--,pygmalion and ,galatea--,charity--,the ,princess--,the ,palace of ,truth--,trial by ,jury--,iolanthe4 ,the ,,second ,,series3 ,broken ,hearts--,engaged--,sweethearts--,gretch en--,dan'l ,druce--,tom ,cobb--,h4,m4,s4 #8,pinafore'--,the ,sorcerer--,the ,pirates of ,penzance4 ,the ,,third ,,series3 ,comedy and ,tragedy--,foggerty's ,fairy--,rosencrantz and ,guildenstern--,patience--,princess ,ida--,the ,mikado--,ruddigore--,the ,yeomen of the ,guard--,the ,gondoliers--,the ,mountebanks--,utopia4 ,eight ,original ,comic ,operas written by ,w4 ,s4 ,,gilbert4 ,two ,series1 demy #hvo1 cloth1 #bs4 #f;d4 each4 ,the ,,first ,,series contains3 ,the ,sorcerer--,h4,m4,s4 #8,pinafore'--,the ,pirates of ,penzance--,iolanthe--,patience--,prince ss ,ida--,the ,mikado--,trial by ,jury4 ,the ,,second ,,series contains3 ,the ,gondoliers--,the ,grand ,duke--,the ,yeomen of the ,guard--,his ,excellency--,utopia1 ,limited--,ruddigore--,the ,mountebanks--,haste to the ,wedding4 ,the ,gilbert and ,sullivan ,birthday ,book3 ,quotations for ,every ,day in the ,year1 selected from ,plays by ,w4 ,s4 ,,gilbert set to ,music by ,sir ,a4 ,,sullivan4 ,compiled by ,,alex4 ,,watson4 ,royal #afmo1 cloth1 #bs4 #f;d4 ,gilbert 7,william74--,james ,duke1 ,costermonger4 ,post #hvo1 illustrated boards1 #bs4 ,gissing 7,algernon71 ,novels by4 ,crown #hvo1 cloth1 gilt top1 #fs4 each4 ,a ,secret of the ,north ,sea4 ,knitters in the ,sun4 ,the ,wealth of ,mallerstang4 ,an ,angel's ,portion4 ,baliol ,garth4 ,shortly4 ,glanville 7,ernest71 ,novels by4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 each2 post #hvo1 illustrated boards1 #bs4 each4 ,the ,lost ,heiress3 ,a ,tale of ,love1 ,battle1 and ,adventure4 ,with ,two ,illustrations by ,h4 ,,nisbet4 ,the ,fossicker3 ,a ,romance of ,mashonaland4 ,with ,two ,illustrations by ,,hume ,,nisbet4 ,a ,fair ,colonist4 ,with a ,frontispiece by ,,stanley ,,wood4 ,the ,golden ,rock4 ,with a ,frontispiece by ,,stanley ,,wood4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 ,kloof ,yarns4 ,crown #hvo cloth1 #as4 #f;d4 ,tales from the ,veld4 ,with ,twelve ,illustrations by ,m4 ,,nisbet4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,max ,thornton4 ,with #h ,illustrations by ,j4 ,s4 ,,crompton1 ,r4,i4 ,large crown #hvo1 cloth1 gilt edges4 #es42 cloth1 gilt top1 #fs4 ,glenny 7,george74--,a ,year's ,work in ,garden and ,greenhouse3 ,practical ,advice as to the ,management of the ,flower1 ,fruit1 and ,frame ,garden4 ,post #hvo1 #as4 cloth1 #as4 #f;d4 ,godwin 7,william74--,lives of the ,necromancers4 ,post #hvo1 cl41 #bs4 ,golden ,treasury of ,thought1 ,the3 ,a ,dictionary of ,quotations from the ,best ,authors4 ,by ,,theodore ,,taylor4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,goodman 7,e4 ,j474--,the ,fate of ,herbert ,wayne4 ,cr4 #hvo1 #cs4 #f;d4 ,gore 7,j4 ,ellard4 ,f4,r4,a4,s474--,the ,stellar ,heavens3 an ,introduction to the ,study of the ,stars and ,nebul4 ,crown #hvo1 cloth1 #bs4 net4 ,grace 7,alfred ,a474--,tales of a ,dying ,race4 ,cr4 #hvo1 cloth1 #cs4 #f;d4 ,greeks and ,romans1 ,the ,life of the1 described from ,antique ,monuments4 ,by ,,ernst ,,guhl and ,w4 ,,koner4 ,edited by ,dr4 ,f4 ,,hueffer4 ,with #ede ,illustrations4 ,large crown #hvo1 cloth extra4 #gs4 #f;d4 ,greenwood 7,james73 8,the ,amateur ,casual044--,the ,prisoner in the ,dock2 ,my ,four ,years' ,daily ,experiences in the ,london ,police ,courts4 ,cr4 #hvo1 cl41 #cs4 #f;d4 ,grey 7,sir ,george74--,the ,romance of a ,proconsul3 ,being the ,personal ,life and ,memoirs of ,sir ,,george ,,grey1 ,k4,c4,b4 ,by ,,james ,,milne4 ,with ,portrait4 ,,second ,,edition4 ,crown #hvo1 buckram1 #fs4 ,griffith 7,cecil74--,corinthia ,marazion3 ,a ,novel4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 ,gunter 7,a4 ,clavering1 ,author of #8,mr4 ,barnes of ,new ,york'74--,a ,florida ,enchantment4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,guttenberg 7,violet71 ,novels by4 ,neither ,jew nor ,greek4 ,the ,power of the ,palmist4 ,hair1 ,the3 ,its ,treatment in ,health1 ,weakness1 and ,disease4 ,translated from the ,german of ,dr4 ,j4 ,,pincus4 ,crown #hvo1 #as42 cloth1 #as4 #f;d4 ,hake 7,dr4 ,thomas ,gordon71 ,poems by4 ,cr4 #hvo1 cl4 ex41 #fs4 each4 ,new ,symbols4 ,legends of the ,morrow4 ,the ,serpent ,play4 ,maiden ,ecstasy4 ,small #dto1 cloth extra1 #hs4 ,halifax 7,c474--,dr4 ,rumsey's ,patient4 ,by ,mrs4 ,l4 ,t4 ,,meade and ,,clifford ,,halifax1 ,m4,d4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,hall 7,mrs4 ,s4 ,c474--,sketches of ,irish ,character4 ,with numerous ,illustrations on ,steel and ,wood by ,,maclise1 ,,gilbert1 ,,harvey1 and ,,george ,,cruikshank4 ,small demy #hvo1 cloth extra1 #gs4 #f;d4 ,hall 7,owen71 ,novels by4 ,the ,track of a ,storm4 ,crown #hvo1 picture cloth1 flat back1 #bs4 ,jetsam4 ,crown #hvo1 cloth1 #cs44 #f;d4 ,crown #hvo1 cloth1 gilt top1 #fs4 each4 ,eureka4 ,hernando4 ,harte's 7,bret7 ,collected ,works4 ,revised by the ,author4 ,,library ,,edition1 in ,ten ,volumes1 ,crown #hvo1 cloth extra1 #fs4 each4 ,vol4 ,i4 ,,complete ,,poetical ,,and ,,dramatic ,,works4 ,with ,steel-plate ,portrait4 ,vol4 ,,ii4 ,,the ,,luck ,,of ,,roaring ,,camp--,,bohemian ,,papers--,,american ,,legend4 ,vol4 ,,iii4 ,,tales ,,of ,,the ,,argonauts--,,eastern ,,sketches4 ,vol4 ,,iv4 ,,gabriel ,,conroy4 ,vol4 ,v4 ,,stories--,,condensed ,,novels1 c4 ,vol4 ,,vi4 ,,tales ,,of ,,the ,,pacific ,,slope4 ,vol4 ,,vii4 ,,tales ,,of ,,the ,,pacific ,,slope--,,ii4 ,with ,portrait by ,,john ,,pettie1 ,r4,a4 ,vol4,,viii4 ,,tales ,,of ,,the ,,pine ,,and ,,the ,,cypress4 ,vol4 ,,ix4 ,,buckeye ,,and ,,chapparel4 ,vol4 ,x4 ,,tales ,,of ,,trail ,,and ,,town1 c4 ,bret ,harte's ,choice ,works1 in ,prose and ,verse4 ,with ,portrait of the ,author and #dj ,illustrations4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,bret ,harte's ,poetical ,works1 including 8,some ,later ,verses40 ,crown #hvo1 buckram1 #ds4 #f;d4 ,some ,later ,verses4 ,crown #hvo1 linen gilt1 #es4 ,in a ,hollow of the ,hills4 ,crown #hvo1 picture cloth1 flat back1 #bs4 ,condensed ,novels4 7,the ,two ,series in ,one ,volume47 ,pott #hvo1 cloth1 gilt top1 #bs4 net2 leather1 gilt edges1 #cs4 net4 ,crown #hvo1 cloth1 #fs4 each4 ,on the ,old ,trail4 ,under the ,redwoods4 ,from ,sandhill to ,pine4 ,stories in ,light and ,shadow4 ,mr4 ,jack ,hamlin's ,mediation4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 each2 post #hvo1 picture boards1 #bs4 each4 ,gabriel ,conroy4 ,a ,waif of the ,plains4 ,with #fj ,illustrations by ,,stanley ,l4 ,,wood4 ,a ,ward of the ,golden ,gate4 ,with #ei ,illustrations by ,,stanley ,l4 ,,wood4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 each4 ,susy3 ,a ,novel4 ,with ,frontispiece and ,vignette by ,j4 ,a4 ,,christie4 ,sally ,dows1 c4 ,with #dg ,illustrations by ,w4 ,d4 ,,almond and others4 ,the ,bell-,ringer of ,angel's1 c4 ,with #ci ,illustrations by ,,dudley ,,hardy and others4 ,clarence3 ,a ,story of the ,american ,war4 ,with ,eight ,illustrations by ,a4 ,,jule ,,goodman4 ,barker's ,luck1 c4 ,with #ci ,illustrations by ,a4 ,,forestier1 ,,paul ,,hardy1 c4 ,devil's ,ford1 c4 ,with a ,frontispiece by ,w4 ,h4 ,,overend4 ,the ,crusade of the 8,excelsior40 ,with a ,frontispiece by ,j4 ,,bernard ,,partridge4 ,three ,partners2 or1 ,the ,big ,strike on ,heavy ,tree ,hill4 ,with #h ,illustrations by ,j4 ,,gulich4 ,tales of ,trail and ,town4 ,with ,frontispiece by ,g4 ,p4 ,,jacomb-,,hood4 ,new ,condensed ,novels3 ,burlesques4 ,crown #hvo1 cloth1 #cs4 #f;d4 each2 picture cloth1 flat back1 #bs4 each4 ,the ,luck of ,roaring ,camp1 and ,sensation ,novels ,condensed4 ,a ,sappho of ,green ,springs4 ,colonel ,starbottle's ,client4 ,a ,protegee of ,jack ,hamlin's4 ,with numerous ,illustrations4 ,post #hvo1 illustrated boards1 #bs4 each4 ,an ,heiress of ,red ,dog4 ,the ,luck of ,roaring ,camp4 ,californian ,stories4 ,post #hvo1 illustrated boards1 #bs4 each2 cloth1 #bs4 #f;d4 each4 ,flip4 ,maruja4 ,a ,phyllis of the ,sierras4 ,halliday 7,andrew74--,every-day ,papers4 ,post #hvo1 picture bds41 #bs4 ,hamilton 7,cosmo71 ,stories by4 ,crown #hvo1 cloth gilt1 #cs4 #f;d4 each4 ,the ,glamour of the ,impossible4 ,through a ,keyhole4 ,the two stories may also be had bound together in one volume1 crown #hvo1 cloth1 #cs4 #f;d4 ,handwriting1 ,the ,philosophy of4 ,with over #ajj ,facsimiles and ,explanatory ,text4 ,by ,,don ,,felix ,,de ,,salamanca4 ,post #hvo1 half-cloth1 #bs4 #f;d4 ,hanky-,panky3 ,easy and ,difficult ,tricks1 ,white ,magic1 ,sleight of ,hand1 c4 ,edited by ,w4 ,h4 ,,cremer4 ,with #bjj ,illustrations4 ,crown #hvo1 cloth extra1 #ds4 #f;d4 ,hardy 7,rev4 ,e4 ,j41 ,author of #8,how to be ,happy though ,married'74--,love1 ,courtship1 and ,marriage4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,hardy 7,iza ,duffus71 ,novels by4 ,crown #hvo1 cloth1 gilt top1 #fs4 each4 ,the ,lesser ,evil4 ,man1 ,woman1 and ,fate4 ,a ,butterfly3 ,her ,friends and her ,fortunes4 ,hardy 7,thomas74--,under the ,greenwood ,tree4 ,post #hvo1 cloth extra1 #cs4 #f;d42 illustrated boards1 #bs42 cloth limp1 #bs4 #f;d4--,also the ,,fine ,,paper ,,edition1 post #hvo1 cloth1 gilt top1 #bs4 net2 leather1 gilt edges1 #cs4 net4 ,haweis 7,mrs4 ,h4 ,r471 ,books by4 ,the ,art of ,beauty4 ,with ,coloured ,frontispiece and #ia ,illustrations4 ,square #hvo1 cloth bds41 #fs4 ,the ,art of ,decoration4 ,with ,coloured ,frontispiece and #gd ,illustrations4 ,sq4 #hvo1 cloth bds41 #fs4 ,the ,art of ,dress4 ,with #cb ,illustrations4 ,post #hvo1 #as42 cloth1 #as4 #f;d4 ,chaucer for ,schools4 ,with the ,story of his ,times and his ,work4 ,a ,new ,edition1 revised4 ,with a ,frontispiece4 ,demy #hvo1 cloth1 #bs4 #f;d4 ,chaucer for ,children4 ,with #ch ,illustrations 7#h ,coloured74 ,crown #dto1 cloth extra1 #cs4 #f;d4 ,haweis 7,rev4 ,h4 ,r41 ,m4,a474--,american ,humorists3 ,,washington ,,irving1 ,,oliver ,,wendell ,,holmes1 ,,james ,,russell ,,lowell1 ,,artemus ,,ward1 ,,mark ,,twain1 and ,,bret ,,harte4 ,crown #hvo1 cloth1 #fs4 ,hawthorne 7,julian71 ,novels by4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 each2 post #hvo1 illustrated boards1 #bs4 each4 ,garth4 ,fortune's ,fool4 ,ellice ,quentin4 ,dust4 ,four ,illusts4 ,beatrix ,randolph4 ,with ,four ,illusts4 ,david ,poindexter's ,disappearance4 ,the ,spectre of the ,camera4 ,post #hvo1 illustrated boards1 #bs4 each4 ,miss ,cadogna4 ,love--or a ,name4 ,sebastian ,strome4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,healy 7,chris74--,confessions of a ,journalist4 ,with a ,portrait4 ,crown #hvo1 cloth1 gilt top1 #fs4 ,heckethorn 7,c4 ,w471 ,books by4 ,crown #hvo1 cloth1 gilt top1 #fs4 each4 ,london ,souvenirs4 ,london ,memories3 ,social1 ,historical1 and ,topographical4 ,helps 7,sir ,arthur71 ,books by4 ,post #hvo1 cloth limp1 #bs4 #f;d4 each4 ,animals and their ,masters4 ,social ,pressure4 ,ivan de ,biron3 ,a ,novel4 ,crown #hvo1 cloth extra1 #cs4 #f;d42 post #hvo1 illustrated boards1 #bs4 ,henderson 7,isaac74--,agatha ,page3 ,a ,novel4 ,cr4 #hvo1 cl41 #cs4 #f;d4 ,henty 7,g4 ,a471 ,novels by4 ,rujub1 the ,juggler4 ,post #hvo1 cloth1 #cs4 #f;d42 illustrated boards4 #bs4 ,colonel ,thorndyke's ,secret4 ,with a ,frontispiece by ,,stanley ,l4 ,,wood4 ,small demy #hvo1 cloth1 gilt edges1 #es4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,the ,queen's ,cup4 ,dorothy's ,double4 ,herman 7,henry74--,a ,leading ,lady4 ,post #hvo1 cloth1 #bs4 #f;d4 ,hertzka 7,dr4 ,theodor74--,freeland3 ,a ,social ,anticipation4 ,translated by ,,arthur ,,ransom4 ,crown #hvo1 cloth extra1 #fs4 ,hesse-,wartegg 7,chevalier ,ernst von74--,tunis3 ,the ,land and the ,people4 ,with #bb ,illustrations4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 ,hill 7,headon74--,zambra the ,detective4 ,crown #hvo1 cloth1 #cs4 #f;d42 picture cloth1 flat back1 #bs42 post #hvo1 picture boards1 #bs4 ,hill 7,john71 ,works by4 ,treason-,felony4 ,post #hvo1 boards1 #bs4 ,the ,common ,ancestor4 ,cr4 #hvo1 cloth1 #cs4 #f;d4 ,hinkson 7,h4 ,a471 ,novels by4 ,crown #hvo1 cloth1 gilt top1 #fs4 each4 ,fan ,fitzgerald4 ,silk and ,steel4 ,hoey 7,mrs4 ,cashel74--,the ,lover's ,creed4 ,post #hvo1 boards1 #bs4 ,holiday1 ,where to go for a4 ,by ,e4 ,p4 ,,sholl1 ,sir ,h4 ,,maxwell1 ,bart41 ,m4,p41 ,,john ,,watson1 ,,jane ,,barlow1 ,,mary ,,lovett ,,cameron1 ,,justin ,h4 ,,mccarthy1 ,,paul ,,lange1 ,j4 ,w4 ,,graham1 ,j4 ,h4 ,,salter1 ,,ph,,be ,,allen1 ,s4 ,j4 ,,beckett1 ,l4 ,,rivers ,,vine1 and ,c4 ,f4 ,,gordon ,,cumming4 ,crown #hvo1 cloth1 #as4 #f;d4 ,holmes 7,oliver ,wendell71 ,works by4 ,the ,autocrat of the ,breakfast-,table4 ,illustrated by ,j4 ,,gordon ,,thomson4 ,post #hvo1 cloth limp1 #bs4 #f;d4 ,another ,edition1 post #hvo1 cloth1 #bs4 ,the ,autocrat of the ,breakfast-,table and ,the ,professor at the ,breakfast-,table4 ,in ,one ,vol4 ,post #hvo1 half-bound1 #bs4 ,hood's 7,thomas7 ,choice ,works in ,prose and ,verse4 ,with ,life of the ,author1 ,portrait1 and #bjj ,illustrations4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,hood's ,whims and ,oddities4 ,with #he ,illustrations4 ,post #hvo1 half-bound1 #bs4 ,hook's 7,theodore7 ,choice ,humorous ,works2 including his ,ludicrous ,adventures1 ,bons ,mots1 ,puns1 ,hoaxes4 ,with ,life and ,frontispiece4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,hopkins 7,tighe71 ,novels by4 ,for ,freedom4 ,crown #hvo1 cloth1 #fs4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 #8,twixt ,love and ,duty4 ,with a ,frontispiece4 ,the ,nugents of ,carriconna4 ,the ,incomplete ,adventurer4 ,nell ,haffenden4 ,with #h ,illustrations by ,c4 ,,gregory4 ,horne 7,r4 ,hengist74--,orion3 ,an ,epic ,poem4 ,with ,photograph ,portrait by ,,summers4 ,tenth ,edition4 ,crown #hvo1 cloth extra1 #gs4 ,hornung 7,e4 ,w474--,the ,shadow of the ,rope4 ,crown #hvo1 cloth1 gilt top1 #fs4 ,hugo 7,victor74--,the ,outlaw of ,iceland 7,han d',islande74 ,translated by ,sir ,,gilbert ,,campbell4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,hume 7,fergus7 ,novels by4 ,the ,lady from ,nowhere4 ,crown #hvo1 cloth1 #cs4 #f;d42 picture cloth1 flat back1 #bs4 ,the ,millionaire ,mystery4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,the ,wheeling ,light4 ,crown #hvo1 cloth1 gilt top1 #fs4 ,hungerford 7,mrs41 ,author of #8,molly ,bawn'71 ,novels by4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 each2 post #hvo1 illustrated boards1 #bs4 each2 cloth limp1 #bs4 #f;d4 each4 ,a ,maiden ,all ,forlorn4 ,in ,durance ,vile4 ,marvel4 ,a ,modern ,circe4 ,april's ,lady4 ,peter's ,wife4 ,lady ,patty4 ,lady ,verner's ,flight4 ,the ,red-,house ,mystery4 ,an ,unsatisfactory ,lover4 ,the ,professor's ,experiment4 ,the ,three ,graces4 ,nora ,creina4 ,a ,mental ,struggle4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 each4 ,an ,anxious ,moment4 ,the ,coming of ,chloe4 ,a ,point of ,conscience4 ,lovice4 ,hunt's 7,leigh7 ,essays3 ,a ,tale for a ,chimney ,corner1 c4 ,edited by ,,edmund ,,ollier4 ,post #hvo1 half-bound1 #bs4 ,hunt 7,mrs4 ,alfred71 ,novels by4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 each2 post #hvo1 illustrated boards1 #bs4 each4 ,the ,leaden ,casket4 ,self-,condemned4 ,that ,other ,person4 ,mrs4 ,juliet4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 ,hutchison 7,w4 ,m474--,hints on ,colt-breaking4 ,with #be ,illustrations4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 ,hydrophobia3 ,an ,account of ,m4 ,,pasteur',s ,system2 ,the ,technique of his ,method1 and ,statistics4 ,by ,,renaud ,,suzor1 ,m4,b4 ,crown #hvo1 cloth extra1 #fs4 ,idler ,magazine 7,the74 ,edited by ,,robert ,,barr4 ,profusely ,illustrated4 #f;d4 ,monthly4 ,impressions 7,the7 of ,aureole4 ,post #hvo1 cloth1 #bs4 #f;d4 ,indoor ,paupers4 ,by ,,one ,,of ,,them4 ,crown #hvo1 #as42 cloth1 #as4 #f;d4 ,inman 7,herbert7 and ,hartley ,aspden4--,the ,tear of ,kalee4 ,crown #hvo1 cloth1 gilt top1 #fs4 ,in ,memoriam3 ,verses for every ,day in the ,year4 ,selected and arranged by ,,lucy ,,ridley4 ,small square #hvo1 cloth1 #bs4 #f;d4 net2 leather1 #cs4 #f;d4 net4 ,innkeeper's ,handbook 7,the7 and ,licensed ,victualler's ,manual4 ,by ,j4 ,,trevor-,,davies4 ,a ,new ,edition4 ,crown #hvo1 cloth1 #bs4 ,irish ,wit and ,humour1 ,songs of4 ,collected and ,edited by ,a4 ,,perceval ,,graves4 ,post #hvo1 cloth limp1 #bs4 #f;d4 ,irving 7,sir ,henry73 ,a ,record of over ,twenty ,years at the ,lyceum4 ,by ,,percy ,,fitzgerald4 ,with ,portrait4 ,crown #hvo1 cloth1 #as4 #f;d4 ,james 7,c4 ,t4 ,c474--,a ,romance of the ,queen's ,hounds4 ,post #hvo1 cloth limp1 #as4 #f;d4 ,jameson 7,william74--,my ,dead ,self4 ,post #hvo1 cloth1 #bs4 #f;d4 ,japp 7,alex4 ,h41 ,,ll4,d474--,dramatic ,pictures1 c4 ,cr4 #hvo1 cloth1 #es4 ,jefferies 7,richard71 ,books by4 ,the ,open ,air4 ,post #hvo1 cloth1 #bs4 #f;d4 ,crown #hvo1 buckram1 #fs4 each2 post #hvo1 cloth limp1 #bs4 #f;d4 each4 ,nature near ,london4 ,the ,life of the ,fields4 ,also1 the ,,large ,,type1 ,,fine ,,paper ,,edition of ,the ,life of the ,fields4 ,pott #hvo1 cloth gilt top1 #bs4 net2 leather1 gilt edges1 #cs4 net4 ,the ,eulogy of ,richard ,jefferies4 ,by ,sir ,,walter ,,besant4 ,with a ,photograph ,portrait4 ,crown #hvo1 cloth extra1 #fs4 ,jennings 7,henry ,j471 ,works by4 ,curiosities of ,criticism4 ,post #hvo1 cloth limp1 #bs4 #f;d4 ,lord ,tennyson3 ,a ,biographical ,sketch4 ,with ,portrait4 ,post #hvo1 cloth1 #as4 #f;d4 ,jerome 7,jerome ,k474--,stageland4 ,with #fd ,illustrations by ,j4 ,,bernard ,,partridge4 ,fcap4 #dto1 picture cover1 #as4 ,jerrold 7,douglas74--,the ,barber's ,chair2 and ,the ,hedgehog ,letters4 ,post #hvo1 printed on laid paper and half-bound1 #bs4 ,jerrold 7,tom71 ,works by4 ,post #hvo1 #as4 ea42 cloth limp1 #as4 #f;d4 each4 ,the ,garden that ,paid the ,rent4 ,household ,horticulture3 ,a ,gossip about ,flowers4 ,illustrated4 ,jesse 7,edward74--,scenes and ,occupations of a ,country ,life4 ,post #hvo1 cloth limp1 #bs4 ,johnston 7,r474--,the ,peril of an ,empire4 ,cr4 #hvo1 cloth1 gilt top1 #fs4 ,jones 7,william1 ,f4,s4,a471 ,works by4 ,cr4 #hvo1 cl4 extra1 #cs4 #f;d4 each4 ,finger-,ring ,lore3 ,historical1 ,legendary1 and ,anecdotal4 ,with ,hundreds of ,illustrations4 ,crowns and ,coronations3 ,a ,history of ,regalia4 ,with #ia ,illustrations4 ,jonson's 7,ben7 ,works4 ,with ,notes ,critical and ,explanatory1 and a ,biographical ,memoir by ,,william ,,gifford4 ,edited by ,colonel ,,cunningham4 ,three ,vols4 crown #hvo1 cloth extra1 #cs4 #f;d4 each4 ,josephus1 ,the ,complete ,works of4 ,translated by ,,william ,,whiston4 ,containing #8,the ,antiquities of the ,jews' and #8,the ,wars of the ,jews4' ,with #eb ,illustrations and ,maps4 ,two ,vols41 demy #hvo1 half-cloth1 #abs4 #f;d4 ,kempt 7,robert74--,pencil and ,palette3 ,chapters on ,art and ,artists4 ,post #hvo1 cloth limp1 #bs4 #f;d4 ,kershaw 7,mark74--,colonial ,facts and ,fictions3 ,humorous ,sketches4 ,post #hvo1 illustrated boards1 #bs42 cloth1 #bs4 #f;d4 ,king 7,r4 ,ashe71 ,novels by4 ,post #hvo1 illustrated boards1 #bs4 each4 #8,the ,wearing of the ,green4' ,passion's ,slave4 ,bell ,barry4 ,a ,drawn ,game4 ,crown #hvo1 cloth1 #cs4 #f;d42 post #hvo1 illustrated boards1 #bs4 ,kipling ,primer 7,a74 ,including ,biographical and ,critical ,chapters1 an ,index to ,mr4 ,kipling's principal ,writings and ,bibliographies4 ,by ,f4 ,l4 ,,knowles1 ,editor of ,the ,golden ,treasury of ,american ,lyrics4' ,with ,two ,portraits4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,knight 7,william1 ,m4,r4,c4,s41 and ,edward1 ,l4,r4,c4,p474--,the ,patient's ,vade ,mecum3 ,how to ,get ,most ,benefit from ,medical ,advice4 ,cr4 #hvo1 cloth1 #as4 #f;d4 ,knights 7,the7 of the ,lion3 ,a ,romance of the ,thirteenth ,century4 ,edited1 with an ,introduction1 by the ,,marquess ,,of ,,lorne1 ,k4,t4 ,crown #hvo1 cloth extra1 #fs4 ,lambert 7,george74--,the ,president of ,boravia4 ,crown #hvo1 cl41 #cs4 #f;d4 ,lamb's 7,charles7 ,complete ,works in ,prose and ,verse1 including #8,poetry ,for ,children' and #8,prince ,dorus4' ,edited1 with ,notes and ,introduction1 by ,r4 ,h4 ,,shepherd4 ,with ,two ,portraits and ,facsimile of the #8,essay on ,roast ,pig4' ,crown #hvo1 cloth1 #cs4 #f;d4 ,the ,essays of ,elia4 ,post #hvo1 half-cloth1 #bs4 ,little ,essays3 ,sketches and ,characters by ,,charles ,,lamb1 selected from his ,letters by ,,percy ,,fitzgerald4 ,post #hvo1 cloth limp1 #bs4 #f;d4 ,the ,dramatic ,essays of ,charles ,lamb4 ,with ,introduction and ,notes by ,,brander ,,matthews1 and ,steel-plate ,portrait4 ,fcap4 #hvo1 half-bound1 #bs4 #f;d4 ,landor 7,walter ,savage74--,citation and ,examination of ,william ,shakspeare1 c4 before ,sir ,thomas ,lucy1 touching ,deer-stealing1 #aith ,september1 #aehb4 ,to which is added1 ,a ,conference of ,master ,edmund ,spenser with the ,earl of ,essex1 touching the ,state of ,ireland1 #aeie4 ,fcap4 #hvo1 half-,roxburghe1 #bs4 #f;d4 ,lane 7,edward ,william74--,the ,thousand and ,one ,nights1 commonly called in ,england ,the ,arabian ,nights' ,entertainments4 ,translated from the ,arabic1 with ,notes4 ,illustrated with many hundred ,engravings from ,designs by ,,harvey4 ,edited by ,,edward ,,stanley ,,poole4 ,with ,preface by ,,stanley ,,lane-,,poole4 ,three ,vols41 demy #hvo1 cloth1 #gs4 #f;d4 ea4 ,larwood 7,jacob71 ,works by4 ,anecdotes of the ,clergy4 ,post #hvo1 laid paper1 half cloth1 #bs4 ,theatrical ,anecdotes4 ,post #hvo1 cloth limp1 #bs4 #f;d4 ,humour of the ,law3 ,forensic ,anecdotes4 ,post #hvo1 cloth1 #bs4 ,lehmann 7,r4 ,c474--,harry ,fludyer at ,cambridge1 and ,conversational ,hints for ,young ,shooters4 ,crown #hvo1 turned-in cover1 #as42 cloth1 #as4 #f;d4 ,leigh 7,henry ,s474--,carols of ,cockayne4 ,printed on hand-made paper1 bound in buckram1 #es4 ,leland 7,c4 ,godfrey74--,a ,manual of ,mending and ,repairing4 ,with ,diagrams4 ,crown #hvo1 cloth1 #es4 ,lepelletier 7,edmond74--,madame ,sans-,gene4 ,translated from the ,french by ,,john ,,de ,,villiers4 ,post #hvo1 cloth1 #cs4 #f;d42 picture boards1 #bs4 ,leys 7,john ,k471 ,novels by4 ,the ,lindsays4 ,post #hvo1 picture bds41 #bs4 ,a ,sore ,temptation4 ,cr4 #hvo1 cloth1 gilt top1 #fs4 ,lilburn 7,adam74--,a ,tragedy in ,marble4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,lindsay 7,harry1 ,author of #8,methodist ,idylls'71 ,novels by4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,rhoda ,roberts4 ,the ,jacobite3 ,a ,romance of the ,conspiracy of #8,the ,forty4' ,crown #hvo1 cloth1 gilt top1 #fs4 each4 ,judah ,pyecroft1 ,puritan4 ,the ,story of ,leah4 ,linton 7,e4 ,lynn71 ,works by4 ,an ,octave of ,friends4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 each2 post #hvo1 illustrated boards1 #bs4 each4 ,patricia ,kemball4 ,the ,atonement of ,leam ,dundas4 ,the ,world ,well ,lost4 ,with #ab ,illusts4 ,the ,one ,too ,many4 ,ione4 ,under which ,lord8 ,with #ab ,illustrations4 #8,my ,love6' ,paston ,carew1 ,millionaire and ,miser4 ,dulcie ,everton4 ,sowing the ,wind4 ,with a ,silken ,thread4 ,the ,rebel of the ,family4 ,post #hvo1 cloth limp1 #bs4 #f;d4 each4 ,witch ,stories4 ,ourselves3 ,essays on ,women4 ,freeshooting3 ,extracts from the ,works of ,mrs4 ,,lynn ,,linton4 ,lowe 7,charles1 ,m4,a474--,our ,greatest ,living ,soldiers4 ,with #h ,portraits4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,lucy 7,henry ,w474--,gideon ,fleyce3 ,a ,novel4 ,crown #hvo1 cloth extra1 #cs4 #f;d42 post #hvo1 illustrated boards1 #bs4 ,mc,carthy 7,justin71 ,works by4 ,the ,reign of ,queen ,anne4 #b vols41 demy #hvo1 cloth1 #abs4 each4 ,a ,history of the ,four ,georges and of ,william the ,fourth4 ,by ,,justin ,,mccarthy and ,,justin ,,huntly ,,mccarthy4 ,four ,vols41 demy #hvo1 cloth extra1 #abs4 each4 ,a ,history of ,our ,own ,times1 from the ,accession of ,queen ,victoria to the ,general ,election of #ahhj4 ,,library ,,edition4 ,four ,vols41 demy #hvo1 cloth extra1 #abs4 each4--,also a ,,popular ,,edition1 in ,four ,vols41 crown #hvo1 cloth extra1 #fs4 each4--,and the ,,jubilee ,,edition1 with an ,appendix of ,events to the end of #ahhf1 in ,two ,vols41 large crown #hvo1 cloth extra1 #gs4 #f;d4 each4 ,a ,history of ,our ,own ,times1 ,vol4 ,v41 from #ahhj to the ,diamond ,jubilee4 ,demy #hvo1 cloth extra1 #abs42 or crown #hvo1 cloth1 #fs4 ,a ,history of ,our ,own ,times1 ,vol4 ,,vi41 from the ,diamond ,jubilee1 #ahig1 to the ,accession of ,king ,edward ,,vii4 ,demy #hvo1 cloth1 #abs4 ,shortly4 ,a ,short ,history of ,our ,own ,times4 ,one ,vol41 crown #hvo1 cloth extra1 #fs4--,also a ,,cheap ,,popular ,,edition1 post #hvo1 cloth limp1 #bs4 #f;d4 ,reminiscences4 ,with a ,portrait4 ,two ,vols41 demy #hvo1 cloth1 #bds4 ,the ,story of an ,irishman4 ,demy #hvo1 cloth1 #abs4 ,shortly4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 each2 post #hvo1 illustrated boards1 #bs4 each2 cloth limp1 #bs4 #f;d4 each4 ,the ,waterdale ,neighbours4 ,my ,enemy's ,daughter4 ,a ,fair ,saxon4 ,dear ,lady ,disdain4 ,miss ,misanthrope4 ,with #ab ,illustrations4 ,linley ,rochford4 ,the ,dictator4 ,donna ,quixote4 ,with #ab ,illustrations4 ,the ,comet of a ,season4 ,maid of ,athens4 ,with #ab ,illustrations4 ,camiola3 ,a ,girl with a ,fortune4 ,red ,diamonds4 ,the ,riddle ,ring4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,the ,three ,disgraces1 and other ,stories4 ,mononia3 ,a ,love ,story of #8,forty-eight4' #8,the ,right ,honourable4' ,by ,,justin ,,mccarthy and ,mrs4 ,,campbell ,,praed4 ,crown #hvo1 cloth extra1 #fs4 ,mc,carthy 7,justin ,huntly71 ,works by4 ,the ,french ,revolution4 7,constituent ,assembly1 #aghi-ia74 ,four ,vols41 demy #hvo1 cloth1 #abs4 each4 ,an ,outline of the ,history of ,ireland4 ,crown #hvo1 #as42 cloth1 #as4 #f;d4 ,ireland ,since the ,union3 ,sketches of ,irish ,history1 #agih-ahhf4 ,crown #hvo1 cloth1 #fs4 ,hafiz in ,london3 ,poems4 ,small #hvo1 gold cloth1 #cs4 #f;d4 ,our ,sensation ,novel4 ,crown #hvo1 picture cover1 #as42 cloth limp1 #as4 #f;d4 ,doom3 ,an ,atlantic ,episode4 ,crown #hvo1 picture cover1 #as4 ,dolly3 ,a ,sketch4 ,crown #hvo1 picture cover1 #as4 ,lily ,lass3 ,a ,romance4 ,crown #hvo1 picture cover1 #as42 cloth limp1 #as4 #f;d4 ,a ,london ,legend4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,mac,coll 7,hugh71 ,novels by4 ,mr4 ,stranger's ,sealed ,packet4 ,post #hvo1 illustrated boards1 #bs4 ,ednor ,whitlock4 ,crown #hvo1 cloth extra1 #fs4 ,macdonell 7,agnes74--,quaker ,cousins4 ,post #hvo1 boards1 #bs4 ,mac,donald 7,george1 ,,ll4,d471 ,books by4 ,works of ,fancy and ,imagination4 ,ten ,vols41 #afmo1 cloth1 gilt edges1 in cloth case1 #bas42 or the ,volumes may be had separately1 in ,grolier cloth1 at #bs4 #f;d4 each4 ,vol4 ,i4 ,,within ,,and ,,without4--,,the ,,hidden ,,life4 ,vol4 ,,ii4 ,,the ,,disciple4--,,the ,,gospel ,,women4--,,book ,,of ,,sonnets4--,,organ ,,songs4 ,vol4 ,,iii4 ,,violin ,,songs4--,,songs ,,of ,,the ,,days ,,and ,,nights4--,a ,,book ,,of ,,dreams4--,,roadside ,,poems4--,,poems ,,for ,,children4 ,vol4 ,,iv4 ,,parables4--,,ballads4--,,scotch ,,songs4 ,vol4 ,v4 ,,vi4 ,,phantastes3 ,a ,faerie ,romance4 ,vol4 ,,vii4 ,,the ,,portent4 ,vol4 ,,viii4 ,,the ,,light ,,princess4--,,the ,,giant',s ,,heart4--,,shadows4 ,vol4 ,,ix4 ,,cross ,,purposes4--,,the ,,golden ,,key4--,,the ,,carasoyn4--,,little ,,daylight4 ,vol4 ,x4 ,,the ,,cruel ,,painter4--,,the ,,wow ,o' ,,rivven4--,,the ,,castle4--,,the ,,broken ,,swords4--,,the ,,gray ,,wolf4--,,uncle ,,cornelius4 ,poetical ,works of ,george ,mac,donald4 ,collected and ,arranged by the ,author4 ,two ,vols4 crown #hvo1 buckram1 #abs4 ,a ,threefold ,cord4 ,edited by ,,george ,,macdonald4 ,post #hvo1 cloth1 #es4 ,phantastes3 ,a ,faerie ,romance4 ,with #be ,illustrations by ,j4 ,,bell4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 ,heather and ,snow3 ,a ,novel4 ,crown #hvo1 cloth extra1 #cs4 #f;d42 post #hvo1 illustrated boards1 #bs4 ,lilith3 ,a ,romance4 ,,second ,,edition4 ,crown #hvo1 cloth extra1 #fs4 ,mac,gregor 7,robert74--,pastimes and ,players3 ,notes on ,popular ,games4 ,post #hvo1 cloth limp1 #bs4 #f;d4 ,machray 7,robert71 ,novels by4 ,crown #hvo1 cloth1 gilt top1 #fs4 each4 ,a ,blow over the ,heart4 ,the ,mystery of ,lincoln's ,inn4 ,mackay 7,charles1 ,,ll4,d474--,interludes and ,undertones2 or1 ,music at ,twilight4 ,crown #hvo1 cloth extra1 #fs4 ,mackenna 7,stephen ,j47 and ,j4 ,augustus ,o',shea4--,brave ,men in ,action3 ,thrilling ,stories of the ,british ,flag4 ,with #h ,illustrations by ,,stanley ,l4 ,,wood4 ,small demy #hvo1 cloth1 gilt edges1 #es4 ,maclise ,portrait ,gallery 7,the7 of ,illustrious ,literary ,characters3 #he ,portraits by ,,daniel ,,maclise2 with ,memoirs--,biographical1 ,critical1 ,bibliographical1 and ,anecdotal--illustrative of the ,literature of the former half of the ,present ,century1 by ,,william ,,bates1 ,b4,a4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 ,macquoid 7,mrs471 ,works by4 ,square #hvo1 cloth extra1 #fs4 each4 ,in the ,ardennes4 ,with #ej ,illustrations by ,,thomas ,r4 ,,macquoid4 ,pictures and ,legends from ,normandy and ,brittany4 #cd ,illusts4 by ,t4 ,r4 ,,macquoid4 ,through ,normandy4 ,with #ib ,illustrations by ,t4 ,r4 ,,macquoid1 and a ,map4 ,about ,yorkshire4 ,with #fg ,illustrations by ,t4 ,r4 ,,macquoid4 ,magician's ,own ,book1 ,the3 ,performances with ,eggs1 ,hats1 c4 ,edited by ,w4 ,h4 ,,cremer4 ,with #bjj ,illustrations4 ,crown #hvo1 cloth extra1 #ds4 #f;d4 ,magic ,lantern1 ,the1 and its ,management3 ,including full ,practical ,directions4 ,by ,t4 ,c4 ,,hepworth4 ,with #aj ,illustrations4 ,crown #hvo1 #as42 cloth1 #as4 #f;d4 ,magna ,charta3 ,an ,exact ,facsimile of the ,original in the ,british ,museum1 #c feet by #b feet1 with ,arms and ,seals emblazoned in ,gold and ,colours1 #es4 ,mallory 7,sir ,thomas74--,mort d',arthur3 ,the ,stories of ,king ,arthur and of the ,knights of the ,round ,table4 7,a ,selection47 ,edited by ,b4 ,,montgomerie ,,ranking4 ,post #hvo1 cloth limp1 #bs4 ,mallock 7,w4 ,h471 ,works by4 ,the ,new ,republic4 ,post #hvo1 cloth1 #cs4 #f;d42 picture boards1 #bs4 ,the ,new ,paul and ,virginia3 ,positivism on an ,island4 ,post #hvo1 cloth1 #bs4 #f;d4 ,poems4 ,small #dto1 parchment1 #hs4 ,is ,life ,worth ,living8 ,crown #hvo1 cloth extra1 #fs4 ,margueritte 7,paul and ,victor71 ,novels by4 ,the ,disaster4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,the ,commune4 ,translated by ,f4 ,,lees and ,r4 ,b4 ,,douglas4 ,crown #hvo1 cloth1 gilt top1 #fs4 ,marlowe's ,works4 ,including his ,translations4 ,edited1 with ,notes and ,introductions1 by ,colonel ,,cunningham4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 ,mason 7,finch74--,annals of the ,horse-,shoe ,club4 ,with #e ,illustrations by the ,,author4 ,crown #hvo1 cloth1 gilt top1 #fs4 ,massinger's ,plays4 ,from the ,text of ,,william ,,gifford4 ,edited by ,col4 ,,cunningham4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 ,masterman 7,j474--,half-a-dozen ,daughters4 ,post #hvo1 picture boards1 #bs4 ,matthews 7,brander74--,a ,secret of the ,sea1 c4 ,post #hvo1 illustrated boards1 #bs42 cloth limp1 #bs4 #f;d4 ,max ,o',rell1 ,books by4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,her ,royal ,highness ,woman4 ,between ,ourselves4 ,rambles in ,womanland4 ,merivale 7,herman74--,bar1 ,stage1 and ,platform3 ,autobiographic ,memories4 ,with a ,portrait4 ,crown #hvo1 cloth1 gilt top1 #fs4 ,meade 7,l4 ,t471 ,novels by4 ,a ,soldier of ,fortune4 ,crown #hvo1 cloth1 #cs4 #f;d42 post #hvo1 illustrated boards1 #bs4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,the ,voice of the ,charmer4 ,with #h ,illustrations4 ,in an ,iron ,grip4 ,the ,siren4 ,dr4 ,rumsey's ,patient4 ,on the ,brink of a ,chasm4 ,the ,way of a ,woman4 ,a ,son of ,ishmael4 ,an ,adventuress4 ,the ,blue ,diamond4 ,a ,stumble by the ,way4 ,crown #hvo1 cloth1 gilt top1 #fs4 each4 ,this ,troublesome ,world4 ,rosebury4 ,merrick 7,leonard71 ,novels by4 ,the ,man who was ,good4 ,post #hvo1 picture boards1 #bs4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,this ,stage of ,fools4 ,cynthia3 ,a ,daughter of the ,philistines4 ,miller 7,mrs4 ,f4 ,fenwick74--,physiology for the ,young2 or1 ,the ,house of ,life4 ,with numerous ,illustrations4 ,post #hvo1 cloth limp1 #bs4 #f;d4 ,milton 7,j4 ,l474--,the ,bath in ,diseases of the ,skin4 ,post #hvo1 #as42 cloth1 #as4 #f;d4 ,minto 7,wm474--,was ,she ,good or ,bad8 ,crown #hvo1 cloth1 #as4 #f;d4 ,mitchell 7,edmund71 ,novels by4 ,the ,lone ,star ,rush4 ,with #h ,illustrations by ,,norman ,h4 ,,hardy4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,crown #hvo1 cloth1 gilt top1 #fs4 each4 ,only a ,nigger4 ,the ,belforts of ,culben4 ,crown #hvo1 picture cloth1 flat backs1 #bs4 each4 ,plotters of ,paris4 ,the ,temple of ,death4 ,towards the ,eternal ,snows4 ,mitford 7,bertram71 ,novels by4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 each4 ,the ,gun-,runner3 ,a ,romance of ,zululand4 ,with a ,frontispiece by ,,stanley ,l4 ,,wood4 ,renshaw ,fanning's ,quest4 ,with a ,frontispiece by ,,stanley ,l4 ,,wood4 ,the ,triumph of ,hilary ,blachland4 ,crown #hvo1 cloth1 #cs4 #f;d4 each2 picture cloth1 flat backs1 #bs4 each4 ,the ,luck of ,gerard ,ridgeley4 ,the ,king's ,assegai4 ,with ,six full-page ,illustrations by ,,stanley ,l4 ,,wood4 ,haviland's ,chum4 ,crown #hvo1 cloth1 gilt top1 #fs4 ,molesworth 7,mrs474--,hathercourt ,rectory4 ,crown #hvo1 cloth1 #cs4 #f;d4 post #hvo1 illustrated boards1 #bs4 ,moncrieff 7,w4 ,d4 ,scott-74--,the ,abdication3 ,an ,historical ,drama4 ,with ,seven ,etchings by ,,john ,,pettie1 ,w4 ,q4 ,,orchardson1 ,j4 ,,macwhirter1 ,,colin ,,hunter1 ,r4 ,,macbeth and ,,tom ,,graham4 ,imperial #dto1 buckram1 #bas4 ,montagu 7,irving74--,things ,i ,have ,seen in ,war4 ,with #af full-page ,illustrations4 ,crown #hvo1 cloth1 #fs4 ,moore 7,thomas71 ,works by4 ,the ,epicurean2 and ,alciphron4 ,post #hvo1 half-bound1 #bs4 ,prose and ,verse2 including ,suppressed ,passages from the ,,memoirs ,,of ,,lord ,,byron4 ,edited by ,r4 ,h4 ,,shepherd4 ,with ,portrait4 ,crown #hvo1 cloth extra1 #gs4 #f;d4 ,murray 7,d4 ,christie71 ,novels by4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 each2 post #hvo1 illustrated boards1 #bs4 each4 ,a ,life's ,atonement4 ,joseph's ,coat4 #ab ,illusts4 ,coals of ,fire4 #c ,illusts4 ,val ,strange4 ,hearts4 ,the ,way of the ,world4 ,a ,model ,father4 ,old ,blazer's ,hero4 ,cynic ,fortune4 ,frontisp4 ,by the ,gate of the ,sea4 ,a ,bit of ,human ,nature4 ,first ,person ,singular4 ,bob ,martin's ,little ,girl4 ,time's ,revenges4 ,a ,wasted ,crime4 ,in ,direst ,peril4 ,mount ,despair4 ,a ,capful o' ,nails4 ,the ,making of a ,novelist3 ,an ,experiment in ,autobiography4 ,with a ,collotype ,portrait4 ,cr4 #hvo1 buckram1 #cs4 #f;d4 ,my ,contemporaries in ,fiction4 ,crown #hvo1 buckram1 #cs4 #f;d4 ,his ,own ,ghost4 ,crown #hvo1 cloth1 #cs4 #f;d42 picture cloth1 flat back1 #bs4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,this ,little ,world4 ,a ,race for ,millions4 ,the ,church of ,humanity4 ,tales in ,prose and ,verse4 ,with a ,frontispiece by ,,arthur ,,hopkins4 ,v4 ,c43 ,a ,chronicle of ,castle ,barfield and of the ,crimea4 ,crown #hvo1 cloth1 gilt top1 #fs4 each4 ,despair's ,last ,journey4 ,verona's ,father4 ,joseph's ,coat4 ,,popular ,,edition1 medium #hvo1 #f;d4 ,murray 7,d4 ,christie7 and ,henry ,herman1 ,novels by4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 each2 post #hvo1 illustrated boards1 #bs4 each4 ,one ,traveller ,returns4 ,paul ,jones's ,alias1 c4 ,with ,illustrations by ,a4 ,,forestier and ,g4 ,,nicolet4 ,the ,bishops' ,bible4 ,murray 7,henry71 ,novels by4 ,post #hvo1 cloth1 #bs4 #f;d4 each4 ,a ,game of ,bluff4 ,a ,song of ,sixpence4 ,morris 7,rev4 ,w4 ,meredith1 ,b4,a474--,british ,violin-,makers1 ,classical and ,modern4 ,with numerous ,portraits1 ,illustrations1 and ,facsimiles of ,labels4 ,demy #hvo1 cloth1 gilt top1 #ajs4 #f;d4 net4 ,morrow 7,w4 ,c474--,bohemian ,paris of ,to-,day4 ,with #ajf ,illustrations by ,,edouard ,,cucuel4 ,small demy #hvo1 cloth1 gilt top1 #fs4 ,muddock 7,j4 ,e471 ,stories by4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,basile the ,jester4 ,with ,frontispiece by ,,stanley ,,wood4 ,young ,lochinvar4 ,the ,golden ,idol4 ,post #hvo1 illustrated boards1 #bs4 each4 ,the ,dead ,man's ,secret4 ,from the ,bosom of the ,deep4 ,stories ,weird and ,wonderful4 ,post #hvo1 illustrated boards1 #bs42 cloth1 #bs4 #f;d4 ,maid ,marian and ,robin ,hood4 ,with #ab ,illustrations by ,,stanley ,l4 ,,wood4 ,crown #hvo1 cloth1 #cs4 #f;d42 picture cloth1 flat back1 #bs4 ,nisbet 7,hume71 ,books by4 #8,bail ,up4' ,crown #hvo1 cloth extra1 #cs4 #f;d42 post #hvo1 illustrated boards1 #bs4 ,dr4 ,bernard ,st4 ,vincent4 ,post #hvo1 illustrated boards1 #bs4 ,lessons in ,art4 ,with #ba ,illustrations4 ,crown #hvo1 cloth extra1 #bs4 #f;d4 ,norris 7,w4 ,e471 ,novels by4 ,crown #hvo1 cloth1 #cs4 #f;d4 each2 post #hvo1 picture boards1 #bs4 each4 ,saint ,ann's4 ,billy ,bellew4 ,with a ,frontispiece by ,f4 ,h4 ,,townsend4 ,miss ,wentworth's ,idea4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,ohnet 7,georges71 ,novels by4 ,post #hvo1 illustrated boards1 #bs4 each4 ,doctor ,rameau4 ,a ,last ,love4 ,a ,weird ,gift4 ,crown #hvo1 cloth1 #cs4 #f;d42 post #hvo1 picture boards1 #bs4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,love's ,depths4 ,the ,woman of ,mystery4 ,the ,money-,maker4 ,translated by ,f4 ,,rothwell4 ,crown #hvo1 cloth1 gilt top1 #fs4 ,oliphant 7,mrs471 ,novels by4 ,post #hvo1 illustrated boards1 #bs4 each4 ,the ,primrose ,path4 ,the ,greatest ,heiress in ,england4 ,whiteladies4 ,crown #hvo1 cloth1 with #ab ,illustrations by ,,arthur ,,hopkins and ,,henry ,,woods1 #cs4 #f;d42 post #hvo1 picture boards1 #bs4 ,the ,sorceress4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,orrock 7,james71 ,painter1 ,connoisseur1 ,collector4 ,by ,,byron ,,webber4 ,in ,two ,handsome ,volumes1 small folio1 ,illustrated with nearly ,one ,hundred ,photogravure ,plates and a profusion of ,drawings reproduced in half-tone1 in a binding designed by ,sir ,j4 ,d4 ,,linton1 ,p4,r4,i4 ,price1 in buckram gilt1 ,ten ,guineas net4 ,o',shaughnessy 7,arthur71 ,poems by4 ,fcap4 #hvo1 cloth extra1 #gs4 #f;d4 each4 ,music and ,moonlight4 ,songs of a ,worker4 ,lays of ,france4 ,crown #hvo1 cloth extra1 #ajs4 #f;d4 ,ouida1 ,novels by4 ,cr4 #hvo1 cl41 #cs4 #f;d4 ea42 post #hvo1 illust4 bds41 #bs4 ea4 ,held in ,bondage4 ,a ,dog of ,flanders4 ,in ,maremma4 ,wanda4 ,tricotrin4 ,pascarel4 ,signa4 ,bimbi4 ,strathmore4 ,chandos4 ,two ,wooden ,shoes4 ,frescoes4 ,othmar4 ,cecil ,castlemaine's ,gage4 ,in a ,winter ,city4 ,princess ,napraxine4 ,under ,two ,flags4 ,ariadne4 ,friendship4 ,guilderoy4 ,ruffino4 ,puck4 ,idalia4 ,a ,village ,commune4 ,two ,offenders4 ,folle-,farine4 ,moths4 ,pipistrello4 ,santa ,barbara4 ,,popular ,,editions1 medium #hvo1 #f;d4 each4 ,under ,two ,flags4 ,moths4 ,held in ,bondage4 ,puck4 ,strathmore4 ,tricotrin4 ,syrlin4 ,crown #hvo1 cloth1 #cs4 #f;d42 post #hvo1 picture cloth1 flat back1 #bs42 illustrated boards1 #bs4 ,the ,waters of ,edera4 ,crown #hvo1 cloth1 #cs4 #f;d42 picture cloth1 flat back1 #bs4 ,wisdom1 ,wit1 and ,pathos1 selected from the ,works of ,,ouida by ,f4 ,,sydney ,,morris4 ,post #hvo1 cloth extra1 #es4--,,cheap ,,edition1 illustrated boards1 #bs4 ,pain 7,barry74--,eliza's ,husband4 ,fcap4 #hvo1 picture cover1 #as42 cloth1 #as4 #f;d4 ,palmer 7,w4 ,t471 ,books by4 ,crown #hvo1 cloth1 gilt top1 #fs4 each4 ,lake ,country ,rambles4 ,with a ,frontispiece4 ,in ,lakeland ,dells and ,fells4 ,with a ,frontispiece4 ,pandurang ,hari2 or1 ,memoirs of a ,hindoo4 ,with ,preface by ,sir ,,bartle ,,frere4 ,post #hvo1 illustrated boards1 #bs4 ,paris ,salon1 ,the ,illustrated ,catalogue of the1 for #aijd4 7,twenty-sixth ,year47 ,with over #cjj ,illustrations4 ,demy #hvo1 #cs4 ,pascal's ,provincial ,letters4 ,a ,new ,translation1 with ,historical ,introduction and ,notes by ,t4 ,m',,crie1 ,d4,d4 ,post #hvo1 half-cloth1 #bs4 ,paternoster 7,g4 ,sidney74--,the ,motor ,pirate4 ,with #ab ,illustrations by ,c4 ,r4 ,,sykes4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,paston ,letters 7,the71 #adbb-aeji4 ,containing upwards of #fjj more ,letters than appeared in the original #e-volume issue in #aghg-ahbc4 ,edited1 with ,introduction and ,notes1 by ,,james ,,gairdner1 of the ,public ,record ,office4 ,a ,,new ,,edition1 in #f ,volumes1 square demy #hvo1 art linen1 gilt top1 #abs4 #f;d4 net per volume4 7,sold only in sets47 ,paul 7,margaret ,a474--,gentle and ,simple4 ,crown #hvo1 cloth1 with ,frontispiece by ,,helen ,,paterson1 #cs4 #f;d42 post #hvo1 illustrated boards1 #bs4 ,payn 7,james71 ,novels by4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 each2 post #hvo1 illustrated boards1 #bs4 each4 ,lost ,sir ,massingberd4 ,a ,county ,family4 ,less ,black than ,we're ,painted4 ,by ,proxy4 ,for ,cash ,only4 ,high ,spirits4 ,a ,confidential ,agent4 ,with #ab ,illusts4 ,a ,grape from a ,thorn4 ,with #ab ,illusts4 ,the ,family ,scapegrace4 ,holiday ,tasks4 ,the ,talk of the ,town4 ,with #ab ,illusts4 ,the ,mystery of ,mirbridge4 ,the ,word and the ,will4 ,the ,burnt ,million4 ,sunny ,stories4 ,a ,trying ,patient4 ,post #hvo1 illustrated boards1 #bs4 each4 ,humorous ,stories4 ,from ,exile4 ,the ,foster ,brothers4 ,married ,beneath ,him4 ,bentinck's ,tutor4 ,walter's ,word4 ,a ,perfect ,treasure4 ,like ,father1 ,like ,son4 ,a ,woman's ,vengeance4 ,carlyon's ,year4 ,cecil's ,tryst4 ,murphy's ,master4 ,at ,her ,mercy4 ,the ,clyffards of ,clyffe4 ,some ,private ,views4 ,found ,dead4 ,gwendoline's ,harvest4 ,mirk ,abbey4 ,a ,marine ,residence4 ,the ,canon's ,ward4 ,not ,wooed1 ,but ,won4 ,two ,hundred ,pounds ,reward4 ,the ,best of ,husbands4 ,halves4 ,what ,he ,cost ,her4 ,fallen ,fortunes4 ,kit3 ,a ,memory4 ,under ,one ,roof4 ,glow-worm ,tales4 ,a ,prince of the ,blood4 ,a ,modern ,dick ,whittington2 or1 ,a ,patron of ,letters4 ,with a ,portrait of the ,author4 ,crown #hvo1 cloth1 #cs4 #f;d42 picture cloth1 flat back1 #bs4 ,notes from the #8,news4' ,crown #hvo1 cloth1 #as4 #f;d4 ,walter's ,ward4 ,,popular ,,edition1 medium #hvo1 #f;d4 ,payne 7,will74--,jerry the ,dreamer4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,pennell-,elmhirst 7,captain ,e474--,the ,best of the ,fun4 ,with #h ,coloured ,illustrations by ,g4 ,d4 ,,giles1 and #dh in ,black and ,white by ,j4 ,,sturgess and ,g4 ,d4 ,,giles4 ,medium #hvo1 cloth1 gilt top1 #afs4 ,pennell 7,h4 ,cholmondeley71 ,works by4 ,post #hvo1 cloth1 #bs4 #f;d4 ea4 ,puck on ,pegasus4 ,with ,illustrations4 ,pegasus ,re-,saddled4 ,with ,ten full-page ,illustrations by ,g4 ,,du ,,maurier4 ,the ,muses of ,mayfair3 ,vers de ,socit4 ,selected by ,h4 ,c4 ,,pennell4 ,penny 7,f4 ,e474--,the ,sanyasi3 ,an ,indian ,romance4 ,crown #hvo1 cloth1 gilt top1 #fs4 ,phelps 7,e4 ,stuart71 ,books by4 ,beyond the ,gates4 ,post #hvo1 picture cover1 #as42 cloth1 #as4 #f;d4 ,jack the ,fisherman4 ,illustrated by ,c4 ,w4 ,,reed4 ,crown #hvo1 cloth1 #as4 #f;d4 ,phil ,may's ,sketch-,book4 ,containing #ed ,humorous ,cartoons4 ,crown folio1 cloth1 #bs4 #f;d4 ,phipson 7,dr4 ,t4 ,l471 ,books by4 ,crown #hvo1 canvas1 gilt top1 #es4 each4 ,famous ,violinists and ,fine ,violins4 ,the ,confessions of a ,violinist4 ,voice and ,violin3 ,sketches1 ,anecdotes1 and ,reminiscences4 ,pilkington 7,lionel ,l474--,mallender's ,mistake4 ,crown #hvo1 cloth1 gilt top1 #fs4 ,planche 7,j4 ,r471 ,works by4 ,the ,pursuivant of ,arms4 ,with ,six ,plates and #bji ,illustrations4 ,crown #hvo1 cloth1 #gs4 #f;d4 ,songs and ,poems1 #ahai-ahgi4 ,with ,introduction by ,mrs4 ,,mackarness4 ,crown #hvo1 cloth1 #fs4 ,plutarch's ,lives of ,illustrious ,men4 ,with ,notes and a ,life of ,plutarch by ,,john and ,,wm4 ,,langhorne1 and ,portraits4 ,two ,vols41 demy #hvo1 half-cloth1 #ajs4 #f;d4 ,poe's 7,edgar ,allan7 ,choice ,works3 ,poems1 ,stories1 ,essays4 ,with an ,introduction by ,,charles ,,baudelaire4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,pollock 7,w4 ,h474--,the ,charm1 and other ,drawing-room ,plays4 ,by ,sir ,,walter ,,besant and ,,walter ,h4 ,,pollock4 ,with #ej ,illustrations4 ,crown #hvo1 cloth gilt1 #fs4 ,praed 7,mrs4 ,campbell71 ,novels by4 ,post #hvo1 illust4 bds41 #bs4 each4 ,the ,romance of a ,station4 ,the ,soul of ,countess ,adrian4 ,crown #hvo1 cloth1 #cs4 #f;d4 each2 post #hvo1 boards1 #bs4 each4 ,outlaw and ,lawmaker4 ,christina ,chard4 ,with ,frontispiece by ,w4 ,,paget4 ,mrs4 ,tregaskiss4 ,with #h ,illustrations by ,,robert ,,sauber4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,nulma4 ,madame ,izan4 #8,as a ,watch in the ,night4' ,price 7,e4 ,c474--,valentina4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,princess ,olga4--,radna3 ,a ,novel4 ,crown #hvo1 cloth extra1 #fs4 ,proctor 7,richard ,a471 ,works by4 ,flowers of the ,sky4 ,with #ee ,illustrations4 ,small crown #hvo1 cloth extra1 #cs4 #f;d4 ,easy ,star ,lessons4 ,with ,star ,maps for every ,night in the ,year4 ,crown #hvo1 cloth1 #fs4 ,familiar ,science ,studies4 ,crown #hvo1 cloth extra1 #fs4 ,saturn and its ,system4 ,with #ac ,steel ,plates4 ,demy #hvo1 cloth extra1 #ajs4 #f;d4 ,mysteries of ,time and ,space4 ,with numerous ,illustrations4 ,crown #hvo1 cloth extra1 #fs4 ,the ,universe of ,suns1 c4 ,with numerous ,illustrations4 ,crown #hvo1 cloth extra1 #fs4 ,wages and ,wants of ,science ,workers4 ,crown #hvo1 #as4 #f;d4 ,pryce 7,richard74--,miss ,maxwell's ,affections4 ,crown #hvo1 cloth1 with ,frontispiece by ,,hal ,,ludlow1 #cs4 #f;d42 post #hvo1 illustrated boards1 #bs4 ,rambosson 7,j474--,popular ,astronomy4 ,translated by ,c4 ,b4 ,,pitman4 ,with #aj ,coloured ,plates and #fc ,woodcut ,illustrations4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,randolph 7,col4 ,g474--,aunt ,abigail ,dykes4 ,crown #hvo1 cloth1 #gs4 #f;d4 ,richardson 7,frank71 ,novels by4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,the ,man who ,lost his ,past4 ,with #ej ,illustrations by ,,tom ,,browne1 ,r4,i4 ,the ,bayswater ,miracle4 ,crown #hvo1 cloth1 gilt top1 #fs4 each4 ,the ,king's ,counsel4 ,semi-,society4 ,riddell 7,mrs4 ,j4 ,h471 ,novels by4 ,a ,rich ,man's ,daughter4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,weird ,stories4 ,crown #hvo1 cloth extra1 #cs4 #f;d42 post #hvo1 illustrated boards1 #bs4 ,post #hvo1 illustrated boards1 #bs4 each4 ,the ,uninhabited ,house4 ,the ,prince of ,wales's ,garden ,party4 ,the ,mystery in ,palace ,gardens4 ,fairy ,water4 ,her ,mother's ,darling4 ,the ,nun's ,curse4 ,idle ,tales4 ,reade's 7,charles7 ,novels4 ,the ,collected ,,library ,,edition1 in ,seventeen ,volumes1 crown #hvo1 cloth1 #cs4 #f;d4 each4 #a4 ,peg ,woffington2 and ,christie ,johnstone4 #b4 ,hard ,cash4 #c4 ,the ,cloister and the ,hearth4 ,with a ,preface by ,sir ,,walter ,,besant4 #d4 #8,it is ,never ,too ,late to ,mend4' #e4 ,the ,course of ,true ,love ,never ,did ,run ,smooth2 and ,singleheart and ,doubleface4 #f4 ,the ,autobiography of a ,thief2 ,jack of all ,trades2 ,a ,hero and a ,martyr2 and ,the ,wandering ,heir4 #g4 ,love ,me ,little1 ,love me ,long4 #h4 ,the ,double ,marriage4 #i4 ,griffith ,gaunt4 #aj4 ,foul ,play4 #aa4 ,put ,yourself in ,his ,place4 #ab4 ,a ,terrible ,temptation4 #ac4 ,a ,simpleton4 #ad4 ,a ,woman-,hater4 #ae4 ,the ,jilt1 and other ,stories2 and ,good ,stories of ,man and other ,animals4 #af4 ,a ,perilous ,secret4 #ag4 ,readiana2 and ,bible ,characters4 ,in ,twenty-one ,volumes1 post #hvo1 illustrated boards1 #bs4 each4 ,peg ,woffington4 ,christie ,johnstone4 #8,it is ,never ,too ,late to ,mend4' ,the ,course of ,true ,love ,never ,did ,run ,smooth4 ,the ,autobiography of a ,thief2 ,jack of all ,trades2 and ,james ,lambert4 ,love ,me ,little1 ,love ,me ,long4 ,the ,double ,marriage4 ,the ,cloister and the ,hearth4 ,hard ,cash4 ,griffith ,gaunt4 ,foul ,play4 ,put ,yourself in ,his ,place4 ,a ,terrible ,temptation4 ,a ,simpleton4 ,the ,wandering ,heir4 ,a ,woman-,hater4 ,singleheart and ,doubleface4 ,good ,stories of ,man and other ,animals4 ,the ,jilt1 and other ,stories4 ,a ,perilous ,secret4 ,readiana4 ,,large ,,type1 ,,fine ,,paper ,,editions4 ,pott #hvo1 cl41 gilt top1 #bs4 net ea42 leather1 gilt edges1 #cs4 net ea4 ,the ,cloister and the ,hearth4 #8,it is ,never ,too ,late to ,mend4' ,,popular ,,editions1 medium #hvo1 #f;d4 each4 #8,it is ,never ,too ,late to ,mend4' ,the ,cloister and the ,hearth4 ,foul ,play4 ,peg ,woffington2 and ,christie ,johnstone4 ,hard ,cash4 ,griffith ,gaunt4 ,put ,yourself in ,his ,place4 ,christie ,johnstone4 ,with ,frontispiece4 ,choicely printed in ,elzevir style4 ,fcap4 #hvo1 half-,roxb4 #bs4 #f;d4 ,peg ,woffington4 ,choicely printed in ,elzevir style4 ,fcap4 #hvo1 half-,roxburgh1 #bs4 #f;d4 ,the ,cloister and the ,hearth4 ,,edition ,,de ,,luxe1 with #af ,photogravure and #hd half-tone ,illustrations by ,,matt ,b4 ,,hewerdine4 ,small #dto1 cloth gilt and gilt top1 #ajs4 #f;d4 net4--,also in ,four ,vols41 post #hvo1 with an ,introduction by ,sir ,,walter ,,besant1 and a ,frontispiece to each ,vol41 buckram gilt top1 #fs4 the set4 ,bible ,characters4 ,fcap4 #hvo1 leatherette1 #as4 ,selections from the ,works of ,charles ,reade4 ,with an ,introduction by ,mrs4 ,,alex4 ,,ireland4 ,post #hvo1 cloth limp1 #bs4 #f;d4 ,rimmer 7,alfred71 ,works by4 ,large crown #hvo1 cloth1 #cs4 #f;d4 each4 ,rambles ,round ,eton and ,harrow4 ,with #eb ,illustrations by the ,author4 ,about ,england with ,dickens4 ,with #eh ,illustrations by ,c4 ,a4 ,,vanderhoof and ,a4 ,,rimmer4 ,rives 7,amelie71 ,stories by4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,barbara ,dering4 ,meriel3 ,a ,love ,story4 ,robinson ,crusoe4 ,by ,,daniel ,,defoe4 ,with #cg ,illustrations by ,,george ,,cruikshank4 ,post #hvo1 half-cloth1 #bs4 ,robinson 7,phil71 ,works by4 ,crown #hvo1 cloth extra1 #fs4 each4 ,the ,poets' ,birds4 ,the ,poets' ,beasts4 ,the ,poets' ,reptiles1 ,fishes1 and ,insects4 ,robinson 7,f4 ,w471 ,novels by4 ,women are ,strange4 ,post #hvo1 illustrated boards1 #bs4 ,the ,hands of ,justice4 ,crown #hvo1 cloth extra1 #cs4 #f;d42 post #hvo1 illustrated boards1 #bs4 ,the ,woman in the ,dark4 ,crown #hvo1 cloth1 #cs4 #f;d4 post #hvo1 illustrated boards1 #bs4 ,roll of ,battle ,abbey1 ,the3 ,a ,list of the ,principal ,warriors who came from ,normandy with ,william the ,conqueror1 #ajff4 ,printed in ,gold and ,colours1 #es4 ,rosengarten 7,a474--,a ,handbook of ,architectural ,styles4 ,translated by ,w4 ,,collett-,,sandars4 ,with #fcj ,illustrations4 ,crown #hvo1 cloth extra1 #gs4 #f;d4 ,ross 7,albert74--,a ,sugar ,princess4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,rowley 7,hon4 ,hugh74 ,post #hvo1 cloth1 #bs4 #f;d4 each4 ,puniana3 or1 ,thoughts ,wise and ,other-wise3 a ,collection of the ,best ,riddles1 ,conundrums1 ,jokes1 ,sells1 c41 with numerous ,illustrations by the ,author4 ,more ,puniana3 ,a ,second ,collection of ,riddles1 ,jokes1 c4 ,with numerous ,illustrations4 ,runciman 7,james71 ,stories by4 ,schools and ,scholars4 ,post #hvo1 cloth1 #bs4 #f;d4 ,skippers and ,shellbacks4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,russell 7,dora71 ,novels by4 ,a ,country ,sweetheart4 ,post #hvo1 picture boards1 #bs42 picture cloth1 flat back1 #bs4 ,the ,drift of ,fate4 ,crown #hvo1 cloth1 #cs4 #f;d42 picture cloth1 flat back1 #bs4 ,russell 7,herbert74--,true ,blue4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,russell 7,rev4 ,john7 and his ,out-of-door ,life4 ,by ,e4 ,w4 ,l4 ,,davies4 ,a ,new ,edition1 with ,illustrations coloured by hand4 ,royal #hvo1 cloth1 #afs4 net4 ,russell 7,w4 ,clark71 ,novels1 c41 by4 ,crown #hvo1 cloth1 gilt top1 #fs4 each4 ,overdue4 ,wrong ,side ,out4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 each2 post #hvo1 illustrated boards1 #bs4 each2 cloth limp1 #bs4 #f;d4 each4 ,round the ,galley-,fire4 ,in the ,middle ,watch4 ,on the ,fo'k'sle ,head4 ,tale of the ,ten4 ,a ,voyage to the ,cape4 ,a ,book for the ,hammock4 ,the ,mystery of the #8,ocean ,star4' ,the ,romance of ,jenny ,harlowe4 ,an ,ocean ,tragedy4 ,my ,shipmate ,louise4 ,alone on a ,wide ,wide ,sea4 ,the ,good ,ship #8,mohock4' ,the ,phantom ,death4 ,is ,he the ,man8 ,the ,convict ,ship4 ,heart of ,oak4 ,the ,last ,entry4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,a ,tale of ,two ,tunnels4 ,the ,death ,ship4 ,the ,ship3 ,her ,story4 ,with #ej ,illustrations by ,h4 ,c4 ,,seppings ,,wright4 ,small #dto1 cloth1 #fs4 ,the #8,pretty ,polly'3 ,a ,voyage of ,incident4 ,with #ab ,illustrations by ,g4 ,e4 ,,robertson4 ,large crown #hvo1 cloth1 gilt edges1 #es4 ,the ,convict ,ship4 ,,popular ,,edition1 medium #hvo1 #f;d4 ,saint ,aubyn 7,alan71 ,novels by4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 each2 post #hvo1 illustrated boards1 #bs4 each4 ,a ,fellow of ,trinity4 ,with a ,note by ,,oliver ,,wendell ,,holmes and a ,frontispiece4 ,the ,junior ,dean4 ,orchard ,damerel4 ,the ,master of ,st4 ,benedict's4 ,in the ,face of the ,world4 ,to ,his ,own ,master4 ,the ,tremlett ,diamonds4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,the ,wooing of ,may4 ,fortune's ,gate4 ,a ,tragic ,honeymoon4 ,gallantry ,bower4 ,a ,proctor's ,wooing4 ,bonnie ,maggie ,lauder4 ,mary ,unwin4 ,with #h ,illustrations by ,,percy ,,tarrant4 ,mrs4 ,dunbar's ,secret4 ,saint ,john 7,bayle74--,a ,levantine ,family4 ,cr4 #hvo1 cloth1 #cs4 #f;d4 ,sala 7,george ,a474--,gaslight and ,daylight4 ,post #hvo1 boards1 #bs4 ,scotland ,yard1 ,past and ,present3 ,experiences of ,thirty-seven ,years4 ,by ,ex-,chief-,inspector ,,cavanagh4 ,post #hvo1 illustrated boards1 #bs42 cloth1 #bs4 #f;d4 ,secret ,out1 ,the3 ,one ,thousand ,tricks with ,cards2 with ,entertaining ,experiments in ,drawing-room or #8,white' ,magic4 ,by ,w4 ,h4 ,,cremer4 ,with #cjj ,illustrations4 ,crown #hvo1 cloth extra1 #ds4 #f;d4 ,seguin 7,l4 ,g471 ,works by4 ,the ,country of the ,passion ,play 7,oberammergau7 and the ,highlands of ,bavaria4 ,with ,map and #cg ,illustrations4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 ,walks in ,algiers4 ,with ,two ,maps and #af ,illustrations4 ,crown #hvo1 cloth extra1 #fs4 ,senior 7,wm474--,by ,stream and ,sea4 ,post #hvo1 cloth1 #bs4 #f;d4 ,sergeant 7,adeline71 ,novels by4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,under ,false ,pretences4 ,dr4 ,endicott's ,experiment4 ,seymour 7,cyril74--,the ,magic of ,to-,morrow4 ,cr4 #hvo1 cloth1 #fs4 ,shakespeare the ,boy4 ,with ,sketches of the ,home and ,school ,life1 the ,games and ,sports1 the ,manners1 ,customs1 and ,folk-lore of the ,time4 ,by ,,william ,j4 ,,rolfe1 ,litt4 ,d4 ,a ,new ,edition1 with #db ,illustrations1 and an ,,index ,,of ,,plays ,,and ,,passages ,,referred ,,to4 ,crown #hvo1 cloth gilt1 #cs4 #f;d4 ,sharp 7,william74--,children of ,to-morrow4 ,crown #hvo1 cloth1 #fs4 ,shelley's 7,percy ,bysshe7 ,complete ,works in ,verse and ,prose4 ,edited1 ,prefaced1 and ,annotated by ,r4 ,,herne ,,shepherd4 ,five ,vols41 crown #hvo1 cloth1 #cs4 #f;d4 each4 ,poetical ,works1 in ,three ,vols43 ,vol4 ,i4 ,introduction by the ,editor2 ,posthumous ,fragments of ,margaret ,nicholson2 ,shelley's ,correspondence with ,stockdale2 ,the ,wandering ,jew2 ,queen ,mab1 with ,the ,notes2 ,alastor1 and other ,poems2 ,rosalind and ,helen2 ,prometheus ,unbound2 ,adonais1 c4 ,vol4 ,,ii4 ,laon and ,cythna2 ,the ,cenci2 ,julian and ,maddalo2 ,swellfoot the ,tyrant2 ,the ,witch of ,atlas2 ,epipsychidion2 ,hellas4 ,vol4 ,,iii4 ,posthumous ,poems2 ,the ,masque of ,anarchy2 and other ,pieces4 ,prose ,works1 in ,two ,vols43 ,vol4 ,i4 ,the ,two ,romances of ,zastrozzi and ,st4 ,irvyne2 the ,dublin and ,marlow ,pamphlets2 ,a ,reputation of ,deism2 ,letters to ,leigh ,hunt1 and some ,minor ,writings and ,fragments4 ,vol4 ,,ii4 ,the ,essays2 ,letters from ,abroad2 ,translations and ,fragments1 edited by ,mrs4 ,,shelley4 ,with a ,biography of ,shelley1 and an ,index of the ,prose ,works4 ,sherard 7,r4 ,h474--,rogues3 ,a ,novel4 ,crown #hvo1 cloth1 #as4 #f;d4 ,sheridan's 7,richard ,brinsley7 ,complete ,works1 with ,life and ,anecdotes4 ,including ,drama1 ,prose and ,poetry1 ,translations1 ,speeches1 ,jokes4 ,cr4 #hvo1 cloth1 #cs4 #f;d4 ,the ,rivals1 ,the ,school for ,scandal1 and other ,plays4 ,post #hvo1 half-bound1 #bs4 ,sheridan's ,comedies3 ,the ,rivals and ,the ,school for ,scandal4 ,edited1 with an ,introduction and ,notes to each ,play1 and a ,biographical ,sketch1 by ,,brander ,,matthews4 ,with ,illustrations4 ,demy #hvo1 buckram1 gilt top1 #abs4 #f;d4 ,shiel 7,m4 ,p471 ,novels by4 ,crown #hvo1 cloth1 gilt top1 #fs4 each4 ,the ,purple ,cloud4 ,unto the ,third ,generation4 ,sidney's 7,sir ,philip7 ,complete ,poetical ,works4 ,with ,portrait4 ,edited by the ,rev4 ,a4 ,b4 ,,grosart1 ,d4,d4 ,three ,vols41 crown #hvo1 cloth1 #cs4 #f;d4 each4 ,signboards3 ,their ,history1 including ,anecdotes of ,famous ,taverns and ,remarkable ,characters4 ,by ,,jacob ,,larwood and ,,john ,,camden ,,hotten4 ,with ,coloured ,frontispiece and #id ,illustrations4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 ,sims 7,george ,r471 ,works by4 ,post #hvo1 illustrated boards1 #bs4 each2 cloth limp1 #bs4 #f;d4 each4 ,the ,ring o' ,bells4 ,my ,two ,wives4 ,tinkletop's ,crime4 ,tales of ,to-day4 ,zeph3 ,a ,circus ,story1 c4 ,dramas of ,life4 ,with #fj ,illustrations4 ,memoirs of a ,landlady4 ,scenes from the ,show4 ,the ,ten ,commandments3 ,stories4 ,crown #hvo1 picture cover1 #as4 each2 cloth1 #as4 #f;d4 each4 ,the ,dagonet ,reciter and ,reader3 ,readings and ,recitations in ,prose and ,verse4 ,the ,case of ,george ,candlemas4 ,dagonet ,ditties4 7,from ,the ,referee47 ,young ,mrs4 ,caudle4 ,how the ,poor ,live2 and ,horrible ,london4 ,with a ,frontispiece by ,f4 ,,barnard4 ,crown #hvo1 leatherette1 #as4 ,dagonet ,dramas of the ,day4 ,crown #hvo1 #as4 ,rogues and ,vagabonds4 ,crown #hvo1 cloth1 #cs4 #f;d42 picture cloth1 flat back1 #bs42 post #hvo1 illustrated boards1 #bs42 cloth limp1 #bs4 #f;d4 ,crown #hvo1 cloth1 #cs4 #f;d4 each2 post #hvo1 picture boards1 #bs4 each2 cloth limp1 #bs4 #f;d4 each4 ,mary ,jane's ,memoirs4 ,mary ,jane ,married4 ,dagonet ,abroad4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,once upon a ,christmas ,time4 ,with #h ,illustrations by ,,charles ,,green1 ,r4,i4 ,in ,london's ,heart3 ,a ,story of ,to-day4--,also in picture cloth1 flat back1 #bs4 ,a ,blind ,marriage4 ,without the ,limelight3 ,theatrical ,life as it is4 ,the ,small-part ,lady1 c4 ,biographs of ,babylon3 ,life ,pictures of ,london's ,moving ,scenes4 ,among ,my ,autographs4 ,with #gj ,facsimiles4 ,sinclair 7,upton74--,prince ,hagen3 ,a ,phantasy4 ,cr4 #hvo1 cl41 #cs4 #f;d4 ,sister ,dora4 ,by ,m4 ,,lonsdale4 #d ,illusts4 ,demy #hvo1 #d;d42 cloth1 #f;d4 ,sketchley 7,arthur74--,a ,match in the ,dark4 ,post #hvo1 boards1 #bs4 ,slang ,dictionary 7,the73 ,etymological1 ,historical1 and ,anecdotal4 ,crown #hvo1 cloth extra1 #fs4 #f;d4 ,smart 7,hawley71 ,novels by4 ,crown #hvo1 cloth1 #cs4 #f;d4 each2 post #hvo1 picture boards1 #bs4 each4 ,beatrice and ,benedick4 ,long ,odds4 ,without ,love or ,licence4 ,master of ,rathkelly4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,the ,outsider4 ,a ,racing ,rubber4 ,the ,plunger4 ,post #hvo1 picture boards1 #bs4 ,smith 7,j4 ,moyr71 ,works by4 ,the ,prince of ,argolis4 ,with #acj ,illustrations4 ,post #hvo1 cloth extra1 #cs4 #f;d4 ,the ,wooing of the ,water ,witch4 ,with numerous ,illustrations4 ,post #hvo1 cloth1 #fs4 ,snazelleparilla4 ,decanted by ,g4 ,s4 ,,edwards4 ,with ,portrait of ,g4 ,h4 ,,snazelle1 and #fe ,illustrations by ,c4 ,,lyall4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,society in ,london4 ,crown #hvo1 #as42 cloth1 #as4 #f;d4 ,somerset 7,lord ,henry74--,songs of ,adieu4 ,small #dto1 ,jap4 vel41 #fs4 ,spenser for ,children4 ,by ,m4 ,h4 ,,towry4 ,with ,coloured ,illustrations by ,,walter ,j4 ,,morgan4 ,crown #dto1 cloth extra1 #cs4 #f;d4 ,speight 7,t4 ,w471 ,novels by4 ,post #hvo1 illustrated boards1 #bs4 each4 ,the ,mysteries of ,heron ,dyke4 ,by ,devious ,ways1 c4 ,hoodwinked2 ,sandycroft ,mystery4 ,the ,golden ,hoop4 ,back to ,life4 ,the ,loudwater ,tragedy4 ,burgo's ,romance4 ,quittance in ,full4 ,a ,husband from the ,sea4 ,post #hvo1 cloth limp1 #as4 #f;d4 each4 ,a ,barren ,title4 ,wife or ,no ,wife8 ,crown #hvo1 cloth extra1 #cs4 #f;d4 each4 ,the ,grey ,monk4 ,a ,minion of the ,moon3 ,a ,romance of the ,king's ,highway4 ,the ,secret of ,wyvern ,towers4 ,the ,strange ,experiences of ,mr4 ,verschoyle4 ,the ,master of ,trenance4 ,the ,doom of ,siva4 ,as ,it was ,written4 ,her ,ladyship4 ,the ,web of ,fate4 ,stepping ,blindfold4 ,crown #hvo1 cloth1 gilt top1 #fs4 ,sprigge 7,s4 ,squire74--,an ,industrious ,chevalier4 ,crown #hvo1 cloth1 gilt top1 #fs4 ,spettigue 7,h4 ,h474--,the ,heritage of ,eve4 ,crown #hvo1 cloth1 #fs4 ,stafford 7,john71 ,novels by4 ,doris and ,i4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,carlton ,priors4 ,crown #hvo1 cloth1 gilt top1 #fs4 ,stanley 7,winifred74--,a ,flash of the ,will4 ,cr4 #hvo1 cl41 gilt top1 #fs4 ,starry ,heavens 7,the73 ,,poetical ,,birthday ,,book4 ,roy4 #afmo1 cl41 #bs4 #f;d4 ,stag-,hunting with the #8,devon and ,somerset3' ,chase of the ,wild ,red ,deer on ,exmoor4 ,by ,,philip ,,evered4 ,with #gj ,illustrations4 ,crown #dto1 cloth1 #afs4 net4 ,stedman 7,e4 ,c474--,victorian ,poets4 ,crown #hvo1 cloth extra1 #is4 ,stephens 7,riccardo1 ,m4,b474--,the ,cruciform ,mark3 ,the ,strange ,story of ,,richard ,,tregenna1 ,bachelor of ,medicine 7,univ4 ,edinb47 ,crown #hvo1 cloth1 #cs4 #f;d4 ,stephens 7,robert ,neilson74--,philip ,winwood3 ,a ,sketch of the ,domestic ,history of an ,american ,captain in the ,war of ,independence4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,sterndale 7,r4 ,armitage74--,the ,afghan ,knife3 ,a ,novel4 ,post #hvo1 cloth1 #cs4 #f;d42 illustrated boards1 #bs4 ,stevenson 7,r4 ,louis71 ,works by4 ,crown #hvo1 buckram1 gilt top1 #fs4 each4 ,travels with a ,donkey4 ,with a ,frontispiece by ,,walter ,,crane4 ,an ,inland ,voyage4 ,with a ,frontispiece by ,,walter ,,crane4 ,familiar ,studies of ,men and ,books4 ,the ,silverado ,squatters4 ,with ,frontispiece by ,j4 ,d4 ,,strong4 ,the ,merry ,men4 ,underwoods3 ,poems4 ,memories and ,portraits4 ,virginibus ,puerisque1 and other ,papers4 ,ballads4 ,prince ,otto4 ,across the ,plains1 with other ,memories and ,essays4 ,weir of ,hermiston4 ,in the ,south ,seas4 ,songs of ,travel4 ,crown #hvo1 buckram1 #es4 ,new ,arabian ,nights4 ,crown #hvo1 buckram1 gilt top1 #fs42 post #hvo1 illustrated boards1 #bs4--,,popular ,,edition1 medium #hvo1 #f;d4 ,the ,suicide ,club2 and ,the ,rajah's ,diamond4 7,from ,,new ,,arabian ,,nights47 ,with ,eight ,illustrations by ,w4 ,j4 ,,hennessy4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,the ,stevenson ,reader3 ,selections from the ,writings of ,,robert ,,louis ,,stevenson4 ,edited by ,,lloyd ,,osbourne4 ,post #hvo1 cloth1 #bs4 #f;d42 buckram1 gilt top1 #cs4 #f;d4 ,the ,pocket ,r4,l4,s43 ,favourite ,passages4 ,small #afmo1 cloth1 #bs4 net2 leather1 #cs4 net4 ,,large ,,type1 ,,fine ,,paper ,,editions4 ,pott #hvo1 cl41 gilt top1 #bs4 net each2 leather1 gilt edges1 #cs4 net each4 ,virginibus ,puerisque1 and other ,papers4 ,familiar ,studies of ,men and ,books4 ,new ,arabian ,nights4 ,r4 ,l4 ,stevenson3 ,a ,study4 ,by ,h4 ,b4 ,,baildon4 ,with #b ,portraits4 ,crown #hvo1 buckram1 #fs4 ,stockton 7,frank ,r474--,the ,young ,master of ,hyson ,hall4 ,with #cf ,illustrations by ,v4 ,h4 ,,davisson and ,c4 ,h4 ,,stephens4 ,crown #hvo1 cloth1 #cs4 #f;d42 picture cloth1 #bs4 ,strange ,secrets4 ,told by ,,percy ,,fitzgerald1 ,,conan ,,doyle1 ,,florence ,,marryat1 c4 ,post #hvo1 illustrated boards1 #bs4 ,strutt 7,joseph74--,the ,sports and ,pastimes of the ,people of ,england4 ,edited by ,,william ,,hone4 ,with #adj ,illustrations4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,sundowner1 ,stories by4 ,told by the ,taffrail4 ,cr4 #hvo1 cl41 #cs4 #f;d4 ,the ,tale of the ,serpent4 ,cr4 #hvo1 cl1 flat back1 #bs4 ,surtees 7,robert74--,handley ,cross2 or1 ,mr4 ,jorrocks's ,hunt4 ,with #gi ,illustrations by ,,john ,,leech4 ,post #hvo1 cloth1 #bs4 ,sutro 7,alfred74--,the ,foolish ,virgins4 ,fcap4 #hvo1 picture cover1 #as42 cloth1 #as4 #f;d4 ,swift's 7,dean7 ,choice ,works1 in ,prose and ,verse4 ,with ,memoir1 ,portrait1 and ,facsimiles of the ,maps in #8,gulliver's ,travels4' ,crown #hvo1 cloth1 #cs4 #f;d4 ,gulliver's ,travels1 and ,a ,tale of a ,tub4 ,post #hvo1 half-cloth1 #bs4 ,jonathan ,swift3 ,a ,study4 ,by ,j4 ,,churton ,,collins4 ,crown #hvo1 cloth extra1 #hs4 ,swinburne's 7,algernon ,charles7 ,works4 ,selections from the ,poetical ,works of ,a4 ,c4 ,swinburne4 ,fcap4 #hvo1 #fs4 ,atalanta in ,calydon4 ,crown #hvo1 #fs4 ,chastelard3 ,a ,tragedy4 ,crown #hvo1 #gs4 ,poems and ,ballads4 ,,first ,,series4 ,cr4 #hvo1 #is4 ,poems and ,ballads4 ,,second ,,ser4 ,cr4 #hvo1 #is4 ,poems ,ballads4 ,,third ,,series4 ,cr4 #hvo1 #gs4 ,songs before ,sunrise4 ,crown #hvo1 #ajs4 #f;d4 ,bothwell3 ,a ,tragedy4 ,crown #hvo1 #abs4 #f;d4 ,songs of ,two ,nations4 ,crown #hvo1 #fs4 ,george ,chapman4 7,see ,vol4 ,,ii4 of ,g4 ,,chapman',s ,works47 ,crown #hvo1 #cs4 #f;d4 ,essays and ,studies4 ,crown #hvo1 #abs4 ,erechtheus3 ,a ,tragedy4 ,crown #hvo1 #fs4 ,a ,note on ,charlotte ,bront4 ,cr4 #hvo1 #fs4 ,a ,study of ,shakespeare4 ,crown #hvo1 #hs4 ,songs of the ,springtides4 ,crown #hvo1 #fs4 ,studies in ,song4 ,crown #hvo1 #gs4 ,mary ,stuart3 ,a ,tragedy4 ,crown #hvo1 #hs4 ,tristram of ,lyonesse4 ,crown #hvo1 #is4 ,a ,century of ,roundels4 ,small #dto1 #hs4 ,a ,midsummer ,holiday4 ,crown #hvo1 #gs4 ,marino ,faliero3 ,a ,tragedy4 ,crown #hvo1 #fs4 ,a ,study of ,victor ,hugo4 ,crown #hvo1 #fs4 ,miscellanies4 ,crown #hvo1 #abs4 ,locrine3 ,a ,tragedy4 ,crown #hvo1 #fs4 ,a ,study of ,ben ,jonson4 ,crown #hvo1 #gs4 ,the ,sisters3 ,a ,tragedy4 ,crown #hvo1 #fs4 ,astrophel1 c4 ,crown #hvo1 #gs4 ,studies in ,prose and ,poetry4 ,cr4 #hvo1 #is4 ,the ,tale of ,balen4 ,crown #hvo1 #gs4 ,rosamund1 ,queen of the ,lombards3 ,a ,tragedy4 ,crown #hvo1 #fs4 ,a ,channel ,passage1 c4 ,cr4 #hvo1 #gs4 ,shortly4 ,the ,collected ,poems of ,algernon ,charles ,swinburne4 ,in #f ,vols41 crown #hvo1 #cfs4 net the ,set4 ,the volumes will be issued at short intervals at #fs4 net each4 7,can be subscribed for only in ,sets47 ,taine's ,history of ,english ,literature4 ,translated by ,,henry ,,van ,,laun4 ,four ,vols41 demy #hvo1 cloth1 #cjs4--,,popular ,,edition1 ,two ,vols41 crown #hvo1 cloth1 #aes4 ,taylor 7,bayard74--,diversions of the ,echo ,club4 ,post #hvo1 cl41 #bs4 ,taylor 7,tom74--,historical ,dramas3 #8,,jeanne ,d',,arc1' #8',,twixt ,,axe ,,and ,,crown1' #8,,the ,,fool',s ,,revenge1' #8,,arkwright',s ,,wife1' #8,,anne ,,boleyne1' #8,,plot ,,and ,,passion4' ,crown #hvo1 #as4 each4 ,temple 7,sir ,richard1 ,g4,c4,s4,i474--,a ,bird's-eye ,view of ,picturesque ,india4 ,with #cb ,illustrations by the ,author4 ,crown #hvo1 cloth1 gilt top1 #fs4 ,thackerayana3 ,notes and ,anecdotes4 ,with ,coloured ,frontispiece and ,hundreds of ,sketches by ,,william ,,makepeace ,,thackeray4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 ,thames1 ,a ,new ,pictorial ,history of the4 ,by ,a4 ,s4 ,,krausse4 ,with #cdj ,illustrations4 ,post #hvo1 cloth1 #as4 #f;d4 ,thomas 7,annie71 ,novels by4 ,the ,siren's ,web3 ,a ,romance of ,london ,society4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,comrades ,true4 ,crown #hvo1 cloth1 gilt top1 #fs4 ,thomas 7,bertha71 ,novels by4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,the ,violin-,player4 ,in a ,cathedral ,city4 ,crown #hvo1 cloth1 gilt top1 #fs4 each4 ,the ,house on the ,scar3 a ,tale of ,south ,devon4 ,the ,son of the ,house4 ,thomson's ,seasons1 and ,the ,castle of ,indolence4 ,with ,introduction by ,,allan ,,cunningham1 and #dh ,illustrations4 ,post #hvo1 half-cloth1 #bs4 ,tompkins 7,herbert ,w474--,marsh-,country ,rambles4 ,with a ,frontispiece4 ,crown #hvo1 cloth1 gilt top1 #fs4 ,twain's 7,mark7 ,books4 ,author's ,edition de ,luxe of the ,works of ,mark ,twain1 in #bc ,volumes 7limited to #fjj ,numbered ,copies71 price #abs4 #f;d4 net per ,volume 7,sold only in ,sets47 ,,uniform ,,library ,,edition4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 each4 ,mark ,twain's ,library of ,humour4 ,with #aig ,illustrations by ,e4 ,w4 ,,kemble4 ,roughing ,it2 and ,the ,innocents at ,home4 ,with #bjj ,illustrations by ,f4 ,a4 ,,fraser4 ,the ,american ,claimant4 ,with #ha ,illustrations by ,,hal ,,hurst and others4 99,the ,adventures of ,tom ,sawyer4 ,with #aaa ,illustrations4 ,tom ,sawyer ,abroad4 ,with #bf ,illustrations by ,,dan ,,beard4 ,tom ,sawyer1 ,detective1 c4 ,with ,photogravure ,portrait of the ,author4 ,pudd'nhead ,wilson4 ,with ,portrait and ,six ,illustrations by ,,louis ,,loeb4 99,a ,tramp ,abroad4 ,with #cad ,illustrations4 99,the ,innocents ,abroad2 or1 ,the ,new ,pilgrim's ,progress4 ,with #bcd ,illustrations4 7,the ,two ,shilling ,edition is entitled ,mark ,twain's ,pleasure ,trip47 99,the ,gilded ,age4 ,by ,,mark ,,twain and ,c4 ,d4 ,,warner4 ,with #bab ,illustrations4 99,the ,prince and the ,pauper4 ,with #aij ,illustrations4 99,life on the ,mississippi4 ,with #cjj ,illustrations4 99,the ,adventures of ,huckleberry ,finn4 ,with #agd ,illustrations by ,e4 ,w4 ,,kemble4 99,a ,yankee at the ,court of ,king ,arthur4 ,with #bbj ,illustrations by ,,dan ,,beard4 99,the ,stolen ,white ,elephant4 99,the #a1jjj1jjj ,bank-,note4 ,a ,double-barrelled ,detective ,story4 ,with #g ,illustrations by ,,lucius ,,hitchcock4 ,the ,choice ,works of ,mark ,twain4 ,revised and ,corrected throughout by the ,author4 ,with ,life1 ,portrait1 and numerous ,illustrations4 ,the books marked 99 may be had also in post #hvo1 picture boards1 at #bs4 each4 ,crown #hvo1 cloth1 gilt top1 #fs4 each4 ,personal ,recollections of ,joan of ,arc4 ,with ,twelve ,illustrations by ,f4 ,v4 ,,du ,,mond4 ,more ,tramps ,abroad4 ,the ,man that ,corrupted ,hadleyburg1 and other ,stories and ,sketches4 ,with a ,frontispiece4 ,mark ,twain's ,sketches4 ,pott #hvo1 cloth1 gilt top1 #bs4 net2 leather1 gilt edges1 #cs4 net4 ,thornbury 7,walter71 ,books by4 ,the ,life and ,correspondence of ,j4 ,m4 ,w4 ,turner4 ,with ,eight ,illustrations in ,colours and ,two ,woodcuts4 ,new and ,revised ,edition4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,tales for the ,marines4 ,post #hvo1 illustrated boards1 #bs4 ,timbs 7,john71 ,works by4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,clubs and ,club ,life in ,london3 ,anecdotes of its ,famous ,coffee-houses1 ,hostelries1 and ,taverns4 ,with #da ,illustrations4 ,english ,eccentrics and ,eccentricities3 ,stories of ,delusions1 ,impostures1 ,sporting ,scenes1 ,eccentric ,artists1 ,theatrical ,folk1 c4 ,with #dh ,illustrations4 ,treeton 7,ernest ,a474--,the ,instigator4 ,cr4 #hvo1 cloth1 gilt top1 #fs4 ,trollope 7,anthony71 ,novels by4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 each2 post #hvo1 illustrated boards1 #bs4 each4 ,the ,way ,we ,live ,now4 ,frau ,frohmann4 ,marion ,fay4 ,mr4 ,scarborough's ,family4 ,the ,land-,leaguers4 ,post #hvo1 illustrated boards1 #bs4 each4 ,kept in the ,dark4 ,the ,american ,senator4 ,the ,golden ,lion of ,granpere4 ,trollope 7,frances ,e471 ,novels by4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 each2 post #hvo1 illustrated boards1 #bs4 each4 ,like ,ships upon the ,sea4 ,mabel's ,progress4 ,anne ,furness4 ,trollope 7,t4 ,a474--,diamond ,cut ,diamond4 ,post #hvo1 illust4 bds41 #bs4 ,tytler 7,c4 ,c4 ,fraser-74--,mistress ,judith3 ,a ,novel4 ,crown #hvo1 cloth extra1 #cs4 #f;d42 post #hvo1 illustrated boards1 #bs4 ,tytler 7,sarah71 ,novels by4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 each2 post #hvo1 illustrated boards1 #bs4 each4 ,buried ,diamonds4 ,the ,blackhall ,ghosts4 ,what ,she ,came ,through4 ,post #hvo1 illustrated boards1 #bs4 each4 ,the ,bride's ,pass4 ,saint ,mungo's ,city4 ,the ,huguenot ,family4 ,lady ,bell4 ,noblesse ,oblige4 ,beauty and the ,beast4 ,disappeared4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,the ,macdonald ,lass4 ,with ,frontispiece4 ,the ,witch-,wife4 ,rachel ,langton4 ,mrs4 ,carmichael's ,goddesses4 ,sapphira4 ,a ,honeymoon's ,eclipse4 ,a ,young ,dragon4 ,citoyenne ,jacqueline4 ,crown #hvo1 picture cloth1 flat back1 #bs4 ,crown #hvo1 cloth1 gilt top1 #fs4 each4 ,three ,men of ,mark4 ,in ,clarissa's ,day4 ,sir ,david's ,visitors4 ,the ,poet and his ,guardian ,angel4 ,upward 7,allen74--,the ,queen ,against ,owen4 ,crown #hvo1 cloth1 #cs4 #f;d42 picture cloth1 flat back1 #bs42 post #hvo1 picture boards1 #bs4 ,vandam 7,albert ,d474--,a ,court ,tragedy4 ,with #f ,illustrations by ,j4 ,,barnard ,,davis4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,vashti and ,esther4 ,by #8,belle' of ,the ,world4 ,cr4 #hvo1 cloth1 #cs4 #f;d4 ,vizetelly 7,ernest ,a471 ,books by4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,the ,scorpion3 ,a ,romance of ,spain4 ,with a ,frontispiece4 ,with ,zola in ,england3 ,a ,story of ,exile4 ,with #d ,portraits4 ,the ,lover's ,progress4 ,a ,path of ,thorns4 ,crown #hvo1 cloth1 gilt top1 #fs4 ,bluebeard3 ,an ,account of ,comorre the ,cursed and ,gilles de ,rais2 with a ,summary of various ,tales and ,traditions4 ,with #i ,illustrations4 ,demy #hvo1 cloth1 #is4 net4 ,wagner 7,leopold74--,how to ,get on the ,stage1 and how to ,succeed there4 ,crown #hvo1 cloth1 #bs4 #f;d4 ,waller 7,s4 ,e474--,sebastiani's ,secret4 ,with #i ,illusts4 ,cr4 #hvo1 cl41 #fs4 ,walton and ,cotton's ,complete ,angler4 ,with ,memoirs and ,notes by ,sir ,,harris ,,nicolas4 ,pott #hvo1 cloth1 gilt top1 #bs4 net2 leather1 gilt edges1 #cs4 net4 ,walt ,whitman1 ,poems by4 ,edited1 with ,introduction1 by ,,william ,m4 ,,rossetti4 ,with ,portrait4 ,crown #hvo1 hand-made paper and buckram1 #fs4 ,warden 7,florence71 ,novels by4 ,joan1 the ,curate4 ,crown #hvo1 cloth1 #cs4 #f;d42 picture cloth1 flat back1 #bs4 ,a ,fight to a ,finish4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,crown #hvo1 cloth1 gilt top1 #fs4 each4 ,the ,heart of a ,girl4 ,with #h ,illustrations4 ,what ought she to do8 ,warman 7,cy74--,the ,express ,messenger4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,warner 7,chas4 ,dudley74--,a ,roundabout ,journey4 ,cr4 #hvo1 cl41 #fs4 ,wassermann 7,lillias74--,the ,daffodils4 ,crown #hvo1 cloth1 #as4 #f;d4 ,warrant to ,execute ,charles ,i4 ,a ,facsimile1 with the #ei ,signatures and ,seals4 ,printed on paper #bb in4 by #ad in4 #bs4 ,warrant to ,execute ,mary ,queen of ,scots4 ,a ,facsimile1 including ,queen ,elizabeth's ,signature and the ,great ,seal4 #bs4 ,weather1 ,how to ,foretell the1 with the ,pocket ,spectroscope4 ,by ,f4 ,w4 ,,cory4 ,with ,ten ,illustrations4 ,crown #hvo1 #as42 cloth1 #as4 #f;d4 ,webber 7,byron74--,sport and ,spangles4 ,crown #hvo1 cloth1 #bs4 ,werner 7,a474--,chapenga's ,white ,man4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,westbury 7,atha74--,the ,shadow of ,hilton ,fernbrook3 ,a ,romance of ,maoriland4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,westall 7,william71 ,novels by4 ,trust ,money4 ,crown #hvo1 cloth1 #cs4 #f;d42 post #hvo1 illustrated boards1 #bs4 ,crown #hvo1 cloth1 #fs4 each4 ,as a ,man ,sows4 ,the ,old ,bank4 ,as ,luck would have it4 ,dr4 ,wynne's ,revenge4 ,the ,sacred ,crescents4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,a ,woman ,tempted ,him4 ,for ,honour and ,life4 ,her ,two ,millions4 ,two ,pinches of ,snuff4 ,with the ,red ,eagle4 ,a ,red ,bridal4 ,nigel ,fortescue4 ,ben ,clough4 ,birch ,dene4 ,the ,old ,factory4 7also at #f;d47 ,sons of ,belial4 ,strange ,crimes4 ,her ,ladyship's ,secret4 ,the ,phantom ,city4 ,ralph ,norbreck's ,trust4 ,a ,queer ,race4 ,red ,ryvington4 ,roy of ,roy's ,court4 ,wheelwright 7,e4 ,gray74--,a ,slow ,awakening4 ,crown #hvo1 #fs4 ,whishaw 7,fred471 ,novels by4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,a ,forbidden ,name4 ,many ,ways of ,love4 ,with #h ,illustrations4 ,crown #hvo1 cloth1 gilt top1 #fs4 each4 ,mazeppa4 ,near the ,tsar1 near ,death4 ,a ,splendid ,impostor4 ,white 7,gilbert74--,natural ,history of ,selborne4 ,post #hvo1 #bs4 ,wilde 7,lady74--,the ,ancient ,legends1 ,mystic ,charms1 and ,superstitions of ,ireland2 with ,sketches of the ,irish ,past4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,williams 7,w4 ,mattieu1 ,f4,r4,a4,s471 ,works by4 ,science in ,short ,chapters4 ,cr4 #hvo1 cl4 #gs4 #f;d4 ,chemistry of ,cookery4 ,cr4 #hvo1 cloth1 #fs4 ,a ,simple ,treatise on ,heat4 ,with ,illustrations4 ,crown #hvo1 cloth1 #bs4 #f;d4 ,williamson 7,mrs4 ,f4 ,h474--,a ,child ,widow4 ,post #hvo1 bds41 #bs4 ,wills 7,c4 ,j471 ,novels by4 ,an ,easy-going ,fellow4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,his ,dead ,past4 ,crown #hvo1 cloth1 #fs4 ,wilson 7,dr4 ,andrew1 ,f4,r4,s4,e471 ,works by4 ,chapters on ,evolution4 ,with #bei ,illustrations4 ,crown #hvo1 cloth extra1 #gs4 #f;d4 ,leisure-,time ,studies4 ,with ,illustrations4 ,crown #hvo1 cloth extra1 #fs4 ,studies in ,life and ,sense4 ,with #cf ,illustrations4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,common ,accidents3 ,how to ,treat ,them4 ,with ,illustrations4 ,crown #hvo1 #as42 cloth1 #as4 #f;d4 ,glimpses of ,nature4 ,with #ce ,illustrations4 ,crown #hvo1 cloth extra1 #cs4 #f;d4 ,winter 7,john ,strange71 ,stories by4 ,post #hvo1 #bs4 ea42 cloth1 #bs4 #f;d4 ea4 ,cavalry ,life4 ,regimental ,legends4 ,cavalry ,life and ,regimental ,legends4 ,cr4 #hvo1 cloth1 #cs4 #f;d42 picture cloth1 flat back1 #bs4 ,wissmann 7,hermann von74--,my ,second ,journey through ,equatorial ,africa4 ,with #ib ,illustrations4 ,demy #hvo1 cloth1 #afs4 ,wood 7,h4 ,f471 ,detective ,stories by4 ,post #hvo1 boards1 #bs4 each4 ,the ,passenger from ,scotland ,yard4 ,the ,englishman of the ,rue ,cain4 ,woolley 7,celia ,parker74--,rachel ,armstrong4 ,post #hvo1 cloth1 #bs4 #f;d4 ,wright 7,thomas1 ,f4,s4,a471 ,works by4 ,caricature ,history of the ,georges3 or1 ,annals of the ,house of ,hanover4 ,compiled from ,squibs1 ,broadsides1 ,window ,pictures1 ,lampoons1 and ,pictorial ,caricatures of the ,time4 ,with over #cjj ,illustrations4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,history of ,caricature and of the ,grotesque in ,art1 ,literature1 ,sculpture1 and ,painting4 ,illustrated by ,f4 ,w4 ,,fairholt1 ,f4,s4,a4 ,crown #hvo1 cloth1 #gs4 #f;d4 ,wynman 7,margaret74--,my ,flirtations4 ,with #ac ,illustrations by ,j4 ,,bernard ,,partridge4 ,post #hvo1 cloth limp1 #bs4 ,zangwill 7,louis74--,a ,nineteenth ,century ,miracle4 ,cr4 #hvo1 #bs4 ,zola's 7,emile7 ,novels4 ,,uniform ,,edition4 ,translated or ,edited1 with ,introductions1 by ,,ernest ,a4 ,,vizetelly4 ,crown #hvo1 cloth1 #cs4 #f;d4 each4 ,his ,masterpiece4 ,the ,joy of ,life4 ,germinal3 ,master and ,man4 ,the ,honour of the ,army4 ,abbe ,mouret's ,transgression4 ,the ,fortune of the ,rougons4 ,the ,conquest of ,plassans4 ,the ,dram-,shop4 ,the ,fat and the ,thin4 ,money4 ,his ,excellency4 ,the ,dream4 ,the ,downfall4 ,doctor ,pascal4 ,lourdes4 ,rome4 ,paris4 ,fruitfulness4 ,work4 ,truth4 ,,popular ,,editions1 medium #hvo1 #f;d4 each4 ,the ,dram-,shop4 ,the ,downfall4 ,rome4 ,with ,zola in ,england4 ,by ,,ernest ,a4 ,,vizetelly4 ,with ,four ,portraits4 ,crown #hvo1 cloth1 #cs4 #f;d4 ,,some ,,books ,,classified ,,in ,,series4 ,the ,st4 ,martin's ,library4 ,pott #hvo1 cloth1 #bs4 net each2 leather1 #cs4 net each4 ,london4 ,by ,sir ,,walter ,,besant4 ,the ,woman in ,white4 ,by ,,wilkie ,,collins4 ,all ,sorts and ,conditions of ,men4 ,by ,sir ,,walter ,,besant4 ,the ,cloister and the ,hearth4 ,by ,,chas4 ,,reade4 #8,it is ,never ,too ,late to ,mend4' ,by ,,ch4 ,,reade4 ,familiar ,studies of ,men and ,books4 ,by ,,robert ,,louis ,,stevenson4 ,virginibus ,puerisque1 and other ,papers4 ,by ,r4 ,,louis ,,stevenson4 ,the ,pocket ,r4,l4,s43 ,favourite ,passages from ,,stevenson',s ,works4 ,new ,arabian ,nights4 ,by ,,robert ,,louis ,,stevenson4 ,the ,deemster4 ,by ,,hall ,,caine4 ,under the ,greenwood ,tree4 ,by ,,thomas ,,hardy4 ,the ,life of the ,fields4 ,by ,,richard ,,jefferies4 ,walton and ,cotton's ,complete ,angler4 ,mark ,twain's ,sketches4 ,condensed ,novels4 7,the ,two ,series in ,one ,volume47 ,by ,,bret ,,harte4 ,the ,mayfair ,library4 ,post #hvo1 cloth limp1 #bs4 #f;d4 per ,volume4 ,quips and ,quiddities4 ,by ,w4 ,d4 ,,adams4 ,the ,agony ,column of #8,the ,times4' ,a ,journey ,round ,my ,room4 ,by ,x4 ,,de ,,maistre4 ,poetical ,ingenuities4 ,by ,w4 ,t4 ,,dobson4 ,the ,cupboard ,papers4 ,by ,,fin-,,bec4 ,songs of ,irish ,wit and ,humour4 ,animals and their ,masters4 ,by ,sir ,a4 ,,helps4 ,social ,pressure4 ,by ,sir ,a4 ,,helps4 ,autocrat of the ,breakfast ,table4 ,by ,o4 ,w4 ,,holmes4 ,curiosities of ,criticism4 ,by ,h4 ,j4 ,,jennings4 ,pencil and ,palette4 ,by ,r4 ,,kempt4 ,little ,essays3 from ,,lamb',s ,,letters4 ,forensic ,anecdotes4 ,by ,,jacob ,,larwood4 ,theatrical ,anecdotes4 ,by ,,jacob ,,larwood4 ,ourselves4 ,by ,e4 ,,lynn ,,linton4 ,witch ,stories4 ,by ,e4 ,,lynn ,,linton4 ,pastimes and ,players4 ,by ,r4 ,,macgregor4 ,new ,paul and ,virginia4 ,by ,w4 ,h4 ,,mallock4 ,puck on ,pegasus4 ,by ,h4 ,c4 ,,pennell4 ,pegasus ,re-saddled4 ,by ,h4 ,c4 ,,pennell4 ,the ,muses of ,mayfair4 ,by ,h4 ,c4 ,,pennell4 ,by ,stream and ,sea4 ,by ,,william ,,senior4 ,the ,golden ,library4 ,post #hvo1 cloth limp1 #bs4 per ,volume4 ,songs for ,sailors4 ,by ,w4 ,c4 ,,bennett4 ,lives of the ,necromancers4 ,by ,w4 ,,godwin4 ,the ,autocrat of the ,breakfast ,table4 ,by ,,oliver ,,wendell ,,holmes4 ,scenes of ,country ,life4 ,by ,,edward ,,jesse4 ,la ,mort d',arthur3 ,selections from ,,mallory4 ,diversions of the ,echo ,club4 ,,bayard ,,taylor4 ,my ,library4 ,printed on laid paper1 post #hvo1 half-,roxburghe1 #bs4 #f;d4 each4 ,the ,journal of ,maurice de ,guerin4 ,the ,dramatic ,essays of ,charles ,lamb4 ,citation of ,william ,shakspeare4 ,by ,w4 ,s4 ,,landor4 ,christie ,johnstone4 ,by ,,charles ,,reade4 ,peg ,woffington4 ,by ,,charles ,,reade4 ,the ,pocket ,library4 ,post #hvo1 printed on laid paper and hf4-bd41 #bs4 each4 ,gastronomy4 ,by ,,brillat-,,savarin4 ,robinson ,crusoe4 ,illustrated by ,g4 ,,cruikshank4 ,autocrat and ,professor4 ,by ,o4 ,w4 ,,holmes4 ,provincial ,letters of ,blaise ,pascal4 ,whims and ,oddities4 ,by ,,thomas ,,hood4 ,leigh ,hunt's ,essays4 ,edited by ,e4 ,,ollier4 ,the ,barber's ,chair4 ,by ,,douglas ,,jerrold4 ,the ,essays of ,elia4 ,by ,,charles ,,lamb4 ,anecdotes of the ,clergy4 ,by ,,jacob ,,larwood4 ,the ,epicurean1 c4 ,by ,,thomas ,,moore4 ,plays by ,,richard ,,brinsley ,,sheridan4 ,gulliver's ,travels1 c4 ,by ,dean ,,swift4 ,thomson's ,seasons4 ,illustrated4 ,white's ,natural ,history of ,selborne4 ,,popular ,,sixpenny ,,novels4 ,by ,,grant ,,allen4 ,the ,tents of ,shem4 ,by ,,walter ,,besant4 ,children of ,gibeon4 ,the ,orange ,girl4 ,all ,sorts and ,conditions of ,men4 ,for ,faith and ,freedom4 ,by ,,besant and ,,rice4 ,the ,golden ,butterfly4 ,ready-,money ,mortiboy4 ,the ,chaplain of the ,fleet4 ,by ,,robert ,,buchanan4 ,the ,shadow of the ,sword4 ,by ,,hall ,,caine4 ,a ,son of ,hagar4 ,the ,deemster4 ,the ,shadow of a ,crime4 ,by ,,wilkie ,,collins4 ,armadale4 ,man and ,wife4 ,antonina4 ,the ,moonstone4 ,the ,woman in ,white4 ,the ,dead ,secret4 ,the ,new ,magdalen4 ,no ,name4 ,by ,b4 ,m4 ,,croker4 ,diana ,barrington4 ,pretty ,miss ,neville4 ,by ,d4 ,,christie ,,murray4 ,joseph's ,coat4 ,by ,,ouida4 ,puck4 ,moths4 ,strathmore4 ,tricotrin4 ,held in ,bondage4 ,under ,two ,flags4 ,by ,,james ,,payn4 ,walter's ,ward4 ,by ,,charles ,,reade4 ,griffith ,gaunt4 ,put ,yourself in ,his ,place4 ,peg ,woffington3 and ,christie ,johnstone4 ,the ,cloister and the ,hearth4 ,foul ,play4 ,it is ,never ,too ,late to ,mend4 ,hard ,cash4 ,by ,w4 ,,clark ,,russell4 ,the ,convict ,ship4 ,by ,,robert ,,louis ,,stevenson4 ,new ,arabian ,nights4 ,by ,,william ,,westall4 ,the ,old ,factory4 ,by ,,emile ,,zola4 ,the ,downfall4 ,the ,dram-,shop4 ,rome4 ,,the ,,piccadilly ,,novels4 ,,library ,,editions ,,of ,,novels1 many ,illustrated1 crown #hvo1 cloth extra1 #cs4 #f;d4 each4 ,by ,mrs4 ,,alexander4 ,valerie's ,fate4 ,a ,life ,interest4 ,mona's ,choice4 ,by ,woman's ,wit4 ,the ,cost of ,her ,pride4 ,barbara4 ,a ,fight with ,fate4 ,a ,golden ,autumn4 ,mrs4 ,crichton's ,creditor4 ,the ,step-mother4 ,a ,missing ,hero4 ,by ,m4 ,,anderson4--,othello's ,occupation4 ,by ,g4 ,w4 ,,appleton4 ,rash ,conclusions4 ,by ,f4 ,m4 ,,allen4--,green as ,grass4 ,by ,,grant ,,allen4 ,philistia4 ,babylon4 ,strange ,stories4 ,for ,maimie's ,sake4 ,in all ,shades4 ,the ,beckoning ,hand4 ,the ,devil's ,die4 ,this ,mortal ,coil4 ,the ,tents of ,shem4 ,the ,great ,taboo4 ,dumaresq's ,daughter4 ,duchess of ,powysland4 ,blood ,royal4 ,i4 ,greet's ,masterpieces4 ,the ,scallywag4 ,at ,market ,value4 ,under ,sealed ,orders4 ,by ,,artemus ,,ward4 ,artemus ,ward ,complete4 ,by ,,edwin ,l4 ,,arnold4 ,phra the ,phnician4 ,constable of ,st4 ,nicholas4 ,by ,,robert ,,barr4 ,in a ,steamer ,chair4 ,from ,whose ,bourne4 ,a ,woman ,intervenes4 ,revenge6 ,by ,,frank ,,barrett4 ,a ,prodigal's ,progress4 ,woman of ,iron ,bracelets4 ,fettered for ,life4 ,the ,harding ,scandal4 ,under a ,strange ,mask4 ,a ,missing ,witness4 ,was ,she ,justified8 ,by #8,,belle4'--,vashti and ,esther4 ,by ,,arnold ,,bennett4 ,the ,gates of ,wrath4 ,the ,grand ,babylon ,hotel4 ,by ,sir ,w4 ,,besant and ,j4 ,,rice4 ,ready-,money ,mortiboy4 ,my ,little ,girl4 ,with ,harp and ,crown4 ,this ,son of ,vulcan4 ,the ,golden ,butterfly4 ,the ,monks of ,thelema4 ,by ,celia's ,arbour4 ,chaplain of the ,fleet4 ,the ,seamy ,side4 ,the ,case of ,mr4 ,lucraft4 ,in ,trafalgar's ,bay4 ,the ,ten ,years' ,tenant4 ,by ,sir ,,walter ,,besant4 ,all ,sorts ,conditions4 ,the ,captains' ,room4 ,all in a ,garden ,fair4 ,dorothy ,forster4 ,uncle ,jack4 ,holy ,rose4 ,world ,went ,well ,then4 ,children of ,gibeon4 ,herr ,paulus4 ,for ,faith and ,freedom4 ,to ,call ,her ,mine4 ,the ,revolt of ,man4 ,the ,bell of ,st4 ,paul's4 ,armorel of ,lyonesse4 ,s4 ,katherine's by ,tower4 ,verbena ,camellia1 c4 ,the ,ivory ,gate4 ,the ,rebel ,queen4 ,dreams of ,avarice4 ,in ,deacon's ,orders4 ,the ,master ,craftsman4 ,the ,city of ,refuge4 ,a ,fountain ,sealed4 ,the ,changeling4 ,the ,fourth ,generation4 ,the ,charm4 ,the ,orange ,girl4 ,by ,,ambrose ,,bierce4--,in ,midst of ,life4 ,by ,,harold ,,bindloss4--,ainslie's ,ju-,ju4 ,by ,m4 ,mc,d4 ,,bodkin4 ,dora ,myrl4 ,shillelagh and ,shamrock4 ,patsey the ,omadaun4 ,by ,,paul ,,bourget4--,a ,living ,lie4 ,by ,j4 ,d4 ,,brayshaw4--,slum ,silhouettes4 ,by ,h4 ,a4 ,,bryden4--,an ,exiled ,scot4 ,by ,,robert ,,buchanan4 ,shadow of the ,sword4 ,a ,child of ,nature4 ,god and the ,man4 ,martyrdom of ,madeline4 ,love ,me for ,ever4 ,annan ,water4 ,foxglove ,manor4 ,the ,charlatan4 ,the ,new ,abelard4 ,matt4 ,rachel ,dene4 ,master of the ,mine4 ,the ,heir of ,linne4 ,woman and the ,man4 ,red and ,white ,heather4 ,lady ,kilpatrick4 ,andromeda4 ,by ,,gelett ,,burgess and ,,will ,,irwin4--,the ,picaroons4 ,by ,r4 ,w4 ,,chambers4--,the ,king in ,yellow4 ,by ,j4 ,m4 ,,chapple4--,the ,minor ,chord4 ,by ,,hall ,,caine4 ,shadow of a ,crime4 ,deemster4 ,son of ,hagar4 ,by ,,austin ,,clare4--,by ,rise of ,river4 ,by ,mrs4 ,,archer ,,clive4 ,paul ,ferroll4 ,why ,paul ,ferroll ,killed his ,wife4 ,by ,,anne ,,coates4--,rie's ,diary4 ,by ,,maclaren ,,cobban4 ,the ,red ,sultan4 ,the ,burden of ,isabel4 ,by ,,wilkie ,,collins4 ,armadale4 ,no ,name4 ,after ,dark4 ,antonina4 ,basil4 ,hide and ,seek4 ,the ,dead ,secret4 ,queen of ,hearts4 ,my ,miscellanies4 ,the ,woman in ,white4 ,the ,law and the ,lady4 ,the ,haunted ,hotel4 ,the ,moonstone4 ,man and ,wife4 ,poor ,miss ,finch4 ,miss or ,mrs48 ,the ,new ,magdalen4 ,the ,frozen ,deep4 ,the ,two ,destinies4 #8,i ,say ,no4' ,little ,novels4 ,the ,fallen ,leaves4 ,jezebel's ,daughter4 ,the ,black ,robe4 ,heart and ,science4 ,the ,evil ,genius4 ,the ,legacy of ,cain4 ,a ,rogue's ,life4 ,blind ,love4 ,by ,,mort4 ,,frances ,,collins4 ,blacksmith ,scholar4 ,the ,village ,comedy4 ,you ,play me ,false4 ,midnight to ,midnight4 ,by ,m4 ,j4 ,,colquhoun4--,every ,inch ,soldier4 ,by ,,herbert ,,compton4 ,the ,inimitable ,mrs4 ,massingham4 ,by ,e4 ,h4 ,,cooper4--,geoffory ,hamilton4 ,by ,v4 ,c4 ,,cotes4--,two ,girls on a ,barge4 ,by ,c4 ,e4 ,,craddock4 ,the ,prophet of the ,great ,smoky ,mountains4 ,his ,vanished ,star4 ,by ,h4 ,n4 ,,crellin4 ,romances of the ,old ,seraglio4 ,by ,,matt ,,crim4 ,the ,adventures of a ,fair ,rebel4 ,by ,s4 ,r4 ,,crockett and others4 ,tales of ,our ,coast4 ,by ,b4 ,m4 ,,croker4 ,diana ,barrington4 ,proper ,pride4 ,a ,family ,likeness4 ,pretty ,miss ,neville4 ,a ,bird of ,passage4 ,mr4 ,jervis4 ,village ,tales4 ,some ,one ,else4 ,jason4 ,infatuation4 ,the ,real ,lady ,hilda4 ,married or ,single8 ,two ,masters4 ,in the ,kingdom of ,kerry4 ,interference4 ,a ,third ,person4 ,beyond the ,pale4 ,miss ,balmaine's ,past4 ,terence4 ,the ,cat's-paw4 ,by ,,alphonse ,,daudet4 ,the ,evangelist2 or1 ,port ,salvation4 ,by ,h4 ,c4 ,,davidson4--,mr4 ,sadler's ,daughters4 ,by ,,jas4 ,,de ,,mille4 ,a ,strange ,manuscript ,found in a ,copper ,cylinder4 ,by ,,harry ,,de ,,windt4 ,true ,tales of ,travel and ,adventure4 ,by ,,dick ,,donovan4 ,man from ,manchester4 ,records of ,vincent ,trill4 ,the ,mystery of ,jamaica ,terrace4 ,tales of ,terror4 ,chronicles of ,michael ,danevitch4 ,tyler ,tatlock1 ,private ,detective4 ,deacon ,brodie4 ,by ,,richard ,,dowling4 ,old ,corcoran's ,money4 ,by ,a4 ,,conan ,,doyle4 ,the ,firm of ,girdlestone4 ,by ,s4 ,,jeannette ,,duncan4 ,a ,daughter of ,to-day4 ,vernon's ,aunt4 ,by ,,annie ,,edwardes4 ,archie ,lovell4 ,a ,plaster ,saint4 ,by ,g4 ,s4 ,,edwards4--,snazelleparilla4 ,by ,g4 ,,manville ,,fenn4 ,cursed by a ,fortune4 ,the ,case of ,ailsa ,gray4 ,commodore ,junk4 ,the ,new ,mistress4 ,witness to the ,deed4 ,the ,tiger ,lily4 ,the ,white ,virgin4 ,black ,blood4 ,double ,cunning4 ,a ,fluttered ,dovecote4 ,king of the ,castle4 ,master of ,ceremonies4 ,tho ,man with a ,shadow4 ,one ,maid's ,mischief4 ,story of ,antony ,grace4 ,this ,man's ,wife4 ,in ,jeopardy4 ,a ,woman ,worth ,winning4 ,by ,,percy ,,fitzgerald4--,fatal ,zero4 ,by ,hon4 ,mrs4 ,w4 ,,forbes4--,dumb4 ,by ,r4 ,e4 ,,francillon4 ,one by ,one4 ,a ,dog and his ,shadow4 ,a ,real ,queen4 ,ropes of ,sand4 ,jack ,doyle's ,daughter4 ,by ,,harold ,,frederic4 ,seth's ,brother's ,wife4 ,the ,lawton ,girl4 ,by ,,paul ,,gaulot4--,the ,red ,shirts4 ,by ,,charles ,,gibbon4 ,robin ,gray4 ,of ,high ,degree4 ,the ,golden ,shaft4 ,the ,braes of ,yarrow4 ,queen of the ,meadow4 ,the ,flower of the ,forest4 ,by ,e4 ,,glanville4 ,the ,lost ,heiress4 ,fair ,colonist4 ,fossicker4 ,the ,golden ,rock4 ,tales from the ,veld4 ,by ,e4 ,j4 ,,goodman4 ,the ,fate of ,herbert ,wayne4 ,by ,rev4 ,s4 ,,baring ,,gould4 ,red ,spider4 ,eve4 ,by ,,alfred ,a4 ,,grace4 ,tales of a ,dying ,race4 ,by ,,cecil ,,griffith4--,corinthia ,marazion4 ,by ,a4 ,,clavering ,,gunter4 ,a ,florida ,enchantment4 ,by ,,bret ,,harte4 ,a ,waif of the ,plains4 ,a ,ward of the ,golden ,gate4 ,a ,sappho of ,green ,springs4 ,col4 ,starbottle's ,client4 ,susy4 ,sally ,dows4 ,bell-,ringer of ,angel's4 ,tales of ,trail and ,town4 ,a ,protegee of ,jack ,hamlin's4 ,clarence4 ,barker's ,luck4 ,devil's ,ford4 ,the ,crusade of the ,excelsior4 ,three ,partners4 ,gabriel ,conroy4 ,new ,condensed ,novels4 ,by ,,owen ,,hall4 ,the ,track of a ,storm4 ,jetsam4 ,by ,,cosmo ,,hamilton4 ,glamour of ,impossible4 ,through a ,keyhole4 ,by ,,thomas ,,hardy4 ,under the ,greenwood ,tree4 ,by ,,julian ,,hawthorne4 ,garth4 ,dust4 ,ellice ,quentin4 ,sebastian ,strome4 ,fortune's ,fool4 ,beatrix ,randolph4 ,david ,poindexter's ,disappearance4 ,spectre of ,camera4 ,by ,sir ,a4 ,,helps4--,ivan de ,biron4 ,by ,i4 ,,henderson4--,agatha ,page4 ,by ,g4 ,a4 ,,henty4 ,dorothy's ,double4 ,rujub1 the ,juggler4 ,the ,queen's ,cup4 ,by ,,headon ,,hill4--,zambra the ,detective4 ,by ,,john ,,hill4--,the ,common ,ancestor4 ,by ,,tighe ,,hopkins4 ,twixt ,love and ,duty4 ,the ,incomplete ,adventurer4 ,nugents of ,carriconna4 ,nell ,haffenden4 ,by ,,victor ,,hugo4--,the ,outlaw of ,iceland4 ,by ,,fergus ,,hume4 ,lady from ,nowhere4 ,the ,millionaire ,mystery4 ,by ,mrs4 ,,hungerford4 ,marvel4 ,unsatisfactory ,lover4 ,in ,durance ,vile4 ,a ,modern ,circe4 ,lady ,patty4 ,a ,mental ,struggle4 ,lady ,verner's ,flight4 ,the ,red-,house ,mystery4 ,the ,three ,graces4 ,professor's ,experiment4 ,a ,point of ,conscience4 ,a ,maiden all ,forlorn4 ,the ,coming of ,chloe4 ,nora ,creina4 ,an ,anxious ,moment4 ,april's ,lady4 ,peter's ,wife4 ,lovice4 ,by ,mrs4 ,,alfred ,,hunt4 ,the ,leaden ,casket4 ,that ,other ,person4 ,self-,condemned4 ,mrs4 ,juliet4 ,by ,r4 ,,ashe ,,king4--,a ,drawn ,game4 ,by ,,george ,,lambert4 ,the ,president of ,boravia4 ,by ,,edmond ,,lepelletier4 ,madame ,sans-,gene4 ,by ,,adam ,,lilburn4 ,a ,tragedy in ,marble4 ,by ,,harry ,,lindsay4 ,rhoda ,roberts4 ,the ,jacobite4 ,by ,,henry ,w4 ,,lucy4--,gideon ,fleyce4 ,by ,e4 ,,lynn ,,linton4 ,patricia ,kemball4 ,under which ,lord8 #8,my ,love6' ,ione4 ,paxton ,carew4 ,sowing the ,wind4 ,with a ,silken ,thread4 ,the ,world ,well ,lost4 ,the ,atonement of ,leam ,dundas4 ,the ,one ,too ,many4 ,dulcie ,everton4 ,rebel of the ,family4 ,an ,octave of ,friends4 ,by ,,justin ,mc,c,a,r,t,h,y4 ,a ,fair ,saxon4 ,linley ,rochford4 ,dear ,lady ,disdain4 ,camiola4 ,mononia4 ,waterdale ,neighbours4 ,my ,enemy's ,daughter4 ,miss ,misanthrope4 ,donna ,quixote4 ,maid of ,athens4 ,the ,comet of a ,season4 ,the ,dictator4 ,red ,diamonds4 ,the ,riddle ,ring4 ,the ,three ,disgraces4 ,by ,,justin ,h4 ,mc,c,a,r,t,h,y4 ,a ,london ,legend4 ,by ,,george ,,macdonald4 ,heather and ,snow4 ,phantastes4 ,by ,w4 ,h4 ,,mallock4--,the ,new ,republic4 ,by ,p4 ,v4 ,,margueritte4--,the ,disaster4 ,by ,l4 ,t4 ,,meade4 ,a ,soldier of ,fortune4 ,in an ,iron ,grip4 ,dr4 ,rumsey's ,patient4 ,the ,voice of the ,charmer4 ,an ,adventuress4 ,on ,brink of a ,chasm4 ,the ,siren4 ,the ,way of a ,woman4 ,a ,son of ,ishmael4 ,the ,blue ,diamond4 ,a ,stumble by the ,way4 ,by ,,leonard ,,merrick4 ,this ,stage of ,fools4 ,cynthia4 ,by ,,edmund ,,mitchell4 ,the ,lone ,star ,rush4 ,by ,,bertram ,,mitford4 ,the ,gun-,runner4 ,luck of ,gerard ,ridgeley4 ,the ,king's ,assegai4 ,rensh4 ,fanning's ,quest4 ,the ,triumph of ,hilary ,blachland4 ,by ,mrs4 ,,molesworth4 ,hathercourt ,rectory4 ,by ,j4 ,e4 ,,muddock4 ,maid ,marian and ,robin ,hood4 ,basile the ,jester4 ,golden ,idol4 ,young ,lochinvar4 ,by ,d4 ,,christie ,,murray4 ,a ,life's ,atonement4 ,joseph's ,coat4 ,coals of ,fire4 ,old ,blazer's ,hero4 ,val ,strange4 ,hearts4 ,a ,model ,father4 ,by the ,gate of the ,sea4 ,a ,bit of ,human ,nature4 ,first ,person ,singular4 ,cynic ,fortune4 ,the ,way of the ,world4 ,bob ,martin's ,little ,girl4 ,time's ,revenges4 ,a ,wasted ,crime4 ,in ,direst ,peril4 ,mount ,despair4 ,a ,capful o' ,nails4 ,tales in ,prose ,verse4 ,a ,race for ,millions4 ,this ,little ,world4 ,his ,own ,ghost4 ,church of ,humanity4 ,v4,c43 ,castle ,barfield and the ,crimea4 ,by ,,murray and ,,herman4 ,the ,bishops' ,bible4 ,one ,traveller ,returns4 ,paul ,jones's ,alias4 ,by ,,hume ,,nisbet4--#8,bail up6' ,by ,w4 ,e4 ,,norris4 ,saint ,ann's4 ,billy ,bellew4 ,miss ,wentworth's ,idea4 ,by ,g4 ,,ohnet4--,a ,weird ,gift4 ,love's ,depths4 ,the ,woman of ,mystery4 ,by ,mrs4 ,,oliphant4 ,whiteladies4 ,the ,sorceress4 ,by ,,ouida4 ,held in ,bondage4 ,strathmore4 ,chandos4 ,under ,two ,flags4 ,idalia4 ,cecil ,castlemaine's ,gage4 ,tricotrin4 ,puck4 ,folle ,farine4 ,a ,dog of ,flanders4 ,pascarel4 ,signa4 ,princess ,napraxine4 ,two ,wooden ,shoes4 ,in a ,winter ,city4 ,friendship4 ,moths4 ,ruffino4 ,pipistrello4 ,ariadne4 ,a ,village ,commune4 ,bimbi4 ,wanda4 ,frescoes4 ,othmar4 ,in ,maremma4 ,syrlin4 ,guilderoy4 ,santa ,barbara4 ,two ,offenders4 ,the ,waters of ,edera4 ,by ,g4 ,,sidney ,,paternoster4 ,the ,motor ,pirate4 ,by ,,margaret ,a4 ,,paul4 ,gentle and ,simple4 ,by ,,james ,,payn4 ,lost ,sir ,massingberd4 ,the ,family ,scapegrace4 ,a ,county ,family4 ,less ,black than ,we're ,painted4 ,a ,confidential ,agent4 ,a ,grape from a ,thorn4 ,in ,peril and ,privation4 ,mystery of ,mirbridge4 ,high ,spirits4 ,by ,proxy4 ,the ,talk of the ,town4 ,holiday ,tasks4 ,for ,cash ,only4 ,the ,burnt ,million4 ,the ,word and the ,will4 ,sunny ,stories4 ,a ,trying ,patient4 ,a ,modern ,dick ,whittington4 ,by ,,will ,,payne4--,jerry the ,dreamer4 ,by ,mrs4 ,,campbell ,,praed4 ,outlaw and ,lawmaker4 ,christina ,chard4 ,mrs4 ,tregaskiss4 ,nulma4 ,madame ,izan4 #8,as a ,watch in the ,night4' ,by ,e4 ,c4 ,,price4--,valentina4 ,by ,,richard ,,pryce4 ,miss ,maxwell's ,affections4 ,by ,mrs4 ,j4 ,h4 ,,riddell4 ,weird ,stories4 ,a ,rich ,man's ,daughter4 ,by ,,charles ,,reade4 ,peg ,woffington2 and ,christie ,johnstone4 ,hard ,cash4 ,cloister the ,hearth4 ,never ,too ,late to ,mend4 ,the ,course of ,true ,love2 and ,singleheart ,doubleface4 ,autobiography of a ,thief2 ,jack of all ,trades2 ,a ,hero and a ,martyr2 and ,the ,wandering ,heir4 ,griffith ,gaunt4 ,love ,little1 ,love ,long4 ,the ,double ,marriage4 ,foul ,play4 ,put ,y'rself in ,his ,place4 ,a ,terrible ,temptation4 ,a ,simpleton4 ,a ,woman-,hater4 ,the ,jilt1 other ,stories2 ,good ,stories of ,man4 ,a ,perilous ,secret4 ,readiana2 and ,bible ,characters4 ,by ,,frank ,,richardson4 ,the ,man who ,lost ,his ,past4 ,the ,bayswater ,mystery4 ,by ,,amelie ,,rives4 ,barbara ,bering4 ,meriel4 ,by ,f4 ,w4 ,,robinson4 ,the ,hands of ,justice4 ,woman in the ,dark4 ,by ,,albert ,,ross4--,a ,sugar ,princess4 ,by ,j4 ,,runciman4--,skippers and ,shellbacks4 ,by ,w4 ,,clark ,,russell4 ,round the ,galley-,fire4 ,in the ,middle ,watch4 ,on the ,fo'k'sle ,head4 ,a ,voyage to the ,cape4 ,book for the ,hammock4 ,mystery of #8,ocean ,star4' ,jenny ,harlowe4 ,an ,ocean ,tragedy4 ,a ,tale of ,two ,tunnels4 ,my ,shipmate ,louise4 ,alone on ,wide ,wide ,sea4 ,the ,phantom ,death4 ,is ,he the ,man8 ,good ,ship #8,mohock4' ,the ,convict ,ship4 ,heart of ,oak4 ,the ,tale of the ,ten4 ,the ,last ,entry4 ,the ,death ,ship4 ,by ,,dora ,,russell4--,drift of ,fate4 ,by ,,herbert ,,russell4--,true ,blue4 ,by ,,bayle ,,st4 ,,john4--,a ,levantine ,family4 ,by ,,adeline ,,sergeant4 ,dr4 ,endicott's ,experiment4 ,under ,false ,pretences4 ,by ,m4 ,p4 ,,shiel4--,the ,purple ,cloud4 ,by ,,george ,r4 ,,sims4 ,dagonet ,abroad4 ,once ,upon a ,christmas ,time4 ,without the ,limelight4 ,rogues and ,vagabonds4 ,in ,london's ,heart4 ,mary ,jane's ,memoirs4 ,mary ,jane ,married4 ,the ,small-part ,lady4 ,a ,blind ,marriage4 ,biographs of ,babylon4 ,by ,,upton ,,sinclair4--,prince ,hagen4 ,by ,,hawley ,,smart4 ,without ,love or ,licence4 ,the ,master of ,rathkelly4 ,long ,odds4 ,the ,outsider4 ,beatrice ,benedick4 ,a ,racing ,rubber4 ,by ,j4 ,,moyr ,,smith4 ,the ,prince of ,argolis4 ,by ,t4 ,w4 ,,speight4 ,the ,grey ,monk4 ,the ,master of ,trenance4 ,the ,web of ,fate4 ,a ,minion of the ,moon4 ,the ,strange ,experiences of ,mr4 ,verschoyle4 ,secret ,wyvern ,towers4 ,the ,doom of ,siva4 ,as it was ,written4 ,her ,ladyship4 ,by ,,alan ,,st4 ,,aubyn4 ,a ,fellow of ,trinity4 ,the ,junior ,dean4 ,master of ,st4 ,benedict's4 ,to his ,own ,master4 ,gallantry ,bower4 ,in ,face of the ,world4 ,orchard ,damerel4 ,the ,tremlett ,diamonds4 ,the ,wooing of ,may4 ,a ,tragic ,honeymoon4 ,a ,proctor's ,wooing4 ,fortune's ,gate4 ,bonnie ,maggie ,lauder4 ,mary ,unwin4 ,mrs4 ,dunbar's ,secret4 ,by ,,john ,,stafford4--,doris and ,i4 ,by ,r4 ,,stephens4--,the ,cruciform ,mark4 ,by ,r4 ,,neilson ,,stephens4 ,philip ,winwood4 ,by ,r4 ,a4 ,,sterndale4--,the ,afghan ,knife4 ,by ,r4 ,l4 ,,stevenson4--,the ,suicide ,club4 ,by ,,frank ,,stockton4 ,the ,young ,master of ,hyson ,hall4 ,by ,,sundowner4--,told by the ,taffrail4 ,by ,,annie ,,thomas4--,the ,siren's ,web4 ,by ,,bertha ,,thomas4 ,the ,violin-,player4 ,in a ,cathedral ,city4 ,by ,,frances ,e4 ,,trollope4 ,like ,ships upon ,sea4 ,anne ,furness4 ,mabel's ,progress4 ,by ,,anthony ,,trollope4 ,the ,way ,we ,live ,now4 ,frau ,frohmann4 ,marion ,fay4 ,scarborough's ,family4 ,the ,land-,leaguers4 ,by ,,mark ,,twain4 ,choice ,works4 ,library of ,humour4 ,the ,innocents ,abroad4 ,roughing ,it2 and ,the ,innocents at ,home4 ,a ,tramp ,abroad4 ,the ,american ,claimant4 ,adventures of ,tom ,sawyer4 ,tom ,sawyer ,abroad4 ,tom ,sawyer1 ,detective4 ,pudd'nhead ,wilson4 ,the ,gilded ,age4 ,prince and the ,pauper4 ,life on the ,mississippi4 ,the ,adventures of ,huckleberry ,finn4 ,a ,yankee at the ,court of ,king ,arthur4 ,stolen ,white ,elephant4 #a1jjj1jjj ,bank-note4 ,a ,double-barrelled ,detective ,story4 ,by ,c4 ,c4 ,f4-,,tytler4--,mistress ,judith4 ,by ,,sarah ,,tytler4 ,what ,she ,came ,through4 ,buried ,diamonds4 ,the ,blackhall ,ghosts4 ,the ,macdonald ,lass4 ,witch-,wife4 ,sapphira4 ,mrs4 ,carmichael's ,goddesses4 ,rachel ,langton4 ,a ,honeymoon's ,eclipse4 ,a ,young ,dragon4 ,by ,,allen ,,upward4 ,the ,queen against ,owen4 ,by ,,albert ,d4 ,,vandam4 ,a ,court ,tragedy4 ,by ,e4 ,a4 ,,vizetelly4 ,the ,scorpion4 ,the ,lover's ,progress4 ,by ,,florence ,,warden4 ,joan1 the ,curate4 ,a ,fight to a ,finish4 ,by ,,cy ,,warman4--,express ,messenger4 ,by ,a4 ,,werner4 ,chapenga's ,white ,man4 ,by ,,william ,,westall4 ,for ,honour and ,life4 ,a ,woman ,tempted ,him4 ,her ,two ,millions4 ,two ,pinches of ,snuff4 ,nigel ,fortescue4 ,birch ,dene4 ,the ,phantom ,city4 ,a ,queer ,race4 ,ben ,clough4 ,the ,old ,factory4 ,red ,ryvington4 ,ralph ,norbreck's ,trust4 ,trust-money4 ,sons of ,belial4 ,roy of ,roy's ,court4 ,with the ,red ,eagle4 ,a ,red ,bridal4 ,strange ,crimes4 ,her ,ladyship's ,secret4 ,by ,,atha ,,westbury4 ,the ,shadow of ,hilton ,fernbrook4 ,by ,,fred ,,whishaw4 ,a ,forbidden ,name4 ,many ,ways of ,love4 ,by ,c4 ,j4 ,,wills4--,an ,easy going ,fellow4 ,by ,,john ,,strange ,,winter4 ,cavalry ,life2 and ,regimental ,legends4 ,by ,e4 ,,zola4 ,the ,joy of ,life4 ,the ,fortune of the ,rougons4 ,abbe ,mouret's ,transgression4 ,the ,conquest of ,plassans4 ,the ,honour of the ,army4 ,the ,downfall4 ,the ,dream4 ,money4 ,dr4 ,pascal4 ,lourdes4 ,the ,fat and the ,thin4 ,his ,masterpiece4 ,germinal4 ,his ,excellency4 ,the ,dram-,shop4 ,rome4 ,paris4 ,work4 ,fruitfulness4 ,truth4 ,by #8,,zz4'--,a ,nineteenth ,century ,miracle4 ,,cheap ,,editions ,,of ,,popular ,,novels4 ,post #hvo1 illustrated boards1 #bs4 each4 ,by ,,artemus ,,ward4 ,artemus ,ward ,complete4 ,by ,e4 ,,lester ,,arnold4 ,phra the ,phnician4 ,by ,mrs4 ,,alexander4 ,maid1 ,wife1 or ,widow8 ,blind ,fate4 ,valerie's ,fate4 ,a ,life ,interest4 ,mona's ,choice4 ,by ,woman's ,wit4 ,by ,,grant ,,allen4 ,philistia4 ,babylon4 ,strange ,stories4 ,for ,maimie's ,sake4 ,in all ,shades4 ,the ,beckoning ,hand4 ,the ,devil's ,die4 ,the ,tents of ,shem4 ,the ,great ,taboo4 ,dumaresq's ,daughter4 ,duchess of ,powysland4 ,blood ,royal4 ,ivan ,greet's ,masterpiece4 ,the ,scallywag4 ,this ,mortal ,coil4 ,at ,market ,value4 ,under ,sealed ,orders4 ,by ,,frank ,,barrett4 ,fettered for ,life4 ,little ,lady ,linton4 ,between ,life ,death4 ,sin of ,olga ,zassoulich4 ,folly ,morrison4 ,lieut4 ,barnabas4 ,honest ,davie4 ,a ,prodigal's ,progress4 ,found ,guilty4 ,a ,recoiling ,vengeance4 ,for ,love and ,honour4 ,john ,ford1 c4 ,woman of ,iron ,brace'ts4 ,the ,harding ,scandal4 ,a ,missing ,witness4 ,by ,sir ,w4 ,,besant and ,j4 ,,rice4 ,ready-,money ,mortiboy4 ,my ,little ,girl4 ,with ,harp and ,crown4 ,this ,son of ,vulcan4 ,the ,golden ,butterfly4 ,the ,monks of ,thelema4 ,by ,celia's ,arbour4 ,chaplain of the ,fleet4 ,the ,seamy ,side4 ,the ,case of ,mr4 ,lucraft4 ,in ,trafalgar's ,bay4 ,the ,ten ,years' ,tenant4 ,by ,sir ,,walter ,,besant4 ,all ,sorts and ,conditions of ,men4 ,the ,captains' ,room4 ,all in a ,garden ,fair4 ,dorothy ,forster4 ,uncle ,jack4 ,the ,world ,went ,very ,well ,then4 ,children of ,gibeon4 ,herr ,paulus4 ,for ,faith and ,freedom4 ,to ,call ,her ,mine4 ,the ,master ,craftsman4 ,the ,bell of ,st4 ,paul's4 ,the ,holy ,rose4 ,armorel of ,lyonesse4 ,s4 ,katherine's by ,tower4 ,verbena ,camellia ,stephanotis4 ,the ,ivory ,gate4 ,the ,rebel ,queen4 ,beyond the ,dreams of ,avarice4 ,the ,revolt of ,man4 ,in ,deacon's ,orders4 ,the ,city of ,refuge4 ,by ,,ambrose ,,bierce4 ,in the ,midst of ,life4 ,by ,,frederick ,,boyle4 ,camp ,notes4 ,savage ,life4 ,chronicles of ,no-man's ,land4 ,,by ,,bret ,,harte4 ,californian ,stories4 ,gabriel ,conroy4 ,luck of ,roaring ,camp4 ,an ,heiress of ,red ,dog4 ,flip4 ,maruja4 ,a ,phyllis of the ,sierras4 ,a ,waif of the ,plains4 ,ward of ,golden ,gate4 ,by ,,robert ,,buchanan4 ,shadow of the ,sword4 ,a ,child of ,nature4 ,god and the ,man4 ,love ,me for ,ever4 ,foxglove ,manor4 ,the ,master of the ,mine4 ,annan ,water4 ,the ,martyrdom of ,madeline4 ,the ,new ,abelard4 ,the ,heir of ,linne4 ,woman and the ,man4 ,rachel ,dene4 ,matt4 ,lady ,kilpatrick4 ,by ,,buchanan and ,,murray4 ,the ,charlatan4 ,by ,,hall ,,caine4 ,the ,shadow of a ,crime4 ,a ,son of ,hagar4 ,the ,deemster4 ,by ,commander ,,cameron4 ,the ,cruise of the #8,black ,prince4' ,by ,,hayden ,,carruth4 ,the ,adventures of ,jones4 ,by ,,austin ,,clare4 ,for the ,love of a ,lass4 ,by ,mrs4 ,,archer ,,clive4 ,paul ,ferroll4 ,why ,paul ,ferroll ,killed his ,wife4 ,by ,,maclaren ,,cobban4 ,the ,cure of ,souls4 ,the ,red ,sultan4 ,by ,m4 ,j4 ,,colquhoun4 ,every ,inch a ,soldier4 ,by ,c4 ,,allston ,,collins4 ,the ,bar ,sinister4 ,by ,,mort4 ,,frances ,,collins4 ,sweet ,anne ,page4 ,transmigration4 ,from ,midnight to ,midnight4 ,a ,fight with ,fortune4 ,sweet and ,twenty4 ,the ,village ,comedy4 ,you ,play me ,false4 ,blacksmith and ,scholar4 ,frances4 ,by ,,wilkie ,,collins4 ,armadale4 ,after ,dark4 ,no ,name4 ,antonina4 ,basil4 ,hide and ,seek4 ,the ,dead ,secret4 ,queen of ,hearts4 ,miss or ,mrs48 ,the ,new ,magdalen4 ,the ,frozen ,deep4 ,the ,law and the ,lady4 ,the ,two ,destinies4 ,the ,haunted ,hotel4 ,a ,rogue's ,life4 ,my ,miscellanies4 ,the ,woman in ,white4 ,the ,moonstone4 ,man and ,wife4 ,poor ,miss ,finch4 ,the ,fallen ,leaves4 ,jezebel's ,daughter4 ,the ,black ,robe4 ,heart and ,science4 #8,i ,say ,no6' ,the ,evil ,genius4 ,little ,novels4 ,legacy of ,cain4 ,blind ,love4 ,by ,c4 ,,egbert ,,craddock4 ,the ,prophet of the ,great ,smoky ,mountains4 ,by ,,matt ,,crim4 ,the ,adventures of a ,fair ,rebel4 ,by ,h4 ,n4 ,,crellin4--,tales of the ,caliph4 ,by ,b4 ,m4 ,,croker4 ,pretty ,miss ,neville4 ,diana ,barrington4 #8,to ,let4' ,a ,bird of ,passage4 ,proper ,pride4 ,a ,family ,likeness4 ,a ,third ,person4 ,village ,tales and ,jungle ,tragedies4 ,two ,masters4 ,mr4 ,jervis4 ,the ,real ,lady ,hilda4 ,married or ,single8 ,interference4 ,by ,,alphonse ,,daudet4 ,the ,evangelist2 or1 ,port ,salvation4 ,by ,,james ,,de ,,mille4 ,a ,strange ,manuscript4 ,by ,,dick ,,donovan4 ,the ,man-,hunter4 ,tracked and ,taken4 ,caught at ,last6 ,wanted6 ,who ,poisoned ,hetty ,duncan8 ,man from ,manchester4 ,a ,detective's ,triumphs4 ,the ,mystery of ,jamaica ,terrace4 ,the ,chronicles of ,michael ,danevitch4 ,in the ,grip of the ,law4 ,from ,information ,received4 ,tracked to ,doom4 ,link by ,link4 ,suspicion ,aroused4 ,riddles ,read4 ,by ,mrs4 ,,annie ,,edwardes4 ,a ,point of ,honour4 ,archie ,lovell4 ,by ,,edward ,,eggleston4--,roxy4 ,by ,g4 ,,manville ,,fenn4 ,the ,new ,mistress4 ,witness to the ,deed4 ,the ,tiger ,lily4 ,the ,white ,virgin4 ,by ,,percy ,,fitzgerald4 ,bella ,donna4 ,never ,forgotten4 ,polly4 ,fatal ,zero4 ,second ,mrs4 ,tillotson4 ,seventy-five ,brooke ,street4 ,the ,lady of ,brantome4 ,by ,p4 ,,fitzgerald and others4 ,strange ,secrets4 ,by ,r4 ,e4 ,,francillon4 ,olympia4 ,one by ,one4 ,a ,real ,queen4 ,queen ,cophetua4 ,king or ,knave8 ,romances of the ,law4 ,ropes of ,sand4 ,a ,dog and his ,shadow4 ,by ,,harold ,,frederic4 ,seth's ,brother's ,wife4 ,the ,lawton ,girl4 ,prefaced by ,sir ,,bartle ,,frere4 ,pandurang ,hari4 ,by ,,charles ,,gibbon4 ,robin ,gray4 ,fancy ,free4 ,for ,lack of ,gold4 ,what will ,world ,say8 ,in ,love and ,war4 ,for the ,king4 ,in ,pastures ,green4 ,queen of the ,meadow4 ,a ,heart's ,problem4 ,the ,dead ,heart4 ,in ,honour ,bound4 ,flower of the ,forest4 ,the ,braes of ,yarrow4 ,the ,golden ,shaft4 ,of ,high ,degree4 ,by ,mead and ,stream4 ,loving a ,dream4 ,a ,hard ,knot4 ,heart's ,delight4 ,blood-,money4 ,by ,,william ,,gilbert4 ,james ,duke4 ,by ,,ernest ,,glanville4 ,the ,lost ,heiress4 ,a ,fair ,colonist4 ,the ,fossicker4 ,by ,rev4 ,s4 ,,baring ,,gould4 ,red ,spider4 ,eve4 ,by ,,andrew ,,halliday4 ,every-day ,papers4 ,by ,,thomas ,,hardy4 ,under the ,greenwood ,tree4 ,by ,,julian ,,hawthorne4 ,garth4 ,love--or a ,name4 ,ellice ,quentin4 ,david ,poindexter's ,disappearance4 ,fortune's ,fool4 ,miss ,cadogna4 ,the ,spectre of the ,camera4 ,dust4 ,beatrix ,randolph4 ,by ,sir ,,arthur ,,helps4 ,ivan de ,biron4 ,by ,g4 ,a4 ,,henty4 ,rujub the ,juggler4 ,by ,,headon ,,hill4 ,zambra the ,detective4 ,by ,,john ,,hill4--,treason ,felony4 ,by ,mrs4 ,,cashel ,,hoey4 ,the ,lover's ,creed4 ,by ,mrs4 ,,george ,,hooper4 ,the ,house of ,raby4 ,by ,mrs4 ,,hungerford4 ,a ,maiden all ,forlorn4 ,lady ,verner's ,flight4 ,in ,durance ,vile4 ,the ,red-,house ,mystery4 ,marvel4 ,the ,three ,graces4 ,a ,mental ,struggle4 ,unsatisfactory ,lover4 ,a ,modern ,circe4 ,lady ,patty4 ,april's ,lady4 ,nora ,creina4 ,peter's ,wife4 ,professor's ,experiment4 ,by ,mrs4 ,,alfred ,,hunt4 ,that ,other ,person4 ,the ,leaden ,casket4 ,self-,condemned4 ,by ,,mark ,,kershaw4 ,colonial ,facts and ,fictions4 ,by ,r4 ,,ashe ,,king4 ,a ,drawn ,game4 ,passion's ,slave4 #8,the ,wearing of the ,green4' ,bell ,barry4 ,by ,,edmond ,,lepelletier4 ,madame ,sans-,gene4 ,by ,,john ,,leys4--,the ,lindsays4 ,by ,e4 ,,lynn ,,linton4 ,patricia ,kemball4 ,the ,atonement of ,leam ,dundas4 ,the ,world ,well ,lost4 ,under which ,lord8 ,rebel of the ,family4 ,paston ,carew4 ,sowing the ,wind4 #8,my ,love6' ,the ,one ,too ,many4 ,ione4 ,dulcie ,everton4 ,with a ,silken ,thread4 ,by ,,henry ,w4 ,,lucy4 ,gideon ,fleyce4 ,by ,,justin ,mc,c,a,r,t,h,y4 ,dear ,lady ,disdain4 ,donna ,quixote4 ,waterdale ,neighbours4 ,maid of ,athens4 ,my ,enemy's ,daughter4 ,the ,comet of a ,season4 ,a ,fair ,saxon4 ,the ,dictator4 ,linley ,rochford4 ,red ,diamonds4 ,miss ,misanthrope4 ,the ,riddle ,ring4 ,camiola4 ,by ,,hugh ,,maccoll4 ,mr4 ,stranger's ,sealed ,packet4 ,by ,,george ,,macdonald4 ,heather and ,snow4 ,by ,,agnes ,,macdonell4 ,quaker ,cousins4 ,by ,w4 ,h4 ,,mallock4 ,the ,new ,republic4 ,by ,,brander ,,matthews4 ,a ,secret of the ,sea4 ,by ,l4 ,t4 ,,meade4 ,a ,soldier of ,fortune4 ,by ,,leonard ,,merrick4 ,the ,man who was ,good4 ,by ,mrs4 ,,molesworth4 ,hathercourt ,rectory4 ,by ,j4 ,e4 ,,muddock4 ,stories ,weird and ,wonderful4 ,from the ,bosom of the ,deep4 ,the ,dead ,man's ,secret4 ,by ,d4 ,,christie ,,murray4 ,a ,model ,father4 ,a ,bit of ,human ,nature4 ,joseph's ,coat4 ,first ,person ,singular4 ,coals of ,fire4 ,bob ,martin's ,little ,girl4 ,val ,strange4 ,heart4 ,time's ,revenges4 ,old ,blazer's ,hero4 ,a ,wasted ,crime4 ,the ,way of the ,world4 ,in ,direst ,peril4 ,cynic ,fortune4 ,mount ,despair4 ,a ,life's ,atonement4 ,a ,capful o' ,nails4 ,by the ,gate of the ,sea4 ,by ,,murray and ,,herman4 ,one ,traveller ,returns4 ,the ,bishops' ,bible4 ,paul ,jones's ,alias4 ,by ,,hume ,,nisbet4 #8,bail ,up6' ,dr4 ,bernard ,st4 ,vincent4 ,by ,w4 ,e4 ,,norris4 ,saint ,ann's4 ,billy ,bellew4 ,by ,,georges ,,ohnet4 ,dr4 ,rameau4 ,a ,weird ,gift4 ,a ,last ,love4 ,by ,mrs4 ,,oliphant4 ,whiteladies4 ,the ,greatest ,heiress in ,england4 ,the ,primrose ,path4 ,by ,,ouida4 ,held in ,bondage4 ,two ,lit4 ,wooden ,shoes4 ,strathmore4 ,moths4 ,chandos4 ,bimbi4 ,idalia4 ,pipistrello4 ,under ,two ,flags4 ,a ,village ,commune4 ,cecil ,castlemaine's ,gage4 ,wanda4 ,tricotrin4 ,othmar4 ,puck4 ,frescoes4 ,folle ,farine4 ,in ,maremma4 ,a ,dog of ,flanders4 ,guilderoy4 ,pascarel4 ,ruffino4 ,signa4 ,syrlin4 ,princess ,napraxine4 ,santa ,barbara4 ,in a ,winter ,city4 ,two ,offenders4 ,ariadne4 ,ouida's ,wisdom1 ,wit1 and ,pathos4 ,friendship4 ,by ,,margaret ,,agnes ,,paul4 ,gentle and ,simple4 ,by ,mrs4 ,,campbell ,,praed4 ,the ,romance of a ,station4 ,the ,soul of ,countess ,adrian4 ,outlaw and ,lawmaker4 ,christina ,chard4 ,mrs4 ,tregaskiss4 ,by ,,james ,,payn4 ,bentinck's ,tutor4 ,the ,talk of the ,town4 ,murphy's ,master4 ,holiday ,tasks4 ,a ,county ,family4 ,a ,perfect ,treasure4 ,at ,her ,mercy4 ,what ,he ,cost ,her4 ,cecil's ,tryst4 ,a ,confidential ,agent4 ,the ,clyffards of ,clyffe4 ,glow-worm ,tales4 ,the ,foster ,brothers4 ,the ,burnt ,million4 ,found ,dead4 ,sunny ,stories4 ,the ,best of ,husbands4 ,lost ,sir ,massingberd4 ,walter's ,word4 ,a ,woman's ,vengeance4 ,halves4 ,the ,family ,scapegrace4 ,fallen ,fortunes4 ,gwendoline's ,harvest4 ,humorous ,stories4 ,like ,father1 ,like ,son4 #bjj ,reward4 ,married ,beneath ,him4 ,a ,marine ,residence4 ,not ,wooed1 but ,won4 ,mirk ,abbey4 ,less ,black than ,we're ,painted4 ,by ,proxy4 ,under ,one ,roof4 ,some ,private ,views4 ,high ,spirits4 ,a ,grape from a ,thorn4 ,carlyon's ,year4 ,the ,mystery of ,mirbridge4 ,from ,exile4 ,the ,word and the ,will4 ,for ,cash ,only4 ,kit4 ,a ,prince of the ,blood4 ,the ,canon's ,ward4 ,a ,trying ,patient4 ,by ,,richard ,,pryce4 ,miss ,maxwell's ,affections4 ,by ,,charles ,,reade4 ,it is ,never ,too ,late to ,mend4 ,foul ,play4 ,christie ,johnstone4 ,the ,wandering ,heir4 ,the ,double ,marriage4 ,hard ,cash4 ,put ,y'self in ,his ,place4 ,singleheart1 ,doubleface4 ,love ,little1 ,love ,long4 ,good ,stories of ,man1 c4 ,cloister and the ,hearth4 ,peg ,woffington4 ,course of ,true ,love4 ,griffith ,gaunt4 ,the ,jilt4 ,a ,perilous ,secret4 ,autobiog4 of a ,thief4 ,a ,simpleton4 ,a ,terrible ,temptation4 ,readiana4 ,a ,woman-,hater4 ,by ,mrs4 ,j4 ,h4 ,,riddell4 ,weird ,stories4 ,the ,uninhabited ,house4 ,fairy ,water4 ,the ,mystery in ,palace ,gardens4 ,her ,mother's ,darling4 ,the ,nun's ,curse4 ,the ,prince of ,wales's ,garden ,party4 ,idle ,tales4 ,by ,f4 ,w4 ,,robinson4 ,women are ,strange4 ,the ,woman in the ,dark4 ,the ,hands of ,justice4 ,by ,w4 ,,clark ,,russell4 ,round the ,galley ,fire4 ,an ,ocean ,tragedy4 ,on the ,fo'k'sle ,head4 ,my ,shipmate ,louise4 ,in the ,middle ,watch4 ,alone on ,wide ,wide ,sea4 ,a ,voyage to the ,cape4 ,good ,ship #8,mohock4' ,a ,book for the ,hammock4 ,the ,phantom ,death4 ,the ,mystery of the #8,ocean ,star4' ,is ,he the ,man8 ,the ,romance of ,jenny ,harlowe4 ,heart of ,oak4 ,the ,convict ,ship4 ,the ,tale of the ,ten4 ,the ,last ,entry4 ,by ,,dora ,,russell4--,a ,country ,sweetheart4 ,by ,,george ,,augustus ,,sala4 ,gaslight and ,daylight4 ,by ,,george ,r4 ,,sims4 ,the ,ring o' ,bells4 ,zeph4 ,mary ,jane's ,memoirs4 ,memoirs of a ,landlady4 ,mary ,jane ,married4 ,scenes from the ,show4 ,tales of ,to-day4 ,the #aj ,commandments4 ,dramas of ,life4 ,dagonet ,abroad4 ,tinkletop's ,crime4 ,rogues and ,vagabonds4 ,my ,two ,wives4 ,by ,,hawley ,,smart4 ,without ,love or ,licence4 ,the ,plunger4 ,beatrice and ,benedick4 ,long ,odds4 ,the ,master of ,rathkelly4 ,by ,,arthur ,,sketchley4 ,a ,match in the ,dark4 ,by ,r4 ,a4 ,,sterndale4 ,the ,afghan ,knife4 ,by ,t4 ,w4 ,,speight4 ,the ,mysteries of ,heron ,dyke4 ,back to ,life4 ,the ,golden ,hoop4 ,the ,loudwater ,tragedy4 ,hoodwinked4 ,burgo's ,romance4 ,by ,devious ,ways4 ,quittance in ,full4 ,a ,husband from the ,sea4 ,by ,,alan ,,st4 ,,aubyn4 ,a ,fellow of ,trinity4 ,orchard ,damerel4 ,the ,junior ,dean4 ,in the ,face of the ,world4 ,master of ,st4 ,benedict's4 ,the ,tremlett ,diamonds4 ,to ,his ,own ,master4 ,by ,r4 ,,louis ,,stevenson4 ,new ,arabian ,nights4 ,by ,,robert ,,surtees4 ,handley ,cross4 ,by ,,walter ,,thornbury4 ,tales for the ,marines4 ,by ,t4 ,,adolphus ,,trollope4 ,diamond ,cut ,diamond4 ,by ,f4 ,,eleanor ,,trollope4 ,like ,ships upon the ,sea4 ,anne ,furness4 ,mabel's ,progress4 ,by ,,anthony ,,trollope4 ,frau ,frohmann4 ,the ,land-,leaguers4 ,marion ,fay4 ,the ,american ,senator4 ,kept in the ,dark4 ,scarborough's ,family4 ,the ,way ,we ,live ,now4 ,golden ,lion of ,granpere4 ,by ,,mark ,,twain4 ,a ,pleasure ,trip on the ,continent4 ,stolen ,white ,elephant4 ,the ,gilded ,age4 ,life on the ,mississippi4 ,huckleberry ,finn4 ,prince and ,pauper4 ,tom ,sawyer4 ,a ,yankee at the ,court of ,king ,arthur4 ,a ,tramp ,abroad4 #a1jjj1jjj ,bank-,note4 ,by ,c4 ,c4 ,,fraser-,,tytler4 ,mistress ,judith4 ,by ,,sarah ,,tytler4 ,bride's ,pass4 ,lady ,bell4 ,the ,huguenot ,family4 ,buried ,diamonds4 ,the ,blackball ,ghosts4 ,st4 ,mungo's ,city4 ,what ,she ,came ,through4 ,noblesse ,oblige4 ,beauty and the ,beast4 ,disappeared4 ,by ,,allen ,,upward4--,queen against ,owen4 ,by ,,wm4 ,,westall4--,trust-,money4 ,by ,mrs4 ,,williamson4--,a ,child ,widow4 ,by ,j4 ,s4 ,,winter4 ,cavalry ,life4 ,regimental ,legends4 ,by ,h4 ,f4 ,,wood4 ,the ,passenger from ,scotland ,yard4 ,the ,englishman of the ,rue ,cain4 ,by ,,marg4 ,,wynman4--,my ,flirtations4 ,,new ,,series ,,of ,,two-,,shilling ,,novels4 ,bound in picture cloth1 flat backs4 ,by ,,edwin ,,lester ,,arnold4 ,the ,constable of ,st4 ,nicholas4 ,by ,sir ,,walter ,,besant4 ,st4 ,katherine's by ,tower4 ,the ,rebel ,queen4 ,by ,h4 ,,bindloss4--,ainslie's ,ju ,ju4 ,by ,mc,d4 ,,bodkin1 ,k4,c4 ,dora ,myrl1 the ,lady ,detective4 ,by ,,dick ,,donovan4 ,vincent ,trill1 ,detective4 ,wanted4 ,dark ,deeds4 ,the ,man from ,manchester4 ,by ,g4 ,m4 ,,fenn4--,a ,crimson ,crime4 ,by ,,paul ,,gaulot4--,the ,red ,shirts4 ,by ,,owen ,,hall4--,track of a ,storm4 ,by ,,bret ,,harte4 ,the ,luck of ,roaring ,camp2 and ,sensation ,novels4 ,in a ,hollow of the ,hills4 ,sappho of ,green ,springs4 ,colonel ,starbottle's ,client4 ,a ,protegee of ,jack ,hamlin's4 ,by ,,headon ,,hill4--,zambra1 the ,detective4 ,by ,,fergus ,,hume4--,the ,lady from ,nowhere4 ,by ,,edmund ,,mitchell4 ,plotters of ,paris4 ,the ,temple of ,death4 ,towards the ,eternal ,snows4 ,by ,,bertram ,,mitford4 ,the ,luck of ,gerard ,ridgeley4 ,the ,king's ,assegai4 ,by ,j4 ,e4 ,,muddock4 ,maid ,marian and ,robin ,hood4 ,by ,,christie ,,murray4 ,his ,own ,ghost4 ,by ,,ouida4 ,syrlin4 ,the ,waters of ,edera4 ,by ,j4 ,,payn4 ,a ,modern ,dick ,whittington4 ,by ,,dora ,,russell4 ,a ,country ,sweetheart4 ,the ,drift of ,fate4 ,by ,g4 ,r4 ,,sims4 ,in ,london's ,heart4 ,rogues and ,vagabonds4 ,by ,,frank ,,stockton4 ,the ,young ,master of ,hyson ,hall4 ,by ,,sundowner4 ,tale of the ,serpent4 ,by ,,sarah ,,tytler4 ,citoyenne ,jacqueline4 ,by ,,allen ,,upward4 ,queen against ,owen4 ,by ,f4 ,,warden4 ,joan1 the ,curate4 ,by ,,byron ,,webber4 ,sport and ,spangles4 ,by ,,john ,,strange ,,winter4 ,cavalry ,life2 and ,regimental ,legends4 ,by ,,louis ,,zangwill4 ,a ,nineteenth ,century ,miracle4 ,,unwin ,,brothers1 ,,ltd41 ,printers1 #bg1 ,pilgrim ,street1 ,london1 ,e4,c4 99 99 99 99 99 ,transcriber's ,notes ,obvious typographical errors have been silently corrected4 ,variations in hyphenation have been standardised but all other spelling and punctuation remains unchanged4 ,italics are represented thus italic4 ,the majority of authors and titles in the catalogue are in bold text but1 for the sake of clarity1 this has not been marked up4 ,the complex and cramped layout of the book catalogue has been simplified4