,! ,dance ,illu/ration3 ,,ballet ,,pantomime ,f pose by ,mlle4 ,l\ise ,la ,gai ,,! ,,dance ,,its ,,place ,,9 ,,art ,,& ,,life ,,by ,,troy ,,& ,,m>g>et ,,we/ ,,k9ney 78,,! ,,k9neys07 ,) a frontispiece 9 col\r & "o hundr$ & sev5ty-six l9e draw+s & diagrams by ! au?ors1 & ?ree hundr$ & ?irty-f\r illu/rations 9 black-&-:ite f photographs ,illu/ration ,,new ,,york ,,fr$]ick ,a4 ,,/okes ,,company ,,mcmxiv ,,copyright1 #aiad1 ,,by ,,fr$]ick ,a4 ,,/okes ,,company ,all rights res]v$1 includ+ t ( translation into =eign languages ,illu/ration3 colophon ,april1 #aiad ,,!,,plimpton,,press ,,norwood,,mass,u,s,a ,to ,a ,,fell[-,,en?usia/ ,j4 ,t4 ,w4 ,,) ,,appreciation ,,preface ,! pleasant responsibility ( writ+ ab\t "o ( our two ov]:elm+ en?usiasms 0 accept$ by u only aft] consultation ) fri5ds 9 ! danc+ pr(ession4 8,a book ( te*nical in/ruction is n ! idea10 we />t$ to expla94 8,no10 !y concurr$1 8t w\ld n be an und]tak+ = pa9t]s4 ,only an exp]i5c$ ma/] ( danc+ %\ld write su* a book1 & he w\ld n be likely to1 because he w\ld "k t execution is taught only by p]sonal criticism ( a pupil's "w40 ,we ha/5$ to specify t ! proposal involv$ no m--& no less--?an an ef=t to %>e our en?usiasm ) o!rs4 ,appreciation ( an art requires no faculties n includ$ 9 ! normal human equipm5t2 m ?an any?+ else x is a matt] ( kn[+ :at to look =4 ,:5 a layman comes to a pa9t] ask+ :at x is t p f9d s enjoyable 9 classic mural decoration1 ! answ] is n difficult4 ,a few h\rs 9 an art museum1 ) "s direction ( 8 att5tion to l9e z a vehicle ( beauty1 acqua9t him ) ! idea ( beauty z a self-suffici5t object2 & he goes on 8 way rejoic+ 9 ! possession ( a la/+ process ( mak+ happ9ess = himself4 ,great danc+1 to u1 always _h be5 a gratification ( ! same s5ses t are address$ by decoration4 ,! same sugge/ions1 !re=e1 t convey ! p[] to enjoy classic mural pa9t+1 w\ld enable u to communicate our satisfaction 9 ! dance4 ,b ! "q arose1 0 our po9t ( view on danc+ 9 accord ) its real int5t1 & t ( its p]=m]s & compos]s8 ,madame ,cavallazi dispos$ ( ! d\bt at "o /roke4 8,! ballet10 %e said1 8is mural decoration40 ,sanction$ by su* au?ority1 we h foll[$ ! l9es above indicat$1 treat+ ! dance f ! /&po9t ( pure optical beauty4 ,its enjoym5t1 exp]i5ce proves1 is di/9ctly %>p5$ by acqua9tance ) *oreographic te*nique4 ,"o n fairly famili> ) ! res\rces ( ! art1 ?\gh he be consci\s t ! dance be=e 8 eyes is progress+1 l music1 9 con=mity ) an arti/ic argum5t1 is confus$ by ! spe$ & seem+ intricacy ( /eps4 ,z a result he loses ! great] "p ( ! beauty ( ! succession ( pictures unfold$ be=e him4 ,:]eas ! ability to grasp ! !me ( a composition1 & !n to foll[ its elaboration ?r\gh a vocabul>y ( already famili> /eps1 is 9 effect to quick5 ! vision4 ,in/ead ( be+ h>ass$ by a s5sation ( scrambl+ to keep up ) ! argum5t1 ! spectator f9ds himself ) abundant "t to luxuriate 9 e movem5t1 e po/ure4 ,&1 l a connoisseur ( any o!r art1 he sees a ?\s& beauties unnotic$ by ! untra9$4 ,to ! end ( furni%+ ! ne$$ acqua9tance ) ! alphabet ( ! art1 ! book includes a *apt] ( explanation ( ! sali5t /eps ( ! ballet4 ,^! /eps1 ) sup]ficial v>iations & additions1 =m ! basis also ( all natural or 8"*0 dances t c lay claim to any consid]ation z int]pretative art4 ,x is conv5i5t to le>n ! !ories ( !m z accept$ by ! great ballet academies1 s9ce ^? in/itutions alone h def9$ !m cle>ly1 & br\ght to p]fection ! ideals = _! execution4 ,incid5tally ! s*ool ( ! ballet is made ! subject ( consid]able att5tion4 ,9 ! fir/ place1 aft] gett+ a grasp ( its ideals & int5t1 any "o w cat* ! s5tim5t ( a folk-dance 9 a mom5t4 ,moreov]1 x is 9 itself an important in/itution4 ,dur+ its long hi/ory x has und]gone sev]al p]iods ( retirem5t f public att5tion1 ! mo/ rec5t beg9n+ ab\t sixty ye>s ago4 ,f ?is eclipse x has already return$ to ! delight$ gaze ( ,europe2 z always aft] its abs5ces1 s f> evolv$ beyond ! /&>ds )9 ! memory ( liv+ m5 t po/]ity seems to h be5 robb$ ( ! *ance ( discov]+ any?+ fur!r4 ,! r5aissance is mov+ we/w>d f ,/4 ,pet]sburg2 ,london is :olly "u its influ5ce2 ,am]ica has felt a t\* ( x4 ,am]ican love ( animat$ beauty & delight 9 skill pr$e/9e u to be a race ( ard5t en?usia/s ov] ! dance4 ,among u1 h[ev]1 !re are _m :o h nev] accept$ x z an art wor?y ( s]i\s att5tion4 ,z a g5tle answ] to t po9t ( view1 a hi/orical rsum is includ$1 :]e9 /atesm51 philosoph]s & mon>*s %[ ! high respect 9 :i* ! art has be5 held1 save 9 occasional lapses1 9 all p]iods ( civilis$ hi/ory4 ,direct practical in/ruction is furni%$ on ! subject ( pres5t-day ballroom danc+1 to ! ext5t ( cle> & exact directions = ! p]=mance ( /eps n[ fa%ionable 9 ,europe & ,am]ica4 ,! *apt] 0 prep>$ "u ! c>eful sup]vision ( ,mr4 ,john ,murray ,&]son4 ,nei!r 9 ^w nor picture does ! book conta9 any /atem5t n bas$ ^u ! au?ors' p]sonal k1 or *oreographic writ+s ( unque/ion$ au?ority1 or ! ^w ( danc]s or ballet-ma/]s ( ! utmo/ reliability4 ,to ^! arti/s & to c]ta9 manag]s we are greatly indebt$4 ,mu* ( ! matt] has nev] be=e be5 pr9t$ 9 ,engli%2 a consid]able portion ( x has "h its fir/ publication 9 any language4 ,! illu/rations ( dances ( mod]n times are made f arti/s 9 ! v front rank ( _! respective l9es4 ,if ! new mat]ial s contribut$ to *oreographic lit]ature proves1 accord+ to ! belief ( danc]s :o h read ! manuscript1 to be ( value to produc]s1 ! au?ors w exp]i5ce ! gratification t comes ( hav+ be5 ( s]vice4 ,b _! ef=ts w be m directly repaid if ! influ5ce ( ! book ha/5s by a day t insi/5ce ^u a high *oreographic ideal 9 ,am]ica1 & t unification ( dance-lov]s :i* mu/ exi/ 9 ord] t wor?y productions may be reasonably insur$ ( recognition 9 proportion to _! quality4 ,f9ally1 a ^w ( ?anks to ^? ^: aid has made ?is book possible4 ,?\gh busy1 z successful p always are1 !y h giv5 "t & ?\ght unsp>+ly to ! ef=t1 9 co-op]ation ) ! au?ors1 to make ?is a sub/antial addition to ! layman's und]/&+ ( ! danc+ art4 ,t4 ,k4 & ,m4 ,w4 ,k4 ,new ,york1 ,novemb]1 #aiac4 ,,cont5ts ,,*apt] ,,page ,i4 ,,! ,,danc+ ,,( ,,anci5t ,,egypt ,,& ,,greece #c ,! dance a primitive emotional expression4 ,importance 9 ,egyptian religi\s ritual4 ,biblical allusions4 ,its high place 9 ,greek civilisation4 ,orig9 attribut$ to ! gods4 ,employ$ 9 obs]vances religi\s1 civic1 & private4 ,practice decre$ by ,lycurgus = milit>y discipl9e & cultivation ( national /am9a4 ,a feature ( ,plato's 8,ideal ,republic40 ,ballet 9 drama4 ,int]act+ influ5ce betwe5 dance & sculpture4 ,,ii4 ,,danc+ ,,9 ,,rome #bb ,simplicity ( e>ly ,roman ta/e & mann]s en=c$ by pov]ty4 ,vulg>ity ) ri*es4 ,deg5]ation ( danc+ ) o!r arts1 "u ,empire4 ,acrobatics1 obsc5ity4 ,ballet pantomime4 ,pylades & ,ba?yllus4 ,,iii4 ,,! ,,middle ,,ages ,,& ,,! ,,r5aissance #bi ,! ,*ri/ian ,*ur* lifts dance f degradation4 ,ballet d'action 9 ritual ( wor%ip4 ,a cause ( disagreem5ts betwe5 ecclesia/ical dignit>ies4 ,! ,seises ( ,seville ,ca!dral pres]v]s ( dance 9 religi\s s]vice4 ,moralities1 etc4 ,me*anical effects4 ,ambulatory ballets4 ,rebir? ( polite society2 ! masque4 ,c>d9al ,ri>io4 ,ca!r9e de ,m$ici1 direct influ5ce t[>d mod]n ballet4 ,elizabe? ( ,engl&4 ,ri*elieu1 compos]4 ,l\is ,,xiv1 ballet p]=m]1 f\nd] ( national academy4 ,dawn ( />s4 ,sall4 ,prvo/4 ,cam>go4 ,new /&>ds4 ,expression4 ,new /eps add$ to ^? d]iv$ f old dances3 ,gavotte1 ,m9uet1 ,pavane1 ,s>ab&1 ,tordion1 ,b\rre1 ,passecaille1 ,passepi$1 ,*aconne1 ,volte1 ,allem&e1 ,gaill>de1 & ,c\rante4 ,_! =mality2 illu/rations4 ,,iv4 ,a ,,glance ,,at ,,! ,,ballet',s ,,te*nique #ei ,visual music3 dance /eps are notes1 an en*a9em5t is a phrase1 a dance-composition is a song1 ! ballet is an or*e/ra4 ,ballet danc+1 z su*1 n bas$ on imitation ( nature2 a conv5tion1 analog\s to ornam5tal decoration4 ,int5t3 p]fect beauty ( l9e & rhy?m2 ab/ract qualities exploit$4 ,importance ( pantomime unsettl$4 ,ballet danc+ c be se5 intellig5tly only by aid ( acqua9tance ) elem5tal /eps4 ,fundam5tal positions ( feet & h&s4 ,glid+ /eps3 *ass1 *app1 c\p1 etc4 ,battem5ts1 gr&1 petit4 ,*angem5t4 ,entre*at4 ,bris4 ,ballon4 ,en*a9em5ts4 ,pas de ,b\rre1 pas de ,basque4 ,turns & pir\ettes4 ,rond de jambe4 ,f\ett4 ,sur le c\-de-pi$2 en l'air4 ,r5v]s4 ,en arabesque1 etc4 ,optical illusions4 ,phras+4 ,!me4 ,motive4 ,/&>ds ( =m4 ,exactness4 ,b5eficial relaxation ( =mality2 results ( unguid$ emancipation4 ,v4 ,,! ,,gold5 ,,age ,,( ,,danc+ #ajj ,e>ly eighte5? c5tury f9ds ballet pr(it+ by _m fav\rable influ5ces4 ,royal patronage4 ,public en?usiasm & disc]nm5t4 ,great-m9d$ arti/s 9 co-op]ation4 ,=tunate accid5ts4 ,! ,ve/ris1 fa!r & son4 ,nov]re1 8! ,%akespe>e ( ! dance40 ,b\*]1 design] ( /age decoration4 ,gluck4 ,co/um+4 ,rivalries ( ,cam>go & ,sall2 ,all>d & ,guim>d4 ,cot]ie ( great p]=m]s4 ,fr5* ,revolution4 ,dance resum$ ) return ( peace4 ,an ambassador z impres>io4 ,public controv]sy & en?usiasm ov] ,taglioni & ,ellsl]2 opposites2 none to replace !m2 s++ sup]s$es danc+ 9 op]a4 ,,vi4 ,,spani% ,,danc+ #aba ,gaditanae 9 ,roman lit]ature4 ,spani% danc+ resi/s ,roman corruption1 ,go?ic brutality4 ,fav\r+ influ5ce ( ,moors4 ,attitude ( ! ,*ur*4 ,public ta/e & discrim9ation4 ,two s*ools1 ,flam5co 7,gipsy orig97 & ,classic4 ,! ,gipsy4 ,la ,f>ruca1 el ,tango1 el ,g>rot92 di/9ct "*4 ,co/ume4 ,classic3 ,seguidillas family4 ,las ,sevillanas2 g5]al "*4 ,! ,f&ango r>ely se54 ,la ,malaguea y el ,tor]o4 ,las ,malaguez4 ,! ,bol]o4 ,ca/anets4 ,los ,panad]os4 ,! ,jota ( ,aragon1 "*1 co/ume1 etc4 ,o!r dances4 ,,vii4 ,,italian ,,dances #aef ,! ,=lana ( ,v5ice3 ,h>lequ91 ,columb9e1 ,dr4 ,pantalone4 ,pantomime & tableaux4 ,! ,t>antella1 "*1 co/ume4 ,! ,cioci>a ( ,romagna4 ,italian fondness = pantomime4 ,! ,salt>ello4 ,la ,siciliana1 la ,rugg]a1 la ,trescona1 etc4 ,,viii4 ,,european ,,folk-,,danc+ ,,9 ,,g5]al #afd ,folk-danc+ an expression ( social conditions4 ,scot* nationalism4 ,! ,sword ,dance2 ! ,highl& ,fl+2 ! ,scot* ,reel4 ,motives1 basic /eps4 ,reel ( ,tullo*4 ,! ,%ean ,treuse4 ,engl&3 ,sailor's ,hornpipe4 ,morris ,dances4 ,rec5t revival ( old dances4 ,irel&3 ,jig1 ,reel & ,hornpipe4 ,int5t1 /eps1 devices ( tempo4 ,iri% fe/ivals2 ,gaelic ,league4 ,sw$53 rec5t revival ( old dances4 ,! ,skralt2 ,kadriljs4 ,! ,vafva ,vadna2 ! ,daldans4 ,holl&3 ! ,mtelot4 ,france3 la ,b\rre1 la ,f>&ole4 ,specim5 freak dances3 ! ,p]*t5tanz1 ! ,bac*u-b]4 ,! ,s*uhplatteltanz ( ,bav>ia4 ,balkan region3 ! ,kolo4 ,deg5]ation ( danc+ 9 ,greece4 ,russia3 ,cossack ,dance1 ,c\rt ,dance4 ,slavonic "* & /eps3 ! ,cz>ds2 ! ,mazurka2 ! ,szol2 ! ,ob]tass4 ,temp]am5t4 ,,ix4 ,,ori5tal ,,danc+ #aif ,symbolism1 decoration1 pantomime1 /ory 9 ! dance4 ,s5sational mismanagem5t 9 ,occid5tal c\ntries4 ,mimetic danc+ a sub/itute = newspap]s4 ,! ,dance ( ,greet+2 welcome1 bless+s1 etc4 ,/ructure ( ,arabic *oreography4 ,h&k]*ief ,dance ( ,cafs2 c&\r4 ,fl\r ,dance4 ,popul> n>rative dances4 ,fantasia ( ,b$\i2 religi\s outbreaks4 ,danc+ = t\ri/s2 ! ,almes4 ,dance1 ,awak5+ ( ! ,s\l4 ,animate sculpture4 ,ori5tal te*nique4 ,sword ,dance ( ,turkey4 ,d]vi%es4 ,lezg9k ( ! ,caucasus4 ,ru? ,/4 ,d5is2 ,naut*2 ,_s ( ,inc5se2 ! ,temple2 ! ,five ,s5ses4 ,antiquity2 c>v+s 9 ,india & ,java4 ,hula-,hula ( ,hawaii4 ,prie/esses tra9$ = religi\s danc+4 ,japan3 danc+ = all occasions4 ,ab/ractness ( symbols4 ,dances ( w>4 ,x4 ,,! ,,ballet ,,9 ,,its ,,d>k ,,age #bbh ,/]ilisation ( ballet by /ruggle = te*nical virtuosity4 ,ballet 9 op]a4 ,vulg>isms & c\nt]feits3 ! ,c-,c2 contortion2 high kick+2 skirt-danc+2 insipid prett9ess4 ,a revival ( good "w2 falsifications ( x4 ,loie ,full]1 silk sc>f1 electric lights4 ,s]p5t9e & ,fire dances4 ,imitators4 ,_w's ,fair ( #ahic2 /igma on ,ori5tal danc+4 ,"o class ( manag]s4 ,obscure prep>ation ( a new =ce4 ,,xi4 ,,! ,,romantic ,,revolution #bda ,isadora ,duncan1 complete ideali/4 ,h] meti]4 ,russia3 dissatisfaction ) ballet4 ,duncan 9 ,/4 ,pet]sburg4 ,secession f ,imp]ial ,academy4 ,! romantic idea2 *oreography1 music1 pa9t+ unit$ 9 a radical new s*ool4 ,! ,russian ballet4 ,p>is1 ,unit$ ,/ates1 ,engl&4 ,influ5ce & reception4 ,managem5t 9 ,am]ica4 ,,xii4 ,,! ,,russian ,,academy ,,& ,,its ,,work+s #beg ,selection ( pupils4 ,consecration to "w4 ,contract1 obligations aft] graduation4 ,advantages to ! gov]nm5t4 ,g5]al education4 ,te*nical tra9+3 ,italian ballet te*nique1 music1 draw+1 act+1 pantomime1 pla/ic gymna/ics1 f5c+4 ,c>e ( heal?4 ,age ( ,academy4 ,russian ballet z di/+ui%$ f ,fr5*-,italian2 law-gov]n$ fre$om4 ,addition to emotional scope4 ,rec5t ballet pantomimes4 ,,xiii4 ,,social ,,danc+ ,,( ,,to-,,day #bfi ,reviv$ int]e/ 9 danc+4 ,new =ms ( dance suit$ to ! pres5t fre$om ( individual expression4 ,rapid *anges4 ,! ,turkey ,trot4 ,new names = slightly alt]$ dances already famili>4 ,! ,arg5t9e ,tango2 significance4 ,detail$ in/ruction = p]=mance ( ! ,"o-,/ep1 ! ,bo/on1 ! ,hesitation ,waltz1 ! ,tango1 ! ,brazilian ,maxixe4 ,t5d5cies t[>d revival ( old c\rt dances4 ,,xiv4 ,a ,,layman',s ,,e/imate ,,( ,,conditions #cjd ,re-e/abli%m5t ( great danc+ 9 ! ,unit$ ,/ates2 w x take & keep a high plane8 ,loose /&>ds ( judgm5t4 ,dep5d5ce ^u comm]cial managem5t4 ,manag]s2 _! v>i$ influ5ces4 ,ne$ ( end[$ ballet & academy4 ,difficulties ( ballet organisation 9 ! ,unit$ ,/ates4 ,insuffici5t tra9+ ( ,am]ican ballet danc]s4 ,ballet 9 op]as2 unimportance "u old traditions1 *ang+ /&>ds4 ,metropolitan & ,russian ballet2 gr\nd ga9$ & p>tly lo/4 ,russians "u o!r auspices4 ,ballet s*ool2 impositions ^u x4 ,ne$ ( academy ) danc+ z prim>y purpose4 ,g5]al organisation2 dep>tures f s*eme ( ,russian ,academy4 ,,bibliography #cbc ,,index #cbg ,,illu/rations ,,ballet ,,pantomime ,f ,pose by ,mlle4 ,l\ise ,la ,gai ,frontispiece ,,tanagra ,,figure ,page #c ,,greek ,,vase ,,decoration #c ,,tanagra ,,figure #c ,,tanagra ,,figures ,fac+ ,page #d ,,greek ,,c]amics #e ,,greek ,,vase ,,decoration ,page #h ,,greek ,,com$y ,,danc+ #i ,,/atuettes #aj ,tanagra 7,a7--,myr9a 7,b7--,tanagra 7,c74 ,,greek ,,relief ,,decorations ,fac+ ,page #ab ,,greek ,,c]amic ,,decorations #ac ,,/atuettes ,page #ac ,myr9a 7,a7--,tanagra 7,b7--,myr9a 7,c74 ,,dance ,,( ,,nymphs #ag ,,tanagra ,,figures ,fac+ ,page #bj ,,greek ,,com$y ,,danc+ ,page #ba ,,dance ,,( ,,peasants #cf ,,ballet ,,( ,,! ,,f\r ,,p>ts ,,( ,,! ,,_w3 ,entrance ( ! ,gr& ,khan #da ,a ,,f\rte5? ,,c5tury ,,ball #df ,,sev5te5? ,,c5tury ,,c\rt ,,dances ,fac+ ,page #dh ,! ,tordion 7#a1 #b7--,! ,pavane 7#c1 #d1 #e74 ,,l\is ,,xiv ,,& ,a ,,c\rti] ,,9 ,,! ,,ballet ,,( ,,night ,page #ej ,,sev5te5? ,,c5tury ,,c\rt ,,dances ,fac+ ,page #ed ,! ,s>ab& 7#a7--,! ,allem& 7#c7--,! ,m9uet 7#b1 #d1 #e1 #f1 #g74 ,,! ,,gavotte #ee ,,mme4 ,,adel9e ,,g5,e ,,& ,m4 ,,alex&] ,,vol99e #fd ,ballet ,rob]t le ,diable 7#a7--;,butt]fly ,dance 7#b7--,pi]rot & ,columb9e 7#c74 ,,mme4 ,,g5,e ,,9 ,,hi/orical ,,re-,,creations ,,& ,m4 ,,vol99e #fe ,sall 7#a7--,! ,waltz 7#b7--;,cam>go 7#c7--;,guim>d 7#d74 ,,fundam5tal ,,positions ,,( ,,! ,,feet ,page #ff ,,positions ,,( ,,! ,,arms #fg 8,,glissade0 #fh 8,,assembl0 #fi 8,,assembl0 ,,& ,,*angem5t 7,floor ,plan ,diagram7 #fi 8,,jet0 #gj 8,,jet0 ,,to ,,! ,,side #ga 8,,battem5ts0 #gb ,,/eps ,,( ,,! 8,,battem5t0 ,,type #gd 8,,f\ett0 #ge ,,/>t ,,( ,a 8,,f\ett ,,pir\ette0 #gf 8,,f\ett ,,pir\ette0 7,cont9u$7 #gg ,,optional ,,f9i% ,,( ,a 8,,f\ett ,,pir\ette0 #gh ,,! 8,,pir\ette ,,sur ,,le ,,c\-,,de-,,pi$0 #gi ,,v>i\s 8,,pir\ettes0 #hj ,,beg9n+ ,,( ,,! 8,,r5v]s0 #hb ,,! 8,,r5v]s0 7,conclud$7 #hc ,,two ,,=ms ,,( 8,,attitude0 #hd ,,me*anism ,,( ,,broad ,,jump #hf ,,classic ,,ballet ,,positions ,fac+ ,page #hh ,typical mom5ts 9 a r5v]s 7#a1 #b1 #c1 #d1 #e17--,/>t+ a developp 7#f7--,progress ( a rond de jambe 7#g1 #h1 #i74 ,,classic ,,ballet ,,positions 7,cont9u$7 #hi ,rond de jambe 7#aj7--;,jet t\r 7#aa7--,pas de b\rre 7#ab7--,prep>ation = a pir\ette 7#ac7--,position sur la po9te 7#ad7--;,a f\ett t\r1 inw>d 7#ad7--;,a cabriole d]rire 7#af7--;,desc5t f an entre*at 7#ag7--;,an arabesque 7#ah74 8,,la ,,malague,a ,y ,,el ,,tor]o0 #abb ,,typical 8,,flam5co0 ,,poses ,page #abi 8,,flam5co0 ,,poses #acc 8,,las ,,sevillanas0 #acg 8,,el ,,bol]o0 ,fac+ ,page #ach ,typical mom5t 9 fir/ copla 7#a7--;,f9i% ( a phrase 7#b74 8,,la ,,jota ,,aragonesa0 #aci ,type ( movem5t 7#a7--;,f9i% ( a turn 7#b7--;,a pir\ette 7#c7--,kneel+ position 7#d7--,woman's sitt+ position 7#e74 ,,two ,,gr\ps ,,9 8,,las ,,sevillanas0 ,page #adj ,,gr\ps ,,9 8,,la ,,malague,a ,y ,,el ,,tor]o0 #ade ,,miscellane\s ,,spani% ,,notes #adg ,,two ,,gr\ps ,,9 8,,los ,,panad]os0 #adi ,,"p ,,( ,,! 8,,jota0 ,,( ,,aragon #aeb 8,,la ,,t>antella0 ,fac+ ,page #aef ,op5+ ( ! dance 7#a7--;,a poor collection 7#b7--,!y gamble = x 7la ,morra7 7#c7--,%e w9s 7#d7--;,he w9s 7#e74 8,,la ,,t>antella0 #aeg ,an arabesque 7#a7--;,f9i% ( a phrase 7#b7--,typical mom5t 7#c7--;,f9i% ( a phrase 7#d74 8,,la ,,t>antella0 #aeh ,op5+ ( ! dance 7#a7--;,a turn back-to-back 7#b7--;,a pause aft] rapid foot-"w 7#c7--;,*>act]i/ic f9i%es ( phrases 7#d1 #e74 8,,la ,,=lana0 #aei ,doctor ,pantalone patroniz$ 7#a7--;,defi$ 7#b7--,pleads 7#c7--;,accepts ! inevitable 7#d7--;,is ridicul$ 7#e74 8,,la ,,cioci>a0 #afj ,op5+ prom5ade 7#a1 #b7--;,end ( prom5ade 7#c7--;,he has 8made eyes0 at a spectator 7#d7--,op5+ ( dance 7second movem5t7 7#e74 8,,la ,,cioci>a0 #afa ,ru/ic affection 7#a7--;,aga9 caught 9 p]fidy 7#b7--,tries to make am5ds 7#c7--,)\t success 7#d7--,remov$ f temptation 7#e74 ,,! ,,scot* ,,sword ,,dance #afd ,a /ep ov] ! swords 7#a1 #b7--;,a jump ov] ! swords 7#c7--,/eps betwe5 ! swords 7#d1 #e74 ,,! 8,,scot* ,,reel0 #afe ,use ( ! ,battem5t 7#a7--;,a pir\ette 7#b7--;,*>act]i/ic /yle 7#c1 #d7--;,a turn 7#e74 ,,! 8,,%ean ,,treuse0 #afh ,! prom5ade 7#a1 #b7--,! !matic /ep 7#c7--;,f9i% ( a phrase 7#d74 ,,! 8,,sailor',s ,,hornpipe0 #afi ,look-out 7#a7--;,hoi/+ sail 7#b7--;,haul+ 9 rope 7#c7--,r[+ 7#d7--,type ( /ep 7#e7--,type ( /ep 7#f7--;,hoi/+ sail 7#g74 ,,iri% ,,dances #agd ,! ,jig 7#a1 #c1 #d7--,! ,hornpipe 7#b1 #e7--,! ,reel 7#f1 #g1 #h74 ,a 8,,f\r-,,h& ,,reel0 #age ,prep>ation = woman's turn "u arms 7#a7--;,*>act]i/ic /yle 7#b7--;,a turn+ gr\p figure 7#c74 ,,! 8,,iri% ,,jig0 ,,& ,,portrait ,,( ,,patrick ,j4 ,,long #agh ,,f ,,v>i\s ,,folk-,,dances ,page #ahe ,,! 8,,s*uhplatteltanz0 ,fac+ ,page #ahf ,a sw+ 7#a7--;,a turn 7#b7--;,a turn1 man pass+ "u woman's arms 7#c7--;,a sw+1 back-to-back 7#d7--,! ,mirror 7#e74 ,,! 8,,s*uhplatteltanz0 ,,( ,,bav>ia #ahg ,prep>+ a turn 7#a7--;,a lift 7#b7--,/>t+ woman's s]ies ( turns 7#c7--,/>t ( woman's turns 7#d7--,man fans h] along ) h&s 7#e7--;,f9i% ( dance 7#f74 ,,! 8,,kolo0 ,,( ,,s]via #aij ,/>t ( a turn 7#a7--,progress ( a turn 7#b7--;,a bridge ( arms 7#c7--;,an emphasis 7#d7--;,a lift 7#e74 ,,poses ,,f ,,slavonic ,,dances #aia ,coquetry 7#a7--,petulance 7#b7--;,indiff]5ce 7#c7--;,emphasis 7#d7--;,jocul> defiance 7#e74 ,,poses ,,f ,,slavonic ,,dances #aib ,negation 7#a7--;,fe> 7#b7--,supplication 7#c7--;,an emphasis 7#d74 ,,poses ,,f ,,slavonic ,,dances #aic ,*>act]i/ic ge/ure 7#a7--;,*>act]i/ic /ep 7#b7--;,*>act]i/ic ge/ure 7#c7--;,*>act]i/ic /ep 7#d7--,same1 ano!r view 7#e7--;,ec/asy 7#f7--,! claim ( beauty 7#g74 ,,arabian 8,,dance ,,( ,,greet+0 #aif ,call$ ^u to dance1 %e reveals h]self 7#a7--,salutation 7#b7--,pr(ile view ( same 7#c74 ,,arabian 8,,dance ,,( ,,greet+0 7,cont9u$7 #aig 8,= y ,i w dance0 7#d7--8;,f "h y w put away c>e0 7#e1 #h7--8;,"h y may sleep0 7#f7--8;,"h am ,i0 7#g74 ,,arabian 8,,dance ,,( ,,greet+0 7,cont9u$7 #aih 8,& %\ld y g af>0 7#i7--8,may y enjoy ,allah's bless+ ( ra90 7#aj7--8;,& ! e>?'s fullness0 7#aa74 ,,arabian 8,,dance ,,( ,,greet+0 7,cont9u$7 #aii 8,may w9ds refre% y0 7#ab7--8,:]ev] y g0 7#ac7--8;,"h is y\r h\se0 7#ad7--8;,"h is peace0 7#ae7--8;,& y\r slave0 7#af74 ,,arabian 8,,dance ,,( ,,m\rn+0 #bjj ,! body approa*es 7#a7--,! body passes 7#b7--8;,i hold my sorr[ to myself0 7#c74 ,,arabian 8,,dance ,,( ,,m\rn+0 7,cont9u$7 #bja 8,he has gone out ( ! h\se & up to ,heav50 7#d7--8;,f>ewell0 7#e74 ,,arabian 8,,dance ,,( ,,m\rn+0 7,cont9u$7 #bjb 8,he slept 9 my arms0 7#f7--8,! h\se is empty0 7#g7--8,woe is 9 my he>t0 7#h74 ,,arab ,,slave ,,girl',s ,,dance #bjc 8,,h&k]*ief ,,dance0 ,,( ,,! ,,caf,s #bjf ,! h&k]*iefs symboliz+ ! lov]s are animat$ ) ! brea? ( life1 b kept dissociat$ 7#a7--;,br\ght into semi-association 7#b7--,sep>at$ & dropp$ 7#c74 8,,h&k]*ief ,,dance0 7,cont9u$7 #bjg ,%e c dance ab\t1 betwe5 or away f !m1 indiff]5tly 7#d7--,made into panni]s1 ! panni]s express h] will+ness to receive2 turn$ inside out1 h] will+ness to give 7#e7--,"o ( ! two h&k]*iefs is ?r[n to ! select$ lov] 7#f74 8,,dance ,,( ,,! ,,s\l',s ,,j\rney0 #baj ,! s\lless body 7#a7--;,asks = ! light ( life 7#b7--,vision dawns 7#c7--;,inexp]t 9 life1 %e walks grop+ly 7#d74 8,,dance ,,( ,,! ,,s\l',s ,,j\rney0 7,cont9u$7 #baa ,%e draws aside ! veil ( ! future 7#e7--,life is se5 full & pl5te\s 7#f74 8,,dance ,,( ,,! ,,s\l',s ,,j\rney0 7,cont9u$7 #bab ,b old age w come 7#g7--;,grief w visit 7#h7--,%e %all walk ) h] nose close to ! camel's foot 7#i74 8,,dance ,,( ,,! ,,s\l',s ,,j\rney0 7,cont9u$7 #bac ,yet n[1 f ! cr[n ( h] head 7#aj7--,to ! soles ( h] feet %e is p]fect 7#aa74 ,,miscellane\s ,,ori5tal ,,notes ,page #bae 8,,dance ,,( ,,! ,,s\l',s ,,j\rney0 7,cont9u$7 ,fac+ ,page #baf ,rejoices 9 ! p]fect body 7#ab7--;,& 9 all good ?+s 7#ac7--,runs f ! sc5e 7#ad74 ,,*>act]i/ic ,,pantomime ,,9 ,,danc+ ,,( ,,mod]n ,,egypt #bag ,express sorr[ 7#a1 #c7--,repres5ts a pray] direct$ d[nw>d & back3 i4 e41 to spirits ( evil 7#b74 8,,dance ,,( ,,! ,,falcon0 7,,egyptian7 #bah ,%ock z ! bird /rikes 8 qu>ry 7#a7--,rejoic+ z he ov]comes x 7#b74 ,,danc+ ,,girls ,,( ,,algi]s #bai ,,reliefs ,,on ,,t[] ,,( ,,! ,,temple ,,( ,,madura 7,,india7 ,page #bai ,,p]sian ,,dance4 ,,pr9cess ,,*ir9ski-,,*i*mat(f ,fac+ ,page #bbj ,,ori5tal ,,poses #bba ,votive (f]+ 7#c poses7--,decorative motives 7#c poses7--,disclosure ( p]son 7#a pose74 ,,javanese ,,danc]1 ,,mod]n #bbb ,,relief ,,c>v+s1 ,,temple ,,( ,,borobodul1 ,,java #bbc ,dance ( ,greet+ 7#a7--;,dance ( ,wor%ip 7#b7--;,an ,arr[ ,dance 7#c74 8,,naut* ,,dance0 #bbf ,,japanese ,,dance #bbg ,,isadora ,,duncan #bdb ,,greek ,,int]pretative ,,dance #bdc ,,impressions ,,( ,,isadora ,,duncan ,page #bdd ,,mlle4 ,,lop\k[a1 ,,mlle4 ,,pavl[a1 ,,mlle4 ,,nij9ska1 ,,) ,,sr4 ,e4 ,,ceccetti ,fac+ ,page #bdf ,,mlle4 ,,lydia ,,kya%t ,,& ,m4 ,,lytazk9 #bdg 8,,arabesque0 #bdh 8,,arr[ ,,dance0 #bdi ,,bac*anal #beb ,,mlle4 ,,lydia ,,lop\k[a #bec ,,mlle4 ,,pavl[a ,,9 ,a ,,bac*anal #beg ,,mlle4 ,,lop\k[a1 ,,9 ,,b\doir #beh ,,mlle4 ,,lop\k[a1 ,,int]pretative ,,dance #bei ,,mlle4 ,,lop\k[a1 ,,9 8,,le ,,lac ,,des ,,cygnes0 #bfb ,m4 ,,alex&] ,,vol99e #bfc ,,repres5tative ,,russian ,,ballet ,,poses ,,& ,,gr\ps ,page #bfe ,,repres5tative ,,russian ,,ballet ,,poses ,,& ,,gr\ps #bfg ,,! 8,,waltz ,,m9uet0 ,fac+ ,page #bgb ,*>act]i/ic /yle 7#a7--,v>iation1 position ( h&s 7#b7--,prep>ation = a turn 7#c7--,! ,mirror figure 7#d74 ,,! 8,,gavotte0 ,,%[+ ,,pres5t ,,t5d5cies #bgc ,*>act]i/ic /yle 7#a7--;,*>act]i/ic /yle 7#b7--;,a curtsy 7#c7--;,arabesque to f9i% a phrase 7#d74 ,,social ,,danc+2 ,,position ,,( ,,feet 7,diagram7 ,page #bgf ,,! ,,"o-,,/ep3 ,,! ,,turn 7,diagram7 #bgg ,,! ,,"o-,,/ep3 ,,grape-,,v9e 7,diagram7 #bgh ,,! ,,"o-,,/ep3 ,,eight 7,diagram7 #bgi ,,! ,,"o-,,/ep3 ,,squ>e 7,diagram7 #bgi ,,! ,,"o-,,/ep3 ,a ,,figure ,,occupy+ ,,?ree ,,measures 7,diagram7 #bhj ,,! ,,"o-,,/ep3 ,,! ,,murray ,,&]son ,,turn 7,diagram7 #bha ,,! ,,"o-,,/ep3 ,a ,,cross-,,ov] 7,diagram7 #bhb ,,developm5t ,,( ,,an ,,ar* 8 ,,la ,,pir\ette0 ,fac+ ,page #bhb ,cross to "r 7#a7--;,cross to left 7#b7--,/>t ( turn 7#c74 ,,! ,,"o-,,/ep #bhc ,! 8,kit*5 ,s9k0 7#a7--,position ( c\ple 7#b74 ,,! 8,,brazilian ,,maxixe0 #bhc ,*>act]i/ic position ( advanc$ foot 7#c74 ,,! 8,,bo/on10 ,,ess5tial ,,/ep 7,diagram7 ,page #bhd ,,! ,,waltz ,fac+ ,page #bhd ,a position ( ! c\ple 9 ! ,waltz-,m9uet 7#a7--;,correct position ( man's h& on woman's back 7#b7--;,a position also assum$ 9 ! ,"o-/ep ,eight 7#c7--;,a ,dip 7#d74 ,,! ,,waltz #bhe ,correct position ( c\ple 7#a7--,( feet1 9 %ort /eps 7#b7--,( feet1 9 ,dip 7#c7--;,ano!r view ( ! ,dip 7#d74 ,,! ,,bo/on1 ,,/ep ,,backw>d 7,diagram7 ,page #bhe ,,! ,,bo/on1 ,,! ,,dip 7,diagram7 #bhf ,,! ,,bo/on1 ,,! ,,dip ,,simplifi$ 7,diagram7 ,page #bhg ,,! ,,bo/on1 ,,an ,,embelli%m5t 7,diagram7 #bhh ,,! ,,bo/on1 ,,an ,,embelli%m5t 7,diagram7 #bhh ,,! ,,bo/on1 ,,same1 ,,) ,,turns 7,diagram7 #bhi ,,! 8,,hesitation ,,waltz10 ,,!me 7,diagram7 #bhi ,,! 8,,hesitation ,,waltz0 ,,v>iation ,,on ,,!me 7,diagram7 #bij ,,! 8,,tango0 ,fac+ ,page #bij ,*>act]i/ic /yle 7#a1 #b1 #d7--,woman circles man 7#c74 ,,! 8,,tango0 #bia ,*>act]i/ic /yle4 ,,! 8,,hesitation ,,waltz10 ,,! 8,,lyon ,,*ass0 7,diagram74 ,page #bia ,,! 8,,tango0 ,page #bid ,,! 8,,tango0 #bie ,! rev]se 7#a7--,! regul> ,tango walk+ /ep 7#b7--,/yle ( movem5t 7#c7--,position ( h&s sometimes assum$ to emphasize ! end ( a phrase 7#d74 ,,! 8,,tango10 ,,! 8,,corte0 7,diagram7 ,page #bie ,,! 8,,tango10 ,,! ,,scissors 7,diagram7 #bie ,,! 8,,tango10 ,,! ,,scissors ,,v>iation 7,diagram7 #bif ,,! 8,,tango10 ,,! ,,m$ia ,,luna 7,diagram7 #bif ,,! 8,,tango0 ,fac+ ,page #bif ,! corte 7#a7--;,*>act]i/ic /yle 7#b7--;,a v>iation 7#c7--,/>t ( a turn 7#d74 ,a 8,,tango0 ,,/ep #big ,man's foot displaces woman's 7#a7--,woman's foot displaces man's 7#b7--;,ea* displaces ! o!r's foot 7#c74 ,,! 8,,tango10 ,,! ,,eight 7,diagram7 ,page #big ,,! 8,,tango10 ,a ,,waltz ,,turn 7,diagram7 #big ,,! 8,,tango10 ,,an ,,easy ,,/ep 7,diagram7 #bih ,a ,,nor? ,,am]ican ,,figure ,,9 ,,! 8,,tango0 ,fac+ ,page #bih ,prep>ation 7#a7--;,aft] ! twi/ 7#b7--;,f9i%+ ) a ,dip 7#c74 ,,! 8,,tango10 ,,execut$ ,,to ,,! ,,re> 7,diagram7 ,page #bii ,,! 8,,tango10 ,a ,,nor? ,,am]ican ,,figure 7,diagram7 #bii ,,! 8,,brazilian ,,maxixe10 ,,fir/ ,,figure 7,diagram7 #cjj ,,! 8,,brazilian ,,maxixe10 ,,?ird ,,figure 7,diagram7 #cja ,,! 8,,brazilian ,,maxixe0 ,fac+ ,page #cjb ,*>act]i/ic /yle 7#a7--;,a dip 7#b7--,v>iations 7#c1 #d74 ,,! 8,,brazilian ,,maxixe0 #cjc ,prep>ation = a turn 7#a7--;,f9i% ( a turn 7#b7--;,*>act]i/ic /yle 7#c7--;,a dip 7#d74 ,,! ,,dance ,illu/ration ,! ,dance ,,*apt] ,i ,,! ,,danc+ ,,( ,,anci5t ,,egypt ,,& ,,greece ,be=e logic1 man knew emotion2 be=e cre$1 ritual4 ,) leap & mad ge/ure ! savage mimics 8 triumph1 to ! accompanim5t ( crude saltation p]=m$ by a h]o-wor%ipp+ tribe4 ,n by argum5t is ! com+ /orm propitiat$1 b by a unifi$ expression ( tribal humility4 ,to ! rhy?m ( beat5 drums1 ! tribe1 z "o1 p]=ms ! g5uflexions & pro/rations t d5ote supplication & fe>4 ,s on ?r\gh ! gamut ( simple emotions--love & hate1 fealty & jeal\sy1 desire & a*ievem5t--primitive man expresses 8 mood 9 t]ms ( ! dance4 ,hi/ory %[s t danc+ p]si/s on a plane ) words1 pa9t & music z a means ( expression1 h[ev] f> a race may advance along ! road ( evolution2 & t ! few exceptions to ?is rule are to be f\nd among peoples :o h all[$ a ,frank5/e9 ( logic to suppress1 = a "t1 _! naturalness ( _s4 ,egyptian c>v+s ( six ?\s& ye>s ago record ! use ( ! dance 9 religi\s ritual2 & abundant evid5ce atte/s ! importance 9 :i* x 0 held at all times ?r\gh ! p]iod ( ,egypt's p[]4 ,9 l9es z /ately z ! columns ( a temple1 sculptors h trac$ *oreography's maje/ic poses1 its or*e/ral repetitions & v>iations4 ,z a dance may be1 ! religi\s dances ( ,egypt 7 a translation & an equival5t ( ! _s ( ! ,ph>aohs' monum5tal ar*itecture2 t !y 7 no less impos+ ?an ^? temples we _c avoid believ+4 ,plato1 deeply impress$ by ^! hi]>*ical ballets1 f9ds t _! evolutions symbolis$ ! h>moni\s movem5ts ( ! />s4 ,mod]n d$uction c>ries ! a/ronomical !me /ill fur!r3 ! c5tral alt> is believ$ to h repres5t$ ! sun2 ! *oral movem5ts ar\nd x1 ! movem5ts ( ! cele/ial bodies4 ,apis1 ! sacr$ black bull1 0 hon\r$ 9 life by dances ( adoration1 9 dea? by ballets ( m\rn+4 ,ei!r danc+ 0 attribut$ to ! div9ities 7accord+ to a ,*ri/ian sa9t ( lat] c5turies1 x is ! practice ( angels7 or "s ( ! div9ities 7 repres5t$ by danc]s 9 ! religi\s ballets4 ,a c>v+ 9 ! ,metropolitan ,museum ( ,new ,york %[s ,anubis & ,horus kneel+1 _! arms complet+ a pose t is se5 to ?is day 9 ! dances ( ,spa94 ,important z 0 ! danc+ ( ,egypt z ! root f :i* gr[s ! *oreography ( all ! ,occid5t--& ( ,india too1 = any?+ kn[n to ! contr>y--! c>v+s reveal little ( its philosophy or symbolism4 ,b ! hi/ory ( o!r peoples at once ,illu/ration3 ,c\rtesy ( ,! ,metropolitan ,museum ( ,art1 ,new ,york ,,tanagra ,,figures ,to face page #d ,illu/ration3 ,c\rtesy ( ! ,metropolitan ,museum ( ,art1 ,new ,york ,,greek ,,c]amics demon/rates its =ce z example1 at lea/1 if n z tea*] ( actual te*nique4 ,! ,hebrews ( v e>ly days gave danc+ a high place 9 ! c]emony ( wor%ip4 ,moses1 aft] ! cross+ ( ! ,r$ ,sea1 bade ! *ildr5 ( ,israel dance4 ,david danc$ be=e ! ,ark ( ! ,cov5ant4 ,num]\s ,biblical allusions %[ t danc+ 0 held 9 high respect among e>ly lead]s ( ?\ght4 8,praise ! ,"l 444 praise ,him ) timbrel & ! dance10 is comm&$4 ,) danc+ ! ,maccabees celebrat$ t supremely solemn ev5t1 ! re/oration ( ! ,temple4 ,to hon\r ! slay] ( ,golia?1 ! wom5 came out f all ! cities ( ,israel1 8s++ & danc+ 444 ) tabrets1 ) joy & ) in/rum5ts ( musick40 ,relative to ! capture ( wives ! sons ( ,b5jam9 7 told3 8 444 if ! daught]s ( ,%iloh come out to dance 9 dances1 !n come ye out ( ! v9ey>ds1 & cat* y e man 8 wife 444 & ! *ildr5 ( ,b5jam9 did s1 & took !m wives1 accord+ to _! numb]1 ( !m t danc$1 :om !y caught0 7,judges #ba3ba & #bc74 8,?\ %alt aga9 be adorn$ ) ?y tabrets1 & %alt g =? 9 ! dances ( !m t make m]ry0 7,j]emiah #ca3d74 8,!n %all ! virg9 rejoice 9 ! dance0 7,j]emiah #ca3ac74 8,& ,david danc$ be=e ! ,"l ) all 8 might0 7#b ,samuel #f3ad74 ,9 ! solemn *apt] ( ,mat!w n>rat+ ! behead+ ( ,john ! ,bapti/ we read3 8,b :5 ,h]od's bir?day 0 kept1 ! daught] ( ,h]odias danc$ be=e !m1 & pleas$ ,h]od4 ,:]eupon he promis$ ) an oa? to give h] :atev] %e w\ld ask40 ,p]haps ) an idea ( =e/all+ discussion ( ! art's antiquity1 "o ( ! e>ly writ]s elim9ates argum5t by a simple /roke ( ! p54 8,! />s con=m to laws ( co-ord9at$ movem5t4 #8,co-ord9at$ movem5t' is ! def9ition ( danc+1 :i* !re=e is old] ?an humanity40 ,tak+ ?is at its face value1 human in/itutions are ?r[n toge!r into "o p]iod1 9 :i* diff]5ces ( a ?\s& ye>s are z no?+4 ,9 turn+ to ,greece1 ye>s ne$ l5d no aid to make ! subject attractive4 ,9 t little _w ( ?\ght we f9d *oreography luxuriant1 p]haps1 z x nev] has be5 s9ce2 protect$ by prie/hood & /ate1 practis$ by ri* & poor1 philosoph] & buffoon4 ,great mimetic ballets memorialis$ great ev5ts2 simple ru/ic dances celebrat$ ! ga!r+ ( ! crops & ! com+ ( ! fl[]s4 ,prie/esses p]=m$ ! sacr$ numb]s1 ! orig9s ( :i* tradition attribut$ to ,olympian gods2 ecc5tric com$y teams enliv5$ ! /reets ( ,a!ns2 gild$ y\? held danc+ an elegant accompli%m5t4 ,philosoph]s taught x to pupils = its effect on body & m9d2 x 0 a means ( giv+ soldi]s c>riage1 agility & heal?1 & cultivat+ esprit de corps4 ,to ! developm5t ( danc+ 7 turn$ ! ,greek ideals ( beauty1 :i* 9 _! turn und\bt$ly receiv$ a mighty & con/ant uplift f ! beauty ( h>monis$ movem5ts ( heal?y bodies4 ,te*nique has evolv$ new ?+s s9ce ! days ( classic ,greece2 sc5]y1 music & co/ume h creat$ effects undream$ ( 9 ! e>ly times4 ,b not)/&+ ! lack ( incid5tal factors--& "o que/ions if any su* lack 7 n cancell$ by ! ga9 ?r\gh simplicity--! wide-spread practice ( good danc+1 ! greatness & frequ5cy ( municipal ballets1 ! v>iety ( emotional & /hetic motives t danc+ 0 made to express1 all comb9e to give ,greece a rank nev] surpass$ z a danc+ nation4 ,! man-made attributes ( man's gods are a synopsis ( man's important ?\ghts4 ,cybele1 "m ( ! gods & fri5d ( mank9d1 taught danc+ to ! corybantes z a fitt+ gift to be pass$ along to h] mortal fo/]-*ildr54 ,apollo1 speak+ ?r\gh ! m\?s ( prie/esses1 dictat$ fur!r *oreographic laws4 ,orpheus j\rney$ to ,egypt to /udy its dances1 t he might add to ! scope ( ! ,hell5ic /eps & movem5ts4 ,"o ( ! n9e muses 0 devot$ to ! fo/]+ ( ?is p>ticul> art4 ,all ( :i* %[s a pr(\nd belief 9 ! ,greek m9d t danc+ 0 wor?y ( a great deal ( div9e att5tion4 ,c]ta9ly no subsequ5t civilisation has be5 s well qualifi$ to judge ! importance ( danc+1 = none has exp]im5t$ s completely 9 ! effect ( rhy?mic ex]cise on ! body & m9d ( a nation4 ,classic sculpture no m ?an sugge/s ! importance ( danc+ 9 ,greek life4 ,an assemblage ( a few ,greek ?9k]s' obs]vations on ! subject furni%es an idea ( ! value !y gave x z a factor 9 education4 ,plato1 = in/ance1 specifies x among ! necessities = ! ideal republic1 8= ! acquisition ( noble1 h>moni\s1 & graceful attitudes40 ,socrates urg$ x ^u 8 pupils4 ,physicians ( ! "t ( ,ari/ophanes prescrib$ its rhy?mic ex]cise = _m ailm5ts4 ,lycurgus gave x an important place 9 ! tra9+ ( y\?1 milit>y & o!rwise4 ,among ! special dances ^: tea*+ he decre$1 0 "o1 ! ,hormos1 t 0 traditionally p]=m$ )\t clo?+4 ,plut>* tells ( a prote/ aga9/ ! nudity ( ! wom54 ,! ,law-giv] ( ,a!ns repli$3 8,i wi% !m ! wom5 to p]=m ! same ex]cises z m51 t !y may equal m5 9 /r5g?1 heal?1 virtue & g5]osity ( s\l1 & t !y may le>n to despise ! op9ion ( ! vulg>40 ,illu/ration3 ,,f ,a ,,f\r? ,,c5tury ,,vase4 ,9 ! ,l\vre4 ,( great m5's danc+ 9 public !re are in/ances 9 abundance4 ,! v me?od ( *oos+ ! lead]s ( great civic *oreographic spectacles insur$ ! association ( p ( consequ5ce1 = ^! lead]s 7 always select$ f ! highe/ rank ( citiz5s4 ,epam9ondas1 ,antio*us1 & ,ptolemu are v>i\sly m5tion$ = _! skill 9 danc+1 z well z _! prom95ce 9 national affairs4 ,sophocles danc$ ar\nd ! trophies ( ! battle ( ,salamis4 s*ylus & ,ari/ophanes danc$ 9 v>i\s p]=mances ( _! own plays4 ,& ,socrates1 "o ( ! v fa!rs ( human reason+1 danc$ among fri5ds aft] d9n]4 ,ari/ides danc$ at a banquet giv5 by ,dionysius ( ,syracuse4 ,anacreon1 9 8 odes1 decl>es t he is always ready to dance4 ,pr(essional danc]s enjoy$ high pre/ige4 ,philip ( ,mac$on _h "o z a wife2 ! "m ( ,nicom$es1 k+ ( ,bi?ynia1 0 a danc]4 ,ari/odemus1 a fam\s danc] ( ,a!ns1 at "o "t 0 s5t to ! c\rt ( ,philip ( ,mac$on z ambassador4 ,illu/ration3 ,,greek ,,com$y ,,danc+4 ,?is *apt] mu/ n be und]/ood z try+ to repres5t t ,a!nian civil life 0 giv5 ov] to an endless r\nd ( *oreographic celebration2 nor h ! lat] *apt]s conc]n+ ! c\rts ( ! ,l\is any int5t to picture a set ( be+s ^: m9ds 7 devot$ to danc+ to ! exclusion ( all else4 ,:at is int5d$1 h[ev]1 is to call att5tion to an important omission 9 ! writ+s ( ! g5]al hi/orian1 :o nev] has giv5 danc+ its due proportion ( consid]ation z a =ce 9 ^? & o!r high civilisations4 ,lit]ature & ! graphic arts foll[$ ! com+ ( civilisation1 & are among its results2 !y h be5 analys$ ) all degrees ( pr(undity4 ,! dance is1 und\bt$ly1 among ! causes ( ,greek vig\r ( m9d & body2 b x is ( f> less conc]n to ! av]age hi/orical writ] ?an any disput$ date4 ,! microscopi/ *>t+ ! pores ( ! sk9 kn[s no?+ ( ! beauty ( ! figure4 ,& ! gramm>ian's myopic se>* = ecc5tricities ( v]b-=ms atrophies 8 ability to p]ceive ! qualities ( lit]ature1 until f9ally he w try to conv9ce 8 li/5]s t lit]>y quality is1 aft] all1 a subject = ! att5tion ( small] m9ds4 ,greek philosophy1 ma!matics1 political & milit>y sci5ce are "p ( ! /ructure ( ,occid5tal society--a good & useful "p4 ,_h ! importance ( ! dance be5 appreciat$--_h prop] au?ority recognis$ its inh]5t "p 9 ! ,greek social organism--:o c say h[ mu* dulness1 ugl9ess & sickl9ess ( body & _s ! _w might h escap$8 ,folk-danc+ has be5 introduc$ into ! public s*ools ( c]ta9 cities2 a movem5t too new to be judg$4 ,let x be nei!r prais$ nor c5sur$ until results h _h "t to ass]t !mselves4 ,if at ! end ( t5 ye>s ! *ildr5 :o h danc$ _! quota ( m9utes p] day d n excel 9 fre$om f n]v\s abnormalities1 ! *ildr5 :o h n danc$2 if !y fail to manife/ a bett] co-ord9ation ( m9d & body1 & a sup]ior p[] ( receiv+ & act+ ^u sugge/ion--!n let public s*ool danc+ be aboli%$ z ( no value beyond amusem5t & ex]cise4 ,illu/ration3 ,,/atuettes4 ,f 7,a7 ,tanagra2 7,b7 ,myr9a--n[ 9 ! ,l\vre2 7,c7 ,tanagra 7disput$74 ,( rec5t ye>s a good deal ( +5uity has gone into /udy ( ! dances ( classic ,greece1 ) view to _! re-creation4 ,f pa9t+s on vases1 bas-reliefs & ! ,tanagra /atuettes has be5 ga!r$ a g5]al idea ( ! "* ( ,greek movem5t4 ,! results h be5 pleas+1 & 9 ,miss ,duncan's case radical1 z an influ5ce on contempor>y *oreographic art4 ,b1 beautiful & descriptive z !y are1 ! pla/ic repres5tations are ( scatt]$ poses f dances n z a rule id5tifi$4 ,if1 !re=e1 pres5t-day re-creations (t5 fail to %[ ! flights ( cumulative int]e/ common 9 mod]n ballet1 ,spani% & ,slavonic "w1 ! %ortcom+ is due at lea/ 9 "p to ! lack ( explicit records ( sequ5ces ( /ep1 movem5t & pantomimic symbol4 ,= x is impossible to believe t ! dance compos]s ( ! age ( ,p]icles did n equal _! successors1 ev5 z _! contempor>ies 9 ! fields ( sculpture1 ar*itecture & poetry left "w nev] yet excell$4 ,( ! names & motives ( dances ! record seems to be pretty complete4 ,sacr$1 milit>y & pr(ane are ! g5]al categories into :i* ! v num]\s ,greek dances divide !mselves4 ,! sacr$ gr\p falls into f\r classes3 ! ,emmeleia1 ! ,hypor*ema1 ! ,gymnopdia1 & ! ,endymatia4 ,( ^! ! two latt] seem to h be5 col\r$ by s5tim5ts m or less ap>t f ! purely religi\s4 ,( ! ,emmeleia1 ,plato records t "s _h ! "* ( g5tl5ess1 gravity & nobility suitable to ! s5tim5ts by :i* a mortal %\ld be p]meat$ :5 he invokes ! gods4 ,o!rs 7 ( h]oic or tragic aspect1 emphasis+ maje/y & /r5g?4 ,a *>act]i/ic ( ?is gr\p 0 its p]=mance )\t accompanim5t ( *orus or voice4 ,! orig9 ( ! gr\p is attribut$ to ,orpheus1 z a fruit ( 8 memories ( ,col*is & ,sas4 ,! ,hypor*ema1 equally religi\s1 7 di/+ui%$ by _! use ( *oral accompanim5t4 ,9 "s cases x might be m accurate to say t ! dances 7 an accompanim5t to recit$ poetry2 = 9 v e>ly times ! dances seem to h be5 employ$ to p]sonify1 or mat]ialise1 ! ab/ractions ( poetic metaphor4 ,bo? m5 & wom5 engag$ 9 dances ( ?is gr\p1 & its plane 0 ( l(ty dignity4 ,9 x 7 ! olde/ dances ( ,greece1 besides "s compos$ by ! poet ,p9d>4 ,! ,gymnopdia 7 m or less d$icat$ to ! wor%ip ( ,apollo1 & 7 especially cultivat$ 9 ,arcadia4 ,z ! "n implies1 ! p]=m]s 7 nude--y\?s we>+ *aplets ( palm4 ,a mat]ial "* seems to h m>k$ ?is gr\p3 ,a!nu f9ds 9 x po9ts ( id5tity ) ! ,anapale1 :i* is kn[n to h be5 a pantomimic repres5tation ( combat4 ,! ,endymatia cross$ ! bord]-l9e betwe5 ! sacr$ & pr(ane4 ,!y 7 brightly co/um$ dances1 & 9 dem& = g5]al ent]ta9m5t4 ,9 connection ) ?is gr\p we f9d ! fir/ allusion to ! highly mod]n in/itution ( danc]s' 8private engagem5ts0--pr(essionals aid+ 9 ! ent]ta9m5t ( d9n]-p>ties4 ,! ,greek & ,roman cu/om ( see+ danc]s in/ead ( li/5+ to aft]-d9n] spee*es is too well kn[n to ju/ify m ?an a m5tion4 ,^! f\r gr\ps are ! fundam5tals f :i* numb]less o!r dances 7 d]iv$1 to be v>i\sly d$icat$ to gods1 public ev5ts1 ab/ract qualities1 crops1 & fight+4 ,if no p>ticul> occasion (f]$1 p w\ld dance = ! good reason t !y felt l x1 z ,neapolitans dance ! ,t>antella to-day4 ,to ! ,illu/ration3 ,c\rtesy ( ,! ,metropolitan ,museum ( ,art1 ,new ,york ,,greek ,,relief ,,decorations ,illu/ration3 ,c\rtesy ( ,! ,metropolitan ,museum ( ,art1 ,new ,york ,,greek ,,c]amic ,,decorations glory ( ,bac*us 7 ! ,dionysia2 ! ,iambic 0 sacr$ to ,m>s1 ! ,c>yatis1 a dance symbolis+ innoc5ce1 & danc$ nude1 to ,diana4 ,h]cules1 ,!seus1 ! daught]s ( ,jupit]1 ,ca/or & ,pollux 7 s hon\r$--ea* dance hav+ its special id5tification ( movem5t1 mean+ or co/ume4 ,illu/ration3 ,,/atuettes4 ,f 7,a7 ,myr9a2 7,b7 ,tanagra2 7,c7 ,myr9a4 ,semirelat$ to ! religi\s gr\p 7 ! dances ( m\rn+4 ,unlike c]ta9 mod]n dances ( ! same int5t1 ^! are n record$ z hav+ be5 prim>ily an individual's pantomimic dance repres5t+ qualities ( ! deceas$1 or illu/rat+ 8 relations dur+ life ) fri5ds & family2 al?\gh !re 0 a "t 9 :i* ! cortge 0 head$ by an individual dress$ 9 ! clo!s ( ! deceas$1 imitat+ 8 virtues & sometimes also 8 fail+s4 ,regul>ly1 h[ev]1 ! danc+ 0 /rictly rituali/ic1 =m+ a solemn decorative concomitant ( ! vocal & in/rum5tal music4 7,at :at po9t 9 8 evolution did ! ,occid5tal det]m9e t 8 rituali/ic expressions %\ld be direct$ almo/ exclusively to ! e>87 ,a corps ( fifte5 girls danc$ be=e ! fun]al c>1 :i* 0 surr\nd$ by a b& ( y\?s4 ,naturally ! brilliancy ( ! function 0 m or less proportionate to ! /ation & e/ate ( ! dep>t$4 ,on dances ( w> ! ,greeks reli$ z an important elem5t 9 ! soldi]'s tra9+4 ,9 _! pantomime ! vet]an liv$ ov] ! mom5ts ( combat1 :ile 8 *ildr5 & ev5 8 wife caught anew ! _s ( ,hell5ic arms4 ,plut>* wrote3 8,! milit>y dance 0 an indef9able /imulus :i* inflam$ c\rage & gave /r5g? to p]sev]e 9 ! pa?s ( hon\r & val\r40 ,x is /ill kn[n t a body ( m5 mov+ 9 /ep feel fatigue di/9ctly less ?an :5 walk+ out ( /ep4 ,"o ( ! ?+s le>n$ by ! long-di/ance runn]1 ! wood-cutt]1 or any o!r p]=m] ( cont9u$ "w1 is ! importance ( e/abli%+ z quickly z possible a regul> rhy?mic relation betwe5 ! sep>ate p>ts ( a complete movem5t1 includ+ ! intake & expulsion ( brea? among ^? p>ts4 ,su* a rhy?m once e/abli%$1 movem5t succe$s movem5t ) some?+ l mom5tum2 ! sev]al /eps1 or bl[s ( ! axe1 d n ea* require a sep>ate ef=t ( ! w4 ,some?+ ( ?is 0 ,plut>*'s 8indef9able /imulus40 ,ap>t f effici5cy ( ! individual1 exp]i5ce has %[n t a comm& mov+ 89 "t0 is unifi$ 9 ! fulle/ s5se1 ) ea* soldi] m or less p]fectly pro( aga9/ any impulse at v>iance ) ! esprit de corps4 ,to weld a numb] ( m5 ev] m closely into ! condition ( a milit>y unit is "o ( ! purposes ( drill4 ,drill is 9 great "p a matt] ( keep+ 9 /ep4 ,! ,greeks c>ri$ to a high pit* ! unification ( a milit>y body 9 respect to all ! movem5ts ( attack & def5ce4 ,hi/ory repeat$ly records ! demoralisation ( ! enemy1 c>ri$ by ! assaults ( ! p]fectly organis$ ,greek fight+ bodies4 ,b und\bt$ly an important value ( ! /udy = p]fection ( corps unity 0 ! discipl9>y effect on ! ,greek soldi] himself4 ,z a means t[>d su* p]fection1 ,greek law prescrib$ danc+ = ! soldi]4 ,an obvi\s b5efit f 8 practice ( ! art 0 ! advantage due to m]e muscul> ex]cise2 & t 9 itself is no small ?+ :5 ! dance is p]=m$ 9 full arm\r1 z ! ,greek soldi] p]=m$ x4 ,au?orities classify ! milit>y dances z ,pyrrhic & ,memphitic2 b ! division seems h>dly ess5tial1 s9ce ! meagre te*nical descriptions draw no di/9ct l9e betwe5 ! two gr\ps4 ,9 bo?1 p]=m]s c>ri$ sword or spe> & %ield4 ,! movem5ts br\ght 9 ! manuvres ( individual combat--cutt+ & ?ru/+1 p>ry+1 dodg+ & /oop+4 ,t !y might be c>ri$ to a degree ( realism is indicat$ 9 a description by ,x5ophon4 ,at ! end ( a mimic combat betwe5 two ,?racians1 at ! conclusion ( :i* ! victor sang a song ( victory & possess$ himself ( ! vanqui%$ man's weapons1 ! spectators cri$ out ) emotion1 believ+ t ! fall5 man 0 kill$4 ,( ! words 8,pyrrhic0 & 8,memphitic10 ! latt] seems to connote a p]=mance less insi/5t on ! elem5t ( combat4 ,to ,m9]va is cr$it$ ! orig9 ( ! ,memphitic gr\p1 leg5d hav+ x t ! goddess ( wisdom compos$ ^! dances to celebrate ! defeat ( ! ,titans4 ,! usual accompanim5t 0 ! flute1 accord+ ) ! idea ( comp>ative tranquillity4 ,bo? /yles 7 danc$ by wom52 special fame = pr(ici5cy 0 giv5 to ! vigor\s daught]s ( ,sp>ta1 ,argos1 & ,arcadia1 & to ! ,amazons4 ,pantomime 0 important 9 mo/ ,greek dances4 ,greek writ]s int]e/$ !mselves 9 an ef=t to trace pantomime to its orig92 b !y 7 n v successful1 because !y w5t no fur!r back ?an ! demigods4 ,:]eas sign-talk1 if inf]5ce may be drawn f savages1 ant$ates spok5 language--:i* is beside ! po9t ( ! pres5t sket*4 ,pantomime arti/s ( ,greece 7 ( v>i\s ranks1 accord+ to ! plane ( ?\ght repres5t$ 9 _! "w4 ,e?ologues repres5t$ moralities1 or ,greek3 upo!ses2 !y 8depict$ ! emotions & ! conduct ( man s fai?fully1 t _! art s]v$ z a rigor\s c5sor%ip & taught useful lessons10 writes ,de l',aulnaye1 9 ,de la ,saltation ,?trale4 ,!y 7 n only arti/s1 b philosoph]s ( a moral /&>d ( ! utmo/ height & purity3 ! poems ( "o ( !m1 ,sophron ( ,syracuse1 7 among ! writ+s kept at h& by ,plato dur+ 8 la/ h\rs4 ,greek3 ,?umelikoi 7 pantomimi/s ( less] rank1 ^: "w 0 pr9cipally com$y ( a f>cical nature--?\gh ! ^w seems to h ! primitive mean+ ( 8*ori/]40 ,ri* 9 scope 0 ! ,greek /age2 &1 until lat] days1 g5]ally high 9 plane4 ,= its effects x drew ^u poetry1 music1 danc+1 gr\p+ & pos+4 ,little is kn[n ( ! music2 re-creations ( x 7h[ au?oritative ! au?ors d n "k7 are simple & melodi\s1 ) no attempt at gr&eur4 ,b 9 ! o!r dep>tm5ts1 :at v]itable gods 9 collaboration6 ,euripides1 ,ari/ophanes1 & s*ylus are ( ^? :o suppli$ texts4 ,sculptors ^: works are no less p]i%able gave _! k to gr\p+ & pos+4 ,( ! m]it ( ! p]=m]s !re is no adequate record1 = lack1 among o!r ?+s1 ( an explicit *oreographic t]m9ology4 7,?is defici5cy 0 fir/ made up 9 ! ,fr5* language1 aft] ! organisation ( ! ,national ,academy ( ,music & ,danc+1 9 ! sev5te5? c5tury47 ,:at is kn[n1 h[ev]1 is t danc+ 0 consid]$ a prop] m$ium ( expression ( great motives1 & t great-m9d$ arti/s *ose x z a c>e]2 n 9 spite ( a public condesc5sion to x1 b ) ! support ( a pr(\nd public respect4 ,illu/ration3 ,,dance ,,( ,,nymphs4 ,f an antique frieze 9 ! ,l\vre4 ,accuracy ( rhy?m is ( an importance obvi\s to grades ( intellig5ce f> bel[ t ( ! ,greeks4 ,!y laid /ress no less on :at may be call$ rhy?mic quality ?an on m]e emphasis ( tempo4 ,a "t-m>k] 0 provid$ ) an assortm5t ( s&als sol$ ) metal or wood ( v>i\s ?icknesses2 by means ( ^! he produc$ s\nds consi/5t ) ! *ang+ s5tim5ts ( ! action4 7,comp>e ! modes ( gett+ v>i$ s\nds f ca/anets1 9 *apt] on ,spani% danc+47 ,ca/anets1 too1 7 us$ 9 ,greece1 ess5tially ! same z ^? ( ,spa9 to-day2 also flat /icks 9 pairs1 l clapp]s1 b :i* unlike clapp]s 7 gripp$ betwe5 ! ?umb & f+]s4 ,little cymbals on ! danc]s' h&s sometimes add$ _! voice1 & ! tamb\r9e 0 popul>4 ,! v>iety ( ^! "t-m>k+ in/rum5ts indicates k ( ! _m effects atta9able by tempo alone4 ,inde$ a read+ ( ! poets emphasises ?is3 _! selection ( words = s\nd z well z mean+ w =ce ev5 a m$iocre read] into an obs]vance ( ! au?or's int5tion ( rit>d & accel]&o1 legato & /accato1 emphasis & climax4 ,associat$ ) ballet production1 z ! able/ poets 71 x may be tak5 z assur$ t ! devices ( tempo 7 made famili> to danc]s--unless x 0 ! dance t taught ! metre to ! poets4 ,masks 7 worn to id5tify "*2 b _! prim>y function appe>s to h be5 ! concealm5t ( a s\nd-magnify+ device to c>ry ! voice ?r\gh ! great spaces ( out-door !atres4 ,wom5's p>ts 9 ! ballets 7 play$ by m5 at lea/ frequ5tly2 :e!r ! rev]se 0 a conspicu\s exception is also unc]ta94 ,bo? usages 7 de/9$ to survive 9 pantomime ?r\gh c5turies4 ,objection to ! mask always 0 ov]rul$ by au?ority2 ! ,greek play 0 su* an irreproa*able organism t deviation f its accept$ =mulas 0 deem$ an impi\s & dang]\s h]esy4 ,9 ! eighte5? c5tury a premi] danseur's abs5ce put a ,fr5* ballet director tempor>ily at ! m]cy ( ! second danc]1 a "y radical1 :o refus$ to 8g on0 we>+ a mask4,a ,n until !n 0 ! mask tradition di/urb$4 ,a ,see also page #aja4 ,?\gh exact data ( ! /eps ( popul> dances are lack+1 lit]>y allusions record dance names & g5]al "* 9 great numb]4 ,a complete catalogue ( !m w\ld (f] little inspiration to ! lay /ud5t or ! pr(essional2 no m ?an a h9t ( _! broad scope is necess>y4 ,dances sugge/+ ! life ( animals 7 pl5tiful4 ,"s 7 und]laid ) a symbolic significance1 z t ( ! crane1 ! bird's confus$ w&]+s repres5t+ ! ef=ts ( ,!seus to f9d 8 way out ( ! labyr9?1 ! leg5d 9 its turn probably hav+ "s relation to life & ! tricks x plays on its possessors4 ,! fox 0 a fav\rite subject1 & ! lion 0 n ov]look$4 ,?\gh ! au?or ( ,*anticl] may h be5 ! fir/ to avail himself ( ! grotesqu]ies ( p\ltry1 ! ,greeks danc$ owls & vultures4 ,simil> to ! ,ori5tal ,danse du ,v5tre 0 ! ,kolia1 probably br\ght across f ,egypt4 ,ano!r sugge/ion ( ,nor? ,africa 0 kn[n 9 ,greek language z ! ,dance ( ,spill$ ,meal--:at m reasonable ?an to inf] t x 0 ! same 9 s*eme z ! ,fl\r ,dance ( pres5t-day ,alg]ia8 ,! fl\r or meal t id5tifies ?is p]=mance is spread on ! floor1 & a m or less involv$ design trac$ 9 x4 ,:at foll[s is int]e/+ *iefly z a te/ ( a species ( virtuosity3 ! danc]'s object is1 9 h] successive turns across & ab\t ! design1 to plant h] feet always )9 ! same spaces1 ! loose meal expos+ any failure4 ,rapidity ( tempo & involution ( /ep may raise ! difficulties to a po9t beyond ! rea* ( any b ! mo/ skilful4 ,! *ildr5's game ( ,hop-scot* is a deg5]at$ k9sman ( ! dance 9 & ov] a design4 ,!re 7 dances ( satyrs & goats1 nymphs1 monkeys1 gods & goddesses1 fl[]s1 grapes & ! w9e-press4 ,combat 0 r5d]$ into poetry 9 ! ,spe> ,dance1 ! ,fight ) ! ,%ad[ 7,greek3 skiama*ia71 ! fights ) %ields1 ) swords4 ,!re 7 8r\nds10 p]=m$ by an indef9ite numb] ( p jo9+ h&s 9 a r+2 traces ( ^! are said to survive z peasant dances ( ! ,greece ( to-day4 ,!re 7 solos1 pas de deux & pas de quatre4 ,py?agoras made a p]iod ( danc+ a "p ( ! daily r\t9e ( 8 pupils1 ,hym5eia 7 danc$ to help celebrate a well-conduct$ w$d+4 ,pray]s1 sacrifices & fun]als1 z /at$ be=e1 7 incomplete )\t _! sev]al & special dances4 ,movem5t no less ?an spee* is a vehicle = satire1 wit1 s5suality & indec5cy4 ,!ophra/us1 ) ! int5t ( %[+ ! degree ( %amelessness to :i* err+ humanity may fall1 tells ( a man :o p]=m$ a dance call$ ! ,cordax )\t ! excuse ( be+ drunk at ! "t ( ! de$4 ,cov]+ a wide range ( light motives 0 ! ,sik9nis1 ! ^w be+ appli$ bo? to a c]ta9 dance & to a =m ( satirical mimo-drama4 ,9 ! latt] s5se x burlesqu$ ! politics1 philosophy & drama ( ! day4 ,z all peoples divide !mselves into masses & classes on l9es ( ta/e z well z ( money1 s also ev5tually ! ,a!nians4 ,9 ! h&s ( ! ,a!ns rabble--cat]$ to p]haps by ance/ors ( c]ta9 tw5tie?-c5tury manag]s--! ,sik9nis1 z a satire1 fell into ! sl\gh ( vulg>ity4 ,z a dance x may be ?\ght ( z a fav\rite ( t ,alcibiades type ( y\? 9 :om education has n depress$ ,arcadian frivolity4 ,h[ su* a "o vex$ ! solemnity ( a c\rt is ! subject ( an anecdote compil$ by ,h]odotus4 ,cli/h5es1 k+ ( ,sicyon1 9 ord] to m>ry 8 daught] to ! greate/ advantage1 decid$ to settle ! selection ( h] husb& by competition4 ,! invitation met ) due int]e/ on ! ,illu/ration3 ,c\rtesy ( ,! ,metropolitan ,museum ( ,art1 ,new ,york ,,tanagra ,,figures ,to face page #bj "p ( ! ri* & ! great4 ,suitors came f f> & ne>1 among !m two f ,a!ns4 ,an om9\s circum/ance1 = 8,attic salt0 0 out ( ! same b>rel z ! 8sal de ,&alucia0 ( to-day2 bo? h ! record ( becom+ op]ative imm$iately on exposure to any air ( ov]solemnity4 ,aft] days ( regal fe/ivity1 ,cli/h5es d$icat$ a hecatomb to ! gods1 gave a f9al banquet1 & ann\nc$ t ! suitor-select+ competition w\ld be along ! l9es ( music & poetry4 ,:5 x came to ! turn ( ,hippoclides1 "o ( ! two ,a!nians1 he ask$ t a table be br\ght 94 ,on ?is he m\nt$1 /ood on 8 h&s1 & trac$ ! figures ( a ,sik9nis 9 ! air ) 8 feet6 ,until ! k+'s temp] 0 q gone1 ! p]=mance 0 receiv$ 9 sil5ce4 ,h]odotus suppos$ t ,hippoclides int]pret$ ! sil5ce z enc\ragem5t2 b ,h]odotus v cle>ly did n "k t k9d ( boy4 ,! poli%$ ?\gh inv]t$ y\? on ! table 0 e/imat+ ! horror among 8 wor?y spectators1 & luxuriat+4 ,greece1 ) h] f9e simplicity ( ?\ght1 furni%$ ! patt]n on :i* 0 cut ! civilisation ( e>ly ,rome2 ,greek art1 ! concrete expression ( h] l(ty ?\ght1 furni%$ ,rome a model4 ,:i* model ,rome foll[$ until loot & tribute provid$ h] ) means to express ! ta/e t 0 h] own4 ,illu/ration3 ,,greek ,,com$y ,,danc+4 ,,*apt] ,,ii ,,danc+ ,,9 ,,rome ,an art t a*ieves beauty by means ( ! grace ( simple l9es1 elegance ( proportion & o!r simple res\rces ( composition1 is ! art ( a vigor\s nation4 ,su* an art scorns florid treatm5t1 surface realism1 triviality2 & su* an art 0 t ( e>ly ,rome4 ,x _h t some?+ clumsily call$ semiasceticism1 t atta*es to dignity4 ,a national art quality exi/s1 z is axiomatic1 ^u a basis & by virtue ( a correspond+ public /ate ( m9d2 ea* influ5c+ ! o!r1 b ! public /ate ( m9d be+ ! =ce t %apes ! art1 r ?an ! rev]se4 ,! _s ( simplicity dom9at$ ,greece ?r\gh _m c5turies ( h] gr&eur4 ,9 ,rome x endur$ until ,rome grew ri*4 ,its coexi/5ce 9 ! case ( ! two peoples 0 no m ?an a co9cid5ce2 !y arriv$ at _! common simplicity ?r\gh :olly diff]5t processes4 ,9 ,greece1 beauty 0 und]/ood4 ,action & adornm5t 7 re/ra9$ because _! value 0 f\nd to be multipli$ by sp>+ use2 because1 too1 any excess ( !m detract$ f ! great qualities ( l9e & proportion4 ,9 ,greece1 moreov]1 beauty dissociat$ f subject or s5tim5t c\ld always f9d an appreciative reception2 ! ,hell5ic m9d lov$ beauty = its own sake4 ,& t is ! cause ( ! res]ve t gov]ns ! be/ ,greek art4 ,e>ly ,rome1 too1 in/ill$ into h] *ildr5 ! _s ( simplicity4 ,n1 h[ev]1 ) any und]/&+ ( ! relation ( simplicity to beauty & dignity4 ,w> & lu/ = conque/ made ! e>ly ,roman /]n2 & simplicity1 atta*$ to a v real asceticism1 0 ?ru/ ^u him by ! uncompromis+ h& ( pov]ty4 ,b1 aft] a few c5turies ( fatt5+ on loot & tribute1 :at ( ,rome8 ,/upidity1 deg5]acy & vulg>ity4 ,loot & tribute6 ,9 respect to ri*es bo? mat]ial & m5tal1 o!r peoples' contributions to ,rome's de/9y 7 ( a degree ( importance sometimes und]rat$4 ,h] monum5tal physical /ructure 0 built f taxes ga!r$ by ! mail$ h&4 ,9 respect to h] ?\ght1 express$ 9 essays1 poems1 orations1 lett]s1 comm5t>ies or :atsoev] o!r =m1 ! ext5t ( o!r nations' contribution to ,rome's app>5t orig9ality is1 at fir/ glance1 less evid5t4 ,^u ,greek f\ndations ( n>rative /ructure1 metre1 & =m 9 g5]al1 ,roman writ+s are built1 ,romanis$ ?\gh !y be 9 subject-matt]--b ,rome's /]ility ( inv5tion 9 t field is suit$ r to ! discussion ( lit]>y m5 ?an ( dance-lov]s4 ,b sculpture is p]t95t4 ,! fir/ s-call$ ,roman art 0 accompli%$ by c>v+ ,roman faces ^u ?ick5$ figures 9 ,greek poses1 execut+ !m 9 ,greek te*nique ( modell+1 & nam+ !m ,roman gods & s5ators4 ,lat] ! ,greek simplicity ( modell+ 0 disc>d$2 to replace x !re 0 a*iev$ an o/5tati\s m$iocrity4 ,! ,pompeian frescoes8 ,! good ones 7 pa9t$ by ,greeks1 br\ght across = ! purpose4 ,& ! vivaci\s little /atues f\nd 9 ,pompeii express ! same arti/ically witty po9t ( view4 ,9 ! field ( mat]ial ga9 & conv5i5ce ,rome's contribution to ! _w is n to be que/ion$4 ,b wat]-supply1 pav+1 l& laws & =tifications are n relat$ to que/ions ( ta/e4 ,x is ,roman ta/e ( :i* "o tries to =m a conception1 9 ord] to expla91 at lea/ 9 "p1 ! disappo9t+ hi/ory ( danc+ "u ! ,cs>s4 ,& ! m]e direction ( att5tion to ,rome's relation to ! arts anticipates ! /ory ( h] treatm5t ( ! dance1 leav+ only details to be told4 ,fir/ 9 *ronology is f\nd ! danc+ symbolical ( w>4 ,!n comes a simple religi\s *oreography1 "u ! ,salic prie/s1 supplem5t+ ! ritual ( sacrifice4 ,z "t goes on ,greek dances are transplant$1 ) ! degree ( success to be expect$ among a race ^: m9ds1 ?\gh active1 are pleas$ only by mat]ial p[]1 ga91 & o/5tation3 by a process ( atrophy foll[+ non-appreciation1 ! symbolism disappe>s f symbolic dances & ! ideal ( beauty f ! purely beautiful dances4 ,!y became at be/ a display ( agility to amuse ru/ics4 ,m g5]ally !y fell into ! s]vice ( sex allurem5t2 n ! sugge/ive m]ely1 nor ! provocative1 b unbridl$ depiction ( :at %\ld n be reveal$ & ( ?+s t %\ld n exi/4 ,?is condition ( affairs is m ?an h9t$ 9 works ( "s ( ! mu*-read ,lat9 writ]s1 /at$ by ar*ologi/s1 & confirm$ by c]ta9 ,pompeian /atues4 ,su* (f5ces1 despite ! res5tm5t !y ar\se 9 ! feel+s ( any naturally con/itut$ p]son1 might be p>tially p>don$ by ! dance-lov] if !y contribut$ any?+ to ! dance4 ,b absolutely !y d n4 ,!re is lat5t drama & good drama 9 sex relation%ips2 b n "o acc5t ( its valid expression c be trac$ to dances ( obsc5ity4 ,! danc] :o gives himself ov] to obsc5ity loses1 e "t1 ! ?+s t made him a danc]3 =m1 tru? & beauty ( movem5t & po/ure4 ,:]e ! art ( danc+ is appreciat$1 arti/s avoid obsc5e sugge/ion4 ,:]e x is n1 _m are =c$ to x 9 ord] to make a liv+4 ,h[ev]1 ev5 :]e ! art is appreciat$1 obsc5ity furni%es ! incompet5t a means ( pret5ce ( an arti/'s c>e]2 = obsc5ity is sure ( a mix$ foll[+ ( rabblem5t1 "s 9 rags & "s 9 velvet4 ,among ! ,romans !mselves1 actual p>ticipation 9 ! dance 0 n popul>4 ,propriety =bade s close an association ) an art disfigur$ & dirti$1 ! ,roman revil+ z unclean ! image soil$ by 8 own h&4 ,f ,spa91 ,greece & ,syria p 7 br\ght to dance be=e g\rm&s & wa/]s1 degrad$ to ! level ( _! patrons' appreciation1 & disc>d$ :5 !y _h exhau/$ ! scope ( novelties suitable to ! dem&4 ,sev]al c5turies ( ,roman employm5t ( danc]s contribut$ n "o /ep1 ge/ure or expression to ! art2 ! pla/ic & graphic records %[ only t :i* is ,greek1 or1 on ! o!r h& inane1 vulg>1 or deg5]ate4 ,to ! latt] levels sank ! ,ludiones & ! ,saturnalia2 in/itut$ z religi\s celebrations1 end+ z orgies4 ,x is vaguely ass]t$ t ! ,roman /age amplifi$ ! ,greek scope ( pantomime4 ,&1 not)/&+ ! _m reasons to di/ru/ su* a /atem5t1 !re 7 two arti/s ^: "w may h be5 ( a class to ju/ify x4 ,!y 7 ,pylades & ,ba?yllus1 natives respectively ( ,silicia & ,alex&ria4 ,_! names live 9 ! impression !y produc$4 ,( ! "* ( _! "w x is impossible to le>n any?+ explicit2 8s(tly danc+ ,ba?yllus0 is z concrete a ref]5ce z any?+ to be f\nd ab\t !m 9 writ+s ( _! p]iod4 ,s x is impossible to "k :e!r _! great popul>ity 0 due to m]it1 or to +5i\s compliance ) ! ta/e ( _! adopt$ city4 ,_! record1 !re=e1 mu/ /& z ! /ory ( a furor1 & n necess>ily z t ( arti/ic a*ievem5t4 8,! rivalries ( ,pylades & ,ba?yllus occupi$ ! ,romans z mu* z ! grave/ affairs ( /ate4 ,e ,roman 0 a ,ba?yllian or a ,pyladian10 ,de l',aulnaye writes4 ,vuilli] pres5ts a m graphic image ( _! hold on public att5tion3 8,_! !atrical support]s1 clad 9 diff]5t liv]ies1 us$ to fight 9 ! /reets1 & bloody brawls 7 frequ5t ?r\gh\t ! city40 ,= ! endless qu>rell+ & intrigu+ betwe5 ! two1 ,pylades 0 once tak5 to task by ! emp]or4 ,! answ] 0 t ( a l(ty arti/ or a publicity-seek+ gall]y-play]1 let him decide :o c3 8,cs>1 x is well = y t ! p are occupi$ ) our qu>rels2 _! att5tion is 9 t way div]t$ f y\r actions40 ,8 arrogance direct$ itself imp>tially t[>d rul] & subject4 ,repres5t+ ! madness ( ,h]cules--he comb9$ pantomime ) danc+--he %ot arr[s into ! audi5ce4 ,octavius be+ pres5t on su* an occasion refra9$ f any expression ( disapproval4 ,0 he afraid ( (f5d+ 8 p by s mu* z an impli$ criticism ( _! fav\rite8 ,x is n unlikely4 ,:51 unable to control 8 impati5ce ) ,pylades' unsettl+ influ5ce1 ! emp]or bani%$ him1 a revocation ( ! decree 0 made imp]ative by signs ( a popul> insurrection6 ,n ! lea/ ( ! in/ances ( ,pyladian insol5ce 0 8 int]ruption ( ! action ( a play to scold 8 audi5ce4 ,dur+ a p]=mance ( ,h]cules "s "o compla9$ l\dly t ! movem5t 0 extravagant4 ,pylades tore (f 8 mask & %\t$ back1 8,i am repres5t+ a madman1 y fools60 ,s mu* = ,pylades & ,ba?yllus4 ,! jeal\s1 hyp]temp]am5tal arti/ :o all[s no?+ to int]f]e ) ! effect ( ! "w to :i* he is consecrat$ sometimes falls into ecc5tricities ( conduct4 ,su* ecc5tricities are copi$ to admiration by impud5t incompet5ts2 &1 contr>y to ,p4 ,t4 ,b>num's aphorism1 "s ( !m d 8fool all ! p all ! "t0--especially if ^? p !mselves lack ! cle> vision ( simplicity4 ,impud5ce to emp]ors & 8%oot+ up0 audi5ces may mean ! utmo/ ( ei!r s9c]ity or hypocrisy2 *oice ( op9ion is free4 ,c]ta9ly ! ,roman ,empire's political intrigues reveal a pr(\nd & practical k ( ! sci5ce ( publicity2 x is an anci5t pr(ession4 ,arti/s1 adv]tis]s or bo?1 x matt]s n at all1 ,pylades & ,ba?yllus fail$ to lift danc+ f ! mire4 ,! self-/yl$ 8,et]nal ,city10 ! ,rome ( ! ,cs>s1 held x d[n to h] level till h] rott$ h&s c\ld cl+ no long]1 yet treat$ x f fir/ to la/ ) scorn4 ,horace1 :o nev] all[$ 8 wit to lead him into dang] ( (f5d+ any except ^? )\t influ5ce on 8 patron ,mc5as1 repeat$ly uses association ) danc]s z a synonym ( disreputability4 ,cic]o takes a fl+ at ! art2 ,sallu/ attacks a lady = danc+ ) a degree ( skill unbecom+ a virtu\s woman4 ,) ! logic ( a fa!r :o lock$ up 8 *ildr5 s t !y %\ld n tea* bad mann]s to _! p>5ts1 successive emp]ors bani%$ danc]s = do+ _! "w accord+ to ! ta/e ( _! patrons4 ,rome's inability to move h] imag9ation on a high plane _h decay$ h]1 muscle1 bra9 & bone2 weal? slipp$ away1 & all ( h] t 0 respect$ 0 h] remote pa/4 ,9 ! meantime %e _h impos$ ^u ,europe h] laws & prejudices4 ,e>s tra9$ to cr$ul\s att5tion 7 ^? t he>d h] compla9t ( ! depravity ( danc+--a compla9t giv5 col\r by ! obsc5ity ( ! only secul> danc+ kn[n to ,europeans 7outside ( ,spa97 9 ! "t ( ! empire's decad5ce4 ,) su* a comb9$ =ce ( misrepres5tation aga9/ x1 its re/oration to a prop] position among ! great arts 0 de/9$ to be po/pon$ a ?\s& ye>s4 ,to ?is day !re p]si/s to its injury an e*o ( its e>ly defamation4 ,yet 9 ! h\r ( humiliation1 ! dance ga9$ ! respect ( ! only e>?ly p[] t might reasonably hope1 9 su* an extremity1 to save x f a mis]able end4 ,x 0 tak5 "u ! protection ( ! ,*ri/ian ,*ur*4 ,,*apt] ,,iii ,,! ,,middle ,,ages ,,& ,,! ,,r5aissance ,*ri/ianity1 l ! religions ( ! ,hebrews ( old & ! ,greeks1 employ$ danc+ z an important "p ( ! ritual ( wor%ip4 ,dur+ ! great] "p ( a ?\s& ye>s1 ! relation 0 n viol5tly di/urb$2 ! ballet d'action s]v$ 9 ! mass be=e ! alt>1 & 9 ! 8moralities0 t long held fav\r z an ag5cy ( spiritual in/ruction4 ,a cl]ical x 0 :o ev5tually compos$ & /ag$ ! great pantomime :i* ! _m au?orities place z ! fir/ mod]n ballet4 ,european society1 sl[ly em]g+ f ! mire ( ,roman mann]s1 at l5g? f\nd itself hungry = beauty1 & capable ( intellig5t use ( pe>ls4 ,! ballet masque 0 evolv$1 & long rema9$ ! supremely brilliant feature ( noble fe/ivities4 ,polite society1 head$ by a k+1 0 ! f\nd] ( ! ballet z x is n[ kn[n4 ,b ?is 0 9 mod]n times4 ,! in/itution t _h cons]v$ *oreography ?r\gh ! bruti%ness ( ! ,d>k ,ages 0 ! ,*ur*4 ,to "o ,fa!r ,m5e/ri] is ow$ a compilation ( data ab\t danc+1 especially 9 relation to religion4 ,! good fa!r 0 a ,jesuit liv+ 9 ! sev5te5? c5tury1 8 book hav+ be5 writt5 ab\t #afhb4 ,:ile 8 own comm5ts are n always contributory to exact k ( *oreographic detail1 ! facts he collect$ f a great v>iety ( s\rces are important & int]e/+4 ,9 ! foll[+ passage he def9itely atta*es danc+ to ! ritual3 8,div9e s]vice 0 compos$ ( psalms1 hymns & canticles1 because m5 sang & danc$ ! praises ( ,god1 z !y read ,8 oracles 9 ^? extracts ( ! ,old & ,new ,te/am5ts :i* we /ill "k "u ! "n ( ,lessons4 ,! place 9 :i* ^! acts ( wor%ip 7 (f]$ to ,god 0 call$ ! *oir1 j z ^? portions ( com$ies & trag$ies 9 :i* danc+ & s++ comb9$ to make up ! int]ludes 7 call$ *oruses4 ,prelates 7 call$ 9 ! ,lat9 tongue1 ,prsules a ,prsili5do1 because 9 ! *oir !y took t "p 9 ! praises ( ,god :i* he :o l$ ! dances1 & 0 call$ by ! ,greeks ,*oregus1 took 9 ! public games40 ,! ^w 8prsul0 0 ! designation ( ! *ief prie/ ( ! ,salii1 ( e>ly ,rome4 ,quot+ f ,/4 ,basil's ,epi/le to ,/4 ,gregory1 ,m5e/ri] writes fur!r3 8,:at c\ld be m bless$ ?an to imitate on e>? ! rhy?m ( angels80 78,quid itaque beatius esse pot]it quam 9 t]ra tripudia ,angelorum imit>i807 ,to ?is he adds3 8,philosoph]s h also exi/$ :o believ$ t ^! spirits _h no o!r means ( communication among !mselves b signs & movem5ts arrang$ aft] ! mann] ( dances4 ,aft] ?is we ne$ n be surpris$ t ,virgil1 9 ! six? book ( ! neid1 makes ! spirits dance 9 ! ,elysian fields40 ,! ,emp]or ,julian 0 reprov$ by ,/4 ,gregory ( ,nazianzus1 n = danc+1 b = ! k9d ( dances ) :i* he occupi$ himself4 8,if y are fond ( danc+10 said ! sa9t1 8if y\r incl9ation leads y to ^! fe/ivals t y appe> to love s passionately1 dance z mu* z y w2 ,i cons5t4 ,b :y revive be=e our eyes ! dissolute dances ( ! b>b>\s ,h]odias & ! ,pagans8 ,r p]=m ! dances ( ,k+ ,david be=e ! ,ark2 dance to ! hon\r ( ,god4 ,su* ex]cises ( peace & piety are wor?y ( an emp]or & a ,*ri/ian40 ,no m ne$ be quot$ to expla9 ! adoption ( danc+ by ! ,*ur*1 & ! reg>d 9 :i* x 0 held by ! rev]5d fa!rs4 ,by "s ( !m1 t is4 ,o!rs held x 9 diff]5t e/imation4 ,odon1 ,bi%op ( ,p>is1 proscrib$ danc+ 9 ! twelf? c5tury4 ,not)/&+1 ! fifte5? & sixte5? see 9 ,spa9 ! s-call$ ,villancicos de ,navidad 7a *oreographic celebration ( ! bir? ( ,*ri/7 & ! dances ( ! ,seises1 !n z n[ p]=m$ 9 ! ,ca!dral ( ,seville4 ,! latt] 7 au?oris$ 9 #adci by a ,bull ( ,pope ,eug5ius ,,iv4 ,_! discont9uance 0 ord]$ by ,don ,jayme de ,palafox1 ,ar*bi%op ( ,seville4 ,to settle ! matt] ! ,seises 7 tak5 to ,rome & _! dances %[n to ! ,pope1 :o z a consequ5ce approv$ _! cont9uance4 ,france1 too1 decl9$ to take ! proscription s]i\sly1 z almo/ numb]less docum5ts & images atte/4 ,9 #aehd ! ,canon ( ,langres1 by "n ,jehan ,tab\rot1 o!rwise ,?o9et ,arbeau1 wrote 79 8 sev5tie? ye>7 8 "w call$ ,or*esographie4 ,he ref]s *e]fully to opposition3 8,we practice su* m]rymak+ on days ( w$d+ celebrations1 & ( ! solemnities ( ! fea/s ( our ,*ur*1 ev5 ?\gh ! re=m]s abhor su* ?+s2 b 9 ?is matt] !y des]ve to be treat$ l "s h9d-qu>t] ( goat put into d\gh )\t l>d40 78,mais ils mrit]oi5t d'y tre traictez de quelque gigot de b\c mis en pa/e sans l>d407 ,n an infelicit\s metaphor1 aft] inquiry reveals t d\gh )\t l>d bakes to ! h>dness ( concrete1 s t ! aid ( a hamm] is necess>y to crack ! %ell4 ,:at m satisfy+ disposal ( diss5t]s f "o's own op9ions8 ,pro(s ( ! dance's t5aci\s incl9ation to embody itself 9 ! wor%ip ( ! vital new religion are _m4 ,records ( ef=ts to e/abli% x are m+l$ ) ^? ( c\nt]-ef=ts to expel x2 on ! "o side a belief t wor%ip is an emotional expression1 on ! o!r a lean+ t[>d logic4 ,:e!r religi\s uplift is a matt] ( emotion or ( reason is a "q p]haps n :olly settl$ yet4 ,c]ta9ly ! m$ival writ]s record$ little to reflect a _s ( compromise--no concession t ritual or logic might advantage\sly be *os5 ) "s ref]5ce to ! psy*ology ( ! individual4 ,at ! sugge/ion ( ! ,c\ncil ( ,tol$o1 a ritual ri* 9 sacr$ *oreography 0 compos$ by ,sa9t ,isidore1 ar*bi%op ( ,seville 9 ! sev5? c5tury4 ,ano!r c5tury produc$ two occurr5ces ( *oreographic importance at ab\t ! same mom5t3 f ,pope ,za*>ias1 a prohibition ( danc+2 f ! ,moori% invasion1 pres]vation ( ! sev5 *ur*es ( ,tol$o4 ,( ! two influ5ces1 ! latt] 0 deem$ p>am\nt4 ,9 ! sev5 *ur*es a mass kn[n z ! ,moz>abe 0 e/abli%$1 cont9u$ 9 all ( !m ?r\gh ! g5]ations ( ,moori% occupancy ( ! city1 & is /ill celebrat$ daily 9 ! ca!dral4 ,9 ! o!r six *ur*es x 0 discont9u$ t[>d ! middle ( ! n9ete5? c5tury4 ,) accompanim5t ( ! tamb\r9e1 ^: resonance ,sa9t ,isidore *>act]is$ z 8! half ( melody10 ! s]vice includ$ solemn danc+ ( ! /yle ( ! ,s>ab& & ! ,pavane4 ,:e!r or n ! *oreographic features are /ill reta9$1 ! au?ors are unable to say4 ,writ+ 9 #agca a ,disc\rse on ,com$y1 ,fa!r ,pi]re le ,brun contributes ! in=mation3 8 444 t :ile ! prea*]s 7 say+ _! mass1 buffoons1 hi/rions1 play]s ( in/rum5ts & diff]5t o!r f>ceurs 7 made to come2 ?is disord] is sev]ely =bidd51 z well z dances & ! pres5tation ( spectacles 9 ! *ur*es & cemet]ies4 ,! same prohibition is f\nd 9 ! synodic /atutes ( ! diocese ( ,soissons1 pr9t$ 9 t city 9 #aefa4 ,dances 7 sometimes p]=m$ be=e ! *ur*1 & !re 0 n less objection made aga9/ ! practice at t "t4444 ,mean:ile x is disgracefully tol]at$ 9 "s ( ! c\ntry p>i%es40 ,^! 8spectacles0 7 ! vehicle t c>ri$ ! mimetic ballet ?r\gh ! ,d>k ,ages f ,rome's lic5ti\s !atre & banquet hall to ! /ately salon ( ! ,m$ici4 ,"u ! "n ( 8moralities0 !y survive to ?is day 9 conv5ts1 ?\gh clipp$ z to _! *oreographic w+s4 ,ev]yman1 play$ a few ye>s ago by ,b5 ,greet & 8 company1 0 a re-creation ( "s ( ! elem5ts ( ! e>ly morality1 plus spee* & m9us danc+4 ,love1 aspiration1 rev]5ce1 envy1 fe>1 remorse & v>i\s o!r elem5tal ab/ractions t inhabit ! human s\l 7 ! s\rce ( mo/ ( ! morality's *>act]s2 ! dramatic action consi/$--usually if n always--9 a simple treatm5t ( ! influ5ces wr\ght by ! v>i$ =ces on ! de/9y ( a man4 ,! man1 no m & no less ?an ! ab/ract qualities1 0 repres5t$ by an actor4 ,occurr5ces ( man's life1 bo? e>?ly & subsequ5t1 7 equally available z dramatic mat]ial4 ,apo/les1 angels & ev5 ,god 7 ( frequ5t repres5tation4 ,a />t 0 made 9 a direction de/9$ to lead to ! developm5t ( sc5]y4 ,:]eas ! ,greek drama e/abli%$ ! sett+ by means ( spok5 words 7& ! ,roman app>5tly made no exception to ! same practice71 ! e>ly morality specifi$ ! sett+ by means ( words or crude symbols m>k$ on objects1 ! back wall1 & o!r available surfaces3 8=e/10 8front ( h\se10 8,heav510 8/reet10 or :atev] 0 necess>y4 ,elaboration by degrees br\ght ^! primitive sugge/ions up to ! po9t ( real sc5]y1 ) practical me*anical devices = s5sational entrances4 ,"o mu/ inf] t ! semicon/ant opposition ( ! ,*ur* to ^! repres5tations 0 necessitat$ by occasional =getfulness ( _! sacr$ "*4 ,! pagan gods p]si/5tly l+]$ among ! dramatis p]son1 undismay$ by ! fact t !y 7 dead1 & un%am$ by ! treatm5t _! foll[]s _h accord$ ,*ri/ianity4 ,p]=m]s no less ?an au?ors 7 sometimes guilty ( ribaldry rang+ f ! frivol\s to ! impi\s4 8,a canon play+ entirely nude ! rle ( ,*ri/1 & a cl]k repres5t+ ,sa9t ,francis 9 a sc5e ( s$uction1 undress$ 9 ! same mann]1 7 n at all spectacles ( :i* ! orig9ators ( ! g5re _h dream$40 ,yet ! good cle>ly outweigh$ ! bad4 ,& al?\gh repeat$ly prohibit$1 no m5tion is f\nd ( danc+ be+ sev]ely p5alis$4 ,n[ at ! alt> & aga9 at ! fea/ x s]ves1 9 :atev] capacity is requir$ ( x1 until at l5g? x comes into prom95t connection ) ! /roll+ ballet4 ,= ! morality play--or my/]y1 z x is o!rwise kn[n--becomes an elaborate affair1 ) ca/s & me*anical & sc5ic effects1 on su* a scale t x mu/ collect m copp]s ?an "o t[n af=ds1 9 ord] to recov] ! initial exp5se ( ! production4 ,on a scale suffici5t to make an impression on its times 0 ! spectacle design$ to celebrate ! canonisation ( ,c>lo ,borromo1 at ,lisbon 9 #afaj4 ,9 ! words ( ,vuilli]3 8,a %ip1 be>+ a /atue ( ,/4 ,c>lo1 advanc$ t[>d ,lisbon1 z ?\gh to take possession ( ! soil ( ,portugal1 & all ! %ips 9 ! h>b\r w5t out to meet x4 ,/4 ,an?ony ( ,padua & ,/4 ,v9c5t1 patrons ( ! t[n1 receiv$ ! newcom]1 amid salvoes ( artill]y f =ts & vessels4 ,on 8 disemb>kation1 ,/4 ,c>lo ,borromo 0 receiv$ by ! cl]gy & c>ri$ 9 a procession 9 :i* figur$ f\r enorm\s *>iots4 ,! fir/ repres5t$ ,fame1 ! second ! city ( ,milan1 ! ?ird ,portugal1 & ! f\r? ! ,*ur*4 ,ea* religi\s body & ea* bro!rhood 9 ! procession c>ri$ its patron sa9t ^u a ri*ly decorat$ litt]4 8,! /atue ( ,/4 ,c>lo ,borromo 0 enri*$ ) jewels ( enorm\s value1 & ea* sa9t 0 decorat$ ) ri* ornam5ts4 ,x is e/imat$ t ! value ( ! jewelry t b$eck$ ^! images 0 n less ?an f\r millions ( francs 7#afj1jjj74 8,betwe5 ea* *>iot1 b&s ( danc]s enact$ v>i\s sc5es4 ,9 ,portugal1 at t p]iod1 processions & religi\s c]emonies w\ld h be5 incomplete if !y _h n be5 accompani$ by danc+ 9 tok5 ( joy4 8,9 ord] to add brilliancy to ^! celebrations1 tall gild$ ma/s1 decorat$ ) cr[ns & _m-col\r$ bann]s1 7 erect$ at ! doors ( ! *ur*es & along ! r\te ( ! *oreographic procession4 ,^! ma/s also s]v$ to %[ ! po9ts at :i* ! procession %\ld halt1 = ! danc]s to p]=m ! pr9cipal sc5es ( _! ballet40 ,illu/ration3 ,,dance ,,( ,,peasants4 ,aft] a sixte5?-c5tury engrav+4 ,a c5tury & a half be=e ?is--9 #adfb--,k+ ,r5 ( ,prov5ce _h organis$ an ent]ta9m5t1 at once religi\s & social1 giv5 on ! eve ( ,corpus ,*ri/i4 ,! ^w 8entremet0 0 appli$ to ! allegorical sc5es1 d5ot+ 8int]lude10 l ! ,italian 8int]mezzo40 ,o!r compon5ts ( ! repres5tation 7 combats & dances4 ,! affair z a :ole 0 a mixture ( ! sacr$ & pr(ane to :i* any idea ( unity 0 completely ali53 ,fame on a w+$ horse2 burlesque repres5tations ( ! ,duke & ,du*ess ( ,urb9o1 rid+ donkeys 7:y repres5t$1 no "o kn[s--b dur+ ?ree c5turies ! two 7 trave/i$ 9 ,corpus ,*ri/i processions72 ,m>s & ,m9]va1 ,pan & ,syr9x1 ,pluto & ,pros]p9e1 fauns1 dryads & tritons danc+ to drums1 fifes & ca/anets2 ,jupit]1 ,juno1 ,v5us & ,love foll[+ 9 a *>iot4 ,! ?ree ,fates1 ,k+ ,h]od p]secut$ by devils1 m devils pursu+ a s\l1 x 9 turn protect$ by a gu>dian angel2 ,jews danc+ ar\nd a gold5 calf2 ! ,que5 ( ,%eba & suite2 ,magi foll[+ a /> hung at ! end ( a pole2 ! ,massacre ( ! ,innoc5ts2 ,*ri/ & ! ,apo/les--all 7 scatt]$ ?r\gh & among ! gr\ps ( leg5d>y be+s ( ,greece4 ,m danc]s1 a deta*m5t ( soldi]s1 & ,dea? ) a scy! foll[+ aft] all o!rs1 approximately complet$ ! fanta/ic catalogue4 ,! ent]ta9m5t z a :ole 0 call$ by ! k+ ! ,l\ ,gu4 ,a numb] ( ! ,fr5* popul> dance airs t la/$ = c5turies are said to date back to x4 ,tradition cr$its ! k+ ) ! composition ( ! "w 9 all its bran*es--conception1 ballets1 music & all4 ,! *ildi% lack ( !me1 or s*eme1 b>s ! ,l\ ,gu & ! ent]ta9m5ts t foll[$ f any comp>ison ) a ballet spectacle ( lat] times1 or ( antiquity4 ,b x bridg$ a gap to bett] ?+s1 kept ! ballet 9 exi/5ce1 & _h ! m]it ( be+ amus+4 ,9 ecc5tricity x may well be c\pl$ ) ! celebration ( ! w$d+ ( ,*>les ! ,bold & ,m>g>et ( ,engl&2 8fabul\s spectacles impr9t$ ) a savage gallantry10 z ,m4 ,brussel puts x4 ,! procession ( ! latt] affair includ$ a leop>d rid+ a unicorn1 a dw>f on a gigantic lion1 & a drom$>y be>+ panni]s ( birds1 8/rangely pa9t$ z ?\gh !y came f ,india10 t 7 releas$ among ! company4 ,! fte organis$ by ,b]gonzio de ,botta 9 #adhi1 %[$ a /ep 9 ! direction ( ! ballet's de/9$ progress4 ,! occasion 0 ! m>riage ( ,galeazzo1 ,duke ( ,milan1 ) ,isabel ( ,aragon4 ,?is fte employ$ ! dance1 music1 poetry & pantomime 9 ! adornm5t ( a banquet2 & ! :ole ent]ta9m5t 0 unifi$ ) +5i\s consi/5cy4 ,! description ( x giv5 by ,ca/il-,blaze _c be improv$ ^u3 8,! ,amphitryon *ose = 8 !atre a magnific5t hall surr\nd$ by a gall]y1 9 :i* sev]al b&s ( music _h be5 /ation$2 an empty table occupi$ ! middle4 ,at ! mom5t :5 ! ,duke & ,du*ess appe>$1 ,jason & ! ,argonauts advanc$ pr\dly to ! s\nd ( m>tial music4 ,!y bore ! ,gold5 ,fleece2 ?is 0 ! tableclo?1 ) :i* !y cov]$ ! table1 aft] hav+ execut$ a /ately dance1 expressive ( _! admiration ( s beautiful a pr9cess1 & ( a sov]eign s wor?y to possess h]4 ,next came ,m]cury1 :o relat$ h[ he _h be5 clev] en\gh to trick ,apollo1 %eph]d ( ,admetus1 & rob him ( a fat calf1 :i* he v5tur$ to pres5t to ! newly m>ri$ pair1 aft] hav+ _h x nobly truss$ & prep>$ by ! be/ cook on ,olympus4 ,:ile he 0 plac+ x ^u ! table1 ?ree quadrilles t foll[$ him danc$ r\nd ! fatt$ calf1 z ! ,hebrews _h =m]ly cap]$ r\nd t ( gold4 8,diana & h] nymphs foll[$ ,m]cury4 ,x is unnecess>y to say t a fanf>e ( hunt+-horns h]ald$ ! entrance ( ,diana1 & accompani$ ! dance ( ! nymphs4 8,! music *ang$ its "*2 lutes & flutes ann\nc$ ! approa* ( ,orpheus4 ,i w\ld recall to ! memory ( ^? :o might h =gott5 x1 t at t p]iod !y *ang$ _! in/rum5ts accord+ to ! v>y+ expression ( ! music play$4 ,ea* s+]1 ea* danc]1 _h 8 especial or*e/ra1 :i* 0 arrang$ = him accord+ to ! s5tim5ts int5d$ to be express$ by 8 song or 8 dance4 ,x 0 an excell5t plan1 & s]v$ to v>y ! symphonies2 x ann\nc$ ! return ( a "* :o _h already appe>$1 & produc$ a v>i$ succession ( trumpets1 ( viol9s ) _! %>p notes1 ( ! arpeggios ( lutes1 & ( ! s(t melodies ( flutes & re$ pipes4 ,! or*e/rations ( ,montev]de prove t ! compos]s at t "t v>i$ _! in/rum5tation ?us1 & ?is p>ticul> artifice 0 n "o ( ! lea/ causes ( ! prodigi\s success ( op]a 9 ! fir/ ye>s ( its creation4 8,b to return to ! s+] ( ,?race1 :om ,i left /&+ some:at too long at ! door4 ,he appe>$ *ant+ ! praises ( ! ,du*ess1 & accompany+ himself on a lyre4 8#8,i wept1' he w5t on1 #8long did ,i weep on ! ,ap5n9e m\nt ! dea? ( ! g5tle ,eurydice4 ,i h he>d ( ! union ( two lov]s wor?y to live "o = ! o!r1 & = ! fir/ "t s9ce my mis=tune ,i h exp]i5c$ a feel+ ( pleasure4 ,my songs *ang$ ) ! feel+s ( my he>t4 ,a cr[d ( birds flutt]$ d[n to li/5 to me2 ,i seiz$ ^! imprud5t li/5]s1 & ,i spitt$ !m all to roa/ !m = ! mo/ beautiful pr9cess on e>?1 s9ce ,eurydice is no m4' 8,a s\nd ( brass in/rum5ts int]rupt$ ! bird-sn>+ virtuoso2 ,atalanta & ,!seus1 escort$ by a brilliant & agile troop1 repres5t$ a bo> hunt by means ( lively dances4 ,x end$ 9 ! dea? ( ! bo> ( ,calydon1 :i* !y (f]$ to ! "y ,duke1 execut+ a triumphal ballet4 ,iris1 9 a *>iot drawn by peacocks1 foll[$ by nymphs clad 9 light transp>5t gauze1 appe>$ on "o side1 & laid on ! table di%es ( h] own sup]b & delicate birds4 ,hebe1 be>+ nect>1 appe>$ on ! o!r side1 accompani$ by %eph]ds f ,arcady1 & by ,v]tumnus & ,pomona1 :o pres5t$ ic$ creams & *eeses1 pea*es1 apples1 oranges & grapes4 ,at ! same mom5t ! %ade ( ! ga/ronom] ,apicius rose f ! e>?4 ,! illu/ri\s pr(essor came to inspect ?is spl5did banquet1 & to communicate 8 discov]ies to ! gue/s4 8,?is spectacle disappe>$ to give place to a great ballet ( ,tritons & ,riv]s lad5 ) ! mo/ delici\s fi%4 ,cr[n$ ) p>sley & wat]cress1 ^! aquatic deities despoil$ !mselves ( _! headdresses to make a b$ = ! turbot1 ! tr\t1 & ! p]* t !y plac$ ^u ! table4 8,i "k n :e!r ! epicures invit$ by ! ho/ 7 mu* amus$ by ^! +5i\s c]emonies1 & :e!r _! tantalis$ /oma*s did n cry out aga9/ all ! pleasures (f]$ to _! eyes & e>s2 hi/ory does n ent] into ^! details4 ,moreov]1 ,b]gonzio de ,botta und]/ood too well h[ to organise a fea/ n to h put "s balla/ into 8 gue/s 9 ! %ape ( a copi\s lun*eon1 :i* might s]ve z a preface1 or argum5t1 an introduction if y w1 to ! d9n] prep>$ by ! gods1 demigods1 ,nymphs1 ,tritons1 ,fauns & ,dryads4 8,?is memorable repa/ 0 foll[$ by a s+ul> spectacle4 ,x 0 inaugurat$ by ,orpheus1 :o conduct$ ,hym5 & ,cupids4 ,! ,graces pres5t$ ,conjugal ,fidelity1 :o (f]$ h]self to wait ^u ! pr9cess4 ,semiramus1 ,hel51 ,phdra1 ,m$ea & ,cleopatra int]rupt$ ! solo ( ,conjugal ,fidelity by s++ ( _! own lapses1 & ! delights ( infidelity4 ,fidelity1 indignant at su* audacity1 ord]$ ^! crim9al que5s to retire4 ,! ,cupids attack$ !m1 pursu+ !m ) _! tor*es1 & sett+ fire to ! long veils t cov]$ _! heads4 ,some?+1 cle>ly1 0 necess>y to c\nt]balance ?is sc5e4 ,lucretia1 ,p5elope1 ,?omyris1 ,judi?1 ,portia & ,sulpicia advanc$1 & laid at ! feet ( ! du*ess ! palms ( virtue !y _h won dur+ _! lives4 ,z ! graceful & mode/ dance ( ! matrons might h seem$ a some:at cold t]m9ation to s brilliant a fte1 ! au?or _h rec\rse to ,bac*us1 ,sil5us & to ! ,satyrs1 & _! follies animat$ ! end ( ! ballet40 ,illu/ration3 ,,ballet ,,( ,,! ,,f\r ,,p>ts ,,( ,,! ,,_w3 ,,entrance ,,( ,,! ,,gr& ,,khan4 ,aft] an old draw+1 ,biblio?que ,nationale1 ,p>is4 ,! ent]ta9m5t made a s5sation4 ,x 0 at ! "t ( ! ,r5aissance2 ! ,occid5tal m9d 0 awak5+ aft] a ?\s& ye>s ( sleep1 & crav$ employm5t4 ,ta/e 0 be+ reborn1 along ) m5tality4 ,! pleasures ( contact betwe5 m9ds 0 be+ r$iscov]$2 ! in/itution ( ,polite ,society 0 rapidly f9d+ itself4 ,to attempt to repeat ! ,b]gonzio de ,botta ent]ta9m5t w\ld h be5 to invite comp>isons2 to surpass x 9 any po9t b magnitude w\ld h be5 excessively difficult4 ,its influ5ce on ent]ta9m5ts t foll[$ direct$ itself t[>d ! developm5t ( ! masque1 a =m ( musical pantomime t rema9$1 ?r\gh c5turies1 an indisp5sable adjunct ( fe/al ga!r+s 9 ! c\rts ( ! ,cont95t & ,engl&4 ,! *>act]s 9 ! ,de ,botta production1 x w be not$1 71 ) two or ?ree exceptions1 f ,greek my?ology4 ,?is 0 ! culm9ation ( a fa%ion t _h be5 gr[+1 & is fairly repres5tative ( ! revival ( le>n+ !n 9 progress4 ,x 0 n until a few ye>s ago t famili>ity ) classic tradition ceas$ to be consid]$ a "p ( ! education ( a lady or g5tleman4 ,!re is no reason to believe t ! lack ( su* erudition makes "o ! less a lady or a g5tleman2 b its discont9uance is un=tunate = ! pantomime ballet4 ,9 ,greek my?ology1 bo? natural manife/ations & m5tal attributes 7 p]sonifi$4 ,n ) ! complet5ess ( a catalogue1 b en\gh to express a great _m po9ts by ! m]e pres5ce ( c]ta9 *>act]s4 ,v5us1 ,m9]va1 ,diana2 ,dionysius1 ,orpheus1 ,apollo1 ,m]cury--all 7 accept$ symbols ( c]ta9 human qualities4 ,9 relegat+ _! acqua9tance to ! depository ( ca/-(f m5tal furniture1 p h fail$ to create new symbols to take ! place ( ! old4 ,h>lequ9 & ,columb9e we h1 & a few o!rs4 ,b h[ _m are ! figures ^: m]e entrance1 )\t ! int]ruption ( dramatic action1 c\ld be dep5d$ ^u to introduce def9ite & recognisable ideas8 ,pantomime has to be expla9$ on ! programme n[adays2 & z nobody gets to 8 seat until aft] ! auditorium lights are d[n1 ! programme is unread & p compla9 t ! *>act]s lack mean+4 ,broadly1 ,mod]nism has devis$ = itself an education t tea*es x to e>n ea* day ! co/ ( a ?\s& pleasures1 b by :i* x is robb$ ( ! p[] to enjoy any "o ( !m4 ,scatt]$ ?r\gh m$ival *oreographic hi/ory are allusions to an employm5t ( *ivalry z subject-matt] ( pantomime4 ,b ! idea nev] seems to h tak5 root1 z is natural en\gh1 consid]+ ! relation betwe5 danc+ & arm\r--& arm\r 0 worn by ! un=tunate danc]s *os5 to repres5t knights4 ,! dance ( *ivalry 0 n an influ5ce1 & is m5tion$ only z a *oreographic curiosity4 ,b]gonzio de ,botta's great ent]ta9m5t1 z has be5 %[n1 l$ squ>ely up to ! masque1 "o ( ! ballet's imm$iate =]unn]s4 ,meantime ! ,*ur*'s contribution to ! art 0 no long] a matt] ( moralities = ! edification ( m$ival ru/ics2 high dignit>ies1 proce$+ p>tly "u ecclesia/ical inspiration & p>tly "u tol]ance1 7 evolv+ a *oro-dramatic =m t took no second place to ! masque 9 prep>+ ! way = ! art t 0 to come4 ,sixte5?-c5tury ,rome & ,flor5ce saw 8sacr$ repres5tations0 9 :i* 7 utilis$ ! ,salt>ello see *apt] on ,italian dances1 ! ,pavane1 ! ,siciliana1 la ,gigue1 ! ,gaill>de & la ,moresca4 ,! la/ 0 accompani$ by heel-tapp+s1 l _m ( ! dances ( ,spa9 to-day4 ,its music survives 9 ,montev]de's op]a ,orfeo1 writt5 at ! beg9n+ ( ! sev5te5? c5tury2 9 o!r words1 music 0 beg9n+ to be wor? :ile4 ,m important ?an any o!r s+le acquisition1 to say ! lea/1 0 ! alliance ( "s ( ! mon>*s ( =m & col\r to :om half ! glory ( ! ,r5aissance is due4 ,( ,ario/o's ,suppositi1 pres5t$ 9 ! ,vatican 9 #aeah1 ! decorations 7 by ,raphael4 ,&rea del ,s>to1 ,brunelles*i & ,cecca enri*$ ) _! sacr$ figures ! mimo-dramas play$ 9 ,flor5ce4 ,9 ,milan1 ,leon>do da ,v9ci l5t to ! reality & beauty ( ! religi\s ballet ! palette f :i* 0 pa9t$ ! 8,mona ,lisa40 ,fur!rmore1 x is n to be suppos$ t ^! & o!r ma/]s ( l9e1 col\r & ! drama ( light 7 n call$ to ! aid ( ballet gr\p+ & movem5t4 ,! p]iod leaves no record ( a great ballet compos] or director4 ,x does leave reason to believe1 nev]!less1 t 9 gr\p+ & evolution1 z well z decoration1 music & accessories1 ^! sacr$ repres5tations lack$ no?+ to entitle !m to a respectable place 9 ! annals ( op]a ballet4 ,/eps 7 /ill primitive1 b suffici5t unto _! day4 ,au?orities disagree z to :i* "o ( sev]al p]=mances is entitl$ to ! recognition due ! fir/ pres5tation ( mod]n ballet4 ,z a matt] ( accuracy1 any decision %\ld be made only aft] consid]+ exactly :i* ( sev]al species ( mod]n ballet is meant4 ,= ! organisation ( ! fir/ ballet spectacle con=m+ to ! multiple /&>ds ( mod]n excell5ce1 ! hon\r seems to be des]v$ by ,ca!r9e de ,m$ici4 ,true to h] family traditions1 %e took x z an expression ( beauty = its own sake1 & develop$ x 9 accordance ) ,fr5* g5ius = ord] & =m1 z is describ$ 9 lat] pages4 ,b ! fir/ production ( op]a ballet1 9 ! s5se ( a div]tissem5t or int]mezzo compos$ to int]pret s5tim5ts ( dramatic action t x prec$es or foll[s1 ! cons5sus ( au?ority attributes to a "w ( ,c>d9al ,ri>io1 a nephew ( ,pope ,sixtus ,,iv4 ,he compos$ & /ag$ 9 ,ca/el ,san ,angelo a numb] ( productions 9 :i* ! ballet 0 important1 dur+ ! latt] "p ( ! fifte5? c5tury4 ,besides ,pope ,sixtus ,,iv1 ,alex&] ,,vi & ,leo ,x 7 /rongly 9 sympa?y ) ! movem5t to exalt *oreography to its anci5t & prop] e/ate4 ,! educat$ ari/ocracy ( v>i\s ,italian cities gave x support & protection4 ,important among ^! *ampions 0 ,lor5zo de ,m$ici1 ) 8 r>e comb9ation ( means & s*ol>ly und]/&+ ( ! arts4 ,savon>ola acidly *>g$ him ) s(t5+ ! p by means ( pagan spectacles1 :ile ,lor5zo w5t on adapt+ & compos+4 ,! ,jewi% elem5t ( ,italian society contribut$ its "p to ! new art's developm5t4 ,at ,mantua1 :]e ! ,jews =m$ a num]\s colony1 !y built a !atre on ! models ( antiquity4 ,productions 7 direct$ by ,b]n>d ,tasso1 fa!r ( ! au?or ( ,j]usalem ,deliv]$4 ,torquato himself w5t 9 #aegc to produce ,la ,pa/orale1 :i* 0 a feature ( a celebration giv5 on ! ,isl& ( ! ,belvid]e1 ne> ,f]r>a4 ,! ballet ent]ta9m5t 0 fa%ionable2 no great ev5t 0 complete )\t x z a supplem5t4 ,! visit ( ! ,duke ( ,anj\ 7! future ,h5ry ,,iii7 to ,crac[ 0 ! occasion ( a fte ^: hi/oric importance 0 ! discov]y ( a g5ius 9 ballet arrangem5t1 ,balt>az9i1 o!rwise kn[n z ,beaujoyeulx4 ,ca!r9e de ,m$ici s5t = him to take *>ge ( ! *oreographic ent]ta9m5ts ( ! ,fr5* c\rt1 ! ,m>%al de ,brissac act+ z int]m$i>y4 8,balt>az9i dit ,beaujoyeulx0 _h 8 fir/ great opportunity 9 #aeha1 on ! occasion ( ! m>riage ( ! ,duc de ,joyeuse4 ,le ,ballet ,comique de la ,re9e 0 ! designation ( ! (f]+2 x 0 an addition to ! n[ gr[+ li/ ( trem5d\s successes4 ,full details are record$ 9 ! j\rnal ( "o ,l',e/oile1 & 9 ,l',art de la ,danse by ,jean ,eti5ne ,despraux4 ,to repeat !m 9 full is nei!r necess>y nor possible3 ! amiable ,l',e/oile 9 p>ticul> exp]i5ces all ! delight ( a simple s\l surr\nd$ by sev]al days' proce$+s ( :i* n a s+le detail is any?+ less ?an amaz+4 ,! lords & ladies appe>$ 9 a fre% co/ume e day1 a new practice ( ^: extravagance ,l',e/oile writes ) a mixture ( awe & disapproval4 ,illu/ration3 ,a ,,f\rte5?-,,c5tury ,,ball4 ,aft] detail ( an illum9at$ ,,ms4 9 ! ,biblio?que ,nationale4 ,! /ory ( ,le ,ballet ,comique 0 ! mixture ( ,old ,te/am5t /ory & my?ology already famili>4 ,f\nta9s1 artificial fire & aquatic ma*9es l5t _! sev]al notes ( ri*ness & v>iety4 ,important f ! po9t ( view ( ! amateur ( ! ballet is a comm5t on ! geometrical precision t gov]n$ ! ballet's gr\p+s & corps movem5ts3 8d'une rectitude qu' ,ar*imde n'eut pas desav\40 ,! true & mod]n note ( =m 9 gr\p+ _h be5 /ruck1 & ! /&>d ( exactness set t 0 to become ! backbone ( ! ballet ( lat] c5turies4 ,z ! fir/ arti/ically logical relation ( danc+ to ! s5tim5t ( ! :ole "w _h be5 effect$ 9 ! 8sacr$ repres5tations0 ( ,italy1 s ,le ,ballet ,comique de la ,re9e seems to h be5 ! fir/ "w ( ! k9d to be produc$ "u a mod]n 7:i* is to say anci5t ,greek7 und]/&+ ( ! laws ( h>mony ( l9e4 ,! p]=mance la/$ f t5 o'clock 9 ! ev5+ until f\r 9 ! morn+4 ,e/imates ( its co/ range f six hundr$ ?\s& to a million doll>s 7?ree to five million francs74 ,( t\rnam5ts1 pres5ts & numb]less o!r items ( ! sev]al days' celebration ! co/ is reckon$ ap>t f t ( produc+ ,le ,ballet ,comique4 ,ap>t f lavi%ness1 !re is int]e/ 9 ! fact t que5 & pr9cesses p>ticipat$4 ,!y repres5t$ n]eids & naiads4 ,engl&1 meantime1 0 9 n[ise ignor+ ! example ( ,cont95tal neighb\rs4 ,pantomimes %e _h "u ! names ( 8my/]ies10 8dumb-%[s0 & 8moralities0--religi\s1 & melodramatic1 & v>i\sly proportion$ mixtures ( bo?4 ,!y figure 9 ! hi/ory ( ! ,engli% drama1 z a s\rce ( plots = ! e>ly playwright4 ,?\gh ! translation ( ge/ure into ^w fill$ a want felt by a "p ( ! p1 x subtract$ no?+ f ! popul>ity ( ! masque4 ,h5ry ,,viii 0 its patron1 & occasionally took "p 9 x4 ,elizabe? c>ri$ x on4 ,francis ,bacon1 ) :om love ( /age repres5tation 0 a passion1 wrote plots--& dialogue :]e x 0 ne$$4 ,*>les ,i br\ght x to a climax ( ta/e & opul5ce4 ,inigo ,jones--( ^: high m]its z an arti/ evid5ces are extant--design$ decorations4 ,b5 ,jonson 0 accu/om$ to write ! book = important productions4 ,a notable "w ( collaboration ( ! two1 ) ! addition ( ,lawes1 ! musical compos]1 0 a masque pres5t$ at ,:itehall by ! ,inns ( ,c\rt 9 #afcc4 ,! co/ is /at$ z #ba1jjj4 ,al?\gh a ballet 0 p]haps ! pr9cipal feature ( ! production1 its compos] is n nam$ 9 ! records4 ,engl&'s failure to cr$it ! orig9al g5ius may or may n be> "s relation to h] /]ility z a contributor to ! dance4 ,) support1 bo? s5tim5tal & mat]ial1 %e has be5 lavi%--9 ! wake ( o!r nations' en?usiasms4 ,( inv5tion %e has giv5 no?+ ( consequ5ce4 ,we !re=e turn our att5tion aga9 to ,france1 :]e hi/ory 0 busy4 ,h5ry ,,iv 0 ( a happy disposition2 ! dance 9 8 reign 0 happy 9 motive1 & heal?y 9 gr[?4 ,to give "t to its practice none 0 too high 9 /ation or s]i\s 9 m9d4 ,sully1 ! philosoph]1 pr(it+ by tra9+ giv5 him by ! k+'s si/]1 play$ a "p 9 "o ( ! ftes4 ,! j\rnal ( ,l',e/oile m5tions ! production ( eighty new ballets dur+ ! tw5ty-"o ye>s ( ! reign4 ,! nature ( ,l\is ,,xiii 0 taciturn2 an influ5ce t caus$ ! ballet to oscillate betwe5 ! sombre & ! trivial4 ,! mon>* himself play$ 8,! ,illu/ration3 ,,sev5te5? ,,c5tury ,,c\rt ,,dances ,mr4 ,john ,murray ,&]son & ,miss ,m>g>et ,craw=d ,! ,tordion 7#a1 #b7--,! ,pavane 7#c1 #d1 #e7 ,to face page #dh ,demon ( ,fire0 9 ,la ,delivrance de ,r5ault1 9 #afag4 ,( ,le ,ballet de la ,m]laison t he produc$ 9 #afce1 he compos$ ! dance music4 ,a :im ( ?is reign is to ! cr$it ( ! ,duke ( ,nem\rs4 ,to contrive a *oreographic composition 8docile to 8 rheumatism10 he compos$ 9 #afcj a ,ballet ( ! ,g\ty4 ,meantime ! dance 0 becom+ frivol\s1 if n lic5ti\s4 ,to rectify its %ortcom+s ,ri*elieu appli$ himself--n to prea*+ damnations ( danc+ 9 g5]al1 b to ! creation ( an allegorical ballet ( ! sort he ?\ght suitable4 ,quatre ,mon>*ies ,*rti5nes1 play$ 9 #afce1 is a result ( 8 ef=ts2 8full ( pageantry ! mo/ opul5t & morality ! mo/ or?odox10 9 ! words ( ,rob]t ,brussel4 ,! reg5cy ( ,anne ( ,au/ria develop$ no?+ 9 p>ticul>2 a delicate "* envelop$ ! dance 9 con=mity to ! reg5t's disposition & ta/e4 ,b di/9ct progress 0 n de/9$ to take place until ! reign ( ,l\is ,,xiv1 f\nd] ( ! national ballet academy1 p]haps ! mo/ helpful patron ! dance ev] _h1 & z dev\tly en?usia/ic an amateur p]=m] z ev] liv$4 ,he play$ prom95t p>ts 9 ballet pantomimes to ! numb] ( tw5ty-six4 ,! date ( ! f\nd+ ( ! s*ool1 ,l',acadmie ,nationale de ,musique et de la ,danse1 is #affa4 ,f t "t1 ?r\gh sev]al decades1 developm5ts foll[ ) extraord9>y rapidity1 & 9 s _m diff]5t directions t x is impossible to foll[ !m consecutively4 ,great p]=m]s beg9 to appe>2 arti/s ^: "w enraptures ! public by grace ( beauty alone1 signify+ t execution _h be5 awak5$4 ,mlles4 ,prvo/ & ,sall 7 contempor>ies & rivals1 ea* ) a great & ard5t support+ faction4 ,( ! latt]'s p]sonality1 x is ( int]e/ t %e 0 a fri5d ( ,locke1 au?or ( ,human ,und]/&+4 ,h] popul>ity is gaug$ by h] pay = a s+le p]=mance 9 ,london1 namely1 some?+ ov] two hundr$ ?\s& francs4 ,! am\nt probably includes ! consid]able quantity ( gold & jewels ?r[n to ! /age dur+ ! p]=mance1 = en?usiasm appe>s to h rea*$ ! po9t ( mania4 ,?is admiration 0 won )\t v rapid movem5t1 ,sall believ+ only 9 ! maje/ic2 or any high or v broad /eps1 :i* did n exi/ 9 ! ballet 9 h] "t4 ,to h /irr$ ! public z %e did )\t ^! res\rces argues a degree ( grace & expressiv5ess less e>?ly ?an heav5ly4 ,illu/ration3 ,,l\is ,,xiv 7,,z 8,,! ,,sun07 ,,& ,a ,,c\rti] 7,,z 8,,night07 ,,9 ,,! ,,ballet ,,( ,,night4 ,yet h] reputation 0 to be eclips$ by a girl :o 0 /udy+ dur+ ! v h\rs :5 ,sall 0 ga!r+ laurels4 ,cam>go 0 h] "n4 ,%e 0 born 9 ,brussels1 daught] ( a danc+ ma/]4 ,to natural grace & heal? %e add$ an inord9ate fondness = danc+1 & eag] facility = le>n+ its te*nicalities4 ,p>5tal vacillation & educational !ories cripple _m an arti/'s c>e] at its beg9n+4 ,b ,cam>go's fa!r be+ a danc+ tea*]1 !re 0 j "o ?+ = ! *ild to d 9 ! natural c\rse ( ev5ts1 & t 0 to le>n to dance4 ,at ! age ( t51 h] art attract$ ! att5tion ( a patroness1 & %e 0 s5t to ,p>is to /udy "u ,mlle4 ,prvo/4 ,9 ! corps de ballet at ! op]a %e bolt$ into public notice by jo9+ impulse to accid5t4 ,"o ,dum\l91 on a c]ta9 occasion1 miss$ 8 musical cue = entrance to p]=m a solo4 ,mlle4 ,cam>go leap$ f h] place & execut$ ! solo to ! delight ( ! audi5ce4 ,introduc$ at c\rt1 h] triumph s affect$ ,prvo/ t %e discont9u$ h] pupil's in/ruction4 ,x 0 no long] ne$$4 ,cam>go's g5ius _h c>ri$ h] beyond ! rea* ( jeal\sy1 or ev5 ! active intrigue t h] ex-tea*] direct$ aga9/ h]4 ,h] matrimonial & o!r social v5tures 7 conduct$ ) su* an air ( c&\r1 & 7 ( su* a div]sity t !y are1 above all1 amus+4 ,%e 0 a mu*-pett$ p]sonage at c\rt1 & an e/eem$ fri5d ( ! k+4 ,9 g5]al %e 0 kn[n 8z a model ( *>ity1 mode/y & good conduct40 ,%e 0 giv5 a maid5's fun]al4 ,ca/il-,blaze writes ( h]3 8,%e add$ to di/9ction & fire ( execution a bewit*+ gaiety t 0 all h] own4 ,h] figure 0 v fav\rable to h] tal5t3 h&s1 feet1 limbs1 /ature1 all 7 p]fect4 ,b h] face1 ?\gh expressive1 0 n rem>kably beautiful4 ,&1 z 9 ! case ( ! fam\s h>lequ91 ,dom9ique1 h] gaiety 0 a gaiety ( ! /age only4 ,9 private life %e 0 sadness itself40 ,9 a te*nical s5se %e may be reg>d$ z ! fir/ mod]n4 ,h] "w compris$ all t con/itut$ ! ballet up to h] "t2 to ! res\rces t came to h] z an arti/ic h]itage %e began a process ( addition t 0 to be c>ri$ on by successors4 ,%e is cr$it$ ) ! inv5tion ( ! entre*at1 = in/ance2 & "h _m read]s w f9d !mselves confront$ by ! ne$ ( "s explanation ( ballet te*nique z a means ( intellig5t discussion ( ! danc+ ( mod]n times4 ,be=e t *apt]1 h[ev]1 x is n amiss to glance ov] ! old dances f :i* ! ballet1 up to ! f\ndation ( ! ,academy 9 #affa1 d]iv$ mo/ ( its /eps4 ,! ,gavotte1 ! ,m9uet1 ! ,pavane1 ! ,s>ab&1 ! ,tordion1 ! ,b\rre1 ! ,passecaille1 ! ,passepi$1 ! ,*aconne1 ! ,volte1 ! ,allem&e1 ! ,gaill>de1 & ! ,c\rante--^! 7 ! dances ^: measures 7 trod by c\rti]s ( ! sixte5? & sev5te5? c5turies4 ,among ^? :o h be5 mov$ to /udy ^! old dances dur+ ! pa/ few ye>s to ! end ( recon/ruct+ !m1 no "o is m =tunately equipp$ = ! task ?an ! only resid5t ( ,am]ica :o has appli$ himself s]i\sly to ! subject1 ,mr4 ,john ,murray ,&]son4 ,he is at once a danc]1 an educat$ man1 & = ye>s a devot$ /ud5t ( ! social aspect ( we/]n ,europe 9 ! sixte5? & sev5te5? c5turies4 ,a p]iod ( mon?s t he rec5tly sp5t 9 ! *oreographic libr>ies ( ,europe1 & 9 jo9t /udy ) o!rs simil>ly engag$1 has result$ 9 ! opportunity to see 9 ,am]ica a f9e & true repres5tation ( ! old c\rt /eps4 ,) ,miss ,m>g>et ,craw=d1 ,mr4 ,&]son pos$ = ! accompany+ photographs ( ! ,gavotte1 ! ,m9uet1 ! ,b\rre1 & ! ,tordion4 ,! gr\p+s 7 select$ ) view to indicat+ ! "* ( ea* dance4 ,collectively !y give a good idea ( ! s*ool ( =mality 9 :i* ! ,fr5* ballet 0 conceiv$1 & f :i* x receiv$ its det]m9+ influ5ces4 ,f ! beg9n+s ( "t1 p :o give ent]ta9m5ts h foll[$ a practice ( employ+ p]=m]s ( dances *>act]i/ic ( v>i\s peoples4 ,) appropriate co/ume1 ! danses c>act]i/iques give a synopsis1 or ess5ce1 ( ! picturesque aspect ( ! p ! danc] repres5ts4 ,sixte5?-c5tury nobility avail$ itself ( ! ent]ta9m5t value ( ^! folk-dances1 z ,a!ns did 9 its gold5 days & z ,london & ,newport d to-day4 ,9 su* mann] did ,fr5* society ga!r its mat]ial = _m ( ! dances t ev5tually became id5tifi$ ) ! ballroom4 ,! ,gavotte is ( su* orig94 ,a few g5]ations ( languid cultivation ref9$ ! life out ( x1 ?\gh x 0 at fir/ a comp>atively active dance4 ,aft] dropp+ ne>ly into disuse x 0 reviv$ & popul>is$ by ,m>ie ,anto9ette1 = ^: r5d]+ ( x ,gluck compos$ music4 ,aft] ! ,revolution1 ) its p>alys+ influ5ce1 ! ,gavotte 0 once aga9 reviv$--& revis$--by ,g>del1 premi] danseur ( ! ,op]a1 9 a composition bas$ on music by ,grtry4 ,b ?is composition 0 n ( a k9d = ! execution ( any b tra9$ danc]s ( ! /age1 ,g>del hav+ made x a meti] = ! exploitation ( 8 own capabilities4 ,among new elaborations ! simple little jump+ /eps & ! easy arabesque t di/+ui%$ ! ,gavotte ( e>li] days 7 lo/4 ,! ,tordion is ano!r dance ( lively orig94 ,sometimes x 0 made a vehicle = ! grotesque1 su* z black-face com$y--let no "o be surpris$ t ! 8coon com$ian0 ( to-day is an anci5t in/itution4 ,x 0 /epp$ briskly1 ev5 9 ! /ately environm5t ( c\rt4 ,! position ( ! foot ) ! heel on ! floor & ! toe up 0 n adopt$ by ! ballet1 b is f\nd 9 folk or 8"*0 dances 9 all p>ts ( ,europe4 ,! ,allem&e also 0 a dance ( movem5t2 s 0 ! ,volte4 ,9 ! =m] ! man turns 8 p>tn] by h] rais$ h&2 9 ! co/ume ( ! "t1 ! :irl is v effective4 ,! ,volte is suppos$ to be ! imm$iate ance/or ( ! ,waltz4 ,! ,s>ab& came into ,france f ,spa91 :]e x 0 trem5d\sly popul> z la ,z>ab&a4 ,x dates f ! twelf? c5tury1 & 0 prais$ by ,c]vantes4 ,its "* ju/ifies ! belief t x comes f ,moori% orig9s4 ,x is a solo dance mak+ noble use ( ! arms1 & is execut$ ) a pla/ic relaxation ( ! body4 ,a di/9ctly ,ori5tal mann]ism is its quick %ift ( ! foot1 j z x is plac$ on ! floor1 f ! cu/om>y position ( toe+ out to a position ( toe+ 94 ,! foot-"w1 moreov]1 has little m ?an sl[ glides4 ,its exotic qualities1 nev]!less1 are subord9ate to its ,occid5tal c\rtl9ess2 l all ! o!r dances ( polite society1 x con=m$ to ! etiquette ( its "t & place1 not)/&+ improprieties ( :i* x _h be5 guilty 9 e>li] c5turies4 ,m>gu]ite de ,valois 0 fond ( ! ,b\rre because1 accord+ to tradition1 %e _h an extraord9>y natural end[m5t 9 ! %ape ( feet & ankles4 ,& ! skipp+ /ep 7relat$ to ! mod]n polka-/ep7 ,illu/ration3 ,,sev5te5? ,,c5tury ,,c\rt ,,dances ,! ,s>ab& 7#a7--,! ,allem& 7#c7--,! o!r gr\ps are f ! ,m9uet--#f & #e 79 t ord]7 repres5t ! ,mirror figure 9 ! ,m9uet de la ,re9e ,to face page #ed ,illu/ration3 ,,! 8,,gavotte0 ,to face page #ee ( ! ,b\rre necessitat$ ! we>+ ( a %ort] skirt ?an ! mode ( h] day p]mitt$ = ord9>y use4 ,x nev] 0 a rigor\sly =mulat$ composition1 p]haps because x nev] became v popul> at c\rt4 ,x contribut$ to ! ballet ! latt]'s useful pas de b\rre1 & cont9ues z a div]sion ( ! peasants ( ,auv]gne1 :]e x orig9at$4 ,! ,passepi$ 0 "o ( a family kn[n z les branles1 ^: family *>act]i/ics are ill def9$1 despite ! frequ5cy ) :i* ! t]m is us$ by sev5te5?-c5tury writ]s4 ,9 ,engl& ! ^w became 8brawl40 ,x 0 ! ,branle du ,haut ,b>rois 9 :i* g5try co/um$ !mselves z ! %eph]ds & %eph]desses p]petuat$ by ,watteau4 ,ano!r1 ! ,branle des ,lav&ires1 0 bas$ on pantomime ( ! op]ations ( ! laundress4 ,9 ! ,branle des ,ermites1 monk's dress 0 worn4 ,9 t ( ! ,flambeaux1 tor*es 7 pass$ to newly select$ p>tn]s1 z 9 a pres5t-day cotillion figure2 x 0 a fa%ionable figure at w$d+ celebrations4 ,tab\rot's amiable h9ts = ! elegant execution ( branles probably are n direct$ at ! c\rt4 ,b !y are illum9at+4 8,talk gracefully1 & be clean & well %od2 be sure t ! hose is /raight1 & t ! slipp] is clean 444 d n use y\r h&k]*ief m ?an is necess>y1 b if y use x1 be sure x is v clean40 ,!re is m2 b1 aft] all1 :y violate illusions8 ,! ,*aconne1 l ! ,s>ab&1 came to ,france f across ! ,pyr5ees4 ,! dance ( ! ,seises 9 ! ,seville ,ca!dral is said to be a ,*acona un*ang$ f its sixte5?-c5tury =m4 ,! ,gaill>de is sometimes gr\p$ ) ! ,tordion1 f :i* x diff]s 9 ! respect t ! !me ( its /eps is little jumps1 :ile ! ,tordion is1 = ! mo/ "p1 glid$4 ,"o =m ( x1 h[ev]1 8,si je t'aime ou non10 conta9$ "s en]getic kicks4 ,inde$1 x 0 ( a "* to ex]cise he>t & muscle2 excell5ce 9 "s ( its /eps 80 look$ ^u z an accompli%m5t equal to rid+ or f5c+40 ,to t =m ( x kn[n z 8,baisons-n\s ,belle0 0 atta*$ int]e/ ( ano!r v>iety1 9 ! %ape ( kisses ex*ang$ betwe5 p>tn]s4 8,a pleasant v>iation10 comm5ts ! v5]able ,?o9et-,arbeau4 ,a v>iation employ$ to prev5t monotony 9 "s ( ! o!r dances z well1 among !m ! e>ly ,gavotte4 ,! ,c\rante 0 "o ( ! m =mal dances1 nev] hav+ be5 popul> ev5 9 its orig94 ,x 0 ! ,c\rante t 0 fav\r$ by ,l\is ,,xiv1 dur+ 8 _m ye>s ( /udy "u a danc+ ma/]4 ,he is cr$it$1 be=e he 0 ov]tak5 by ! demon ( adiposity1 ) hav+ execut$ ! ,c\rante bett] ?an any "o else ( 8 "t4 ,9 /yle x has be5 comp>$ to ! ,seguidillas 7q4 v47 ( ,spa94 ,( all1 ! dances mo/ typical ( ! =mality ( ! mo/ =mal society we/]n civilisation has produc$ are ! ,m9uet & ! ,pavane4 ,bo? might be *>act]is$ z v>iations ( deep b[s & curtsies4 ,9 ! ,pavane photographs x w be not$ t in/ead ( tak+ hold ( h] p>tn]'s h&1 ! lady re/s h] h& on ! back ( 84 ,h]n&o ,cortez is said to h compos$ ! ,pavane 7,spani% ,pavana7 & introduc$ x 9 ! c\rt ( 8 l& on return+ f ,am]ica4 ,if s1 he 0 a solemn p]son1 z well z dignifi$2 to ! impos+ grace ( maje/y ! dance jo9s ! alo( gr&eur ( a ritual4 ,^! qualities gave to x ! (fice ( op5+ great c\rt functions4 ,brocades & arm\r & swords prom5ad$ v sl[ly ar\nd ! room1 ea* c\ple mak+ its rev]5ce to ! mon>*s be=e proce$+ to ! /eps ( ! dance4 ,^! 7 few1 simple1 & sl[2 !re 7 _m curtsies1 retreats & advances1 dur+ :i* la/ ! g5tleman l$ ! lady by ! uprais$ h&1 :ile foll[+ h]4 ,poses & gr\ps 7 held1 /atue-l1 = a space ( "t t all[$ !m to impress !mselves on ! vision4 ,s fond 0 ,elizabe? ( ,engl& ( ! ,pavane 79 writ+s ( h] l& & p]iod spell$ ,pav9 & o!rwise7 t x 0 m ?an :isp]$ t excell5ce 9 its p]=mance 0 m valu$ ?an /atesman%ip z a basis ( political fav\r4 ,! ,m9uet's =mality 0 grad$4 ,le ,m5uet du ,dauph91 le ,m5uet de la ,re9e1 le ,m5uet d',exaudet & le ,m5uet de la ,c\r 7 its f\r species1 ! /atel9ess increas+ 9 ! sequ5ce m5tion$4 ,! accompany+ ,m9uet photographs ( ,mr4 ,&]son & ,miss ,craw=d are ( ! =m de la ,re9e4 ,! 8mirror0 figure is p]haps its mo/ sali5t feature--a pretty bit ( expression accompany+ an int]lacem5t ( arms ^: composition comes z a climax to /rik+ly +5i\s & graci\s arm movem5ts4 ,! popul>ity ( ! ,m9uet1 9 its v>i\s =ms1 0 practically unlimit$2 lonely & *e]less inde$ mu/ h be5 ! social life ( ! man :o did n dance4 ,aft] ! decl9e ( ! ,pavane x cont9u$ z an insep>able adjunct ( ga!r+s ( all degrees ( conv5tionality )9 ! scope ( a polite mode ( liv+4 ,at c\rt balls1 at ! romp+ ,*ri/mas p>ties ( ,engli% c\ntry places2 9 ! remote homes ( ,virg9ia plant]s1 at gov]nor-g5]als' receptions1 9 ! palaces ( int5dants 9 ! f> ,nor? x salut$1 made coquetry ) fan & eye1 inc>nat$ 9 gallant figures ! brave & rev]5t _s ( *ivalry4 ,pictures repres5t its p]=mance 9 home surr\nd+s dur+ daylight2 slight pretext seems to h s]v$ z occasion = its p]=mance4 ,9 connection ) ?is popul>ity x mu/ be rememb]$ t1 ev5 9 its simpl] =ms1 s mu* z a passable execution ( ! ,m9uet 0 f> f easy to acquire4 ,let x be und]/ood t ! gr& ballet ( to-day did n spr+ full-gr[n f ! dances above enum]at$4 ,"s ( _! =ms cont9u$ un*ang$ ?r\gh ye>s ( academic influ5ce4 ,pres5t-day 8elevation10 z scope ( high & l[ level is call$1 ! great leaps1 great turns1 &1 9 %ort1 mo/ ( ! dazzl+ elem5ts ( to-day's ballet are ! accumulat$ contribution ( individual arti/s f "t to "t4 ,taglioni1 ( ! middle n9ete5? c5tury1 is ! la/ to add notably to ! classic ballet's alphabet ( /eps4 ,x is n unsafe to say t ! next few ye>s w see its range increas$3 ! ,russians1 avid = new ?+s1 h ransack$ ,egyptian c>v+s & ,greek vases4 ,tra9$ to p]fection 9 ! te*nique & philosophy ( _! art1 !y are incorporat+ intellig5tly ! newly r$iscov]$ ) ! long famili>4 ,b a concrete idea ( _! relation to ! art1 or ( ! art itself1 _c be _h )\t "s acqua9tance ) its actual me*anics2 x is "t to consid] ! sali5t /eps on :i* mo/ ,occid5tal danc+ is bas$1 & :i* ! ballet has r$uc$ to p]fect def9ition4 ,,*apt] ,,iv ,a ,,glance ,,at ,,! ,,ballet',s ,,te*nique ,! "n ( ,cam>go1 :i* arose 9 ! fir/ half ( ! eighte5? c5tury1 may be tak5 z ! mile/one t m>ks ! progress ( danc+ into its mod]n developm5t4 ,pr$ecessors _h br\ght to x pleas+ execution & a good _s2 ,cam>go appe>s to h surpass$ !m 9 bo? qualities1 &1 9 addition1 to h add$ imm5sely to ! art's scope bo? ( expression & ( te*nique4 ,h] relation to ! danc+ ( h] "t has be5 pr(\ndly /udi$ by ,mme4 ,g5e1 ^: fasc9at+ programme ( re-creations is ! result4 ,aft] ! "w attribut$ to ,sall & ,prvo/1 t ( ! re-creat$ ,cam>go %[s a v /rik+ emancipation f =m] limitations4 ,sall & ,prvo/1 *>m+ly graceful1 consummately skilful1 p]=m$ _! ,dresd5-*9a /eps ev5ly1 coolly1 9 full con=mity to ! fa/idi\s etiquette ( ! ari/ocracy ( _! day4 ,cam>go1 )\t bruis+ a petal ( ! hot-h\se fl[] t 0 h] arti/ic inh]itance1 fir/ fre$ x f a fungus ( affectation t o!rs _h mi/ak5 = ! bloom ( da9t9ess4 ,!n %e arrang$ x to %[ ! play ( light & %ade1 to make x surpris+--9 %ort1 to make x a vehicle ( int]pretation4 ,! mat]ial at h] disposal1 z not$ be=e1 0 limit$4 ,to h] advantage 9 8elevation10 %e replac$ high-heel$ %oes ) ballet slipp]s2 %e 0 ! fir/1 s9ce antiquity1 to dance on ! toes4 ,nev]!less h] *anges ( level 7 n excit+2 ( big leaps %e _h none4 ,! day ( vivid pir\ettes 0 yet to dawn4 ,h] mo/ ext5d$ /ep 0 a little ballon4 ,h] entre*at 0 almo/ ! only /ep t rais$ bo? h] feet di/9ctly (f ! floor2 x1 ) petits battem5ts1 gave brilliancy b no?+ ( gr&eur4 ,h]s 0 a dance ( simple & little /eps4 ,b !y 7 compos$1 ^? /eps1 ) appreciation ( ! value ( contra/4 ,by contra/1 movem5t 0 made long or %ort 9 effect4 ,movem5ts s(t & crisp 7 juxtapos$4 ,we may believe t ,cam>go's k ( composition comp5sat$ = ! meagre /ep-vocabul>y ( h] day2 t %e comm&$ cumulative int]e/1 surprise1 & climax4 ,9 %ort1 t %e produc$ an expression2 limit$ to ! lyrical1 b none ! less real4 ,t !re may be no risk ( misund]/&+ ! pres5t use ( ! ^w 8expression10 let x be agre$ t ! ^w "h has ! same application t x has 9 relation to in/rum5tal music2 also let x be agre$ emphatically t x has no?+ to d ) ! imitation ( nature4 ,wagn] makes a composition ( tones portray ! attributes ( h]oes & gods4 ,grieg's gnomes are ( ! same tissue3 sugge/$ attributes z di/+ui%$ f specifi$ facts ( ! concrete4 ,broadly1 su* sugge/ion is call$ music4 ,= pres5t cle>ness let x be kn[n z music ( ! e>4 ,because1 ! v same m5tal s5sations produc$ by rhy?m & s\nd v>i\sly juxtapos$ & comb9$1 act+ ?r\gh ! m$ium ( he>+1 are susceptible ( /imulation by means ( rhy?m & l9e1 9 suitable juxtapositions & comb9ations1 act+ ?r\gh ! m$ium ( vision4 ,x foll[s t danc+1 9 effect1 is music ( ! eye4 ,! famili> musical res\rces s]ve bo? *oreograph] & compos] imp>tially4 ,z w be und]/ood be=e ! read+ ( ?is *apt] is complet$1 ! equival5t ( long & %ort notes is f\nd 9 /eps ( v>y+ l5g?2 musical phrases are1 to ! m9d1 ! same z /ep-comb9ations1 or en*a9em5ts2 argum5t t[>d expression ( motive is z possible to ! sil5t music z to music ( ! e>4 ,inde$ ! values ( ! sev]al or*e/ral in/rum5ts h _! p>allels 9 /eps2 ! light /accato ( ! cl>9et is no m playful ?an are c]ta9 delicate /eps execut$ sur les po9tes1 nor is ! bl>e ( brass m /irr+ ?an ! noble r5v]s4 ,! scope ( expression1 9 %ort1 t is atta9able by ! or*e/ra is id5tical ) t )9 range ( pure danc+--danc+ )\t pantomime4 ,add pantomime1 & 9 effect y add to y\r music ! explanatory accompanim5t ( words4 ,broadly1 music is s5tim5t1 :ile ! words ( a song are supplem5t>y description4 ,9 ! ballet1 ! dance1 z su*1 is ! s5tim5t 7or its repres5tation71 ! pantomime ! accompany+ description4 ,add$ expression 9 ?is musical s5se 0 among ,cam>go's contribution to ! art1 def9itely re/or+ to x a quality x _h held 9 a grasp at be/ prec>i\s s9ce ! pass+ ( ! glory ( ,a!ns4 ,belief 9 pantomime rises & rec$es f "o decade to ano!r4 ,b purely or*e/ral or /hetic expression cont9ues at all times 7) int]ruptions7 z ! fundam5tal int5t ( ! classic ,fr5* & ,italian ballets4 ,to dem& t ! figures 9 a composition conceiv$ 9 ?is idea %\ld act & look l ! p ( e-day life1 ow+ to ! m]e co9cid5ce ( _! be+ human be+s1 w\ld be l ask+ ! compos] ( ,pagliacci to rewrite 8 score to include ! s\nd ( squeak+ :eels1 because ( ! latt]'s p]t95ce to ! wagon ( ! /roll+ play]s repres5t$ 9 ! op]a4 ,! function ( ! compos] ( ! op]a is to sugge/ by su* tonal symbols z h be5 f\nd effective1 ! v>i\s emotions und]gone by 8 *>act]s4 ,id5tically1 ! function ( ! ballet-ma/] is to sugge/ by ! c\ntless comb9ations ( l9e--maje/ic & playful1 sev]e & graci\s--& by ! inf9ite v>iety ( movem5ts & po/ures1 ! emotions he w\ld ar\se 9 ! spectators ( 8 "w4 ,at 8 disposal he has a numb] ( pla/ic1 s5ti5t & sympa!tic figures1 tra9$ to movem5ts ( grace4 ,!y are ! in/rum5ts ( 8 or*e/ra1 ! pa9t on 8 palette4 ,t !y also are human be+s is absolutely a co9cid5ce & beside ! po9t4 ,pantomime1 to be sure1 is c>ri$ to a high developm5t 9 bo? ,fr5* & ,italian academies2 !y pres5t mimo-dramas call+ = practically unlimit$ scope ( expression4 ,pantomime !y add$ to ! dance )\t dep>ture f ! ballet's basic int5t4 ,bo? s*ools well "k t ! introduction ( "o pose or ge/ure imitat+ an act ( human life1 automatically ?r[s ! "w into ano!r category2 t :i* 0 purely int]pretative mural decoration v]ges t[>d ! /ory-tell+ picture4 ,! argum5t is put r insi/5tly because ( ! p]iodical compla9t t ! ballet 8looks artificial40 8,9 real life10 p say1 8y nev] see h&s held z !y are held 9 ! ballet40 ,"m ( all ! muses1 :y %\ld !y be8 ,9 real life h&s are doctor+ f\nta9 p5s1 hew+ wood & draw+ wat]1 rea*+ out = ?+s2 9 real life h&s are conc]n$ ) _! practical occupation1 & q disreg>dful ( _! grace or expression :ile s engag$4 ,:]eas ! ballet uses h&s z ! vehicle = l9es ( grace1 exaltation1 vivacity1 or :atev] emotion y w1 express$ 9 t]ms ( ! ab/ract4 ,x is ! same 9 reg>d to "w on ! toe3 9 real life p h no occasion to walk on ! tip ends ( _! feet1 because z a means ( locomotion x is inconv5i5t4 ,! ballet's use ( x is n bas$ on a belief 9 ! m9ds ( ballet-ma/]s t x is a fa%ion ei!r 9 polite society or among nymphs ( ! primeval =e/4 ,! position 8on ! po9t0 makes possible an agreeable *ange 9 elevation1 & c in/antane\sly elim9ate ! appe>ance ( avoirdupois4 ,! ballet art is a conv5tion1 /rictly2 ! figures 9 x are *ang+ units ( a mov+ design1 & n p4 ,a ball]9a does n ask1 8,h[ d ,i look 9 ?is pose80 ,%e asks1 8,:at k9d ( a l9e does ?is pose make80 ,( late ye>s ! classic ballet has suff]$ f public indiff]5ce4 ,d\btless ?is has be5 due 9 "p to an insuffici5cy ( compet5t p]=m]s2 a great "w requires great execution1 & ! difficulties creat$ by ! ballet's ideals are trem5d\s4 ,b failure on ! "p ( ! public to consid] ! ballet's int5t has c]ta9ly contribut$ to an unsatisfactory /ate ( its affairs4 ,a g5]al acqua9tance ) ! individual /eps adds 9 v>i\s ways to ! spectator's enjoym5t4 ,reliev$ ( ef=t to deciph] a danc]'s means & me?ods1 he :o und]/&s ! me*anics ( ! /eps c surr5d] himself to a luxuriance 9 _! grace ( execution1 & be ! m susceptible to ! hypnotic *>m ( ! rhy?mic movem5t play+ ^u 8 eye4 ,to him :o has tak5 ! tr\ble to le>n "s ( ! elem5tal !ories1 t :i* 0 once a bewild]+ maze ( movem5t1 :i* he m5tally scrambl$ to foll[1 becomes an ord]$ & delib]ate sequ5ce1 ^: argum5t he foll[s ) ease2 in/ead ( a kaleidoscope1 he sees phras+1 repetition1 & progress ( int]e/1 !me1 enri*m5t & climax4 ,) bits ( special virtuosity he is in/antly gratifi$2 %ortcom+s he in/antly detects4 ,to communicate 8 obs]vations he has a vocabul>y ( specific expression2 & !re is satisfaction 9 t1 = a ballet p]=mance is j z fruitful a subject ( controv]sy among its connoisseurs z a new novel among its read]s4 ,fur!rmore1 ! ne$ ( a g5]al p[] ( expression z an ess5tial to ! bett]m5t ( ,am]ican *oreographic conditions is self-evid5t4 ,:ile ! ensu+ analysis ( ballet /eps is f> f complete f ! po9t ( view ( ! academy1 x %\ld give ! read] a compreh5sion ( ! /eps t make an impression on ! layman's eye4 ,! mat]ial t foll[s is select$ ) t end 9 view4 ,"s description ( simple fundam5tals1 ?\gh n 9 !mselves 8%[y10 is includ$ 9 ord] to facilitate analysis ( ! great /eps & turns4 ,moreov]1 s9ce "* danc+ includes no?+ ( te*nical note t is n also us$ 9 ! ballet1 x is confid5tly hop$ t ! subjo9$ analysis w s]ve z a useful l5s ?r\gh :i* to look at danc+ ( all k9ds4 ,^? ^: int]e/ 9 ! subject leads !m to seek a m complete k are ref]r$ to ,zorn1 ,gramm> ( ! ,art ( ,danc+2 by means ( 8 *oreographic /5ography he goes into sub-v>iations ( ballet /eps ) ! utmo/ exactness4 ,naturally a c\rse ( in/ruction "u a good ballet tea*] is be/ ( all2 ,illu/ration3 ,,mme4 ,,adel9e ,,g5,e1 ,,& ,m4 ,,alex&] ,,vol99e ,ballet1 ,rob]t le ,diable ,butt]fly ,dance ,pi]rot & ,columb9e ,illu/ration3 ,photos by ,mi%k91 ,n4 ,y4 ,,mme4 ,,g5,e ,,9 ,,hi/orical ,,re-,,creations ,,& ,m4 ,,vol99e ,sall 7#a7--,! ,waltz 7#b7--;,cam>go 7#c7--;,guim>d 7#d7 !ory is be/ und]/ood by its application4 ,& execution1 x %\ld g )\t say+1 is acquir$ only by long practice "u exp]t & wat*ful eyes4 ,be=e consid]+ actual movem5ts1 x mu/ be borne 9 m9d t sep>ately !y are incomplete4 ,l tones t unite to =m *ords ( music1 ea* 9 itself may seem lack+ 9 ri*ness4 ,int]dep5d5ce ( successive p>ts is m m>k$ 9 ! classic ballet ?an 9 any o!r great s*ool ( *oreography4 ,! dance ( ! ,moor is a s]ies ( /atues1 ea* self-suffici5t4 ,( ! ballet movem5ts1 almo/ ! rev]se is true4 ,_! magic comes ( ! fl[ ( "o unit into ano!r4 ,z ,france is ! "m & nurse ( ! ballet1 x foll[s t ,fr5* is its language4 ,few ( ! t]ms translate successfully4 ,to r5ame ! movem5ts w\ld be sup]flu\s--& 9 practical use1 worse2 = a big corps de ballet is (t5 a ga!r+ f _m nations4 ,be+ explicit & suffici5t1 ! ,fr5* t]ms are ! accept$ designation ( ! /eps 9 all l&s :]e ! ballet is danc$4 ,to describe /eps ) precision1 x is necess>y to use a sy/em ( *oro-/5ography n easily le>n$1 or to ref] to positions ( ! feet4 ,! latt] is ! usual me?od1 & long usage proves its adequacy4 ,! foll[+ arbitr>y designation ( positions ( ! feet has long be5 /&>d :]ev] ,occid5tal danc+ is taught3 ,simple positions "o to five1 inclusive1 are ! fundam5tals1 :i* are modifi$ 9 a great v>iety ( ways4 ,figures #f & #g repres5t in/ances ( su* modification4 ,! weight may be ^u bo? feet1 or ei!r4 ,9 ?ird1 f\r? & fif? positions3 speak+ ( ei!r foot 7say ! "r7 x is said to be 9 ant]ior or po/]ior ?ird1 f\r? or fif? position4 ,illu/ration3 #a #b #c #d #e #f #g ,,fundam5tal ,,positions ,,( ,,! ,,feet4 ,fig4 #a1 fir/ position2 #b1 second position2 #c1 ?ird position2 #d1 f\r? position2 #e1 fif? position2 #f1 op5 f\r? position2 #g1 cross$ f\r? position4 ,second & f\r? positions are def9$ z clos$ or amplifi$1 accord+ z ! feet are sep>at$ by ! l5g? ( a foot1 or m4 ,! positions1 unless o!rwise specifi$1 indicate bo? feet on ! floor4 ,b ! second1 ?ird & f\r? positions sometimes relate to positions 9 :i* "o foot is rais$2 = in/ance1 "r foot 9 rais$ second position4 ,! same designations apply :e!r ! feet be flat on ! floor1 on ! ball1 on ! po9t1 or a composite ( ^!3 z = in/ance1 second position1 "r foot on ! po9t1 left foot flat1 etc4 ,heights are def9itely divid$2 ankle1 calf & knee s]ve z ! measures4 ,b z ! subjo9$ explanations are aid$ by diagrams1 ! t]ms to measure heights may be disreg>d$ = ! sake ( simplicity4 ,likewise we ne$ n g into ! enum]ation & names ( cross$ positions & o!r complications4 ,! five fundam5tal positions1 h[ev]1 are important & %\ld be memoris$4 ,ap>t f _! importance 9 any discussion ( ballet "w1 famili>ity ) !m greatly aids ! acquisition ( ballroom dances4 7,! latt] place ! feet at an angle ( #de to ! l9e 9 :i* ! danc]'s body faces1 in/ead ( #ij1 ! =m ( ! ,fr5*-,italian ballet47 ,! s*ool ( ! ballet also def9es ! positions ( ! arms1 9 ! same mann]4 ,!y ne$ n be memoris$ z a prelim9>y to read+ ?is *apt]2 b !y are int]e/+ z a matt] ( record ( ! limitations ( ! classic s*ool1 & z a measure ( ! di/ance to :i* ! ,russians h dep>t$ 9 ! direction ( fre$om ( arm movem5t4 ,illu/ration3 #h #i #aj #aa #ab #ac #ad #ae #af #ag #ah #ai ,,positions ,,( ,,! ,,arms4 ,figure #h1 arms 9 repose1 su/a9$2 #i1 ext5d$2 #aj1 r\nd$ 9 front ( ! *e/2 #aa1 r\nd$ above ! head2 #ab1 high & op52 #ac1 la lyre2 #ad1 on ! hips2 #ae1 #af1 "o arm high1 "o ext5d$2 #ah1 "o arm r\nd$ 9 front ( ! *e/1 "o op5 horizontal2 #ag1 #ai1 "o arm high1 "o on ! hip4 ,/eps1 :i* are n[ to be consid]$1 fall naturally into ! classes ( glid+1 beat+1 turn+ & jump+4 ,ea* class ranges f simplicity to m or less complexity1 & c]ta9 /eps h a composite "*1 p>tak+ ( ! nature ( m ?an "o ( ! above g5]al classes4 ,danc]s di/+ui% betwe5 a /ep & a temps1 ^: relation to ea* o!r is t betwe5 a ^w & a syllable4 ,a temps is a s+le movem5t4 ,by def9ition1 a /ep mu/ effect a transf] ( weight2 subject to t def9ition1 a s+le movem5t may be a /ep4 ,! simple glid+ /ep is ! pas gliss4 ,x is execut$ by glid+ ! foot along ! floor4 ,x may move 9 any direction4 ,us$ z indicat$ 9 figures #bj1 #ba & #bb1 ! /ep becomes a glissade4 ,illu/ration3 #bj #ba #bb 8,,glissade40 ,! ess5tial glid+ feature ( ! /ep is indicat$ 9 ! movem5t ( ! left foot along ! floor1 figure #ba4 ,a *ass1 9 effect1 8*ases0 "o foot f its place by means ( a t\* f ! o!r4 ,= in/ance3 ! feet are 9 second position1 weight on ! "r foot2 br+ ! left foot %>ply up to ?is position beh9d ! "r foot2 at ! in/ant ( contact1 let ! "r foot glide %>ply out to second position on ! "r side4 ,! /ep also may be execut$ t[>d ! front or t[>d ! re>4 ,x keeps bo? feet on ! floor4 ,execut+ a s]ies ( *asss3 simple *asss comm5ce ! /ep1 ea* repetition1 ) ! same foot4 ,alt]nat+ *asss are begun ) ea* foot 9 turn4 ,a c\p is analog\s to a *ass2 b ! foot t is displac$ leaves ! floor & goes to m or less height 9 ! air4 ,bo? c\p & *ass give an impression ( "o foot kick+ ! o!r out ( place4 ,illu/ration3 #bc #bd #be 8,,assembl40 ,see figure #bf4 ,an assembl1 />t+ ) ! feet 9 fif? position1 effects a rev]sal ( _! position4 ,example 7see diagram73 ! left foot is beh9d4 ,a little jump upw>d raises bo? feet f ! floor4 ,kick out ) ! left foot to ! left1 br+ x back to fif? position 9 front ( ! "r foot1 at ! mom5t ( alight+4 ,! "r foot1 in/ead ( ! left1 w dgage1 or 8w+ out10 9 ! next /ep1 if ! /ep is repeat$4 ,a *angem5t is simil> to an assembl2 its diff]5ce is 9 ! fact t x causes bo? feet to 8beat40 ,illu/ration3 #bf #bg 8,,assembl40 8,,*angem5t40 ,ea* diagram %[s two p]=mances ( its /ep4 ,bo? /eps take bo? feet (f ! floor4 ,9 ! assembl1 "o foot rema9s passive4 ,9 ! *angem5t1 bo? are active4 ,a relev consi/s ( a simultane\s 7a7 rise to ! ball or po9t ( ! support+ foot1 :ile ! active foot is rais$ to ! height 7usually7 ( ! knee ( ! support+ leg4 ,! active foot usually is kept close to ! support+ leg4 ,?is /ep furni%es an int]e/+ example ( ! *anges wr\ght by ! ,russians4 ,! classic turn-out ( ! foot conf9es ! movem5t ( ! active leg to a plane cutt+ ! p]=m] lat]ally2 i4 e41 z ! classic p]=m] advances en relevant t[>d ! spectator1 ! legs' movem5ts are se5 to h _! ext5sion out to ! sides4 ,:]eas ! ,russian 8toes out0 7) exceptions7 at a mu* small] angle4 ,8 knees !re=e may rise 9 front ( him2 9 :i* case ! /ep1 z se5 by ! spectator1 is mo/ effective :ile ! p]=m] crosses ! /age f side to side4 ,x is made ! !matic /ep ( "s ( ! new ,russian dance-poems ( ,greek nature4 ,x is execut$ %>ply1 lightly4 ,an *app moves ! feet f clos$ to second position by means ( mov+ bo? feet simultane\sly outw>d4 ,illu/ration3 #bh #bi #cj #ca #cb 8,,jet40 ,ess5tials3 bo? feet (f ! floor simultane\sly1 & receipt ( ! desc5d+ weight on "o foot4 ,! jet is a /ep t is simple 9 pr9ciple1 at ! same "t subject to s wide a range ( use t x creates ! mo/ v>i$ effects4 ,ess5tially1 x is ! /ep t is us$ 9 runn+4 ,! jet also may be execut$ to ! side-- ct4 ,f its use 9 t mann] x is easy to und]/& its employm5t z a means ( turn+ 9 ! air3 i4 e41 ) bo? feet (f ! floor4 ,! jet en t\rnant is "o ( ! mu*-us$ means ( produc+ an effect ( big1 easy sweep2 x l5ds itself to ! embelli%m5t ( any "o ( sev]al beat+ /eps--pas battus2 or o!rs1 yet to be describ$4 ,illu/ration3 #cc #cd #ce #cf 8,,jet0 ,,to ,,! ,,side4 ,( ! 8beat+0 type ( /ep1 ! fundam5tal is ! battem5t3 a beat+ movem5t ( ! free leg1 ! support+ leg rema9+ /ation>y4 ,! acc5t is n on ! up-/roke1 z 9 a kick1 b %>ply on ! d[n-/roke4 ,! beats may be made f side1 front1 or 7less usually7 back4 ,! foot may be rais$ to ! height ( ! head 7?\gh x is n (t5 done71 to horizontal1 to ! height ( ! knee1 or ! di/ance ( a foot's l5g? away f ! support+ leg4 ,execut$ ) a /raight knee1 ! movem5t is a gr& battem5t4 ,a petit battem5t is action ( ! l[] leg only1 work+ f ! knee z a /ation>y pivot1 :ile ! foot /rikes ! support+ ankle1 calf1 or knee4 ,x is a movem5t design$ = brilliancy1 & %\ld be execut$ rapidly4 ,) practice x c be c>ri$ to su* a degree ( spe$ t ! active foot seems to %imm]4 ,x is ! basic /ep ( ,scot* dances4 ,modifi$ to all[ ! sole ( ! active foot to t\* ! floor1 x provides ! %uffle-/ep ( ! ,iri% ,jigs & ,reels4 ,petits battem5ts1 x %\ld be add$1 are usually employ$ 9 a sequ5ce ( sev]al 9 succession4 ,illu/ration3 #cg #ch 8,,battem5ts40 ,petit battem5t1 #cg4 ,gr& battem5t1 #ch4 ,correctly speak+1 a battem5t does n con/itute a /ep1 b a temps4 ,! cabriole is a developm5t ( ! battem5t4 ,9 ! latt]1 only "o leg is active2 x leaves ! support+ leg1 & rejo9s x4 ,! cabriole is execut$ ) bo? feet 9 ! air2 bo? legs act 9 ! beat+ movem5t1 rapidly sep>at+ & com+ toge!r1 b n cross+4 ,a fur!r developm5t ( ! same !me br+s u to ! gem :i*1 ( ! ballet's entire collection1 is ! mo/ dazzl+3 ! entre*at4 ,in/ead ( m]ely br++ ! legs toge!r1 z 9 ! cabriole1 x uses a jump z ! occasion = repeat$ly cross+ ! feet4 ,cleanly done1 x is z ! sp>kle ( a humm+-bird4 ,! ^w is d]iv$ f ! ,italian intrecci>e1 to weave or braid4 ,! ,fr5* comp\nd x ) num]als1 to indicate ! numb] ( times ! feet cross3 z1 entre*at-quatre1 entre*at-six1 entre*at-huit4 ,! numb] includes ! movem5ts ( ea* foot2 an entre*at-huit implies f\r cross+s4 ,prodigi\s /ories are told ab\t ! numb] ( beats t v>i\s arti/s h accompli%$ 9 _! entre*at4 ,x =ms an attractive c5tre = *oreographic my?s4 ,9 g5]al1 ! numb] ( beats said to h be5 accompli%$ by a giv5 arti/ is 9 direct ratio to ! numb] ( ye>s t arti/ has be5 dead4 ,9 reality !re is small object 9 go+ beyond an entre*at-six2 ! ?ree cross+s 7always assum+ p]=mance by a ma/] ( ! te*nique7 are q suffici5t to prove t ! law ( gravity has ceas$ to exi/4 ,:5 _! /accato tw9kle is add$ z a f9i% to ! long p5dulum sw+ ( a big glissade1 or a long jet en t\rnant1 ! effect is t ( a swift pizzicato foll[+ a long-su/a9$ note--always surpris+1 always m]ry4 ,illu/ration3 #ci #dj #da #db ,,/eps ,,( ,,! 8,,battem5t0 ,,type4 ,*angem5t1 #ci2 entre*at-quatre1 #dj2 bris dessus1 #da2 bris dess\s1 #db4 ,9 ! bris dessus1 ! active foot beats 9 front ( ! passive foot2 9 ! bris dess\s1 beh9d x4 ,! bris is ( ! category ( movem5ts execut$ :ile bo? feet are (f ! floor4 ,x is s closely relat$ to ! entre*at-quatre t ! layman :o c di/+ui% betwe5 ! two1 dur+ ! spe$ ( p]=mance1 may consci5ti\sly congratulate himself on hav+ develop$ a passably quick & sure eye4 ,! diff]5ce betwe5 ! two lies 9 ?is3 t 9 ! bris only "o foot really 8beats02 ! o!r makes only a slight complem5t>y or c\nt]-movem5t4 ,/>t+ z x does 9 an op5 position1 x l5ds itself to ! embelli%m5t ( broad leaps4 ,! ballon is1 9 a broad s5se1 relat$ to ! beat+ /eps2 its acc5t1 h[ev]1 is on ! up-/roke1 :i* makes x a kick4 ,/>t 9 ?ird position2 pliez slightly 7z prep>ation72 jump1 & simultane\sly kick =w>d1 b5d+ ! knee 9 rais+ ! leg1 /raight5+ x :5 x has rea*$ ! necess>y height2 usually ! ballon leads into ano!r /ep4 7,z ?is description is at v>iance ) t ( two em95t *oreographic writ]s1 x %\ld be add$ t x is made f ! /ep z demon/rat$ & expla9$ by ,sr4 ,luigi ,alb]ti]i1 ballet-ma/] ( ! ,c5tury ,op]a ,company1 an unque/ion$ au?ority2 8 traditions are ^? ( ,la ,scala1 & ( ,sr4 ,e4 ,cec*etti4 ,mlle4 ,l\ise ,la ,gai1 =m] pupil ( ,leo ,/aats1 "o-"t ballet-ma/] ( l',opra1 demon/rates ! /ep 9 ! same mann]47 ,a phrase ( /eps 7en*a9em5t7 is r>ely made up ( big or difficult /eps exclusively2 ! value ( ! latt] w\ld soon be lo/ 9 monotony 7 !y n contra/$ ) "w ( a simpl] nature4 ,! pas de b\rre & ! pas de ,basque are among ! little /eps useful 9 furni%+ su* contra/s1 9 giv+ ! danc] a r5ew$ equilibrium1 & 9 ! capacity ( connect+ l9ks betwe5 o!r /eps4 ,!y are l prepositions 9 a s5t5ce--insuffici5t 9 !mselves1 b none ! less indisp5sable4 ,! pas de b\rre 7! "n is tak5 f an old ,fr5* dance7 is ess5tially ! famili> polka-/ep late ( ! ballroom1 ) v>i$ applications4 ,=w>d1 backw>d or to ! side1 x 8cov]s /age0--or gives ! danc] progress 9 a giv5 direction4 ,x furni%es a means ( turn+1 or pres]v+ ! cont9uity ( a dance :ile ! p]=m] keeps 8 place4 ,always x is useful z a fill] :5 int]e/ is to be direct$ away f ! foot-"w--9 su* case1 = in/ance1 z :5 ! h&s h important pantomime4 ,! pas de ,basque is ( simil> value1 b commits ! danc] to a sw++ movem5t f side to side4 ,l ! pas de b\rre x is an alt]nat+ /ep1 ) "o foot on ! floor all ! "t1 & execut$ )\t mu* 8elevation8--i4 e41 v>iety ( level4 ,x runs ?r\gh _m ( ! dances ( ,spa91 & presumably is1 z its "n sugge/s1 a native ( ! ,basque prov9ces4 ,probably1 too1 x is a remote ance/or ( ! ,waltz4 ,illu/ration3 #dc #dd #de #df 8,,f\ett40 ,9 contra/ to ! %>p1 dry quality ( ! beat+ /eps is ! fluid1 sw++ f\ett4 ,its _m v>iations con=m to ! pr9ciples indicat$ 9 ! diagram figures #dc to #df4 ,! ^w 8f\ett0 means lit]ally1 :ip2 ! movem5t1 a sw+ ) a snap at ! f9i%1 is well nam$4 ,a relax$ mann] ( execution gives x a feel+ ( pliancy1 :ile lightness is pres]v$ by ! sm>t t]m9ation4 ,/>t ) a pli ( bo? knees1 = prep>ation2 %>ply lift ! active leg sidewise to horizontal 7i4 e41 rais$ second position72 snap ! l[] leg back1 9 a movem5t curv+ d[nw>d1 to ! cross$ leg position 9 figure #df4 ,!re x is prep>$ to ent] into ano!r /ep1 or to lead to an arabesque1 or to cont9ue to f9i% 9 ?ird or fif? position ( ! feet4 ,! body has rema9$ fac+ ! spectator4 ,illu/ration3 #dg #dh #di #ej ,,/>t ,,( ,a 8,,f\ett ,,pir\ette40 ,figures #dg-ej inclusive s]ve also to describe a developp4 ,n[1 let x be und]/ood t a pir\ette is a turn1 or sp91 on "o foot only1 or else 9 ! air4 ,"o species ( pir\ette is made 9 conjunction ) ! f\ett1 ! body be+ p]mitt$ to turn ) ! impulse ( ! leg's backw>d sweep4 ,! mak+ ( a pir\ette1 h[ev]1 requires its own prep>ations1 z %[n 9 ! fir/ f\r figures ( ! diagram4 ,9 figure #dg ! legs are plis4 ,figures #dh1 #di & #ej repres5t a developp1 or unfold+--a device ( frequ5t use 9 ! pres5t conditions1 namely1 ! ne$ ( br++ ! active leg to horizontal 9 prep>ation = a /ep4 ,! ext5sion ( ! arms z indicat$ enables !m to give a vig\r\s />t to ! revolv+ movem5t2 ! leg1 by a %>p sweep 8outw>d10 contributes to ! same impulse4 ,! turn />t$1 ! f\ett is execut$ z x proce$s4 ,! free foot drops to position beh9d ! support+ leg4 ,b note t z ! body cont9ues turn+1 ! foot *anges f position beh9d to position 9 front2 v simple1 9 p]=mance v effective--& until und]/ood1 puzzl+ 9 its illusion ( w9d+ up & unw9d+4 ,x is p]missible1 9 ! position ( figure #eb1 to drop to ! heel ( ! support+ foot1 = a mom5t>y r5ewal ( equilibrium2 b !re is m]it 9 go+ ?r\gh )\t t aid4 ,! position at f9i% leaves ! danc] prep>$ to repeat ! t\r1 :i* c be done an indef9ite numb] ( times 9 succession2 to cont9ue into an arabesque 7figures #ee1 #ef72 or to ent] a diff]5t /ep4 ,illu/ration3 #ea #eb #ec #ed 8,,f\ett ,,pir\ette10 ,,cont9u$4 ,"r leg sweeps 8out0 9 horizontal plane 7#ea7 cont9u+ z 9 #eb1 turn+ ! body ) its revolution4 ,z ! body completes ! turn f #eb to #ec1 ! "r foot is br\ght to cross$ position 9 front ( ! ankle4 ,among ! v>iations ( ! above typical f\ett pir\ette is its execution 890 in/ead ( 8out03 t is1 to sweep ! active leg across 9 front ( ! support+ leg1 to />t ! turn1 in/ead ( rais+ x out to ! side4 ,aga9 us+ ! left foot z support1 ! turn ( ! body is n[ t[>d ! left1 in/ead ( t[>d ! "r z :5 ! /ep is execut$ 8out40 ,! active foot arrives at its position ( cross+ ! support+ leg :5 x has describ$ a half-circle4 ,illu/ration3 #ee #ef ,,optional ,,f9i% ,,( ,a 8,,f\ett ,,pir\ette40 ,cont9ues 7#ee7 into arabesque 7#ef74 ,tradition makes ! f\ett pir\ette a /ep = m51 al?\gh x is n intr9sically less fem99e ?an any o!r ( ! great /eps4 ,nev]!less1 tradition is (t5 a ?+ to respect4 ,s1 a f\ett pir\ette p]=m$ by a woman is cu/om>ily call$ a rond de jambe t\r4 ,mlle4 ,zambeli1 ! premire ( l',opra 9 ,p>is1 has on occasion p]=m$ a succession ( ?irty-two su* turns 9 a /eadily accel]at+ tempo4 ,! result1 in/ead ( monotony1 is a cumulative excitem5t little %ort ( ov]p[]+4 ,! f\ett pir\ette leads into ! subject ( pir\ettes 9 g5]al4 ,by _! common def9ition1 !y are turns made on "o support+ foot only1 or )\t support 7i4 e41 turns 9 ! air74 ,! def9ition s]ves to di/+ui% a true pir\ette f a turn made by means ( alt]nat+ /eps1 su* z a pas b\rre turn4 ,! pure/ example ( pir\ette is t p]=m$ 8on ! cross$ ankle0--sur le c\-de-pi$4 7,figures #eg to #fa47 ,?is turn is made )\t ! aid ( impulse f ei!r leg aft] ! free foot goes into its position1 9 di/9ction f ! f\ett pir\ette1 = in/ance1 9 :i* ! active leg's movem5t 9 ! air furni%es ! motive p[] by :i* ! body is turn$4 ,illu/ration3 #eg #eh #ei #fj #fa ,,! 8,,pir\ette ,,sur ,,le ,,c\-,,de-,,pi$40 ,figures #eg1 #eh1 #ei1 prep>ation2 #fj repres5ts ! completion ( ! turn1 & ! position ! feet h occupi$ dur+ ! act ( turn+2 #fa1 f9i%4 ,! pir\ette sur le c\-de-pi$ "h diagramm$ is accord+ to ! specifications ( ,h]r ,otto ,/oige1 ballet-ma/] & danc+ tea*] at ! ,univ]sity ( ,knigsb]g1 z quot$ by ,zorn4 ,raise ! arms & ! active leg 7figure #eh74 ,drop ! active foot to ant]ior f\r? position 7figure #ei71 pli1 & at ! same "t dispose ! arms to give ! twi/+ impulse to ! body4 ,! same impulse is aid$ by ! %>p /raight5+ ( ! left leg1 com+ into position z support4 ,! arms drop 7figure #fj7 z ! free foot is plac$ sur le c\-de-pi$ ( ! support+ leg4 ,comp>+ ! f9i% 7figure #fa7 ) figure #eg1 x is se5 t ! feet h resum$ ?ird position b ex*ang$ places4 ,9 mak+ ! turn1 ! face is turn$ away f ! spectator z %ort a "t z possible4 ,! ability to d a d\ble turn 9 ?is =m is n r>e1 & a few m5 make x triple4 ,! ,prussian ,/ullmuell] br\ght x to sev5 revolutions4 ,an amus+ conv5tionality ( g5d] 9 pir\ettes makes x man's pr]ogative to d ! pir\ette en l'air--i4 e41 ) bo? feet (f ! floor4 ,?is too is d\bl$ by "s ( ! m5 n[ danc+3 ,leo ,/aats1 =m]ly ( l',opra 9 ,p>is1 is said to triple x6 ,illu/ration3 #fb #fc #fd ,,v>i\s 8,,pir\ettes40 la seconde1 #fj2 en attitude1 #fa2 en arabesque1 #fb4 ,a pir\ette ( ?is sort is "o ( ! few pas t h a value indep5d5t ( :at prec$es & foll[s2 x is a beautiful ?+ by itself4 ,9 comb9ation x gives a feel+ ( ec/asy2 or1 9 o!r conditions1 ( happy ecc5tricity4 ,a few ye>s ago ,angelo ,romeo us$ x z ! !me ( 8 solo 9 a ,ballet ( ,birds 7"u ,fr$ ,?ompson's managem5t1 ! ,new ,york ,hippodrome /ag$ "s real ballets74 ,z ,k+ ( ! ,birds1 ,romeo gave 8 "p a gallantry at once amus+ & brilliant by ! reit]ation ( d\ble pir\ettes z a refra94 ,betwe5 ! two extremes ( f\ett pir\ette & pir\ette sur le c\-de-pi$ lie su* a v>iety ( mann]s ( turn+ t exp]ts fail to agree on any def9ition ( ! ^w 8pir\ette10 m explicit ?an ! "o already giv54 ,a half-turn sur le c\-de-pi$1 pas de b\rre1 & complete ! turn ) a f\ett3--!re1 = in/ance1 is a turn t is a pir\ette or n1 accord+ to arbitr>y def9ition4 ,!re are half z _m subv>ieties ( pir\ette & o!r turns z !re are solo danc]s4 ,turns ( mix$ type1 p>tak+ ( ! natures ( bo? pure pir\ette & ! rond de jambe "* ( movem5t1 are kn[n collectively z pir\ettes composes4 ,a rond de jambe1 x %\ld be expla9$ p>5!tically1 is a circle describ$ by ! foot4 ,a gr& rond de jambe is a circle 79 any plane7 describ$ by ! /raight leg4 ,a petit rond de jambe is made by ! l[] leg1 work+ f a /ation>y knee z pivot4 ,cf4 gr&s & petits battem5ts4 ,z ! pir\ette sur le c\-de-pi$ has its virtue ( sp>kle1 its c\s9 ! r5v]s is end[$ ) a species ( bewild]+1 bac*analian ec/asy4 ,words & diagrams fail to convey an impression ( its qualities2 b analysis ( its me*anics is wor? :ile1 9 ord] t x may be recognis$ :5 se51 & n all[$ to pass )\t yield+ its full & due pleasure to him :o sees x4 ,prec$+ ! position indicat$ 9 figure #fe1 ! danc]1 plac+ 8 weight on ! left foot1 has rais$ ! "r foot 9 a developp =w>d1 & ar\nd on a horizontal plane 8outw>d40 ,figure #fe %[s ! "r foot at a po9t t may be conv5i5tly designat$ z ! qu>t]-circle4 ,9 figure #ff ! "r foot cont9ues to sweep back1 & ! body beg9s to lean =w>d--or away f ! active leg4 ,?is lean ( ! body has become m pron\nc$ 9 figure #fg1 9 :i* ! active foot has rea*$ ! ?ree-qu>t] circle4 ,note ! sweep ( ! left h& accel]at+ ! movem5t ( ! turn1 & its cont9uance ?r\gh ! rema9+ figures4 ,illu/ration3 #fe #ff #fg ,,beg9n+ ,,( ,,! 8,,r5v]s40 ,a developp has prec$$ ! position 9 figure #fe1 z indicat$ 9 v]tical dott$ l9e4 ,! body beg9s to turn z ! active foot completes a half-circle 7#ff74 ,9 #fg1 note t ! body leans =w>d4 ,up to ! position 9 figure #fh ! body has lean$ =w>d--or 9 o!r words1 has be5 *e/ d[n4 ,9 figure #fi x is se5 *e/ up4 ,figure #fh is ! int]m$iate position4 ,9 p]=mance ! turn-ov] takes place s quickly t only a tra9$ eye sees j :5 x is done4 ,! "r foot t\*es ! floor at ! po9t ( complet+ ! half-circle4 ,! body cont9ues lean+ back1 /raight5+ up 9 figure #gj aft] describ+ a r\nd body-sweep />t$ 9 figure #fi4 ,figure #gj f9ds ! weight on ! "r foot2 ! left is rais$ on ! fir/ temps ( a pas de b\rre1 v quick1 :i* br+s ! feet to fif? position z 9 figure #ga4 ,! "r-h&sweep upw>d1 meantime1 has be5 cont9u\s4 ,illu/ration3 #fh #fi #gj #ga ,,! 8,,r5v]s0 ,,conclud$4 ,figures #fh & #fi trace ! ov]-turn+ ( ! body1 )\t int]ruption to ! movem5t ( rotation4 ,a rapid pas de b\rre int]v5es betwe5 #gj & #ga4 ,ano!r v>iation ( ! pir\ette is bas$ on ! rond de jambe describ$ on a previ\s page4 ,! rond de jambe pir\ette is execut$ ) ! aid & embelli%m5t ( a horizontal leg4 ,x usually />ts ) a developp1 l ! f\ett t\r4 ,a pir\ette la seconde is s call$ by reason ( ! active foot's cont9uance 9 rais$ second position4 ,if ! heel is t\*$ at ! half-circles = equilibrium1 ! turns c be cont9u$ ad libitum4 ,/ill ano!r t\r is ! pir\ette en arabesque1 ! pose be+ ent]$ into 7usually7 on completion ( a half-circle ( a rond de jambe t\r1 ! revolution be+ kept cont9u\s :ile ! necess>y *anges are made 9 ! position ( ! body4 ,a turn 9 ! air t may be includ$ among pir\ettes is a jet en t\rnant2 & x may be adorn$ ) an entre*at1 a bris1 or :atev] 8beats0 may suit ! arti/'s ta/e & abilities4 ,! words 8arabesque0 & 8attitude0 d n ref] to /eps1 b to po/ures4 ,_! composition is z exactly def9$ z t ( any /ep4 ,figure #ef %[s a typical arabesque4 ,illu/ration3 #gb #gc ,,two ,,=ms ,,( 8,,attitude40 ,op5 7ouv]te7 #gb2 cross$ 7crois7 #gc4 ,! position ( ! support+ leg is ! same 9 bo?4 ,! developp above ref]r$ to is a usual means ( br++ a leg to horizontal1 z a prelim9>y to fur!r "w4 ,x is ! op5+ /ep ( _m a dance-poem1 & a pretty accurate index ( ! class ( "w to foll[4 ,if ! leg rises )\t hurry or falt]+1 & unfolds ) its prop] s5se ( pr\d elegance2 if always ! body keeps ! s]5e relaxation t accompanies only ! p]fection ( equilibrium1 !re is com+ a fea/ = ! gods4 ,f> f ! lea/ ( ,g5e's manife/ations ( virtuosity is ! legato poise ( h] entrance /epp+ d[n f a picture frame3 s delib]ate & ev5 is h] developp t ! eye at fir/ fails to disc]n movem5t1 z ?\gh x 7 wat*+ ! op5+ ( a morn+ glory4 ,nev] ! twit* ( a muscle1 nev] an impulse ( hurry1 nev] ! suspicion ( hesitation--?r\gh b> aft] b> ( music1 ! e!real "o makes t fir/ /ep rev]5ce-compell+ 9 its incr$ible beauty ( movem5t4 ,analog\s to ! developp 9 execution is ! pas de *eval1 ! latt]1 h[ev]1 s]v+ to *ange ! danc]'s place on ! floor4 ,x is pr\d1 /rong1 triumphant2 us$ 9 an advance ( a corps de ballet t[>d ! spectator1 ! motive ( dom9ance is /rongly felt4 ,?\gh effective1 x is n "o ( ! /ructural p>ts1 l ! /eps h]et(ore describ$4 ,x is1 r1 a decorative unit sup]add$4 ,! same may be said ( ! pas de *at1 :i* is a j]ky1 %ort & v rapid simple alt]nat+ /ep2 b5d+ ! knees %>ply1 b n br++ !m high2 ! feet cross+ at ea* /ep4 ,x is n ! physical locomotion ( a cat1 b x is a good int]pretation ( ! _s ( an especially caprici\s "o4 ,x expresses well ! idea ( wit*craft or mis*iev\s spirits4 ,go+ to ! extreme contra/ ( ?is /ep1 a =tissimo effect is atta9$ by ! male danc]'s =m ( ext5d$ jump4 ,x is necess>ily high2 b x emphasises especially its effect ( l5g? horizontally4 7,see figures #gd & #ge47 ,augu/e ,ve/ris1 ! eighte5?-c5tury virtuoso1 ow$ a "p ( 8 reputation to 8 p[] 9 ?is /ep2 8susp5d$ 9 ! air0 0 ! phrase atta*+ to 8 p]=mance ( x4 ,its function is1 9 great "p1 to a/oni%4 ,wom5 accompli% its effect ) ! aid ( a support+ man2 ! *ange ( level atta9$ by ?is leap aid$ by a 8lift0 is inde$ a h>monis$ explosion1 especially if x foll[s an arrangem5t ( little /eps4 ,/ories ( ! impression creat$ by ,ve/ris' leap w\ld be q incr$ible 7 _! possibility n confirm$ 9 our own "t4 ,9 ,s*eh]azade ,vol99e jump$ a di/ance t seem$ lit]ally m ?an half ! wid? ( a big /age4 ,an illusion1 ( c\rse4 ,! _w's record 9 ! broad jump is less ?an tw5ty-five feet1 & ! broad jump]'s cov]$ di/ance does n look s impressive 9 actuality z x does on pap]1 at t4 ,:]eas ! danc]'s leap seems to be "u no p>ticul> limit--:5 adequately p]=m$1 :i* is r>e4 ,be+ typical ( ! trick]y by :i* danc+ plays ) ! eye1 x may be wor? analys+4 ,illu/ration3 #gd #ge ,,me*anism ,,( ,,broad ,,jump4 ,z ! body desc5ds1 ! advanc$ leg & arm are rais$1 produc+ ! illusion ( su/a9$ horizontal flight4 ,! magic is bas$ on two illusions4 ,fir/1 horizontal l9es are insi/$ ^u & pres]v$ z cont9u\s2 :ile l9es n horizontal are 8brok5 up0 into %ort l5g?s1 to ! end t !y make comp>atively little impression on ! eye4 ,! pose itself1 !n1 is horizontal1 :i* practically co9cides ) ! direction ( ! danc]'s flight4 ,e "o has se5 ! exp]im5t ( app>5tly %ort5+ "o ( two equal p5cil l9es by means ( cutt+ %ort l9es across x3 ! conv]se ( ! same pr9ciple gov]ns ! jump4 ,z ! p5cil l9e 0 %ort5$ by cross l9es1 ! jump is l5g!n$ by long l9es p>allel to its direction4 ,z ! danc] passes ! top ( 8 flight1 ! second illusion beg9s to g into effect4 ,contradict+ ! eye's obs]vation ( ! gradual desc5t ( ! body1 ! long l9es ( ! arti/'s arms & legs are /eadily rais$ to po9t m & m upw>d4 ,be ! reason :atev] x may1 ! spectator is mu* less consci\s ( ! body's desc5t ?an ( ! level--or ev5 ris+--direction ( ^? long l9es2 l9es :i*1 by ! "t ! /ep is half complet$1 h come to appe> a good deal long] ?an !y are4 ,! danc] l[]s 8 foot j 9 "t to alight prop]ly4 ,! eye meantime has be5 s impress$ by ! sweep ( horizontals t x conveys to ! m9d an agreeably exagg]at$ /atem5t ( ! l5g? ( leap !y repres5t4 ,also x probably has be5 s puzzl$ t its own]1 unless he kn[s some?+ ( danc+1 has fail$ to cat* ! value ( ! /ep z a ?+ ( beauty4 ,reasonable famili>ity ) ! =ego+ descriptions ( /eps w1 x is hop$1 enable ! read] to look at great danc+ ) ! add$ joy t comes ( intellig5t sympa?y ) ! ballet's int5t z decoration1 z well z insight into its te*nical means4 ,! rsum ( /eps includes ! ballet's fundam5tals4 ,ea* /ep has its v>iations1 z has be5 sugge/$2 "s ( ! v>iations div]ge f> en\gh f ! basic /ep to h e>n$ a special designation4 ,= ! sake ( simplicity1 ! special names ( subv>ieties ( /eps h be5 elim9at$ f ?is little discussion2 b n at ! sacrifice ( any?+ t a well-in=m$ connoisseur ( ! ballet ne$ "k4 ,x is a subject ^: /udy is accompani$ by ! satisfaction t "t sp5t on x is n be+ fritt]$ away on an affair ( a day4 ,"s ( ! /eps are coeval ) ! e>lie/ graphic records ( social life2 ,emmanuel 7,la ,danse ,grecque ,antique7 has made a fasc9at+ book %[+ ! use ( _m pres5t-day ballet /eps 7includ+ 8toe-"w07 by ! figures on e>ly ,greek c]amics1 c>v+s1 etc4 ,v>i\s ages h add$ to ! vocabul>y ( *oreographic mat]ial2 ! national academies ( ,france & ,italy h pres]v$ t :i* is contributory to _! ideals ( almo/ ar*itectural /yle1 & reject$ t :i* lacks =m1 ev5 ?\gh expressive4 ,! t\rs & pas ( :i* ballet eloqu5ce is compos$1 !re=e1 repres5t a selection bas$ on g5]ations ( c>eful & accurately record$ exp]im5t 9 ! int]e/ ( pure beauty4 ,! designation 8classic10 atta*$ to ,fr5* & ,italian ballets1 is 9 all ways correct & des]v$4 ,! wat*ful c>e ( gu>dians keeps bo? s*ools alo( f pass+ caprices ( ! public1 & uncorrupt$ by vulg> fa%ions4 ,!re is a pres5t & gr[+ movem5t t[>d naturali/ic pantomime--a mode comb9+ ) popul>ity en\gh intr9sic good to occasion anxiety le/ ! classic ballet p]i% "u its mom5tum4 ,9 reply to :i* let x be emphasis$ at ?is po9t t ! old s*ools nev] h fail$ to incorporate ! good ( :atev] has (f]$2 :]eas t :i* 0 n ( intr9sic value always has pass$ away ?r\gh its own lack ( /hetic s\ndness4 ,! ,russian academy bases its te*nique on ! ,fr5*-,italian1 & insi/s on x rig\r\sly z a gr\ndwork2 ,madame ,pavl[a's practice is conduct$ ,illu/ration3 ,,classic ,,ballet ,,positions ,mlle4 ,l\ise ,la ,gai ,typical mom5ts 9 a r5v]s 7#a1 #b1 #c1 #d1 #e7--,/>t+ a developp 7#f7--,progress ( a ,rond de jambe 7#g1 #h1 #i7--7;,cont9u$7 ,illu/ration3 ,,classic ,,ballet ,,positions 7,cont9u$7 ,rond de jambe 7#aj7--;,jet t\r 7#aa7--,pas de b\rre 7#ab7--,prep>ation = a ,pir\ette 7#ac7--,position sur la po9te 7#ad7--;,a f\ett t\r1 inw>d 7#ae7--;,a cabriole d]rire 7#af7--;,desc5t f an entre*at 7#ag7--;,an arabesque 7#ah7 ,to face page #hj daily "u ! eye ( h] ,italian mae/ro1 ,ceccetti4 ,lydia ,lop\k[a1 ,alex&] ,vol99e--p]fect1 bo?1 9 academic =m2 _! romantic pantomime is an addition1 n a corruption4 ,^! are among ! great arti/ic intellig5ces 9 ! new ,russian movem5t4 ,meantime arises a horde ( be+s possess$ ( 8s\l10 8,god-giv5 individuality10 8natural & unhamp]$ grace10 boa/+ ( _! self-evid5t innoc5ce ( all in/ruction4 ,^! la/ con/itute ! tidal wave t excites al>mi/s1 on behalf ( ! classic ballet6 ,no less subject to rule & =m ?an /eps & _! elem5ts is *oreographic composition4 ,/eps are phras$ & phrases repeat$1 exactly z 9 music4 ,by ! same =mality ( con/ruction1 ea* movem5t ( ! composition is dom9at$ by a fix$ !me4 ,suppose an entrance is 9 ! coquetti% mood3 x is n unlikely t ! ballet-ma/] w elect to int]pret t mood by :irls--9 o!r words1 ! horizontal circle4 ,! girl may approa* ! man 9 a wide piqu t\r 7a /age-cov]+ circle1 ! danc] pick+ h] /eps ) emphasis$ da9t9ess71 elude 8 grasp by means ( a s]ies ( rapid pas de b\rre turns1 & p]haps f9ally sp9 into 8 arms at ! f9i% ( a pir\ette4 ,ev]y?+ is kept 9 turns1 & 9 little vivaci\s /eps2 no great elevation1 no op5 or sweep+ movem5ts2 no?+ ( ! glori\s1 ev]y?+ to secure da9t9ess4 ,aga91 ! same motive might be r5d]$ 9 q ano!r way1 namely1 by %ort advances1 retreats & /eps to ! side4 ,! passage might />t ) a s]ies ( relevs--quick1 %>p rises to ! toe1 ! free foot cross+ to pose 9 front ( ! ankle ( ! support+ foot1 aft] describ+ 7ea* /ep7 a petit battem5t en avant2 %ort1 crisp1 da9ty movem5ts1 all4 ,9 ?is gr\p might appropriately be includ$ pas de b\rre dessus-dess\s 7i4 e41 9 front & beh9d72 glissades2 petits battem5ts2 & ! devili%-look+ little pas-de-*at4 ,9 ! same en*a9em5t might easily be gr\p$ ! entre*at4 ,all ^! /eps may unite 9 a simil>ity ( action3 slight elevation1 & a %ort1 saucy movem5t 9 :i* ! horizontal direction pr$om9ates4 ,if ! mood to be express$ 7 ! triumphant1 its int]pretation might beg9 ) a s]ies ( pas de *eval4 ,) ?is ! ballon & a rond de jambe f9i%+ en arabesque w\ld unite coh]5tly1 _! movem5ts all be+ bas$ on ! g5]al =m ( an ar*4 ,to multiply in/ances ( arrangem5t by !me is ne$less4 ,a ballet-ma/] w\ld admit a great] v>iety ( /eps toge!r 9 sequ5ce ?an ! =ego+ p>agraphs indicate2 :irl+ d]vi%es produce an effect by turns alone4 ,! in/ances are giv5 ) view only to emphasis+ ! pr9ciple ( !me unity4 ,:at is n obvi\s to him :o nev] has se5 ! horrible example ( lack ( obs]vance ( ?is pr9ciple is1 t x is n an arbitr>y conv5tion1 b a fundam5tal necessity4 ,x is no uncommon ?+ to see good execution completely wa/$ 9 a helt]-skelt] ?r[+ toge!r ( /eps t lead to no?+4 ,cumulative developm5t--) adornm5t b n digression--along a c]ta9 l9e1 w coax ! spectator into a mood ( full sympa?y ) ! p]=mance4 ,b a s]ies ( unrelat$ turns1 jumps sidewise & up 9 ! air1 entre*ats & kicks1 be>s ab\t ! same relation to *oreographic argum5t z a cat's antics on ! keybo>d ( a piano does to ! "w ( a musician4 ,x w ( c\rse be und]/ood t ! ballet-ma/]'s problem is complicat$ by requirem5ts & limitations n ev5 t\*$ ^u 9 ?is "w4 ,con=mity to 8 accompany+ music1 = in/ance1 is alone a matt] ( c>eful /udy4 ,9 =m] g5]ations1 be=e ! pres5t relative importance ( music1 ! musical compos] foll[$ ! sc5>io ( ! ballet1 :i* 0 compos$ fir/ & indep5d5tly4 ,n[adays--ow+ to causes z to :i* speculation is free--! proc$ure is rev]s$4 ,! ballet-ma/] mu/ n only foll[ phras+ z x is writt52 he mu/ move 8 p ab\t ! /age 9 felicit\s gr\p evolutions1 bas+ _! /eps on a fix$ numb] ( musical b>s & beats4 ,?is requirem5t dispos$ (1 he %\ld int]pret ! music's *ang+ moods ) appropriate /eps4 ,tak+ z an example a bit ( ! ,ballet ( ! ,h\rs 9 ,gioconda3 ! music ( ! h\rs be=e dawn is l>go & dreamy1 break+ into a sp>kl+ allegro z ! light comes1 increas+ 9 spe$ & /r5g? until a =te tells ( ! full-fl$g$ new day4 ,!re are /eps & comb9ations to r5d] ^! motives ) ! utmo/ expressiv5ess4 ,failure to employ !m does n repres5t lack ( compet5ce on ! "p ( ! director1 s (t5 z x does inadequacy ( ! human mat]ial at 8 disposal4 ,9 ,am]ica1 at pres5t1 ! task ( produc+ effects ) p ^: incapability he mu/ conceal is p]haps ! mo/ s]i\s emb>rassm5t ! ballet-ma/] has to face4 ,! danc]'s supreme virtue is /yle4 ,if1 beg9n+ z a naturally graceful y\ng/]1 he has be5 dilig5t = f f\r to sev5 ye>s 9 ballet s*ool1 he w h x2 "s acquire x by /udy alone4 ,) practice f two to f\r h\rs e morn+1 & half an h\r to an h\r be=e ea* p]=mance1 he is likely to keep x4 ,:at /yle is1 is n = words to def9e4 ,to pres]ve ma!matical precision 9 a s]ies ( def9itely prescrib$ movem5ts1 :ile execut+ ^? movem5ts ) ! fl[+ sweep ( p]fect relaxation2 to move ?r\gh ! air l a breeze-waft$ leaf1 & alight ) a leaf's air9ess2 to ennoble ! viol5ce ( a savage ) a demi-god's dignity2 to comb9e woman's s$uctiv5ess ) ! illusiv5ess ( a _s--^! ?+s are n /yle1 b ! k9d ( ?+ t /yle makes possible1 ! magic results f ! p]fect co-ord9ation ( _m =ces1 bo? /hetic & me*anical4 ,"s ( ! latt]1 z to !ory1 are readily en\gh und]/ood4 ,( ! ballet danc]'s ev]-surpris+ defiance ( ! law ( gravity1 ! m obvi\s means are ! pli1 to s(t5 a desc5t1 & a mann] ( pick+ up ! weight s quickly t ! body seems buoyant4 ,( p]haps no less value1 ?\gh n s obvi\s1 is ! /raight knee4 ,to ! eye x gives a s5sation ( sure ar*itectural support--d\btless ?r\gh ! sugge/ion ( a column4 ,! me*anical importance ( ! /raight support+ knee is no less ?an ! /hetic1 s9ce a firm f\ndation is ess5tial to p]fect control ( body1 arms & head4 ,:5 ! knee 8slumps10 ! usual consequ5ce is a s(t5$ back & a collaps$ *e/4 ,! muscles ( ! body 8let d[n10 ! f9e1 hyp]s5sitive control ( head & arms is gone4 ,crisp movem5t be+ impossible to !m )\t a s\nd1 spr+y body z a base to "w on1 ! "w becomes monoton\s & soggy4 ,! !ory ( a /raight support+ axis applies also to ! foot z soon z x rises sur la po9te4 ,! foot ( ,madame ,pavl[a en arabesque 7see reproduction ( h] photograph7 illu/rates ! pr9ciple4 ,me*anically1 !re is def9ite advantage 9 an absolutely v]tical support2 :ile ! spectator's visual impression ass]ts )\t hesitation t ! figure above ! foot is )\t weight :atev]4 ,! sup]b l9e ( ! ankle1 cont9u\s 9 sweep ov] ! in/ep1 is n ! lea/ ( ! wond]s ( :at1 if "o 7 writ+ 9 ,spani%1 "o c\ld )\t extravagance ref] to z 8t little foot ( gold40 ,x %\ld n 9 ! lea/ modify admiration ( ?is sup]lative bit ( te*nique to dispel ! n uncommon belief t ris+ on ! toes is a cause ( physical torm5t1 a feat requir+ extraord9>y /r5g?1 or 9 itself an a*ievem5t to insi/ ^u4 ,q ! contr>y4 ,l e o!r position 9 ! dance1 any half-tra9$ p]=m] or /ud5t c get x1 all except ! quality4 ,z soon z a pupil has acquir$ ! equilibrium t ought to prec$e toe-"w1 ! necess>y muscul> developm5t has tak5 c>e ( itself1 z a g5]al rule2 & %e takes position on ! po9t )\t special ef=t4 ,help is giv5 ! foot by ! h>d-toe slipp]1 comb9+ z x does ! support ( a well-fitt$ %oe ) a squ>e1 blunt toe4 ,! latt]1 ?\gh ( small area1 furni%es "s base to /& on4 ,/iff5+ 9 ! =e-"p ( ! %oe protects ! toes aga9/ bruis+ 9 ! desc5t f leaps4 ,position on ! po9t ju/ly claims att5tion z an acrobatic wond]1 :5 x is tak5 b>efoot$4 ,& a danc] :o1 b>efoot$1 c p]=m /eps on ! po9t1 support+ h]self easily ) "o foot (f ! floor1 is simply hyp]-normal 9 /r5g? ( ankles1 feet1 & legs4 ,miss ,bessie ,clayton is su* a "o1 & v likely ! only "o4 ,x is a feat ^: abs5ce f =mal danc+ is n felt1 ?\gh its use w\ld be effective 9 "s ( ! re-creations ( ,greek "w4 ,!re is evid5ce t ! e>ly ,greeks practic$ x1 z be=e not$4 ,9 our own times1 !re is only "o in/ance1 among ! /ories ev] he>d by ! au?ors1 ( b>efoot "w on ! po9t be+ done 9 public2 & t p]=mance1 oddly en\gh1 took place 9 prec$5t-wor%ipp+ ,spa94 ,! occasion 0 "o ( ^? competitions t ,spani>ds love to arrange :5 two or m good danc]s happ5 to play ! same t[n at ! same "t4 ,trem5d\s affairs2 n only does rivalry approa* ! l9e ( physical ho/ilities among ! spectators1 b ! competition draws out feats ( special virtuosity t ! danc]s h practic$ secretly1 9 anticipation ( su* cont+5cies4 ,la ,gitanita 7! ,little ,gipsy71 "o ( ! competitors 9 ! ev5t ref]r$ to1 _h1 = "s ye>s1 put 9 a pati5t half-h\r a day on ! ends ( h] b>e toes1 )\t ! k ( any b ! memb]s ( h] family4 ,:51 !re=e1 at ! com+ ( h] turn 9 ! competition1 %e ?rew h] %oes to ! audi5ce1 & h] /ock+s beh9d a w+1 & danc$ a copla ( las ,sevillanas on ! po9t1 ! conte/ 0 settl$4 ,mo/ ( ! spectators nev] _h he>d ev5 ( ! exi/5ce ( su* a ?+ z toe-"w1 because x does n exi/ 9 ,spani% danc+4 ,! exp]i5ce to !m 0 l witness+ a miracle2 s x happ5s t ,la ,gitanita1 _m ye>s dead1 is /ill talk$ ( :5 ,spani% conv]sation turns to incr$ible feats ( danc+4 ,) su* r>e exceptions z ! above1 h[ev]1 ! p]son :o is happy 9 see+ difficulties ov]come is be/ repaid by wat*+ ! mann] in/ead ( ! matt]4 ,!re is h>dly a /ep b c be fl\nd]$ ?r\gh1 if real execution be disreg>d$4 ,! difficulties t take ye>s to ma/]1 t keep ! front rank ?91 are ^? ( nobility1 ease & precision ( action4 ,naturally1 x is h>d] to pres]ve ^! qualities ?r\gh a r5v]s ?an 9 a pas de ,basque2 b !re is no m]it 9 exhibit+ a r5v]s badly done4 ,! latt] is a p]t95t in/ance ( ?+s difficult to d well4 ,a f\ett t\r 8inw>d0 is n safely attempt$ by any b ! mo/ skilful2 nor is ei!r a f\ett or a rond de jambe1 f9i%+ 9 arabesque4 ,to keep ! movem5t cont9u\s1 imp]ceptibly sl[+ x d[n z ! arabesque settles into its f9al pose1 requires ability ( a r>e grade4 ,z ! little alt]nat+ /eps furni% ! means ( rega9+ equilibrium aft] a big pas or t\r1 x foll[s t _! elim9ation f an en*a9em5t repres5ts a t\r de =ce4 ,?is is especially true if ! big /eps be tak5 at a sl[ tempo 7z an adagio1 s call$72 & difficulties are comp\nd$ if ! arti/ p]=ms ! entire adagio on ! po9t4 ,few !re are 9 any g5]ation :o c attempt su* a flight4 ,b !re are _m qualities ju/ly to be dem&$ ( any arti/ :o /eps be=e an audi5ce4 ,crisp1 /raight-l9e movem5ts %\ld be cleanly diff]5tiat$ f ! s(t & fl[+4 ,an entre*at n z %>p-cut z a diamond repres5ts incompet5t or slov5ly workman%ip4 ,! same applies to o!r /eps ( ! /accato "*--z battem5ts1 briss1 pir\ettes sur le c\-de-pi$4 ,ea* danc] rightly has 8 own individuality2 & ! movem5ts ( "o w be dom9at$ by a liquid quality1 :ile ano!r's w be brilliant1 or 8snappy40 ,b a danc] :o is truly an arti/ has1 )9 8 scope1 a good contra/ betwe5 ! sev]al types ( movem5t4 ,lack ( su* contra/ may cause a s5se ( monotony ev5 9 v skilful "w4 ,elevation also is important 9 pres]v+ a s5se ( v>iety4 ,n only pli & rise are made to s]ve2 rais+s ( ! arms add imm5sely to ! s5se ( v]tical uplift :5 height is s\ght4 ,a c]ta9 con=mity to geometrical exactness is necess>y to ! satisfaction ( ! spectator's eye1 & is obs]v$ by all b ! incompet5t4 ,n t movem5t %\ld be rigid--v mu* to ! contr>y4 8,geometry0 is a s9i/] ^w2 int]pret$ 9 a s5se 9 :i* x is n meant1 x w\ld be mislead+4 ,an example is sometimes cle>] ?an attempt$ def9itions or descriptions4 ,if1 hav+ giv5 an ord] = a gr&fa!r's clock1 ! recipi5t f\nd on deliv]y t x did n /& q /raight1 he w\ld be annoy$4 ,suppose !n t fur!r obs]vation reveal$ t ! face ( ! clock 0 n 9 ! middle1 t ! c5tre ( ! circle describ$ by ! h&s 0 n ! c5tre ( ! face1 t ! face 0 no m ?an an indet]m9ate approximation ( a circle1 & t ! num]als 7 plac$ at r&om int]vals2 ! eye ( ! clock's own] w\ld be (f5d$4 ,v>i\s /hetic & psy*ological argum5ts might be appli$ to ! ju/ification ( 8 feel+1 b !y are n ne$$4 ,! futility ( ne>-circles1 approximate "r angles & wobbly l9es is felt in/9ctively4 ,yet ! eye rejoices 9 ! 8free-h&0 sweep ( l9e correct 9 placem5t1 ?\gh n subject$ to ! re/rictions ( /raight-edge & compass4 ,ask+ = acceptance 9 su* s5se ( ! t]ms 8geometrical0 & 8precision10 we may return to our discussion ( ! ballet4 ,! decorative iniquity ( ! hypo!tical clock atta*es to all danc+ t fails to give to precision ! mo/ rig\r\s consid]ation4 ,! imag9>y circle describ$ 9 a pir\ette = example1 is divid$ into halves & qu>t]s4 ,let u suppose ! pir\ette to end 9 arabesque1 /opp+ on ! half-circle1 br++ ! danc] 9 pr(ile to ! audi5ce3 a v few degrees (f ! half-circle are1 f ! ballet-ma/]'s po9t ( view1 ab\t ( a k9d ) a few c5timetres sep>at+ ! misplac$ clock h&s f _! prop] situation 9 ! c5tre ( ! dial4 ,! petit rond de jambe has its imag9>y qu>t] ( ! great circle 9 :i* to play1 & :i* x mu/ fill4 ,9 a f\ett1 ! sweep ( ! foot />ts at ! qu>t]-circle 7m>k$ by an imag9>y lat]al plane ?r\gh ! danc]'s body71 & rea*es back j to ! half-circle 7def9$ by a simil> plane1 drawn longitud9ally74 ,! lat]al elevations ( ! legs are likewise subject to law1 ! imag9>y v]tical circle describ$ by ! leg z radius be+ divid$ into eights1 to all[ ! leg to use ! angle ( =ty-five degrees2 exp]i5ce %[s t ?is diagonal1 half a "r angle1 is pleas+ to ! eye & n di/urb+ to ! s5ses4 ,! h&s & =e>ms are turn$ 9 su* a way z to elim9ate elb[s1 ! co9cid5ce ( a cont\r ( ! arm ) an arc ( a big 7imag9>y7 circle be+ always s\ght4 ,! conv5tion ( 8toe+ out0 has z an object ! %[+ ( ankles & legs to ! be/ advantage4 ,on ! flat foot ! advantage is n s app>5t2 b exp]im5t %[s t po9t+ out & d[n greatly helps ! appe>ance ( a foot 9 ! air4 ,! support+ foot & leg also %[ ! b5efit ( ! device z soon z ! danc] rises to ! ball ( ! foot or ! po9t4 ,moreov]1 x is obvi\s t ! po9t+ ( a support+ foot =w>d w\ld necessitate *anges f ! classic =m ( _m /eps4 ,rec5t ye>s h br\ght out a volume ( prote/ to ! effect t ! classic ballet's re/riction ( movem5t too sev]ely limits expression4 ,! prote/ is "r or wrong accord+ to po9t ( view1 & po9t ( view is a matt] ( hi/orical p]iod4 ,! ,fr5* s*ool comes to u f a "t :5 m5 kiss$ h&s & drew swords 9 exact accordance ) accept$ =ms1 & ! fav\r$ h\se-decoration 0 a tape/ry design$ on l9es purely ar*itectural4 ,! pres5t is a mom5t ( mu* conc]n ab\t fre$om ( ! individual1 & its expression4 ,curiosity is at boil+-po9t4 ,n>rative is s\ght4 ,we want some?+ to happ51 all ! "t4 ,& ^? :o fail to see ! actual occurr5ce want ! /ory ( x to be graphic4 ,mov+ pictures are v satisfy+ to ! majority4 ,acres ( popul> pictures are pa9t$ 9 boi/]\s disreg>d ( ord] or h>mony ( l9e & =m4 ,x w\ld be v pleasant = ^? :o enjoy optical beauty1 if public ta/e requir$ beauty z a fir/ requisite = popul>ity4 ,nev]!less1 popul> pictures z !y are d no p>ticul> h>m1 probably1 ei!r to ^? :o l !m or to ^? :o d n4 ,b1 if ! _w's great & beautiful mural decorations 7 sudd5ly pa9t$ ov] ) fr5zi$ or s5tim5tal illu/rations1 to 8mod]nise0 !m1 x w\ld be a diff]5t matt]4 ,t little public to :om beauty is z a necess>y su/5ance--by co9cid5ce ! same public t includes ! lead]s ( ?\ght 9 ea* g5]ation--w\ld h a good deal to say 9 ! l9e ( objection to su* desecration4 ,n[1 ! ballet is ess5tially a mural decoration1 pot5tially v great 9 p[] to exalt4 ,if a l>ge elem5t %\ld h its way1 ! next few ye>s w\ld see t decoration pa9t$ ov] ) a huge *oreographic /ory-picture1 s5tim5tal or fr5zi$1 reali/ic2 & beauty be hang$4 ,?is an>*i/ic mania is 9 no wise a doctr9e ( ! ,russians4 ,b _! undisc]n+ admir]s1 see+ 9 _! "w only ! l9es ( dep>ture f old-e/abli%$ =mul1 %\t to heav5 t any re/ra9t ( individual caprice is wrong4 ,innoc5t ( suspicion t su* ?+s z /hetic pr9ciples exi/1 !y =ce _! expression ( 8individuality0 to ! limit ( _! inv5tion4 ,& "s ( !m c]ta9ly are inv5tive4 ,=tunately ! great danc] is great l>gely because ( 8 p]ception ( ! value ( ord] & =m4 ,! be/ ( ! ,russians are great danc]s2 great arti/s 9 ! full s5se ( ! ^w4 ,!y are ! ones :o w pr(\ndly influ5ce ! /hetic ?\ght ( ! pres5t g5]ation1 & _! influ5ce w be s\nd & good4 ,oppos+ x w be _m a 8hit0 by skilful *>act]s1 & a dang]\s num]ical =ce among ! public4 ,x is easily possible t ! latt] influ5ce may prevail4 ,! gr& ballet is /ill an exp]im5t 9 ! ,am]ica ( ?is g5]ation4 ,x 0 "h ?irty ye>s ago1 & fell into ! h&s ( ,phili/9es1 :o %ap$ x into ! silly ?+ !y ?\ght !y want$1 & !n 7 =c$ to ab&on x because x 0 silly4 ,?an ! pres5t1 !re nev] 0 a m important crisis 9 ! cause ( *oreographic good ta/e4 ,! outcome dep5ds ^u ! mann] & degree 9 :i* ^? :o /& = good ta/e ass]t !mselves dur+ ! next few ye>s4 ,,*apt] ,v ,,! ,,gold5 ,,age ,,( ,,danc+ ,l\is ,,xiv br\ght public int]e/ 9 ! ballet to a po9t ( eag] excitem5t2 inde$1 ! influ5ce ( a mon>*'s consi/5t patronage1 includ+ ! f\ndation ( a national academy1 add$ to ! example ( 8 prom95t p>ticipation 9 ab\t ?irty allegorical danc+ spectacles1 c\ld n fail to be p[]ful4 ,) ! gr[? ( public int]e/ & intellig5ce1 ! ballet & ! te*nique ( danc+ develop$ comm5surately4 ,! two en?usiasms ( public & arti/s react$ on ea* o!r to ! advantage ( bo?2 9 ! un9t]rupt$ enri*m5t ( ! ballet ! public nev] fail$ to f9d its att5tion repaid 9 ev]-increas+ fasc9ation4 ,danc]s1 compos]s & directors1 on _! side1 ab&on$ !mselves to _! "w ) ! zeal t comes ( c]ta9ty t no good ?+ w pass unnotic$4 ,su* conditions br+ good results m ?an c be =ese5 ev5 by ^? actively engag$4 ,z1 9 fiction1 ! m9] 9 try+ to loos5 a nugget usually uncov]s a ve91 s x may occur 9 ! arts4 ,= in/ance1 ,cam>go f\nd t h] entre*at 0 difficult & ineffectual "u ! weight & l5g? ( ! fa%ionable skirt ( ! p]iod4 ,%e !re=e _h a skirt made rea*+ midway f knee to foot4 ,a simple solution8 ,c]ta9ly4 ,b x 0 ?\ght ( only aft] c5turies ( submission to clo!s t consid]$ fa%ion & disreg>d$ ! problems & possibilities ( ! danc]'s art4 ,& x repres5t$ ! species ( decision t risks act+ c\nt] to an accept$1 unque/ion$ in/itution4 ,x 0 n an ef=t to draw att5tion by means ( a spuri\s orig9ality4 ,cam>go's "w expla9$ ! *ange4 ,! public und]/ood & approv$4 ,! ballet 0 direct$ t[>d its co/ume2 a long j\rney lay ahead ( x1 b x 0 rightly />t$4 ,lib]ty ( movem5t s atta9$ at once put a premium on high] & m op5 /eps2 te*nical inv5tion 0 set to "w z nev] be=e4 ,! ballon1 v>i\s pas battus & ronds-de-jambe t foll[$ immeasurably enhanc$ ! scope ( ! ballet z an in/rum5t ( ocul>-or*e/ral expression4 ,new en*a9em5ts1 /rik+ 9 ! contra/ ( little "w ) big1 soon made ! c\rt dances--:i* = a p]iod _h con/itut$ ! ballet's work+ mat]ial--look old-fa%ion$4 ,! /age n[ requir$ consid]able elevation1 decid$ contra/s1 increas+ scope4 ,&1 :atev] ! co/ 9 skill & en]gy1 !re 7 danc]s eag] to exp5d ! en]gy & to give ! ne$$ ye>s to acquir+ ! skill4 ,s9ce ! days ( ! ,roman ,empire1 masks _h be5 worn to id5tify *>act]s4 ,n a bit ( clo? to cov] ! face1 m]ely2 b cumb]some ?+s ) plumes1 w+s1 metallic spikes 7i4 e41 ! rays ( ! sun worn by ,l\is ,,xiv 9 ! ,ballet ( ,night7 or :at-n1 s ext5d$ t !y re/rict$ ! action ( ! arms1 s heavy z to int]f]e ) /eps4 ,x 0 a clumsy conv5tion1 b x 0 z integrally a "p ( /age repres5tation z sc5]y is to-day1 & ! few :o wi%$ its abolition 7 outvot$ by a cauti\s majority4 ,at la/1 accord+ to h] cu/om ( help+ an ent]prise t is do+ well1 ,fate took a h&4 ,augu/e ,ve/ris fail$ to appe> = a c]ta9 p]=mance2 z ! "t = 8 entrance drew ne>1 ! anxi\s /age director ask$ ,g>del to 8g on0 9 ,ve/ris' "p4 ,g>del1 an until-t-"t ineffectual rebel aga9/ ! mask1 cons5t$2 b ) ! condition t ! mask be omitt$4 ,9 default ( arrangem5ts m to 8 satisfaction1 ! director cons5t$4 ,! public at once saw ! advantage ( ! *ange1 & 7 pleas$ ) ,g>del's appe>ance4 ,s began ! end ( ! dom9ion ( ! mask4 ,( ! notable p]sonalities t ! e>ly rays ( ! eighte5? c5tury illum9at$1 ! a=em5tion$ ,augu/e ,ve/ris 0 ! int]e/+ son ( a m int]e/+ fa!r4 ,! latt] 0 a g5ius ( ! v fir/ wat]1 ) a conceit s incr$ibly exagg]at$ t x is almo/ lovable4 8,?is c5tury10 he 0 accu/om$ to obs]ve1 8has produc$ b ?ree great m5--myself1 ,voltaire1 & ,fr$]ick ! ,great40 ,he sometimes sign$ himself 8le ,di\ de la ,danse02 himself a ,flor5t9e1 ! relation ( ,fr5* spell+ to pronunciation 0 contr>y to 8 ideas4 ,! phrase z he put x _h a special m]it1 & z 8le ,di\ de la ,danse0 he 0 kn[n ?r\gh 8 long life4 ,a lady1 hav+ /epp$ on 8 foot1 express$ a hope t %e _h n hurt him4 8,le ,di\0 depreciat$ ! hurt to himself1 b in=m$ ! lady t %e _h put ,p>is into a two-weeks' m\rn+4 ,( 8 son's leaps he said t if ,augu/e did n rema9 9 ! air =ev]1 x 0 because he did n wi% to humiliate 8 comrades4 ,! f\ndation ( ! ,op]a 0 ano!r ( ! impulses to act fav\rably1 if indirectly1 ^u ! int]e/s ( danc+4 ,its mode/ beg9n+ _h be5 made a few ye>s aft] t ( ! ballet academy4 ,! two arts at once comb9$ to produce a new v>iety ( musical spectacle1 namely1 op]a4 ,great music came to ! =e 9 response to ! add$ enc\ragem5t--b digressions mu/ be repress$4 ,contempor>y ) ,cam>go & ,sall 0 a dream] ( dreams too great to be realiz$ 9 8 own "t1 b ^: ideas take place among ! la/+ good influ5ces 9 art4 ,g>rick call$ him 8! ,%akespe>e ( ! ,dance03 8 "n 0 ,nov]re4 ,to ! po/ ( ballet-ma/] at ! ,op]a he br\ght ! exp]i5ce ( ye>s 9 simil> s]vice 9 ,/uttg>t1 ,vi5na & ,/4 ,pet]sburg4 ,8 "w he reg>d$ ) ! broad vision ( cultivat$ und]/&+ ( pa9t+1 music1 /ory1 act+ & danc+1 & ! functions ( ea*4 ,8 g5ius 01 above all else1 con/ructive2 8 ideal 0 to br+ ! arts into a h>moni\s union1 to :i* ea* %\ld contribute its utmo/1 :ile all %\ld be in=m$ ) & dom9at$ by a s+le /hetic purpose4 ,! ob/acle always block+ 8 pa? 0 n incompet5ce ( aides & arti/s1 n lack ( money1 nor any ( ! btes noires to :i* m rec5t ideali/s are accu/om$4 ,8 enemy 0 ! in]t1 impalpable & almo/ inv9cible =ce ( cu/om1 p>adoxically p]si/5t despite ! public's dem& = new ?+s4 ,x 0 cu/om t ! compos] ( a ballet %\ld always arrange = ! introduction ( ! specialties ( ! sev]al pr9cipals1 irrespective ( motives4 ,cu/om oblig$ him to arrange entrances 9 ! inv]se ord] ( ! arti/s' relative ranks--he ( lea/ rank 8go+ on0 fir/1 ! /> be+ ! la/ to appe>4 ,nov]re broke up ?is usage1 & *>act]s !reaft] ent]$ at times consi/5t ) plot-developm5t4 ,plots _h be5 crippl$ by accept$ beliefs t c]ta9 dance sequ5ces 7 unalt]able2 a ,gavotte1 = in/ance1 _h to be foll[$ by a ,tamb\r9 & a ,musette2 ! sequ5ce _h n be5 que/ion$4 ,nov]re saw ! possibilities ( danc+ z an in/rum5t ( expression2 he insi/$ t /eps & en*a9em5ts %\ld be compos$ to int5sify ! motive ( ! passage4 ,sc5]y1 he held1 %\ld contribute 9 ! same way to ! mood ( ! act x decorates4 ,pretty x _h be51 & execut$ by capable pa9t]s2 b ,nov]re f\nd its composition lack+ 9 consid]ation ( prop] relation%ip to ! o!r elem5ts ( ! production4 ,) himself he associat$ ,b\*] & "o or two o!r decorators ( less] "n2 "u 8 compreh5sion ( ! sc5e's dramatic int5t1 sett+s 7 design$ t reass]t$ 9 l9e1 =m & col\r ! argum5t ( ! sc5e's plot1 music & dance4 ,9 ?is dep>tm5t he 0 less successful ?an 9 o!rs4 ,b\*] made beautiful sket*es1 "s ( :i* are extant4 ,b "o has only to consid] op]a 9 8 own day to realise t any influ5ce ,nov]re ex]cis$ t[>d ! unification ( sc5]y ) music & plot1 0 n /rong en\gh to la/4 ,/ories tak5 f leg5d1 set among surr\nd+s z reali/ic z skill c pa9t !m2 tragic sc5es among ar*itecture & foliage col\r$ 9 ! key ( c>e-free frivolity--to enum]ate ! famili> discrepancies is unnecess>y4 ,tradition specifies a bright fir/-act 8set0 = ,c>m51 & grey = ! prison int]ior 9 ,fau/4 ,b ! pr(\nd correlation ( col\r & l9e ) ! explicit mood ( ! piece has rema9$ = ! ,russian1 ,lon ,bak/4 ,9 ! rec5t volcanic r5aissance ( danc+ effect$ by 8 fell[-c\ntrym51 ,m4 ,bak/ & 8 ideas h be5 a =ce second only to ! m>vell\s "w ( ! danc]s !mselves4 ,8 sc5]y /rikes ! note ( ! drama1 attunes ! spectator ) its mood1 at ! rise ( ! curta94 ,8 k ( pictorial composition he has ext5d$ to ! design+ ( co/umes2 8 broad arti/'s intellig5ce he has appli$ to ! composition & direction ( ballets6 ,x is 8 happy rle to realise ,nov]re's dream4 ,9 music ,nov]re work$ ) ,gluck1 9 c]ta9 productions at lea/2 & happily4 8,in/ead ( writ+ ! /eps on prescrib$ airs10 9 a free translation ( 8 own words1 8z is done ) c\plets ( famili> tunes1 ,i compos$--if ,i may s express myself--! dialogue ( my ballet & _h ! music made = ea* phrase & ea* idea4 ,x 0 j s t ,i dictat$ to ,gluck ! *>act]i/ic air ( ! ballet ( ! savages 9 ,iphig5ia 9 ,tauris2 ! /eps1 ! ge/ures1 ! expressions ( ! diff]5t p]sonages t ,i design$ = him gave to ! celebrat$ compos] ! "* ( ! composition ( t beautiful bit ( music40 ,! abolition ( ! mask 0 among ,nov]re's desires2 its =tuit\s accompli%m5t at a lat] "t already has be5 describ$4 ,9 8 ideals = co/ume re=m 9 g5]al he 0 only p>tly successful4 ,:at he /rove = seems to h be5 co/um+ 9 some?+ ( ! s5se ( its pres5t-day int]pretation by ! ,russians2 g>m5ts :olly 9 "* ) ! be+s repres5t$1 9 reg>d to race & p]iod1 yet conc$+ en\gh 9 l9e & col\r to enable !m to be us$ z "p ( ! mat]ial ( ab/ract int]pretation4 ,at ! beg9n+ ( 8 adm9i/ration ( ! ,op]a he f\nd ea* p]=m] dress$1 = ! mo/ "p1 accord+ to individual *oice3 ei!r ! draw+-room co/ume ( ! p]iod1 or ! same ) %ort5$ skirt1 la ,cam>go4 ,to ?is 0 add$ ! mask1 an enorm\s wig 7unrelat$ to ! "*7 & "s su* symbol z a leop>d sk91 a wrea? ( fl[]s1 or m likely a prop]ty su* z a b[ & quiv] ( arr[s1 or a pair ( bell[s4 ,9 ! ord] m5tion$1 su* articles repres5t$ a bac*ante1 ,flora1 ,cupid1 & ,zephyrus4 ,except+ ! sup]add$ m>ks ( id5tification1 arti/s provid$ _! own w>drobe4 ,! lack ( consi/5t sup]vision & its natural consequ5ce is exemplifi$ 9 an anecdote ( a memb] ( ! corps de ballet 9 ,le ,c>naval et la ,folie3 9 ! p]=mance %e exhibit$ a s]ies ( g[ns ( ,adri5ne ,lec\vreur1 :i* %e _h ?riftily pick$ up at a sale ( ! rec5tly deceas$ trag$i5ne's effects4 ,9 ! ballet ( ,! ,horatii1 ( ,nov]re's own composition1 8,camilla wore a huge hoop$ petticoat1 h] hair pil$ up ?ree feet high ) fl[]s & ribbons4 ,h] bro!rs wore long-skirt coats1 set out f _! hips by padd+40 ,& s =?4 ,x is to be not$ t ,roman & ,greek my?ology liv$ & fl\ri%$1 b no long] exclud$ o!r lore f ! compos]'s use4 ,a li/ ( ,nov]re's ballets d'action includes ,! ,dea? ( ,ajax1 ,! ,judgm5t ( ,p>is1 ,orpheus' ,desc5t into ,hell1 ,r9aldo & ,armida1 ,! ,caprices ( ,galatea1 ,! ,toilette ( ,v5us & ! ,roses ( ,love1 ,! ,jeal\sies ( ! ,s]aglio1 ,! ,dea? ( ,agamemnon1 ,! ,clem5cy ( ,titus1 ,cupid ! ,pirate & ,! ,emb>kation = ,cy!ra4 ,8 "w ( p]man5t value1 /ill read by compos]s & ballet-ma/]s1 is 8 book ,lett]s on ! ,imitative ,arts4 ,= 8 light composition1 ,les ,petits ,ri5s1 ! music 0 by ,moz>t4 ,not)/&+ 8 failure to accompli% all he hop$ 9 ! sev]al dep>tm5ts ( 8 organisation1 & 9 spite ( 8 r pessimi/ic op9ions ( e>ly eighte5?-c5tury conditions affect+ ! ballet1 ! dance 0 ent]+ its gold5 age4 ,pantomime--l>gely ow+ to ! enri*m5t he _h giv5 x out ( ! fruits ( 8 /udy ( ,g>rick's me?ods--_h expon5ts :o c\ld t\* ! he>t4 ,writ+s began to %[ intellig5t & explicit criticism1 & t ( a nature to prove t *oreographic execution _h rea*$ a high po9t4 ,! add$ scope af=d$ by new acquisitions ( mat]ial 9 ! /eps all[$ arti/s to g f> 9 developm5t ( individuality4 ,cam>go *>m$ by p]fection ( te*nique2 8%e danc$ to dance1 n to /ir emotion40 ,h] special /eps are enum]at$3 besides ! entre*at1 %e %one 9 jets battus & a frictionless entre*at c\p4 ,ab\t h] "w !re 0 a heal?y public controv]sy1 a vig\r\s m9ority prote/+ aga9/ idolisation ( "o :o !y ass]t$ _h virtuosity only4 ,& ! prote/s %[ analytical und]/&+ ( ! dance4 ,sall's m delib]ate1 probably m feel+ "w1 has be5 not$ 9 an e>li] *apt]4 ,h] popul>ity h>dly c\ld h be5 less1 all told1 ?an t ( h] rival4 ,mlles4 ,all>d & ,guim>d 7 two />s :o foll[$ a little lat] 9 ! same p]iod4 ,! =m] comb9$ extraord9>y vig\r ) pa!tic pantomime4 ,! "w ( ,guim>d 0 delicate1 pretty1 light4 8,%e is a %ad[1 flitt+ ?r\gh ,elysian groves10 "o ( h] contempor>ies wrote ( h]4 ,c]ta9ly %e _h ! art ( pleas+1 on ! /age or (f4 ,! li/ ( em95t competitors = h] affection is eloqu5t n 9 its l5g?1 b 9 ! numb] ( occupants ( high /ation--includ+ ?ree pr9ces ( ! ,*ur*4 ,) a passion = !atrical & political intrigue %e comb9$ a _s ( ! utmo/ g5]osity4 ,to h] ! pa9t] ,david ow$ 8 pr(essional beg9n+s2 he 0 an art /ud5t )\t means to /udy1 & engag$ 9 h\se-pa9t+ = a livelihood1 :5 ,guim>d secur$ him a p5sion t af=d$ him /udy at ,rome4 ,"s ( ,fragon>d's be/ decorations 7 made = h] e/abli%m5ts4 ,h] refusal to h any rival ab\t h] kept ! ,op]a 9 an upro>4 ,p]fectly appo9t$ little !atres 9 bo? h] c\ntry & city homes enabl$ h]1 ) h] ta/e1 means1 & popul>ity among ! p ( ! /age1 to give p]=mances = :i* invitations 7 mo/ highly priz$4 ,= ^! p]=mances %e made a practice ( sett+ dates to co9cide ) c\rt receptions1 kn[+ f exp]i5ce t ! be/ wit & mo/ ( ! elegance ( ,p>is w\ld make excuses to ! c\rt4 ,f ?is e/ate %e 0 r$uc$1 p>tly by ! /orm ( ! ,revolution1 to a condition ( mis]able pov]ty la/+ until h] dea?2 :i* 0 delay$ until h] sev5ty-f\r? ye>4 ,m5 did n fall %ort ( wom5 9 m]it & recognition4 ,beside ! ,ve/ris1 fa!r & son1 fame t\*$ ,javilli]1 ,daub]val1 & ! com$y danc] ,lany4 ,maximilian ,g>del1 he :o sub/itut$ = ,augu/e ,ve/ris on condition ( appe>+ )\t ! mask 7,apollo1 9 ,ca/or & ,pollux 0 ! rle71 0 a compos] ( note z well z a danc]4 ,8 bro!r ,pi]re add$ to ^! qualities skill z a viol9i/4 99 99 99 99 99 ,! progress ( ! ballet 0 halt$ by ! ,revolution4 ,g>del head$ an ef=t to keep x 9 motion ) ! aid ( a spectacle ,la ,m>seillaise z vehicle2 b ! p 7 on ! /reets1 danc+ la ,c>magnole1 & nobility 7 z f> f ,p>is z possible4 ,x is probable t ! ballet 0 set d[n z an ari/ocratic in/itution4 ,napoleon includ$ a corps de ballet 9 ! equipm5t ( ! campaign 9 ,egypt2 b x signifi$ no?+ to ! advantage ( ! art4 ,imm$iately aft] ! ,t]ror1 eighte5 hundr$ dance-halls 7 op5$ 9 ,p>is1 to furni%1 sev5 nights a week1 relief = fev] & fr5zy4 ,ev5 ,engl& 0 too preoccupi$ to (f] ! ballet a dwell+2 its organisation1 = ! "t be+1 0 lo/4 ,b only = ! "t be+4 ,hi/ory records a bit ( int]national negotiation indicat+ ,europe's read9ess to return to ! realities ( life & ! happ9ess !re(4 ,9 #ahba an ambassador ( a great p[] act$ (ficially z an impres>io ( danc]s4 ,engl&1 ^: be/ public ta/e nev] has be5 satisfi$ ) ! "w ( h] own p1 01 )9 a few ye>s aft] ! peace1 aga9 seek+ danc]s 9 ,france4 ,ef=ts to get ! be/ 7 h&icapp$4 ,! national "* ( ! ,fr5* ,academy makes its pupils & graduates w>ds ( _! gov]nm5t1 9 effect2 gov]nm5t p]mission is & 0 necess>y z a condition to leav+ ! c\ntry4 ,negotiations !re=e 7 put into ! h&s ( ! ,briti% ambassador1 less =mal deal+s app>5tly hav+ fail$ to produce results4 ,! agreem5t 0 incorporat$ 9 ! =m ( a treaty1 ,france agree+ to l5d ,engl& two fir/ & two second danc]s1 ,engl& 9 return agree+ n to attempt to engage any o!rs )\t ! ,academy's cons5t4 ,m4 ,alb]t & ,mlle4 ,noblet 7 ! fir/ two arti/s to be tak5 to ,london "u ! new arrangem5t1 at sal>ies ( #agjj & #aejj respectively4 ,dur+ ! same p]iod1 & = ye>s aft]1 ,h] ,maje/y's ,!atre _h ! s]vices ( ,c>lo ,blasis1 "o ( ! mo/ capable ballet-ma/]s ( 8 "t1 fa!r ( sev]al virtuosi1 & ! writ] ( books ( la/+ value on ! subject ( 8 pr(ession4 ,danc+ rea*$ a popul>ity t w\ld seem ! utmo/ atta9able1 7 x n = disclosures to be made 9 ! ye>s soon to come4 ,beauty & its appreciation w c>ry a public to a condition ( ec/asy4 ,if to ?is be add$ ! incessant discussion att5dant on a controv]sy1 ) ! hot p>tisan%ip t accompanies ! coexi/5ce ( rival />s1 ! devotional flame is augm5t$ by fuel ( high calorific value4 ,n )\t cause 7 ! ho/ilities ( ,pylades & ,ba?yllus1 ( ,sall & ,cam>go1 associat$ ) great public en?usiasm4 ,to arti/ic appreciation !y add$ ! elem5t ( sport+ int]e/4 ,9 ,m>ie ,taglioni & ,fanny ,ellsl]1 ,europe _h ! p>ties to a ye>s-long competition t 0 ,olympian 9 quality & incr$ible 9 its hold on ! sympa?ies ( ! public4 ,bo? goddesses 9 art1 _! p]sonalities & ! g5res ( _! "w 7 at opposite extremes4 ,9 ,p5d5nis ,?ack]ay asks1 8,w ! "y folks ev] see any?+ s *>m+1 any?+ s classic1 any?+ l ,taglioni80 ,( ,ellsl]1 ,flit* quotes words equally en?usia/ic--& less coh]5t--f ! p5 ( ,!ophile ,gauti]1 :o 0 an incurable maniac & copi\s writ] on ! subject ( danc+3 8,n[ %e d>ts =w>d2 ! ca/anets comm5ce _! sonor\s clatt]2 ) h] h&s %e seems to %ake d[n clu/]s ( rhy?m4 ,h[ %e twi/s6 h[ %e b5ds6 :at fire6 :at voluptu\sness ( motion6 :at eag] ze/6 ,h] arms seem to swoon1 h] head droops1 h] body curves backw>d until h] :ite %\ld]s almo/ graze ! gr\nd4 ,:at *>m ( ge/ure6 ,& ) t h& :i* sweeps ov] ! dazzle ( ! footlights w\ld n "o say t %e ga!r$ all ! desires & all ! en?usiasms ( ^? t wat* h]80 ,?is ref]r$ to a ,ca*u*a t %e _h br\ght f ,spa92 a dance ^: /eps h be5 recompos$ "u o!r names1 its orig9al "n =gott5 except 9 association ) ! "n & ! art ( ,ellsl]4 ,x 0 a p]fect vehicle = ! exploitation ( ! ard5t qualities t ! little ,au/rian 0 made (1 & on h] r5d]+ ( x 0 bas$ a great "p ( h] fame4 ,taglioni1 9 contra/1 0 a be+ ( _s1 innoc5t ( mortal exp]i5ce1 free f ties ( ! e>?4 ,h] tra9+ 0 /rictly )9 ! b\nds ( ! classic ballet2 dur+ h] c>e] %e greatly amplifi$ its range1 yet %e always kept )9 its premise4 ,?\gh born 9 ,/ockholm1 h] fa!r 0 an ,italian ballet-ma/]1 & two ( h] aunts 7 danc]s ( reputation4 ,h] a*ievem5ts repres5t$ a triumph ( *oreographic inh]itance & tra9+ ov] an ill-=m$ body2 9 *ildhood %e is said to h be5 a hun*back4 ,) tra9+ h] figure became normal 9 /r5g?1 & atta9$ a quality ( =m 9 keep+ ) h] select$ rles4 ,b ov]/rong features depriv$ h] ( ! danc]'s adv5titi\s aid ( facial beauty4 ,h] triumphs 7 a*iev$ by art alone4 ,vi5na %e conqu]$ at ! age ( tw5ty1 9 #ahbb1 ! ye> ( h] db4 ,p>is 0 n s readily mov$2 b a success 9 t capital 0 a practical necessity to a great c>e]1 & ,taglioni nev] re/$ until %e secur$ its approval1 express$ 9 t]ms t p5etrat$ ,europe4 ,bus9ess g5]al%ip 0 n ! lea/ ( ! attributes ( ! ,taglioni1 fa!r & daught]2 !y recognis$ ! propiti\s h\r = an engagem5t 9 ,london4 ,! contract includ$ p5sion+ a numb] ( _! family1 & #ajj a p]=mance4 ,results m ?an ju/ifi$ ! t]ms2 ticket sales = ,taglioni's nights usually 7 ( ! nature ( riots4 ,x is z fair to connect ) ?is box-(fice success1 z ) any quality ( ! arti/ h]self1 ! /ory ( h] 8hold+ up0 a p]=mance until ! managem5t ( ! !atre %\ld make a sub/antial paym5t on an acc\nt due4 ,x is unlovable 9 an arti/ to keep an audi5ce wait+1 & put a manag] to ! necessity ( mak+ explanations4 ,x is unlovable 9 a coal deal] to discont9ue supplies until a debt is settl$4 ,taglioni paid z heavily = ! excell5ce %e put into h] "w z ev] did m9] or m]*ant = ! goods he put on 8 scales4 ,h] tra9+ began 9 e>ly *ildhood1 & cov]$ probably twelve ye>s be=e h] db4 ,h] pr(essional c>e]1 ) its inevitable anxieties1 9 no wise r$uc$ ! rig\r ( /udy1 discipl9e1 & precaution4 ,"u h] fa!r's eye %e practic$ h\rs daily4 ,%e w5t to ! l5g? ( hav+ in/all$ 9 h] ,london lodg+s a /age built to duplicate ! slope ( ! /age 9 ! !atre4 ,ap>t f ! possession ( ideals ( %e] execution t und\bt$ly 7 high] ?an any t h] pr$ecessors _h dream$ (1 & ^: atta9m5t involv$ almo/ sup]human ef=t & pati5ce1 ,taglioni 0 a productive inv5tor ( new /eps4 ,fly+ briss & o!r arial "w make _! fir/ appe>ance 9 h] "w1 accord+ to ,mme4 ,g5e's hi/orical programme ( ballet evolution4 ,we inf] t h] ef=t 0 direct$ t[>d ! illusion ( flight2 a writ] ( ! p]iod ref]s to an arabesque t convey$ t s5sation ) /rik+ reality4 ,! great addition %e made to elevation may naturally be attribut$ n to any int]e/ 9 t prop]ty = its own sake1 b r to an endless se>* = lightness4 ,& t1 above all o!rs1 0 ! quality %e made h] own4 ,la ,sylphide 7n ! composition rec5tly popul>is$ by ! ,russians7 0 ! "p ) :i* %e 0 mo/ unifi$ 9 ! m9ds ( ! public4 ,h] "w appe>s always to h _h ! creation ( fairy fantasy z a def9ite purpose4 ,9 pantomime %e 0 limit$4 ,%e _h none ( ! /age arti/'s famili> tricks devis$ to capture ! audi5ce1 nor did %e avail h]self ( any vivid contra/s 9 h] co/ume4 ,%e dress$ h] hair 9 ,madonna fa%ion1 surr\nd$ by a wrea? ( little roses2 fur!r adornm5t %e delib]ately avoid$4 ,ellsl] 0 six ye>s ! y\ng]2 &1 at "s sacrifice ( "t 9 ! acquisition ( fame1 %e res]v$ ,p>is z ! la/ ( ! great cities 9 :i* to appe>4 ,taglioni !re=e 0 well e/abli%$ :5 h] de/9$ rival fir/ %[$ h] /eps to ! ,p>isians4 ,9 fact1 %e occupi$ a box at ,ellsl]'s fir/ ,p>is p]=mance1 :]e x is said %e sil5tly wept be=e ! end ( ! o!r's fir/ numb]4 ,! ,sw$e _h succe$$ almo/ 9 spite ( circum/ances2 ,ellsl]'s natural end[m5t conta9$ almo/ ev]y?+ ! gods 9 a g5]\s mood c give4 ,! p]fection ( proportion ( h&s1 feet1 wri/s & ankles 7 h]s1 z well z a ,greek p]fection ( figure4 ,?\gh h] legs 7 ( /eel1 & h] /r5g? 9 g5]al t ( an a?lete1 n a l9e suff]$ 9 sculptural grace nor a movem5t 9 fre$om4 ,h] face _h a beauty t captivat$ an audi5ce at ! mom5t ( h] entrance on ! /age1 & a range ( expression cov]+ ! moods ( ! human m9d4 ,h] tra9+1 l ,taglioni's1 _h begun e>ly4 ,moz>t1 = :om ,ellsl]'s fa!r work$ z copyi/ & o!rwise1 _h int]e/$ himself 9 h] to ! ext5t at lea/ t h] e>ly ye>s 7 n missp5t4 ,) h] te*nical tuition--:atev] x may h be5--%e absorb$ /age exp]i5ce almo/ f ! days ( infancy4 ,%e danc$ 9 a *ildr5's ballet 9 ,vi5na :5 %e 0 six ye>s old4 ,be=e appe>+ 9 ,p>is %e _h succe$$ 9 ,naples1 ,b]l9 & ,london4 ,! audi5ce ( l',opra !re=e saw h] fir/ at ! full maturity ( h] art & equipp$ ) ample k ( h[ to pres5t x to ! be/ advantage4 ,h] success 0 n 9 d\bt = a mom5t4 ,! op5+ numb] 0 a riot\s triumph1 ! morn+ pap]s 7 undivid$ 9 praise ( ! newcom]4 ,taglioni felt t ,ellsl] _h be5 br\ght to ,p>is expressly to und]m9e h]1 & ! appe>ances are t ,ellsl] lo/ no "t 9 putt+ h]self on a w> foot+4 ,london !atre-go]s soon 7 9 a position to "q :e!r1 aft] _! elaborate provisions to get good danc]s1 !y _h n made a r emb>rass+ misplay4 ,ellsl] _h danc$ at ,h] ,maje/y's ,!atre2 ! public _h enjoy$ h] "w1 b1 ow+ ei!r to h] lack ( a great cont95tal reputation or _! own misgiv+s ab\t ! s\ndness ( h] "w1 _h refra9$ f v he>ty demon/ration4 ,on ! fir/ night ( ! engagem5t1 ! manag] ( l',opra--:o 0 9 ,london to =m an e/imate ( ! ,au/rian's "w--sign$ h] = ! foll[+ season4 ,contr>y to ! meti] ( h] rival1 ,ellsl]'s art consi/$ ( a romantic glorification ( life's physique4 ,"o ga!rs t %e gave1 in/ead ( an ord]$ & consecutive poem1 a ?rill ( delight$ a/oni%m5t4 ,%e 0 ( a newly =m+ romantic cult t wor%ipp$ ! torrid1 ! savage1 ! viol5t4 ,h] mo/ pron\nc$ success 0 on h] r5d]+ ( ! dances ( ,spa92 %e us$ h] hips & h] smile1 & m5--m ?an wom5--w5t into rhapsodies4 ,gauti]1 :o _h se5 ! be/ danc]s 9 ,spa91 wrote t none ( !m equall$ ,ellsl]4 ,:i* is cr$ible1 ) res]vations & conditions4 ,if ! sole aim ( ,spani% danc+ is to express fire & temp]am5t1 to a/oni% & inflame1 x is m likely to be realis$ by a clev] ,nor!rn] ?an by a ,spani>d4 ,! headlong en?usia/ is n bo!r$ by delicate consid]ations ( %ad+1 developm5t1 & tru? ( =m2 seiz+ ! sali5t & exotic1 an exagg]ation ( ^! & ! elim9ation ( all else is sure to produce a />tl+ result4 ,execution at an abnormally rapid tempo w conceal inaccuracies f all eyes b ^? tra9$ to ! dance1 & back$ by a k ( its true =ms4 ,all ?is by no means int5ds to ass]t t ,ellsl] 0 n a danc] ( a high degree ( skill1 & p]haps ( "s degree ( greatness4 ,x is significant1 h[ev]1 t h] encomiums conc]n !mselves only ) t :i*1 boil$ d[n1 am\nts to praise ( a beautiful woman1 p]=m+ evolutions at t "t novel & surpris+1 & frankly--)al 9 a p]fectly clean mann]--appeal+ to sex4 ,! quality t might be call$ decorative tru? does n appe> to h be5 an impressive elem5t ( h] "w4 ,assur$ly t is ! f\ndation ( danc+ entitl$ to any consid]ation 9 connection ) ! quality ( greatness4 ,temp]am5t1 express+ :at x w1 ( c\rse is z necess>y to animate ! =m z true =m is to beg9 )2 b temp]am5tal exub]ance _c take ! place ( a prop] sub/ructure4 ,grant+ ! inadequacy ( data1 & speculat+ on a basis ( indications only1 "o is ju/ifi$ 9 wond]+ if ,ellsl] com+ to life to-day c\ld repeat h] impression on ,p>is1 ) its pres5t k n only ( ,spani% danc+1 b also ( feats ( supreme virtuosity4 ,ye>s only augm5t$ ! heat ( ! feud betwe5 ! two goddesses4 ,europe divid$ itself into acrimoni\s factions ( ,taglionites & ,ellsl]ites4 ,! latt] 7 %ock$1 h[ev]1 :51 to br+ to a flat comp>ison ! "q ( m]it1 ,ellsl] ann\nc$ h] int5tion to play ,la ,sylphide4 ,taglioni _h made ! "p h] own2 = ano!r to und]take x 0 at lea/ an act ( d\btful delicacy4 ,nor 0 ! idea bett] advis$ on gr\nds ( /rategy4 ,la ,sylphide 9 its composition 0 a tissue ( ! e!real1 ev5 if ,taglioni _h n made x s by association ) h]self4 ,ellsl] 0 insi/5tly concrete4 ,effects foll[$ causes4 ,h] mo/ ard5t p>tisans c\ld n say aft] ! p]=mance t ! attempt spell$ any?+ b failure4 ,am]ica's fir/ vision ( a /> danc] 0 ! direct consequ5ce ( ,ellsl]'s vexation ov] ! fiasco4 ,our fa!rs & gr&fa!rs unh>ness$ ! horses f h] c>riage1 & c\nt$ x an hon\r to get a h& on ! rope by :i* ! c>riage 0 drawn2 c>pet$ ! /reets :]e ! c>riage 0 to pass1 /rew$ fl[]s :]e ! div9ity 0 to set h] foot1 & 9 all ways comport$ !mselves z became ! circum/ances1 dur+ ! p]iod ( two ye>s t %e /ay$ on ?is side ( ! ,atlantic4 ,ellsl]'s pr(essional collapse 0 connect$ n ) art1 b politics4 ,aft] h] return f ,am]ica %e danc$ sev]al seasons 9 ,milan4 ,! ballet academy ( la ,scala _h be5 f\nd$ 9 #ahaa1 int]e/ 9 ! art ran high1 & 0 f$ by ! ,au/rian gov]nm5t z a hop$-= means ( di/ract+ ! public m9d f ! revolution>y s5tim5t ( ! mid-c5tury4 ,9 #ahdh1 on ! occasion ( a p]=mance especially provid$ to smoo? ov] a crisis1 x 0 arrang$ t ! p ( ! ballet %\ld we> a m$al rec5tly /ruck1 repres5t+ ! pope bless+ a unit$ ,italy4 ,ellsl] conceiv$ a suspicion t ! idea repres5t$ an int5t to insult h] z an ,au/rian2 %e refus$ to g on unless ! m$als be tak5 (f4 ,meantime ! corps de ballet _h made its entrance1 we>+ ! m$als4 ,!y 7 remov$ at ! fir/ opportunity1 & promptly miss$ at ! ballet's next entrance4 ,! explanation ( ! *ange travell$ ?r\gh ! h\se2 ! premire1 :5 %e ent]$1 0 receiv$ ) hisses4 ,t5se ) political excitem5t1 ! audi5ce saw 9 h] only ! repres5tative ( ! p[] t controll$ ! ,italian sceptre4 ,h] ef=ts receiv$ no answ] b furi\s insults4 ,%e fa9t$4 ,aft] ?ree comp>atively unev5tful ye>s %e retir$1 ri* &--9 ! ma9--popul>4 ,h] contributions to religion & *>ity _h be5 impressive & s cont9u$ until h] dea? 9 #ahhd4 ,h] weal? 0 e/imat$ at "o & a qu>t] million doll>s4 ,taglioni's end 0 9 mis]able contra/2 dur+ "p ( h] latt] ye>s %e held a petty position z tea*] ( deportm5t 9 a "y ladies' s*ool 9 ,engl&4 ,%e di$ lonely & =gott51 aft] a mo/ unhappy old age4 ,among ! _m danc]s br\ght out by ! p]iod ( en?usiasm 7 ?ree wom5 ( ^: "w ! records h only ! highe/ praise4 ,to ,c>lotta ,grisi1 ,gauti] gave ! cr$it ( comb9+ ! fi]y ab&on & ! light exquisit5ess ( ! two great lum9>ies ( ! day4 ,fanny ,c]ito & ,lucille ,grahn 7 rank$ ) h]4 ,= ,que5 ,victoria !re 0 arrang$ a pas de quatre by ,taglioni1 ,grisi1 ,c]ito1 & ,grahn4 ,t p]=mance1 9 #ahde1 repres5ts "o ( ! climaxes ( ballet hi/ory1 includ+ z x probably did ! greate/ sum total ( *oreographic ability t ev] _h be5 br\ght toge!r4 ,b x 0 ! mile/one at ! top ( a high m\nta91 f :i* ! road turn$ d[nw>d4 ,except 9 ,engl&1 ,taglioni's pre/ige 0 dimm$4 ,que5 ,victoria's reign1 h[ev] uplift+ 9 v>i\s important respects1 und5iably 0 depress+ 9 its influ5ce on all ! imag9ative arts2 & x 0 an influ5ce t rea*$ f>4 ,fur!rmore1 ! elem5ts t con/itut$ op]a began to assume new relative proportions4 ,! voice ( ,j5ny ,l9d call$ att5tion to ! factor ( s++4 ,9 ! pres5t day ( subord9ation ( ! danc] to ! s+]1 x is almo/ incr$ible t op]a ( sev5ty ye>s ago assign$ to ! danc] ! relative importance t ! s+] enjoys n[2 especially difficult is ?is conception to any "o ^: acqua9tance ) op]a is conf9$ to its production 9 ,am]ica4 ,g5]al indiff]5ce has r$uc$ op]atic ballet 9 ?is l& to a level comp>$ to :i* its condition 9 cont95tal ,europe is enviable4 ,?\gh r$uc$ f pa/ importance1 9 c\ntries t support academies x has at lea/ reta9$ /&>ds ( execution4 ,b ! /rictly mod]n int]pretation ( op]a1 m9imis+ *oreography1 has be5 accept$4 ,new op]as are writt5 9 con=mity ) ! alt]$ model4 ,x is likely t ! pres5t r5aissance ( danc+1 ?\gh no less vital ?an any t h gone be=e1 w effect little *ange 9 ! art's importance 9 op]a /ructure1 :i* has become a di/9ct organism to be he>d r ?an se54 ,ar\s$ int]e/ & intellig5ce inevitably w =ce improvem5t on old organisations1 new appreciation w ju/ify x f ! box-(fice po9t ( view4 ,b ! ,am]ican dance-lov]'s hope lies 9 ! new-old =m ( ballet pantomime4 ,?is is ! expression t ! great new romantic movem5t has tak51 z ?\gh 9 express recognition ( ^? ( u to :om ! use ( e>s has n atrophi$ eyes4 ,aga9/ ! sudd5ly discov]$ passion = s++1 ! art ( ,grisi1 ,c]ito1 ,grahn & _! colleagues c\ld n hold public att5tion4 ,/eadfa/ly ! ,fr5* & ,italian academies held to _! cre$s ( *oreographic purity4 ,^u _! fidelity to ideals ! latt] n9ete5?-c5tury reign ( arti/ic t]ror made no impression2 to _! pres]vation ( ! good is due ! ability ( ! pres5t romantic r5aissance to come into its complete expression )\t ! int]v5tion ( a c5tury ( rebuild+4 ,russia & ,au/ria too _h f\nd$ national academies = in/ruction along ! l9es made classic by ,p>is & ,milan4 ,o!rs foll[$4 ,b x appe>s t ! te*nical virtuosity ( ,taglioni _h set a pace t 0 bo? difficult & mislead+4 ,be+ a g5ius1 p]fection meant to h] a means ( expression4 ,dur+ a p]iod 9 :i* no great g5ius appe>$1 ef=ts to w9 back ! lo/ k+dom took ! =m ( /riv+ = te*nique z an object4 ,! public 0 unju/ly damn$ = failure to respond to m>vell\sly execut$ /ud5ts' ex]cises4 ,) equal lack ( ju/ice1 x became fa%ionable to include ! :ole s*ool ( ! ballet's art 9 ! accusation ( /iffness & artificiality4 ,! half-c5tury end+ ab\t #aijh1 dur+ :i* ! /age 0 giv5 ov] to all ! fla%y *oreographic c\nt]feits t m$iocrity c\ld inv5t1 0 sav$ f complete /]ility by ! dances t are root$ 9 ! soil4 ,jigs & ,reels1 ,hornpipes & ,t>antellas held _! own l h>dy wild fl[]s 9 a g>d5 ( we$s2 l gold51 opul5t lilies1 ! ,seguidillas ( ,spa9 held _! heads above mal=mation & decad5ce4 ,?is is a fitt+ po9t at :i* to consid] ! nature ( "s ( ^! anci5t expressions ( ! he>t ( m5 :o dwell away f c\rts4 ,,*apt] ,,vi ,,spani% ,,danc+ ,s9ce e>lie/ ,occid5tal hi/ory1 ! dances ( ,spa9 h be5 fam\s4 ,to-day _! ri*ness1 v>iety & fundam5tal nobility give !m a position 9 advance ( any o!r gr\p ( national dances ( ! ,occid5tal type4 ,:e!r c]ta9 ( ! ,ori5tal expressions are sup]ior to ! ,spani% is :olly a matt] ( po9t ( view on danc+4 ,b danc]s & dance-lov]s1 ( all beliefs & prejudices1 unite 9 conc$+ to ,spa9 ! highe/ developm5t ( 8*>act]i/ic0 or national danc+4 ,m ev53 ?\gh ! ,fr5* & ,italian ballets 9 g5]al hold _! s*ools to be ! v f\nta9head ( ! *oreographic art1 n a few disciples ( ! academies ( ,milan or ,p>is conc$e to ,spani% danc+ sup]iority ov] all1 9 t aspect ( beauty t is conc]n$ ) maje/y ( l9e & po/ure4 ,x is z ?\gh ,t]psi*ore h]self _h *os5 ! dwell]s ( ,ib]ia to gu>d h] gifts to mank9d4 ,gadir1 ! city n[ call$ ,cadiz1 0 a little ,p>is 9 ! day ( ! ,c>?ag9ian1 ) danc+ z its mo/ highly develop$ art & notable among its div]sions4 ,:5 ! ,romans took ! city !y 7 delight$ ) ! danc]s !y f\nd !re2 = c5turies aft]1 ,spani% danc]s rema9$ a fa%ionable adjunct ( great ent]ta9m5t 9 ! capital1 & ,cadiz ! inexhau/ible s\rce ( _! supply4 ,:5 ,rome1 too infirm to resi/1 left ,spa9 to be ov]run by ! ,visigo?1 %e left ! arts ( ! p59sula to ! m]cy ( a de/roy+ b>b>ian4 ,ar*itecture & /atu>y he demoli%$1 books he burn$4 ,danc+ elud$ 8 clumsy h&2 9 places ( retirem5t *ildr5 7 taught ! /eps & ge/ures t _h cross$ ! sea f ,egypt 9 ! days ( ! ,phnicians4 ,9 ! eigh? c5tury came ! ,moor3 slay]1 organis]1 build]2 fanatic1 dream]1 poet2 lov] & creator ( beauty 9 all its manife/ations4 ,8 v]ses 7 epigrams ( agreeable & unexpect$ s\nds1 =m$ into phrases ( eloqu5t metaphor4 ,8 ar*itecture & its ornam5t1 too1 7 epigrams2 comb9ations ( graceful & simple l9es & =ms into h>moni\s symbols m eloqu5t ?an description4 ,to him ! dance 0 v]se & decoration unit$1 ) music add$2 ent]ta9m5t & /imulus to contemplation4 ,"u 8 gu>dian%ip & tuition ! ,spani% dance /r5g!n$ its hold on ! p1 & increas$ 9 scope4 ,a c]ta9 class ( x reta9s to-day a di/9ctly ,moori% flav\r4 ,! 8,c5tury ( ,gold0 t foll[$ ! expulsion ( ! ,moors & ! discov]y ( ,am]ica f\nd ! dance surr\nd$ by conditions ?an :i* none c\ld h be5 m fav\rable4 ,gold loot$ f ! new cont95t 0 lavi%$ on masques & fie/as t emulat$ ^? ( neighb\r+ mon>*ies2 c\rti]s 7 s preoccupi$ ) ! div]sion t a memoir ( ! p]iod conta9s a compla9t t 8sleep 9 any "p ( ! palace has become impossible1 s9ce p]sons ( all degrees h tak5 to cont9u\s /rumm+ ( ! music ( ! z>ab&a40 ,! less exalt$ _h 9 ! dance ,illu/ration3 8,,la ,,malague,a ,y ,,el ,,tor]o0 ,edu>do & ,elisa ,cans9o ,to face page #abb an expression = e emotion1 an ex]cise ^: magic ennobl$1 & a magic ^: ex]cise rais$ !m above ! rea* ( sordid c>es4 ,9 ! ,*ur*1 :ile bi%ops 9 o!r p>ts ( ,europe 7 que/ion+ or prote/+ ! dance z an act ( wor%ip1 _! bro!rs 9 8la ti]ra de ,m>ia ,santisima0 7 insi/+ ^u x z a mo/ appropriate "p ( ! highe/ ritual4 ,colonies & dep5d5cies fell away2 ! /ream ( gold fl[s 9 o!r *annels4 ,uncompla9+ ! ,spani>d retires into ! h\se t once 0 animat$ ) great companies ( gue/s & hordes ( s]vants4 ,r$uc$8 ,n at all6 ,a few intimates drop 9 aft] d9n]1 br++ fri5d%ip & wit4 ,!re is always a glass ( w9e4 ,8 daught]s w /ep "s ( ! old dances 9 ! patio2 _! y\ng] bro!r has 8h&s ( gold to t\* ! guit>40 ,an ent]ta9m5t at once agreeable & becom+--! latt]1 if = no o!r reason1 because x is ,spani%6 ,to an ext5t !re are gr\nds = ! anxiety1 sometimes express$1 t mod]nism is melt+ away ?is tradition-wor%ip4 ,9 ,madrid !re is an ,engli% que52 t5nis & tea become a cult to be foll[$ ) :at semblance ( gu/o "o c assume4 ,san ,seba/ian is ! summ] resort ( royalty1 & ( pleasure-seek]s f all p>ts ( ,europe2 its mod]nism is t ( ,p>is or ,vi5na4 ,o!r cities1 to ! numb] ( p]haps half a doz51 %[ consci\sness ( tw5tie?-c5tury conditions4 ,among :i* conditions is1 ( c\rse1 an indiscrim9at+ fondness = novelties = _! own sake4 ,& !re is always at h& a num]\s class ( danc]s to provide novelties 9 ex*ange = a mom5t's applause4 ,9 ano!r c\ntry ! national art w\ld det]iorate "u ^! ho/ile influ5ces4 ,b 9 ,spa91 n readily4 ,h] dances are an organism1 root$ 9 ! soil1 ) =ms z def9ite z ! gr[? ( a fl[]4 ,m5tion danc+ to an ,aragones1 & x means to him ! jota ( 8 prov9ce4 ,let o!r /eps be add$ to x1 he w res5t !m2 9 8 eyes !y occupy ab\t ! same place z a ?ird arm w\ld on a draw+ ( ! human figure--a mon/rosity1 & un9t]e/+4 ,no less ?an ,aragon h o!r regions _! local dances & _! *oreographic cre$1 ) /up5d\s pride 9 bo?4 ,! /eps are h&$ d[n l ! tunes ( old music1 ) ! ideals = _! execution4 ,&1 high 9 importance z cons]v]s ( _! classic national =ms1 !re exi/s a f9e _s ( arti/ry among a numb] ( ! prom95t ma/]s4 ,jose ,ot]o ( ,seville & ,antonio ,cans9o1 a ,sevillano :o = "s ye>s has taught 9 ,madrid1 are prom95t among a numb] to :om ! pres]vation ( ,spa9's *oreographic purity is almo/ a holy cause4 ,! danc+ ( ,spa9 divides into two s*ools3 ! purely ,ib]ian1 exempt f ,gipsy influ5ce1 :i* is kn[n z ! ,classic2 & ! "w ( ,gipsy orig9 & "*1 :i* is g5]ically kn[n z ! ,flam5co4 ,! two ov]lap to ! ext5t ( a few dances t p>take ( ! elem5ts ( bo?1 & l5d !mselves to execution 9 ! mann] ( ei!r4 ,on ei!r side ( ?is common gr\nd ! two s*ools are completely di/9ct 9 /yle1 & almo/ equally s 9 ge/ure & po/ure1 hav+ 9 common only a limit$ numb] ( /eps4 ,9 g5]al effect _! individualities are absolute4 ,! "w ( ! ,gipsy is1 above all1 s9u\s4 ,8 body & arms are s]p5t9e4 ,8 hips1 %\ld]s & *e/ %[ a mutual indep5d5ce ( action t w\ld worry an anatomi/1 b :i* all[s ! danc] limitless fre$om = indulg5ce 9 ! grotesque4 ,he delights 9 ! mo/ viol5t contra/s4 ,a s]ies ( /eps ( cat-l s(tness w be foll[$ by a clatt] ( heels t resembles ,gatl+-fire1 ! two extremes br\ght into direct juxtaposition4 ,8 bigge/ jump w be prec$$ by movem5t s subtle t x is less se5 ?an s5s$4 ,9 all circum/ances ! ,gipsy is an irrepressible pantomimi/4 ,( ! ^w & ! ge/ure ( 8 ord9>y communication1 x is highly probable t ! ge/ure is ( ! great] importance4 ,he likes to talk1 & 8 words come at a spe$ t makes !m indi/+ui%able to any b a practis$ e>1 ! confusion height5$ by ! free int]mixture ( ,gipsy argot4 ,b ! cont9u\s accompanim5t ( facial expression1 movem5t ( body & play ( h&s is suffici5t by itself4 ,! dance gives full employm5t to ! ,gipsy's mimetic p[]s1 & 9 fact s]ves prim>ily z an emotional expression4 ,8 dances are n compos$1 or 8r\t9$40 ,he has 8 alphabet ( /eps & *oreographic movem5ts1 & ) ^! he extemporises4 ,by "s telepa?y mo/ puzzl+ to ^? :o "k ! mo/ ab\t ,gipsy danc+1 ! accompani/s are n di/urb$ by any ( ! danc]'s *anges ( mood1 h[ev] sudd54 ,! in/ant drop f extreme spe$ to ! opposite nev] traps ! guit>i/ into a mi/ake2 & 8 air is rem>kable1 too1 9 pres]v+ ! s5tim5t z well z ! "t ( ! dance4 ,any?+ l ! full scope ( ,gipsy danc+ is r>ely reveal$ to any n ( t race2 because1 done ) ab&on1 x is an intimate revelation ( nature4 ,el ,gitano is consci\s ( 8 racial & social inf]iority1 despite ! arrogance he likes to assume4 ,he is a vagabond liv+ 9 wa/e places & by means1 usually1 ( petty impo/ure1 tol]at$ because ( 8 impud5t b v g5u9e wit4 ,= ^! reasons a dance = pay becomes a s*eme to extract ! mo/ money possible = ! lea/ "w4 ,& ! "w itself1 ?\gh skilful1 is accompani$ by a self-consci\sness directly oppos$ to ! ess5tially ,gipsy elem5t ( 8 dance4 ,a ,spani>d :o has got pa/ ! ,gipsy's res]ve is ,edu>do ,cans9o1 ! danc]4 ,z su* x is an object = him to see _! "w at its be/2 f _! all-night p>ties he has acquir$ /eps4 ,8 diplomatic equipm5t consi/s1 fir/1 ( an acqua9tance ) ! ,gipsy language1 along ) ability to make himself agreeable4 ,und]/&+ ( ,flam5co danc+ enables him to aid intellig5tly 9 ! jaleo1 t accompanim5t ( f+]-snapp+1 h&-clapp+ & half-*ant$1 half-%\t$ phrases t make ! ,spani% danc+ atmosph]e :at x is4 7,9 ,gipsy danc+ ! jaleo is 8tricky10 ow+ n only to sudd5ness ( *anges1 b to frequ5t digressions into c\nt]-"t47 ,:5 ask$ to dance1 ,edu>do's hold on ! company's respect is br\ght to a climax1 z !re probably is no bett] p]=m] among ! m5 ( ,spa94 ,& )al he is will+ to buy manzanilla z long z exp$i5cy sugge/s4 ,accord+ to ,edu>do1 x is ! exception :5 a dance p]=m$ at a ,gipsy p>ty fails to tell a /ory4 ,usually ! /ory is improvis$ f a sugge/ion ( ! mom5t4 ,satire is popul>2 if "o ( ! company has und]gone an unpleasant exp]i5ce 9 love1 trade1 or deal+s ) ! gu>dia civil1 x is capital = ! danc]4 ,imitations ( c>riage & mann]isms ( ! p]sons repres5t$ are c>ri$ to t degree ( realism made possible by ! ,gipsy's et]nally al]t obs]vation & 8 expressive body2 & he has no arti/ic cre$ to cause him to "q ! value ( lit]al imitation4 ,b ! quality ( greatness is n :at "o expects 9 ,gipsy danc+2 its contribution is ! extreme ( skilful1 surpris+ grotesqu]y4 ,not)/&+ ! limitations t accompany an insi/5ce on physical facts1 ! ,gipsy's r5d]+ ( ! great emotions is said to be impressive at ! mom5t1 ev5 ?\gh x fails to record any la/+ impression4 ,love1 z 9 ! danc+ ( almo/ all peoples1 is a fav\rite motive1 ) its _m att5dants ( allurem5t1 retic5ce1 jeal\sy1 pursuit & surr5d]4 ,b ! rep]toire is limit$ only by ! ,gipsy's scope ( emotion--hatr$1 rev5ge1 triumph & grief--8 he>t is probably ab\t ! same z any "o's else1 only less repress$ by bra94 ,s f> is danc+ f be+ m]ely an act ( m]rim5t t x is us$ 9 m\rn+ ! ,gipsy dead4 ,flam5co dances z se5 9 !atres & cafs are compositions made f ! elem5ts ( ,gipsy "w2 *oreographic words grammatically relat$ z is necess>y1 among o!r consid]ations1 = accompanim5t by or*e/ras ( sob] & dep5dable be+s4 ,! task has be5 admirably done2 la ,f>ruca1 el ,tango1 & el ,g>rot91 ! mo/ popul> ,flam5co dances at pres5t1 pres]ve to admiration ! ,gipsy qualities4 ,no less cr$it is due ! compos]s ( _! accept$ musical accompanim5ts2 ! indescribable ,ori5tal relation ( melody & rhy?m1 ! ,gipsy passion = surprise1 !y h pres]v$ & bl5d$ 9 a mann] *>m+ & *>act]i/ic4 ,x is only )9 ! pa/ fifty ye>s t ! process ( adaptation began4 ,jose ,ot]o1 9 8 *atty ,tratado del ,baile1 traces ! movem5t to its beg9n+2 :i* l _m ano!r beg9n+1 0 ! result less ( =esight ?an ( desp]ation4 ,! case 0 ( a danc] ^: ,classic "w fail$ to e>n him a liv+4 ,he /rung toge!r "s ,gipsy /eps z a la/ resort & )\t hope1 & 0 all[$ to try !m 9 a caf cantante 9 ,seville4 ,_! success 0 in/antane\s1 & cont9ues unabat$4 ,ev5 9 ! abs5ce ( ! ,gipsy's inimitable pantomime1 !re is com=t 9 see+ 8 dances "u conditions ( fre$om f argum5t ab\t extra *>ges = no?+ at all1 :9es conc]n+ />vation & sickness equally imag9>y1 c>e n to lose "o's wat*1 & pressure to buy useless & fooli% s\v5irs at %ameless prices4 ,p>ties to visit ! ,triana ( ,seville or ! ,albaic9 ( ,granada are great fun1 b a t]rible /ra9 on ! pati5ce ( ! p]son :o accepts ! responsibility = 8 fri5ds' amusem5t4 ,if ! ,tango & its ,flam5co k9sm5 fail to conqu] a p]man5t place 9 ! ,spani% rep]toire1 x w be ?r\gh _! exclusion f ! respectable ,spani% family4 ,! daught] ( ! h\se does n le>n danc+ ( ! ,gipsy type except 9 ! unusual case t %e is prep>+ = a danc]'s c>e]4 ,! ,flam5co has picturesqu5ess & 8salt10 b ( dignity less4 ,to ! ,spani>d1 t :i* lacks dignity is vulg>1 h[ev] witty or graceful4 ,witty or graceful ?+s may be enjoy$1 ?\gh dignity be lack+2 b ! do+ ( su* ?+s is ano!r matt]4 ,! ,gipsy's untutor$ po9t ( view on obsc5ity is a fur!r argum5t aga9/ _! admission into ! home4 ,x is n a /ructural "p ( any ( ! ,flam5co "w4 ,b association has ,illu/ration3 ,,typical 8,,flam5co0 ,,poses4 7,f "w ( ,seorita ,elisa ,cans9o47 ,! ,g>rot94 ,! ,g>rot94 ,! ,tango4 ,! ,tango4 ,! ,g>rot94 creat$ a s5tim5t1 & aga9/ s5tim5t logic is helpless4 ,la ,f>ruca probably exploits m completely ?an any ( its fell[s ! v>i$ res\rces ( ! ,flam5co4 ,aft] "o becomes accu/om$ to x suffici5tly to be able to dom9ate "o's own delight & a/oni%m5t1 "o may look at x z a /udy ( contra/s1 c>ri$ to ! n? p[]4 ,n[ ! p]=m]s advance ) undulation s sl[1 s subtle1 t ! ,s>ac5ic coquetry ( liquid arms & fel9e body is less se5 ?an felt4 ,my/]y ( movem5t envelops _! bodies l twilight4 ,( ?is p]haps eight measures1 :5--cra%6 ,pre/issimo6 ,l ,gatl+-fire ! volley ( heel-tapp+4 ,! movem5ts h become ! eye-baffl+ d>t+ ( swall[s4 ,no prep>ation = ! *ange1 no cresc5do nor accel]&o2 9 ! matt] ( abruptness "o is rem9d$ ( "s ( ! effects famili> 9 ! play+ ( ,hung>ian or*e/ras4 ,ano!r use ( contra/ produces a s5sation n unlike ! surprise y get :51 9 ! c\rse ( dr9k+ "o ( ^? w>m concoctions ( sweet5$ cl>et1 y unexpect$ly bite a piece ( c9namon1 & dur+ a few seconds ta/e vividly ! contradictory flav\rs ( bo? spice & sweetness4 ,! music is mov+ 9 a fl[+ legato4 ,9 c\nt]-"t to ! notes is a /accato ( crisp taps--( light1 8snappy0 h&-claps1 & dry-s\nd+ sole-taps on ! floor1 two v>ieties ( acc5t alt]nat+ "o ) ! o!r4 ,success ( ! effect dep5ds on ! v p]fection ( tempo1 to beg9 )1 & aft] t on a comm& ( ! quality ( s\nd 9 ! taps4 ,a good deal ( att5tion is giv5 to ! cleanness & brilliancy ( ! tone ( ^! notes1 z well z ! cultivation ( a good sp>kl+ 8tak0 9 snapp+ ! f+]s4 ,_m p]=m]s c>ry 9 ea* h& a s]ies ( ?ree r++ f+]-snaps1 l\d en\gh to c>ry %>ply to ! back ( _! smalli% !atres4 ,x is 9 respect to f9esse ( su* details t mo/ non-,spani>ds condemn !mselves to ! m$iocre :5 !y attempt ,spani% danc+4 ,! m]e /eps c be le>n$ by any "o ) an intellig5ce & two s\nd legs4 ,_m /ud5ts approximate ! /yle4 ,b ! seem+ly little ?+s (t5 act z ! big pit-falls4 ,! ca/anets1 = in/ance1 expose cruelly ! lack ( f9i% ( _m a pret5d] to laurels 9 ! ,spani% field2 9 ! h&s ( _! ma/] !y c r+1 or s+1 or click1 or purr1 z ! mood ( ! dance sugge/s4 ,to an amateur x w\ld be illum9at+ to see ! c>e a pr(essional ex]cises 9 mat+ ! little in/rum5ts 9 pairs4 ,!y v>y 9 pit*1 & h almo/ p]sonal :ims4 ,= in/ance1 9 cold wea!r !y fail to d !mselves ju/ice unless !y are c>ri$ to ! p]=mance 9 an inside pocket4 ,b ?is is /ray+ f ! ,flam5co2 ca/anets are 9 ! ma9 an adjunct ( ! ,classic4 ,return+ to ! subject ( contra/s1 ! ,flam5co1 m ?an any o!r /yle 9 ! _w1 p]haps1 insi/s on diff]5ce betwe5 ! "w ( man & woman4 ,x is se5 9 ! great] relaxation ( ! woman's body1 ! m complete elim9ation ( angles f h] movem5ts4 ,! degree ( rigidity t ! man's body %\ld ma9ta9 is a po9t ( ju/ifiable diff]5ce betwe5 arti/s2 s ) ! ext5t to :i* 8 movem5ts %\ld foll[ ! l9es ( curves4 ,b t curve %\ld be ! !me controll+ ! woman's movem5t & c>riage1 all agree4 ,! result is to ! eye z a duet ( guit> & flute is to ! e>4 ,foll[+ ! comp>ison fur!r1 ! dance duet does n conf9e itself to unison--id5tical movem5ts ( ! two p]=m]s--any m ?an does ! duet ( music2 & ?is correlation ( two h>monis$ p>ts is n ! lea/ ( ! causes ( madness imp>t$ to spectators ( good danc+4 ,9 all dances evolv$ to ! plane ( art1 a common device is to end a phrase ) a turn--a pir\ette1 or some?+ simpl]1 accord+ to ! "* ( ! "w4 ,?is g5]al rule ! ,spani% foll[4 ,b look h[ ! ,f>ruca makes su* a turn ! opportunity = "o ( its myriad contra/s6 ,! r5v]s ( ! ballet has a k9dr$ turn 9 la vuelta quebrada4 ,bo? are execut$ ) an arm always ext5d$1 s z to describe ! maximum circle2 ( ! vuelta quebrada ! movem5t is l[ & horizontal1 ) ev]y?+ done 9 su* a way z to give ! impression ( a smoo?1 oily roll4 ,! ,f>ruca leads ! woman up to ?is turn1 or vuelta1 ?r\gh a s]ies ( %ort /eps4 ,n[ visualise ! man's "p at ! same "t3 z ! woman ent]s h] fl[+ vuelta1 a mighty leap l&s ! man 9 ! position ( /oop+2 in/antly he />ts ris+ ) a spiral movem5t t takes ! =m ( a pir\ette & s cont9ues ?r\gh ! circle4 ,! surprise ! eye receives f ! h>monis$ contra/ betwe5 ! ext5d$ horizontally mov+ sweep & ! v]tical spiral uplift1 ) its kaleidoscopic *ange ( levels1 seems nev] to gr[ less4 ,& if ! man makes x a d\ble pir\ette in/ead ( a s+le1 :y1 "o simply %\ts al\d ) ! joy\s discov]y t ! law ( gravitation & a lot ( o!r cumb]some ?+s h sudd5ly be5 aboli%$4 ,! ,tango at ! pres5t mom5t famili> 9 ,nor? ,illu/ration3 8,,flam5co0 ,,poses4 ,! ,f>ruca3 devices to m>k c\nt]-"t4 ,! ,f>ruca3 typical gr\p4 ,! ,tango3 f9i% ( a turn4 ,! ,f>ruca3 man's prep>ation = a pir\ette4 ,! ,tango3 />t ( a turn4 ,! ,f>ruca3 pito or f+]-snapp+4 7,f "w ( ,edu>do & ,elisa ,cans9o47 ,am]ica f\nd its way "h f ,arg5t9a4 ,9 ! =m x takes "h1 its relation to ! ,tango ( ,spa9 is little m ?an a co9cid5ce ( names4 ,9 none ( ! ,spani% dances does ! man's arm ev] g ar\nd ! woman's wai/--! purely ,spani%1 t is4 ,(f-%oots & corruptions to be f\nd 9 ! ,lat9 ,am]icas d n signify4 ,! ,spani% ,tango is ( ! ,flam5co gr\p4 ,x is a solo = a woman4 ,by conv5tion %e p]=ms x we>+ a man's hat1 ! manipulation ( :i* gives "s grotesquely graceful occupation to h] h&s4 ,ap>t f ?is x is di/+ui%$ f ! o!rs ( ! gr\p ma9ly by ! sequ5ce 9 :i* /eps are comb9$2 9 _s1 elem5tal /eps & poses1 x con=ms to ! type ( its family4 ,el ,g>rot9 is di/+ui%$ by ! importance x gives ! h&s4 ,!y repel1 w>n1 invite2 half ! "t !y are held beh9d ! back4 ,s indirect are _! h9t$ communications1 s ali5 are _! movem5ts to any?+ 9 ! ,occid5tal way ( ?9k+1 t !y unite ) ! girl's ov]-!-%\ld] smile 9 an allurem5t no less ?an devili%4 ,o!r dances ( ! same s*ool are ,m>ianas & ,alegrias1 long famili>4 ,new ones introduce ! names ( las ,moritas & ,bul]ias4 ,ea* has its p]sonality1 b all are compos$ ( ! ,gipsy /eps1 p]=m$ 9 ! s9u\s mann]1 & ri* ) contra/s ( fa/ & sl[1 s(t & en]getic movem5ts4 ,all are adorn$ ) ! /amp+1 sole-tapp+1 clapp+ & f+]-snapp+ already describ$2 ?\gh ,m>ianas1 z a quasi-,classic1 may be p]=m$ ) ca/anets4 ,all moreov]1 are co/um$ alike1 z indicat$ 9 ! sket*es & photographs1 mo/ ( :i* 9 ?is *apt] 7 made possible by ! c\rtesy ( ,edu>do ,cans9o & 8 si/] ,elisa1 ( ! family ( "o ( ! mo/ capable ma/]s 9 ,spa94 ,! man's suit is ! habitual /reet dress ( ! ,&alusian tor]o4 ,x may repres5t a retir+ ta/e by be+ ( grey or br[n clo?4 ,b if x belong to "o ( ^? typical ,sevillanos :o believe t a man is an important decorative feature ( ! l&scape1 x may be ( velvet--blue1 w9e-col\r1 purple 9 any ( its %ades1 or jet-black4 ,) ! little p5dant coat-button ornam5ts ( gilt1 z !y may be2 ! silk sa%1 rose or sc>let1 j %[+ "u ! wai/coat2 ) ! %irt ruffl$1 & ! coll> fa/5$ ) l9k buttons1 z x ought to be2 & ! :ole animat$ ) ! game-cock air t ! tor]o assumes z befitt+ a public man1 x is a co/ume n lack+ 9 gallantry4 ,= ! woman1 conv5tion has /ra9$ = a sub/itute = ! inanely g>i%1 %apeless g>m5ts ( ! ,gipsy si/]--a good note ( col\r !y make on ! hillside1 b 9 all tru?1 a poor model = dress+ :5 plac$ among =malis$ surr\nd+s4 ,! conclusion is a compromise %ock+1 on fir/ impression1 to ! ideals ( ! ,spani% dance4 ,b1 z ?\gh to confirm ! argum5t ( ! futuri/ pa9t]s1 t col\r-h>mony is a matt] ( :at y are accu/om$ to1 y gr[ into an acceptance ( x4 ,_m p ev5 l x4 ,x has inde$ ?is m]it1 t x is a realisation ( ! ,gipsy's dream ( elegance4 ,beg9n+ ) ! manton--! long-fr+$ fl[]$ %awl--half ( ^! bail>9as ( ! ,flam5co seem to patronise "s special fr5zi$ loom t supplies _! class alone4 ,! ri*ness ( design t y saw on ! manton ( ! lady 9 ! next box at la/ ,sunday's corrida y f9d replac$ "h 9 el teatro de v>i$ades by an an>*y ( col\r1 & poppies ( ! size ( a man's hat4 ,! skirt is /iff5$ 9 ! bell-%ape surviv+ o!r days1 & well adapt$ to composition ) ,spani% /eps2 b ! col\rs are ( ! pi]c+ brilliancy atta9able only by spangles4 ,orange1 c>m9e1 em]ald-gre5 & c]ulean-blue are ! fav\rite palette f :i* ! s*eme is select$1 ) ! unit ( design ( a size t makes m ?an two ( !m impossible on ! same skirt4 ,nev]!less1 "o accepts x ) cu/om1 aid$ by ! s$uction ( ! dance--:i* has be5 kn[n to secure = its p]=m]s p>don = transgressions grav]1 9 "s eyes1 ?an crimes aga9/ col\r4 ,arti/s !re are1 ( c\rse1 :o use ! col\r & spangles ) ta/e & /yle1 j z !re are ^? ( high ability & s]i\sness :o select ! ,flam5co on :i* to build reputation4 ,= dignity1 h[ev]1 we turn soon] or lat] to ! ,classic4 ,9 ,&alusia1 ! fir/ dance y w he> nam$ is las ,sevillanas--unless y happ5 to be 9 ,seville1 :]e ! same dance is kn[n z ,seguidillas4 ,! latt] ^w lacks explicit significance4 ,x applies to a =m ( v]se1 !nce to analog\s phras+ 9 musical composition1 !n to a /ructure ( dance4 ,9 g5]al x d5otes a composition ( ?ree or m /anzas1 or coplas1 repeat+ ! same music b *ang+ ! !me ( ! /ep4 ,v>i\s prov9ces & ev5 vic9ities h _! special ,seguidillas4 ,! numb] ( ^! & o!r dance-=ms indig5\s to ,spa9 is unc\nt$1 s f> z we "k2 c]ta9ly any complete description ( !m individually w\ld furni% mat]ial = _m hundr$ pages ( pr9t1 especially if ! li/ %\ld include ! widely scatt]$ d]ivatives4 ,mexico1 ,cuba1 & v>i\s c\ntries ( ,s\? ,am]ica h _! local compositions2 b ( ^! _m are m]e deg5]ations ( _! orig9al models1 & _m are comp\nd$ ) /eps ( ! ,indians4 ,s9ce none has contribut$ any?+ ( consequ5ce1 ?is *apt]'s necess>y conc5tration on ! "w ( ,spa9 itself involves little real sacrifice4 ,illu/ration3 8,,las ,,sevillanas40 ,gr\p+ at pause 9 fir/ copla4 ,s*ool ( ,don ,jose ,ot]o1 ( ,seville4 ,x is ,sevillanas ^: easi] movem5ts are among ! fir/ und]tak5 by e well-re>$ ,&alusian *ild1 ^: adequate execution is half ! fame ( mo/ great ,spani% danc]s4 ,( all ! dances1 ,ot]o calls x 8! mo/ ,spani%40 ,yet x gives ! spectator few deta*$ pictures to c>ry away 9 memory4 ,its m]it is 9 its cumulative *oreographic argum5t4 ,v broadly speak+1 ! prevail+ foot-"w ( ! ,seguidillas family is ! pas de ,basque--or1 9 ,spani%1 paso de ,vasco4 ,turns1 advances & retreats are almo/ incessant4 ,v>iety ( /ep is secur$ by frequ5t f\etts & f\ett t\rs 7figures #dc to #df72 ! leg sweep 9 ! latt] be+ usually 8inw>d10 ! foot1 ) mo/ p]=m]s 7at pres5t7 rais$ m ?an wai/-high4 ,sw++ /eps1 x w be notic$2 *oppy elem5ts su* z battem5ts1 entre*ats & ! l are1 by di/9ction1 ! elem5ts ( ! %>p] "w ( ! ,nor?4 ,sevillanas makes ! feet less important ?an ! h&s & arms4 ,^!1 h[ev] bewild]+ !y are made to appe>1 foll[ a simple !me ( opposition1 z = in/ance3 7#a7 left arm horizontally ext5d$ to ! side1 "r arm across ! *e/2 7#b7 "r arm ext5d$ upw>d1 left =e>m across ! back4 ,z ! simple/ movem5t ( club-sw++ is incompreh5sible to ! p]son to :om x nev] has be5 expla9$1 s ) ! arms 9 ,sevillanas1 ) ! bewild]m5t multipli$ by ! play ( l9e effect$ by ! arms ( a c\ple4 ,! body is held ) a comb9ation ( erectness & suppl5ess t is ,spa9's own2 sympa!tic to e move ( h& or foot1 yet always controll$ & always maje/ic4 ,! ess5ce ( ?is que5 ( dances is n 9 /ep or movem5t1 b 9 its traditional /yle plus a /eadily increas+ enri*m5t ?r\gh ! successive coplas--an enri*m5t t dep5ds pr9cipally on ! p]fection ( team "w at a rapid tempo1 & "o t adds greatly to ! subtle difficulties4 ,_m p]=m]s w in=m y t a six? copla does n exi/4 ,( ^? :o c execute x adequately1 ! majority res]ve x = competitions to pres5t z a surprise4 ,! scope ( moods f beg9n+ to end ( ,sevillanas gives play to ! lyric & ! epic2 allurem5t & ?reat2 coquetry & triumph4 ,x is a bl5d ( ! w9e ,illu/ration3 8,,el ,,bol]o0 ,typical mom5t 9 fir/ copla 7#a7--;,f9i% ( a phrase 7#b7 ,to face page #ach ,illu/ration3 8,,la ,,jota ,,aragonesa0 ,type ( movem5t ,kneel+ position ,a pir\ette ,f9i% ( a turn ,woman's sitt+ position ,to face page #aci ( ,&alusia ) h] fl[]s & h] lat5t trag$y4 ,n t x is p>ticul>ly a vehicle = pantomime4 ,r its sugge/ions are convey$ z are ! motives ( fl[]s1 or ar*itecture--by relations & qualities ( l9e & =m t "w ^u ! s5ses by al*emy no m und]/ood ?an t ( music4 ,! accumulat+ intricacy has be5 s artfully design$ t1 z ! dance progresses1 its p]=m]s actually seem to free !mselves f ! re/rictions ( e>?4 ,ea* new m>vel tight5s ! knot ( emotion 9 ! ?roat2 %\ts invok+ div9e bless+s on ! "m ( ! bail>9a--8,que ,dios b5diga tu madre68--unite ) ! tumult ( ! jaleo4 ,= %\t+ may save "o f o!r emotional expressions less becom+4 ,! music contributes to ?is hy/]ia1 ( c\rse4 ,b1 ) no accompanim5t b _! own ca/anets1 a good team c "w ! magic4 ,t might be consid]$ a te/ ( ! quality ( composition 9 a dance1 z well z ( execution4 ,s graci\s1 s /ately1 s ri* 9 light & %ade is ,sevillanas1 t x alone gives play to all ! qualities ne$$ to make a great arti/4 ,:51 a few summ]s ago1 ,ros>io ,gu]r]o *>m$ ,new ,york ) h] pantomime ( ,! ,rose & ! ,dagg]1 x 0 ! fir/ two coplas ( ?is movem5t-poem t *>m$ ! dagg] away f ! b&it4 ,! same /eps glorifi$ ,c>m5cita 9 h] day2 & ,ot]o1 n[ popul> z a s+] 9 ! ,op]a 9 ,p>is4 ,all ?ree ( ^! goddesses read into _! int]pretation a p[]ful idea ( maje/y1 :i* left x none ! less s$uctive4 ,tak+ x at a comp>atively sl[ tempo1 ! p]fection ( e detail _h its highe/ value4 ,a new g5]ation ( p]=m]s has be5 r upset by a pass+ mode ( rapid foot-"w1 & "u its influ5ce too _m ( !m t5d to ru% ! dance & s detract f its maje/y4 ,true x is t a great "w ( art c /& a good deal ( abuse2 b any m5ace to su* a "w z ! "o discuss$1 po9ts out ! ne$ ( a national academy1 :]e ! treasures ( ! danc+ art c\ld be pres]v$ f possible :ims ( ev5 an arti/ically intellig5t public1 & ! compliance ( a non-resi/+ majority ( arti/s4 ,unlike mo/ great ,european nations1 ,spa9 has no national academy ( ! dance4 ,illu/ration3 ,,two ,,gr\ps ,,9 8,,las ,,sevillanas40 ,fanny ,ellsl] electrifi$ ! ,am]ica ( our fa!rs' boyhood days ) h] int]pretation ( la ,ca*u*a4 ,zorn's ,gramm> pres5ts a *oro-/5ographic record ( x1 %[+ few elem5ts t d n occur 9 ,sevillanas4 ,la ,ca*u*a itself has disappe>$ f ! ,p59sula--practically at lea/1 if n absolutely4 ,its exi/5ce is 9 pr9t$ records & a few old p's memories4 ,! inf]5ce is t x 0 at a high pit* ( popul>ity at ! "t ( ,ellsl]'s soj\rn 9 ,spa91 & t ,sevillanas subsequ5tly absorb$ x4 ,%[+ ! op]ation ( an old process3 8,our build+s & our weapons ( w> are r5ew$ f day to day4444 ,*airs1 cupbo>ds1 tables1 lamps1 c&le/icks are also *ang$4 ,x is ! same ) our games & dances1 our music & songs4 ,! ,z>ab&a has gone2 ,seguidillas are 9 fa%ion2 :i*1 9 _! turn1 w disappe> to make room = new] dances40 ,s wrote ,mateo ,aleman1 9 ! sixte5? c5tury4 ,he might a little m exactly h said 8reappe> 90 in/ead ( 8disappe> to make room =40 ,sevillanas1 z 0 said be=e1 is ,seville's special arrangem5t ( ,seguidillas4 ,val5cianas & ,aragonesas are among ! modify+ geographic words also 9 use2 ,vuilli] quotes also ,gitanas1 ,moll>as1 ,gallegas & ,quipuzcoanas4 ,^! t]ms z localis+ modifications ( ,seguidillas may be no long] curr5t4 ,b _! exi/5ce is significant1 z indicat+ a p>5t trunk f :i* _m local dance =ms h bran*$4 ,x seems pretty safe to inf] t acqua9tance ) ! g5]al *>act]i/ics ( ! ,seguidillas type gives u an idea ( ! ess5tials ( "s ( ! dances ( v e>ly times1 by :atev] names !y may h be5 kn[n4 ,l ,sevillanas & la ,ca*u*a1 el ,f&ango 7:i* z a "n has retir$ into ! m\nta9s ( ! ,nor?1 & o!rwise is pres]v$ 9 ! op]a ,la ,nozze de ,fig>o7 is record$ z be+ a species ( ,seguidillas4 ,! ca/anets are a l9k t b9ds ! family1 logically or o!rwise1 to e>lie/ hi/ory4 ,! ,f&ango1 ?\gh re/ra9$ 9 ! !atre1 seems at all times to h be5 danc$ 9 less =mal ga!r+ places 9 a mann] m or less worldly4 ,a /ory p]ta9+ to x 0 writt5 9 ! sev5te5? c5tury4 ,! ,pope 7accord+ to ! /ory7 he>d t ! ,f&ango 0 sc&al\s1 & z a means ( /opp+ its practice1 propos$ excommunication z a p5alty = its p]=mance4 ,a consi/ory 0 debat+ ! issue1 :5 a c>d9al propos$ t ! accus$ 0 entitl$ to an opportunity to def5d itself4 ,?is seem$ reasonable1 & ! danc]s 7 summon$4 8,_! grace & vivacity10 says ,davilli]1 8soon drove ! fr[ns f ! br[s ( ! ,fa!rs1 ^: s\ls 7 /irr$ by lively emotion & a /range pleasure4 ,"o by "o _! ,em95ces began to beat "t ) h&s & feet1 till sudd5ly _! hall became a ballroom2 !y sprang up1 danc+ ! /eps1 imitat+ ! ge/ures ( ! danc]s4 ,aft] ?is trial1 ! ,f&ango 0 fully p>don$ & re/or$ to hon\r40 ,:atev] ! lack ( basis = ! tale1 x is a fact t ! ,*ur* 9 ,spa9 has recognis$ ! dance z an art t1 l music1 l5ds itself to religi\s ritual4 ,seville ,ca!dral /ill has occasions = ! solemn dance ( los ,seises4 ,9 #agfb1 danc]s 7 tak5 f ,val5cia to help celebrate ! lay+ ( ! f\ndation-/one ( ,l]ida ,ca!dral4 ,in/ances might be multipli$ at l5g?4 ,! co/ume mo/ picturesque & romantic t woman has at h] disposal = ^! dances is t ( ! madroero--! network dott$ ) little black balls1 drap$ ov] ! hips4 ,imag9e ! bodice black velvet1 & ! skirt gold5-yell[ sat91 & y h a spot-&-col\r translation ( ,&alusia4 ,b ! dress ( ! madroero is n (t5 to be se52 ! spangl$ ,flam5co co/ume is publicly accept$ z ! dress ( a ,spani% danc+ girl4 ,! manton %\ld be drap$ ov] ! %\ld]s l a %awl 9 la ,jota ,aragonesa & o!r dances indig5\s to c5tral & nor!rn prov9ces4 ,x is ,flam5co to fold x diagonally to =m a triangle1 & wrap x ar\nd ! body 9 su* a way t ! dep? ( ! triangle lies on ! front ( ! body2 ! apex po9ts d[nw>d1 & is arrang$ to fall to "o side ( ! c5tre4 ,! o!r two ends are cross$ ov] ! back & br\ght =w>d ov] ! %\ld]s2 or "o end may be tuck$ 91 & ! m made ( ! end t rema9s 9 sight4 ,! dance 9 :i* we see ! :ite mantilla to :i* ! ,spani% girl owes a portion ( h] fame is la ,malaguea y el ,tor]o4 ,p]haps ow+ to ! weight ( ! man's co/ume prop] to ! dance1 x is n (t5 p]=m$2 = ! bullion-adorn$ dress ( ! tor]o is ( a weight sugge/ive ( any?+ b airy foot-"w4 ,! *>act]s ( ! piece--x is "o ( ! v few ,spani% mimetic dances--are repres5t$1 z might be expect$1 9 a little flirtation4 ,( ! ?ree movem5ts1 ! fir/ is an animat$ paseo1 or prom5ade1 ! tor]o wrapp$ 9 ! capa de gala prescrib$ by c]emony z ess5tial = matadores & b&]ill]os dur+ _! entrance p>ade into ! bull-r+4 ,! tor]o is foll[$ by ! girl1 h] face demure 9 ! half-%ade ( ! ov]hang+ mantilla4 ,a manton c>ri$ fold$ ov] h] arm1 sugge/ive ( a tor]o's cape1 gives to ! pantomime ! key ( fantasy2 & h] weapon ( coquetry is a fan4 ,an elaborate s]ies ( advances1 turns1 meet+s & pass+s prep>es ! tor]o to ackn[l$ge t he notices ! girl4 7,mr4 ,b]n>d ,%aw 0 n ! orig9al discov]] ( fem99e initiative 9 man-&-woman relations47 ,he looks at h] & is delight$4 ,! music *anges1 & ! second movem5t1 la mimica1 beg9s4 ,he w spread 8 capa = h] to walk ov]2 b fir/ he mu/ fl\ri% x ?r\gh a c\ple ( ! movem5ts famili> to patrons ( ! corrida4 ,a v]onica--8,ol60 ro>s ! cr[d1 ^: memory in/antly correlates ) ! wri?+ cape ! vision ( a furi\s bull4 ,a f>ol ?r[s ! brilliantly col\r$ clo? l a huge fl[] high 9 ! air3 a su]te de capa always magnific5t1 "o ( ! ev]-recurr+ fla%es ( surprise t make ! corrida irresi/ible despite its faults4 ,9 consecutive movem5t ! capa op5s & settles fanlike be=e ! girl1 ! boy kneel+ z %e passes4 ,ris+1 he tosses1 8 cap = h] to /ep on4 ,a t\* ( realism1 ?is6 ,&alusian usage p]mits ?is complim5t1 ) ! spok5 wi% t ,god may bless ! seorita's "m4 ,! second copla draws to a close ) ! boy's pantomime m]g+ into dance /ep z he becomes m attract$ to ! girl4 ,%e is n[ evad+1 allur+1 & reprov+1 :ile h] movem5ts ins5sibly succumb m & m to ! dance music :i* has replac$ ! prom5ade tempo ( ! fir/ "p4 ,! ?ird copla is ! dance--el baile2 capa1 fan & manton are disc>d$ = ca/anets4 ,! /eps are ( ! ,seguidillas type2 ! numb] ends ) ! incr$ibly sudd5 trans=mation ( a s]ies ( rapid turns into a gr\p z motionless z /atu>y4 ,?is abrupt /op is a *>act]i/ic ( ,spani% danc+ 9 g5]al t always has be5 comm5t$ on1 & approv+ly1 by its non-,spani% obs]v]s4 ,las ,malaguez also employs mantilla & fan4 ,?is sprightly memb] ( ! ,seguidillas family has no elem5ts peculi> to itself1 yet its insi/5t use ( little /eps adapts x to rapid foot-"w4 ,man*egas is ( ! ,illu/ration3 ,,gr\ps ,,9 8,,la ,,malague,a ,y ,,el ,,tor]o40 7,f "w ( ,edu>do & ,elisa ,cans9o47 same nature4 ,! two are (t5 p]=m$ imm$iately aft] dances ( less action1 = ! sake ( v>iety4 8,! ,f&ango inflames1 ! ,bol]o intoxicates10 wrote an en?usia/ ( o!r days4 ,& 9 respect to ! latt] ! tru? ( 8 obs]vation may be prov$1 s9ce ! ,bol]o is /ill ) u1 & always intoxicates e "o ( its spectators t is n deaf & bl9d4 ,its composition is attribut$ to ,c]ezo1 a fam\s danc] ( ! e>ly "p ( ! eighte5? c5tury4 ,mat]ial = speculation is furni%$ by "o ( its /eps 9 p>ticul>1 ! cu>ta1 id5tical ) ! ballet's entre*at-quatre4 ,! inv5tion ( ! entre*at is cr$it$ to ! ,fr5* danc] ,cam>go1 :o 0 n born until aft] ! adv5t ( ! ,bol]o4 ,! "q is3 ,did ! ,bol]o take ! cu>ta f ,cam>go1 or did %e1 a progressive 9 h] day1 m]ely inv5t ! "n 8entre*at0 & apply x to a 8lift$0 cu>ta8 ,c]ta9 x is t x fits its requirem5ts 9 ! ,bol]o l a key 9 its lock4 ,x is us$ 9 a passage d$icat$ to brilliancy1 to :i* motive ?is tw9kl+1 gravity-defy+ /ep is suit$ above almo/ all o!rs4 ,z r5d]$ by ! woman1 x is da9ty1 z 9 ! ,fr5* ballet4 ,b ! ,spani% man treats x 9 a mann] t puts x into a category by itself1 & trans=ms x f a little /ep to an evolution t seems sudd5ly to occupy ! entire /age4 ,! cu>ta at ! height ( ! leap is only 8 beg9n+4 ,z he desc5ds1 he kicks "o foot up & backw>d1 9 a mann] to give him a half-turn 9 ! air4 ,! leg movem5t op5s up ! l9es ( ! elevat$ figure1 giv+ x a sudd5 gr[? comp>able to "o ( ^? plants t ! ,ori5tal magician develops f ,illu/ration3 ,,miscellane\s ,,spani% ,,notes4 ,los ,panad]os3 gr\p turn+4 ,! ,jota ( ,aragon3 typical gr\p4 ,las ,sevillanas3 use ( primitive foot position4 ,! ,bol]o3 a turn 9 ! air4 ,ca/anets3 ,classic1 ti$ to f+]4 ,flam5co1 ti$ to ?umb4 ,seises ( ,seville ,ca!dral4 se$ to maturity :ile y w9k4 ,! expansion is augm5t$ by ! ext5sion ( ! arms at ! opportune mom5t4 ,altoge!r1 ! spectator is prep>$ to believe t all physical law has be5 susp5d$ 9 def]5ce to ! conv5i5ce ( poetic motion4 ,davilli]'s obs]vation t 8! ,bol]o intoxicates0 is :olly inadequate4 ,! dance is 9 triple "t1 & arrang$ 9 ?ree p>ts4 ,! second divides ! "w ( ! two p]=m]s into solos1 admitt+ :atev] s5sational /eps ea* *ooses to pres5t1 s long z !y con=m to ! /rong1 aggressive /yle t tradition gives ! dance4 ,9 ?is "p are ! cu>tas1 :i* good ,spani% p]=m]s execute z cleanly z any ,fr5* premire4 ,! man's "w may include a s]ies ( jumps1 /raight up1 op5+ ! legs out to horizontal2 n 9 itself an attractive /ep1 b an exagg]ation ( ! idea ( ! ,bol]o4 ,?r\gh\t1 ! "w is vig\r\s & %>p1 ( ! "* creat$ by battem5ts great & small1 c\ps1 & *oppily execut$ briss4 ,! managem5t ( ! ca/anets is a difficult addition to su* vig\r\s foot-"w1 & important4 ,to su/a91 or r con/antly augm5t ! excitem5t prop] to ! dance1 ! cra% ( ! recurr5t 8tr-r-r1 tak-ta6 tr-r-r-1 tak-ta60 mu/ nev] be dull$ = an in/ant1 nor fail ( p]fection 9 rhy?m4 ,! d\ble control is seldom acquir$ by any b ,spani>ds1 if ev]1 & ev5 9 ,spa9 x is none too common4 ,e lov] ( danc+ probably ?9ks ( 8 fav\rite compositions z p]sonalities4 8,que5ly ,sevillanas0 inevitably is ! way ( ?9k+ ( t fl[] ( ,&alusia4 ,9 simil> mann] memory puts toge!r words1 8! noble ,bol]o40 ,brusque b f9e1 /rong & ju/ly pr\d1 x s+s ( iron 9 ! blood1 z ,sevillanas exhales ! spicy fragrance ( hot night air4 ,illu/ration3 ,,two ,,gr\ps ,,9 8,,los ,,panad]os40 7,f "w ( ,edu>do & ,elisa ,cans9o47 ,( los ,panad]os ! introductory measures are d$icat$ to ! elaborate salutations appropriate to ! etiquette ( o!r days4 ,! dance 9 g5]al foll[s ! motive ( light coquetry ?r\gh a pantomimic fir/ "p1 conclud+ ) a dance ( ! ,seguidillas type1 ) ca/anets4 ,int]e/ is enri*$ by ! dance's prop] co/ume4 ,! girl's ve/ido de madroos has be5 describ$ 9 connection ) ano!r dance1 & ! same res]v$ indulg5ce 9 ! ornate is se5 also 9 ! attire ( ! man4 ,! velvet jacket p]mits subdu$ b opul5t col\r2 in/ead ( buttonholes x has a lively design ( cord loops4 ,d[n ! sides ( ! bree*es runs a broad b& ( col\r t w\ld be too viol5t 7 x n brok5 up by a sup]impos$ b& ( heavy black cord lace1 ?r\gh ! op5 patt]n ( :i* ! backgr\nd silk tw9kles l jewels4 ,x is a co/ume to make an impression at a di/ance or to tickle ! eye on close inspection2 ! tassell$ lea!r legg+s are delicately adorn$ ) scroll-patt]n trac$ 9 /it*+1 & o!r details are elaborat$ ) ! same m9ute c>e4 ,( all ! en]getic dances ( ! l& ( ! dance1 ! "o f>!/ f any concession to physical infirmity is la ,jota ,aragonesa4 ,"h is no vehicle = ,&alusian languor nor yet = ! c]emonies ( c\rts4 ,! indu/ri\s peasant ( ,aragon is h>d ( muscle & /rong ( he>t1 & s is 8 daught]1 & _! /r5g? is _! pride4 ,= indol5ce !y h no sympa?y1 be x 9 erm9e or rags2 & c]ta9ly if indol5ce ev] =gets itself & /rays into ! ,jota1 x passes a bad five m9utes4 ,x is a good1 s\nd fruit ( ! soil1 full ( sub/ance1 & invit+ to ! eye z good s\nd fruit may be4 ,no academy's ho?\se c>e has be5 ne$$ to develop or protect x2 ! h& ( ! peasant has cultivat$ )\t dirty+ x4 ,& t1 :5 y look ov] ! hi/ory ( danc+ 9 "s m progressive nations1 is a pretty significant ?+4 ,! p ( ,aragon are n novelty-hunt]s4 ,p]haps t is :y !y h be5 satisfi$1 :ile p]fect+ ! dance ( _! prov9ce1 n to p]v]t x f its prop] motive--:i* is to express 9 t]ms ( poetry bo? ! vig\r & ! innoc5ce ( ru/ic1 romp+1 boy-&-girl c\rt%ip4 ,a trace ( /iffness ( limb & angul>ity ( movem5t1 prop] to ! ,jota1 imbue x ) a cont9u\s h9t ( ! rural grotesque4 ,yet1 z ! angul> spire ( ! ,go?ic ca!dral ne$ be no less graceful ?an ! r\nd$ dome ( ! mosque1 s ! ,jota conc$es no?+ 9 beauty to ! m roll+ movem5t ( ! dance ( ,&alusia4 ,x is broad & big ( movem5t2 ! ca/anets mo/ ( ! "t are held /rongly out at arm's l5g?4 ,"o ( its _m surprises is 9 ! mann] ( ! pauses3 ! movem5t is s fa/1 ! pauses are s electrically abrupt1 & ! gr\p 7or 8picture10 z our /age-folk call x7 9 :i* ! danc]s hold !mselves /atue-l ?r\gh a c\ple ( measures is s sudd5ly =m$1 t a layman's ef=t to und]/& ! transition w\ld be l try+ to analyse ! movem5ts ( ! p>ticles 9 a kaleidoscope4 ,out ( a dazzle ( cross-ti$ :ite legs !re snaps on to y\r ret9a a vision ( a c\ple face to face1 ea* on "o knee2 "o1 two1 ?ree1 f\r--on ea* c\nt ! support+ knee comes up1 its mate rhy?mically bumps ! floor4 ,"o measure2 aga9 !y are 9 flight4 ,ano!r /op1 z f a collision ) "s invisible b immovable body--! girl is e/abli%$ 9 a seat$ position on ! floor1 madly play+ h] ca/anets1 ! boy fla%+ pir\ettes ar\nd h]4 ,bi5 p>ada1 palomita6 p]o &a6 ,ano!r cyclone1 a cresc5do ( en]gy 9 ! ?ump ( s&all$ feet & ! pulse-lift+ clatt] ( ca/anets1 &--dead /op6 ,%e is impud5tly p]*$ on 8 knee4 ,rais$ ) ! paisanos ar\nd y to ! plane ( ! happy gods1 y too are /&+1 %\t+ y\r rhy?m-madness1 te>+ at sc>f-p91 b\quet or any?+ to ?r[ to ! p]=m]s4 ,d[n to ! tun+ ( ! ca/anets is emphasis$ ! diff]5ce betwe5 ?is dance ( ! /alw>t upl&]s & ! m liquid expression ( ,&alusia4 ,x c be und]/ood h[1 ) ! in/rum5ts fa/5$ to ! ?umb1 & hang+ s z n to t\* ! palm1 vibration is n int]rupt$ aft] a bl[ f ! f+]2 consequ5tly !y w r+ :5 t\*$4 ,! successive taps ( f\r skilful f+]s on a ca/anet s hung w make x s+1 z is appropriate to ! fl[+ dance ( ! ,s\?4 ,b *ange ! tie f ! ?umb to ! two middle f+]s & y *ange ! voice3 ! bl[ ( a f+] presses toge!r ! two halves ( ! in/rum5t1 & ?r[s bo? aga9/ ! palm ( ! h&2 vibration is /opp$1 & ! report is a dry 8tak0 or 8tok10 :i* is consi/5t ) & contributory to ! crisp /accato s5tim5t ( ! ,jota1 ) its kick+ treatm5t ( a runn+ pas de b\rre1 swift pir\ettes1 & abrupt />ts & /ops4 ,illu/ration3 ,,"p ,,( ,,! 8,,jota0 ,,( ,,aragon4 ,%[+ rapid foot-"w to sl[ music4 ,/eps indicat$ by acc5ts "u music4 ,! melody above quot$ is t ( ! old ,jota4 ,!re is a c]ta9 p>adoxical relation%ip betwe5 ! motives ( /ep & music1 p]haps peculi> to ,spa91 t ass]ts itself mo/ cle>ly 9 ! ,jota4 ,t is1 ! sett+ ( brilliant dance-movem5t to ! accompanim5t ( melodies ( a sadness sometimes une>?ly4 ,! juxtaposition does n always occur4 ,:5 x does1 z 9 ! old ,jota ( ,aragon & las ,sole>es ( ,&alusia1 x is ! v inc>nation ( ! my/]i\s magic ( a magic l&2 x is ! smile =c+ back ! te>1 words ( wit spok5 by ! voice ( sorr[4 ,or is ! =eign] mi/ak58 ,! peasant himself sees no sorr[ 9 ! tunes1 any m ?an 9 life4 ,?ump+ ! foot-beats gives an idea ( ! rhy?m s f> z relat$ to ! s\nd2 b ?is fails m ?an to h9t at ! effect ( ! music 9 comb9ation ) ! dance1 because ! dance s fills ! consci\s att5tion t ! music is less he>d ?an felt4 ,! melody itself is unnotic$2 b its und]ly+ melan*oly p]si/5tly cuts its way into ! he>t dur+ ! v mom5ts t vision is mo/ madly happy4 ,true to h] mode/ & s]i\s "*1 ! peasant woman ( ,aragon puts on h] manton l a %awl1 /]nly conceal+ h] figure4 ,h] full1 ru/ic skirt is ( dull-col\r$ cotton4 ,= h] no high-heel$ %oes2 h] foot-we>--& h] gr&fa!r's--is ! practical cord-sol$ s&al 7alporgata7 ti$ on ) black cords1 :i*1 on _! backgr\nd ( :ite /ock+1 h a coquetti% look 9 spite ( h]4 ,! man's dress is a repres5tation ( simple /r5g?1 sav$ f sombr5ess by well-dispos$ contra/+ acc5ts1 few b brilliant4 ,! lac+ ( ! bree*es sla%$ at ! knee e*oes ! tie ( ! s&als4 ,! wai/coat & bree*es are black2 ! sa%--worn v broad--may be ei!r dull or bright2 b ! k]*ief ti$ ar\nd ! head is ( col\r z /rong z dyes w produce4 ,r$ ) a design ( little black squ>es is *>act]i/ic ornam5t ( ! prov9ce4 ,val5cia1 too1 has its ,jota1 b ( movem5t m fluid ?an t ( ,aragon4 ,la ,jota ,val5ciana is sup]ficially di/+ui%$ by its employm5t ( ! tamb\r9e2 ! only dance 9 ,spa9--) possible unimportant exceptions--to accompany itself ) ?is in/rum5t4 ,9 /ructure x is ( ! ,seguidillas type1 ! co9cid5ce ( ! t]m ,jota be+ )\t significance4 ,to g into a discussion ( ! dances ( ! nor!rn prov9ces--,catalua1 ! ,basque prov9ces1 ,galicia1 ,leon & o!rs--w\ld 9 mo/ in/ances be to digress f ! !me ( ,spani% danc+ 9 any b a geographical s5se4 ,! dances ( ! nor!rn region t are ,spani% 9 type are ( ! ,seguidillas family already describ$1 & )\t special p]t95ce to ! locality4 ,conv]sely1 ! dances t are indig5\s to & *>act]i/ic ( ! ,nor? are n ( ! type g5]ally & prop]ly kn[n z ,spani%1 b1 9 respect to ev]y?+ b geography1 p]ta9 to ! "* dances ( we/]n ,europe4 ,true1 ! ,f&ango is se5 9 ! ,basque prov9ces2 b x is a /ray f o!r p>ts4 ,galicia has a pantomime ( oafi% c\rt%ip4 ,a dance *>act]i/ic ( ,quipuzcoa 0 describ$ to u by ,t5cita3 glasses ( w9e 7 set on ! floor1 ( ! same numb] z ! danc]s1 all ( :om 7 m54 ,at a giv5 "t e "o w\ld jump--f a consid]able di/ance & to a good height--) ! aim ( miss+ 8 glass by a m9imum m>g94 ,?is ex]cise--or dance1 by *>ity ( def9ition--is p]=m$ aft] important mat*es ( ! prov9cial game ( pelota4 ,be+ ( ! g5]al /yle ( racquets1 control ( placem5t ( ! feet foll[s4 ,_m ( ! dances1 says ,t5cita1 are r\nds4 ,( ^! ! sali5t feature is ! man's lift ( 8 p>tn]4 ,"s ( ^? iron-%\ld]$ m\nta9e]s1 grasp+ ! girl's wai/ 9 two big h&s1 lift h] /raight up to arm's-l5g?4 ,b ?is1 to repeat1 is ,spani% only by grace ( political b\nd>y l9es4 ,! same feat is describ$ 9 a ,fr5* ru/ic dance ( ! ,middle ,ages4 ,s long z ! tradition ( r\nd danc+ jo9s ! p]=m]s' h&s to "o ano!r1 *oreographic art c h>dly exi/4 ,x is d\btful if ! ,nor? has c>ri$ to ! sup]lative any ( ! qualities ( real danc+4 ,9 pure decorative beauty2 v>iety & =ce ( expression2 scope ( motive2 happy contra/s ( treatm5t--briefly1 9 ! art ( ! dance1 ,&alusia speaks ! f9al ^w4 ,:o wi%es natural pantomime ne$ only call a ,gipsy4 ,mimica m delicate is t ( ,toreo ,espaol or el ,vito1 bo? n>rat+ ! plac+ ( b&]illas1 def5ce ) ! cape1 & ! f9al despat* ( a bull4 ,9 a comb9ation ( /rong movem5t ) spe$ & grace1 !re does n exi/ 9 ?is _w a dance-=m to excel ! ,jota ( ,aragon4 ,! home ( ,spani% danc+ is s\? ( ! latitude ( ,madrid1 9 ! fl[]y region t ! caliphs rul$4 ,! pilgrim 9 se>* ( danc+1 !re=e1 %all n unsaddle until ! ne>e/ hilltop %[s ! ru9s ( a ,moori% ca/le4 ,by t tok5 he w "k t he has come to ! l& ( grapes & fight+ bulls1 de/itution & wit1 black eyes1 guit> & song1 en*antm5t4 ,!re he may sell 8 horse2 :]e falls ! %ad[ ( a ca/le ( ! ,moors1 on t soil blooms ! dance4 ,,*apt] ,,vii ,,italian ,,dances ,pa/ are ! spl5did pageants ( ! ,m$ici1 nor d ! floors ( ,ca/el ,san ,angelo rememb] ! c>ess ( ! w+$ feet ( *oral danc]s4 ,! classic ballet1 heir ( ! dances & masques ( c\rts1 pres]ves _! /ately *>m2 :ile _! *oreographic wit lives on 9 dances t are at once _! ance/ors & _! survivors4 ,an int]m$iate g5]ation ( dances repres5t$ ! day ( a society cultivat$ to artificiality4 ,! dances ( ! p1 on ! contr>y1 are root$ 9 ! soil & c>$ = by :olesome tradition4 ,includ+1 z !y d1 _m ( ! /eps f :i* ! ballet 0 d]iv$1 !re is mat]ial = int]e/+ speculation 9 _! cont9u$ vig\r4 ,9 ! ,=lana ( ,v5ice1 ) its old-fa%ion$ /eps1 is f\nd a delicate mimetic synopsis ( ! _w-old tale ( ! "y wife1 ! eld]ly husb&1 & ! da%+ int]lop]2 ! !me immortalis$ by ! p5 ( ,boccaccio1 9 8 collection ( ! /ories t pass$ ! "t dur+ ! t5 days :5 ! c\rt exil$ itself 9 ! hills to avoid a pe/il5ce 9 ,flor5ce4 ,! accompany+ illu/rations ( ! dance h ! b5efit ( ! k ( two graduates ( ! academy ( la ,scala1 bo? *ildr5 ( tea*]s 9 t in/itution3 ,madame ,s>acco-,brignole & ,/eph5 ,mascagni4 ,bo? are en?usia/ic p]=m]s ( _! c\ntry's "* dances2 ,mascagni1 inde$1 ) 8 wife z ,illu/ration3 8,,la ,,t>antella0 ,op5+ ( ! dance ,a poor collection ,!y gamble = x3 ! game ,la ,morra ,%e w9s ,he w9s ,illu/ration3 8,,la ,,t>antella0 ,an arabesque ,f9i% ( a phrase ,a typical mom5t ,f9i% ( a phrase p>tn]1 makes ! ,t>antella an important feature ( 8 rep]toire4 ,! trio 9 la ,=lana 0 complet$ ) ! assi/ance ( ,mlle4 ,l\ise ,la ,gai1 z ,columb9a1 ,madame ,s>acco-,brignole & ,sr4 ,mascagni repres5t+ ,doctor ,pantalone & ,h>lequ91 respectively1 complet+ ! little ca/4 ,z a /ock "* 9 o!r pantomimes & f>ces1 ,doctor ,pantalone's *>act]i/ics1 bo? m5tal & physical1 are s cle>ly def9$ t he has ! reality ( an acqua9tance4 ,9 brief1 he repres5ts self-sur5ess & self-importance1 ) a weakness ( reveal+ complete mis9=mation ?r\gh indulg5ce 9 a habit ( correct+ ! /atem5ts ( o!rs4 ,light-head$ ,columb9a & mis*ief-mak+ ,h>lequ9 are _! famili> selves4 ,! ,=lana is a composition ess5tially ( tableaux1 ) /eps ( ! dance s]v+ to lead f "o picture to ano!r4 ,h>lequ9's fre$om ) ,columb9a is res5t$ by ! eld]ly husb&1 :o ?reat5s ! intrud] ) a cane4 ,! frivol\s "y p dance away1 aft] a mock-h]oic pret5ce by ,h>lequ9 ( protect+ 8 inamorata f h] husb&4 ,!y beg9 a s]ies ( gr\ps made to tantalise ! dot>d1 ^: possession ( ! "y woman has cle>ly ceas$ to exi/4 ,h>lequ9 embraces h]1 gazes into h] eyes1 raises h] to 8 %\ld]1 kisses h]1 & is o!rwise famili>1 :ile ,pantalone /orms & pleads4 ,p]*+ al(t ) h] p>tn]'s support 9 ! v>i\s ways kn[n to danc]s ( an acrobatic g5ius1 ,columb9a rea*es out to h] sp\se ! tip ( a f+]1 9 smil+ s>casm4 ,pantalone lat] is r$uc$ to kiss+ ! little foot t f "t to "t kicks upw>d z ! lov]s play4 ,:5 at l5g? ev5 t is ! occasion ( a dignifi$ prote/ f ,h>lequ91 ! defeat$ "o )draws f an unequal competition & gives ! c\ple 8 bless+4 ,pantalone1 ap>t f 8 relation to ! ,=lana1 is "o ( a gr\p ( *>act]s atta*$ to ! v>i\s ,italian /ates z allegorical repres5tatives4 ,to ,s>d9ia1 = in/ance1 p]ta9s a soldi]ly look+ y\? call$ ,mas*>a ,s>da4 ,bologna has its ,doctor ,balanzone2 ,flor5ce1 ,/5t]ello2 ,rome1 ,rugant9o2 ,naples1 ,pulc9ella--& ?is is to enum]ate only a few out ( a numb] slightly 9 excess ( ! numb] ( /ates4 ,^! my?ical be+s are nei!r h]oes nor c>icatures1 nor are !y suppos$ at all to portray ! qualities typical ( ! population !y repres5t4 ,_! associations seem to be )\t und]ly+ significance1 b !y are none ! less indissoluble 9 ! m9d ( ! ,italian4 ,^? :o h mo/ cause to love !m are ! writ]s ( popul> com$ies2 ! simple device ( putt+ a ,balanzone or a ,rugant9o among ! *>act]s ( ! play makes possible a direct expression ( ideas purport+ to be ^? ( ! /ate itself4 ,su* l9es1 reg>dless ( ! lit]>y tone ( ! play1 are cu/om>ily deliv]$ 9 ! local dialect ( ! region repres5t$4 ,x is ! ,t>antella t ! _w at l>ge accepts z ,italy's national dance2 & rightly en\gh1 s9ce !re is none ^: popul>ity is m ne>ly g5]al ?r\gh ! l&4 ,x is r id5tifi$ ) ,naples4 ,!re x is said to be ! amusem5t t ! y\ng] work+ p ?9k ( fir/1 :5 leisure all[s ! ?\ght ( any amusem5t at all2 b x is v popul>1 too1 ?r\gh ! ,s\?4 ,x is a breezy1 animat$ dance1 v>i$ ) pantomime n v pr(\nd1 to be sure1 b at lea/ m]ry ,illu/ration3 8,,la ,,t>antella0 ,op5+ ( ! dance ,a turn back-to-back ,a pause aft] rapid foot-"w ,illu/ration3 8,,la ,,=lana0 ,mme4 ,elise ,s>acco-,brignole1 ,mlle4 ,l\ise ,la ,gai1 & ,sr4 ,/eph5 ,mascagni ,doctor ,pantalone patroniz$2 defi$2 pleads2 accepts ! inevitable & is ridicul$ ,to face page #aei ) "*4 ,! mimetic action conc]ns ! v>y+ luck ( la morra1 t game t consi/s 9 guess+ at ! numb] ( f+]s op5 on ! oppon5t's sudd5ly reveal$ h&2 p]haps ! only gambl+ game = :i* e "o is born ) full equipm5t ( implem5ts4 ,to a vot>y1 e glance at 8 own five f+]s mu/ seem a temptation to seek a game4 ,= :atev] reason1 x seems to be a necess>y elem5t 9 ! life ( ! ,italian lab\r]4 ,! mom5t ( ! ,t>antella giv5 ov] to la morra is1 z x 71 an ackn[l$gm5t ( its place among ! p's recreations4 ,z ca/anets are to ! dances ( ,spa91 ! tamb\r9e is to ^? ( ,italy4 ,l ca/anets1 ! tamb\r9e produces an amaz+ v>iety ( tones :5 h&l$ by an exp]t4 ,! effect its jovial emphasis ( tempo has on ! en?usiasm ( danc] & spectator ne$ n be dwelt ^u2 aga9 sobriety succumbs be=e rhy?m's tw(old attack on eye & e> toge!r4 ,vivacity is insi/5t1 too1 9 ! col\rs ( ! ,neapolitan co/ume4 ,! tamb\r9e is dress$ 9 ribbons1 *>act]i/ically ! national r$1 :ite1 & /++ gre54 ,/ripes z brilliant z caprice may sugge/ adorn ! girl's head-dress1 apron & skirt4 ,nor mu/ h] m sub/antial f9]y be =gott52 until a responsible age is atta9$ by *ildr5 ( h] own1 %e is gu>dian ( an accumulat+ collection ( necklaces & e>r+s1 bracelets & r+s t are z a family symbol ( respectability4 ,j z 9 o!r nations ! inh]it$ table silv] is br\ght out to grace occasions ( rejoic+1 ! ,neapolitan "y woman on l occasion exhibits gold1 silv] & gay r$ coral 9 adornm5t ( h] p]son--add+ mu* to ! sp>kle ( ! ,t>antella4 ,! boy 79 ^! & ! pictures ( la ,cioci>a repres5t$ by ,mlle4 ,la ,gai7 has a necktie z r$ z dyes w yield1 & a long fi%]man's cap ( ! same col\r4 ,x is ,italian /age tradition1 by ! way1 t ! ,neapolitan fi%] boy's tr\s]-legs %\ld be roll$ up to slightly diff]5t heights4 ,! dance itself is full ( pretty gr\ps1 well spic$ ) moods4 ,! /eps are happily v>i$ & well compos$4 ,!re are _m turns1 ! boy frequ5tly assi/+ ) ! famili> spiral twi/ ( ! girl's uprais$ h&s--a device t1 ) any execution back ( x1 always produces a pleasant effect4 ,! turns also are highly enhanc$ 9 value :51 z !y frequ5tly d1 !y t]m9ate s z to br+ ! danc]s into an effective embrace4 ,prep>ation = a pir\ette by bo? danc]s is utilis$1 at "o po9t1 z a pretext = "s delightfully grotesque poses4 ,x is a dance wor?y ( /udy & p]=mance by arti/s1 & ( ! en?usiasm ( appreciators ( good "w4 ,9 ,cor9ne occurs a passage reflect+ its impression on ,madame de ,/al4 ,! foll[+ selections seem mo/ sugge/ive ( ! effect produc$3 8 444 beat+ ! air ) h] tamb\r9e--9 all h] movem5ts %[+ a grace1 a lissom5ess1 a bl5d+ ( mode/y & ab&on1 :i* gave ! spectator "s idea ( ! p[] ex]cis$ ov] ! imag9ation by ! ,indian danc+-girls1 :5 !y are1 s to speak1 poets 9 ! dance1 express+ v>i$ feel+s by *>act]i/ic /eps & picturesque attitudes4 ,cor9ne 0 s well acqua9t$ ) ! diff]5t attitudes :i* pa9t]s & sculptors h depict$1 t by a slight movem5t ( h] arms1 hold+ ! tamb\r9e sometimes above h] head1 sometimes 9 front ( h]1 :ile ! o!r h& ran ov] ! ,illu/ration3 8,,la ,,cioci>a0 ,op5+ prom5ade 7#a1 #b7--;,end ( prom5ade 7#c7--;,he has 8made eyes0 at a spectator 7#d7--,op5+ ( dance 7second movem5t7 7#e7 ,to face page #afj ,illu/ration3 8,,la ,,cioci>a0 ,ru/ic affection ,aga9 caught 9 p]fidy ,tries to make am5ds ,)\t success ,remov$ f temptation ,to face page #afa bells ) incr$ible swiftness1 %e w\ld recall ! danc+ girls ( ,h]culaneum1 & pres5t be=e ! eye ( ! pa9t] or arti/ "o idea aft] ano!r 9 swift succession4 ,x 0 n ,fr5* danc+1 s rem>kable = ! elegance & difficulty ( its /eps2 x 0 a tal5t mu* m closely relat$ to imag9ation & feel+4 ,! mood 0 express$ alt]nately by exactness or s(tness ( movem5t4 ,cor9ne1 danc+1 made ! onlook]s %>e h] feel+s1 j z if %e 7 improvis+1 play+ ! lyre1 or design+ figures2 e motion 0 to h] z expressive z spok5 language40 ,! simil>ity betwe5 ! words ,t>antella1 & 8t>antula10 a l>ge & poison\s spid]1 causes endless speculation to ! end ( e/abli%+ a m ?an etymological relation betwe5 ! two4 ,"o au?or s]i\sly affirms t ! dance is a /&>d rural rem$y = ! bite ( ! insect1 ! en]getic movem5t />t+ a p]spiration t relieves ! sy/em ( poison4 ,v>i\s ,g]man physicians h writt5 reports on ! subject1 g5]ally end+ ) a /atem5t t ! said antidote = poison is ( d\btful efficacy6 ,approa*+ ! subject f ano!r angle1 ! ^w t>antismos is discov]$3 a species ( hy/]ia common 9 ,calabria & ,apulia1 & 7by etymology7 attribut$ to ! bites ( t>antulas to be f\nd 9 ^? p>ts4 ,b along comes ano!r le>n$ p]son :o f9ds t t>antismos is n due to t>antula bites1 b to c]ta9 molluscs t ,calabrians & ,apulians cu/om>ily include 9 _! food rgime6 ,he h>ks back to a c]ta9 danc+ mania t 0 m or less epidemic 9 ,europe dur+ a p]iod ( ! ,middle ,ages1 a hy/]ical condition f\nd curable by viol5t danc+4 ,:5ce he induces t ! ,t>antella d]ives its "n f t>antismos1 & t x orig9at$ z a cure = neura/h5ia4 ,/ill ano!r f9ds t ! ailm5t causes hy/]ical movem5ts1 8simil> to danc+60 & flatt]s ! ,t>antella ) ?is spasmodic orig94 ,aga91 a grave exp]im5t] f9ds t t>antulas1 plac$ on floats 9 wat] s t !y w be dis9cl9$ to run away1 w move _! feet 9 "t to music4 ,he does n ask u to inf] f ?is t ! /eps ( ! dance 7 s orig9at$ & compos$1 b 9 ! cause ( g5]al joy\sness he might h1 & t )\t mu* damage to ! accumulat$ erudition on ! subject4 ,all ! ,lat9 c\ntries1 no less ?an ,scotl& & ,irel&1 h _! ,jig4 ,9 ,italy1 z else:]e1 x is a composition ( rapid clog & %uffle /eps4 ,m ?an mo/ ,occid5tal c\ntries ,italy has a l+]+ fondness = pantomime2 d\btless z a h]itage f ! !atre ( ,rome1 & increas$ ?r\gh c5turies ( political intrigue t sometimes made ! spok5 ^w inadvisable4 ,l ! ,=lana1 la ,cioci>a ( ,romagna is an example ( *oreographic pantomime c>ri$ to a high pit* ( n>rative quality4 ,x repres5ts a heavy-foot$ %eph]d & 8 wife1 & _! unpaid ef=ts to collect co9s = music & danc+ dur+ _! visit to ! village4 ,aft] a little prom5ade to ! music ( ! pipe1 or piff>a1 t has desc5d$ un*ang$ f ! days ( ! %eph]ds on ! slope ( ,m\nt ,ida1 & ! tamb\r9e ( equally v5]able age1 ! tamb\r9e is pass$ be=e an imag9>y circle ( auditors4 ,! imag9>y co9s fail+ to come =?1 ! c\ple impulsively decide to dance anyway1 = _! own amusem5t4 ,! dance prop] is ( ! fl[+ /yle ( ! ,t>antella1 b includes only ! simpl] /eps4 ,an important contribution to ! amus+ "* ( ! p]=mance is a bit ( by-play t beg9s aft] ! "w has app>5tly t]m9at$3 ! %eph]d1 oaf ?\gh he is1 expresses an int]e/ 9 a pretty face 9 ! audi5ce1 & ev5 a belief t 8 int]e/ is reciprocat$4 ,he is r\ndly scold$ by 8 wife1 soo!s h] feel+s1 & at la/ retires "u a n misplac$ surveillance4 ,! ,salt>ello1 an old & lively /ep-dance id5tifi$ ) ,rome1 & includ+ sev]al /eps ( ! ,t>antella1 completes ! li/ ( popul> dances = :i* ,italy is fam\s4 ,o!r names !re are 9 abundance1 b ( dances id5tifi$ ) _! localities4 ,la ,siciliana is a delicate b insuffici5tly v>i$ product ( ! isl& f :i* x has its "n4 ,mess9a has a pantomimic dance kn[n z la ,rugg]a2 ,flor5ce its ,trescona1 & s on indef9itely4 ,( ^!1 su* z h any *oreographic int]e/ are said to owe x to ! ,t>antella4 ,( _m ! int]e/ is *iefly hi/orical1 s9ce !y are wov5 into "o tissue ) old songs & old leg5ds4 ,poetic & altoge!r fasc9at+ z su* compositions frequ5tly are1 h[ev]1 _! prevail+ lack ( ! ess5tial qualities ( danc+ makes discussion ( !m inappropriate to a book on t subject4 ,on ! o!r h&1 ! highly *>act]i/ic flav\r ( ! music & ! words ( _! accompany+ songs makes !m a fasc9at+ /udy "u ! heads ( folk-lore & folk-music1 9 :i* connection !y are ! subject ( sev]al writ+s ( great int]e/4 ,,*apt] ,,viii ,,european ,,folk-,,danc+ ,,9 ,,g5]al ,to p :o toil long h\rs at conf9+ "w t requires c>e & skill1 !re comes at ! end ( ! day a crav+ = ex]cise t w release ! m9d f ! con/ra9t ( att5tion1 t w let ! muscles play ) vig\r & ab&on4 ,9 response to ?is dem& ( nature !re exi/s "o class ( folk-danc+--! g5re ( ! c>eless1 en]getic romp ( p b$eck$ 9 bright col\rs1 jo9+ h&s n[ to =m !mselves 9 r+s1 or aga9 9 int]weav+ l9es1 improvis+ figures1 he$less ( /ep except ! simple/ skipp+ & balanc+4 ,act+ contr>iwise to ! influ5ce ( daily lab\r involv+ skill & att5tion1 is ! =ce ( habitual "w t does n require en\gh precision to satisfy ! heal?y crav+ = f9e co-ord9ation ( muscle1 n]ve & m9d4 ,! latt] condition1 too1 moves to ! dance4 ,b "h1 9 ! case ( a p ^: pot5cy ( skill is n sp5t 9 ! day's "w1 ! dance is likely to assume =ms ( su* precision & elaboration t its p]=mance requires consid]able tra9+1 & su* beauty t x atta9s to ! plane ( art4 ,^! two divisions are f> f exact2 _m influ5ces modify !m4 ,b !y s]ve z a beg9n+ ( ! process ( sep>at+ ! gems ( folk-danc+ f ! mass ( t :i* be>s a sup]ficial sp>kle b is )\t intr9sic *oreographic value4 ,illu/ration3 ,,scot* 8,,sword ,,dance0 ,miss ,m>g>et ,craw=d & p>tn] ,! /eps & jumps br+ ! feet z close to ! sword z is possible )\t t\*+ x ,illu/ration3 ,,! 8,,scot* ,,reel0 ,use ( ! battem5t 7#a7--;,a pir\ette 7#b7--;,*>act]i/ic /yle 7#c1 #d7--;,a turn 7#e7 ,to face page #afe ,! second supposition1 ( a p engag$ at "w n suffici5tly exact+ 9 f9esse to satisfy _! crav+ = skill$ co-ord9ation1 may be tak5 to indicate a m]ely heal?y race ^: daily tasks require no f9] te*nique ?an ! ord9>y lab\r ( a f>m2 9 su* category might be put ! peasants ( ,aragon4 ,! same relation w\ld exi/ betwe5 a p less virile & a =m ( daily lab\r /ill less conc]n$ ) skill1 z ! ,&alusians4 ,or aga91 x is valid 9 ! case ( a community engag$ 9 crafts requir+ f9e workman%ip1 if t community be ( p end[$ ) n]v\s en]gy 9 excess ( ! requirem5ts ( ! day's "w2 & t is ! condition 9 ^? et]nally y\?ful nations1 ,scotl& & ,irel&4 ,national s5se ( beauty is a factor 9 ! det]m9ation ( ! dances ( a c\ntry4 ,! ,lat9s h x4 ,! ,italians & ,spani% h ! leisure to practice its expression4 ,! ,fr5*1 on ! contr>y1 direct _! en]gies into "w ( pecuni>y value1 & _! acceptance ( ! doctr9e ( accumulation keeps _! att5tion :]e x w be paid4 ,pi]re & ,laurette frolic ) ! neighb\rs on ! gre51 9 ! moonlight1 9 :at !y call a dance4 ,x gives !m ex]cise & _m a laugh4 ,b :5 !y w\ld see beauty1 !y patronise its specialis$ expon5t1 ! ballet4 8,folk-danc+0 is practically synonym\s ) 8"* danc+10 or1 z ! ^w is frequ5tly =m$ 9 lit]al translation ( its ,fr5* orig9al1 8*>act]i/ic danc+40 ,x means :at x implies1 an exposition ( ! *>act]i/ics ( ! p to :om x p]ta9s4 ,en]gy or dream9ess1 fire or coolness1 & a multitude ( o!r qualities are b\nd to ass]t !mselves1 automatically2 to any "o :o c ev5 half read _! language1 "* dances are an op5 book ( intimate p]sonal revelation4 ,! portrayal ( sports or trades1 :i* is ! sort ( ?+ ) :i* _m folk-dances are conc]n$1 does n detract f _! int]e/ z expositors ( national temp]am5t4 ,?\gh x may be not$ t1 9 g5]al1 ! m a dance occupies itself ) imitation1 ! less its value z a dance4 ,n lea/ ( ! elem5ts ( int]e/ atta*+ to ^! dances is ! measure !y apply to national vitality or ! lack ( x4 ,?r\gh ! =m & execution ( its dance1 ! nation z yet half-b>b>\s reveals vital pot5tiality2 ! p t has luxuriat$ 9 c5turies ( p[] displays its lassitude ( n]ve2 & ! "y political organism %[s m>ks ( s5ility at bir?4 ,! aborig9al savage1 huge-limb$1 b\nds ?r\gh dances fitt$ to ! limitations ( muscles t _c be controll$ by bra91 & ! limitations ( bra9 t _c inv5t or su/a9 att5tion2 8 dance exposes him z ( a race n 9 its y\?ful vig\r1 b 9 ! deg5]acy wr\ght less by "t ?an by mann] ( liv+4 ,! ,indian ( ,nor? ,am]ica is dy+ ( age2 ! ,russian is 9 8 y\?4 ,! li/ ( =ces t make & pres]ve at nation's dances is incomplete )\t ! addition ( ! sometimes p[]ful elem5t ( national pride4 ,?is und\bt$ly ent]s into ! high cultivation ( ! dances ( ,scotl&4 ,! indu/ry1 ?rift & all-r\nd practical nature ( ! ,scot* ne$ n be enl>g$ ^u4 ,?\gh !y d n lack appreciation ( beauty1 !y consid] x a luxury = only limit$ indulg5ce1 except z x is provid$ by nature4 ,b ! ,sword ,dance & ! ,fl+ ( _! w>r+ ance/ors are z ?\gh associat$ ) ! holy cause ( fre$om4 ,on _m a ,highl& battlefield !y h be5 /epp$2 !y h wet _! scurry+ feet 9 spill$ blood4 ,to le>n ,scot* danc+ takes "t1 preci\s "t4 ,b x is "t sp5t on a dec5t & a fitt+ ?+2 !y are ,scot*6 ,scot* z ! ?i/le itself6 ,f pulpits h come1 at times1 objections to !m2 f arm$ camps & lairds' halls ( o!r days has come ! answ]1 f> b cle>3 t ,scotti% *iefs1 godly m5 z well z brave1 trod _! ,fl+s 9 celebration ( victories de> to memory4 ,x is en\gh4 ,! cult ( ! dance has cont9u$1 un*eck$ by ! inability ( occasional well-mean+ div9es to see its significance4 ,cs> 8comm5t$0 ^u ! fight+ qualities ( ! ,picti1 built a wall to keep !m (f f ! ,anglia t he _h conqu]$1 & decid$ n to pu% 8 conque/s f>!r nor?4 ,! fight+ _s ( ^? t>tan$ clansm5 nev] has s(t5$ & has _h mu* occupation ?r\gh\t ! subsequ5t c5turies2 & atta*+ to x is an epic1 a saga1 9 ! %ape ( ! ,sword ,dance4 ,ar\nd ! ,sword ,dance 9 p>ticul> ! ,scot* p gr\p associations4 ,9 e>li] times its p]=mance 0 cu/om>y on ! eve ( battle to relieve t5sion1 to exhibit self-control1 &1 p]haps mo/ important ( all1 to te/ =tune4 ,to t\* ) ! foot ! cross$ sword or scabb>d betwe5 & ab\t :i* ! danc+ w>rior pick$ 8 /eps 0 an om5 ( ill = ! individual or 8 comrades4 ,9 pres5t-day competitions1 ! ill luck foll[+ ?is error is evid5t2 to t\* ! sword or scabb>d ) ! foot elim9ates ! (f5d] f ! conte/4 ,! ,highl& ,fl+1 9 di/9ction f ! above1 symbolises victory or rejoic+4 ,) ! o!r dances ( ,scotl&1 x has be5 highly =malis$4 ,moreov]1 its r\t9e1 /eps1 & ! prop] execution ( ea* are s cle>ly def9$ & g5]ally und]/ood t any *ange 9 !m is imm$iately res5t$ by any ,scot* audi5ce4 ,e "o has se5 ,scot* dances2 any detail$ analysis ( !m w\ld be sup]flu\s4 ,exhil>at+ z ,highl& :iskey1 %>p z ! ?i/le1 !y are c>ri$ to a high plane ( art4 ,?r\gh !m all runs a homog5e\s angul>ity ( movem5t t lit]ally translates ! s5tim5t ( 8,cal$onia1 /]n & wild40 ,to ! dances ( ,italy & ,&alusia !y are z w9d-bl[n m\nta9 p9es 9 contra/ to orange trees fann$ by ,m$it]ranean zephyrs4 ,! !me ( ! %>p angle is kept absolutely intact1 unmodifi$ by any elem5t ( sweep or curve t ! eye c detect4 ,! ess5tial /eps are two1 ) v>iations3 ! kick+ /ep ( ! ,s*ottis*e ,militaire1 ( frequ5t m5tion on ballroom programmes ( tw5ty-five ye>s ago2 & battem5ts1 great & small4 ,x w be se5 t ^! are p]fectly ( a k9d4 ,! surpris+ ?+ is ! v>iety d]iv$ f comb9ations ( ^! two elem5ts ) simple turns1 simple jumps1 & little if any?+ else ( foot-"w4 ,! result s]ves1 f a purely analytical po9t ( view1 z an admirable demon/ration ( ! value ( a simple !me intellig5tly insi/$ on4 ,_s1 ( c\rse1 is ano!r factor ( great importance 9 mak+ ,scot* dances :at !y are4 ,a ,scot* danc] )\t _s c\ld n be imag9$4 ,spani% danc]s sometimes "w coldly1 ballet danc]s (t52 b a ,scot* danc] nev]4 ,! fir/ note ( ! bagpipes inflames him4 ,) ! rig\r\s def9ition ( /ep1 te*nique & /yle t atta*es to ^! dances1 & ! ?or\ghness ,illu/ration3 ,,! 8,,%ean ,,treuse0 ,! prom5ade 7#a1 #b7--,! !matic /ep 7#c7--;,f9i% ( a phrase 7#d7 ,to face page #afh ,illu/ration3 ,,! 8,,sailor',s ,,hornpipe0 ,look-out ,hoi/+ sail ,haul+ 9 rope ,r[+ ,type ( /ep ,type ( /ep ,hoi/+ sail ,to face page #afi ( popul> und]/&+ ( all t p]ta9s to !m1 ! ,scot* public is qualifi$ to ex]cise ^u danc+ ! ess5tial functions ( a national academy4 ,/&>ds are ma9ta9$ by k on ! "p ( spectators4 ,indiff]5ce ( p]=mance or fre$om ) =ms is quickly reprov$4 ,nor1 on ! o!r h&1 ne$ any p]=m] rema9 9 ignorance z to j :at details ( 8 execution are lack+2 among 8 fri5ds !re are pl5ty ( capable critics4 ,we not$ ! same conditions 9 ,aragon1 :]e ! g5]al love ( ! ,jota probably w\ld h kept its /&>ds ( execution1 ev5 )\t ! aid ( pr(essional tea*]s--& c]ta9ly d protect x aga9/ ! subtract+ process effect$ by add+ novelties4 ,9 ,italy ! ,t>antella is cultivat$ 9 ! same way1 9 ,little ,russia ! ,cossack ,dance1 & 9 ,hung>y ! ,cz>ds4 ,& x is ! =ce ( educat$ public int]e/ beh9d !m t su/a9s !m 9 a class approa*$1 9 requirem5ts ( skill1 by few o!r "* dances4 ,! accompany+ illu/rations f "w by ,miss ,m>g>et ,craw=d & p>tn] demon/rate ! int]e/+ fact t ! ,scot*1 develop+ _! s*ool ( execution along ! l9es dictat$ by _! own ke5 disc]nm5t1 arrive at a conclusion 9 important respects id5tical ) ! cre$ ( ! classic ballet4 ,x is possible t ! dances ( m\nta9 & hea!r 7 influ5c$ by ! ,pavane & ! ,m9uet 9 _! day--= ,que5 ,m>y _h h] masques & balls & pageants1 l o!r mon>*s ( h] "t4 ,b ev5 t w n acc\nt = ! clean1 %>p brilliancy ( a ,highl&]'s battem5t or ballon4 ,9 s _m ess5tials 8 dances are at v>iance ) ^? ( ! sev5te5?-c5tury c\rts t _! excell5ce mu/ be attribut$ to a national in/9ct = true quality ( beauty4 ,! spl5didly erect c>riage ( ! body1 ! /raight knee ( ! support+ leg dur+ a /ep1 z well z ! crisp1 /raight-knee execution ( a gr& battem5t 7! ,scot* & o!r danc]s d n use ! ,fr5* designation ( /eps1 b ! g5]al obs]v] may well d s = ! sake ( cle>ness71 might h come direct f ! ,fr5* ,academy4 ,?is id5tity is 9 mann]1 x w be und]/ood1 m ?an 9 matt]4 ,l all "* danc+1 ! ,scot* includes 9 its vocabul>y positions & /eps t ! ballet ignores4 ,plac+ ! h&s on ! hips2 ! heel on ! gr\nd & ! toe up2 & a 8rock+0 /ep1 consi/+ ( roll+ f side to side on ! sides ( ! feet--^! & o!r devices are ( ! dances ( outdoors4 ,9 ! case ( ! ,scot* !y are s admirably incorporat$ into ! s*eme ( %>p l9e & movem5t t g to make a /accato unit t--?r\gh ! %e] magic work$ by cohesion ( !me--!y avoid ! plebeian appe>ance into :i* su* movem5ts fall :5 n artfully comb9$4 ,! ,scot* ,reel has a good deal 9 common ) ! ,fl+1 & is ( ! same g5]al "*4 ,x is cu/om>ily p]=m$ by two c\ples4 ,its di/+ui%+ feature is a figure eight1 trac$ by a little prom5ade1 ea* ( ! p]=m]s w9d+ 9 & out among ! o!r ?ree4 ,ev5 ?is prom5ade is p]=m$ 9 a %>p skipp+ /ep1 t ! dance may lose none ( its national flav\r4 ,a v>iation ( ?is dance is ! ,reel ( ,tullo*1 popul> 9 all p>ts ( ,scotl&1 & di/+ui%$ pr9cipally by its hi/ory4 ,leg5d places its orig9 9 a c\ntry *ur*1 9 w9t]2 :ile ! congregation wait$ = ! belat$ m9i/]1 !y danc$ to keep w>m1 & 9 ! c\rse ( ! danc+ evolv$ a *oreographic composition t made _! village fam\s4 ,! ,/ra?spey allud$ to 9 lit]ature appe>s also to h be5 a v>iety ( ! ,reel4 ,! ,%ean ,treuse1 a rollick+ dance t cov]s a good deal ( gr\nd1 is--accord+ to leg5d--! repres5tation ( a small boy's delight ) 8 fir/ pair ( tr\s]s4 ,naturally1 x is bas$ on a s]ies ( pranc+ /eps1 9 ea* ( :i* ! leg is br\ght to horizontal to keep ! tr\s]s 9 evid5ce4 ,?is concludes ! li/ ( ! well-kn[n dances ( ,scotl&4 ,( ! numb] ! mo/ repres5tative1 or "o may say classic1 are ! ,sword ,dance & ! ,fl+4 ,engl& has to h] cr$it "o dance1 not)/&+ all t has be5 said & writt5 to ! disp>agem5t ( h] orig9ality 9 ! arts2 &1 ) execution to help x1 a v respectable dance x is1 z well z a monum5t to a social elem5t t has contribut$ p[]fully to ,engl&'s rank among ! nations4 ,! dance is ! ,sailor's ,hornpipe4 ,x is a dance ( "* 9 ! true/ s5se1 be+ bas$ on ! movem5ts associat$ ) ! sailor's duties4 ,accompany+ himself ) a tuneful patt] ( foot-"w1 ! p]=m] pantomimes haul+ at ropes1 r[+1 /&+ wat*1 & sundry o!r duties ( ! sea-dog :o dealt ) sails & n ) coal4 ,! h&s are plac$ on ! hips palm out1 to avoid t\*+ ! clo?+ ) ! t> t--z ev]ybody kn[s--always cov]$ ! palms ( ! deep-sea sailor4 ,:ile n 9 any s5se a great dance1 x is uncommonly +5i\s & amus+ 9 its comb9ation ( patt] ( /eps & e>ne/ pantomime4 ,x is lit]ally a sailor's *antey sung 9 ! t]ms ( movem5t in/ead ( words ( m\?2 ev5 to its division into %ort /anzas 7"o = ea* ( ! duties repres5t$7 ! p>allel is exact4 ,its place 9 ! danc+ art might be def9$ z ! same z ! position ( ! sailor's *antey 9 music4 ,9 ,engl& !re has be5 a rec5t & e>ne/ revival ( ! ,morris ,dances1 accompani$ by a good deal ( writ+ on ! subject4 ,9 ,engl& !y h ! importance ( be+ ,engli%4 ,!y are 8qua9t10 x is true4 ,!y reflect ! romp+1 c>e-free _s ( ,m]ry ,engl&2 !y br+ to ! *eek ( buxom lass ! blu% ( heal?2 !y are sev]al c5turies old2 !y foll[ ! antique usage ( p]=mance to accompanim5t sung by ! danc]s4 ,b _! composition--& its abs5ce--comm5ds !m to ! att5tion ( ! antiqu>ian & ! sociologi/1 r ?an t ( a seek] aft] evolv$ danc+4 ,! ^w 8,morris10 accord+ to ! sugge/ion (f]$ by c]ta9 s*ol>s1 is a corruption ( 8,moori%02 :i* !ory ( its d]ivation is n confirm$ by /ep1 movem5t or s5tim5t to be f\nd 9 ! dance4 ,:at does seem reasonably possible is t x is ( ,gipsy d]ivation4 ,gipsies are sometimes kn[n--9 ,scotl& at lea/--z 8,egyptians02 s :y n1 by a simil> abeyance ( accuracy 9 ,engl&1 z ,moors8--a process ( ne>-reason+ ! value ( ^: conclusion is no?+ at all4 ,at any rate1 ! ,morris danc]s h a tradition ( hang+ little bells ar\nd _! arms & legs1 & decorat+ !mselves ) haphaz>d /ream]s ( ribbon1 :i* is ,gipsy-esque4 ,/ories are record$ to ! effect t !re h be5 p]=m]s :o tun$ _! bells1 & by ! movem5ts ( ! dance play$ tunes on !m4 ,! /ories (f] no def9ite in=mation z to ! quality ( dance or music4 ,! ,morris seems to h be5 a dance = m5 only1 9 :i* respect x 0 unique among ! old ,engli% =ms une>!d 9 ! rec5t revival ( int]e/4 ,_m ( ^! dances c]ta9ly are int]e/+1 if n 9 actual *oreographic m]it1 9 association4 ,_! v names are ri* 9 flav\r1 su* z ,all 9 a ,g>d5 ,gre51 ,! ,old ,maid 9 ,te>s1 ,hemp/ead ,hea?1 ,gre5sleeves 7m5tion$ 9 ,! ,m]ry ,wives ( ,w9dsor71 ,wasp's ,maggott1 ,dull ,sir ,john1 & o!rs equally sugge/ive ( ru/ic naturalness & fun4 ,_! revivals by ,miss ,coles & ,miss ,*apl9 include full directions = p]=mance1 :i* is simple4 ,sev]al ( !m pres]ve ! anci5t usage ( salut+ ! p>tn] ) a kiss--:i* is n m5tion$ z a w>n+1 b z an obs]vation m]ely4 ,engl& has be5 among ! nations to pres]ve ! in/itution ( danc+ ar\nd a pole--among ! ,engli%-speak+ s commonly kn[n z ! 8,maypole0 t its use 9 ! celebration ( any?+ b ! com+ ( spr+ seems incongru\s4 ,o!r peoples1 nev]!less1 incorporate x into religi\s celebrations & :at-n4 ,! device ( susp5d+ ribbons f ! top ( ! pole1 & weav+ !m ar\nd x by means ( an int]lac+ figure describ$ by ! danc]s1 seems to be univ]sal4 ,! /eps employ$ are ! simple/ possible--^? ( ! ,waltz1 ,polka1 or ,s*ottis*e1 v>i$ p]haps ) an occasional turn4 ,x is ano!r in/ance ( a semi=malis$ romp call$ by ! title ( dance4 ,9 pass+ x may be not$ t ! ,maypole has become a "p ( ! ,mayday celebration ( ! ,new ,york public s*ool *ildr5--& ^? ( o!r cities1 = any?+ we "k to ! contr>y4 ,"s hundr$s ( poles di/ribut$ ov] a gre51 ea* ) its brightly col\r$ gr\p tw9kl+ ar\nd x1 tickles ! eye ) a fea/ ( sp>kle1 at lea/4 ,! same out+ is ! occasion ( an exhibition ( ! "* danc+ t ! *ildr5 h le>n$ z "p ( _! s*ool "w dur+ ! prec$+ ye>4 ,! exhibit$ skill is high] ?an "o w\ld expect1 & rem>kable1 consid]+ ! difficulties 9 ! way ( imp>t+ x4 ,9 "o direction ! celebration probably atta9s to ! sup]lative3 its p>ticipants numb]+ z !y d well up 9 ! ?\s&s1 & occupy+ ab\t a qu>t]-section ( gr\nd1 !re is no?+ 9 hi/ory to indicate t x does n con/itute1 9 po9t ( %e] size & numb]s1 ! bigge/ ballet ! _w has ev] se54 ,irel& has a gr\p ( dances exclusively h] own1 unique 9 /ructure1 & develop$ to ! utmo/ limit ( _! l9e ( excell5ce4 ,_! di/+ui%+ prop]ty is complicat$ rhy?mic music ( ! feet4 ,! ,jig1 ! ,reel & ! ,hornpipe ( ,irel& are at once ! mo/ difficult & ! mo/ highly elaborat$ dances ( ! clog & %uffle type t c be f\nd4 ,9 !m are passages 9 :i* ! feet tap ! floor sev5ty-five times 9 a qu>t] ( a m9ute4 ,!y h1 too1 ! art t int]prets ! "* ( _! p4 ,b x is n ! ,iri%man ( ! comic supplem5t t !y reveal4 ,r1 by means ( _! own vocabul>y ( sugge/ion1 ! eloqu5ce ( :i* beg9s :]e words fail1 !y pres5t ! acute ,hib]nian wit t animates ! bra9 ( ,iri%m5 l ,%aw4 ,intricate comb9ations ( ke51 exact /eps1 ! ,iri% dances are a s]ies ( subtle epigrams direct$ to ! eye4 ,& l ! epigrams t proce$ f true wit1 !y are express$ s mode/ly t _! significance may be q lo/ on an intellig5ce n 9 sympa?y ) ! mann] ( ?\ght t lies back ( !m4 ,to ! end ,illu/ration3 ,,iri% ,,dances ,mr4 ,?omas ,hill & ,mr4 ,patrick ,wal% ,! ,jig 7#a1 #c1 #d7--,! ,hornpipe 7#b1 #e7--,! ,reel 7#f1 #g1 #h7 ,illu/ration3 ,a 8,,f\r-,,h& ,,reel0 ,prep>ation = woman's turn "u arms 7#a7--;,*>act]i/ic /yle 7#b7--;,a turn+ gr\p figure 7#c7 ( conv9c+ u onlook]s t ?is ev]yday _w is made up ( no?+ b happ9ess1 ! music ( tapp+ %oe flatt]s our s5ses )\t %ame1 *lor(orms reason & %[s u ! tru?--t our m9ds at lea/ w float 9 ! air l danc]s' bodies1 if we b ab&on !m to ! rhy?mic *>m t coaxes !m to =get _! sluggi%ness4 ,iri% danc+ has too (t5 be5 ! victim ( c>icature4 ,9 all tru?1 its ref9$ intricacy makes x c\s9 r to ! ,book ( ,kells1 ^: anci5t decoration ( ri* yet simple int]lacem5t gives x place among ! ma/]pieces ( ! book-design]'s art4 ,! int5t ( ! art ( ,iri% danc+ is ! soon] und]/ood by a ^w ( negative description to beg9 )3 namely1 x is at ! opposite pole f danc+ ( po/ure1 broad movem5t1 or pantomime4 ,all its res\rces1 on ! contr>y1 are conc5trat$ 9 mak+ music ( ! feet4 ,happy music x is1 ) lightness ( execution z a "p ( x4 ,t no incid5t may di/ract att5tion f foot-"w1 ! body is held almo/ undeviat+ly erect1 & ! arms passive at ! sides2 & ?is is 9 accordance ) unque/ion$ usage4 ,among ! danc]s repres5t$ 9 ! accompany+ photographs is ,mr4 ,?omas ,hill1 f\r times w9n] ( ! *ampion%ip ( ,irel&4 8,! ?+ ( greate/ importance 9 ,iri% danc+10 ,mr4 ,hill says1 8is ! music ( ! %oes4 ,9 ! elev5 ye>s t ,i h be5 danc+1 ! great] "p ( my att5tion has be5 sp5t on ! developm5t & control ( ! v>iety ( tones t c be produc$ by taps ( heels & soles on ! floor & aga9/ ea* o!r4 ,/yle is necess>y1 ( c\rse1 z 9 any o!r danc+1 & s is exactness 9 #8tricky' "t4 ,b control ( a good v>iety ( s\nds1 :i* is ! mo/ difficult "p ( ,iri% danc+1 is ! mo/ important because x is ! mo/ ,iri%40 ,once 9 a great :ile co9cid5ce puts "o 9 ! way ( he>+ ! "w ( a virtuoso on ! sn>e-drum4 ,)9 a m9ute ! effect is f\nd to be no?+ less ?an hypnotic4 ,e "o )9 he>+ is patt+ "t1 sway+ ) ! "t1 re/ra9+ ! mo/ urg5t impulse to d some?+ t w br+ e fibre ( 8 body into unison ) t inebriat+ rhy?m4 ,n[1 ! feet ( a f9e ,iri% danc] are drum/icks z am5able to control z ! drumm]'s2 notes long & %ort1 dull & %>p--he has all ! drum's v>iety4 ,no res\rce ( syncopation1 emphasis1 or *ange is unkn[n to ! ,iri% dances2 ! rhy?m gets into ! blood--) d\ble ! s$uctiv5ess ( s\nd alone1 s9ce e tap on ! tympanum is re9=c$ by ! same metric beat+ on ! vision4 ,jo9$ to ! result+ exhil>ation is ! peculi> excitem5t always felt 9 ! pres5ce ( susp5d$ gravitation2 = no less ?an susp5d$ gravitation x is :5 ! foot ( a man taps ! gr\nd l ! paw ( a kitt51 & ! body floats 9 ! air l a bird t has paus$ b w n alight4 ,! good ,sa9t ,basil 0 n only eloqu5t :5 he ask$ :at c\ld be m bless$ ?an to imitate on e>? ! danc+ ( ! angels4 ,8 "q c>ries ) x ! important indication t he _h se5 an ,iri% ,reel 9 8 day4 ,because1 among all ! dances t are /epp$ on ?is mortal e>?1 :at o!r is s light t ! sa9t c\ld see 9 x ! pa/ime ( angels8 ,= ! sake ( accuracy1 let x n be ?\ght t ! /eps ( ! ,reel & ! ,jig1 & ! ,hornpipe z well1 7 n old :ile ,*ri/ianity 0 new4 ,mr4 ,patrick ,j4 ,long1 himself at once a danc] ( pron\nc$ ability & a well-read s*ol> on ,iri% hi/ory1 writes = ?is *apt]3 8,9 ! days ( ,druidism1 ! ,iri% nation celebrat$ an annual fea/ la/+ six days2 ?ree days be=e ! fir/ ( ,novemb]1 & ?ree days aft]4 ,com+ aft] ! season ( h>ve/1 x probably 0 l a ,?anksgiv+4 ,! celebration 0 call$ 9 ,gaelic a ,feis 7pron\nc$ #8fe%'74 ,n[ x 0 ! cu/om1 at ! "t ( ! ,feis = ! nobles ( ,irel&1 & _! ladies1 & b>ds & h>pi/s f f> & ne>1 to ga!r at ! ca/le ( ! k+2 & !re = six days !re 7 competitions 9 all k9ds ( music & danc+4 8,! dance t 0 popul> ) ! nobles & _! ladies 0 call$ ! ,r9nce ,fadha 7pron\nc$ #8re5ka faudha'74 ,?is we "k 0 a dance = sev]al c\ples4 ,x 0 a fav\rite ( ,k+ ,leoghaire 7pron\nc$ #8,le]y'71 :o rul$ ,irel& :5 ,/4 ,patrick came to conv]t ! p f paganism4 ,f x 0 d]iv$ 9 a lat] c5tury ! =m ( ! ,sir ,rog] de ,cov]ley2 f ! ,sir ,rog] came ! ,virg9ia ,reel ( ,am]ica4 8,! dances ( ,irel& are v>iations on ! ,reel1 ,jig & ,hornpipe4 ,! ,reel is probably ! mo/ classic2 x is execut$ 9 a glid+ movem5t1 & is spe$y & noiseless4 ,! ,jig & ! ,hornpipe h a good deal 9 common4 ,bo? use clogg+ & %uffl+2 t is1 taps ( heel or sole on ! floor1 & light scrapes ( ! sole4 ,( ! two ! ,hornpipe conta9s ! m clogg+4 ,b x is ri*] ?an ! ,clog ,dance t x resembles m or less4 ,x is less me*anical1 m v>i$ & has pretti] foot-"w4 8,! ,reel & ! ,jig are danc$ z solos by man or woman1 by two m51 two wom51 a c\ple1 two m5 & a woman1 two1 ?ree1 f\r or eight c\ples4 ,9 #8set dances1' z !y are call$ :5 p]=m$ by a #8set' ( c\ples1 ! /eps are simpl] ?an 9 solo "w2 & ! "t also is simpl] 9 ! music ( set dances ?an 9 ! airs us$ to accompany solos & ! "w ( teams ( two4 ,!re are ,hop ,jigs1 ,slip ,jigs1 ,s+le & ,triple ,jigs 9 #i-h "t4 ,ano!r peculi>ity ( ,iri% danc+1 due to ! "* ( ! music1 is 9 ! irregul>ities ( repetition ( ! "w ( "o leg ) ! o!r leg4 ,! "r leg may d ! pr9cipal "w ?r\gh eight b>s2 ! same "w is naturally to be repeat$ !n ) ! left leg2 b (t5 ! composition ( ! music gives ! left leg only six b>s4 ,?is is good because unexpect$1 b x adds a great deal to ! difficulty ( le>n+ ,iri% danc+40 ,! above-nam$ dances repres5t ! utmo/ developm5t ( clogg+1 :i* is tapp+ ( heels1 & %uffl+1 or scrap+ ( ! sole on ! floor4 ,foot-"w1 especially t ( %ort & rapid /eps1 is ! elem5t impossible to %[ 9 pictorial =m4 ,accompany+ photographs1 !re=e1 give little idea ( ! *>m ( ! art ( ,mr4 ,hill1 ,mr4 ,long1 ,mr4 ,wal%1 ,miss ,murray & ,miss ,re>don1 f :om !y 7 tak54 ,?anks to ! ,am]ican bran* ( ! ,gaelic ,league & its activity 9 ! cause ( ,irel&'s arts1 ,iri% danc+ is 9 a fl\ri%+ condition 9 ?is c\ntry4 ,9 intellig5t public int]e/1 /&>ds ( excell5ce & numb] ( capable p]=m]s1 ,am]ica n[ leads ev5 ,irel&4 ,mr4 ,hill attributes ?is to a comb9ation ( well-direct$ en?usiasm1 & ! practice ( hold+ f\r important competitions ea* ye>4 ,^! are divid$ among z _m cities4 ,capable managem5t ,illu/ration3 ,,! 8,,iri% ,,jig0 ,miss ,murray1 ,miss ,re>don1 ,mr4 ,hill1 ,mr4 ,wal%--,s+le figure1 ,mr4 ,patrick ,j4 ,long ,to face page #agh attracts competitors ( good class & l>ge numb]s1 & !y are classifi$ 9 su* a way t !re is hope = all4 ,lib]ality 9 prizes is an add$ /imulus4 ,all told1 ,mr4 ,hill says t "o feis ( ! f\r annually held 9 ?is c\ntry accompli%es z mu* 9 ! int]e/ ( danc+ z is done 9 ,irel& 9 a ye>4 ,dubl9 & ,cork ea* has its annual feis1 ) an int]val ( half-a-ye> betwe5 ! two4 ,ea* has ! danc+ *ampion%ip competition among its features2 ,mr4 ,hill's title 0 won 9 #aiji1 '#aj & '#aa at ,cork1 also 9 #aiaa at ,dubl94 ,z ! ,gaelic ,league has prom95t among its purposes ! re/oration to popul> use ( ! ,gaelic language1 danc+ is only "o ( sev]al arti/ic conte/s4 ,s++1 elocution1 & conv]sation1 all 9 ! anci5t ,iri% tongue1 h _! respective laurel-seek+ vot>ies4 ,sup]iority 9 ! play+ ( viol9 & flute is rew>d$1 z 9 play+ ! w> pipes & union pipes4 7,w> pipes1 z may n be univ]sally kn[n1 are ! ,scot* =m ( bagpipes1 play$ by lung p[]2 ! w9d = union pipes1 9 di/9ction1 is suppli$ by bell[s held "u ! arm47 ,& until )9 a c\ple ( ye>s lilt+ has be5 compet$ 9--! old s++ )\t words1 8tra-la-la-dee0 sort ( ?+4 ,! irrev]5t call$ x 8pussy-s++40 ,a?letic games are includ$ = ! sake ( v>iety4 ,prizes 9 all ev5ts are usually m$als4 ,! feis 9 ,am]ica foll[s ! same model4 ,danc+ enjoys a gratify+ popul>ity4 ,good "w always incites ! spectators to %\t _! en?usiasm4 ,) a prevail+ eag]ness to le>n to judge x m exactly1 & a highly respectable k ( x at ! pres5t mom5t1 !re exi/s also t mo/ :olesome adjunct to int]e/1 a division ( beliefs z to s*ool4 ,! ,cork te*nique is comp>atively %ort 9 /ep1 & v precise2 ,lim]ick fav\rs a r loos] type ( movem5t4 ,& !re comes 9 ! _w-old argum5t betwe5 ! ,academic & 7by :atev] "n x matt]s n7 ! ,impressioni/ic cre$s4 ,ea* claims to repres5t ! true ,hib]nianism4 ,sw$51 dur+ a p]iod beg9n+ a few ye>s ago1 has tak5 up an en?usia/ic revival ( ! dances ( ! ,sc&9avian _w4 ,! movem5t began ) ! f\ndation by ! late ,dr4 ,hazlius ( ! ,museum ( ! ,nor?1 & is c>ri$ on by 8 son4 ,! ,museum 0 plann$ to br+ toge!r a repres5tation ( ,sc&9avia ( old1 9 su* a complete way z to %[ n only products & me?ods ( manufacture1 b modes ( life & social cu/oms4 ,! result is unique among und]tak+s ( ! k9d4 ,9 a p>k call$ ! ,skans5 are pres]v$ ! ,sc&9avian flora & fauna1 9 appropriate surr\nd+s4 ,f>ms are cultivat$ 9 ! mann] ( ! v>i\s prov9ces1 & on ! f>ms are _! appropriate build+s1 *>act]i/ic 9 e detail4 ,to complete ! re-creation ( antiquity1 *ur*es & all ! o!r /ructures p]t95t to community life are includ$4 ,! num]\s p requir$ to animate su* an e/abli%m5t1 includ+ z x does accommodations = visitors1 are ! expositors ( ! national dances4 ,f>m]s1 %oemak]s1 wait]s 9 ! cafs1 are requir$ to le>n & practise !m1 & pres5t !m publicly ?ree times a week4 ,x goes )\t say+ t !y dress at all times 9 ! co/ume ( ! locality ( :i* !y are repres5tatives4 ,! influ5ces ( ! ,skans5 h be5 ( a sort to gratify its f\nd]4 ,society n[1 z a cu/om1 dresses itself = g>d5 p>ties 9 ! picturesque gaiety & brilliant col\r ( old ,sc&9avia1 & dances ! ,skralt & ,kadriljs ( ! peasants4 ,a say+ has sprung up t 8danc+ is a =m ( patriotism40 ,! s5tim5t has impress$ itself no less ^u ! work+ p ?an ^u ! ri*4 ,*ildr5 receive danc+ in/ruction gratis 9 ! ,skans51 & k has spread into all p>ts ( ,sw$54 ,n[1 in/ead ( ! ,polka1 :i* fifty ye>s ago swept ov] ,sc&9avia & fa/5$ itself on ! l& ) a hold t smo!r$ e o!r dance1 are to be se5 ! m]ry /eps & =ms t are di/9ctively ( ! ,norsel&1 accompani$ by ! old music4 ,a pr9cess ( ! royal h\se sanctions ! revival ( ,sc&9avianism 7if ! ^w be p]mitt$7 to ! ext5t ( dress+ h]self & ! s]vants at h] summ]-place accord+ to ! new-old modes4 ,%e is popul> & ! movem5t is /r5g!n$ accord+ly4 ,! dances are simple 9 /ep1 ?\gh (t5 complicat$ 9 figure2 lively & gay 9 mann]1 & ri* 9 pantomime4 ,accept$ /&>ds ( execution require decid$ grace & a good /yle4 ,gu/avus ,,iii1 :5 he visit$ ,france1 is said to h be5 deeply impress$ by ! exquisite danc+ ( ,m>ie ,anto9ette & h] c\rt4 ,! elem5t ( beauty to be se5 9 ,sw$i% danc+ is suppos$ to be due 9 "p1 at lea/1 to t royal visit4 ,"o ( ! mo/ pleas+ dance-arrangem5ts is inspir$ by ! "w ( ! weav]1 ) ! happy *anges ( effect con/antly wr\ght by ! action ( ! loom4 ,! ,vafva ,vadna ?is dance is call$4 ,x is highly complicat$1 ! /ret*$ ?reads are simulat$ 9 ! l9es ( p]=m]s1 ?r\gh :om fla%es back & =? ! girl :o repres5ts ! movem5ts ( ! %uttle4 ,ri* v>iety is ga9$ by involv$ int]cross+s ( ! l9es ( boys & girls4 ,! tam+ ( womank9d is ! motive ( ! pantomimic ,daldans4 ,ov] ! head ( ! meekly kneel+ woman ! man sw+s 8 foot1 z a symbol2 9 ano!r figure ! woman's coquetry r$uces ! man to helplessness4 ,! ,v+ak]sdans pantomimes ! competition ( two wom5 = ! same man4 ,! fav\r$ "o seats h]self a mom5t on ! man's knee1 & f9i%es ! numb] by waltz+ ) him2 :ile ! defeat$ *>m] bites h] nails ) vexation4 ,^! are *>act]i/ic specim5s ( a v num]\s gr\p4 ,_! revival seems to progress m rapidly 9 ! villages ?an 9 ! big cities--int]e/+ z a case ( ! c\ntry lead+ ! cities 9 a movem5t ( mod]nism4 ,_m ( ! pantomimes are bas$ on "w f :i* ! rural population is less remote ?an are ^? :o dwell 9 cities4 ,! movem5ts ( mak+ a %oe are kn[n to e villag]2 he has wat*$ ! cobbl] _m a "t1 & kn[n him usually z ! local philosoph]4 ,^u ! village1 !re=e1 no t\* ( "* 9 ! ,cobbl]s' ,dance w\ld be lo/4 ,! hum\rs ( h>ve/+ might 9 l mann] fail to rea* a city audi5ce )\t ! aid ( spok5 ^w2 h>ve/1 ) o!r elem5tal "w1 provides _m ( ! ,sc&9avian dance motives4 ,holl& & ,belgium are alike unproductive ( danc+ ( mu* *oreographic value4 ,! /r5g? ( ! p is n accompani$ by ei!r ! lightness or agility f\nd 9 danc+ nations4 ,z a co9cid5ce1 x is notable t danc+ does n fl\ri% 9 regions ( wood5 %oes4 ,! ,dut* h a species ( sailors' dance call$ ! ,mtelot1 p]=m$ by gr\ps ( m5 & wom52 b x is a romp & little or no?+ m4 ,?is is *>act]i/ic ( ! dances ( ! ,ne!rl&s1 z is confirm$ by g5re pictures f ! "t ( ,t5i]s d[n to ! pres5t4 ,! ,waltz1 x %\ld be said at ?is po9t1 is univ]sal4 ,if ev] x is ass]t$ t ! p ( a locality d n dance1 an exception may be made to cov] ! ,waltz1 s long z ! locality ref]r$ to is 9 ! ,occid5t4 ,! seem+ caution ) :i* peasants p]=m _! ,waltzes practically removes !m f ! category ( danc+1 ?\gh n f t ( hum\r4 ,france1 ! ,ed5 ( ! ,gr& ,ballet1 ! home ( a race ( lov]s ( beauty1 might be expect$ to ab\nd 9 ri* "* dances2 b ! exact rev]se is true4 ,! p ( ! c\ntry are1 fir/ ( all1 work]s2 ! dances t enliv5 _! ftes are ! c>eless celebration ( *ildr5 releas$ f conf9+ tasks4 ,! pr9cipal cities h _! op]a ballets2 ?r\gh !m is suppli$ ! national dem& = *oreographic beauty4 ,! old "n ( la ,b\rre survives 9 ,auv]gne4 ,9 its pres5t =m x be>s no resemblance to ! old ,b\rre ( eighte5?-c5tury c\rts1 b is "o ( ^? in=mal frolics ( an indef9ite numb] ( c\ples1 h&-clapp+1 f+]-snapp+1 & en]getic b\nd+1 m+l$ ) %\ts ( joy4 ,! ,f>&ole is popul> 9 ! ,s\? ( ,france4 ,"u its "n a *a9 ( boys & girls1 unit$ by h&k]*iefs t !y hold1 8s]p5t9es0 & zigzags 9 directions dictat$ by ! caprice ( _! lead]1 p]haps trav]s+ ! l5g? ( ! /reets ( a village4 ,f "t to "t ! lead+ c\ple w halt & =m _! arms into an ar* = ^? foll[+ to pass "u2 or aga9 /op ! procession 9 su* a way z to w9d up ! l9e into a compact mass4 ,aga9 ! game p>takes ( ! nature ( 8foll[ ! lead]10 ! :ole p>ty imitat+ ! lead] 9 any antic he may p]=m4 ,! anci5t ,contr$anses--:i* ^w ,engl& *ang$ to ,c\ntry ,dances1 ( frequ5t m5tion 9 /ory--7 ! roots ( mod]n ,quadrilles4 ,^!1 h[ev]1 are poli%$ out ( any semblance to "* dances2 !y are ( ! ballroom & inf9itely remov$ f ! soil4 ,g]many1 ) its fondness = leg5d & c>e 9 its pres]vation1 w\ld be a f]tile field = se>* on ! "p ( a compil] ( anci5t obs]vances m or less alli$ to danc+4 ,a specim5 ( ! latt] is ! ,p]*t5tanz ( ,salzburg4 ,p]*ta is ano!r "n = ,freya1 ,wod5's consort & ! "m ( ! ,nor?m5's gods4 ,%e is p[]ful ev5 9 ^! mod]n times1 & malici\s unless propitiat$ by prop] =mul ( actions & words4 ,plac+ a spoonful ( food f ea* di% ( ! ,*ri/mas d9n] = h] on ! f5ce outside ! h\se is "o ( ! tributes4 ,%e has _s-foll[]s3 "s k9dly1 call$ 8s*n ,p]*t510 o!rs wild & fi]ce1 kn[n z 8s*ia*5 ,p]*t540 ,! latt] alight on h\ses & scream mis*iev\sly1 lure m5 into dang] & puni% undiscov]$ crimes4 ,at irregul> int]vals is p]=m$ ! ,p]*t5tanz2 n app>5tly z an act ( propitiation1 b presumably hav+ t motive z its orig94 ,good & evil ,p]*t5 bo? are repres5t$4 ,on an accompany+ page ( ,european miscellany is a draw+ ( "o ( ! 8beautiful40 ,! huge plaques are cov]$ ) sp>kl+ tr9kets & adorn$ ) braid1 ribbon & embroid]y4 ,/uff$ birds are also popul> = _! decorations2 a doz5 ( !m may be affix$ to ! l[] plaque1 a ,illu/ration3 ,,f ,,v>i\s ,,folk-,,dances4 ,sc&9avian4 ,hung>ian4 ,f ! ,p]*t5tanz ( ,salzburg4 ,russian4 ,sc&9avian4 ,bav>ian4 ,russian ,c\rt 7,pr9cess ,*ir9ski-,*i*mat(f47 small] numb] to ! upp]2 an ambiti\s cr[n to ! :ole is sometimes se5 9 ! =m ( a peacock ) spread w+s4 ,! /ructure is support$ by a rod runn+ d[n ! be>]'s back1 & fa/5$ to him by belts4 ,its weight prohibits any movem5t to :i* ! ^w 8danc+0 applies except z a conv5i5ce2 b a s]ies ( sl[ & necess>ily c>eful evolutions p]=m$ by ! we>]s ( ^! displays is call$ a dance1 nev]!less4 ,meantime ! 8fi]ce ,p]*t510 made up ) masks z demoniac z possible1 run ab\t among ! legs ( ! cr[d & d _! be/ to />tle p4 ,! _s accompany+ ! celebration is levity1 modifi$ only by ! s9c]e admiration consid]$ due ! s]i\s decorations4 ,!y repres5t a great deal ( "w & consid]able money4 ,9 v>i\s p>ts ( ,savoy is p]=m$ on ,/4 ,ro*'s ,day :at is call$ ! ,bac*u-b]4 ,on a plat=m erect$ 9 front ( a *ur*1 & decorat$ ) g>l&s & fir-trees1 a gr\p ( m5 dance ) %ort swords2 pass+ "u bridges ( swords1 =m+ *a9s by grasp+ "o ano!r's weapons1 & s on4 ,t its orig9 is pre-,*ri/ian seems a reasonable conjecture2 b no?+ specific is kn[n ab\t x4 ,muni* celebrates ) danc+ an episode connect$ ) an epidemic ( *ol]a3 ! guild ( coop]s decid$ t ! c>e ! p 7 tak+ aga9/ exposure 0 defeat+ its purpose1 s9ce x 0 keep+ !m indoors to ! detrim5t ( heal?4 ,!y !re=e w5t out & enjoy$ !mselves z usual1 = ! sake ( example4 ,o!rs did ! same1 & ! plague ceas$4 ,p]iodically ! brave coop]s are hon\r$1 !re=e1 by dances ( l>ge companies ( p1 :o c>ry g>l&$ ar*es & execute triumphal figures4 ,illu/ration3 ,,! 8,,s*uhplatteltanz0 ,h]r & ,frau ,nagel ,a sw+ ,a turn ,a turn1 man pass+ "u a woman's arms ,a sw+1 back-to-back ,! mirror ,to face page #ahf ,illu/ration3 ,,! 8,,s*uhplatteltanz0 ,,( ,,bav>ia ,prep>+ a turn 7#a7--;,a lift 7#b7--,/>t+ woman's s]ies ( turns 7#c7--,/>t ( woman's turns 7#d7--,man fans h] along ) h&s 7#e7--;,f9i% ( dance 7#f7 ,to face page #ahg ,! =ego+ in/ances are no m ?an a specim5 ( ! v>ieties ( tradition t danc+ may commemorate4 ,europe collectively d\btless w produce ?\s&s ( su* dances1 :5 ! task ( collect+ !m is ent]$ ^u ) ! necess>y comb9ation ( leisure & zeal4 ,bav>ia's ,s*uhplatteltanz is altoge!r delightful 9 itself1 )\t aid f hi/ory or tradition to supplem5t its int]e/4 ,x is full ( a qua9t ,tyrolean grace m+l$ ) happy & delicate grotesqu]y4 ,wom5 x causes to sp9 z ?\gh !y 7 "s qua9t species ( comb9ation doll & top2 ! atmosph]e t surr\nds a m>vell\s & pretty me*anical toy is pres]v$ 9 a delicate unreality 9 ! pantomime & 9 ! treatm5t ?r\gh\t4 ,x is accompani$ by zi!rs1 in/rum5ts :i* !mselves s+ ( a _w susp5d$ some:]e 9 ! air4 ,9 silv]y1 float+ tones !y play less a waltz ?an ! dream ( a waltz1 9 s\nds z unmat]ial z ! illusive voice ( an olian h>p4 ,a little op5+ prom5ade2 a few b>s ( ! c\ple's waltz+ toge!r--9 /eps inf9itesimal1 prim ) consci\s propriety4 ,! man raises ! girl's h& & />ts h] sp9n+4 ,%e nei!r ret>ds nor helps1 be+ a little figure ( no weight1 mov$ solely by p[] f )\t itself4 ,h] skirt /&s out z /raight & /eady z ?\gh x 7 c>dbo>d2 h] p>tn] mu/ lean f> ov] n[1 n to t\* x & spoil ! sp94 ,n[ %e is :irl+ p]fectly2 ) a p>t+ impulse to h] arm1 he releases h]4 ,on %e turns1 at a spe$ /eady z clockwork1 revolv+1 z a top w1 sl[ly ar\nd a l>ge circle4 ,h] p>tn] foll[s1 beat+ "t 9 a way t bewild]s eye & e> alike2 = 8 h&s pat %oes & lea!r bree*es ) a swiftness incr$ible & ec/atic4 ,( ?is p]haps sixte5 b>s :51 z ?\gh 8 p>tn] 7 beg9n+ to 8run d[n10 he />ts bl[+ h] along ) vigor\s puffs4 ,nev]!less1 %e is sl[+ d[n2 ! skirt is settl+4 ,he rea*es ov] x1 gets 8 h&s on h] wai/4 ,to ! la/ ! sp9n+ illusion is pres]v$ by an appe>ance ( h] rot>y motion be+ /opp$ only by ! pressure ( ! man's h& z a brake4 ,! =ego+ int]pretation is sugge/$ by ! delicate "w ( ,h]r & ,frau ,nagel1 & ! company ) :i* !y are associat$4 ,x is a dance ^: fancy easily c\ld disappe> "u its me*anics1 if p]=m$ )\t imag9ation4 ,hav+ caught 8 p>tn] aft] h] sp91 waltz$ aga9 ) h] = a few b>s1 & lift$ h] up at arm's l5g? 9 %e] playfulness1 ! man jo9s arms ) h] 9 su* fa%ion z to =m almo/ a duplicate ( ! 8mirror0 figure ( ! ,m9uet4 ,! c\rtl9ess ( ! cavali] 9 ! ,m9uet is mat*$ by adroitness on ! "p ( ! s*uhplatteltanz]2 he contrives to draw 8 p>tn]'s head ne>] & ne>] to 81 z !y walk ar\nd 9 a less5+ circle4 ,f9ally1 :5 ! circle ( ! prom5ade c become no small]1 & ! faces h come close to ! imag9>y mirror fram$ by ! arms1 he sudd5ly b da9tily kisses h] lips4 ,g]many is ! home ( ! ,waltz1 ( :i* x has evolv$ sev]al v>ieties4 ,! ,rhe9l&] ,waltz is p]haps ! mo/ popul>4 ,9 "o =m or ano!r x has spread ?r\gh ! ,balkan c\ntries2 n1 h[ev]1 ) any app>5t detrim5t to ! native dances1 because ( ^! dances' natural crud5ess4 ,s]via1 ,mont5egro & ! neighb\r+ mon>*ies celebrate w$d+s & *ri/5+s & enliv5 picnics ) a 8r\nd0 call$ 9 ,s]vian language ! ,kolo1 t employs ! simple old figures ( ! bridge ( arms & ! l1 b :i*1 z to /ep1 is q =mless4 ,col\r 9 ! co/umes goes f> to provide spectacul> int]e/ to ^! exub]ant frolics4 ,! l95 g[ns ( ! wom5 are embroid]$ 9 big--& good--designs ( two di/9ct r$s1 sc>let & rose2 em]ald-gre5 & a w>m yell[-gre52 ! mo/ brilliant ( yell[s2 w9e-col\r & blue4 ,z is frequ5tly f\nd 9 a region t has kept a s*eme ( design ?r\gh a suffici5t numb] ( g5]ations to all[ ! =mation ( traditions bas$ on long exp]im5t1 ! seem+ly impossible is accompli%$ by ! peasant wom5 ( ! ,balkans3 ! col\rs ^: enum]ation on ! same page w\ld seem outrage\s are1 9 practical application1 br\ght into h>mony4 ,x is a "q ( proportionate size ( spots ( col\r1 & _! juxtaposition4 ,! results ( us+ ! same col\rs 9 new designs is to be se5 9 ! expressions ( sundry new s*ools ( pa9t+ t refuse to ackn[l$ge limitations4 ,m5's sleeves & wai/coats are frequ5tly embroid]$ 9 ! same way z ! jacket & sleeves ( ! wom51 z exemplifi$ 9 ! accompany+ photographs ( ,madame ,koriti4 ,loose l95 tr\s]s1 :i* are sometimes worn1 may be likewise decorat$4 ,9 ! sunlight & 9 appropriate surr\nd+s1 a p]=mance ( ! ,kolo %\ld be a sight to dispel tr\ble1 :atev] its defici5cies f ! po9t ( view ( danc+4 ,greece1 too1 div]ts itself ) ru/ic r\nds1 z =mless z 9 o!r l&s4 ,( ! ,hellas t gave ! ,occid5t its civilisation !re rema9 "s ar*itectural ru9s1 to :i* latt]-day inhabitants ( ! l& may h giv5 "s c>e2 & c]ta9 /atues1 pres]v$ 9 ! museums ( o!r l&s4 ,= ,hell5ic ideals & ,attic salt1 se>* ! hat-boy at ! entrance to ! re/aurant4 ,! ,greek ( to-day is a composite ( ,turk & ,slav2 8 dances h nei!r ! grace ( ! "o nor ! fire ( ! o!r4 ,! discov]y 9 ,greece ( survivors ( anci5t dances--:i* discov]y is occasionally ass]t$--may h a basis 9 fact2 b m likely its f\ndation is 9 a simil>ity betwe5 an anci5t & a mod]n ^w4 ,b en\gh ( disappo9tm5ts & ( great ?+s lo/4 ,hung>y1 ,russia & ,pol& h a family ( /rictly national dances t n only take a position among ! _w's be/ "* dances2 )\t dep>t+ f _! true premise z expressions ( racial temp]am5t1 "s ( !m atta9 to ! dignity ( great romantic art1 comb9$ ) optical beauty ( ! highe/ ord]4 ,a ,cz>ds 9 "o ( ! ,pavl[a programmes 7season #aiac-ad7 %[$ qualities ( *oreographic composition t 7 equall$1 9 t ent]ta9m5t1 only by ! ballet arrangem5ts ( ! mo/ capable compos]s ^: works 7 repres5t$4 ,! juxtaposition ( ballet & "* numb]s1 p]=m$ ) ! same skill & accompani$ by ! same or*e/ra1 furni%$ an uncommonly good measure ( ! folk-dances' actual m]it4 ,! ,cz>ds1 ! ,mazurka & ! ,cossack ,dance ( ,russia & ! ,ob]tass ( ,pol& =m a gr\p t occupy 9 ! dance ! place t ,liszt's 8,hung>ian ,rhapsody0 fills 9 music3 !y are ! c&id ,illu/ration3 ,,! 8,,kolo0 ,,( ,,s]via ,madame ,koriti ,/>t ( a turn ,progress ( a turn ,a bridge ( arms ,an emphasis ,a lift ,illu/ration3 ,,poses ,,f ,,slavonic ,,dances ,miss ,lydia ,lop\k[a ,coquetry ,petulance ,indiff]5ce ,emphasis ,jocul> defiance revelation ( ! he>t ( a p simple1 sympa!tic1 unre/ra9$ly romantic1 viol5tly impulsive4 ,ea* repres5ts an excit+ div]sity ( ammunition1 fir$ 9 "o r\s+ volley2 an expression to :i* "o may become accu/om$1 b :i* always rema9s unfamili>1 & :i* always produces an intoxicat+ %ock4 ,! abrupt *anges ( movem5t f sl[ to fa/1 f furi\s spe$ to a dead /&/ill2 ! recurr5t cresc5do f %ort1 close movem5t to broad sweeps1 op5 jet turns1 & ! l[e/ ( 8dips02 ! div]se effects ga9$ by play ( rhy?m--su* effects are indescribable 9 ^w or picture4 ,=tunately1 h[ev]1 *>act]i/ic poses are )9 ! range ( ! snap%ot2 s also1 to an ext5t1 is ! expression ( human moods--if portray$ by r>e pantomimic ability4 ,possession ( su* ability1 back$ by ! unfett]$ imag9ation ( ! ,t>t> & accompani$ by sup]lative arti/ry1 describes ,miss ,lydia ,lop\k[a4 ,to h] great k9dness ?is book is indebt$ = ! accompany+ photographs repres5t+ *>act]i/ic poses & moods ( nor!rn ,slavonic danc+4 ,tak5 f ! "w ( su* an arti/1 ! pictures repres5t an idealisation1 or p]fection1 ( _! subjects4 ,!y %[ movem5ts ( ! dances !mselves1 9 _! _s1 )\t ! usual limitations impos$ by physique4 ,! clean-cut def9ition ( pose2 ! co-ord9ation ( pose & features 9 all ! expressions ( allurem5t1 appeal1 petulance1 esctasy--^! repres5t a /&>d at :i* ! m]ely mortal danc] aims1 b a conjunction ( conditions t "o may hope to see accompli%$ few times 9 ! c\rse ( "o life4 ,yet1 z not$ be=e1 ! dances are s compos$ t1 p]=m$ ) a degree ( skill n uncommon 9 _! native l&1 !y are ri* & surpris+4 ,9 /eps1 ! ,russian1 ,au/rian & ,poli% gr\p h mo/ ( _! mat]ial 9 common3 naturally1 s9ce !y are unit$ by ties ( race4 ,! sali5t po9t by :i* ea* dance is di/+ui%$1 9 ! eye ( ! spectator1 is "o big /ep4 ,! ,cz>ds employs a long glid$ /ep t is all its own4 ,! active foot is />t$ well to ! re>1 & glid$ =w>d2 ! glide is accompani$ by a v l[ pli ( ! support+ knee2 z ! active foot comes into advanc$ position1 ! danc] %>ply /raight5s up1 rises to ! ball ( ! support+ foot1 & cont9ues ! advanc+ foot =w>d & upw>d 9 a rapid kick4 ,! mascul9e v]sion drops ! body l[]1 & kicks high]1 ?an ! fem99e2 b ev5 ! latt]'s *ange ( elevation rema9s fix$ 9 ! memory4 ,9 ! ,ob]tass1 ! man goes into ! l[ /oop+ position1 9 connection ) execut+ a v individual rond de jambe4 ,at ! mom5t1 he is face to face ) 8 p>tn]1 8 h&s on ! sides ( h] wai/1 h] h&s on 8 %\ld]s2 aft] a swift /ep-turn 9 ! usual direction1 he takes a long /ep backw>d 7%e =w>d71 &1 keep+ 8 "r leg ext5d$ be=e him1 /oops until he is squatt+ on 8 left heel2 ! "r leg1 held /raight1 is swept rapidly ar\nd to ! re>2 mean:ile ! c\ple cont9ues to turn4 ,! man's mom5tum turns him until he faces 9 ! same direction ) 8 p>tn]4 ,he spr+s up on h] "r side1 & goes ) h] into a %ort1 fa/ polka-/ep4 ,dur+ ! turn1 ! woman keeps hold ( ! man to prev5t c5trifugal =ce f fl++ him into space4 ,9 ! ,mazurka 7n ! ballroom v]sion7 ! same ,illu/ration3 ,,poses ,,f ,,slavonic ,,dances ,miss ,lydia ,lop\k[a ,negation 7#a7--;,fe> 7#b7--,supplication 7#c7--;,an emphasis 7#d7 ,illu/ration3 ,,poses ,,f ,,slavonic ,,dances ,miss ,lydia ,lop\k[a ,*>act]i/ic ge/ure 7#a7--;,*>act]i/ic /ep 7#b7--;,*>act]i/ic ge/ure 7#c7--;,*>act]i/ic /ep 7#d7--,same1 ano!r view 7#e7--;,ec/asy 7#f7--,! claim ( beauty 7#g7 /ep1 modifi$ z to elevation1 is p]=m$ by bo? man & woman1 alt]nately1 dur+ c]ta9 passages4 ,! ,szolo1 a ,hung>ian dance introduc$ into ,am]ica by ,mr4 & ,mrs4 ,h>tmann1 gives ! woman a unique turn 9 ! air4 ,! woman /&+ at h] p>tn]'s "r1 ! two jo9 _! cross$ h&s above h] head1 %e rea*+ up1 he d[nw>d4 ,%e is turn$ by be+ swung ?r\gh ! air--9 a horizontal position--f9i%+ on h] p>tn]'s left side4 ,! arms1 ( c\rse1 h 8unw\nd0 f _! fir/ position1 & re-cross$ 9 its conv]se position4 ,?is movem5t1 ma/]fully execut$1 is "o ( ! devices by :i* ! dance contradicts gravity4 ,ill done1 ( c\rse1 x w\ld be z pa9ful = spectator z p]=m]4 ,b ^! dances are n (t5 ill done--at lea/ by ! p to :om !y belong4 ,we are cr$ibly in=m$ t ! problems ( involv$ /eps & tricky tempo1 exact+ requirem5ts ( agility & expression1 are met ) a laugh2 t1 :ile great virtuosity is naturally r>e1 real elegance ( execution is ! rule4 ,:i* leads back1 ( c\rse1 to national *oreographic traditions & ideals4 ,! arti/ic level !y occupy 9 ,russia 7& presumably ,hung>y & ,pol&7 is indicat$ 9 a few l9es ( a lett] to ! au?ors f ,pr9cess ,*ir9ski-,*i*mat(f1 ( ,mosc[4 ,ap>t f its value z q ! f9e/ /atem5t ( ! mean+ ( "* danc+ t is to be f\nd 9 ! lit]ature ( *oreography1 ! p>agraph has ! int]e/ ( %[+ "o ( ! reasons :y ! folk-danc+ ( nor!a/]n ,europe is good3 ,9 e dance ! pr9cipal ?+s are ! h>mony 7#a7 ( movem5ts ) ! rhy?m ( ! music1 7#b7 ( movem5ts ) ! subject t ! music repres5ts1 & 7#c7 ( ! s5tim5ts ) ! pantomime1 to give a c]ta9 impression2 & f9ally ?is1 t x %\ld be a dance :i* has exclusively ! national "*1 ) ! movem5ts natural famili]s to a c]ta9 p & to a c]ta9 epo*4 ,9 ! dance ! arti/ ought to %[ all ! ri*ness ( 8 s\l2 ought to in/il into 8 movem5ts all ( t :i* ! sculptor puts into 8 m>ble2 :ile above ! idea & ! mood ought to be felt ! beauty & fre$om ( movem5ts & l9es4 ,q a diff]5ce betwe5 t & "s o!r national ideas ( "* danc+6 ,describ+ h] national dance 7i4 e41 ! ,cossack ,dance & its d]ivatives7 %e writes3 8,! ,russian dance is compos$ 9 two p>ts1 ,adagio & ,allegro4 ,9 ea* "p we see ! traits mo/ natural to ! p1 & :i* 7 =m$ 9 hi/oric times1 "u o!r conditions4 8#a4 ,adagio3 l5g?1 fre$om1 tranquillity ( movem5t ) mu* dignity & grace1 & ) a little s(tness & simplicity2 all relat+ to ! traits t 7 =m$ dur+ ! p]iod :5 all ,russian wom5 pass$ ! :ole "t 9 _! trmas 7h\se ( ,russian /yle71 retir$ f ! _w1 work+ & s++1 ?9k+ melan*oly ?\ghts ab\t life b nev] see+ x 9 reality1 nev] leav+ ! h\se nor be+ se5 except on ! r>e occasion ( visits4 8#b4 ,allegro3 expresses1 ) ! gay & popul> songs1 ! vivacity1 ! c>elessness1 ! hum\r & ! pleasantry t 7 born 9 a p /ill a little b>b>\s & simple1 ^: sadness & gaiety 7 some:at nave4 ,all ! traits natural to ! ,russian p are portray$ 9 _! national dance & 9 ! simple music creat$ f ! mo/ popul> & belov$ songs40 ,)9 ! =m s sket*$ !re is room = a wide v>iety ( int]pretation4 ,! peasant expresses ! motives ( happ9ess & vivacity 9 movem5ts t translate ! joy ( an almo/ wild man4 ,an advance :ile ma9ta9+ a l[ squatt+ position1 ! spr+ = ea* /ep com+ f a leg b5t d\ble1 is a grotesqu]y try+ to ! /r5g? ( ! t\ghe/ ?ighs4 ,/ill m difficult & z grotesque is a movem5t ( squatt+ on "o heel1 & rapidly trac+ circles ) ! ext5d$ leg held /raight1 z ?\gh x 7 ! arm ( a compass4 ,! fem99e v]sion ( ! movem5ts is less viol5t2 b ! ,allegro portion ( ! woman's "w is nev]!less trem5d\sly animat$ 9 ! ru/ic v]sion ( ?is dance4 ,z ! c\rt ( sev5te5?-c5tury ,france took ! dances ( ! peasant & modifi$ !m into adornm5ts ( c]emoni\s occasions1 s polite society has done 9 ,russia4 ,! ,c\rt ,dance is ! result4 ,ref9em5t has n robb$ x ( ! national qualities describ$ by ,pr9cess ,*ir9ski2 h] own p]=mance ( x demon/rates1 9 almo/ spiritual t]ms1 ! 8dignity & grace10 ! 8little s(tness & simplicity10 ! 8sadness & gaiety0 t %e puts into words4 ,?r\gh h] p]=mance1 too1 runs an und]curr5t ( ! indef9able--a h9t ( lat5t my/]y t is n ,european4 ,x is a quality n infrequ5tly s5s$ 9 ! "w ( arti/s ( ,t>t> blood2 x is a trace ( ! ,ori5t4 ,,*apt] ,,ix ,,ori5tal ,,danc+ ,f a race ( arti/s ,mohamm$ took away ! fre$om to pa9t or model repres5tations ( liv+ ?+s4 ,yet ! prohibition 0 a se$ f :i* sprang a g>d5 ( expression m graphic ?an pa9t1 a s*ool ( symbolism p]haps ! mo/ highly wr\ght ! _w has se54 ,arti/ ! ,arab is1 :e!r measur$ by te/s ( 8 comm& ov] ab/ract symbol or--9 su* m$ia z 8 religion p]mits--vivid portrayal ( nature4 ,( concrete ?+s & occurr5ces he has ! al]t obs]vation ( a report]4 ,^u :at he sees he pond]s2 int5sely religi\s1 he sees ! h& ( ,allah 9 _m ?+s1 draws morals1 & seeks mean+s4 ,8 nomad =efa!rs ma/]$ ! geography ( ! />s1 9 se>* ( a cele/ial message4 ,?\gh ! message be /ill unread1 ma!matical problems t vex ! le>n$ 9 academies amus$ ! ,arab :5 ! race 0 "y4 ,writt5 num]als he inv5t$1 occult relations he sees 9 _! functions4 ,&1 und]ly+ all1 he has a passion = intellectual ord]4 ,geometry is ! educat$ ,arab's play?+2 f long practice he c project its figures ^u ! wall ( imag9ation1 free ( ! ne$ ( p5cil4 ,ow+ to ?is practice1 p]haps1 8 ?\ghts express !mselves 9 ! =m ( images4 ,8 lit]ature is cr[d$ ) !m1 vivid sket*es ?r[n be=e ! m9d's eye2 ea* a ,illu/ration3 ,,arabian 8,,dance ,,( ,,greet+0 ,by ,z\rna ,call$ ^u to dance1 %e reveals h]self 7#a7--,salutation 7#b7--,pr(ile view ( same 7#c7 ,illu/ration3 ,,arabian 8,,dance ,,( ,,greet+0 7,cont9u$7 8,= y ,i w dance0 7#d7--8;,f "h y w put away c>e0 7#e1 #h7--8;,"h y may sleep0 7#f7--8;,"h am ,i0 7#g7 ,to face page #aig symbol m eloqu5t ?an description1 a metaphor m compell+ ?an logic4 ,z a/ronomy 0 born ( ! se>* = mean+s 9 ! />s1 s ! se>* = my/ic functions among ! figures ( geometry evolv$ a s*ool ( decoration t dr[ns ! eye 9 pleasure1 baffles ! m9d to expla94 ,f squ>e & compass spr+ ! be/ ( ! int]lac$ ornam5t ( ! palace ( ,alhambra--! ornam5t t raises mat]ial ?+s to a plane almo/ exempt f mat]ial limitations4 ,& n ! design] alone glean$ f ! geomanc]'s play ) l9e4 ,exp]im5ts pr(itless to ! magician yield$ ( _! magic to ! ar*itect1 to ! end t he 0 able to make ( a gateway a song ( ?anksgiv+1 ( a squ>e t[] a hymn ( aspiration--& ^!1 if x suit$ him1 by ! magic ( proportion alone1 )\t ! aid ( any adornm5t :atev]4 ,su* a race1 if x c\ld h pa9t$ & drawn1 w\ld h produc$ arti/s sup]lative 9 m ?an "o direction4 ,cle> obs]vation & ! wit to disc]n significances w\ld h made satiri/s & comm5tators ( ! mo/ subtle k9d4 ,9 picture1 ! ,arab metaphor w\ld h be5 bett] express$1 ev51 ?an 9 words1 :i* (t5 seem a weak translation ( a graphic symbol 9 ! ,arab /ory-tell]'s m9d4 ,z to decoration1 x seems inevitable t ) k ( ! figure & fre$om to use x1 ! ,moors t adorn$ ,alhambra's inn] walls c\ld h pa9t$ su* designs z are n ev5 dream$ (2 = _! design+--s f> z its field ext5d$--0 to ,occid5tal design+ 9 g5]al z evolv$ musical composition is to arrangem5t by guess-"w4 ,all ^! ?+s ! ,arab mu/ h done z a pa9t]4 ,yet despite ! injunction depriv+ him ( life z mat]ial = picture & sculpture1 & inde$ because ( x1 he has evolv$ an art 9 :i* pa9t+ & sculpture unite to express ! human emotions ?r\gh ! m$ium ( ! human =m4 ,t art1 ( c\rse1 is danc+4 ,he has dignifi$ x ) 8 accumulat$ k ( decoration1 imbu$ x ) ! my/ic symbolism ( 8 speculative m9d4 ,9 light mood x n>rates ! pass+ occurr5ce or ! amus+ anecdote4 ,& n ! lea/ ( ! wond]s ( ! ,arab danc+ is ! emphasis x places ^u ! beauty ( womank9d4 ,in/ead ( movem5t1 z 9 mo/ ,european danc+1 its ess5tial int]e/ is 9 a s]ies ( pictures1 *>g$ ) significance & ri* 9 h>mony ( l9e4 ,! eye has "t to dwell ^u a po/ure1 to revel 9 ! s5su\s grace into :i* x ca/s body & limb4 ,to complete ! task ( sculptural composition1 ! ,arabic danc] /udies to a r>e complet5ess ! art ( elim9at+ ! _m natural crudities ( position t prev5t arms1 legs & body f %[+ to ! utmo/ advantage _! physical p]fection4 ,?\gh ! mat]ial body does n--9 ! "w ( a g5u9e arti/--di/ract att5tion f sculptural nobility ( pose1 nei!r is physical attractiv5ess lo/ sight ( 9 ! beauties ( ! ab/ract4 ,t ! treasure-h\se ( ,arabian *oreography nev] has be5 really op5$ to ,occid5tal eyes is probably due1 z mu* z to any?+ else1 to ! ,arab's inability to contribute any explanation to a ?+ :i*1 by 8 way ( ?9k+1 expla9s itself4 ,he has se5 no danc+ except t ( 8 own race4 ,to him ,arabian danc+ is n ,arabian2 x is j danc+4 ,9 8 eyes ! mimetic symbols are z descriptive z spok5 ,illu/ration3 ,,arabian 8,,dance ,,( ,,greet+0 7,cont9u$7 8,& %\ld y g af>0 7#i7--8,may y enjoy ,allah's bless+ ( ra90 7#aj7--8;,& ! e>?'s fullness0 7#aa7 ,illu/ration3 ,,arabian 8,,dance ,,( ,,greet+0 7,cont9u$7 8,may w9ds refre% y0 7#ab7-- 8,:]ev] y g0 7#ac7-- 8,& y\r slave0 7#af7 8,"h is y\r h\se0 7#ad7-- 8,"h is peace0 7#ae7 words4 ,except he c\ld see !m ) ,occid5tal eyes1 he w\ld see no?+ ab\t !m to expla94 ,europe has se5 ! ,arabic "w1 & enjoy$ x = its ocul> beauty4 ,grome1 ,con/ant1 ,b>gue & o!rs h pa9t$ its s9u\s elegance ) admirable results4 ,b no insight into its motives has become g5]al1 nor has any key to its mean+ h]et(ore be5 pr9t$1 s f> z c be asc]ta9$1 9 any ,european language4 ,am]ica /ill fur!r ?an ,europe has be5 exclud$ f satisfactory acqua9tance ) ! ,ori5tal1 because x has be5 s r>ely pres5t$ "h except 9 a mann] to defame x4 ,at ! ,_w's ,fair 9 ,*icago1 :]e we saw x fir/1 its s9u\s body-movem5t caus$ a %ock4 ,along t l9e opportuni/ manag]s saw pr(it4 ,sex--an in/itution ^: exi/5ce is frankly admitt$ by e civilisation except our own--01 "u manag]ial inspiration1 insi/$ ^u to ! exclusion ( e o!r motive ( ! dance2 & insi/$ ^u 9 su* a mann] z to make x repulsive4 ,ru? ,/4 ,d5is has gone f> 9 remov+ ! result+ /igma f ! art ( ,india & ,egypt4 ,t ! prejudice is n go+ to p]si/ 9 ! face ( a national common-s5se & love ( beauty is fur!r indicat$ 9 ! reception met by ! "w ( ,fatma a c\ple ( seasons ago 9 ,! ,g>d5 ( ,allah2 a ,moroccan woman1 do+ "w unres]v$ly typical ( h] c\ntry1 always receiv$ ) delight by ! audi5ce1 & nev] reg>d$ f ! wrong po9t ( view4 ,! mission ( call+ ,we/]n att5tion to t :i* lies bel[ ! surface ( ,arabic danc+1 h[ev]1 appe>s to h rema9$ = ,z\rna1 ! ,tunisian4 ,to h] x is possible1 by virtue ( a po9t ( view result+ f a dual education1 ,mohamm$an & ,european4 ,z\rna is ! daught] ( an ,arab fa!r & a ,fr5* "m1 :o liv$ 9 ,tunis4 ,9 *ildhood %e 0 taught ! ,arab girl's accompli%m5ts1 danc+ includ$2 b an occasional visit to ,france enabl$ h] at all times to see h] ,african way ( liv+ some:at z x w\ld appe> to ! ,european4 ,9 ! natural c\rse ( ev5ts %e m>ri$2 de/9$1 h[ev]1 to a %ort "t ( enjoym5t ( ! dreamy danc+ ( ! %elt]$ h>em4 ,! dea? ( h] husb& & loss ( =tune drove h] to dance 9 cafs4 ,t g5us ( "w %e _h "t to le>n well be=e ,fate aga9 int]v5$4 ,a *a9 ( circum/ances br\ght h] an opportunity to /udy ballet 9 ! ,fr5* ,academy4 ,x 0 n h] m$ium ( expression1 b x gave h] a cle> measure ( ! diff]5ce betwe5 ! ,ori5tal & ,occid5tal philosophies ( ! dance4 ,( =mulat$ dances ! ,arab has few1 & ^? no m set ?an are ! words ( our /ories3 ! po9t mu/ n be miss$1 b we may *oose our own vocabul>y4 ,9 t]ms ( ! dance1 ! ,arab ent]ta9] tells /ories2 9 ! case ( kn[n & popul> /ories %e foll[s ! accept$ n>rative1 b improvises ! movem5ts & poses t express x1 exactly z ?\gh !y 7 spok5 words in/ead ( pantomime4 ,some:at less fre$om necess>ily obta9s 9 ! n>ration ( dance-poems ?an 9 ! recital ( trifl+ incid5t2 b )9 ! necess>y limits1 orig9ality is priz$4 ,9 ! mimetic vocabul>y are c]ta9 phrases t are dep5d$ ^u to convey _! def9ite mean+s4 ,new ^w-equival5ts1 h[ev]1 are always 9 ord]1 if !y ,illu/ration3 ,,arabian 8,,dance ,,( ,,m\rn+0 ,by ,z\rna ,! body approa*es 7#a7--,! body passes 7#b7--8;,i hold my sorr[ to myself0 7#c7 ,to face page #bjj ,illu/ration3 ,,arabian 8,,dance ,,( ,,m\rn+0 7,cont9u$7 8,he has gone out ( ! h\se & up to ,heav50 7#d7--8;,f>ewell0 7#e7 ,to face page #bja c /& ! se>*+ te/ ( eyes educat$ 9 beauty & m9ds tra9$ to exact ?9k+4 ,ne>ly unlimit$ z x is 9 scope1 delightful z x unfail+ly is to ^? :o "k x1 ,arabic danc+ suits occasions ( a v>iety ( :i* ! dances ( ,europe nev] dream$4 ,9 ! caf x div]ts & sometimes demoralises4 ,9 8 h\se ! ma/] wat*es ! danc+ ( 8 slaves1 dream+ "u ! n>cotic spell ( rhy?m4 ,on ^? r>e occasions :5 ! dem&s ( diplomacy or bus9ess compel him to br+ a gue/ into 8 h\se1 ! danc+ ( slaves is dep5d$ ^u to ent]ta94 ,8 wives dance be=e him to please 8 eye1 & to cajole him into con=mity ) _! desires4 ,ev5 ! news ( ! day is danc$1 s9ce ! doctr9es ( ,mohamm$ depress ! pr9t+ ( almo/ ev]y?+ except ! ,koran4 ,reports ( curr5t ev5ts rea* ! male population 9 ! m>ket & ! caf4 ,at home m5 talk little ( outside affairs1 & wom5 d n get out except to visit o!rs ( _! k9d1 z isolat$ f ! _w z !mselves4 ,b !y get all ! news t is likely to int]e/ !m1 none ! less2 at lea/ ! happ5+s 9 ! _w ( ,mohamm$anism4 ,z v5d]s ( in=mation ( pass+ ev5ts1 !re are wom5 t w&] 9 pairs f city to city1 f h>em to h>em1 l b>ds ( ! e>ly ,nor?4 ,z wom5 !y are admitt$ to wom5's ap>tm5ts4 ,!re1 :ile "o rhy?mically pantomimes de$s ( w> to ! cloi/]$ ones t nev] saw a soldi]1 or graphically imitates ! puni%m5t ( a malefactor 9 ! m>ket-place1 h] companion *ants1 ) falsetto :9es1 a descriptive & rhy?mic accompanim5t4 ,?us is ! h>em protect$ aga9/ ! risk ( n>r[ness4 ,9 ! daily life ( ! h>em1 danc+ is "o ( ! fav\r$ pa/imes4 ,wom5 dance to amuse !mselves & to ent]ta9 "o ano!r4 ,9 ! dance1 z 9 music & embroid]y1 !re is endless int]e/1 & a _s ( emulation usually fri5dly4 ,"o ( ! comp>atively =malis$ mimetic expressions is ! ,dance ( ,greet+1 ! function ( :i* is to hon\r a gue/ :5 occasion br+s him into ! h\se4 ,let x be imag9$ t c(fee & cig>ettes h be5 s]v$ to two grave g5tlem52 t "o has express$ bewild]m5t at ! magnific5ce ( ! e/abli%m5t1 & 8 op9ion t too great hon\r has be5 done him 9 p]mitt+ him to ent] x2 t ! ho/ has duly made reply t 8 gr&*ildr5 w tell ) pride ( ! day :5 ?is poor h\se 0 s f> hon\r$ t su* a "o set 8 foot )9 x4 ,aft] :i* a %]bet1 m c(fee & cig>ettes4 ,:5 ! "t seems propiti\s1 ! ho/ sugge/s to ! gue/ t if 9 8 great k9dness he w look at h]1 he--! ho/--w\ld l p]mission to ord] a slave to try to ent]ta9 ) a dance4 ,! musicians1 squatt+ aga9/ ! wall1 beg9 ! wail+ ( ! flute1 ! hypnotic ?rob ( 8d>abukkeh40 ,%e :o is designat$ to dance ! ,greet+ ent]s hold+ be=e h] a long sc>f t half conceals h]2 ! expression on h] face is surprise1 z ?\gh hon\r _h fall5 to h] beyond h] m]its or expectation4 ,^u rea*+ h] place %e ext5ds h] arms =w>d1 !n sl[ly moves !m1 & ) !m ! sc>f1 to "o side1 until %e is reveal$4 ,:5 a nod confirms ! comm& to dance1 %e quickly drops ! sc>f to ! ,illu/ration3 ,,arabian 8,,dance ,,( ,,m\rn+0 7,cont9u$7 8,he slept 9 my arms0 7#f7--8,! h\se is empty0 7#g7--8,woe is 9 my he>t0 7#h7 ,to face page #bjb ,illu/ration3 ,,arab ,,slave ,,girl',s ,,dance ,by ,z\rna ,a non-n>rative dance1 = ! exhibition ( p]sonal attractions ,to face page #bjc floor1 advances to a place be=e ! gue/ & ne> him1 & hon\rs him ) a slave's salutation4 ,!n aris+ %e proce$s to h] sil5t greet+4 8,y are implant$ 9 y\r h\se10 says a movem5t see photographs4 8,"h is food1 "h may y sleep well4 ,:5 y g =?1 g y ,ea/1 ,we/1 ,nor?1 ,s\? indicat+ qu>t]-circles by po9t+ ! toe1 yet y are "h4 ,may ,allah's bless+s desc5d ^u y4 ,may ! breezes bl[ ^u y1 may ! ra9 refre% y1 may abundance be %[]$ ^u y2 yet may y rememb] t "h y are 9 y\r h\se1 & t "h is y\r slave40 ,t is ! lifeless skeleton ( ! /ory1 )\t grace1 or ! animation ( movem5t1 or ! embelli%m5t ( expression4 ,to try to =ce words into an equival5t ( ! semi-rituali/ic spl5d\r ( ! dance w\ld be attempt+ to build a ,moori% palace ( dry gra9s ( s&4 ,9 ,occid5tal ent]ta9m5t1 :5 a p]=m] has ga9$ ! sanctu>y ( ! plat=m1 he is practically immune f int]ruption until 8 8numb]0 is f9i%$--unless exception be made ( 8amateur night0 9 vaudeville h\ses1 :]e (f5d]s are =cibly remov$ ) a hook1 or sudd5ly envelop$ 9 d>kness4 ,) t probably unique exception1 h[ev]1 ! audi5ce confront$ by an indiff]5t p]=m] c only summon pati5ce4 ,! ,ori5t (f]s no su* security1 to ! danc] at lea/4 ,at ! fir/ sign ( failure to int]e/1 a signal1 p]haps no m noticeable ?an ! raise ( an eyelid1 comm&s ! danc] to cease4 ,n lat]1 b in/antly4 ,to int]rupt a dance ( movem5t )\t reg>d to its argum5t w\ld be worse ?an int]rupt+ a /ory4 ,x w\ld n only undo ! prec$+ "w2 x w\ld be v likely to arre/ ! arti/ 9 a transitional position1 9 itself weak4 ,at all ev5ts1 su* an int]ruption w\ld pa9fully m> an ent]ta9m5t programme4 ,b ! ,arabian dance is n a dance ( movem5t2 x is a dance ( pictures1 to :i* movem5t is :olly subord9ate4 ,ea* b> ( ! music accompanies a picture complete 9 itself4 ,)9 ! measure ( ea* b> ! danc] has "t = ! movem5ts lead+ f "o picture to ! next1 & to hold ! picture = ! in/ant necess>y to give emphasis4 ,at :atev] mom5t %e may be /opp$1 !re=e1 %e is )9 less ?an a second ( a pose s balanc$ & sculptural t x appe>s z a natural t]m9ation ( ! dance4 ,! ,ori5tal's g5]al indiff]5ce to ! =ces ( accumulation & climax are consi/5t ) su* a caprici\s end+4 ,9 8 dance1 ea* phrase is complete 9 itself2 x may be lik5$ to "o ( ^? s]ial /ories 9 our magaz9es1 9 :i* ea* in/alm5t ( ! /ory is self-suffici5t4 ,to ! ,occid5tal unus$ to ,ori5tal art1 ! abs5ce ( cresc5do & climax1 & ! sub/itut$ it]ation c>ri$ on endlessly1 is un9t]e/+4 ,nev]!less1 a few days ( life among ,ori5tal conditions suffice to ?r[ _m a sc(f] into attunem5t ) ! ,ori5tal art idea4 ,:i* is to soo!1 n to /imulate4 ,moori% ornam5t is an indef9itely repeat$ s]ies ( m>vell\sly design$ units1 ea* complete 9 itself1 yet inextricably int]wov5 ) its neighb\rs4 ,9 music ! beats cont9ue un*ang+ ?r\gh b> aft] b>1 phrase aft] phrase4 ,! rhy?mic repetition ( ! tile-designs on ! wall1 ! decorative repetition ( ! beats ( music1 produce a spell ( dreamy vision+ comp>able only to ! effect ( "s pot5t b h>mless n>cotic4 ,to ! =ego+ g5]ality exception mu/ aga9 be made ( ! danc+ 9 cafs4 ,:ile x con=ms to ! /ructure ( a picture-complete-9-ea*-b>1 its treatm5t is m or less at v>iance ) ! idea ( soo?+4 ,b ! symbolism is likely to lack no?+ ( picturesqu5ess4 ,! ,h&k]*ief ,dance is *>act]i/ic ( ! type4 ,( ! two h&k]*iefs us$ 9 ?is dance "o repres5ts ! girl h]self1 ! o!r h] soon-to-be-select$ lov]4 ,%e fir/ takes a corn] ( ea* h&k]*ief into h] tee?1 w>m+ !m into life4 ,%e lays !m p>allel on ! floor & indiff]5tly dances ar\nd & betwe5 !m1 to /ate h] p[] to cross ! l9e & return free f entanglem5ts ( lov]'s claims4 ,into ! wai/b& ( h] tr\s]s %e tucks opposite corn]s ( bo? h&k]*iefs s t !y hang z panni]s3 ! h&s pu%$ ?r\gh %[ ! panni]s empty2 %e w\ld receive gifts4 ,to %[1 too1 t %e c give1 a fl\ri%+ ge/ure releases a corn] ( ea*1 to spill ! imag9$ cont5ts4 ,int]e/ progresses until z a climax %e kisses "o ( ! flutt]+ clo?s1 sl[ly passes x d[nw>d ov] he>t & body1 & ?r[s x 9 a wad to ! elect$ "o4 ,! tok5 is 8 passport to h]2 & its return at any lat] "t is ann\ncem5t t %e no long] int]e/s him4 ,"o dance ! ,arabs h t is n associat$ ) ! idea ( symbolism1 b is r a vehicle = ! display ( te*nical skill = skill's own sake4 ,x is ! ,fl\r ,dance4 ,on ! floor a design is drawn 9 an ev5 lay] ( fl\r--a fav\rite figure is ! squ>e impos$ on a circle1 famili> 9 ,s>ac5ic ornam5t4 ,! danc]'s fir/ j\rney ov] ! figure e/abli%es a s]ies ( footpr9ts2 a successful p]=mance consi/s 9 plant+ ! feet 9 ! same tracks dur+ subsequ5t r\nds4 ,difficulties c be add$ by cross+s ( ! feet1 turns & o!r involutions1 & multipli$ by increas+ spe$4 ,?is dance 0 m5tion$ 9 connection ) ! anci5t ,greek ,dance ( ! ,spill$ ,meal1 ( :i* x may reasonably be suppos$ to be ei!r a direct desc5dant or a surviv+ ance/or4 ,!re are a numb] ( little dances popul> 9 light ent]ta9m5t4 ,9 "o1 a woman 9 ! act ( eavesdropp+ is />tl$ by a liz>d dropp+ on h] back4 ,h] ef=ts to get rid ( x attract h] husb& f 8 imag9$ conv]sation on ! o!r side ( ! curta94 ,%e mu/ n[ expla9 :y %e 0 /&+ at ! curta91 & above all %e mu/ appe> calm4 ,! com$y opportunity lies 9 h] ef=ts n to squirm away f ! imag9$ liz>d4 ,ano!r ( ^! "o-"* sket*es tells ( ! lazy wa%]woman4 ,%e ent]s /eady+ on h] head an imag9>y basket ( l954 ,arriv+ at ! edge ( ! /ream %e puts d[n ! basket1 kneels1 & indol5tly beg9s maul+ & scrubb+ ! g>m5ts ov] ! half-subm]g$ rocks4 7,& %e turns ! movem5ts into poetry67 ,b h] att5tion w&]s f uncong5ial "w4 ,^: hasn't8 "o sympa!tically asks oneself z "o wat*es4 ,%e looks up ! /ream1 & d[n2 h] eye sees beauties1 & h] m9d f9ds subjects to wond] ab\t4 ,%e falls a-dream+1 & !n asleep--/ill kneel+4 ,:5 %e wak5s1 ! o!r wom5 h f9i%$ _! "w & gone1 & x is late4 ,n /opp+ to wr+ out ! clo!s t %e hurri$ly collects f ! ,illu/ration3 8,,h&k]*ief ,,dance0 ,,( ,,! ,,caf,s ,by ,z\rna ,! h&k]*iefs symboliz+ ! lov]s are animat$ ) ! brea? ( life1 b kept dissociat$ 7#a7--;,br\ght into semi-association 7#b7--,sep>at$ & dropp$ 7#c7 ,illu/ration3 8,,h&k]*ief ,,dance0 7,cont9u$7 ,%e c dance ab\t1 betwe5 or away f !m1 indiff]5tly 7#d7--,made into panni]s1 ! panni]s express h] will+ness to receive1 turn$ inside out1 h] will+ness to give 7#e7--,"o ( ! two h&k]*iefs is ?r[n to ! select$ lov] 7#f7i pool1 %e ?r[s !m into ! basket4 ,hum\r is put into ! arti/'s mimicry ( ! poor woman's ef=ts to avoid ! dripp+ wat]1 :ile c>ry+ ! weight ( a basket ( wet clo!s balanc$ on h] head4 ,embody+ z x does bo? dream-s5tim5t & com$y1 ! little pantomime is a pretty vehicle = v]satility4 ,a s]i\s /ory is t ( ! ,mohamm$an woman :o1 aga9/ h] fa!r's wi%es1 has m>ri$ a ,jew4 ,! repres5tation op5s ) ! woman's entrance to ! room :]e h] fa!r lies dy+4 ,h] hair falls loose 9 tok5 ( m\rn+ or p5it5ce4 ,%e kneels beside ! dea?-b$1 & /rips (f h] _m jewels4 ,h] v[ to re-ent] ! fold ( ,islam %e %[s by draw+ a /r& ( h] hair across h] m\?1 sugge/+ ! face-cov]+ ( ! wom5 ( ,mohamm$an fai?4 ,! fa!r (f]s 8 h& to be kiss$4 ,grateful1 %e sl[ly rises1 crosses ! room1 closes & bolts ! door1 9 tok5 ( %utt+ out all b ! pat]nal fai?4 ,! dance ( m\rn+ = ! dead is a fix$ composition only to ! ext5t ( includ+ c]ta9 accept$ po/ures2 _! sequ5ce is n prescrib$4 8,"h he lies dead2 ,allah takes him4 ,i am z a fall5 tree2 ,i am alone4 ,he held me 9 8 arms2 we play$ toge!r2 & he 0 my protector40 ,9 su* mann] runs ! wid['s lam5t = h] dep>t$ husb&4 ,puls+ ?r\gh all is ! solemn beat ( 8d>abukkeh0 und]ton+ ! wails ( m\rn]s4 ,! ,b$\i ( ! des]t celebrate m>riage1 peace-compacts1 decl>ations ( w> & o!r happy occasions ) a gun-dance1 :i* is kn[n z a ,fantasia or ,fantaisie4 ,x 9 no way con=ms to ! fundam5tals ( ,arabic danc+1 & 9 fact x is a dance 9 "n only4 ,b x is joy\s exce$+ly4 ,approximately rhy?mic rifle-fir+ is cont9u\s f beg9n+ to end4 ,p]=m]s bo? m\nt$ & afoot leap & :irl 9 maniac confusion1 %oot+ up1 d[n & all ar\nd 9 m]ry ab&on4 ,du/1 h[ls & p[d]-smoke attack e>s1 eyes & ?roat 9 unison1 & ! only unhappy ones 9 ! gay assemblage are ^? t ,allah wills to h be5 %ot1 /epp$ on by horses1 or bo?4 ,tangi] is ! sett+ ( an occasional savage celebration ( religi\s fanaticism2 & ^! celebrations1 too1 fall into a category ( quasi-danc+4 ,!y are demon/rations ( a sect /yl$ ! ,hamad%a4 ,to a deaf5+ accompanim5t ( fifes & drums1 a few lead]s />t a crude hopp+ dance 9 ! m>ket-place4 ,! numb] ( p>ticipants gr[s rapidly2 excitem5t increases ) ! numb]1 until1 at a po9t ( fr5zy1 ! leap+ fanatics beg9 hack+ _! heads ) axes4 ,! example is s contagi\s t small boys da% into ! mle & snat* axes f ! h&s ( m51 to inflict ! same ca/igation4 ,*ri/ian spectators frequ5tly fa9t at ! spectacle1 b fasc9ation holds !m at _! w9d[s until !y are ov]come4 ,dur+ ! f\r h\rs or m t ! blood-spill+ cont9ues1 z well z dur+ a p]iod be=e & aft]1 ! /reet is a dang]\s place = ! unbeliev]4 ,o/r&]1 ! travell]1 :ile 9 ,con/ant9ople1 f\nd himself unacc\ntably 9 ! mid/ ( a celebration diff]+ 9 "* f ^? ( ! ,hamad%a ( ,tangi] only 9 ! respect ( be+ held at night4 ,! resemblance 9 all ess5tials indicates ! exi/5ce ( ,mohamm$an und]curr5ts completely unkn[n to ! ,we/]n _w4 ,egypt1 not)/&+ c5turies ( ,arab dom9ation1 pres]ves--or re-creates--9 h] danc+ ! /yle %[n 9 ! c>v+s ( ! ,ph>aoh dyna/ies4 ,9 contra/ to ! s(tly curv+ ,arab movem5ts1 ! ,egyptian's def9itely incl9e to /raight l9es4 ,ge/ures *ange _! direction 9 angles1 r ?an curves4 ,poses ( p]fect symmetry are s\ght4 ,ev5 :5 symmetry is abs5t1 ! s]p5t9e1 pla/ic "* ( ,arab movem5t is p]t95tly avoid$4 ,! s5tim5t ( ar*itecture is cultivat$2 ! head is n turn$ on ! %\ld]s1 nor ! torse on ! hips1 except z su* relaxation is requir$ 9 ! int]e/ ( pantomime4 ,9 movem5t & position ! ,egyptian seeks v]ticals1 horizontals & "r angles4 ,to ! beauty ( ! "w ! sev]ely geometrical treatm5t adds an ar*itectural quality almo/ />tl+ 9 its surety & maje/y4 ,egyptian =m 8toes out0 ! arti/'s feet1 s t !y are se5 )\t p]spective :5 ! p]=m] is fac+ ! spectator4 ,:e!r ! dances ( ! ,valley ( ! ,nile e/abli%$ ! conv5tions ( e>ly relief c>v+s1 or :e!r1 on ! o!r h&1 ! c>v+s det]m9$ ! "* ( ! dances1 is a "q nei!r possible nor necess>y to decide4 ,bo? arts c]ta9ly 7 ! expression ( rigid religi\s c]emonialism1 & likely are tw9s4 ,to-day ! records 9 granite are ! subject ( consci\s /udy on ! "p ( danc]s4 ,9 ! pa/1 too1 !y und\bt$ly h be5 *>t & compass to ! sculpture ( ephem]al fle% & blood1 t unguid$ might h p]i%$ 9 any "o ( ! ?\s&s ( g5]ations ( its exi/5ce4 ,9 type ( subject & motive ! dances ( ,egypt resemble ^? ( ! ,b>b>y ,/ates1 z above describ$4 ,m\rn+1 homage & incid5t are n>rat$ 9 ab\t ! same vocabul>y1 ! dissimil>ity ( te*nique be+ comp>able to a dialectic diff]5ce ( pronunciation ( a language4 ,on _! comm]cial side ! two are id5tical4 ,9 t\ri/-ridd5 cafs ( ,cairo & ,port ,said1 z 9 ^? ( ,tangi] & ,algi]s1 girls dance :at ! t\ri/ expects & wi%es4 ,9 ! ,coptic t[n ( ,esneh1 dwell+ 9 ! ru9$ temples1 is a community ( p kn[n z ,almes4 ,!y are lit]ally a tribe ( danc]s1 remov$ by a kh$ive 9 =m] times f ,cairo on gr\nds ( impropriety4 ,danc+ z !y d 9 ! temples ( five ?\s& ye>s ago1 !y =m a curi\s l9k ) antiquity4 ,_! "w1 h[ev]1 is said to be %ap$ to ! t\ri/ dem&4 ,su* dances1 h[ev]1 despite ! insi/5ce ) :i* !y are pu%$ ^u ! att5tion ( t\ri/s1 are n ( ! k9d ) :i* ! "n ( ,egypt des]ves to be associat$4 ,! my/ic /ill dwells along ! %ores ( ! ,nile2 b its vot>ies d n comm]cialise x1 nor is x a commodity t l5ds itself to sale & pur*ase1 ev5 7 !re a disposition s to degrade x4 ,"o ( ! dances illu/rat$ by ,z\rna symbolises 9 t]ms z delicate z ! mo/ e!real imag9+s1 ! awak5+ ( ! s\l4 ,! body's initial lack ( ! spiritual sp>k is repres5t$ by ! cross$ h&s1 z bodies are c>v$ on sepul*res4 ,an imp]ceptible glide ?r\gh a s]ies ( poses s subtly di/+ui%$ f "o ano!r t movem5t1 f "o mom5t to ! next1 is unse51 creates an atmosph]e my/]i\s & almo/ *ill 9 its twilight gloom4 ,grop+ly ! arms rise to ! ,illu/ration3 8,,dance ,,( ,,! ,,s\l',s ,,j\rney0 ,by ,z\rna ,! s\lless body 7#a7--;,asks = ! light ( life 7#b7--,vision dawns 7#c7--;,inexp]t 9 life1 %e walks grop+ly 7#d7 ,illu/ration3 8,,dance ,,( ,,! ,,s\l',s ,,j\rney0 7,cont9u$7 ,%e draws aside ! veil ( ! future 7#e7--,life is se5 full & pl5te\s 7#f7 ,to face page #baa position t symbolises pray] = ! div9e light--! h& bel[ ! *9 emphasis+ ! upturn ( ! face1 ! upp] h& sugge/+ ! flame4 ,) awe ! new intellig5ce gazes ^u ! _w1 op5-ey$2 !n x mu/ draw aside ! veil ( ! future4 ,fulness ( life is se5 await+1 :i* ! danc] expresses by a ge/ure repres5t+ r\ndness1 ! accept$ ,ori5tal repres5tation ( complet5ess & ri*ness4 ,b wait6 %e w gr[ old1 & ) b5t back w walk /umbl+ at ! heels ( a camel4 ,b a defiance to age & ! future6 ,n[ %e is "y2 h] body is /raight & h] limbs r\nd4 ,a defiant expression ( ! joy ( life foll[s1 yet und]ton$ )al ) un=gettable sadness2 movem5ts ( happ9ess1 a face ( trag$y4 ,! sombre maje/y ( ! pictures1 especially ^? ( ! se>* into ! future2 ! rev]5ce-compell+ my/]y ( ! somnambuli/ic movem5ts--a hundr$ ?+s ab\t ?is dance raise x to ! v upp]mo/ plane ( its k9d ( art4 ,s f> beyond m]e skill are its movem5ts1 s completely ali5 to any?+ 9 ,occid5tal k1 t to ,occid5tal eyes !y are z une>?ly z !y are impos+4 ,reason fails1 *lor(orm$ by beauty2 ! real becomes ! unreal1 ! unreal ! real4 ,imag9ation is releas$ f ! t5tacles ( fact & "t4 ,! future8 ,x c\ld be se5 = ! tr\ble ( turn+ ! head to look2 b :at pr(it =ekn[l$ge ei!r ( cuts or c>esses8 ,curiosity is = ! v "y4 ,bett] & wis] ! lot ( ignorance4444 ,hypnotism ( a k9d8 ,grant$4 ,f9ely r5d]$1 ?is dance repres5ts ! utmo/ developm5t ( ! co-ord9ation ( rhy?m1 s5tim5t1 & appropriat5ess ( movem5t4 ,t comb9ation 9 its turn is und\bt$ly ! ess5ce ( ! ,ori5tal magic t1 s9ce ! _w 0 "y1 has enabl$ m5 to dream dreams & see visions4 ,among ! new] civilisations ! emotional p[] ( rhy?m is z unkn[n z x is untri$4 ,! ,egyptian's passion = decoration is s]v$ by ! dance1 no less ably ?an is 8 love ( ! metaphysical4 ,9 ! homes ( ! ri* !re is said to be a =m ( decorative *oreography1 l a ballet 9 /ructure1 t duplicates & animates a pa9t$ or sculptur$ frieze on ! walls ( ! room4 ,! danc]s ent] "o at a "t1 tak+ _! positions 9 turn "u ! figures ( ! frieze1 copy+ ea* 9 pose z !y come into place "u x4 ,! int]vals betwe5 poses are ( c\rse enri*$ by c>efully relat$ movem5ts1 s t ! l9e ( danc]s1 advanc+ toge!r f figure to figure1 %all move z a h>monis$ unit4 ,! s*eme creates a manifold int]e/3 ! l9e ( danc]s repres5ts an animat$ v]sion ( ! frieze2 ?\gh x is se5 to move1 its figures rema9 9 a s5se un*ang$2 yet to wat* any "o p]=m] is to see h] *ange con/antly4 ,! human l9e & ! mural frieze collectively =m a backgr\nd = ! "w ( a lead+ danc]1 :o flits f place & duplicates ! poses ( su* figures z %e may *oose4 ,9 ano!r ent]ta9m5t1 descriptions tell ( huge vases c>ri$ 9 & plac$ back ( ! danc+ space1 z ?\gh !y 7 decorative adjuncts =gott5 until ! la/ mom5t4 ,!y are plac$1 & ! s]vants retire1 j be=e ! fir/ danc] op5s ! programme4 ,a spectator unfamili> ) ! div]sion w\ld notice t ! vases 7 elaborately ornam5t$ ) c>v$ figures4 ,^! "o by "o relax _! ar*aic sev]ity ,illu/ration3 8,,dance ,,( ,,! ,,s\l',s ,,j\rney0 7,cont9u$7 ,b old age w come 7#g7--;,grief w visit 7#h7--,%e %all walk ) h] nose close to ! camel's foot 7#i7 ,to face page #bab ,illu/ration3 8,,dance ,,( ,,! ,,s\l',s ,,j\rney0 7,cont9u$7 ,yet n[1 f ! cr[n ( h] head 7#aj7--,to ! soles ( h] feet %e is p]fect 7#aa7 ,to face page #bac ( pose & v sl[ly come to life4 ,keep+ ! col\r ( ! /one & )\t :olly los+ its unb5d+ "*1 ea* dances h] allott$ numb] & returns to h] pose on ! vase4 ,! =ego+ is by no means a complete li/ ( ,egypt's dances ( decorative int]e/ or occult significance4 ,dance repres5tations ( subjects ( ev]yday int]e/ are also popul>2 !re is "o t sket*es a s]ies ( incid5ts connect$ ) a hunt ) a falcon4 ,b1 z /at$ 9 ano!r place1 ! *oreographic ta/e ( ,egypt has _m po9ts ( simil>ity ) t ( ! ,arabs ( all ! s\!rn coa/ ( ! ,m$it]ranean4 ,egyptian te*nique is di/9ct1 its int]pretation ( ! ab/ract is m>vell\sly develop$1 its union ( ! dance ) ar*itecture is its own4 ,b its ta/e 9 pantomimes ( light motive is already *>act]is$ )\t ! addition ( fur!r examples4 ,foll[+ ,ori5tal danc+ ea/w>d t[>d ,india1 its probable bir?place1 x is f\nd to pres]ve ) approximate consi/5cy c]ta9 g5]al *>act]i/ics4 ,! comb9$ pantomimic & decorative use ( ! arms1 subject to regional ideas z to :at comprises decorative quality1 runs ?r\gh x all4 ,! app>5t fre$om ( *e/1 abdom5 & hips f any re/rict+ int]-relation%ips1 is an attribute ( x emphasis$ 9 "s localities m ?an o!rs2 x decreases t[>d ! nor?1 g5]ally speak+4 ,! wom5 ( ,turkey comp>e ) ^? ( ! ,b>b>y ,/ates 9 ph5om5al flexibility & control ( ! abdom9al muscle--result+ 9 capability = a species ( contortion n at all agreeable :5 exagg]at$4 ,a pr9ciple ( all ,ori5tal danc+ is its frank ackn[l$gm5t ( avoirdupois4 ,x employs none ( ! devices by :i* lightness is a*iev$1 *oos+ z its aim1 r1 ! repres5tation ( a pla/ic quality t exploits r ?an d5ies ! meat9ess ( fle% texture4 ,! heel is n (t5 rais$ high f ! gr\nd1 & inde$ ! foot is (t5 plant$ flat4 ,a mann]ism int5sely *>act]i/ic ( ! ,ori5tal use ( ! foot is a trick ( quickly *ang+ its direction aft] x is set on ! floor b be=e ! weight ( ! body is %ift$ to x2 ! twi/ may leave ! heel /ation>y z a pivot1 or ! ball4 ,! effect is z ?\gh ! danc] 7 mak+ a fe9t to deceive ! spectator z to ! direction ( ! next turn1 & d\btless su* contribution to int]e/ is ! int5t4 ,x at lea/ adds intricacy1 & directs att5tion to a pretty foot4 ,( ! latt] adornm5t1 :e!r cov]$ ) little ,turki% slipp] ) turn$-up toe1 or b>e1 possessors are imp>tially pr\d4 ,my/]y ( movem5t 9 c]ta9 p>ts is a fur!r *>act]i/ic di/+ui%+ ! ,ori5tal "w f any?+ to be f\nd 9 ! ,occid5t1 ) ! exception ( c]ta9 tricks ( ! ,spani% ,gipsy--tricks :i*1 aft] all1 furni% no exception1 s9ce !y are ,moori% absolutely4 ,! ,ori5tal cov]s little space 9 h] "w4 ,a space l>ge en\gh to kneel on w\ld admit all t h] art requires4 ,%e has no leaps to make1 nor op5 leg-movem5ts4 ,mu* ( ! "t %e has bo? feet on ! floor1 is active *iefly 9 arms & body4 ,mu* m ( ! "t h] feet are engag$ 9 /eps h>dly noticeable4 ,! =ego+ obs]vations on ,ori5tal "w apply m p>ticul>ly to ! l[ latitudes ?an to l&s f>!r remov$ f ! equator4 ,*9a & ,japan h a *oreography l t ( ! ,s\!rn regions 9 "s respects2 b _! cu/om ( bundl+ ! danc] ,illu/ration3 ,,miscellane\s ,,ori5tal ,,notes4 ,danc+ girls ( ,biskra4 ,turki% ,sword ,dance4 ,egyptian bas-relief1 ,metropolitan ,museum1 ,n4 ,y4 ,japanese ,dance ( ,w>4 ,japanese ,fl[] ,dance4 ,! ,hula-,hula ,dance1 ,hawaiian ,isl&s4 up 9 clo!s is ! cause also ( diff]5ces s pron\nc$ t !y _h be/ be consid]$ z ( a diff]5t category4 ,purely z a conv5i5ce1 !re=e1 let x be und]/ood t ,japanese & ,*9ese danc+ %all be ref]r$ to by ^? names2 & t ! ^w ,ori5tal %all be und]/ood to signify ! dances ( ! s9u\s-body type1 to :i* p]ta9 ^? ( ! ,arabs ( ,nor? ,africa & else:]e1 ! ,p]sians1 ,turks & "s o!rs4 ,to ! danc+ ( m51 :]e any is done1 g5]alities z to ! /yle ( ,ori5tal danc+ fail to fit 9 _m cases4 ,exceptions are n num]\s1 h[ev]2 because1 if = no o!r reason1 f> ! great] "p ( ,ori5tal danc+ is done by wom54 ,( ! few exceptions "s are dances ( religion1 o!rs ( w>4 ,an intoxicat+ ,sword ,dance is practic$ 9 ,turkey4 ,l almo/ ev]y?+ else t is danc$ 7or sung or act$7 its m]it ( c\rse dep5ds 9 great degree on ! quality ( its int]pretation4 ,well done1 ?is ,turki% ,sword ,dance %[s itself a composition ( r>e individuality & a f9e1 wild beauty2 = good measure1 x is a sword combat ( a reality t ?reat5s ! spectator ) he>t failure4 ,! two combatants advance & retreat1 acc5t+ ! music ) cla%es ( sword on %ield2 ! int]e/ is t ( a b>b>\sly beautiful dance z long z !y cont9ue to face ea* o!r4 ,not)/&+ rapidity1 ! *ances are aga9/ a mi%ap4 ,b :5 ( a sudd5 bo? laun* !mselves on a s]ies ( lightn+ rond de jambe pir\ettes1 ! scimit>s sweep+ ar\nd fa/ en\gh to cut a man 9 two if he %\ld fail to p>ry1 ! affair becomes a sport+ ev5t1 & t ( a k9d to h>r[ ! n]ves4 ,turkey also is ! place1 or "o ( ! places1 :]e ,illu/ration3 8,,dance ,,( ,,! ,,s\l',s ,,j\rney0 7,cont9u$7 ,rejoices 9 ! p]fect body 7#ab7--;,& 9 all good ?+s 7#ac7--,runs f ! sc5e 7#ad7 ,to face page #baf ,illu/ration3 ,,*>act]i/ic ,,pantomime ,,9 ,,danc+ ,,( ,,mod]n ,,egypt ,by ,z\rna ,express sorr[ 7#a1 #c7--,repres5ts a pray] direct$ d[nw>d & back2 i4 e41 to spirits ( evil 7#b7 ,to face page #bag ,:irl+ ,d]vi%es are educat$ = _! curi\s call+4 ,mr4 ,h4 ,c4 ,o/r&] is au?ority = ! /atem5t t an appr5tice%ip ( a ?\s& days is consid]$ a necess>y prep>ation = prop] p]=mance ( ?is app>5tly simple act ( devotion4 ,s9ce no?+ :atev] is attempt$ 9 /ep beyond t :i* ! ballet-danc]s call 8,italian turns10 x mu/ be suppos$ t ! art ( ! ,:irl+ ,d]vi% has qualities t d n appe> on ! surface4 ,x is taught 9 mona/]ies scatt]$ ?r\gh ! m\nta9\s regions4 ,! ,caucasus1 t l& less kn[n ?an fabl$1 has dances ( a fame z p]si/5t z x is vague4 ,its map is dott$ ) names immortalis$ 9 ! ,arabian ,nights4 ,x is ! sett+ ( ,s*eh]azade & ,sumurun2 a region ^: inhabitants decl>e _! int5tion nev] to become ,occid5talis$1 & :om no p[] is likely to pu% 9 any direction4 ,be+ "u ! ,cz>'s dom9ion1 mo/ ( its few visitors are ,russians2 !y alone among ,occid5tals possess any def9ite k ( its *oreography4 ,pr9cess ,*ir9ski-,*i*mat(f1 at pres5t mak+ x an object ( special /udy1 writes ! foll[+ 9 reply to an inquiry f ! au?ors3 8,lezg9k1 ! ,ori5tal ,dance ( ! ,caucasus1 0 born 9 ! m\nta9s ( a beautiful c\ntry ^: nature is wild & gr&iose2 among a p c\rage\s & en]getic1 :o h pres]v$ mu* ( ! savag]y & temp]am5t ( ! ,ori5tal races4 8,! m5 ( ^! p 444 h ! cu/om ( nev] p>t+ f ! poni>d4 ,!y pass ! great] "p ( _! "t horseback1 always prep>$ to meet an enemy & to def5d ! happ9ess & hon\r ( ! family4 ,to ?is day !y reta9 ! cu/om ( answ]+ = e spill+ ( blood ) a rev5ge2 ea* victim has 8 victim4 ,!re /ill exi/s ! cu/om ( abduct+ ! fiance f ! pat]nal h\se & c>ry+ h] away to "o's own4 ,! wom5 h all ! timidity ( be+s :o live "u ! /ronge/ ( despotism4 ,!y h pres]v$ all ! s(tness & grace ( daught]s ( ! ,ori5t1 ) body accu/om$ to c>eful att5tion & n to any physical "w2 :o seek only to re/1 to look at !mselves1 & to enjoy ! gifts by :i* !y are fav\r$ by nature & usage4 ,"u ?is ext]ior ! woman keeps cov]$ _m passions :i* sleep until ! fir/ mom5t ( provocation1 :5 !y break =? l ! eruption ( a volcano--surr\nd+ h] ) fire t sweeps ) x any imprud5t "o t happ5s to be ne>4 ,passion is ! pr9cipal !me 9 ! life ( an ,ori5tal woman1 & t s5tim5t %e c v>y l a virtuoso4444 8,y see h] quiet1 beautiful1 relax$1 9 ! calm ( a great fatigue1 ) s(tness envelop+ face & movem5ts4 ,sudd5ly "o detects an unusual s\nd1 a look ca/1 a movem5t--%e is fir$1 %e becomes fi]ce & wild l all ! ,nature ar\nd h]4 ,y see be=e y a tigress1 beautiful1 live & /rong1 ready to spr+ on ! prey1 play+ & attract+1 mak+ mis*ief & exhau/+ h]self at ! same "t4 ,aft] :i* h] movem5ts become few1 sl[1 tir$ & melan*oly40 8,?us is ,ori5tal danc+ built on contra/s2 s5tim5ts & moods *ange unexpect$ly4 ,g5tle1 relax$ & melan*oly1 ( a sudd5 x is brusque1 animat$1 fi]y4 ,x has mu* coquetry1 passion1 & (t5 trag$y40 ,9 ,india danc+ is %>ply divid$ into ! classes ( sacr$ & pr(ane4 ,9 ! latt] division are to be ,illu/ration3 ,,f ,,! ,,dances ,,( ,,! ,,falcon ,by ,z\rna ,%ock z ! bird /rikes 8 qu>ry 7#a7--,rejoic+ z he ov]comes x 7#b7 ,illu/ration3 ,,danc+ ,,girls ,,( ,,algi]s ,to face page #bai ,illu/ration3 ,,reliefs ,,on ,,t[] ,,( ,,! ,,temple ,,( ,,madura 7,,india74 f\nd dances ( c]emony1 pantomimic repres5tations ( wide v>iety1 & ecc5tricities t almo/ trespass on ! doma9 ( sleight-(-h&4 ,! be/ kn[n is a ,dance ( ,eggs4 ,! p]=m]1 z %e />ts :irl+1 takes eggs "o by "o f a basket t %e c>ries1 & sets !m into slip-nooses at ! sev]al ends ( cords t hang f h] belt4 ,c5trifugal motion pulls ea* cord taut z soon z x receives ! weight ( an egg4 ,f9ally all ! cords1 numb]+ f a doz5 to tw5ty1 are ext5d$1 ea* be>+ its insecurely fa/5$ egg4 ,! dance is complet$ by collect+ ! eggs & return+ !m unbrok5 to ! basket4 ,ano!r div]sion is ! ,cobra ,dance popul>is$ 9 ,am]ica by ,miss ,ru? ,/4 ,d5is--assi/$ by num]\s imitators4 ,"o h& is held 9 a %ape to sugge/ ! =m ( a cobra's head1 & huge jewels add a /rik+ resemblance to ! creature's eyes4 ,! p]=m] ( ! cobra repres5tation sits cross-legg$4 ,! h& sugge/+ ! snake's head glides ov] ! body1 ) frequ5t sudd5 pauses to reconnoitre2 ! arm foll[+ x--9 ! case ( ,miss ,/4 ,d5is s amaz+ly supple & s skilfully made to seem jo9tless t x sugge/s ! snake's body almo/ to reality--takes ! appropriate s9u\s movem5ts ar\nd %\ld]s & neck4 ,! free h& completes t :i* at times is almo/ an illusion by /rok+ & semi-guid+ ! head4 ,miss ,/4 ,d5is h]self wat*es ! h& ) j ! al]tness & caution to convey an impression ( lat5t dang] ( :i* %e1 ! snake *>m]1 is n afraid1 b :i* %e mu/ anticipate ) ke5 att5tion4 ,)al %e nev] = an in/ant slips f h] high key ( grace1 rhy?m & /yle4 ,x is to ,miss ,/4 ,d5is t ,am]ica & we/]n ,illu/ration3 ,,p]sian ,,dance1 ,,pr9cess ,,*ir9ski-,,*i*mat(f ,to face page #bbj ,illu/ration3 ,,repres5tative ,,ori5tal ,,poses ,miss ,ru? ,/4 ,d5is ,votive (f]+ 7#c poses7--,decorative motives 7#c poses7--,disclosure ( p]son 7#a pose7 ,to face page #bba ,europe owe ! great] "p ( _! impressions ( ! danc+ ( ! ,f> ,ea/4 ,%e has giv5 ! subject ye>s ( /udy2 ) ! object1 f> m compreh5sive ?an an imitation or reproduction ( specific dances1 ( int]pret+ ! ,ori5tal _s4 ,to ?is end ,miss ,/4 ,d5is uses ! /ructural facts ( ! v>i\s dances z a basis = an embodim5t ( _! "* 9 su* =m t x %all be compreh5sible to ,we/]n eyes & among ,we/]n surr\nd+s4 ,! loss insep>able f ! adaptation ( su* a creation to ! conv5tions ( ! /age1 %e comp5sates--p]haps m ?an comp5sates--by a conc]t$ use ( lights1 col\r & music1 co-op]at+ to produce a s5se ( dreamy wond]1 & to unite 9 ! expression ( a c]ta9 significance4 ,h] ,naut* ,dance1 ) its :irl+ f\nta9 ( gold5 tissue1 %e sets 9 ! palace ( a rajah1 :]e x s]ves a social purpose simil> to t ( ! ,dance ( ,greet+ already describ$4 ,! ,_s ( ,inc5se is an int]pretation ( ! contemplative _s t accompanies ,buddhi/ic ?\ght & wor%ip4 ,! ,temple--) :i* ,miss ,/4 ,d5is rema9s an insep>able "p1 9 ! m9d ( e "o :o has se5 x--?r[s ! spectator into an attitude ( some?+ l awe at ! rise ( ! curta91 s p]fectly consid]$ is an indef9able relation%ip ( magnific5ce & semi-gloom 9 ! sett+4 ,an idol occupies a %r9e 9 ! c5tre ( ! /age4 ,aft] a /ately ritual execut$ by prie/s1 ! idol 7,radha7 desc5ds & p]=ms a ,dance ( ! ,five ,s5ses1 glorify+ physical enjoym5t4 ,int]wov5 ) increas+ manife/ations ( pleasure 9 ! s5ses is a c\nt]-expression ( increas+ despair4 ,! oppos$ s5tim5ts rea* _! climaxes simultane\sly4 ,radha resumes h] %r9e1 & ! attitude ( endless contemplation1 9 tok5 t peace ( _s lies only 9 d5ial ( s5sual claims4 ,! te*nical "* ) :i* ,miss ,/4 ,d5is inve/s ! ,indian repres5tations is1 fir/1 ! elim9ation ( any movem5t t might detract f a feel+ ( cont9uity4 ,e action proce$s 9 waves2 a ripple sl[ly undulates d[n ! body1 & ev5 seems to cont9ue on its way into ! e>?2 l a wave runn+ ! l5g? ( a cord1 a ripple glides f body ?r\gh ! ext5d$ arms & f+]s1 to g on indef9itely ?r\gh ! air4 ,rapid movem5ts are employ$ only en\gh to meet ! dem&s ( v>iety4 ,long ge/ure1 long l9e1 delib]ate action & ev5 col\r quality are held 9 an indescribable rapport ) ! insi/5t tempo ) :i* ! :ole is b\nd toge!r2 !re is no escape f acceptance ( ! resultant multiple rhy?m2 x is inevitable4 ,a simple1 rapid movem5t1 !re=e1 introduc$ ) due consid]ation ( all ! p>ts ( ! complex1 magic me*anism1 has ! dramatic p[] lit]ally to />tle4 ,! success ( ! composition z a :ole1 9 its purpose ( convey+ an impression ( ! v ess5ce ( an aspect ( ,india1 is ass]t$ mo/ emphatically by ^? to :om t my/]i\s l& is be/ kn[n4 ,to reg>d ! production z an exposition ( ,indian danc+ w\ld be q beside ! po9t4 ,! dances1 ?\gh :olly consi/5t ) _! orig9als 9 po9t ( "*1 are only a "p ( a :ole4 ,nor d !y pret5d to exploit ! complete range ( ,indian *oreography2 ,miss ,/4 ,d5is h]self w\ld be ! fir/ to disclaim any su* int5tion4 ,z %e expla9s h] "w1 %e uses ! danc+ ( a p z a basis on :i* to ,illu/ration3 ,,javanese ,,danc]1 ,,mod]n ,to face page #bbb ,illu/ration3 ,,relief ,,c>v+s1 ,,temple ,,( ,,borobodul1 ,,java ,dance ( ,greet+ 8 7#a7--;,dance ( ,wor%ip 7#b7--;,an ,arr[ ,dance 7#c7 ,to face page #bbc compose a translation ( t p's po9t ( view & habit ( ?\ght4 ,to exactly ! same process ,bizet subject$ ! music ( ,spa9 to produce ! score ( ,c>m52 ,le ,sage to con/ruct ,gil ,blas4 ,?an ! latt] !re is no?+ 9 ,spa9 t c\ld m quickly acqua9t a =eign] ) c]ta9 aspects ( 8,espaolism40 ,a l9k ) antiquity is furni%$ by multitud9\s c>v+s ( danc]s on ,h9du & ,buddhi/ic temples 9 ,india & ,java4 ,! temple 9 ,java1 "s ( ^: sculpture is "h reproduc$1 0 rec5tly r$iscov]$ aft] sev]al c5turies ( burial 9 a jungle4 ,x is kn[n to be at lea/ eight hundr$ ye>s old4 ,a comp>ison betwe5 ! /yle ( ! danc]s !re repres5t$1 t ( ! little ,javanese pres5t-day danc] %[n 9 a photograph1 & t :i* is indicat$ 9 l9e draw+s 7f photographs ( temples 9 ,india7 h9ts at indef9ite age back ( ,ori5tal danc+ z we "k x1 z to /yle1 te*nique & _s4 ,! photographs1 includ+ ^? f :i* ! l9e draw+s 7 made1 are f ! collection ( ,mr4 ,h4 ,c4 ,o/r&]4 ,) v>iations1 ! ,india type ( movem5t & pantomime1 ) ! practice ( /rik+ a significant pose at regul> int]vals1 cont9ues ea/w>d z f> z ! ,hawaiian ,isl&s4 ,! ,hula-,hula ( ! graceful ,hawaiians has be5 well exemplifi$ rec5tly 9 an int]polation 9 ,! ,bird ( ,p>adise4 ,ess5tially1 ! ,hula-,hula is a dance ( coquetry2 its !matic position1 :i* recurs l a refra91 is t %[n 9 "o ( ! accompany+ draw+s4 ,any ef=t to trace ! pa? ( ,ori5tal danc+ f>!r ea/ ?an ! ,hawaiian ,isl&s leads to ! %oals ( unsub/antial speculation4 ,aztec ru9s are said 7on au?ority n v\*$ =7 to be> c>v+s t %[ ! e>ly exi/5ce ( ! ,india type ( danc+ 9 ,mexico4 ,!re are said to be traces ( ,india influ5ces 9 ! danc+ ( ,mexican ,indians ( to-day4 ,b ! int]e/ ( su* fact--ev5 if x is a fact--is m closely relat$ to e?nology ?an *oreography2 because x is pretty c]ta9 t any trace ( ,india danc+ t may exi/ w be an almo/ unrecognisable corruption4 ,! /udy ( dances on gr\nds ( oddity1 e?nological curiosity or leg5d>y association leads away f ! /udy ( danc+ = its own sake1 & t ( its inh]5t beauty4 ,x is 9 ! endeav\r to keep )9 ! l9es ( reasonably pure *oreography t ?is book has be5 re/ra9$ f digressions into ! quasi-danc+ ( ,am]ican ,indians1 ,african negroes1 v>i\s ,s\? ,sea ,isl&]s & _m o!r int]e/+ folk4 ,danc+ has an imm5se importance 9 religi\s wor%ip ( mo/ ( ! _m d5om9ations ( ,india4 ,prie/esses are tra9$ to x2 corps de ballet into :i* !y are organis$ are ma9ta9$ 9 ! temples "u a sy/em l t ( anci5t ,egypt4 ,_! rites are unkn[n--or practically s--to ^? outside ( _! own fai?4 ,9 o!r cults ! rites are p]=m$1 9 "p1 by laym54 ,! latt] c]emonies include a n-to-be-describ$ orgy p]iodically celebrat$ 9 c]ta9 ,h9du temples1 by wom51 ) ! motives ( propitiat+ ,vi%nu4 ,*9a has a s*ool ( rhy?mic pantomime1 ! movem5t ( :i* h>dly ju/ifies its consid]ation z a bran* ( real danc+--s f> z kn[n to ! au?ors4 ,an annual religi\s spectacle is to be not$3 9 x are employ$ animals' heads1 recall+ ! ,snake ,dance ( ! ,hopi ,indians4 ,japan1 by means ( sundry additions to ! old] ,*9ese s*ool ( mimetic po/ur+1 has conv]t$ x into an organism to :i* ! "n ( danc+ is q appropriate1 & :i* con/itutes by f> ! great] portion ( h] national *oreography4 ,x appe>s t ! dances ( occasional m]ry-mak]s1 prie/esses1 & ! mu*-misund]/ood ,gei%as h a common *>act]i/ic ( sl[1 ev5 movem5t1 small /eps1 & a highly ab/ract pantomime4 ,( a /yle di/9ct f ^! are c]ta9 dances ( m51 includ+ a /irr+ dance ( w>riors2 9 :i* gr\p is se5 vig\r\s action1 a good proportion ( op5 movem5t1 & g5u9e /eps4 ,! accept$ classification ( ! ,japanese1 z ,n1 or sacr$ danc+1 & pr(ane1 d\btless has its m]its2 b ! division previ\sly indicat$1 di/+ui%+ betwe5 dances ( po/ure & ^? ( movem5t1 :i* is ! "o e/abli%$ by ! eye1 is at lea/ conv5i5t4 ,) *oral po/ure & ge/ure ! ,japanese celebrate auspici\s conditions ( nature or happy ev5ts 9 ! family4 ,! com+ ( spr+2 ! *]ry blossoms2 ! season ( fi%+ ) cormorants2 fl[]s 9 g5]al2 rice-h>ve/--9 hon\r ( a ?\s& occurr5ces may be imag9$ gr\ps ( gaily col\r$ kimonos envelop+ little figures1 s(tly & rhy?mically sway+ ov] ! gre51 f ea* kimono protrud+ a fan or a b\quet held 9 a clo?-en%r\d$ h&4 ,9 ! tea-h\se ! ,gei%a 7:o is a skill$ pr(essional ent]ta9]1 no m & no less7 pantomimes1 9 delicate symbol1 ! fall+ ( ! petals ( fl[]s1 ! he>+ ( di/ant music--any motive is suitable1 app>5tly1 s long z x is pretty1 da9ty1 fanciful4 ,movem5t con=ms to ! same mann] ( ?9k+2 mu* ( x b>ely di/urbs ! silk5 folds ( ! kimono4 ,a ?\s& mean+s are hidd5 9 little turns & twi/s ( ! fan2 b1 :5 expla9$1 ! connection ( act & mean+ is (t5 s t5u\s t x seems less my/]i\s1 or sugge/ive1 ?an m]ely vague4 ,nev]!less1 tak+ x on its own premise z a demon/ration ( ,japanese-doll prett9ess1 :i* is n conc]n$ ) any b ! lighte/ emotions1 ?is type ( danc+ is pleas+4 ,its virtue is its gossam] frailty4 ,! dances ( w> fall into a di/9ct class4 ,"s ( ! draw+s ( ,hokkai repres5t !m3 combats betwe5 swordsm51 or betwe5 a swordsman & a spe>man4 ,! dances !mselves are *>g$ ) a vig\r\s _s & execut$ ) big1 noble movem5t ( fl\ri%$ weapons4 ,! poses foll[ ! indef9able angul>ity :i*1 ?r\gh ! v consi/5cy ( its use1 is an agreeable elem5t 9 ! m virile s*ool ( ,japanese draw+2 & ! spicy effect ( %>pness s produc$ comb9es to admiration ) ! crab-l design ( old ,japanese arm\r4 ,o!r m5's dances1 equally vig\r\s1 are record$ 9 draw+s4 ,b any exact /udy ( ^! or any o!r dances ( ,japan is almo/ hopelessly h&icapp$ by a sc>city ( individuals :o possess ! desirable comb9ation ( def9ite k & p]sonal reliability4 ,! ,japanese !atrical danc+1 s call$1 leads into a labyr9? ( pantomime bo? subtle & involv$1 & movem5t s slight t a troop ( danc]s c cont9ue 9 action f\r consecutive h\rs1 )\t relays4 ,t is almo/ too mu* = real danc+1 "u exi/+ ,illu/ration3 8,,naut* ,,dance0 ,miss ,ru? ,/4 ,d5is ,to face page #bbf ,illu/ration3 ,,japanese ,,dance ,miss ,ru? ,/4 ,d5is ,to face page #bbg human limitations ( he>t & muscle4 ,! ballet danc] is entitl$ to a re/ aft] a solo ( f\r m9utes2 to ! ballet1 !re=e1 x w\ld be well to return1 = ! c]ta9ty t ! discussion is safe aga9 on ! solid gr\nd ( reality4 ,,*apt] ,x ,,! ,,ballet ,,9 ,,its ,,d>k ,,age ,:5 a plant has pass$ a climax ( luxuriant blossom+1 a he$less own] is likely to leave x to ! m]cies ( wea!r & worms1 :ile he turns 8 int]e/ to o!r plants ^: season ( bloom is j beg9n+4 ,taglioni & ,ellsl] fad$ ab\t ! middle ( ! n9ete5? c5tury4 ,c]ito1 ,grahn & ,grisi 71 at be/1 unable to surpass !m4 ,j5ny ,l9d set p talk+ ab\t s+]s1 & sp5d+ _! "t li/5+ to songs4 ,danc]s1 desp]ately /ra9+ to recat* ! lo/ int]e/1 multipli$ entre*ats & pir\ettes1 jump$ high] & m bravely ?an ev]4 ,/ra9+ = te*nical feats1 !y =got motive2 ! public call$ ! ballet mean+less1 its "w a /upid =m ( acrobatics1 its smile a grimace4 ,a g5ius c\ld h made su* words seem ! words ( fools2 9 ! default ( a g5ius1 ! words 7 accept$ z ( m or less true judgm5t4 ,! ye>s t foll[$ produc$ a c]ta9 am\nt ( danc+ t 0 good1 notably "s ( ! op]atic ballets ( ,europe1 & a few ballet spectacles ( ! sev5ties & eighties2 m t c\ld n exactly be call$ bad2 &1 la/ly & pr9cipally1 a s]ies ( mon/rosities t 7 ne>ly inf9ite 9 bo? numb] & ugl9ess4 ,9 try+ to f9d some?+ t w\ld suit ! new & unsettl$ /ate ( ! public ta/e1 manag]s app>5tly tri$ any concoction t c\ld be devis$ by /age1 pa9t-bridge1 prop]ty room or box-(fice4 ,montm>tre dance-halls evolv$ ! ,c-c2 half ( ,p>is caught its fev]2 ,engl&1 & !nce ,am]ica1 7 engulf$ 9 ! l+]ie ( high kick]s4 ,n danc]s1 j high kick]s4 8,"o1 two1 ?ree1 ,,kick60 0 _! vocabul>y--or is1 = !y are n all dead yet4 ,9 ,engl& sev]al manag]s at v>i\s times (f]$ good productions1 ) ca/s ( capable arti/s4 ,( su* productions ! mo/ =tunate made small pr(its2 ! majority lo/ :atev] money 0 put into !m4 ,manag]s said ! public did n want good "w--a d$uction app>5tly ju/ifiable4 ,!y devis$ ! elaborate sc5ic production--,aladd9's-cave sort ( ?+1 ) millions ( jewels ! size ( roc's eggs1 deliri\s ) y>ds & furlongs ( r$1 yell[ & gre5 foil-pap]1 acres ( *rome-yell[1 & 8magic trans=mation sc5es02 ) "o hundr$ p on ! /age1 "o hundr$1 obvi\sly mak+ two hundr$ legs1 e "o ( :i* 0 consid]$ ?rill+ & dang]\s 9 ^? days4 ,( all ^? legs display$ 9 all _! amplitude1 usually n "o pair c\ld dance a /ep2 b !y did n ne$ to dance4 ,t 0 ! =m ( art call$ ! extravaganza4 ,x 0 a naughty ?+ to patronise4 ,its inanities1 )\t its 8/up5d\s0 co/ ( production1 survive 9 ! pres5t-day burlesque4 ,9 ! morbid conditions ( ,montm>tre !re came into fav\r a species ( acrobats ^: aim 0 to produce ! illusion t _! legs & sp9es 7 out ( jo9t1 if n brok54 ,al?\gh ( an ugl9ess demoniac1 _! "w 0 call$ danc+4 8,wiry ,sal0 9 ,engl& & 8,ru? ! ,twi/]0 9 ,am]ica 7 ! illum9at+ pseudonyms associat$ ) ! specialty4 ,p]haps a specim5 ( ! k9d might /ill be une>!d 9 a dime museum4 ,ent] ,lottie ,coll9s1 %e ( 8ta-ra-ra-boom-de-ay40 ,to high kick+ & contortion1 & ! ,skirt ,dance vogue ( ! mom5t1 %e add$ action s viol5t t x seem$ a m5ace to life itself4 ,! comb9ation ( attractions 0 irresi/ible2 ,europe & ,am]ica made h] ri*4 ,h] ma/]-/roke 0 b5d+ back until h] body 0 horizontal1 & viol5tly /raight5+ up to emphasise ! 8boom0 ( h] song4 ,= no less ?an a danc] %e 0 a s+]6 ,! two tal5ts 7 employ$ toge!r4 ,& hordes ( little plagi>i/s ( h] act1 z ( e o!r 8hit10 br\ght delight to ! _m & despair to ! few4 ,lottie ,coll9sism left no t]ritory to be explor$ 9 its direction4 ,s an eag] _w turn$ to ! inanity ( sweetness4 ,! de> little girl _h be5 discov]$4 ,evil among days6 ,pref]ably %e 0 dimpl$4 ,%e wore a blond wig ) curls fall+ artlessly ov] h] %\ld]s4 ,h] eyebr[s 7 pa9t$ 9 a smoo?ly curv$ ar* ext5d+ ar\nd on to ! sides ( h] face1 & h] eyes 7 %ad$ ) ! luxuriant la%es begot ( heavy 8bead+02 !y1 too1 7 c>ri$ out an indef9ite di/ance to ! sides4 ,%e dress$ z a *ild ( twelve1 ) a sa% t convey$ ! idea ( be+ dress$ = ,sunday-s*ool2 imag9ation always suppli$ a c5t gripp$ 9 h] fi/4 ,%e wore 8cunn+0 little l[-heel$ %oes1 ) /raps4 ,x 0 n amiss t %e h "s sort ( sunbonnet1 ( lace1 slipp$ c>elessly (f h] flax5 head & hang+ d[n h] back4 ,r\ge1 ) a bloom ( rice p[d]1 gave h] a p]fect pea*es-&-cream complexion4 ,grease pa9t wid5$ & %ort5$ h] lips1 curv$ !m into an infantile cupid's b[4 ,& f t cupid's b[ em]g$1 9 pi]c+ calliope tones1 inflectionless recitals ( h] devotion to h] de> old "m4 ,at ! end ( ea* /anza %e _h a little dance--usually a sl[ polka-/ep1 "o1 two1 ?ree & kick6 7,an irreproa*ably discreet little kick1 to ! side47 ,repeat f\r times ea* side1 & on to ! next /anza--:i* in/ead ( 8"m0 & 8o!r10 w avail itself ( ! felicit\s rhyme ( 8roam0 & 8home10 or 8he>t0 & 8"p40 ,le/ ! enum]ation ( ! =ego+ horrors %\ld be criticis$ z out ( place 9 a discussion ( danc+1 be x record$ at ?is po9t t ! said horrors w5t "u ! "n ( danc+ )9 easy remembrance ( p n[ liv+1 t !re are /ill p liv+ :o call !m danc+1 &--= arti/ic s9s ( ! _w z yet unexpiat$--!y /ill influ5ce ! danc+ situation 9 ^! ,unit$ ,/ates4 ,! ,black ,crook is a "n t /&s = sup]latives4 ,x 0 ! mo/ lavi% spectacle ,am]ica ev] _h se54 ,x made su* a 8hit0 z r>ely has be5 duplicat$ s9ce4 ,its danc+ features1 :i* 7 ( ! fir/ ord]1 made m ( an impression ?an _h any danc+ 9 ?is c\ntry s9ce ,ellsl]'s t\r1 9 #ahdj1 '#da & '#db4 ,its orig9 0 9 "p due to ! sometimes fav\rable factor ( accid5t4 8,9 consequ5ce ( ! de/ruction by fire ( ! ,academy ( ,music1 ?is city10 writes ,j4 ,all/on ,br[n 9 8 ,hi/ory ( ! ,new ,york ,/age1 8,j>rett & ,palm]1 :o 7 to h produc$ ,la ,bi*e au ,bois !re1 _h on _! h&s a numb] ( arti/s br\ght f ,europe4 ,!y made an arrangem5t ) ,william ,:eatley to utilise ! ballet tr\pe1 ! *ief sc5ic effects1 ( :i* !y _h models1 & ! trans=mation sc5e40 ,f ^? beg9n+s grew ,! ,black ,crook4 ,) ,m>ie ,bonfanti1 ,rita ,sangalli1 ,betty ,rigl & ,rose ,delval z pr9cipal danc]s1 x op5$ at ,niblo's ,g>d5 9 ,septemb]1 #ahff4 ,! run clos$ 9 ,janu>y1 #ahfh1 aft] #dge p]=mances4 ,a return to ,niblo's 9 ,decemb]1 #ahgj1 yield$ #abb p]=mances4 ,decemb] ( ! foll[+ ye> add$ #eg to ! score4 ,a revival 9 ,augu/1 #ahgb1 br\ght into ! company ! ,kiralfy family1 danc]s1 among :om 7 ! bro!rs de/9$ to fame z manag]s & produc]s4 ,?is #ahgb revival ran twelve weeks4 ,9 #ahgd1 ,kiralfy ,bro!rs appe> z lessees ( ! ,gr& ,op]a ,h\se4 ,!y initiat$ _! t]m ) ,! ,black ,crook1 ) ,bonfanti z premire4 ,( ,am]ican appreciation ( good danc+ pantomime1 dur+ t p]iod1 at lea/1 !re is no "q4 ,x mu/ be borne 9 m9d t ! ,new ,york p]=mances above m5tion$ repres5t only a fraction ( ! production's total bus9ess4 ,! t\rs t l>gely occupi$ ! int]vals met ! same success4 ,! box-(fice measure ( public en?usiasm is incomplete1 moreov]1 )\t m5tion ( ,humpty ,dumpty1 also a spectacul> pantomime ) good danc+4 ,( its fir/ run 79 ,new ,york1 & l>gely co9cid+ ) ! fir/ run ( ,! ,black ,crook 9 po9t ( "t7 ! gross receipts 7 #a1djf1jjj4 ,x 0 comm5surately pr(itable z a 8road0 attraction4 ,p]t95t to ! quality ( its danc+1 we h a few words ( its manag]1 ,clifton ,w4 ,tayleure1 z quot$ by ,br[n3 8 444 pr9cipal danc]s 7 n easily to be f\nd4 ,a qu>rel betwe5 ,ve/valli & ,sangalli enabl$ me to secure ! latt]4 ,betty & ,emily ,rigl1 :o _h previ\sly sec$$ f ,niblo's1 7 also secur$40 ,not)/&+ des]tions1 ,! ,black ,crook ma9ta9$ its high /&>ds4 ,its ballet has nev] s9ce be5 equall$ 9 ,am]ica1 accord+ to ,mme4 ,bonfanti1 9 ! classic /yle ( "w4 ,= its manag]s1 at lea/1 danc+ _h e>n$ =tunes4 ,to ! ,kiralfys x 0 evid5t1 too1 t ! k9d ( danc+ ,am]ica want$ 0 good danc+4 ,to produce _! ,excelsior 9 #ahhb !y br\ght f ,p>is ,sr4 ,ettore ,copp9i1 n[ ballet-ma/] ( ! ,metropolitan ,op]a2 & ,george ,s>acco1 n[ ballet-ma/] ( ! ,brussels ,op]a1 z a lead+ danc]4 ,nor did ,j>rett & ,palm] modify _! fai? 9 quality4 ,_! ,:ite ,fawn1 ) an excell5t ballet1 0 little less successful ?an ,! ,black ,crook4 ,! fame ( su* works is food = p>asites2 creatures incapable ( disc]n+ ! quality ( successful works1 & ^u :om ! goodness ( ! successful danc+ _h made no impression4 ,black ,crook & ,:ite ,fawn companies ov]ran ! c\ntry l a flood ( c\nt]feit money--"o "p f9e1 n9ety-n9e p>ts base4 ,plausible adv]tis+ protect$ ! deception1 b only = a "t4 ,x 0 n long be=e lov]s ( good danc+ began to realise t !y 7 be+ defraud$4 ,9 a simil> cont+5cy1 ! support+ public ( a baseball club loses no "t 9 apply+ to t club's manag] :atev] pressure may be necess>y z a means to correct+ %ortcom+s1 z f> z )9 him lies4 ,! s\rce ( _! ability to d ?is is tw(old3 !y c analyse ! game1 & !y h a vocabul>y 9 :i* to express !mselves4 ,baseball _h n s _m en?usia/s 9 ^? days z danc+ _h4 ,b ! appreciators ( danc+ lack$ analytical k ( ! art1 & ! language 9 :i* to discuss x4 ,promot]s ( c\nt]feits 7 n tak5 to task1 !re=e1 z w\ld h be5 to _! own good4 ,in/ead1 ! names ( ,black ,crook1 ,:ite ,fawn1 danc+ & pantomime became synonyms = !atrical imposition1 & ,am]ica laid aside int]e/ 9 !m & all _! appurt5ances4 ,( all ! consequ5ces ( ! above incid5ts1 p]haps ! mo/ un=tunate 0 a g5]ally accept$ manag]ial d$uction t ,am]ica does n l danc+ aft] all4 ,?\gh ! ,russian ballet has %ak5 t belief1 ! belief is n dead yet4 ,!re is a say+ t no man is indisp5sable2 t1 aft] 8 removal1 !re is always ano!r to take 8 place4 ,! say+ is n true4 ,pantomime--n danc+ to be sure1 b s closely relat$ to x t ! prosp]ity ( ei!r usually means t ( bo?--at "o "t _h ! alliance ( ,augu/9 ,daly4 ,he believ$ 9 x z a great art1 & contemplat$ increas+ly ambiti\s productions4 ,to ^? closely associat$ ) him he decl>$ himself will+ to lose money on x = ?ree ye>s1 & m if necess>y2 he 0 confid5t t ev5tually x w\ld atta9 to great popul>ity 9 ?is c\ntry4 ,b aft] produc+ ,l',enfant ,prodigue & ,pygmalion & ,galatea1 dea? /epp$ 9 & took away f ! /age "o ( ! be/ influ5ces x ev] _h1 & f danc+ a possible fri5d%ip ( ! k9d x sorely ne$$4 ,9 ! eighties !re 0 9 ,*icago a *ild :o _h consid]able fame z a temp]ance lectur]4 ,h] "n 0 ,loie ,full]4 ,%e 0 mov$ to take danc+ lessons2 b 7accord+ to biograph]s7 gave !m up aft] a few lessons1 on acc\nt ( difficulty4 ,aft] a c]ta9 am\nt ( voice culture1 %e qualifi$ z an actress ) a s++ "p4 ,dur+ an engagem5t 9 ?is capacity %e receiv$1 f a fri5d 9 ,india1 a pres5t ( a long sc>f ( extremely ?9 silk4 ,:ile play+ ) x1 delight+ 9 its p[] to float 9 ! air almo/ l a vap\r1 ,miss ,full] receiv$ ! idea t 0 to br+ h] be=e ! _w1 ! ,s]p5t9e ,dance4 ,! dance 0 !re 9 its ess5ce1 ne$+ only arrangem5t & poli%1 & surety ( keep+ a great volume ( clo? afloat )\t entanglem5t4 ,/eps 7 ( no consequ5ce1 nor quality ( movem5t 9 arms or body4 ,! clo? 0 ! ?+1 & ,miss ,full] lo/ no "t on non-ess5tials4 ,! success ( ! ,s]p5t9e 0 n "o ( ^? victories ga9$ aft] long exp]im5t+ = a p]fect expression1 pati5tly educat+ ! public1 & ye>s ( disappo9tm5ts4 ,x 0 in/antane\s & complete2 a few weeks suffic$ to make ,loie ,full] a national figure4 ,a p]iod ( trem5d\s popul>ity foll[$1 popul>ity am\nt+ to a fa%ion4 ,& /ill ano!r impulse 0 to come1 second only 9 importance to ! use ( ! gauze itself4 ,9 ,p>is ,miss ,full] _h a sket* 9 :i* %e1 a solit>y figure1 /ood on a height at dawn1 silh\ett$ aga9/ ! sky4 ,! ris+ sun 0 arrang$ to illum9ate1 "o aft] ano!r1 ! prom95ces 9 ! l&scape fall+ away into ! di/ance4 ,! figure1 on be+ t\*$ by ! rays1 repres5t$ its awak5+ by ! flutt]+1 rais+ & full play ( its hundr$ y>ds or s ( drap]y4 ,x happ5$ t an audi5ce mi/ook ! int5t ( ! effect1 & greet$ x z a dance ( fire4 ,! upw>d ru% ( ! clo?1 obvi\sly1 _h sugge/$ flame4 8,la ,loe0 lo/ n a mom5t 9 see+ ! possibilities1 nor an h\r 9 sett+ to "w on _! developm5t4 ,/age electric light+ 0 new2 s new t x ackn[l$g$ no limitations4 ,electricians 7 en?usia/ic ov] new problems1 because new problems 7 be+ solv$ by new & sometimes s5sational inv5tions4 ,to light+ ,miss ,full] turn$ to make ! effect ( ! fire dance unmi/akable & />tl+4 ,) ! result t ! col\rs & movem5t ( flame 7 almo/ c\nt]feit$4 ,v>i\sly col\r$ glasses l5t _! t9ts to ! rays ( spot lights2 set into discs made to revolve 9 front ( ! lamp1 !y simulat$ ! upw>d ru% t helps make flame excit+4 ,z a precaution aga9/ !ft ( ideas1 ! ess5tial p>ts ( ! electric arrangem5ts are said to h be5 tru/$ exclusively to ,miss ,full]'s bro!rs4 ,la ,danse de ,feu1 consi/5tly prep>$ z su*1 creat$ an en?usiasm 9 ,p>is probably equal to ! 8hit0 ( ! ,s]p5t9e 9 ,am]ica4 ,inde$ ,miss ,full] 0 practically adopt$ into ! ,fr5* nation1 :]e %e 0 affectionately & widely kn[n z 8,la ,loe40 ,fr5* is ! language 9 :i* %e wrote h] memoirs4 7,mes ,mmoires1 ,loie ,full]47 ,h] "w1 always />tl+1 nev] fail$ ( be+ agreeable also4 ,by a loose application ( ! ^w x 0 ju/ifi$ 9 be+ call$ danc+4 ,/rictly speak+ x 0 n1 f ! po9t ( view ( /ep1 movem5t or po/ure4 ,int]e/ 9 /eps ! "w frankly disclaim$ by its own t]ms2 an easy movem5t f place to place1 ) ref]5ce always to ! drap]y1 0 all t 0 und]tak5 9 ! dep>tm5t ( foot-"w4 ,! arms 7 equally subord9at$ to ! drap]y2 _! movem5ts1 z int]pretation or decoration1 meant no?+4 ,! p]=m] held 9 ea* h& a %ort pole z aid to manipulation ( ! clo?1 9 :i* h] arms 7 buri$ mo/ ( ! "t4 ,!y committ$ no awkw>dness1 nor did !y contribute to ! effect except z !y furni%$ motive p[]4 ,z to ! drap]y1 any idea ( mak+ x a vehicle ( controll$ l9es w\ld obvi\sly h be5 out ( ! "q4 ,col\r )\t =m 0 ! result2 & =m1 :5 all is said & done1 is ! ess5ce n only ( danc+1 b ( any art t w\ld attempt to convey a message to ! s5ses z well z pleasure to ! eye4 ,imitators affect$ ,miss ,full] v little4 ,s closely 7 h] means gu>d$--x is said t no "o ( h] design]s & sew+-wom5 knew m ?an a "p ( ! con/ruction ( h] drap]ies--t attempts to reproduce h] "w 7 g5]ally labori\s compromises ) failure4 ,b ! musical com$y /age und]w5t an inundation ( illum9at$ dry-goods4 ,) ! me*anical problem simplifi$ by ! di/ribution ( ! hundr$ y>ds ( drap]y among =ty p1 !re foll[$ a sea ( cavort+ ra9b[s & prisms t lack$ ev5 a semi-c>eful selection ( col\rs4 ,! ,_w's ,fair 9 ,*icago br\ght to ,am]ica a v>iety ( danc]s1 mo/ ( !m good4 ,! novelty elem5t 0 ! "w ( ! ,ori5t4 ,! ,ori5tal po9t ( view diff]s f t ( ,engl& & ,am]ica2 x accepts z natural ! exi/5ce ( sex4 ,9 all its expressions1 :e!r lit]>y1 sculptural1 pictorial1 or *oreographic1 ! subject ( sex is nei!r avoid$ nor emphasis$4 ,x takes its place among ! actuat+ dramatic motives exactly z x has done 9 ! expressions ( all civilisations ( all times1 except ^? ( our ,anglo-,saxon civilisation s9ce ab\t #afbj1 9 :i* x is evad$1 & ( c]ta9 decad5t civilisations1 :]e x is an obsession4 ,! ,_w's ,fair cr[d 0 s amaz$ by ! ,ori5tal disreg>d ( ,puritan tradition t x c\ld see no?+ 9 dances ( ,india & ,nor? ,africa except obsc5ity4 ,in/ead ( try+ to acqua9t ! public ) ! weal? ( poetic symbolism ( ! dances1 & _! unlimit$ scope ( mean+1 e manag] on ! ,midway at once adopt$ ! motto ( ! majority ( 8 pr(ession3 8,give ! public :at x wants40 ,t at lea/ is ! inf]5ce f conditions4 ,be=e ! fair 0 a mon? old !re 0 h>dly an ,ori5tal danc+ attraction on ! gr\nds t did n claim1 9 ! sly-dog language ( naughty sugge/ion1 to surpass all competitors 9 lewdness4 ,& x v]ily seem$ z ?\gh mo/ ( !m 7 ju/ifi$ 9 _! claims4 ,!y all made money4 ,& !y creat$ aga9/ ,ori5tal danc+ a prejudice j beg9n+ to melt n[ at ! end ( tw5ty ye>s2 ! majority ( ! public is /ill conv9c$ t no ,ori5tal danc+ is any?+ b a pretext = (f5siv5ess4 ,= any physical quality truly is (f5sive ! mom5t x is unduly insi/$ ^u4 ,& ) few exceptions ! manag]s ( ! unhappy ,arabs danc+ 9 ?is c\ntry h inspir$ _! *>ges to exagg]ate "o quality to ! almo/ complete exclusion ( e o!r "o4 ,! gha/ly reaction ( su* a /ate ( affairs is on danc+ 9 g5]al4 ,9 ?is pres5t ye>1 #aiac1 "o ( ! mo/ prom95t & successful manag]s 9 ,am]ica said3 8,!re are two ways to succe$ ) danc]s4 ,if !y h a s5sational acrobatic novelty t nev] has be5 se5 be=e1 t w make money4 ,o!rwise y've got to take _! clo!s (f1 if y want anybody to look at 'em4 ,duncan8 ,/4 ,d5is8 ,:at does ! ,am]ican public c>e ab\t art8 ,!y h succe$$ because !y took _! clo!s (f40 ,x s\nds unreal1 x is s demon/rably silly4 ,b x 0 :at t manag] said4 ,9 8 pr(ession !re are sev]al :o hold contr>y beliefs2 b ! "o quot$ is ( ! op9ion common among ! pres5t cu/odians ( ! danc+ art 9 ,am]ica4 ,9 _! (fices is det]m9$ :at "* ( danc+ %all occupy ! /age2 to _! beliefs ! lov] ( good danc+ mu/ give he$4 ,any refutation ( ! above cynicism z affect+ ,miss ,duncan & ,miss ,/4 ,d5is is sup]flu\s4 ,_! "w has at all times be5 *>g$ ) a big1 romantic or my/ic mean+4 ,imitators1 bas+ _! activities on ! manag]'s cre$ above quot$1 h furni%$ an illum9at+ exp]im5t to det]m9e exactly :at int]e/ ! public f9ds 9 ! "w ( ! two arti/s nam$4 ,inv>iable failure has accompani$ _! approximate nudity1 despite ! fact t _m ( !m are pretty 9 face & figure4 ,great danc]s h come1 be5 se51 b--until ! com+ ( ! ,russians--h a*iev$ few victories ( la/+ value4 ,g5e is an exception2 to delight 9 h] "w is to be add$ a real influ5ce 9 fav\r ( real art4 ,c>m5cita1 ,ot]o & ,ros>io ,gu]r]o1 all great arti/s ( expression convey$ ?r\gh ! m$ium ( ! dances ( ,spa91 h _h good seasons 9 ?is c\ntry4 ,ev5 ?\gh _! influ5ce on ta/e did n seem f>-rea*+1 x mu/ be believ$ t !y help$ prep>e ! way = great ?+s t 7 to come4 ,b ! real =ce ( ! com+ *ange1 ! *ange t 0 to take its place among ! important revolutions 9 ! hi/ory ( all art 0 quietly prep>+ itself 9 an ,am]ican village4 ,,*apt] ,,xi ,,! ,,romantic ,,revolution ,!re are few p :o are complete 9 any "o direction4 ,! /atesman hesitates at a measure t w wreck 8 political organisation1 unless he is a complete /atesman4 ,! ya*tsman w lose a race to pick up a man ov]bo>d1 unless he is an unscrupul\s or complete rac+ fi5d4 ,a corporation manag] :o disreg>ds e consid]ation except 8 end may be a law-break]1 b be=e t he is a complete bus9ess man4 ,cromwell & ,lu!r 7 complete re=m]s4 ,mo/ p 9 ! arts are incomplete arti/s1 because !y hesitate to dep>t f accept$ means ( expression4 ,!y cripple impulse ) logic1 & accommodate _! c\rse m or less to o!r p's op9ions4 ,nov]re 0 a complete /age director4 ,isadora ,duncan is a complete disciple ( beauty4 ,beauty 9 all its natural manife/ations is h] religion4 ,waves & cl\ds & runn+ wat]1 ! nude body & its natural movem5ts are ! tok5s by :i* x is reveal$ to h]4 ,its high prie/s1 by h] cre$1 7 ! ,greeks ( old4 ,&1 conv]sely1 all o!r prie/s are false4 ,9 ! s\l afire ) a cause !re is no room = adju/m5t ( po9ts ( view2 su* adju/m5ts be> ! =m ( compromise4 ,t :i* is n "r is wrong--n ev5 p>tly "r1 b hopelessly1 damnably wrong4 ,a /ate ( m9d exactly z x %\ld be 9 a p]son ) an idea1 & exactly z x mu/ be if he is go+ to c>ry ! idea to fruition4 ,miss ,duncan is n 9 attunem5t ) ! ballet1 & nev] 04 ,%e is a wor%ipp] ( nature2 n z translat$ into ab/ract t]ms1 b z nature is1 z reveal$ 9 ! waves & cl\ds & runn+ wat]4 ,if %e 7 a lead] 9 a logical controv]sy in/ead ( "o ( ta/e1 x w\ld be 9 ord] to "q h[ %e tol]ates mod]n music1 in/ead ( insi/+ on a rev]sion to ! music ( ! w9ds 9 ! trees2 = c]ta9ly ! piano is no less a man-made conv5tion ?an ! danc]'s position sur la po9te1 & or*e/ration is f> f ! s\nds ( nature4 ,b ! controv]sy is n an affair ( logic1 & x foll[s t any "q prompt$ by logical consid]ations becomes illogical1 automatically4 ,! po9t at issue is t ,miss ,duncan1 complete disciple ( beauty1 is a complete oppon5t ( beauty express$ o!rwise ?an 9 ! way reveal$ to h]4 ,aga91 le/ ?is analysis be> any resemblance to criticism1 let x be affirm$ t h] attitude is exactly z x %\ld be 9 relation to h] de/9y4 ,at an e>ly age %e 0 fasc9at$ by ! repres5tations ( danc+ to be f\nd on ,greek c]amics1 & 9 ,tanagra & o!r figures4 ,a "w ( art means _m ?+s to _m p4 ,:at ,miss ,duncan saw 9 ! e>ly repres5tations 0 a direct & p]fect expression ( nature4 ,among o!r elem5ts1 %e not$ 9 !m a full ackn[l$gm5t ( ! law ( gravity1 :i* is an obvi\sly natural quality4 ,n[1 ,miss ,duncan's essay ,! ,dance %[s 9 h] m9d n ! fir/ /irr+s ( a "q z to :e!r gravity may n be an un=tunate mortal limitation4 ,on ! contr>y1 x is natural1 !re=e "r4 ,!re=e ! ballet1 9 ,illu/ration3 ,,isadora ,,duncan ,to face page #bdb ,illu/ration3 ,photograph by ,claude ,h>ris ,,greek ,,int]pretative ,,dance ,mme4 ,pavl[a ,to face page #bdc d5y+ gravity1 is wrong4 ,! ,greeks usually danc$ )\t %oes2 b>e w5t ! feet ( ,miss ,duncan4 ,let x n be suppos$ t h] ideal contemplat$ an imitation ( natural actions1 or _h any relation to realism4 ,natural qualities1 n actions1 %e propos$ to int]pret1 n imitate1 by means ( natural movem5ts4 ,t is at lea/ ! inf]5ce po9t$ by ! essay ref]r$ to1 confirm$ by h] "w4 8,natural movem5ts0 w\ld be def9$1 if ! same process ( inf]5ce may be foll[$1 z movem5ts ^: execution are possible by a normal body )\t special tra9+4 ,f ?is x does n foll[ t uncultivat$ movem5ts w\ld be acceptable by ! t]ms ( ! proposition4 ,to raise an arm is a natural movem5t1 h5ce acceptable to ?is code4 ,to le>n to raise x gracefully1 a ,duncanite w\ld ne$ to put 9 j z mu* "t & ?\ght z a ballet /ud5t1 /&>ds ( grace be+ equal4 ,x does1 h[ev]1 foll[ t any gravity-defy+ /ep w\ld be unacceptable by ! t]ms ( ! proposition4 ,)\t special tra9+ x _c be execut$1 badly1 or at all2 :i*1 f ! ,duncan po9t ( view1 w\ld ?r[ x into ! class ( unnatural movem5ts4 ,to fix ! mean+ ( ! idea ( int]pret+ natural qualities1 no?+ bett] c be done ?an to quote a p>agraph ( ,miss ,duncan's own words3 8,^! fl[]s be=e me conta9 ! dream ( a dance2 x c\ld be nam$3 #8,! light fall+ on :ite fl[]s4' ,a dance t w\ld be a subtle translation ( ! light & ! :it5ess--s pure1 s /rong1 t p w\ld say1 #8,x is a s\l we see mov+1 a s\l t has rea*$ ! light & f\nd ! :it5ess4 ,we are glad x %\ld move s4' ,?r\gh its human m$ium we h a satisfy+ s5se ( ! movem5t ( light & glad ?+s4 ,?r\gh ?is human m$ium1 ! movem5t ( all nature runs also ?r\gh u1 is transmitt$ to u f ! danc]4 ,we feel ! movem5t ( light int]m+l$ ) ! ?\ght ( :it5ess4 ,x is a pray]1 ?is dance1 ea* movem5t rea*es 9 long undulations to ! heav5s & becomes a "p ( ! et]nal rhy?m ( ! sph]es40 ,fifte5 ye>s ago a cre$ ( int]pret+ qualities 9 ! mann] above indicat$1 by means ( danc+1 0 q z ali5 to ! ,unit$ ,/ates z 0 ! ,greek co/ume t left ! legs uncov]$ & ! feet un%od4 ,! co/ume probably 0 z surpris+ on ! /age !n z x w\ld be 9 a ballroom n[4 ,& "r !re comes 9 ! complete arti/4 ,miss ,duncan knew %e 0 "r1 & %e w5t ahead4 ,p]haps %e anticipat$ ! snick]s ) :i* a new idea is usually greet$2 m likely %e 0 sublimely he$less ( imm$iate effects4 ,illu/ration3 ,,impressions ,,( ,,isadora ,,duncan4 ,x 0 9 #ahii1 or !reab\t1 t %e gave a recital 9 ! little !atre ( a dramatic s*ool 9 ,*icago1 be=e an audi5ce pr9cipally ( dramatic /ud5ts1 pa9t]s & sculptors4 ,aft] ! p]=mance1 :i* took place 9 ! morn+1 ! pa9t]s & sculptors unconsci\sly gr\p$ !mselves into in=mal committees to ex*ange v]dicts4 ,! g5]al conclusion--arriv$ at aft] h\rs ( acrimoni\s argum5t1 9 mo/ cases--0 t ! "y woman _h an idea1 b t clairvoyancy 0 requir$ to und]/& x4 ,at t "t1 x %\ld be add$1 ,miss ,duncan 0 f> f mature 9 grace1 surety or any o!r ( ! te*nical qualities2 & h] art1 nave ?\gh x be1 has its te*nical requirem5ts j z surely z any o!r art4 ,x is n[ necess>y to transf] att5tion to c]ta9 p ^: pa? & ,miss ,duncan's 7 beg9n+ to conv]ge4 ,9 ,russia ! ballet is z def9itely a w>d ( ! gov]nm5t z ! army is4 ,no m c>efully are c&idates = a national milit>y academy select$ ?an are applicants = admission to ! ,imp]ial ,ballet ,academy4 ,^? admitt$ are c>$ = z ?\gh ea* 7 an heir to ! ?rone1 giv5 an all-r\nd art education t c\ld n be duplicat$ any:]e else 9 ! _w1 & rig\r\sly drill$ 9 danc+ six days a week = sev5 or eight ye>s4 ,z !y qualify = x1 !y appe> on occasion 9 ! corps de ballet ( ! ,imp]ial ,op]a1 de> to ! he>ts ( nobility & a !atre-go+ public4 ,by ! t]ms ( agreem5t ) ! gov]nm5t1 !y are assur$ employm5t at specifi$ pay = a specifi$ numb] ( ye>s 9 ! ballet1 aft] :i* !y retire on a p5sion4 ,! pay is n high1 b ) x is an assur$ c>e] & an hon\rable "o1 & a likelihood ( consid]able emolum5t ?r\gh in/ruction1 imp]ial gifts & gov]nm5t fav\rs4 ,)al a ?+ n lightly to be ?r[n away4 ,l _! contempor>ies 9 ,p>is & ,vi5na1 ! p ( ,/4 ,pet]sburg & ,mosc[ 7homes ( ! two ,imp]ial ,op]a ,h\ses & ( ! two arms ( ! ,academy7 7 dissatisfi$ ) _! ballet4 ,beyond ! vague *>ge ( lack ( int]e/ !y c\ld n analyse _! compla9t4 ,!y 7 puzzl$4 ,tra9+ m c>eful ?an t giv5 9 _! ,academy c\ld n be4 ,nor 0 any s*ool ( ! dance sup]ior to ! composite ,fr5*-,italian on :i* ! ,russian ballet 0 bas$4 ,ea* detail$ objection 0 answ]$2 yet a decid$ majority agre$ t some?+ 0 wrong4 ,miss ,duncan1 rightly believ+ t ,europe 0 m att5tive ?an ,am]ica to a new idea1 _h left h] native l& aft] a p]iod ( nei!r success nor failure 9 any pron\nc$ degree4 ,%e _h int]e/$ ,p>is1 />tl$ ,b]l91 & set ,vi5na into a turmoil ( wrangl+4 ,/4 ,pet]sburg wait$1 ) int]e/ ar\s$ by e*oes f ,vi5na4 ,be=e ! end ( ! ,/4 ,pet]sburg p]=mance1 ,m4 ,mikail ,fok9e1 a director 9 ! ,academy1 _h n only decl>$ ,miss ,duncan a goddess1 z he _h a p]fect "r to2 he1 ) o!rs1 _h invit$ h] to give a special p]=mance 9 ! ,academy1 & t 0 aga9/ ! rules4 ,! special p]=mance 0 giv52 ! ,romantic ,rebellion dates f t h\r4 ,9 no "t at all ! secessioni/s 7 a body includ+ "s ( ! able/ ( bo? ma/]s & pupils4 ,) ,miss ,duncan's te*nical limitations or virtuosity !y 7 n conc]n$4 ,:at %e br\ght ,illu/ration3 ,,mlle4 ,,lop\k[a ,,mlle4 ,,nij9ska ,,mlle4 ,,pavl[a ,) ! fam\s in/ructor1 ,sr4 ,e4 ,ceccetti4 ,f an amateur photograph tak5 9 _! /ud5t p]iod4 ,to face page #bdf ,illu/ration3 ,,mlle4 ,,lydia ,,kya%t ,,& ,m4 ,,lytazk9 8,h>lequ9 & ,blue-bird0 ,to face page #bdg !m 0 ! vision ( ! ballet n[ kn[n to ! _w z ,russian4 ,to lo/ p5sions & ! c]ta9 displeasure ( a firm-h&$ gov]nm5t !y gave no he$4 ,!y 7 complete ideali/s1 b5t on a big purpose4 ,( ! /ories ( t secession t we h _h f v>i\s p>ticipants1 n "o %[s ! fa9te/ reflection t any ( ! b& ?\ght ( ! possible sacrifice ( 8 c>e]4 ,!y 7 n e/imat+ mat]ial prospects4 ,!y simply saw ! vision ( some?+ t look$ bett] to !m ?an ! art !y _h kn[n2 into ! pa? indicat$ by t vision !y turn$ )\t vacillation1 & )\t emotion save en?usiasm4 ,) ! fact t !y 7 ! advance gu>d ( a movem5t t 0 ab\t to assume a significance equal to t ( ! ,b>bizon ,s*ool 9 pa9t+ & ( ,victor ,hugo 9 lit]ature1 ^! ,russians--boys & girls 9 age1 mo/ ( !m--7 z supremely unconc]n$ z 7 ,adam & ,eve ) ! de/9y ( ! race ( :i* !y 7 f\nd]s4 ,to a gr\p ( incomplete arti/s ! epic romance ( ! ?+ w\ld h appeal$1 & !re w\ld h result$ columns & reams ( pr9t to tell ab\t ! inspiration1 & all ! re/ ( x4 ,9 ! consci\sness ( ^! ,russians--& make no mi/ake1 mo/ ( !m are al]t1 intellectually vig\r\s p--!re 0 no conc]n ab\t _! own value z figures 9 a romance4 ,!y 7 fill$ ) ! excitem5t accompany+ ! possibility ( radically improv+ _! "w4 ,spontane\sly ! pieces ( ! new /ructure came toge!r4 ,to ,m4 ,fok9e ! gr\p look$ z head4 ,9 him !y _h a *oreograph] ( ! highe/ ord]1 ) ! imag9ation ( an epic poet4 ,nij9ski & ,bolm 7 prom95t m5 ( ! gr\p2 head+ ! li/ ( wom5 7 ,miles4 ,pavl[a1 ,lop\k[a1 & ,k>sav9a4 ,z a matt] ( exact hi/ory1 ,mr4 ,joseph ,m&elk]n po9ts out to u t ! enli/m5t ( ,mordk91 ,vol99e & o!r important recruits occurr$ some:at lat]2 be+ 9 ! ,mosc[ arm ( ! s*ool1 _! fir/ receipt ( ! romantic impulse 0 connect$ ) ,miss ,duncan's appe>ance 9 ,mosc[1 :i* occurr$ aft] ! ,/4 ,pet]sburg engagem5t4 ,! secession at ,mosc[ 0 l>gely a repetition ( ! occurr5ces at ,/4 ,pet]sburg4 ,! new cause ga9$1 )\t delay1 ! alliance ( ! musical compos]s1 ,glaz\nov1 ,rimski-,korsakov4 ,t*]epn91 & o!rs ( /ature little less4 ,among ! =ces mo/ important 9 contribution to ! new-born art1 moreov]1 0 ,lon ,bak/1 ! decorator4 ,m4 ,bak/1 = a numb] ( ye>s1 _h enjoy$ a high & /eadily improv+ position 9 8 craft2 he _h be5 v>i\sly hon\r$1 he _h execut$ responsible commissions to ! satisfaction ( e "o--) ! possible exception ( himself4 ,9 a comp>atively rec5t int]view he is quot$ z say+--9 effect--t he believ$ t ! function ( a pa9t] 0 to express emotion r ?an to record fact4 ,tak+ z an in/ance an ar*itectural sket* be=e him1 he said t if a *ange ( c]ta9 classic ar*itectural proportions w\ld add impressiv5ess1 he w\ld n hesitate to make ! necess>y *anges4 ,9 o!r words1 he reg>d$ fact z mat]ial & n z an object to be record$ = its own sake4 ,s x may be inf]r$ t 8 success 9 r cons]vative decoration1 not)/&+ t x did n lack ! note ( individuality1 0 n satisfy+ to him4 ,illu/ration3 ,photograph by ,s*ni$]1 ,b]l9 ,,mlle4 ,,pavl[a ,,9 ,,an 8,,arabesque0 ,to face page #bdh ,illu/ration3 ,m4 ,,mikail ,,mordk9 ,,9 ,,an 8,,arr[ ,,dance0 ,to face page #bdi ,= mat]ial = new compositions 9 :i* ! new cre$ c\ld be exploit$1 ballet-ma/]1 musician & pa9t] turn$ unanim\sly to ! leg5d>y lore ( ,russia & ,p]sia1 ! int]v5+ l& ( ! ,caucasus1 & ! ne>-by realm ( ,egypt4 ,/range new plots !y f\nd2 plots ( savag]y1 passion1 & my/]y4 ,:ile danc]s translat$ l(ty motives into *oral & solo /eps1 musicians work$ ) mad zeal to r5d] !m into tone & tempo4 ,new music 0 compos$1 old 0 seiz$ ) avid h& & p\nd$ into its appo9t$ place 9 ! new romantic /ructure4 ,bak/--& o!r pa9t]s alli$ ) him--revell$1 n[ 9 a deep & om9\s palette t %\ld spell my/]y1 aga9 9 ard5t & seem+ly impossible h>monies t sang wild opul5ce4 ,9 %ort1 ! secessioni/s _h atta9$ to a po9t t m>k$ no?+ less1 & some?+ m1 ?an a re-creation ( ! mimetic drama ( ! be/ days ( ,a!ns4 ,!y _h a*iev$ t at :i* ! e>ly patrons ( op]a _h consci\sly b unsuccessfully aim$4 ,! ,russian a*ievem5t is n to be measur$ except by a glance back into hi/ory4 ,9 ! great spaces ( ! ,greek outdoor !atres1 actors f\nd _! voices inadequate4 ,9 consequ5ce1 we mu/ accept z ess5tially true ! belief t dramatic repres5tation und]w5t a m or less def9ite division into two =ms4 ,"o body1 comply+ ) ! _w-old dem& = explanatory /atem5t to accompany dramatic action1 adopt$ a device to magnify ! voice2 t device 0 a small megaphone1 conceal$ by means ( a mask4 ,to ! unimag9ative audi5ce1 ! result+ falsification ( ! voice 0 n objectionable4 ,t species ( audi5ce1 to ?is day1 is deaf & bl9d to ! message ( quality or to delight 9 x4 ,its int]e/ c5tres on n>rative & x welcomes diagrammatic aid to its und]/&+ ( t n>rative4 ,! mask1 !re=e1 0 r satisfy+ ?an o!rwise to ! patrons ( ! drama t x typifi$4 ,9 labell+ "*1 x 0 a boon to ! intellectually too?less2 to :om1 moreov]1 its immobility ( expression w\ld n be (f5sive4 ,t ! spok5 drama 0 ! popul> =m1 ! mimo-drama ! ari/ocrat1 seems an unavoidable inf]5ce4 ,to arti/s & audi5ce v]s$ 9 ! language ( symbol1 z oppos$ to imitation2 ( sugge/ion1 z oppos$ to diagram2 ( ab/raction1 z oppos$ to mat]ial fact--to su* p]=m]s & connoisseurs ! va/ness ( /age & auditorium pres5t$ no inconv5i5ce :atev]4 ,to bo? p]=m] & auditor1 ! eloqu5ce ( pose1 /ep & ge/ure 0 suffici5t4 ,inde$1 we may suppose t !y reg>d$ ! spok5 ^w z limit+1 r ?an amplify+1 ! mean+ ( ! action x accompani$4 ,! high-heel$ co?urnus ! pantomimi/ avoid$1 = ! sake ( p]fect fre$om ( foot4 ,to him 0 op5 ! full res\rce ( facial expression1 po/ure & dance4 ,all ( ^! means1 9 :ole or 9 "p1 7 d5i$ ! we>] ( mask & co?urnus4 ,rome1 consi/5t ) its own level ( arti/ic m5tality1 *ose ! less imag9ative ( ! ,greek =ms4 ,x foll[s t ,greek popul> drama is id5tical ) ! s-call$ classic ,roman drama4 ,:5 ! orig9ators ( op]a set !mselves1 9 ! sev5te5? c5tury1 to ! task ( recreat+ a classic =m1 x is a matt] ( record t !y turn$ to ,rome = _! model4 ,?us1 9 avail+ !mselves ( advances 9 ! arts ( music1 sc5]y & co/ume1 bo? op]a & ballet h /ray$ f pure classic tradition4 ,& !re is no h>m 9 t1 p] se4 ,b a po9t to be mo/ /rongly emphasis$ is ?is3 t ! ,russian ballet has re-creat$1 9 its ess5ce1 ! be/ ( classic drama4 ,employm5t ( ! full eloqu5ce ( /ep1 pose & facial expression1 )\t ! re/riction t ! spok5 ^w imposes ^u mean+--t is ! p>am\nt di/9ction ( ! ,russian ballet's dramatic =m4 ,h>dly second 9 importance is its indep5d5ce ( elaborate /age me*anism z a means to effects4 ,! fir/ op]a busi$ itself ) me*anical contrivances to an ext5t t 0 comm5t$ ^u--) amusem5t--by writ]s 9 its "t4 ,h[ f> its orig9ators 7 ju/ifi$ 9 believ+ t !y _h re-creat$ a great classic =m ne$s no fur!r comm5t4 ,t ! ,russians1 se>*+ = ! great fundam5tals ( art1 devis$ a =m practically co9cid5tal ) t accept$ by ! be/ intellig5ce ( ! be/ p]iod ( ,a!ns1 is a *apt] ( dramatic hi/ory ^: importance is n likely to be exagg]at$4 ,we left ! secessioni/s1 on an e>li] page1 9 ! position ( hav+ defi$ a /rong-h&$ gov]nm5t4 ,9 ?is crisis1 ,m4 ,s]gius ,diagilew ent]s ! n>rative1 n z an arti/1 b z "o ( art's indisp5sable allies4 ,he x 0 :o1 "s ye>s be=e1 _h arrang$ ! exhibitions t fir/ acqua9t$ we/]n ,europe & ,am]ica ) mod]n ,russian pa9t+4 ,:5 ! rift occurr$ 9 ! ,ballet ,academy1 ,m4 ,diagilew1 by virtue ( exp]i5ce & sympa?ies1 0 ! "o man to p]=m c]ta9 ne$$ diplomatic s]vices 9 ! int]e/ ( ! rebels4 ,_! situation lack$ little ( be+ politically s]i\s4 ,m4 ,diagilew p]=m$ ! felicit\s miracle ( turn+ a fault into a virtue4 ,to prop] gov]nm5t au?orities he outl9$ a plan :i* 9 itself des]ves a place 9 diplomatic hi/ory4 8,contract-break]s ^! p are10 he admitt$1 8& on a p> ) des]t]s f ! army4 ,b in/ead ( puni%+ !m1 ,i h ano!r sugge/ion4 8,!y h creat$ a new & great art4 ,_! comb9$ "w repres5ts a great] expression ?an any liv+ man has se51 p]haps ! f9e/ ?+ ( its k9d t ev] has exi/$ 9 ! _w4 8,europe respects ,russia = h] =ce1 n = h] ?\ght4 ,its common belief is t ,russia is a nation ( savages1 because x has se5 no purely ,russian art t x w\ld call great4 8,my proposal is t ^! p be re9/at$ 9 ! ,op]a & ! ,academy1 t !y be grant$ a long leave ( abs5ce1 & t ,i be commission$ to arrange = !m a season 9 ,p>is1 z an exhibition ( repres5tative ,russian art1 sanction$ by ! ,russian gov]nm5t40 ,! capital necess>y = a full equipm5t ( co/umes & sc5]y 0 provid$ by ,b>on ,g9sb]g4 ,& !re foll[$ ! fir/ season ( le ,ballet ,russe at ! ,*telet ,?tre1 9 #aije4 ,p>is1 l e o!r progressive city 9 ! _w1 0 surfeit$ ) plays t w\ld bett] h be5 enclos$ betwe5 ! cov]s ( books on law1 sociology or m$ic9e4 ,its ballet1 ?\gh fight+ valiantly aga9/ ! effect t "t works on old gov]nm5ts1 old religions1 old in/itutions1 _h settl$ into ! ways ( habit1 & c\ld no long] fire ! m9d or ! imag9ation4 ,z to all t miscellany ( 8musical com$ies0 t1 ) _! ,illu/ration3 ,,mlle4 ,,lydia ,,lop\k[a1 ,m4 ,,mikail ,,mordk91 ,,9 ,a ,,bac*anal ,to face page #beb ,illu/ration3 ,,mlle4 ,,lydia ,,lop\k[a ,to face page #bec concomitant novelties1 7 wall[+ 9 a gaudy sl\gh ( despond t5 ye>s ago1 ,p>isians _h come to reg>d !m z a highly improbable means ev5 ( amusem5t1 leav+ edification q out ( acc\nt4 ,! success ( ! ,russians 0 assur$ f ! fir/ curta94 ,"h 0 some?+ t convey$ a message ( noble beauty1 execut$ ) ! skill ( ! craftsman possess$ ( all t education c give1 fir$ ) en?usia/ic g5ius4 ,above all1 x 0 a ?+ t releas$ ?\ght f e>?-b\nd conditions &1 ) ! p]suasion ( its multiple beauty1 invit$ x to roam ! unlimit$ doma9 ( poetry & magic4 ,full appreciation requir$ "t1 naturally4 ,"h 0 a creation new 9 fre$om ( movem5t & pantomimic vocabul>y3 dress$ 9 co/umes nev] se5 be=e2 back$ by sc5]y 9 col\rs nev] dream$ (1 ) a species ( l9e-composition l an ali5 language2 & accompani$ by music ( a type unfamili>1 to _m individuals unkn[n4 ,wagn]ian music to ! unaccu/om$ e> is confus+ z well z ov]p[]+4 ,! ,russian ballet pres5t$ its equival5t 9 ?ree diff]5t =ms act+ simultane\sly4 ,! ,russian ballet season is n[ "o ( ! in/itutions ( ! ,fr5* capital4 ,! ,russian gov]nm5t annually grants sev]al mon?s' leave ( abs5ce to ! necess>y numb] ( arti/s1 & ,p>is = sev]al mon?s cr[ds _! p]=mances4 ,! annual increase 9 quantity & dep? ( ?\ght be/[$ ^u !m1 z measur$ 9 magaz9e writ+s1 indicates t public satisfaction ) ! organisation & its "w has n yet f\nd its limits4 ,! seasons ( #aiji-aj & #aiaj-aa f\nd a small b admirable ,russian ballet 9 ! ,metropolitan ,op]a ( ,new ,york4 ,pavl[a1 ,lop\k[a1 ,mordk91 ,vol99e & ,geltz] 7 ( ! numb]4 ,!y pres5t$ _m div]tissem5ts 9 op]a p]=mances z well z a numb] ( ballet pantomimes4 ,z to _! impression on ! public1 x is mo/ briefly to be express$ by call+ att5tion to ! fact t ! danc+ en?usiasm n[ /rongly root$ 9 ,am]ica dates directly back to ^! ,russian ballet seasons 9 ! ,metropolitan ,op]a4 ,naturally1 ! public's lack ( k ( ! language ( pantomime & *oreography /ood 9 ! way ( su* an imm$iate 8hit0 z ! same company _h made 9 ,p>is4 ,b 9 spite ( incomplete und]/&+1 ,new ,york 0 *>m$ f ! fir/1 & appreciation grew rapidly ?r\gh ! two seasons4 ,! contract 0 n r5ew$1 nor has ! ,metropolitan ,op]a und]tak5 any?+ great 9 *oreography s9ce t "t1 9 :i* x is probably "r4 ,not)/&+ ! popul>ity ( ! ,russians1 !y did n increase box-(fice receipts comm5surately ) ! heavy co/ ( sal>ies1 transportation & incid5tal exp5ses4 ,x is natural1 :5 s]vice is ne$$1 to turn to ^? ^: fitness = su* s]vice has be5 prov54 ,b ! op]a company1 by its s]vice to music1 has e>n$ exemption f add$ responsibilities to art4 ,s9ce its organisation1 ! /ockhold]s' divid5ds h _h ! =m ( deficit /atem5ts e ye> until two ye>s ago4 ,e ye> ! /ockhold]s wrote _! *ecks to aggregate a qu>t] ( a million doll>s or m t op]a co/ 9 excess ( its receipts4 ,! pa/ two ye>s h turn$ ! balance into ! o!r column4 ,if !y *ose to1 ! same set ( g5tlem5 c\ld1 9 a few ye>s1 put ! ballet-drama on ! same foot+2 b ! sacrifice ( money & ef=t is m ?an ! public has a "r to ask4 ,aga9/ appall+ odds1 ! ,metropolitan took up ! cause ( popul>is+ op]a4 ,t ! task proves o!r ?an a lab\r ( love is due nei!r to skimp+ nor to l[]+ ( /&>ds1 b to q ! contr>y policy4 ,! und]tak+ has succe$$2 ^? connect$ ) x are entitl$ to a p]iod ( enjoym5t ( _! rew>ds4 ,! ,am]ican ,academy ( ,danc+1 :5 x is organis$1 is n morally _! responsibility4 ,= its own good1 moreov]1 x _h be/ be an indep5d5t organisation1 ) music def9itely relegat$ to ! second>y importance4 ,z an auxili>y to music1 ! dance has n progress$ z x %\ld2 only z ! sole occupant ( "o ( ! p$e/als to :i* ! great arts are entitl$ w x receive ! att5tive c>e t x des]ves & ne$s4 ,b ?is is anticipation ( ! matt] ( ano!r *apt]4 ,s9ce ! ,metropolitan engagem5t1 ,russian ballets h seldom be5 se5 9 ,am]ica except "u misrepres5tative conditions4 ,n ?r\gh int5tions to misrepres5t1 b ?r\gh tactical errors easily und]/ood 9 ! light ( subsequ5t k1 !y h be5 too (t5 adv]tis$ 9 su* t]ms z to prep>e _! audi5ces = s5sationalism r ?an art4 ,a company includ+ "s ( ! be/ danc]s t ,russia has produc$ 0 head$ by a vaudeville p]=m] ^: prom95ce proce$$ f g5ius 9 imitations1 & ^: *oreographic aspirations 7 bas$ on two ye>s 7! programme confess$ ! p]iod7 ( ballet /udy4 ,x 0 believ$ t h] "n w\ld be ( s]vice to ! box-(fice2 x 0 demon/rat$ t1 by ! /&>ds ( ! support+ company1 %e 0 n a danc]4 ,s %e did n dance4 ,obvi\sly1 ! function ( subord9ates is to be subord9ate2 s1 p]=ce1 !y did n dance1 ei!r4 ,p :o came expect+ to see great ?+s inevitably felt t ! ,russian ballet 01 to say ! lea/1 an ov]rat$ in/itution4 ,a consequ5ce ev5 m un=tunate is t _m manag]s draw1 f ?is hapless alliance & its consequ5ces1 ! d$uction t ,am]icans d n l high-class danc+4 ,illu/ration3 ,,mme4 ,,pavl[a ,,9 ,a ,,bac*anal ,to face page #beg ,,*apt] ,,xii ,,! ,,russian ,,academy ,,& ,,its ,,work+s ,a /ud5t 9 ! ,russian ,academy does n risk discov]+1 aft] "s ye>s ( /udy1 t he _c /& ! physical tra9+1 nor does he le>n1 :5 x is too late to turn back1 t 8 road to high places is block$ by defect ( heal?1 /ructure1 or proportion4 ,z a c&idate = admission he und]goes an exam9ation by a bo>d ( physicians1 pa9t]s & sculptors4 ,if he ent]s1 x is aft] _! approval1 ! exam9]s measur+ ! c&idate by ! /&>ds ( _! respective arts4 ,he kn[s1 & 8 p>5ts "k1 t he is />t+1 free f h&icap1 on ! road to an at lea/ respectable position 9 a respectable pr(ession1 ) :i* he w be associat$ & by :i* he w be support$ ?r\gh life4 ,8 /udies w be guid$ by ! be/ in/ruction t c be secur$2 if he has g5ius x w receive ! mo/ fav\rable ( cultivation4 ,at all times 8 life w be surr\nd$ by conditions z fav\rable to physical heal? z !y c be made by sci5ce & free exp5diture4 ,8 paym5t = ^! advantages is complete r5unciation ( e int]e/ ap>t f ^? ( ! ,academy's curriculum4 ,to "o n passionately fond ( 8 art1 ! en=c$ devotion to "w w\ld spell loss ( lib]ty4 ,z a matt] ( fact1 h[ev]1 ?is does n (t5 seem to be felt z a privation4 ,! int]e/s ( ! s*ool are s v>i$1 & ! dance is possess$ ( su* endless allurem5t1 t life )9 ! academic walls is g5]ally felt to be complete 9 itself4 ,9 o!r words1 ! contract b9d+ ! pupil is n usually felt z a te!r1 not)/&+ t its op]ation cov]s ! mo/ re/less ye>s 9 a boy's or girl's life4 ,sev5 or eight is ! age = entrance1 & ! contract b9ds ! pupil = n9e ye>s ( tra9+--:i* may be r$uc$ to eight if pr(ici5cy w>rants4 ,at ! expiration ( ?is "t ! gov]nm5t has all rights to ! danc]'s s]vices1 at a mod]ate sal>y1 v>y+ accord+ to ! rank = :i* he qualifies 9 ! ballet organisation4 ,f ! graduates ( ! ,academy are recruit$ ! ballets ( ! two ,imp]ial ,op]a ,h\ses3 ! ,m>ianski ,!atre 9 ,/4 ,pet]sburg1 & ! ,op]a ,h\se 9 ,mosc[4 ,9 bo? h\ses1 ballet pantomimes are pres5t$ twice a week1 approximately4 ,graduates ) an aptitude = tea*+ are s employ$4 ,all ( :i* mu/ co/ ! gov]nm5t a great deal less ?an w\ld ! alt]native ( hir+ corps de ballet1 premi]s & premires1 & ballet-ma/]s f ,p>is & ,milan4 ,9 fact1 until half a c5tury ago1 =eign tal5t 0 dep5d$ on = ! important "w4 ,f its cont9u$ use1 x may be inf]r$ t ! pres5t sy/em is ! m satisfactory4 ,naturally1 a memb] ( ! ,imp]ial ballet mu/ h gov]nm5t cons5t to leave 8 c\ntry2 dep>t+ )\t su* cons5t1 he automatically =feits 8 p5sion4 ,a few individuals h *os5 ! high sal>ies to :i* _! "w entitles !m 9 o!r p>ts ( ! _w1 & delib]ately /ay$ away at ! expiration ( a leave ( abs5ce4 ,to ! great majority1 h[ev]1 ! p5sion & arti/ic conditions atta*+ to _! home organisation h be5 ! great] inducem5t4 ,illu/ration3 ,,mlle4 ,,lydia ,,lop\k[a ,an aid to secure foot+1 ! toes ( ballet slipp]s are usually d>n$ ,to face page #beh ,illu/ration3 ,,mlle4 ,,lydia ,,lop\k[a ,to face page #bei ,betwe5 p]=mances & _! prep>ation1 & tea*+1 x w be se5 t ! memb]s ( ! ballet nev] ne$ pass an unoccupi$ h\r4 ,!y are insur$ aga9/ su* det]ioration z might result f lack ( con/ant "w4 ,on ! o!r h&1 !y are protect$ aga9/ ! dang] ( ov]work4 ,?9k ( ! diff]5ce betwe5 su* conditions & ^? creat$ by competition6 ,betwe5 engagem5ts1 ! g5]ality ( ballet p "u ! latt] conditions /udy & tra91 if at all1 at _! own exp5se2 & compet5t coa*+ co/s money4 ,dur+ engagem5ts1 ! numb] ( supreme ef=ts ( :i* !y are capable ea* week is consid]$ only by ^? 9 :om are comb9$ good =tune & consci5ce2 o!rs arrange _! "w to economise /r5g?1 or else break d[n4 ,( ! curriculum ( ! s*ool we h be5 told 9 "s detail by ,miss ,lydia ,lop\k[a4 ,dur+ ! fir/ ye>1 :i* is a p]iod ( probation1 pupils are all[$ to visit _! p>5ts on ,sundays4 ,aft] t !y rema9 9 ! direct *>ge ( in/ructors1 9 ! s*ool1 9 ! op]a-h\ses1 & 9 c>riages go+ & com+2 visit+ ) p>5ts or o!rs is conf9$ to /at$ times1 & is done 9 ! s*ool4 ,if ?is arrangem5t seems sev]e1 ! answ]s are to be f\nd 9 results3 if any /ud5ts ( any art atta9 to full arti/ic developm5t & p]fection ( arti/ry 9 an equal l5g? ( "t )\t simil> conc5tration1 en=c$ ei!r by self or by regulation1 !n ! deta*m5t effect$ by ! ,russian ,academy is c>ri$ to an unnecess>y degree4 ,! curriculum may1 = conv5i5ce1 be divid$ into two dep>tm5ts1 p]ta9+ respectively to te*nical & g5]al education4 ,! latt] is ! equival5t ( ! ,cont95tal ,european gymnasium1 :i* c>ries ! /ud5t to a po9t some:at m advanc$ ?an t :i* he rea*es 9 ! ,am]ican public high s*ool4 ,on ! te*nical side1 ! tra9+ beg9s ) ! bread? ( a g5]al cons]vatory's c\rse 9 ! arts4 ,z ! pupil's aptitude & ta/es beg9 to cry/allise1 8 in/ruction becomes increas+ly specialis$4 ,! fir/ ye>'s "w cov]s1 besides danc+1 a beg9n+ 9 music1 act+1 & a c]ta9 am\nt ( draw+4 ,! music includes !ory & piano4 ,act+ embraces ! beg9n+s ( pantomime1 along ) enunciation1 expression & ! re/ ( x4 ,! danc+ tuition is bas$ absolutely on ! ,fr5*-,italian ballet4 ,! undisput$ success ( ! romantic movem5t1 & ! prevail+ sympa?y ) its motive1 h n %ak5 fai? 9 ! classic z a necess>y framework = ! support ( expression & adornm5t4 ,an or?odox & unrecon/ruct$ ,italian ballet-ma/] rema9s 9 *>ge ( ?is dep>tm5t2 8 influ5ce is n modifi$ until aft] ! pupil has acquir$ ! equilibrium1 9 %ort ! discipl9e t is a tradition ( ! classic s*ool alone4 ,p>allel ) ?is tra9+1 h[ev]1 is in/ruction & drill 9 pla/ic gymna/ics1 :i* conc]ns itself ) tra9+ ! body 9 grace & expression4 ,! sep>ation ( ! two c\rses naturally enables ! pupil to keep classic precision cle> 9 8 m9d2 :ile1 hav+ at ! same "t ma/]$ ! m fluid treatm5t ( ! pla/ic gymna/ics1 he is ready to unite ! two und]/&+ly :5 ! prop] "t arrives1 & to comb9e ) _! graces ! eloqu5ce ( pantomime4 ,music has sometimes be5 f\nd to be ! natural mti] ( /ud5ts ^: orig9al int5tion 0 danc+4 ,9 o!r in/ances ! embryonic danc] has reveal$ a g5ius = act+4 ,9 su* cases ! pupil is enc\rag$ to foll[ ! l9e ( natural aptitude4 ,! ranks ( bo? op]a & drama 9 ,russia include wom5 ^: ultimate vocations 7 discov]$ aft] !y _h become pr(ici5t danc]s4 ,:ile su* cases are n common1 nei!r are !y r>e2 :i* is r illum9at+ z to ! quality ( ! musical in/ruction4 ,an acqua9tance ) musical !ory is insi/$ ^u z a "p ( ! danc]'s equipm5t1 ?\gh !re be no probability ( 8 ev] apply+ 8 k 9 any ( ! usual ways4 ,music & danc+ are s int]wov5 t ! latt]'s full mean+ c h>dly be express$1 or und]/ood1 )\t musical k z an aid4 ,moreov]1 ( e class ( y\ng/]s a c]ta9 numb] are de/9$ to be *oreographic compos]s2 to ^! a k ( or*e/ral possibilities & limitations is indisp5sable4 ,inde$ x is an asset ( ! utmo/ practical utility to any danc]2 any rehe>sal demon/rates its value4 ,9 respect to ?is dep>tm5t & its lifelong value to ^? :o h _h its tra9+1 graduates ( o!r academies unite 9 approval ( ! ,russian4 ,! c\rse 9 draw+ & pa9t+ seems to aim at critical appreciation ( beauty1 z express$ 9 ! ab/ract qualities ( grace 9 l9e & h>mony 9 col\r2 ?is 9 di/9ction to ! regulation art s*ool discipl9e 9 proportion & anatomy ( ! figure4 ,! practical value ( su* tra9+1 9 %>p5+ ! p[] ( con/ructive criticism ( danc+1 is obvi\s4 ,to ! accompli%m5t ( all ?is "w--& m t ne$ n be detail$--! pupils are n driv52 !y are l$4 ,ev]y?+ is fun4 ,play is made contributory to ! g5]al purpose ( tra9+ arti/s4 ,z an escape f realities into t _w ( make-believe t *ildr5 crave1 pantomimes are practic$ ev5+s aft] d9n]2 self-expression is enc\rag$ on ^! occasions1 criticism no m ?an h9t$4 ,z a playgr\nd = ! girls1 a l>ge g>d5 is provid$4 ,b ! boys1 to relax f ! re/ra9t ( a daily two-h\r lesson 9 ,fr5* ballet1 delight 9 class f5c+ lessons4 ,! heal? ( all is "u unobtrusive b con/ant sup]vision4 ,9 ea* ( ! girls' dormitories a nurse is on wat* e night1 al]t = ! fir/ unfav\rable symptom--& ready1 too1 we may be sure1 ) sympa?y = any little attack ( lonel9ess4 ,miss ,lop\k[a's remembrances are n ( any rig\rs ( "w1 b r ( a protect+ g5tl5ess4 ,diet is /udi$2 ! *ildr5 are tra9$ into hygi5ic positions 9 sleep6 ,hair1 tee?1 sk91 he>t1 lungs1 dige/ion & n]ves are c>$ = by ! mo/ capable ( speciali/s4 ,by no means la/ 9 importance to a danc] are 8 feet2 ! ,academy has its *iropodi/ always 9 att5dance n only to rectify tr\ble1 b to prev5t x4 ,z ! academic ye>s draw t[>d _! close1 ! pupil receives in/ruction 9 supplem5t>y bran*es necess>y to ! f9i%$ arti/4 ,"* dances are n only p]=m$2 !y are /udi$ 9 relation to ! temp]am5ts ( _! respective nations4 ,make-up receives its due att5tion2 ) pa9t & false hair "y ,russians practice trans=m+ !mselves into ,japanese1 ,egyptians1 ,italians4 ,:5 !y leave ! ,academy1 !y "k _! trade4 ,someh[ su* an in/itution seems too good to la/2 yet its excell5ce is f> f be+ ! product ( any mom5t>y en?usiasm4 ,its beg9n+ 0 made 9 ! fir/ half ( ! eighte5? c5tury4 ,ballets _h be5 ,illu/ration3 ,,mlle4 ,,lydia ,,lop\k[a ,,9 8,,le ,,lac ,,des ,,cygnes0 ,to face page #bfb ,illu/ration3 ,m4 ,,alex&] ,,vol99e ,to face page #bfc pres5t$ be=e ! ,imp]ial ,c\rt z e>ly z #afge4 ,pet] ! ,great _h insi/$ on ,we/]n danc+ z "o ( ! means to 8 end ( br++ ,russia abrea/ ( ! times4 ,inde$ he is suppos$ to h le>n$ x & taught x himself1 z he did %ipbuild+4 ,9 #agce ! ,empress ,anne engag$ a ,neapolitan compos] & musical director & a ,fr5* ballet-ma/]1 & bade !m pres5t a ballet e week4 ,cadets f ! milit>y academy 7 at fir/ impress$ into s]vice2 :i* may be contributory to ! milit>y exactness ( ! organisation ( ! ,ballet ,academy4 ,z ballet mat]ial1 ! cadets 7 gradually 7accord+ to ,flit*7 replac$ by boys & girls ( ! poor] classes1 :om ! ballet-ma/] tra9$ free ( *>ge4 ,! assignm5t ( qu>t]s to !m 9 ! palace1 ! appo9tm5t ( a coa*man's wid[ to take c>e ( !m1 an appropriation ( extra pay to ! ballet-ma/] = tea*+1 may be said to m>k ! beg9n+s ( ! ,academy4 ,its exi/5ce has be5 un9t]rupt$1 &1 "u ! almo/ idolatr\s ,russian love ( ballet repres5tations1 its gr[? has be5 /eady4 ,a composite ,fr5*-,italian te*nique 0 adopt$1 z be=e /at$1 & kept unmodifi$ until ! rec5t romantic movem5t _h prov5 its wor?4 ,italian pr9cipal danc]s 7 employ$ until1 a g5]ation ago1 ! ne$ ( !m 0 end$ by ! ,imp]ial ,academy's arrival at a condition ( adequacy4 ,! diff]5ce betwe5 ! romantic ballet & ! classic c\ld n be describ$ 9 an inf9ity ( words1 b x c be summ>is$ 9 a few1 & its "* sugge/$ 9 a few sket*es4 ,briefly1 ! diff]5ce consi/s 9 lib]ty to dep>t f classic re/riction ( pose & movem5t1 :]ev] su* emancipation w contribute to expression4 ,?is fre$om inevitably cla%es ) ballet t5ets t h be5 unque/ion$ = a hundr$ & fifty ye>s4 ,! classic keeps ! %\ld]s d[n2 ! romantic does n hesitate to raise !m1 "o or bo?1 to portray fe>1 disda91 or :at-n4 ,9 ! eyes ( ! classici/s1 /raightness ( body 7its detractors call x rigidity7 is ( absolute importance2 romantici/s1 9 _! ,ori5tal repres5tations1 = in/ance1 d n hesitate to exploit ! body's s9uosity to ! utmo/4 ,yet1 9 _! app>5t disreg>d ( *oreographic law1 !y h pres]v$ rig\r\sly ! und]ly+ tru? ( *oreographic /ructure4 ,?an _! brilliant /eps ^? ( no danc] are clean] or m p]fect2 9 equilibrium1 9 exactness1 9 all t makes = /yle & f9i%1 !y h no sup]iors4 ,nev]!less "s ( ! classic ballet p1 especially ! ,milan elem5t1 /ill prote/ t ! romantic idea1 ) all its appurt5ances1 is a h]esy4 ,m4 ,legatt1 ( ! ,/4 ,pet]sburg ,academy1 is said to gr\p all ! new elem5ts into "o category3 ,duncanism6 ,z ! pa9t] ,bak/ 7& ) him may be m5tion$ ,boris ,anisfeldt & o!rs ( ! same arti/ic cre$71 :ile pres]v+ recognisable national "* 9 8 sc5es & co/umes1 does n scruple to subord9ate hi/orical facts to 8 motives1 s does ! romantic ballet-ma/] disreg>d ! natural limitations ( folk-dances t he may *oose to employ 9 8 composition4 ,if x suit$ ! dramatic int5tion ( ,m4 ,fok9e to br+ an ,arabian danc] on to ! po9t1 or to introduce into h] "w a pure pir\ette1 x is fairly safe to assume t he w\ld d s1 despite ! fact t ,arabic danc+ itself kn[s no su* devices4 ,x is to be add$ t al?\gh he %\ld make su* am5dm5t to an ,illu/ration3 ,,repres5tative ,,russian ,,ballet ,,poses ,,& ,,gr\ps4 ,two gr\ps at top f ,?am>1 ,m4 ,bolm & ,mme4 ,k>sav9a1 ,mlle4 ,nij9ska2 ,,mm4 ,govril(f & ,kot*etovski2 ,m4 ,seilig & ,mlle4 ,/a*ko1 all 9 ,?am>4 ,figure ) peacock1 ,mme4 ,a/afieva 9 ,le ,dieu ,bleu4 7,c\rtesy ( ,como$ia ,illu/r47 ,arabic dance z kn[n to its own p1 8 product w\ld express z =cibly ! quality ( ,ori5talism z w\ld any dance to be f\nd 9 ,bagdad4 ,! ess5tial diff]5ce w\ld be t ! composition ( ,m4 ,fok9e w\ld s]ve ! imm$iate int5tion ( grief1 rage1 or :atev] might be ! desir$ emotion1 z well z emphasis+ ,ori5tal quality4 ,x w be se5 t ! means ( expression above indicat$ relieves ! ballet pantomime ( any limits ( scope4 ,! classic1 g5]ally speak+1 is by its nature conf9$ to fairy fantasies1 ! play ( elves & spirits1 ,pi]rot & ,columb9e4 ,all t is da9ty x r5d]s to p]fection4 ,! new s*ool1 on ! contr>y1 c treat ) complete dramatic impressiv5ess all ! my/ic1 epic & sometimes t]rible imag9+s ( ! ,t>t> m9d4 ,to its advantage x has among its disciples a full supply ( danc+ m52 lack ( !m has crippl$ ! classic expressions = _m ye>s4 ,! woman do+ a boy's "p becomes ridicul\s z soon z dramatic action dep>ts f ! lyrical mood4 ,= ?is reason1 p]haps1 bo? op]a ballets & academies ( ,europe outside ( ,russia h long lo/ ! cu/om ( /ag+ pantomimes ( great] consequ5ce ?an op]atic div]tissem5t4 ,:]eas ! ,m>ianski ,!atre & ! ,mosc[ ,op]a d$icate two nights a week to ballet pantomimes exclusively1 & h done s = _m ye>s4 ,! mimetic dramas t h sprung into life ) & z "p ( ! new s*ool draw mat]ial f leg5ds d>k & savage1 lyrical & dreamlike4 ,cleoptre is a /ory ( love & a cruel caprice ( an idle que5 ( fabl$ ,egypt4 ,pr9ce ,igor pres5ts a backgr\nd ( ! ev]-?reat5+ ,mongol1 a myriad savage horde encamp$ outside ! ea/]n gate ( ,europe4 ,illu/ration3 ,,repres5tative ,,russian ,,ballet ,,poses ,,& ,,gr\ps4 ,pr9ce ,igor 7,m4 ,bolm74 ,?am> 7,mlle4 ,t*]ni*eva74 ,l',oiseau de ,feu 7,mme4 ,k>sav9a74 ,?am> 7,mlle4 ,hoklova74 ,l',oiseau de ,feu 7,m4 ,b\lgak[1 ,m4 ,fok9e74 ,le ,dieu ,bleu 7,m4 ,nij9ski74 7,c\rtesy ( ,como$ia ,illu/r47 ,s*eh]azade is tropic passion m>*+ undeviat+ly into trag$y4 ,9 contra/ to ^! are su* e!real creations z ,le ,spectre de la ,rose1 ,le ,c>naval1 ,les ,sylphides1 ,le ,lac des ,cygnes1 & ,le ,pavillon d',armide4 ,le ,spectre de la ,rose1 compos$ to ! melt+ music ( ,web]'s ,invitation la ,valse1 is a fantasy ( a girl :o falls asleep 9 h] *air aft] return+ f a ball4 ,9 h] h& %e holds a rose :i*1 9 h] dreams1 turns into a _s t dances ) h]1 kisses h]1 & dep>ts4 ,le ,c>naval br+s to life & unites 9 a slight plot a gr\p ( su* fabl$ p]sonages z ,pi]rot1 ,h>lequ91 ,columb9e1 ,pantalone & ,papillon1 animat$ by ,s*umann music ) ,russian or*e/ration4 ,armide is a figure on a tape/ry1 :o1 by magic spell1 comes =? 9 c\rtly dance ) h] companion figures & en*ants a travell] sleep+ 9 ! ap>tm5t4 ,le ,lac des ,cygnes & ,les ,sylphides are practically plotless rev]ies 9 ! field ( pure beauty2 ( tissue z unsub/antial z ! ra9b[4 ,/ill a ?ird division is exemplifi$ 9 ,l',oiseau de ,feu & ,le ,dieu ,bleu4 ,z ?\gh to te/ to ! utmo/ ! romantic ballet's range ( expression1 ^! la/ deal ) occult ,ea/]n religion1 call+ = a treatm5t purely my/ic4 ,,*apt] ,,xiii ,,social ,,danc+ ,,( ,,to-,,day ,! pres5t vogue ( danc+ is sometimes *>act]is$ z a fad4 ,z a matt] ( fact1 x is no m ?an ! resumption ( a normal ex]cise4 ,x is n extraord9>y t p %\ld wi% to dance e day4 ,x 0 extraord9>y t !re %\ld h be5 a p]iod ( sixty ye>s 9 :i* p did n wi% to dance e day4 ,occid5tal hi/ory recalls few p]iods :5 ! dance1 natural z spee* & exalt+ z music1 und]w5t su* neglect z x suff]$ dur+ ! latt] half ( ! n9ete5? c5tury4 ,self-expression 0 9 bad ta/e4 ,a phantasm ( mis9t]pret$ respectability /&>dis$ conduct4 ,! result+ caution ( movem5t /]ilis$ ! dance1 & /]ility all b kill$ x4 ,z t :i* might conv5i5tly be call$ ! ,r5aissance ( ,individuality began to be felt1 )9 ! pa/ few ye>s1 ! endless it]ation ( "o /ep 9 ea* dance became inadequate to int]pret feel+s4 ,p le>n$ t _! own ideas 7 wor? at lea/ a trial2 =ms fell automatically4 ,b1 no "o be+ at h& to %[ h[ danc+ might be made an expression1 p turn$ to o!r recreations4 ,!n came ! ,russian ballet4 ,x %[$ t danc+1 m completely p]haps ?an any o!r action )9 mortal scope1 is a means ( expression ( e emotion humanity may feel4 ,x %[$1 too1 h[ inconceivably beautiful may be ! human body :5 x is made to con=m to ! laws ( beauty--:i* are id5tical ) ! laws ( *oreography4 ,& s p]fect 0 ! arti/ry ( ^! demigods f out ( ! ,nor? t 8difficulty0 became a =gott5 ^w4 ,e man ?\ght t he felt )9 himself at lea/ a portion ( ! ess5ce t animat$ ,vol99e1 ,mordk91 ,nij9ski2 e woman knew %e _h lat5t "s ( ! magic ( ,pavl[a1 ,lop\k[a1 or ,k>sav9a4 ,& !y 7 "r4 ,e normal human is 9 great] or less degree an arti/4 ,sudd5 reactions are usually att5d$ by m viol5ce ?an discrim9ation4 ,! appetite = %e] quantity is satisfi$ be=e ! ne$ ( re/ra9t is felt4 ,s ) ! new danc+ t gratifi$ hundr$s ( ?\s&s ( feet sudd5ly fre$ f conv5tional weights on _! movem5ts4 ,! ,turkey ,trot 7"n to delight po/]ity7 rac$ ea/w>d f ,san ,francisco 9 a =m to :i* ! ^w 8danc+0 c\ld be appli$ only by ex]cise ( c\rtesy4 ,lit]ally1 c>icaturi/s c\ld n c>icature x2 x made c>icatures ( its devotees4 ,b !y 7 n conc]n$ ) t4 ,!y 7 9 ! exaltation ( r$iscov]y2 !y 7 happily1 b5eficially mad ) v>i$ rhy?m1 m>k$ by free movem5ts ( _! own bodies4 ,! 8trot0 0 easily le>n$2 ! problem became "o ( f9d+ space 9 :i* to dance x1 s quickly did its p]=m]s fill e floor )9 he>+-di/ance ( a piano4 ,! cynical inf]5ce t morals or _! lack bore any relation to ! ph5om5on ( ?is dance's rapid spread1 is beside ! po9t4 ,( ! orig9al 8trot0 no?+ rema9s b ! basic /ep4 ,! elem5ts t drew d5unciation ^u x h gone f ! abid+-places ( polit5ess2 yet its ga9s 9 popul>ity cont9ue un*eck$4 ,z ?\gh to emphasise its sup]iority to =m] mann]isms1 x is j n[ urbanely *ang+ its "n3 x pref]s to be kn[n z ! ,"o-,/ep4 ,& 9 ! desire = a new appellation x is ju/ifi$1 s9ce no hi/ory ev] s vividly recall$ ! fable ( ! ugly duckl+4 ,! hypo!tical turkey ^: trot x once portray$ proves1 z x matures1 to be a creature closely resembl+ a peacock4 ,! peacock x 0 ^: designation 7,spani% pavo7 furni%$ ! "n ( ! old ,pavane2 & ! ,"o-,/ep1 mov$ by "s =ce m pot5t ?an co9cid5ce1 is n[ t5d+ /rongly t[>d ! =m ( t fav\rite ( sev5te5?-c5tury c\rts4 ,) ! ,turkey ,trot came out ( ! ,we/ ! ,bunny ,hug1 ! ,grizzly ,be>1 & p]*ance ! be>]s ( o!r names rem9isc5t ( ! zoo4 ,!y treat$ ,europe to a mixture ( amusem5t & irritation1 b 7 n de/9$ to long life on ei!r side ( ! ,atlantic4 ,:ile ,nor? ,am]ica turkey-trott$1 ! ,arg5t9e ,tango 0 delight+ & sc&alis+ ,p>is4 ,a dance ( curi\s hi/ory1 ! ,tango4 ,c]ta9 details ( its execution ju/ify ! assignm5t ( its remote orig9 to ! ,gipsies ( ,spa94 ,arg5t9a is an attractive m>ket = ,spani% danc+2 und\bt$ly ! orig9al ,tango1 compos$ ( ,gipsy /eps & movem5ts1 0 %[n 9 ,arg5t9a soon aft] its fir/ exploitation 9 ,spa91 "s =ty ye>s ago4 ,to *ange x f a solo = a woman into a dance = c\ples ne$$ only re>rangem5t1 plus modification ( movem5ts t might n be consid]$ respectable4 ,! latt] be+ a purely relative t]m1 disagreem5ts foll[$ ! dance's appe>ance 9 ,p>is--,arg5t9ian synonym = ,p>adise4 ,x is to ,p>is t ! prosp]\s ,arg5t9os g = refre%m5t2 & !re !y introduc$ _! =m ( ! ,tango4 ,rob]t1 a popul> ,p>isian tea*] ( social danc+1 arrang$ a v]sion ( x to con=m to cons]vative /&>ds1 & its spread foll[$4 ,! ,bo/on ,waltz 7! latt] ^w is g5]ally omitt$71 born 9 ! p]iod :5 ,s\sa's m>*es & two-/eps 7 omnipres5t1 exi/$ z little m ?an a !ory until1 ) ! adv5t ( ! new dances1 x 0 f\nd to be 9 tune ) ! times4 ,) ! ,tango & ,"o-,/ep x has come into a family relation%ip1 n[ borr[+ f !m = its own embelli%m5t1 aga9 l5d+ !m a /ep = ! good ( _! v>iety4 ,add to ^! ! ,brazilian ,maxixe & ! ,hesitation ,waltz1 & we complete ! li/ ( dances :i*1 at ! mom5t ( writ+1 animate social ga!r+s on bo? sides ( ! ,atlantic2 inspire re/aurant-keep]s to provide danc+ floors1 hotel manag]s to give ?s dansants1 ) p]iodical competitions1 & in/ruction if desir$2 ! dances t are successfully dem&+ = !mselves a new & unobjectionable species ( dance-hall1 & caus+ grave sci5ti/s to debate ov] !m z symptoms--) pr(\nd allusions to ! s-call$ 8danc+ mania0 ( an e>li] c5tury4 ,! ext5t ( ! vogue ne$s nei!r record nor comm5t 9 ?is place4 ,t :i* has n be5 duly not$ 9 ! p]iodical press is ! fact t a fa%ion ( rhy?mic ex]cise is prov+ to be a well-spr+ ( good spirits & a f\nta9 ( y\? = millions ( m5 & wom54 ,e "o b5efits by x4 ,none discont9ue x4 ,! only p n seek+ new /eps = _! rep]toire are ^? :o h n yet f\nd "t to make a beg9n+1 or :o h be5 dismay$ by ! =bidd+ numb] ( ,illu/ration3 ,,! 8,,waltz ,,m9uet0 ,mr4 ,john ,murray ,&]son1 ,miss ,g5evieve ,lyon ,*>act]i/ic /yle 7#a7--,v>iation1 position ( h&s 7#b7--,prep>ation = a turn 7#c7--,! mirror figure ,to face page #bgb ,illu/ration3 ,,! 8,,gavotte10 ,,%[+ ,,pres5t ,,t5d5cies ,*>act]i/ic /yle 7#a1 #b7--;,a curtsy 7#c7--;,arabesque to f9i% a phrase 7#d7 ,to face page #bgc new names1 bo? ( /eps & ( dances4 ,= _! b5efit1 x is 9 ord] to make a digression at ?is po9t4 ,let x be emphatically und]/ood t ! dances above enum]at$ are ! only ones t h any pres5t significance 9 ,fr5*1 ,engli% or ,am]ican ballrooms4 ,s-call$ 8new0 dances1 be>+ names ( summ] & w9t] resorts1 h]o9es & :at-n1 are pres5t$ 9 endless succession2 b analysis always %[s _! almo/ complete lack ( individuality4 ,_! claim to recognition regul>ly consi/s ( a m9or v>iation ( a famili> bit ( "o ( ! ,waltzes1 ! ,tango1 or ! ,"o-,/ep4 ,ar\nd ?is nucleus are ga!r$ /eps tak5 f ! o!r dances directly2 & ! 8composition0 is suppos$ to contribute publicity to "s progressive tea*] or p]=m]4 ,at ! pres5t mom5t a 8,spani%0 some?+-or-o!r is claim+ att5tion1 on gr\nds :i*1 exam9$ closely1 consi/ 9 a draw+ ( "o foot up to ! o!r1 ) a slight accompany+ body movem5t4 ,spani% danc+ does use ?is movem5t1 x is true4 ,s does ! ,"o-,/ep2 ! ,turkey ,trot _h x on its bir?day4 ,examples ( su* ef=ts might be multipli$1 b "o is suffici5t to %[ ! ne$lessness ( conc]n ov] /range & unprov$ titles4 ,! /eps & figures h]e9aft] describ$ are /&>d4 ,! li/ _c be complete1 s9ce ! ,tango alone has figures to a numb] v>i\sly e/imat$ at f ab\t fifty to m ?an a hundr$2 nor is x desirable t x %\ld be4 ,_m ( ^? figures are :olly ali5 to ! true ,tango "*1 contribute no?+ ( beauty or int]e/1 & might well be all[$ to p]i%4 ,o!rs are ( su* slight v>iation f basic =ms t !y c be le>n$ 9 a mom5t by any "o famili> ) ! pr9ciples4 ,embelli%m5ts are easily add$1 once ! /ructure is solidly built4 ,! in/ruction t foll[s 0 prep>$ "u ! c>eful sup]vision ( a tea*] ^: good ta/e is unque/ionable & ^: broad famili>ity ) danc+ 9 all its aspects qualifies him to =esee & e/imate t5d5cies ) extraord9>y precision3 ,mr4 ,john ,murray ,&]son1 previ\sly introduc$ 9 ^! pages 9 connection ) ! old c\rt dances4 ,! photographs illu/rat+ ! text 7 made f ! "w ( ,mr4 ,&]son ) 8 p>tn]1 ,miss ,g5evieve ,lyon2 collective possessors ( a fav\rable & gr[+ popul>ity z p]=m]s4 ,^! photographs may be /udi$ ) full reliance ^u _! value z guides to ! /yle ( ea* ( ! dances describ$4 ,to ! beg9n]1 ! diagrams & text w s]ve z a gramm>1 by ^: guidance ! /eps c be put into practice4 ,famili>ity w accu/om ! limbs & body to ! me*anism ( ! /eps1 & ! mirror w g f> 9 reveal+ ! faults insep>able f any new und]tak+ t requires skill4 ,at t po9t ! photographs h _! special value4 ,z soon z ! /ud5t is reasonably conv]sant ) 8 gramm>1 he %\ld beg9 to avail himself ( opportunities to put 8 k to practical use4 ,also1 if he wi%es to dance ) di/+ui%$ grace & /yle1 he %\ld put himself = a t]m "u ! eye ( a capable tea*]4 ,ambiti\s pr(essional p]=m]s1 possess$ ( ! k & skill d]iv$ f ye>s ( conc5trat$ /udy ( _! art1 p]iodically submit !mselves to rig\r\s coa*+4 ,! amateur1 ?\gh measur$ by mu* less exact+ /&>ds1 has comm5surately less prelim9>y tra9+ on :i* he may dep5d to give him ! qualities t make = graceful execution4 ,no danc] c see 8 own "w truly4 ,all ne$ at lea/ ! occasional ov]sight ( a skill$ eye2 & a tea*]'s exp]i5ce 9 detect+ ! causes ( imp]fections enables him to cure !m 9 a m9imum ( "t4 ,! figures 7en*a9em5t7 compos+ ! new dances h no set ord] ( p]=mance2 _! sequ5ce is at caprice1 usually sugge/$ by ! music4 ,nor is !re yet any indication t _! increas+ numb] has rea*$ its limit4 ,e "o is at lib]ty to te/ 8 p[]s ( inv5tion & composition1 to exp]im5t ) ! adaptation ( /eps ( "o dance into ano!r1 &1 9 g5]al1 to give play to 8 individuality4 ,b1 to ha/5 ! uni=m acceptance ( a c]ta9 set ( figures z a /&>d basis ( ea* dance1 x w\ld be be/ to po/pone indulg5ce 9 fantasies until aft] ! subjo9$ figures h be5 le>n$4 ,at pres5t ! progress ( ! ,tango1 9 p>ticul>1 is hamp]$ by ! fact t h>dly two p 9 ! same ballroom w be f\nd 9 agreem5t z to :at /eps con/itute t dance4 ,&1 z not$ be=e1 a prelim9>y le>n+ ( ! fundam5tals w enable him :o dances to decide intellig5tly :at new /eps may be add$ to a dance appropriately1 & :at are out ( h>mony ) t dance's "*4 7,! discussion ( !me1 9 ! *apt] on ballet te*nique1 deals ) composition ( /eps47 ,explicit v]bal description ( /eps is possible only by use ( ! accept$ designations ( positions ( ! feet4 ,if !y d n impress !mselves on ! memory cle>ly1 ! read] %\ld by all means copy ! diagram on a sep>ate slip1 & keep x be=e him z he exp]im5ts ) ! translation ( text & diagram into practice ( ! /eps4 ,illu/ration ,x w be se5 t ! designations ( positions diff] f ^? ( ! ballet 9 ! respect t ! feet 8toe out0 at an angle ( #de to an imag9>y l9e ( advance1 in/ead ( ! #ij prescrib$ by ! classic ballet4 ,modifications ( ! simple positions1 su*1 = in/ance1 z ant]ior or po/]ior position ( ei!r foot1 op5 or clos$ position1 etc41 w expla9 !mselves readily4 ,! relative positions ( p>tn]s are 7#a7 clos$ position1 7#b7 side position1 & 7#c7 op5 position4 ,clos$ position is t ( ! individuals fac+ ea* o!r1 %\ld]s p>allel1 ea* look+ ov] ! o!r's left %\ld]1 ! man's left h& hold+ ! woman's "r h&1 & 8 "r h& on h] back4 ,side position moves ! figures 7hold+ ea* o!r practically z be=e71 ea* to 8 left or ea* to 8 "r1 f> en\gh to take ea* away f 9 front ( ! o!r4 ,com+ t[>d ! spectator1 ! c\ple 9 side position %[s ! wid? ( bo? bodies4 ,op5 position places ! man & ! woman side by side1 fac+ 9 ! same direction1 jo9$ by 8 h& on h] wai/1 or by hold+ h&s4 ,necess>y prelim9>ies dispos$ (1 we are ready to proce$ ) ! actual me*anism ( ! dances1 ( :i* ! fir/ to be consid]$ is ,,! ,,"o-,,/ep #a4 ,,! ,,ca/le ,,walk 7inv5t$ & introduc$ by ,mr4 & ,mrs4 ,v]non ,ca/le74 ,?is is a walk+ /ep ( direct advance & retreat1 n us$ to move to ! side4 ,! c\ple are 9 clos$ position1 ! woman1 !re=e1 /epp+ backw>d z ! man /eps =w>d1 & vice v]sa4 ,! advanc+ foot is plant$ 9 f\r? position1 ! knee /raight1 ! toe d[n s t ! ball ( ! foot /rikes ! floor fir/4 ,! walk pres5ts an appe>ance ( /rutt+1 al?\gh ! %\ld]s are held level1 & ! body firm2 a %>p twi/ t punctuates ea* /ep is effect$ by means ( pivot+ on ! support+ foot4 ,! %\ld] & hip movem5ts t orig9ally *>act]is$ ! 8trot0 are no long] practic$4 ,9 all ! foll[+ floor-plan diagrams1 ! "r foot is indicat$ by solid black1 ! left foot by outl9e4 #b4 ,,! ,,turn is a walk+ /ep1 pivot+ on "o foot to *ange direction4 ,illu/ration ,! "r foot comes f ! prec$+ /ep to ! place ( />t+2 :ile x makes two successive long /eps 7#a1 #b7 ! left foot turns 8on its place40 ,! turn's completion br+s ! "r foot into ant]ior f\r? position4 ,! woman's /eps are ! conv]se ( ! man's1 h] left foot mak+ ! long /eps1 :ile h] "r foot turns on its place4 ,! turn ga9s smoo?ness by means ( all[+ ! "r knees to t\* ea* o!r lightly4 #c4 ,,! ,,dip4 ,/>t+ ) 7say7 ! "r foot 9 po/]ior f\r? position3 dur+ ! fir/ beat1 s9k 7= =m see photograph72 on ! second beat1 rise1 transf]r+ ! weight to ! left 7advanc$7 foot1 glid+ ! "r foot up to ?ird position1 on arriv+ at :i* x in/antly receives ! weight aga91 if ! dip is to be repeat$4 ,9 t case ! left foot aga9 glides to ant]ior f\r? position1 & ! /ep is effect$ z be=e4 ,frequ5tly sev]al dips are made 9 succession4 ,!y (t5 succe$ a turn1 ! latt]'s f9i% leav+ ! feet 9 appropriate 7f\r?7 position = ! purpose4 ,! dip is execut$ 9 any direction1 ) ! p]=m]s 9 any position ( ! c\ple4 ,x occurs 9 o!r dances1 b its te*nique is always ! same4 #d4 ,,! ,,grape-,,v9e is an alt]nation ( second & f\r? positions ( ! feet2 "o foot travell+ sidewise on a /raight l9e1 ! o!r foot go+ f ant]ior to po/]ior f\r? position1 & vice v]sa4 ,! /ep travels to ! woman's "r 7! man's left71 )\t turn+4 ,illu/ration ,! man's /eps are ! conv]se ( ! woman's1 he />t+ ) 8 left foot4 ,! /ep is execut$ 9 clos$ position ( ! c\ple1 & is usually p]=m$ sev]al times 9 succession4 ,! arrival ( ! feet 9 f\r? position 7i4 e41 ! /eps m>k$ 8#b0 9 ! diagram7 is usually punctuat$ ) a slight dip4 #e4 ,,! ,,"o-,,/ep ,,eight1 s call$ f ! numb] ( beats x occupies1 is di/9ct f ! ,tango ,huit1 describ$ lat]1 :i* describes a figure #h on ! floor4 ,! eight ( ! ,"o-,/ep is a simple walk1 ) turn4 ,illu/ration ,! man's /eps are ! conv]se ( ! woman's2 %e pivots on h] "r foot1 he on 8 left foot4 ,execut$ 9 clos$ position ( ! c\ple4 ,illu/ration #f4 ,,! ,,squ>e1 orig9ally a ,tango figure1 is equally effective 9 ! ,"o-,/ep4 ,f po/]ior ?ird position1 ! "r foot /eps to 7#a7 ant]ior f\r? position2 left foot glides to 7#b7 second position2 "r foot glides into 7#c7 fir/ position2 left foot /eps back to 7#d7 po/]ior f\r? position2 "r foot /eps to 7#e7 ant]ior ?ird position4 ,x is usually repeat$ sev]al times4 ,execut$ 9 clos$ position ( ! c\ple4 ,execution ( ! figure occupies two measures ( music2 /eps done 9 half-"t are indicat$ by ! ^w 8&10 in/ead ( a numb]4 ,! le>n] w f9d x useful to *ant ! c\nt al\d1 avoid+ /ress on ! half-c\nt ( 8&40 ,let x be und]/ood t ! ^w 8&10 us$ 9 c\nt+1 has ! above significance 9 descriptions to come4 #g4 ,a figure ^: execution occupies ?ree measures4 ,! /eps ( ! fir/ b> are quick1 ^? ( ! second sl[]2 ! diff]5ce ( spe$ %\ld be emphasis$4 ,illu/ration ,fir/ b>3 ,z ! left foot crosses ov] to 8#c10 x w be not$ t ! next placem5t ( ! "r foot is m>k$ 8&02 ?is is done because ! "t occupi$ by ! little movem5t is only "o-half beat4 ,9 practice ! /eps are c\nt$1 "o1 two1 ?ree & f\r4 ,! left foot's /ep m>k$ 8#d0 is a c\p2 z ! foot is plant$1 x displaces ! "r foot2 :i* takes a position ext5d$ to ! re>1 rais$ f ! floor4 ,second b>3 ,! space betwe5 ! la/ place ( ! "r foot 9 ! fir/ b> & its place 9 8#a0 9 ! second b>1 does n repres5t proportionate progress across ! floor2 ! /eps ( ! ?ree b>s are diagramm$ consecutively1 to avoid ! confusion ( sup]impos$ l9es4 ,on c\nt 8#a0 ( ! second b>1 advance ! "r foot f its rais$ po/]ior position to ant]ior fif? position4 ,fill 9 ! c\nt ( 8#b0 ) a sl[ advance ( ! left foot to f\r? position1 :i* x rea*es on c\nt 8#c02 ^u :i* x receives ! weight1 ! "r foot simultane\sly be+ rais$ f ! floor 9 po/]ior f\r? position on c\nt 8#d40 ,?ird b>3 ,on 8#a10 plant ! "r foot 9 po/]ior f\r? position & sl[ly s9k ! weight back on x2 on 8#b10 glide ! left foot back sl[ly 7#c7 to rea* ?ird position on c\nt 8#d40 ,! figure is execut$ 9 op5 position ( ! c\ple4 ,its mann] is smoo?1 )\t dips4 ,x is usually repeat$ sev]al times 9 succession4 ,illu/ration #h4 ,,! ,,murray ,,&]son ,,turn3 a turn en arabesque4 ,! man crosses ! "r foot 9 front ( ! left1 & transf]s 8 weight to x 7i4 e41 ! "r foot74 ,simultane\sly ! woman1 hold+ 8 h& 9 h] h& 7op5 position ( c\ple71 beg9s a walk ar\nd a circle ( :i* ! man's "r foot is ! c5tre4 ,z 8 legs 8unw9d10 he rises to ! ball ( ! "r foot1 ext5d+ ! left leg easily to ! re> 7see arabesque1 *apt] on ballet te*nique7 & rais+ ! left foot f ! floor4 ,! woman's walk+ movem5t %\ld be smoo? r ?an acc5t$4 ,aft] repeat+ ! turns ad lib41 x is f\nd t ! ,"o-,/ep ,eight foll[s h>moni\sly aft] ! turn4 #i4 ,a cross-ov] ) a woman's turn4 ,?is figure looks complicat$ 9 ! diagram & 9 p]=mance4 ,z a matt] ( fact1 x is n especially difficult4 ,illu/ration ,! diagram repres5ts ! cross-ov]1 :i* prec$es ! turn4 ,! turn is describ$ 9 words4 ,9 prep>ation = ! cross-ov]1 ! c\ple *anges f clos$ to side position1 ! man on ! woman's left4 ,! man's /eps are ! conv]se ( ! woman's2 & 8 travel back & =? c\nt]s h]s1 s t ! two pass & repass--9 ! side position ( ! c\ple1 he is n[ on ! h] left side1 n[ on h] "r1 & s on4 ,keep+ track ( ! woman's /eps on ! diagram1 read ! man's /eps "o by "o1 correlat+ !m ) ! woman's4 ,illu/ration3 ,,developm5t ,,( ,,an ,,ar* 8 ,,la ,,pir\ette0 ,cross to "r 7#a7-- ,cross to left 7#b7-- ,/>t ( turn 7#c7 ,to face page #bhb ,illu/ration3 ,,! 8,,"o-,,/ep0 ,! ,kit*5 ,s9k2 position ( c\ple 7#a1 #b7 ,,! 8,,brazilian ,,maxixe0 ,*>act]i/ic position ( advanc$ foot 7#c7 ,to face page #bhc ,aft] tak+ side position on ! woman's left1 ! man takes two walk+ /eps =w>d1 "r1 left2 cross+ ! "r foot 9 front ( ! left1 he *anges to ! woman's "r side4 ,/ill walk+ =w>d1 "r1 left1 two /eps br+ him to ! end ( ! ?ird measure4 ,f9i% 9 fir/ position ( ! feet4 ,note3 ,9 ! "w ( bo? man & woman1 ! turn 9 ! fir/ two measures1 & ! half-turn 9 ! ?ird1 involve only simple walk+ /eps1 plus a pivot to *ange direction4 ,! int]action ( arms sugge/s itself 9 practice4 ,! f\r? b> m>ks ! woman's turn--or pir\ette1 z x is (t5 & usually mi/ak5ly call$4 ,! man's left h& hold+ ! woman's "r h&1 ! woman executes a turn--a real pir\ette 7q4 v47 is p]missible--"u ! man's rais$ left arm1 f9i%+ 9 clos$ position ( ! c\ple4 7,see photographs47 ,! turn "u ! arm is sometimes call$ ! ar* la pir\ette4 #aj4 ,a woman's turn1 v>y+ ! prec$+1 ) :i* x is id5tical up to ! end ( ! second b>4 ,hav+ complet$ ! turn occupy+ ! fir/ & second b>s1 ! woman lets g h] p>tn]'s h& & walks ar\nd beh9d him1 complet+ ! circuit 9 f\r /eps4 ,^! mu/ be measur$ s t ! f\r? /ep br+s h] into read9ess to g into clos$ position ( ! c\ple2 & tim$ s t1 aft] go+ into clos$ position1 ! c\ple has nei!r to wait nor to hurry 9 ord] to move ) ! next beat4 ,dur+ ! walk ar\nd1 ! woman lightly glides h] left h& ar\nd ! man's neck4 ,! man rema9s /ation>y1 8 left arm ext5d$ horizontally be=e him4 ,! woman's "r h& takes ! man's left h& z %e comes into clos$ position4 ,! =ego+ movem5ts ( ! ,"o-/ep mu/ be execut$ n only ) f9e reg>d to rhy?m1 b also to cont9uity4 ,if !y are n made to fl[ "o into ano!r1 ! effect is j]ky & unc]ta9-look+4 ,,! ,,bo/on ,! di/+ui%+ /ep-comb9ation ( ?is v attractive dance is complete 9 "o measure4 ,its ess5ce is 9 a c]ta9 effect ( syncopation1 secur$ by keep+ ! weight on ! same foot ?r\gh two successive beats--contr>y to ! practice ( transf]r+ ! weight ) ea* beat1 z 9 ! old ,waltz4 ,ano!r peculi>ity ( ! ,bo/on is ! c>riage ( ! weight c\nt] to ! l9e ( direction ( travel1 giv+ an effect ( hold+ back4 ,! dance is p]=m$ ) delib]ation2 its execution aims at a r gr& /yle4 ,! dip *>act]i/ic ( & nam$ = ! ,bo/on is1 9 execution1 ! same z ! dip describ$ 9 connection ) ! ,"o-,/ep 7see photographs74 ,! managem5t ( a sequ5ce ( dips z !y occur 9 ! ,bo/on is1 h[ev]1 a matt] = special att5tion1 :i* w be giv5 x 9 its place4 #a4 ,! ess5tial /ep3 ,illu/ration ,on c\nt 8#a10 ! entire weight is ?r[n ^u ! "r foot2 & !re x cont9ues ?r\gh ! rema9d] ( ! b>4 ,on c\nt 8#b10 sw+ ! left foot =w>d into ant]ior f\r? position1 /raight5+ ! left knee1 t\*+ ! floor ) ! po9t1 z f> =w>d z is possible )\t tak+ any ( ! weight (f ! ,illu/ration3 ,,! ,,waltz ,a position ( ! c\ple 9 ! ,waltz ,m9uet 7#a7--;,correct position ( man's h& on woman's back 7#b7--;,a position also assum$ 9 ! ,"o-,/ep ,eight 7#c7--;,a ,dip 7#d7 ,to face page #bhd ,illu/ration3 ,,! ,,waltz ,%[+ correct positions ,( c\ple 7#a7--,( feet1 9 %ort /eps 7#b7--,( feet1 9 ,dip 7#c7--;,ano!r view ( ! ,dip 7#d7 ,to face page #bhe "r foot2 mean:ile ! "r foot rises to ! ball4 ,on c\nt 8#c10 l[] ! heel ( ! "r foot to ! floor4 ,turn by pivot+ on ! support+ foot1 cont9u+ to t\* ! po9t ( ! free foot to ! floor4 ,9 ! b> t foll[s1 ! left foot takes ! fir/ /ep1 z be=e4 ,to accompli% ?is ! weight mu/ be kept on ! "r foot4 #b4 ,! /ep backw>d is ! conv]se ( ! =ego+4 ,! diagram indicates1 z />t1 ! position 9 :i* ! feet 7 left by ! prec$+ /ep4 ,illu/ration ,= ! sake ( simplicity1 ! diagrams indicate a /raight advance-&-retreat movem5t4 ,x w be und]/ood t1 9 practice1 ?is is v>i$ to effect turns1 i4 e41 by pivot+ on ! support+ foot4 ,! execution above indicat$ applies to ! ,long ,bo/on4 ,9 ! ,%ort ,bo/on ea* beat is--or 0--made ! equival5t ( two c\nts = ! feet4 ,! result+ j]k9ess & lack ( sweep exclud$ ! ,%ort ,bo/on f any la/+ popul>ity4 #c4 ,! ,,bo/on ,,dip is1 9 practice1 a s]ies ( ?ree successive dips1 execut$ 9 rev]se turn+ movem5t4 ,ea* ( ! ?ree occupies a :ole measure1 & a f\r? measure is us$ 9 return+ to ! regul> ,bo/on walk+ /ep4 ,9 putt+ ! /ep into practice f ! diagram1 ! /ud5t w greatly simplify ! process by *ant+ ! c\nt3 "r'1 left1 "r2 left'1 "r1 left2 "r'1 left1 "r1 etc41 acc5t$ z indicat$1 on ! fir/ beat ( ea* measure4 ,because ! foot designat$ by ! acc5t$ c\nt receives ! weight2 & ! m ne>ly ! disposal ( ! weight c be made to take c>e ( itself1 ! m att5tion ! /ud5t has = o!r details4 ,illu/ration ,! dip beg9s on ! fir/ beat1 complet+ ! recov]y on ! ?ird4 ,x always is made ) ! "r foot 9 po/]ior position4 ,9 fact1 ! "r foot does n get out ( po/]ior position4 ,n[1 on measures :]e ! left foot takes ! fir/ c\nt1 z 9 ! fir/ measure 7above diagram7 ?is is easy4 ,b 9 alt]nate measures ! "r foot takes ! fir/ beat1 & j "h beg9s confusion f :i* few f9d any escape except by means ( practice4 ,p]haps ow+ to a rhy?m t ! dip has 9 common ) ! old ,waltz1 ! "r foot has a t5d5cy to g1 9 its turn1 into ! ant]ior position4 ,b x mu/ be kept back4 ,x mu/ be kept1 broadly speak+1 on ! out] ( two curv+ pa?s1 ( :i* ! left travels ! inn]4 ,note ! appe>ance ( ?is on ! diagram %[+ turns4 ,if ! le>n] succe$s1 at ?is po9t1 9 p]=m+ ! dip to ! satisfaction ( a c&id & intellig5t critic1 let him by all means proce$ to ! next section1 prais+ ,allah = ! gift ( facility4 ,if n1 let him be *e]$ by ! fact t x is z difficult = any "o else z = himself4 ,a semblance ( x is easily acquir$4 ,to insure reality1 return to ! figure on page #bhf4 ,obs]ve t 9 b>s :]e ! "r foot takes ! fir/ c\nt 7! ev5-numb]$ measures1 beg9n+ ) ! second7 ! "r foot does n /ep out 9 advance ( ! left foot4 ,in/ead1 x sweeps out to ! side2 ! movem5t is accompani$ by pivot+ on ! left foot4 ,a %ort /ep ( ! left foot to place 8#b0 m>ks ! cad5ce & pres]ves its ant]ior f\r? position4 ,on ! o!r h&1 9 measures :]e ! left foot takes ! fir/ c\nt1 x keeps its ant]ior position almo/ automatically4 ,illu/ration ,z an add$ expression ( ! diff]5ce ( treatm5t betwe5 ! alt]nate measures1 x is "h r$uc$ to ! =m ( a /raight advance4 ,! ,bo/on ,dip c>ries ) x ! possibility ( beauty comm5surate ) its difficulty4 ,on ! o!r h&1 its good execution is none too common4 ,! exhil>ation t att5ds its p]=mance appe>s1 sometimes1 to flatt] ! p]=m] into a belief t 8 /yle is z agreeable z 8 s5sation4 ,x is1 !re=e1 m ?an o!rs1 a /ep 9 :i* e "o %\ld submit 8 execution to rig\r\s & intellig5t criticism4 #d4 ,an embelli%+ en*a9em5t1 complete 9 six measures1 ( :i* ea* is fill$ by "o /ep4 ,until ! 8#f0 c\nt1 ! figure repres5ts a /raight advance & retreat4 ,! diagram dep>ts slightly f t =m 9 ord] to avoid ! confusion ( sup]impos$ l9es4 ,illu/ration ,z an aid1 c\nt z foll[s3 ,/ep1' ,dip1' ,po9t'-dip1 ,/ep1' ,dip1' ,turn4' ,turn 9 ! regul> direction1 n 9 rev]se2 & accompany ! turn also ) a dip4 ,9 ! ?ird measure1 ! left foot rec$es quickly f its ant]ior position 7:]e x po9ts7 to its po/]ior position4 ,9 ! ?ird1 f\r? & fif? measures1 note t ! left foot makes ?ree successive movem5ts4 #e4 ,ano!r embelli%m5t4 ,)\t turns1 its !ory is z foll[s3 ,illu/ration ,ea* c\nt repres5ts "o measure4 ,) turns includ$1 ! figure works out z foll[s 7= in/ance73 ,illu/ration ,! c\ple is 9 clos$ position4 ,! above diagrams repres5t ! man's /eps2 ! woman's are ! conv]se4 ,repeat at w4 ,,! ,,hesitation ,,waltz ,?is new evolution pres]ves all ! *>m ( ! old-fa%ion$ ,waltz1 & by means ( c]ta9 embelli%m5ts has giv5 x new life & int]e/4 #a4 ,its ,,!me is readily und]/ood by means ( a diagram3 ,illu/ration ,?is key /ep is complete 9 two measures4 ,x w be not$ t ! fir/ measure is devot$ to a walk+ /ep4 ,elevation3 ! 8#a0 beat 9 ! second b> is accompani$ by a slight dip4 ,t[>d ! la/ ( ! second b> ! danc]s sl[ly draw !mselves up until1 on 8#c10 !y are rais$ to ! ball ( ! support+ foot4 ,! man's "r leg1 z x draws ! "r foot up to place 8#c10 is di/9ctly relax$4 ,note1 9 ! second b>1 t ! "r foot cont9ues to move dur+ ! second beat4 ,! /ep is p]=m$ 9 ei!r op5 or clos$ position ( ! c\ple4 ,if ! =m]1 ! woman's /eps are id5tical ) ! man's2 if ! latt]1 ! conv]se4 ,if 9 op5 position1 ! travel is =w>d4 ,to turn 9 ! regul> direction1 ! /ep indicat$ 9 ! second measure is 9 use4 #b4 ,,! ,,rev]se is effect$ by an alt]nation ( ,bo/on ,dips ) an equal numb] ( measures ( old-fa%ion$ ,waltz 7see ,bo/on ,dip74 ,dip 9 measures :]e ! "r foot is 9 po/]ior position )\t aid ( a %ort5$ /ep or ( a left-foot pivot2 9 o!r words1 measures 9 :i* ! "r foot is =c$ into po/]ior position4 #c4 ,a v>iation ( ! !me3 ,illu/ration ,= conv5i5ce1 c\nt ! "t3 "o1 two1 ?ree1 pause4 ,on ! ^w 8pause10 ?r[ ! weight /rongly on to ! left foot1 ! "r rema9+ easily 9 second position ) ! edge ( ! sole re/+ on ! floor4 ,9 repeat+1 move at "r angles to ! direction foll[$ 9 ! prec$+ measure4 ,! man's direction turns t[>d 8 left1 ! woman's t[>d h] "r4 #d4 ,! ,,lyon ,,*asse3 an effective figure 9 op5 position ( ! c\ple4 ,complete 9 "o measure2 advantage\sly repeat$ sev]al times4 ,illu/ration3 ,,! 8,,tango0 ,mr4 ,&]son & ,miss ,lyon ,*>act]i/ic /yle 7#a1 #b1 #d7--,woman circles man 7#c7 ,illu/ration3 ,,! 8,,tango0 ,*>act]i/ic /yle ,to face page #bia ,illu/ration ,c\nt "o1 two & ?ree4 ,description ( ! man's /eps3 ,advance "r foot to f\r? position1 :]e x receives ! weight 7#a72 cross left foot ov] 9 front ( "r foot1 pivot+ on ! latt] ) ! sw+ ( ! left foot1 s t ! left foot :5 plant$ is 9 ant]ior f\r? position 7#b72 cross "r foot beh9d left 7&7 /ep out ) left foot 9 ! direction ( />t+4 ,! travel effect$ is a /raight advance4 ,! woman's /eps are ! conv]se ( ! man's1 br++ ! c\ple face to face on 8#b40 ,,! ,,arg5t9e ,,tango ,to "s p ! ,tango seems to be an object ( suspicion4 ,9 a previ\s inc>nation1 ?ree or f\r ye>s ago1 x did1 9 all likelihood1 fall %ort ( ! requirem5ts = acceptance 9 ,anglo-,saxon ballrooms4 ,yet1 not)/&+ ! correction ( its %ortcom+s1 or ! trans=mation ( !m into virtues1 !re l+]s a semifa%ion ( nagg+ at x4 ,( ^? volunte]s = its re=mation :o make specific compla9ts1 no two factions h a po9t ( belief 9 common2 ! factions are num]\s1 & _! obs]vations n v logical4 ,inde$1 x w\ld be illum9at+ z well z ent]ta9+ if dictagraphic reports c\ld be collect$1 ( all ! discussions ! ,tango has inspir$ s9ce its introduction 9 ,p>is4 ,su* reports %\ld be giv5 to "o ( ! s]i\s-m9d$ critics ( ! dance = compilation1 ) 8 own comm5ts4 8,! movem5ts employ$ 9 ! ,tango1 sob]ly view$ z a measure ( respectability0--"s su* title z t ! treatise %\ld h1 to be repres5tative ( a species ( misgiv+ ( :i* expression has n :olly subsid$4 ,x is "t t ! gho/ %\ld be laid1 s9ce ! ,tango is n[1 & has be5 = a ye> or m1 a beautiful & irreproa*able dance--assum+1 ( c\rse1 its p]=mance 9 ! clean _s usually f\nd 9 good society4 ,any dance c be made sugge/ive or (f5sive4 ,s c walk+4 ,b t is no reflection on ! intr9sic quality ( ei!r dance or walk4 ,! measure ( ! beauty or "* ( a dance is to be f\nd 9 ! movem5ts :i*1 by common acceptance1 t dance prescribes2 a r5d]+ t dep>ts f ^? movem5ts fails to measure ^? attributes1 9 s f> z x violates ! accept$ =m4 ,n[1 a c\ple ( specim5s ( ! movem5ts t br+ criticism ^u ! ,tango4 ,( its *>act]i/ics1 "o is a mann] ( t\*+ ! po9t to ! floor1 ! foot po9t+ /raight =w>d2 foll[$ by a quick raise ( ! foot1 ! raise accompani$ by a turn outw>d ( ! heel4 ,! effect is1 und\bt$ly1 exotic2 t is "p ( its *>m4 ,x is criticis$1 h[ev]1 on gr\nds ( respectability6 ,"o m movem5t c>ries ?is (f5d+ /ep to ! att5tion ( a :olly diff]5t set ( c5sors4 ,^! latt] h f\nd no fault ) ! t\* ( ! foot to ! floor 9 7say7 second position1 & its raise 9 ! indicat$ mann]4 ,b n[1 ! same foot moves back to f\r? position4 ,j t4 ,! same old f\r? position1 )\t innovation or adornm5t4 ,& !reupon1 ) all seem+ e>ne/ness1 ! second in=mal committee ( c5sors prote/s on gr\nds ( respectability6 ,:y8 ,is x because1 9 com+ to t f\r? position1 two /eps 7 tak5 9 succession by ! same foot8 ,no1 t is n x2 x seems t f\r? position is at fault1 p] se4 ,! "* ( ! objections sugge/s ! exi/5ce ( an appreh5sion t an unqualifi$ acceptance ( ! ,tango w\ld be risqu4 ,!re is no o!r explanation = ! ho/ility1 "u pres5t conditions ( ! dance4 ,yet1 idle z are ! objections1 !y _c be q ov]look$4 ,a c]ta9 numb] ( vacillators are li/5+ n[ to "o voice1 to ano!r to-morr[3 h[ev] great or small _! influ5ce1 9 ratio to its /r5g? x w t5d to d5ature a product t n[ has a flav\r to int]e/ disc]n+ ta/e1 yet h>dly to imp]il ! weak-head$4 ,dropp+ ! above issue1 ! ,tango's trick ( ! foot cont9ues to be int]e/+2 ?is "t 9 relation to ! int]e/ ( "*4 ,! %>p 9-twi/ ( ! foot is "o ( ! po9ts ( individuality bo? ( ! ,tango & ! dance ( ! ,arab4 ,n[1 probable family relation%ip puts ! ,tango "u no obligation to family traits1 = ! sake ( family dignity2 t is beside ! po9t4 ,b1 9 its own int]e/1 ! ,tango w\ld d well to take a c>eful look at ! "w ( ! ,arab1 to see t x is d]iv+ equal pr(it f ! same res\rces4 ,:i* x is n4 ,by curr5t usage 79 ! ,unit$ ,/ates at lea/7 ! ,tango makes a practice ( toe+ =w>d1 or ev5 91 to an ext5t t is n only monoton\s1 b :i* robs ! quick 9-turn device ( ! value ( surprise4 ,! ,arab woman1 on ! o!r h&1 places h] feet at a natural angle2 moreov]1 %e prec$es ! %>p turn-9 ) an outw>d turn suffici5tly m>k$ to give ! =m] a tell+ contra/4 ,! same is true ( ! ,flam5co dances 9 ,spa94 ,_! sup]ior use ( ! trick ju/ifies att5tion on ! "p ( ^? "u ^: influ5ce ! new dance is det]m9+ its f9al =m4 ,9 po9t ( m]it1 ! ,tango measures up to a /&>d :i*1 ?\gh by no means a true measure ( quality1 has a c]ta9 practical value3 x is suffici5tly picturesque to cov] ! faults ( a half-good danc]4 ,conv]sely1 z a vehicle = ! equilibrium & /yle t unite 9 a v good danc]1 x is n excell$ by any social dance ( mod]n times4 ,x %\ld be not$ t ! mo/ suitable music is among ! compositions ( ! ,arg5t9os !mselves4 #a4 ,,! ,,tango ,,walk 7,spani%1 el ,paseo2 ,fr5*1 la ,prom5ade7 is us$ z a v>iety to figures4 ,! man moves =w>d1 />t+ ) ! left foot1 ! woman backw>d4 ,! /ep br+s ! advanc+ foot to position squ>ely 9 front ( ! support+ foot1 bo? 7by ! pres5t mode7 po9t$ /raight =w>d4 ,! full weight is transf]r$ to ! advanc$ foot z soon z possible1 ! knee ( ! leg 9 po/]ior position promptly relax$1 ! po/]ior foot re/+1 = a mom5t1 lightly on ! po9t4 ,! /ep 9 advance is made ) a light glid+ movem5t4 ,9 turn+1 foll[ ! rev]se direction inv>iably4 ,te*nique ( ! /ep backw>d3 ,/>t ! foot ) a glide1 lett+ x rise f ! floor t[>d ! end ( ! /ep1 mean:ile toe+ inw>d2 plant ! foot squ>ely to ! re> ( ! support+ foot4 ,at ! mom5t ( plac+ ! retreat+ foot1 ! knee ( ! advanc$ leg is relax$1 & ! advanc$ foot is turn$ ,illu/ration3 ,,! 8,,tango0 ,! two upp] pictures repres5t phases ( ! 8,scissors0 figure4 ,! two l[] %[ *>act]i/ic /yle ( ! 8,tango04 ,to face page #bid ,illu/ration3 ,,! 8,,tango0 ,! ,rev]se 7semi-op5 position7 7#a7--,! regul> ,tango walk+ /ep 7#b7--a & #b apply also to ! ,"o-/ep ,eight--,/yle ( movem5t 7#c7--,position ( h&s sometimes assum$ to emphasize ! end ( a phrase 7#d7 ,to face page #bie inw>d1 ! heel rema9+ plac$ z a pivot4 ,! same directions apply to man & woman4 #b4 ,,! ,,corte4 ,illu/ration ,/>t+ 9 fir/ position3 ,put ! weight on ! "r foot 7#a72 /ep =w>d ) ! left foot1 quickly br++ ! "r up to ?ird position1 bo? /eps accompli%$ on 7#b72 br+ ! left foot back to fif? position1 rise on balls ( feet 7#c71 drop heels to floor ) pli ( knees 7#d74 ,! second measure f9ds ! "r foot 9 ant]ior fif? position4 ,! fir/ beat br+s x back to po/]ior fif? position & ?r[s ! weight ^u x4 ,cont9ue same z fir/ measure4 #c4 ,,! ,,scissors4 7,spani%1 las ,tij]as2 ,fr5*1 les ,ciseaux47 ,illu/ration ,! 8#a0 c\nt is m>k$ by a t\*-&-turn ( ! foot2 t\* ! po9t to ! floor1 & in/antly raise x1 %>ply1 ?r[+ ! heel out2 set foot on place 8#b40 ,) ! turn ( ! foot1 all[ ! hips 7b n ! %\ld]s7 to turn also 9 su* mann] z to br+ ! "r foot1 = ! mom5t1 into po/]ior f\r? position4 ,?is applies to beat 8,i40 8,ia0 repres5ts ! po9t+ ( "r & left foot respectively4 ,a v>iation ( ! same is effect$ z foll[s3 ,illu/ration ,turn+ may be accompli%$ by 7a7 ! man cross+ ! "r foot ov] ! left1 & 7b7 ! woman 8unw9d+0 him by mov+ ar\nd him execut+ scissors /eps1 turn+ to h] "r4 ,done 9 clos$ position ( ! c\ple4 #d4 ,,! ,,m$ia ,,luna 7,fr5*1 la ,demi-lune74 ,illu/ration ,/>t 9 fir/ position4 ,"r foot to ant]ior f\r? position 7#a72 left foot to second position 7&7 "r foot glid$ to fir/ position 7#b74 ,left foot to po/]ior f\r? position 7#c72 "r foot to second position 7&7 left foot to fir/ position 7#d74 ,! place & position ( />t & f9i% are id5tical4 #e4 ,,! ,,eight 7,spani%1 el ,o*o2 ,fr5*1 le ,huit74 ,/>t 9 fir/ position4 ,cross "r foot 9 front ( left 7#a72 br+ left foot to fir/ position 7&7 "r ,illu/ration3 ,,! 8,,tango0 ,! ,corte 7#a7--;,*>act]i/ic /yle 7#b7--;,a v>iation 7#c7--,/>t ( a turn 7#d7 ,to face page #bif ,illu/ration3 ,a 8,,tango0 ,,/ep ,man's foot displaces woman's 7#a7--,woman's foot displaces man's 7#b7--;,ea* displaces ! o!r's foot 7#c7 ,to face page #big foot to po/]ior f\r? position 7#b72 cross left foot ov] 9 front ( "r 7#c71 "r foot to fir/ position 7&7 left foot =w>d to f\r? position4 ,illu/ration ,execut$ ei!r 9 op5 or clos$ position ( ! c\ple4 ,9 ! latt]1 ! woman's /eps are ! conv]se ( ! above4 ,9 op5 position ! same /eps are us$ by bo? p>tn]s2 _! travel describ+ a zigzag figure4 #f4 ,a ,,waltz ,,turn4 ,to *ange f "o figure to ano!r1 ! c\ple may make sev]al turns 9 rev]se direction1 by means ( ,waltz /ep4 ,illu/ration ,fir/ measure3 ,) ! rise on ! left foot1 ! "r foot w\ld be/ be consid]$1 = simplicity's sake1 z leav+ ! floor1 & rema9+ 9 ! air until 8#a0 ( ! second measure4 ,second measure3 ,on 8#a10 ! weight goes back ^u ! "r foot2 consid] ! left foot 9 ! air1 until 8#a0 ( ! ?ird measure4 ,?ird measure3 ,same z fir/ measure4 ,f\r? measure3 ,cross "r foot ov] left foot & simultane\sly rise 7#a72 hold ! position until 8#b40 ,s9k ) suffici5t pli to give s(tness ( movem5t4 ,pick up ! "r foot sm>tly at ! end ( ! la/ measure 9 :i* ?is /ep is us$4 ,9 "* ) ! ,waltz1 ! above movem5ts are made to fl[ toge!r 9 execution4 ,b a ?or\gh grasp ( _! sequ5ce mu/ be acquir$ prim>ily4 ,! turn is us$ to sep>ate en*a9em5ts1 9 ! mann] ( ! rev]se ( ! ,hesitation ,waltz1 to :i* x is analog\s 9 /ructure4 #g4 ,an easy /ep4 ,illu/ration ,on 8#c10 b5d ! "r knee1 at ! same "t slightly rais+ ! left foot f ! floor 7po/]ior f\r? position74 ,on 8#d10 pick up left foot %>ply4 ,9 execution1 pivot on support+ foot1 to turn 9 regul> direction4 ,illu/ration3 ,a ,,nor? ,,am]ican ,,figure ,,9 ,,! 8,,tango0 ,prep>ation 7#a7--;,aft] ! twi/ 7#b7--;,f9i%+ ) a ,dip 7#c7 ,to face page #bih ,z ! "r foot does its t\*-&-turn1 incl9e ! body away f x2 & vice v]sa4 ,note same z a ,tango pr9ciple4 #h4 ,! same1 to ! re>4 ,illu/ration ,9 ?is & ! prec$+ figure1 8#b0 indicates ! ,tango's mann] ( t\*+ ! po9t to ! floor & quickly rais+ ! foot1 at ! same "t turn+ ! heel out %>ply4 ,?is 7a7 b5ds ! knee & 7b7 ?r[s ! hip slightly =w>d4 ,give reasonable play to bo? t5d5cies4 #i4 ,a ,nor? ,am]ican figure1 us$ pr9cipally by exhibition danc]s4 ,illu/ration ,/>t 9 fir/ position4 ,advance left foot to f\r? position1 /amp 7#a72 advance "r foot to f\r? position1 keep+ x 9 ! air 7#b72 a rond de jambe half-turn1 v fa/1 pivot+ on left foot1 to br+ "r foot to ant]ior f\r? position 7#c72 v l[ dip or kneel 7#d74 ,exhibition danc]s frequ5tly adorn ! rond de jambe ) a little circle 7f ! knee z pivot7 describ$ by ! foot1 execut$ dur+ & )\t int]rupt+ ! big sweep4 ,! little movem5t adds dazzle to ! rapidly execut$ big movem5t4 ,p]=m$ 9 op5 position ( ! c\ple4 ,! half-turn br+s !m ab\t-face1 fac+ ea* o!r 9 ! c\rse ( turn+4 7,see photographs47 #aj4 ,,el ,,volteo 7! ,:irl7 is ! "n ( a figure ( :i* descriptions come f ,p>is4 ,! me*anism ( ! /ep is id5tical ) t ( ! grapev9e ( ! ,"o-,/ep4 ,,! ,,brazilian ,,maxixe ,?is is1 virtually1 a revival ( ! ,two-,/ep1 plus c]ta9 ,tango /eps & en*a9em5ts4 ,in/ead ( ! ,tango's t\*-&-turn-9 ( ! foot1 x employs a device ( re/+ ! heel on ! floor1 ! foot po9t$ upw>d1 :ile ! body assumes a b5t-ov] po/ure n p>ticul>ly attractive4 ,illu/ration3 ,,! ,,fir/ ,,/ep4 ,z 9 o!r pres5t-day dances1 usage requires no set sequ5ce ( figures4 #a4 ,execute ! fir/ measure ) ! body some:at supple1 & a good deal ( rise & s9k 9 ! /eps4 ,! effect may be v>i$ by incl9+ ! body r s9u\sly f side to side4 #b4 ,a ,,fly+ ,,two-,,/ep3 a two-/ep 9 :i* ! advanc$ foot po9ts upw>d1 t\*+ ! heel to ! floor--except on turns4 ,cont9ue z _m measures )\t turn+ z is f\nd int]e/+2 eight are n too _m4 ,illu/ration3 ,,ano!r ,,/ep4 #c4 ,man's /eps3 ,/>t+ 9 fir/ position1 advance "r foot to f\r? position 7#a72 glide left foot to second position 7#b72 glide "r foot to po/]ior ?ird position 7#c72 c>ry left foot to po/]ior f\r? position1 pause en attitude1 &1 plant x1 transf]r+ weight to x & rais+ "r 7advanc$7 foot1 po9t d[n 7#d74 ,woman's /eps3 ,advance left foot to po/]ior f\r? position 7#a72 glide "r foot to second position 7#b72 glide left foot to po/]ior ?ird position 7#c72 plant "r foot 9 ant]ior f\r? position & raise ! left foot f ! floor 7#d74 ,dur+ ! pause on 8#d10 ! woman leans slightly =w>d4 ,until ! ?ird beat1 h] /eps are ! conv]se ( ! man's4 ,!n1 x w be not$1 h] position becomes ! same z ! man's3 ea*1 ?r\gh a half-beat1 is support$ on ! "r foot1 ! left ext5d$ back en attitude4 ,! c\nt ( 8#d0 aga9 f9ds ! c\ple 9 conv]se positions1 ! man's "r foot be+ po9t$ =w>d :ile ! woman's is ext5d$ back4 #d4 ,,an ,,ar* ,a ,,la ,,pir\ette4 ,hold+ 8 p>tn]'s "r h& 9 8 left h&1 ! man executes f\r polka-/eps =w>d2 :ile ! woman1 by means ( f\r polka-/eps1 makes a complete turn t[>d h] left4 ,! engag$ h&s are rais$ to all[ h] to pass "u ! arms4 #e4 ,miscellane\s4 ,! =ego+ may be v>i$ ) sl[ walk+ /eps1 "o to ea* measure2 runn+ /eps1 two to ea* measure2 & polka-/eps1 ) a dip on ! fir/ beat4 ,ow+ p>tly to its facility1 ! ,maxixe is likely to be rememb]$ z ( ! gr\p ^: spread ov] ! ,occid5t has repres5t$ a /rik+ social ph5om5on4 ,( ! ,maxixe1 ! ,"o-,/ep1 ! two ,waltzes & ! ,tango1 ! leap into popul>ity has be5 s incr$ibly sudd51 & ! popul>ity s f>-rea*+1 t x sugge/s a great1 curi\s /ory2 a /ory ) dances & nations z *>act]s2 a /ory ^: capacity = surprises is s well prov5 t all ! _w keeps ask+ itself1 8,:at next80 ,t ! t5d5cy is n 9 ! direction ( ! grotesque is evid5c$ 9 ! hi/ory ( ! ,turkey ,trot4 ,s f> ! layman may read = himself4 ,= m def9ite op9ion1 we turn to ^? :o1 by intimate association ) ! art 9 ! capacity ( tea*]s & p]=m]s1 are situat$ to obs]ve ! attitude ( ! public t[>d ! art2 & :o also1 by virtue ( a broad ,illu/ration3 ,,! 8,,brazilian ,,maxixe0 ,*>act]i/ic /yle 7#a7--;,a ,dip 7#b7--,v>iations 7#c1 #d7 ,to face page #cjb ,illu/ration3 ,,! 8,,brazilian ,,maxixe0 ,prep>ation = a turn 7#a7--;,f9i% ( a turn 7#b7--;,*>act]i/ic /yle 7#c7--;,a ,dip 7#d7 ,to face page #cjc k ( danc+1 are capable ( relat+ _! obs]vations to *oreographic geography & hi/ory4 ,madame ,pavl[a1 ( ! _w2 ,mr4 ,&]son1 n[ ( ,am]ica2 & ,miss ,nellie ,*apl9 ( ,london1 h committ$ !mselves def9itely z to future probabilities2 & ) _! op9ion au?orities g5]ally are 9 full agreem5t4 ,to ! effect t3 ,! dances ( ! sev5te5?-c5tury c\rts are ! objective t[>d :i* pres5t-day /eps are mov+ directly4 ,!y are a "p ( ! curriculum ( ,miss ,*apl9's fam\s ,london s*ool4 ,a ,gavotte ,directoire pres5t$ by ,madame ,pavl[a1 "o ( h] mo/ popul> numb]s1 seems ! v _s ( mod]nism4 ,%e expresses ! belief t ! ,russian ,gavotte1 9 :i* is pres]v$ ! c\rtly _s1 is de/9$ to wide acceptance4 ,mr4 ,&]son demon/rates po9ts ( /ep & /yle t l9k toge!r mo/ conv9c+ly ! old & ! new4 ,famili>ity ) ! c\rt dances is ! dom9ant influ5ce 9 8 treatm5t ( ! dances ( to-day2 & ! significant "p ( x is t ! ess5tial mod]nism ( 8 mann]1 9 /eps rapid or sl[1 lies 9 a poise :i*1 until ye/]day1 0 suppos$ to be old-fa%ion$4 ,,*apt] ,,xiv ,a ,,layman',s ,,e/imate ,,( ,,conditions ,t great danc+ is a useful & desirable addition to human happ9ess ne$s no argum5t4 ,its p[] to delight ! vision & exp& ! imag9ation2 its value z an example & inc5tive to an ex]cise unsurpass$ z an ally ( heal?--^! & o!r virtues are obvi\s4 ,m completely1 p]haps1 ?an any ( its tribut>y arts1 danc+ has ! p[] to imp>t t indef9able m5tal well-be+ t great art aims to give its auditor or spectator4 ,z music is refre%m5t = "o1 pictures = ano!r1 s ! contemplation ( danc+ is ! means ( ord]+ & en]gis+ ! m9d ( a ?ird4 ,we ( ! ,unit$ ,/ates are a beauty-lov+ p 9 ! ma91 & almo/ unanim\sly attun$ to ! message ( action--s long z we und]/& its mean+4 ,once really e/abli%$ among su* a p1 danc+ w\ld take a position ( importance second to no o!r s\rce ( national inspiration4 ,9 ! meantime1 !re are unorganis$ cohorts ( u to :om good danc+1 l good read+1 is some?+ ( a necessity2 & we %\ld l to "k :at we h a "r to expect f ! ne> future4 8,! public gets :at x wants10 is ! sophi/icat$ comm5t almo/ inv>iably drawn =? by any discussion along ^! l9es4 ,:i* comm5t exposes its own sup]ficiality2 ! sugge/ion ( ! exi/5ce ( any "o public1 9 relation to ! arts1 is absurd4 ,patronis+ danc+ !re appe>1 at ! v fir/ glance1 two publics z widely sep>at$ z inhabitants ( diff]5t planets2 ea* public possess$ ( appreciations inconceivable to ! o!r1 & ev5 contemptible4 ,^! are ! public t applauds ! buxom laz9ess :i* sub/itutes = danc+ 9 ! s-call$ 8amusem5t0 kn[n z burlesque1 z di/+ui%$ f ! public t responds to ! pure beauty ( op]a ballet or well-p]=m$ ballet pantomime4 ,betwe5 ^! two extremes is an int]m$iate public t is ! m or less innoc5t cause ( endless confusion1 & ^: good nature is an ob/acle to ! bett]m5t ( /&>ds4 ,9 ! !atre1 ev5 :5 ! *aff outweighs ! :eat1 x applauds ev]y?+4 ,! next day ,mr4 & ,mrs4 ,int]m$iate ,public advise _! fri5ds t ! production is /upid4 ,decreas+ att5dance may w>n ! manag] t some?+ is lack+3 b :at8 ,z a criticism1 abs5ce is n v illum9at+4 ,acts are *ang$1 cablegrams writt5 & l9es rewritt51 ?is man dis*>g$1 a woman ru%$ ov] f ,p>is4 ,& :5 all is said & done1 ! p]=mance p]haps cont9ues to emphasise features t 7 ! cause ( bad impressions4 ,= ?is confusion1 ! audi5ces are at lea/ equally to blame ) ! manag]4 ,!y owe x to !mselves z well z to o!rs to express !mselves frankly4 ,exactly :at grade ( danc+ ?is int]m$iate public really wants is an unsettl$ "q--& "o ( p>am\nt importance1 s9ce x involves a good "p ( ! pot5tial support ( good ?+s4 ,manag]s inf]1 ea* accord+ to 8 own disposition2 & !re is r>ely mat]ial = ! =mation ( inf]5ces 9 any way exact4 ,= "o reason or ano!r1 no und]tak+ s]ves ! purpose ( exact exp]im5t2 exp]i5ce does n lead to any unavoidable conclusion4 ,a few :olly good ballet productions h be5 giv5 9 ! ,unti$ ,/ates dur+ ! pa/ few ye>s2 !y h n be5 trem5d\sly successful1 up to ! pres5t1 f ! po9t ( view ( pr(its4 ,! optimi/1 h[ev]1 c\nts ev5 small pr(its a success1 9 ! circum/ances4 ,"h is an art t employs a language practically unkn[n to ?is c\ntry2 yet x has n fail$ to impress4 ,b ! m5 :o risk$ ! money take ano!r view ( x4 ,!y consid] t !y h _h a n>r[ escape f disa/]1 t ! pr(its are n comm5surate ) ! risks1 & t !y are well out ( a bad affair4 ,augu/9 ,daly1 at ! "t ( 8 dea?1 0 engag$ 9 a c\rse ( in/ruct+ ! public 9 ! appreciation ( pantomime1 expect+ to lose money on x = two or ?ree consecutive ye>s4 ,b ! pres5t mom5t reveals no ,augu/9 ,daly among ! pot5tial manag]s ( danc+ 9 ,am]ica4 ,few are will+ to plant se$ = a h>ve/ long def]r$4 ,& 9 ju/ice be x add$ t ! equipm5t & ma9t5ance ( ,pygmalion & ,galatea or ,l',enfant ,prodigue1 ! vehicles ( ,mr4 ,daly's mission>y ef=ts 9 ! int]e/s ( pantomime1 w\ld be a small fraction ( ! exp5ses atta*+ to a fir/-class production ( any ( ! great mimetic ballets4 ,! situation is1 9 all ess5tials1 ! same z t ?r\gh :i* op]atic & or*e/ral music pass$ a few ye>s ago4 ,music lov]s put _! fav\r$ art on a sub/antial basis by means ( end[m5ts4 ,any o!r c\rse 9 relation to ! ballet results 9 a matt] ( probabilities & possibilities1 b n ( c]ta9ties4 ,! pres5t int]e/ 9 danc+1 left to itself1 may lead to great ?+s4 ,or x may lead to no?+ at all4 ,! r5aissance ( int]e/ t foll[$ ! ,kiralfy successes 9 ! sixties & sev5ties 0 kill$ by c\nt]feits4 ,! same ho/ile possibilities exi/ at pres5t4 ,! above-indicat$ dep5d5ce ( ! dance on its ability to %[ imm$iate pr(its is only ! fir/ ( its h&icaps4 ,t difficulty w\ld n be light1 ev5 ?\gh e manag] view$ conditions cle>ly & fairly1 z "s ( !m d4 ,un=tunately1 h[ev]1 !re is 9 ! pr(ession a class t has succe$$ because (1 or 9 spite (1 a belief t good ta/e does n exi/ 9 ,am]ica4 ,to prove ?is1 !y %ape e occurr5ce into an argum5t4 ,9 ga!r+ 8names0 = ! int]e/ ( _! adv]tis+1 !y engage a c]ta9 numb] ( capable arti/s4 ,if ! productions employ+ ^! arti/s succe$1 ! cynical manag] w con/rue su* success z pro( ( ,am]ican wor%ip ( reputation1 & its p[] to bl9d him to a mess ( accompany+ m$iocrity4 ,if1 on ! contr>y1 failure att5d ! ent]prise1 x proves ,am]ican inability to appreciate good "w4 ,= ! success ( a really good "w ( art1 ^! pessimi/s w f9d any explanation except t ( good "w duly appreciat$4 ,skilful publicity1 novelty1 a public affectation ( good ta/e1 ! employm5t ( ,ori5tal motifs1 any !ory1 s long z x ackn[l$ges no ta/e sup]ior to _! own4 ,^! are ! p :o1 if ,madame ,pavl[a's pres5t t\r1 = in/ance1 makes a /rik+ f9ancial success1 w inundate ! c\ntry ) pseudo-,russian ballets1 p]v]t+ ev]y?+1 unable to see ! ne$ ( beauty & arti/ry1 br++ all danc+ into disrepute4 ,let x be cle>ly und]/ood3 ^! p by no means repres5t ! manag]'s pr(ession4 ,b !y are to an ext5t 9 control ( ! situation1 & ! p]son :o wants to see danc+ is m or less dep5d5t on !m z ! s\rce ( supply4 ,9 ! abs5ce ( any end[$ in/itution1 no ballet c be se5 except "u comm]cial managem5t--&1 z not$1 comm]cial managem5t t _c or w n kn[+ly inve/ 9 an ent]prise t is go+ to require "t to be und]/ood4 ,! manag] desir\s ( /ag+ a "w ( g5u9e *oreographic quality f9ds himself confront$ by a disc\rag+ sc>city ( ev5 semicompet5t mat]ial = 8 ballet--t is1 "h 9 ,am]ica4 ,to br+ a corps de ballet f ,europe1 ) gu>antees cov]+ a m9imum numb] ( weeks ( "w1 transportation bo? ways1 & o!r prop] & j requirem5ts1 is comm]cially dang]\s4 ,no reasonable blame c be atta*$ to ! usual c\rse ( engag+ su* girls z are easily available1 fitt+ /eps to _! limitations1 insi/+ on ! girls & evad+ ! dance1 & mak+ mu* ( drap]ies & col\r$ lights4 ,z a direct result ( ! sc>city ( capable ballet p1 dance-lov]s n infrequ5tly lose ! s]vices ( a r>e arti/4 ,no "o arti/ c give a satisfy+ two-h\r public p]=mance ( danc+4 ,say+ no?+ ( v>iety z a desid]atum 9 a programme1 ! "q ( physical endurance ent]s4 ,to re/ ! premire betwe5 h] flights1 a corps de ballet is indisp5sable4 ,)\t ! latt]1 ! =m] is to be comp>$ to a comm&] )\t an army4 ,b ! p>ticul> case illu/rates1 :]e g5]al /atem5t only expla9s4 ,on ! face ( ?+s1 ,miss ,lydia ,lop\k[a's det]m9ation to take up resid5ce 9 ! ,unit$ ,/ates w\ld seem to mean t ,am]ican dance-lov]s might c\nt on h] art z a def9ite acquisition4 ,aft] h] season ) ,mordk91 ! "y woman accept$ a position z premire ( a ballet1 z good z c be made f native mat]ial4 ,a div]tissem5t is compos$ t pleases public & managem5t1 & all conc]n$ except ! premire h]self4 ,%e f9ds h] "w circumscrib$ by ! necessity ( keep+ d[n to a pit* beyond :i* ! support _c rise4 ,t ! public is pleas$ is n suffici5t2 ) unre/rict$ self-expression1 & fre$om ( flight1 %e c\ld br+ t public to a po9t ( en?usiasm4 ,h] art is belittl$1 & %e f9ds h]self 9 a false position4 ,z soon z contracts p]mit1 %e )draws h] en]gies f ! ef=t to accompli% good 9 t direction4 ,s1 = ! lack ( a compet5t ballet1 ! dance-lov+ portion ( ! population is robb$4 ,z to ,miss ,lop\k[a1 %e has a ta/e = & demon/rat$ ability 9 ! drama4 ,danc+ w give h] extraord9>y di/9ction 9 plays t admit its union ) ! dramatic action4 ,b "u bett] conditions1 h] danc+ ne$ n h be5 subord9at$ to ano!r art4 ,at ?is po9t a "q might ju/ly be rais$ z to :e!r ! int]e/s ( ! ballet are n be+ adequately c>$ = by "s ( ! great op]a companies4 ,to su* possible "q ! only answ] is negative4 ,nor are ! companies *>geable ) any neglect or %ortcom+ 9 n giv+ _! ballet dep>tm5ts ! relative importance ( ballet 9 ,european op]a organisations4 ,! task ( popul>is+ great music alone has be5 some:at m ?an a lab\r ( ,h]cules4 ,op]a z music n[ has a support+ patronage2 to *ange ! ballet's relative importance w\ld be di/urb+1 9 all probability4 ,moreov]1 ! ,metropolitan 7if n ! o!rs7 has done all t is humanly possible "u pres5t conditions1 ) ! pr9cipal result ( demon/rat+ t ^? conditions are to be met by a ballet in/itution1 & no?+ less4 ,at ! "t ( ! ,metropolitan's organisation1 x w be rememb]$1 ! _w's int]e/ 9 ballet danc+ 0 at a l[] pit* ?an x ev] _h be5 s9ce ! dissolution ( ! ,roman ,empire2 t is1 ab\t ! middle ( ! ,victorian p]iod4 ,_h ! und]tak+ be5 no m ?an t ( produc+ op]a 9 a l& already fri5dly to x1 x w\ld h be5 no m ?an natural if ! ,metropolitan directors _h accept$ ! ballet's /atus z !y f\nd x 9 ,engl&4 ,_! task be+1 h[ev]1 ! production ( op]a 9 a c\ntry almo/ ho/ile to x1 a failure to simplify ! problem 9 e possible way w\ld h be5 bad g5]al%ip4 ,n f9d+ itself expect$ to take rank ) ! ballets ( o!r great op]a organisations1 ! ,metropolitan's dep>tm5t ( danc+ has gone its com=table gait4 ,x has be5 "u ! direction ( excell5t ballet-ma/]s2 b !y become easy-go+1 especially aft] prov+ to !mselves t girls _c successfully be ask$ to p]=m /eps = :i* !y lack ! f\ndation ( tra9+4 ,to o!r mollify+ influ5ces is add$ t ( a slipp]y floor 9 ! room d$icat$ to ballet rehe>sal2 a room s beautiful & a floor s p]fect t to res9 x w\ld be a desecration4 ,! danc]s1 9 fe> = ! intactness ( _! bones1 walk ?r\gh _! numb]s z be/ !y c1 & ultimately p]=m !m 9 a mann] consi/5t ) rehe>sals4 ,z a /ep t[>d reliev+ ! sc>city ( ballet p1 ! ,metropolitan f\nd$1 ab\t five ye>s ago1 a ballet s*ool--an ent]prise f :i*1 up to ! pres5t1 ! pupils h r monopolis$ ! mat]ial pr(its4 ,! arrangem5t betwe5 managem5t & pupil is1 9 brief1 t ! pupil %all rema9 "u ! s*ool's 7free7 tuition f\r ye>s1 at ! end ( :i* p]iod ! ,op]a has an option on h] s]vices = ?ree ye>s1 at a sal>y ( tw5ty doll>s a week1 a little m or less4 ,if %e appe>s 9 ! corps de ballet dur+ h] p]iod ( /udy1 %e is paid proportionately4 ,! s*ool "w occupies two h\rs p] day1 ab\t n9e mon?s ( ! ye>4 ,! atmosph]e ( bo? s*ool & ,op]a is :olesome & good2 no fault c be f\nd ) ! arrangem5t on a basis ( fairness2 b ! numb] ( individuals ! s*ool has add$ to ! ,op]a's ballet is %ock+ly small4 ,e revue1 musical com$y1 & o!r light musical production includes a collection ( "y wom5 call$ a ballet2 & ea* ye> ( increas$ g5]al intellig5ce 9 danc+ matt]s adds to ! desirability t ^! ballets %\ld ju/ify ! "n4 ,! pretty girl1 plus col\r$ lights1 drap]y1 & lively cavort+1 no long] con/itutes a p]fectly secure grip on public approval 7except always 9 burlesque1 ) :i* we are n conc]n$74 ,! result is an insatiable dem& = girls :o c ev5 half dance4 ,& t dem&1 9 its turn1 is a /eady dra9 on ! ,op]a's s*ool4 ,be=e %e has /udi$ two ye>s1 a girl c qualify = a position 9 an outside conc]n--a condition ( :i* %e nev] rema9s 9 ignorance v long4 ,%e ?9ks x ov]4 ,two ye>s m "w 9 ! s*ool w\ld insure h] a position 9 ! ,op]a1 at weekly pay no great] ?an ! pres5t (f]1 = a comp>atively %ort season ea* ye>4 ,n[1 if ! ,metropolitan ballet _h great pre/ige z a *oreographic organisation--a pre/ige l t ( ! ,russian ballet1 = in/ance--its m capable memb]s w\ld be s\ght aft] z tea*]s4 ,a connection ) x w\ld conf] arti/ic hon\r & mat]ial pr(it4 ,un=tunately1 su* pre/ige is "o ( ! elem5ts t are lack+4 ,9 rsum3 cont9uance ) ! s*ool insures employm5t = ab\t half ( e ye>1 beg9n+ at a lat] "t1 ) ! *ances ( advancem5t almo/ z]o4 ,:]eas1 musical com$y & ! l (f] ! probability ( employm5t ! ye> r\nd1 m9us ! "t ( rehe>s+ new productions4 ,pres5t pr(its are m attractive ?an ! def]r$ k9d2 &1 a consid]ation by no means unimportant1 a pretty face & a pleas+ mann] are reasonable gr\nds on :i* to hope = a 8"p40 ,h] contract8 ,! "y girl ( ! pres5t g5]ation has _h h] own way ab\t ev]y?+ s9ce ! h\r ( h] bir?4 ,exp]i5ce tea*es h] t ! wor/ p5alty reasonably to be expect$ is a h>mless repro(1 soon end$4 ,& h] exp]i5ce is a true guide 9 ?is case4 ,z a matt] ( s5tim5t1 no "o likes to oppose ! wi%es ( a girl4 ,z a matt] ( bus9ess1 x w\ld be ( d\btful advantage = ! op]a company to take legal /eps to enjo9 its contract-break+ pupils f appe>+ 9 o!r conc]ns4 ,happ5+s connect$ ) op]a & ! !atres h a high value 9 ! newspap]s2 no motive is m popul> ?an t ( ! p]secution ( ! poor b beautiful girl2 ! publicity =ce ( ! musical com$y employ+ said girl w\ld busy itself creat+ = h] ! rle ( victim4 ,! op]a managem5t w\ld f9d difficulty 9 secur+ a true & !re=e comp>atively un9t]e/+ public /atem5t ( its case2 inde$1 x w\ld be likely to be made to appe>1 9 ! eyes ( ! multitude1 z a sort ( ogre4 ,! ,metropolitan s*ool furni%es a complete & conclusive te/ ( ! possibilities ( an op]a organisation1 z su*1 9 ! prov9ce ( danc+4 ,b ev5 if ! ,metropolitan ballet 7 "r n[ at ! highe/ conceivable pit* ( p]fection1 a radical *ange ( policy w\ld be necess>y z a prelim9>y to giv+ ! s*ool its prop] p[] to hold its pupils' allegiance4 ,t is to say1 ! opportunity to appe> 9 an occasional div]tissem5t is n suffici5t to hold an ambiti\s & capable "y man or woman ?r\gh long ye>s ( /udy4 ,9 ,/4 ,pet]sburg1 ! ,imp]ial ,op]a ,h\se d$icates two nights a week to mimetic ballet4 ,! danc]s' art on ^? occasions is subord9ate to none4 ,! dance is ! ?+2 & ! danc]s1 accord+ to ability1 are giv5 ! opportunity to int]pret "* & motive4 ,9 %ort1 !y are giv5 ! opportunity to express _! art z individuals4 ,n[1 "o or ano!r ( ! ,am]ican op]a companies might be will+ & able to duplicate ! above conditions--conditions )\t ^: aid no ballet rea*es a high plane ( developm5t4 ,! und]tak+1 h[ev]1 w\ld h at lea/ twice ! weight ( ! adm9i/ration ( ei!r ballet or op]a alone2 x w\ld be accompani$1 too1 by a risk t ! tw(old int]e/ w\ld result 9 confus+ or displeas+ a portion ( ! music-lov]s :o con/itute op]a's support4 ,! creation1 developm5t & ma9t5ance ( /&>ds ( a great ballet is a comb9$ task & opportunity = dance-lov]s !mselves1 & an end to be rea*$ ?r\gh ! m$ium ( a ballet in/itution4 ,x may be add$ t ! ,russian rgime puts music & ballet "u ! *>ge ( two di/9ct & sep>ate in/itutions4 ,op]a companies ^: traditions h be5 =m$ dur+ rec5t ye>s h naturally felt ! =ce ( ! r5aissance ( danc+2 !y h inve/$ _! ballets ) an importance t w\ld h be5 consid]$ disproportionate if _! =mative p]iod _h co9cid$ ) ! mid-,victorian p]iod4 ,! ,philadelphia-,*icago company has _h a bett] corps de ballet ?an c\ld logically be expect$ 9 view ( ! limitations ( ,am]ican mat]ial2 cr$it is due ,sr4 ,luigi ,alb]ti]i1 ! ballet-ma/]4 ,z premire danseuse ! same company = "s ye>s has _h ,signor9a ,ros9a ,galli1 a delightful little product ( la ,scala4 ,9 #aiac ,sr4 ,alb]ti]i took ! po/ ( ballet-ma/] ( ! new ,c5tury ,op]a ,company1 ) ,miss ,alb]t9a ,ras*1 =m]ly ( ! ,vi5na op]a1 z premire4 ,! public's read9ess to recognise good "w 0 demon/rat$ dur+ ! ,c5tury's fir/ pres5tation ( ,! ,jewels ( ! ,madonna4 ,aft] ! act 9 :i* ! ,t>antella is danc$1 ! audi5ce dem&$ t ,miss ,ras* respond1 ) ! two pr9cipal s+]s1 to ! curta9-calls4 ,9 ,canada1 ! influ5ce ( ! times may be not$ 9 ! ,canadian ,royal ,op]a ,company's engagem5t ( ,madame ,pavl[a & h] company to provide ! ballet portion ( eight p]=mances4 ,( pres5t int]e/ 9 ! dance ?r\gh\t ,nor? ,am]ica1 !re is no mann] ( d\bt4 ,x is p]fectly cle> t appreciation ( *oreographic beauty & disc]nm5t ( skill are rapidly advanc+4 ,london has %[n its capacity to support f\r great ballet attractions ?r\gh ! same season1 & t a long "o2 ! ,unit$ ,/ates is influ5c$ by ,engl&'s ta/e 9 ent]ta9m5t4 ,danc+ exhibitions & pageants are n[ a "p ( ! ent]ta9m5ts ( sm>t society4 ,a masque produc$ by ,mrs4 ,hawkeswor?1 9 "o ( ! private g>d5s ( ,newport1 0 ( a nature to recall ! hi/oric fe/ivals ( ,ca!r9e de ,m$ici4 ,& ! nation's ta/e 9 ent]ta9m5t is influ5c$ by sm>t society4 ,all signs po9t to a cont9u$ & ev5 gr[+ int]e/ 9 danc+4 ,& x is possible1 )\t o!r aid or guidance ?an t int]e/ 9 danc+ 9 g5]al1 t danc+ z a great art1 an art ( deep emotional int]pretation1 w take its prop] place 9 ?is l&4 ,b1 ) ! multitude ( =ces ( vulg>ity1 get-ri*-quick comm]cialism1 & he$lessness oppos$ to x1 x is d\btful4 ,at ! pres5t mom5t1 ! high art ( danc+ is pleas+1 & its emotional message p>tly compreh5d$4 ,if x 7 fully compreh5d$1 t art w\ld be an indisp5sable s\rce ( refre%m5t to ! ,am]ican m9d4 ,consi/5tly repeat$ = a few ye>s1 its idiom w\ld be famili> to a l>ge "p ( ! population4 ,! conditions :i* ?is *apt] has analys$ %[1 h[ev]1 t ! suffici5t & adequate repetition ( ballet drama is by no means c]ta94 ,& ?is *apt]'s motive is to emphasise two ?+s3 fir/1 if ,am]ican lov]s ( danc+ wi% to insure = !mselves ! cont9u\s opportunity to see f9e repres5tations ( t art1 !y mu/ f\nd a ballet1 & an academy ^u :i* x may dep5d = its arti/s2 second1 = su* a /ep no "t c be m propiti\s ?an ! pres5t4 ,if ! vision ( an end[$ ballet in/itution 9 ! ,unit$ ,/ates seems lack+ on ! practical side1 x is n amiss to recall a few facts ( ,am]ican hi/ory 9 its relation to music--?an ^: ambitions ( ye/]day no?+ 0 ?\ght to be less practical4 ,?irty ye>s ago ! attitude ( ! ,unit$ ,/ates 7p>ticul>ly ! ,we/7 t[>d classical music 0 less indiff]5t ?an scornful4 ,to confess a lik+ = or*e/ral or op]atic compositions 0 to br& oneself z que]4 ,any?+ connect$ ) music or musicians 0 deem$ a fair m>k = newspap] jok]s2 & !y knew _! read]s4 ,inevitably1 organisations t v5tur$ a t\r did s at _! f9ancial p]il4 ,individual s+]s & p]=m]s 7 protect$ some:at by _! less] exp5ses & _! prep>$ness to r5d] popul> ballads2 b !y too knew well ! look ( empty b5*es4 ,!odore ,?omas po9t$ out to a gr\p ( ,*icago p t nev]1 "u su* conditions1 w\ld ! adequate p]=mance ( great works be o!r ?an at r>e & unc]ta9 times2 t1 )\t fairly frequ5t he>+ ( ^? great works1 public ta/e nev] w\ld improve4 ,obvi\sly1 ! programmes t ,mr4 ,?omas propos$ to give1 & ! mann] & frequ5cy ) :i* he propos$ to give !m1 br\ght up ! prophetic vision ( consid]able money loss2 b ! funds 7 subscrib$4 ,! result is ! ,*icago ,or*e/ra3 a s\rce ( un5d+ happ9ess to lov]s ( good music1 j pride to ! city1 & mat]ial b5efit 9 no slight degree4 ,*icago f9ds itself ! place ( resid5ce ( sev]al ?\s& music /ud5ts1 & a c5tre ( attraction = _m m ?\s&s ( occasional pilgrims to ! ,or*e/ra's conc]ts4 ,la/ly1 z ?\gh to %[ t idealism is n ! idle dissipation t x seems1 ! ,or*e/ra 0 report$ sev]al ye>s ago to h rea*$ a basis ( self-support4 ,! same hi/ory has be5 virtually duplicat$ 9 p]haps a score ( cities1 ne$less to enum]ate4 ,ev5 8practical0 p admit t mo/ ( ! or*e/ras s end[$1 ?\gh !y may h pass$ ?r\gh a p]iod ( begg+ p to accept passes to conc]ts1 are n[ pay+ _! own exp5ses4 ,! g5]al hi/ory ( ! ,metropolitan ,op]a has already be5 outl9$4 ,op]a 9 o!r cities has gone ?r\gh mu* ! same tra9 ( ev5ts1 sl[ly *ang+ indiff]5ce to int]e/1 & hav+ n[ arriv$ at ! /age ( indep5d5ce made possible by a dem& t gr[s /eadily 9 volume & intellig5ce4 ,! numb] ( p]=mances 9 ea* city %[s a consi/5t annual gr[?4 ,c]ta9ly ! ta/e = danc+ ( a high class is no less wor?y ( indulg5ce & cultivation ?an ! ta/e = ! si/] art ( music4 ,if music's dep5d5ce ^u end[m5t 0 once m evid5t ?an is t ( danc+ n[1 !n s mu* less is ! difficulty ( f9anc+ a ballet in/itution2 proportionately less1 too1 are ! haz>ds & delays to be und]gone be=e ! in/itution arrives at a pay+ basis4 ,= ! organisation & conduct ( su* an in/itution1 ! ,russian ballet & ,academy supplies a model t c\ld be foll[$ 9 mo/ details4 ,am]ican s5tim5t probably w\ld rebel at s complete a sep>ation ( *ildr5 f p>5ts z ! ,imp]ial ,academy requires2 b a less complete sep>ation w\ld n necess>ily be detrim5tal to results4 ,= actual te*nical "w 9 danc+1 pla/ic gymna/ics1 pantomime1 music & o!r c\rses m ?an a few h\rs a day w\ld be beyond ! /r5g? ( v "y pupils1 leav+ half ( ea* day to att5d common s*ool4 ,z ! pupil advances1 8 h\rs p] day 9 ! academy c\ld increase2 he c\ld acquire g5]al education aft] 8 te*nical education is accompli%$ ) j z good results z accompany ! pres5t rev]sal ( t sequ5ce4 ,! weak spot t appe>s 9 ! plan is ! possible int]f]5ce ( p>5ts ) ! s*ool's discipl9e4 ,! tra9+ ( a danc] involves h>d "w & a great deal ( x4 ,al?\gh ! "w be demon/rably b5eficial 9 all ways1 ! ,am]ican p>5ts' attitude t[>d t "w & ! accompany+ discipl9e w\ld be ! "q to be settl$4 ,boys1 to be sure1 are s5t sometimes at an e>ly age to milit>y s*ools1 & !re br\ght up "u a m or less exact rgime4 ,b public s5tim5t fav\rs ! indulg5ce ( ! girl 9 all h] wi%es4 ,x w\ld be a matt] requir+ adju/m5t1 & probably susceptible ( adju/m5t4 ,f> great] difficulties h be5 ov]come4 ,aga9/ ! prevail+ t5d5cy to ab&on ! tra9+ 9 ord] to accept outside engagem5ts1 by :i* ! ,metropolitan ,op]a ,s*ool ( ,ballet has be5 too (t5 victimis$1 ! academy c\ld protect itself by requir+ ea* pupil to file a bond z a condition ( entrance1 ! am\nt to be =feit$ if ! pupil violates 8 agreem5t4 ,que/ions ( paym5t1 rank+ ( p]=m]s1 am\nt ( p5sions & ! l are details ne$less to consid] 9 ! g5]al plan4 ,prop] equipm5t w\ld repres5t a consid]able exp5diture3 a mod]n !atre1 or ! lib]al use ( "o2 drill halls1 music rooms1 gymnasium1 ba?s1 etc4 ,z to in/ructors1 ! "r k9d are available4 ,at ! outset1 ballet-ma/] & mo/ ( ! danc]s w\ld h to be engag$ f outside1 _! numb] decreas+ z ! s*ool's products rea*$ ! pr(ici5cy to take _! places4 ,! employm5t1 at ! beg9n+1 ( f9i%$ danc]s1 w\ld be ( advantage 9 e/abli%+ /&>ds = /ud5ts4 ,sc5]y1 co/umes & or*e/ra are to be _h at ! co/ ( ?\ght & money4 ,m$ical & o!r exp5ses1 taxes1 etc41 are m9or consid]ations4 ,n[ to returns4 ,9 consid]+ :i*1 x is und]/ood t su* an und]tak+ may n make exp5ses at fir/4 ,b x is n impossible t good managem5t %\ld r$uce ! los+ ye>s to a v small numb]4 ,assum+ 7say7 ?irty p]=mances 9 ! home city dur+ ! fir/ ye>3 ! pre/ige ( t numb] ( p]=mances1 kept up to a consi/5t pit* ( excell5ce1 w\ld be nation-wide4 ,z a result ( t pre/ige1 a long t\r & sev]al %ort ones w\ld und\bt$ly return an excess ov] sal>ies & co/s4 ,be> 9 m9d t a comm]cial und]tak+ ( ! sort mu/ figure on rec\p+ a heavy initial exp5se1 & transportation ( a company f ,europe & return4 ,special engagem5ts ( arti/s1 9 gr\ps or individually1 w\ld net ! in/itution a great] or less "p ( ! receipts1 accord+ to ! t]ms ( individual contracts4 ,consid]+ conditions z !y are1 & look+ at ! hi/ory ( music z a fair analogy1 x w\ld be safe to assume t local int]e/ 9 danc+ & ! mimetic ballet w\ld increase /eadily aft] ! in/itution's fir/ ye>1 increas+ income proportionately4 ,on ! o!r side ( ! acc\nt1 exp5ses %\ld beg9 to decrease aft] ! ?ird ye>4 ,a w>drobe & a /ock ( sc5]y w\ld h be5 accumulat$1 _! co/ r$uc$ to upkeep & occasional additions4 ,m important1 pupils by t "t w\ld beg9 to qualify = ! ballet1 decreas+ ! pay-roll ( ,european danc]s4 ,9 eight ye>s1 if ! in/itution has be5 reasonably =tunate1 x %\ld h a ballet recruit$ pr9cipally f its own s*ool4 ,^! alumni1 ( :atev] grade1 x w\ld h at l[ sal>ies2 sal>ies at ! same "t satisfactory to ! recipi5ts1 ^: popul>ity z private tea*]s w\ld be ab\t 9 ratio to ! quality ( "w ) :i* !y id5tifi$ !mselves 9 p]=mances4 ,/at$ h\rs ( exemption f duties connect$ ) ! ballet & ! s*ool w\ld op5 ! way to su* extra rev5ue4 ,! pay ( ! premire danseuse ( l',opra ( ,p>is is small1 9 relation to ! requirem5ts ( h] position2 b tea*+ & outside p]=mances are said to yield h] a com=table income4 ,p5sion paym5ts w\ld repres5t a loss m app>5t ?an real1 s9ce _m p5sion]s c\ld1 ) adju/m5ts1 s]ve z tea*]s & aides 9 v>i\s capacities4 ,s f> z c be le>n$1 ! =ego+ cov]s ! pr9cipal elem5ts ( exp5se & possibilities ( rev5ue4 ,! difficulties w\ld be heavy1 b less s ?an ^? t h be5 met & ov]come4 ,! ballet in/itution1 a*iev$1 w\ld be a contribution to ! f9e arts no less glori\s ?an any ?is c\ntry has yet receiv$1 an organism ^: s]vice to broad /hetic cultivation has be5 equall$ by few4 ,on ! score ( bo? public education & its correlative1 ! /eady increase ( ! ballet's e>n+s1 too mu* emphasis _c be laid on ! advantage ! in/itution w\ld h 9 its facilities = repeat+ great works at frequ5t int]vals4 ,we h se5 h[ gr\nd ga9$ by ! fir/ ,russian season 9 ,am]ica 0 p>tly lo/1 ?r\gh conditions t made x impossible to foll[ up victories4 ,! *oreographic idiom once und]/ood 9 its fulness1 & its public hav+ f\nd itself1 ! *anges ( fa%ion 9 popul> ta/e w\ld be p[]less to affect ! dignifi$ /atus ( ! art4 ,"u comm]cial conditions1 let ! g5]al level ( ta/e sag1 or appe> to sag1 & f9e expression is no m4 ,! ?\s&s :o h half le>n$ to love ! good give x up1 & rev]t to ! m$iocre2 :ile ^? :o are :olly 9 sympa?y ) ! good say no?+1 /ay away f ! !atre1 & are suppos$1 by manag]s1 n to exi/4 ,good ta/e nev] dies out2 x only appe>s to4 ,! amalgamation ( ! ari/ocracy ( ta/e t w\ld be effect$ by ! propos$ in/itution w\ld1 9 itself1 h a trem5d\s importance4 ,any basis = comput+ ! pot5tial support = good & hone/ attractions w\ld be ( ! utmo/ advantage to _! proprietors4 ,disclosures ( a sub/antial dem& w\ld enc\rage t\rs ( ! be/ 9 ,europe1 :ile a reliable measure ( ! limitations ( su* dem& w\ld be no less valuable z a w>n+ aga9/ reckless exp5se4 ,c]ta9ly x is to ! int]e/ ( ! art t good attractions %all be mat]ially pr(itable4 ,z to ! ?\ght ( any t5d5cy ( su* an in/itution to take ! practice ( danc+ away f ! laity1 & conf9e x to paid exhibitions1 ! effect w\ld be to ! contr>y4 ,x w\ld1 h[ev]1 make = a rise ( /&>ds4 ,danc+ clubs & pantomime clubs t a little f]tilisation w\ld br+ to light w\ld f9d 9 a quasi-public ballet an inspiration & a guide2 & ! good to public heal? & spirits1 9 ! way ( su* clubs alone1 w\ld be pron\nc$4 ,also1 preval5t impressions conc]n+ ! relation%ip betwe5 clev]ness1 8individuality0 & g5u9e workman%ip w\ld be modifi$1 to ! bett]m5t ( :at is kn[n z ! ,am]ican _s4 ,greek poets f\nd metre = _! v]ses 9 ! tapp+ ( feet on ! floor4 ,s9ce ! days ( ,gluck & ,gretry1 ! ballet has be5 among ! =emo/ /imuli & guides 9 musical composition4 ,( late ye>s1 ! ,russian ballet's lift to romantic music is a matt] ( almo/ common k4 ,is x a ballet t is await$ z ! inspiration ( an ,am]ican s*ool ( music8 ,x is n impossible4 ,b t1 & a ?\s& o!r que/ions1 are n = pres5t consid]ation4 ,! pres5t issue is ! in/itution itself4 ,,bibliography ,,la ,,danse ,,grecque ,,antique3 ,maurice ,emmanuel4--,traces ! orig9 ( a numb] ( /eps to anci5t ,greece1 by analysis ( poses ( danc+1 figures on c]amics1 etc4 ,good explanation ( ballet /eps4 7,fr5*47 ,a ,,gramm> ,,( ,,! ,,art ,,( ,,danc+3 ,fri$ri* ,alb]t ,zorn4--,expla9s a sy/em ( *oreographic writ+ by means ( symbols to indicate positions & movem5ts4 ,by means 7p>tly7 ( symbols expla9s ballet /eps1 also sev]al ballroom dances4 ,exact & complete4 7,writt5 9 ,g]man2 translat$ into ,engli% & o!r languages47 ,l',,academie ,,imp]iale ,,de ,,musique3 ,ca/il-,blaze4--8,hi/oire litt]aire1 musicale1 *orographique1 pittoresque1 morale1 critique1 factieuse1 politique et galante de ce ?tre40 7,f #afde to #ahee47 ,conta9s mu* hi/ory & anecdote ( ,roman ,empire & ,middle ,ages1 ) descriptions ( m$ival ambulatory ballets1 etc4 7,fr5*47 ,,les ,,p5s,,es3 ,j4-,j4 ,r\sseau4--,def5ds ! dance aga9/ attacks ( ,engli%4 ,r>e2 frequ5tly miss+ f 7suppos$ly7 complete editions ( ! au?or4 7,fr5*47 ,,memoirs ,,et ,,j\rnaux3 ,pi]re de l',e/oile4--,a collection ( anecdotes ( ! c\rt ( ,h5ry ,,iii4 ,a m9e ( in=mation & gossip 9 relation to masques1 etc41 9 ! p]iod describ$4 7,fr5*47 ,,des ,,ballets ,,anci5s ,,et ,,mod]nes1 ,,selon ,,les ,r,,gles ,,du ,,?,,tre3 ,claude ,franois ,mne/ri]4 #afhb4--;,au?or 0 a ,jesuit prie/4 ,book includes ext5sive li/ ( ballets produc$ 9 ,france up to ye> ( its publication4 ,,or*esographie3 ,?o9et-,arbeau 7anagram ( ,jean ,tab\rot74 #aehi4--;,au?or 0 ,canon ( ,langres & ,matre de ,*apelle ( ,h5ry ,,iii4 ,! fir/ book devot$ to ! dance4 ,comm5ts on all aspects ( danc+ 9 ,france ( 8 "t4 7,fr5*7 ,,! ,,code ,,( ,,t]psi*ore4--,,le ,,code ,,complet ,,de ,,la ,,danse4--,,trait ,,hi/orique ,,?,,orique ,,et ,,pratique ,,de ,l',,art ,,de ,,la ,,danse1 ,,de ,,la ,,pantomime1 ,,des ,,ballets3 ,c>lo ,blasis4--,( ! ?ree books nam$1 ! fir/ is 9 ,engli%2 its mat]ial is m or less repeat$ 9 ! o!r two1 :i* are 9 ,fr5*4 ,a /&>d = ! use ( ballet-ma/]s especially4 ,au?oritative on matt]s p]ta9+ to ballet te*nique1 que/ionable on "* dances1 :olly untru/wor?y on ,spani%4 ,,lettres ,,sur ,,la ,,danse ,,et ,,les ,,ballets3 ,m4 ,nov]re1 ballet-ma/] ( ! ,duke ( ,wrtemburg1 l',opra ( ,p>is1 & o!r op]as4 #agfj4--;,classic4 ,au?or 0 ! prophet ( & lead] to ! mod]n ballet4 ,a broad & compreh5sive "w on art1 z well z au?oritative on /age direction1 ballet te*nique1 & hi/ory4 7,fr5*47 ,,de ,,la ,,saltation ,,?,,trale3 ,m4 de l',aulnaye4 #agij4--;,danc+ & pantomime 9 antiquity4 ,conta9s a catalogue 7?\ght by "s au?orities to be complete7 ( dances ( anci5t ,greece4 7,fr5*47 ,,danc+ ,,& ,,danc]s ,,( ,,today3 ,c>ol9e & ,*>les ,caff94 #aiab4--,special att5tion to biographies ( contempor>y danc]s4 7,engli%47 ,,lettres ,,sophie ,,sur ,,la ,,danse3 ,a4 ,b>on4 #ahbe4--;,hi/ory1 folk-dances & balls ( ,middle ,ages4 ,a *apt] is devot$ to danc+ ( ,hebrews4 7,fr5*47 ,,la ,,dictionnaire ,,de ,,la ,,danse3 ,g4 ,desrat4--,rec5t4 ,extremely useful4 ,9 diction>y =m pres5ts wide range ( in=mation4 ,a ,,hi/ory ,,( ,,danc+3 ,g4 ,vuilli]4 #ahih4--,translat$ f orig9al ,fr5* into ,engli% & ,italian4 ,readable hi/ory ( ! art f antiquity to latt] #ai? c5tury2 _m descriptions ( e>ly ballets & masques are quot$ f ,mne/ri]1 ,de l',e/oile & o!rs4 ,,mod]n ,,danc+ ,,& ,,danc]s3 ,j4 ,e4 ,craw=d ,flit*4 #aiab4--;,hi/ory ( ballet 9 ,engl&1 biographical-analytical sket*es ( individuals ( latt] #ai? c5tury1 details ( ,russian ballet 9 ,london4 ,delightfully writt54 7,engli%47 ,,tratado ,,de ,,bailes3 ,jose ,ot]o1 fam\s ma/] 9 ,seville4 #aiab4--;,expression ( ! _s ( ,spani% danc+4 ,mu* amus+ rem9isc5ce4 7,spani%47 ,,dictionnaire ,,de ,,danse3 ,*>les ,compan4 #ahjb4--;,detail$ in/ructions 9 social dances ( ! p]iod4 7,fr5*47 ,,note4--,! above-nam$ works are n arrang$ 9 ord] ei!r ( *ronology or importance4 ,,index ,,adagio1 #ie4 ,alb]t1 danc]1 #aji4 ,alb]ti]i1 ,luigi1 ballet-ma/]2 def9ition ballon1 #gd2 ,c5tury ,op]a ,company1 #cad4 ,alegrias1 ,spani% dance1 #acd4 ,alex&] ,,vi1 see ,pope4 ,all>d1 ,mlle41 danc]1 #ajg4 ,allem&e1 !1 c\rt dance1 #eb4 ,almes1 !1 tribe ( danc]s1 #baj4 ,anacreon1 #h4 ,&]son1 ,john ,murray1 danc]2 old c\rt dances1 #eb2 mod]n ball-room dances1 #bgb-cjc4 ,animals1 danc$ repres5tations (1 #ai4 ,anisfeldt1 ,boris1 design] /age decorations1 #bfd4 ,anne ( ,au/ria1 #di4 ,anto9ette1 ,m>ie1 #ec4 ,arabesque 7po/ure71 #gh4 ,arabs1 danc+ (1 #aif et seq4 ,arbeau1 ,?o9et 7anagram ( ,jehan ,tab\rot71 ,canon ( ,langres1 *oreographic hi/orian4 ,ridicules opposition to danc+1 #ca4 ,h9ts on deportm5t1 #ee4 ,see also ,*ur*4 ,ario/o1 ,suppositi1 p]=mance 9 ,vatican1 #dd4 ,ari/ides1 #h4 ,ari/odemus1 danc] z ambassador1 #h4 ,ark ( ,cov5ant2 see ,david4 ,arms1 positions (1 ballet1 #fg4 ,see also ,flam5co1 ,arabs4 ,artificiality1 *>ge ( aga9/ ballet1 #fb1 #fc4 ,assembl 7/ep71 #fi4 ,attitude1 #hd4 ,awak5+ ( ! ,s\l1 dance1 ,egyptian1 #baj1 #baa4 ,,bac*u-,,b]1 ,savoy>d obs]vance1 #ahf4 ,bacon1 ,francis1 compos] ( masques1 #dh4 ,bak/1 ,lon2 design] /age decorations1 co/umes1 *oreograph]4 ,comp>$ to ,nov]re1 #aje4 ,"p 9 ,romantic movem5t1 #bdh4 ,ballet ,academy1 ,fr5* ,national4 ,f\nd$1 #di2 ,influ5ce1 #ajj4 ,ballet ,academy1 ,metropolitan ,op]a1 see ,metropolitan ,op]a4 ,ballet ,academy1 ,russian ,imp]ial1 see ,russian4 ,ballet1 ,classic1 its arti/ic function1 #fj1 #fa2 #hi-ia1 #if4 ,see also ,expression4 ,ballet danc]s1 effects ( sc>city 9 ,am]ica1 #cjh-cab4 ,ballet ,!at]1 ,am]ican1 outl9e = conduct (1 #cag-cbb4 ,ballet 7le7 ,comique de la ,re9e1 #df4 ,ballet te*nique1 ballet /eps1 #fe-ig4 ,ballet1 ,russian1 see ,russian ,ballet4 ,bolm1 danc]1 #bdg4 ,ballon1 #fj1 #gc4 ,balt>az9i4 ,see ,beaujoyeulx4 ,ba?yllus1 #be et seq4 ,battem5t1 #ga1 #gb4 ,beaujoyeulx1 ballet-ma/]1 7ex4 see ,blasis bel[7 #de4 ,belgium1 dances (1 #ahb et seq4 ,bible1 ,!2 ref]5ces to danc+1 #e4 ,black ,crook1 ,!1 #bca et seq4 ,blasis1 ,c>lo1 ballet-ma/]1 writ] on danc+1 #aaj4 ,bol]o1 !1 ,spani% dance1 #adf1 #adh4 ,bolm1 ,adolf1 danc]1 #bdh4 ,bonfanti1 ,m>ie1 danc]1 tea*]1 #bcb4 ,bo/on1 ,!1 social dance2 relation to o!r social dances1 #bgb4 ,execution1 #bhd-bhh incl4 ,bo/on ,dip1 see ,dip4 ,bo/on ,waltz4 ,see ,bo/on4 ,b\*]1 design$ /age decorations1 #ajd4 ,b\rre1 la1 ,fr5* dance1 #eb1 #ed1 #ahc4 ,branle1 family ( dances2 ,b4 du ,haut ,b>rois1 ,b4 des ,lav&ires1 ,b4 des ,ermites1 ,b4 des ,flambeaux1 #ee4 ,bris 7/ep71 #gc4 ,brunelles*i1 /age decorations1 #dd4 ,bul]ias1 ,spani% dance1 #acd4 ,burlesque1 #bbi4 ,,cabriole1 #gb4 ,ca*u*a1 !1 ,spani% dance1 #aaa1 #adj4 ,canadian ,royal ,op]a ,company1 ballet1 #cad4 ,cam>go1 danc]1 #ej et seq4 ,place 9 art1 #ei et seq4 ,influ5ce on co/ume1 #ajj4 ,quality ( "w1 #ajg4 ,c-,c1 ,!1 dance ( ,montm>tre1 #bbi4 ,cans9o1 ,antonio1 tea*]1 #abd4 ,cans9o1 ,elisa1 danc]1 #ace4 ,cans9o1 ,edu>do1 danc]1 obs]v] ( "w ( ,gipsies1 #abf1 #acd4 ,c>m5cita1 danc]1 #aci4 ,influ5ce 9 ,am]ica1 #bci4 ,c>naval1 le1 ballet drama1 #bfh4 ,c>yatis1 dance4 ,sacr$ to ,diana1 #ac4 ,ca/anets1 ,spani% use (1 #aca1 #adg1 #adh1 #aea1 #aeb4 ,ca/le1 ,mr4 & ,mrs4 ,v]non1 danc]s1 #bgg4 ,ca/le ,walk1 see ,ca/le4 ,caucasus1 ,!1 danc+ 91 #bag4 ,cavallazi1 ,malv9a1 preface4 ,cecca1 /age decorations1 #dd4 ,ceccetti1 ,e41 ballet-ma/]1 tea*]1 #gd1 #hi4 ,c]ezo1 tea*]1 #adf4 ,c]ito1 ,fanny1 danc]1 #aah4 ,*aconne1 !1 c\rt dance1 #eb1 #ee4 ,*angem5t 7/ep71 #fi4 ,*apl91 ,nellie1 reviv] ( old ,engli% dances1 tea*]1 #agc4 ,op9ion conc]n+ ball-room danc+ ( to-day1 #cjc4 ,*>act]i/ic danc+1 contribution to ballet1 #ec4 ,*>les ,i1 ,k+ ( ,engl&1 #dh4 ,*ass1 #fh4 ,*9a1 danc+ 91 #bbd4 ,*ir9ski-,*i*mat(f1 ,pr9cess1 danc]2 def9es *>act]i/ic danc+1 #aic4 ,russian ,c\rt ,dance1 #aie4 ,danc+ 9 ! ,caucasus1 #bag4 ,*ur*1 ! ,*ri/ian1 ,/4 ,basil attributes danc+ to angels1 ,emp]or ,julian reprov$ by ,/4 ,gregory1 #cj4 ,canon ( ,langres ridicules opposition to danc+1 #ca4 ,moz>abic mass1 ,/4 ,isidore1 #cb4 ,abuses compla9$ (1 #cc4 ,anecdote ( ! ,f&ango1 #ada4 ,l]ida ,ca!dral1 ,seville ,ca!dral1 #adb4 ,scotl&1 #afg4 ,*ur*1 ! ,*ri/ian1 relation to danc+1 see also ,pope4 ,cic]o1 #bg4 ,cioci>a1 !1 ,italian dance1 #afb4 ,clayton1 ,bessie1 danc]1 #ic4 ,cleopatre1 ballet drama1 #bff4 ,cobbl]s' ,dance1 !1 ,sw$i%1 #ahb4 ,cobra ,dance 7,india71 #bbj4 ,coles1 ,miss ,c[p]1 reviv] ( old ,engli% dances1 tea*]1 #agc4 ,coll9s1 ,lottie1 danc]1 #bcj4 ,columb9a1 #aeg4 ,composition 7*oreographic1 g5]al pr9ciples71 #hi1 #ij1 #ia4 ,nov]re's influ5ces1 #aje4 ,arabic1 #aif et seq41 #bjd4 ,fok9e 7hypo!tical example71 #bfd4 ,see also ,expression4 ,contr$anse1 type ( dance1 #ahd4 ,coop]s1 ,muni*'s dance (1 #ahf4 ,cordax1 ,anci5t ,greek dance1 #bj4 ,corybantes1 taught mank9d1 to dance1 #g4 ,copp9i1 ,ettore1 danc]1 ballet-ma/]1 #bcc4 ,corte1 !1 figure ( ,arg5t9e ,tango1 #bie4 ,cossack ,dance1 !1 ,russian1 #aij4 ,c\-de-pi$1 sur le1 see ,pir\ette4 ,c\nt]-"t1 ,spani% use (1 #abf1 #acj4 ,c\ntry dance1 see ,contr$anse4 ,c\p1 #fh4 ,c\rante1 !1 c\rt dance1 #eb1 #ef4 ,c\rt ,dances1 sev5te5? c5tury1 #eb et seq4 ,influ5ce on mod]n ball-room dances1 #cjc4 ,craw=d1 ,m>g>et1 #ec1 #afi4 ,cybele4 ,see ,corybantes4 ,cz>das1 !1 ,hung>ian dance1 #aij1 #aib4 ,,daldans1 !1 ,sw$i% dance1 #ahb4 ,danse c>act]i/ique1 la4 ,see *>act]i/ic danc+4 ,daub]val1 danc]1 #ajh4 da ,v9ci1 ,leon>do1 /age decorations1 #dd4 ,david1 danc$ be=e ,ark ( ,cov5ant1 #e4 de ,botta1 ,b]gonzio1 ballet masque1 #cg et seq4 de ,m$ici1 ,ca!r9e4 ,place 9 hi/ory ( ballet1 #dd2 organiz] (1 p]=m] 91 gr& ballet1 #df4 de ,m$ici1 ,lor5zo1 #de4 ,decoration1 analogy to dance1 p4 #b ( preface1 #if1 #ig1 #ih4 ,arabic1 #aif et seq4 ,egyptian1 #bji1 #bab4 ,see also ,composition2 ,bak/4 de ,/al1 ,madame1 appreciation ( ,t>antella1 #afj4 de ,valois1 ,m>gu]ite1 #ed4 del ,s>to1 ,&rea1 /age decorations1 #dd4 ,d]vi%es 7,:irl+71 #ij1 #baf4 ,see also ,religions1 non-,*ri/ian4 ,developp1 #hd4 ,diagilew1 ,s]gius1 manag]1 #bea1 #beb4 ,dieu 7le7 ,bleu1 ballet drama1 #bfh4 ,dionysia1 dances1 sacr$ to ,bac*us1 #ac4 ,dip3 !2 ( ,"o-,/ep1 #bgh2 ( ,bo/on1 #bhe1 #bhf1 #bhg4 ,duncan1 ,isadora1 danc]4 ,s\rce ( inspiration1 #aa4 ,h] arti/ic beliefs1 #bda et seq42 e>ly c>e]1 #bdc et seq42 influ5ce on ballet1 #bdf4 ,see also ,russian ,ballet2 ,expression4 ,,*app1 #gj4 ,egypt1 ,anci5t1 danc+ 91 #d4 ,egypt1 latt]-day1 danc+ 91 #bji et seq4 ,eggs1 ,dance ( 7,india71 #bbj4 ,eight1 !1 figure ( ,"o-,/ep1 #bgi4 ,elevation1 def9$1 #ge4 ,elizabe?1 ,que5 ( ,engl&1 #dh4 ,ellsl]1 ,fanny1 danc]1 #aaj et seq4 ,9 ,am]ica1 #aaf4 ,episode lead+ to retirem5t1 #aag4 ,influ5ce1 #bbh4 ,see also ,taglioni4 ,emmeleia1 gr\p ( anci5t ,greek dances1 #aa4 ,en*a9em5t1 def9$1 its function 9 composition1 #fa4 ,endymatia1 gr\p ( anci5t ,greek dances1 #aa1 #ab4 ,entre*at1 /ep1 us$ by ,cam>go1 #fj4 ,execution1 #gb1 #gc4 ,relation to ballet co/ume1 #ajj4 ,"q ( orig91 #adf4 ,e?ologues1 s*ool ( pantomimi/s1 #af4 ,expression1 ab/ract1 #fj1 #fa4 ,9 ballet composition1 #hi1 #ij1 #ia4 ,nov]re's ideals1 #aje4 ,spani% ,gipsy1 #abd et seq4 ,sevillanas1 #ach1 #aci4 ,see also ,decoration1 ,composition4 ,/4 ,d5is1 #bba4 ,duncan1 #bdc-bdf4 ,bak/1 #bdh1 #bdi4 ,russian re-creation ( be/ ,greek dramatic =m1 #bea4 ,extravaganza1 #bbi4 ,,f&ango1 !1 ,spani% dance1 #ada1 #adb1 #aed4 ,fantaisie1 ,fantasia 7,arab71 #bjg4 ,f>&ole1 !1 ,fr5* dance1 #ahc4 ,f>ruca1 !1 ,spani% dance1 #abg et seq4 ,fatma1 danc]1 #aii4 ,feet1 positions (4 ,ballet1 #ff4 ,social danc+1 #bgf4 ,feis1 ,iri% fe/ival1 #agg-agi4 ,feu1 la ,danse de1 see ,full]4 ,fight ) ,%ad[4 ,anci5t ,greek dance1 #ai4 ,flam5co1 type ( ,spani% dance1 #abd et seq4 ,fl+1 see ,highl& ,fl+4 ,fl\r ,dance1 ,! 7,arab71 #bje4 ,fok9e1 ,mikail1 *oreograph]1 tea*]1 danc]1 ballet-ma/]1 #bdf4 ,heads ,romantic movem5t1 #bdg4 ,hypo!tical in/ance ( composition1 #bfd4 ,folk-danc+1 influ5ces ^u x4 ,place 9 danc+1 etc41 #afd et seq4 ,see also ,*>act]i/ic ,danc+4 ,=lana1 !1 ,italian dance1 #aef et seq4 ,f\ett1 #ge1 #gf4 ,france1 folk-dances (1 #ahc et seq4 ,full]1 ,loe1 danc]1 #bce et seq4 ,,gaditanae3 see ,spani% danc+4 ,gaelic ,league1 !1 attitude t[>d danc+1 #agh4 ,gaill>de1 !1 c\rt dance1 #dc1 #eb1 #ee4 ,galeazzo1 ,duke ( ,milan4 ,see de ,botta4 ,galli1 ,ros9a1 danc]1 #cad4 ,g>del1 ,maximilian1 danc]4 ,rebell$ aga9/ mask1 #ajb4 ,example ( effect ( ,fr5* ,revolution1 #ajh4 ,g>rot91 !1 ,spani% dance1 #abg1 #acd4 ,gauti]1 ,!ophile1 appreciation ( ,ellsl]1 #aaj4 ,gavotte1 !1 c\rt dance1 #eb1 #ec4 ,geltz]1 ,kat>9a1 danc]1 #bed4 ,g5e1 ,adel9e1 in/ance ( virtuosity1 #hd4 ,influ5ce1 #bci4 ,g5e1 ,adel9e1 re-creations ( art ( hi/oric danc]s1 #ei4 ,g]many1 danc+ 91 #ahd4 ,gei%a1 #bbe4 ,gigue1 !1 ,italian dance1 #dc1 #afb4 ,see also ,jig4 ,g9sb]g1 ,b>on1 #beb4 ,gipsy1 ,spani%1 type ( danc+1 #abd4 ,pantomime1 #abe1 #abf4 ,relation to ,spani% danc+1 #abh et seq4 ,gitanita1 ,la1 danc]1 #id et seq4 ,glaz\n[1 musical compos]1 #bdh4 ,glissade1 ,gliss1 #fh4 ,gluck1 musical compos]1 #aje4 ,grahn1 ,lucille1 danc]1 #aah4 ,grape-,v9e1 !1 figure ( ,"o-,/ep1 #bgh4 ,greece1 anci5t1 danc+ 91 #f et seq4 ,pres5t day1 #ahi1 #aij4 ,grisi1 ,c>lotta1 danc]1 #aah4 ,guim>d1 ,madele9e1 ,danc]1 #ajg4 ,gu]r]o1 ,ros>io1 danc]1 influ5ce1 #bci4 ,gu]r]o1 ,ros>io1 danc]1 #aci4 ,gu/avus ,,iii1 ,k+ ( ,sw$51 influ5ce on danc+1 #aha4 ,greet+1 ,dance ( 7,arab71 #bjb4 ,gymnopdia1 gr\p ( anci5t ,greek dances1 #aa1 #ab4 ,,hamad%a1 ,mohamm$an obs]vance1 #bjh et seq4 ,see also ,religions4 ,h&k]*ief ,dance1 ,! 7,arab71 #bje4 ,h>lequ91 #aeg4 ,hazlius1 ,dr41 #ahj4 ,hebrews1 danc+ (1 #e1 #de4 ,h5ry ,,iv1 ,k+ ( ,france1 #dh4 ,h5ry ,,viii1 ,k+ ( ,engl&1 #dh4 ,h]odias1 daught] (1 #e4 ,hesitation ,waltz1 ,!1 social dance3 place 9 mod]n ballroom1 #bgb2 execution1 #bhi1 #bij1 #bia4 ,highl& ,fl+1 !1 ,scot* dance1 #afg et seq4 ,hill1 ,?omas1 danc]1 #age et seq4 ,hippoclides1 #bj4 ,hi/orians1 _! neglect ( danc+1 #i et seq4 ,holl&1 dances (1 #ahb et seq4 ,horace1 #bg4 ,hormos1 dance ( anci5t ,greece1 #g4 ,hornpipe1 ! ,sailor's1 *>act]i/ic dance1 #aga4 ,hornpipe1 !1 ,iri% dance1 #agd et seq4 ,hula-,hula1 ,!1 ,hawaiian dance1 #bbc4 ,hung>y1 see ,slavonic dances4 ,hypor*ema1 gr\p ( anci5t ,greek dances1 #aa4 ,,iambic1 dance1 sacr$ to ,m>s1 #ac4 ,india1 danc+ 91 #bah et seq4 ,see also ,/4 ,d5is4 ,inns ( ,c\rt1 produc$ masque1 #dh4 ,irel&1 dances (1 #agd et seq4 ,italian *>act]i/ic dances1 details ( co/ume1 #aei4 ,israel1 *ildr5 (4 ,see ,moses4 ,,jaleo1 in=mal accompanim5t4 ,spani% danc+1 #abf4 ,j>rett & ,palm]1 produc]s1 #bca4 ,japan1 danc+ 91 #bbe et seq4 ,javilli]1 danc]1 #ajh4 ,jet1 #gj1 #ga4 ,jet t\r1 j4 en t\rnant1 #ga4 ,j]emiah1 ,book (1 #e4 ,jig1 ! ,iri% dance1 #agd et seq4 ,john ! ,bapti/4 ,see ,h]odias1 daught] (4 ,jones1 ,inigo1 /age decoration1 #dh4 ,jonson1 ,b51 compos] ( masques1 #dh4 ,jota aragonesa1 la1 ,spani% dance1 #abd1 #aej-aeb4 ,jota val5ciana1 la1 ,spani% dance1 #aec4 ,judges1 ,book (1 #e4 ,julian1 ,emp]or1 see ,*ur*4 ,jump1 effect ( l5g? analys$1 #hf1 #hg4 ,,kadriljs1 !1 ,sw$i% dance1 #aha4 ,k>sav9a1 ,tam>1 danc]1 #bdh4 ,kiralfy bro!rs1 danc]s1 produc]s1 #bcb et seq4 ,kolia1 anci5t ,greek dance1 #ai4 ,kolo1 !1 ,s]vian dance1 #ahi4 ,kya%t1 ,lydia1 danc]1 fac+ p4 #bdg4 ,,la ,,gai1 ,l\ise1 danc]1 def9ition ballon1 #gd2 9 ,italian dances1 #aeg et seq4 ,lac 7le7 des ,cygnes1 ballet1 #bfh4 ,lany1 danc]1 #ajh4 ,le ,brun1 ,fa!r ,pi]re1 see ,*ur*4 ,leo ,x1 see ,pope4 ,lezg9k1 dance ( ! ,caucasus1 #bag4 ,l\ ,gu1 #cg4 ,l\is ,,xiii1 p]=m] 9 ballets1 #dh4 ,l\is ,,xiv1 see ,ballet ,academy1 ,fr5* ,national4 ,l9d1 ,j5ny1 s+]1 #aah4 ,long1 ,patrick ,j41 danc]1 #agf4 ,lop\k[a1 ,lydia1 danc]4 ,basis ( academic tra9+1 #hi4 ,slavonic dances1 #aia4 ,"p 9 ,romantic movem5t1 #bdh4 ,metropolitan ,op]a1 #bed4 ,describes curriculum ,imp]ial ,academy1 #bfa et seq42 affect$ by ,am]ican conditions1 #cjh1 #cji4 ,ludiones1 #be4 ,lycurgus1 regulations & recomm5dations conc]n+ danc+1 #g1 #h4 ,lyon1 ,g5evieve1 danc]1 #bgd4 ,lyon ,*ass1 !1 figure ( ,hesitation ,waltz1 #bij4 ,,maccabees1 #e4 ,malaguea 7la7 y el ,tor]o1 ,spani% dance1 #adc1 #add4 ,ca/anets 9 la ,jota4 ,malaguez las1 ,spani% dance1 #add4 ,manag]s1 influ5ce on danc+3 ,*icago ,_w's ,fair1 #bcg2 ,j>rett & ,palm]1 ,! ,black ,crook1 etc41 #bcb et seq42 imitators1 #bcc4 ,s]gius ,diagilew1 #bea1 #beb4 ,public's %>e 9 blame = ,am]ican conditions1 #cje4 ,exceptional undesirables1 #cjg4 ,comm]cial exig5cies1 #cjh4 ,man*egas1 ,spani% dance1 #add4 ,m&elk]n1 ,joseph1 manag]1 #bdh4 ,m>y1 ,que5 ( ,scotl&1 #afi4 ,mascagni1 ,!odore1 danc]1 #aef4 ,m>ianas1 ,spani% dance1 #acd4 ,mask1 ,orig91 #ah 7inf]5ce ( ,mme4 ,l4 ,nelid[71 #bdi4 ,p]si/5ce1 #aja1 #ajb4 ,masque1 e>ly /eps & elaboration1 #cf et seq4 ,mtelot1 !1 ,dut* dance1 #ahb4 ,mazurka1 !1 ,russian dance1 #aij1 #aib4 ,maxixe1 !1 ,brazilian1 social dance3 place 9 mod]n ball-room1 #bgb2 execution1 #cjj1 #cja4 ,m$ia ,luna1 !1 7la ,demi-lune71 figure ( ,arg5t9e ,tango1 #bif4 ,memphitic1 gr\p ( anci5t ,greek dances1 #ae4 ,mne/ri]1 ,fa!r1 *oreographic hi/orian1 #bi4 ,metropolitan ,op]a ,company4 ,russian ballet1 #bed4 ,relation to music & danc+1 #bee1 #cji-cad4 ,milit>y tra9+1 dance 91 #ad1 #ae4 ,m9uet1 !1 #eb4 ,m4 du ,dauph91 ,m4 de la ,re9e1 ,m4 d',exaudet1 ,m4 de la ,c\r1 #eg4 ,mirror1 figure ( ,m9uet1 #eg4 ,see also ,bav>ian4 ,mohamm$1 see ,religions1 non-,*ri/ian4 ,montev]de1 musical compos]1 #ci4 ,moor3 see ,spani% danc+1 also ,ori5tal danc+4 ,morality ( danc+1 see ,*ur*2 ,religions1 non-,*ri/ian2 ,sex2 ,tango4 ,mordk91 ,mikail1 danc]4 ,"p 9 ,romantic movem5t1 #bdh4 ,metropolitan ,op]a1 #bed4 ,moresca1 !1 #dc4 ,moritas1 las1 ,spani% dance1 #acd4 ,morra1 la1 see ,t>antella4 ,morris ,dances1 #agb4 ,moses2 bids *ildr5 ( ,israel dance1 #e4 ,m\rn+1 *oreographic expression (1 ,greeks 7anci5t71 #ac4 ,spani% ,gipsies1 #abf4 ,arabs1 #bjg4 ,moz>abe1 see ,*ur*4 ,moz>t1 musical compos]1 collaborat$ ) ,nov]re1 #ajf4 ,municipal ballets1 #f1 #h4 ,murray ,&]son ,turn1 !1 figure ( ,"o-,/ep1 #bha4 ,music1 analogy to1 see ,expression4 ,,nagel1 ,fr$1 danc]1 #ahh4 ,nagel1 ,mrs4 ,fr$1 danc]1 #ahh4 ,napoleon 7,emp]or71 ballet 9 ,egypt1 #aji4 ,naturalism1 consid]ation (4 ,see ,ballet1 ,classic4 ,naut* ,dance 7,india71 #bba4 ,nem\rs1 ,duke (1 ,ballet ( ,g\ty1 #di4 ,nicom$es1 "m a danc]1 #h4 ,nij9ski1 ,waslaw1 danc]1 #bdg1 #bdh4 ,noblet1 danc]1 #aji4 ,nov]re1 ,m41 ballet-ma/]4 ,re=ms 9 ,fr5* ballet1 #ajc4 ,collaboration ) ,gluck1 #aje4 ,ballet compositions1 #ajf4 ,,ob]tass1 !1 ,poli% dance1 #aib4 ,oiseau 7le7 de ,feu1 ballet drama1 #bfh4 ,"o-/ep1 !1 social dance4 ,directions = execution1 #bgg-bhc incl4 ,op]a1 ballet's place 91 #aah1 #aai4 ,see also ,metropolitan ,op]a4 ,ot]o1 danc]1 #aci1 #bci4 ,ot]o1 ,jose1 tea*]1 writ] on ,spani% danc+1 #abd4 ,ori5tal danc+3 di/+ui%$ f ,occid5tal1 #bac-bae4 ,see also ,/4 ,d5is1 ,composition4 ,o/r&]1 ,h4 ,c41 travell]1 #bjh1 #bag4 ,,pas de ,*eval1 #he4 ,pas de ,*at1 #he4 ,pas de ,basque 7/ep71 #gd1 #ge4 ,pas de ,b\rre 7/ep71 #gd4 ,passecaille1 !1 c\rt dance1 #eb4 ,passepi$1 !1 c\rt dance1 #eb4 ,pantomime1 di/+ui%$ f ab/ract expression1 #fb et seq4 ,nov]re1 #ajg4 ,spani% ,gipsy1 #abe4 ,arabic1 #bjj et seq4 ,greek1 #bdi1 #bej4 ,rome1 #bej4 ,augu/9 ,daly's int]e/ 91 #cjf4 ,see also ,expression4 ,pantalone1 ,doctor1 #aeg4 ,panad]os1 los1 ,spani% dance1 #adi4 ,pavane1 !1 c\rt dance1 #dc1 #ef2 influ5ce on social danc+ ( to-day1 #bga4 ,pavillon 7le7 d',armide1 #bfh4 ,pavl[a1 ,anna1 danc]2 academic discipl9e1 #hi4 ,in/ance ( virtuosity1 #ib4 ,"p 9 ,romantic movem5t1 #bdh4 ,metropolitan ,op]a1 #bed4 ,expression z to t5d5cy ( ball-room danc+1 #cjc4 ,canadian ,royal ,op]a ,company1 #cad4 ,p]*t5tanz ( ,salzburg1 #ahd1 #ahe1 #ahf4 ,philip ( ,mac$on1 wife a danc]1 #h4 ,pir\ette1 def9$1 #gf1 #gi4 ,f\ett p41 #gf1 #gg2 v>iations1 #gh4 ,p4 sur le ,c\-de-pi$1 #gi1 #hj2 ,p4 composes1 #ha4 ,pito1 f+]-snapp+1 accompanim5t ,spani% danc+1 #aca4 ,plato1 8 valuation ( danc+1 #d1 #g4 ,pli1 #ge1 #gf4 ,piqu t\r1 #hi4 ,po9te1 sur la3 9 anci5t ,greece1 #hh2 errone\s ideas conc]n+1 #ic2 in/ances (1 b>efoot1 #ic1 #id4 ,pol&1 see ,slavonic dances4 ,polka1 !1 #aha4 ,pir\ette1 #gf-ha1 #hc4 ,pope ,alex&] ,,vi4 ,pope ,eug5ius ,,iv1 #ca4 ,pope ,leo ,x1 #de4 ,pope ,sixtus ,,iv1 #de4 ,pope ,za*>ias1 #cb4 ,pr9ce ,igor1 ballet drama1 #bff4 ,prevo/1 ,franoise1 danc]1 #di4 ,public 7,am]ican7 9 relation to danc+1 #bbi1 #bcb1 #bcc1 #bfi1 #cjd et seq4 ,pylades1 #be et seq4 ,pyrrhic1 gr\p ( anci5t ,greek dances1 #ae4 ,,quadrille1 see ,contr$anse4 ,,raphael1 /age decorations1 #dd4 ,ras*1 ,alb]t9a1 danc]1 #cad4 ,reel1 !1 ,iri% dance1 #agd et seq4 ,reel1 !1 ,scot* dance1 #agj4 ,reel ( ,tullo*1 !1 ,scot* dance1 #agj4 ,relev1 #fi1 #gj4 ,religions1 non-,*ri/ian1 ,greek1 #f et seq4 ,religions1 non-,*ri/ian1 relation to danc+4 ,egyptian1 #d4 ,greek1 #d1 #aa et seq4 ,roman1 #bd1 #be4 ,mohamm$an1 #aif et seq4 ,d]vi%es1 #baf4 ,hamad%a1 #bjh et seq4 ,india1 #bbd4 ,r51 ,k+ ( ,prov5ce1 #cf4 ,r5v]s1 its /hetic significance1 #fa4 ,revolution1 ,fr5*1 effect on danc+1 #ajh4 ,ri>io1 ,c>d9al1 compos$ ballet1 #de4 ,ri*elieu1 ,c>d9al1 compos] ballet1 #di4 ,rimski-,korsakov1 musical compos]1 #bdh4 ,r9nce ,fadha1 !1 e>ly ,iri% dance1 #agg4 ,rog] 7,sir7 de ,cov]ley1 !1 ,engli% dance1 #agg4 ,rome1 dance 91 #bb et seq4 ,romantic ,revolution1 ! ,russian4 ,see ,russian ,ballet4 ,romeo1 ,angelo1 danc]1 #hj4 ,rond de ,jambe1 #ha4 ,rose & ! ,dagg]1 ,!1 pantomime1 #aci4 ,russian ,ballet1 = comp>ison1 see also ,ballet1 ,classic4 ,russia1 *>act]i/ic dances1 see ,slavonic dances4 ,russia1 ,c\rt ,dance (1 #aie4 ,russian ,ballet4 ,"o field ( its new mat]ial1 #eh4 ,arti/ic sanity1 #ii4 ,isadora ,duncan1 influ5ce1 #bda-bdg4 ,re-creates be/ ( ,greek drama1 #bea4 ,plays 9 ,p>is1 #beb4 ,metropolitan ,op]a1 #bed4 ,misrepres5tative appe>ances1 #bee4 ,relation to ,imp]ial ,academy1 #beg et seq4 ,comp>$ ) ,classic1 #bfc4 ,scope1 #bff-bfh4 ,influ5ce on social danc+1 #bfi1 #bgj4 ,see also ,ballet1 ,classic4 ,russian 7,imp]ial7 ,ballet ,academy3 favor$ w>d ( gov]nm5t1 #bde2 conditions ( entrance1 #beg1 #beh2 disposal ( pupils1 #beh1 #bei2 curriculum1 #bei-bfa2 c>e ( pupils1 #bfb2 synopsis ( hi/ory1 #bfb1 #bfc4 ,influ5ce ( ,romanticism1 #bfc-bff4 ,,sailor',s ,hornpipe1 see ,hornpipe4 ,/4 ,basil1 dance 9 8 ,epi/le to ,/4 ,gregory1 #cj4 ,see also ,*ur*4 ,/4 ,c>lo ,borromo1 canonisation (1 #ce et seq4 ,/4 ,d5is1 ,ru?1 danc]4 ,influ5ce1 #aii4 ,cobra dance1 #bbj4 ,h] contribution to art1 #bba1 #bbb1 #bbc4 ,/4 ,isidore1 *oreographic compos]1 see ,*ur*4 ,salic prie/s1 #bd4 ,sall1 de1 ,m>ie1 danc]1 #di4 ,sallu/1 obs]vations1 #bg4 ,salt>ello1 !1 ,italian dance1 #dc1 #afc4 ,samuel1 ,book (1 #e4 ,s>ab&1 !1 c\rt dance1 #eb1 #ed4 ,s>acco-,brignole1 ,elise1 danc]1 tea*]1 #aef4 ,s>acco1 ,george1 danc]1 ballet-ma/]1 #bcc4 ,s]p5t9e1 see ,full]4 ,saturnalia1 dances ( anci5t ,rome1 #be4 ,sc&9avian1 dances (1 #ahj et seq4 ,scissors1 ! 7las ,tij]as1 les ,ciseaux71 figure ( ,arg5t9e ,tango1 #bie1 #bif4 ,s*eh]azade1 ballet drama3 ,vol99e 91 #hf2 9 "*1 #bfh4 ,scot* ,reel1 !1 see ,reel4 ,seguidillas1 type ( ,spani% dance1 #acf1 #ada1 #add4 ,seises ( ,seville1 see ,*ur*4 ,seville ,ca!dral1 see ,*ur*4 ,sevillanas1 las1 ,spani% dance1 #acf-adj incl4 ,in/ance ( a competition1 #id4 ,sex1 dance 9 relation to1 #h1 #bd4 ,ellsl] & ,cam>go contra/$1 #aaj1 #aaa1 #aae4 ,spani% ,classic & ,flam5co contra/$1 #abh4 ,*icago ,_w's ,fair1 #aii1 #bch4 ,arabian ,h&k]*ief ,dance1 #bje4 ,"o manag]'s belief1 #bci4 ,siciliana1 !1 ,italian dance1 #dc1 #afc4 ,sik9nis4 ,anci5t ,greek dance1 #bj4 ,simplicity1 ,greek & ,roman comp>$1 #bb et seq4 ,sixtus ,,iv1 see ,pope4 ,s*uhplatteltanz ( ,bav>ia1 #ahg et seq4 ,%ean ,treuse1 !1 ,scot* dance1 #aga4 ,%iloh1 daught]s (4 ,see ,judges4 ,skans51 !1 #ahj4 ,skralt1 !1 ,sw$i% dance1 #aha4 ,slavonic dances1 #aij et seq4 ,socrates1 #h4 ,sole>es1 las1 ,spani% dance1 #aeb4 ,sophocles1 #h4 ,spani% danc+ co/ume1 details (1 #ace1 #adb1 #adc1 #adi1 #aec4 ,spani% danc+1 its place 9 hi/ory3 ,c>?ag9ian prov9ce1 ,roman ent]ta9m5t1 #aba2 ,moori% influ5ce1 #abb2 ,c5tury ( ,gold1 #abb4 ,spani%--put 9 ,rome4 ,spe>1 anci5t ,greek dance (1 #ai4 ,spectre 7le7 de la ,rose1 ballet drama1 #bfh4 ,squ>e1 !1 figure ( ,"o-,/ep1 #bgi4 ,spill$ ,meal1 dance (1 #ai4 ,/aats1 ,lo1 danc]1 ballet-ma/]1 #hj4 ,/eps1 classes (1 def9ition (1 #fg1 #fh4 ,/oige1 ,otto1 see ,pir\ette4 ,/ra?spey1 ! ,scot* dance1 #aga4 ,/yle1 ballet1 "s elem5ts (1 #ia1 #ib1 #ic1 #if1 #ig4 ,russian & ,classic comp>$1 #bfc-bff4 ,sur la po9te1 les po9tes1 position1 /hetic significance1 #fa4 ,9 anci5t ,greece1 #hh4 ,sw$51 dances (1 #ahj et seq4 ,sword ,dance 7,scot*71 !1 #afg4 ,sword ,dance 7,turki%71 #baf4 ,sylphide1 la1 ballet1 #aaf4 ,sylphides1 les1 ballet1 #bfh4 ,szolo1 !1 ,hung>ian dance1 #aic4 ,,tab\rot1 ,jehan4 ,see ,arbeau4 ,taglioni1 ,m>ie1 danc]1 contributor to ballet /eps1 #eh1 #aab4 ,ref]5ce by ,?ack]ay1 #aaj4 ,individuality1 #aaa4 ,rivalry ) ,ellsl]1 #aad et seq4 ,p]=mance = ,que5 ,victoria1 #aah4 ,influ5ce1 #bbh4 ,tango1 !1 ,spani% dance1 #abg et seq4 ,tango1 ,! ,arg5t9e1 social dance3 hi/ory1 #bga2 progress hamp]$ by its v>i$ execution1 #bge2 moral aspect1 #bia1 #bib1 #bic2 execution1 #bid-cjj4 ,t>antella1 !1 ,italian dance1 #aeh4 ,t*]epn91 musical compos]1 #bdh4 ,temps1 def9ition1 #fg4 ,t5cita1 danc]1 #aed4 ,"t m>k]s1 #ag4 ,see also ,ca/anets4 ,toe-danc+4 ,see po9te1 sur4 ,tordion1 !1 c\rt dance1 #eb1 #ed4 ,toreo ,espaol1 ,spani% dance1 #aee4 ,t\r1 see ,pir\ette4 ,t\ri/s1 danc+ =4 ,tangi]1 etc41 #bje4 ,egypt1 #baj4 ,treaty1 ,anglo-,fr5* conc]n+ danc]s' contracts1 #aji4 ,tullo*1 see ,reel4 ,turkey1 danc+ 91 #baf4 ,turkey ,trot1 ,!1 see ,"o-,/ep4 ,turn1 !1 ( ,"o-,/ep1 #bgg4 ,,vafva ,vadna1 !1 ,sw$i% dance1 #aha4 ,ve/ris1 ,augu/e1 danc]1 #ajb4 ,ve/ris1 ,gatan1 danc]1 tea*]1 #ajb4 ,victoria 7,que57 influ5ce on danc+1 #aah4 ,v+ak]sdans1 !1 ,sw$i% dance1 #ahb4 ,virg9ia ,reel1 !1 ,am]ican dance1 #agg4 ,vito1 el1 ,spani% dance1 #aee4 ,vol99e1 ,alex&]2 in/ance ( virtuosity1 #hf2 academic basis1 #hi2 "p 9 ,romantic movem5t1 #bdh4 ,metropolitan ,op]a1 #bed4 ,volte1 !1 c\rt dance1 #eb4 ,volteo1 el1 figure ( ,arg5t9e ,tango1 #cjj4 ,,walk1 ! 7el paseo1 le prom5ade71 figure ( ,arg5t9e ,tango1 #bid4 ,waltz1 !4 ,probable orig91 #ge4 ,univ]sality1 #ahc4 ,! ,rhe9l&] ,waltz1 #ahh4 ,see also ,bo/on2 ,hesitation ,waltz4 ,:ite ,fawn1 ,!1 ballet spectacle1 #bcc4 ,_w's ,fair1 ,*icago1 #bch4 ,,zambelli1 ,c>lotta1 danc]1 #gh4 ,z>ab&a1 !1 old ,spani% dance1 #abb4 ,see also ,s>ab&4 ,z\rna1 danc]1 #aii et seq4 99 99 99 99 99 ,typographical errors correct$ by ! etext transcrib]3 ,jete t\r 7#aa7 ,jet t\r 7#aa7 pg xvi action ( ! ! arms action ( ! arms pg #aja ,9 8 dance ,9 ?is dance pg #bjd ,br\ght into semi-associaton ,br\ght into semi-association image p #bjf ,mes ,memoires ,mes ,mmoires pg #bcf le ,prom5ade la ,prom5ade pg #bid ,rimski-,korsak[1 musical compos]1 #bdh4 ,rimski-,korsakov1 musical compos]1 #bdh4 pg #ccb ,gymnopa$ia1 gr\p ( anci5t ,greek dances1 #aa1 #ab4 ,gymnopdia1 gr\p ( anci5t ,greek dances1 #aa1 #ab4 pg #ccj ,r9cce ,fadha1 !1 e>ly ,iri% dance1 #agg4 ,r9nce ,fadha1 !1 e>ly ,iri% dance1 #agg4 pg #ccb