,,! ,,:i/l] ,,book ,,works ,,( ,,sadaki*i ,,h>tmann ,%akespe>e 9 ,art #b4jj ,japanese ,art #b4jj ,! ,:i/l] ,book #b4ej ,a ,hi/ory ( ,am]ican ,art #b vols4 #d4jj ,l4 ,c4 ,,page ,,company #ec ,,beacon ,,/41 ,,bo/on1 ,,mass4 ,illu/ration3 ,james ,mc,neill ,:i/l] ,f ! pa9t+ by ,bold9i ,! ,:i/l] ,book ,a ,monograph ( ! ,life & ,position 9 ,art ( ,james ,mc,neill ,:i/l]1 toge!r ) a ,c>eful ,/udy ( 8 m ,important ,works ,,by ,,sadaki*i ,,h>tmann ,au?or ( ,a ,hi/ory ( ,am]ican ,art1 ,japanese ,art1 etc4 ,) fifty-sev5 reproductions ( ,mr4 ,:i/l]'s mo/ important works ,l4 ,c4 ,,page ,,company ,,bo/on 99 99 99 ,,mdccccx ,copyright1 #aiaj1 ,,by ,l4 ,c4 ,,page ,,company4 7,,incorporat$7 ,ent]$ at ,/ation]'s ,hall1 ,london 99 99 99 99 99 ,all rights res]v$ ,fir/ ,impression1 ,octob]1 #aiaj ,electrotyp$ & ,pr9t$ by ,,! ,,colonial ,,press ,c4 ,h4 ,simonds ,co41 ,bo/on1 ,u4,s4,a4 ,,to ,,^? ,,pa9t]s ,,^u ,,^: ,,%\ld]s ,,! ,,black ,,mantle ,,( ,,:i/l]',s ,,muse ,,may ,,fall ,,cont5ts ,,*apt] ,,page ,i4 ,introductory--,:ite ,*rysan!mums #a ,,ii4 ,qu>ti] ,lat9 & ,*elsea #f ,,iii4 ,! ,butt]fly #ci ,,iv4 ,! ,art ( ,omission #eh ,v4 ,on ,light & ,tone ,problems #ha ,,vi4 ,symphonies 9 ,int]ior ,decoration #ajj ,,vii4 ,visions & ,id5tifications #aba ,,viii4 ,9 ,que/ ( ,l9e ,expression #adg ,,ix4 ,moss-l ,gradations #afh ,x4 ,:i/l]'s ,iconoclasm #ahb ,,xi4 ,z ,8 ,fri5ds ,knew ,him #bji ,,xii4 ,! ,/ory ( ! ,beautiful #bcc ,bibliography #bec ,pr9cipal ,magaz9e ,articles #bei ,pr9cipal ,pa9t+s #bfb ,nocturnes #bfe ,index #bfg ,,li/ ,,( ,,illu/rations ,,page ,portrait ( ,james ,mc,neill ,:i/l]1 by ,bold9i 7,see page #bcj7 ,frontispiece ,! ,self ,portrait ( #ahei #h ,p5 & ,ink ,sket*1 ,made at ,we/ ,po9t #aa ,draw+ ,made = ! ,unit$ ,/ates ,coa/ & ,geodetic ,survey #ab ,portrait ,sket* ( ,fant9-,lat\r #ad ,hommage ,delacroix1 by ,fant9-,lat\r #ag ,! ,woman 9 ,:ite #ai ,own$ by ,john ,h4 ,:ittemore4 ,arrangem5t 9 ,black3 ,f4 ,r4 ,leyl& #bb ,national ,gall]y1 ,wa%+ton4 ,jo 7,et*+7 #bh ,wapp+ ,:>f 7,et*+7 #cf ,h>mony 9 ,gre5 & ,rose3 ,! ,music ,room #dd ,own$ by ,frank ,j4 ,heck]4 ,lange ,leiz5 ( ! ,six ,m>ks3 ,purple & ,rose #di ,own$ by ,john ,g4 ,johnson4 ,! ,pr9cess ( ! ,porcela9 ,l& #ej ,national ,gall]y1 ,wa%+ton4 ,symphony 9 ,:ite1 ,,ii3 ,! ,little ,:ite ,girl #ec ,own$ by ,ar?ur ,/udd4 ,on ! ,balcony3 ,v>iations 9 ,fle%-col\r & ,gre5 #ed ,national ,gall]y1 ,wa%+ton4 ,nocturne 9 ,black & ,gold3 ,! ,fall+ ,rocket #eh ,own$ by ,mrs4 ,samuel ,unt]my]4 ,nocturne 9 ,blue & ,gold3 ,old ,batt]sea ,bridge #fg ,tate ,gall]y1 ,london4 ,nocturne 9 ,gray & ,gold3 ,*elsea1 ,sn[ #gj ,nocturne 9 ,blue & ,silv] #gd ,lady 9 ,gray #hc ,c\rtesy ( ! ,metropolitan ,museum1 ,new ,york4 ,l',&alusi5ne #hf ,own$ by ,john ,h4 ,:ittemore4 ,sir ,h5ry ,irv+ z ,philip ,,ii #ij ,c\rtesy ( ! ,metropolitan ,museum1 ,new ,york4 ,arrangem5t 9 ,black & ,:ite3 ,lady ,meux 7,no4 #a7 #id ,arrangem5t 9 ,black3 ,s5or ,pablo ,s>asate #ig ,c>negie ,art ,in/itute1 ,pittsburg4 ,%utt] ,decoration1 ,peacock ,room #ajd ,arrangem5t 9 ,gray & ,gre53 ,miss ,alex&] #aji ,eagle ,:>f 7,et*+7 #aah ,at ! ,piano #abb ,arrangem5t 9 ,black & ,br[n3 ,miss ,rose ,cord] #abh ,own$ by ,ri*>d ,a4 ,canfield4 ,arrangem5t 9 ,black3 ,lady ,ar*ibald ,campbell 7,! ,yell[ ,busk97 #acg ,wil/a* ,gall]y1 ,philadelphia4 ,arrangem5t 9 ,black & ,gold3 ,comte de ,montesqui\ #adb ,own$ by ,ri*>d ,a4 ,canfield4 ,arrangem5t 9 ,black & ,gray3 ,?omas ,c>lyle #add ,city ,art ,gall]y1 ,glasg[4 ,arrangem5t 9 ,black & ,gray3 ! ,arti/'s ,"m #adf ,luxemb\rg ,gall]y1 ,p>is4 ,la ,vieille aux ,loques 7,et*+7 #adi ,/reet 9 ,sav]ne 7,et*+7 #aej ,portrait ( ,dr\et 7,et*+7 #aec ,black ,lion ,:>f 7,et*+7 #aed ,wapp+1 on ! ,?ames 7,et*+7 #afj ,old ,hung]=d ,bridge 7,et*+7 #afb ,! ,sil5t ,canal 7,et*+7 #afd ,view ( ,am/]dam 7,et*+7 #aff ,nocturne 7,li?ograph7 #agj ,little ,rose ( ,lyme ,regis #age ,bo/on ,museum ( ,f9e ,arts4 ,/udy ( ,nude ,figure 7,*alk ,draw+7 #agf ,pa/el ,/udy #agh ,own$ by ,?4 ,r4 ,way4 ,ar*way1 ,v5ice 7,pa/el7 #ahb ,own$ by ,h[>d ,mansfield4 ,! ,japanese ,dress 7pa/el7 #ahf ,own$ by ,h[>d ,mansfield4 ,mr4 ,k5n$y3 ,portrait ,/udy #aib ,c\rtesy ( ! ,metropolitan ,museum1 ,new ,york4 ,! ,lime ,burn] 7,et*+7 #aih ,portrait ( ,/phane ,mall>m 7,li?ograph7 #bji ,arrangem5t 9 ,fle%-col\r & ,black3 ,!odore ,duret #bad ,! ,unsafe ,t5em5t 7,et*+7 #bbj ,9 ! ,sun%9e 7,et*+7 #bbf ,! ,pool 7,et*+7 #bcb ,arrangem5t 9 ,black & ,:ite3 ,l',amrica9e #bch ,! ,fiddl] 7,et*+7 #bdf ,nocturne 9 ,br[n & ,silv]3 ,old ,batt]sea ,bridge #bdh ,! ,:i/l] ,book ,,*apt] ,i4--,,introductory ,,:ite ,,*rysan!mums#a ,footnote #a3 ,publi%$ orig9ally 9 ,cam]a ,"w1 #aijc4 ,! :ite *rysan!mum is my fav\rite fl[]4 ,!re are o!r fl[]s1 ,i grant1 p]haps m beautiful1 :i* ,i _c help admir+1 b ! :ite *rysan!mum someh[ appeals to me m ?an any o!r fl[]4 ,:y8 ,t is m ?an ,i c tell4 ,! unconsci\s movem5ts ( our s\l activity _c be turn$ into sodd5 prose4 ,:at w\ld be ! use ( hav+ a fav\rite fl[] if "o c\ld give any reason = lik+ x8 ,x m]ely reveals t "p ( our p]sonality1 n to be logically expla9$1 :i* rises )9 u l ! rem9isc5ces ( "s =m] s\l exi/5ce4 ,!re are col\rs & c]ta9 s\nds & od\rs :i* effect me simil>ly4 ,:5ev] ,i gaze at a :ite *rysan!mum1 my m9d becomes consci\s ( some?+ :i* conc]ns my life alone2 some?+ :i* ,i w\ld l to express 9 my art1 b :i* ,i %all nev] be able to realize1 at lea/ n 9 ! vague &1 at ! same "t1 conv9c+ mann] ! fl[] conveys x to me4 ,i am also fond ( display+ x occasionally 9 my buttonhole2 n = effect1 h[ev]1 b simply because ,i want o!r p to "k :o ,i am2 = ^? human be+s :o are s5sitive to ! *>ms ( ! *rysan!mum1 mu/ hail f ! same c\ntry 9 :i* my s\l abides1 & ,i %\ld l to meet !m4 ,i %\ld n h mu* to say to !m--s\ls are n talkative--b we %\ld make curtsies1 & h& :ite *rysan!mums to "o ano!r4 ,:i/l] 0 busy all 8 life pa9t+ j su* :ite *rysan!mums4 ,y smile8 ,well1 ,i ?9k ,i c p]suade y to accept my po9t ( view4 ,y are probably aw>e t ,:i/l] 0 oppos$ to realism4 ,! reali/s endorse e fai?ful reproduction ( facts4 ,also1 ,:i/l] believ$ all objects beautiful1 b only "u c]ta9 conditions1 at c]ta9 fav\r$ mom5ts4 ,x is at long int]vals & on r>e occasions t nature & human life reveal _! highe/ beauty4 ,x 0 ,:i/l]'s life-long endeav\r to fix su* supreme & happy mom5ts1 ! :ite *rysan!mums ( 8 /hetic cre$1 ^u 8 canvases4 ,h y nev] se5 a c\ntry lass & ?\ght %e %\ld be dress$ up z a page--h] limbs h su* a lyrical twi/1 z ,george ,m]$i? w\ld say--%e %\ld /& on ! /eps ( a ?rone1 & ! hall %\ld be illum9at$ ) a ?\s& c&les8 ,h y nev] met a ,new ,engl& girl1 & ?\ght t %e 0 ill-suit$ to h] pres5t surr\nd+s1 t %e w\ld look well only /&+ on ! por* ( "s old ,colonial mansion1 9 ! ev5+1 :5 od\rs ( ! pel>goniums & gladioli beg9 to fill ! g>d58 ,h y n notic$ t a bun* ( cut fl[]s :i* looks beautiful 9 "o vase may become ugly 9 ano!r8 ,& h[ (t5 has x n happ5$ to all ( u t we 7 />tl$ by a sudd5 revelation ( beauty 9 a p]son :om we h kn[n = ye>s & :o has look$ r commonplace to u8 ,sudd5ly1 ?r\gh "s expression ( grief or joy1 or m]ely ?r\gh a pass+ light or %ad[1 all ! hidd5 beauty bur/s to ! surface & surprises u ) its fugitive *>ms4 ,:i/l]'s ,at ! ,piano1 ,! ,yell[ ,busk91 ,old ,batt]sea ,bridge1 ,*elsea3 ,sn[1 are pa9t$ 9 t way4 ,c\ld y imag9e 8 ,yell[ ,busk9 ,lady 9 any o!r way ?an button+ h] gloves1 & glanc+ back1 = a la/ "t1 ov] h] %\ld]1 z %e is walk+ away f y into grey di/ances6 ,t peculi> turn ( h] body reveals ! qu9tess5ce ( h] beauty4 ,& t is ! reason :y ,:i/l] has pa9t$ h] 9 t attitude4 ,?us e object has its mom5t ( supreme beauty4 ,9 life ^! mom5ts are z fugitive z ! fractions ( a second4 ,?r\gh art !y c become a p]man5t & la/+ enjoym5t4 ,! anci5t ,greek believ$ 9 an ideal /&>d ( beauty to :i* ! :ole univ]se _h to con=m4 ,! mod]n arti/1 on ! o!r h&1 sees beauty only 9 su* mom5ts z are entirely individual to ! =ms & conditions ( life he desires to portray4 ,& z x pa9s him t 8 conception ( beauty w die ) him1 he becomes an arti/ ?r\gh ! v endeav\r ( pres]v+ at lea/ a few fragm5ts ( x = 8 fell[-m54 ,) ,:i/l]1 ?is conception 0 l>gely a s5se = tone1 a realization ( "s dream 9 black & silv]y grey1 9 pale gold or gre5i% blues4 ,a vague fl>e ( col\r 9 "s d>k tonality 01 to him1 ! isl& 9 ! des]t :i* he _h to seek1 unable to re/ until he _h f\nd x4 ,he saw life 9 visions1 & 8 subjects 7 m]ely means to express !m4 ,9 8 ,lady ,ar*ibald ,campbell he c>$ m = black & grey gradations & ! yell[ note ( ! busk9 ?an = ! fair sitt]4 ,! figure is1 s to speak1 inv5t$ 9 ! "* ( ! col\r arrangem5t4 ,:i/l] once said he w\ld l be/ to pa9t = an audi5ce t c\ld disp5se ) ! repres5tation ( objects & figures1 ) all pictorial actualities1 & be satisfi$ solely ) ! music ( col\r4 ,& :y %\ld we n pr(it by 8 lesson1 & le>n to look at pictures z we look at ! flu% ( ! ev5+ sky1 at a pass+ cl\d1 at ! vision ( a beautiful woman1 or at a :ite *rysan!mum6 ,,*apt] ,,ii ,,qu>ti] ,,lat9 ,,& ,,*elsea ,dur+ ,jean ,franois ,raffaelli's soj\rn 9 ,am]ica ,i _h occasion to ask him ! r futile "q ( h[ long x took a pa9t] 9 ,p>is to become fam\s4 ,( c\rse ,i ref]r$ to a man ( sup]ior abilities1 & meant by fame an int]national reputation4 ,he answ]$ tw5ty ye>s at lea/1 & ,i repli$ t ab\t tw5ty ye>s m w\ld be ne$$ 9 ,am]ica4 ,:i/l] _h a long "t to wait be=e fame knock$ at 8 door1 al?\gh he _h a local reputation 9 ,london & ,p>is at =ty4 ,he 0 kn[n z a man ( curi\s ways1 & an excell5t et*]2 b1 ) ! exception ( two m$als1 he _h receiv$ no hon\rs :atev] = 8 pa9t+s4 ,8 "w /ill impress$ by its novelty2 b he _h n yet captivat$ ! public4 ,he /ill _h to fight = recognition1 &1 z long z a man has to d t1 he is nei!r a popul> nor a successful man4 ,t[>d ! middle ( ! sev5ties recognition appe>$ to come m readily4 ,he seem$ to "k ev]ybody ( note1 & ev]ybody seem$ to "k him4 ,8 writ+s & controv]sies attract$ consid]able att5tion1 8 supremacy z an et*] _h be5 admitt$1 & 8 pictures became m widely kn[n4 ,he _h ga!r$ ar\nd him a numb] ( weal?y patrons1 :o 7 connoisseurs & ke5 appreciators ( 8 tal5ts4 ,he 0 s successful f9ancially 9 ! latt] "p ( 8 life t he _h resid5ces & /udios 9 ,p>is z well z 9 ,london4 ,at ,p>is 8 headqu>t]s 7 9 ! rue du ,bac4 ,9 ,london he _h v>i\s qu>t]s1--on ,fulham ,road1 ,tite ,/reet1 ,langham ,/reet1 ,ald]ney ,/reet1 ,/4 ,reg5ts ,/reet1 ,! ,vale1 etc4 ,go+ f "o place to ! o!r z 8 moods dictat$ to him1 ) an occasional sket*+ trip to ,v5ice1 to ,holl& or ! nor!rn p>ts ( ,france1 he liv$ ! true life ( ! arti/1 qu>rell$ ) 8 fri5ds1 delight$ 8 admir]s ) ! products ( 8 fancies1 & a/\nd$ ! intellig5t public on two cont95ts ) ! caprices ( 8 temp]4 ,/range to say1 ev5 at t "t1 8 be/ "w _h already left 8 easel4 ,he 0 busy ) m9or1 b n less int]e/+1 problems & devot$ mo/ ( 8 "t to et*+s1 pa/els & li?ographs4 ,b x 0 at ?is "t t 8 ,t5 ,o'clock & ,! ,g5tle ,art ( ,mak+ ,enemies 7 publi%$2 & :5 8 ,c>lyle f\nd its way to ! ,glasg[ ,city ,gall]y1 & ,! ,portrait ( ! ,arti/'s ,"m 0 pur*as$ by ! ,luxemb\rg ,gall]y at ,p>is4 ,comp>atively little is kn[n ( ,:i/l]'s private life4 ,i wond] h[ _m ( 8 admir]s1 except+ 8 p]sonal fri5ds1 7 acqua9t$ dur+ 8 life-"t ) ! fact t he 0 m>ri$1 & c\ld tell :om he _h m>ri$4 ,he rema9$ a ba*elor until 8 fifty-f\r? ye>1 :5 he m>ri$ ! wid[ ( 8 fri5d ,e4 ,w4 ,godw91 ! ar*itect ( ! ,:ite ,h\se4 ,%e 0 ! daught] ( ,john ,b]nie ,philip1 a sculptor1 & 0 h]self an et*]4 ,!y 7 m>ri$ on ,aug4 #aa1 #ahhh4 ,eight ye>s lat] 8 wife di$1 ,may #aj?1 #ahif4 ,h[ ?is man ( moods & caprici\s ta/es got along 9 m>ri$ life ! g5]al public has nev] f\nd out4 ,8 fri5ds assure u t x 0 a happy union & t he 0 deeply devot$ to 8 wife4 ,he has pa9t$ h] repeat$ly1 b ! pictures d n betray any dome/ic secrets to ! public4 ,al?\gh ,:i/l] 0 fond ( notoriety1 & manag$ to keep himself cont9ually be=e ! public1--9 ! fulle/ limelight1 s to speak1--he nev] all[$ p]sonal news & ! details ( 8 ev]yday life to claim ! att5tion ( ! public4 ,all 8 innum]able feuds & press displays 7 relat$ to 8 "w1--to 8 complet$ pictures & !ories ( art4 ,he lik$ to play ^u 8 p]sonality1 b only z f> z ! arti/ 0 conc]n$4 ,he 0 peculi>ly free f ! ta9t ( exploit+ 8 own dome/ic affairs4 ,he hat$ biographies & all ref]5ces to 8 family life4 ,ev5 9 8 feuds ) 8 old fri5ds1 ,f4 ,r4 ,leyl&1 & 8 bro!r-9-law1 ,seym\r ,had51 :5 he brutally dragg$ app>5t private matt]s into ! gl>e ( publicity1 ! discrim9at+ obs]v] w notice t 8 controv]sies1 s>casms & int]pretations ref] solely to art situations & nev] desc5d to ! l[ dep?s ( p]sonal abuse4 ,illu/ration3 ,,! ,,self ,,portrait ,,( #ahei4 ,james ,mc,neill ,:i/l] 0 born on ,july #aj? 7"s say ,july #aa?71 #ahcd1 at ,l[ell1 ,mass4 ,"o ( 8 ance/ors1 a ,dr4 ,:i/l]1 is frequ5tly m5tion$ 9 ,pepys' delici\s di>y4 ,he 0 baptiz$ ,james ,abbott ,:i/l] 9 ! ,*ur* ( ,/4 ,anne1 at ,l[ell4 ,8 fa!r1 ,major ,george ,wa%+ton ,:i/l]1 0 a civil eng9e] &1 dur+ ! fir/ eight ye>s ( ,james' life1 mov$ f ,l[ell to ,/on+ton1 ,connecticut1 !nce to ,spr+field1 ,massa*usetts1 &1 f9ally1 9 #ahdb1 w5t to ,russia to sup]9t5d ! con/ruction ( ! railroad f ,/4 ,pet]sburg to ,mosc[4 ,! foll[+ ye> ! family sail$ f ,bo/on to make _! home 9 ,/4 ,pet]sburg4 ,?is 0 ! fir/ impression ! boy ,:i/l] receiv$ f ! outside _w1 & no d\bt ! trip across ! ,atlantic & ! soj\rn 9 a =eign c\ntry made a la/+ impression ^u him4 ,russia1 ) its qua9t old civilization & t\*es ( b>b>ic spl5d\r1 0 ! c\ntry to excite ! imag9ation ( any boy1 & ! *ange f a ,new ,engl& village life to ! metropolitan turmoil ( ,/4 ,pet]sburg w\ld h left imp]i%able traces 9 any receptive m9d4 ,! fa!r 0 paid lavi%ly & ! boy 0 br\ght up 9 luxury4 ,! fir/ report ( any art tal5t 9 ! boy c be f\nd 9 ! ref]5ce1 m5tion$ by sev]al biograph]s1 to 8 tak+ lessons at ! ,imp]ial ,academy ( ,sci5ces at ,/4 ,pet]sburg4 ,x _h probably no p>ticul> be>+ on 8 c>e]1 s9ce art tea*+ 9 ,russia 0 traditional1 & probably consi/$ ( no?+ b draw+ f wood5 models & pla/] ca/s4 ,x in=ms u1 h[ev]1 ( ! fact t he became famili> ) ! rudim5ts ( draw+ at an e>ly age4 ,( by f> great] importance to 8 developm5t 7 8 visits to ! ,h]mitage4 ,!re he saw = ! fir/ "t ,velasquez & he le>nt to diff]5tiate betwe5 pa9t]s :o c\ld pa9t & su* :o c\ld only tell a /ory 9 l9e & col\r4 ,illu/ration3 ,,p5 ,,& ,,ink ,,sket*1 ,,made ,,at ,,we/ ,,po9t4 ,on ! dea? ( ! fa!r1 ,april #g?1 #ahdi1 ! family return$ to ! ,unit$ ,/ates & settl$ 9 ,/on+ton1 ,conn41 & "y ,:i/l] att5d$ s*ool at ,pomfret1 ,conn4 ,9 #ahea1 sev5te5 ye>s old1 he ent]$ ! ,unit$ ,/ates ,milit>y ,academy at ,we/ ,po9t & 0 enroll$ z ,james ,mc,neill ,:i/l]1 tak+ 8 "m's maid5 "n z a middle "n4 ,l ,poe1 he does n seem to h be5 ov]-fond ( a r\t9e milit>y c>e]4 ,no d\bt some?+ ( ! arti/'s temp]am5t _h awak5$ 9 him1 &1 l all "y tal5ts1 he object$ to regulat$ /udy1 & tri$ to satisfy ! vague aspirations ( 8 unsettl$ consci\sness ) "w t 0 m cong5ial to him4 ,he left ,we/ ,po9t 9 ,july1 #ahed4 ,! te*nical dis*>ge 0 defici5cy 9 *emi/ry1 b x 0 probably g5]al unfitness = a c>e] ( discipl9e & exactness4 ,?r\gh "s influ5ce he receiv$ an appo9tm5t 9 ! draw+ division ( ! ,unit$ ,/ates ,coa/ & ,geodetic ,survey at ,wa%+ton1 ,d4 ,c41 at ! sal>y ( #a4ej a day1 b he resign$ two mon?s lat]4 ,! gov]nm5t records %[ t he work$ only six & a half days 9 ,janu>y & five & ?ree-qu>t] days 9 ,febru>y4 ,he app>5tly _h no ta/e = map design+ & bird's-eye views4 ,x is said he paid m att5tion to ! delib]ate draw+ ( little trees & detail ?an to ! typographic facts4 ,illu/ration3 ,,draw+ ,,made ,,= ,,! ,,unit$ ,,/ates ,,coa/ ,,& ,,geodetic ,,survey4 ,8 milit>y c>e] _h come to an end2 he _h to d some?+ else1 & he felt t he _h to become an arti/ at any price4 ,money 0 n ov] abundant 9 ! ,:i/l] family1 b !re 0 suffici5t to all[ him a few ye>s' leisure to /udy art :]ev] he *ose1 & s he w5t to ,p>is1 & jo9$ ! y\?ful b& ( arti/s1 :o f\ght = mod]nism & a new te*nique1 & ! glory ( ! mti]1 ) an en?usiasm1 a brav]y & devotion t has r>ely be5 enc\nt]$4 ,!re he liv$ ! regul> /ud5t life = f\r ye>s4 ,he ent]$ ! ateli] ( ,*>les ,gleyre1 b only /ay$ = a %ort :ile4 ,he pref]r$ to look ab\t = himself4 ,at "o "t he & "y ,tissot made a copy ( ,+res' ,angelique4 ,:i/l] arriv$ 9 ,france %ortly aft] ! c\p d'tat4 ,p>is 0 n !n :at %e is to-day4 ,none ( ! *a9 ( b\lev>ds ar\nd ! c5tre ( ! t[n1 n ev5 ! b\lev>d ( ,/4 ,mi*ael1 :i* became ! great ?or\ghf>e = arti/s1 7 9 exi/5ce 9 _! pres5t condition4 ,b ,:i/l] _h come at ! "t :5 ,p>is 0 be+ recon/ruct$ into "o ( ! mo/ beautiful cities ( ! _w1 &1 :5 ! ,imp]ial rgime unfold$ its full spl5d\r4 ,p>is became intoxicat$ ) its own beauty1 & ! social life blossom$ =? 9 all its elegance & frivolity4 ,dur+ #aheg-eh ,:i/l] _h a /udio 9 ! rue ,compagne ,premire1 bo>d+ 9 ,madame ,lal\ette's p5sion 9 ! rue ,dauph9e4 ,= "s "t he also %>$ qu>t]s ) ,fant9-,lat\r1 :o1 ) ,legros1 0 8 mo/ intimate fri5d dur+ 8 /ud5t ye>s4 ,!y saw ea* o!r daily1 & x 0 on "o ( ^! occasions t he made ! hum\r\s sket* ( ,lat\r1 depict+ him on a cold w9t] morn+ seat$ 9 b$1 draw+1 all dress$1 ) a top hat on 8 head4 ,illu/ration3 ,,portrait ,,sket* ,,( ,,fant9-,,lat\r4 ,!y 7 ! days ( ,h5ri ,murg]'s ,la ,vie ,bohme1 ( bon cam>ad]ie1 ecc5tric days :5 e man s\ght to make 8 m>k by peculi>ities ( dress1 s(t felt ,rub5s' hats1 velvet cloaks ) ! ends ?r[n ov] ! %\ld]s1 & o!r exotic g>m5ts4 ,9 "o exhibition1 9 %e] audacity ( y\?1 ,:i/l] appe>$ dress$ 9 a ,japanese kimono4 ,?9k ( a man 9 a kimono 9 #ahee6 ,:i/l] at t "t 0 a true ,bohemian4 ,8 little /udio 0 8 work%op1 8 temple1 8 p>l\r1 8 playh\se & 8 dormitory4 ,he frequ5t$ ! que]1 int]e/+ qu>t]s t /ud5ts seek1--qua9t old cafs :]e food 0 good z well z *eap1 & "* abundant4 ,:at is !re s fasc9at+ ab\t ! ,bohemian's life8 ,! ,phili/9e1 ,i fe>1 g5]ally consid]s him an ecc5tric1 indol5t man1 ) no ?\ght = ! morr[1 no notion ( economy1 no home save ! place :i* af=ds him tempor>y %elt]4 ,he nev] /ops to ?9k t ! ,bohemians are ! m5 :o make our songs1 :o pa9t our pictures1 *isel m>vell\s creations out ( wood & /one1 compose our sweete/ poems & write our newspap]s4 ,x is a griev\s mi/ake to assume t !y are m]ely a lot ( idle1 luckless fell[s4 ,!y are m5 ) bra9s ( good quality1 & he>ts 9 ! "r place4 ,all classes & trades ( m5 h burd5$ ! _w ) _! wants & woes4 ,n s ! ,bohemian4 ,he1 too1 has 8 he>ta*es & bitt] disappo9tm5ts1 b :o ev] he>s ( !m8 ,! hum\r\s tale ov] :i* y laugh s he>tily1 rec\nt+ ! adv5tures ( a poet 9 se>* ( a publi%]1 _h ! au?or's p]sonal exp]i5ce = a basis4 ,he c\ld n sell 8 poems1 b ne$$ bread2 s1 out ( 8 mis=tune1 he _h good *e]4 ,! ord9>y man1 rebuff$ by =tune1 w\ld sit d[n & m\rn himself into illness4 ,! ,bohemian utilizes ^! v rev]ses1 & bo? he & ! _w are ! m]ri] ev5tually = !m4 ,he lives 9 a _w di/9ct f t ( common m54 ,tal5t1 love ( comrade%ip1 a sunny disposition--^! are ! magnets t w draw "o t[>d x4 ,x has its obligations1 its trials1 its code ( hon\r1 rigid z ! mo/ unb5d+ milit>ism2 b !re is *>m ( companion%ip & an abs5ce ( jeal\sies & pett9ess )9 x t makes y p[]less to rid y\rself ( its en*antm5ts4 ,! ,bohemian's life is ap>t f y\rs1 b :y *ide him = x8 ,he builds on ! ru9s ( no o!r man's life1 he fe$s on no man's sc&als1 he exults 9 no man's mis=tunes1 b goes on 8 way1 imbib+ ! sweetness ( life f e fl[]1 &1 9 8 own way1 scatt]+ ! p]fume broadca/4 ,he does half our ?9k+ & orig9ates two-?ird ( all ! movem5ts = ! social reclamation ( ! _w4 ,he is no hypocrite be=e ! mighty1 nor he>tless 9 ! face ( ! un=tunate4 ,he covets no man's goods1 b lives 8 own quiet1 int]e/+1 exquisite life4 ,he asks only a %>e ( ! sunlight ( life4 ,9 du ,mauri]'s ,trilby we f9d a sympa!tic description ( ! art life ( t p]iod1 b also a r despicable type ( a man1 ,joe ,sibley1 by "n1 :o always pret5ds b nev] does a ?+ & :o 0 meant = a ludicr\s satire on "y ,:i/l] 7a "* :i* 0 elim9at$ on ,:i/l]'s reque/ f ! second edition74 ,x is easy to draw a m5tal picture ( him z he look$ at t "t4 ,i see him /udy+ 9 ! ,l\vre1 9 a loose black bl\se ) l[ turn$ d[n coll> & a s(t black hat on 8 long1 slightly curl$ hair1 lo/ 9 wond] be=e a pa9t+ by ,leon>do2 or /roll+ along ! ,b\lev>ds1 cane 9 h&1 ogl+ ! beautiful wom51 & dream+ ( design+ "s dress = ! ,empress ,eug5ie1 pass+ by 9 an op5 phaeton4 ,& h[ en?usia/ic he got1 no d\bt1 ov] "s ,japanese pr9t or ,*9ese vase 9 "s curio %op4 ,a c]ta9 trigness1 sm>tness1 acquir$ v likely at ,we/ ,po9t :]e ! cadets *ange _! :ite duck tr\s]s sev]al times a day1 induc$ him1 ev5 at ?is "t1 to take special c>e ov] ! fit ( 8 coat4 ,illu/ration3 ,,hommage ,,delacroix1 ,,by ,,fant9-,,lat\r4 ,9 #ahei he w5t ) sev]al fell[ /ud5ts1 ,fant9-,lat\r1 ,legros1 & ,ribot1 to ,bonv9's /udio to "w f ! model1 "u ! direction ( ,c\rbet4 ,at t "t he 0 int]e/$ 9 types4 ,he pa9t$ a ,fumette1 a little grisette ( ! ,qu>ti] ,lat91 & ! ,"m ,g]>d1 :o 9 h] y\ng] days _h be5 a mak] ( pretty v]ses1 b1 r$uc$ 9 circum/ances1 _h become a fl[] v5d] at ! ,bal ,bulli]4 ,among 8 fri5ds & associates we f9d ! names ( ,legros1 ,cordi]1 ,duranty1 ! et*] ,bracquemond1 inv5tor ( ! p5 & ink process1 de ,ball]oy1 ,*ampfleury1 ,manet & ,baudelaire4 ,!y 7 all "y m5 ( tal5t1 ple9 d'av5ir4 ,fant9-,lat\r made a gr\p-portrait ( !m1 includ+ ,:i/l] & himself1 seat$ & /&+1 assembl$ ab\t a portrait ( ,delacroix4 ,! canvas 0 exhibit$ at ! ,salon ( #ahfd z an ,hommage ,delacroix4 ,:i/l]'s /ep-si/] _h m>ri$ ,seym\r ,had51 ! et*]1 & ,:i/l]1 pay+ !m a visit 9 #ahei1 /ay$ 9 ,london4 ,! f\r ye>s 9 ,p>is _h matur$ him1 & he knew h[ to accompli% some?+ beyond ! r\t9e /udio "w4 ,9 #ahfb he exhibit$ = ! ,royal ,academy4 ,x 0 8 ,at ! ,piano1 :i*1 if n a ma/]piece1 is already a true & individual "w ( art4 ,c\rbet /ill _h a /rong hold on him4 ,he sp5t two summ]s ) him 9 ,tr\ville & may h d]iv$ 8 fir/ lessons z a my/ificateur1 :i* "p he play$ s successfully dur+ life1 f ! ,fr5* pa9t]1 = ,c\rbet 0 a poseur ?r\gh\t1 :o assum$ a p>ticul> k9d ( dress1 & :o 0 n satisfi$ m]ely ) pa9t+ pictures t (f5d$ ! ,academy & conv5tional ta/e1 b made a special ef=t & took special pleasure 9 %ock+ ! b\rgeoisie4 ,:i/l] also made 8 fir/ trip to ,holl& dur+ ^! ye>s1 & became en*ant$ ) ,rembr&t & ,v]me]1 b took a great dislike to ,van d] ,hel/4 ,9 #ahei-fj y\?ful ef=ts ( 8 _h be5 refus$ at ! ,p>is ,salon2 ! same happ5$ aga9 9 #ahfc1 b he 0 "o ( ! m5 :o scor$ a success at ! ,salon des ,refuses4 ,a numb] ( tal5t$ pa9t]s1 & among !m m5 ( g5ius l ,manet1 ,caz91 ,degas1 ,h>pignies1 ,vollon1 ,piss>o1 ,jongk9d & ,bracquemond1 tir$ ( ! cliquism & jury ( ! regul> ,salon1--a /ory :i* repeats itself ev]y:]e1--decid$ to arrange _! own exhibition4 ,napoleon ,,iii1 9 8 non*alant way a true patron ( art1 issu$ an ord] to arrange ! exhibition ( revolt 9 ! same build+ z ! (ficial exhibition4 ,! exhibition 0 a success1 & ev5 ! ,empress ,eug5ie & ! c\rt came to see x4 ,?is is really ( no significance1 z nobody b\ght any?+2 b x s\nds well1 & biograph]s %\ld nev] neglect to m5tion su* incid5ts4 ,illu/ration3 ,own$ by ,john ,h4 ,:ittemore ,,! ,,woman ,,9 ,,:ite4 ,"o ?+ is c]ta93 ,:i/l]'s picture1 ,! ,:ite ,girl1 ev5 ) ,manet's ,dejeun] sur l',h]be 9 ! same room1 attract$ an unusual %>e ( att5tion4 ,zola1 9 ,l',,oeuvre1 says t ! cr[d laugh$ 9 front ( ,la ,dame en ,blanc4 ,desnoy]s ?\ght x ! mo/ rem>kable picture1 at once simple & fanta/ic ) a beauty s peculi> t ! public did n "k :e!r to ?9k x beautiful or ugly4 ,paul ,mantz wrote 9 ! ,gazette des ,beaux-,arts t x 0 ! mo/ important picture 9 ! exhibition & call$ ! picture a ,symphonie du ,blanc "s ye>s be=e ,:i/l] adopt$ t title4 ,! exhibition ( ?is picture repres5ts1 9 a way1 ! turn+ po9t 9 ,:i/l]'s c>e]4 ,x 0 a /eady asc5t ev] aft]4 ,be=e ?is he 0 unkn[n1 & expos$ to ! manifold privations & vicissitudes ( an arti/'s c>e]4 ,_m a day he _h gone hungry & frequ5tly c\ld n pa9t = lack ( mat]ial4 ,n[ ?+s began to run a trifle smoo!r1 al?\gh sales 7 /ill r>e & money sc>ce4 ,8 lodg+s 9 #g ,l9sey ,r[ 7n[ #aja ,*eyne ,walk7 7 extremely simple & 8 /udio consi/$ ( a second-/ory back room4 ,dur+ ! next ?ree ye>s he work$ h>d1 & f9i%$ a numb] ( pictures t s9ce !n h made hi/ory4 ,!y are all 9 a light] key & ( brilliant col\r+4 ,! problem he seem$ to be mo/ int]e/$ 9 0 to reproduce 9 relief ! *>m ( div]sifi$ col\r pat*es z se5 9 ,japanese pr9ts4 ,he cont9u$ to see ?+s 9 ?is way until he made a trip to ,s\? ,am]ica 9 #ahff4 ,feel+1 p]haps1 slightly disc\rag$1 or 9 ne$ ( "s recreation1 he & 8 bro!r set out = ,*ili1 "u ! pret5ce ( jo9+ ! insurg5ts la ,poe & ,byron1 al?\gh ,i h>dly believe t a man ( ?irty-two really capable ( su* a wild goose *ase4 ,at all ev5ts1 :5 !y rea*$ ,valp>aiso ! rebellion _h ceas$ & in/ead ( h&l+ a musket our ,jimmie op5$ 8 pa9t box in/ead4 ,! result 0 />tl+4 ,impress$ by ! new sights ( s\!rn sc5]y1 & 9 p>ticul> ( ! transluc5cy & subdu$ brilliancy ( ! sky at night1 he pa9t$ "o ( 8 f9e/ nocturnes1 ! ,valp>aiso ,h>b\r1 n[ at ! ,national ,gall]y ( ,art4 ,! d>kness ( night to a l>ge ext5t b>s col\r1 & furni%es a k9d ( tonal veil ov] all objects2 b 9 s\!rn c\ntries ! nights are cle>] & bright] &1 al?\gh =ms & col\rs are indi/9ct1 !y rema9 m pla9ly disc]nible ?an 9 ! blackness ( our ,nor!rn nights4 ,aft] 8 return to ,london he work$ h>d at solv+ ! problem ( creat+ tone :i* w\ld sugge/ atmosph]e ) z little subject matt] z possible4 ,f\r ye>s pass$ be=e he held ! fir/ exhibition ( a ,v>iation & ,h>mony4 ,he n[ began to feel 8 own /r5g?4 ,he felt t he _h done some?+ new & _h ! c\rage to co9 8 own titles4 ,! me?od ( classify+ 8 pictures z ,h>monies & ,symphonies1 ,arrangem5ts1 ,nocturnes1 ,notes1 & ,caprices1 0 entirely 8 own inv5tion & 9 8 e>li] c>e] did mu* to attract att5tion to 8 "w4 ,"o ye> lat]1 9 #ahgb1 exhibit+ sev]al symphonies1 he includ$ = ! fir/ "t an impression ( night "u ! title ( ,nocturne4 ,! ye>s #ahgj-gg 7 probably ! busie/ & ! mo/ important ones ( 8 :ole c>e]4 ,!y produc$ n only ! ,nocturne1 b also ! ,peacock ,room & ! pa9t+ :i* is g5]ally conc$$ to be 8 ma/]piece1 ! ,portrait ( ! ,arti/'s ,"m4 ,success & fame at la/ knock$ at 8 door4 ,mr4 ,f4 ,r4 ,leyl&1 ! ri* %ip-own] ( ,liv]pool1 prov$ a g5]\s patron4 ,betwe5 #ahgb & #ahgd he ord]$ portraits ( himself1 ,mrs4 ,leyl& & ! f\r *ildr54 ,:i/l] made long visits at ,speke ,hall1 ,leyl&'s home ne> ,liv]pool4 ,8 pa9t+s began to sell m readily ?an h]et(ore & sev]al ord]s = int]ior decoration _h come 91 among !m ! decoration ( ! music room ( ! fam\s viol9i/ ,s>asate's home 9 ,p>is4 ,he 0 will+ to "w at any?+ z long z he c\ld c>ry out 8 own ideas4 ,he inv5t$ s*emes = int]ior decoration & also once tri$ himself z an illu/rator1 :5 he made exquisite draw+s ( ! vases1 plates1 cups ( blue & :ite ,nank9 = ! catalogue ( ,sir ,h4 ,?ompson's collection ( porcela94 7,ellis & ,elvey1 ,london1 #ahgh47 ,illu/ration3 ,national ,gall]y1 ,wa%+ton ,,arrangem5t ,,9 ,,black3 ,f4 ,r4 ,,leyl&4 ,aft] leav+ #g ,l9sey ,r[1 dur+ ! ye>s #ahff-ahgh1 ,:i/l] liv$ 9 sev]al o!r h\ses situat$ 9 ! ,*elsea di/rict1 = l s _m ( u t h got us$ to a c]ta9 "p ( ! city1 he c\ld nev] get away f x4 ,! mo/ pret5ti\s ( ^! abodes 0 ! ,:ite ,h\se :i* became "o ( ! c5tres ( attraction 9 ! art life ( ,london4 ,!re he gave 8 fam\s ,sunday morn+ breakfa/s1 :i* ,mr4 ,h>p] ,p5n+ton describes s amus+ly3 ,!y 7 always late 9 be+ s]v$1 outrage\sly delay$ )\t app>5t cause4 ,x 0 no uncommon ?+ = u to wait an h\r1 or ev5 two1 = ! eggs1 fi%1 cutlets1 & a sweet di% ( :i* ! meal consi/$4 ,a bottle ( v ord9>y :ite w9e 0 our only dr9k4 ,! :ole ?+1 9 fact1 0 an arrangem5t--j a col\r s*eme 9 yell[ to mat* 8 blue & :ite porcela9 & 8 yell[ & blue d9+ room4 ,! room itself 0 unique 9 its effective & indep5d5t /yle ( decoration4 ,x 0 entirely c>ri$ out aft] 8 own designs1 ev5 to ! pa9t+ ( ! ext]ior4 ,& ! environm5t1 ! ,?ames1 ! old *ur* ( ,*elsea ) its squ>e t[]1 ! peculi> %ap$ bridge ( ,batt]sea1 ! lights ( ,cremorne 9 ! di/ance1 all furni%$ int]e/+ pictorial topics & play$ an important "p 9 ! pa9t]'s mise en scne4 ,8 neighb\rs add$ to ! lu/re ( ?is p]iod4 ,9 ! same di/rict at t "t liv$ ,rossetti1 ,sw9burne1 ,george ,m]$i? & ,c>lyle1 & ,:i/l] 0 on fri5dly foot+ ) all ( !m4 ,exhibitions ( 8 "w 7 n[ a regul> occurr5ce4 ,9 #ahgd he held 8 fir/ "o man's %[ ( ?irte5 pa9t+s & fifty pr9ts at numb] #dh ,pall ,mall1 ,london4 ,9 #ahgg he arrang$ an exhibition 9 ! ,grosv5or ,gall]y4 ,among ! exhibits 7 ,! ,fall+ ,rocket 7,nocturne 9 black & gold7 :i* br\ght ab\t ! ,rusk9 attacks1 & consequ5tly ! fam\s libel suit1 ,:i/l] v4 ,rusk94 ,"o c h>dly imag9e1 to-day1 :y ! picture %\ld h creat$ s mu* commotion2 b x 0 a decid$ innovation at t "t1 an ev5t 9 a way u%]+ 9 a new era ( art4 ,n[ ?is p>ticul> /yle ( repres5tation has any numb] ( disciples1 & we h accept$ x z "o ( ! pr9cipal ass]tions ( mod]n art4 ,/range1 t hi/ory always repeats itself4 ,we %\ld "k by ?is "t t our ta/es & ! ta/es ( "t are n absolute1 & t our s5se ( beauty is likely to be affect$ by circum/ances to an ext5t :i* we _c realize4 ,!re 0 a "t1 & n s long ago1 :5 ,go?ic build+s 7 reg>d$ by ! man ( culture mu* z d&elions are reg>d$ by ! g>d5]4 ,= ye>s ! v "n ,nocturne 0 a reproa*4 ,x 0 suppos$ to be ! product ( idiosyncrasy & non*alant audacity1 ! "w ( a decad5t p]iod 9 art1 :i*1 because x 0 decad5t1 c\ld n be good1 = ev]y?+ t look$ l a ,:i/l] 0 reg>d$ z a note ( decad5ce4 ,x 0 an argum5t 9 a circle1 no d\bt2 b su* argum5ts seem mo/ conv9c+ :5 once a prejudice exi/s 9 ! art _w4 ,only gradually did p beg9 to see m ?an clev]ness 9 8 products4 ,osc> ,wilde 0 a con/ant fri5d ( ,:i/l]'s at ?is "t4 ,! fri5d%ip 0 /ill "y &1 = a :ile1 ! two 7 insep>able4 ,! au?or ( ,dorian ,gray sp5t h\rs 9 ,:i/l]'s /udio1 came repeat$ly to ! ,sunday breakfa/s1 & presid$ at ,:i/l]'s private views4 ,:i/l] w5t out & ab\t ) him ev]y:]e4 ,b ,:i/l] gradually came to feel t ,wilde1 9 spite ( 8 brilliancy & wit1 lack$ fundam5tal purpose4 ,wilde talk$ con/antly ab\t art1 b1 9 ! end1 ,:i/l] conclud$ t ,wilde1 l mo/ mod]n au?ors1 knew v little ab\t x4 ,! days ( ! ,r5aissance1 ( v]satility1 ( tal5t & appreciation seem to h pass$4 ,:i/l] easily tir$ ( 8 fri5ds &1 al?\gh ?is fri5d%ip _h la/$ = ye>s1 he f9ally dropp$ ,wilde )\t mu* ado4 ,a critic ( ,! ,london ,times has summ$ up ! diff]5ce betwe5 ! two 9 ! foll[+ words3 ,) a m9d n a jot less ke5 ?an ,:i/l]'s1 ,osc> ,wilde _h none ( ! convictions1 ! high fai? = :i* ,:i/l] f\nd x wor? :ile to defy ! cr[d4 ,wilde _h pos$ to attract ! cr[d4 ,& ! diff]5ce 0 ?is1 t1 :ile ,:i/l] 0 a prophet :o lik$ to play ,pi]rot1 ,wilde grew into ,pi]rot :o lik$ to play ! prophet4 ,l mo/ arti/s :o h sudd5ly sprung into fame1 ,:i/l] _h liv$ beyond 8 means4 ,he 0 fond ( com=t & elegance1 & all[$ himself ! fulfilm5t ( any :im z long z x grant$ him g5u9e pleasure1 z art & joy %\ld g toge!r4 ,! auction sale ( ! cont5ts ( 8 home 9 #ahgi1 & ! sale ( 8 pa9t+s at ,so!by's 9 ,febru>y1 #ahhj1 7 p]haps n entirely caus$ by f9ancial difficulties4 ,!y may h be5 prompt$ 9 an equal degree by a desire to make a *ange & break ! r\t9e ( ! /udio life4 ,he told1 h[ev]1 to 8 fri5ds 9 8 inimitable way h[ ! %]iff's (fic] call$ ^u him ) a writ1 & ! la/ bottle ( *ampagne 0 br\ght out ( ! cell> = t wor?y's delectation4 ,9 ,v5ice1 :]e he w5t 9 ,septemb]1 #ahgi1 he seems to h be5 9 /rait5$ circum/ances = q a :ile4 ,he liv$ 9 mode/ qu>t]s & d9$ 9 *eap1 d+y places4 ,^! 7 8 pol5ta & mac>oni days1 &1 9 a way1 a repetition ( 8 ,p>is /ud5t's life1 only mu* h>d] to be> z he 0 old] 7=ty-five7 & us$ to luxury4 ,no matt] :at 8 reason may h be5 = break+ up 8 ba*elor e/abli%m5t x 0 ! second turn+ po9t 9 8 c>e]4 ,pa9t+ did n play q z important a "p 9 ,:i/l]'s life aft] 8 ,v5etian soj\rn4 ,he /ill pa9t$ a numb] ( portraits1 among !m ! ,s>asate & ,comte ,montesqui\1 b he 0 m active z an et*]1 li?ograph]1 pamphlete]1 lectur] & tea*]4 ,ord]s 7 sc>ce at all times4 ,! only regul> portrait ord]s he _h 9 ! fir/ half ( ! eighties 7 ^? ( ,lady ,ar*ibald ,campbell1 wife ( ! ,duke ( ,argyll2 & ( ,lady ,meux1 :o lik$ h] fir/ portrait1 9 a black ev5+ g[n ) a :ite op]a cloak aga9/ a black backgr\nd1 s well t %e _h h]self pa9t$ ?ree times 9 succession4 ,:i/l]'s s5se ( beauty 0 a /rong feature 9 8 "w4 ,maybe x 0 n ! s5se ( beauty an ,engli%man w\ld l4 ,he look$ = a pictorial aspect1 r ?an ! lady 9 8 sitt]2 & 9 ,engl& ! lady is ! ?+ to secure 9 a portrait ( a woman4 ,he return$ to ,london 9 #ahhj1 b /ay$ only a %ort :ile4 ,dur+ ! next t5 ye>s he _h no p]man5t home2 l a nomad he flitt$ f city to city1 f /udio to /udio ?r\gh ,engl&1 ,france & ,belgium4 ,f9ally he f\nd "s sort ( a re/+ place 9 ! rue du ,bac #aaj1 = _m ye>s 8 ,p>is home4 ,x 0 a two-/ory h\se ) a g>d5 enclos$ by a wall1 z seclud$ a spot z "o c\ld f9d 9 ! gay & noisy city4 ,he 0 always fond ( g>d5s ( fl[]s4 ,9 ! roses ( 8 g>d5 he buri$ 8 sorr[s1 "o ( 8 mo/ tal5t$ pupils1 ,e4 ,h4 ,wu]pel1 tells u1 9 8 little bro*ure ,my ,fri5d ,:i/l]4 ,9 ! mean:ile 8 ,london ,exhibitions became m & m num]\s4 ,dur+ ! next fifte5 ye>s ! foll[+ eight exhibitions are on record4 #ahha--;,jan4--,an exhibition ( fifty-?ree pa/els at ! ,f9e ,art ,society 9 ,bond ,/41 ,london4 #ahhc--;,feb4--,fifty-"o et*+s & dry po9ts exhibit$ 9 ,bond ,/4 ,gall]y1 ,london4 #ahhd--,may--,h>monies--,notes--,nocturn es--%[n at ! ,d[dswell ,gall]y1 ,london4 ,at ! same "t an exhibition took place 9 ,p>is & ,dubl94 ,!y 7 arrang$ accord+ to 8 own idea ( exhibit+4 ,illu/ration3 ,,jo 7,,et*+74 #ahhd--,nov4--,tw5ty-five works s5t to ! exhibition ( ! ,dubl9 ,sket*+ ,club4 #ahhf--,may--,a second s]ies ( ,notes--,h>monies--,nocturnes %[n at ! ,d[dswell ,gall]y4 #ahhi--,! mo/ repres5tative exhibition ( 8 works1 s9ce t ( #ahgd1 at ! ,college = ,work+ ,wom51 ,que5 ,sq41 ,london4 #ahib--,m>4--,an exhibition ( =ty-f\r nocturnes1 m>9es & *evalet pieces = :i* ,:i/l] prep>$ ! catalogue4 ,at ! ,g\pil ,gall]ies1 ,bond ,/reet1 ,london4 #ahie--;,dec4--,exhibitions ( sev5ty li?ographs1 ,london4 ,9 ! ye>s foll[+ 8 dea?1 z is usually ! case1 #aijd-je1 occurr$ ! mo/ important assemblage ( 8 works--! memorial exhibition ( ,glasg[1 ,bo/on1 ,p>is & ,london4 ,( special int]e/ are ,:i/l]'s fir/ ,am]ican exhibits4 ,at ! fir/ exhibition ( ! ,society ( ,am]ican ,arti/s at ! ,kurtz ,gall]y1 ,new ,york1 #ahgh1 he 0 repres5t$ by a ,coa/ ( ,brittany4 ,9 ! autumn ( #ahha at ! ,p5nsylvania ,academy ( ,f9e ,arts he exhibit$ ! portrait ( 8 "m1 :i* 0 also se5 ! foll[+ spr+ at ! ,society ( ,am]ican ,arti/s 9 ,new ,york4 ,%]idan ,=d once ask$ him :y he did n exhibit m frequ5tly 9 ,am]ica4 ,:i/l] answ]$3 ,i don't "k1 !y w n all[ me to take !m across ! ocean4 ,y see1 ,i don't own my pictures4 ,i sold mo/ ( !m long ago to p :o ?9k m ( !m ?an !y d ( me4 ,i wrote & ask$ = two or ?ree ( !m to take ov]1 & ! answ]s ,i receiv$ 7 to ! effect t ,i c\ld h !m to exhibit "h1 b n to exhibit 9 ,am]ica4 ,:y8 ,because ! own]s are afraid ( ! ocean4 ,i said ,i w\ld insure ! pictures1 at :i* ( c\rse !y laugh$4 ,i may g & ,i may n4 ,a good _m p 9 ,am]ica don't l me1 & ,i am n !re to fight !m z ,i c fight my enemies "h4 ,i don't m9d hav+ enemies :]e ,i c get at !m4 ,i l ! pleasure ( :ipp+ !m2 b ^! fell[s 9 ,am]ica h x all _! own way4 ,!re is no record1 & ,i am at a con/ant disadvantage4 ,9 #ahhd he 0 elect$ ,presid5t ( ! ,royal ,society ( ,briti% ,arti/s1 b soon qu>rell$ ) ! old-fa%ion$ elem5t among its memb]s1 & ! :ole affair deg5]at$ into "o ( ^? disputes ^u :i* su* copi\s light has be5 %$ 9 ,! ,g5tle ,art ( ,mak+ ,enemies4 ,! en=cem5t ( ! ,:i/l]ian policy ( elim9ation & arrangem5t br\ght disa/] ^u ! ,society4 ,! annual sales fell f #h1jjj 9 #ahhe to "u #a1jjj 9 #ahhh4 ,x 0 "t = ! ideal exhibitor & manag] ( mise en scnes to retire4 ,& s he did1 if n accompani$ by a cavalcade ( bugl]s bl[+ a bla/ )1 at lea/1 z mu* noise & controv]sy z he c\ld conjure up 9 ^! art-=sak5 & col\rless days4 ,x is n until t[>ds ! close ( 8 life1 9 #ahih1 t we f9d him aga9 at ! head ( an arti/ic corporation1 :5 ! ,int]national ,society 0 pr\d to ackn[l$ge 8 lead]%ip4 ,9 #ahhj ,:i/l] made 8 db 9 ,g]many at ! ,int]national ,art ,exhibition ( ,muni*4 ,! result 0 n a flatt]+ "o4 ,! jury (ficiat+ on t occasion e/abli%$ a peculi> claim to ! affectionate recollection ( po/]ity by aw>d+ a ,second ,class m$al to ! ,portrait ( ! ,arti/'s ,"m1 n[ 9 ! ,luxemb\rg4 ,( c\rse a jury has p]fect rights to make aw>ds z x pleases z long z ! v]dict is a compet5t & imp>tial "o1 b ,:i/l] by ?is "t 0 too well-kn[n1 & "o c h>dly blame him t he wrote ! foll[+ s>ca/ic b unusually dignifi$ lett] to ! ,secret>y ( ! ,c5tral ,committee4 ,,sir3 ,i beg to ackn[l$ge ! receipt ( y\r lett]1 (ficially in=m+ me t ! committee aw>ds me a second class gold m$al4 ,pray convey my s5tim5ts ( temp]$ & respectable joy to ! g5tlem5 ( ! committee1 & my complete appreciation ( ! second-h& complim5t paid me4 ,& ,i h1 ,sir1 ,! hon\r to be ,y\r mo/ humble ob$i5t s]vant1 ,j4 ,,mcneill ,,:i/l]4 ,aft] #ahie ,:i/l] ceas$ to hold exhibitions4 ,! dea? ( 8 wife br\ght ab\t a long sil5ce1 & little 0 he>d ( ,:i/l]4 ,he _h laid aside 8 je/]'s bells & cap & ceas$ pamphlete]+ & pos+ 9 public4 ,he _h become a k9d ( recogniz$ in/itution 9 ! art _w1 occupy+ a place ap>t f ! masses ( 8 contempor>ies4 ,m5 ( v dissimil> /hetic convictions agre$ 9 reg>d+ him z a pa9t] ( exceptional ability1 & he _h a solid & appreciative foll[+4 ,we 9 ,am]ica wond]$ :at _h become ( him4 ,occasionally a newspap] notice in=m$ u t he _h tak5 up tea*+1 or false reports cross$ ! ocean t he _h become a symboli/4 ,he himself 0 inactive1 z f> z ! public 0 conc]n$4 ,i suppose he 0 at la/ tir$ ( notoriety & ! c>es ( public life4 ,he _h play$ 8 "p & _h play$ x well4 ,intimate fri5ds tell u t he work$ z h>d z ev]4 ,he /ill _h _m problems to solve1 if = nobody else b himself1 & 0 satisfi$ t he c\ld af=d to devote 8 "t to !m4 ,f9ancially he 0 fairly well situat$2 b he sp5t money extravagantly1 & ! two resid5ces & v>i\s /udios he kept up 9 ,p>is & ,london prov$ at all times a heavy dra9 on 8 income1 :i* 0 d]iv$ entirely f 8 art products4 ,he left ab\t t5 ?\s& p\nds1 a r small sum1 consid]+ ! prices he receiv$ = "s ( 8 pa9t+s4 ,8 s*ool 9 ! ,passage ,/anislaw1 opposite ,c>olus ,duran's home1 0 nei!r a necessity nor a p>ticul> pleasure to him4 ,he op5$ x = ! sole b5efit ( "o ( 8 fav\rite models1 ,mme4 ,c>m5 ,rossi1 :o1 z a *ild1 _h pos$ = ! pa9t]4 ,%e receiv$ ! entire pr(its & x is said t dur+ ! ?ree ye>s t ! s*ool exi/$ %e made en\gh to retire 9 com=t4 ,! s*ool 0 op5$ 9 ! autumn ( #ahih & clos$ 9 #aija4 ,he 0 too impati5t to be a good tea*]2 he simply came !re & pa9t$ & ! pupils saw him pa9t & le>n$ :at !y c\ld1 j z did ! appr5tices ( ! ,old ,ma/]s4 ,he taught solely ! sci5ce ( pa9t+1 nei!r col\r nor composition4 ,he _h an abhorr5ce ( talk+ art1 & "o ( ! anecdotes he lik$ to relate 0 t he _h kn[n ,rossetti = ye>s & _h talk$ art _m1 _m times b pa9t+ only once4 ,he ev5 refus$ to discuss te*nicalities4 ,!re 0 no talk ( pigm5ts1 m$iums1 v>ni% or me?ods ( apply+ !m4 ,he work$ ) 8 pupils1 t 0 all4 ,l ! appr5tices ( old !y _h to pick up _! k !mselves1 & if he f\nd some?+ t he lik$ 8 usual praise consi/$ ( ,g "r on1 or ,cont9uez1 cont9uez4 ,on ! wall 0 tack$ 8 second s]ies ( propositions :i* endors$ 8 con/ant advice to pupils3 ,if y possess sup]ior faculties1 s mu* ! bett]1 allons1 develop !m2 b %\ld y lack !m1 s mu* ! worse1 = despite all ef=ts y w nev] produce any?+ ( int]e/4 ,good common s5se1 b1 aft] all1 a slight return = ! tuition fee4 ,x %\ld h induc$ mo/ pupils to pack up _! pa9t boxes & return home4 ,z ,leon ,dabo1 9 8 lecture on ,:i/l]'s ,te*nique at ! ,metropolitan ,museum ( ,art1 has s well obs]v$3 ,no?+ is m absurd ?an ! notion1 s widely promulgat$ by eld]ly maid5 ladies :o missp5d _! en]gies writ+ ab\t pa9t+s & pa9t]s f ,cimabue to ,:i/l]1 t a "w ( art is produc$ z ! logical result ( an appr5tice%ip s]v$ 9 an art s*ool4 ,!re probably is mu* juxtaposition ( ?is belief--we all "k ! pa9t]s ^: only reason = l[]+ int5sely blue sky is because x is too blue2 ! pa9t]s :o lab\r1 heap+ up *unks ( pa9t until x looks '"r2' b ) ,:i/l] a canvas advanc$ 9 an entirely diff]5t mann]4 ,he knew sci5tifically t he c\ld use only s mu* ( a giv5 tone if he wi%$ to produce col\r1 & he knew :at o!r tone to place 9 juxtaposition1 :at p>ts ( ! canvas mu/ hold ! spectator's eye1 9 v>y+ degrees ( int]e/1 9 ord] to obta9 ! effect he desir$ to give & its use 9 ! butt]fly1 ! exact spot ( a sail on ! ocean1 a light on ! horizon1 all ^!1 to _m insignificant objects & spots1 nev]!less d _! "w1 ei!r to re-vivify an o!rwise l>ge surface or to hold ! eye mom5t>ily int]e/$1 until ! ambi5ce 0 obta9$4 ,& ?is sci5ce--! effect ( l9e & col\r on ! eye1--is practically unkn[n to pa9t]s1 is untaught 9 our art s*ools4 ,?is ma/]y ov] 8 means & mat]ial ,:i/l] possess$ 9 a high] degree ?an any o!r mod]n pa9t]4 ,9 #aijb he once m took a h\se 9 ,london & select$ ,*eyne ,walk1 an old mansion cov]$ ) ivy1 ne> ! ,?ames 9 ! ,*elsea di/rict1 :]e he _h sp5t s _m ye>s dur+ ! beg9n+ ( 8 c>e]4 ,fri5ds c\ld n imag9e :y he came back f ,p>is to ,london1 z he dislik$ ! place1 its climate & its art4 ,!y simply =got t he 0 a lov] ( atmosph]ic effects1 & t ,london fogs & ! ,?ames 71 aft] all1 ne>e/ to 8 he>t4 ,9 ! summ] ( #aijb he contemplat$ a %ort trip to ,holl& 9 ! company ( ,mr4 ,*4 ,w4 ,fre]1 b 0 tak5 sick 9 ,flu%+4 ,aft] consult+ "s doctors 9 ,! ,hague1 he recov]$ suffici5tly to return to ,london & set to "w1 b only "o ye> 9 ! old haunts 0 grant$ him4 ,he _h j ent]$ ^u 8 sev5tie? ye> :5 he di$ sudd5ly on ,july #ag1 #aijc4 ,he suff]$ f "s int]nal compla9t1 ! exact nature ( :i* is unkn[n4 ,he _h felt ill = sev]al days1 b on ! sev5te5? 8 condition _h s improv$ t he ord]$ a cab = a drive4 ,on leav+ ! h\se he 0 seiz$ ) a fit1 b recov]$2 a %ort :ile lat] he _h ano!r spasm1 :i* kill$ him4 ,he 0 int]r$ 7on ! #bbnd7 9 ! family burial plot 9 ! *ur*y>d ( ! old *ur* at ,*elsea 7:i* 8 "m _h regul>ly att5d$71 ne> ! grave ( ,hog>?4 ,! c(f91 cov]$ ) purple pall1 0 c>ri$ to ! *ur* foll[$ by ! honor>y pall-be>]s & relatives on foot4 ,! pall-be>]s 73 ,sir ,james ,gu?rie 7presid5t ( ! ,royal ,scotti% ,academy72 ,*>les ,w4 ,fre]1 ,george ,w4 ,v&]bilt1 ,edw9 ,a4 ,abbey1 ,john ,lav]y 7( ! ,r4 ,s4 ,academy7 & ! art critic1 ,!odore ,duret2 all p]sonal fri5ds ( ,:i/l]'s4 ,illu/ration3 ,,wapp+ ,,:>f 7,,et*+74 ,! relatives pres5t includ$ ! ,misses ,philip & ,f4 ,l4 ,philip1 ,mr4 & ,mrs4 ,cecil ,lawson1 ,mr4 & ,mrs4 ,*>les ,:ibley & ,edw9 ,w4 ,godw94 ,al?\gh no ann\ncem5t ( ! fun]al 0 made 9 ,london pap]s _m di/+ui%$ fri5ds & acqua9tances cr[d$ ! *ur*4 ,beautiful wrea?s 7 s5t by ,v&]bilt1 ,lawr5ce1 ,alma ,tadema & v>i\s f$]ations & societies4 ,^? pres5t 73 ,george ,w4 ,v&]bilt1 ,mr4 ,joseph ,p5nell1 ,rev4 ,h4 ,c4 ,les]ve ( ,bo/on1 ,johnson ,/urges1 ,r4 ,f4 ,kno$l] & ,i4 ,m4 ,b4 ,mac,nary ( ,new ,york ,city2 ,m4 ,dumont ( ! ,int]national ,society ( ,pa9t]s2 ,m>cus ,b\rne ,hui%1 editor ( ! ,art ,j\rnal2 ,?omas ,arm/rong2 & ,alfr$ ,ea/ 7,a4 ,r4 ,a474 ,:5 a report] call$ at ! h\se ,july #ah? he 0 in=m$ t ! arti/ _h left /r+5t in/ructions t no in=mation :atev] reg>d+ 8 illness or dea? %\ld be giv5 ei!r to 8 fri5ds or ! newspap]s4 ,he rema9$ true to 8 ecc5tricities1 or r to 8 peculi> p]sonality4 ,ev5 9 8 exit f ?is life to ! ?rones ( glory beyond1 he endeav\r$ to make x z odd & picturesque z possible4 ,he play$ 8 "p to ! la/4 ,& x 0 "o ( ! noble/ p>ts ev] play$ by man4 ,,*apt] ,,iii ,,! ,,butt]fly ,! fam\s butt]fly monogram1 orig9ally a decorative comb9ation ( ! lett]s ,j4 ,m4 ,w41 :i* evolv$ into a decorative design ( a butt]fly1 enclos$ 9 a circle1 z x appe>$ 9 8 ,s>asate & ,c>lyle1 &1 frequ5tly1 a m]e /5cil-l silh\ette z se5 9 8 correspond5ce1 began to appe> 9 ,:i/l]'s pictures 9 ! late sixties4 ,! ,symphony 9 ,gray & ,gre5--,! ,ocean 7pa9t$ 9 #ahff7 0 probably ! fir/ important canvas 9 :i* x 0 introduc$4 ,9 8 e>li] pictures he _h made use ( an ord9>y writt5 signature z mo/ pa9t]s use4 ,x is /range t x took an arti/ ( ,:i/l]'s s5sitiv5ess s long to realize ! incongruities ( ^! crude calligraphic displays4 ,!y disfigure _m a good picture & smack ( ! mat]ialism ( ?is age4 ,e picture %\ld h a signature1 if = no o!r reason ?an to prove ! au!nticity at "s future "t4 ,b surely x c be treat$ ) m discretion ?an x is to-day4 ,! ,old ,ma/]s frequ5tly h&l$ x ) +5uity & "s degree ( mode/y4 ,x 0 ! ,japanese arti/ :o gave x a decorative significance4 ,! r$ c>t\*es ( ,hiro%ige are kn[n to e pr9t collector4 ,he consid]$ x a "p ( ! picture1 a col\r note or vehicle ( balance 9 an empty space1 z important a detail ( composition z any o!r4 ,:i/l] treat$ 8 monogram 9 ! same consci5ti\s & picturesque fa%ion4 ,he us$ x ) pref]5ce 9 8 symphonies1 nocturnes & l>ge portraits1 b1 at times1 also 9 :ite1 z on a rail po/ 9 ! l[] "r corn] ( 8 ,bognor4 ,he h&l$ x ) m ?an ord9>y rev]5ce1 z ev]y?+ t p]ta9$ to ! exploit+ ( 8 own p]sonality4 ,he (t5 introduc$ x at ! fir/ pa9t+ to judge ! effect1 &1 ( c\rse1 he wip$ or scrap$ x out ov] & ov] aga9 until he procur$ ! desir$ effect4 ,he cont9ually made slight *anges 9 ! design1 he toy$ ) x z ) "s curio1 elaborat$ x 9 _m ways1 &1 ev5tually1 ev5 be/[$ a /+ ^u ! insect1 z x appe>s 9 8 ,g5tle ,art ( ,mak+ ,enemies4 ,! butt]fly tea*es a lesson4 ,x proves t an arti/ c be self-ass]tive1 arrogant & yet ref9$4 ,:i/l] ?us introduc$ a me?od ( picture sign+ t %\ld be g5]ally adopt$4 ,e arti/ %\ld h 8 own monogram1 & use x ) discretion4 ,b x has ev5 a deep] significance 9 ,:i/l]'s life4 ,x is 9 a way a symbol ( 8 evolution z a pa9t]4 ,z we /udy 8 "w we f9d t ! butt]fly monogram does n appe> be=e ,:i/l] fre$ himself f =eign influ5ces1 & inv5t$ an individual & indep5d5t /yle ( 8 own4 ,! butt]fly may well /& = ! full awak5+ & realization ( 8 own faculties4 ,did he n say himself3 ,9 ! pale citron w+ ( ! butt]fly1 ) its da9ty spots ( orange1 he saw ! /ately halls ( fair gold1 ) _! sl5d] saffron pill>s1 & 0 taught h[ ! delicate draw+ high ^u ! walls %\ld be trac$ 9 sl5d] tones ( orpim5t & repeat$ by ! base 9 notes ( grav] hue4 ,l all pa9t]s ,:i/l] _h to le>n 8 trade1 & !n f9d 8 peculi> way ( expression4 ,x took him well nigh a qu>t] ( a c5tury4 ,he ent]$ ! /udio ( ,gleyre 9 ! summ] ( #ahee z a "y man ( tw5ty-"o1 & 0 ne>ly =ty-sev5 :5 he _h f9i%$ ! ,portrait ( ! ,arti/'s ,"m & _h pa9t$ a few nocturnes4 ,all 8 e>li] pictures rem9d u ( "s o!r ma/]4 ,! ,music ,room recalls ,/ev5s1 ,! ,blue ,wave3 ,bi>ritz ! =ceful /yle ( ,c\rbet1 & ,! ,:ite ,symphony ev5 ! light mann] ( ,alma ,tadema4 ,*>les ,gleyre 0 an excell5t draughtsman ( ! ,+res s*ool1 b all he c\ld tea* 8 pupils 0 to draw4 ,t he _h once be5 capable ( "s f9] appreciation ( col\r & atmosph]e1 /ud5ts ( art may notice 9 8 ,ev5+1 pa9t$ 9 #ahdc1 b he became1 l s _m o!r pa9t]s ( ?is p]iod1 ! victim ( ! academic /yle4 ,outl9e draw+ reign$ supreme1 !re 0 room = no?+ else1 & x 0 surely n a cong5ial environm5t = "y ,:i/l]1 :o1 ev5 at t "t1 diff]$ ) ! preval5t ideas ( art4 ,draw+1 h[ev]1 is "o ( ! mo/ important factors ( ! te*nique ( pa9t+4 ,velasquez ev5 ?\ght x 0 ! mo/ important "o1 & ,:i/l]1 ) ! peculi> t5d5cy ( 8 art1 01 no d\bt1 =tunate t he rea*$ ,p>is :ile draughtsman%ip 0 /ill hon\r$ & n neglect$1 z 9 ! lat] days ( ! impressioni/s4 ,a /ud5t 9 ,p>is ei!r becomes an en?usia/ic work] f ! nude1 mak+ "o /udy aft] ! o!r1 l all ^? ,julian & ,col>ossi pupils--or he gets s imbu$ ) ! art atmosph]e t he sets ab\t on conque/s ( 8 own1 & ! city ( ,se9e1 ) its museums1 monum5ts1 arti/s1 population1 pleasures & sights is j ! "r place = free lance education4 ,:i/l] *ose ! latt] way4 ,! canvases ( ?is p]iod %[ /rong influ5ces ( ,/ev5s & ,c\rbet4 ,he mu/ h be5 enam\r$ ) ! /yle ( t great pa9t] ( woman1 z he 0 und\bt$ly ) ! rude s9c]ity ( ,c\rbet4 ,if any man c\ld pa9t at t "t x 0 ,c\rbet4 ,he 0 ! simplifi] ( planes & values1 :o advocat$ frankness & fre$om ( expression1 & deta*$ pa9t+ f all ! absurdities & ab/ractions ( ! classic & romantic p]iods4 ,f him ,:i/l] le>n$ to put on 8 pigm5ts 9 a bold1 vigor\s way4 ,he 0 nev] fond ( bru%work1 b at t "t he lik$ to pile x on 9 a flat & solid mann]4 ,only gradually 8 bru%work became ?9n] & ?9n]1 invisible & almo/ untraceable1 c>ry+ out 8 maxim3 ,a picture is f9i%$ :5 all traces ( means us$ to br+ ab\t ! end h disappe>$4 ,z is ! case ) all great pa9t+s1 "o mu/ =get all ab\t te*nique4 ,f ,/ev5s he le>n$1 z he (t5 said 9 lat] ye>s1 all t c\ld be le>n$ f him4 ,i believe t ! influ5ce 0 subtl] & m spiritual1 & "o t la/$ all 8 life4 ,/ev5s 0 = him :at ! *>t f :i* we le>n hi/ory 9 s*ool days rema9s = u4 ,we c nev] =get x & entirely get away f x4 ,9 ! beg9n+1 ( c\rse1 x 0 a te*nical pref]5ce4 ,l ,/ev5s1 he us$ precise outl9es1 a pr(usion ( details & yet ) all a poetic atmosph]e t is produc$ pr9cipally by a beautiful juxtaposition ( col\r values4 ,ev5 to-day few ( ,:i/l]'s e>li] canvases h m admir]s ?an ! ,h>mony 9 ,gre5 & ,rose1 p]haps bett] kn[n z ,! ,music ,room 79 ! possession ( ,frank ,j4 ,heck]74 ,x 0 pa9t$ 9 #ahfj1 9 ! ,london home ( ,had51 ! pa9t]-et*]4 ,?is picture 0 fir/ kn[n z ,! ,morn+ ,call4 ,9 ! corn] ( ! room a mirror reflects ! pr(ile ( a woman1 :o is n repres5t$ 9 ! picture4 ,?is is a portrait ( ,lady ,seym\r ,had51 ,:i/l]'s /epsi/]1 ) :om he 0 lodg+ at ! "t4 ,9 front ( ! w9d[ hang a pair ( :ite curta9s ) a gre5 & r$ fl[] patt]n4 ,a "y woman 7,miss ,boo?1 a relative ( ! ,had5s7 9 a black rid+ habit1 :i* %e holds up ) h] glov$ h&1 /&s on ! d>k r$ c>pet4 ,9 ! backgr\nd sits a little girl read+4 ,illu/ration3 ,own$ by ,frank ,j4 ,heck] ,,h>mony ,,9 ,,gre5 ,,& ,,rose3 ,,! ,,music ,,room4 ,ano!r m exotic influ5ce became palpable 9 8 "w soon aft]1 & ex]cis$ an almo/ despotic control = sev]al ye>s4 ,at ! ,p>is ,exposition ,univ]selle ( #ahfc ,:i/l] became acqua9t$1 = ! fir/ "t1 ) ,japanese art4 ,! ,p>isian arti/s1 p>ticul>ly ! set ) :i* ,:i/l] 0 acqua9t$1 got col\r mad4 ,! sugge/iv5ess ( ,ori5tal composition1 :i* acc5tuates detail "h & neglects x !re2 ! peculi> space arrangem5t & ! decorative treatm5t ( detail1 captivat$ all mod]n _s4 ,edmond & ,jules de ,gonc\rt1 ! /hetes ( ! ,empire1 & ! =]unn]s ( ! ,japanese en?usia/s1 & speciali/s l ,c]nus*i1 ,regamey1 ,guimet1 & ,b+ became ! spokesm5 = ,japanese bibelots4 ,p>is 0 delug$ ) little art objects fa%ion$ out ( bronze1 porcela91 cloisonne1 jade1 ivory1 wood & metal4 ,ev]ybody />t$ a collection1 & became a memb] ( ! ,societ du ,j+l>1 ) annual meet+s at ,svres1 :i* 0 fanatically devot$ to ! wor%ip & exploitation ( ,ea/]n art4 ,! h>moni\s arrangem5t ( ! ,japanese col\r pr9ts 9 p>ticul> fasc9at$ ! cognosc5ti4 ,! application ( col\r 9 ,japanese art is some:at diff]5t to ours4 ,x is m primitive1 & bas$ on ! decorative pr9ciple ( simultane\s contra/4 ,x deals solely ) flat t9ts ) occasional gradations on ! out] edges1 & vibration is produc$ by ! simple me?od ( lett+ ! pap]1 or silk1 %9e ?r\gh ! pigm5t4 ,if ,japanese col\r+ does n directly recall ! poly*romic designs ( primitive p1 ( pott]y decorations1 wall designs1 c>pets & mats1 ,sc&9avian wood ornam5tation1 etc41 ! reason is entirely to be f\nd 9 its ref9em5t & f9i%4 ,x has ! same orig92 a totem pole is ! beg9n+1 & a ,japanese pr9t ab\t ! end ( ! developm5t4 ,true en\gh1 col\r$ pr9ts 7 classifi$ z vulg> art4 ,!y 7 consid]$ ord9>y pictorial commodities ( no m importance to ! natives ?an col\r$ supplem5ts to our ,sunday read]s4 ,b !y 7 ( su* exquisite f9i% t we wond]+ly ask ourselves if ! nobl] bran*es ( art 9 ?is c\ntry really rea*$ a high] /&>d ( p]fection4 ,x is h>dly possible4 ,x 0 r _! application ?an _! art value :i* (f5d$ ! nobility4 ,_m ( ! mo/ *]i%$ pr9ts ( ,kiyonaga1 ,%>aku1 ,%un%o1 & ,outom>o1 depict+ teah\se sc5es1 actors1 wre/l]s & ladies ( ! ,yo%iw>a1 7 drawn = no o!r purpose ?an to s]ve z s\v5ir c>ds & adv]tisem5ts4 ,! col\r appreciation ( ! ,japanese cl]k1 lab\r] & peasant mu/ h be5 develop$ to an exceptional degree1 if ^! designs1 t 7 s *eap t ev]ybody b\ght !m z we d newspap]s1 c\ld ar\se no?+ b ord9>y appreciation & matt]-(-fact comm5t4 ,! ,japanese us$ col\rs 9 comb9ations t seem /range & unusual to u4 ,!y did n seem to c>e ab\t any complem5t>y laws1 b introduc$ yell[ ) p9k1 purple ) gre51 br[n ) r$ )\t ! slighte/ hesitation4 ,?is may be expla9$ by ! re/ra9t ( _! palette4 ,_! old h&-made col\rs are all key$ 9 middle t9ts2 !y did n lack decision or /r5g?1 b !y 7 nev] l\d or vehem5t4 ,?us arrangem5ts 7 possible t w\ld look crude ) ! use ( ,we/]n col\rs4 ,*]et's & ,t\l\se ,lautrec's po/]s1 ev5 :5 ( ?ree-%eet dim5sions & se5 9 op5 air1 seldom express$ m ?an contra/ & animation4 ,!y work$ on ! pr9ciple ( ! ,japanese col\r pr9t1 b 9 a v crude & sup]ficial fa%ion4 ,!y wi%$ to />tle1 n to please4 ,if col\r is se5 9 flat t9t pat*es x produces a m vivid image on ! ret9a ?an a pictorial repres5tation ( mix$ pigm5ts1 z flat t9ts are m fav\rable to ! brilliancy ( col\r4 ,ea* sep>ate s(t t9t creates a complem5t>y image1 & ! eye w\ld be easily fatigu$ if ! col\rs 7 /rong4 ,9 ! ,japanese col\r pr9t !y are s(t5$ & bl5d$ toge!r n s mu* by ! skilful & h>moni\s juxtaposition1 z by ! suavity ( ! m$ium1 ! introduction ( neutral t9ts1 ! mell[ :ite f\ndation ( ! pap]1 & ! arrangem5t ( %apes encas$ 9 precise l9es4 ,! ,european pa9t] _h a diff]5t idea4 ,al?\gh recogniz+ ! supremacy ( col\r1 he took visual appe>ances z !y 7 & actually appe>$ 9 life z guid+ models = 8 repres5tations4 ,col\r became subm]g$ 9 o!r qualities almo/ equally important1 z ^? ( l9e1 p]spective1 *i>oscura1 relief draw+ & m9ute obs]vation4 ,! ,ea/]n arti/ appli$ col\r = col\r's sake1 & kept all o!r elem5ts1 notably ^? ( l9e1 feel+1 %ape & space arrangem5t indep5d5t--n indep5d5t z f> z ! tonality ( ! f9al effect 0 conc]n$1 b indep5d5t 9 _! function z vehicles ( expression4 ,!y 7 nev] diffus$ 9 ! same way z 9 an ,old ,ma/]4 ,ea* l9e1 %ape & col\r _h to tell its own /ory1 :ile 9 ,we/]n art composition1 col\r & idea (t5 became insep>able by ! application ( ! blurr$ outl9e4 ,:i/l]1 at ?is /age ( 8 developm5t1 0 int]e/$ simply 9 recreat+ ,japanese col\r arrangem5ts1 to pa9t local values 9 su* a way t !y w\ld reflect ! beauty1 contra/ & v>iety ( an ,outam>o pr9t4 ,! pictures ( ?is p]iod rem9d "o ( t caprici\s ,*9ese pr9cess1 ( :om ,he9ri* ,he9e speaks1 ^: qua9t & solit>y pleasure consi/$ ( te>+ co/ly silks into tatt]s1 to scatt] ! rags to ! w9ds & to wat* !m flutt] l rose1 blue & yell[ butt]flies to ! lily ponds bel[4 ,already 9 8 ,woman 9 ,:ite ,:i/l] _h %[n "s pref]5ces = col\r1 b n until aft] he _h tak5 8 fir/ h\se 9 ,london1 :5 8 "m came to live ) him1 did he %[ ^? peculi> outbur/s ( col\r t 7 a direct outcome ( ! /udy ( ,japanese pr9ts4 ,9 lat] ye>s x 0 all tone1 b 9 ! ye>s #ahfc-ff1 x 0 all col\r1 ) a pref]5ce = :ite4 ,! pr9cipal pictures ( ?is p]iod 7 ,lange ,leiz5 ( ! ,six ,m>ks3 ,9 purple & rose 79 ! possession ( ,john ,g4 ,johnson72 ,! ,little ,:ite ,girl 7own$ by ,ar?ur ,/udd71 ,! ,gold5 ,scre51 ,! ,pr9cess ( ! ,porcela9 ,l&1 & ,! ,balcony3 ,v>iations ( ,fle% ,col\r 7own$ by ,*>les ,w4 ,fre]7 & ,! ,:ite ,symphony 7own$ by ,john ,g4 ,:ittemore74 ,:i/l] clo!d 8 ,engli% models 9 ,ea/]n dress1 & reproduc$ ! beautiful col\rs ) ,japanese detail4 ,he 0 among ! fir/ to appreciate ! beauty ( ,*9ese porcela91 ( :i* he own$ _m *oice pieces4 ,9 8 ,lange ,leiz5 is %[n a "y woman 9 a ,japanese co/ume1 seat$ & hold+ ) h] left h& on h] lap a blue & :ite vase ( ! %ape kn[n 9 ,holl& z ! ,lange ,leiz5 ( ! ,six ,m>ks 7ref]r+ to ! pott]'s m>k on ! bottom ( ! vase74 ,h] "r h&1 cov]$ by ! sleeve ( ! kimono1 is rais$ & holds a bru%4 ,h] skirt is black ) a delicate design 9 col\rs4 ,! kimono is cream :ite1 decorat$ ) bright fl[]s & l9$ ) rose col\rs4 ,ar\nd h] hair1 :i* falls ov] h] %\ld]s1 is ti$ a black sc>f4 ,on ! floor are sev]al blue & :ite vases & an ,ori5tal c>pet4 ,to ! "r is a r$ cov]$ table1 & beh9d ! figure is a *e/4 ,! pa9t+ is sign$ ,:i/l]1 #ahfd1 9 ! upp] "r-h& corn]4 ,! frame 0 design$ by ,:i/l] himself & decorat$ ) ,*9ese fret & six m>ks4 ,x 0 %[n 9 ! ,royal ,academy ( #ahfd4 ,illu/ration3 ,own$ by ,john ,g4 ,johnson ,,lange ,,leiz5 ,,( ,,! ,,six ,,m>ks3 ,,purple ,,& ,,rose4 ,ano!r picture ( ?is p]iod is ! ,gold5 ,scre54 ,a "y woman 9 ,japanese co/ume is seat$ on a br[n rug1 h] head se5 9 pr(ile1 z %e exam9es a ,japanese pr9t4 ,%e we>s a purple kimono decorat$ ) multicol\r$ fl[]s & bord]$ ) a v]milion sc>f1 & a gre5 obi ti$ ar\nd h] wai/2 h] out] kimono is :ite ) a r$ fl[]$ design4 ,to ! left is a tea box1 "s roses & a :ite vase ) pansies4 ,hiro%ige pr9ts are scatt]$ ov] ! floor4 ,! backgr\nd consi/s ( a fold+ scre5 ) ,japanese h\ses & figures1 pa9t$ on a gold gr\nd4 ,^! two pictures are f> f be+ satisfactory4 ,! composition is re/less1 ! col\rs d n h>monize1 & ! figure is "o ( t peculi> nightm>i% type :i* "s arti/s affect2 a be+ belong+ to t peculi> class ( humanity :o we> sl\* drap]y in/ead ( tailor-made co/umes1 & c>ry cry/al balls1 urns & sunfl[]s z an /hetic amusem5t1 ,i suppose1 ab\t _! p]son4 ,! model = bo? ^! pictures 0 ,joanna ,heff]nan1 an ,iri% girl1 nei!r p>ticul>ly h&some nor well educat$2 b %e 0 a good model1 :o adapt$ h]self easily to a pa9t]'s idea1 & h] native wit & will+ness to le>n aton$ = any lack ( k4 ,%e g5]ally read :ile %e 0 pos+ = ,:i/l]1 & z %e talk$ ) 8 fri5ds1 pos$ = o!r arti/s & visit$ picture exhibitions1 %e play$ q an important "p 9 ! pa9t]'s life dur+ 8 e>ly ye>s 9 ,london4 ,%e w5t to ,p>is 9 ! w9t] ( #ahfa-b to pose = ,! ,woman 9 ,:ite1 9 8 /udio on ! b\lev>d des ,battignoles4 ,he pa9t$ h] 9 a numb] ( o!r pictures1 notably z ,jo & ,! ,little ,:ite ,girl4 ,al?\gh diff]5t 9 ea* picture1 n[ "y1 n[ m mature1 9 "o case a lady & 9 ano!r a buxom girl1 %e is really beautiful 9 none1 ?\gh always attractive4 ,he probably m]ely us$ h] z a sugge/ion4 ,he lik$ to h h] 9 8 /udio ev5 :5 he did n pa9t h] =m or features4 ,!re is also a dry po9t ( ,jo1 dat$ #ahfa1 :i* %[s h] ) /ream+ hair1 :i* is probably ! ne>e/ approa* to a lik5ess4 ,x is a beautiful bit ( draw+ & int]e/+ z a space arrangem5t4 ,x %[s h[ a head c almo/ fill ! entire space ( a picture )\t becom+ obtrusive or look+ too l>ge4 ,! l9e "w is excell5t 9 its purity ( design & app>5t c>elessness4 ,a *ange ( me?od is noticeable 9 ,! ,little ,:ite ,girl1 ! col\r s*eme ( :i* is exquisite4 ,! :ite dress ( ! "y girl1 9 pr(ile1 ) loos5$ hair1 lean+ aga9/ a mantelpiece1 & h] reflection 9 ! glass1 are acc5tuat$ 9 a beautiful mann] by ! brilliant col\r notes ( a r$ lacqu] box1 a blue & :ite vase1 a fan ) a ,hiro%ige-l design & a decorative arrangem5t ( p9k & purple azaleas4 ,! pa9t+ is ?9n] & !re is great] repose 9 ! composition4 ,sw9burne saw ! picture be=e x 0 s5t up to ! ,royal ,academy 9 #ahfe1 & express$ 8 admiration by writ+ ,be=e ! ,mirror4 ,v]ses "u a ,picture3 ,come sn[1 come w9d or ?und]1 ,high up 9 ! air ,i wat* my face & wond] ,at my bright hair4 ,naught else exalts or grieves ,! rose at he>t t heaves ,) love ( our own leaves1 & lips t pair4 ,i _c tell :at pleasures ,or :at pa9s 71 ,:at pale new loves & treasures ,new ,ye>s w be>1 ,:at beam w fall1 :at %[] ,) grief or joy = d[]4 ,b "o ?+ kn[s ! fl[]1 ! fl[] is fair4 ,illu/ration3 ,own$ by ,ar?ur ,/udd ,,symphony ,,9 ,,:ite1 ,,ii3 ,,! ,,little ,,:ite ,,girl4 ,la ,pr9cesse du ,pays de la ,porcela9e 7,:i/l] app>5tly 0 fond ( us+ elaborate titles7 is p]haps 8 f9e/ "w 9 vivid col\r+4 ,! col\r diff]5tiations are well plac$1 b ! canvas1 aft] all1 looks too mu* l a huge ,japanese pr9t1 pa9t$ 9 ! ,we/]n /yle1 :i* repres5ts objects r\nd & 9 relief1 & n m]ely 9 flat t9ts4 ,! plac+ ( ! scre5 ) ! face loom+ above x is z peculi> z x is attractive1 b x is an arrangem5t t is /rictly ,japanese 9 "*4 ,:i/l] began ) pa9t+ detail1 & only gradually le>n$ to see life 9 a broad] & m my/]i\s way4 ,x is a portrait ( ,miss ,*ri/ie ,sp>tali1 a real ,rossetti type1 daught] ( ! ,consul-,g5]al = ,greece 9 ,london 9 #ahfc4 ,h] fa!r did n l x2 b ,rossetti did1 & sold x f 8 own /udio to help ,:i/l] along4 ,lat] x came into ! possession ( ,f4 ,r4 ,leyl&1 & 0 us$ to decorate ! ,peacock ,room4 ,x 0 fir/ exhibit$ at ! ,p>is ,salon ( #ahfe4 ,x is really a comb9ation ( ,rossetti & ,outom>o1 ) a slight flav\r ( ,:i/l]'s individuality4 ,illu/ration3 ,national ,gall]y1 ,wa%+ton ,,! ,,pr9cess ,,( ,,! ,,porcela9 ,,l&4 ,on ! ,balcony 7exhibit$ fir/ 9 #ahff7 ( ! ,fre] collection is a peculi> comb9ation ( models masqu]ad+ 9 kimonos & a backgr\nd ( ,engli% riv] sc5]y4 ,he essay$ ! same task z ,*avannes 9 8 mural decorations1 i4 e41 to det]m9e ! local t9ts ( ea* face or arm by ! surr\nd+ col\rs4 ,! problem 0 made /ill m difficult by %[+ ea* face 9 a diff]5t illum9ation4 ,"o face is silh\ett$ 9 pr(ile aga9/ ! riv]1 ano!r %ad$ by a fan & ! =m ( a /&+ figure1 ! o!rs are se5 9 front light4 ,i d n believe he has ev] attempt$ a m ambiti\s problem1 & he solv$ x 9 a mo/ subtle & conv9c+ fa%ion4 ,x is a delightful h>mony 9 col\r1 & exce$+ly well-balanc$2 x rem9ds "o ( ! ,japanese1 b ! col\r & vibrat+ atmosph]e is ,occid5tal4 ,pity t he f\nd x necess>y to introduce ,japanese co/umes4 ,i p]fectly realize t "o ( ! pr9cipal *>ms ( ?is picture is ! incongruity ( ! ensemble4 ,yet :o ev] saw 9 a ,london t[n su* a balcony ) ,japanese awn+s1 & ,engli% girls dress$ up l gei%as1 :il+ away ! e>ly h\rs ( ! night4 ,! figures belong nei!r to ,japan nor ,great ,brita94 ,!y are simply !re = col\r's sake1 b1 aft] all1 su* associations ( ?\ght1 no matt] :e!r 9 pa9t or poetry1 nev] con/itute ! greate/ art4 ,! composition is m re/ful & simpl] ?an 9 8 e>li] works4 ,:5 ,:i/l] began to realize ?is %ortcom+ ( 8 e>li] /yle1 he turn$ away f or*e/ral explosions ( col\r & volleys ( pa9t1 & began t wond]ful process ( elim9ation :i* help$ him to become "o ( ! greate/ pa9t]s ( ! n9ete5? c5tury4 ,illu/ration3 ,national ,gall]y1 ,wa%+ton ,,on ,,! ,,balcony3 ,,v>iations ,,9 ,,fle%-,,col\r ,,& ,,gre54 ,9 8 lat] "w ,:i/l] return$ once m to vivid col\r+4 ,x 0 solely 9 pa/els & wat] col\rs1 nev] 9 oils4 ,& ! butt]fly1 ! symbol ( ,:i/l]'s individuality1 flutt]$ gaily f picture to picture1 f pr9t to pr9t1 & lett] to lett]2 n[ disappe>+ 9 greyi% mi/s1 !n peep+ =? f a d>k olive backgr\nd1 & aga9 ass]t+ 8 exi/5ce at times z a m]e %ad[1 z a d>k or coral r$ silh\ette4 ,*ang+ 8 col\r & size on e canvas2 he is n[ %ad$ blue1 br[n1 rose1 r$1 violet or peacock blue & !n1 sudd5ly assum+ unusually l>ge proportions1 he spreads 8 w+s 9 full flight to be lo/ once m z a grey1 almo/ imp]ceptible spot1 9 "s twilight atmosph]e4 ,at "o mom5t he appe>s on a vase1 a rug1 or a curta94 ,he floats on ! sea1 re/ on doorpo/s1 w+s 8 way ov] fl[]s & rocks1 %ifts sportively f ! l[] left to ! "r corn]1 !reupon rises to almo/ ! middle ( ! canvas1 flutt]s ar\nd ! figures1 ev5 t\*es _! =ms delicately1 z a da9ty creature may d1 & cont9ues 8 endless v>iations & gyrations2 ev] ready to ass]t ! f9al approval ( ! ma/]4 ,,*apt] ,,iv ,,! ,,art ,,( ,,omission ,a ,blue-black night1 brok5 by sp>ks ( bur/+ skyrockets & weird =ms ( light1 9 :i* two illum9at$ t[]s are vaguely indicat$4 ,to ! left a clu/] ( foliage & a cr[d ( p1 felt r ?an se54 ,su* is ! subject matt] ( ?is little #ag x #bc canvas :i* probably excit$ m controv]sy & discussion ?an any o!r ( ,:i/l]'s pictures4 ,x 0 sc>cely notic$ :5 x 0 fir/ exhibit$ at ! ,dudley ,gall]y 9 ,octob]4 ,b 9 #ahgg ! /orm broke loose1 & ! fam\s libel suit aga9/ ,rusk91 & ! record ( all details ( ! trial 9 a br[n-cov]$ pamphlet1 "u ! title ,:i/l] v4 ,rusk91 ,art & ,art ,critics 79 #ahgh71 7 ! imm$iate results4 ,& ! discussion con or pro has n ceas$ to ?is v day4 ,"s call x m]ely a clev] sket*2 o!rs consid] x "o ( ! highe/ expressions beauty is capable (4 ,:at is !re s rem>kable & fasc9at+ 9 ?is picture1 t x c ex]cise su* an influ5ce6 ,te*nically x is n p]fect1 ! blacks are r opaque1 & x does n possess ! haunt+ *>m ( ! ,old ,batt]sea ,bridge or ev5 ( ! ,valp>aiso ,h>b\r4 ,is x ! subject matt]8 ,fireworks 7 nev] pa9t$ be=e1 or1 at lea/1 did n con/itute ! sole motif ( a picture4 ,yet ?is %\ld be no objection4 ,fireworks are "o ( ! mod]n amusem5ts t enjoy great popul>ity4 ,!re %\ld be no objection to _! repres5tation1 z little z to a baseball game1 a prize fight or any reali/ic phase ( our p]sonal life4 ,! curi\s int]e/ ( ?is pa9t+1 or any ( ,:i/l]'s nocturnes1 does n lie m]ely 9 ! novelty ( ! subject 7i4 e4 novel to pictorial repres5tation71 nor t x depicts ! my/]y ( night 9 an unusual mann]1 z "s arti/s & writ]s claim4 ,its significance lies mu* deep]4 ,x actually repres5ts ! beg9n+ ( a new way ( pa9t+1 n m]ely ( atmosph]ic conditions1 b ( an art diff]5t 9 its int5tions f any previ\s =m ( repres5tation4 ,dur+ ! trial ,:i/l] himself gave ! foll[+ def9ition ( a nocturne3 ,i h p]haps meant r to indicate an arti/ic int]e/ alone 9 ! "w1 dive/+ ! picture ( any sort ( int]e/ :i* might h be5 o!rwise atta*$ to x4 ,x is an arrangem5t ( l9e1 =m & col\r fir/1 & ,i make use ( any incid5t :i* %all br+ ab\t a symmetrical result4 ,among my works are "s night pieces1 & ,i h *os5 ! ^w ',nocturne' because x g5]alizes & simplifies ! :ole set ( !m4 ,aft] ,:i/l] _h /at$ t he _h work$ two days on ! ,fall+ ,rocket1 ! ,g5]al ,attorney said3 ,! lab\r ( two days1 !n1 is t = :at y ask two hundr$ gu9eas8 ,to :i* ,:i/l] repli$3 ,no--,i ask x = ! k ( a life-"t4 ,illu/ration3 ,own$ by ,mrs4 ,samuel ,unt]my] ,,nocturne ,,9 ,,black ,,& ,,gold3 ,,! ,,fall+ ,,rocket4 ,?is is h>dly a satisfactory explanation4 ,x m]ely in=ms u t ! consid]ation ( l9e1 =m & col\r is m important ?an ! incid5t depict$4 ,h n all pa9t]s work$ 9 t way6 ,! actual manipulation ( ! pigm5t on ! canvas is ! supreme pleasure ( e g5u9e pa9t]4 ,b ! s\rce ( inspiration aft] all lies 9 ! incid5t t is 9 ! l9e1 =m & col\r indicat$ by ! incid5t4 ,or does ,:i/l] wi% to conv9ce u t he m5tally inv5t$ a col\r s*eme & !n set out to f9d ! incid5t8 ,he might h said to himself1 ,i want to pa9t a night sc5e1 9 blue & gold1 & ,i want su* a silh\ette to dom9ate ! sc5e1 b1 aft] all1 ! incid5t _h to furni%1 or r sugge/1 ! possibilities ( ! m5tal vision4 ,he1 m ?an mo/ pa9t]s1 saw poetry 9 nature4 ,8 wond]ful description ( a riv] sc5e at night 9 ! ,t5 ,o'clock v\*es = t4 ,read ^! l9es t are wor?y ( any poet3 ,:5 ! ev5+ mi/ clo!s ! riv]side ) 'poetry' z ) a veil1 & ! poor build+s lose !mselves 9 ! dim sky & ! tall *imneys become campanile1 & ! w>eh\ses are palaces 9 ! night1 & ! :ole city hangs 9 ! heav5s1 & ! fairy l& is be=e u--!n ! wayf>] ha/5s home1 ! workman & ! cultur$ "o1 ! wise & ! "o ( pleasures cease to und]/& z !y h ceas$ to see1 & nature1 :o = once has sung 9 tune1 s+s h] exquisite song to ! arti/ alone1 h] son & h] ma/]2 h] son 9 t he loves h]1 & h] ma/] 9 t he kn[s h]4 ,a man :o wrote l t surely receiv$ 8 inspirations f nature1 & 0 dep5d5t on ! incid5t z mu* z anybody else4 ,no1 ! true significance ( 8 nocturne1 z rem>k$ be=e1 lies 9 ! orig9al int5tion1 n 9 ! f9al effect ( ! subject he wi%$ to produce4 ,= conv5tionali/ & impressioni/ alike1 nature is ! s\rce ( symbols = _! mood4 ,) !m ! /&po9t is rem>kably diff]5t f t ( ! sup]ficial reali/s1 :o imag9e t ! m]e copy ( a sc5e mu/ give ! emotion t ! sc5e itself ar\ses2 :o =get t ! arti/'s emotion is z mu* a selective factor z 8 vision ( ! objective signs ne$ful = ! communication ( 8 feel+ to 8 public4 ,he probably wi%$ to rema9 "u cov]1 & n come out boldly & say3 ,?is is ! ,japanese way ( do+ ?+s4 ,i dis5gage ! poetical significance f an object or fact 9 ,ea/]n fa%ion4 ,i h le>n$ ?is f ! ,hiro%ige pr9ts4 ,few arti/s are will+ to lay b>e ! me*anism ( _! individual way ( int]pretation4 ,!y w\ld be misund]/ood anyh[4 ,pa9t]s w\ld h rejoic$ to call him a d[nright imitator4 ,& t is j ! po9t :]e he diff]$ f ! av]age arti/ :o foll[$ ! ,ea/]n trail ( art4 ,he succe$$ 9 comb9+ ! two great art elem5ts ( ! _w1 ^? ( ! ,ea/ & ! ,we/4 ,9 ! sixties he 0 int]e/$ m]ely 9 a phase ( ,japanese art1 t ( col\r4 ,hiro%ige pr9ts 7 hung on ! wall or scatt]$ on ! floor ( 8 /udio1 z c be not$ 9 sev]al ( 8 e>li] pa9t+s4 ,! ,japanese arti/s 7 virtuosos ( col\r4 ,!y comb9$ ! mo/ contradictory col\rs into a h>mony1 nuances :i* = c5turies _h escap$ ! appreciation ( ! ,european eye4 ,aft] _m exp]im5ts ,:i/l] realiz$ t ?is ref9$ s5se ( col\r 0 only "o ( ! ext]nal accompli%m5ts ( ,japanese art1 t its true s\l 0 reveal$ 9 its sugge/ive quality4 ,! ,japanese arti/s "w )\t p]spective1 %ad[s & reflections1 & ev5 :5 !y apply !m !y d s 9 a purely decorative way4 ,!y rely entirely on design1 on l9e & ! juxtaposition ( flat col\r %apes4 ,!y d n c>e to produce an illusion1 z if ! frame af=d$ a view on a sc5e ( actual life4 ,!y are satisfi$ ) mak+ a m]e del9eation1 a sugge/ion ( a beautiful g[n or m\nta9 view4 ,9 lit]ature1 or ev5 9 su* a simple matt] z ! nam+ ( ?+s1 ! ,japanese inv>iably give play to ! ex]cise ( _! imag9ation to br+ out a sugge/ive effect4 ,! same t5d5cy ext5ds into _! f9e arts4 ,9 treat+ objects ( nature1 h[ev] insignificant1 ! ,japanese arti/ /rives to sugge/ or indicate "s s5tim5t beyond :at is convey$ by ! facts repres5t$1 j z ! poet /rives to /ore up a m9e ( ?\ght 9 ! ?irty-"o syllables ( an ord9>y v]se1 ! ,tanka1 or 9 ! /ill %ort] ,haikai ( sev5te5 syllables4 ,9 %ort1 ! ,japanese arti/ ex]ts himself to produce m ?an beauty ( =m or col\r4 ,?is quality is less app>5t 9 ! col\r$ wood pr9t s popul> ) ,we/]n]s4 ,an ,outom>o is really lack+ sugge/iv5ess4 ,x runs too mu* into te*nical detail1 & j = t reason p]haps we m readily und]/& ! ,european arti/s4 ,take = in/ant a simple repres5tation ( summ] plants1 m]ely a few /alks4 ,! arti/ is n satisfi$ to %[ u ! actual facts b endeav\rs to indicate some?+ beyond :at is actually repres5t$1 ! delight ( a fl[]y field 9 summ] or ! cool refre%+ breeze "u :i* ! plants are b5d+ & sway+4 ,! ,we/]n arti/s hi!rto ent]ta9$ a diff]5t ideal & ?\gh !re 7 _m s*ools1 ea* advocat+ a diff]5t ideal1 !y all agre$ on "o po9t3 t !y _h to create an illusion1 ) modell+1 rotundity ( =m1 light1 %ade & di/ance4 ,sugge/+ a fact is subtl] ?an actually repres5t+ a fact4 ,a sket* has some?+1 a virility & fre%ness t a f9i%$ pa9t+ r>ely has4 ,we pref] ,c\rbet to ,+res1 ,israels to ,leighton4 ,!re mu/ be some?+ left to imag9ation1 to our emotions & /hetic consci\sness4 ,! ,japanese leave mo/ to imag9ation4 ,_! me?od lacks /r5g? b is capable ( convey+ f9] poetic s5tim5ts4 ,_! vision is cle>]1 m rapid & less di/urb$ by intellectual preoccupations ?an ours4 ,!y are p]haps m p]ceptual ?an conceptual4 ,n t !y lack deep poignant expression1 b t !y are defici5t 9 int5sity & dep? ( repres5tation4 ,! gr&iose unity ( effect ( a ,titian1 ,t9toretto or ,rub5s is beyond ! kakemono & col\r pr9t4 ,!y succe$$ 9 "s in/ances 9 adumbrat+ 9 l9es ( conv5tional sev]ity & precision /range & my/ical intimations ( spiritual exi/5ce4 ,b we f9d x difficult to disc]n ^! qualities z we ne$ m ?an sugge/ion to arrive at su* conclusions4 ,:i/l] tri$ & succe$$ 9 translat+ ?is sugge/iv5ess 9 su* a mann] t ! ,we/]n m9d c\ld und]/& & appreciate x4 ,h[ did he accompli% ?is task6 ,he realiz$ t he c\ld n ab&on atmosph]e1 light & di/ance4 ,he _h to apply ! ,ea/]n pr9ciple )\t det]iorat+ ! ,we/]n te*nique4 ,to proce$ l ! ,japanese w\ld h result$ 9 a failure4 ,8 ,pr9cess ( ! ,porcela9 ,l& mu/ h taught him ?is4 ,he /rove = some?+ else ?an a m]e resemblance4 ,he adopt$ c]ta9 ideas ( space arrangem5t1 c]ta9 =ms ( design & ! elim9ation ( detail4 ,! und]ly+ composition rem9ds ( ! ,japanese1 b n ! f9i%4 ,hiro%ige 0 ! fir/ design] ( ,japanese col\r pr9ts :o devot$ himself l>gely to l&scapes ) figures1 & ) ,ea/]n +5uity almo/ exhau/$ ! subject4 ,8 ,hundr$ ,views ( ,fusi-yama conta9 ! mo/ />tl+ designs & problems ( composition t h ev] be5 attempt$1 & !y are treat$ ) incomp>able boldness1 & solv$ ) a/\nd+ skill4 ,! r>e/ aspects ( nature are treat$ ) p]fect balance4 ,x is a play ( curves & geometrical %apes t bewild]s ! ,we/]n m9d t has be5 cont5t ) comp>atively few =mul4 ,! vi/a idea ( repres5t+ a sc5e z if view$ ?r\gh ! frame ( a doorway1 :i* ,:i/l] s frequ5tly us$ 9 8 et*+s z 9 ,! ,lime ,burn] & ,! ,g>d51 is /rictly ,japanese4 ,"o ( 8 fri5ds said t ,:i/l] nev] object$ to any "o try+ to copy 8 way ( pa9t+1 b look$ ^u fil*+ ( ideas z gr& l>c5y4 ,?is proves h[ ignorant we all are ab\t our conduct ( life4 ,if anybody ev] plagi>iz$ ideas x 0 ,:i/l]4 ,! ,t %ape ( ! ,old ,batt]sea ,bridge1 9 8 nocturne ( blue & gold1 is almo/ an exact copy ( a ,hiro%ige design4 ,! same c be said ( ! bran* ( leaves protrud+ l a silh\ette f ! m>g9 ( 8 ,ocean1 & ! composition ( sev]al o!r nocturnes4 ,b ,:i/l] add$ some?+ :i* no ,japanese pr9t sugge/s4 ,he add$ light1 atmosph]e1 di/ance & my/]y4 ,illu/ration3 ,tate ,gall]y1 ,london ,,nocturne ,,9 ,,blue ,,& ,,gold3 ,,old ,,batt]sea ,,bridge4 ,hiro%ige reli$ entirely ^u design & l9e1 & he 0 n a good draughtsman at t1 at lea/ n 9 8 figures4 ,8 human figures frequ5tly look l m9iature c>icatures or curi\s little insects4 ,8 l9e lacks purity & sweep1 b is m reali/ic & less conv5tional ?an t ( 8 pr$ecessors4 ,8 col\r is crude 9 comp>ison ) ! old] arti/s4 ,8 pr9ts t 7 execut$ aft] ! introduction ( ,european anil9e col\rs 9 #ahej1 ) _! /reaks ( vivid r$ & blue1 are almo/ (f5sive to ! eye4 ,8 e>li] ones1 :5 he 0 cont5t 9 work+ 9 pale col\rs1 9 pale blue & black ) j a sugge/ion ( p9k1 are va/ly sup]ior4 ,lat] on he tri$ to le>n f ! ,europeans1 & /rove = atmosph]ic effects1 b always sugge/$ x r by design ?an col\r4 ,if he us$ col\r = t purpose x w5t nev] beyond a simple wa%4 ,:i/l] sacrific$ l9e almo/ entirely4 ,he work$ 9 big masses1 %apes & silh\ettes & made col\r ! pr9cipal attraction4 ,! simplicity ( design he borr[$ f ! ,japanese1 b ! intimate *>m ( 8 col\r he got f ano!r art1 ! art ( music4 ,_m pa9t+s ( ! latt] half ( ! n9ete5? c5tury %[ ?is musical t5d5cy4 ,*avannes1 ,caz91 our ,am]ican l&scape pa9t] ,tryon1 ev5 ! ,impressioni/s1 try to produce ) col\r some?+ simil> to ! effect ( s\nd4 ,x is ei!r a resemblance ( feel+ 9 execution1 or ! desire to deliv] u ov] to a mood l music4 ,g5]ally bo? desires g h& 9 h&4 ,! pa9t]1 to accompli% ?is1 mu/ g back to ! emotional elem5ts ( ?+s1 to view objects ) primitive en?usiasm & to disreg>d all cumb]some detail4 ,^! qualities mu/ dom9ate 8 conception1 & 8 treatm5t mu/ be slightly decorative4 ,he mu/ see ?+s flat1 9 curi\s %apes1 & !n juxtapose & complem5t 8 col\rs 9 su* fa%ion t !y produce in/antane\sly a pleasant ret9al image4 ,9 mo/ pa9t+s ! subject matt] attracts our att5tion fir/1 & ! appreciation ( its te*nique rea*es our emotion ?r\gh a m5tal process4 ,a ,*avannes fresco & a ,caz9 l&scape1 on ! o!r h&1 appeal directly to our emotions4 ,h5n]1 ,corot1 ,c>rire are musical1 ,leighton1 ,dagnan-,b\v]et1 ,bckl9 are n4 ,*avannes & ,tryon con/ruct _! compositions l a compos] 8 score4 ,by apply+ p>allelism ( l9e & repetition ( =m & col\r %apes ) slight v>iation1 !y attempt to transpose musical conditions to ! sph]e ( col\r4 ,caz9 goes fur!r ?an ei!r4 ,he comes ne>e/ to ,:i/l]4 ,he actually tries to make ! col\r s+1 n a composition ( div]sifi$ int]e/s1 b a simple sweet melody t in/antane\sly produces a di/9ct lyrical emotion4 ,9 8 be/ pictures he reproduces successfully ! p]fect h>mony ( a few fugitive t9ts1 su* z occur s frequ5tly 9 nature by a comb9ation ( ! ev5+ sky & a %imm]+ surface ( wat]1 by a :ite cottage 9 moonlight1 or desolate m>%es aga9/ a />lit sky4 ,9 ?is1 ,:i/l] excell$4 ,he advanc$ ano!r /ep by us+ ! smalle/ limit ( col\rs possible1 )\t oblit]at+ =m & subject matt]4 ,al?\gh ,:i/l] acc5tuat$ ! bread? ( vision1 divid$ 8 space arrangem5t into z few planes z possible1 juxtapos$ r>ely m ?an two col\rs1 & made all objects appe> %ad[y & weird aga9/ a glimm]+ sky1 x is a/oni%+ h[ vibrant he kept 8 col\r2 ! m s z 8 col\rs are laid on r flatly1 &1 occasionally1 s ?9ly t ! canvas %9es ?r\gh4 ,?is1 ( c\rse1 helps ! vibrat+ quality1 b ! col\r t9ts conta9 s _m subtle v>iations t !y sc>cely become disc]nible to ! eye b m]ely consci\s z a vague %imm]1 l t ( night & atmosph]e !mselves4 ,! col\r comb9ations are frequ5tly ! same4 ,blue & silv]1 & blue & gold appe> mo/ frequ5tly4 ,!n !re is br[n ) gold or silv]1 & a crepuscule 9 fle% col\r & gre51 :i* 0 also ! !me ( ,on ! ,balcony4 ,8 subjects 7 *os5 ) great discretion4 ,outside ( ! ,valp>aiso ,h>b\r picture1 a ,s\?ampton ,wat] & a ,/4 ,m>ks1 ,v5ice1 mo/ 7 devot$ to ,london4 ,!re is a ,*elsea embankm5t 9 w9t]1 a ,*elsea 9 sn[ & ice1 ! ,we/m9/] ,bridge1 ! ,trafalg> ,squ>e 9 sn[1 & ! old ,batt]sea rea* & bridge 9 ?ree v]sions4 ,:i/l] nev] /opp$ "w at a picture until x 0 z p]fect z he c\ld make x4 ,_m ( ! pictures t are n[ on ! m>ket1 m]e scraps & fragm5ts at ridicul\s prices1 he w\ld n h all[$ to g out ( 8 /udio4 ,he _h ! consci5ce ( ! true arti/1 b he nev] w5t to ! extreme4 ,he knew :5 to /op1 a quality :i* is exce$+ly r>e4 ,he w\ld nev] h spoil$ a canvas z ,m>is & ,ryd] d4 ,he work$ v h>d on mo/ ( 8 pictures1 b !y d n %[ x4 ,! difficulties & delib]ate sl[ness ( execution are lo/ 9 ! f9al result4 ,to say ( a picture1 z x is (t5 said 9 its praise1 t x %[s great & e>ne/ lab\r1 is to say t x is incomplete & unfit = view4 ,he foll[$ ?is maxim out to ! lett]4 ,indu/ry 0 ) him a necessity--n a virtue4 ,7 y to ask me to def9e ! *>m ( 8 nocturnes1 ,i %\ld say1 ,i fancy t x lies 9 ! delici\s purity ( _! expression4 ,! emotions :i* ,:i/l] wi%es to excite are ^? ( visional pleasure1 ( subtle speculation & vague emotional joy4 ,9 him inspiration always prevail$ ov] caprice4 ,! picture _h fir/ to express ! arrangem5t ( col\r entru/$ to x1 & 0 sc>cely all[$ any da% or extravagance ( bru%work or =m1 unless !y w\ld =m a "p ( 8 orig9al plan & s]ve z a contra/ or dissonance4 ,he nev] add$ any?+ 9 8 repa9t+s1 b cut out "o passage aft] ano!r2 he did n graft on1 he prun$1 = he meant no?+ %\ld rema9 b ! mo/ ess5tial4 ,if !re 0 ev] a man torm5t$ by ! accurs$ ambition to put ! :ole _w into "o picture1 ! :ole picture into "o tonality1 & ! :ole tonality into "o col\r note1 x 0 ,:i/l]4 ,x is difficult to und]/& :y 8 "w 0 ev] criticiz$ z be+ unf9i%$4 ,:5 ,burne-,jones1 9 a _s ho/ile to ,:i/l]'s "w1 decl>$ 9 ! witness box at ! ,rusk9 trial3 ,9 my op9ion 444 a picture ought n to fall %ort ( :at has be5 = ages consid]$ z complete & f9i%$1 ,:i/l] retort$ effectively3 ,a picture is completely f9i%$ :5 no?+ m c be done to improve x4 ,illu/ration3 ,,nocturne ,,9 ,,gray ,,& ,,gold3 ,,*elsea1 ,,sn[4 ,& = ?is f9i% he tri$ incessantly4 ,!re 0 nev] an arti/ :o 0 m consci5ti\s & m ard5tly /riv+ = p]fection ?an he4 ,he sometimes tri$ exp]im5ts ) diff]5t m$iums 9 oil pa9t+4 ,at "o "t he us$ b5z9e to ?9 ! col\rs1 ano!r "t k]os5e4 ,he w\ld cov] a l>ge canvas all ov] ) ! latt]1 9 ord] to br+ out ! dri$ t9ts1 be=e he />t$ to repa9t or ov]pa9t4 ,& he said to ,clif=d ,adams1 8 la/ appr5tice1 ,9 ! morn+ we may n succe$ 9 gett+ ! direct relation ( col\r1 b at noon x may become m h>moni\s & at sund[n we might /rike j ! "r ?+4 ,& s he work$1 day aft] day & ye> aft] ye>1 on 8 pictures1 until e trace ( lab\r 0 oblit]at$ & ! picture _h become a ma/]piece4 ,a ma/]piece t w\ld appe> z a fl[] to ! pa9t]--p]fect 9 its bud z 9 its bloom--) no reason to expla9 its pres5ce1 no mission to fulfil2 a joy to ! arti/1 a delusion to ! philan?ropi/--a puzzle to ! botani/--an accid5t ( s5tim5t to ! lit]>y man4 ,?is flatly contradicts ! g5]al idea rampant among pa9t]s t he furni%$ 8 pa9t+s au premi] c\p4 ,8 fri5ds endorse ! d5ial4 ,mr4 ,r4 ,a4 ,canfield has se5 n less ?an sixte5 *anges ( backgr\nd to "o portrait1 & heav5 kn[s h[ _m m t 7 n c\nt$4 ,:5ev] he 0 dissatisfi$ ) a pa9t+1 he />t$ a new canvas until he f9ally realiz$ ! task he _h attempt$4 ,9 t s5se 8 colleagues are "r1 8 pictures look z if !y 7 pa9t$ au premi] c\p b x 0 a r\ndab\t way4 ,x is impossible to advance any !ory ab\t 8 te*nique4 ,all 8 pictures are pa9t$ 9 v>y+ ?icknesses ( pa9t1 9 v>y+ degrees ( liquidity ( pa9t1 9 v>y+ smoo?ness & r\ghness1 9 few or _m sitt+s1 9 fact1 9 ! v>y+ te*nique :i* alone c correspond to moods ( s great a pa9t] & ! circum/ances ( ea* picture4 ,! only ?+ :i* has any semblance to a con/ant me?od is a mod]ate adh]5ce1 9 8 portraits at lea/1 to ! old way ( pa9t+ f d>k to light :i*1 9 ! f9al pa9t+1 9 ov]lapp+ pieces ( pa9t1 z 9 ! case ( mo/ oil pa9t+s until rec5tly1 results 9 ! ?ick5+ ( ! pa9t t[>ds ! light4 ,!re are sc>cely m ?an sixte5 f9i%$ nocturnes on record4 ,( ^!1 mo/ are ma/]pieces1 or w\ld pass z belong+ to ! be/ ( 8 works4 ,& z he work$ at !m ev] s9ce he return$ f ,valp>aiso 9 #ahff & held ! fir/ important exhibition ( nocturnes at ! ,d[dswell ,gall]y1 & 9 ,p>is 79 ! ,rue ,sze7 n previ\s to #ahhc1 :5 q a numb] 7 /ill unf9i%$1 we are a/oni%$ at ! small output4 ,b ma/]pieces are sc>ce4 ,& if a pa9t] c be cr$it$ ) two or ?ree e ye> he is a h]o 9 8 pr(ession4 ,! importance ( ! nocturne 9 ,:i/l]'s own c>e]1 ev]ybody mu/ realize :o is famili> ) 8 "w4 ,!y add to 8 p]sonality a delici\s flav\r t ev5 8 li?ographs & l>ge pa9t+s d n grant 9 ! same mann]4 ,x 0 to him an in/rum5t t obey$ 8 slighte/ wi%es4 ,x 0 art1 at once ari/ocratic1 delicate1 ( high f9i% & moreov] imbu$ ) an individual rhy?m & ! poetry ( nature4 ,illu/ration3 ,,nocturne ,,9 ,,blue ,,& ,,silv]4 ,:at wond]ful ra9 & sn[ ?is man has pa9t$6 ,:at va/ expanses ( wat] z my/ic z ! night6 ,& ^? vagrant mi/s1 t envelop ev]y?+ & blot out ! v exi/5ce ( ?+s6 ,!re has n be5 any?+ 9 art s9ce ,turn] t c\ld be comp>$ ) x4 ,!re are no banal sunsets1 no gl>+ moonlights1 only ! m intricate moods ( nature1 sn[fall1 mi/1 late ev5+ & night4 ,also 9 ! *oice ( 8 subject he add$ a new note4 ,! art ( a l&scape pa9t] is det]m9$ by a ?\s& influ5ces ^u 8 m9d o!r ?an ^? ( nature4 ,! ess5ce ( ,monet's art is "o ( an h\r1 b ) su* a pa9t] z ,daubigny or ,r\sseau x is "o ( a place4 ,!re is ! s5se ( ! atmosph]e ( ! mom5t giv5 by "o s*ool ( l&scape pa9t]s1 ( locality by ano!r1 poetry by a ?ird & ( ! hi/oric associations ( a place by yet ano!r s*ool4 ,^! ?+s are1 ( c\rse1 det]m9$ by temp]am5t1 & s*ools ( pa9t+ may be classifi$ 9 ?is way m adequately ?an !y are4 ,human association creeps into l&scapes 9 v>i\s degrees1 & also 9 o!r ways ?an ! hi/orical way :i* we feel1--z 9 ,f4 ,e4 ,*ur*'s pictures1 = in/ance1--b l&scape1 g5]ally subord9ate to ! human int]e/1 n[ sometimes tries to free itself f ?is influ5ce entirely4 ,x has become l poetry1 simply ! record ( an emotion or mood rememb]$ 9 col\r4 ,?is is ,:i/l]'s peculi> innovation4 ,& yet ! f9al significance ( ! nocturne 9 ! _w ( art is /ill an op5 "q4 ,"t alone c decide its value4 ,! re/ is m]e hypo!sis4 ,_m--& ,i only talk ( p :o und]/&--argue t despite its p]fection1 ! nocturne repres5ts a m9or phase ( art4 ,( c\rse1 a nocturne1 no matt] h[ beautiful1 _c compete 9 importance ) ! ,portrait ( ,c>lyle1 or ,! ,arti/'s ,"m4 ,size does n mean mu*1 b x means some?+4 ,a small pa9t+ c be z exquisite 9 workman%ip z a l>ge "o1 b x c nev] rise to ! same dignity ( expression4 ,a frescoe by ,*avannes w\ld lose mu* if execut$ 9 ! size ( ! av]age easel picture4 ,b ! nocturne /&s = some?+ 9 mod]n art :i* l5ds x special importance1 aside ( all workman%ip & beauty ( pictorial treatm5t4 ,x repres5ts a return to ! art ( pa9t+ = pa9t+'s sake4 ,e art1 may x be music1 poetry1 danc+1 sculpture or pa9t+1 has its own peculi> te*nique1 :i* ! te*nically ignorant p]son _c appreciate4 ,poetry :i* has no =mal conv5tions is inconceivable4 ,&1 9 a simil> mann]1 pa9t+ has ! *>m ( texture & bru%work1 ! *>m ( h[ ! pa9t is actually put on & display$ on ! canvas4 ,! /hetic satisfaction d]iv$ f an art is 9 exact proportion to "o's k ( ! art's te*nique4 ,?is l>gely expla9s ! g5]al public's indiff]5ce to art4 ,& ! ev]la/+ fight betwe5 ! arti/ & ! public has be5 on ^! l9es4 ,! plea ( ! mod]n exp]im5ti/ t all poetry ( pa9t+ %\ld be 9 ! pa9t1 :i* also ,:i/l] advanc$1 is a j "o if n c>ri$ to extremes4 ,absolute paucity ( idea is z unfav\rable z /ory-tell+4 ,! intr9sic beauty ( a pa9t+ lies 9 ! me?od ( pa9t+1 & ! only guide = ! pa9t] is col\r & ! g5]al arrangem5t--n a me?od le>n$ by rote1 n an arrangem5t g>rot$ by a ?\s& rules :i* o!rs h inv5t$1 b t p]sonal /yle or rhy?m :i* is invet]ately ! pa9t]'s own4 ,s ,:i/l]'s /yle is beautiful because x is p]sonal4 ,8 revolt 0 aga9/ /ory-tell+1 aga9/ ! g5re pictures1 :i* adult]at$ pa9t+ ) ! skill ( ! novel writ]4 ,x is = future /hetics to decide :e!r ! introduction ( musical ideals is n j z dang]\s z ! int]mixture ( any o!r art4 ,!re is no d\bt1 h[ev]1 t ! new comb9ation grants a high] pleasure to ! connoisseur at pres5t4 ,music is ! mo/ fa%ionable &1 p]haps1 mo/ widely und]/ood art to-day4 ,?is be z x may1 ,:i/l] did a great s]vice to mod]n art4 ,by realiz+ its limitations he be/[$ ^u x a new vitality & gl[4 ,8 art1 f> f be+ lawless1 is ! expression ( a new law4 ,make any k9d ( pictures y l1 de> pa9t]s1 provid$ !y are beautiful4 ,= ea* age !re is a diff]5t beauty4 ,old =ms & old p]fections )]4 ,!re has be5 too mu* /ory-tell+4 ,! ,david s*ool1 ) its pomp\s hi/orical1 allegorical & my?ological repres5tations1 has become intol]able to u4 ,david1 ,v]net1 etc41 up to ,+res & ,del>o*e all seem lifeless4 ,also ! ,romantici/s1 :o 7 ! int]pret]s ( poets1 appe> high/rung to m rec5t art ideas4 ,! reaction 0 inevitable4 ,! ,impressioni/s--& _! m]it lies pr9cipally 9 t _! "w repres5ts a te*nical reaction--w5t too f>1 inasmu* z x all[s sc>cely any scope to intellectual expansion4 ,x is bas$ on imm$iate vision1 & occupies itself only ) ! consid]ation ( light & col\r1 & ke5 obs]vation ( mod]n life4 ,all ! great pa9t]s met ! public half way4 ,! great pa9t]s1 we ne$ only to recall ,rembr&t1 ,velasquez or ,leon>do1 7 pa9t]s z mu* z !y 7 poets1 b ea* 9 equal measure4 ,! qualities balanc$ ea* o!r1 & !y did n1 l ! mod]n pa9t]s1 sacrifice "o = ! o!r4 ,:i/l] has to be classifi$ z an ,impressioni/1 b he rema9$ true to ! old tradition4 ,he 0 z mu* a reactioni/ aga9/ classic & romantic pa9t+ z any ( !m2 b he _h no use = ! new te*nique4 ,l ,monet1 he w5t back to ,velasquez & ,goya1 ,franz ,hals1 ,van ,dyke & all ! ,old ,ma/]s :o c\ld pa9t4 ,l ,c\rbet1 he r$uc$ a sc5e to ?ree or f\r broad tones1 b he 0 m exact 9 ! grade ( tones1 & inv>iably endeav\r$ to expla9 ! s5tim5t inspir$ by !m4 ,8 "w 0 nev] anti intellectual4 ,on ! contr>y he 0 a true vision>y4 ,he prote/$ aga9/ lit]>y elem5ts1 b emphasiz$ ! psy*ological & symbolical qualities ( pa9t+4 ,nobody 0 fur!r remote f gross sup]ficial realism4 ,l ,flaub]t & ! ,gonc\rts1 he prov$ t realism c g h& 9 h& ) ref9$ =m & delicate psy*ology4 ,he 0 sane ?r\gh\t4 ,& t is :y ! /hetic revolution1 produc$ by him1 is n yet at an end4 ,! fir/ pr9ciple = ! pa9t] is to acquire a p]sonal mode ( feel+ & ?9k+1 & ! second t he %\ld f9d an adequate & p]sonal me?od ( express+ himself4 ,! pa9t] mu/ *oose 8 me?od4 ,if he has only ! old !mes to pa9t ! old =ms w suit him well en\gh--portraits & s+le figures1 l&scapes & m>9es1 cattle pictures & /ill life--b if he has any?+ special to say1 he mu/ f9d = himself a special & unique =m ( expression4 ,! only crit]ion is beauty4 ,,*apt] ,v ,,on ,,light ,,& ,,tone ,,problems ,9 8 ,art 9 ! ,ne!rl&s1 & 8 v>i\s books on ,italian art1 ,h4 ,ta9e has ma9ta9$ t ! h& ( ! m$ival pa9t] 0 l>gely guid$ by optical s5sations4 ,&1 foll[+ ?is r sugge/ive1 ?an conclusive1 tr5d ( argum5t1 we w readily p]ceive t ! peculi> light+ conditions ( ^? days1 ! semi-d>kness ( ! int]iors1 ! play ( sunlight dy+ 9 ! obscurity ( %ad[s1 & ! abs5ce ( /rong artificial lights h done mu* to disclose to ! g5ius ( a ,titian & a ,rembr&t ! manifold h>monies ( *i>oscura1 ( col\r+1 modell+ & emotion4 ,! tall[ c&le1 ! oil lamp1 ! tor* & ! op5 fire-place 7 ! only artificial light appliances kn[n to ! ,middle ,ages1 & !y 7 all only l solit>y rays ( light 9 univ]sal d>kness4 ,illum9e a room by night1 by plac+ a c&le on ! table or on ! floor1 & judge = y\rself4 ,! effects obta9$1 no d\bt1 w\ld appe> to y z weird & picturesque4 ,! flick]+ light is unc]ta91 ! %ad[s are int5sely d>k & pron\nc$1 almo/ crude & vacillat+1 z if engag$ 9 a cont9ual combat ) light4 ,! contra/s are />tl+1 yet n discordant1 ! vague tra9 ( light m+l$ ) %ad[s acc5tuate only a few places ) vivid spots1 p]*ance ! poli%$ surface ( a piece ( furniture1 a glass or pewt] mug on ! table1 ! coll>et or jewell$ belt ( "s fair lady4 ,! eye is l$ to notic+ gradations ( obscurity1 ! d>kness gr[s animat$ ) col\r & =m1 & we see ! objects z ?r\gh a glaze ( ,van ,dyke br[n4 ,no wond] t ! pa9t] ( ! ,middle ,ages1 hav+ become s5sible to ! beauty ( transp>5t d>kness & ! brilliant passages ( light1 d>$ to unite extremes & to %[ e =m & col\r 9 its full /r5g?4 ,! vagu5ess ( *i>oscural effects 0 ! great modifi] :i* envelop$ all adjac5t objects 9 clair obscure & temp]$ !m ) a w>m & mell[ radiance4 ,h[ diff]5t are ! conditions 9 our "t4 ,!re are no m ,s*alck5 or ,rembr&t effects4 ,we h succe$$ 9 bani%+ d>kness f our homes4 ,we h become v sanit>y1 we want light & air1 ! walls ( h\ses are built less sub/antial1 & ?r\gh ! increas$ l>g5ess & transp>5cy ( panes1 ! daylight /reams 9 ) dazzl+ vehem5ce4 ,x p5etrates into ! remote/ nooks & corn]s4 ,ev5 at dawn ! %ad[s are only vaguely d>k1 ( an unc]ta9 & mix$ blui% grey4 ,l5ba*1 ! portrait pa9t]1 realiz$ ?is defici5cy1 & f\nd x necess>y to con/ruct a special /udio1 :]e ! light 0 only sp>+ly admitt$ ?r\gh deep casem5ts1 & :]e ! sitt]s = 8 old-ma/]-l int]pretations ( mod]n *>act]s 7 plac$ f> away f ! w9d[s4 ,illu/ration3 ,c\rtesy ( ! ,metropolitan ,museum1 ,new ,york ,,lady ,,9 ,,gray4 ,! greate/ havoc among *i>oscural effects1 h[ev]1 has be5 play$ by mod]n light appliances4 ,gas & electric light1 ) _! v>i\s modifi]s & int5sifi]s1 h kill$ all ! old ideals4 ,!re are no long] any /rik+ *i>oscural contra/s or /rong acc5tuations4 ,9 ! ,middle ,ages dress & drap]y %[$ dep? ( folds & recesses :i* are absolutely unkn[n to-day4 ,n[1 ev]y?+ is diffus$ ) light4 ,no?+ is /eady & fix$1 & yet objects /& out 9 pa9ful relief4 ,! modell+ has lo/ mu* ( its tonal v>iety1 & all objects vaguely reflect ! impr9t ( all-p]vad+ light4 ,! values ( col\r appe> blea*$ & v>y incessantly4 ,our eyes are p]petually mov+ 9 a re/less mann] f "o "p to ano!r1 & no long] f9d any place to re/ 9 ! dep? ( %ad[s4 ,luckily = u1 we h be5 r5d]$ unconsci\s ( ^! dang]s1 we h gr[n accu/om$ to !m1 b _! influ5ce on mod]n pa9t+ has be5 a mo/ palpable "o4 ,*i>oscural composition und]w5t a complete trans=mation4 ,sali5cy ( object induc$ ! mod]n pa9t] = a "t1 at ! beg9n+ ( ! la/ c5tury1 to /rive solely = fix$ & precise conceptions ( =m & to utt]ly neglect ! beauty ( light & %ade4 ,:5 he discov]$ 8 error1 he w5t to ! o!r extreme1 & n m]ely s(t5$ cont\rs1 b blott$ !m out completely4 ,at a loss h[ to meet ?is difficulty he lo/ himself 9 an int5s] & m v>i$ /udy ( illum9ation1 ) ! aim to rea* a high] pit* ( light4 ,lamplight & firelight effects & ! contra/s ( comm+l+ light rays f two1 or ev5 ?ree1 s\rces became ! ord] ( ! day4 ,s>g5t /udi$ ! effect ( ,japanese lant]ns on :ite dresses 9 twilight4 ,h>rison tri$ to fix ! play ( sunlight on ! nak$ human body4 ,dannat exp]im5t$ ) fle% tones & electrical arclight & magnesium fla%light illum9ation4 ,zorn endeav\r$ to solve 9 8 ,omnibus picture ! conflict ( v>i\s lights 9 a glass-encas$ int]ior4 ,degas & ,besn>d became en*ant$ ) illum9ation f bel[1 9 ! cross lights & ! lurid unnatural lights ( ! /age1 & 8 disciples introduc$ ! effects ( footlights into int]iors by plac+ ! lamp on ! floor4 ,all ^! /udies address !mselves mo/ p[]fully to ! mod]n m9d1 z !y depict contempor>y conditions4 ,! eye may be (f5d$ or ev5 repell$ by unnecess>y trivialities at times1 b ! und]ly+ aspiration is1 aft] all1 ! tru?4 ,f an /hetic view-po9t x is less satisfactory1 z ?is mod]n sub/itute ( light & %ade composition1 consi/+ ( an opposition ( col\rs1 r ?an ( masses1 does n af=d1 9 ! spee* ( ,h]b]t ,sp5c]1 ! maximum ( /imulation ) ! m9imum ( fatigue4 ,x conta9s a discord1 a lack ( normal gratification1 & ?is %ortcom+1 9 conjunction ) ! det]ioration ( ! crafts1 :i* 7 replac$ by factory lab\r1 & ! hopelessly prosaic aspect ( mod]n dress1 z f> z col\r is conc]n$1 direct$ ! pa9t] into o!r fields ( inve/igation4 ,he realiz$ t nature _h rema9$ un*ang$1 t ! col\r-symphony ( sea & l&scapes1 ( dawn & sunset1 7 z beautiful z ev]1 & he w5t out ( doors = inspiration4 ,& !n1 to 8 great a/oni%m5t1 he discov]$ t ! optical s5sations af=d$ by nature 7 v simil> to ^? he _h exp]i5c$ 9 8 home life1 also h[ ev]y?+ 0 diffus$ ) light1 & =ms r5d]$ unc]ta9 by ! vibration ( light4 ,! fam\s col\r h>mony ( ,italian pa9t]s1 r$1 gre5 & violet1 :i* ar\s$ action successively 9 ! :ole field ( vision )\t exhau/+ x1 seem$ mean+less4 ,/range1 app>5tly discordant comb9ations ( gre5 & blue & yell[1 orange & r$1 :i* /imulate only c]ta9 portions ( ! ret9a at ! exp5se ( o!rs1 obtrud$ !mselves ^u 8 optical consci\sness4 ,x became app>5t t light does n emphasize1 b t x g5]alizes1 & t col\rs & tones1 al?\gh m v>i$1 are less decisive ?an 9 ! pa9t+ ( ! ,old ,ma/]s4 ,! *>m ( pictorial illusion seem$ to h %ift$ f ! juxtaposition ( contra/ to ! m subtle & less p[]ful v>iety ( half tones4 ,x is n s mu* ! ri*ness & fullness ( col\r ! mod]n pa9t] /rives =1 z ,raffaelli has po9t$ out1 b ! comb9ation ( col\rs :i* yield a s5sation ( light1 :i*1 9 a way1 is a reflection ( our tempor>y light conditions4 ,t ! ,impressioni/s bani%$ black f _! palette is significant itself4 ,illu/ration3 ,own$ by ,john ,h4 ,:ittemore ,l',,&alusi5ne4 ,ev] s9ce ! semi-d>kness ( ! ,middle ,ages 0 dispell$1 ! m9ds ( pa9t]s _h be5 occupi$ ) ! inv5tion ( a new me?od ( pa9t+4 ,*>d9 & ,watteau1 :o cros%at*$ & /ippl$ pure col\rs 9 _! pa/els & wat] col\rs1 7 really ! =]unn]s ( impressionism4 ,delacroix 0 ! fir/ ma/]-pa9t] :o sci5tifically conc]n$ himself ) light & col\r notation1 z ,turn] 7viz4 ,rusk97 introduc$ ! emphasis ( ! col\r ( %ad[s at ! exp5se ( _! tones4 ,b n be=e sci5ce came to ! assi/ance ( ! pa9t]1 0 he able to p]fect 8 sy/em ( op5 air mosaics1 ( produc+ tone by ! p>allel & di/9ct projection ( pure col\rs4 ,& x is ,*evreul1 ,"y1 ,helmholtz & ,ogd5 ,rood1 :o1 aft] analyz+ col\r s5sations f a physiological viewpo9t & trac+ !m to _! causes1 suppli$ ! g5ius ( ,manet1 ,monet & ,degas ) a new pictorial revelation ( light & col\r4 ,! mod]n /yle ( pa9t+ is a direct outcome ( ! environm5t 9 :i* we live4 ,) ! decl9e ( c&lelight p>ties ! new era 0 u%]$ 91 & ! k]os5e lamp 0 ! la/ h>moniz] ( light & d>kness4 ,z x w5t sl[ly out ( fa%ion1 ! reign ( half & qu>t] tones1 or1 9 o!r words1 a new reign ( light1 ( light transpos$ into tone1 set 94 ,x set 91 h[ev]1 at ! exp5se ( ev]y?+ else4 ,x is l>gely te*nical1 & ! repres5tations are photographic1 prosaic1 crude & (t5 )\t ! slighte/ sugge/ion ( s5tim5t1 n ev5 t :i* an ord9>y sc5e out ( doors produces 9 an imag9ative m9d4 ,?is1 m ?an any o!r c\rse1 e/ranges art f ! approval ( ! g5]al public4 ,! subject ( an ,old ,ma/]1 al?\gh mo/ly ( a religi\s ord] & legible to ! ord9>y m9d1 at times may h so>$ beyond ! ord9>y faculties ( compreh5sion1 b ! object repres5t$ inv>iably appeal$ to ! s5se ( sight1 z x 0 pa9t$ 9 su* a way z to create an illusion4 ,! ,old ,ma/]s succe$$ 9 sugge/+ on a flat surface ! r\ndness & actual col\r+ ( ?+s4 ,! mod]n pa9t] depicts objects 9 :i* ! beauty is n always palpable to ! layman1 & 9 a mann] :i* is less conv9c+1 z he sugge/s =m r ?an actually repres5t+ x1 & adh]es mo/ /ubbornly to individual col\r int]pretation4 ,x ne$s connoisseur%ip & te*nical k to und]/& & appreciate ! pa9t+s ( to-day4 ,! pa9t+s ( a ,degas1 ,besn>d or ,r5oir rema9 a my? ev5 to ! p :o are fond ( art4 ,comp>atively few p]sons are v]s$ 9 ! ?\ght-transf]5ce f col\r to s5tim5t4 ,:i/l] did n believe 9 ! con/ant me*anical mixture ( sev5 sol> tones1 :i* make ! eye p]=m ! "w :i* %\ld be done by ! pa9t]4 ,he tri$ h>d = ! dissociation ( tones by endeav\r+ to translate ! flat t9ts ( ! ,japanese into oil pa9t+s execut$ 9 ,we/]n fa%ion1 b 0 n satisfi$ ) ! result4 ,liv+ 9 ,london1 ) a view on ! ,?ames1 he realiz$ t ! aspects ( mod]n life h turn$ grey4 ,!y h no?+ to d ) ,ori5tal embroid]ies4 ,our l>ge cities ) _! smoke & manifold exhalations 7n to speak ( communities subject$ to ! use ( s(t coal7 h acquir$ a du/-lad51 mi/y atmosph]e4 ,?is peculi>ity ( city atmosph]e1 h[ev]1 to be notic$ 9 ,london & ,p>is z mu* z 9 ,*icago & ,pittsburg1 is a wond]ful subdu] & elim9ator ( detail1 & %\ld prove a valuable ally 9 conqu]+ new sugge/ions ( light effects4 ,?is ,:i/l] realiz$1 & he us$ x to express :at ! inn] life ( ?+s 9 mod]n art ne$$ mo/ to express1 ! poetry ( pa9t express$ 9 tone & light4 ,! /udy ( light p] se z ,leon ,dabo says1 _h become a cre$ ) ,monet1 ,manet & _! foll[]s4 ,someh[ ,:i/l]'s contribution to ?is naissance--= x 0 a real bir?1 fir/ successfully c>ri$ out by ,con/able--has be5 entirely neglect$ = ! m obvi\s quality ( full sunlight produc$ by ! s-call$ ,impressioni/s4 ,:i/l]'s pa9t+s prove conclusively t :]e !re is h>mony ( col\r !re is vibration ( atmosph]e1 &1 !re=e1 ! illusion ( light4 ,:5 we /& be=e ! ,mona ,lisa ( ,leon>do da ,v9ci & be=e 8 less fam\s1 b almo/ equally fasc9at+ woman ( ! ,lie*t5/e9 ,gall]y1 we d n m>vel m]ely at ! lifelike repres5tation1 :i* seems to actually vibrate2 b at some?+ evasive & unfa?omable t we f9d difficult to express 9 words4 ,we exp]i5ce some?+ simil> :5 we contemplate ,:i/l]'s ,"m or "s portraits ( mod]n ma/]s l ,blan*e1 ,lav]y1 enigmatic ,khnopff1 or ! grey m5 & wom5 ( ,c>ri]e1 :o rise s s(tly & mi/ily out ( ! backgr\nd4 ,al?\gh !y h n atta9$ ! ma/]%ip ( ! =m] 9 ! repres5tation ( ! liv+1 brea?+ p1 !re is ! same my/]i\s mood 9 _! pa9t+s4 ,!y seem to quiv] ) some?+ t is ess5tially mod]n1 & _c emanate alone f ! *>m ( mom5t>y expression :i* is "o ( _! ma9 attractions4 ,! mod]n figures h a less corporeal effect ?an ^? ( ! ,r5aissance2 !y resemble app>itions :i* h sudd5ly tak5 %ape 9 ! greyness ( life only to dissolve aga9 into %ad[s4 ,?is is m ?an a te*nical *ange1 x is a new way ( ?9k+4 ,we conc$e a new attribute to ^! pa9t]s & call _! a*ievem5ts ! psy*ological /yle ( pa9t+4 ,rob]t ,h5ri's ,"y ,woman 9 ,black is an int]e/+ attempt 9 ?is direction4 ,by ?is we wi% to convey t ! figures tell u some?+ ( ! inn] life1 & t ! way 9 :i* ?is is accompli%$ impresses u l a comm5t>y on _! s\ls4 ,( c\rse ?is is no?+ new4 ,all ! ma/]pieces ( portraiture1 no matt] h[ diff]5t te*nically !y may be1 :e!r cle> & %>p or s(t & diffus$1 :e!r by a ,raphael or a ,rembr&t1 ,titian or ,franz ,hals1 h ! faculty to make u dream & inv5t "s psy*ical annotation to ! figures repres5t$1 b mod]n life is m analytical4 ,we rejoice 9 dissect+ our ?\ghts1 s5tim5ts & moods1 & "s ( our =emo/ contempor>ies1 ?\gh !y may wield _! bru%es z dext]\sly z ! ,old ,ma/]s1 conc5trate ^u ! endeav\r to reflect specifically ! spiritual qualities & to acc5tuate its functions z f> z x is possible 9 pa9t4 ,! mod]n pa9t] is fond ( specializ+1 n only 9 subject1 b te*nically1 because he lacks ! ov]fl[+ en]gy & /r5g? to conqu] all ! elem5ts ( 8 pr(ession 9 "o ef=t4 ,?is age1 at lea/ 9 ! upp] intellectual /rata1 has become v skeptical4 ,we are n conc]n$ s mu* ab\t div9ities & our future /ate z ab\t ourselves 9 ! pres5t4 ,religion no long] furni%es ! emotional /aff on :i* we may lean on our pilgrimage ( life1 & yet we ne$ "s spiritual support1 "s sci5ce = ! s\l1 & we may look ab\t = some?+ t may my/ify u & lift u above ! prose ( e-day exi/5ce4 ,& ?is se>* is mirror$ 9 ! endeav\r ( ^! m5 :o w\ld l to pa9t enigmatic figures1 l ,mona ,lisa & ! woman ( ! ,lie*t5/e9 ,gall]y4 ,conditions *ange1 b n s mu* t !y become entirely ext9ct4 ,! possibilities = emotional art are to-day z great z ev]4 ,= portraiture1 s+le figure repres5tation & "* del9eation g5tle effects capable ( subtl] gradations are m desirable4 ,!y may be f\nd 9 _m out-(-!-way places4 ,a mod]n ,rib]a may f9d endless sugge/ions = new light & %ade comb9ations 9 an ord9>y cell>1 & ! picturesque tav]n atmosph]e ( a ,c>avaggio or ,t]borg c surely be sub/itut$ 9 "s obscure nooks & corn]s ( our t[ns4 ,our liv+-rooms %[ a weal? ( /ill life t1 by ! play ( light1 c\ld be turn$ into beautiful accessories4 ,!re is no?+ m gratify+ to ! eye ?an a bright1 haphaz>d %imm] on "s objects :ile ! rema9d] is lo/ 9 a vague1 picturesque haze4 ,! /ud5t ( light & %ade w f9d ! range ( light is /ill a v wide "o4 ,! vivid gl[ ( firelight1 "h flick]+ brightly1 !re vani%+ 9 gloom1 w always produce a /rik+ effect4 ,a pale spl5d\r c>ess+ ! human =m ) vague reflections c\ld be obta9$ by light /ream+ ?r\gh /a9$-glass w9d[s4 ,! dazzl+ illum9ation ( ! h\r ( sunset1 :i* pales & subdues all objects1 &1 conc5trat$ on ! human body1 makes x look z if x _h be5 absorb$ all 9 light & radiat$ x 7:i* ,prudhon has attempt$ & ,h5n] specializ$71 may fill our m9ds ) new dreams ( vision4 ,ev5 ! gho/like rays ( %imm]+ moonlight 7z ,/ei*5 has %[n 9 8 v]sions ( ,rod9's ,balzac7 may op5 novel me?ods to r5d] tone & =m 9 ! broade/ & s(te/ mann] possible4 ,/ill ,i d n believe 9 ! g>i% effects ( c]ta9 mod]n pa9t]s1 :o take special delight 9 reproduc+ ! fl>+ vag>ies ( artificial light4 ,! tr5d ( su* works is t[>ds an affect$ /heticism4 ,!y may be fasc9at+ & /unn+ly clev] b !y d n r+ true4 ,!y are at _! be/ only 9 col\r exp]im5ts specially made to />tle ! behold]4 ,:5 ,el%eim] pa9t$ 8 ,*ri/ ,tak5 ,prison]1 %[+ ! pale light ( ! moon 9 ! backgr\nd1 :ile ! nocturnal figures 9 ! =egr\nd are envelop$ by ! gl>e ( tor*es1 he v5tur$ ^u a problem t 01 aft] all1 logical & true to life4 ,b to place a lamp on ! floor m]ely = ! purpose ( ?r[+ int]e/+ diagonal %ad[s upw>ds on a woman's figure1 is n f> f be+ an absurdity4 ,! v>i\s aspects ( electrical illum9ation1 gaslight1 fla%light effects1 se>*light1 etc41 no d\bt c be solv$ pictorially1 b !y %\ld nev] be appli$ unless ! "* ( ! picture absolutely dem&s !m4 ,tone is ! ideal ( ! mod]n pa9t]4 ,x is 8 highe/ ambition4 ,x is ! p[]ful subdu] ( all ! incongruities ( mod]n art4 ,b :at pa9t]s /rive =1 9 mo/ in/ances are m]ely fragm5t>y accompli%m5ts4 ,x is n tone 9 ! l>ge s5se z ! ,old ,ma/]s und]/ood x4 ,to ,titian & ,rembr&t & ,velasquez tone meant a comb9ation ( all pictorial qualities1 ! contra/ ( col\r1 ! balance ( light] & d>k] planes1 ! l9e> arrangem5t2 all ^! toge!r produc$ tone4 ,!y d n sacrifice =m or detail1 correct draw+1 ! physiognomy ( ! faces & ! idea & conception ( ! picture to x4 ,d n misund]/& me4 ,tone is desirable2 no picture %\ld be )\t x4 ,b x is m]ely "o ( ! elem5ts t ent] into ! mak+ ( a picture1 & n ! :ole ?+4 ,!re are light tonalities z well z d>k tonalities4 ,a ,r5oir is z mu* 9 tone z a black-9-black ,tissot4 ,:at tonal pa9t]s see 9 tone is m]ely ! appe>ance ( old age4 ,! ,old ,ma/]s h become fam\s1 & ! public has acquir$ a c]ta9 pr$ilection = d>k-ton$ pictures4 ,! mod]n pa9t]s try to reproduce x1 ov]look+ 7p]haps wilfully7 t ! d>k tonality is entirely an artificial product1 caus$ by dirt & dampness1 ! *emical action ( light1 & ! gradual *ange ( col\r1 oil & v>ni%4 ,! ,old ,ma/]s pa9t$ 9 a l[ key1 b !y probably nev] ?\ght t "s day _! pictures w\ld look z !y d n[4 ,! mod]n pa9t]s try to produce a quality t has no?+ to d ) art1 !y cat] to ! ta/e ( c]ta9 art patrons t h a lik+ = old-look+ ?+s4 ,9 portraiture ! simple/ s*eme w always be mo/ c]ta9 ( success4 ,v>iety is desirable1 b no exagg]ation or /ra9$ effects4 ,( all mod]n pa9t]s ,:i/l] & ,c>rire seem to h excell$ 9 conqu]+ ! mod]n limitations ( light & %ade composition & mak+ ! mo/ ( !m4 ,!y h envelop$ _! figures 9 clair-obscure t is unc]ta9 9 =m1 my/ic 9 t5d5cy1 b sugge/ive ( atmosph]e1 dep? & space1 "s grey or d>k int]ior fill$ ) /ruggl+ %ad[s1 caprici\s gleams ( light & tonal gradations1 tantaliz+ 9 _! subtlety & p[] ( sugge/ion4 ,all %>p l9es are dissolv$1 ea* detail vani%es ) s(t delicacy into ! o!r & _! light1 fall+ f "s unkn[n s\rce1 quiv]s l a s(t *ord ?r\gh ! twilight4 ,! ,"m & ,*ild ( ,c>rire has b little ( ! robu/ yet sweet & s$uctive *>m ( ! ,madonna pictures4 ,its glimm] ( light is sad & dreamy1 z if x 7 wov5 out ( grey monotonies ( ev]yday life4 ,& 9 ,:i/l]'s ,s>asate we see 9 ! pla/ic1 b solit>y light passage1 on face & %irt front a symbol ( all ! glam\r ( romance & poetry t light c yield 9 our prosaic age4 ,:i/l] translat$ all objects into flat surface planes1 &1 9 t way1 sacrific$ m to ! realization ( tone ?an any o!r pa9t]4 ,8 fragm5t>y visions are almo/ col\rless b nev] give ! impression ( mono*rome4 ,look+ at "o ( 8 enigmatic figures rec$+ into vague %ad[s1 a /range association ( ?\ght occurs to me3 ,i see 9 "o ( ! sunless c\rty>ds ( ! ,escurial ! d>k figure ( a woman /&+ ne> a f\nta9 & hold+ a r$ rose 9 h] h&4 ,at "o ( ! palace w9d[s is se5 ! pr\d face ( ,velasquez1 gaz+ abs5t-m9d$ly ^u ! sc5e4 ,& ! w9d ruffles ! fl[]1 c>ries "o petal aft] ano!r & scatt]s !m ^u ! surface ( ! wat]4 ,is ?is d>k sil5t woman ! p]sonification ( ,:i/l]'s muse1 & does %e tell u t ! spl5d\r ( light & %ade composition ( ! ,old ,ma/]s has fad$1 t we "k no?+ ( its f]v\r t rose f ! dep?s ( a m picturesque age1 & t all we c d is to scatt] a few col\r notes across ! d>kness ( space8 ,= ! jubilant & passionate note is altoge!r miss+ 9 ,:i/l]'s art1 ?\gh x c claim pr(undity & "s dream9ess4 ,illu/ration3 ,c>negie ,art ,in/itute1 ,pittsburg ,,arrangem5t ,,9 ,,black3 ,,s5or ,,pablo ,,s>asate4 ,light n[ flits phantom-l across ! ma/]pieces ( pictorial del9eation1 b x is /ill ! great elixir ( art1 t w give life to any sc5e & animate any object4 ,no special me?od c be indicat$4 ,e work] mu/ be 8 own pione] & pa?f9d]4 ,! new era ( light is yet 9 a primitive /age4 ,x is a lonely art ^: language is und]/ood b by ! few1 ?\gh we h approa*$ ! h\r ( dawn be=e ! awak5+4 ,life may seem dre>y & col\rless to u1 yet we %\ld realize t only "o beam ( light is ne$$ to *ange x into a vision ( beauty4 ,to ,rembr&t ev5 ! ,bree-/raat 9 ,am/]dam1 respl5d5t 9 8 "t ( ,ori5tal culture & ,moori% pomp1 may h seem$ dull & col\rless4 ,he _h to create = himself a di/ant & en*ant$ realm f out ! prosaic _w 9 :i* he liv$4 ,& s mu/ e ambiti\s arti/ dream himself f> away f ! grey ( ev]yday life & con/ruct a poetic _w = himself alone4 ,light is1 aft] all1 objective & m]ely sugge/ive4 ,! arti/'s m9d mu/ s]ve z "s ,fau/ean retort1 :i* w turn ^! sugge/ions into ! s(t gleams & sp>kl+ %imm]s ( art4 ,:i/l] 0 "o ( ! few to accompli% ! task4 ,,*apt] ,,vi ,,symphonies ,,9 ,,int]ior ,,decoration ,william ,morris dem&$ t our entire environm5t %\ld be beautiful4 ,only 9 mom5ts ( sup]ior enjoym5t d we realize ! significance ( human life1 & by a poem1 picture or sonata we con/ruct ! symbols t br+ u close/ to ?is appreciation4 ,:y !n n con/ruct a c&le/ick1 a *air1 ! surface ( a wall1 9 su* a way t !y might be tak5 = symbols1 to rem9d u ( ! exi/5ce ( our s\l8 ,! c&le/ick %all no long] be a m]e /& & hold] = a c&le b a s\v5ir ( rem9isc5ces4 ,t is ! philosophical idea t und]lies all int]ior decoration & furni%+4 ,z ,%]idan ,=d s aptly express$ x 9 an article 9 ,/4 ,/eph5's ,review 9 #ahhi3 ,!re are 9 ,engl& two new1 & 9 _! orig91 di/9ct me?ods ( int]ior decoration4 ,gradually !y h coalesc$ to a degree1 al?\gh !y w always reta9 _! individual traits & diff]5ces4 ,^! two me?ods may be t]m$ ! ,:i/l]ian1 & ! ,engli% or pre-,raphaelite2 ! "o1 spontane\s1 fre%--simple1 ! o!r1 a revival--complex--re=matory4 ,?r\gh _m ye>s1 f ! e>ly days ( ! pre-,raphaelites d[n to ! la/ meet+ ( ! ,pa9t]-sociali/s1 an outside influ5ce--a p]sonality--has be5 mak+ itself felt 9 ,london 9 /range & subtle ways4 ,! ,morris arts & crafts movem5t believes 9 patt]n$ design & ! dom9ant =ce ( ! mat]ial4 ,e mat]ial speaks its own language1 & we mu/ und]/&1 be=e we c l5d expression to x4 ,:5 ! actual mom5t ( design+ arrives1 ! arti/-artisan %\ld "w ) a piece ( ! mat]ial itself be=e 8 eyes--wood1 /one1 iron or pla9 silk1 l95 or wool /uff1 accord+ to circum/ances4 ,?is memory ( nature's =ms1 dom9at$ by ! mom5t>y impression ( ! mat]ial1 ) its requirem5ts1 capabilities & limitations1 w\ld lead him to a m cong5ial & workmanlike result ?an all ! cont5ts ( a natural hi/ory museum1 botanical g>d5 or libr>y4 ,9 ! same way z we c give to words a dramatic1 epic or lyrical significance1 s has wood1 lea!r & glass _! own sph]e ( expression4 ,h>mony 9 e detail is ! ultimate result4 ,a room is no museum1 e object mu/ be relat$ to ! o!r1 ! c&le/ick mu/ make a rhyme ) ! wall-pap]1 ) ! woodwork1 ! hang+s1 ! table & *airs4 ,:i/l]1 on ! o!r h&1 0 ! apo/le ( ,japanese simplicity1 ( sugge/ion r ?an realization4 ,he tri$ to express 8 own /hetic cre$1 & t consi/$ ( re/ful expanses ( unbrok5 wall1 ( decorative devices & ornam5tal motifs1 individual caprices acc5tuat$ by black1 &1 f9ally1 by col\r4 ,col\r 9 int]ior decoration meant to him ! same ?+ z tone 9 pa9t+4 ,x reign$ supreme4 ,our feel+ ( beauty v>ies2 x may f9d its expression 9 a c]ta9 fl[]1 a c]ta9 h\r ( ! day or season1 9 a c]ta9 poem or song or1 z x 0 ! case ) ,:i/l]1 9 a c]ta9 delicate col\r t9t1 t w\ld make a room look gay & *e]ful4 ,he tri$ to br+ ! sun into ! h\se1 ev5 9 a l& ( fog & cl\d4 ,pale p9k1 br[n1 pale turquoise1 primrose1 saffron1 sulphure & lemon-yell[ 7 8 fav\rite col\rs4 ,^! he endeav\r$ to express4 ,x 0 ! ge/ure ( 8 s\l translat$ into e object & mat]ial4 ,a col\r is l a special metric =m1 & all l9es1 & e comb9ation ( t9t--! s(a1 ! lamp1 wall-pap]--take ! place ( /anzas 9 a f9i%$ poem4 ,9 su* a h\se we w\ld see mirrors ev]y:]e reflect+ our own p]sonality4 ,su* 7 ,:i/l]'s creations4 ,!y reflect$ 8 own face1 & e*o$ 8 own song4 ,:i/l] arriv$ at ^! conclusions e>ly 9 8 life4 ,dur+ 8 ,/ev5s-,japanese pr9t p]iod he int]e/$ himself a good deal ) decorative s*emes4 ,he _h pa9t$ ,! ,pr9cess ( ! ,porcela9 ,l&1 :i* 0 purely decorative1 &1 9 a way1 s]v$ z inspiration = ! ,peacock ,room1 z ! design = ! latt] 0 really inv5t$ to f9d a prop] environm5t = ! pa9t+4 ,9 a di>y ( ,william ,mi*ael ,rossetti1 ! ev] busy biograph]s h f\nd a note ref]r+ to six s*emes or projects ( practically ! same size4 ,x reads3 ,:i/l] is do+ on a l>ge scale1 = ,leyl&1 ! subject ( wom5 ) fl[]s4 ,!y 7 nev] execut$1 al?\gh "s ( ! sket*es are /ill 9 exi/5ce4 ,he ab&on$ decorative s*emes entirely 9 lat] ye>s1 b became m & m engross$ 9 ! problems ( int]ior decoration4 ,9 lat] ye>s he int5d$ to pa9t a gr& decoration ) full or*e/ration t he w\ld call ,! ,symphony ( ,col\rs--,full ,palette4 ,?is w\ld h be5 inde$ int]e/+1 b ,i fe> he w5t too deep into blacks to h accompli%$ x4 ,9 mo/ in/ances he ab/a9$ f mural decoration1--! panels ov] ! *imney-place1 & ! %utt] & ceil+ decoration ( ! ,peacock ,room = ! ,leyl& home at ,pr9ce's ,gate1 ,london1 7 8 only supreme ef=t 9 t direction4 ,!y %[ ! "r idea ab\t decorative pa9t+4 ,he agre$ ) all decorative pa9t]s f ,gozzoli to ,bob ,*anl]1 t x %\ld be an arrangem5t ( col\rs :i*1 )9 its frame1 af=ds a pleasant visual ent]ta9m5t4 ,!re is no int5tion to give food = ?\ght4 ,! peacocks 9 blue on gold & gold on blue relate z little z does an ,ori5tal c>pet4 ,he m]ely wi%$ to please ! eye by depict+ !m m beautifully ?an !y 7 9 nature4 ,b :y did he select peacocks8 ,d !y n convey an idea8 ,figures usually are /ory-tell+ symbols1 b n necess>ily s2 ) him !y 7 vehicles ( col\r1 to inv5t a patt]n = _! lum9osity4 ,peacock designs occur frequ5tly 9 ,japanese art4 ,no d\bt1 ,:i/l] /udi$ !m4 ,!re is a c]ta9 resemblance1 b he individualiz$ !m 9 8 own way4 ,! %>ply silh\ett$ =ms ( ! birds are a happy inv5tion ( lum9\s col\r & int]e/+ design4 ,! ,japanese w\ld h made a m lavi% use ( gold1 t is !y w\ld h left l>g] spaces unt\*$ by any additional col\r4 ,blank spaces ( gold 7or any col\r7 act 9 su* in/ances l ! musical sil5ce ( a pause betwe5 music1 !y repres5t ! bir? ( beauty f luxury4 ,b ! ,leyl& room 0 ov]cr[d$1 ) its elaborate ceil+1 bulky *&eli] & collection ( blue & :ite porcela9 on walnut %elves1 brok5 by an endless repetition ( p]p5dicul> l9es4 ,he c\ld n *ange ! ar*itecture ( ! place1 s he w5t to "w & decorat$ ! few spaces t 7 available4 ,to decorate ! inside %utt]s ) a peacock design 0 a unique p]=mance1 & to cov] ! m\ld+ ( ! *&eli] & ! entire ceil+ ) conv5tionaliz$ peacock fea!rs1 utiliz+ ! eyes ( ! fea!rs z acc5ts1 0 ev5 m m>vell\s4 ,9 ! elegance ( its s*eme1 & its individual p]fection1 spl5d\r & re/fulness x has no equal4 ,illu/ration3 ,,%utt] ,,decoration1 ,,peacock ,,room4 ,:5 ,:i/l] mov$ into h\ses ( 8 own1 he _h1 l all ambiti\s h\se-own]s1 ! desire to create a com=table & beautiful home4 ,none ( 8 h\ses 7 ev] completely decorat$ & f9i%$2 !y _h a look1 z ,p5nell tells u1 z if he _h j mov$ 91 or 0 j mov+ out2 (t5 !re 7 pack+ cases & trunks ab\t1 b z mu* z 0 f9i%$ 0 always beautiful4 ,! ,h\se ,beautiful or ,:ite ,h\se1 0 a ?ree-/ori$ h\se ) _m w9d[s ( v>i\s sizes1 a gre5 slate ro(1 blui%-grey door1 ,portl& /one fac+s & fanta/ic wood ornam5tation4 ,a que] look+ h\se1 0 ! v]dict ( ! neighb\rs1 & yet x 0 r unassum+1 s t x escap$ ! att5tion ( ! ord9>y pass]-by4 ,:ile v>i\s s*emes = ea* room 7 9 8 m9d1 a fri5d1 ,mr4 ,su!rl&1 director ( ! ,p4 ,o4 ,company1 call$ "o ev5+ 9 ! spr+ ( #ahgc to ask ,:i/l] if he w\ld help him 9 ! decoration ( 8 home4 ,:i/l] ent]$ ^u ! idea ) en?usiasm & prep>$ ! plans4 ,! novelty ( ! s*emes 0 fir/ approv$ (1 b1 z !y develop$1 ,mr4 ,su!rl& began to d\bt _! plausibility4 ,:i/l] reliev$ him f all obligations1 & det]m9$ t he w\ld use ! ideas 9 8 own home4 ,he w5t at once to "w & ?ree weeks lat] gave a d9n] to celebrate ! ev5t4 ,x 0 a revelation ( simple delicate col\r s*emes--ev]y?+ 0 arti/ic f ! mahogany woodwork 9 ! gold & yell[ room d[n to ! s+le fl[] 9 "s bit ( ,kaga porcela94 ,9 ! room ev]y?+ 0 yell[1 gold or br[n4 ,! walls 7 t9t$ yell[1 ! cab9et & *imney-piece 9 "o /ructure 7 ( a bright yell[ mahogany1 ) gilt panels4 ,! tiles be=e x 7 ( a pale sulphur col\r4 ,9 "s ni*es !re 0 a display ( orange col\r$ vases4 ,! peacock designs 7 se5 9 "s panels1 b !y 7 c>ri$ out 9 yell[ & gold4 ,! *airs 7 cov]$ ) yell[ velvet1 ! table _h brass legs & re/$ on a br[n rug4 ,"o may say t ,:i/l] e/abli%$ ?ree simple rules = decoration1 :i* int]pret$ 9 words1 might read l ?is3 ,fir/3 ,t a h\se %\ld be a da9ty & complete ?+--f ! door-knock] to ! ridge tile4 ,second3 ,t ea* room %\ld be re/ful1 ) ceil+1 walls & floors s treat$ z to give a s5se ( %elt]1 fre$om & complet5ess1 t]m9at+ 9 ! floor at ! base4 ,?ird3 t pure1 t5d] col\rs sci5tifically us$ give ease & inf9ite sugge/ion1 & %\ld be all[$ to play ab\t a room )\t com+ into boi/]\s contact ) ano!r4 ,h>p] ,p5n+ton1 a fri5d ( ,:i/l]'s1 has giv5 a hum\r\s b sympa!tic description ( ! ,:ite ,h\se3 ,8 furniture 0 limit$ to ! b>e/ necessities1 &1 frequ5tly1 too few ( ^?4 ,inde$1 "s wit made :at he call$ 8 /&+ joke ab\t poor ,jimmy's de>? ( seats4 ,once ,dick 7,corney7 ,gra9 said1 :5 %ak+ h&s be=e a ,sunday lun*eon1 ,ah6 ,jimmy1 glad to see y play+ be=e su* a full h\se6 gl>+ ar\nd ! /udio ) 8 l>ge protrud+ eyes 9 se>* ( some?+ to sit on4 ,:at d y mean8 said ,:i/l]4 ,/&+ room only1 repli$ ! actor4 ,! /udio c\ld boa/ ( only f\r or five small cane-seat$ *airs 7always requisition$ = ! d9+ room on ,sundays71 & ! mo/ uncom=table bamboo s(a ev] made4 ,nobody1 except "s luckless model1 sat ^u x twice4 ,nev] a book or any in/rum5t ( music 9 8 room1 no?+ t w\ld n con/antly be 9 use1 no?+ sup]flu\s2 all 8 c>es 7 c5tr$ on ! wall & woodwork1 pa9t$ 9 graduat$ mono*romes1 ( :i* he held ! secret4 ,! /range/ ?+ ab\t ^! rooms ( 8 01 t !y always look$ complete4 ,!re 0 no space1 app>5tly1 = m ?an he put 9 !m4 ,s great 0 ! art 9 8 arrangem5ts ( col\r & a few pieces ( ord9>y furniture--a sp9dle-legg$ table & ?ree or f\r small pa9t$ *airs--t x seem$ impossible to add s mu* z a book )\t di/urb+ ! h>moni\s :ole4 ,curta9s1 a little mirror1 "o1 two1 ?ree at ! mo/1 p]fectly plac$ pictures1 a vase1 p]haps a pair ( !m1 ^u ! mantel1 & matt+ on ! floor1 7 lit]ally all t any room ,i ev] knew him to occupy appe>$ able to conta94 ,!re 0 a s5se ( f9i% & f9ality ab\t x :i* a piano & /uff$ furniture w\ld h di/urb$4 ,9 ! vases1 z 9 two squ>e hang+ pots ^u ! wall ( ! d9+-room1 !re 7 always a few yell[ fl[]s1 & 9 a huge old *9a b[l1 t =m$ ! c5trepiece ( ! d9+-room table1 swam "s t9y gold fi%--! :ole ?+ 0 c>efully compos$ s z to make ! symphony complete at ^? hi/oric ,sunday breakfa/s4 ,8 v>i\s abodes became a topic ( conv]sation1 & a place ( pilgrimage1 & made ,:i/l]1 = a :ile at lea/1 a recogniz$ lead] 9 decoration4 ,he develop$ a /yle1 ! influ5ce ( :i* has be5 felt all ov] ,europe4 ,! beauty ( "o col\r 9 ! decoration ( a room1 ! division ( space into simple l9es & masses1 ! sc>city ( furniture1 leav+ l>ge empty spaces1 ! use ( fl[]s or a few *oice pieces ( bric-a-brac1 we owe l>gely to ,:i/l]4 ,! backgr\nds ( 8 ,miss ,alex&]1 ,c>lyle & ,! ,arti/'s ,"m (f] vague glimpses into ! realm ( individualiz$ decoration1 &1 9 a way1 bett] in=mation ab\t its "* ?an a hundr$ pages ( explanation4 ,illu/ration3 ,,arrangem5t ,,9 ,,gray ,,& ,,gre53 ,,miss ,,alex&]4 ,among ! h\ses t 7 decorat$ "u ,:i/l]'s sup]vision are ! ,aubrey h\se1 ,k5s+ton2 ,c>lyle cottage1 ,*elsea2 ! home ( ,mr4 ,d',oyly ,c>te1 on ! banks ( ! ,?ames1 ! music room ( ,s>asate 9 ,p>is1 = :om x is said1 he also design$ ! furniture1 & ! ,p9k ,palace1 :]e he liv$ ) 8 fav\rite model ,maud1 9 #ahhe4 ,occasionally he may h design$ ! furniture z a p>ticul> fav\r to a fri5d1 b x 0 n 8 habit4 ,all he did 0 to give advice or to make ! selection4 ,n[ & !n he may h made a ha/y sket* to make 8 idea cle> to o!rs1 b x is n kn[n t he ev] made a regul> design t c\ld h be5 us$ by a skilful cab9et-mak] to "w f4 ,he m]ely sugge/$1 &1 if conditions all[$1 to e/abli% beauty ( proportions4 ,beauty ( design %\ld exi/1 no matt] :e!r x be 9 ! vault ( ! ,si/9e ,*apel1 or a writ+ desk1 b col\r is imp]ative4 ,8 /yle consi/$ ( little m ?an select+ a special col\r s*eme4 ,he took pride 9 mix+ ! col\rs1 b nev] put !m on himself4 ,an ord9>y h\se-pa9t] s]v$ ! purpose j z well4 ,he look$ at a room1 decid$ :at p>ts %\ld be d>k or black1 & !n proce$$1 9 8 mo/ sci5tific mann]1 to f9d a col\r1 delicate & lum9\s1 t w\ld bright5 ! walls4 ,no d\bt1 he lab\r$ "u fav\rable conditions4 ,b we %\ld n =get t he himself creat$ ^! conditions1 9 :i* 8 arti/ic p]sonality p]haps f\nd its happie/ & mo/ *>act]i/ic expression4 ,exquisite col\r & simplicity & ! desire to ga9 ! possible effects ( light 7 ! lead+ *>act]i/ics ( ! ,:i/l] /yle4 ,:i/l] committ$ "o great error4 ,he inv>iably pref]r$ beauty to com=t4 ,he frequ5tly lo/ sight ( ! practical1 ) ! result t use & beauty 7 n always comb9$ 9 due proportion4 ,he _h little reg>d = physical requirem5ts--he himself 0 always active1 he _h no "t to l\nge1 consequ5tly decorative possibilities alone int]e/$ him4 ,x is ! same tr\ble ) ,l',art ,n\veau4 ,al?\gh inf9itely sup]ior to ! s\lless copyism ( diff]5t /yles z practis$ by /]l+ bronze & arti/ic furniture companies1 x lacks t true arti/ic feel+ = ornam5tation1 :i* makes ! design] at once realize ! prop] limits ( 8 mat]ials & %[ prop] judgm5t 9 ! uses to :i* he puts !m4 ,:i/l] 0 s s5sitive to any discord ( l9e or col\r1 t he1 no d\bt1 w\ld h endur$ inconv5i5ce r ?an h de/roy$ ! h>mony ( an effect4 ,mo/ ( u d n c>e to exi/ t way4 ,a h\se is built to live 91 ) z mu* grace z possible1 b prim>ily ) a feel+ ( com=t4 ,mo/ p w\ld pref] a mod]n ap>tm5t to an old palace at ,fiesole4 ,! mat]ial dem&s ( ! own] %\ld det]m9e ! con/ruction ( ! h\se4 ,! ,am]ican ar*itects beg9 to realize ?is m & m4 ,:at pr9ciple rules ! con/ruction ( a w9d[8 ,! dim5sions ( ! room4 ,! w9d[s are n made = ! /reet1 to be look$ at f ! outside2 !y are !re = ! room1 to di/ribute light & emphasize any special use !y may be put to4 ,9 a p>l\r1 = in/ance1 p are m apt to look out a w9d[ ?an any:]e else2 = t reason ! p>l\r w9d[s %\ld be wid] ?an 9 o!r rooms to enable sev]al p to look out com=tably at ! same "t4 ,a *air is made to sit ^u com=tably1 n m]ely to look beautiful4 ,! mo/ beautiful design 9 a *air w n condone ! torture t may be caus$ by a %ape t does n adapt itself to ! human =m4 ,! *airs 9 ! ,s>asate music room 7 exquisite b too /iff to all[ any repose4 ,imag9e li/5+ to a conc]t sitt+ erect1 )\t be+ able to /ret* out "o's limbs4 ,! ma9 reason = n hav+ any com=table *airs 9 8 own /udio 0 "o ( self-protection4 ,x 0 8 "w-room1 & he wi%$ to prev5t visitors f mak+ x a hall ( gossip4 ,he pref]r$ to h x empty2 a prom5ade to contemplate ! next ma/] /roke on "o ( 8 pa9t+s4 ,:5 ,:i/l] 0 =c$ to give up ! ,:ite ,h\se1 & all its beautiful cont5ts 7 disp]s$1 he 0 enrag$ t ! succe$+ own]1 ,arry ,quilt]1 took lib]ties ) ! facade4 ,quilt] _h add$ a bay w9d[1 &1 to ,:i/l]'s idea1 de/roy$ ! entire effect4 ,aft] t he nev] want$ to look at x aga94 ,on "o occasion he express$ 8 ang] 9 a mo/ amus+ mann]4 ,to ?9k ( ,arry liv+ 9 ! temple ,i creat$1 he said4 ,he has no use = x4 ,if he _h any feel+ = ! symmetry ( ?+s he w\ld come to me & say3 ',"h1 ,:i/l]1 is y\r h\se1 take x1 y "k its mean+1 ,i don't4 ,take x & live 9 x4--,b no1 he has n s5se en\gh to see t4' ,h>ry ,quilt]1 no d\bt1 got z mu* enjoym5t out ( ! h\se z ,:i/l] did1 al?\gh 9 a diff]5t way4 ,extreme s5sitiv5ess 9 reg>d to l9e1 col\r & =m produces a beautiful result1 n unlike a h&some pa9t+1 b ,i fe> x w\ld prove monoton\s 9 ! long run4 ,a beautiful room is l a simple melody1 b if ! melody has any /rik+ individuality1 we soon tire ( x4 ,if ! decoration c\ld be kept entirely neutral ! problem c\ld be solv$ satisfactorily4 ,b p9k & lemon-yell[ are n neutral4 ,n ev]ybody w\ld feel happy 9 a blue room decorat$ ) purple fans4 ,ev5 a woman 9 a c]ta9 g[n w\ld de/roy ! h>mony1 & a def9ite col\r se5 all ! "t1 ev5 if unconsci\sly1 w\ld soon di/urb our m5tal s]5ity4 ,! ,:i/l] rooms 7 beautiful :5 no human be+ mov$ 9 !m4 ,!y 7 !re = ! photograph]1 b n = cong5ial habitation4 ,i believe mo/ p w agree t ! mo/ beautiful b$ is ! "o 9 :i* "o c sleep mo/ peacefully2 ! mo/ beautiful *air ! "o :i* all[s p]fect relaxation ( ! body2 ! mo/ beautiful glass t :i* l5ds itself mo/ gracefully to convey to our lips ! special bev]age x is int5d$ =4 ,?is may s\nd un/hetic1 b x is common s5se4 ,com=t comes fir/1 :5ev] ord9>y liv+ purposes are conc]n$4 ,!re is pl5ty ( opportunity = ! exploration & exfoliation ( beauty1 b x %\ld be subord9at$ to ! prim>y causes4 ,:i/l]'s influ5ce1 9 my op9ion1 0 mo/ b5eficial 9 ! arrangem5t ( exhibitions4 ,an exhibition ( pa9t+s1 or any "w ( art1 is solely an /hetic v5ture1 & %\ld be h>moni\s at any co/4 ,x is j 9 ?is t mo/ exhibitions fail4 ,!y %[ ! mo/ incongru\s backgr\nds1 frames ( ! mo/ incr$ible mal=mations1 floors t are ei!r b>e or l\dly c>pet$ & pictures t are hung )\t ! slighte/ consid]ation = _! col\r values4 ,) ! simple use ( di/emp]1 matt+ & musl9 ,:i/l] p]=m$ wond]s4 ,dur+ 8 %ort reign z presid5t ( ! ,society ( ,briti% ,arti/s he trans=m$ ! ,suffolk ,/reet gall]ies f a b>n into a dignifi$ exhibition hall4 ,pictures1 frames1 walls1 floors1 light+ & decorations1 ea* elem5t _h its due place1 ! "o supplem5t+ ! o!r1 & h>moniz+1 in/ead ( conflict+ ) x1 z is s (t5 ! case4 ,e ye> saw "s fre% ass]tions ( 8 lead]%ip4 ,he took a great deal ( int]e/ 9 ! arrangem5t ( 8 own exhibitions1 mak+ "s ( !m occasions = ! exploitation ( 8 views 9 new & orig9al ways4 ,8 initial exhibition 9 ,pall ,mall1 #ahgd1 :]e1 = ! fir/ "t1 walls 7 br\ght into h>mony ) ! pictures ^u !m1 & successes 9 ,bond ,/reet1 at ! ,f9e ,arts ,society1 & at ,d[dswell's1 are accept$ facts 9 ! art hi/ory ( ,london4 ,ea* "o ( ^! exhibitions especially embodi$ ! demon/ration ( a col\r s*eme or problem ( decoration4 ,s !re came to pass1 9 _! turn1 ! arrangem5t 9 ,fle% ,col\r & ,grey1 ! h>mony 9 ,gold & ,br[n & ! arrangem5t 9 ,yell[ & ,:ite1 & o!rs1 equally *>act]i/ic & orig9al4 ,) scrupul\s love ( detail1 he neglect$ no?+ & devot$ unusual att5tion to ! make-up ( ! catalogue4 ,! br[n-cov]$ pap] catalogue ( ! exhibition ( et*+s held at ! ,f9e ,art ,society ,gall]y1 9 #ahhc1 0 issu$ ) ! impr9t ( ! arti/'s home 9 ,tite ,/reet1 ,*elsea1 & repres5t$ 8 peculi> views ( typography z well z ! art ( slay+ incompet5t & ho/ile review]s ) _! own weapons4 ,aft] ! title ( ea* et*+ 0 pr9t$ a quotation f "s criticism1 "u ! g5]al motto 7on ! title page7 ,out ( ,_! ,own ,m\?s ,ye ,%all ,judge ,!m4 ,prodigi\s amateur--!re are ye>s :5 ,mr4 ,:i/l] gives great promise--,9 ?is in/ance criticism is p[]less--,mr4 ,:i/l] is em95tly vulg>--,g5]al abs5ce ( tone--,mr4 ,:i/l] has produc$ too mu* = 8 reputation--are "s ( ! quotations4 ,! ,gall]y1 on ?is occasion1 0 hung ) :ite & yell[1 _h yell[ matt+ on ! floor1 yell[ *airs & yell[ fl[] pots4 ,! att5dants at ! door 7 9 yell[ & :ite liv]y1 :ile ! arti/ wore yell[ socks1 & 8 assi/ants yell[ cravats4 ,= ! catalogue ( ! exhibition ( pa9t+s held 9 #ahhd1 ,:i/l] prep>$ a page ( propositions call$ ,l',envoie1 :i* we quote else:]e1 & he repeat$ 9 ! catalogue ( 8 h]oic kick 9 ,bond ,/reet 9 #ahib1 ! use ( quotations f ! critics1 = ea* title entry4 ,! mottoes on ?is occasion 73 ,! ,voice ( a ,p & a s5t5ce f ! spee* ( ! ,g5]al ,attorney at ! ,:i/l] v4 ,rusk9 trial1 ,i d n "k :5 s mu* amusem5t has be5 (f]$ to ! ,briti% public z by ,mr4 ,:i/l]'s pictures4 ,! arti/ triumph$1 ! success ( ! exhibition prov$ ! futility ( ! e>ly judgm5ts4 ,a p]usal ( ?is que] docum5t1 ev5 to-day1 elicits a smile2 x is delici\s hum\r & at ! same "t a spl5did ass]tion ( arti/ic p[] & self-adulation4 ,! fir/ ,new ,york exhibition ( "w by ,:i/l] 0 held 9 ! old ,wund]li* ,gall]y1 on ,broadway1 9 ,m>*1 #ahhi1 :5 sixty-two ,notes1 ,h>monies & ,nocturnes 7 %[n1 ) "s accessories ( yell[ hang+s1 fl[]s1 furniture & footm5 imitation ( ! ,london exhibition ( #ahhc4 ,b ?is sort ( ?+ is r>ely successful 9 ?is c\ntry4 ,x is apt to be mis9t]pret$1 & someh[ looks out ( place4 ,"o ( ! f9e/ a*ievem5ts ( ! pa9t] is ! frame :i* rightly be>s 8 "n4 ,! (ficial exhibitions /ill insi/ on ! usual monotony ( gilt frames1 & ! pa9t]s seem to h nei!r any p>ticul> incl9ation nor ! opportunity to create frames ( lovely =ms & well-balanc$ repeat+ patt]ns ( _! own4 ,! frame-mak]s & art-deal]s are ma/]s ( ! situation1 & _! int]e/s are /rictly m]c5>y ones4 ,attractive en\gh at fir/ sight1 hopelessly in>ti/ic on fur!r inspection1 is ! v]dict :i* "o has to give ( ! av]age frame ( to-day4 ,only a few ( our pa9t]s oppose ! me*anically manufactur$ frames4 ,!y h _! frames specially design$ = ea* picture1 ,/an=d ,:ite hav+ be5 ! design] ( q a numb] ( !m4 ,_! frames are wide & flat1 )\t corn]s & c5trepieces1 ! repeat+ patt]n is g5]ally a simple1 classic ornam5t1 ) a t5d5cy t[>d p>allel l9es4 ,! ar*itectural designs1 ) ,greek columns 9 ! upright sides1 are r heavy & less recomm5dable4 ,:i/l]'s frames1 :i* s]v$ z inspiration to all ^! lat]-day design]s1 7 conceiv$ 9 simple planes1 brok5 ) p>allel grooves t 7 re/ful to ! eye z sole ornam5tation4 ,!y 7 orig9al inv5tions1 free f any ta9t ( imitation4 ,! gaudy burni%$ gold effect 0 sub/itut$ by pale gold & bronze t c\ld be t9t$ & glaz$ accord+ to ! pr9cipal col\r note ( ! pictures ! frame 0 design$ =4 ,!y are s simple t x is difficult to improve _! design4 ,b he did n make !m = g5]al use1 he m]ely sugge/$ to o!r pa9t]s ! advantage\sness ( design+ _! own frames1 z is n[ l>gely cu/om>y4 ,illu/ration3 ,,eagle ,,:>f 7,,et*+74 ,:i/l] has p]=m$ a brave de$4 ,if he _h done no?+ else b to improve our ta/e 9 ! arrangem5t ( exhibitions he w\ld be rememb]$ = _m ye>s4 ,he has done f> m4 ,he has set up ! big ideal ( simplicity4 ,8 ecc5tricities & h>monies ( decoration may n live4 ,!re are _m m5 work+ on ! same problem all ov] ! ,we/]n hemisph]e1 & 8 peculi> /yle w und]go _m modifications & improvem5ts1 b we %\ld nev] =get t he 0 "o ( ! fir/ :o op5$ our eyes to a practicable & inexp5sive way ( beautify+ our home & ev]yday life4 ,,*apt] ,,vii ,,visions ,,& ,,id5tifications ,al?\gh rem>kably sure1 effici5t & successful 9 v>i\s bran*es ( art1 ,:i/l] has to be rank$ prim>ily z a figure pa9t]4 ,9 ^! ef=ts c5tre 8 greatness4 ,he is1 h[ev]1 only a figure pa9t] 9 a modifi$ s5se4 ,we look 9 va9 = l>ge & elaborate compositions4 ,he a*iev$ 8 fame z a portrait & s+le figure pa9t]4 ,x is /range t a man :o _h ! sci5ce ( pa9t+ at 8 f+] ends %\ld limit himself to s+le figures4 ,p]haps he knew 8 limitations1 or1 ! limitation ( 8 peculi> view-po9t z to :at pa9t+ %\ld be & c\ld accompli%4 ,possibly he w5t too f> 9 8 elim9ation4 ,:o c say8 ,an arti/ mu/ be true to 8 own convictions1 & ! public & critics mu/ accept1 &1 9 "t1 le>n to appreciate !m4 ,analysis ( an arti/'s "w is int]e/+ only z f> z x helps "o to f9d ! "r view-po9t = contemplation4 ,:i/l]1 ( c\rse1 _h no use = ord9>y portraiture1 z x has be5 practis$ = c5turies4 ,he felt1 no d\bt1 t ! "t = idealization z well z reali/ic int]pretation ( lik5esses _h pass$4 ,no pa9t] c surpass ,van ,dyke 9 ! elegant del9eation ( m5 & wom51 or ,franz ,hals 9 ! repres5tation ( in/antane\s expression4 ,:i/l] want$ a *>act]i/ic attitude t express$ 9 a simple pose or movem5t an entire p]sonality4 ,b ! purely te*nical problem fasc9at$ him ev5 m1 to express himself =cefully 9 black & dull col\rs1 to pa9t broadly & yet s delicately t no bru%work became visible1 & to create ! illusion ( atmosph]e & space ar\nd ! human =m4 ,8 fir/ picture ( importance 7/>t$ 9 #ahei71 ,at ! ,piano1 0 also ! fir/ true ,:i/l]1 n only ! ,:i/l] we admire & *]i% to-day b ! ,:i/l] :o has ex]cis$ an influ5ce on mod]n pa9t+ & :o w live z "o ( ! prom95t figures 9 ! hi/ory ( art4 ,i h r>ely se5 a mod]n int]ior treat$ ) m *>m & simplicity4 ,a woman1 app>5tly ,lady ,had51 9 a qua9t black old-fa%ion$ g[n1 is seat$ at ! piano1 f :i* %e seems to elicit "s vague melan*oly *ords1 :ile a little girl 9 :ite1 9 a p5sive attitude1 /&s opposite h]1 9 ! curve ( ! in/rum5t4 ,! d>k silh\ette ( ! "m is beautifully balanc$ by ! :ite =m ( ! little girl4 ,!re is an a/oni%+ numb] ( horizontal l9es 9 ! composition1 b someh[ !y are n notic$1 at lea/ !y d n (f5d ! eye4 ,i believe ! diagonal t5d5cy ( ! figures c\nt]acts all o!r l9es4 ,"o peculi>ity ( ,:i/l]'s int]iors & backgr\nds is t !y ne>ly always repres5t a /raight wall4 ,he r>ely indulg$ 9 p]spective arrangem5ts4 ,8 aim 0 bread? & simplicity1 & he avoid$ all *eap pictorial effect4 ,te*nically1 x /ill %[s ! ,/ev5s' influ5ce--x c\ld almo/ pass = a g5re picture--b 9 poetical conception & ! sugge/ion ( a my/ic atmosph]e x already pr$icts all ! accompli%m5ts ( ! arti/'s prime4 ,illu/ration3 ,,at ,,! ,,piano4 ,9 8 e>li] c>e] ,:i/l] occasionally made use ( m elaborate accessories1 z 9 8 ,little ,:ite ,girl1 ,! ,pr9cess ( ! ,porcela9 ,l&1 & ! ,woman 9 ,:ite4 ,! latt] ,i consid] "o ( 8 weake/ compositions4 ,! figure is r /iff & too high up 9 ! picture4 ,! c>pet$ floor looks z ?\gh x 7 slop+4 ,! bottom ( ! dress is too di/9ct4 ,! same c\ld be said ( ! entire cont\r1 ! l9es are n suffici5tly graceful to p]mit su* cle>ness ( l9e4 ,also z a pa9t+ ( a :ite figure on a :ite backgr\nd x is n unsurpass$4 ,ka!r9e ,emm]i*1 by ,gabriel ,max1 at ! ,p9ako!k1 ,muni*1 & ! ,raffaelli's ,sleep+ ,woman1 9 ! ,wil/a* ,gall]y1 ,philadelphia1 treat ! same !me b are te*nically sup]ior4 ,:i/l] develop$ sl[ly4 ,only gradually he le>n$ to avoid detail z mu* z possible1 & only occasionally acc5tuat$ x "h & !re1 z a note ( contra/ to ! l>g] planes4 ,! ye>s #ahgj-ij 7 ! mo/ active & important ye>s ( 8 c>e]4 ,ne>ly all 8 portraits1 ^? ( ,fr$]ick ,leyl&1 ,flor5ce ,leyl&1 ,miss ,alex&]1 ,rose ,cord]1 ,s>asate1 ,sir ,h5ry ,irv+ z ,philip ,,ii1 ,! ,fur ,jacket1 ,lady ,ar*ibald ,campbell1 ,! ,arti/'s ,"m1 ,c>lyle1 ,!odore ,duret1 ,mme4 ,cassatt1 ,mrs4 ,hu?1 ,lady ,meux1 etc41 7 pa9t$ 9 t p]iod4 ,illu/ration3 ,c\rtesy ( ! ,metropolitan ,museum1 ,new ,york ,,sir ,,h5ry ,,irv+ ,,z ,,philip ,,ii4 ,all ^! lat] pictures 7 pa9t$ "u ! ban ( ,velasquez4 ,9 ,:i/l]'s pa9t+s ,velasquez's art 0 reviv$ & rejuv5at$4 ,he repeats ! same inspirations b 9 an e!realiz$1 mod]niz$ & individualiz$ mann]4 ,:i/l] 0 triumphantly himself4 ,!re is mu* conjecture z to h[ ,:i/l] acquir$ 8 k ( ,velasquez4 ,joseph ,p5nell claims t ,:i/l] nev] w5t to ! ,prado 9 ,madrid4 ,duret tells u1 t dur+ a trip to ,spa9 9 #ahhb1 he int5d$ to g to ,madrid1 b on ! way 0 fasc9at$ by ! sc5]y ar\nd ,gue?>y 7nor? ( ,bi>ritz7 to su* an ext5t t he prolong$ 8 /ay until x 0 "t to return1 )\t hav+ cross$ ! ,pyr5ees4 ,o!rs1 ) a quizzical mi51 say t he might h gone )\t lett+ anybody "k ( x4 ,x is h>dly cr$ible t he did n see ! ,dw>fs1 ! ,sp9n]s1 ! ,m]cury & ,argus1 ! ,m>ia ,!resa1 ,la ,m59as1 sop1 ! ,m5ippus & ! ,surr5d] ( ,br$a4 ,h[ev] x really matt]s little4 ,he _h se5 ! portraits ( ! ,h]mitage at an e>ly age1 & 0 ?or\ghly acqua9t$ ) ! v>i\s portraits ( ,philip ,,ii at ! ,london ,national ,gall]y4 ,9 ?is age ( h&books "o c /udy ,gozzoli 9 a ,new ,york g>ret4 ,( c\rse a trip to ,flor5ce might prove pr(itable1 b ! "r man1 ) ! prop] am\nt ( imag9ation1 kn[s no ob/acle4 ,8 intuition w help him to get ?or\ghly imbu$ ) any subject he is b5t ^u kn[+4 ,! portraits are all s+le figure /udies1 ) a pla9 or simple backgr\nd4 ,!y d no?+4 ,!y m]ely convey ! *>m ( a p]sonality z se5 9 an arrangem5t ( col\r4 ,:i/l] 0 a ke5 obs]v] ( facial expression & ge/iculation & /ill m s ( t o!r no less tell+ k9d ( expression1 :i* dep5ds ^u our g5]al be>+1 & ^u ! way we move our limbs & body :ile we are try+ to convey our ?\ghts & int5tions to our neighb\rs4 ,b ?is 0 n ! pr9cipal !me1 z x is ( s _m portrait pa9t]s4 ,to him ! v s\l ( art 0 elim9ation3 to leave out all t c\ld be left out4 ,he realiz$ t he c\ld n proce$ 9 ! elim9ation process z gaily & lib]ally z 9 8 nocturnes4 ,he ne$$ a m conv9c+ s5se ( =m1 a c]ta9 reg>d = detail--no matt] h[ broadly r5d]$--& a feel+ = accurate l9e4 ,?is fragm5t>y repres5tation ( a human be+ requires ! ke5e/ arti/ic feel+1 to "k exactly :5 "o has to /op 9 ! process ( r$uc+ ! multiplicity ( nature to simple =ms1 ( disc>d+ sup]ficial traits ( ! figure & reta9+ only ! ess5tial ones4 ,= elim9ation is only half ! game2 selection makes up ! re/4 ,! sur5ess ) :i* ,:i/l] /ops j ^u ! bord] l9e proves 8 g5ius4 ,h[ev] vague & envelop$ 8 l9e may h become1 x has nev] be5 pu%$ beyond ! po9t :]e x falls into mean+less & spiritless =mlessness4 ,:i/l]'s portraiture may be summ$ up z a nev]-ceas+ /udy to express a human p]sonality 9 ! subtle/ way imag9able4 ,at bottom ( all t he creates1 !re lies ! desire to make 8 figures betray _! "*1 emotions1 & _! :ole p]sonality by means ( a tonal vision4 ,9 ! portrait ( ,fr$]ick ,leyl&1 ! ,m$ici ( ,liv]pool 7pa9t$ #ahgc71 ,:i/l]1 = ! fir/ "t1 introduc$ ! pla9 backgr\nd )\t accessories1 endeav\r+ to subord9ate x to ! figure4 ,9 ! portrait ! figure occupies ! entire l5g? ( ! canvas1 & yet is envelop$ 9 atmosph]e4 ,i believe ?is is l>gely due to ! vagu5ess ( outl9e & ! acc5tuation ( ! pr9cipal po9ts ( ! human =m by t\*es ( light1 z ! headlights on ! silv] buckle ( ! %oe1 ! h& on ! hip & ! gray ov]coat ov] ! left arm4 ,! blacks 9 ?is picture h a m>vell\s quality4 ,! pa9t+ ( a black ev5+ suit aga9/ a pit* black backgr\nd is "o ( ! ma/]pieces ( mod]n te*nique1 ov] :i* future ages w n cease to m>vel4 ,also ! %ad[ on ! grey floor helps4 ,! pose is dignity itself1 b x seems to me t ! arti/ did n q succe$ 9 c>ry+ out 8 own ideal4 ,! figure makes ! impression z if x 7 /epp+ out ( ! picture1 l a ,rub5s4 ,! same problem occupi$ him = ye>s4 ,he succe$$ mu* bett] 9 ! ,rose ,cord] & ,! ,fur ,jacket2 & 9 ! ,lady ,ar*ibald ,campbell1 also call$ ! ,yell[ ,busk91 he actually solv$ ! problem4 ,! picture is at ! ,wil/a* ,gall]y1 ,philadelphia1 & ev]ybody :o has se5 x w realize1 or feel1 at lea/1 t ! figure is repres5t$ z if actually mov+ 9 space4 ,mo/ ( 8 pictures 7 pa9t$ 9 ord9>y rooms1 )\t a top light1 p>tly1 no d\bt1 because he want$ to pa9t 8 sitt]s "u natural1 n artificial conditions4 ,also ! ,rose ,cord] portrait1 pa9t$ 9 #ahgf1 c>ries out ?is s5sation4 ,?is portrait1 :i* 0 pur*as$ by ,ri*>d ,a4 ,canfield f its =m] own]1 ,graham ,rob]tson1 is entitl$ ,an ,arrangem5t 9 ,black & ,br[n4 ,! diff]5tiation ( br[n 9 ! hair1 fur1 felt hat1 fea!r & floor are s subtle & beautiful1 t x w\ld be almo/ impossible to g any fur!r 9 ! exploitation ( "o col\r4 ,! p]son :o c appreciate ! subtleties ( ^! cool1 almo/ neutral col\rs1 appreciates ,:i/l]4 ,x 0 8 ma9 ambition1 ev5 to t ext5t t he wi%$ ! behold] to "k ( 8 int5tion4 ,& t is no d\bt ! ma9 reason :y he call$ 8 portraits ,arrangem5ts & ,h>monies1 ev5 z o!r arti/s call _! portraits ,int]pretations1 & _! sculptur$ bu/s ,v]sions4 ,titles are really ( no importance4 ,!y are1 at ! be/1 only annotations1 b1 z long z !y are deem$ necess>y1 !y ought to give a vague sugge/ion ( ! subject matt] or reveal ! te*nical aim ( ! pa9t]4 ,:i/l]'s titles are frequ5tly too long1 b !y g5]ally convey "s direct & valuable in=mation to ! behold]4 ,illu/ration3 ,own$ by ,ri*>d ,a4 ,canfield ,,arrangem5t ,,9 ,,black ,,& ,,br[n3 ,,miss ,,rose ,,cord]4 ,! ,flor5ce ,leyl& portrait1 pa9t$ 9 #ahgc--;at ,! ,brooklyn ,museum ( ,art & ,sci5ces1--is also mu* lik$ by pa9t]s4 ,x always seem$ to me a trifle dismal 9 tone4 ,! greys h a muddy look & ! backgr\nd is too black & opaque4 ,x is a /udy 9 greys & blacks4 ,! dress1 ! floor1 & ! fea!r ( ! hat are grey4 ,! hat itself1 ! gloves & ! b[ are black4 ,ev5 ! h&k]*ief & ! :ite ruffles t fall ov] ! gloves are grey4 ,! design is elegant & visible1 b swall[$ up 9 ! col\r4 ,its success or failure dep5ds ^u y\r psy*ological appreciation ( col\rs4 ,if y l t p>ticul> comb9ation y w admire ! picture1 & o!rwise y w n1 & no argum5t w p]suade y to accept x z a ma/]piece4 ,:i/l]'s unusually l[ key 9 ! majority ( 8 portraits /rikes u z peculi>1 ev5 to ?is day4 ,!re are no gold1 rose & mauve fle% t9ts ( a ,titian to be f\nd on 8 canvases4 ,!re is no bloom ( fle% :i* emulates ! gleam ( a pe>l or ! lum9\s gra9 ( a camelia4 ,b ! fault-f9d+ is l>gely ! effect ( our be+ accu/om$ to high-key$ portraiture4 ,:i/l] expla9$ ?is1 9 8 dra/ic mann]1 9 an article 9 ! ,london ,_w1 ,july1 #ahhf1 :i* we quote 9 full3 ,! notion t ,i pa9t fle% l[] 9 tone ?an x is 9 nature is entirely bas$ ^u ! popul> sup]/ition z to :at fle% really is--:5 se5 on canvas2 = ! p nev] look at nature ) any s5se ( pictorial appe>ance--= :i* reason--by ! way--!y also nev] look at a picture ) any s5se ( nature1 b unconsci\sly f habit1 ) ref]5ce to :at !y see 9 o!r pictures4 ,n[ 9 ! usual 'picture ( ! ye>' !re is b "o fle% t %\ld d s]vice "u all circum/ances1 :e!r ! p]son pa9t$ be 9 ! s(t light ( ! room or 9 ! gl>e ( ! op54 ,! "o aim ( ?is unsuspect+ pa9t] is to make 8 man /& out f ! frame--nev] d\bt+ t on ! contr>y1 he %\ld really1 & 9 tru? absolutely does1 /& )9 ! frame--& at a dep? beh9d x equal to ! di/ance at :i* ! pa9t] sees 8 model1 & no?+ c\ld be m (f5sively in>ti/ic ?an ?is brutal attempt to ?ru/ ! model on ! hi!rside ( ?is w9d[4 ,lights h be5 height5$1 until ! :ite ( ! tube alone rema9s--%ad[s h be5 deep5$ until black alone is left4 ,sc>cely a feature /ays 9 its place1 s fi]ce is its int5tion ( 'firmly' com+ =?2 & 9 ! mid/ ( ?is unseemly /ruggle = prom95ce1 ! g5tle tru? has b a sorry *ance1 fall+ flat & flav\rless & )\t =ce4 ,:]eas1 c\ld ! p be induc$ to turn _! eyes b = a mom5t1 ) ! fre% p[] ( comp>ison1 ^u _! fell[ creatures z !y pass 9 ! gall]y1 !y might be made dimly to p]ceive1 ?\gh ,i d\bt x1 s bl9d is _! belief 9 ! bad1 h[ little !y resemble ! impud5t images on ! wall6 h[ 'quiet' 9 col\r !y are1 h[ grey & l[ 9 tone4 ,& !n x might be expla9$ to _! rivet$ intellig5ce h[ !y _h mi/ak5 m]etrici\sness = ma/]y & by :at me?ods ! impo/ure _h be5 practis$ ^u !m4 ,p on ! :ole pref] brightness to /hetic gloom1 & refuse to accept ! unadult]at$ tru?4 ,a beautiful picture6 ,b ,i w\ld n l to see my wife or "m pa9t$ t way1 is ! g5]al v]dict at a ,:i/l] exhibition4 ,& x includes p :o %\ld "k bett]4 ,d n ev5 le>n$ critics excuse ! l[-key$1 a% grey t9ts ( ,velasquez faces by ass]t+ t he wi%$ to symbolize ! doom ( ,spani% feudalism by _! pal5ess8 ,ridicul\s6 ,a pr\d ,spani% cavali] himself1 su* a ?\ght w\ld nev] h ent]$ 8 head4 ,he pa9t$ !m ) a bloodless en]vat$ complexion1 because !y _h t k9d ( complexion & because he1 z a reali/ic pa9t]1 object$ to any idealiz+ process4 ,x c1 h[ev]1 be safely /at$ t ,:i/l] frequ5tly w5t too f> 9 8 se>* = d>k tonalities4 ,b !re 0 a reason = x4 ,no prim>y col\r is agreeable ) black4 ,if black is ! fav\rite col\r he mu/ exclude yell[1 r$1 & blue or pa9t !m exce$+ly l[ z ,tissot has done 9 8 ,prodigal ,son s]ies4 ,yell[ is ! easie/ col\r to manage1 z black impov]i%es its tone4 ,! second>y col\rs1 l orange1 gre51 & violet1 l5d !mselves m readily to any s*eme :]e black furni%es ! prom95t note1 b !y mu/ be dull1 obscure & possess no brilliancy4 ,:ite1 on ! o!r h&1 z ,:i/l] s fully realiz$ 9 8 ,lady ,meux1 ,no4 #a1 w always produce by its extreme diff]5ce a h>mony ( contra/4 ,illu/ration3 ,,arrangem5t ,,9 ,,black ,,& ,,:ite3 ,,lady ,,meux 7,,no4 #a74 ,! mo/ suitable col\rs = a comb9ation ) black are ! neutral col\rs1 l grey & br[n1 or delicate t9ts1 l p9k & olive1 russet & citr9e4 ,at ^! conclusions e /ud5t ( ! h>mony & contra/s ( col\r mu/ naturally arrive4 ,& ,:i/l] conqu]$ 8 k by actual exp]im5ts4 ,x 0 no :im4 ,z long z he fav\r$ black he c\ld n *ange 8 col\r s*emes4 ,8 col\r+ _h to be kept cool & ! few tones ( lum9\s col\rs t he introduc$ _h to be brok5 & neutraliz$4 ,! sci5tific facts und]ly+ 8 col\r moods %\ld answ] all futile que/ions ( :y he select$ su* deep & sombre col\r comb9ations4 ,we all realize t he is no col\ri/ 9 ! s5se ( ,meml+1 ,p9turic*io1 ,titian1 ,rub5s1 ,fragon>d1 ,delacroix1 ,mak>t or ,roybet1 he does n ev5 %[ u z mu* v>iety z ,con/able or ,israels or an ,impressioni/4 ,i say ,impressioni/1 because an ,impressioni/'s canvas c be depriv$ ( col\r 7& h[ _m are7 z mu* z any black-9-black arrangem5t ( a ,tissot or ,ribot4 ,! high key does n save a picture f be+ col\rless4 ,col\r means ! full use ( ! palette1 gre51 blue1 r$1 & yell[1 on "o canvas z di/9ct s5sations & n modifi$ into a g5]al t9t4 ,! majority ( ,impressioni/s are tonali/s n col\ri/s4 ,franz ,hals & ,velasquez 7 fond ( black & greys b r>ely lack$ ! s5se ( convey+ a delicate col\r impression4 ,:i/l]1 :o1 9 8 portraits is a great tonali/ b nev] a col\ri/1 displays ! same faculty 9 8 be/ "w1 b 9 "s in/ances 8 subtle t\* seems to h =sak51 him1 & ! result 0 a dull tonality z 9 8 ,flor5ce ,leyl&4 ,a simil> col\r s*eme b ( great *>m is repres5t$ 9 ,la ,belle ,amrica9e 7! only picture t 9 subject matt] be>s any relation to ,am]ica74 ,! grey tight-fitt+ g[n & ! black boa ar\nd ! neck 9 conjunction ) ! ass]tive & yet s non*alant pose h a s+ul> *>m4 ,z soon z ! outl9es ( a figure are too mu* oblit]at$ ! *>m ( col\r seems to vani%4 ,col\r alone _c hold x4 ,x dem&s =m to balance x4 ,:i/l] said t pa9t+ 0 e bit z mu* a sci5ce z ma!matics4 ,i fe> at times he consid]$ x too mu* a sci5ce1 at lea/ z f> z 8 col\r 0 conc]n$4 ,he pa9t$ figures1 indoors1 s l[ 9 tone t he c\ld h add$ a /reak ( real sun%9e at its prop] value to ! picture4 ,if 8 d>ke/ canvases gr[ d>k] /ill ) age1 !y w be almo/ indi/+ui%able4 ,b 8 sci5tific attitude r>ely play$ him false 9 composition4 ,hav+ pa9t$ only s+le figures1 x has be5 d\bt$ :e!r he _h any ext5sive k ( figure composition4 ,?is seems to be a futile "q4 ,x is my cont5tion t he limit$ himself to "o figure repres5tation1 because he knew all ab\t ,old ,ma/] composition4 ,he want$ "o big total effect & did n see h[ x c\ld h be5 rea*$1 or _h be5 ev] rea*$ by anybody except by "o s+le figure4 ,he _h no?+ 9 common ) ! repres5tation ( hi/ory1 leg5d or my? & mu* less ( g5re1 realism ( ! gutt]1 or descriptive pa9t+4 ,he want$ to repres5t mod]n m5 & wom5 9 ! co/ume ( to-day4 ,s he *ose ! s+le /&+ or seat$ figure4 ,:y did he nev] pa9t a gr\p6 ,p]haps he _h f\nd x impossible to obta9 9 a m elaborate composition ! result t he *]i%$ mo/4 ,a pa9t] mu/ pa9t f ! model1 to approa* any degree ( v]ity4 ,a ,monticelli may fake or pa9t f imag9ation1 b 8 col\r masses are a diff]5t proposition ?an life-size figures4 ,! fact mu/ be be=e "o's eyes to r5d] !m accurately4 ,"o figure 9 mod]n co/ume (f]s su* facts 9 a natural mann]4 ,an elaborate gr\p c be secur$ only ) difficulty1 & w nev] look q natural4 ,:i/l] knew 8 /r5g?1 & did n wa/e sup]ior en]gy = a less satisfactory result4 ,?is 0 sci5tific re/ra9t4 ,& h[ he controll$ ! v>i\s =ms ( repres5tation4 ,he inv>iably *ose ! mo/ fav\rable position4 ,a /&+ figure (f]s ! wide/ scope ( *>act]ization :5 %[n 9 a full front view4 ,ne>ly all 8 m51 ,s>asate1 ,duret1 & ,irv+ are drawn 9 t position4 ,b a seat$ figure is %[n to ! be/ advantage 9 a cle> pr(ile1 e /ud5t ( composition mu/ arrive at ! conclusion1 & !re 0 no?+ else to d b to pa9t 8 ,"m & ,c>lyle 9 t attitude4 ,wom5 on ! o!r h& are m picturesque 9 outl9e1 also look well1 /&+1 9 pr(ile ) slightly turn$ face1 viz41 ,rose ,cord]1 ,miss ,alex&]1 ,! ,yell[ ,busk91 ,! ,fur ,jacket1 ,mrs4 ,hu?1 ,lady ,meux ,no4 #b4 ,also 9 ! del9eation ( ! human face he pref]r$ ! simple full-face view1 ) j a slight %ift to ! "r or left to %[ ! l9e ( ! nose4 ,! ?ree-qu>t] view is und\bt$ly m picturesque1 & :5 he pa9t$ small heads1 among !m 8 own1 he frequ5tly us$ x4 ,9 ! l>g] portraits he want$ dignity1 bread?1 & simplicity & he sacrific$ ev]y?+ to t effect4 ,illu/ration3 ,wil/a* ,gall]y1 ,philadelphia ,,arrangem5t ,,9 ,,black3 ,,lady ,,ar*ibald ,,campbell 7,,! ,,yell[ ,,busk974 ,! portraits ( ,miss ,cecily ,h5rietta ,alex&] 7pa9t$ 9 #ahgb71 & ,mr4 ,!odore ,duret 7pa9t$ 9 #ahhc71 %[ p]haps 9 ! cle>e/ way t he always work$ on ! same problem4 ,!y are1 "o may say1 ! unit+ l9k betwe5 ! ,japanese p]iod & ! ,c>lyle & ,! ,arti/'s ,"m1 8 mo/ f9i%$ & p]fect "w4 ,!y h m col\r & grace ?an mo/ ( 8 pictures1 & %[ ! figures ) "s accessories4 ,bo? l+] 9 "o's m9d z a vision ( select ref9em5t4 ,little ,miss ,alex&]1 ) h] plum$ hat 9 h] h& & h] :ite dress reliev$ by grey & black acc5ts aga9/ a g5]al backgr\nd1 depicts a pose su* z ! pa9t] seldom indulg$ 94 ,!re is a flav\r ( ari/ocratic coquetry1 a flav\r ( ,ga9sbor\gh & ,bold9i 9 ?is attitude1 an attribute t 9 ?is in/ance is z important to ! picture z ! unusual col\r scale4 ,x took him ye>s to f9i% ?is picture1 & nobody c appreciate h[ _m we>y h\rs ( angui% x co/ ! little model4 ,m ?an once x r$uc$ h] to te>s4 ,"o day z %e 0 ent]+ ! /udio %e met ,c>lyle1 :o 0 sitt+ also = 8 portrait4 ,puir lassie6 ,puir lassie6 he said4 ,b ,:i/l] _h no pity4 ,he _h b little consid]ation = 8 sitt]s or models2 he =got _! pres5ce z soon z he became entangl$ 9 ! intricacies ( 8 te*nique4 ,! ,duret on ! o!r h& %[s sup]ior *>act]ization4 ,x may be because ! figure is m cle>ly silh\ett$1 ! outl9es ( ! gaunt figure are z pla9 z !y c be4 ,! pa9t] tri$ to bright5 up ! black suit problem ) a light backgr\nd & p9k dom9o4 ,! /range comb9ation ( an awkw>d %ape1 ) almo/ a t\* ( brutality 9 its make-up1 & ! gay insignia ( an op]a ball1 ! dom9o & r$ fan1 ar\se a feel+ ( grotesque droll]y1 & yet x is all s =bidd+ly pr\d t "o is /rongly fasc9at$ by ! canvas4 ,"o ( ! mo/ important portraits t compete ) ! ,leyl&1 ,duret & ,miss ,alex&] is ! ,arrangem5t 9 ,black3--,portrait ( ! ,s5or ,pablo de ,s>asate1 pa9t$ ab\t #ahhd4 ,"h we h ! true ,:i/l] atmosph]e1 ! blurr$ cont\r ( ! viol9i/'s figure1 :i* melts into ! backgr\nd )\t los+ ! =m1 ! elim9ation ( all unnecess>y details & accessories1 & ! conc5tration ( light on ! face1 %irt-front1 h&s & cuffs4 ,x is a/oni%+ h[ few bright planes !re are 9 mo/ ( ,:i/l]'s portraits4 ,9 ! ,s>asate ! light$ planes sc>cely occupy "o-?irtie? "p ( ! picture4 ,! re/ is all d>kness1 except ! vague %imm] on ! floor1 sugge/+ ! footlight on ! plat=m ( a conc]t hall4 ,! light floor is "o ( ! lead+ *>act]i/ics ( 8 s+le /&+ figures4 ,x helps to sugge/ space4 ,!re is dep? 9 ! backgr\nd2 x is n opaque l mo/ backgr\nds b vibrant ) subtle diff]5tiations ( values4 ,! figure is /&+ 9 space4 ,"o might ?9k at fir/ t ?is is br\ght ab\t by ! smallness ( ! figure4 ,joseph ,p5nell says t :at ,:i/l] 0 try+ to d 0 to pa9t ! man on a %ad[y conc]t plat=m z ! audi5ce saw him4 ,s>asate is int5d$ to look small1 less ?an life-size1 z he w\ld appe> ^u ! conc]t /age4 ,i d n agree ) ?is4 ,i h he>d ,s>asate play 9 ,europe & ,am]ica b nev] saw him on a %ad[y plat=m4 ,to me ! conception is a mu* bigg] "o4 ,?is is n ! ,s>asate ( ord9>y life1 nor is x ! "o we "k f ! conc]t hall4 ,! arti/ has attempt$ to sugge/ ! :ole atmosph]e t surr\nds ! life ( musical g5ius4 ,& he accompli%$ x by introduc+ a male figure 9 an ord9>y dress-suit ) a %imm]+ %irt front1 ! outl9es ( :i* are lo/ 9 vibrant empt9ess4 ,only ! viol9 & b[ occupy a c]ta9 prom95ce4 ,all is balanc$ by ! b[1 z ,:i/l] rem>k$ to ,sidney ,/>r4 ,! figure always seem$ to me a trifle small4 ,i p]sonally pref] ! ,leyl& size1 z x is m dignifi$4 ,x does n seem logical to sacrifice beauty & bread? to a m]e illusion4 ,! :ole tonal s*ool & pictorial photography 9 p>ticul> h be5 influ5c$ by ! ,pablo ,s>asate1 n[ at ! ,c>negie ,art ,in/itute1 ,pittsburg1 ,p5nsylvania4 ,x gives unp>allel$ joy to ! foll[]s ( d>k tonalities4 ,z usual ! imitators--pa9t]s z well z photograph]s--h exagg]at$ ! extreme r ?an normal aspect ( ! pa9t]'s art4 ,= :at is mo/ to be admir$ te*nically 9 ,:i/l] is ! frugality1 ! ?9ness ( 8 bru% "w1 t1 despite ! l[ pit* & flatness ( its col\r t9ts1 reveals an a/\nd+ v>iety1 subtlety & virility1 a vibrancy t seems to radiate f ! canvas4 ,= unobtrusiv5ess ( pa9t ,:i/l] has few rivals4 ,9 comp>ison ) him ,monet seems a plebeian & ,s>g5t a sleight ( h& p]=m]4 ,he comb9es ! fanaticism ( a p]fect te*nique ) ! se>* = tru? & a desire to create new s5sations1 & expresses our brea?less mod]n life1 ) all its intricate moods4 ,8 art revels 9 ! realms ( imag9ation unkn[n to ,manet's realism1 & ,zorn's & ,s>g5t's pyrote*nical displays ( te*nique look b>b>\s 9 comp>ison to ,:i/l]'s smoo?1 fluid1 un]r+ bru%work1 :i* ma/]s all ! optical illusions ( ?is _w ) wiz>d-l dext]ity4 ,he creat$ a /yle = himself1 & 8 space & col\r arrangem5ts h ex]t$ a deep & la/+ influ5ce on mod]n pa9t+4 ,:e!r he is z great a pa9t] z "s critics make him--:e!r he is z big z ,franz ,hals1 = in/ance1 is /ill a matt] ( discussion4 ,he w always live 9 ! hi/ory ( art z be+ ! fir/ man :o comb9$ ! beauties ( ,ea/]n design ) ! pr9ciples ( ,we/]n art4 ,! my/]i\s atmosph]e ( "s ( 8 canvases 7f :i* solid =ms em]ge or rec$e into71 is a poetic translation ( ,japanese sugge/iv5ess--:i* does n c>e to create an illusion1 b r sugge/s x4 ,:i/l] 9 8 portraits 0 n an initiator ( a new art l ,monet 9 8 l&scapes4 ,he 0 ! la/ & mo/ p]fect ( an old s*ool4 ,he m]ely pu%$ to _! extreme consequ5ce ! pr9ciples :i* all great pa9t]s s9ce ,velasquez h *ampion$4 ,he foll[$ m closely :at "o might call ! !matic developm5t ( tone1 & disc]n$ m pla9ly ! significance & my/]y t lie hidd5 9 blurr$ objects4 ,! portrait ( ! /hete1 ,c\nt ,rob]t de ,montesqui\ de ,fez5sac1 :o hon\r$ ?is %ore ) a visit 7pa9t$ 9 #ahij-ia71 0 "o ( ! la/ pictures ( ?is s]ies4 ,:i/l] und]took sev]al portraits ( ?is peculi>1 high-/rung p]sonality b f9i%$ only "o4 ,he expla9$ t x 0 impossible to produce ! same ma/]piece twice ov]--z difficult z = a h5 to lay ! same egg ov] twice4 ,! pose is "o ( hauteur z becomes ! au?or ( ,les ,hort5ses ,bleus4 ,he we>s a dress-suit1 & a d>k ov]coat ) a grey l9+ is ?r[n ov] 8 arm :ile ! o!r arm ?ru/s =? a sl5d] cane-l sword4 ,z x is s frequ5tly ! case ) ,:i/l]'s arrangem5t1 x is m a play ) col\r ?an a "* del9eation4 ,a "* del9eation plus tone is surely m admirable ?an m]e tonality or m]e "* del9eation4 ,9 8 ,leyl&1 ,"m1 ,duret1 & ,c>lyle he accompli%$ bo?4 ,9 ?is "o he only excell$ 9 "o4 ,i also fail to see :y he call$ x ,black & ,gold1 z ,i _c discov] ! slighte/ sugge/ion ( gold4 ,x is br[n & black4 ,!re is little use 9 review+ ea* ( 8 arrangem5ts sep>ately z !y all c>ry out ! same pr9ciple4 ,illu/ration3 ,own$ by ,ri*>d ,a4 ,canfield ,,arrangem5t ,,9 ,,black ,,& ,,gold3 ,,comte ,,de ,,montesqui\4 ,9 8 two1 p]haps1 mo/ important pictures1 :i* are g5]ally conc$$ to be 8 ma/]pieces1 8 ,c>lyle & ,! ,arti/'s ,"m1 bo? arrangem5ts 9 black & grey1 ! pa9t] is a trifle m precise 9 l9e4 ,he depict$1 z backgr\nd1 actual walls ( a room & made an unusual excursion to ! doma9 ( space arrangem5t4 ,_h he at ! "t arriv$ at ! conclusion t a deep s5tim5t1 no matt] h[ vague1 z t ( a great philosoph] & an adorable woman1 c be r5d]$ successfully by illusion r ?an sugge/ion6 ,! ,c>lyle 0 exhibit$ z e>ly z #ahgg1 & pur*as$ aft] _m we>y negotiations by ! ,glasg[ ,city ,gall]y 9 #ahia4 ,x is a ma/]piece ( *>act]ization1 ( tone & space composition4 ,x is a mo/ =midable object lesson to any portraiti/4 ,notice h[ purely simple & well balanc$ ! composition ( ,c>lyle is1 h[ all ! details ( dress h be5 elim9at$1 h[ ! outl9e has be5 acc5tuat$ aga9/ ! backgr\nd1 h[ naturally ! figure is seat$1 & h[ well x has be5 plac$ 9 space4 ,!re is an atmosph]e ar\nd ! figure4 ,"o feels t ! p]son is seat$ 9 a room4 ,illu/ration3 ,city ,art ,gall]y1 ,glasg[ ,,arrangem5t ,,9 ,,black ,,& ,,gray3 ,,?omas ,,c>lyle4 ,! same c be said ( ! composition 9 ! portrait ( ,! ,arti/'s ,"m1 at ! ,luxemb\rg ,gall]y1 ,p>is4 ,x 0 fir/ exhibit$ at ! ,royal ,academy 9 ,london4 ,9 ! season ( #ahhb x appe>$ 9 ,am]ica1 & !n 0 %[n at ! ,p>is ,salon 9 #ahhh4 ,x 0 also se5 9 ,muni*1 & 0 f9ally pur*as$ by ! ,fr5* ,gov]nm5t 9 #ahia4 ,! simple pose1 ! delicate way ( h&l+ detail 9 ! lace cap & ! h&s1 ! ma/]ly space arrangem5t1 produc$ l>gely by ! rectangul> curta9 & ! silh\ette ( ! figure1 ! f9e s5se ( values1 & ! clev] way 9 :i* he utilizes a few frames to break ! monotony ( ! backgr\nd all h be5 comm5t$ ^u a hundr$ times4 ,no mod]n pa9t+ has be5 m talk$ ab\t & m frequ5tly imitat$ ?an ?is "o1 b none ( ! adaptations has rea*$ or surpass$ its pa?os & t5d] dep? ( expression4 ,te*nically x is p]fect4 ,x is n ! te*nique1 h[ev]1 :i* pr9cipally int]e/s u 9 ! picture4 ,j z 9 8 ,s>asate1 ,:i/l] attempt$ 9 8 ,"m to give u ! :ole atmosph]e t surr\nds a p]sonality4 ,old ,mrs4 ,:i/l] 0 a /]n ,presbyt]ian & h] religi\s views mu/ h be5 try+ to h] son4 ,yet ,jimmy1 ?\gh he us$ to give a que] smile :5 he m5tion$ !m1 nev] 9 any way compla9$ ( ! old lady's /rict ,sabbat>ian notions1 to :i* he b[$ )\t remon/rance4 ,?is diff]5tiation ( "* betwe5 "m & son expla9s mu* ( ! rigid ,quak]-l & yet s sympa!tic pose ( ! picture4 ,! arti/ does n m]ely repres5t 8 old "m4 ,he end[$ ! old woman1 sitt+ p5sively 9 a grey int]ior1 ) "o ( ! noble/ & mightie/ emotions ! human s\l is capable (--! rev]5ce & calm we feel 9 ! pres5ce ( our own ag+ "m4 ,& ) ?is l>ge & mighty feel+1 9 :i* all discords ( mann]isms are dissolv$1 &1 by ! tonic values ( two ord9>y dull col\rs1 he succe$$ 9 writ+ an epic1 a symphony dome/ica1 ( sup]b bread? & beauty--a symbol ( ! "m ( all ages & all l&s1 sl[ly ag+ z %e sits p5sively amid/ ! monoton\s col\rs ( mod]n life4 ,no?+ simpl] & m dignifi$ has be5 creat$ 9 mod]n art4 ,illu/ration3 ,luxemb\rg ,gall]y1 ,p>is ,,arrangem5t ,,9 ,,black ,,& ,,gray3 ,,! ,,arti/',s ,,"m4 ,,*apt] ,,viii ,,9 ,,que/ ,,( ,,l9e ,,expression ,arti/1 ?\ art k+6 ,art is ! true empire6 ,:5 ?y h& has drawn a p]fect l9e1 ! *]ubims !mselves desc5d to delight !mselves 9 x z 9 a mirror1 wrote ,mrodack ,peladan1 9 8 preface to ! ,catalogue ( ! ,salon de la ,rose-,croix 7#ahib74 ,he express$ a great tru?1 t macabre & cabali/ic poet-arti/4 ,!re is no?+ m exquisite1 m enjoyable1 p]haps1 to ! art lov]s ?an a p]fect l9e4 ,pure l9e expression1 z x is f\nd 9 ,dr]1 ,h>unobu1 ,raphael1 & ,+res1 is a pleasure ap>t f all o!r pictorial repres5tations4 ,x is m intellectual & m remote f all s5su\s pleasure ?an col\r1 tone1 light or %ade4 ,x is a language ( itself :i* enables ! arti/ to convey an ab/ract impression ( 8 individuality4 ,& no m$ium expresses l9e 9 z pure & unadult]at$ a fa%ion z et*+4 ,x makes ! mo/ ( x4 ,et*+ is ! true wor%ip ( l9e> expression4 ,9 all o!r m$iums !re is a slight desire to hide l9e1 x m]ely s]ves z an accessory4 ,9 et*+ x reigns supreme4 ,!re are no ob/acles to ! et*+ ne$le except incompet5ce4 ,x translates e wi% ( ! arti/1 ! slighte/ acc5t or deviation ) un]r+ precision & vitality4 ,! ,japanese1 no d\bt1 a*iev$ ! greate/ ma/]y ( ! drawn l9e t has ev] be5 kn[n to hi/ory4 ,only ! l9e =m ( ! ,greek competes ) x4 ,! ,japanese arti/s revell$ 9 l9e expression1 & x pass$ ?r\gh all possible v>iations1 f ! sweep ( ,tanyu's bru% & ! classic curve ( ,h>unobu to ! angul> ,dr]-l twi/ ( ,hokusai4 ,b ev5 _! l9e1 unless made by ! bru%1 _c rival 9 virility1 delicacy & precision ! l9e ( a ma/] et*]4 ,9 8 pa9t+s ,:i/l] sacrific$ l9e too mu*4 ,he felt t he _h to f9d a m$ium 9 :i* he _h absolute fre$om to satisfy 8 desire & s he alight$ ^u et*+4 ,a draughtsman s sure ( himself1 s adroit at realiz+ by simple contra/s ( black & :ite all ! effects ( :i* t au/]e1 mono*romatic m$ium is capable (1 did n1 "o supposes1 f9d himself unprep>$ to use ! ne$le1 &1 inde$1 at ! fir/ attempt1 ,:i/l] prov$ himself a successful et*]4 ,true en\gh1 8 e>lie/ "w1 l ,la ,vieille aux ,loques1 ,la ,m>*&e de ,m\t>de1 ,la ,cuis9e1 & ,la ,mre ,gr>d1 betrays a ke5 s5se ( ! beauty ( mat]ial2 b !y are1 aft] all1 conv5tional productions & %[ a slight influ5ce ( ,rembr&t's et*+s & ! ,little ,dut* ,ma/]s4 ,!y are attempts at reali/ic picture-mak+1 &1 no matt] h[ broadly ! objects are conceiv$ & c>ri$ out1 look spotty4 ,! light & %ade division c\ld be m sci5tific1 & ! tonality consequ5tly a f9] "o4 ,too _m little ?+s fill out ! pictorial s*eme4 ,he /ill work$ = ! effect ( dignifi$ complet5ess & _h n yet le>n$ to apply 8 lat] s5se ( elim9ation4 ,! c]ta9ty & fre$om ( 8 draughtsman%ip is always admirable4 ,!re is no academic p$antry 9 8 draw+ & no labori\s ef=t4 ,! behold] is *>m$ by its fasc9at+ expressiv5ess & delightful flexibility4 ,8 p]spective views & figure subjects convey an impression ( unhesitat+ k ( =m & cont\r & ( an exact und]/&+ ( subtleties ( modell+4 ,!y %[ no /ruggle ) difficulties ( /atem5t2 ev]y?+ seems to come "r1 z a matt] ( c\rse1 & to fit toge!r naturally )\t any delib]ate int5tion on 8 "p4 ,illu/ration3 ,,la ,,vieille ,,aux ,,loques 7,,et*+74 ,x 0 9 #ahee-eh1 dur+ a trip to ,alsace ,lorra9e ) ,delonney1 an arti/ fri5d1 :5 he made 8 fir/ attempts at et*+4 ,a few dat$ pr9ts l ! ,sc5e 9 ,alsatian ,village & ,/reet at ,sav]ne ( ?is p]iod are highly treasur$ by collectors1 & pron\nc$ z good z any t came aft]4 ,a few ye>s lat]1 9 ! sixties1 he took up ! process m s]i\sly & rema9$ its ard5t disciple ev] aft]w>ds4 ,9 ! eighties he devot$ m "t to 8 et*+s1 pa/els & wat] col\rs ?an to l>g] pa9t+s4 ,8 fa/idi\s love = r>e & picturesque subjects made him select a numb] ( fav\rite sket*+ gr\nds4 ,!y 7 ! ,?ames embankm5ts1 ( :i* he nev] tir$1 ! ,fr5* t[ns ( ,t\rs1 ,b\rges & ,lo*es1 also ,v5ice1 & ! ,ne!rl&s4 ,( c\rse1 l e true arti/1 he et*$ ev]y?+ t appeal$ to him4 ,!re are num]\s ,london & ,p>is sket*es1 sc5es f ,ajaccio & ,algi]s1 & _m figure compositions1 "* /udies & portraits4 ,b 8 ,fr5*1 ,?ames1 ,belgium1 ,holl& & two ,v5ice s]ies are probably ! mo/ int]e/+ f a collector's po9t ( view1 z !y comb9e 9 a m pron\nc$ mann] direct ,:i/l]ian me?ods ) ! que/ ( l9e expression4 ,illu/ration3 ,,/reet ,,9 ,,sav]ne 7,,et*+74 ,8 fir/ designs ( ! ,?ames s]ies 7 made 9 #ahei4 ,"s few !mes recur ) _m v>iations1 su* z ! batt]$ %op-fronts ( ,*elsea1 ,! ,pool1 ! ,london bridges1 ! b>ges on ! riv]1 & ! :>fs1 w>eh\ses & factories1 l ,price's ,c&le ,works4 ,a few ye>s lat] he made a trip ?r\gh ! nor!rn "p ( ,france1 & "o ( ! f9e/ results 0 ! le>n$1 spirit$ ,htel de ,ville at ,lo*es4 ,9 #ahgi he made 8 fir/ trip to ,v5ice1 /ay$ f\rte5 mon?s & made =ty-f\r et*+s dur+ ! "t1 includ+ ,little ,v5ice1 ,san ,biagio1 & ,! ,g>d54 ,9 lat] ye>s ,holl& attract$ him almo/ z mu* z ! city ( ! ,adriatic4 ,x is int]e/+ to note 8 absolute disda9 ( lit]>y associations4 ,to him ,v5ice 0 n1 z to ,he9e1 ! city ( ,%akespe>e4 ,:5 he cross$ ! ,rialto & ,piazzetta he did n he> ! voice ( ,%ylock lam5t+ = 8 daught]1 nor did he conjure up spl5did visions ( decay$ p[]1 z did ,rusk9 9 8 ,/ones ( ,v5ice4 ,! ,v5ice ( ,claude ,lorra9e & ,turn] exi/$ = him z little z ! panoramic suavity ( a ,canaletto4 ,he 0 satisfi$ ) sitt+ at a little trattoria ne> ! old ,po/ ,(fice1 at ,florian's1 or 9 8 simple sitt+ room at ,san ,b>naba1 dream+ ( "s l9e> expression ( an old bridge or ar*way1 ( "s en*ant$ fragm5t ( vision1 or a peculi> flu% ( col\r ov] ! ,gr& ,canal4 ,to him ,v5ice 0 a mod]n city4 ,he only saw :at 0 actually !re1 & :5 x fasc9at$ him1 he seiz$ 8 bur9 or crayon & endeav\r$1 ) frank directness1 to record ! pictorial ev5t4 ,he inv>iably *ose subjects t appeal$ to ! exp]i5c$ collector r ?an ! g5]al public4 ,he nev] idealiz$ or conv5tionaliz$1 nor did he belong to ^? :o only see ! ugly side ( life1 its squalor & unpicturesqu5ess4 ,"s ( ,:i/l]'s admir]s h pron\nc$ him n only ! greate/ et*] ( ! day1 b ( all times1 & comp>$ him to ,rembr&t4 ,?is comp>ison is n )\t ju/ification1 inasmu* z ,:i/l] 0 n a pr(essional et*] b a great arti/ :o1 l ,rembr&t1 took up ! et*+ po9t z an in/rum5t = new expression4 ,!y bo? sket*$ ) wond]ful fre$om4 ,!y 7 no me*anics2 "u _! h&s ! po9t lo/ ! engrav+ look & became wond]fully free4 ,/ill1 to say t ,:i/l] 0 ! be/ et*] ( ! day is r a sweep+ expression4 ,lalanne1 ,jacquem>t1 ,appian1 ,veyrasset1 ,meyrion1 ,zorn1 ,p5nell1 ,raffaelli1 ,rops & ,kl+] are all wond]ful et*]s4 ,9 pa9t+1 8 ma/]%ip is indisputable4 ,9 et*+ ,i d n feel x q z ke5ly4 ,!re is n ! slighte/ d\bt t et*+s l ,jo1 ,! ,adam & ,eve ,tav]n1 ,*elsea1 ,s\pe ,trois ,s\s1 ,! ,lion's ,:>f1 ! beautiful little /ill life ,! ,w9e ,glass1 ! portrait ( ,becquet1 ,unsafe ,t5em5t1 ! ,batt]sea ,bridge ( #ahgi--;a ma/]piece ( ma/]pieces--%[ uncommon ability1 :i* gives up ev]y?+ to ! "r po9t & nev] beyond x4 ,"o ( ! mo/ ravi%+ designs is 8 ,girl on a ,c\*4 ,! ,model ,re/+1 q diff]5t 9 execution1 is sc>cely less captivat+4 ,b mu* ( 8 "w seems to be a little too elaborate1 too ov]cr[d$ ) l9e "w4 ,i d n p>ticul>ly admire pr9ts l 8 ,s\?ampton ,docks1 ,portrait ( ,dr\et or ,! ,sil5t ,canal4 ,?is is m a/oni%+ :5 "o comp>es !m ) ! frugal te*nique ( 8 pa9t+s4 ,illu/ration3 ,,portrait ,,( ,,dr\et 7,,et*+74 ,a r j1 ?\gh some:at p$antic1 criticism came f ! p5 ( ,ham]ton 9 #ahha3 ,among/ liv+ m5 ,:i/l] may be cit$ z an et*] ( r>e quality 9 "o important respect1 ! managem5t ( l9es1 b 8 et*+s owe mu* ( /range *>m :i* !y possess to ,*9ese disda9 ( tonal values1 & to wayw>d caprice1 lov+ x "h & scorn+ x !re1 :i*1 be+ /rictly p]sonal1 c only be ( use z an example 9 "o s5se1 t x %[s h[ valuable 9 art is g5u9e p]sonal feel+4 ,:i/l] is an admirably delicate draughtsman :5 he likes2 !re are passages 9 8 et*+s :i* are z /rik+ 9 _! way z feats ( execution1 z ! mo/ wond]ful passages ( ,meyrion4 ,!re c be little fault f\nd ) ?is /atem5t4 ,i take objection only to ! wayw>d caprice & ! ,*9ese disda94 ,i ?9k t ,:i/l] le>n$ lov+ detail "h & scorn+ x !re only 9 8 lat] works4 ,x came out /rongly 9 compositions l ,! ,balcony1 ,doorway1 & ,palace & obta9$ full ma/]y 9 8 ,dut* s]ies1 above all ! fasc9at+ ,am/]dam ,canal piece1 :5 ! l9es 7 s vague & subtle t deep bit+ 0 impossible & a few impressions w\ld efface ! design4 ,z = ! ,*9ese disda9 ( tonal values1 ,i ?9k x is ,:i/l]'s p>ticul> m]it t he gradually aboli%$ tonality altoge!r1 &1 9 8 lat] "w1 r>ely resort$ to cross-hat*+4 ,he laid m /ress ^u ! simplification ( l9e4 ,et*+s c produce tonal s5sations1 b x is surely n ! ma9 object to /rive =4 ,:i/l] foll[$ ,had5's doctr9e t ! l9e ought to be pres]v$ z mu* z possible1 & made ! mo/ ( x4 ,if ! l9e> expression is sacrific$ 9 et*+ !re is no executive expression left2 !re is no bru%work to take its place2 ! et*] is work+ ) a po9t & n ) a bru%1 & !re mu/ be prim>ily po9t expression1 t is l9e expression1 or none4 ,illu/ration3 ,,black ,,lion ,,:>f 7,,et*+74 ,otto ,h4 ,ba*] has writt5 a few analytical notes ( ,:i/l]'s l9e "w4 ,:]e x requir$ accuracy he 0 m9ute4 ,he us$ 8 ne$le ) ! ease ( a draughtsman ) a p54 ,he gr\p$ 8 l9es 9 an easy1 playful way t 0 fasc9at+4 ,!y w\ld (t5 gr\p !mselves z tones1 a difficult ?+ to get 9 an et*+4 ,he us$ l9e & dot 9 all its phases ) c]ta9ty4 ,sometimes ! l9es =m$ a d>k %ad[ ( a passage ?r\gh a h\se1 ) figures 9 ! d>kness s beautifully drawn t !y look$ f> away f ! spectator4 ,^! %ad[s :i* s beautifully def9$ d>kness 7 made only by _m l9es c>efully weld$ toge!r & made vague z ! %ad[s became fa9t 9 ! di/ance or contra/$ ) "s light object4 ,he made 8 et*$ l9es feel l air aga9/ solids4444 ,if he et*$ a doorway1 he play$ ) ! l9es & all[$ !m to jumble !mselves into beautiful =ms & contra/s1 b 0 always v c>eful ( ! g5]al direction !y %\ld run z a :ole4 ,ba*] saw a good deal ( ,:i/l] 9 ,v5ice1 p]haps m s ?an any "o else1 & 8 obs]vations on ,:i/l]'s et*+ tools1 h[ he gr\nd & bit 8 plates1 are extremely int]e/+4 ,9 gr\nd+ plates ,:i/l] us$ ! old-fa%ion$ gr\nd1 compos$ ( :ite wax1 bitum51 pit* & ros94 ,he heat$ ! plates ) an ord9>y alcohol flame1 hold+ ! plate 9 a small h& vise4 ,! silk cov]$ dabb] t spread ! gr\nd ov] ! plate 0 fasc9at+ly manag$ by ,:i/l]4444 ,:5 he came to smok+ ! plate he pref]r$ ! old wax tap] made = t purpose4 ,he kept 8 two et*+ ne$les1 v %>p ord9>y d5ti/ tools1 9 cork1 to pres]ve _! f9e po9ts4 ,:i/l] always _h 8 /opp+-out v>ni% ) him 9 a small bottle1 apply+ x ) a bru% 9 a mo/ delicate mann]4 ,he did n make use ( any mirror b pref]r$ ! old negative process4 ,:5 he bit a plate he put x on ! corn] ( a kit*5 table1 ) 8 ret\*+ v>ni%1 et*+ ne$le1 fea!r & bottle ( nitric acid1 at h&1 ready = in/ant use4 ,tak+ a fea!r1 he w\ld place x at ! m\? ( ! bottle ( acid1 tipp+ bottle & all[+ acid to run d[n ! fea!r & drip on plate4 ,he mov$ bottle & fea!r always 9 ! same position ar\nd ! edges until plate 0 cov]$1--w\ld use fea!r cont9ually to wa% acid backw>d & =w>d ^u ! plate1 keep+ p>ts equally cov]$1 & bl[+ away air bubbles4 ,frequ5tly ,:i/l] sket*$ directly on copp] plates4 ,he c>ri$ ! prep>$ plates 9 8 pockets or 9 a book & :5 he f\nd a motif sket*$ x 9 improvisatore fa%ion4 ,8 sket*es ( ! ,annual ,review at ,spi!ad1 9 #ahhg1 %[ 8 uncommon facility z a sket* arti/4 ,he 0 ! *ampion ( dry po9t4 ,already dur+ ! ,leyl& p]iod he select$ dry po9t z a fav\rite m$ium4 ,& 9 ?is1 to my notion1 lies ! /r5g? ( ,:i/l] z an et*]4 ,:i/l] add$1 z ,joseph ,p5nell has s beautifully said1 a new sci5tific me?od to ! art ( et*+--t ( pa9t+ on ! copp] plate ) ! ne$le4 ,z a pr9t] ( 8 own plates he seems to h be5 q an exp]t4 ,he1 no d\bt1 all[$ himself great latitude & exp]im5t$ ) ea* plate1 s t few impressions resemble ea* o!r4 ,al?\gh he _h aboli%$ blacks & d>k tonal passages at an e>ly date1 he frequ5tly pa9t$ on ! plate ) pr9t]'s ink1 & w5t ?r\gh an elaborate process ( wip+4 ,( c\rse ?is makes ! excell5ce ( ! impression unev51 b also makes a p>ticul>ly good "o a m valuable possession4 ,! int5tion 0 always ! same4 ,f ! v />t he s\ght = ! same arrangem5t ( l9es & spaces1 ! same effect z 9 8 ,v5etian plates4 ,he want$ bread?--n bread? ( l9e itself1 b bread? ( expression4 ,aft] all x 0 a gr[? & sl[ developm5t4 ,he became simpl] & simpl]1 & well nigh rea*$ p]fection 9 8 ,p>isian s]ies ( #ahib-ic1 ( little %ops1 b\lev>d sc5es1 & public g>d5s1 & 9 pr9ts l ,! ,little ,ma/1 ,! ,riva1 ,! ,b>b]1 & ,za&am he acquir$ 8 wond]ful s5se = "r workman%ip on a small scale4 ,"s ( 8 et*+s ( fragm5ts ( ar*itecture h nev] be5 surpass$ 9 sket*y treatm5t2 mo/ noticeable p]haps 9 ! exagg]at$ simplicity ( ! ,london ,bridge & 9 ! ,holl& s]ies ( ! n9eties4 ,!re we realize t great simplicity ( motif is dep5d5t on great simplicity ( g5ius4 ,! effects are s spontane\s & subdu$ t _! value might well escape common obs]vation4 ,! extreme s5sibility is a matt] ( bo? t\* & vision4 ,8 plates look z if ! rapidity ( execution _h be5 extraord9>y1 & yet 8 l9e1 z delicate at times z 9 silv] po9t draw+s1 is n exactly :at we c\ld call n]v\s1 b ( rem>kable fre$om & un]r+ precision4 ,x is piquant & sprightly1 subtle & al]t4 ,! l9es c almo/ be c\nt$ 9 "s ( 8 lat] et*+s4 ,he _h le>n$ ! tru? ( ! prov]b ,wise economy is ev]y?+4 ,x 0 ev5 m ?an wise economy4 ,x 0 ! highe/ expression ( arti/ic wisdom1 :i* _h almo/ disappe>$ s9ce ! surface decorations ( ,greek vases1 9 :i* mood1 "* & incid5t 7 r$uc$ to a few details1 /rong en\gh to incite 9 ! imag9ation ( ! behold] all t 0 elim9at$4 ,e art is at its be/ :5 x is mo/ itself4 ,nobody realiz$ ?is m ?an ,:i/l]1 :o inv>iably emphasiz$ ?is4 ,he _h an absolutely cle> idea ( :at e m$ium c\ld d4 ,9 8 l>g] pa9t+s x 0 ! exploitation ( a few dull col\rs1 ( a silh\ette 9 space comb9$ ) psy*ological rese>*2 9 8 nocturnes1 a play ( slightly diff]5tiat$ tones2 9 8 wat]-col\rs a m]e sugge/ion ( reality2 & 9 8 pa/els a c]ta9 joy\sness ( expression4 ,pure l9e1 caprice ( detail1 di/ance & atmosph]e1 he res]v$ = 8 et*+s2 & a subtle expression ( values ( moss-l gradations = 8 li?ographs4 ,8 decision may n always appe> "r to o!rs1 b x 0 "r to him4 ,h[ c>efully he ?\ght out ^! te*nical problems is %[n 9 8 ,propositions1 :i* he address$ to an ,am]ican et*+ club t _h invit$ him to take "p 9 a competition ( l>ge plates4 ,he wrote ! foll[+ s]ies ( maxims t %\ld be po/$ on ! wall ( e /udio3 ,t art is crim9al to g beyond ! means us$ 9 its ex]cise4 ,t ! space to be cov]$ %\ld always be 9 prop] relation to ! means us$ = cov]+ x4 ,t 9 et*+1 ! means us$1 or in/rum5ts employ$1 be+ ! f9e/ possible po9t1 ! space to be cov]$ %\ld be small 9 proportion4 ,t all attempts to ov]/ep ! limits insi/$ ^u su* proportions are in>ti/ic ?or\ghly1 & t5d to reveal ! paucity ( ! means us$1 in/ead ( conceal+ ! same1 z requir$ by art 9 its ref9em5t4 ,t ! huge plate1 !re=e1 is an (f5ce--its und]tak+ an unbecom+ display ( det]m9ation & ignorance--9 accompli%m5t a triumph ( un?9k+ e>ne/ness & uncontroll$ en]gy--bo? end[m5ts ( ! 'duff]4' ,illu/ration3 ,,wapp+1 ,,on ,,! ,,?ames 7,,et*+74 ,t ! cu/om ( ',rem>que' emanates f ! amateur & reflects 8 fooli% facility beyond ! bord] ( 8 picture1 ?us te/ify+ to 8 unsci5tific s5se ( its dignity4 ,t x is odi\s4 ,t1 inde$1 !re %\ld be no m>g9 on ! pro( to receive su* ',rem>que4' ,t ! habit ( ! m>g91 aga91 dates f ! outsid]1 & cont9ues ) ! collector 9 8 unreason+ connoisseur%ip--tak+ curi\s pleasure 9 ! quantity ( ! pap]4 ,t ! picture end+ :]e ! frame beg9s1 & 9 ! case ( et*+s1 ! :ite m\nt1 be+ inevitably1 because ( its col\r1 ! frame1 ! picture ?us ext5ds itself irrelevantly ?r\gh ! m>g9 ( ! m\nt4 ,t wit ( ?is k9d w\ld leave six in*es ( raw canvas betwe5 ! pa9t+ & its gold frame1 to delight ! pur*as] ) ! quality ( ! clo?4 ,we may n agree ) 8 conclusion on ! m>g9 & rem>que4 ,! latt]1 no d\bt1 0 introduc$ by ! arti/ to please ! pur*as]4 ,x is !re=e1 if a fault at all1 t ( ! arti/ z mu* z ( ! collector4 ,! "q ( m>g9 is an individual "o4 ,!re is little diff]5ce betwe5 a mat & a m>g91 & ! ,japanese pr9t & ! fram+ ( black & :ites 9 g5]al h taught u ! utility ( unev5 spac+ ar\nd ! picture4 ,! rema9d] ( ! argum5t is excell5t1 !oretically z well z /hetically4 ,:i/l]'s composition1 except+ ! ,fr5* set1 0 /rictly impressioni/ic4 ,"o m]ely has to look at ! ,cadogan ,pi]1 ,! ,little ,pool1 ,old ,hung]=d ,bridge1 ,little ,wapp+1 ,! ,velvet ,dress1 ,! ,dam ,wood1 ,! ,long ,lagoon1 etc41 to come to ?is conclusion4 ,illu/ration3 ,,old ,,hung]=d ,,bridge 7,,et*+74 ,! ^w impressionism is r difficult to expla94 ,x is on ! tongue ( ev]ybody1 & yet few mean exactly ! same ?+ :5 !y make use ( x4 ,! t]m appli$ =m]ly to e art expression--z e arti/ endeav\r$ to r5d] an impression--has be5 specializ$ 9 ! latt] half ( ! la/ c5tury4 ,x has become ! nickname ( a def9ite numb] ( pa9t]s1 :o h adopt$ a new palette 7z sugge/$ by sci5tific rese>*es7 & introduc$ a new me?od ( lay+ col\rs on ! canvas4 ,9 rec5t ye>s ! t]m has und]gone ano!r *ange--x has become a g5]al claim = individuality ( subject & treatm5t4 ,fir/ ( all1 let u det]m9e :at diff]5ce !re really is betwe5 ! old & ! new /yle ( impressionism4 ,! arti/ ( ! old s*ool receiv$ an impression & elaborat$ ^u x4 ,he embelli%$ x ) all 8 art 0 capable (1 & ! orig9al impression und]w5t all sorts ( *anges4 ,x 0 m]ely ! fir/ inspiration--! f\ndation /one ^u :i* ! :ole art /ructure 0 erect$4 ,! arti/ ( ! new s*ool1 on ! o!r h&1 endeav\rs to reproduce ! impression he has receiv$1 un*ang$4 ,he wants ! impression itself1 & wants to see x on 8 canvas z he has se5 & felt x1 hop+ t 8 int]pretation may call =? simil> /hetic pleasures 9 o!rs z ! orig9al impression did 9 him4 ,x is a s+ul> co9cid5ce1 inde$1 t :ile ! m5 ( ! l5s busy !mselves ) imitat+ ! art ( sev]al c5turies ago1 ^? ( ! bru% are seek+ b = ! accuracy ( ! cam]a plus te*nical individuality4 ,! impressioni/ pa9t]s adh]e to a /yle ( composition t app>5tly ignores all previ\s laws4 ,!y depict life 9 scraps & pigm5ts1 z x appe>s haphaz>d 9 ! f9d] or on ! gr\nd glass ( ! cam]a4 ,! me*anism ( ! cam]a is ess5tially ! "o m$ium :i* r5d]s e int]pretation impressioni/ic1 & e photographic pr9t1 :e!r %>p or blurr$1 is really an impression4 ,h[ did ! impressioni/ic pa9t]s arrive at ?is new /yle ( composition8 ,p]mit me two que/ions4 ,:5 0 impressionism introduc$ into pa9t+8 ,9 ! sixties4 ,:5 did photography come into practice8 ,9 ! e>ly =ties4 ,d y see :at ,i am driv+ at8 ,photography 9 ! sixties 0 /ill a comp>ative novelty1 & consequ5tly excit$ ! int]e/ ( pictorial re=m]s m ?an x does to-day4 ,its influ5ce mu/ h be5 v /rongly felt1 & ! m ,i h ?\ght ( ! nature ( ?is influ5ce ! /rong] has become ! conviction 9 me t ! impressioni/ic /yle ( composition is l>gely ( photographic orig94 ,illu/ration3 ,,! ,,sil5t ,,canal 7,,et*+74 ,impressioni/ic composition is un?9kable )\t ! application ( focus4 ,! l5s ( ! cam]a taught ! pa9t] ! importance ( a s+le object 9 space to realize t all subjects _c be se5 ) equal cle>ness1 & t x is necess>y to conc5trate ! po9t ( int]e/ accord+ to ! visual abilities ( ! eye4 ,!re is no l5s1 z ev]ybody kn[s1 :i* r5d]s =egr\nd & middle di/ance equally well4 ,if ?ree objects1 = in/ance1 a h\se1 a tree & a pool ( wat]1 /& at diff]5t dep?s be=e ! cam]a1 ! photograph] c1 at w1 fix ei!r ! h\se1 ! tree or ! pool ( wat]1 b :atev] "o ( ^! ?ree objects x w be1 ! o!r two objects w appe> less di/9ct4 ,! human eye c\ld h told ! pa9t] ! same /ory1 z ! eye naturally & in/9ctively re/s on ! mo/ pleas+ "p ( ! sc5e1 & 9 s do+1 puts out ( focus m or less all ! o!r p>ts4 ,x is a curi\s fact t all ! compositions ( ! ,old ,ma/]s 7 out ( focus4 ,true en\gh !y swept m9or light & col\r notations into l>g] ones1 b !re seldom 0 any def9ite indication 9 _! "w :e!r an object 0 9 ! =egr\nd or middle di/ance4 ,?is way ( see+ ?+s 01 no d\bt1 a volunt>y "o--!y _h a diff]5t idea ( pictorial int]pretation4 ,9 _! pictures1 z 9 nature1 we cont9ually all[ our att5tion to flit f "o po9t to ! o!r 9 ! endeav\r to grasp ! :ole1 & ! result is a s]ies ( m9or impressions1 :i* consci\sly influ5ce ! f9al & total impression we receive f a picture4 ,! impressioni/ is satisfi$ ) giv+ "o full impression t /&s by itself1 & x 0 ! broadca/ appe>ance ( ! photographic images 9 ! sixties t taught him to see & repres5t life 9 focal planes & divisions4 ,9 ! catalogue ( ,:i/l]'s et*+s1 arrang$ by ,fr$]ick ,w$more 9 #ahhf1 we f9d #bad pr9ts enum]at$ & comm5t$ ^u4 ,9 a lat] edition ! numb] _h increas$ to #bfh4 ,9 ! ,catalogue ( et*+s ( ,james ,mc,neill ,:i/l]1 compil$ by an amateur & publi%$ by ,wund]li* 9 ,new ,york1 #aijb1 & :i* claims to conta9 all kn[n et*+s by ! arti/1 ! numb] is #cgb4 ,b z ,:i/l] 0 work+ on copp] all 8 life1 x is difficult to /ate h[ _m et*+s he really made4 ,joseph ,p5nell1 :o probably kn[s m ab\t ?is phase ( art ?an any liv+ man1 makes a /atem5t z foll[s3 ,i "k little1 & c say less1 ( ! /ate ( 8 plates1--& ,i believe he himself knew little m ab\t !m1--h[ _m 7 pr9t$1 :e!r !y exi/ or n1 or :at has become ( ! copp]s4 ,all ,i d "k is t 9 ! case ( ! ,?ames set1 long aft] ,:i/l] or ,deltre--,i am n sure :i*--_h pull$ a c]ta9 numb] ( pro(s1 long aft] ! plates _h be5 /eel$ & regul>ly publi%$1 ab\t #ahga1 & lat] /ill1 aft] a ,bond ,/reet deal] _h be5 sell+ !m 9 endless numb]s to arti/s = a few %ill+s ea*1 ! idea 0 sugge/$ to ano!r deal] t he %\ld pur*ase ! copp] plates1 remove ! lead fac+s &1 if !y 7 9 condition1 pr9t z _m z ! plates w\ld /&1 or1 if !y 7 n1 de/roy ! plates & sell !m2 = ev5 ,:i/l]'s de/roy$ copp] plates h a value4 ,! exp]im5t 0 tri$1 & extraord9>ily f9e pro(s 7 obta9$4 ,i believe collectors res5t$ ?is v mu*1 b arti/s rejoic$1 & ! _w is ri*] by a numb] ( spl5did examples ( ! ma/]4 ,illu/ration3 ,,view ,,( ,,am/]dam 7,,et*+74 ,:i/l] gave et*+ a new impetus1 & a new significance 9 ! use ( l9e2 ev5 z ,mrs4 ,s*uyl] ,van ,r5ssela] has s well express$ x3 9 tell+ use ( a l9e he has no sup]ior among ! mod]n & few equals 9 any age4 ,8 "w is nev] dull1 nor cold1 nor commonplace4 ,x is always fasc9at+ & capable ( provok+ /hetic s5tim5ts4 ,at times x is ( slight con/itution1 a m]e pass+ fancy1 leav+ _m objects 9 ! /age ( m]e sugge/ion1 b x always has a f9i%$ look4 ,& f9i%1 z he und]/ood x1 meant ! c>ry+ on ( a te*nical process until x _h fulfill$ to ! utmo/ its mission & explanation1 until n a t\* m 0 ne$$ to make cle> ! int5tion :i* ! picture embodi$4 ,,*apt] ,,ix ,,moss-,,l ,,gradations ,grey is ! col\r ( mod]n life4 ,!re is "s tru? 9 ! /atem5t4 ,mod]n civilization %uns ! sla%$ d\blet & purple cloak4 ,beauty ( col\r1 z a ,titian & ,v]onese und]/ood x1 belongs to ! pa/4 ,! brilliancy & spl5d\r has fad$ out ( x4 ,! mod]n pa9t] uses a m limit$ scale ( col\r1 & ! t5d5cy is t[>d grey4 ,man's g>b is monotone1 & ! life 9 l>ge cities devoid ( ! ri* col\r-bur/s ( m$ival life4 ,! contra/s are all 9 l[]1 pal] & murki] tones1 & grey1 9 mo/ in/ances1 furni%es ! keynote & g5]al h>moniz]4 ,all ! arti/s :o h a f9e feel+ = ! arrangem5t ( col\rs h realiz$ t h>monies ( r$1 gre5 & violet1 :i* %one s respl5d5tly f ! w>m br[n tones ( ! ,old ,ma/]s1 are ! dreams ( ano!r age4 ,ev5 ! impressioni/s1 by ! v "* ( _! te*nical innovations1 notably ! abolition ( br[ns1 ! /ruggle = a high] pit* ( light by ! int]action ( purely appli$ col\rs & ! exagg]ation ( ! transp>5cy ( %ad[s1 are pursu+ ! grey phantom ( mod]n art4 ,_! ambition is no long] a comb9ation ( bright col\rs1 z 9 ,v]onese's ,m>riage ( ,cana1 b a tonality ( dull yell[ or gre51 :i* p]vades ! :ole surface ( ! pictures4 ,! fl[+ robes1 fl[]s & gold ornam5ts1 once s radiant on ! canvases ( ! ,r5aissance1 h turn$ z pale z a%es4 ,we take delight to-day 9 subtl] gradations1 9 semi & qu>t] tones1 ! los+ ( =ms 9 my/ic %ad[s1 a re/less1 sugge/ive te*nique ( mobile t\*es1 n]v\s sp>kles1 ( delicate brok5 t9ts t %[ a hundr$ diff]5tiations4 ,& ?is ov]-s5sitiv5ess & fa/idi\s objection to /rong contra/1 ?is love = ! ext]nals ( te*nique1 rais+ bru%work to a high] p$e/al ?an ! idea1 has mu* to d ) ! exclusiv5ess ( mod]n pa9t+ & ! ke5] appreciation = mono*rome4 ,9 mono*rome repres5tation ! eye has to deal only ) "o mode ( p]ception--t ( =m4 ,! p]ception ( col\r dep5ds ^u ! diff]5tiation ( ! effect ^u ! optical n]ve fibres1 t ( =m on ! numb]s & relative position ( ! latt]4 ,! latt] mode ( /hetic p]ception is1 9 our times1 m tra9$ & develop$1 z x is 9 con/ant usage4 ,reproductive processes1 ! halftone & photography1 h made mono*rome a vehicle ( expression almo/ z popul> z ! spok5 ^w4 ,to =m] ages only ! v>i\s processes ( engrav+ 7 kn[n4 ,) ! exception ( et*+ & wood engrav+1 !y 7 appli$ l>gely to popul>ize ! products ( pa9t]s1 & ! indep5d5t et*]s & block-cutt]s g5]ally adh]$ to a sev]e & classical /yle ( art4 ,x 0 ! n9ete5? c5tury ) its pr9ciple ( univ]sal education1 newspap]s1 books & manifold publications1 t br\ght ab\t ! great *ange4 ,texture con/itutes to mo/ collectors ! pr9cipal *>m ( ! graphic arts4 ,x is a r>e & fanta/ic valuation1 an appreciation ( preciosity1 ?is occupy+ oneself ) ! fasc9ation ( ! m9or arts4 ,art w\ld be too au/]e if x 7 n = ! mak]s ( et*+s & li?ographs1 ( pa/els & wat]-col\rs4 ,photography1 ! late/ arrival 9 ! ranks ( ! graphic arts1 has ! wide/ range ( expression1 & its te*nique is int]e/+ z f> z x c express me*anically & ) comp>ative ease gradations ( tone t )\t visible t\*es1 m>ks1 /rokes or l9es melt imp]ceptibly into ea* o!r4 ,b ?is smoo?ness ( texture w also be its mo/ =midable drawback4 ,!re is no *ance = manual expression )\t de/roy+ ! *>m ( photographic texture4 ,*emi/ry is ! only legitimate means to accompli% x4 ,illu/ration3 ,,nocturne 7,,li?ograph74 ,copp] & /eel engrav+s lack t fre$om ( expression1 & are re/rict$ l>gely to reproductive purposes4 ,c>ri$ out by cross-hat*+1 !y are limit$ by ! black ( ! ink & ! :ite ( ! pap]1 & ! precise "* ( ! l9e "w4 ,mod]n reproductive wood engrav+1 notably ( ! ,am]ican s*ool1 is ! only m$ium :i* has conqu]$ ! subtleties ( tone4 ,! scale 9 mono*rome pa9t+ 9 col\r is s limit$ t few arti/s apply x4 ,india ink & sepia1 h[ev]1 are mu* 9 fav\r1 & if h&l$ by an arti/1 fulfil ! requirem5ts ( pa9t+4 ,! only %ort-com+s are a c]ta9 transp>5cy 9 ! middle t9ts & an artificial look 9 ! texture4 ,*>coal & *alk h a great simil>ity1 & also l5d !mselves to elaborate composition1 al?\gh ! m delicate & light] greys are frequ5tly muddy4 ,p5 & ink c m]ely give an impression ( l9e1 & next to et*+ x is ! be/ m$ium = sket*+1 only a less pliable "o1 :i* is l>gely due to ! unela/icity ( ! /eel p52 all subtl] gradations are left out1 z ! brighte/ t9ts are lo/ 9 ! :ite & ! d>ke/ 9 ! black4 ,9 lead p5cil sket*es ! l[e/ tones are grey z comp>$ ) black1 & consequ5tly c n produce any decid$ dep?4 ,crayon li?ography is capable ( produc+ beautiful s(t greys4 ,z ! gradations f "o t9t to ano!r are n cont9u\s1 ! texture1 consi/+ ( innum]able m9ute dots1 does n p]mit cle> un9t]rupt$ l9e "w & ev5 fl[ ( tone4 ,x does n l5d itself p>ticul>ly well to fai?ful copy+ f nature4 ,! v "* ( its granulat$ l9e & surface sugge/s a sket*y & fragm5t>y treatm5t4 ,:i/l]1 :o1 ) ,fant9-,lat\r1 %>es ! hon\r ( ! happy revival ( arti/ic li?ography1 readily realiz$ ?is4 ,he laid special /ress ^u ! texture2 its deta*$ %apes creep ov] ! pap] l grey moss ov] a /one4 ,!y are all c>ri$ out 9 grey monoton\s middle t9ts b m>vell\sly delicate & subtle 9 values4 ,sup]ficial b delici\s 9 quality1 8 li?ographic croquis impress u l ! labori\s trifles & h>moni\s bagatelles ( a ,h]rick4 ,!odore ,duret tells u t ,:i/l] made 8 fir/ s]ies ( six li?ographs dur+ ! ye>s #ahgg-gh 7republi%$ 9 #ahhg by ,b\ssod ,valadon 9 ,p>is74 ,!y 7 drawn directly on /one1 contr>y to 8 lat] me?od1 :5 he us$ transf] pap] almo/ exclusively4 ,!y 7 r l>ge 9 size1 & resembl$ 8 pa9t$ nocturnes 9 g5]al treatm5t4 ,?is is p>ticul>ly ! case ) 8 ,view on ! ,?ames1 ! mo/ beautiful pr9t ( ! s]ies4 ,i d n believe t ^! repres5tations 7 ( p>ticul> importance1 z !y contradict 8 own !ory4 ,:at c be & has be5 p]fectly express$ 9 "o m$ium1 c n rea* equal p]fection 9 ano!r m$ium4 ,x 0 really no?+ b a translation ( a pa9t$ nocturne into black & :ite4 ,! ess5tial *>m ( a ,:i/l] nocturne consi/s ( col\r4 ,black & :ite c convey only a vague idea ( vibrancy4 ,:5 ,:i/l] took up li?ograph+ = ! second "t 9 #ahhe-hf1 he _h become ?or\ghly famili> ) 8 m$ium4 ,he no long] work$ on ! /one1 & ab&on$ all elaborate f9i%$ compositions4 ,8 motifs are sket*y little figure /udies1 /reet sc5es1 portraits & occasionally a nude or semi-nude l 8 ,danc+ ,girl 9 flutt]+ drap]y4 ,! pr9t+ he entru/$ to a li?ograph pr9t] 9 ,london1 ,?omas ,way by "n1 :o 0 some:at ( an arti/ himself & consequ5tly bett] equipp$ ?an ! ord9>y pressman to d ju/ice to ,:i/l]'s vague fancies4 ,frequ5tly ,:i/l] took a h& 9 ! pr9t+1 or at lea/ made corrections4 ,pr9t] ,way told ,mr4 ,w$more1 ) ref]5ce to ! sometimes disput$ matt] ( ! transf] pap]1 t ev5 :5 ! arti/ drew on t 9 ! fir/ in/ance1 & saw 9 pro(s ?+s t 7 lack+ or ?+s t 7 exagg]at$1 he w\ld make 8 correction ^u ! /one itself1 & s1 ( c]ta9 ( 8 li?ographs--8 lat] ones especially--he produc$ diff]5t '/ates1' ?\gh x 0 n easy to expressly def9e !m1 & ?\gh ^! diff]5ces 71 ( c\rse1 b ! exceptions1 & :]eas v (t51 ?\gh ( c\rse n always 9 et*+s--,:i/l]'s or o!r peoples'--! e>li] /ate is f9] ?an ! lat]2 9 ^! li?ographs1 g5]ally speak+1 ! lat] /ate is f9] ?an ! e>li]4 ,:i/l]'s li?ographs c easily be classifi$ accord+ to ! subjects !y repres5t4 ,dur+ ! ye>s ,:i/l] liv$ 9 ,p>is he depict$ views & sc5es ( ! city l ! ,pan!on1 ,! ,gr& ,gall]y ( ! ,l\vre1 ,! ,luxemb\rg ,g>d5s & int]e/+ types l ,la belle ,new ,yorkaise & ,la belle ,dame ,p>esseuse4 ,"o pr9t1 ,les ,confid5ces dans le ,j>d91 depicts two gossip+ wom5 9 ! g>d5 ( 8 h\se 9 ! rue du ,bac4 ,8 ,london subjects are equally num]\s4 ,9 #ahie1 :5 he pa9t$ ,! ,ma/] ,smi? & ! ,little ,rose ( ,lyme ,regis1 :ile at a wat]+ place 9 ,dorset%ire he made sev]al sket*es ( ! picturesque /reets ( ! old t[n4 ,( p>ticul> *>m are 8 ,e>ly ,morn+ 7a view ( ! ,?ames f 8 ,*elsea w9d[7 & ,! ,locksmi? ( ! ,dragon ,squ>e4 ,9 #ahhf1 dur+ an illness ( 8 wife1 he liv$ 9 ! ,surrey ,hotel & execut$ a numb] ( panoramic views ( ! ,/r&1 ! ,?ames ) its riv] traffic1 ! quays1 ,/4 ,paul's ,ca!dral & bird-eye views ( ,london /reets4 ,illu/ration3 ,bo/on ,museum ( ,f9e ,arts ,,little ,,rose ,,( ,,lyme ,,regis4 ,all ^! designs are beautifully envelop$ 9 a mi/y atmosph]e4 ,! pap] is us$ z a value z important z ! grey l9es ( ! crayon1 & ! =ms are s(t5$ z if brok5 by light & g5]ally mass$ 9 an unsymmetrical fa%ion4 ,"s ( ! portrait sket*es are sup]b1 9 p>ticul> t ( ,/phane ,mall>m1 :o 0 ,:i/l]'s life-long fri5d & "o ( 8 /aun*e/ support]s4 ,x 0 l>gely due to ,mall>m t ! ,portrait ( ! ,arti/'s ,"m f\nd a home 9 ! ,luxemb\rg4 ,he also translat$ ! ,t5 ,o'clock into ,fr5*4 ,:i/l]'s sket* ( ! poet appe>$ on ! front ( ! ,p>isian edition ( ,v]s et ,prose 7#ahic74 ,x is app>5tly hurri$ly da%$ (f1 b ! result ( _m c>eful /udies & exp]im5ts4 ,x is a m]e fragm5t1 neglig5t1 disda9ful2 b h[ kn[+ly made1 & h[ *>act]i/ic ( ! poet's p]sonality6 ,despite its vagu5ess x is a lik5ess1 & pref]able1 to me at lea/1 :o 0 =tunate to "k ,mall>m 9 ! e>ly eighties1 to mo/ portraits made ( him4 ,:i/l] nev] surpass$ ?is p>ticul> ef=t1 al?\gh 8 portraits ( ,joseph ,p5nell1 ,mrs4 ,p5nell1 ,walt] ,sick]t1 ,w4 ,e4 ,h5ley & 8 wife1 ,miss ,philip & ,comte ,montesquieu are excell5t "* /udies4 ,way publi%$ 9 #ahif a catalogue ( #acj li?ographs4 ,lat] additions probably increase ! numb] to #aej4 ,! ,london ,f9e ,arts ,society held 9 #ahie a special sale ( #ge li?ographs4 ,! ,groli] ,club ( ,new ,york 9 #aijj held an exhibition ( #ajf pr9ts4 ,8 nudes are *>m+ little inv5tions 9 pose & ge/ure ) consid]able k ( ! human figure4 ,9 ! ,society exhibition ( #ahhe he exhibit$ a nude entitl$ ,caprice4 ,a ,r4 ,a4 ,horsley took exception to x1 & 9 a lecture be=e a ,*ur* ,congress1 aft] indulg+ 9 mo/ curi\s1 p$antic & m$ival argum5ts1 end$ ) ! foll[+ tirade3 ,is n clo!dness a di/9ct type & feature ( our ,*ri/ian fai?8 ,all art repres5tations ( nak$ness are out ( h>mony ) x4 ,illu/ration3 ,,/udy ,,( ,,nude ,,figure 7,,*alk ,,draw+74 ,:i/l]1 ev] ready to take up ! cudgel1 av5g$ himself by writ+ "u ! picture3 ,horsley soit qui mal y p5se1 & leav+ x !re dur+ ! entire exhibition4 ,/range1 t ,:i/l] nev] attempt$ to pa9t a l>ge nude 9 oil4 ,he1 no d\bt1 _h a reason = ?is omission1 al?\gh x is n[h]e record$4 ,p]haps he agre$ on ! po9t ) ,rusk9 t a reali/ic nude _h no place 9 mod]n life1 n = any moral reason b m]ely t ! human body 0 too defective to all[ ! highe/ /hetic gratification4 ,a figure 9 mod]n g>b is a "p ( mod]n life1 a nude is an ali5 9 space )\t any special significance4 ,?is %\ld h appeal$ to ,:i/l]2 p]haps he /rove h>d to realize x b nev] succe$$ 9 do+ s4 ,8 li?ographs & pa/els ( nudes seem l>gely exp]im5tal4 ,!y nev] g beyond ! sket* & vaguely rem9d "o ( ,tanagra figures4 ,! ,model ,re/+1 & ,! ,little ,nude ,read+1 a pr(ile view ( a "y girl sitt+ 9 b$ hold+ ) bo? h&s a book1 are two ( ! be/ kn[n4 ,:i/l] also made a few attempts 9 col\r$ li?ography1 z = in/ance1 ,la ,maison ,jaune4 ,b x is h>dly col\r$ li?ography1 x is m]ely a black & :ite design ) a few t\*es ( col\r1 z express$ 9 ,a ,lannion or ! ,maison ,r\ge ,paimpol1 ! result ( an excursion to ,brittany4 ,p]haps ! mo/ exquisite & delicate ( 8 ef=ts are ^! slight delicate r5d]+s ( female =ms4 ,:5 he adds a little col\r x is always done ) r>e preciosity1 ! un-f9i% always be+ ma/]ly4 ,& !re is su* a ?+ z ma/]ly un-f9i% always be+ j at ! "r spot z !re is m]it 9 ! ma/]ly inactivity ( a ,russian g5]al oppos+ an invad+ army4 ,! v ess5ce ( ,:i/l]'s art is to be se5 9 ^! col\r$ draw+s4 ,( peculi> *>m are ,:i/l]'s pa/els4 ,! majority1 "s fifty :i* he exhibit$ 9 ! ,london ,f9e ,arts ,society 9 #ahhj1 depict ,v5etian sc5es4 ,!y 7 catalogu$ z h>monies 9 blue & br[ns1 9 opal & turquoise1 etc4 ,!y %[ a r>e elegance ( design & a peculi> suavity ( col\r4 ,!y are ! la/ remnants ( 8 e>ly p]iod ( vivid col\r+1 & are highly valu$4 ,!y repres5t canals ) drap$ gondolas1 views f ! lagoons ) %ips at an*or1 ar*ways1 & :ite *ur*es1 ! cemet]y ) gre5 trees1 lights gleam+ on ! di/ant %ore & reflections 9 ! wat]4 ,8 figures 9 pa/els are mo/ly "y girls1 semi-nude or 9 qua9tly col\r$ robes1 frequ5tly 9 p9k & r$ aga9/ vague backgr\nds4 ,:i/l]'s virtuosity 9 ^! sket*es & pictorial fragm5ts is entirely diff]5t f ! s-call$ impressioni/'s "w4 ,x is prim>ily full ( imag9ation1 ( a high m5tal tone & dignity4 ,:i/l] has %[n h[ noble an aspect c be giv5 to ! expression ( an extremi/1 = he also 0 an extremi/4 ,he p]fectly realiz$ t aggressive sket*9ess c nev] be monum5tal1 t sket*es are m]ely gymna/ic ex]cises t l5d heal? & /r5g? to a pa9t]'s te*nique1 al?\gh !y rema9 to ! end m]ely ex]cises4 ,at ! same "t1 if rightly h&l$1 !y express c]ta9 /hetic aspects ( life bett] ?an m elaborate ef=ts4 ,he knew :at a sket* c\ld & c\ld n convey1 & ! wond]ful fre%ness & spontaneity :i* !y exhibit are witness alike to ! cle> crispness ( 8 p]ception & to 8 sympa!tic h&l+4 ,illu/ration3 ,own$ by ,?4 ,r4 ,way ,,pa/el ,,/udy4 ,! only m$ium 9 :i* ,:i/l] express$ himself )\t add+ a decid$ note to individuality ( execution1 are 8 wat] col\rs4 ,!y h an easy fl[1 b ! areas ( surface seem too l>ge = ! slight treatm5t4 ,! mean+ ( ! motifs seems to be dissipat$4 ,!y repres5t mo/ly /reet sc5es1 c\ntry views1 ! sea%ore & m>9es1 *>m+ly transluc5t1 b )\t sugge/+ a /yle1 t develop$ ! m$ium accord+ to its res\rces4 ,b :atev] ,:i/l] did 0 int]e/+4 ,x is difficult to imag9e a m delightful pa/ime ?an to look ov] a collection ( 8 pa/els1 li?ographs & aqu>elles4 ,!y are c>ri$ out lightly1 b ) true t\*es ( g5ius & joy\s my/ify+ excursions into ! dreaml& ( pictorial fancy1 q 9 ! ,:i/l]ian mann]4 ,no "o1 ,i ?9k1 q s well fulfill$ ,:i/l]'s own !ory t an arti/ %\ld see nature ?r\gh ! spiritual eye ( an individual4 ,few pa9t]s 7 su* frank int]pret]s ( _! own intimate moods4 ,aside ( all ^! works on record ,:i/l] has scatt]$ ?r\gh ! _w c\ntless scraps ( draw+s1 !mselves amply suffici5t to make an arti/'s reputation4 ,:at a preci\s docum5t we %\ld h if _! au?or 7 able to-day to give a li/1 z c]ta9 arti/s h done1 a k9d ( ,lib] v]itatis ( all ! /udies he has made & dissem9at$6 ,b he has flung !m f> & wide1 z ! plum tree scatt]s its blossoms 9 approa*+ spr+4 ,,*apt] ,x ,,:i/l]',s ,,iconoclasm ,x w\ld be difficult to f9d 9 ! :ole hi/ory ( art writ+ ano!r case ( a pamphlete] :o became z fam\s ) a few manuscripts z ,:i/l]4 ,bo? ! ,g5tle ,art ( ,mak+ ,enemies1 edit$ by ,%]idan ,=d1 & publi%$ 9 #ahij by ,william ,he9eman1 ,london2 ,fr$]ick ,/okes ,co41 ,new ,york2 & ,delabrosse ,co41 all 9 ! same ye>1 & ,! ,t5 ,o'clock1 deliv]$ 9 ,london1 ,febru>y1 #ahhe2 9 ,cambridge1 ,m>* #bd?2 & ,ox=d1 ,april #cj? ( ! foll[+ ye>1 & publi%$ 9 #ahhh1 creat$ a s5sation4 ,!y sc>cely embrace five ?\s& words ( read+ matt]4 ,:i/l]'s diction 0 exce$+ly t]se & poignant & he manag$ to say1 or at lea/ to sugge/ to intellig5t m9ds1 9 a few words a phrase or maxim1 :i* w\ld exact f m sluggi% p5s page aft] page ( argum5t4 ,( c\rse1 8 lett]s & replies to critics 7 writt5 l>gely = effect4 ,a well turn$ phrase 0 to him ! ideal ( diction & no d\bt he rewrote e s5t5ce a doz5 times be=e he all[$ x to g out to ! public4 ,x 0 to him a "p--& a mo/ s]i\s "p--( 8 pr(ession4 ,& :5ev] he did n deal ) p]sonalities & approa*$ ! te*nical pr9ciple on :i* 8 practice z arti/ 0 bas$1 z 9 8 propositions1 8 obs]vations & !ories became lucid & conv9c+4 ,read 8 reply to ! criticism :i* 0 caus$ by ! )drawal ( two memb]s f ! ,society ( ! ,briti% ,arti/s1 :o left volunt>ily kn[+ t *anges ( policy 7 inevitable "u ! presid5cy ( ,:i/l]4 ,! attack 9 ! ,london ,daily ,news end$ z foll[s3 ,x w be = ! patrons ( ! ,suffolk-/reet ,gall]y to decide :e!r ! m ?an half-uncov]$ walls :i* w be (f]$ to _! view next week are m int]e/+ ?an ! "w ( _m arti/s ( m ?an av]age m]it :i* w be conspicu\s by its abs5ce1 ow+ to ! selfi% policy inaugurat$4 7,sign$7 ,a ,,briti% ,,arti/4 ,illu/ration3 ,own$ by ,h[>d ,mansfield ,,ar*way1 ,,v5ice 7,,pa/el74 ,:i/l] answ]$3 ,f> f me to propose to p5etrate ! motives ( su* )drawal1 b :at ,i d d5y 0 t x c\ld possibly be caus$--z its /rangely late ann\ncem5t seem$ sweetly to ins9uate--by ! /rong det]m9ation to tol]ate no long] ! m$iocre "w t _h hi!rto habitually sw>m$ ! walls ( ! ,suffolk-/reet4 ,?is is a pla9 "q ( date1 & ,i po9t$ out t ^! two g5tlem5 left ! ,society six mon?s ago--long be=e ! sup]vis+ committee 7 call$ ^u to act at all1 or make any demon/ration :atev]4 ,y\r correspond5t regrets t ,i d n 'g fur!r1' & /raightway goes fur!r himself1 & sc>cely f>es bett]1 :51 ) a qua9tness ( naivet r>e at ?is mom5t1 he proposes t 'x w be = ! patrons ( ! gall]y to decide :e!r ! m ?an half-cov]$ walls are m int]e/+ ?an ! works ( _m arti/s ( m ?an ! av]age m]it4' ,n[ x w be = ! patrons to decide absolutely no?+4 ,x is1 & w always be1 = ! g5tlem5 ( ! hang+ committee alone1 duly *os51 to decide :e!r empty space be pref]able to poor pictures--:e!r1 9 %ort1 x be _! duty to cov] walls1 m]ely t walls may be cov]$--no matt] ) :at quality ( "w4 ,inde$ ! p]iod ( ! patron has utt]ly pass$ away1 & ! pa9t] takes 8 place--to po9t out :at he kn[s to be consi/5t ) ! dem&s ( 8 art--)\t def]5ce to patrons or prejudice to p>ty4 ,beyond ?is1 :e!r ! 'policy ( ,mr4 ,:i/l] & 8 foll[+' be 'selfi% or no1' matt]s b little2 b if ! policy ( y\r correspond5t's 'foll[+' f9d itself among ! ru?lessly reject$1 8 lett] is m readily expla9$4 ,?is is "s logic & delici\s s>casm4 ,x is to ! po9t & !re is no?+ unpleasant 9 ! entire argum5t4 ,8 art *all5ges & explanations always impress u 9 t mann]4 ,t is :y 8 art lecture1 if x may be pass$ z su*--x is exce$+ly %ort z art lectures g--is s mu* m valuable z a lit]>y docum5t ?an 8 collect$ lett]s1 ?\gh ! latt] are m amus+1 & give p]haps a bett] insight into ! au?or's p]sonality4 ,x is a concise rsum ( mod]n art1 n only ! exploitation ( "o man's ideas1 b r a set ( !ories :i* reflect ! ?\ghts ( mo/ ( ! y\ng] & mod]n pa9t]s4 ,x is writt5 9 a subjective way b ! impression d]iv$ !refrom is objective4 ,:i/l] 0 "o ( ! few great repres5tatives ( mod]n art1 & if su* a man has ! gift to express 8 idea 9 a cle> mann]1 a gift :i* mo/ pa9t]s lack1 he w necess>ily reflect ! aspirations ( 8 contempor>ies4 ,z a piece ( lit]ature aside f ! idea convey$ 9 x1 ,i w\ld comp>e x to ,from5t9's ,le ,des]t1 a *>m+ treatise on col\r & atmosph]e1 b z soon z x treats ! m s]i\s problems ( art x becomes ( deep] significance1 & ,i1 = my "p1 w\ld n hesitate to m5tion x 9 ! same brea? ) ,less+'s ,laokoon4 ,x has nei!r ! dignity nor logical sequ5ce ( ! ,hamburgh philosoph]1 b ! /atem5ts 9 x are m important1 or at lea/1 m significant to u ?an any !ories ( ! ,g]man critic4 ,i d n "k ( any book :i* is m reflective ( mod]n art ?an ,:i/l]'s ,t5 ,o',clock4 ,x fill$ a big gap1 & its influ5ce on ! reason+ p[] 7:i*1 true en\gh1 is small 9 _m in/ances7 ( ! mod]n pa9t] has be5 f>-rea*+4 ,illu/ration3 ,own$ by ,h[>d ,mansfield ,,! ,,japanese ,,dress 7,,pa/el74 ,:i/l]'s lit]>y activity began ab\t #ahfc1 :5 he liv$ 9 ,l9sey ,r[1 ,london4 ,8 pictures _h be5 reject$ f sev]al lead+ ,london & ,p>is exhibitions1 &1 f9ally1 :5 he succe$$ 9 exhibit+ 8 ,woman 9 ,:ite at ! ,b]n] ,/reet ,gall]ies1 dur+ ! spr+ mon?s ( #ahfb 7be=e s5d+ x to ,p>is71 x call$ =? a /orm ( d]ision & ridicule4 ,8 answ] to a mo/ silly criticism 9 ! ,a!num1 t ! face ( 8 ,woman 9 ,:ite 0 well done1 b t x 0 n t ( ,mr4 ,wilkie ,coll9s' h]o9e 0 8 fir/ attempt at repudiation4 ,x 0 z foll[s3 ,may ,i beg to correct an errone\s impression likely to be confirm$ by a p>agraph 9 y\r la/ numb]8 ,! ,b]n] ,/reet ,gall]ies h1 )\t my sanction1 call$ my picture ! ',woman 9 ,:ite4' ,i _h no int5tions :atsoev] ( illu/rat+ ,mr4 ,wilkie ,coll9s' novel2 x s happ5s1 inde$1 t ,i h nev] read x4 ,my pa9t+ simply repres5ts a girl 9 :ite /&+ 9 front ( a :ite curta94 ,i am1 ,,james ,,:i/l]4 ,! reply1 9 my m9d1 is r commonplace4 ,x has1 z yet1 no?+ ( ,:i/l]'s f9e s>casm & f9i%$ /yle4 ,almo/ anybody c\ld h writt5 x4 ,! attitude ( a critic to accept some?+ z a />t+ po9t1 & !n to criticize a picture f t po9t1 is su* a commonplace occurr5ce t x 0 h>dly wor? answ]+4 ,also 8 second lit]>y attempt1 m ?an t5 ye>s lat]1 :5 he object$ to hav+ "o ( 8 pictures call$ ,! ,ya*t ,race3 ,a symphony 9 ,b %>p1 _h little m]it except t ( indignation4 ,:i/l] 0 an iconocla/1 z fanatic z any1 :5 problems ( art 7 9 "q1 b 8 image-break+ 0 always indirect1 inv]t$ z x 72 he def5d$ 8 position by ass]t+ 8 own beliefs4 ,he1 no d\bt1 0 prompt$ by 8 own deep-root$ convictions1 b ! /imulant ( 8 lit]>y activity 0 nev] bas$ on didacticism3 to br+ out an idea because x 0 a great tru? & ought to be br\ght out4 ,! /imulant = 8 utt]ances 0 always p]sonal ang]1 irritation & wra?4 ,he f\ght = himself & 8 art1 b n = o!rs4 ,he 0 "o ( ! greate/ egoti/s t ev] liv$4 ,:5ev] he felt hurt at "s inju/ice & /upidity he _h to set x aright1 no matt] at :at co/1 to 8 own satisfaction4 ,x 0 n be=e he 0 =ty-f\r t he took up lett] writ+ s]i\sly4 ,9 "o ( 8 e>lie/ answ]s he is se5 at 8 be/2 x 0 writt5 z e>ly z #ahfg b nev] publi%$ until #ahhg1 :5 x appe>$ 9 ! ,art ,j\rnal4 ,somebody _h f\nd fault ) him call+ "o ( 8 pictures ,a ,symphony 9 ,:ite1 because "o ( ! girls _h r$di% hair2 & a yell[ dress1 a blue ribbon & a blue fan _h be5 introduc$ into a :ite tonality4 ,he repli$ 9 8 vigor\s fa%ion3 ,c any?+ be m amaz+ ?an ! /ultifi$ prattle ( ?is poor p]son8 ,n precisely a symphony 9 :ite 444 = !re is a yell[i% dress 444 br[n hair 444 & ( c\rse !re is ! fle% col\r ( ! complexions4 ,bon ,dieu6 ,did ?is creature expect :ite hair & *alk$ faces8 ,& does he !n 9 8 a/\nd+ wisdom believe t a symphony 9 ,f conta9s no o!r note1 b a cont9u$ repetition ( ,f1 ,f1 ,f1 ,f1 ,f8444 ,fool6 ,,james ,,:i/l]4 ,9 ?is lett] he took ! "r attitude1 t ( ! fight]1 :o1 ) a few p5/rokes1 annihilat$ ! fooli%ness ( 8 oppon5ts4 ,if all 8 feuds _h be5 ( ?is "*1 no objection w\ld h be5 rais$ to !m4 ,alas1 he did ?+s1 frequ5tly1 m]ely to pose z a wit1 to say some?+ t w\ld make ,london society laugh1 c>+ little 9 h[ malici\s & vitup]ative a mann] he w\ld c\* 8 words4 ,ev5 :5 he 0 wrong & knew t he 0 wrong he w\ld fight1 z 9 ! ,caf ,ori5tale incid5t4 ,a correspond5t ( ! ,_w attack$ ! title1 /at+ t x _h an e too _m = ,fr5*1 & an f too few = ,italian4 ,:i/l] does n attempt to ju/ify 8 or?ographical error1 b1 by tell+ an anecdote1 endeav\rs to ridicule all criticism :i* pret5ds to su* accuracy4 ,x is clev]ly told1 b aft] all x is silly4 ,ne>ly all 8 fri5ds1 soon] or lat]1 7 =c$ into cross+ swords ) him4 ,! li/ is a long "o & embraces _m well-kn[n names4 ,he f\ght ) 8 bro!r-9-law1 ,f4 ,seym\r ,had51 because he _h admir$ ,frank ,duv5eck's et*+s & mi/ak5 !m = ,:i/l]'s4 ,he advis$ ,h>ry ,quilt]1 an art writ]1 8 bitt]e/ enemy1 to employ 8 s5se ( smell 9 pref]5ce to 8 eyesight2 he calls ! art critic ,p4 ,g4 ,ham]ton1 a c]ta9 ,mr4 ,ham]ton4 ,he wrangl$ ) ,sir ,william ,ed5 & ev5 8 fri5d ,leyl& ab\t ! price = ord]$ pictures1 9 ea* case mak+ ! :ole transaction public2 he attack$ ,tom ,taylor & ,f4 ,w$more = misquotations 9 _! writ+s 7he :o _h be5 guilty ( ! same ?+ himself71 he qu>rell$ ) ! ,academy :5 !y repa9t$ an old sign ( 81 ! fam\s ,lion & ,butt]fly wrangle2 & wrote mo/ insult+ lett]s to ,wyke ,bayliss1 :o has succe$$ him 9 ! presid5cy4 ,he )drew all 8 pictures f ! ,p>is ,exposition1 because ! ,am]ican colonel1 ,c4 ,r4 ,hawk9s1 _h refus$ a few ( 8 et*+s 9 a r impolite mann]4 ,! real reason 0 lack ( space1 & "o c\ld h>dly expect f an ,am]ican colonel ! mann]s ( a ,*e/]field4 ,surely1 ,:i/l] did n possess !m himself4 ,he1 at all times1 practis$ m mann] ?an mann]s1 8 language _h at times an irritat+ t\* ( rud5ess & co>s5ess4 ,! feuds 7 endless4 ,he cont9ually bait$ 8 fell[ arti/s4 ,he call$ ! pre-,raphaelites ,:at a damn crew4 ,legros1 ,val ,pr9sep1 ,w4 ,p4 ,fri?1 ,sir ,fr$]ick ,leighton & ,dante ,gabriel ,rossetti1 7 at "o "t or ano!r recipi5ts4 ,ev]ybody :o came 9 contact ) him1 ,william ,m4 ,*ase1 ! ma%] ( ! ,av5ues1 ,!odore ,*ild1 :o _h to be> ! brunt ( a pun on 8 "n1 etc41 all h "s que] exp]i5ces to tell ab\t him4 ,george ,moore1 :o _h /ood s gallantly by ,:i/l]'s side1 0 ?r[n ov] )\t mu* ado z soon z he rema9$ neutral1 & did n jo9 ! front ranks ( ! fight+ ho/ 9 ! ,sir ,william ,ed5 episode4 ,sw9burne did n f>e bett]2 nor 8 fri5d ,/ott ( ,oldham1 on :om he _h pass$ su* exagg]at$ eulogies 9 ! beg9n+ ( 8 c>e]4 ,ev5 8 olde/ fri5d & support]1 ,k5n$y1 ! picture deal]1 0 f9ally bespatt]$ ) ! mud ( ,:i/l]'s invectives4 ,8 bon mots & rep>tee 9 ord9>y life 7 z significant z ^? 9 8 pamphlets1 lett]s & catalogues4 ,we all rememb] 8 ,:y drag 9 ,velasquez6 8 ,goodness graci\s6 y don't fancy a man owns a picture because he b\ght x1 or ,inde$6 x is n e man 9 ,engl& ,i pa9t =4 ,!n aga9 talk+ ab\t ,leighton1 ,yes1 & he pa9ts too4 ,9 meet+ ,du ,mauri] & ,wilde at "o ( ! exhibitions ,:i/l] bur/ =?3 ,i say1 :i* "o ( y inv5t$ ! o!r1 eh6 ,! fam\s rep>tee1 ,:i/l]3--,nature's creep+ up4 ,osc> ,wilde3 ,heav5s1 ,i wi% ,i _h said t6 ,y w1 dryly repli$ ,:i/l]4 ,illu/ration3 ,c\rtesy ( ! ,metropolitan ,museum1 ,new ,york ,,mr4 ,,k5n$y3 ,,portrait ,,/udy4 ,mo/ ( 8 adv]s>ies 7 small] m5 or1 at any rate1 lack$ ! faculty ( rep>tee1 & = a witty man x 0 easy en\gh to mock !m out ( exi/5ce4 ,only ,osc> ,wilde1 :o himself made a pr(ession ( scatt]+ corrosive epigrams1 occasionally got ! be/ ( him4 ,8 s>ca/ic rem>k1 ,) our ,james1 vulg>ity beg9s at home2 w\ld t x might /op !re1 0 "o ( ! s5t5ces t made ,:i/l] lay aside 8 p5 = a :ile & pond] on reciprocity4 ,! fam\s ,:i/l] v4 ,rusk9 libel suit 0 gott5 up1 ,i believe1 l>gely = effect4 ,x happ5$ naturally en\gh1 b ,:i/l] made ! mo/ ( x4 ,&1 f ! press ag5t's po9t ( view1 x 0 ! opportunity ( a life "t4 ,9 #ahgg ,sir ,c\tts ,l9dsey _h organiz$ an indep5d5t gall]y 9 opposition to ! ,london ,royal ,academy4 ,among ! exhibitors 7 ,burne-,jones1 ,millais1 ,leighton & ,:i/l]4 ,! works ( ! pre-,raphaelites 7 prais$ b ,:i/l]'s nocturnes 7 ignor$ or sne]$ at4 ,he p]haps w\ld h tak5 no notice ( ! ord9>y criticisms1 b :5 ,john ,rusk91 :o !n 0 9 ! prime ( 8 fame1 wrote 9 8 ,=s ,clavig]a1 an art publication1 a %ort & mo/ obtrusive p>agraph ab\t ! pictures1 he put on 8 pa9t & fea!rs once m & w5t on ! w> pa?4 ,x is incr$ible h[ a man l ,rusk9 c\ld h ev] be5 s bitt] & p$antic1 to write ! foll[+ p>agraph3 ,la/ly ! mann]isms & errors ( ^! pictures 7by ,burne-,jones71 :atev] may be _! ext5t1 are nev] affect$ or indol5t4 ,_! "w is natural to ! pa9t]1 h[ev] /range to u2 & x is wr\ght ) utmo/ consci5ce ( c>e1 h[ev] f>1 to 8 own or our desire1 ! result may be yet incomplete4 ,sc>cely s mu* c be said = any o!r pictures ( ! mod]n s*ool2 _! ecc5tricities are mo/ always 9 "s degree =c$1 & _! imp]fections gratuit\sly1 if n imp]t95tly indulg$4 ,= ,mr4 ,:i/l]'s sake1 no less ?an = ! protection ( ! pur*as]s1 ,sir ,c\tts ,l9dsey ought n to h admitt$ works into ! gall]y 9 :i* ! ill-educat$ conceit ( ! arti/ s ne>ly approa*$ ! aspect ( ! wilful impo/ure4 ,i h se51 & he>d1 mu* ( cockney impud5ce be=e n[2 b nev] expect$ to he> a coxcomb ask two hundr$ gu9eas = fl++ a pot ( pa9t 9 ! public's face4 ,,john ,,rusk94 ,! suit w5t to trial be=e ,judge ,huddle/on & a special jury1 ,novemb] #be?1 #ahgh1 & ,:i/l] won ! case1 al?\gh "o f>?+ damages 7 all[$ him4 ,he publi%$ a small br[n cov]$ pap] pamphlet3 ,:i/l] v4 ,rusk9--,art & ,art ,critics1 ! same ye>4 ,n satisfi$ ) 8 scant victory1 he endeav\r$ to /rike back at 8 /ill p[]ful adv]s>y by publi%+ a hodge-podge rsum ( ,rusk9's writ+s & delib]ately /r++ toge!r a numb] ( well kn[n s5t5ces 9 su* a way t !y h no connection :atev]4 ,all ?is is amus+ b smacks ( ! m\ntebank4 ,! ,mortim] ,m5pes incid5t %[s a diff]5t side ( 8 nature4 ,x 0 a controv]sy z to :o 0 ! fa!r ( ! decorative revolution1 ,m5pes or ,:i/l]4 ,int5sely sympa!tic ) ! "w ( ,japan's great pa9t]s & craftsm51 ,m5pes' impressions ( h] cities1 temples1 %r9es1 !atres1 g>d5s1 & museums1 receiv$ dur+ a few mon?s' /ay 9 t l& ( delight1 are wor?y ( consid]ation1 b he _h no claim to ! decorative innovation1 n ev5 to ! p9k hue ( 8 h\se1 z ,:i/l] _h mix$ ! col\r himself "o summ] aft]noon1 :5 ,m5pes 0 /ill 8 pupil4 ,:5 a dispute 0 ( real importance ,:i/l] 0 apt to ignore x entirely1 & let o!rs fight x out = him4 ,x 0 too s]i\s a matt] = ex*ange ( witty rem>ks4 ,?is %[s t ,:i/l]1 at times1 realiz$ ! value ( sil5ce4 ,ev5 z !re 7 fri5ds & acqua9tances & associates ) :om he nev] qu>rell$1 he lik$ ,c>lo ,pelligr9i to ! v end4 ,he nev] pick$ a qu>rel ) ,s>asate1 nor ) ! ,comte ,montesquieu1 ?\gh mo/ p did4 ,*>les ,ke5e1 ! c>icaturi/1 nev] wri!d "u ,:i/l]'s /rong arm4 ,ev5 ,%]idan ,=d came out unsca!d1 al?\gh !y 7 nev] on t]ms ( commonplace amity & acquiesc5ce4 ,nor did ev] 8 ,am]ican acqua9tances advance to w>m p]sonal fri5ds4 ,h4 ,w4 ,s+] says 9 8 little monograph t ,p]haps ,:i/l]'s human s\l 0 occupi$ by a d\ble portion ( malice1 invidi\sness & pett9ess1 s t 8 arti/ic _s might be entirely free & unfett]$ 9 its greatness4 ,z good an explanation z _m o!rs4 ,he wrote d[n ^? records he ?\ght important z did ,casanova 8 am\rs & ,cell9i 8 assass9ations &1 collect$ into a book1 !y =m a sort ( autobiography to ^? :o c read betwe5 ! l9es4 ,he _h a way1 z ,p5nell tells u1 half-laugh+1 half-s]i\s1 ( call+ x 8 ,bible4 ,well1 y "k1 y h only to look1 & !re x all is 9 ! ,bible1 or ,i am afraid y d n "k ! ,bible z y %\ld1 he w\ld reply to "s "q ab\t 8 "w or 8 exp]i5ces z an arti/4 ,z rem>k$ previ\sly1 8 attacks 7 rem>kably free f all p]sonal & dome/ic ref]5ces1 !y ref]r$ solely to art transactions relat$ to ! pr(ession4 ,:i/l] 0 an arti/1 & naturally ov]-s5sitive4 ,he c\ld n help be+ impati5t ( criticisms t utt]ly fail$ to see ! aim ( 8 "w1 sometimes prais+ him = qualities a pa9t] w\ld blu% to possess & aga9 heap+ unm]it$ blame on admirable a*ievem5ts4 ,?+s really irritat$ him & he work$ himself into a :ite fury1 (t5 ov] no?+4 ,lat] on 8 love = notoriety & 8 pose made him exagg]ate ! importance ( ev5ts4 ,z 9 ! case ( e ma/]1 !re 71 ( c\rse1 foll[]s & disciples4 ,to ^!1 ! ma/] held =?1 n[ in/ill+ a pr9ciple ( art1 n[ relat+ an enc\nt] ) ?is or t critic4 ,mr4 ,m5pes speaks q tru?fully :5 he says3 ,all ! same1 he 0 "o ( ! true fe>less *ampions t art ev] _h1 he f\ght ) ! dignity ( ! arti/1 dem&$ consid]ation & c\rte\s treatm5t1 & upheld dignity ( workman%ip1 nev] tir$ ( expos+ & exploit+ ! ignorance ( ! av]age press critic4 ,! real ,:i/l]1 !n1 z 8 close/ fri5ds saw him1 0 an impulsive1 quixotic1 erratic1 if y l1 b1 above & beyond ev]y?+ else1 an arti/ ( indisputable g5ius :o f\ght a los+ battle = a qu>t] ( a c5tury2 je/$ ?r\gh x all1 & f9ally triumph$ magnific5tly4 ,8 m9or accompli%m5ts 7 illum9$ by ! fl>e ( newspap] polemics2 8 great] & nobl] qualities 7 too (t5 obscur$ by ! lack ( compreh5sion4 ,yet !re 7 times :5 ,:i/l] gave ( 8 be/ simply & s9c]ely to all :o _h ! p]ception to receive 8 gift4 ,su* an occasion 0 t on :i* he deliv]$ = ! fir/ "t 8 immortal lecture on art1 ,t5 ,o',clock4 ,he *ose ?is title because he did n want ! p to ru% to him f ! d9n] table1 z to ! !atre4 ,t5 o'clock 0 e>ly en\gh4 ,! audi5ce & critics :o greet$ him 9 ,pr9ce's ,hall1 ,london1 on t nev] to be =gott5 occasion1 7 puzzl$ by :at !y *ose to reg>d z ,:i/l]'s new pose4 ,z a matt] ( fact1 he 0 n pos+ at all1 b _h call$ !m to him t he might imp>t to !m1 out ( 8 v he>t1 ! /&>d ( arti/ic fai? by :i* 8 life 0 rul$4 ,x 0 a revolt n s mu* aga9/ ! conclusions ( mod]n pa9t+s nor a plea = ,japanese art 7he does n m5tion ,japan except once 9 ! beautiful f9al s5t5ce3 ,! /ory ( ! beautiful is already complete1 hewn 9 ! m>ble ( ,p>!non--& broid]$1 ) ! birds1 ^u ! fan ( ,hokusai at ! foot ( ,fusiyama7 z aga9/ ! p$antic & reali/ic me?ods 9 art1 a fi]ce crusade = ! ideals ( pa9t+4 ,8 /yle is virile1 individual1 m>vell\sly cond5s$ & sugge/ive4 ,x conta9s a numb] ( beautifully put phrases l3 ,art happ5s--no hovel is safe1 no pr9ce c dep5d ^u x4 ,illu/ration3 ,,! ,,lime ,,burn] 7,,et*+74 ,col\rs are n m s9ce ! heavy hang+s ( night 7 fir/ drawn aside1 & ! lovel9ess ( night reveal$4 ,if art be r>e to-day x is seldom h]et(ore4 ,9 ^! aphorisms he puts 8 f+] on ! secret ( lit]>y expression--! application ( ! simple/ & subtle/ means to ! mo/ complicat$ & inexi/5t subject4 ,p>agraphs z ! foll[+ mu/ excite ! admiration ( e lit]>y man4 ,alas6 ladies & g5tlem51 ,art has be5 malign$4 ,%e has naught 9 common ) su* practices4 ,%e is a goddess ( da9ty ?\ght--retic5t ( habit1 abjur+ all obtrusiv5ess1 purpos+ 9 no way to bett] o!rs4 ,%e is1 )al1 selfi%ly occupi$ ) h] own p]fection only--hav+ no desire to tea*--seek+ & f9d+ ! beautiful 9 all conditions & at all times z did h] prie/ ,rembr&t1 :5 he saw picturesque gr&eur & noble dignity 9 ! ,jews' qu>t] ( ,am/]dam1 & lam5t$ n t its inhabitants 7 n ,greeks4 ,or aga93 ,humanity takes ! place ( art1 & ,god's creations are excus$ by _! usefulness4 ,beauty is conf\nd$ ) virtue &1 be=e a "w ( art1 x is ask$3 ',:at good %all x d8' ,h5ce x is t nobility ( action 9 8 life is hopelessly l9k$ ) ! m]it ( ! "w t portrays x2 & ?us ! p h acquir$ ! habit ( look+1 z :o %\ld say1 n at a picture1 b ?r\gh x1 at "s human fact1 t %all1 n f a social po9t ( view1 bett] _! m5tal or moral /ate4 ,s we h come to he> ( ! pa9t+ t elevates1 & ! duty ( ! pa9t]--( ! picture t is full ( ?\ght & ( ! panel t m]ely decorates4 ,:i/l] f\ght pr9cipally = ?ree big ideas3 ,t ! ma9 object ( pa9t+ 0 to express ! beauty ( ! te*nical m$ium unalloy$ by any ext]ior motive1 indep5d5t ( "t & place4 ,t art 0 n re/rict$ to any special locality1 b univ]sal1 cosmopolitan4 ,t art c\ld be und]/ood only by ! arti/ & t all criticism consequ5tly 0 futile occupation4 ,all ^! argum5ts h sift$ d[n into ! rank & file ( ! pr(ession1 !y h become common prop]ty & are cont9ually us$ 9 ! e-day conv]sations ( arti/s4 ,!y are all ?ree op5 to criticism1 & 9 a way 7l all ?+s1 accord+ to ,walt ,:itman7 h done z mu* h>m z good4 ,t ! ma9 object ( art is art1 _c be confut$4 ,b :at is art 9 pa9t+6 ,is all poetry & s5tim5t 9 a pa9t+ to be express$ by ! actual h&l+ ( ! col\rs1 ! process ( h&l+ & ! me*anism ( bru%work6 ,c all ! poetry be conta9$ 9 ! objects !mselves & ! way !y are pa9t$8 ,x has become ! fa%ion ( arti/s to say t !y are pa9t]s1 n arti/s4 ,n[ :at d !y mean by ?is8 ,:at is a pa9t]8 ,a p]son :o c h&le ! bru% & :o kn[s col\r1 or1 9 o!r words1 :o ma/]s ! tool ( 8 trade4 ,& :at is an arti/8 ,! t]m arti/ is n limit$ to "o pr(ession4 ,x applies to a musician or a sculptor z well z pa9t]4 ,9 call+ somebody an arti/ we mean to convey t he has a poetic conception 9 8 "w4 ,b he mu/ surely possess an equal ma/]y ( te*nique or he w\ld be unable to express x4 ,& is ! pa9t] absolutely void ( poetic conception8 ,surely n4 ,he tries to get ! poetry out ( ! m$ium itself1 :ile ! arti/ adds some?+ f ! outside to ! m$ium4 ,9 t s5se ,abbott ,?ay]1 ,ryd] & ,inness are arti/s1 ,s>g5t & ,*ase are pa9t]s4 ,b h[ ab\t ,*avannes1 ,:i/l]1 ,israels8 ,i suppose !y are bo?4 ,!re we are 9 a dilemma4 ,!y oppose subject pa9t+2 ! beauty ( ! object1 ! poetry t is inh]5t 9 :at !y see be=e !m1 is suppos$ to be suffici5t4 ,b !y object to ! phrase t !y are m]ely int]e/$ 9 surface beauty1 !y ass]t t !y se>* = "* & ! inn] mean+ ( ?+s z mu* z anybody else4 ,9 ?is !y contradict _! own & ,:i/l]'s argum5t4 ,:i/l] himself 0 all 8 life a subject pa9t]4 ,( c\rse he has avoid$ tell+ /ories1 b he has sugge/$ !m1 & giv5 to ea* picture t vague note ( int]e/ :i* e true pa9t+ %\ld possess4 ,! ma9 purpose is to make ! picture m int]e/+4 ,& y _c make a picture m int]e/+ )\t add+ some?+4 ,pa9t+ = pa9t+'s sake is an impossibility4 ,"o _c translate nature & life into col\r )\t ! help ( ! imag9ation4 ,a little m or less1 :at is ! diff]5ce8 ,! second claim1 t all art is cosmopolitan1 has be5 welcom$ by all our ex-patriots1 :o h nei!r ! /r5g? nor ! incl9ation to discov] virg9 mat]ial 9 _! own c\ntry & to translate x into beauty4 ,x furni%es a m>vell\s loop-hole = ! imitative tal5t4 ,:i/l] said3 ,!re is no su* ?+ z ,engli% art--art is art :5 x is good en\gh4 ,?is is at its be/ m]ely a truism4 ,we p]fectly agree t only good workman%ip makes a pa9t+ wor?y ( ! "n ( art1 b surely ,hog>?1 ,ga9sbor\gh & ,con/able h a true native flav\r 9 _! "w1 :i* !y c\ld h ga9$ n[h]e b on ,briti% soil4 ,all art1 :5 p]fect1 c comm& univ]sal appreciation1 b x is p]fect 9 mo/ in/ances only :5 x has1 p]haps n s mu* a local int]e/1 b a local motive or /imulant1 i4 e4 x mu/ h inhal$ ! atmosph]e ( "s peculi> locality & ! faculty to exude x aga94 ,i believe1 ,:i/l] us$ 8 argum5t l>gely z a subt]fuge1 to hide 8 own en?usiasm = ,japanese art4 ,he und]/ood h[ to amalgamate ! =eign influ5ces & 8 own individuality 7?is ,i h analyz$ at l5g? 9 "s o!r *apt]74 ,8 art 9 a s5se 0 cosmopolitan1 b m]ely because he 0 ! fir/ to adopt ! new pr9ciples ( an ,ea/]n art2 & x is j z easy to trace ,am]ican z ,japanese or ,old ,ma/] traits 9 8 "w4 ,i claim t all great art is local1 & m5tion only ?ree ( ! greate/ pa9t]s1 ,velasquez1 ,rembr&t1 & ,dr]1 to prove my argum5t4 ,!y surely 7 imbu$ ) ! _s ( _! "t & c\ntry4 ,& ,i am equally c]ta9 t a pa9t] :o w\ld express ,am]ica z x is to-day 7z ,:itman has done 9 8 "t 9 lit]ature7 w\ld be a great] man ?an ,:i/l]4 ,! =emo/ ma/]s ( ! n9ete5? c5tury1 ,monet1 ,manet1 ,*avannes1 & ,:i/l]1 7 all innovators 9 te*nical problems1 = !y discov]$ new m$iums ( expression1 &1 9 a way1 only prep>$ ! way = m conc5trat$ expressions ( art4 ,! ?ird great !ory ( ! essay1 :i* consi/s l>gely ( ,:i/l]'s arrogant ass]tions z to ! sup]iority ( ! arti/ & 8 own hatr$ = s call$ connoisseur1 dilettante1 & critic1 has made a v pr\d man ( ! pa9t]4 ,imag9e an ord9>y wield] ( ! bru% read+ ! foll[+ s5t5ce3 ,vulg>ity--"u ^: fasc9at+ influ5ce '! _m' h elb[$ '! few1' & ! g5tle circle ( ,art sw>ms ) ! intoxicat$ mob ( m$iocrity1 ^: lead]s prate & c\nsel1 & call al\d1 :]e ! gods once spoke 9 :isp]s4 ,& n[ f _! mid/ ! dilettante /alks abroad4 ,! amateur is loos$4 ,! voice ( ! /hetic is he>d 9 ! l&1 & ! cata/rophe is ^u u4 ,! arti/ 9 fulness ( he>t & head is glad1 & laughs al\d1 & is happy 9 8 /r5g?1 & is m]ry at ! pomp\s pret5sion--! solemn /illness t surr\nds him4 ,:i/l] la%$ himself into ! belief t he 0 ! sole judge ( 8 "w4 ,?is is a v errone\s attitude4 ,creation is an unconsci\s process4 ,few arti/s h ! critical faculty to analyze _! "w1 & ye>s pass be=e he is able to get a cle> view ( 8 own "w4 ,if we 7 an art-lov+ nation ?+s w\ld be diff]5t1 b int]e/ 9 pa9t+ has become a privilege ( ! ri* & ( museums2 x is too remote to be consid]$ an imm$iate pleasure4 ,x ne$s "s k9d int]m$iator to br+ ab\t m sympa?y betwe5 ! public & ! arti/4 ,:at writ]s1 :o c write & to :om ! smell ( pa9t is n unfamili>1 see 9 a picture1 is "o ?+4 ,:at a pa9t] desires to express is an entirely diff]5t proposition1 b ?is is no reason to f9d fault ) ! writ]4 ,:at he says may be explanatory & int]e/+4 ,a "w ( art is made to ar\se s5sations1 pure or /hetic1 emotions & vagrant ?\ghts1 & !y w diff] va/ly 9 e behold]4 ,?is may be beyond ! pale ( unatta*$ writ]s & g5tlem5 cl]ks ( collections & appo9t$ prea*]s1 into :i* ,:i/l] has divid$ ! critics1 b !re is no argum5t necess>y to make any read] believe t au?ors l ,haw?orne1 ! ,gonc\rts1 ,guy de ,maupassant1 ,paul ,heyse1 ,mall>m1 knew h[ to write ab\t art4 ,:i/l] also laugh$ at ! pret5ce ( ! /ate z a fo/]] ( art4 ,9 ?is he 0 "r4 ,art c n be =c$ ^u a community4 ,x is a matt] ( individual appreciation4 ,x is a matt] ( conque/4 ,b ?is is1 aft] all1 a busy _w we are liv+ 91 & unless ?+s are po9t$ out to u we may ov]look !m or n ev5 le>n ( _! exi/5ce1 no matt] h[ hungry we may be = new s5sations4 ,& t is ! crucial po9t :]e ! art writ] may prove useful4 ,! majority ( arti/s ent]ta9 no k9dly feel+ t[>ds art writ]s4 ,9 _! j ang] ) critics1 :o arrogate to !mselves ! "r ( tell+ an arti/ h[ he %\ld h done 8 "w1 !y =get t ! real writ] on art1 misnam$ critic1 has q a diff]5t aim1 & is _! be/ fri5d4 ,= he takes ^u himself ! duty ( m$iat+ betwe5 arti/ & public4 ,)\t him1 we may say1 ! true arti/ is n[h]e4 ,true art 79 opposition to comm]cial "w & all vulg> practices to :i* pictorialism is put7 is a difficult matt] to compreh5d4 ,:5 ! public1 compos$ ( p ^: en]gy is dra9$ almo/ to exhau/ion by daily associations & occupations1 sudd5ly enc\nt]s a new phase ( art1 x c no m =mulate a j op9ion ( x ?an x c\ld :5 plac$ face to face ) ! tablets ( ,k>nak & ,sakk>ah4 ,j z ! electrician 9 a new inv5tion mu/ expla9 ! work+ ( natural =ces1 s mu/ ! critic expla9 ! "w ( ! arti/ic =ces :i* come into play 9 ! production ( a picture4 ,mo/ arti/s h become popul>--z f> z ! true arti/ c become popul>--only aft] ! eyes ( ! public h be5 op5$ by "s critic4 ,su* arti/s z f9d no apo/le to proclaim _! cre$ die unatt5d$4 ,_m an arti/ left 8 family 9 pov]ty2 b aft] 8 dea? critics dwelt at l5g? ^u ! beauties ( 8 pictures1 & only !n ! public began to pay enorm\s prices = !m4 ,& ,:i/l] himself6 ,does he n refute 8 own contempt by 8 ,b>num-,b\lang]-l use ( ! press8 ,true en\gh all 8 little squibs & elaborate bids = notoriety _h "s und]ly+ tru? :i* he wi%$ to express4 ,b if ev] an arti/ realiz$ ! p[] ( type x 0 ,:i/l]4 ,z = ! ord9>y critic--he des]ves our deepe/ sympa?y4 ,he proves beyond dispute t !re is some?+ rott5 9 our art appreciation4 ,old ,japan & ! ,primitifs knew !m n4 ,he is h>mless1 h[ev]1 z he has absolutely no?+ to d ) art4 ,he is a necess>y evil produc$ by ! %ortcom+s ( ! "t4 ,anatole ,france's rem>k ab\t art criticism1 t x %\ld be ! adv5ture ( "o's s\l among ma/]pieces1 is en\gh1 b he =gets t ! adv5ture %\ld be ! exp]i5ce ( a lit]>y arti/4 ,= ! only criticism t is la/+ is ei!r biographical 9 t5d5cy or arti/ic comm5t>y1 :i* by a new "w ( art reflects ! beauty ( ! orig9al4 ,if a picture is really beautiful1 "o %\ld be able to write a poem ab\t x1 or express x 9 music1 danc+ or "s o!r art4 ,illu/ration3 ,,portrait ,,( ,,/,,phane ,,mall>m 7,,li?ograph74 ,,*apt] ,,xi ,,z ,,8 ,,fri5ds ,,knew ,,him ,"o aft]noon 9 #ahib1 walk+ along ! b\lev>ds ) ,/phane ,mall>m1 dur+ abs9! h\rs1 ,i met ,:i/l]4 ,! poet & ! pa9t] rais$ _! hats & %ook h&s & ex*ang$ a few words 9 ,fr5*1 :i* ,i did n und]/&4 ,i 0 introduc$1 ,:i/l] b[$1 %ook h&s & !n we pass$ on4 ,x 0 "o ( ^? fugitive meet+s t occur s frequ5tly & to :i* no importance c be atta*$4 ,x gives "o ! sole & r futile privilege ( hav+ se5 ,:i/l]1 j z ,i h se5 ,liszt1 ! k+ ( ,bav>ia1 ,ibs5 & _m o!rs1 )\t hav+ become acqua9t$ ) !m4 ,i d n rememb] h[ ,:i/l] 0 dress$1 ,i only recall ! top hat1 monocle & cane4 ,he look$ r und]siz$ to me1 a trifle affect$1 b exce$+ly picturesque1 & possess+ t peculi> magnetism :i* we feel 9 ! pres5ce ( great m54 ,z = a m intimate analysis ( ,:i/l]'s p]sonality1 ,i mu/ ref] to "s ( 8 fri5ds1 :o h express$ !mselves 9 pr9t4 ,i %all cite a numb] ( p>agraphs t h ! m]it ( descriptive v]ity1 & t w give a cle> insight into 8 curi\s1 high/rung "*1 z x appe>$ 9 e-day life4 ,:at /rikes "o 9 ,:i/l]'s biography1 says ,laur5ce ,b9yon1 ! ,london critic & poet1 is ! extraord9>y am\nt ( "t1 tr\ble & en]gy he exp5d$ on ?+s & p t did n matt]1 ! record ( 8 squabbles1 ! fanatical loyalty ( 8 enmities1 ! rage ( 8 'egotism4' ,?is is ! ,:i/l] t ! _w knew4 ,b !re 0 ano!r ,:i/l]1 ,mr4 ,b9yon sugge/s1--,a man ( s+ul> s5sitiv5ess1 :o %unn$ ! vulg> daytime & /ole abroad at twilight 444 b5t always on reveal+ to 8 fell[ m5 ! lovel9ess t lurks 9 famili> sights & among ! d+y aspects ( a mod]n city4 ,"o ( 8 e>lie/ intimates :o writes ( him 9 ,vanity ,fair1 z "o ( ! ,m5 ( ! ,day1 sign$ ,john ,junior1 says3 ,mr4 ,:i/l]--',jimmy' z 8 fri5ds call him--is p]sonally "o ( ! mo/ *>m+1 simple & witty ( m54 ,he t\*es no?+ b he embelli%es & enliv5s x ) />tl+ novelty ( conceit4 ,8 h]$it>y lock ( :ite hair is a rally+ po9t ( hum\r :]ev] he goes1 & 8 /udio is ! resort ( all :o delight 9 he>+ ! new ?+4 ,! article cont9ues to say t x is evid5tly n difficult = ! newspap] correspond5t to approa* him1 z mu* _h be5 writt5 ab\t 8 *>m+ h\se & spaci\s /udio 9 ,*elsea4 ,he 0 s ?or\ghly an arti/ t mat]ial seem$ indiff]5t to him4 ,8 fam\s ,peacock ,room1 :i* he did = ,mr4 ,leyl&1 %[s 8 g5ius z a decorator1 & cons]vative op9ion is1 t he 0 ev5 great] z an et*] ?an z a pa9t]4 ,he _h engrav$1 & pa9t$ 9 wat]-col\rs1 ( c\rse1 & 8 attire1 f 8 top-coat to 8 %oe /r+s1 0 made f 8 own designs4 ,app>5tly he *af$ "u ! academic tyranny ( ev5 ! tailor4 ,( 8 p[]s 9 mimicry & 9 "* act+ 8 fri5d nev] tir$ ( talk+ & tell+ anecdotes :i* illu/rate x1 & indicate t ev5 9 droll]y 8 art is z subtle z 9 "w ( s]i\sness & dignity4 ,dick5s 0 n a pat* on him1 said someone1 rec5tly1 :o _h se5 ! pantomim+ ( bo?4 ,h>p] ,p5n+ton1 "o ( 8 (ficially ackn[l$g$ pupils1 gives a f9e description ( ! man 9 ! ,metropolitan ,magaz9e ( #aiaj4 ,:i/l] 0 n a tall man1 b ( trim & muscul> appe>ance1 broad-%\ld]$1 /rong-arm$1 & well set up--! result ( ,we/ ,po9t tra9+4 ,he 0 int5sely active & al]t1 al?\gh n 9 ! lea/ fidgety or n]v\s4 ,8 eyes 7 z bright z a bird's1 fla%+ f face to face 9 a gr\p ( p]sons4 ,x is notewor?y t he mov$ 8 eyes & n 8 head f side to side1 fix+ ea* speak] 9 8 turn4 ,?is may h be5 ano!r effect ( ,we/ ,po9t drills--',eyes "r1' ',eyes left4' ,8 long h&s & bony wri/s sugge/$ =ce & delicacy ( t\*4 ,if he 0 a trifle rob9-legg$1 ! effect s]v$ to enhance a c]ta9 d&ifi$ attitude he frequ5tly assum$1 especially :5 *aff+ someone :o des]v$ x1 to ! delight ( ! gall]y1 )\t :i* he seldom ?\ght x wor? :ile to p]=m4 ,! man 0 above all ?+s greg>i\s--he did n l to be alone--& mo/ int5sely human4 ,he _h 8 foibles1 faults & virtues l ! re/4 ,! ,:i/l] ,i knew 0 clean ( p]son & spee*4 ,i nev] he>d him utt] "o ^w t might n be repeat$ )\t (f5d+ ! mo/ easily %ock$ ( prudes4 ,he has be5 describ$ z untidy4 ,he 01 on ! contr>y1 ! only man :o ev] wa%$ 8 hair ?ree times e day1 & 0 fa/idi\s to ! po9t ( be+ pr9ky ab\t 8 p]son4 ,8 clo!s1 g5]ally black1 7 always simple 9 ! extreme & spotless1 ev5 :51 9 ^? old ,v5ice days ( dreadful pov]ty1 !y 7 worn ?readb>e--actually 9 holes4 ,8 c\rage 0 indisputable4 ,he w\ld fight any man1 no matt] :at size or weight1 & ! jaunty *e]fulness ) :i* he bore privations1 :5 he lack$ ev]y?+1 ev5 ! mat]ials necess>y = 8 "w1 deceiv$ ^? :o 7 8 daily companions & suffici5tly prov$ 8 moral pluck4 ,he wore a black silk ribbon tie at 8 neck1 a b[ ) six in* loops & flutt]+ ends1 b t 0 all t 0 unusual 9 8 attire1 unless ! long bamboo w&s ( canes--a d>k "o = ! night & a light = day--%\ld be includ$4 ,no?+ t glitt]$1 n ev5 a wat*-*a9 or a r+1 =m$ any "p ( 8 co/ume4 ,a t9y :ite or yell[ fl[] at 8 buttonhole 0 8 unique adornm5t4 ,is x true1 z ,?ack]ay decl>$1 t ord9>y mortals d1 inde$1 delight to pry into ! weakness ( ! /rong1 ! smallness ( ! great8 ,i h ?\ght x be/ to %[ my ,:i/l] z he really 01 a simple1 k9d & t5d]-he>t$ fell[1 :o turn$ 8 be/ side t[>ds ! unappreciative _w he liv$ 91 n f vanity ( p]son1 b to hide 8 pov]ty1 & ! make%ifts he 0 driv5 to employ1 z a man w say ',i l to walk1' :5 he c't af=d to ride4 ,8 cackl+ laugh hid _m a bitt] ?ru/ t _h gone home & hurt him to ! quick4 ,he laugh$1 & !n w\ld come ! swift ripo/e ( witty rep>tee4 ,he nev] attack$ a liv+ creature1 nev] /ruck ! fir/ bl[1 & w\ld h be5 glad to live 9 peace ) all ! _w4 ,b s co>se 7 ! criticisms ( 8 p]son & 8 "w t he 0 driv5 to def5d ,art1 :i* 0 ! only ?+ he c\ld n joke ab\t4 ,^u ! r>e occasions :5 he talk$ ) me1 z a ma/] might1 ab\t 8 "w1 8 face itself seem$ transfigur$4 ,brave :5 he 0 well1 8 c[>dice :5 ill or 9 pa9 0 comical4 ,if he caught cold he w\ld disappe>1 & ^? :o knew him well 7 sure he _h fl$ to 8 doctor--8 bro!r's h\se 9 ,wimpole ,/reet4 ,dr4 ,:i/l] told me t ,jimmy w\ld appe> all muffl$ up & say3 ',willie1 ,i am ill6 ,i am go+ up to b$--"h--& won't g home until y've cur$ me6' ,any little malady 0 en\gh to demoralize him4 ,9 8 h\rs ( weakness he w\ld hide away l a w\nd$ animal & n %[ up aga9 until he _h be5 nurs$ back to 8 normal /ate4 ,illu/ration3 ,,arrangem5t ,,9 ,,fle%-,,col\r ,,& ,,black3 ,,!odore ,,duret4 ,:i/l] 0 extremely frugal & ab/emi\s4 ,he ate & drank mo/ mod]ately ! pla9e/ f>e4 ,he lik$ da9ty di%es & r>e old w9e1 b _h a horror ( ! 'groan+ bo>d' at huge set fea/s & =mal banquets4 ,he c\ld cook q dec5tly himself1 & sometimes made an omelet or scrambl$ eggs1 b ^! cul9>y feats ,i nev] saw p]=m$2 z to ! ,ma/]'s k ( w9e1 x 0 v limit$ inde$4 ,i h se5 him mi/ake a heavy v9tage ( *ampagne = ',tisane4' ,i nev] saw him cook any?+1 ev5 9 8 poore/ days1 9 ,v5ice1 b ,i "k t he lik$ a good d9n] at a club ev5 :5 x 0 punctually s]v$ & consi/$ ( q ord9>y delicacies su* z o!r m5 delight 94 ,! notes f 8 *ildhood are r sc>ce4 ,9 8 "m's di>y1 writt5 dur+ ! /ay 9 ,russia1 we f9d ! foll[+ ref]5ce to him :5 he 0 twelve ye>s old3 444 ,jimmie's eag]ness to atta9 all 8 desires = in=mation & 8 fe>lessness (t5 make him (f5d & x makes him appe> less amiable ?an he really is4 ,& at "s o!r place1 :5 !y _h wat*$ "s p>ade ) ! ,empress pass+3 ,he behav$ l a man4 ,) "o compass+ arm he gu>d$ me1 & ) ! o!r kept p at a prop] di/ance1 & ,i mu/ conf]1 brilliant z ! spectacle 01 ! greate/ pleasure 0 d]iv$ by ! conduct ( my de> & manly boy4 ,miss ,emma ,palm]1 8 c\s91 describes ,:i/l] at ?is p]iod z tall & slight1 ) a p5sive1 delicate face1 %ad$ by s(t br[n curls4 ,he _h a =eign appe>ance & mann]s1 :i*1 add$ to 8 natural abilities1 made him v *>m+ ev5 at t age4 ,he 0 "o ( ! sweete/1 lovelie/ boys ,i ev] knew & 0 a great fav\rite4 ,:i/l]1 z a boy1 0 exactly :at ^? :o knew him z a man w\ld expect3 gay & bright1 absorb$ 9 8 "w :5 t "w 0 9 any way relat$ to art1 brave & fe>less1 selfi%1 if selfi%ness is ano!r ^w = ambition1 consid]ate & k9dly above all to 8 "m4 ,! boy1 l ! man1 0 delightful to ^? :o knew & und]/ood him1 '/>tl+' & 'al>m+' to ^? :o did n4 ,joseph ,p5nell1 9 8 excell5t book1 has giv5 u a mo/ fasc9at+ description ( ,:i/l] z a /ud5t 9 ,p>is & a "y pa9t] 9 ,engl&4 ,no "o c refuse to admire ! loyalty ( ?is writ]1 :o has ga!r$ ) su* lov+ c>e e note ( int]e/ 9 ,:i/l]'s life4 ,! foll[+ p>agraphs are f 8 ,qu>ti] ,lat9 *apt]2 ,to ,:i/l] ! ,fr5*man 0 m sympa!tic ?an ! ,engli%1 9 8 s]i\s z 9 8 light h\rs4 ,8 fell[ /ud5ts br\ght back to ,engl& ! impression t he 0 an idl]2 x is h>d to-day to make p believe t he 0 any?+ else 9 8 y\?4 ,& yet he work$ 9 ,p>is z prodigi\sly z he play$4 ,to u x is incompreh5sible h[ he f\nd "t to read z a /ud5t1 & yet he knew ! lit]ature ( ! p]iod ?or\ghly1 & always ! *>m ( 8 mann] & 8 c\rtesy made x delightful to d any?+ = him4 ,few m5 ev] ate less ?an ,:i/l]1 b few 7 m fa/idi\s ab\t :at !y did eat--no man ev] %rank m f ?\ght1 or at ! m5tion ( dea? ?an ,:i/l]4 ,!re 0 always 9 life s mu* = him to d & s little "t 9 :i* to d x4 ,he 0 popul> ) ! *ildr51 & delight$ 9 music1 ?\gh he 0 n too critical1 = he 0 kn[n to call ! pass+ hurdy-gurdy into 8 g>d5 & h x gr\nd "u 8 w9d[s4 ,occasionally ! bro!r 7,greaves7 play$1 s t ,:i/l] might dance4 ,he 0 always full ( droll]ies & fun4 ,he w\ld imitate a man saw+1 or two m5 fight+ at ! door1 s clev]ly t 8 bro!r nev] ceas$ to be a/oni%$ :5 he walk$ into ! room alone & unhurt4 ,he delight$ 9 ,am]ican me*anical toys & 8 h\se 0 full ( ,japanese dolls4 ,"o great doll1 dress$ l a man1 he w\ld take ) him n only to ,greaves1 b to d9n]s at ! ,little ,holl& ,h\se1 :]e ! ,pr9cess !n liv$1 & to o!r h\ses1 :]e he put x ?r\gh amaz+ p]=mances4 ,_m notes are quot$ f ! writ+s ( 8 associates4 ,"h are "s ( ! mo/ int]e/+ ( !m3 ,mr4 ,luke ,ionides writes3 ,he 0 a great fav\rite among u all1 & also among ! grisettes we us$ to meet at ! g>d5s :]e danc+ w5t on4 ,i rememb] "o especially1 !y call$ h] ! tigress4 ,%e seem$ madly 9 love ) ,jimmie & w\ld n all[ any o!r woman to talk to him :5 %e 0 pres5t4 ,%e sat = him sev]al times ) h] curly hair d[n h] back4 ,%e _h a good voice & ,i h (t5 ?\ght %e sugge/$ ',trilby' to ,du ,mauri]4 ,"o "t 9 a rage %e tore up a lot ( draw+s1 :5 ,:i/l] came home & saw !m pil$ high on ! table1 he wept4 ,if ,:i/l] _h money 9 8 pockets1 ,mr4 ,ionides says1 he sp5t x royally on o!rs4 ,mr4 ,r[ley1 ,taffy1 writes3 ,x 0 9 #aheg-h t ,i knew ,:i/l]1 & a mo/ amus+ & ecc5tric fell[ he 01 ) 8 long black ?ick curly hair & l>ge felt hat ) a broad black ribbon ar\nd x4 ,i rememb] on ! wall 0 a repres5tation ( him1 ,i believe done by ,du ,mauri]1 a sket* ( him1 !n a fa9t] "o & !n f9ally an int]rogation--v clev] x 0 & v mu* l ! orig9al4 ,9 ^? days he did n "w h>d4 ,:i/l] 0 nev] :olly "o ( u1 ,mr4 ,arm/rong tells u2 ,dr\et does n ?9k t ,:i/l] work$ h>d1 c]ta9ly n 9 usual /ud5t fa%ion at ! s*ools4 ,he 0 e ev5+ at ! ,/ud5ts' ball1 & z he nev] got up until t5 or elev5 9 ! morn+1 :]e 0 ! "t = "w8 ,! p]sonal obs]vations & a glance at "o ( ,:i/l]'s self-portraits ( ?is p]iod %\ld give u a fair vision ( ! "y ,:i/l] at ,p>is4 ,! e>lie/ kn[n self-portrait 9 oil is ! "o pa9t$ 9 ,p>is ab\t #ahei1 ! ,:i/l] ) a hat1 engrav$ by ,gur>d1 :i* 0 l5t by ,samuel ,p4 ,av]y to ! ,memorial ,exhibition at ,bo/on4 ,x %[s him ) a slight mu/a*e1 a l>ge ,rub5s hat1 a big dott$ tie1 & a coat ) a velvet coll>4 ,x is a good example ( a d>k silh\ette aga9/ d>k arrangem5t4 ,! face has a few /rong headlights1 ! rema9d] ( x 9 middle t9ts1 :ile ! re/ ( ! figure--! hat1 ! hair1 ! bu/--are d>k] ?an ! backgr\nd4 ,! space arrangem5t & position ( ! head are clev]1 b ! %ape ( ! bu/ is awkw>d1 &1 ,i fe> slightly contort$4 ,mrs4 ,jameson writes3 ,! man1 z ,i knew him1 0 s diff]5t f ! descriptions & pres5tations ,i h read ( him1 t ,i w\ld l to speak ( ! o!r side ( 8 "*4 ,x is impossible to conceive a m unfail+ly c\rte\s1 consid]ate & delightful companion ?an ,:i/l] z ,i f\nd him1 & ,i nev] he>d a compla9t ( any?+ 9 my simple h\sehold arrangem5ts f him4 ,any little failure 0 treat$ z a joke4 ,8 c\rtesy to s]vants & maids 0 p>ticul>ly *>m+1 inde$4 ,i _c conceive ( 8 qu>rell+ ) any "o )\t provocation4 ,8 talk ab\t 8 own "w reveal$ a v diff]5t man to me f ! self-satisfi$ man he is usually believ$ to h be54 ,he knew 8 p[]s1 ( c\rse1 b he 0 pa9fully aw>e ( 8 defects--9 draw+ = in/ance4 ,to my judgm5t he 0 ! mo/ absolutely tru?ful man ab\t himself t ,i ev] met4 ,i nev] knew him to hide an op9ion or ?\ght--nor to try to excuse an action4 ,illu/ration3 ,,! ,,unsafe ,,t5em5t 7,,et*+74 ,mr4 ,watts ,d5ton1 on ! o!r h&1 tries to make u believe t ,dante ,gabriel ,rossetti got exce$+ly tir$ ( ,:i/l] aft] a :ile & consid]$ him a bra9less fell[1 :o _h no m ?an a quick malici\s wit at ! exp5se ( o!rs1 & no real philosophy or hum\r4 ,otto ,ba*]1 ! ,am]ican pa9t] & et*]1 has writt5 a delightful book entitl$ ,) ,:i/l] 9 ,v5ice4 ,! title is slightly deceptive z ! cont5ts are l>gely an eulogy on ! beauties ( ,v5ice4 ,:i/l] is a m]e picturesque incid5t4 ,ba*] describes 8 fri5d 9 ?is fa%ion3 ,:5 he 0 talk+ ! glass 7monocle7 0 dropp$4 ,if he sat at "o ( ! tables at ! caf ! clang+ ( ! eye-glass acc5tuat$ 8 conv]sation4 ,if he 0 pres5t$ to any "o x w\ld drop & dangl$ to & fro f ! neat cord = a few mom5ts1 to be readju/$ aft] "s mom5ts ( fumbl+4 ,8 monocle 0 always a s\rce ( ent]ta9m5t4 ,he g5]ally c>ri$ 9 8 h& a ,japanese bamboo cane1 us+ x to emphasize 8 rem>ks4 ,he rose e>ly1 work$ /r5u\sly & retir$ late4 ,he seem$ to =get ord9>y h\rs = meals & w\ld (t5 h to be call$ ov] & ov] aga94 ,he 0 a fa/idi\s smok]1 b a cont9u\s "o--8 *oice ( words 0 always a m>k$ feature4 ,8 mann]s 7 elegant4 ,he w\ld always adapt himself to any situation &1 at ! same "t1 reta9 8 dignity & p]sonality4 ,ano!r int]e/+ acc\nt 0 furni%$ 9 ! ,cornhill ,magaz9e1 #aijc1 by ,mortim] ,m5pes3 ,:i/l] 0 ( all m5 ess5tially a puri/--a puri/ 9 e s5se ( ! ^w1 bo? z a man & a work]4 ,z a man he 0 sadly misund]/ood by ! masses4 ,:i/l]'s nature 0 ev] a combative "o & 8 long & brilliant c>e] 0 a cont9u\s fight ?r\gh\t4 ,he reveal$ himself only to ! few1 & ev5 t small inn] circle1 ( :om ,i 0 "o ( ! mo/ devot$1 saw ! real man b seldom4 ,b on ^? r>e occasions ,:i/l] c\ld be g5tle1 sweet & sympa!tic1 almo/ fem99e1 s lovable 0 he4 ,:i/l] treat$ 8 hair z ev]y?+ ab\t him1 purely f an arti/'s /&po9t1 z a picture1 z a bit ( decoration4 ,:i/l] want$ to produce c]ta9 l9es 9 ! frock coat & he insi/$ ^u hav+ ! skirts cut v long1 :ile !re 7 to be capes ov] ! %\ld]s1 :i* mu/ ne$ =m graceful curves 9 sympa?y ) ! long-fl[+ l9es ( ! skirt4 ,! idea ( we>+ :ite duck tr\s]s ) a black coat 0 n conceiv$ 9 ord] to be unlike o!r p1 b because !y =m$ a h>mony 9 black & :ite he lov$4 ,8 /raight brimm$ hats1 8 cane1 ! way he held 8 cane1 ea* & e detail 0 obs]v$1 b only z ! means ( =m+ a decorative :ole4 ,less p]sonal are ,val ,pr9sep's rem>ks3 ,i h always ?\ght t beh9d ! 'poseur' !re 0 q a diff]5t ,:i/l]4 ,^? :o saw him ) 8 "m 7 consci\s ( ! fact t ! irrepressible ,jimmy 0 v human4 ,no "o c\ld h be5 a bett] son or m att5tive to 8 "m's wi%es2 aft] 8 m>riage ,i h he>d t ! life ( ?is mo/ ,bohemian 'poseur' 0 mo/ h>moni\s & dome/ic4 ,! gramm> ( expression 0 a con/ant /umbl+ block to him1 h5ce 8 sl[ness 9 produc+4 ,= let x n be suppos$ 8 pictures1 :i* look$ s simple 9 _! execution1 7 produc$ ) facility4 ,! late ,mr4 ,leyl& told me t :5 he 0 sitt+ = 8 portrait1 a /&+ full-l5g?1 ,:i/l] ne>ly cri$ ov] ! draw+ ( ! legs & bitt]ly regrett$ t he _h n le>n$ some?+ ( ! con/ruction ( ! human =m dur+ 8 /ud5t ye>s4 ,he once spoke ( himself z a 'soil$ butt]fly4' ,surely ?is is ! fir/ record$ in/ance ( a butt]fly be+ an aggressive & v9dictive insect4 ,?is h[ev] 0 a m]e pose ( ,:i/l]'s1 ! result ( a well consid]$ det]m9ation to exalt himself1 :i* he f\nd 9 ! long run paid1 ev5 z all judici\s publicity is said to br+ 9 a sum p]c5tage ( pr(it4 ,a4 ,ludovici1 a ,new ,york deal]1 makes q a h]o ( ,:i/l]4 ,he soon made me feel t ,i 0 talk+ to an arti/ ( great ta/e & ref9em5t1 full ( love = 8 "w & a ready wit1 &1 9 spite ( an academic tra9+ j receiv$ 9 ,p>is1 ,i became t mom5t devot$ to him & 8 art4 ,! little ,i _h se5 ( x at ! ,grosv5or eng5d]$ a desire to le>n m reg>d+ ! my/]i\s te*nique ( :i* he 0 su* an und\bt$ ma/] & confirm$ my pr$ilection 9 fav\r ( pa9t+ ! sc5e ( life surr\nd+ 9 pref]5ce to ! mak+ up ( ! conv5tional subject s mu* 9 vogue4 ,i :o knew him = ! la/ tw5ty ye>s ( 8 life always f\nd him mo/ simple 9 8 ta/es1 firm 9 8 convictions1 g5]\s & op5-he>t$ to ^? ^: fri5d%ip he reli$ on & always ready to help & oblige any "o 9 :om 8 int]e/s _h be5 awak5$4 ,a m brilliant & /aun* fri5d "o c\ld n wi% to h _h4 ,also ,alex&] ,h>rison1 ! m>9e pa9t]1 expresses himself 9 a highly en?usia/ic mann]3 ,i h nev] kn[n a man ( m s9c]e & g5u9e impulse ev5 9 ord9>y human relations & ,i am conv9c$ t no man exi/$ :o c\ld h be5 m easily controll$ on l9es ( response to a fair & squ>e appreh5sion ( 8 g5u9e qualities4 ,:5 (f 8 gu>d he 0 (t5 a pa!tic kid & ,i h spott$ him 9 ba%ful moods1 al?\gh x w\ld be h>d to conv9ce ! b\rgeois ( ?is4 ,wit1 pa?os1 g5tl5ess1 affection1 audacity1 acridity1 t5acity 7 br\ght in/antly to ! s5sitive surface1 l a sp>k by r\gh contact4 ,mr4 ,p]cy ,?omas says3 ,he 0 a man :o c\ld nev] be> to be alone4 ,?r\gh 8 own op5 door /range p drift$4 ,if !y amus$ him he =gave !m1 h[ev] !y presum$1 & !y usually did succe$4 ,:i/l] seldom pa9t$ m5 except :5 !y came = _! portraits1 & ! models drift+ 9 & out ( ! door ( ,l9sey ,r[1 7 mo/ly wom54 ,he lik$ to h !m ) him4 ,mr4 ,?omas ?9ks he felt x necess>y to see !m ab\t 8 /udio1 =1 z he wat*$ _! movem5ts !y w\ld take ! pose t he want$1 or sugge/ a gr\p1 an arrangem5t4 ,he liv$ at a rate t w\ld h kill$ mo/ m51 & at an exp5se 9 details t 0 fabul\s4 ,walt] ,gray speaks ab\t ,:i/l]'s te*nique4 ,no "o c realize :o has n wat*$ ,:i/l] pa9t ! agony t 8 "w gave him4 ,i h se5 him1 aft] a day's /ruggle ) a picture :5 ?+s did n g1 completely collapse1 z f an illness4 ,8 draw+ coat gave him inf9ite tr\ble4 ,:atev] 8 fri5ds *>ge aga9/ him x seems to me t ,:i/l]'s faults & weaknesses sprang f an unbalanc$ m5tality2 he 0 a desquilibr1 ! common defect ( great pa9t]s4 ,yet1 und]nea? all 8 vag>ies & ecc5tricities1 "o felt t indef9able yet unmi/akable be+--a g5tleman4 ,p5nell gives a mo/ valuable description ( ,:i/l] z a pa9t]4 ,! long nights ( obs]vation ( ! riv] 7 foll[$ by long days ( exp]im5t 9 8 /udio4 ,9 ! end he gave up ev5 mak+ notes ( subjects & effects4 ,x 0 impossible = him to *oose & mix 8 col\r at night1 & he 0 compell$ to tru/ 8 memory1 :i* he cultivat$1 :5 he pa9t$ 8 nocturnes4 ,he re%ap$ 8 bru%es1 usually heat+ !m ov] a c&le1 melt+ ! glue & pu%+ ! hairs into ! =m he want$4 ,:i/l] told u he us$ a m$ium compos$ ( opal1 ma/ix & turp5t9e4 ,! col\rs 7 arrang$ ^u a palette1 a long oblong bo>d "s two feet by ?ree ) ! ',butt]fly' inlaid 9 "o corn]2 r\nd ! edge1 sunk5 boxes = bru%es & tubes4 ,! palette 0 laid ^u ! table2 ! col\rs 7 plac$1 ?\gh1 m frequ5tly1 !re 7 no pure col\rs at all4 ,l>ge quantities ( diff]5t tones ( prevail+ col\rs 9 ! fa%ion & 8 pa9ts 7 mix$1 & s mu* m$ium 0 us$ t he call$ x 'sauce4' ,mr4 ,greaves says1 t ! nocturnes 7 mo/ly pa9t$ on v absorbant canvas1 sometimes on panels1 sometimes on b>e br[n holl& siz$4 ,= ! blue nocturnes ! canvas 0 cov]$ ) a r$ gr\nd1 or ! panel 0 ( mahogany1 :i* _h ! advantage ( =c+ up ! blues4 ,o!rs 7 done 9 a practically w>m black gr\nd4 ,= ! fireworks !re 0 a lead gr\nd1 or if ! night 0 grey--! canvas 0 grey4 ,illu/ration3 ,,9 ,,! ,,sun%9e 7,,et*+74 ,s mu* 'sauce' 0 us$ t1 frequ5tly1 ! canvas _h to be ?r[n flat on ! floor to keep ! :ole ?+ f runn+ (f4 ,he wa%$ ! liquid col\rs on ! canvas1 light+ & d>k5+ ! tone z he work$4 ,9 _m nocturnes ! entire sky & wat] is r5d]$ ) great sweeps ( ! bru% exactly ! "r tone4 ,h[ _m times he may h wip$ out t sweep+ tone is ano!r matt]4 ,"s "o rememb]s see+ ! nocturnes set out along ! g>d5 wall to bake 9 ! sun1 sometimes !y dri$ out l body col\r 9 ! mo/ unexpect$ mann]4 ,he _h no recipe1 no sy/em4 ,9 8 pa9t+ x 0 surpris+ to see h[ mu* he accompli%$ 9 a %ort "t4 ,he w\ld decide ^u any local tone1 putt+ x on ) five or six big /rokes1 any v>iation ( tones w\ld be add$ 9 ! same way4 ,9 a giv5 "t he w\ld put d[n m facts ?an any man ,i ev] knew4 ,9 ! beg9n+ ( a pa/el he drew 8 subject crisply & c>efully 9 outl9e ) black crayon ^u "o ( ! %eets ( t9t$ pap] :i* fitt$ ! g5]al col\r ( ! motives4 ,a few t\*es ) sky t9t$ pa/els produc$ a rem>kable effect4 ,he nev] 0 9 a hurry 9 8 "w1 always c>eful & accompli%$ mu*4 ,e subject contriv$ "s problem = nature :i* he wi%$ to convey on canvas4 ,! portraits pa9t$ & et*$ by himself & v>i\s arti/ fri5ds also comm5t fav\rably ^u 8 p]sonality4 ,william ,mi*ael ,rossetti1 9 8 di>y ( ,febru>y #e1 #aheg1 m5tions see+ 9 ,:i/l]'s /udio a clev]1 vivaci\s portrait ( himself1 believ$ to be t belong+ to ! late ,george ,mc,cullough & :i* appe>s z ! frontispiece to ,p5nell's book4 ,ano!r portrait sket* ( ?is p]iod or a little lat] 0 %[n at ! exhibition at ! ,metropolitan ,museum ( ,art 9 #aiaj4 ,ano!r portrait sket* c be se5 9 ! ,fre] collection4 ,9 #ahgd ,:i/l] plann$ a big picture simil> to ,fant9-,lat\r's ,hommage ,delacroix1 only less s]i\s & m ecc5tric 9 conception4 ,:i/l] 0 to be ! c5tre figure & to be surr\nd$ by ! ,woman 9 ,:ite on a c\* & a kimono$ lady walk+ ab\t ! /udio1 :ile ,alb]t ,moore & ,fant9-,lat\r 7 *os5 to s]ve z black notes4 ,"o ( ! /udies1 ,:i/l] 9 8 /udio1 is illu/rat$ 9 ,p5nell4 ,a *alk draw+ belong+ to ,?omas ,way is likewise 9 ! same book4 ,!re are ?ree et*$ portraits 9 exi/5ce4 ,a v e>ly "o dat$ #ahei1 ! ,:i/l] ) ! ,:ite ,lock1 :i* appe>$ z frontispiece 9 ,ralph ,?omas' ,catalogue ( ,et*+s & ,drypo9ts ( ,:i/l]1 & an et*+ v simil> to ! #ahfg portrait1 dat$ #ahgd4 ,9 #ahid he 0 pa9t+ a portrait ( himself 9 a :ite jacket :i*1 accord+ to ! ,p5nells1 0 *ang$ into a d>k coat aft] ! dea? ( 8 wife4 ,a full l5g? portrait 9 long ov]coat 0 9 ! ,p>is ,exposition ( #aijj1 "u ! title ( ,br[n & ,gold4 ,ano!r half l5g? is kn[n to belong to ,george ,w4 ,v&]bilt4 ,a dry-po9t by ,helleu1 drawn 9 #ahgh1 has _m admir]s1 b is r sup]ficial z a *>act]ization4 ,! mo/ important portrait is ! ,mephi/ophilean int]pretation by ,bold9i1 pa9t$ #ahig & %[n at ! ,exposition 9 #aijj4 ,b ,i almo/ pref] a c]ta9 photograph :i* %[s him ) top-hat1 & ov]coat ov] 8 %\ld]4 ,x rem9ds me ( ! glimpse ,i caught ( him t aft]noon1 9 ,p>is ye>s ago1 :5 ,i 0 /ill c>efree & _h n ! slighte/ idea t ,i w\ld "o day write a book ab\t ! man ,i pass$ s non*alantly4 ,! few p>agraphs t are cit$ 9 ?is *apt] may n d 8 p]sonality full ju/ice1 b !y mu/ suffice4 ,a p]sonality c n be recall$ f ! %ades4 ,we c only produce a m5tal image1 & an abundance ( notes w\ld only confuse ! outl9es4 ,8 "w rema9s1 t is ! pr9cipal ?+4 ,ev5 ! greate/ pa9t]s ( ! pa/ are m]e gho/s & visions to u4 ,& al?\gh ,:i/l]1 m ?an any o!r mod]n pa9t]1 has ! *ance ( m>*+ d[n po/]ity1 un=gott5 & wrea!d 9 glory1 a curi\s high-season$ p]sonality n unlike ,b5v5uto ,cell9i1 ! au?or ( ^! l9es mu/ refra91 z he c add no?+ new or orig9al4 ,prophets or se]s1 call !m :at y w1 9 ! arts or 9 ! sci5ces1 mu/ ( necessity be few & f> betwe51 & 9 advance ( _! age4 ,:i/l] is to me "o ( ^!1 9 8 absolute & g5u9e love ( 8 pr(ession1 = ! resolve to w9 out at any co/1 = 8 conque/s 9 v>i\s realms ( art & ! triumph ( ideas !y repres5t4 ,i admire 8 colossal vanity & egotism1 b1 m ?an all1 ,i admire him = ! s]i\sness ) :i* he took himself & 8 bus9ess ( be+ a pa9t]4 ,x is s r>e a quality4 ,velasquez 0 s mu* ( a solemn cavali] t he 0 almo/ a%am$ ( be+ a pa9t]4 ,x (f5d$ him to be rem9d$ ( 8 pr(ession4 ,x 0 a s]i\s sport to him1 b only a sport4 ,he 0 l ,goe!3 a di/+ui%$ & consci5ti\s amateur4 ,_! exalt$ position 9 life enabl$ !m to treat art ) su* ease & condesc5sion4 ,b ,:i/l] _h to climb to ! v heights f :i* !y />t$1 & all ! battles & victories1 /ruggles & tempor>y defeats1 magnific5t successes & lavi% praises 7 ! result ( 8 p]sonal ef=ts4 ,:i/l] ne$$1 & _h ! true autolatry ( ! arti/2 he c\ld conceive g5ius only "u an arti/ic guise2 he ent]ta9$ ! absolute fai? t ! faculty ( pa9t+ is some?+ s hugely sup]ior to any?+ else t x conf]s a sort ( sacr$ "* on its own]4 ,& x is = ?is :olesome arti/ic s]i\sness1 ?is salut>y egotism1 t ,i admire ,:i/l]1 ! man4 ,illu/ration3 ,,! ,,pool 7,,et*+74 ,,*apt] ,,xii ,,! ,,/ory ,,( ,,! ,,beautiful ,:o knew ! errant life ( ! highway1 ( ! />lit des]t & w9dy m\nta9 slopes bett] ?an ! /ory-tell] ( old1 :o w&]$ f t[n to village1 f camp to solit>y t5t1 all ov] ! face ( ! e>?1 tell+ 8 simple tales to ^? :o c>$ to li/58 ,he 0 ! wayf>] :o liv$ 9 8 life ! ,odyssey ( ! et]nal ,w&]]1 & ^: words reflect$ 9 qua9t imag9ative excursions ! adv5tures ( /range m5 & wom5 he _h met 9 lonely =e/s & cr[d$ city /reets4 ,e nomadic tribe1 e nation1 e c\ntry1 has _h its s+] ( songs1 its *ant] ( religi\s hymns1 its tr\bad\r1 its vagrom poet1 "s /ory-tell] ( ! beautiful4 ,!y h vani%$1 & ! /ory is n[ repeat$ by ! pr(essional poet & arti/4 ,he no long] treads ! highways & ! li/5]s no long] (f] him ! hospitality ( a night's %elt]4 ,he lives ! life ( ! l>ge cities2 he ha/5s f place to place1 he m+les ) ! cr[d b passes unse5 z nobody w li/5 to 8 /ories4 ,m ?an ev] is he ! vagrom man1 unless he tells 8 /ory ( ! ,beautiful 9 su* a novel1 fasc9at+ way t ,art1 ! :imsical goddess1 w op5 ! book ( life & inscribe 8 "n4 ,!n 8 t[nspeople1 8 nation1 a :ole cont95t1 ! entire _w may claim him4 ,:i/l] travell$ _m highways & lo1 :5 he arriv$ at ! age ( sixty a we>y1 re/less w&]] 9 ! realm ( art1 ?ree nations--,engl&1 ,france & ,am]ica--claim$ him z _! own4 ,born 9 ,am]ica1 obta9+ 8 education p>tly 9 ,am]ica & p>tly 9 ,/4 ,pet]sburg1 ,russia1 liv+ ! re/ ( 8 life 9 ,europe1 divid+ 8 "t almo/ equally betwe5 ,p>is & ,london1 he 0 a cosmopolitan 9 ! true s5se ( ! ^w1 & t is :at he wi%$ to be consid]$4 ,he lov$ ,engl& & lov$ ,france1 b he felt q indiff]5t t[>ds ,am]ica4 ,9 ,p>is he _h sp5t 8 /ud5t ye>s1 & he 0 drawn to ?is city by _m bonds ( atta*m5ts & fri5d%ips t la/$ = life4 ,& x 0 ,france :o gave him t f9al great recognition ( 8 g5ius :5 x pur*as$ ,! ,arti/'s ,"m portrait = ! ,luxemb\rg1 & made him an (fic] ( ! ,legion ( ,hon\r4 ,9 ,engl&1 on ! o!r h&1 he f\ght ! great battles ( 8 life = social z well z arti/ic recognition4 ,9 ,engl& he m>ri$1 & 0 = _m ye>s "o ( ! mo/ conspicu\s *>act]s ( ,london art & social life4 ,am]ica really did no?+ = him1 & he did no?+ = ,am]ica4 ,he nev] came back to ,am]ica--dur+ =ty-eight ye>s--aft] leav+ x z a "y man ( tw5ty-"o4 ,he nev] exhibit$ 9 ,am]ica until 8 "n z a pa9t] 0 "o ( ! be/ kn[n 9 ,europe4 ,he ev5 pref]r$ to exhibit 8 "w ) ,engli% arti/s 9 int]national exhibitions4 ,we all rememb] ! ,g5]al ,hawk9s incid5t 9 #ahhi4 ,:i/l] only became kn[n to ,am]ica aft] 8 dea? ?r\gh memorial exhibitions4 ,n[1 ( c\rse1 we l to claim him1 & d s ) o/5tation4 ,expatriots are always claim$ by _! native c\ntry :5 !y h a*iev$ success or p]=m$ "s rem>kable act t has ar\s$ ! wond] ( nations4 ,nobody c>es :e!r ,mr4 ,jack ,johnson liv$ on ! ,place ,monceau1 or di$ on ! ,rivi]a4 ,to ! analytical m9d x is ( little consequ5ce :e!r he w g d[n 9 hi/ory z an ,am]ican1 ,engli% or ,fr5*man1 z he 0 "o ( ! great arti/s ( ! n9ete5? c5tury ) an int]national significance4 ,9 ! case ( arti/s l ,burne-,jones1 ,israels1 ,bold9i1 ,=tuny1 ,l5ba*1 ,segant9i1 x may be ( m importance1 z !y are local tal5ts4 ,:i/l]'s pr$ilections 7 natural4 ,he 0 too %rewd a promot] ( 8 own arti/ic welf>e n to make ! be/ ( ?is dispute ( nations4 ,he c\ld n h prev5t$ x anyh[1 & ! "q ( 8 nationality w be disput$ = _m ye>s to come4 ,( c\rse1 "o c simply settle ! matt] by say+ t z he 0 born 9 ,am]ica ( ,am]ican p>5ts1 he is an ,am]ican4 ,! ,engli% diff]2 !y *oose to d 9 ?is case :at we h always done ) our immigrants4 ,aft] a p]son has liv$ = any l5g? ( "t 9 ! c\ntry we make him a citiz5 & consid] him an ,am]ican4 ,h[ ab\t ,c>l ,s*urz1 ,g5]al ,siegel & ,roebl+1 ! bridge build]8 ,!y 7 all born abroad & yet _! names are inscrib$ on our roll ( hon\r4 ,( :at nationality 0 ,lafcadio ,he>n1 :o1 born on ! ,ionian ,isl&s1 ( ,iri% & ,greek p>5tage1 liv+ = ye>s 9 ,new ,orleans & ,new ,york1 f9ally select$ ,japan z ! c\ntry ( 8 *oice1 :]e he liv$ ! rema9d] ( 8 life & 0 buri$8 ,& yet we class him z an ,am]ican writ]4 ,x seems t ! p>ty mo/ conc]n$ 9 x2 ! p]sonality itself1 %\ld decide ! "q4 ,he>n wi%$ to be consid]$ a ,japanese4 ,we are n q sure :at ,:i/l]'s op9ion 0 on ! matt]4 ,he claim$ to be a cosmopolitan4 ,b t is no answ]1 z x does n settle ! dispute4 ,x leaves o!rs to settle x1 & ! tr\ble />ts anew4 ,!re is ano!r mu* subtl] po9t1 op5 to argum5t4 ,is 8 art 9 any s5se ,am]ican8 ,has x a flav\r1 a peculi>ity ( its own1 t c\ld be d]iv$ f any s\rce except t ( ,am]ican bir? & p>5tage8 ,to ?is "q ,i answ] emphatically yes4 ,true en\gh 8 subject matt] 01 ) ! exception ( ,l',amrica9e & a few portraits1 /rictly ,cont95tal4 ,b ! _s 0 /rictly ,japanese &--,am]ican4 ,or1 ,i w\ld r say1 8 =m ( art conception 0 ,ori5tal1 b ! ess5ce1 ! "u-rhy?m ( 8 p]sonality1 0 aft] all ,am]ican4 ,he 0 some:at ( a snob & a precieux1 l 8 fri5d ,comte ,montesqui\4 ,he _h all ! poli%$ mann]s1 ! _s1 ! grace ( a =eign ari/ocrat & yet he 0 nei!r a ,fr5*man nor an ,engli%man 9 8 habits or views on art4 ,he rema9$ an ali51 z any man 9 a =eign climate mu/ rema9 to "s ext5t1 :5 ! *ange ( domicile is made z late z ! tw5tie? ye>4 ,8 wit & s>casm 0 ,am]ican4 ,x 0 n po9tless1 nei!r brusque nor frivol\s b x 0 at times flat l ,m>k ,twa9's4 ,8 self-exploitation reveal$ ! %rewdness ( an intellectual ,b>num4 ,8 attitude 9 society 0 t ( a ,yankee at ,k+ ,ar?ur's ,c\rt4 ,besides !re are vague traits 9 8 art :i* reveal ! premises ( 8 orig94 ,8 wom51 ,! ,fur ,jacket1 ,lady ,ar*ibald ,campbell1 ,l',amrica9e1 & ,miss ,alex&]1 h a natural f9esse1 direct grace & elegant frailty t c be f\nd n[h]e b 9 ,am]ica4 ,8 p[] ( adaptability1 8 disreg>d = anci5t culture = mod]n purposes1 8 te*nical fanaticism1 8 adv5tur\s ta/es & !ories1 all h an ,am]ican physiognomy4 ,if !re is any?+ t w make him an ,am]ican x is ! aptitude = lab\r1 free association1 & practical adaptation4 ,t he left ,am]ica nev] to return aga9 is no complim5t to our c\ntry1 b he1 no d\bt1 act$ wisely4 ,if we rememb] ! sad unsuccessful lives ( ,:itman & ,poe1 we %un to ?9k :at might h become ( ,:i/l] _h he /ay$ on ^! %ores4 ,he1 no d\bt1 w\ld h become "o ( our be/ pa9t]s1 b he w\ld nev] h become ! ,:i/l] we "k to-day4 ,illu/ration3 ,,arrangem5t ,,9 ,,black ,,& ,,:ite3 ,l',,am,,rica9e4 ,l all our pa9t]s ( m]it1 ,full]1 ,abbott ,?ay]1 ,w9sl[ ,hom]1 ,hom] ,m>t91 to m5tion b a few1 he w\ld h retir$ into solitude1 he w\ld h become a h]mit at a mu* e>li] /age 9 8 c>e]4 ,9 ,engl& x 0 revolt1 fight & victory2 "h x w\ld h be5 /agnation4 ,!re w\ld h be5 no fight because !re w\ld h be5 nobody to fight )4 ,:5 a man is "y1 he is /rong because he is impulsive & because he has absolute fai? 9 8 beliefs4 ,z he gr[s old] 8 views broad51 he is n q z c]ta9 ( himself1 & !re w come a "t :5 he w vacillate f "o po9t to ano!r1 try+ 8 faculties 9 diff]5t directions & se>*+ = ! f9al pa? on :i* 8 inborn tal5t may blossom =? 9 fulle/ /r5g? & beauty4 ,?is is ! "t :5 a man ne$s enc\ragem5t1 "s patron no matt] h[ /+y1 "s ord] no matt] h[ humble1 "s fri5ds & support]s :o *ampion 8 cause--or he w succumb4 ,he may n give up ! battle1 b 8 developm5t w be m>r$ & ret>d$ = ye>s4 ,am]ican life is n p>ticul>ly k9d to budd+ g5iuses1 ei!r 9 ! p]iod ( revolt or ( lat] evolution4 ,!re is no ga9say+ we are a v mat]ial race j n[4 ,& x is n[ise peculi> t x %\ld be s4 ,we d n expect mu* f ,au/ralia & ,canada 9 ! way ( art4 ,:y %\ld we ( ! ,unit$ ,/ates1 :]e !re are va/ t]ritories 9 v mu* ! same primitive condition z 9 o!r emigrant c\ntries8 ,( c\rse !re are c]ta9 p>ts & c5tres 9 ?is c\ntry :i* c boa/ ( a culture dat+ back a few c5turies1 b ! population has always liv$ 9 turmoil & conflict4 ,self-ass]tion & self-improvem5t are ! ideals ( any man :o has *ang$ 8 domicile1 9 ! "o hope to bett] 8 mat]ial welf>e4 ,9 a c\ntry :i* is s va/ z ours & :i* has at times an increase ( t5 ?\s& ali5s a week1 ! national pride 9 intellectual accompli%m5ts _c run high4 ,all t weal? c d is done at pres5t4 ,we h num]\s private collections ( r>e excell5ce & w h ,national ,gall]ies & ,k5s+ton ,museums 9 due "t1 b1 z ,:i/l] has said1 art is n a matt] ( education1 or ( royal1 civic or municipal enc\ragem5t4 ,x is a gr[? & ! soil mu/ be ripe = x4 ,no d\bt1 9 due "t collectors w div]t "s ( _! att5tion f ! batt]$ relics ( pa/ ages to ! q z admirable productions ( _! contempor>ies4 ,x w\ld be pleasant to f9d t p cease ! wor%ip ( dubi\s pictures by ,old ,ma/]s z ! "o c]ta9 & infallible pro( ( enlight5m5t4 ,! arti/ ( to-day has to subsi/ on ! ,sp>tan pr9ciple2 he has ei!r to d or to die4 ,^! are no /imulants to inspiration4 ,he has to dig x all out ( himself4 ,t eng5d]s m>tyrdom4 ,& v few1 p>ticul>ly ^? equipp$ ) less] tal5t1 are will+ to give up a half-way respectable exi/5ce = a life 9 a g>ret & a long wait until fame knocks at ! door4 ,ne>ly all ! great ,european arti/s _h _! /ruggle & liv$ 9 hovels4 ,! ,am]ican is less will+ to ent] ^u su* a prec>i\s exi/5ce1 z he realizes t if he accepts x1 he may h to /ay 9 a g>ret until ! end ( 8 life4 ,am]ican arti/s d n assi/ ea* o!r4 ,ea* goes 8 own way1 p>tly "u ! /ress ( conditions1 because ! va/ness ( ! c\ntry & l>g] t[ns p]mits no clos] association2 & p>tly by *oice1 by p]sonal incl9ation or pr(essional reasons4 ,!re is b little intellectual int]c\rse4 ,! atmosph]ic conditions are j z beautiful "h z any:]e4 ,& s are ! subjects equally beautiful & pl5tiful4 ,x w\ld be ridicul\s to d5y x4 ,yet x takes c\rage to be a pione]4 ,x ne$s leisure1 "s inc5tive & sympa?y4 ,no man is inexhau/ible4 ,he ne$s "s enc\ragem5t f outside2 & if x fails to come he w gr[ indiff]5t4 ,he may op5 up a re/aurant1 or become an illu/rator on a comic pap]4 ,des]t]s ( ?is k9d may n repres5t an irrep>able loss1 z !y 7 nev] ensign-be>]s1 nor ev] /ood 9 ! fir+ l9e4 ,!y 7 n c>v$ z f iron or wood1 ,cut ) an axe1 or hamm]$ ) sl$ge1 ,till ! man %[s /rong & good4 z ,daniel ,dawson sang1 ano!r "y poet :o fell by ! wayside4 ,our conditions are n conducive to ! evolution & exploitation ( a g5ius4 ,graft & prohibition laws1 ^: evil influ5ces are felt 9 all /rata ( society1 also injure arti/ic progress1 if n directly1 surely by ! /ress ( public op9ion4 ,su* conditions w\ld no d\bt h ret>d$ ! progress ( ev5 a man l ,:i/l] = ye>s4 ,if a man has n ! means to sip 8 demi-tasse at ,florian's1 9 ,v5ice on ! piazza1 he c n make any et*+s or li?ographs ( ! ,campanile4 ,& if a man _c af=d to buy plates & an et*+ press he _c make any et*+s at all4 ,& t is ! fate ( hundr$s ( arti/s 9 our l>g] cities4 ,no1 to g to ,p>is & !n to f9d ano!r cong5ial abode 9 ,europe1 to settle !re1 to live 8 own life1 & to d 9 art :at he want$ to d 0 ! wise/ move ,:i/l] ev] made4 ,x help$ him to exp& & to mature ! great tal5t t 0 slumb]+ )9 him1 ev] s9ce he />$1 lo/ 9 wond]1 at ! ,velasquez ( ! ,h]mitage at ,/4 ,pet]sburg4 ,:i/l] admir$ ! ,greek z mu* z anybody1 b ?is emotional rev]5ce did n h9d] him f sma%+ "s traditions ( anci5t beauty to pieces4 ,greek art 0 s p]fect t = c5turies no arti/ c\ld escape its influ5ce4 ,all ! ,old ,ma/]s 7 nurs$ on ! m>ble brea/s ( ,grecian goddesses4 ,9 all art s*ools ! :ite corpses ( pla/] ca/ facsimiles 7 wor%ipp$ on b5d$ knee4 ,! pupils nev] d>$ to glance ab\t4 ,!y did n see ! beauty ( ! _w ar\nd !m4 ,!y c\ld p]ceive x only ?r\gh ,greek conv5tions4 ,?is _h to cease4 ,!re 0 no life blood 9 ^! artificial con/ructions4 ,b tradition 0 s deeply +ra9$ 9 ,we/]n /heticisms t x l+]$ on = c5turies1 until ,manet ent]$ ! /udio1 op5$ ! w9d[s1 let 9 ! light1 & ,monet took ! "y /ud5ts by ! arm1 pu%$ !m into ! op5 air & l$ !m to ! mead[s & riv]side1 & ! op5 road4 ,:i/l]1 9 ! mean:ile1 _h sc\r$ ! :ole horizon ( art1 & beheld a new dawn 9 ! ,ea/4 ,!re he saw an old civilization1 z deep & broad z ours4 ,x 0 j at a /age :5 mod]n mat]ialism _h begun to wa% out "s ( its f9e/ col\rs4 ,art 0 det]iorat+ 9 ! ,ea/ "u ! /ress ( mission>ies & m]*ants4 ,an era ( manufacture _h set 94 ,c\ld n ! noble1 unselfi% _s ( old ,japan be kept alive1 reviv$1--amalgamat$ ) our art1 & be made to p\r new life into our valiant dreams ( beauty6 ,y rememb] :at ,:i/l] said ( ! primitive arti/4 ,! words are wor? repeat+3 ,9 ! beg9n+1 man w5t =? ea* day--"s to d battle1 "s to ! *ase1 o!rs1 aga91 to dig & delve 9 ! fields--all t !y might ga9 & live1 or lose & die4 ,until !re 0 f\nd among !m "o1 diff]+ f ! re/1 ^: pursuits attract$ him n1 & s he /ay$ by ! t5ts ) ! wom51 & trac$ /range devices ) a burnt /ick ^u a g\rd4 ,?is man1 :o took n joy 9 ! ways ( 8 bre?r5--:o c>$ n = conque/1 & frett$ 9 ! field--?is design] ( qua9t patt]ns--?is devis] ( ! beautiful1 :o p]ceiv$ 9 ,nature ab\t him curi\s curv+s1 z faces are se5 9 ! fire1 ?is dream] ap>t1 0 ! fir/ arti/4 ,& :51 f ! field f af>1 !re came back ! p1 !y took ! g\rd--& drank f out ( x4 ,& pres5tly !re came to ?is man ano!r--& 9 "t o!rs--( l nature1 *os5 by ! ,gods--& s !y work$ toge!r & soon !y fa%ion$ f ! moi/5$ e>? =ms resembl+ ! g\rd4 ,& ) ! p[] ( creation1 ! heirloom ( ! arti/1 pres5tly !y w5t =? beyond ! slov5ly sugge/ion ( ,nature1 & ! fir/ vase 0 born1 9 beautiful proportions4 ,& ! toil]s till$ & 7 a?ir/2 & ! h]oes return$ f fre% victories1 to rejoice & to fea/2 & all drank alike f ! arti/'s goblets1 fa%ion$ cunn+ly1 tak+ no note ! :ile ( ! craftsman's pride1 & und]/&+ n 8 glory 9 8 "w2 dr9k+ at ! cup1 n f *oice1 n f a consci\sness t x 0 beautiful1 b because1 =soo?1 !re 0 none o!r4 ,! art ( ! pa/ has done its "w4 ,! :ite gods are wor%ipp$ no long] 9 ! sacr$ woods & ! ,old ,ma/]s h lo/ mu* ( _! spiritual glam\r4 ,b no ne$ to m\rn _! loss1 !y w rema9 beautiful4 ,we w always look ) awe & wond] at ! figures ( ! ,p>!non frieze4 ,we w nev] cease to love ! ,primitifs4 ,we w cont9ue to make pilgrimages to ! ,prado & ! ,si/9e ,*apel4 ,& ,rembr&t w z h]et(ore receive ! adoration ( mank9d4 ,yet ! new art w be diff]5t4 ,x has to be diff]5t to equal ! old4 ,x w be attun$ to ! moods ( ! mod]n m9d4 ,x w h new acc5ts4 ,x w be> ! analytical & complex aspects ( our "t4 ,x w be subtl]1 m fragile1 p]haps1 b x w drive deep] into our s\l ?an ! cold correctness ( old] =ms & emblems4 ,x 0 ,:i/l] :o po9t$ out t a l>ge picture is a contradiction1 t a picture l ,raphael's ,transfiguration or ,v]onese's ,m>riage ( ,cana are m]ely comb9ations ( small] pictures1 dre>ily l9k$ toge!r by /ret*es ( negligible pa9t4 ,! dem&s ( explanation1 ( =m & composition1 drag 91 e n[ & !n1 l9es & col\r notes :i* are m]ely padd+4 ,!y are ! pa9t]'s concessions to ! old rules ( complexity4 ,! mod]n m9d dem&s a conc5trat$ vision4 ,pa9t+ mu/ appeal aga9 directly to our f9] s5sibilities1 speak to u )\t int]f]5ce ( moral or lit]>y consid]ations4 ,illu/ration3 ,,! ,,fiddl] 7,,et*+74 ,x 0 ,:i/l] :o taught t pa9t+ 0 a sci5ce ( col\r manipulation4 ,t ! fir/ requisite ( a pa9t] is to "k h[ to pa9t4 ,ev]ybody c le>n h[ to draw & h[ to h&le a bru%4 ,to explore ! secrets ( col\r1 to disc]n _! influ5ces ^u ea* o!r1 to r5d] !m atmosph]ic & musical1 t alone is ( vital importance4 ,= pa9t+ %\ld be a visual language t speaks directly & di/9ctly to ! cultur$ m9d4 ,h[ _m ( ! y\ng] ,am]ican pa9t]s 7alas1 our y\ng] m5 h all pass$ ! ?re%old ( ?irty if n ( =ty7 really "k _! mti]8 ,h5ri1 ,reid1 ,luks1 ,t>bell1 ,haw?orne1 ,clews1 ,r4 ,e4 ,mill]1 ,lucas1 :o else8 ,t is :y ,:i/l]'s art is s exceptional & ma/]ful4 ,!re may be o!r me?ods j z good z 82 ,monticelli1 ,m>is1 ,manc9i1 ,segant9i1 ,r5oir1 ,czanne1 etc41 all h _! peculi> way1 b ,i believe t ,:i/l] got ne>e/ to ! pulse beat ( our age4 ,resolutely & tranquil1 he c>ri$ an idea to its utmo/ logical conclusion1 aft] once accept+ its p>ticul> po9t ( view4 ,& t is :y ev]y?+ he did be>s an unmi/akable /amp ( 8 own4 ,x 0 ,:i/l] :o prov$ t art 0 synonym\s ) h>d "w4 ,few pa9t]s w foll[ 8 example & sp5d a :ole day try+ to put 9 a high-light or to f9d ! "r place = a butt]fly's w+1 & g home at night satisfi$ ) hav+ made a few bru%-/rokes aft] alt]+ !m a hundr$ times1 b ^! comm]cial travell]s ( art w nev] "k ! pa9t]'s pure delight1 ! contemplation ( life1 ! aspiration to p]fection1 ! lift+ ( beauty out ( ! dead pigm5t4 ,su* wor%ip ( art1 su* absolute dis9t]e/$ness1 su* fidelity to pa9t+ _c be too highly e/eem$4 ,& x 0 ,:i/l] :o proclaim$ t art _c be taught b mu/ be an inborn gift1 t ev]y?+ c be acquir$ by long practice save t "o sup]natural quality ( g5ius :i* alone c trans=m a pa9t] into a great arti/4 ,:at is !re 9 ^! pictures produc$ e ye>1 "h & 9 ,p>is & ev]y:]e8 ,portraits1 l&scapes1 ord9>y del9eations ( prosaic sc5es t may be pa9t$ ) consid]able skill & t may look pretty en\gh1 b t are absolutely incapable ( evok+ a f9e & subtle emotion4 ,?is1 ! m5 ^u ^: %\ld]s ! black mantle ( ,:i/l]'s muse may fall1 mu/ realize1 t x is a va9 endeav\r--z futile z cl\d %ad[s on a summ] day--unless !y "k t !y c hold h]1 ! caprici\s jade1 z !y possess ! magic w& to call h]4 ,illu/ration3 ,,nocturne ,,9 ,,br[n ,,& ,,silv]3 ,,old ,,batt]sea ,,bridge4 ,?is 0 ! _s 9 :i* ,:i/l] conceiv$ art4 ,x _h long fad$ out ( ,european art4 ,x 0 rapidly det]iorat+ 9 ! ,ori5t4 ,:y c\ld n a s+le man1 ev5 ) ! :ole _w aga9/ him1 live up to "s big ideal6 ,to be an arti/ simply = "o's own gratification4 ,to fa%ion some?+ beautiful simply because "o feels l do+ x4 ,to purify "o's m9d by project+ into life :at is accumulat$ !re by "s curi\s grace ( nature4 ,:i/l] und]took ! task1 & creat$ a new art =m t may be de/9$ to rule art = ! next ?\s& ye>s4 ,a new art =m is always ! expression ( a new _s4 ,9 pa9t+ ! new _s is rebelli\s4 ,9 addition x is emphatically individuali/ic4 ,x is oppos$ to previ\s s*ools & academic tra9+4 ,x aims at atta9+ ! maximum ( p]sonal int5sity4 ,! exig5cies ( ! classic /yle--! necessity ( a lit]>y subject--at once /ay ! free use ( ! bru% & hamp] ! virile expression ( te*nique4 ,:y n give to art a new twi/1 graft ^u x a new beauty1 enliv5 x ) a pur] flame1 t x may %9e =? aga9 9 its old pri/9e beauty6 ,! ,we/]n m9d /ill rebels t ?is resurrection %\ld come f ! ,ea/1 ?r\gh ano!r race4 ,ev5 ! mo/ ard5t disciples ( ,:i/l] make little ( ! ,japanese influ5ce4 ,x is /ill a "q ( conque/4 ,9 my m9d1 z 9 t ( _m ( our =emo/ arti/s1 !re is n ! slighte/ d\bt t ! ,ea/]n idea w w9 out & t a new era1 z important z t ( ,greek influ5ce1 w set 94 ,! mean+ ( ! old symbols has fad$ & x is ! arti/'s duty to create new ones4 ,:i/l] disclos$ new h>monies ( tone1 ( arrangem5t1 & visual poetry1 all ( !m s5sitive & expressive1 us+ blacks & br[ns & a t\* ( vivid col\r or a fl>e ( :ite1 & !reby succe$$ 9 /irr+ ! dep? ( our nature4 ,8 art has a t5d] pallor1 tones purposely dead5$1 fad$ t9ts l ^? on ,japanese scre5s ( old feudal ca/les1 ( a wondr\s h>mony & s(tness4 ,details1 discreetly acc5tuat$1 all[ ! ensemble to reta9 its full importance1 & aga9/ d>k backgr\nd1 9 s(t neutral t9ts1 figures t ! pa9t] desires to br+ out %[ ) an illusion ( life truly magical4 ,h]e9 consi/s ! la/ great pictorial inv5tion2 x is ?r\gh ?is t pa9t+ /ill has ! faculty to p[]fully address ! mod]n m9d4 ,he said 9 8 ,t5 ,o',clock t ! /ory ( ! beautiful 0 complete4 ,he surely1 l ,monet1 has add$ a valuable *apt]4 ,he1 9 8 own words1 0 "o ( ! *os5--) ! m>k ( ! gods ^u him--:o _h to cont9ue :at _h gone be=e4 ,,! ,,end4 ,,bibliography ,ba*]1 ,otto ,h43 ,) ,:i/l] 9 ,v5ice4 ,new ,york1 #aijh4 ,bell1 ,ar?ur ,g4 & ,nancy3 ,j4 ,mc,neill ,:i/l] & 8 ,"w4 ,new ,york1 #aijd4 ,bell1 ,nancy ,e43 7,mrs4 ,ar?ur ,bell73 ,james ,mc,neill ,:i/l]4 ,london & ,new ,york1 #aijd4 7,m9iatures ,s]ies ( ,pa9t]s47 ,bell1 ,nancy ,e43 ,repres5tative ,pa9t]s ( ! ,,xix ,c5tury4 ,london1 #ahii4 ,bndite1 ,lonce3 ,l'oeuvre de ,j4 ,mc,neill ,:i/l] reunis l'occasion de l'exposition commemorative4 ,p>is1 #aije4 ,bndite1 ,lonce3 ,exposition des oeuvres de ,j4 ,mc,neill ,:i/l]4 ,introduction by ,lonce ,bndite4 ,palais de l'cole des ,beaux-,arts4 ,p>is1 ,may1 #aije4 ,b[do91 ,w4 ,g43 ,james ,mc,neill ,:i/l]4 ,london1 #aija1 ,new ,york1 #aijb4 ,b[do91 ,w4 ,g43 ,james ,mc,neill ,:i/l]4 ,london & ,new ,york1 #aijd4 ,br9ton1 ,*ri/ian3 ,mod]n ,arti/s4 ,new ,york1 #aijh4 ,caff91 ,*as4 ,h43 ,am]ican ,ma/]s ( ,pa9t+4 ,new ,york1 #aijb4 ,caff91 ,*as4 ,h43 ,! ,/ory ( ,am]ican ,pa9t+4 ,new ,york1 #aijg4 ,c>y1 ,elizabe? ,l43 ,! ,works ( ,j4 ,mc,neill ,:i/l]4 ,new ,york1 #aijg4 ,*e/]ton1 ,g4 ,k43 ,h]etics4 ,london1 #aije4 ,*ild1 ,!odore3 ,am]ican ,arti/s at ! ,p>is ,exposition1 ,art & ,criticism4 ,new ,york1 #ahib4 ,*ild1 ,!odore3 ,a ,pre-,raphaelite ,mansion1 ,art & ,criticism4 ,new ,york1 #ahib4 ,copley ,society ( ,bo/on3 ,memorial ,exhibition ( ,works ( ,j4 ,mc,neill ,:i/l]4 ,febru>y1 #aijd4 ,cox1 ,k5yon3 ,old ,ma/]s & ,new4 ,new ,york1 #aijc4 ,d5nis1 ,g4 ,r43 ,bryan's ,diction>y ( ,pa9t]s & ,engrav]s4 ,london1 #aije4 ,duret1 ,!odore3 ,hi/oire de ,j4 ,mc,neill ,:i/l] et de son oeuvre4 ,p>is1 #aijd4 ,duret1 ,!odore3 ,critique d'avant-g>de4 ,p>is1 #ahhe4 ,eddy1 ,ar?ur ,j]ome3 ,recollections & ,impressions ( ,j4 ,mc,neill ,:i/l]4 ,london1 #aijc4 ,=sy!1 ,walt] ,gre5wood1 ,h>rison & ,joseph ,l]oy1 ,ed43 ,guide to ! ,/udy ( ,james ,mc,neill ,:i/l]4 ,albany1 #ahie 7,univ]sity ( ! ,/ate ( ,new ,york74 ,gallat91 ,alb]t ,e43 ,:i/l]1 ,notes & ,footnotes & o!r ,memor&a4 ,new ,york1 #aijg4 ,goodspe$1 ,*>les ,e43 ,:i/l] ,art ,dicta & ,o!r ,essays4 ,bo/on1 #aijd4 ,g\pil & ,co43 ,portfolio ( ,tw5ty-f\r ,reproductions4 #ahih4 ,groli] ,club1 ,new ,york3 ,! ,et*$ ,works ( ,:i/l]1 ,compil$ by ,edw>d ,g4 ,k5n$y1 introduction by ,royal ,c\tissoz4 #aiaj4 ,holl+wor?1 ,c4 ,j4 ,h43 ,! ,peacock ,room4 ,oba* ,gall]ies4 ,london1 #aijd4 ,h>tmann1 ,sadaki*i3 ,a ,hi/ory ( ,am]ican ,art1 ,vol4 #b4 ,bo/on1 #aijb4 ,hubb>d1 ,elb]t3 ,:i/l]4 ,ea/ ,aurora1 ,n4 ,y41 #aijc 7,little ,j\rney ,s]ies74 ,huysman1 ,j4 ,k3 ,c]ta9s4 7,g4 ,moreau1 ,degas1 ,*]et1 ,:i/l]1 ,rops1 etc47 ,p>is1 #ahhi4 ,int]national ,society ( ,sculptors1 ,pa9t]s ,& ,engrav]s3 ,memorial ,exhibitions ( ! ,works ( ! ,late ,j4 ,mc,neill ,:i/l]4 ,london1 ,feb4 #bbnd to ,april #ae?1 #aije4 ,i%am1 ,samuel3 ,! ,hi/ory ( ,am]ican ,pa9t+4 ,new ,york1 #aije4 ,knoor1 ,?omas3 ,james ,mc,neill ,:i/l]1 ,zehnuhr ,vorlesung4 ,/rassburg1 #aijd4 ,koehl]1 ,sylve/] ,rosa3 ,et*+4 ,new ,york1 #ahhe4 ,levy1 ,flor5ce3 ,:i/l] ,catalogue4 ,metropolitan ,museum1 ,n4 ,y41 #aiaj4 ,mc,fall1 ,haldane3 ,:i/l]3 ,butt]fly1 ,wasp1 ,wit1 ,ma/]s ( ,arts1 ,enigma4 ,bo/on1 #aijg4 ,mc,fall1 ,haldane3 ,:i/l]4 ,bo/on1 #aijf 7,_s ( ,age ,s]ies74 ,mansfield1 ,h[>d3 ,a ,descriptive ,catalogue ( ! 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,owl & ! ,cab9et4 ,london1 #ahhb4 ,:i/l] v4 ,rusk93 ,pik] ,pap]s4 ,:i/l] v4 ,rusk93 ,mr4 ,:i/l]'s ,t5 ,o',clock4 ,london1 #ahhh4 ,:i/l] v4 ,rusk93 ,art & ,art ,critics1 ,! ,:ite ,h\se4 ,*elsea1 ,london1 ,decemb]1 #ahgh4 ,:i/l] v4 ,rusk93 ,:i/l] ,album 7#bj photographs74 ,p>is1 #ahib4 ,:i/l] v4 ,rusk93 ,wilde v4 ,:i/l]3 be+ ,acrimoni\s ,correspond5ce4 ,london1 #ahif4 ,,pr9cipal ,,magaz9e ,,articles ---------------------------------------- ------------------------- ,ald51 ,w4 ,s4 ,saturday ,review ,aug4 #aijc4 ,alex&re1 ,arsne ,les ,arts ,sept4 #aijc4 ,am]ican ,ar*itect ,nov4 #ahhg4 ,art ,j\rnal v4 #di1 p4 #aj4 ,art ,j\rnal v4 #eb1 p4 #aih4 ,art ,j\rnal v4 #di1 p4 #bih4 ,ba*]1 ,otto ,c5tury ,magaz9e #aijb1 p4 #ajj-aaa4 ,baldry1 ,a4 ,l4 ,! ,/udio ,sept4 #aijc4 ,beal1 ,s4 ,am]ican ,ar*itect v4 #ha1 p4 #ia4 ,be]bohm1 ,max ,metropolitan #aijd1 p4 #gbh-gcc4 ,be]bohm1 ,max ,saturday ,review ,nov4 #ahig4 ,bndite1 ,lonce ,gazette des beaux-arts #aije1 p4 #cc-cd4 ,bloor1 ,a4 ,j4 ,critic #aijc4 ,br9ton1 ,*ri/ian ,critic #aijb4 ,br9ton1 ,*ri/ian ,munsey's ,magaz9e #aijf4 ,br[nell1 ,w4 ,c4 ,scribn]'s ,magaz9e ,aug4 #ahgi4 ,b\ghton1 ,g4 ,h4 ,int]national ,/udio #aijd1 p4 #baj-bah4 ,caff91 ,*>les ,h4 ,int]national ,/udio #aijc1 v4 #bj4 ,coburn1 ,fr$4 ,w4 ,bru% & ,p5cil #aijd1 v4 #ac4 ,cortissoz1 ,royal ,atlantic ,mon?ly #aijc1 v4 #ib1 pp4 #hbf-hch4 ,cox1 ,k5yon ,nation ,magaz9e #aijd v4 #gh4 ,craw=d1 ,e>l ,/etson ,! 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