,! ,gall]ies ( ! ,exposition ,a ,critical ,review ( ! ,pa9t+s1 ,/atu>y & ! ,graphic ,arts 9 ,! ,palace ( ,f9e ,arts at ! ,panama-,pacific ,int]national ,exposition ,by ,eug5 ,neuhaus ,assi/ant ,pr(essor ( ,decorative ,design1 ,univ]sity ( ,cali=nia & ,memb] ( ! ,int]national ,jury ( ,aw>ds 9 ! ,dep>tm5t ( ,f9e ,arts ( ! ,exposition ,to ,john ,e4 ,d4 ,trask ,director ( ! ,dep>tm5t ( ,f9e ,arts ( ! ,panama-,pacific ,int]national ,exposition1 untir+ work] & able executive ,cont5ts ,introduction - ,an ,hi/orical ,review4 ,! ,function ( ,art4 ,retrospective ,art ,! ,=eign ,nations - ,france - ,italy - ,portugal - ,arg5t9a - ,uruguay - ,cuba - ,philipp9e ,isl&s - ,! ,ori5t - ,japan - ,*9a - ,sw$5 - ,holl& - ,g]many ,! ,unit$ ,/ates - ,"o-,man ,rooms - ,:i/l] - ,twa*tman - ,t>bell - ,r$field - ,duv5eck - ,*ase - ,hassam - ,g>i ,mel*]s - ,s>g5t - ,kei? - ,ma!ws & ,mc,comas - ,g5]al ,collection ,! ,graphic ,arts - ,conclusion ,app5dix ,bibliography - ,a li/ ( helpful ref]5ce books & p]iodicals = ! /ud5t & lov] ( art4 ,index to ,gall]ies ,li/ ( ,illu/rations ,phyllis --------------------- ,john ,w4 ,alex&] ,woman & ,*ild3 ,rose ,sc>f - ,m>y ,cassatt ,morn+ 9 ! ,prov5ce ----- ,h5ri ,georget ,! ,prom5ade --------------- ,gu/ave ,pi]re ,! ,procession -------------- ,ettore ,tito ,! ,=tune ,tell] ---------- ,f4 ,luis ,mora ,wat] ,fall ------------------ ,elm] ,s*(ield ,! ,peacemak] -------------- ,erne/ ,l4 ,blum5s*e9 ,! ,:ite ,vase -------------- ,hugh ,h4 ,breck5ridge ,w9t] 9 ! ,=e/ -------- ,an%elm ,s*ultzb]g ,w9t] at ,am/]dam --------- ,willem ,wits5 ,9 ! ,rh9e ,mead[s -------- ,he9ri* ,von ,zugel ,! ,mirror ------------------ ,d5nis ,mill] ,bunk] ,com+ ( ! ,l9e ,/orm ---- ,fr$]ick ,j4 ,waugh ,lav5d] & ,old ,ivory ------ ,lilian ,we/cott ,hale ,gre5 & ,violet3 ,portrait ( ,mrs4 ,e4 ,milic5t ,cobd5 - ,james ,mc,neill ,:i/l] ,! ,dream] ----------------- ,edmund ,c4 ,t>bell ,:i/l+ ,boy --------------- ,frank ,duv5eck ,self ,portrait --------------- ,william ,m]ritt ,*ase ,spani% ,c\rty>d ----------- ,john ,s+] ,s>g5t ,oaks ( ! ,monte ----------- ,francis ,mc,comas ,blue ,dep?s ----------------- ,william ,rits*el ,float+ ,ice3 ,e>ly ,morn+ - ,*>les ,ros5 ,! ,l& ( ,he>t's ,desire -- ,william ,w5dt ,! ,h\semaid --------------- ,william ,mc,gregor ,paxton ,my ,h\se 9 ,w9t] ---------- ,*>les ,morris ,"y ,qu>ry3 ,ev5+ ------------- ,daniel ,g>b] ,beyond ---------------------- ,*e/] ,bea* ,9 ! ,/udio --------------- ,ell5 ,emmet ,r& ,eucalypti1 ,b]keley ,hills --- ,eug5 ,neuhaus ,floor ,plan1 ,palace ( ,f9e ,arts ,introduction ,! arti/ic appeals ( ! ,panama-,pacific ,int]national ,exposition ?r\gh ar*itecture & ! alli$ decorative arts are s engross+ t "o yields to ! call ( ! indep5d5t ,f9e ,arts only ) consid]able reluctance4 ,! visitor1 h[ev]1 f9ds himself clev]ly tempt$ by num]\s /ray bits ( deta*$ sculpture1 effectively plac$ amid/ %rubb]y ne> ! ,laguna1 & almo/ )\t kn[+ he is drawn into t en*ant+ colonnade :i* leads "o to ! spaci\s portals ( ! ,palace ( ,f9e ,arts4 ,x 0 a va/ und]tak+ to ga!r su* numb]s ( pictures toge!r1 b ! rew>d 0 great - n only to h gratifi$ "o's s5se ( beauty1 b to h contribut$ t[>d a broad] civilization1 on ! ,pacific ,coa/ specifically1 & = ! _w 9 g5]al besides4 ,x mu/ be admitt$ t x 0 no small task1 9 ! face ( _m v unusual adv]se circum/ances1 to br+ toge!r "h ! art ( ! _w4 ,mr4 ,john ,e4 ,d4 ,trask des]ves un/9t$ praise = ! p]sev]ance ) :i*1 "u mo/ try+ circum/ances1 unusual en\gh to defeat almo/ any collective und]tak+1 he br\ght toge!r ?is highly cr$itable collection ( art4 ,w>time conditions abroad & ! great di/ance to ! ,pacific ,coa/1 n to speak ( difficulties ( physical transportation1 call$ = a s+ul>ly capable executive1 su* z ,john ,e4 ,d4 ,trask has prov$ himself to be1 & ! _w %\ld gratefully ackn[l$ge a big piece ( "w well done4 ,i d n believe ! art exhibition ne$s any apologies4 ,its g5]al "* is su* z fully to satisfy ! /&>ds ( =m] int]national expositions4 ,x seems only rational t1 ) ! notori\s abs5ce ( any important p]man5t exhibition ( works ( art on ! ,pacific ,coa/1 an ef=t %\ld h be5 made to pres5t )9 ! exhibit ! developm5t ( ! art ( easel pa9t+ s9ce its inception1 because x seems impossible to d ju/ice to any phase ( art )\t an opportunity ( comp>ison1 su* z ! exposition af=ds4 ,! retrospective aspects ( ! exhibition are absorb+ly int]e/+1 n s mu* = ! pres5tation ( any em95tly great works ( art z = ! spl5did *ance = fir/-h& comp>ison ( diff]5t p]iods4 ,pa9t+ is relatively s new an art t ! e>lie/ pa9t+s we "k ( d n diff] mat]ially 9 a te*nical s5se f our pres5t-day "w4 ,ar*aeology has dis9t]r$ v>i\s badly pres]v$ & unpres5table relics ( old arts su* z sculpture & ar*itecture4 ,x is little s ) pictures4 ,pa9t+ is really ! mo/ rec5t ( all ! f9e arts4 ,x mu/ seem almo/ unbelievable t ! greate/ p]iods ( ar*itecture & sculpture _h become classic :5 pa9t+ made its db z an indep5d5t art4 ,x is true en\gh t ! ,assyrians & ,egyptians us$ col\r1 b n 9 ! s5se ( ! mod]n easel pa9t]4 ,we are also in=m$1 r less ?an m reliably1 t a g5tleman by ! "n ( ,apelles1 9 ! days ( ,phidias1 pa9t$ /ill-lifes s naturally t birds 7 tempt$ to peck at !m1 & we "k mu* m accurately ( ! _m delightful bits ( wall-pa9t+ ! ri* man ( ,pompeii & ,h]culaneum us$ to h put on 8 walls1 b ! easel pa9t+ is a creation ( mod]n times4 ,! sole reason = ?is c h>dly be expla9$ bett] ?an by po9t+ out ! long-/&+ lack ( a suitable m$ium :i* w\ld p]mit ! mak+ ( f9] pa9t+s1 o!r ?an wall & decorative pa9t+s4 ,! old temp]a m$ium 0 h>dly suit$ to f9] "w1 s9ce x 0 a make%ift ( v inadequate work+ qualities4 ,briefly1 ! me?od consi/$ ( mix+ any pigm5t or pa9t 9 p[d] =m ) any suitable /icky sub/ance :i* w\ld make x adh]e to a surface4 ,/icky sub/ances frequ5tly us$ 7 ! tree gums collect$ f c]ta9 fruit-trees1 includ+ ! fig & ! *]ry4 ,?is crude me?od is kn[n by ! ^w temp]a1 :i* comes f ! ,lat9 temp]>e1 to modify or mix1 & d5otes m]ely any alt]ation ( ! orig9al pigm5t4 ,temp]a pa9t+1 z ! only te*nique kn[n1 0 really a great bless+ to ! _w1 s9ce x prev5t$ ! :olesale production 9 a %ort "t ( su* va/ quantities ( pictures z ! _w n[adays is ask$ to enjoy4 ,i am n s sure t ! two bro!rs1 ! ,flemi% pa9t]s ,hub]t & ,jan van ,eyck1 :o are said to h giv5 u ! mod]n oil me?od1 are really s mu* des]v+ ( praise1 s9ce _! improv$ me?od ( pa9t+ ) oils caus$ a production ( pa9t+s half ( :i* might mu* bett] h rema9$ unpa9t$4 ,! "o ?+ t c be said ( all pa9t+s made be=e _! day is t !y 7 pa9t$ = a practical purpose4 ,!y _h to fit into c]ta9 physical conditions1 ar*itectural or o!r4 ,mo/ mod]n pa9t+s are simply pa9t$ on a gambl]'s *ance ( f9d+ suitable surr\nd+s aft]w>ds4 ,n[adays a picture is produc$ ) ! "o idea ( sep>at+ x f ! re/ ( ! _w by a m or less hide\s gold frame1 ! design ( :i* 9 _m cases is out ( all relation to ! picture z well z to ! wall4 ,9 fact1 mo/ frames impress "o z no?+ b attempts to make !m z co/ly z possible4 ,i imag9e t practically all true pa9t]s w\ld r d _! pictures "u & = a giv5 physical condition1 to support & be support$ by ar*itecture2 b ) ! un=tunate pres5t-day elim9ation ( pa9t+s f mo/ ar*itectural problems1 mo/ arti/s h to pa9t _! pictures = an imag9>y condition4 ,! pres5t production ( pa9t+s has become absolutely unm9dful ( ! true1 function ( a pa9t+1 :i* is to decorate 9 collaboration ) ! o!r arts - ar*itecture & sculpture4 ,x is necess>y to be> ^! facts 9 m9d 9 try+ to d ju/ice to a l>ge aggregate ( canvases 9 an int]national exhibition1 or any exhibition4 ,?\s&s ( pictures1 creat$ by a ho/ ( diff]5t arti/s1 are tempor>ily ?r[n toge!r4 ,! result1 ( c\rse1 c nev] be entirely satisfy+4 ,_m devices are employ$ to ov]come ?is v di/urb+ condition & ) v>y+ success4 ,! hang+ ( pictures aga9/ neutral backgr\nds1 ! gr\p+ ( works ( "o man1 ! selection ( works ( simil> tonality1 col\r s*emes1 te*nique1 subject1 /yle1 etc4 - ^! are all well kn[n me?ods ( try+ to ov]come ! ess5tial artificiality ( ! me?ods ( exhibition ( mod]n pa9t+s4 ,i d\bt :e!r s long z we insi/ ^u art exhibitions ( ! conv5tionally accept$ type1 we %all ev] be able to pres5t pictures ) due reg>d to _! mean+4 ,we mu/ n make ! mi/ake ( blam+ a director ( an exhibition = a difficulty :i* he _c possibly ov]come4 ,s long z pa9t]s turn out ?\s&s ( pictures1 we c expect only ! results :i* are mu* 9 evid5ce 9 all mod]n exhibitions4 ,! fault is entirely ) ! arti/1 :o is =ev] pa9t+ easel pictures1 & neglect+ ! great field ( decorative pa9t+4 ,on inve/igation ( our exhibition we %all f9d t ! good picture - t is1 ! picture ( a c]ta9 respectful attitude t[>d its function1 :i* is l>gely decorative - is f> less injur$ by unavoidable neighbors ?an ! l\d-m\!d canvas ( ! ,look6 ,"h ,i am6 v>iety1 :i* is afraid ( be+ ov]look$4 ,art exhibitions ( ! g5]ally adopt$ mod]n type are logically intol]able1 & ! only solution ( ! problem ( ! correct pres5tation ( pictures is to display few] ( !m1 )9 c]ta9 individual rooms1 design$ by arti/s1 :]e a few pictures w take _! place ) _! surr\nd+s 9 a unity ( arti/ic expression4 ,x is c]ta9ly no small task to enjoy a l>ge exhibit l ours & to pres]ve "o's peace ( m9d4 ,! purpose ( ^! pages is to assi/ 9 guid+ ! un9itiat$1 9 8 visit & 9 retrospect1 )\t depriv+ him ( ! pleasure ( p]sonal obs]vation & inve/igation4 ,x is n to be expect$ t all pictures exhibit$ %\ld be ( a sup]ior k9d4 ,if s1 we %\ld nev] be able to le>n to recognize ! good among ! bad4 ,s _m pictures are only exp]im5ts4 ,only by hav+ ! opportunity = comp>ison c we le>n to discrim9ate4 ,! pr$om9ant *>act]i/ic ( our art exhibition is its in/ructive value 9 tea*+ ! developm5t ( pa9t+ by successive p]iods1 sometimes repres5t$ & "s times only indicat$4 ,! p]son :o nev] _h ! opportunity to visit ! l>g] hi/orical collections ( pa9t+s abroad1 c\ld "h obta9 an idea ( ! _m *anges 9 subjects1 z well z 9 te*nique1 :i* h tak5 place 9 ! relatively %ort exi/5ce ( ! art ( pa9t+4 ,x is un=tunately true t ! majority ( p are n at all int]e/$ 9 ! te*nical proc$ure ( ! mak+ ( ! picture1 b :olly 9 ! subject matt]4 ,if ?is be pleas+1 ! picture is apt to be decl>$ a success4 ,! arti/1 on ! o!r h&1 & to my m9d v ju/ly1 looks prim>ily = :at he calls good pa9t+1 & a simple /atem5t ( ^! two po9ts ( view expla9s a great deal ( v deplorable friction betwe5 ! arti/ & ! will+ & en?usia/ic layman1 :o is con/antly disc\rag$ by f9d+ t 8 arti/ fri5d greets 8 pet canvas ) a cynical smile4 ,! subject ( ! appreciation ( pictures f a !oretical po9t ( view is n exactly ! purpose ( ?is book4 ,s enorm\s is x t x c\ld be dealt ) adequately only 9 a sep>ate volume ! writ+ ( :i* ,i look =w>d to ) joyful anticipation4 ,:at ,i %\ld l to d - & ,i %\ld be v glad if ,i c\ld succe$ - is to br+ ! public a little clos] to ! arti/'s po9t ( view ?r\gh ! discussion ( ! m]it ( c]ta9 notable works ( art4 ,x is my conviction t x is ! manife/ations ( an arti/s arti/ic consci5ce :i* make exhibitions good1 & n ! "q :e!r ! public likes c]ta9 pictures or n4 ,only by con/ant /udy1 a s]i\s attitude1 & a will+ness to foll[ ! arti/ into 8 realm c ! public hope fully to enjoy ! mean+ ( ! arti/'s endeavors4 ,! ,gall]ies ( ! ,exposition ,retrospective ,art ,x w\ld seem only logical to beg9 our inve/igation ) ! pictures *ronologically olde/1 at ! same "t recogniz+ t ,european art has ! "r to fir/ consid]ation4 ,we are ! ho/s to ! art ( ! _w4 ,our own art is ! newe/1 & yet occupies a l>ge numb] ( gall]ies mo/ conspicu\sly1 b x w n lose by wait+ = att5tion till ! end4 ,gall]y #fc4 ,"s ( ! v e>lie/ pa9t+s 9 ! exhibition are f\nd 9 "o ( ! l>ge c5t] rooms on ! left1 :]e a v /ately ,tiepolo controls ! arti/ic atmosph]e ( a l>ge gall]y4 ,?is picture has all ! qualities ( an old ,italian ma/] ( ! be/ k9d4 ,its composition is big & dignifi$ & 9 ! int]e/ & ri*ness ( its color s*eme x has "h few equals4 ,! *ief *>act]i/ic ( ?is spl5did canvas is bigness ( /yle4 ,9 its treatm5t x is a typical old ma/]1 9 ! be/ mean+ ( ! t]m4 ,on ! left ( ?is ,tiepolo1 a r sombre canvas by ,rib]a claims att5tion by ! peculi> light+ s*eme1 s typical ( ?is ,italian ma/]4 ,:ile !re is :at we might call a quality ( flood light+ 9 ! ,tiepolo1 giv+ an envelope ( w>m1 mell[ light to ! :ole picture1 ,rib]a conc5trates 8 light some:at !atrically ^u 8 subjects1 z 9 ! ,/4 ,j]ome4 ,! picture is freely pa9t$1 ) ! v conv9c+ anatomical skill t is manife/ 9 mo/ ( ,rib]a's "w4 ,8 %ad[s are sometimes black & imp5etrable1 a quality :i* 8 pictures may n h _h at ! "t ( _! production1 & :i* may be p>tly ! result ( age4 ,! ,goya on ! same wall is un9t]e/+ - "o ( ^? poor ,goyas :i* h caus$ delay 9 ! j plac+ ( ?is great ,spani>d 9 ! hi/ory ( art4 ,! ,turn] bel[ ! ,goya has all ! imag9ative qualities ( t great ,engli%man's be/ "w4 ,v5ice may nev] look ! way ,turn] pa9t$ x1 b 8 int]pretation ( a gorge\s sunset ov] a canal is surely fasc9at+ en\gh 9 its sugge/ion ( weal? ( =m & color4 ,sir ,william ,bee*ey's l>ge canvas ( a gr\p ( *ildr5 & a dog probably pres5t$ no easy task to ! pa9t]4 ,! attempt at a skillful & agreeable arrangem5t ( *ildr5 9 pictures is (t5 artificial1 & s x is to my m9d 9 ?is canvas4 ,nev]!less ! col\r+1 toge!r ) ! spontane\s te*nique1 put x high above _m canvases ( simil> type4 ,! ,spani% pa9t+ on ! "r ( ! ,bee*ey c\ld well af=d to h atta*$ to x ! "n ( "o ( ! be/ arti/s ( any s*ool4 ,! unkn[n pa9t] ( ?is ,spani% g5tleman knew h[ to disclose ! psy*ology ( 8 sitt] 9 a /raight=w>d way t w\ld h done honor to ,velasquez1 or to ,frans ,hals1 ( :om ?is picture is ev5 m sugge/ive4 ,bel[ ?is v f9e portrait ,sir ,godfrey ,knell] is repres5t$ by a canvas v typical ( ! eighte5? c5tury ,engli% portrait pa9t]s4 ,! canvas has a little ( ! "* ( ev]ybody1 )\t be+ suffici5tly individual4 ,reynolds' ,lady ,ball+ton has a wond]ful quality ( repose & s]5ity1 "o ( ! *ief m]its ( ! "w ( all ^? great ,engli% portrait pa9t]s ( ! eighte5? c5tury4 ,no matt] ^: "w x is1 :e!r ( ,reynolds1 ,romney1 ,hoppn]1 or any ( t classic p]iod ( ! pa9t]s ( di/+ui%$ p1 !y always impress by ! dignity ( _! composition & col\r4 ,we d n "k 9 all cases h[ di/+ui%$ _! sitt]s really 71 b l ,reynolds' ,lady ,ball+ton1 !y mu/ (t5 h be5 ( a sort sup]ior physically z well z intellectually4 ,above ! ,reynolds a small ,ga9sbor\gh l&scape bl5ds well ) ! pr$om9ant br[n ( ^! old canvases4 ,f ! po9t ( view ( ! mod]n l&scape pa9t]1 :o believes 9 ! sup]iority ( 8 outlook & attitude t[>d nature1 we c only be glad t ,ga9sbor\gh's fame does n dep5d ^u 8 repres5tation ( out-(-doors4 ,?is small canvas1 l ! v big "o on ! opposite wall1 is int]e/+ 9 design4 ,b nei!r gives "o ! feel+ ( outdoors t our mod]n l&scape pa9t]s s successfully imp>t4 ,hi/orically !y are v int]e/+1 & ev5 ?\gh !y c>ry ! "n ( su* a ma/] ( portraits z ,ga9sbor\gh und\bt$ly 01 !y are devoid ( all ! refre%+ qualities t mod]n art has giv5 to ! _w4 ,sir ,pet] ,lely & ,sir ,h5ry ,raeburn claim p>ticul> att5tion on ! nor? wall - ! fir/ by a deftly pa9t$ portrait ( a lady1 & ! o!r by a broadly execut$ lik5ess ( ,john ,wau*ope4 ,z portraits g1 ! fir/ picture is "o ( ! f9e/ 9 ! gall]y4 ,v conspicu\s by _! size1 ! two big ,romney portraits on ! ea/ wall are n 9 ! same class ) ei!r ! ,lawr5ce or ! ,reynolds on ! same wall4 ,! great ,lawr5ce portrait1 ! lady ) ! black hat1 is "o ( ! mo/ sup]b portraits 9 ! _w4 ,!re is a peculi> *>m ab\t ?is canvas q indep5d5t ( ! v attractive ,lady ,m>g>et repres5t$ 9 ! picture4 ,! lusci\s blacks & pale r$s & ! neutral cream silk cape make = a col\r h>mony seldom a*iev$4 ,reynolds' portrait ( ,john ,?omas1 ,bi%op ( ,ro*e/]1 is equally ri* & full ( f9e col\r contra/s4 ,! %rewd-look+ g5tleman is psy*ologically well giv51 al?\gh "o's att5tion is detract$ f ! head by ! gorge\s raim5t ( a dignit>y ( ! *ur*4 ,i ?9k ,hog>?'s portrait on ! small wall to ! "r does n disclose ?is ma/] at 8 be/1 nor does ,hoppn] rise to ! level ( 8 be/ "w 9 ! l>ge portrait alongside ( x4 ,! ,m>*ioness ( ,wellesley is bett] & m sympa!tically r5d]$ ?an h] two *ildr51 :o b>ely manage to /ay 9 ! picture4 ,on ! :ole an atmosph]e ( dignity p]meates ?is gall]y ( old] ma/]s4 ,"o may deplore ! lack ( _m *>act]i/ics ( mod]n art 9 _m ( ! old pictures4 ,!y are v (t5 lifeless & /iff1 b ! wor/ ( !m are f> m agreeable ?an mo/ ( ^? ( our own "t4 ,! s]5e beauty ( ! ,tiepolo1 ! ,lawr5ce1 & ! ,ga9sbor\gh portrait has h>dly be5 surpass$ s9ce _! day4 ,our age is1 ( c\rse1 ! age ( ! l&scape pa9t]1 ! outdoor pa9t]1 z oppos$ to ! indoor portraits ( ^! great ma/]s4 ,x w\ld n be "r to judge a ,ga9sbor\gh by 8 l&scapes any m ?an x w\ld be to judge a mod]n l&scape pa9t] by 8 portraits4 ,b no matt] h[ un9t]e/+ ^! old l&scapes are1 _! br[n tonality insures !m a c]ta9 dignity ( in(f5siv5ess :i* a m$iocre mod]n "w ( art nev] possesses1 ,i w\ld r any "t h a bad old picture ?an a bad "o ( ! v rec5t s*ools4 ,mode/y is n "o ( ! *ief attributes ( mod]n art1 & ! sil5t prote/ ( a gall]y su* z ! "o we are n[ 91 ! arti/ c well af=d to he$4 ,! sculpture 9 ?is gall]y has no relation to ! hi/orical "* ( ! room1 b fits well into ! atmosph]e4 ,adolph ,a4 ,we9man's admirable ,desc5d+ ,night is s famili> to all ,exposition visitors1 9 its adaptation 9 a f9e f\nta9 9 ! ,c\rt ( ! ,univ]se1 t no m ref]5ce ne$ be made to x4 ,"h 9 bronze on a small scale1 x is ev5 m ref9$4 ,mrs4 ,sa9t ,gaud5s' *>m+ family gr\p1 9 burnt clay1 is n s well 9 h>mony ) ?is gall]y ( old] "w1 b inf9itely m appeal+ ?an ,j4 ,q4 ,a4 ,w>d's ,hunt] or ,cyrus ,dall9's ,indian4 ,bo? ( ^! gr\ps lack sugge/ive quality4 ,!y are c>ri$ too f>4 ,edw>d ,kemeys' ,buffaloes lacks a s5se ( balance4 ,! defeat$ buffalo1 pu%$ ov] ! cliff1 takes ! int]e/ ( ! obs]v] outside ( ! c5t] ( ! composition1 & a lack ( balance is noticeable 9 ?is o!rwise well modell$ gr\p4 ,gall]y #ia4 ,9 ?is room "o is c>ri$ f>!r back into ! e>li] phases ( pa9t+ by a ,lu9i ( pron\nc$ decorative quality4 ,! picture is probably a "p ( a l>g] s*eme1 b x is well compos$ into ! frame :i* holds x4 ,besides1 x is ( int]e/ z ! only piece ( old mural pa9t+ includ$ 9 ! exhibition4 ,! gr\nd on :i* ! angel is pa9t$ is a piece ( ! pla/] surface ( ! orig9al wall ( :i* ?is fragm5t 0 a "p4 ,! me?od ( produc+ ^! fresco pa9t+s 7al fresco calco7 necessitat$ ! employm5t ( a practical pla/]] besides ! pa9t]4 ,! pa9t+ 0 fir/ drawn c>efully on pap] & !n transf]r$ 9 its outl9es ^u fre%ly prep>$ pla/]1 j put ^u ! wall4 ,hav+ no o!r means ( mak+ ! pa9t adh]e to ! surface1 ! pa9t] _h to rely ^u ! *emical reaction ( ! pla/]1 :i* w\ld ev5tually unify ! pa9t ) itself4 ,x 0 a v t$i\s process1 :i* n[adays has be5 sup]s$$ by ! me?od ( pa9t+ on canvas1 :i* aft] completion 9 ! /udio is fa/5$ to ! wall4 ,above ! ,lu9i hangs a v ,byzant9e look+ ,timoteo ,viti ,madonna ( int]e/+ col\r & good design1 b ) a ,*ri/ *ild ( v d\btful anatomy1 & also two old sixte5? c5tury ,dut* pictures - a ,jan ,/e5 & a ,t5i]s4 ,i h my d\bts z to ! au!nticity ( ! la/ two pictures4 ,!y are bo? int]e/+ z disclos+ ! fondness ( ! ,dut* pa9t]s ( ! sixte5? c5tury = ov]-naturali/ic subjects4 ,on wall ,b two pictures1 )\t au?or or title1 appeal to "o's imag9ation4 ,!y are bo? well pa9t$ & ri* 9 col\r4 ,a c]ta9 big decorative quality puts !m f> above _! neighbor - a ,dut* canvas ( bad composition ) no r$eem+ features o!r ?an hi/orical int]e/4 ,jacopo da ,ponte's big ,laz>us has a c]ta9 noble dignity4 ,?\gh x is r black 9 %ad[s1 x is n devoid ( col\r feel+4 ,on ei!r side are two old ,spani% portraits ( *ildr5 ( royalty4 ,!y impress by _! v f9e decorative note1 *>m+ly enhanc$ by ! wond]ful frames4 ,ano!r ,rib]a1 z =ceful z ! "o m5tion$ be=e1 easily /&s out among ! _m pictures 9 ?is gall]y1 mo/ ( :i* are only ( hi/orical int]e/4 ,! :ole aspect ( ?is little gall]y is "o ( extreme remot5ess f mod]n ?\ght & idea1 b z an object lesson ( c]ta9 old] p]iods x is invaluable4 ,gall]y #ib4 ,*ronologically a typical old ,*>les ,le ,brun presides ov] a v int]e/+ lot ( pictures1 mo/ly ,fr5*4 ,?is academic canvas1 ( ,d>ius' family at ! feet ( ,alex&]1 has n ! simplicity & decorative quality ( ! ,italian pictures ( t p]iod1 & x is entirely too complex to be enjoyable4 ,! beautiful ,c\rbet on ! left1 :ile sugge/ive ( ,rib]a 9 its sev]e disposal ( light & %ad[1 has also a quality ( its own1 a wond]ful mell[ness :i* gives x a unity ( expression lack+ 9 its turbul5t neighbor on ! "r4 ,among ! o!r bigg] pictures 9 ?is small gall]y1 a v poetic ,caz91 ,! ,rep5tance ( ,simon ,pet]1 comm&s att5tion by a c]ta9 outdoor quality :i* fa9tly sugge/s ! ,b>bizon s*ool4 ,"o does n "k :at to admire mo/ 9 ?is f9e canvas4 ,z a figural picture x is int5sely beautiful1 & m]ely z a l&scape x is ( conv9c+ *>m4 ,x is to my m9d "o ( ! f9e/ pa9t+s 9 ! exhibition1 & a con/ant s\rce ( great pleasure4 ,! big ,tissot (f]s few excuses = hav+ be5 pa9t$ at all4 ,x is no?+ b a big illu/ration - all x tells c\ld h be5 said on a v small canvas4 ,!re is no real pa9t+ 9 x1 nor composition - no?+ else1 = t matt]4 ,! two ,monticellis on ! same wall make up = ! ,tissot4 ,ri* 9 col\r & design1 ! "o to ! left is p>ticul>ly f9e4 ,! ,van ,m>cke on ! same wall is typical ( ?is pa9t]'s me?ods1 b does n disclose 8 tal5t = v int]e/+ pictorial compositions1 = :i* he 0 kn[n4 ,on ! opposite wall an old] ,israels gives lone a good idea ( ! e>li] p]iod ( ?is great ,dut* pa9t]1 ju/ly c\nt$ z "o ( ! great figures ( ! second half ( ! la/ c5tury4 ,:ile ( rec5t date1 8 art belongs to ! old] s*ool - )\t atta*+ any odium to t classification4 ,! ,b>bizon s*ool1 ! mo/ important ( ! la/ c5tury1 is v fitly repres5t$ by two *>m+ & mo/ delicate ,corots on ei!r side ( ! ,israels4 ,! "o to ! "r is p>ticul>ly t5d] & poetic4 ,:ile by no means an attempt at a naturali/ic impressioni/ic int]pretation ( nature1 l a mod]n ,metcalf1 = in/ance1 _! sugge/ive p[] is s great z to ov]come a c]ta9 lack ( col\r by ! conv9c+ness ( ! mood repres5t$4 ,daubigny & ,r\sseau1 ( t great company ( ! s*ool ( #ahbe1 are m]ely sugge/$ 9 two small & v consci5ti\s /udies4 ,gall]y #fb4 ,?is w always be rememb]$ z ! gall]y ( ! ,gre5 ,madonna4 ,:atev] caus$ ?is ,gre5 ,madonna to be honor$ by a ,gr& ,prix at ,p>is w always rema9 "o ( ^? my/]ies ) :i* ! _w is lad54 ,( all disagreeable col\r s*emes1 x is c]ta9ly "o ( ! lea/ appeal+ ev] put ^u a canvas4 ,x is h>dly a s*eme at all1 s9ce ,i d n believe ! juxtaposition ( s _m diff]5t slimy gre5s1 n[h]e prop]ly reliev$ nor acc5tuat$ by a complem5t>y r$1 c ev] be call$ a s*eme4 ,te*nically speak+1 ! canvas is well pa9t$1 b x is h>dly wor?y ( ! att5tion its size & subject w94 ,dagnan-,b\v]et has r5d]$ good s]vice z a tea*] & also z a pa9t] ( animal life1 b 9 ?is canvas he surely is n up to 8 be/4 ,! ,b>bizon m5 cont9ue to hold "o's att5tion by a spl5did ,troyon4 ,x is "o ( ! be/ ( 8 canvases ,i h ev] se54 ,! little ,diaz alongside ( x is also typical ( ?is v lum9\s pa9t]1 :o (t5 atta9s a lusci\sness ( col\r 9 8 "w n rea*$ by any o!r ( ! ,b>bizon m54 ,=tuny1 9 an ,algi]s picture1 %[s ! same brilliant te*nical quality :i* is s mu* 9 evid5ce 9 a small wat]color 9 ! prec$+ gall]y4 ,jules ,ba/i5-,le,page's /udio nude seems v unhappily plac$ 9 a naturali/ic backgr\nd into :i* x does n fit1 & ,caz9's big canvas1 :ile v dignifi$1 h>dly comes up to ! level ( 8 rep5t+ ,simon ,pet]1 9 ! o!r gall]y4 ,pel\se's l&scape1 ( s+ul>ly beautiful composition & col\r1 %\ld n be ov]look$4 ,x is alongside ! ,caz94 ,:ile almo/ all ! pictures ref]r$ to s f> are ( ! ,fr5* s*ool1 !re are ?ree pictures ( ! old] ,g]man s*ool - two ,l5ba*s1 "o a v accurately drawn portrait ( ! ,g]man philosoph] ,momms51 & ! o!r a portrait ( himself4 ,!y %[ ?is p[]ful arti/ 9 two diff]5t aspects4 ,:ile ! ,momms5 is "o ( 8 lat]1 broad] pictures1 ! portrait ( himself is ( an e>li] date1 %[+ ! arti/ z ! s]i\s /ud5t he has always be54 ,adolph ,s*rey]1 ano!r ,g]man1 ) 8 ,b$\9 pictures1 0 ! pet ( ! art lov]s 9 8 day1 & pictures l ?is c be f\nd 9 almo/ e collection 9 ! _w4 ,! miscellane\s sculpture 9 ?is gall]y is full ( int]e/ & gives "o a good sugge/ion ( ! great mass ( small mod]n sculpture f\nd ?r\gh\t ! gall]ies4 ,mora's ,indian figures are p>ticul>ly int]e/+ f _! orig9ality ( !me4 ,mora tries h>d to be unconv5tional1 )\t go+ into ! biz>re1 & succe$s v well4 ,gall]y #fa4 ,! diff]5ce ( appe>ance 9 ! f\r old] gall]ies discuss$ & ! "o n[ visit$ is s m>k$ z to lead "o to believe t our inve/igations h n be5 conduct$ 9 ! prop] *ronological ord]4 ,all ! art ( ! _w1 up to & includ+ ! ,b>bizon s*ool1 is *>act]iz$ by a pr$om9ant br[n col\r :i*1 on acc\nt ( its w>m?1 is nev] disagreeable1 al?\gh sometimes monoton\s4 ,! d>+ ( ! ,engli%man ,con/able 9 pa9t+ a l&scape outdoors l$ to ! developm5t ( a new po9t ( view1 :i* ! old] arti/s did n welcome4 ,con/able & ! m5 ( ! ,b>bizon s*ool realiz$ = ! fir/ "t t outdoor conditions 7 totally diff]5t f ! /udio atmosph]e1 & :ile ! "w ( su* m5 z ,corot1 ,millet1 ,daubigny1 ,r\sseau1 & ,diaz is only slightly remov$ f ! somb] br[n ( ! /udio type1 x recognizes a new aspect ( ?+s :i* 0 to be mu* f>!r develop$ ?an !y ev] dream$4 ,j z ,con/able %ock$ 8 contempor>ies by 8 - = t "t - vivid outdoor blues & gre5s1 s ! m5 ( ! s*ool ( #ahgj1 or ! impressioni/s1 surpris$ & outrag$ _! fell[m5 ) a type ( picture :i* we see 9 control ( ?is delightfully refre%+ gall]y4 ,we c te/ify by ?is "t t ,con/able1 al?\gh mu* oppos$ 9 8 day1 seems v tame to u today1 & caution seems well advis$ be=e a f9al judgm5t ( impressionism is pass$4 ,! slogan ( ?is gall]y seems to be1 ,m light & pl5ty ( x6 ,! ,monet wall gives a v good idea ( ! impressioni/ic s*ool1 9 sev5 diff]5t canvases rang+ f e>li] m conv5tional examples to "s ( 8 late/ ef=ts4 ,"o m fully und]/&s ! goal t ^! m51 l ,monet1 ,r5oir1 ,sisley1 ,piss>ro1 & o!rs 9 ?is gall]y 7 /riv+ = :51 9 an app>5tly radical way1 !y disc>d$ ! attitude ( _! pr$ecessors1 9 _! se>* = light4 ,x is true !y enc\nt]$ te*nical difficulties :i* =c$ !m into an opacity ( pa9t+ :i* is absolutely oppos$ to ! smoo?1 sometimes lick$ appe>ance ( ! old ma/]s4 ,_m ( ^! m5 mu/ be view$ z great exp]im5t]s1 :o op5$ up new av5ues )\t be+ entirely able to realize !mselves4 ,!y are collectively kn[n g5]ally z impressioni/s1 ?\gh ! ^w ple9-airi/ - lum9i/ - has be5 *os5 sometimes by !m & by _! admir]s4 ,! neo-impressioni/s 9 pictorial pr9ciple d n diff] f ! impressioni/4 ,_! te*nical proc$ure is diff]5t1 & bas$ on an optical law :i* proves t pure prim>y col\rs1 put alongside ( ea* o!r 9 alt]nat+ small quantities1 w give1 at a c]ta9 di/ance1 a fre%ness & sp>kle ( atmosph]e n atta9$ by ! e>li] te*nical me?ods ( ! impressioni/ic s*ool1 :i* does n 9 ! putt+ on ( ! pa9t diff] f ! old s*ool4 ,besides1 ?is use ( pure pa9t enabl$ !m to h ! mix+ ( ! pa9t1 s to speak1 done on ! canvas1 z ! v>i\s prim>y col\rs juxtapos$ w\ld produce any desir$ numb] ( second>y & t]ti>y col\rs )\t loss ( fre%ness4 ,9 o!r words a gre5 w\ld be produc$1 n by mix+ yell[ & blue on ! palette1 b by putt+ a yell[ dot & a blue dot alongside ( ea* o!r1 & s ad inf9itum4 ,accord+ to ! =m ( _! col\r dots !y 7 call$ po9tilli/es1 poiri/es1 & o!r m or less self-explanatory names4 ,! s]vice ( ^! m5 to art c nev] be e/imat$ too highly4 ,! mod]n s*ool ( l&scape pa9t+ p>ticul>ly1 & o!r art involv+ indoor subjects1 are bas$ entirely on ! pr9ciples ,monet discov]$ to ! pr(ession4 ,piss>ro1 on ei!r end ( ! wall opposite ! ,monet1 appeals m 9 ! new me?od ( ! neo-impressioni/s ?an ,monet1 by reason ( mu* m int]e/+ subjects4 ,! "o ,piss>ro on ! "r is ( ! fir/ ord] f e po9t ( view1 demon/rat+ ! sup]iority ( ! neo-impressioni/ic /yle appli$ to a v orig9al & int]e/+ subject4 ,! ,riv] ,se9e1 by ,sisley1 is also wond]fully typical ( ?is new /yle1 :ile ( ! two ,r5oirs1 only ! /ill-life c really be call$ successful4 ,!re is an un=tunate fuzz9ess 9 8 l&scape :i* defeats all effect ( diff]5ce ( texture 9 ! v>i\s objects ( :i* ?is picture is compos$4 ,!re are a numb] ( canvases 9 ?is gall]y :i* h no?+ to d ) ! pr$om9at+ impressioni/ic "* ( ! gall]y4 ,! ,puvis de ,*avannes gives "o a v f9e idea ( ! ideali/ic outlook ( ?is greate/ ( all mod]n decorators4 ,8 art is s g5u9ely decorative t to see "o ( 8 pictures 9 a frame seems almo/ pa!tic1 :5 we ?9k h[ inf9itely m beautiful x w\ld look z "p ( a wall4 ,eugne ,c>rire is v well repres5t$ by a /ately portrait ( a lady ) a small dog4 ,c>rire's mell[ ri*ness is entirely 8 own & r>ely met ) 9 any o!r arti/'s "w4 ,on ! we/ wall opposite ! ,puvis f\r v diff]5t canvases des]ve to be m5tion$4 ,9 ! c5t] a "y ,russian1 ,ni*olas ,fe*91 displays a v unusual virtuosity 9 a picture ( a some:at s5sual-look+ "y creature4 ,aside f ! fasc9ation ( ?is "y human animal1 ! h&l+ ( pa9t 9 ?is canvas is mo/ extraord9>y1 possess+ a te*nical quality few o!r canvases 9 ! entire exhibition h4 ,!re is life1 su* z v few pa9t]s ev] atta91 & se5 only 9 ! "w ( a ma/]4 ,?is "w is n entirely a ,nell ,br9kley 9 oil1 ei!r4 ,i confess ,i h a /range fondness = ?is weird canvas4 ,! int]national "* ( ?is gall]y is mo/ pron\nc$4 ,directly above ! ,fe*91 ,frits ,?aul[1 ! ,norwegian1 ju/ifies 8 reputation z ! pa9t] ( fl[+ wat] 9 a picture ( great beauty4 ,ga/on ,la ,t\*e fa9tly discloses 9 a l>ge canvas 8 imag9ative /yle1 c>ri$ s mu* f>!r 9 8 lat] "w4 ,joseph ,bail1 ! ,fr5*man1 got into ?is gall]y probably only on ! basis ( size1 to balance ! ,la ,t\*e on ! o!r side4 ,to all appe>ances ,bail has v little 9 common ) ! g5]al mod]n "* ( ?is gall]y4 ,nev]!less 8 canvas has m]it 9 _m ways4 ,=eign ,nations ,france ,a discussion ( ! impressioni/ic s*ool makes x almo/ imp]ative to cont9ue our inve/igation by way ( ! ,fr5* ,section4 ,france is easily to mod]n art :at ,italy 0 to ! art ( ! ,r5aissance or ,greece to antiquity4 ,almo/ all c\ntries1 ) ! exception ( ^? ( nor!rn ,europe1 h gone to s*ool at ,p>is4 ,x becomes q evid5t at fir/ glance t a c]ta9 v desirable spaci\sness 9 ! hang+ ( ! pictures contributes mu* t[>d ! g5]ally favorable impression ( ?is section ( ! exhibition1 ?\gh x is h>d to und]/& :y ?is f9e effect %\ld h be5 spoil$ by ! patt]n us$ on ! wall-cov]+4 ,x seems unbelievable t a p l ! ,fr5* %\ld s violate a fundam5tal pr9ciple1 :i* a fir/-seme/] art /ud5t w\ld sc>cely d4 ,! o!rwise delightful impression ( ! ,fr5* section1 s excell5tly arrang$1 is consid]ably impair$ by ?is faux pas4 ,!re is no *ronological succession 9 evid5ce 9 ! hang+ ( pictures 9 ! six gall]ies ( ?is section1 & old & new1 cons]vative & radical1 are hung toge!r ) no o!r consid]ation ?an h>moni\s ensemble4 ,gall]y #ah4 ,9 ! we/]n end ( ! section presid$ ov] by a decorative pa9t+ ( "s aras among orange trees 7ov] ! we/ door71 a beautiful1 almo/ classic canvas by ,h5ri ,georget comm&s imm$iate att5tion4 ,! poetic idealism ( ?is decorative l&scape1 toge!r ) a f9e joy\sness1 give x unusual "*4 ,alongside ( x a v intellig5tly pa9t$ little canvas by ,alb]t ,guillaume %[s ! int]ior ( an art deal]'s %op4 ,! ag5t is mak+ ,h]culean ef=ts to bamboozle an unsuspect+ p>v5u into buy+ an example ( "s v advanc$ pa9t+4 ,! canvas is f9e p]siflage 9 its clev] psy*ological *>act]ization ( ! sleek deal] & ! /upid helplessness ( ! bloat$ cu/om] & 8 wife1 :o seem hypnotiz$ by ! wick$ eye 9 ! picture4 ,z a piece ( mod]n g5re 9 a mu* neglect$ field1 x is "o ( ! f9e/ ?+s ( rec5t ye>s4 ,on ! extreme left ( ?is wall a v f9e bit ( pa9t+ ( an ,arabian fairy tale by ,e4 ,d9et des]ves to be m5tion$4 ,almo/ opposite ?is small canvas ,luci5 ,simon has a l>ge picture pa9t$ ) ! bravura = :i* he is fam\s4 ,! atmosph]e ( ?is f9e int]ior is simply & spontane\sly a*iev$1 & ! ?ree figures ( "m1 nurse & balky baby are excell5tly drawn4 ,! /ill-life by ,moride1 to ! left ( ?is picture1 %[s all ! e>m>ks ( ! mod]n s*ool )\t sacrific+ a c]ta9 delicacy ( h&l+ :i* is (t5 consid]$ by _m mod]n pa9t]s a confession ( weakness4 ,a f9e ,dut* canvas on ! extreme left ( ?is wall1 by ,guillaume-,rog]1 attracts by a f9e decorative note seldom f\nd 9 pictures ( ,fr5* easel pa9t]s4 ,! ea/ wall ( ?is gall]y is di/+ui%$ by a numb] ( f9e l&scapes by diff]5t m54 ,beg9n+ on ! left side ( ! door ,jules-,emile ,z+g pres5ts two tonally skillful w9t] l&scapes ( great fidelity1 :ile on ! "r is ,h5ry ,grosjean's delicate atmosph]ic /udy ( a broad valley floor4 ,a decorative wat]col\r ( ! ,v]sailles ,g>d5s1 by ,mlle4 ,c>p5ti]1 comm&s admiration by reason ( its f9e composition z well z by ! economical b effective te*nique ( putt+ transp>5t pa9t ov] a *>coal draw+4 ,! sculpture 9 ?is gall]y is ( no great mom5t4 ,l mu* ( ! mod]n ,fr5* sculpture x is v well done 9 a te*nical s5se )\t disclos+ great conc5tration ( m9d4 ,gall]y #ag4 ,a v>iety ( subjects cont9ues to impress "o 9 ?is gall]y4 ,portraits1 l&scapes1 & hi/orical subjects1 ) "h & !re a g5re note1 make ! g5]al "* ( ! ,fr5* exhibit1 %[+ at e turn ! great te*nical dext]ity = :i* ,fr5* art has long be5 celebrat$4 ,!re is no picture ( out/&+ m]it 9 ?is gall]y1 unless "o w\ld s+le out a v sympa!tic1 simple l&scape by ,paul ,buffet & ! ,luci5 ,griveau l&scape call$ ,! ,silv] ,?read1 diagonally opposite1 a canvas ( ri* tonality & di/9ctive composition4 ,gall]y #af4 ,an adjo9+ gall]y t[>d ! ea/ has a great numb] ( excell5t pictures to hold ! att5tion ( ! visitor4 ,to beg9 ) ! figure pa9t]s1 ! ,des* portrait ( a little girl 9 empire co/ume appeals by its g5u9ely orig9al design4 ,! c>efully consid]$ patt]n effect ( ?is canvas is mo/ agreeable & well assi/$ by a v ref9$ col\r s*eme4 ,al?\gh a trifle dry1 ! quality ( pa9t+ 9 ?is canvas is ! same z t :i* makes ,:i/l]'s "w s int]e/+4 ,?is pa9t+ is "o ( ! great assets ( ! ,fr5* section1 & to my m9d "o ( ! great pictures ( ! entire exhibition4 ,balanc+ ! ,des* canvas1 "o f9ds ano!r figural canvas ( great beauty ( design1 by ,georges ,dev\x4 ,f>ewell1 :ile ( a s5tim5tal "*1 is /rong 9 draw+ & composition4 ,x is v consi/5t ?r\gh\t4 ,ev]y?+ 9 ! picture has be5 c>efully consid]$ to support ! poetic1 s5tim5tal "* ( ! pa9t+1 :i* is admirably delicate & conv9c+ )\t be+ disagreeably weak4 ,jacques-,emile ,blan*e is repres5t$ 9 ?is gall]y by 8 well-kn[n portrait ( ! danc] ,nij9ski4 ,a c]ta9 ,ori5tal spl5dor ( col\r is ! keynote ( ?is canvas1 :i* is mu* m c>elessly pa9t$ ?an mo/ ( ,blan*e's v clev] old] portraits4 ,on ! opposite wall ,c>o-,delvaille %[s 8 dext]ity 9 ! portrait ( a lady4 ,! lady is a r unimportant adjunct to ! pa9t+ & seems m]ely to h be5 us$ to support a magnific5tly pa9t$ g[n4 ,!re is a peculi> contra/ 9 ! v naturali/ically pa9t$ g[n & ! sev]e int]pretation ( ! face ( ! sitt]4 ,erne/ ,laur5t's portrait ( ,mlle4 ,x is typically ,fr5* 9 its loose & sugge/ive /yle ( pa9t+1 & easily "o ( ! _m good portraits 9 ! gall]y4 ,among ! l&scapes ,&r ,dau*ez' ,conc>neau1 ,*>les ,milc5deau's ,wa%]wom51 on ! opposite wall1 & la/ b n lea/1 ,r5 ,mn>d's ,opal ,sea - a small picture ( great beauty - des]ve recognition4 ,pi]re ,ro*e has a /atuette ( ,loe ,full] 9 ?is gall]y :i* is conspicu\s by its d>+ composition & simple treatm5t4 ,gall]y #ae4 ,ent]+ ?is gall]y1 ! fir/ canvas to attract "o's att5tion1 by reason ( its boldness ( composition & col\r1 is a l>ge ,luci5 ,simon call$ ,! ,gondola4 ,! v]satility ( ?is arti/ is well br\ght out by ano!r picture ( a baby1 ab\t to be ba!d1 previ\sly ref]r$ to1 & by a ?ird canvas1 ( ,! ,communicants1 ne> ,! ,gondola4 ,simon seems to h no difficulty 9 us+ sev]al m$iums & /yles ( expression equally well1 z a comp>ison betwe5 ,! ,gondola & ,! ,communicants w easily prove4 ,?is =m] picture is ! m orig9al ( ! two te*nically1 9 col\r z well z 9 composition4 ,x is 9 dang] ( los+ "o's sympa?y by a badly select$ frame4 ,ne> x hangs a trifolium ( virg9s1 ( v anaemic col\r4 ,! draw+1 h[ev]1 is s v s5sitive 9 ?is canvas t x makes good = ! unconv9c+ anaemic col\r s*eme4 ,! gem ( ?is gall]y is a small l&scape ( ,amde-,juli5 ,m>cel-,clm5t1 ( extraord9>ily f9e composition4 ,a f9e decorative quality is its *ief asset1 & its sympa!tic te*nical h&l+ adds mu* to ! enjoym5t ( ?is picture4 ,b>?olem's kneel+ figure 9 ! c5t] ( ! room is ( wond]ful nobility ( expression & entirely free f a c]ta9 extreme physical naturalism s (t5 f\nd 9 mod]n ,fr5* sculpture4 ,gall]y #ad4 ,pass+ into ! next gall]y1 :]e figural pictures pr$om9ate1 a v sw+y composition ( a ,brittany fe/ival1 by ,*>les-,r5 ,d>rieux1 is mo/ conspicu\s1 = ! =ceful h&l+ & ! f9e quality ( movem5t :i* *>act]ize ! procession ( figures rhy?mically mov+ ?r\gh ! picture4 ,( ! two l>ge nudes on ! same wall1 "o1 a ,besn>d1 is vulg>ly physical1 al?\gh well pa9t$1 & ! o!r too insipid to make "o feel t ! ,fr5* p5*ant = nudes is suffici5tly ju/ifi$4 ,le ,sidan]'s poetic ev5+ recomm5ds itself = ! quiet intimacy ) :i* x is h&l$4 ,h]rmann ,vogel's portrait ( a g5tleman 9 a *air1 also on ! ea/ wall1 :ile n v spontane\s 9 h&l+1 is int]e/+ nev]!less 9 its composition & ! psy*ological *>act]ization ( ! sitt]4 ,mo/ ( ! o!r pictures 9 ?is gall]y h really n en\gh individual "* to s+le !m out1 no matt] h[ high _! g5]al /&>d may be4 ,gall]y #ac4 ,! la/ & smalle/ ( ! ,fr5* gall]ies is giv5 ov] to "s rec5t phases ( ,fr5* art4 ,aft] look+ at ! s]i\s "w ( ! ,fr5* 9 ! o!r gall]ies1 a fir/-h& acqua9tance ) ?is m$ley ( newe/ pictures is h>dly satisfactory4 ,!re is a feel+ ( affect$ primitiv5ess ab\t mo/ ( !m1 p>ticul>ly 9 a small canvas ( a b\quet ( fl[]s 9 a gre5 vase1 :i* is ! acme ( absurdity4 ,if ,odilon ,r$on want$ to be trivial1 he has a*iev$ some?+ q wond]ful4 ,c]ta9 ultra-mod]n manife/ations ( art are nev] m intol]able ?an :5 se5 toge!r 9 l>ge numb]s1 z 9 ?is gall]y4 ,/ill1 ! ,fr5* section c well af=d "s ( ^! exp]im5t+ tal5ts1 s9ce ! g5]al "* ( _! o!r "w is s high4 ,maurice ,d5is' canvas ( a spr+ procession1 9 j a few silv]y tones1 is really lovely2 ! l>ge numb] ( decorations by him1 all ar\nd on ! second l9e1 sc>cely comes up to ! beauty ( ?is small canvas4 ,! ,fr5* repres5tation des]ves mu* cr$it = a great numb] ( reasons1 n lea/ = an a/\nd+ v]satility1 always accompani$ by te*nical excell5ce4 ,italy ,go+ ov] into ! ,italian gall]ies1 ! fir/ impression is t :ile !re are c]ta9 gr\ps ( pictures ( a v high ord]1 ! g5]al /&>d ( ?is section is n q s high z 9 ! ,fr5* ,dep>tm5t4 ,! ,italians seem to h ! advantage ov] ! ,fr5* 9 reg>d to ! selection ( a backgr\nd = _! gall]ies4 ,!y made no su* mi/ake z putt+ a ,pullman c> floor patt]n on ! wall1 & ! g5]al effect is "o ( calmness4 ,z 9 ! ,fr5* section1 ! "w ( ! mod]n pa9t] seems sup]ior to sculptur$ "w ( ! same p]iod4 ,! "w ( ,tito & ( ,manc9i1 among ! pa9t]s1 /&s out 9 ?is ,italian collection4 ,gall]y #ba4 ,tito1 ^: "w c be f\nd 9 a gr\p ( five pictures 9 ?is gall]y1 has a v pron\nc$ decorative s5se1 :i* he employs ) great ease 9 a gr\p ( five mo/ excell5t pictures4 ,to /ud5ts ( te*nical proc$ure 8 "w is wor?y ( /udy4 ,8 "u-pa9t+ is done 9 temp]a1 & sometimes ! complete "w1 z 9 ! cattle picture1 is done 9 ?is m$ium1 :i*1 by an application ( v>ni%1 is !n trans=m$ into an oil4 ,! mo/ int]e/+ pictures 9 8 gr\p ( five are ! two on ! "r ( 8 wall4 ,! my?ological subjects und]ly+ bo? canvases h a classic note1 b _! refre%+ col\r s*eme removes ^! pictures f any classic affiliation4 ,! woodl& sc5e1 enliv5$ by a few hil>i\s c5taurs pursu+ nymphs1 is trem5d\sly sure 9 h&l+ & v gorge\s 9 ! _m gold5 br[ns & gre5s :i* control ! col\r s*eme4 ,! kneel+ ,v5us alongside is unusually allur+ 9 its blue & gold tones1 & is "o ( ! really f9e pictures 9 ! exhibition4 ,:ile ! ,v5us & ! ,c5taurs are ! backbone ( ! ,italian section1 ,tito's ,blue ,lady is v *ic &1 z a col\r arrangem5t ( blue-blacks & fle% col\r1 mo/ decorative4 ,! canvas 9 ! c5t]1 evid5tly belong+ to an old] p]iod ( ! arti/1 has no?+ ( ! direct me?od ( ! accompli%$ ma/]1 al?\gh 9 composition x has a c]ta9 bigness4 ,tito's art has ! full & ri* expression ( an orig9al p]sonality4 ,! l&scapes 9 ?is gall]y1 ( :i* !re are a goodly numb]1 are all typically ,italian 9 _! artificiality ( col\r & 9 a c]ta9 sweetness :i* makes !m lose 9 "o's e/imation ! long] "o /udies !m4 ,clev] z !y are te*nically1 !y d n conv9ce & !y d n reflect a ?or\gh k ( ! _s ( outdoors4 ,all "o admires 9 ! ,b>bizon m5 - ! lyric feel+ ( a ,corot or ! m dramatic note ( a ,r\sseau - is miss+ 9 ! mod]n ,italian l&scape z se5 9 ^! pictures4 ,!y are flippant 9 _! cat*y te*nique & 9 ! abs5ce ( any ?\ght4 ,gall]y #bb4 ,?is room is dom9at$ by ?ree portraits by ,antonio ,manc9i1 ( unusual clev]ness & v f9e psy*ological *>act]ization4 ,manc9i's "w gr[s on "o4 ,:ile seem+ at fir/ r loose & sup]ficial1 ^! portraits disclose on m intimate /udy a f9e con/ructive quality4 ,!y are n p>ticul>ly int]e/+ 9 col\r2 z a matt] ( fact !y are v mono*romatic4 ,_! appeal is bas$ on an int5sely s]i\s quality ( /udi\s exp]im5tation1 :i* a v sket*y te*nique _c hide4 ,to ! left ( ! ?ree ,manc9is hangs a simple picture ( l>ge proportions call$ ,mat]nity1 by ,pietro ,gaud5zi4 ,?is is "o ( ^? mod]n int]pretations ( ! bir? ( ,jesus :i* appeals by ! individuali/ic note4 ,! picture is sympa!tic by reason ( its re/riction to a few simple facts4 ,no d\bt x w fail to receive a wide appreciation1 s9ce sociologically any picture ( its type disclos+ human life "u pov]ty-/rick5 conditions is r>ely approv$ by ! public4 ,nev]!less "o ( ! greate/ ( all /ories is1 ) feel+ & re/ra9t alike1 well r5d]$ on ?is canvas4 ,on ! opposite wall ,arturo ,noci has a v /rik+ int]ior4 ,!re is no?+ tricky ab\t ?is mo/ effective canvas4 ,! result is simply & directly atta9$ by good1 s\nd pa9t+4 ,! r$ curta9 9 ! di/ant room is a trifle raw & refuses some:at to take its place 9 ! picture4 ,two l&scapes on ?is wall des]ve m5tion = _! f9e skies & _! decorative note4 ,giuseppe ,c>osi's little l&scape ) ! ox5 is s mu* bett] ?an ! "o bel[ by ! same arti/ t x is h>d to believe bo? 7 done by ! same man4 ,la ,valle dell' ,ani5e1 by ,dante ,ricci1 is big 9 feel+1 well pa9t$1 & unque/ionably "o ( ! be/ l&scapes 9 ! ,italian section4 ,gall]y #bc4 ,! ea/ gall]y is almo/ entirely giv5 ov] to sculpture1 ) "o exception :i* is notable s f> z ! de> public is conc]n$ - a pa9t+1 ,! ,ar* ( ,septimius ,sev]us1 by ,luigi ,bazzani4 ,i _c fa?om :y ,luigi ,bazzani %\ld g to all ?is tr\ble 9 try+ to imitate a photograph :5 ! result ov] :i* he s pa9fully lab\r$ c\ld be done by any good photograph] = less ?an five doll>s4 ,x seems to me an absolutely futile ?+ to try to repres5t some?+ 9 a m$ium v badly *os5 = ?is p>ticul> /unt4 ,a /unt x is1 & always w be1 no matt] h[ mu* we admire ! pa9/ak+ draw+ & ! inf9ite c>e involv$4 ,texturally ! canvas is all wrong1 because ! sky1 ! /one1 ev]y?+ 9 ! picture1 looks l glass & n l ! v>i\s ?+s x is int5d$ to repres5t4 ,h[ev]1 x is a wond]ful piece ( pati5ce - s mu* %\ld be said = x4 ,millet's man ) ! hoe sitt+ d[n is ! /ronge/ piece ( sculpture 9 ?is gall]y4 ,! figure d\btless belongs to an old] s*ool1 z its discolorations z well z its te*nical treatm5t indicate4 ,alongside ! re/ ( ! ?+s 9 ?is small room x is1 9 spite ( be+ c>ri$ some:at too f>1 v =ceful & conv9c+4 ,no matt] :e!r ! man succumb$ to ! dre>9ess ( "w or to ! mal>ial fev] ( ! ,pont9e swamps1 all t has ev] be5 said ab\t ,millet's man & ! t]rible fatalism ( 8 facial expression is f\nd 9 ?is piece ( sculpture4 ,rod9's influ5ce is mak+ itself felt 9 mo/ ( ! o!r pieces 9 ?is room1 z 9 ! ,v$ani kiss+ pair4 ,! beautiful col\r 9 ! m>ble 9 ?is gr\p puts mu* life into x4 ,nicol9i's "w %[s mu* bread? & a f9e ma/]y ( =m4 ,a frame ( animal plaques by ,brozzi adds consid]ably to ! arti/ic m]it ( ! sculpture4 ,a c]ta9 muscul> mann]ism is evid5t 9 all ( !m1 ?\gh n 9 ! lea/ di/urb+4 ,gall]y #bd4 ,two portraits by ,enrico ,lionne ( v repulsive col\r are prom95tly hung 9 ! ea/ gall]y1 )\t conv9c+ "o 9 ! lea/ ( ?is arti/'s high /&+ at home4 ,cold & artificial1 !y are n des]v+ ( ! prom95t place !y occupy4 ,ne> ! door on ! opposite wall ,v9c5zo ,yrolli pres5ts a /reet musician & 8 audi5ce 9 a canvas riot\s ) good col\r4 ,! composition & ! lit]al te*nical treatm5t ( ?is "w comm5d !mselves highly by good judgm5t & spontane\s h&l+4 ,! two figure pictures by ,pietro ,*iesa1 on an adjo9+ wall to ! "r1 ought to be rememb]$1 & also an int]ior on ! opposite wall by ,vianello4 ,gall]y #be4 ,9 ! la/ ( ! ,italian gall]ies1 on ! we/ wall1 we obs]ve ! unusual spectacle ( a :ole family ( arti/s di/+ui%+ itself 9 a gr\p ( pictures4 ,!re is ,beppe ,ci>di1 ! fa!r2 ,guglielmo1 ! son2 & ,emma1 ! daught]4 ,all ( _! pictures are conspicu\s = _! san5ess & big feel+4 ,! fa!r1 ,beppe1 ) ! c5t] canvas1 has n ! bread? & bigness t is s typical ( bo? ! son's pictures ( simil> subjects4 ,! skies 9 ! y\ng] man's pictures are p>ticul>ly f9e4 ,! daught]'s s+le canvas1 on ! left1 to me seems ev5 bett] ?an ^? ( bo? fa!r & bro!r4 ,a c]ta9 imag9ative quality1 %[n 9 ?is big =mal g>d51 con/itutes ,emma ,ci>di's sup]iority ov] ! re/ ( ! family4 ,on ! :ole ! %[+ ( ?is family is excell5t 9 e way4 ,! l&scapes 9 ?is gall]y are f> above ^? m5tion$ 9 ! ,tito gall]y4 ,9 fact !re are s _m o!r good pictures t a m]e m5tion ( names mu/ suffice4 ,f ! ,ci>di gr\p on t[>d ! "r1 ,guido ,m>ussig's ,wall$ ,city1 ,italico ,brass' ,pontoon ,bridge1 & p>ticul>ly ,scattola's ,v5ice are all wor?y ( comm5t4 ,scattola's picture is v s5sitively /udi$1 discreetly pa9t$ & full ( ! poetry ( a summ] night4 ,be=e leav+ ! ,italian section1 ,m5tessi's big imag9ative ar*itectural /udy %\ld be appreciat$4 ,x w cry/allize ! visitor's op9ion ( ! g5]al excell5ce ( ,italy's contribution to ! exhibition4 ,z a matt] ( racial tradition1 & n s mu* because ( simil>ity ( /&>ds1 we are almo/ oblig$ to cont9ue our inve/igations into ! o!r nations mo/ closely alli$ ) ! ,lat9 p1 ( ,s\!rn ,europe & else:]e4 ,!re is mu* room to believe t 9 a contemporane\s art exhibition ! ,p>is influ5ce %\ld make itself felt 9 m ?an "o way4 ,p>is1 aft] all1 is ! ,mecca ( all art /ud5ts1 p>ticul>ly ( ! =eign ,lat9 c\ntries4 ,! te*nical sup]iority ( ! ,fr5* s*ool ( pa9t+ has = ye>s caus$ an influx ( =eign /ud5ts into ,p>is1 :o are n[ giv+ u1 9 su* national sections z ^? ( ,portugal1 ,arg5t9a1 ,uruguay1 ,cuba1 & ! ,philipp9e ,isl&s1 ! result ( ?is contact4 ,x w easily be se5 t unless a di/9ct national outlook1 bas$ on sc5]y1 climate1 hi/ory1 & tradition g5]ally1 is add$ to ! m]e te*nical p]=mance1 no matt] h[ clev]1 a national art c h>dly develop4 ,s we f9d t ) all ! good int5tions 9 ! art ( any ( ! c\ntries m5tion$1 v little typical national expression is br\ght out4 ,9 *oice ( subject & col\r s*eme ! art ( all ( ^! c\ntries is v mu* alike4 ,portugal ,! ,portuguese section does n pres5t any great pa9t] su* z ,spa91 = in/ance1 has produc$ 9 ,sorolla or ,zuloaga1 ?\gh bo? seem to be v mu* admir$ by all ,lat9 pa9t]s1 z well z by "s ( ! ,g]manic arti/s1 z a c]ta9 canvas ( a ,dut* lady 9 ! ,holl& section w demon/rate4 ,nudes are /ill 9 vogue1 or r nak$ wom51 & probably w be z long z ! sale ( /rong dr9k ne$s to be increas$ by ! k9d ( creation commonly kn[n z ! saloon picture4 ,!re is surely no?+ nobl] ?an ! truly idealiz$ int]pretation ( ! human figure by arti/ic means1 b ! purposely s5su\s nude is becom+ r a bore4 ,pa9t+ fle% is "o ( ! mo/ difficult ( all ?+s1 p>ticul>ly z to ! correct texture1 b !re ought to be a limit 9 ! production ( su* a type ( picture z ! "o by ,veloso ,salgado 9 ! ,portuguese section4 ,"h a great v>iety ( subjects is treat$1 mo/ly ) entirely too mu* realism4 ,photographic tru?fulness is n ! function ( pa9t+1 because1 fir/ ( all1 ! m$ium w n all[ x )\t los+ a c]ta9 quality indicat+ ! fact t x is pa9t+2 & secondly1 art c only be an approximation anyh[1 & x %\ld c>ry its po9t by =ceful & conv9c+ sugge/ion r ?an by a tightly r5d]$ photographic fact4 ,! great pictures are fir/ ^? ( a /rong sugge/ive quality &1 secondly1 ^? possess+ a c]ta9 some?+ ! arti/ calls design - mean+ !reby a m or less arbitr>y arrangem5t ( =m & col\r effects :i* w please ! eye4 ,! idea ( design has n /ruck ! ,portuguese arti/ z yet2 at lea/ x is n app>5t 9 ! pictures ( t section4 ,! te*nical excell5ce ( _! "w is uni=m & 9 "s cases v cr$itable1 p>ticul>ly 9 ! _m small canvases by ,s5hor de ,s\sa ,lopes1 ! art commission] ( 8 c\ntry4 ,cont9u+ 9 ! we/]n gall]y ( ! ,portuguese section1 directly opposite ! nude ref]r$ to1 an outdoor sew+ circle by ,jos ,malhoa ar\ses int]e/4 ,! outdoor quality 9 ?is canvas is v pron\nc$1 & ! gay enlacem5t ( ! luxuriant wi/>ia ) ! orange trees 9 ! di/ance1 toge!r ) ! multi-col\r$ ensemble ( *ildr51 make = a lovely effect4 ,! middle gall]y d\btless holds ,portugal's mo/ important claims ^u arti/ic di/9ction1 9 ! gr\p ( ?ree portraits & two /ill-lifes by ,columbano4 ,! ?ree portraits are unusually dignifi$ & psy*ologically sugge/ive en\gh to %[ t ! pa9t] 0 n int]e/$ 9 ext]ior facts alone4 ,! portrait ( ! be>d$ g5tleman 9 ! middle is f9e1 ?\gh some:at academic 9 col\r4 ,! two little /ill-lifes w$g$ 9 betwe5 ! l>g] portraits are exquisite 9 e way1 & make up = a lot ( sup]ficialities f\nd 9 ?is section4 ,all ar\nd 9 ?is gall]y1 9 m ?an a doz5 sket*es f ,spa9 & ,italy1 ,s\sa ,lopes %[s f9e ability 9 ! h&l+ ( pa9t & great p[] ( obs]vation4 ,all ( ^! app>5tly rec5t ?+s by ,s5hor ,lopes are f> m enjoyable ?an a huge ,pilgrimage1 :i*1 :ile well pa9t$1 is too scatt]$4 ,! unity ( feel+ 9 ! "w ( ,columbano is mu* m necess>y 9 a canvas ( ?is size ?an 9 a small sket*4 7,rembr&t's fam\s ,nightwat* & ,velasquez's ,surr5d] ( ,br$a illu/rate ?is po9t v well47 ,malhoa's well-pa9t$ int]ior call$ ,! ,native ,song has m ( ?is desirable feel+ ( on5ess1 :i* may be due to ! fact t x deals ) an indoor sett+1 :ile de ,s\sa ,lopes' ,pilgrimage 9 ! adjo9+ gall]y pres5ts a f> m difficult problem 9 ! reflect$ & gl>+ light effect ( a s\!rn c\ntry4 ,among ! sculptures ( ?is c\ntry ,vaz ,jor's ,gr&mo!r is ( unusually high m]it & int5sely well /udi$4 ,on ! :ole !re is m academic tra9+ 9 evid5ce ?an orig9ality ( expression1 b we may expect good ?+s h]eaft] f ! art ( ?is c\ntry1 :i* practically at no "t 9 ! hi/ory ( art has produc$ any really great "n4 ,arg5t9a ,retrac+ our /eps1 we invade ! ,arg5t9e1 9 a well-appo9t$ gall]y4 ,! fir/ g5]al impression is v good1 ?\gh on clos] exam9ation no?+ ( really great m]it holds "o's att5tion = any l5g? ( "t4 ,:ile naturalism reigns 9 ,portugal1 a m pron\nc$ decorative conv5tional note pr$om9ates 9 ?is section1 p>ticul>ly 9 ! portraiture4 ,!re is a peculi> sup]abundance ( purple & d>k r$s 9 ! ,arg5t9e section1 :i* gives ?is gall]y a morbid quality4 ,on ! ma9 wall1 9 ! left corn]1 ,hctor ,nava has a v di/+ui%$ ,lady 9 ,black4 ,among all ( ! portraits on ?is wall x is easily ! be/1 al?\gh "s *>m+ int]iors ( a s+ul>ly cool tonality are n )\t int]e/4 ,!y are too rem9isc5t ( ,frieseke to conv9ce "o ( _! orig9ality4 ,ano!r ,black ,lady1 cont9u+ t[>d ! "r on ! next wall1 has mu* to recomm5d h]4 ,a bett] frame w\ld enhance ! m]it ( ?is canvas4 ,!re is no l&scape ( any importance 9 ! ,arg5t9e section1 no matt] h[ h>d ! ef=t to f9d "o4 ,!y are all s+ul>ly artificial4 ,a small h>bor picture by ,p$ro ,deluc*i is /rong 9 col\r1 z well z 9 te*nical treatm5t4 ,x has an unusual weal? ( col\r1 & great ri*ness :i* contra/s /rongly ) ! g5]al coldness ( ?is section4 ,uruguay ,"h ano!r ,s\? ,am]ican republic holds =? 9 a small gall]y (f ! ,italian section4 ,! gall]y is dom9at$ by a l>ge eque/rian portrait ( ,g5]al ,gal>za1 by ,blanes ,viale4 ,a c]ta9 fondness = disagreeable gre5s & = decorative effects is noticeable 9 ?is gall]y1 & "o is n conv9c$ ( ! necessity = a m compreh5sive display4 ,cuba ,! same rem>k applies to ! ,cuban section1 :]e ,romana*'s ,dsseldorf /yle ( picture %[s at lea/ good academic tra9+1 )\t ris+1 h[ev]1 above illu/ration 9 any "o ( ! v well pa9t$ figure pictures4 ,rodriguez ,morey's big1 intimate =egr\nd /udies are comm5dable = _! fai?fulness & = a c]ta9 poetic quality :i* takes !m out ( ! realm ( m]e accurate tru?fulness4 ,philipp9e ,isl&s ,! small ,philipp9e section makes "o curi\s to "k :e!r !re is no?+ 9 ! tradition ( ?is p relat$ to ! art ( ,asia t c\ld s]ve z a basis = _! arti/ic endeavors4 ,to any s]i\s-m9d$ p]son x mu/ be evid5t t ! ,filip9o is n go+ to "w out 8 arti/ic salvation by way ( ! ,p>is /udio4 ,x mu/ come out ( ! soil1 s to speak1 & mu/ be bas$ on ! racial1 religi\s1 & o!r national elem5ts4 ,x w\ld d ! ,filip9o p good to see _! collection 9 close proximity to t ( o!r nations4 ,aside f t1 a natural sequ5ce ( arti/ic developm5t by develop+ ! m decorative arts ( mak+ useful ?+s beautiful - su* ?+s z pots & pans1 rugs1 & jewelry - w\ld be mu* m becom+ ?an ?is ,european affectation4 ,! real art ( ! ,filip9os is to be se5 9 _! art indu/ries 9 ! ,philipp9e ,build+4 ,! ,ori5t ,= hi/orical reasons alone1 if n = supremacy along arti/ic l9es1 ,japan & ,*9a %\ld by "r be dealt ) at ! v beg9n+4 ,b hav+ _h1 s9ce "t immemorial1 a v deta*$1 highly orig9al note1 !y fit 9 any:]e1 if n be/ 9 betwe5 ! art ( ! ,romanic & ,g]manic races4 ,practically ! entire _w owes a great debt to ,japan1 = a c]ta9 outlook 9 decorative art has be5 adopt$ f ,japan by ! be/ arti/s ( ! _w4 ,ori5tal art is s truly an art ( ! p1 devot+ itself mo/ closely to ! arti/ic developm5t ( ! utilit>ian ?+s ( life1 t to see !m at _! be/ "o has to look at _! furniture1 includ+ fold+ scre5s1 pott]y1 jewelry1 rugs1 & practically ev]y?+ else t is ne$$ 9 ! daily life ( ! p4 ,! art ( ,*9a & ,japan is s old t its real orig9 is almo/ a matt] ( guesswork1 & has a c]ta9 g5]al obscurity to mo/ outsid]s1 ow+ to language1 religion1 & cu/oms4 ,?is has l$ to a comm]cial exploitation ( _! art 9 ,europe1 & 9 ,am]ica p>ticul>ly1 bas$ mo/ly on humbug & p>tly on facts4 ,if all ! pott]y1 rugs & furniture said to h come f di/+ui%$ arti/s & f ev5 m di/+ui%$ circles ( own]%ip1 mo/ly palaces ( ! ,m+ dyna/y1 7 enum]at$1 !re w\ld be no?+ left to h come f ! atmosph]e ( ! ord9>y ,ori5tal4 ,! ,japanese & ,*9ese are tak+ quick advantage ( ! guilelessness ( ! we/]n lov] ( art1 & mu* t is to be se5 9 ei!r "o ( ! two sections is r a concession to we/]n dem& ?an to native ,ori5tal tal5t4 ,only ! special /ud5t ( ori5tal art w cons5t to le>n en\gh ( ! ,japanese or ,*9ese language to famili>ize himself ) any o!r ?an ! commonly kn[n arti/s ( ^! c\ntries1 & all t "o c d )9 ! frame ( an int]national exhibition is to s+le out ^? ?+s :i* appeal on ! basis ( c]ta9 arti/ic pr9ciples :i* are ! same ! _w ov]4 ,to g into ! _m religi\s & o!r s5tim5tal consid]ations :i* are sometimes ! basic ju/ification = "s v extraord9>y fanta/ic ?+s1 *>m+ly exploit$ by c]ta9 art deal]s1 is impossible )9 ! scope ( ?is book4 ,japan ,! ,japanese p1 at ! extreme s\!rn end ( ! ,palace ( ,f9e ,arts1 h a repres5tative %[ ( pa9t$ scre5s1 ( extraord9>y beauty4 ,anyone1 )\t be+ 9 ! lea/ famili> ) ! fauna & flora ( ,japan1 mu/ admire ! trem5d\sly acute p[] ( obs]vation & surety ( draw+ :i* made ^! designs possible4 ,! two sixfold scre5s by ,taisei ,m9akami on ! ea/ wall ( ! ea/]n gall]y are probably ! mo/ magnific5tly d>+ examples ( mod]n ,japanese art4 ,to ! /ud5t ( design !y (f] a mo/ /imulat+ opportunity = /udy4 ,acutely obs]v$1 _! tropical subjects1 v d>+ 9 col\r1 are exhau/ively beautiful4 ,! spac+ ( ! design1 ! relative di/ribution ( ! few d>+ col\rs aga9/ a gold backgr\nd ( wond]ful texture1 comb9e 9 a picture ( great vitality4 ,! art ( no p is s sci5tific z t ( ^! p1 ^: e ef=t1 no matt] h[ insignificant1 is te*nically always s\nd4 ,our mod]n art s*ools c\ld v pr(itably imitate ! ,japanese pr9ciple ( tea*+ _! "y /ud5ts h[ to d a ?+ well & ( leav+ ! *oice ( subjects to _! own incl9ation4 ,almo/ opposite1 a v]tical composition ( a lumb] camp on a m\nta9side1 by ,bunto ,haya%i1 attracts by an unusual subject v descriptively r5d]$4 ,! picture belongs to ! old] s*ool1 n s mu* = ! lack ( col\r1 :i* is (t5 errone\sly id5tifi$ ) ! old] ,japanese works1 z = a c]ta9 quality ( less decoration & ( m detail$ treatm5t ( ! draw+4 ,! draw+ is1 ( c\rse1 ! important elem5t 9 all ,japanese art1 s9ce all ( _! "w has to yield a great deal ( pleasure ( ! intellectual k9d at close di/ance1 on acc\nt ( ! smallness ( ,japanese dwell+s1 :i* keeps ! own] ( ! picture 9 close proximity ) 8 arti/ic possessions4 ,a picture ( cr[s 9 a ra9/orm1 on ! same wall1 on ! "r side ( ! s\!rn door1 & also a v *>act]i/ic /udy ( "s k9d ( c$>1 ) birds on ! left ( x1 give "o an excell5t idea ( ! a/oni%+ v>iety ( mat]ial t ! ,japanese arti/ successfully controls4 ,9 two irregul>ly %ap$ triangul> gall]ies adjo9+1 ,%odo ,hirata ma9ta9s ! /&>d ( ! fir/ gall]y1 n to =get1 ei!r1 ,toy5 ,oka ) 8 ole&] bu% & ! cat on ! picturesque f5ce4 ,tes%u ,okajima's hollyhock scre5s are m>vels ( decorative simplicity1 :ile ,kangai ,takakura uses a wa%day z a motive = a d\ble tw(old scre5 decoration4 ,! la/ two arti/s c bo? be f\nd 9 ! second irregul> triangul> gall]y1 opposite ! fir/ "o m5tion$4 ,! c5tral octagonal gall]y also is devot$ to scre5 pictures1 done by means ( embroid]y4 ,"s ( !m1 l>gely ^? ( native design1 are successful 9 really giv+ ! quality ( ! subjects depict$1 b _c gr[ en?usia/ic ov] two unduly protect$ scre5 embroid]ies1 a ,g]man m>9e & an ,engli% pair ( lions1 done 9 silk4 ,!y are bo? z h>d z nails & devoid ( any real sugge/ion ( ! _s :i* animates ei!r wat] or lions 9 reality4 ,if x is s great an a*ievem5t z we are (t5 ask$ to believe to d c]ta9 ?+s 9 badly *os5 mat]ial1 !n :y n try to reproduce ,rafael's ,si/9e ,madonna ) ?umbtacks8 ,mo/ su* attempts to f9d an agreeable sub/itute = ! v>i\s pa9t+ m$ia are m]ely silly4 ,%>+ ! hospitality ( ! cases ) ! embroid]y pictures are ! wood sculptures1 "s ( :i* are int5sely int]e/+1 z1 = in/ance1 ! ,man ) ! ,spade4 ,! und]ly+ idea ( cubism is v intellig5tly embodi$ 9 ?is small figure1 )\t any affectation4 ,! _m small woodblock pr9ts to be se5 "h d cr$it to ! reputation :i* ,japanese arti/s h long enjoy$ 9 ?is special field4 ,! rema9+ small] gall]ies are giv5 ov] to replicas ( ! orig9als ( old] art1 mod]n sculpture1 & pa9t+ 9 ! mod]n /yle4 ,:y ! mod]n ,japanese arti/s want to divorce !mselves f ! traditions ( _! =efa!rs seems incompreh5sible4 ,!re is n a ?+ 9 ! we/]n /yle 9 ?is gall]y ( ,japanese pa9t+ t comes any:]e ne> giv+ "o ! arti/ic ?rills won by _! typically ,japanese "w4 ,i ?9k ! soon] ^! wayw>d sons are br\ght back into ! fold ( _! truly ,ori5tal colleagues1 ! bett] x w be = ! national art ( ,japan1 ! mo/ pr(\nd art ! _w has ev] se54 ,*9a ,! fir/ impression ( ! ,*9ese section is disappo9t+4 ,!re is no real life 9 any ( ! "w "h display$1 & mo/ ( x consi/s ( mod]n replicas - "s ( v excell5t quality - ( _! olde/ & be/ art treasures4 ,! ,*9ese seem to be absolutely cont5t to re/ ^u _! old laurels1 ! fragrance ( :i* c h>dly ev] be exhau/$2 b nev]!less t does n relieve !m ( ! obligation ( work+ up new problems 9 a new way4 ,!re is s mu* religi\s & o!r s5tim5t wov5 into _! art t to ! casual obs]v] mu* ( ! pleasure ( look+ at ! v>i$ examples ( appli$ art is spoil$ by ! necessity ( hav+ to read all ( ! longw9d$ /ories atta*$ to _m ( !m4 ,! fre%ness ( y\?1 ! _s ( progress1 :i* enliv5 ! ,japanese section1 are entirely miss+ 9 ?is display1 :i* seems l a voice f ! pa/ - a solemn monum5t to an old civilization )\t any connection ) ! ,new ,republic & its mod]n pret5sions4 ,i am afraid ,*9a is labor+ "u conditions ( int]nal /rife :i* are detrim5tal to ! developm5t ( any arti/ic expression4 ,sw$5 ,( all ! =eign nations repres5t$1 ) ! exception ( ,japan & ,*9a1 none possesses s di/9ct a national "* z ! art ( ,sw$54 ,i _c help express+ my p]sonal conviction t x is ! be/ national section 9 ! :ole exhibition1 %[+1 z x does1 n m]ely easel pa9t+1 b also _m spl5did examples ( s-call$ appli$ art1 :i* (t5 p]mits "o to get a deep] insight into ! /&>d ( art ( a p ?an easel pa9t+ alone4 ,x is true t c]ta9 examples ( pa9t+ 9 ! ,fr5* or ,am]ican sections are m appeal+ to u1 b 9 ! light ( ! national *>act]i/ics ( ! p & ! c\ntry1 ,sw$i% art has a v def9ite quality1 consi/5tly %[n4 ,_! "w has a robu/ness :i* has no?+ to d ) ! salon aspect ( ! art ( s\!rn ,europe1 p>ticul>ly ,france4 ,9 fact x is almo/ oppos$ to ! art ( ! ,romanic races1 & di/9ctly ap>t f ! art ( ,g]many4 ,x is =tunate ,sw$5 c\ld make su* a spl5did %[+ )\t ! support ( ! art ( su* a man z ,&]s ,zorn1 :o1 :ile decid$ly ,sw$i%1 is aft] all mu* ( a cosmopolitan pa9t]1 ) all ! e>m>ks ( an int]national tra9+4 ,! art ( ! mo/ arti/ic ( all p1 t ( ! ,fr5*1 is (t5 said to h a decad5t note4 ,9 comp>ison1 ,sw$i% art may be said to be absolutely robu/1 heal?y1 & vigor\s1 )\t be+ co>se4 ,to ^? :o pret5d to f9d a c]ta9 physical brutality 9 ,sw$i% art1 ,i %\ld l to po9t out t ! mo/ delicate pictures 9 ! entire exhibition - ^? ( ,john ,bau] - are ! *ief asset ( ! ,sw$i% exhibit4 ,! great v>iety ( ! "w 9 ?is section makes x v int]e/+1 & p]mits1 z said be=e1 close insight into _m phases ( mod]n art4 ,! mo/ pron\nc$ individualities 9 ! collection1 cov]+ all fields1 are ,bruno ,lilje=s1 ,gu/av ,fjae/ad1 ,c>l ,l>sson1 ,john ,bau]1 ,mr4 & ,mrs4 ,bob]g1 ,david ,ed/rm1 ,mas-,olle1 & o!rs too num]\s to m5tion4 ,bruno ,lilje=s = _m ye>s has be5 kn[n int]nationally z "o ( ! be/ ( animal pa9t]s1 & p>ticul>ly ( sea f[l4 ,he has _h ! exp]i5ce common to _m great arti/s1 ( work+ himself up f v academic beg9n+s to a wond]ful p]sonality ( m>k$ fre$om4 ,8 canvas ( ! n9e wild swans is p]haps ! bigge/ s+le picture 9 ! entire ,exposition4 ,x is imm$iately sugge/ive ( a decoration1 & to ?9k ( x 9 t s5se1 z a "p ( a wall se5 f a great di/ance1 makes "o almo/ tremble ) expectation4 ,?is truly great picture is a rhy?mic ma/]piece4 ,! plac+ ( ^! graceful swans is m>vel\sly well /udi$ f ! po9t ( view ( design1 yet none ! less does an expression ( reality animate ^! div9e birds4 ,!re is some?+ ab\t swans :i* puts !m ev5 above ! k+ ( birds1 ! eagle4 ,i c conceive ( m5 kill+ any animal1 b ! ?\ght ( "o ( ^! noble birds fall+ victim to man's p]v]se desires is incompreh5sible to me4 ,( ! o!r pictures by ! same arti/1 ! flock ( wild geese1 /&+ 9 ! %all[ wat] ( a /ony bea*1 c>ries all ! conviction ( be+ well /udi$ :i* applies to any ( ,lilje=s' pictures4 ,! eagles & ! seagulls are sc>cely z int]e/+ z ! swans4 ,lilje=s is nev] bett] ?an :5 he depicts fly+ birds - & fly !y d4 ,!re is nev] any d\bt ab\t x4 ,^? swans are actually 9 ! air1 & mov+4 ,a c]ta9 disagreeable fuzz9ess 9 ! skies ( all ( 8 pictures int]f]es some:at ) _! full enjoym5t4 ,( ! o!r pa9t]s ,mrs4 ,bob]g %\ld be m5tion$ next4 ,%e is ! wife ( ,f]d9& ,bob]g1 ! ar*itect ( ! ,sw$i% ,build+1 :o himself1 z a true arti/ excell+ 9 a numb] ( ?+s1 has a spl5did collection ( et*+s 9 ! long black & :ite gall]y adjo9+ ! ,lilje=s' room4 ,mrs4 ,anna ,bob]g's pictures1 9 a v small gall]y at ! ea/]n end ( ?is section1 are n advantage\sly hung4 ,h] "w is s decorative1 & s pa9t$ = di/ant effect1 t to see x close at h& is disappo9t+4 ,! elev5 ( h] pictures are unusual 9 subject & = t reason w9 less sympa?y ?an !y des]ve4 ,all ( !m 7 pa9t$ on a trip %e made ) h] husb& to ! ,l(od5 isl&s1 & :5 "o consid]s ! prov]bial coldness ( ! ,arctic seas1 h] int]pretations seem m>vel\s 9 _! beauty & ri*ness ( col\r4 ,a /udy ( _! titles 9 ! catalogue seems h>dly necess>y = und]/&+ ( _! mean+1 & ,i = "o am p]fectly satisfi$ to fea/ on ! gorge\s col\r+ & ! great v]acity !y possess4 ,"s ( !m are already sold1 a mo/ surpris+ ?+ :5 "o consid]s t to mo/ p a picture actually execut$ 9 ?ree dim5sions is seldom consid]$ m]itori\s4 ,i d ?9k t :ile ! physical wid? & height ( ,mrs4 ,bob]g's pictures are gov]n$ by conv5tional consid]ations1 a little less dep? ( pa9t might accompli% ! same solid appe>ance )\t mak+ "o feel l slipp+ sideways pa/ !m into ! next gall]y = fe> ( knock+ (f a few lumps ( pa9t4 ,9 ! adjo9+ gall]y1 a some:at l>g] "o on ! ea/1 ,gu/av ,fjae/ad's v f9e decorations =m :at we are 9 ! habit ( call+ a "o-man %[4 ,mr4 ,fjae/ad c]ta9ly has ! decorative feel+1 :e!r he pa9ts a picture or designs a rug4 ,9 fact all ( 8 pictures look l designs = rugs4 ,& :y n8 ,if a wall rug is a decoration1 a picture %\ld be "o 9 j ! same way4 ,x is h>d to s+le out among ! _m good examples ! be/ "o1 & x may be left to ! ta/e ( ! individual1 :o among no?+ b good ?+s _c make a poor *oice4 ,! "t w come aga9 :5 our arti/s w f9d x hon\rable & pr(itable to apply _! tal5ts to utilit>ian art1 z does ,fjae/ad1 & ! int]relat$ activities ( ! ,sw$i% 9 bo? f9e & appli$ arts af=d a lesson :i* is by no means new4 ,x is ! basic condition on :i* ! art ( ! ,r5aissance fl\ri%$ t develops m5 l ! ,sw$es4 ,!re is a big diff]5ce betwe5 ,lilje=s & ,mrs4 ,bob]g1 or aga9 betwe5 h] & ,fjae/ad1 b n any great] ?an betwe5 all ( ^! arti/s & ,john ,bau]4 ,john ,bau]'s pa9t+s are exquisite1 & ev5 su* abus$ adjectives z sweet & delicate are n out ( place :5 appli$ to 8 "w4 ,i hope we h "s enlight5$ p]son among u :o c af=d to buy ! :ole bat* ( !m1 & d x quickly1 be=e any m ( !m are sold s+ly4 ,x takes m "t to enjoy ^! little fairy tales ?an "o c af=d to give to !m4 ,!y possess ev]y?+ a good illu/rative pa9t+ ought to h4 ,a weal? ( ideas imag9atively repres5t$1 good draw+1 & intimate feel+ tell ( ! ke5 pleasure ! arti/ mu/ h _h 9 produc+ ^! gems4 ,z an illu/rator1 ?\gh v diff]5t1 ,c>l ,l>sson appeals 9 a compreh5sive gr\p ( pictures 9 ano!r gall]y4 ,c>l ,l>sson's extraord9>y res\rcefulness 9 gett+ ev]y?+ he ne$s out ( ! conf9es ( 8 home has = ye>s be5 ! cause ( 8 great popul>ity abroad1 & 9 8 ?irty-?ree *e]ful draw+s he discloses 8 entire home life1 9 all ! v>iety ( happ5+s :i* makes m>ri$ exi/5ce a success4 ,8 draw+ is faultless1 8 s5se ( col\r supple & refre%+1 & 8 ability to make su* ext5sive use ( ! relatively n>r[ atmosph]e ( 8 home )\t exhau/+ x proves 8 calib]4 ,l>sson has a roommate ( great di/9ction & mode/y 9 ,osc> ,b]gman1 :o has contribut$ "s tw5ty t5d] bits ( nor!rn l&scapes & m>9es4 ,!y are rem9isc5t ( ! ,japanese1 al?\gh x becomes almo/ fooli% to ?9k ( ! ,japanese e "t someone develops a capacity = acute obs]vation & draw+4 ,b]gman's little ligh?\se is p>ticul>ly conv9c+ &1 l mo/ ( ^! ?+s1 %\ld n be all[$ to return to ! arti/4 ,i %all probably h to retr5* 9 att5tion to ! ,am]ican section if ,i keep on giv+ pages to ?is section4 ,b 9 spite ( _! great m]it1 ! "w ( ,kall/5ius1 ,s*ultzb]g1 ,c>lb]g1 & ,osslund w h to g ) only meag] ref]5ce4 ,osslund's pictures are some:at />tl+ at fir/1 ow+ to a complexity ( te*nical treatm5t4 ,he does n seem to be work+ 9 ! "r m$ium1 = ,i believe 8 ,japanesque l&scapes c\ld be f> m sympa!tically pres5t$ 9 wat]col\r4 ,( ! gr\p compris+ 8 "w1 8 ,wat]fall1 ,summ] ,ev5+1 & ,ev5+ on ,ang]mann ,l& are v fasc9at+4 ,mas-,olle's portraits are int]e/+ n only = good te*nical pa9t+ b also = f9e *>act]ization4 ,8 portrait ( an old peasant ( ,dalec>lia is almo/ faultless4 ,ne> ! ,mas-,olle portrait ,h]man ,l9dqui/ has a ,sunny ,april ,day ( unusual poetic claim4 ,s*ultzb]g's big sunlit w9t] sc5es h>dly ne$ recomm5dation to ju/ify _! increas+ popul>ity4 ,alfr$ ,b]g/rom's poetic l&scapes add m int]e/1 9 ! small adjo9+ room on ! ea/4 ,m>9e pictures by ,hullgr5 are ! only contributions 9 t field1 b q suffici5t to ma9ta9 ! g5]al /&>d ( excell5ce4 ,! drunk5 man seat$ at a caf table is psy*ologically int]e/+4 ,z an object lesson to disc\rage ! consumption ( liquor x is ! mo/ effective picture ,i h ev] se51 & c]ta9 int]e/s w\ld d well to buy x = t reason alone1 n to speak ( ! relief ?is w\ld af=d4 ,ern/ ,ksel's animal pictures1 opposite ,john ,bau]'s delightful gr\p1 seem q out ( place4 ,8 ducks & ! goats are satisfactory en\gh1 b ,i wi% he _h to live ) t calf picture & see x e day4 ,ksel is und\bt$ly hum\r\sly incl9$1 )\t kn[+ prop] limitations4 ,! sculpture ( ! ,sw$es is ( ! same unusual excell5ce t comm&s s mu* respect 9 _! o!r "w4 ,ed/rom easily outranks 8 fell[-arti/s 9 8 gr\p ( naturali/ic & conv5tional ar*itectural heads1 9 ! ,lilje=s gall]y1 :ile 9 ! long & n>r[ adjo9+ gall]y a multitude ( excell5t et*+s1 draw+s1 & black & :ite "w compel m5tion4 ,!y h>dly ne$ any explanation1 s9ce 9 _! v "* !y readily convey _! mean+4 ,"o c\ld dwell at great] l5g? ^u ?is mo/ repres5tative ( all national displays1 b ,i fe> t x w\ld h to be done at ! exp5se ( ! ,am]ican section1 :i* hospitality has already plac$ "u a disadvantage4 ,holl& ,! ,ne!rl&s repres5tation is conspicu\s = its cons]vative note1 toge!r ) ! abs5ce ( any s+le picture :i* might unduly excite "o by its m]it4 ,i d n wi% to prejudice ! art lov] :o /rolls into ?is well appo9t$ section1 b com+ f ,sw$51 z we d1 s to speak1 s9ce x is ,sw$5's next door neighbor1 x gives "o r a %ock4 ,mo/ ( ! ,dut* pictures are good1 almo/ too good1 9 _! academic conv5tional repetition ( ! timeworn subjects we h be5 9 ! habit ( see+ = ! la/ tw5ty ye>s4 ,! ,sw$i% section is full ( real ?rills1 b ! complac5cy ( ! ,ne!rl&s section c h>dly be expla9$ by _! national temp]am5t alone4 ,:ile ! ,sw$i% p seem to be bless$ j n[ ) an unusual numb] ( m5 ( great gifts 9 ! field ( art1 ! ,ne!rl&s h ent]$ into :at ,i hope w be only an int]regnum ( n ov]ly orig9al pa9t]s4 ,! la/ qu>t] ( ! la/ c5tury saw _! glory 9 ! c>e]s ( m5 l ! eld] ,israels1 ! ,mesdags1 ! ,m>is1 ,jacob & ,willem1 ,bosbom1 ,mauve1 ,weiss5bru*1 ,pogg5beck1 & _m o!rs :o h dep>t$ dur+ ! la/ t5 ye>s1 or :o1 if /ill liv+1 h sc>cely ma9ta9$ _! high /&>ds ( e>li] days4 ,! mo/ illu/ri\s "n among ! old] m5 is ,willem ,mesdag1 :o c h>dly be expect$ at 8 age to be do+ 8 be/4 ,speak+ ( ,mesdag1 "o ( _! be/ m>9e pa9t]s ( ! old] days1 "o is =cibly rem9d$ ( ! fact t ?\gh a p ( ! sea ! ,dut* d n seem to possess a s+le /rong m>9e pa9t]4 ,"o looks 9 va9 = any pictures ( ! op5 sea reflect+ ! seaf>+ traditions & activities ( ! ,dut*1 & if x 7 n = ,ma/5broek's ma/]ly h>bor pictures1 "o w\ld h to console oneself ov] ?is lack ( ! br9y elem5t ) a view ( ! ,am/]dam ,m>9e ,aqu>ium4 ,ma/5broek's big canvas is full ( life & well pa9t$4 ,x %[s ! h>bor ( ,rott]dam animat$ by a ho/ ( vessels ( all k9ds & descriptions4 ,:ile !re is a f9e feel+ ( loose accid5tal arrangem5t ab\t ?is big picture1 x is nev]!less well compos$4 ,8 small canvas 9 ! adjo9+ gall]y is te*nically sup]b1 & to my m9d ! be/ canvas 9 ! :ole ,dut* %[4 ,9 ! middle ( ! same wall ,gort]'s v decorative autumnal l&scape1 ( a gr\p ( bee*-trees1 comm5ds itself by an unusual feel+ = col\r & design1 s lack+ 9 ! two almo/ mono*romatic1 untemp]am5tal ,wits5s on ei!r side4 ,almo/ opposite 9 ! same gall]y1 ! mo/ we/]n 9 ! ,ne!rl&s section1 hangs a broadly pa9t$ canvas by ,breitn]1 ( ! timb] h>bor ( ,am/]dam4 ,x is n s orig9al a subject z "o is accu/om$ to see f ,breitn]1 b fully des]v+ ( ! be/ place on ! wall4 ,?rse van ,duyl-,s*w>tze's portrait alongside is equal to h] usual p]=mances1 & v broad 9 /yle & full ( vigor4 ,jurres' ,don ,quixote1 ,go$vri5d's little canvas1 & ,bau]'s ,ori5tal ,eque/rian %\ld all be m5tion$ 9 ?is gall]y4 ,9 ! middle gall]y1 on ! "r ( ! big ,ma/5broek1 ,*ri/ian ,addicks' ,"m & ,*ild *>ms by its ri*ness ( col\r+1 :ile 9 ! left corn] hangs a v decorative /ill-life 9 ! be/ mann] ( su* old ,dut* pa9t]s z ,hondekoet]4 ,nicolaas ,ba/]t has a typical ,dut* canal1 & ,willy ,sluit] a good /udy ( a ,vol5dam fi%]man4 ,"o gall]y is entirely devot$ to et*+s1 woodcuts1 & mezzot9ts1 & ! /&>d ma9ta9$ 9 ?is gall]y is high4 ,m>t9us ,bau]'s ?ree et*+s are among ! f9e/ to be se5 any:]e 9 ! exhibition1 & ! "w ( ,h>t+1 van ,hoytema1 & ,hav]man d n fall mu* bel[ 8 /&>d4 ,!re is "y ,israels 7,isaac7 ) "s v snappy sket*es4 ,nieuw5kamp is int5sely int]e/+ 9 ! few ?+s he has !re1 ) a c]ta9 s5se ( humor :i* is conspicu\s = its abs5ce 9 mo/ ,dut* "w4 ,! woodcuts ( ,veldhe] are vital & unusually free f any academic feel+4 ,consid]+ ! relative size ( ! ,ne!rl&s1 !y h a rem>kably l>ge numb] ( arti/s1 b sc>cely ( suffici5t bigness ( calib] & indep5d5ce ( "* to live up to ! traditions ( ?is p4 ,g]many ,v mode/ly tuck$ away & surr\nd$ by art ( ! few rema9+ neutral nations1 9 a small gall]y adjo9+ ,holl& & ,sw$51 ,g]many un(ficially & probably ev5 )\t h] k is repres5t$ by a small gr\p ( pictures :i* aft] _m adv5tures rea*$ ! hospitable %ores ( ,cali=nia4 ,orig9ally exhibit$ at ! la/ ,c>negie ,in/itute ,exhibition at ,pittsburgh1 !y f\nd !mselves on ! high seas on _! return voyage at ! beg9n+ ( ! w>1 only to be captur$ by an ,engli% cruis] ^: capta9 0 s pa9fully /ruck by ! und5iable evid5ces ( ,g]man ,kultur t in/ead ( tak+ !m to ,engl& he return$ !m to ! ,unit$ ,/ates1 to be includ$ ev5tually 9 our exhibition4 ,x w\ld be v wrong to g5]alize ^u ! /&>d ( ,g]man art f ?is small display1 b a numb] ( ^! pictures c well af=d to g entirely ^u _! own m]it4 ,zgel's cattle picture is a canvas ( ! fir/ ord]1 by "o ( ! v important mod]n animal pa9t]s1 a man ^: fame has p5etrat$ into all l&s :]e art is at all cultivat$4 ,! silv]y light ( a summ] morn+1 filt]+ ?r\gh ov]hang+ will[-trees ^u ! backs ( a few ,hol/e9 c[s1 is full ( life & admirably loose 9 its treatm5t4 ,above ,zgel1 ,leo ,putz1 ano!r ,muni* man1 has a lady ne> a pond1 broadly pa9t$1 & execut$ 9 ! peculi> ,putz me?od ( squ>e1 mosaic-l pa9t areas :i* melt into a s(t h>mony ( t5d] grays & gre5s4 ,/uck's ,nocturne is affect$ & unconv9c+ & sc>cely repres5tative ( ?is ma/]'s /yle4 ,! _m o!r m5 give a good acc\nt ( !mselves1 p>ticul>ly ,curt ,ag!1 ^: classic ,nude at ! ,spr+ is ( wond]ful surface quality4 ,w5k has an ,italian m>9e & ,b5no ,beck] a l&scape f ! same c\ntry4 ,ghl]'s ,ca/le ,t]race has a p>ticul>ly f9e sky & a true rococo atmosph]e4 ,hans von ,volkmann's ,field ( ,ripe ,gra9 is typical ( ?is ,k>lsruhe pa9t]1 ^: /one li?ographs h giv5 ,g]man art a unique place 9 ! art _w4 ,! ,unit$ ,/ates ,almo/ "o-?ird ( ! entire ,f9e ,arts ,palace is occupi$ by ! art ( ! ,unit$ ,/ates1 & consid]+ ! privileges x enjoys1 we h no reason to (f] any excuses4 ,"o ?+ %\ld be said1 a fact :i* mu/ =ce itself imm$iately ^u any c>eful obs]v] - t we h be5 v hospitable to ! =eign nations at ! loss ( our own physical com=t4 ,! gr[+ dem& f "s ( ! =eign nations = m space ?an orig9ally appli$ = has cr[d$ ! ,am]ican section 9 "s in/ances into r uncom=table conditions4 ,on ! o!r h& we d n seem to h acquir$ su* attractive ways ( hang+ our pictures z ! ,sw$es1 ,holl&]s1 or ,italians practice2 probably = lack ( funds4 ,at any rate ! ,am]ican section looks v bus9esslike & v democratic1 )\t all ! frills & fancies ( o!r nations1 :]e e psy*ological advantage has be5 tak5 9 ord] to make ?+s palatable4 ,we h ev5 be5 criticiz$ = our lack ( spaci\sness 9 hang+1 b let u n grieve ov] ?is1 s9ce x does at lea/ save /eps 9 walk+ f "o picture to ! next4 ,gall]y #fj4 ,our hi/orical section is l>gely a mausoleum ( portraits :i* really h no o!r excuse = exi/5ce ?an hi/orical int]e/1 unless "o excepts ! always excell5t portraits ( ,gilb]t ,/u>t1 :o c]ta9ly /&s out 9 all t dull company ( 8 fell[-pa9t]s ( 8 own "t4 ,he is ab\t ! only "o :o c claim pr(essional /&>ds ( workman%ip z well z lifelike *>act]ization ( 8 sitt]s4 ,8 gr\p ( pictures on wall ,a does 8 great tal5t full ju/ice4 ,! mell[ ri*ness ( ! portrait ( ,g5]al ,de>born /&s out z a f9e pa9t+ among ! _m h>d & black hi/orical docum5ts 9 ?is gall]y4 ,! ,capta9 ,an?ony portrait above is n less important4 ,i ?9k 8 te*nical sup]iority & bread? ( mann] mu/ be d\bly appreciat$ :5 "o consid]s ! abs5ce ( any arti/ic inspiration 9 ?is c\ntry 9 ,/u>t's "t1 al?\gh he _h ! advantage ( sev]al l5g?y visits abroad1 :]e he 0 receiv$ ) approval by pr(ession & public alike4 ,mo/ o!r portraits 9 ?is gall]y are lack+ 9 any individual note & are hopelessly /iff & academic 9 col\r4 ,n ev5 ! v app>5t influ5ce ( ! great ,engli% portrait ma/]s ( _! "t c\ld save !m f m$iocrity4 ,! only pictures wor? except+ f ?is classification1 outside ( ! ,/u>ts1 are ,*>les ,elliott's ,colonel ,mc,kenney & ,s4 ,b4 ,waugh's portrait ( ,?orwalds51 ! ,dani% sculptor4 ,gall]y #ei4 ,9 an adjo9+ gall]y t[>d ! nor?1 our *ronological inve/igations br+ u into an atmosph]e ( /ory-tell+ pictures ( ! mo/ pron\nc$ ,dsseldorf & ,muni* /yles4 ,?is p]iod has always be5 ! s\rce ( delight to ! populace1 :i* has no conc]n 9 ! te*nical qualities ( a picture1 a cont5tion :i* l$1 m ?an any?+ else1 to ! heal?y reaction we n[ enjoy z ! mod]n s*ool4 ,! s5tim5tal tone ( mo/ ( ^! pictures & _! self-explanatory illu/rative motives no d\bt make !m easily ! lazy man's delight1 b ,i _c help feel+ t mo/ ( _! !mes c\ld mu* m successfully be approa*$ ?r\gh lit]ature ?an ?r\gh ! pa9t]'s art4 ,mo/ ( !m expla9 !mselves imm$iately1 & ^? :i* d n are help$ along by descriptive titles fa/5$ to ! frames1 z ! ta/e ( t s*ool dem&s4 ,! great m5 ( ?is s*ool 9 ,g]many 7 prim>ily great pa9t]s4 ,m5 l ,defregg]1 ,knaus1 ,vauti]1 ,grtzn]1 ,kaulba*1 & o!rs w always comm& high respect by _! te*nical a*ievem5ts1 no matt] h[ we may disagree ) _! *oice ( subjects4 ,! really wor?y ones we h produc$ 9 ?is field ( g5re pa9t+ are to be f\nd 9 o!r gall]ies & are repres5t$ by m5 l ,hov5d51 ,curri]1 & ,johnson4 ,! only real pa9t+ among ! _m figure pictures 9 ?is gall]y is ,pet] ,fr$]ick ,ro!rmel's ,m>tyrdom ( ,/4 ,agnes4 ,v ri* 9 col\r & big 9 composition1 x compels great respect4 ,we h n[ rea*$ ! middle ( ! la/ c5tury1 :5 ! influ5ce ( ! ,b>bizon s*ool ass]t$ itself & caus$ increas+ int]e/ 9 l&scape pa9t+1 a field :i* up to t "t _h be5 mix$ up ) hi/orical motives1 z 9 a typical composite canvas by ,cole 7,?omas71 :o g5]ally ranks z ! mo/ important ( ! ,hudson ,riv] ,s*ool ( l&scape pa9t]s4 ,!re is really n en\gh arti/ic mom5t to ?is ,am]ican gr\p to dignify x by ! "n ( a s*ool4 ,= hi/orical reasons1 h[ev]1 ?is classification is v conv5i5t4 ,cole's f\r sket*es = ! ,voyage ( ,life %[ /rong imag9ation1 giv+ ! impression1 h[ev]1 t he 0 m int]e/$ 9 my?ology ?an 9 ! art ( pa9t+4 ,! fir/ intimation ( a really orig9al /ep 9 ,am]ican outdoor pa9t+1 z bas$ on ! discov]ies ( ! s*ool ( #ahbe1 ! ,b>bizon s*ool1 "o receives 9 ?is gall]y 9 a numb] ( small canvases by "s ( ! m5 we h *os5 to classify z ! pa9t]s ( ! ,great ,we/4 ,into ?is gr\p are put ,?omas ,moran1 ,?omas ,hill1 & ,alb]t ,bi]/adt4 ,!y are s v closely id5tifi$ ) ! ,we/ t !y are ( p>ticul> int]e/ to u4 ,_! arti/ic c>e]s 7 z spectacul> z _! subjects4 ,/irr$ by ! m>vel\s tales ( ! great sc5ic wond]s ( ! ,we/1 !y h]oically ?rew !mselves into a task t no arti/ c\ld possibly ma/]4 ,!y approa*$ _! gigantic subjects ) correspond+ly l>ge canvases1 )\t ev] giv+ ! ess5tial elem5t1 ( _! huge motives1 namely1 a c]ta9 feel+ ( scale1 ( monum5tality1 z comp>$ to ! pigmy size ( ! human figure4 ,really great pictures ( ! ,yell[/one1 ! ,gr& ,caon1 & ! l(ty m\nta9-tops /ill rema9 to be pa9t$4 ,! d>+ & c\rage ( ^! m5 has b5efit$ our art v mu* 9 a te*nical s5se4 ,! /udy ( panoramic di/ances & ! necessity = closely obs]v+ out-(-doors new subjects :i* c\ld n be /udi$ 9 ! "w ( o!r pa9t]s1 l$ to a facility 9 ! h&l+ ( pa9t :i* really con/itutes ! *ief m]it ( ^! arti/s4 ,9 ?is gall]y 7#ei7 two small outdoor sket*es by ,?omas ,hill give a good sugge/ion ( ?is ,cali=nian's great dext]ity 9 h&l+ pa9t4 ,8 c>e] has be5 s closely id5tifi$ ) ! ,yosemite ,valley1 :]e he liv$ & di$1 t ^! two sket*es w s]ve z a rem9d] ( ! v fai?fully /udi$ l>g] pictures he = _m ye>s produc$4 ,pet] ,moran1 a bro!r ( ,?omas1 has a cattle picture 9 ?is gall]y :i* ne$s ! back+ up ( ! reputation ( ! :ole ,moran family to be accept$4 ,gall]y #eh4 ,*ronological ord] is n entirely ma9ta9$ 9 gall]y #eh1 :]e two l>ge ,bi]/adt pictures are 9 control4 ,bi]/adt1 ) all ( 8 good pa9t+1 does n get any ne>] ! real _s ( ! l(ty m\nta9tops ?an all ! o!rs ( ?is s*ool4 ,big & e>ne/ z 8 ef=ts 71 !y fall %ort ( real a*ievem5t1 n s mu* = 8 lack ( outdoor col\r z = ! misund]/&+ ( :at is possible 9 art & :at is impossible4 ,ano!r l&scape 9 ?is gall]y1 belong+ to ! contempor>y s*ool1 h[ev]1 is ,h5ry ,joseph ,breu]'s ,santa ,inez ,m\nta9s4 ,x is a fai?ful /udy ( a mo/ difficult subject & v successful 9 its big feel+1 9 spite ( ! introduction ( great detail4 ,x is easily ! be/ ,breu] 9 ! collection4 ,! note ( v>iety 9 ?is gall]y is ma9ta9$ 9 sev]al portraits & g5re pictures ( unusual m]it4 ,on ! "r ( ! ,breu]1 ,?omas ,hicks' ,fri5dly ,w>n+ atones = a multitude ( m$iocre g5re pictures 9 ! prec$+ gall]y4 ,ea/man ,johnson's ,drumm] ,boy %[s good composition1 & ,j4 ,h4 ,e4 ,p>t+ton's /udy ( a man's head is z f9e a piece ( pa9t+ z 0 ev] done 9 ! eighties4 ,gall]y #fd4 ,9 a big c5tral gall]y we meet ! m m]itori\s "w ( our pa9t]s dep5d5t ^u =eign influ5ce4 ,portraits1 g5re pictures1 l&scapes1 & m>9es tell ! /ory ( _m individual m5 work+ out _! salvation 9 m or less orig9al fa%ion4 ,i h spok5 at "s l5g? ab\t ! pitfall ( g5re pa9t+1 b ,?omas ,hov5d5's ,break+ ,home ,ties r$eems ! entire s*ool4 ,irrespective ( ! fact t x is a picture v popul> ) ! l>ge public by reason ( its s5tim5tal appeal1 x is well pa9t$1 & x w always be consid]$ a good pa9t+4 ,x is devoid ( col\r1 9 ! s5se ( ! mod]n pa9t]1 b its v flu5t & simple te*nical "* recomm5ds x highly4 ,hov5d5 0 a ma/] ( 8 trade4 ,anybody :o d\bts ?is f 8 l>ge canvas c easily be conv9c$ by /udy+ ! ,peonies to ! left ( x on wall ,c4 ,! l>ge area ( ?is wall is cov]$ ) six canvases by ,?omas ,eak9s1 %[+ a v>iety ( subjects4 ,8 ,crucifixion is v good z an academic /udy b ( no o!r int]e/4 ,9 ! ,conc]t ,s+] he add$ an int]e/+ subject to v admirable pa9t+4 ,8 o!r canvases are all s9c]ely /udi$ & well done1 & !y w always be sure ( _! place 9 ! hi/ory ( ,am]ican pa9t+4 ,opposite ! ,crucifixion1 ,*ur*'s ,niag>a rem9ds "o t ! pa9t+ ( wat] involves m ?an m]e photographic facility4 ,all t "o c say ab\t ?is s]i\s ef=t is t if x _h be5 pa9t$ "u a diff]5t /> ?an t :i* guid$ ! pa9t]s ( 8 "t 9 outdoor /udies1 x w\ld d\btless look m l wat]4 ,ano!r canvas on ! "r1 a m>9e by ,ri*>ds1 has ! same feel+ = draw+ )\t %[+ any und]/&+ ( ei!r texture or atmosph]e4 ,! old & ! new ov]lap 9 ?is gall]y by ! inclusion ( "s ( ,rem+ton's pa9t+s & also ( a few pieces ( sculpture4 ,rem+ton's pa9t+s w nev] be classifi$ z any?+ b v good illu/rations1 & 9 ! company ( easel pictures !y look mu* out ( place4 ,_! int]e/ is only ( a pass+ k9d4 ,8 sculpture is lack+ 9 repose & looks wild & ill-mann]$ 9 ! pres5ce ( ! old] ?+s4 ,hom] ,m>t9's appeal1 9 two big l&scapes on ! same wall1 may n be v imm$iate1 b a s]i\s contemplation ( ^! big & noble l&scapes w make !m reassur+ly sympa!tic4 ,m>t9's pictures are n exhibition pictures4 ,!y suff] 9 an exhibition :i* is aft] all z mu* ( a specim5 %[ ( conflict+ v>ieties z a display ( cann$ goods 9 ! ,food ,palace4 ,m>t91 :ile nev] hav+ enjoy$ ! popul>ity ( an ,inness1 w always rank z high z any ( our be/ int]pret]s ( ! ,b>bizon s*ool4 ,gall]y #ed4 ,we h to g ov] into ?is gall]y 9 ord] to get ! full mean+ ( t great company ( m5 :o _h some?+ :i* is s difficult to discov] 9 _m arti/s1 namely1 /yle4 ,inness & ,wyant above ev]y?+ h /yle1 a quality :i* c>ri$ _! o!rwise n v orig9al "w above t ( _! fell[-pa9t]s4 ,we %all nev] tire ( su* canvases z ,! ,com+ ,/orm1 ,! ,cl\d$ ,sun1 & ! limpid pa/orals by ,wyant4 ,!y ma9ta9 _! position z classics4 ,w9sl[ ,hom] occupies a position all by himself4 ,an entire wall full ( specim5s by him %[s ! evolution ( ! man1 8 /ruggle ) ! problem ( ! *oice ( subjects1 & 8 te*nical developm5t1 culm9at+ 9 t "o really great !me 9 ! c5t]1 %[+ 8 /udio 9 an aft]noon fog4 ,hom]'s col\r is always disappo9t+1 ev5 9 8 be/1 b 8 s5se ( design & a c]ta9 simple re/riction to a few ess5tials make up 8 *ief claim ^u di/9ction4 ,d5nis ,bunk]'s ,lady ) a ,mirror w\ld sc>cely be believ$ to belong to ! old] p]iod ( ,am]ican art4 ,"o ( ! f9e/ pictures ev] produc$ by an ,am]ican pa9t]1 x yields a mo/ unusual degree ( arti/ic pleasure4 ,!re is real di/9ction ab\t ?is picture1 n only 9 ! graceful idealization ( ! lady1 b also 9 ! ref9$ col\r s*eme4 ,curri]'s art is v mu* l ,duv5eck's1 an obs]vation :i* is made emphatic by ! fact t ea* "o's ma/]piece is a :i/l+ boy1 ( great simplicity4 ,aft] a discussion ( ,duv5eck's "w1 ,curri]'s arti/ic antec$5ts w easily be e/abli%$1 s no m ne$ be said ( 8 "w4 ,gall]y #he4 ,across ! hall m ( our academic s*ool ( pa9t]s are gr\p$4 ,!re is ,george de ,=e/ ,bru%1 ! pa9t] ( ! ,bo/on ,madonna1 9 "s ( 8 e>li] illu/rative canvases & a v f9e pre-,raphaelite ,&rom$a4 ,bru% is s contradictory at times t ?is small gr\p is q insuffici5t to d him full ju/ice4 ,horatio ,walk] cl+s p]si/5tly to 8 conviction ( ! supremacy ( ! old] me?ods1 )\t giv+ any indication ( contact ) mod]n art4 ,8 sup]iority dep5ds l>gely ^u ! human-int]e/ /ories he tells ) wond]ful bread? & sympa!tic und]/&+4 ,*>les ,w4 ,haw?orne's canvases seem fumbl$ r ?an pa9t$4 ,!y are v hesitat+ 9 a te*nical way & are n suffici5tly end[$ ) int]e/ to grip "o4 ,gall]y #eg4 ,9 ano!r gall]y 9 ?is neighborhood1 ,edw9 ,abbey's art is pres5t$ v compreh5sively 9 a numb] ( l>ge & small illu/rations - canvases ( m ?an pass+ int]e/4 ,:ile !y are l>gely illu/rations1 _! int]e/ is made p]man5t by reason ( ! subjective note :i* all ( !m h4 ,abbey's int5se imag9ation all[$ him to c>ry a conv9c+ness into 8 "w :i* is l>gely responsible = ! v high rank he atta9$4 ,8 art is n ! art ( an ,am]ican 9 any s5se4 ,x is true he 0 born 9 ,philadelphia1 b a long & successful life sp5t 9 ,europe has left on 8 "w ! impr9t ( an ari/ocracy =eign to our int]e/4 ,9 design1 9 col\r1 ,abbey's "w is always supremely int]e/+1 & ) ! a/oni%+ developm5t ( illu/ration 9 ,am]ica1 x seems incr$ible t we %\ld n h be5 able to make him return to ! l& ( 8 bir?4 ,gall]ies fifty-five & fifty-six are mod]n 9 aspect & _! cont5ts came into ?is "p ( ! build+ = practical reasons4 ,w$g$ 9 betwe5 old] p]iods1 x is difficult to comb9e !m ) ! re/ ( mod]n ,am]ican art1 l>gely repres5t$ 9 ! nor? side ( ! ,palace4 ,gall]y #ef4 ,"h two int]iors 9 di/9ctly diff]5t /yles /& out among ! multitude4 ,m>ion ,p[]s & ,elizabe? ,n\rse add consid]ably to ! a*ievem5t ( our wom5 arti/s 9 ^! well-pa9t$ canvases4 ,miss ,p[]s is v orig9al 9 an old] s*ool1 :ile ,miss ,n\rse displays all ! te*nical dext]ities ( ! pres5t day4 ,hit*cock's ,dut* ,tulip ,b$s1 ) figural /affage1 rem9d "o ( a mo/ orig9al ,am]ican :o aft] a long /ruggle e/abli%$ himself ) ^! col\rful designs4 ,8 rec5t dea? came entirely too soon4 ,gall]y #ee4 ,?is room is int5sely animat$ by ,pot?a/'s six sea%ore sket*es1 :i* are compos$ & v sympa!tic 9 _! f9e sunlight4 ,evelyn ,mc,cormick's ,mont]ey ,cu/om ,h\se is no less sunny1 & consci5ti\sly /udi$ 9 detail4 ,gall]y #fe4 ,( p>ticul> int]e/ are ! pictures 9 ?is gall]y1 con/itut+ an a*ievem5t :i* few o!r nations c\ld rival4 ,devot$ exclusively to ! "w ( liv+ ,am]ican wom5 arti/s1 x conta9s conv9c+ evid5ces ( ! good results :i* ! emancipation ( wom5 9 ?is c\ntry all[$ !m to accompli% 9 ! field ( art4 ,! /&>d 9 ?is gall]y is v high1 & "o mu/ admit t ,mr4 ,trask's d>+ innovation ( putt+ all ! wom5 arti/s 9 "o big gall]y 0 ju/ifi$4 ,!y d hold _! own1 & !y d n ne$ any male assi/ance to conv9ce "o ( _! big "p 9 ! honors ( ! exhibition4 ,on two oppos+ walls1 ,m>y ,cassatt & ,cecilia ,beaux give full expression ( _! v vital "w4 ,miss ,beaux's "w is compell+ 9 its vigor\s te*nique1 f9e col\r1 & d>+ composition4 ,h] /udy 9 purple & yell[ is bold & unusually successful4 ,on o!r walls m portraits by ,ell5 ,emmet ,r& cont9ue to hold our att5tion1 p>ticul>ly ! little girl & ! black cat4 ,! portraits ( our wom5 pa9t]s are all f> m orig9al 9 composition & col\r arrangem5t ?an ^? ( ! m54 ,m>y ,cassatt's reputation is s univ]sally e/abli%$ z n to ne$ any introduction4 ,h] art is m ,fr5* 9 ! _m tone gradations ( atmosph]e ?an t ( h] ,am]ican colleagues :o are m decorative4 ,among o!rs ,jean ,mc,lane1 ,mr4 ,johans5's wife1 & ,annie ,lang excel 9 a c]ta9 bread? ( /yle2 :ile ,mrs4 ,ri*>dson *>ms by ! sympa!tic r5d]+ ( ! pride & happ9ess ( ! "y "m4 ,! composition ( ?is picture1 :ile x is unusual1 is successfully manag$4 ,! impression "o ga9s f ?is l>ge gall]y is mo/ satisfy+ 9 e way4 ,! _m portraits done by m5 se5 9 v>i\s gall]ies ( ! exhibition w\ld sc>cely make z good a %[+ 9 a gr\p z ! "w ( ! wom51 & x 0 v wise n to attempt x4 ,"o-,man ,rooms ,an approa* to ! re/ ( ! ,am]ican section might be made ?r\gh ! "o-man rooms1 & s9ce we are on ! s\? side1 & = o!r p]fectly good reasons - n ! lea/1 t ( importance - we might />t ) ,:i/l]4 ,gall]y #bh4 ,:i/l]4 ,no gall]y reflects s mu* ! really s]i\s arti/1 9 8 et]nal /ruggle to express himself simply & exhau/ively 9 l9e1 =m1 & col\r1 z does ?is ,:i/l] gr\p4 ,a feel+ ( dissatisfaction1 express$ by _m indications ( exp]im5tation & *ange1 ( se>*+ = ! "r l9e1 is cle>ly indicat$ 9 all ( ^! pa9t+s4 ,he (t5 gives y a *ance to *oose betwe5 a numb] ( tantaliz+ =ms & l9es4 ,x is v app>5t t he set himself a high1 almo/ an unatta9able /&>d1 t[>d :i* he work$ ) v>y+ success4 ,8 emotions mu/ h be5 con/antly sw++ betwe5 ! greate/ heights ( joy & ! abyss ( despair4 ,! num]\s ,:i/l]s 9 ?is gall]y %[ him 9 _m p]iods & _m /yles4 ,on wall ,d1 at ! l[] "r1 a portrait ( an auburn girl1 "o ( 8 _m fasc9at+ models1 %[s ,:i/l] m z a pure pa9t] ?an any ( ! o!r canvases4 ,?is d\btless belongs to ! p]iod :5 he 0 "u ,c\rbet's influ5ce4 ,! ri*ness ( pure pa9t1 dext]\sly appli$1 is sc>cely f\nd 9 ! _m portraits on ! same wall1 9 :i* a c]ta9 ?9ness ( pa9t is too mu* 9 evid5ce1 no matt] h[ di/+ui%$ & sugge/ive ^! canvases are4 ,8 s5se ( composition1 ( ! plac+ ( areas ( diff]5t tones & col\r1 is m>k$ly evid5t 9 all ( 8 "w1 no matt] h[ exp]im5tal & casual x may be4 ,! ,fall+ ,rocket is ! mo/ wond]ful example ( ?is quality ( design4 ,if x is true t x hung = weeks upside d[n 9 ! pres5t own]'s h\se1 !n mo/ decid$ly ?is fact speaks well = its excell5t quality ( design1 irrespective ( its pictorial mean+4 ,! _m small sp>ks desc5d+ rhy?mically f an imp5etrable sky are c>efully consid]$ 9 _! relative position & size s z to insure t feel+ ( patt]n :i* he almo/ in/9ctively gave to ev]y?+ he did4 ,?is picture ( ! ,fall+ ,rocket is ( p>ticul> int]e/ z ! picture :i* made ,john ,rusk91 ! ,slade ,pr(essor ( ,art at ,ox=d1 accuse ,:i/l] ( fl++ a pot ( pa9t at ! face ( ! public & hav+ ! impud5ce ( a coxcomb to ask two hundr$ gu9eas = x4 ,surely ?is c>efully & cleanly pa9t$ picture %[s ,:i/l] z h>dly a fl+] ( pa9t1 & we c only rejoice ov] ! k9d fate :i* sav$ ,mr4 ,rusk9 f ext5d+ 8 c>e] into ! pres5t age ( pa9t fl+]s1 :o1 _h !y liv$ 9 8 day1 w\ld h prov$ fatal to ! le>n$ pr(essor4 ,! f>?+ damages :i* ,:i/l] receiv$ 9 a mock trial 7 sc>cely z valuable z ! univ]sal admiration ?is picture receives4 ,!re nev] 0 a pa9t] :o manipulat$ pa9t ) m reg>d = ! m$ium ?an did ,:i/l]4 ,8 portrait ( ,mrs4 ,milic5t ,cobd5 has a noble beauty ( re/ra9t4 ,x is v s5sitively pa9t$1 & t5d] almo/ to ! po9t ( ?9ness4 ,x fasc9ates 9 its subtle appeal1 :i* ! obs]v] is induc$ to supplem5t by 8 own emotion4 ,?is quality ( subtlety is ! "o attribute :i* makes 8 "w s belov$ by ! arti/ & s difficult ( und]/&+ = ! layman1 :o1 try z he may1 is n equipp$ ) suffici5t te*nical insight to d ,:i/l]'s pa9t+s full ju/ice4 ,unev5 z 8 "w is1 z e pa9t] admits1 x w always be m & m *]i%$ by ! pr(ession & rema9 m or less ( a my/]y to ! puzzl$ public1 :o w\ld l to foll[ ?is pa9t] into ! realm ( 8 int]e/s4 ,! six figural compositions on ! opposite wall %[ ,:i/l] z conc]n$ ) design pure & simple1 r ?an mean+ or psy*ological expression4 ,!y are beautiful = ! fragrant loos5ess ( _! spac+ ( delightful1 t5d] areas ( neutraliz$ col\r1 emphasiz$ "h & !re by a /rong] note ( v]milion4 ,?+s l ^! express 8 attitude f> m ?an any o!r ?+ he ev] did4 ,!y %[ 8 und]/&+ ( ! fundam5tals ( pa9t+ - a small "p 9 ! :ole unity ( beauty ( :i* ! _w consi/s4 ,8 "w z a pa9t] is1 aft] all1 negligible 9 comp>ison ) ! pr9ciples he prea*$ by 8 _m arti/ic activities4 ,8 hi/orical position1 z "t goes on & z 8 associates die1 becomes m & m my/ical1 & ev5 at ?is mom5t 8 p]sonality has assum$ an almo/ my?ological "*4 ,gall]y #ic4 ,twa*tman4 ,x is n a f> cry to ,twa*tman1 :o pres5ts a peculi> comb9ation ( ,:i/l]ian tonality ) ! me?ods ( ! mod]n impressioni/4 ,8 "w is relatively high 9 key1 & devoid ( any col\r resembl+ black4 ,! cov]$ skies ( e>ly morn+1 be=e ! break+ ?r\gh ( ! sun1 are 8 *ief motives4 ,sn[ plays also an important "p 9 8 "w1 :i* is mo/ sugge/ive 9 ! t5d] beauty ( ! few values & col\rs x is compos$ (4 ,!re is absolutely no?+ ( ! s5sational ab\t 8 "w4 ,to mo/ p ( n suffici5t int]e/ on fir/ acqua9tance1 on bett] famili>ity !y yield to ! s]i\s /ud5t & sympa!tic lov] ( nature unlimit$ pleasure4 ,8 poetry is ( ! true sort1 & 9 f9i%$ "w l ,octob]1 ,view on ! ,brette1 ,bridge 9 ,spr+1 & ,gre5wi* ,hills1 he rises to a v high level4 ,man%ip's small /atuettes are v effective features ( ?is gall]y4 ,_! l9e> decorative ar*itectural quality has put ,man%ip into ! front rank ( our y\ng] m51 & he w h no tr\ble to ma9ta9 8 place4 ,gall]y #hi4 ,t>bell4 ,9 an adjo9+ gall]y1 ,edmund ,t>bell is mu* m /rik+1 9 a numb] ( canvases conta9+ c]ta9 qualities1 :i* easily acc\nt = ! great popul>ity he ju/ly enjoys z "o ( ! be/ ( our ,am]ican pa9t]s4 ,to ! /ud5t ( pictures :o does n c>e :e!r !y are well pa9t$ or n1 !y are int5sely int]e/+ subjects1 reflect+ ! happy dome/ic atmosph]e ( ! pa9t]'s home1 :i* has furni%$ him = ye>s inexhau/ible mat]ial = _m delightful int]pretations ( simil> subjects4 ,?is ability to produce s _m ?+s ( equal excell5ce 9 a relatively small circle1 9 "o way proves 8 greatness4 ,9 ! la/ analysis1 he has practically ev]y?+ 9 8 "w "o looks = 9 a "w ( art4 ,9 addition to hav+ an easily und]/ood idea1 8 pictures are well compos$1 )\t %[+ ! consci\sness ( x1 z does ,:i/l]4 ,f9e 9 col\r & h&l+1 beside ! idealization ( ev]y?+ he includes 9 8 "w he a*ieves a c]ta9 some?+ :i* we recognize z /yle4 ,he may be a reali/ 9 e s5se1 b he %[s h[ to deal arbitr>ily ) 8 figures 9 su* a way z to end[ !m ) admirable di/9ction1 )\t los+ ! expression ( reality4 ,8 rec5t outdoor "w has n ! unity ( expression ( 8 indoor subjects4 ,x is difficult1 & n really necess>y1 to s+le out any "w 9 a "o-man repres5tation ( unusual uni=mity ( excell5ce4 ,e "o ( 8 pictures has ! e>m>ks ( hav+ be5 c>efully /udi$4 ,bela ,pratt's /atue ( ,na?an ,hale is mu* less academic ?an ! o!r sculptures arrang$ 9 ?is gall]y4 ,comp>$ ) ! high /&>d ( ,am]ican small pla/ic art 8 works are some:at dry1 ?\gh always consci5ti\sly done4 ,gall]y #hh4 ,r$field4 ,z a reali/ic pa9t] ( ! outdoors1 ,e4 ,w4 ,r$field holds an enviable position 9 ! field ( ,am]ican art4 ,he is ! pa9t] p> excell5ce1 )\t mak+ any pret5sion at be+ any?+ else4 ,! joy ( putt+ pa9t on canvas to sugge/ a relatively small numb] ( ?+s :i* make up ! great outdoor c\ntry1 l skies1 di/ance1 l& =egr\nds1 is 8 *os5 task4 ,he is ! mo/ direct pa9t] we h4 ,) a heavily load$ bru%1 )\t any reg>d = any?+ b imm$iate effect1 he expresses 8 l&scapes c&idly & conv9c+ly4 ,he is pla9-spok51 tru?ful1 free f any trick]y - z :olesome z 8 subjects4 ,8 a la prima me?ods embody1 to ! pr(essional man1 ! highe/ pr9ciple ( te*nical p]fection1 )\t fall+ into a c]ta9 physical co>s5ess s mu* 9 evid5ce 9 mo/ ( our mod]n "w4 ,8 s5se ( design is ke51 )\t be+ too app>5t1 & ! impression "o ga9s f 8 works is t !y are hone/ transcriptions ( nature by a /rong1 virile p]sonality4 ,w9t] subjects pr$om9ate 9 8 pictures1 & he expresses !m probably m conv9c+ly ?an o!rs - ?\gh 8 ,autumn is m>vel\s 9 its ri*ness ( col\r1 & 9 ! two night effects ( ,new ,york he %[s 8 acute p[] ( obs]vation 9 two totally diff]5t subjects4 ,8 art is altoge!r mo/ refre%+ & free f all artificialities4 ,gall]y #hg4 ,duv5eck4 ,p>adoxical z x may seem1 ,duv5eck's art is c>ri$ by ! same pa9t]-qualities f\nd 9 ,r$field4 ,f 8 d>k col\r x is self-evid5t t he belongs to an old] ,g]man s*ool - a s*ool :i* has be5 sup]s$$ 9 ! affection ( ,am]icans by ,fr5* me?ods4 ,we "k relatively little1 entirely too little1 ab\t ! g5]\s me?ods ( ! be/ m5 ( ! ,muni* s*ool1 ( :i* ,duv5eck is s conspicu\s a memb]4 ,8 importance 9 ! hi/ory ( art c h>dly be set too high1 = ! s\ndness ( 8 me?ods alone4 ,only ! greate/ ev] atta9 ! capacity = direct pa9t+ :i* *>act]izes ?is a/oni%+ collection ( 8 pictures4 ,juic9ess is ! only ^w :i* w adequately express ! result ( 8 bru%4 ,! pictures "h are mo/ int]e/+ = ! reason t !y 7 all done :ile he 0 n yet tw5ty-five & :ile he liv$ 9 an atmosph]e ( work]s ( :om ,leibl 0 probably ! mo/ fam\s4 ,!re are few pa9t+s - & !n only ! greate/ - :i* give "o ! same satisfaction at a big di/ance z well z at close range z ,duv5eck's d4 ,m5 ( 8 calib] appe> only at great int]vals4 ,?is ,duv5eck collection1 if br\ght toge!r p]man5tly1 z we are =tunate en\gh to see x tempor>ily "h 9 ,san ,francisco1 w\ld become ! ,mecca ( all pa9t]s :o want to refre% _! memory z to :at con/itutes real pa9t+4 ,un=tunately ^! canvases are own$ by diff]5t p1 & to ?9k t !y w all h to be scatt]$ aga9 among individual own]s is a %ock+ ?\ght4 ,! uni=mity ( excell5ce 9 ! ,duv5eck room =bids any attempt at pick+ out individual works2 h[ev]1 ,duv5eck's equally great accompli%m5ts on ano!r wall1 9 ! field ( et*+1 are apt to be easily ov]look$4 ,! s>cophagus ( 8 wife1 done by 8 v]satile h&1 increases ! admiration t we1 mu/ hold = ?is lib]al g5ius4 ,duv5eck's art1 no matt] h[ mu* x is root$ 9 =eign soil1 w =ev] make its influ5ce felt = ! be/ ( ,am]ican art4 ,gall]y #gi4 ,*ase4 ,balanc+ ,duv5eck's gall]y on ! s\?1 ,william ,m4 ,*ase cont9ues ! ,muni* traditions1 9 ! successful treatm5t ( a v>iety ( subjects = :i* he has always be5 fam\s4 ,closely associat$ ) ,duv5eck1 & %[+ all ! ri* qualities ( ! ,muni* m51 ,*ase's picturesque p]sonality f9ds a reflection 9 8 subjects1 :i* all seem to h be5 *os5 to give him an opportunity to display a c]ta9 bravado ( h&l+ :i* *>act]izes all ( 8 "w4 ,! ,*ase collection gives a good idea ( ! c>e] ( ?is mo/ useful ( all ,am]ican pa9t]s1 :o 9 an a/oni%+ly active life has be5 tea*]1 fri5d1 & c\nsellor to hundr$s ( ! y\ng] p 9 ! field ( art4 ,8 life has be5 mo/ useful - always 9 ! int]e/ ( ! v be/1 ) conspicu\s success 9 aid+ ! uplift ( ,am]ican art4 ,8 /ill-lifes h = ye>s be5 fam\s = _! fidelity ( int]pretation ( a v>iety ( contra/+ ?+s1 l fi%es1 copp] b[ls1 & onions4 ,no less int]e/+ h be5 8 portraits ( ! great mass ( p :o h sat = him4 ,he has nev] be5 afraid ( pa9t+ any?+1 & :atev] x may be1 he has treat$ x ) great bread?1 f9e pictorial feel+1 & *>m ( col\r4 ,8 ,woman ) ! ,:ite ,%awl has become a classic dur+ 8 lifetime1 & "s ( 8 /ill-lifes are suffici5t to s]ve z a p]man5t solid f\ndation = 8 reputation4 ,*ase's art1 :ile decid$ly academic1 excels 9 esprit1 9 a c]ta9 elegant yet en]getic expression :i* aft] all is no?+ b ! pa9t]'s own p]sonality reflect$ 9 8 "w4 ,! delightful set ( small l&scapes ( ,italian & ,am]ican subjects adds mu* int]e/ 9 ?is collection1 :i* is v well hung aga9/ an effective blue backgr\nd4 ,gall]y #gh4 ,hassam4 ,*ilde ,hassam's art at fir/ is v disconc]t+1 p>ticul>ly "u a /rong midday light4 ,"o has at fir/ ! feel+ t a religi\s adh]5ce to a c]ta9 impressioni/ic te*nique is ( m importance to him ?an any?+ else4 ,ent]+ 8 gall]y f ! ,*ase collection1 "o is almo/ ov]come ) ! contra/ ( light & d>k pres5t$ by ^! two ma/]s4 ,! contra/ ( ! classic academic atmosph]e ( ,*ase's room %[s ,hassam pron\nc$ly z ! mo/ radical impressioni/ we h4 ,8 int]e/ is light1 & always m light1 vibration at any co/2 :i* contra/$ ) ,*ase's art1 or = t matt] anybody's else1 ,duv5eck's1 or1 = in/ance1 ev5 ,:i/l]'s1 becomes almo/ irritat+ 9 its lack ( simple surfaces4 ,he does n elim9ate 9 ! s5se ( ! old] m51 :o c>e m = a unity ( expression ?an = an approximation to ! actual outdoors4 ,!re is sunlight 9 8 "w1 )\t a d\bt1 b x is n always spread ov] agreeable subjects4 ,! wood5 quality ( 8 figures & ! frugal aspects ( 8 fruit1 to u ,cali=nians are p>ticul>ly pa9ful4 ,( all 8 oils 9 ?is gall]y ! two on ei!r side ( ! ,aphrodite on ! ea/ wall are by f> ! be/4 ,9 !m he succe$s 9 c>ry+ 8 po9t agreeably & conv9c+ly4 ,!y are bo? lovely 9 col\r1 & !y give y ! feel+ ( hav+ be5 well /udi$4 ,! two gr\ps ( wat]col\rs & g\a*es on ! side walls are1 ) ! exception ( a wa% blue sea1 v discreet 9 quality ( pa9t & mo/ intimate 9 feel+1 & to my m9d d ,hassam m cr$it ?an ! _m o!r canvases1 :i* seem to be pa9t$ = exp\nd+ a te*nical pr9ciple r ?an to reveal 8 inn]mo/ feel+s4 ,gall]y #gg4 ,g>i ,mel*]s4 ,mel*]s' /yle is mu* m sympa!tic ?an ,hassam's )\t be+ less p]sonal4 ,( mod]n pa9t]s ,i confess to a p>ticul>ly great fondness = ,mel*]s' art4 ,:ile /&+ firmly on classic tradition1 x is mod]n 9 e s5se4 ,"o c say ev]y?+ ( good & f9d little fault ) any ( ^! mo/ consci5ti\sly pa9t$ canvases :i* make up 8 contribution to ! exhibition4 ,beg9n+ ) 8 ,f5c+ ,ma/]1 "o ( 8 old] works1 he %[s 9 a great numb] ( simil> subjects 8 loyalty to ,egmond aan d5 ,hoef1 a little ,dut* village :]e he has work$ = ye>s4 ,! quality ( patt]n & col\r 9 8 "w is v pron\nc$1 & ?is1 comb9$ ) a f9e psy*ology1 makes 8 "w always int]e/+4 ,he is no radical2 ! be/ z he sees x 9 any s*ool he has made subs]vi5t to 8 purpose )\t any loss ( individuality4 ,8 pictures yield mu* pleasure to public z well z to arti/1 ev5 9 s5tim5tal /ories l ! ,sailor & ,8 ,swee!>t1 or ! ,skat]s4 ,8 f9e/ note he /rikes und\bt$ly 9 ! _m sympa!tic glorifications ( mo!rhood 9 8 f9e mod]n ,madonnas4 ,^! works w be ! sure f\ndation ( 8 fame4 ,no matt] :e!r he calls !m ,madonna ( ! ,fields1 ,mat]nity1 or simply ,"m & ,*ild1 he pres5ts ?is greate/ ( all subjects z few h ev] done4 ,8 art is :olesome & sane1 b end[$ ) a subtle quality ( insight into 8 subjects t w always assure him a v high place 9 ! hi/ory ( art4 ,= ye>s he has be5 "o ( ! reliable pa9t]s ( ! _w1 & to meet ) 8 "w at int]vals is always a s\rce ( great satisfaction4 ,gall]y #ge4 ,s>g5t4 ,a small adjo9+ gall]y is giv5 entirely ov] to a few ,s>g5ts :i* are q suffici5t to ma9ta9 ?is great /yli/1 :om _m believe ! t[]+ giant ( ! pr(ession4 ,"o ?+ is evid5t f ?is "w - t = surety ( t\* & te*nical directness he /&s practically alone1 ?\gh he does n possess ! delib]ate ease 9 :i* ,duv5eck rejoices4 ,s>g5t's ,john ,hay & ,h5ry ,james are absolutely exhau/ive z "* /udies4 ,8 ,nubian ,girl1 h[ev]1 is woody1 no matt] h[ int]e/+ 9 po/ure4 ,9 no?+ does he disclose 8 m>vel\s precision ( te*nique s completely z 9 "s ( ! outdoor /udies1 l ! ,syrian ,goats & ! ,spani% ,/able4 ,!re is no?+ l !m 9 ! exhibition any:]e1 & ^! two ?+s alone make up = :at is really n a compreh5sive display ( "o ( ! greate/ ( mod]n liv+ pa9t]s4 ,h[ev]1 a man ^: /&>d ( excell5ce is relatively v ev5 does n ne$ a l>ge repres5tation4 ,gall]y #ij4 ,kei?4 ,9 two o!r small gall]ies ( simil> size ?ree ,cali=nia pa9t]s h _! inn+4 ,:ile all ^! are ( diff]5t calib]1 !y h some?+ 9 common :i* ties !m closely toge!r4 ,x seems peculi> t a c\ntry fam$ = its sun%9e %\ld produce m5 l ,kei?1 ,ma!ws11 & ,mc,comas1 :o surely d reflect a r somb] atmosph]e1 9 a type ( "w :i* mu/ be call$ tonal & arbitr>y r ?an naturali/ic4 ,kei?'s collection1 ) ! mass ( mod]n l&scape all ar\nd1 & ev5 comp>$ ) o!r foll[]s ( ! ,b>bizon s*ool1 seems some:at somb]1 z comp>$ ) ! vital buoyancy ( ,r$field & o!rs ( ,r$field's type4 ,8 range ( ideali/ic l&scape subjects is intimate1 b n *>act]iz$ by ! /irr+ sugge/ion ( outdoors :i* ,inness1 ,wyant1 & o!rs ( 8 s*ool possess4 ,kei?'s m>vel\s dext]ity ( bru%work really con/itutes 8 *ief claim ^u fame1 & "s ( 8 be/ ?+s are gems 9 easy-fl[+ me?ods ( pa9t+ :i* ! be/ m5 ( ! ,b>bizon s*ool seldom approa*$4 ,kei? mu/ n be look$ ^u z a pa9t] ( nature nor ev5 an int]pret] ( nature4 ,he us$ l&scapes simply to express an ev]-*ang+ v>iety ( p]sonal emotion4 ,8 attitude t[>d nature 9 8 lat] "w 0 ( ! mo/ di/ant k9d1 al?\gh 8 e>ly c>e] 0 t ( ! mo/ pa9/ak+ se>*] = physical tru?fulness4 ,gall]y #gf4 ,ma!ws & ,mc,comas4 ,ma!ws & ,mc,comas d n exactly make good company4 ,:ile closely relat$ 9 ! decorative quality ( _! "w1 !y are n alike 9 any o!r way4 ,ma!ws' art is emotional4 ,x tells some?+ beyond m]e col\r1 =m1 & composition1 :ile ,mc,comas' art is mo/ly te*nical1 9 ! clev] manipulation ( a v difficult m$ium4 ,8 s5se ( con/ruction & feel+ = effect is v acute4 ,he is becom+ s exp]t1 h[ev]1 9 ! h&l+ ( wat]col\r t "o sometimes wi%es to see a little m ( t accid5tal *>m ( surface t 8 old] "w possesses4 ,g5]al ,collection ,hav+ rea*$ f> into ! he>t ( ! mod]n ,am]ican section by way ( ! "o-man gall]ies1 a *ronological pursuit ( our /udy is no m necess>y nor possible4 ,almo/ all ( ! pictures 9 ! mod]n ,am]ican section h be5 produc$ s9ce #aijd1 ! ye> ( ! la/ int]national exhibition1 at ,/4 ,l\is1 & !y reflect 9 a v surpris+ way ! trem5d\s advancem5t ( native art to a po9t :]e comp>ison ) ! art ( ! old] nations ne$ n be fe>$4 ,9 all ! fields ( pa9t+1 includ+ all subjects1 portraits & figures g5]ally1 l&scapes1 m>9es1 & /ill-life1 we c turn pr\dly to a great numb] ( pa9t]s :o int]pret c&idly & vigor\sly ! _w 9 :i* we live4 ,gall]y #ga4 ,! gall]y ne>e/ to ! "o j visit$ gives a good idea ( ! ma/]y ( a v>iety ( subjects 9 ! art ( pa9t+1 & to cont9ue our inve/igations f ?is po9t is j z logical z f any o!r "p ( ! mod]n ,am]ican section4 ,9 ?is gall]y1 easily locat$ by two l>ge p>v5u portraits ( dubi\s m]it1 are "s o!rs :i* are really vital expressions ( mod]n art4 ,beg9n+ on wall ,a1 go+ to ! "r1 ,luis ,mora's ,=tune ,tell] & ,meak9's l&scapes %\ld be s+l$ out4 ,on ! we/ wall ,fr$]ic ,clay ,b>tlett's pa9t+ ( an int]ior & ,norwood ,mc,gilvary's nocturne *>m 9 diff]5t ways1 :ile on ! adjo9+ wall ,rits*el's m>9e & ,ros5's w9t] sc5es display excell5t quality ( design1 ) f9e outdoor feel+4 ,miss ,=tune's ,mission int]ior des]ves its di/9ction ( hav+ be5 b\ght by ,william ,m4 ,*ase4 ,rob]t ,nisbet contributes a r>e gre5 tree design1 & ,hayley ,lev]'s h>bor pictures are all p]=mances ( sup]ior m]it1 ,gall]y #gj4 ,?is gall]y is giv5 ov] entirely to portraits1 mo/ ( :i* are s devoid ( any real m]it t x is relatively v easy to s+le out ! good ones4 ,flagg's portrait ( ! sculptor ,b>tlett1 a portrait by ,rob]t ,david ,gauley ov] ! door1 ! lady ) ! fur on ! second l9e on wall ,b1 ) h] neighbor1 ,laz> ,raditz1 by himself1 are bett] ?an ! _m o!rs1 :i* are all well done b d n int]e/ "o en\gh1 = "o reason or ano!r4 ,! "o picture 9 ?is gall]y t comes v ne> be+ ( supreme beauty is ! "y lady recl9+ on a *aise l\nge1 ! "w ( ,e4 ,k4 ,we!rill4 ,v few pictures 9 ?is gall]y come up to ! placid beauty ( ?is di/+ui%$ canvas1 :i* is some:at h&icapp$ 9 its ae/hetic appeal by "s unnecess>ily tawdry bits ( furniture & bric--brac us$ 9 its make-up4 ,gall]y #fi4 ,phyllis "h repres5ts ,john ,w4 ,alex&]1 t mo/ capable arti/1 lo/ to ! _w rec5tly at ! height ( a v useful c>e]4 ,john ,w4 ,beatty's & ,francis ,murphy' l&scapes1 on ei!r side1 are bo? beautiful1 9 ! ,b>bizon _s4 ,h[>d ,russell ,butl]'s ,spirits ( ! ,twilight is v lum9\s1 & ,lawton ,p>k]'s ,p>esse 9 its s5sual note runs ,/ella a close second 9 a col\r s*eme & design ( su* beauty t "o _c help gett+ a great deal ( ae/hetic satisfaction f x1 aside f its too app>5t s5sational "*4 ,gall]y #fh4 ,?is l>ge c5tral gall]y av]ages unusually high 9 ! l>ge numb] ( excell5t ?+s x conta9s4 ,f\r big1 well /udi$ m>9es by ,william ,rits*el make "o feel pr\d ( ! contribution !y make to ! field ( ,am]ican m>9e pa9t+4 ,x is v h>d to say :i* "o ( our f\r well-repres5t$ m>9e pa9t]s1 ,c>ls51 ,waugh1 ,d\gh]ty1 & ,rits*el1 is mo/ captivat+4 ,h[ev]1 a canvas l ,rits*el's ,9 ! ,%ad[ ( ! ,cliffs w always hold its own among ! be/4 ,rits*el's "w is easily recogniz$ by ?is robu/1 heal?y tone2 x reveals s\nd values & intimate /udy4 ,"o ( ,johans5's small l&scapes1 & ano!r "o by ,h4 ,m4 ,camp1 on ! second l9e ( ?is wall1 gr[ 9 "o's e/imation on long] acqua9tance4 ,!y are 9 f9e /yle & v big = _! size1 l>gely by reason ( _! monum5tal skies4 ,h[>d ,cu%+'s gr\p 9 ! c5t] is full ( skillfully pres5t$ detail1 )\t los+ 9 bread? 9 ! _m diff]5t subjects he pa9ts4 ,8 portrait ( a lady1 9 ! c5t]1 is di/+ui%$ 9 e way1 n lea/ s 9 expression4 ,johans5's ma9 gr\p ( pictures1 all on "o wall1 /& = bread? & intimate /udy alike4 ,! ,v5etian squ>e canvas 9 ! middle is "o ( ! jewels ( ?is exhibition4 ,!re is no end ( di/9ctive canvases 9 ?is gall]y1 z "o mu/ conclude on go+ ov] to ! two big ,daniel ,g>b]s1 :i* are m ( ! typical ,am]ican type ?an 8 o!rs 9 ! gr\p4 ,! "o on ! "r is a p]fect unit ( col\r1 atmosph]e1 & patt]n4 ,9 betwe51 ,sp5c]'s backy>d pictures reveal a sympa!tic y\ng] pa9t] :o1 = reason ( 8 *oice ( prolet>ian subjects1 does n get ! att5tion he m ?an des]ves4 ,mo/ orig9al 9 te*nique & *>m+ 9 tone1 !y int]e/ :]ev] "o meets !m 9 ! exhibition4 ,on ! second l9e a delightful ,spei*] l&scape %\ld n be ov]look$4 ,on wall ,d an important w9t] l&scape by ,s*(ield rem9ds "o =cibly ( ! _m excell5t pa9t]s ( ice & sn[ we h 9 ?is c\ntry4 ,!y are really ! backbone ( our ,am]ican outdoor arti/s1 & all ( !m1 ) ! exception ( ,g>dn] ,symons1 c be f\nd 9 ! exhibition4 ,to ?is gr\p1 beside ,r$field & ,s*(ield1 be=e m5tion$1 belong ,*>les ,morris ,"y1 ,john ,f4 ,c>lson1 ,*>les ,ros51 & o!rs4 ,leon ,kroll's ,riv] ,indu/ries & ,weehawk5 ,t]m9al1 on ! second l9e1 are s typically ,am]ican 9 subject t !y w\ld h be5 unacceptable to ! public "h tw5ty ye>s ago4 ,gall]y #fg4 ,?is l>ge room cont9ues to hold ! att5tion ( ! visitor by m excell5t specim5s ( pres5t-day art4 ,d\gh]ty's m>9es z well z ,waugh's v precise1 some:at metallic seascapes h be5 ref]r$ to be=e4 ,d\gh]ty's gr\p ( f\r pictures is augm5t$ by two ,spani% canvases by ,lewis ,coh51 ( :i* ! "o to ! "r is f> m conv9c+ ?an ! o!r4 ,!y are some:at artificial 9 col\r4 ,emil ,c>ls5's only contribution1 a f9e op5 sea1 has a quality all its own4 ,! feel+ ( patt]n 9 sky & wat] surface1 comb9$ ) great delicacy & sugge/ion ( absolute tru?fulness1 gives x a quality q ap>t f ! en]getic art ( ,waugh1 ,rits*el1 & ,d\gh]ty4 ,john ,f4 ,c>lson always has /yle to 8 "w1 a c]ta9 unaffect$1 noble simplicity1 well br\ght out 9 ?ree sympa!tic pictures gr\p$ ne> ! ,emil ,c>ls5 m>9e4 ,add+ to ! conspicu\sness ( t wall1 ,*>les ,h4 ,davis & ,leon>d ,o*tman hold _! own 9 _! important sett+4 ,! only two figure pictures 9 ?is neighborhood are p>ticul>ly lovely 9 col\r & design1 & ,r4 ,p4 ,r4 ,neilson des]ves mu* praise = hav+ /ruck a unique note conspicu\s among ! _m commonplace portraits ( ! pres5t day4 ,w5dt's ,l& ( ,he>t's ,desire is unusually happy1 & x supports its title admirably4 ,v decorative 9 feel+1 x is compell+ 9 its appeal to ! public4 ,mayn>d ,dixon1 ano!r ,cali=nian1 %[s an orig9al small canvas1 ,! ,oregon ,trail1 end[$ ) big feel+4 ,two cases 9 ?is gall]y enc\rage inve/igation ( ,am]ican accompli%m5ts 9 ! field ( animal sculpture1 & on clos] exam9ation ( (f]+s 9 ?is mo/ int]e/+ field1 we f9d an unusually cr$itable lot ( "w by ,fr$]ick ,ro?1 ,alb]t ,laessle1 ,ar?ur ,putnam1 & ,*>les ,c>y ,rumsey4 ,!y %\ld be consid]$ 9 a gr\p if _! relative m]it is to be fully appreciat$4 ,kemeys & ,proctor some:at ant$ate !m all 9 _! "w 79 gall]ies #fi & #gb74 ,ro? is next door to ,kemeys 9 #de1 among a v>iety ( ?+s done mo/ly 9 glaz$ clay4 ,a v f9e s5se ( humor comes to ! surface mo/ conspicu\sly 9 ,! ,but*]1 ,! ,bak]1 & ,! ,c&le/ick ,mak]4 ,putnam & ,laessle are 9 ?is gall]y side by side4 ,9 %>p contra/ ) ! =m]'s muscul> & broad type ( model+1 ! latt] has a v precise & ,japanesque quality ( detail model+ :i* is sometimes a little photographic4 ,*>les ,c>y ,rumsey is only a few /eps away1 9 gall]y #dh4 ,9 8 orig9al subject ( a horse & man dr9k+ he /rikes a p>ticul>ly unique note4 ,gall]y #hj4 ,"h ,metcalf's ,blossom ,"t reveals ! mo/ poetic ( our mod]n ,am]ican pa9t]s4 ,! man :o b\ght x made a good inve/m5t4 ,9 t5 ye>s x w be a classic & wor? its weight 9 gold1 includ+ ! frame4 ,?is canvas gives "o m ?rills ?an almo/ all ! o!rs by ! same man - good z !y are4 ,! ,trembl+ ,leaves is sup]b1 b a fussy frame de/roys half ! pleasure4 ,mrs4 ,philip ,hale's elegant & ref9$ int]ior1 toge!r ) ,paxton's figural "w1 prove t we h conqu]$ successfully a c]ta9 field ( g5re :i* ! ,am]ican art-lov] has be5 9 ! habit ( buy+ 9 ,europe4 ,paxton's ,h\semaid is entirely 9 ! _s ( ! old ,dut*1 & 8 ,bellissima is mo/ lum9\s alongside ( 8 o!r works4 ,gall]y #ea4 ,?is magnetic collection comes some:at z a %ock to ! public1 :i* c't be blam$ = its disapproval ( ! rec5t s5sational exp]im5ts ( ,h5ri & ,glack5s4 ,x is impossible to und]/& :y a man l ,glack5s %\ld s illogically ab&on ! s\ndness ( 8 old] "w & d ^? inh>monies ( =m & col\r :i* he pres5ts on ! ,a wall4 ,8 ,woman ) ,apple is absolutely absurd & vulg> beyond description4 ,%e has "*1 if t is :at he is aft]1 because h] vulg>ity is conv9c+4 ,! re/ ( ! ?+s are ridicul\s 9 _! riot\s sup]ficiality4 ,c>les seeks ! same expression ( individuality = :i* ,glack5s /rives s h>d4 ,9 8 small1 squ>e picture1 ,repose1 ,c>les is mo/ successful4 ,"h he has creat$ a great "w ( art - beautiful z well z full ( "*4 ,?is canvas is "o ( ! mo/ successful ( ! new /yle4 ,x ne$s no apologies1 & x has all ! qualities ( an old ma/]1 ) mod]n virility & col\r add$ to x4 ,let u h new ?+s l ?is & we %all n regret hav+ tol]antly & pati5tly wat*$ all ! _m idiocities :i* are p>ad$ ar\nd "u ! pretext ( rese>* & exp]im5tation4 ,breck5ridge's /ill-lifes are />tl+ at fir/1 b /udi$ s+ly !y reveal a f9e s5se ( col\r4 ,!y con/itute a s]i\s & successful contribution to mod]n art1 )\t be+ 9 ! lea/ grotesque4 ,i %\ld l to h "o ( !m 9 my h\se1 )\t fe> ( _! v vigor\s col\r4 ,9 a totally diff]5t ve9 ,ev]ett ,l4 ,bryant gives "s /ill-lifes :i* cont9ue c]ta9 impressioni/ic me?ods ) wond]ful delicacy4 ,9 c]ta9 surr\nd+s !y w add di/9ction ev5 to a commonplace room4 ,an%utz's ,lady 9 ,r$ is a v good academic /udy 9 a col\r :i* 9 l>ge quantities is v difficult to h&le4 ,gall]y #ej4 ,! academic s*ool is cont9u$ 9 _s 9 ,s]geant ,k5dall's ref9$ portraits1 augm5t$ by a pa9t$ wood sculpture ( unusual quality1 rem9isc5t ( ! ma/]s ( ! e>ly ,g]man ,r5aissance4 ,l\is ,kronb]g has 8 cu/om>y ballet girl & ,h]mann ,dudley ,murphy "s ( 8 typical1 ref9$ m>9es4 ,8 surfaces are always delectable & l ! inside ( a %ell 9 _! gli/5+ blues & p9ks4 ,bo? ,nelson & ,hans51 two native ,cali=nians1 are well repres5t$ - "o by a ,mont]ey coa/1 ! o!r by a =cefully pa9t$ decorative picture call$ ,! ,belat$ ,boat4 ,la?rop adds two placid pictures1 ( :i* ! canal is ! m skillfully compos$4 ,gall]y #di4 ,peace reigns supreme 9 ?is gall]y ( ,tryon & ,weir4 ,tryon reflects all ! poetic qualities ( ! ,b>bizon gr\p )\t /rik+ a new note ei!r te*nically or 9 composition4 ,8 l>g] canvases are ( great beauty1 v t5d] & poetic1 & altoge!r too sweet to h y feel t !y 7 pa9t$ = any o!r reason ?an to make a pretty picture4 ,8 small] "w gives y t feel+ m ?an 8 l>g] ones4 ,ald5 ,weir's art is ! direct opposite ( ?is4 ,se>*+ = tru?1 "*1 & beauty1 he labors ov] simple subjects ) great conc5tration & does n /op until !y seem l silv] symphonies4 ,8 art is p]sonal & mu/ be /udi$ at great l5g? to be fully appreciat$4 ,x expects a great deal ( conc5tration1 b "o will+ to take ! tr\ble w be amply rew>d$ by ev] increas+ pleasure4 ,! art ( ,mc,lure ,hamilton is m int]e/+ 9 ! p[] ( psy*ological *>act]ization ?an 9 pa9t+4 ,8 pictures are pa9t$ ?9ly1 m l wat]col\rs ?an oils4 ,gall]y #dh4 ,no notewor?y contribution is made "h1 unless "o excepts ! academically clev] portraits by ,troccoli1 a l&scape by ,vonnoh1 & a sumptu\s b$ ( rhodod5drons by ,edw>d ,f4 ,rook4 ,two l>ge ,gr& ,caons aga9 demon/rate ! utt] futility ( try+ to pa9t su* motives1 :i*1 9 _! success1 dep5d entirely ^u a feel+ ( scale t is almo/ impossible to atta9 on a small canvas4 ,gall]y #dg4 ,"h ,blum5s*e9's l>ge ,indian compositions are ( decorative "*4 ,!y are well compos$ & dramatic4 ,! ,peace ,mak] is big 9 feel+4 ,typically ,am]ican & v unusual are ,col9 ,campbell ,coop]'s ,new ,york /reet p]spectives4 ,8 orig9ality z a pa9t] is well demon/rat$ by ?is *oice1 :i* mu/ h tak5 mu* c\rage at a "t :5 ,am]ican subjects 7 m or less despis$4 ,ri*>d ,mill]s ,p9k ,lady does n look a bit conv9c+1 clev]ly z x is pa9t$2 x is n int]e/+ en\gh 9 ! l>ge surfaces ( ov]naturali/ic p9k fle%4 ,half t size w\ld h be5 j en\gh = ?is canvas1 :i* is *iefly a concession to ! mod]n mania = pa9t+ l>ge exhibition pictures to attract att5tion by _! size alone4 ,groll's des]t pictures are disappo9t+4 ,!y h nei!r int]e/+ col\r nor suffici5t atmosph]e to come up to ! /&>d ( ?is typical des]t pa9t]4 ,gall]y #df4 ,!re is a lovely note 9 ?is gall]y1 contribut$ by ,rug] ,donoho's g>d5 sc5es4 ,mo/ unusual 9 subject1 !y are full ( life1 vibrant ) col\r1 & altoge!r v delightful1 a mo/ pleasant *ange f ! ord9>y run ( subjects4 ,frank ,dumond's "w on ano!r wall 7,b7 excels 9 a pleasant mann]ism4 ,8 "w is mo/ ?\ghtful & well /udi$4 ,! two smalle/ ( 8 pa9t+s are p]fect gems 9 e way - well balanc$ by two small t5d] canvases ( s\!rn ,europe by ,mrs4 ,dumond 7on ! opposite wall74 ,two portraits 9 ?is gall]y1 ,inez ,addams' ,daphne & ,adolphe ,borie's ,spr+1 %\ld n be slight$4 ,borie's is v /rong1 & "o ( ! be/ portraits on exhibition4 ,alongside ( x is a w9t] l&scape by ,erne/ ,alb]t1 :i*1 :ile a little timid1 is nev]!less poetic & m conv9c+ ?an o!rs ( t type ne> by4 ,gall]y #de4 ,*>les ,morris ,"y's art is s refre%+1 s spontane\s 9 e way1 t x cat*es "o's eye imm$iately on pass+ on into ?is room4 ,8 "w des]ves recognition = m ?an "o reason4 ,8 h&l+ ( pa9t is fre% & cle> & a direct aim+ = a f9al expression ( :at he wants to convey4 ,any "o ( ! six subjects is well h&l$4 ,!y give "o ! feel+ ( ! arti/'s ?or\gh und]/&+ ( 8 mat]ial4 ,8 own ,h\se 9 ,w9t] & ! ,r$ ,mill rea* ! high-wat] m>k ( l&scape pa9t+ 9 ! exhibition4 ,griff9's pictures1 on ano!r wall1 s op5ly disreg>d te*nical rules 9 _! c>eless sup]imposition ( unnecess>y pa9t t 9 spite ( a great ri*ness ( col\r & a c]ta9 sugge/ion ( tru?1 !y are n apt to hold "o "o's affection v long4 ,!y are s9c]e1 ,i admit1 b c>eless 9 te*nique4 ,!re is no d\bt ab\t x1 because heavy pa9t & b>e pieces ( canvas w n make durable pictures4 ,birge ,h>rison is disappo9t+ 9 two pa/els :i* seem too *romo-l1 too me*anical1 to c>ry _! po9t4 ,gall]y #dd4 ,?is collection is n at all )\t int]e/1 b ) few exceptions ! pictures 9 x are n /rong en\gh to hold _! own ) s _m good ?+s ab\nd+ else:]e4 ,ralph ,cl>kson's portrait1 ,b>tlett's s*ooly>d1 ,p]r9e's te*nically unique l&scape1 are all m]itori\s4 ,gall]y #dc4 ,fr$]ic ,m4 ,du,mond's ,sea ,c>v+s 9 ! corn]1 & ,nahl's decorative composition attract1 ea* 9 its way1 :ile 9 ano!r corn] a badly sky$ portrait by ,h9kle is sc>cely giv5 a *ance4 ,gall]y #gd4 ,x w be necess>y to make a little j\rney ov] to ! inn] side ( ! ar* ( ! build+ to cont9ue & f9i% ! art ( mod]n ,am]ica4 ,9 ?is small ,gall]y1 adjo9+ ,s>g5t's1 no?+ /irr+ happ5s4 ,l&scapes pr$om9ate1 ) v>y+ int]e/1 b no?+ ) any /yle or unity ( expression pres5ts itself1 ) ! exception ( ,c>l ,osc> ,borg's ,campagna ,romana & a f9e sky ov] ! door by ,william ,j4 ,kaula4 ,! l&scapes ( ,g4 ,w4 ,sott] & ,w ,s4 ,rob9son /& out among ! re/4 ,gall]y #gc4 ,next door1 9 #gc1 ,alson ,sk9n] ,cl>k has be5 giv5 ! privilege ( almo/ an entire ,gall]y1 )\t any o!r ju/ification ?an hi/orical int]e/ 9 8 %all[ ,panama sc5es1 devoid ( any quality4 ,!y are illu/rations - t is all4 ,gif=d ,beal disappo9ts 9 "s sup]ficial pa9t+s ( commonplace subjects1 :i* a skillful te*nique might easily h turn$ into some?+ wor? :ile4 ,8 ,old ,t[n ,t]race is mu* ! be/1 b ! collection makes "o appreh5sive = ,beal's future p]=mances4 ,paul ,k+'s canvas ov] ! door is excell5t1 well pa9t$1 & int]e/+ 9 subject4 ,gall]y #gb4 ,!re seems no end ( productiv5ess ( ,am]ican pa9t]s1 & ju/ice dem&s m inve/igation & und5iably m /eps4 ,ladies ) p>rots1 ) & )\t clo!s1 are num]\s1 b ! "o 9 "h is m int]e/+ ?an ! o!rs4 ,i hope t n all ( ^! p>rot pictures are meant symbolically4 ,walt] ,mc,ewen ar\ses memories ( times gone by1 te*nically & o!rwise1 9 a huge /orytell+ ,salon picture4 ,m ladies 9 conv5tional sitt+ po/ure will+ly sat = m pictures )\t add+ new ?rills4 ,mey]'s portraits1 ,g]trude ,fiske's sket*1 ,olga ,ack]man's gr\p ( *ildr51 are all des]v+ ( /udy4 ,max ,bohm's two big figural pictures are decoratively int]e/+ en\gh1 b bad 9 pa9t4 ,"o ( ! be/ l&scapes c be f\nd "h 9 ,h5ry ,muhrman's "w1 ov] ! ,mc,ewen4 ,!re is no?+ s5sational ab\t x1 b its somb] dignity /&s out among _m mod]n works4 ,on ! opposite wall ,mrs4 ,s>g5t's ,m\nt ,tamalpais is unusual 9 composition & ri* 9 col\r4 ,sep>at$ f ! re/ ( ! ,am]ican section by ,holl& & ,sw$51 a s]ies ( gall]ies are 9 grave dang] ( be+ ov]look$4 ,und\bt$ly1 to (fset ?is app>5t isolation1 "s ( ! mo/ allur+ pa9t+s c be f\nd at ?is end4 ,gall]y #aag4 ,"h is ,fr$]ic ,frieseke1 our expatriat$ ,am]ican1 ) 8 fasc9at+ b\doir sc5es4 ,v high 9 key & full ( detail1 at fir/ !y seem re/less & cr[d$1 :i* "s actually are1 9 a degree4 ,b canvases l ,! ,g>d5 & ,! ,bay ,w9d[ & ,! ,b\doir are real jewels ( light & col\r4 ,! ,bay ,w9d[ is ! mo/ placid ( 8 canvases & 9 conception mu* f9] ?an 8 outdoor subjects4 ,frieseke's cle>1 joy\s art is typically mod]n1 & expresses ! be/ t5d5cy ( our day4 ,luis ,mora's two wat]col\rs1 :ile illu/rative1 hold _! own 9 ,frieseke's company4 ,tann]'s big religi\s canvas falls f> bel[ ?is capable pa9t]'s usual ef=ts4 ,native tal5t helps out 9 a delightful m>9e1 hone/ly pa9t$ by ,bruce ,nelson1 & an apple gre5 & pale p9k col\r-h>mony by ,*>lton ,=tune4 ,v mu* 9 ! /yle ( ! ,frieseke1 ,rittman's ,e>ly ,morn+ 9 ! ,g>d5 is easily tak5 = ! art ( 8 fasc9at+ neighbor1 b x %\ld be recogniz$ z ! "w #j;f ano!r k9dr$ _s4 ,gall]y #aah4 ,9 #aah1 l&scapes pr$om9ate ov] figural "w1 at lea/ 9 quality4 ,h>ry ,leslie ,h(fman's ,spr+ ,mood1 ,wilbur ,dean ,hamilton's t5d] & poetic canvas1 & ,l\ise ,brumba*'s city view ba!d 9 ! grays ( an e>ly morn+ call = recognition4 ,gall]y #aai4 ,! g5]al "* ( ! next gall]y is diff]5t f ! prec$+4 ,giv5 ov] to oils1 wat]col\rs1 pa/els1 li?ographs1 & draw+s1 x pres5ts an int]e/+ appe>ance4 ,six pa/els by ,h5ry ,muhrman & ,frank ,mura's *>coal draw+s are ! lead]s "h1 & ! draw+s g5]ally are ! be/ ?+s among ! _m oils & wat]col\rs1 :i* 7 mo/ly made = purposes ( illu/ration4 ,draw+s by ,m>t9ez1 pa/els by ,miss ,p]cy1 two sympa!tic draw+s by ,miss ,hunt]1 & a few /ill-lifes 9 wat]col\r1 by ,miss ,boone1 all be> te/imony to native ability z repres5t$ by ,cali=nia4 ,gall]y #abj4 ,! la/ gall]y conta9s ,bell['s bold canvases1 ( :i* ,! ,polo ,game is ! be/ kn[n1 ano!r f9e canvas by ,h5ry ,muhrman1 & "s old] ,am]ican "w by ,/ew>t1 typical ( :at we us$ to s5d to ,europe 9 ye>s gone by4 ,9 ! ,g>d54 ,:ile _m pla/ic works h be5 m5tion$ 9 ! survey ( ! gall]ies1 /ill great numb]s ( /atues1 /atuettes1 & f\nta9 figures call = inve/igation1 out ( doors4 ,sculpture is1 on ! :ole1 n s complex z pa9t+1 & deal+ ) ! expression ( emotions mu* m directly ?an pa9t+1 x c easily be und]/ood4 ,( ! _m pieces display$ outside1 ,janet ,scudd]'s f\nta9 figures e>n all ! applause !y receive1 & mo/ ( ! o!r sculptors are old fri5ds1 s9ce !y h be5 met ) 9 ! decorative embelli%m5ts ( ! ar*itecture ( ! ,exposition4 ,!re is ,aitk51 ) a bu/ ( ,taft2 ,*e/] ,bea*1 ) a "y girl 9 m>ble1 ( great *>m2 ,solon ,borglum's ,wa%+ton1 ,mrs4 ,burr\ghs' g>d5 figure1 ,/irl+ ,cald]1 & ,piccirilli - all well rememb]$4 ,x is gratify+ to meet all ^! m51 & _m o!rs1 9 fre] & m deta*$ expression ( _! art1 "u conditions :]e no sev]e ar*itectural re/rictions 7 put ^u !m4 ,! ,graphic ,arts ,conclusion ,x w be necess>y to retrace our /eps to take up a s]ies ( gall]ies all along ! out] curve ( ! build+4 ,!y are devot$ to illu/rations1 m9iatures1 /a9$ glass1 plaques1 & ! _m expressions ( graphic art we "k z black & :ite1 *>coal & p5cil draw+1 monotypes1 li?ot9ts1 et*+s1 & s on4 ,) ,:i/l]'s et*+s on "o end ( ! ar*1 we f9d ,h[>d ,pyle at ! o!r4 ,gall]y #db4 ,pyle1 s9ce 8 dea? a few ye>s ago1 is recogniz$ z ! mo/ important ( ,am]ican illu/rators4 ,8 art is mo/ intellectual4 ,x comm&s imm$iate respect = its hi/orical int]e/1 :i* is bas$ on m ?an m]e k ( ! /ory illu/rat$4 ,8 milieu is always "r1 di/9ctly s :5 he deals ) ! ,we/ ,indian buccane]s4 ,8 s5se ( col\r is simple & dignifi$4 ,x has ! typical bread? & decorative feel+ t m5 l ,jules ,gur9 & ,maxfield ,p>ri% develop$4 ,pyle 0 n an ord9>y illu/rator4 ,8 int]e/ 9 8 "w %[$ mu* dep? & great orig9ality4 ,!re is nobody to take 8 place4 ,9 ! small adjo9+ gall]y 7#da7 8 black & :ite draw+s /r5g!n "o's impression ( ?is v]satile man's art4 ,gall]y #dj4 ,"h we h ,gur9 9 all ! glory ( 8 ri* col\r h>monies1 :i* h made ! ,exposition fam\s4 ,pa9/ak+ & consci5ti\s z 8 art is1 x is always full ( p[] ( sugge/ion4 ,e squ>e in* ( 8 mo/ agreeably fram$ decorations is well consid]$1 ) no?+ left to accid5tal effect4 ,/ill1 !y are full ( fre$om1 v loose 9 h&l+1 & always conv9c+4 ,to *oose ! be/ among 8 eight is v difficult1 al?\gh 8 ,cemet]y on ! ,gold5 ,horn on long] /udy does n seem to be free f a c]ta9 artificiality ( col\r1 9 ! r$di% hue ( ! reflect$ sunlight on ! cypresses4 ,! ,blue ,mosque at ,cairo is wond]fully poetic1 & 8 ,temple ( ,sunium has all ! tragic feel+ ( ! classic ru9s ( ,asia ,m9or4 ,opposite ,gur9 ,mr4 & ,mrs4 ,hale display unusual ref9em5t & grace ( =m 9 a unit wall ( draw+s & pa/els4 ,mrs4 ,hale's draw+s are ! qu9tess5ce ( delicacy1 )\t possess+ any ( ! sug>y disagreeable sweetness ( s _m ( our popul> illu/rators4 ,mr4 ,hale's pa/els are no less en*ant+ 9 8 outdoor compositions 9 _m s(t gre5s - a difficult col\r to deal )4 ,! _m o!r ?+s 9 ?is gall]y are all wor? /udy+ 9 _! cons]vatism & radicalism4 ,m9iatures ab\nd "h & endless sighs are he>d ( entranc$ ladies :o h succumb$ to ! s5tim5tal insipidness ( ^! misplac$ arti/ic ef=ts4 ,m9iature pa9t+ holds no *>m = me4 ,mo/ ( !m are te*nical /unts & concessions to a faddism :i* has nev] _h any?+ to d ) ! real problem ( pa9t+4 ,practically all ( ! m9iatures 9 ! cases are v well done1 b :5 ,i ?9k ( ! physical discom=t ( adju/+ "o's eyes to ?is pigmy _w1 !n ,i _c help feel+ t1 consid]+ ! l[ co/ ( canvas1 a great ef=t deal ( f9e ef=t has be5 wa/$4 ,look+ at m9iatures1 ,i am always rem9d$ ( ! man :o sp5t sev]al ye>s ( 8 useless life 9 writ+ ! ,old ,te/am5t on ! back ( a po/age /amp4 ,gall]y #ci4 ,mc,lure ,hamilton has a fasc9at+ gr\p ( anatomical sket*es 9 ?is small gall]y4 ,!y are all *>m+ fragm5ts ( a lady "o w\ld l to "k m ab\t4 ,z draw+s !y are spirit$ & full ( rhy?mic l9ework4 ,_! fragrant rococo /yle br+s "o back into t orig9al atmosph]e ! de/9ies ( :i* 7 s l>gely controll$ by simil> attractions4 ,! apo!osis 9 8 collection is furni%$ by a draw+ ( a rec5tly ab&on$ or to-be-occupi$ ne/1 pres5t$ 9 a mo/ sugge/ive mann]4 ,9 ! cases plaques & m$allions ab\nd1 ! int]e/ ( :i* is l>gely attributable to ,fras]'s excell5t "w4 ,gall]y #ch4 ,?is room cont9ues to hold "o's int]e/1 ) "s small pieces ( pla/ic art1 all ( great m]it4 ,gall]y #cg4 ,wat]col\rs make up ! *ief problems ( /udy 9 ?is long room1 )\t conv9c+ "o t we h any too _m great pa9t]s 9 ?is m$ium4 ,! be/ ?+ among ! _m commonplace pa9t+s is a m>9e by ,woodbury :i* takes y f> out on ! op5 sea4 ,9 spite ( its size x is a big picture1 "o ( ! really big ones 9 any m$ium 9 ! :ole exhibition4 ,all ( ,woodbury's pa9t+s are big 9 _! way1 & prove :at c be done 9 ?is m$ium4 ,_m o!r ?+s "h are only col\r$ photographs & te*nical exp]im5ts1 ! exceptions be+ ,dawson's clev] fl[] /udies1 ,miss ,s*ille's m>ket sc5es1 & ,h5ry ,mc,carter's ,k+ ( ,t>a4 ,murphy's small ,v5etian sket*es are n s good z !y seem at fir/4 ,gall]y #cf4 ,?+s look up consid]ably 9 ! la/ ( ! gall]ies on ! nor?4 ,a f9e wat]col\r by ,mrs4 ,ma!ws1 good draw+s by ,s&ona & ,=tune1 exposition sket*es by ,donna ,s*u/]1 decorative designs by ,lucy ,hurry1 are all compell+ 9 _! way1 :ile 9 ! cases are any numb] ( good c>icatures1 & especially wor?y ( m5tion ! bird designs by ,*>les ,emile ,heil4 ,gall]y #cd4 ,across ! ve/ibule ! graphic arts are cont9u$1 beg9n+ ) col\r li?ographs & monotypes1 & cont9u$ ) et*+s4 ,george ,s5s5ey1 ,ar?ur ,d[1 ,hel5 ,hyde1 ,p$ro ,lemos1 ,cl>k ,hob>t1 & o!rs too num]\s to m5tion excite consid]able int]e/4 ,a battle ( elephants by ,anna ,vaughan ,hyatt is wor?y ( /udy on acc\nt ( its unusual subject1 s h&l$4 ,gall]y #ee4 ,?is room is entirely devot$ to et*+ & is full ( good p4 ,au]ba* ,levy has "s portraits spl5didly *>act]iz$4 ,ar?ur ,covey1 ,mahonri ,"y1 ,le/] ,hornby1 ,clif=d ,addams1 & ,rob]t ,h>%e are all equally well repres5t$1 9 _! _m f9e et*+s1 & ,p]ham ,nahl ) "s monotypes ( f9e quality4 ,gall]y #cb conta9s ,george ,aid1 ,frank ,arm+ton1 ,d4 ,c4 ,/urges 7rem9isc5t ( ,zorn71 & ,erne/ ,ro?4 ,frankl9 ,t4 ,wood's dry-po9t portraits are notewor?y z examples ( a v difficult te*nique4 ,gall]ies #ca & #cj4 ,p5nell's admirable li?ographs & et*+s ( v>i\s sc5es are s descriptive1 aside f _! te*nical excell5ce1 t !y are n 9 ne$ ( fur!r recomm5dation4 ,& nei!r are ,mullg>dt's li?ographs nor ^? ( ,wor? ,ryd] next door4 ,! g5]al "* ( all ( ^! some:at inconspicu\s gall]ies is mo/ satisfactory4 ,!y conta9 9 well-arrang$ fa%ion ! real art ( ! p1 ! ?+s t p :o _c af=d to buy pa9t+s c easily af=d to own4 ,orig9al et*+s1 mezzot9ts1 & wood block pr9ts & o!r process "w (t5 m truly conta9 ! real po9t ( arti/ic ef=t ?an big pa9t+s done labor\sly ) no o!r int]e/ ?an to make a l>ge pa9t+ = "s %[4 ,x is gratify+ & x speaks well = our public to see s _m ( ^! small works ( art sold & scatt]$ among ! public4 ,only 9 ?is way c we hope to make our exhibition useful to arti/ & public alike4 ,mr4 ,h>%e1 ,mr4 ,trask's able & consci5ti\s assi/ant1 has put mu* labor & ?\ght into ! arrangem5t ( ^! _m cases & wallspaces1 9 a really in/ructive way4 ,x does n seem necess>y to g into ! mean+ ( ! _m examples ( graphic art4 ,!y are (t5 self-explanatory1 p>ticul>ly :]e us$ = illu/ration1 & s f> z _! te*nical production is conc]n$1 x is too big a subject to fit into ! physical conf9es ( ?is book4 ,mu* ( ?is "w to all indications1 is go+ to rema9 ) u1 & ! success ( our exposition c h>dly be measur$ bett] ?an by ! ev]-increas+ numb] ( pur*as]s4 ,art has to live1 & 9 our c\ntry x exi/s only by ! patronage :i* comes directly f ! p1 s9ce f$]al1 /ate & municipal gov]nm5ts seldom contribute t[>d its support4 ,n until ! community feels x a privilege r ?an a duty to give sub/antial enc\ragem5t to our arti/s w !y ev] feel completely at home or w !y be able to d _! be/ "w4 ,art is becom+ m ( a necessity 9 our mid/1 :ile n s long ago x 0 m or less an affect$ int]e/ ( ! ri*4 ,we h all ! conditions & ! tal5t to all[ u to pu% ahead into ! front rank ( ! art ( ! _w1 & an exposition l ?is gives m ?an enc\rag+ evid5ce ( ! awak5+ _s ( national ,am]ican art4 ,may ?is exposition m>k an epo* 9 ! art ( ,am]ica6 - & p>ticul>ly ( ! ,we/1 z o!r expositions h 9 ! we/w>d m>* ( civilization1 :i* has n[ f\nd its goal :]e x mu/ ei!r a*ieve or p]i%4 ,= u to /& /ill or to return to ! pre-exposition p]iod w\ld be calamity4 ,we h "h 9 ,cali=nia1 ( all ! /ates ( ! ,union1 conditions to (f]1 :i*1 if prop]ly avail$ (1 w\ld give u a unique position on ! cont95t4 ,climatically & hi/orically we h all ! /imulat+ necessities = a great art1 & x is our duty to take advantage ( !m4 ,app5dix ,bibliography ,to ! /ud5t & lov] ( art1 a li/ ( helpful ref]5ce books & p]iodicals might be ( int]e/1 & ! foll[+ publications are recomm5d$ z s\rces ( ref]5ce1 ( in=mation & = /udy4 ,!y cov] a wide range ( subjects treat$ hi/orically1 te*nically & biographically1 & !y w be f\nd v int]e/+ z a nucleus = a home libr>y ( art4 ,art ,= ,life's ,sake - ,*as4 ,h4 ,caff9 ,am]ican ,ma/]s ( ,pa9t+ - ,*as4 ,h4 ,caff9 ,am]ican ,ma/]s ( ,sculpture - ,*as4 ,h4 ,caff9 ,h[ to ,/udy ,pictures - ,*as4 ,h4 ,caff9 ,! ,/ory ( ,am]ican ,pa9t+ - ,*as4 ,h4 ,caff9 ,%ort ,hi/ory ( ,art - ,edit$ by ,*>les ,h4 ,caff9 - ,julia ,de ,=e/ ,! ,classic ,po9t ( ,view - ,k5yon ,cox ,:at is ,art8 - ,john ,c4 ,van ,dyke ,! ,mean+ ( ,pictures - ,john ,c4 ,van ,dyke ,h[ to ,judge ( ,a ,picture - ,john ,c4 ,van ,dyke ,hi/ory ( ,pa9t+ - ,john ,c4 ,van ,dyke ,art ,= ,art's ,sake - ,john ,c4 ,van ,dyke ,new ,guides to ,old ,ma/]s - ,john ,c4 ,van ,dyke ,/udies 9 ,pictures - ,john ,c4 ,van ,dyke ,! ,appreciation ( ,sculpture - ,russell ,/urgis ,! ,appreciation ( ,pictures - ,russell ,/urgis ,! ,hi/ory ( ,mod]n ,art - ,mu!r ,mod]n ,art - ,mei] ,graefe ,arts & ,crafts 9 ! ,middle ,ages - ,julia de ,wolf ,addison ,apollo1 ,a ,hi/ory ( ,art ,?r\gh\t ! ,ages - ,s4 ,re9a* ,six ,lectures on ,pa9t+ - ,g4 ,claus5 ,l&scape ,pa9t+ - ,birge ,h>rison ,l&scape ,pa9t+ - ,alfr$ ,ea/ ,hi/ory ( ,am]ican ,art - ,sadaki*i ,h>tmann ,pictorial ,composition & ! ,critical ,judgm5t ( ,pictures - ,h5ry ,r4 ,poore ,design 9 ,!ory & ,practice - ,erne/ ,a4 ,bat*eld] ,l9e & ,=m - ,walt] ,crane ,h]itage ( ,hiro%ige - ,dora ,amsd5 ,impressions ( ,ukiyo-,ye - ,dora ,amsd5 ,biographical ,sket*es ( ,am]ican ,arti/s - ,mi*igan ,/ate ,libr>y ,is ,x ,art8 ,po/-,impressionism1 ,futurism1 ,cubism - ,j4 ,nils5 ,laurvik ,p]iodicals ,art & ,progress ,! ,craftsman ,! ,int]national ,/udio ,index to ,gall]ies ,arg5t9a - ,gall]y #aab ,*9a - ,gall]y #id-ig ,cuba - ,gall]y #bj ,france - ,gall]y #ac-ah - ,gall]y #ac - ,gall]y #ad - ,gall]y #ae - ,gall]y #af - ,gall]y #ag - ,gall]y #ah ,g]many - ,gall]y #ajh ,italy - ,gall]y #ba-be - ,gall]y #ba - ,gall]y #bb - ,gall]y #bc - ,gall]y #bd - ,gall]y #be ,japan - ,gall]y #a-aj ,holl& - ,gall]y #aac-aaf ,norway - ,gall]y #add-aej 7,annex7 ,philipp9es - ,gall]y #ih ,portugal - ,gall]y #aji-aaa ,sw$5 - ,gall]y #ii-ajg ,uruguay - ,gall]y #ai ,retrospective ,art3 - ,gall]y #fa - ,gall]y #fb - ,gall]y #fc - ,gall]y #ia - ,gall]y #ib ,unit$ ,/ates - ,gall]y #bf - ,gall]y #bg - ,gall]y #bh-bi 7,:i/l]7 - ,gall]y #cj1 #ca - ,gall]y #cb1 #cc1 #cd1 #cf - ,gall]y #ce 7,ve/ibule7 - ,gall]y #cg1 #ch1 #ci - ,gall]y #dj1 #da1 #db - ,gall]y #dc1 #dd - ,gall]y #de - ,gall]y #df1 #dg - ,gall]y #dh1 #di - ,gall]y #ej - ,gall]y #ea - ,gall]y #eb1 #ec 7,(fices7 - ,gall]y #ed - ,gall]y #ee1 #ef - ,gall]y #eg - ,gall]y #eh - ,gall]y #ei - ,gall]y #fj - ,gall]y #fa - ,gall]y #fb - ,gall]y #fc - ,gall]y #fd - ,gall]y #fe - ,gall]y #ff - ,gall]y #fg - ,gall]y #fh1 #fi1 #gj - ,gall]y #ga - ,gall]y #gb - ,gall]y #gc - ,gall]y #gd - ,gall]y #ge 7,s>g5t7 - ,gall]y #gf 7,ma!ws & ,mc,comas7 - ,gall]y #gg 7,mel*]s7 - ,gall]y #gh 7,hassam7 - ,gall]y #gi 7,*ase7 - ,gall]y #hj - ,gall]y #ha1 #hb1 #hc1 #hd 7,(fices7 - ,gall]y #he - ,gall]y #hf - ,gall]y #hg 7,duv5eck7 - ,gall]y #hh 7,r$field7 - ,gall]y #hi 7,t>bell7 - ,gall]y #ij 7,kei?7 - ,gall]y #ia - ,gall]y #ib - ,gall]y #ic - ,gall]y #aag - ,gall]y #aah1 #aai - ,gall]y #abj ,! ,gall]ies ( ! ,exposition1 by ,eug5 ,neuhaus1 ,publi%$ by ,paul ,eld] & ,company1 ,san ,francisco1 0 pr9t$ at _! ,tomoye ,press1 "u ! direction ( ,h4 ,a4 ,funke1 9 ,july ,n9ete5 ,hundr$ & ,fifte5