,,the ,,centenary ,,garland ,being ,pictorial ,illustrations ,of ,the ,novels ,of ,sir ,walter ,scott1 ,in ,their ,order ,of ,publication4 ,by ,george ,cruikshank1 and ,other ,artists of ,eminence4 ,with ,descriptions1 ,memoir1 ,etc4 ,edinburgh3 ,william ,p4 ,nimmo4 #ahga4 ,who comes1 alone1 with soul of fire1 ,and in his hand the ,border lyre8 ,he sweeps the strings1 and in his strain ,old times and manners live again2 ',tis ,scott6 great ,master of his art1 ,he fires1 subdues1 or storms the heart6 ,rapt by the magic of his rhymes1 ,i seem to live in feudal times2 ,i hear the swelling bugle's call1 ,and see the warder on the wall2 ,and many a squire1 and many a knight1 ,in mail and gloves of steel bedight1 ,impatient for the fiery fight4 ,captain ,charles ,gray4 ,the land was charm'd to list his lays2 ,it knew the harp of ancient days4 ,the ,border chiefs1 that long had been ,in sepulchres unhearsed and green1 ,passed f rom their mouldy vaults away1 ,in armour red and stern array1 ,and by their moonlight halls were seen1 ,in visor helm1 and habergean4 ,even fairies sought our land again1 ,so powerful was the magic strain4 ,the ,ettrick ,shepherd4 ,illustration3 #jji ,illustration3 #jjf ,illustration3 #jaa ,,prefatory ,,note1 ,,by ,,the ,,editor4 ,,the enthusiasm with which ,scotsmen and others have hailed the proposal to celebrate in public demonstration the ,centenary of ,sir ,walter ,scott's birth1 has suggested the publication of this little work4 ,the ,memoir includes some interesting particulars omitted by preceding biographers2 while a history of the ,scott ,monument at ,edinburgh has been prepared from original materials4 ,the illustrations are printed on stone by ,messrs ,schenck ,m',farlane1 from steel plates by artists of eminence4 ,the spirited etchings by ,mr ,george ,cruikshank will be especially welcomed by the numerous admirers of that distinguished artist4 ,it has been the ,editor's aim to produce a souvenir worthy of the occasion1 and he is inclined to believe that his intentions have been in some measure realised4 ,,charles ,,rogers4 ,snowdoun ,villa1 ,lewisham1 ,kent1 ,june #ahga4 ,,memoir4 ,illustration3 #jad ,,on the #aeth of ,august #agga1 at ,edinburgh1 it is believed1 ,sir ,walter ,scott was born1 but his birth does not seem to have been entered in any ,register4 ,the ,scots ,magazine recorded only births in families of distinction1 and ,edinburgh newspapers had not yet begun to notify domestic changes4 ,the ,kirk-session ,registers of the capital were indeed well kept1 but parents who claimed for their children baptism in the ,established ,church were those only who systematically enrolled the names of their offspring in the ,presbyterian ,records4 ,the father of the great novelist1 ,walter ,scott1 ,writer to the ,signet1 was a member of the ,scottish ,episcopal ,church1 in which1 doubtless1 his children were baptized4 ,he therefore ignored the ,presbyterian registers2 yet it is sufficiently singular that1 albeit a man of business of good capacity1 he was not careful to secure elsewhere a record of his children's births4 ,sir ,walter was born in a house which has long ago disappeared2 it stood at the head of the ,college ,wynd1 and was removed to make room for the northern front of the ,university buildings4 ,on his father's side he was descended from the ,scotts of ,harden1 the elder branch of the great ,border sept of that name4 ,in his personal aspects he much resembled his paternal ancestry1 his features being of the ,saxon type1 rugged1 massive1 heavy1-almost stolid4 ,through his paternal grandmother1 he traced an old lineage in the ,haliburtons of ,newmains1 a considerable family of ,berwickshire landowners4 ,of the ,haliburtons he printed for family use a volume of ,memorials1 and he rejoiced1 through his descent from that sept1 to possess a right of sepulture in ,dryburgh ,abbey4 ,on his mother's side1 his progenitors were likewise respectable2 his maternal grandfather1 ,dr ,john ,rutherford1 was ,professor of the ,practice of ,physic in ,edinburgh ,university1 and his mother's brother1 ,dr ,daniel ,rutherford1 an eminent chemist1 occupied the ,chair of ,botany4 ,his mother possessed a vigorous intellect1 which she had successfully cultivated4 ,of a family of twelve1 six of whom survived infancy1 ,walter alone evinced the possession of genius4 ,born a healthy child1 he became exposed to serious peril by being intrusted to a consumptive nurse4 ,when under two years old1 he was seized with an illness which impaired the use of his right limb1 a misfortune which continued during his life4 ,with the view of restoring his strength1 he was placed with his paternal grandfather1 ,robert ,scott1 who rented the farm of ,sandyknowe1 near ,smailholm ,tower1 ,roxburghshire4 ,at ,sandyknowe1 he narrowly escaped destruction through the violence of a servant who had become insane2 but he had afterwards to congratulate himself on having formed an early acquaintance with rural scenes4 ,no advantage arising to his lameness1 he was1 in his fourth year1 removed to ,bath1 where he remained some time without experiencing benefit from the thermal waters4 ,the three following years were chiefly spent at ,sandyknowe4 ,in his eighth year he returned to ,edinburgh1 with his mind largely stored with ,border legends derived from his grandmother1 a person of romantic humour and sprightly intelligence4 ,at this period1 ,pope's translation of ,homer1 and the songs of ,ramsay's ,evergreen1 were his favourite studies2 he took delight in reading aloud the more striking passages4 ,in #aggi he was sent to the ,high ,school1 where he had the advantage of being taught by ,mr ,luke ,fraser1 an able scholar1 and ,dr ,adam1 the erudite ,rector4 ,his scholastic progress was not equal to his talents2 he was devoted to romance1 and experienced greater pleasure in a country ramble1 than in giving due attention to the business of the class-room4 ,as he became older1 his love of miscellaneous literature amounted to a passion2 and as his memory was singularly retentive1 he accumulated a store of knowledge4 ,on the completion of his ,high ,school attendances1 he was sent to reside with relatives at ,kelso2 and in this interesting locality his early attachment to legendary lore experienced a revival4 ,returning to ,edinburgh1 he1 in ,october #aghc1 entered the ,university4 ,here his progress was even less marked than it had been at school4 ,mr ,dalzell1 the ,professor of ,greek1 spoke of his hopeless incapacity4 ,the ,professor survived to make reparation for prophesying so rashly4 ,the aspirations of the future poet turned to a military life2 but his lameness interposed a barrier4 ,at length he adopted a profession suitable to his physical capabilities2 in his fourteenth year he entered into indentures with his father4 ,to confinement at the desk1 irksome to one of his peculiar tastes1 he was reconciled by the consideration that his fees enabled him to add to his library4 ,rapid growth in a constitution which continued delicate till his fifteenth year1 led to his bursting a blood-vessel4 ,while precluded from active duty1 being closely confined to his bed1 and not allowed to exert himself by speaking1 he was yet permitted to read1 a privilege of which he largely availed himself4 ,to complete his recovery1 he was recommended exercise on horseback2 and in obeying his physician1 he gratified his own inclinations by visiting localities famous in history or tradition4 ,when his health was restored1 he engaged in the study of law1 which he did seriously4 ,after passing the requisite examinations1 he was on the #ajth ,july #agib1 called to the ,bar4 ,at the age of twelve he had composed some verses for his preceptor1 ,dr ,adam2 but he seems in early life to have written little poetry1 while his prose compositions lacked force of thought and ease of diction4 ,as an advocate his manner was not very attractive1 and both suitors and their agents had obtained the notion1 not quite unfounded1 that the young barrister was more inclined to literary than legal pursuits4 ,scott was not unconscious of the popular judgment1 and began to dream of independence in other spheres4 ,he thought of marriage4 ,he courted unsuccessfully ,miss ,williamina ,stuart1 whose mother had been his own mother's early friend1 and who was personally an heiress4 ,she refused him1 and with a heart stung by disappointment1 and ready to seek relief on the first fitting opportunity1 he at the rising of the ,court in ,july #agig1 joined a little party of friends in a tour to ,cumberland4 ,not long after1 a charming brunette at ,gilsland ,spa arrested his fancy and stole his affection4 ,she was an attractive young ,frenchwoman1 a ward of ,lord ,downshire1 and under the temporary protection of a respected ,english clergyman4 ,after a short acquaintance ,scott proposed and was accepted4 ,he was married in ,st ,mary's ,church1 ,carlisle1 on the #bdth ,december #agig4 ,with less haste he might have married more advantageously4 ,as it was1 he was now free from any apprehension about the means of living1 for his wife1 ,charlotte ,charpentier1 possessed an annuity of #bjj4 ,his own finances were materially increased in #ahjj1 when he became ,sheriff of ,selkirkshire1 with a salary of #cjj4 ,while in his father's office ,scott had studied ,french and ,italian1 and made himself familiar with the writings of ,tasso and ,ariosto4 ,afterwards he obtained an acquaintance with ,german ballad poetry1 through the translations of ,mr ,lewis4 ,in #agif1 he made his dbut as an author1 by publishing translations of ,lenor and ,the ,wild ,huntsman of ,brger4 ,the attempt was unsuccessful4 ,a second time he essayed his skill as a translator1 by publishing in #agii1 an ,english version of ,goethe's ,goetz of ,berlichingen4 ,it was better received1 but his fame was destined to rest on a more substantial basis than on the art of translation4 ,the ballads and songs of the south of ,scotland1 preserved among the peasantry1 had at an early period occupied his attention4 ,he now made excursions to ,liddesdale in quest of these interesting remains2 and the fruits of his research1 along with much curious information1 he gave to the world in #ahjb1 in two octavo volumes1 entitled ,minstrelsy of the ,scottish ,border4' ,he afterwards added a third volume1 consisting of imitations of ancient ballads1 composed by himself and others4 ,these volumes were issued from the printing press of his early friend1 ,james ,ballantyne of ,kelso1 who had already begun to indicate his skill as a typographer4 ,in #ahjd1 he published from the ,auchinleck ,manuscript1 the ancient metrical tale of ,sir ,tristrem4 ,in an introduction1 he endeavoured to show that it was composed by ,thomas of ,ercildoune1 better known as the ,rhymer4 ,the ,lay of the ,last ,minstrel1 a ballad poem1 appeared from his pen in #ahje1 and obtaining an extensive circulation1 procured for him poetical fame and an immediate profit of #fjj4 ,scott's prosperity rose with his reputation4 ,in #ahjf he was appointed a principal clerk in the ,court of ,session1 an office which afterwards yielded him #abjj per annum4 ,to literary work he henceforth dedicated the intervals of leisure4 ,in #ahjh he produced ,marmion1 his second great poem1 which brought him #ajjj1 and materially increased his fame4 ,during the same year he edited the works of ,dryden1 in eighteen volumes4 ,in #ahji he edited the ,state ,papers and ,letters of ,sir ,ralph ,sadler1 and became a contributor to the ,edinburgh ,annual ,register1 conducted by ,southey4 ,the ,lady of the ,lake1 the most happily-conceived of his poetical works1 appeared in #ahaj2 ,don ,roderick1 in #ahaa2 ,rokeby1 in #ahac2 and ,the ,lord of the ,isles1 in #ahad4 ,harold the ,dauntless1 and ,the ,bridal of ,triermain1 appeared subsequently4 ,after the publication of ,marmion1 ,mr ,alexander ,gibson ,hunter of ,blackness1 partner in the publishing house of ,constable ,co41 a gentleman of superior culture1 entreated the author to dedicate his talents to prose fiction1 with the prediction that he would in this department attain an eminence unrivalled in literature499 ,scott did not readily accept the proffered counsel2 he dreaded that by sailing in unexplored waters he might make shipwreck of his poetical laurels4 ,a prose tale which he had commenced in #ahje1 was on this account laid aside2 and when it was again taken up and completed1 and under the title of ,waverley given to the world1 it was without the authors name4 ,this was in #ahad1 when ,sir ,walter was in his #dcrd year4 ,waverley sold slowly at first1 but after some favourable criticisms the demand steadily increased till twelve thousand copies were put into circulation4 ,having attained such an earnest of success as a writer of fiction1 he chose in this department to maintain his original incognito1 abundantly content to rest his personal distinction on his celebrity as a poet4 ,the author of ,waverley accordingly soon passed into ,the ,great ,unknown2 and the rapidity with which this mysterious character produced a succession of entertaining romances became one of the marvels of the age2 while attempts to withdraw the curtain which concealed his individuality proved comparatively unavailing4 ,each year gave birth to one-often two-novels1 of a class infinitely superior to the romances of the past age1 and all having reference to the manners and customs of the most interesting and chivalrous periods of ,scottish or ,british history4 ,subsequent to the publication of ,guy ,mannering and ,the ,antiquary1 in #ahae and #ahaf1 and as an expedient to sustain public interest1 a series of novels was commenced1 under the title of ,tales of my ,landlord1 these being professedly written by a different author2 but this resort was afterwards abandoned4 ,every romance by the author of ,waverley awakened renewed enthusiasm1 and commanded a universal circulation throughout ,britain and ,america4 ,in #ahad ,scott published an edition of ,swift's works in nineteen octavo volumes4 ,for some years after his marriage he occupied a cottage at ,lasswade2 in #ahjd he removed to ,ashestiel1 a mansion situated on the banks of the ,tweed1 near ,innerleithen1 where for several years he continued to reside during the vacation of the ,court4 ,his ruling desire was1 to acquire an ample demesne1 and thus to realise in his own person1 and by his representatives1 somewhat of the territorial importance of those old barons1 whose wassails and feuds he delighted to celebrate4 ,to attain such a distinction he was prepared to incur many sacrifices2 nor in comparison did he value the highest literary honours4 ,in #ahaa he purchased1 on the south bank of the ,tweed1 near ,melrose1 the little farm of ,clarty ,hole1 the first portion of that estate which under the name of ,abbotsford has become indelibly associated with his name4 ,the soil was wet and unpromising1 but by a course of agricultural appliances the place began to display considerable amenities4 ,the mansion1 a curious amalgamation of different styles of ,scottish manorial architecture1 was partly built in #ahaa1 and gradually extended with the increasing emoluments of the owner4 ,by successive purchases the ,abbotsford property was increased till the rental amounted to about #gjj a year1 a return not too great for an expenditure of at least #ej1jjj4 99 ,see ,letter from ,archibald ,constable to ,mr ,hunter's son1 ,david ,hunter1 ,esq41 now of ,blackness1 dated ,edinburgh1 #bfth ,march #ahbe3 ,century of ,scottish ,life1 ,edinb4 #ahga1 pp4 #hb1 #hc4 ,mr ,a4 ,g4 ,hunter of ,blackness died on the #ith ,march #ahab1 aged forty-one4 ,his remains were interred in the ,greyfriars ,churchyard4 ,at ,abbotsford ,scott maintained the character of a country gentleman4 ,he was visited by distinguished persons from the sister kingdom1 from the ,continent1 and from ,america1 all of whom he elegantly entertained4 ,nor did his constant intercourse with his visitors interfere with the regular prosecution of his literary labours3 he rose at six1 and engaged in composition till breakfast1 and afterwards till one o'clock4 ,while in the country he devoted the rest of the day to exercise on horseback1 the superintendence of improvements on his estate1 and the entertainment of his guests4 ,in ,march #ahbj1 ,george ,,iv41 to whom he was personally known1 and who was a warm admirer of his genius1 created him a baronet1 the first titular honour which he bestowed after his accession4 ,besides the works enumerated1 he had already given to the world his romances of ,the ,black ,dwarf1 ,old ,mortality1 ,rob ,roy1 ,the ,heart of ,midlothian1 ,the ,bride of ,lammermoor1 ,a ,legend of ,montrose1 and ,ivanhoe4 ,the attainment of the baronetcy stimulated him to increased literary ardour4 ,ivanhoe appeared early in #ahbj1 and during the same year he produced ,the ,monastery and ,the ,abbot2 and in the beginning of #ahba1 the romance of ,kenilworth1 being twelve volumes within twelve months4 ,the ,pirate and ,the ,fortunes of ,nigel appeared in #ahbb2 ,peveril of the ,peak and ,quentin ,durward in #ahbc2 ,st ,ronan's ,well and ,redgauntlet in #ahbd2 and the ,tales of the ,crusaders in #ahbe4 ,during the royal visit to ,scotland in #ahbb1 ,sir ,walter was1 by general consent1 constituted ,master of ,ceremonies1 and the duties he discharged to the entire satisfaction of his sovereign and of the nation4 ,but while prosperity seemed to smile upon him with increasing lustre1 adversity hovered near4 ,in #ahbf1 ,archibald ,constable ,company1 the publishers of his works1 became insolvent1 involving in their bankruptcy the printing firm of the ,messrs ,ballantyne1 of which he was a partner4 ,for the sum of #abj1jjj1 ,sir ,walter was found to be individually responsible4 ,on a mind less securely balanced1 the wrecked hopes of a lifetime would have produced irretrievable despondency2 but ,sir ,walter bore his misfortune with magnanimous resignation4 ,to both the establishments which had involved him in their fall1 he had been largely indebted1 and he felt bound in honour1 not less than by legal obligation1 fully to discharge his debt4 ,an offer by the creditors to accept a composition he declined1 and claiming only to be allowed time1 applied himself to his undertaking1 with the full determination1 if his life was spared1 to cancel every obligation4 ,at the crisis of his embarrassments1 he was engaged in the composition of ,woodstock1 which soon afterwards appeared4 ,the ,life of ,napoleon1 which had for a considerable time occupied his attention1 was published in #ahbg1 in nine octavo volumes4 ,in the course of preparing it1 he visited ,london and ,paris in search of materials4 ,in the same year he produced ,chronicles of the ,canongate1 first series2 and in the year following1 the second series of those charming tales1 and the first portion of his ,tales of a ,grandfather4 ,a second portion of these latter tales appeared in #ahbi1 and the third and concluding series in #ahcj1 when he also contributed a ,history of ,scotland1 in two volumes1 to ,lardner's ,cyclopedia4 ,in #ahbi likewise appeared ,anne of ,geierstein1 and in #ahcj the ,letters on ,demonology and ,witchcraft4 ,in #ahca he produced a series of ,tales on ,french ,history1 uniform with the ,tales of a ,grandfather1 and his novels ,count ,robert of ,paris1 and ,castle ,dangerous1 as a fourth series of ,tales of my ,landlord4 ,other productions of less importance appeared from his pen3 he contributed to the ,edinburgh ,review1 during the first year of its existence2 wrote the articles ,chivalry1 ,romance1 and ,drama1 for the sixth edition of the ,encyclopaedia ,britannica2 and during his latter years frequently contributed to the ,quarterly ,review4 ,at a public dinner in ,edinburgh1 for the benefit of the ,theatrical ,fund1 on the #bc;d of ,february #ahbg1 ,sir ,walter first publicly avowed himself author of the ,waverley ,novels-an announcement which scarcely took the public by surprise4 ,his physical energies were now suffering a rapid decline1 and in his increasing infirmities1 and liability to sudden and severe attacks of pain1 and even of unconsciousness1 it became evident to his friends that in the praiseworthy effort to liquidate his obligations he was sacrificing his health4 ,those apprehensions proved not without foundation4 ,in the autumn of #ahca1 his health became so lamentably broken1 that his medical advisers recommended a residence in ,italy1 and entire cessation from mental labour1 as the only means of restoring his energies4 ,this counsel came too late2 the patient proceeded to ,naples1 and afterwards to ,rome1 but experiencing no benefit from the change1 he was rapidly conveyed home in the following summer1 in obedience to his own express wish1 that he might close his eyes at ,abbotsford4 ,the wish was gratified2 he arrived at ,abbotsford on the #aath of ,july #ahcb1 and survived till the #bast of the ensuing ,september4 ,as he had desired1 his remains were interred in an aisle of ,dryburgh ,abbey1 which had belonged to his ancestors1 and had been specially granted him by the ,earl of ,buchan4 ,a massive block of marble rests upon the grave1 in juxtaposition with another which has been laid on that of ,lady ,scott1 who died in ,may #ahbf4 ,in stature1 ,sir ,walter ,scott was above six feet2 but his form which had otherwise been commanding1 was marred by the lameness of his right limb1 which caused him considerably to limp1 and ultimately to walk with difficulty4 ,his countenance1 so correctly represented in his portraits and busts1 was remarkable for depth of forehead2 his features have been described4 ,his eyes1 covered with thick eyelashes1 were dull1 unless animated by congenial conversation4 ,he was of a fair complexion2 and his hair1 originally sandy1 became grey after a severe illness which he suffered in his forty-eighth year4 ,his conversation abounded in anecdotes of the old times4 ,his memory treasured up accurately1 and could readily recall1 all that he had read4 ,in fertility of invention he surpassed all his contemporaries4 ,as a poet1 if he does not possess the graceful elegance of ,campbell and the fervid energy of ,byron1 he excels the latter in purity of sentiment1 and the former in vigour of conception4 ,his style was well adapted for the composition of lyric poetry2 but as he had no ear for music1 his songs are few4 ,several of them have been set to music1 and are frequently sung4 ,but ,sir ,walter's skill as a poet1 great as it is1 has been eclipsed by his power as a writer of fiction2 the ,waverley ,novels will be forgotten only when the ,english language is disused4 ,a cabinet edition of his novels1 illustrated with elegant engravings1 appeared in forty-eight volumes shortly before his decease4 ,numerous editions were issued by ,mr ,cadell2 and ,messrs ,adam and ,charles ,black1 the present possessors of the copyright1 have distinguished themselves not only by producing several elegant library editions1 but by placing within reach of the humblest artisan those instructive1 interesting1 and admirable works4 ,from a gentleman1 who was many years manager of ,mr ,cadell's publishing house1 we have received some details respecting the production of ,sir ,walter's publications1 which seem worthy of being recorded4 ,down to ,october #ahef there had1 writes our informant1 been printed of his ,works and ,life1 #g1ifg1cfi volumes1 in which had been used #ii1eib reams of paper1 weighing #abde tons4 ,mr ,cadell's ,people's ,editions exhausted #bbg1fca reams1 or #bhdh tons4 ,the gross weight of paper in ,mr ,cadell's original and cheap editions amounted to #djic tons4 ,the sheets of paper used in the entire works were #ajf1edb1dch1 which1 laid side by side1 would cover #ccfc square miles4 ,sir ,walter ,scott lived at a period when indifference to religion among men of letters1 even in ,scotland1 was by no means uncommon1 and many of his contemporaries were1 it is to be feared1 most imperfectly influenced with proper views of ,christian obligation4 ,with sentiments of indifference on a theme so important1 ,sir ,walter had no sympathy4 ,while contemning sectarian exclusiveness1 and abhorring superstition1 he was zealous in maintaining sound ,scriptural doctrine1 and he discouraged the utterance of every sentiment which savoured of profanity or bordered on scepticism4 ,his ,religious ,discourses1 published anonymously1 indicate deep moral earnestness1 while his hymn on the ,day of ,judgment attests the sincerity of his devotion4 ,desirous that these brief memorials might contain some additional testimony to the religious earnestness of one who occupies so prominent a place in national and literary history1 we requested our venerated friend ,dean ,ramsay to state his impressions of ,sir ,walter's personal bearing during his residence at ,abbotsford after ,lady ,scott's death1 and before her funeral4 ,to our request the ,dean1 with his usual courtesy1 acceded4 ,he writes thus3 ,you ask me the impression left on my mind by my visit to ,abbotsford on the occasion of ,lady ,scott's death4 ,it is indeed a very easy and a very pleasing office to give you that impression4 ,i could not but feel all the time ,i was there that our great ,sir ,walter was as much to be loved for the qualities of his heart as he had been admired for the high gifts of his intellect and his genius4 ,he displayed throughout the whole time the subdued and calm spirit of a ,christian mourner4 ,there was manifest an entire acquiescence in the wisdom and goodness of his heavenly ,father1 who had bereaved him of the wife and companion of his early years4 ,his kind1 gentle manner to his domestics2 his devoted attention to his daughter1 who was in deep distress2 his serious appearance during the funeral service2 his own proposal in the evening to have domestic worship1 and his devotional manner at the time1 have left a deep and pleasing impression on my mind--the impression that ,i had witnessed so much gentleness and so much right feeling1 which1 ,i could not but perceive1 were the genuine emotions of his heart4 ,sir ,walter ,scott was one of the good and the great of his race and country4 ,during his last illness1 ,sir ,walter desired portions of the ,new ,testament and of the ,church ,service to be frequently read to him1 and when free of pain he repeated portions of the ,scottish version of the ,psalms and of evangelical hymns4 ,to ,mr ,lockhart1 his son-in-law1 he said3 ,be a good man-be virtuous-be religious-be a good man6 ,nothing else will give you any comfort when you come to lie here4 ,these were among his last words4 ,for sterling integrity1 ,sir ,walter ,scott requires no eulogy from his biographer4 ,to the effort to cancel his pecuniary obligations he fell a martyr2 while to his survivors it was a source of satisfaction to know that1 by his extraordinary exertions1 the policy of life insurance payable at his death1 and the sum of #cj1jjj given by ,mr ,cadell for copyrights1 his debt was fully discharged4 ,the object of his original ambition1 ,sir ,walter did not attain3 no family of his descent and name has been planted at ,abbotsford to point to him as their founder4 ,his children1 two sons and two daughters1 died young4 ,his eldest daughter1 ,sophia1 married to ,mr ,lockhart1 gave birth to several children1 all of whom are dead4 ,her only daughter married ,mr ,james ,hope1 ,q4,c41 who has added to his patronymic the name of ,scott1 and made ,abbotsford his autumnal residence4 ,mrs ,hope ,scott died at ,edinburgh on the #bfth ,october #aheh1 leaving three children4 ,one child1 a daughter1 ,mary ,monica1 survives1 ,sir ,walter's only living descendant4 ,but ,sir ,walter has obtained posthumous honours far exceeding those of establishing a landed family in ,tweedside4 ,his name is imperishable in his works-of which the popularity is steadily on the increase4 ,nor have his fellow-countrymen lacked in evincing their vigorous appreciation4 ,besides several local memorials of respectable construction1 the most graceful monument ever raised by human instrumentality1 has been dedicated to his memory4 ,an account of that monument will form no inappropriate sequel to the present narrative4 ,on the #bdth day of ,september #ahcb1 being the third day after ,sir ,walter's death1 a circular letter was issued convening a meeting at the ,rooms of the ,royal ,society of ,edinburgh1 to consider the best means of honouring his memory4 ,at this meeting a committee was appointed to arrange a convocation of the citizens4 ,this took place on the #eth of ,october1 under the presidency of the ,lord ,provost1 when a resolution in favour of a national monument to ,sir ,walter1 was moved by the ,duke of ,buccleuch1 and seconded by ,lord ,rosebery4 ,sir ,john ,forbes1 ,bart41 announced that the ,bank of ,scotland and other banks in ,edinburgh1 ,sir ,walter's creditors1 would subscribe #ejj1 in token of their appreciation of the honourable feelings which induced the deceased ,baronet to dedicate his talents in insuring the full payment of his debts4 ,differences arose as to the character of the monument ,by a ,london ,committee1 of which the ,bishop of ,exeter and ,sir ,robert ,peel were conspicuous members1 nearly #aj1jjj were collected4 ,a portion of this sum was embezzled by a young person unhappily intrusted with the secretaryship4 ,the balance1 amounting to nearly #hjjj1 was employed in liquidating the debt on the library and museum at ,abbotsford4 ,at ,glasgow the subscriptions amounted to about #abjj1 and a handsome ,corinthian column1 surmounted with a statue1 has been erected in the chief square of that city1 which is likewise adorned with elegant monuments to royal personages and national celebrities4 ,in the market-place at ,selkirk1 a statue in freestone1 by ,handyside ,ritchie1 commemorates ,sir ,walter in his capacity of ,sheriff of ,the ,forest4 ,in ,november #ahcc1 the ,edinburgh committee had collected #eecd1 a sum sufficient to insure the construction of a substantial cenotaph4 ,the question of a site arose next4 ,among those suggested were the space in the ,lawn ,market1 bounded on the east by ,st ,giles' ,church2 the west end of ,princes ,street opposite to ,st ,john's ,church2 the foot of ,st ,david ,street near ,queen ,street ,gardens2 the open space at ,picardy ,place2 the rocky angle at the north-east corer of the ,calton ,hill2 ,charlotte ,square1 ,moray ,place1 and ,randolph ,crescent4 ,the committee suspended their decision1 and in thirty-two newspapers advertised for designs4 ,these were lodged with the secretary on the #ast ,september #ahcf4 ,fifty-five were offered4 ,for each of the three best the committee adjudged prizes of fifty guineas4 ,one of these bore the signature ,john ,morvo1 the name of a master mason1 commemorated in the abbey of ,melrose4 ,it was assumed by ,george ,meikle ,kemp1 then a working joiner4 ,kemp had studied the peculiarities of ,gothic architecture in different parts of the kingdom1 and latterly added to his emoluments by architectural sketching4 ,the committee1 not quite satisfied with any of the designs received1 advertised a second time4 ,among those who joined in the new competition were ,sir ,william ,allan1 ,david ,roberts1 ,r4,a41 and ,william ,h4 ,playfair1 the well-known architect4 ,kemp lodged his former design1 considerably amended4 ,it was adopted by the committee on a majority of twenty-one to ten1 in ,april #ahch4 ,at the same time ,mr ,john ,steell1 the distinguished sculptor1 was commissioned to prepare a marble statue of ,sir ,walter1 to be placed under the canopy of the structure4 ,the site was fixed in ,princes ,street1 opposite to ,south ,st ,david ,street4 ,the architect had designed the monument to reach the height of #ahj feet1 but the committee's funds did not justify their proceeding on so large a scale4 ,in ,may #ahdj an auxiliary committee undertook to procure the balance4 ,an ,act of ,parliament securing the site having been obtained1 the foundation stone was1 on the #aeth ,august #ahdj1 laid by ,sir ,james ,forrest of ,comiston1 ,bart41 ,lord ,provost of the city1 and ,grand ,master ,mason4 ,a metallic plate deposited in the foundation stone bore the following inscription1 composed by ,lord ,jeffrey3 ,this graven plate1 deposited in the base of a votive building on the #aeth day of ,august #ahdj1 and never likely to see the light again till all the surrounding structures are crumbled to dust by the decay of time or by human or elemental violence1 may then testify to a distant posterity that his countrymen began on that day to raise an effigy and architectural monument to the memory of ,sir ,walter ,scott1 part41 whose admirable writings were then allowed to have given more delight and suggested better feeling to a larger class of readers in every rank of society1 than those of any other author1 with the exception of ,shakspeare alone1 and which were therefore thought likely to be remembered long after this act of gratitude on the part of the first generation of his admirers should be forgotten4 ,he was born at ,edinburgh1 #aeth ,august #agga1 and died at ,abbotsford #bast ,september #ahcb4 ,the monument was1 at the cost of upwards of #aejj1 founded on the solid rock1 fifty-two feet under the level of ,princes ,street4 ,it assumes the form of a ,gothic spire1 and may be thus described4 ,from each corner of a raised platform of masonry rise elegantly clustered columns1 from which spring four grand ,early ,english arches1 which converge into a vaulted roof crossing each other by ribbed groinings with beautifully-carved bosses1 and terminating in a richly ornamented pendant or drop centre4 ,the arches are successively supported by projecting buttresses also arched upon clustered columns1 and after ascending to the first gallery spring into the open air to the height of ninety-eight feet1 and terminate in pinnacles carved with crockets and crowned with richly ornamented finials4 ,the connecting buttresses are decorated with large niches adorned with brackets and canopies1 and each of the abutment towers at the height of the first gallery has two chaste and tastefully-wrought gargoyles in the form of grotesque griffins4 ,the pilasters which separate the different clustered pillars that support the roof of the structure1 are crowned with finely-ornamented capitals1 containing likenesses of sixteen ,scottish poets4 ,the lateral towers are connected with the central one by means of flying buttresses1 and with spandrils and crockets4 ,the four principal arches and buttresses sustain an open trellis1 which extends round the building in front of the first gallery4 ,on a level with this gallery is an apartment used as a ,waverley ,museum4 ,from the gallery rises the principal tower4 ,on each side is an arched window4 ,a flying staircase leads to the third gallery4 ,around are towers1 buttresses1 pinnacles1 arches1 crockets1 corbels and finials-in all the rich profusion of ,gothic architecture4 ,on reaching the fourth gallery the view is grand in the extreme4 ,at each successive stage are elegantly-sculptured niches1 intended for statues illustrative of the poet's works4 ,the height of the ,monument 7increased beyond the original design7 is two hundred feet six inches above the level of ,princes ,street4 ,it is ascended by #bhi steps4 ,the monumental statue under the canopy represents ,sir ,walter in a sitting attitude1 with the ample folds of a ,scottish plaid hanging loosely about him1 and his favourite hound ,maida at his feet4 ,mr ,steell has seized the moment when the great novelist has just recorded some of his imperishable thoughts in the volume which is in his hand1 and he has communicated to the features a look of complete abstraction1 while the dog1 as if startled by the closing of the book1 is in the act of lifting up its head to catch the expression of its master's countenance4 ,the statue was inaugurated in #ahdf4 ,the block of marble from which it was chiselled1 contained #bjj cubic feet1 and weighed upwards of #be tons4 ,the monument is constructed of sandstone from ,binny ,quarry4 ,the funds raised by the original and auxiliary committees amounted to #ag1bdc1 #ds4 ,the sum of #ahga1 #abs4 #h;d41 was expended in procuring subscriptions4 ,for the statue1 ,mr ,steell received #bjjj-;eight small statues cost #agi1 #es4 #aj;d4 a sum of #dfj1 #cs4 #e;d4 was lost by a contractor1 and a railing was constructed at the expense of #adg1 #acs4 #f;d4 ,the balance1 amounting to #ac1ehd1 #hs4 #f;d41 was expended in the monumental fabric4 ,persevering as were their labours1 the auxiliary committee were unable to procure funds sufficient to provide statues for all the niches4 ,thirty niches are still unoccupied1 but ,mr ,james ,ballantyne1 the esteemed ,scottish poet1 is now exerting himself to complete the work4 ,the sum of #bjjj1 ,mr ,ballantyne believes1 will suffice to provide the remaining statues4 ,on the memory of ,sir ,walter ,scott is to be conferred a new honour4 ,there is to be a centenary celebration of his birth4 ,all classes1 including the most illustrious1 have resolved1 on the hundredth anniversary of his natal day1 co testify their hearty appreciation4 ,his praise will be celebrated in every town--descanted on in every hamlet ,his poetry will be rehearsed in scenes which his poetical descriptions have rendered famous2 and in every spot celebrated by his pen1 flying banners and an assembled population will testify to the potency of his' enchantment4 ,the keenest trader will for a time sacrifice before the shrine of genius2 abandoning his counting-house and his ledger to do reverence to the memory of one whose writings have cheered his home circle1 and amidst corroding cares awakened within him pleasurable emotions4 ,nor may the ordinary caviller begrudge the tribute4 ,of these centenary honours three ,britons only have been deemed worthy2 ,shakspeare1 ,burns1 and ,walter ,scott4 ,all these have exalted and purified human nature1 and1 by the force and splendour of their genius1 fitted mankind more fully to appreciate and enjoy the forthgivings of a higher and nobler inspiration4 ,illustration3 #jbf ,,the ,,centenary ,,garland4 ,,waverley4 ,,in the romance of ,waverley1 the gifted author depicts the manners of ,scottish ,highlanders at the period of the '#de4 ,the tale was sketched out1 and one-third written in #ahje4 ,laid aside till #ahaa1 it was then resumed2 it appeared anonymously in #ahad4 ,for the copyright1 ,constable tendered #gjj1 but the offer was declined on the ground that the sum was too much should the novel prove a failure1 and too little if it were successful4 ,the success exceeded the utmost expectations both of the author and the publishers4 ,in ,mac,murrough's ,chant1 ,mr ,daniel ,maclise1 ,r4,a41 represents a scene in the twentieth chapter4 ,waverley is entertained at ,glennaquoich by ,fergus ,maclvor in the hall of his ancestor1 ,ian-nan-,chaistel1 ,john of the ,tower4 ,the hall occupied all the first storey of the original erection1 and a huge oak table extended through its whole length4 ,the company was numerous1 even to crowding4 ,at the head of the table sat the chief himself1 with ,waverley1 and two or three ,highland visitors of neighbouring tribes2 the elders of his own tribe1 wadsetters and tacksmen1 who occupied portions of his estate1 as mortgagers or lessees1 sat next in rank2 beneath them1 their sons and nephews1 and foster-brethren2 then the officers of the chief's household1 according to their order2 and lowest of all1 the tenants4444 ,beyond this long perspective1 upon the green1 to which a huge pair of folding doors opened1 might be seen a multitude of ,highlanders of a yet inferior description1 who1 nevertheless1 were considered as guests1 and had their share both of the countenance of the entertainer and the cheer of the day4 ,in the distance1 and fluctuating round the extreme verge of the banquet1 was a changeful group of women1 ragged boys and girls1 beggars young and old4 ,illustration3 #jbh ,illustration3 #jbi ,the banquet was approaching its close1 when the chief signalled the piper to cease1 and then exclaimed1 ,where is the song hidden1 my friends1 that ,mac,murrough cannot find it8 ,the bhairdh took the hint1 and began to chant1 with low and rapid utterance1 a profusion of ,celtic verses4 ,as he advanced in his declamation1 his ardour seemed to increase3 he had at first spoken with eyes fixed on the ground2 he now cast them around1 as if beseeching1 and anon as if commanding attention2 and his tones rose into wild and impassioned notes1 accompanied with appropriate gestures4 ,the poet's ardour communicated itself to the audience2 their wild and sun-burnt countenances assumed a fiercer and more animated expression2 all bent towards the reciter1 many sprang up and waved their arms in ecstasy1 and some laid their hands upon their swords4 9999999999 ,in the accompanying etching1 ,mr ,george ,cruikshank represents the droll scene where ,mr ,duncan ,macwheeble is informed by ,waverley of his present fortune and future expectations1 and of his intention to share all with ,miss ,rose ,bradwardine4 ,waverley had found the ,bailie 7,macwheeble7 in his office1 and before him a large bicker of oatmeal porridge1 with a horn spoon and a bottle of twopenny1 while a potbellied ,dutch bottle of brandy which stood by1 intimated that this honest limb of the law had taken his morning already1 or that he meant to season his porridge with such digestive4 ,at the instant ,waverley revealed the secret of his attachment to ,miss ,rose1 he almost deprived the ,bailie of his senses4 ,he started from his three-footed stool1 like the pythoness from her tripod2 flung his best wig out of the window1 because the block on which it was placed stood in the way of his career2 chucked his cap to the ceiling1 and caught it as it fell2 whistled ,tullochgorum1 danced a ,highland fling with inimitable grace and agility1 and then threw himself1 exhausted1 into a chair1 exclaiming1 ,lady ,wauverley6-,ten thousand a-year1 the least penny6--,lord preserve my poor understanding6 ,,guy ,,mannering4 ,,guy ,,mannering1 the second novel of the author of ,waverley was composed during six weeks preceding ,christmas #ahad4 ,it appeared in the following ,february in three small volumes1 at the price of one guinea4 ,the edition1 consisting of #bjjj copies1 was sold the day after publication1 and within three months1 #ejjj copies were circulated4 ,the novel was founded on a tale which ,scott had received from an old ,highlander1 a servant of his father1 who related how that a grave and elderly person being benighted while travelling in ,galloway1 had experienced the hospitality of a country laird whose wife was on the eve of her confinement4 ,the stranger being informed of the exact minute of the birth1 made1 by astrological signs1 a remarkable augury respecting the fortunes of the young stranger4 ,though based on the supernatural1 ,guy ,mannering embraces an interesting portraiture of ,scottish life during the early portion of the eighteenth century4 ,one of the more conspicuous characters is ,dandie ,dinmont1 of ,charlie's ,hope1 with his breed of terriers1 ,auld ,pepper1 ,auld ,mustard1 ,young ,pepper1 ,young ,mustard1 ,little ,pepper1 ,little ,mustard1 and the others4 ,from the fireside of the little inn of ,mumps ,ha'1 ,dandie carried away some uncomfortable surmises4 ,these were not removed by the several tall figures that appeared advancing towards him4 ,he advised ,brown 7,harry ,bertram7 not to wait for their arrival1 but to jump behind him on ,dumple's back1 and deprecated any declinature under the circumstances4 ,dumple could carry six folk1 said ,dandie1 if his back were long enough2 but1 ,god's sake1 haste ye1 get on1 for ,i see some folk coming through the slack yonder1 that it may be just as weel no to wait for4 ,brown was of opinion that this apparition of five or six men1 with whom the other villains seemed to join company1 coming across the moss towards them1 should abridge ceremony4 ,he therefore mounted ,dumple1 en croup1 and the little spirited nag cantered away with two men of great size and strength1 as if they had been children of six years old4 ,the rider1 to whom the paths of these wilds seemed intimately known1 pushed on at a rapid pace1 managing with much dexterity to choose the safest route1 in which he was aided by the sagacity of the ,galloway1 who never failed to take the difficult passes exactly at the particular spot1 and in the special manner by which they could be most safely crossed4 ,the scene of this adventure is graphically delineated in the engraving4 ,illustration3 #jcb ,illustration3 #jcc ,in his present etching1 ,mr ,george ,cruikshank is eminently characteristic4 ,dominie ,sampson1 as entreated by ,mrs ,bertram1 had undertaken the task of watching little ,harry in his rambles4 ,the worthy ,dominie was devoted to his charge1 and was delighted with his success in having brought him so far in his learning as to spell words of three syllables4 ,he dreaded the idea of the child being seized by gipsies2 and though the occupation essentially differed from his former mode of life1 he stalked about with young ,harry1 who1 being only of five years1 was constantly rambling into awkward situations4 ,twice was the ,dominie pursued by a cross-grained cow1 and at another time he plunged into a brook in crossing it at the stepping-stones4 ,at length he fell into the peril depicted by the artist4 ,in seeking to pluck a water-lily for the young laird he fell into the slough of ,lochend1 in which he was bogged up to the middle4 ,in his plight he exclaimed as usual ,pro-di-gi-ous6 amidst the laughter of the village matrons1 one of whom offered her hand to help him out4 ,another declared that the laird might as weel trust the care of his bairn to a potato-bogle4 ,,the ,,antiquary4 ,,the ,,antiquary appeared in ,may #ahaf3 it was commenced a little before the close of the previous year4 ,by the author it was regarded as less interesting than its predecessors1 but the public showed appreciation by purchasing #fjjj copies within six days of its publication4 ,like the two former novels1 it is a representation of various scenes and phases of ,scottish ,life as contemplated by the author himself4 ,in our first engraving1 ,mr ,oldbuck is on a visit at ,elspeth's hut to inquire into mysteries connected with the house of ,glenallan1 mysteries in which she had been initiated1 and crimes to which she had been accessory4 ,he is accompanied by his nephew and ,edie ,ochiltree1 the latter having on one occasion been dispatched by ,elspeth with a message to ,lord ,glenallan4 ,no1 wretched ,beldam1 exclaimed ,oldbuck1 who could keep silence no longer1 they drank the poison that you and your wretched mistress prepared for them4 ,ha1 ha6 she replied1 ,i aye thought it would come to this2 it's but sitting silent when they examine1-there's nae torture in our days2 and if there is1 let them rend me4 ,it's ill o' the vassal's mouth that betrays the bread it eats4 ,speak to her1 ,edie1 said the ,antiquary1 she knows your voice1 and answers to it most readily4 ,we shall mak naething mair out o' her1 said ,ochiltree2 when she has clinkit herself down that way1 and faulded her arms1 she winna speak a word1 they say1 for weeks thegither4 ,and besides1 to my thinking1 her face is sair changed since we came in4 ,however1 ,i'll try her once more to satisfy your honour4 ,so you canna keep in mind1 cummer1 that your auld mistress1 the ,countess ,joscelin1 has been removed8 ,removed6 she exclaimed1 for that name never failed to produce its usual effect upon her1 then we maun a' follow4 ,a' maun ride when she is in the saddle3 tell them to let ,lord ,geraldin know we're on before them4 ,bring my hood and scarf2 ye wadna hae me gang in the carriage wi' my leddy1 and my hair in this fashion8 ,she raised her shrivelled arms1 and seemed busied like a woman who puts on her cloak to go abroad1 then dropped them slowly and stiffly2 and the same idea of a journey still floating apparently through her head1 she proceeded in a hurried and interrupted manner-,call ,miss ,neville2 what do you mean by ,lady ,geraldine8 ,i said ,eveline ,neville-not ,lady ,geraldine-there's no ,lady ,geraldine2 tell her that1 and bid her change her wet gown1 and no' look so pale4 ,teresa-,teresa1 my lady calls us6 ,bring a candle1 the grand staircase is as mirk as a yule midnight4 ,we are coming1 my lady6 ,with these words she sunk back on the settle1 and from thence sidelong to the floor4 ,edie ran to support her1 but hardly got her in his arms before he said1 ,it's a' ower1 she has passed away even with that last word4 ,illustration3 #jcf ,illustration3 #jcg ,mr ,cruikshank has portrayed with his wonted humour the amusing scene at the ,post-,office1 in which ,mrs ,heukbane and ,mrs ,shortcake are examining1 with eager countenances1 the love-letter of ,richard ,taffrail to ,jenny ,caxon4 ,they threw themselves on the supposed love-letter1 like the weird sisters in ,macbeth1 upon the pilot's thumb1 with curiosity as eager1 and scarcely less malignant4 ,mrs ,heukbane was a tall woman2 she held the precious epistle up between her eyes and the window4 ,mrs ,shortcake1 a little squat personage1 strained and stood on tiptoe to have her share of the investigation4 ,it's frae him sure enough1 said the butcher's lady2 ,i can read ,richard ,taffrail on the corner2 and it's written1 like ,john ,thomson's wallet1 frae end to end4' ,haud it lower down1 madam1 exclaimed ,mrs ,shortcake1 in a tone above the prudential whisper which their occupation required2 haud it lower down2 div ye think naebody can read hand o' writ but yoursel'8 ,whisht1 whisht1 said ,mrs ,mail-letter1 there's somebody in the shop4 ,,rob ,,roy1 ,,the romance of ,rob ,roy was composed in #ahag1 and published in ,january of the following year4 ,an edition of #aj1jjj disappeared in two weeks1 when a second impression was printed4 ,rob ,roy and his wife1 ,bailie ,nicol ,jarvie and his housekeeper1 ,die ,vernon and ,rashleigh ,osbaldistone1 were all favourite characters2 and the novel essentially sustained the reputation of the unknown author4 ,in the accompanying engraving1 ,mr ,melville has represented the lower section of ,loch ,lomond1 the ,queen of ,scottish lakes4 ,on the right is presented the massive shoulder of ,ben ,lomond1 which raises its lofty head #caib feet above the ocean's level1 while on the left extend the craggy forms of the ,arrochar mountains4 ,with the promise of mutual aid and good will1 ,bailie ,nicol ,jarvie and ,frank ,osbaldistone have parted with the ,macgregor1 and in their skiff bear away from the shore towards the south western angle of the lake1 where it gives birth to the ,leven4 ,rob ,roy remained for some time standing on the rock1 from beneath which they had departed1 conspicuous by his long gun1 waving tartans1 and the single plume in his cap1 which1 in those days1 denoted the ,highland gentleman and soldier1 though the present military taste has decorated the ,highland bonnet with a quantity of black plumage1 resembling that which is borne before funerals4 9999999999 ,to every reader of ,rob ,roy1 the scene in ,jeanie ,mac,alpine's public-house1 sketched by ,mr ,cruikshank1 is abundantly familiar4 ,let the scene be illustrated in the novelist's own words3 ,i 7,frank ,osbaldistone7 put myself in a posture of defence1 and1 aware of the superiority of my weapon1 a rapier or small sword1 was little afraid of the issue of the contest4 ,the ,bailie behaved with unexpected mettle3 as he saw the gigantic ,highlander about to confront him with his weapon drawn1 he tugged for a second or two at the hilt of his shabble1 as he called it2 but finding it loth to quit the sheath1 to which it had long been secured by rust and disuse1 he seized1 as a substitute1 on the red-hot coulter of a plough1 which had been employed in arranging the fire by way of a poker1 and brandishing it with such effect1 that at the first pass he set the ,highlander's plaid on fire1 and compelled him to keep a respectful distance1 till he could get it extinguished4 ,andrew ,fairservice1 who ought to have faced the ,lowland champion1 vanished at the very commencement of the fray2 but his antagonist1 crying 'fair-play1' seemed courteously disposed to take no share in the scuffle4' ,osbaldistone's aim was to possess himself of his antagonist's weapon1 but he declined from closing with him through fear of a dirk which he held in his left hand4 ,the ,bailie1 notwithstanding the success of his first onset1 was sorely bested4 ,the weight of his weapon1 the corpulence of his person1 the very effervescence of his own passion1 were rapidly exhausting his strength and his breath1 and he was almost at the mercy of his antagonist1 when up started the sleeping ,highlander1 with his naked sword and target in his hand1 and threw himself between the discomfited magistrate and his assailant1 exclaiming1 ',her ownsell has eaten the town bread at the cross o' ,glasgow2 and by her troth1 she'll fight for ,bailie ,sharvie at the clachan of ,aberfoil4' ,illustration3 #jdj ,illustration3 #jda ,,old ,,mortality4 ,,old ,,mortality commenced a series of novels which ,scott entitled ,tales of my ,landlord4 ,the title was a sobriquet given to ,robert ,paterson1 an eccentric native of ,dumfriesshire1 who1 during the latter portion of the eighteenth century1 repaired without recompence the tombstones of the ,covenanters in the southern counties2 but the novel treats of ,scottish manners during the period when those commemorated by ,old ,mortality were alive4 ,it was published in ,december #ahaf1 and within six weeks two editions1 each of two thousand1 disappeared4 ,in the sketch of the ,black ,linn of ,linklater1 the artist has caught the moment when ,morton looked round him1 and the girl1 his companion1 pulled his sleeve1 and pointing to the oak and the projecting rock beyond it1 indicated that there lay his farther passage4 ,he gazed at her with surprise1 for although he well knew that the persecuted ,presbyterians had sought refuge among dells and thickets1 caves and cataracts1 in spots the most extraordinary and secluded1 yet his imagination had never exactly figured out the horrors of such a residence44444 ,he began to consider how he should traverse the doubtful and terrific bridge1 which1 skirted by the cascade1 and rendered wet and slippery by its constant drizzling1 traversed the chasm above sixty feet from the bottom of the fall ,fixing his eye on a stationary object on the other side he resolved to attempt the passage4444 ,the inhabitant of this secluded retreat was ,balfour of ,burley1 with whom he was desirous of renewing an acquaintance1 which had been broken off since the fight of ,bothwell ,bridge4 9999999999 ,the scene of ,cuddie's leave-taking has formed an appropriate subject for the pencil of ,mr ,cruikshank4 ,fare ye weel1 ,jenny1 said ,cuddie1 with a loud exertion of his lungs1 intended1 perhaps1 to be a sigh1 but rather resembling a groan4 ,ye'll think of puir ,cuddie sometimes2 an honest lad that lo'es ye1 ,jenny6 ,ye'll think o' him now and then8 ,whiles-at brose time1 answered the malicious damsel1 unable either to suppress the repartee1 or the arch smile that attended it4 ,cuddie took his revenge1 as rustic lovers are wont1 and as ,jenny probably expected1 caught his mistress round the neck1 kissed her cheeks and lips heartily1 and then turned his horse and trotted after his master4 ,deil'sin the fallow1 said ,jenny1 wiping her lips1 and adjusting her head-dress1 he has twice the spunk o' ,tam ,halliday1 after a'6-,coming1 my leddy1 coming4 ,lord have a care o' us6 ,i trust the auld leddy didna see us6 ,jenny1 said ,lady ,margaret1 as the damsel came up1 was not that young man who commanded the party1 the same who was captain of the popinjay1 and who was afterwards prisoner at ,tillietudlem1 on the morning ,claverhouse came there8 ,jenny1 happy that the query had no reference to her own little matters1 looked at her young mistress1 to discover1 if possible1 whether it was her cue to speak truth or not4 ,being unable to catch any hint to guide her1 she followed her instinct1 and expressed herself fictitiously4 ,illustration3 #jdd ,illustration3 #jde ,illustration3 #jdf ,a ,,legend ,,of ,,montrose1 ,,this novel1 one of the series of the ,tales of my ,landlord1 was produced while the author was suffering from severe illness2 and it was passed through the press without his revision4 ,it was1 however1 well received by the public1 and rapidly obtained a wide circulation4 ,it is chiefly founded on the melancholy fate of ,john1 ,lord ,kilpont1 eldest son of ,william1 ,earl of ,airth and ,menteith1 and the remarkable circumstances which attended the birth and career of ,stewart of ,ardvoirlich1 by whose hand he fell4 ,in the accompanying sketch1 the artist has represented the meeting of ,lord ,menteith and ,dugald ,dalgetty in the ,pass of ,leny1 a picturesque defile in ,perthshire1 of which the scenery is depicted in the ,lady of the ,lake4 ,the ,pass is approached from the low country by a road winding round the base of ,benledi4 ,at a sudden bend of the road is disclosed ,loch ,lubnaig1 the source of the river which flows rapidly on the left4 ,in the background rises the massive summit of ,benmore1 overtopping the heights of ,balquhidder4 ,lord ,menteith1 accompanied by his two servants1 one leading a sumpter horse1 had just wound round the projecting mountain1 which skirts the lake's northern shore1 when he remarked a single horseman coming down the shore as if to meet him4 ,the stranger was mounted on a powerful horse1 and his rider occupied his war-saddle with an air which showed it was his familiar seat4 ,he wore a bright burnished head-piece with a plume of feathers1 together with a cuirass1 thick enough to resist a musket-ball4 ,these defensive arms he wore over a buff-jerkin1 along with a pair of gauntlets1 the tops of which reached to his elbows4 ,at the front of his saddle hung a case of pistols1 nearly two feet in length1 and carrying bullets of twenty to the pound4 ,a buff belt1 with a broad silver buckle1 sustained on one side a long1 straight1 double-edged sword1 with a strong guard1 and calculated either to strike or push4 ,on the right side hung a dagger of about eighteen inches in length2 a shoulder-belt sustained at his back a musketoon1 and was crossed by a bandalier containing his charges of ammunition4 ,thigh-pieces of steel called taslets1 met the top of his jack-boots1 and completed the equipage of ,rittmaster ,dugald ,dalgetty of ,drumthwacket4 ,illustration3 #jdh ,illustration3 #jdi-jej ,mr ,cruikshank represents ,captain ,dalgetty's landing at ,ardenvohr4 ,the boatman1 seizing the ,captain with rough civility1 horsed him on the back of a sturdy ,highlander1 and wading through the surf with him1 landed him on the beach under the ,castle ,rock4 ,in the face of the rock appeared the entrance of a low-browed cavern1 toward which his attendants were hurrying him1 when ,dalgetty1 shaking himself from their grasp1 insisted upon seeing ,gustavus1 his horse1 safely landed1 before he proceeded a step further4 ,the ,highlander could not comprehend what he meant1 until one who had picked up a little ,english1 exclaimed1 ,hout6 it's a' about her horse1 ta useless baste4 ,farther remonstrance on the part of ,dalgetty was interrupted by the appearance of ,sir ,duncan ,campbell himself1 from the mouth of the cavern1 for the purpose of inviting ,captain ,dalgetty to accept of the hospitality of ,ardenvohr1 pledging his honour1 at the same time1 that ,gustavus should be treated as became the hero from whom he derived his name1 not to mention the important person to whom he now belonged4 ,notwithstanding this very satisfactory guarantee1 ,captain ,dalgetty would still have hesitated1 had not two ,highlanders seized him by the arms1 two more pushed him on behind1 while a fifth exclaimed1 ,hout6 awa' wi' the daft ,sassenach6 does she no hear the ,laird bidding her up to her ain castle1 wi' her especial voice2 and isna' that very mickle honour for the like o' her8 ,,the ,,black ,,dwarf1 ,,the tale of the ,black ,dwarf appeared in #ahai4 ,one of the ,tales of ,my ,landlord series1 it was founded on the character and peculiarities of ,david ,ritchie1 a misshapen creature1 popularly known as ,bow'd ,davie1 who lived on a wild moorland near ,peebles1 and who1 from his deformed aspects and uncouth manners1 was an object of superstitious dread in the locality4 ,mr ,turner1 the celebrated artist1 has1 in the accompanying illustration1 strikingly delineated a familiar scene in the novel4 ,as ,earnscliff and ,hobbie ,elliott were crossing the common1 the latter was interrupted in certain protestations of heroism which he was uttering1 by the outline of a form seemingly human1 but under the ordinary size1 moving among the grey stones which formed the buttress of the granite column which they were approaching4 ,the figure was descried by aid of the moon1 which1 struggling with the clouds1 shed a doubtful light upon the scene4 ,from time to time came a sort of indistinct muttering sound4 ,the entire spectacle so much resembled his idea of an apparition1 that ,hobbie1 making a dead pause1 while his hair stood on end1 whispered to his companion1 ,it's ,auld ,ailie hersel'6 shall ,i gi'e her a shot8 ,for ,heaven's sake1 no1 said ,earnscliff1 holding down the weapon1 which he was about to raise to the aim2 for ,heaven's sake1 no2 it's some poor distracted creature4 ,in his etching ,mr ,george ,cruikshank has effectively represented the strange interview between ,hobbie ,elliott and the ,dwarf4 ,it is described by the novelist4 ,the ,dwarf turned his rage on the young farmer1 and by a sudden effort1 far more powerful than ,hobbie expected from such a person1 freed his wrist from his grasp1 and offered the dagger at his heart ,all this was done in the twinkling of an eye1 and the incensed recluse might have completed his vengeance by plunging the weapon in ,elliott's bosom1 had he not been checked by an internal impulse1 which made him hurl the knife at a distance4 ',no6 he exclaimed1 as he voluntarily deprived himself of the means of gratifying his rage2 'not again-not again6' ,hobbie retreated a step or two in great surprise1 discomposure1 and disdain1 at having been placed in such danger by an object apparently so contemptible1 exclaiming1 ',the deil's in the body1 for strength and bitterness6' ,illustration3 #jec ,illustration3 #jed-ee ,,the ,,heart ,,of ,,mid-,,lothian4 ,,the ,,heart ,,of ,,mid-,,lothian1 one of the most popular of the ,waverley novels1 appeared in ,june #ahah4 ,it is founded on the well-known incident of ,helen ,walker1 a woman in humble life1 who refused to save her sister's life when it rested upon her oath1 but who1 after her sister's condemnation1 undertook a foot journey to ,london1 where1 from the ,duke of ,argyll1 she procured a pardon and returned with it1 again on foot1 in time to stay the execution4 ,the accompanying illustration represents the death of ,captain ,porteous1 a leading event in the novel4 ,the scene depicted is the ,grassmarket of ,edinburgh4 ,the opening to the right is the ,cowgate1 near which ,porteous was hanged4 ,beyond is ,edinburgh ,castle1 occupying the summit of the lofty rock which rises precipitously above the houses of the ,old ,town4 ,the mob having ascertained that the sentence of death passed upon ,captain ,porteous would not be carried out1 resolved to become his executioners themselves2 and bursting the prison doors1 seized on the unfortunate officer1 whom they hurried to the place of execution4 ,while a gibbet was being prepared1 ,butler1 the clergyman who had been pressed into the service of the mob1 endeavoured to dissuade them from their desperate design4 ,porteous protested that what he had done fell out in self-defence1 in the lawful exercise of his duty2 but the enraged multitude were determined on his destruction4 ,separated from the unhappy victim by the press1 ,butler hastened from the spot1 and casting back a terrified glance1 discovered a figure struggling as it hung suspended above the heads of the multitude1 and could observe men striking at it with their axes4 9999999999 ,our other illustration is of a humorous character4 ,mr ,cruikshank represents the visit of the ,laird of ,dumbiedykes to ,jeanie ,deans4 ,when a change of residence1 from ,woodend to ,st ,leonard's ,crags1 was resolved upon1 ,jeanie concluded that she would be released from the visits of ,dumbiedykes1 but in this expectation she was disappointed2 for1 on the sixth day after her arrival1 the laird appeared at ,st ,leonard's1 laced hat1 tobacco pipe1 and all1 and1 with the self-same greeting of ,how is a' wi' you1 ,jeanie8 assuming nearly the same position as at ,woodend4 ,with an unusual exertion of the powers of conversation1 he added1 ,jeanie-,i say-,jeanie1 woman6 at the same time extending his hand towards her shoulder1 with all the fingers spread out as if to clutch it1 but in so awkward a manner1 that when she whisked beyond its reach1 the paw remained suspended in the air with the palm open1 like the claw of a heraldic griffin4 ,jeanie1 continued the swain1 in this moment of inspiration1 ,i say1 ,jeanie1 it's a braw day out-by1 and the roads are no that ill for boot-hose4 ,the deil's in that driv'ling body1 muttered ,jeanie1 wha wad hae thought o' his daunerin' out this length8 for the landed proprietor looked so unco gleg and canty1 that she didna ken what he might be coming out wi' next4 ,illustration3 #jeh ,illustration3 #jei ,,the ,,bride ,,of ,,lammermoor4 ,,bride ,,of ,,lammermoor1 one of the products of #ahai1 is founded on a remarkable narrative1 connected with the marriage of ,miss ,janet ,dalrymple1 daughter of the first ,lord ,stair1 who1 without the parental knowledge1 engaged herself to the ,lord ,rutherford1 but who subsequently consented to abandon her noble lover1 and accept the hand of ,david ,dunbar1 younger of ,baldoon1 whose suit was supported by her parents4 ,on the #bdth ,august #affi1 shortly after the nuptial ceremony1 the bridegroom was found in the bridal chamber lying across the threshold1 frightfully wounded and streaming with blood4 ,on a search1 the bride was discovered in the chimney-corner1 dabbled in gore1 and moping as an idiot2 she survived only two weeks4 ,the bridegroom1 who recovered from his wounds1 refused to answer any questions in relation to the tragedy2 he was killed by a fall from his horse in ,march #afhb499 99 ,the marriage contract of the ,bride of ,lammermoor has lately been discovered at ,st ,mary's ,isle1 the seat of the ,earl of ,selkirk4 ,his lordship is the representative of the family of ,dunbar of ,baldoon1 and has the family papers in his possession4 ,in arranging these he came upon the contract4 ,the four signatures are1 ,david ,dunbar the bridegroom1 ,janet ,dalrymple the bride1 ,james ,dalrymple1 and ,baldoon1 father of the bridegroom4 ,james ,dalrymple may have been the bride's brother1 who rode behind her to the church1 and whose dagger was used in the assault ,there is a little tremor in the bride's signature4 ,the accompanying illustration represents ,fast ,castle1 the original of ,wolf's ,crag1 of which the proprietors1 the ,logans and ,humes1 were conspicuous in ,scottish history4 ,margaret of ,england1 on her way to join her husband1 ,james ,,iv1 at ,edinburgh1 lodged a night in the castle4 ,yonder is ,wolf's ,crag1 said ,ravenswood1 and whatever it still contains is at your service1 ,bucklaw4 ,the roar of the sea had long announced their approach to the cliff1 on the summit of which1 like the nest of some sea-eagle1 the founder of the fortalice had perched his eyrie4 ,the pale moon1 which had hitherto been contending with flitting clouds1 now shone out1 and gave them a view of the solitary and naked tower1 situated on a projecting cliff that beetled on the ,german ,ocean4 ,on three sides the rock was precipitous2 on the fourth1 which was towards the land1 it had been originally fenced by an artificial ditch and drawbridge1 but the latter was broken down and ruinous1 and the former had been in part filled up1 so as to allow a passage for a horseman into the narrow courtyard1 encircled on two sides by low offices and stables partly ruinous1 and closed on the landward front by a low embattled wall1 while the remaining side of the quadrangle was occupied by the tower1 built of a greyish stone1 glimmering in the moonlight like the sheeted spectre of some huge giant4 ,a wilder or more disconsolate dwelling1 it was perhaps difficult to conceive4 ,the sombrous and heavy sound of the billows successively dashing against a rocky beach at a profound distance beneath1 was to the ear what the landscape was to the eye1 a symbol of unvaried and monotonous melancholy4 ,illustration3 #jfb-jfc ,illustration3 #jfd ,mr ,cruikshank has successfully depicted the humorous spectacle of ,caleb ,balderstone snatching provisions for his master's table4 ,dame ,lightbody expected a number of guests to the christening of her bit wean1 when ,caleb entered4 ,there bubbled on the bickering fire a huge caldron1 while before it revolved two spits1 one loaded with a quarter of mutton1 the other with a fat goose and a brace of wild ducks4 ,caleb turned to reconnoitre as the mother and grandmother hastened to attend the hero of the evening in a remote corner4 ,sending one of the youthful turnspits for snishing1 ,caleb1 not apprehending danger from the other1 lifted up the spit bearing the wild-fowl1 put on his hat1 and marched off with the plunder4 ,the boy at the spit was so bewildered that he became motionless1 and suffered the mutton to burn as black as a coal4 ,,ivanhoe4 ,,ivanhoe 7published in ,december #ahai7 was ,scott's first attempt to depict the manners and incidents of old ,english life1 and the effort was hailed with universal delight ,an impression of #ab1jjj copies was immediately disposed of4 ,our first illustration represents ,prince ,john and ,rebecca at the ,passage of ,arms at ,ashby4 ,prince ,john instantly recognised the ,jew1 but was much more agreeably attracted by the beautiful daughter of ,zion1 who1 terrified by the tumult1 clung to the arm of her aged father4 ,the figure of ,rebecca might have been compared with the proudest beauties of ,england4 ,her form was exquisitely symmetrical1 and showed to advantage by an ,eastern dress1 which she wore according to the fashion of the females of her nation4 ,the turban of yellow silk suited well with the darkness of her complexion4 ,the brilliancy of her eyes1 the superb circle of her eyebrows1 her aquiline nose1 her teeth as white as pearl1 and the profusion of her sable tresses1 which fell down upon as much of a lovely neck as a simar of rich ,persian silk permitted to be visible4 ,all these constituted a combination of loveliness4 ,a diamond necklace1 with pendants of inestimable value1 was conspicuous on her bosom4 ,the feather of an ostrich1 fastened in her turban by an agraffe1 was another distinction of the beautiful ,jewess1 another attraction to the quick eye of ,prince ,john4 ,the ,prince presented an open set of features1 well formed by nature1 and accurately moulded by art to the rules of courtesy4 ,his dress was one of the richest splendour1 a costly mantle lined with the finest sables fell down from his shoulder or floated in the breeze2 maroquin boots with golden spurs adorned his well-formed legs and feet1 and the grace with which he managed his palfrey gained him the unlimited applause of the glittering assemblage4 ,turning towards the gallery to which the ,jew and his lovely charge in vain attempted to obtain admission1 he gave instructions that both should have a place4 ,what is she1 ,isaac1 thy wife or thy daughter8 ,my daughter ,rebecca1 so please thy grace4 ,daughter or wife1 replied the ,prince1 she shall be preferred according to her beauty and thy merits4 ,illustration3 #jfg ,illustration3 #jfh ,the interview of the ,black ,knight and the ,friar of ,copmanhurst is from the pencil of ,mr ,cruikshank4 ,king ,richard1 otherwise the ,black ,sluggard1 having extorted the confidence of the jolly hermit1 obeyed his command as master of the feast3 ,sit down1 fill thy cup2 let us drink1 sing1 and be merry2 fill a flagon2 nought pitches the voice and sharpens the ear like a cup of wine2 and ,i love to feel the grape at my fingers' ends1 before they make the harp-strings tickle4 ,the king essayed a ballad1 which he had learned in the ,holy ,land1 during which the friar demeaned himself like a first-rate critic at a new opera4 ,when the ballad was ended1 the friar took up his harp1 and entertained the king with a characteristic song1 the concluding stanza of which is deserving of remembrance by brothers of the trade3 ,long flourish the sandal1 the cord1 and the rope1 ,the dread of the devil1 and trust of the ,pope2 ,for to gather life's roses unscathed by the briar1 ,is granted alone to the bare-footed friar4 ,,the ,,monastery4 ,,after the publication of ,ivanhoe1 ,scott returned for a time to the illustration of ,scottish life4 ,the ,monastery was published in ,march #ahbj1 in three duodecimo volumes4 ,owing to the supernatural element introduced by the ,white ,lady of ,avenel1 the novel was less successful than its predecessors4 ,it was1 however1 redeemed from absolute failure through the beautiful descriptions of natural scenery and the striking ,scottish manners which it presented4 ,in the accompanying engraving is represented the ,abbey of ,melrose amidst the beautiful scenery by which it is surrounded4 ,it is the finest specimen of ,gothic architecture in ,scotland4 ,the spire of the central tower has disappeared1 but the tower itself1 eighty-four feet in height1 imparts dignity to the structure4 ,the grand east window is of unparallelled beauty and elegance4 ,gothic pinnacles terminate the principal buttresses1'which1 with the various windows1 are decorated with admirably carved figures and niches richly sculptured4 ,in ,melrose ,abbey was deposited the heart of ,king ,robert the ,bruce1 after the unsuccessful attempt to carry it to ,palestine4 ,the absence of ,father ,eustace1 superior of the abbey1 who was detained much beyond his accustomed hour of returning home1 created alarm among his brethren1 and the dependants had all been summoned to assist1 with torches1 in searching for the venerable man4 ,the shout of joy that was raised as he approached1 soon convinced him of the object of the assemblage2 and the invitations distributed to the people1 to call at the convent kitchen for a quarter of a yard of roast beef each1 demonstrated the esteem in which he was held in the institution4 9999999999 ,in our second illustration ,herbert ,glendinning is presenting the silver bodkin which he received from the ,white ,lady4 ,the production of this token has caused the most extraordinary change in the aspect of ,sir ,piercie ,shafton1 whose serenity has suddenly become transformed into fury4 ,he has started up1 quivering with rage1 and in his inflamed and agitated features he resembles a demoniac rather than a mortal under the government of reason4 ,he thrusts both his clenched fists towards ,glendinning's face1 but the next moment withdraws them1 and striking his open palm against his forehead1 rushes from the apartment4 ,illustration3 #jga-jgb ,illustration3 #jgc ,,the ,,abbot4 ,,the ,,abbot was published in ,september #ahbj1 as a sequel to ,the ,monastery1 which appeared in the preceding ,march4 ,according to ,mr ,lockhart1 it arose in ,scott's mind during a visit to ,blair-,adam4 ,the beautiful localities of that estate are distinctly alluded to1 while the virtues of the amiable owner1 ,mr ,chief ,commissioner ,adam1 are admirably portrayed4 ,in the accompanying illustration1 the artist represents an apartment in ,holyrood ,palace1 in which the ,regent ,murray has just held a meeting of the ,privy ,council4 ,in the room is a long open table1 surrounded by stools of the same wood4 ,in front of a large elbow chair covered with crimson velvet1 the ,regent is standing4 ,the usher has marshalled ,roland ,grme into the apartment1 and the ,regent1 who had been laughing with the ,lords1 now assumed a deep and even melancholy gravity4 ,he was dressed in black velvet after the ,flemish fashion1 and wore in his high crowned hat a jewelled clasp which looped it up on one side1 and formed the only ornament of his apparel4 ,he had his poignard by his side1 and his sword lay on die table4 ,roland presented himself with a feeling of awe1 and with an abashed manner placed in his hand the letter of ,sir ,halbert ,avenel4 ,the ,earl paused before he broke the silk with which the letter was secured1 to ask the page his name1 so much was he struck with his handsome features and form4 9999999999 ,mr ,george ,cruikshank depicts the entrance of the ,abbot of ,unreason to the church of ,st ,mary's4 ,the door was thrown open with a shout which brought up the ,abbot and his brethren1 when the ,abbot of ,unreason entered4 ,then was a scene of ridiculous confusion4 ,boys shrieked and howled2 men laughed and hallooed2 women giggled and screamed2 and the beasts roared2 and the dragon walloped and hissed2 and the hobby-horse neighed1 pranced1 and capered2 and the rest frisked and frolicked1 clashing their hob-nailed shoes against the pavement till it sparkled with the marks of their energetic caprioles4 ,the ,abbot seemed at a stand4 ,he made a gesture of his hand as if commanding silence1 which was at first only replied to by redoubled shouts and peals of laughter4 ,illustration3 #jgf ,illustration3 #jgg ,,kenilworth4 ,,mr ,,constable requested that ,sir ,walter would introduce ,queen ,elizabeth in his next romance as a companion to ,mary ,stuart of the ,abbot4 ,the great novelist consented1 and having selected that period when the sudden death of the first ,countess of ,leicester opened to her husband's ambition the way to sharing a crown1 gave to his romance the name of ,kenilworth4 ,it was published in ,january #ahba1 in three volumes1 and at once excited the deepest interest4 ,kenilworth1 writes ,mr ,lockhart1 continues1 and ,i doubt not1 will ever continue1 to be placed in the very highest rank of prose fiction4 ,the rich variety of character and scenery and incident in this novel has never indeed been surpassed1 nor1 with the one exception of the ',bride of ,lammermoor1' has ,scott bequeathed us a deeper and more affecting tragedy than that of ,amy ,robsart4 ,refer-ing to his materials for the novel1 ,sir ,walter writes in #ahca3 ,the reader will find ,i have borrowed several incidents1 as well as names1 from ',ashmole's ,antiquities1' and the more early authorities2 but my first acquaintance with the history was through the more pleasing medium of verse4 ,there is a period in youth when the mere power of numbers has a more strong effect on ear and imagination1 than in more advanced life4 ,at this season of immature taste the author was greatly delighted with the poems of ,mickle and ,langliome1 poets who1 though by no means deficient in the higher branches of their art1 were eminent for their powers of verbal melody above most who have practised this department of poetry4 ,one of those pieces of ,mickle1 which the author was particularly pleased with1 is a ballad1 or rather a species of elegy1 on the subject of ,cumnor ,hall1 which1 with others by the same author1 were to be found in ,evans's ',ancient ,ballads' 7vol4 iv41 p4 #acj71 to which work ,mickle made liberal contributions4 ,among the sports at ,kenilworth got up to entertain ,queen ,elizabeth1 was a mock battle between the ,english and the ,danes1 somewhat resembling the ancient hocktide play4 ,on a preconcerted signal the combatants engaged1 but the concussion was less violent than had been anticipated4 ,this was not owing to any apprehension of each other1 but to the fear of being pushed into the lake4 ,when the battle raged furiously the former precaution was neglected1 and the pressure causing the railings to yield1 many were precipitated into the water4 ,this scene is depicted in the accompanying illustration4 ,illustration3 #jhj ,illustration3 #jha ,in his etching ,mr ,cruikshank represents a stirring incident in the novel4 ,wayland ,smith and ,tresilian1 being now partners in a serious adventure1 the former consented to abandon for a season his mysterious forge2 but scarcely had he done so1 when ,flibbertigibbet entered the dark tenement1 and employed the combustibles he found there to blow up the cave4 ,he had hinted at his mischievous intentions as ,tresilian and ,wayland were mounting their horses1 but when the former attempted to catch1 and compel him to speak less mystically1 the urchin fled with a velocity almost preternatural1 and baffled the best efforts of his pursuers4 ,,the ,,pirate4 ,,by his four novels1 published between ,december #ahai1 and ,january #ahba1 ,sir ,walter had realised at least #aj1jjj1 while #ejjj additional were paid him by ,constable and ,co4 for the remainder of these copyrights4 ,the ,pirate appeared in ,december #ahba1 and in the words of ,mr ,lockhart1 the wild freshness of its atmosphere1 the beautiful contrast of ,minna and ,brenda1 and the exquisitely-drawn character of ,captain ,cleveland1 found a reception which they deserved4 ,in the accompanying illustration1 ,noma has arrived at the spot where the shipwrecked seaman had been cast1 just in time to restore suspended animation1 and to protect him from plunder4 ,assisted by ,mordaunt she raised the pirate's head to enable him to disgorge the sea water2 but while her kind services were in progress1 ,bryce ,snailsfoot1 the pedlar1 exhibited symptoms of dishonesty1 by commencing to remove the pirate's finger-rings1 while he cast an avaricious glance towards the chest4 ,of the latter the contents were plain and lace ruffled shirts1 a silver compass1 a silver hilted sword1 and other valuable articles which the pedlar knew would stir in the trade4 ,from his villainy ,bryce was deterred by the menaces of ,noma1 which were scarcely uttered before the voices of approaching wreckers fell upon her ear4 ,but her vigorous determination1 and the superstitious influence which she exercised over the islanders1 enabled her to save both the life and the property of ,cleveland4 ,the second illustration represents ,noma ,despatching the ,provisions4 ,the attendants of ,magnus ,troil had just laid out the cold collation which they had brought with them1 and were about to take seats at the table1 when ,noma1 seizing one article after another1 flung them out of the window into the sea which foamed below2 hams and pickled beef flew into the empty space1 smoked geese were returned to the air1 and cured fish to their native element4 ,with some difficulty the ,udaller rescued his silver drinking-cup from the destroyer's hands4 ,what occasioned ,magnus the deepest chagrin was to find his brandy flask1 first in the possession of the dwarf ,pacolet1 and afterwards in its passage through the window1 an event which was attended by a fiendish grin on the part of ,norna's attendant4 ,illustration3 #jhd ,illustration3 #jhe-jhf ,,fortunes ,,of ,,nigel ,,this highly interesting and popular romance was published on the #cjth ,may #ahbb4 ,next day ,constable wrote from ,london to the author as follows3 ,i learn with astonishment1 but not less delight1 that the press is at work again4 ,a new novel1 from the author of ,waverley1 puts aside-in other words1 puts down for the time-every other literary performance4 ,the smack ',ocean1' by which the new work was shipped1 arrived at the wharf on ,sunday2 the bales were got out by one on ,monday morning1 and before half-past ten o'clock1 #gjjj copies had been dispersed from #ij ,cheapside499 ,though chiefly connected with the fortunes of ,george ,heriot1 the benevolent ,scottish jeweller1 who founded the ,hospital at ,edinburgh which bears his name1 the novel fully depicts the habits of ,english court life during the reign of ,james ,i4 ,the character of that weak and vacillating prince1 and the corrupt manners which he introduced or countenanced1 are skilfully set forth4 99 ,constable's ,london ,agents1 ,messrs ,hunt1 ,robertson1 ,co41 had their premises in ,cheapside4 ,the accompanying illustration represents the meeting of ,king ,james and ,nigel ,olifaunt ,when the king had leisure to take a view of his new companion1 he exclaimed1 ,ye are nane of our train1 man2 in the name of ,god1 what are ye8 ,if your majesty will look on me1 said ,nigel1 you will see one whom necessity makes bold to avail himself of an opportunity which may never occur again4 ,the king looked-his face became pale-he dropped the couteau de chasse from his hand1 and exclaimed1 ,glenvarlochides1 as sure as ,i am christened ,james ,stuart3 this is a bonnie spot of work1 and me alone and on foot too6 ,the prince meanwhile came up1 and seeing ,nigel1 thus accosted him1 ,sir1 you knew yourself to be accused of a heavy offence1 and instead of rendering yourself up to justice1 you are found intruding yourself upon his majesty's presence1 and armed with unlawful weapons4 ,hear me1 hear me1 noble prince6 said ,nigel1 eagerly1 hear me2 you-even you yourself-may one day ask to be heard1 and in vain4 ,how am ,i to construe that1 my lord8 said the prince1 haughtily4 ,if not on earth1 sir1 replied the prisoner1 yet to heaven we must all pray for patient and favourable audience4 ,well1 sir1 said the prince1 we will ourselves look into your case4 ,illustration3 #jhi ,illustration3 #jij ,mr ,cruikshank represents the encounter between the citizen and the soldier4 ,the citizen took his ground in the midst of the bowling alley1 brandishing his blade1 as if he were to measure cambric with it2 while the captain stood at the distance of twelve paces1 having looked over his shoulder to secure a retreat4 ,perceiving that the man of war did not advance1 the citizen rushed at him1 beat down his guard1 and thrust1 as it seemed1 his sword clean through his body1 when he1 with a deep groan1 fell lengthwise on the ground4 ,a score of voices exclaimed to the conqueror1 as he stood utterly overcome by his own feat1 ,away with you6 ,fly to ,whitefriars'1 while we keep off the constables4 ,while the hero was flying with all speed1 they raised the fallen swordsman1 and opening his vest to search for a wound which did not exist1 he suddenly recovered his senses2 and concluding that the ordinary was no longer a place or stage on which to display his valour1 took to his heels1 pursued by the laughter and shouts of the assemblage4 ,,peveril ,,of ,,the ,,peak4 ,,scenes and events in old ,english life again employed the pen of the great novelist4 ,the reign of ,charles ,,ii4 was the period of his present narrative4 ,it was composed hastily1 and in the opinion of many was not equal to his powers4 ,peveril of the ,peak1 writes ,mr ,lockhart1 appeared in ,january #ahbc4 ,its reception was somewhat colder than that of its three immediate predecessors4444 ,fenella was an unfortunate conception4 ,what is good in it is not original1 and the rest extravagantly absurd and incredible4 ,yet did any dramatist ever produce1 in spite of all the surrounding bewilderment1 characters more powerfully conceived1 or on the whole more happily portrayed1 than those of ,christian1 ,bridge-north1 ,buckingham1 and ,chiffinch8-sketches more vivid than those of young ,derby1 ,colonel ,blood1 and the keeper of ,newgate8 ,our artist depicts the departure of the ,countess of ,derby from ,peveril's ,castle4 ,the sounds boot and saddle rang through the halls of the castle1 and in a few minutes the deep dell which separated the rugged rocks of that wild district was occupied with ,peveril's followers proceeding cautiously to escort the ,countess to the ,cheshire border4 ,a party of troopers in advance was followed by the main body which accompanied the ,countess1 mounted on ,peveril's palfrey1 along with a groom of approved fidelity1 and attended by the ,knight of the ,peak with three files of horsemen4 ,dreading pursuit1 they rode with the beard on the shoulder1 looking round from time to time at the sound of any unusual noise4 9999999999 ,mr ,cruikshank represents the encounter between the dishonest ,chiffinch and ,peveril and ,lance his pursuers4 ,chiffinch1 in full presumption of his security1 was riding along leisurely with his prize1 when ,peveril and ,lance reached a solitary part of the road1 where neither man nor woman were in sight4 ,lance then pushed forward with so much alacrity that he was between the courtier and his attendant1 and had actually upset the ,frenchman and his horse before any effort could be made to resist him4 ,julian99 snatched the bridle of ,chiffinch's horse with one hand1 and presented at him a pistol with the other4 ,rogue1 cried ,chiffinch1 take my purse1 do me no harm1 and spare the spices4 99 ,when1 in #ahba1 ,charles ,mayne ,young1 the eminent tragedian1 was on a visit to ,edinburgh1 he waited on ,sir ,walter at his residence in ,castle ,street4 ,he was accompanied by his son ,julian1 then a youth4 ,after warmly shaking hands with the tragedian1 ,sir ,walter laid his hand gently on his son's shoulder1 and asked his ,christian name4 ,as soon as he heard it he exclaimed1 ,why1 who is he called after8 ,master ,chiffinch1 said ,peveril1 give me back that packet which you stole from me the other night1 or ,i will send a brace of balls through you1 and search for it at leisure ,the tone of ,peveril's voice1 and the closeness of his pistol1 convinced ,chiffinch that an immediate delivery was necessary2 thrusting his hand into a side-pocket1 he brought out the object of ,peveril's pursuit4 ,by presenting the butt-end of his whip la militaire1 ,lance pinned his enemy to the ground1 where he lay on his back imploring mercy4 ,illustration3 #jic ,illustration3 #jid ,it is a fancy name in memoriam of his mother1 compounded of her two names1 ,julia ,anne1 said ,mr ,young4 ,it's a capital name for a novel1 responded ,sir ,walter4 ,in his next novel1 ,peveril of the ,peak1 the hero's name was ,julian4--,memoir of ,charles ,mayne ,young1 by ,julian ,charles ,young2 ,m4,a4 ,london1 #ahga4 ,,quentin ,,durward4 ,,on his next adventure1 ,sir ,walter took a wider field4 ,in the romance of ,quentin ,durward1 which appeared in ,june #ahbc1 he portrayed characters and events connected with the history and times of ,louis ,,xi4 and ,charles the ,bold4 ,the sensation1 writes ,mr ,lockhart1 which this novel1 on its first appearance1 created in ,paris1 was extremely similar to that which attended the original ',waverley' in ,edinburgh1 and ',ivanhoe' afterwards in ,london4 ,for the first time1 ,scott had ventured on foreign ground2 and the ,french public1 long wearied of the pompous tragedians and feeble romancers1 who had alone striven to bring out the ancient history and manners of their country1 were seized with a fever of delight4444 ,germany had been fully awake to his merits years before1 but the public there also felt their sympathies appealed to with hitherto unmatched strength and effect4 ,the infection of admiration ran far and wide on the ,continent1 and soon reacted most potently on ,britain4 ,the accompanying illustration represents one of the most stirring scenes in the novel4 ,louis of ,bourbon1 ,bishop of ,liege1 having accused ,de la ,marck of sacrilege1 and advised him to array himself in sackcloth and ashes1 and proceed on a pilgrimage to ,rome1 the rage of the tyrant rose gradually with the admonitions of the priest1 until he at length determined upon vengeance4 ,raising himself in his chair as ,louis ceased1 he looked to ,nickel ,blok1 and lifted his finger1 without speaking a word4 ,the ruffian struck1 as if he had been doing his office in the shambles1 and the murdered ,bishop sunk at the foot of the ,episcopal throne4 ,mr ,cruikshank is in his element in describing ,cardinal ,balue's predicament at the boar hunt4 ,while the ,cardinal was in conversation with the king1 his horse1 seizing the bit with his teeth1 set off at an uncontrollable gallop1 leaving the king and ,dunois far behind4 ,the limbs of the quadruped1 no way under the rider's control1 fly at such a rate as if the hindermost meant to overtake the foremost1 while the cardinal's body1 instead of sitting upright1 hangs crouched on the back of the animal1 representing a picture sufficiently ludicrous4 ,his short violet-coloured gown1 which he used as a riding-dress1 his scarlet stockings1 and scarlet hat1 with the long strings hanging down1 together with his utter helplessness1 impart infinite zest to his exhibition of horsemanship4 ,illustration3 #jig ,illustration3 #jii ,,st ,,ronan',s ,,well ,,in the romance which followed ,quentin ,durward1 ,sir ,walter resumed his illustration of the manners of his own country4 ,st ,ronan's ,well appeared in ,december #ahbc1 and in this novel he1 for the first time1 adventured on the representation of contemporaneous history4 ,in ,england1 its reception was cold2 but ,scottish readers maintained that ,meg ,dods and ,clara ,mowbray were among the best creations of the ,unknown4 ,at ,innerleithen1 the scene of the novel1 there was great rejoicing1 the inhabitants proposing to drop its old name1 and substitute that of ,st ,ronan's4 ,in our first illustration1 our artist represents the meeting of ,tyrrel and ,clara ,mowbray4 ,she pulled up the reins1 and stopped as if arrested by a thunderbolt4 ',clara6' ',tyrrel6' ,these were the only words that were exchanged between them until ,tyrrel1 moving his feet as slowly as if they had been lead1 began gradually to diminish the distance which lay betwixt them4444 ',surely you need not come1' said ,clara1 'either to renew your own unhappiness or to augment mine4' ',to augment yours-,god forbid6' answered ,tyrrel4 ',no2 ,i came hither only because1 after so many years of wandering1 ,i longed to revisit the spot where all my hopes lay buried4' ',ay1 buried is the word1' she replied2 'crushed down and buried when they budded fairest4 ,i often think of it1 ,tyrrel2 and there are times when-,heaven help me6-,i can think of little else4 ,look at me2 you remember what ,i was2 see what grief and solitude have made me4' ,she flung back the veil which surrounded her riding-hat1 and which had hitherto hid her face4 ,it was the same countenance which he had formerly known in all the bloom of early beauty2 but though the beauty remained1 the bloom was fled for ever4 ,not the agitation of exercise-not that which arose from the pain and confusion of this unexpected interview-had called to poor ,clara's cheek even the momentary semblance of colour4 ,her complexion was marble-white1 like that of the finest piece of statuary4 ,with inimitable zest1 ,mr ,george ,cruikshank has represented the rencontre between ,meg ,dods and ,captain ,mac,turk4 ,meg flourished the broom round her head1 exclaiming1 as the ,captain approached1 ,i ken your errand weel eneugh1 and ,i ken yoursel'2 ye are ane of the folk that gang aboot yonder1 setting folks by the lugs1 as callants set their collies to fecht2 but ye shall come to nae lodger o' mine1 let-a-be ,maister ,tirl1 wi' ony sic ungodly errand2 for ,i am ane that will keep ,god's peace and the king's within my dwelling4 ,the apostrophe was followed by another flourish of the broom1 which obliged the ,captain to retire a few paces1 and stand on the defensive4 ,illustration3 #ajb ,illustration3 #ajc ,,red ,,gauntlet4 ,,red ,,gauntlet was published in ,june #ahbd4 ,the introduction of ,prince ,charles ,edward1 amidst the dulness of hopeless fortune and of advancing age1 contrasting painfully with his romantic portraiture in ,waverley1 considerably affected the popularity of the novel on its first appearance4 ,the characters of ,peter ,peebles1 ,nanty ,ewart1 and ,wandering ,willie1 all so skilfully portrayed1 redeemed the work from absolute failure4 ,the accompanying engraving represents salmon hunting in the ,solway4 ,the banks of that great estuary are here bare and exposed1 the waters having receded from a large space of sand through which a stream feeble and fordable found its way to the ocean4 ,the whole was illuminated by the beams of the setting sun1 who showed his ruddy front over a huge battlemented wall of crimson and black clouds1 resembling some immense ,gothic fortress into which the lord of day was descending4 ,at this moment the salmon hunters hastened to the shore1 and commenced the ancient sport4 ,they chased the fish at full gallop1 and struck them with barbed spears--as hunters spearing boars1 in the old tapestry4 ,the feats of one horseman1 in particular1 called forth the clamorous applause of his companions so repeatedly1 that the very banks rang again with their shouts4 ,he was a tall man1 well mounted on a strong black horse1 which he caused to turn and wind like a bird in the air1 carried a longer spear than the others1 and wore a sort of fur cap or bonnet1 with a short feather in it1 which gave him rather a superior appearance to the other fishermen4 ,he seemed to hold some sort of authority among them1 and occasionally directed their motions1 both by voice and hand2 at which times his gestures were striking1 and his voice sounded uncommonly sonorous and commanding4 ,in our second illustration ,mr ,cruikshank presents the frightful adventure of ,hutcheon and ,dougal ,mac,callum in presence of the dead body of ,redgauntlet4 ,when midnight came1 and the house was quiet as the grave1 the silver whistle sounded as sharp and shrill as if ,sir ,robert was blowing it1 and up got the two old serving-men1 and tottered into the room where the dead man lay4 ,hutcheon saw enough at the first glance2 for there were torches in the room1 which showed him the foul fiend in his ain shape1 sitting on the laird's coffin6 ,ower he couped1 as if he had been dead4 ,he could not tell how long he lay in a trance at the door2 but when he gathered himself1 he cried on his neighbour1 and getting nae answer1 raised the house1 when ,dougal was found lying dead within twa steps of the bed where his master's coffin was placed4 ,as for the whistle1 it was lost ance and aye1 but mony a time it was heard at the top of the house on the bartizan and among the auld chimneys and turrets1 where the howlets have their nests4 ,illustration3 #ajf ,illustration3 #ajg ,,the ,,betrothed4 ,,the ,,betrothed appeared in ,june #ahbe as one of the ,tales of the ,crusaders4 ,on account of certain scruples of ,james ,ballantyne and ,mr ,constable1 ,sir ,walter had nearly consented to cancel the sheets1 after the tale1 excepting the two last chapters1 had been printed off4 ,subsequently1 he consented to prepare the tale of the ,talisman which might accompany its entrance into the world4 ,both tales appeared together1 and their success left nothing to be desired4 ,the accompanying illustration represents a striking scene in the novel4 ,while the monk and the ,fleming slept soundly under the shade of the battlement1 ,eveline ,berenger could forbear no longer in breaking silence4 ,men1 my beloved ,rose1 she said1 are happy2 their anxious thoughts were either diverted by toil1 or drowned in the insensibility which follows it2 they may encounter wounds or death1 but women feel a keener anguish than the body knows2 and in the gnawing sense of present ill1 and fear of future misery1 suffer a living death more cruel than that which ends our woes at once4 ,in vain ,rose endeavoured to assuage her grief2 she answered1 ,you have a father to fight and watch for you2 mine-my kind1 noble1 and honoured parent1 lies dead on yonder field4 ,so saying1 she sunk down on the banquette1 murmuring to herself1 ,he is gone for ever6 ,one hand grasped unconsciously the weapon which she held1 and served at the same time to prop her forehead1 while tears1 by which she was now relieved1 flowed in torrents from her eyes1 and her sobs seemed so convulsive1 that ,rose almost feared her heart was bursting4 ,illustration3 #aaj-aaa ,illustration3 #aab ,,the ,,highland ,,widow4 ,,the tale of the ,highland ,widow was included in the first series of the ,chronicles of the ,canongate4 ,it appeared in ,november #ahbg1 subsequent to the breaking up of ,constable's publishing house4 ,in the accompanying illustration is presented the striking scene where ,hamish ,bean ,mac ,tavish was urged by his mother to fire upon the military party who sought to apprehend him4 ,it was evening2 the gigantic shadows of the mountains streamed in darkness towards the east1 while their western peaks were still glowing with crimson and gold4 ,from the road which wound round ,ben ,cruachan1 five ,highland soldiers were fully visible at the door of the bothy4 ,one walked a little before the others2 this was ,serjeant ,cameron1 who called out1 ,hamish ,bean ,mac ,tavish1 lay down your arms and surrender6 ,at the door of the bothy ,hamish stood like a statue holding his firelock1 while his mother standing behind him1 and almost driven to frenzy by the violence of her passions1 reproached him for want of resolution and faintness of heart4 ,her words increased the bitter gall which was arising in his spirit1 as he saw his late comrades making towards him like hounds towards the stag at bay4 ,the scourge1 the scourge1 my son1 beware the scourge1 whispered the mother4 ,it was enough4 ,hamish fired his piece1 and ,serjeant ,cameron dropped dead4 ,,the ,,talisman4 ,,the ,,talisman was pronounced by ,james ,ballantyne to be so decided a masterpiece that ,the ,betrothed might venture abroad under its wing4 ,it relates to that period of the ,crusades in which ,richard ,cour de ,lion evinces his heroism and his cruelty in opposition to the noble qualities of the brave and generous ,saladin4 ,the accompanying illustration represents the scene in which the ,knight of the ,leopard reluctantly introduces the ,baron of ,gilsland into his hut4 ,there lay extended his squire under the influence of an ,asiatic fever4 ,having apologised for the homely appearance of the ,scottish quarter1 he proceeded to inquire after the state of the patient4 ,the person seated beside the sick bed is a ,moorish physician whom ,saladin had sent to minister to the malady of ,king ,richard1 but whom the ,english distrusted1 and first made trial of his sincerity and skill by committing to his care the ,squire of ,sir ,kenneth4 ,as the visitors entered1 the invalid had fallen into a refreshing sleep1 from which ,el-,hakim assured them he would awake invigorated4 9999999999 ,the chapel scene of ,sir ,kenneth and the dwarf is admirably hit by ,mr ,cruikshank4 ,as the knight stood alone in the chapel a shrill whistle rung sharply4 ,it was a sound ill suited to the place1 and reminded ,sir ,kenneth that he should be upon his guard4 ,a creaking sound as of a screw or pulley succeeded1 and a light streaming upwards showed that a trap-door had been raised or depressed4 ,in less than a minute a long skinny arm1 partly naked1 partly clothed in a sleeve of red samite1 arose out of the aperture1 holding a lamp as high as it could stretch upwards1 and the figure to which the arm belonged ascended step by step to the level of the floor4 ,the form and face of the being who thus presented himself were those of a frightful dwarf with a large head1 a cap fantastically adorned with three peacock's feathers1 a dress of red samite1 the richness of which rendered his ugliness more conspicuous1 distinguished by gold bracelets and armlets1 and a white silk sash1 in which he wore a gold-hilted dagger4 ,the figure held a broom in his left hand1 and with his right moved the lamp over his face and person1 illuminating his wild features and misshapen limbs4 ,the dwarf whistled1 and a second figure ascended in the same manner as the first4 ,it was a female4 ,her dress1 also of red samite1 was fantastically cut and flounced4 ,she also passed the lamp over her face and person1 which seemed to rival the male in ugliness4 ,approaching the knight1 they turned the gleam of their lamps upon him1 and raised a yelling laugh4 ,upon his demanding who they were1 he was answered--,i am the dwarf ,nectabanus2 and ,i ,guenevra1 his lady and his love4 ,hush1 fools1 and begone6 said a voice from the side on which the knight had entered4 ,the dwarfs heard the command1 blew out their lights1 and left the knight in darkness4 ,illustration3 #aae ,illustration3 #aaf ,,woodstock4 ,,the novel of ,woodstock1 or1 ,the ,cavalier3 a ,tale of the ,year ,sixteen ,hundred and ,forty-one1 was issued in ,june #ahbf1 and was the last of the compositions which were published under the nominis umbra of the ,author of ,waverley4 ,it was composed within the space of three months1 and immediately realised to the estate of the ingenious author1 no less than #hbbh1 less cost of paper and printing the first edition4 ,the first illustration represents the aged ,sir ,henry ,lee expressing his blessing over the head of ,king ,charles ,,ii4 ,it was evident policy in the monarch to recognise those who had been faithful to his family when fortune frowned4 ,the presence of ,sir ,henry ,lee1 attended by ,bevis1 awoke most grateful feelings in the royal breast4 ,springing from his horse1 and hastening to the aged gentleman1 whom he prevented from rising to do him homage1 amidst the enthusiastic applause of the spectators1 he threw himself at his feet1 and said-,bless1 father1 bless your son1 who has returned in safety1 as you blessed him when he departed in danger4 ,the ,king returned1 joined the cavalcade1 and the gorgeous array again put in motion1 was followed by the watchful eyes of ,alice1 and the attendants of ,sir ,henry1 who1 on their return1 were startled to perceive that his cheek had assumed an unearthly paleness2 that his eyes were closed2 that his features expressed a rigidity that was not that of sleep4 ,they had come too late-the light that burned so low in the socket had leaped up1 and expired in one exhilarating flash4 9999999999 ,mr ,cruikshank admirably portrays ,mr ,holdenough's triumph over the military intruder4 ,holdenough was in the act of ascending the steps of the pulpit when one of the soldiers seized him by the cloak saying1 ,is it your purpose to hold forth to these good people8 ,ay1 marry is it1 said the clergyman1 let me not in my labour4 ,but the man of war being himself minded to address the congregation1 ,mr ,holdenough called out3-,give place1 thou man of ,satan2 respect mine order-my cloth4 ,the soldier protested that he perceived no more to respect in the cut of ,mr ,holdenough's cloak than he did in the bishop's rochets-they were black and white2 his1 blue and brown4 ,mr ,holdenough1 finding the enemy incorrigible1 called out-,master ,mayor of ,woodstock1 wilt thou be amongst those wicked magistrates1 who bear the sword in vain8 ,citizens1 will you not help your pastor8 ,worthy ,alderman1 will you see me strangled on the pulpit-stairs by this man of buff and ,belial8 ,but1 lo6 ,i will overcome him1 and cast his cords from us4 ,as he thus spoke1 he dexterously slipped the string which fastened his cloak round his neck1 so that the garment suddenly gave way1 and the soldier1 who had a tenacious grasp of it1 fell backwards1 down the steps of the pulpit2 while the divine skipped actively up1 and immediately gave forth a psalm of triumph4 ,illustration3 #aai ,illustration3 #abj ,,the ,,fair ,,maid ,,of ,,perth4 ,,the ,,fair ,,maid ,,of ,,perth was published in ,april #ahbh1 and became popular at once2 it commenced a second series of the ,chronicles of the ,canongate4 ,the narrative is founded upon an interesting event in ,scottish history4 ,two clans who were at variance deputed thirty champions to fight out a quarrel of old standing in the presence of ,king ,robert ,,iii41 his brother the ,duke of ,albany1 and the whole ,scottish ,court1 at ,perth1 in the year #acif4 ,two characters in the novel1 the glee-maiden and ,conachar are regarded as among ,scott's very best conceptions4 ,the accompanying illustration represents an interesting scene4 ,the ,fair ,maid and the ,carthusian monk are seated at the foot of ,kinnoul hill1 which commands the beautiful vale of the ,tay4 ,the monk1 who wore his white gown and scapular1 sat for some time with his eyes fixed on the glorious prospect1 of which even the early and chilly season could not conceal the beauties4 ,at length he addressed his proselyte3 ,when ,i behold this rich and varied land1 with its castles1 churches1 convents1 stately palaces1 and fertile fields1 these extensive woods1 and that noble river1 ,i know not1 my daughter1 whether most to admire the bounty of ,god or the ingratitude of man4 ,he hath given us the beauty and fertility of the earth1 and we have made the scene of ,his bounty a charnel-house and a battle-field4 ,he hath given us power over the elements1 and skill to erect houses for comfort and defence1 and we have converted them into dens for robbers4 ,yet surely1 my father1 there is room for comfort1 replied ,catherine4 ,yonder four goodly convents1 and their inhabitants1 who have separated themselves from the world for the service of ,heaven1 bear witness that if ,scotland be a sinful land1 she is yet sensible to the claims of religion4 ,verily1 daughter1 answered the priest1 what you say seems truth1 but it is to be feared that the love of many has waxed cold4 9999999999 ,the second illustration is from the pencil of ,cruikshank4 ,the common people had throughout the day toiled and struggled at football4 ,the usual revels had taken place1 and the carnival was closing quietly in general1 but in some places the sport was still kept up4 ,one company of revellers seemed unwilling to conclude their frolic4 ,the ,entry1 as it was called1 consisted of thirteen persons1 habited in the same manner1 having doublets of chamois leather sitting close to their bodies1 curiously slashed and laced4 ,they wore green caps with silver tassels1 red ribands1 and white shoes1 had bells hung at their knees and around their ankles1 and naked swords in their hands4 ,this gallant party1 having exhibited a sword-dance before the king1 with much clashing of weapons1 and fantastic interchange of postures1 went on gallantly to repeat their exhibition before the door of ,simon ,glover1 where1 having made a fresh exhibition of their agility1 they caused wine to be served round to their own company and the bystanders1 and with a loud shout drank to the health of the ,fair ,maid4 ,illustration3 #abc ,illustration3 #abd ,,anne ,,of ,,geierstein4 ,,anne ,,of ,,geierstein1 or the ,maiden of the ,mist was published in ,may #ahbi4 ,it may1 writes ,mr ,lockhart1 be almost called the last work of ,scott's imaginative genius1 and it was received at least as well 7out of ,scotland1 that is71 as the ',fair ,maid of ,perth' had been1 or indeed as any novel of his after the ,crusaders4 ,i partake very strongly1 ,i am aware1 in the feeling which most of my own countrymen have little shame in avowing1 that no novel of his where neither scenery nor character is ,scottish1 belongs to the same pre-eminent class with those in which he paints and peoples his native landscape4 ,i have confessed that ,i cannot rank even his best ,english romances with such creations as ',waverley' and ',old ,mortality2' far less can ,i believe that posterity will attach similar value to this ,maid of the ,mist ,its pages1 however1 display in undiminished perfection all the skill and grace of the mere artist1 with occasional outbreaks of the old poetic spirit1 more than sufficient to remove the work to an immeasurable distance from any of its order produced in this country in our own age4 ,indeed1 the various plays of fancy in the combination of persons and events1 and the airy liveliness of both imagery and diction1 may well justify us in applying to the author what he beautifully says of his ,king ,ren-- ',a mirthful man he was2 the snows of age ,fell1 but they did not chill him4 ,gaiety ,even in life's closing1 touch'd his teeming brain ,with such wild visions as the setting sun ,raises in front of some hoar glacier1 ,painting the bleak ice with a thousand hues4' ,the first of the accompanying illustrations represents ,margaret of ,anjou and ,arthur ,philipson in ,strasburg ,cathedral4 ,when ,philipson1 who had been bred a devoted adherent to the dethroned line of ,lancaster1 of which his father was a firm supporter1 saw the dauntless widow of ,henry ,,vi41 whose courage and policy had upheld the sinking cause of her husband1 he threw his bonnet on the pavement and knelt at the feet of the injured ,queen4 ,margaret1 throwing back the veil which concealed her majestic features1 gave one hand to the young knight1 who covered it with tears and kisses1 and with the other endeavoured to raise him from the posture he had assumed4 ,illustration3 #abg ,illustration3 #abh ,the second illustration represents ,philipson and the ,german ,innkeeper4 ,philipson inquired for the landlord1 and was answered by a finger pointed towards a recess behind the great stove1 where1 veiled in his glory1 the monarch obscured himself from vulgar gaze4 ,he was short1 stout1 bandy-legged1 and consequential2 his countenance and manner differing from the merry host of ,england or of ,france4 ,philipson was too well acquainted with ,german customs to expect the suppliant qualities of a ,french mitre d' hotel1 or the frankness of an ,english landlord2 but this man's brow was a tragic volume2 his answers were short and repulsive2 and the tone as sullen as the tenor4 ,,the ,,surgeon',s ,,daughter4 ,,the ,surgeon's ,daughter was published in #ahbg1 in the second series of the ,chronicles of the ,canongate4 ,the first plate represents ,julia de ,moncada and her father4 ,follow me1 gentlemen1 said ,gideon1 and you shall see the young lady4 ,and then1 his strong features working with emotion at anticipation of the distress which he was about to inflict1 he led the way up the small staircase1 and1 opening the door1 said to ,moncada1 who had followed him--,this is your daughter's only place of refuge1 in which ,i am1 alas6 too weak to be her protector4 ,enter1 sir1 if your conscience will permit you4 ,the stranger turned on him a scowl1 into which it seemed as if he would willingly have thrown the power of the fabled basilisk4 ,then stepping proudly forward1 he stalked into the room4 ,he was followed by ,lawford and ,gray1 at a little distance4 ,the messenger remained in the doorway4 ,the unhappy young woman heard the disturbance1 and guessed the cause too truly4 ,it is possible she might have seen the strangers on their descent from the carriage4 ,when they entered the room1 she was on her knees beside an easy-chair4 ,moncada uttered a single word1 but none knew its import4 ,the female gave a convulsive shudder1 such as that by which a half-dying soldier is affected in receiving a second wound4 9999999999 ,with his wonted humour1 ,mr ,cruikshank has sketched ,dr ,gideon ,gray and the wives of ,middlemas4 ,gideon ,gray1 surgeon at ,middle-mas1 was a plain1 blunt1 middle-aged man1 with a touch of cynicism about him4 ,late of an autumn evening1 three old women raced towards his door1 accompanied by some idle young fellows1 who were loudly betting on the winner4 ,half-a-mutchkin on ,luckie ,simson4 ,auld ,peg ,tamson against the field4 ,mair speed1 ,alison ,jaup1 ye'll tak' the wind out of them yet4 ,canny against the hill1 lassies1 or we may ha'e a burstin' auld carline amang ye4 ,these1 and a thousand such gibes1 rent the air1 without being noticed by the anxious racers1 whose object of contention seemed to be which should first reach the doctor's door4 ,mr ,gray1 who had just dismounted from a long journey1 hastened downstairs1 auguring some new occasion for his services4 ,he had just reached the door as ,luckie ,simson1 one of the racers1 arrived in the little area before it4 ,she stood1 blowing like a grampus1 her loose toy flying back from her face1 making the most violent efforts to speak1 but without the power of uttering a word4 ,peg ,tamson whipped in before her-,the leddy1 sir2 the leddy6 ,instant help6 instant help6 screeched1 rather than uttered1 ,alison ,jaup2 while ,luckie ,simson1 who had certainly won the race1 found words to claim the prize which had set them all in motion-,and ,i hope1 sir1 you will recommend me to be the sick-nurse2 ,i was here to bring you the tidings long before ony o' thae lazy queans4 ,illustration3 #aca ,illustration3 #acb ,,count ,,robert ,,of ,,paris4 ,,in his ,diary1 under ,february #aith1 #ahbf1 ,sir ,walter thus writes3 ,being troubled with thick-coming fancies1 and a slight palpitation of the heart1 ,i have been reading the ',chronicle of the ,good ,knight ,messire ,jacques de ,lalain'-curious1 but dull1 from the constant repetition of the same species of combats in the same style and phrase4 ,it is like washing bushels of sand for a grain of gold44444 ,still1 things occur to one4 ,something might be made of a tale of chivalry-taken from the passage of arms1 which ,jacques de ,lalain maintained for the first day of every month for a twelvemonth44444 ,this would be light summer work4 ,the suggestion thus obtained ,scott did not carry out for some time4 ,in the autumn of #ahcj1 he commenced the romance of ,count ,robert of ,paris1 which was published in ,november of the following year4 ,during its composition1 he gave decided indications of failing energies2 his penmanship became shaky1 and he misplaced words1 but the composition itself presented no trace of decayed intelligence4 ,in the first illustration is presented the ,varangian1 or ,english exile1 asleep at the ,golden ,gate of ,constantinople4 ,while the exile lay wrapped in sleep1 on the stone benches outside the arch of ,theodosius1 two women of the humbler class cast their eyes upon him3 ,holy ,maria6 said one1 if he does not put me in mind of the ,eastern tale1 how a genie brought a gallant young prince from his nuptial chamber in ,egypt1 and left him sleeping at the gate of ,damascus6 ,i will awake the poor lamb1 lest he catch harm from the night-dew4 ,harm6 replied the older and crosser-looking woman3 ay1 such harm as the cold water of the ,cydnus does to the wild swan4 ,a lamb1 forsooth6 why1 he is a wolf1 or a bear1 at least a ,varangian1 and no modest matron would exchange a word with such an unmannered barbarian4 9999999999 ,the sketch of ,brenhilda1 ,agelastes1 and ,sylvan1 is from the pencil of ,mr ,cruikshank4 ,agelastes1 after looking with surprise and horror at the figures in the glass1 turned round his head to examine the substance1 which produced so strange a reflection4 ,the object1 however1 had disappeared behind the curtain1 under which it had probably lain hid2 and1 after a minute or two1 the half-gibing1 half-growling countenance showed itself again in the same position in the mirror4 ,by the gods1 exclaimed the philosopher1 it is ,sylvan6 that mockery of humanity1 but who shrinks before a philosopher as ignorance before knowledge4 ,so speaking1 he struck the animal a heavy blow2 which so enraged him1 that he flew on the man of letters1 clasped him round the throat1 and compressed it until life was extinct4 ,illustration3 #ace ,illustration3 #acf