,,university ,,of ,,california ,,publications ,,in ,,mathematics ,vol4 #a1 ,no4 #i1 pp4 #ahg-bji ,february #ag1 #aibj ,,on ,,the ,,history ,,of ,,gunter',s ,,scale ,,and ,,the ,,slide ,,rule ,,during ,,the ,,seventeenth ,,century ,,by ,,florian ,,cajori ,,university ,,of ,,california ,,press ,,berkeley ,,table ,,of ,,contents ,,page ,i4 ,introduction #ahg ,,ii4 ,innovations in ,gunter's ,scale #ahh ,changes introduced by ,edmund ,wingate #ahh ,changes introduced by ,milbourn #ahi ,changes introduced by ,thomas ,brown and ,john ,brown #aij ,changes introduced by ,william ,leybourn #aib ,,iii4 ,richard ,delamain's 8,grammelogia0 #aib ,different editions or impressions #aid ,description of ,delamain's instrument of #afcj #aie ,delamain's later designs1 and directions for using his instruments #aig ,,iv4 ,controversy between ,oughtred and ,delamain on the invention of the circular slide rule #aii ,v4 ,independence and priority of invention #bjc ,,vi4 ,oughtred's 8,gauging ,line10 #afcc #bjf ,,vii4 ,other seventeenth century slide rules #bjg ,i4 ,,introduction ,in my history of the slide rule#a1 and my article on its invention#b it is shewn that ,william ,oughtred and not ,edmund ,wingate is the inventor1 that ,oughtred's circular rule was described in print in #afcb1 his rectilinear rule in #afcc4 ,richard ,delamain is referred to as having tried to appropriate the invention to himself#c and as having written a scurrilous pamphlet against ,oughtred4 ,all our information about ,delamain was taken from ,de ,morgan1#d who1 however1 gives no evidence of having read any of ,delamain's writings on the slide rule4 ,through ,dr4 ,arthur ,hutchinson of ,pembroke ,college1 ,cambridge1 ,i learned that ,delamain's writings on the slide rule were available4 ,in this article will be given3 ,first1 some details of the changes introduced during the seventeenth century in the design of ,gunter's scale by ,edmund ,wingate1 ,milbourn1 ,thomas ,brown1 ,john ,brown and ,william ,leybourn2 second1 an account of ,delamain's book of #afcj on the slide rule which antedates ,oughtred's first publication 7though ,oughtred's date of invention is earlier than the date of ,delamain's alleged invention7 and of ,delamain's later designs of slide rules2 third1 an account of the controversy between ,delamain and ,oughtred2 fourth1 an account of a later book on the slide rule written by ,william ,oughtred1 and of other seventeenth century books on the slide rule4 ,,ii4 ,,innovations ,,in ,,gunter',s ,,scale ,changes introduced by ,wingate ,we begin with ,anthony ,wood's account of ,wingate's introduction of ,gunter's scale into ,france4#e ,in #afbd he transported into ,france the rule of proportion1 having a little before been invented by ,edm4 ,gunter of ,gresham ,coll4 and communicated it to most of the chiefest mathematicians then residing in ,paris3 who apprehending the great benefit that might accrue thereby1 importun'd him to express the use thereof in the ,french tongue4 ,which being performed accordingly1 he was advised by monsieur ,alleawne the ,king's chief engineer to dedicate his book to monsieur the ,king's only brother1 since duke of ,orleans4 ,nevertheless the said work coming forth as an abortive 7the publishing thereof being somewhat hastened1 by reason an advocate of ,dijon in ,burgundy began to print some uses thereof1 which ,wingate had in a friendly way communicated to him7 especially in regard ,gunter himself had learnedly explained its use in a far larger volume4#f ,gunter's scale1 which ,wingate calls the 8rule of proportion10 contained1 as described in the ,french edition of #afbd1 four lines3 7#a7 ,a single line of numbers2 7#b7 a line of tangents2 7#c7 a line of sines2 7#d7 a line1 one foot in length1 divided into #ab inches and tenths of inches1 also a line1 one foot in length1 divided into tenths and hundredths4 ,the ,english editions of this book which appeared in #afbc and #afbh are devoid of interest4 ,the editions of #afde and #afeh contain an important innovation4#g ,in the preface the reasons why this instrument has not been used more are stated to be3 7#a7 the difficulty of drawing the lines with exactness1 7#b7 the trouble of working thereupon by reason 7sometimes7 of too large an extent of the compasses1 7#c7 the fact that the instrument is not readily portable4 ,the drawing of ,wingate's arrangement of the scale in the editions of #afde and #afeh is about #ff cm4 7#bf4e in47 long4 ,it contains five parallel lines1 about #ff cm4 long1 each having the divisions of one line marked on one side and of another line on the other side4 ,thus each line carries two graduations3 7#a7 ,a single logarithmic line of numbers2 7#b7 a logarithmic line of numbers thrice repeated2 7#c7 the first scale repeated1 but beginning with the graduations which are near the middle of the first scale1 so that its graduation reads #d1 #e1 #f1 #g1 #h1 #i1 #a1 #b1 #c2 7#d7 a logarithmic line of numbers twice repeated2 7#e7 a logarithmic line of tangents2 7#f7 a logarithmic line of sines2 7#g7 the rule divided into #ajjj equal parts2 7#h7 the scale of latitudes2 7#i7 a line of inches and tenths of inches2 7#aj7 a scale consisting of three kinds1 viz41 a gauge line1 a line of chords1 and a foot measure1 divided into #ajjj equal parts4 ,important are the first and second scales1 by which cube root extraction was possible 8by inspection only1 without the aid of pen or compass20 similarly the third and fourth scales1 for square roots4 ,this innovation is due to ,wingate4 ,the #afde edition announces that the instrument was made in brass by ,elias ,allen1 and in wood by ,john ,thompson and ,anthony ,thompson in ,hosier ,lane4 ,changes introduced by ,milbourn ,william ,leybourn1 in his ,the ,line of ,proportion or ,numbers1 ,commonly called ,gunter's ,line1 ,made ,easie1 ,london1 #afgc1 says in his preface 8,to the ,reader30 ,the ,line of ,proportion or ,numbers1 commonly called 7by ,artificers7 ,gunter's ,line1 hath been discoursed of by several persons1 and variously applied to divers uses2 for when ,mr4 ,gunter had brought it from the ,tables to a ,line1 and written some ,uses thereof1 ,mr4 ,wingate added divers ,lines of several lengths1 thereby to extract the ,square or ,cube ,roots1 without doubling or trebling the distance of the ,compasses3 ,after him ,mr4 ,milbourn1 a ,yorkshire ,gentleman1 disposed it in a ,serpentine or ,spiral ,line1 thereby enlarging the divisions of the ,line4 ,on pages #abg and #abh ,leybourn adds3 ,again1 ,one ,t4 ,browne1 a ,maker of ,mathematical ,instruments1 made it in a ,serpentine or ,spiral ,line1 composed of divers ,concentrick ,circles1 thereby to enlarg the divisions1 which was the contrivance of one ,mr4 ,milburn a ,yorkshire ,gentleman1 who writ thereof1 and communicated his ,uses to the aforesaid ,brown1 who 7since his death7 attributed it to himself3 ,but whoever was the contriver of it1 it is not without inconvenience2 for it can in no wise be made portable2 and besides 7instead of compasses7 an opening ,joynt with thirds threads must be placed to move upon the ,centre of the ,instrument1 without which no proportion can be wrought4 ,this ,mr4 ,milburn is probably the person named in the diary of the antiquarian1 ,elias ,ashmole1 on ,august #ac #afdf82 8,i bought of ,mr4 ,milbourn all his ,books and ,mathematical ,instruments40#h ,charles ,hutton#i says that ,milburne of ,yorkshire designed the spiral form about #afej4 ,this date is doubtless wrong1 for ,thomas ,browne who1 according to ,leybourn1 got the spiral form of line from ,milbourn1 is repeatedly mentioned by ,william ,oughtred in his ,epistle#aj printed some time in #afcb or #afcc4 ,oughtred does not mention ,milbourn1 and says 7page #d7 that the spiral form 8was first hit upon by one ,thomas ,browne a ,joyner1 4 4 4 the serpentine revolution being but two true semicircles described on severall centers40#aa ,changes introduced by ,thomas ,brown and ,john ,brown ,thomas ,brown did not publish any description of his instrument1 but his son1 ,john ,brown1 published in #affa a small book1#ab in which he says 7preface7 that he had done 8as ,mr4 ,oughtred with ,gunter's ,rule1 to a sliding and circular form2 and as my father ,thomas ,brown into a ,serpentine form2 or as ,mr4 ,windgate in his ,rule of ,proportion40 ,he says also that 8this brief touch of the ,serpentine-line ,i made bold to assert1 to see if ,i could draw out a performance of that promise1 that hath been so long unperformed by the promisers thereof40 ,accordingly in ,chapter ,,xx he gives a description of the serpentine line1 8contrived in five 7or rather #ae7 turn40 ,whether this description1 printed in #affa1 exactly fits the instrument as it was developed in #afcb1 we have no means of knowing4 ,john ,brown says3 #a4 ,first next the center is two circles divided one into #fj1 the other into #ajj parts1 for the reducing of minutes to #ajj parts1 and the contrary4 #b4 ,you have in seven turnes two inpricks1 and five in divisions1 the first ,radius of the sines 7or ,tangents being neer the matter1 alike to the first three degrees17 ending at #e degrees and #dd minutes4 #c4 ,thirdly1 you have in #e turns the lines of numbers1 sines1 ,tangents1 in three margents in divisions1 and the line of versed sines in pricks1 under the line of ,tangents1 according to ,mr4 ,gunter's cross-staff3 the sines and ,tangents beginning at #e degrees1 and #dd minutes where the other ended1 and proceeding to #ij in the sines1 and #de in the ,tangents4 ,and the line of numbers beginning at #aj1 and proceeding to #ajj1 being one entire ,radius1 and graduated into as many divisions as the largeness of the instrument will admit1 being #aj to #aj #ej into #ej parts1 and from #ej to #ajj into #bj parts in one unit of increase1 but the ,tangents are divided into single minutes from the beginning to the end1 both in the first1 second and third ,radiusses1 and the sines into minutes2 also from #cj minutes to #dj degrees1 and from #dj to #fj1 into every two minutes1 and from #fj to #hj in every #eth minute1 and from #hj to #he every #ajth1 and the rest as many as can be well discovered4 ,the versed sines are set after the manner of ,mr4 ,gunter's ,cross-staff1 and divided into every #ajth minutes beginning at #j1 and proceeding to #aef going backwards under the line of ,tangents4 #d4 ,fourthly1 beyond the ,tangent of #de in one single line1 for one ,turn is the secants to #ea degrees1 being nothing else but the sines reitterated beyond #ij4 #e4 ,fifthly1 you have the line of ,tangents beyond #de1 in #e turnes to #he degrees1 whereby all trouble of backward working is avoided4 #f4 ,sixthly1 you have in one circle the #ahj degrees of a ,semicircle1 and also a line of natural sines1 for finding of differences in sines1 for finding hour and ,azimuth4 #g4 ,seventhly1 next the verge or outermost edge is a line of equal parts to get the ,logarithm of any number1 or the ,logarithm sine and ,tangent of any ark or angle to four figures besides the carracteristick4 #h4 ,eightly and lastly1 in the space place between the ending of the middle five turnes1 and one half of the circle are three prickt lines fitted for reduction4 ,the uppermost being for shillings1 pence and farthings4 ,the next for pounds1 and ounces1 and quarters of small ,averdupoies weight4 ,the last for pounds1 shillings and pence1 and to be used thus3 ,if you would reduce #afs4 #c;d4 #bq4 to a decimal fraction1 lay the hair or edge of one of the legs of the index on #af4 #c in the line of #a4 s4 d4 and the hair shall cut on the equal parts #ha #af2 and the contrary1 if you have a decimal fraction1 and would reduce it to a proper fraction1 the like may you do for shillings1 and pence1 and pounds1 and ounces4 ,the uses of the lines follow4 ,as to the use of these lines1 ,i shall in this place say but little1 and that for two reasons4 ,first1 because this instrument is so contrived1 that the use is sooner learned then any other1 ,i speak as to the manner1 and way of using it1 because by means of first second and third radiusses1 in sines and ,tangents1 the work is always right on1 one way or other1 according to the ,canon whatsoever it be1 in any book that treats of the ,logarithms1 as ,gunter1 ,wells1 ,oughtred1 ,norwood1 or others1 as in ,oughtred from page #fd to #ajg4 ,secondly1 and more especially1 because the more accurate1 and large handling thereof is more then promised1 if not already performed by more abler pens1 and a large manuscript thereof by my ,sires meanes1 provided many years ago1 though to this day not extant in print2 so for his sake ,i claiming my interest therein1 make bold to present you with these few lines1 in order to the use of them3 ,and first note1 #a4 ,which soever of the two legs is set to the first term in the question1 that ,i call the first leg always1 and the other being set to the second term1 ,i call the second leg 4 4 4 ,the exact nature of the contrivance with the 8two legs0 is not described1 but it was probably a flat pair of compasses1 attached to the metallic surface on which the serpentine line was drawn4 ,in that case the instrument was a slide rule1 rather than a form of ,gunter's line4 ,in his publication of #affa1 as also in later publications1#ac ,john ,brown devoted more space to ,gunter's scales1 requiring the use of a separate pair of compasses1 than to slide rules4 ,changes introduced by ,william ,leybourn ,the same remark applies to ,william ,leybourn who1 after speaking of ,seth ,partridge's slide rule1 returns to forms of ,gunter's scale1 saying3#ad ,there is yet another way of disposing of this ,line of ,proportion1 by having one ,line of the full length of the ,ruler1 and another ,line of the same ,radius broken in two parts between #c and #d2 so that in working your ,compasses never go off of the ,line3 ,this is one of the best contrivances1 but here ,compasses must be used4 ,these are all the ,contrivances that ,i have hitherto seen of these ,lines3 ,that which ,i here speak of1 and will shew how to use1 is only two ,lines of one and the same ,radius1 being set upon a plain ,ruler of any length 7the larger the better7 having the beginning of one ,line1 at the end of the other1 the divisions of each ,line being set so close together1 that if you find any number upon one of the ,lines1 you may easily see what number stands against it on the other ,line4 ,this is all the ,variation4 4 4 4 ,example #a4 ,if a ,board be #a ,foot #fd parts broad1 how much in length of that ,board will make a ,foot ,square8 ,look upon one of your ,lines 7it matters not which7 for #a ,foot #fd parts1 and right against it on the other ,line you shall find #fa2 and so many parts of a ,foot will make a ,foot square of that ,board4 ,this contrivance solves the equation #a4fdx#a1 yielding centesimal parts of a foot4 ,james ,atkinson#ae speaks of 8,gunter's scale0 as 8usually of ,boxwood 4 4 4 commonly #b ft4 long1 #a inch broad0 and 8of two kinds3 long ,gunter or single ,gunter1 and the sliding ,gunter4 ,it appears that during the seventeenth century 7and long after7 the ,gunter's scale was a rival of the slide rule4 ,,iii4 ,,richard ,,delamain',s ,,grammelogia ,we begin with a brief statement of the relations between ,oughtred and ,delamain4 ,at one time ,delamain1 a teacher of mathematics in ,london1 was assisted by ,oughtred in his mathematical studies4 ,in #afcj ,delamain published the ,grammelogia1 a pamphlet describing a circular slide rule and its use4 ,in #afca he published another tract1 on the ,horizontall ,quadrant4#af ,in #afcb appeared ,oughtred's ,circles of ,proportion#ag translated into ,english from ,oughtred's ,latin manuscript by another pupil1 ,william ,forster1 in the preface of which ,forster makes the charge 7without naming ,delamain7 that 8another 4 4 4 went about to pre-ocupate0 the new invention4 ,this led to verbal disputes and to the publication by ,delamain of several additions to the ,grammelogia1 describing further designs of circular slide rules and also stating his side of the bitter controversy1 but without giving the name of his antagonist4 ,oughtred's ,epistle was published as a reply4 ,each combatant accuses the other of stealing the invention of the circular slide rule and the horizontal quadrant4 ,the two title-pages of the edition of the ,grammelogia in the ,british ,museum in ,london which we have called 8,grammelogia ,,iv40 ,different editions or impressions ,there are at least five different editions1 or impressions1 of the ,grammelogia which we designate1 for convenience1 as follows3 ,grammelogia ,i1 #afcj4 ,one copy in the ,cambridge ,university ,library4#ah ,grammelogia ,,ii1 ,i have not seen a copy of this4 ,grammelogia ,,iii1 ,one copy in the ,cambridge ,university ,library4#ai ,grammelogia ,,iv1 ,one copy in the ,british ,museum1 another in the ,bodleian ,library1 ,oxford4#bj ,grammelogia ,v1 ,one copy in the ,british ,museum4 ,in ,grammelogia ,i the first three leaves and the last leaf are without pagination4 ,the first leaf contains the title-page2 the second leaf1 the dedication to the ,king and the preface 8,to the ,reader20 the third leaf1 the description of the ,mathematical ,ring4 ,then follow #bb numbered pages4 ,counting the unnumbered pages1 there are altogether #cj pages in the pamphlet4 ,only the first three leaves of this pamphlet are omitted in ,grammelogia ,,iv and ,v4 ,in ,grammelogia ,,iii the ,appendix begins with a page numbered #eb and bears the heading 8,conclusion20 it ends with page #fh1 which contains the same two poems on the mathematical ring that are given on the last page of ,grammelogia ,i but differs slightly in the spelling of some of the words4 ,the #ea pages which must originally have preceded page #eb1 we have not seen4 ,the edition containing these we have designated ,grammelogia ,,ii4 ,the reason for the omission of these #ea pages can only be conjectured4 ,in ,oughtred's ,epistle 7p4 #bd71 it is stated that ,delamain had given a copy of the ,grammelogia to ,thomas ,brown1 and that two days later ,delamain asked for the return of the copy1 8because he had found some things to be altered therein0 and 8rent out all the middle part40 ,delamain labored 8to recall all the bookes he had given forth1 7which were many7 before the sight of ,brownes ,lines40 ,these spiral lines ,oughtred claimed that ,delamain had stolen from ,brown4 ,the title-page and page #eb are the only parts of the ,appendix1 as given in ,grammelogia ,,iii1 that are missing in the ,grammelogia ,,iv and ,v4 ,grammelogia ,,iv answers fully to the description of ,delamain's pamphlet contained in ,oughtred's ,epistle4 ,it was brought out in #afcb or #afcc1 for what appears to be the latest part of it contains a reference 7page #ii7 to the ,grammelogia ,i 7#afcj7 as 8being now more then two yeares past40 ,moreover1 it refers to ,oughtred's ,circles of ,proportion1 #afcb1 and ,oughtred's reply in the ,epistle was bound in the ,circles of ,proportion having the ,addition of #afcc4 ,for convenience of reference we number the two title-pages of ,grammelogia ,,iv1 8page 7#a70 and 8page 7#b710 as is done by ,oughtred in his ,epistle4 ,grammelogia ,,iv contains1 then1 #aac pages4 ,the page numbers which we assign will be placed in parentheses1 to distinguish them from the page numbers which are printed in ,grammelogia ,,iv4 ,the pages 7#dd7-7fe7 are the same as the pages #a-bb1 and the pages 7#fh7-7hc7 are the same as the pages #ec-fh4 ,thus only thirty-eight pages have page numbers printed on them4 ,the pages 7#fg7 and 7#hc7 are identical in wording1 except for some printer's errors2 they contain verses in praise of the ,ring1 and have near the bottom the word 8,finis40 ,also1 pages 7#bb7 and 7#bc7 are together identical in wording with page 7#aac71 which is set up in finer type1 containing an advertisement of a part of ,grammelogia ,,iv explaining the mode of graduating the circular rules4 ,there are altogether six parts of ,grammelogia ,,iv which begin or end by an address to the reader1 thus3 8,to the ,reader10 8,courteous ,reader10 or 8,to the courteous and benevolent ,reader 4 4 410 namely the pages 7#h71 7#bb71 7#fh71 7#hi71 7#ij71 7#ajh74 ,in his ,epistle 7page #b71 ,oughtred characterizes the make up of the book in the following terms3 ,in reading it 4 4 4 ,i met with such a patchery and confusion of disjoynted stuffe1 that ,i was striken with a new wonder1 that any man should be so simple1 as to shame himselfe to the world with such a hotch-potch4 ,grammelogia ,v differs from ,grammelogia ,,iv in having only the second title-page4 ,the first title-page may have been torn off from the copy ,i have seen4 ,a second difference is that the page with the printed numeral #bb in ,grammelogia ,,iv has after the word 8,finis0 the following notice3 ,this instrument is made in ,silver1 or ,brasse for the ,pocket1 or at any other bignesse1 over against ,saint ,clements ,church without ,temple ,barre1 by ,elias ,allen4 ,this notice occurs also on page #bb of ,grammelogia ,i and ,,iii1 but is omitted from page #bb of ,grammelogia ,v4 ,description of ,delamain's instrument of #afcj ,in his address to ,king ,charles ,i1 in his ,grammelogia ,i1 ,delamain emphasizes the ease of operating with his slide rule by stating that it is 8fit for use 4 4 4 as well on ,horse backe as on ,foot40 ,speaking 8,to the ,reader10 he states that he has 8for many yeares taught the ,mathematicks in this ,towne10 and made efforts to improve ,gunter's scale 8by some ,motion1 so that the whole body of ,logarithmes might move proportionally the one to the other1 as occasion required4 ,this conceit in ,february last #afbi ,i struke upon1 and so composed my ,grammelogia or ,mathematicall ,ring2 by which only with an ocular inspection1 there is had at one instant all proportionalls through the said body of ,numbers40 ,he dates his preface 8first of ,january1 #afcj40 ,the fifth and sixth pages contain his 8,description of the ,grammelogia10 the term ,grammelogia being applied to the instrument1 as well as to the book4 ,his description is as follows3 ,the parts of the ,instrument are two ,circles1 the one moveable1 and the other fixed2 ,the moveable is that unto which is fastened a small pin to move it by2 the other ,circle may be conceived to be fixed2 ,the circumference of the moveable ,circle is divided into unequall parts1 charactered with figures thus1 #a4 #b4 #c4 #d4 #e4 #f4 #g4 #h4 #i4 these figures doe represent themselves1 or such numbers unto which a ,cipher or ,ciphers are added1 and are varied as the occasion falls out in the speech of ,numbers1 so #a4 stands for #a4 or #aj4 or #ajj41 c4 the #b4 stands for #b4 or #bj4 or #bjj4 or #bjjj41 c4 the #c4 stands for #cj4 or #cjj4 or #cjjj41 c4 ,after elaborating this last point and explaining the decimal subdivisions on the scales of the movable circle1 he says that 8the numbers and divisions on the fixed ,circle1 are the very same that the moveable are1 4 40 ,there is no drawing of the slide rule in this publication4 ,the twenty-two numbered pages give explanations of the various uses to which the instrument can be put3 8,how to performe the ,golden ,rule0 7pp4 #a-c71 8,further uses of the ,golden ,rule0 7pp4 #d-f71 8,notions or ,principles touching the disposing or ordering of the ,numbers in the ,golden ,rule in their true places upon the ,grammelogia0 7pp4 #g-aa71 8,how to divide one number by another0 7pp4 #ab1 #ac71 8to multiply one ,number by another0 7pp4 #ad1 #ae71 8,to find ,numbers in continuall proportion0 7pp4 #af1 #ag71 8,how to extract the ,square ,root10 8,how to extract the ,cubicke ,root0 7pp4 #ah-ba71 8,how to performe the ,golden ,rule0 7the rule of proportion7 is explained thus3 ,seeke the first number in the moveable1 and bring it to the second number in the fixed1 so right against the third number in the moveable1 is the answer in the fixed4 ,if the ,interest of #ajj4 li4 be #h4 li4 in the yeare1 what is the ,interest of #fe4 li4 for the same time4 ,bring #ajj4 in the moveable to #h4 in the fixed1 so right against #fe4 in the moveable is #e4b4 in the fixed1 and so much is the ,interest of #fe4 li4 for the yeare at #h4 li4 for #ajj4 li4 per annum4 ,the ,instrument not removed1 you may at one instant right against any summe of money in the moveable1 see the ,interest thereof in the fixed3 the reason of this is from the ,definition of ,logarithmes4 ,these are the earliest known printed instructions on the use of a slide rule4 ,it will be noticed that the description of the instrument at the opening makes no references to logarithmic lines for the trigonometric functions2 only the line of numbers is given4 ,yet the title-page promised the 8resolution of ,plaine and ,sphericall ,triangles40 ,page #bb throws light upon this matter3 ,if there be composed three ,circles of equal thicknesse1 ,a4,b4,c4 so that the inner edge of ,d should be ,b and the outward edge of ,a bee answerably graduated with ,logarithmall signes sines1 and the outward edge of ,b and the inner edge of ,a with ,logarithmes2 and then on the backside be graduated the ,logarithmall ,tangents1 and againe the ,logarithmall signes oppositly to the former graduations1 it shall be fitted for the resolution of ,plaine and ,sphericall ,triangles4 ,after twelve lines of further remarks on this point he adds3 ,hence from the forme1 ,i have called it a ,ring1 and ,grammelogia by annoligie of a ,lineary speech2 which ,ring1 if it were projected in the convex unto two yards ,diameter1 or thereabouts1 and the line ,decupled1 it would worke ,trigonometrie unto seconds1 and give proportionall numbers unto six places only by an ocular inspection1 which would compendiate ,astronomicall calculations1 and be sufficient for the ,prosthaphaeresis of the ,motions3 ,but of this as ,god shall give life and ability to health and time4 ,the unnumbered page following page #bb contains the patent and copyright on the instrument and book3 ,whereas ,richard ,delamain1 ,teacher of ,mathematicks1 hath presented vnto ,vs an ,instrument called ,grammelogia1 or ,the ,mathematicall ,ring1 together with a ,booke so intituled1 expressing the use thereof1 being his owne ,invention2 we of our ,gracious and ,princely favour have granted unto the said ,richard ,delamain and his ,assignes1 ,privilege1 ,licence1 and ,authority1 for the sole ,making1 ,printing and ,selling of the said ,instrument and ,booke3 straightly forbidding any other to ,make1 ,imprint1 or ,sell1 or cause to be ,made1 or ,imprinted1 or ,sold1 the said ,instrument or ,booke within any our ,dominions1 during the space of ten yeares next ensuing the date hereof1 upon paine of ,our high displeasure4 ,given under our hand and ,signet at our ,palace of ,westminster1 the fourth day of ,january1 in the sixth yeare of our ,raigne4 ,delamain's later designs1 and directions for using his instruments ,in the ,appendix of ,grammelogia ,,iii1 on page #eb is given a description of an instrument promised near the end of ,grammelogia ,i3 ,that which ,i have formerly delivered hath been onely upon one of the ,circles of my ,ring1 simply concerning ,arithmeticall ,proportions1 ,i will by way of ,conclusion touch upon some uses of the ,circles1 of ,logarithmall ,sines1 and ,tangents1 which are placed on the edge of both the moveable and fixed ,circles of the ,ring in respect of ,geometricall ,proportions1 but first of the description of these ,circles4 ,first1 upon the side that the ,circle of ,numbers is one1 are graduated on the edge of the moveable1 and also on the edge of the fixed the ,logarithmall ,sines1 for if you bring #a4 in the moveable amongst the ,numbers to #a4 in the fixed1 you may on the other edge of the moveable and fixed see the sines noted thus #ij4 #ij4 #hj4 #hj4 #gj4 #gj4 #fj4 #fj4 c4 unto #f4f4 and each degree subdivided1 and then over the former divisions and figures #ij4 #ij4 #hj4 #hj4 #gj4 #gj4 c4 you have the other degrees1 viz4 #e4 #d4 #c4 #b4 #a4 each of those divided by small points4 ,secondly1 7if the ,ring is great7 neere the outward edge of this side of the fixed against the ,numbers1 are the usuall divisions of a ,circle1 and the points of the ,compasse3 serving for observation in ,astronomy1 or ,geometry1 and the sights belonging to those divisions1 may be placed on the moveable ,circle4 ,thirdly1 opposite to those ,sines on the other side are the ,logarithmall ,tangents1 noted alike both in the moveable and fixed thus #f4f4g4g4h4h4i4i4aj4aj4ae4ae4bj4bj4 c4 unto #de4de4 which numbers or divisions serve also for their ,complements to #ij4 so #dj gr4 stands for #ej4 gr4 #cj4 gr4 for #fj gr4 #bj4 gr4 for #gj4 gr4 c4 each degree here both in the moveable and fixed is also divided into parts4 ,as for the degrees which are under #f4 viz4 #e4d4c4b4a4 they are noted with small figures over this divided ,circle from #de4dj4ce4cj4be4 c4 and each of those degrees divided into parts by small points both in the moveable and fixed4 ,fourthly1 on the other edge of the moveable on the same side is another graduation of ,tangents1 like that formerly described4 ,and opposite unto it1 in the fixed is a ,graduation of ,logarithmall sines in every thing answerable to the first descrition of ,sines on the other side4 ,fifthly1 on the edge of the ,ring is graduated a parte of the quator1 numbered thus #aj #bj4 #cj4 unto #ajj4 and there unto is adjoyned the degrees of the ,meridian inlarged1 and numbered thus #aj #bj4cj unto #gj4 each degree both of the quator1 and ,meridian are subdivided into parts2 these two graduated ,circles serve to resolve such ,questions which concerne ,latitude1 ,longitude1 ,rumb1 and ,distance1 in ,nauticall operations4 ,sixthly1 to the concave of the ,ring may be added a ,circle to be elevated or depressed for any ,latitude1 representing the quator1 and so divided into houres and parts with an ,axis1 to shew both the houre1 and ,azimuth1 and within this ,circle may be hanged a ,box1 and ,needle with a ,socket for a staffe to slide into it1 and this accommodated with scrue pines to fasten it to the ,ring and staffe1 or to take it off at pleasure4 ,the pages bearing the printed numbers #ec-fh in the ,grammelogia ,,iii1 ,,iv and ,v make no reference to the dispute with ,oughtred and may1 therefore1 be assumed to have been published before the appearance of ,oughtred's ,circles of ,proportion4 ,on page #ec1 8,to the ,reader10 he says3 4 4 4 you may make use of the ,projection of the ,circles of the ,ring upon a ,plaine1 having the feet of a paire of compasses 7but so that they be flat7 to move on the ,center of that ,plaine1 and those feet to open and shut as a paire of ,compasses 4 4 4 now if the feet bee opened to any two termes or numbers in that ,projection1 then may you move the first foot to the third number1 and the other foot shall give the ,answer2 4 4 4 it hath pleased some to make use of this way4 ,but in this there is a double labour in respect to that of the ,ring1 the one in fitting those feet unto the numbers assigned1 and the other by moving them about1 in which a man can hardly accommodate the ,instrument with one hand1 and expresse the ,proportionals in writing with the other4 ,by the ,ring you need not but bring one number to another1 and right against any other number is the ,answer without any such motion4 4 4 4 upon that the ,ring ,i write1 shewing some uses of those ,circles amongst themselves1 and conjoyned with others 4 4 4 in ,astronomy1 ,horolographie1 in plaine ,triangles applyed to ,dimensions1 ,navigation1 ,fortification1 etc4 4 4 4 ,but before ,i come to ,construction1 ,i have thought it convenient by way introduction1 to examine the truth of the graduation of those ,circles 4 4 4 ,these are the words of a practical man1 interested in the mechanical development of his instrument4 ,he considers not only questions of convenience but also of accuracy4 ,the instrument has1 or may have now1 also lines of sines and tangents4 ,to test the accuracy of the circles of ,numbers1 8bring any number in the moveable to halfe of that number in the fixed3 so any number or part in the fixed shall give his double in the moveable1 and so may you trie of the thirds1 fourths c4 of numbers1 vel contra10 7p4 #ed74 ,on page #ee are given two small drawings1 labelled1 8,a ,type of the ,ringe and ,scheme of this ,logarithmicall projection1 the use followeth4 ,these ,instruments are made in ,silver or ,brasse by ,john ,allen neare the ,sauoy in the ,strand40 ,,iv4 ,,controversy ,,between ,,oughtred ,,and ,,delamain ,,on ,,the ,,invention ,,of ,,the ,,circular ,,slide ,,rule ,delamain's publication of #afcj on the #8,mathematicall ,ring' does not appear at that time to have caused a rupture between him and ,oughtred4 ,when in #afca ,delamain brought out his ,horizontall ,quadrant1 the invention of which ,delamain was afterwards charged to have stolen from ,oughtred1 ,delamain was still in close touch with ,oughtred and was sending ,oughtred in the ,arundell ,house1 ,london1 the sheets as they were printed4 ,oughtred's reference to this in his ,epistle 7p4 #bj7 written after the friendship was broken1 is as follows3 ,while he was printing his tractate of the ,horizontall quadrant1 although he could not but know that it was injurious to me in respect of my free gift to ,master ,allen1 and of ,william ,forster1 whose translation of my rules was then about to come forth3 yet such was my good nature1 and his shamelessnesse1 that every day1 as any sheet was printed1 hee sent1 or brought the same to mee at my chamber in ,arundell house to peruse which ,i lovingly and ingenuously did1 and gave him my judgment of it4 ,even after ,forster's publication of ,oughtred's ,circles of ,proportion1 #afcb1 ,oughtred had a book1 ,a canon of ,sines ,tangents and ,secants1 which he had borrowed from ,delamain and was then returning 7,epistle1 page 7#e774 ,the attacks which ,forster1 in the preface to the ,circles of ,proportion1 made upon ,delamain 7though not naming ,delamain7 started the quarrel4 ,except for ,forster and other pupils of ,oughtred who urged him on to castigate ,delamain1 the controversy might never have arisen4 ,forster expressed himself in part as follows3 4 4 4 being in the time of the long vacation #afcj1 in the ,country1 at the house of the ,reverend1 and my most worthy friend1 and ,teacher1 ,mr4 ,william ,oughtred 7to whose instruction ,i owe both my initiation1 and whole progresse in these ,sciences47 ,i vpon occasion of speech told him of a ,ruler of ,numbers1 ,sines1 ,tangents1 which one had be-spoken to be made 7such as it vsually called ,mr4 ,gunter's ,ruler7 #f feet long1 to be vsed with a payre of beame-compasses4 8,he answered that was a poore invention1 and the performance very troublesome3 ,but1 said he1 seeing you are taken with such mechanicall wayes of ,instruments1 ,i will shew you what deuises ,i have had by mee these many yeares40 ,and first1 hee brought to mee two ,rulers of that sort1 to be vsed by applying one to the other1 without any compasses3 and after that hee shewed mee those lines cast into a circle or ,ring1 with another moueable circle vpon it4 ,i seeing the great expeditenesse of both those wayes2 but especially1 of the latter1 wherein it farre excelleth any other ,instrument which hath bin knowne2 told him1 ,i wondered that hee could so many yeares conceale such vseful inuentions1 not onely from the world1 but from my selfe1 to whom in other parts and mysteries of ,art1 he had bin so liberall4 ,he answered1 8,that the true way of ,art is not by ,instruments1 but by ,demonstration3 and that it is a preposterous course of vulgar ,teachers1 to begin with ,instruments1 and not with the ,sciences1 and so in-stead of ,artists1 to make their ,schollers only doers of tricks1 and as it were ,iuglers3 to the despite of ,art1 losse of precious time1 and betraying of willing and industrious wits1 vnto ignorance and idlenesse4 ,that the vse of ,instruments is indeed excellent1 if a man be an ,artist3 but contemptible1 being set and opposed to ,art4 ,and lastly1 that he meant to commend to me1 the skill of ,instruments1 but first he would haue me well instructed in the ,sciences4 ,he also shewed me many notes1 and ,rules for the vse of those circles1 and of his ,horizontall ,instrument1 7which he had proiected about #cj yeares before7 the most part written in ,latine4 ,all which ,i obtained of him leaue to translate into ,english1 and make publique1 for the vse1 and benefit of such as were studious1 and louers of these excellent ,sciences4 ,which thing while ,i with mature1 and diligent care 7as my occasions would give me leaue7 went about to doe3 another to whom the ,author in a louing confidence discouered this intent1 using more hast then good speed1 went about to preocupate2 of which vntimely birth1 and preuenting 7if not circumuenting7 forwardnesse1 ,i say no more3 but aduise the studious ,reader1 onely so farre to trust1 as he shal be sure doth agree to truth ,art4 ,while in this dedication reference is made to a slide rule or 8ring0 with a 8moveable circle10 the instrument actually described in the ,circles of ,proportion consists of fixed circles 8with an index to be opened after the manner of a paire of ,compasses40 ,delamain1 as we have seen1 had decided preference for the moveable circle4 ,to ,oughtred1 on the other hand1 one design was about as good as the other2 he was more of a theorist and repeatedly expressed his contempt for mathematical instruments4 ,in his ,epistle 7page 7#be771 he says he had not 8the one halfe of my intentions upon it0 7the rule in his book71 nor one with a 8moveable circle and a thread1 but with an opening ,index at the centre 7if so be that bee cause enough to make it to bee not the same1 but another ,instrument7 for my part ,i disclaime it3 it may go seeke another ,master3 which for ought ,i know1 will prove to be ,elias ,allen himselfe3 for at his request only ,i altered a little my rules from the use of the moveable circle and the thread1 to the two armes of an ,index40 ,all parts of ,delamain's ,grammelogia ,,iv1 except pages #a-bb and #ec-fh considered above1 were published after the ,circles of ,proportion1 for they contain references to the ill treatment that ,delamain felt or made believe that he felt1 that he had received in the book published by ,oughtred and ,forster4 ,oughtred's reference to teachers whose scholars are 8doers of tricks10 8,iuglers10 and ,forster's allusion to 8another to whom the ,author in a loving confidence0 explained the instrument and who 8went about to preocupate0 it1 are repeatedly mentioned4 ,delamain says1 7page 7#hi77 that at first he did not intend to express himself in print1 8but sought peace and my right by a private and friendly way40 ,oughtred's account of ,delamain's course is that of an 8ill-natured man0 with a 8virulent tongue10 8sardonical laughter0 and 8malapert sawsiness40 ,contrasting ,forster and ,delamain1 he says that1 of the former he 8had the very first moulding0 and made him feel that 8the way of ,art0 is 8by demonstration40 ,but ,delamain was 8already corrupted with doing upon ,instruments1 and quite lost from ever being made an ,artist40 7,epistle page 7#bg774 ,repeatedly does ,oughtred assert ,delamain's ignorance of mathematics4 ,the two men were evidently of wholly different intellectual predilections4 ,that ,delamain loved instruments is quite evident1 and we proceed to describe his efforts to improve the circular slide rule4 ,the ,grammelogia ,,iv is dedicated to ,king ,charles ,i4 ,delamain says3 4 4 4 ,everything hath his beginning1 and curious ,arts seldome come to the height at the first2 ,it was my promise then to enlarge the invention by a way of decuplating the ,circles1 which ,i now present unto your sacred ,majestie as the quintessence and excellencie there of 4 4 4 ,his enlarged circular rules are illustrated in the ,bodleian ,library copy of ,grammelogia ,,iv by four diagrams1 two of them being the two drawings on the two title-pages at the beginning of the ,grammelogia ,,iv1 #d inches in external diameter1 and exhibiting eleven concentric circular lines carrying graduations of different sorts4 ,in the second of these designs all circles are fixed4 ,the other two drawings are each #aj inches in external diameter and exhibit #ah concentric circular lines2 the folded sheet of the first of these drawings is inserted between pages 7#bc7 and 7#bd71 the second folded sheet between pages 7#hc7 and 7#hd74 ,all circles of this second instrument are fixed4 ,counting in the two small drawings in ,grammelogia ,,iii1 there are in all six drawings of slide rules in the ,bodleian ,grammelogia ,,iv4 ,on pages 7#bd7 to 7#dc7 ,delamain explains the graduation of slide rules4 ,he takes first a rule which has one circle of equal parts1 divided into #ajjj equal divisions4 ,from a table of logarithms he gets log #b #j4cja2 from the number #cja in the circle of equal parts he draws a line to the center of the circle and marks the intersection with the circles of numbers by the figure #b4 ,thus he proceeds with log #c1 log #d1 and so on2 also with log sin x and log tan x4 ,for log sin x he uses two circles1 the first 7see page 7#bg77 for angles from #cd #bd to #e #dd #bb1 the second circle from #e #dd #bb to #ij4 ,the drawings do not show the seconds4 ,he suggests many different designs of rules4 ,on page 7#bi7 he says3 ,for the single projection of the ,circles of my ,ring1 and the dividing and graduating of them3 which may bee so inserted upon the edges of ,circles of mettle turned in the forme of a ,ring1 so that one ,circle may moove betweene two fixed1 by helpe of two stayes1 then may there be graduated on the face of the ,ring1 upon the outer edge of the mooveable and inner edge of the fixed1 the ,circle of ,numbers1 then upon the inner edge of that mooveable ,circle1 and the outward edge of that inner fixed ,circle may be inserted the ,circle of ,sines1 and so according to the description of those that are usually made4 ,in addition to these lines he proceeds to mention the circle giving the ordinary division into degrees and minutes1 and two circles of tangents on the other side of the rule4 ,next ,delamain explains an arrangement of all the graduation on one side of the rule by means of 8a small channell in the innermost fixed ,circle1 in which may be placed a small single ,index1 which may have sufficient length to reach from the innermost edge of the ,mooveable ,circle1 unto the outmost edge of the fixed ,circle1 which may be mooved to and fro at pleasure1 in the channell1 which ,index may serve to shew the opposition of ,numbers0 7p4 7#ca774 ,from this it is clear that the invention of the 8runner0 goes back to the very first writers on the slide rule4 ,after describing a modification of the above arrangement1 he adds1 8many other formes might be deliverd1 about this single projection0 7p4 7#cb774 ,proceeding to the 8enlarging0 of the circles in the ,ring1 to1 say1 the 8,quadruple to that which is single1 that is1 foure times greater10 the 8equall parts0 are distributed over four circles instead of only one circle1 but the general method of graduation is the same as before 7p4 7#cc772 there being now four circles carrying the logarithms of numbers1 and so on4 ,next he points out 8severall wayes how the ,circles of the ,mathematicall ,ring 7being inlarged7 may be accommodated for practicall use30 7#a7 ,the ,circles are all fixed in a plain and movable flat compasses 7or better1 a movable semicircle7 are used for fixing any two positions2 7#b7 ,there is a 8double projection0 of each logarithmic line 8inlarged on a ,plaine10 one fixed1 the other movable1 as shown in his first figure on the title-page1 a single index only being used2 7#c7 use of 8my great ,cylinder which ,i have long proposed 7in which all the ,circles are of equall greatnesse17 and it may be made of any magnitude or capacity1 but for a study 7hee that will be at the charge7 it may be of a yard diameter and of such an indifferent length that it may containe #ajj or more ,circles fixed parallel one to the other on the ,cylinder1 having a space betweene each of them1 so that there may bee as many mooveable ,circles1 as there are fixed ones1 and these of the mooveable linked1 or fastened together1 so that they may all moove together by the fixed ones in these spaces1 whose edges both of the fixed1 and mooveable being graduated by helpe of a single ,index will shew the proportionalls by opposition in this double ,projection1 or by a double ,index in a single ,projection0 7p4 7#cf774 ,next follows the detailed description of his ,ring 8on a ,plaine1 according to the diagramme that was given the ,king 7for a view of that projection7 and afterwards the ,ring it selve40 ,the diagram is the large one which we mentioned as inserted between pages 7#bc7 and 7#bd74 ,the instrument has two circles1 one moveable1 upon each of which are described #ac distinct circular graduations4 ,the lines on the fixed circle are3 8,the ,circle of degrees and calendar10 ,e4 8,circle of equall parts1 and part of the ,equator1 and ,meridian10 ,,tt4 8,the ,circle of ,tangents10 ,s4 8,the ,circle of ,sines10 ,d4 8,the ,circle of ,decimals10 ,n4 8,the ,circle of ,numbers40 ,the lines on the movable circle are3 ,n4 8,the ,circle of ,numbers10 ,e4 8,the ,circle of equated figures1 and bodies10 ,s4 8,the ,circle of ,sines10 ,,tt4 8,the ,circle of ,tangents10 ,y4 8,the ,circle of time1 yeares1 and monethes40 ,on pages 7#hd7-7hh7 ,delamain explains an enlargement of his ,ring for computations involving the sines of angles near to #ij4 ,on page 7#hf7 he says3 ,i have continued the ,sines of the ,projection unto two severall revolutions1 the one beginning at #gg4;gr4 #de4m4 #f4s4 and ends at #ij4;gr4 7being the last revolution of the decuplation of the former1 or the hundred part of that ,projection7 the other beginning at #hf4;gr4 #f4m4 #dh4s4 and ends at #ij4;gr4 7being the last of a ternary of decuplated revolutions1 or the thousand part of that ,projection7 and may bee thus used4 ,he explains the manner of using these extra graduations4 ,thus he claims to have attained degrees of accuracy which enabled him to do what 8some one0 had declared 8could not bee done40 ,it is hardly necessary to point out that ,delamain's ,grammelogia ,,iv suggests designs of slide rules which inventors two hundred or more years later were endeavouring to produce4 ,which of ,delamain's designs of rules were actually made and used1 he does not state explicitly4 ,he refers to a rule #ah inches in diameter as if it had been actually constructed 7pages 7#hf71 7#hh774 ,oughtred showed no appreciation of such study in designing and ridiculed ,delamain's efforts1 in his ,epistle4 ,additional elucidations of his designs of rules1 along with explanations of the relations of his work to that of ,gunter and ,napier1 and sallies directed against ,oughtred and ,forster1 are contained on pages 7#h7-7ba7 of his ,grammelogia ,,iv4 ,v4 ,,independence ,,and ,,priority ,,of ,,invention ,the question of independence and priority of invention is discussed by ,delamain more specifically on pages 7#hi7-7aac72 ,oughtred devotes his entire ,epistle to it4 ,it is difficult to determine definitely which publication is the later1 ,delamain's ,grammelogia ,,iv or ,oughtred's ,epistle4 ,each seems to quote from the other4 ,probably the explanation is that the two publications contain arguments which were previously passed from one antagonist to the other by word of mouth or by private letter4 ,oughtred refers in his ,epistle 7p4 7#ab77 to a letter from ,delamain4 ,we believe that the ,epistle came after ,delamain's ,grammelogia ,,iv4 ,delamain claims for himself the invention of the circular slide rule4 ,he says in his ,grammelogia ,,iv4 7p4 7#ii771 8when ,i had a sight of it1 which was in ,february1 #afbi 7as ,i specified in my ,epistle7 ,i could not conceale it longer1 envying my selfe1 that others did not tast of that which ,i found to carry with it so delightfull and pleasant a goate taste 4 4 40 ,delamain asserts 7without proof7 that ,oughtred 8never saw it as he now challengeth it to be his invention1 untill it was so fitted to his hand1 and that he made all his practise on it after the publishing of my ,booke upon my ,ring1 and not before2 so it was easie for him or some other to write some uses of it in ,latin after ,christmas1 #afcj and not the ,sommer before1 as is falsely alledged by some one 4 4 40 7p4 7#ia774 ,delamain's accusation of theft on the part of ,oughtred cannot be seriously considered4 ,oughtred's reputation as a mathematician and his standing in his community go against such a supposition4 ,moreover1 ,william ,forster is a witness for ,oughtred4 ,the fact that ,oughtred had the mastery of the rectilinear slide rule as well1 while ,delamain in #afcj speaks only of the circular rule1 weighs in ,oughtred's favour4 ,oughtred says he invented the slide rule 8above twelve yeares agoe10 that is1 about #afba1 and 8,i with mine owne hand made me two such ,circles1 which ,i have used ever since1 as my occasions required10 7,epistle p4 7#bb774 ,on the same page1 he describes his mode of discovery thus3 ,i found that it required many times too great a paire of ,compasses in using ,gunter's line1 which would bee hard to open1 apt to slip1 and troublesome for use4 ,i therefore first devised to have another ,ruler with the former3 and so by setting and applying one to the other1 ,i did not onely take away the use of ,compasses1 but also make the worke much more easy and expedite3 when ,i should not at all need the motion of my hand1 but onely the glancing at my sight3 and with one position of the ,rulers1 and view of mine eye1 see not one onely1 but the manifold proportions incident unto the question intended4 ,but yet this facility also wanted not some difficulty especially in the line of tangents1 when one arch was in the former mediety of the quadrant1 and the other in the latter3 for in this case it was needful that either one ,ruler must bee as long againe as the other2 or else that ,i must use an inversion of the ,ruler1 and regression4 ,by this consideration ,i first of all saw that if those lines upon both ,rulers were inflected into two circles1 that of the tangents being in both doubled1 and that those two ,circles should move one upon another2 they with a small thread in the center to direct the sight1 would bee sufficient with incredible and wonderfull facility to worke all questions of ,trigonometry 4 4 4 ,oughtred said that he had no desire to publish his invention1 but in the vacation of #afcj finally promised ,william ,forster to let him bring out a translation4 ,oughtred claims that ,delamain got the invention from him at ,alhallontide ,november #a1 #afcj1 when they met in ,london4 ,the accounts of that meeting we proceed to give in double column4 ,delamain's ,statement ,grammelogia ,,iv1 page 7#ih7 84 4 4 about ,alhalontide #afcj4 7as our ,authors reporteth7 was the time he was circumvented1 and then his intent in a loving manner 7as before7 he opened unto me1 which particularly ,i will dismantle in the very naked truth3 for1 wee being walking together some few weekes before ,christmas1 upon ,fishstreet hill1 we discoursed upon sundry things ,mathematicall1 both ,theoreticall and ,practicall1 and of the excellent inventions and helpes that in these dayes were produced1 amongst which ,i was not a little taken with that of the ,logarythmes1 commending greatly the ingenuitie of ,mr4 ,gunter in the ,projection1 and inventing of his ,ruler1 in the lines of proportion1 extracted from these ,logarythmes for ordinary ,practicall uses2 ,he replyed unto me 7in these very words7 ,what will yov say to an ,invention that ,i have1 which in a lesse extent of the ,compasses shall worke truer then that of ,mr4 ,gunters ,ruler1 ,i asked him then of what forme it was1 he answered with some pause 7which no doubt argued his suspition of mee that ,i might conceive it7 that it was ,arching-wise1 but now hee sayes that hee told mee then1 it was ,circular 7but were ,i put to my oath to avoid the guilt of ,conscience ,i would conclude in the former47 ,at which immediately ,i answered1 ,i had the like my selfe1 and so we discoursed not a word more touching that subject 4 4 4 ,then after my coming home ,i sent him a sight of my ,projection drawne in ,pastboard3 ,now admit ,i had not the ,invention of my ,ring before ,i discoursed 4 4 4 it was not so facil for mee 4 4 4 to raise and compose so complete1 and absolute an ,instrument from so small a principle1 or glimpse of light 4 4 40 ,oughtred's ,statement ,epistle1 page 7#bc7 8,shortly after my gift to ,elias ,allen1 ,i chanced to meet with ,richard ,delamain in the street 7it was at ,alhallontide7 and as we walked together ,i told him what an ,instrument ,i had given to ,master ,allen1 both of the ,logarithmes projected into circles1 which being lesse then one foot diameter would performe as much as one of ,master ,gunters ,rulers of sixe feet long3 and also of the ,prostaphaereses of the ,plannets and second motions4 ,such an invention have ,i said he3 for now his intentions 7that is his ambition7 beganne to worke3 4 4 4 ,but he saith1 ,then after my comming home ,i sent him a sight of my projection drawne in past-board4 ,see how notoriously he jugleth without an ,instrument4 ,then after3 how long after8 a sight of my projection3 of how much8 ,more then seven weekes after on ,december #bc1 he sent to mee the line of numbers onely set upon a circle3 4 4 4 and so much onely he presented to his ,majesty3 but as for ,sine or tangent of his1 there was not the least shew of any4 ,neither could he give to ,master ,allen any direction for the composure of the circles of his ,ring1 or for the division of them3 as upon his oath ,master ,allen will testify how hee misled him1 and made him labour in vain above three weeks together1 until ,master ,allen himselfe found out his ignorance and mistaking1 which is more cleare then is possible with any impudence to be outfaced40 ,oughtred makes a further statement 7,epistle1 p4 7#bd77 as follows3 ,delamain hearing that ,brown with his ,serpentine had another line by which he could worke to minutes in the #ij degree of sines 4 4 4 gave the his booke to ,browne3 who in thankfulnesse could not but gratify ,delamain with his ,lines also3 and teach him the use of them1 but especially of the great ,line3 with this caution on both sides1 that one should not meddle with the others invention4 ,two dayes after ,delamain 4 4 4 because he had found some things to be altered therin1 4 4 4 asked for the booke 4 4 4 but as soone as he had got it in his hands he rent out all the middle part with the two ,schemes put them up in his pocket went his way 4 4 4 and 4 4 4 laboureth to recall all the bookes he had given forth 4 4 4 ,and shortly after this he got a new ,printer 7who was ignorant of his former ,schemes7 to print him new3 giving him an especiall charge of the outermost line newly graven in the ,plate1 which indeed is ,brownes very line3 and then altering his book 4 4 4 ,this and other statements made by ,oughtred seem damaging to ,delamain's reputation4 ,but it is quite possible that ,oughtred's guesses as to ,delamain's motives are wrong4 ,moreover1 some of ,oughtred's statements are not first hand knowledge with him1 but mere hearsay4 ,one may accept his first hand facts and still clear ,delamain of wrong doing4 ,there is always danger that rival claimants of an invention or discovery will proceed on the assumption that no one else could possibly have come independently upon the same devices that they themselves did2 the history of science proves the opposite4 ,seldom is an invention of any note made by only one man4 ,we do not feel competent to judge ,delamain's case4 ,we know too little about him as a man4 ,we incline to the opinion that the hypothesis of independent invention is the most plausible4 ,at any rate1 ,delamain figures in the history of the slide rule as the publisher of the earliest book thereon and as an enthusiastic and skillful designer of slide rules4 ,the effect of this controversy upon interested friends was probably small4 ,doubtless few people read both sides4 ,oughtred says3#ba 8this scandall 4 4 4 hath with them1 to whom ,i am not knowne1 wrought me much prejudice and disadvantage 4 40 ,aubrey1#bb a friend of ,oughtred1 refers to ,delamain 8who was so sawcy to write against him0 and remembers having seen 8many yeares since1 twenty or more good verses made0 against ,delamain4 ,another friend of ,oughtred1 ,william ,robinson1 who had seen some of ,delamain's publications1 but not his ,grammelogia ,,iv1 wrote in a letter to ,oughtred1 shortly before the appearance of the latter's ,epistle3 ,i cannot but wonder at the indiscretion of ,rich4 ,delamain1 who being conscious to himself that he is but the pickpurse of another man's wit1 would thus inconsiderately provoke and awake a sleeping lion 4 4 4 he hath so weakly 7though in my judgment1 vaingloriously enough7 commended his own labour 4 4 4#bc ,delamain presented ,king ,charles ,i with one of his sun-dials1 also with a manuscript and1 later1 with a printed copy of his book of #afcj4 ,a drawing of his improved slide rule was sent to the ,king and the ,grammelogia ,,iv is dedicated to him4 ,the ,king must have been favorably impressed1 for ,delamain was appointed tutor to the ,king in mathematics4 ,his widow petitioned the ,house of ,lords in #afde for relief2 he had ten children4#bd ,anthony ,wood states that ,charles ,i1 on the day of his execution1 commanded his friend ,thomas ,herbert 8to give his son the duke of ,york his large ring-sundial of silver1 a jewel his maj4 much valued40 ,anthony ,wood adds1 8it was invented and made by ,rich4 ,delamaine a very able mathematician1 who projected it1 and in a little printed book did shew its excellent use in resolving many questions in arithmetic and other rare operations to be wrought by it in the mathematics40#be ,,vi4 ,,oughtred',s ,,gauging ,,line1 #afcc ,it has not been generally known1 hitherto1 that ,oughtred designed a rectilinear slide rule for gauging and published a description thereof in #afcc4bf ,in his ,circles of ,proportion1 chapter ,,ix1 ,oughtred had offered a closer approximation than that of ,gunter for the capacity of casks4 ,the ,gauger of ,london expostulated with ,oughtred for presuming to question anything that ,gunter had written4 ,the ensuing discussion led to an invitation extended by the ,company of ,vintners to the instrument maker ,elias ,allen to request ,oughtred to design a gauging rod4#bg ,this he did1 and ,allen received an order for 8threescore0 instruments4 ,on page #ai ,oughtred describes his #8,gauging ,rod3' ,it consisteth of two rulers of brasse about #cb ynches of length1 which also are halfe an ynch broad1 and a quarter of an ynch thick 4 4 4 ,at one end of both those rulers are two little sockets of brasse fastened on strongly3 by which the rulers are held together1 and made to move one upon another1 and to bee drawne out unto any length1 as occasion shall require3 and when you have them at the just length1 there is upon one of the sockets a long ,scrue-pin to scrue them fast4 ,there are graduations on three sides of the rulers1 one graduation being the logarithmic line of numbers4 ,he says 7p4 #ci71 8the maner of computing the ,gauge-divisions ,i have concealed40 ,w4 ,robinson1 who was a friend of ,oughtred1 wrote him as follows3#bh ,i have light upon your little book of artificial gauging1 wherewith ,i am much taken1 but ,i want the rod1 neither could ,i get a sight of one of them at the time1 because ,mr4 ,allen had none left 4 4 4 ,i forgot to ask ,mr4 ,allen the price of one of them1 which if not much ,i would have one of them40 ,oughtred annotated this passage thus3 8,or in wood1 if any be made in wood by ,thompson or any other40 ,another of ,oughtred's admirers1 ,sir ,charles ,cavendish1 wrote1 on ,february #aa1 #afce thus3#bi ,i thank you for your little book1 but especially for the way of calculating the divisions of your gauging rod4 ,i wish1 both for their own sakes and yours1 that the citizens were as capable of the acuteness of this invention1 as they are commonly greedy of gain1 and then ,i doubt not but they would give you a better recompense than ,i doubt now they will4 ,on ,april #bj1 #afch1 we find ,oughtred giving ,elias ,allen directions#cj 8about the making of the two rulers40 ,as in #afcc1ca so now1 ,oughtred takes one ruler longer than the other4 ,this #afcc instrument was used also as 8a crosse-staffe to take the height of the ,sunne1 or any ,starre above the ,horizon1 and also their distances40 ,the longer ruler was called staffe1 the shorter transversarie4 ,while in #afcc he took the lengths of the two in the ratio 8almost #c to #b10 in #afch1 he took 8the transversary three quarters of the staff's length1 4 4 4 that the divisions may be larger40 ,,vii4 ,,other ,,seventeenth ,,century ,,slide ,,rules ,in my ,history of the ,slide ,rule ,i treat of ,seth ,partridge1 ,thomas ,everard1 ,henry ,coggeshall1 ,w4 ,hunt and ,sir ,isaac ,newton4#cb ,of ,partridge's ,double ,scale of ,proportion1 ,london1 ,i have examined a copy dated #affa1 which is the earliest date for this book that ,i have seen4 ,as far as we know1 #affa is the earliest date of publications on the slide rule1 since ,oughtred and ,delamain4 ,but it would not be surprising if the intervening #bh years were found not so barren as they seem at present4 ,the #affa and #affb impressions of ,partridge are identical1 except for the date on the title-page4 ,william ,leybourn1 who printed ,partridge's book1 speaks in high appreciation of it in his own book4#cc ,in #affa was published also ,john ,brown's first book1 ,description and ,use of a ,joynt-,rule1 previously mentioned4 ,in ,chapter ,,xviii he describes the use of 8,mr4 ,whites rule0 for the measuring of board and timber1 round and square4 ,he calls this a 8sliding rule40 ,the existence1 in #affa1 of a 8,whites rule0 indicates activities in designing of which we know as yet very little4 ,in his book of #agfa1 previously quoted1 ,brown gives a drawing of 8,white's sliding rule0 7p4 #aic72 also a special contrivance of his own1 as indicated by him in these words3 ,a further improvement of the ,triangular ,quadrant1 as ,i have made it several times1 with a sliding ,cover on the in-side1 when made hollow1 to carry ,ink1 ,pens1 and ,compasses2 then on the sliding ,cover1 and ,edges1 is put the ,line of ,numbers1 according to ,mr4 ,white's first ,contrivance for manner of operation2 but much augmented1 and made easie1 by ,john ,brown4 ,he gives no drawing of his 8triangular quadrant10 hence his account of it is unsatisfactory4 ,he explains the use of 8gage-points40 ,his placing logarithmic lines on the edges of instrument boxes was outdone in oddity later by ,everard who placed them on tobacco-boxes4#cd ,in ,brown's publication of #agjd the ,white slide rule is given again1 8being as neat and ready a way as ever was used40 ,he tells also of a 8glasier's sliding rule40 ,william ,leybourn explains in #afgc how ,wingate's double and triple lines for squaring and cubing1 or square and cube root1 can be used on slide rules4#ce ,beginning early in the history of the slide rule1 when ,oughtred designed his 8gauging rod10 we notice the designing of rules intended for very special purposes4 ,another such contrivance1 which enjoyed long popularity1 was the ,timber ,measure by a ,line1 by ,hen4 ,coggeshall1 ,gent41 ,london1 #afgg1 a booklet of #ce pages4 ,coggeshall says in his preface3 ,for what can be more ready and easie1 then having set twelve to the length1 to see the ,content exactly against the ,girt or ,side of the ,square4 ,whereas on ,mr4 ,partridge's ,scale the ,content is the ,sixth ,number1 which is far more troublesome then even with ,compasses4 ,one line on ,coggeshall's rule begins with #d and extends to #dj1 these numbers being the 8,girt0 7a quarter of the circumference71 which in ordinary practice of measuring round timber lies between #d inches and #dj inches4 ,this 8,girt line0 slides 8against the line of ,numbers in two ,lengths1 to which it is exactly equal40 ,a second edition1 #afhb1 shows some changes in the rule1 as well as an enlargement and change of title of the book itself3 ,a ,treatise of ,measures1 by a ,two-foot ,rule1 by ,h4 ,c4 ,gent1 ,london1 #afhb4 ,in this1 the description of the rule is given thus3 ,there are four ,lines on each flat of this ,rule2 two next the outward edges1 which are ,lines of ,measure2 and two next the inward edges1 which are ,lines of ,proportion4 ,on one flat1 next the inward edges1 is the ,square-line ,girt-line in round timber measurement with the ,line of ,numbers his fellow4 ,next the outward1 a ,line of ,inches divided into ,halfs1 ,quarters1 and ,half-,quarters2 from #a to #ab on one ,rule2 and from #ab to #bd on the other4 ,on the other flat1 next the inward edges1 is the double ,scale of ,numbers for solving proportions4 ,next the outward on one ,rule a ,line of ,inches divided each into ten parts2 and this for gauging1 etc4 ,on the other a foot divided into #ajj parts4 ,later further changes were introduced in ,coggeshall's rule4#cf ,it is worthy of note that ,coggeshall's slide rule book1 ,the ,art of ,practical ,measuring1 was reviewed in the ,acta eruditorum1 anno #afia1 p4 #dgc2 hence ,leupold's description#cg of the rectilinear slide rule in his ,theatrum arithmetico-geometricum1 ,leipzig1 #agbg1 ,cap4 ,,xiii1 p4 #ga1 is not the earliest reference to the rectilinear rule found in ,german publications4 ,the above date is earlier even than ,biler's reference to a circular slide rule in his ,descriptio instrumenti mathematici universalis of #afif4 ,two noted slide rules for gauging were described by ,tho4 ,everard1 ,philomath1 in his ,stereometry made easie1 ,london1 #afhd4 ,he designates his lines by the capital letters ,a1 ,b1 ,c1 ,d1 ,e4 ,on the first instrument1 ,a on the rule1 and ,b and ,c on the slide1 have each two radiuses of numbers1 ,d has only one1 while ,e has three4 ,the second rule is described in an ,appendix2 it is one foot long1 with two slides enabling the rule to be extended to #c feet4 ,everard's instruments were made in ,london by ,isaac ,carver who1 soon after1 himself wrote a sixteen-page ,description and ,use of a ,new ,sliding ,rule1 projected from the ,tables in the ,gauger's ,magazine1 ,london1 #afhg1 which was 8printed for ,william ,hunt0 and bound in one volume with a book by ,hunt1 called ,the ,gauger's ,magazine1 ,london1 #afhg4 ,this appears to be the same ,william ,hunt who later brought out descriptions of his own of slide rules4 ,the instrument described by ,carver 8consists of three pieces1 two whereof are moveable to be drawn out till the whole be #cf inches long40 ,it has several non-logarithmic graduations1 together with logarithmic lines marked ,a1 ,b1 ,c1 ,d1 of which ,a1 ,b1 ,c are 8double lines10 and ,d a 8single line0 used for squares and square roots4 ,it is designed for the determination of the vacuity of a 8spheroidal cask lying10 a 8spheroidal cask standing10 and a 8parabolical cask lying40 ,another seventeenth century writer on the slide rule is ,john ,atkinson1 whom we have mentioned earlier4 ,he says3#ch 8,the ,lines of ,numbers1 ,sines and ,tangents1 are set double1 that is1 one on each side1 as the middle piece slides3 which middle piece is so contrived1 to slip to and fro easily1 to slide out1 and to be put in any side uppermost1 in order to bring those ,lines together 7or against one another7 most proper for solving the ,question1 wrought by ,sliding-,gunter40 ,the data presented in this article show that1 while the earliest slide rules were of the circular type1 the later slide rules of the seventeenth century were of the rectilinear type4#ci ,january #ab1 #aiae4 ,footnotes #a;,f4 ,cajori1 ,history of the ,logarithmic ,slide ,rule and ,allied ,instruments1 ,new ,york1 #aiji1 pp4 #g-ad1 also ,addenda i-vi4 #b;,f4 ,cajori1 8,on the ,invention of the ,slide ,rule10 in ,colorado ,college ,publication1 ,engineering ,series ,vol4 #a1 #aiaj4 ,an abstract of this is given in ,nature 7,london71 ,vol4 #hb1 #aiji1 p4 #bfg4 #c;,f4 ,cajori1 ,history etc41 p4 #ad4 #d;,art4 8,slide ,rule0 in the ,penny ,cyclopaedia and in the ,english ,cyclopaedia ,arts and ,sciences4 #e;,anthony ,wood1 ,athenae oxonienses 7,ed4 ,p4 ,bliss71 ,london1 ,vol4 ,,iii1 #ahag1 p4 #dbc4 #f,the full title of the book which ,wingate published on this subject in ,paris is as follows3 ,l',vsage de la ,reigle de ,proportion en l',arithmetique ,geometrie4 ,par ,edmond ,vvingate1 ,gentil-homme ,anglois4 1 4 ,in tenui1 sed n tenuis vsusve1 laborne4 ,a ,paris1 ,chez ,melchior ,mondiere1 demeurant en l',isle du ,palais1 la ru de ,harlay aux deux ,viperes4 ,m4 ,,dc4 ,,xxiv4 ,auec ,priuilege du ,roy4 ,back of the title page is the announcement3 ,notez que la ,reigle de ,proportion en toutes faons se vend ,paris chez ,melchior ,tauernier1 ,graueur ,imprimeur du ,roy pour les ,tailles douces1 demeurant en l',isle du ,palais sur le ,quay qui regarde la ,megisserie l',espic d'or4 #g,the title-page of the edition of #afeh is as follows3 ,the ,use of the ,rule of ,proportion in ,arithmetick ,geometrie4 ,first published at ,paris in the ,french tongue1 and dedicated to ,monsieur1 the then king's onely ,brother 7now ,duke of ,orleance74 ,by ,edm4 ,wingate1 an ,english ,gent4 ,and now translated into ,english by the ,author4 ,whereinto is now also inserted the ,construction of the same ,rule1 a farther use thereof 4 4 4 #bnd edition inlarged and amended4 ,london1 #afeh4 #h,memories of the ,life of that ,learned ,antiquary1 ,elias ,ashmole1 ,esq42 ,drawn up by himself by way of ,diary4 ,with ,appendix of original ,letters4 ,publish'd by ,charles ,burman1 ,esq41 ,london1 #agag1 p4 #bc4 #i,mathematical ,tables1 #ahaa1 p4 #cf1 and art4 8,gunter's ,line0 in his ,phil4 and ,math4 ,dictionary1 ,london1 #ahae4 #aj,to the ,english ,gentrie1 and all others studious of the ,mathematicks1 which shall bee readers hereof4 ,the just ,apologie of ,wil3 ,ovghtred1 against the slaunderous insimulations of ,richard ,delamain1 in a ,pamphlet called ,grammelogia1 or the ,mathematicall ,ring1 or ,mirifica logarithmorum projectio circularis4 ,we shall refer to this document as ,epistle4 ,it was published without date in #cb unnumbered pages of fine print1 and was bound in with ,oughtred's ,circles of ,proportion1 in the editions of #afcc and #afci4 ,in the #afcc edition it is inserted at the end of the volume just after the ,addition vnto the ,vse of the ,instrument etc41 and in that of #afci immediately after the preface4 ,it was omitted from the ,oxford edition of #affj4 ,the ,epistle was also published separately4 ,there is a separate copy in the ,british ,museum1 ,london4 ,aubrey1 in his ,brief ,lives1 edited by ,a4 ,clark1 ,vol4 ,,ii1 ,oxford1 #ahih1 p4 #aac1 says quaintly1 8,he writt a stitch't pamphlet about #afc78d7 against 4 4 4 ,delamaine40 #aa,thomas ,browne is mentioned by ,stone in his ,mathematical ,instruments1 ,london #agbc1 p4 #af4 ,see also ,cajori1 ,history of the ,slide ,rule1 ,new ,york1 #aiji1 p4 #ae4 #ab,the ,description and ,use of a ,joynt-,rule3 4 4 4 also the use of ,mr4 ,white's ,rule for measuring of ,board and ,timber1 round and square2 ,with the manner of ,vsing the ,serpentine-line of ,numbers1 ,sines1 ,tangents1 and ,versed ,sines4 ,by ,j4 ,brown1 ,philom41 ,london1 #affa4 #ac;,a ,collection of ,centers and ,useful ,proportions on the ,line of ,numbers1 by ,john ,brown1 #affb7871 #af pages2 ,description and ,use of the ,triangular ,quadrant1 by ,john ,brown1 ,london1 #afga2 ,wingate's ,rule of ,proportion in ,arithmetick and ,geometry3 or ,gunter's ,line4 ,newly rectified by ,mr4 ,brown and ,mr4 ,atkinson1 ,teachers of the ,mathematicks1 ,london1 #afhc2 ,the ,description and ,use of the ,carpenter's-,rule3 ,together with the ,use of the ,line of ,numbers commonly call'd ,gunter's-,line1 by ,john ,brown1 ,london1 #agjd4 #ad,william ,leybourn1 op4 cit41 pp4 #abi1 #acj1 #acb1 #acc4 #ae;,james ,atkinson's edition of ,andrew ,wakely's ,the ,mariners ,compass ,rectified1 ,london1 #afid ,wakely's preface dated #affd1 ,atkinson's preface1 #afic4 ,atkinson adds ,an ,appendix containing ,use of ,instruments most useful in ,navigation4 ,our quotation is from this ,appendix1 p4 #aii4 #af,r4 ,delamain1 ,the ,making1 ,description1 and ,use of a small portable ,instrument 4 4 4 called a ,horizontall ,quadrant1 etc41 ,london1 #afca4 #ag,oughtred's description of his circular slide rule of #afcb and his rectilinear slide rule of #afcc1 as well as a drawing of the circular slide rule1 are reproduced in ,cajori's ,history of the ,slide ,rule1 ,addenda1 pp4 ii-vi4 #ah,the full title of the ,grammelogia ,i is as follows3 ,gramelogia or1 ,the ,mathematicall ,ring4 ,shewing 7any reasonable ,capacity that hath not ,arithmeticke7 how to resolve and worke all ordinary operations of ,arithmeticke4 ,and those which are most difficult with greatest facilitie3 ,the extraction of ,roots1 the valuation of ,leases1 c4 ,the measuring of ,plaines and ,solids4 ,with the resolution of ,plaine and ,sphericall ,triangles4 ,and that onely by an ,ocular ,inspection1 and a ,circular ,motion4 ,naturae secreta tempus aperit4 ,london printed by ,john ,haviland1 #afcj4 #ai;,grammelogia ,,iii is the same as ,grammelogia ,i1 except for the addition of an appendix1 entitled3 ,de la ,mains ,appendix ,vpon his ,mathematicall ,ring4 ,attribuit nullo 7praescripto tempore7 vitae vsuram nobis ingeniique ,deus4 ,london1 4 4 4 ,the next line or two of this title-page which probably contained the date of publication1 were cut off by the binder in trimming the edges of this and several other pamphlets for binding into one volume4 #bj;,grammelogia ,,iv has two title pages4 ,the first is ,mirifica ,logarithmoru' ,projectio ,circularis4 ,there follows a diagram of a circular slide rule1 with the inscription within the innermost ring3 ,nil ,finis1 ,motvs1 ,circvlvs vllvs ,habet4 ,the second title page is as follows3 ,grammelogia ,or1 the ,mathematicall ,ring4 ,extracted from the ,logarythmes1 and projected ,circular3 ,now published in the inlargement thereof unto any magnitude fit for use3 shewing any reason- able capacity that hath not ,arithmeticke how to resolve and worke1 all ordinary operations of ,arithmeticke3 ,and those that are most difficult with greatest facilitie1 the extracti- on of ,rootes1 the valuation of ,leases1 c4 the measuring of ,plaines and ,solids1 with the resolution of ,plaine and ,sphericall ,triangles applied to the ,practicall parts of ,geometrie1 ,horologographie1 ,geographie ,fortification1 ,navigation1 ,astronomie1 c4 ,and that onely by an ocular inspection1 and a ,circular motion1 ,invented and first published1 by ,r4 ,delamain1 ,teacher1 and ,student of the ,mathematicks4 ,naturae secreta tempus aperit4 ,there is no date4 ,there follows the diagram of a second circular slide rule1 with the inscription within the innermost ring3 ,typus proiectionis ,annuli adaucti vt in ,conslusione ,lybri praelo commissi1 ,anno #afcj promisi4 ,there are numerous drawings in the ,grammelogia1 all of which1 excepting the drawings of slide rules on the engraved title-pages of ,grammelogia ,,iv and ,v1 were printed upon separate pieces of paper and then inserted by hand into the vacant spaces on the printed pages reserved for them4 ,some drawings are missing1 so that the ,bodleian ,grammelogia ,,iv differs in this respect slightly from the copy in the ,british ,museum and from the ,british ,museum copy of ,grammelogia ,v4 #ba;,epistle1 p4 7#h74 #bb;,aubrey1 op4 cit41 ,vol4 ,,ii41 p4 #aaa4 #bc,rigaud1 ,correspondence of ,scientific ,men during the #agth ,century1 ,vol4 ,i1 ,oxford1 #ahda1 p4 #aa4 #bd;,dictionary of ,national ,biography1 ,art4 8,delamain1 ,richard40 ,see also ,rev4 ,charles ,j4 ,robinson1 ,taylors' ,school1 from ,a4,d4 #aefb to #ahgd1 ,vol4 ,i1 #ahhb1 p4 #aea2 ,journal of the ,house of ,commons1 ,vol4 ,,iv41 p4 #aig;b2 ,sixth ,report of the ,royal ,commission on ,historical ,manuscripts1 ,part ,i1 ,report and ,appendix1 ,london1 #ahgg4 ,in this ,appendix1 p4 #hb1 we read the following3 ,oct4 #bb #afde ,petition of ,sarah ,delamain1 relict of ,richard ,delamain4 ,petitioner's husband was servant to the ,king1 and one of ,his ,majesty's engineers for the fortification of the kingdom1 and his tutor in mathematical arts2 but upon the breaking out of the war he deserted the ,court1 and was called by the ,state to several employments1 in fortifying the towns of ,northampton1 ,newport1 and ,abingdon2 and was also abroad with the armies as ,quartermaster-,general of the ,foot1 and therein died4 ,petitioner is left a disconsolate widow with ten children1 the four least of whom are now afflicted with sickness1 and petitioner has nothing left to support them4 ,there are several considerable sums of money due to the petitioner1 as well from the ,king as the ,state4 ,prays that she may have some relief amongst other widows4 ,see ,l4 ,j41 ,,vii4 #f4 #feg4 #be;,anthony ,wood1 ,athenae ,oxonienses 7,edition ,bliss7 ,vol4 ,,iv41 ,london1 #ahbj1 p4 #cd4 #bf,the ,new ,artificial ,gauging ,line or ,rod3 together with rules concerning the use thereof3 ,invented and written by ,,william ,,oughtred1 etc41 ,london1 #afcc4 ,the copy we have seen is in the ,bodleian ,library1 ,oxford4 ,the book is small sized and has #dj pages4 #bg,oughtred1 op4 cit41 p4 #aa4 #bh,s4 ,j4 ,rigaud1 ,correspondence of ,scientific ,men of the #agth ,century1 ,oxford1 ,vol4 ,i1 #ahda1 p4 #ag4 #bi,rigaud1 loc4 cit41 p4 #bb4 #cj,rigaud1 loc4 cit41 pp4 #cj1 #ca4 #ca,oughtred1 ,an ,addition vnto the ,vse of the ,instrument called the ,circles of ,proportion1 ,london1 #afcc1 p4 #fc4 #cb;,f4 ,cajori1 ,history of the ,slide ,rule1 ,new ,york1 #aiji1 pp4 #af-bb1 ,addenda1 pp4 vi-ix4 #cc,w4 ,leybourn1 op4 cit41 #afgc1 ,preface1 and pp4 #abh-bi4 #cd;,cajori op4 cit41 ,addenda1 p4 ix4 #ce,william ,leybourn1 op4 cit41 #afgc1 p4 #ce4 #cf,see ,cajori1 op4 cit41 pp4 #bj1 #bh1 ,addenda1 p4 ix4 #cg,see ,f4 ,cajori1 8,a ,note on the ,history of the ,slide ,rule10 ,bibliotheca mathematica1 #c ,f41 ,vol4 #aj1 pp4 #afa-afc4 #ch;,john ,atkinson1 op4 cit41 #afid1 p4 #bjd4 #ci,probably the oldest slide rule now in existence is owned by ,st4 ,john's ,college1 ,oxford1 and is in the form of a brass disc1 #a ft4 #f in4 in diameter4 ,it was exhibited along with other instruments in ,may1 #aiai4 ,according to the ,catalogue of a ,loan ,exhibition of ,early ,scientific ,instruments in ,oxford1 opened ,may #af1 #aiai1 the instrument is inscribed with the name of the maker 78,elias ,allen fecit07 and with the name of the donor1 ,georgius ,barkham4 ,it is dated #afce1 which is only three years after the first publication of ,oughtred's description of his circular slide rule4 ,it is stated in the ,catalogue3 8,unfortunately all the movable parts but the base-plate and a couple of thumb-screws are missing4 ,the face of the instrument is engraved with ,oughtred's ,horizontal ,instrument4 ,the back is engraved with eleven ,circles of ,proportion as described in ,arthur ,haughton's book1 a copy of which was presented to ,st4 ,john's ,college by ,george ,barkham1 to explain the use of the instrument40 ,as ,arthur ,haughton's ,oxford edition of ,oughtred's ,circles of ,proportion did not appear until #affj1 it would seem that the instrument was probably not presented to the ,college before #affj4 ,as far as is known1 the next oldest slide rule is of the year #afed1 kept in the ,south ,kensington ,museum1 ,london1 and is described in ,nature of ,march #e1 #aiad4 ,it is a rectilinear rule1 8of boxwood1 well made1 and bound together with brass at the two ends4 ,it is of the square type1 a little more than #b ft4 in length1 and bears the logarithmic lines first described by ,edmund ,gunter4 ,of these1 the num1 sin and tan lines are arranged in pairs1 identical and contiguous1 one line in each pair being on the fixed part1 and the other on the slide40 ,the instrument is inscribed1 8,made by ,robert ,bissaker for ,t4 ,w41 #afed40 ,nowhere else have we seen reference to ,robert ,bissaker4 ,his slide rule seems to antedate the 8,whites rule0 mentioned above4 ,this foot-note was added on ,october #ae1 #aiai4 ,,university ,,of ,,california ,,publications ,note4--,the ,university of ,california ,publications are offered in exchange for the publication of learned societies and institutions1 universities and libraries4 ,complete lists of all the publications of the ,university will be sent upon request4 ,for sample copies1 lists of publications or other information1 address the ,manager of the ,university of ,california ,press1 ,berkeley1 ,california1 ,u4 ,s4 ,a4 ,all matter sent in exchange should be addressed to ,the ,exchange ,department1 ,university ,library1 ,berkeley1 ,california1 ,u4 ,s4 ,a4 ,,mathematics4--,mellen ,w4 ,haskell1 ,editor4 ,price per volume1 #e4jj4 ,cited as ,univ4 ,calif4 ,publ4 ,math4 ,vol4 #a4 #a4 ,on ,numbers which ,contain no ,factors of the ,form p7kp#a71 by ,henry ,w4 ,stager4 ,pp4 #a-bf4 ,may1 #aiab #j4ej #b4 ,constructive ,theory of the ,unicursal ,plane ,quartic by ,synthetic ,methods1 by ,annie ,dale ,biddle4 ,pp4 #bg-ed1 #ca text-figures4 ,september1 #aiab 4#ej #c4 ,a ,discussion by ,synthetic ,methods of ,two ,projective ,pencils of ,conics1 by ,baldwin ,munger ,woods4 ,pp4 #ee-he4 ,february1 #aiac 4#ej #d4 ,a ,complete ,set of ,postulates for the ,logic of ,classes ,expressed in ,terms of the ,operation 8,exception01 and a ,proof of the ,independence of a ,set of ,postulates due to ,del ,r1 by ,b4 ,a4 ,bernstein4 ,pp4 #hg-if4 ,may1 #aiad 4#aj #e4 ,on a ,tabulation of ,reduced ,binary ,quadratic ,forms of a ,negative ,determinant1 by ,harry ,n4 ,wright4 ,pp4 #ig-aad4 ,june1 #aiad 4#bj #f4 ,the ,abelian ,equations of the ,tenth ,degree ,irreducible in a ,given ,domain of ,rationality1 by ,charles ,g4 ,p4 ,kuschke4 ,pp4 #aae-afb4 ,june1 #aiad 4#ej #g4 ,abridged ,tables of ,hyperbolic ,functions1 by ,f4 ,e4 ,pernot4 ,pp4 #afc-afi4 ,february1 #aiae 4#aj #h4 ,a ,list of ,oughtred's ,mathematical ,symbols1 with ,historical ,notes1 by ,florian ,cajori4 ,pp4 #aga-ahf4 ,february1 #aibj 4#be #i4 ,on the ,history of ,gunter's ,scale and the ,slide ,rule during the ,seventeenth ,century1 by ,florian ,cajori4 ,pp4 #ahg-bji4 ,february1 #aibj 4#ce #aj4 ,on a ,birational ,transformation ,connected with a ,pencil of ,cubics1 by ,arthur ,robinson ,williams4 ,pp4 #baa-bbb4 ,february1 #aibj 4#ae #aa4 ,classification of ,involutory ,cubic ,space ,transformations1 by ,frank ,ray ,morris4 ,pp4 #bbc-bdj4 ,february1 #aibj 4#be ,,agricultural ,,sciences4--,charles ,b4 ,lipman1 ,ernest ,b4 ,babcock1 and ,john ,w4 ,gilmore1 ,editors4 ,price per volume1 #e4jj4 ,volumes ,i and ,,iii completed4 ,volumes ,,ii and ,,iv in progress4 ,,american ,,archaeology ,,and ,,ethnology4--,alfred ,l4 ,kroeber1 ,editor4 ,volumes ,i-,,xii completed4 ,volumes ,,xiii to ,,xvi in progress4 ,,astronomy4--,william ,w4 ,campbell1 ,director of the ,lick ,observatory1 ,editor4 ,publications of the ,lick ,observatory 7,quarto74 ,volumes ,i-,,xiii completed4 ,price per volume1 #c4jj 7,volume ,,vii1 #d4jj2 ,volume ,,viii1 #e4jj2 ,volume ,,ix1 #b4be2 ,volume ,,xiii1 #j4jj74 ,volumes ,i and ,,iii are out of print4 ,lick ,observatory ,bulletins 7,quarto74 ,volumes ,i-,,ix completed4 ,volume ,x current4 ,price1 #b4ej per volume in advance4 ,volume ,i is out of print4 ,,botany4--,w4 ,a4 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,k4 ,schilling1 and ,rudolph ,schevill1 ,editors4 ,volumes ,i to ,,vii completed4 ,volumes ,,viii and ,,ix in progress4 ,,pathology4--,frederick ,p4 ,gay1 ,editor4 ,price per volume1 #b4ej4 ,volumes ,i and ,,ii completed4 ,,philosophy4--,george ,h4 ,howison1 ,editor4 ,price per volume1 #b4jj4 ,volume ,i completed4 ,volume ,,ii in progress4 ,,physiology4--,s4 ,s4 ,maxwell1 ,editor4 ,price per volume1 #b4jj4 ,volumes ,i-,,iv completed4 ,volume ,v in progress4 ,,psychology4--,george ,m4 ,stratton1 ,editor4 ,price per volume1 #c4ej4 ,volumes ,i and ,,ii completed4 ,volume ,,iii in progress4 ,,semitic ,,philology4--,william ,popper1 ,editor4 ,price per volume1 #d4ej4 ,,zoology4--,william ,e4 ,ritter and ,charles ,a4 ,kofoid1 ,editors4 ,volumes ,i-,,xvii completed4 ,price per volume for first ten volumes1 #c4ej4 ,price for ,volume ,,xi and subsequent volumes #e4jj4 ,volumes ,,xviii to ,,xxi in progress4 ,,memoirs ,,of ,,the ,,university ,,of ,,california 7,quarto74 ,john ,c4 ,merriam1 ,editor4 ,volume ,i 7in progress74 #a4 ,triassic ,ichthyosauria1 with ,special ,reference to the ,american ,forms1 by ,john ,c4 ,merriam4 ,september1 #aijh #c4jj #b4 ,the ,fauna of ,rancho ,la ,brea1 by ,john ,c4 ,merriam4 ,part ,i1 ,occurrence 4#cj ,part ,,ii1 ,canidae 4#hj ,volume ,,ii4 ,the ,silva of ,california1 by ,willis ,linn ,jepson4 #aiji #e4jj2 cloth1 #g4ej ,volume ,,iii4 ,business ,cycles1 by ,wesley ,c4 ,mitchell4 #aiac #e4jj2 cloth1 #g4ej ,volume ,,iv4 #a4 ,the ,battle of the ,seven ,arts1 by ,louis ,j4 ,paetow4 ,july1 #aiad 4#ge ,,university ,,of ,,california ,,chronicle4--,an official record of ,university life1 issued quarterly4 ,george ,m4 ,calhoun1 ,editor4 ,price1 #a4jj per year4 ,current1 ,volume ,,xxii4 ,transcriber's ,notes --,inserted subchapter headings from the ,table of ,contents into the text4 --,corrected two page numbers in the ,table of ,contents --,corrected a ,greek quotation in footnote #f by reference to the original sources4