,,ma/]pieces ,,9 ,,col\r ,,edit$ ,,by--,t4 ,,leman ,,h>e ,,b]n>d9o ,,lu9i ,,9 ,,! ,,same ,,s]ies ,,arti/4 ,,au?or4 ,,velazquez4 ,s4 ,l4 ,,b5susan4 ,,reynolds4 ,s4 ,l4 ,,b5susan4 ,,turn]4 ,c4 ,,lewis ,,h9d4 ,,romney4 ,c4 ,,lewis ,,h9d4 ,,greuze4 ,,alys ,,eyre ,,mackl94 ,,botticelli4 ,,h5ry ,b4 ,,b9ns4 ,,rossetti4 ,,luci5 ,,piss>ro4 ,,bell9i4 ,,george ,,hay4 ,,fra ,,angelico4 ,,james ,,mason4 ,,rembr&t4 ,,josef ,,israels4 ,,leighton4 ,a4 ,,lys ,,baldry4 ,,raphael4 ,,paul ,g4 ,,konody4 ,,holman ,,hunt4 ,,m>y ,e4 ,,col]idge4 ,,titian4 ,s4 ,l4 ,,b5susan4 ,,millais4 ,a4 ,,lys ,,baldry4 ,,c>lo ,,dolci4 ,,george ,,hay4 ,,ga9sbor\gh4 ,,max ,,ro?s*ild4 ,,t9toretto4 ,s4 ,l4 ,,b5susan4 ,,lu9i4 ,,james ,,mason4 ,,franz ,,hals4 ,,edgcumbe ,,/aley4 ,9 ,prep>ation ,,van ,,dyck4 ,,p]cy ,m4 ,,turn]4 ,,:i/l]4 ,t4 ,,m>t9 ,,wood4 ,,leon>do ,,da ,,v9ci4 ,m4 ,w4 ,,brockwell4 ,,rub5s4 ,s4 ,l4 ,,b5susan4 ,,burne-,,jones4 ,a4 ,,lys ,,baldry4 ,j4 ,f4 ,,millet4 ,,p]cy ,m4 ,,turn]4 ,,*>d94 ,,paul ,g4 ,,konody4 ,,fragon>d4 ,c4 ,,haldane ,,macfall4 ,,holbe94 ,s4 ,l4 ,,b5susan4 ,,b\*]4 ,c4 ,,haldane ,,macfall4 ,,vig,e ,,le ,,brun4 ,c4 ,,haldane ,,macfall4 ,,watteau4 ,c4 ,,lewis ,,h9d4 ,,murillo4 ,s4 ,l4 ,,b5susan4 ,,& ,,o!rs4 ,illu/ration3 ,,plate ,i4--,,madonna ,,& ,,*ild4 ,frontispiece 7,9 ! ,wallace ,collection7 ,?is is ano!r admirably pa9t$ /udy ( ! arti/'s fav\rite subject4 ,! attitude ( ! *ild is mo/ engag+1 ! pa9t+ ( ! limbs is full ( skill1 & ! backgr\nd adds consid]ably to ! picture's attractions4 ,x w be not$ t ,lu9i appe>s to h employ$ ! same model = mo/ ( 8 /udies ( ! ,madonna4 ,b]n>d9o ,,lu9i ,,by ,,james ,,mason ,,illu/rat$ ,,) ,,eight ,,reproductions ,,9 ,,col\r ,illu/ration ,,london3 ,t4 ,c4 ,e4 ,c4 ,,jack ,,new ,,york3 ,,fr$]ick ,a4 ,,/okes ,,co4 ,,li/ ,,( ,,illu/rations ,plate ,i4 ,madonna & ,*ild ,frontispiece ,9 ! ,wallace ,collection ,page ,,ii4 ,il ,salvatore #ad ,9 ! ,ambrosiana1 ,milan ,,iii4 ,salom & ! ,head ( ,/4 ,john ! ,bapti/ #bd ,9 ! ,uffizi ,gall]y1 ,flor5ce ,,iv4 ,! ,my/ic ,m>riage ( ,/4 ,ca!r9e #cd ,9 ! ,br]a1 ,milan ,v4 ,! ,madonna ( ! ,rose #dj ,9 ! ,br]a1 ,milan ,,vi4 ,detail ( ,fresco #ej ,9 ! ,br]a1 ,milan ,,vii4 ,head ( ,virg9 #fj ,9 ! ,ambrosiana1 ,milan ,,viii4 ,burial ( ,/4 ,ca!r9e #gj ,9 ! ,br]a1 ,milan ,illu/ration ,i ,a ,,retrospect ,9 ! beg9n+ ( ! long & fasc9at+ hi/ory ( ,italian ,art we see t ! _s ( ! ,r5aissance fir/ flutt]$ ov] ! m9ds ( m5 mu* z ! _s ( life is said h mov$ ov] ! face ( ! wat]s be=e ! fir/ *apt] ( creation's m>vell\s /ory 0 writt54 ,beg9n+s 7 small1 progress 0 sl[1 & ! lives ( ! great arti/s mov$ v unev5ly to _! appo9t$ end4 ,!re 7 "s :o rose to fame & =tune dur+ _! life1 & !n di$ s completely t no biography c hope to r\se any int]e/ 9 _! "w among succe$+ g5]ations4 ,!re 7 o!rs :o work$ 9 sil5ce & )\t rclame ( any sort1 cont5t ) ! respect & e/eem ( ^? ) :om !y came into imm$iate contact1 indiff]5t to ! plaudits ( ! cr[d or ! noisy praises ( ^? :o are n qualifi$ to judge4 ,true s]vants ( ! we/]n _w's religion1 !y translat$ "w into t]ms ( moral life1 & moral life into t]ms ( "w4 ,m]it l tru? w out1 & :5 "t has sift$ good "w f bad & spuri\s reputations f g5u9e ones1 _m m5 :o flutt]$ ! dovecotes ( _! own g5]ation disappe> f sight altoge!r2 "s o!rs :o wr\ght unse51 nev] /riv+ to ga9 ! popul> e> or eye1 rise on a sudd5 to heights t might h made !m giddy _h !y liv$ to be consci\s ( _! own elevation4 ,!y 7 l[ly1 b _! fame inh]its ! e>?4 ,b]n>d9o ,lu9i1 ! subject ( ?is little /udy1 calls u away f ! great art c5tres--f ,v5ice & ,flor5ce & ,rome2 8 record 0 made & is to be f\nd to-day amid ! pla9s ( ,lomb>dy4 ,milan is n always reg>d$ z "o ( ! great art c5tres ( ,italy 9 spite ( ! ,br]a1 ! ,ambrosiana1 & ! ,poldi ,pezzoli ,palace collections1 b no lov] ( pictures ev] w5t = ! fir/ "t to ! gall]ies ( ,milan 9 a rev]5t _s & ) a pati5t eye )\t feel+ t he _h discov]$ a pa9t] ( g5ius4 ,he may n ev5 h he>d 8 "n be=e1 b he w come away q det]m9$ to le>n all he may ab\t ! man :o pa9t$ ! wond]ful frescoes t seem de/9$ to reta9 _! spiritual beauty till ! la/ fa9t trace ( ! design passes beyond ! rea* ( ! eye1 ! man :o pa9t$ ! panel picture ( ! ,virg9 ( ! ,rose ,trees1 reproduc$ ) o!r ( 8 ma/]-works 9 ^! pages4 ,illu/ration3 ,,plate ,,ii4--,,il ,,salvatore 7,9 ! ,ambrosiana1 ,milan7 ,?is picture1 "o ( ! treasures ( ! beautiful collection 9 ! ,p9acoteca ( ,ambrosiana 9 ! ,piazza della ,rosa1 hangs by ! same arti/'s picture ( ,john ! ,bapti/ z a ,*ild4 ,! "r h& ( ,*ri/ is rais$ 9 ! attitude ( b5$iction1 & ! head has a curi\sly g5u9e beauty4 ,! pres]vation ( ?is picture is wond]ful1 ! col\r+ reta9s mu* ( its e>ly gl[4 ,! head is almo/ fem99e 9 its t5d]ness & be>s a lik5ess to ,lu9i's fav\rite model4 ,to g to ! ,br]a is to feel some?+ ak9 to hung] = ! hi/ory ( ,b]n>d9o ,lu9i or ,lu9o or ,luv9o z he is call$ by ! few :o h f\nd occasion to m5tion him1 al?\gh p]haps ,lu9i is ! g5]ally accept$ & be/ kn[n spell+ ( ! "n4 ,un=tunately ! hungry feel+ _c be fully satisfi$4 ,catalogues or guide books date ! ye> ( ,lu9i's bir? at or ab\t #adgj1 & tell u t he di$ 9 #aecc1 & z ?is is a p]iod t ,giorgio ,vas>i cov]s1 we turn eag]ly to ! well-rememb]$ volumes ( ! old gossip hop+ to f9d "s /ories ( ! ,lomb>d pa9t]'s life & "w4 ,we are eag] to "k :at mann] ( man ,lu9i 01 :at =ces influ5c$ him1 h[ he appe>$ to 8 contempor>ies1 :e!r he _h a fair measure ( ! l>ge success t att5d$ ! lead+ arti/s ( 8 day4 ,7 8 patrons great m5 :o rew>d$ him z he des]v$--h[ did he f>e :5 ! ev5+ came :]e9 no man may "w8 ,surely !re is ample scope = ! score ( qua9t comm5ts & amus+ if unreliable anecdotes ) :i* ,vas>i liv5s 8 pages4 ,we are confid5t t !re w be mu* to rew>d ! se>*1 because ,b]n>d9o ,lu9i & ,giorgio ,vas>i 7 contempor>ies aft] a fa%ion4 ,vas>i w\ld h be5 tw5ty-"o ye>s old :5 ,lu9i di$1 ! writ] ( ! ,lives w\ld h se5 frescoes & panel pictures 9 all ! glory ( _! fir/ creation4 ,he c\ld n h fail$ to be impress$ by ! extraord9>y beauty ( ! arti/'s conceptions1 ! skill ( 8 treatm5t ( s+le figures1 ! weal? ( ! curi\s & elusive *>m t we call atmosph]e--a *>m to :i* all ! _w's ma/]pieces are indebt$ 9 v>y+ degrees--! all-p]vad+ s5se ( a delightful & ref9$ p]sonality1 leaves u eag] = ! facts t mu/ h be5 well )9 ! grasp ( ! pa9t]'s contempor>ies4 ,alas = ^! expectations6 ,vas>i dismisses ,b]n>d9o del ,lup9o1 z he calls him1 9 six or eight s5t5ces1 & :at he says has no biographical value at all4 ,! ref]5ce reads suspici\sly l :at is kn[n 9 ! _w ( j\rnalism z padd+4 ,inde$1 z ,vas>i 0 a fair judge1 & ,b]n>d9o ,lu9i 0 n "o ( ^? ,v5etians :om ,vas>i held m or less 9 contempt1 !re seems to be "s reason = ! sil5ce4 ,p]haps x 0 an intimate & p]sonal "o1 "s unrecord$ bitt]ness betwe5 ! pa9t] & "o ( ,vas>i's fri5ds1 or betwe5 ,vas>i himself & ,lu9i or "o ( 8 bro!rs or *ildr54 ,:atev] ! cause !re is no mi/ake ab\t ! result4 ,we grumble at ,vas>i1 we ridicule 8 inaccuracies1 we regret 8 limitations1 we sc(f at 8 prejudices1 b :5 he )holds ! light ( 8 inve/igation f contempor>y pa9t]s :o did n enjoy ! fav\r ( popes & emp]ors1 we w&] 9 a des]t l& )\t a guide1 & se>* ) little or no success = ! details t w\ld s]ve to set ! pa9t] be=e u4 ,_m m5 h tak5 up ! "w ( inve/igation1 = ,lu9i gr[s /eadily 9 fav\r & e/eem1 b :at ,vas>i might h done 9 a week nobody has a*iev$ 9 a decade4 ,a few unimportant *ur* docum5ts relat+ to commissions giv5 to ! pa9t] are /ill extant4 ,he wrote a few words on 8 frescoes2 "h & !re a /ray ref]5ce appe>s 9 ! works ( ,italian writ]s ( ! sixte5? & sev5te5? c5turies1 b our k :5 x has be5 sift$ & arrang$ is rem>kably small & deplorably incomplete4 ,dr4 ,j4 ,c4 ,williamson1 a pa9/ak+ critic & a compet5t s*ol>1 has writt5 an int]e/+ volume deal+ ) ! pa9t]1 & 9 ! mak+ ( x he has consult$ ne>ly fifty au?orities--,italian1 ,fr5*1 ,engli%1 & ,g]man--only to f9d x is impossible to ga!r a %ort *apt] ( reliable & consecutive biography f !m all4 ,our only hope lies 9 ! discov]y ( "s ri* /ore ( in=mation 9 ! public or private libr>ies ( ,milan among ! manuscripts t are ! delight ( ! s*ol>s4 ,c\ntless docum5ts lie unread1 _m fam\s libr>ies are uncatalogu$1 ! ar*ives ( sev]al noble ,italian h\ses t play$ an important "p 9 fifte5? & sixte5? c5tury ,italy h /ill to be giv5 to ! _w4 ,x is n unreasonable to suppose t records ( ,lu9i's life exi/1 & 9 ^! days :5 s*ol>%ip is ev] ext5d+ its b\nd>ies !re is hope t "s s*ol> w lay ! ev] gr[+ circle ( ! pa9t]'s admir]s "u la/+ obligations4 ,until t "t comes we mu/ be cont5t to "k ! man ?r\gh ! "w t he has left beh9d him1 ?r\gh ! m$ium ( fad+ frescoes1 /ray alt>pieces1 & a few panel pictures4 ,happily !y h a def9ite & pleasant /ory to tell4 ,we mu/ g to ,milan = ,lu9i j z we mu/ g to ,rome = ,raphael & to ,madrid = ,velazquez & ,titian & to ,v5ice = ,jacopo ,robu/i :om m5 /ill call ! ,little ,dy] 7,t9toretto74 ,9 ,london we h "o pa9t+ on wood1 ,*ri/ & ! ,ph>isees1 br\ght f ! ,borghese ,palace 9 ,rome4 ,! head ( ,*ri/ is /rangely fem99e1 ! f\r ,ph>isees r\nd him are f9ely pa9t$1 & ! picture has probably be5 attribut$ to ,leon>do da ,v9ci at "s p]iod ( its c>e]4 ,!re are ?ree frescoes 9 ,s\? ,k5s+ton & a few panel pictures 9 private collections4 ,! ,l\vre is m =tunate ?an our ,national ,gall]y1 x has sev]al frescoes & two or ?ree panels4 ,9 ,switz]l&1 9 ! ,*ur* ( ,/4 ,m>y & ! ,angels 9 ,lugano1 is a wond]ful scre5 picture ( ! ,passion ( ,*ri/ ) "s hundr$s ( figures 9 x1 & ! re/ ( ,lu9i's "w seems to be 9 ,italy4 ,! great] "p is to be f\nd 9 ,milan1 "s important frescoes hav+ be5 br\ght to ! ,br]a f ! h\se ( ! ,pelucca family 9 ,monza1 :ile !re are "s important works 9 ,flor5ce 9 ! ,pitti & ,uffizi ,gall]ies4 ,9 ! ,*ur* ( ,/4 ,pet] at ,lu9o on ! %ores ( ,lake ,maggiore1 ! little t[n :]e ,b5>d9o 0 born & f :i* he took 8 "n1 !re are "s frescoes b !y are 9 a v fad$ condition4 ,! p ( ! lake side t[n h mu* to say ab\t ! ma/] :o has made ,lu9o a place ( pilgrimage b _! /ories are q unreliable4 ,illu/ration3 ,,plate ,,iii4--,,salom ,,& ,,! ,,head ,,( ,,/4 ,,john ,,! ,,bapti/ 7,9 ! ,uffizi ,gall]y1 ,flor5ce7 ,9 ?is /rik+ & f9ely pres]v$ picture ,b]n>d9o ,lu9i has contriv$ to avoid all s5se ( horror4 ,! head ( ! dead ,john ! ,bapti/ is full ( beauty1 & ev5 ,h]odias is h&l$ )\t any attempt to make h] repulsive4 ,suffici5t contra/ is suppli$ by ! execution] on ! "r4 ,x might be held1 see+ t ! arti/'s "w is scanty1 & (t5 9 ! la/ /ages ( decay1 :ile 8 life /ory has fad$ q f ! recov]$ records ( 8 contempor>ies1 t ,lu9i is h>dly fit subject = discussion "h4 ,9 a s]ies ( little books t seeks to introduce great arti/s to new fri5ds ?r\gh ! m$ium ( reproductions t %[ ! "w z x is1 & a brief concise description t aims at help+ ^? :o are int]e/$ to /udy ! ma/] = !mselves1 !re is a temptation to deal only ) popul> m54 ,^! give no tr\ble to _! biograph] or 8 read]s1 b aft] all x is n ! numb] ( pictures t an arti/ pa9ts or ! weal? ( detail t 8 admir]s h collect$ t e/abli%es 8 claim to be plac$ among ! immortals4 ,8 claim re/s ^u ! quality ( ! "w done1 its relation to ! times 9 :i* x 0 pa9t$1 ! mood or _s x reveals1 ! light x ?r[s ^u ! m9d t conceiv$ & ! h& t execut$ x4 ,we "k en\gh & to sp>e ( ! m flamboyant p]sonalities ( ! ,v5etian & ,flor5t9e s*ools4 ,long p]iods ( /udy w n exhau/ all !re is to le>n ab\t m5 l ,titian1 ,mi*elangelo1 ,raphael ( ,urb9o1 & ! re/1 b ,lu9i1 ?\gh he left no writt5 record1 w n be d5i$4 ,we d>e n pass him by1 see+ t we may introduce him to "s admir]s :o w1 9 days to come1 seek & f9d :at rema9s beyond our rea* at pres5t4 ,8 appeal is s irresi/ible1 ! beauty ( 8 "w is s r>e & s endur+ t we mu/ endeav\r to ! be/ ( our ability1 h[ev] small x be1 to decl>e 8 praise1 to /imulate inquiry1 enl>ge 8 circle1 & give him ! place t belongs to him ( "r4 ,!re are pa9t]s 9 pl5ty ^: "w is admir$ & prais$1 ^: claims we ackn[l$ge in/antly :ile admitt+ to ourselves t we %\ld n c>e to live ) _! pictures hang+ on r\nd u4 ,! qualities ( clev]ness & brilliance pall aft] a little "t1 ! m]e conque/ ( te*nical difficulties ( ! k9d t h be5 self-inflict$ r\ses admiration = a :ile & !n leaves u cold4 ,b ! man :o is ! happy possessor ( a fresco or a panel picture by ,lu9i is to be envi$4 ,ev5 he :o lives 9 ! neighb\rhood ( "s gall]y or *ur* & only sees ! r>e ma/]'s works :]e1 black5+ 9 ! daily c&le smoke1 !y m\ld] on ! damp wall's trav]t9e1 w nev] tire ( ,lu9i's company4 ,he w always f9d inspiration1 enc\ragem5t1 or consolation 9 ! reflection ( ! s]5e & beautiful outlook ^u life t gave ! "w s mu* ( its endur+ m]it4 ,lu9i1 :atev] mann] ( man he may h be51 0 s cle>ly enam\r$ ( beauty1 s cle>ly intol]ant ( :at is ugly & unref9$1 t he %rank f all t 0 co>se & revolt+ ei!r 9 ! life ar\nd him or 9 c]ta9 aspects ( ! ,bible /ories t gave him subjects = 8 bru%4 ,beauty & simplicity 7 ! objects ( 8 unceas+ se>*1 8 mo/ exquisite expression4 ,l all o!r great pa9t]s he _h 8 m>k$ p]iods ( developm5t1 8 be/ "w 0 done 9 ! la/ ye>s ( 8 life1 b !re is no?+ mean or trivial 9 any picture t he pa9t$ & ?is is ! m to 8 cr$it because we "k f ! docum5ts exi/+ to-day t he liv$ 9 ! _w & n 9 ! cloi/]4 ,we admire ! p]5nial s]5ity ( ,beato ,angelico1 we rejoice ) him 9 8 exquisite religi\s visions4 ,! peaceful quality ( 8 pa9t+ & ! happy c]ta9ty ( 8 fai? move u to ! deepe/ admiration1 b we may n =get t ,angelico liv$ f ! "t :5 he 0 little m ?an a boy to ! ye>s :5 he 0 an old man 9 ! untr\bl$ atmosph]e ( ! mona/]y ( ,san ,m>co 9 ,flor5ce1 t :e!r he 0 at home 9 t mo/ fav\r$ city or work+ 9 ! ,vatican at ,rome1 he _h no worldly tr\bles4 ,hon\r1 peace1 & a m9d at peace ) ! _w 7 ) him always4 ,b]n>d9o ,lu9i on ! o!r h& travell$ f "o t[n 9 ,italy to ano!r1 employ$ by religi\s h\ses f "t to "t1 b always z an arti/ :o c\ld be reli$ ^u to d good "w *eaply4 ,he c\ld n h be5 ri*1 he c\ld h>dly h be5 fam\s1 x is ev5 reasonable to suppose t 8 circum/ances 7 /rait5$1 & on ?is acc\nt ! unbrok5 s]5ity ( 8 "w & 8 fai?ful devotion to beauty are ! m wor?y ( our praise4 ,:at 0 beautiful 9 8 life & "w came f )91 n f )\t1 & p]haps because he 0 a /rang] to ! cloi/]$ seclusion t made ,fra ,angelico's life s pleasantly unev5tful 8 "w %[s c]ta9 elem5ts ( /r5g? t are lack+ f ! frescoes t adorn ! walls ( ,san ,m>co to ?is day4 ,to 8 contempor>ies he 0 no m ?an a little planet w&]+ at w r\nd ^? fix$ />s ( ! fir/ magnitude t light$ all ! _w ( art4 ,n[ "s ( ^? great />s h lo/ _! light & ! little planet %9es z cle> z ,hesp]us4 ,,ii ,z we h said already no?+ is kn[n ( ,lu9i's e>ly life1 al?\gh ! fact t he 0 born at ,lu9o on ! ,lago ,maggiore seems to be beyond dispute4 ,! p ( t little lake side t[n h no d\bt at all ab\t ! matt]1 & !y say t ! family 0 "o ( "s di/9ction1 t ,giacomo ( ,lu9o :o f\nd$ a mona/]y 9 8 native place 0 ! pa9t]'s uncle4 ,p]haps ! wi% 0 fa!r to ! ?\ght1 & because e man :o sets out to /udy ! life & "w ( an arti/ is z anxi\s to "k z 0 ,miss ,rosa ,d>tle h]self1 !re are always facts ( a sort at 8 s]vice4 ,he :o seeks ! tru? c always be suppli$ ) some?+ z mu* l x z pa/e is to diamonds1 & c supplem5t ! writt5 ^w ) ! aid ( tradition4 ,! e>ly life ( ! arti/ is a blank1 & ! au?orities are by no means 9 agreem5t ab\t ! ye> ( 8 bir?4 #adgj w\ld seem to be a reasonable date1 ) a little latitude on ei!r side4 ,_m m5 writ+ long ye>s aft] ! pa9t]'s dea?1 h held t he 0 a pupil ( ,leon>do da ,v9ci1 inde$ sev]al pictures t 7 attribut$ to da ,v9ci by ! au?orities ( diff]5t ,european gall]ies are n[ recognis$ z ,lu9i's "w1 b ! mi/ake is n at all difficult to expla94 ,if we turn to ,la ,joconda1 a portrait by da ,v9ci t hangs 9 ! ,l\vre to-day1 & is app>5tly beyond dispute 9 ! eyes ( ! pres5t g5]ation ( critics1 & !n g ?r\gh ! ,br]a 9 ,milan ) a photograph ( ,la ,joconda's portrait 9 our h&1 x w be impossible to ov]look ! /rik+ resemblance betwe5 ,lu9i's types & da ,v9ci's smil+ model4 ,leon>do _h an academy 9 ,milan1 & x is reasonable to suppose t ,lu9i work$ 9 x1 al?\gh at ! "t :5 he is suppos$ to h come = ! fir/ "t to ! capital ( ,lomb>dy1 ,leon>do da ,v9ci _h left1 app>5tly because ,l\is ,,xii4 ( ,france1 c\s9 & successor ( t ,*>les ,,viii4 :o _h tr\bl$ ! peace ( ,italy = s long1 0 ?und]+ at ! city gates1 & at su* a "t great arti/s 7 apt to rememb] t !y _h good patrons else:]e4 ,! s*ool may1 h[ev]1 h rema9$ op5 because no great rul]s made w> on arti/s1 & ,lu9i w\ld h le>n$ some?+ ( ! _s t animat$ ,leon>do's pictures4 ,= o!r ma/]s & influ5ce he seems to h gone to ,bramant9o & ,foppa4 ,bramant9o 0 a pa9t] ( ,milan & ,ambrosio ,foppa kn[n z ,c>adosso 0 a native ( ,pavia & %\ld n be reckon$ among ,milanese arti/s z he has s (t5 be54 ,he 0 r5[n$ = ! beauty ( 8 m$als & 8 goldsmi?'s "w2 & he 0 "o ( ! m5 employ$ by ! great family ( ,b5tivoglio4 ,illu/ration3 ,,plate ,,iv4--,,! ,,my/ic ,,m>riage ,,( ,,/4 ,,ca!r9e 7,9 ! ,br]a1 ,milan7 ,?is is a s+ul>ly attractive picture 9 :i* ! *ild ,*ri/ may be se5 plac+ ! r+ ^u ! f+] ( ,/4 ,ca!r9e4 ,! little op5 backgr\nd1 al?\gh free f ! slighte/ sugge/ion ( ,pale/9e1 is v *>m+1 & ! head ( ! ,virg9 & ,/4 ,ca!r9e help to prove t ,lu9i us$ few models4 ,x may be m5tion$ 9 ?is place t _m ,italian arti/s1 p>ticul>ly ^? ( ! ,flor5t9e s*ools1 suff]$ v greatly f _! unceas+ devotion to ! art ( ! m9iaturi/4 ,!y s\ght to a*ieve 8 detail1 8 f9e b cramp$ h&l+1 & ?is endeav\r 0 fatal to !m :5 !y came to pa9t l>ge pictures t dem&$ skill$ composition1 & ! subord9ation ( detail to a l>ge g5]al effect4 ,! influ5ce ( ! m9iature pa9t] & ! mak] ( m$als kept _m a fifte5?-c5tury pa9t] 9 ! second grade & ,lu9i nev] q surviv$ 8 e>ly devotion to _! me?ods1 (t5 mak+ ! fatal mi/ake ( cov]+ a l>ge canvas ) _m figures ( v>y+ size b equal value4 ,x may be rem>k$ t ,t9toretto 0 ! fir/ great pa9t] ( ! ,r5aissance :o le>n$ to subord9ate p>ts to ! :ole1 & he _h to face a great deal ( unpopul>ity because he saw ) 8 own eyes in/ead ( us+ ^? ( 8 pr$ecessors4 ,illu/ration3 ,,plate ,v4--,,! ,,madonna ,,( ,,! ,,rose 7,9 ! ,br]a1 ,milan7 ,mod]n criticism proclaims ?is picture ( ! ,virg9 9 a ,b[] ( ,roses to be ! f9e/ ( ! ma/]'s pa9t+s4 ,n only is x delightfully compos$ & ?\ght out b ! backgr\nd is pa9t$ ) r>e skill1 & ! col\r is ri* & pleas+ to ?is day4 ,x may be sugge/$1 ) all possible respect to ^? :o hold diff]5t op9ions1 t ,lu9i1 ?\gh he respond$ to c]ta9 influ5ces1 _h no ma/] 9 ! g5]ally accept$ s5se ( ! t]m4 ,"o _c trace ! def9ite relation betwe5 him & any old] pa9t] t we f9d betwe5 ,titian & ,gian ,bell9i1 = example4 ,he took a c]ta9 type f ,leon>do1 8 h&l+ f "t to "t recalls ! o!r ma/]s--we h already ref]r$ to ! mo/ important ( ^!--b _h he /udi$ 9 ! s*ool ( "o man1 _h he s]v$ an appr5tice%ip aft] ! fa%ion ( 8 contempor>ies1 8 pictures w\ld surely h be5 free f ^? faults ( composition & p]spective t detract s mu* f ! value ( ! big works4 ,he seems to h be5 self-taught r ?an to h be5 a s*oolman4 ,:ile 8 s+le figures are :olly admirable :e!r on fresco or on panel1 8 gr\p+ is ne>ly always ineffective1 "o might say *ildi%1 & 8 s5se ( p]spective is by no means equal to t ( 8 greate/ contempor>ies4 ,z a draughtsman & a col\ri/ ,lu9i _h little to le>n f anybody1 & ! poetry ( 8 conceptions is be/ und]/ood :5 x is rememb]$ t he 0 a poet z well z a pa9t]4 ,he is said to h writt5 poems & essays1 ?\gh we are n 9 a position to say :]e !y are to be f\nd1 & x is cle> t he _h a s+ul>ly deta*$ _s & t ! h& ( a skill$ pa9t] 0 associat$ ) ! m9d ( a little *ild4 ,9 "s aspects he is z simple z ^? primitive pa9t]s ( ,umbria ^: backgr\nds are all ( gold4 ,l s _m o!r pa9t]s ( ! ,r5aissance ,lu9i's sa9ts & angels are peasant folk1 ! p he saw ar\nd him4 ,he may h idealis$ !m1 b !y rema9 z !y 7 made4 ,a few records ( ! prices paid = ,lu9i's "w exi/ among ! docum5ts belong+ to *ur*es & religi\s h\ses1 & :ile !y ju/ify a belief t at ! "t he came to ,milan ,lu9i _h a*iev$ "s measure ( di/9ction 9 8 call+1 !y seem to prove t he 0 h>dly reg>d$ z a great pa9t]4 ,! prices paid to him are ridicul\sly small1 no m ?an a liv+ wage1 b he _h ! reputation ( be+ a reliable & pa9/ak+ arti/ & he w\ld seem to h be5 cont5t ) a small rew>d = "w t appeal$ to him4 ,8 e>ly commissions execut$ 9 & ar\nd ,milan :5 he fir/ came f ,lu9i 7 num]\s & consi/$ v l>gely ( frescoes :i* are ! "w ( a "y man :o has n yet fre$ 8 own individuality f ! influ5ce ( 8 eld]s4 ,"o ( ! mo/ *>m+ works associat$ ) ?is p]iod is ! ,burial ( ,/4 ,ca!r9e1 :i* is reproduc$ 9 ^! pages4 ,! composition is simple en\gh1 ! h&l+ does n t\* ! summit ( ! pa9t]'s lat] a*ievem5ts1 b ! s5tim5t ( ! picture is q delightful4 ,/4 ,ca!r9e is conceiv$ 9 a _s ( deepe/ rev]5ce & devotion1 b ! angels are j ,lomb>dy peasant girls born to lab\r 9 ! fields & n[ decorat$ ) w+s 9 hon\r ( a great occasion4 ,& yet ! man :o c\ld pa9t ?is fresco & c\ld %[ s unmi/akably 8 own simple fai? 9 ! /ory x sets out1 0 a poet z well z a pa9t] ev5 ?\gh he _h nev] writt5 a l9e1 :ile ! treatm5t ( 8 o!r contempor>y frescoes & ! f9e feel+ = appropriate col\r sugge/ a great future = ! arti/ :o _h n yet rea*$ middle age4 ,we see t ,lu9i devot$ 8 bru% to my?ological & sacr$ subjects1 t\*+ sacr$ hi/ory ) a rev]5t h&1 %utt+ 8 eyes to all t 0 pa9ful1 express+ all t 0 pitiful or calculat$ to /r5g!n ! hold ( religion ^u ! mass 9 fa%ion de/9$ to appeal ?\gh 9 *ang+ fa%ion = at lea/ f\r c5turies4 ,:]e ! works h fail$ to triumph z expressions ( a liv+ fai? !y h *>m$ agno/ics z an expression ( endur+ beauty4 ,f ,milan ,lu9i seems to h gone to ,monza1 a city a few miles away f ! capital ( ,lomb>dy :]e ! rul]s ( unit$ ,italy come aft] _! coronation to receive ! iron cr[n t has be5 worn by ! k+s ( ,lomb>dy = ne>ly a ?\s& ye>s4 ,?is is ! city 9 :i* ! late ,k+ ,umb]to1 t brave & good man1 0 f\lly murd]$ by an an>*i/4 ,to-day "o rea*es ,monza by ! help ( a /eam-tram t blund]s heavily en\gh ov] ! wide flat ,lomb>dy pla94 ,! ,milanese g to ,monza = ! sake ( an out+1 b mo/ ( ! t\ri/s :o ?rong ! city /ay away1 & x is possible to sp5d a few pleasant h\rs 9 ! ca!dral & *ur*es ) nev] a flutt] ( r$-cov]$ guide book to di/ract "o's att5tion f ! matt]s to :i* ! ha/y t\ri/ is bl9d4 ,"h ,lu9i pa9t$ frescoes1 & x is kn[n t he /ay$ = a long "t at ! h\se ( "o ( ! /rong m5 ( ,monza & pa9t$ a l>ge numb] ( frescoes !re4 ,to-day ! =tress1 if x 0 "o1 has become a f>mh\se1 & ! frescoes1 m ?an a doz5 9 all1 h be5 tak5 away to ! ,royal ,palace 9 ,milan4 ,dr4 ,williamson 9 8 int]e/+ volume to :i* ! /ud5t ( ,lu9i mu/ be deeply indebt$1 says t !re is "o left at ! ,casa ,pelucca4 ,! writ] 9 ! c\rse ( two days sp5t 9 ,monza 0 un=tunate en\gh to ov]look x4 ,x has be5 /at$ t ! facts relat+ to ,lu9i's life are few & f> betwe54 ,fiction on ! o!r h& is pl5tiful1 & !re is a /ory t ,lu9i1 %ortly aft] 8 arrival 9 ,milan1 0 held responsible by ! populace = ! dea? ( a prie/ :o fell f a ha/ily erect$ scaffold+ 9 ! *ur* ( ,san ,giorgio :]e ! arti/ 0 work+4 ,! re/ ( ! leg5d foll[s famili> l9es t w\ld s]ve ! life /ory ( any lead+ arti/ ( ! "t1 see+ t !y all pa9t$ alt>-pieces & us$ scaffold+4 ,he is said to h fl$ to ,monza1 to h be5 receiv$ by ! *ief ( ! ,pelucca family1 to h paid = 8 protection ) ! frescoes t h n[ be5 br\ght f ,monza to ! ,br]a1 to h fall5 viol5tly 9 love ) ! beautiful daught] ( ! h\se1 to h engag$ 9 h]oic conte/s aga9/ great odds on h] behalf1 & s on1 ad absurdum4 ,if we look at ! portraits ! pa9t] is said to h made ( himself & to h plac$ 9 pictures at ,s>onna & else:]e we %all see t ,lu9i 0 h>dly ! type ( man to h engag$ 9 ! idle pursuits ( *ivalry 9 ! int]vals ( ! "w to :i* 8 life 0 giv54 ,we h ! head ( a man ( ?\ght n t ( a man ( action1 & all ! "* ( ! face gives ! lie to ! sugge/ions ( ! /orytell]s4 ,x is cle>1 h[ev]1 t ! pa9t] made a long /ay 9 ,monza & :5 he came back to ,milan he work$ = ! *ur*es ( ,/4 ,maurizio1 ,santa ,m>ia della ,pace1 ,santa ,m>ia di ,br]a1 & ,/4 ,ambrosia4 ,illu/ration3 ,,plate ,,vi4--,,detail ,,( ,,fresco 7,9 ! ,br]a1 ,milan7 ,?is prettily pos$ figure is at ! base ( a fresco ( ! ,virg9 ) ,sa9ts 9 ! ,br]a4 ,"p ( ! arti/'s signature 7,b]n>d9us ,l\9us7 may be se5 bel[4 ,x w be rememb]$ t ,c>paccio pa9t$ a v simil> subject4 ,! fresco is n too well pres]v$4 ,9 ,milan he f\nd a great patron1 no less a man ?an ,giovanni ,b5tivoglio :o _h be5 driv5 f 8 rule ov] ,bologna by ! ,t]rible ,pontiff ,julius ,,ii41 t life-long oppon5t & bitt] enemy ( ! ,borgia ,pope ,alex&] ,,vi4 ,aless&ro ,b5tivoglio1 ! son ( ! ru9$ ,giovanni1 m>ri$ ,ippolita ,s=za1 daught] ( "o ( ! h\se t _h done s mu* to rule ,rome until ,pope ,alex&] ,,vi4 broke its p[]4 ,aless&ro ,b5tivoglio commission$ ,lu9i to pa9t alt>-pieces 9 ,/4 ,maurizio :]e 8 fa!r 0 buri$1 & ! pa9t] includ$ 9 8 "w a portrait ( ,ippolita ,s=za ) ?ree female sa9ts4 ,he did mu* o!r "w 9 ?is *ur*2 "s ( x has fad$ almo/ beyond recognition4 ,at ! same "t !re is no ne$ to ?9k t we h recov]$ ! la/ "w ( ,lu9i or inde$ ( ! great ma/]s ev5 9 ! *ur*es ( ,italy4 ,only a few mon?s ago ! writ] 0 9 a small ,italian *ur* t _h suff]$ a few ye>s ago f disa/r\s floods4 ,! wat] unable to f9d no outlet _h ris5 = a "t almo/ to ! top ( ! support+ columns4 ,! smoo? wall above 0 pla/]$1 & :5 ! wat]s _h subsid$ x 0 f\nd t ! pla/] _h become s damag$ t x 0 necess>y to remove x4 ,happily ! "w 0 done c>efully1 = "u ! :itewa% "s excell5t frescoes 7 discov]$4 ,!y w\ld seem to h pr(it$ by _! cov]+ = z mu* z has be5 uncov]$ is ri* & well pres]v$4 ,x may be t 9 days :5 ! ,/ate ( ,italy 0 s]i\sly di/urb$1 & ,napoleon1 greate/ ( highwaym5 & conqu]ors1 aft] be+ cr[n$ 9 ,milan ) ! fam\s ,monza cr[n1 0 lay+ 8 h& on all t seem$ wor? c>ry+ away1 "s "o 9 au?ority ?\ght ( ?is simple me?od ( concealm5t1 & obta9$ exp]t advice t enabl$ ! frescoes to be cov]$ )\t s]i\s damage4 ,"u simil> conditions we may yet discov] "s ( ! e>li] "w ( ,lu9i1 because x is cle> t ! ye>s 9 :i* 8 reputation 0 9 ! mak+ mu/ h be5 full ( a*ievem5t ( :i* ! great] "p has n[ be5 lo/4 ,he c\ld h>dly h be5 less ?an ?irty ye>s ( age :5 he came to ,milan ) a reputation suffici5t to ga9 commissions = "w 9 *ur*es2 t reputation mu/ h tak5 ye>s to acquire1 & mu/ h be5 associat$ ) v def9ite accompli%m5t4 ,! lack ( all record 0 ess5tially ! mis=tune t beset m5 :o 7 n v high 9 ! e/eem ( _! contempor>ies4 ,a pa9t] l ,lu9i w\ld h execut$ a great _m pictures = p :o c\ld n pay v well1 & _h no great gall]y or well-built *ur* to h>b\r ! "w1 & 9 ! c\rse ( "t ! "w w\ld t5d inevitably to disappe> be=e ! dev\r+ c&le-smoke1 or to be c>ri$ away by unscrupul\s pur*as]s :o *anc$ to be bett] equipp$ ) ta/e ?an consci5ce4 ,on ! o!r h&1 pa9t]s :o l$ ! v>i\s movem5ts ( _! "t w\ld be hon\r$ by successive g5]ations & _! "w w\ld be /or$ 9 ! be/ & safe/ places4 ,to be sure1 fire 0 nev] a respect] ( palaces or p]sons1 & ! flames h consum$ m "w ?an a collection ( ! f9e/ ,r5aissance pictures 9 exi/5ce c\ld %[1 b ev5 !n ! odds seem to be 9 fav\r ( ! bigg] m5 because special ef=ts w\ld be made to save _! pa9t+s :ile ^? ( less] m5 w\ld be left ) few regrets to take _! *ance4 ,:5 ,lu9i 0 engag$ to "w 9 ! ,*ur* ( ,/4 ,maurizio !re 0 a fair *ance t 8 alt>-pieces & frescoes w\ld be well look$ aft]1 b :5 he work$ = a small prov9cial family l ! ,pelucca ! h\se sank ) ! family =tunes till at la/ x became a f>m1 & 9 ! e>ly ye>s ( ! n9ete5? c5tury ! frescoes 7 tak5 f ! walls ) z mu* c>e z 0 deem$ advisable4 ,d\btless ,lu9i work$ = _m m5 ^: worldly position 0 n z consid]able z t ( ! ,pelucca family1 & t "w may h disappe>$ altoge!r4 ,! pa9t]1 z we h se51 did n enjoy ! patronage ( _m great m5 be=e ,aless&ro ,b5tivoglio1 & l>ge in/itutions 7 n numb]$ among 8 e>ly cli5ts4 ,b he 0 n altoge!r )\t valuable patronage 9 ! latt] days1 & 9 ! e>ly 'tw5ties ( ! sixte5? c5tury ! influ5tial ,bro!rhood ( ! ,holy ,cr[n1 "o ( ! lead+ *>itable in/itutions ( ,milan1 w\ld seem to h giv5 him "s (ficial connection ) _! in/itution2 a recognis$ position )\t fix$ sal>y4 ,= !m he pa9t$ ! magnific5t frescoes n[ 9 ! ,ambrosian ,libr>y4 ,! great "w !re 0 divid$ by ! arti/ into ?ree p>ts sep>at$ by pill>s4 ,9 ! c5tre ,lu9i has depict$ ! cr[n+ ) ?orns1 ,*ri/ be+ seat$ ^u a ?rone :ile ?orns are be+ put ^u ,8 head2 ,8 arms are cross$2 ,8 expression "o ( supreme resignation4 ,above ,him little angels look d[n or po9t to a c>t\*e on :i* is writt5 ,caput ,regis ,glori ,sp9is ,coranatur4 ,9 ! left h& division ( ! fresco & on ! "r1 ! =e-gr\nd is fill$ ) kneel+ figures ^: heads are suppos$ to be portraits ( ! mo/ prom95t memb]s ( ! ,society4 ,cle>ly !y are all m5 :o h a*iev$ "s measure ( hon\r & di/9ction4 ,above ! kneel+ figures on ! left h& side ,/4 ,john is po9t+ out ! trag$y ( ! c5tral picture to ! ,virg9 ,m>y1 :ile on ! "r h& side a man 9 arm\r & ano!r :o is se5 fa9tly beh9d him call ! att5tion ( a ?ird to :at is happ5+4 ,a cr[n ( ?orns hangs above ! "r & ! left h& comp>tm5t & !re is a l&scape = backgr\nd4 ,x is record$ t ?is "w took ab\t six mon?s1 & 0 f9i%$ 9 ,m>* #aebb at a co/ to ! ,society ( #aae soldi4 ,s ,lu9i's "w looks d[n to-day ^u a "p ( ! great ,ambrosian ,libr>y1 & x may well be t ! libr>y itself w yield to pati5t inve/igation "s record1 h[ev] simple1 ( ! pa9t]'s life1 suffici5t p]haps to enable u to readju/ our m5tal focus & see 8 lovable figure m cle>ly4 ,illu/ration3 ,,plate ,,vii4--,,head ,,( ,,virg9 7,9 ! ,ambrosiana1 ,milan7 ,"h we h ano!r well pa9t$ & f9ely pres]v$ head pa9t$ f "o ( ,lu9i's fav\rite models4 ,! arti/ mu/ h kn[n mo/ ( ! secrets ( col\r prep>ation1 = 8 "w has surviv$ mu* t 0 pa9t$ c5turies lat]4 ,un=tunately 8 frescoes 7 expos$ to ! elem5ts & h suff]$ accord+ly4 ,x may be urg$ t = ^? ( u :o are cont5t to see ) ! spiritual eye ,lu9i is express$ m eloqu5tly by 8 "w1 & p>ticul>ly by ?is great picture 9 ! ,ambrosian ,libr>y1 ?an he c\ld hope to be by ! comb9$ ef=ts ( half-a-doz5 critics1 ea* ) 8 own special po9t ( view & 8 prop]ly pr(\nd contempt = ! views ( o!rs4 ,! pa9t]'s l[ tones & subtle h>monies1 8 pure b limit$ vision1 speak to u ( a g5tle1 ref9$1 & delicate nature1 ( an a*ievem5t t /opp$ %ort ( clev]ness & consequ5tly limit$ him to ! quiet] byways ( arti/ic life1 :ile ^? ^: inspiration 0 less1 & ^: gifts 7 m1 mov$ ) mu* pomp & circum/ance be=e admir+ contempor>ies4 ,! ref9$ m9d1 ! s5sitive s\l1 %rank f depict+ ! trag$y ( ! ,cr[n ( ,?orns 9 ! reali/ic fa%ion t w\ld h prov$ acceptable to s _m o!r arti/s4 ,lu9i =gets ! blood & ! spikes1 he almo/ =gets ! physical pa91 & gives u ! ,man ( ,sorr[s :o has =giv5 ,8 torm5tors because !y "k n :at !y d4 ,cont95tal gall]ies %[ u _m treatm5ts ( ! same famili> !me1 !y h none to %[ t c vie ) ?is 9 a comb9ation ( /r5g? & delicacy t sets out an immortal /ory :ile avoid+ ! brutal realism to :i* s _m o!r arti/s h succumb$4 ,we may suppose t ! objects ( ! ,society r\s$ ,lu9i's sympa?y to an ext5t t made x easy = him to accept ! some:at paltry remun]ation ) :i* ! ,bro!rhood ( ! ,holy ,cr[n rew>d$ him1 & s ! picture makes its own appeal on ! pa9t]'s behalf1 & tells a /ory ( 8 claims ^u our reg>d4 ,a man may lie1 9 fact x may be sugge/$ on ! /r5g? ( ! ,psalmi/'s /atem5t t mo/ m5 d1 b an arti/'s life "w tells 8 /ory 9 spite ( himself1 & if he lab\r ) p5 or bru% 8 true/ biography w be se5 9 :at he leaves beh9d him4 ,x is n possible to play a "p ?r\gh\t all ! vicissitudes ( a long c>e]1 & no man c\ld h giv5 u ! pictures t ,lu9i has left unless he *anc$ to be a *oice & r>e _s4 ,we may rememb] "h & n[ t ! "t 0 ri*] 9 viol5t contra/s ?an any ( its successors1 ! mo/ deplorable excesses on ! "o h&1 ! mo/ rigid virtues on ! o!r1 seem to h be5 ! special product ( ! ,r5aissance4 ,:ile !re 7 m5 :o practis$ e vice "u ! sun !re 7 o!rs :o s\ght to arre/ ,div9e ,retribution by ! pursuit ( all ! virtues1 & :ile ! progress ( ! ye>s has to a c]ta9 ext5t made m5 neutral t9t$ 9 "*1 ! season ( ! ,r5aissance 0 "o ( viol5t contra/s4 ,on behalf ( ! section t w5t 9 pursuit ( righte\sness let x be rememb]$ t heav5 & ! sa9ts 7 n matt]s = speculation1 !y 7 c]ta9ties4 ,e man knew t ,god 0 9 heav51 & t if ! work]s ( iniquity fl\ri%$1 x 0 t !y might be de/roy$ = ev]4 ,e man knew t ! sa9ts /ill ex]t$ _! sup]natural p[]s & w\ld come d[n to e>? if ne$ be to protect a devotee4 ,satan1 on ! o!r h&1 w5t arm$ ab\t ! e>? seek+ :om he might dev\r1 & hell 0 z firmly fix$ z heav54 ,9 ord] to und]/& ,lu9i1 8 life & times1 ^! facts mu/ be borne 9 m9d4 ,! great] ! unre/ 9 ! cities ! m ! public att5tion w\ld be turn$ to /atesm5 & w>riors1 & :5 ! p]sonalities ( arti/s began to be consid]$1 ^? :o liv$ & ?riv$ 9 ! ent\rage ( popes & rul]s monopolis$ ! att5tion4 ,hundr$s ( m5 7 at "w e>n+ a fair liv+ & "s local repute1 x 0 left to =eign fav\r to set a seal ^u success4 ,_h ,lu9i *anc$ to be invit$ to ,v5ice or to ,rome he w\ld h be5 hon\r$ ?r\gh\t ,lomb>dy2 b a pa9t] l a prophet is (t5 )\t hon\r 9 8 own c\ntry4 ,lu9i's gifts 7 ( a m quiet & dome/ic ord] ?an ^? ( 8 great contempor>ies ,leon>do da ,v9ci & ,mi*elangelo1 = example1 7 m ?an pa9t]s1 & p]haps x 0 only 9 ,v5ice t pa9t+ /ood by itself & manag$ to ?rive alone4 ,lu9i w\ld h come into 8 k+dom :ile he liv$ _h ,v5ice be5 8 bir?place4 ,! g5ius ( ! ,flor5t9e s*ool s\ght to express itself 9 half-a-doz5 diff]5t ways1 no triumph 9 "o dep>tm5t ( "w c\ld satisfy m5 ^: long+ = self-expression 0 insatiable4 ,9 ^? days x 0 possible = a man to make himself ma/] ( all k1 lit]ally he c\ld disc\rse de omnibus rebus et quibusdam aliis4 ,& ?is diffusion ( int]e/s 0 fatal to _m a g5ius t might h mov$ to amaz+ triumph along "o road4 ,x is cle> t ,b]n>d9o ,lu9i nev] travell$ v f> f 8 native c\ntry ei!r physically or m5tally4 ,9 ! eyes ( 8 contempor>ies he 0 n a man ( suffici5t importance to receive commissions f ! great art c5tres ( ,italy4 ,?is1 ( c\rse1 may be because he did n h ! good =tune to attract ! att5tion ( ! connoisseurs ( 8 day1 = we f9d t outside ,milan1 & ! little t[n ( ,lu9o :]e he 0 born & :5ce he took 8 "n1 8 "w 0 done 9 comp>atively small t[ns l ,como1 ,legnano1 ,lugano1 ,ponte1 & ,s>onno4 ,milan & ,monza may be disreg>d$ because we h already dealt ) ! "w !re4 ,s>onno1 :i* lies "s f\rte5 miles nor?-we/ ( ,milan1 is little m ?an a village to-day1 & its *ief claim ^u ! att5tion ( ! travell] is its excell5t g+]bread = :i* x is fam\s ?r\gh\t ,lomb>dy4 ,x has a celebrat$ *ur* kn[n z ! ,sanctu>y ( ! ,bless$ ,virg9 & "h "o f9ds "s v f9e examples ( our pa9t]'s frescoes4 ,"s ( ! frescoes 9 ! *ur* are pa9t$ by ,ces>e del ,magno o!rs by ,lan9i1 & ! re/ are f ! h& ( ,b]n>d9o ,lu9i4 ,r\nd ^! frescoes1 :i* are ( abid+ beauty1 & include f9e /udies ( ! great plague sa9t1 ,/4 ,roque1 & t v popul> m>tyr ,/4 ,seba/ian1 _m leg5ds congregate4 ,x is said t ,lu9i hav+ kill$ a man 9 a brawl fl$ f ,milan to ! ,*ur* ( ! ,bless$ ,virg9 9 ,monza to claim sanctu>y at ! h& ( ! monks4 ,!y gave him ! refuge he dem&$1 &1 says ! leg5d1 he paid = x ) frescoes4 ,?is is little m ?an a v>iant ( ! /ory t he w5t to ,monza "u simil> circum/ances & obta9$ ! protection ( ! ,pelucca family on ! same t]ms4 ,9 ! abs5ce ( any?+ 9 ! nature ( reliable record ?is /ory has be5 able to pass1 b aga9/ x "o likes to put ! tradition t "o ( ! heads 9 ! frescoes is t ( ,lu9i himself4 ,we f9d t head s simple1 s ref9$1 & s old--! be>d is long & ! hair is scanty--& s s]5e 9 its expression t x is exce$+ly difficult to believe t brawl+ c\ld h ent]$ into ! arti/'s life4 ,illu/ration3 ,,plate ,,viii4--,,burial ,,( ,,/4 ,,ca!r9e 7,9 ! ,br]a1 ,milan7 ,?is is "o ( ! frescoes pa9t$ by ,lu9i = ! ,casa ,pelucca & transf]r$ to ,milan 9 ! beg9n+ ( ! n9ete5? c5tury4 ,x w be se5 t al?\gh ! ?ree angels be>+ ! ,sa9t to h] grave are obvi\sly peasant girls f ! pla9s ( ,lomb>dy w+$ = ! occasion1 ! arti/ has h&l$ 8 subject ) fai? & rev]5ce4 ,! fresco is bett] pres]v$ ?an o!rs f ! same h\se4 ,! subjects ( ! pictures 9 ,s>onno's ,sanctu>y are all biblical4 ,we h an ,adoration ( ! ,magi1 %[+ ! same muddl$ composition t detracts f ! o!r m]its ( ! arti/'s "w2 a beautiful ,pres5tation 9 ! ,temple 9 :i* ! composition is a great deal bett]2 & a p]fectly delightful ,nativity4 ,!re is a ,*ri/ is ,disput+ ) ! ,doctors1 & ?is is ! picture 9 :i* we f9d ! head t is said to be a portrait ( ! pa9t] himself4 ,two female sa9ts figure 9 ano!r picture1 & ,lu9i's fav\rites ,/4 ,roque & ,/4 ,seba/ian are n =gott54 ,c]ta9ly if ! monks obta9$ all t "w at ! price ( ! pa9t]'s safety !y 7 v =tunate 9 8 *oice ( sanctu>y4 ,como is1 ( c\rse1 a m important t[n ) l>ge indu/ries & important factories1 & "o ( ! f9e/ ca!drals 9 nor!rn ,italy4 ,= ! int]ior ,lu9i pa9t$ ano!r ,adoration ( ! ,magi & ano!r ( 8 fav\rite ,nativities4 ,x is n easy to speak ab\t ! conditions "u :i* ?is "w 0 done1 & ! inhabitants h s _m m pr(itable matt]s to att5d to t !y d n seem to tr\ble !mselves ab\t ! hi/ory ( ! pa9t] :o help$ to make _! beautiful ca!dral /ill m beautiful4 ,legnano1 ) its memories ( ,fr$]ick ,b>b>ossa1 is )9 tw5ty miles ( ,milan1 & = ! ,*ur* ( ,san ,magno ,lu9i pa9t$ "o ( 8 f9e/ alt>-pieces4 ,x is 9 sev5 divisions & has e>n$ z mu* critical admiration z any "w f ! ma/]'s bru%4 ,lugano is ( c\rse 9 ,switz]l&1 well across ! ,italian bord]4 ,x is a popul> place en\gh to-day1 & s f> z we c tell1 x 0 ! city 9 :i* ,lu9i pa9t$ 8 la/ pictures4 ,he mu/ h left ,milan ab\t #aebh or #aebi1 & he w\ld seem to h gone !re to execute commissions1 = 9 ! ,*ur* ( ,santa ,m>ia degli ,angioli we f9d "s ( 8 late/ & f9e/ "w4 ,! ,crucifixion & ! ,passion1 on ! wall ( ! scre51 conta9s sev]al hundr$ figures arrang$ 9 l9es 9 mo/ ar*aic fa%ion4 ,at fir/ sight ! "w appe>s z a m]e mass ( figures )\t any c5tral po9t 9 ! composition1 & ) v little relief = ! eye ( ! spectator :o may come to ! *ur* surfeit$ ) ! bewild]+ ri*es ( _m ,italian gall]ies4 ,b = ^? :o w take ! tr\ble to /udy ! details ( ?is f9e "w !re is v mu* to admire4 ,9 ! sc5e ( ! picture ,*ri/ is se5 on ! cross surr\nd$ by angels4 ,on 8 "r h& ! p5it5t ?ief on ! cross is gu>d$ by an angel1 :ile on ! left ! imp5it5t "o is wat*$ by a devil ) a curly tail & spik$ w+s4 ,bel[ 9 p]fectly bewild]+ fa%ion are _m figures t may be recognis$ ) little ef=t--,m>y ,magdal51 ! ,madonna1 ,joseph ( ,arima?a1 ,roman soldi]s1 "s ( ! g5]al public--a confus$ cr[d4 ,! :ole picture is support$ by figures ( ,san ,seba/ian & ,/4 ,roque se5 on ei!r side ( ! ar*4 ,/ories f ! life ( ,*ri/ are depict$ 9 ! upp] p>ts ( ! picture1 all are pa9t$ ) ! skill ( a great arti/ & ! f]v\r ( a devotee1 b ! arrangem5t is hopelessly confus$4 ,lu9i also pa9t$ a ,la/ ,supp] = ?is *ur* & a ,madonna ) ! ,infant ,*ri/ & ,/4 ,john4 ,?is is sign$ ,b]n>d9o ,lu9i1 anno #aecj4 ,f #aecj until #aecc ! c>e] ( ! arti/ _c be trac$1 b 9 #aecc he 0 9 ,lugano aga91 & aft] t ye> he passes altoge!r f our sight4 ,/ray writ]s m5tion 8 "n1 "s v5ture to c>ry ! date ( 8 life into ! '=ties1 b we h no pro( save _! ^w1 no "w to record ! lat] ye>s1 & all our conjecture is va94 ,x mu/ suffice = u t ,lu9i's life z f> z 8 art 0 conc]n$ ends = u ) ! ye> #aecc4 ,if he liv$ & work$ aft] t date ! facts relat+ to ! foll[+ ye>s & ! "w done 9 ! latt] days are left = future /ud5ts to discov]4 ,x is well to rememb] t ! ,s>onno portrait makes ! pa9t] look mu* old] ?an he is suppos$ to h be54 ,to 8 contempor>ies x is cle> t ,lu9i 0 a man ( small importance4 ,8 be/ "w is se5 outside ! radius ( ! great ,art c5tres ( ,italy1 & x 0 only :5 he attract$ ! att5tion ( great critics & s\nd judges l ,morelli1 ,john ,rusk91 & ,john ,add+ton ,symonds t ! lov]s ( beautiful pictures began to g out ( _! way to f9d 8 be/ "w 9 ! little t[ns ^: *ur*m5 7 8 patrons4 ,s _m ( ! less] m5 _h all 8 faults--t is to say1 lack ( p]spective & inability to compose a big picture--t he 0 class$ ) !m by ^? critics ^: special gift lies 9 ! discov]y ( faults4 ,! qualities t make ! mo/ endur+ appeal to u to-day 7 ^? t 7 lea/ likely to make a /rong impression ^u ! /r5u\s age ( physical =ce 9 :i* he liv$4 ,:5 great conqu]ors & m5 :o _h accompli%$ all t =ce c\ld a*ieve felt !mselves at lib]ty to turn to prolong$ consid]ation ( ! o!r sides ( life !y employ$ o!r ma/]s4 ,!n z n[ !re 7 fa%ions 9 pa9t]s4 ,! m5 = :om ,lu9i /rove 7 ( comp>atively small importance4 ,a conqu]or c\ld h ga!r$ up 9 ! holl[ ( 8 h& all ! cities1 ,milan except$1 9 :i* ,lu9i work$ ?r\gh\t 8 well-sp5t life1 & 9 ! /ress & /rife ( ! lat] ye>s :5 great pictures did *ange h&s f "t to "t by conque/1 ,lu9i's panel pictures 9 ! little cities ( 8 lab\rs pass$ q unnotic$1 :ile ev5 if ! frescoes 7 admir$ x 0 n easy to move !m4 ,:5 at la/ 8 und\bt$ m]its began to attract att5tion ( connoisseurs1 ^! connoisseurs 7 wond]+ :y ,leon>do da ,v9ci _h left su* a small numb] ( pictures4 ,!y f\nd "w t bore a great resemblance to ,leon>do & !y promptly claim$ t !y _h discov]$ ! lo/ ma/]pieces4 ,consequ5tly ,leon>do receiv$ ! cr$it t 0 due to ! man :o may h work$ 9 8 ,milanese s*ool & 0 und\bt$ly "u 8 influ5ce = a "t4 ,& _m ( ! beautiful panel pictures t %[ ,lu9i at 8 be/ 7 attribut$ to ,leon>do until n9ete5?-c5tury criticism prov$ compet5t en\gh to r5d] praise :]e x 0 due1 & to say def9itely & ) firm conviction t ! unkn[n pa9t] f ,lu9o1 :o liv$ sometime betwe5 #adgj & #aedj1 0 ! true au?or4 ,if1 9 deal+ ) ! life ( ,b]n>d9o ,lu9i1 we are =c$ to cont5t ourselves ) meagre scraps ( biography & little details t w\ld h no importance at all 9 deal+ ) a life t 0 traceable f e>ly days to its conclusion1 x is well to rememb] t ! mo/ important "p ( ! great arti/ is 8 "w4 ,bee?ov5's n9e symphonies1 ,milton's ,p>adise ,lo/1 ! l&scapes ( ,corot1 ! portraits ( ,velazquez1 & ! c>v+ ( ,gr9l+ ,gibbons are n m preci\s to u because we "k some?+ ( ! life ( ! m5 :o did ! "w4 ,nor are ! ,iliad & ! fragm5ts t rema9 ( ! works ( ! great ,greek sculptors less to u because a %ad[y tradition is all t surr\nds ! lives ( ! m5 :o gave immortal "w to ! _w4 ,we mu/ rememb] t x is z difficult to deal ) art 9 t]ms ( lit]ature z x is to express ! subtle *>m ( music 9 words4 ,_h ,lu9i's ye>s boa/$ or regrett$ a s]ies ( gossip+ newspap]s we %\ld h ga!r$ a ri* h>ve/ ( fact1 b ! facts w\ld h left ! pa9t] :]e he is4 ,!re is en\gh ( ,lu9i left 9 ,milan & ! small] places we h nam$ to tell u :at ! man 0 & ! _s 9 :i* he work$1 & :ile we w welcome ! new-com] :o c add to our scanty /ore ( au!nticat$ facts we c h>dly expect t !y w deep5 our admiration ( "w t = all its %ortcom+s mu/ be rememb]$ :5 we turn to pond] ! greate/ a*ievem5ts ( ,italian ,art4 ,x =ms a magic speculum1 mu* gone to ru/1 inde$1 yet 9 fragm5ts /ill cle>2 :]e9 ! m>vell\s image ( 8 exi/5ce does /ill %ad[ itself1 ?\gh fitfully1 & z ) an int]mitt5t light4 ,! plates are pr9t$ by ,,bemrose ,,dalziel1 ,,ltd41 ,wat=d ,! text at ! ,,ballantyne ,,press1 ,ed9burgh