,,cyn?ia ,a4 ,,hoov] ,,division ,,( ,,musical ,,in/rum5ts ,,national ,,museum ,,( ,,hi/ory ,,& ,,te*nology ,h>psi*ords & ,clavi*ords ,,smi?sonian ,,in/itution ,,press ,,city ,,( ,,wa%+ton #aifi ,cov]3 ,virg9al by ,giovanni ,batti/a ,boni1 #afag 7see pages #bb-be7 ,photo3 ,rob]t ,lautman ,= sale by ! ,sup]9t5d5t ( ,docum5ts1 ,u4,s4 ,gov]nm5t ,pr9t+ ,(fice ,wa%+ton1 ,d4,c4 #bjdjb ,price #dj c5ts ,h>psi*ords & ,clavi*ords ,! h>psi*ord & ! clavi*ord repres5t ! two mo/ important types ( /r+$ keybo>d in/rum5ts us$ f ! #ae? ?r\gh ! #ah? c5turies4 ,by ! #ai? c5tury1 ! piano _h become ! mo/ important dome/ic keybo>d in/rum5t4 ,9 ?is booklet are describ$ a few ( ! re/or$ ,smi?sonian h>psi*ords & clavi*ords t are occasionally on exhibit 9 ! ,hall ( ,musical ,in/rum5ts or 9 use 9 ! s]ies ( conc]ts sponsor$ by ! ,division ( ,musical ,in/rum5ts4 ,models %[+ h[ ! s\nd is produc$ on ^! in/rum5ts are also on exhibit4 ,a complete li/ ( ! keybo>d collection is f\nd 9 ,a ,*eckli/ ( ,keybo>d ,in/rum5ts at ! ,smi?sonian ,in/itution 7,wa%+ton1 #aifg71 :i* is available f ! ,division ( ,musical ,in/rum5ts1 ,smi?sonian ,in/itution1 ,wa%+ton1 ,d4,c4 #bjefj4 ,h>psi*ords ,! h>psi*ord & its small] relatives1 ! virg9al & ! sp9et1 h /r+s t are pluck$4 ,! h>psi*ord is w+-%ap$1 mo/ virg9als & sp9ets are ei!r rectangul> or polygonal4 ,:5 ! h>psi*ord key is press$1 a wood5 jack is rais$ s t a quill or lea!r plectrum ins]t$ into ! jack tongue plucks ! /r+4 ,:5 ! key is releas$1 ! jack falls back into place1 ! pivot$ tongue all[+ ! plectrum to pass ! /r+ )\t pluck+ x4 ,a felt damp] 7ins]t$ 9 a slit at ! top ( ! jack7 t\*es ! /r+ to /op ! s\nd4 ,figure #a %[s ! jack arrangem5t 9 an #ah? c5tury ,engli% sp9et4 ,! second jack f ! left on ! front r[ has be5 rais$ s t its quill is j ab\t to pluck ! /r+4 ,note t ! quill has lift$ ! /r+ above its re/ position4 ,inh]5t 9 ! design ( a h>psi*ord is ! limitation ( dynamic nuance4 ,! s\nd ( a h>psi*ord is n greatly alt]$ by increas+ or less5+ ! impact ( f+]s on ! keys4 ,r1 ! dynamic level & quality ( s\nd c be *ang$ by v>y+ ! numb] ( /r+s pluck$ 7_m h>psi*ords h ?ree sets ( /r+s3 two sets tun$ 9 unison #h' & a ?ird tun$ an octave high] #d'71 by v>y+ ! location ( ! pluck+ po9t1 & by mut+ ! /r+s ) felt or lea!r pads4 ,! tone ( a keybo>d in/rum5t is also affect$ by its g5]al outl9e1 ! mat]ial & ?ickness ( ! s\ndbo>d1 ! l5g? & mat]ial ( ! /r+s1 & ! type ( case con/ruction4 ,! case mu/ be /rong en\gh to c\nt]act ! t5sion ( ! /r+s & yet light en\gh to all[ ! s\nd to resonate4 ,illu/ration3 #a4 ,h>psi*ord action4 ,photo3 ,rob]t ,lautman4 ,among ! ,smi?sonian's ext5sive keybo>d collection are f9e examples ( h>psi*ords t repres5t sev]al ( ! major national tr5ds 9 h>psi*ord build+3 ! ,flemi%1 ,italian1 ,engli%1 & ,fr5*4 ,flemi% ,h>psi*ords ,antw]p 0 ! h>psi*ord-mak+ c5t] ( nor!rn ,europe dur+ ! #af? & #ag? c5turies4 ,! e>lie/ examples ( h>psi*ords _h only "o keybo>d & "o or two sets ( #h' /r+s4 ,! progressive ,flemi% mak]s add$ a second keybo>d & ano!r set ( /r+s1 tun$ an octave high] ?an ! o!rs1 :i* all[$ a wid] range 9 pit* & m v>iety 9 s\nd4 ,lat] ,fr5* & ,engli% h>psi*ords 7 l>gely d]iv$ f ! ,flemi% /yle4 ,virg9al1 #afbj2 made by ,&reas ,ruck]s1 ,antw]p ,"o manual2 ,range ,c_/,e-c#c 7app>5t72 #ah' ,illu/ration3 #b4 ,ruck]s virg9al3 ,plan view4 ,illu/ration3 #c4 ,ruck]s virg9al3 ,full view4 ,illu/ration3 #d4 ,ruck]s virg9al3 ,detail ( keybo>d4 ,photo3 ,rob]t ,lautman ,illu/ration3 #e4 ,ruck]s virg9al3 ,view ( s\ndbo>d & lid4 ,photo3 ,rob]t ,lautman ,in/rum5ts built by ! fam\s ,ruck]s family 7 & are /ill highly priz$4 ,al?\gh simply pa9t$ on ! ext]ior1 ! case ( ?is virg9al is decorat$ on ! inside 9 *>act]i/ic ,ruck]s /yle4 ,block-pr9t$ pap]s cov] ! int]ior ( ! case2 ! inside ( ! lid be>s a ,lat9 motto & ! s\ndbo>d is pa9t$ ) fl[]s & arabesques4 ,figure #d illu/rates a detail ( ! block pr9t+1 & ( ! keys4 ,! arcades on ! end ( ! keys appe> to be cut f sev]al lay]s ( lea!r :i* 7 !n appli$ to ! key fronts4 ,?is in/rum5t is tun$ a f\r? high] ?an x might appe>4 ,:5 ! ,c key is press$1 ! note s\nd$ is ,f1 a f\r? above4 ,%ort-,octave ,tun+ ,s9ce *romatic notes 9 ! l[e/ octave ( ! keybo>d 7 n (t5 ne$$ 9 ! music ( ! #af? & #ag? c5turies1 ! practice ( %ort-octave tun+ 0 adopt$4 ,al?\gh ! l[e/ note on a %ort-octave in/rum5t appe>s to be ,e1 ! range 0 actually ext5d$ d[n to ,c4 7,! notation ,c_/,e indicates ?is arrangem5t47 ,illu/ration3 ,,normal ,,tun+ ,illu/ration3 ,,%ort-,,octave ,,tun+ ,a typical %ort-octave in/rum5t ( ! #af? & #ag? c5turies w\ld be tun$ 9 ! foll[+ mann]3 ,e 7#a7 is tun$ d[n to ,c 7,i72 ,f-%>p 7#b7 tun$ to ,d 7,,ii72 & ,g-%>p 7#c7 tun$ to ,e 7,,iii74 ,h>psi*ord1 #agde2 made by ,johann ,daniel ,dulck51 ,antw]p ,two manuals2 ,range ,,ff-f#c2 #bhv1 #ad'1 lute ,typical ( nor!rn ,european in/rum5ts1 ! ,dulck5 h>psi*ord has a heavy case1 two keybo>ds or manuals1 & two #h' *oirs & "o #d' *oir4 ,x also has a lute /op1 ^: jacks1 v close to ! nut1 pluck "o set ( unison /r+s to produce a pung5t1 nasal tone4 ,illu/ration3 #f4 ,dulck5 h>psi*ord3 ,full view4 ,photo3 ,rob]t ,lautman4 ,illu/ration3 #g4 ,front view4 ,photo3 ,rob]t ,lautman4 ,illu/ration3 #h4 ,dulck5 h>psi*ord3 ,plan view4 ,illu/ration3 #i4 ,dulck5 h>psi*ord3 ,detail ( keybo>ds4 ,photo3 ,rob]t ,lautman ,illu/ration3 #aj4 ,dulck5 h>psi*ord3 ,detail ( s\ndbo>d4 ,photo3 ,rob]t ,lautman ,italian ,h>psi*ords ,typical ,italian h>psi*ords _h two *oirs ( unison /r+s & two jacks = ea* key4 ,!y 7 ( mu* light] con/ruction ?an ^? made 9 nor!rn ,europe--! sides ( ! case 7 only ab\t an eigh? ( an in* ?ick4 ,^! fragile in/rum5ts 7 usually plac$ 9 heavi]1 (t5 elaborately decorat$1 out] cases f :i* ! h>psi*ord c\ld be remov$4 ,h>psi*ord1 #afic2 mak] unkn[n1 ,italy ,"o manual2 ,range ,,gg-c#c 7no ,,gg-%>p72 #bh' ,! typical con/ruction ( ,italian h>psi*ords c be se5 9 ?is l>ge ,italian in/rum5t4 ,! orig9al namebo>d is miss+2 h[ev]1 z 0 common practice1 ! mak] m>k$ ! date on ! tail ( ! l[e/ & highe/ keys4 ,! ,italian h>psi*ord s]ves z an ideal basso cont9uo keybo>d in/rum5t because x bl5ds well 9 in/rum5tal comb9ations4 ,its clean1 crisp s\nd also all[s individual l9es to em]ge cle>ly f a polyphonic musical texture4 ,illu/ration3 #aa4 ,italian h>psi*ord 7#afic73 ,full view ( in/rum5t 9 out] case4 ,illu/ration3 #ab4 ,italian h>psi*ord 7#afic73 ,plan view4 ,illu/ration3 #ac4 ,detail ( keybo>d4 ,photo3 ,rob]t ,lautman4 ,h>psi*ord1 #afid2 made by ,nicolaus ,de,quoco1 ,italy ,"o-manual3 ,range ,c-c#c 7no ,c-%>p72 #bh'1 #ad' ,?is in/rum5t is "o ( ! few examples ( an ,italian h>psi*ord ) a ?ird set ( /r+s tun$ an octave high] ?an ! two unison *oirs4 ,x is possible t ! ?ird set 0 add$ to ?is in/rum5t sometime aft] x 0 con/ruct$ ) two unison regi/]s4 ,figure #ae %[s ! in/rum5t be=e re/oration2 ,figures #ad & #af %[ ! re/or$ h>psi*ord remov$ f its heavy out] case & details ( ! h&some keybo>d & mold+s typical ( ,italian in/rum5ts4 ,illu/ration3 #ad4 ,de,quoco h>psi*ord3 ,plan view4 ,illu/ration3 #ae4 ,de,quoco h>psi*ord3 ,full view ( in/rum5t 9 out] case4 ,illu/ration3 #af4 ,de,quoco h>psi*ord3 ,view ( in/rum5t remov$ f out] case4 ,illu/ration3 #ag4 ,de,quoco h>psi*ord3 ,inscription on wre/ plank4 ,illu/ration3 #ah4 ,de,quoco h>psi*ord3 ,detail ( keybo>d4 ,photo3 ,rob]t ,lautman4 ,virg9al1 #afag2 made by ,giovanni ,batti/a ,boni1 ,cortona ,"o manual2 ,range ,c_/,e-f#c2 #ah' ,! small] virg9als & sp9ets 7 commonly f\nd 9 homes ( mode/ means1 z well z 9 royal c\rts4 ,?is polygonal virg9al has six split keys :i* repres5t a complicat$ tun+ s*eme4 ,illu/ration3 #ba4 ,tun+ s*eme4 ,keys #a-b3 ,?is is a sy/em ( %ort-octave tun+ 7see ,ruck]s ,virg9al7 9 :i* ! two l[e/ accid5tals are split into two sections4 ,! back section is tun$ to ! app>5t accid5tal1 ! front section to ! %ort octave4 ,?us1 on ! ,boni1 ! back section ( ! bottom split key is tun$ ,f-%>p1 ! front section is tun$ ,d2 ! back section ( ! second l[e/ split key is tun$ ,a-flat1 ! front section is tun$ ,e4 ,keys #c-f3 ,! top f\r keys are split to provide = enh>monic tun+--t is1 bo? ,d-flat & ,e-flat1 ,g-%>p & ,a-flat4 ,9 ! meantone sy/em ( tun+1 :i* 0 ! prevail+ tun+ ( ! "t1 scales di/ant f ! key ( ,c 7 (t5 out ( tune4 ,to improve ! intonation ( ^! scales1 "s mak]s divid$ "s ( ! accid5tal keys to provide alt]nate tun+s4 ,illu/ration3 #ai4 ,boni virg9al3 ,full view4 ,illu/ration3 #bj4 ,boni virg9al3 ,plan view4 ,illu/ration3 #ba4 ,boni virg9al3 ,view ( keybo>d4 ,photo3 ,rob]t ,lautman4 ,engli% ,h>psi*ords ,9 ! #ah? c5tury1 ,london became a c5t] ( h>psi*ord mak+4 ,! two mo/ important mak]s1 ,jacob ,kirckman & ,burkat ,%udi1 7 ,swiss immigrants :o fir/ appr5tic$ ) ,h]mann ,tabel1 a ,flemi% h>psi*ord mak] :o _h also emigrat$ to ,engl&4 ,9 ,am]ica1 :]e ,engli% culture 0 highly reg>d$1 ,?omas ,jeff]son own$ a ,kirckman h>psi*ord1 ,francis ,hopk9son a ,%udi & ,broadwood4 ,! heavy cases ( ! typical ,engli% in/rum5ts 7 v5e]$ 9 walnut1 mahogany1 & lat] sat9wood1 & re/$ on tre/le /&s4 ,! usual range 0 five octaves3 ,,ff-f#c = h>psi*ords2 ,,gg-g#c = sp9ets 7& organs74 ,9 g5]al1 ! s\nd produc$ on an ,engli% h>psi*ord is m ?ick & lu% ?an ! s\nd ( in/rum5ts f o!r ,european c5t]s4 ,sp9et1 ab\t #agaj2 made by ,?omas ,hit*cock1 ,london ,"o manual2 ,range ,,gg-g#c2 #ah' ,! sp9et1 a memb] ( ! h>psi*ord family1 0 a popul> dome/ic keybo>d in/rum5t 9 ,engl& & ,am]ica dur+ ! #ah? c5tury & 0 m5tion$ 9 _m ,am]ican di>ies & inv5tories ( t "t4 ,! sp9et (t5 s]v$ z ! keybo>d in/rum5t = ! h\sehold t c\ld n af=d or did n h room = ! h>psi*ord or organ4 ,! ,hit*cock family suppli$ _m sp9ets = e>ly #ah?-c5tury g5tility4 ,note 9 ,figure #bd ! h&some brass h+es1 "o ( _m examples ( ! beautiful h>dw>e us$ by ,engli% build]s4 ,?is in/rum5t is quill$ ) cr[ quill1 ! mo/ common mat]ial us$ = plectra at t "t4 ,a detail ( ! jacks & /r++ is %[n 9 ,figure #a4 ,illu/ration3 #bb4 ,hit*cock sp9et3 ,full view & namebo>d4 ,illu/ration3 #bc4 ,hit*cock sp9et3 ,plan view4 ,illu/ration3 #bd4 ,hit*cock sp9et3 ,top view4 ,photo3 ,rob]t ,lautman4 ,h>psi*ord1 ab\t #agdc2 made by ,burkat ,%udi1 ,london ,two manuals2 ,range ,,ff-f#c 7no ,,ff-%>p72 #bh'1 #ad'1 lute1 buff ,mo/ ( ! /ops on e>ly h>psi*ords 7 *ang$ by h&4 ,f left to "r1 ! /op knobs %[n 9 ,figure #be op]ate ! foll[+ regi/]s3 lute1 octave 7#d'71 buff 7mut+ ! second unison by press+ s(t lea!r pads aga9/ ! /r+s71 fir/ unison 7#h'71 & second unison 7#h'74 ,! lute /op plays f ! upp] manual1 ! fir/ unison f bo? manuals1 & ! rema9+ /ops f ! l[] manual4 ,figures #be & #bf %[ ! in/rum5t be=e re/oration4 ,! "n batt5 on :i* ! date ( #agdg appe>s is n orig9al to ! in/rum5t4 ,! date ( ! in/rum5t is bas$ on ! s]ial numb] #add /amp$ on ! l[] keybo>d4 ,f all records x appe>s ,%udi w\ld h built an in/rum5t ) t s]ial numb] 9 #agdc4 ,illu/ration3 #be4 ,%udi h>psi*ord3 ,view ( keybo>ds4 ,illu/ration3 #bf4 ,%udi h>psi*ord3 ,plan view4 ,illu/ration3 #bg4 ,%udi h>psi*ord3 ,full view4 ,fr5* ,h>psi*ords ,al?\gh ,p>is claim$ _m h>psi*ord build]s1 few ,fr5* h>psi*ords rema9 today4 ,_m 7 de/roy$ at ! "t ( ! ,revolution & lat] :5 firewood 0 ne$$ to heat ,cons]vatoire classrooms4 ,fr5* build]s1 ! mo/ fam\s among !m ! ,blan*et family & ,pascal ,task91 sp5t mu* ( _! "t recon/ruct+ ,ruck]s h>psi*ords to satisfy ! musical & decorative ta/es ( #ah?-c5tury ,france4 ,includ$ 9 ?is recon/ruction or ravalem5t 7 ! ext5sion ( compass 7usually f ,c-c#c to ,,ff-f#c71 enl>gem5t ( ! case & s\ndbo>d1 & (t5 replacem5t ( keybo>ds1 jacks1 & regi/]s4 ,h\s$ 9 elegantly pa9t$ cases support$ by cabriole or flut$ legs1 typical ,fr5* h>psi*ords _h two manuals & 7 prais$ = _! lightness ( t\*4 ,lat] #ah?-c5tury developm5ts includ$ a f\r? regi/] call$ peau de buffle 7plectra ( s(t *amois-type lea!r7 & knee lev]s to op]ate ! regi/]s4 ,h>psi*ord1 #agfj2 made by ,b5oi/ ,/ehl91 ,p>is ,two manuals2 ,range ,,ff-f#c2 #bh'1 #adv1 buff1 %ove c\pl] ,9 rec5t ye>s ! ,smi?sonian 0 =tunate to acquire "o ( ! few rema9+ ,fr5* h>psi*ords4 ,! build]'s "n is kn[n f ! design on ! s\ndbo>d rose :i* includes ! initials ,b & ,s2 also1 ! "n ,b5oi/ ,/ehl9 is inscrib$ on two ( ! jacks4 ,! #agfj date is pa9t$ on ! left side ( ! s\ndbo>d4 ,an inv5tory ( ,/ehl9's work%op & h\se made at ! "t ( 8 dea? 9 #aggd li/s a ,ruck]s h>psi*ord alt]$ by ,/ehl9 along ) sev]al o!r in/rum5ts 9 v>i\s /ages ( completion4 ,figures #bh & #cj %[ ! in/rum5t be=e its re/oration4 ,illu/ration3 #bh4 ,/ehl9 h>psi*ord3 ,full view4 ,?is in/rum5t 0 re/or$ to play+ condition 9 ! cons]vation laboratory ( ! ,division ( ,musical ,in/rum5ts 9 #aifh4 ,typical ( mo/ ,fr5* in/rum5ts1 x is equipp$ ) a %ove c\pl]1 :i* enables ! play] to op]ate bo? manuals f ! l[] keybo>d by %ov+ ! upp] keybo>d away f him4 ,9 ?is pu%$-back position1 wood5 uprights 7dogs7 atta*$ to ! upp] surface ( ! f> ends ( ! l[] key lev]s c\ple ! two manuals & cause ! upp] manual keys to desc5d :5 ! l[] manual keys are press$4 ,illu/ration3 #bi4 ,/ehl9 h>psi*ord3 ,detail ( rose4 ,illu/ration3 #cj4 ,/ehl9 h>psi*ord3 ,plan view4 ,clavi*ords ,dynamic %ad+s are possible 9 ! clavi*ord1 z 9 ! piano1 ?r\gh v>iation ( f+] pressure4 ,9 bo?1 ! /r+s are /ruck--by metal tang5ts 9 ! clavi*ord & by lea!r or felt hamm]s 9 ! piano4 ,9 ! clavi*ord ! /r+s ext5d ov] a s\ndbo>d bridge on ! play]'s "r & are damp$ 7/opp$ f vibrat+7 by /rips ( clo? on ! left4 ,! metal hamm] 7tang5t7 m\nt$ 9 ! end ( ! key /rikes ! /r+ & cont9ues to t\* x z long z ! play] presses ! key4 ,! tang5t1 :ile t\*+ ! /r+1 divides x into two segm5ts--! segm5t on ! "r be+ free to vibrate1 ! segm5t on ! left be+ damp$ by ! clo?4 ,:5 ! key is releas$1 ! clo? damps ! entire /r+4 ,figure #ca %[s a play] depress+ a clavi*ord key 7middle c74 ,! tang5t at ! f> end ( ! key lev] has be5 rais$ s t x has /ruck ! /r+s & has lift$ !m above re/ position4 ,! damp+ clo? on ! left ( ?is rais$ /r+ c also be se54 ,kn[n z e>ly z ! #ae? c5tury1 ! clavi*ord produces tones1 ?\gh limit$ 9 volume1 t are v expressive & ev5 capable ( vibrato 7,bebung74 ,because x lacks c>ry+ p[]1 ! clavi*ord hi/orically 0 a solo or practice in/rum5t1 = x c\ld n be he>d 9 comb9ation ) o!r in/rum5ts or ) ! voice4 ,illu/ration3 #ca4 ,clavi*ord action4 ,photo3 ,rob]t ,lautman4 ,frett$ ,clavi*ord1 ab\t #agjj2 mak] unkn[n1 ,g]many ,unfrett$ ,clavi*ord1 #ah? c5tury2 mak] unkn[n1 ,g]many ,! clavi*ord 0 usually h\s$ 9 a rectangul> case :i* re/$ ^u a simple /&4 ,! range ( ! e>li] in/rum5ts 0 ab\t f\r octaves4 ,by ! #ah? c5tury ! range _h be5 exp&$ to five octaves4 ,! l>g]1 lat] clavi*ords _h sep>ate /r+s = ea* key & 7 unfrett$ or bundfrei4 ,_m small] & e>li] clavi*ords 7 frett$ 7gebund571 hav+ "s /r+s t w\ld produce m ?an "o pit* :5 /ruck at diff]5t po9ts by adjac5t keys4 ,figure #cb %[s ! frett$ clavi*ord keybo>d 9 m detail4 ,tang5ts on keys numb]$ #af & #ag /rike ! same /r+s to produce ! notes e-flat & e4 ,"s o!r frett$ notes %[n 9 ! picture include3 keys #ah & #ai 7f & f-%>p71 keys #bj & #ba 7g & g-%>p71 keys #bc & #bd 7b-flat & b71 & keys #be & #bf 7middle c & c-%>p74 ,figure #ca is also a detail f ?is clavi*ord4 ,! ,smi?sonian clavi*ord %[n 9 ,figures #ce & #cf1 9 unre/or$ condition1 is typical ( ! l>ge unfrett$ in/rum5ts t became /&>d 9 ,g]many by ! mid-#ah? c5tury & = :i* ,c>l ,philipp ,emanuel ,ba* wrote _m solo keybo>d compositions4 ,illu/ration3 #cb4 ,frett$ clavi*ord3 ,detail ( frett+4 ,photo3 ,rob]t ,lautman4 ,illu/ration3 #cc4 ,frett$ clavi*ord3 ,full view4 ,illu/ration3 #cd4 ,frett$ clavi*ord3 ,plan view4 ,illu/ration3 #ce4 ,unfrett$ clavi*ord3 ,full view4 ,illu/ration3 #cf4 ,unfrett$ clavi*ord3 ,plan view4 ,by ! beg9n+ ( ! #ah? c5tury ! desire 0 /rong = a m expressive keybo>d in/rum5t to use 9 ensembles4 ,h>psi*ord build]s add$ new /ops1 devis$ special lea!r plectra1 & add$ ,v5etian swell effects & o!r innovations to alt] ! s\nd ( ! h>psi*ord4 ,b no matt] :at !y did1 !y c\ld n produce en\gh dynamic gradation to satisfy musical ta/e4 ,! clavi*ord 0 capable ( dynamic nuance1 b x lack$ c>ry+ p[]4 ,in/rum5t build]s1 seek+ to satisfy ! dem&s creat$ by ! *ange 9 s5sibility & musical ta/e1 turn$ naturally to ! dome/ic in/rum5ts !y knew be/--! h>psi*ord & clavi*ord--z ! process ( adaptation began4 ,= ?is reason1 z ! pian(orte 0 develop$ & p]fect$1 ! g5]al proportions & arrangem5t ( ! gr& piano resembl$ ^? ( ! h>psi*ord4 ,simil>ly1 ! relation betwe5 ! keybo>d & /r+s1 ! scal+1 & o!r features ( ! squ>e piano resembl$ ^? ( ! clavi*ord4 ,by ! beg9n+ ( ! #ai? c5tury ! pian(orte1 an in/rum5t capable ( subtle *anges betwe5 s(t & l\d1 _h become ! mo/ important dome/ic & conc]t keybo>d in/rum5t4 ,aft] #ahjj few clavi*ords or h>psi*ords 7 built or us$ until !y 7 reviv$ by e>ly music en?usia/s at ! end ( ! #ai? c5tury4 ,select$ ,bibliography ,,boal*1 ,,donald4 ,mak]s ( ! ,h>psi*ord & ,clavi*ord4 ,london3 ,george ,ronald1 #aiee4 ,,hirt1 ,,franz ,,josef4 ,mei/]w]ke des ,klavi]baus4 ,olt51 ,switz]l&3 ,urs ,graf-,v]lag1 #aiee4 ,,hubb>d1 ,,frank4 ,h>psi*ord ,regulat+ & ,repair+4 ,bo/on3 ,tun]'s ,supply1 ,inc41 #aifc4 ,,hubb>d1 ,,frank4 ,?ree ,c5turies ( ,h>psi*ord ,mak+4 ,cambridge1 ,massa*usetts3 ,h>v>d ,univ]sity ,press1 #aife4 ,,james1 ,,philip4 ,e>ly ,keybo>d ,in/rum5ts4 ,london3 ,pet] ,davies1 #aicj4 ,,rip91 ,,edw9 ,m4 ,! ,e>ly ,clavi*ord1 ,musical ,qu>t]ly1 #ec7d7 7,octob] #aifg73 #eah-ech4 ,,russell1 ,,raymond4 ,! ,h>psi*ord & ! ,clavi*ord4 ,london3 ,fab] & ,fab]1 #aiei4 ,,%ortridge1 ,,john ,d4 ,italian ,h>psi*ord-,build+ 9 ! #af? & #ag? ,c5turies4 ,unit$ ,/ates ,national ,museum ,bullet91 #bbe 7#ae73 #ic-ajg1 #aifj4