,libr>y ( ,congress7                    
,illu/ration       ,,! ,,fasc9at+       
,,bo/on    ,h[ to ,dance & ,h[ to ,tea* 
!   ,popul> ,new ,social ,favorite      
,by   ,,alfonso ,,josephs ,,%eafe       
,ma/] ( ,danc+    ,translator & ,editor 
(   ,zorn's ,gramm> ( ! ,art ( ,danc+   
,bo/on1 ,mass4   ,,! ,,bo/on ,,music    
,,company   ,new ,york3 ,g4 ,s*irm]1    
,incorporat$    ,copyright1 #aiac1 by   
,,! ,,bo/on ,,music ,,co4   ,= all      
c\ntries     ,b4 ,m4 ,co4 #ccff         
,table ( ,cont5ts                       
,page  ,,=eword                         
#a  ,,! ,,bo/on   ,,! ,,fundam5tal      
,,positions         #e   ,,! ,,position 
,,( ,,! ,,p>tn]s      #h   ,,! ,,/ep ,,(
 ,,! ,,bo/on           #ab   ,,! ,,long 
,,bo/on                  #bb   ,,!      
,,%ort ,,bo/on                 #bc   ,,!
 ,,op5 ,,bo/on                  #bd     
,,! ,,bo/on ,,dip                   #be 
,,! ,,turkey ,,trot                     
#bg  ,,! ,,a]oplane ,,glide             
#bh  ,,! ,,tango                        

#bi     ,,! ,,fasc9at+ ,,bo/on          
,,=eword   ,s9ce ! introduction ( !     
waltz1 m ?an a hundr$ ye>s ago1 x has   
held ! fir/ place 9 ! e/eem ( danc]s    
?r\gh\t ! civiliz$ _w4 ,!re has appe>$1 
h[ev]1 a new claimant = ! place--"o t   
possesses all ! qualities t g to make a 
social favorite1 & has ! additional     
advantages ( great] ease ( execution1 & 
wid] possibilities ( adaptation4  ,?is  
is ! ,,bo/on--n1 z _m p]sons suppose1 a 
new creation nor inde$ is x a novelty   
ev5 to ! ,am]ican public1 = x 0         
introduc$ "h m ?an a g5]ation ago2 b !  
great popul>ity ( ! ,two-,/ep1 :i* _h j 
!n come into vogue1 & 0 fa/ ga9+ favor  
"u ! influ5ce ( su* brilliant           
compositions z ! quick-/ep m>*es by     
,s\sa1 op]at$ aga9/ its imm$iate        
acceptance4  ,"o ( ! reasons :y ! ,bo/on
 %\ld prove today a m attractive dance  
?an any o!r1 is ! fact t n[ !re are m   
captivat+ airs writt5 = ?is p>ticul> =m 
( dance ?an = any o!r1 & z ! ,two-,/ep1 
9 its "t1 f\nd its mo/ p[]ful ally 9 !  

music to :i* x 0 adapt$1 ! ,bo/on has   
today ! p]suasive int]cession ( su*     
languor\s & haunt+ melodies z ,love's   
,awak5+ & ,on ! ,w+s ( ,dream1 by       
,danglas2 ,s9ibaldi's ,?rill1 & o!rs4   
,g5]al ta/e has gradually f\nd out !    
sup]ior *>m ( ! ,bo/on2 ! p5dulum (     
public favor has aga9 swung 9 !         
direction ( skilful danc+4  ,! rec5t    
revival ( ! ,waltz 9 its prop] =m1 has  
br\ght ) x a l>g] appreciation ( ! m    
wor?y & graceful social dances1 & !     
entire _w n[ recognizes ! wond]ful      
beauty ( ! ,bo/on1 & has welcom$ x z a  
real competitor4  ,! ,bo/on is n a      
,waltz1 yet x is ! p]fection ( x4 ,x is 
"o ( ^? p>adoxical ?+s :i*1 :ile x is   
impossible to be classifi$1 conta9s all 
t is to be f\nd 9 almo/ any o!r dance4  
,ev5 ! p]sons :o h s long & s loyally   
clung to o!r =ms ( danc+1 & h abat$ none
 9 _! zeal = _! favorites1 h be5        
unconsci\sly1 & p]haps unwill+ly1 *>m$  
by ! s$uctiv5ess ( ! ,bo/on1 until !y n[
 freely decl>e ! new dance to be !      

sup]ior ( ! ,waltz4 ,!re=e x is safe to 
say t ! ,bo/on w1 ev5tually1 sup]s$e !  
,waltz altoge!r4  ,we dem& a dance :i*  
comb9es ease ( execution ) attractive   
movem5t4 ,t is j :at ! ,bo/on does1 &   
p]haps m4 ,x is s simple 9 con/ruction  
t1 :5 acquir$1 x becomes natural1 & its 
p]fect adaptability assures x la/+      
popul>ity4  ,ow+ to ! urg5t reque/ ( _m 
( 8 pupils & colleagues1 ! au?or has    
und]tak5 ?is little book 9 ! hope t x w 
meet ! requirem5ts ( bo? tea*]s &       
/ud5ts1 & help to assure ! prop]        
appreciation ( :at is 9 reality ! mo/   
delightful & arti/ic social dance s9ce !
 ,m9uet4   ,,! ,,five ,,fundam5tal      
,,positions  ,9 ord] t ! read] may ! m  
readily und]/& ! descriptions giv5 9 ?is
 book1 we w expla9 ! five fundam5tal    
positions ^u :i* ! art ( danc+ re/s4  ,9
 ! #a/ position1 ! feet are toge!r1 heel
 aga9/ heel4    ,illu/ration  ,9 ! #bnd 
position1 ! heels are sep>at$ sidewise1 
& on ! same l9e4    ,illu/ration  ,9 !  
#crd position1 ! heel ( "o foot t\*es ! 

middle ( ! o!r4    ,illu/ration  ,9 !   
#d? position1 ! feet are sep>at$ z 9    
walk+1 ei!r directly =w>d or directly   
backw>d4    ,illu/ration  ,9 ! #e?      
position1 ! heel ( "o foot t\*es ! po9t 
( ! o!r4    ,illu/ration  ,9 all ^!     
positions ! feet mu/ be turn$ outw>d to 
=m n less ?an a "r angle4   ,,!         
,,positions ,,( ,,! ,,p>tn]s  ,mu*1 if n
 all1 ( ! adv]se criticism ( ! ,bo/on   
:i* has be5 (f]$ by educators1 p>5ts &  
o!r responsible objectors1 has be5      
direct$ at ! relative positions ( !     
p>tn]s4 ,?is is1 9 fact1 no m ?an !     
g5]al rule z reg>ds ! ,social ,r\nd     
,dance1 ) ! possible exception t !      
positions h be5 sometimes di/ort$ by    
attempts to copy ! fre] =ms ( danc+ t h 
be5 pres5t$ ^u ! /age4  ,! ,r\nd ,dance 
dem&s t a c]ta9 fix$ gr\p+ ( ! p>tn]s be
 ma9ta9$ 9 ord] t ! rotation ar\nd a    
common mov+ c5tre may be accompli%$1 & x
 is "h t ! mo/ s]i\s problem is to be   
f\nd4  ,! danc+ pr(ession long ago      
und]took to settle ^u arbitr>y gr\p+s   

satisfactory to ! ne$s ( ! danc]s1 &    
con=m+ to all ! requirem5ts ( propriety 
& hygi5ic ex]cise4    ,illu/ration      
,act+ ^u ?is basis1 ! reputable tea*]s (
 danc+ ?r\gh\t ! _w h adopt$ &          
promulgat$ ?ree fundam5tal gr\p+s = !   
,r\nd ,dance :i* are s con/ruct$ z to   
provide ! greate/ ease ( execution &    
fre$om ( action4 ,!y are kn[n z ! ,waltz
 ,position1 ! ,op5 ,position1 & ! ,side 
,position ( ! ,waltz4 ,all r\nd dances  
are execut$ 9 "o or ano!r ( ^! gr\p+s1  
:i* are n only accept$ by all good      
tea*]s1 b1 ) ! exception ( c]ta9 m9or & 
unimportant v>iations1 rigidly adh]$ to 
9 all _! "w4  ,9 ! ,waltz ,position !   
p>tn]s /& fac+ "o ano!r1 ) %\ld]s       
p>allel1 & look+ ov] "o ano!r's "r      
%\ld]4 ,special att5tion mu/ be paid to 
! p>allel position ( ! %\ld]s1 9 ord] to
 fit ! individual movem5ts ( ! p>tn]s   
along ! l9e ( direction4  ,! g5tleman   
places 8 "r h& lightly ^u ! lady's back1
 at a po9t ab\t half-way across1 betwe5 
! wai/-l9e & ! %\ld]-blades4 ,! f+]s are

 s r\nd$ z to p]mit ! free circulation (
 air betwe5 ! palm ( ! h& & ! lady's    
back1 & %\ld n be spread4  ,! lady      
places h] left h& lightly ^u !          
g5tleman's arm1 all[+ h] =e-arm to re/  
g5tly ^u 8 arm4 ,! p>tn]s /& at an easy 
di/ance f "o ano!r1 incl9+ t[>d ! common
 c5tre v slightly4 ,! free h&s are      
lightly jo9$ at ! side4 ,?is is m]ely to
 provide occupation = ! dis5gag$ arms1 &
 ! g5tleman holds ! tip ( ! lady's h&   
lightly 9 ! b5d$ f+]s ( 8 own4 ,guid+ is
 accompli%$ by ! g5tleman ?r\gh a slight
 lift+ ( 8 "r elb[4    ,illu/ration     
,,! ,,op5 ,,position  ,! ,op5 ,position 
ne$s no explanation1 & c be readily     
und]/ood f ! illu/ration fac+ page #h4  
,,! ,,side ,,position ,,( ,,! ,,waltz   
,! side position ( ! ,waltz diff]s f !  
,waltz ,position only 9 ! fact t !      
p>tn]s /& side by side & ) ! engag$ arms
 m widely ext5d$4 ,! free arms are held 
z 9 ! frontispiece4 ,9 ! actual rotation
 ?is position naturally resolves itself 
into ! regul> ,waltz ,position4   ,,!   

,,/ep ,,( ,,! ,,bo/on  ,! prep>atory /ep
 ( ! ,bo/on diff]s mat]ially f t ( any  
o!r ,social ,dance4 ,!re is only "o     
position ( ! feet 9 ! ,bo/on--! #d?4 ,t 
is to say1 ! feet are sep>at$ "o f ! o!r
 z 9 walk+4  ,on ! fir/ c\nt ( ! measure
 ! :ole leg sw+s freely1 & z a unit1 f !
 hip1 & ! foot is put d[n practically   
flat ^u ! floor1 :]e x imm$iately       
receives ! entire weight ( ! body       
p]p5dicul>ly4 ,! weight is held entirely
 ^u ?is foot dur+ ! rema9d] ( ! measure1
 :e!r x be 9 #c_/d or #b_/d "t4  ,!     
foll[+ prep>atory ex]cises mu/ be       
practic$ =w>d & backw>d until ! movem5ts
 become natural1 be=e proce$+4  ,9 go+  
backw>d1 ! foot mu/ be c>ri$ to ! re> z 
f> z possible1 & ! weight mu/ always be 
p]p5dicul> to ! support+ foot4  ,^!     
movem5ts are id5tical ) walk+1 & except 
! p>ticul> c>e :i* mu/ be be/[$ ^u !    
plac+ ( ! foot on ! fir/ c\nt ( !       
measure1 !y require no special degree ( 
att5tion4  ,on ! second c\nt ! free leg 
sw+s =w>d until ! knee has become       

entirely /raight5$1 & is held1 susp5d$1 
dur+ ! ?ird c\nt ( ! measure4 ,?is %\ld 
be practic$1 fir/ ) ! weight re/+ ^u !  
entire sole ( ! support+ foot1 & !n1 :5 
?is has be5 p]fectly accompli%$1 ! same 
ex]cise may be supplem5t$ by rais+ !    
heel 7( ! support+ foot7 on ! second    
c\nt & l[]+ x on ! ?ird c\nt4 ,great c>e
 mu/ be tak5 n to divide ! weight4  ,= !
 purpose ( in/ruction1 x is well to     
practice ^! /eps to ,mazurka music1     
because ( ! cle>ness ( ! c\nt4          
,illu/ration  ,:5 ! =ego+ ex]cises h be5
 s fully ma/]$ z to become1 9 a s5se1   
muscul> habits1 we may1 ) safety1 add ! 
next feature4 ,?is consi/s 9 t\*+ !     
floor ) ! po9t ( ! free foot1 at a po9t 
z f> =w>d or backw>d z c be done )\t    
divid+ ! weight1 on ! second c\nt ( !   
measure4 ,?us1 we h accompli%$1 z x 71  
an int]rupt$1 or1 at lea/1 an arre/$    
/ep1 & ?is is ! true ess5ce ( ! ,bo/on4 
,too great c>e _c be exp5d$ ^u ?is phase
 ( ! /ep1 & x mu/ be practic$ ov] & ov] 
aga91 bo? =w>d & backw>d1 until !       

movem5t has become second nature4 ,all  
?is mu/ prec$e any attempt to turn4  ,! 
turn+ ( ! ,bo/on is simplicity itself1 b
 x is1 nev]!less1 ! "o po9t 9 !         
in/ruction :i* is mo/ bo!rsome to       
le>n]s4 ,! turn is execut$ ^u ! ball ( !
 support+ foot1 & consi/s 9 twi/+ half  
r\nd )\t lift+ ei!r foot f ! gr\nd4 ,9  
?is1 ! weight is held altoge!r ^u !     
support+ foot1 & !re is no cross+4  ,9  
c>ry+ ! foot =w>d = ! second movem5t1 ! 
knees mu/ pass close to "o ano!r1 & c>e 
mu/ be tak5 t ! entire half turn comes  
^u ! la/ c\nt ( ! measure4  ,to sum     
up3--  ,/>t+ ) ! weight ^u ! left foot1 
/ep =w>d1 plac+ ! entire weight ^u ! "r 
foot1 z 9 ! illu/ration fac+ page #ad   
7c\nt #a72 sw+ left leg quickly =w>d1   
/raight5+ ! left knee & rais+ ! "r heel1
 & t\* ! floor ) ! ext5d$ left foot z 9 
! illu/ration fac+ page #af1 b )\t plac+
 any weight ^u t foot 7c\nt #b72 execute
 a half-turn to ! left1 backw>d1 ^u !   
ball ( ! support+ 7"r7 foot1 at ! same  
"t l[]+ ! "r heel1 & f9i% z 9 !         

illu/ration opposite page #ah 7c\nt #c74
      ,"o measure4    ,illu/ration      
,/>t+ aga91 ?is "t ) ! weight :olly ^u !
 "r foot1 & ) ! left leg ext5d$ backw>d1
 & ! po9t ( ! left foot lightly t\*+ !  
floor1 /ep backw>d1 ?r[+ ! weight       
entirely ^u ! left foot :i* s9ks to a   
position flat ^u ! floor1 z %[n 9 !     
illu/ration fac+ page #ba1 7c\nt #d72   
c>ry ! "r foot quickly backw>d1 & t\* ) 
! po9t z f> back z possible ^u ! l9e (  
direction )\t divid+ ! weight1 at ! same
 "t rais+ ! left heel z 9 ! illu/ration 
fac+ page #bb1 7c\nt #e72 & complete !  
rotation by execut+ a half-turn to ! "r1
 =w>d1 ^u ! ball ( ! left foot1         
simultane\sly l[]+ ! left heel1 & f9i%+ 
z 9 ! illu/ration fac+ page #bd1 7c\nt  
#f74   ,,! ,,rev]se  ,! rev]se ( ! /ep  
%\ld be acquir$ at ! same "t z !        
rotation to ! "r1 & x is1 !re=e1 ( great
 importance to alt]nate f ! "r to ! left
 rotation f ! beg9n+ ( ! turn+ ex]cise4 
,! rev]se itself1 t is to say1 ! act (  
alt]nat+ is effect$ 9 a s+le measure )\t

 turn+ 7see prep>atory ex]cise1 page    
#ac7 :i* may be tak5 backw>d by !       
g5tleman & =w>d by ! lady1 :5ev] !y h   
complet$ a :ole turn4  ,! me*anism ( !  
rev]se turn is exactly ! same z t ( !   
turn to ! "r1 except t x is accompli%$ )
 ! o!r foot1 & 9 ! opposite direction4  
,!re is no bett] or m efficaci\s ex]cise
 to p]fect ! ,bo/on1 ?an t :i* is made  
up ( "o complete turn to ! "r1 a measure
 to rev]se1 & a complete turn to ! left4
 ,?is %\ld be practis$ until "o has     
entirely ma/]$ ! motion & rhy?m ( !     
dance4 ,! writ] has us$ ?is ex]cise 9   
all 8 "w1 & f9ds x n only helpful &     
int]e/+ to ! pupil1 b ( special         
advantage 9 obviat+ ! possibility (     
dizz9ess1 & ! consequ5t unpleasantness &
 loss ( "t4    ,illu/ration  ,aft]      
acquir+ a degree ( ease 9 ! execution ( 
^! movem5ts to ,mazurka music1 x is     
advisable to v>y ! rhy?m by !           
introduction ( ,spani% or o!r cle>ly    
acc5t$ ,waltz music1 be=e us+ ! m liquid
 compositions ( ,/rauss or su* mod]n    

song waltzes z ^? ( ,danglas1 ,s9ibaldi1
 etc4  ,x is "o ( ! rem>kable features (
 ! ,bo/on t ! weight is always opposite 
! l9e ( direction--t is to say1 9 go+   
=w>d1 ! weight is reta9$ ^u ! re> foot1 
& 9 go+ backw>d1 ! weight is always ^u !
 front foot 7direction always radiates f
 ! danc]74 ,?us1 9 proce$+ ar\nd ! room1
 ! weight mu/ always be held back1      
in/ead ( incl9+ slightly =w>d z 9 ! o!r 
r\nd dances4 ,?is seem+ contradiction ( 
=ces l5ds to ! ,bo/on a unique *>m :i*  
is to be f\nd 9 no o!r dance4  ,z !     
danc] becomes m famili> ) ! ,bo/on1 !   
movem5t becomes s natural t little or no
 ?\ght ne$ be paid to te*nique1 9 ord]  
to develop ! peculi> grace ( x4  ,! fact
 ( its be+ a dance altoge!r 9 "o        
position calls = great] skill 9 !       
execution ( ! ,bo/on1 ?an w\ld be ! case
 if !re 7 o!r *anges & contra/s         
possible1 j z x is m difficult to play a
 melody ^u a viol9 ( only "o /r+4  ,!   
,bo/on1 9 its complet$ =m1 resolves     
itself into a sort ( walk+ movem5t1 s   

natural & easy t x may be enjoy$ = a    
:ole ev5+ )\t m fatigue ?an w\ld be !   
result ( a s+le h\r ( ! ,waltz &        
,two-,/ep4  ,aside f ! attractiv5ess ( !
 ,bo/on z a social dance1 its physical  
b5efits are m positive ?an ^? ( any o!r 
,r\nd ,dance t we h ev] _h4 ,! action is
 s adju/$ z to provide ! maximum (      
muscul> ex]cise & ! m9imum ( physical   
ef=t4 ,?is t5ds t[>ds ! cons]vation (   
en]gy1 & produces & ma9ta9s1 at ! same  
"t an ev5ness ( blood pressure &        
circulation4 ,! movem5ts also           
necessitate a con/ant ex]cise ( ! ankles
 & in/eps :i* is v /r5g!n+ to ^? p>ts1 &
 _c fail to raise & support ! ar* ( !   
foot4  ,tak5 f any /&po9t1 ! ,bo/on is  
"o ( ! mo/ wor?y =ms ( ! social dance   
ev] devis$1 & ! di/ortions ( position   
:i* are n[ occasionally practic$ mu/    
soon give way to ! g5u9ely ref9+        
influ5ce ( ! action4    ,illu/ration  ,(
 ! v>i\s =ms ( ! ,bo/on1 !re is little  
to be said beyond ! description ( !     
mann] ( _! execution1 :i* w be treat$ 9 

! foll[+ pages4  ,x is hop$ t ?is book w
 help t[>d a m complete und]/&+ ( !     
beauties & attractions ( ! ,bo/on1 &    
fur!r ! prop] appreciation ( x4   ,all  
descriptions ( dances giv5 9 ?is book   
relate to ! lady's "p4 ,! g5tleman's is 
exactly ! same1 b 9 ! c\nt]motion4   ,,!
 ,,long ,,bo/on  ,! ord9>y =m ( ! ,bo/on
 z describ$ 9 ! =ego+ pages is commonly 
kn[n z ! ,long ,bo/on to di/+ui% x f o!r
 =ms & v>iations4 ,x is danc$ 9 #c_/d   
"t1 ei!r ,waltz or ,mazurka1 & at any   
tempo desir$4 ,z ?is is ! fundam5tal =m 
( ! ,bo/on1 x %\ld be ?or\ghly acquir$  
be=e und]tak+ any o!r4    ,illu/ration  
,,! ,,%ort ,,bo/on  ,! ,%ort ,bo/on     
diff]s f ! ,long ,bo/on only 9 measure4 
,x is danc$ 9 ei!r #b_/d or #f_/h "t1 & 
! fir/ movem5t 79 #b_/d "t7 occupies !  
duration ( a qu>t]-note4 ,! second &    
?ird movem5ts ea* occupy ! duration ( an
 eigh?-note4 ,?us1 !re exi/s betwe5 !   
,long & ! ,%ort ,bo/on ! same diff]5ce z
 betwe5 ! ,waltz & ! ,galop4 ,9 ! m     
rapid =ms ( ! ,%ort ,bo/on1 ! ris+ &    

s9k+ ^u ! second & ?ird movem5ts        
naturally take ! =m ( a hop or skip4 ,! 
dance is m enjoyable & less fatigu+ 9   
mod]ate tempo4   ,,! ,,op5 ,,bo/on  ,!  
,op5 ,bo/on conta9s two p>ts ( eight    
measures ea*4 ,! fir/ "p is danc$ 9 !   
positions %[n 9 ! illu/rations fac+     
pages #h & #aj1 & ! second "p consi/s ( 
#h measures ( ! ,long ,bo/on4  ,9 ! fir/
 "p1 ! danc]s execute ?ree ,bo/on /eps  
=w>d1 )\t turn+1 & "o ,bo/on /ep turn+  
7t[>ds ! p>tn]7 to face directly backw>d
 7#a_/b turn74      #d measures4  ,?is  
is foll[$ by ?ree ,bo/on /eps backw>d   
7)\t turn+7 9 ! position %[n 9 !        
illu/ration fac+ page #aj1 foll[$ by "o 
,bo/on /ep turn+ 7t[>d ! p>tn]7 & f9i%+ 
9 regul> ,waltz ,position = ! execution 
( ! second "p4    ,illu/ration   ,,!    
,,bo/on ,,dip  ,! ,dip is a comb9ation  
dance 9 #c_/d or #c_/h "t1 & conta9s #d 
measures ( ! ,long ,bo/on1 prec$$ by #d 
measures1 z foll[s3  ,/&+ ^u ! left     
foot1 /ep directly to ! side1 & transf] 
! weight to ! "r foot 7c\nt #a72 sw+ !  

left leg to ! "r 9 front ( ! "r1 at !   
same "t rais+ ! "r heel 7c\nt #b72 l[] !
 "r heel 7c\nt #c72 return ! left foot  
to its orig9al place :]e x receives !   
weight 7c\nt #d72 sw+ ! "r leg across 9 
front ( ! left1 rais+ ! left heel 7c\nt 
#e72 & l[] ! left heel 7c\nt #f74       
#b measures4  ,sw+ ! "r foot to ! "r1 & 
put x d[n directly at ! side ( ! left   
7c\nt #a72 hop on ! "r foot & sw+ ! left
 across 9 front 7c\nt #b72 fall back ^u 
! "r foot 7c\nt #c72 put d[n ! left     
foot1 cross+ 9 front ( ! "r1 & transf]  
weight to x 7c\nt #d72 ) "r foot /ep a  
:ole /ep to ! "r 7c\nt #e72 & f9i% by   
br++ ! left foot aga9/ ! "r1 :]e x      
receives ! weight 7c\nt #f74      #b    
measures4  ,9 execut+ ! hop ^u c\nts #b 
& #c ( ! ?ird measure1 ! movem5t mu/ be 
s f> delay$ t ! fall+ back w exactly    
co9cide ) ! ?ird c\nt ( ! music4        
,illu/ration     ,,! ,,turkey ,,trot    
,prep>ation3--,side ,position ( !       
,waltz4   ,dur+ ! fir/ f\r measures take
 f\r ,bo/on /eps )\t turn+ 7lady =w>d1  

g5tleman backw>d71 & b5d+ ! support+    
knee1 /ret* ! free foot backw>d1 7lady's
 left1 g5tleman's "r7 z %[n 9 !         
illu/ration opposite4      #d meas4     
,repeat 9 opposite direction4      #d   
meas4  ,execute f\r draw+ /eps to ! side
 7lady's "r1 g5tleman's left7 sway+ !   
%\ld]s & body 9 ! direction ( ! drawn   
foot1 & po9t+ ) ! free foot ^u ! f\r?1 z
 %[n 9 figure4 #d meas4  ,repeat 9      
opposite direction4      #d meas4       
,eight :ole turns1 ,%ort ,bo/on or      
,two-,/ep4      #af meas4  ,repeat at w4
        99       99       99       99   
99    ,a spl5did specim5 = ?is dance w  
be f\nd 9 ,! ,gobbl] by   ,j4 ,monroe4  
,,! ,,a]oplane ,,glide   ,! ,a]oplane   
,glide is v simil> to ! ,bo/on ,dip4 ,x 
is suppos$ to repres5t ! />t ( ! flight 
( an a]oplane1 & d]ives its "n f t fact4
  ,! sole diff]5ce betwe5 ! ,dip &      
,a]oplane consi/s 9 ! six runn+ /eps :i*
 make up ! fir/ two measures4 ,( ^!     
runn+ /eps1 :i* are execut$ sidewise & )
 alt]nate cross+s1 be=e & beh9d1 only ! 

f\r?1 at ! beg9n+ ( ! second measure    
requires special description4 ,^u ?is   
/ep1 ! support+ knee is noticeably b5d$ 
to co9cide ) ! acc5t ( ! music4  ,! re/ 
( ! dance is id5tical ) ! ,dip4 7,see   
page #be47    ,illu/ration     ,,!      
,,tango   ,! ,tango is a ,spani%        
,am]ican dance :i* conta9s mu* ( !      
peculi> *>m ( ! o!r ,spani% dances1 &   
its execution dep5ds l>gely ^u ! ability
 ( ! danc]s s to grasp ! rhy?m ( ! music
 z to int]pret x by _! movem5ts4 ,! /eps
 are all simple1 & ! danc]s are p]mitt$ 
to v>y or improvise ! figures at w4  ,( 
^! figures ! two :i* foll[ are mo/      
common1 & l5d !mselves mo/ readily to   
v]bal description4   ,,tango ,no4 #a  ,!
 p>tn]s face "o ano!r z 9 ,waltz        
,position4 ,! g5tleman takes ! lady's "r
 h& 9 8 left1 &1 /ret*+ ! arms to ! full
 ext5t1 hold+ !m at ! %\ld] height1 he  
places h] "r h& ^u 8 left %\ld]1 & holds
 x !re1 z 9 ! illu/ration opposite page 
#cj4  ,9 />t+1 ! g5tleman ?r[s 8 "r     
%\ld] slightly back & /eps directly     

backw>d ) 8 left foot1 :ile ! lady      
foll[s =w>d ) h] "r4 ,9 ?is mann] bo?   
cont9ue two /eps1 cross+ "o foot ov] !  
o!r & !n execute a half-turn 9 ! same   
direction4 ,?is is foll[$ by f\r        
measures ( ! ,two-,/ep & ! :ole is      
repeat$ at w4      #h measures4         
,illu/ration   ,,tango ,no4 #b  ,?is    
v>iant />ts f ! same position z ,tango  
,no4 #a4 ,! g5tleman takes two /eps     
backw>d ) ! lady foll[+ =w>d1 & !n two  
/eps to ! side 7! lady's "r & !         
g5tleman's left7 & two /eps 9 ! opposite
 direction to ! orig9al position4 #h    
measures4  ,^! /eps to ! side %\ld be   
m>k$ by ! sway+ ( ! bodies z ! feet are 
drawn toge!r on ! second c\nt ( !       
measure1 & ! :ole is foll[$ by #h       
measures ( ! ,two-,/ep4 ,repeat all z   
desir$4     ,,ideal ,,music ,,= ,,!     
,,bo/on   ,,piano ,,solo  7,also to be  
_h = ,full or ,small ,or*e/ra7          
,,love',s ,,awak5+           ,j4        
,danglas        4#fj ,,on ,,! ,,w+s ,,( 
,,dream      ,j4 ,danglas        4#fj   

,,frisson 7,?rill67          ,s4        
,s9ibaldi      4#ej ,,love',s ,,triumph 
,a4 ,daniele        4#fj ,,d\cem5t      
,g4 ,rob]t         4#fj ,,vi5noise      
,a4 ,duval          4#fj  ,^! select$   
numb]s h atta9$ success1 n alone = _!   
attractions ( melody & ri* h>mony1 b =  
_! rhy?mical flexibility & p]fect       
adapt$ness to ! ,bo/on4   ,,= ,,!       
,,turkey ,,trot  ,especially recomm5d$  
,,! ,,gobbl]                ,j4 ,monroe 
4#ej   ,any ( ! =ego+ compositions w be 
suppli$ on receipt ( "o-half ! li/      
price4 ,po/age two c5ts extra = ea*     
copy4   ,,publi%$ ,,by  ,,! ,,bo/on     
,,music ,,company #bf  #bh ,,we/ ,,/41  
,,bo/on1 ,,mass4     ,,transcrib]',s    
,,notes3     ,text 9 italics is surr\nd$
 ) und]scores3 italics4    ,punctuation 
has be5 correct$ )\t note4    ,obvi\s   
typographical errors h be5 correct$ z   
foll[s3     ,page  #h3 duplicate ^w !   
remov$     ,page #bc3 duplicate ^w &    
remov$