,transcrib]'s notes3 ,text 9 italics has be5 m>k$ ) 4 ,text 9 bold has be5 m>k$ ) 994 ,text 9 small caps has be5 m>k$ ) 4 ,= ?is text v]sion1 diacritical m>ks t _c be repres5t$ 9 pla9 text are %[n 9 ! foll[+ mann] :]e 'x' /&s 9 = ! lett]4 x lett]7s7 ) macron above sx lett] ) a small 's' above xo lett] ) a circle 9 ! c5tre4 ,! ,great ,ma/]s 9 ,pa9t+ & ,sculpture ,edit$ by ,g4 ,c4 ,williamson ,,p]ug9o ,,! ,,great ,,ma/]s ,,9 ,,pa9t+ ,,& ,,sculpture4 ,! foll[+ ,volumes h be5 issu$1 price #es4 net ea*4 ,,b]n>d9o ,,lu9i4 ,by ,george ,c4 ,williamson1 ,litt4,d41 ,editor ( ! ,s]ies4 ,,velasquez4 ,by ,r4 ,a4 ,m4 ,/ev5son4 ,,&rea ,,del ,,s>to4 ,by ,h4 ,gu9ness4 ,,luca ,,signorelli4 ,by ,maud ,cruttwell4 ,,raphael4 ,by ,h4 ,/ra*ey4 ,,c>lo ,,crivelli4 ,by ,g4 ,mc,neil ,ru%=?1 ,m4,a41 ,classical ,lectur]1 ,oriel ,college1 ,ox=d4 ,,correggio4 ,by ,selwyn ,br9ton1 ,m4,a41 ,au?or ( ,! ,r5aissance 9 ,italian ,art4 ,,donatello4 ,by ,hope ,rea1 ,au?or ( ,tuscan ,arti/s4 ,,p]ug9o4 ,by ,g4 ,c4 ,williamson1 ,litt4,d4 ,9 prep>ation ,,sodoma4 ,by ! ,contessa ,lor5zo ,priuli-,bon4 ,,meml9c4 ,by ,w4 ,h4 ,james ,weale1 late ,keep] ( ! ,national ,art ,libr>y4 ,,della ,,robbia4 ,by ! ,m>*esa ,burlamac*i4 ,,el ,,greco ,by ,manuel ,b4 ,cossio1 ,litt4,d41 ,ph4,d41 ,director ( ! ,musee ,pdagogique1 ,madrid4 ,,giorgione4 ,by ,h]b]t ,cook1 ,m4,a4 ,,mi*ael ,,angelo4 ,by ,*>les ,holroyd1 ,keep] ( ! ,national ,gall]y ( ,briti% ,art4 ,,! ,,bro!rs ,,bell9i4 ,by ,s4 ,ar?ur ,/rong1 ,m4,a41 ,libr>ian to ! ,h\se ( ,lords ,,rembr&t4 ,by ,malcolm ,bell4 ,o!rs to foll[4 99 99 99 99 99 ,,london3 ,,george ,,bell ,,sons ,illu/ration3 ,private photo4 ,m>seilles4 ,! ,family ( ,/4 ,anne4 ,,pietro ,,vannucci ,,call$ ,,p]ug9o ,,by ,,george ,c4 ,,williamson1 ,,litt4,d4 ,,au?or ,,( ,,john ,,russell1 ,r4,a41 ,,ri*>d ,,cosway1 ,r4,a41 ,,& ,,8 ,,wife ,,& ,,pupils1 ,,portrait ,,m9iatures1 ,,b]n>d9o ,,lu9i1 ,,etc4 ,illu/ration3 logo ,,london ,,george ,,bell ,,sons #aijj ,,preface ,! foll[+ pages conta9 :at is1 ,i believe1 ! only full acc\nt ( ! life & works ( ,p]ug9o 9 ! ,engli% language4 ,x is bas$ ^u a c>eful exam9ation ( almo/ e "o ( 8 works to be f\nd 9 ,europe1 & ^u a critical /udy ( _! *>act]i/ics4 ,! lab\rs ( o!r inve/igators h1 h[ev]1 be5 laid "u contribution1 & ,i am especially indebt$ to ! works ( ,cr[e & ,cavalcaselle1 ,morelli1 ,m>iotti1 ,ors9i1 & ,vas>i1 & also to ! works & advice ( ,mr4 ,b]nh>d ,b]5son1 ,mrs4 ,h]r+ham1 & ,dr4 ,laurie1 & to ! writ+s & rese>*es ( ,m4 ,br\ssolle4 ,to ! ,ar*bi%op ( ,trebizond 7,monsignore ,/onor7 ,i am mo/ grateful = obta9+ p]mission = me to /udy ! ,albani alt>-piece1 & to ,pr9ce ,torlonia = k9dly grant+ my reque/1 & also to ,8 ,excell5cy ,"l ,currie = con/ant & nev]-fail+ aid 9 reg>d to all ! o!r ,italian gall]ies4 ,signor ,cec*etti has help$ me to obta9 good photographs ( ! pictures 9 & ne> to ,citt della ,pieve1 ,miss ,fe>on has k9dly re-measur$ "s ( ! ,italian pictures = me1 & ! ,rev4 ,h4 ,r4 ,w>e1 & ! ,rev4 ,t4 ,c ,robson1 h giv5 me mu* help 9 r5d]+ ! ,lat9 v]se ( ,p]ug9o into ,engli% v]se4 ,to ea* & all ( ^! ,i (f] my he>ty ?anks4 ,i h also to ?ank ! ,directors ( ! ,vatican & ,p]ugia gall]ies = special facilities af=d$ me2 ,mr4 ,murray = p]mission to quote f 8 h&books1 & ! photograph]s = ! use ( _! photographs1 & f9ally to beg t if by *ance ,i h made use ( o!r mat]ial )\t ! fulle/ ackn[l$gm5t1 ! omission may be =giv5 me inasmu* z ,i h endeav\r$ to avoid s s]i\s a fault4 ,my own div]g5ces f ! accept$ views w be f\nd fully record$ 9 ^! pages1 & are 9 e case f\nd$ ^u p]sonal /udy1 & = !m ,i alone am responsible4 ,g4 ,c4 ,w4 ,,cont5ts ,,page ,li/ ( ,illu/rations ix ,bibliography xiii ,*apt] ,i4 ,bir?1 ,ma/]s1 & ,environm5t #a ,,ii4 ,e>ly ,days #ai ,,iii4 ,te*nique1 ,pigm5ts1 & ,vehicles #cc ,,iv4 ,w&]+s #ci ,v4 ,! ,/ory ( ! ,pillage #dg ,,vi4 ,9 ,full ,/r5g? #eh ,,vii4 ,! ,cambio #gd ,,viii4 ,flor5ce1 ,p]ugia1 & ,citt della ,pieve #hc ,,ix4 ,age1 ,infirmity1 ,dignity1 & ,dea? #ii ,x4 ,/4 ,seba/ian #aae ,catalogue ( ! ,works ( ,p]ug9o-- ,au/ria-,hung>y #aba ,belgium #abb ,briti% ,isles #abb ,france #abg ,g]many #aca ,italy #acc ,*ronological ,li/ ( ,pictures #aee ,index #aeg ,,li/ ,,( ,,illu/rations ,,page ,! ,family ( ,/4 ,anne1 ,frontispiece ,m>seilles ,figure ( ,/4 ,seba/ian at ,c]queto1 #adgh #aj ,! ,deliv]y ( ! ,keys to ,/4 ,pet] 7d\ble plate7 ,si/9e ,*apel1 ,rome #ad ,pr$ella panel f ,! ,baptism ( ,*ri/ ! ,san ,pietro alt>-piece ,r\5 #ah 7,p]ugia7 ,madonna & ,*ild en?ron$1 ) f\r ,sa9ts ,vatican ,gall]y #bb ,! ,crucifixion ,la ,calza1 ,flor5ce #bd ,! ,dead ,*ri/ ,accademia1 ,flor5ce #bf ,*ri/ 9 ! ,g>d5 ( ,ge?semane ,accademia1 ,flor5ce #bf ,! ,albani alt>-piece 7d\ble plate7 #adia ,villa ,albani1 ,rome #bh ,! ,fiesole alt>-piece1 #adic ,uffizi ,palace1 ,flor5ce #cj ,portrait ( ,francesco delle ,op]e1 #adid ,uffizi ,palace1 ,flor5ce #dj ,! ,asc5sion ( ,*ri/ ,borgo ,san ,sepolcro #db ,! ,entombm5t ( ,*ri/1 #adie ,pitti ,palace1 ,flor5ce #dd ,sa9t ,b5$ict1 f ! ,san ,pietro 7,p]ugia7 alt>-piece ,! ,vatican1 ,rome #eb ,! ,virg9 appe>+ to ,/4 ,b]n>d ,muni* #fb ,! ,virg9 9 ,glory1 #adif ,bologna ,gall]y #fd ,! ,crucifixion 7d\ble plate7 ,/a4 ,m>ia ,maddal5a del ,pazzi1 ,flor5ce #ff ,! ,c]tosa ?ree-fold alt>-piece 7d\ble plate7 ,national ,gall]y1 ,london #fh ,! ,madonna & ,*ild ) p5it5ts1 #adig ,p]ugia ,gall]y #gj ,! ,int]cession ( ,/4 ,francis on behalf ( ,p]ugia ,p]ugia ,gall]y #gj ,! ,crucifixion ,accademia1 ,flor5ce #gb ,=titude & ,temp]ance ) ! ,w>riors ,! ,cambio1 ,p]ugia #gf ,portrait ( ,p]ug9o1 #aejj ,! ,cambio1 ,p]ugia #gh ,! ,assumption ( ,! ,virg91 #aejj ,accademia1 ,flor5ce #hb ,portrait ( ! ,abbot ,baldass>e ( ,vallombrosa ,accademia1 ,flor5ce #hd ,portrait ( ,don ,biagio ,milanesi ( ,vallombrosa ,accademia1 ,flor5ce #hd ,! ,resurrection ,vatican ,gall]y #hf ,! ,crucifixion 7pa9t$ ar\nd a wood5 crucifix7 ,p]ugia ,gall]y #hh ,lett] f ,p]ug9o1 #bj? ,febru>y #aejd ,citt della ,pieve #ij ,lett] f ,p]ug9o1 #a/ ,m>* #aejd ,citt della ,pieve #ij ,lett] f ,p]ug9o1 #cj? ,m>* #aeab ,p]ugia ,gall]y #ij ,! ,adoration ( ! ,magi1 #aejd ,citt della ,pieve #ib ,! ,deposition 7,filipp9o ,lippi & ,p]ug9o71 #aeje ,accademia1 ,flor5ce #id ,! ,s*iavone alt>-piece1 #aejg ,national ,gall]y #ajj ,! ,crucifixion1 #aeaj ,/4 ,augu/9e's1 ,si5a #ajb ,/4 ,seba/ian & ,/4 ,apollonia1 f ! ,sant' ,ago/9o 7,p]ugia7 alt>-piece ,gr5oble ,gall]y #ajf ,! ,holy ,tr9ity & v>i\s ,sa9ts 7,raphael & ,p]ug9o71 #aeje & #aeba ,san ,sev]o1 ,p]ugia #ajf ,! ,adoration ( ! ,magi1 #aeba ,/a4 ,m>ia1 ,trevi #ajh ,! ,m>tyrdom ( ,/4 ,seba/ian1 #aeah ,p]ugia ,gall]y #aah ,,bibliography ,au/91 ,alfr$4 ,notes made 9 ,p]ugia4 7,an article47 ,bell1 ,n4 ,t\ri/s' ,art ,guide to ,europe4 ,london1 #ahic4 ,bonacci ,brunamonti4 ,pietro ,p]ug9o 9 ,rivi/a ,contemp]anea1 i4 #ahhi4 ,fasc4 #b4 ,bra*irolli4 ,notizie e docum5ti in$iti intorno a ,pietro ,vannucci4 ,p]ugia1 #ahgd4 ,burckh>dt4 ,art ,guide to ,pa9t+ 9 ,italy4 ,london1 #ahgi4 ,bryan4 ,diction>y ( ,pa9t]s4 ,london1 #ahic4 ,b]5son1 ,b4 ,c5tral ,italian ,pa9t]s4 ,london1 #ahig4 ,br\ssolle1 ,j4 ,c4 ,pl]9ages ,ombri5s4 ,p>is1 #ahif4 ,c5n9o ,c5n9i4 ,trattato della ,pittura4 ,italian1 sixte5? c5tury4 ,c5n9o ,c5n9i1 ,! ,book ( ! ,art (4 ,translat$ by ,mrs4 ,h]r+ham4 ,london1 #ahii4 ,cr[e & ,cavalcaselle4 ,r5aissance 9 ,italy4 ,london1 #ahgg4 ,*ur*1 ,a4 ,h4 ,cantor ,lectures on ,col\rs4 ,london1 #ahij4 ,ea/lake1 ,sir ,c4 ,hi/ory ( ,pa9t+4 ,gaye4 ,c>teggio4 ,galetti1 ,g4 ,lo ,/ile di ,pietro ,p]ug9o e l'indirizzo dell' ,arte ,mod]na4 ,bologna1 #ahhg4 ,gazette des ,beaux ,arts4 ,h>e1 ,a4 ,cities ( ,c5tral ,italy4 ,london1 #ahgf4 ,heaton1 ,mrs4 ,hi/ory ( ,pa9t+4 ,london1 #ahgc4 ,hoef]4 ,bibliographical ,diction>y4 ,p>is1 #ahfj4 ,jameson1 ,mrs4 ,all h] works4 ,london1 #ahgb4 ,kugl]4 ,h&book ( ,pa9t+4 ,london1 #ahee4 ,lanzi1 ,luigi4 ,/oria ,pittorica della ,italia4 ,bassano1 #ahji4 ,lomazzo4 ,idea del tempio della ,pittura4 ,rome1 #ahdd4 ,laf5e/re4 ,les ,maitres anci5s4 #ahhb4 ,laf5e/re4 ,la ,pe9ture ,itali5ne4 ,laf5e/re & ,ri*t5burg]4 ,! ,l\vre4 ,p>is1 #ahih4 ,luebke1 ,w4 ,hi/ory ( ,art4 ,london1 #ahfh4 ,laurie1 ,a4 ,p4 ,cantor ,lectures on ,vehicles & ,pigm5ts4 ,london1 #ahib4 ,lupattelli1 ,a4 ,/oria della ,pittura 9 ,p]ugia4 ,foligno1 #ahie4 ,lupattelli1 ,a4 ,petit ,guide de ,pr\se4 ,p>is1 #ahie4 ,lee1 ,v]non4 ,9 ,umbria4 7,articles47 ,muntz1 ,e4 ,raphael4 ,translat$ by ,arm/rong4 ,london1 #ahhb4 ,muntz1 ,m4 ,la f9 de la ,r5aissance4 ,m>*esi4 ,il ,cambio di ,p]ugia4 ,prato1 #ahec4 ,mezzanotte4 ,della vita e delle op]e di ,pietro ,vannucci4 ,p]ugia1 #ahcf4 ,morelli4 ,italian ,pa9t]s 9 ,g]man ,gall]ies4 ,london1 #ahhb4 ,morelli4 ,italian ,pa9t]s1 ,vols4 i4 & ii4 ,london1 #ahib-c4 ,morelli4 ,della ,pittura ,italiana4 ,milan1 #ahig4 ,m>iotti4 ,lett]e ,pittori*e ,p]ug9e4 #aghh4 ,ors9i4 ,vita e ,elegio dell' egregio pittore ,p]ug9o e degli ,scol>i di esso4 ,p]ugia1 #ahjd4 ,pascoli4 ,vite de ,pittori ,p]ug9i4 ,passavant1 ,j4 ,d4 ,raphael d' ,urb9 et son pre4 ,app5dix1 #dde-dfa4 ,essai sur les ,pe9tres de l',ombrie4 ,p>is1 #ahfj4 ,poynt]1 ,sir ,e4 ,j4 ,classical & ,italian ,pa9t+4 #ahig4 ,phillips1 ,claud4 ,p]ug9o 9 ! ,portfolio4 ,london1 #ahic4 ,rio1 ,a4 ,f4 ,de l',art ,*rti54 ,p>is1 #ahgd4 ,ris1 ,clem5t ,de4 ,les ,muses de ,prov9ce de ,france4 ,ros9i4 ,/oria della ,pittura ,italiana4 ,pisa1 #ahdg4 ,rumohr4 ,itali5is*e ,=s*ung51 ii4 ,rossi1 ,a4 ,/oria arti/ica del ,cambio di ,p]ugia4 ,p]ugia1 #ahgd4 ,rossi-,scotti4 ,guida ,illu/rata di ,p]ugia4 ,p]ugia1 #ahgh4 ,rea1 ,hope4 ,tuscan ,arti/s4 ,london1 #ahih4 ,symonds & ,gordon4 ,/ory ( ,p]ugia4 ,london1 #ahih4 ,symonds1 ,j4 ,a4 ,italian ,byeways4 ,symonds1 ,j4 ,a4 ,sket*es & ,/udies 9 ,s\!rn ,europe4 ,symonds1 ,j4 ,a4 ,r5aissance 9 ,italy4 ,london1 #ahgg4 ,vas>i1 ,g4 ,delle ,vite de piu ,eccel5ti ,pittori4 ,fir5ze1 #aeej ,vas>i1 ,g4 ,mrs ,fo/]'s ,translation4 ,london1 #ahid4 ,vas>i1 ,g4 ,bla%field & ,hopk9's ,edition4 ,london1 #ahig4 ,v]miglioli4 ,memorie di ,b]4 ,p9turic*io4 ,vi>dot4 ,les ,m]veilles de la ,pe9ture4 ,p>is1 #ahgj4 ,woltman & ,wo]man4 ,hi/ory ( ,pa9t+4 #ahhj4 ,yri>te1 ,c4 ,isabella d',e/e et les arti/es de son temps4 ,,erratum ,! ,illu/ration fac+ page #ajj %\ld be describ$ z ,! ,beck=d ,alt>-piece1 & n z ,! ,s*iavone ,alt>-piece ( #aejg4 ,! ,s*iavone ,alt>-piece nam$ on pages #ii & #ajj is n illu/rat$ 9 ! volume4 ,g4 ,c4 ,w4 ,,p]ug9o ,,*apt] ,i ,,bir?1 ,,ma/]s1 ,,& ,,environm5t ,x is n q c]ta9 :5 ,pietro ,vannucci 7call$ f ! "n ( 8 adopt$ t[n ,p]ug9o7 0 born1 b ! place ( 8 bir? he himself ann\nces 9 8 signature4 ,probably 8 bir? took place 9 #addf or #addg at ! little t[n ( ,ca/ello della ,pieve1 n[ call$ ,citt della ,pieve1 z x 0 rais$ to ! dignity ( a city 9 #afja by ,clem5t ,,viii4 ,8 signature pres]ves1 9 ! words ,petrus de ,ca/ro ,plebis1 ! old] "n ( 8 bir?place4 ,vas>i gives 8 fa!r's "n z ,*ri/(ano1 & tells u t he 0 a poor man2 b ,m>iotti rem9ds,a 8 correspond5t t ! family1 al?\gh a poor "o1 0 n ( l[ condition1 z x _h enjoy$ ! rights ( citiz5%ip s9ce #adbg4 ,he also m5tions t "o ,pietro ,vannucci 0 9 #adbd a memb] ( ! ,guild ( ,/one-work]s1 & t 9 #adbh a memb] ( ! family sign$ himself pr\dly z citiz5 ( ,p]ugia4 ,x is probable t ,vas>i's /ory ( ! boy hav+ be5 br\ght into ,p]ugia at a t5d] age & put z %op drudge ) a pa9t] 9 t city is correct4 ,citt della ,pieve is n m ?an "s tw5ty-five miles f ,p]ugia1 & al?\gh ! t[n is ne> to ,*iusi1 yet ,p]ugia1 z ! capital ( ! di/rict ( ,umbria1 is ! m important place1 & to x naturally w\ld ! lad be tak54 ,vas>i speaks ( ! unkn[n pa9t] to :om ! y\?ful ,pietro ,vannucci 0 s5t z "o :o 0 n p>ticul>ly di/+ui%$ 9 8 call+1 b :o held ! art 9 great v5]ation & highly hon\r$ ! m5 :o excell$ !re94 ,x w\ld be v int]e/+ to "k ! "n ( ?is pa9t]1 z1 accord+ to ,vas>i1 he _h great influ5ce ^u ,pietro4 ,he did n cease1 ,vas>i cont9ues1 to set be=e ,pietro ! great advantages & hon\rs t 7 to be obta9$ f pa9t+ by all :o acquir$ ! p[] ( lab\r+ 9 x effectually1 & k9dl$ 9 ! m9d ( 8 pupil ! desire to become "o ( ^? ma/]s4 ,we ent] ^u a curi\s speculation :5 we beg9 to surmise ! "n ( ?is ma/]4 ,lanzi speaks ( an arti/ kn[n z ,pietro ( ,p]ugia1 b conjectures t ,niccol ( ,foligno 7kn[n also z ,niccol ,lib]atore1 & incorrectly z ,niccol ,alunno7 may h be5 ,p]ug9o's fir/ ma/]4 ,m>iotti atta*es mu* m importance to ! e>ly tea*+ ( ,bonfigli4 ,fanelli1 quot$ by ,lupattelli1,b speaks ( a poor & obscure y\? f ,citt della ,pieve 9 ! s*ool ( ,alunno receiv+ in/ruction f ,niccol ,alunno & becom+ ev5tually ! immortal ,p]ug9o1 ma/] ( ,raffaello4 ,cr[e & ,cavalcaselle take ,bonfigli z ?is e>ly ma/]1 :ile lat] writ]s1 notably ,mr4 ,b]5son1 atta* f> m importance to ! tra9+ ( ,fior5zo di ,lor5zo4 ,leav+ out ( consid]ation = a space ! "q ( :at ,p]ug9o le>n$ f ,pi]o della ,francesca & 9 ! botegas ( ,flor5ce1 x maybe well to briefly glance at ! influ5ces already nam$4 ,niccol da ,foligno 0 p]haps ! orig9ator ( ! s*ool ( ,umbrian pa9t]s 9 :i* ,p]ug9o !reaft] took s important a place4 ,he 0 cle>ly a pupil ( ,b5ozzo ,gozzoli1 :o d]iv$ 8 tra9+ f ,beato ,angelico2 b into ! sweetness1 h>mony1 & t5d] feel+ ( ^! e>li] ma/]s ,niccol =c$ a fi]c] _s1 an uncompromis+ realism1 :i* is at times almo/ pa9ful 9 its /ress4 ,niccol 0 a man ( =ceful _s1 e>ne/ & p[]ful1 & ) a c]ta9 dry te*nique & rigid def9ition t is 9 full accord ) ! p5etrat+ _s t compos$ ! pictures4 ,foligno is q close to ,p]ugia1 & !re is no difficulty 9 realis+ ! pres5ce ( ,niccol at times 9 t city4 ,8 influ5ce is m>k$ 9 ,p]ug9o's e>ly "w1 b x does n /& alone1 & has associat$ ) x *>act]i/ics t c\ld n h come f ! ,folignate botega4 ,bonfigli 7,b5$etto ,buonfiglio71 to :om ,vas>i once ref]s at ! conclusion ( 8 life ( ,p9turic*io1 0 ! prom95t pa9t] ( ,p]ugia4 ,he 0 greatly e/eem$ 9 t city1 & s l>gely conf9$ 8 lab\rs to 8 native place t ev5 n[ x is impossible1 save 9 ! gall]y ( t city1 to ga9 any?+ l an adequate k ( 8 art4 ,x 0 n1 h[ev]1 f ,bonfigli t we consid] ! /rong influ5ce came t affect$ ,p]ug9o's "w4 ,mu* ( ,bonfigli's "w 0 q beautiful2 !re is a fasc9at+ grace ab\t _m ( 8 figures2 !re is a t5aci\s hold ^u ! laws ( p]spective1 ri*1 v>i$1 & *>m+ col\r+1 & a g5]al pleas+ result 9 composition & 9 effect4 ,!re is1 h[ev]1 little virile =ce1 v slight dep? ( feel+1 &1 above all1 an abs5ce ( ! op5 space :i* is s *>act]i/ic ( lat] ,umbrian art1 & :i* has su* a wondr\s effect 9 ! pictures ( ! great ,umbrian arti/s4 ,bonfigli's pictures are cr[d$1 ,p]ug9o's nev] 7 cr[d$4 ,bonfigli's are illu/rations1 records1 decorative effects ev] full ( figures1 & ( detail1 & ) ! beauty ( c]ta9 s+le faces or sep>ate gr\ps swamp$ by ! cr[d ( ord9>y objects4 ,p]ug9o's pictures1 :atev] may be _! faults1 nev] des]ve ?is condemnation4 ,fior5zo di ,lor5zo on ! contr>y1 mu/ c]ta9ly h be5 a ma/] f :om ,p]ug9o receiv$ no slight influ5ce4 ,once aga9 x is ne$ful to g to ,p]ugia 9 ord] to /udy ! works ( ?is arti/1 z away f ! hill-top city ! pictures ( ,fior5zo di ,lor5zo1 are few & f> betwe54 ,9 ,engl& !re is "o t is notewor?y1 a ,virg9 & ,*ild1 belong+ to ,mr4 ,george ,salt+4 ,9 ! works ( ?is arti/ we are at once /ruck by ! alo(ness t di/+ui%$ ,p]ug9o4 ,s+le figures /& ap>t "o f ! o!r1 ea* slightly connect$ z by a ?read ( ?\ght1 & simil>ly ea* ) ! c5tral feature ( ! picture1 b 9 e o!r way self-conta9$4 ,"h aga9 are ! placid ,umbrian l&scapes ) :i* lat] on we %all become s famili>1 & ! tall sl5d] y\?s & sweet wom5 full ( t5d] grace1 t make _! fir/ appe>ance 9 ,umbrian art4 ,!re is a grace & *>m 9 ! "w ( ,fior5zo di ,lor5zo1 t is f> remov$ bo? f ! fi]ce tru? ( ! ,folignate's pictures & f ! cr[d$ /ress ( ,bonfigli1 & ^? panels t tell ! /ory ( ,b]n>d9o 9 ! ,accademia at ,p]ugia1 & :i* repres5t ! arti/ at 8 v be/1 are possess$ ( a fasc9ation bo? 9 l9e1 9 col\r+1 & 9 movem5t t are impressive to ! highe/ degree4 ,occasionally ! arti/ 0 able to atta* two or m ( 8 figures to "o ano!r by a ge/ure or a movem5t t =m$ a di/9ct & noticeable l9k2 b x 0 left = ,p]ug9o to /ill fur!r develop ?is p[] & to l9k 8 figures "o by "o into a s+le gr\p :5 he s desir$1 or at 8 w to keep !m alo( "o f ! o!r1 & to ! successors ( ,p]ug9o to complete ?is p[] :i* ,fior5zo s slightly comm5c$ & :i* ,p]ug9o s greatly improv$4 ,9 ano!r way c be se5 ! influ5ce ( ,fior5zo di ,lor5zo4 ,! typical ,umbrian l&scapes :i* are s important a feature 9 ,p]ug9o's pictures fir/ make _! appe>ance 9 ! works ( ?is arti/4 ,! special treatm5t ( ! l&scape w be ref]r$ to 9 full] detail lat] on2 b we may "h m5tion t ^? expansive broad l&scapes1 ) di/ant hills ba!d 9 a blue mi/ & reveal+ long /ret*es ( level f]tile l& on ei!r side1 ) s+le trees1 /&+ silh\ett$ aga9/ ! sky1 :i*1 l a va/ ar* ( blue1 frames 9 ! lovely sc5e1 are notewor?y 9 ,fior5zo's pictures4 ,f9ally1 !re is ! pale gold5 sunlight to be se5 9 8 works1 a sunlight :i* ba!s all purely ,umbrian art1 b :i* does n appe> to any m>k$ ext5t 9 ! works ( ! ,foligno s*ool4 ,hav+ n[ briefly glanc$ at ! lead+ *>act]i/ics ( ^! arti/s1 x w be well to exam9e ! "w ( "o :o 0 f> great] ?an ei!r ( ^? already nam$1 & ^: influ5ce on ,p]ug9o is v m>k$4 ,i allude to ,pi]o della ,francesca4 ,:e!r1 z ,morelli sugge/s1 ,p]ug9o j\rney$ to ,arezzo1 :]e ,pi]o 0 at "w1 & aid$ him 9 8 "w1 or plac$ himself "u 8 tuition1 or :e!r ,p]ug9o met ,pi]o at ,borgo ,san ,sepolcro or 9 ,p]ugia1 is immat]ial4 ,x w suffice to und]/& t1 some:]e ne> at home1 & 9 ! e>ly days ( 8 tra9+ be=e ,p]ug9o j\rney$ to ,flor5ce1 ! two m5 mu/ h met1 & ,p]ug9o le>n$ mu* f ! ,tuscan-,umbrian ma/] & pr(it$ l>gely by 8 in/ruction4 ,"o ( ! ma9 features ( ,pi]o's art 0 8 accurate k ( p]spective4 ,he 01 above all1 a ma!matician1 well v]s$ 9 ari?metic & geometry1 & ! au?or ( sev]al treatises on ! sci5ce4 ,he rejoic$ 9 complicat$ problems ( p]spective1 9 long vi/as ( columns /ret*+ away into ! f> di/ance1 9 my/]i\s holl[s1 9 exquisite alcoves1 curves1 & embrasures1 9 ! p]fectly accurate draw+ ( ro(s & rooms1 & 9 ! gr\p+ ( 8 figures 9 su* geometric array & su* c>eful rec$+ proportion z made cle> ! *>m t su* ma!matical arrangem5ts _h ov] ! m9d ( ! arti/4 ,!re are1 h[ev]1 o!r *>act]i/ics ( ,pi]o's "w1 t mu/ be c>efully not$ 9 mak+ a survey ( 8 /yle4 ,!re is a wond]ful gravity & solemnity ab\t 8 figures1 a preoccupi$ look 9 mo/ ( _! faces1 & we trace also ! v beg9n+ ( t p[] already m5tion$1 ( l9k+ figure to figure & gr\p to gr\p4 ,c]ta9ly1 9 ! long processions t =m s ess5tial a "p ( ! frescoes at ,san ,francesco 9 ,arezzo1 !re is a c]ta9 connection runn+ ?r\gh ! gr\p ( figures :i* are arrang$ 9 processional ord] especially 9 ! ,visit ( ! ,que5 ( ,%eba1 ! ,inv5tion ( ! ,cross1 & ! ,exaltation ( ! ,cross1 b individually ! figures compos+ ^! gr\ps are sep>ate & di/9ct f "o ano!r1 engag$ 9 _! own conc]ns & hold+ no conv]se "o ) ! o!r4 ,9 ^! respects x 0 left = ! lat] m51 beg9n+ ) ,p]ug9o1 to pull ! picture toge!r & make x "o h>moni\s :ole4 ,:5 to ?is alo(ness1 ?is curi\s want ( sympa?y betwe5 ! c5tral gr\p or sc5e 9 ! picture & all ! att5dant gr\ps or figures1 we add a sev]e abs5ce ( emotion1 an impassiv5ess 9 ! faces ( all ! figures1 toge!r ) a simple dignity ( /yle & a p[] ( del9eation t is v attractive1 we beg9 to und]/& ,pi]o della ,francesca4 ,he nev] consid]$ :e!r ! faces ( 8 figures 7 specially suit$ to ! gr\p 9 :i* he us$ !m4 ,he is q unmov$ by any ideas t ! spectator may h z to fitness 9 ! picture1 & he nev] reveals 8 own views z to ! sc5e & its appropriate pres5tation4 ,rage1 pity1 scorn1 amazem5t1 jeal\sy1 passion1 or ev5 ! dep? ( devotion1 are no "p ( ,pi]o's rep]toire1 b a quiet self-conta9$ hauteur1 a le>n$ solemnity1 & a religi\s calm *>act]ise 8 figures1 bo? m5 & wom54 ,!re is abundance ( dignity1 /ately =m1 e>ne/ b impassive det]m9ation1 b1 ev5 9 ! battle sc5es1 no?+ ( ! ,/urm und ,drang :i* w\ld h be5 expect$4 ,all ^! *>act]i/ics _h direct influ5ce ^u ,p]ug9o1 b ev5 beyond !m c be se5 o!r m>ks ( ?is ma/]'s tuition4 ,! fanta/ic head-dresses t are to be se5 9 ,pi]o's frescoes f9d _! c\nt]p>t 9 ! frescoes ( ! ,cambio2 ! v same s*eme ( composition 9 ,! ,resurrection ( ,*ri/ 9 ! ,borgo ,san ,sepolcro ,gall]y is to be se5 9 "o ( ,p]ug9o's pictures2 & ! long vi/as ( ar*es & c>eful geometric proportion & ! absolutely accurate draw+ ( ar*es & columns are to be equally realis$ 9 ,pi]o's picture 9 ! ,gall]y at ,p]ugia & 9 ,p]ug9o's alt>-piece 9 ! ,villa ,albani4 ,ev5 9 ! %ape ( ! h&1 ! cle> cameo-l pr(ile ( ! faces1 & ! detail ( ! fea!rs on ! angels' w+s1 ! relation%ip betwe5 ^! pa9t]s is m>k$1 & comp>ison betwe5 ! frescoes at ,arezzo & ! pa9t+s 9 ! ,accademia w be f\nd to reveal ^! & o!r po9ts ( close contact4 ,9 ^! e>ly days ( ,p]ug9o's life1 x is !re=e to ! influ5ce ( ,niccol ,lib]atore1 ( ,fior5zo di ,lor5zo1 &1 above all1 ( ,pi]o della ,francesca1 t we attribute ! gr[? ( 8 art & ! success ( 8 lat] life4 ,"o m arti/ he mu/ h met 9 ^! days1 z ,luca ,signorelli1 :o 0 "s five ye>s 8 s5ior1 0 probably at ,arezzo ) ,pi]o della ,francesca4 ,c]ta9 pictures ( ,p]ug9o1 notably ! ,crucifixion1 at ,la ,calza1 & ! simil> sc5e pa9t$ ar\nd a c>v$ crucifix n[ at ,p]ugia1 ! ,piet 9 ! ,accademia1 & ! ,love & ,*a/ity 9 ,p>is1 betray 9 _! vig\r1 h>dness1 & movem5t "s ( ,signorelli's influ5ce1 an influ5ce t only occasionally 0 to be se5 9 ! great ,umbrian ma/]4 ,morelli,c consid]s t ,p]ug9o's j\rney to ,flor5ce aft] 8 ,p]ugian tra9+1 ( :i* ,vas>i speaks1 took place 9 #adgj1 at :i* "t ,p]ug9o w\ld be ab\t tw5ty-five ye>s old4 ,8 "n is record$ 9 ! roll ( ,/4 ,luke 9 #adgb1 & 9 ! roll ( ! ,physicians 9 #adii4 ,vas>i /ates t x 0 to ,v]roc*io t he w5t4 ,lanzi & ,ors9i confirm ?is2 ,morelli gravely d\bts x2 ,re/a di/9ctly d5ies x2 ,b]5son rejects x2 & c]ta9ly !re is b little trace ( su* a tutor 9 ,p]ug9o's "w4 ,9 ! ,baptism at ! ,accademia1 :i* is an absolutely au!ntic picture1 al?\gh p]haps p>tly ! "w ( ,leon>do1 & 9 ! ,madonna & ,*ild 9 ! ,uffizi1 also attribut$ to ,v]roc*io1 we f9d no?+ t w\ld appe> to h influ5c$ ,p]ug9o1 or t c be recall$ by 8 "w1 b if ! magnific5t bronze panel 9 ! ,c>m9e ,*ur* at ,v5ice is accept$ z ! "w ( ,&rea del ,v]roc*io !n !re is evid5tly a feel+ 9 ?is "w su* z ,p]ug9o w\ld naturally h appreciat$1 & :i* does appe> _m times 9 pictures by ! ,umbrian ma/]4 ,! position ( ! ,*ri/ on ! gr\nd1 & t ( ! wom5 :o b5d ov] ,him1 ! sil5t m$itative devotion ( ! two m5 & ( ! *ild :o kneel on ! "r1 ! attitude1 w+s1 drap]y1 & movem5t ( ! fly+ angels1 & _! v position ) reg>d to ! cross1 all f9d answ]+ e*oes 9 ,p]ug9o's "w t are unmi/akable 9 _! cle>ness4 ,:at is1 h[ev]1 ( special importance to notice at ?is juncture is t ,p]ug9o did n g to ,flor5ce 9 #adgb z a m]e pupil or s*ol>4 ,"y 9 ye>s z he und\bt$ly 01 he mu/ h also be5 mature 9 exp]i5ce & 9 k2 = o!rwise x is inconceivable t s sagaci\s a ,pontiff z ,sixtus ,,iv4 %\ld h s5t = him eight ye>s aft]w>ds & engag$ him ^u "w 9 ! ,si/9e ,*apel4 ,vas>i specially /ates t ! invitation 0 giv5 because ( ,p]ug9o's great fame ?r\gh\t ,italy1 & x is cle> t a reque/ to "w side by side ) su* m5 z ,ghirl&ajo1 ,cosimo ,rosselli1 & ,botticelli 0 s high a complim5t t x w\ld n be giv5 to "o :o 0 m]ely a /ud5t 9 ,v]roc*io's botega4 ,!re is no "q ab\t ! date ( ?is invitation1 z ! orig9al contract betwe5 ! ,holy ,fa!r & ! arti/s has be5 publi%$1 & x conta9s an und]tak+ to furni% t5 /ories betwe5 ,octob] #bg1 #adha1 & ,m>* #ae1 #adhb4 ,prior to ^! dates we he> ( two o!r works execut$ by ,p]ug9o4 ,! e>lie/ ( all is record$ by ,milanesi 9 8 notes to ! life 9 ,vas>i4 ,he /ates t 9 #adge ,p]ug9o 0 commission$ to pa9t c]ta9 frescoes 9 ! ,palazzo ,publico 9 ,p]ugia2 b ( ^! works n a trace rema9s1 & !re is no evid5ce to support ! le>n$ au?or's /atem5t,d ,milanesi1 moreov]1 fur!r records ! fact t 9 #adgh ,p]ug9o work$ at ,c]queto1 pa9t+ "s frescoes 9 a *apel !re1 & "o solit>y figure ( ,san ,seba/ian be>+ t date only n[ rema9s out ( ! entire decoration4 ,illu/ration3 ,private ,photo ,c]queto ,,sa9t ,,seba/ian1 #adgh ,to ?is int]e/+ figure1 ! e>lie/ kn[n "w ( ! ma/]1 a ref]5ce w be made lat] on :5 consid]ation is giv5 to o!r repres5tations ( ! same sa9t1 b a record mu/ "h be made to ! ,foligno1 & to ! ,signorelli influ5ce t ?is figure betrays4 ,9 direct tru? ! figure might well be ! "w ( ,niccol ,lib]atore1 & is conceiv$ on ! l9es ( 8 s*ool4 ,9 n]v\s1 t5se muscul> repres5tation1 & 9 ! movem5t ( ! limbs1 x is /rik+ly ,signorellesque1 & ! realism ( its w\nds bespeaks ! same *>act]i/ic2 b ! silky treatm5t ( ! sk91 ! r\ndness ( ! limbs1 ! upturn$ pite\s face1 ! locks ( hair1 ! extraord9>ily exagg]at$ size ( ! great toe1 &1 above all1 ! intricate puck]$ folds ( ! drap]y1 are ,p]ug9o's & ,p]ug9o's alone4 ,! pa9t+ ( ! drap]y :i* becomes a mann]ism1 & "o ( ! mo/ accurate ( te/s "h 9 ! v e>ly days ( ! arti/1 takes c]ta9 def9ite =ms1 & ! d>k holl[s & curi\s hook-l folds are to be se5 9 ?is ,san ,seba/ian1 n c]ta9ly z freely b q z def9itely1 z !y appe> 9 lat] days4 ,! picture is b a fragm5t ( :at mu/ h be5 an important fresco1 b x is eloqu5t ( bett] "w to come1 & %[s promise ( ma/]ly execution t only ?ree ye>s aft]w>ds 0 to be reveal$ at ,rome 9 ! ,si/9e ,*apel4 ,no o!r "w exi/s to bridge ov] ! "t betwe5 ,p]ug9o's e>ly tra9+ 9 ,umbria1 8 soj\rn 9 ,flor5ce1 & 8 return z a well-kn[n arti/ to ! t[n & neighb\rhood ( ,p]ugia1 al?\gh !re is said to be a picture ne> ,naples dat$ #adfj1 b ! date is probably apocryphal4 ,9 ,flor5ce ! arti/ w\ld probably h met ,leon>do da ,v9ci & ,lor5zo di ,cr$i4 ,if he att5d$ at ,v]roc*io's /udio he c]ta9ly w\ld h met !m4 ,9 ,flor5ce also1 ,re/a tells u1 he /udi$ ,masaccio's "w1 & we may be q sure he us$ e endeav\r to p]fect himself 9 8 art2 & x is to ?is p]iod ( resid5ce t ,giovanni ,santi ref]s 9 8 (t quot$ l9es3 ,due giov9 p> d'etate e p> d'amori ,leon>do da ,v9ci e ,p ,p]us9o ,pi] della ,pieve4 --,two y\?s alike 9 age & love ,leon>do di ,v9ci & ! ,p]ugian ,pet] ( ,pieve4 ,he is m5tion$ 9 ,flor5ce 9 #adij 9 "o ( ! books relat+ to ! ,ca!dral1 & !re is a /ory ( 8 hav+ be5 f9$ = fight+ 9 ,flor5ce 9 #adhh4 ,9 ! only picture t rema9s to u ( ! s]ies execut$ by ,p]ug9o 9 ,rome = ,sixtus ,,iv4 we see ! result ( all ?is ,flor5ce tra9+1 b we are also confront$ at once by ! great *>act]i/ic ( ! ,umbrian s*ool--free op5 space4 ,9 consid]+ ?is great feature1 ! mo/ notewor?y *>act]i/ic ( ,umbrian art1 x is impossible to avoid ref]5ce to ,mr4 ,b]nh>d ,b]5son's pages & to 8 def9ition ( :at he t]ms space composition1 :i* he def9es 9 ?is way3 ,space composition diff]s f ord9>y composition 9 ! fir/ place mo/ obvi\sly 9 t x is n an arrangem5t to be judg$ z ext5d+ only lat]ally1 or up & d[n1 on a flat surface1 b z ext5d+ inw>ds 9 dep? z well4 ,x is composition 9 ?ree dim5sions & n 9 two1 9 ! cube & n m]ely on ! surface4,e ,f>!r on he rem>ks3 ,?is art comes into exi/5ce only :5 we get a s5se ( space n z a void1 z some?+ m]ely negative su* z we cu/om>ily h1 b on ! contr>y z some?+ v positive & def9ite1 able to confirm our consci\sness ( be+1 to height5 our feel+ ( vitality4 ,x is ! wond]ful art ( space compositions :i* s di/+ui%es ,p]ug9o f 8 ,si/9e ,*apel days d[n to ! end ( 8 life4 ,! p[] is s well express$ by ,mr4 ,b]5son t no?+ is ne$$ to fur!r def9e x b he /ill fur!r emphasises space composition :5 he /ates t x is an intr9sically religi\s art capable ( communicat+ ! religi\s emotion & able to awak5 9 ^? :o look$ at ! pictures a consci\sness ( pref]5ce = a life holy & ref9$4 ,9 ?is fir/ great picture ,*ri/ giv+ ! ,keys to ,/4 ,pet]1 all ! p[] ( ?is m>vell\s capability is at once app>5t4 ,x produces a s5se ( va/ness1 ( spaci\sness1 ( broad1 free1 op5 air enclos$ only by ! blue ar* ( ,heav51 & !re=e ga!rs up & reta9s all ! high] emotions ( ! spectator4 ,!re are ! gr& figures 9 ! =egr\nd1 maje/ic & wond]ful 9 _! dignity2 beyond !m are o!rs 9 ! rec$+ di/ance1 small] & small] z ! eye notes ! va/ di/ance express$ 9 ! picture4 ,9 ! c5tre rises ! wond]ful temple4 ,bramantesque & /ately1 & beyond x1 disappe>+ away into ! horizon are ! ev]la/+ hills t b\nd & yet seem to ext5d ! broad space ( ! ,umbrian l&scape ! utmo/ di/ance ( :i* is lo/ 9 ! blue haze ( ! sky4 ,! two triumphal ar*es at ! sides s]ve to emphasise ! great space t ! picture embraces & ! effect is t ( gaz+ ?r\gh an op5 w9d[ 9 ,p]ugia or at ,montefalco4 ,!re is no s5se ( cr[d+1 ! space is s va/ t ! populace ( a c\ntry c\ld n cr[d x1 & ! air circulates 9 & ar\nd e gr\p & s]ves to give ! great] ple9-air *>m4 ,!re is a soo?+ quiet ab\t ! :ole1 a self-re/ra9t & a /illness1 & ev5 ?\gh figure /&s ap>t f figure & ea* "o h>dly notices ! o!r1 yet !re is a f9e ?read ( common int]e/ to be se5 connect+ ! :ole ( ! =egr\nd gr\p & l9k+ ! spectators to ! two c5tral p]sons1 ,*ri/ & ! ,f\ndation ( ,8 ,*ur*4 ,illu/ration3 ,al9>i photo ,si/9e ,*apel1 ,rome ,,! ,,deliv]y ,,( ,,! ,,keys ,,to ,,/4 ,,pet] ,x is well :5 m5tion+ ?is great picture to /ate z a p]sonal op9ion t x is n possible to appreciate ,p]ug9o adequately1 or ev5 to und]/& him prop]ly1 )\t a visit to ,umbria itself4 ,! c\ntry diff]s s mu* f o!r p>ts ( ,italy t m]e comp>ison ) p>ts bett] kn[n is useless1 b :5 once ! /ud5t has soj\rn$ 9 ! c\ntry ! *>m ( its l&scape is felt & und]/ood4 ,!re is a va/ness ab\t its op5 spaces1 an imm5sity ( view1 b\ndless & yet enclos$1 t mu/ be se5 to be und]/ood4 ,to l+] on ! =tifications ( ,montefalco1 to look out f ! public squ>e ( ,trevi1 to w&] along ! road t divides ,san ,girolamo f ,spello1 to drive along ! pla9s ( ,foligno1 to /ay at ,n]vi1 ,d]uta1 or ,bettona1 to gaze out ov] ! pla9s ar\nd ,assisi1 or to appreciate ! wond]l& t is mapp$ out ar\nd l(ty ,p]ugia--all ^! are s _m lessons to ! "r und]/&+ ( ,p]ug9o4 ,away & away 9 ! roll+ di/ance are ^? va/ pla9s1 n flat surfaces1 b a luxuriant c\ntry-side1 irregul>ly m>k$ by ! cont\rs ( hills & valleys1 dott$ ) t9y =tifi$ t[ns cr[n+ ea* its own hill & look+ d[n ^u its neighb\r4 ,great :ite w9d+ roads me&] hi!r & ?i!r1 s+le trees /& out 9 %>p tall silh\ette aga9/ ! int5se blue ( ! sky1 & ar\nd z f> z eye c rea* /ret* ! half-hidd51 half-reveal$ m\nta9s clo!d 9 a purple haze :ile ! gold5 gl>e ( sunlight ba!s all ! int]v5+ space 9 its my/ic light1 t++ ) gold ! v grass ( ! fields1 ! grey drab ( ! roads1 ! ruddy br[n ( ! build+s1 & ! radiance ( ! di/ant t[]s & h\ses4 ,all ! ,umbrian arti/s felt ! *>m ( ?is sc5]y1 b no "o save ,p]ug9o s fully & s consi/5tly express$ x4 ,x is 9 all 8 works1 & z "o gazes out ^u ?is buoyant spaci\sness ( view1 ! wondr\s creatures ( 8 conceptions1 holy wom51 sa9ts1 prophets1 apo/les1 religi\s guilds1 pray+ populace1 seem once m to p ! e>?1 & away 9 ! et]nal immeasurable sky c be se5 ! ,assumption1 ! angels1 ! m&orla ( *]ub faces1 ! com=t+ s]aphim & ! gl[+ *]ubim1 z ,p]ug9o saw !m1 & ! sky is aga9 ! sc5e ( ! glories :i* fai? enabl$ ,p]ug9o to visualise & depict4 ,x is ! k ( 8 own c\ntry & ! wond]ful p[] ( space composition t m>ks ,p]ug9o's pictures s emphatically z to enable u to det]m9e t ! ,deliv]y ( ! ,keys to ,/4 ,pet] is ! only fresco f ! ma/]'s h& 9 ! ,si/9e ,*apel4 ,x 0 ,morelli :o fir/ po9t$ out t ,cr[e & ,cavalcaselle 7 9 error 9 attribut+ ,moses & ,zipporah & ! ,baptism ( ,*ri/ to ,p]ug9o1 & ,i accept 8 tea*+ 9 ?is matt] q readily4 ,a c>eful /udy ( ! ,si/9e frescoes has conv9c$ me t ,morelli 0 "r & ,cr[e & ,cavalcaselle wrong4 ,ev5 ! two c5tral figures 9 ! disput$ ,baptism1 ^? ( ,*ri/ & ,/4 ,john1 :i* are comp>$ ) ! two simil> figures 9 ! pr$ella at ,r\51 :i* is und\bt$ly au!ntic1 & ) ! same sc5e 9 ! ,national ,gall]y1 :i* ,i consid] a copy only ( ! ma/]'s "w1 betray ! h& ( ,p9turic*io r ?an t ( ,p]ug9o4 ,9 ! fresco at ,rome1 ! two figures are cr[d$ closely toge!r2 ! arm ( ,our ,"l almo/ re/s on ,/4 ,john's head1 ! face ( ! sa9t is weak & feeble1 ! limbs are sk9ny & badly drawn1 !re is no s5se ( security 9 ! feet1 ! h&s are out ( proportion & ! drap]ies entirely lack ! hook folds ( ,p]ug9o1 & are loose & inadequate4 ,above all1 nei!r figure /&s ^u its two feet2 9 ! case ( ! ,*ri/ "o foot alone supports ! :ole body1 a mi/ake t ,p]ug9o nev] makes4 ,! :ole picture is cr[d$ ) figures & hemm$ 9 ) hills4 ,x is pictorial c]ta9ly1 & effective1 b x entirely lacks ! spaci\sness ( ,p]ug9o4 ,!re is a feel+ ( cru% & cr[d su* z ,p]ug9o nev] gives1 & a total abs5ce ev5 9 ! l&scape ( t ext5sive vi/a ( sc5]y1 t bread? ( treatm5t :i* is s important4 ,ev5 ! repres5tation ( ! ,et]nal ,fa!r )9 ! m&orla ( *]ubs & att5d$ by angels is n plac$ high up 9 ! illimitable a]ial space1 b almo/ t\*es a neighb\r+ hill1 & s]ves b to ov]fill ! picture & make its cr[d$ composition a we>isome burd54 ,comp>e = a mom5t ! pr$ella at ,r\54 ,! two c5tral figures /& ap>t "o f ! o!r1 & !re=e /& out cle>ly & di/9ctly1 :ile yet ne> en\gh = _! mutual actions to be closely connect$4 ,!y /& firmly & well balanc$ on _! feet1 ! slight exagg]ation ( "o ( ,/4 ,john's feet1 be+ due to an accurate und]/&+ on ,p]ug9o's "p ( ! di/ortion app>5tly giv5 to ! limb by its be+ bel[ ! surface ( ! wat]4 ,ar\nd are ! kneel+ angels & att5dant figures1 eight only 9 numb]1 c>efully graduat$ 9 size accord+ to position1 alo(1 s]i\s1 quiet1 & /ill4 ,away & beyond is ! roll+ l&scape1 ) its exquisite hills & da9ty deta*$ trees /&+ out cle> aga9/ ! sky4 ,on & on ! eye travels1 eag] to rea* ! limits ( ?is limitless vision1 & impress$ m & m by ! skill t pa9t$ 9 s t9y a compass s va/ a sc5e4 ,above is ! sky free f any cr[d ( spirits1 & rea*+ up to unimag9$ heights4 ,"h is und\bt$ly ,p]ug9o's "w2 b at ,rome we see m]ely a clev] ov]cr[d$ picture1 an illu/ration simply1 & mo/ evid5tly ! "w ( ,p9turic*io4 ,?ree o!r frescoes 9 ?is *apel ,p]ug9o did und\bt$ly pa9t = ,sixtus ,,iv41 cov]+ ! ea/]n wall4 ,!y depict$ ! ,assumption1 into :i* he introduc$ ! kneel+ figure ( ! ,pope1 ! ,nativity1 & ! ,f9d+ ( ,moses1 b all ^! works 7 swept away dur+ ! ,pontificate ( ,pope ,paul ,,iii4 to make way = ! trem5d\s "w ( ,mi*el ,angelo1 ,! ,la/ ,judgm5t4 ,x is inf9itely to be regrett$ t no replica ( ^! frescoes 0 reta9$1 z ! ,deliv]y ( ! ,keys is s sup]b a composition1 t x b increases ! desire ( ! spectator to "k :at ,p]ug9o's o!r frescoes 7 9 ! same *apel4 ,! paym5t = ! frescoes 9 ! ,si/9e ,*apel 0 n au?oris$ till ,augu/ #h?1 #adhi1 z ,m>iotti,f records t at t "t ,p]ug9o 0 entitl$ to draw on ! ,apo/olic cam]a at ,p]ugia = #ahj ducats1 be+ ! balance ( money due = pictures 9 ! ,apo/olic *apel4 ,on ! #e? ( ,m>* #adij ,p]ug9o gave a receipt 9 ,p]ugia = t money4 ,illu/ration3 ,petiton photo ,r\5 ,,! ,,baptism ,,( ,,*ri/ 7,a pr$ella panel f ! ,san ,pietro 7,p]ugia7 alt>-piece7 ,,footnotes3 ,a ,m>iotti1 ,lett]e ,pittori*e ,p]ug9e1 #aghh1 v4 #aba4 ,b ,/oria della ,pittura1 ,a4 ,lupattelli4 ,foligno1 #ahie4 ,c ,italian ,pa9t]s1 ii4 #ajg4 ,d ,ea/lake1 h[ev]1 ref]s to a picture pa9t$ = ,luca degli' ,albizzi = :i* ! arti/ 0 paid #ajj gold cr[ns4 ,at ?is "t1 x 01 he says1 9 ! ,palazzo ,albizzi1 & he says x 0 execut$ prior to #adgh1 z 9 t ye> ,luca1 :o 0 9 ! ,pozzi conspiracy1 0 exil$ = tw5ty-five ye>s4 ,?is picture _c n[ be trac$4 ,e ,c5tral ,italian ,pa9t]s ( ! ,r5aissance1 #if4 ,f ,m>iotti1 p4 #aej4 ,,*apt] ,,ii ,,e>ly ,,days ,!re are ?ree pictures1 "o ( :i* is especially nam$ by ,cr[e & ,cavalcaselle1 :i* seem to belong to ! e>ly days ( ,p]ug9o4 ,n t !y %\ld be ascrib$ to ! ,c]queto p]iod1 or to ! ,si/9e ,*apel "t1 b x is probable t !y 7 pa9t$ betwe5 #adhj1 :5 ! ma/] 0 9 ,rome1 & #adia1 :5 he produc$ on 8 second j\rney to ! ,et]nal ,city ! magnific5t alt>-piece n[ 9 ! ,villa ,albani4 ,cr[e & ,cavalcaselle ref] to ! tondo 9 ! ,l\vre1 & to x we add ! some:at simil> "w at ,v]ona & ! ,baptism at ,vi5na4 ,!re is a c]ta9 immaturity 9 ^! ?ree pictures1 a /ra9+ aft] effect1 a poorness 9 col\r+1 & a rigidity 9 ! drap]ies1 toge!r ) a niggl+ te*nique1 ) h>d tight outl9es1 t 0 to give place s spe$ily to f> m bread?4 ,at ! same "t1 ?us e>ly1 if my surmise z to date is correct1 c be se5 ! *>act]i/ics ( ,p]ug9o4 ,all ?ree pictures are full ( ple9-air effect1 ! "o at ,v]ona especially4 ,! gr\p 9 ,p>is ( ,madonna & ,*ild ) two sa9ts & two angels is a little cramp$ & cr[d$4 ,! ,v]ona "o omits ! two sa9ts & introduces z ano!r *ild ,/4 ,john ,bapti/4 ,9 ! ,vi5na ,baptism1 :i* has be5 repa9t$ 9 places1 !re is a h>dness 9 ! drap]ies1 a /iffness 9 ! att5dant figures1 & an unf9i%$ "* to ! l&scape2 b 9 ea* ( ! ?ree !re is sweetness1 calm1 & devotion1 & !y m>k ! beg9n+ ( q a new movem5t 9 ,italian art4 ,x w be notic$ t bo? 9 ,p>is & ,v]ona ! "u drap]ies are regul> & h>d 9 _! pleat+1 t ! head-dresses are m]ely conv5tional & /iffly angul> & t ornam5ts1 decoration1 & jewell]y h receiv$ an am\nt ( f9e labori\s detail "w1 :i* r5d]s !m some:at too conspicu\s1 & %[s t ! arti/ _h n yet realis$ ! s5se ( proportion 9 ! v>i\s p>ts ( 8 pictures t di/+ui%$ him lat] on4 ,f consid]ation ( ^! ?ree pictures1 rem>kably int]e/+ & ?or\ghly typical z !y are ( ! new s*ool ( "w j unfold+1 x w be well to pass on to m def9ite gr\nd & consid] "s dat$ pictures :i* foll[ 9 due c\rse4 ,!re is an amus+ /ory 9 ,m>iotti respect+ "o ma/]piece t %\ld be m5tion$ "h4 ,! ,priori ( ,p]ugia desir$ to h an important alt>-piece = _! ,capella dell' ,magi/rato1 & 9 ! pr$ella ( ! picture1 or else introduc$ into ! alt>-piece itself1 7 to be ! portraits ( ! wor?y ,priori4 ,a local arti/1 "o ,pietro di ,mae/ro ,galeotto1 0 select$ = ! "w1 & on ! #g? ( ,june #adgi a contract 0 made ) him = x1 ! price to be #bjj flor9s1 & ! picture to be complet$ 9 two ye>s "u a f9e = non-compliance ( #ej gold5 ducats4 ,galeotto f "t to "t drew paym5ts on acc\nt f ! ,priori1 & ?ree ye>s pass$ away & yet !re 7 no signs ( ! alt>-piece & no m5tion ( ! f9e4 ,on ,june #bi?1 #adhb1 ano!r ye>'s grace 0 grant$ to ,galeotto on ! plea t !re _h be5 "s contagi\s disease 9 ,p]ugia & he _h /ruck "w & abs5t$ himself2 b 9 ,may #adhc ,galeotto di$1 :e!r f ?is plague or n is n record$1 b :5 inquiry 0 made ( 8 heirs z to ! picture no?+ c\ld be f\nd ( x b ! frame4 ,%ortly aft] ?is "t ,p]ug9o visit$ ,p]ugia1 & to him ! ,magi/rates turn$ = help2 &1 br++ mu* pressure to be> ^u him1 prevail$ ^u ! arti/ to sign a contract dat$ #bh? ,novemb] #adhc b9d+ himself to produce ! picture 9 f\r mon?s = #ajj flor9s4 ,! details ( ! picture are all giv5 9 ! contract1 & ! names ( ! f\r ,sa9ts1 :o 7 to surr\nd ! ,madonna & ,*ild1 &1 above all1 ! portraits ( ! ,priori 7 n to be omitt$4 ,b by ?is "t ,p]ug9o _h receiv$ ! comm&s ( ,pope ,sixtus ,,iv4 to come to ,rome1 & s a few days aft] sign+ ! contract ,p]ug9o left ,p]ugia )\t giv+ any fur!r consid]ation to ! wi%es ( ! wor?y ,priori or ! text ( ! contract4 ,ev5 ! fir/ section ( ! "w1 conta9+ ! portraits :i* he _h fai?fully promis$ %\ld be ready 9 ,decemb] #adhc1 0 q =gott54 ,! t]m ( (fice1 h[ev]1 = :i* ! ,priori 7 elect$ 0 rapidly ne>+ its close1 & !re 7 /ill no signs ( ! portraits ( ^! em95t m54 ,9 despair ! ,priori turn$ to a ?ird arti/1 ,santi di ,polonio del ,cel&ro1 & 9 a contract dat$ #ca/ ,decemb] #adhc !y b\nd him to supply ! picture & complete x )9 a ye>1 b ins]t$ a clause t all ! portraits toge!r ) t ( _! not>y 7 to be pa9t$ )9 a =tnight4 ,= ! :ole "w he 0 to h "o hundr$ flor9s4 ,?is "t ! ,priori kept _! eye on ! arti/2 !re 0 no "t to lose4 ,%ortly !y w\ld g out ( (fice1 & !n ! *ance ( hav+ _! portraits =ev] adorn+ _! *apel walls w\ld be gone1 & s ! poor ,cel&ro _h to pa9t ! elev5 portraits )9 fifte5 days1 "u pa9 ( a v heavy f9e4 ,someh[ or o!r he accompli%$ ! "w2 ! portraits 7 done1 & tempor>ily rema9$ 9 ! *apel /&+ aga9/ ! wall wait+ = ! completion ( ! re/ ( ! pictures4 ,b1 hav+ accompli%$ ?is "p ( ! "w1 ,cel&ro took no fur!r he$ ( ! contract1 & ! ,priori hav+ obta9$ _! desire1 tr\bl$ no fur!r z to ! ,madonna & sa9ts1 or 7 p[]less to =ce ,cel&ro to complete ! "w4 ,twelve ye>s actually pass$ away1 & ! *apel /ill lack$ its alt>-piece1 & ,cel&ro1 l ,galeotto1 di$4,g ,9 #adie ,p]ug9o 0 aga9 at ,p]ugia1 full ( hon\r & fame2 & once m ! decoration ( ! ,capella 0 resolv$ on4 ,! ,priori--q a new body to ! "o :i* _h orig9ally plann$ ! picture1 ent]$ into ano!r contract ) ,p]ug9o1 dat$ #f? ,m>* #adie--;= him to pa9t ! alt>-piece on ! same s*eme z be=e1 b ) f> high] remun]ation4 ,p]ug9o 0 to d ! "w 9 six mon?s1 0 to receive "o hundr$ gold ducats 9 ?ree paym5ts1 &1 9 lieu ( ! ,"m ( ,m]cy 9 ! lunette1 0 to pa9t a ,piet1 & = t purpose--alas = ! poor ,priori--! portraits 9 fresco by ,cel&ro :i* fill$ ! space allott$ to ! ,piet 7 to be remov$1 brok5 up1 & c>t$ away4 ,all1 !re=e1 t rema9s conc]n+ ^! notable ,priori ( #adhc ^: portraits 7 to h be5 h&$ d[n to p]petuity1 are _! t5 names record$ by ,m>iotti1 & ! "n ( ,rub9o di ,giacomo1 _! not>y2 b ( _! portraits no?+ is left4 ,illu/ration3 ,al9>i photo ,vatican1 ,rome ,,! ,,madonna ,,en?ron$1 ,,) ,,f\r ,,sa9ts ,p]ug9o at la/ set to "w1 & ! beautiful alt>-piece n[ 9 ! ,vatican is ! result4 ,!re is ! ,madonna & ,*ild on ! ?rone1 & ne> by !re are ! f\r great sa9ts4 ,! picture is exquisitely beautiful1 full ( ,p]ug9o's special *>m1 & be>+ m>ks ( ! ,pi]o della ,francesca influ5ce 9 ! ar*es t support ! canopy1 :ile bel[ ! feet ( ! ,madonna1 to make q cle> z to :o pa9t$ ! picture1 is ! signature 9 some:at rem>kable =m3 ,,hoc ,,petrus ,,de ,,*a/ro ,,plebis ,,p9xit4 ,inasmu* z consid]ation ( ?is f9i%$ picture br+s our *ronological survey up to #adie1 x w be desirable = u to retrace our /eps to ! "t t ,p]ug9o sp5t 9 ,flor5ce4 ,vas>i records _m works execut$ 9 t city1 b 8 *ronology is s p]plex+ t x is difficult to say :e!r !y 7 all execut$ at ! "t to :i* we ref]1 or lat] 9 ! arti/'s c>e]4 ,probably ! frescoes 9 ! ,conv5t ( ! ,frati-,gesuati beyond ! ,p9ti ,gale1 a h\se t 0 de/roy$ 9 ! siege ( ,flor5ce 9 #aebi1 7 e>ly works1 inasmu* z ! panel pictures t 7 sav$ f ! *ur*1 & :i* n[ re/ 9 ! ,accademia1 7 pa9t$ 9 #adib-ic4 ,!re 71 h[ev]1 z already m5tion$1 ?ree pictures on panel execut$ = ! same conv5t1 & ^!1 =tunately1 are /ill 9 exi/5ce4 ,!y 7 c>ri$1 at ! "t ( ! siege1 to ! gate ( ,san ,pi] ,gattol9i1 :]e ! monks 7 provid$ ) a refuge 9 ! *ur* & conv5t ( ,san ,giovann9o1 n[ kn[n z ,la ,calza4 ,^! ?ree pictures are ! ,crucifixion1 n[ 9 ,la ,calza1 ! ,piet1 9 ! ,accademia1 dat$ #adic1 & ! ,*ri/ 9 ! ,g>d51 also 9 ! ,accademia4 ,( ^! ?ree e>ly pictures ! "o 9 ,la ,calza is 9 "s ways ! mo/ int]e/+4 ,x is a v puzzl+ picture4 ,vas>i describes x s cle>ly t !re is no possibility ( error z to ! picture he names4 ,he speaks ( ! inf9ite c>e ) :i* x is execut$4 ,he ref]s to its be+ c>ri$ = safety to ! *ur*1 :]e x /ill re/s1 & he m5tions its condition z injur$ by num]\s cracks1 b ! difficulty is t1 :ile mu* ( ! picture is di/9ctly ,p]ug9esque1 ?ree ( ! figures might h be5 pa9t$ by ,luca ,signorelli1 s great a resemblance 9 g5]al *>act]i/ics d !y be> to 8 "w4 ,cr[e & ,cavalcaselle hesitate to ascribe x to ei!r ma/]1 incl9+ m to ! view t ,raffael9o del ,g>bo may h pa9t$ x1 b ) ?is la/ ascription ,i _c at all agree4 ,! composition is t ( ,p]ug9o1 ! op5 air effect & ! di/ance1 ! s+le deta*$ trees & ! high rocks are all ,umbrian4 ,! drap]ies ( ! f\r /&+ figures & ( ! ,*ri/ h ! di/9ctive folds t are s ?or\ghly *>act]i/ic ( our pa9t]1 & ! bord]s to ! g>m5ts are equally notewor?y4 ,! attitude ( ,/4 ,francis & ( ,s4 ,giovanni ,columb9i are ?or\ghly 9 accordance ) ,p]ug9o's me?ods1 b :5 we turn to ,/4 ,j]ome & ,/4 ,john ,bapti/ ! case is v diff]5t4 ,9 ^! figures ! fi]ce /r5g? & muscul> developm5t is =eign to ,p]ug9o's ord9>y "w1 & he appe>s to h be5 pa9t+ "u ,signorelli's influ5ce1 & ev5 endeav\r+ to introduce into faces & limbs ! virile p[] & movem5t ( ,signorelli1 :i* at t "t 0 specially attractive to him4 ,! figure ( ! ,magdal5 7/rangely t]m$ by ,cr[e & ,cavalcaselle ! be/ figure 9 ! picture7 is1 ,i consid]1 a mu* lat] addition by q ano!r h&4 ,! picture composes p]fectly )\t x1 & a v close inspection conv9c$ me t x 0 n orig9ally 9 ! design1 & t ! drap]ies ( ,s4 ,giovanni ,columb9i c be trac$ ?r\gh ! drap]ies ( ! ,magdal54 ,9 no way does ! ,magdal5 recall ,p]ug9o4 ,! attitude is n 82 ! drap]ies h entirely diff]5t folds2 ! h&s are q diff]5t 9 _! /ructure2 & ! hair is pa9t$ ) entirely alt]$ te*nique4 ,illu/ration3 ,al9>i photo ,la ,calza1 ,flor5ce ,,! ,,crucifixion ,i look ^u ?is ,la ,calza ,crucifixion z "o ( ! e>lie/1 if n ! v fir/ ( ,p]ug9o's works 9 ,flor5ce t survives4 ,9 ! ,accademia 7two pictures7 we are on q diff]5t gr\nd4 ,"h c be se5 ! h& ( ,p]ug9o 9 e "p & ! wond]ful p[] ( space composition c be realis$ to ! full4 ,! rec$+ ar*es 9 ! ,piet1 bespeak+ ! influ5ce ( ,pi]o della ,francesca1 ! exquisite l&scape 9 ! backgr\nd1 ! curi\s alo(ness ( ea* figure1 & ! delicate *a9 ( sympa?y t b9ds !m all toge!r1 ! t5d] sorr[ful face ( ! ,madonna seat$ 9 ! mid/ be>+ on h] knees ! dead body ( h] ,son1 all ( ,p]ug9o's be/4 ,illu/ration3 ,al9>i photo ,accademia1 ,flor5ce ,,! ,,dead ,,*ri/ ,! ?ird picture1 ! ,*ri/ 9 ! ,g>d51 is full] /ill ( ! g5ius ( space composition4 ,f> (f are ! hills t girdle ! l&scape1 & ! eye is c>ri$ on f "o to ! o!r1 ea* /ep reveal+ new beauties1 till 9 ! extreme di/ance ! sky & l& melt into "o ano!r4 ,9 ! imm$iate =egr\nd are ! ?ree disciples s\nd asleep 9 ! attitudes t conv9ce y ( heavy slumb]4 ,9 ! c5tre ( ! picture is ,our ,"l kneel+ on a hillock deeply engag$ 9 pray]1 & above is an angel fly+ t[>d ,him be>+ ! *alice ( sorr[4 ,bel[ & /ill fur!r remov$ f ! eye ( ! spectator are gr\ps ( soldi]s on ! "o h& & ( prie/s & p on ! o!r rapidly mov+ t[>d ! c5tral figure4 ,_! proportions are f9ely adju/$ to _! di/ance & position1 & !re is an admirable s5se ( movem5t 9 all4 ,beyond !m are ! di/ant t[n1 ! hills1 ! c\ntry1 & above1 ) its dep? & ar* & va/ness1 sugge/$ 9 mo/ subtle mann] by ! light fleecy cl\ds & by ! v curves ( ! angel's figure & ! movem5t ( 8 w+ rises ! blue vault ( ! heav54 ,illu/ration3 ,al9>i ,photo ,accademia1 ,flor5ce ,,*ri/ ,,9 ,,! ,,g>d5 ,,( ,,ge?semane ,all ! g5ius ( ,p]ug9o exi/s 9 ?is picture4 ,lat] on !re is a great] sweetness 9 "s ( ! faces1 !re are m figures1 !re is a pur] & m exquisitely sunny col\r+1 b 9 composition ?is e>ly "w conta9s all ! *>act]i/ics ( ! ma/]4 ,^! two mu/ be attribut$1 h[ev]1 to a lat] p]iod ?an ! frescoes & ,la ,calza picture already m5tion$1 :i* 7 = ! same conv5t1 & 9 ! int]val betwe5 pa9t+ ! frescoes = ! ,gesuati & ! ,la ,calza picture & ^! two ,accademia pictures1 ,p]ug9o _h decl9$ a commission at ,orvieto1 & _h be5 to ,rome & pa9t$ !re = ,c>d9al ,giuliano della ,rov]e1 aft]w>ds ,julius ,,ii4 ,once m we mu/ retrace our /eps & tell ! /ory ( ! ,orvieto contract4 ,x is unnecess>y to ref] to ! "w done 9 ,orvieto ,ca!dral by ,beato ,fra ,angelico2 b aft] 8 dea? ! "w rema9$ unf9i%$1 & ! au?orities ( ! ca!dral c\ld n f9d anyone :o 0 prep>$ to complete ! s*eme ( decoration & ^: "w appe>$ to !m wor?y ( its place4 ,=ty-f\r ye>s _h pass$ away1 & !n ,p]ug9o visit$ ,orvieto4 ,he 0 ask$ to exam9e ! *apel & give a price = its decoration4 ,he did s2 at #aejj gold ducats = ! :ole *apel1 provid$ t scaffold+1 lime1 gold1 & ultram>9e 7 furni%$ to him4 ,he agre$ to use su* subjects z 7 submitt$ to him1 & to p]sonally execute ! h&s & faces ( all ! figures4 ,8 (f] 0 n accept$ 9 its entirety2 b a contract 0 made = him to d ! ceil+s & spaces above ! capitals = #bjj gold ducats1 t5 ( :i* 7 paid him1 on ! und]/&+ t he began ! "w 9 ,april #adij & cont9u$ x ?r\gh ! :ole ( ! foll[+ summ]4 ,p]ug9o1 h[ev]1 hav+ secur$ ! contract1 0 9 no hurry to fulfil x1 & z ! "q 0 be+ discuss$ 9 ,flor5ce z to ! completion ( ! ca!dral we/ front1 he left ,orvieto1 & hurri$ on to ,flor5ce to compete 9 ! propos$ "w4 ,! "w 9 ,flor5ce1 h[ev]1 did n come (f1 & ,p]ug9o proce$$ to ,p]ugia & w5t on aga9 to ,rome4 ,"h he comm5c$ ! "w = 8 patron ,c>d9al ,giuliano della ,rov]e1 almo/ all ( :i* has s9ce p]i%$1 "o notable picture only be+ left4 ,! arti/ seems to h dread$ le/ ! canons ( ,orvieto %\ld dem& 8 pres5ce 9 _! ca!dral1 & x is cle> t !y made /r5u\s ef=ts to lay hold ( him4 ,! ,c>d9al1 v desir\s ( reta9+ 8 s]vices = himself1 protect$ ! arti/1 & :5 ! ,orvieto au?orities det]m9$ to cancel ! contract1 he wrote to ! ,priori an exce$+ly /rong lett]1 tell+ !m to await ! conv5i5ce ( ! arti/ & himself4 ,?is lett] ( ,june #b1 #adib1 0 9 reply to "o s5t to ,p]ug9o /at+ t ! ,priori w\ld appo9t "s "o else 9 8 /ead4 ,illu/ration3 ,&]son photo ,villa ,albani1 ,rome ,,! ,,albani ,,alt>-,,piece1 #adia ,! ,c>d9al rem9d$ ! au?orities t !y _h promis$1 9 reply to a previ\s lett] f ,p]ug9o1 to wait a few mon?s1 & he adds3 ,n[ ,mae/ro ,pietro has /at$ t1 contr>y to y\r ^w1 y int5d to sub/itute = him ano!r pa9t] :o %all d y\r "w4 ,?is is inde$ truly rem>kable conduct4 ,we lab\r$ "u ! impression t y 7 to be compliant z be/ suits ! love we h ev] borne to y\r community4 ,s we n[ aga9 exhort & pray t y d res]ve ?is place1 :i* is 8 due1 to ,mae/ro ,pietro1 & refra9 f mole/+ him = ! %ort "t dur+ :i* he has to exp$ite our affairs4 ,! ,orvietans _h1 h[ev]1 meantime1 be5 9 correspond5ce ) ,p9turic*io1 b fe>+ to (f5d s great a dignit>y z ! ,c>d9al1 !y reta9$ ! *apel ( ,s4 ,brizio = ,p]ug9o1 giv+ ,p9turic*io "w 9 ano!r "p ( ! ca!dral4 ,p]ug9o1 h[ev]1 nev] kept 8 promise1 ?\gh x does n appe> :e!r he return$ to ! ,priori ( ,orvieto1 ! t5 ducats !y _h advanc$ him1 & ev5tually1 z is well kn[n1 ,luca ,signorelli 0 employ$ to decorate ! *apel 9 "q4 ,z already m5tion$1 b "o picture rema9s ( ! "w done = ! ,c>d9al at ,rome4 ,?is is ! wond]ful alt>-piece1 dat$ #adia1 n[ ! prop]ty ( ,pr9ce ,torlonia1 & to be se5 9 ! ,villa ,albani4 ,x is 9 six comp>tm5ts1 & is a mo/ beautiful "w1 full ( brilliant col\r4 ,9 ! c5tre is ,! ,nativity1 repres5t$ z hav+ tak5 place b5ea? a sort ( temple ) op5 sides1 its ro( re/+ on a s]ies ( beautiful ar*es =m+ a c5tre & two aisles & spr++ f squ>e pill>s ) ri* capitals4 ,! ?ree divisions above conta9 ! ,annunciation & ,crucifixion4 ,on ei!r side ( ! cross are ,/4 ,john ! ,div9e & ! ,virg91 & at its foot kneels ! ,magdal54 ,if ) ?is figure ( ,m>y ,magdal5 is comp>$ ! simil> "o 9 ! ,la ,calza picture ! diff]5ce w be app>5t4 ,!re is a beauty & nobility ( face & a grace ( po/ure :olly lack+ 9 ! ,la ,calza picture1 & ! drap]ies1 s sure a m>k ( ,p]ug9o's h&1 are "h z true to 8 me?od z 9 ! ,flor5ce picture !y are manife/ly diff]5t4 ,on "o side ( ! lunette is a panel repres5t+ ! ,virg9 kneel+ b5ea? ! op5 arcad+ ( a temple1 & on ! opposite side a simil> panel conta9+ ! ,ar*angel ,gabriel4 ,! alt>-piece is full ( ! influ5ce ( ,pi]o della ,francesca1 ! f9e draw+ ( ! rec$+ ar*es1 ! ar*itectural details1 ! m>ble ( ! pavem5t & ! proportion ( all ! figures m>k 9 unmi/akable =m ! tea*+ ( ! man ( ,arezzo1 b beyond all ?is !re is t m>vell\s *>m ( op5 air & composition 9 dep? t is s m>k$ 9 ! be/ works ( our ,umbrian ma/]4 ,! lunette gives ,p]ug9o at 8 be/ 9 ?is p]iod1 & ! di/ance1 ) its rocks1 pools ( wat]1 cities1 pla9s1 & hills1 is ( fasc9at+ beauty1 & fills ! spectator ) amazem5t4 ,! :ole picture is ba!d 9 a haze ( gold5 col\r+4 ,! tones1 9 places almo/ jewel-l 9 _! transp>5t brilliancy1 are t5d] & expressive1 & !re is a s]5ity & quiet ab\t ! "w t is q wond]ful & expressive ( complete peace & ma/]ful resignation4 ,! picture is sign$3 ,,petrvs ,,de ,,p]vsia ,,p9xit #adia4 ,n[ = a :ile we return to ,flor5ce1 pick+ up ! ?reads t we dropp$ a few pages back4 ,illu/ration3 ,al9>i photo ,uffizi ,palace1 ,flor5ce ,,! ,,fiesole ,,alt>-,,piece1 #adic ,9 #adic ,p]ug9o 0 ballot$1 s ,ors9i says1 into ! municipal c\ncil at 8 native place1 ,citt della ,pieve1 = ,may & ,june1 & is said to h s]v$ 8 "t !re1 b 9 ! same ye> he 0 pa9t+ at ,flor5ce1 &1 accord+ to ,m>iotti1 _h a botega 9 t city & accept$ _m commissions4 ,to ?is p]iod belong two notable pictures1 "o 9 ,flor5ce & ! o!r 9 ,vi5na4 ,! face ( ! ,virg9 9 ea* picture is id5tical1 & ! infant ,*ri/ 9 ea* is pa9t$ f ! same model4 ,! picture 9 ! ,uffizi 0 pa9t$ = ,san ,dom5ico 9 ,fiesole1 & 0 ! second alt>-piece ,p]ug9o did = t *ur*1 ! fir/1 pa9t$ 9 #adhh1 hav+ disappe>$4 ,x repres5ts ! ,virg9 on a ?rone be>+ ! infant ,*ri/ on h] knees4 ,on "o side /&s ,/4 ,seba/ian 7to :om ref]5ce w be made lat] on7 & on ! o!r1 ,/4 ,john ! ,bapti/4 ,! gr\p /&s "u ! vault$ ar*+ re/+ on squ>e pill>s1 ( :i* ,p]ug9o 0 s fond4 ,9 ! di/ance is ! cu/om>y l&scape4 ,! picture is sign$3 ,,petrvs ,,p]vs9vs ,,p9xit ,,an #adic4 ,! o!r "w is at ,vi5na1 & be>s an inscription d5ot+ ! "n ( ! prie/ :o commission$ its execution4 ,! ,bless$ ,virg9 is on a ?rone 9 ?is picture also1 b ! gr\p is enclos$ by high /one walls only op5 to ! sky4 ,on "o side /& ,/4 ,john ! ,bapti/ & ,/4 ,paul1 on ! o!r1 ,/4 ,j]ome & ,/4 ,pet]4 ,! ,/4 ,j]ome is ! same face z appe>s 9 ! ,albani alt>-piece ( #adia1 & ! curi\s long :ite be>d :i* he we>s1 & :i* hangs 9 two divisions1 w be notic$ _m times 9 lat] works notably at ,trevi & ,montefalco1 & con/itutes a m>k ( ,p]ug9o's own h&iwork4 ,,footnotes3 ,g ,9 #adia ! incomplete picture begun by ,galeotto turn$ up4 ,x _h be5 at 8 fa!r's h\se1 & q ov]look$2 b 9 t ye> ! heirs ( ,galeotto's fa!r f\nd x & s5t x to ! ,priori1 toge!r ) a numb] ( col\rs t _h be5 prep>$ = x4 ,= ?ree ye>s ! incomplete picture /ood 9 ! ,priori's room1 sil5tly rem9d+ !m ( ,galeotto2 b no fur!r progress 9 ! negotiation 0 made till #adie4 ,,*apt] ,,iii ,,te*nique 3 ,,pigm5ts 3 ,,vehicles ,we n[ come to ! ye> #adid2 b be=e deal+ s]iatim ) ! pictures pa9t$ at t "t x w be well to ref] briefly to a "q ( te*nique4 ,cr[e & ,cavalcaselle make a def9ite /atem5t to :i* ,i c give no adh]5ce4 ,!y speak ( ,pietro's "w *ang+ f temp]a to oil "w1 & !y allude to 8 inability at ?is "t to use ! new m$ium 9 all its complexity1 & lat] on to 8 complete ma/]y ov] oil-pa9t+ & 8 con/ant use ( x4 ,mr4 ,h]b]t ,horne1 on ! o!r h&1 /ates ) an equal assurance t all ,p]ug9o's pictures 7 pa9t$ 9 temp]a on a gesso backgr\nd1,h & ,i f9d x z difficult to accept ?is /atem5t z t ( ,cr[e & ,cavalcaselle z a suffici5t explanation ( ! "q4 ,x is q cle> to a c>eful obs]v] t ! te*nique ( ! ,albani picture diff]s f t ( ! tripty* 9 ! ,national ,gall]y1 = example2 b ! difficulty is !n only /at$4 ,x is an extremely puzzl+ "q to det]m9e f an old ma/] pa9t+ :e!r x 0 pa9t$ 9 temp]a or n4 ,ev5 ,rusk9 once admitt$ t he _h = a long "t be5 hold+ up = admiration z ! f9e/ oil-pa9t+ :at he f9ally discov]$ to be temp]a4 ,! repeat$ oil+ & v>ni%+ to :i* ,italian pictures h be5 submitt$ r5d]s ! task ( discrim9at+ ! orig9al m$ium "o ( ! greate/ p]plexity4 ,:5 to ?is is add$ ! fur!r /atem5t t 9 "s pictures x w\ld appe> t ! "u-pa9t+ :i* gives ! %ad[s is 9 temp]a & ! glazes 9 oil col\r1 ! dang] ( mak+ su* dogmatic /atem5ts z ^? already m5tion$1 is /ill m app>5t4 ,! in=mation :i* we possess z to temp]a pa9t+ 9 ! f\rte5? c5tury is d]iv$ f ! ,trattato ( ,c5n9o ,c5n9i1 & ?is has j be5 re-translat$ by ! "o p]son 9 ,engl&1 :o1 m ?an anyone else has practis$ & und]/&s temp]a "w4 ,mrs4 ,h]r+ham1 :o has = ye>s work$ 9 temp]a & copi$ ! ,quatroc5to pictures 9 ! ,national ,gall]y1 has discuss$ ?is ab/ruse "q1 & to h] k1 d]iv$ bo? f p]sonal conv]sation & f h] invaluable book1,i ,i h obta9$ mu* in=mation1 & h c\pl$ x ) close p]sonal exam9ation ( ! pictures1 & "s int]e/+ exp]im5ts4 ,i ?9k1 9 consid]+ temp]a pa9t+1 "o factor1 t ( climate1 has n always receiv$ suffici5t att5tion4 ,mr4 ,sp5c] ,/anhope has express$ to ,mrs4 ,h]r+ham t temp]a nev] dries completely 9 ?is c\ntry1 & %\ld n be v>ni%$1 b t has n be5 h] exp]i5ce4 ,x1 h[ev]1 expresses 9 crude /atem5t1 ! difficulty !re is 9 ?is moi/ climate 9 us+ temp]a satisfactorily1 & !re is little d\bt t "p ( ! success ( ,italian temp]a "w is due to ! climate 9 :i* ! arti/s work$4 ,x is q cle> f ,mrs4 ,h]r+ham's "w1 t temp]a pa9t+1 by :i* ,i mean /rictly yolk-(-egg pa9t+1 is capable ( ! s(t transp>5t effects :i* are to be se5 9 ,p]ug9o's pictures1 & t no admixture ( ano!r vehicle ) ! egg is ne$ful4 ,x is n1 h[ev]1 cle> :e!r ! :ole ( _m ( 8 pictures 7 pa9t$ ) yolk ( egg alone4 ,i 0 9 hopes at "o "t t a c>eful /udy ( crack+ & a comp>ison ( ! %ape & =mation ( ! cracks on diff]5t pictures w\ld give me "s def9ite =mul by :i* ! m$ium us$ c\ld be detect$1 b a v c>eful exam9ation only gave inadequate results4 ,!re appe> to be c]ta9 ?ick ridge-l =mations 9 ! d>k] col\rs especially at ! v edges ( ! drap]ies1 :i* x is v difficult to imitate 9 temp]a1 & :ile ! l&scape is mo/ cle>ly put 9 q lightly 9 temp]a1 yet ! drap]ies are s diff]5t 9 h&l+ z to give ! impression t ano!r m$ium 0 us$ = !m4 ,!re is also a curi\s v>iety 9 ,p]ug9o's pictures z to hat*+1 especially aft] #aejj1 & ! hat*+ :i* till !n only appe>s 9 ! fle%1 is lat] on to be se5 9 o!r p>ts ( ! picture4 ,bl5d+ ( "o col\r ) ano!r is also to be se5 9 "s ( ! lat] pictures to an ext5t t ! e>li] pictures nev] %[1 z ) pure temp]a pa9t+ ! pa9t _c be mov$ & bl5d$ z 9 oil "w1 b x mu/ be put on & left alone till x is dry4 ,i d n pret5d to h t\*$ m ?an ! fr+e ( ?is subject1 b my op9ion is t ,p]ug9o did _m ( 8 pictures :olly 9 temp]a1 & t ) o!rs he us$ temp]a = ! "u-pa9t+ & oil = ! glazes1 & t !re are also pictures :]e size has be5 us$ z a m$ium = ! drap]ies :5 great solidity & heavy cordy outl9e 0 desir$4 ,! "q ( oil col\rs _c be dismiss$ 9 a s5t5ce4 ,p]ug9o probably le>n$ a good deal z to ! use ( col\rs f ! ,gesuati1 :o 71 z ,vas>i in=ms u1 well practis$ 9 ! art ( col\rs1 & conv]sant ) glass-pa9t+ & enamel "w1 b ! my/]y rema9s z to h[ x is t ! v fugitive col\rs he us$ h /ood & rema9$ z brilliant z ev]4 ,= 8 ,cantor ,lectures 9 #ahib1;,j ,dr4 ,a4 ,p4 ,laurie c>ri$ out "s rem>kable exp]im5ts ) c]ta9 fugitive col\rs & c]ta9 oils & balsams1 ) a view to asc]ta9+ :e!r any oil v>ni%es 7 imp]vi\s to moi/ure1 & securely lock$ up ! col\rs aga9/ *ange4 ,"s ( ^! exp]im5ts ,i h repeat$1 & ,i h _h "s int]e/+ conv]sation ) ,dr4 ,laurie1 & ,i agree ) him absolutely t ! only vehicles :i* lock up ! col\rs aga9/ moi/ure & aga9/ ! action ( sulphurett$ hydrog5 are ^? compos$ ( balsams4 ,! /ick9ess ( col\r gr\nd 9 balsam to :i* he alludes c1 ,i h asc]ta9$1 be ov]come by a few drops ( pure l9se$ oil & a morsel ( wax1 & ! result c !n be us$ easily ) a bru%4 ,exp]im5t+ ) ! balsams ( ! l>* & ( ! silv] fir1 ,i h be5 able to protect v]digris1 orpim5t1 & k]mes lake securely1 & ! exp]im5ts h be5 ma9ly conduct$ ) v]digris & orpim5t z notori\sly fugitive col\rs & yet col\rs :i* x is q cle> ,p]ug9o us$4 ,x may be well p]haps to allude "h to ,vas>i's /ory respect+ ! arti/'s use ( ultram>9e4 ,! col\r 0 s co/ly t 9 sev]al ( 8 contracts ,p]ug9o expressly /at$ t 8 patron 0 to provide x1 & ,vas>i /ates t :5 he 0 pa9t+ 9 ! cloi/] ( ! ,+esuati1 ! ,prior1 :o himself prep>$ & suppli$ ! ultram>9e1 0 mean & mi/ru/ful z to ,p]ug9o's use ( x1 & w\ld always be pres5t :5 x 0 us$4 ,! arti/ took ! ,prior's di/ru/ to he>t1 & by con/antly wa%+ 8 bru% 9 a b[l ( wat] all[$ m col\r to be precipitat$ ?an he 0 us+ 9 8 fresco4 ,hav+ puni%$ ! ,prior 9 ?is way1 he ga!r$ up ! blue f ! wat] & return$ x to him ) ! words1 ,?is belongs to y1 fa!r2 ,le>n to tru/ hone/ m51 = su* nev] deceive ^? :o confide 9 !m1 al?\gh !y well "k h[ to circumv5t di/ru/ful p]sons l y\rself :5 !y desire to d s4 ,pl9y records a s+ul> /ory ab\t v]milion4 ,p]ug9o's skies 7 pa9t$ ) ?is col\r1 & put on v ?9ly1 & !y h a peculi> =mation ( crack+ :i* is q recognisable4 ,z reg>ds gr\nds1 ,i believe t all ,p]ug9o's panel pictures are ^u gesso laid ^u panel1 b 9 _m ( !m x seems to me t l95 has be5 us$ betwe5 ! panel & ! gesso z if to b9d !m toge!r4 ,v]digris is1 ,i believe1 ! only col\r t w produce "s ( ,p]ug9o's gre5s1 &1 z f> z ,i h exp]im5t$1 ! balsams1 z ,v5ice turp5t9e & olio d' abezzo1 are ! only v>ni%es t protect x un*ang$ aga9/ ! action ( sulphurett$ hydrog5 & moi/ure4 ,^! few /atem5ts z to te*nique are only sugge/ive4 ,i am n a *emi/1 & ! subject dem&s prolong$ exp]im5ts 9 a laboratory2 & su* exp]im5ts %\ld result 9 mo/ int]e/+ discov]ies4 ,re/a calls ,p]ug9o's col\r+ dry & sp>+2 ,lanzi alludes to :at he t]ms its skimp9ess1 b ! v ?9ness ( x is b pro( ( ! arti/'s complete ma/]y ( 8 m$ium1 & t ?is m$ium 0 always ma9ly temp]a1 & 0 nev] :at we "k z oil pa9t+ is my di/9ct op9ion1 bas$ ^u an exam9ation ( almo/ e "o ( 8 works 9 ,italy4 ,,footnotes3 ,h ,magaz9e ( ,art1 ,april #ahii4 ,i ,! ,book ( ! ,art ( ,c5n9o ,c5n9i 7,geo4 ,all571 #ahhi4 ,j ,! ,pigm5ts & ,vehicles ( ! ,old ,ma/]s4 ,society ( ,arts1 #ahib4 ,,*apt] ,,iv ,,w&]+s ,cr[e & ,cavalcaselle1 9 speak+ ( ! beautiful picture at ,cremona dat$ #adid1 ref] to x z execut$ 9 ,flor5ce & s5t to ,cremona1 b !re are grave reasons aga9/ accept+ ?is /atem5t4 ,x is q cle> t 9 t ye> ,p]ug9o 0 9 ,v5ice1,k & x is m natural to believe t he pa9t$ ! picture 9 ,cremona itself4 ,! picture is "o ( great beauty1 b is s+ul>ly unlike mo/ ( ! pa9t]'s o!r creations 9 a /urdy robu/ness ( pose & c\nt5ance1 bo? 9 ! ,madonna & 9 ! ,*ild1 unlike ! calm & slightly insipid composure ( o!r works4 ,?is *>act]i/ic may p]haps be attribut$ to ! rec5t influ5ce ( ! works ( ,giovanni ,bell9i & ,antonello da ,mess9a4 ,! picture repres5ts ! ,bless$ ,virg9 & ,*ild on a ?rone1 :ile ,/4 ,james is on "o side1 ,/4 ,augu/9e on ! o!r ( ! c5tral figures4 ,x is sign$ #adid1 & /ill hangs 9 ,/4 ,augu/9e's ,*ur*1 ,cremona1 on ! alt> ( ! ,roncadelli family4 ,9 #adif ! ,duke ,il ,moro ( ,milan 0 anxi\s to obta9 ! s]vices ( ano!r pa9t] = ! rooms at ! ,ca/ello1 & he wrote to 8 envoy 9 ,flor5ce = in=mation4 ,! envoy repli$1 giv+ to ! ,duke in=mation z to ! lead+ *>act]i/ics ( ea* ( ! great] ,flor5t9e arti/s4 ,( ,p]ug9o he wrote3 ,he is a r>e & s+ul> arti/1 mo/ excell5t 9 wall pa9t+4 ,8 faces h an air ( ! mo/ angelic sweetness4 ,! ,duke ,lor5zo at once decid$ to employ ,p]ug9o1 & wrote to 8 fri5d ,guido ,arcimboldo1 ,ar*bi%op ( ,milan1 :o 0 !n 9 ,v5ice1 begg+ him to inquire ab\t ,p]ug9o1 &1 if possible1 engage him4 ,! ,ar*bi%op repli$ on ,june #ad? to say t ,p]ug9o _h left ,v5ice4 ,unable to secure 8 s]vices himself at t "t1 ! ,duke recomm5d$ ,p]ug9o to ! monks ( ! ,c]tosa at ,pavia1 & commission$ a great alt>-piece f him4 ,accord+ly1 9 ,octob] #adif1 we he> ( ,p]ug9o be+ at ,pavia work+ at ! alt>-piece4 ,9 ! foll[+ ye>1 #adig1 ,il ,moro aga9 tri$ to secure ! s]vices ( ,p]ug9o = ! ,ca/ello1 & wrote to "o ( ! ,baglioni1 :o at t "t rul$ ov] ,p]ugia1 begg+ him to s5d ,p]ug9o to him2 b ! arti/ 0 !n at "w 9 ,p]ugia1 & s full ( commissions t he decl9$ ,il ,moro's (f]1 & nev] w5t to ! ,ca/ello4 ,! two ye>s1 #adid & #adie1 saw ! completion ( ! alt>-piece = ! ,magi/rates' ,*apel 9 ,p]ugia--n[ 9 ! ,vatican ,gall]y & already m5tion$1--! great ,entombm5t 9 ! ,pitti ,palace1 ! ,asc5sion alt>-piece = ,san ,pietro1 ,p]ugia1 ! portrait ( ,francesco delle ,op]e 9 ! ,uffizi1 & ! comm5cem5t ( ! greate/ "w ( all1 :i* 0 f9i%$ 9 #adif1 ! ,crucifixion at ,/a4 ,m>ia ,maddal5a dei ,pazzi4 ,illu/ration3 ,al9>i photo ,uffizi ,palace1 ,flor5ce ,,portrait ,,( ,,francesco ,,delle ,,op]e1 #adid ,! ,asc5sion alt>-piece is ! fir/ "o t we h to consid] ( t gr\p ( ,p]ug9o's alt>-pieces :i* h be5 divid$1 ! compon5t p>ts be+ scatt]$ ?r\gh\t ,europe4 ,to ?is division & scatt]+ full] att5tion is giv5 9 ! next *apt]1 & x w suffice "h to /ate t ! c5tre "p is at ,lyons1 ! lunette at ,/4 ,g]vais1 ,p>is1 ! pr$ella 9 ?ree panels at ,r\51 & ! surr\nd+ sa9ts divid$1 ?ree 9 ! ,vatican ,gall]y & five 9 ! *ur* ( ,s4 ,pietro1 :]e at "o "t ! complete "w re/$4 ,! picture at ,borgo ,san ,sepolcro is usually spok5 ( z a replica ( ! c5tre piece ( ?is great picture1 b ,i am /rongly dispos$ to take an opposite view ( ! case4 ,vas>i records ! pa9t+ ( ! ,borgo picture1 :i* 01 he says1 execut$ = ! ,abbot ,simone de' ,graziani & transport$ to ! *ur* ( ,san ,gilio at ,borgo on ! backs ( port]s at v heavy co/4 ,he also records ! pa9t+ ( ! picture = ,s4 ,pietro1 nam+ x almo/ at ! close ( 8 biographical notes on ! arti/2 & ( ?is picture he says3 ,! :ole ( x is replete ) evid5ces ( ?\ght & c>e1 insomu* t x is "o ( ! be/ pa9t+s 9 oil execut$ by ,pietro 9 ,p]ugia4 ,x is q impossible to accept ! *ronology ,vas>i gives1 z he mixes up dates 9 ! mo/ hopeless confusion2 b 9 ?is in/ance ,i ?9k he is "r 9 putt+ ! ,borgo picture be=e ! ,lyons "o r ?an vice v]s4 ,! picture at ,borgo is 9 bad condition3 ! "o at ,lyons has be5 transf]r$ to canvas & v mu* repa9t$1 & /ill %[s signs ( two v]tical splits 9 ! panel2 b1 despite all ^! injuries1 ! ,borgo picture is1 ,i consid]1 ! f9] ( ! two1 & ! ,lyons "o1 al?\gh by ! same h&1 a lat] & m c>eless replica4 ,9 ! ,borgo picture ! ,virg9 is 9 religi\s g>b & has ! head cov]$3 9 ! ,lyons picture !re is a m secul> g>b1 ! head uncov]$ & %ort hair to be se54 ,9 ! ,borgo picture ! angels c>ry loosely loop$ n>r[ ribbon c>efully & gracefully drawn3 ! ribbon 9 ! ,lyons picture is broad]1 m co>sely pa9t$1 lett]$ ?r\gh\t1 & fall+ 9 awkw>d folds4 ,! w+s ( ! *]ubs 9 ! m&orla at ,borgo are pa9t$ ) exquisite detail1 e little scale & fea!r be+ c>efully repres5t$2 ^! details are almo/ entirely abs5t 9 ! ,lyons picture1 :]e ! w+s ( ! *]ubs appe> to be hurri$ly pa9t$ & lack+ altoge!r 9 f9i%4 ,!re is f> great] sweetness 9 ! faces at ,borgo1 especially ^? ( ! ,r$eem]1 ! ,virg91 ,/4 ,pet]1 & ,/4 ,paul1 ?an at ,lyons1 :]e all ^! f\r important faces are r\ghly & ev5 co>sely del9eat$4 ,9 "s ( ! att5dant disciples1 ! hair1 :i* at ,borgo is da9tily pa9t$ 91 & fl[s 9 slightly r+lett$ =m1 hangs loosely at ,lyons & is ( a h>%] texture1 & ! wond]ful trees %>ply del9eat$ aga9/ ! sky & full ( exquisite foliage at ,borgo1 are h>dly to be se5 at ,lyons1 & are repres5t$ by half-a-doz5 dw>fi% %rubs4 ,! m&orla 9 ! ,borgo picture is a deep lum9\s b& ( my/]i\s col\r1 out ( :i*1 & aga9/ ! light fleecy cl\ds1 rise ! *]ub faces3 at ,lyons x is a flat b& ( heavy col\r1 ! cl\ds are woolly & ?ick1 & ! *]ub faces1 in/ead ( ris+ f ! wondr\s dep?1 lay sup]impos$ ^u ! m&orla z ^u a piece ( bo>d4 ,illu/ration3 ,al9>i photo ,borgo ,san ,sepolcro ,,! ,,asc5sion ,,( ,,*ri/ ,i am /rongly ( op9ion t ! ,borgo picture 0 ! orig9al "w1 ! ,lyons "o1 = :i* he contract$ to ! monks ( ,cass9o1 ,m>* #f?1 #adie1 be+ ei!r a some:at hurri$ replica ( x 9 :i* ! ma/] grew tir$ ( ! monotony ( repetition1 or else t x 0 a picture 9 :i* a c]ta9 am\nt ( lab\r 0 left to assi/ants & pupils4 ,!re is an important /udy = ?ree apo/les1 9 ! ,uffizi1 :i* 0 cle>ly prep>$ = ! ,borgo picture & n = ! ,lyons "o1 z1 :ile closely resembl+ ! =m]1 x diff]s f ! latt] 9 "o or two important details4 ,?is is n ! accept$ !ory1 ,i "k1 & x is "o t w probably n meet ) univ]sal acceptance1 b a c>eful comp>ison ( ! pictures leads me to a cle> op9ion 9 ! matt]4 ,) reg>d to ! pila/] sa9ts ! case is diff]5t4 ,^? at ! ,vatican are all g5u9e "w ( ! ma/] & are extremely f9e1 & ! same may be said ( ?ree ( ! five at ,p]ugia1 b two ( !m are n entirely ,p]ug9o's "w1 & be> traces ( a pupil's h&4 ,! ?ree pr$ella pictures on ! o!r h&1 :i* are at ,r\51 are *>m+ examples ( ! ma/]'s "w1 & are ba!d 9 t wond]ful gold5 sunlight :i* is s di/9ctive ( 8 f9e/ "w4 ,9 ea* picture a /rip ( ! =egr\nd :i* 0 damag$ 9 transit has _h to be re/or$3 9 ! ,adoration x is ! v slighte/ bit along ! front ( ! :ole picture2 9 ! ,resurrection x is a wid] piece1 embrac+ "p ( ! feet ( ?ree ( ! sleep+ soldi]s & ! edge ( ! /one slab on :i* ! tomb re/s2 b 9 ! ?ird picture1 ! ,baptism1 ! damage is s]i\s1 z ! =egr\nd /rip includes ! feet ( ,our ,"l & "o foot ( ! ,bapti/4 ,9 all o!r respects ^! ?ree panels are exquisite specim5s ( ,p]ug9o's f9e & discrim9ative "w4 ,) respect to ! lunette x mu/ be not$ t ,cr[e & ,cavalcaselle & _m o!r writ]s are 9 error 9 /at+ t x hangs 9 ,/4 ,g]ma9 l',aux]rois 9 ,p>is1 :]eas x is 9 ,/4 ,g]vais1 a v diff]5t *ur*4 ,x is n 9 good condition1 hav+ suff]$ mu* f clean+ & repair1 & x has a horizontal split :i* ne>ly divides x into two pieces4 ,x is nev]!less cle>ly disc]nible z a f9e "w f ! ma/]'s h&4 ,!re is nei!r pr$ella nor lunette at ,borgo ,s4 ,sepolcro4 ,!re is no "q z to ! date ( ! ,s4 ,pietro alt>-piece1 z ! orig9al contract = pa9t+ x is /ill 9 exi/5ce & appe>s 9 full 9 ,ors9i4,l ,x is dat$ #h? ,m>* #adif1 & recites h[ ! abbot & *apt] ( ! mona/]y gave out on contract to ,p]ug9o ! picture ( ! ,high ,alt> = ! price ( #ejj gold ducats4 ,! ,borgo picture 0 !re=e1 ,i cont5d1 a little e>li]1 b p]haps only a ye> 9 advance ( ! o!r4 ,! picture ( ,francesco delle ,op]e belongs to ?is same p]iod1 b z 9 ! *apt] on ! ,cambio x w be fur!r discuss$1 x may well be pass$ ) brief m5tion at ?is place4 ,f9ally1 z "p ( ! "w ( ^! two prolific ye>s1 comes "o ( our arti/'s ma/]pieces1 ! ,entombm5t1 n[ 9 ! ,pitti ,palace4 ,space composition is se5 9 ?is picture 9 its full vig\r4 ,h[ quiet is ! atmosph]e ( ! sc5e1 h[ rev]5t & t5d] a mood x creates4 ,h[ va/ is ! space 9 :i* ! episode is plac$1 & h[ m>vell\sly is ! s5se ( immeasurable di/ance produc$4 ,illu/ration3 ,brogi photo ,pitti ,palace1 ,flor5ce ,,! ,,entombm5t ,,( ,,*ri/1 #adie ,! picture is "o ( ! mo/ beautiful t ,p]ug9o ev] pa9t$4 ,! composition is v clev]1 well balanc$ & well gr\p$1 :ile ! faces are ( a s]5e beauty t 0 nev] surpass$ 9 lat] works4 ,x is well to notice t ! dead body ( ,our ,"l reta9s mu* ( ! flexibility ( life1 :ile q z cle>ly is se5 ! weight & ! loos5ess ( dea?4 ,! m\rn]s ar\nd are full ( t5d] pity1 :ile ! grief ( ! ,virg9 is too great = words1 & ev9ces itself 9 ! look ( deep affection t fills t wond]ful face4 ,ea* figure is1 h[ev]1 di/9ct1 self-c5tr$1 & enfold$ 9 its own grief4 ,x is only ! fact t ea* "o is ?9k+ ( ! great c5tral figure t gives to ! picture1 z a :ole1 any real complet5ess4 ,x is a sob]1 ?\ghtful composition1 full ( s5tim5t1 b lack+ any ( ! /rong mov+ =ce t o!r s*ools gave to a simil> repres5tation1 &1 al?\gh ! =]unn] ( ,fra ,b>tolommeo's great] "w1 x has none ( ! int5sity t 8 m emotional nature c\ld pres5t4 ,"s delightful /udies = ?is picture appe> 9 ! ,uffizi1 m>k$ by mo/ c>eful /udy4 ,! cl5*$ h&s ( "o ( ! two p]sons :o /& close to ,nicodemus are v notewor?y4 ,! action is s expressive ( int5se1 b re/ra9$ sorr[1 & ! draw+ ( ! f9e1 delicate1 b muscul> h&s1 is p>ticul>ly excell5t4 ,9 ! /udies ! ri*ly-ornam5t$ cap ( ! y\? 9 ! gr\p does n appe>4 ,! cap 9 ! draw+ is q pla91 & ! face1 :i* 9 ! picture is v expressive1 is h>d & un9t]e/+4 ,ano!r l>ge p5 draw+ = ?is picture exi/s1 & is 9 ,*ri/ ,*ur*1 ,ox=d4 ,by "s critics x is n accept$ z a "w ( ,p]ug9o's4 ,x is ascrib$ to "o ( 8 pupils1 or to a lat] man altoge!r1 especially because sev]al ( ! faces are h>d & unimpressive4 ,let1 h[ev]1 ! drap]y be closely exam9$1 & ! curi\s =mation ) d>k holl[s & oval curves w be recognis$ at once4 ,! l>ge project+ great toe1 & ! mann] 9 :i* x sets away f ! o!r toes1 leav+ a cle> space betwe5 x & !m1 is noticeable1 :ile ! limp flexibility ( ! b>e fle% ( ! ,*ri/ is also an important crit]ion 9 decid+ on ! orig9 ( ! draw+4 ,to me x appe>s z a ?or\ghly g5u9e "w1 m>k+ out ! g5]al gr\p+ ( ! picture4 ,! positions ( ,nicodemus1 ,m>y ,cleophas1 & ! y\?1 und]w5t "s slight *anges1 & ! o!r figures ne> to ,nicodemus 7 introduc$1 b ! picture pres]ves v closely ! orig9al sugge/ions ( ! draw+4 ,! f9i%$ picture 0 execut$ = ! nuns ( ,santa ,*i>a1 b :5 !y _h obta9$ x1 s highly 0 x admir$1 t ,vas>i records t a ri* ,flor5t9e1 ,francesco del ,pugliese1 (f]$ !m ?ree times ! price t !y _h paid = x1 z well z a replica f ! ma/]'s own h&1 b ! tempt+ (f] 0 decl9$1 z ,pietro _h told !m t he did n ?9k he c\ld equal ! "o !y possess$4 ,,footnotes3 ,k ,vide ,gaye ii4 #fi2 & ,morelli #ahhc1 #bhg4 ,l ,ors9i1 ,vita dell' egregio pittore ,pietro ,p]ug9o1 #ahjd1 #adj4 ,,*apt] ,v ,,! ,,/ory ,,( ,,! ,,pillage ,!re are two notewor?y circum/ances t affect ! biograph] ( ,p]ug9o4 ,on ! "o h& is ! fact t s _m ( 8 pictures are dat$1 & h5ce along ! /ory ( 8 life /& out cle>ly def9$ c]ta9 pieces ( def9ite evid5ce1 m>k+ 8 progress & 8 ye>s4 ,on ! o!r h& is ! oppos+ circum/ance t mo/ ( 8 alt>-pieces h be5 tak5 to pieces1 remov$ f _! orig9al home1 & scatt]$ 9 all directions ?r\gh\t ,europe1 s mu* s t ! task ( recon/ruct+ ! mo/ important1 t ( ,s4 ,ago/9o1 is "o ( s]i\s difficulty4 ,?is scatt]+ has enorm\sly increas$ ! tr\bles ( ! biograph]1 oblig+ him to j\rney f ,p>is to ,m>seilles1 f ,gr5oble to ,bordeaux1 f ,/rassburg to ,t>bes 9 ord] to inspect all ! p>ts ( ev5 "o picture1 & ev5 9 ,p]ugia itself r5d]s x almo/ impossible to speak def9itely ( ! hi/ory ( c]ta9 alt>-pieces4 ,x is f ! ,fr5* occupation ( ,italy t all ^! difficulties result4 ,!re 0 a "t prior to #agif :5 ,p]ugia 0 v ri* ) ! works ( h] adopt$ son ,pietro ,p]ug9o4 ,at t "t almo/ e *ur* possess$ pictures by ! ma/]2 ! alt>-piece pa9t$ 9 #adie = ! magi/rates' *apel 0 /ill 9 situ1 & ! public build+s 9 ! city 7 possess$ ( ri* decoration1 ! "w ( t arti/ :om ,p]ugia _h delight$ to hon\r & employ4 ,aft] ! armi/ice ( ,bologna _h be5 sign$ 9 #agif1 ,fr5* commission]s 7 s5t ?r\gh ,italy to dem& & select pictures & o!r works ( art :i* ,napoleon requir$ z spoil f 8 defeat$ enemies4 ,p]ugia1 z a city ri* 9 art treasures1 suff]$ greatly4 ,! treaty ( ,tol5t9o 7#agig7 dem&$ urg5cy1 &1 )\t any delay1 a commission]1 ,t9et by "n1 desc5d$ ^u ,p]ugia1 &1 on ! v day on :i* ! treaty 0 sign$1 address$ a lett] to ! ,priori1 dem&+ 9 ! "n ( ! ,republic leave ( entry into all *ur*es1 mona/]ies1 & public places1 9 ord] to select su* objects z he ?\ght 7 wor?y ( transmission to ,p>is4 ,he did n conf9e himself to an arrangem5t t _h be5 made 9 ! previ\s ,july1 t ,p]ugia 0 to furni% ?ree pictures z its ransom1 b dem&$ free "r to take :at he pleas$4 ,8 ord]s 7 too press+ to be elud$1 & ! ,priori _h no c\rse b to obey4 ,! pillage comm5c$ on ! #bj?1 & la/$ = two days1 b ,t9et 0 n satisfi$4 ,he _h a /rong impression t _m ( ! be/ ?+s 7 hidd5 f him1 & s 9 ev5 m emphatic t]ms he dem&$ t ! sup]iors ( ,/4 ,augu/9e & ,/4 ,anto9e1 & ! libr>ians ( ! religi\s ord]s & ( ! t[n %\ld give him access 9 ord] t he might select _! greate/ treasures & :atev] he ?\ght wor?y ( adorn+ ! museums ( ! great republic4 ,meantime1 secretly by night1 ) urg5t ha/e1 ! treasures ( ! religi\s h\ses 7 be+ hidd5 away4 ,! alt>-pieces 7 divid$ & ! small] portions1 pictures f ! pr$elle1 & panels ( att5dant sa9ts 7 c>ri$ to private h\ses1 hidd5 "u floors & beh9d panell+1 & secret$ 9 e possible way4 ,reliqu>ies & mon/rances 7 9 wells1 & rail+s & iron grilles cov]$ ov] ) grease & dirt 9 ord] to hide !m f ! covet\s gaze ( ! commission]4 ,t9et 01 h[ev]1 un=tunately1 a v det]m9$ man1 & a connoisseur to boot1 & 9 ! two days' se>*1 he _h obta9$ ! *ief treasures 9 ,p]ugia4 ,x appe>$ at "o "t z ?\gh t notable picture1 ! alt>-piece 9 ! ,magi/rates' ,*apel1 pa9t$ 9 #adie1 w\ld be ov]look$1 b he rememb]$ x at ! v la/ mom5t & x 0 includ$4 ,to add insult to injury1 ! ,p]ugians 7 ord]$ to pack & transmit _! treasures1 b e possible ef=t 0 made to delay ! "w & prev5t _! be+ s5t (f4 ,mu* correspond5ce ensu$1 & ! ,priori did _! utmo/ to raise difficulties1 b all 0 to no purpose1 & on ,m>* #bg? six c>riages drawn by tw5ty-f\r ox5 & att5d$ by six peasants1 quitt$ ,p]ugia amid ! te>s & lam5tations ( ! p1 c>ry+ ) !m ! greate/ treasures ( ! city1 nev] to be se5 aga9 )9 its walls4 ,! v magnific5t proportions ( _m ( ,p]ug9o's pictures r5d]$ x impossible = !m to be conceal$1 _! pr$ella pictures & pila/] sa9ts 7 9 "s in/ances safe1 b ! c5tral panels x 0 impossible to gu>d1 & 9 ! ?irty-two pictures c>ri$ (f to ,p>is1 !re 7 includ$ twelve ( ! greate/ ( ! ma/]'s works1 & also ! fam\s ,sposalizio f ! *apel ( ! ,anello1 & ! ,palladium ( ! city1 ! alt>-piece f ! ,magi/rates' ,*apel4 ,drawn by ! great :ite ,umbrian ox51 & sl[ly j\rney+ across ,europe1 ^! heavily-lad5 vans took _! way1 & ! pictures t = ?ree hundr$ ye>s _h be5 objects ( devotion & delight to ! good p ( ,p]ugia1 & 7 cruelly torn f _! re/+ places1 w5t to swell ! vanity ( ! t]rible conqu]or 9 ,p>is4 ,/ill1 h[ev]1 ,p]ugia n[ s poor 9 h] ma/]'s works1 0 too ri* = envi\s eyes4 ,! peace ( ,vi5na _h be5 sign$1 !re 0 a pause 9 ! w>f>e 9 ,europe prior to ! invasion ( ,russia 9 #ahab1 & "s att5tion 0 giv5 to int]nal affairs4 ,on ! #be? ( ,febru>y #ahaa appe>$ an ,imp]ial decree1 requir+ t ! treasures 9 ! dep>tm5t ( ! ,trasimne 7z ! di/rict "u its new ,fr5* rul]s 0 /yl$7 %\ld be br\ght toge!r 9 ord] to ornam5t ! picture gall]ies t ,napoleon _h erect$4 ,) cruel irony ! decree /at$ t1 d\btless1 ! p ( ,p]ugia w\ld rejoice t _! pictures 7 deem$ wor?y to ornam5t ! gall]ies ( ,p>is4 ,napoleon himself _h a great admiration = ! works ( ,p]ug9o1 & ! pictures he own$ by ! ma/] made him desir\s ( possess+ m2 & z ) ! conqu]or to desire 0 to obta91 he imm$iately issu$ ?is decree reg>dless ( ! feel+s ( 8 newly conqu]$ subjects4 ,! ,c\nt de ,*ampagny1 :o 0 ! m9i/] *>g$ ) ! execution ( ! decree1 pass$ on to ,c\nt ,d>u1 8 subord9ate 9 ! ,fr5* city ( ,rome1 a li/ ( pictures t _h be5 prep>$ by ,b>on ,d5on1 ! director ( ! gall]y1 :o _h pass$ 8 y\? 9 ,italy1 & be+ a great connoisseur1 _h an excell5t memory ( :at f9e ,italian pictures 7 left 9 ! plund]$ city4 ,c\nt ,d>u 0 to pass on ! li/ to ,b>on ,ro$]]1 ,prefect ( ! ,trasimne1 :o on 8 "p 0 to see t ! ,sub-,prefect ,spada gave e assi/ance to "o1 ,t(anelli1 :o 0 to select & transmit ! pictures4 ,t(anelli arriv$ 9 ,p]ugia ,septemb] #cj?1 #ahab1 & "o day suffic$ = him to make 8 selection4 ,=ty-eight pictures 7 select$1 & pack$ 9 cases ready = transmission1 an agreem5t ent]$ into betwe5 him & ! t[n1 sign$ by himself & c\nt]sign$ by ! mayor1 & a contract seal$ betwe5 him & ,signor ,frances*9i = remov+ ! pictures to ,rome1 & !n ,t(anelli hurri$ (f back to ,rome4 ,! pictures 7 to be s5t imm$iately1 b ^u ,t(anelli's dep>ture1 a long s]ies ( delays & negotiations comm5c$1 sugge/$ & arrang$ by ! mayor 9 ord] to save ! pictures4 ,?is wor?y man1 ,ces>ei1 des]ves bett] recognition to-day 9 ,p]ugia4 ,he work$ valiantly = ! city1 & n[ 8 "n is ne>ly =gott54 ,:ile ,t(anelli 0 9 ,p]ugia1 he dissembl$ 8 feel+s1 aid$ ! commission]1 sign$ any pap]s t 7 pres5t$ to him1 _h ! pictures pack$1 & gaily salut$ ,t(anelli z he left ! city2 b once ! commission] _h gone1 he det]m9$ to d 8 v utmo/ to prev5t ! =ty-eight pictures ga!r$ f ! %r9es ( 8 city leav+ its gates4 ,he appeal$ to ! bi%op & to ! gov]nm5t1 he worri$ ! prefect & ! sub-prefect1 & ev5tually obta9$ a promise t ^? pictures :i* 7 specially de> z objects be=e :i* ! ,p]ugians paid _! devotions might be reta9$4 ,=?) ! cases 7 op5$1 & ^! pictures replac$ 9 _! orig9al positions1 to ! great joy ( ! p4 ,h>dly _h ?is be5 done ?an ! p]mission 0 c\nt]m&$4 ,! mayor 0 regrett+ t he _h ask$ = s little1 & t ! pictures 9 ! sacri/ies & corridors ( ! mona/]ies w\ld n be gr\p$ ) ^? tak5 f ! *ur*es4 ,he 0 expla9+ t all ! pictures 7 equally de> to ! ,p]ugians1 :5 aga9 an ord] arriv$ to s5d on all ! pictures4 ,once m ! mayor dissembl$4 ,he promis$ to s5d ! cases z soon z he c\ld obta9 c>riages1 b at ! same "t wrote1 to ! ,c\nt ,d>u1 to ! ,director ( ! ,police 9 ,rome1 & to ! ,c\nt ,baglioni ,oddi1 "o ( ! deputies 9 ,p>is1 invok+ ! int]e/s ( religion & ( art ( ! prov9ce & ( ! capital to save 8 belov$ pictures4 ,aga9 he won a tempor>y success4 ,on ,augu/ #bf? an ord] arriv$ f headqu>t]s1 p]mitt+ ,p]ugia to reta9 tw5ty out ( ! =ty-eight pictures *os5 by ,t(anelli4 ,once m !re 0 rejoic+1 b aga9 came disa/]4 ,c\nt ,d>u int]v5$1 e concession 0 ov]turn$1 & a fre% ord] f ev5 high] au?orities rea*$ ! mayor1 ord]+ him to s5d on )\t delay to ! ,capitol at ,rome1 e picture select$ by ,t(anelli4 ,^! in/ructions ! mayor /at$ he c\ld n und]/&4 ,he wrote on ,novemb] #af1 /at+ t1 ( c\rse1 ?is la/ ord] did n include ! pictures j giv5 back to ,p]ugia1 & appeal+ to ,b>on ,ro$]] = consid]ation1 add+ z a reason t he c\ld n be responsible = ! p %\ld ! pictures t !y *]i%$ be tak5 away4 ,illu/ration3 ,al9>i photo ,vatican1 ,rome ,,sa9t ,,b5$ict ,to ?is appeal ,ro$]] turn$ a deaf e>4 ,he wrote on ,decemb] #d1 aga9 on ,decemb] #h1 & aga9 on ,decemb] #ac1 /at+ t x 0 impossible to admit any reasons1 & he mu/ dem& t all ! pictures be s5t at once4 ,! mayor1 indefatigable z ev]1 wrote aga9 & aga91 rais$ all k9ds ( difficulties1 cont9u$ to w>n ! au?orities t ! p w\ld make a tumult1 & t he c\ld n be responsible = _! tranquillity1 & f9ally s5t lett]s f ! cl]gy ( ,san ,sev]o & ,san ,co/anzo support+ 8 /atem5ts4 ,all 0 ( no avail4 ,on ,novemb] #f?1 #ahac1 f9al def9ite ord]s arriv$1 & ! preci\s cases _h to be s5t to ,rome4 ,a few m days' delay w\ld h sav$ ! pictures1 z at ! mom5t t ! cases rea*$ ,rome ! ,neapolitans "u ,murat ent]$ ! city1 & ,fr5* dom9ion 9 ,rome 0 at an end4 ,ev5 !n ! irony ( circum/ance cont9u$1 =1 :51 on ,janu>y #f?1 #ahad1 ! pictures arriv$ 9 ,p>is1 ! alli$ =ces arriv$ also1 & ,b>on ,d5on 0 ord]$ to re/ore to _! lawful proprietors ! pictures t _h be5 /ol54 ,! mo/ un=tunate "p ( ! /ory has n[ to be told4 ,in/ead ( =c+ ,france to re/ore ! booty at h] own co/ & at once1 ! allies1 9 m m]ciful mood1 simply dem&$ t %e %\ld s5d = ! ,italian repres5tatives & p]mit !m to take away _! prop]ty4 ,only t5 days 7 all[$ 9 ,p>is = ! booty to be secur$1 pack$1 & transmitt$1 &1 z envoys arriv$ f all p>ts ( ,italy1 & ea* 0 eag] to obta9 :at he c\ld z quickly z possible1 v _m pictures 7 left beh9d4 ,! pictures s5t to ,p>is 9 #agig _h be5 m 9 numb] ?an c\ld be accommodat$ 9 ! gall]y1 &1 z x is s easy to give away o!r p's prop]ty1 ! gov]nm5t _h di/ribut$ z m>ks ( fav\r & bribes = tranquillity _m ( ! be/ ,italian pictures among/ ! prov9cial museums 9 ,france4 ,_m ( ^! pictures ,canova1 :o 0 s5t by ! ,holy ,see1 fail$ to trace2 o!rs x 0 impossible to obta91 z1 al?\gh ! allies 7 9 possession ( ,p>is1 !y 7 n equally ma/]s ( ! di/ant prov9ces 9 ,france1 &1 consequ5tly1 9 ,france ^! pictures rema9$4 ,ev5 ( ^? tw5ty-"o pictures /ol5 f ,p]ugia 9 #ahab b two 7 return$ to ,italy1 & ^? only got z f> z ,rome4 ,engli%m5 may well feel pr\d ( _! "p 9 ?is transaction4 ,x 0 ! firmness ( ! ,briti% ,gov]nm5t,m t enabl$ ! ,vatican ,gall]y to take its position z "o ( ! great picture gall]ies ( ! _w4 ,!y n only en=c$ ! re/itution by ! ,fr5* ( ! plund] accumulat$ 9 ! ,l\vre by ! rapaci\s arms ( ,napoleon1 b ev5 contribut$ "s #cj1jjj to defray ! exp5ses ( ! removal1 :i* ! f9ances ( ,pius ,,vii4 c\ld ill af=d1 no o!r alli$ p[] contribut+ "o f>?+4 ,canova ga!r$ up1 9 ! %ort "t at 8 disposal1 & ) ! limit$ means t he possess$1 all ! f9e pictures t he c\ld obta91 & ! treasures n[ 9 ,rome are ! pro( ( 8 zeal & ex]tions4 ,meantime ! ,priori ( ,p]ugia wait$ = two ye>s1 hop+ aga9/ hope t _! treasures might come back to !m4 ,at l5g?1 9 ,septemb] #ahaf1 !y wrote to ,canova1 & he repli$ to !m on ! #bj?4 ,8 lett] expla9$ h[ encompass$ ) difficulty he _h be5 9 ,p>is1 h[ %ort a "t _h be5 all[$ him 9 :i* to remove ! pictures1 h[ small 7 ! means at 8 disposal1 h[ scatt]$ 7 ! pictures1 & h[ impossible x 01 )\t =ce ( arms to travel f dep>tm5t to dep>tm5t & take possession ( ! prop]ty4 ,) reg>d to "o notable picture ab\t :i* ! ,p]ugians 7 specially anxi\s1 ! ,asc5sion1 f ,san ,pietro1 he expla9$ t ! p ( ,lyons _h appeal$ to ! ,pope = p]mission to reta9 x4 ,!y set =? _! atta*m5t to ! ,holy ,see1 _! zeal = ! ,*ief ,pontiff1 & ! s+ul> affection :i* !y _h manife/$ t[>d ,8 ,hol9ess :5ev] he pass$ by ,lyons4 ,_! petition receiv$ att5tion1 & ! c>d9al secret>y wrote1 on ,novemb] #ac?1 #ahaf1 an au?orisation to ! city ( ,lyons to reta9 ! picture :i* _h be5 s disgracefully torn f its re/+-place 9 ,p]ugia4 ,canova 0 evid5tly z anxi\s z 7 ! ,p]ugians to obta9 back all ! pictures2 b ev5ts 7 too /rong = him1 & ! poor ,p]ugians nev] aga9 possess$ ! great treasures ( art :i*1 prior to #agig1 made _! city "o ( ! ri*e/ 9 ,italy4 ,ces>ei1 ! indefatigable mayor ( ,p]ugia1 :o _h be5 appo9t$ gonfaloni]e ye> aft] ye> 9 ord] to obta9 re/itution ( ! pictures1 did n give up hope ( obta9+ 8 end = "s ye>s4 ,he tri$ h>d to obta9 ! two pictures :i* ,engli% g5]osity _h re/or$ to ,italy1 & he worri$ ! ,holy ,see ) repeat$ lett]s & appeals4 ,at l5g? ,c>d9al ,consalvi1 on ,octob] #h?1 #ahag1 clos$ ! :ole episode by a lett] to ,ces>ei4 ,he expla9$ t ! pictures 7 all pres5t$ by ! alli$ =ces to ! ,sov]eign ,pontiff z ! ,head ( ! ,pontifical /ates f :i* !y _h be5 tak51 & t !y 7 expos$ 9 ,rome = ! education ( ! /ud5ts :o came f all ov] ,europe to /udy 9 ! ,que5 ( ,cities4 ,9 consequ5ce1 ! ,papal ,gov]nm5t _h ! "r1 ! ,c>d9al cont9u$1 to reta9 ! pictures4 ,x may be add$ t1 ev5 if ! ,holy ,see _h n ! "r to reta9 ! pictures1 x _h too mu* bus9ess on h& at t "t to be able to give att5tion to works ( art1 & insuffici5t money 9 its deplet$ treasury to pay = _! removal4 ,su* is ! /ory1 ) all its m\rnful details1 ( ! pillage ( ,p]ugia1 & x w n[ be easily und]/ood :y ! prov9cial museums ( ,france are s ri* 9 ! works ( ?is ma/]4 ,to recon/ruct ! great alt>-piece ( ,/4 ,ago/9o means t visits mu/ be made to ,lyons1 ,gr5oble1 ,t\l\se1 ,nantes1 & ,p]ugia4 ,= ano!r alt>-piece x is necess>y to visit ,r\51 ,lyons1 ,p]ugia1 ,rome1 & ,p>is2 :ile yet o!r pictures are at ,ca51 ,nancy1 ,t>bes1 ,bordeaux1 ,/rassburg1 ,m>seilles1 ,lille1 & ,*antilly4 ,! scatt]+ is n n[ :olly conf9$ to ,france1 = pictures at "o "t 9 ,france are n[ at ,alt5burg1 ,frank=t1 ,vi5na1 & ,/4 ,pet]sburg1 :ile odd pieces ( ^! self-same pictures rema9 to-day 9 ,p]ugia4 ,,footnotes3 ,m ,murray1 #ahii1 #bec4 ,,*apt] ,,vi ,,9 ,,full ,,/r5g? ,9 ! e>ly spr+ ( ! ye> #adif ,p]ug9o 0 9 ,v5ice1 b 9 ! autumn back 9 ,flor5ce & 9 ,p]ugia1 al?\gh possibly ! w9t] saw him 9 ,bologna4 ,9 #adig he 0 9 ,flor5ce1 9 ,p]ugia1 & 9 ,fano4 ,9 #adih he 0 9 ,flor5ce1 & !n aga9 at ,fano4 ,! pro( t ,p]ug9o 0 9 ,flor5ce 9 #adif consi/s 9 ! docum5t quot$ by ,morelli record+ ! pur*ase ( c]ta9 l& 9 ,flor5ce ) a view to a p]man5t resid5ce 9 ! city4 ,to ?is ye> ,morelli attributes ! ,sposalizio f ! *apel ( ! ,anello at ,p]ugia1 :i* is n[ at ,ca54 ,vas>i /ates t = ! alt> ( ! ,sacram5t :]e ! r+ ) :i* ! ,virg9 ,m>y 0 esp\s$ is pres]v$1 ?is ma/] pa9t$ an alt>-piece repres5t+ ! ,m>riage ( ,our ,lady4 ,m>iotti quotes ,vas>i1 & on 8 evid5ce gives ! picture to him1 & e succe$+ writ]1 includ+ ,cr[e & ,cavalcaselle1 & ,morelli1 cont9ues ! ascription4 ,:at is q cle> is t ! company ( ,/4 ,guiseppe receiv$1 z ,m>iotti records1 ! grant ( a subsidy = an alt>-piece2 b ,pr(essor ,adam ,rossi /ates t up to ,novemb] #aejj ! picture _h n be5 comm5c$4 ,to #aejj1 !re=e1 ,cr[e attributes ?is picture1 ,morelli putt+ x e>li]1 9 #adif4 ,on ^! attributions a !ory has be5 built up t ,raphael 9 8 ,sposalizio 7pa9t$ 9 #aejc or #aejd7 took z 8 motif ! picture pa9t$ by 8 ma/] ,p]ug9o1 & improv$ consid]ably on ! orig9al conception4 ,cr[e & ,cavalcaselle 9 _! inspection ( ! picture ref] to its mo/ /rik+ quality1 its bright col\r+1 & qualify _! praise by /at+ t ! tones h n ! gl[ ( ! ma/]'s usual "w1 & t ! =ms are less pliant ?an ( old4 ,x is exactly ^! features t fir/ attract ! spectator & :i*1 ,i mu/ confess1 puzzl$ me v consid]ably4 ,a little clos] exam9ation reveal$ ! /range inequality 9 ! surface ( ! picture1 ! /r+9ess & lump9ess ( ! drap]ies & ! /reaky "* ( ! backgr\nd4 ,mu* ( my p]plexity1 h[ev]1 ought n to h exi/$1 inasmu* z 9 ! ,gazette des ,beaux ,arts1 ,april #ahif1 ,mr4 ,b]5son _h c>efully exam9$ ! :ole "q1 & ascrib$ ! picture n to ,p]ug9o at all1 nor to an e>li] p]iod ?an ! ,raphael ,sposalizio1 b to ! h& ( ,lo ,spagna1 & s9ce #aejd4 ,) 8 op9ion1 al?\gh contr>y to ! accept$ judgm5t1 ,i am 9 ! fulle/ accord1 & ,i ?9k t ,vas>i1 go+ only ^u he>say1 & ) probably only a casual glance at ! picture1 if ev] he saw x at all1 makes a grave mi/ake :5 he attributes x to ,pietro4 ,mr4 ,b]5son exam9es all ! evid5ce pro & con ) 8 usual ability1 & produces1 9 my op9ion1 ov]:elm+ pro( ( 8 attribution4 ,he comp>es ! ,sposalizio ) ! pictures by ,lo ,spagna 9 o!r places1 ! ,virg9 & ,*ild at ,p]ugia1 ! ,nativity & ! ,madonna & ,*ild at ! ,l\vre1 & ! ,coronation ( ! ,virg91 ,lo ,spagna's greate/ "w 7dat$ #aeaa71 & pres]v$ at ,todi4 ,he po9ts out t sev]al ( ! faces 9 ^! pictures are id5tical ) faces at ,ca51 notably ! face ( ! ,virg91 :i* 9 e way1 ev5 9 position1 is ! c\nt]p>t ( ! "o 9 ! ,nativity 9 ,p>is4 ,he f9ds ! face ( ,/4 ,joseph 9 m ?an "o ( ,spagna's pictures1 & especially he ref]s to a figure 9 ! ,ca5 picture1 ! f\r? to ! "r1 a woman we>+ a hood1 :i* nev] once appe>s 9 any "w ( ,p]ug9o's1 b :i* does appe>1 l9e = l9e1 n only 9 ! ,todi ,coronation1 b 9 ano!r ( ,spagna's pictures4 ,o!r po9ts ( close resemblance are to be f\nd 9 ! draw+ ( ! e>s1 :i* are totally diff]5t to ^? ( ,p]ug9o's figures2 9 ! h&s1 :i* are broad & heavy 9 ! ,ca5 picture & 9 ,lo ,spagna's usual "w1 b f9e & delicate 9 ,p]ug9o's2 & especially 9 ! col\r+1 c]ta9 special t9ts su* z a *>treuse-gre5 & rose-salmon appe>+ 9 ! ,ca5 & ,todi pictures1 & nev] once to be f\nd 9 ,p]ug9o's accept$ "w4 ,"o v in/ructive set ( argum5ts ,mr4 ,b]5son draws f a close exam9ation ( ,raphael's ,sposalizio at ,milan4 ,its %ape is upright4 ,p]ug9o always repres5t$ ! sc5e 9 a long1 n>r[ panel1 ! position ( ! ,virg9 & ,/4 ,joseph1 & ( ! bran* c>ri$ by ,/4 ,joseph1 are entirely anti!tical to ! ,umbrian fa%ion1 :ile1 curi\sly en\gh1 ,lor5zo ,co/a1 :o 0 probably a fell[-pupil ( ,raphael's1 "u ! influ5ce ( ,timoteo ,vite1 pa9t$ 9 ab\t #aejd or #aeje a ,sposalizio1 upright z is ?is "o1 at ,ca51 & agree+ ) x 9 _m o!r ways4 ,a ma/]ly piece ( reason+ %[s t ,raphael's "w is ( ! ,f]r>ese s*ool & n ( ! ,umbrian1 & t in/ead ( its be+ a s\v5ir ( ! ,ca5 picture1 & bas$ ^u x & greatly improv$1 x is1 9 fact1 an orig9al "w ^u :i* ,lo ,spagna bas$ 8 picture :i* is n[ at ,ca54 ,:5 to ^! argum5ts are add$ ! want ( /yle & dignity 9 ! ,bramantesque temple at ,ca51 ! abs5ce ( ! colonnade t ,p]ug9o fav\r$1 & :i* he drew f ,pi]o della ,francesca1 ! want ( int]m$iate gr\p+1 ! /ubborn heav9ess ( ! drap]ies1 s diff]5t f ,p]ug9o's light1 easy folds1 ! h>d1 empty d5sity ( ! foliage1 ! *ange 9 ! di/ant sc5]y1 & ! abs5ce ( horizon & cl\d1 & f9ally ! entirely diff]5t draw+ ( ! feet f ! mann] 9 :i* ,p]ug9o drew !m1 ! case is practically prov$1 & to ,lo ,spagna mu/ ! ,ca5 picture be attribut$4 ,if fur!r evid5ce 7 ne$$1 x is ready to h& 9 ! fact t n "o ,p]ugian lett]1 docum5t1 or writ] attributes ! ,sposalizio to ,p]ug9o1 al?\gh all speak ( x ) great t]ms ( rev]5ce1 :ile ,vas>i alone gives x to ,vannucci1 &1 z is well kn[n1 8 attributions mu/ (t5 be tak5 cum grano salis4 ,hav+ 9 all ?is agre$ mo/ gladly ) ,mr4 ,b]5son1 ,i mu/ n[ "p company ) him 9 ref]5ce to ano!r picture attribut$ to ?is same ye>4 ,few pictures h ex]cis$ critics m ?an has ! ,apollo & ,m>syas 9 ! ,l\vre4 ,?is *>m+ little "w 0 pur*as$ by ,mr4 ,morris ,moore z a ,mantegna4 ,:5 sold to ! ,l\vre 9 #ahhc = #bjj1jjj francs1 x 0 agre$ t x %\ld be plac$ 9 ! ,salon ,c>r1 "u ! title ( ,raphael de ,morris ,moore4 ,x is /ill call$ a ,raphael 9 ! ,l\vre catalogue1 al?\gh a note is add$ :i* only commits ! au?orities to ! /atem5t t x is unque/ionably ! "w ( an ,umbrian arti/4 ,morelli put x fir/ to ,timoteo ,vite1 b confesses t he did n exam9e x c>efully4 ,9 a lat] "w he )drew ?is ascription1 & says t x belongs mo/ probably to a ma/] ^: /yle is 9 close aff9ity ) t ( ,p]ug9o4 ,mr4 ,b]5son includes x 9 8 li/ ( ,p]ug9o's works1 b ,i am mu* m incl9$ to leave ! attribution :]e ,morelli left x4 ,! two figures are q nude4 ,?is is almo/ a unique circum/ance ) ,p]ug9o1 ! only o!r nude figures 9 8 pictures be+ "s di/ant ones 9 8 ,love & ,*a/ity4 ,"h is1 !re=e1 a mo/ exceptional circum/ance2 & also ! abs5ce ( any drap]y deprives ! critic ( "o ( ! mo/ def9ite m>ks1 ! d>k holl[s1 by :i* ,p]ug9o's "w is id5tifi$4 ,fur!rmore1 !re are birds 9 ! sky1 & ,i "k ( no sky ( ,p]ug9o's 9 :i* !y appe>4 ,! feet ( ! two figures are v ,p]ug9esque1 ! op5 & upw>d curl+ great toe is cle>ly def9$2 b ! h&s h n ! awkw>d tong %ape ( 8 e>li] "w1 nor ! v ?91 boneless appe>ance ( 8 mature "w4 ,! l&scape & ! trees are l ^? ( ,p]ug9o2 b ! v prom95t lyre has none ( 8 *>act]i/ics1 & 9 te*nique & h&l+ is pa9t$ q diff]5tly f ,p]ug9o's me?od4 ,! picture seems mu* m likely to be ! "w ( ,p9turic*io1 &1 9 any case1 ,i _c p]sonally attribute x to ,p]ug9o4 ,illu/ration3 ,hanf/a5gl photo ,muni* ,gall]y ,,! ,,virg9 ,,appe>+ ,,to ,,/4 ,,b]n>d ,i agree1 h[ev]1 ) ,mr4 ,claud ,phillips 9 attribut+ ! ,/4 ,b]n>d at ,muni* to ?is p]iod ( ,p]ug9o's life4 ,x is1 ( c\rse1 impossible to fix its date exactly1 b f #adif to #aejj "o may safely put x1 &1 z reg>ds its s]5e beauty1 h>dly too mu* c be said4 ,! picture 0 orig9ally 9 ! *ur* ( ,san ,spirito 9 ,flor5ce1 & !re is n[ a copy ( x 9 t place4 ,k+ ,ludwig ,i4 b\ght x 9 #ahbi f ! ,capponi family1 :o held ! rights ov] ! ,nasi *apel1 :]e x hung1 & al?\gh x has be5 clean$ & re/or$1 x rema9s a beautiful & q g5u9e "w4 ,x is well to comp>e ! h&s & ! e>s 9 ?is picture1 ) _! delicate1 s5sitive beauty1 ) ! heavy features 9 ! ,ca5 picture1 to :i* ref]5ce 0 lately made1 & ! comp>ison w be :olly satisfactory1 & 9 e way 9 fav\r ( ,mr4 ,b]5son's argum5t4 ,an int]e/+ /udy = ?is ,vision ( ,/4 ,b]n>d is at ! ,uffizi1 & comp>ison may well be made ) a picture by ,lippo ,lippi 9 ! ,badia1 illu/rat+ ! same sc5e4 ,to ?is same p]iod we attribute ! ,virg9 9 ,glory at ,bologna1 ! ,family ( ,/4 ,anne at ,m>seilles1 & ! ma/]piece 9 ,flor5ce1 ! ,crucifixion ( ,/a4 ,m>ia ,maddal5a dei ,pazzi4 ,9 ! ,bologna picture we see ! lovely figure ( ,/4 ,mi*ael1 to :i* allusion has already be5 made :5 ref]5ce 0 made to ! ,c]tosa alt>-piece1 n[ 9 ! ,national ,gall]y4 ,! great ar*angel is ev5 full] ( beauty 9 ?is picture1 8 h&s especially be+ ( exquisite =m & grace4 ,!re are ?ree o!r ador+ sa9ts1 ,/4 ,ca!r9e ( ,alex&ria1 ,/4 ,john ! ,div9e1 & ,/4 ,apollonia4 ,above 9 ! sky is ! gl[+ m&orla ( *]ubs1 a fav\rite device ( ,pietro's1 gl[+ ) ra9b[ radiance1 & envelop+ 9 its mi/y col\r ! *]ub heads :i* belong to x4 ,! conception is v lovely1 ! col\r+ subdu$ & sunny1 &1 :ile ! picture recalls ! ,borgo & ,lyons pictures1 x yet =e%ad[s ! great ,vallombrosan ,assumption :i* ! ma/] 0 to produce a few ye>s lat] on4 ,! ,m>seilles picture is rem>kable 9 _m ways4 ,x repres5ts a sc5e t 0 v seldom select$ by ! old ma/]s1 & :i* no "o treat$ s beautifully z did ,p]ug9o 7see ,frontispiece74 ,!re are1 p]haps1 n m ?an half-a-doz5 examples among/ all ! old ma/]s' pictures :i* repres5t ! ,family ( ,/4 ,anne1 & yet ! subject is "o t is p>ticul>ly wor?y ( c>eful & ?\ghtful treatm5t4 ,p]ug9o has adopt$ a v f9e arrangem5t4 ,! ,virg9 is en?ron$ 9 ! c5tre1 & has ! div9e ,*ild on h] knee4 ,beh9d h] /&s ,/4 ,anne 9 a v mo!rly attitude1 re/+ h] two h&s on h] daught]'s %\ld]s4 ,on ! "r ( ! ?rone /&s ,/4 ,m>y ,salome1 hold+ 9 h] arms ,/4 ,john ! ,div9e1 & by h] side is ,/4 ,joa*im1 ! husb& ( ,/4 ,anne4 ,at _! feet /&s ! *ild ,/4 ,james4 ,on ! opposite side1 to ! left ( ! ?rone1 /&s ,/4 ,m>y1 ! wife ( ,cleophas1 hold+ 9 h] arms ,/4 ,james ! ,less4 ,by h] side /&s ,/4 ,joseph1 & ne> by ano!r *ild1 ,/4 ,joseph ,ju/us4 ,two m *ildr51 ,/4 ,simon & ,/4 ,?addeus1 are seat$ on ! /eps ( ! ?rone1 & above !m is ! inscription1 ,,petrvs ,,de ,,*a/ro ,,plebis ,,p9xit4 ,illu/ration3 ,al9>i ,photo ,bologna ,gall]y ,,! ,,virg9 ,,9 ,,glory1 #adif ,! :ole sc5e is "u a wond]ful & l(ty ar*way1 & beyond is an exquisite l&scape ( hills & roll+ pla94 ,! *ildr5 are exquisite 9 grace & beauty1 & two ( !m 7 copi$ by ,raphael1 & 8 picture /ill hangs 9 ! sacri/y ( ,/4 ,pietro 9 ,cass95se at ,p]ugia4 ,! arti/ has inscrib$ ! "n ( ea* sa9t on ! halo ( light t surr\nds ea* head1 & ! composition ( ! gr\p is almo/ p]fect1 s well arrang$ & s well balanc$4 ,! col\r+ is subdu$ b radiant ) sunlight1 & few pictures are z typical ( ! ma/]'s h&4 ,all 8 peculi>ities ( pa9t+1 8 unusual drap]ies1 8 exagg]at$ feet1 8 long sl5d] h&s ) lumpy knuckles1 & 8 re/ful1 quiet1 self-conta9$ figures c be /udi$ 9 x4 ,orig9ally x 0 pa9t$ = ! mona/]y ( ,/4 ,anna1 & lat] on 0 transf]r$ to ,/4 ,m>ia de ,fossi 9 ,p]ugia1 & 0 br\ght to ,m>seilles ) ! ,p]ugian spoil :i* 0 m5tion$ 9 a prec$+ *apt]4 ,!re is an e>ly draw+ = ! :ole picture at ,alnwick4 ,! wond]ful fresco at ,/a4 ,m>ia ,maddal5a dei ,pazzi 0 nev] se5 by ,cr[e & ,cavalcaselle or w\ld h be5 recognis$ by !m z "o ( ! arti/'s gr&e/ conceptions4 ,9 ,cr[e's "t1 ! p]mission ( ! ,ar*bi%op ( ,flor5ce 0 ne$$ ere ! picture c\ld be inspect$1 & ?is p]mission ,cr[e c\ld n obta94 ,! *apt]-h\se 9 :i* x is situate is n[ secul>is$1 & ! fresco c be se54 ,vas>i speaks ( ! mona/]y "u its old "n ( ! ,ce/ello1 & records t a picture ( ,/4 ,b]n>d 0 also pa9t$ = ! same h\se1 b ?is has be5 lo/4 ,! great fresco 9 "q 0 ord]$ 9 #adic1 = #ee ducats1 by ,pietro ,pucci & 8 wife ,giovanna1 & 0 f9i%$ 9 ?is ev5tful ye> ,april #bj?1 #adif4 ,! sc5e is repres5t$ "u ?ree ar*es4 ,9 ! c5tral "o is ! ,crucifix1 its arms /ret*+ f wall to wall ( ! ar*1 its foot on ! gr\nd1 & its upp] extremity ne>ly t\*+ ! cr[n ( ! ar*4 ,at its foot kneels ! ,magdal51 gaz+ t5d]ly up at ! crucifi$ ,*ri/1 above ! cross are ! eclips$ sun & moon4 ,on ! left are ! two figures ( ! ,virg9 & ,/4 ,b]n>d1 & on ! "r are two m figures1 ,/4 ,john ! ,div9e & ,/4 ,b5$ict4 ,!re are only ^! six figures 9 ! entire picture1 :i* cov]s ! :ole wall ( ! *apt]-h\se1 b beyond !m ! ar*es seem to reveal a great ,umbrian l&scape1 :i* /ret*es f>!r ?an eye c rea*4 ,x is practically ! same view z c be se5 f ! city ( ,p]ugia1 f ! hill ( ,montefalco or f ! mona/]y ( ,assisi1 & is app>5tly limitless4 ,!re are ! long sweep+ outl9es ( ! ,umbrian ,hills1 ! di/ant t[ns ) _! *ur*es & ca/les1 ! pleasant wat]s w9d+ 9 & out ( ! hills & gleam+ 9 ! ev5+ light1 & ! delicate l>* & olive trees cr[n+ ! hills & /&+ out s cle>ly & da9tily aga9/ ! sky1 :ile above & fill+ ne>ly half ( ! ar*way space is ! blue & purple sky1 fleck$ ) :ite gossam] cl\ds & rea*+ f> up 9 its holl[ dome beyond ! range ( sight4 ,illu/ration3 ,al9>i photo ,/a4 ,m>ia ,maddal5a dei ,pazzi1 ,flor5ce ,,! ,,crucifixion ,z ! spectator /eps into ! qua9t *apt]-h\se1 ?is :ole sc5e appe>s to op5 into view4 ,! c5tral crucifix ) its solemn burd51 & ! five quiet figures /&+ s /ill & placid1 full ( t int5se sorr[ & t5d] pity :i* absorb ! :ole be+1 & :i* are s evid5tly ! dom9ant passions t ! m9d ( ! spectator unites ) !m1 & all :o gaze on ?is sublime sc5e d s ) rev]5d pity = ! c5tral figure1 & int5se sympa?y = ! spectators 9 ! drama4 ,!re are two /udies 9 exi/5ce = ?is "w1 "o = ! ,*ri/ on ! ,cross1 on ! back ( a draw+ ( ,p]icles 7#beb1 #djj7 & ! o!r = ! /&+ figure ( ! ,virg9 7#bea1 #dag74 ,bo? are 9 ! ,uffizi ,gall]y4 ,9 ! c5tral comp>tm5t ( ! fresco w be recognis$ ! prototype ( ! ,crucifixion by ,raphael n[ belong+ to ,mr4 ,ludwig ,mond4 ,!re is1 h[ev]1 f> m pure beauty1 def9ite purpose1 & t5d] rev]5ce 9 ! "w by ,p]ug9o ?an 9 t by ! y\?ful ,raphael1 al?\gh ! m]it ( ! latt] "w is v great1 & surpris+ly s :5 ! age ( ! arti/ is tak5 into consid]ation4 ,!re is a bread? & p[] & an orig9ality ab\t ,raphael's figure t is wond]ful1 b f ! po9t ( view ( rev]5ce & devotion1 ,p]ug9o's m>vell\s & t\*+ creation is sup]ior to x4 ,! ,c]tosa alt>-piece1 n[ 9 ! ,national ,gall]y1 is usually consid]$ to be "o ( ! greate/ pictures ,p]ug9o ev] execut$4 ,"o-six? "p ( x only is /ill 9 situ1 ! c5tral panel ( ! upp] ti]4 ,?is repres5ts ! ,et]nal ,fa!r )9 a m&orla ( *]ubs4 ,! rema9+ five panels are copies1 ! two upp] ones1 aft] ,borgognone1 to replace orig9als 9 ,france1 ! ?ree l[] ones to replace ! orig9als 9 ,london4 ,!re are "o or two po9ts t m]it special att5tion 9 ?is picture4 ,x is desirable to m5tion t :at has be5 call$ ! monotony ( ,p]ug9o c be cle>ly se5 at ?is "t4 ,! figure ( ,/4 ,mi*ael has already appe>$ 9 ! ,albani alt>-piece1 & w appe> aga9 9 ! ,bologna ,assumption1 & o!r pictures4 ,! elaborately decorat$ %ield & ! qua9t head-dress ( ! great ar*angel appe> 9 ! figures ( ! ,cambio decoration1 9 ! ,sposalizio1 & 9 ! ,si/9e ,*apel fresco4 ,! angels :i* appe> 9 ! c5tral panel w be m>k$ aga9 & aga9 9 lat] works4 ,p]ug9o 9 8 lifetime 0 sev]ely criticis$ = ?is fail+4 ,lanzi expressly records ! grumbl+ ( _m ( ,p]ug9o's patrons at 8 want ( v>iety 9 treatm5t1 ! fact t 8 alt>-pieces m or less closely resembl$ "o ano!r1 & ! arti/'s reply t he robb$ no "o4 ,8 figures 7 admir$ 9 "o picture1 :y %\ld !y n be 9 ano!r8 & if a figure 0 pron\nc$ lovely & suitable at "o "t & = "o place1 :y %\ld x be condemn$ :5 us$ = a simil> position 9 ano!r place4 ,?is compla9t1 made 9 ! fifte5? c5tury1 has cont9u$ d[n to ! pres5t "t1 & has c]ta9 ju/ification4 ,!re is a want ( orig9ality ab\t ,p]ug9o's conceptions beyond a c]ta9 po9t2 b ?is v monotony is a mo/ useful aid 9 recognis+ & s*$ul+ 8 pictures1 :ile individually 8 figures are s graceful1 & 8 gr\ps s well compos$1 t ^? :o love ,umbrian art nev] tire ( gaz+ ^u 8 fasc9at+ pictures4 ,illu/ration3 ,hanf/a5gl photo ,national ,gall]y1 ,london ,,! ,,c]tosa ,,?ree-,,fold ,,alt>-,,piece ,?is great alt>-piece 0 complet$ 9 #adii4 ,9 ! e>ly "p ( t ye> ! ,duke ( ,milan1 ,il ,moro1 wrote to ! monks at ,pavia compla9+ ( ! delay 9 ! completion ( ! alt>-piece he _h commission$1 speak+ ( ! l>ge sum he _h disburs$1 & ( 8 love = ! ,c]tosa & desire to see x complet$1 & begg+ ! ,c>?usians to hurry on ,p]ug9o to complete 8 "w4 ,!y did s1 & by ! end ( #adii ! picture 0 9 its place4 ,9 ! foll[+ ye>1 #adig1 ,p]ug9o 0 9 ,fano1 & !re aga9 9 #adih4 ,9 ea* ( ^! ye>s he 0 probably also 9 ,p]ugia1 & 9 "o ( !m1 p]haps #adig1 he 0 at ,s9igaglia & at ,cantiano1 two small places close to ,fano4 ,( 8 visits to ,fano we h two results3 a ,madonna & ,*ild ) ,sa9ts1 dat$ #adig1 & an ,annunciation1 dat$ #adih2 :ile at ,s9igaglia !re is a ,madonna & ,*ild ) ,sa9ts closely resembl+ ! ,fano "o1 & at ,cantiano a ,holy ,family ( simil> *>act]i/ics4 ,9 ! int]vals :i* enabl$ ! arti/ to revisit ,p]ugia we h evid5ce ( 8 "w 9 a ,madonna & ,*ild1 dat$ #adig1 n[ 9 ! ,gall]y ( ,p]ugia1 & 9 ano!r picture attribut$ to ! same p]iod & n[ hang+ 9 ! same gall]y4 ,ev5 ^! visits d n complete 8 w&]+s1 = on ! #bf? ( ,june #adih he 0 c]ta9ly 9 ,flor5ce4 ,x is only an assumption on my "p t ! ,s9igaglia & ,cantiano pictures foll[$ ! ,fano ones4 ,!y may h j prec$$ !m1 & %\ld p]haps belong to t already cr[d$ ye> #adif1 b ,i am /rongly ( op9ion t su* is n ! case4 ,aga91 !y %\ld p]haps be giv5 to a lat] p]iod altoge!r1 say to #aejj or #aeja2 b we h no evid5ce :atev] connect+ ,p]ug9o ) ?is remote "p ( ! sea-coa/ save 9 #adig & #adih1 & z 9 /yle & col\r+1 ev5 9 composition & design1 ! ,s9igaglia & ,cantiano pictures s closely resemble ^? at ,fano1 & ! places 7 n easy ( access save f ,fano1 & we d n he> ( ! arti/ be+ 9 ?is di/rict on any o!r occasion1 ! attribution to t p]iod is giv54 ,illu/ration3 ,al9>i photo ,p]ugia ,gall]y ,,! ,,madonna ,,& ,,*ild ,,) ,,p5it5ts1 #adig ,bo? ( ^! pictures h signs ( hurri$ execution1 & d n appe> to be 9 all _! details ! "w ( ! ma/]1 & my cont5tion is t !y 7 plann$ :5 ! ,fano ones 7 9 progress & execut$ p>tly by pupils "u ! control ( ! arti/ :o 0 himself work+ close at h&4 ,! #adig alt>-piece at ,fano is really a f9e picture1 & ! five pr$ella pictures are rem>kably good1 p]haps ! f9e/ ( ?is /yle ( m9iature-l pa9t+ t ,p]ug9o ev] execut$4 ,9 ! pr$ella sc5e c be not$ ,p]ug9o's me?od ( repres5t+ ! ,sposalizio1 & ! arcade & temple doorway1 ! arrangem5t & gr\p+ ( ! figures1 & ! op5 air effect ( ! :ole1 & entire abs5ce ( cr[d+ w all be not$ z *>act]i/ics :i* ! ,ca5 picture does n possess4 ,! lunette ( ?is f9e alt>-piece is ! same sc5e z ! arti/ us$ 9 ! scatt]$ alt>-piece = ,/4 ,ago/9o1 & %\ld be comp>$ ) ! lunette f ?is alt>-piece :i* n[ hangs 9 ,/4 ,pietro 9 ,cass95se at ,p]ugia4 ,9 ! latt] ! ,virg9 & ! ,magdal5 are ea* hold+ "o ( ! h&s ( ! dead ,*ri/4 ,9 ! ,fano picture ^! h&s hang d[n loosely & re/ on ! tomb4 ,9 o!r respects ! two pictures are almo/ id5tical4 ,illu/ration3 ,al9>i ,photo ,p]ugia ,gall]y ,,! ,,int]cession ,,( ,,/4 ,,francis ,,on ,,behalf ,,( ,,p]ugia ,! o!r ,fano picture is a v *>m+ ,annunciation4 ,! ar*$ colonnade aga9 appe>s4 ,! ,et]nal ,fa!r1 )9 a circul> m&orla1 is above1 & bel[1 fly+ t[>ds ! ,madonna1 is ! :ite dove ( ! ,holy ,_s4 ,9 ! di/ance is ,fano itself1 & 9 ! f> di/ance ! sea4 ,we n[ come to ! two ,p]ugia pictures4 ,! "o :i* is kn[n to h be5 pa9t$ 9 #adig = ! alt> ( ! noble confrat]nity ( ,san ,pietro ,m>tire1 repres5ts ! ,madonna seat$ ^u a ?rone or tomb1 cr[n$1 & hold+ ! ,*ri/ on h] knee4 ,above 9 ! air are two angels kneel+ 9 adoration1 :ile on ! gr\nd ar\nd & p>tially beh9d ! ,que5 ( ,heav51 are two gr\ps ( :ite-rob$ p5it5ts4 ,!re is a /udy = ?is picture 9 ! ,uffizi4 ,x ought to be q easy to discov] ! exact date ( ! o!r picture4 ,x 0 pa9t$ = ! noble confrat]nity della ,giu/izia1 :o deposit$ x 9 ! gall]y1 & x evid5tly alludes to ! union ( ! orig9al confrat]nity ( ,san ,&rea della ,giu/izia1 ) a small] b simil> body d$icat$ to ,san ,b]n>d9o & connect$ ) ! *ur* ( ,san ,francesco4 ,san ,b]n&9o ( ,si5a is "o ( ! two sa9ts :o are kneel+ 9 ! =egr\nd1 & is di/+ui%$ by ! tablet be>+ ! ,i4,h4,s4 surr\nd$ by rays ( light :i* floats 9 ! air close to him4 ,he liv$ at ! conv5t ( ,san ,francesco al ,prato1 & close to ! conv5t n[ /&s ! oratory d$icat$ 9 #adfa to 8 memory1 ! front ( :i* is decorat$ ) ,ago/9o ,ducci's wond]ful m>ble & t]ra-cotta faade4 ,! confrat]nity = :om ! picture 0 pa9t$1 specially hon\r$ ! memory ( ,san ,b]n>d9o1 & !re=e _h a peculi> devotion t[>d 8 patron sa9t1 ,/4 ,francis ( ,assisi4 ,/4 ,francis1 9 ! picture 9 "q1 kneels opposite to ,san ,b]n>d9o4 ,9 ! backgr\nd is a l>ge gr\p ( kneel+ p head$ by ! ,priori 9 _! furr$ g[ns1 & ne> at h& are wom5 & p5it5ts1 all int5t ^u ! same petition4 ,/ill m remote is a repres5tation ( ! city1 diff]+ 9 _m respects f ! view ( ,p]ugia giv5 9 ! ,/4 ,ago/9o alt>-piece pa9t$ 9 #aeba1 & resembl+ mu* m closely ! t[n ( ,san ,gemignano z x n[ appe>s4 ,"o w\ld h naturally expect$ t ?is picture w\ld h be5 nam$ by ,m>iotti1 or t docum5ts 9 ,ors9i or 9 ! ,p]ugian ar*ives w\ld h m5tion$ x4 ,my *ief reason = giv+ x to #adih is t 9 t ye> !re 0 an outbreak ( plague 9 ! city :i* ! records in=m u sudd5ly ceas$ 9 response to great supplication1 & x is possible t ?is picture 0 pa9t$ = ! confrat]nity 9 commemoration ( ?is answ] to pray]4 ,!re are p]haps only two o!r in/ances 9 :i* ,/4 ,francis is repres5t$1 b ! reason already /at$ may well acc\nt = 8 pres5ce 9 ?is picture4 ,illu/ration3 ,al9>i photo ,accademia1 ,flor5ce ,,! ,,crucifixion ,! ,crucifixion1 n[ 9 ! ,accademia1 may1 ,i ?9k1 be ascrib$ to ?is p]iod4 ,x is an alt> picture1 & 0 pa9t$ = ! ,conv5t ( ,/4 ,j]ome 9 ,flor5ce1 & !re is def9ite evid5ce t 9 #adih ,p]ug9o did visit ,flor5ce & pa9t$ a picture 9 ! city4 ,!re is mu* 9 ?is "w :i* recalls ! ,pazzi ,crucifixion4 ,! ,*ri/ is f ! same model1 b is a l>g] figure 9 e way & n q s c>efully drawn z 9 ! ,pazzi "o4 ,its increas$ size & m hurri$ execution gives x a co>s] & h>%] effect4 ,! ,pazzi ,crucifixion has b "o figure at ! foot ( ! cross4 ,! ,accademia necess>ily has two1 z ,/4 ,j]ome1 ) 8 lion & hat1 _h to be introduc$4 ,! ,bless$ ,virg9 is ! same figure z 9 ! ,pazzi fresco1 & 9 ! same po/ure ev5 to ! twi/+ ( ! f+]s 9 ! clasp$ h&s1 b h] feet are b>e 9 ! ,pazzi fresco & 9 ! ,/4 ,j]ome picture are adorn$ ) elaborate s&als4 ,! sc5e at ! back ( ! cross 9 ! ,pazzi fresco is evid5tly n ,flor5ce1 & 0 probably ei!r a typical ,umbrian t[n or "o connect$ 9 "s way ) ! donor's e>ly life2 b 9 ! ,/4 ,j]ome picture ! city t is depict$ is cle>ly ,flor5ce1 & c]ta9 t[]s & spires c be recognis$ 9 ! sc5e4 ,! composition is m cr[d$ ?an 9 ! ,pazzi fresco1 & ?is elem5t & ! heavi] treatm5t ( ! crucifi$ ,figure some:at detract f its beauty2 b x is probable t ! explanation ( ! :ole circum/ance is t ! ,/4 ,j]ome ,crucifixion 0 int5d$ to be plac$ high up above an alt> & at ! end ( a long & some:at d>k *ur*1 :]eas ! ,pazzi ,crucifixion 0 on a level ) ! eye1 ris+ up f ! gr\nd1 & 9 a small & well-light$ *apt]-h\se4 ,,*apt] ,,vii ,,! ,,cambio ,x has already be5 %[n t ! /atem5t ( ,cr[e & ,cavalcaselle t ,pietro resid$ entirely 9 ,flor5ce at ?is "t is incorrect1 b x is q op5 to believe t he _h desir$ to d s4 ,he inve/$ "s ( 8 e>n+s 9 ! pur*ase ( l& 9 ! ,borgo ,p9ti 9 #adih1 & 9 ! de$ is ref]r$ to z habitator 9 populo ,s4 ,petri ,majoris4 ,9 ,janu>y #ai?1 #adig1 he 0 call$ 9 to assi/ ,b5ozzo ,gozzoli1 ,cosimo ,roselli1 & ,filipp9o ,lippi to value ! frescoes ( ,alesso ,baldov9etti 9 ! *ur* ( ,/a4 ,tr9it 9 ,flor5ce1 & 9 ,june #adih he 0 pres5t at a meet+ call$ to discuss ! repairs ( ! lant]n ( ,/a4 ,m>ia del ,fiore4 ,! *ur* _h be5 /ruck by lightn+1 & ! "q ( ! repair ( ! injur$ lant]n 0 submitt$ to a meet+ ( ar*itects1 sculptors1 & pa9t]s1 & at ?is meet+ ,filipp9o ,lippi1 ,lor5zo di ,cr$i1 & ,p]ug9o all t5d]$ _! advice4 ,at ab\t ?is "t came an invitation f ! ,priori ( ,p]ugia = him to und]take ! entire decoration ( _! ,cambio or ,b\rse2 & ?is invitation seems to h f9ally dispos$ ( ! ,orvieto contract4 ,he wrote to ! ,orvietans /at+ t he c\ld n come z he 0 o!rwise engag$2 & !re is no trace ( 8 ev] visit+ _! city dur+ 8 life4 ,! flatt]+ reque/ ( 8 adopt$ t[nsm5 0 well pleas+ to ,p]ug9o2 ! t]ms (f]$ him 7 satisfactory2 & e>ly 9 #adii he left ,flor5ce & comm5c$ 9 ,p]ugia :at ,i consid] to be ! mo/ important "w ( 8 life4 ,! sc5es 9 ! decoration ( :at is /ill call$ 9 ,p]ugia ! ,noble ,cambio1 are n ! mo/ beautiful t ,pietro pa9t$1 nor are !y ! f9e/ ( 8 works 9 ! way ( draw+1 composition1 or col\r+4 ,!y1 h[ev]1 =m "p ( a complete s*eme ( decoration1 c>ri$ out1 x is true1 "u c]ta9 def9ite re/rictions laid d[n by ! ,priori1 b1 subject to ^! re/rictions1 design$ ?r\gh\t by ! ma/]1 & ma9ly execut$ by 8 own h&4 ,x has already be5 said t to und]/& ,p]ug9o x is absolutely necess>y to visit ,umbria4 ,! dictum c be made ev5 m def9ite4 ,x is ne$ful to see n only ,umbria b ,p]ugia1 & n only ,p]ugia b ! ,cambio1 9 ord] to h an adequate idea ( ! arti/'s p[]4 ,! qua9t little room mu/ be visit$ aga9 & aga9 if ! /ud5t is to really und]/& its beauty4 ,:5 at fir/ "o /eps f ! brilliant sun%9e ( ! /reet into ?is d>k *amb]1 x is n easy to realise ! ri* decoration :i* cov]s its walls4 ,gradually1 h[ev]1 z ! eye becomes accu/om$ to ! m subdu$ light1 x reveals itself1 b "p only ( ! room c be /udi$ at a "t4 ,! room is v mu* z ,pietro left x1 & 9 its way is "o ( ! mo/ beautiful 9 all ,italy4 ,! l[] "p ( ! walls is wa9scott$ ) d>k wood inlaid 9 t>siature4 ,ne> ! entrance is ! ?rone = ! judge1 & bel[ x ! desks & seats = ! money-*ang]s1 all exquisitely c>v$1 & !n all ar\nd ! room1 above ! wa9scott+1 is ,p]ug9o's fresco decoration1 & above x ! vault$ ceil+ pa9t$ f 8 designs by 8 pupils4 ,!re is unity ab\t ! :ole :i* is p]fect4 ,p]ug9o is at 8 be/1 /ra9+ 8 utmo/ to give hon\r to ! t[n ( 8 adoption1 /imulat$ by ! v nature ( 8 commission1 ex]cis+ all ! f]tility ( 8 tal5t 9 design1 & lab\r+ ) int5se sympa?y & det]m9ation1 conv9c$ t 9 ,p]ugia he c execute a "w t w p]petuate 8 "n = ev] & ev]4 ,! decoration is curi\sly illu/rative ( t /range m+l+ ( spirits :i* ! ,r5aissance produc$4 ,! popul> m9d at ?is p]iod 0 deeply affect$ by ! /udy ( ! classics1 & sacr$ & pr(ane lit]ature 7 be+ consid]$ side by side4 ,! pr$om9ant _s 0 c]ta9ly ,*ri/ian & n pagan1 b 9 a build+ int5d$ = secul> "w ! classic _s _h a full] developm5t ?an 9 a *ur*1 &1 z ,p]ug9o frankly /at$ 9 ! contract = ! decoration t 8 aim 0 to recomm5d ! m]*ants & magi/rates !re9 assembl$ nev] to =sake ! pa? ( duty1 b to rema9 fai?ful to ! dictates ( wisdom1 ( natural reason1 & ( religion1 s x 0 q admissible = him to appeal to great classic h]oes = ! lessons he desir$ to tea*1 & to emphasise & spiritualise all by ! tea*+ ( pure & humble ,*ri/ianity4 ,illu/ration3 ,al9>i photo ,! ,cambio1 ,p]ugia ,,=titude ,,& ,,temp]ance ,,) ,,! ,,w>riors ,x appe>s f ,m>iotti & ,m>*esi t ! subjects 7 submitt$ to ,pietro on ! "p ( ! ,priori by ,francesco ,maturanzio1 ,pr(essor ( ,rhetoric at ,p]ugia1 & secret>y to ! ,priori4 ,9 a ,,ms4 ( poetical works by ,maturanzio1 /ill pres]v$ at ,p]ugia1 ! inscriptions on ! tablets ( ! decoration appe>1 & ,maturanzio himself1 accord+ to ,m>*esi1 d]iv$ "s ( 8 inspiration f a ,,ms4 ,cic]o1 9 :i* are m9iatures ( ! ,virtues & ( ! classic h]oes :o specially exemplify !m4 ,ne> ! door ,pietro has pa9t$ ,cato1 !n on ! left wall1 9 two bays1 are gr\ps ( philosoph]s & w>riors 9 gr\ps ( ?ree1 ea* gr\p consi/+ ( a ,greek betwe5 two ,romans1 & und]nea? ea* figure is 8 "n4 ,above are repres5tations ( ! ,virtues1 & opposite to ^! two bays is "o 9 :i* are depict$ ! ,prophets & ,sibyls1 :ile at ! end ( ! room appe> ! ,nativity & ! ,transfiguration4 ,^! figures are arrang$ 9 "o long l9e1 ea* figure /&+ sep>ately ap>t f ! o!rs1 lonely & ab/ract$4 ,! w>riors are s+ul>ly unlike :at a m pagan arti/ w\ld h depict$4 ,!y are da9ty1 dreamy1 g5tle knights1 almo/ fem99e 9 _! grace ( limb & c\nt5ance1 & 9 _! elegance ( co/ume & pose4 ,9 _! head-dresses ! fancy ( ! arti/ has run wild4 ,no?+ is too extraord9>y = ,p]ug9o to devise1 &1 fond z he always 0 ( ecc5tric helmets & mitres1 he has giv5 full play to 8 imag9ation 9 ^! ,cambio gr\ps1 & deck$ 8 h]oes 9 ! mo/ extraord9>y & extravagant helmets t ev5 8 fancy c\ld inv5t4 ,! arm\r & ! co/ume ( ! figures also %[ h[ exub]ant 0 ! arti/'s fancy1 & 9 ! %ape & decoration ( ! %ields especially he gave x full play4 ,despite all ^! drawbacks1 !re is a c]ta9 /ately grace ab\t ! figures1 ! draw+ is accurate1 ! proportions good1 & ! attitudes natural1 al?\gh j a little =c$4 ,! mo/ important "w ( all is 9 ! l>ge bay opposite to ! w>riors & philosoph]s4 ,?is is /yl$ ! ,triumph ( ,religion1 & repres5ts ! ,prophets & ! ,sibyls /&+ toge!r 9 conv]se1 & above !m is ! ,et]nal ,fa!r1 :o is att5d$ by two angels1 & :o is rais+ ,8 h& 9 bless+4 ,!re is m p[]1 bread?1 & movem5t 9 ?is gr\p ?an 9 ! o!rs1 & !re is clos] connection betwe5 ! v>i\s figures4 ,!y are m c]ta9ly int]e/$ "o 9 ! o!r1 & 9 conv]sation "o ) ! o!r2 :ile z reg>ds _! drap]ies !re is a broad1 full sweep+ treatm5t t is v m>k$1 & des]ves c>eful att5tion4 ,"o m po9t may well be not$1 t1 fond z ,p]ug9o 0 ( inscriptions & names on 8 pictures1 ( ,lat9 v]ses1 & ( ,lat9 signatures1 9 none ( !m is !re su* a pr(usion ( inscriptions z 9 ! ,cambio1 & e lett] is mo/ c>efully drawn ) ! p5cil1 & is admirable 9 its proportions & cle>ness4 ,"o sc5e is practically unique4 ,on b "o o!r occasion1 z f> z ,i am aw>e1 did ,p]ug9o pa9t ! ,transfiguration1 & !n he c>ri$ out b little ( ! picture himself4 ,vas>i incorrectly /yles x ! ,resurrection4 ,?is latt] sc5e ,pietro repres5t$ _m times1 & ev5 ,cr[e & ,cavalcaselle1 c>eful z !y usually 71 h confus$ ! ,transfiguration ) ! ,resurrection :5 !y ref] to ! ,fano alt>-piece4 ,! ?ree disciples 9 ! ,cambio fresco are gr\p$ v mu* 9 ! way 9 :i* ,pietro gr\p$ ! sleep+ disciples 9 ! ,accademia picture4 ,! attitude ( ! ,*ri/ closely resembles t ( ! ,*ri/ 9 ! ,vatican ,resurrection2 b1 ?is resemblance accept$1 ! connection betwe5 ! two repres5tations is at an end4 ,illu/ration3 ,al9>i photo ,! ,cambio1 ,p]ugia ,,portrait ,,( ,,p]ug9o1 #aejj ,!re are no angels 9 ?is picture1 :i*1 = ,p]ug9o1 is mo/ unusual2 b ,moses & ,elias1 f9e1 well-drawn1 p[]ful figures1 take ! place ( ! usual s++ angels :o float 9 ! sky4 ,! half-/>tl$ look ( ! disciples is v clev]ly pres5t$1 & ! gl[ ( ! e!real light ^u _! faces1 p>tially w>d$ (f by ,/4 ,john ) 8 uprais$ h&1 is beautifully depict$4 ,! transfigur$ ,*ri/ is an impos+ figure1 full ( dignity & peace1 & dem&+ rev]5ce f ^? ar\nd4 ,!re is a s5se ( space1 ( di/ance1 & ( my/]y 9 ?is f9e fresco1 :i* ,p]ug9o seldom1 if ev]1 exce$$4 ,:51 at ! v close ( 8 life1 ,p]ug9o pa9t$ = ,/a4 ,m>ia ,nuova 8 o!r fresco ( ! ,transfiguration1 he us$ ! same c>toon z he adopt$ = ! ,cambio1 rev]s+ ! ?ree figures on ! gr\nd4 ,! result is1 h[ev]1 f> diff]5t1 & b little ( ! fresco is really ! "w ( ,p]ug9o4 ,9 place ( a m&orla ( rays ( burn+ light1 !re is ! usual "o ( *]ubs1 cut across by an awkw>d cl\d1 & almo/ all ! figures h lo/ _! dignity & p[]4 ,8 fell[-citiz5s paid him ! complim5t ( desir+ t 8 portrait %\ld be id5tifi$ ) 8 important "w1 & probably ,maturanzio compos$ ! complim5t>y v]ses :i* are writt5 b5ea? x1 & :i* ,p]ug9o himself c\ld c]ta9ly n h select$4 ,! inscription runs3 ,p]dita si fu]at p+5di 8 retulit artem2 ,si nunquam inv5ta e/ hact5us ipse d$it1 :i* ,rev4 ,h4 ,r4 ,w>e has ?us r5d]$3 ,if we _h lo/ ! pa9t]'s art1 'tis "h re/or$ 9 bett] "p2 ,if x _h always be5 unkn[n1 he's giv5 x z 8 v own4 ,! portrait ( ! arti/ may well be comp>$ ) ! "o 9 ! ,uffizi1 :i* 0 s long believ$ to be 81 b :i* has n[ be5 remov$ f its old position & hung 9 ! ,tribuna z ! portrait ( ,francesco delle ,op]e1 accord+ to ! inscription on its back4 ,) ! k t ! "o 9 ! ,cambio is g5u9e1 x is surpris+ t ! ,uffizi portrait %\ld = s long h be5 call$ ,p]ug9o's1 & a :ole /ory spun to acc\nt = ! words ,timete ,deum :i* occur 9 ! man's h&4 ,9 n "o feature d ! two portraits1 h[ev]1 resemble "o ano!r1 & ! "o ( ,p]ug9o 9 ! ,cambio reveals him z a man ( /rong1 heal?y appe>ance1 ( unusual det]m9ation & great p[]4 ,! features reveal /rong s5se ( ideality1 good k ( =m & ( col\r1 & "s dry1 lurk+ hum\r ( a cynical & malici\s type4 ,to a c]ta9 ext5t ! face is s5sual1 b n lascivi\s or voluptu\s2 b its ma9 *>act]i/ic is its det]m9ation1 ! ability to conqu] difficulties1 to lab\r h>d & long1 & to produce a va/ am\nt ( "w 9 a %ort "t4 ,x is also ! face ( a ?\ghtful man1 n s mu* ( a loveable "o1 z ( "o :o 0 ma/]ful & resolute4 ,opposite to ! portrait ( ! arti/1 close by ! fresco ( ,prophets & ,sibyls1 is a label ) ! words1 ,anno ,salvt ,m4,d41 giv+ ! def9ite in=mation 9 :at ye> ! "w 0 complet$4 ,x 01 ,i take x1 at ?is p]iod ( ,p]ug9o's life t ! great ,raphael fir/ became 8 pupil4 ,vas>i's /atem5t z to ,giovanni ,santi tak+ ! lad to ,pietro is unconfirm$1 & mu/ be receiv$ ) caution1 especially z we "k t ,santi di$ 9 #adid4 ,z has already be5 %[n1 ,p]ug9o 0 w&]+1 9 ! ye>s previ\s to #aejj1 f> & wide1 & 0 seldom at ,p]ugia = long toge!r2 &1 z ,morelli 0 ! fir/ to po9t out1 x w\ld h be5 impossible = him to give ! regul> & cont9u\s in/ruction to ! "y lad ,raphael at t "t4 ,9 #aejd ,raphael pa9t$ 8 ,sposalizio1 9 #aeje ! fresco at ,s4 ,sev]o 9 ,p]ugia1 & probably x 0 sev]al ye>s previ\s to ?is t he pa9t$ ! ,dudley ,crucifixion4 ,pr(essor ,rossi ( ,p]ugia has ann\nc$ t docum5ts exi/ 9 t city prov+ t ,raphael actually did n leave ,urb9o till ! end ( #adii4 ,! in=mation is q cr$ible1 & is :at might be expect$2 b x lacks confirmation1 & :5 at ,p]ugia ,i 0 q unable to v]ify its /atem5t4 ,! "q is /ill an op5 "o4 ,morelli gives ,raphael's e>li] tra9+ to ,timoteo ,vite1 b1 to my m9d1 produces no di/9ct pro( ( ! influ5ce ( ,timoteo ^u ! "y ,raphael4 ,x is p]fectly c]ta9 t ! lad 0 a pupil to ,p]ug9o1 & x is1 ( c\rse1 possible--al?\gh h>dly conceivable--t 8 tuition 0 tak+ place dur+ ! busy w&]+ ye>s :i* prec$$ #aejj4 ,my own notion is t ! tuition began 9 #adii or #aejj1 & t ,raphael1 toge!r ) ! o!r pupils1 took 8 "p 9 ! ,cambio decoration1 probably 9 ! "w ( ! ceil+4 ,!re is1 ( c\rse1 a local tradition t 9 two ( ! faces 9 ! fresco ( ,prophets & ,sibyls are immortalis$ ! features ( ,raphael & ,p9turic*io4 ,no?+ is m likely4 ,bo? pupils 7 ( unusual & rem>kable appe>ance1 & ! ma/] may q z well h us$ !m z 8 models :ile work+ ) !m 9 ! room4 ,!re c be no def9ite pro( ( :at "p ,raphael took 9 ! s*eme ( decoration1 b x is pleasant to conceive him z work+ side by side ) ! ma/] ^: art influ5c$ him s /rongly1 & betwe5 ?is "t & t ( #aeje1 :5 ! ,san ,sev]o fresco 0 execut$1 ,raphael may well h be5 assi/+ ,p]ug9o 9 all 8 "w1 & le>n+ f him ! art 9 :i* 9 lat] days he 0 to reign s triumphantly z k+4 ,= ! ,cambio decoration ,p]ug9o appe>s to h receiv$ #cej l>ge gold ducats1 b ! f9al paym5t ( ! money is n made till #aejg1 :5 ! juror ( ! ,cambio1 ,alb]to de ,mansueti1 records ) pride ! fact t he _h f9ally settl$ ! ,cambio paym5ts & obta9$ ,p]ug9o's receipt 9 full1 dat$ #ae? ,janu>y #aejg4 ,illu/ration3 ,al9>i photo ,accademia1 ,flor5ce ,,! ,,assumption ,,( ,,! ,,virg91 #aejj ,,*apt] ,,viii ,,flor5ce1 ,,p]ugia1 ,,& ,,citta ,,della ,,pieve ,! date #aejj is atta*$ to ! great ,vallombrosan alt>-piece1 & x mu/1 !re=e1 h be5 execut$ imm$iately aft] ! completion ( ! ,cambio4 ,:e!r x 0 pa9t$ 9 ,vallombrosa itself or n _c be /at$ ) accuracy2 b ! g5]al impression giv5 by ! docum5ts relat+ to ! picture is t x 0 execut$ )9 ! prec9cts ( ! religi\s h\se4 ,vas>i /ates cle>ly t ! picture 0 done at ,vallombrosa1 b 8 /atem5ts ( ?is sort h always to be accept$ ) caution4 ,x is1 h[ev]1 9 ?is case m ?an probable t he is correct4 ,! picture1 n[ 9 ! ,accademia1 is "o ( ! f9e/ t ,p]ug9o ev] produc$4 ,x pres5ts1 ( c\rse1 _m ( ,p]ug9o's fav\rite figures & arrangem5ts4 ,! m&orla recalls ! alt>-pieces ( ,borgo & ( ,lyons4 ,! ,et]nal ,fa!r above is simil> to ! sc5e 9 ! ,prophets & ,sibyls fresco 9 ! ,cambio4 ,! angels ) musical in/rum5ts w be f\nd aga9 9 ! ,,ss4 ,annunziata picture1 & ! ar*angels att5d+ ^u ! ,et]nal ,fa!r h already be5 se5 sev]al times 9 e>li] works4 ,! g5]al s*eme ( ! picture is ! "o :i* ,pietro made some:at hackney$1 b !re are c]ta9 special features t mu/ n be ov]look$4 ,! ,virg9 is seat$ 9 ! skies )9 a gl[+ radiance ( pure :ite light1 & ?is ( itself is an unusual feature4 ,nev] has ,p]ug9o pa9t$ ! ,madonna s f9ely4 ,!re is a cele/ial beauty ^u h] face1 & h] h&s & robe are depict$ ) ! utmo/ skill & c>e4 ,! angels are some:at loosely drawn1 insipid 9 c\nt5ance1 & lack+ 9 proportion1 especially 9 _! att5uat$ legs1 & 9 ! l>ge size ( _! h&s2 b ! arti/'s ma9 att5tion has be5 giv5 to ?ree po9ts 9 ! picture--! figure ( ! ,virg91 ! f\r figures on ! gr\nd1 & ! l&scape 9 ! re>4 ,cr[e & ,cavalcaselle speak ( ! f\r att5dant sa9ts z magnific5t z isolat$ creations1 & ! words are none too /rong4 ,! f\r figures are sup]b2 !y are well-balanc$ & /& firmly on _! feet2 _! drap]ies are 9 easy folds1 & are pa9t$ ) unusual c>e1 especially 9 _! delicate gradations ( col\r2 ! pose is 9 ea* in/ance suitable & suffici5t1 & !re is t5d]1 rev]5t beauty 9 ! faces1 & ! utmo/ dext]ity & feel+ 9 ! pa9t+ ( ! h&s4 ,/ill great] "w1 h[ev]1 ,p]ug9o execut$ at ,vallombrosa4 ,he pa9t$ ! portraits ( ! ,abbot ,baldass>e1 & ( ,don ,biagio ,milanesi1 & triumphantly prov$ 8 "r to be t]m$ a great portrait-pa9t]4 ,if all o!r works ( ,p]ug9o _h p]i%$ & we possess$ ^! two heads alone1 ! g5ius ( ! arti/ w\ld be reveal$ by !m z ( ! highe/ ord]4 ,illu/ration3 ,al9>i photo ,accademia1 ,flor5ce ,,portrait ,,( ,,! ,,abbot ,,baldass>e ,,( ,,vallombrosa ,!y are pa9t$ ) ! lighte/ ( t\* & ) extraord9>ily little col\r4 ,! tone is t ( old yell[ p>*m5t1 & ea* picture conta9s only ! upturn$ head & a few in*es ( ! br[n mona/ic robe2 b ! effect is p]fect4 ,! m>vell\s feature1 h[ev]1 ( ea* portrait is its absolute tru? & its p]fection ( modell+4 ,!re is no accessory2 !re is no cap1 or hood1 or co/ume2 !re is only a pla9 br[n backgr\nd3 b ! effect is t ( liv+1 brea?+ life4 ,! v slighte/ t\*es reveal ! bones ( ! face & ! correspond+ holl[s ( ! tightly-drawn sk94 ,! b>e1 %av5 head1 ) its n>r[ tonsure1 all[$ no opportunity = c>eless draw+4 ,!re 0 no hair ) its ri* %imm]+ col\r to hide inaccuracies ( l9e or to cov] up faults 9 execution2 b ! ma/] ne$$ none ( ^! excuses4 ,! task 0 a /]n "o1 uncompromis+ 9 its sev]ity2 b x is nobly execut$1 & two del9eations ( "* are pres5t$4 ,already allusion has be5 made to ! portraits ( ,francesco delle ,op]e & ( ! arti/ himself1 & if to !m be add$ ^! two1 & ! faces ( ! /&+ figures 9 ! ,vallombrosan alt>-piece1 a c>eful /ud5t c h>dly fail to ackn[l$ge t ! arti/ 01 above all1 a portrait-pa9t] 9 ! true/ s5se ( ! t]m4 ,illu/ration3 ,al9>i photo ,accademia1 ,flor5ce ,,portrait ,,( ,,don ,,biagio ,,milanesi ,,( ,,vallombrosa ,!re is a v puzzl+ picture :i* 0 probably pa9t$ at ab\t ?is "t1 & :i* 0 execut$ = ,san ,francesco 9 ,p]ugia & hangs n[ 9 ! ,vatican ,gall]y4 ,vas>i ascribes x to ,p]ug9o4 ,ors9i sugge/s t ,raphael _h a h& 9 x4 ,cr[e gives x entirely to ,raphael z a v e>ly "w1 & ,morelli ascribes x entirely to ! h& ( ,lo ,spagna4 ,9 ! mid/ ( s _m conflict+ !ories x may be all[able = me to agree ) ,vas>i4 ,x is n v likely t 9 all 8 "w ,p]ug9o w\ld pres]ve ! same level ( beauty4 ,! ma/] _h1 z 0 mo/ natural1 8 successes & 8 failures4 ,at times 8 commissions 7 s num]\s t "s ( !m 7 c>elessly execut$2 at ano!r "t a subject 0 giv5 him :i* did n altoge!r appeal to 8 m9d2 at ano!r he work$ con amore1 & put 8 :ole s\l into 8 lab\r4 ,we see f9e results 9 ! ,cambio1 & 9 ! ,vallombrosan pictures1 & ,i take x ^! are foll[$ by ?is ,resurrection1 :i* is weak & unsatisfactory1 & by o!rs :i* are ev5 at a l[] level4 ,lat] on we %all see important "w at ,rome1 9 ! ,l\vre1 & at ,citt1 foll[$ by poor1 inadequate "w at ,spello4 ,!n comes a recrudesc5ce1 ( :i* ! great alt>-piece at ,/4 ,ago/9o is ! result1 & ?is is foll[$ by f9al "w :i* is weak & monoton\s1 b :i* /ill reta9s ! p]fume ( ! ma/]'s nobl] days4 ,! figure ( ! ,savi\r is inaccurate & badly drawn1 ! face is q unsatisfactory1 ! m&orla clumsy & rigid1 ! angels poor & lack+ 9 expression1 & _! drap]ies feeble4 ,! col\r+ ( ! picture1 ! l&scape1 ! faces & h&s1 ! wond]ful detail1 ! composition1 ! balance1 &1 above all1 ! te*nique1 speak to me /rongly ( ! ma/]1 to :om ,i ascribe ! picture unhesitat+ly4 ,i c see no h& ( ,raphael 9 x1 & :ile ,i see no special reason = our cr$it+ ! /ory t gives ! sleep+ soldi] on ! "r ! face ( ,raphael1 yet ev5 t /atem5t b r5d]s x less likely t ,raphael _h a h& 9 ! picture itself1 :ile ,i believe t a close comp>ison ( ! ,cambio portrait ) t ( ! fly+ soldi] on ! left w dispose ( ! !ory t 9 8 face we h del9eat$ ! c\nt5ance ( ! ma/] himself4 ,illu/ration3 ,al9>i photo ,vatican1 ,rome ,,! ,,resurrection ,we mu/ n[ retrace our /eps & look at ! arti/ at ,p]ugia4 ,m>iotti records t 9 #aeja ,p]ug9o 0 "o ( ! ,priori ( ! ,city1 &1 be+ sal>i$ (fic]s1 ! ,priori 7 oblig$1 accord+ to ,m>*esi1 to reside 9 ! ,palazzo ,communale1 & give daily att5dance = magi/]ial bus9ess4 ,?is involv$ a good deal ( civic duty1 & d\btless consum$ a great deal ( "t1 & probably dur+ #aeja ,p]ug9o did little pa9t+4 ,he 0 conc]n$ also 9 dome/ic matt]s1 z ,ors9i /ates t 9 two de$s1 dat$ ,decemb] #aa?1 #aeja1 & ,febru>y #bd?1 #aejb1 he divid$ up c]ta9 prop]ty t _h belong$ to 8 uncle1 ,giovanni1 & :i* devolv$ to himself & 8 two nephews1 ,agnolo & ,giacomo di ,giovanni4 ,h[ev]1 if he 0 at ! mom5t unable to pa9t1 he 0 prep>$ to make contracts = future "w1 & ,m>iotti records sev]al ( 8 int]e/+ engagem5ts4 ,"o dat$ ,septemb] #aj?1 #aejb1 is = "s sa9ts & angels ar\nd a l>ge crucifix c>v$ 9 wood1 belong+ to ! conv5t ( ,san ,francesco al ,monte1 & = a ,coronation ( ! ,virg9 to =m ! rev]se side ( ?is alt>-piece4 ,= t he 0 to h #abj flor9s4 ,9 ! same ye> he agre$ to supply to ,baccio d' ,agnolo designs = ! int>sia "w 9 ! /alls ( ,/4 ,ago/9o1 :i* ,baccio 0 to make 9 "o ye> = #aabj flor9s1 & = ! due p]=mance ( 8 task ,p]ug9o became surety4 ,he 0 also to pa9t a d\ble alt>-piece = ,/4 ,ago/9o1 & 0 to design a frame = x :i* ,tomaso 0 to c>ry out4 ,by ano!r contract he agre$ to pa9t a ,sposalizio = ! ,duomo4 ,?is latt] "p ( ! contract ,i d n believe he ev] c>ri$ out1 & ! ,/4 ,ago/9o alt>-piece 0 n f9i%$ = ne>ly tw5ty ye>s1 z !re is a record ( its completion 9 a lett] dat$ ,septemb] #aeba1 writt5 to ! ,pode/a ( ,trevi1 advis+ him t ! ,prior ( ,/4 ,ago/9o _h appo9t$ a valu] = ! picture1 & begg+ him to apprise ,p]ug9o1 :o 0 !n at ,trevi1 ( ! fact4 ,o!r commissions record$ by ,m>iotti 7 ! decorat+ ( ! doors ( ! palace1 & ! pa9t+ up ( ! arms ( ,pope ,julius ,,ii41 :o ?ree ye>s aft] 0 to visit ,p]ugia 9 /ate1 & also ! design+ ( a silv] %ip or nef1 to be us$ z a cr$5ce table4 ,( all ^! v>i\s works he c]ta9ly execut$ at ?is "t ! d\ble alt>-piece = ! ,m9orites at ,san ,francesco al ,monte1 :i* has be5 remov$ to ! ,p9acoteca4 ,probably little m ?an ! design = "o side ( ?is alt>-piece 0 ! "w ( ,pietro1 ! execution be+ done by 8 pupils4 ,! picture is 9 v bad condition1 & 9 places s]i\sly damag$1 b !re are c]ta9 features ab\t x t di/+ui% x f ,p]ug9o's own "w4 ,! long *a9 ( fl[]s & pe>ls c>ri$ by ! angels is n ,p]ug9esque4 ,! ma/] w\ld h us$ a ribbon4 ,! cl\d :i* cuts across ! m&orla 9 two places1 ! awkw>d1 s5tim5tal-look+ faces ( ! disciples & wom51 ! ill-drawn feet1 & weak drap]ies1 all reveal ! h&s ( a pupil1 yet ! idea ( ! picture is di/9ctly ,p]ug9o's1 & "h & !re are traces ( firm]1 /rong] "w1 :i* may well be due to ! ma/] himself4 ,! rev]se side ( ! picture may1 h[ev]1 be safely ascrib$ to ,p]ug9o4 ,! ,virg9 is ! same z 9 ! ,pazzi ,crucifixion1 :ile ! figures ( ,/4 ,m>y ,magdal51 ,/4 ,francis1 & ,/4 ,john1 are to be f\nd 9 o!r alt>-pieces by ,pietro 9 ! same gall]y4 ,9 its orig9al condition ! picture mu/ h be5 a really f9e "o1 & al?\gh t]ribly damag$1 en\gh rema9s to %[ h[ t5d] & sympa!tic mu/ ! :ole composition h appe>$4 ,!re is a r\gh gr&eur ab\t ! quatroc5to c>v$ wood crucifix :i* is laid on ! canvas2 & ! f\r figures & two angels gr\p$ ab\t x1 s placid1 & calm1 & s full ( simple sorr[1 mu/ h =m$ a v impressive "w4 ,! l&scape is delicate & sunny1 & !re is e reason to consid] ?is picture entirely ! "w ( ! ma/]1 & to regret v mu* t by reason ( exposure1 damp1 & neglect x has s s]i\sly suff]$4 ,illu/ration3 ,al9>i photo ,p]ugia ,gall]y ,,! ,,crucifixion 7,pa9t$ r\nd a wood5 crucifix7 ,9 #aejc1 ,p]ug9o left ,p]ugia1 s ,m>iotti records1 complet+ 9 ! ,octob] ( t ye> ! arms ( ,julius ,,ii4 on ! gates ( ! palace & on ! five entrances to ! city4 ,he settl$ d[n 9 ,flor5ce 9 ! ,p9ti qu>t]1 & e>ly 9 ! ye>1 on ,janu>y #be?1 #aejd1 0 pres5t at ! meet+ call$ to *oose a place = ,mi*el ,angelo's gigantic /atue ( ,david4 ,?is meet+ result$ 9 "s bitt] controv]sy4 ,!re 7 eighte5 arti/s pres5t1 among/ :om 7 ,&rea della ,robbia1 ,lor5zo di ,cr$i1 ,s&ro ,botticelli1 ,p]ug9o1 ,leon>do da ,v9ci1 ,filipp9o ,lippi1 ,david ,ghirl&ajo4 ,v>i\s positions 7 sugge/$ = ! /atue1 & a place "u ! ,loggia met ) ! greate/ approval4 ,lippi & ! goldsmi? ,salve/ro di ,lavac*io hav+ sugge/$ t ,mi*el ,angelo himself w\ld probably h giv5 grave consid]ation to a site1 ,pi]o di ,cosimo propos$ t he %\ld be giv5 8 *oice4 ,he *ose ! place occupi$ by ! ,judi?1 :i* 0 remov$1 & ! ,david tak5 to ! ,palazzo ,vec*io4 ,) ?is selection & decision ,p]ug9o did n agree1 nor did ^? :o vot$ ) him = ! position 9 ! ,loggia1 & a p>ty came into exi/5ce oppos$ to ,mi*el ,angelo & dislik+ 8 /yle4 ,_m ( ^! objectors 7 9 ! habit ( meet+ 9 ! botega ( ,p]ug9o's old fri5d1 ,baccio1 ! work] 9 int>sia1 & on "o ( ^! occasions1 :5 "s rem>ks antagoni/ic to ,mi*el ,angelo 7 pass$ r\nd1 ! sculptor1 r\s$ to exasp]ation1 turn$ to ,p]ug9o & pron\nc$ 8 pa9t+s to be absurd & antiquat$4 ,9 ! light ( ! new classic influ5ce ! /atem5t 0 d\btless true1 b x griev\sly annoy$ ,p]ug9o1 & he 0 fooli% en\gh to appeal to ! ,c\ncil ( ,eight1 b obta9$ no r$ress & only expos$ himself to ridicule & s>ca/ic rem>ks4 ,illu/ration3 ,citt della ,pieve ,p]ugia ,citt della ,pieve #bj? ,febru>y #aejd #cj? ,m>* #aeab #a/ ,m>* #aejd ,,?ree ,,lett]s ,,f ,,p]ug9o ,)9 a few days aft] ^! occurr5ces ,p]ug9o left ,flor5ce aga91 & w5t to ,p]ugia4 ,"h a lett] rea*$ him f ! ,priori ( 8 bir?place1 ,citt della ,pieve1 begg+ him to come & pa9t a fresco = !m4 ,on ,febru>y #bj?1 #aejd1 he repli$1 /at+ t a fresco su* z !y requir$ w\ld co/ two hundr$ flor9s1 b t1 9 consid]ation ( ! commission be+ f 8 native t[n1 he w\ld r$uce 8 *>ge to "o hundr$ flor9s1 tw5ty-five to be paid at once1 & tw5ty-five e ye> = ?ree ye>s1 & t he 0 prep>$ to />t at ! "w z soon z he he>d f ! ,priori4 ,! price1 ev5 s r$uc$1 0 m ?an ! ,guild c\ld af=d1 & fur!r correspond5ce ensu$4 ,ev5tually1 ,p]ug9o wrote aga91 on ,m>* #a/1 #aejd1 agree+ to abate ano!r tw5ty-five flor9s & execute ! "w = sev5ty-five1 & ?is ! t[n ( ,citt accept$4 ,! two lett]s to :i* ref]5ce is made 7 discov]$ by ,signor ,guiseppe ,bolleti ( ,citt1 9 #ahce4 ,he 0 excavat+ a t]race ( e>? t made ! wall damp on :i* is ! fam\s fresco1 & f\nd 9 ?is e>? a numb] ( pa9t pots1 & a t9 tube ( ab\t #d in*es long conta9+ ^! two lett]s1 & a ?ird "o4 ,two are /ill pres]v$ betwe5 %eets ( glass at ,citt1 & ! ?ird is 9 ! gall]y at ,p]ugia1 & my fri5d1 ,signor ,&rea ,cec*eti ( ,citt della ,pieve1 has1 by p]mission ( ! au?orities ( ,citt & ( ,p]ugia1 photograph$ ! ?ree lett]s1 s t ,i am able to pres5t !m 9 ?is book4 ,two are reproduc$ = ! fir/ "t1 ! ?ird 0 9 ,mezzanotte's sc>ce volume4 ,! fresco cov]s a wall space ( ab\t #bb feet squ>e4 ,x is dat$ #aejd4 ,!re is 9 ! c5tre ! usual late ,p]ug9o erection1 "u :i* ! sc5e takes place1 & away 9 ! di/ance is ! cu/om>y ,umbrian l&scape4 ,! :ole picture is suffus$ ) a delici\s1 sunny light1 & is v pleas+ to behold4 ,! fresco is a *]i%$ possession ( ! city ( ,citt1 & its inhabitants are always glad = ! great curta9s to be drawn back t cov] x1 9 ord] t !y may fea/ _! eyes ^u ! picture4 ,i _c1 h[ev]1 refra9 f m5tion+ h[ t\*$ ,i 0 by ! exquisite & g5u9e c\rtesy ( ! p ( ?is city1 s *>act]i/ic z x 0 ( ! ,italian c\ntry-folk4 ,! little cr[d t foll[$ me into ! oratory seem$ to ackn[l$ge possession on my "p 9 ! picture = ! "t be+1 & begg$ my p]mission1 ) _m apologies1 t !y might look at ! fresco :i* ,i _h paid to h uncov]$4 ,!y eag]ly took me ?r\gh _! t[n1 & po9t$ out e treasure t !y possess$1 giv+ up gladly to me a consid]able portion ( _! day1 & only too anxi\s t ,i %\ld jo9 ) !m 9 admir+ ! "w ( _! great arti/4 ,to und]/& ! hill t[ns ( ,umbria1 & to see !m 9 all _! peaceful1 sunny slumb]1 a visit mu/ be paid to ,citt della ,pieve4 ,p]ug9o's works f9d a m fitt+ re/+-place 9 8 old bir?place ?an 9 any place t ,i "k4 ,! t[n is solemnly quiet & /rangely beautiful4 ,x is l a petrifi$ city1 sudd5ly /opp$ 9 its gr[?1 left high & dry by ! mov+ wat]s ( civilisation4 ,x is unt\*$ & unspoil$1 & ! visitor to-day f9ds ! t[n v mu* z x 0 :5 ,p]ug9o left x4 ,x is a city ( peace1 & ! peace gl[s on ! faces ( ! p4 ,!y are ! k9de/ & mo/ c\rte\s ( p2 _m ( !m look z ?\gh !y _h /epp$ f ! ma/]'s pictures3 !y /& 9 quiet1 m$itative po/ures1 & 9 *ur* kneel 9 solemn ec/acies ( pray]4 ,!y are purely a pa/oral p1 work+ h>d 9 ! day1 com+ quietly home at night1 & full ( t5d] devotion 9 _! religion1 ( ard5t fai?1 & ( deep dome/ic love 9 _! family circles4 ,! v influ5ce ( ,p]ug9o's pictures seems /ill to dwell 9 ?is little ,umbrian t[n4 ,illu/ration3 ,private photo ,citt della ,pieve ,,! ,,adoration ,,( ,,! ,,magi1 #aejd ,ano!r little t[n is ,panicale1 & "h1 9 ! foll[+ ye>1 ,p]ug9o pa9t$ a ,san ,seba/ian4 ,lo ,spagna1 8 pupil1 is said to h liv$ 9 ?is t[n1 & !re=e1 ,cr[e sugge/s1 _h a h& 9 ! "w2 b ! fresco is sign$ by ,p]ug9o1 dat$ on ! columns ,a4,d4 ,,mdv41 & is ?or\ghly typical ( ,p]ug9o's "w 9 e way4 ,!re is no ne$ to look = ,lo ,spagna's h& 9 ! fresco1 or to expect x2 b x is1 ( c\rse1 q possible t he assi/$ ,p]ug9o 9 pa9t+ x4 ,?is "w is n a true fresco1 b a secco--t is1 x 0 pa9t$ on ! dry wall4 ,! *ur* ( ,san ,ago/9o1 9 ! same t[n1 conta9s a fresco ( ! ,virg9 & ,*ild1 & "h ! spectator w be safe 9 attribut+ ! great] "p ( ! "w to ,lo ,spagna4 ,x 0 9 ?is ye> t ,isabella d',e/e ,gonzaga1 ,du*ess ( ,mantua1 commission$ a picture = h] b\doir 9 ! ,ducal ,palace4 ,%e gave v def9ite in/ructions z to its subject1 writ+ to ! arti/ 9 ! foll[+ words3 ,my poetical idea1 :i* ,i desire y %\ld pa9t1 is a battle ( ,*a/ity aga9/ ,love--t is1 ,pallas & ,diana fight+ aga9/ ,v5us & ,love4 ,pallas mu/ h almo/ conqu]$ ,love2 aft] break+ to pieces ! gold arr[ & silv] quiv] t %e has ca/ d[n be=e h] feet1 %e holds him ) "o h& by ! b&age t ! bl9d "o we>s ov] 8 eyes1 & %e raises h] o!r h& to /rike him4 ,betwe5 ,diana & ,v5us victory mu/ seem to be d\btful2 ,v5us %all be injur$ 9 "s "p ( h] dress only2 z to ,diana1 h] clo!s %all be set on fire by ! tor* ( ,v5us1 b ! bodies ( ! two goddesses %all suff] no w\nd4 ,9 ,june #aeje1 ,p]ug9o wrote to ! ,du*ess f ,flor5ce1 hav+ come !re f ,panicale1 expla9+ t he _h execut$ h] commission 9 temp]a1 z he _h deem$ t to be ! be/ m$ium 9 :i* to depict ! sc5e4 ,he receiv$ eighty ducats = ! picture1 & x rema9$ 9 ! ,palace at ,mantua ,la ,gloriosa until ! "t ( ! plund] 9 #afcj1 :5 x 0 remov$ to ! ca/le ( ,ri*elieu1 :]e x rema9$ d[n to ! "t ( ! ,revolution1 & x n[ hangs 9 ! ,l\vre4 ,! ma/] 0 evid5tly 9 ?is picture cribb'd & conf9$ by ! t]ms ( 8 commission4 ,8 g5ius 0 n all[$ its own prop] developm5t1 & he 0 b\nd d[n to c]ta9 sc5es1 :i* 8 patron _h indicat$ s precisely4 ,! consequ5ce is1 t !re is no he>t 9 ! picture4 ,x is pleas+ 9 a sup]ficial way2 ! l&scape & ! trees are delightful1 al?\gh ! latt] are lack+ 9 proportion2 b ! composition is f> too cr[d$1 weak 9 draw+1 & c>eless 9 execution4 ,!re is a real s5se ( movem5t 9 x1 & its col\r+ is pleasant2 b ! clos] ! picture is scrut9is$ ! less x w be lik$2 & faults 9 draw+ ab\nd on all h&s4 ,mo/ noticeable ( all1 p]haps1 is ! c>elessness %[n 9 ! sizes ( ! figures4 ,!y are ( all heights1 "s gigantic1 & out ( all proportion1 o!rs f> too small & grotesque 9 %ape1 & o!rs aga91 9 ! middle di/ance1 f> too gigantic = _! position4 ,!re is a skilful bit ( movem5t 9 ! figure ( ,m]cury 9 ! sky1 & !re is "s %rewd orig9ality 9 ! v>i\s fables repres5t$ 9 ! backgr\nd2 b ! picture is f> f satisfactory1 & n wor?y ( ! ma/]4 ,illu/ration3 ,brogi photo ,accademia1 ,flor5ce ,,! ,,deposition 7,filipp9o ,lippi & ,p]ug9o7 ,a =tnight aft] he _h writt5 to ! ,du*ess he met ,lor5zo di ,cr$i at ! ,duomo 9 ,flor5ce1 z ! two arti/s _h be5 call$ 9 to decide z to ! respective m]its ( two heads 9 mosaic int5d$ = ! *apel ( ,san ,z5obius4 ,twice dur+ ! ma/]'s life 0 he call$ ^u to complete ano!r man's "w1 once at ,s4 ,sev]o t[>d ! end ( 8 life1 z w be se5 lat] on1 & 9 ! ye> n[ "u consid]ation = ! *ur* ( ,santissima ,annunziata4 ,an important ,desc5t f ! ,cross _h be5 commission$ by "o ,jacopo ,f$]ighi1 a ,knight ( ,malta1 = ! bre?r5 ( ,,ss4 ,annunziata de ,s]vi1 & ! in/ruction giv5 to ,filipp9o ,lippi4 ,9 #aejc he comm5c$ ! "w1 b 9 #aeje he di$1 leav+ x half f9i%$1 & ! monks call$ 9 ,p]ug9o to complete x1 giv+ him also a commission to pa9t an ,assumption ( ! same size = ! rev]se ( ! alt>-piece4 ,! fir/ commission he execut$ well1 ! second s c>elessly t ,vas>i /ates t ! monks gave ! place ( hon\r to ! picture begun by ,filipp9o ,lippi4 ,( ?is picture1 n[ 9 ! ,accademia1 ,lippi did ! upp] "p1 ,p]ug9o ! l[]1 & x is "r to add t he s well bl5d$ 8 "w ) ! "w ( ,lippi t ! picture is h>moni\s & delightful4 ,! swoon+ ( ,! ,virg9 on ! left is n well drawn or pleas+ly repres5t$1 b ! faces are good4 ,! kneel+ ,magdal5 is almo/ dramatic1 :ile ! action ( ,joseph :o is support+ ! dead ,body z x is remov$ f ! ,cross is excell5t4 ,faces1 feet1 & h&s are all good 9 ?is picture1 ^? ( ! two m5 especially1 & 9 ! completion ,p]ug9o evid5tly did 8 utmo/1 & succe$$4 ,! ,assumption is1 h[ev]1 f> diff]5t4 ,vas>i expressly records ! /ory t :5 ! picture 0 fir/ uncov]$1 all ! new arti/s c5sur$ x greatly1 pr9cipally because ,pietro _h aga9 adopt$ ! same figures t _h be5 previ\sly pa9t$ 9 o!r ( 8 works1 = :i* 8 fri5ds reproa*$ him n a little1 decl>+ t he _h tak5 no pa9s4 ,pietro's reply 03 ,i h pa9t$ 9 ?is "w ! figures t y =m]ly comm5d$1 & :i* !n pleas$ y greatly2 if !y n[ displease y & y no long] extol !m1 :at c ,i d8 ,our arti/ 01 h[ev]1 only begg+ ! "q4 ,8 habit ( repetition mu/ by t "t h be5 well kn[n & und]/ood4 ,we h already se5 h[ ! same figure appe>s aga9 & aga91 9 some:at diff]5t pose 9 8 pictures1 & ! fault is a common "o1 especially 9 ! ,umbrian s*ool2 b at lea/ ! pictures are diff]5t 9 o!r respects1 9 arrangem5t1 9 gr\p+1 9 composition4 ,"h1 h[ev]1 ! case is alt]$4 ,! resemblance betwe5 ?is ,assumption & ! ,asc5sion at ,lyons1 ! ,asc5sion at ,borgo & ! ,coronation at ,p]ugia1 is s close z to %[ t ! arti/ _h h>dly tr\bl$ to make any *ange4 ,! gr\ps ( angel musicians ar\nd ! m&orla 9 ! ,assumption & two ,asc5sions are practically id5tical4 ,! fly+ angels & *]ubs bel[ are also alike1 & ! *anges made 9 ! gr\p ( apo/les on ! gr\nd are b slight4 ,! ,virg9 :o /&s b5ea? ! ,*ri/ 9 ! ,asc5sion is replac$ 9 ! ,assumption by ,/4 ,?omas1 :o /&s 9 ! id5tical pose4 ,! empty tomb is1 ( c\rse1 introduc$2 ! m&orla is compos$ ( rays in/ead ( *]ubs1 & ! emblems ( ,/4 ,pet] & ,/4 ,paul are omitt$2 b 9 g5]al effect ! pictures are ! same1 & ! gr\p 9 ! ,coronation at ,p]ugia1 attribut$ 9 ! catalogue to ,p]ug9o1 closely resembles ! gr\p 9 ! o!r ?ree pictures4 ,:5 to all ?is is add$ ! fact t ! ,assumption is pa9t$ 9 a slov5ly way1 ! l&scape h>dly m ?an sugge/$1 ! cl\ds /reaky & wood51 & ! drap]ies =mal & /iff1 x w be se5 t ! compla9t made by bo? monks & arti/s 0 a well-f\nd$ "o4 ,! picture is c]ta9ly *>m+ 9 g5]al effect & col\r+1 especially 9 its pres5t high position ov] a side alt>2 b x w n be> inspection1 & is no cr$it to ! arti/4 ,he 01 h[ev]1 becom+ c>eless & indiff]5t to 8 "w1 &1 gr[+ old1 0 m s5sitive to ! rem>ks ( ! y\ng] & m popul> m54 ,! satirical v]ses t ?is late/ picture evok$1 & ! compla9ts ( 8 patrons & fri5ds1 7 a cause ( con/ant irritation to him2 & al?\gh1 z ,morelli records1 he _h tak5 a h\se1 & pur*as$ 9 ?is v *ur*1 ! ,,ss4 ,annunziata1 a burial-place = himself & 8 desc5dants1 he turn$ 8 back ^u ,flor5ce1 & retir$ 9 great indignation to ,p]ugia4 ,8 "n appe>s no long] on ! rolls ( ! pa9t]s' guild 9 ,flor5ce1 b 9 #aejf is aga9 record$ on ! simil> rolls ( ,p]ugia4 ,a curi\s feature ab\t ?is incid5t is t 9 ! ,uffizi appe> sev]al draw+s & /udies :i*1 x is said1 7 prep>$ = ?is v picture4 ,if x 7 s1 x w\ld imply t ,p]ug9o took great pa9s 9 ! prep>ation ( ! picture1 & made elaborate /udies = x4 ,at ! fir/ glance a draw+ ( five apo/les1 :i* is ! mo/ important ( ^! /udies1 might readily be> ! "n attribut$ to x1 b on v close scrut9y1 x w be f\nd t x does n exactly or ev5 closely resemble any gr\p 9 ! ,annunziata picture1 nor 9 ! ,asc5sions at ,lyons or ,borgo ,san ,sepolcro1 nor ! ,coronation ( ,our ,lady at ,p]ugia4 ,x mu* m closely resembles1 & is 9 p>ts id5tical ) ,p]ug9o's lat] "w at ,rome1 9 ! ,cam]a dell' ,inc5dio1 & x is = ?is "w t ,i believe ! /udies 7 prep>$1 :i* ! ,uffizi catalogues to ! ,annunziata picture4 ,,*apt] ,,ix ,,age1 ,,infirmity1 ,,dignity1 ,,& ,,dea? ,arriv$ 9 ,p]ugia1 ,pietro's fir/ "w1 z we are told by ,m>iotti & ,ors9i1 0 to collect c]ta9 sums ( money due to him = pictures he _h pa9t$4 ,f ! t[n au?orities = ! ,cambio he drew #cej ducats4 ,f ,citt della ,pieve he claim$ tw5ty-five flor9s1 b accept$1 on ,m>* #bi?1 #aejg1 a h\se f ! municipality 9 settlem5t ( 8 claim4 ,to ! t[n ( ,panicale he wrote = paym5t ( ! balance due to him = ! ,san ,seba/ian1 b 9 8 lett] made a g5]\s (f] to ! au?orities4 ,two ye>s be=e1 says ,m>iotti1 he _h l5t f\rte5 pa9t$ bann]s to ,panicale = a ,corpus ,*ri/i procession1 & he n[ wrote t ! t[n might1 if x desir$ s to d1 keep ! bann]s z a gift f him1 b t if t 0 done he consid]$ he ought to be paid ! balance ( ! elev5 flor9s t 0 /ill due to him4 ,! ,priori accept$ 8 k9dly (f]1 & on ,septemb] #a/1 #aejg1 s5t him ! elev5 flor9s1 = :i* he gave !m a receipt1 & !y accept$ 8 gift ( ! bann]s4 ,an int]e/+ commission rea*$ him 9 ,p]ugia 9 #aejg4 ,! executors ( "o1 ,giovanni ,s*iavone1 a ma/] c>p5t]1 commission$ an alt>-piece = ,/a4 ,m>ia ,nuova de ,s]vi1 & ?is commission ,p]ug9o execut$ ) great c>e4 ,! picture1 :i* n[ hangs 9 ! ,national ,gall]y1 is a rem>kable "o 9 _m ways4 ,! pa9t] 0 ov] sixty ye>s old2 he _h j f9i%$ a v poor & slov5ly "w4 ,he 01 a little lat]1 to execute "s works ev5 m /range 9 _! /iffness1 =mality1 & want ( accurate draw+1 b 9 ?is picture mu* ( 8 old fire is to be se54 ,! col\r+ is notable1 z ! picture is full ( t liv+ gold5 haze or gl[ :i* m>ks 8 f9e/ works1 & is s typical ( !m4 ,x has caught & imprison$ ! sun%9e1 & is =ev] bright5+ ! room 9 :i* x hangs4 ,! composition1 too1 is orig9al2 ! two angels 9 ! air d n appe> 9 o!r pictures4 ,z f> z ,i "k nev] did ,p]ug9o1 save 9 ?is picture1 repres5t ! ,madonna be+ cr[n$ by angels1 nor did 8 angels be> palms4 ,9 ! figure ( ,/4 ,francis he does n foll[ 8 usual type or pose1 & ! div9e ,*ild possesses f> m vig\r ( life1 & is f> bett] drawn & proportion$ ?an is g5]ally ! case4 ,is x possible t ! ma/]'s old /udies & c>toons 7 /ill 9 ,flor5ce or en r\te = ,p]ugia1 & t 9 _! abs5ce he 0 compell$ to design a "w ( unusual "*1 & on orig9al l9es8 ,! ,s*iavone picture complet$1 ,p]ug9o left = ,foligno1 :]e a ,baptism ( ,*ri/ _h be5 commission$ = ! *ur* ( ,,ss4 ,annunziata4 ,x 0 commission$ by "o ,giovanni ,bati/a1 ^: "n appe>s ^u x1 & :o 0 probably ,giambatti/a ,caporali ( ,p]ugia1 b ! *ur* is n[ disus$ & neglect$1 & ! fresco is 9 v damag$ condition4 ,illu/ration3 ,hanf/a5gl photo ,national ,gall]y1 ,london ,,! ,,s*iavone ,,alt>-,,piece1 #aejg ,:ile at ,foligno1 ,p]ug9o receiv$ ord]s to come to ,rome4 ,pope ,julius ,,ii4 desir$ him to decorate "s ceil+s 9 ! ,vatican1 b x is n v cle> :at ! in/ructions really 74 ,"o ceil+ we "k he decorat$1 t 9 ! ,cam]a dell' ,inc5dio1 because :5 ,raphael complet$ ! decoration ( ! s]ies ( rooms he sp>$ ?is ceil+ out ( respect to 8 old ma/]4 ,! ,holy ,fa!r1 prior to ,raphael's arrival 9 ,rome 9 #aejh1 _h be5 employ+ ! *ief well-kn[n arti/s ( ! day 9 8 s*emes2 ,pi]o della ,francesca1 ,bramant9o1 ,sodoma1 ,luca ,signorelli1 & o!rs _h receiv$ commissions4 ,raphael1 :o1 !n only 9 8 tw5ty-fif? ye>1 0 he>d ( ?r\gh ,bramante1 0 summon$ to ,rome to assi/ ! o!rs1 b 8 "w s delight$ ! ,pope t ! o!r arti/s 7 dismiss$1 & ,raphael 0 ord]$ to de/roy _! frescoes & to replace !m ) 8 own4 ,"o1 h[ev]1 ( ,p]ug9o's ceil+s ,raphael sp>$ z j record$4 ,?is ceil+ decoration consi/s ( ?ree tondi )9 bord]s & decoration ( fl[+ arabesque design1 & bo? composition & figures are m>k$ by ! ma/]'s e>ly me?ods1 & d n reveal ! p[] ( 8 m mature "w4 ,_! composition is m cr[d$ ?an 0 ,p]ug9o's wont1 b ! exquisite beauty ( ! figures is unmi/akable1 & x 0 a graceful act on ! "p ( ,raphael to sp>e ?is f9e ceil+ z a memorial ( 8 ma/]'s "w 9 ! ,vatican /anze4 ,two at lea/ ( ! ,uffizi draw+s 7 prep>$1 ,i believe1 = ?is ceil+4 ,:at else ,p]ug9o did 9 ,rome on ?is 8 second visit1 or h[ long he /ay$1 is n kn[n4 ,we are1 h[ev]1 told t he lodg$ 9 ! ,palazzo ,san ,clem5to1 t he met ,luca ,signorelli & ,p9turic*io1 & t !y d9$ toge!r at ,bramante's h\se1 & ! sc5e is describ$ by ,giambatti/a ,caporali 9 8 comm5ts on ,vitruvius4 ,p]ug9o at ?is "t introduc$ 8 pupil ,caporali to ! arti/s 9 ,rome4 ,cr[e ?9ks t f ,rome ,p]ug9o w5t to ,assisi1 :]e1 at ! *ur* ( ,santa ,m>ia degli ,angeli1 on ! re> wall ( ! portiuncula1 fac+ ea/1 he pa9t$ a f9e ,crucifixion4 ,few ev5ts 9 8 life %[ ! v high reputation enjoy$ by ! ma/] m cle>ly ?an is %[n by ?is commission4 ,to be call$ 9 to decorate ! v wall ( ! sacr$ little h\se t 9 ! six? c5tury _h %elt]$ ,/4 ,b5$ict & 9 ! ?irte5? c5tury ,/4 ,francis1 & :i* ev5 at t p]iod _h become "o ( ! great %r9es ( ,*ri/5dom1 0 hon\r inde$4 ,! ,crucifixion some:at closely resembl$ ! "o 9 ! ,accademia pa9t$ = ! mona/]y ( ,/4 ,j]ome1 b h>dly any?+ ( ! arti/'s "w n[ rema9s4 ,! upp] "p ( ! fresco 0 de/roy$ 9 #agjj dur+ ! demolition ( ! old *oir to make way = ! pres5t build+1 & ! l[] "p :i* rema9s 0 entirely re/or$ by ,ca/ellani 9 #ahcj4 ,f ,assisi ,p]ug9o w5t to ,si5a & pa9t$ a picture = ! ,vi]i family = ! *ur* ( ,san ,francesco :i* 0 complet$ ,septemb] #e?1 #aeaj1,n & :i* 0 burnt 9 #afee4 ,"o fragm5t only rema9s ( ?is picture1 a face ( v consid]able beauty1 :i* belongs n[ to ,miss ,h]tz1 & is 9 h] home 9 ,rome4 ,illu/ration3 ,al9>i photo ,/4 ,augu/9e's1 ,si5a ,,! ,,crucifixion1 #aeaj ,9 ,si5a1 also1 ,p]ug9o pa9t$ a ,crucifixion = ! ,*igi alt> 9 ,san ,ago/9o1 = :i* he 0 paid #bjj ducats4 ,?is is /ill 9 exi/5ce1 b is a /iff & =mal piece1 especially if comp>$ ) 8 e>li] r5d]+s ( ! same dread sc5e4 ,two features di/+ui% x f o!r crucifixions4 ,! pelican 9 its piety ) its ?ree "y 9 _! ne/ surm\nts ! ,cross1 a piece ( symbolism us$ n[h]e else by ! arti/1 & ! float+ angels c>ry ) !m d\ble twi/$ ribbons in/ead ( a s+le "o4 ,ors9i1 at ?is /age1 says t ,p]ug9o w5t to ,flor5ce1 b he 0 soon back 9 ,p]ugia 7#aeab71 :]e he pur*as$ two f>ms & a h\se4 ,m>iotti records ! transaction4 ,! total sum 0 #afjj flor9s1 b ,p]ug9o c\ld n pay ! entire sum at once1 & paid d[n a deposit & gave ov] a h\se 9 ,porta ,santa ,anna :i* he _h receiv$ 9 paym5t = a picture1 & promis$ to pay o!r sums at fix$ times till he _h cle>$ (f ! am\nt4 ,9 ?is same ye> we f9d ! w&]+ arti/ at ! little hill t[n ( ,bettona1 s difficult ( access1 & situate ne> to ,assisi1 & ! pictures :i* rema9 9 pro( ( 8 visit are extraord9>y & rem>kable ones4 ,! *ief "o is a votive picture commission$ by "o ,boto da ,m>aglia :o _h be5 tak5 prison] by ! ,fr5* b releas$4 ,! picture repres5ts a gigantic figure ( ,/4 ,an?ony1 calm & almo/ expressionless1 & !n a curi\s dw>fi% figure ( ,boto1 kneel+ at 8 feet1 9 full arm\r1 gaz+ up into ! face ( 8 patron sa9t to :om he r5d]s 8 ?anks4 ,! o!r "o is a ,madonna1 :o is also ( abnormal size1 ga!r+ "u h] ample cloak kneel+ figures ( ,san ,manno & ,san ,girolamo1 toge!r ) mu* small] figures ( ! man & 8 wife :o commission$ ! picture4 ,^! pictures are 9 v bad condition1 b di/9ctly int]e/+1 z !y diff] s mu* f ,p]ug9o's ord9>y "w4 ,/ill j\rney+ ar\nd ,p]ugia1 we f9d our arti/ visit+ 9 #aeab & 9 #aeac 8 native t[n ( ,citt della ,pieve4,o ,h[ long he /ay$ !re is n cle>1 nor :e!r he w5t aga9 & aga9 to ! t[n or rema9$ !re = a ye> or two4 ,!re are two pictures at ,citt dat$ #aeac1 ano!r done 9 #aead1 & a f\r? 9 #aeag1 & a fif? )\t date4 ,! ,virg9 & ,*ild ) f\r sa9ts1 ,/4 ,protasius1 ,/4 ,pet]1 ,/4 ,paul1 & ,/4 ,g]vasius1 pa9t$ = ! ca!dral ( ,/4 ,g]vasius1 is m>k$ by t =mal1 &1 al?\gh sweet1 yet sickly s5tim5tality t di/+ui%$ mu* ( ,p]ug9o's lat] "w4 ,x is t]ribly =mal & /iff1 & only deta*$ p>ts ( x1 su* z ! faces ( ,our ,lady1 ! ,*ild1 & ,/4 ,pet]1 are really beautiful4 ,x 0 ord]$ by ! ,prior1 & is sign$ & dat$4 ,! o!r "o 9 ! ,duomo1 be>+ ! same date1 is ( ! ,virg9 & ,*ild ) f\r sa9ts1 & !n 9 a *apel is "o ( ! ,baptism1 :i* cle>ly belongs to ! same p]iod & is z =mal & sup]ficial z ! o!r two4 ,9 ! *ur* ( ,/4 ,pet]1 ov] ! alt>1 is ! picture :i* 0 pa9t$ 9 ! foll[+ ye>1 & is 9 f> bett] condition ?an are ! o!r ?ree1 & di/+ui%$ by a grace t is abs5t f ! o!rs4 ,! face ( ,/4 ,an?ony is b5evol5t & expressive1 b little m c be said 9 fav\r ( ?is picture4 ,!re is1 h[ev]1 "s /r5g? & "s t5d]ness 9 :at rema9s ( ! ru9$ fresco 9 ! *ur* ( ,/4 ,s]vi4 ,ne>ly all ! fresco is gone4 ,"p has be5 cut away to make a door1 "p has fad$1 "p has crumbl$ away1 "p has be5 pick$ (f ! wall1 b :at rema9s is wond]fully beautiful4 ,x is b a fragm5t1 a ru9$1 fad$ bit1 b x diff]s entirely f e o!r ,crucifixion t ,p]ug9o ev] pa9t$ & is full ( graceful figures4 ,! *ief "p t is left is ! gr\p ( ! holy wom5 assi/+ ! ,virg9 z %e s9ks to ! e>? 9 a swoon1 & x is wor? all ! j\rney to ,citt to see ?is gr\p4 ,!re is life & vig\r "h1 ?is is real angui% ( _s & bitt] grief depict$ 9 ! faces1 & we d n 9 ! lea/ wond] t n only ,m4 ,br\ssolle1 b ,mrs4 ,vaughan & ,miss ,duff ,gordon1 :o are among/ ! few :o h p5etrat$ to ?is remote t[n & absorb$ its _s & its beauty1 speak 9 words ( rev]5ce ( ! pa?os ( ?is sc5e4 ,9 all 8 life ,p]ug9o nev] pa9t$ any?+ m t5d] & sweet ?an he did at ,/4 ,s]vi 9 8 old home1 & ! fragm5t t rema9s %\ld be gu>d$ ) inf9ite c>e1 =1 damag$ z x is1 x is mo/ preci\s4 ,"o "w only rema9s t c be def9itely attribut$ to ! next ye>1 #aeah1 & !n = two ye>s we "k no?+ ( ,p]ug9o1 al?\gh we are able to surmise z to ! "w t engag$ 8 "t4 ,! #aeah picture 0 pa9t$ 9 ,p]ugia = ! great *ur* ( ,san ,francesco al ,prato4 ,x repres5ts ,san ,seba/ian b\nd to a column & attack$ by ar*]s1 & is sign$ & dat$4 ,dur+ ! next two ye>s1 x may well be imag9$ t ,p]ug9o 0 h>d at "w at ! great alt>-piece = ,/4 ,ago/9o1 :i* _h be5 ord]$ be=e #aeab4 ,"o ( ! mo/ puzzl+ que/ions :i* arises 9 a book ab\t ,p]ug9o is h[ ?is ancona is to be recon/ruct$4 ,x is scatt]$ f> & wide ov] ,europe1 & only important p>ts ( x are n[ 9 ,p]ugia4 ,"o alt>-piece1 :i* is /at$ to h come f ,san ,ago/9o1 mu/ h1 ,i ?9k1 belong$ to ano!r alt> & _h no?+ to d ) t d\ble ancona4 ,x repres5ts ! ,madonna ) ,/4 ,nicolas1 ,/4 ,b]n>d1 ,/4 ,j]ome1 & ,/4 ,seba/ian1 & _h ! space bel[ left = ! tab]nacle1 ! m>k ( :i* c /ill be se54 ,illu/ration3 ,private photo ,gr5oble ,gall]y ,,/4 ,,seba/ian ,,& ,,/4 ,,apollonia 7,f ! ,s4 ,ago/9o 7,p]ugia7 alt>-piece7 ,p]haps to ?is same p]iod belongs ! fanta/ic ,/4 ,john ,bapti/1 ) ,/4 ,an?ony ( ,padua1 ,/4 ,seba/ian1 ,/4 ,j]ome1 & ,/4 ,francis1 pa9t$ = ,san ,francesco al ,prato4 ,! ,/4 ,seba/ian "h has deg5]at$ into a girli% fop1 ) elaborate head-dress & boots1 & al?\gh ! faces ( ! o!r ?ree sa9ts are pleas+ & ?\ghtful1 yet ! picture is t]ribly deg5]ate1 & ! l&scape 9 ! re> h>dly exi/s at all4 ,! same faults are to be f\nd 9 ! typical late pictures to be f\nd at ,spello1 9 ! *ur* ( ,/a4 ,m>ia ,maggiore4 ,!y are bo? sign$ & dat$1 & belong to #aeba1 & c only be admir$ = _! col\r & = ! k t ev5 !y reveal ( ! possibilities ( space4 ,illu/ration3 ,&]son photo ,san ,sev]o1 ,p]ugia ,,! ,,holy ,,tr9ity ,,& ,,v>i\s ,,sa9ts 7,raphael & ,p]ug9o71 #aeje & #aeba ,! tale ( ! #aeba pictures is n yet1 h[ev]1 ne>ly complete1 b 9 ! works n[ com+ "u consid]ation an improvem5t w be p]ceptible4 ,! six figures ( ,/4 ,s*ola/ica1 ,/4 ,j]ome1 ,/4 ,john1 ,/4 ,gregory1 ,/4 ,boniface1 & ,/4 ,m>?a1 :i* ,p]ug9o add$ 9 ! *ur* ( ,san ,sev]o1 bel[ ! fresco pa9t$ by 8 great pupil 9 #aeje1 are dignifi$ & impressive4 ,!y are f> remov$ f ! p[] ( e>ly "w2 !re is a cumb]som5ess ab\t _! drap]ies1 & a sam5ess 9 pose & /yle1 b ! face ( ,/4 ,boniface is lovely1 & ^? ( ,/4 ,j]ome & ,/4 ,john solemn & gr&1 :ile all ! figures are well-proportion$1 & /& well on _! feet4 ,x 0 a melan*oly duty to complete ! unf9i%$ & e>ly "w ( ! great pupil :o _h s f> surpass$ 8 ma/]1 b evid5tly ! old ma/] did x z well z he c\ld1 l+]$ lov+ly ov] its details1 & pr\dly record$ 8 "n ^u 8 "w4 ,! :ole fresco is ( notable int]e/1 z ! comb9ation ( ! works ( ma/] & pupil1 ) ! inscriptions record+ ! names ( ! arti/s & ( ! patrons :o employ$ !m1 is unique4 ,sixte5 ye>s _h pass$ s9ce ! upp] fresco 0 pa9t$4 ,raphael _h m\nt$ on f glory to glory1 leav+ beh9d him all 8 contempor>ies1 & _h be5 reckon$ z ! k+ ( !m n[2 & n[1 9 ! ye> aft] 8 dea?1 8 old ma/] is call$ up to complete ! "w1 & he gives to ! commission ! be/ abilities ( a fad+ old age4 ,p]haps 8 neighb\rs commis]at$ too mu* ) him1 or taunt$ him ) ! decay ( 8 p[]s4 ,:atev] may h be5 ! cause1 x is q cle> t1 ris+ sup]ior to ! qua9tness1 /iffness1 & =mality ( ,spello1 ,p]ug9o sudd5ly wak5$ up into "s old vig\r1 & mu* ( ! old _s is to be se5 9 8 la/ works4 ,9 ! *ur* ( ,san ,francesco at ,montefalco is 8 ,presepio1 :i* x is absurd to give to ,tib]io d' ,assisi1 ,lo ,spagna1 or ,manni4 ,works by all ^! m5 hang close by 9 ! des]t$ *ur*1 :i* n[ =ms a wond]ful picture gall]y1 & ! comp>ison c easily be made4 ,!re is a record ( a visit f ,p]ug9o to ! t[n en r\te = ,trevi 9 ?is v ye>1 & ) him came two at lea/ ( ^! pupils1 b no pupil ev] pa9t$ ?is ,presepio1 al?\gh x is mo/ probable t ! lunette above x is by ,tib]io d' ,assisi4 ,! l[] picture1 h[ev]1 gl[s ) gold5 sun%9e1 & ! l&scape is full ( beauty1 & repres5ts1 z 0 s (t5 ! case1 ! view to be se5 f ! v walls ( ?is wond]ful old city4 ,"s ( ! faces are =mal1 ! drap]ies are co>se & /iff1 & %[ signs ( hurri$ "w1 b ! s5se ( di/ance proclaims ! au?or ( ! fresco1 & ! faces ( ,/4 ,joseph & ( ! ,virg9 & ! da9ty decoration ( ! columns are ) ! l&scape really good pieces ( "w1 & a wond]ful improvem5t ^u ! pictures at ,spello1 ,bettona1 or 9 ! ,duomo at ,citt della ,pieve4 ,illu/ration3 ,al9>i photo ,/a4 ,m>ia1 ,trevi ,,! ,,adoration ,,( ,,! ,,magi1 #aeba ,outside ,montefalco is ,san ,=tunato1 :]e ,tib]io d' ,assisi pa9t$ ! cloi/]s1 & "h probably ,p]ug9o /opp$1 & "o figure 9 ! ceil+ is c]ta9ly 8 "w1 p]haps done to %[ ,tib]io a sugge/ion z to ! decoration1 or put 9 at ! pupil's own reque/4 ,!n he j\rney$ on to ,trevi1 ano!r delightful hill t[n1 full ( *>m & beauty1 & !re1 an old man ( sev5ty-five1 9 ! *ur* ( ,/a4 ,m>ia della ,lacrime1 outside ! t[n1 he pa9t$ 8 ,adoration ( ! ,magi4 ,x is ! old1 old design4 ,!re is ! wood5 erection1 ! en?ron$ ,madonna & ,*ild1 ! kneel+ ,magi1 ! cr[d ( att5dants4 ,9 ! di/ance are ! s]vants ) horses & camels1 & away beyond are ! blue hills1 ! riv]1 & ! sky4 ,c]ta9ly x is deg5]ate "w2 b :i* ( ! m5 ( 8 "t c\ld d su* "w8 ,no "o else c\ld s pres5t ! cont9u\s space ( nature1 ! spaci\sness & va/ness ( ! di/ance1 or ba! 8 pictures 9 ! dreamy sunlight ( summ]4 ,i l+]$ long be=e ?is fresco1 lo? to leave x1 its tranquillity is s m>k$1 its air9ess is s impressive4 ,x 0 :ile complet+ ?is picture t ! message z to ! ,san ,ago/9o ancona rea*$ ,pietro4 ,back he came to ,p]ugia 9 #aebb1 pa9t$ ! ,transfiguration = ,/a4 ,m>ia ,nuova1 & its ?ree pr$ella panels n[ 9 ! ,p]ugia ,gall]y1 & ! frescoes 9 ! ,nunn]y ( ,s4 ,agnese 7:]e he _h relations71 :i* ,i h n be5 able to see1 z ! ,nunn]y is n[ /rictly cloi/]$4 ,?ree m frescoes only rema9 = m5tion4 ,a h>% & hurri$ "o 9 ! ca!dral ( ,p]ugia1 9 :i* ! ,magdal5's face is ! r$eem+ feature1 a fad$ b lovely ,nativity 9 ! ,alfani ,rooms 7,room #ac7 9 ! ,p]ugia ,gall]y1 :i* is full ( exquisite feel+ & t5d]1 rev]5t grace1 & f9ally1 ! la/ & unf9i%$ "w :i* n[ hangs 9 ! ,national ,gall]y4 ,?is is a huge fresco transf]r$ to canvas1 & measures #ai ft4 #f 94 long4 ,x 0 execut$ at ,fontignano 9 #aebc1 & is said to h be5 ! la/ "w ( ! arti/4 ,! h& _h n lo/ its cunn+1 & !re is mu* ( ! e>ly sweetness 9 ?is huge fresco4 ,!re is ! *>m ( its fad$ blues & purples1 ! haze ( its %imm]+ sun%9e1 & ! t5d] rev]5ce ( ! kneel+ figures4 ,!re are j ! same accessories z 7 adopt$ by ,p]ug9o 9 e>li] ,adorations1 v mu* ! same gr\p+1 & almo/ id5tical figures1 & 9 ^! respects ! two la/ pictures t ! arti/ pa9t$ are almo/ copies1 "o ( ! o!r1 diff]+ only 9 proportions4 ,! ,p]ugia fresco is small1 ! ,london "o v l>ge2 b bo? are really lovely compositions1 full ( my/]i\s *>m1 & x is pleasant to "k t ! arti/'s la/ works 7 n ! que]1 qua9t ones ( ,spello & ,bettona1 b ! wond]ful1 sc5es ( ! ,adoration1 pa9t$ ) mu* ( 8 old vig\r & ) all 8 e>li] *>m4 ,m>iotti tells u t ,p]ug9o di$ at ! ,osp$ale ( ,fontignano1 & ,ors9i sugge/s t x 0 ( plague4 ,!re 7 v>i\s traditions z to 8 burial2 ev5 9 ,m>iotti's "t1 ,vas>i /ates1 he 0 hon\rably buri$ at ,citt della ,pieve1 b !re is absolutely no?+ to support ?is /atem5t4 ,! arti/ 01 accord+ to local acc\nt hurri$ly buri$ 9 a field1 z at t "t all t[n fun]als 7 =bidd5 on acc\nt ( ! viol5ce ( ! epidemic4 ,9 ! foll[+ ye>1 8 sons1 desir\s ( af=d+ him an hon\rable burial1 accord+ to ! rites ( ,holy ,*ur*1 tri$ to make arrangem5t = ! removal ( ! body4 ,on ,decemb] #cj?1 #aebd1 !y ent]$ into a contract ) ! monks ( ,san ,ago/9o1 :o 7 /ill 9 _! fa!r's debt #ej scudi1 t !y %\ld remove 8 body f ,fontignano & bury him 9 _! *ur*1 & ! sons agre$ to pay = ! ,mass4 ,m>iotti says t !re 0 9 8 "t no pro( t t ev] 0 done1 b ! v fact ( ! contract proves t no?+ c\ld be said to ! discr$it ( ,p]ug9o's life or "*1 & refutes idle rum\r z to 8 a!ism4 ,a spot 0 po9t$ to ,m>iotti half-a-mile f ,fontignano z ! place ( ,p]ug9o's burial1 b he records t1 al?\gh no?+ 0 f\nd :5 ?is spot 0 exam9$1 yet he c\ld nev] f9d any pro( t ! dev\t wi%es ( ! ?ree sons1 ,giovanni ,bati/a1 ,francesco1 & ,mi*el ,angelo1 7 ev] fulfill$4 ,x is mo/ probable t ow+ to ! plague & to ! w>1 :i* at ! "t 7 rag+ 9 ,p]ugia1 ! removal ( ,p]ug9o's body 0 delay$1 & s ev5tually q =gott54 ,no man1 !re=e1 kn[s :]e ! great arti/ 0 buri$1 & ! burial-place he b\ght at ,,ss4 ,annunziata 9 ,flor5ce1 0 unoccupi$4 ,m>iotti /ates t 8 only desc5dant 0 a gr&son1 "o ,john ,batti/a ,vannucci1 ^: "n appe>$ z a s*ol> 9 ! ,univ]sity ( ,citt della ,pieve4 ,x is1 !re=e1 q possible t ! plague c>ri$ (f n only ! arti/1 b %ortly aft]w>ds 8 ?ree sons also4 ,pietro's wife 0 "o ,*i>e ,fancelli1 a v beautiful girl1 :om he m>ri$1 #a/ ,septemb] #adic1 9 ! ,canonica 9 ,p]ugia4 ,%e 0 ! daught] ( ,luca1 an ar*itect & surveyor 9 ! s]vice ( ! ,m>quis ( ,mantua4 ,tradition /ates t %e 0 ! model = ! angel ) ,tobias 9 ! ,national ,gall]y4 ,%e br\ght him a d[ry ( #ejj gold ducats1 & _h 9 all sev5 *ildr52 & ,vas>i /ates t ,pietro 0 exce$+ fond ( h]1 & s pr\d ( h] beauty t he lov$ to give h] beautiful jewels & co/ly dresses1 & to adorn h] ) 8 own h&s4 ,aft] 8 dea? %e wrote 9 #aebd to ! ,m>*ioness ( ,mantua (f]+ h] a picture by h] husb& 7n n[ kn[n7 ( ,m>s & ,v5us discov]$ toge!r by ,vulcan1 :i* 0 = sale4 ,?is in=mation ,braghirolli discov]$4 ,%e 0 /ill liv+ 9 #aedj4 ,( ,p]ug9o's s*ol>s :o s closely foll[$ _! ma/]1 x w suffice j to m5tion ,lo ,spagna1 ,eusebio di ,san ,giorgio1 ,giovanni ,batta ,caporali1 ,tib]io d',assisi1 ,giannicola ,manni1 ,rocco ,zoppo1 ,baccio ,ub]t9i1 b ! glory ( ,raphael has ov]%ad[$ !m all4 ,x may be well f9ally to review briefly ! *>act]i/ics ( ! arti/1 & ( 8 "w4 ,p]ug9o appe>s to h be5 a man ( great det]m9ation1 ,lupatelli says ( iron w4 ,he _h kn[n pov]ty 9 8 e>ly days1 & _h fac$ x4 ,he 0 det]m9$ to pu% 8 way & make a liv+1 &1 if possible1 a great "n2 & he succe$$ 9 8 purpose4 ,brunamonti speaks sev]al times ( 8 desire to g ahead1 & x is q cle> t he 0 ambiti\s & en]getic1 & h5ce 8 success4 ,!re is no pro( :atev] t he 0 irreligi\s1 or1 z ,vas>i implies1 a!i/ic1 b 8 face betok5s a m9d t w\ld n ord9>ily be satisfi$ )\t argum5t & exam9ation1 & x 0 p]haps 8 controv]sial habits t obta9$ = him ! "* t ,vas>i has record$4 ,8 employm5t by ! ,*ur*1 n only by ! ,*ief ,pontiff b by num]\s dignit>ies & by _m religi\s ord]s1 & ! arrangem5t j m5tion$ & ent]$ into by 8 sons z to 8 burial1 suffici5tly refute ,vas>i's /atem5ts2 b beyond ?is1 x is inconceivable t su* pictures z ! ,pazzi ,crucifixion1 ! ,san ,sev]o ,deposition1 ! ,vallambrosan ,assumption1 to "n b ?ree typical ones1 c\ld be pa9t$ by an irreligi\s man4 ,i am dispos$ to consid] 8 portraits z 8 f9e/ works1 & to me ! portraits ( ! two monks ( ,vallombrosa reveal him z a great ma/]1 v skilful1 & possess$ ( wond]ful p[]4 ,8 m popul> compositions are _m ( !m ( /rik+ beauty1 especially 9 ! del9eation ( faces1 9 ! l&scape1 & 9 ! col\r+1 &1 above all1 9 t wondr\s g5ius = repres5t+ op5 limitless space to :i* att5tion 0 giv5 9 ,*apt] ,i4 ,p]ug9o is nev] dramatic1 he is always lyric1 & ! poetical *>m ( ! ,umbrian s*ool is at its v z5i? 9 8 h&s4 ,he is n passionate1 z is ,botticelli1 nor /rong1 mov+1 & =ceful z is ,signorelli4 ,! delights ( movem5t1 ! extremes ( rage or desire1 did n appeal to him4 ,he 0 n z div]sifi$ z 0 ,lippi2 he nev] rea*$ ! /olid impressiv5ess ( ,ghirl&ajo1 nor ! ec/atic devotion ( ,fra ,angelico4 ,he 0 n s purely illu/rative z 0 ,p9turic*io1 b v f> exce$$ him bo? 9 g5ius & 9 p[]4 ,! emotions ( pa?os 7 n beyond 8 rea*1 ! /atel9ess ( dignity he c\ld repres5t if he desir$1 b 8 *>m is 9 ! calm quiet ( 8 pictures1 9 _! t5d] rev]5ce & exquisite sweetness1 9 _! poetry r ?an 9 _! p[]4 ,8 creations are dreamy & contemplative1 full ( fai?1 hope1 & expectation1 & !y embody & express ! reality ( a spiritual _w ( s]5e peace & satisfaction :i*1 9 its contra/ to ! _w ar\nd u1 speaks ( ! revelation ( a fai? t is true4 ,8 execution is ma/]ly1 8 col\r+ my/ic & glori\s1 8 compositions are complete & unit$1 8 s5se ( decoration is excell5t4 ,he 0 himself s9c]e 9 8 "w1 & 8 pictures !re=e embody ?is s9c]ity1 & _! tea*+ is to lift ! s\l f sordid ?\ghts1 & to raise x to ,heav5 itself4 ,,footnotes3 ,n ,9 ?is same ye> #aeaj1 ,p]ug9o pa9t$ a ,virg9 & ,*ild betwe5 ,/4 ,pet] & ,/4 ,paul1 = ,ago/9o ,sp9ola ( ,savona1 ,bi%op ( ,p]ugia4 ,o ,a lett] dat$ #cj? ,m>* #aeab1 & writt5 f ,citt della ,pieve1 already m5tion$1 is 9 exi/5ce1 & proves n only 8 pres5ce 9 ! t[n 9 t ye> b t ! ,/4 ,ago/9o alt>-piece 0 at t "t 9 h&1 al?\gh n f9i%$ till #aeba4 ,,*apt] ,x ,,sa9t ,,seba/ian ,!re is a tradition 9 ,umbria t ^u two occasions ,p]ug9o pa9t$ m9iatures on vellum1 & t ^! works =m$ pages 9 two missals or ,books ( ,h\rs4 ,sev]al times ! /ory 0 repeat$ to me1 9 ,flor5ce1 9 ,p]ugia1 & 9 o!r places1 & x appe>s t at "o "t manuscript evid5ce ( ! fact exi/$ 9 ,rome1 & may /ill exi/4 ,( "o ( ^! pages ,i c give no in=mation1 z ! mo/ dilig5t inquiry has fail$ to id5tify x2 b ! o!r "o1 ! e>li] ( ! two1 accord+ to ! ,roman /ory1 is n[ 9 ,engl&4 ,its hi/ory is decid$ly a romantic "o4 ,! volume to :i* x belongs 0 once 9 ! possession ( ,c>d9al ,giovanni ,girolamo ,albani1 & f him 0 call$ ! ,albani manuscript4 ,he di$ 9 #aeia1 & ! manuscript1 :i* tradition says at "o "t came into ! h&s ( ,clem5t ,,xi41 pass$ on d[n to ! possession ( ano!r ,c>d9al ,albani1 ,giovanni ,francesco1 at ^: dea? 9 #ahji x 0 sold4 ,a small deal] 9 curiosities obta9$ x1 & ,mr4 ,d5i/\ne1 ! great collector1 saw x 9 8 %op ne> ! ,ghetto 9 ,rome1 & b\ght x = #bb scudi1 ab\t #e /]l+4 ,mr4 ,d5i/\ne br\ght ! book to ,engl&1 & (f]$ x1 s ! family /ory goes1 to ! ,briti% ,museum = #bej1 b fail$ to p]suade ! tru/ees to pur*ase x2 & s t5 ye>s aft]w>ds :5 he return$ to ,rome he took ! manuscript ) him4 ,gregory ,,xvi4 _h by ?is "t di$1 & ! c>elessness :i* exi/$ 9 8 "t z to ! pur*ase ( art treasures 9 ,rome _h become a ?+ ( ! pa/4 ,! new ,pontiff1 ,pius ,,ix41 0 mu* m p>ticul>1 & he 0 ably second$ by ,c\nt ,rossi 9 8 endeav\r to reta9 9 ! ,et]nal ,city its *ief arti/ic treasures4 ,c\nt ,rossi he>d ( ! ,albani book1 & ,mr4 ,d5i/\ne1 al>m$ = ! safety ( 8 treasure1 wrapp$ x up 9 pap]1 address$ x to 8 bank]s 9 ,london1 &1 expla9+ t x 0 8 bank pass-book1 gave x ov] to a lady fri5d :o 0 leav+ = ,engl&1 to convey to ,london4 ,)9 ?ree or f\r days ( ! lady's dep>ture1 ! ag5ts ( ! ,vatican call$ on ,mr4 ,d5i/\ne to dem& ! surr5d] ( ! treasure :i* _h1 !y decl>$1 be5 /ol5 f ! ,libr>y 9 ! ,vatican ( ,clem5t ,,xi4 ,mr4 ,d5i/\ne decl>$ he _h n got ! book !y want$ & gave !m p]mission to se>* 8 h\se4 ,s accurate _h be5 _! in=mation t !y w5t at once to ! v place 9 ! bookcase :5ce ! volume _h be5 s lately remov$1 &1 n f9d+ x !re1 !y se>*$ ! h\se f top to bottom4 ,a *>ge ( !ft 0 !n =mulat$ aga9/ ,mr4 ,d5i/\ne1 & he 0 tak5 (f to ! ,ca/le ( ,/4 ,angelo1 & !re conf9$4 ,mr4 ,d5i/\ne1 h[ev]1 at once appeal$ to ! ,engli% consul> au?orities1 :o quickly gave ! police to und]/& t !y _h exce$$ _! p[]s1 &1 aft] two days' imprisonm5t1 ,mr4 ,d5i/\ne 0 lib]at$1 & at once left = ,engl&4 ,! late ,e>l ( ,a%burnham !n he>d ( ! book1 & tri$ h>d to get its own] to sell x to him4 ,at la/1 9 an ungu>d$ mom5t1 ,mr4 ,d5i/\ne *e]ily said t ye>s be=e he _h (f]$ x to ! ,briti% museum = #bej1 & he %\ld n be cont5t ) less ?an ?ree times t price n[4 ,"l ,a%burnham jump$ at ! figures1 produc$ a bundle ( notes1 & 9 a few mom5ts obta9$ ! covet$ treasure = #gej4 ,until a ye> or two ago1 ! little volume re/$ at ,a%burnham ,place1 b x 0 privately sold q rec5tly1 toge!r ) sev]al o!r f9e manuscripts1 to ,mr4 ,h5ry ,yates ,?ompson4 ,x is n[ 9 8 fam\s & mo/ wond]ful collection1 & x is to 8 k9dness t ,i owe ! privilege ( h&l+ & describ+ ! book4 ,! /ory has be5 piec$ toge!r f sev]al n>ratives told me 9 ,italy4 ,!re are f\r spl5did illum9at$ pages 9 ! volume1 ea* by a diff]5t h&1 & ea* page ! "w ( "s great arti/ at 8 v be/4 ,!re are also bord]s & o!r illum9ations1 :i* are probably ! "w ( yet a fif? m9iaturi/4 ,! ,p]ug9o page is sign$3 ,,petrvs ,,prvs9vs ,,p9xit1 & repres5ts ,sa9t ,seba/ian fa/5$ to an upright pill> ( wood1 & be+ %ot at by two ar*]s4 ,^! ar*]s are gaily dress$3 "o1 we>+ a cap1 has long r$ /ock+s1 br[n %oes1 & a blue ve/ & a br[n drap]y ar\nd 8 wai/2 ! o!r1 :o is b>ehead$1 has blue /ock+s1 yell[ boots1 a r$ ve/1 & gre5 drap]y ar\nd 8 wai/4 ,above1 9 ! air1 are two angels1 "o ( :om is turn+ t[>ds ! m>tyr$ sa9t4 ,"o angel has a drap]y ( puce1 ) gre5 sleeves1 & has yell[ w+s2 ! o!r we>s orange1 ) r$ sleeves1 & has gre5 w+s4 ,! drap]y ar\nd ,sa9t ,seba/ian is puce col\r4 ,9 ! di/ance is a lovely typical ,p]ug9o l&scape1 ext5sive1 & full ( light & air2 !re are hills & rocks1 trees & wat]1 exquisitely pa9t$1 & reveal+1 9 _! wond]ful effect ( nev]-end+ di/ance1 ! be/ "w ( ! arti/4 ,! silh\ett$ effect ( ! trees is p>ticul>ly *>act]i/ic4 ,above is ! l(ty dome ( blue sky1 be>+ ^u x ! /range1 frill$1 fleecy cl\ds 9 :i* ! arti/ s delight$1 & illum9at$ by ! gl[ ( light t he 0 s easily able to produce4 ,! "w ,i attribute to ! #aejj-aebc p]iod1 z ! puce col\r1 ! col\r+ ( ! angels' w+s1 & ! %ape ( ! cl\ds1 all are *>act]i/ics ( t p]iod1 z well z ! subject itself & its treatm5t4 ,x is important to ref] briefly to ! way 9 :i* ,p]ug9o pa9t$ ,seba/ian4 ,!re are3 #a4 ! ,c]queto fresco ( #adgh2 #b4 ! ,fiesole picture1 n[ 9 ! ,uffizi1 ( #adic2 #c4 ! ,wantage figure1 ( ab\t #adih2 #d4 ! ,borghese picture1 ( ab\t #aejj2 #e4 ! ,panicale fresco1 ( #aeje2 #f4 ! ,p]ugia fresco1 ( #aeah2 #g4 ! manuscript 9 "q2 & ! draw+ ( an ar*] at ,*ri/ ,*ur*1 ,ox=d4 7,i leave out ( ?is consid]ation ! effem9ate ,/4 ,seba/ian1 9 ! ,p]ugia gall]y1 ,sala ,,xi41 ,no4 #af47 ,illu/ration3 ,al9>i photo ,p]ugia ,gall]y ,,! ,,m>tyrdom ,,( ,,/4 ,,seba/ian1 #aeah ,! ,c]queto "o1 & all ! o!rs save ,no4 #b1 repres5t ,/4 ,seba/ian ti$ to a column ( wood2 b ! ,c]queto fresco is f> m robu/ 9 its del9eation1 m ,signorellesque 9 its muscul> p[] ?an any ( ! o!rs4 ,! b5d ( ! neck & ! upw>d gaze ( ! face are di/9ctive ( all sev54 ,! ,uffizi picture alone 7#b71 9 :i* ,/4 ,seba/ian is "o ( ! two att5dant sa9ts1 /&+ "o on ei!r side ( ! en?ron$ ,madonna1 repres5ts ! figure ) 8 h&s1 z usual1 b\nd beh9d him1 b he is n b\nd to a column4 ,9 ,nos4 #b1 #c1 & #d ! sa9t /&s on ! gr\nd2 9 ! o!rs1 #a1 #e1 #f1 & #g1 ! wood5 po/ is elevat$ above ! gr\nd4 ,! position ( ! feet diff]s 9 e case1 b 9 ea* in/ance ! face is upturn$1 ! h&s b\nd beh9d ! back1 ! body nude1 save = a lo9-clo?1 & ! fle% pi]c$ by arr[s4 ,9 ,no4 #g !re is b "o m>k ( an arr[ to be not$4 ,! page 9 "q mo/ closely resembles ! ,p]ugia picture1 ,no4 #f4 ,?is came f ! *ur* ( ,san ,francesco al ,patro1 & 0 pa9t$ 9 ! ye> ( a great visitation ( plague1 & ! selection ( ! plague sa9t is ?us acc\nt$ =4 ,9 ?is picture !re are ! two ar*]s only 7:]eas at ,panicale !re are f\r71 & !re are ! two angels1 :i* 9 ! ,panicale fresco c]ta9ly appe>1 b are 9 att5dance ^u ! ,et]nal ,figure1 ^: repres5tation appe>s 9 ! lunette above4 ,"o angel 9 ! ,p]ugia picture 7#f7 be>s a cr[n4 ,x is impossible to say :at ! o!r "o c>ries1 z ! fresco is s damag$2 b ! col\r+ ( ^! angels v closely resembles ! gay col\r+ 9 ! manuscript4 ,! column 0 a v p]si/5t type1 z 9 /ructure ! "o pa9t$ 9 #adgh appe>s ov] & ov] aga9 lat] on4 ,! column 9 ?is manuscript v closely resembles ! c5tral limb ( ,p]ug9o's crosses 9 8 crucifixion sc5es2 & 9 ?is detail ,"l ,wantage's picture resembles mo/ closely ! manuscript2 b ! l&scape1 :i* is b slight & loose 9 ?is picture1 is v f9e 9 ! manuscript & almo/ id5tical ) ! ,citt della ,pieve l&scape1 & ) ! ,bettona "o1 & closely resembles ! repa9t$ ,borghese picture 7#d71 :i* has also ! frill$ cl\ds t are s di/9ctive 9 ! manuscript4 ,mr4 ,?ompson's manuscript is 9 p]fect ord]1 & is a mo/ beautiful "w4 ,i h no hesitation 9 accept+ x z a g5u9e "w ( ,p]ug9o1 & ! v folds ( ! drap]y1 :5 comp>$ ) ! same arrangem5t 9 o!r pictures1 w be f\nd to ratify ! attribution4 ,comp>ison ) ! ,p]ugia fresco 7#f71 w give ! probable date ( ! manuscript1 & w af=d a /rik+ example ( ! read9ess ) :i* ,p]ug9o us$ ov] & ov] aga9 ! same !me1 treat$ 9 ! same mann]1 v>y+ ea* repres5tation 9 "s slight1 *>act]i/ic way1 & yet pres]v+ ! same g5]al effect :i* _h pleas$ him s mu* 9 days gone by4 ,,catalogue ,,( ,,! ,,works ,,( ,,p]ug9o ,,au/ria-,,hung>y4 ,,vi5na1 ,,picture ,,gall]y4 ,! ,baptism ( ,*ri/4 ,panel4 #jbi #jbb #aa 94 #h 94 #bd4 ,/4 ,john ,bapti/ is p\r+ wat] f a %ell ^u ! head ( ,our ,"l1 :o /&s ) ,8 feet 9 ! riv] ,jordan4 ,ne> by are two kneel+ figures4 ,?is closely resembles ! same sc5e 9 ! ca!dral at ,citt della ,pieve1 & is probably a copy4 ,f ! collection ( ! ,ar*duke ,sigismond at ,innsbruck4 ,/4 ,j]ome4 ,panel4 #jcj #jbc #a ft4 #i 94 #be4 ,! sa9t is kneel+ be=e a crucifix4 ,9 8 "r h& he holds a /one1 by 8 side is ! lion1 & on ! gr\nd a c>d9al's hat4 ,f ! same collection4 ,madonna & ,*ild4 #ahf #add #f ft4 #b 94 #d ft4 #i 94 ,on pap]4 #bg4 ,! ,madonna is on a ?rone hold+ ! div9e ,*ild on h] knees4 ,on ! "r /& ,/4 ,j]ome & ,/4 ,pet]1 & on ! left ,/4 ,john ! ,bapti/ & ,/4 ,paul4 ,on ! ?rone is inscrib$3 ,,presbit] ,,johannes ,,*ri/(]i ,,det]r5o ,,fi]i ,,fecit ,,mcccclxxxxiii4 ,pur*as$ 9 #agif4 ,madonna & ,*ild4 #jhe #jfb #b ft4 #aj 94 #b ft4 #cb4 ,! div9e ,*ild1 :o is on ! ,virg9's knees1 is 9 ! act ( imp>t+ a b5$iction4 ,beh9d ! ,madonna are two female sa9ts4 ,! picture is sign$3 ,,petrvs ,,p]vs9vs ,,p9xit4 ,,li*t5/e9 ,,gall]y4 ,nativity4 ,a ,tondo ( ! ,virg9 kneel+ be=e ! div9e ,*ild1 :o is seat$ ^u a sack & support$ by an angel4 ,sign$3 ,,petrvs ,,p]vs9vs ,p4 ,?is closely resembles ! picture 9 ! ,pitti4 ,,belgium4 ,,brussels1 ,,royal ,,picture ,,gall]y4 ,madonna1 ,*ri/ & ,/4 ,john4 ,oval1 #jfi #jfj #b ft4 #c 94 #b ft4 #dgg4 ,! ,virg9 is seat$ ^u a /one b5* & holds on h] knees ! infant ,*ri/1 :o is turn+ t[>d ,/4 ,john4 ,?is picture 0 at "o "t 9 ! collection ( ! ,pr9ces ( ,conti 9 ,flor5ce4 ,x 0 sold 9 #ahej to ,m4 ,p4 ,vellati ( ,rome1 & f him pur*as$ ) two pictures by ,crivelli = ! ,gall]y 9 #ahfb4 ,,briti% ,,isles4 ,,london1 ,,national ,,gall]y4 ,virg9 & ,*ild & ,/4 ,john4 ,panel4 #b ft4 #b 94 #a ft4 #e 94 #aha4 ,! div9e ,*ild /&s erect on a /one balu/rade support$ by ! h&s ( ! ,madonna1 :o is by ,8 side1 & play+ ) a lock ( h] hair4 ,/4 ,john /&s on ! gr\nd & has clasp$ h&s & gazes 9 adoration at ! ,*ri/4 ,?is picture1 :i* is pa9t$ 9 temp]a1 0 obta9$ by ! late ,mr4 ,beck=d 9 ,p]ugia1 & pur*as$ ( him = ! ,gall]y 9 #ahda4 ,on ! hem ( ! mantle ( ! ,virg9 is inscrib$3 ,,petrvs ,,p]vg9vs4 ,! ,virg9 ador+ ! ,div9e ,*ild4 ,panel2 c5tre #ba #db4 ,side panels1 ea* #aaj #db4 #bhh4 ,! left panel is inscrib$ bel[3 ,,petrvs ,,p]vs9vs ,,p9xit4 ,^! ?ree panels 7 orig9ally 9 ! ,c]tosa di ,pavia4 ,^! ?ree panels 7 pur*as$ f ! ,c]tosa by "o ( ! ,melzi family 9 #aghf1 & b\ght ( ,duke ,melzi ( ,milan = ! ,gall]y 9 #ahef4 ,! ,virg9 & ,*ild & two ,sa9ts4 ,panel4 #fj x #daa4 #ajge4 ,?is picture 0 ord]$ ( ,p]ug9o by ! te/am5t>y executors ( ,giovanni ,s*iavone1 a ma/] c>p5t] ( ,p]ugia1 9 #aejg1 & 0 execut$ )9 t ye>1 :5 x 0 plac$ ov] ! alt> ( _! *apel 9 ,s4 ,m>ia ,nuova 7de' ,s]vi7 9 an elaborate c>v$ b ungilt framework1 said to be design$ by ,pietro himself4 ,aft] ! demise ( ! executors & _! heirs ! *apel rev]t$ to ! ,frati ,s]viti1 own]s ( ! *ur*1 :o subsequ5tly sold ! *apel ) its cont5ts to ! ,cecconi family1 at ^: ext9ction x 0 inh]it$ by ! family della ,p5na4 ,9 #ahbb ,b>on ,fabrizio della ,p5na remov$ ! picture to 8 palace 9 ,p]ugia1 leav+ ! frame 9 situ1 9 :i* at ! same "t 0 ins]t$ a copy on canvas execut$ by a "y ,p]ugian pa9t]1 ,giuseppe ,c>attoli4 ,! picture 0 pur*as$ = ! ,national ,gall]y f ! ,b>on della ,p5na 9 #ahgi4 ,! ,baptism ( ,our ,"l4 ,panel1 #aj #aaa4 #adca4 ,/4 ,john ! ,bapti/ 9 ! c5tre ( ! picture is p\r+ wat] f a cup on ! head ( ! ,savi\r1 :o /&s ) ,8 feet 9 ! riv]4 ,two angels kneel to ! "r & two to ! left1 & beh9d !m aga9 /& f\r ( ! disciples1 two on ei!r side4 ,see ,*apt] ,i4 z to ?is picture1 :i* ,i _c accept z a "w ( ,p]ug9o4 ,x is pa9t$ 9 oil ^u an unprep>$ panel4 ,b\ght 9 ,rome 9 #ahid = #djj4 ,! ,adoration ( ! ,%eph]ds4 ,fresco transf]r$ to canvas4 #hb x #aie4 #adda4 ,9 ! c5tre ! infant ,*ri/ lies1 support$ by a cu%ion on a purple drap]y on ! op5 gr\nd4 ,beh9d is a %$ surr\nd$ by a f5ce1 )9 :i* cattle are ly+4 ,on ! "r & left kneel ! ,holy ,virg9 & ,/4 ,joseph1 & beh9d !m ! %eph]ds approa* ) (f]+s4 ,an angel is on ei!r side 9 ! sky4 ,?is fresco 0 remov$ f ! *ur* at ,fontignano 9 #ahdc1 & is said to be ! la/ "w ( ! pa9t]4 ,x 0 pur*as$ by ! ,s\? ,k5s+ton ,museum 9 #ahfb f ,mr4 ,w4 ,b4 ,sp5ce ( ,flor5ce1 & is n[ l5t to ! ,national ,gall]y4 ,,briti% ,,museum4 ,/udy = ! figures ( ,tobias & ! ,angel4 ,br[n & gre54 ,/udy = ! ,head ( a be>d$ ,sa9t or ,prophet4 ,black & :ite on br[n4 ,/udy = a ,virg9 & ,*ild4 ,/udy = an angel play+ on a ,viol94 ,/udy ( a ,female ,sa9t kneel+ ) clasp$ h&s 7& drap]ies74 ,h] head-dress is twi/$1 & !re is embroid]y on h] robe4 ,br[n height5$ ) :ite4 ,/udy = an ,adoration ( ! ,magi4 ,/udy = a ,piet4 ,!re are two o!r draw+s labell$ ,p]ug9o :i* ,i _c accept1 & "o 9 ! ,malcolm collection :i* is ( ,p]ug9o's s*ool4 ,,*ri/ ,,*ur*1 ,,ox=d4 ,a l>ge f9i%$ p5 draw+ repres5t+ ! ,deposition ( ,our ,"l1 9 ! ,pitti ,gall]y #afd4 ,a ,/udy ( an ,ar*]4 ,a bi/re p5 draw+ = ! ,/4 ,seba/ian at ,panicale4 ,a ,/udy = ! ,ar*angel & ,tobias1 9 ! picture ,no4 #bhh 9 ! ,national ,gall]y4 ,,w9dsor ,,ca/le ,,collection4 ,/udy = a figure ( ! ,sleep+ ,disciple1 9 ! ,m\nt ( ,olives picture 9 ! ,accademia1 ,flor5ce4 ,a p5 draw+ 9 bi/re4 ,/udy = ! figures ( two ,sleep+ ,disciples = ! same picture4 ,a p5 draw+ 9 bi/re4 ,/udy ( a ,female ,head4 ,bi/re height5$ ) :ite4 ,/udy = ! ,arm\r ( ! figure ( ,/4 ,mi*ael1 9 ! picture ,no4 #bhh 9 ! ,national ,gall]y4 ,/udy ( a ,female ,head4 ,attribut$ to ,p]ug9o4 ,/udy = ! ,fresco 9 ! ,si/9e ,*apel 9 ! ,vatican ( ! ,deliv]y to ,/4 ,pet] ( ! keys4 ,f4 ,a4 ,,:ite1 ,esq41 ,,que5',s ,,gate1 ,s4,w4 ,! ,resurrection4 ,panel4 #aj #ag4 ,old ,ma/]s1 #ahib4 ,no4 #aed4 ,*ri/ /&+ ^u ! op5 tomb be>+ a bann] 9 8 left h&4 ,ar\nd1 f\r soldi]s1 ?ree sleep+ & ! f\r? mov+ away 9 an attitude ( surprise4 ,f ! ,dudley ,collection4 ,,capta9 ,g4 ,l4 ,,hol=d1 ,c4,i4,e41 ,,dor*e/] ,,h\se4 ,virg9 & ,*ild4 ,panel4 #ai #ac4 ,! ,virg9 is seat$1 hav+ ! div9e ,*ild1 :o is nude1 erect ^u h] knees4 ,,"l ,,wantage1 ,v4,c4 ,/4 ,seba/ian & ,/4 ,j]ome4 ,two ,panels ea*4 #ag #g4 ,old ,ma/]s1 #ahhf4 ,no4 #aig4 ,/4 ,seba/ian is b\nd to a tree1 & ,/4 ,j]ome /&s erect ) a /one 9 8 h&1 & beh9d him is a lion4 ,f an alt>-piece4 ,l4 ,,h>dy1 ,esq41 ,m4,p4 ,sa9t 9 ,pray]4 ,panel4 #ca #aa4 ,figure ( a sa9t to ! left ) clasp$ h&s4 ,,"l ,,ald5ham1 ,,/ ,,dun/an',s1 ,,reg5t',s ,,p>k1 ,n4,w4 ,virg9 & ,*ild4 ,panel4 #ac #aa4 ,old ,ma/]s1 #ahhf4 ,no4 #agf4 ,! ,virg9 is seat$1 & has ! div9e ,*ild on h] knees1 & %e is hold+ ,8 left h&4 ,,"l ,,batt]sea1 ,,surrey ,,h\se1 ,,m>ble ,,ar*1 ,w4 ,head ( a ,sa9t4 ,panel4 #ac #aj4 ,bu/ fac+1 black dress ) gold edg+4 ,,! ,,e>l ,,( ,,dudley',s ,,collection4 ,!re 7 exhibit$ at ! ,old ,ma/]s ,exhibition 9 #ahib1 five panels1 ea* #aj #ah1 ,nos4 #adf1 #adg1 #adh1 #aed1 #aee1 repres5t+ ,! ,nativity1 ,! ,baptism1 ,*ri/ & ! ,woman ( ,sam>ia1 ,! ,resurrection1 & ! ,noli me ,tang]e4 ,orig9ally 9 ! ,b>k] collection1 ,no4 #aed n[ belongs to ,mr4 ,f4 ,a4 ,:ite 7q4v472 ! o!rs h n be5 trac$4 ,,william ,,drury-,,l[e1 ,esq41 ,,locko ,,p>k1 ,,d]by4 ,virg9 & ,*ild ) ,sa9ts4 ,canvas4 #dg #de4 ,old ,ma/]s1 #ahic4 ,no4 #afd4 ,! ,virg9 is seat$1 ) ! div9e ,*ild1 :o is nude1 erect on h] knees4 ,8 "r h& is rais$1 & 9 8 left is a globe4 ,on ! left is ,/4 ,j]ome read+ a book1 & beh9d him ,/4 ,nicolas ( ,tol5t5o4 ,on ! "r1 ,/4 ,ca!r9e & a bi%op 9 adoration4 ,?is is n[ ascrib$ by ,dr4 ,ri*t] to ,lo ,spagna1 "o ( ,p]ug9o's pupils4 ,! id5tical picture1 execut$ 9 fresco1 is to be f\nd at ,spoleto1 & is !re consid]$ to be ,lo ,spagna's ma/]piece4 ,! above easel replica came f ! ,palazzo ,d>9o at ,milan1 & 0 b\ght 9 #aheb f ,sig4 ,giovanni ,loc>nos4 ,,pictures ,,at ,,"o ,,"t ,,9 ,,engl&4 ,c4 & ,c4 describe a ,resurrection1 9 _! "t belong+ to ,"l ,taunton1 & orig9ally 9 ,v5ice4 ,sign$3 ,,sepvlcrvm ,,*ri/i ,,petrvs ,,p]vs9vs ,,p9xit4 ,!y also ref] to a ,virg9 & ,*ild betwe5 ,/4 ,j]ome & ,/4 ,pet]1 once at ,man*e/]1 orig9ally at ,lucca1 & latt]ly 9 ! ,nor?wi* collection4 ,,france4 ,,bordeaux1 ,,picture ,,gall]y4 ,virg9 & ,*ild en?ron$ ) ,s4 ,j]ome & f\r ,angels1 f ,/4 ,ago/9o1 ,p]ugia4 ,?is has nev] be5 photograph$4 ,,ca51 ,,museum1 ,,hotel ,,de ,,ville4 ,/4 ,j]ome4 ,on ,panel4 #jij #jgd #c ft4 #b ft4 #e 94 #d4 ,?is is probably "o ( ! figures ( sa9ts t surr\nd$ ! great alt>-piece at ,/4 ,ago/9o1 9 ,p]ugia2 o!rs at ,nantes1 ,t\l\se1 ,lyons1 & ,gr5oble4 ,sign$3 ,,petrvs ,,p]vs9vs ,,p9xit4 ,! sa9t is kneel+ be=e a ,cross1 a lion is close by1 & on a tree 9 ! c5tre ( ! picture is a l>ge r$ hat4 ,,*antilly4 ,/udy = ! ,head ( an ,old ,man ) a be>d & we>+ a turban4 ,,gr5oble1 ,,museum4 ,,ss4 ,seba/ian & ,apollonia1 f ! great alt>-piece pa9t$ = ,/4 ,ago/9o1 at ,p]ugia4 ,see ,ca51 ,lyons1 ,nantes1 & ,t\l\se = o!r panels4 ,,lille1 ,,picture ,,gall]y4 ,! ,*evali] ,wic> collection ( ,old ,ma/] draw+s conta9s3 ,draw+ = ! ,adoration ( ! ,magi1 f ! picture 9 ! ,museum ( ,r\54 #jbjg #jbhc4 #edf4 ,9 silv] pa9t on prep>$ pap]4 ,,lyons1 ,,picture ,,gall]y1 ,,hotel ,,de ,,ville4 ,! ,asc5sion4 ,x =m$ "p ( a l>ge alt>-piece pa9t$ 9 #adie = ,s4 ,pietro 9 ,p]ugia4 ,! lunette belong+ to x is 9 ,/4 ,g]vais1 ,p>is1 ! pr$ella at ,r\52 & ( ! pila/] panels ?ree are at ! ,vatican & five rema9 at ,s4 ,pietro4 ,! ,et]nal ,fa!r is above )9 a circul> glory ( rays issu+ f a cl\d4 ,our ,"l rises t[>d ,him po9t+ upw>d ) bo? h&s4 ,!re are angels play+ on in/rum5ts on ei!r side ( ,*ri/1 & bel[ on ! gr\nd are ! ,madonna1 ,/4 ,pet]1 ,/4 ,paul1 & ! re/ ( ! ,apo/les4 ,giv5 to ! t[n by ! ,fr5* ,gov]nm5t & confirm$ by ,pius ,,vii4 9 #ahaf4 ,,ss4 ,h]culanus & ,james4 ,probably f ,/4 ,ago/9o1 ,p]ugia4 ,see ,ca51 ,nantes1 & ,gr5oble = o!rs4 ,,m>seilles1 ,,picture ,,gall]y4 ,! ,family ( ,/4 ,anne1 or ! ,infant ,savi\r ) ,8 five ,c\s9s4 ,! ,madonna is en?ron$1 ) ! div9e ,*ild on h] knees1 & ,/4 ,anne /&s beh9d h] & places h] h&s on ! %\ld]s ( ,our ,lady4 ,/4 ,simon & ,/4 ,?addeus are on ! /eps ( ! ?rone play+ "o ) ! o!r4 ,to ! "r ,/4 ,m>y ,cleophas holds ,/4 ,james ! ,less 9 h] arms1 & ,/4 ,joseph has ,/4 ,joseph ,ju/us /&+ beside him & hold+ a /ick4 ,to ! left is ,/4 ,m>y ,salome ) ,/4 ,john 9 h] arms4 ,/4 ,joa*im is beh9d h]1 & ,/4 ,james is /&+ ne> by4 ,ea* ( ! sa9ts1 includ+ ,/4 ,anne b exclud+ ! ,madonna & ,*ild1 be>s its "n 9 ! halo ar\nd ! head4 ,/4 ,joseph ,ju/us is nude1 z is also ,our ,"l1 ! o!r five *ildr5 h slight drap]ies ab\t !m4 ,! ?rone is inscrib$3 ,,petrvs ,,de ,,*a/ro ,,plebis ,,p9xit4 ,an orig9al draw+ = ?is picture belongs to ! ,duke ( ,nor?umb]l&1 & is at ,alnwick ,ca/le4 ,,nantes1 ,,picture ,,gall]y4 ,isaiah & ,j]emiah4 ,circul> pictures4 #abg diam4 #d ft4 #c 94 #bjb & #bjc4 ,ea* picture has an inscription on x4 ,on ,isaiah are ! words ,,elevata ,e ,,magnifi,,ce,,tia ,,tva ,,svp ,,celos ,,ds2 & on ,j]emiah ,c,,oe,,lvm ,,s$es ,,mea1 ,,t]ra ,,av,,te ,,scabell,v ,,p$,v ,,meorvm4 ,probably f ,/4 ,ago/9o1 ,p]ugia4 ,see ,ca51 ,lyons1 ,t\l\se1 & ,gr5oble = o!rs4 ,adoration ( ,*ri/4 #af #aah #e ft4 #d 94 #c ft4 #aa 94 #hg4 ,! ,madonna & ,/4 ,john ) two angels are kneel+ & ador+ ! div9e ,*ild1 :o is on a pill[ on ! gr\nd & has 8 h& rais$ 9 b5$iction4 ,! signature is mu* damag$1 & only reads3 ,,petrvs ,,p]vsis,n ,,p9xit4 ,f ! gall]y ( ! ,c\nt de ,brissac1 & giv5 to ! ,gall]y ( ,nantes by ! ,/ate 9 #ahjc4 ,,p>is1 ,,! ,,l\vre4 ,virg9 & ,*ild4 ,panel1 circul>4 #aea diam4 #e ft4 #aefd4 ,! ,madonna is seat$ on a ?rone & has ! div9e ,*ild on h] knees4 ,/4 ,rosa is on h] left1 ,/4 ,ca!r9e on h] "r4 ,beh9d are two angels1 ) clasp$ h&s 9 adoration4 ,! dress ( ! ,virg9 is cut squ>e at ! neck & fa/5$ ) a beautiful broo*4 ,! usual ,umbrian l&scape is 9 ! backgr\nd ) cle>ly def9$ trees4 ,once 9 ! ,collection ,lapeyrire & !n pass$ to ! ,k+ ( ,holl&1 f :om 9 #ahej x 0 b\ght = #ec1cjb francs4 ,! ,holy ,family4 #jhj #jff #b ft4 #h #b ft4 #b 94 #aefe4 ,! ,virg9 is seat$1 & holds ! div9e ,*ild1 :o is 9 ! act ( b5$iction1 9 h] arms4 ,on "o side ( ,! ,virg9 is ,/4 ,joseph1 & on ! o!r ,/4 ,ca!r9e ( ,alex&ria4 ,! faces ( ! ,virg9 & ,/4 ,ca!r9e closely resemble "o ano!r4 ,/4 ,ca!r9e's "n is inscrib$ on h] dress1 & ! picture is sign$3 ,,petrvs ,,p]vs9vs ,,p9xit4 ,collection ( ,l\is ,,xviii4 ,pur*as$ ( ,m4 ,scitivaux4 ,a replica is at ,vi5na1 b 9 t picture ,/4 ,agnes is depict$ 9 lieu ( ,/4 ,joseph4 ,see ,frank=t4 ,/4 ,paul4 ,circul>4 #ajb diam4 #c ft4 #d 94 #aeff4 ,! sa9t is /&+1 8 "r h& hold+ ! hilt ( 8 sword1 & 8 left h& re/+ on 8 side4 ,beh9d is a /one balu/rade4 ,/4 ,seba/ian4 #aeff;,a4 ,?is picture 0 obta9$ 9 #ahif f ! ,sci>ra ,colonna ,gall]y4 ,x is inscrib$3 ,,sagit,,te ,,tv,e ,,infix,e ,,svnt ,,mi*i4 ,a ,combat betwe5 ,love & ,*a/ity4 #aef #aib #e ft4 #b 94 #f ft4 #d 94 #aefg4 ,?is picture 0 execut$ = ,isabella d',e/e1 ,du*ess ( ,mantua1 & at a lat] "t belong$ to ,c>d9al ,ri*elieu4 ,apollo & ,m>syas4 #jci #jbi #a ft4 #c 94 #aa 94 #aeji4 ,?is picture is kn[n "u ! designation ( ! ,raphael ( ,morris ,moore1 f ! "n ( ! collector :o 0 ! fir/ to def9itely attribute its orig9 to ,raphael4 ,morelli attributes x to ,p]ug9o4 ,see ,*apt] ,,vi4 ,x 0 pur*as$ by ! ,l\vre 9 #ahhc4 ,,r\51 ,,new ,,museum4 ,?ree ,small ,pictures1 =m+ ! pr$ella ( a l>ge alt>-piece =m]ly at ,san ,pietro 9 ,p]ugia1 & pa9t$ = ! *ur* 9 #adie4 ,!y repres5t ! ,adoration ( ! ,magi1 ,! ,baptism1 & ,! ,resurrection4 7#dgb1 #c1 #d47 ,! c5tre piece ( ! alt>-piece is at ,lyons1 five ( ! side panels ( sa9ts are /ill at ,s4 ,pietro1 ,p]ugia1 9 situ1 & ! ?ree rema9+ side panels 9 ! ,vatican4 ,! lunette is at ,/4 ,g]vais 9 ,p>is4 ,giv5 by ! ,/ate to ,r\5 9 #ahjc4 ,,t>bes 7,,pyr5,,es71 ,,picture ,,gall]y4 ,sa9t ,lawr5ce4 ,life size4 ,panel4 ,virg9 & ,*ild4 ,small panel4 ,,t\l\se1 ,,picture ,,gall]y4 ,/4 ,john ! ,evangeli/ & ,/4 ,augu/9e4 ,probably f ,/4 ,ago/9o1 ,p]ugia4 ,see ,ca51 ,lyons1 ,nantes1 & ,gr5oble = o!rs4 ,,g]many4 ,,alt5b]g1 ,,l9d5au ,,collection4 ,c4 & ,c4 describe a picture ( ,/4 ,hel51 & "o ( ,/4 ,an?ony ( ,padua1 probably sides ( ! alt>-piece at ,,ss4 ,annunziata de ,s]vi 9 ,flor5ce4 ,,dresd51 ,,royal ,,picture ,,gall]y4 ,/4 ,crisp94 #jcf #jbe #a ft4 #b 94 #aj 94 #bb4 ,a fragm5t on panel4 ,,frank=t1 ,,/a$el ,,gall]y4 ,virg9 & ,*ild ) ,/4 ,john4 #jfh #jeb #b ft4 #c 94 #a ft4 #h 94 #af4 ,?is picture v closely resembles ,! ,madonna & ,*ild at ! ,borghese ,gall]y1 ,rome1 also ! "o at ,muni*1 & also ! "o 9 ! ,l\vre1 b nei!r are replicas "o ( ! o!r1 & ea* diff]s 9 important details4 ,! gr\ps at ,frank=t1 ,rome1 & ,muni* are evid5tly1 h[ev]1 pa9t$ = ! face ( ! ,madonna f ! same model4 ,all f\r ,i consid] to be g5u9e b late works4 ,b\ght 9 #ahcb 9 ,muni*4 ,,leipzig1 ,,museum4 ,! ,ar*angel ,/4 ,mi*ael4 ,! angel is /&+ ^u ! dragon :om he has j kill$ ) a great sword4 ,! l&scape at ! back appe>s to be ! "w ( ! ma/]1 b ! re/ ( ! picture is s*ool "w4 ,,me9+51 ,,ducal ,,palace4 ,m4 ,b]5son /ates t !re are 9 ?is collection a ,/4 ,john ,bapti/1 & a ,/4 ,john ,evangeli/1 by ,p]ug9o2 b ,i h n se5 !m4 ,,muni*1 ,,old ,,p9aco!k4 ,vision ( ,/4 ,b]n>d4 ,panel4 #agc #afe #e ft #i 94 #e ft4 #f 94 #ajcd4 ,=m]ly 9 ! ,nasi ,*apel ( ! ,*ur* ( ,/4 ,spirito1 9 ,flor5ce4 ,acquir$ = ,k+ ,ludwig ,i4 9 #ahbi or #ahcj f ! ,h\se ( ,capponi 9 ,flor5ce4 ,!re is a /udy = x 9 ! ,uffizi #beb1 #aaae4 ,lippo ,lippi1 ,filipp9o1 & ,fra ,b>tolomeo all took ! idea f ?is picture4 ,! ,virg9 ador+ ! ,*ild4 ,panel4 #aie #aef #f ft4 #f 94 #e ft4 #b 94 #ajce4 ,! ,virg9 is /&+ ) clasp$ h&s4 ,! ,*ild is on ! gr\nd be=e h]4 ,on ! left is ,/4 ,john ! ,div9e1 on ! "r ,/4 ,ni*olas4 ,?is picture 0 tak5 f ,v5ice to ,london1 !nce x came into ! possession ( ,mr4 ,h5ry ( ,p>is1 :]e1 9 #ahae1 x 0 b\ght by ,von ,dillis = #ah1jjj francs4 ,morelli says ?is is late & sup]ficial 9 conception1 draw+1 & execution4 ,madonna & ,*ild4 ,panel4 #jhc #jfd #b ft4 #i 94 #b ft4 #a 94 #ajcf4 ,! ,virg9 is seat$1 & ! div9e ,*ild1 :o is nude1 is ^u h] knees4 ,acquir$ 9 ,flor5ce 9 #ahca by ,k+ ,ludwig ,i41 & by ! ,/ate f ! ,k+ 9 #ahej4 ,see ,frank=t4 ,morelli says ?is is feeble & ov]clean$4 ,! ,baptism ( ,*ri/4 #jcj #jcj #a ft4 #a ft4 #ajcg4 ,! ,savi\r /&s 9 ! %all[ wat] ) ,/4 ,john1 :o holds 8 cross 9 8 left h& & 9 8 "r ! baptismal %ell4 ,two angels /& ne> by4 ,! ,resurrection4 #jcj #jdj #a ft4 #a ft4 #d 94 #ajch4 ,! ,savi\r /&s by ! tomb1 ne> :i* two wat*]s are asleep2 a ?ird is runn+ away4 ,two pr$ella pictures f ! e/ate ( ,+hirami 9 ,volt]ra1 & sold to ! ,cr[n ,pr9ce 9 #ahah4 ,morelli unites ) ,c4 & ,c4 9 ascrib+ !m to ,p]ug9o4 ,,/rassburg4 ,!re 0 at "o "t 9 ! ,picture ,gall]y1 a portion ( ! great alt>-piece ( #aeba pa9t$ = ! *ur* ( ,/4 ,ago/9o1 9 ,p]ugia1 b x 0 de/roy$ 9 ! conflagration ( ,augu/ #be?1 #ahgj4 ,x repres5t$ ! ,madonna1 b 0 at "o "t labell$ z ,/4 ,apollonia4 ,x 0 opposite to ! ar*angel 9 ! orig9al alt>-piece1 & 0 a tondo4 ,,/uttg>t1 ,,royal ,,museum4 ,! ,nativity4 #hg #hg4 #bcf4 ,sign$3 ,,petrvs ,,p]rvs9vs4 ,,italy4 ,,*ur* ,,( ,,/4 ,,m>y ,,( ,,! ,,angels1 ,,assisi 7ne>74 ,a fragm5t ( a ,crucifixion resembl+ ,no4 #eg 9 ! ,accademia4 ,! upp] "p 0 de/roy$ 9 #agjj dur+ ! demolition ( ! old *oir1 ! l[] "p 0 re/or$ by ,ca/ellani 9 #ahcj4 ,x is on ! ,portiuncula on ! outside ( ! ea/ wall4 ,,ascoli4 ,ea/lake /ates t 9 a private collection at ,ascoli is a ,virg9 & ,*ild surr\nd$ by sa9ts1 br\ght f ,m5tone1 ne> ,citt di ,ca/ello1 ! upp] "p ( :i* is 9 gold ) reliefs ( angels4 ,if ?is is s x is q diff]5t to any?+ else ( ,p]ug9o's "w4 ,,bettona1 ,,*ur* ,,( ,,! ,,m9orites4 ,a votive portrait1 commission$ by a ,p]ugian capta9 call$ ,boto da ,m>aglia1 :o 0 tak5 prison] by ! ,fr5*1 b ev5tually releas$4 #fc #df #b ft4 #a 94 #a ft4 #f 94 ,x is 9 di/emp] on canvas1 & ,boto1 9 full arm\r1 is kneel+ & look+ up to ,/4 ,an?ony1 :o holds 9 "o h& a book1 & 9 ! o!r ! fire4 ,! inscription is z foll[s3 ,,boto ,,de ,,m>aglia ,,de ,,p]oga ,,qv&o ,,fo ,,pregione ,,de ,,franciose ,,*e ,,fo ,,adi ,,xi ,,de ,,febraio ,,mdxii ,,petrvs ,,p9xit ,,de ,,ca/ro ,,plebis4 ,9 ! same *ur* is a ,madonna betwe5 ,/4 ,manno & ,/4 ,j]ome1 ) male & female patrons "u h] cloak1 & ) angels above4 #fc #df #b ft4 #a 94 #a ft4 #f 94 ,,bologna1 ,,p9acoteca4 ,! ,assumption4 ,circa1 #adif4 ,sign$3 ,,petrvs ,,p]vg9vs ,,p9xit4 ,,bologna1 ,,*ur* ,,( ,,/4 ,,m>t9o ,,maggiore4 ,! ,virg9 9 ,glory4 ,! ,virg9 is 9 ! sky1 /&+1 a *ild-angel is on ei!r side1 & ar\nd are *]ub heads1 :ile on ei!r side are two kneel+ angels4 ,bel[ are ! apo/les gr\p$ ar\nd ! empty tomb4 ,!re are two trees1 "o on ei!r side ( ! picture1 cle>ly def9$ aga9/ ! sky4 ,,borgo ,,san ,,sepolcro1 ,,! ,,ca!dral4 ,! ,asc5sion ( ,*ri/4 ,?is picture1 accord+ to ,vas>i1 0 pa9t$ 9 ,flor5ce1 & commission$ by ! ,abbot ,simone de' ,graziani1 & convey$ to ! ca!dral at heavy co/ on ! backs ( port]s4 ,!re is a simil> picture at ,lyons v closely resembl+ ?is "o4 ,see page #da4 ,!re is a ,/udy = ?ree apo/les 9 ?is picture 9 ! ,uffizi #bea1 #djf4 ,,cantiano1 ,,*ur* ,,( ,,/a4 ,,m>ia ,,della ,,collegiata4 ,! ,holy ,family4 ,,c]queto4 ,figure ( ,san ,seba/ian4 ,! inscription record$ by ,ors9i 7,vita di ,p4,p4 p4 #bjd7 is z foll[s3 ,s popul de ,c]queto a fatta f>e que/a capella ,a4,d4 ,m>ia ,madal5a p] ,c4,h4 da pe/e gi usci lib]>e ,cav&oli da le ,hoscie ,d tal p5a cusigli piaccia cuq ,,hv op]>e *e mi e semp ne abbia ad scamp>e e tutti qlli ,c4,h4 9 lei ,,an devotion ,,ad laude di ,dio qui/o s]mone ,petrus ,p]us9us p9xit ,,mcccclxxviii4 ,,citt ,,della ,,pieve1 ,,santa ,,m>ia ,,de ,,bianca4 ,fresco4 ,ab\t #ah #ah4 ,! ,madonna is seat$ on a ?rone "u ! usual op5-ro($ canopy1 & be>s ! ,infant ,*ri/ on h] knees4 ,beh9d h] are ! cattle1 & at h] side ,/4 ,joseph ) 8 /aff4 ,two ( ! k+s are kneel+ & pres5t+ _! gifts4 ,! ?ird is br++ 8 94 ,ar\nd are _! companions & att5dants1 & 9 ! backgr\nd _! ret9ue ( horsem54 ,!re is an angel fly+ t[>d ! canopy1 & bel[ x is ! />4 ,! picture is inscrib$3 ,a4,d4 ,,mdiiij4 ,,citt ,,della ,,pieve1 ,,*ur* ,,( ,,/4 ,,pet]4 ,/4 ,an?ony4 ,fresco4 ,/4 ,an?ony seat$ on a ?rone1 "o h& re/+ on a /aff1 ! o!r rais$ 9 b5$iction4 ,he is betwe5 ,/4 ,paul ! ,h]mit & ,/4 ,m>cellus 7or ,mac>ius71 :o /& beside him4 ,high up above is ! ,et]nal ,fa!r )9 a m&orla ( *]ubs4 ,,citt ,,della ,,pieve1 ,,! ,,ca!dral4 ,beh9d ! ,high ,alt>--,virg9 9 ,glory4 ,! ,madonna is ador$ by ,/4 ,protasius1 ,/4 ,pet]1 ,/4 ,paul1 & ,/4 ,g]vasius1 & ! two ,umbrian sa9ts c>ry flags 9 _! h&s :i* be> ! arms ( ,citt della ,pieve4 ,! picture 0 ord]$ 9 #aeac ,m>*is9o ,cri/ophori ,mansii1 prior ( ,/4 ,g]vasio4 ,x is inscrib$3 ,,petrvs ,,cri/(]i ,,vanvtii ,,de ,,ca/ro ,,plebis ,,p9xit ,,mdxiii4 ,fir/ *apel on left--,baptism ( ,*ri/ by ,/4 ,john4 ,/4 ,john is p\r+ ! wat] f a %ell ov] ,our ,"l's head4 ,two angels /& by1 & above is ! ,dove ( ! ,holy ,_s4 ,"r ( ,high ,alt>--,virg9 & ,*ild seat$ on a ?rone1 ) ,/4 ,john ,bapti/1 ,/4 ,john ,div9e1 ,/4 ,dom5ic1 & ,/4 ,francis4 7,dat$ #aeac47 ,two angels are above4 ,,citt ,,della ,,pieve1 ,,/4 ,,m>ia ,,de ,,s]vi4 ,a fragm5t ( a ,desc5t f ! ,cross1 9 :i* ! ,madonna is support$ by two ,m>ies4 ,x is dat$ #aeag4 ,! inscription is mu* mutilat$1 & seems to read some?+ z foll[s3 44444 e/a hop]a f]o dep5g]e la campagnia della ,s 4444 ,cossi dicta 9 li anno dmi ,,mdxvii ,petr ,p ,p4 ,,corciano4 ,! ,assumption ( ! ,virg94 ,/4 ,?omas is bel[ betwe5 two gr\ps ( ! o!r disciples receiv+ ! girdle ( ,our ,lady4 ,9 ! ,sacri/y ( ! ,*ur* are ! two pr$ella panels repres5t+ ! ,adoration ( ! ,magi & ,! ,annunciation4 ,,cremona1 ,,*ur* ,,( ,,/4 ,,ago/9o4 ,! ,virg9 ) ,/4 ,james & ,/4 ,augu/9e4 ,! ,virg9 is on a ?rone1 & holds ! div9e ,*ild 9 h] arms4 ,on ! left is ,/4 ,james1 on ! "r ,/4 ,augu/9e4 ,on ! ?rone is inscrib$3 ,,petrvs ,,p]vs9vs ,,p9xit ,,mcccclxxxxiiii4 ,,d]uta ,frescoes are attribut$ to ,pietro by ,ors9i at ?is place1 b ,i 0 unable to f9d out :]e !y are1 & ?9k t !y mu/ h disappe>$4 ,,fano1 ,,*ur* ,,( ,,/a4 ,,m>ia ,,nuova4 ,! ,annunciation4 7#bnd *apel47 ,! angel1 hold+ ! lily1 is kneel+ be=e ,our ,lady1 :o turns to leave him & ) uplift$ h&s expresses bewild]m5t at 8 message4 ,above1 ! ,et]nal ,fa!r1 seat$ )9 a circle ( *]ubs1 looks d[n 9 love ^u ! ,madonna4 ,! ,holy ,gho/ z a dove is fly+ t[>d ! ,virg94 ,! inscription is mu* mutilat$ & reads z foll[s3 ,s4,a4,t4 4444 ,,cale 4444 ,,tti ,,qve ,,patrvi ,,olim ,,pon 4444 ,,en]ii ,,hac ,,tabvla ,,er 44 ,,gi ,,9 4444 ,,ohc 4444 ,,tvra ,a 4444 ,,vii ,,mcccc 4444 ,,iii ,,petrvs ,,de ,c 4444 ,,tro ,,pl4 44444 ,! ,virg9 & ,*ild4 7#crd *apel47 ,our ,lady is seat$ on a ?rone 9 ! mid/ "u a vault$ portico1 & holds ! div9e ,*ild 9 h] arms4 ,ar\nd are six sa9ts1 ,/4 ,john1 ,/4 ,francis1 ,/4 ,pet]1 ,/4 ,paul1 ,/4 ,m>y ,magdal51 & a bi%op4 ,! lunette repres5ts ,! ,resurrection1 ! pr$ella ,! ,bir? ( ! ,virg91 ,! ,pres5tation1 ,! ,m>riage1 ,! ,annunciation1 & ,! ,assumption4 ,a mutilat$ inscription on ! ?rone reads3 dvrantis phan5 ad intem]ate ,virg9is lavde t]c5tvm avreis alq ,d hvjvs templi ,bono c5tv svp]aditis hanc sol]ti cvra fi]i dem&avit ,matteo de ,m>t9otiis fidei commiss>io procvranti mcccc #ig petrvs p]vs9vs p9xit4 ,,foligno1 ,,*ur* ,,( ,,la ,,nunziatella4 ,! ,baptism ( ,*ri/4 ,circa #aejg4 ,our ,"l is be+ baptis$ by ,/4 ,john4 ,f\r angels /& ar\nd wat*+1 & 9 ! air are two o!r angels & sev5 *]ubs4 ,! ,holy ,gho/ is desc5d+ 9 ! =m ( a dove4 ,high above 9 ! curve ( ! ar*way is ! ,et]nal ,fa!r hold+ ! globe 9 "o h& & ) ! o!r uprais$ 9 b5$iction4 ,on ei!r side are kneel+ angels1 & ar\nd are *]ubs4 ,! inscription betwe5 ! picture & its lunette is h>dly visible1 b appe>s to be ,,deo ,,et ,,beato ,,joanni ,,batti/ae ,,sacrvm ,,pietate ,,joannis ,,bapti/e4 ,! date :i* orig9ally foll[$ ! inscription _c be read4 ,,flor5ce1 ,,! ,,pitti ,,palace4 ,m>y ,magdal54 ,panel1 #jdg #jce #a ft4 #f 94 #a ft4 #b 94 #db4 ,on ! ornam5t ( ! dress is inscrib$3 ,santa ,m>ia ,maddal5a4 ,portrait ( a ,woman1 sometimes call$ ,! ,nun4 ,panel4 #adj4 ,b\ght by ,f]d9& ,,iii4 f ,m>quis ,niccoloni4 ,x has be5 attribut$ to ,leon>da da ,v9ci & to ,pi]o di ,cosimo4 ,morelli says t ?is picture is ! "w ( ,p]ug9o4 ,! ,entombm5t4 #afd4 ,! picture is sign$3 ,,petrvs ,,p]vs9vs ,,p9xit ,,ad ,,mcccclxxxxv4 ,!re are ?ree /udies = ?is 9 ! ,uffizi1 #bee1 #daa1 #dab1 #dac1 & a l>ge /udy = ! complete picture at ,*ri/ ,*ur*1 ,ox=d4 ,! ,adoration ( ! ,infant ,*ri/4 ,panel1 #jhf #jhf #b ft4 #aj 94 #b ft4 #aj 94 #bai4 ,9 ! c5tre ( ! picture is ,our ,lady on h] knees ) clasp$ h&s 9 ! act ( ador+ ! div9e ,*ild1 :o is nude & seat$ ^u a sack & support$ by an angel4 ,on ! o!r ( ! ,virg9 is ! *ild ,/4 ,john1 kneel+ on "o knee & also 9 adoration ( ! ,*ri/4 ,,flor5ce1 ,,! ,,uffizi ,,palace4 ,portrait1 believ$ to repres5t ,francesco delle ,op]e1 a ,flor5t9e arti/1 a bro!r ( ! celebrat$ ,giovanni ,corniole4 ,he di$ 9 ,v5ice #adif4 #bhg4 ,! portrait is ( a man ) bu%y hair4 ,he has bright eyes1 & is clean %av54 ,he we>s a cap on 8 head & is clo!d 9 a loose s\tane4 ,9 8 h& is a roll be>+ ^! words ,,timete ,,devm4 ,! backgr\nd is an ,umbrian l&scape4 ,! picture is inscrib$ on ! back3 #adid ,d',luglio ,pietro ,p]ug9o ,p9se ,franco del ,ope 7delle ,op]e74 ,madonna & ,*ild ) two ,sa9ts4 #aabb4 ,! ,virg9 is seat$ on a ?rone b5ea? a vault$ ar*way4 ,%e has ! div9e ,*ild on h] knees4 ,at h] left /&s ,/4 ,seba/ian2 on ! "r ,/4 ,john ,bapti/4 ,! inscription on ! base ( ! ?rone reads3 ,,petrvs ,,p]vs9vs ,,p9xit ,,an ,,mcccclxxxxiij4 ,! picture 0 pa9t$ = ! ,*ur* ( ,san ,dom5ico at ,fiesole4 ,!re are also ?ree /udies 9 ! ,uffizi = ! ,piet 9 ! ,pitti4 ,,flor5ce1 ,,! ,,academy4 ,portrait ( ,don ,biagio ,milanesi1 ,g5]al ( ! ,vallombrosan ,ord]4 #adii-aejj4 #ag4 ,portrait ( ,don ,baldass>e1 ,monk ( ,vallombrosa4 #adii-aejj4 #ag bis4 ,*ri/ on ! ,m\nt ( ,olives4 #adib-i4 #ec4 ,pa9t$ = ! ,conv5t ( ! ,gesuati1 9 ,flor5ce4 ,! ,assumption4 #ee4 ,at ! extreme top is ! ,et]nal ,fa!r 9 a circle ) ador+ angels4 ,bel[1 9 a m&orla1 is ,our ,lady surr\nd$ by a gr\p ( *]ubs1 :o1 9 _! arrangem5t1 foll[ ! l9es ( ! m&orla4 ,on ei!r side are /&+ angels play+ on musical in/rum5ts1 & bel[ are fly+ angels & *]ub faces4 ,on ! gr\nd z spectators ( ! my/]y are f\r ,vallombrosan sa9ts3 ,c>d9al ,san ,b]n>do degli ,ub]ti1 ,san ,giovanni ,gualb]to ! f\nd]1 ,/4 ,b5$ict1 & ! ,ar*angel ,mi*ael4 ,! picture is sign$3 ,,petrvs ,,p]vs9vs ,,p9xit ,,ad ,,mccccc4 ,?is picture 0 pa9t$ = ,vallombrosa4 ,! ,crucifixion4 #gh4 ,on "o side ( ! cross /&s ,! ,virg91 on ! o!r ,/4 ,j]ome ) 8 lion4 ,f ! ,mona/]y ( ,/4 ,j]ome 9 ,flor5ce4 ,! ,entombm5t4 #ef4 ,?is picture 0 also pa9t$ 79 ab\t #adic71 = ! ,conv5t ( ! ,gesuati4 ,! ,desc5t f ! ,cross4 #eg4 ,! l[] "p ( ! picture is ,p]ug9o's "w1 & ! backgr\nd4 ,nicodemus & ,joseph ( ,arima?a are on ! left4 ,! ,madonna1 fa9t+1 b support$ by ! holy wom51 is on ! "r1 & 9 ! c5tre at ! foot ( ! cross kneels ,m>y ,magdal54 ,! ?ree nails are 9 ! =egr\nd plac$ on ! clo!s ( "o ( ! m54 ,?is picture 0 begun 9 #aejc by ,filipp9o ,lippi = ! bre?r5 ( ,,ss4 ,annunziata de ,s]vi1 at ! exp5se ( ,jacopo ,f$]ighi1 a ,knight ( ,malta4 ,^u ,filipp9o's dea? 9 ,april #aejd x 0 complet$ by ,p]ug9o4 ,draw+s4 ,case #bee4 ,nos #daa1 #dab1 #dac4 ,/udy = ! ,deposition f ! ,cross 9 ! ,pitti ,gall]y4 ,silv] pa9t 9 bi/re t\*$ up ) :ite1 on grey pap]4 #bed4 #djg4 ,five figures turn+ to ! "r4 #dji4 ,/ ,francis4 ,/udy = figure 9 picture 9 ,,ss4 ,annunziata4 ,p5 & ink4 #dah4 ,/4 ,j]ome kneel+4 #bec4 #acjg4 ,virg9 & ,*ild4 #aadg4 ,figure ( a "y man4 #djb4 ,v5us & ,cupid4 ,et*+ 9 bi/re t\*$ up 9 :ite = ! ,cambio4 #acag4 ,figure ( a monk4 #beb4 #acbj4 ,an angel & a lily4 #djj4 ,p]icles4 ,p5 & ink4 ,= ! ,cambio4 #adce4 ,figure ( a monk4 #daf4 ,head ( #aaae4 ,vision ( ,/4 ,b]n>d4 ,/udy = ! picture at ,muni*1 #ajbd4 #djh4 ,/4 ,ca!r9e2 & on ! rev]se ( x1 ,f\r ,loves4 ,p5 & ink4 #cfc4 ,madonna & ,*ild4 ,/udy = ! picture at ,p]ugia4 ,sala ,,xi4 #f4 #dja4 ,moses4 ,= ! ,cambio4 #eaa4 ,two figures4 ,case #bea4 #dae4 ,socrates4 ,= ! ,cambio4 #dje4 ,gr\p ( five ,apo/les4 ,/udy = ! ,assumption at ,,ss4 ,annunziata4 #dag4 ,! ,madonna4 ,/udy = ! figure 9 ,/a4 ,m>ia dei ,pazzi4 #djc4 ,?ree ,apo/les4 ,/udy = ! ,assumption at ,borgo ,san ,sepolcro4 ,et*$ 9 bi/re1 height5$ ) :ite on t9t$ pap]4 ,on ! back ( #beb1 #djj1 is a ,*ri/ on ! ,cross1 9 silv] pa9t on blue pap]4 ,/udy = ! ,/a4 ,m>ia de ,pazzi picture4 #bef4 #cji4 ,! ,cumean ,sibyl4 ,= ! ,cambio4 ,,flor5ce1 ,,*apt]-,,h\se ,,( ,,santa ,,m>ia ,,maddal5a ,,dei ,,pazzi4 ,! ,crucifixion4 ,?is is a v l>ge fresco 9 ?ree comp>tm5ts4 ,circa #adif4 ,9 ! c5tre is ,our ,"l ^u ! ,cross1 ) ,m>y ,magdal5 kneel+4 ,9 ! "r division1 ,/4 ,john & ,/4 ,b5$ict4 ,9 ! left1 ! ,virg9 & ,/4 ,b]n>d4 ,ea* division is fram$ by an ar*way ( pill>s4 ,!re are /udies 9 ! ,uffizi = ! ,madonna1 #bea1 #dag2 & = ! ,*ri/ on ! ,cross1 #beb1 #djj4 ,,flor5ce1 ,,*ur* ,,( ,,ss4 ,,annunziata4 ,9 ! fif? *apel on ! left is a ,virg9 & ,*ild en?ron$ betwe5 ,/4 ,john ,bapti/ & ,/4 ,francis1 mu* ( :i* 0 probably pa9t$ by ! pupils ( ,p]ug9o4 ,!re is a /udy = ! ,/4 ,francis 9 ! ,uffizi1 #bed1 #dji4 ,9 ! sev5? ,*apel is an ,assumption ( ! ,virg94 ,! ,madonna is 9 a lum9\s m&orla ( rays & surr\nd$ by angels & *]ubs1 :ile bel[ on ! gr\nd ! apo/les & holy wom51 :o are gaz+ up into heav54 ,!re is a /udy = five ( ! apo/les 9 ! ,uffizi1 #beg1 #dje4 ,,flor5ce1 ,,*ur* ,,( ,,la ,,calza4 ,! ,crucifixion4 ,! ,magdal5 is at ! foot ( ! cross1 & ar\nd are ,/4 ,j]ome1 ,/4 ,francis1 ,/4 ,john ,bapti/1 & ,/4 ,giovanni ,columb9i ( ,si5a4 ,,flor5ce1 ,,via ,,fa5za4 ,i am only prep>$ to accept ! g5]al idea ( ! ,c5a di ,foligno z belong+ to ,p]ug9o4 ,he may h done ! l&scape1 b ,i d\bt x2 & ! figures ar\nd ! table ,i d n ?9k are 8 at all4 ,mr4 ,b]5son1 h[ev]1 accepts "p ( ?is "w z ,p]ug9o's1 & dates x v e>ly ab\t #adij4 ,,flor5ce1 ,,/4 ,,spirito ,,we/ ,,w9d[4 ,asc5sion4 ,mr4 ,b]5son /ates t ?is is f a design by ,p]ug9o4 ,,mac]ata4 ,madonna & ,*ild ) two ,sa9ts4 ,only a small "p ( ?is is by ! ma/]1 ! rema9d] is by pupils4 ,,milan1 ,,poldi ,,pezzoli ,,museum4 ,madonna & ,*ild4 ,panel4 #jbi #jbc #aa 94 #i 94 ,! ,virg9 is seat$1 & has ! div9e ,*ild on h] knees4 ,on ei!r side ( h] is an angel1 "o hav+ clasp$ h&s & ! o!r ) its h&s fold$ across its brea/4 ,,montefalco1 ,,*ur* ,,( ,,/4 ,,francis 7,,new ,,p9acoteca74 ,! ,nativity4 ,p]ug9o's fav\rite /ructure ) a po9t$ ro( re/+ on f\r columns occupies ! c5tre ( ! picture2 "u x is ! div9e ,*ild ly+ ^u ! gr\nd4 ,! ,madonna & ,/4 ,joseph are kneel+ on ei!r side1 & beh9d !m are ! %eph]ds & "s cattle4 ,above1 9 ! curve ( ! ar*1 is depict$ ! ,et]nal ,fa!r seat$ on ! cl\ds )9 a m&orla ( *]ubs heads & on ei!r side are kneel+ ador+ angels4 ,,naples1 ,,national ,,museum4 ,madonna & ,*ild4 #aa4 ,our ,lady is seat$1 & has ! div9e ,*ild1 :o is nude1 on h] knee4 ,! sc5e is 9 a rocky valley4 ,on ! left is a man on a :ite horse & ?ree y\?ful companions1 on ! "r a gr\p ( five p]sons1 two ( :om hold gold5 cups 9 _! h&s4 ,,naples1 ,,duomo4 ,! ,assumption4 ,said to be dat$ #adfj4 ,?is picture 0 commission$1 s ,vas>i says1 by ,c>d9al ,olivi]o ,c>affa1 :o is repres5t$ kneel+ to ! left4 ,! ,madonna is 9 a m&orla2 two angels above are cr[n+ h]1 & o!r angels play+ on in/rum5ts are ar\nd4 ,bel[ are ! apo/les & ,/4 ,paul1 & to ! left1 ! ,c>d9al ) ,/4 ,janu>ius4 ,i h n se5 ?is picture4 ,,panicale1 ,,lago ,,trasim5o1 ,,*ur* ,,( ,,/4 ,,seba/ian4 ,m>tyrdom ( ,/4 ,seba/ian4 ,fresco4 ,! sa9t is b\nd to a column :i* /&s on a m>ble ?rone 9 ! c5tre ( ! pavem5t ( an ar*$ ,temple4 ,f\r ar*]s are engag$ 9 %oot+ arr[s at ! ,sa9t4 ,! ,et]nal ,fa!r appe>s high above1 seat$ )9 a circle ( *]ubs & hav+ on ei!r side a kneel+ angel4 ,on ! p$e/al is ,p 4444 ,,de ,,ca/ro 4444 & on ! f\r pill>s ! date ,a4,d4 ,,mdv4 ,!re is a /udy = "o ( ! ar*]s at ,*ri/ ,*ur*1 ,ox=d4 ,,panicale1 ,,lago ,,trasim5o1 ,,*ur* ,,( ,,/4 ,,augu/9e4 ,virg9 & ,*ild4 ,! ,madonna is 9 ! sky )9 a m&orla ( *]ubs1 & has f\r angels ar\nd h] play+ on in/rum5ts4 ,bel[ are two sa9ts4 ,mu* ( ?is picture is by ,lo ,spagna4 ,,pavia1 ,,c]tosa4 ,a picture ( six divisions ( :i* ! c5tral "o 9 ! upp] ti] is alone by ,p]ug9o4 ,x repres5ts ! ,et]nal ,fa!r seat$1 hold+ ! globe 9 "o h& & giv+ ! b5$iction ) ! o!r4 ,*]ub heads are all ar\nd ! seat$ figure4 ,! ?ree panels 9 ! l[] ti] are n[ 9 ! ,national ,gall]y1 ,london1 & copies take _! places 9 ! ,c]tosa at ,pavia4 ,on ei!r side ( ! ,p]ug9o panel h n[ be5 ins]t$ panels by ,borgognone4 ,! picture is 9 ! second *apel on ! left1 t ( ,/4 ,mi*ael ! ,ar*angel4 ,,p]ugia1 ,,p9acoteca ,,vannucci4 ,! ,coronation ( ! ,virg94 ,sala ,,viii4 #bd4 ,?is is a d\ble picture1 "o side be+ 9 ?is room & ! rev]se 9 ,sala ,x4 ,no4 #be4 ,f ! *ur* ( ,s4 ,francesco al ,monte4 ,/4 ,j]ome & ,/4 ,m>y ,magdal54 ,sala ,x4 #a4 ,by ! side ( ,/4 ,j]ome is 8 lion1 & 9 ! ,magdal5's h& is ! cup ( o9tm5t4 ,f ! *ur* ( ,/4 ,ago/9o4 ,/4 ,seba/ian b\nd to a column & %ot at by two ,ar*]s2 above are two angels4 ,dat$ ,a4,d4 ,,mdxviii4 ,sala ,x4 #b4 ,f ! *ur* ( ,s4 ,francesco al ,prato4 ,piet4 ,sala ,x4 #aj4 ,our ,"l cr[n$1 /&+ & ext5d+ ,8 h&s4 ,?is 0 orig9ally 9 an alt>-piece1 ! frame ( :i* is 9 ,sala ,,xiii4 ,no4 #af1 & ! place is /ill empty :i* ! ,piet fill$4 ,9 ! l[] "p ( ! frame a picture by ,eusebio has be5 plac$4 ,! ,baptism ( ,*ri/4 ,sala ,x4 #aa4 ,/4 ,john /&s by ! side ( ,our ,"l & is p\r+ ! wat] ^u ,8 head4 ,! ,holy ,_s z a dove )9 a circle ( gold5 rays is 9 ! heav5s above att5d$ by *]ubs & two ador+ angels4 ,two female sa9ts are on ! gr\nd b5ea?4 ,f ! great alt>-piece 9 ,/4 ,ago/9o4 ,! ,et]nal ,fa!r seat$ & surr\nd$ by ,*]ubs4 #f4 ,! lunette = above alt>-piece4 ,! ,prea*+ ( ,/4 ,john ,bapti/4 #g4 ,! ,m>riage ( ,cana 9 ,galilee4 #ab4 ,^! are ! pr$ella pieces = above alt>-piece & its opposite face4 ,! ,adoration ( ! ,magi4 #ba4 ,! ,(f]+ ( ,*ri/ 9 ! ,temple4 #af4 ,! ,prophet ,david4 #ae4 ,! ,prophet ,daniel4 #ai4 ,^! 7 "p ( ! same alt>-piece4 ,! rema9+ two are at ,nantes4 ,! ,bir? ( ,*ri/4 #bj4 ,?is is ! rev]se side ( ! ,/4 ,ago/9o alt>-piece1 ,! ,baptism ( ,*ri/ ,no4 #aa be+ ! o!r side4 ,san ,lor5zo4 #h4 ,/4 ,l\is ! ,bi%op4 #i4 ,san ,co/anzo4 #ac4 ,a ,m>tyr4 #ad4 ,/4 ,j]ome4 #ag4 ,/4 ,lucy4 #ah4 ,san ,nicola da ,tol5t9o4 #bb4 ,/4 ,monica4 #bc4 ,^! eight sa9ts surr\nd$ ! same alt>-piece at ,/4 ,ago/9o1 & are believ$ to h be5 at ! corn]s on ei!r side4 ,madonna ) ! div9e ,*ild & ,sa9t4 #bd4 ,! ,ar*angel ,gabriel4 #bf4 ,^! are also believ$ to h =m$ "p ( ! same alt>-piece4 ,a ,crucifixion4 #be4 ,?is 0 ! opposite side ( ! picture 9 ,sala ,x4 ,no4 #b4 ,! figure ( ! ,crucifi$ ,"l is f9ely c>v$ 9 wood & laid ^u ! canvas4 ,f ! *ur* ( ,s4 ,francesco al ,monte4 ,/4 ,james4 #d4 ,/4 ,j]ome4 #e4 ,deposit$ by ! ,sodality ( ,/4 ,m>t94 ,! ,transfiguration4 ,sala ,,xi4 #b4 ,our ,"l is above 9 ! heav5s1 /&+ ) h&s ext5d$1 & )9 a m&orla ( *]ub heads4 ,moses & ,elias kneel 9 ! cl\ds1 "o on ei!r side ( ! ,*ri/4 ,bel[ are ! ?ree disciples gaz+ upw>ds & %ield+ _! eyes ) _! h&s f ! bl9d+ spl5d\r ( ! sight4 ,! ?ree pr$ella pictures to ?is alt>-piece 7:i* 0 orig9ally 9 ,santa ,m>ia ,nuova7 repres5t ,! ,annunciation1 ,! ,bir? ( ,*ri/1 & ,! ,baptism ( ,*ri/4 ,! ,virg9 & ,*ild4 #f4 ,!re is a /udy = x 9 ! ,uffizi1 #beb1 #cfc4 ,pa9t$ 9 #adig4 ,deposit$ by ! ,nobile ,confrat]nita di ,san ,pietro ,m>tire4 ,! ,virg9 ( ,consolation4 #ad4 ,! ,madonna is seat$ 9 ! heav5s1 be>+ ! div9e ,*ild1 :o is nude1 erect on h] knees4 ,on ei!r side are ador+ angels1 & ar\nd are *]ubs4 ,b5ea?1 on ! gr\nd1 kneel ,san ,francesco & ,san ,b]n>d9o pray+ = ! p :o /& 9 a great cr[d 9 ! middle di/ance gaz+ up to ! ,madonna4 ,9 ! extreme di/ance is a view ( ,p]ugia4 ,deposit$ by ! ,nobile ,confrat]nita della ,giu/izia4 ,! ,virg9 & ,*ild4 #ae4 ,! ,madonna is seat$ 9 ! heav5s & has ?ree *]ubs "u h] feet4 ,on ei!r side are kneel+ ,san ,niccolo & ,san ,b]n>d9o da ,si5a4 ,on ! gr\nd ,/4 ,j]ome1 ) 8 lion1 & ,/4 ,seba/ian are also kneel+4 ,9 ! di/ance is a view ( ! city ( ,p]ugia4 ,f ! *ur* ( ,s4 ,ago/9o4 ,/4 ,john ,bapti/ & f\r o!r ,sa9ts4 #af4 ,/4 ,john /&s on a m\nd 9 ! mid/ & holds 8 tall cross1 & ) "o h& po9ts to heav54 ,on 8 left is ,/4 ,an?ony ( ,padua & ,/4 ,seba/ian1 ! latt] be+ p>tly 9 arm\r & we>+ a fanta/ic head-dress & hold+ an arr[ da9tily 9 "o h&4 ,on ! "r are ,/4 ,j]ome & ,/4 ,francis4 ,/4 ,john ! ,div9e4 ,sala ,,xii4 #d4 ,/4 ,luke ! ,evangeli/4 #h4 ,^! are attribut$ to ,p]ug9o 9 ! catalogue4 ,! ,bir? ( ,*ri/4 ,a lunette4 ,fresco4 ,sala ,,xiii4 #ea4 ,! div9e ,*ild is on a cu%ion on ! gr\nd1 & ne> by are ! ,madonna1 ,/4 ,joseph1 & ?ree %eph]ds1 all kneel+ 9 adoration4 ,! usual wood5 squ>e erection occupies ! c5tre ( ! picture4 ,"s cattle are se5 ne> at h&4 ,f ! ea/ door ( ! *ur* ( ,s4 ,francesco al ,monte4 ,,p]ugia1 ,,duomo4 ,virg9 & ,*ild & ,sa9ts4 ,! ,madonna is seat$ "u a canopy & holds ! div9e ,*ild1 :o raises ,8 h& 9 b5$iction1 9 h] arms4 ,on ! left /&s ,/4 ,seba/ian hold+ an arr[1 on ! "r is a female sa9t kneel+1 & beh9d h] /&s ,/4 ,joseph ) 8 /aff4 ,,p]ugia1 ,,*ur* ,,( ,s4 ,,sev]o4 ,raphael's fir/ fresco ( ,our ,"l & _m ,sa9ts1 to :i* ,p]ug9o made additions 9 #aeba4 ,! inscriptions ^u x are z foll[s3 ,,raphael ,,de ,,vrb9o ,,dom ,,octaviano ,,/ephano ,,volat]ano ,,priore ,,sanctam ,,tr9itatem ,,angelos ,,a/antes ,,sanctosque ,,p9xit ,a4,d4 ,,mdv42 & bel[ ) ! figures ( ,,ss4 ,s*ola/ica1 ,j]ome1 ,john ! ,div9e1 ,gregory1 ,boniface1 & ,m>?a3 ,,petrvs ,,de ,,ca/ro ,,plebis ,,p]vs9vs ,,temp4 ,,dom9i ,,silve/ri ,,/ephani ,,volat]rani ,a ,,dext]is ,,et ,,s9i/ris ,,div4 ,,*ri/ophorae ,,sanctos ,,sanctasqve ,,p9xit ,a4,d4 ,,mdxxi4 ,9 ! upp] "p is ! ,et]nal ,fa!r1 & bel[ is ,our ,"l seat$1 & above ,8 head ! :ite dove ( ! ,holy ,_s4 ,on ei!r side & ar\nd ,him are ador+ angels1 & ne> by1 seat$ 9 two gr\ps1 are1 on ,8 "r ?ree sa9ts1 ,,ss4 ,maurus1 ,placidus1 & ,b5$ict1 & on ,8 left ?ree m sa9ts1 ,,ss4 ,romualdus1 ,b5$ict ,m>tyr1 & ,john ,m>tyr4 ,,p]ugia1 ,,*ur* ,,( ,s4 ,,pietro4 ,piet4 ,! dead body ( ,our ,"l has j be5 lift$ f ! tomb by ,/4 ,joseph ( ,arima?a1 :o is support+ x 9 sitt+ po/ure on ! edge ( ! tomb4 ,on ei!r side are ,/4 ,m>y ,magdal5 & ,our ,lady1 ea* hold+ "o h& ( ,*ri/4 ,?is 0 orig9ally "p ( ! great alt>-piece ( ,/4 ,ago/9o4 ,= o!r p>ts see ,gr5oble1 ,t\l\se1 ,lyons1 ,nantes1 ,/rasburg1 & ! ,p9acoteca4 ,,p]ugia1 ,,nunn]y ,,( ,s4 ,,agnese4 ,! ,et]nal ,fa!r ) ,,ss4 ,seba/ian & ,rocu4 ,crucifixion1 ) two ,angels1 ! ,virg91 & ,/4 ,john ,bapti/4 ,! ,virg91 ) two ,angels1 ,/4 ,an?ony ! ,abbot1 ,/4 ,an?ony ( ,padua1 ,/4 ,elizabe? ( ,portugal1 ,/4 ,elizabe? ( ,hung>y4 ,said to h be5 sign$3 ,,petrvs ,,p9sit #aebb4 ,^! _c be se5 z ! h\se is n[ /rictly cloi/]$4 ,,p]ugia1 ,,collegio ,,del ,,cambio4 ,entirely decorat$ 9 fresco4 ,fir/ & ?ird picture4 ,twelve /&+ figures 9 gr\ps ( ?ree1 ea* gr\p consi/+ ( a ,greek betwe5 two ,romans4 #a4 ,fabius ,maximus1 ,socrates1 ,numa ,pompilius4 #b4 ,furius ,camillus1 ,pittacus1 ,trajan4 #c4 ,lucius ,sic9ius1 ,leonidas1 ,horatius ,cocles4 #d4 ,scipio1 ,p]icles1 ,c9c9natus4 ,above ! fir/ six figures are seat$ repres5tations ( ,prud5ce & ,ju/ice1 ! virtues1 illu/rat$ by ! philosoph]s1 & on tablets c>ri$ by *]ubs ! foll[+ two inscriptions3 ,,quid ,,g5]i ,,hvmano ,,pr,,/as ,,dea ,,dic ,,age ,,pr,,/o ,,ne ,,facias ,,qvae ,,mox ,,facta ,,dol]e ,,queas ,,scrut>i ,,v]vm ,,doceo ,,causasqve ,,lat5tes ,,et ,,p] ,,me ,,pot]it ,,nil ,,nisi ,,rite ,,g]i4 ,,si ,,tribvs ,,8 ,,cvnctos ,,similes ,,pia ,,nvm9a ,,gignant ,,nil ,,toto ,,scel]is ,,nil ,,sit ,,9 ,,orbe ,,mali ,,me ,,cvlta ,,avg5tvr ,,popvli ,,belloqve ,,togaqve ,,et ,,s9e ,,me ,,fv]ant ,,qvae ,,modo ,,magna ,,rvvnt4 ,! ,rev4 ,h4 ,r4 ,w>e r5d]s ^! v]ses 9 ,engli% z foll[s3 ,?y gifts to man1 ,oh6 ,goddess1 n[ relate4 ,to d1 :at done1 %all br+ no bitt] fate2 ,i %[ :]e tru? lies hid1 ! causes tell1 ,:i* le>n$ f me ?\ may'/ d all ?+s well4 or1 z an alt]native1 ! la/ l9e may read 7,:]eby ! seek] may d all ?+s well47 ,if ! good gods make all m5 l ^! ?ree1 ,9 ! wide _w no wick$ness w\ld be4 ,by me ! nations gr[ 9 w> & peace1 ,)\t my wor%ip anti5t p[]s decrease4 ,ano!r r5d]+ by ! ,rev4 ,t4 ,c4 ,robson is v close to ! orig9al b is n z melodi\s & easy z ,mr4 ,w>e's4 ,speak1 ,goddess1 :]e ?y gift to man appe>s4 ,my gift to prompt to de$s t cause no te>s4 ,tru? to unveil1 secrets to le>n ,i tea*1 ,no slave ( m9e heav5's ju/ice w\ld impea*4 ,_h heav5 made all m5 l ^! ?ree ,evil & crime _h ceas$ to be2 ,i guide bo? sword & p5 to bett] ways1 ,=ce )\t me w fall on evil days4 ,above ! second six figures are simil> repres5tations ( ,=titude & ,temp]ance1 ! virtues specially illu/rat$ by ! w>riors & simil> inscriptions ?us3 ,,c$]e ,,cvnta ,,meis ,,pulsa ,,et ,,disiecta ,,lac]tis ,,magna ,,satis ,,fv]9t ,,tres ,,docvm5ta ,,viri ,,nil ,,ego ,,pro ,,patria ,,timeo ,,*>isqve ,,prop9qvis ,,qvaeqve ,,alios ,,t]ret ,,mors ,,mihi ,,grata ,,v5it4 ,,dic ,,dea ,,qvae ,,tibi ,,vis ,,mores ,,rego ,,pectoris ,,ae/vs ,,temp]o ,,et ,,8 ,,alios ,,cvm ,,volo ,,r$do ,,p>es ,,me ,,seqv]e ,,et ,,qva ,,te ,,svp]es ,,ratione ,,docebo ,,qvid ,,tv ,,qvod ,,valeas ,,v9c]e ,,maivs ,,erit4 ,mr4 ,w>e's translation ( ^! v]ses is v happy3 ,?ree h]oes pro( infallible h giv5 ,t by my arms all foes are backw>d driv51 ,i h no fe> = c\ntry nor = fri5ds ,! k+ ( t]ror br+s to me am5ds4 ,goddess1 reveal ?y might4 ,i rule ! life2 ,h]oes ,i tra9 by temp]+ passion's /rife3 ,foll[ my rule1 ?y fi]y he>t re/ra91 ,:at great] victory can/ ?\ ere atta94 ,an alt]native ( ^! f\r l9es w\ld be1 ,oh6 ,goddess1 tell ! secret ( ?y might4 ,i rule ! he>t1 its foam+ tides ,i fight4 ,foll[ my rule1 ! /orms ( passion b9d2 ,s conqu]+ self a great] self y'll f9d4 ,mr4 ,robson's r5d]+ is z foll[s3 ,all ?+s b5ea? my h& 9 scatt]$ ru9 lie4 ,witness ^! ?ree ^: might c none d5y4 ,my l&1 my lov$ ones1 ev] ,i def5d1 ,& ,dea?1 to o!rs ,foe1 to me is fri5d4 ,speak1 ,goddess1 f ?y ?rone4 ,mann]s my "r4 ,to cool m5's s\ls & balance passion's might4 ,) me z guide self-conque/ ?\ %alt le>n1 ,:o !n w d>e t ma/] w to spurn4 ,! "n ( ea* ( ! /&+ figures is cle>ly record$ at 8 feet4 ,betwe5 ^! two great gr\ps on a pila/] is ! portrait ( ,p]ug9o ) ?is inscription3 ,,petrvs ,,p]vs9vs ,,egregivs ,,pictor4 ,,p]dita ,,si ,,fu]at ,,p+5di ,,8 ,,retulit ,,artem2 ,,si ,,nusquam ,,inv5ta ,,e/ ,,hact5us ,,ipse ,,d$it4 ,on ! end wall are repres5tations ( ,! ,transfiguration & ,nativity4 ,9 ! =m] ,our ,"l is 9 ! cl\ds 9 a m&orla ( rays1 & ,8 h&s are rais$ 9 b5$iction4 ,on ei!r side kneel ,moses & ,elias1 & 9 ! sky are ! words3 ,,hic ,,e/ ,,filivs ,,mevs ,,dilectvs4 ,on ! gr\nd gaz+ up1 b %ad+ _! faces f ! glory1 are ! ?ree disciples4 ,9 ! ,nativity ! div9e ,*ild is on ! gr\nd1 & ar\nd1 "u a canopy rais$ on six columns1 are kneel+ ! ,madonna1 ,/4 ,joseph1 & ! %eph]ds4 ,!re are cattle ne>by1 & above1 9 ! heav5s1 ?ree angels s++1 & above _! heads ! words3 ,,gloria ,,9 ,,excelsis ,,deo4 ,on ! "r wall is a ,gr\p ( ,prophets & ,sibyls1 ,isaiah1 ,moses1 ,daniel1 ,david1 & ,j]emiah1 & opposite to !m ! ,p]sian1 ,cuman1 ,libyan1 ,tyburt9e1 & ,delphic sibyls4 ,above !m1 9 ! cl\ds1 surr\nd$ by *]ubs & ador+ angels1 is a repres5tation ( ,! ,et]nal ,fa!r4 ,ne> ! door is a f9e /&+ figure ( ,cato1 & 9 ! ceil+ are m$allions ( ! deities repres5t+ ! sev5 planets set amid/ a pr(usion ( div]sifi$ arabesques4 ,!re are /udies 9 ! ,uffizi = sev]al ( ! figures 9 ! ,cambio3 ,socrates 7#bea1 #dae71 ,p]icles 7#beb1 #djj71 ,moses 7#beb1 #dja71 ,! ,cumean ,sibyl 7#bef1 #cji71 ,v5us & ,cupid 7#bec1 #djb71 ,! ,infant ,*ri/ 7v]so (1 #beb1 #dja74 ,,rome1 ,,vatican1 ,,cappella ,,si/9a4 ,/4 ,pet] receiv+ ! ,keys4 ,!re is a /udy 9 ! ,uffizi1 #beb1 #daf1 = "o ( ! heads 9 ?is fresco4 ,,rome1 ,,vatican1 ,,/anza ,,dell' ,,inc5dio4 ,! ,,ceil+ pa9t$ by ,p]ug9o 0 sp>$ by ,raphael 9 #aejh :5 ,pope ,julius ,,ii4 ord]$ ! de/ruction ( all exi/+ "w 9 ord] t ,raphael might entirely complete ! decoration4 ,! ceil+ is 9 f\r circul> comp>tm5ts4 ,! fir/ repres5ts1 )9 a m&orla ( *]ubs1 & surr\nd$ ) angels ! ,et]nal ,fa!r hold+ ! globe & giv+ b5$iction4 ,! second1 ! ,savi\r 9 glory1 )9 a m&orla1 & surr\nd$ ) angels & *]ubs4 ,! ?ird1 ! ,savi\r surr\nd$ by ,8 apo/les & ,/4 ,paul1 :ile above ,him is ! ,et]nal ,fa!r ) angels1 & at ,8 feet ! ,dove ( ! ,holy ,gho/4 ,! f\r? depicts ! ,et]nal ,fa!r betwe5 two sa9ts & surr\nd$ by angels & *]ubs4 ,,rome1 ,,vatican1 ,,p9acoteca4 ,! ,resurrection4 ,panel4 #bbg #afg #g ft4 #f 94 #e ft4 #f 94 ,! ,madonna & ,*ild4 #jhi #afe #b ft4 #aa 94 #e ft4 #f 94 ,! ,virg9 is seat$ on a magnific5t canopi$ ?rone b5ea? a vault$ ar*way4 ,! div9e ,*ild is nude1 & /&s erect on h] knees4 ,ar\nd are f\r sa9ts patrons ( ,p]ugia1 ,/4 ,h]culanus1 ,/4 ,con/antius1 ,/4 ,lawr5ce1 & ,/4 ,l\is ( ,t\l\se1 all ri*ly dress$4 ,! ?rone is inscrib$3 ,,hoc ,,petrvs ,,de ,,*a/ro ,,plebis ,,p9xit ,?is 0 orig9ally 9 ! *apel ( ! ,t[n ,hall at ,p]ugia1 = :i* x 0 pa9t$1 & 0 c>ri$ to ,p>is 9 #agig4 ,,ss4 ,placido1 ,flavia1 & ,b5$ict4 #jca #jbf ea*4 ,san ,placido be>s ! ,palm1 ,san ,b5$etto ! holy wat]1 asp]ge1 & a book1 & ,santa ,flavia is cr[n$ & has h] h&s clasp$4 ,%e & ,san ,placido 7 bro!r & si/] & e>ly disciples ( ,/4 ,b5$ict4 ,f ! pila/]s =m+ ! sides ( ! ,asc5sion remov$ f ! ,b5$ict9e ,*ur* ( ,s4 ,pietro 9 ,p]ugia & n[ at ,lyons4 ,,rome1 ,,villa ,,borghese4 ,/4 ,seba/ian4 #aji #jfi #c ft4 #g 94 #b ft4 #c 94 #chf4 ,! sa9t /&s "u an op5 ar*way1 b\nd to a c5tral column4 ,he is pi]c$ ) five arr[s1 & is look+ upw>ds4 ,virg9 & ,*ild4 #jde #jcg #a ft4 #f 94 #a ft4 #b 94 #dja4 ,! ,virg9 is seat$1 & holds ! div9e ,*ild1 :o is nude1 erect on h] knees4 ,see ,frank=t4 ,,rome1 ,,villa ,,albani4 ,alt>-piece4 #cg4 ,?is is 9 six comp>tm5ts repres5t+ ! ,adoration ( ! ,div9e ,*ild1 & ,! ,crucifixion4 ,! ,nativity is bel[4 ,at ! sides are an angel & an ,annunciation4 ,! picture is inscrib$ on ! capitals1 ,,petrvs ,,de ,,p]vsia ,,p9xit ,,mccviiii ,,primo4 ,,si5a1 ,,*ur* ,,( ,,/4 ,,ago/9o4 ,! ,crucifixion4 ,= ?is picture ,p]ug9o 0 paid #bjj gold5 ducats4 ,,s9igaglia1 ,,mona/]y ,,*ur* ,,( ,,/a4 ,,m>ia ,,della ,,grazie4 ,virg9 & ,*ild ) ,sa9ts4 ,! ,virg9 is on a ?rone1 be>+ ! div9e ,*ild 9 h] arms4 ,ar\nd /& ,/4 ,john ,bapti/1 ,/4 ,l\is ( ,france1 ,/4 ,francis1 ,/4 ,pet]1 ,/4 ,paul1 & ,/4 ,james 7or ,/4 ,john & ,/4 ,&rew74 ,almo/ a replica ( ! "o at ,fano4 ,,spello1 ,,*ur* ,,( ,,santa ,,m>ia ,,maggiore4 ,piet4 ,our ,lady is seat$ on a ?rone1 & holds ! dead body ( ! ,*ri/ 9 h] arms & on h] knees4 ,on "o side ( h] kneels ,m>y ,magdal51 & on ! "r ,/4 ,john4 ,above _! heads are *]ub faces float+ 9 ! air4 ,f ! canopy ( ! ?rone are susp5d$ two tablets be>+ ^! words3 ,,petrvs ,,de ,,*a/ro ,,pleb ,,p9sit ,,ad ,,mdxxi42 & on ! foot ( ! ?rone is inscrib$3 ,,mi*al ,,agelvs ,,&9e4 ,virg9 & ,*ild & ,sa9ts4 ,! ,virg9 is seat$ on a ?rone1 hold+ ! div9e ,*ild1 :o /&s erect & nude on h] knees4 ,on h] left /&s ,/4 ,ca!r9e1 ) :eel & palm1 & on ! "r ,/4 ,blaise1 9 episcopal habit1 ) mitre & crozi]1 hold+ ! wool comb4 ,! ?rone is inscrib$3 ,,ex ,,speis ,,joanne ,,b]n> ,,delli ,,ad ,,mdxxi ,,die ,,xxv ,,aprilis4 ,,trevi1 ,,*ur* ,,( ,,santa ,,m>ia ,,delle ,,lacrime4 ,! ,adoration ( ! ,magi4 ,! ?rone is inscrib$3 ,,petrvs ,,9 ,,ca/ro ,,plebis ,,p9xit4 ,,tu ,,sola ,,9 ,,t]ris ,,g5etrix ,,et ,,virgo ,,fvi/i ,,reg9a ,,9 ,,celis ,,tv ,,qvoqve ,,sola ,,manes4 ,,v]ona1 ,,museo ,,civico4 ,! ,madonna ador+ ! ,*ri/4 #abj4 ,! ,virg9 is /&+ 9 ! c5tre ( ! picture ) clasp$ h&s & 9 front ( a /one balu/rade4 ,on ei!r side are kneel+ angels4 ,! "o on ! "r holds ! div9e ,*ild1 :om ! ,virg9 is ador+1 ! o!r re/s h] h&s on ! %\ld]s ( ,/4 ,john ,bapti/1 :o is also ador+ ! ,*ri/4 ,9 ! backgr\nd is ! usual l&scape :i* appe>s to be und\bt$ly ! "w ( ,p]ug9o1 & probably also ! figure ( ! ,virg92 b ! angels & *ildr5 are s*ool "w4 ,! ,adoration ( ! ,magi4 #ie4 ,,*ronological ,,li/ ,,( ,,pictures #adge ,c]ta9 frescoes 9 ! great hall ( ! ,palazzo ,publico4 ,m5tion$ by ,milanesi4 #adgh ,c]ta9 frescoes 9 a *apel at ,c]queto1 a ca/le 9 ! diocese ( ,p]ugia4 ,also m5tion$ by ,milanesi4 #adhj ,*ri/ deliv]+ ! keys to ,/4 ,pet] 9 ! ,si/9e ,*apel 9 ! ,vatican at ,rome4 ,o!r frescoes n[ de/roy$4 #adia ,alt>-piece 9 ! ,villa ,albani4 ,dat$ ,rome #adic ,virg9 & ,*ild1 f ,fiesole4 ,dat$ ,uffizi1 ,no4 #aabb ,madonna & ,sa9ts4 ,dat$ ,vi5na ,piet pa9t$ = ! ,gesuati ,accademia1 #eh #adid ,madonna & ,*ild4 ,dat$ ,sant' ,ago/9o1 ,cremona ,portrait ( ,francesco ,uffizi1 #bhg #adie ,madonna & ,*ild ,p9acoteca1 ,vatican ,! ,entombm5t4 ,dat$4 ,pitti1 #afd ,! ,asc5sion = ,san ,pietro1 ,p]ugia ,c5tre at ,lyons 7,a "p is dat$47 ,pr$ella at ,r\5 ,o!r p>ts at ,/4 ,pietro & ! ,vatican #adif ,vision ( ,s4 ,b]n>do ,muni* ,crucifixion1 begun 9 #adic1 f9i%$ ,/a4 ,m>ia ,maddal5a #adif dei ,pazzi ,virg9 & ,*ild at ,bologna ,family ( ,/a4 ,anna ,m>seilles #adig ,alt>-piece4 ,dat$ ,fano ,virg9 & ,*ild4 ,dat$ ,p9acoteca1 ,p]ugia1 ,sala xi4 #f #adih ,madonna ) ,/4 ,b]n>d & ,/4 ,francis ,p9acoteca1 ,p]ugia1 xi4 #ad ,alt>-piece4 ,dat$ ,fano #adii-aejj ,! frescoes 9 ! ,cambio ,p]ugia ,two ,monks 9 ! ,accademia #ag & #ag bis ,a ,duke ( ,urb9o ,vi5na #aejj ,! ,assumption4 ,dat$ ,accademia1 #ee #aejb ,coronation ( ! ,virg9 ,p9acoteca1 ,p]ugia1 ,sala viii4 #bd #aejd ,adoration ( ! ,magi4 ,dat$ ,citt della ,pieve #aeje ,/4 ,seba/ian4 ,dat$ ,panicale ,desc5t f ! ,cross1 begun by ,lippi ,accademia1 #eg #aejd or #e ,love & ,*a/ity ,! ,l\vre1 #aefg ,virg9 & ,*ild ) two ,sa9ts ,muni*1 #ajce #aejg ,virg9 & ,*ild ) two ,sa9ts ,national ,gall]y1 #ajge ,ceil+ 9 ! ,cam]a dell' ,inc5dio ,vatican1 ,rome #aeaj ,picture = ,san ,francesco1 ,si5a4 ,h]tz ,coll41 ,rome ,fragm5t n[ rema9s ,crucifixion4 ,san ,ago/9o ,si5a #aeab ,votive picture4 ,dat$ ,bettona #aeac ,virg9 9 ,glory4 ,dat$ ,citt della ,pieve #aeag ,desc5t f ! ,cross4 ,a fragm5t4 ,citt della ,pieve ,dat$ #aeah ,m>tyrdom ( ,/4 ,seba/ian4 ,dat$ ,p9acoteca1 ,p]ugia1 ,sala x4 #b #aeba ,additions made to ,raphael's unf9i%$ ,s4 ,sev]o1 ,p]ugia fresco4 ,dat$ ,piet4 ,dat$ ,spello ,virg9 & ,*ild ) ,sa9ts4 ,dat$ ,spello ,! ,alt>-,piece pa9t$ = ,/4 ,ago/9o ( ,p]ugia1 ( :i* "p is 9 situ1 & o!r p>ts are at ,lyons1 ,t\l\se1 ,gr5oble1 & ,nantes ,adoration ( ! ,magi ,trevi #aebb ,virg9 & ,sa9ts4 ,dat$ ,/4 ,agnese1 ,p]ugia #aebc ,! ,adoration ( ! ,%eph]ds ,national ,gall]y #adda ,,index ,adoration ( ! ,magi1 ,! 7,r\571 #dc1 #acj2 7,citt della ,pieve71 #ij1 #ia1 #ace1 ill4 #ib2 7,trevi71 #aji1 #aed ,adoration ( ! ,%eph]ds1 ,! 7,nat4 ,gall]y71 #aaj1 #abc ,albani1 ,c>d9al ,giovanni ,girolamo1 #aae ,albani ,,ms41 ,!1 #aae ,albani alt>-piece1 ,!1 #bi1 #aec1 ill4 #bh ,albizzi1 ,luca degli'1 picture pa9t$ by ,p]ug9o =1 #aa ,annunciation1 ,! 7,villa ,albani71 #bi1 #aec2 7,fano71 #fi1 #ga1 #acg ,antonello da ,mess9a1 8 influ5ce on ,p]ug9o1 #ci ,apollo & ,m>syas 7,l\vre71 #fb1 #acj ,arcimboldo1 ,guido1 ,ar*bi%op ( ,milan1 #dj ,a%burnham1 ,"l1 & ! ,albani ,,ms41 #aag ,asc5sion1 ,! 7,lyons71 #da1 #db1 #ee1 #if1 #abh2 7,borgo ,san ,sepolcro71 #da1 #db1 #dd1 #if1 #acd1 ill4 #db ,assumption1 ,! 7,accademia71 #fd1 #hc1 #hd1 #aci1 ill4 #hb2 7,,ss4 ,annunziata71 #hc1 #ie1 #if1 #ig1 #ada2 /udies =1 #ih ,baccio d',agnolo1 #hg1 #ij ,baldass>e1 ,abbot1 portrait (1 #hd1 #aac1 #aci1 ill4 #hd ,balsams1 action ( on col\rs1 #cf1 #cg ,baptism ( ,*ri/1 ,! 7,r\571 #af1 #ag1 #dd1 #acj1 ill4 #ah2 7,vi5na71 #ai1 #bj1 #aba2 7,foligno71 #ajj1 #acg2 7,citt della ,pieve71 #ajd1 #acf ,baptism ( ,*ri/1 ,!1 9 ! ,si/9e ,*apel1 probably by ,p9turic*io1 #af ,bell9i1 ,giovanni1 8 influ5ce on ,p]ug9o1 #ci ,b]5son1 ,mr4 ,b4 on ,p]ug9o1 #b1 #i2 on space composition1 #ac2 attributes1 ! ,sposalizio to ,lo ,spagna1 #ei-fa ,bettona1 ,p]ug9o's pictures at1 #ajc1 #ajd1 #acd ,bolleti1 ,signor ,guiseppe1 #ia ,bonfigli1 8 influ5ce on ,p]ug9o1 #b1 #c ,boto da ,m>aglia1 votive picture at ,bettona1 commission$ by1 #ajc ,cambio1 ,!1 at ,p]ugia1 ,p]ug9o's decoration (1 #gd-hb1 #adi-aea ,canova1 #ed1 #ee ,cec*eti1 ,signor ,&rea1 #ia ,cel&ro1 ,santi di ,polonio del1 #ba1 #bb ,c5n9i1 ,c5n9o1 ,! ,trattato (1 #cd ,c]tosa alt>-piece1 ,!1 #fg1 #abb1 ill4 #fh ,ces>ei1 ,mayor ( ,p]ugia1 #ea1 #ef ,*ri/ giv+ ! ,keys to ,/4 ,pet]1 #ac1 #aea1 ill4 #ad ,*ri/ 9 ! ,g>d5 7,accademia71 #bd1 #bf1 #aci1 ill4 #bf ,citt della ,pieve1 ,p]ug9o's bir?place1 #a2 fresco 9 ,/a4 ,m>ia de ,bianca1 #ij1 #ia1 #ace2 ! t[n & p1 #ib2 o!r pictures by ,p]ug9o at1 #ajd1 #aje1 #ace1 #acf ,coronation ( ! ,virg91 ,! 7,p]ugia1 ,p9acoteca71 #hg1 #hh1 #if1 #ig1 #add ,co/a1 ,lor5zo1 8 ,sposalizio1 #fj1 #fa ,crucifixion1 ,! 7,la ,calza71 #i1 #bd1 #adb1 ill4 #bd2 7,villa ,albani71 #bi1 #aec2 7,s4 ,m4 ,maddal5a dei ,pazzi71 #dj1 #fc1 #fe-fg1 #gc1 #ada1 ill4 #ff2 /udies =1 #fg2 7,accademia71 #gb1 #gc1 #adj1 ill4 #gb2 7,p]ugia1 ,p9acoteca71 #hg1 #hi1 #adf1 ill4 #hh2 7,assisi71 #ajb1 #acc2 7,si5a71 #ajc1 #aec1 ill4 #ajb ,crucifixion1 ,!1 by ,raphael1 #fg ,d>u1 ,c\nt1 #ej1 #ea1 #eb ,d5i/\ne1 ,mr41 & ! ,albani ,,ms41 #aae-aag ,d5on1 ,b>on1 #ea1 #ec ,desc5t f ! ,cross 7fragm5t1 ,citt della ,pieve71 #aje1 #acf ,desc5t f ! ,cross1 ,!1 by ,filipp9o ,lippi1 complet$ by ,p]ug9o1 #ie1 #adj1 ill4 #id ,ducci1 ,ago/9o1 #gb ,entombm5t1 ,! 7,pitti71 #dj1 #dd1 #de1 #ach1 ill4 #dd2 /udies =1 #de-df ,e/e1 ,isabella d'1 & ,p]ug9o1 #ic ,fancelli1 ,*i>e1 wife ( ,p]ug9o1 #adj ,f$]ighi1 ,jacopo1 #ie ,fiesole alt>-piece1 ,!1 #ca1 #aci1 ill4 #cj ,fior5zo di ,lor5zo1 8 influ5ce on ,p]ug9o1 #b1 #d1 #e ,francesco delle ,op]e1 portrait (1 #dj1 #dd1 #hj1 #he1 #ach1 ill4 #dj ,galeotto1 ,pietro di ,mae/ro1 #bj-bb ,giovanni1 ,!1 ,p]ug9o's uncle & nephews1 #hg ,h]r+ham1 ,mrs41 #cd ,holy ,family1 ,! 7,cantiano71 #fi1 #ace ,horne1 ,mr4 ,h]b]t1 on ,p]ug9o's te*nique1 #cc ,julius ,,ii41 ,pope1 #bg1 #hh1 #aja ,laurie1 ,dr4 ,a4 ,p41 8 ,cantor ,lectures1 #cf ,leon>do da ,v9ci1 #ab ,lippo1 ,filipp9o1 8 ,desc5t f ! ,cross1 complet$ by ,p]ug9o1 #ie1 #adj ,lippi1 ,lippo1 8 ,vision ( ,/4 ,b]n>d1 #fc ,lor5zo di ,cr$i1 #ab1 #ie ,lo ,spagna1 ,! ,sposalizio1 attribut$ to1 #ei2 o!r works by1 #ic ,love & ,*a/ity1 #i1 #fb1 #ic1 #id1 #acj ,madonna & ,*ild 7,l\vre71 #ai1 #abi2 7,v]ona71 #ai1 #aed2 7,vatican71 #bc1 #dj1 #aeb1 ill4 #bb2 7,uffizi71 #ca1 #aci2 7,vi5na71 #ca1 #aba2 7,cremona71 #ci1 #acg2 7,nat4 ,gall]y1 f ! ,c]tosa alt>-piece71 #fg1 #abb2 7,fano71 #fi-ga1 #acg2 7,s9igaglia71 #fi1 #aed2 7,p]ugia1 ,p9acoteca71 #fi1 #ga1 #adf1 ill4 #gj2 7,nat4 ,gall]y1 ! ,s*iavone alt>-piece71 #ii1 #ajj1 #abc1 ill4 #ajj2 7,bettona71 #ajd1 #acd2 7,citt della ,pieve71 #ajd1 #ace2 7,p]ugia1 ,duomo71 #aji1 #adg ,masaccio1 #ab ,maturanzio1 ,francesco1 #gg1 #hj ,mi*el ,angelo1 *oice ( a site = 8 ,david1 #hi2 connection betwe5 ,p]ug9o &1 #ij ,milan1 ,il ,moro1 ,duke (1 anxi\s to secure ,p]ug9o1 #ci1 #dj1 #fi ,milanesi1 ,don ,biagio1 portrait (1 #hd1 #aac1 #aci1 ill4 #hd ,moses & ,zipporah1 probably n by ,p]ug9o1 #af ,nativity1 ,! 7,villa ,albani71 #bi1 #aec2 7,cambio71 #gg1 #aea2 7,montefalco71 #ajh1 #adb2 7,p]ugia1 ,p9acoteca71 #ajd1 #adg ,napoleon1 8 seizure ( ,italian pictures1 #dh2 admiration ( ,p]ug9o's pa9t+s1 #ej ,niccol da ,foligno1 8 influ5ce on ,p]ug9o1 #b1 #c1 #aa ,orvieto1 /ory ( ,p]ug9o's contract to decorate ! ca!dral at1 #bg-bi2 f9ally refus$1 #gd ,panicale1 ,p]ug9o's "w at & connection )1 #ic1 #ii ,p]ugia1 /ory ( ,p]ug9o's deal+s ) ! ,priori (1 #bj1 #bc2 alt>-piece pa9t$ = ,san ,pietro1 #dj1 #da1 #ee1 #abh1 ill4 #eb2 ! pillage ( ,p]ug9o's pictures f1 #dg-eg2 alt>-piece pa9t$ = ! magi/rates' *apel1 #cc1 #dj1 #dg1 #di1 #aeb2 alt>-piece pa9t$ = ,/4 ,ago/9o1 #ef1 #gj1 #hg1 #hh1 #ajf2 decoration ( ! ,cambio1 #gd-hb1 #adi-aea1 ill4 #gf1 #gh2 d\ble alt>-piece = ,san ,francesco al ,monte1 #hg2 ! ,s*iavone alt>-piece1 #ii1 #ajj2 figures 9 ,san ,sev]o1 #ajg1 ill4 #ajf2 o!r pictures at1 #add-aea ,p]ug9o1 8 bir?1 #a2 e>ly influ5ces1 #b-i2 j\rney to ,flor5ce1 #i2 e>lie/ works1 #aj1 #aa2 figure ( ,san ,seba/ian at ,c]queto1 #aa2 ,*ri/ giv+ ! keys to ,/4 ,pet]1 #ac1 #af1 #ah2 influ5ce ( ,umbrian sc5]y on 8 "w1 #af2 8 o!r frescoes 9 ! ,si/9e ,*apel de/roy$1 #ah2 e>ly pictures1 #ai-cb2 ! ,vatican ,madonna1 #bc2 ! ,la ,calza ,crucifixion1 #bd1 #bf2 commission$ to decorate ,orvieto ,ca!dral1 #bg1 #gd2 "w = ,c>d9al ,guiliano della ,rov]e1 #bg-bi2 ! ,villa ,albani alt>-piece1 #bi1 #cj2 8 te*nique1 pigm5ts1 etc41 #cc-ch2 ! ,cremona alt>-piece1 #ci2 ! ,asc5sion alt>-piece1 #dj-dd2 ! ,entombm5t1 #dd-df2 /ory ( ! pillage ( 8 pictures f ,p]ugia1 #dg-eg2 ! ,sposalizio attribut$ to ,lo ,spagna1 #eh-fa2 ! ,apollo & ,m>syas1 #fb2 ! ,/4 ,b]n>d1 #fc2 ! ,family ( ,/4 ,anne1 #fc-fe2 ! ,crucifixion at ,s4 ,m4 ,maddal5a dei ,pazzi1 #fe-fg2 ! ,c]tosa alt>-piece1 #fg-fi2 pictures at ,fano1 etc41 #fi-ga2 two ,madonnas at ,p]ugia1 #ga1 #gb2 ! ,/4 ,j]ome ,crucifixion1 #gb1 #gc2 resid5ce 9 ,flor5ce1 #gd2 decoration ( ! ,cambio1 #gd-hb2 portrait ( himself1 #hj1 #he1 ill4 #gh2 ,raphael 8 pupil1 #ha1 #hb2 ! ,vallombrosa alt>-piece1 #hc1 #hd2 two portraits1 #hd1 #he2 civic duties 9 ,p]ugia1 #hg2 ! d\ble alt>-piece = ,san ,francesco al ,monte1 #hg-hi2 connection ) ,mi*el ,angelo1 #ij2 ! fresco at ,citt della ,pieve1 #ij1 #ia2 commission f ,isabella d',e/e1 #ic2 ! ,assumption 7,,ss4 ,annunziata71 #ie2 repetition ( figures 9 8 pictures1 #fh1 #if2 retirem5t to ,p]ugia1 #ig2 ! ,s*iavone alt>-piece1 #ii1 #ajj2 frescoes 9 ! ,vatican1 #aja2 works at ,assisi1 #ajb2 ,si5a1 #ajc2 ,bettona1 #ajc1 #ajd2 ,citt della ,pieve1 #ajd1 #aje2 ,spello1 #ajf2 completion ( ,raphael's fresco 9 ,san ,sev]o1 ,p]ugia1 #ajg2 works at ,montefalco1 & ,trevi1 #ajh2 lat] pictures1 #aji1 #aaj2 dea?1 #aaj2 8 burial-place unkn[n1 #aaa2 8 wife1 #aab2 8 s*ol>s1 #aab2 *>act]i/ics1 #aab-aad ,pi]o della ,francesca1 8 influ5ce on ,p]ug9o1 #c1 #f1 #bf1 #cj ,piet 7,accademia71 #i1 #bd1 #bf1 #adj1 ill4 #bf ,p9turic*io1 ! ,baptism 9 ! ,si/9e ,*apel by1 #af1 #ah2 "w 9 ,orvieto ,ca!dral1 #bi2 ! ,apollo & ,m>syas1 possibly by1 #fc ,phillips1 ,mr4 ,claud1 #fc ,portraits by ,p]ug9o1 #dj1 #dd1 #hj1 #hd1 #he1 #aac ,prophets & ,sibyls 7,cambio71 #gg1 #hb1 #hc1 #aea ,raffael9o del ,g>bo1 #be ,raphael1 8 ,sposalizio1 #ei1 #fj1 #ha2 8 ,crucifixion1 #fg2 ,p]ug9o's pupil1 #ha1 #hb2 8 decorations 9 ! ,cam]a dell' ,inc5dio1 #ajj2 fresco 9 ,san ,sev]o1 ,p]ugia1 add$ to by ,p]ug9o1 #ajg ,raphael ( ,morris ,moore1 ,!1 #fb1 #acj ,repetition ( figures 9 ,p]ug9o's pictures1 #fh1 #if ,resurrection1 ,! 7,r\571 #dc1 #acj2 7,vatican71 #gi1 #he1 #hf1 #aeb1 ill4 #hf ,ro$]]1 ,b>on1 #ea1 #ec ,rossi1 ,pr(4 ,adam1 #eh1 #ha ,rov]e1 ,c>d9al ,guiliano della1 ,p]ug9o's "w =1 #bg1 #bh1 #bi ,/4 ,ago/9o alt>-piece1 ,!1 #ef1 #gj1 #hg1 #hh1 #ajf1 ill4 #ajf ,/4 ,anne1 ,family (1 #fc1 #fd1 #abh1 ill4 ,frontis4 ,/4 ,an?ony 7,citt della ,pieve71 #ajd1 #ace2 7,bettona71 #ajc1 #acf ,san ,b]n>d9o ( ,si5a1 #ga1 #gb ,/4 ,b]n>d1 ,vision ( 7,muni*71 #fc1 #acb1 ill4 #fb2 /udy =1 #fc ,/4 ,francis ( ,assisi1 #gb1 ill4 #gj ,santi1 ,giovanni1 l9es ref]r+1 to ,p]ug9o1 #ab2 /ory ( 8 tak+ ,raphael to ,p]ug9o1 #ha ,san ,seba/ian1 ,comp>ison ( ,p]ug9o's v>i\s repres5tations (1 #aah-abj ,san ,seba/ian 7,c]queto71 #aa1 #aah1 #ace1 ill4 #aj2 7,panicale71 #ic1 #ii1 #aah1 #adc2 7,p]ugia71 #aah1 #add1 ill4 #aah2 ) o!r sa9ts 7,p]ugia71 #ajf1 #adi2 7,albani ,,ms471 #aag1 #aah ,s*iavone1 ,giovanni1 alt>-piece pa9t$ =1 #ii1 #ajj1 #abc1 ill4 #ajj ,signorelli1 ,luca1 8 influ5ce on ,p]ug9o1 #h1 #i1 #aa1 #be2 8 decorations 9 ! ca!dral at ,orvieto1 #bi ,sixtus ,,iv41 ,pope1 pictures by ,p]ug9o execut$ =1 #aj1 #ab ,space composition1 ,mr4 ,b]5son on1 #ac ,spello1 ,p]ug9o's pictures at1 #ajf ,sposalizio1 ,!1 attribut$ to ,lo ,spagna1 #di1 #eh-fa2 comp>$ ) pictures by ,raphael & ,lor5zo ,co/a1 #fj1 #fa ,/4 ,john ,bapti/ & ,sa9ts 7,p]ugia1 ,p9acoteca71 #ajf1 #adg ,temp]a pa9t+1 #cc-cf ,?ompson1 ,mr4 ,h5ry ,yates1 #aag1 #aah ,tib]io d' ,assisi1 #ajh1 #aji ,t9et1 ,napoleon's commission]1 #dh1 #di ,t(anelli1 #ea1 #eb ,transfiguration1 ,! 7,cambio71 #gg1 #gh1 #aej2 7,p]ugia1 ,p9acoteca71 #gh1 #aji1 #adf2 7,/a4 ,m>ia ,nuova71 #gi1 #acg ,triumph ( ,religion1 ,! 7,cambio71 #gh ,ultram>9e1 /ory ( ,p]ug9o's use (1 #cg ,umbria1 ,! sc5]y (1 #ae1 #af ,vallombrosa alt>-piece1 ,!1 #fd1 #hc1 #hd ,vannucci1 ,john ,batti/a1 #aaa ,vannucci1 ,pietro1 see ,p]ug9o ,v]roc*io1 8 influ5ce on ,p]ug9o d\btful1 #i ,virg9 9 ,glory1 ,! 7,bologna71 #fc1 #acf1 ill4 #fd ,vite1 ,timoteo1 #fa1 #fb1 #ha ,,! ,,riv]side ,,press ,,limit$1 ,,ed9burgh ,,notice4 ,,photographs ( mo/ ( ! works m5tion$ 9 ?is volume are to be obta9$ 9 v>i\s sizes f 99,w4 ,a4 ,,mansell ,co499 ,art ,photograph ,publi%]s & ,deal]s1 #dje1 ,,ox=d ,,/reet1 ,,london1 ,w4 #af1 ,,pall ,,mall ,,ea/1 ,s4,w4 ,p]man5t ,c>bon ,pr9ts1 ,p]man5t ,pr9ts1 ,photogravures1 f mo/ ( ! ,pictures 9 ! ,gall]ies at ,,london4 ,national ,gall]y4 ,tate ,gall]y4 ,dulwi* ,gall]y4 ,,ed9burgh4 ,,glasg[4 ,,brussels4 ,,milan4 ,,v5ice4 ,,muni*4 ,,b]l94 ,,dresd54 ,,vi5na4 ,lie*t5/e94 ,belv$]e4 ,cz]n94 ,,am/]dam4 ,hague1 ,ha>lem4 ,,cassel4 ,etc41 ,etc4 ,royal ,collections ,,at ,,buck+ham ,,palace4 ,,w9dsor ,,ca/le4 ,private ,collections ( ,! ,duke ( ,devon%ire4 ,! ,e>l ,sp5c]4 ,! ,e>l ( ,nor?brook4 ,,art ,,books--,,art ,,albums--,,arti/ic ,,fram+ 99 99 99 99 99 ,,franz ,,hanf/,,ngl #af1 ,,pall ,,mall ,,ea/1 ,s4,w4 99 99 99 99 99 ,li/s & ,prospectuses ,free4 ,catalogues1 ,"o ,%ill+4 ,! ,art ,reproduction ,co4 ,ltd4 #c & #d1 ,,pl\gh ,,c\rt ,,fett] ,,lane1 ,,london1 ,e4,c4 ,=3 ,l9e ,process ,blocks ,half-,tone ,blocks on ,z9c & ,copp] ,photogravure ,plates ,copp]plate ,pr9t+ ,f9e ,art ,pr9t+ ,arti/ic ,adv]tis+ ,catalogues1 ,price ,li/s etc4 ,write = ,specim5s & ,e/imates ,telegraphic ,address ,,p]quisite1 ,,london ,national ,telephone #hij ,,holborn