mat]ial f ! ,google ,pr9t project47 ,new ,york ,univ]sity ,,ott5dorf] ,,memorial ,,s]ies ,,( ,,g]manic ,,monographs ,no4 #c ,,tieck',s ,,essay ,,on ,,! ,,boydell ,,%aksp]e ,,gall]y ,,by ,,george ,,h5ry ,,danton ,,indianapolis ,,edw>d ,j4 ,,heck]1 ,,pr9t] #aiab ,?is ,pap] ,is ,d$icat$ ,to ! ,memory ( ,oswald ,ott5dorf] ,,preface ,! mat]ial :i* 0 orig9ally pl& = my monograf 9 ! ,ott5dorf] s]ies has s9ce be5 indep5d5tly publi%t by ,/e9]t 9 8 diss]tation & book on ,tieck's color s5se & by ,o4 ,fis*] 9 an article1 ,ueb] ,v]b9dung von ,f>be und ,klang 9 ! ,zeits*rift fu] /hetik4 ,^! ?ree works r5d]d ! publication ( my mat]ial sup]flu\s1 made a *ange ( plan necess>y & ! result is t my monograf has be5 v mu* delayd 9 appe>+4 ,z f> z ,i "k1 !re is no o!r /udy ( ,tieck's fir/ critical pap]4 ,i f\nd x wor? :ile to d ?is monograf because ! comp>ison ) ! orig9al engrav+ br\ght out s _m int]e/+ facts1 ?rew light on ,tieck's erly critical me?od1 expla9d 8 ta/e1 %[d 8 use ( s\rces & above all1 contradict$ ! positiv ass]tion ( ,haym t ,less+'s influ5ce is n[h]e disc]nible4 ,! m5y int]e/+ facts ab\t ! gall]y itself t came to light 9 ! c\rse ( ! pap]1 ! m5y que/ions ab\t x :i* ,i 0 unable to solv1 may p]haps become ! matt] ( ano!r article4 ,! ,gall]y is = u n[ a rev5ant ( a pa/ & some:at impossible g5]ation4 ,a c]ta9 air ( ,engli% comm]cial roa/beefism cl+s to x4 ,x is an ,engl&1 ! art ( :i* kn[s no?+ ( ,con/able & /ill less ( ,turn]1 an ,engl& :i* loves ,%aksp]e )\t read+ him--z ,tieck suspect$--& ^: gall(obia does n recognize ! det to ,france & ! ,fr5* elem5ts 9 ?is v s]ies4 ,z an int]pretation ( ,%aksp]e1 x is no m ?an on a plane ) ,colly ,cibb]4 ,tieck saw ?is & felt x1 b c\ld n make cle> to himself :at 0 wrong ) x4 ,! plates belong 9 p>lors ( ! hairclo? age1 :]e inde$1 !y may /ill (t5 be f\nd4 ,x is be=e ! day ( ! pa9t$ sn[%ovel & ! crayon portrait1 b ! delicacy ( ! ,adams' decorations has gone out & ! new /r5g? ( ,romanticism has n come 94 ,!re is surely no tu* ( ! ,elizabe?an or ,jacobean _s4 ,i wi% to take ?is opportunity to ?ank ! v>i\s memb]s ( ! /affs ( ! ,/an=d ,univ]sity & ! ,columbia ,univ]sity ,libr>ies1 ( ! ,congressional & ,new ,york ,public ,libr>ies = _! aid2 especially to ?ank ,mr4 ,weit5kampf = 8 v great help on te*nical matt]s4 ,mr4 ,l4 ,l4 ,mackall also furni%t me ) v valuable in=mation4 ,! pap] und]w5t a mo/ se>*+ criticism at ! h&s ( ,pr(essor ,wilk5s1 ( ,new ,york ,univ]sity & ,i wi% to express my especial indet$ness to him = 8 assi/ance 9 ! matt]4 ,to ,pr(essor ,mc,louth my ?anks are due = a con/ant k9dly int]e/ 9 me z ,ott5dorf] fell[4 ,f9ally1 x is a plesant duty to express my appreciation ( ! b5efits d]iv$ f t ,fell[%ip & to ?ank ! ,committee = hav+ made me its ?ird incumb5t4 ,g4 ,h4 ,d4 ,indianapolis1 ,ind41 ,septemb]1 #aiaa4 ,,tieck',s ,,essay ,,on ,,! ,,boydell ,,%aksp]e ,,gall]y ,tieck's attack#a on ! ,boydell ,%aksp]e ,gall]y#b 0 8 fir/ publi%t critical production4 ,x is significant to note t ?is fir/ essay 9 criticism delt bo? ) ,%aksp]e & ) art1 t is1 ) ! rul+ passion ( ,tieck's life & ) "o ( ! /ronge/ ( 8 second>y int]e/s4 ,! passion = ,%aksp]e ) ! concomitant s5se ( close p]sonal relation%ip ) him1 came to be a major "p ( ,tieck's be+ & is cle>ly indicat$ ev5 be=e ?is article4#c ,tieck's decid$ av]sion to ! ,engli% national /&po9t t[>d ,%aksp]e is /rongly expre/ 9 ! essay4 ,! man :o lat] va9ly tri$ to conv]t ,col]idge to a po9t ( view ) respect to ! dramati/ t 0 oppos$ to all t 0 national & ,engli%1 does n1 z a m]e lad1 hesitate to v5ture 8 d\ts z to :e!r ! ,engli% nation is equal to ! task ( illu/rat+ its greate/ poet4#d ,^! illu/rations are kn[n z ! ,boydell ,%aksp]e ,gall]y4 ,!y 7 ! idea ( ! engrav]1 ,ald]man ,john ,boydell1#e :o wi%t to set up a great national monum5t to ! g5ius ( ,%aksp]e &1 at ! same "t1 to fo/] a s*ool ( hi/orical pa9t+ 9 a l& :]e h]et(ore ! portrait alone _h atta9d to any degree ( excell5ce4#f ,! ,gall]y 0 begun 9 #aghi & 0 complet$ 9 #ahjc4 ,at no sp>+ ( exp5se to himself--! entire co/ 0 upw>d ( #ajj1jjj--;,boydell commissiond "s ( ! be/ arti/s & engrav]s ( ! "t to portray sc5es f all ( ,%aksp]e's plays4 ,! oil pa9t+s1 ab\t #ajj 9 numb]1 7 to be p]man5tly h\sd 9 a gall]y bilt = ! purpose 9 ,london & 7 to be be/[d on ! nation z a p]petual memorial to ! great playwright's g5ius4 ,! ,napoleonic w>s1 t ,go?ic & ,v&alic revolution1 & ! de? 9 pov]ty ( ,boydell1 r5d]d necess>y ! disposal ( ! collection by lott]y 7#ahjd74 ,! lucky ticket 0 held by a ,london connoisseur nam$ ,tassie4 ,at 8 de? ! collection 0 scatt]d1 ?o subsequ5tly a few ( ! pictures 7 recollect$ & are n[ 9 ! ,%aksp]e ,memorial 9 ,/rat=d4#g ,! plates f ^! pictures are1 all 9 all1 no bett] & no worse ?an engrav+s ( ! day are likely to be4 ,x is illu/ration "w 9 :i* ! /ory int]e/ is ! pr$om9ant feature4 ,int]pretation ( ,%aksp]e takes prec$5ce ov] art1 & ev5 ,boydell places ! pa9t] bel[ ! poet & speaks disp>ag+ly ( ! ability ( ! =m] to und]/& & to portray4 ,! purposes ( ! ,gall]y h>monize ) ,tieck's po9t ( view & 8 pr$ilection = ! int]pretativ 9 criticism m9imizes ! e/hetic aspects ( 8 discussion4 ,tieck's essay is 9 ! =m ( f\r lett]s1 & 0 writt5 :ile he 0 a /ud5t at ! ,univ]sity ( ,gtt+54 ,x _h ! approval ( 8 tea*]1 ,johann ,dom9ik ,fiorillo1 7himself aft]w>d well-kn[n z ! au?or ( an ext5siv hi/ory ( art17 ?o x 0 n especially writt5 "u ,fiorillo's gidance4#h ,x 0 int5d$1 on ! surface at lea/1 z an op5 & emfatic prote/ ag5/ ! too lavi% praise ( ! plates 9 ! j\rnals4 ,! g5]al tone1 !n1 is polemic ?o direct$ ag5/ no p>ticul> p]son or article4 ,9 ! preface to 8 critical works#i ,tieck ass]ts t ! article is a product ( ! ye> #agic & t x 0 publi%$ 9 #agid4 ,x appe>$ 9 ! ,neue ,biblio!k d] s*o55 ,wiss5s*aft5 und frey5 ,ku5/e1 #eet5 ,b&es zweytes ,/ck1 pages #ahg-bbf1 :i* be>s ! date #agie1aj & accord+ to ! ,messkatalog1 did n appe> till ,mi*aelmas ( t ye>4#aa ,tieck's memory1 !re=e1 faild him z to ! date ( publication & he has also fall5 into a slite error1 or r inaccuracy1 9 reg>d to ! "t ( orig94 ,! article c\ld n h be5 complet$ )9 ! cal5d> ye> #agic1 because a numb] ( ! plates t ,tieck discusses are dat$ ,decemb] #bd1 #agic1 & c\ld h>dly hav got to ! cont95t 9 ! same ye>4 ,:ile x may be possible t ! plates 7 po/dat$1 !re is no evid5ce ( su* fact at h&4 ,moreov]1 ! ,gall]y 0 reviewd 9 ! ,goett+] ,gelehrte ,anzeig5 "u dates ab\t six mon?s aft] ! appe>ance ( ! individual plates 9 ,engl& & ^! reviews1 z w be %[n h]eaft]1 7 ext5sivly us$ by ,tieck4 ,9 ^! reviews1 ! plates are always spok5 ( z rec5tly arriv$4 ,! pr9ts 7 issu$ regul>ly to ! subscrib]s1 ( :om ! ,univ]sity1 accord+ to ! ,ms4 catalog 9 ! ,bo/on ,public ,libr>y1 0 "o4#ab ,x is h>dly to be supposd t ! "y /ud5t w\ld h erli] access to ! pictures ?an ! review] = ! semi-(ficial univ]sity publication4 ,?is review] 0 ,heyne#ac :o aft]w>d m$iat$ ! publication ( ,tieck's article4 ,! article 0 no d\t writt5 be=e ,tieck settl$ 9 ,b]l9 9 ! ,fall ( #agid b its writ+ w5t out ov] ! conf9es ( #agic4 ,! next s]ies ( plates appe>d 9 ,june1 #agid1 & is n includ$ 9 ,tieck's article1 ?o ?is is no pro( t ! article 0 complet$ be=e ,june1 s9ce ! plates probably did n arrive 9 ,g]many till well 9 ! ,summ]4 ,tieck's essay has be5 almo/ entirely neglect$ by ,tieck s*ol>s4 ,x is n a great piece ( con/ructiv criticism1 nor c x be said to conta9 ! ripe judgm5ts ( a mature m9d4 ,x is1 h[ev]1 a fre% &1 on ! :ole1 conv9c+ analysis ( ! plates & z su* des]ves a c>eful exam9ation4 ,x w be se5 t ! article has a v def9it f\ndation 9 prec$+ criticism b t ,tieck1 ?o borr[+ freely f "o s\rce at lea/1 namely ! ,goett+] ,gelehrte ,anzeig51 has n slavi%ly plagi>iz$ nor has he be5 s]vil 9 8 adoption ( ! ideas ( o!rs4 ,& x is also wor? not+ t ,tieck's criticism 0 reg>d$ z suffici5tly au?orativ by ,fiorillo to h be5 us$ z a p>tial s\rce = ! latt]'s critique ( ! ,boydell plates4 ,tieck claims t ! praise ( ! ,gall]y 9 ! contempor>y magaz9es is excessiv4 ,?is claim is exagg]at$4 ,m5y important magaz9es d n discuss ! plates ev5 :]e !re 0 an excell5t opportunity4 ,s1 = example1 ,wiel&'s ,m]cur & ,nicolai's ,allgeme9e deuts*e ,biblio!k d n m5tion !m1 ?o f "t to "t engrav+s f o!r contempor>y pa9t+s are discu/4 ,= in/ance1 ,nicolai's j\rnal has "o long discussion ( ! /ate ( contempor>y art1 especially ( engrav+ 7,no4 #aaj1 #agib7 b omits all ref]5ce to ! ,boydell s]ies4 ,! criticism 9 ,meusel's ,museum fu] ,ku5/l] is on ! :ole1 de/ructiv4 ,"o discussion1 = example1 7,no4 ,,iv1 page #ii7 is a viol5t attack on engrav+ 9 g5]al & calls ! ,gall]y1 ,diese die ,mal]ei zu grunde ri*t5de ,geleg5heit1 & condems ! ,krm]gei/ at ! bottom ( ! ent]prize4 ,! value ( l9e 9 engrav+ is1 h[ev]1 po9t$ out1 & ,b>tolozzi & ,ryl&1 :o _h b little to d ) ! s]ies are fa9tly praisd4 ,o!r m5tion 9 ,meusel's magaz9es is ei!r entirely unorig9al summ>y 7,museum1 ,,vi1 #ceb7 or m]e cursory comm5t 7,miscellane51 ,/ck #cj47 ,! articles on c>icature 7,neue ,miscellane5 ,x41 #aed & ,ar*iv ,i1 #ff7 are s late t !y _c be tak5 into consid]ation 9 connection ) ,tieck's pap]4 ,) ! ,goett+] ,gelehrte ,anzeig5 ! case is diff]5t4#ad ,tieck saw & us$ its articles z a basis = 8 "w1 ?o ! cr$it ( hav+ writt5 ! fir/ connect$ essay f a s+le viewpo9t belongs to him4 ,! n ov] laudatory criticisms ( ! ,anzeig5 are (t5 p>alel1 ev5 d[n to ! word+ ( details ) ,tieck's judgm5ts1 b x w\ld be a mi/ake to suppose t ,tieck us$ ! articles )\t hav+ se5 ! engrav+s & )\t hav+ giv5 ! pictures c>eful consid]ation4 ,! fact t ,tieck foll[s ! errors ( ! ,anzeig5 is significant1 b x is equally significant t he corrects ! errors ( ! magaz9e f 8 /ock ( obs]vd judgm5ts4 ,g5]ally1 :]e ,tieck foll[s ! ,anzeig5 mo/ closely he is at 8 wor/4 ,! some:at sup]ficial & scanty rem>ks ( ! j\rnal 7 no surrogate = ! cle> vision & p[] ( adaptibility ( ! "y man4 ,tieck's p]sonal reg>d = ,%aksp]e1 :i* am\nt$ to a real passion1 0 entirely want+4 ,! use ( ! articles 9 ! ,anzeig5 mu/ be %[n 9 detail1 & ,tieck's indet$ness mu/ be def9itly br\ght out4 ,p>alels w sometimes %[ conv]g5ce & sometimes div]g5ce ( ideas1 b 9 g5]al x w be se5 t ,tieck practically nev] us$ 8 mat]ial )\t "s p]sonal addition4 ,!re is "o set ( cases :i* is peculi> & :i* des]vs special att5tion4 ,! plates 9 "q are3 ,mu* ,ado1 ,,iii1 #a1 ditto ,,iv1 #b1 & ,z ,y ,l ,x1 la/ sc5e4 ,a ^w ( explanation 9 reg>d to ! ,boydell plates is necess>y4 ,f ! orig9al pa9t+s !re 7 two sets ( plates engrav$1 kn[n z ! l>ge plates 7,l7 & ! small plates 7,s74 ,! small plates 7 9 all b a few cases done f diff]5t pictures ?an 7 ! l>ge ones4 ,^! l>ge plates are ^? usually kn[n z ! ,boydell ,gall]y4 ,bo? sets 7 issu$ s]ially2 ! l>ge set 0 also b\nd & issu$ z a sep>ate volume 9 #ahjc1 & ! small plates 7 us$ z illu/rations = ! ,/eev5s ,%aksp]e edition ( #ahjb1 ! lett] press ( :i* also seems to h be5 issu$ 9 p>ts be=e ! b\nd volumes 7 f9ally put on ! m>ket4 ,! bulk ( ,tieck's criticisms applies to ! l>ge plates ?o he has a few rem>ks on ! small ones z well4 ,:5 he discusses ! small plates1 he always m5tions ! fact1 except 9 ! ?ree cases j cit$4 ,^! are ?ree ( ! cases :]e ,l & ,s co9cide 9 subject matt] & :]e additional ,s plates 7 aft]w>ds pr9t$ z a gratuit\s gift to ! subscrib]s4#ae ,^! plates are among ! fir/ discu/ by ! ,anzeig5 7#agia1 page #agid7 :i* m5tion ! fact ( ! plates be+ = ! ,%aksp]e edition1 & t ! extra plates are to be furni%t to make up = ! duplication ( subject matt] 9 ^! cases ( ,l & ,s4 ,?is is :at is meant by ! s5t5ce1 ,es wird sog> die ,au/aus*ung des e95 ,kupf]s knftig v]spro*51 a /atem5t t corresponds p]fectly ) ! rem>k 9 ! lat] ,boydell catalog t ?is promis has be5 fulfild4 ,tieck does n notis ?is /atem5t ( ! ,anzeig5 b treats ^! ,s plates z if !y 7 ,l1 yet gives ! names ( ! engrav]s ( ,s4 ,?is w\ld look l a cle> case ( c>eless copy+ f ! ,anzeig5 if x 7 n cle> f ! additions t ,tieck makes to ! latt]'s criticism t he saw ! plates too4 ,! explanation ( ! discrepancy may be t ,tieck :5 he 0 writ+ 8 article consult$ ! ,anzeig5 = ! facts 9 reg>d to ! engrav]s1 did n notis t ! ,s plates 7 ref]d to & c>elessly copi$ d[n :at he saw4 ,i %all n[ exam9 9 detail "s ( ! p>alel criticisms4 ,mu* ,ado1 ,,ii2 #d1 ,g4 ,g4 ,a4 #agia1 page #agid3 444 wo 9 d] ,trauung /att des ,jaworts ,p$ro die ,h]o fr ke9e re9e ,jungf] erklrt1 und ,h]o 9 ,ohnma*t fllt2 444 ,das be/e ,/ck von all5 9 ,rcksi*t d] ,composition1 ,ausdrucks und ,auswahl des ,li*tes nur i/ die ,/ellung d] ,hauptp]son e9 w5ig zu !atralis*2 son/ ab] alles gut geordnet2 s*ne ,contra/e von ,li*t und ,ruhe fr das ,auge4 ,tieck1 page #ai3 ,das zweite ,blatt en?lt die ,v]tossung d] ,h]o 444 und dies i/ (f5b> e9es d] vorzgli*/54 ,das ,li*t i/ sehr gut geordnet1 das ,auge f9det soglei* unt] d5 ,grupp5 e95 ,ruhepunkt2 nur hat ,hamilton dem ,claudio e9e zu !atralis*e ,/ellung und dem ,leonato zu w5ig ,ausdruck gegeb54 ,tieck c>ries ! praise ( ! ,anzeig51 ! ,das be/e ,/ck ( :i* ref]s only to ! gr\p "u imm$iate discussion1 to ! :ole s]ies4 ,he takes 8 ma9 critical vocabul>y f ! prototype & adds ! orig9al diff]5tiation ( ,claudio & ,leonato to :i* ref]5ce mu/ be made lat]4 ,mu* ,ado1 ,,iv1 #b2 ,g4 ,g4 ,a41 #agia1 page #agid3 444 e9 ,gemis* von v]krppelt51 un$eln ,c>icatur5 ohne alle ,grazie 444 ,zu b$aur5 i/ die ,kun/1 die an d5 ,/i* v]w5det i/2 d5n d] ,/i* i/ e9] d] be/54 ,tieck's criticism ( ?is plate is p>alel 9 s f> z he praises ! me*anical p]fection ( ! engrav]1 :o is ,hea? ( ,s1 & n ,simon ( ,l4 ,s f> we h ! bl9d foll[+ ( ! model4 ,b ,tieck also makes ! picture a basis = a long discussion ( c>icature & ( ?oro condemnation ( ,smirke1 :o is also no favorit ( ! ,anzeig54 ,z ,tieck's lett]s %[ a pr(use use ( ! ^w c>icature1 he ne$ n be especially indet$ to ! ,anzeig5 = x4 ,ri*>d ,,iii1 ,i1 #a1 ,g4 ,g4 ,a41 #agia1 page #agie4 ,"h ,tieck's borr[+ is direct4 ,g4 ,g4 ,a43 ,e9e s*le*te ,composition1 ohne ,ausdruck4 ,tieck1 page #bg3 ,die ,composition i/ s*le*t1 alle ,figur5 s9d ohne ,ausdruck4 ,g4 ,g4 ,a43 ,e9e ,m5ge ,reflexe1 ,wi$]s*e9e s4 w4 ab] alles dieses ma*t ke9e ,wirkung1 und das ,auge f9det ke95 ,ruhepunkt4 ,tieck1 page #bh3 und su*t dur* un5dli* viele ,wi$]s*e9e 444 dass das ,auge bei d5 viel5 ,li*tmass5 g> ke9e ,ruhe f9det4 ,b aga91 besides ^! v]bal & associational p>alels1 ,tieck has add$ a free treatm5t ( ! composition1 an exam9ation ( ! draw+ ( ! figures1 ( :i* !re is no h9t 9 ! model &1 all 9 all1 makes ! criticism 8 own4 ,! impulse c]ta9ly came f ! ,anzeig51 b ! :ole critique is a product ( ,tieck's self4 ,ri*>d ,,iii1 ,,iv1 #c1 ,g4 ,g4 ,a41 #agia1 page #agie3 ,/ellung gezwung54 ,tieck1 page #bh3 ,d] ,mrd] unnatrli*4 ,"h ,tieck borr[$ ! idea & aft] an exam9ation ( ! plate *ang$ ! word+4 ,z ,y ,l ,x1 ,,ii1 #a1 ,g4 ,g4 ,a41 #agic1 page #efa3 ,e9 treffli*es ,l&s*aftsgemlde4 ,tieck1 page #ah3 die reiz5de ,l&s*aft4 ,an exam9ation ( ! :ole ( ,tieck's criticism %[s t he has add$ a *>act]ization ( ,jacques1 has discu/ ! *oice ( ?is p>ticul> subject1 & 9 ?is connection %[s especially t ! plate "u discussion is only a vignette to ! plays & n a "p ( ! real play itself4 ,z ,y ,l ,x1 la/ sc5e1 ,g4 ,g4 ,a41 #agic1 pages #efa-b3 ,orl&o1 d] mit zeimlei* ausgespreizet5 ,be954 ,tieck1 page #ah3 ,se9e augespreizt5 ,be9e ma*5 ihn widrig4 ,"h ,tieck has tak5 an ext]nality ( ! description & has giv5 x a po9t4 ,! use ( ! ^w widrig gives a new tu*4 ,romeo & ,juliet1 ,i1 #e1 ,g4 ,g4 ,a43 die ,hauptfigur5 muss man su*54 ,tieck1 page #bi3 ,die ,hauptfigur5 f9det man nur mit e9ig] ,mhe4 ,notis1 h[ev]1 h[ ,tieck !n goes on indep5d5tly to giv 8 own po9t3 d5 ,vat] d] ,julie kann man nur erra!n2 ,julie selb/ hat w5ig ,"*4 ,tybald i/ die ausdruckvoll/e ,figur auf diesem ,blatte4 ,tieck also quotes 9 full ! passage beg9n+1 ,if ,i pr(ane ) my unwor?y h& :i* ! ,anzeig5 only indicates4 ,?is might be laid to yu?ful p$antry1 7 ! :ole n made f> cle>] = ! entire citation4 ,romeo & ,juliet1 ,,iv1 #e1 ,g4 ,g4 ,a41 #efb3 ,julia na* g5omm5em ,s*laftrunk fr todt gehalt51 mit d5 ,wort5 des ,mn*s3 ,peace ho = %ame6 ff4 ,dies] tr/5d1 die ,mutt] die ,hnde r+5d1 ,p>is ,juli5 umfass5d1 e9 ,/ck mit vielem ,affect 444 ,tieck1 page #cj3 ,julie hat d5 ,s*laftrunk g5omm5 und s*e9t ge/orb51 ihre ,aelt]n s[ie ihr ,brutigam ,p>is s9d 9 ,v]zweifelung1 d] ,pat] su*t ,alle zu tr/54 ,9 ! discussion ( ! small plate :i* foll[s1 ! ,anzeig5 po9ts out ! *anges :i* h be5 made on x1 ?is be+ "o ( ! supplem5t>y small plates = ! #ahjb text edition4 ,tieck also notises ! fact ( ! *ange b t he took 8 in=mation n only f ! ,anzeig5 b f an exam9ation ( ! orig9al is prov$ by 8 additions to ! in=mation ( ! ,anzeig54 ,tieck's comm5t is1 ,mehr]e unntze ,p]son5 weggelass54 ,?is reason goes at lea/ "o /ep f>!r ?an ! ,anzeig5 comm5t4 ,9 ! magaz9e1 ! effect ( ! d\ble light 9 ,l is adv]sly criticiz$4 ,tieck adds to ?is1 ,d] alte ,capulet hat auf beid5 ,bltt]n w5ig ,ausdruck4 ,t bo? ,tieck & ! magaz9e use ! fraze tut 444 ,wirkung 9 ?is place seems ( second>y importance4 ,a m]e l+ui/ic rem9isc5ce1 :]e x is n connect$ ) an idea1 is n influ5ce4 ,?is mu/ be s\ght 9 basic ideas1 9 h9ts :i* po9t ! way = new l9es ( ?\ght1 9 an adoption ( facts4 ,an au?or l ,tieck %[s indep5d5ce :5 he adds1 elim9ates & remolds :at he receives1 ev5 ?o ! =m ( ! ?\ght cl+s (t5 to him4 ,s1 !n1 :5 ! ,anzeig5 7#agic1 page #efb7 has ! fraze ,julie 9 dem ,grabgewlbe erwa*5d1 ! fact t ,tieck 7page #cj7 introduces 8 criticism ) ! words1 ,julie erwa*t1 als d] ,mn* eb5 9 das ,gewlbe tritt1 is ( slite consequ5ce4 ,?is is a simple description ( fact4 ,( mu* m importance is ! fact t ! magaz9e goes on to po9t out t n nature b ! /age %\ld be ! model = ! pa9t] 9 ?is case1 a doctr9 :i* ,tieck n only does n m5tion1 b 9 fact1 utt]ly rejects :5 ! "t comes to discuss x 9 ! c\rse ( ! treatm5t4 ,9 ! criticism ( ,s*iavonetti's plate aft] ,angelica ,kaufmann 7,g4 ,g4 ,a41 #agic1 page #ijc2 ,tieck1 pages #af-ag7 ,tieck agrees ) ! ,anzeig5 b is ?oroly indep5d5t 9 8 reson+ & adds con/antly to :at ! magaz9e ass]ts4 ,t bo? f9d ! disguisd ,julia beautiful is n unresonable1 & z ! disguise is a "p ( ! play x is n /range t ,tieck m5tions x4 ,9 ! same section ( ! magaz9e is a passage :i* f9ds a lat] e*o 9 ,tieck4 ,knig ,le> reis/ si* die ,kleid] vom ,leibe 7#ijc74 ,tieck 7#cb73 und reis/ si* endli* die ,kleid] ab4 ,! v]bal p>alelism has significance "h only because !re are o!r h9ts at ?is "t :i* may hav aid$ ,tieck3 e4 g41 ! fact t ! arti/ has dep>t$ f ! sc5e z ,%aksp]e portrayd x4 ,tieck is def9it 9 /at+ j :o is add$1 :i* proves t he knew 8 ,%aksp]e & saw ! plate4 ,tieck also po9ts out ! spiritual diff]5ce betwe5 ,%aksp]e & ! fam\s ,we/1 a di/9ct addition to ! matt] 9 ! ,anzeig54 ,w9t]'s ,tale1 ,,ii1 #c1 ,g4 ,g4 ,a41 #agid1 page #i3 ,d] eif]s*tige ,leontes ls/ d5 ,antigon\s bey se9em ihm vorgehalt5 ,s*w]te s*wr51 dass er das ,k9d1 das ihm se9e ,gemahl9 gebor5 hatte1 9 e9e ,e9de aussetz5 w4 ,s9d geme9e ,figur54 ,notis h[ 9 ,tieck1 :ile ! g5]al t]ms ( ! description are ! same1 because foll[+ ! l9e ( lea/ resi/ance 9 ext]nalities1 ! :ole discussion takes on an individual "*1 & is exp&$ into a critique ( ,opie's draw+ :i* 0 always unsatisfactory to ,tieck4 ,tieck 7page #ba73 ,d] eif]s*tige ,leontes ls/ d5 ,antigonus s*wr51 das ,k9d auszusetz54444 ,an d5 ,d>/ellung5 aus diesem ,/cke i/ viel zu tadeln1 vorzgli* an dies] er/5 ,sc5e4 ,leontes1 die ,hauptp]son1 i/ /eif und ohne all5 ,ausdruck1 alle brig5 ,p]son5 s9d dick und plump gezei*net und ganz ohne alle ,b$eutung4 ,leontes ls/ d5 ,antigonus1 s wie ,hamlet se9e ,gefhrt51 bei se9em ,s*w]te s*wr54 ,s*auspiel] und ,zei*n] ab] fehl51 w5n sie es s vor/ell51 wie ,opie es hi] ge?an hat4 ,die alt5 ,s*w]t] bild5 ob5 am ,griffe e9 ,kreuz und auf dieses legte man die ,h&1 9 ,ermangelung e9es eig5tli*5 ,crucifixes4444 ,9 diesem ,blatte entdeck5 si* au* bald viele ,fehl] 9 d] ,zei*nung4 ,das ,auge wird von d] ,hauptp]son auf die ,li*tmasse1 folgli*1 auf das ,k9d h+ezog52 die ,hauptfigur tritt g> ni*t g5ug h]vor1 sond]n hngt mit d5 h9t] ihr /eh5d5 zusamm52 die ,kpfe im ,h9t]grunde s9d eb5 s gross1 wie die d] vord]5 ,p]son54 ,alles v]r? d5 ungebt5 ,kn/l]4 ,z an example ( ,tieck's rejection ( ! op9ion ( ! ,g4 ,g4 ,a41 ! discussion ( ,w9t]'s ,tale1 ,v1 #c1 w suffice4 ,?is is ! /atue sc5e :i* ,tieck absolutely condems on acc\nt ( poor engrav+1 expression & pos+4 ,:]e ! magaz9e says ,die ,/atue1 d] man es do* sehr gut ansieht1 das es e9e leb5de ,figur i/1 ma*t grosse ,wirkung4 ,tieck 7#bb7 contradicts ?us3 ,die ,/atue i/ sehr unnatrli*1 sie sieht mehr e9em ,gei/e1 als e9em ,m5s*5 hnli*4 ,!re are1 f9ally1 ?ree fur!r cases 9 :i* ,tieck takes a h9t f ! ,anzeig5 & develops x4 #b ,h5ry ,,vi1 ,,iii1 #c1 7#agid1 page #aj73 ,k>d9al ,beau=d 444 e9 s*eusli*] ,anblick1 9 mehr als e9em ,v]/&e4 ,tieck 7page #be73 ,dieses abs*euli*e ,blatt4 ,b ,tieck1 9 a passage too long to quote1 goes on to giv cog5t reasons = n lik+ ! picture1 n "o ( :i* is d]iv$ f ! ,anzeig54 ,! o!r passages f ! ,m]ry ,wives 7,i1 #a & ,,ii1 #a1 ,g4 ,g4 ,a41 #agid1 page #igj2 ,tieck1 #aa-ab7 take ! h9t t ,smirke drew c>icatures & n human be+s & borr[ ! adjectiv widrig4 ,) ?is sl5d] borr[+ ,tieck develops a full discussion ( ,smirke & ( ^! plates ) no fur!r assi/ance f ! ,anzeig5 ?an a h9t on ! engrav+ ( textiles4 ,^! passages on ,h5ry ,,vi & on ! ,m]ry ,wives are d\bly int]e/+1 h[ev]1 because !y %[ t ,tieck's judgm5t ( ,smirke & ,nor?cote (f]s a v close p>alel to t ( ! magaz9e4 ,tieck's reasons are full]1 b !y %[ no m ability 9 ,tieck ?an 9 ! review] ( ! ,anzeig5 to und]/& "s ( ! mo/ *>act]i/ic features ( ,engli% humor z exemplifi$ 9 ,smirke1 :ile ! pupil & biograf] ( ,sir ,jo%ua f>es badly because ( 8 alleg$ bad composition & poor light effects4 ,x w be %[n lat] t on bo? ( ^! latt] que/ions ,tieck held views q indep5d5t ( ! ,anzeig54 ,( ,kirk's plate f ,titus ,adronicus ! ,g4 ,g4 ,a41 #agid1 page #igj1 says1 ,d5 ,ausdruck an d] ,lav9ia abg]e*net e9 gut ,/ck4 ,tieck 7#bh7 beg9s ) a weak1 an dem ,blatte 444 i/ viellei*t viel zu lob5 und w5ig zu tadeln b rights himself l a soldi] ?us1 ,man sieht1 dass d] ,kn/l] e9e sehr ri*tige ,idee von d] ,composition hat1 und dass er se9em ,geg5/& mit ,ges*mack und ,delicatesse zu beh&eln weiss4 ,er ls/ uns die abges*nitt55 ,arme d] ,lav9ia nur v]mu!n2 d] ges*ickt geworf5e ,s*lei] entzieht uns]m ,auge d5 unang5ehm5 ,anblick1 etc4 ,! examples & p>alels alr$y giv5 cov] practically all ( ! po9ts ( simil>ity betwe5 ,tieck & 8 model4 ,!y %[ t ,tieck us$ ! ,anzeig5 con/antly & m9utely b !y c n fail to impress ! read] ) ! fact t ,tieck inv>iably rises above ! plane ( ! jott+s 9 ! magaz9e 9 =m & 9 sub/ance4 ,! cont5t ( ,tieck's criticisms is v mu* great] ?an t ( 8 prototype & ! =m is f> m poli%t4 ,^! ap]cus ( ,heyne did n prev5t ,tieck's indep5d5t ?9k+2 !y nev] fett]$ him4 ,he foll[d !m 9 a numb] ( places 9 8 pap] & once or twice falls into _! error ?ru y\?ful c>elessness or misappreh5sion4 ,!y did n (t5 confuse 8 judgm5t or hamp] 8 vision4 ,he nev] ru?lessly plagi>izd !m4 ,t !y 7 a s\rce c n be d5i$1 b t !y =m ! real basis ( ,tieck's critique is n = a mom5t t5able4 ,?is came unque/ionably f himself1 & he mu/ be giv5 cr$it or blame = ! good or bad 9 x4 ,tieck set ab\t ! task ( criticis+ ! ,boydell ,gall]y ) no diffid5ce1 b ) _m misgiv+s1 am\nt+ almo/ to prejudises1 z to ! valu ( ! set ( plates4 ,he 0 aw>e t ?is "w 0 intr9sically 9 a class :i* is1 all 9 all1 arti/ically inf]ior4 ,8 judgm5ts are objectiv1 b !y promis no presci5ce ( a high]1 a m spiritual attitude t[>d art4 ,art 9 ?is case s]vs int]pretation & ! /ruggle away f :at ! plates repres5t has h>dly comm5c$4 ,tieck feels t ! :ole gr\p does n d ,%aksp]e ju/is1 b he n[h]e says t ! subjectiv int]pretation ( ! poet mu/ rema9 ! la/+ "o = ! individual2 inde$ he ass]ts q ! contr>y on ! v fir/ page ( 8 pap]4 ,x is to be expect$ t ,tieck's common s5se & fancy %\ld rebel at ! platitud9>ianism ( ! pictures2 t at times he is no m ?an on ! plane ( ! s5tim5tal ,enlight5m5t is also to be expect$4 ,! valu ( ! /udy is 9 su* h>% negativ criticism z x ex]cises :]e emfasis is false or :]e bad ta/e prevails 9 ! p]=mance ( ! arti/s' task4 ,tieck came to ! "w ) a good fir/-h& k ( ,%aksp]e & ?is less5s ! juv5ile & jejune qualities ( 8 "w4 ,he is weak] on ! com$ies ?an on ! traj$ies1 = ! =m] require a ke5] s5s+ ( ,engli% life ?an x 0 possible = ,tieck to hav obta9d at ! "t ( writ+4 ,b ev5 = ! com$ies1 "s ( 8 obs]vations are v j & %[ t he c\ld int]pret ,%aksp]e ) s5se & precision4 ,! pres5t discussion w attempt to f9d out by a c>eful exam9ation ( ! plates j :at ,tieck saw 9 ^! pictures & h[ f> 8 int]pretation 0 "r4 ,! results %\ld %[1 9 a g5]al way1 some?+ ( ! p[]s ( int]pretation posse/ by ! y\?ful ,tieck1 & h[ ?is p[] ( int]pretation conditiond 8 judgm5ts4 ,! g5]al !oretical /&po9t ^u :i* ! essay 0 writt5 is t ( ,less+1 & a c>eful p]usal w %[ t ,haym 0 wrong :5 he po/ulat$ no ,less+ influ5ce on ! article4#af ,tieck's lett]s to ,wack5rod] %[ t he 0 read+ ! ,laokoon at ?is "t1 b ev5 if a preoccupation ) ,less+ 7 n easily po/ulable1 ! matt] ( ! pap] itself w %[ a di/9ct recrudesc5ce ( ,less+'s ideas4 ,& n only ,less+1 b ! s*ool ( critics out ( :i* ,less+ arose1 e4 g41 ,w9kelmann & ,du,bos1 7 also a "p ( ,tieck's read+4#ag ,! article has a total lack ( colori/ic reflexes2 x emfasizes =m1 if n l9e2 its ?oro reasonabl5ess takes into consid]ation all t ,less+ has /ood = 9 ! doma9 ( art4 ,x has ! same /&po9t z t ( a ,goe! returnd f ,italy & ( a ,k>l ,philipp ,moritz f :om1 to be sure1 ,tieck 0 turn+ away 9 disgu/4#ah ,! article fails to solv ! problem 9 ,tieck's m9d ( reconcil+ 8 natural desire away f ! regulat$ & calm ) ! curr5t & traditional 9 ,briti% art4 ,! conflict is betwe5 a desire 9 !ory = mod]at$ effects1 = ! ton+ d[n ( emotion1 & a desire1 9 practis1 = /rong contra/ & sup]lativ effects4 ,less+1 9 art ! enemy ( all realism1 f9ds 9 ,tieck a condem] ( ,hog>?1 a condemnation t p]si/s 9 ,tieck z late z ! essay on ! erly ,engli% ,!at] 7#ahbh71ai & p]si/s on gr\nds simil> to ! fundam5tal pr9ciple ( beauty laid d[n by ,less+4 ,x w\ld be a mi/ake to argu f ! =ego+ t 9 ?is article ,tieck 0 n a reali/1 or at lea/ /rongly incl9$ t[>d realism 9 8 practis4 ,8 realism 0 t ( ! yung en?usia/ = :om ea* v>iation f ! s5se ( 8 idol 0 a blasfemy1 & he po9ts out 7page #bd7 t !re c be none ( t deception ( ! s5ses :i* is a "p ( ! pictorial arts :]e i* irg5d e9e auffall5de ,unnatrli*keit entdecke2 d5n die ,na*ahmung d] ,natur i/ d] ,zweck des ,kn/l]s4 ,su* /rict imitation ( nature is m to be expect$1 to be sure1 9 ! "w ( ! less] lights1 su* z are ! m5 :o did ! pictures = ! ,gall]y1 ?an 9 ! "w ( a real g5ius1 & "o is glad to ov]look1 9 ! works ( ! latt]1 ^? m9or faults :i* almo/ entirely disappe> 9 ! face ( a ?\s& beauties4 ,s1 says ,tieck 7page #ad7 :o w\ld pass by ! div9e ma/]pieces ( a ,rafael & yet ) weighty mi5 f9d fault ) ! bad color+ ( a s+le g>m5t8 ,!re are cle>ly two k9ds ( arti/4 ,! "o is ! g5ius :o may be c>ri$ too f> by 8 en?usiasm1 ! o!r is ! cold] pa9t]1 :o by 8 *oice ( subject1 composition1 correctness ( draw+1 & grace mu/ make up = 8 lack ( g5ius1 & :o c n hope to atta9 ! emotional effects ( 8 rival1 b :o mu/ be cont5t to ar\se a cool] feel+1 t is1 ! satisfaction ( ! spectator4 ,9 ?is s]ies1 :]e g5ius is exclud$ f ! outset1 ,tieck expects a /rict adh]5ce to fact1 to v]isimilitude1 & ! correct int]pretation ( ,%aksp]e mu/ be insi/$ on4 ,9 ord] t ! s\l may get an imm$iate enjoym5t ( ! "w ( art1 ,tieck recomm5ds 7page #d7 t ! pa9t] *oose well-kn[n subjects4 ,he says3 ,! s\l passes imm$iately to ! enjoym5t ( ! "w ( art & curiosity does n /& 9 ! way ( 8 enjoym5t z 9 ! case ( obscure or unkn[n subjects4 ,i am alr$y prep>$ = ! s5tim5t t ! "w ( art is to ar\se 9 me1 & surr5d] myself all ! m will+ly to ! illusion4 ,if ! subject ( ! picture is 9 itself beautiful & sublime1 or if a great poet has furni%t ! pa9t] ) ! inv5tion1 ! composition & ! emotions1 our en?usiasm is ar\sd1 we giv our wond] & our delight to ! pa9t]4 ,! pa9t]1 !n1 is only an int]pret] ( ! poet1 ^: purpose x is to seize ! _s ( ! poet1 to portray ^? f9e & spiritual ideas :i* only a relat$ g5ius c grasp & make concrete by an appeal to ! s5ses ?ru color-magic#bj ! intangible creations ( ! poet's bra94 ,he makes la/+ :at ! read] gets b a fleet+ glimpse (1 & :at ev5 ! actor c giv b little p]man5ce 7page #c74ba ,:e!r or n ,tieck 0 influ5c$ by ! prospectus to ! set1 inde$1 :e!r he saw x or n1 !re is no way ( kn[+1 b 8 /atem5t t ^! pictures 9 _! entirety w =m a national gall]y ( hi/orical pa9t+s :i* w drive ! sc5es f ,greek my?ology out ( ,engl&1 is mu* l ,boydell's own /atem5t ( purpose m5tiond above4 ,x is also an erly p>alel to ! ,romantic insi/5ce on a new my?ology1 a nativ my?ology1 r ?an "o drawn f =5 s\rces :i* 0 a "p ( ,fri$ri* ,s*legel's canon4 ,! engrav+s z su* are treat$ by ,tieck "u five diff]5t h$s4 ,^! are3 ! me*anical te*nique1 draw+ ) p]spectiv & l9e1 composition 7:i* ,tieck does n cle>ly diff]5tiate f design71 expression & *oice ( subject4 ,^! five h$s comprize all ! po9ts 9 :i* ! pictures are treat$1 b n ea* picture is treat$ f all five4 ,! five giv1 h[ev]1 ! full range ( ,tieck's ideas on ! engrav+s4 ,!y %[ ! ?+s t attract$ 8 att5tion1 & :]e ! influ5ce ( ! ,anzeig5 is felt1 !y s]v to %[ h[ diff]5t1 aft] all1 8 own ideas 74 ,(t5 ! magaz9e does n tu* "o or m po9ts ( ! five4 ,tieck's discussion ( ! te*nique ( ! engrav+s is1 z may be expect$1 r ?91 & ! frazes t he uses are /]eotyp$4 ,sev]al ( ! plates praisd by him are q )\t m]it & su* g5]alities z1 s*n ge/o*51 vorzgli*1 vortreffli* gut1 are n v significant4 ,negativ praise l ni*ts zu tadeln or die ,ausfhrung v]di5t alles ,lob %[ t on te*nical po9ts ,tieck 0 judg+ v sup]ficially & t 8 att5tion to ! ,gall]y _h be5 attract$ by some?+ else ?an ! p]fection ( ! plates4 ,^! engrav+s are 9 ! n[ old-fa%iond /ipple1 ?o p>ts ( !m are 9 l9e4 ,at ! "t ( writ+1 ,tieck may n hav kn[n ! diff]5ce betwe5 l9e & /ipple1 ?o 9 ,z]b9o a ref]5ce to ! po9t$ mann]1 us$ 9 a punn+ way1 %[s t by t "t ,tieck _h become acqua9t$ ) x4#bb ,nor does ,tieck indicate 9 any way ! ,gall]y's sp>+ use ( ! increas+ly popul> mezzot9t4 ,he makes no m5tion ( ! l9e mann] ( ,flaxman1 if he knew him4 ,he does n see t ! l9e engrav+s 9 ! set are poor] all ?ru ?an ! /ipple pr9ts1 & t 9 "s ( ! l9e plates ! cutt+ is s deep & ! execution s clumsy t ! result+ plates are muddy & crude & are lack+ 9 tone1 grace1 & ev5 9 exactness ( execution4 ,9 "o or two places :]e sat9 is excell5tly reproduc$1 ,tieck praises ! texture ( ! fabrics4 ,! l>ge plate by ,simon f ! ,m]ry ,wives has a wond]ful lace apron :i* a rec5t writ] on engrav+ has cald "o ( ! be/ examples ( ! /ipple mann]4#bc ,z ,tieck ref]s to ! o!r fabrics on ! plate1 :i* is "o ( ^? ) duplicat$ subject & :i* 9 ! ,anzeig5 seems only to hav be5 discu/ 9 ! ,s =m1 x seems cle> t ,tieck also saw ,l "h1 z ,s is by no means s f9e a plate2 9 fact ,l has ! be/ fabrics 9 ! s]ies4 ,( ! tw5ty-f\r l>ge plates discu/ by ,tieck1 !re are only ?irte5 :i* receive te*nical criticisms & ( ^! ?irte51 ?ree are lumpt toge!r "u "o comm5t s t 9 all !re are only t5 sep>ate te*nical criticisms4 ,( ^!1 six occur 9 ! fir/ six plates & ) ! eighte5? plate1 ,kirk's sc5e f ,titus ,&ronicus1 ! criticism ( ! me*anical side ends ) a weak1 sehr gut ge/o*51 %[+ t ,tieck did n progress 9 8 te*nical criticisms4 ,8 int]e/ 9 ! engrav+s z engrav+s wan$ z ! essay proce$$3 x nev] rose above an att5tion to textiles &1 ev5 !re1 ,tieck did n see all ! f9] diff]5tiations ( velvet1 *iffon & lace1 ?o ! f9e sat9s di/9ctly appeald to him4 ,p]haps z fair an example z any ( 8 inexactness1 is 8 praise ( ! plate f ,z ,y ,l ,x 9 :i* ,jacques lies wat*+ ! w\nd$ de] 7,,ii1 #a74 ,?is is "o ( ! poore/ ( ! plates & yet ,tieck says1 ,die ,ausfhrung v]di5t alles ,lob4 ,fittl]'s plate f ,w9t]'s ,tale 7,,iv1 #b71 :ile weak & )\t "*1 is n z bad ei!r 9 actual cutt+ or 9 g5]al managm5t1 & yet ,tieck condems x unm]cifully4 ,s1 too1 ! bad plates by ,middiman come 9 = no special condemnation f ,tieck1 ?o ,middiman is by f> ! wor/ engrav] 9 ! s]ies1 & is p>ticul>ly bad aft] ,hodges1 ! plates aft] :om ,tieck saw4#bd ,draw+1 z su*1 f>es r bett] ?an engrav+1 ?o less ?an half ! pictures are criticiz$ f ?is /&po9t4 ,colorless expressions l ,ke9e ,fehl] & ,viele ,fehl] are n want+ & 9 _m cases :]e :ole bodies are out ( draw+ or :]e individual p>ts are bad ,tieck has no?+ to say4 ,x is especially int]e/+ to note t ,tieck f9ds ! draw+ ( ,angelika ,kaufmann )\t error4 7,two ,g5t4 ,v]ona1 la/ sc5e74 ,"h he decl>es t no clumsy clo?+ conceals ! figures1 b ! l9es are well br\ght out "u ! g>m5ts4 ,! disguis$ ,julia is at once recognizable 9 spite ( h] mascul9 attire1 & ! mann] ( ! arti/ is grazis4 ,an exam9ation ( ! figure %[s t ,julia's figure has some?+ ( ! immature 9 x & t ! face is r boyi%4 ,"o ?9ks at once ( ! some:at malici\s words ( ,fri$ri* ,s*legel to 8 bro!r1 ,wie ,angelika ,kaufmann1 d] die ,bus5 und ,hft51 au* imm] wie von selb/ aus d5 ,f+]n quell54 ,bo? ,tieck & ,s*legel felt ! s5su\s *>m ( ! pa9t] ^: be/ kn[n self-portrait is 9 ! g>b ( a ,ve/al ,virg91 ?o ! ,s*legels1 l ,georg ,=/]1 _h no illusions z to ! qualities ( h] art4#be ,engrav+s 9 /ipple emfasize less ?an l9e engrav+s m]e que/ions ( draw+4 ,x is p]haps ) "s in/9ctiv feel+ = ?is t ,tieck sugge/s t "o ( ,hamilton's pictures has be5 hurt by ! bad engrav+1 j z c]ta9 o!r plates h ga9d ?ru ! engrav] 7page #bb74 ,! h9t = ?is po9t came orig9ally f ! ,anzeig5 b ,tieck has developt x4 ,:ile x is n[ no long] possible to *eck up ea* plate ) its correspond+ picture1 x is true t ! engrav]s 7 relatively bett] craftsm51 z a rule1 ?an ! pa9t]s4 ,9 h>dly any "o case is ! pa9t+ a sample ( ! be/ "w ( ! arti/4 ,(t51 z 9 ! case ( ,sir ,jo%ua ,reynolds1 ! pa9t+ r$\nds b little to 8 cr$it4#bf ,:]e1 z 9 ! case ( ,b>ry1 ,sir ,jo%ua's great rival1 ! picture is reckond ) 8 sup]ior "w1 ! only conclusion is t ,b>ry 0 a v bad arti/ & s ,tieck consid]s him4 ,! engrav]s1 on ! o!r h&1 _h _h no bett] *ance 9 ye>s to exhibit _! art ?an 9 ?is impos+ s]ies1 & mo/ ( ! be/ names 9 /ipple appe> 9 x4 ,! be/ t ,tieck does to recognize ?is fact is 9 ! occasional lam5t = ! wa/e ( good labor on a bad subject or pa9t+ 7e4 g41 page #bj74 ,besides hav+ ! good feel+ = ! human =m "u ! g>m5t1 z 9 ! case ( ! figure ( ,julia & ( ^? ( ,mrs4 ,=d & ,mrs4 ,page by ,smirke1 ,tieck also criticizes sev]al cases ( misdraw+4 ,s1 ! clumsy legs ( "o ( ,opie's figures are scor$ & 9 blam+ ?is fail+ ( ,opie1 ,tieck hits "o ( ! mo/ pron\nc$ weaknesses ( t arti/ bo? 9 ! ,gall]y & 9 ,bell's ,briti% ,!at]4 ,b ,opie1 ! ,com$y ,wond]1 is h>dly ! ungebt] ,kn/l] t ,tieck makes him out to be4 ,"h ,tieck1 foll[+ ! criticism ( ! ,anzeig51 f :i* he may h got ! h9t on ,opie's draw+1 develops ! criticism too f> & goes a/ray4 ,!re is a con/ant suspicion t ,tieck is try+ to ma/] a j>gon4 ,(t5 x is a m]e *ance :e!r ,tieck w see or n see a peculi>ity4 ,"s ( ! s5tim5tal1 fooli%1 & misdrawn h&s escape 8 notis1 :]eas 9 o!r cases he criticizes !m4 ,p]haps ! be/ example ( ,tieck's criticism ( draw+ is t ( ,nor?cote's plate to ,ri*>d ,,iii4 7,,iii1 #a1 page #bg74 ,he says1 ,d] alte ,c>d9al s*e9t ganz v]zei*net zu se91 man i/ ungewiss1 ob er /eht od] kniet3 9 beid5 ,fll5 i/ die ,zei*nung fehl]haft4 ,tieck's /rictures are correct4 ,! space f ! wai/ d[n is f\nd ^u exam9ation to be abnormally long = a kneel+ p]son1 & groteskly %ort = "o /&+4 ,tieck's critique is good1 = x po9ts out ! error & ! reason1 & %[s t 9 any case ! alt]nativ is a bad "o4 ,?o ,tieck may hav be5 ov]-k9d to ,angelika ,kaufmann1 he q agrees ) 8 contempor>ies 9 ! condemnation ( ano!r ,g]man ,swiss liv+ 9 ,engl&1 namely ,fessli1 :om he calls "o ( ! wor/ ( ! admir]s ( ,mi*aelangelo4 ,! mi*aelangelesk s*ool ( ! day faild 9 its expression ( great muscul> ef=t1 9 t x put = /r5g? di/ortion & viol5ce4 ,fessli 0 "o ( ! mo/ important adh]5ts1 or r1 0 ! greate/ repres5tativ ( ! fad p]haps any:]e & seems !rby to hav l>gely incurd ! displesure ( 8 ,g]man critics4 ,t ,tieck really und]/ood ,mi*aelangelo is %[n by 8 lat] article 9 ! ,phantasi5 b] die ,kun/4 ,he def5ds him f ! *>ge ( hav+ drawn to %[ 8 k ( anatomy & among o!r ?+s1 exclaims on 8 greatness1 8 wild grace1 8 fe>ful beauty4#bg ,b ,tieck _h no use = ^? ( 8 imitators :o caught only ! extravagance ( 8 figures & debas$ 8 ,titanic creations into biz>re contortions by ov]-emfasis on m]e muscle4 ,t ,tieck 0 n unconsci\s ( ! effect ( m]e l9e is %[n by 8 po9t+ out ! unplesantness ( ! l9e made by ,leontes' figure 9 ,hamilton's picture ( ! /atu sc5e f ,w9t]'s ,tale4 ,awkw>dness & viol5ce1 any?+ t savord ( affectation & bomba/1 :]e 9 ,%aksp]e p[] & en]gy are f\nd1 met ,tieck's disapproval4 ,s ?is figure ( ,leontes1 s ,orl&o /&+ ) 8 legs f> ap>t1 s ! faces drawn by ,fessli4 ,:]ev] !re 7 viol5t angles1 %>p po9ts & corn]s1 ,tieck felt himself ill at ease4 ,:5 he saw 9 "s ( ,fessli's plates faces :i* giv ! impression ( ! pla/] blocks ( ! art s*ools t are us$ to draw f ! ca/1 ! squ>e *9s1 ! noses1 ei!r v po9t$ or cut (f squ>e1 impre/ him z repulsivly inhuman4 ,widrig1 unnatrli*1 abges*mackt1 mani]irt1 are ! t]ms appli$ to ,fessli's curs+ sc5e f ,le>4 ,x w\ld hav be5 int]e/+ _h ,tieck se5 ,fessli's lat] sc5es 9 ! ,gall]y4 ,! ,bottom sc5es f ! ,midsumm] ,night's ,dream %[ t fanta/ic imag9ation :i* 0 ! arti/'s /rong po9t4 ,all ! =ms f ! fairy _w 7 !re1 ,mo?1 ,peascod & a wel? ( o!r spirits4 ,!re is a di/9ct appeal to ! imag9ation :i* ju/ifies ! pa9t] ( ,die ,na*tmahr1 ?o ! faces ( ,titania & ,ob]on are "h too h>d & sull54 ,b ! imag9ation %[n has a curi\s simil>ity ) ! "w ( ,tieck 9 8 lat] /ories su* z ,die ,elf51 & :i* has s w>m an aft]gl[ 9 ,die ,vogels*eu*e4 ,composition means = ,tieck especially ord]4 ,he has n yet l]nd ! pr9ciple ( triangulation ( arrangem5t enunciat$ by ,c>ol9e 9 ! ,gemlde essay 9 ! ,a!naeum4 ,he expects no m ?an t ! pr9ciple "* %all be 9 an important place 9 ! picture & insi/s t ! light+ devices s]v to ?r[ su* p]sonages into relief4 ,s :5 ! p]spectiv is bad x is because ( ! wrong emfasis on ! pr9cipal figures r ?an t ! h>mony ( ! :ole is di/urb$ by a wrong arrangem5t4 ,:at irritates ,tieck especially is an arrangem5t ( figures 9 ! picture 9 ! regul> semi-circle borr[d directly f ! !at]4 ,! evil ( unnaturalness :i* su* attitud9iz+ br+s ) x1 is enhanc$ by light effects drawn f ! same s\rce4 ,s1 = example1 :]e ! light is t ( a lamp1 only s mu* light z a lamp w\ld giv1 or ! effect ( natural lamp-light is all[able4 ,if1 on ! o!r h&1 ! sunlight /reams into ! room1 ! s\rce ( ! sunlight %\ld be evid5t z outside ! room4 ,tieck might hav m5tiond z an example ( ?is "s ( ! f9e int]iors ( ,piet] ,de ,hoogh4 ,! light effects %\ld n be h>% b grad$ d[n s t no viol5t light contra/s occur )9 ! same room4 ,! light1 too1 %\ld be brok5 up1 n kept 9 a mass z if x 7 a sep>ate entity to be treat$ ap>t f all o!r objects4 ,all ?is is p]fectly resonable & n especially te*nical4 ,x is conveyd 9 /ray h9ts r ?an 9 any set discussion ( light effects 9 any "o place4 ,(t51 too1 ,tieck's dislike = "s o!r aspect ( a pa9t]'s "w leads him a/ray on ?is po9t4 ,?is is tru 9 ! case ( ,nor?cote1 ^: really good treatm5t ( ! high lights ,tieck has 9 "o or two cases entirely ov]lookt4 ,!re seems to hav be5 a di/9ct appeal made1 too1 by ! %e5 & glitt] ( c]ta9 textiles & ! sc9tillat+1 flick]+ light ( ! lat] p]iods ( ,tieck's "w is presag$ z erly z ?is4 ,on ! :ole1 h[ev]1 x is n ! glitt] ( ! _w ( out-(-doors1 b ( ! _w ( ! %ut-91 ( ! _w ( little ?+s :i* appeals s /rongly to ,tieck & :i* he treat$ ) su* banality 9 ! /ory ,ulri* d] ,empf9dsame4 ,?us1 ,tieck's l&scape criticism is v bad & ev5 ?o1 z has be5 po9t$ out1 ! basis = 8 adjectivs lies 9 ! ,anzeig5 articles1 8 expansion beyond !m br+s no real bett]m5t4 ,9 ! plate f ,love's ,labor ,lo/ 7,,iv1 #a1 page #i71 :5 ,tieck 0 feel+ 8 way into 8 subject1 8 g5]al impression 0 "o ( plesure1 & s ! l&scape is reiz5d4 ,9 ! :ole essay1 reiz5d is ! only con/ructiv epi!t appli$ to l&scape & x occurs only twice4 ,hamilton's l&scape is purely conv5tional &1 except = a vi/a1 ( :i* ,tieck 0 all 8 life fond1 (f]s no?+ to comm5d x4 ,! failure ( ,tieck to judge rightly mu/ be laid at ! door ( too great reliance on ! ,anzeig54 ,tieck criticizes only "o o!r l&scape z su*1 ?o 9 a ?ird case a l&scape backgr\nd is discu/ adv]sly4 ,= ! sc5e f ,z ,y ,l ,x 9 :i* ,jacques wat*es ! w\nd$ de] ! t]m reiz5d seems q impossible4 ,engrav$ by ,middiman aft] ,hodges1 a comb9ation :i* augurs ill1 ! sc5e is )\t d\t ! wor/ 9 e way t ,tieck saw4 ,! composition is bad3 ,jacques1 a figure )\t grace ( expression1 sprawls 9 a com$y l&scape & ! features ( ! w\nd$ de] hav a /rong ,hebraic ca/4 ,"h1 if ev]1 ! sc5e is drawn f ! /age & n f nature & /age prop]ties are models = tree & foliage4 ,:5 ,tieck says t ! sc5e is "o to ar\se *e]fulness 9 ! behold]1 he is correct b n 9 ! s5se t he m5t4 ,! reliance on 8 s\rce is n enuf to acc\nt = 8 ab]ration2 ! failure to judge aright mu/ be laid at ,tieck's door4 ,aft] po9t+ out ! value ( ! :ole1 & ! effect made by ! light ( ! tor* held by ,glo/] 7,le>1 ,,iii1 #d71 ,tieck %[s t ?is effect1 /rik+ z x is1 detracts f ! unity ( ! composition1 s9ce x %ifts ! emfasis f ,le> & 8 pa94 ,le>1 morov]1 is n ! ,le> ( ,%aksp]e b a giant1 & ! effect ( ?is ,h]culean =m is made fur!r improbable by ! exagg]ation ( ! w9d bl[+ f all directions 9 ! picture & driv+ ! g>m5ts ( ,le> ) x1 w9d+ !m impossibly ab\t him4 ,! effect ( ^! drap]ies1 says ,tieck1 is b>oque & !re is no ?\ght ( quiet /r5g? or noble simplicity4#bh ,9 ! composition ( ?is picture ,tieck also notises t ! figure ( ,edg> is practically ! same z t ( a figure 9 ,we/'s ,de? ( ,g5]al ,wolf4 ,a comp>ison ) ! latt] picture at once reveals ! ju/ness ( ,tieck's obs]vation4 ,! figure ( ! ,indian seat$ 9 ! =egr\nd is /rik+ly l t ( ,edg>1 bo? 9 =m & 9 g5]al expression1 & x is evid5t t ,we/ has repeat$ himself4 ,9 g5]al1 ,tieck does n make comp>isons ( ?is k9d4 ,he conf9es 8 rem>ks to ! picture itself1 & probably 0 n well acqua9t$ ) ! run ( contempor>y ,briti% art4#bi ,tieck's judgm5t ( composition did n g f> beyond ?is emfasis on ! pr9cipal figure4 ,a g5]al s]ies ( colorless frases l gut geordnet occurs1 b expresses only a mild acquiesc5ce 9 ! arrangem5t4 ,tieck 0 fond ( ! pos+ s5tim5talities ( gr\ps l ! l&scape plate f ,love's ,labor ,lo/1 b he tries h>d to get away f !m t[>d a realism :i* drew ^u actual p]ception = its po/ulates & :i* 0 n bas$ ^u premises--inadequate = art--( ,%aksp]e illu/ration4 ,on ! o!r h&1 & "h he dep>ts con/antly f ! canon ( ,less+1 !re is no /riv+ = ab/ract beauty4 ,*>m & grace1 beauty 9 motion z x is expre/ by ! female figure 9 ,anne ,page & a few o!r cases1 are ,tieck's ne>e/ approa* to x4#cj ,! g5]al reason = ,tieck's failure is t 9 actuality ^! pictures 7 n ugly or in>ti/ic to him4 ,:]e he criticizes x is (t5e/ ! idea2 ! execution & ! relation to an ab/ract /&>d are ( less consequ5ce1 & 8 !ory once m limps beh9d 8 practis4 ,he may b]ate ,hog>? z an arti/ )\t beauty b x is cle> t 8 extol+ ( ,rafael is a m]e matt] ( fa%ion2 he is 9 ! same category ) ,dom5i*9o1 :om ,tieck's g5]ation & ! next succe$+ "o consid]ably ov]e/imat$4 ,9 ,mi*aelangelo1 ,tieck kn[s ! /r5g? ( ! draw+ & n ! wi/fulness t p]vades ev5 ! mo/ ,titanic ( ! ma/]'s creations4 ,9 g5]al1 affectation ( pose1 mann]ism & preciosity are ,tieck's bane only :]e ! s5tim5tal is n conc]nd4 ,an int]e/+ comm5dation ( ! composition ( a plate is t ( ,kirk's picture f ,titus ,adronicus 7,,iv1 #a74 ,tieck likes ! plate because ( its ta/e & delicacy 9 only sugge/+ ! mutilat$ arms ( ,lav9ia4 ,kirk has avoid$ ! frank naturalism ( ! orig9al by ! use ( drap]ies1 & ?is appeals to ,tieck z a ton+ d[n & is 9 l9e ) :at _h be5 sugge/$ be=e 9 reg>d to ,tieck's attitude4 ,?is plate has an accessory :i* ,tieck objects to1 namely ! ov] l>ge colum 9 ! backgr\nd4 ,usually1 b n 9 ?is case1 ,tieck criticises ! accessories f ! /&po9t ( ! /ickl] = hi/orical accuracy1 r ?an = any arti/ic m]it or dem]it4 ,s ! tomb ( ! ,capulets 9 ,romeo & ,juliet is n ,italian ( ! p]iod1 & ! dresses ( ! wom5 9 ,m]ry ,wives are 9 violation ( ! sumptu>y laws ( ! "t4#ca ,9 ! de? ( ,mortim] 7#a ,h5ry ,,vi41 ,v1 #b7 ! family tree ly+ on ! gr\nd adds a tu* ( symbolism :i* ,tieck approves1 ?o 9 ! same sc5e he criticizes ! mean "* ( ! prison1 say+ t = su* a noble prison] a bett] place ( inc>c]ation w\ld hav be5 f\nd4 ,tieck makes no cle> di/9ction betwe5 pass+ expression 7,ausdruck7 & p]man5cy ( feature 7,mi5e74 ,8 discussion ( expression goes h& 9 h& ) composition1 s9ce1 z 0 m5tiond above1 composition has s close a relation to ! plac+ ( ! pr9cipal "*4 ,!re is a def9it po9t ( view1 h[ev]1 9 ,tieck's discussions ( composition2 9 8 /rictures & encomiums on expression ( face & figure x is practically impossible to f9d a consi/5t p\ /o4 ,9 places1 8 p[]s ( obs]vation seem to hav des]t$ him & 8 lapses are n attributable to a too great lean+ on ! articles 9 ! ,anzeig54 ,tieck's !oretical discussion ( ! common-s5se elem5t 9 ^! illu/rations may be ev] s cle> & 8 dem&s on ! arti/ may be ev] s high1 b 8 practical application ( ^! pr9ciples is by no means z /rict z might be expect$4 ,inde$1 9 !ory ,tieck dem&s "o ?+ & 9 practis ano!r4 ,x is ,tieck's desire t ! arti/ %\ld cat* ! individual note 9 ^! figures & raise x to an ideal1 t he %\ld *oose ! expression ) c>e & nev] sacrifice x to color+ or drap]y & t he %\ld avoid all necessity ( us+ symbols to designate 8 *>act]s4 ,b :5 ,tieck actually exam9s ! pictures1 he /resses !atrical pose or mi5 & pays no att5tion to ^? obvi\s tricks :]eby expression is obta9able3 ! skilful use ( light & %ade on ! face1 ! treatm5t ( ! l9es ( ! m\?1 & ! plac+ ( ! eyes4 ,occasionally1 z 9 ! ball sc5e 9 ,romeo & ,juliet1 x seems z if ! treatm5t ( ! eyes ( a figure--9 ?is case t ( ,tybalt--attract$ 8 att5tion1 b !re are s _m o!r plates 9 :i* ! eyes are q z good & are nev]!less pa/ ov]1 t ! in/ance ( ,tybalt seems =tuit\s4 ,tieck uses ! expressions ohne ,ausdruck1 w5ig ,ausdruck & ohne ,*>akt]1 w5ig ,*>akt] almo/ exclusively 9 8 negativ criticism ( ! plates & 8 positiv criticism sub/itutes viel = w5ig4 ,su* frases are n v def9it & ,tieck misapplies !m con/antly4 ,9 f\r out ( ! five cases ( ,tieck's l>ge/ caption1 ohne ,ausdruck1 he is c]ta9ly incorrect & ! po/ulation ( w5ig ,ausdruck is wrong 9 at lea/ two out ( ! ?ree cases4 ,x is n a matt] ( p]sonal op9ion nor c x be a diff]5ce 9 po9t ( view betwe5 ! tw5tie? c5tury & ! end ( ! eighte5?4 ,x is l>gely bad judgm5t on ,tieck's "p4 ,9 ! ?ree cases :]e ,tieck sees viel5 ,ausdruck n "o is 9 reality especially di/+ui%t = vividness4 ,two ev5 vie ) ! mo/ expressionless 9 feature & hav no special pret5tions to significance ( po/ure4 ,9 ! five plates :]e ,tieck uses ohne ,*>akt] or w5ig ,*>akt]1 ! epi!ts are 9 g5]al tru4 ,tieck got ! h9t = an adv]s criticism ( ! faces ( ,mrs4 ,=d & ,mrs4 ,page f ! ,anzeig54 ,he exclaims1 exp&+ 8 model1 ,wel*' widrige ,gesi*t]6 wel*' un9t]esante ,figur56 ,!re is 9 ! pose ( ,mrs4 ,page a mo/ awkw>d droop ( ! neck1 b 9 ,mrs4 ,=d's face !re is a rollick+ ,iri% droll]y1 a fre%ness ( complexion & a wit*]y ( ! eyes t are q *>m+4 ,! pa9t+ 0 by ,pet]s1 ^: sprightly humor 0 s mu* admir$ by 8 contempor>ies4 ,"o ( ! two pictures ( ,leontes 9 ! ,w9t]'s ,tale %[s 8 giv+ ! oa? to ,antigon\s to de/roy ! *ild4 ,9 ,leontes' fr[n+ face ,tieck sees no expression1 al?o x is unque/ionably "o ( ! mo/ lively ( ! s]ies4 ,! /iffness ( pose t ,tieck objects to 9 ! picture may well be acc\nt$ = by ! full suit ( armor t ,leontes we>s4 ,! face is f> m expressiv ?an t ( ! o!r ,leontes picture & yet ,tieck's judgm5t on !m is ! same4 ,"o ( ! mo/ /rik+ failures on ,tieck's "p to see "* int]pretation ( real subtlety is 9 ,nor?cote's portrayal ( ,ri*>d ,,iii4 ,!re c be no d\t t ,tieck's g5]al dislike ( ! arti/1 :i* 0 bas$ on ! adv]se criticisms ( ! ,anzeig51 l$ 8 judgm5t a/ray4 ,! face ( ,ri*>d is all 9 all ! mo/ *>act]i/ic ( ! s]ies 9 s f> z ,tieck saw ! s]ies4 ,ri*>d's subtle1 false & tre*]\s look ) ! smile ( 8 grim humor is well caught2 ! eyes & m\? are excell5t & giv a v adequate idea ( ! deviltry ( ! man1 ( 8 lewd cunn+ & 8 s*em+4 ,:at ,tieck might well hav object$ to is ! s5tim5taliz+ ( ! two pr9ces :om ! arti/ has transmogrifi$ into fat little babies1 j z 9 ! next picture ! two hav become well-f$ little beef-eat]s4 ,z ,tieck fails to see s5tim5tality 9 ?is picture1 s he misses extravagance 9 ! *ur* sc5e f ,mu* ,ado4 ,tieck borr[d mu* 9 ?is discussion f ! ,anzeig5 b 8 rem>ks on expression are 8 own4 ,he says t ,leonato has too little expression4 ,!re c be no d\t z to ! figure int5d$ = ,leonato4 ,claudio is id5tifi$ by a v !atrical ge/ure & by a ,mefi/(elian ,don ,juan beh9d him4 ,! fa9t+ ,h]o1 ov] :om ,beatrice is b5d+1 falls into ,b5$ix' arms4 ,! only o!r figure1 t ( an old] man1 & :o !re=e _c be ,b5$ix1 is /&+ 9 a mo/ !atrical po/ure ) cl5*t fi/s1 eyes upturnd1 rigid & ridicul\s4 ,if ,tieck m5t t ?is figure %\ld repres5t ,leonato1 he has %ot wide ( ! m>k 9 8 criticism & displays a mo/ unref9$ love ( ! melodramatic4 ,figures l ?is are n (t5 f\nd 9 ! ,gall]y4 ,ord9>ily excess ( s5tim5t & a *eap display ( emotion giv way to /iffness & awkw>dness4 ,tieck 0 dissatisfi$ ) all ! reproductions ( ,le>4 ,!y hav all too mu* ( ! gigantic1 too little ( ! *ildi% old man4 ,he po9ts out t ! face z drawn by ,fessli expresses no?+ b rage2 ! same exagg]ation is f\nd 9 ! draw+ ( ,we/ :o sacrifices tru?1 nature & emotion to a /rik+ fir/ impression4 ,b>ry's ,le> only excites laught] & ! lack ( expression 9 ! face is made up by ! /orm-w9d 9 ! hair4 ,aga91 h[ev]1 issu mu/ be tak5 ) ,tieck's attitude1 = x is impossible to reg>d ^! faces z expressionless4 ,x is n t !y hav too little1 b too mu*1 & ( a wrong k9d4 ,tieck n[h]e draws ! cle> di/9ction & n[h]e makes x evid5t t he reg>ds ,ausdruck z a t]m to be int]pret$ 9 any b a common s5se way4 ,x seems app>5t t ^? plates :i* _h a c]ta9 s5tim5tality1 a c]ta9 sac*>9 quality appeald to ,tieck4 ,he likes ! prett9ess ( ,anne ,page & clev]ly notes ! t\* ( scorn 9 h] face4 ,if he _h recall$ ,reynolds' ,mrs4 ,siddons he w\ld hav recogniz$ ! same trait ( h>dness ar\nd ! m\?1 a l9e t is (t5 f\nd 9 ! pictures ( ,engli% wom54 ,p]haps ,tieck's int]e/ w5t h& 9 h& ) 8 en?usiasm = ,rafael1 & lack ( discrim9ation lets him take all z ( equal value4 ,! face ( "y ,lucius 9 ,titus ,adronicus & ! face ( ,juliet 9 ! tomb are examples ( ?is4 ,tieck argues t ! boy has a good deal ( expression1 b a cool obs]v] c see only melodrama 9 ! pose & blankness 9 ! face4 ,! mo/ int]e/+ ?+ ab\t ! plate has escap$ ,tieck's att5tion1 namely t bo? ( ,titus' h&s are repres5t$4 ,x seems an especially notewor?y omission 9 a picture :i* ,tieck praises = n %[+ ! /umps ( ,lav9ia4#cb ,tieck sev]al times criticizes a picture = mak+ a good fir/ impression & !n n be+ able to /& ! te/ ( close obs]vation4 ,an example ( ?is is ,nor?cote's portrayal ( ,mortim] & ,york 7#a ,h5ry ,,vi41 ,,ii1 #e7 :i* is really spoild accord+ to ,tieck by ! /rong light masses :i* at fir/ sight seem v /rik+4 ,^! light masses ?r[ ! ma9 figure into relief1 b ,tieck objects to ! unnatural po/ure ( ! dy+ man4 ,close exam9ation ( ! figure reveals ! fact t ,mortim] is really well drawn2 ! l9es ( ! drap]y di/ort ! g5]al impression1 b t "p ( ! draw+ compris+ ! actual sitt+ figure is t ( a brok5 old man1 fall5 9 a heap & dy+4 ,any "o :o has se5 ,irv+'s ma/]ly repres5tation ( ! dy+ ,l\is _c b be impre/ by ! v]isimilitude ( ,nor?cote's pres5tation4 ,:at ,tieck says ( ! m9or *>act]s on ! plate is true2 !y are expressionless 9 ! extreme4 ,tieck is fully ju/ifi$ 9 call+ ,reynolds' sc5e f ,h5ry ,,vi4 dieses abs*euli*e ,blatt1 :]e ! ^w abs*euli* is rem9isc5t ( ! ,anzeig54 ,he asks fur!r1 ,i/ dies d] ,kn/l] d] ,familie des ,ugol9o8#cc ,) mu* bett] "r he might hav askt1 ,is ?is ! pa9t] ( ! ',age ( ,innoc5ce' & ! man :o lov$ to pa9t *ildr58 ,bo? ! ,%aksp]e plate & ! /iff ,ugol9o picture attempt to portray ! horrible1 & ! only o!r plate t ,sir ,jo%ua did = ! ,gall]y1 namely1 ! ,hecate plate f ,macbe?1 ! same selection ( a grewsome subject is made4 ,nei!r ( ^! pictures c be s$ to con=m ) ,reynolds' well-kn[n doctr9 t ! function ( art is to ar\se ! imag9ation1 = 9 ^! pictures !re is no?+ left = ! imag9ation b exhau/ion4 ,!y %[ a ve9 ( ! biz>re )\t ! great fancy ( ,fessli & are reali/ic to a degree t /opt at no?+4 ,x is n to be wond]d at t ,tieck exhau/s himself 9 condemnation ( ! plate t he saw4 ,x is pla9 t ,tieck saw 9 ! plate a c>icature & an evasion4 ,! c>icature 0 ! dy+ man & ! evasion 0 ! veild face ( ! "y k+4 ,tieck felt t ! arti/ _h veild ! face ( 8 "* to conceal 8 want ( skill 9 ! portrayal ( a supreme mom5t ( emotion4 ,"h ,tieck c]ta9ly breaks ) ! doctr9 ( ,less+ :o prais$ ! exp$i5t ( ,timan!s 9 veil+ ! face ( ,agamemnon at ! sacrifice4 ,tieck tacitly accuses ,reynolds ( %irk+ an obvi\s task4 ,he wi%t some?+ sup]lativ1 :e!r 9 fleet+ expression or 9 t p]man5cy :i* is caus$ by it]ativ emotion4 ,su* a desire1 ! emfasiz+ ( ,%aksp]e's ,kraft & ,en]gie leaves him on ! plane ( ! ,/orm & ,/ress 9 8 attitude t[>d ! ,briti% poet4#cd ,if ! words ( ,sir ,jo%ua himself are to be tak5 z a crit]ion1 8 !ory is diff]5t f 8 practis 9 ?is case1 & ,tieck has condemd him out ( 8 own m\?4 ,beau=d1 :om ,tieck calls a c>icature1 c]ta9ly leaves no?+ to ! imag9ation1 z ,reynolds wi%t = art4#ce ,tieck's description ( ! figure is apt1 ,beau=d liegt da1 mit d5 ,zhn5 gr9s5d1 das ,bett 9 ,v]zuckung5 kneif5d1 e9e ekelhafte1 v]z]rte ,c>icatur1 b] die man la*5 knnte1 w5n sie etwas w5ig] abs*euli* wre4 ,g5ie & ,en?usiasmus knn5 hi] die ,h& und ,kritik unmgli* irre gefhrt hab52 d5n w$] das e9e1 no* d] &]e gehrt dazu1 um diese ,zge1 diese ,umrisse h]vorzubr+54 ,! ^w c>icature is1 ev5 be=e he f\nd x 9 ! ,anzeig51 a t]m ( deepe/ reproa* ) ,tieck4 ,9 8 essays to ,wack5rod] he says1 speak+ ( a c]ta9 actor1 ,i* ge/ehe dass er viellei*t viele ,sc55 natrli* und e9ige komi% d>/ellt1 ab] na* me9em ,ur!il spielt er 9 ke9] e9zig5 s*n1 mit e9em ,worte1 er ma*t ,c>rikatur1 und die kann nie s*n se91 w5n sie au* no* s viel5 ,ausdruck hat4 ,das ,komis*e und das ,s*reckhafte grnz5 b]haupt viellei*t nh] ane9&]1 als man glaubt 444 ,viellei*t i/ das wahre komis*e ,spiel s wie ,unzelmann e/ giebt1 alles s lei*t1 s b]geh5d1 ke9e ,p]iode1 ke9e ,idee1 ke9e ,/ellung mgli*/ fe/gehalt51 ke9e ,grimasse 9 ,/e9 v]w&elt4 ,aft] po9t+ out ! value ( ! unspoild ta/e ( *ildhood 9 matt]s ( e/hetic judgm5t1 ,tieck cont9ues3 ,du kann/ lei*t die ,erfahrung ma*51 dass ,c>rikatur5 d5 ,k9d]n nie gefall51 d5n sie erk5n5 9 ihn5 nur mit ,mhe d5 ,m5s*5 wi$]1 sie fr*t5 sie wirkli*2 sie knn5 unglei* lng] e9e &re ,figur ohne ,ausdruck und be/immt5 ,*>akt] betra*t51 ja tagelang d>b] brt51 und ,ausdruck und ,*>akt] h9e9trag51 hund]t ,trume sp9n5 si* 9 ihr] ,seele aus1 444 ,c>rikatur5 gefall5 b]haupt viellei*t nur e9em kalt5 nrdli*5 ,volke1 dess5 ,gefhl fr d5 fe95 ,/a*el d] /ill5 ,s*nheit zu grob i/1 od] die s*on die ,s*ule d] ,s*nheit dur*gegang5 s9d1 und d]5 b]satt5 ,mag5 nur no* die gewrzte/5 ,speis5 reiz5 knn51 die es dah] g]n seh51 w5n die ,s*nheit dem ,ausdruck aufgeopf]t wird1 weil sie 9 d] ,s*nheit ke95 leb5d5 ,ausdruck mehr f9d54 ,du wir/ seh51 dass i* hi] ni*t bloss von d] komis*5 ,c>rikatur spre*e1 sond]n von j$em ,ausdruck irg5d e9] ,leid5s*aft1 d] die ,s*nheit auss*lies/4 ,he !n goes on to indicate ! relation ( :at he _h s$ to ,less+ & confesses 8 indet$ness to him 9 ! matt]4 ,! highe/ effects :5 us$ 9 sculpture & pa9t+ are also c>icature4#cf ,p>alel to ?is /atem5t 9 ! lett]s is ! discussion 9 ! essay ( ! valu ( ! com$ies ( ,%aksp]e ov] 8 trag$ies z mat]ial = illu/ration4 ,tieck says 7page #ae71 ,im ,trau]spiele er/eig5 mei/5!ils g]ade die s*n/5 ,sc55 e9e ,hhe des ,effects1 die d] ,mal] s*w]li* ausdrck5 kann1 ohne widrig zu w]d54 ,d] ,s*auspiel] v]li]t s*on (t j5e ,grazie1 die j$em ,kun/w]ke n?ig i/1 w5n er man*e ,sc55 d] tragis*5 ,kraft s wi$]geb5 w1 wie er sie im ,di*t] f9det1 do* kann die ,mimik hi] no* das ,unang5ehme v]meid52 d] ,mal]ei i/ es ab] mei/ unmgli*1 d5n j5e ,v]z]rung51 die auf d] ,bhne nur vorb]geh5d s9d1 w]d5 hi] bleib5d gema*t2 dort ers*reck5 sie dur* ihr pltzli*es ,ent/eh5 und ,v]s*w9d51 hi] w]d5 sie ekelhaft1 weil dur* das ,fe//eh5de und ,bleib5de des ,widrig5 d] d>ge/ellte ,m5s* zum ,?i] h]abs9kt4 ,jemehr d] ,mal] d5 ,affekt h9auftreibt1 de/o mehr nimmt er zuglei* ,int]esse und ,tadel von se9em ,held54 ,die h*/5 ,grade des ,zorns1 d] ,wu? od] d] ,v]zweifelung bleib5 im ,gemlde /ets un$el2 selb/ d] ,wahns9n muss hi] mit e9] gewiss5 ,s**t]nheit auftret51 und im h*/5 ,entzck5 muss e9 sanft] ,wi$]s*e9 d] ,melan*olie leu*t54 ,! relation ( ?is to ,less+1 bo? 9 ! ,laokoon & 9 ! ,dramaturgie is at once app>5t4 ,! dislike = c>icature c5t]s ar\nd ! comic ef=ts ( ,smirke = :om ,tieck has h>dly a good ^w to say4 ,9 ! discussion ( ,reynolds' picture1 ,tieck rem>ks1 half 9 je/1 t he regrets 8 /rictures on ,smirke 9 ! face ( ?is great] c>icature by ,reynolds4 ,! sum total ( 8 criticisms ( ,smirke is unju/3 ?ru\t ! s]ies & especially 9 "s ( ! plates t ,tieck saw1 ?is pa9t] has caught ! comic _s well1 & ?o ov]praisd by 8 contempor>ies1 has done "s v clev] "w bo? 9 ! ,gall]y & 9 ,bell's ,briti% ,!at]4#cg ,tieck's pr9cipal c5sures are direct$ aga9/ ! figure ( ,simple 9 ! ,m]ry ,wives & t ( ,dogb]ry 9 ! comic trial 9 ,mu* ,ado4 ,simple is = ,tieck nei!r ! "* z ,%aksp]e conceiv$ him1 nor is he funny4 ,x is aga91 says ,tieck1 a m]e exagg]ation1 tantam\nt to a confession ( inability4 ,t ! spectator _c laugh at ! "* is ! arti/'s greate/ puni%m5t2 9 ov]/epp+ ! j limits ( ! comic & ! natural1 he has made ! figure insignificant4 ,unlike ,hog>?1 says ,tieck1 ,smirke has n ! p[] ( express+ "* by means ( ! di/ortions ( ! ext]ior4 ,to put an arti/ bel[ ,hog>? is ) ,tieck to put him v l[2 9 ?is respect he /&s on ! plane ( ,augu/ von ,s*legel 9 ! ,a!num & has n ris5 to ! level ( admiration = ! ,engli%man display$ by ,novalis 9 ! ,fragm5ts4 ,! be/ t ,tieck c say = ! ,dogb]ry sc5e z a :ole is1 t 9 spite ( its exagg]ations1 x has mu* comic p[]4 ,b1 he goes on to expla91 x is a f> diff]5t ?+ = ,smirke to exagg]ate ?an = ,%aksp]e1 = ! latt] always draws human be+s1 :ile ! figures ( ! =m] are at times h>dly to be di/+ui%t f apes4 ,to a c]ta9 ext5t ! figure ( ,dogb]ry & m especially ! face1 ju/ify ,tieck's repugnance4 ,9 its way1 ! face is fully z bad z t ( ,reynolds' ,beau=d4 ,tieck says1 ,selb/ e9 v]traut] ,les] des ,%akspe>e f9det si* ni*t 9 d5 hi] d>ge/ell5 ,c>icatur51 von d55 die ,hauptp]son 9 e9] ,wu?1 die l*]li* se9 soll1 s ekelhaft v]z]rt wird1 dass man nur ung]n mit dem ,blick auf dies] ,zei*nung v]weilt4 ,?is is 9 e respect tru4 ,smirke has "h mi/ all ! comic elem5ts ( ! "*1 & has produc$ n ! ridicul\s malapropian ,dogb]ry b a demoniac gr9n+ mask ( a face & a twi/$1 di/ort$ & fr5zi$ figure4 ,tieck proce$s1 ,e9 ,kn/l]1 d] die komis*5 ,sc55 des ,%akspe>e d>/ell5 w1 sollte do* von se9em ,di*t] s viel gel]nt hab51 dass dies] se9e ,c>icatur5 nie ohne e9e gewisse ,portion von phlegmatis*] ,laune ls/1 die s (t uns] ,la*5 erregt1 und aus d] bloss5 ,erfahrung sollte er wiss51 dass selb/ d] l*]li*/e ,zw]g1 w5n er s*umt1 9 eb5 dem ,aug5blicke aufhrt l*]li* zu se94 ,j$es ,subject hrt auf1 komis* zu se91 sobald i* es 9 e95 hoh5 ,grad von ,leid5s*aft v]setze4 ,d5n das ,l*]li*e 9 d5 ,*>akt]5 ent/eht gewhnli* nur dur* die seltsam wid]spre*5de ,mis*ung des ,affects und des inn]5 ,phlegma2 w5ig/5s s hat ,%akspe>e se9e wirkli* komis*5 ,p]son5 gezei*net4 ,d] ,mangel an ,g5ie zeigt si* gewhnli* 9 ,ueb]treibung und gesu*t5 ,v]z]rung5 des ,krp]s4#ch ,! sc5e f ! ,m]ry ,wives 9 :i* ,dr4 ,cajus cate*izes ,william on 8 ,lat91 repres5ts v well ! type ( sc5e ! *oice ( :i* ,tieck condems z unsuit$ = repres5tation4 ,x is n because !re 0 some?+ 9 ! humor ( !m t ,tieck did n grasp1 b because he rejects on pr9ciple all t is second>y & episodical4 ,su* sc5es z are told & n act$1 t is1 ! epic portions ( ! plays1 z well z ! reflectiv & filos(ical portions w\ld hav to be exclud$4 ,x is ! fate ( ! pr9cipal *>act]s :i* is ( prime importance1 & ! mom5t mu/ be *os5 ) _! activities 9 view4 ,?is emfasis on ! pr9cipal "* is also /rongly rem9isc5t ( ! doctr9 ( ,less+'s ,dramaturgie4 ,x has be5 %[n h[ x affects :at ,tieck has to say ab\t composition & x is ! prime factor 9 8 feel+ = :at is ! prop] mom5t & subject ( repres5tation4 ,"s ( ! sc5es :i* ,tieck rejects are ,hodges' picture ( ! melan*oly ,jacques1 & ! murd] ( ! pr9ces 9 ,ri*>d ,,iii4 ,nei!r ( ^! is act$ out on ! /age4 ,f ! ,m]ry ,wives he proposes ,fal/aff's ?ree adv5tures3 ! basket sc5e1 ! ,wit* ( ,br5t=d sc5e & ! f9al tortur+ ( ,fal/aff by ! practical jok]s4 ,^! giv a *ance = v>iety ( gr\p+ & a gradation ( expression 9 all ! *ief *>act]s ( ! play4 ,! sc5e 9 :i* ! two wom5 read id5tical lett]s f ,fal/aff1 ,tieck reg>ds z ! wor/ possible1 = reasons t he says he ne$ n recall b :i* are obvi\sly ^? ( lack ( /ress on ! ma9 "*4 ,! sc5es t ,tieck recomm5ds 7 actually *os5 by ! arti/s ^: "w appe>s lat] 9 ! s]ies & s ,tieck's judgm5t is1 9 a way1 confirmd4 ,^! sc5es are ! skeleton ( ! f>ce elem5t & br+ out ! /ructure ( ! ,fal/aff plot :i* ,tieck evid5tly reg>ds z ! ma9 !me4 ,x is int]e/+ to note1 h[ev]1 h[ little ! *oice ( subject has to d ) ! arti/ic m]it or dem]it ( ! plates4 ,! subsequ5t plates1 :i* w\ld hav fully satisfi$ ,tieck's requirem5ts z to ! mom5t ( pres5tation are arti/ically among ! wor/ 9 ! s]ies4 ,! two sc5es f ,z ,y ,l ,x sugge/$ by ,tieck1 ! "o :]e ,adam admoni%es ,orl&o 7,,ii1 #c7 & ! sc5e 9 ! =e/ :]e ,orl&o ent]s be>+ ,adam on 8 %\ld]s 7,,ii1 #g7 hav n ! same /ructural relation to ! :ole z hav ^? f ! ,m]ry ,wives4 ,^! mom5ts l5d !mselves v well to repres5tation b are *os5 on ano!r basis ( judgm5t4 ,!y %[ t = ,tieck ,orl&o 0 ( m importance ?an ,rosal9d1 = he sugge/s no sc5e ) h] 9 x z especially repres5tativ ( ! play4 ,9 ! fir/ ( ^! two sc5es1 ! action has already begun2 ! sc5e is ! culm9ation ( ! episode conta9+ ! fir/ relation ( ! bro!rs4 ,x is 9 itself n a vital "p ( ! action4 ,! sc5e 9 ! =e/1 on ! o!r h&1 has m ( ! qualities dem&$ by ,tieck3 a v>iety ( *>act]s & an important mom5t4 ,?is is a mom5t--?o n ! initial "o--:5 ,orl&o's =tunes m5d & he comes to 8 fr5ds4 ,! sc5e 9 :i* he fir/ meets ! ,duke's p>ty is ( m significance4 ,x seems z if ! gov]n+ pr9ciple is contra/ r ?an a desire = elucidation ( /ructure 9 s]ial arrangm5t4 ,orl&o & ,adam1 ill-=tune & good luck1 are juxtapos$4 ,tieck conjectures t ! eavesdropp+ sc5e f ,mu* ,ado 7,,iii1 #a7 is includ$ 9 ! collection because x 0 play$ by popul> actresses ( ! contempor>y ,engli% /age4 ,tieck misses ! /ructural importance ( ! sc5e4 ,x is ap>t ( ! intrigue2 x has a direct effect on ,beatrice :o comes f x a *ang$ woman4 ,to ,tieck1 h[ev]1 x m5t z little z ! simil> eavesdropp+ sc5e f ,love's ,labor ,lo/ 7,,iv1 #c71 9 :i* play he claims !re is no suitable sc5e = repres5tation4 ,! sc5e f ,w9t]'s ,tale 9 :i* ,p]dita welcomes ! disguis$ ,duke 7,,iv1 #c71 (f]+ him fl[]s ! :ile1 is condemd 9 favor ( ! "o imm$iately foll[+ 9 :i* ! ,duke discloses himself4 ,"h aga9 ,tieck /resses ! contra/ & wi%es a climax1 a dramatic mom5t4 ,s he praises su* sc5es z ! putt+ away ( ,h]o at ! alt> & ! de? ( ,beau=d1 h[ev] mu* he d]ides ! execution ( ! latt]1 by ,reynolds4 ,= ! sake ( br++ out ! wret*$ness ( ?is execution1 ,tieck po9ts out t ?o he has (t5 be=e bewaild ! *oice ( mom5t1 he _c d s 9 ?is case = no bett] c\ld hav be5 select$4 ,he details ! good po9ts 9 ! sc5e3 ,man d5ke si* e95 ,bsewi*t auf dem ,todt5bette1 d5 die ,v]zweifelung wahns9nig gema*t hat1 d] ke9e ,seligkeit h(ft2 dies5 besu*t 9 se9] ,todes/unde ,he9ri*1 d] junge gefhlvolle ,knig1 e9 ,s*w>m] 9 d] ,religion1 d] von diesem ,anblick auf das tief/e g]hrt wird2 ,w>wick und ,salisbury1 zwei mnnli*e ,krieg]1 begleit5 ihn hi]h]4 ,beau=d i/ die ,hauptp]son1 alle ,zus*au] hab5 ihre gauze ,aufm]ksamkeit auf ihn g]i*tet4 ,d] ,kn/l] htte hi] rhr5 und ers*tt]n knn52 i* sehe 9 ,g$ank5 d5 wei*5 ,he9ri* ,?rn5 v]giess51 im s*n/5 ,contra/ mit dem ,c>d9al1 d] ihn1 9 d] ,abwes5heit se9es ,gei/es1 kalt und ohne ,bewus/se9 an/>rt4 ,w>wick und ,salisbury1 w5ig] g]hrt1 ab] do* int]essante ,physiognomi51 die dur* lei*t]e ,nuanc5 von e9&] unt]s*i$5 s9d4 ,s sehe i* 9 d] ,phantasie das s*n/e tragis*e ,gemlde 444 ,9 ,romeo & ,juliet ! *oice ( ! ball sc5e meets ) ,tieck's disapproval4 ,! sc5e is ,ohne ,wirkung4 ,tieck's ma9 reason :y ! sc5e is n good is t ! pa9t] has int]pret$ lit]ally ! meta=1 ,my lips two blu%+ pilgrims /& & has repres5t$ ,romeo 9 ! g>b ( a pilgrim to correspond to ,juliet's ans]1 ,good pilgrim4 ,z ,tieck rightly po9ts out1 !re is no ne$ = su* a gise4 ,! *oice ( ! m highly keyd situation at ! suppos$ de? ( ,juliet meets ) ,tieck's approval & %[s t :]e !re is a *oice1 ! emfasis ( 8 selection is apt to be on ! sup]lativ mom5t4#ci ,"o o!r idea seems to be 9 ,tieck's m9d & x is h>d to believe t he 0 n unconsci\sly influ5c$ by ! /age pres5tation ( ! plays :5 =mulat+ x4 ,t is ! desire to hav a numb] ( p 9 ! picture4 ,ne>ly all ! plates t he condems hav b few *>act]s & 8 dictum ( v>iety dem&s a reasonable numb] to *oose f4 ,?is dramatic po9t ( view is 9 accord ) 8 attitude 9 all o!r fases ( ! discussion4 ,x has be5 po9t$ out h[ r>ely ! arti/ic makes ! prime appeal to him4 ,tieck's second po9t 9 reg>d to *oice ( subject is t ! com$ies (f] a wid] field & a bett] opportunity ?an ! trag$ies4 ,! g5]al basis = ?is notion is alli$ to 8 !ory ( ! wor?lessness ( c>icature1 t is1 t !re is an exagg]ation1 an ov]act+ ( ! "p possible 9 trag$y t is less likely to occur 9 com$y4 ,! /atem5t ( ! evils ( exagg]ation is v sweep+ & includes 9 "s ( its details bo? com$y & trag$y3 ,d] dramatis*e ,di*t] hat ,mom5te 9 se95 ,s*auspiel51 die ke9 ,p9sel od] ,griffel jemals d>/ell5 kann2 i* me9e j5e ,sprnge und b]ras*5d5 ,w5dung5 des ,affectes1 j5e fr*t]li*5 ,blitze des ,g5ies1 bei d55 d] ,zus*au] zusamm5fhrt1 wo d] ,di*t] un]w>tet dur* e9e neue v]drngt3 diese ,mom5te s9d (t die glnz5d/5 des ,s*auspiels1 und bei ke9em ,di*t] f9d5 sie si* s hufig als bei ,%akspe>e 9 se95 ,tragdi54 ,tieck's illu/ration = ?is is ! passage f ,le> beg9n+1 ,no1 ,i w weep no m1 etc4 ,he cont9ues1 wel*] ,mal] wird es wag51 w5n er d5 ,s9n ganz dur*dr+t1 444 diese ,/elle auf die ,le9w& zu w]f58 ,s innig diese ,v]se beim ,les5 od] bei d] ,d>/ellung rhr51 s fro/ig wrd5 sie viellei*t als e9 ,gemlde d>ge/ellt ers*e953 od] w5n sie au* hi] rhrt51 s wrde das ,gemlde do* nie j5e ,ers*tt]ung 9 uns erreg51 j5es ,ans*lag5 von hund]t ,gefhl54 ,man wrde imm] nur d5 we95d5 ,le> seh5 od] d5 erzrnt5 ,vat]1 d] si* zur ,klte zw+t2 das ,ine9&]s*melz5 dies] beid5 ,empf9dung51 v]bund5 mit d] ,v]/&ess*w*e1 die dem ,s*m]z endli* ganz erliegt und ,wahns9n wird1 wre selb/ e9 ,rafael unmgli*3 hi] /eht e9 gross] ,gr5z/e9 zwis*5 dem ,gebiet des ,mal]s und des ,di*t]s4 ,! result ( ov]/epp+ ^! b\nds is t ! pa9t] is likely to ent] into rivalry ) ! poet1 to feel 8 lack ( ability 9 ! /ruggle & to produce empty declamation in/$ ( a "w ( ! creativ imag9ation & to (f] to ! spectator no?+ = ei!r imag9ation or reason4 ,b 9 ! com$ies !re are _m mom5ts :i* almo/ =ce !mselves on ! pa9t]4 ,^! are sc5es 9 :i* he c portray ! poet j z he f9ds him & 9 :i* 8 rivalry is legitimate &1 inde$1 may t5d to make him surpass ! poet4 ,if he c d ?is x w be by br++ out m pla9ly ! light %ades ( ! poet's mean+ & he w become a comm5tator1 s to speak1 ( ^!4 ,"u su* circum/ances1 ! pa9t] mu/ be v c>eful to *oose j ! mo/ beautiful & mo/ int]e/+ passages4 ,! relation to ,less+ is aga9 at once cle>4 ,! culm9at+ mom5t ( passion z x appe>s 9 ! trag$ies is n suitable f ! arti/ic po9t ( view = reproduction b ! com$ies1 f _! admixture ( ! flegmatic1 ! almo/ imp]ativ concomitant ( ,%aksp]ean humor1 tone d[n ?is sup]lativ expression & are !re=e )9 ! pale4 ,h[ ,tieck c>ries out 8 !ory 9 practis1 has be5 suffici5tly %[n3 8 love = ! s5tim5tal & melodramatic1 = ! climatic & /rik+ lead him to neglect 8 delimit+ !oretical rem>ks4 ,be=e leav+ ! discussion ( ,tieck's article1 x may be well to comp>e x ) ano!r contempor>y treatm5t ( ! ,boydell ,gall]y4 ,?is is by ! fam\s travel] & publici/1 ,george ,=/]4 ,x 0 ,=/]'s acc\nt :i* furni%t ,fiorillo ) mu* ( 8 data = ! treatm5t ( ! ,gall]y 9 8 hi/ory ( ,briti% art1 b x is h>dly likely t ! acc\nt is a s\rce = ,tieck4 ,i hav no ext]nal evid5ce & ! int]nal evid5ce is entirely negativ4 ,if ,fri$ri* ,s*legel's e/imate ( ,=/]'s arti/ic capabilities be accept$1 x is j su* pictures z ^!1 :]e ! social int]e/ is great & ! arti/ic valu is second>y1 t %\ld br+ out ,=/]'s /r5g? ( judgm5t4 ,=/] 0 also a f9ely discrim9at+ amateur1 ) a decid$ s5se ( tactile =m bas$ on a s9c]e love ( ,greek art & confirmd by a /udy ( ,w9kelmann & ,less+1 beyond :om he pa/ 9 8 appreciation ( ! portrait & ! l&scape & ( ! color+ ( ! great ma/]s4 ,=/]'s essay1 ,die ,kun/ und das ,zeitalt] 7#agia71 0 writt5 ab\t ! "t t he saw ! ,boydell pictures4 ,x %[s 8 attitude t[>d ,greek art & givs m ?an a h9t ( 8 /&>ds :i* po9t s cle>ly t[>d ,s*ill]4 ,8 ,ansi*t5 vom ,ni$]rhe91 especially ! discussions ( ! gall]ies & collections at ,dsseldorf1 ,brussels & ,antw]p fully express 8 ideas on ,dut* & ,flemi% art1 especially emfasiz+ ! *>act]i/ics ( ,rub5s = ^: fle%y types ,=/] _h little use4 ,9 ! discussion ( ,briti% art :i* comes z an app5dix to ! ,ansi*t51 ,=/] includes a r detaild description ( ! ,boydell pa9t+s4 ,he did n see ! engrav+s1 or r1 8 description is bas$ on ! pa9t+s z !y hung 9 ! gall]y 9 ,pall ,mall & s ! mat]ial ( ?is sket* 9 two p>ts1 is 9 "o way fundam5tally diff]5t f t ( ,tieck4 ,all ! discussion ( te*nique 9 :i* ,tieck 0 s weak1 is entirely lack+ 9 ,=/]4 ,8 po9t ( view1 too1 is diff]5t4 ,he is ! traveld1 exp]i5c$ man f ^: tra9d eye & broad judgm5t m may be expect$ ?an f ! /ud5t ,tieck4 ,!re is1 z ,fri$ri* ,s*legel says1 an out-(-doorness 9 ,=/]'s "w t ,tieck c\ld nev] hav _h2 ! ov]-emfasis on ,%aksp]e on ! "p ( ! latt] is only "o product ( 8 inexp]i5ce4 ,9 spite ( all ?is1 x is surpriz+ to f9d :at correspond5ces !re are betwe5 ! /ud5t ,tieck & ! m tra9d ,=/]4 ,! latt] :o knew va/ly m ( ,engli% life ?an ,tieck1 fails to und]/& x 9 j ^? vital po9ts :]e ,tieck w5t f>!/ a/ray4 ,smirke & ,pet]s f>e badly at 8 h&s1 p]haps because ( a c]ta9 puritanism 9 8 atitude1 or to quote ,s*legel1 because ,ke9e ,vollkomm5heit d] ,d>/ellung konnte ihn mit e9em ,/(f ausshn51 d] se9 ,z>tgefhl v]letzte1 se9e ,sittli*keit beleidigte od] se95 ,gei/ unbefri$igt liess4 ,= ?is reason he c call "o ( ! ,pet]s pa9t+s f ! ,m]ry ,wives a bro!l 7e9 ,speelhuis7 or ref] to ! wom5 ( t arti/ z lock]e ,nymph54 ,besides ! same g5]al dislike = ! c>icatures ( ,smirke t 0 not$ 9 all previ\s in/ances1 !re is ! usual praise ( ,hodges1 ! usual condemnation ( ,opie's bad draw+4 ,fessli1 too1 comes 9 = 8 %>e ( ! blame3 ,d] ,beifall1 wel*5 ,fesslis ,gemlde 9 ,engl& erhalt51 bezei*net mehr als alles die ,ueb]spannung des dortig5 ,kun/ges*macks4 ,dies] junge ,s*weiz] 444 bra*te neb/ d] ,k5ntniss akademis*] ,modelle se9 mal]is*es ,kraftg5ie mit si* b] das ,me]2 se9] ,phantasie w>d es wohl unt] wild5 ,traumge/alt5 und ,bild]n des ,ungewhnli*54 ,diese ,/immung 444 v]fhrte ihn nur g> zu bald zu all5 ,auss*weifung5 d] ,mani]4 ,es i/ zw> lei*t das ,alltgli*e zu v]meid51 indem man ,kontorsion5 d>/ellt 444 7page #dff74 ,aga93 ,es s9d ni*t ,m5s*51 die dies] ,kn/l] phantasi]t1 sond]n ,ungeheu] 9 halb m5s*li*] ,ge/alt1 mit e9zeln sehr gross gezei*net5 und sehr v]z]rt51 v]un/altet5 ,!il5 und ,proportion53 ausg]5kte ,h&gel5ke1 aus dem ,kopfe spr+5de ,aug51 ,bocksphysiognomi5 u4 s4 f4444 7page #ejc74 ,nor?cote is damn$ ) ! fa9t praise ,ni*t ohne ,v]di5/1 a frase t cl+s to ! *>act]izations ( 8 "w f ! ,anzeig5 to ,fiorillo4 ,b>ry is %[n to lack grace1 noble greatness & beauty4 ,8 di/ort$ figures bord] on c>icature & 8 =ms are ( giants1 colossi4 ,8 color+ is bad 9 spite ( 8 !oretical kn[lege & good draw+4 ,=/] sees ?ru ,angelika ,kaufmann & ,hamilton bett] ?an ,tieck did4 ,hamilton's pa9t+s are ,ma*w]k & 8 figures move 9 ,tanzs*ritt1 :ile ,angelika's are h]mafroditic 7page #eja74 ,die deuts*e ,muse ,angelika v]b>g die ,inkorrek!it und das ,e9]lei ihr] allzus*lank5 ,figur5 unt] dem ,s*lei] d] ,grazie und ,uns*uld 7page #dei74 ,= ,=/]1 ,%aksp]e is ! mo/ logical portray] ( nature t ev] exi/$2 he meets ! pa9t] halfway 9 8 "w by 8 excell5t *>act]ization ( ! sali5t features ( a p]sonage & s givs ! pa9t] %>ply def9$ subjects = 8 fantasy4 ,= ! arti/s ( ! ,briti% s*ool ?is is especially valuable because effect is _! highe/ aim & beauty only second>y4 ,extremes ( passion1 a/oni%m5t1 surprize are /rivn =4 ,sie has*t na* d] ,wahrheit d] ,natur 9 ihr5 grssli*5 ,aug5blick5 und erlaubt ihr] ,phantasie d5 v]weg55 ,flug1 ni*t 9 das s*ne ,fe5l& des ,ideals sond]n 9 die v]bot5e ,region d] ,gei/] und ,gesp5/]4 ,b :ile ! g5]al condemnation ( ,briti% arti/s %[s f> m p]spectiv ?an is f\nd 9 ,tieck1 ! acqua9tance ) ! details ( ,%aksp]e's plays is nev] drawn on to po9t out any defects 9 *oice ( subject matt]4 ,=/] c ref] to ! act$ plays f an exp]i5ce t 0 at ?is "t /ill d5i$ ,tieck1 b ?is exp]i5ce does n result 9 any well-def9$ !ory ( ,%aksp]e-illu/ration z a :ole & z we f\nd ,tieck to hav4 ,! melan*oly ,jacques 9 ! =e/ is a good sc5e = ,=/]1 :]eas ,tieck reject$ x z hav+ no /ructural relation to ! re/ ( ! play4 ,=/] f9ds x wor?y ( portrayal z "o ( ! mom5ts aris+ f ,%aksp]e's v>iety ( sc5e1 "* & condition ( life1 to say no?+ ( ! *ance to %[ ! lonesome melan*oly /ag by ! fam\s animal pa9t]1 ,gilp96 ,on ,reynolds' fam\s ,beau=d picture1 ,tieck & ,=/] are entirely at odds4 ,= ,tieck ! execution is t]rible1 ! *oice ( subject satisfactory4 ,= ,=/]1 ! *oice is inexcusable1 ! execution 9 "p ma/]ly2 a dy+ crim9al 9 8 la/ ?roes seems to ,=/] an utt]ly impossible subject = repres5tation4 ,s ) ,kirk's picture f ,titus ,adronicus3 9 spite ( ! attempt to meliorate ! impression ( ! but*]d ,lav9ia1 ! :ole picture rema9s = ,=/] a disgu/+ sight4 ,! conclusion is obvi\s3 ,=/]'s s5se ( delicacy rebeld at ! crass & brutal2 wildness & t]ror %ockt him4 ,b if ,tieck's article comp>es favorably ) ,=/]'s 9 all po9ts respect+ ! ,gall]y itself1 x mu/ be confe/ t ! political1 patriotic note1 ! application to ,g]many ( ! pr9ciples ( national bett]m5t 9 art :i* arose 9 ! m9d ( ,boydell1 escape him4 ,he 0 n1 ( c\rse1 l ,=/]1 a political writ]1 & revolution>y conditions _h no imm$iate int]e/ = him z = ! old] man4 ,& s 8 art criticism does n look =w>d to ,g]many z does ,=/]'s or z does t ( a propag&i/ l ,klei/ 9 8 ,ab5dbltt] article4 ,tieck does n rise above ! milieu2 ! ,gall]y (f]s no hold ) :i* to te/ contempor>y art 9 8 own l&4 ,x is only a beg9n+1 cle>sight$ 9 "p & 9 g5]al su/a9d1 an erne/ ( :at ! matur$ criticism ( ! ,romantic s*ool 0 lat] on to d4 ,,notes #a ,die ,kupf]/i*e na* d] ,%akspe>e-,gall]ie 9 ,london4 ,briefe an e95 ,freund4 #agic4 ,kritis*e ,s*rift51 vol4 ,i1 pages #c-cd4 ,kr4 ,s*4 #b ,= full title1 see bibliografy4 #c ,e4 g4 9 ! lett]s4 #d ,krit4 ,s*4 ,i1 #d4 ,jean ,paul1 ,titan1 ,i1 #db4 ,b]l91 #ahbg4 #e #agai-ahjd4 #f ,preface to ! ,prospectus & quot$ 9 ! preface to ! ,gall]y4 #g ,! facts on ! ,gall]y are pretty well scatt]d4 ,! /atem5ts 9 ,allibone are n all correct4 ,see ,graves1 ,new ,light on ,boydell's ,%akespe>e ,gall]y1 ,magaz9e ( ,art1 vol4 ,,xxi1 page #adc ff4 ,= "s details z to ! disposition ( ! pictures1 see ,notes & ,qu]ies1 s]ies #b1 vol4 ,,viii1 vol4 ,,ix1 #cac1 vol4 ,x1 #eb4 ,also ,pye1 ,patronage ( ,briti% ,art1 ,london1 #ahdh4 #h ,preface to critical works4 #i ,page #g4 #aj ,copy 9 ! ,columbia ,univ]sity ,libr>y4 #aa ,mr4 ,l4 ,l4 ,mackall k9dly furni%t me ) ?is in=mation4 #ab ,?is ,ms4 7#gi pp41 vellum1 qu>to7 conta9s ! signatures ( all ! subscrib]s or _! ag5ts4 ,romney1 ,w>r5 ,ha/+s1 ,w$gewood1 ! ,k+1 ! ,que5 & ! ,pr9ce ,reg5t besides a numb] ( ,engli% p]sons ( quality are repres5t$4 ,! poets are conspicu\sly want+4 ,! ,k+ ( ,engl& gave ! copy to ! ,univ]sity ,libr>y4 ,cp4 ,goett+] ,gelehrte ,anzeig5 7,g4 ,g4 ,a47 #agia1 page #agic2 #agic1 page #efa4 #ac ,at lea/ until aft] ! "t conc]n$ "h4 ,?is f ,w/5feld on ! contributor to ! ,anzeig5 furni%t by ,pr(essor ,wilk5s4 #ad ,! plates :i* come into consid]ation & ! ord] 9 :i* !y occur 9 ,tieck are z foll[3 ,love's ,labor ,lo/1 ,tieck1 page #i1 7#a7 ,,iv1 #a 7,g4 ,g4 ,a41 #agid1 page #aj72 7#b7 ,,iv1 #b1 small plates2 7#c7 ,v1 #b4 ,m]ry ,wives ( ,w9dsor1 ,tieck1 page #aj1 ,i1 #a 7,g4 ,g4 ,a41 #agid1 page #ifi72 page #ab1 ,,ii1 #a 7,g4 ,g4 ,a41 #agid1 page #ifi72 page #ac 7,g4 ,g4 ,a41 page #iei72 page #ac1 ,i1 #d2 ,,iv1 #a1 small plates 7,g4 ,g4 ,a41 #agid1 page #igj72 ,v1 #e4 ,twelf? ,night1 ,,ii1 #c 7,g4 ,g4 ,a41 #agid1 page #igj72 ,tieck1 page #ae4 ,a small plate4 ,two ,g5t4 ,v]ona1 ,tieck1 page #af1 ,la/ ,sc5e 7,g4 ,g4 ,a41 #agic1 page #ijc72 #ag1 ,,iv1 #c4 ,small plate4 ,z ,y ,l ,x1 ,tieck1 page #ag1 ,,ii1 #a 7,g4 ,g4 ,a41 #agic1 page #efa72 page #ag1 la/ sc5e 7,g4 ,g4 ,a41 #agic1 page #efa74 ,mu* ,ado ,ab\t ,no?+1 ,tieck1 page #ai1 ,,iii1 #a 7,g4 ,g4 ,a41 #agia1 page #agid72 ,,iv1 #a2 ,,iv1 #b4 ,w9t]'s ,tale1 ,tieck1 page #ba1 ,,ii1 #c 7,g4 ,g4 ,a41 #agid1 page #i72 ,,iv1 #c2 ,v1 #c2 page #bb1 two small plates 7,g4 ,g4 ,a41 #agid1 page #aj74 ,i ,h5ry ,,vi41 ,tieck1 page #bd1 ,,ii1 #e 7,g4 ,g4 ,a41 #agid1 page #igj74 ,,ii ,h5ry ,,vi41 ,tieck page #be1 ,,iii1 #c 7,g4 ,g4 ,a41 #agid1 page #aj74 ,ri*>d ,,iii41 ,tieck1 page #bg1 ,,iii1 #a 7,g4 ,g4 ,a41 #agia1 page #agid74 ,titus ,&ronicus1 ,tieck1 page #bh1 ,,iv1 #a 7,g4 ,g4 ,a41 #agid1 page #igj72 page #bi 7,g4 ,g4 ,a4 #agid1 page #igj74 ,romeo & ,juliet1 ,tieck1 page #cj1 ,i1 #e 7,g4 ,g4 ,a41 #agic1 page #efa72 ,,iv1 #e 7,g4 ,g4 ,a4 page #efa72 ,v1 #c 7,g4 ,g4 ,a41 #agic1 page #efb74 ,k+ ,le>1 ,tieck1 page #ca1 ,i1 #a 7,g4 ,g4 ,a41 #agic1 page #ijc-d72 page #cb1 ,,iii1 #d 7,g4 ,g4 ,a4 #agic1 page #ijd72 page #cc1 la/ sc5e 7,g4 ,g4 ,a41 #agic1 page #ijd72 page #cd 7,g4 ,g4 ,a41 #agic1 ,page #ijd74 ,tieck m5tions 9 all #ci plates2 ( ^! #bd are l>ge plates & ! re/ small ones4 ,9 only #f in/ances does ,tieck ent] into ev5 a slite criticism ( ! small plates4 ,9 "s cases1 8 rem>ks are s meag] t x is only by a comp>ison ) ! orig9al t we c tell :at plate he means4 #ae ,boydell's ,catalog1 page #bh ff4 ,x may be wor? :ile to m5tion 9 ?is connection t ! ,catalog has a numb] ( errors 9 ! li/ ( ^! supplem5t>y plates4 ,! pro( 0 r$ c>elessly & ! results are jumbl$4 ,only by a c>eful comp>ison ) ! orig9als 9 ! #ahjb edition1 = ! results ( :i* !re is no room "h1 c ?is be /raight5d out4 #af ,romantis*e ,s*ule1 page #eg-h4 #ag ,= possible influ5ce ( ,du ,bos1 cf4 ,tieck's doctr9 ( poetry z an imitativ art4 ,kr4 ,s*41 page #bd4 ,see ,h[>d1 ,publications ( ! ,mod4 ,lang4 ,assn41 vol4 ,,xxii1 page #d4 ,! lett]s to ,wack5rod] 9 ,holtei1 #cjj ,briefe1 etc4 #ah ,volbehr1 ,dessoir1 ,/ck]4 ,d4 ,l4 ,d4 #ai ,kr4 ,s*4 ,i1 #cba4 ,x is d\tful if ,tieck knew any ( ! ,hog>? ,%aksp]e plates4 ,! dates ( issu 7,dobson1 pp4 #caj1 #cdj ff47 are all lat] ?an ! writ+ ( ! ,boydell article4 ,= ,tieck & ,hog>?1 ,kpke1 ,i1 page #adh4 #bj ,( c\rse ! emfasis on color is entirely want+ 9 ! body ( ! "w4 ,tieck n[h]e 9 ! essay po9ts out h[ engrav+ c sugge/ color4 #ba ,lit]>y p>alels are at once app>5t4 ,s1 ,s*ill]'s ,prolog to ,wall5/e94 #bb ,s*rift51 vol4 ,x1 pages #cjb-c4 #bc ,weit5kampf1 #aee4 #bd ,"o or two actual errors ( fact hav crept into ! pap]4 ,kyd] = ,ryd] & ,nor?cate = ,nor?cote4 ,! latt] error & ,tieck's ,slatb>d may hav arisn1 z ,pr(essor ,wilk5s sugge/$ to me1 f ,tieck's notori\sly bad h&writ+ :i* 0 mis9t]pret$ by ! compositor4 ,at any rate1 ,tieck made no lat] ef=t to correct4 ,! ,rev4 be=e ,pet]s' "n misl$ bo? ,tieck & ,=/] into lay+ too mu* emfasis on 8 sac]dotal function4 ,! ,g4 ,g4 ,a4 calls him a dilettante4 #be ,walzel1 #bgi2 ,sulg]-,geb+1 #da1 #aed4 ,engel 7,angelika ,kaufmann1 #cf1 #cg1 #dc7 :ile n d5y+ h] pref]5ce = ?is dress1 is ( ! op9ion t x 0 n suit$ to h]4 ,im ,s*f]kleide1 d5 ,hirt5/ab 9 d] ,h&1 ,atlaspantffel*5 an d5 ,fss51 e9 bebnd]tes ,ht*5 auf d] gepud]t5 ,coiffure1 umgeb5 von e9em ,h(/aat s*ngei/ig] ,v]ehr] und ,v]ehr]9n51 s hatte sie unzweifelhaft e9e weit natrli*]e und t*tig]e ,figur gema*t als 9 d] ,ve/al9n5tra*t die sie--das ,breg5z]waldnymphle9--9 d] ,folgezeit zu bevorzug5 pflegte4 #bf ,biograf]s ( ,sir ,jo%ua g5]ally agree t 8 pictures 9 ?is s]ies1 ) ! possible exception ( ,puck1 are failures4 ,boydell paid #djj & #aejj gu9eas = ! two l>ge/ & ?is 0 consid]d by "s an exorbitant price4 #bg ,m9or's edition1 pages #bg1 #cj4 #bh ,!re is ! possibility ( a crude symbolism hav+ be5 int5d$ = ,%aksp]e's ,bl[1 w9ds1 etc4 #bi ,! ,we/ picture 0 v popul>4 ,cf4 ,teuts*e ,m]cur1 #agia1 pages #dde-f1 = a criticism ( ,b]g]'s engrav+ f x4 #cj ,see1 #cjj ,bfe4 page #gi4 #ca ,?is is a difficult po9t to decide4 ,! citiz5 class 0 limit$ by su* sumptu>y laws z is %[n by ! records1 b mo/ writ]s agree t ! violations 7 op5 & common4 #cb ,! figure ) ! helmet is unque/ionably t ( ,m>ius1 ! tribune4 ,he ent]s f ! /reet & is dre/ 9 /reet co/ume4 ,titus1 :o has be5 9 ! h\se1 we>s only a fillet ar\nd 8 h$4 ,9 ! play1 ,m>ius comm&s ! boy to /& ne> him = refuge1 b 9 ! picture ! mom5t j previ\s is *os51 :5 ! boy is /ill ne> 8 gr&fa!r4 ,=/] wrongly holds t ! helmet$ figure is ,titus4 #cc ,cf4 ,a4 ,w4 v4 ,s*legel 9 ,a!num1 #b1 #bab1 ,man k5nt ,reynolds ,ugol9o aus dem ,kupf]/i*e3 es i/ e9 alt] ,mann1 d] hung]t1 ab] es i/ ni*t ,ugol9o4 ,= 8 criticism ( ,boydell1 #b1 #aih4 #cd ,m>ie ,joa*imi-,dege has giv5 a v c>eful acc\nt ( ! erly ,romantic & ,/orm & ,/ress attitude t[>d ,%aksp]e4 ,h] book ne$s supplem5tation ?ru a /udy ( ! ,romantic ,%aksp]e criticism1 writt5 f ! ,engli% po9t ( view4 #ce ,9 8 ,academy disc\rses4 ,bohn ed41 vol4 ,i1 page #dfj ff4 ,reynolds po9ts out t ^? :o praise ! inv5tion ( ,timan!s 9 ! ,agamemnon picture hav n be5 pa9t]s b lit]>y m54 ,!y use x z an illu/ration ( _! own art4 ,he says1 ,i fe> t we h b v scanty means ( excit+ ^? p[]s ov] ! imag9ation :i* make s v consid]able & ref9$ a "p ( poetry4 7,cf4 ,boydell's preface47 ,x is a d\bt ) me if we %\ld ev5 make ! attempt4 ,! *ief1 if n ! only occasion :i* ! pa9t] has = ?is artifice1 is :5 ! subject is improp] to be m fully repres5t$1 ei!r = ! sake ( dec5cy1 or to avoid :at w\ld be disagreeable to be se52 & ?is is n to raise or increase ! passions1 :i* is ! reason giv5 = ?is practice1 b on ! contr>y to dim9i% _! effect4444 ,we _c 444 recomm5d an undet]m9ate mann] or vague ideas ( any k9d1 9 a complete or f9i%$ picture4 ,?is notion1 !re=e1 ( leav+ any?+ to ! imag9ation opposes a v fix$ & indisp5sible rule 9 our art1--t ev]y?+ %all be c>efully & di/9ctly expres/1 z if ! pa9t] knew1 ) correctness & precision1 ! exact =m & "* ( :atev] is introduc$ into ! picture4 ,?is 444 mu/ n be sacrific$ 444 = unc]ta9 & d\btful beauty :i*1 n naturally belong+ to our art1 w probably be s\ght = )\t success4 ,aft] prais+ ! artifis ( ,timan!s1 ,reynolds goes on to say1 ,suppose ?is me?od ( leav+ ! expression ( grief to ! imag9ation1 to be 444 ! inv5tion ( ! pa9t] & t x des]ves all ! praise t has be5 giv5 to x1 x is /ill a trick t w s]ve only once2 :oev] does x a second "t1 w n only want novelty1 b w be ju/ly suspect$ ( us+ artifice to evade difficulties4 ,if difficulties ov]come make a great "p ( ! m]it ( ,art1 difficulties evad$ c des]ve b little comm5dation4 ,among ! names ( ^? :o discuss ! trick ,less+'s is1 ( c\rse1 want+4 ,gilray's satirical plate on ,boydell %\ld be comp>$ = ?is & o!r po9ts4 ,copy 9 ,n4 ,y4 ,public ,libr>y4 #cf ,9 ?is connection1 ! lett]s m5tion ,engel's ,mimik7#aghe74 #cg ,"s ( ! latt] pictures by ,smirke are v f9e2 e4 g41 ! face ( ,jessica :i* ju/ifies ! /atem5t ( ! ,dict4 ,nat4 ,biog4 t ,smirke _h good draw+1 ref9em5t1 quiet humor4 ,bryan has a cool] comm5t3 ,smirke 0 well spok5 ( 9 ! com$y ve94 ,tieck likes him bett] 9 trag$y 7page #cd74 ,fiorillo's comm5t is ,seit ,hog>?s ,zeit5 hat ke9 ,kn/l] s viel ,*>akt] od] s viel ,ausdruck 9 se9e ,figur5 gebra*t1 no* e9e ,sc5e mit s viel e*t] ,laune be>beitet4 #ch ,to me ! ,tieck-,s*legel translation ( ?is sc5e misses all ! be/ po9ts ( ! orig9al4 ,to be sure1 ,tieck _h no?+ to d ) its translation4 7,fries51 ,i1 #acf2 ,sybel1 ,,iii1 #dfc ff74 ,x 0 n t ,tieck 0 n int]e/$ 9 puns1 al?o ! ,dr4 ,cajus sc5e seems un9t]e/+ to him on t acc\nt4 ,tieck himself made a good _m puns4 ,cf4 ,viehsiognomie1 ! fir/ l9es ( 8 sonnet on ! sonnet & ! geme9 f ! ,allgeme9e deuts*e ,biblio!k 9 ,das jng/e ,g]i*t4 ,8 s5s+ ( ,engli% puns seems n to hav be5 s ke54 ,s 9 a discussion ( ,mss4 read+s t[>d ! end ( ! essay on ! erly ,engli% ,!at] 7,kr4 ,s*4 ,i1 #cbj7 aft] call+ "o faulty read+ ,uns9n he cont9ues1 ,9 d]selb5 ,r$e3 ,if y c con/rue b y\r doctor's bill ,p>se y\r wife's wait+ woman1 etc4 ,p>se8 ,0 kann das b$eut58 ,pi]ce i/ dem aufm]ksam5 ,auge les]li* g5ug4 ,tieck seems to hav mi/ ! play on ! grammatical idea4 ,to be sure1 ,i hav n se5 ! ,ms41 b ,tieck 0 no v c>eful read] or copyi/4 #ci ,?is is a sc5e :]e ,tieck saw bo? ,l4 & ,s4 ,!re 7 two diff]5t pa9t+s ( ! same subject1 "o ) few] figures1 & ,tieck rightly po9ts out t ! less cr[d$ "o is ! bett]4 ,"o ( ! engrav+s is by ,w4 ,blake & is n giv5 9 any li/ ( t arti/'s "w4 ,mr4 ,w4 ,g4 ,rob]tson1 ! mo/ rec5t biograf] ( ,blake in=ms me 9 a lett] t he does n "k x4 ,a ,,p>tial ,,bibliography ,a!num4 ,e9e ,zeits*rift von ,a4 ,w4 ,s*legel und ,fri$]i* ,s*legel1 ,zweit] ,b&4 ,b]l91 #agii4 ,boydell1 ,john4 ,catalogue ( ! 444 ,%akspe>e ,gall]y1 ,london1 #aghi4 ,! fir/ edition ( ! catalog givs ! pa9t]s' names only3 subsequ5t editions add ! names ( ! engrav]s4 ,!re are copies ( ! v>i\s editions 9 ! ,columbia1 ,h>v>d & ,new ,york ,public ,libr>ies4 ,a ,catalogue ( ,pr9ts 444 compris+ ! /ock ( ,j4 & ,j4 ,boydell1 ,london1 #ahjh4 ,copy 9 ,n4 ,y4 ,public ,libr>y4 ,a ,collection ( pr9ts f pictures pa9t$ = ! purpose ( illu/rat+ ! dramatic works ( ,%akespe>e1 by ! arti/s ( ,great ,brita94 ,london 444 #ahjc1 #b vols4 9 "o1 atlas folio4 ,!re are _m copies 9 ! ,u4 ,s4 & !re is also an ,am]ican repr9t ) lett]press explanatory ( ! plates4 ,dessoir1 ,m4 ,k4 ,p4 ,moritz als ,ae/hetik]4 ,dobson1 ,au/94 ,william ,hog>?1 ,new ,york & ,london1 #aijg4 ,engel1 ,j4 ,j4 ,ide5 zu e9] ,mimik1 #ahdh4 ,engel4 ,angelika ,kaufmann1 #aijc4 ,fiorillo1 ,j4 ,d4 ,ges*i*te d] zei*n5d5 ,kn/e1 etc4 ,bd4 ,v4 ,ges*i*te d] ,mal]ei 9 ,grossbrittani54 ,gtt+51 #ahjh4 ,=/]1 ,georg4 ,smmtli*e ,s*rift51 ,,iii4 ,leipzig1 #ahdc4 ,friess51 ,h4 von4 ,ludwig ,tieck4 ,er9n]ung5 e9es alt5 ,freundes4 ,wi51 #ahgb4 ,gtt+54 ,anzeig5 fr ,gelehrte ,sa*51 etc4 ,! volumes f #agia to #ahjc 7 us$4 ,haym1 ,r4 ,die romantis*e ,s*ule1 #ahgj4 ,holtei1 ,k4 ,drei hund]t ,briefe aus zwei ,jahrhund]t51 ,hannov]1 #ahgb4 ,joa*imi-,dege1 ,m4 ,deuts*e ,%akspe>e-,probleme im ,,xviii4 ,jahrhund]t und im ,zeitalt] d] ,romantik4 ,leipzig1 #aijg4 ,kpke1 ,r4 ,ludwig ,tieck1 ,leipzig1 #ahee4 ,m9or1 ,j4 ,fri$ri* ,s*legel4 ,se9e prosais*5 ,jug5ds*rift51 ,wi5 #aijf4 ,tieck und ,wack5rod]4 ,krs*n]s ,d4 ,n4 ,l4 ,bd4 #ade4 ,moritz1 ,k4 ,p4 ,ueb] die na*ahm5de ,bildung des ,s*n54 ,9 ,d4 ,l4 ,d4 ,reynolds1 ,j4 ,academy ,disc\rses4 ,bohn ,edition1 ,london1 #ahdf4 ,%aksp]e1 ,w4 ,! ,dramatic ,works ( ,william ,%akspe>e1 ,london1 #ahjb4 ,?is is ! ,/eev5s edition 9 n9e volumes4 ,copy 9 ,new ,york ,public ,libr>y4 ,spoon]1 ,%e>ja%ub4 ,prospectus = publi%+ an ,am]ican edition ( ,boydell's illu/rations ( ,%akespe>e1 ,n4 ,y41 #ahdh4 ,sulg]-,geb+4 ,die ,brd] ,a4 ,w4 und ,f4 ,s*legel und die bild5de ,kun/1 #ahig4 ,sybel4 ,er9n]ung5 an ,f4 von ,ue*tritz4 ,leipzig1 #ahhd4 ,volbehr4 ,goe! und die bild5de ,kun/1 #ahig4 ,walzel1 ,o4 ,f4 ,fri$ri* ,s*legel's ,briefe an se95 ,brud] ,augu/ ,wilhelm4 ,b]l91 #ahij4 ,wiet5kampf1 ,f4 ,h[ to appreciate pr9ts4 ,new ,york1 #aijh4 ,zelak4 ,tieck und ,%aksp]e4 ,t>nopol1 #aijj4 99 99 99 99 99 ,transcrib]'s ,notes ,!re is mu* idiosyncratic spell+ 9 bo? ,engli% & ,g]man4 ,?is has be5 reta9$1 ap>t f ! foll[+ f\r typos3 page #ae sehn am5d$ to sehr2 page #cj obobs]v] am5d$ to obs]v]2 page #dj int he am5d$ to 9 !2 page #ed ,grossbittani5 am5d$ to ,grossbrittani54 ,on page #cb1 ! typo e/ giebt has be5 left un*ang$3 x c\ld be ei!r es giebt or er/ giebt 7m likely74 ,also on p4 #cb zu grob i/ %\ld probably be zu gro i/1 b has be5 left un*ang$1 z ! lett] does n appe> else:]e 9 ! text4 ,?ree obvi\s errors 9 punctuation h also be5 am5d$1 z foll[s3 page #ab page #bh4 am5d$ to page #bh32 page #cd d>/ell5 w4 am5d$ to d>/ell5 w12 page #da ,tanzs*ritt1 am5d$ to ,tanzs*ritt2 page #dd ,g4 ,g4 ,a44 am5d$ to ,g4 ,g4 ,a414 page #dh 9 9 ,das am5d$ to 9 ,das4 ,an*ors = footnootes #ca & #cf are miss+4 ,!y h be5 ins]t$ 9 ! mo/ likely locations4