f ! ,google ,pr9t project47 ,illu/ration3 image ( ,millie ,ryan ,:at ,e ,s+] ,%\ld ,"k ,illu/ration3 music-h>p ,publi%$ by ,,frankl9 ,,publi%+ ,,co4 ,,omaha1 ,,nebr4 ,copyright$ #aiaj by ,,millie ,,ryan ,,d$ication4 ,i ,,lov+ly ,,d$icate ,,?is ,,book ,,to ,,my ,,son1 ,,edw>d ,,ryan1 ,,jr4 ,,table ,,( ,,cont5ts4 ,is x ,wor? ,my ,:ile to ,h ,my ,voice ,cultivat$ #a ,c ,i ,become a ,gr& ,op]a ,s+]8 #h ,at ,:at ,age ,%all ,i ,take ,up ! ,/udy ( ,voice ,culture8 #ab ,s++ ,lessons z a ,heal? ,culture #bc ,advice to ,p>5ts #be ,is x ,necess>y to g ,abroad to ,/udy8 #bh ,*orus ,s++ #cd ,/age ,fright #cf ,! ,accompani/ #db ,select+ a ,tea*] #de ,art = ,art's ,sake #eb ,educat+ ! ,masses #eg ,h9ts & ,helps #fd ,:at & ,h[ to ,practice #gc ,! ,brea? #hc ,a ,few ,practical ,ex]cises & ,illu/rations #hh ,,introduction4 ,?is book is n = ! purpose ( in/ruction 9 s++1 z s++ is an art :i* _c be taught f book or correspond5ce4 ,nei!r is x a te*nical treatise on ! voice1 b in/ead ,i aim ?r\gh ! m$ium ( my book to h a he>t-to-he>t talk ) ! beg9n]1 & ) ^? :o contemplate ! /udy ( voice culture4 ,books ab\nd+ 9 te*nical t]ms are valueless to a beg9n]1 & ! f9i%$ arti/ does n ne$ su* a book4 ,!re are _m valuable books publi%$1 b v few :i* are writt5 9 a mann] simple en\gh = ! beg9n] to grasp4 ,i wi% to give all ! valuable h9ts & helps t x has tak5 ye>s ( exp]i5ce to ga!r1 cov]+ all ! que/ions t are absolutely necess>y to "k1 mak+ x brief1 simple & und]/&able4 ,illu/ration3 ,,madame ,,lillian ,,nordica ,:o is c>ry+ out h] plans ( e/abli%+ a cons]vatory ( music & fe/ival h\se = op]atic p]=mances1 at ,neal1 ,n4,j4 ,mme4 ,nordica says3 ,i am confid5t t !re is a cry+ ne$ 9 ?is c\ntry = ?is sort ( musical e/abli%m5t4 ,pres5t conditions make x impossible to enable ! public to enjoy op]a 9 ,engli% or to he> ! s++ ( t great ho/ ( tal5t$ ,am]icans :o are =c$ to address _! ef=ts to ,european audi5ces4 ,,is ,,x ,,wor? ,,my ,,:ile ,,to ,,h ,,my ,,voice ,,cultivat$8 ,! fir/ "q :i* arises ) all ^? :o possess an av]age s++ voice is1 ,w x pay me to /udy voice culture8 ,! answ] may be f\nd 9 ! foll[+3 ,if y possess a good voice1 d n hesitate a mom5t to cultivate x1 reg>d+ x z ! mo/ beautiful gift grant$ y by ,heav54--,s*umann4 ,b1 says ! applicant1 ,i mu/ make my own liv+4 ,h ,i en\gh mat]ial to cultivate & be able to realize returns8 ,?is dep5ds entirely on y\rself & :at y\r ambitions are4 ,!re is a great field 9 music1 & if y h e>1 voice1 & tal5t1 ,,/udy4 ,&1 if 9 addition to ^! y h ambition1 det]m9ation & application1 y are sure ( success4 ,:at y\r field ( op]ation w be1 :e!r *ur*1 conc]t or op]a1 "t w decide4 ,! p[] to w9 is y\rs--det]m9e to succe$ & y _c fail4 ,9 ord] to make a success ( any?+1 y mu/ give x y\r undivid$ att5tion1 & :ile do+ s1 y\r aim mu/ be fix$ con/antly on ! goal :i* y desire to atta94 ,rome 0 n built 9 "o day1 nei!r c ! elem5t>y tra9+ ( a voice be accompli%$ 9 a ye>4 ,if y are 9 good heal?1 y mu/ nev] all[ ! w>m days ( summ] to be an ob/acle to y\r practice4 ,c y imag9e ! successful bank]1 ris+ "y doctor1 lawy] or actor /opp+ _! "w because ( a w>m day8 ,!re may be "s :o d1 b !y are n ! ones :o are successful4 ,:5 y he> a great s+]1 ?9k ( ! ob/acles %e mu/ h ov]come 9 rea*+ h] position ( excell5ce4 ,nev] d\bt y\rself or y\r ability1 b say t :at det]m9ation & application h done = o!rs c be done = me4 ,y mu/ h confid5ce 9 y\rself if y want o!rs to h confid5ce 9 y4 ,nev] lose y\r temp]4 ,adel9e ,patti 0 ask$ h[ %e pres]v$ h] *>m long aft] ! spr+time ( y\? des]ts ! av]age woman4 ,%e repli$1 ,i keep my temp]4 ,don't expect to grasp1 assimilate & put into practice 9 "o lesson :at x has tak5 ye>s = y\r tea*] to accompli%4 ,i rememb] "o pupil :o said h] purse w\ld n all[ any?+ bett] ?an a hall room 9 ,new ,york = a :ole w9t]'s /udy1 & t %e really _h no *ance to practice1 z h] room 0 too small4 ,?is 0 a v poor excuse1 z t 0 m]ely "o ob/acle to be ov]come4 ,! arti/s :o h rea*$ ! top are ^? :o h _h innum]able ob/acles to ov]come4 ,9 ,switz]l&1 ov] a little b>b] %op1 9 a room s small t !re 0 n room = two *airs 9 addition to ! piano1 ,madame ,nordica1 ) ,madame ,cosima ,wagn]1 & a coa*]1 practic$ daily4 ,! foll[+ w9t] %e won "o ( ! successes ( h] c>e]1 z ,isolde4 ,to rea* ! top 9 ! pr(ession1 y mu/ h m ?an voice & application1 = a s+] may h ! greate/ ( te*nique1 yet lack s\l & intellig5ce4 ,! latt] two y mu/ possess1 z ^! ! tea*] is unable to give y4 ,! beg9n]1 9 s++1 ne$s a model to imitate1 j z mu* z ! pa9t] or sculptor4 ,ev]y?+ is imitation until y develop 9 y\r "w2 y\r individuality w ass]t itself z y become pr(ici5t4 ,d n all[ anyone to fright5 y by tell+ y nev] imitate or y w simply be a p>rot4 ,only ! v poor tea*] :o kn[s h] own weakness z a model w\ld make su* an ass]tion4 ,if ! beg9n] is =tunate en\gh to secure a tea*] :o c demon/rate a p]fect tone1 d n be afraid to imitate4 ,9 ord] to fully int]pret ! emotions x is necess>y to h k outside ( ! s++ lesson4 ,x is = ?is reason t s+]s seldom rea* ! /age ( arti/ until !y are pretty well advanc$ 9 ye>s4 ,x is n h[ _m lessons y take1 b ! gradual developm5t1 :i* y atta9 ?r\gh exp]i5ce4 ,y mu/ feel ! he>tbeats ( o!rs1 mu/ "k intimately joy1 pa9 & sorr[ 9 ord] to fully express ^! emotions4 ,!re is no rule ( "r & wrong 9 ! int]pretation ( a song1 x be+ simply a matt] ( op9ion4 ,t is :]e ! individuality ass]ts itself4 ,i rememb] tak+ ! old w>horse1 ,una ,voce ,poco ,fa1 f ,il ,b>bi]e 7,ross9i7 to ?ree ( ! greate/ liv+ s++ ma/]s 9 ,italy4 ,ea* "o int]pret$ ! aria a little diff]5tly1 & ,i am positive ea* ?\ght he 0 ! ne>e/ to ! compos]'s idea4 ,:i* "o 0 correct8 ,:5 y s+ y are deliv]+ a message1 & y mu/ make y\r audi5ce und]/& & feel x1 z x is our 'feel+s' above all t are imm$iately affect$ by music4--,von ,web]4 ,d n be too anxi\s to realize f9ancially4 ,consid] t ,wagn]'s sal>y z *oir-ma/] 9 ! city ( ,w>saw 0 less ?an #ab4jj a mon?4 ,! great drawback to _m ( ! /ud5ts 9 ,am]ica is ! desire to "w on ! surface only--!y don't seem will+ to />t at ! beg9n+ & "w _! way up4 ,! matt] ( /udy+ voice culture = a ye> does n make x possible = ! s+] to /ep be=e an audi5ce & atta9 imm$iate success )\t o!r prep>ation4 ,x takes m ?an ! /udio to make a />4 ,no arti/ ev] began z a ma/]4 ,9 addition to be+ a s+]1 y mu/ possess tal5t1 "* & ! ability to manage4 ,if !re is "o ( ^! qualities lack+1 y mu/ rema9 only an arti/4 ,x takes all ?ree 9 accord to produce a ,,/>4 ,,c ,i ,,become ,a ,,gr& ,,op]a ,,s+]8 ,! av]age tea*]1 9 fact1 mo/ tea*]s1 w say1 ,yes1 if y /udy1 b ?is is n true1 z y h only ab\t "o *ance 9 a ?\s&4 ,h y any idea ( ! requirem5ts necess>y 9 ord] to become a /> ( ! ,metropolitan ,op]a ,company8 ,y mu/ h a f9e voice1 a big voice1 a voice ( great p[] & endurance1 f9e enunciation1 cle> & correct pronunciation1 k ( ! mod]n languages1 h at lea/ tw5ty-five op]as committ$ to memory1 f9e dramatic ability1 good physique1 size1 p]sonality & pull4 ,& y mu/ also be on ! o!r side ( ! ocean to accept ! engagem5t2 & !n1 y\r acceptance by a director to /> is ab\t z difficult z an audi5ce ) a k+4 ,illu/ration3 ,,alb]t ,,mild5b]g ,! well kn[n compos] :o has enaug]at$ a plan to e/abli% ,municipal ,gr& ,op]a 9 ,new ,york ,city4 ,mr4 ,mild5b]g's exp]i5ce z conductor 9 ! ,municipal ,op]a ,h\ses 9 ,france & ,italy has fitt$ him well = ?is laudable und]tak+ :i* w pave ! way = ! tra9+ & plac+ ( _m tal5t$ pupils 9 ?is c\ntry1 :o h h]et(ore be5 compell$ to g abroad 9 ord] to secure positions on ! ,gr& ,op]a ,/age4 ,!re is no reason :y a p]son ) voice & tal5t :o has to make 8 own liv+1 c\ld n d s aft] sev]al ye>s ( /udy4 ,i h ov] "o hundr$ pupils :o are mak+ a good liv+ by s++1 & z _m m hold+ *ur* positions pay+ !m en\gh to enable !m to cont9ue _! /udies4 ,%[ me a pupil :o has to make 8 own liv+1 & :o has /udi$ ) "o tea*] = eight or n9e ye>s & is n mak+ 8 liv+ by s++1 & y are %[+ me "o :o nev] w4 ,!re is1 ( c\rse1 no end to ! /udy ( voice culture4 ,i h /udi$ m or less = ov] tw5ty ye>s & am /ill /udy+1 b if y h to make y\r own liv+1 secure :atev] position may be op5 to y4 ,! *ur* or conc]t position is equally valuable z ! op]a4 ,9 ,europe1 :]e y he> gr& op]a all ! ye> ar\nd1 x becomes a second nature1 b "h 9 our we/]n cities1 until rec5tly1 gr& op]a 0 almo/ unkn[n2 two or ?ree p]=mances a ye> 0 ab\t all we c\ld hope =4 ,?is 0 n en\gh to ?or\ghly acqua9t ! p ) ! op]as1 & n en\gh to create a dem&4 ,9 a we/]n city ( #bjj1jjj inhabitants :]e five ye>s ago x 0 impossible to draw an audi5ce ( a hundr$ p]sons unless h]ald$ by spectacul> adv]tis+1 ,i _h ! pleasure ( witness+ ?is ye> ,/&+ ,room ,only dur+ ! p]=mance ( ! de> old op]as1 ,il ,trovatore1 ,fau/ & ,c>m54 ,! op]as t ! p h become acqua9t$ ) ?r\gh ! phonographs1 ! or*e/ras & ! gr& op]a /udy clubs1 organiz$ by ! m up-to-date tea*]s4 ,mr4 ,alb]t ,mild5b]g is tak+ up a mo/ comm5dable "w1 t ( e/abli%+ ! municipal gr& op]a 9 ,new ,york ,city2 he w ev5tually succe$1 &1 ) ,h]r ,&reas ,dippel organiz+ p]man5t gr& op]a 9 ! l>g] cities we/ ( ,new ,york1 x w n be long be=e ! gr& op]a positions w be pl5tiful4 ,)9 ! next ye>1 ?r\gh ! ef=ts ( ,victor ,maurel1 ! gr& op]a sung 9 ,engli% w also ga9 gr\nd1 & divide honors ) ! ,fr5*1 ,g]man & ,italian1 giv+ ^? :o h n /udi$ ! =eign languages1 b :o are o!rwise prep>$1 a *ance = positions on ! gr& op]a /age4 ,"s cranks insi/ t ! days ( ! old ,italian op]a1 ) its arias & glori\s coloratura "w1 are pass+ 9 ord] to give place = ! new music drama4 ,?is is n correct1 & w n be possible z long z !re are excell5t s+]s :o c s+ ^! op]as4 ,we h room = bo? ! gr& op]a & ! music drama4 ,to be an arti/ is ! aim ! /ud5t has 9 view1 & /udy is ! means to t end4 ,,at ,,:at ,,age ,,%all ,i ,,take ,,up ,,! ,,/udy ,,( ,,voice ,,culture8 ,mrs4 ,l4 & h] #ae-ye>-old daught] call$ at my /udio4 ,! "m expla9$ t h] little girl _h be5 lead+ ! s++ 9 s*ool ev] s9ce %e 0 elev5 ye>s old1 b t h] voice 0 n z good z x us$ to be1 & t %e w\ld l to h h] /udy1 b ?\ght %e 0 too "y4 ,i tri$ ! girl's voice & f\nd two regi/]s us$ s diff]5tly t a p]son sitt+ 9 ! next room w\ld ?9k !y 7 li/5+ to two p]sons s++4 ,%e _h a t]rible break betwe5 ! *e/ & head tones1 & = f\r ye>s _h be5 develop+ 9 ?is bad way ( s++4 ,n[1 ?is *ild %\ld ei!r h tak5 up voice culture at elev5 ye>s ( age or n lead ! s++ 9 s*ool4 ,*ildr51 ) v few exceptions1 9 go+ f *e/ to head tones1 w s+ ) ! ?roat1 n und]/&+ h[ to make ! *ange1 or r h[ to place ! tone2 9 ?is way produc+ a break1 :i* lat] 9 life1 :5 !y take up voice culture1 w cause endless1 & 9 "s cases1 p]man5t tr\ble4 ,i "k ( _m *ildr5 :o s+ at ent]ta9m5ts1 s*ool1 *ur*1 etc41 & y w he> _! p>5ts say1 ,sc>cely a week passes t my daught] does n s+ at "s ent]ta9m5t4 ,if %e 7 a little old]1 we w\ld h h] take up voice culture4 ,n[1 if y\r daught] is old en\gh to s+ at ent]ta9m5ts1 %e is old en\gh to /udy4 ,ei!r d n let h] s+1 or put h] "u ! c>e ( a good tea*]4 ,h[ %all ,i "k if %e is "u prop] in/ruction8 ,a good tea*] w1 fir/ ( all1 n all[ h] to s+ at ! top ( h] voice1 :i* all *ildr5 seem to delight 9 do+4 ,a good tea*] w n develop on ! extreme high or extreme l[ tones4 ,a good tea*] w ev5 up ! m$ium regi/]1 tea* h] h[ to use ! brea? on ! tone1 h[ to place ! tone1 ov]com+ all seem+ *ange f *e/ to head1 w give h] p]fect pronunciation & enunciation4 ,?is c be done at any age f elev5 ye>s1 dep5d+ on ! individual4 ,a girl :o has good e>1 & :o does n lead ! s++ 9 s*ool at elev5 & s+ at ent]ta9m5ts1 c beg9 at sixte5 or sev5te5 & develop into a v f9e s+]4 ,%\ld my son take up voice culture be=e 8 voice has *ang$8 ,?is case is j ! same z ) ! girl1 if he s+s4 ,9 fact1 ,i h f\nd 9 my tw5ty ye>s' exp]i5ce z s+] & tea*] t ! boy :o /udies voice culture be=e 8 voice *anges has an easy road to travel aft] 8 voice has *ang$4 ,_m boys' voices h n f9i%$ *ang+ until !y are eighte5 or n9ete5 ye>s ( age4 ,! boy :o /udi$ be=e 8 voice began *ang+ und]/&s ! brea? control1 ! plac+ ( ! tone1 & ! pronunciation & enunciation4 ,^! f\r fundam5tals are absolutely necess>y 9 ord] to s+ well2 & :e!r 8 voice1 aft] ! *ange1 develops into t5or or bass1 ^! fundam5tals rema9 ! same1 & enable him to cont9ue1 in/ead ( m]ely beg94 ,! boy1 :o has /udi$1 or is "u a good in/ructor1 w "k :5 to /op s++4 ,i h kn[n _m boys ) promis+ voices1 :o h ru9$ !m entirely by s++ or try+ to s+ dur+ ! *ange4 ,b !y 7 n boys :o 7 "u in/ruction1 or !y w\ld h kn[n bett]4 ,i d n claim t x is necess>y to beg9 ! /udy ( voice culture z a *ild1 z ?is is entirely a matt] ( ! individual1 b ,i d claim t y c c\nt on "o h& ! s+]s :o h rea*$ di/9ction & ^: voices h la/$ any l5g? ( "t1 :o />t$ _! s++ lessons aft] !y 7 out ( _! te5s4 ,i h pupils :o are mak+ a good liv+ z *ur* soloi/s & on ! conc]t /age1 :o comm5c$ _! /udy aft] !y 7 tw5ty ye>s old1 b !y are ! exception1 & n ! rule4 ,i ?9k a woman has ! greate/ success 9 tea*+ *ildr54 ,?is may be p>tly due to h] mat]nal in/9cts4 ,h] illu/rations & demon/rations are m simple ?an a man's4 ,h] pati5ce ) *ildr5 also fits h] wond]fully well to tea* ! *ild4 ,y c accompli% no?+ ) ! voice ?r\gh fe>4 ,if ! "y boy or girl loves ! "w1 looks =w>d to ! lessons1 !y _c fail 9 :atev] !y und]take4 ,to satisfy ^? :o disagree ) me 9 reg>d to ! value ( e>ly /udy1 ,i w\ld ask !m to read ! lives ( ! great s+]s1 & !y w f9d t ) v few exceptions !y took up ! /udy ( voice culture be=e & dur+ _! e>ly te5s4 ,space =bids me to give a complete li/4 ,h[ev]1 = ! b5efit ( ^? :o h no access to ! biographies ( ! s+]s1 ,i w select ! names t ,i am sure y are famili> )1 beg9n+ at #agdj1 & d[n to ! pres5t "t3 ,malibran1 "o ( ! _w's mo/ fam\s s+]s1 at ! age ( sev5 0 /udy+ ,solfeggio ) ,pans]on at ,naples1 ,italy1 & made h] debut 9 gr& op]a 9 h] fifte5? ye>4 ,pes>oni made h] gr& op]a debut at sixte51 & tw5ty-five ye>s lat] we f9d h] /ill "o ( ! lead+ gr& op]a s+]s4 ,t]esa ,titj5s made h] debut 9 gr& op]a at ! age ( fifte54 ,paul9e ,lucca 0 s++ at ?irte51 & made h] debut at ! age ( sixte54 ,kellog made h] debut z ,gilda 9 ,rigoletto at ! age ( eighte54 ,m9nie ,hauk took up voice /udy at ! age ( twelve1 & 0 s++ 9 gr& op]a dur+ h] sev5te5? ye>4 ,*ri/9e ,nilson1 z a *ild1 sang on ! /reets1 0 plac$ "u an in/ructor1 & six mon?s lat] sang at ,c\rt4 ,alb9i1 dur+ h] tw5ty-second ye>1 0 engag$ by ! ,royal ,italian ,gr& ,op]a at ,cov5t ,g>d51 to s+ ! lead+ roles ( ! gr& op]a4 ,scal*i /udi$ :ile a m]e *ild1 & made h] gr& op]a debut at ! age ( sixte54 ,melba made h] debut 9 gr& op]a :5 %e 0 tw5ty-two ye>s ( age4 ,nevada sang 9 public at ! age ( six1 & has be5 s++ ev] s9ce4 ,patti made a ?ree-ye> conc]t t\r "u ! direction ( ,/rako%1 betwe5 ! ages ( eight & elev51 & made h] gr& op]a debut at n9ete54 ,nordica made h] debut at fifte51 & is /ill "o ( ! greate/ & lovelie/ ( our s+]s4 ,sembri* sang solos 9 *ur* :5 %e c\ld sc>cely see ov] ! rail+1 & 0 9 gr& op]a at ! age ( tw5ty4 ,y may h d\bts z to ! art ( s++ ( ^? :om y h read ab\t1 b ,i am sure y h he>d at lea/ ,scal*i1 ,melba1 ,patti1 ,nordica & ,sembri*1 & y c h no d\bt z to _! be+ class$ bo? z s+]s & arti/s4 ,x is ne$less to say t ^! p mu/ h /udi$ ^! op]as 9 ord] to s+ !m1 & :5 y take into consid]ation t !y 7 n music dramas t require really m pr(ici5cy 9 act+ ?an 9 s++1 b ! ,italian op]as1 requir+ mo/ p]fect coloratura "w1 & ! ,wagn] op]as1 dem&+ heavy dramatic s++1 ,i ?9k y mu/ be conv9c$ t if e>ly /udy 7 injuri\s to ! voice1 ^! great song/]s w\ld n be liv+ examples ( my ass]tion4 ,someone w say1 ,?is may be ! case ) wom51 b :at ( ! m58 ,we f9d ! great ,g]man t5or1 ,alb]t ,nieman1 s++ ! gr& op]a roles at eighte54 ,he9ri* ,vogl1 /yl$ ! ,int]pret] ( ,wagn]1 sang ^! op]a roles at ! age ( tw5ty4 ,italo ,campan9i 0 s++ 9 gr& op]a at tw5ty-"o4 ,guilliam ,ibos1 ! gr& ,fr5* t5or1 & ,van ,dyck1 7 bo? s++ ! gr& op]a roles at ! age ( tw5ty-two4 ,jean de ,reszke 0 soloi/ at ! ca!dral at ,w>saw at ! age ( twelve1 & 0 s++ 9 gr& op]a at tw5ty-two4 ,i am sure _m ( y h he>d him s+ aft] 8 =ty-fif? ye>1 & w n d5y t he is bo? s+] & arti/4 ,!n ,i he> someone say1 ,p]haps _! voices did n *ange1 z !y 7 t5ors4 ,!re is "s *ange at maturity 9 all voices4 ,v well1 :at ab\t ,victor ,maurel8 ,he 0 s++ ! gr& op]a roles at tw5ty-"o4 ,jean ,bapti/e ,faure took up ! /udy ( ! voice at ?irte51 & at tw5ty-two creat$ ! "p ( ,mephi/opheles 9 ,fau/4 ,^! m5 & wom51 ^: names /& out z brilliant />s 9 ! firmam5t ( music1 /udi$ & sang be=e & 9 _! e>ly te5s1 & ^! are ! voices t h be5 ev]la/+4 ,)9 ! pa/ six or eight ye>s "s beautiful s+]s h appe>$ 9 ! gr& op]a--"o t5or :o claims to h /udi$ less ?an six mon?s be=e he appe>$ 9 gr& op]a1 & a soprano1 mak+ ! same claim1 & ?is /udy is suppos$ to h tak5 place aft] !y 7 out ( _! te5s4 ,x w be ( int]e/ to wait & wat* ^! voices to see if !y w )/& ! we> ( tw5ty-five ye>s' s]vice1 & /ill be beautiful1 or l ! fire-fly1 radiate _! beautiful light b = a mom5t & !n disappe>4 ,,s++ ,,lessons ,,z ,a ,,heal? ,,culture4 ,i %\ld l to take up ! /udy ( voice culture1 b am n v /rong4 ,t is ! v reason y %\ld take up s++4 ,i h se5 anmic girls take up ! /udy ( voice culture1 & at ! end ( "o ye>'s /udy develop p]fect brea?+1 a f9e full *e/1 rosy lips1 w>m h&s1 an elegant dige/ion1 & a good disposition4 ,!re is no tonic = ! n]ves equal to voice culture4 ,at "o ( ! l>ge sanit>iums :]e eight hundr$ & five pati5ts 7 suff]+ f tub]culosis1 !re 0 b "o :o _h be5 a s+]4 ,! nasal brea?+ prev5ts ad5oids f develop+4 ,! deep respiration oxyg5ates ! blood & gives u p[] to resi/ diseases4 ,we /& & walk bett]4 ,we d]ive unusual pleasure = ourselves1 ) ! p[] to ent]ta9 o!rs4 ,z ! /udy is unlimit$1 our int]e/ _c fail to increase ) ea* ye>4 ,x fills our lives z no?+ else c d4 ,?\gh ev]y?+ else may appe> %all[ & repulsive1 ev5 ! smalle/ task 9 music is s absorb+ & c>ries u s f> away f t[n1 c\ntry & e>?1 & all e>?ly ?+s t x is truly a bless$ gift ( ,god4--,m5delsohn4 ,x is a fact t m p become pati5ts ?r\gh bor$om ?an ?r\gh fev]4 ,x is ! monotony ( ! daily r\t9e & lack ( int]e/ :i* is ! root ( mo/ ( ! illness & n]ves ( our pres5t day "y wom54 ,try ! /udy ( voice culture z an int]e/+ & p]man5t rem$y4 ,! cause ( musical indige/ion is ! att5d+ ( conc]ts :]e "o is compell$ to li/5 to s++ or play+1 :i* is poorly execut$ or too f> beyond "o to be prop]ly und]/ood4 ,,advice ,,to ,,p>5ts4 ,p>5ts %\ld enc\rage _! *ildr5 :o are tak+ up ! /udy ( voice culture1 z home enc\ragem5t is necess>y to *ildr54 ,i "k t p>5ts are incl9$ to ?9k t :5 !y pay = ! music lessons1 no?+ fur!r %\ld be expect$ ( !m4 ,b ?is is positively a wrong idea4 ,d n make ! great mi/ake ( =c+ y\r *ildr5 too soon ^u ! public4 ,_m excell5t "y voices h be5 ru9$ 9 ?is mann]4 ,a *ild elev5 ye>s ( age 0 br\ght to my /udio4 ,%e _h e>1 voice & tal5t1 b 0 almo/ sung out4 ,%e _h a bad break 9 h] voice1 & p]=m$ ! mo/ unusual contortions 9 tak+ a tone1 produc$ by pu%+ ! ?roat4 ,! "m assur$ me t ev]ybody ?\ght %e sang j gr&4 ,%e 0 to s+ at an ent]ta9m5t 9 a mon?1 & !y ?\ght a few lessons 9 voice culture w\ld be ( great value4 ,x took an h\r ( my valuable "t to conv9ce !m t %e mu/ n s+ at pres5t1 z x 0 positively necess>y to ov]come ! break 9 h] voice1 keep h] f s++ too mu*1 & cure h] audible brea?+4 ,!y f9ally arrang$ = h] in/ruction1 b made semi-mon?ly trips dur+ ?ree mon?s to asc]ta9 if %e 0 ready to s+ 9 public1 & left ) ! rem>k t !y knew ( _m tea*]s :o w\ld be glad to h h] s+ = !m z an adv]tisem5t4 ,ev5 ! *ild 0 disappo9t$1 z und\bt$ly %e he>d no?+ b ?is at home4 ,p>5ts %\ld be s5sible en\gh to rememb] t _! little girl _c f9i% s*ool 9 ?ree mon?s1 t _! son _c g ?r\gh college 9 ?ree mon?s1 & t !y _c le>n to play ! piano 9 ?ree mon?s4 ,t %e is "y & p w n expect mu* is n an excuse4 ,! public judge by :at !y see & he> & n by :at %e may be able to accompli% if %e is giv5 "t4 ,h[ (t5 we h he>d fa!r say1 ,johnny1 g & play a piece = ! company4 ,poor ,johnny w\ld r take a lick+4 ,he kn[s he is n ready to play = company1 b fa!r says1 ,"h ,i h be5 pay+ = ,johnny's piano lessons & ,m>y's s++ lessons = ne>ly ?ree mon?s1 & ,i hav5't he>d a song or piece yet4 ,if !y are n le>n+ any?+1 !y _h bett] quit tak+ lessons4 ,& poor ,johnny & ,m>y inflict on ! company :at might be expect$ aft] only ?ree mon?s ( tra9+4 ,p>5ts1 select a reputable tea*]--! highe/ pric$ is (t5 ! *eape/ 9 ! end4 ,:5 y "k t !y are "u p]fect in/ruction1 leave x to ! tea*] z to :5 !y %\ld play or s+ 9 public1 & y w f9d t j z soon z !y are able1 ! tea*] w be z anxi\s & pleas$ z y\rself to h !m appe>4 ,,is ,,x ,,necess>y ,,to ,,g ,,abroad ,,to ,,/udy8 ,?is1 ( c\rse1 dep5ds entirely ^u y\r ambition4 ,!re are v few ,am]ican s+]s :o h rea*$ positions on ! gr& op]a /age )\t hav+ previ\sly /udi$ abroad4 ,x is well 9 any case to get y\r prelim9>y tra9+ at home4 ,= tone plac+ & s++ y c d equally z well 9 ?is c\ntry z abroad1 z we h excell5t tea*]s "h f all p>ts ( ! globe4 ,i w\ld advise ! boy or girl :o has a good home & lives 9 a community :]e x is possible to get prop] in/ruction to take _! fir/ two or ?ree ye>s ( "w 9 ?is c\ntry4 ,take up ! /udy ( languages & if y\r progress w>rants y\r mak+ a life "w ( music1 !n ,i w\ld sugge/ t y g to ,europe 9 ord] to get ! broad5+ & ! f9i%+ t\*es t are necess>y 9 ord] to become an arti/4 ,illu/ration3 ,,victor ,,maurel ,! not$ b>itone = :om ,v]di compos$ ,otello & ,fal/aff1 ?9ks t ,am]icans are z mu* entitl$ to he> _! language at ! ,op]a ,h\ses z ! ,g]man1 ,fr5* & ,italians4 ,to fur!r ?is project he w include op]a 9 ,engli% dur+ 8 pres5t ,gr& ,op]a season 9 ,new ,york ,city4 ,mr4 ,maurel also believes /rongly 9 giv+ "y ,am]ican arti/s ( real promise1 an occasion to make _! db 9 ?is c\ntry & "u favorable arti/ic patronage & he is go+ to give !m a *ance to d s4 ,= y\r ,g]man songs & op]as y %\ld g to ,g]many4 ,= ! ,italian op]as to ,italy1 :]e x is possible = y to live 9 ! atmosph]e ( ! op]a & he> ! language e day4 ,! same also applies to ! ,fr5*1 :o1 ( all p insi/ emphatically on p]fect diction4 ,y c1 ( c\rse1 take up & to "s ext5t le>n ! languages "h1 b y are liable to meet ) ! same disappo9tm5t z a "y lady f ! we/ :o /udi$ ,fr5* 9 s*ool = sev]al ye>s & ?\ght h]self pr(ici5t 9 t language4 ,%e w5t to ,p>is to /udy music & x 0 fully six mon?s be=e %e 0 able to ei!r und]/& or to be und]/ood 9 common1 e-day conv]sation4 ,i am 9 favor ( ! class lessons s popul> 9 ,europe1 & hope "s day we w be able to make !m univ]sal4 ,t5 or twelve pupils assemble at "o "t & ea* takes 8 lesson 9 turn4 ,9 ?is way ea* gets ! b5efit ( ! o!r lessons4 ,?is also enables ! pupils to become accu/om$ to s++ be=e ea* o!r1 :i* is invaluable 9 ov]com+ n]v\sness4 ,"s pupils desire to take _! lessons 9 private1 z !y d n c>e to s+ be=e a class4 ,?is feel+ w gradually disappe> & x is mu* bett] to h x ov] ) 9 ! beg9n+1 ?an lat] :5 y are expect$ to g be=e a critic or manag] to s+4 ,! exp5se ( /udy+ abroad may be adju/$ entirely accord+ to y\r pocketbook4 ,:5 anyone tells y x is *eap] to /udy on ! o!r side1 !y display _! ignorance ( ! subject4 ,i h /udi$ 9 ?is c\ntry1 ,g]many1 ,france & ,italy1 & ,i h f\nd t1 includ+ ev]y?+1 x co/s ab\t ! same ev]y:]e4 ,y c secure bo>d & room f five doll>s a week up to any price y wi% to pay4 ,x is also possible to live *eap] ?an ?is if necess>y1 b = ! /ud5t ( s++ x is ( great importance to eat good1 n\ri%+ food1 z x is impossible to s+ well unless y are 9 excell5t condition physically4 ,sev]al ( ! old ,italian music ma/]s d n hesitate to say t x is ! ,am]ican ) ! l>ge purse :o has =c$ !m to raise _! prices1 :5 !y 7 p]fectly satisfi$ to *>ge mu* less4 ,miss ,moneybag arrives 9 ,italy to take up voice culture4 ,%e calls on "o ( ! old ma/]s2 he asks h] sev5te5 lire 7ab\t #c4jj7 p] lesson4 ,?is s\nds *eap to h] z %e has be5 pay+ #e4jj a lesson at home1 s %e />ts out aga9 look+ = a high]-pric$ tea*]4 ,%e f9ds "o :o has _h a little m exp]i5ce ) ! ,am]icans1 he sizes h] up & asks h] ?irty-five lira2 ?is s\nds m 9 accordance ) h] pocketbook1 & %e li/s = ! season4 ,?is siz+ up ( ! ,am]ican pocketbook has be5 go+ on = "s "t & ! old ,mae/ro :o 0 p]fectly satisfi$ ) #c4jj is wak+ to ! fact t if he wants ^! ,am]icans he mu/ raise 8 prices4 ,& s we f9d at pres5t1 lessons co/+ ab\t ! same ! _w ov]4 ,h[ev]1 :5 ,miss ,small ,pocketbook & real tal5t arrives1 %e c always arrange t]ms 9 accordance ) h] pocketbook1 :5 %e proves %e is !re to accompli% results4 ,?is is n m]ely he>say1 b facts ga!r$ 9 my int]views ) "s ( ! mo/ not$ s++-ma/]s4 ,if y int5d to g into ! gr& op]a x is advisable to g abroad1 z x gives y ! pre/ige :i* is necess>y at pres5t1 9 ord] to secure ^! positions ( :i* we h a fair illu/ration 9 ! case ( a beautiful mezzo soprano :o _h be5 s++ ) ! ,engli% ,gr& ,op]a ,company1 & ?\gh 9 e way qualifi$ to s+ ) ! ,metropolitan ,gr& ,op]a ,company1 0 unable to secure an engagem5t ) !m4 ,%e w5t abroad1 *ang$ h] "n1 & return$ ! foll[+ season z "o ( ! ,metropolitan ,gr& ,op]a />s1 & is /ill "o ( ! favorites 9 t company4 ,?is seems r inconsi/5t1 b is nev]!less true4 ,if y are =tunate en\gh to make y\r debut abroad y w h practically no tr\ble 9 secur+ a position ) any manag] on ?is side ( ! ocean4 ,,*orus ,,s++4 ,x is ( great value to ! s+] to belong to a good *orus1 provid$ y "k en\gh n to attempt to be ! :ole *orus y\rself1 & are will+ to give ! o!rs a *ance4 ,to be a success 9 ! *orus y mu/ obs]ve ! foll[+ rules3 ,be punctual4 ,/& erect1 & on bo? feet4 ,let y\r *e/ lead4 ,make y\rself a "p ( ! *orus4 ,?is is n a solo4 ,don't annoy ^? ar\nd y by wiggl+ or fidget+4 ,rise & sit d[n 9 unison ) ! o!rs4 ,d n look all ov] ! place1 b keep y\r eyes on ! conductor4 ,d n cov] y\r face ) y\r music4 ,rememb] x is ! conductor's duty to beat "t4 ,keep head1 arms & feet /ill4 ,d n try to s+ l\d] ?an ! o!rs4 ,y w n be he>d any bett] & w /ra9 y\r voice4 ,rememb] to hold ! long note = its full c\nt4 ,"t & rhy?m are ! two great factors 9 *orus s++4 ,rememb] t re/s are ( z great importance z notes 9 music4 ,d n />t be=e or hang on aft] ! o!rs h ceas$ to s+4 ,d n fail to slightly acc5tuate ! fir/ beat ( ea* measure except :]e acc5ts are especially m>k$ on o!r beats4 ,don't look bor$ because y mu/ /& up to s+4 ,det]m9e :e!r y are go+ to be too tir$ to d y\r "p be=e becom+ a memb] ( a *orus4 ,keep y\r eyes on ! conductor4 ,,/age ,,fright4 ,i h nev] met a s+]1 amateur or pr(essional1 :o does n or has n at "s "t suff]$ f ?is dreadful malady4 ,!re is no positive cure b con/antly appe>+ be=e an audi5ce1 & !n "s ( ! s+]s nev] ov]come ?is =m ( n]v\sness4 ,! only consolation is 9 kn[+ t a p]son entirely void ( ?is feel+ w nev] make an arti/1 z !y are lack+ 9 temp]am5t4 ,emotion is ! fle% & blood ( music & ! condition is "o 9 :i* self-consci\sness1 n]v\s en]gy & emotion play a l>ge "p4 ,h[ev]1 z y ga9 confid5ce 9 y\rself & y\r "w1 & feel t y are 9 rapport ) y\r audi5ce1 ?is s5sation w we> (f to a great ext5t4 ,v few *ildr5 be=e _! te5s are tr\bl$ ) /age fright4 ,9 fact1 !y seem to glory 9 appe>+ be=e an audi5ce4 ,?is is ! be/ "t to cont9ue ! "w t w be ( ine/imable value ! balance ( _! lives4 ,let !m appe> be=e ! classes 9 ! /udio until !y are prep>$ to appe> 9 public4 ,:5 "o beg9s to discuss n]v\sness1 sugge/ion takes x up & x spreads l wildfire4 ,a "y s+] :o _h appe>$ sev]al times 9 ! same solo & done excell5t "w 0 /epp+ on ! /age to s+ :5 "o ( h] fri5ds ?\ghtlessly rem>k$3 ,ar5't y n]v\s ab\t t high ',c8' ,! sugge/ion imm$iately lodg$ 9 h] bra9 & %e c\ld ?9k ( no?+ b t high ,c4 ,h] fe> increas$ & %e sang x ) an almo/ h]oic physical ef=t1 a tone t _h nev] giv5 h] ! lea/ tr\ble be=e4 ,x is ! confid5t fri5d :o helps y to w9 y\r audi5ce by ! enc\rag+ rem>k1 ,i "k y w be a success1 :ile ! "o :o asks1 ,ar5't y afraid y are go+ to break d[n8 9 reality w assi/ y 9 do+ s4 ,always try & h ! confid5t fri5ds ar\nd y1 especially 9 ! e>li] /age ( y\r c>e]4 ,!re is an errone\s idea ab\t n eat+ be=e s++4 ,if y are n]v\s !re is no?+ s dang]\s z try+ to s+ on an empty /oma*4 ,i "k ( s+]s :o eat no?+ on ! day !y are go+ to s+1 ! result be+ increas$ n]v\sness caus$ f weakness4 ,i w\ld n advise a big meal be=e s++1 b ,i w\ld advise tak+ some?+1 dep5d+ entirely on ! individual4 ,a cup ( black c(fee1 a glass ( wat]1 a glass ( cl>et1 an orange1 a raw egg1 or any?+ t agrees ) y4 ,give ! /oma* "s "w to d & t giddy feel+ w entirely disappe>4 ,i always take a raw egg be=e s++4 ,"o ( our not$ t5ors1 be=e walk+ out on ! /age1 lights a cig>ette1 takes ?ree puffs & ?r[s x away4 ,?ree puffs c\ld be ( v little value1 b he imag9es he s+s bett]4 ,judg+ f 8 age & voice1 & its endurance1 x has evid5tly n injur$ him1 ?\gh ,i w\ld n advise s+]s to use tobacco4 ,^? suff]+ f phlegm 9 ! ?roat w f9d almo/ in/ant relief 9 eat+ a dry prune4 ,i acquir$ ?is habit 9 ,italy1 :]e x is v popul> ) ! s+]s4 ,dri$ prunes are b5eficial = ! g5]al heal? z well z ! ?roat4 ,f9d :at agrees ) y1 = :at might be agreeable to "o may be disagreeable to ano!r4 ,:5 y /ep out on ! /age take "t to fully relax1 get y\r m9d on ! introduction y\r accompani/ is play+4 ,?is prep>es y = y\r song4 ,look beyond y\r audi5ce1 n at !m4 ,by ?is "t y w h fairly good control ( y\rself4 ,?9k ( :at y are go+ to s+1 & n ( h[ y are feel+4 ,s+ to y\r audi5ce z if y 7 tell+ !m a /ory4 ,speak di/9ctly & make !m und]/& & feel :at y are say+4 ,don't we> any?+ t b9ds y1 su* z tight %oes1 tight corsets or tight coll>s1 z !y all t5d to contract in/ead ( relax4 ,x is ?r\gh n]v\sness t s+]s h wobbl$ (f ! /age aft] _! solo1 be=e ! accompani/ has f9i%$4 ,rememb] 9 ! int]val betwe5 ! end ( y\r solo & ! la/ note ( ! accompanim5t y %\ld /& p]fectly /ill4 ,say to y\r audi5ce 7m5tally71 ,don't move until ! accompanim5t is f9i%$4 ,y w be surpris$ to see h[ well y c hold !m4 ,all ^! little ?\ghts w help make y =get y\rself4 ,i once read an article on /age fright4 ,! au?or advis$ ! s+] to look at 8 audi5ce z ?\gh !y 7 s _m cabbage heads4 ,i _c agree ) him4 ,y1 no d\bt1 h he>d p s+ z ?\gh !y 7 inspir$4 ,i h felt t way _m times :5 s++1 & ,i am sure my audi5ce inspir$ me4 ,x w\ld h be5 impossible to s+ l t to empty *airs or a field ( cabbage heads4 ,analyze y\rself & y\r "w z mu* z y please at home1 b :5 y g be=e an audi5ce1 =get y\rself & let y\r aim be to w9 !m4 ,,! ,,accompani/4 ,i f9d t only ab\t "o 9 e hundr$1 :o /udy voice culture1 are able to accompany !mselves on ! piano4 ,ne>ly all "k ! keybo>d & c get along aft] a fa%ion1 !re=e x is necess>y t ! /ud5t ( voice culture %\ld secure a fir/-class accompani/4 ,y\r voice tea*] "h1 or abroad1 is always 9 a position to furni% y ) "o4 ,y mu/ arrange = 8 s]vices at lea/ twice a week4 ,y c h no idea ( ! progress ?is w mean 9 y\r "w4 ,if y are ask$ to s+ at an ent]ta9m5t1 d n take anyone's ^w t !re w be a good accompani/ on h&1 b see to x y\rself4 ,if x is n possible = y to h y\r own accompani/1 be sure t y h ample "t = rehe>sal1 & if ! accompani/ pres5t is n a good "o1 d n s+4 ,a poor accompani/ has be5 ! cause ( ! failure ( _m "y s+]s :o are anxi\s to get be=e ! public4 ,! "y & inexp]i5c$ s+] _c be too p>ticul> on ?is po9t1 & ,i w\ld sugge/ t amateurs dur+ _! fir/ few appe>ances be=e ! public s+ only ) an accompani/ ) :om !y h become accu/om$ to s+4 ,all "y s+]s are m or less n]v\s2 9 fact1 ,i "k v few old ones :o are n1 & ?is is :]e y\r own accompani/ proves ( ! greate/ value4 ,"o ( my pupils :o made h] debut said1 ,i _h a s5sation z ( a lump 9 my ?roat1 & felt t at ! end ( ! pause ,i mu/ swall[ or *oke4 ,my accompani/ _h play$ = me be=e & seem$ to anticipate my pr$icam5t1 s gave me a little m "t on t 'pause' & ,i 0 sav$4 ,) a /range accompani/1 ,i w\ld h gone to pieces4 ,because a s+] is an amateur1 _! p>5ts & fri5ds seem to ?9k t anyone c play _! accompanim5ts4 ,! tru? ( ! matt] is1 ! less exp]i5c$ ! s+]1 ! bett] ! accompani/ mu/ be4 ,good accompani/s are born1 n made4 ,to be sure1 practice makes p]fect1 b ,i "k ( _m f9e piani/s :o read well1 h "t1 rhy?m1 te*nique1 execution1 & yet :o w nev] make good accompani/s4 ,x takes all ( ^! & m4 ,no?+ makes failure m c]ta9 ?an ! blund]+ ( an inexp]i5c$ & unskill$ accompani/4 ,,select+ ,a ,,tea*]4 ,x is n always t ! be/ read man on voice culture makes ! be/ tea*]2 9 fact1 we f9d t tea*]s1 :o h n be5 s+]s !mselves1 b :o h devot$ ye>s to ! /udy ( ! physical & te*nical side ( ! "q h turn$ out v few good s+]s4 ,9 ord] to make a good tea*]1 "o mu/ fir/ h comm& ( 8 own voice 9 ord] to make p]fect demon/rations :i* are ess5tial to ! beg9n]4 ,fur!r1 a tea*] 9 ord] to be successful mu/ h practical exp]i5ce ) ! _w & s+]s4 ,no two voices c be treat$ 9 ! same mann]4 ,!re=e1 ! tea*] ) ! practical exp]i5ce is naturally f> bett] equipp$ to tea* ?an ! "o :o has m]ely /udi$ ! me*anism ( ! ?roat4 ,x is positively h>mful = a tea*] to make any attempt to expla9 ! te*nical side ( ! voice to a beg9n]4 ,bett] develop ! e> & memory4 ,a tea*] mu/ h pati5ce & tact 9 ord] to be able to deal ) ! diff]5t natures1 dispositions & moods t are enc\nt]$ 9 ! /udio4 ,"o ^w ( k9dness & enc\ragem5t w inv>iably d m t[>d putt+ a pupil at 8 ease & secure ! be/ results f 8 "w ?an any numb] ( sev]e s]mons & s>ca/ic criticisms4 ,! pupils are pay+ = _! lessons & are entitl$ to c\rte\s treatm5t4 ,avoid ! n]v\s1 irritable tea*]4 ,! tea*] :o becomes impati5t or ruffl$ because a pupil _c in/antly grasp 8 mean+1 walk+ up & d[n ! floor ) cl5*$ fi/s *a/is+ ! air1 & 9 e way display+ 8 own n]ves & lack ( self-control1 is n a tea*]1 b a fool4 ,su* a p]son has ei!r =gott5 8 own e>li] /ruggles or _h nev] /udi$4 ,avoid ! tea*] ) a hobby4 ,!re is no?+ s b>r5 9 ! _w z "o idea1 spr+ f "o idea1 n\ri%$ by "o idea & aim+ at "o idea4 ,?is includes ! tea*] :o believes 9 keep+ ! pupil on "o tone = six mon?s4 ,:ile y\r tone ne$s m ?an six mon?s to become p]fect1 dwell+ on t "o tone alone = t l5g? ( "t w\ld be decid$ly wrong4 ,we frequ5tly accept /ud5ts :o h acquir$ num]\s bad habits 9 brea?+ or s++4 ,!y (t5 "k _! tr\ble & ask h[ long x w take to undo ?is "w & get back into ! "r way4 ,!y seem to ?9k x is a matt] ( a c]ta9 "t work+ back to ! beg9n+ & !n />t+ ov] aga94 ,?is is n true4 ,x is a matt] ( beg9n+ n[ & beg9n+ "r4 ,! ?\ghts ( a pupil %\ld be advance1 n retreat4 ,y mu/ n ?9k ( :at y h done1 b :at y mu/ d4 ,avoid ! tea*] :o advances !ories & me*anical contrivances4 ,a l>yngoscope 9 ! h&s ( a physician might save _m lives1 b 9 ! h&s ( a s++ tea*] may ru9 _m voices4 ,! p]fect tea*] uses ! simple/ demon/rations1 realiz+ t te*nical t]ms g entirely ov] ! heads ( ! beg9n]4 ,! foll[+ sugge/ions are entirely useless3 ,s+ ! tone =w>d4 ,s+ ! tone on ! tee?4 ,s+ ov] y\r l>ynx4 ,s+ t tone ) ! epiglottis l[]$1 ! palate rais$1 & on ! end ( ! brea?4 ,i h p]sonally he>d ^! in/ructions giv5 to pupils1 & ,i assure y ! pupil did n ga9 any?+ by x4 ,x is positively absurd to insi/ on a beg9n] kn[+ ! /ructures ( ! vocal *ords1 nei!r w ! patt+1 p9*+ or massag+ ( ! neck & facial muscles1 t "s tea*]s advocate1 make y s+ any bett]4 ,x is und\bt$ly ( "s b5efit to wr9kles1 b n to ! voice4 ,g>cia1 admitt$ to be "o ( ! greate/ s++ ma/]s ( 8 "t1 said1 reg>d+ ! position ( l>ynx be+ high] or l[] or ! m or less rais+ ( ! palate1 t ! s+] ne$ only foll[ natural effects1 & l>ynx1 palate & ! re/ w take c>e ( !mselves4 ,d n complicate x ) !ories4 ,a new pupil w5t into ! /udio ( a well-kn[n tea*] = a he>+4 ,%e took ) h] a popul> song--! only song :i* %e knew4 ,! tea*] cri$ ,tra%1 & w\ld n ev5 talk ! matt] ov]4 ,?is 0 fooli%1 selfi% & unreasonable4 ,e voice :i* comes "u our c>e includes ! p]sonality beh9d ! voice1 & is ( di/9ct & special int]e/4 ,?is pupil's environm5t _h und\bt$ly be5 su* t %e 0 n fur!r develop$ & c\ld h>dly be expect$ to love & und]/& ! music1 :i* ! tea*] 0 accu/om$ to p]=m or tea*4 ,h[ev]1 _m a s+]1 :o fir/ br\ght ! popul> song1 has develop$ into a successful *ur* & conc]t s+]4 ,?is 0 n br\ght ab\t by reprim&s & unk9d criticisms ( _! %ort-com+s1 b by pati5t consid]ation & gradual developm5t4 ,give ! pupil a *ance to le>n to p]=m good music be=e y dem& t !y %\ld appreciate x4 ,a good tea*] w enc\rage que/ions4 ,if !re are any que/ions p]ta9+ to ! /udy ( voice culture t he _c answ] x is "t he %\ld "k4 ,unless a tea*] is a p]fect accompani/1 s t he c keep 8 eyes away f ! keybo>d1 he %\ld employ an accompani/1 = ! tea*] %\ld see z well z he> ! pupil s+ ! f9i%$ numb]s4 ,& la/1 b n lea/1 select a tea*] :o tries to und]/& y1 :o makes y feel at ease1 & :o %[s z mu* int]e/ 9 y\r voice z 9 y\r pocketbook4 ,,art ,,= ,,art',s ,,sake4 ,h[ _m musicians live up to ?is mu*-abus$ t]m8 ,9 my travels "h & abroad ,i h f\nd j two ^: lives 7 entirely devot$ to art = art's sake4 ,!y bo? rem9d$ me ( ! la/ act ( ,beau ,brummell1 & c]ta9ly did n sugge/ happ9ess4 ,to fully live up to art = art's sake1 "o mu/ necess>ily h means1 & y w\ld be surpris$ to "k h[ few ( ^? :o are 9 position to live up to x1 d s4 ,s+]s1 9 :om y w\ld expect to f9d a demon/ration1--real musicians1 to :om ! :ole _w has b5t its knee1--w /& up be=e an audi5ce & s+ a little popul> waltz song1 a la ,aft] ! ,ball1--a song we w\ld consid] too inf]ior to all[ "o ( our pupils to s+4 ,is ?is art = art's sake8 ,:]e !n %\ld we look = a demon/ration1 if n 9 ! f9i%$ s+] or arti/8 ,d n ^! s+]s "k bett]8 ,c]ta9ly1 b !y /udy _! audi5ce1 give ! few _! be/1 & ! masses :at !y want4 ,9 se>* = art = art's sake1 we turn to ! arti/1 & we f9d him try+ to please ! audi5ce4 ,we are liv+ 9 a v mat]ial age4 ,if y c af=d to d s1 live art = art's sake 9 y\r home1 b if y h to make y\r liv+1 & cope ) ! _w to make a success1 y mu/ /udy y\r audi5ce2 !y paid _! money & want to be ent]ta9$4 ,y c /rike a happy m$ium1 :]e y w n l[] y\r dignity1 z a s+] & an arti/4 ,i notice t ^? :o rant & /orm on ! subject ( art = art's sake seldom live x1 ( :i* we 7 giv5 a fair demon/ration :5 "o ( our disciples ( art = art's sake w5t on a conc]t t\r & 0 s anxi\s to please 8 audi5ce1 t ! program 0 a p]fect vaudeville p]=mance4 ,x is ne$less to say t ! arti/ 0 sev]ely criticis$4 ,don't bill y\rself z a conc]t s+] & !n give a vaudeville p]=mance4 ,use judgm5t4 ,wat* ! tea*] :o is con/antly talk+ art = art's sake4 ,note to h[ _m /ruggl+ musicians he holds out a help+ h& & h[ mu* ( 8 "t & life he devotes to art = art's sake4 ,we tea*]s *>ge en\gh = our lessons to make x possible = u to devote an ev5+ a week to art = art's sake2 invite our pupils1 talk1 s+1 take up ! biographies ( ! old ma/]s1 d ensemble "w2 /udy ! oratories & op]as4 ,i am sure ?is w\ld help create a great] love & und]/&+ ( ! bett] ?+s 9 music1 = ! m we he> x1 ! m we love x4 ,?is w\ld g fur!r 9 help+ to create a love & und]/&+ ( art = art's sake1 & w\ld be a great] te/ ( our s9c]ity4 ,debussy1 ! well-kn[n compos] ( ,peleas & ,melis&e1 says 9 an article on ,art = ,art's ,sake3 ,don't talk to me ab\t elevat+ public ta/e4 ,t is ! greate/ 'bluff' "o c d9 into y\r e>s4 ,j ?9k = a mom5t :at ! public is compos$ (4 ,h[ _m 9 ! audi5ce und]/& music8 ,h[ _m devote !mselves to music dur+ ! day8 ,an inf9itesimal numb]4 ,! re/1 :]e d !y come f8 ,f (fices1 /ores1 bus9ess h\ses ( "s k9d1 or !y come f teas & gossip1 & !n !y g to he> ! op]a4 ,mo/ ( !m are tir$ aft] a day's "w or idl5ess1 & su* p y expect to take an int]e/ 9 s]i\s music4 ,impossible6 ,no2 ! only ?+ y c d = ! public is to lift x1 = "o mom5t1 out ( its daily ?\ghts1 & ) t we h to be cont5t4 ,"u su* conditions1 :at diff]5ce does x make :e!r y h ,g]man1 ,italian or ,fr5* op]a8 ,!re is no immovable tru? 9 art4 ,y _c say ?is is s or s1 & :at diff]5ce d ! means make z long z ! end is accompli%$8 ,if ,italian op]a is m effective ?an ,g]man op]a1 :at does x matt]8 ,all art is untru?4 ,y may h be5 told t art is et]nal because x is true1 b !re y are mi/ak54 ,illu/ration3 ,,&reas ,,dippel ,( ! ,metropolitan ,gr& ,op]a & ,g5]al ,manag] ( ! ,*icago ,gr& ,op]a1 :o ?r\gh 8 tireless & skillful s]vice is meet+ ) great success 9 ! e/abli%+ ( p]man5t ,gr& ,op]a 9 ! l>g] cities we/ ( ,new ,york1 is an en?usia/ic support] ( ! ,gr& ,op]a 9 ! v]nacul>1 giv+ ! _m excell5t ,am]ican s+]s an opportunity to make _! db 9 ?is c\ntry & 9 _! own language4 ,mr4 ,dippel pr$icts ! "t is n f> di/ant :5 ,new ,york w e/abli% ! home ( ! ,national ,gr& ,op]a4 ,,educat+ ,,! ,,masses4 ,! musician :o refuses to make c]ta9 concessions to ! public gives pro( ( c\rage1 b n ( wisdom4 ,"o _c expect to g be=e an audi5ce & s+ ov] _! heads1 & by s do+ educate !m up to "o's own /&>d ( music4 ,y mu/ rea* d[n f y\r l(ty ideals & meet ! public on its own gr\nd4 ,= example1 9 creat+ a love = ! gr& op]a 7:i* ! p1 especially ( ! we/1 up to a few ye>s ago h _h no *ance ( he>+71 y mu/ proce$ gradually1 c>efully & ) tact4 ,tea*]s ( voice culture %\ld organize gr& op]a /udy clubs1 give conc]ts1 us+ selections f ! popul> gr& op]a--,i mean by popul> gr& op]a ,il ,trovatore1 ,c>m51 ,fau/1 etc4 ,^! op]as conta9 airs t are attractive1 & c be foll[$ by ! masses4 ,x w\ld n be long be=e ! gr& op]a w\ld %>e honors ) ! n[ fl\ri%+ musical com$y 9 ! affections ( ! music-lov+ public1 & ! t]m gr& op]a w\ld n s\nd to !m l a bugaboo4 ,9 ,brooklyn "o aft]noon ,i pass$ a numb] ( boys com+ f s*ool1 & 0 a/oni%$ to he> !m :i/l+ ,tannhaus]4 ,:ile ?is w\ld be q natural 9 ,europe x is r unusual "h1 :]e ! popul> song has ! upp] h& ) ! "y folks4 ,i made inquiries & f\nd t a phonograph _h be5 in/all$ 9 ! s*ool & t e morn+ ! pupils li/5$ to selections f ! gr& op]as4 ,my already good op9ion ( ! value ( ! phonograph 0 /r5g!n$1 z ,i fully realize :at effect he>+ good music 9 ! public s*ools w\ld h on ! com+ g5]ation4 ,9 ord] to fully appreciate a difficult composition "o mu/ h made a /udy ( music1 same z a doctor1 9 ord] to appreciate a lecture on "s intricate subject ab\t 8 pr(ession1 mu/ h made a /udy ( t pr(ession4 ,! pa9t] sees 9 a great pa9t+ ! beauties ( execution t entirely escape ! eyes ( ! un9itiat$2 yet ! musician w g be=e an audi5ce ( :om two-?irds h probably nev] /udi$ music at all1 & expect !m to appreciate ! classical music1 & because !y d n1 he w\ld br& !m z unappreciative1 absurd2 he expects ! impossible4 ,! av]age audi5ce does n c>e = ! "n ( a composition z long z ! music appeals to !m1 & ?is is g5]ally a matt] ( h[ x is int]pret$4 ,! p[] ( a beautiful int]pretation does n make itself felt 9 s++ classics alone4 ,_m p]sons h>bor ! notion t int]pretation relates to ! "w ( ! dead ma/]s only4 ,?is is n true4 ,! simple/ song ne$s int]pretation1 z well z ! oratorio or op]a & ! diff]5ce betwe5 good & bad arti/s is l>gely a matt] ( int]pretation4 ,a simple song t emanates f ! he>t & s\l1 w h a reciprocal effect on o!rs & w outlive all s]mons 9 ! memory4 ,! av]age audi5ce goes to ! conc]t1 n to be educat$1 b to be ent]ta9$4 ,ent]ta9 !m1 int]e/ !m1 w9 !m & !y w come aga94 ,aft] y h ende>$ y\rself to !m1 y c beg9 to s+ m pret5ti\s music1 & be=e !y realize x1 !y are li/5+ to & enjoy+ ! works ( ! great ma/]s4 ,i h se5 a va/ audi5ce g to he> ,patti s+ ,home1 ,sweet ,home1 & :ile li/5+ !y became acqua9t$ ) o!r songs1 t by he>+ aga9 & aga91 h help$ to educate !m to appreciate ! bett] music4 ,i love ! oratorios & gr& op]as p>ticul>ly4 ,!y are "p ( my life4 ,b ,i d n expect all ) :om ,i come 9 contact to feel ! same4 ,i h se5 m p asleep at a piano recital ?an ,i h at *ur*1 & ,i did n blame !m1 :5 "s amateur w\ld be wre/l+ ) a tw5ty-page selection ( :i* he _h n ! slighte/ conception1 ) ! exception ( be+ able to read ! notes & f9d !m on ! in/rum5t4 ,let u n become s bl9d$ t we c see only "o way--our way4 ,9 educat+ ! masses let u n beg9 by driv+ !m away ) compositions :i* !y _c und]/&4 ,art has no fa!rl&1 & all t is beautiful %\ld be priz$ by u1 no matt] h[ simple or :at clime or region produc$ x4 ,:5 y he> someone dwell+ on ! fact t ,mansfield did n ask 8 audi5ce :at play !y want$1 nei!r did ,patti ask !m :at %e %\ld s+1 ! argum5t is ridicul\s4 ,be> ?is 9 m9d3 ,! audi5ce did n g to he> ,il ,b>bi]e or ,pe] ,gynt1 !y w5t to he> ,patti & see ,mansfield1 & :at !y r5d]$ 0 only incid5tal to ! fact t !y 7 ,patti & ,mansfield1 p 9 :om ! public 0 int]e/$4 ,b :ile !y 7 li/5+ to ^! arti/s !y became acqua9t$ ) ! bett] works4 ,s leave x to ! f9i%$ arti/ to produce ! great works4 ,y are an amateur & h y\r little %>e to d 9 educat+ ! masses4 ,don't beg9 by giv+ a difficult program4 ,s+ some?+ simple1 t y are p]fectly famili> )1 & don't be afraid ( ! new compositions4 ,x is surpris+ t ev5 old s+]s fe> a new song4 ,select some?+ ) pretty melody & rhy?m & y are p]fectly safe4 ,always be on ! look\t = some?+ y c id5tify ) y\rself1 j z ! arti/s all h "s favorite song4 ,,h9ts ,,& ,,helps4 ,get out 9 ! fre% air at lea/ once a day1 summ] & w9t]4 ,if y are 9 good heal?1 walk 9 pref]5ce to rid+4 ,get pl5ty ( sleep4 ,x is bett] ?an all o!r tonics4 ,if y are out ( sorts1 try a little new ?\ght1 or m5tal sci5ce4 ,x may be all y ne$4 ,sponge y\r neck1 *e/ & back ) cold wat] e morn+4 ,girls1 accu/om y\rselves to we>+ y\r wai/s m9us coll>s4 ,boys1 we> y\r coll>s loose4 ,! arti/s all d4 ,nev] bundle y\r neck 9 w9t]4 ,a light cov]+ w d4 ,eat :at agrees ) y1 & avoid go+ on diets1 if possible4 ,if y desire to ga9 weight or put on m fle%1 y mu/ eat pl5ty ( n\ri%+ food at lea/ ?ree times a day1 dr9k pl5ty ( pure fre% wat]1 good ri* milk1 ale1 malt extracts1 & ev]y?+ t agrees ) y4 ,%\ld y desire to r$uce y\r weight1 eat sp>+ly--a %r$d$ :eat biscuit1 "s dry toa/ ) a cup ( c(fee 9 ! morn+4 ,at noon eat "o or m oranges1 & no?+ else4 ,= d9n] take only "o k9d ( meat or fi%1 a vegetable1 a fruit1 a salad1 "s dri$ toa/1 ) a cup ( black c(fee or tea4 ,use no potatoes1 butt] or cream4 ,!re is no special diet = s+]s4 ,x is only necess>y to keep 9 good heal?1 take pl5ty ( ex]cise1 & eat & dr9k only ^? ?+s :i* agree ) y4 ,pose y\r speak+ voice l[1 z x n only b5efits ! voice1 b x d5otes ref9em5t4 ,robu/o t5ors are high b>itones ) ! head tones develop$4 ,saddle rid+1 walk+1 physical culture1 f5c+1 danc+1 elocution1 ! /udy ( any in/rum5t w all be ( "s value 9 help+ y to become an arti/4 ,use y\r bra9s m ?an y\r ?roat4 ,don't be impati5t because ?+s d n come y\r way at once4 ,rome 0 n built 9 "o day4 ,let y\r /udy ( music cultivate )9 y a sympa?y & love = all t is arti/ic4 ,d n be unju/ly prejudic$ aga9/ good music because y d n und]/& x4 ,he> t class ( music m1 & x w ov]come y\r prejudice4 ,acqua9t y\rself ) ! old ma/]s & works be=e y take up ! novelties4 ,keep "y 9 m9d & ?\ght1 & ! body w n gr[ old4 ,?9k = y\rself & ?9k4 ,don't worry1 = worry is born l>gely ( misdirect$ ambition4 ,:5 someone is s++1 d n %rug y\r %\ld]s & assume a pa9$ expression1 s z to impress ^? :o may be sitt+ ne> y t y are a great critic4 ,h y ev] ?\ght :at a desolate place ?is _w w\ld be )\t music8 ,nev] neglect an opportunity to he> a great s+]4 ,if y\r means are limit$1 subdue y\r pride1 = x is f> bett] to sit 9 ! gall]y & be able to he> t5 arti/ conc]ts ?an to sit 9 ! or*e/ra & be able to he> only "o4 ,be will+ to sacrifice mu* = y\r music4 ,associate z mu* z possible ) p :o "k m ab\t music ?an y d4 ,read ev]y?+ y c f9d on ! subject4 ,y w f9d "s tru? 9 all ( x4 ,:5 y att5d a conc]t look =w>d = ! be/ only--don't be a pessimi/1 be an optimi/1 & y w d]ive mu* m b5efit4 ,don't criticize audibly :5 someone is s++4 ,an arti/ nev] does4 ,be=e go+ to he> an arti/ s+1 acqua9t y\rself z mu* z possible ) ! program4 ,:ile "u "o in/ructor1 d n run ar\nd to o!r /udios to h y\r voice tri$4 ,x is undignifi$1 & reflects on y\r tea*]1 z well z ^u y\rself4 ,become a sight read] by read+ at sight4 ,y c break y\rself f cle>+ y\r ?roat by n cle>+ x4 ,y w be surpris$ to f9d x 0 only a habit4 ,punctuality at ! /udio is ess5tial4 ,t5 m9utes e>ly = y\r lesson is bett] ?an two m9utes late4 ,if !re is any?+ ab\t y\r lesson t y d n und]/&1 ask que/ions4 ,y are pay+ = in=mation4 ,practice sy/ematically if y expect to make a success4 ,beg9n]s %\ld practice only fifte5 m9utes at a "t4 ,! scales are ! backbone ( music /udy4 ,rememb] y\r consonants are ( z great value z y\r v[els4 ,9 s++1 y mu/ use bo? y\r nose & m\? = brea?+4 ,always /& up :5 practic+ y\r ex]cises4 ,memorize all y\r songs4 ,:5 ask$ to s+1 s+ songs ) :i* y are p]fectly famili>4 ,/& on bo? feet & let y\r *e/1 n y\r /oma* lead4 ,if y expect to s+ well1 leave ! tight coll>1 ! tight corset & ! tight %oes at home4 ,x is bett] to /& too ne> ! footlights ?an too f> back4 ,if y are n an exp]t at h&l+ a tra9 on ! /age1 don't we> "o4 ,:ile wait+ = ! introduction to be play$1 don't c\nt ! footlights or ! />s1 b look out beyond ! audi5ce1 r 9 ) y\r eyes & nose4 ,:5 hold+ music1 nev] hold x high en\gh to cov] y\r face f ! audi5ce4 ,s+ to y\r audi5ce1 n at x4 ,try & look pleasant1 ev5 if y don't feel t way4 ,! audi5ce c't help x4 ,nev] fail to give a smile or ^w ( enc\ragem5t to o!r beg9n]s :o may be on ! same program ) y4 ,x is c]ta9ly appall+ to "k h[ _m good s+]s h bad /age mann]s4 ,a man mu/ nev] put ei!r "o or bo? h&s 9 8 tr\s] pockets1 nor /& ) 8 feet spread f> ap>t :ile s++4 ,bo? ( ^! faults d5ote improp] tra9+4 ,if y are ev] s w>m1 use y\r h&k]*ief only be=e or aft] y leave ! /age4 ,correct dress is ess5tial4 ,= a man1 = in=mal ent]ta9m5ts1 black suit1 black %oes1 :ite %irt1 coll> & cuffs1 ) ei!r a black or :ite tie4 ,= conc]t1 only ev5+ dress is appropriate4 ,= girls1 ! nice/ ?+ to we> is a g[n2 if y d n we> "o1 try to h y\r wai/ & skirt correspond 9 %ade4 ,! s-call$ %irtwai/ effect1 :i* is produc$ by wai/ & skirt ( diff]5t colors1 is n effective on ! /age4 ,we> hose & slipp]s ( ! same color if possible4 ,amateurs :5 on ! /age frequ5tly re>range a tie or smoo? back a /ray curl1 etc42 ?is is b a =m ( n]v\sness & looks bad4 ,f9i% y\r toilet at home4 ,= ease & grace take danc+ lessons4 ,! graduate f danc+ & dramatic s*ools nev] appe> ill at ease be=e company4 ,,:at ,,& ,,h[ ,,to ,,practice4 ,x is n s mu* :at1 b h[ y practice4 ,! av]age beg9n] takes up 8 practice 9 an aimless sort ( way4 ,e action %\ld h "s result 9 view4 ,aft] tak+ y\r lesson1 if y f9d y are n positive z to ! prop] c\rse to be pursu$ at home1 y mu/ ask y\r tea*] ! que/ions necess>y to put y on ! "r pa?4 ,y %\ld h all y\r "w laid out = y & g ab\t x 9 a sy/ematic mann]4 ,only 9 ?is way c y hope to a*ieve any degree ( success4 ,a beg9n] %\ld n practice mu* m ?an five m9utes at a "t on ea* con/ruction1 nei!r w\ld mu* less ?an t be suffici5t to accu/om t set ( muscles to t "o con/ruction4 ,nev] practice y\r limit tones at ei!r end ( y\r range z mu* z y d y\r middle regi/]4 ,:at ,i mean by middle regi/] is l[ en\gh to produce *e/ & high en\gh to produce head tones4 ,if y c produce a f9e middle regi/]1 ! high tones w naturally foll[ 9 "t4 ,melba says1 ,on days :5 my high tones d n come easily 9 practice1 ,i d n s+ !m4 ,d n %[ or cov] y\r tee? because y h se5 "s s+]s d s2 individual con/ruction diff]s4 ,pron\nce y\r words naturally & di/9ctly1 nev] =gett+ ! consonants at ! end ( ! words4 ,don't ?9k because y are s++ f a ,m>*esi book t y are /udy+ h] me?od4 ,y are gett+ ! me?od ( ! tea*] ) :om y are /udy+4 ,!re are b two ways ( s++--"r & wrong--& x makes little diff]5ce f :at in/ruction book y are tak+ y\r lesson1 !y are all good & all con/ruct$ on ! same pr9ciples4 ,! ma9 ?+ is kn[+ :at y are try+ to d4 ,_m pupils :o are poor read]s worry ?r\gh sev]al ex]cise books1 & at ! end ( t "t h only memoriz$ ! notes & made no progress :atev] on ! ma9 po9t--tone4 ,! pupil %\ld le>n to use ! e>1 m9d & memory1 & a great deal ( "t w\ld be ga9$ 9 tone plac+ :i* %\ld be tak5 up be=e us+ an ex]cise book4 ,if y are n a sight read]1 take up ?is /udy at once1 pref]ably 9 class "w1 z x is absolutely necess>y t y %\ld be able to read music at sight4 ,antiquat$ & complicat$ sy/ems ( sight read+ are responsible = _m poor read]s4 ,we ne$ m e> tra9+ & ability to ?9k4 ,avoid ! use ( ! d-re-me syllables unless y are already pr(ici5t 9 t sy/em4 ,practice ) ! pit* names1 ,a1 ,b1 ,c1 ,d1 & ) ! scale numb]s1 #a1 #b1 #c1 #d1 9 ord] to acquire a relation%ip ( ! tones ( ! scale1 o!rwise ! syllable la or any o!r syllable w d4 ,if y h an (f day1 :5 all ! "w seems to g wrong1 don't practice4 ,me*anical "w is ( no value :atev] 9 s++4 ,ev5 ! arti/s h _! (f days1 b don't all[ ^! days to become too frequ5t4 ,! be/ position = practice is to /& naturally1 clasp y\r h&s 9 front or let !m hang c>elessly & naturally at y\r sides4 ,clasp+ y\r h&s beh9d y\r back or re/+ !m on y\r hips1 are bo? bad positions = s++4 ,:5 y practice d n simply kill fifte5 m9utes' "t4 ,m]e practice makes a me*anical gymna/1 :ile /udy produces a musician4 ,9 tak+ up y\r ex]cises use ! in/rum5t z little z possible4 ,= illu/ration we w take ! arpeggio4 ,play ! arpeggio until y are p]fectly famili> ) ! con/ruction1 !n s+ x once ) ! piano1 !n play only ! *ord or keynote & s+ ! arpeggio )\t ! piano2 cont9ue 9 ?is way 9 all ! keys )9 y\r range1 gett+ y\r pit* f ! *ord or keynote2 ?is mann] ( practice is ( ! greate/ value1 z y c /& 9 a natural s++ position & z y d n h to give "p ( y\r ?\ght to ! music or in/rum5t1 y pay m att5tion to ! pit* & tone1 s t :5 y come to arias ) recitatives )\t accompanim5t1 y w n h z mu* difficulty /ay+ on pit* z ^? :o inv>iably dep5d on ! support ( ! in/rum5t4 ,9 songs y %\ld pursue ! same c\rse1 play ! mo/ difficult passages1 memorize !m be=e y attempt to s+ !m2 9 ?is way y d n unnecess>ily tire ! voice4 ,memorize all y\r songs2 x is only aft] y get away f ! read+ t y are capable ( do+ y\r be/ "w4 ,always practice be=e a mirror & y w n be s liable to acquire facial contortions & w\ld soon ov]come ! v bad habit ( lift+ ! %\ld]s :5 y see y\rself z o!rs see y4 ,pupils frequ5tly ask :y x is s mu* easi] to s+ an ex]cise on ah ?an to s+ a s5t5ce4 ,9 ! ah y only h "o v[el1 :ile 9 ! s5t5ce !re are bo? v[els & consonants4 ,by dilig5t practice y w soon f9d t ! tone helps ! ^w1 & ! words help ! tone4 ,ano!r compla9t frequ5tly he>d 9 ! /udio is ?is3 ,i sang ?is ex]cise p]fectly at home1 & c't see :y ,i am unable to s+ x n[4 ,h[ _m times did y s+ ?is ex]cise p]fectly at home4 ,don't consid] an ex]cise le>n$ until y c s+ x t5 times 9 succession )\t an error4 ,lillie ,lehmann says3 ,i exp5d$ t5 ye>s 9 p]fect+ ! trill :i* e voice mu/ ma/]1 & yet "s pupils become disc\rag$ because !y c n ma/] ! art ( s++ 9 a few mon?s6 ,_m s+]s compla9 ( a contraction 7h>dness "u ! *974 ,?is is frequ5tly f\nd :]e !y h be5 taught to place ! tip ( ! tongue aga9/ ! back ( ! l[] tee? to keep ! tongue d[n4 ,leave ! tongue limp & speak y\r v[els & consonants p]fect & di/9ct1 & ! tongue w take c>e ( itself4 ,^? :o are work+ to produce l[ tones w f9d t 9 ! morn+1 imm$iately aft] ris+1 ! l[] tones respond mo/ readily & may help y to f9d a way ( increas+ ! l[] range4 ,don't neglect ! scales4 ,_m ye>s ago ,madame ,patti1 :ile on a conc]t t\r1 0 awak5$ f h] e>ly morn+ sleep by ! s\nd ( a piano 9 a room close to h]s4 ,x 0 sl[ scale practic+ & 0 madd5+ to ! s+]4 ,%e rang ! bell1 & dem&$ t ! practice be at once discont9u$4 ,:at 0 h] a/oni%m5t to le>n t ! play] 0 n "s beg9n] z %e _h suppos$1 b ! great arti/1 ,hans ,von ,bul[4 ,:y is ! s-call$ ,italian me?od suppos$ to be ! correct me?od ( s++8 ,p>tly because ! ,italian a 7z y w\ld pron\nce 7 is ! mo/ natural s\nd t c be sung1 & z ! is ! s\nd us$ 9 two-?irds ( ! words 9 ! song y s+1 x plays an important "p 9 s++4 ,v few beg9n]s realize t x is n only ! words law1 raw1 saw1 tall1 hall1 etc41 t conta9 ! ,italian 1 b also ! words light1 bright1 might4 ,9 ! ^w night1 ! beg9n] usually dwells on ! ee1 mak+ x na-eet1 :ile x %\ld be pron\nc$ naw-eet1 dwell+ on ! 4 ,! ,italian v[els cov] ! s\nd1 tone color & pronunciation ( ! ,lat91 ,engli%1 ,italian & ,g]man1 ) ! exception ( ! ,g]man o & 4 ,) ! ,fr5* x is q diff]5t4 ,! s\nd & production /&s by itself4 ,a ,fr5* s+] does n s readily s+ ! o!r languages1 nei!r does an ,am]ican 9 ! same l5g? ( "t ma/] ! ,fr5* z well z ! o!r languages4 ,! ,fr5* insi/ on p]fect diction1 & "o ( our gr& op]a s+]s :o delights ! ,new ,york op]a go]s by h] s++ ( ,fau/1 ,c>m51 etc41 9 ! ,fr5*1 w\ld n be tol]at$ at ! op]a 9 ,p>is on acc\nt ( h] diction4 ,z ! ,fr5* is ! diplomatic language ( ! _w1 x w\ld be well to take up ?is language fir/4 ,!n /udy y\r ,italian = y\r s++ & y w f9d ! ,spani%1 ,lat9 & ,g]man c be easily ma/]$4 ,/udy only ^? songs :i* h m]it4 ,aft] ! ,ball 0 compos$ )9 ! pa/ tw5ty ye>s1 & ov] #c1jjj1jjj copies h be5 sold1 yet ?is song is bo? dead & buri$1 :ile ! ,e>l ,k+1 by ,s*ub]t1 compos$ 9 #agih1 is today f\nd ^u practically all ! programs ( our not$ s+]s4 ,:5 tak+ up a new song read ! words ov] c>efully & get an idea :at y are go+ to s+ ab\t be=e y try to s+ x4 ,nev] brea! 9 ! middle ( a ^w1 or break a s5t5ce by tak+ a brea?4 ,,! ,,brea?4 ,! f\ndation ^u :i* y h to build y\r voice is ! brea?1 & l all o!r f\ndations1 x mu/ be prop]ly laid1 or ! /ructure w be a failure4 ,x is imp]ative t y h absolute & p]fect control ( ! brea?4 ,an a?lete once said to me1 ,if brea? is ! f\ndation ( good s++1 ,i c]ta9ly %\ld make a f9e s+]1 z ,i h ! l>ge/ *e/ expansion & c hold my brea? ! longe/ "t ( anyone 9 ! college4 ,! tru? is1 a small girl1 weigh+ n9ety-six p\nds1 :o _h less ?an "o-fif? ( 8 *e/ expansion1 _h twice ! volume ( s\nd-c>ry+ p[] 9 tone1 & c\ld su/a9 a tone ?ree times z long z he4 ,to practice brea?+ is n practic+ s++1 & ! tea*] :o keeps a pupil indef9itely on brea?+ lessons is ei!r kill+ "t or is n a pr(ici5t in/ructor ( voice culture4 ,x %\ld be tak5 = grant$ t all heal?y p]sons brea! prop]ly4 ,x is n ! brea?+1 b ! p[] ( control1 :i* is ( vital importance4 ,x may be t aft] tak+ brea?+ lessons = a p]iod ( six mon?s t y w /ill be f> f able to control ! brea? on ! tone4 ,x is ! way y practice1 r ?an ! l5g? ( "t :i* br+s pr(ici5t results4 ,y w f9d by ref]r+ to ! *apt] on ,practical ,ex]cises t ,i demon/rate ! matt] ?or\ghly4 ,a good tone %\ld h resonance1 or :at we call vibration1 b n tremolo4 ,_m "y s+]s confuse ^! two4 ,und\bt$ly x is j z bad to s+ ) a /raight1 cold1 unmusical tone z x is to produce an exagg]at$ vibrato or tremolo4 ,if y are unable to make ! di/9ction betwe5 ^! two1 d n fail to consult someone :o c d s1 t y may n ent] ! pitfalls1 :i* x takes mon?s to ov]come4 ,y _c realize h[ little brea? is necess>y on ! tone2 we s+ ) a great am\nt ( pressure1 b ) v little brea?4 ,h y ev] tak5 a cov]$ head tone )\t sc>cely tak+ any brea?1 & f\nd t y c\ld su/a9 x = a practically unlimit$ p]iod8 ,i f\nd "o ( my pupils :o _h else:]e tak5 a c\rse 9 brea?+1 9 tak+ a tone1 w\ld pu% h] brea? out s h>d t y he>d m brea? ?an tone4 ,9 s++ a tone or %ort s5t5ce1 h] *e/ w\ld collapse & %e w\ld become1 z %e t]m$ x1 ,all out ( brea?4 ,%e w\ld give me all k9ds ( wond]ful brea? demon/rations1 b c\ld n connect ! brea? & tone4 ,i reque/$ h] to speak 9 a natural way ! s5t5ce1 ,?is is a v beautiful day4 ,i ask$ h] if %e c\ld he> a lot ( escap+ brea?8 ,%e answ]$1 ,no4 ,i !n ask$ h] to place "o h& across ! ribs & "o across ! *e/ & c5t] h] ?\ghts directly at ^! two po9ts to see if %e c\ld asc]ta9 :at 0 tak+ place !re1 :ile once aga9 9 a natural speak+ voice %e repeat$ ! s5t5ce4 ,%e did s1 & f\nd %e 0 n out ( brea?1 & t h] *e/ did n collapse & %e did n feel any discom=t4 ,i !n ask$ h] to repeat ! s5t5ce on ! m$ium tone ,e above middle ,c1 !n on ,f1 !n on ,g1 direct+ h] ea* "t to ?9k %e 0 m]ely speak+ ! s5t5ce1 & !n = ! fir/ "t 9 h] life %e 0 able to und]/& control ( brea?4 ,dur+ ! next lesson we 7 able to beg9 tone plac+ )\t ! lea/ tr\ble 9 connect+ ! brea? & tone4 ,try x y\rself4 ,all k9ds ( a?letics1 brea?+ lessons or ex]cises 9 mod]ation are b5eficial1 b !y are n voice culture4 ,z y\r brea? plays a mo/ important "p 9 tone plac+1 ! brea? & tone %\ld />t toge!r1 h& 9 h&1 f ! v beg9n+4 ,9 ! foll[+ *apt] ,i %all give "s practical ex]cises t w give ! ,,brea? & tone a *ance to become acqua9t$ ) ea* o!r4 ,a ,,few ,,practical ,,ex]cises ,,& ,,illu/rations4 ,/& erect1 b n 9 a /ra9$ position4 ,place ! palm ( y\r h&s ov] y\r ribs1 po9t+ ! f+]s =w>d4 7,see ,figure #a47 ,exhale by bl[+ sl[ly ?r\gh ! clos$ lips1 v mu* z ?\gh y 7 bl[+ on emb]s to make !m burn4 ,9 do+ ?is1 y w f9d t y\r f+] tips w almo/ meet 9 front4 7,see ,figure #b47 ,keep y\r h&s 9 ! same position & inhale ?r\gh ! nose4 ,y w notice a l>ge space 9 front betwe5 y\r h&s4 7,see ,figure #c47 ,keep+ y\r h&s 9 ! same position1 repeat ?is ex]cise five times2 !n drop y\r arms to y\r sides1 relax & re/ a few mom5ts1 repeat+ ?is ex]cise sev]al times until x comes easy4 ,illu/ration3 five images ( ! rib-cage do+ brea? ex]cises4 ,g be=e an op5 w9d[ e morn+1 place y\r h&s z 9 figure #d1 inhale ?r\gh ! nose1 7don't raise ! %\ld]s7 see t ! expansion is z great "u ! left h& z "u ! "r h& 7z 9 figure #e7 :ile hold+ ! brea? c\nt #e 7al\d7 !n exhale :ile hold+ ! h&s 9 same position1 repeat ?is ex]cise #e times 9 succession4 ,a positive cure = all =ms ( n]v\sness4 ,be sure :5 inhal+ y d n use en\gh muscul> ex]tion to take en\gh brea? to cause lift+ ( ! %\ld]s1 :i* is decid$ly wrong4 ,place y\r h&s z 9 ! fir/ position1 exhale1 !n inhale &1 :ile y keep ! ribs ext5d$ aga9/ y\r h&s1 :i* is done by hold+ ! brea? & by muscul> t5sion1 speak ! s5t5ce1 ,?is is a beautiful day1 !n exhale1 inhale aga91 hold+ ! brea? :ile y repeat ! s5t5ce4 ,repeat ?is sev]al times1 !n drop y\r arms to ! sides & re/4 ,x is bett] at ! beg9n+ to take too little brea? ?an to take too mu*4 ,mo/ beg9n]s take too mu* brea?1 :i* makes x impossible to control x4 ,until y und]/& control ( ! brea?1 x is bett] to only take en\gh to ext5d y\r ribs aga9/ y\r h& z f> z !y w g )\t discom=t4 ,don't let anyone tell y t diaphragmatic1 int]co/al or abdom9al brea?+ alone is ! only safe c\rse2 p]fect brea?+ is a comb9ation ( ^! & m4 ,by practic+ ! above ex]cises y w f9d 9 a %ort "t all ! organs t nature int5d$ to be us$ = brea?+ w be 9 play4 ,! reason ! beg9n] is in/ruct$ to place ! h&s on ! ribs is to "w f ! c5tral po9t1 & z ! /ud5t progresses1 by cont9uation ( ! ex]cises x w be f\nd t ! co/al1 int]co/al1 dorsal1 diaphragmatic & abdom9al muscles are all do+ _! %>e4 ,place y\r h&s z 9 ! fir/ position4 ,exhale--inhale4 ,su/a9 ! syllable saw on an easy m$ium tone4 ,z y attack ! tone d n let ! ribs collapse1 b z y su/a9 x1 let ! ribs v sl[ly collapse "u ! palm ( y\r h&s4 ,try to resi/ s z to n let too mu* brea? escape4 ,don't let y\r *e/ collapse any m ?an is absolutely necess>y4 ,! l[] ! tones y s+ ! less resi/ance y ne$1 :ile ! high] tones y s+ ! m resi/ance y ne$4 ,9 ord] to su/a9 a high tone1 draw 9 slightly "u ! ribs1 leav+ ! *e/ ext5d$4 ,s++ ! tone1 n[ takes ! place ( ! exhal+ ex]cise4 ,illu/ration3 musical notation1 saw 444saw 444saw 444 ,! ^w saw1 besides giv+ y ! v[el 1 also gives y ! correct s\nd ( ! ,italian ah & :at ! ah %\ld be 9 s++4 ,! av]age beg9n] s+s too mu* on ! tone color ( a z 9 hat1 :i*1 z y asc5d ! scale1 w\ld f9ally l& ! tone 9 ! region ( ! back ( y\r neck4 ,9 le>n+ to s+ ! ah or ,italian 1 always use words l saw1 raw1 law1 paw1 daw1 gnaw1 su/a9+ ! tone4 ,,! ,,v[els a e i o u ,pron\nc$3 a z 9 saw e z a 9 fate i z ee 9 meet o z o 9 note u z oo 9 moon ,example-- ,illu/ration3 musical notation demon/rat+ pron\nciation a ee o oo ,9 asc5d+ ! scale1 y %\ld cov] ! tone4 ,to cov] ! tone simply put a little m o 9 y\r ah1 s t by ! "t y are up ne> y\r high limit tone y %\ld almo/ be s++ s1 lo1 d\gh4 ,?is enables y to f9d y\r head tone4 ,x w n be l[ or d\gh b a good ah4 ,if y d n gradually curve ! ah into an o t[>d y\r high tones1 y w f9d !m turn+ into ! a z 9 hat4 ,9 produc+ head tones !re are two valuable ex]cises ,i w\ld sugge/4 ,illu/ration3 ,,! ,,v[els1 images ( faces pron\nc+ ! v[els3 a z 9 saw4 e z a 9 fate4 i z ee 9 meet4 o z o 9 note4 u z oo 9 moon4 ,positions ( ! m\? 9 pron\nc+ ! v[els4 ,drop y\r jaw z 9 s++ saw2 leave ! jaw dropp$ s++ saw1 b curv+ y\r lips into an o4 ,y w f9d an oh ) f9e head resonance & an op5 relax$ ?roat4 ,example-- ,illu/ration3 musical notation1 o o o o o o o o o ,s+ ?is ex]cise 9 all ! keys )9 y\r range4 ,"s f9d _! head tones fir/ by humm+ ?r\gh ! nose1 :ile to "s ?is sugge/ion w\ld be ( no value4 ,if y h a break or any tr\ble go+ f y\r high to l[ tones1 practice ! ex]cise f ! high tone d[n in/ead ( f ! l[ tone up4 ,example-- ,illu/ration3 musical notation1 o a o a o a saw saw saw ,if y h tr\ble roll+ y\r r's1 :i* is absolutely necess>y1 practice ! foll[+ words 9 two syllables1 n1 h[ev]1 dropp+ ! tone4 ,example-- ,tree z tau-ree4 ,tru/ z tau-ru/4 ,true z tau-rue ,breeze z b-reeze4 ,tra9 z tau-ra94 ,bright z b-"r4 ,br[n z b-r[n4 ,aft] y h ma/]$ ! roll$ r ?r\gh ! above ex]cises1 pron\nce !m 9 "o syllable z !y %\ld be4 ,next1 take up y\r consonants be=e ! v[el ,illu/ration3 musical notation1 ,baw1 bay1 bee1 bo1 boo ,baw1 bay1 bee1 bo1 boo ,baw1 bay1 bee1 bo1 boo ,daw1 day1 dee1 d1 doo ,daw1 day1 dee1 d1 doo ,daw1 day1 dee1 d1 doo ,faw1 fay1 etc4 ,faw1 fay1 etc4 ,faw1 fay1 etc4 ,gaw1 gay1 etc4 ,gaw1 gay1 etc4 ,gaw1 gay1 etc4 ,haw1 hay1 etc4 ,haw1 hay1 etc4 ,haw1 hay1 etc4 ,j1 k1 l1 m1 n1 p1 q1 r1 s1 t1 v1 w1 y1 z4 until y h cov]$ all ! consonants4 ,!n y\r f9al consonants1 z 9 late1 date1 light1 bright4 ,9 ! ^w date1 make y\r d & y\r a di/9ct & on ! tone1 b z y pron\nce y\r t1 :i* mu/ also be di/9ct1 drop ! tone s z n to leave an aft]-tone4 ,?is mu/ be done 9 all words except ^? end+ ) m & n4 ,next build s5t5ces f words :i* seem mo/ difficult to y & s+ ! entire s5t5ce on "o su/a9$ tone4 ,example-- ,illu/ration3 musical notation repeat+ ,n[ ! day is ov]4 ,n[ ! day is ov]4 ,n[ ! day is ov]4 ,9 a song :]e "s p>ticul> phrase or s5t5ce seems difficult to y1 s+ ! entire phrase or s5t5ce on "o su/a9$ tone1 pron\nc+ ! words di/9ctly until y h gone d[n sev]al tones bel[ & sev]al tones above ! pit* 9 :i* x is writt51 s++ x ov] & ov] on ! "o su/a9$ tone 9 all ! keys ( y\r range4 ,i _c tell y ( ! b5efit y w d]ive f ma/]+ a difficult phrase or s5t5ce 9 ?is mann]4 ,= ! h>dness & muscul> contraction "u ! *91 :i* has und\bt$ly be5 br\ght ab\t by me?ods advocat+ ! plac+ ( ! tip ( ! tongue aga9/ ! back ( ! l[] tee?1 put y\r ?umb well up "u y\r *9 & see t !re is no contraction 7h>dness74 ,leave y\r tongue p]fectly limp1 & hum fir/ ?r\gh ! nose1 gradually turn+ ! humm+ into an o1 o1 o1 !n to o1 o1 o1 su/a9+ ! tone & keep+ ! ?umb pu%$ well up "u ! *9 to feel t !re is no contraction4 ,by us+ ?is ex]cise y w be able to ov]come ?is common fault 9 a v %ort "t1 b y mu/ g at x sy/ematically4 ,9 s++ songs pron\nce y\r words p]fectly & di/9ctly1 lett+ ! palate1 glottis & l>ynx take c>e ( !mselves4 ,if y\r me?od ( s++ is good1 no?+ c injure y\r voice4 ,z ?is book voices ! s5tim5t ( "s ( ! mo/ brilliant lights 9 ! pr(ession1 & conta9s facts bas$ on ye>s ( actual exp]i5ce1 x is n egoti/ical = me to say t its c>eful1 ?\ghtful & consci5ti\s p]usal w give to ! /ud5t ( voice culture assi/ance t w be ( ine/imable value 9 rea*+ 8 goal4 ,/>t ) ease & naturalness & ! *ances are excell5t = y\r pa?way to be illumn$ ) success4 ,,! ,,au?or4