,see ,transcrib]'s ,notes at end ( text4 ,,arti/s ,,pa/ ,,& ,,pres5t ,by ! ,same ,au?or ,! ,works ( ,james ,mc,neill ,:i/l]4 ,illu/rat$ ) ,_m ,reproductions ( ,et*+s1 ,li?ographs1 ,pa/els & ,pa9t+s1 #f-c_/d #i-a_/d ,in*es4 ,box$1 #d4jj ,net4 7,po/age #cb c5ts47 ,a /udy ( ,:i/l] & 8 works1 includ+ et*+s1 li?ographs1 pa/els1 wat]-colors1 pa9t+s1 l&scapes4 ,also a *apt] on ,:i/l]'s ,!ory ( ,art4 ,! ,same4--,limit$ ,edition de ,luxe4 ,! ,limit$ ,edition ( ! ,above ,"w1 ,illu/rat$ ) ,additional ,examples on ,japan & ,india ,pap]4 ,pr9t$ on ,van ,geld] ,h&-made ,pap]1 ) ,wide ,m>g9s4 ,limit$ to #bej ,numb]$ & ,sign$ ,copies1 ( :i* a few are left unsold4 ,box$1 #ae4jj ,net4 7,po/age ,extra47 ,! ,art ( ,william ,blake4 ,uniquely & ,elaborately ,illu/rat$4 ,size #g-a_/b #aj-a_/b ,in*es4 ,wide ,m>g9s4 ,box$1 #c4ej ,net4 7,po/age #be c5ts47 ,a volume ( great di/9ction1 discuss+ ! art ( ,blake 9 sev]al unusual phases1 & dwell+ importantly ^u 8 ,manuscript ,sket* ,book1 to :i* ! au?or has _h free access1 & f :i* ! publi%]s h drawn freely = illu/rations1 _m ( :i* h nev] be5 publi%$ be=e4 ,illu/ration3 ,,dans ,,la ,,loge ,f a pa9t+ by ,m>y ,cassatt ,arti/s ,pa/ & ,pres5t ,,r&om ,,/udies ,,by ,,elisabe? ,,lu!r ,,c>y ,au?or ( ,! ,art ( ,william ,blake1 ,:i/l]1 ,etc4 ,,illu/rat$ ,,new ,,york ,,m(fat1 ,,y>d ,,company #aiji ,copyright1#aiji1 by ,,m(fat1 ,,y>d ,,company ,,new ,,york ,,publi%$1 ,,septemb]1 #aiji ,! ,plimpton ,press ,norwood ,mass4 ,u4,s4,a4 ,,cont5ts ,,page ,i4 ,,anto9e ,,l\is ,,b>ye #a ,,ii4 ,,! ,,art ,,( ,,m>y ,,cassatt #be ,,iii4 ,,max ,,kl+] #cg ,,iv4 ,,alfr$ ,,/ev5s #di ,v4 ,a ,,sket* ,,9 ,,outl9e ,,( ,,jacques ,,callot #fa ,,vi4 ,,c>lo ,,crivelli #ha ,,vii4 ,,! ,,cassel ,,gall]y #ie ,,viii4 ,,fant9-,,lat\r #aji ,,ix4 ,,c>l ,,l>sson #aai ,x4 ,,jan ,,/e5 #aca ,,xi4 ,,"o ,,side ,,( ,,mod]n ,,g]man ,,pa9t+ #adc ,,xii4 ,,two ,,spani% ,,pa9t]s #afe ,,li/ ,,( ,,illu/rations ,,dans ,,la ,,loge ,frontispiece ,f a pa9t+ by ,m>y ,cassatt ,fac+ ,page ,,portrait ,,( ,,anto9e ,,l\is ,,b>ye #b ,f a pa9t+ by ,j4 ,f4 ,millet ,,lion ,,dev\r+ ,a ,,doe #f ,,bull ,,?r[n ,,to ,,e>? ,,by ,a ,,be> #f ,f a bronze by ,b>ye ,a ,,lioness #h ,f a bronze by ,b>ye ,,! ,,pranc+ ,,bull #aj ,f a bronze by ,b>ye ,,pan!r ,,seiz+ ,a ,,de] #ab ,f a bronze by ,b>ye ,,! ,,lion ,,& ,,! ,,s]p5t #af ,f a bronze by ,b>ye ,,asian ,,elephant ,,cru%+ ,,tig] #bj ,f a bronze by ,b>ye ,,*ild ,,re/+ #bh ,f an et*+ by ,m>y ,cassatt ,,on ,,! ,,balcony #cb ,f a pa9t+ by ,m>y ,cassatt ,,woman ,,) ,a ,,fan #cd ,f a pa9t+ by ,m>y ,cassatt ,,bee?ov5 #ch ,f a /atue 9 color$ m>ble by ,max ,kl+] ,,cass&ra #dd ,f a /atue 9 color$ m>ble by ,max ,kl+] ,l',,ateli] #eb ,f a pa9t+ by ,alfr$ ,/ev5s ,,portrait ,,( ,,jacques ,,callot #fh ,engrav$ by ,vo/]man aft] ! pa9t+ ( ,van ,dyck ,,/4 ,,dom9ic #hd ,f a panel by ,c>lo ,crivelli ,,/4 ,,george #hf ,f a panel by ,c>lo ,crivelli ,,piet #hh ,f a panel by ,c>lo ,crivelli ,a ,,panel ,,by ,,c>lo ,,crivelli 7a7 #ij ,a ,,panel ,,by ,,c>lo ,,crivelli 7b7 #ib ,,saskia #ih ,f a portrait by ,rembr&t ,,ni*olas ,,bruyn+h #ajb ,f a portrait by ,rembr&t ,,portrait ,,( ,,mme4 ,,ma,,tre #aab ,f a pa9t+ by ,fant9-,lat\r ,,my ,,family #abj ,f a pa9t+ by ,c>l ,l>sson ,a ,,pa9t+ ,,by ,,c>l ,,l>sson #abf ,,peasant ,,wom5 ,,( ,,da*au] #adh ,f a pa9t+ by ,leibl ,,fiddl+ ,,dea? #aed ,f a portrait by ,arnold ,boeckl9 ,,! ,,swimm]s #aff ,f a pa9t+ by ,sorolla ,,! ,,ba?--,j,,vea #afh ,f a pa9t+ by ,sorolla ,,! ,,sorc]esses ,,( ,,san ,,milan #agj ,f a pa9t+ by ,zuloaga ,,! ,,old ,,b\lev>di] #agb ,f a pa9t+ by ,zuloaga ,,m]c$,s #agd ,f a pa9t+ by ,zuloaga ,,arti/s ,,pa/ ,,& ,,pres5t ,i ,,anto9e ,,l\is ,,b>ye ,at ! ,metropolitan ,museum ( ,art are two pictures by ! ,flor5t9e pa9t] ( ! fifte5? c5tury call$ ,pi]o di ,cosimo4 ,!y repres5t hunt+ sc5es1 & ! figures are ^? ( m51 wom51 fauns1 satyrs1 c5taurs1 & bea/s ( ! =e/s1 fi]cely /ruggl+ toge!r4 ,z we obs]ve ! lion fa/5+ 8 tee? 9 ! fle% ( ! bo>1 ! be> grappl+ ) 8 human slay]1 & ! en]gy & det]m9ation ( ! creatures at bay1 our ?\ght involunt>ily bridges a *asm ( f\r c5turies & calls up ! image ( ! ,b>ye bronzes 9 :i* are display$ ! same deta*m5t ( vision1 ! same abs5ce ( s5tim5tality1 ! same vigor & int5sity if n q ! same /rang5ess ( imag9ation4 ,x is manife/ly unwise to c>ry ! p>allel v f>1 yet !re is /ill ano!r t\* ( simil>ity 9 ! beautiful surfaces4 ,pi]o's f9e1 delicate h&l+ ( pigm5t is 9 ! same mann] ( expression z ,b>ye's exquisite manipulation ( 8 metal aft] ! ca/+1 8 beautiful ?9 pat9es t d n suppress b reveal s5sitive l9e & subtle modulation4 ,we "k little en\gh ( ,pi]o beyond :at 8 canvases tell u4 ,( ,b>ye we naturally "k m1 al?\gh ev]y?+ save :at 8 "w confides ( 8 "* & temp]am5t is ( second>y importance1 & he is int]e/+ to mod]ns1 especially z ! fa!r ( mod]n animal sculpture1 & n = ! ev5ts ( 8 quiet life4 ,illu/ration3 ,f ! collection ( ! late ,cyrus ,j4 ,lawr5ce1 ,esq4 ,,portrait ,,( ,,anto9e ,,l\is ,,b>ye ,f a pa9t+ by ,j4 ,f4 ,millet ,anto9e ,l\is ,b>ye1 born at ,p>is ,septemb] #ae1 #agif1 di$ ,june #be1 #ahge1 9 ! same ye> ) ,corot & at ! same age4 ,! circum/ances "u :i* he began 8 c>e] h be5 told 9 detail by m ?an "o biograph]1 b x w\ld be difficult rightly to e/imate ! importance & s+ul>ity ( 8 "w )\t "s review ( !m4 ,8 fa!r 0 a jewel] ( ,lyons1 :o settl$ 9 ,p>is be=e ,anto9e 0 born1 & ^: idea ( education = 8 son 0 to place him at less ?an f\rte5 ) an engrav] ( milit>y equipm5ts f :om he le>n$ to engrave on /eel & o!r metals1 & lat] ) a jewel] f :om he le>n$ to make /eel matrixes = mold+ reliefs f ?9 metals4 ,a c]ta9 /ress has be5 laid on ?is lack ( s*ool+ 9 ! conv5tional s5se ( ! ^w1 b x is difficult to see t x did mu* h>m1 s9ce ,b>ye1 ?\gh he 0 n a correct writ] ( ,fr5*1 0 a great read]1 ke5ly intellig5t 9 8 analysis ( ! k he ga9$ f books1 & ) extraord9>y p[] ( turn+ x to 8 own uses4 ,su* a m9d does n s]i\sly miss ! advantages (f]$ by a =mal tra9+1 & x might fairly be argu$ t ! manual skill develop$ at ! "w-b5* 0 9 ! long run m valuable to him ?an ! ab/ract k :i* he might h acquir$ 9 s*ool c\ld possibly h be54 ,be t z x may1 up to ! "t ( 8 m>riage 9 #ahbc he _h a v>i$ appr5tice%ip4 ,at sixte5 he 0 drawn z a conscript & 0 fir/ assign$ to ! dep>tm5t :]e maps 9 relief are model$4 ,be=e he 0 tw5ty-"o he 0 work+ ) a sculptor call$ ,bosio1 & also 9 ! /udio ( ! pa9t]1 ,b>on ,gros4 ,he /udi$ ,lam>ck1 ,cuvi] & ,buffon4 ,he compet$ five times = ! ,prix de ,rome at ! ,salon1 once 9 ! section ( m$als & f\r times 9 ! section ( sculpture1 succe$+ once 79 ! fir/ competition7 9 ga9+ a second prize4 ,he !n w5t back to ! jewel]'s b5* = eight ye>s1 v>y+ ! monotony ( 8 "w by model+ indep5d5tly small reliefs ( ,eagle & ,s]p5t1 ,eagle & ,antelope1 ,leop>d1 ,pan!r1 & o!r animals4 ,9 #ahca he s5t to ! ,salon ( t ye> ! ,tig] ,dev\r+ a ,gavial ( ! ,ganges1 a beautiful little bronze1 sev5 & a half in*es high1 :i* won a ,second ,m$al & 0 b\ght by ! ,gov]nm5t = ! ,luxemb\rg4 ,?is 0 ! beg9n+ ( 8 true c>e]4 ,9 ! same ,salon 0 exhibit$ 8 ,m>tyrdom ( ,/4 ,seba/ian1 b ! p[]ful realism & en]gy ( ! animal gr\p repres5t$ :at h5ce=? 0 to be ,b>ye's *>act]i/ic a*ievem5t1 ! realization1 t is1 ( :at ! ,*9ese call ! movem5t ( life2 ! /range reality ( appe>ance t is nev] produc$ by imitation ( nature & t makes ! greatness ( art4 ,! tig] clut*es its victim ) great gaunt paws1 its eyes are fix$ ^u ! prey1 its body is drawn toge!r ) t5se muscles1 its tail is curl$1 ! s]p5t is coil$ ab\t ! massive neck ( its de/roy] ) l>ge undulat+ curves4 ,! t\* is ev]y:]e c]ta91 ! composition is dignifi$1 & ! gr\p z an exhibition ( extraord9>y k is notewor?y4 ,a li?ograph portrait ( ,b>ye by ,gig\x1 made at ab\t ?is "t1 %[s a f9e head1 int]e/$ eyes1 a firm m\? & a det]m9$ *94 ,8 *ief qualities 7 p]sev]ance1 sci5tific curiosity1 mode/y & pride1 & t indomitable desire = p]fection s r>ely enc\nt]$ & s preci\s an elem5t 9 ! arti/'s equipm5t4 ,he 0 little ( a talk]1 little ( a writ]1 inf9itely /udi\s1 some:at res]v$ & cold 9 mann]1 yet fond ( good company & n av]se to good d9n]s4 ,guillaume said ( him t he _h ! g5ius ( great sci5ce & ( high morality1 :i* is ! be/ possible def9ition 9 a s+le phrase ( 8 arti/ic faculty4 ,he _h ! k9d ( s5sitiv5ess1 or self-e/eem1 if y w1 t frequ5tly goes ) a m9d confid5t ( its m]its1 b n indiff]5t to criticism or suffici5tly elevat$ & alo( to disp5se ) res5tm5t4 ,9 #ahcb he s5t to ! ,salon 8 ,lion ,cru%+ a ,s]p5t1 & 9 #ahcc he s5t a doz5 animal sculptures1 a gr\p ( m$allions & six wat]-colors4 ,t ye> he 0 made *evali] ( ! ,legion ( ,hon\r1 b ! foll[+ ye> n9e gr\ps made = ! ,duke ( ,orleans 7 reject$ by ! ,salon jury1 & aga9 9 #ahcf sev]al small pieces 7 reject$1 al?\gh ! ,seat$ ,lion1 lat] b\ght by ! gov]nm5t1 0 accept$4 ,! reasons = ! rejections are n entirely cle>1 b ,b>ye 0 an innovator1 & 9 ! field ( art ! way ( ! innovator is f> h>d] ?an t ( ! transgressor4 ,*>ges ( comm]cialism 7 among ^? made aga9/ him1 & he--! lea/ comm]cial ( m5--took !m deeply to he>t4 ,8 bitt]ness assum$ a self-respect+ b an inconv5i5t & unpr(itable =m1 z he made up 8 m9d to exhibit !reaft] only 9 8 own work%op1 a resolution to :i* he held = ?irte5 ye>s4 ,aft] ! rejection ( 8 gr\ps 9 #ahcd he happ5$ to meet ,jules ,dupr1 :o express$ 8 disgu/ ) ! decision4 ,x is q easy to und]/&1 ,b>ye repli$1 ,i h too _m fri5ds on ! jury4 ,?is t\* ( cynicism indicates ! ease ) :i* he 0 w\nd$1 b x 0 equally *>act]i/ic ( him t 9 plann+ 8 simple rev5ge he hurt only himself4 ,he did inde$ refra9 f s5d+ 8 bronzes to ! ,salon & he did act z 8 own salesman1 & ! result 0 ! incurr5ce ( a heavy debt4 ,to meet ?is he 0 oblig$ to sell all 8 w>es to a f\nd] :o want$ !m = ! purpose ( repeat+ !m 9 debas$ reproductions4 ,8 own c>e 9 obta9+ ! be/ possible results 9 ea* article t he produc$1 8 reluctance to sell any?+ ( ! second class1 & 8 p]fectly natural dislike to p>t+ ) an especially beautiful piece "u any circum/ances1 did n1 ( c\rse1 "w to 8 bus9ess advantage1 al?\gh ! amateurs :o h b\ght ! bronzes t came f 8 own ref9+ h& h pr(it$ by x imm5sely4 ,x w\ld be a mi/ake1 h[ev]1 to ?9k ( him z a cru%$ or ev5 a deeply mis=tunate man4 ,he simply 0 poor & n appreciat$ by ! g5]al public accord+ to 8 m]its4 ,aft] #ahej1 h[ev]1 he _h en\gh ord]s f connoisseurs1 _m ( !m ,am]icans1 & also f ! ,fr5* gov]nm5t to make x pla9 t 8 importance z an arti/ 0 firmly e/abli%$ at lea/ 9 ! m9ds ( a few4 ,he sold 8 "w at l[ prices :i* s9ce 8 dea? h be5 trebl$ & quadrupl$1 9 fact1 "s ( 8 pro(s h increas$ fifty-fold1 b ! fact t he 0 n ov]:elm$ ) ord]s gave him t preci\s leisure to sp5d ^u ! p]fect+ ( 8 "w :i*1 we may fairly assume1 0 wor? m to him ?an money4 ,illu/ration3 ,f ! collection ( ! late ,cyrus ,j4 ,lawr5ce1 ,esq4 ,,lion ,,dev\r+ ,a ,,doe 7,,lion ,,devorant ,,une ,,bi*e7 ,illu/ration3 ,f ! collection ( ! late ,cyrus ,j4 ,lawr5ce1 ,esq4 ,,bull ,,?r[n ,,to ,,e>? ,,by ,a ,,be> 7,,taureau ,,t]rass ,,p> ,,un ,,ours7 ,f a bronze by ,b>ye ,nor 0 he entirely )\t honor 9 8 own c\ntry4 ,at ! ,univ]sal ,exposition ( #ahee he receiv$ ! ,gr& ,m$al ( ,hon\r 9 ! section ( arti/ic bronzes1 & 9 ! same ye> ! ,(fic]'s ,cross ( ,legion ( ,hon\r--a dignity t is said to h rea*$ poor ,r\sseau only :5 he 0 too ne> dea? to receive ! mess5g]s4 ,9 #ahfh ,b>ye 0 made ,memb] ( ! ,in/itute1 al?\gh two ye>s e>li] he _h be5 humiliat$ by hav+ 8 application refus$4 ,& f ,am]ica1 9 addition to num]\s pro(s ( ! e/eem 9 :i* he 0 held !re by private amateurs1 he receiv$ ?r\gh ,mr4 ,walt]s 9 #ahge an ord] to supply ! ,corcoran ,gall]y at ,wa%+ton ) an example ( e bronze he _h made4 ,?is la/ tribute mov$ him to te>s1 & he repli$1 ,ah6 ,monsieur ,walt]s1 my own c\ntry has nev] done any?+ l t = me6 ,^! c]ta9ly 7 f> f be+ trivial satisfactions1 & ,b>ye _h also reap$ a h>ve/ ( ev5 subtl] joys4 ,"o likes to ?9k ( him 9 ,b>bizon1 liv+ 9 cordial intimacy ) ,diaz & ,r\sseau & ,millet & ! great ,daumi]4 ,"h he _h sympa?y1 excell5t talk ( excell5t ?+s1 ! company ( arti/s work+ z he did1 ) pr(\nd s9c]ity & intellig5ce1 & he _h a *ance himself to pa9t 9 ! va/ lonel9ess ( ! woods :]e he c\ld let 8 imag9ation roam1 & c\ld f9d a home = 8 tig]s & lions & be>s /udi$ 9 m5ag]ies & 9 ! ,j>d9 des ,plantes4 ,x is pleasant also to ?9k ( him among ! five & tw5ty ,amis du ,v5dr$i d9+ toge!r at little w9e%ops on mutton & *eese & w9e ) an occasional pt giv5 z a treat by "s memb] 9 funds = ! mom5t4 ,he 0 n above en?usiasm = un c]ta9 pt de maqu]eau de ,calais & he 0 fond ( ! !at] & ( all %[s :]e animals 7 to be se54 ,x is pleasante/ ( all to ?9k ( him at 8 "w1 ! beauty ( :i* he knew & ! ultimate success ( :i* he c\ld h>dly h d\bt$4 ,illu/ration3 ,f ! collection ( ! late ,cyrus ,j4 ,lawr5ce1 ,esq4 ,a ,,lioness ,f a bronze by ,b>ye ,9 :at does ! extraord9>y quality ( ?is "w consi/8 ,! "q is n difficult to answ]1 s9ce1 l mo/ ( ! truly great arti/s1 ,b>ye _h cle>-cut *>act]i/ics among :i* may be f\nd ^? t sep>ate him f & raise him above 8 contempor>ies4 ,sci5tific grasp ( detail & arti/ic g5]alization are to be f\nd 9 all 8 "w :]e an animal is ! subject1 & ?is comb9ation is 9 itself a m>k ( greatness4 ,if we %\ld exam9e ! exceptionally f9e collection ( ,b>ye bronzes belong+ to ! late ,mr4 ,cyrus ,j4 ,lawr5ce1 & consi/+ ( m ?an a hundr$ beautiful examples1 or ! f9e gr\p 9 ! ,corcoran ,gall]y at ,wa%+ton1 we %\ld soon le>n 8 mann] & ! type e/abli%$ by him 9 8 animal subjects4 ,9 ! pres5ce ( s l>ge a numb] ( ! works ( a s+le arti/1 c]ta9 features common to ! :ole accompli%m5t may easily be trac$4 ,"o dom9at+ *>act]i/ic 9 ?is case is ! ease ) :i* ! anatomical k ( ! arti/ is worn4 ,ev5 9 ! e>ly bronzes ! execution is free1 l>ge1 & q )\t ! dry p>ticul>ity t might h be5 expect$ f a me?od ! mo/ exact+ & specific possible4 ,b>ye f ! fir/ w5t v deeply into ! /udy ( anatomy1 exam9+ skeletons1 & dissect+ animals aft] dea? to ga9 ! utmo/ famili>ity ) all ! bones & muscles1 ! articulations1 ! fur & sk9 & m9or details4 ,8 read+ ( ,cuvi] & ,lam>ck indicates 8 int]e/ 9 !ories ( animal life & organism4 ,he took1 also1 great numb]s ( comp>ative measurem5ts t enabl$ him to repres5t n m]ely an individual specim5 ( a c]ta9 k9d ( animal1 b a type :i* %\ld be true 9 g5]al z well z 9 p>ticul>4 ,he w\ld measure1 = example1 ! bones ( a de] six mon?s old & ^? ( a de] six weeks old1 c>efully not+ all diff]5ces 9 ord] to =m a def9ite impression ( ! normal measurem5ts ( ! animal at diff]5t ages4 ,he made comp>ative draw+s ( ! skulls ( cats1 tig]s1 leop>ds1 pan!rs1 ! :ole fel9e species1 9 %ort1 seek+ out ! pr9ciples ( /ructure & not+ ! dissimil>ities due to diff]5ces 9 size4 ,he made innum]able draw+s ( %\ld]s1 heads1 paws1 no/rils1 e>s1 c>efully record+ ! dim5sions on ea* sket*4 ,among 8 notes 0 f\nd a m9ute description ( ! *>act]i/ic features ( a blood$ horse4 ,he 0 nev] cont5t ) m]ely an ext]nal obs]vation ( a subject :5 he _h x 9 8 p[] to p5etrate ! secrets ( animal me*anism4 ,he fir/ made sket*es ( 8 subjects1 ( c\rse1 b frequ5tly he also model$ p>ts ( ! animal 9 wax on ! spot to cat* ! *>act]i/ic movem5t4 ,8 indefatigable pati5ce 9 ?us lay+ ! gr\ndwork ( exact k sugge/s ! ?or\ghness ( ! old ,dut* arti/s4 ,he foll[$1 too1 ! recomm5dation ( ,leon>do--s dang]\s to any b ! /ronge/ m9d--to draw ! p>ts be=e draw+ ! :ole1 to le>n exactitude be=e facility4 ,illu/ration3 ,f ! collection ( ! late ,cyrus ,j4 ,lawr5ce1 ,esq4 ,,! ,,pranc+ ,,bull 7,,taureau ,,cabr7 ,f a bronze by ,b>ye ,a /ory is told ( a visit paid him by ! sculptor ,jacquem>t3 ,i w %[ y :at ,i h "u way1 j n[1 said he to 8 fri5d1 & look+ ab\t 8 /udio = a mom5t1 drew out a c\ple ( legs & /ood !m erect4 ,aft] a few seconds ( puzzl$ ?\ght he rememb]$ ! :]eab\ts ( ! o!r memb]s1 & f9ally drew out ! head f "u a heap 9 a corn]4 ,& ! /atue once 9 place 0 conspicu\s = its f9e s5se ( unity4 ,x 0 n1 ( c\rse1 ?is meticul\s me?od1 b ! use he made ( x1 t l$ ,b>ye to 8 great results4 ,8 m9d 0 /r5g!n$ & enri*$ by e fragm5t ( k ) :i* he f$ x4 ,x all w5t :olesomely & naturally to ! gr[? ( 8 arti/ic ideas1 & he does n appe> to h be5 int]e/$ 9 acquir+ k t did n directly connect itself ) ^! ideas4 ,by 8 p]fect famili>ity ) ! facts ^u :i* he built 8 conceptions he 0 fitt$ to use !m intellig5tly1 omit !m :]e he *ose1 exagg]ate !m :]e he *ose1 m9imize !m :]e he *ose4 ,!y did n fett] him2 !y fre$ him2 & he c\ld "w ) !m bli!ly1 unhamp]$ by d\bts & inabilities4 ,x is mo/ significant bo? ( 8 accuracy & 8 fre$om t 9 con/ruct+ 8 models he disp5s$ ) ! rigid iron skeleton on :i* ! clay commonly is built4 ,hav+ model$ ! diff]5t p>ts ( 8 composition1 he br\ght !m toge!r & support$ !m f ! outside by means ( crut*es & tr+les1 aft] ! fa%ion ( ! boat build]s1 ?us enabl+ himself to make alt]ations1 corrections & revisions to ! v end ( 8 task4 ,! def9itive braces 7 put 9 place only at ! mom5t ( ! mold+ 9 pla/]4 ,illu/ration3 ,,pan!r ,,seiz+ ,a ,,de] ,f a bronze by ,b>ye ,= small models he pref]r$ to use wax :i* does n dry & crack l ! clay4 ,he also sometimes cov]$ 8 pla/] model ) a lay]1 m or less ?ick1 ( wax1 ^u :i* he c\ld make a m p]fect r5d]+ ( sup]ficial subtleties4 ,occasionally1 z 9 ! in/ance ( ,! ,lion ,cru%+ ! ,s]p5t1 ca/ by ,honor ,gonon1 he employ$ ! process call$ cire p]due1 9 :i* ! model is fir/ made 9 wax1 !n ov] x is =m$ a mold f :i* ! wax is melt$ out by heat4 ,! liquid bronze is p\r$ into ! matrix ?us =m$1 & :5 ?is has become cold ! mold is brok5 (f1 leav+ an almo/ accurate reproduction ( ! orig9al model1 :i* is also1 ( c\rse1 unique1 ! wax model & ! mold bo? hav+ be5 de/roy$ 9 ! process4 ,^u 8 pat9es he lavi%$ inf9ite c>e4 ,!odore ,*ild has giv5 an excell5t description ( ! diff]5ce betwe5 ?is f9al enri*m5t ( a bronze z appli$ by a ma/] & ! pat9e ( comm]ce4 ,! ideal pat9e1 he says1 is an oxydation & a poli%1 )\t ?ickness1 z x 71 a delicate v>ni% or glaze1 giv+ dep? & tone to ! metal4 ,b>ye's gre5 pat9e z produc$ by himself has ^! qualities ( lightness & ri*ness ( tone1 :]eas ! gre5 pat9e ( ! mod]n pro(s is n a pat9e1 n an oxydation1 b an absolute application ( gre5 color 9 p[d]1 a mise en c\leur1 z ! te*nical phrase is4 ,9 places ?is pat9e w be ne>ly a millimet] ?ick & w consequ5tly *oke up all delicate model+1 s(t5 all t is %>p1 & r5d] ! bronze dull1 m\1 heavy4 ,to produce ,b>ye's f9e gre5 pat9e1 requires "t & pati5ce1 & = comm]cial bronze is impracticable4 ,b>ye1 h[ev]1 0 nev] a comm]cial man4 ,:5 a bronze 0 ord]$ he w\ld nev] promise x at any fix$ date2 he w\ld ask = "o or two or ?ree mon?s2 'he did n "k exactly1 x w\ld dep5d on h[ 8 pat9e came4' ,8 pat9es are by no means all gre52 "s ( !m are almo/ gold5 9 _! vitality ( color--! pat9e mdaill1 z 9 ,! ,walk+ ,de]1 :i* is a sup]b example2 "s are d>k br[n approa*+ black4 ,! mo/ beautiful 9 color & delicacy :i* ,i h se5 is t on ,mr4 ,lawr5ce's ,bull ,fell$ by a ,be> 7,taureau t]rass p> un ours71 a bronze :i* seems to me 9 _m p>ticul>s to rema9 a ma/]piece unsurpass$ by ! m viol5t & spl5did lat] works4 ,ano!r rem>kable example ( ! effect ( color possible to produce by a pat9e is furni%$ by ! ,lion ,dev\r+ a ,doe 7,lion devorant une bi*e71 dat$ #ahcg4 ,! gre5 lurk+ 9 ! %ad[s & ! copp]y gleam on ! ridge ( ! sp9e1 ! ?igh1 & ! bri/l+ mane1 ! ri* yet bright int]m$iate tones1 give a wond]ful brilliancy & vitality to ! magnific5t little piece 9 :i* ! f]ocity ( nature & ! *>m & lovabl5ess ( art are comm+l$4 ,9 8 int]e/+ book on ,b>ye1 publi%$ by ! ,b>ye ,monum5t ,association1 ,mr4 ,de ,kay has ref]r$ to ?is "w z an example ( ,b>ye's p[] to reproduce ! horrible & to make "o's blood run cold ) ! f]ocity ( ! de/roy+ bea/4 ,x seems to me1 h[ev]1 t x is "o ( ! pieces 9 :i* ,b>ye's p[] to repres5t ! horrible )\t de/roy+ ! peace ( m9d to be f\nd 9 all true art1 is mo/ obvi\s4 ,) 8 capacity = emphasiz+ t :i* he wi%es to be pr$om9ant 9 8 composition he has br\ght out to ! extreme limit ( expression ! /r5g? ( ! lion & its savage int]e/ 9 its prey4 ,! la%+ tail1 ! wr9kl$ nose1 ! conc5trat$ eyes are fully significant ( ! mood ( ! bea/1 & 7 ! doe equally def9$ ! effect w\ld be di/urb+4 ,b ! doe1 ly+ on ! gr\nd1 is treat$ almo/ 9 bas-relief1 h>dly di/+ui%able aga9/ ! massive bulk ( its oppressor4 ,! appeal is n to pity1 b to recognition ( ! =ce ( native in/9cts4 ,add$ to ?is is ! beauty1 subtly di/+ui%$ & vigor\sly r5d]$1 ( ! l>ge curves ( ! spl5did body ( ! lion4 ,ev5 among ! sup]b lat] pieces x w\ld be difficult to f9d "o ) great] beauty ( fl[+ l9e & organic composition4 ,9 ! illu/ration we c see ! g5]al cont\r f "o po9t ( view1 b we _c see ! rhy?m ( ! curves balanc+ & repeat+ ea* o!r f ! tip ( ! uplift$ tail to ! ar* ( ! great neck4 ,nor is a p>ticle ( en]gy sacrific$ to ^! beautiful cont\rs4 ,! body is compact1 ! head l>ge & expressive ( p[]1 ! ?ick paws re/ ) weight on ! gr\nd4 ,!re is none ( ! pull+ out ( =ms s (t5 employ$ to give grace & s usually sugge/ive ( weakness4 ,! composition is at once absolutely graceful & eloqu5t ( imm5se physical =ce4 ,9 ! ,pan!r ,seiz+ a ,de] 7,pan?re saississant un ,c]f71 "o ( ! l>ge/ ( ! animal gr\ps1 we h aga9 ! *>act]i/ic d\ble curves1 ! f9e play ( l9e1 & ! appropriate fitt+ ( ! figures into a long oval1 & also ! m9imiz+ ( ! cruelty ( ! subject by ! retic5t art ) :i* x is treat$4 ,we see cle>ly en\gh ! angry jaws1 ! curl$ tail1 ! weight ( ! attack+ bea/ fall+ on ! head ( its victim1 dragg+ x t[>d ! gr\nd4 ,no?+ is slight$ or compromis$4 ,we see ev5 ! ga% 9 ! fle% made by ! pan!r's claws & ! drops ( blood trickl+ f ! w\nd4 ,b we h to ?ank ,b>ye's in/9ct = ref9$ conception t ^! features ( ! "w d n claim & hold our att5tion :i* is absorb$ by ! vital l9e1 ! graci\s sweep ( ! cont\rs1 ! lovely surface1 & ! omission ( all irrelevant & unreasonable detail4 ,_m ( ,b>ye's subjects includ$ ! human figure & 9 a few in/ances ! human figure alone preoccupi$ him4 ,occasionally he 0 v successful 9 ?is k9d4 ,! small silv] reproduction ( ,h]cules ,c>ry+ a ,bo> has ! rem>kable quality ( easy =ce4 ,! figure ( ,h]cules is )\t exagg]at$ muscles1 is normally proportion$ & quietly model$4 ,8 burd5 re/s lightly on 8 %\ld]s1 & 8 free long /ride indicates t ! labor is joy4 ,?is is ! anci5t1 n ! mod]n tradition1 & ! little figure corresponds1 curi\sly en\gh1 ) "o ( ! male figures 9 ! ,pi]o di ,cosimo m5tion$ at ! beg9n+ ( ?is article4 ,9 ! latt] case ! /rong man is engag$ 9 combat ) a liv+ animal1 b he c>ries 8 /r5g? ) ! same assurance & abs5ce ( ef=t 9 its ex]cise4 ,b>ye1 h[ev]1 does n always give ?is happy impression :5 he seeks to repres5t ! human figure4 ,if we comp>e1 = example1 ! bronze made 9 #ahdj = ! ,duke ( ,montp5si] 7,rog] ,be>+ (f ,angelica on ! ,hippogriff7 ) any ( ! animal gr\ps ( t decade or e>li]1 we c h>dly fail to be amaz$ at ! lack ( unity 9 ! composition & ! di/ract+ multiplicity ( ! details4 ,if we comp>e ! ,hunt ( ! ,tig] ) ! ,asian ,elephant ,cru%+ ,tig] ! great sup]iority ( ! latt] 9 ! arrangem5t ( ! masses1 ! dignity ( ! proportions1 & 9 economy ( detail1 is at once evid5t4 ,! figures ( ! f\r /one gr\ps on ! ,l\vre1 h[ev]1 h a c]ta9 antique nobility ( design & )al a naturalness t put !m 9 ! fir/ class ( mod]n sculpture1 ,i ?9k4 ,illu/ration3 ,f ! collection ( ! late ,cyrus ,j4 ,lawr5ce1 ,esq4 ,,! ,,lion ,,& ,,! ,,s]p5t 7,,lion ,,au ,,s]p5t7 ,f a bronze by ,b>ye ,"o po9t wor?y ( note 9 any comp>ison betwe5 ,b>ye's animals & 8 human be+s is ! int5sity & subtlety ( expression 9 ! =m] & ! abs5ce ( any m>k$ expression 9 ! latt]4 ,8 m5 are practically mask$4 ,no passion or emotion makes its impression on _! features4 ,ev5 _! ge/ures1 viol5t ?\gh !y may be1 seem inspir$ f )\t & n by ! impulse ( _! own feel+s4 ,8 animals on ! contr>y %[ _m phases ( :at mu/ be call$1 = lack ( a m exact ^w1 psy*ological expression4 ,a /rik+ in/ance ( ?is is f\nd 9 ! contra/ betwe5 ! sket* = ,! ,lion ,cru%+ ! ,s]p5t & ! f9i%$ piece4 ,9 ! sket* !re is t]ror 9 ! lion's face1 8 paw is rais$ to /rike at ! reptile1 8 tail is uplift$ & la%+1 ! attitude & expression are ^? ( t]ror m+l$ ) rage & ! s]p5t appe>s ! aggressor4 ,9 ! f9i%$ bronze ! lion is calm] & 9 obvi\s possession ( ! field4 ,! fi]ce claws pu%+ out f _! %ea?+1 ! eyes t seem to sn>l ) ! m\?1 ! massive paw re/+ on ! s]p5t's coil$ body comb9e to give a subtle impression ( c]ta9 ma/]y1 & ! s]p5t is unque/ionably ! victim & def5dant 9 ! enc\nt]4 ,x is by su* intuitive read+ ( ! aspect ( animals ( div]se k9ds1 t ,b>ye awak5s ! imag9ation & leads ! m9d into ! wild]ness ( ! untam$ _w4 ,he is p]haps mo/ himself :5 depict+ moods ( conc5tration4 ,! fa%ion 9 :i* he ga!rs ! great bodies toge!r = spr++ ^u & hold+ d[n _! prey is absolutely unequal$ among animal sculptors4 ,8 m9d h&l$ monum5tal compositions ) great] success1 ,i ?9k1 ?an compositions ( ! light] type 9 :i* ! subject lay at ease or exhibit$ ! pure joy ( liv+ :i* we associate ) ! animal _w4 ,two exceptions to ?is /atem5t come1 h[ev]1 at once to my m9d--! delightful ,be> 9 8 ,tr\gh & ! ,pranc+ ,bull4 ,! =m] is ! only in/ance ,i "k ( a ,b>ye animal disport+ itself ) y\?ful irresponsibility1 & ! innoc5ce & humor ( ! little bea/ make "o wi% t x _h n occupi$ ?is unique place 9 ! li/ ( ,b>ye's "w4 ,! ,pranc+ ,bull also is a conception by itself & "o ( :i* ,b>ye may possibly h be5 a little afraid4 ,) 8 extraord9>y pati5ce x is n probable t he _h ! opposite quality ( ability to cat* ^u ! fly1 z x 71 a pass+ motion1 an elusive & swiftly fad+ effect4 ,b 9 ?is in/ance he has r5d]$ ) great skill ! curvett+ spr+ ( ! bull into ! air & ! lightness ( ! motion 9 contra/ ) ! weight ( ! body4 ,?is s+ul> lightness or physical adroitness he has caught also 9 8 repres5tation ( elephants1 ! ,elephant ( ,s5gal ,runn+1 %[+ to an especial degree ! agility ( ! animal despite its enorm\s bulk & pond]osity4 ,:ile ,b>ye's mo/ important "w 0 accompli%$ 9 ! field ( sculpture1 8 m]its z a pa9t] 7 great4 ,8 devotion to ! /udy ( /ructural expression 0 too /]n to p]mit him to lapse into m$iocrity1 :atev] m$ium he *ose to use1 & ! animals he creat$1 or re-creat$1 on canvas are z ?or\ghly und]/ood1 z cle>ly pres5t$1 z arti/ically significant z ^? 9 bronze4 ,) e m$ium1 h[ev]1 !re is1 ( c\rse1 a set ( m or less undef9able laws gov]n+ its use4 ,wide z ! scope ( ! arti/ is !re are limits to 8 fre$om1 & if he uses wat]-color1 = example1 9 a mann] :i* does n extract f ! m$ium ! highe/ virtue ( :i* x is capable he is s mu* ! less an arti/4 ,x has be5 said ( ,b>ye t 8 pa9t+s 7 unsatisfactory on t score4 ,ab\t a hundr$ pictures 9 oil & "s fifty wat]-colors h be5 put on ! li/ ( 8 works4 ,mr4 ,!odore ,*ild f\nd 8 execution heavy1 uni=m1 ( equal /r5g? all ov]1 & ( a monoton\s impa/o :i* de/roys all a]ial p]spective4 ,i h n se5 en\gh ( 8 pa9t+ 9 oils ei!r to contradict or to acquiesce 9 ?is v]dict2 b 8 wat]-colors produce a v diff]5t impression on my m9d4 ,he uses body-color b ) re/ra9t & 8 managem5t ( light & %ade & 8 broad1 free treatm5t ( ! l&scape backgr\nd give to 8 "w 9 ?is m$ium a di/9ction q ap>t f t insep>able f ! beautiful draw+4 ,9 ! pa9t+ t we reproduce ! s(t wa%es ( color ov] ! rocky l& br+ ! backgr\nd into delicate h>mony ) ! ri*ly t9t$ figure ( ! tig] ) ! effect ( v>iety 9 unity s\ght = & obta9$ by ! ma/]s ( pa9t+4 ,! weight & r\ndness ( ! tig]'s body is br\ght out by ! firm broad outl9e :i* ,b>ye's contempor>y ,daumi] is s fond ( us+ 9 8 pa9t+s1 ! int]ior model+ hav+ none ( ! emphasis on =m t "o looks = 9 a sculptor's "w4 ,9 8 pa9t+s inde$1 ev5 m ?an 9 8 sculpture1 ,b>ye %[s 8 int]e/ 9 ! psy*ological side ( 8 problem4 ,"h if ev] he sees 8 subject :ole1 9 all its relations to life4 ,! va/ sweep ( woodl& or des]t 9 :i* he places 8 wild creatures1 ! deep repose comm+l$ ) ! pot5tial f]ocity ( ^! creatures1 _! sep>at5ess f man 9 _! in>ticulate emotions1 _! inhuman passions1 _! )drawn p[]fully realiz$ lives1 _! self-suffici5cy1 _! "p 9 nature--all ?is becomes vivid to u z we look at 8 pa9t+s & we are aw>e t ! portrayal ( animal life w5t f> deep] ) ,b>ye ?an a m]e anatomical grasp ( 8 subject4 ,corot did n f9d 8 tig]s suffici5tly poetic & alt]$1 x is said1 ! tig] drawn = "o ( 8 own pa9t+s until he succe$$ 9 giv+ x a m romantic aspect4 ,b>ye's poetry1 h[ev]1 0 ! unalt]able poetry ( life4 ,he f\nd 8 inspiration 9 realities b t is n to say t 8 realities 7 ext]nal ones4 ,he exclud$ no?+ belong+ to ! s5tim5t ( 8 subject & comp>ison ( 8 "w ) t ( o!r animal sculptors & pa9t]s deep5s "o's respect = ! p5etrat+ insight ) :i* he s\ght 8 tru?s4 ,s9ce ,b>ye's dea? & ! great increase 9 ! prices ( 8 "w1 _m devices h be5 us$ to sell objects be>+ 8 "n1 b n prop]ly 8 "w4 ,= example1 he produc$ = ! city ( ,m>seilles "s objects 9 /one 7design$ = ! columns ( ! gateway71 :i* 7 nev] done 9 bronze2 s9ce 8 dea? ^! h be5 r$uc$ 9 size & produc$ 9 bronze z 8 "w4 ,works ( ! y\ng] ,b>ye sign$ by ! great "n are also confus$ ) ^? ( ! fa!r4 ,fur!r /ill1 to ! confusion ( inexp]i5c$ collectors1 ! bronzes ( ,mne1 ,frat91 & ,ca91 all arti/s ( importance1 b h>dly increas+ fame1 h _h ! signatures eras$ & t ( ,b>ye sub/itut$4 ,x is !re=e inadvisable to attempt at ?is date ! collection ( ,b>ye's bronzes )\t special k or advice4 ,! great collections ( e>ly & f9e pro(s h be5 made4 ,at ! sale ( 8 effects aft] 8 dea? ! models ) ! "r ( reproduction 7 sold1 & 9 _m in/ances ^! mod]n pro(s are on ! m>ket be>+ ! "n ( ,b>ye1 ) no indication ( _! mod]nity4 ,"s ( ^! are s clev]ly done t great k is requir$ to detect !m1 & if !y 7 sold = a mod]ate price1 w\ld be desirable possessions4 ,c]ta9 deal]s frankly sell a mod]n reproduction z mod]n & at an appropriate price1 b ,i "k ( "o only1 ,m4 ,b>bdi5ne1 :o puts a plaque ) 8 initials on ea* piece produc$ by him4 ,illu/ration3 ,,asian ,,elephant ,,cru%+ ,,tig] ,f a bronze by ,b>ye ,dur+ ,b>ye's lifetime he _h1 h[ev]1 9 8 employ1 a man nam$ ,h5ri1 :o possess$ 8 confid5ce to a full degree4 ,a few pieces are f\nd ) ! initial ( ?is man1 %[+ t !y 7 done "u 8 sup]vision & n t ( ,b>ye1 b :e!r be=e or aft] ! dea? ( ! latt] is n yet det]m9$4 ,,! ,,art ,,( ,,m>y ,,cassatt ,,ii ,,! ,,art ,,( ,,m>y ,,cassatt ,"s fifte5 ye>s ago1 on ! occasion ( an exhibition 9 ,p>is ( ,miss ,cassatt's "w a ,fr5* critic sugge/$ t %e 0 !n1 p]haps1 ) ! exception ( ,:i/l]1 ! only arti/ ( an elevat$1 p]sonal & di/+ui%$ tal5t actually possess$ by ,am]ica4 ,! sugge/ion no d\bt 0 a ra% "o1 s9ce1 z mu* p]sonal & di/+ui%$ "w by ,am]ican arti/s nev] leaves ?is c\ntry1 ! data = comp>ison mu/ be lack+ to a ,fr5* critic2 b x is c]ta9ly true t1 l ,:i/l]1 ,miss ,cassatt e>ly /ruck an individual note1 look$ at life ) h] own eyes1 & respect$ h] intellectual in/rum5t suffici5tly to ma/] x to ! ext5t1 at lea/1 ( creat+ a /yle = h]self4 ,born at ,pittsburgh1 ,p5nsylvania1 %e /udi$ fir/ at ! ,philadelphia ,academy1 & lat] travel$ ?r\gh ,spa91 ,italy1 & ,holl& 9 se>* ( arti/ic k & direction4 ,9 ,france %e came to "k ! gr\p ( pa9t]s includ+ ,monet1 ,r5oir1 ,piss>ro & ,degas1 & especially influ5c$ by ! "w ( ,degas1 %e turn$ to him = ! c\nsel %e ne$$1 receiv+ x 9 g5]\s measure4 ,x 0 a =tunate *oice1 ! mo/ =tunate possible1 if %e wi%$ to comb9e 9 h] art ! deta*$ obs]vation *>act]i/ic 9 g5]al ( ! ,impressioni/ s*ool ) a passionate pursuit ( all ! subtlety1 eloqu5ce & precision possible to pure l9e4 ,! fruit ( 8 influ5ce is to be f\nd 9 ! te*nical excell5ce ( h] repres5tations ( life1 ! firmness & c&or ( h] draw+1 h] compet5t managem5t ( planes & surfaces1 & ! audacity ) :i* %e attacks difficult problems ( color & tone4 ,! extreme gravity ( h] me?od is ! natural result ( work+ "u a ma/] ^: int5sity & au/]ity 9 ! pursuit ( arti/ic tru? are p]haps unequal$ 9 ! hi/ory ( mod]n art4 ,h] *oice ( subject is n1 h[ev]1 ! inspiration ( any m9d o!r ?an h] own4 ,%e has tak5 = ! special field 9 :i* to ex]cise h] vigor\s tal5t t provid$ by ! v>i\s phases ( ! mat]nal relation4 ,h] :olesome "y mo!rs ) _! animat$ *ildr51 comely & /rong1 unite ! *>m ( great expressiv5ess ) t ( pr(\ndly sci5tific execution4 ,! att5tive /ud5t ( art is well aw>e h[ easily ! =m] quality unsupport$ by ! latt] may deg5]ate into ! cloy+ exhibition ( s5tim5t1 & is equally aw>e ( ! /]ility ( ! latt] practis$ = itself alone4 ,) expressiv5ess = h] goal & ! means ( r5d]+ te*nical problems = h] preoccupation1 ,miss ,cassatt has arriv$ at h>d-e>n$ triumphs ( accompli%m5t4 ,"o has only to turn f "o ( h] rec5tly exhibit$ pictures to ano!r pa9t$ t5 or twelve ye>s ago to appreciate ! l5g? ( ! way %e has come4 ,! e>li] pa9t+1 an oil color1 is ( a woman 9 a /rip$ purple1 :ite1 & gre5 g[n1 hold+ a half-nak$ *ild1 :o is engag$ 9 ba?+ its own feet1 ) ! absorb$ expression on its face common to *ildr5 occupi$ ) su* responsible tasks4 ,! bricky fle% t9ts ( ! faces & h&s1 & ! gre5i% half-tones ( ! squ>e little body are too highly emphasiz$1 b a ke5 p]ception ( facts ( surface & con/ruction is obvi\s 9 ! well-def9$ planes ( ! *ild's anatomy1 9 ! =e%ort5$1 ?9 little arm press+ firmly on ! woman's knee & 9 ! /\t little legs1 h>d & r\nd & simply model$4 ,!re is pl5ty ( tru? 9 ! picture1 b 9 spite ( an almo/ effective ef=t t[>d h>mony ( color1 x lacks :at ! critics call totality ( effect4 ,! annotation ( ! v>i\s ph5om5a is too explicit1 ! values are n f9ely relat$1 & !re is little sugge/ion ( atmosph]e4 ,9 ! lat] picture ?is crudity is replac$ by a beautiful flu5t h&l+ & ! ma/]y ( tone4 ,! subject is aga9 a woman & *ild1 ! latt] j out ( its ba?1 its fle% bright & gl[+1 its limbs in/9ct ) life & ready to spr+ ) uncontrollable vivacity4 ,! model+ ( ! figures is z elusive z x is sure1 & 9 ! w>m1 gold5 air by :i* !y seem to be envelop$1 ! well-und]/ood =ms lose all sugge/ion ( ! h>dness & dryness conspicu\s 9 ! e>ly "w4 ,ano!r rec5t pa9t+ ( a k9dr$ subject1 ,le lev] de bb1 %[s ! same syn!sis ( detail1 ! same w>m? & ri*ness ( tone1 ! same free & le>n$ use ( l9e4 ,obvi\sly1 ,miss ,cassatt has come into ! full possession ( h] art & is no long] con/ra9$ by ! /ruggle1 %>p & h>d z x mu/ h be51 ) h] exact+ me?od--a me?od t has n at any "t p]mitt$ ! sacrifice ( tru? to *>m4 ,s9ce art is bo? tru? & *>m1 record & poetry1 !re is a great satisfaction 9 wat*+ ! fl[]+ ( a positive tal5t1 aft] ! inevitable /ages ( lit]alism are pass$1 into ! beauty ( intellig5t g5]alization4 ,9 all ! lat] "w !re is ! important elem5t ( ease1 a c]ta9 graci\sness ( /yle1 t enhances to a v great degree ! beauty ( ! s]i\s1 dignifi$ canvases4 ,& f ! beg9n+ ^! h %[n ! admirable qualities ( s]5ity & poise4 ,!re is no sup]ficiality or pett9ess ab\t ^! homely wom5 ) _! deep *e/s & calm faces1 peacefully occupy+ !mselves ) _! s\nd1 agreeable *ildr54 ,! air ( heal?1 ( fre% & normal vigor1 is ! *>act]i/ic ( ! *os5 type1 & l5ds a sugge/ion ( ! ,hell5ic _s to ! mod]n physiognomies4 ,illu/ration3 ,,*ild ,,re/+ ,f an et*+ by ,m>y ,cassatt ,if1 h[ev]1 9 h] te*nique & 9 ! feel+ ( quietness %e conveys1 ,miss ,cassatt recalls ! classic tradition1 %e is int5sely mod]n 9 h] *oice ( natural1 unhackney$ ge/ure1 & faces 9 :i* individuality is /rongly m>k$ & f :i* conv5tional beauty is abs5t4 ,occasionally1 z 9 ! picture %[n at ,philadelphia 9 #aijd1 & 9 ! f9e pa9t+ own$ by ,sir ,william ,c4 ,van ,horne1 we h a face *>m+ 9 itself & model$ 9 a way to br+ out its ref9em5t1 b 9 ! great] numb] ( in/ances ! r heavy & imp]fect features ( our av]age humanity are reproduc$ )\t compromise1 ) ev5 a c]ta9 s5se ( triumph 9 ! beautiful /atem5t ( suffici5tly ugly facts & fre$om f a fix$ ideal4 ,no?+1 = example1 c\ld be less 9 ! l9e ( academic beauty ?an ! quiet bonnet$ woman 9 ! op]a-box %[n at ! ,p5nsylvania ,academy 9 #aijg4 ,%e has h] op]a-glass to h] eyes & h] pleasant ref9$ pr(ile is cut %>ply aga9/ ! light balu/rade ( ! balcony4 ,o!r figures 9 adjo9+ boxes are m]e pat*es ( color & ( light & %ade1 tell+1 nev]!less1 z p]sonalities s acutely are ! individual values p]ceiv$ & discrim9at$4 ,! color is p]sonal & int]e/+1 ! difficult p]spective ( ! curv+ l9e ( boxes is ma/]$ ) amaz+ skill2 ! fidelity ( ! draw+ to ! =ms & aspects ( ?+s se5 gives expression to ev5 ! inanimate objects record$--& to pa9t]s :o h tri$ x we recomm5d ! subtlety ( t simply model$ *eek6 ,! :ole produces ! impression ( solid reality & quick life & we get f x ! k9d ( pleasure communicat$ n by ! imitation b by ! evocation ( liv+ tru?4 ,we note ?+s t h significance = u = ! fir/ "t--! f95ess ( ! hair "u ! d>k bonnet1 ! pressure ( ! body's weight on ! arm support$ by ! rail+1 ! relaxation ( ! arm hold+ ! fan1 & v clev] pa9t+ by arti/s ( less passionate s9c]ity takes on a m]etrici\s look 9 contra/ ) ?is clos5ess ( int]pretation4 ,?is1 p]haps1 is ! *ief di/9ction ( ,miss ,cassatt's art--clos5ess ( int]pretation unit$ to ! ,impressioni/'s c>e = ! transitory aspect ( ?+s4 ,%e foll[s ! track ( an outl9e z s5sitively if n z obvi\sly z ,+res1 & %e exacts f l9e z mu* z x is capable ( giv+ )\t int]f]5ce ) ! expressiv5ess ( ! :ole mass4 ,%e takes acc\nt ( details ) an un]r+ s5se = _! appropriat5ess4 ,%e selects )\t =c+ ! note ( exclusion1 & %e ?us becomes an arti/ ( suffici5tly g5]al appeal to be und]/ood at once4 ,%e is n m]ely intellig5t1 b intelligible2 h] art has no cryptic side4 ,x is only ! initiat$ frequ5t] ( gall]ies :o w pause to reflect h[ trem5d\sly x co/s to be s cle> & pla94 ,9 h] et*+s & draw+s ,miss ,cassatt e>ly arriv$ at fre$om ( h&l+4 ,! m responsive m$ium gave h] an opportunity to produce delightful /udies ( dome/ic life :ile %e 0 /ill f> f hav+ atta9$ an easy control ( pigm5t & bru%4 ,h] dry-po9ts1 pull$ "u h] own direction & enri*$ ) flat t9ts ( color1 are int]e/+ & expressive1 ri* 9 l9e & l>ge & full 9 model+4 ,! color 0 n1 h[ev]1 :olly an improv+ exp]im5t4 ,"u ! fri5dly influ5ce ( "t x may become an elem5t ( beauty1 s9ce 9 no case is x ei!r commonplace or crude1 b 9 its newness x lacks some?+ ( bo? delicacy & dep?4 ,! lat] et*+s )\t color are m ne>ly completely satisfy+4 ,! ?ree *>m+ int]pretations ( *ildr5 rec5tly s5t ov] to ?is c\ntry are full ( fre%ness & life1 & are admirable examples ( ! brilliant use ( pure l9e4 ,! attitude ( ! *ild 9 ! et*+ reproduc$ "h is1 inde$1 q an extraord9>y feat ( ri*ness ( expression ) economy ( means4 ,! heavy little head sagg+ aga9/ ! t5se arm1 ! small1 *ildi% neck & ?9 %\ld] are insi/$ ^u j suffici5tly to r5d] ! mood ( light we>9ess1 & ! little face1 full ( individuality1 is t5d]ly obs]v$ & model$ ) feel+4 ,! psy*ological b5t ( ! arti/1 h] int]e/ 9 ! portrayal ( m5tal & moral qualities1 is n[h]e m cle>ly reveal$ ?an 9 h] draw+s ( *ildr54 ,%e has nev] be5 cont5t to reproduce m]ely ! physical pla/icity & delicacy ( infancy1 b has %[n 9 h] joy\s babies & dreamy little girls at lea/ ! pot5tiality ( /rong wills & cle> m9ds4 ,great div]sity ( "* & temp]am5t are display$ 9 ! expressive curves ( ! plump "y faces1 & ! eyes1 9 p>ticul>1 que/ion+1 exultant1 wond]+1 reflective or m]ry1 betray a p5etrat+ & subtle insight into ! dawn+ p]sonality "u obs]vation4 ,illu/ration3 ,f ! ,wil/a* ,collection1 ,philadelphia4 ,,on ,,! ,,balcony ,f a pa9t+ by ,m>y ,cassatt ,"o ( h] e>lie/ works rec5tly has be5 add$ to ! ,wil/a* collection 9 ,philadelphia4 ,x %[s a man & two wom5 on a balcony4 ,! /raight l9e ( ! balcony rail+ /ret*es across ! =egr\nd )\t any modification ( its rigid l9e> effect4 ,! man's figure is 9 %ad[1 b>ely p]ceptible z to detail1 yet indicat$ )\t unc]ta9ty ( draw+ or vagu5ess ( any k9d1 a solid figure ! tactile values ( :i* are cle>ly recogniz$4 ,"o ( ! wom5 is b5d+ ov] ! rail+ 9 a half-%ad[ :ile ! o!r lifts h] face t[>d ! man 9 an attitude t makes exact+ requirem5ts ( ! arti/'s k ( =e%ort5+4 ,! :ole is duskily brilliant 9 color1 full ( ! s5se ( =m1 simple1 dignifi$1 /urdy1 opul5t4 ,x %[s t ,miss ,cassatt held at ! beg9n+ ( h] c>e] z n[1 valuable ideals ( compet5cy & lucidity 9 ! int]pretation ( life4 ,illu/ration3 ,,woman ,,) ,a ,,fan ,f a pa9t+ by ,m>y ,cassatt ,,max ,,kl+] ,,iii ,,max ,,kl+] ,max ,kl+] is "o ( ! mo/ int]e/+ & repres5tative figures 9 ! art ( ,g]many to-day4 ,ess5tially ,g]man 9 mann] ( ?\ght & feel+1 he has br\ght into ! /iff =mality ( e>ly n9ete5? c5tury ,g]man pa9t+ & sculpture a pla/icity ( m9d & an elevation ( purpose & idea t sugge/ 7z mo/ t is excell5t 9 ,g]many does sugge/7 ! influ5ce ( ,goe!4 ,9 8 re/less int]rogation ( all ! =ms ( repres5tative art1 8 "w 9 ! mass %[s a curi\s m+l+ ( fantasy1 imag9ation1 brusque realism1 antique au/]ity1 & mod]n sci5ce4 ,! enhanc+ ( ! s5se ( life is1 h[ev]1 always ! fir/ ?\ght ) him1 & lies at ! root ( 8 me?od ( introduc+ color into sculpture1 n by ! means ( a dead5+ pigm5t b by ! use ( m>bles ( deep t9ts & positive hues1 & ( transluc5t /ones4 ,z an arti/1 8 *ief di/9ction is ?is unremitt+ int5tion to convey 9 "o way or ano!r ! s5se ( ! vitaliz+ pr9ciple 9 animate objects4 ,we may say ( him t 8 draw+ is sometimes poor1 t 8 imag9ation may be clumsy & infelicit\s1 t 8 treatm5t ( a subject is frequ5tly co>se & ev5 crude1 b we _c d5y t out ( 8 et*+s & pa9t+s1 & out ( 8 great /range sculptur$ figures looks ! _s ( life1 m (t5 defiant ?an noble1 m (t5 caprici\s ?an beautiful1 b n to be mi/ak51 & ! r>e/ ph5om5on 9 ! art product ( 8 native c\ntry4 ,he unites1 too1 a pr(\nd respect = ! art ( antiquity ) a /\t mod]n s5tim5t1 a union t gives to 8 bett] "w bo? dignity & =ce4 ,:at he seems to lack is ! "o impalpable1 delicate1 elusive quality t makes = our enjoym5t ( s _m imp]fect productions1 & ! lack ( :i* does s mu* to bl9d u to excell5ce 9 o!r directions--! quality ( *>m1 :i* 9 ! ma9 dep5ds ^u ! possession by ! arti/ ( ta/e4 ,max ,kl+] 0 born 9 ,leipzig on ! eighte5? ( ,febru>y1 #aheg4 ,8 fa!r 0 a man ( arti/ic pr$ilections1 & 9 easy circum/ances1 s t ! *oice ( a bread-w9n+ pr(ession = ! son 0 n ( fir/ importance4 ,z ,kl+]'s tal5t %[$ itself at a v e>ly age1 x 0 promptly decid$ t he %\ld be an arti/4 ,he left s*ool at ! age ( sixte51 & w5t to ,k>lsruhe1 :]e ,guss[ 0 beg9n+ to ga!r ab\t him a l>ge numb] ( pupils4 ,9 #ahge he foll[$ ,guss[ to ,b]l91 :]e he came also "u ! influ5ce ( ,m5zel4 ,guss['s tea*+ 0 all 9 ! l9e ( individualism & naturalism4 ,he l$ 8 pupils /raight to nature = _! model1 & enc\rag$ !m to pa9t only :at !y !mselves saw & felt4 ,= ?is gr\nd+ 9 ! repres5tation ( pla9 facts ,kl+] has be5 grateful 9 8 matur] ye>s1 & looks back to 8 fir/ ma/] ) admiration & respect z hav+ e>ly arm$ him aga9/ 8 t5d5cy t[>d fantasy & idealism4 ,8 e>ly /yle 9 ! innum]able draw+s ( 8 y\? is ?9 & weak1 )\t a sign ( ! bold orig9ality *>act]iz+ 8 rec5t "w1 & he obvi\sly ne$$ all ! support he c\ld get f frank & su/a9$ obs]vation ( nature4 ,8 fir/ oil-pa9t+1 exhibit$ 9 ,b]l9 9 #ahgh1 %[$ ! result ( ,guss['s influ5ce 9 its solidity & practical directness ( appeal1 b a numb] ( et*+s1 execut$ t ye> & ! next--=]unn]s ( ! important lat] s]ies--indicate ! natural b5t ( ! "y arti/'s m9d t[>d symbolic =ms & unhackney$ subjects4 ,illu/ration3 ,,bee?ov5 ,f a /atue 9 color$ m>ble by ,max ,kl+] ,ab\t ! art ( draw+ z di/+ui%$ f t ( pa9t+ he has 8 own op9ions1 express$ ) emphasis 9 an essay call$ ,mal]ei und ,zei*nung4 ,draw+1 et*+1 li?ography & wood-engrav+ he consid]s preem95tly adapt$ to convey purely imag9ative ?\ghts su* z w\ld lose a "p ( _! evanesc5t sugge/iv5ess by translation into ! m def9ite m$ium ( oil-color1 & he holds ,griffelkun/1 or ! art ( ! po9t 9 z high e/imation z any o!r art = ! int]pretation ( ideas appropriate to x1 an op9ion n n[ z unusual z :5 he fir/ ann\nc$ x to 8 c\ntrym54 ,= ab\t five ye>s aft] ! close ( 8 /ud5t p]iod1 he occupi$ himself *iefly ) et*+s1 turn+ out betwe5 #ahgi & #ahhc no few] ?an n9e ( ! elaborate cycles :i* are s expressive ( 8 me?od ( ?\ght1 & ( ! be/ qualities ( 8 workman%ip4 ,9 ^! cycles he delights 9 foll[+ a developm5t n unlike t ( a musical !me1 beg9n+ ) a prelude & c>ry+ ! idea ?r\gh manifold v>iations to its f9al expression4 ,8 curi\s hi/ory ( ! f9d+ ( a glove :i* passes ?r\gh diff]5t symbolic =ms ( individuality 9 ! dreams ( a lov]1 is a fair example ( 8 ecc5tric & some:at lumb]+ humor 9 ! use ( a symbol 9 8 e>li] ye>s4 ,8 et*+s = ,ovid's ,metamorphoses %[ ! same viol5t grasp ( ! light] side ( 8 subject1 b 9 8 l&scape et*+s ( #ahha we h ample opportunity to see :at he c\ld d ) a conv5tionally *>m+ subject treat$ ) conv5tional s5tim5t & )\t symbolic int5tion4 ,! moonlight sc5e :i* he calls ,mondna*t1 has all ! subtle exquisite feel+ = h>mony & tone to be ga9$ f a ,:i/l] nocturne4 ,! dim light on ! build+s1 ! s(t sweep ( ! cl\ds across ! d>k sky1 ! impalpable r5d]+1 ! grave & deep beauty ( ! sc5e comb9e to express ! ess5ce ( night & its my/]y4 ,! oil-pa9t+ ,ab5d1 ( #ahhb1 also be>s eloqu5t te/imony to ,kl+]'s p[] to evoke purely pictorial images ( great lovel9ess4 ,9 #ahhb1 aft] ab\t a ye> ( /udy 9 ,muni*1 he pa9t$ ! important frescoes = ! ,/eglitz ,villa1 9 :i* ! influ5ce ( ,boeckl9 play$ freely4 ,x 0 9 ,p>is1 h[ev]1 :]e he /udi$ betwe5 #ahhc & #ahhe1 t ,kl+] receiv$ 8 /ronge/ & mo/ def9ite impulse t[>d pa9t+4 ,8 ,judgm5t ( ,p>is reveal$ ! fact t ! "y pa9t] _h come into possession ( himself1 & c\ld be dep5d$ ^u = qualities dem&+ con/ra9t & a measure ( sev]ity4 ,9 *oos+ a leg5d ( antiquity = ! subject ( 8 picture1 he may h felt a psy*ological obligation to obey ! great] influ5ces ( ! antique tradition4 ,at all ev5ts he r sudd5ly develop$ a /yle ( great maturity & firmness4 ,f ,p>is he w5t back to ,b]l91 b 9 #ahhi he />t$ = ,rome1 :]e he sp5t f\r pr(itable ye>s4 ,! fruit ( ?is ,roman p]iod has cont9u$ to rip5 up to ! pres5t "t1 al?\gh s9ce #ahic ,kl+] has made 8 home 9 ,leipzig1 8 w&]jahre app>5tly ov] & done )4 ,he n only pa9t$ 9 ,rome a ,piet1 a ,crucifixion1 & a numb] ( pictures 9 :i* problems ( op5-air pa9t+ are attack$1 b he conceiv$ !re ! p[]ful s]ies ( et*+s on ! subject ( dea?1 & !re he made 8 fir/ attempts 9 color$ sculpture4 ,f 8 e>lie/ ye>s1 ! image ( dea? _h (t5 solicit$ him1 & "s ( 8 int]pretations are fill$ ) dignity & pa?os4 ,9 ! sl5d]1 rigid figure on a :ite drap$ b$1 f ! et*+ cycle entitl$ ,e9e ,liebe1 !re is ! sugge/ion ( a classic tomb1 sev]e & impressive 9 outl9e1 :ile no?+ c\ld be m poignant ?an ! emotional appeal ( ! ,mutt] und ,k9d 9 ! second dea? s]ies4 ,to turn f ^! to ! two religi\s pa9t+s execut$ 9 ,rome1 is to realize t ecc5tric z ,kl+] (t5 is1 bo? 9 *oice ( subject & treatm5t1 8 attitude t[>d ! my/]ies & problems ( man's exi/5ce is t ( a s]i\s ?9k] ) a /rong arti/ic tal5t1 b a /ill /rong] intellig5ce4 ,x is n1 h[ev]1 until we rea* ! p]iod :i* he devotes to sculpture1 t we f9d 9 8 art ! quality ( nobility1 a c]ta9 bread?1 :i* 9 spite ( innovations 9 execution & almo/ trivial symbolic detail1 impresses ^u 8 conceptions ! classic m>k4 ,he began 8 /udies = 8 great poly*romatic /atue ( ,bee?ov5 z e>ly z #ahhf1 fifte5 ye>s be=e its completion4 ,9 #ahib x 0 report$ 9 ,rome t he _h turn$ to sculpture z a new field 9 :i* to prove himself a ma/]1 & 8 fir/ exhibit$ figure plac$ him above ! rank ( ! amateur4 ,he ?rew himself into 8 new "w ) 8 usual en]gy1 mak+ himself famili> ) ! te*nicalities ( m>ble cutt+ 9 ord] to foll[ ! execution ) intellig5ce at e /age4 ,he s\ght = 8 mat]ial ) unwe>y+ ze/1 tak+ long j\rneys into ,italy1 ,greece & ! ,pyr5ees to procure m>ble ) ! s(t1 worn1 ri* quality produc$ by exposure to ! wea!r2 ) ?is he comb9$ onyx & brilliant /ones1 bronze1 ivory & gold1 always ) ! int5tion ( creat+ an impression ( life 9 addition to produc+ a decorative result4 ,8 /rong decorative in/9ct comes to 8 aid1 h[ev]1 9 avoid+ ! incoh]5ce t w\ld seem inevitable f ! mixture ( s _m & su* div]se mat]ials1 & ! equally /rong intellectual motive always obvi\s 9 8 "w also t5ds to hold x toge!r 9 a m or less dignifi$ unity4 ,! ,cass&ra1 8 second color$ /atue1 f9i%$ 9 ,leipzig 9 #ahie1 & n[ 9 possession ( ! ,leipzig ,museum1 is especially free f ecc5tricity & caprice4 ,! beautiful ,greek head1 ) its deep-set eyes & delicate m\?1 is expressive ( int5se b normal feel+4 ,! fle% is repres5t$ by w>m-ton$ m>ble1 ! hair is br[ni%-r$1 ! g>m5t is ( alaba/]1 yell[i%-r$ ) violet tones1 & ! figure /&s on a p$e/al ( ,pyranean m>ble4 ,9 color effect1 h[ev]1 ! ,bee?ov5 is ! mo/ /rik+4 ,9 ,les ,matres ,contempora9s1 ,m4 ,paul ,mongr ?us describes x3 ,! p$e/al1 half rock1 half cl\d1 :i* supports ! ?rone ( ! ,olympian ma/]1 is ( ,pyranean m>ble ( a d>k violet-br[n2 ! eagle is ( black m>ble1 ve9$ ) :ite1 its eyes are ( amb]4 ,! nude bu/ ( ,bee?ov5 is ( :ite ,syrian m>ble1 ) light yell[i% reflections1 ! drap]y1 hang+ 9 supple folds1 is ( ,tyrolean onyx ) yell[-br[n /reaks 9 x4 ,! ?rone ( bronze is ( a dull br[n tone1 except 9 ! curv$ arms1 :i* are brilliantly gild$4 ,five angel heads 9 ivory are plac$ l a cr[n on ! inside ( ! back ( ! ?rone2 _! w+s are /udd$ ) multi-color$ gems & ) antique fluorsp>2 ! back ( ! ?rone is laid ) blue ,hung>ian opals4 ,all ^! diff]5t elem5ts1 ! ,fr5* critic ma9ta9s1 are held toge!r 9 reciprocal cohesion1 & are kept subord9at$ to ! bold conception ( ,bee?ov5 z ! ,jupit] ( music--! godlike p[] accumulat$ & conc5trat$1 on ! po9t ( break+ =? 9 lightn+s2 ! eagle 9 wait+1 ready to take flight1 z ! visible ?\ght ( ,jupit]1 be=e :om w spr+ up a :ole _w1 or ! musical image ( a _w3 t is :at is manife/$ by ?is close alliance ( idea & =m4 ,illu/ration3 ,,cass&ra ,f a /atue 9 color$ m>ble by ,max ,kl+] ,?is monum5t to ,bee?ov5 is a p]=mance design$ to express n m]ely ! arti/ic int]e/ ( ! subject = ,kl+]1 b ! ab\nd+ en?usiasm ( ! latt] = ! great musician's g5ius4 ,imm$iately aft] leav+ ,rome1 ,kl+] also br\ght to completion a s]ies ( et*+s call$ ,brahms-phantasie1 & int5d$ to illu/rate ! emotions ar\s$ by ! compositions ( ,brahms4 ,9 #aija he made a portrait bu/ ( ,liszt1 & 8 draw+s = ! ,metamorphoses 7 d$icat$ to ,s*umann4 ,9 ! autumn ( #aijf 8 ,brahms memorial 0 plac$ 9 ! new ,music ,hall 9 ,hamburg4 ,?is memorial monum5t has ! =m ( a p[]ful ,h]mes ) ! head ( ,brahms4 ,! ,muse ( tone is app>5tly :isp]+ secrets ( art into ! e>s ( ! ma/]4 ,8 debt1 !re=e1 to ! ma/]s ( music may be consid]$ z fully & promptly paid1 & ! impression ( h]o-wor%ip convey$ by ^! ard5t tributes is a rem9d] t ! arti/ is "y 9 temp]am5t1 ,teutonic 9 orig91 & unt\*$ by ! mod]n _s ( indiff]5ce to p]sons4 ,unlike _m ,g]man arti/s ( ! pres5t day1 he did n f9d 9 ,p>is ! atmosph]e t suit$ him4 ,9 spite ( 8 ye>s !re & 9 ,rome1 he has rema9$ undi/urb$ by any anti-,g]man influ5ce4 ,8 compatriots speak ) pride ( ! int5sely national "* ( 8 m9d1 & h e>ly recogniz$ 8 importance1 z p]haps c\ld h>dly h fail$ to be ! case ) p[]s s f> f humble1 & a me?od s f> f pati5t4 ,france also has paid him m ?an "o tribute ( appreciation1 & ! g5]al feel+ t[>d him seems n[ to be t express$ by "o ( 8 ,g]man admir]s 9 ,am]ica3 ,:y criticize him8 ,he is s ov]:elm+1 s ov]p[]+ intellectually t ! be/ we c d is to try to und]/& him4 ,,alfr$ ,,/ev5s ,,iv ,,alfr$ ,,/ev5s ,an exhibition ( ! pa9t+s ( ,alfr$ ,/ev5s 0 held 9 ,april & ,may1 #aijg1 at ! city ( ,brussels1 & lat] 9 ,may & 9 ,june at ! city ( ,antw]p4 ,! collection compris$ examples f ! museums at ,brussels1 ,antw]p1 ,p>is & ,m>seilles1 & f ! gall]ies ( _m private own]s4 ,x 0 repres5tative 9 ! fulle/ s5se ( ! ^w1 %[+ ! lit]al t5d5cies ( ! arti/'s y\? 9 su* pictures z ,les ,*asseurs de ,v9c5nes 7#ahee7 tightly pa9t$1 consci5ti\sly model$1 ) only ! deep1 resonant r$ ( a woman's cape to indicate ! magnific5t color-s5se soon to be reveal$2 or ,le ,convalesc5t1 9 :i* ! two sympa!tic wom5 hov]+ ov] ! languid "y man 9 a ,p>is draw+-room are photographically true to ! life ( ! "t1 )\t1 h[ev]1 convey+ its spiritual or intellectual expression2 %[+ also ! ri* & grave middle p]iod 9 :i* beauty ( face & =m & ! *>m ( elegant accessories are r5d]$ ) s+ul> int5sity & p]fect s9c]ity2 z 9 ,les ,visiteuses1 ,dsespre1 etc42 &1 f9ally1 %[+ ! psy*ological syn!sis ( ! lat] ye>s1 :i* reveals itself 9 su* works z ,un ,sph9x ,p>isi51 baffl+ 9 its fix$ introspective gaze1 & execut$ ) an impeccable te*nique4 ,_m ( ! e>ly pictures h a joy\sness ( frank workman%ip1 a directness ( attack & a simplicity ( arrangem5t t appeal to ! _w at l>ge m freely ?an ! subtl] blonde h>monies ( ! lat] ye>s4 ,! ,pr(il de ,femme 7#ahee7 9 :i* ,m4 ,lambotte disc]ns ! influ5ce ( ,rembr&t1 is m sugge/ive to ! pres5t writ] ( famili>ity ) ,c\rbet's bold1 heavy impa/o & %>p transitions f light to %ad[4 ,! ,rv]ie ( ! prec$+ ye> has also its sugge/ions ( ,c\rbet1 9 spite ( ! delicately pa9t$ fl[]s 9 ! ,japanese vase2 b 9 ! pictures ( ! next few ye>s1 ! robu/ fre%ness ( ! pa9t]'s ,flemi% vision f9ds expression 9 color-s*emes t resemble no?+ s mu* z ! g>d5s ( ,belgium 9 spr+time1 fill$ ) h>dy blossoms & t5d$ by skillful h&s2 ,la ,consolation ( #aheg1 = example1 9 :i* ! two black-rob$ wom5 =m ! heavy note ( dead color aga9/ :i* are reliev$ ! p9k & :ite ( _! companion's g[n1 ! pale yell[ ( ! wall1 ! blue ( ! floor & ! l[1 s(tly brilliant tones ( ! beautiful tape/ry curta94 ,ano!r pa9t+ ( ab\t ! same "t has almo/ ! *>m ( ,fant9-,lat\r's e>ly r5d]+s ( s]i\s wom5 b5d+ ov] _! books or _! sew+4 ,9 ,la ,liseuse ! girl's face is absorb$ & ?\ghtful1 ! color h>mony is quiet1 ! :ite dress1 ! dull r$ ( ! *air1 ! blue & yell[ & gre5 wools on ! table1 =m+ a patt]n ( closely relat$ tones z v>i\s 9 its unity z ! motley bord] ( an old-fa%ion$ doory>d4 ,9 o!r examples we h rem9isc5ces ( t "t ( excitem5t & e/hetic riot :5 ! silks & porcela9s & enamels ( ! ,f> ,ea/ came into ! ,p>is ( arti/s & artisans & =m$ at once a "p ( ! baggage ( ! ,p>isian ateli]4 ,l',inde ,p>is is a p>ticul>ly delightful reflection ( ?is p]iod ( ,*9ois]ies4 ,x depicts a "y woman 9 a black g[n ( ! type t ,millais lov$1 lean+ =w>d ) bo? h&s on a table cov]$ ) an ,indian drap]y4 ,on ! table /&s ! m9iature figure ( an elephant4 ,! backgr\nd is ( ! /rong gre5 s (t5 us$ by ,manet & ! v>i$ patt]n ( ! table cov] gives opportunity = assembl+ a numb] ( ri* & vivid yet quiet hues 9 an intricate & int]e/+ color composition4 ,la ,p>isi5ne ,japonaise is a subject ( ! k9d t enli/$ ,:i/l]'s int]e/ dur+ ! sixties--a h&some girl 9 a blue silk kimono embroid]$ ) :ite & yell[ fl[]s1 & a gre5 sa%1 looks into a mirror t reflects a yell[ backgr\nd & a vase ( fl[]s4 ,! colors are said to h fad$ & *ang$1 to ! complete demoralization ( ! color-s*eme1 b x is /ill a picture ( w9n+ *>m1 less res]v$ & dignifi$ ?an ,:i/l]'s ,lange ,leiz5 ( #ahfd1 b ) passages ( subtle color & a j relation ( values t h surviv$ ! encroa*m5ts ( "t4 ,f a v e>ly p]iod ,/ev5s adopt$ ! camel's-hair %awl ) its multi-color$ bord] z ! model = 8 palette & ! *ief decoration ( 8 picture4 ,x is easi]1 says "o ( 8 ,fr5* critics1 to enum]ate ! pa9t+s 9 :i* su* a %awl does n appe> ?an ^? 9 :i* x does4 ,x slips f ! %\ld]s ( ! ,dsespre & =ms a wond]ful contra/ to ! smoo? fair neck & arm reliev$ aga9/ x2 x is ! magnific5t backgr\nd ( ! volum9\s gauzy robe 9 ,une ,d\l\reuse ,c]titude2 x falls ov] ! *air 9 :i* ! "y "m sits nurs+ h] baby 9 ,t\s les ,bonheurs2 x hangs 9 ! corn]s ( /udios1 x is gracefully worn by fa%ionable visitors 9 fa%ionable draw+-rooms2 its f\ndation color is cream or r$ or a deep & t5d] yell[ z s(t z t ( a tea-rose2 x det]m9es ! h>mony ( ! color$ silks & bric--brac :i* are 9 its vic9ity1 x rules its surr\nd+s ) a truly ori5tal spl5dor1 & x gives to ! "w 9 :i* x plays s prom95t a "p an individuality supplem5t>y to ! arti/'s own4 ,x is z important z ! rugs 9 ! pictures ( ,v]me] ( ,delft or ,g]>d ,t]bor*4 ,illu/ration3 ,l',,ateli] ,f a pa9t+ by ,alfr$ ,/ev5s ,! silks & musl9s ( g[ns & sc>ves are also important accessories 9 ^! pictures :i* h a mod]nity n unlike t ( ! pictures ( ,velasquez1 9 :i* ! ugl9ess ( contempor>y fa%ions turns to beauty "u ! le>n$ r5d]+ ( textures & surfaces4 ,bibelots & furni%+s1 wall-hang+s1 pictures1 rugs1 poli%$ floors1 glass & silv] & *9a & jewels are all likewise press$ into ! s]vice ( an art t us$ :at lay ne>e/ to x1 n = ! purposes ( realism b = ! en*antm5t ( ! vision4 ,m4 ,lambotte has po9t$ out t ,/ev5s introduc$ mirrors1 cry/als & porcela9s into 8 canvasses ) ! same int5tion z t ( ! l&scape-pa9t] :o makes *oice ( a subject ) a riv]1 lake or pond1 kn[+ t cle> reflections & smoo? surface aid 9 giv+ ! effect ( di/ance & int]v5+ atmosph]e4 ,! same writ] has told u t s f> f reproduc+ ! ord9>y co/umes ( 8 p]iod ,/ev5s took pa9s to seek exclusive & elegant examples1 *efs d'oeuvres ( ! dressmak]'s art1 & t su* 7 put at 8 s]vice by ! great ladies ( ! second empire4 ,! beautiful musl9 ov]-dress ( ! ,dame en ,rose is p]haps ! "o t mo/ tax$ 8 flexible bru%4 ,x is diaphan\s 9 texture1 elaborately cut & trimm$ ) delicate laces & embroid]ies1 & ! rose ( ! "u-robe1 ! sn[y :ite ( ! musl91 ! silv] ornam5ts & ! pale blonde hair ( ! we>] make ! lighte/ & da9tie/ ( h>monies acc5tuat$ by ! black ( ! lacqu] cab9et ) its brilliant poly*romatic insets4 ,unlike ,:i/l]1 ,/ev5s nev] ab&on$ ! ri* & complicat$ color arrangem5ts ( 8 y\? = an au/]e & re/rict$ palette4 ,he nev]!less 0 at 8 be/ :5 8 picture 0 dom9at$ by a s+le color1 z 9 ! wond]ful ,fdora ( #ahhb or ,la ,tricoteuse4 ,9 ! =m] ! w>mly t9t$ hair & deep yell[ fan are ! vibrant notes1 ! creamy dress1 ! :ite fl[]s1 ! silv] bracelet1 & ! :ite butt]fly mak+ an ensemble l a gold5 :eatfield swept by pale lights4 ,! piquant note ( contra/ is giv5 by ! blue insol5t eyes & ! h>dly deep] blue blossoms ( ! love-9-a-mi/ held 9 ! languid h&s4 ,9 ,la ,tricoteuse ! composition ( colors is mu* ! same--a creamy :ite dress ) gray %ad[s1 r$di% yell[ hair1 & a bit ( blue knitt+ ) ! addition ( a %>p l9e ( r$ made by ! signature4 ,!re is no au/]ity 9 ^! vapor\s gl[+ arrangem5ts ( a s+le color4 ,!y are z ne> to ! portraiture ( full sunlight z pigm5t has be5 able to approa* & if x c be said t ,:i/l] has pa9t$ ! s\l ( color1 x c]ta9ly c be said t ,/ev5s "h has pa9t$ its embodi$ life4 ,= ! mo/ "p we h1 h[ev]1 to ?9k ( ,alfr$ ,/ev5s z a portraiti/ ( ! pond]able _w2 a ,flemi% lov] ( brilliant appe>ances1 a scrupul\s translator ( ! language ( visible ?+s into ! idiom ( art4 ,9 ! picture entitl$ ,l',ateli]1 :i* we reproduce1 is a m or less significant in/ance ( 8 arti/ic v]acity4 ,on ! cr[d$ wall1 =m+ ! backgr\nd aga9/ :i* is se5 ! model's *>m+ pr(ile1 is a picture :i* obvi\sly is a copy ( ! pa9t+ ( ,la ,fuite en ,egypte by ,breughel4 ,two v]sions ( ! same subject1 "o1 ! orig9al by ,breughel ! eld]1 ! o!r1 a copy by 8 son1 n[ hang 9 ! ,brussels ,museum1 alike 9 composition b diff]+ 9 tone1 ! son's copy hav+ app>5tly be5 left 9 an unf9i%$ condition ) ! br[n und]pa9t+ visible ?r\gh\t4 ,t ?is1 & n ! eld] ,breughel's1 is ! orig9al ( ! picture 9 ,/ev5's ,l',ateli] is cle> at ! fir/ glance1 ! w>m tonality hav+ be5 accurately reproduc$ & ev5 ! draw+ ( ! tree bran*es1 :i* diff]s mu* 9 ! two museum pictures hav+ con=m$ precisely to t 9 ! copy by ! y\ng] ,breughel4 ,x is by ?is accuracy ( t\*1 ?is respect = diff]5ces ( texture & mat]ial1 ?is recognition ( ! "p play$ 9 ! ensemble by insignificant detail1 ?is arti/ic consci5ce1 9 a ^w1 t ,/ev5s demon/rates 8 desc5t f ! great l9e ( ,flemi% pa9t]s & makes good _! tradition 9 mod]n life4 ,_m ( 8 say+s are expressive ( 8 p]sonal attitude t[>d art4 ,= example3 ,x is fir/ ( all necess>y to be a pa9t]4 ,no "o is :olly an arti/ :o is n a p]fect workman4 ,:5 y\r "r h& becomes too facile--m facile ?an ! ?\ght t guides x1 use ! left h&4 ,d n put into a picture too _m ?+s :i* attract att5tion4 ,:5 e "o speaks at once no "o is he>d4 ,conc]n+ te*nique1 he says to 8 pupils3 ,pa9t quantities ( fl[]s4 ,x is excell5t practice4 ,use ! palette knife to unite & smoo? ! color1 efface ) ! knife ! traces ( ! bru%4 ,:5 "o pa9ts ) a bru% ! t\*es se5 ?r\gh a magnify+ glass are /reak$ ) light & %ade because ( ! hairs ( ! bru%4 ,! use ( ! palette knife r5d]s ^! /rokes z smoo? z m>ble1 ! %ad[s h disappe>$4 ,! mat]ial br\ght toge!r r5d]s ! tone m beautiful4 ,m>ble has nev] an ugly tone4 ,"o may use impa/o1 b n ev]y:]e4 ,y\r bru% %\ld be h&l$ ) ref]5ce to ! "* ( :at y are copy+ 444 d n =get t an apple is smoo?4 ,i %\ld l to see y model a billi>d ball4 ,tra9 y\rself to h a true eye4 ,^! are precepts t might be giv5 by any good pa9t]1 b few ( ! mod]ns c\ld m ju/ly claim to h practic$ all t !y prea*$4 ,z a creative arti/ ,/ev5s _h 8 limitations4 ,8 l9eal arrangem5ts are seldom entirely =tunate & 8 compositions1 despite ! skill ) :i* ! giv5 space is fill$1 lack except 9 r>e in/ances ! s]5ity ( less cr[d$ canvasses4 ,he inv>iably /rove to ga9 atmosph]e by 8 *oice & treatm5t ( accessories b he r>ely us$ ! delicate device ( elim9ation4 ,nev]!less he 0 a great pa9t] & a great ,belgian1 untrammel$ by =eign influ5ces4 ,he n only drank f 8 own glass b he drank f x ! ri* old w9es ( 8 native c\ntry4 ,a ,,sket* ,,9 ,,outl9e ,,( ,,jacques ,,callot ,v ,a ,,sket* ,,9 ,,outl9e ,,( ,,jacques ,,callot ,9 ! ,pr9t ,room ( ! ,new ,york ,public ,libr>y are a l>ge numb] ( et*+s by ,jacques ,callot1 :i* are a m9e ( weal? to ! pa9t]-et*] ( to-day1 curi\s ( ! me?ods ( 8 pr$ecessors4 ,look+ at ! portrait ( ,callot 9 :i* he appe>s at ! height ( 8 brief c>e] ) well =m$1 graci\s features1 ard5t eyes1 a be>+ m>k$ by s]5ity & di/9ction1 an expression bo? grave & g5ial1 ! obs]v] inevitably mu/ ask3 ,is ?is ! creator ( t grotesque mann] ( draw+ :i* = ne>ly ?ree c5turies has borne 8 "n1 ! arti/ ( ! ,balli1 ! ,gobbi1 ! ,begg>s8 ,9 ?is dignifi$1 imag9ative c\nt5ance we h no h9t ( ,callot's trem5d\s curiosity reg>d+ ! mo/ fanta/ic side ( ! fanta/ic times 9 :i* he liv$4 ,we see him 9 ! rle lea/ emphasiz$ by 8 admir]s1 al?\gh t to :i* ! great] numb] ( 8 work+ ye>s 7 d$icat$3 ! rle1 t is1 ( morali/1 philosoph] & hi/orian1 "o deeply impress$ by ! suff]+s & cruelties ( :i* he became a sorr[ful critic4 ,!re surely nev] 0 an arti/ ^: life & environm5t 7 m fai?fully illu/rat$ by 8 art4 ,to "k "o is to "k ! o!r1 at lea/ z !y appe> f ! outside1 = ) ,callot1 z ) ! less v]aci\s & +5u\s ,watteau1 x is ! ext]nal aspect ( ?+s t we get & f :i* we mu/ =m our inf]5ces4 ,only 9 8 selection ( 8 subjects d we f9d ! preoccupation ( 8 m9d2 9 8 r5d]+ he is deta*$ & imp]sonal1 help+ u out at times 9 our k ( 8 m5tal attitude ) su* qua9t rhymes z ^? accompany+ ,les ,gr&es ,misres de la ,gu]re1 b *iefly conf9+ 8 h& to ! repres5tation ( =ms1 relations & di/ances1 ) z little conc]n z possible = ! expression ( 8 own temp]am5t1 or = psy*ological portraiture ( any sort4 ,9 ! little hi/ory1 m or less au!nticat$1 ( 8 ev5tful y\? is ! key to 8 *>m z an arti/1 a *>m ! ess5ce ( :i* is fre$om1 an easy1 in=mal way ( look+ at ! visible _w1 a light ab&on 9 ! me?od ( reproduc+ x1 an indep5d5ce ( ! tool or m$ium1 result+ 9 art :i*1 despite its m9ut5ess ( detail1 seems to happ5 z ,:i/l] has said all true art mu/4 ,! beg9n+ 0 di/9ctly picturesque1 befitt+ a nature to :i* ! _w at fir/ unfold$ itself z a great ,go?ic picturebook fill$ ) /range1 ecc5tric & mis%ap5 figures4 ,"o spr+ day 9 #afjd1 a b& ( ,bohemians1 su* z are describ$ 9 ,gauti]'s ,le ,capita9e ,fracasse1 might h be5 se5 j\rney+ ?r\gh ! smil+ c\ntry ( ,lorra9e on _! way to ,flor5ce to be pres5t !re at ! great ,fair ( ! ,madonna4 ,no gipsy c>avan ( to-day w\ld s mu* z sugge/ t biz>re & irresponsible company ( m51 wom51 & *ildr51 clad 9 motley rags1 "s 9 c>ts1 "s trudg+ on foot1 "s m\nt$ on asses or horses rival+ ,ros9ante 9 bony ugl9ess1 ! m5 arm$ ) lance1 cutlass & rifle1 a cask ( w9e /rapp$ to ! back ( "o1 a lamb 9 ! arms ( ano!r4 ,a c\ple ( ! sw>m+ *ildr5 7 deck$ out ) cook+ ut5sils1 an iron pot = a hat1 a turnspit = a cane1 a gridiron hang+ 9 front apron wise4 ,*ick5s1 ducks1 & o!r b>ny>d plund] te/ifi$ to ! m>aud+ c\rse ( ! troop ^: adv5t at an inn 0 ! signal = t]rifi$ flight on ! "p ( ! inmates4 ,! camp by night1 if no %elt] 7 at h&1 0 9 ! =e/1 :]e ! travel]s ti$ _! awn+s to ! bran*es ( trees1 built _! fires1 dress$ _! /ol5 meats1 & liv$ s f> z !y c\ld accompli% x on ! fat ( ! l&--= ! mo/ "p ( _! way a ri* & lovely l& ( v9e-clad hills & opul5t v]dure4 ,! p]iod 0 lavi% 9 curi\s gay figures to set aga9/ ! peaceful backgr\nd ( ! l&scape4 ,/roll+ play]s ( ! op5-air !at]s1 juggl]s1 =tune-tell]s1 acrobats1 ,pi]rots1 & danc]s amus$ ! pleasure-lov+ p4 ,! b& ( ,bohemians j describ$ 0 b "o ( _m4 ,its peculi>ity consi/$ 9 ! pres5ce among its memb]s ( a s+ul>ly fair & spirit$ *ild1 ab\t twelve ye>s ( age1 ^: al]t face & g5tle mann] indicat$ an orig9 unmi/akably above t ( 8 companions4 ,?is 0 little ,jacques ,callot1 son ( ,r5e ,brunehault & ,jean ,callot1 & gr&son ( ! gr&niece ( ! ,maid ( ,orleans1 ^: self-reliant temp] seems to h f\nd its way to ?is remote desc5dant4 ,already det]m9$ to be an arti/1 he _h left home ) almo/ no money 9 8 pocket & )\t ! cons5t ( 8 p>5ts1 set ^u f9d+ 8 way to ,rome1 :]e "o ( 8 playfell[s--! ,israel ,h5riet1 son ami1 ^: "n is se5 ^u s _m ( ! lat] ,callot pr9ts--0 /udy+4 ,fall+ 9 ) ! gipsies1 he travel$ ) !m = six or eight weeks1 receiv+ impressions ( a flexible1 wanton1 vagabond life t 7 nev] entirely to lose _! influ5ce ^u 8 tal5t1 al?\gh 8 mo/ temp]ate & s*ol>ly biograph]1 ,m4 ,meaume1 f9ds little ( ,bohemianism 9 8 subsequ5t mann] ( liv+4 ,flibi5 records t accord+ to ,callot's own acc\nt1 :5 he f\nd himself 9 su* wick$ company1 he lift$ 8 he>t to ,god & pray$ = grace n to jo9 9 ! disgu/+ debau*]y t w5t on "u 8 eyes4 ,he add$ also t he always ask$ ,god to guide him & to give him grace to be a good man1 besee*+ ,him t he might excel 9 :atev] pr(ession he %\ld embrace1 & t he might live to be =ty-?ree ye>s old4 ,/rangely en\gh ?is mo/ explicit pray] 0 grant$ to ! lett]1 & 0 a prophecy 9 outl9e ( 8 future4 ,arriv+ 9 ,flor5ce ) 8 fri5ds ! ,bohemians1 =tune seem$ ab\t to be graci\s to him4 ,8 delicate face ) its indef9able sugge/ions ( good bre$+ attract$ ! att5tion ( an (fic] ( ! ,duke1 :o took ! fir/ /ep t[>d fulfill+ 8 ambition by plac+ him ) ! pa9t] & engrav]1 ,canta ,gall9a1 :o taught him design & gave him lessons 9 ! use ( ! bur94 ,8 ta/e 0 already = oddly =m$ or grotesque figures1 & to c\nt]act ?is t5d5cy ,gall9a _h him copy ! mo/ beautiful works ( ! great ma/]s4 ,possibly ?is conv5tional beg9n+ pall$ ^u 8 boyi% _s1 or he may m]ely h be5 impati5t to rea* ,israel & behold ) 8 own eyes ! gold5 city describ$ 9 8 fri5d's lett]s4 ,at all ev5ts1 he %ortly in=m$ 8 ma/] t he mu/ leave him & pu% on to ,rome4 ,gall9a 0 n lack+ 9 sympa?y1 = he gave 8 pupil a mule & a purse & pl5ty ( good advice1 & />t$ him on 8 j\rney4 ,/opp+ at ,si5a1 ,callot ga9$ 8 fir/ notion ( ! /yle1 lat] to become s indisputably 8 own1 f ,duccio's mosaics1 ! pure un%ad[$ outl9e ( :i* he bore 9 m9d :5 he dismiss$ %ad+ & cross-hat*+ f ! m>vel\sly expressive little figures t ?rong 8 pr9ts4 ,he _h h>dly ent]$ ,rome1 h[ev]1 :5 "s m]*ants f ! t[n ( ,nancy1 8 bir?place1 recogniz$ him & bore him1 prote/+1 back to 8 home4 ,once m he ran away1 ?is "t tak+ ! r\te to ,italy ?r\gh ,savoy & lead+ adv5tur\s days4 ,9 ,tur9 he 0 met by 8 eld] bro!r & aga9 ignom9i\sly return$ to 8 p>5ts4 ,b 8 p]si/5ce 0 n to g unrew>d$4 ,! ?ird "t t he und]took to seek ! light burn+ = him 9 ! city ( art1 he w5t ) 8 fa!r's bless+1 9 ! suite ( ! ambassador dispat*$ to ! ,pope by ! new duke1 ,h5ry ,,ii4 ,x is said t a portrait ( ,*>les ! ,bold1 engrav$ by ,jacques f a pa9t+1 0 :at f9ally turn$ ! scale 9 favor ( 8 /udy+ s]i\sly ) ! purpose ( mak+ art 8 pr(ession4 ,he _h ga9$ smatt]+s ( k1 s f> z ! use ( 8 tools w5t1 f ,dumange ,crocq1 an engrav] & ,ma/] ( ! ,m9t to ! ,duke ( ,lorra9e1 & f 8 fri5d ,israel's fa!r1 *ief pa9t] to ,*>les ,,iii4 ,he _h ! habit also ( sket*+ on ! spot :atev] happ5$ to attract 8 att5tion4 ,9 tru? he _h lo/ b little "t4 ,at ! age ( sev5te5 he 0 at "w1 & v h>d at "w1 9 ,rome "u ,tempe/a4 ,money fail+ him1 he became appr5tic$ to ,philippe ,?omass91 a ,fr5* engrav]1 :o turn$ out l>ge numb]s ( rubbi%y pr9ts ^u :i* 8 appr5tices 7 employ$ at s mu* a day4 ,"s ?ree ye>s sp5t 9 ?is fa%ion taught ,callot less art ?an skill 9 ! manipulation ( 8 in/rum5ts4 ,mu* ( 8 e>ly "w is buri$ 9 ! mass ( ,?omass9's production1 & su* ( x z c be id5tifi$ is poor & trivial4 ,8 precocity 0 n ! indication ( rapid progress4 ,8 draw+ 0 feeble & 0 almo/ entirely conf9$ to copy+ until #afaf1 :51 at ! age ( tw5ty-f\r1 he began regul>ly to engrave 8 own designs1 & to %[ ! individuality ( treatm5t & ! abundant fancy t promptly won = him ! respect ( 8 contempor>ies4 ,:ile he 0 9 ,?omass9's /udio1 x is report$ t 8 bright *>m ( face & mann] ga9$ him ! lik+ ( ,?omass9's "y wife--mu* ne>] 9 age to ,callot ?an to h] husb&--& ! jeal\sy ( 8 ma/]4 ,he pres5tly left ! /udio & ,rome z well1 nev] to return to ei!r4 ,x is ! "o misadv5ture sugge/ive ( erratic t5d5cies admitt$ to ,callot's /ory by ,m4 ,meaume1 al?\gh o!r biograph]s h ?r[n ov] 8 life 9 ,italy a suffici5tly lurid light1 h9t+ at revelries & vag>ies & lawless impulses unre/ra9$4 ,if1 inde$1 ! brilliant frivolity ( ,italian society at t "t tempt$ him dur+ 8 e>ly manhood1 x c\ld only h be5 = a brief space ( ye>s4 ,aft] he 0 ?irty all unque/ionably 0 labor & quietness4 ,f ,rome he w5t to ,flor5ce1 tak+ ) him "s ( ! plates he rec5tly _h engrav$4 ,^! at once f\nd favor 9 ! eyes ( ,cosimo ,,ii1 ( ! ,m$ici !n rul+ ov] ,tuscany1 & ,callot 0 atta*$ to 8 p]son & giv5 a p5sion & qu>t]s 9 :at 0 call$1 ! arti/'s gall]y4 ,at ! same "t he began to /udy "u ! !n fam\s ,jules ,p>igi1 & r5ew$ 8 acqua9tance ) 8 old fri5d ,canta ,gall9a1 meet+ 9 _! /udios ! mo/ em95t arti/s ( ! day--! bright day n yet entirely fad$ ( ! lat] ,r5aissance4 ,illu/ration3 ,,portrait ,,( ,,jacques ,,callot ,engrav$ by ,vo/]man aft] ! pa9t+ ( ,van ,dyck ,/ill 8 "w 0 copy+ & engrav+ f ! draw+s ( o!rs4 ,_h he be5 "u a ma/] less int]e/$ & sympa!tic ?an ! good ,p>igi1 x is possible t 8 peculi> tal5t w\ld nev] h decl>$ itself4 ,at all ev5ts1 ,p>igi urg$ him1 & ! urg+ seems to h be5 necess>y1 to improve 8 draw+1 to drop ! bur9 & /udy ! great ma/]s4 ,especially ,p>igi pray$ him to cultivate 8 preci\s tal5t = design+ on a v small scale ! v>i$ & complicat$ compositions ) :i* 8 imag9ation teem$4 ,8 ta/e = :atev] 0 fanta/ic & irregul> 9 aspect _h n be5 de/roy$ by 8 /udy ( ! beautiful4 ,! ,bohemian side ( human nature1 ! only nature = :i* he c>$1 /ill fasc9at$ 8 m9d1 :e!r x _h or _h n any influ5ce ^u 8 activities1 & ,p>igi's remon/rances 7 sil5c$ by 8 appreciation ( ! comic wit sp>kl+ 9 8 pupil's sket*es4 ,we see little ( ,callot among 8 fri5ds ( ?is p]iod1 b ! glimpses we get reveal a lovable & m]ry y\? 9 ^: nature is a /ra9 ( /urdy loyalty1 ard5t 9 "w & pati5t 9 seek+ p]fectness 9 ea* individual task und]tak51 b ) a curi\s contra/+ impati5ce z well1 lead+ him frequ5tly to drop "o ?+ = ano!r1 crav+ ! relaxation ( *ange4 ,an anecdote is told ( him t illu/rates ! sweet-temp]$ bli!ness ( _s ) :i* he quickly won affection4 ,9 copy+ a head he _h fall5 into an error common among ^? :o draw mo/ successfully ^u a small scale1 he _h made x mu* too l>ge4 ,8 fell[-/ud5ts 7 prompt to seize ! opportunity ( je]+ at him1 & he at once improvis$ a delightful cr[d ( impi% creatures on ! m>g9 ( 8 draw+1 danc+ & po9t+ at x 9 d]ision4 ,8 progress "u ,p>igi's wise in/ruction 0 m>k$1 b x 0 f\r ye>s aft] 8 arrival 9 ,flor5ce be=e he began to engrave to any ext5t f 8 own designs4 ,9 ! meantime1 he _h /udi$ ar*itecture & a]ial & l9e> p]spective1 & _h made innum]able p5 & p5cil draw+s f nature4 ,he _h also begun to practice et*+1 atta9+ great dext]ity 9 ! use ( ! ne$le & 9 ! employm5t ( acids4 ,9 #afag--!n tw5ty-five ye>s old--he produc$ ! s]ies ( plates :i* he rightly deem$ ! fir/ ripe fruits ( 8 long toil 9 ! doma9 ( art4 ,^! 7 ! delightful ,capricci di v>ie figure 9 :i* 8 individuality %one respl5d5t4 ,!y reproduc$ ! spectacle ( ,flor5ce z x might !n h be5 se5 by any wayf>]2 /reet p1 soldi]s1 (fic]s1 hone/ tradesm5 & rogues1 m&ol9 play]s1 loit]]s ( ! crossways & bridges1 turnpike-keep]s1 cut-?roats1 buffoons & com$ians1 grimac+ pantaloons1 fops1 coquettes1 c\ntry sc5es1 a fai?ful & brilliant /udy ( ! "t1 ! mann]s1 & ! place4 ,p>igi 0 en?usia/ic & advis$ 8 pupil to d$icate ! plates to ! bro!r ( ! ,gr& ,duke4 ,aft] ?is all w5t well & swiftly4 ,pass+ ov] _m plates1 important & unimportant1 we come ?ree ye>s lat] to ! ,great ,fair ( ,flor5ce1 pron\nc$ by ,m4 ,meaume1 ,callot's ma/]piece4 ,x is d\btful1 says ?is excell5t au?ority1 if 9 ,callot's entire "w a s+le o!r plate c be f\nd wor?y to compete ) ! ,great ,fair ( ,flor5ce4 ,he has done z well1 p]haps1 b nev] bett]4 ,at ?is "t 8 production 01 all ( x1 full ( life & _s1 vivaci\s & flu5t1 ! v joy ( workman%ip4 ,he frequ5tly began & f9i%$ a plate 9 a day1 & 8 long appr5tice%ip to 8 tools _h made him completely _! ma/]4 ,9 _m ( ! pr9ts are f\nd traces ( dry po9t1 & ^? :o look$ on :ile he work$ h te/ifi$ t :5 a blank space on 8 plate displeas$ him he 0 wont to take up 8 in/rum5t & engrave a figure1 a bit ( drap]y1 or "s trees 9 ! empty spaces1 directly ^u ! copp]1 improvis+ f 8 ready fancy4 ,= recreation he commonly turn$ to "s o!r =m ( 8 craft4 ,he tri$ pa9t+1 & "s ( 8 admir]s w\ld l to prove t he 0 a g5ius 9 ?is sort1 b x is fairly settl$ t :5 once he became entangl$ 9 ! m$ium ( color he 0 lo/1 produc+ ! heavie/ & mo/ unpleas+ effects1 & t he produc$ no f9i%$ "w 9 ?is k9d4 ,he contribut$ to ! te*nical outfit ( ! et*] a new v>ni%1 ! h>d v>ni% ( ! lute-mak]s :i* up to t "t _h n be5 us$ 9 et*+1 & :i*1 sub/itut$ = ! s(t gr\nd1 enabl$ him to execute 8 m>vel\s little figures ) great lightness & delicacy1 & also made x possible = him to keep sev]al plates go+ at once1 z he delight$ to d1 turn+ f "o to ano!r z 8 mood prompt$ him4 ,?is ,flor5t9e p]iod 0 "o ( c\ntless satisfactions = him4 ,m =tunate ?an _m arti/s1 he won 8 fame 9 "t to enjoy x4 ,8 productions 7 s highly reg>d$ dur+ 8 lifetime t good pro(s 7 eag]ly s\ght1 & to use ,bald9ucci's expression1 7 enf]mes s\s sept clefs4 ,he 0 kn[n all ov] ,europe1 & ab\t 8 neck he wore a magnific5t gold *a9 giv5 him by ! ,gr& ,duke ,cosimo ,,ii1 9 tok5 ( e/eem4 ,9 ! t[n :i* he _h ent]$ s few ye>s be=e 9 ! gipsy c>avan1 he 0 n[ ! arbit] ( ta/e 9 all matt]s ( art1 highly honor$1 & fri5d ( ! great4 ,:5 ,cosimo di$ & ! p5sions ( ! arti/s 7 discont9u$1 ,callot 0 q pa/ ! ne$ ( pr9cely favors1 & c\ld *oose 8 own pa?4 ,he _h already refus$ (f]s f ,pope & emp]or & d\btless w\ld h rema9$ 9 ,flor5ce _h n ,pr9ce ,*>les ( ,lorra9e det]m9$ to reclaim him = 8 native place4 ,9 #afba or #afbb he return$ to ,nancy1 nev] aga9 to live 9 ,italy4 ,he w5t back preem95t among 8 c\ntrym54 ,he _h done 9 et*+ :at _h n be5 done be=e him & mu* t has n be5 done s9ce4 ,he _h creat$ a new g5re & a new treatm5t4 ,he _h be5 fai?ful to 8 fir/ lesson f ,duccio & _h become eloqu5t 9 8 use ( simple outl9e to express joy1 fe>1 calm or sorr[1 8 "w ga9+ f ?is ab&onm5t ( %ad[s a l>g5ess & cle>ness t sep>ates him f 8 ,g]man contempor>ies & adds dignity to ! elegance & grace ( 8 figures4 ,8 skill ) ! et*+ ne$le _h become s great t te*nical difficulties practically did n exi/ = him4 ,:at he wi%$ to d he did ) obvi\s ease & always ) di/9ction4 ,8 feel+ = syn!sis & balance 0 z /rik+ z 8 love ( ! curi\s1 & z ^! qualities seldom g toge!r 9 "o m9d1 ! result 0 an art extremely unlike t ( o!r arti/s4 ,x 0 *>act]i/ic ( him t he c\ld n copy himself1 & f\nd himself completely at a loss :5 he tri$ to repeat "s ( 8 ,flor5t9e plates "u o!r skies4 ,arriv$ at ,nancy1 he f\nd ,h5ry ,,ii1 ! !n reign+ ,duke ( ,lorra9e1 ready to accord him a flatt]+ welcome1 & "u 8 favor he work$ ) increas+ success4 ,among ! plates produc$ %ortly aft] 8 return is "o call$ ,les ,supplices1 9 :i* is repres5t$ all ! puni%m5ts inflict$ ?r\gh\t ,europe ^u crim9als & legal (f5d]s4 ,9 an imm5se squ>e ! revolt+ sc5es are tak+ place1 & innum]able little figures sw>m ab\t ! /reets & ev5 ^u ! ro(s ( ! h\ses4 ,yet ! impression is nei!r confus$ nor pa9ful4 ,a c]ta9 imp]sonality 9 ! r5d]+1 a s]i\s almo/ melan*oly au/]ity ( t\* robs ! spectacle ( its ignoble sugge/ion4 ,inspection ( ?is rem>kable plate makes x easy to realize ,callot's supreme fitness = ! tasks t %ortly 7 to be laid ^u him4 ,he 0 *os5 by ! ,infanta ,elisabe?-,claire-,eug5ie ( ,au/ria to commemorate ! ,siege ( ,br$a1 9 a s]ies ( et*+s1 & :ile he 0 9 ,brussels ga!r+ 8 mat]ials = ?is trem5d\s "w he came to "k ,van ,dyck1 :o pa9t$ 8 portrait aft]w>d engrav$ by ,vo/]man1 a sup]b del9eation ( bo? 8 face & "* at ?is important p]iod ( 8 em95t c>e]4 ,soon aft] ! et*+s 7 complet$1 designs 7 ord]$ by ,*>les ,,iv1 = ! decorations ( ! great c>nival ( #afbg4 ,callot 0 summon$ to ,p>is to execute "s plates repres5t+ ! surr5d] ( ,la ,ro*elle 9 #afbh1 & ! prior attack ^u ! =tress ( ,/4 ,m>t9 on ! ,isle ( ,r4 ,9 ,p>is he dwelt ) 8 old fri5d ,israel ,h5riet1 :o dealt l>gely 9 pr9ts & :o _h foll[$ ) ke5 att5tion ,callot's con/antly increas+ r5[n4 ,h5riet naturally tri$ to keep 8 fri5d ) him 9 ,p>is z long z possible1 b ,callot _h lo/ by ?is "t ! vagrant t5d5cies ( 8 y\?4 ,he 0 m>ri$ & ( a home-keep+ disposition1 & all t ,h5riet c\ld ?r[ 9 8 way ( /imulat+ tasks & cong5ial society1 9 addition to ! =midable ord]s = :i* he _h contract$1 deta9$ him h>dly long] ?an a ye>4 ,^u leav+ he made ov] all 8 ,p>isian plates save ^? ( ! great sieges to ,h5riet1 ^: "n z publi%] appe>s ^u !m4 ,callot's return to ,nancy m>k$ ! close ( ! second p]iod ( 8 art1 ! p]iod 9 :i* he pa9t$ battles ) t5 ?\s& episodes reveal$ 9 "o plate1 & s accurately t m5 ( w> kept 8 et*+s among _! text-books = pr(essional ref]5ce4 ,! next dem& t 0 made ^u him to repres5t ! d[nfall ( a brave city came f ,l\is ,,xiii1 ^u ! occasion ( 8 ent]+ ,nancy on ! #be? ( ,septemb]1 #afcc4 ,by a ruse ,ri*elieu _h made ! entry possible1 & ! +lori\s triumph ,l\is deem$ wor?y ( commemoration by ! accompli%$ engrav] n[ 8 subject4 ,nei!r ,callot's high ,lorra9e he>t nor 8 brilliant in/rum5t 0 subjugat$1 h[ev]1 & he respectfully begg$ ! mon>* to absolve him f a task s revolt+ to 8 patriotism4 ,sire1 he said1 ,i am ( ,lorra9e1 & ,i _c believe x my duty to d any?+ contr>y to ! honor ( my ,pr9ce & my ,c\ntry4 ,! k+ accept$ 8 remon/rance 9 good "p1 decl>+ t ,monsieur ( ,lorra9e 0 v happy to h subjects s fai?ful 9 affection4 ,c]ta9 c\rti]s took ,callot to task1 h[ev]1 = 8 refusal to obey ! w ( ,8 ,maje/y1 & to !m ,callot respond$ t he w\ld cut (f 8 ?umb r ?an d viol5ce to 8 s5se ( honor4 ,"s ( ! arti/'s hi/orians h made him address ?is impetu\s reply to ! k+ himself1 b ,m4 ,meaume rem9ds u t1 famili> ) c\rts1 he knew too well ! civility due to a sov]eign to make x probable t he s =got 8 dignity4 ,lat] ! k+ tri$ to allure ,callot by gifts1 honors & p5sions1 b 9 va94 ,! /urdy g5tleman pref]r$ 8 oppress$ pr9ce to ! royal favor1 & set himself to immortaliz+ ! mis=tunes ( 8 c\ntry 9 ! sup]b s]ies ( et*+s :i* he call$ ,les ,misres de la ,gu]re4 ,he made six little plates %[+ 9 ! life ( ! soldi] ! mis]y he bo? endures & inflicts ^u o!rs4 ,^! 7 ! fir/ free inspiration ( ! incomp>able lat] set call$ ,les ,gr&es ,misres1 a v]itable poem1 ,m4 ,meaume decl>es1 a fun]al ode describ+ & deplor+ ! sorr[s ( ,lorra9e4 ,^! sorr[s s mu* afflict$ him t he w\ld gladly h gone back to ,italy to sp5d ! la/ ye>s ( 8 life1 _h n ! condition ( 8 heal?1 br\ght on by 8 indefatigable labor1 prev5t$ him4 ,he liv$ simply 9 ! little t[n :]e he _h se5 8 "y visions ( ! _s ( art1 walk+ 9 ! e>ly morn+ ) 8 eld] bro!r1 att5d+ mass1 work+ until d9n] "t1 visit+ 9 ! e>ly aft]noon ) ! p]sons1 _m ( !m di/+ui%$ & ev5 ( royal blood1 :o ?rong$ 8 /udio1 !n work+ until ev5+4 ,he r>ely att5d$ ! c\rt1 b grew con/antly m quiet 9 ta/e & m sev]e 9 8 arti/ic me?od1 until ! feel+ = ! grotesque t inspir$ 8 e>li] ye>s 7 h>dly to be disc]n$4 ,once only1 9 ! trem5d\s plate illu/rat+ ! ,temptation ( ,sa9t ,an?ony1 did he return to 8 old biz>re vision ( a _w conceiv$ 9 ! mood ( ,dante & ,ario/o4 ,callot di$ on ! #bd? ( ,m>*1 #afce1 at ! age ( =ty-?ree4 ,/ill a "y man1 he _h pass$ ?r\gh all ! phases ( temp]am5t t commonly m>k ! transit f y\? to age4 ,& he _h us$ 8 art 9 ! mann] ( a ma/] to express ! ext]nal _w & 8 convictions conc]n+ ! great spiritual & e?ical que/ions ( 8 age4 ,he enunciat$ 8 message di/9ctly2 !re 7 no t5d] gradations1 no unc]ta9ties ( outl9e or my/]ies ( surface 9 8 "w4 ,x is ! grave utt]ance ( ! def9ite ,fr5* intellig5ce ) a note ( deep] sugge/ion br\ght f ^? regions ( ironic gloom 9 :i* ! ,flor5t9e record$ 8 sublime despair4 ,,c>lo ,,crivelli ,,vi ,,c>lo ,,crivelli ,among ! m int]e/+ pictures acquir$ by ! ,metropolitan ,museum )9 ! pa/ two ye>s are ! panels by ,c>lo ,crivelli1 repres5t+ respectively ,/4 ,george & ,/4 ,dom9ic4 ,crivelli is "o ( ! fifte5? c5tury ,italian ma/]s :o %[ _! temp]am5t 9 _! "w ) extraord9>y cle>ness4 ,8 _s 0 ard5t & 8 moods 7 v>y+4 ,) f> less te*nical skill ?an 8 contempor>y1 ,mantegna1 he has at once a w>m] & m brilliant /yle & a m mod]n feel+ = natural & significant ge/ure4 ,8 e>lie/ kn[n "w t be>s a date is ! alt>-piece 9 ,s4 ,silve/ro at ,massa ne> ,f]mo2 b 8 mo/ rec5t biograph]1 ,mr4 ,ru%wor?1 gives to 8 ,v5etian p]iod be=e he left = ! ,m>*es1 ! ,virg9 & ,*ild n[ at ,v]ona1 & sees 9 ?is ! /ronge/ evid5ces ( 8 connection ) ! ,s*ool ( ,padua4 ,o!r important pictures by him are at ,ascoli1 9 ! ,lat]an ,gall]y1 ,rome1 9 ! ,vatican1 9 ! ,br]a ,gall]y at ,milan1 9 ! ,b]l9 ,gall]y1 9 ! ,national ,gall]y at ,london1 9 ,frankfurt 7! ,/del ,gall]y71 9 ! ,museum ( ,brussels1 9 ,"l ,nor?brook's collection1 ,london1 9 ! ,bo/on ,museum1 9 ,mrs4 ,g>d9]'s collection at ,bo/on1 & 9 ,mr4 ,johnson's collection at ,philadelphia4 ,! eight examples 9 ! ,national ,gall]y1 al?\gh belong+ = ! mo/ "p to 8 lat] p]iod1 %[ 8 wide range & 8 pr$om9at+ *>act]i/ics1 :i* inde$ are /amp$ ) su* emphasis ^u ea* ( 8 works t despite ! _m & great diff]5ces 9 ^!1 !re seems to be little difficulty 9 recogniz+ _! au?or%ip4 ,no4 #ghh1 ,! ,madonna & ,*ild ,en?ron$1 surr\nd$ by ,sa9ts1 an alt>piece pa9t$ = ! ,dom9ican ,*ur* at ,ascoli 9 #adgf1 is ! mo/ elaborate & pret5ti\s ( ! ,national ,gall]y compositions1 b fails z a :ole to give t impression ( moral & physical en]gy1 ( int5se feel+ express$ ) s]5e art1 :i* r5d]s ! ,annunciation 7,no4 #gci7 bo? impressive & +ratiat+4 ,! l[] c5tral comp>tm5t is in/9ct ) grace & t5d]ness4 ,! ,virg91 mild-fac$ & melan*oly1 is seat$ on a m>ble ?rone4 ,! ,*ild held on h] arm1 droops 8 head1 heavy ) sleep1 ^u h] arm 9 a babyi% & appeal+ attitude curi\sly oppos$ to ! dignity ( ! ,*ild 9 ,mantegna's gr\p :i* hangs on ! opposite wall4 ,8 h& clasps 8 "m's f+] & 8 completely relax$ figure has unque/ionably be5 /udi$ f life4 ,at ! "r & left ( ! ,virg9 are ,/4 ,pet] & ,/4 ,john1 ,/4 ,ca!r9e ( ,alex&ria & ,/4 ,dom9ic1 :ole-l5g? figures /rongly individualiz$ & diff]5tiat$4 ,/4 ,john 9 p>ticul> reveals 9 ! beauty ( feature & expression ,crivelli's p[] to portray subtleties & ref9em5ts ( "* )\t sacrific+ 8 sumptu\s ta/e = accessories & ornam5t4 ,! ,sa9t1 we>+ 8 traditional %eep sk9 & be>+ 8 cross & scroll1 b5ds 8 head 9 m$itation4 ,8 br[s are knit1 8 features1 ascetic 9 mold & c>eworn1 are eloqu5t ( s]i\s ?\ght & moral conviction4 ,by ! side ( ,/4 ,pet] respl5d5t 9 pontifical robes & enri*$ ) jewels1 he we>s ! look ( a "y dev\t novice n yet s famili> ) sanctity z to c>ry x ) ease4 ,he /&s by ! side ( a little /ream1 9 a l&scape t comb9es 9 ! true ,crivelli mann] direct realism ) decorative =mality4 ,! ,/4 ,dom9ic ) book & lily 9 type resembles ! figure 9 ! ,metropolitan1 b ! face is pa9t$ ) great] skill & has m vigor ( expression4 ,above ?is l[] /age ( ! alt>piece are f\r half-l5g? figures ( ,/4 ,francis1 ,/4 ,&rew ! ,apo/le1 ,/4 ,/eph5 & ,/4 ,?omas ,aqu9as1 & ov] ^! aga9 are f\r pictures %[+ ! ,ar*angel ,mi*ael trampl+ on ! ,dragon1 ,/4 ,lucy ! ,m>tyr1 ,/4 ,j]ome & ,/4 ,pet]1 ,m>tyr1 all full l5g? figures ( small size & delicately drawn1 b :i* d n belong to ! orig9al s]ies4 ,! v>i\s p>ts ( ! alt>piece 7 enclos$ 9 a spl5did & ornate frame :ile 9 ! possession ( ,pr9ce ,demid(f 9 ! latt] half ( ! n9ete5? c5tury & ! :ole is a magnific5t monum5t to ,crivelli's art4 ,! heavy gold backgr\nds & ! free use ( gold 9 ! ornam5ts1 toge!r ) ! use ( high relief 7,/4 ,pet]'s keys are model$1 = example1 almo/ 9 ! r\nd1 s ne>ly are !y deta*$ f ! panel7 repres5t 8 t5d5cy to ov]load 8 compositions ) ar*aic & reali/ic detail1 b "h z else:]e ! effect is "o ( h>mony & corporate unity ( _m p>ts4 ,! introduction ( %am jewels1 su* z ^? set 9 ! ,virg9's cr[n & 9 ! r+s & m$allions worn by ,pet]1 fails to de/roy ! dignity ( ! execution4 ,x may ev5 be argu$ t ^! details enhance x by af=d+ a sali5t support to ! /rongly m>k$ emotional faces ( ! sa9ts & to ! vigor\s ge/ures :i* w\ld be viol5t 9 a classic sett+4 ,illu/ration3 ,,/4 ,,dom9ic ,f a panel by ,c>lo ,crivelli ,a q diff]5t note is /ruck 9 ! grave little composition belong+ to an alt>piece ( e>ly date 9 :i* two infant angels support ! body ( ,*ri/ on ! edge ( ! tomb4 ,no?+ is p]mitt$ to int]rupt ! simplicity ( ?is pa!tic gr\p4 ,9 ! mu* m passionate r5d]+ ( a simil> subject--! ,piet 9 ,mr4 ,johnson's collection--! *ild angels are repres5t$ 9 an agony ( grief1 _! features contort$ & _! ge/ures despair+4 ,! little angels ( ! ,national ,gall]y picture1 on ! contr>y1 are b t\*$ by a p5sive sorr[4 ,"o ( !m re/s 8 *9 ^u ! %\ld] ( ! ,*ri/ half t5d]ly1 half we>ily2 ! o!r 9 flutt]+ robes ( a lovely yell[1 applies 8 slight /r5g? to 8 task s]i\sly b )\t emotion4 ,! figure ( ,*ri/1 tragically quiet1 ) suff]+ br[s1 ! w\nd 9 ! side gap+1 is )\t ! sugge/ion ( extreme physical angui% t m>ks ! figure 9 ! ,bo/on ,piet4 ,! s5tim5t ) :i* ! panel is inspir$ is "o ( g5tl5ess1 ( resignation1 ( self-control & piety4 ,! same s5tim5t is felt 9 ! companion panel1 n[ 9 ! ,brussels ,gall]y--,! ,virg9 & ! ,*ild ,jesus--:i* orig9ally1 ) ! ,piet1 =m$ ! c5tral d\ble comp>tm5t ( a tripty* at ,monte ,fiore1 ne> ,f]mo4 ,! sad color+ ( ! ,virg9's robe--a dull blui% gre5 ) a gold patt]n ov] an "u robe ( pale a%es ( roses1 ! calm1 b5ign features1 ! passive h&s1 are all 9 ! _s ( subdu$ feel+4 ,! *ild alone1 gnomi% 9 expression & awkw>d 9 a /raddl+ attitude ^u 8 "m's knee1 fails to con=m to ! g5]al graci\s s*eme4 ,9 ! ,annunciation already m5tion$1 we h ano!r phase ( ,crivelli's flexible g5ius--a phase 9 :i* are unit$ ! pomp & spl5dor ( 8 fanta/ic ta/e ) ! innoc5ce & sweetness ( 8 mo/ engag+ fem99e type4 ,x w\ld be difficult to imag9e a m demure & girli% ,virg9 ?an ! small kneel+ figure 9 ! ri*ly furni%$ *amb] at ! "r ( ! panel4 ,! glory ( h] fate is symboliz$ by ! broad gold5 ray fall+ f ! heav5s ^u h] meekly b[$ head4 ,h] face is pale ) ! dim pallor t commonly re/s ^u ,crivelli's fle% tones1 & h] clasp$ h&s h ! exagg]at$ l5g? ( f+] & also ! look ( extraord9>y pliability :i* he inv>iably gives4 ,outside ! room 9 ! op5 c\rt kneels ! ,angel ( ! ,annunciation & by 8 side kneels ,/4 ,em$ius1 ! patron ( ,ascoli1 ) a model ( ! city 9 8 h&s4 ,^! figures are reali/ic 9 ge/ure & expression1 int]e/$1 eag]1 responsive1 fill$ ) quick life & joy\s impulse4 ,! ri*ly embroid]$ g>m5t ( ! angel1 8 gild$ w+s1 8 traditional attitude1 nei!r ov]p[] nor detract f ! vivid individuality ( ! beautiful face s firmly yet s freely model$ )9 its delicate h>d b\nd+ l9e4 ,?is feel+ ( actuality 9 ! sc5e is c>ri$ /ill f>!r by ! introduction ( a *>m+ little *ild on a balcony at ! left1 pe]+ out f beh9d a pill> ) naive curiosity & half-%y1 half-bold det]m9ation to see ! end ( ! adv5ture4 ,all ?is is conceiv$ 9 ! _s ( mod]nity & ! p]sonal quality is unmi/akable & en*ant+4 ,!re is no excess ( emotion nor is !re undue re/ra9t4 ,!re is a bli! s5se ( ! int]e/ ( life & ! p]sonality ( human be+s t gives a value to ! subject & a mean+ beyond its accept$ symbolism4 ,on ! te*nical side1 also1 ! panel has rem>kable m]it ev5 = ?is exp]t & c>eful pa9t]4 ,8 ,v5etian fondness = magnific5t ext]nals f9ds ample expression 9 ! ri* accessories4 ,a peacock is p]*$ on ! casem5t ( ! ,virg9's room1 fl[]s & fruits1 vases & v>iegat$ m>bles all come into ! plan ( ! h&some environm5t1 & are ju/ifi$ arti/ically by ! diff]5tiation ( textures1 ! gradation ( color1 ! rese>* into intricacies ( patt]n1 ! light firm treatm5t ( ar*itectural /ructure1 & ! skilful subord9ation ( all sup]ficial detail to ! elem5ts ( ! human drama1 ! figures ( :i* occupy little space1 b are ov]:elm+ 9 significance4 ,illu/ration3 ,9 ! ,metropolitan ,museum1 ,new ,york4 ,,/4 ,,george ,f a panel by ,c>lo ,crivelli ,x is int]e/+ to comp>e ?is ,annunciation ) ! two small sextagonal panels ( ! same subject 9 ! ,/del ,museum at ,frankfurt :i* are e>li] 9 date4 ,9 _m respects ! compositions are closely simil>4 ,!re is ! same r$ brick wall1 ! same ,ori5tal rug hang+ f ! casem5t1 ! types ( ,angel & ,virg9 are ! same1 b 9 ! ,frankfurt panel !re is m impetu\s motion 9 ! ge/ure ( ! ,angel1 :o h>dly pauses 9 8 flight ?r\gh air to t\* 8 knee to ! p>apet4 ,8 m\? is op5 & ! words ( 8 message seem trembl+ on 8 lips4 ,al?\gh all ! outl9es are sev]ely def9$ ) ! %>pness ( a ,s*iavone1 ! int]ior model+ is s5sitive & delicate & 9 ! case ( ! ,virg91 t5d] & s(tly v>i$1 s t ! curve ( ! ?roat & *9 seem almo/ to ripple ) ! brea?+1 ! "y *e/ swells 9 lovely gradation ( =m "u ! close bodice1 & ! :ole figure has a graci\sness ( cont\r1 a slim r\ndness & ela/icity by :i* x takes its place among ,crivelli's _m realizations ( 8 ideal type z at lea/ "o ( ! mo/ lovable if n ! mo/ *>act]i/ic & p]sonal4 ,especially f9e1 also1 is ! treatm5t ( ! drap]y 9 ^! two admirable little panels4 ,! mantle surr\nd+ ! angel bill[s out 9 curl+ folds z eloqu5t ( swift movem5t z ! drap]ies ( ,botticelli's /rid+ nymphs2 & ! opul5t l9e ( ! ,virg9's cloak is sup]b 9 its lightly brok5 swirl ab\t ! figure4 ,! hair1 too1 ( bo? ! ,angel & ! ,virg91 waves 9 masses at once free & =mal1 ) some?+ ( ! wild beauty ( ,botticelli's w9dbl[n tresses4 ,! analogy betwe5 ! two pa9t]s1 ! ard5t & poetic ,flor5t9e & ! no less ard5t & at times almo/ z poetic ,v5etian 7if we accept 8 own claim to ! title71 might be fur!r dwelt ^u1 al?\gh x w\ld be easy to ov]emphasize x4 ,"o attribute1 c]ta9ly1 !y _h 9 common & x is ! "o t mo/ completely sep>ates ea* ( !m f 8 fell[s--! exultant v]ve1 t is1 ) :i* ! human =m is made to communicate en]gy ( movem5t 9 _! compositions4 ,x is impossible to believe t ei!r ( !m ev] pa9t$ a tame picture4 ,if1 h[ev]1 ,crivelli c\ld n be tame he c\ld be insipid1 escap+ tam5ess by :at might be call$ ! viol5ce ( 8 affectation4 ,! ,/4 ,george 9 ! ,metropolitan ,museum is an in/ance ( 8 occasional use ( a type s frail & languid 9 its grace & s s5tim5tal 9 ge/ure & expression z to sugge/ c>icature4 ,ano!r example dat$ #adia is ! ,madonna & ,*ild ,en?ron$ 9 ! ,national ,gall]y4 ,on ei!r side ( ! melan*oly ,madonna are ,/4 ,francis & ,/4 ,seba/ian4 ,! latt] is pi]c$ by arr[s & ti$ to a pill>1 b s f> f we>+ ! look ( suff]+ or ( calm endurance1 he has a trivial glance ( deprecation = ! obs]v]1 & 8 figure is :olly want+ 9 ! =ce ( "y manhood4 ,a /rik+ contra/ to ?is effem9ate mood may be f\nd 9 ,no4 #gbd1 also a ,madonna ,en?ron$1 betwe5 ,/4 ,j]ome & ,/4 ,seba/ian1 a late sign$ picture ( ,crivelli's decl9+ tal5t1 ) a pr$ella bel[ ! *ief panel 9 :i* appe> ,/4 ,ca!r9e1 ,/4 ,j]ome 9 ! ,wild]ness1 ! ,nativity1 ! ,m>tyrdom ( ,/4 ,seba/ian aga91 & ,/4 ,george & ! ,dragon4 ,! little comp>tm5t conta9+ ! sc5e ( ! ,nativity is q by itself among ,crivelli's works = intimate & homely *>m4 ,! simplicity ( ! surr\nd+s & ! natural attitudes ( ! p h an almo/ ,dut* "*1 borne out by ! meticul\s c>e = detail 9 ! execution unit$ to an effect ( *i>o-oscuro v r>e 9 e>ly ,italian art & h>dly to be expect$ 9 a pa9t] ( ,crivelli's ,paduan t5d5cies4 ,! ,/4 ,george is m *>act]i/ic1 ) an imm5se en]gy 9 its l9es4 ,9 arrangem5t x recalls ! ,/4 ,george ( ,mrs4 ,g>d9]'s collection & despite its small size is almo/ ! equal ( t magnific5t example 9 conc5tration & fire4 ,illu/ration3 ,9 ! ,metropolitan ,museum1 ,new ,york4 ,,piet ,f a panel by ,c>lo ,crivelli ,/ill ano!r type1 & "o t comb9es dignity & mu* spirituality ) naive realism1 is ! ,beato ,f]retti 7,no4 #ffh71 %[+ an op5 l&scape ) a village /reet at ! "r & a c\ple ( ducks 9 a small pond at ! left1 ! ,beato kneel+ 9 adoration ) a vision ( ! ,virg9 & ,*ild surr\nd$ by ! ,m&orla or ,v]ica glory appe>+ above4 ,! kneel+ sa9t is reali/ically drawn & 8 face we>s an expression ( int5se piety4 ,! l&scape is m>k$ by ! b>e twi/$ /ems ( trees1 t seem to repeat ! rigid & conceivably tortur$ =m ( ! sa9t4 ,a beautiful build+ ) a dom$ ro( is se5 at ! "r4 ,at ! top ( ! picture across ! cl\d-/rewn sky is a fe/oon ( fruits1 ,crivelli's *>act]i/ic decoration4 ,illu/ration3 ,9 ! ,/del ,gall]y at ,frank=t4 ,a ,,panel ,,by ,,c>lo ,,crivelli 7a7 ,illu/ration3 ,9 ! ,/del ,gall]y at ,frank=t4 ,a ,,panel ,,by ,,c>lo ,,crivelli 7b7 ,9 all ^! pictures ,crivelli reveals himself z an arti/ fill$ ) emotional inspiration1 to :om ! ?rill ( life is m ?an its trapp+s1 & "o1 moreov]1 :o obs]ves1 balances & diff]5tiates4 ,! society ( 8 sa9ts & angels is /imulat+2 ! elem5t ( ! unexpect$ ent]s into 8 "w 9 op5 defiance ( 8 pron\nc$ mann]ism4 ,x is possible to detect b5ea? ! close & manifold cov]+s ( 8 ornate decoration a swift flame ( imag9ative impulse su* z ,blake s5t into ! _w )\t su* cov]+4 ,he w\ld h pleas$ ,blake by ?is n]v\s en]gy & by 8 pure bright color+1 despite ! fact t he sign$ himself ,v5etus4 ,he pa9t$ 9 temp]a & f9i%$ 8 "w ) c>e & delib]ation4 ,x is rem>kable t s little ( 8 m5tal fire di$ out 9 ! sl[ process ( 8 execution4 ,x is /ill m rem>kable t 9 spite ( 8 reaction>y t5d5cies1 8 ar*ai/ic use ( gold & relief at a mom5t :5 all great arti/s 7 r5\nc+ ^!1 he is int5sely mod]n 9 8 s5tim5t4 ,he seems to repres5t a phase ( human developm5t at :i* we 9 ,am]ica h b rec5tly arriv$2 a phase 9 :i* appreciation ( anci5t f9i%$ =ms ( beauty is unit$ to a re/less eag]ness & ! impulse t[>d exagg]at$ self-expression4 ,he is suppos$ to h be5 born ab\t #addj1 :i* w\ld make him a contempor>y ( ! two ,bell9i1 ( ,hans ,meml+ & ( ,mantegna4 ,_h he only be5 able to give 8 imag9ation a high] range--_h he possess$ a m controll+ spiritual ideal1 _h ! t\* ( self-consci\sness t re/s l a grimace on ! o!rwise lovely aspect ( mu* ( 8 pa9t+1 be5 elim9at$1 he w\ld h /ood ) ^! on ! heights ( fifte5? c5tury art4 ,we are =tunate to h 9 ,am]ica ! ,bo/on ,museum ,piet1 :i* %[s him 9 "o ( 8 mo/ temp]ate moods1 ! ,piet ( ,mr4 ,johnson's collection1 :i* is ! emphatic expression ( 8 lea/ re/ra9$ mom5ts1 ! ,/4 ,george ( ,mrs4 ,g>d9]'s collection1 9 :i* 8 grasp ( knightly "* & pictorial grace is at its be/1 & ^! two /rongly contra/$ types ( ! ,metropolitan ,museum4 ,,rembr&t ,,at ,,! ,,cassel ,,gall]y ,,vii ,,rembr&t ,,at ,,! ,,cassel ,,gall]y ,! art gall]y ( ,cassel is well kn[n to connoisseurs z conta9+ a gr\p ( ,rembr&ts ( ! fir/ ord]4 ,! e>lie/ example is a small pa9t+ ( a boy's head suppos$ to be a portrait ( ! arti/ at ! age ( tw5ty or "o & tw5ty2 ,dr4 ,bode consid]s #afbh too late r ?an too e>ly z ! probable date1 & ! same au?ority w>ns u aga9/ consid]+ su* /udies 9 ! light ( s]i\s portraiture3 ,x _h nev] occurr$ to ! "y arti/1 he says1 to make a dignifi$ portrait ( himself at ! "t :5 he pa9t$ ^! pictures4 ,! execution is clumsy1 ! color is dull & heavy & ( ! br[ni% tone common to ,rembr&t's e>ly pa9t+1 & mu* ( ! draw+--z 9 ! r+s ( hair escap+ to ! surface f ! ?ick curl+ mass--is mean+less & indef9ite1 b ! di/ribution ( light & %ade is n unlike t ( ,rembr&t's lat] "w & ! t\* has a c]ta9 bold fre$om t seems to h be5 8 f ! fir/ :5ev] he s]v$ z 8 own model1 ev5 :ile 8 h&l+ 0 /ill h>d & prim 9 8 portraits ( o!rs4 ,ano!r "w ascrib$ to 8 e>ly p]iod1 ab\t #afcd1 is ! ,man ) a ,helmet1 also commonly kn[n z a self-portrait1 flu5t 9 execution & vivaci\s & lifelike 9 expression1 yet n )\t t h9t ( consci\s pose common ) ! arti/ 9 8 endeavors to =ce ! note ( "*4 ,! blunt1 /rong features are /rik+ly l ^? ( ! au!nticat$ portraits ( ! arti/1 b ,dr4 ,k>l ,voll1 ,director ( ! ,alt ,p9ako!k at ,muni*1 decl>es t ! idea ( a self-portrait1 attractive z x is1 c h>dly 9 ?is case be upheld4 ,:oev] ! sitt] may h be51 ! pa9t+ is an amaz+ example ( dext]ity ( h& & acute obs]vation4 ,! %>p glitt] ( ! helmet1 ! contra/+ fle%-l quality ( ! pa9t+ 9 ! face1 ! light vigor\s draw+ ( ! m\/a*e & hair1 give an impression ( ! arti/'s ma/]y ( 8 craft h>dly to be surpass$ at any p]iod ( 8 life4 ,f> less poetic 9 its color-s*eme & *i>o-oscuro ?an ! y\?ful portrait belong+ to ,mrs4 ,g>d9]'s collection1 x is ev5 m eloqu5t ( ! ease ) :i* he manag$ 8 tools4 ,( a /ill great] *>m1 ) subtl] problems met & solv$1 is ! portrait ( ,saskia van ,ul5burgh1 :om he m>ri$ 9 ,am/]dam 9 ! ye> #afcd1 ! probable date ( ! ,cassel portrait4 ,at all ev5ts ! "y woman c>ries 9 h] h& a spray ( rosem>y1 ! symbol ( betro?al1 & h] dress has ! ri*ness ( a ,dut* bride's equipm5t4 ,"h we see ,rembr&t's art 9 p]haps its mo/ delicate & psy*ologically int]e/+ phase4 ,! "* reveal$ by ! small pretty features has nei!r extraord9>y =ce nor m>k$ individuality4 ,! l9es are nei!r deep-cut nor broad4 ,"o is rem9d$ ( a f9e little et*+ 9 :i* ! plate has be5 bitt5 only to a mod]ate dep? & :i* requires a s5sitive h&l+ 9 ! pr9t+ to produce any?+ l ri*ness4 ,yet ! result is ri* 9 ! fulle/ s5se ( ! t]m4 ,x dep5ds = its quality n only ^u ! spl5did color-s*eme =m$ by ! d>k r$ ( ! velvet hat & g[n1 ! :ite ( ! fea!r1 ! gold & gray & dull blue ( ! trimm+s & ornam5ts1 ! beautiful jewels1 ) :i* ,rembr&t !n z lat] produc$ an appe>ance ( great magnific5ce1 ! bright r$-gold ( ! hair fall+ lightly ov] ! s(tly model$ br[1 & ! fair w>m tones ( ! fle% gl[+ z f liv+ heal? & physical en]gy3 x dep5ds z mu* ^u ! deep rese>* into ! expression t has result$ 9 ! intimate portraiture possible only to g5ius & seldom f\nd ev5 9 ! "w ( ! great ma/]s1 nev]1 s f> z ! writ]'s obs]vation has gone1 9 ! "w ( _! lat] ye>s4 ,! smile t hesitates at ! corn] ( ! :imsical little m\?1 ! t5d] modulations ( surface on ! =ehead & ab\t ! /raight-gaz+ hone/ eyes1 ! swift sugge/ions ( movem5t & play ( mood 9 ! flexible cont\rs1 ! gaiety & sweetness & s+ul> purity ( ! girli% face1 are evok$ ) magi/]ial au?ority & precision4 ,nev] surely has !re be5 a f9] example ( ,dut* c>e & ?or\ghness 9 ! obs]vation & r5d]+ ( m9ute detail unit$ to bread? ( effect4 ,! pa9t+ ( ! jewels & embroid]ies is wr\ght to a s+ul>ly p]fect f9i%4 ,x is almo/ z ?\gh ! arti/ _h set himself to extract ! utmo/ beauty ( :i* ! textures ( /uffs & gems are capable1 to prove h[ mu* m en*ant+ 0 ! beauty ( ! brilliant blond demure little face da9tily pois$ above !m4 ,dr4 ,bode calls ! picture "o ( ! mo/ attractive1 n only ( 8 e>ly pictures1 b ( all 8 works4 ,illu/ration3 ,c\rtesy ( ,b]l9 ,photographic ,company4 ,,saskia ,f a portrait by ,rembr&t ,to ,rembr&t's e>ly ye>s also are ascrib$ c]ta9 c>eful /udies ( old m5's heads & sev]al portraits ( y\ng] m54 ,among ^! are "o ( ! writ+-ma/] ,copp5ol & "o ( ! poet ,krul1 ! =m] pa9t$ 9 #afcb1 ! latt] 9 #afcc4 ,! ,krul portrait is ! m /rik+ ( ! two1 & ! pictorial co/ume ) ! broad hat ca/+ its luc5t %ad[ ov] ! f9e br[1 ! silk5 jacket ) its gleam+ reflections & ! wide :ite ruffles at neck & sleeve on :i* ! light blazes full1 adds to ! dignity & ri*ness ( ! effect4 ,x is easy1 h[ev]1 to agree ) ,dr4 ,voll 9 rank+ ! spl5did portrait ( an unkn[n man1 ( "s five or six ye>s lat] date1 f> above ! ,krul portrait 9 arti/ic quality4 ,al?\gh excessively w>m 9 tone x has 9 addition to excell5t con/ruction & a lifelike aspect a nobility ( be>+ t imposes itself directly & irresi/ibly ^u ! spectator4 ,! portrait ( ,copp5ol is n easily analyz$ & ,dr4 ,bode notes t ! lik5ess to ! au!nticat$ portraits ( ! fam\s draw+ ma/] is n altoge!r conv9c+4 ,simpl] & homeli] 9 appe>ance ?an ! portrait ( ,krul1 ?is solid & ev5 heavy figure seat$ com=tably 9 an arm*air1 ! well-drawn h&s busy ) m5d+ a quill p51 ! glance reflective1 b h>dly ?\ghtful1 ! m\? "u ! small fair m\/a*e slightly indet]m9ate1 ! head cov]$ ) %ort hair1 ! smoo? fat face ?ree-qu>t]s 9 light1 pres5ts at fir/ glance a commonplace aspect en\gh4 ,b return+ to x f ! ,krul or ev5 f ! m ma/]ly lat] portrait1 ! spectator is c]ta9 to be deeply impress$ by ! quiet yet se>*+ execution t takes acc\nt ( e significant *ange 9 plane or outl9e 9 ! l>ge *eek & full *94 ,f ! v commonplace ( ! pose & type "o ga9s a special pleasure1 s9ce ! p[] ( ! arti/ to irradiate an ord9>y subject is ! m cle>ly se54 ,! s]5e light envelop+ ! good head & fall+ g5tly on ! backgr\nd br+s no ?\ght ( me?od or pigm5t to ! m9d1 & ! fle%like quality ( ! face & h&s is z ne> imitation ( reality z is possible )9 ! b\nds ( syn!tic art4 ,x is easy to agree ) ,dr4 ,bode's op9ion t ! homely simple portraits pa9t$ 9 ord9>y co/ume & "u ord9>y conditions ( light dur+ ,rembr&t's fir/ ?ree ye>s 9 ,am/]dam are intellectually m wor? :ile ?an ! e>li] m p]sonal works4 ,! !ory is t he turn$ !m out 9 competition ) 8 contempor>ies & eclips$ !m on _! own gr\nd4 ,! portrait ( ,rembr&t's ,fa!r 9 ,indoor ,dress1 ( ! prec$+ ye> 7#afca71 is 9 a q diff]5t mann]1 & closely resembles ! pa9t+ 9 ,bo/on ( an old man ) d[nca/ eyes1 f ! same model4 ,! bald head & scanty be>d1 ! wr9kl$ face & slightly unc]ta9 m\?1 are famili> to all /ud5ts ( ,rembr&t's art4 ,9 #afca ,rembr&t 0 /ill 9 8 fa!r's h\se & "o ga9s "s notion ( ! old mill]'s amiability f ! frequ5cy ) :i* he appe>$ 9 et*+s & pa9t+s & ! v>iety ( ! poses :i* he took on behalf ( 8 ard5t son1 adju/+ 8 expression to 8 assum$ "* ) no little dramatic skill4 ,nev] 9 8 lat] ye>s did ,rembr&t s delicately r5d] ! pati5ce & discipl9e ( age4 ,9 ?is al]t1 unprepossess+ yet k9dly face we c read a n too fanciful hi/ory ( ! temp]am5t ( ! sitt]4 ,we see1 at all ev5ts1 ! m>k ( a sympa!tic m9d4 ,! next picture 9 ! collection to m>k a special p]iod & "o ( brilliant a*ievem5t 9 ,rembr&t's c>e] is ! s-call$ ,woodcutt]'s ,family1 belong+ to ! decade betwe5 #afdj & #afej4 ,aft] an old fa%ion ! ,holy ,family is repres5t$ z se5 9 a pa9t+ be=e :i* a curta9 is p>tly drawn4 ,! "m sits by ! side ( a cradle f :i* %e has lift$ ! *ild :o cl+s to h] neck :ile %e presses him to h] 9 a close embrace4 ,9 ! f>!r corn] ( ! room is ! figure ( ! fa!r 9 8 c>p5t]'s apron1 & 9 ! c5t] a cat is cr\*+ ne> "s di%es on ! floor4 ,! room is fill$ ) a mild sunlight t filt]s ?r\gh ! air & falls across ! figures ( ! "m & *ild & across ! broad expanse ( floor4 ,! simplicity & poetic feel+ 9 light+ & ge/ure are wor?y ( ,rembr&t's prime1 & !re is no trace ( ! extreme drama t m>ks ! religi\s compositions at ,muni*4 ,! color is beautiful & ! tone my/]i\s4 ,nev]!less "o misses ! preci\s quality ( ! e>li] craftman%ip z x %9es 9 su* lovely pa9t+s z ! ,saskia & ! ,portrait ( a ,"y ,woman4 ,9 ^! ! pa9t] %[s t he 0 /ill "y1 t he _h arriv$ at a skill ( h& t p]mitt$ him to use 8 m$ium ) ease & c]ta9ty1 b t he _h n yet ceas$ to attempt :at lay j beyond 8 p[]s4 ,8 bru% /ill s\ght out subtle ref9em5ts ( model+ ) ! pati5ce t alli$ him to ! e>li] ,dut* & ,flemi% ma/]s4 ,he _h1 no d\bt1 ! in/9ctive feel+ ( ard5t y\?1 ! assumption ( "t ahead = ! c>ry+ out ( all projects1 & 8 brilliant manipulations ( 8 pigm5t %[$ nei!r ha/e1 nor z yet ! complete confid5ce t leaves untold ! detail ( ! /ory = ! imag9ation ( ! audi5ce to supply4 ,he 0 n ready to sacrifice ev]y?+ else to t light & atmosph]e ( :i* he made 8 own _w 9 8 lat] ye>s4 ,*>act]i/ic ( 8 mo/ w9n+ use ( ?is light t he creat$ = 8 own purposes is ! portrait ( ,ni*olas ,bruyn+h1 ,secret>y ( "o ( ! divisions ( ! ,c\rts ( ,ju/ice at ,am/]dam3 "o ( ! mo/ sali5t & brilliant ( ! ,rembr&ts 9 ! ,cassel ,gall]y4 ,?is portrait belongs to ! ye> #afeb :5 ! arti/ 0 ab\t =ty-five ye>s old1 & x is a sup]b example ( matur$ g5ius4 ,! subject (f]$ an opportunity = d>+ h&l+ & pictorial arrangem5t ^u :i* ,rembr&t seiz$ ) a full und]/&+ ( its possibilities4 ,! beautiful gay face ) its sugge/ion ( irresponsibility gl[s f a mi/ ( atmosph]e t veils all m9or detail1 leav+ 9 /rong relief ! mass ( curl+ hair1 ! smil+ d>k eyes1 ! smil+ m\? unconceal$ by ! slight m\/a*e1 ! firmly model$ nose & pliant *91 ) ! tassel$ coll> bel[ cat*+ ! po9t ( highe/ light4 ,x is ! poetry ( good humor1 ( physical beauty1 ( cont5t ) life & life's adv5tures4 ,x also m>ks :at ,h]r ,knackfuss calls ,rembr&t's s(t] mann] 9 :i* all %>p outl9es ( objects are effac$1 & ! lights gleam f a g5]al d>kness4 ,m ?an ,! ,s5t9el1 :i* sometimes is giv5 z ! />t+ po9t = ?is dep>ture 9 /yle1 x has ! appe>ance ( a dramatic em]g5ce f %ad[4 ,f hav+ be5 a pa9/ak+ craftsman ,rembr&t at ?is "t _h become a dramati/ select+ f 8 mat]ial ^? elem5ts be/ adapt$ to sway ! emotions4 ,he has lo/ himself--or f\nd himself--9 ! expression ( "*2 n m]ely "* z "o elem5t 9 a picture's int]e/1 b "* z ! elem5t4 ,9 ?is picture ( ,ni*olas ,bruyn+h we _c escape f ! m]ry c>eless temp]am5t4 ,we _c z 9 ! e>ly portrait ( ,saskia l+] 9 dalliance ov] *>m+ accessories & beautifully discrim9at$ textures until we rea* by mod]ate degrees ! eloqu5ce ( ! pr(\ndly /udi$ face4 ,bruyn+h's face is l ! tirade ( a ,fr5* play--x is r5d]$ at :ite heat & 9 "o inconceivably long brea?4 ,its significance is s int5sifi$ z to produce a pr(\nd feel+ 9 a sympa!tic spectator4 ,illu/ration3 ,c\rtesy ( ,b]l9 ,photographic ,company4 ,9 ! ,cassel ,museum4 ,,ni*olas ,,bruyn+h ,f a portrait by ,rembr&t ,if we comp>e x ) ! badly nam$ ,laugh+ ,cavali] ( ,franz ,hals we see cle>ly en\gh ! diff]5ce betwe5 drama & realism4 ,drama z def9$ by ,rob]t ,l\is ,/ev5son consi/s n ( incid5t b ( passion t mu/ progressively increase 9 ord] t ! actor may be able to c>ry ! audi5ce f a l[] to a high] pit* ( int]e/ & emotion4 ,?is also def9es ,rembr&t's pa9t+ at all p]iods4 ,z "o approa*es ! human face 9 8 pictures "o becomes aw>e ( an emotional quality t is irresi/ible1 & 9 a portrait l t ( ,bruyn+h ! emotional quality is almo/ isolat$ f incid5t or detail4 ,x is ! great mom5t ( ! ?ird act :5 ! audi5ce holds its brea?4 ,! ,/&>d ,be>] is n accept$ by ,dr4 ,bode z a f9e "w or ev5 z c]ta9ly orig9al1 ! v]sion ( ! same subject 9 ,b>on ,g4 du ,ro?s*ild's collection hav+ made mu* deep] an impression ^u him4 ,! ,cassel v]sion is nev]!less a "w ( great di/9ction1 ! grave & beautiful face & %9+ armor look+ out ( a lum9\s atmosph]e t has m ( ! ,rembr&tesque quality ?an _m au!nticat$ works ( ,rembr&t's rip] p]iod4 ,! "w is engag+1 p]sonal1 /rik+1 & if n entirely great c]ta9ly possess$ ( _m ( ! qualities ( greatness4 ,:ile ! ,cassel collection does n conta9 any ( ! sup]b self portraits ( ,rembr&t's lat] ye>s1 ! "o example 9 ?is k9d hav+ au?ority )\t great int]e/1 x does include "o biblical picture ( unusual importance belong+ to ! ye> #afef1 ! ,jacob ,bless+ 8 ,gr&*ildr51 :i* is1 h[ev]1 unf9i%$4 ,! squ>e1 direct bru% /rokes sugge/ ^? ( ,hals1 ! drap]y is ?9ly pa9t$ ) a fl[+ m$ium1 ! black %ad[s on ! face ( ,jacob cut %>ply into ! half tones1 !re is little discrim9ation 9 ! textures & ! backgr\nd comes =w>d4 ,b ! faces ( ! *ildr5 are *>m+ 9 *>act]ization1 recall+ ! simple t5d]ness ( ! ,girl ,lean+ ,out ( ! ,w9d[ at ,dulwi*1 "o ( ! mo/ en*ant+ embodim5ts ( y\? ev] a*iev$ by ,rembr&t1 & ! woman1 ,israeliti% 9 type1 ) l>ge eyes & features r abruptly def9$1 is an attractive attempt to realize fem99e beauty1 a task 9 :i* ,rembr&t 0 nev] dext]\s1 h[ev]4 ,( ! two l&scapes1 t ) ! ru9$ ca/le is ! mo/ impressive1 b nei!r comp>es favorably ) ! da9ty p]fection ( ! l&scape et*+s4 ,if we add to ^! examples ! /udies ( old m5's heads & ! delightful portrait ( ! arti/'s si/] hold+ a p9k 9 h] h&1 we realize t ! gr\p z a :ole cov]s _m phases ( ,rembr&t's con/antly *ang+ inspiration4 ,he betray$ 9 8 lat] works ! impati5ce ( ^? to :om few ye>s are left 9 :i* to complete _! accompli%m5t1 b he kept ! s5sitiv5ess ( 8 y\? well into 8 brief prime1 al?\gh he transf]r$ x f ! field ( =m to t ( light4 ,x betrays itself 9 ! quality ( t light :i* absorbs all t is ugly1 co>se1 or ultra real 9 its poetiz+ glam\r4 ,f ! t5d] explicit craftsman%ip ( ! wond]ful ,saskia to ! gold5 mi/ envelop+ ! figure ( ,ni*olas ,bruyn+h1 is a long /ep1 b n long] ?an _m a pa9t] has tak5 9 8 progress f y\? to maturity4 ,! special comm5t ^u ,rembr&t's "* z a pa9t] :i* we are able to ga!r f ! ,cassel pictures is t 9 ca/+ (f ! trammels ( p>ticul>ity he did n become less receptive to poetic influ5ces4 ,he grew m & m a dream]1 & 9 los+ ! cle> objective mann] ( 8 e>ly portraits he sub/itut$ n ! idle c>elessness :i* 9 ! "w ( a pa9t]'s lat] ye>s is apt to be condon$ z fre$om1 b ! g5]alization t excludes vulg>ities ( execution & makes necess>y increas$ ma/]y ( ! difficult craft ( pa9t+4 ,,fant9-,,lat\r ,,viii ,,fant9-,,lat\r ,fant9-,lat\r 0 born 9 #ahcf1 0 ! son ( a pa9t]1 & 0 educat$ at ,p>is "u 8 fa!r's guidance & t ( ,lecoq & ,boisbaudeau1 pr(essor at a little art s*ool connect$ ) ! ,ecole des ,beaux-,arts4 ,"o ( ! mo/ int]e/+ pa9t]s ( ! little gr\p 9 ,france ^: "w began to come be=e ! public ab\t ! middle ( ! n9ete5? c5tury1 a close fri5d ( ,:i/l]1 a passionate admir] ( ,delacroix1 & an inspir$ /ud5t ( ! old ma/]s1 he manag$ to pres]ve intact an individuality t has a s+ul> ri*ness & simplicity se5 aga9/ ! _m-color$ tape/ry ( n9ete5?-c5tury art4 ,rub5s1 ,velasquez1 ,rembr&t1 ,franz ,hals1 & ,nicolaas ,maas1 ,piet] de ,hoo* & ,v]me] ( ,delft1 ,watteau & ,*>d91 ,van ,dyck1 ,titian1 ,t9toret1 & ,v]onese 7 8 true ma/]s & 8 copies ( _! works are said by 8 enlight5$ critic1 ,m4 ,arsne ,alex&re1 to h a ma/]ly quality ( _! own1 to be f> remov$ f ! conv5tionality ( facsimiles1 & to be> ^u an und]ly+ fidelity ( transcription an impress ( individual s5tim5t4 ,he s\ght to be fai?ful to ! orig9als beyond ext]nal imitation1 by seek+ to r5d] ! orig9al tone ( ! pa9t+ 9 its fir/ fre%ness1 z x appe>$ be=e "t & v>ni% _h yell[$ & d>k5$ x4 ,he ?us made himself famili> ) ! te*nical me?ods ( ! great p]iods ( pa9t+1 &1 com+ into 8 inh]itance ( mod]n ideas & ideals1 he 0 able to a*ieve a beauty ( execution mu* too r>ely s\ght by 8 contempor>ies1 al?\gh 8 intimate companions l himself frequ5t$ ! ,l\vre ) a consid]able assiduity1 sp5d+ ^u ! old ma/]s ! en?usiasm :i* !y )held f ! lat] academic s*ool ( pa9t+4 ,8 e>li] subjects 7 l>gely ,biblical & hi/orical4 ,he !n pass$ to dome/ic sc5es & 9 #ahei1 #ahfa1 & #ahfc 0 pa9t+ 8 pictures ( ,les ,liseurs & ,les ,brodeuses :i* %[$ ! *>m+ face ( 8 si/] ) h] s5sitive smil+ m\? & s(tly model$ br[s1 & lat] t ( 8 wife4 ,at ! ,salon ( #ahei he & ,:i/l] bo? submitt$ subjects drawn f family life1 ,:i/l] 8 ,at ! ,piano ) 8 own si/] & 8 niece1 little ,annie ,had51 = ! models1 & ,fant9 8 pa9t+ ( "y wom5 embroid]+ & read+1 only to h _! canvases refus$4 ,fant9 0 n1 h[ev]1 a m>tyr to 8 pr$ilections 9 art4 ,he e>ly obta9$ admission to ! ,salon al?\gh he _h en\gh reject$ "w to p]mit him to appe> among ! pa9t]s exhibit+ 9 ! fam\s little ,salon des ,refuss ( #ahfc4 ,he receiv$ m$als & (ficial recognitions4 ,b 8 mode/y ( ta/e l$ him to hold himself some:at ap>t & exclusive among ^? :o %>$ 8 lik+s4 ,8 portrait ( himself1 pa9t$ 9 #aheh1 %[s a dreamy "y man ) s]i\s1 almo/ solemn1 eyes1 sitt+ be=e 8 easel1 & look+ into ! di/ance ) ! expression ( "o :o sees visions4 ,z a matt] ( fact he did see visions & attempt$ to fix !m ) 8 art4 ,an ard5t lov] ( music1 he 0 eag] to translate ! emotions ar\s$ by x into ! t]ms ( 8 own art4 ,z e>ly z #ahei he 0 9 ,engl&1 to :i* he return$ 9 #ahfa & #ahfd1 & :ile !re he 0 surr\nd$ by a gr\p ( p :o %>$ 8 en?usiasm = ,g]man music4 ,!re he fir/ became famili> ) ,s*umann's melodies1 & made ! r>e little et*+ repres5t+ 8 ,engli% fri5ds1 ,mr4 & ,mrs4 ,edw>ds1 play+ "o ( ,s*umann's compositions1 ,edw>ds ) 8 flute & ,mrs4 ,edw>ds at ! piano4 ,9 #ahfb he _h ! v temp]$ satisfaction ( f9d+ t ,wagn]1 already belov$ by him1 _h rea*$ ! public ta/e ?r\gh ! labors ( ! c\rage\s ,pasdel\p4 ,i always regret1 he wrote to ,edw>ds1 see+ ! objects ( my adoration ador$ by o!rs1 especially by ! masses4 ,i am v jeal\s :5 ,i love4 ,9 ord] to celebrate ,wagn]'s triumph ov] ^! masses1 h[ev]1 he at once made ! li?ograph call$ ,v5usb]g1 f :i* sprang ! v diff]5t oil v]sion ( ! same subject :i* toge!r ) ! ,hommage ,delacroix1 ! /ory ( :i* ,m4 ,bndite has rec\nt$1 0 admitt$ to ! ,salon ( #ahfd4 ,fant9's li?ographs1 a numb] ( :i* are 9 ! pr9t room ( ! ,l5ox ,libr>y build+ 9 ,new ,york ,city1 %[ cle>ly 8 preoccupation ) music1 & an int]e/+ article on ?is phase ( 8 temp]am5t appe>$ 9 ! ,revue des ,deux ,mondes1 ,septemb] #ae1 #aijf4 ,naturally a wor%ip]1 he did n conf9e himself to commemorat+ only ! musicians :o 7 8 favorites4 ,9 li?ography & pa9t+ he exalt$ su* div]se h]oes ( ! diff]5t arts z ,/5dhal1 ,hugo1 ,baudelaire1 ,delacroix1 ,manet1 ,s*umann1 ,web]1 ,b]lioz1 & ,wagn]4 ,9 #ahgg 8 en?usiasm = ,wagn] reviv$ 9 8 "w1 & compositions bas$ on ! ,r+ music foll[$ ea* o!r 9 rapid succession4 ,wolfram gaz+ at ! ev5+ />1 or foll[+ ) en*ant$ eyes ,elizabe?'s gho/ly figure z x moves sl[ly up ! hill t[>d ! t[]s ( ,w>tburg2 ! ,rh9e maid5s play+ ) rhy?mic motions 9 ! swirl+ wat]s1 ) ,alb]ic1 cr\*$ 9 ! =egr\nd1 wat*+ !m2 ,siegl9de1 giv+ ,siegmund to dr9k1 z h\nd$ & pursu$ he s9ks at ! door ( ,hund+'s dwell+2 ! evocation ( ,kundry by ,kl+n]2 ,siegfri$ bl[+ 8 horn & rec$+ f ! enticem5ts ( ! ,rh9e maid5s--^! are among ! subjects t engag$ him4 ,x w\ld be difficult to describe 8 mann] ( int]pretation4 ,q )\t !atrical sugge/ion1 x comb9es a dramatic use ( d>k & light & a feel+ = palpable atmosph]e h>dly equal$ by ,rembr&t himself1 ) a rem>kably c]ta9 t\*4 ,no?+ c\ld bett] emphasize ! value ( te*nical drill to a poetic temp]am5t ?an ^! imag9ative draw+s4 ,9 !m ,fant9 gives full re9 to 8 emotional delight 9 t5d] visions & twilight dreams4 ,! lovely rhy?m ( 8 l9es1 ! rise & fall ( 8 s5sitive %ad[s & lights t play & int]play 9 z /rict ob$i5ce to law z ! waves ( ! sea1 8 delicate model+ by :i* he br+s =m out ( nebul\s half-tones ) ! slighte/ t\*es1 ! lea/ disc]nible acc5ts1 ! accurate bl& draw+1 ! ord]$ composition1 ! subtle spac+1 ! innum]able indications ( close obs]vation ( life--all ^! qualities comb9e to give an impression ( fantasy & reality s weld$ & fus$ z to be indi/+ui%able to ! casual glance4 ,illu/ration3 ,9 ! ,brooklyn ,art ,museum4 ,,portrait ,,( ,,mme4 ,,ma,,tre ,f a pa9t+ by ,fant9-,lat\r ,9 spite ( ! assidu\s /udy ( ,dut* & ,italian ma/]s1 ,fant9's "w is *>act]i/ically ,fr5* 9 bo? its fantasy & its realism4 ,n only ! grace ( ! =ms & ! elegance ( ! ge/ures1 b ! s5tim5t ( ! composition & ! quality ( ! color1 are undisguis$ly ,gallic4 ,he is clos] to ,watteau ?an to any o!r pa9t] b 8 firm] te*nic & m pati5t temp]am5t give him an advantage ov] ! fev]i% ma/] ( eighte5?-c5tury idyls4 ,8 art ?robs ) a full] life & 9 8 airie/ dreams 8 _w is made ( a m solid sub/ance4 ,= melan*oly he (f]s s]5ity1 = da9t9ess he (f]s delicacy4 ,8 te*nique1 especially 9 8 lat] "w1 is q individual 9 its "*4 ,he models ) %ort swift /rokes ( ! bru%--n unlike ! bru% "w 9 "s ( ,manet's pictures4 ,8 pigm5t is r dry & (t5 almo/ crumbly 9 texture1 b 8 values are s c>efully consid]$ t ?is delicately ruffl$ surface has ! effect ( ca/+ a p5umbra ab\t ! individual =ms1 ( caus+ !m to swim 9 a ?ick5$ b flu5t atmosph]e1 in/ead ( sugge/+ ! rugosity ( an ill-manag$ m$ium4 ,9 8 pa9t+s ( fl[]s he f\nd ! be/ possible expression = 8 subtle color s5se4 ,! lett]s writt5 to him by ,:i/l] 9 ! sixties %[ h[ f]v5tly ^! pa9t+s 7 admir$ by ! ,am]ican ma/] ( h>mony1 & also h[ mu* good criticism came to him f 8 comrade ^: en?usiasm = ,japanese art already 0 fully awak5$4 ,z a portraiti/1 ,fant9 0 peculi>ly =tunate4 ,8 exquisitely pa9t$ fl[] /udies1 8 pe>ly-ton$ beautifully drawn nudes1 8 li?ographs ) _! s(t d>ks & t5d] manipulations ( l9e1 8 ambiti\s imag9ative compositions1 are none ( !m s eloqu5t ( 8 p]sonality z 8 portraits ) _! absolute integrity1 _! f9e div9ation1 & _! flu5t te*nique4 ,! portrait :i* we reproduce is ( ,madam ,matre1 0 pa9t$ 9 #ahhb1 & 0 acquir$ by ! ,museum ( ! ,brooklyn ,in/itute ( ,arts & ,sci5ces 9 #aijf4 ,x repres5ts a woman ( middle ye>s ) a s9c]e & ?\ghtful face & a quiet be>+4 ,! felicities ( ,fant9's bru% are se5 9 ! way 9 :i* ! silk sleeve foll[s ! curve ( ! r\nd firm arm1 & ! s(t lace ( ! bodice re/s aga9/ ! ?roat & is reliev$ almo/ )\t contra/ ( color aga9/ ! :ite sk94 ,! t\*es ( pure pale blue 9 ! fan & ! delicate t9ts ( ! rose are manife/ations ( ! arti/'s re/ra9$ & subtle managem5t ( color1 b above all !re is a p]fectly unassum+ yet uncompromis+ r5d]+ ( "*4 ,!re is no?+ 9 ! pla9 ref9$ features t cries out = recognition ( a temp]am5t a/utely div9$4 ,!y h ! calm repose t indicates entire lack ( self-consci\sness1 no quality is unduly insi/$ ^u1 !re is nei!r s5tim5tality nor brutal realism 9 ! h&l+1 ! sitt] simply lives z naturally ^u ! canvas z we feel t %e mu/ h liv$ 9 ! _w4 ,x is = su* sweet & logical tru?-tell+1 su* mild & /rict int]pretation1 t we mu/ pay our debt ( appreciation to ,fant91 ! pa9t] ( ideal realities & ( actual ideals4 ,,c>l ,,l>sson ,,ix ,,c>l ,,l>sson ,! accompli%$ ,sw$i% critic1 ,georg ,nord5svan1 op5s 8 monograph on ,c>l ,l>sson ) ! /atem5t t ! latt] is unque/ionably ! mo/ popul> arti/ ( ! pres5t day 9 8 own c\ntry1 & t he is equally popul> z a man4 ,x is n (t5 t ! p]sonality ( an arti/ seems s ess5tially connect$ ) 8 "w z 9 ,l>sson's case4 ,8 gay1 pugnaci\s1 indep5d5t1 yet amiable temp] ( m9d is s directly reflect$ 9 ! "* ( 8 v>i\s production z to make a consid]ation ( ! two toge!r an almo/ necess>y prelude to any acc\nt ( him4 ,he has insi/$ ^u express+ 8 individuality at :atev] co/ ( traditional & conv5tional te*nique & he has at ! same "t unconsci\sly repres5t$ ! franke/1 mo/ :olesome1 &1 on ! :ole1 mo/ *>act]i/ic side ( ! ,sw$i% "*4 ,a r d>+ & flippant humor ent]s into 8 pa9t+s4 ,"o ( 8 portraits ( himself %[s him /&+1 8 happy r$di% face agl[1 aga9/ a yell[i%-br[n wall4 ,he is dress$ 9 a long1 yell[i%-br[n smok+ frock1 & holds 9 8 rais$ h& a p5cil f :i* appe>s to spr+ a little fem99e figure suppos$ to repres5t 8 g5ius4 ,?is figure c>ries :at looks l a quantity ( small r\nd cookies1 says 8 critic1 possibly to symbolize ! adequacy ) :i* 8 g5ius provides = 8 n\ri%m5t4 ,ano!r %[s him ) 8 little girl sitt+ on 8 head1 ma9ta9+ h] equilibrium by plant+ /\t feet on 8 %\ld]s4 ,! pa9t] we>s a h\se-jacket1 loose slipp]s & baggy tr\s]s1 8 face beams ) good-humor2 ! *ild is brimm+ ) laught]2 ! little sc5e is in/9ctive ) ! _s ( intimate dome/icity1 & ! draw+1 free & easy1 )\t app>5t ef=t 9 ! direction ( elegant arrangem5t or expressiv5ess ( l9e1 is nev]!less s+ul>ly n]v\s & vigor\s4 ,illu/ration3 ,,my ,,family ,f a pa9t+ by ,c>l ,l>sson ,9 /ill ano!r portrait1 he is sitt+ be=e 8 easel1 8 little girl on "o knee1 8 canvas on ! o!r ) ! easel s]v+ only z a prop4 ,8 eyes are turn$ t[>d a mirror :i* is outside ! picture & ! reflection 9 :i* he is us+ z a model2 ! *ild's eyes are fix$ on ! canvas wat*+ ! gr[? ( ! design4 ,^! are self-portraits 9 m ?an ! usual s5se4 ,x is ! r>e/ ?+ 9 art to f9d a pa9t] repres5t+ 8 own aspect ) su* complete lack ( self-consci\sness4 ,no *>act]i/ics seem especially to be emphasiz$1 none betray exagg]ation1 !re app>5tly is nei!r di/ortion nor idealization1 nor is !re any attempt to select a mood t %all pres]ve a favorable impression ( ! sitt]4 ,no?+ c\ld1 h[ev]1 m favorably pres5t a "* to ! critical scrut9y ( /rang]s ?an ?is sup]b good fai?4 ,! lea/ s5tim5tal ( u mu/ recognize ) frank delight ! :olesome sweetness ( ! _w ^! k9dly fai?ful records op5 to u4 ,l>sson 0 born at ,/ockholm 9 #ahec4 ,f ! age ( ?irte5 he dep5d$ ^u 8 own labors = support2 ret\*+ photographs at fir/4 ,lat] he ent]$ ! elem5t>y s*ool ( ! academy :]e he receiv$ honors4 ,he drew f ! antique & f ! model & began to make draw+s = illu/ration :5 he 0 ab\t eighte54 ,! public knew him fir/ ?r\gh 8 draw+s = ! comic pap] call$ ,kasp]1 & he %ortly became a mu* s\ght aft] illu/rator = pap]s & books4 ,! fir/ book illu/rat$ by him 0 a collection ( /ories by ,ri*>d ,gu/afsson1 ! editor ( ,kasp]1 ! next 0 ,&]son's ,tales4 ,9 ! latt] he succe$$ ,isidor ,trnblom1 :o di$ 9 #ahgf aft] hav+ execut$ only a few draw+s = ! fir/ "p4 ,he became bold & rapid 9 improvisation1 & light & easy 9 execution--qualities t he nev] lo/4 ,he 0 oblig$ to make ( 8 academic /udies a side issue1 bread-w9n+ tak+ necess>ily ! fir/ place ) him4 ,no d\bt x is to ?is necessity t he owes t prompt adaptation ( 8 facility to v>i\s uses1 t practical application ( 8 fre%ly acquir$ k :i* give to ! simple compositions ( 8 e>li] p]iod an especial spontaneity4 ,he _h no "t to fix himself 9 ruts ( practice4 ,to draw f ! ,ant9\s "o day & ! next to press "o's ,greek outl9e into s]vice = ! repres5tation ( little danc+ girls & happy babies is to effect t union betwe5 art & life :i* makes ! fir/ mov+ & ! second beautiful2 ! union 9 :i* ,daumi] f\nd ! s\rce ( 8 prodigi\s /r5g?4 ,9 8 e>ly ye>s ,l>sson 0 any?+ b a reali/4 ,8 fancy turn$ to unusual & va/ subjects1 & 8 natural impati5ce caus$ him to laun* himself ^u !m ) v inadequate prelim9>y /udy4 ,! fir/ canvas attempt$ by him dur+ ! /udy-"t 9 ,p>is 7"t :i* he won at ! ,academy7 0 ne>ly t5 feet high & repres5t$ a sc5e f ! deluge ) figures d\ble life size4 ,naturally1 he f\nd himself unable to cope ) ! difficulties t promptly arose & 0 oblig$ to give x up4 ,9 #ahgg1 :5 he 0 tw5ty-f\r ye>s old1 he pa9t$ a ?ree-qu>t] l5g? portrait ( a woman /&+1 :i* 0 8 be/ "w ( t p]iod4 ,! g5re pictures :i* he s5t home to ,/ockholm at ab\t ! same "t awak5$ little en?usiasm & spread ! impression t he _h no future z a pa9t] & w\ld be oblig$ to cont5t himself ) illu/ration4 ,z an illu/rator he became ?or\ghly successful1 turn+ out a l>ge am\nt ( "w & ga9+ = himself 9 ,/ockholm ! v inappropriate "n ( ! ,sw$i% ,dor4 ,he made en\gh money 9 ?is bran* ( art to try pa9t+ aga9 9 ,p>is1 b ) almo/ no success until ! ,spr+ ( #ahhc1 :5 he exhibit$ at ! ,salon a c\ple ( small wat]-colors1 ! subjects tak5 f ! field & g>d5 life ( ,grez1 a little pa9t+ village t lies s\? ( ! ,fonta9ebleau =e/4 ,^! pictures won a m$al & 7 b\ght 9 ,go!nburg4 ,o!r simil> subjects foll[$1 all di/+ui%$1 ,nord5svan affirms1 by ! same pleas+ delicacy ( h&l+1 ! same gl[ & spl5dor ( sunlight1 & ! same glad color-h>mony4 ,he n[ 0 9 a position to m>ry1 & pictures ( family life pres5tly appe>$ 9 great numb]s4 ,^! are altoge!r *>m+--spirit$1 vivid1 orig9al1 & full ( an indescribable fre%ness & he>t9ess4 ,sometimes he pa9t$ 8 "y wife hold+ h] baby1 sometimes he pa9t$ 8 two boys p>ad+ z mimic soldi]s2 sometimes x 0 8 little girl hid+ "u ! great1 h&some d9+-table2 or a "y p's p>ty 9 ! *>act]i/ic d9+-room1 all ! furniture & decorations ( :i* are reproduc$ ) crisp naturalism4 ,n ! lea/ *>m ( 8 pa9t+s lies 9 ! beauty ( ^! h&some int]iors 9 :i* detail has ! precise def9ition f\nd 9 ! "w ( ! old ,dut* arti/s4 ,:ile ,l>sson's te*nique lacks ! exquisite f9i% ( a ,t]bor* or ,v]me] ( ,delft he tells almo/ z _m tru?s ab\t a h\se & its occupants z !y d4 ,if we consid]1 = example1 ! *>m+ composition :i* he calls ,! ,slugg>d's ,melan*oly ,breakfa/ 7,sjus(v]skans dy/ra fruko/7 we f9d wor?y ( note n only ! p5sive & r cross little girl sitt+ alone at ! table ) h] loaf ( bread & cup ( milk1 b also ! long tableclo? ) its h&some conv5tional design1 obvi\sly a bit ( arti/ic h&icraft s9ce x is sign$ & dat$ above ! fr+e at "o end1 ! decoration on ! wall1 possibly ! l[] "p ( a pa9t$ w9d[1 ) its significant motto ,arte et ,probitate2 ! graceful patt]n ( ! *airs1 ! big pit*] full ( fl[]s & fruits1 ! pla9 ample di%es1 ! poli%$ floor ( ! passage-way at ! end ( :i* a door op5s on ! gre5 fields ) a *ild's figure half-se5 /&+ on ! ?re%old1 ! f9e ri* color h>mony ( gre5s & r$s & blues & br[ns held toge!r by a subtlety ( tone t involves no loss ( /r5g?4 ,8 outdoor sc5es are h>dly less p]sonal 9 _! portraiture4 ,!re is ! "o call$ ,apple-,bloom ) a ,l>sson *ild 9 a p9k sunbonnet cl++ to ! slim /em ( a "y apple-tree2 9 ! di/ance "s long l[ r$ build+s beh9d a bo>d f5ce1 9 ! =egr\nd ! pale gre5 ( spr+ grass2 !re is ! "o 9 :i* ! l>g] "p ( ! picture is fill$ ) delicate field gr[?1 ?9 sprays ( p9k1 blue & :ite blossoms1 & long sl5d] leaves1 at ! top ( ! canvas a little ?icket ( trees ) a small bright head pe]+ betwe5 ! bran*es2 !re is ! "o 9 :i* a baby lies on ! gre5sw>d "u ! trees2 ea* has an indescribable *>m ( individuality4 ,d\btless resembl+ a hundr$ o!r groves or mead[s1 ^! h an expression ( _! own di/+ui%+ !m f _! k9d4 ,x is ! g5ius ( ! close obs]v] = discrim9ation betwe5 l ?+s4 ,:atev] ! subject1 ! treatm5t is always brilliant1 frank & joy\s4 ,l>sson's bru%work is light & fl[+2 he has1 inde$1 a c]ta9 ,fr5* vivacity ( te*nique1 b 8 motives & 8 p]sonal po9t ( view are s purely ,sc&9avian z to leave no o!r impression on ! m9d4 ,nor is he m]ely ! pa9t] ( ! ,sw$i% type4 ,he is ! pa9t] ( intimate home life & "* z f\nd )9 8 own walls4 ,h>dly any o!r family 9 ,sw$5 is kn[n s well z 81 & ! v>iety & en?usiasm ( 8 m9d l5d spontaneity to ^! dome/ic pictures1 s t "o does n easily tire ( ! /rong smil+ creatures naturally & effectively pres5t$ to our vision4 ,9 ! field ( mural decoration also he has %[n m>k$ orig9ality4 ,"u ! enc\ragem5t ( ,mr4 ,pontus ,fur/5b]g1 "o ( ! =emo/ patrons ( art 9 ,sw$51 he te/$ himself on a s]ies ( pa9t+s = a girl's s*ool 9 ,go!nburg4 ,he accompli%$ 8 task 9 a mann] entirely 8 own1 tak+ = 8 subjects typical figures ( wom5 9 ,sw$5 at diff]5t p]iods ( hi/ory--a ,vik+'s wid[2 ! holy ,brigitta2 a noble h\se "m ( ! "t ( ! ,vasas1 etc4--b al?\gh 8 mann] ( pa9t+ 0 free & bli! x h>dly satisfi$ ! mo/ sev]e critics on acc\nt ( its lack ( ar*itectonic qualities & ! abs5ce 9 x ( any?+ l monum5tal simplicity4 ,he has cont9u$1 h[ev]1 to g 8 own way 9 mural decoration & holds to ! pr9ciple t ! walls %\ld look flat & t ! h>mony ( color & l9e %\ld be balanc$ & proportion$ ) reg>d to decorative & n to reali/ic effect4 ,8 subjects are apt to be fanciful & are execut$ 9 a semi-playful _s n 9 ! lea/ famili> to an un9v5tive age1 z :]e ! _s ( ! ,r5aissance is repres5t$ by a "y woman seat$ high on a /ep-ladd]1 look+ t[>d ! sky1 ) ,popes & ,c>d9als seat$ on ! rungs bel[ gaz+ 9 adoration1 :ile und]nea? !m all yawns ! grave fill$ ) skeletons1 f :i* ! ,r5aissance has ris54 ,illu/ration3 ,a ,,pa9t+ ,,by ,,c>l ,,l>sson ,on ! subject ( home arts & h&icrafts ,l>sson has emphatic ideas & urges on 8 compatriots ! desirability ( pres]v+ _! national types4 ,take c>e ( y\r true self :ile "t is1 he says1 aga9 become a pla9 & wor?y p4 ,be clumsy r ?an elegant3 dress y\rselves 9 furs1 sk9s1 & wool5s1 make y\rselves ?+s t are 9 h>mony ) y\r heavy bodies1 & make ev]y?+ 9 bright /rong colors2 yes1 9 ! s-call$ gaudy peasant colors :i* are ne$$ contra/s to y\r deep gre5 p9e =e/s & cold :ite sn[4 ,he has made designs = haute-lisse weav+ :i* 7 execut$ by ! ,h&icraft ,guild & :i* 7 practically op5 air pa9t+ translat$ into ! ,gobel9 weave4 ,9 all t he does he is free f ! trammels ( conv5tion2 b 8 *ief triumphs are 9 a field t is sadly neglect$ 9 mod]n art4 ,z a pa9t] ( family life he is surpass$ by none ( 8 contempor>ies4 ,,jan ,,/e5 ,x ,,jan ,,/e5 ,jan ,/e5 0 born 9 ,leyd5 ab\t #afbf1 :i* w\ld make him n9ete5 ye>s y\ng] ?an ,rembr&t4 ,he is said to h /udi$ fir/ "u ,nicolas ,knpf] & !n possibly "u ,adria5 van ,o/ade 9 ,h>lem1 & f9ally "u ,jan van ,goy5 at ! ,hague4 ,9 #afdh he 0 enroll$ 9 ! ,pa9t]'s ,guild at ,leyd51 & ! foll[+ ye> he m>ri$ ,m>g>e?a van ,goy51 ! daught] ( 8 late/ ma/]4 ,8 fa!r 0 a well-to-d m]*ant & be]-brew] & ,/e5 himself at "o "t ran a brew]y1 ?\gh app>5tly n ) great success4 ,he inconte/ably 0 famili> ) ! life ( dr9k+ places & h\ses 9 :i* r\gh m]rymak+ 0 ! *ief bus9ess4 ,_m ( 8 subjects are drawn f su* s\rces & 8 bru% br+s !m be=e u ) _! *>act]i/ic features %>ply obs]v$ & emphasiz$4 ,he has be5 accus$ ( a moraliz+ t5d5cy & x may at lea/ be said t he p]mits u to draw our own moral f p]v]t$ & unpoli%$ facts4 ,9 8 lea/ re/ra9$ mom5ts he is a k9d ( ,dut* ,jorda5s1 less exub]ant1 less /urdy & florid & ge/iculatory2 b ) ! same ze/ = liv+1 ! same union ( old & "y 9 any fe/ival t includes good meat & good dr9k ) song & dance & horse-play4 ,if we comp>e ,die ,lu/ige ,familie at ,am/]dam ) t ebulli5t r5d]+ ( ! same subject by ,jorda5s entitl$ ,zoo de oud5 zong53 ,zoo pyp5 de jong5 t hangs 9 ! ,antw]p ,museum1 we h no difficulty 9 p]ceiv+ ! po9ts ( simil>ity4 ,!re ev5 are lik5esses 9 ! color-s*emes ( ! two pa9t]s1 ,jorda5's silv]y yell[s = once meet+ _! mat*2 b we f9d 9 ,/e5's picture a m subtle discrim9ation 9 ! *>act]s & temp]am5ts ly+ b5ea? ! physical features ( ! gay company4 ,(t5times ,/e5 indulges 9 a gay & h>mless bad9age z diff]5t z possible f ! bold & ke5 irony ( 8 wild] !mes4 ,9 ,die ,katz5tanz ,/unde ( ! ,rijks museum at ,am/]dam ! laugh+ *ildr5 putt+ ! wret*$ little cat ?r\gh a c\rse ( unwelcome in/ruction1 ! excit$ pose ( ! dog1 ! conc5tration ( ! girl ^u h] dance-music1 are r5d]$ ) joy\s fre$om & animation1 & sugge/ a *ildlike mood4 ,! lovely ,m5ag]ie ( ! ,hague is conceiv$ 9 a /ill mild] & g5tl] temp]1 ! demure *ild among h] pets1 fe$+ h] lamb1 ) h] doves fly+ ab\t h] head & ! fai?ful little ,/e5 dog 9 ! backgr\nd1 is an idyllic figure4 ,inde$ ! entire composition has a t5d]ness & almo/ a religi\s dep? ( s5tim5t t make x unique among ! pa9t]'s a*ievem5ts4 ,ano!r *>m+ composition 9 :i* homely pleasures enjoy$ ) mod]ation & 9 a mood ( simple m]rim5t are delicately depict$ is ,d] ,wirt%ausg>t5 9 ,b]l91 9 :i* ! "y p & _! eld]s toge!r ) ! happy dog are hav+ a quiet meal "u a gre5 arbor4 ,family pets play an important "p 9 all ^! sc5es ( dome/ic life2 app>5tly ,jan ,/e5 ev5 m ?an o!r ,dut* pa9t]s 0 int]e/$ 9 ! idiosyncrasies ( ! animals ab\t him & 0 amus$ by incid5ts includ+ !m4 ,8 pictures ga9 by ?is a c]ta9 sugge/ion ( k9dl9ess & community ( good feel+ t is refre%+ 9 ! mid/ ( ! frequ5t vulg>ity ( !me & s5tim5t4 ,rem9isc5ces ( ! exquisite feel+ %[n 9 ,die ,m5ag]ie cont9ually occur 9 su* incid5ts z a girl fe$+ h] p>rot1 ! play ( *ildr5 ) ! fri5dly dogs & cats ( ! noisy inn1 & especially 9 ! importance giv5 to ! expressions & attitudes ( ! dumb creatures4 ,! dog is ne>ly always 9 ! =egr\nd1 inv>iably *>act]iz$ ) ! utmo/ vivacity & cle>ness1 & usually play+ 8 *e]ful "p 9 :atev] ( lively occupation 8 ma/]s are engag$ 94 ,9 ,die ,lu/ige ,familie he jo9s 8 voice to ! family conc]t ) an expression ( can9e agony4 ,frequ5tly ! subjects are obvi\sly drawn f ! life ( 8 own family circle & ! portraits ( 8 *ildr5 9 ^! canvases are always sympa!tic & delightful1 giv+ a peculi>ly intimate "* to ! arti/'s works 9 ?is k9d4 ,9 ,das ,nikolausfe/ at ,am/]dam ! little girl 9 ! =egr\nd--app>5tly ! little ,elisabe? born 9 #affb1 :o figures 9 s _m ( ! lat] pa9t+s--is a p>ticul>ly engag+ figure4 ,^! simpl] fea/s & family ga!r+s 9 :i* gay laught] reigns 9 place ( brawl+1 con/itute a delightful phase ( ,/e5's art1 yet curi\sly !y are seldom z beautiful 9 _! e/hetic qualities z ! tav]n sc5es & incid5ts ( l[ & vici\s life4 ,! picture 9 ! ,l\vre1 h[ev]1 ,das ,famili5 ,mahl1 contradicts ?is g5]alization 9 ! %e] lovel9ess ( color1 9 ! light t /reams ?r\gh ! w9d[ hung ) v9es1 & 9 ! delicately discrim9at$ textures ( ! g[ns & furni%+s4 ,9 ?is picture ! figure ( ! woman nurs+ h] *ild 9 ! backgr\nd has an amplitude ( l9e & graci\sness ( pose t places x on a plane ) ,millet's r5d]+s ( simil> subjects1 :ile ! pa9t+ 9 itself is ( a quality nev] a*iev$ by ! poetic ,fr5*man4 ,occasionally we f9d compositions by ,/e5 9 :i* only two or ?ree figures are introduc$1 al?\gh z a rule he cr[ds e in* ( 8 canvas ) human be+s & /ill-life4 ,a v beautiful example ( ^! compositions is se5 9 ,die ,musik/unde ( ! ,national ,gall]y1 ,london4 ,! da9t9ess & innoc5ce ( ! "y girl's pr(ile1 ! ref9em5t ( ! man's face1 & ! en*ant+ tones ( ! yell[ bodice & blue skirt make ( ?is picture a wor?y sequel to ,die ,m5ag]ie4 ,ano!r composition ( two figures is ,das ,tr9k]pa> 9 ! ,rijks ,museum at ,am/]dam4 ,a woman is dr9k+ f a glass1 & a man /&+ at "o side holds a jug & looks at h] ) an expression ( conc]n4 ,! pa9t+ ( ! woman's "r h& :i* %e holds to h] brea/ is delightful & s is ! cle> half-tone ( h] face4 ,an attractive "o-figure composition1 also 9 ! ,rijks ,museum1 is ,die ,s*eu]magd1 a scull]y maid sc\r+ a metal pit*] on ! top ( a cask4 ,! discrim9ations ( texture 9 ?is picture1 ! wood & metal surfaces1 ! cotton ( ! woman's bl\se1 ! r co>se sk9 ( h] b>$ arms & ! m delicate texture ( h] full ?roat1 are especially notewor?y4 ,sev]al compositions 9 :i* two or ?ree figures are gr\p$ are v>iations ( "o !me1 an invalid visit$ by h] physician4 ,9 sev]al in/ances ! title1 ! r lackadaisical expression ( ! lady1 & ! significant glances ( h] companions1 indicate t love-sickness is ! malady4 ,! color 9 ^! pictures is usually beautiful & ! types are clev]ly diff]5tiat$1 ! entire /ory becom+ app>5t to ! spectator by p>ticul>ities ( ge/ure & feature1 nei!r exagg]at$ nor emphasiz$ unduly1 b acutely obs]v$ & r5d]$ at _! precise value 9 ! expressiv5ess ( ! :ole4 ,a v f9e example ( ^! ,doktorbild] is 9 ! collection ( ! ,new ,york ,hi/orical ,society4 ,! doctor is ble$+ 8 pati5t1 & !re are sev]al p 9 ! room4 ,! ri* co/umes are di/+ui%$ by ! indescribable blond yell[s & silv]y blues t make ,/e5's color h>monies at _! be/ s+ul>ly delicate & bli!4 ,among ! compositions 9 :i* _m figures 9 a complicat$ environm5t tax ! arti/'s te*nical skill to ! utmo/1 are sev]al repres5tations ( ! bean fea/1 t saturnalia ( ,g]many1 ^u :i* abundant eat+ & dr9k+ are 9 ord]4 ,"o ( ! mo/ beautiful ( ^! pictures is 9 ! ,cassel ,gall]y4 ,/e5 himself1 portly & flu%$1 sits at ! table1 grimac+ good-natur$ly at ! racket assail+ 8 e>s4 ,8 h&some wife is 9 ! =egr\nd1 h] l>ge free ge/ure & unre/ra9$ pose br++ out ! opul5t beauty ( h] =m drap$ 9 %9+ silk5 /uffs4 ,h] face1 turn$ t[>d ! little ur*9 :o has f\nd ! bean 9 ! cake & ?us won ! "r to we> a pap] cr[n z k+ ( ! revels1 is dimpl$ ) smiles4 ,! two *ildr5 are babyi% 9 figure & expression & ! little dog is m s]i\s ?an is 8 wont ^u ^! occasions4 ,a c\ple ( m5 are mak+ a d9 ) bits ( brass & iron1 & ! place is 9 complete disord] ) egg%ells & kit*5 ut5sils scatt]$ ab\t on ! floor1 yet ! aspect ( ! sc5e is curi\sly remov$ f vulg>ity4 ,bo? beauty & "* h be5 ideals ( ! arti/4 ,he has n only grasp$ ! lovel9ess ( ext]nal ?+s b he has delv$ r deeply into ! individualities ( ^! roi/]+ ,holl&]s4 ,y d n feel z y d ) ,jorda5s t excess ( fle% & ! joys ( ! palate are all ! _w holds = ! revel]s4 ,! _w holds1 = "o ?+1 appreciation ( ri* accessories4 ,! column$ b$/ead1 ! h&some rugs1 ! c>v$ furniture1 ! gl9t ( gold 9 ! ornate picture frame1 especially ! %e5 ( ! silk skirts1 ! s(t ?ick velvet & fur ( ! sacques & bodices1 ^!1 :ile !y are n uncommon 9 ! ,dut* int]iors ( ! p]iod comb9e to produce an impression ( e/hetic well-be+ t temp]s ! unctu\s physical satisfactions ( a m]ry-mak+ class4 ,) ,jorda5s x is ! satyr 9 man t sets ! /&>d ( enjoym5t1 except 9 8 religi\s pictures :i* (t5 are fill$ ) g5u9e & noble emotion1 & 9 :i* he rises sup]ior to ,/e5 :]e ! latt] works 9 ! same k9d4 ,no?+ c\ld be m commonplace or *>act]less 9 color & =m ?an ,/e5's r5d]+ ( ! d9n] at ,emmaus4 ,occasionally1 h[ev]1 he is equally )\t inspiration 9 8 lu/ie/ subjects4 ,9 ! ,frhli*e ,heimkehr at ,am/]dam1 a m]ry en\gh sc5e ( p return+ f a boatride 9 high spirits1 !re is nei!r *>m ( color 7save 9 ! yell[ jacket ( a girl :o leans ov] ! side ( ! boat7 nor subtlety ( *>act]ization4 ,fully to appreciate ,/e51 we %\ld "k 8 pictures 9 ! ,l\vre & at ,am/]dam4 ,!y cov] a wide range & comprise a consid]able numb] ( ma/]pieces4 ,! life he depicts 9 !m is n ( a v high ord]1 b he has se5 ! possibilities = pictorial repres5tation 9 8 surr\nd+s z almo/ no o!r pa9t] ( 8 "t4 ,8 p are alive & _! liv+ is active & f]v5t4 ,:at !y d !y d ) ze/4 ,!re is en]gy 9 ! pa9t]'s l9e & vitality 9 8 color4 ,no?+ is dull or tame 9 8 family drama4 ,all has a t\* ( mov+ beauty4 ,9 ! ,s*le*te ,gesells*aft ( ! ,l\vre or ! m vulg> ,na* dem ,gelage ( ! ,rijks ,museum--lea/ rew>d+ ( pictures = ! morali/--h[ ri* 9 beauties ( color & l9e is ! composition1 h[ t5d] 9 model+ are ! =ms1 h[ bewit*+ to ! eye ! f9e enamel ( ! surface6 ,9 ! ,metropolitan ,museum1 9 ,new ,york1 is "o *>act]i/ic example3 ,! old rat comes to ! trap at la/1 :i* badly ne$s clean+1 & "o new pur*ase attribut$ to ,/e5 9 ! li/s ( 8 "w b h>dly typical or ev5 *>act]i/ic4 ,! subject is a kit*5 sc5e4 ,9 x we h nei!r ,/e5's *>m ( color nor 8 p]fection ( f9i%4 ,yet ! turn ( ! woman's head1 ! unaffect$ m]rim5t ( h] expression & t ( ! y\?1 & ! type to :i* h] face belongs suffici5tly recall su* examples ( ! arti/'s "w z ,das ,galante ,an]biet5 at ,brussels ) :i* inde$ x has m 9 common ?an ) any o!r ( ,jan ,/e5's pictures kn[n to me4 ,/e5's own portrait1 pa9t$ by himself & hang+ n[ 9 ! ,am/]dam ,museum1 %[s a face ^u :i* nei!r wild liv+ nor ard5t toil has left unhappy m>ks4 ,8 s]i\s eyes look frankly out f "u ar*$ br[s4 ,8 m\? is firm ?\gh smil+ slightly4 ,! high1 bold nose & /rong *91 ! well-%ap$ head & ?\ghtful br[ indicate a "* m decid$ & m praisewor?y ?an ! leg5ds adrift conc]n+ 8 life w\ld lead u to expect 9 him4 ,,"o ,,side ,,( ,,mod]n ,,g]man ,,pa9t+ ,,xi ,,"o ,,side ,,( ,,mod]n ,,g]man ,,pa9t+ ,! be/ sub/itutes = ! judgm5ts ( po/]ity are ! judgm5ts ( =eign]s4 ,a gr\p ( pictures by ! arti/s ( "o c\ntry1 tak5 to ano!r c\ntry = exhibition & criticism1 is subject$ to some?+ ! same te/ z ! pictures ( "o g5]ation com+ "u ! scrut9y ( ano!r g5]ation4 ,:5 a collection ( pictures by mod]n ,g]man arti/s 0 exhibit$ 9 ,am]ica 9 #aiji1 ! ,am]ican p 7 prompt 9 _! recognition ( a c]ta9 quality :i* !y t]m$ national4 ,! critics--_m ( !m--saw ?is quality f ! adv]se side & 7 f> f complim5t>y to ! ,g]mans 9 _! comp>isons betwe5 ,am]ican art & ,g]man art1 b a g5]al impression 0 giv5 ( a vitality suffici5tly m>k$ to make itself felt by ! lea/ initiat$ obs]v]4 ,a numb] ( ! pictures by ! old] m5 _h little en\gh ( ?is vitality1 b :]e x exi/$ x 0 s decid$ z to leav5 ! mass4 ,& !re 0 almo/ none ( ! s5tim5tality *>act]iz+ ! ,teutonic ideal z x _h manife/$ itself 9 ! pictures =m]ly br\ght to ?is c\ntry4 ,comp>$1 !n1 ) ! pa9t+s ( ,am]ican arti/s & ) ^? ( ! ,fr5*m51 ^: "w we h kn[n s mu* bett] ?an t ( any o!r c\ntry1 comp>$ also ) ! "w ( ! mod]n ,spani>ds1 ^: pa9t+s 7 on exhibition ! same w9t] at ! ,hispanic ,museum1 we f9d ! special "* ( ! ,g]man pa9t+ to exi/ 9 a resolute individualism1 a det]m9ation to express ! inn] life ( ! arti/1 8 temp]am5t & pr$ilections & 8 mood at :atev] co/ ( te*nical facility4 ,expressiv5ess1 gett+ ! idea into circulation1 gett+ some?+ said1 ?is appe>s to be ! common goal ( ! ,g]man pa9t] ( ! pres5t day4 ,9 su* case1 ( c\rse1 ! idea is ( p>ticul> importance4 ,if x is to take prec$5ce ov] purely e/hetic qualities x is reasonable to expect x to be an idea ( no little importance4 ,let u exam9e "s ( ! pa9t]s repres5t$ 9 ! exhibition arrang$ = ,am]ica1 & see :e!r 9 mo/ cases ! idea is emotional z ) ! arti/s ( ,*9a & ,japan1 & !re=e peculi>ly appropriate to translation by rhy?ms ( l9e & h>monies ( color1 or intellectual1 & !re=e dem&+ a complex & difficult expression & ! solution ( te*nical problems t d n come into ! "q at all :5 no?+ else is requir$ ?an to evoke an especial mood or temp] ( s\l4 ,! olde/ ( ! pa9t]s repres5t$ 0 ,adolf von ,m5zel1 :o 0 born 9 #ahae & di$ 9 8 n9etie? ye>4 ,z he began "w at an e>ly age 8 accompli%m5t practically cov]s ! p]iod ( ! n9ete5? c5tury4 ,he has be5 designat$ by "o ( 8 ,g]man critics z ?ree ,m5zels 9 "o3 ! fir/1 ! hi/orian ( ! ,freid]ician p]iod2 ! second1 ! hi/orian ( 8 own "t1 record+ ! c\rt life 9 :i* he play$ 8 "p2 ! ?ird1 ! acute obs]v] ( ! life ( ! /reets & workrooms & a comm5tator on ! amus+ details ( ! pass+ %[4 ,a numb] ( 8 sket*es 7 %[n at ! exhibition1 a c\ple ( l&scapes1 a ballroom sc5e & a !at] subject1 beside a little m$iaeval subject 9 g\a*e4 ,^! display$ 8 dext]ity ( h& :i* 0 truly a/\nd+1 & also 8 memory1 z ! ,?tre ,gymnase 0 pa9t$ fully a ye> aft] he left ,p>is4 ,! ballroom supp] 0 pa9t$ 9 an ironic mood & ! gluttony ( 8 fell[ humans1 _! unattractive p]sonalities1 _! curi\s aspect ( ! educat$ animal1 appe> ) an int5se & pitiless fidelity to ! fact :i* is ( ! ess5ce ( intellectual realism1 b :i* c\ld equally h be5 a*iev$ ?r\gh ! m$ium ( words4 ,9 spite ( a cultivat$ color s5se & a f9e control ov] 8 in/rum5t he 0 f fir/ to la/ ess5tially an illu/rator4 ,x 0 difficult = him to omit any detail t w\ld add to ! piquancy or fulness ( 8 /ory1 h[ev] mu* ! omission might h done = 8 g5]al effect4 ,he said himself1 ,!re %\ld be no uness5tials = ! arti/1 & he advis$ 8 pupils to f9i% z mu* z possible & n to sket* at all4 ,?is passion = complet5ess r>ely accompanies a /rong feel+ = ! romantic aspects ( nature or = atmosph]ic subtleties4 ,nei!r does ! pa9t] :o obs]ves human nature closely & repres5ts x ) a detail$ comm5t>y ^u its *>act]i/ics usually convey ! impression ( any subjective emotion4 ,m5zel is no exception to ?is rule4 ,9 8 "w he appe>s z emotionless z a ma*9e1 b 8 accompli%m5t is n me*anical4 ,x is1 on ! contr>y1 ! record ( a busy1 highly individualiz$1 accurate m9d4 ,a ,b]l9 man1 he _h ! al]tness1 ! cle>-cut effectiv5ess1 ! en]gy1 & ! coldness typical ( a cosmopolitan product4 ,if we comp>e 8 ,ball ,supp] 9 :i* ! gl>e ( lights1 ! elaboration ( co/ume1 ! rapacity & %all[ glitt]+ sup]ficiality ( a ,c\rt fe/ivity are pres5t$ almo/ z ?\gh 9 hackney$ phrases1 s devoid is ! picture ( any mean+ beyond ! obvi\s1 ) ! ,/eel ,f\ndry 9 :i* ! uns5tim5tal acceptance ( labor z a necess>y factor 9 civilization is conspicu\s1 x is cle> t 8 m9d 0 free f dreams & visions :i*ev] side ( society he look$ ^u4 ,9 ?is respect 8 influ5ce is salut>y4 ,x is l a cool & :olesome breeze bl[+ away all miasmic vapors1 & !re is a positively exhil>at+ quality 9 8 firm assumption ( ! p[] ( ! human be+ ov] 8 mat]ial4 ,8 workm5 are m5 ( /rong muscle & prompt bra94 ,9 ! ,/eel ,f\ndry we see _! effici5t h&l+ ( ! great b>s ( metal ) admiration z we %\ld 9 life1 & we note :at 9 mod]n times is n always pres5t = notation1 ! intellig5ce & int]e/ 9 _! faces4 ,9 "o corn] ( ! room1 beh9d a scre5 or p>tition1 a little gr\p is dev\r+ lun*eon4 ,"h we /rike once m ! note ( ! ballroom supp] 9 ! mun*+ eag]ness ( ! eat]s1 b se5 9 juxtaposition ) ! physical =ce & ef=t ( ! work]s x ceases to be revolt+1 & seems to symbolize ! lu/y joy ( liv+ ) a sympa!tic ze/ ( realization4 ,9 all ( ,m5zel's "w we h ?is s5se ( physical & m5tal compet5cy4 ,x %[s no?+ ( ! abnormal or decad5t1 & x mu/ also be admitt$ t only 9 a few in/ances does x %[ any?+ ( e/hetic beauty4 ,he 0 able to pa9t cr[ds ( p & he manag$ to get a rem>kable unity ( effect 9 spite ( 8 devotion to detail1 b 8 masses ( light & %ade are n held 9 t noble h>moni\s relation a*iev$ by ! peasant ,millet :o 0 ,m5zel's contempor>y1 8 l9es h no rhy?mic fl[1 8 color1 ?\gh (t5 *>m+1 is seldom held toge!r 9 a unifi$ tone4 ,"s "o has call$ him ! consci5ce ( ,g]man pa9t+1 b he is m ?an t4 ,he is bo? consci5ce & bra94 ,x is always possible to obta9 an intellectual satisfaction f 8 po9t ( view4 ,:at is lack+ is emotion4 ,we feel ?is lack 9 o!r ,b]l9 ma/]s4 ,pr(essor ,max ,lieb]mann is "o ( ! mo/ di/+ui%$ ( ! mod]n gr\p1 & 8 l>ge1 cool1 def9ite art is innoc5t ( ! mov+ quality4 ,he 0 repres5t$ 9 ! exhibition by a portrait ( ,dr4 ,bode1 a vigor\s little composition call$ ,! ,polo-play]s1 ! ,flax ,b>n at ,l>51 & ,! ,lace ,mak]4 ,! la/ two 7 especially typical ( 8 /eady deta*m5t f 8 subject4 ,! old lace mak]1 b5d+ ov] h] bobb9s1 sugge/s only absorption 9 h] task4 ,!re is no ennobl+ ( h] =m1 no idealiz+ ( h] features1 no envelop+ ( h] occupation ) s5tim5t1 no?+ b ! direct /atem5t ( h] p]sonality :i* is nei!r subtle nor complex & ! description ( :at %e is do+4 ,b %e is int5sely real1 m real1 ev51 ?an ,m5zel's closely obs]v$ individuals4 ,lieb]mann1 born 9 #ahdg1 0 ! lead] ( ! new t5d5cy *>act]iz+ ! ,g]many ( ! sev5ties1 ! t5d5cy t[>d con/ant ref]5ce to nature z oppos$ to ! old-fa%ion$ conv5tionalism & ,academic me?ods4 ,!re c\ld h be5 no saf] lead] = a b& ( rebels s9ce he 0 ! sane/ ( ?9k]s & work$ out a /yle 9 :i* ! classic qualities ( nobility 9 ! disposition ( l9es & spaces & rem>kable purity ( =m play$ a prom95t "p4 ,illu/ration3 ,c\rtesy ( ,b]l9 ,photographic ,company4 ,,peasant ,,wom5 ,,( ,,da*au] ,f a pa9t+ by ,leibl ,obs]v+ 8 ,flax ,b>n1 9 comp>ison ) ! "w ( 8 compatriots1 its f9e fre$om f triviality ( detail 0 app>5t1 & ! beauty ( its cool light1 spread ov] l>ge spaces & diffus$ ?r\gh\t ! int]ior ( ! l[ %$1 made itself felt4 ,"o not$ also1 z elem5ts ( ! picture's peculi>ly dignifi$ appeal1 ! sev]e arrangem5t ( ! figures ) ! long r[ ( work]s "u ! w9d[s1 ! long ?reads ( flax pass+ ov] _! heads to ! wom5 9 ! =egr\nd1 & ! almo/ /raight l9e =m$ 9 turn by ^! wom54 ,! composition1 q geometrical 9 its precision1 gave a s5se ( deep repose 9 spite ( ! vitality ( ! individual figures & ! impression !y made ( be+ able to turn & move at w1 an impression ne>ly always miss$ by ,leibl1 ,lieb]mann's great =]unn] 9 ! pa9t+ ( humble life4 ,we get mu* ! same au/]e effect f ! alm%\se pictures ( old m5 & wom5 on b5*es 9 ! op5 squ>e1 always arrang$ 9 a geometrical design1 & always calm 9 ge/ure & mild 9 type1 :i* appe> f "t to "t 9 ! =eign exhibitions ( ,lieb]mann's "w4 ,lieb]mann has done = ! ,g]mans some?+ ( :at ,millet did = ! ,fr5*4 ,he has built 8 art ^u ! daily life ( ! poor1 b :ile1 l ,millet1 he has introduc$ a monum5tal elem5t into 8 "w1 x is cle>]1 m closely reason$1 m firmly knit ?an ,millet's art1 & at ! same "t less emotional4 ,lieb]mann's hospitality to purely te*nical ideas1 8 int]e/ 9 problems ( light & air1 8 dilig5t analysis ( motion1 8 ability to translate a sc5e f ! life ( ! labor+ class )\t s5tim5tality1 )\t prett9ess or eloqu5ce or any ( ! attributes t cat* ! multitude1 give to 8 art a t\* ( coldness t is n )\t its *>m = ^? :o c>e = a highly develop$ ord]ly product ( ! m9d4 ,mo/ ( ! ,b]l9 m5 :o are 9 any degree notable %>e some:at 9 ?is attribute4 ,ar?ur ,kampf1 al?\gh he has less ?an ,lieb]mann ( cool deta*m5t1 has bo? elegance & gravity4 ,he c\ld h>dly h _h a bett] repres5tation by any "o or two canvases ?an by ! ,*>ity & ! ,two ,si/]s ( ! ,am]ican exhibition4 ,9 ! fir/ he depicts a /reet sc5e ) its contra/s ( pov]ty & weal?4 ,a man & woman 9 ev5+ dress1 return+ f _! ev5+'s pleasure1 are bes\ght by poor p clu/]+ ar\nd a s\p /all & drop co9 into ! insi/5t h&s4 ,! smok+ caldron ( s\p 9 ! c5t] & ! circle ( %>ply diff]5tiat$ faces =m an admirable composition1 ! app>5tly accid5tal l9es ( :i* play into a dignifi$ l9e> s*eme4 ,! ,two ,si/]s reveals ! influ5ce ( ,velasquez 9 its flat model+ & subtle *>act]ization1 & 9 its atmosph]ic grays enliv5$ ) g]anium r$s4 ,bo? ( ^! pictures indicate a mod]n temp] ( m9d 9 ! flu5cy ( _! te*nique & ! realism ( _! treatm5t toge!r ) ! att5tion paid to ! tonal quality & to ! "* ( ! space composition4 ,kampf1 h[ev]1 al?\gh a "y man--he 0 born 9 #ahfd--;has pass$ ?r\gh _m phases ( developm5t :i* are record$ 9 8 _m-sid$ art4 ,8 subjects range f ! hi/orical !mes ( 8 wall decorations at ,magdeburg & ,aa*5 ?r\gh portraiture 9 :i* he grasps *>act]s ess5tially div]se & sugge/s ) un]r+ in/9ct ! dom9ant quality1 sc5es ( labor z 9 8 ,bridge-,build+1 sc5es ( brutality & excitem5t z 9 8 ,bull-fight1 sc5es f ! drama ( ! ,biblical /ory1 sc5es ( dome/ic life z 9 8 delicately humor\s picture ( ! absorb$ read] eat+ 8 breakfa/ ) ! morn+ pap] propp$ up 9 front ( him1 & sc5es ( peaceful holiday-mak+ among ! poor z 9 8 idyllic ,sunday ,aft]noon :i* %[s a peasant boy play+ 8 h>monicum "u ! trees1 ) 8 old fa!r & "m sitt+ by 9 placid enjoym5t4 ,v>i\s z ^! pictures are & closely z ! mann] has 9 ea* case be5 adapt$ to ! special subject1 we n[h]e miss ! note ( individuality1 al?\gh 9 su* a portrait z t ( ! ,kais]1 :i* 0 %[n 9 ,am]ica1 x unque/ionably is subdu$4 ,nei!r d we miss ! note ( locality4 ,born at ,aa*51 ,kampf is a true ,rhe9l&] & "o ( 8 ,g]man critics notes t we mu/ look to ?is fact = ! explanation ( 8 special qualities1 decl>+ t )\t ! ,rhe9l&]'s *e]fulness & en]getic temp]am5t1 & )\t ! backgr\nd ( ! anci5t ,rh5i% culture1 he w\ld be inconceivable4 ,on ! o!r h& 8 turn+ to drama & romance = 8 inspiration speaks ( 8 ,duesseldorfian tra9+ & 8 realism ( repres5tation allies him to ,m5zel4 ,at =ty-two he 0 made presid5t ( ! ,royal ,academy ( ,art 9 ,b]l91 & x is probable t ! :olesome ,rh5i% en]gy ( :i* 8 critic speaks w save him f s9k+ into ! =malism ( ! academic tradition4 ,9 8 art1 h[ev]1 z 9 t ( 8 compatriots1 x is app>5t t ! _w ( ideas is ! _w 9 :i* he lives1 & he works to express 8 m9d r ?an 8 s\l1 8 ?\ghts r ?an 8 emotions1 if we foll[ ! indef9ite & arbitr>y division betwe5 ?\ght & feel+ t does s]vice z a symbol ( a mean+ difficult to express cle>ly4 ,!re 7 o!r int]e/+ pa9t]s repres5t$ 9 ! ,b]l9 gr\p at ! ,am]ican ,exhibition1 ,otto ,engel1 ,fritz ,b]g]1 ,hans ,h>tig--& ( all x is m or less true t ! idea 9 _! "w is m important ?an ! feel+4 ,x is true also t ! tradition ( ! peasant ,leibl1 a great pa9t]1 b inv>iably cold1 re/s ^u mo/ ( !m4 ,8 wond]ful manipulation ( pigm5t is equal$ by none ( !m1 b 8 accurate1 deta*$ obs]vation1 8 balanc$ r5d]+1 ! firmness ( 8 me?od1 h ent]$ m or less into _! s*eme ( art4 ,& x is to be not$ t 8 ideas & !irs are ideas appropriate to ! pa9t]'s m$ium4 ,m5zel's lit]>y b5t is n %>$ by !m1 8 pr$ilection = a /ory to illu/rate almo/ nev] appe>s among ! y\ng] ,b]l9 pa9t]s1 & he _c 9 any real s5se be consid]$ _! prototype4 ,:5 we turn to ! old] memb]s ( ! mod]n ,muni* s*ool we f9d ! influ5ce ( ,boeckl9 dom9ant4 ,arnold ,boeckl91 a ,swiss by bir?1 & possess$ ( ! ,swiss +5uity ( m9d1 has be5 ! subject ( endless discussion among ! ,g]mans ( ! pres5t day4 ,he exhau/$ 8 v great tal5t 9 pa9t+ a symbolic _w1 & by 8 appreciation ( ! value ( coh]5ce he made 8 pa9t+s impressive4 ,!y are ea* a p]fectly coh]5t arrangem5t ( p>ts1 mak+ a :ole :i* has ! appe>ance ( simplicity1 h[ev] num]\s ! elem5ts compos+ x may be4 ,by a comb9$ g5]alization & int5sity he turn$ ! actual _w :i* he /udi$ closely en\gh1 into 8 own unreality4 ,?us1 9 8 ,italian l&scapes1 he reveals ! ar*itectonic /ructure ( 8 sc5e /ripp$ ( all incid5tal ornam5t1 ! upright & horizontal l9es left sev]e & uncompromis$1 & ! blue ( ! heav5s & ! sea1 & ! d>k gre5 ( ! cypresses1 pu%$ to an almo/ incr$ible dep?4 ,ev]y?+ is m significant ?an 9 nature1 yet nature has provid$ ! elem5ts ( significance4 ,x is 9 8 ability to see ?+s :ole & to co-ord9ate ! select$ details t ,boeckl9 is mo/ an arti/4 ,?is l>g5ess ( g5]alization gives him p[] ov] ! imag9ation1 & is1 p]haps ! only1 c]ta9ly ! *ief s\rce ( 8 p[]4 ,8 color by its v int5sity ov]does ! int5d$ effect4 ,! imag9ation in/ead ( be+ /imulat$ is sat$1 & 8 obvi\s symbolism fails to pique ! curiosity4 ,moreov]1 8 h&l+ ( pa9t lacks s5sitiv5ess4 ,he has some?+ ( ! disreg>d %[n by ! ,engli% pa9t] ,watts = ! beauty inh]5t 9 8 mat]ial :i* might z well be clay or textile z pigm5t 9 8 h&s4 ,b 8 appreciation ( ! effect ^u ! m9d ( noble arrangem5ts ( space & mass raises him to a mu* high] place z an arti/ ?an he c be said to occupy z a pa9t]4 ,illu/ration3 ,,fiddl+ ,,dea? ,f a portrait by ,arnold ,boeckl9 ,franz von ,/uck is ,boeckl9's mo/ di/+ui%$ foll[]4 ,:5 we turn f ! examples ( ,boeckl9's "w1 by no means ! mo/ impressive examples1 exhibit$ 9 ,am]ica1 to ,/uck's ,inf]no we p]ceive bo? ! influ5ce ( ,boeckl9 & ! p[]ful individuality t m+les ) x4 ,!re is ,boeckl9's insi/5ce ^u ! symbol1 & ^u ! body+ =? ( ?+s unse51 !re is ! solid viol5ce ( color1 !re is ! pomp\s /atem5t ( ! half-disc]n$ tru?s :i* m s5sitive arti/s are cont5t to :isp]4 ,b !re is also a spl5did arabesque ( l9e & a deep] read+ ( ! spiritual cont5t ( ! subject4 ,if we comp>e ,/uck ) ,william ,blake ^: fancy also 0 haunt$ by ,dantesque conceptions1 we see h[ mu* m impressive ,blake's visions ( ! unreal _w are & we f9d ! reason 9 _! swift en]gy ( conception & 9 ! arti/'s t5acity 9 hold+ 8 conception4 ,) bo? ,boeckl9 & ,/uck we feel t ! mann] ( r5d]+ ! conception becomes m important ?an ! initial conception1 & ?is seldom1 if ev]1 is true ( ,blake4 ,9 spite ( ,boeckl9's sup]b re/ra9t 9 ! disposition ( 8 masses1 :5 x comes to color he is at ! m]cy ( ! mat]ial pigm5t & p]mits x to oblit]ate :]e x %\ld enhance & reveal4 ,8 =ms1 also1 & ev5 m ?an ,/uck's1 lose vitality "u ! weight ( significance =c$ ^u !m1 :ile ,blake's em]ge f ! blank panel clean & /rong & un5cumb]$4 ,we feel t ,blake1 ) all 8 /ruggle to utt] tru? by means ( symbol1 nev] all[s 8 m9d to lose ! idea t ,liv+ =m is et]nal exi/5ce1 b 9 ,boeckl9's pictures liv+ =m is (t5 buri$ b5ea? 8 color$ clays4 ,?us we see t x _c truly be said ( him & 8 foll[]s t ! idea is ( fir/ importance to !m4 ,x is _! mat]ial t is ( fir/ importance1 o!rwise !y w\ld le>n s to subord9ate _! mat]ial z to support & disclose _! idea4 ,?is is ! m obvi\s t _! idea is emotional & !re=e p]fectly suit$ to expression ?r\gh ! m$ium ( art4 ,lieb]mann's ideas al?\gh !y are intellectual are n ( a k9d t _c appropriately be translat$ into pictures1 & 8 respect = !m leads him to fit 8 mann] ( expression closely to _! requirem5ts4 ,l ,leibl he is a pa9t] & a ?9k] 9 "o1 & ! faculties ( ! two "w 9 complete coord9ation4 ,pa9t]s ( ,boeckl9's type1 on ! o!r h&1 wi% to produce 9 ! obs]v] a /rong emotion1 b !y become slaves to _! m$ium because _! own emotion is n suffici5tly p[]ful to conqu] _! m9ds1 :i* become div]t$ by ! colors & =ms !y produce4 ,"o ( ,blake's swift upw>d so>+ l9es has m p[] to c>ry ! imag9ation heav5w>d ?an all ! v]sions ( ,boeckl9's ,isl& ( ,dea?4 ,aga9/ ,boeckl9's foll[]s1 ^: m9ds are m or less befogg$ by _! lack ( appreciation ( pa9t z a means to an end1 we mu/ place ,wilhelm ,truebn] :o is a cle> ?9k] & a great pa9t]1 ) m w>m? ?an ,lieb]mann & ) a retic5t color s5se1 a feel+ = expressive =m1 a love ( reality1 & no app>5t desire to re-inv5t ! grotesque4 ,8 elegance ( l9e 9 itself sets him ap>t f mo/ ( 8 compatriots1 & 8 k ( h[ to extract f 8 color s*eme its ess5tial beauty is great] ?an t ( mo/ mod]n pa9t]s1 :atev] _! nationality4 ,8 blacks h ! dep? & lu/] )\t uncti\sness *>act]i/ic ( black z ! great colori/s use x1 & 9 8 t\*es ( pale ref9$ color enliv5+ a black & :ite composition1 we h ! delightful effect s (t5 giv5 by ,manet1 z ( a bun* ( bright fl[]s ?r[n into a %ad[y corn]4 ,if "y ,g]many 7 cont5t to foll[ 9 ,truebn]'s foot/eps we %\ld soon h a revival ( ! anci5t craftsman%ip & consci5ce t animat$ ,holbe9 & ,dr]4 ,"y ,g]many1 h[ev]1 has o!r plans4 ,to le>n ( !m ! read] is ref]r$ to ,mei]-,graefe's compreh5sive & /imulat+ volume on mod]n art4 ,! only repres5tation ( ! pa9t]s ( ! imm$iate pres5t giv5 9 ! ,am]ican exhibition 0 conf9$ to ! ,s*olle ,s*ool1 :i*1 h[ev]1 indicates cle>ly ! creative impulse t is /irr+ 9 ! y\ng] pa9t]s4 ,a w>like /ate1 ,blake wrote1 nev] c produce ,art4 ,x w ,rob & ,plund] & accumulate into "o place & ,translate & ,copy & ,buy & ,sell & ,criticize1 b n ,make4 ,?is has be5 true ( ! ,g]mans1 b ! pres5t g5]ation is b5t ^u mak+ & x is natural t ! /ronge/ impulse t[>d orig9ality %\ld come to ! ,muni* pa9t]s r ?an to ! cosmopolitan ,b]l9 m54 ,! ,s*olle is a ,muni* association consi/+ ( a gr\p ( "y m5 :o1 tak+ ! humble & fecund e>? z _! symbol1 z ! title ( ! society implies1 seek to get into _! pa9t+ ! vigor & int5sity ( life & =ce :i* devotion to ! heal?y joys provid$ by our "m ,e>? is suppos$ to eng5d]4 ,!y are l ! giant ,antaeus ^: /r5g? 0 inv9cible s long z he rema9$ 9 contact ) ! e>?1 b :o easily 0 /rangl$ :5 lift$ into ! upp] air4 ,_! /r5g? also melts into helplessness :5 confront$ by problems ( atmosph]e & ! delicate veils ( tone :i* enwrap ! mat]ial _w = ! ,am]ican pa9t]4 ,b ! en]gy ( ^! "y ,g]mans 9 _! own field is some?+ at :i* to wond]4 ,!y rem9d "o ( _! critics ( a b& ( lu/y peasant boys j\rney+ 9 rank f _! ,univ]sity to ! ne>e/ be] g>d51 s++ l\d songs by ! way4 ,leo ,putz1 ,adolf ,mu5z]1 ,fritz ,erl]1 are ! lead]s ( ! gr\p1 al?\gh ,alex ,salzmann & ,f]d9& ,spiegel 7 ,erl]'s collaborators 9 ! fam\s ,wiesbad5 frescoes :i* (f5d$ ! ta/e ( ! ,kais]4 ,^! "y m5 are entirely capable ( (f5d+ a less conv5tional ta/e ?an ! ,kais]'s1 b !y all are do+ some?+ :i* has n be5 done 9 ,g]many = _m a long ye>2 !y are busy+ !mselves ) ! visible _w & pa9t+ frankly :at !y see4 ,x does n matt] 9 ! lea/ t 9 _! decorative "w !y give re9 to _! fancy & produce su* symbolism z we f9d 9 ,erl]'s ,pe/il5ce1 or t 9 ! illu/rations = ,jug5d !y tell a /ory ) ke5 appreciation ( its lit]>y significance4 ,_! eyes are op5 ^u ! aspect ( mat]ial ?+s & !y pa9t fle% t is palpitat+ ) life1 =ms t live & move1 & color t vibrates4 ,"h aga9 z ) ,lieb]mann & ,truebn] ! idea & ! execution are 9 h>mony1 b ) ! ,s*olle pa9t]s ! idea is apt to be a v simple "o1 dep5d+ ^u /raight=w>d repres5tation = its impressiv5ess4 ,above all x reflects ! national temp] ( m9d1 = all ^! individuali/s are ,g]man to ! core & n to be mi/ak5 = any o!r race4 ,"o *>act]i/ic ( ?is national temp] is directness4 ,n necess>ily simplicity1 ( c\rse1 s9ce ! ,g]man pa9t] z well z ! ,g]man writ] has frequ5tly complex ?\ghts to express & uses correspond+ elaborations ( expression4 ,b he does n (t5 say "o ?+ :ile seem+ to say ano!r2 he does n (t5 give d\ble & contradictory mean+s to ! same subject4 ,he does n pres5t = y\r contemplation ! di%e>t5+ spectacle ( sophi/ication masqu]ad+ z innoc5ce1 or duplicity masqu]ad+ z frankness4 ,to t ext5t he is an optimi/1 h[ev] deep 8 native pessimism may g 9 o!r directions4 ,!re is1 = example1 a picture by ! ,fr5* arti/ ,jacques ,blan*e1 entitl$ ,l\ise ( ,montm>tre1 & kn[n to _m ,am]icans1 9 :i* ! girl to :om ,p>is irresi/ibly calls is %[n 9 h] boyi% bl\se & coll>1 h] y\?ful hat & pla9ly dress$ hair1 9 a non*alant attitude1 pretty & plebeian1 ) hone/ eyes1 yet reveal+ 9 e l9e ( h] frank & fre% "y face ! pot5tiality ( response to all ! appeals made by ! ru?less _s ( ! city4 ,x is impossible to disc]n at :at po9ts ! arti/ has betray$ t artless physiognomy 9 ord] to reveal ! secrets ( temp]am5t1 b ! ?+ is done4 ,x is n :at ! ,g]man is int]e/$ 9 do+4 ,8 imag9ation works subjectively1 giv+ =m to 8 own conceptions1 r ?an objectively or z an int]pret] ( o!rs4 ,h5ce ! d[nright1 &1 9 a s5se1 confid+ aspect ( s mu* ( ?is brave art4 ,h5ce1 also1 its aff9ity ) ! ,am]ican _s1 = ! ,am]ican /ill b5ds a r unsuspect+ gaze ^u life & accepts "* & temp]am5t z !y *oose to pres5t !mselves4 ,! ,g]man1 h[ev]1 is articulate & ratioc9at+ :]e we are m purely in/9ctive4 ,we are n incl9$ to reason ab\t our moods & we seldom are able to express !m 9 our lit]ature4 ,9 our art1 on ! o!r h&1 especially 9 our l&scape art1 we manage to translate our subtle/ emotion4 ,we are able to sugge/ :at is too delicate = analysis1 & 9 ?is we /& almo/ alone 9 ! pa9t+ ( ! pres5t day4 ,,two ,,spani% ,,pa9t]s ,,xii ,,two ,,spani% ,,pa9t]s ,mod]n art1 p>ticul>ly ,am]ican art1 owes mu* to ,velasquez & some?+ to ,goya1 & mod]n pa9t]s h be5 prompt to ackn[l$ge _! indebt$ness4 ,b !re has be5 a prevail+ impression t ) ,goya's ri* & unique a*ievem5t ,spani% art /opp$ 9 its own c\ntry s completely z to be incapable ( revival4 ,! impression 0 di/urb$ 9 ?is c\ntry by ! appe>ance 9 ! gall]ies ( ! ,hispanic ,museum 9 ,new ,york1 & also 9 ,buffalo & 9 ,bo/on1 ( ! "w ( two mod]n ,spani>ds1 "o a pa9t] :o demon/rat$ by 8 me?ods & *oice ( subjects t ! old ,spani% traditions & ideals _h n be5 =gott51 ! o!r a s+ul>ly isolat$ individual :o illum9$ = u a side ( ,spani% life :i* art previ\sly _h ignor$4 ,bo? spoke a racy idiom & convey$ a s5se ( quick5$ vitality by fre$om ( ge/ure1 unhackney$ arrangem5t1 int5sity ( color1 reality ( type1 yet 9 _! influ5ce ^u ! public !y 7 z f> z might be asund]4 ,joaqu9 ,sorolla y ,ba/ida 0 born at ,val5cia1 ,spa91 9 #ahfc1 & began s]i\sly to /udy art at ! age ( fifte54 ,he /udi$ at ! ,academy ( 8 bir?place = sev]al ye>s & won !re a s*ol>%ip entitl+ him to a p]iod ( /udy 9 ,italy4 ,he visit$ ,p>is also1 :]e he 0 pr(\ndly impress$1 x is said1 by two exhibitions 9 ! ,fr5* capital1 "o ( ! "w ( ,ba/i5 ,le,page1 ! o!r ( ! "w ( ! ,g]man ,m5zel4 ,! mod]n note is cle>ly felt 9 all 8 lat] pa9t+1 b c]ta9ly n ! influ5ce ( ei!r ,ba/i5 ,le,page or ,m5zel4 ,! pa9t] to :om he be>s ! mo/ m>k$ resemblance is ,botticelli4 ,! spiritual languor1 ! melan*oly s5tim5t1 ! my/ical t5d5cy1 ! curiosity & int]e/ 9 ! unse5 :i* are important *>act]i/ics ( ! ,flor5t9e :o read 8 ,dante to su* good purpose d n appe> 9 ! "w ( ?is frank & lu/y ,val5cian1 b :]e else 9 mod]n pa9t+ d we f9d ! gracile =ms1 ! supple muscles1 ! buoyancy ( c>riage1 ! light impetuosity ( movem5t1 & ! drap]ies bl[n into ! %apes ( w+s & sails1 :i* meet u "h z 9 ! pagan compositions ( ,botticelli8 ,illu/ration3 ,9 ! ,metropolitan ,museum ( ,art4 ,,! ,,swimm]s ,f a pa9t+ by ,sorolla ,if we glance at ,sorolla's "y girls & "y boys rac+ along ! hot bea*1 or 8 ba!rs exult+ 9 _! wat] joy1 we recall at ! same mom5t ! ,primav]a ) its swift-/epp+ nymphs1 ! w9d gods 9 ! ,bir? ( ,v5us1 or ! ,judi? ) h] maid mov+ rapidly along a fl[]-/rewn pa?4 ,?is joy ( motion & ?is cont9ual sugge/ion ( y\? & vitality =m ! l9k t b9ds toge!r ! s dissimil> ideals ( ! old & ! mod]n ma/]4 ,sorolla's inspiration is by f> ! simpl]4 ,8 art reflects ! brilliant sun%9e ( ! ,m$it]ranean coa/1 ! tonic quality ( ! fre% air1 & ! unconv5tionality ( life by ! sea4 ,all 8 p use natural ge/ures & express 9 _! activity ! untrammel$ en]gy ( primitive life4 ,9 look+ at ^! *ildr51 & !re is h>dly a figure t has n ! navet ( *ildhood1 we ?9k less ( ! individuals portray$ ?an ( ! outdoor fre%ness ( :i* !y are a "p4 ,!y are mu* m spirits ( nature ?an ! dryads & n]eids & m]maids conceiv$ by ! ,g]mans to express 9 symbol ! natural =ces4 ,no?+ sugge/s ! use ( models1 all has ! look ( spontaneity z ?\gh ! arti/ _h made 8 notes 9 pass+1 )\t ! slighte/ reg>d to produc+ a picture1 ) only ! idea ( reproduc+ life4 ,life1 h[ev]1 appe>s 9 8 canvases 9 a suffici5tly decorative =m1 al?\gh n 9 ! c>efully consid]$ patt]ns ( ^? arti/s ) :om ! decorative in/9ct is supreme4 ,obs]ve1 = example1 ! pa9t+ entitl$ ,sea ,idyl4 ,two *ildr5 are /ret*$ on ! bea*1 _! bright bodies wet & gli/5+ & ca/+ blue %ad[s on ! s&s4 ,!y are ly+ s close to ! wat]'s edge t ! waves lap ov] !m1 ! boy's sk9 %9es l poli%$ m>ble "u ! wet film j pass+ across x1 & ! girl's dr5*$ g>m5ts cl+ ) %>p *isel$ folds to ! =m b5ea? l ! drap]ies ( "s "y ,greek goddess j ris5 f ! sea4 ,! insol5ce ( laugh+ eyes1 ! idle fumbl+ ( "y h&s 9 ! wet s&1 ! t+l+ life 9 ! clean-cut limbs1 ! buoyancy ( ! waves t lift !m slightly & hold !m above ! e>?1--all are se5 ) unwe>i$ eyes1 & reproduc$ ) en]gy4 ,! managem5t ( ! pigm5t 9 ?is picture z 9 _m ( ! o!rs c be call$ nei!r le>n$ nor subtle4 ,app>5tly ! arti/ _h 9 m9d two int5tions1 ! "o to repres5t motion1 ! o!r to repres5t light1 & he set ab\t 8 task 9 ! simple/ way possible1 ) su* simplicity1 inde$1 t ! extraord9>y "* ( ! result w\ld easily be miss$ by a p$ant4 ,x has n be5 miss$ by ! public1 :o h ent]$ ) en?usiasm into ! pa9t]'s mood1 p]ceiv$ ! orig9ality ( 8 vision & ! joy\sness ( 8 art1 & h radiat$ _! own appreciation ( ?is vitaliz$1 heal?ful _w ( happy p until !y h increas$ ! di/ru/ ( ! p$ant = an art s helplessly popul>4 ,illu/ration3 ,9 ! ,metropolitan ,museum ( ,art4 ,,! ,,ba?--,j,,vea ,f a pa9t+ by ,sorolla ,! di/ru/ is n unnatural4 ,to foll[ ! popul> ta/e w\ld lead u into /range errors 9 our judgm5ts ( art1 & only r>ely w\ld produce a pr$ilection capable ( la/+ ov] a g5]ation4 ,h[ is x1 !n1 t we fe>lessly may range ourselves on ! side ( ! public 9 admiration ( ,sorolla's art8 ,because ! pa9t] has ca/ (f ! slav]y ( ! conv5tional vision4 ,he sees = himself1 ! r>e/ ( gifts1 & ?us c well af=d to pa9t l o!rs4 ,he sp5ds1 app>5tly1 b little ?\ght ^u 8 execution1 lett+ x fl[ easily accord+ to 8 in/9ct = ! appropriate4 ,x is n a safe example to foll[ = pa9t]s :o d n see ) unusual directness4 ,(t5 9 se>*+ out ref9em5ts ( execution ! eye discov]s ref9em5ts ( fact 9 ! sc5e to be portray$ & makes its selection ) great] di/9ction ?an w\ld be possible at fir/ sight4 ,b ,sorolla's prompt selective vision flies to its goal l a bee to a honey-be>+ fl[]4 ,he takes :at he wants & leaves ! re/ ) ! dew /ill on x4 ,8 =ces are nei!r scatt]$ nor sp5t4 ,8 fre%ness is ov]ma/]+1 & ) our eyes on 8 creations we h t curi\s s5se ( possess+ y\? & heal? & fre$om :i* we get sometimes f ! sight ( boys at _! games4 ,we are *eat$ into =getfulness ( ! _w's great age & our own lassitudes & physical ineffectiv5ess4 ,?is illusion is agreeable to ! mo/ ( u1 h5ce our unres]v$ lik+ = ,sorolla's art :i* produces x4 ,! art ( ,ignacio ,zuloaga1 on ! contr>y1 produces ! opposite impression ( complete sophi/ication4 ,9 place ( adolesc5t exultations & ebulli5t physical activities1 we f9d 9 x ! /range sorc]ies ( a guileful civilization4 ,!re are smil+ wom5 ) n>r[$ eyelids & p[d]$ faces1 old m5 practis+ dolor\s rejuv5ations1 laught] t conceals m ?an x expresses1 motions t are z calculat$ z ^? ( ! dance1 s]p5t9e =ms1 f]vid passions1 & und]nea? ! sophi/ries a viol5t primeval temp]4 ,9 spite ( ! fl[]like gaiety ( ! color 9 ri* co/umes1 ! gl9t ( silv]1 ! sweet cool blues1 ! pale violets1 9 ! pa9t]'s v]sions ( ! typical toreador ( ,spa9 ! types are bold1 cruel1 & sull54 ,9 spite ( ! fragility & elegance ( ! wom5 on balconies "u s(t laces ! prevail+ note is t ( undiscipl9$ f]ocity ( emotion4 ,?is too is ,spa91 b n ! ,spa9 ( ! bea* & sea life4 ,! r num]\s examples ( :at ,mr4 ,*ri/ian ,br9ton has call$ ,zuloaga's gr[+ diabolic t5d5cy make x cle> t 8 art holds no place = spontaneity & ! innoc5ce due to ignorance1 b :]e he keeps to ,spani% subjects 8 "w rema9s heal?y4 ,!re is ! picture entitl$ ,! ,sorc]esses ( ,san ,milan 9 :i* ?ree old wom5 are se5 aga9/ a dramatic l&scape4 ,^! hagg>d je/s ( nature br+ be=e u a ,spa9 f :i* ! ,am]ican f9ds x impossible n to %r9k ) horror1 b !y are ri* 9 dramatic quality & recall ! p[] ( ,goya to end[ ! abnormal ) imag9ative spl5dor :ile hold+ to ess5tial tru?4 ,!y are diabolic1 if y w1 b n ,mephi/ophelian4 ,!re is ! ab/ract horror 9 !m :i* we associate ) unkn[n p[]s ( d>kness1 b n ! guile ) :i* we end[ a p]sonal devil4 ,9 /rik+ contra/ to ?is gr\p are ! balcony pictures 9 :i* wom5 ( ripe aggressive beauty l\nge gracefully 9 ! op5-air rooms ) ! same fre$om ( pose z )9 doors1 haughty yet frank1 opul5t1 languid yet animat$1 fl[]s t c\ld h bloom$ n[h]e else ?an "u a scor*+ sun4 ,illu/ration3 ,c\rtesy ( ! ,hispanic ,society ( ,am]ica4 ,,! ,,sorc]esses ,,( ,,san ,,milan ,f a pa9t+ by ,zuloaga ,!n !re is ! gr\p ( danc]s & actors & s+]s 9 ea* ( :i* we f9d ! adroit m+l+ ( ! artificial ) ! real1 & ! appreciation ( ! fact t ) ! p ( ! /age mu* t is artificial to o!rs becomes _! reality4 ,! mo/ vivid ( !m all is ,mlle4 ,luci5ne ,brval z ,c>m54 ,! s9u\s figure is wrapp$ 9 a %awl app>5tly ( a ?\s& colors2 actually1 a /rong comb9ation ( yell[1 gre51 & r$4 ,! skirt :i* ! s+] ga!rs 9 "o h& & lifts suffici5tly to %[ ! small foot 9 its r$ slipp] has a d>k v]milion gr\nd on :i* is a patt]n ( l>ge fl[]s ( pal] v]milion1 boldly outl9$ ) blue4 ,ov] x droops ! d>k fr+e ( ! %awl4 ,a crimson fl[] is 9 ! d>k hair1 & ! footlights ca/ an artificial amb] gl[ on ! face4 ,?is tawny h>mony is se5 aga9/ a backgr\nd ( slightly acid gre52 at ! o!r side ( ! canvas is a little table ) two m5 seat$ at x4 ,!y look made up1 9 ! !atrical s5se1 & ! table looks r light & rickety2 !re is "o solid natural /age prop]ty1 ! yell[ jug on ! table ) its dull blue figure4 ,! :ole life & reality ( ! picture are 9 ! ,c>m5 smil+ & muffl$ 9 ! curi\s %awl1 z if %e 7 ab\t to move 9 a fi]y dance 9 :i* h] brilliant wrapp+s w\ld take a "p z animat$ & vital z h] own4 ,no "o b a ,spani>d c\ld inve/ a g>m5t ) su* expressiv5ess4 ,illu/ration3 ,c\rtesy ( ! ,hispanic ,society ( ,am]ica4 ,,! ,,old ,,b\lev>di] ,f a pa9t+ by ,zuloaga ,paulette z ,danseuse is ano!r /age figure4 ,"h aga9 ! co/ume speaks ) extraord9>y eloqu5ce4 ,! colors are gre5 & p9k1 & play delicately )9 a n>r[ range ( v>i$ tones4 ,"u ! %ort gre5 jacket ! l[-cut bodice %[s a f9ely model$ ?roat & a *e/ t seems almo/ to rise & fall ) ! brea?1 s palpitat+ ) life is ! fle%like surface4 ,! poise ( ! figure sugge/s t ! dance has t mom5t end$1 & ! eyes & m\? are slightly ar*$4 ,! undulat+ l9e ( ! drap]ies1 n[ tightly drawn ab\t ! figure1 & aga9 bill[+ into ampl] curves1 sugge/s ! rhy?m ( ! dance4 ,9 ano!r canvas we see ,paulette once m1 ?is "t 9 walk+ co/ume1 /&+ ) h] h&s on h] hips 9 a da9tily awkw>d pose4 ,h] lips1 9 ! fir/ picture upturn$ at ! corn]s1 m\selike1 h wid5$ 9 a frank smile1 h] eyes h lo/ _! =mal ar*ness & look ) deta*$ int]e/ ^u ! pass+ %[1 %e /ill is supple1 cle> cut1 ) a flexible silh\ette1 b h] g[n w\ld f9d x impossible to dance1 &1 z be=e1 %e & h] g[n are "o4 ,9 ,! ,actress ,pil> ,sol]1 on ! o!r h&1 ,zuloaga disp5ses z f> z possible ) def9ite aids to expression4 ,! co/ume is undef9$2 ! half-l5g? figure1 drap$ 9 black & plac$ high on ! canvas1 is se5 aga9/ a d>k gre5i%-blue backgr\nd4 ,! mass ( ! silh\ette1 unbrok5 z 9 an ,egyptian /atue1 b ) tremul\s cont\rs sugge/+ ! flutt]+ ( life 9 ! dimly def9$ body1 is suffici5tly consid]$ & di/+ui%$2 b x is ! model+ ( ! face t holds ! att5tion1 a m]e blur ( tone1 yet ) all ! planes und]/ood & ) a c]ta9 mat]ial ri*ness ( impa/o t contributes to ! look ( solid fle%1 ! d>k ( ! eyebr[s mak+ ! only pron\nc$ acc5t--a face t becomes m & m vital z y look at x1 ) t inde/ructible vitality ( :i*1 among ! ,fr5*m51 ,c>rire 0 ma/]4 ,9 sev]al o!r canvases1 notably 9 ! fir/ v]sion ( ,my ,c\s9 ,esp]anza1 & ! second v]sion ( ,wom5 9 a ,balcony1 ,zuloaga has caught ?is effect ( vague fleet+ values1 *anges 9 surface s subtle z to be felt r ?an se51 a k9d ( float+ model+ t sugge/s =m r ?an insi/s ^u x4 ,& he has done ?is 9 ! mo/ difficult mann]4 ,:i/l] long ago taught u to appreciate ! effect1 b he work$ ) ?9 lay]s ( pigm5t1 a s5sitive surface ^u :i* ! slighte/ acc5t made an impression4 ,zuloaga1 on ! contr>y1 works ) a full bru%1 & consequ5tly a m unmanageable surface4 ,he atta9s 8 success z a sculptor does aga9/ ! odds ( 8 mat]ial1 b he seems bett] to sugge/ 8 special types 9 ?is way4 ,illu/ration3 ,c\rtesy ( ! ,hispanic ,society ( ,am]ica4 ,,m]c$,s ,f a pa9t+ by ,zuloaga ,(t5 he makes 8 model+ ) ! sweep ( 8 bru% 9 "o direction & ano!r4 ,c&ida ,laugh+ %[s ?is me?od1 & s does ! ,village ,judge1 9 :i* ! pigm5t is /ill m freely swept ab\t ! bone ( ! *eek & ! sett+ ( ! eye1 tell+ its /ory ( ! way ! human face is built up 9 ! franke/ & briefe/ mann]4 ,) ! lovely ,m]c$s1 a fragile figure1 elegant 9 type1 ! workman%ip becomes aga9 less outspok54 ,! haughty1 graceful c>riage1 & ! int5se ref9em5t ( ! features t gl[ ) a pale light b5ea? ! f9e lace ( ! sc>f1 dem& & receive a da9ti]1 m fa/idi\s int]pretation4 ,9 ! portrait ( ,mrs4 ,f41 ,jr41 !re is a fre%] mann]1 a breezi]1 crisp] feel+ ?r\gh\t4 ,! color h>mony ( gray & gre5 is cool & lively1 ! poise ( ! figure lacks ! t\* ( languor t is pres5t 9 ! fi]ie/ ( ! typical ,spani>ds4 ,we seem to h pass$ into ano!r & cool] air4 ,! composition ( ?is picture too1 is especially admirable4 ,! subject /&s1 b5d+ =w>d a little1 ! left h& re/+ on ! hip1 ! o!r f+]+ a /r+ ( pe>ls1 a gauzy sc>f is ab\t ! %\ld] & floats away f ! figure at ! hips1 ! sky is atmosph]ic & !re is a backgr\nd ( trees1 riv]1 & bridge4 ,at ! left ( ! canvas an iron balu/rade1 b5t into free1 graceful curves1 comes into ! composition1 beautifully drawn & pa9t$ 9 a j value1 add+ 9 ! happie/ mann] to ! decorative effect4 ,?is is ! class ( pictures 9 :i* ,zuloaga is at 8 be/4 ,! types (f] him adequate opportunity = ex]cis+ ! faculty ( a/ute discrim9ation ) :i* he is gift$1 )\t call+ into play ! ironic temp] t broods ) cold amusem5t ov] su* a canvas z ,! ,old ,b\lev>di] ?an :i* cynicism c g b little f>!r4 ,x might reasonably be argu$ t x is only 9 subjects :i* call =? z _m evid5ces z possible ( ! arti/'s temp]am5t & "* t we c fully measure 8 =ce4 ,! impulse1 h[ev]1 t turns 8 gaze t[>d ^? physiognomies t (f] ! ri*e/ rew>d to ! inve/igat+ scrut9y is a "p ( 8 =ce1 z also 8 *oice ( subjects ab\t :i* he c talk1 z "o ( 8 ,fr5* critics has put x 9 8 own language4 ,transcrib]'s ,notes3 ,! ^w e/hetic left z is ?r\gh\t text4 ,comp\nd words left z is ?r\gh\t text4 ,alt]native & orig9al spell+ has be5 ma9ta9$ includ+ ,rijksmuseum & ,rijks ,museum4 ,spell+ & punctuation1 by page numb]3 ,page #c - ,tig] dev\r+ a ,gavial ( ! ,ganges *ang$ to ,dev\r+4 #ab - ! pat9e ( comm]ceins]t$ 4 p]iod ,! ideal #bg - flu5t h&l+ & ! my/]y ( tone *ang$ to ma/]y4 #dd - ,9 ,les ,mitre ,contempora9s1 ,m4 ,paul ,mongr ?us *ang$ to ,matre4 #de - b ! ab\nd+ en?usisam ( ! latt] *ang$ to en?usiasm4 #fa - ! ,gobbi1 ! ,begg>s8 ins]t$ "q m>k & clos+ quotation m>k4 #gd - ,ye>s #ahbg & #ahbh *ang$ to #afbg & #afbh respectively4 #hb -7,/del ,gall]y7 9 ! ,museum ( ,brussels1 *ang$ to 7,/del ,gall]y71 9 ! ,museum ( ,brussels1 #hd - ^? set 9 ! ,virign's *ang$ to ,virg9's4 #he - physical angui% t m>k ! figure *ang$ to m>ks4 #ib - 8 mo/ temp]ate moods1 ! ,pieta *ang$ to ,piet4 #ajj - #ahca *ang$ to #afca4 #acb - ( ! two pa9t]s1 ,jorda5's silv]y---,jorda5's left z is1 correct$ x w\ld h be5 ,jorda5s'4 ,jorda5s 0 ! pa9t]'s "n4 #ach - ,9 ! ,frohli*e ,heimkehr at ,am/]dam *ang$ to ,frhli*e4 #agd - slighte/ acc5t made an impresssion *ang$ to impression4 #agd - ,) ! lovely ,m]c$es1 *ang$ to ,m]c$s4