,no4 #afh4 ,rembrandt ,leaning on a ,stone ,sill ,no4 #afh4 ,rembrandt ,leaning on a ,stone ,sill ,rembrandt and ,his ,etchings ,a ,compact ,record of the ,artist's ,life1 his ,work and his ,time4 ,with the ,complete ,chronological ,list of his ,etchings ,compiled by ,a4 ,m4 ,hind1 of the ,british ,museum ,louis ,a4 ,holman ,charles ,e4 ,goodspeed ,co41 ,boston #aiba ,,contents ,,rembrandt ,,and ,,his ,,etchings ,,complete ,,chronological ,,list ,,of ,,the ,,etchings ,,of ,,rembrandt ,,list ,,of ,,the ,,rejected ,,etchings ,,illustrations ,no4 #afh4 ,rembrandt ,leaning on a ,stone ,sill ,no4 #aaf4 ,two ,tramps4 ,no4 #a4 ,rembrandt's ,mother4 ,no4 #baj4 ,omval4 ,no4 #bij4 ,jan ,lutma1 ,goldsmith and ,sculptor4 ,no4 #ahc4 ,jacob and ,laban 7874 ,no4 #bbh4 ,jan ,six4 ,tobias and the ,angel4 ,by ,hercules ,seghers 7,no4 #bff74 ,the ,flight into ,egypt4 ,no4 #abi4 ,old ,woman ,sleeping4 ,,rembrandt ,,and ,,his ,,etchings ,no4 #aaf4 ,two ,tramps4 ,no4 #aaf4 ,two ,tramps4 8,a fair bewtiful citie1 and of sweete situation0 and famous for 8ye universitie wherwith it is adorned20 such was ,leyden as the fresh eyes of the youthful ,william ,bradford saw it when the little company of ,english exiles1 later revered as the ,pilgrim ,fathers1 sought asylum in ,holland4 ,the fame of ,leyden was to be further perpetuated1 although ,bradford knew it not1 by one who had but just been born there when the ,english pilgrims came to the friendly university town2 one who has added to the fame of his native place chiefly because he did not attend that university1 which seemed so attractive to young ,bradford4 ,the father of this boy determined that he should have a collegiate education that he might sometime hold a town office1 and fondly hoped that he was preparing him for it 7in1 perhaps1 the very schools attended by the ,english children71 when the lad made it clear to all men that he had no head for ,latin and a very decided talent for drawing4 ,so it came to pass that at the time ,bradford and his friends set their faces toward ,america1 and per-force turned their backs upon that 8goodly pleasante citie which had been ther resting place near twelve years10 ,rembrandt ,harmens van ,rijn1 the youngest son of a miller of ,leyden1 turned his face1 too1 from the old toward the new4 ,they sought liberty to live and to worship according to the bright light in their hearts3 he1 too1 sought liberty to follow in a no less divinely appointed path1 impelled thereto by an irresistible force which1 after half a century1 retained all its early vigor4 ,they broke from the ways of their fathers and bore an important part in the development of the great ,american nation2 he emancipated himself and his art from the thraldom of tradition and conventionality and became the first of the great modern masters of art4 ,the twelve-years' truce between the humiliated ,dons and the stocky ,dutchmen was now nearing its end1 and ,bradford says1 8,there was nothing but beating of drumes1 and preparing for warr40 ,this was one of the reasons why the peaceable ,pilgrims sought a new home beyond the sea4 ,but ,rembrandt1 already absorbed in his art-studies1 saw nothing1 heard nothing of these preparations2 his ears were deaf to the drum-beats1 his eyes were seeing better things than the 8pride1 pomp and circumstances of glorious war04 ,there can be no question about his utter lack of interest in things military4 ,when1 at long intervals1 he tried war-subjects 7as most men sooner or later try their hand at the thing they are least fitted for7 he failed pitifully4 ,he could create a masterpiece of a 8,man in ,armor10 or a 8,night ,watch10 where the problems were purely artistic1 and swords and flags were simply bits of fine color1 but the painting or etching that breathed the actual spirit of war he could not produce4 ,there is matter here for rejoicing4 ,war and her heroes have had their full quota of the great artists to exalt their work4 ,and now comes one who loved the paths of peace4 ,with brush and etching-needle he made record for all time of the dignity and rare beauty which he found in ordinary hum-drum walks of life4 ,we may even say that he exalted doctors and artists1 housemaids and shopkeepers1 yea even the very street-beggars1 into such important personages that their portraits are still eagerly sought after by the great ones of the earth4 ,it was during the lifetime of ,rembrandt 7#afjf-affi7 that much of the wonderful development of ,holland took place4 ,she had come to her greatness gradually1 but by the middle of the seventeenth century she occupied a leading place among the independent nations of ,europe4 ,great discoverers1 like ,henry ,hudson1 had given her new dominions east and west1 and colonization had begun4 ,on the sea her flag was supreme2 her merchant marine1 going to and from her own possessions was seen in every port of the world2 her admirals1 ,ruyter and ,tromp1 had won her an illustrious place forever in the annals of naval warfare4 ,these were the days of ,milton and ,ben ,jonson2 of ,cromwell1 ,gustavus ,adolphus and ,richelieu2 of ,murillo1 ,rubens and ,van ,dyck--days when ,holland had within her own borders such men as ,barneveld1 the great statesman2 ,grotius1 the father of international law2 ,spinoza1 the philosopher and ,john de ,witt1 the ,grand ,pensioner--besides that noble group of artists3 ,hals1 ,cuyp1 ,ruysdael1 ,potter1 ,steen and ,ostade4 ,these days1 too1 saw the settling of many states in ,america1 the founding of ,quebec1 ,new ,york and ,boston4 ,strangely apart from all these history-making movements1 and from his peers among men1 dwelt ,rembrandt1 the great master1 in ,amsterdam1 serenely happy to-day in painting a portrait of his loved ,saskia1 to-morrow in etching the features of a wandering ,jew4 ,he had given himself1 body and soul1 to his art1 and no man or movement of men could distract him from his work4 ,year by year his busy brain and dexterous hand produced paintings1 etchings1 drawings1 in slightly varying proportion1 but always in amazing quantity4 ,for his forty-one productive years we find to his credit the average annual output of thirteen paintings1 nine etchings1 and thirty-nine drawings4 ,and these numbers would be materially greater1 doubtless1 had we a full record of his work4 ,a few decades ago the ordinary person thought of ,rembrandt only as a great painter2 that time has fortunately passed4 ,modern engraving methods have made it possible to spread broadcast reproductions of his etched work4 ,thanks to these mechanical engraving-processes some of ,rembrandt's etchings are now familiarly known and1 to a degree at least1 they are appreciated4 ,no reproduction1 however1 can ever give the subtle quality of the original1 and a revelation comes to one who looks for the first time on some brilliant1 early impressions of his famous plates4 ,the ink is still alive2 the ,chinese or ,japanese paper which ,rembrandt generally used1 has sometimes gone very yellow and spotted1 but oftener it has the fine mellowness of age4 ,we treat it with respect1 almost with reverence1 for we recall that these very sheets of paper were dampened and laid upon the etched plate1 already prepared by the hands of the great etcher himself4 ,each impression he pulled was as carefully considered as the biting of the copper plate4 ,he varied the strength of the ink1 the method of wiping1 the pressure used2 knowing the possibilities of his plate1 he so manipulated it that it responded to his touch as a piano responds to the touch of a musician4 ,the poor impressions and very late states1 of which1 unfortunately1 many exist1 are generally the work of those mercenary ones into whose hands the plates fell after his death--sometimes even before4 ,like a man with no music in his soul attempting to improve upon a sonata by ,beethoven1 these people not only printed1 haphazard1 poor impressions having the master's name1 but sometimes even undertook to rearrange the composition and often to rework the plate4 ,no4 #a4 ,rembrandt's ,mother4 ,no4 #a4 ,rembrandt's ,mother4 ,a hundred years before ,rembrandt's time acid had been used to help out the graver4 ,durer1 among others1 used it1 and he employed also1 but in hesitating manner1 the dry-point with its accompanying burr4 ,rembrandt's method of utilizing the roughness thrown up on the copper by the dry-point needle was a development of its possibilities that no one else1 even among his own pupils1 has ever equaled4 ,it was much the same with everything else3 the burin of the professional engraver he handled so skilfully that it is impossible to tell where the acid or the dry-point work stopped and the reinforcing work of the graver began4 ,when others tried to combine these methods they failed4 ,the hand of ,rembrandt was the obedient servant of his mastermind3 so well trained was it that with a preliminary sketch or without it1 the needle produced on the smoked wax surface of the copper the picture which floated before him1 so correctly that the brain was not diverted from the ideal picture by any crudity in the lines4 ,if the tools1 methods1 and effects which the great engravers had used suggested anything to him1 he freely took them up and bent them to his will4 ,making free use of all1 binding himself to none1 he always remained the versatile1 independent student4 ,and the strangest thing about it all is that he appears to have recognized1 grappled with1 and forever solved the problems of the art while nothing but a youth4 ,one of the two etchings which bear the earliest date 7#afbh7 and signature is known as 8,rembrandt's ,mother3 ,head and ,bust0 7,no4 #a47 ,it is a delightful little plate1 drawn with all the skill and freedom of a practiced hand4 ,frederick ,wedmore1 an ,english authority on etching says that 8nothing in ,rembrandt's work is more exhaustive or more subtle10 and ,s4 ,r4 ,koehler1 an ,american authority1 called it 8a magnificent little portrait1 complete artistically and technically10 and very truly refers to it as 8a prefiguration of what was to come40 ,a man of twenty-two years already a master-etcher6 ,no4 #baj4 ,omval4 ,no4 #baj4 ,omval4 ,this etching measures just about two and a half inches square4 ,there are others about the size of a postage-stamp1 while the largest one1 8,the ,descent from the ,cross0 7,no4 #ajc71 is twenty-two by sixteen and a half inches4 ,the amount of labor on these large plates is overpowering1 while the workmanship in the smaller ones is almost unbelievably fine--think of a child's face not over one-eighth of an inch wide1 and hands less than a sixteenth of an inch across1 yet really eloquent with expression6 ,rembrandt accepted the assistance of his pupils1 as who among the old masters did not8 ,he was1 however1 not practical enough to profit much by them3 he could work to much better advantage alone4 ,among his thirty or forty pupils ,ferdinand ,bol1 who came to his studio when only sixteen and stayed for eight years1 gave his master most assistance4 ,bol's rendering is at times very much like ,rembrandt's4 ,some critics think1 for instance1 that he etched most of the 8,goldweigher0 7,no4 #afg7 and 8,abraham ,caressing ,isaac0 7,no4 #adh72 both1 however1 are signed by ,rembrandt4 ,when these pupils established studios of their own1 they made free use of their old master's compositions1 subjects and figures4 ,with ,jan ,lievens1 his fellow student at ,lastman's studio1 with van ,vliet1 ,roddermondt and other engravers and etchers of the time1 ,rembrandt was on terms of great intimacy4 ,they appear often to have worked on the same plate1 and to have borrowed each other's ideas 8without let or hindrance40 ,indeed1 it is hard to comprehend the extent to which exchange of ideas was carried at that time4 ,here is a good illustration of the way things went without protest of any sort being raised4 ,hercules ,seghers etched a large landscape with small figures1 after a painting by ,adam ,elzheimer and an engraving by ,count de ,goudt1 entitled 8,tobias and the ,angel40 ,this copper plate came into ,rembrandt's possession2 he burnished out ,tobias and his companion1 and replaced them by ,joseph1 ,mary and the ,holy ,child 7,no4 #bff74 ,to cover the erasure he added foliage1 but the wing of the angel1 the outlines of a leg and various other unused portions of ,tobias can still be seen4 ,rembrandt's reason for bothering with this plate is incomprehensible4 ,he improved it1 undoubtedly1 but the composite result is exceedingly commonplace and reflects no credit upon any one4 ,john ,burnet1 the etcher-author1 has drawn attention to the fact that the figure of ,christ in 8,christ at ,emmaus0 7,no4 #bhb7 is taken from one by ,raphael1 who is known to have borrowed it from da ,vinci1 and it is thought da ,vinci1 in his turn1 got it from a former master4 ,rembrandt borrowed also from ,rubens1 ,titian1 ,mantegna1 his pupil ,gerard ,dou1 ,van de ,velde and others4 ,many of his contemporaries and successors extended toward him the same sort of flattery4 ,more than half the subjects of ,rembrandt's etchings are portraits and studies of the human figure2 about one-quarter are scriptural or religious4 ,there are two dozen landscapes1 and the remainder are allegorical and fancy compositions4 ,we find then the two most productive sources of his inspiration were the men of his day and the men of the ,bible4 ,this book appears to have been the only one he knew at all well1 but of it he made excellent use4 ,despite the incongruities of his ,biblical compositions1 despite the broad ,dutch features1 the modern1 gorgeous apparel and side-whiskers of the patriarchs1 the pugilistic proportions of his angels1 his etchings have a truth and vital force that there is no withstanding4 ,perhaps the very fact that he clothed his people in a fashion that he knew well made his pictures the more successful in reaching the hearts of men4 ,in the all too realistic 8,abraham's ,sacrifice0 7,no4 #bhc71 in 8,joseph's ,coat ,brought to ,jacob0 7,no4 #ajd71 in the naive 8,rest on the ,flight0 7,no4 #baf71 and many1 many others1 the story-telling quality is exceeding strong and the artistic work above criticism4 ,when we look at 8,david in ,prayer0 7,no4 #beh71 beside his incongruous four-post bedstead1 we cannot but feel that here penitence and sincerity is forcefully depicted4 ,the acme of ,rembrandt's religious work was reached1 however in 8,christ1 with the ,sick ,around ,him0 7,no4 #bcf7 7etched about #afej71 which is often called the finest piece of etched work that has ever been produced4 ,it is a combination of pure etching and dry-point1 and in the second state1 there is an ,india-ink wash in the background4 ,there are1 ,i think1 nine copies of the first state extant2 the last one sold at public auction 7,christie's1 #ahic7 brought over #h1ejj4 ,while the ,christ here is not so satisfying as the one in 8,christ ,preaching0 7,no4 #bef7 which is remarkably strong and noble1 it is ,rembrandt's typical conception of our ,lord--always ministering to real flesh and blood1 the poor1 suffering1 common people4 ,what a striking contrast with the resplendent artificiality which surrounds the ,christ of the ,italian masters4 ,no4 #bij4 ,jan ,lutma1 ,goldsmith and ,sculptor4 ,no4 #bij4 ,jan ,lutma1 ,goldsmith and ,sculptor4 ,rembrandt was his own most frequent model4 ,he painted about sixty portraits of himself1 and among his etchings we find about two score more4 ,some of them are large and finished1 as the deservedly popular 8,rembrandt ,leaning on a ,stone ,sill0 7,no4 #afh71 which is a perfect example of the possibilities of the etching-needle2 others are mere thumb-nail sketches of various expressions of face4 ,he used his mother many times1 and also his wife and son4 ,in all these is apparent a delightful sense of joy in his work4 ,nor is this desirable quality lacking in the wonderful series of large portraits of his friends3 the doctors1 the ministers1 the tradesmen of ,amsterdam4 ,perhaps these were pot-boilers1 as some students of his work say1 but surely never artist before or since produced to order a group of etchings that1 taken entirely apart from his other plates would assure their author a high place among the greatest etchers4 ,in the whole lot there are few that some authority on etching or some great artist has not held up as an example of work that even the master himself never surpassed4 ,but an artist cannot always keep himself at concert pitch and when ,rembrandt etched the portrait of his friend 8,abraham ,francen0 7,no4 #bia7 ,i feel that he struck an uncertain1 almost false note1 unworthy of himself4 ,we might1 perhaps1 account for this by saying1 that it was done in #afef1 the year of his bankruptcy were it not that the noble 8,jan ,lutma0 7,no4 #bij7 which competes with the 8,jan ,six0 7,no4 #bbh7 for the place of masterpiece of the entire series1 was made the same year4 ,but he was an unaccountable sort of man who could produce in a poor1 naked studio1 with untold trouble stalking him on all sides1 such an etching as the 8,lutma10 such a painting as the 8,syndics of the ,draper's ,guild10 both of which rank with the best products of his happy1 care-free years of luxury4 ,it is noticeable that ,rembrandt had no sittings from persons of high rank4 ,so far as ,i can find 8,burgomaster0 is the most exalted title that can with certainty be given to any of his patrons4 ,the reason is not far to seek4 ,rembrandt was not a courtier like ,van ,dyck and ,rubens2 he was too independent and too busy to spend time kow-towing to society4 ,a contemporary says of him1 8,when he painted he would not have given audience to the greatest monarch on earth40 ,he calmly set at nought established principles and conventional rules1 in etiquette as well as in art1 and followed the bent of his genius with absolute disregard for the opinions of his fellows4 ,the story of 8,night ,watch0 is characteristic of ,rembrandt and shows the whole situation in minature4 ,the members of ,captain ,banning ,cocq's ,company of the ,civic ,guards were flattered by the offer of ,rembrandt1 then at the height of his fame1 to paint their portraits4 ,the sixteen members destined to figure in the picture gladly subscribed one hundred florins each1 and great were their expectations2 but even greater their disappointment when the picture was placed on view4 ,all but a half-dozen felt that they had a distinct grievance against the painter4 ,had they not paid for portraits of themselves8 ,and they got--what8 ,here a face in deep shadow1 here one half-hid by the one in front1 here one so freely drawn as to be unrecognizable4 ,the artist had made a picture1 to be sure--but their portraits6 ,where were their portraits--the portraits they had paid for8 ,rembrandt had thought out every inch of his picture3 he was sure it could not be better1 and change it he would not4 ,the resentment was bitter and deep1 and the ,civic ,guards in future bestowed their favors elsewhere4 ,there were1 however1 some fellow citizens who recognized his genius and sincerity4 ,these stood by him4 ,samuel ,manasseh ben ,israel1 whom ,cromwell honored1 was his neighbor on the ,breedstraat1 and an intimate friend4 ,then there were ,jan ,sylvius and ,cornells ,anslo1 the ,protestant ministers2 ,fan ,asselyn and ,clement de ,jonghe1 who were artists2 ,bonus and ,linden1 the physicians2 ,lutma1 the goldsmith1 and young ,jan ,six1 8,lover of science1 art and virtue40 ,these and a few others are known and honored to-day chiefly because they were ,rembrandt's friends4 ,his recognition of their faithulness to him was shown in a much more permanent form than they knew4 ,good impressions of his etched portraits of these men are still to be seen4 ,they are1 like all his etchings1 rapidly increasing in value4 ,a 8,jan ,six0 sold recently for over #ad1jjj2 an 8,ephraim ,bonus0 7,no4 #bbf7 for #i1jjj4 ,to possess such a portrait of an ancestor is little short of a patent of nobility4 ,the ,six family of ,amsterdam happily have not only ,rembrandt's oil-portraits of the ,sixes of his day1 but also good impressions of the etching of the burgomaster1 and even the plate itself--that famous dry-point plate1 which the artist worked on for weeks1 and which his critics have worked over ever since4 ,some of these critics hold that even ,rembrandt should not have attempted such complete tonality in an etching1 that ,jan ,six urged him to it1 and that1 in short1 as an etching1 it comes near to the failure line4 ,other critics believe that the artist's idea was to show the utmost extent to which the art could be carried1 and that in so doing he produced a masterpiece4 ,middleton1 for instance1 thinks that 8it is not possible to conceive a move beautiful and more perfect triumph of the etcher's art40 ,few1 it is safe to say1 can see a good impression of an early state of this portrait without being struck by its great originality and beauty1 and upon closer study1 ,i feel a fair-minded person will inevitably fall under the spell of the wonderfully drawn face and hands1 the deep1 transparent shadows1 and the soft1 tender light which envelopes the whole4 ,no4 #ahc4 ,jacob and ,laban 787 ,no4 #ahc4 ,jacob and ,laban 7874 ,no4 #bbh4 ,jan ,six4 ,no4 #bbh4 ,jan ,six4 ,tobias and the ,angel4 ,by ,hercules ,seghers ,tobias and the ,angel4 ,by ,hercules ,seghers 7,no4 #bff74 ,the ,flight into ,egypt4 7,no4 #bff74 ,the ,flight into ,egypt4 ,although ,rembrandt had a few such cultivated friends as those mentioned above1 it was said of him by a contemporary ,german painter that 8his art suffered by his predilection for the society of the vulgar40 ,it certainly would have been more profitable for ,rembrandt if he had always portrayed people of position and wealth1 but that his art suffered because he many times used beggers for models it would be impossible to show4 ,an interesting series of tramps1 peddlers and outcasts began with the beginning of his career as an etcher1 and ended twenty years later with the production of one of his most popular plates1 8,beggars ,receiving ,alms at the ,door of a ,house10 7,no4 #bcc7 a very freely handled1 splendidly composed etching1 in which surprisingly few lines judiciously placed do the work usually allotted to double their number4 ,a little plate of less than four square inches1 entitled 8,the ,quacksalver10 7,no4 #aci71 strikes me as the masterpiece of this series4 ,although ,van de ,velde is supposed to have given ,rembrandt the idea for his drawing1 his genius made it his own in realism and movement1 and in its beauties of line1 color and texture4 8,an ,old ,woman ,sleeping0 7,no4 #abi771 although scarcely to be included in this series1 is another that has wonderful spontaneity4 ,this is no posed model1 but one who has actually fallen asleep over her book2 ,rembrandt sees her1 and before her 8forty winks0 are over1 she is immortalized1 and probably she never knew it4 ,about #afdj ,rembrandt began etching landscapes4 ,they are free and simple in composition and treatment and show even greater force and more suggestive power than those that he painted4 ,practically all of his two dozen landscape plates hold undisputed first rank4 ,they always have and probably always will4 ,in 8,landscape with ,trees1 ,farm-buildings and a ,tower0 7,no4 #bdd71 the tower is 8ruined0 in the third state4 ,a first state print at the ,boston ,museum of ,fine ,arts shows the tower in good preservation4 ,one of these prints sold at auction not long ago for over #i1jjj4 ,another of the exceedingly satisfactory etchings in the series1 one that has exercised a great influence on landscape etching all the world over1 is 8,omval0 7,no4 #baj74 ,its creator seemed fond of the fine old tree in this plate4 ,he used it several times elsewhere4 8,six's ,bridge0 7,no4 #bji7 which is almost pure outline1 and the 8,three ,trees0 7,no4 #bje71 with its great sweep of flat country1 have a right to all the praise showered upon them4 ,they1 too1 are masterpieces4 ,while ,rembrandt's genius made itself manifest in his landscapes1 it surely is absent from most of his animal drawings4 ,we must remember that if he ever went outside of ,holland it was for a few months to the east coast of ,england1 and that the opportunity for studying any great variety of animals in either place was not great4 ,his horses1 asses1 hogs1 etc41 improve as the years advance4 ,the little dog with the collar of bells is well drawn4 ,he1 undoubtedly1 was a member of the family4 ,it is an interesting fact1 at a time when the illustrating of books and magazines is such an important art1 to know that ,rembrandt was offered and accepted some commissions to make illustrations for books4 ,these attempts to give form to another's ideas were not successful--in one case it was such a failure as to leave it still uncertain what he intended to illustrate4 ,vosmaer1 his great biographer1 says that this print 8,the ,ship of ,fortune0 7,no4 #ajf71 pictures incidents in the life of ,st4 ,paul1 while ,michel1 another biographer1 thinks that it illustrates events which gather about ,mark ,anthony and the battle of ,actium6 ,a score of men--,bartsch1 ,wilson1 ,blanc1 ,middleton1 ,rovinski1 to mention a few--have at sundry times and in divers places compiled annotated catalogues of ,rembrandt's etchings4 ,they1 and other students like ,vosmaer1 ,haden1 ,hamerton and ,michel1 have given years to study and travel in connection with their books on ,rembrandt4 ,all lovers of etching appreciate this and are grateful4 ,nevertheless1 it is amusing sometimes to compare their expert testimony4 ,about #afcc somebody etched a 8,good ,samaritan40 ,several of these experts regretfully1 but frankly1 admit that ,rembrandt is the guilty one4 ,others are sure that a pupil did the worst of the work2 ,haden says it is entirely the work of another hand2 while yet another declares that of all ,rembrandt's etchings this particular 8,good ,samaritan0 7,no4 #aja7 is his favorite4 ,middleton1 to give another instance1 thinks that the thick lines from top to bottom1 in the fourth state of the 8,christ ,crucified between ,two ,thieves10 78,the ,three ,crosses07 7,no4 #bgj7 are not ,rembrandt's work1 for they serve 8to obliterate1 conceal and mar every excellence it had possessed40 ,haden1 however1 considers that the time of darkness is represented1 and that this particular state is far the finest in effect4 ,much confusion arises from the fact that sometimes all the states of a plate under discussion are not known to each critic4 ,the whole matter of states is a confusing one4 ,the old idea was that ,rembrandt produced various states in order to make more money4 ,but it seems plain now that when ,rembrandt changed a plate it was for much better reasons than the making of a few guilders4 ,we know1 for instance1 that the 8,jan ,six0 plate was changed twice to make needed corrections1 and that the second state of the first portrait of his mother simply carries out the original design4 ,on the other hand1 it obviously could not have been ,rembrandt who made the third state of the 8,jan ,lutma10 with its hard1 ruled lines and great unnecessary window4 ,if in the days of hardship1 when his son1 ,titus1 peddled his etchings from door to door1 he could have foreseen the great army of admirers who three centuries later should outbid each other at auctions1 and make war in print over his experimental plates1 his failures and his trial-proofs--now often exalted into 8states0--the very irony of the thing would surely have brought him genuine satisfaction and relaxation4 ,rembrandt has said of himself that he would submit to the laws of ,nature alone1 and as he interpreted these to suit himself1 he cannot be said to have painted1 or etched1 or done anything in accord with our interpretation of recognized or well-grounded laws4 ,with him it was instinct1 pure and simple1 from youth to old age4 ,he had no secret process of painting or etching2 but he had an amazing genius for both4 ,one ,october day in #affi an old man1 lonely and forgotten1 died in ,amsterdam4 ,they buried him in the ,wester ,kerk and1 that he might not be confounded with some other old man1 they wrote in the 8,livre ,mortuaire0 of the ,kerk1 8,tuesday1 #hth oct41 #affi1 rembrant van rijn1 painter on the rozengraft1 opposite the doolhof4 leaves two children40 ,of material things he left little2 but the two children3 ,cornelia1 his fifteen year old daughter1 and ,titia1 the posthumous1 infant child of ,titus1 would keep his name alive6 ,less than a score of years and the family record comes to an abrupt end4 ,no one to-day may claim descent from ,rembrandt1 but his name has not perished from the earth1 nor his influence abated among the sons of men4 ,his name took on new life when he laid it aside2 his influence strengthened when he ceased personally to exercise it4 ,who of us is not his grateful heir8 ,who does not now do loving reverence to this poor 8painter on the rozengraft1 opposite the doolhof80 ,he surely stands among the immortals1 one of the foremost painters of all time1 the greatest etcher that has yet appeared4 ,,note--,the foregoing article was published a few years ago in ,the ,craftsman4 ,of the many commendations received at that time we print but one3 8,new ,york1 ,dec'r4 #e1 #aijf4 ,dear ,mr4 ,holman2 999999 ,i send you my special thanks for your article on the etchings of ,rembrandt4 ,i have read it carefully1 and let me say plainly that ,i think is the best short treatise on this great subject which ever ,i have read4 ,the knowledge of the subject as treated by many writers is so superficial--but yours is profound4 ,you have evidently made a serious study of your subject4 ,yours very truly10 7,signed7 ,frederick ,keppel4 ,no4 #abi4 ,old ,woman ,sleeping4 ,no4 #abi4 ,old ,woman ,sleeping4 ,,complete ,,chronological ,,list ,,of ,,the ,,etchings ,,of ,,rembrandt ,here re-printed from ,hind's ,rembrandt's ,etchings 7,london1 #aiab7 by special arrangement with the publishers1 ,methuen ,co47#a7 ,,abbreviations1 ,,etc4 h4--head b4--bust r4--right l4--left ,s4--signed ,d4--dated ab4--about ,r4--,rembrandt ,imp4--impression ,i ,s41 ,v ,s41 etc4--first state1 fifth state1 etc4 #b ,s41 #g ,s41 etc4--two states1 seven states1 etc4 ,when no number of states is given there is but one4 ,mod4--,modern impression4 7,this does not count as a state47 --of doubtful authenticity4 only4 ,the sizes are of the plates1--not of the etched surface4 ,when the states vary in size that of the first state alone is given4 ,the sizes are given in millimeters4 #be millimeters equal about #a inch4 #a 99 ,r's ,mother3 99h4 b4 three-quarters r4 7,after ,i ,s4 ,s4 ,d471 #afbh4 #b ,s4 #fffc #b 99 ,r's ,mother399 h4 only1 full face4 7,after ,i ,s4 ,s4 ,d474 #afbh4 #b ,s4 #hegb #b99 99 ,r4 ,with a ,broad ,nose499 ,ab4 #afbh4 #gjeh #c 99 ,r4 ,bareheaded1 with high curly hair399 h4 b4 ,ab4 #afbh4 #ijgb #d99 ,r4 ,bareheaded399 large plate roughly etched3 h4 b4 ,s4 ,d4 7in reverse7 #afbi4 #aghaed #d99 99 ,aged ,man of ,letters499 ,ab4 #afbi4 #bchbjj #e99 ,peter and ,john at ,gate of ,temple399 roughly etched4 ,ab4 #afbi-cj1 #bbaagj #f 99 ,small ,lion ,hunt 7with one lion7499 ,ab4 #afbi-cj4 #aehaah #g 99 ,beggar ,man and ,beggar ,woman ,conversing499 ,s4 ,d41 #afcj4 #b ,s4 ,mod4 #ghff #h 99 ,beggar ,seated ,warming ,hands at ,chafing ,dish499 ,ab4 #afcj4 #b ,s4 #ghdf #i 99 ,beggar ,leaning on ,stick1 facing l499 ,ab4 #afcj4 #hedf #aj 99 ,beggar in ,long ,cloak1 sitting in arm-chair499 ,ab4 #afcj4aaegh #aa 99 ,beggar ,seated on ,bank499 ,s4 ,d41 #afcj4 #b ,s4 #aaffi #ab 99 ,beggar with ,wooden ,leg499 ,ab4 #afcj4 #c ,s4 ,mod4 #aadff #ac 99 ,beggar ,man and ,beggar ,woman1 behind bank499 7,i1 ,,ii1 ,,iii ,s4 ,s47 ,ab4 #afcj4 #g ,s4 #aafhd #ad 99 ,man in ,cloak and ,fur ,cap1 leaning against bank499 ,s4 7in reverse74 ,ab4 #afcj4 ,mod4 #aabgh #ae 99 ,beggar in ,high ,cap1 standing and leaning on stick499 ,ab4 #afcj1 or later8 #b ,s4 #aefabj #af 99 ,ragged ,peasant with ,hands ,behind ,him199 holding stick4 ,ab4 #afcj4 #e ,s4 #ibgg #ag 99 ,flight into ,egypt399 sketch4 ,ab4 #afcj4 #f ,s4 #acehd #ah 99 ,presentation in ,temple99 7with the angel73 small plate4 ,s4 ,d41 #afcj4 #b ,s4 #abjgh #ai 99 ,circumcision399 small plate4 ,ab4 #afcj4 #hhfd #bj 99 ,christ ,disputing with ,doctors399 small plate4 7,i ,,ii ,s4 ,s4 ,d471 #afcj4 #c ,s4 ,mod4 #ajigh #ba 99 ,b4 of ,man 7,r's ,father87199 ,full face1 wearing close cap4 7,after ,i ,s4 ,s4 ,d471 #afcj4 #f,s4 #iggc #bb 99 ,b4 of ,man 7,r's ,father87199 ,wearing high cap1 three-quarters r4 ,s4 ,d41 #afcj4 #c ,s4 ,mod4 #ajegh #bc 99 ,bald-,headed ,man 7,r's ,father8799 ,profile r4 h4 only1 b4 added afterwards4 ,s4 ,d4 #afcj4 #c ,s4 #aahig #bd 99 ,bald-,headed ,man 7,r's ,father87199 ,profile r42 small b4 ,s4 ,d41 #afcj4 #b ,s1 #egdc #be 99 ,three ,studies of ,old ,men's ,heads499 ,ab4 #afcj4 #giha #bf 99 ,b4 of ,old ,man with ,flowing ,beard and ,white ,sleeve499 ,ab4 #afcj4 #gafd #bg 99 ,b4 of ,old ,man4with ,flowing ,beard399 h4 bowed forward3 l4 shoulder unshaded4 ,s4 ,d41 #afcj4 #hige #bh 99 ,b4 of ,old ,man with ,flowing ,beard399 h4 inclined three-quarters r4 ,s4 ,d41 #afcj4 #ihha #bi 99 ,r4 in ,fur ,cap399 dress light1 b4 ,s4 ,d41 #afcj4 #e ,s4 #ibgj #cj 99 ,r4 ,bareheaded199 in sharp light from r42 looking over his shoulder3 b4 ,s4 ,d41 #afcj4 #c ,s4 #gege #ca 99 ,r4 ,bareheaded and ,open-,mouthed199 as if shouting3 b4 ,s4 ,d4 #afcj4 #c ,s4 #hcgb #cb 99 ,r4 in ,cap1 ,open-,mouthed and ,staring399 b4 in outline4 ,s4 ,d41 #afcj4 #eadf #cc 99 ,r4 ,bareheaded1 with ,thick ,curling ,hair99 and small white collar3 b4 ,s4 ,ab4 #afcj4 #b ,s4 #egdi #cd 99 ,r4 in ,cap199 laughing3 b4 ,s4 ,d41 #afcj4 #f ,s4 #ejdd #ce 99 ,r4 ,bareheaded199 leaning forward as if listening3 b4 ,ab4 #afcj4 #fgec #cf 99 ,r4 ,bareheaded199 leaning forward3 b4 lightly indicated4 ,ab4 #afcj-ca4 #d ,s4 #fa-fddh-di #cg 99 ,h4 of ,man in ,fur ,cap199 crying out4 ,ab4 #afca4 #d ,s4 #cdbh #ch 99 ,blind ,fiddler499 ,s4 ,d41 #afca4 #d ,s4 #ghec #ci 99 ,h4 of ,man in ,high ,cap399 three-quarters r4 ,ab4 #afca4 #b ,s4 #cfbb #dj 99 ,polander ,standing with ,stick399 profile to r4 ,s4 ,d41 #afca4 #ehba #da 99 ,sheet of ,studies of ,men's ,heads499 ,s4 7in reverse74 ,ab4 #afca4 #b ,s4 #ihabd #da;a 99 ,old ,bearded ,man ,nearly in ,profile to r4399 mouth half open4 #e ,s4 7,after ,,ii ,s4 #cfbh7 #da;b 99 ,old ,man in ,fur ,coat and ,high ,cap399 b4 #i ,s4 7,after ,,iii ,s4 #cfbh7 #da;c 99 ,old ,man ,seen from ,behind399 ,profile to r43 half figure4 #f ,s4 7,after ,,ii ,s4 #gbdb7 #da;d 99 ,man in ,square ,cap199 in profile r4 #d,s4 7,after ,,ii ,s4 #debc7 #da;e 99 ,man ,crying ,out199 three-quarters l43 b4 #g,s4 7,after ,,ii ,s4 #cicd7 #db 99 ,diana at the ,bath499 ,s4 ,ab4 #afca4 #aggaeh #dc 99 ,naked ,woman ,seated on ,mound499 ,s4 ,ab4 #afca4 #c ,s4 #aggafj #dd 99 ,jupiter and ,antiope399 smaller plate4 ,s4 ,ab4 #afca4 #c ,s4 #hdaab #de 99 ,man ,making ,water499 ,s4 ,d44 #afca4 #b ,s4 #hddi #df 99,woman ,making ,water499 ,s4 ,d41 #afca4 #hdfc #dg 99,b4 of ,old ,bearded ,man ,looking ,down199 three quarters r4 ,s4 ,d41 #afca4 #b ,s4 #aaiaag #dh 99 ,b4 of ,old ,man with ,flowing ,beard399 h4 nearly erect3 eyes cast down3 looking slightly l4 ,s4 ,d41 #afca4 #b ,s4 #fgfd #di 99 ,b4 of ,old ,man with ,fur ,cap and ,flowing ,beard399 nearly full face3 eyes direct4 ,ab4 #afca4 #b ,s4 #fbec #ej 99 ,r's ,mother with ,hand on ,chest399 small b4 ,s4 ,d41 #afca4 #d,s4 ,mod4 #idff #ea 99 ,r4's ,mother ,seated ,facing ,r4199 in ,oriental head-dress3 half length1 showing hands4 ,s4 ,d41 #afca4 #c ,s4 #adeabi #eb 99 ,r4's ,mother ,seated at ,table ,looking ,r4399 three-quarter length4 ,s4 ,ab4 #afca4 #d ,s4 #adgacj #ec 99 ,bearded ,man 7,r4's ,father8799 in ,furred oriental cap and robe3 half length4 7,after ,,is4 ,s4 ,d471 #afca4 #d ,s4 #adfacj #ed 99 ,r4 ,wearing ,soft ,hat1 ,cocked399 h4 only3 body added afterwards 7,on ,,iv-,,vii ,s4 ,s4 ,d471 #afca4 #i ,s4 #adfacj #ee 99 ,r4 with ,long ,bushy ,hair199 h4 only4 ,ab4 #afca4 #f ,s4 #ijgf #ef 99 ,r4 in ,heavy ,fur ,cap399 full face3 b4 ,s4 ,d4 #afca4 #fceh #eg 99 ,r4 ,wearing ,soft ,cap399 full face3 h4 only ,ab4 #afca4 #ejdd #eh 99 ,r4 with ,cap ,pulled ,forward399 b1 ,ab4 #afca4 #e ,s4 ,mod4 #efde #ei 99 ,r4 with ,fur ,cap199 in oval border3 b4 ,ab4 #afca 7or earlier74 #ijec #fj 99 ,r4 with ,bushy ,hair and ,contracted ,eyebrows399 b4 ,s4 ,d41 #afca4 #c ,s4 #eiee #fa 99,r4 ,bareheaded199 light from r43 b4 7,,ii ,s4 only4 ,s47 ,ab4 #afca4 #b ,s4 #fefc #fb 99 ,r4 in ,slant ,fur ,cap399 b4 ,s4 ,d41 #afca4 #b ,s4 #fcef #fc 99 ,r4 in ,cloak with ,falling ,collar399 b4 ,s4 ,d41 #afca4 #e ,s4 #fded #fd 99 ,r4 with ,jewel in ,cap499 ,ab4 #afca4 #b ,s4 #hdgi #fe 99 ,b4 of ,young ,man in ,cap499 7,i ,s4 only4 ,s4 ,d471 #afca4 #b ,s4 #faeg #ff 99 ,r4 in ,dark ,cloak and ,cap399 b4 ,ab4 #afca4 #c ,s4 #hdhb #fg 99 ,r4 787 ,scowling199 in octagon3 h4 only4 ,ab4 #afca4 #chce #fh 99 ,grotesque ,profile399 man in high cap4 ,ab4 #afca4 #d ,s4 #chbe #fi 99 ,peasant with ,hands ,behind ,back499 ,s4 ,d41 #afca4 #d ,s4 #eidi #gj 99 ,b4 of ,snub-,nosed ,man in ,cap399 profile r4 ,s4 ,d41 #afca4 #dcch #ga 99 ,b4 of ,man in ,cap199 bound round the ears and chin4 ,ab4 #afca4 #edch #gb 99 ,beggar with ,stick199 walking1 l4 ,s4 ,d44 #afca4 #c ,s4 #hbci #gc 99 ,beggar with ,l4 ,hand ,extended499 7,after ,i ,s4 ,s4 ,d474 #afca4 #e ,s4 #ggej #gd 99 ,blindness of ,tobit399 sketch4 ,ab4 #afca4 #e ,s4 #hagj #ge 99 ,seated ,beggar and ,dog499 7,,ii ,s4 only4 ,s4 ,d471 #afca4 #b ,s4 #ajiha #ge99 99 ,stout ,man in ,large ,cloak499 ,ab4 #afca4 #aacgd #gf 99 ,old ,woman ,seated ,in ,cottage199 with string of onions on wall4 7,,ii ,s4 only4 ,s4 ,d474 #afca1 #c ,s4 #abhhi #gg 99 ,leper 999989999,lazarus ,klap49999099 7,after ,i ,s4 ,s4 ,d1 #afca74 #f ,s4 #ajbgf #gg99 99 ,beggar ,man and ,beggar ,woman499 ,ab4 #afca4 #ajagf #gh 99 ,two ,beggars ,tramping ,towards ,r499 7,on ,,ii ,s4 ,s47 ,ab4 #afca4 #b ,s4 #ieei #gh99 99 ,two ,studies of ,beggars499 ,ab4 #afca4 #icgd #gi 99 ,beggar with ,crippled ,hand ,leaning on ,stick ,r499 ,ab4 #afca4 #e ,s4 #igdb #hj 99 ,old ,beggar ,woman with ,gourd499 ,ab4 #afca4 #b ,s4 ,mod4 #ajbde #ha 99 ,beggar ,standing ,leaning on ,stick ,l4399 small plate4 7,s4 ,ab4 #afca4 #dbbj #hb 99 ,b4 of ,old ,woman in ,furred ,cloak99 and heavy head-dress4 ,s4 ,d41 #afca4 #e ,s4 #ehec #hc 99,b4 of ,old ,woman in ,high ,head-,dress99 bound round chin4 ,ab4 #afca4 #b ,s4 #gagb #hd 99 ,b4 of ,beardless ,man 7,r4's ,father8799 in fur cloak and cap3 looking down3 three-quarters l4 ,s4 ,d4 7twice71 #afca4 #c ,s4 #gdeh #he 99 ,b4 of ,bald ,man 7,r4's ,father8799 in fur cloak looking r4 ,s4 ,d41 #afca4 #c ,s4 #ffeh #he 99 ,b4 of ,bald ,man ,looking ,down1 ,grinning499 ,s4 ,d41 #afca4 #c ,s4 #fieg #hg 99 ,b4 of ,old ,bearded ,man with ,high ,forehead99 and close cap4 ,s4 ,d41 #afca4 #b ,s4 #hhgd #hh 99 ,b4 of ,old ,man ,looking ,down199 with wavy hair and beard3 cap added afterwards4 7,,ii ,s4 only4 ,s47 ,ab4 #afca4 #c ,s4 #egdi #hi 99 ,small ,b4 of ,bearded ,man ,looking ,down199 with eyes nearly closed4 ,ab4 #afca8 #b ,s4 #dddd #ij 99 ,sheet of ,studies399 h4 of ,r41 beggar couple1 h4's of old man and old woman1 etc4 ,ab4 #afcb4 #b ,s4 #ajaaac #ia 99 ,r4's ,mother in ,widow's ,dress and ,black ,gloves499 ,s4 ,ab4 #afcb8 ,mod4 #aejaad #ib 99,old ,man ,seated1 with ,flowing ,beard199 fur cap and velvet cloak4 ,s4 ,d4 ,ab4 #afcb4 #c ,s4 ,mod4 #aejabi #ic 99 ,man ,standing in ,oriental ,costume99 and plumed fur cap ,s4 ,d41 #afcb4 ,mod4 #ajggh #id 99 ,st4 ,jerome ,praying399 arched print4 ,s4 ,d41 #afcb4 #c ,s4 #ajhhj #ie 99 ,holy ,family499 ,s4 ,ab4 #afcb4 #iega #if 99 ,raising of ,lazarus399 larger plate4 ,s4 ,ab4 #afcb4 #ab ,s4 ,mod4 #cffbeh #ig 99 ,rat-,killer499 ,s4 ,d41 #afcb4 #b ,s4 #adjabd #ih 99 ,polander ,leaning on ,stick399 profile l4 ,ab4 #afcb4 #f ,s4 #hbdc #ii 99 ,turbaned ,soldier on ,horseback499 ,s4 7in reverse74 ,ab4 #afcb4 #b ,s4 #haeh #ajj 99 ,cavalry ,fight499 ,ab4 #afcb-c4 #b ,s4 #ajhhc #aja 99 ,good ,samaritan499 7,i ,v ,s4 only4 ,s4 ,d471 #afcc4 #d ,s4 #behbah #ajb 99 ,descent from ,cross399 first plate4 ,s4 ,d41 #afcc4 #eafdjb #ajc 99 ,descent from ,cross399 second plate4 ,s4 ,d41 #afcc4 #e ,s4 ,mod4 #ecjdaj #ajd 99 ,joseph's ,coat ,brought to ,jacob499 ,s4 ,ab4 #afcc4 ,mod4 #ajghj #aje 99 ,flight into ,egypt399 small plate4 ,s4 ,d41 #afcc4 #b ,s4 #hifb #ajf 99 ,ship of ,fortune499 ,s4 ,d41 #afcc4 #c ,s4 #aaaagg #ajg 99 ,r4's ,mother in ,cloth ,head-,dress199 looking down3 h4 only4 7,after ,i ,s4 ,s4 ,d471 #afcc4 #c ,s4 #fbeh #ajh 99 ,r4 in ,cap and ,scarf399 face dark3 b4 7,,ii ,s4 only4 ,s4 ,d471 #afcc4 #b ,s4 ,mod4 #adf;ab4 #aai #aji 99 ,r4 with ,raised ,sabre399 half length4 ,s4 ,d41 #afcd4 #c ,s4 #abdajh #aaj 99 ,r4 with ,plumed ,cap and ,lowered ,sabre399 three-quarter length3 afterwards b4 in oval4 ,s4 ,d41 #afcd4 #c ,s4 ,mod4 #aigafb #aaa 99 ,jan ,cornelis ,sylvius1 ,preacher4 78799 ,s4 ,d44 #afcd4 #b ,s4 ,mod4 #afgadj #aab 99 ,r4's ,wife ,saskia199 with pearls in her hair1 b4 ,s4 ,d41 #afcd4 #hfff #aac 99 ,woman ,reading499 ,s4 ,d41 #afcd4 #c ,s4 #abcajj #aad 99 ,peasant1 ,one of ,pair1 ,calling ,out499 ,s4 ,d41 #afcd4 #aabdc #aae 99 ,peasant3 ,other of ,pair1 ,replying499 ,s4 ,d41 #afcd74 #aaaic #aaf 99 ,two ,tramps199 ,man and woman4 ,ab4 #afcd4 #fbdg #aag 99 ,sheet of ,two ,slight ,studies399 one of two peasants ,ab4 #afcd4 #dege #aah 99,joseph and ,potiphar's ,wife499 ,s4 ,d41 #afcd4 #b,s4 ,mod4 #ijaad #aai 99,st4 ,jerome ,reading499 ,s4 ,d41 #afcd4 #b ,s4 #ajhhi #abj 99,angel ,appearing to ,shepherds499 7,after ,i ,s4 ,s4 ,d471 #afcd4 #c ,s4 ,mod4 #bfbba #aba 99,christ at ,emmaus399 smaller plate4 ,s4 ,d41 #afcd4 #ajaga #abb 99,christ and ,woman of ,samaria399 among ruins4 ,s4 ,d41 #afcd4 #b ,s4 ,mod4 #abaajf #abc 99,crucifixion299 small plate4 ,s4 ,ab4 #afcd4 ,mod4 #iefg #abd 99,tribute-,money499 ,ab4 #afcd4 #b ,s4 ,mod4 #gcajc #abe 99,stoning of ,st4 ,stephen499 ,s4 ,d41 #afce4 ,mod4 #iehe #abf 99,christ ,driving ,money-changers from ,temple499 ,s4 ,d41 #afce4 #b ,s4 ,mod4 #aceafg #abg 99,girl with ,hair ,falling on ,shoulders99 7,the 8,great ,jewish ,bride407 7,after ,i4 ,s4 ,s4 ,d41 in reverse74 #afce4 #d ,s4 #bbjafh #abh 99,jan ,uytenbogaert199 ,preacher of sect of ,arminian ,remonstrants4 7,after ,,ii ,s4 ,s4 ,d471 #afce4 #f ,s4 ,mod4 #bejahg #abi 99,old ,woman ,sleeping499 ,ab4 #afce-g4 #fieb #acj 99,old ,bearded ,man in ,high ,fur ,cap199 with closed eyes4 ,s4 7also ,s4 with initial ,r4 in reverse74 ,ab4 #afce4 ,mod4 #aabajj #aca 99,first ,oriental ,h499 7,r4's father87 ,s4 ,d41 #afce4 #b ,s4 ,mod4 #aejabd #acb 99,second ,oriental ,h499 7,r4's father87 ,s4 ,ab4 #afce4 #aejabe #acc 99,third ,oriental ,h499 ,s4 ,d41 #afce4 #aeeacd #acd 99,fourth ,oriental ,h499 ,s4 7with initial ,r47 ,ab4 #afce4 #c ,s4 #aehace #ace99 ,h4 of ,old ,man in ,high ,fur ,cap499 ,ab4 #afce4 #ddcb #acf 99 ,bald ,old ,man with ,short ,beard199 in profile r4 ,ab4 #afce4 #b ,s4 #ffef #acg99 ,curly-,headed ,man with ,wry ,mouth499 ,ab4 #afce4 #b ,s4 #fdfj #ach 99,polander ,standing with ,arms ,folded499 ,ab4 #afce4 #b ,s4 #eadg #aci 99,quacksalver499 ,s4 ,d41 #afce4 #ggcf #adj 99,st4 ,jerome ,kneeling in ,prayer199 ,looking down4 ,s4 ,d41 #afce4 ,mod4 #aadhj #ada 99,pancake ,woman499 ,s4 ,d41 #afce4 #f ,s4 ,mod4 #ajigi #adb 99,strolling ,musicians499 ,ab4 #afce4 #b ,s4 ,mod4 #aciaaf #adc 99,christ ,before ,pilate399 large plate4 ,s4 ,d41 #afce-f4 #e ,s4 #eejddf #add 99,r4 and ,his ,wife ,saskia399 busts4 ,s4 ,d41 #afcf4 #b ,s4 ,mod4 #ajdie #ade 99,studies of ,h4 of ,saskia and ,others499 ,s4 ,d41 #afcf4 ,mod4 #aeaabg #adf 99,samuel ,manasseh ,ben ,israel199 ,jewish author4 ,s4 ,d41 #afcf4 #c ,s4 #adiajg #adg 99,return of the ,prodigal ,son499 ,s4 ,d41 #afcf4 ,mod4 #aefacf #adh 99,abraham ,caressing ,isaac499 ,s4 ,ab4 #afcg4 #b ,s4 ,mod4 #aafhi #adi 99,abraham ,casting ,out ,hagar and ,ishmael499 ,s4 ,d41 #afcg4 #abeie #aej 99,bearded ,man ,wearing ,velvet ,cap with ,jewel ,clasp499 ,s4 ,d41 #afcg4 #iehc #aea 99,young ,man in ,velvet ,cap99 with books beside him4 ,s4 ,d41 #afcg4 #b ,s4 #ifhc #aeb 99,three ,heads of ,women199 one asleep4 ,s4 ,d44 #afcg4 #b ,s4 ,mod4 #adbig #aec 99,three ,heads of ,women199 one lightly etched4 ,ab4 #afcg4 #b ,s4 #abgajb #aed 99,study of ,saskia as ,st4 ,catherine99 7,the 8,little ,jewish ,bride407 ,s4 ,d4 7in reverse71 #afch4 #aajgh #aee 99 ,sheet with ,two ,studies3 99,a tree and upper part of h4 wearing velvet cap4 ,h4 ,ab4 #afch3 tree possibly later4 #ghfg #aef 99 ,r4 in ,velvet ,cap and ,plume199 with an embroidered dress3 b4 ,s4 ,d41 #afch4 ,mod4 #acdajc #aeg 99 ,r4 in ,flat ,cap199 with shawl about shoulders4 ,ab4 #afch4 #b ,s4 ,mod4 #icfb #aeh 99 ,man in ,broad-,brimmed ,hat and ,ruff499 ,s4 ,d41 #afcj 7or #afch74 ,mod4 #ghfd #aei 99 ,adam and ,eve499 ,s4 ,d41 #afch4 #b ,s4 #afaaaf #afj 99 ,joseph ,telling ,his ,dreams499 ,s4 ,d41 #afch4 #c ,s4 ,mod4 #aajhc #afa 99 ,death of ,virgin499 ,s4 ,d41 #afci4 #d ,s4 ,mod4 #djicae #afb 99 ,presentation in ,temple399 oblong print4 ,ab4 #afci1 #c ,s4 ,mod4 #bacbij #afc 99 ,sheet of ,studies199 with woman lying ill in bed4 etc4 ,ab4 #afci4 #aceaea #afd 99 ,peasant in ,high ,cap199 standing leaning on stick4 ,s4 ,d41 #afci4 ,mod4 #hcdd #afe 99 ,death ,appearing to a ,wedded ,couple from ,open ,grave499 ,s4 ,d41 #afci4 #ajigh #aff 99 ,skater499 ,ab4 #afci4 #faeh #afg 99 ,jan ,uytenbogaert199 ,receiver-general 7,the 8,gold-,weigher074 ,s4 ,d41 #afci4 #c ,s4 ,mod4 #bejbjd #afh 99 ,r4 ,leaning on ,stone-,sill399 half-length4 ,s4 ,d41 #afcj4 #c787 ,s4 #bjeafd #afi 99 ,old ,man ,shading ,eyes with ,hand499 ,ab4 #afci4 #b ,s4 #acdaad #agj 99 ,old ,man with ,divided ,fur ,cap499 ,s4 ,d41 #afdj4 #c ,s4 #adiacg #aga 99 ,beheading of ,john the ,baptist499 ,s4 ,d41 #afdj #b,s4 ,mod4 #abhajc #agb 99 ,triumph of ,mordecai499 ,ab4 #afdj1 or later4 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,d41 #afda4 #affajd #ahg 99 ,cornelis ,claesz ,anslo199 ,mennonite preacher4 ,s4 ,d41 #afda4 #e ,s4 #ahfaeg #ahh 99 ,portrait of ,boy199 in profile4 ,s4 ,d41 #afda4 #icff #ahi 99 ,man at ,desk199 wearing cross and chain4 ,s4 ,d41 #afda4 #d ,s4 #aedajb #aij 99 ,card ,player499 ,s4 ,d44 #afda4 #c ,s4 ,mod4 #ijha #aia 99 ,man ,drawing from ,cast499 ,ab4 #afda4 #b ,s4 ,mod4 #icfd #aib 99 ,woman at ,door-,hatch ,talking to ,man and ,children99 7,the 8,schoolmaster407 ,s4 ,d41 #afda4 ,mod4 #idfc #aic 99 ,virgin with ,instruments of ,passion499 ,ab4 #afda4 #b ,s4 #aajhh #aid 99 ,man in ,arbour499 ,s4 ,d41 #afdb4 #gbef #aie 99 ,girl with ,basket499 ,ab4 #afdb4 #b ,s4 #hffc-fj #aif 99 ,sick ,woman with ,large ,white ,head-,dress99 7,saskia74 ,ab4 #afdb4 #faea #aig 99 ,woman in ,spectacles1 ,reading499 ,ab4 #afdb4 #ggfg #aih 99 ,raising of ,lazarus299 smaller plate4 ,s4 ,d1 #afdb4 #b ,s4 ,mod4 #aejaae #aii 99 ,the ,descent from ,cross399 sketch4 ,s4 ,d41 #afdb4 #adhaae #bjj 99 ,flute-,player99 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