file :i* includes ! orig9al illu/rations4 ,see #cjjih-;h4htm or #cjjih-;h4zip3 7https3_/_/www4gut5b]g4org_/ca*e_/epub_/ #cjjih_/pg#cjjih-;images4html7 or 7https3_/_/www4gut5b]g4org_/files_/#cjji h_/cjjih-;h4zip7 ,transcrib]'s note3 #a7 ,v>iations 9 ! spell+ ( names & record+ ( "s que/ionable dates h be5 left z pr9t$ 9 ! orig9al text4 #b7 ,*apt] ,,ix--,sala del ,gran ,consiio possibly %\ld be ,sala del ,gran ,consiglio4 #c7 ,likely corrections are not$ 9 brackets )9 ! text 9 ! =mat ,,tn3 4 4 44 ,,! ,,v5etian ,,s*ool ,,( ,,pa9t+ ,illu/ration3 ,giorgione4 ,,madonna ,,) ,s4 ,,lib]ale ,,& ,s4 ,,francis4 ,ca/elfranco4 7,photo1 ,&]son47 ,,! ,,v5etian ,,s*ool ,,( ,,pa9t+ by ,,evelyn ,,m>* ,,phillipps ,) ,illu/rations ,books = ,libr>ies ,press ,freeport1 ,new ,york ,fir/ ,publi%$ #aiab ,repr9t$ #aigb ,int]national ,/&>d ,book ,numb]3 #j-hcfi-fgde-c ,libr>y ( ,congress ,catalog ,c>d ,numb]3 #gj-cgijg ,pr9t$ 9 ! ,unit$ ,/ates ( ,am]ica ,by ,new ,_w ,book ,manufactur+ ,co41 ,inc4 ,hall&ale1 ,florida #ccjji ,,preface ,_m visits to ,v5ice h br\ght home ! fact t !re exi/s1 9 ,engli% at lea/1 no "w :i* deals z a :ole ) ! ,v5etian ,s*ool & its ma/]s4 ,biographical catalogues !re are 9 pl5ty1 b ^!1 ?\gh useful = ref]5ce1 say little to read]s :o are n already acqua9t$ ) ! pa9t]s ^: c>e] & works are briefly record$4 ,lives ( individual ma/]s ab\nd1 b h[ev] excell5t & ess5tial ^! may be to an advanc$ /udy ( ! s*ool1 ! volumes conta9+ !m make too l>ge a libr>y to be easily c>ri$ ab\t1 & a great deal ( read+ & assimilation is requir$ to set ea* pa9t] 9 8 place 9 ! long /ory4 ,cr[e & ,cavalcaselle's ,hi/ory ( ,pa9t+ 9 ,nor? ,italy /ill rema9s our %eet an*or2 b x is l5g?y1 ov] full ( detail ( m9or pa9t]s1 & lacks ! int]e/+ criticism :i* ( late ye>s has collect$ r\nd ea* ma/]4 ,!re seems room = a portable volume1 mak+ an attempt to consid] ! ,v5etian pa9t]s1 9 relation to "o ano!r1 & to help ! visitor n only to trace ! evolution ( ! s*ool f its dawn1 ?r\gh its full spl5d\r & to its decl9+ rays1 b to realise :at ! ,v5etian ,s*ool 01 & :at 0 ! philosophy ( life :i* x repres5t$4 ,su* a book does n pret5d to vie )1 mu* less to sup]s$e1 ! ma/]ly treatises on ! subject :i* h f "t to "t appe>$1 or to take ! place ( exhau/ive hi/ories1 su* z t ( ,pr(essor ,leonello ,v5turi on ! ,italian primitives4 ,x %\ld b s]ve to pave ! way to deep] & m detail$ read+4 ,x does n aspire to give a complete & compreh5sive li/ ( ! pa9t]s2 "s ( ! m9or ones may n ev5 be m5tion$4 ,! m]e inclusion ( names1 dates1 & facts w\ld add unduly to ! size ( ! book1 &1 :5 )\t real be>+ on ! c\rse ( ,v5etian art1 w\ld h little significance4 ,:at ! book does aim at is to enable ^? :o c>e = art1 b may n h ma/]$ its hi/ory1 to re> a framework on :i* to f\nd _! own obs]vations & appreciations2 to supply t coh]5t k :i* is b5eficial ev5 to a pass+ acqua9tance ) beautiful ?+s1 & to place ! unsci5tific obs]v] 9 a position to take great] advantage ( opportunities1 & to a*ieve a wide & int]e/+ outlook on t cycle ( arti/ic appreh5sion :i* ! ,v5etian ,s*ool comprises1 & :i* m>ks x z ! outcome & ! symbol ( a great hi/oric age4 ,! works cit$ h be5 pr9cipally ^? ) :i* ! ord9>y travell] is likely to come into contact 9 ! *ief ,european gall]ies1 &1 above all1 9 ,v5ice itself4 ,! li/s d n propose to be exhau/ive1 b m]ely indicate ! pr9cipal works ( ! arti/s4 ,^? 9 private gall]ies1 unless easy ( access or ( fir/-rate importance1 are usually elim9at$4 ,x has n be5 ?\ght necess>y to use pr(use illu/rations1 z ! book is int5d$ prim>ily = use :5 visit+ ! orig9al works4 ,,cont5ts ,,"p ,i ,,*apt] ,i ,,page ,,v5ice ,,& ,,h] ,,art #c ,,*apt] ,,ii ,,primitive ,,art ,,9 ,,v5ice #aa ,,*apt] ,,iii ,,influ5ces ,,( ,,umbria ,,& ,,v]ona #ba ,,*apt] ,,iv ,,! ,,s*ool ,,( ,,murano #bi ,,*apt] ,v ,,! ,,paduan ,,influ5ce #cc ,,*apt] ,,vi ,,jacopo ,,bell9i #ci ,,*apt] ,,vii ,,c>lo ,,crivelli #dd ,,*apt] ,,viii ,,g5tile ,,bell9i ,,& ,,antonello ,,da ,,mess9a #dh ,,*apt] ,,ix ,,alvise ,,viv>9i #eh ,,*apt] ,x ,,c>paccio #fh ,,*apt] ,,xi ,,giovanni ,,bell9i #ha ,,*apt] ,,xii ,,giovanni ,,bell9i 7cont9u$7 #ib ,,*apt] ,,xiii ,,cima ,,da ,,conegliano ,,& ,,o!r ,,foll[]s ,,( ,,bell9i #ajc ,,"p ,,ii ,,*apt] ,,xiv ,,giorgione #aba ,,*apt] ,,xv ,,giorgione 7cont9u$7 #acb ,,*apt] ,,xvi ,,! ,,giorgionesque #adj ,,*apt] ,,xvii ,,titian #add ,,*apt] ,,xviii ,,titian 7cont9u$7 #aeg ,,*apt] ,,xix ,,titian 7cont9u$7 #agc ,,*apt] ,,xx ,,palma ,,vec*io ,,& ,,lor5zo ,,lotto #ahd ,,*apt] ,,xxi ,,seba/ian ,,del ,,piombo #aih ,,*apt] ,,xxii ,,bonifazio ,,& ,,p>is ,,bordone #bjc ,,*apt] ,,xxiii ,,pa9t]s ,,( ,,! ,,v5etian ,,prov9ces #bab ,,*apt] ,,xxiv ,,paolo ,,v]onese #bbh ,,*apt] ,,xxv ,,t9toretto #bdc ,,*apt] ,,xxvi ,,t9toretto 7cont9u$7 #bed ,,*apt] ,,xxvii ,,bassano #bfi ,,"p ,,iii ,,*apt] ,,xxviii ,,! ,,int]im #bha ,,*apt] ,,xxix ,,tiepolo #big ,,*apt] ,,xxx ,,pietro ,,longhi #cji ,,*apt] ,,xxxi ,,canale #cad ,,*apt] ,,xxxii ,,francesco ,,gu>di #cba ,,bibliography #cbi ,,index #ccc ,,illu/rations ,,by ,,at #a4 ,madonna ) ,s4 ,lib]ale ,giorgione ,ca/elfranco & ,s4 ,francis ,frontispiece #b4 ,adoration ( ! ,antonio da ,murano ,b]l9 ,magi #ca #c4 ,agony 9 ,g>d5 ,jacopo ,bell9i ,briti% ,museum #da #d4 ,procession ( ! ,g5tile ,bell9i ,v5ice ,holy ,cross #eb #e4 ,alt>piece ( #adhj ,alvise ,viv>9i ,v5ice #fj #f4 ,arrival ( ! ,c>paccio ,v5ice ,ambassadors #ge #g4 ,piet ,giovanni ,bell9i ,br]a #hg #h4 ,an ,allegory ,giovanni ,bell9i ,uffizi #id #i4 ,fte ,*amptre ,giorgione ,l\vre #acf #aj4 ,portrait ( ,ario/o ,titian ,national ,gall]y #aef #aa4 ,diana & ,actaeon ,titian ,e>l ,br[nl[ #afa #ab4 ,holy ,family ,palma ,vec*io ,colonna ,gall]y1 ,rome #ahe #ac4 ,portrait ( ,laura di ,lor5zo ,lotto ,br]a ,pola #aid #ad4 ,m>riage 9 ,cana ,paolo ,v]onese ,l\vre #bcd #ae4 ,s4 ,m>y ( ,egypt ,t9toretto ,scuola di ,san ,rocco #beh #af4 ,bac*us & ,ariadne ,t9toretto ,ducal ,palace #bfa #ag4 ,baptism ( ,s4 ,lucilla ,jacopo da ,ponte ,bassano #bgd #ah4 ,antony & ,cleopatra ,tiepolo ,palazzo ,labia1 ,v5ice #cjd #ai4 ,visit to ! ,pietro ,longhi ,national ,gall]y ,=tune-,tell] #caj #bj4 ,s4 ,m>ia della ,salute ,francesco ,gu>di ,national ,gall]y #cbd ,,li/ ,,( ,,pa9t]s ,paolo da ,v5ezia1 fl4 #accc-aceh4 ,niccolo di ,pietro1 fl4 #acid-adjd4 ,niccolo ,semitocolo1 fl4 #acfd4 ,/efano di ,v5ezia1 fl4 #acec4 ,lor5zo ,v5eziano1 fl4 #aceg-acgi4 ,*at>9us1 fl4 #acgb4 ,jacobello del ,fiore1 fl4 #adae-adci4 ,g5tile da ,fabriano1 #acfj-adbh4 ,vittore ,pisano 7,pisanello71 circa #ache-adee4 ,mi*ele ,giambono1 fl4 #adgj4 ,giovanni ,alemanus1 fl4 #addj-addg4 ,antonio da ,murano1 circa #adcj-adgj4 ,b>tolommeo ,viv>9i1 fl4 #adbj-adii4 ,alvise ,viv>9i1 fl4 #adfa-aejc4 ,antonello da ,mess9a1 circa #addd-adic4 ,jacopo ,bell9i1 fl4 #adcj-adff4 ,jacopo dei ,b>b>i1 circa #adej-aeaf4 ,&rea ,mantegna1 #adca-aejf4 ,c>lo ,crivelli1 #adcj-adic4 ,b>tolommeo ,montagna1 #adej-aebc4 ,francesco ,buonsignori1 #adec-aeai4 ,g5tile ,bell9i1 circa #adbg-aejg4 ,giovanni ,bell9i1 #adbf-aeaf4 ,lazz>o ,ba/iani1 fl4 #adgj-aejh4 ,vittore ,c>paccio1 fl4 #adgh-aebb4 ,girolamo da ,santa ,croce4 ,mansueti1 fl4 #adgd-aeaj4 ,giovanni ,batti/a da ,conegliano 7,cima71 #adfj-aeag4 ,v9c5zo ,cat5a1 fl4 #adie-aeca4 ,bissolo1 #adfd-aebh4 ,m>co ,basaiti1 circa #adgj-aebg4 ,&rea ,previtali1 fl4 #aejb-aebe4 ,b>tolommeo ,v5eto1 fl4 #aeje-aeee4 ,n4 ,rond9elli1 fl4 #adhj-aejj4 ,girolamo ,savoldo1 #adhj-aedh4 ,giorgio ,b>b>elli 7,giorgione71 #adgh-aeaa4 ,giovanni ,busi 7,c>iani71 circa #adhj-aedd4 ,tiziano ,vecellio 7,titian71 #adgg-aegf4 ,palma ,vec*io1 #adhj-aebh4 ,lor5zo ,lotto1 #adhj-aeef4 ,m>t9o da ,ud9e 7,pellegr9o di ,san ,daniele74 ,morto da ,feltre1 circa #adgd-aebb4 ,roman9o1 #adhe-aeff4 ,seba/ian ,luciani 7del ,piombo71 #adhe-aedg4 ,giovanni ,anton9o ,lic9io 7,pord5one71 #adhc-aedj4 ,b]n>d9o ,lic9io1 fl4 #aebj-aedd4 ,aless&ro ,bonvic9o 7,moretto71 circa #adih-aeed4 ,bonifazio de ,pitatis 7,v]onese71 fl4 #aeaj-aedj4 ,p>is ,bordone1 #aeaj-aegj4 ,jacopo da ,ponte 7,bassano71 #aeaj-aeib4 ,jacopo ,robu/i 7,t9toretto71 #aeah-aeib4 ,paolo ,cali>i 7,v]onese71 #aebh-aehh4 ,dom5ico ,robu/i1 #aefb-afcg4 ,palma ,giov9e1 #aedd-afbh4 ,aless&ro ,v>ot>i 7,il ,padovan9o71 #aeij-afej4 ,gianbatti/a ,fumiani1 #afdc-agaj4 ,seba/iano ,ricci1 #affb-agcd4 ,gregorio ,lazz>9i1 #afeg-agce4 ,rosalba ,c>ri]a1 #afge-ageg4 ,g4 ,b4 ,piazetta1 #afhb-aged4 ,gianbatti/a ,tiepolo1 #afif-aggj4 ,antonio ,canale 7,canaletto71 #afig-agfh4 ,belotto1 #agbj-aghj4 ,francesco ,gu>di1 #agab-agic4 ,,"p ,i ,,*apt] ,i ,,v5ice ,,& ,,h] ,,art ,v5etian pa9t+ 9 its prime diff]s altoge!r 9 "* f t ( e o!r "p ( ,italy4 ,! ,v5etian is ! mo/ m>k$ & recognisable ( all ! s*ools2 its s+ul>ity is su* t a novice 9 art c easily1 9 a miscellane\s collection1 sort out ! works belong+ to x1 & add$ to ?is unique "* is ! position x occupies 9 ! doma9 ( art4 ,v5ice alone ( ,italian ,/ates c boa/ an epo* ( art comp>able 9 orig9ality & spl5d\r to t ( h] great ,flor5t9e rival2 an epo* :i* is to be class$ among ! great art manife/ations ( ! _w1 :i* has ex]t$1 & cont9ues to ex]t1 incalculable p[] ov] pa9t+1 & :i* is ! inspiration z well z ! despair ( ^? :o try to ma/] its secret4 ,! o!r s*ools ( ,italy1 ) all _! sup]ficial v>ieties ( treatm5t & feel+1 dep5d$ = _! v life ^u ! ext5t to :i* !y 7 able to imbibe ! ,flor5t9e influ5ce4 ,si5a reject$ t /r5g? & p]i%$2 ,v5ice bid$ h] "t & sudd5ly /ruck out on indep5d5t l9es1 a*iev+ a magnific5t victory4 ,art 9 ,flor5ce made a /rictly logical progress4 ,z civilisation awoke 9 ! old ,lat9 race1 x w5t back 9 e doma9 ( le>n+ to ! ri* subsoil :i* /ill und]lay ! ru9 & ! ali5 /ructures left by ! long b>b>ic dom9ion1 = ! ,italian 9 8 d>ke/ h\r _h nev] be5 a b>b>ian2 & z ! m9d 0 once m r\s$ to consci\s life1 ,flor5ce ent]$ readily ^u t great intellectual movem5t :i* %e 0 de/9$ to lead4 ,h] ca/ ( ?\ght 01 f ! fir/1 reali/ic & sci5tific4 ,its :ole endeav\r 0 to "k ! tru?1 to weigh evid5ces1 to elaborate exp]im5ts1 to see ?+s z !y really 72 & :5 %e rea*$ ! po9t at :i* art 0 ready to speak1 we f9d t ! gov]n+ motive ( h] language 0 ?is same pr$ilection = reality1 & x 0 ) ?is mean+ t h] typical arti/s f\nd a voice4 ,no arti/ ev] s\ght = tru?1 bo? physical & spiritual1 m resolutely ?an ,giotto1 & none ev] spoke m di/9ctly ! m9d ( 8 age & c\ntry2 & z "o g5]ation foll[s ano!r1 art 9 ,tuscany becomes m & m closely alli$ to ! intellectual movem5t4 ,! sci5tific pr$ilection = =m1 = ! repres5tation ( ?+s z !y really are1 *>act]ises n ,flor5t9e pa9t+ alone1 b ! :ole ( ,flor5t9e art4 ,x is an art ( contributions & discov]ies1 m>k$1 x is ne$less to say1 at e /ep by dom9at+ p]sonalities1 positively z well z relatively great1 b ) ea* memb] consci\sly absorb$ 9 go+ "o bett] ?an 8 pr$ecessors1 9 solv+ problems & 9 ma/]+ me?ods4 ,flor5t9e art is ! outcome ( ,flor5t9e life & ?\ght4 ,x is "p ( ! def9ite cle>-cut view ( ?\ght & reason1 ( t exactitude ( appreh5sion t[>ds :i* ! :ole ,flor5t9e m9d 0 b5t1 & ! less] tribut>ies1 z !y fl[$ t[>ds h]1 =m$ !mselves on h] patt]n & work$ ^u ! same l9es1 s t !y h a c]ta9 g5]al resemblance1 & _! excell5ce is 9 proportion to ! ?or\ghness ) :i* !y h le>n$ _! lesson4 ,! diff]5ce :i* sep>ates ,v5etian f ! re/ ( ,italian pa9t+ is a fundam5tal "o4 ,v5ice atta9s to an equally di/+ui%$ place1 b ! way 9 :i* %e does x & ! "* ( h] contribution are bo? s absolutely di/9ct t h] art seems to be ! outcome ( ano!r race1 ) ali5 temp]am5t & /&>ds4 ,v5ice _h1 inde$1 a hi/ory & a life ( h] own4 ,h] entire isolation1 f h] f\ndation1 gave h] an indep5d5t gov]nm5t & cu/oms peculi> to h]self1 b at ! same "t h] p1 ev5 9 _! e>lie/ & mo/ prec>i\s /ruggles1 7 no b>b>ians :o _h sl[ly to acquire ! arts ( civilis$ life4 ,among ! refugees 7 p]sons ( high bir? & great traditions1 & !y br\ght ) !m to ! fir/ crazy settlem5t on ! lagoons "s political tra9+ & "s idea ( h[ to recon/ruct _! %att]$ social fabric4 ,! ,v5etian ,republic rose rapidly to a position ( influ5ce 9 ,europe4 ,small & circumscrib$ z its area 01 e feature & s5tim5t 0 conc5trat$ & int5sifi$4 ,b "o elem5t above all p]meates x & sets x ap>t f o!r ,european ,/ates4 ,! ,ori5tal elem5t 9 ,v5ice mu/ nev] be lo/ sight ( if we wi% to und]/& h] philosophy ( art4 ,!re are "s gr\nds1 s]i\sly accept$ by ! mo/ rec5t hi/orians1 = believ+ t ! fir/ ,v5etian coloni/s 7 ! desc5dants ( emigrants :o 9 prehi/oric times _h e/abli%$ !mselves 9 ,asia & :o _h return$ f !nce to ,nor!rn ,italy4 ,^! coloni/s1 says ,hazlitt1 7 call$ ,tyrrh5ians1 & f _! settlem5ts r\nd ! m\? ( ! ,po ! ,v5etian /ock 0 ultimately d]iv$4 ,if ! tradition has any tru?1 we ?9k ) a deep] int]e/ ( t in/9ct = comm]ce :i* seems to h be5 9 ! v blood ( ! e>ly ,v5etians4 ,did x1 inde$1 come d[n to !m f ! m]*ants ( ,tyre & ,c>?age8 ,f t wond]ful trad+ race :i* /ret*$ out its arms all ov] ,europe & p5etrat$ ev5 to our own isl&8 ,f ! fir/1 ,v5ice cut h]self adrift1 z f> z possible1 f ,we/]n ties1 b %e turn$ to ,ea/]n p & to int]c\rse ) ! ,ea/ ) a natural aff9ity :i* sav\rs ( racial in/9ct4 ,all h] greatness 0 d]iv$ f h] ,asiatic trade1 & h] baza>s1 heap$ ) ,ea/]n ri*es1 mu/ h assum$ a deeply ,ori5tal aspect4 ,h] cu/oms long reta9$ _m details peculi> to ! ,ea/4 ,! p obs]v$ a cu/om = *oos+ & d[]+ brides1 :i* 0 ( ,asia4 ,! national treatm5t ( wom5 0 ak9 to t ( an ,ori5tal ,/ate2 ,v5etian wom5 liv$ 9 a retirem5t :i* recall$ ! life ( ! h>em1 only appe>+ on great occasions to display _! brocades & jewels4 ,girls 7 closely veil$ :5 !y pass$ ?r\gh ! /reets4 ,! atta*m5t ( m5 to wom5 _h no intellectual bias1 sc>cely any s5tim5t1 b w5t /raight to ! m>k3 ! enjoym5t ( physical beauty4 ,! position ( wom5 9 ,v5ice 0 a great contra/ to t atta9$ by ! ,flor5t9e lady ( ! ,r5aissance1 :o 0 highly educat$1 deeply v]s$ 9 m5 & 9 affairs1 ! f9e fl[] ( culture1 & ! que5 ( a brilliant society4 ,! love = col\r & gorge\s pageantry 0 ( ,semitic int5sity & seem$ insatiable1 & ! gratification ( ! s5ses 0 a delib]ate ,/ate policy4 ,b passionate z 0 ! _s ( patriotism1 en?usia/ic ! love & loyalty ( ! p1 ! civic _s 0 abs5t4 ,! masses 7 cont5t$ to live "u a despotic rule & to be little despots 9 _! own h\ses4 ,9 ! twelf? c5tury ! p saw p[] pass into ! h&s ( ! ari/ocracy1 & z long z ! despotism 0 a b5evol5t "o1 ! ev5t ar\s$ no opposition4 ,l ,ori5tals1 ! ,v5etians _h wild outbur/s1 & l !m !y quiet$ d[n & no?+ came ( !m4 ,z ,mr4 ,hazlitt rem>ks1 _! occasional resi/ance to tyranny1 ?\gh m>k$ by de$s ( horrid & d>k cruelty1 left no deep or endur+ traces beh9d x4 ,x e/abli%$ no pr9ciple4 ,x taught no lesson4 ,v5ice 0 a ,republic only 9 "n4 ,! :ole aspect ( h] gov]nm5t is ,ea/]n4 ,its sy/em ( espionage1 its secret tribunals1 its swift & sil5t bl[s1--^! are all ,ori5tal traits1 & ! ,ea/ ent]+ into h] :ole life f )\t f\nd a natural home await+ x4 ,we %\ld be mi/ak51 h[ev]1 9 ?9k+ t ! ,v5etians 9 _! great days 7 en]vat$ & lapp$ 9 ! s5suality :i* we are apt to associate ) ,ea/]n ideals4 ,s5suality did 9 ! end dra9 ! life out ( h]4 ,x is ! disease :i* attacks s5su\sness1 b x is n ! same ?+4 ,! ,v5etians 7 by nature m5 ) a deep capacity = feel+1 & x is ?is deep feel+ :i* has s l>ge a %>e 9 ,v5etian art4 ,! pa9t]s ( ,v5ice 7 ( ! p & _h no wide intellectual outlook at its mo/ spl5did mom5t1 su* z 0 possess$ by ^? m5 :o 9 ,flor5ce 7 drawn into ! company ( ! ,m$ici & _! c\rt ( s*ol>s1 & :o all _! lives 7 9 ! mid/ ( a society ( l>ge aims & a free public _s1 9 :i* m5 took _! %>e ( ! responsibilities & hon\rs ( a citiz5's life4 ,! m]*ant-patrons ( ,v5ice are q un9t]e/$ 9 ! solv+ ( problems4 ,!y pay a price1 & !y want a good %[ ( col\r & gild+ = _! money4 ,pres5tly !y buy f outside1 & a half-he>t$ imitation ( =eign]s is ! be/ ambition ( ,v5etian arti/s4 ,art1 x has be5 said1 does n decl>e itself ) true spontaneity till x feels beh9d x ! weight & unanimity ( ! :ole body ( ! p4 ,t true outbur/ 0 long 9 com+1 b its se$s 7 fructify+ deep 9 a cong5ial soil4 ,!y 7 fo/]$ by ! w>m? & col\r ( ,ori5tal int]c\rse1 & at la/ ! racial in/9ct speaks ) no unc]ta9 acc5t 9 ! great doma9 ( art1 & speaks 9 a new & unexpect$ way2 z spl5did z1 yet utt]ly unlike1 ! gr& intellectual decl>ation ( ,flor5ce4 ,let u be> 9 m9d1 !n1 t ,v5ice 9 all h] hi/ory1 9 all h] "*1 is ,ea/]n r ?an ,we/]n4 ,h]s is ! k+dom ( feel+ r ?an t ( ?\ght1 ( emotion z oppos$ to intellect4 ,h] :ole /ory tells ( a pr(\ndly emotional & s5su\s appreh5sion ( ! nature ( ?+s2 & till ! "t comes :5 h] arti/s are inspir$ to express t1 _! creations may be int]e/+ en\gh1 b !y fail to reveal ! true work+s ( h] m9d4 ,:5 !y d1 !y f9d a new m$ium & use x 9 a new way4 ,v5etian col\r1 :5 x comes into its k+dom1 speaks = a :ole p1 s5su\s & ( deep feel+1 able = ! fir/ "t to utt] itself 9 art4 ,we h to divide ! hi/ory ( ! ,v5etian ,s*ool into ?ree p>ts4 ,! fir/ ext5ds f ! primitives to ! end ( ,giovanni ,bell9i's life4 ,he =ms a l9k betwe5 ! fir/ & second p]iods4 ,! second beg9s ) ,giorgione & ends ) ,t9toretto & ,bassano1 & is ! ,v5etian ,s*ool prop]4 ,?irdly1 we h ! eighte5?-c5tury revival1 9 :i* ,tiepolo is ! mo/ conspicu\s figure1 & :i* is 9 an equal degree ! expression ( ! life ( its "t4 ,,*apt] ,,ii ,,primitive ,,art ,,9 ,,v5ice ,! s*ool ( ,byzantium1 s widespread 9 its influ5ce1 0 p>ticul>ly /rong 9 ,v5ice1 :]e mosaics adorn$ ! ca!dral ( ,torcello f ! n9? c5tury & ,/4 ,m>k's became a spl5did /oreh\se ( ,byzant9e art4 ,! e>lie/ mosaic on ! faade ( ,/4 ,m>k's 0 execut$ ab\t ! ye> #abej1 ^? 9 ! ,bapti/]y date dur+ ! reign ( ,&rea ,d&olo1 :o 0 ,doge f #acdb to #aced4 ,yet ?\gh ! life ( ,giotto lies betwe5 ^! two dates1 & 8 frescoes at ,padua 7 )9 a few h\rs' j\rney1 !re is no sign t ! great revolution 9 pa9t+1 :i* 0 mak+ itself felt 9 e pr9cipal c5tre ( ,italy1 _h t\*$ ! ri*e/ & mo/ peaceful ( all h] ,/ates4 ,yet local art 9 ,v5ice 0 no outcome ( ,byzant9ism4 ,x rose z t ( ! mosaici/s fell1 b its rise diff]s f t ( ,flor5ce & ,si5a 9 be+ = long almo/ imp]ceptible4 ,arti/s 7 look$ ^u m]ely z artisans 9 all ! cities ( ,italy1 b 9 ,v5ice be=e any o!r city !y _h be5 plac$ among ! craftsm54 ,! /atute ( ! ,guild ( ,si5a 0 n =mulat$ till #acee2 t ( ,v5ice is ! e>lie/ ( :i* we h any record1 & be>s ! date ( #abgb4 ,!re is sc>cely a ^w to indicate t pictures 9 ! mod]n s5se ( ! t]m exi/$4 ,pa9t]s 7 employ$ on ! adornm5t ( arms & ( h\sehold furniture4 ,lea!r helmets & %ields 7 pa9t$1 & su* bann]s z we see 9 ,paolo ,uccello's battlepieces4 ,pa9t$ *e/s & cassoni 7 already 9 dem&1 di%es & plates = ! table & ! surface ( ! table itself 7 treat$ 9 a simil> way4 ,special regulations dealt ) all ^!1 & x is only at ! end ( ! li/ t ancon are m5tion$4 ,! ancona 0 a gild$ framework1 hav+ a comp>tm5t conta9+ a picture ( ! ,madonna & ,*ild1 & o!rs ) s+le figures ( ! sa9ts1 & ^! 7 ! only pictures prop] produc$ at ?is date4 ,! dem& = ancon 01 h[ev]1 l>ge1 & !y 7 v e>ly plac$1 n only 9 ! *ur*es1 b 9 ! h\ses ( patricians & burgh]s4 ,con/ant disputes arose betwe5 ! pa9t]s & ! gild]s4 ,pictures 7 habitually pa9t$ ^u a gold gr\nd1 b ! pa9t]s 7 =bidd5 to gild ! backgr\nds !mselves4 ,gild+ is ! bus9ess ( ! gild]1 pa9t+ t ( ! pa9t]1 says a contempor>y record4 ,n[ ! gild] cont5ds t if a frame has to be gilt & !n t\*$ ) col\r1 he is entitl$ to p]=m bo? op]ations1 b ! pa9t] disputes ?is "r1 & ma9ta9s t ! gild] %\ld return x to him :5 ! addition ( pa9t+ is desir$4 ,x 01 h[ev]1 f9ally decid$ by law t ea* %\ld ex]cise bo? pr(essions1 :5 "o or ! o!r play$ a subord9ate "p 9 ! f9i%$ "w4 ,?\gh ! art ( mosaic 0 fall+ into decay z pa9t+ began to em]ge1 yet ! comm]cial manufactory ( ,byzant9e ,madonnas1 :i* _h be5 e/abli%$ z e>ly z #fjj1 w5t on1 on ! ,rialto1 )\t any v>iation ( ! traditional =ms4 ,flor5ce v e>ly disc>d$ ! temptation to cl+ to mat]ial spl5d\r1 b z we pass into ! ,hall ( ! ,primitives 9 ! ,v5etian ,academy1 we see at once t ,v5etian art1 9 its e>li] /ages1 has m to d ) ! gild] ?an ! pa9t]4 ,! ,holy ,p]sonages are m]ely accessories to ! gorge\s framework1 ! emboss$ ornam5ts1 ! real jewels1 :i* 7 9 fav\r ) ! ri* & magnific5t patrons4 ,!re is no sign ( any feel+ = pa9t+ z pa9t+1 no crav+ aft] ! /udy ( =m z ! outcome ( intellectual activity1 no ze/ ( discov]y1 su* z made ! pa9t]'s life 9 ,flor5ce an excitem5t 9 :i* ! public %>$4 ,:at little ,v5ice imbibes ( ^! ?+s is f outside influ5ce1 aft] due lapse ( "t4 ,a prosp]\s1 luxuri\s city ( m]*ants & /atesm51 %e 0 too mu* b\nd up 9 ! transactions & s5sations ( actual life to develop any ab/ract & ?\ghtful ideals4 ,p]haps ! fir/ pa9t+ we c discov] :i* %[s any sign ( indep5d5t ef=t is ! s]ies :i* ,paolo da ,v5ezia pa9t$ on ! back ( ! ,pala d' ,oro1 ov] ! high alt> ( ,/4 ,m>k1 :5 x 0 re/or$ 9 ! f\rte5? c5tury4 ,?is reveals an arti/ ) "s pictorial aptitude & "o alive to ! subjects t surr\nd him4 ,x tells ! /ory ( ,/4 ,m>k's corpse transport$ to ,v5ice4 ,! fir/ panel conta9s a gr\p ( c>d9als ( v>y+ types & expressions2 9 ano!r ! disciple li/5+ to ,/4 ,m>k's tea*+1 & cr\*+ ) 8 elb[s on 8 knees1 has a true1 natural t\*4 ,! dramatic feel+ "h & !re is consid]able4 ,! sc5e ( ! gu>ds wat*+ ! imprison$ ,sa9t ?r\gh ! w9d[ & see+ ! %ad[ ( two heads1 z ! ,savi\r visits him1 imp>ts a di/9ct emotion2 & !re is =ce z well z feel+ = decorative composition 9 ! panel 9 :i* ! ,sa9t's body lies at ! feet ( ! sailors1 :ile 8 vision appe>s %9+ ^u ! sails4 ,except = ! exagg]at$ insi/5ce on ! gild$ elaborations ( ! e>ly ancona1 !re is n mu* to diff]5tiate ! e>ly art ( ,v5ice f t ( o!r c5tres2 b we notice t x p]sev]$ long] 9 ! mat]ial & me*anical art ( ! craftsman4 ,tuscan ta/e made little impression1 & _m ye>s elaps$ be=e "w ak9 to t ( ,giotto attract$ att5tion & 0 admir$ & imitat$4 ,a man l ,antonio ,v5eziano met ) ! fate ( ! innovator 9 ,v5ice4 ,he _h too mu* ( ! simplicity ( ! ,tuscan & 0 compell$ to c>ry 8 "w to ,pisa1 :]e 8 naf & humor\s n>ratives /ill delight u 9 ! ,campo ,santo4 ,x 0 9 #achd t he 0 employ$ to f9i% ! frescoes ( ! life ( ,s4 ,rani]i1 :i* _h be5 left uncomplet$ at ,&rea da ,fir5ze's dea?1 & ! fondness = ar*itecture & surr\nd+s 9 ! ,flor5t9e ta/e1 :i* secur$ him a welcome1 may1 z ,vas>i says1 be d]iv$ f ,agnolo ,gaddi1 :o _h already visit$ ,padua & ,v5ice4 ,9 ! la/ ye>s ( ! f\rte5? c5tury tribut>y /reams beg9 to fe$ ! feeble ma9 curr5t4 ,9 #acfe ,gu>i5to1 a ,paduan1 0 employ$ by ! ,/ate to pa9t a huge fresco ( ,p>adise 9 ! ,hall ( ! ,gran ,consiglio ( ! ,ducal ,palace4 ,?is1 :i* lay hid = c5turies "u ! pa9t+ by ,t9toretto1 0 uncov]$ 9 #aiji & f\nd to be 9 fairly good pres]vation4 ,x c n[ be se5 9 a side room4 ,x tells u t ,gu>i5to _h to "s ext5t be5 influ5c$ by ,giotto4 ,! ?rones h long ,go?ic p5datives1 ! faces h m ! ,giottesque ?an ! ,byzant9e ca/ & %[ t ! old traditions 7 crumbl+4 ,:5 pa9t+ 9 ,v5ice fir/ beg9s to live a life ( its own1 ,jacobello del ,fiore /&s out z ! mo/ conspicu\s ( ! indig5\s ,v5etians4 ,8 fa!r _h be5 presid5t ( ! ,pa9t]s' ,guild4 ,jacopo himself 0 presid5t f #adae to #adcf4 ,he 0 a ri* & popul> memb] ( ! ,/ate & a man ( high "*4 ,8 works1 to judge by ! specim5s left1 h>dly atta9$ ! dignity ( art1 ?\gh 9 ! bann] ( ,ju/ice1 9 ! ,academy1 ! space is fill$ 9 a monum5tal fa%ion & ! figure ( ,/4 ,gabriel ) ! lily has some?+ gr& & graceful4 ,we trace ! same treatm5t ( fly+ bann]s & drap]ies & rippl+ hair 9 ! fanta/ic b picturesque ,s4 ,grisogono 9 ! left transept ( ,san ,trovaso4 ,jacobello's w1 execut$ 9 #adci 9 fav\r ( 8 wife ,lucia & 8 son1 ,ercole1 ) provision = a possible po/hum\s son1 %[s him to h be5 a man ( consid]able possessions4 ,he own$ a slave & _h o!r s]vants1 a h\se1 money1 & books4 ,among 8 fell[-work]s :o are repres5t$ 9 ,v5ice are ,niccolo ,semitocolo1 ,niccolo di ,pietro1 & ,lor5zo ,v5eziano4 ,! important alt>piece by ! la/1 9 ! ,academy1 has evid5tly be5 recon/ruct$2 two ,et]nal ,fa!rs hov] ov] ! ,annunciation1 & ! ,sa9ts h be5 re/or$ to ! framework 9 su* wise t ! backs ( _m ( !m are turn$ on ! mom5t\s c5tral ev5t4 ,9 ! ,m>riage ( ,/4 ,ca!r9e1 9 ! same gall]y1 ,lor5zo gets m natural4 ,! ,*ild1 9 a light gre5 dress ) gold buttons1 has a lively expression1 & looks r\nd at ,8 ,"m z if play+ a game4 ,! *apel ( ,san ,t>asio 9 ,san ,zacc>ia conta9s an ancona ( :i* ! c5tral panel 0 only ins]t$ 9 #ahci1 & is id5tical ) ,lor5zo's o!r "w4 ,"o ( ! f9e/ & mo/ elaborate ( all ! ancon is 9 ,san ,giovanni 9 ,bragora1 & is also ! "w ( ,lor5zo4 ,9 ?is1 z well z 9 t ( ,san ,t>asio1 ! ,"m (f]s ! ,*ild ! apple1 signify+ ! fruit ( ! ,tree ( ,jesse & symbolical ( ! ,inc>nation4 ,?is incid5t1 :i* is f\nd ?us e>ly 9 art1 0 evid5tly felt to raise ! gr\p ( ! ,"m & ,*ild f a repres5tation ( a m]ely e>?ly relation%ip to a spiritual sc5e ( ! deepe/ mean+ & ! highe/ dignity4 ,niccolo di ,pietro has sev]al e>ly works ( ! la/ decade ( ! f\rte5? c5tury1 f :i* we ga!r t he began z a ,byzant9e1 b t he imitat$ ,gu>i5to & 0 t5tatively drawn to ! ,giottesque movem5t1 b n1 we may rememb]1 be=e ,giotto _h be5 dead = "s sixty ye>s4 ,niccolo di ,pietro has be5 conf\nd$ ) ,niccolo ,semitocolo1 b x is n[ realis$ t !y 7 two di/9ct ma/]s4 ,! mo/ important "w ( ,mi*ele ,giambono :i* has come d[n to u is ! sign$ ancona ) five sa9ts1 n[ 9 ! ,v5etian ,academy4 ,x is unusual to f9d a sa9t 9 ! c5tral panel in/ead ( ! ,madonna4 ,! sa9t is on a l>g] scale ?an 8 companions1 & has hi!rto pass$ z ! ,r$eem]1 b ,pr(essor ,v5turi has id5tifi$ him z ,/4 ,james ! ,great4 ,he has ! gold scallop-%ell & pilgrim's /aff4 ,x is cle> f 8 size & position t ! ancona has be5 pa9t$ = an alt> specially d$icat$ to ?is ,apo/le4 ,! sa9ts on ! "r are ,s4 ,mi*ael & ,s4 ,l\is ( ,t\l\se4 ,betwe5 ,s4 ,john ! ,evangeli/ & ,s4 ,james is a mona/ic figure :i* has evid5tly *ang$ places ) ,s4 ,john at "s mom5t ( re/oration4 ,if ! two figures are transpos$1 _! attitudes become intelligible4 ,s4 ,john is inculcat+ a message inscrib$ 9 8 op5 book1 :ile ! monk is display+ 8 humble answ] on 8 own page4 ,! use 9 x ( ! t]m s]vus sugge/s t he is a ,s]vite1 ?\gh ! want ( ! nimbus precludes ! idea t he is "o ( ! f\nd]s4 ,x is probable t he is ,s4 ,filipo ,b5izzi1 :o1 ?\gh consid]$ z a sa9t f ! "t ( 8 dea?1 0 n canonis$ = sev]al c5turies4 ,! ,mond ,collection includes a gl[+ picture by ,giambono2 a seat$ figure clad 9 ri* ve/m5ts & hold+ an orb1 probably repres5t+ a ,?rone1 "o ( ! angelic ord]s ( ! cele/ial ,hi]>*y4#a #a ,^! int]e/+ p>ticul>s are giv5 by ,mr4 ,g4 ,m',n4 ,ru%=? 9 ! ,burl+ton ,magaz9e = ,octob] #aiaa4 ,works are /ill 9 exi/5ce :i* may be ascrib$ to "o or o!r ( ^! ma/]s1 or ( :i* no attribution c be made1 b we "k no?+ positive ( any o!r arti/s ( ! "t :i* prec$$ ! influ5ce ( ,g5tile da ,fabriano4 ,no?+ leads u to suppose t ! ,v5etian ,s*ool 9 its orig9 _h any pret5sion to be a s*ool ( col\r1 or t x c\ld claim any?+ l real excell5ce at a "t :5 ! ,republic fir/ became alive to ! movem5t :i* 0 go+ on 9 o!r p>ts ( ,italy1 & decid$ to call 9 =eign tal5t4 ,,pr9cipal ,,works ,paolo da ,v5ezia4 ,v5ice4 ,/4 ,m>k's3 ,! ,pala d' ,oro4 ,vic5za4 ,dea? ( ! ,virg94 ,lor5zo da ,v5ezia4 ,v5ice4 ,academy3 ,alt>piece4 ,corr] ,museum3 ,savi\r giv+ ,keys to ,/4 ,pet]4 ,s4 ,giovanni 9 ,bragora3 ,ancona4 ,b]l94 ,two ,sa9ts4 ,nicoletto ,semitocolo4 ,v5ice4 ,academy3 ,alt>piece4 ,padua4 ,biblioteca ,ar*ivescovo3 ,alt>piece4 ,/efano da ,v5ezia4 ,v5ice4 ,academy3 ,coronation ( ,virg91 ) false signature ( ,semitocolo4 ,jacobello del ,fiore4 ,v5ice4 ,academy3 ,ju/ice4 ,s4 ,trovaso3 ,s4 ,grisogono4 ,niccolo di ,pietro4 ,v5ice4 ,s4 ,m>ia dei ,miracoli3 ,alt>piece4 ,mi*ele ,giambono4 ,v5ice4 ,academy3 ,/4 ,james ! ,great & o!r ,sa9ts4 ,london4 ,mond ,collection3 ,a ,?rone4 ,,*apt] ,,iii ,,influ5ces ,,( ,,umbria ,,& ,,v]ona ,g5tile da ,fabriano1 ! ,umbrian ma/]1 :5 he rea*$ ,v5ice 9 ! e>ly ye>s ( ! fifte5? c5tury1 0 already a man ( note4 ,he _h receiv$ 8 art education 9 ,flor5ce1 & he br\ght ) him fre% & delicate devices = ! enri*m5t ( pa9t+ ) gold1 :i*1 d]iv$ z x 0 f ! ,si5ese assimilation ( ,byzant9e me?ods1 0 v sup]ior 9 fancy & ref9em5t to any?+ t ,v5ice _h to %[4 ,he 0 a man ( a g5tle1 my/ic temp]am5t1 b he 0 accu/om$ to c\rts1 & a f9i%$ ma/] ^: te*nique & arti/ic value 0 f> beyond any?+ t ! local pa9t]s 7 capable (4 ,he sp5t "s ye>s 9 ,v5ice1 adorn+ ! great hall ) episodes f ! leg5d ( ,b>b>ossa2 "o ( ^!1 :i* is specially cit$1 0 ( ! battle betwe5 ! ,emp]or & ! ,v5etians4 ,g5tile 0 work+ till ab\t #adad1 & ! walls1 f9i%$ by ,pisanello1 7 cov]$ by #adaf4 ,aft] ?is ,g5tile rema9$ "s "t 9 ,b]gamo & ,brescia1 & settl$ 9 ,flor5ce ab\t #adbb4 ,! ye> aft] rea*+ ,flor5ce1 he pa9t$ ! fam\s ,adoration ( ! ,magi1 n[ 9 ! ,flor5t9e ,academy4 ,ev5 aft] leav+ ,v5ice 8 fame surviv$2 pictures w5t f 8 work%op 9 ! ,popolo ,s4 ,tr9it1 & he s5t back two portraits aft] he _h return$ to 8 native ,fabriano4 ,we h no positive record ( ,g5tile & ,vittore ,pisano1 commonly call$ ,pisanello1 hav+ met 9 ,v5ice1 b !re is e evid5ce 9 _! "w t !y did s1 & t "o ov]lapp$ ! o!r 9 ! pa9t+s = ! ,ducal ,palace4 ,! ,s*ool ( ,v]ona already _h an hon\rable record1 & its ,guild dates f #acjc4 ,! foll[+ are its rules1 ! docum5t ( :i* is /ill pres]v$1 :ile t ( ,v5ice has be5 lo/3 ,,rules ,,( ,,! ,,v]onese ,,guild 7abridg$7 #a4 ,no "o to become a memb] :o _h n practis$ art = twelve ye>s4 #b4 ,twelve arti/s to be elect$ memb]s4 #c4 ,! reception ( a new memb] dep5ds on 8 be+ a s5ior4 #d4 ,! memb]s are oblig$ 9 ! w9t] season to take ^u !mselves ! in/ruction ( all ! pupils 9 turn4 #e4 ,a memb] is liable to be expell$ = !ft4 #f4 ,ea* memb] is b\nd to ext5d to ano!r frat]nal assi/ance 9 necessity4 #g4 ,to ma9ta9 g5]al agreem5t 9 any controv]sies4 #h4 ,to ext5d hospitality to /range arti/s4 #i4 ,to (f] to "o ano!r reciprocal com=t4 #aj4 ,to foll[ ! fun]als ( memb]s ) tor*es4 #aa4 ,! ,presid5t is to ex]cise ref]5ce au?ority4 #ab4 ,! memb] :o has ! longe/ memb]%ip to be ,presid5t4 ,!re 7 also by-laws1 :i* provid$ t no ma/] %\ld accept a pupil = less ?an ?ree ye>s1 & ?is acceptance _h to be def9itely regi/]$ by ! public not>y1 a son1 bro!r1 gr&son1 or nephew be+ ! only exceptions4 ,no ma/] might receive an appr5tice :o %\ld h left ano!r ma/] be=e 8 "t 0 out1 unless ) t ma/]'s free cons5t4 ,!re 7 p5alties = entic+ away a pupil1 & o!rs to be en=c$ aga9/ pupils :o broke ! agreem5t4 ,sev]e re/rictions exi/$ ) reg>d to ! sale ( pictures1 no "o b a memb] ( ! ,guild be+ all[$ to sell !m4 ,no "o might br+ a "w f any =eign place = purposes ( sale4 ,x might n ev5 be br\ght to ! t[n )\t ! special p]mission ( ! ,ga/aldiones1 or tru/ees ( ! ,guild1 & ^? tru/ees 7 p]mitt$ to se>* = & de/roy =g$ pictures4 ,e pa9t]1 !re=e1 _h to subord9ate 8 int]e/s & incl9ations to ! local s*ool4 ,x helps u to und]/& :y ! individual "* ( ! diff]5t ma/]s is s p]ceptible1 & "o ( ! prim>y causes ( ?is mu/ h be5 ! c>eful tra9+ ( ! pupils 9 ! ma/]'s work%op4 ,! fresco left by ,alti*i]o1 ,pisanello's fir/ ma/]1 9 ! ,*ur* ( ,s4 ,ana/asia 9 ,v]ona1 %[s h[ wor?ily a ,v]onese pa9t] 0 at ?is e>ly "t foll[+ 9 ! foot/eps ( ,giotto4 ,?ree knights ( ! ,cavalli family are pres5t$ by _! patron sa9ts to ! ,madonna4 ,! composition has a l>ge simplicity1 a bread? ( feel+ :i* is c>ri$ into ea* ge/ure4 ,! knights ) _! rais$ helmets1 9 ! patt]n ( horses' heads1 are full ( reality1 ! ,madonna is sweet & dignifi$1 & ! sa9ts are gr& & /ately4 ,! picture has a delightful suavity & ease1 & ! col\r+ has evid5tly be5 lovely4 ,! sett+ is 9 good proportion & m satisfactory ?an t ( ! ,giottesques4 ,f ! s]ies ( frescoes 9 ,s4 ,antonio1 ,v]ona1 we ga!r t :ile ,v5ice 0 /ill limit$ to /iff ancon1 ! ,v]onese ma/]s 7 manag+ cr[ds ( figures & r5d]+ di/ances successfully4 ,alti*i]o puts 9 homely t\*es f ev]yday life ) a fre$om :i* %[s he has n yet ma/]$ ! pr9ciples ( selection or ! dignifi$ fitness :i* guid$ ! great ma/]s2 z1 = in/ance1 9 ! case ( ! old woman1 among ! spectators ( ! ,crucifixion1 :o %[s h] grief by bl[+ h] nose4 ,he lets himself be drawn (f by all mann] ( trivial detail & ( gay co/ume2 b aga9 9 su* frescoes z ,s4 ,lucia1 or ! ,behead+ ( ,/4 ,george1 9 ! ,paduan *apel ( ! ,santo1 he proves h[ well he und]/&s ! =ce ( solid1 simply-drap$ figures1 direct 9 ge/ure & expression1 :ile ! decorative use he makes ( lances aga9/ ! backgr\nd 0 long aft]w>ds p]haps imitat$1 b h>dly surpass$1 by ,t9toretto4 ,pisanello1 :o foll[$ quickly ^u ,alti*i]o & 8 assi/ant1 ,avanzi1 exhibits ! same *ivalresque & c\rtly incl9ations :i* comm5d$ ,g5tile da ,fabriano to ! spl5d\r-lov+ ,v5etians4 ,v]ona1 "u ! peaceful b gallant gov]nm5t ( ! ,scalig]i1 _h long be5 ! home ( all knightly lore1 & ! arti/s _h be5 employ$ to decorate *apels = ! families ( ! great nobles4 ,among ^!1 ,pisanello _h atta9$ a high place4 ,?\gh v few ( 8 pa9t+s rema91 !y all %[ ^! influ5ces1 & 8 subtly modell$ m$als e/abli% him z a ma/] ( ! mo/ f9i%$ type4 ,a mu* de/roy$ fresco 9 ,s4 ,ana/asia1 ,v]ona1 portrays ! hi/ory ( ,/4 ,george & ! ,dragon4 ,9 ! ,/4 ,george we probably see ! portrait ( ! great p]sonage 9 ^: hon\r ! fresco 0 pa9t$4 ,he is m\nt+ 8 horse1 :i*1 se5 f beh9d1 rem9ds u ( ! =e-%ort5$ *>g]s ( ,paolo ,uccello4 ,! rescu$ pr9cess1 also a portrait1 we>s a magnific5t dress & an elaborate headge> 9 ! fa%ion ( ! day4 ,o!r horses1 fi]y & spirit$1 are gr\p$ ar\nd1 & 9 ! b& ( cavali]s1 beyond ,/4 ,george1 e head is individualis$2 "o is beautiful1 ano!r brutal1 & s on ?r\gh ! sev54 ,a greyh\nd & spaniel 9 ! =egr\nd are sup]bly pa9t$1 ! backgr\nd is excell5t1 & a reali/ic t\* is giv5 by ! corpses :i* dangle unhe$$ f ! trees outside ! ca/le-gate4 ,a ru9$1 b =tunately n re/or$1 ,annunciation 9 ,s4 ,f]mo1 has a simple1 sl5d] figure ( ! ,virg9 sitt+ by h] :ite b$1 & ! angel1 ) great sweep+1 ru%+ w+s & b[$1 *ild-l head ) fair hair1 is a mo/ sweet & ke5 figure1 ?rill+ & conv9c+1 9 contra/ to all ! dead1 ov]-work$ frescoes r\nd ! *ur*4 ,all ^! pa9t+s are too small to be ! lea/ effective at ! height at :i* !y are plac$1 & c only be se5 ) a good glass4 ,pisanello's art is n well adapt$ to wide1 fresco$ walls1 & he seems to h enjoy$ pa9t+ m9iature panels1 su* z ! two we possess4 ,9 ^! he is full ( orig9ality1 & %[s 8 love = ! knightly life1 ! life ( c\rts1 9 ! arm$ cap--pi$ figure ( ,/4 ,george1 ^: po9t-device arm\r is cr[n$ by a wide ,tuscan hat & fea!r4 ,! arti/'s k & love ( animals & wild nature comes out 9 !m1 & 8 int]e/ 9 beauty & *ivalry z oppos$ to ! outworn conv5tionalities ( ecclesia/ic dem&s4 ,we %all be able to trace ! influ5ce ( bo? ! ,umbrian & ! ,v]onese pa9t] on m5 l ,antonio di ,murano & ,jacopo ,bell9i1 & x is important to note ! lik5ess ( ! two to "o ano!r4 ,9 ,g5tile's ,adoration we h on ! "o h& ! ,holy ,family & ! gay pageant ( ! k+s1 ( :i* we c\ld f9d ! prototype 9 _m an ,umbrian panel4 ,on ! o!r we see ^? contra/+ elem5ts :i* 7 /ruggl+ 9 ,pisanello2 ! delight 9 fl[]s & animals1 9 gaily app>ell$ figures1 9 dogs & horses4 ,! two h no la/+ effect1 b ?\gh !y creat$ no actual s*ool1 !y gave a /imulus to ,v5etian art1 & />t$ x on a new tack1 enabl+ x to op5 its *annels to fre% ideas4 ,dur+ ! "t !y 7 9 ,v5ice1 ,jacobello del ,fiore %[s "s signs ( adapt+ ! new fa%ion to 8 e>ly /yle1 & ! horse ( ,s4 ,grisogono is v l t ( ,g5tile 9 ! ,adoration1 or l ,pisano's horses4 ,mi*ele ,giambono is actually f\nd 9 collaboration1 9 ! *apel ( ! ,madonna da ,mascoli 9 ,/4 ,m>k's1 ) su* a virile pa9t] z ! ,flor5t9e1 ,&rea del ,ca/agno1 :o is evid5tly responsible = ,god ! ,fa!r & two ( ! ,apo/les2 b ,ca/agno mu/ h be5 ?or\ghly antipa!tic to ! ,v5etians1 & ?\gh he may h taught !m ! way to draw1 he has n left any traces ( a foll[+4 ,facio1 writ+ 9 #adee1 speaks ( ,g5tile's "w 9 ! ,ducal ,palace z already decay+1 :ile ,pisanello's 0 pa9t$ out by ,alvise ,viv>9i & ,bell9i4 ,,pr9cipal ,,works ,g5tile da ,fabriano4 ,flor5ce4 ,academy3 ,adoration ( ! ,magi4 ,milan4 ,br]a3 ,alt>piece4 ,alti*i]o4 ,padua4 ,capella ,s4 ,felice1 ,s4 ,antonio3 ,frescoes4 ,capella ,s4 ,giorgio1 ,s4 ,ana/asia3 ,! ,cavalli ,family4 ,pisanello4 ,padua4 ,s4 ,ana/asia3 ,/4 ,george & ! ,dragon4 ,v]ona4 ,s4 ,f]mo3 ,annunciation4 ,london4 ,s4 ,george & ,s4 ,j]ome2 ,s4 ,eu/ace & ! ,/ag4 ,,*apt] ,,iv ,,! ,,s*ool ,,( ,,murano ,! important little t[n ( ,murano1 a satellite ( ,v5ice1 lies ^u an isl&1 "s t5 m9utes' r[ f ! "m ,/ate1 di/9ct f :i* x pres]v$ sep>ate int]e/s & regulations4 ,its glass manufacture 0 safegu>d$ by ! mo/ /r+5t decrees1 :i* =bade memb]s ( ! ,guild to leave ! islet "u pa9 ( dea?4 ,its mosaics1 /one "w1 & ar*itecture speak ( an e>ly arti/ic exi/5ce1 & we recognise ! ju/ice ( ! claim ( ,muranese pa9t]s to be ! fir/ to /rike out into a m emancipat$ type ?an t ( ! primitives4 ,! pa9t] ,giovanni ( ,murano1 call$ ,giovanni ,alemanus or d' ,alemagna1 names betwe5 :i* ,v5etian jeal\sy = a "t drew an imag9>y di/9ction1 _h c]ta9ly receiv$ 8 e>ly education 9 ,g]many1 & betrays x by 8 heavi] ornam5tation & m ,go?ic /yle2 b he 0 a fell[-work] ) ,antonio ( ,murano1 ! f\nd] ( ! great ,viv>9i family1 & ! ,academy conta9s sev]al l>ge alt>pieces 9 :i* !y collaborat$4 ,*ri/ & ! ,virg9 9 ,glory 0 pa9t$ = a *ur* 9 ,v5ice 9 #addj1 & has an inscription ) bo? names on a b&]ol across ! =egr\nd4 ,! ,et]nal ,fa!r1 ) ,8 h&s on ! %\ld]s ( ! ,"m & ,son1 makes a gr\p ( :i* we f9d ! orig9 9 ,g5tile da ,fabriano's alt>piece 9 ! ,br]a1 & x is probable t "o if n bo? ma/]s _h be5 /udy+ ) ! ,umbrian & absorb+ ! pr9ciples he _h br\ght to ,v5ice4 ,x is easy to trace ! influ5ce ( ,giovanni d' ,alemagna1 ?\gh n always easy to pick out :i* "p ( a picture belongs to him & :i* to ,antonio work+ "u 8 influ5ce4 ,9 ,s4 ,pantaleone is a ,coronation ( ! ,virg91 ) ,go?ic ornam5ts su* z are n f\nd 9 purely ,italian art at ?is p]iod1 b ! example 9 :i* bo? ma/]s c be mo/ closely foll[$ is ! great picture 9 ! ,academy1 ! ,madonna en?ron$1 :]e %e sits "u a baldaqu9 surr\nd$ by sa9ts4 ,"h ! ,go?ic surr\nd+s become v florid1 & h a g+]bread-cake effect1 :i* ,italian ta/e w\ld h>dly h tol]at$4 ,_m features are *>act]i/ic ( ! ,g]man2 ! huge cr[n worn by ! ,"m1 ! floriat$ ornam5t ( ! quadrangle1 ! almo/ b>oque appe>ance ( ! ?rone4 ,?r\gh x all1 heavily repa9t$ z x is1 %9es ! dawn ( ! t5d] expression :i* came into ,v5etian art ) ,g5tile4 ,illu/ration3 ,antonio da ,murano4 ,,adoration ,,( ,,! ,,magi4 ,b]l94 7,photo1 ,hanf/ngl47 ,giovanni d' ,alemagna & ,antonio da ,murano 7 no d\bt widely employ$1 & :5 ! =m] di$ ,antonio f\nd$ & c>ri$ on a real s*ool 9 ,v5ice4 ,9 #addf he 0 liv+ 9 ! p>i% ( ,s4 ,m>ia ,=mosa ) 8 wife1 :o 0 ! daught] ( a fruit m]*ant1 & ! wills ( bo? are /ill pres]v$ 9 ! p>i% ar*ives4 ,g5tile da ,fabriano _h set ! example = gorge\s processions ) gay dresses & /range animals2 w9d+ pa?s 9 ! backgr\nd & =e%ort5$ limbs prove t att5tion _h be5 drawn to ,paolo ,uccello's /udies 9 p]spective1 :ile _m figures & horses recall ,pisanello4 ,a /rik+ pro( ( ! soj\rn ( ,g5tile & ,pisanello 9 ,v5ice is f\nd 9 an ,adoration ( ,magi1 n[ ascrib$ to ,antonio da ,murano1 9 :i* ! c5tral gr\p1 ! olde/ k+ kiss+ ! ,*ild's foot1 is v l t 9 ,g5tile's ,adoration1 b ! =e%ort5$ horses & ! att5dants argue ! pa9t]'s k ( ,pisanello's "w4 ,a comp>ison ( ! ar*itecture 9 ! backgr\nd ) t 9 ! ,/4 ,george 9 ,s4 ,ana/asia %[s ! same d]ivation1 & ! da9ty cavali]1 :o holds a flag & is 9 att5dance on ! y\nge/ k+1 is rem9isc5t ( ,/4 ,george & ,/4 ,eu/ace 9 ,pisanello's pa9t+s 9 ! ,national ,gall]y1 s t 9 ?is "o picture ! influ5ces ( ! two arti/s are comb9$4 ,antonio took 8 y\ng] bro!r1 ,b>tolommeo1 into p>tn]%ip1 & ! title ( da ,murano 0 pres5tly dropp$ = ! m mod]n designation ( ,viv>9i4 ,bo? bro!rs are f9e & delicate 9 "w1 b f ! outset ( _! collaboration ! y\ng] man is m advanc$ & m full ( ! _s ( ! innovator4 ,9 8 alt>piece 9 ! fir/ hall ( ! ,academy ! ,nativity has already a new realism2 ,joseph leans 8 head ^u 8 h&1 cru%+ up 8 *eek4 ,! sa9ts are p>ticul>ly vivid 9 expression1 especially ! old h]mit hold+ ! bell1 ^: face is brimm+ ) ard5t feel+4 ,,pr9cipal ,,works ,giovanni d' ,alemanus & ,antonio da ,murano4 ,v5ice4 ,*ri/ & ! ,virg9 9 ,glory2 ,virg9 en?ron$1 ) ,sa9ts4 ,antonio da ,murano4 ,b]l94 ,adoration ( ,magi4 ,,*apt] ,v ,,! ,,paduan ,,influ5ce ,& n[ into ?is dawn+ s*ool1 employ$ *iefly 9 ! s]vice ( ! ,*ur*1 ) its t5tative & languid essays to und]/& ,flor5t9e composition1 result+ 9 :at is sc>cely m ?an a m9dless imitation1 & ) its r m intellig5t p]ception ( ! ,humani/ qualities ( ,pisanello's "w1 !re ent]s a new factor2 or r a new ag5cy makes a slightly m successful attempt ?an ,g5tile & ,ca/agno _h done to help ! ,v5etians to realise ! supreme importance ( ! human figure1 its p[] 9 relation to o!r objects to det]m9e space1 its modell+ & ! significance ( its attitude 9 convey+ movem5t4 ,giotto _h be5 able to pres5t all ^! qualities 9 ! human =m1 b he _h done s by ! light ( g5ius1 & _h nev] =mulat$ any suffici5t rules = 8 foll[]s' guidance4 ,9 ,ghib]ti's s*ool1 at ! beg9n+ ( ! fifte5? c5tury1 ! fasc9ation ( ! antique 9 art 0 mak+ itself felt1 b ,donatello _h escap$ f ! artificial trammels x ?reat5$ to ex]cise1 & _h c>ri$ ! ,flor5t9e s*ool ) him 9 8 pr(\nd rese>*es into ! human =m itself4 ,donatello _h be5 work+ 9 ,padua = t5 ye>s be=e ,pisanello's dea?1 & 9 an indirect way ! ,v5etians 7 exp]i5c+ "s aft]-results ( ! sy/ematis+ & =mulat+ ( ! new pictorial elem5ts4 ,?\gh ! intellectual life _h met ) little enc\ragem5t among ! positive1 practical inhabitants ( ,v5ice1 9 ,padua1 :i* _h be5 subject to h] s9ce #adje1 speculative ?\ght & ideal /udies 7 9 full sw+4 ,!re 0 no re-bir? 9 ,v5ice1 ^: tradition 0 unbrok5 & :]e m5 7 too g5u9ely pagan to c>e ab\t ! e*o ( a paganism 9 ! remote pa/4 ,/4 ,m>k 0 ! deity ( ,v5ice1 & ! o!r twelve ,apo/les 7 only obscurely connect$ ) h] religi\s life1 :i* 0 /rong & or?odox1 b untr\bl$ by metaphysical en?usiasms & inconv5i5t h]esies4 ,padua1 on ! o!r h&1 0 absorb$ 9 que/ions ( le>n+ & religion4 ,a univ]sity _h be5 e/abli%$ "h = two c5turies4 ,! ab/ract /udy ( ! antique 0 c>ri$ on ) f]v\r1 & ! memory ( ,livy ?rew a lu/re ov] ! city :i* _h nev] q di$ out4 ,x seem$ p]fectly "r & respectable to ! ,v5etians t ! savants1 ly+ safely remov$ f ! busy /ream ( comm]cial life1 %\ld cultivate inquiries into !ology & ! classics1 :i* w\ld only h be5 a h9drance to _! own practical bus9ess2 b su*1 z x 0 well kn[n1 7 ( absorb+ int]e/ 9 ! circles :i* ga!r$ r\nd ! ,m$ici 9 ,flor5ce4 ,! s*ool ( art1 :i* 0 n[ aris+ 9 ,padua1 0 f$ f su* s\rces z ^!4 ,! love ( ! antique 0 becom+ a fa%ion & a guid+ pr9ciple1 & influ5c$ ! art ( pa9t+ m =mally ?an x c\ld succe$ 9 do+ among ! indep5d5t & orig9al ,flor5t9es4 ,francesco ,squ>cione1 ?\gh1 z ,vas>i says1 he may n h be5 ! be/ ( pa9t]s1 has left "w 7n[ at ,b]l97 :i* is accept$ z g5u9e & :i* %[s t he 0 m ?an ! m]e organis] he is sometimes call$4 ,he _h travell$ 9 ,greece1 & 0 app>5tly a deal]1 supply+ ! dem& = classic fragm5ts1 :i* 0 becom+ widespread4 ,:5 he f\nd$ 8 s*ool 9 ,padua he evid5tly 0 its lead+ _s & a p[]ful arti/ic influ5ce4 ,8 pupils1 ev5 ! greate/1 7 long 9 break+ away f 8 conv5tion1 & few ( !m ?rew x (f entirely1 ev5 9 aft] life4 ,t conv5tion 0 c>ri$ ) undeviat+ ?or\ghness into e detail4 ,drap]ies are arrang$ 9 /atuesque folds1 design$ to display e turn ( ! =m b5ea?2 ! figures are m\ld$ ) all ! precision & limitations ( /atu>y4 ,! v l&scape becomes sculpturesque1 & rocks ( a volcanic "* are con/ruct$ ) ! regul>ity ( masonry4 ,! col\r & te*nique are equally uncompromis+1 & ! surface becomes a beautiful enamel1 unyield+1 def9ite 9 its l9es1 lacqu]-l 9 its firmness ( f9i%1 :ile ! ,go?ic =ms1 :i* _h hi!rto be5 s preval5t1 7 replac$ by m or less p$antic adaptations f ,roman bas-reliefs4 ,?is sy/em ( design 0 practis$ mo/ det]m9$ly 9 ,padua itself1 b x soon spread to ,v5ice4 ,squ>cione himself 0 employ$ !re aft] #addj1 & ?\gh ,antonio da ,murano clung to ! old ar*aic /yle he saw ! ,paduan mann] invad+ 8 k+dom1 & 8 own bro!r became /rongly ,squ>cionesque4 ,! two bro!rs ( ,murano come mo/ closely toge!r 9 an alt>piece 9 ! gall]y ( ,bologna1 :]e ! framework is m simple ?an ,alemanus's ,g]man ta/e w\ld h p]mitt$1 & ! ,madonna & ,*ild h "s natural ease1 & ! delicacy ( feel+ ( primitive art4 ,b>tolommeo1 :5 he breaks away & sets out to pa9t by himself1 is crude & /rong1 b full ( vital =ce4 ,9 8 alt>piece ( #adfd1 9 ! ,academy1 he gives 8 sa9ts reality by tak+ !m (f _! p$e/als & mak+ !m /& ^u ! gr\nd1 & ?\gh !y are /ill isolat$ f "o ano!r 9 ! p>titions ( an ancona1 _! sp>kl+ eyes1 individual features1 & curly be>ds give !m a look ( life4 ,! drap]ies1 ?9 & cl++1 ) little ruck$ folds1 :i* display ! =ms1 & ! draw+ ( ! bony /ructure1 exagg]at$ 9 ! arms & legs1 are ,squ>cionesque4 ,! rocks & /ones1 too1 %[ ! ,paduan conv5tion4 ,9 sev]al ( 8 o!r alt>pieces1 ,b>tolommeo introduces ri* ornam5ts & swags ( fruit1 su* z ,donatello _h fir/ br\ght to ,padua1 or :i* ,paduan arti/s delight$ to copy f classic columns4 ,antonio's mann] to ! end is ! local ,v5etian mann]1 infus$ z x 0 ) ! s(t & *>m+ influ5ce ( ,g5tile da ,fabriano & ,pisanello1 b ,b>tolommeo adopts ! new & m ambiti\s /yle4 ,?\gh n a v good pa9t]1 & incl9$ to be puffy & %apeless 9 8 fle% =ms1 he 0 ! head ( a cr[d ( arti/s1 & works ( 8 s*ool1 sign$ ,opus factum1 w5t all ov] ,italy1 & are f\nd z f> s\? z ,b>i4 ,works ( 8 pupils are num]\s2 ! ,/4 ,m>k en?ron$ 9 ! ,fr>i is z good if n bett] ?an ! ma/]'s own "w1 & ! tripty* 9 ! ,corr] ,museum is a free imitation4 ,r\nd ?is e>ly s*ool ga!r$ su* pa9t]s z ,antonio da ,negroponte & ,quirizio da ,murano1 :o 7 bo? work+ 9 #adej4 ,negroponte has left an en?ron$ ,madonna 9 ,s4 ,francesco della ,vigna1 :i* is "o ( ! mo/ beautiful examples ( col\r & ( ! fanciful *>m ( ! ,r5aissance t ! e>ly art ( ,v5ice has to %[4 ,! ,"m & ,*ild are plac$ 9 a m>ble %r9e1 adorn$ ) antique reliefs1 ri* wrea?s ( fruit swag above h] head1 a little ,go?ic loggia is full ( fl[]s & fruit1 & birds are p]*$ on cornucopias4 ,on ei!r side1 f\r badly drawn little angels1 ) ugly faces & awkw>dly =e%ort5$ =ms1 =e%ad[ ! beautiful1 music-mak+ angels :i* became su* a feature ( ,nor? ,italian art4 ,! ,div9e ,"m1 ador+ ! ,*ild ly+ across h] knees1 has an exquisite1 p5sive face1 conceiv$ ) all ! delicacy & simplicity ( e>ly art4 ,x seems q possible1 z ,pr(essor ,leonello ,v5turi sugge/s1 t we h "h ! e>ly ma/] ( ,crivelli1 9 :om we f9d ! love ( fruit g>l&s1 ( *a9s ( beads & ri* brocades c>ri$ to its f>!/ limits1 :o takes ke5 pleasure 9 introduc+ ! ugly b lively little angels1 & :o gives ! same p5sive & almo/ m9c+ expression to 8 ,madonnas4 ,,pr9cipal ,,works ,antonio da ,murano & ,b>tolommeo ,viv>9i4 ,bologna4 ,alt>piece4 ,b>tolommeo ,viv>9i4 ,v5ice4 ,academy3 ,alt>piece1 #adfd2 ,two ,sa9ts4 ,fr>i3 ,madonna & f\r ,sa9ts4 ,s4 ,giovanni 9 ,bragora3 ,madonna & two ,sa9ts4 ,s4 ,m>ia ,=mosa3 ,tripty*4 ,london4 ,madonna & ,sa9ts4 ,vi5na4 ,s4 ,ambrose & ,sa9ts4 ,antonio da ,negroponte4 ,v5ice4 ,s4 ,francesco della ,vigna3 ,alt>piece4 ,,*apt] ,,vi ,,jacopo ,,bell9i ,:ile ,v5ice 0 assimilat+ ! _s ( ! s*ool ( ,squ>cione1 :i* 9 ! next few ye>s 0 to be r5d]$ fam\s by ,mantegna1 ano!r influ5ce 0 ass]t+ itself1 :i* 0 suffici5t to c\nt]act ! h>d =malism ( ,paduan me?ods4 ,:5 ,g5tile da ,fabriano left ,v5ice1 he c>ri$ ) him1 & pres5tly e/abli%$ ) him 9 ,flor5ce1 a "y man1 ,jacopo ,bell9i1 :o _h already be5 work+ ) him & ,pisanello1 & :o 0 an ard5t disciple ( ! new naturali/ic & humani/ movem5t4 ,bo? ,g5tile & 8 appr5tice 7 subject$ to annoyance f ! "t !y arriv$ 9 ,flor5ce1 :]e ! /rict regulations :i* gov]n$ ! ,guilds made x v difficult = any newcom] to practise 8 art4 ,! records ( a police case report t on ! #aa? ( ,june #adbc "s "y m51 among !m1 "o1 ,b]nabo di ,san ,silve/ri1 ! son ( a not>y1 7 obs]v$ ?r[+ /ones into ! pa9t]'s room4 ,8 assi/ant1 ,jacopo ,bell9i1 came out & drove ! assailants away ) bl[s1 b ,b]nabo1 accus+ ,jacopo ( assault1 ! latt] 0 committ$ to prison 9 default ( paym5t4 ,aft] six mon?s' imprisonm5t1 a compromise ( ! f9e & a p5it5tial decl>ation set him at lib]ty4 ,! acc\nts decl>e t ,g5tile took no /eps to be ( s]vice to 8 foll[]2 b ,jacopo soon aft] m>ri$ a girl f ,pes>o1 & 8 fir/ son 0 *ri/5$ aft] 8 old ma/]1 :i* does n look z ?\gh !y 7 on unfri5dly t]ms4 ,jacopo travell$ 9 ! ,romagna1 & 0 mu* e/eem$ by ! ,e/es ( ,f]r>a1 b he 0 back 9 ,v5ice 9 #adcj4 ,he has left u only ?ree sign$ works1 & "o or two m h lately be5 attribut$ to him1 b !y give v little idea ( :at an important ma/] he 04 ,illu/ration3 ,jacopo ,bell9i4 ,,agony ,,9 ,,g>d5--,,draw+4 ,briti% ,museum4 7,photo1 ,&]son47 ,8 ,madonna 9 ! ,academy has a r\nd1 simple type ( face1 & 9 ! ,l\vre ,madonna1 :i* is attribut$ b n sign$1 x is easy to recognise ! same ar*$ eyebr[s & half-%ut1 curv$ eyelids4 ,9 ?is picture1 :]e ! ,madonna blesses ! kneel+ ,leonello d' ,e/e1 we see h[ ,pisanello act$ on ,jacopo &1 ?r\gh him1 on ,v5etian art4 ,! connection betwe5 ! two ma/]s has be5 e/abli%$ 9 a v int]e/+ way by ,pr(essor ,antonio ,v5turi's discov]y ( a sonnet1 writt5 9 #adda1 :i* rec\nts h[ !y pa9t$ rival portraits ( ,leonello1 & h[ ,bell9i made s lively a lik5ess t he 0 adjudg$ ! fir/ place4 ,! l&scape 9 ! ,l\vre picture is advanc$ 9 treatm5t1 & ) its gild$ m\nta9-tops1 its /ag & its t[n ^u ! hill-side1 is full ( rem9isc5ces ( ,pisanello1 especially ( ! ,/4 ,george 9 ,s4 ,ana/asia4 ,we come ^u su* traces1 too1 9 ,jacopo's draw+s1 & x is by 8 two sket*-books t we c be/ judge ( 8 greatness4 ,"o ( ^! is 9 ! ,briti% ,museum2 ! o!r1 9 ! ,l\vre1 0 discov]$ n _m ye>s ago 9 ! gran>y ( a ca/le 9 ,guy5ne4 ,^! draw+s reveal ,jacopo z "o ( ! greate/ ma/]s ( 8 day4 ,he is l>g]1 simpl]1 & m natural ?an ,pisanello1 & he app>5tly c>es less = ! human figure ?an = elaborate backgr\nds & surr\nd+s4 ,_m ( 8 designs we %all ref] to aga9 :5 we come to speak ( 8 two sons4 ,8 ,supp] ( ,h]od rem9ds u ( ,masol9o's fresco at ,ca/iglione d' ,olona4 ,he sket*es designs = numb]s ( religi\s sc5es1 treat$ 9 an orig9al & int]e/+ mann]4 ,a ,crucifixion has b&s ( soldi]s rang$ on ei!r side1 an ,adoration ( ! ,magi has a /r+ ( camels com+ d[n ! hill1 ! execution]s 9 a ,sc\rg+ we> ,ea/]n head-dresses4 ,9 a sket* = a ,baptism ( ,*ri/ tall angels hold ! g>m5ts 9 ! e>ly traditional way2 on "o side two play ! lute & ! viol91 :ile ! two on ! o!r side h a trumpet & an organ4 ,he has sket*es = ! ,asc5sion1 ,resurrection1 ,circumcision1 & ,entombm5t1 repeat$ ov] & ov] aga9 ) v>iations1 & "o ( ,s4 ,b]n>d9o prea*+ 9 ,v5ice 7:]e he 0 9 #adbg74 ,jacopo delights ev5 m 9 fanciful & my?ological ?an 9 sacr$ subjects4 ,a t\rnam5t ) spectators1 a ,faun rid+ a lion1 a ,triumph ( ,bac*us ) pan!rs1 are among su* essays4 ,! fauns pipe1 ! w9e-god be>s a vase ( fruit4 ,8 love ( animals is equal to t ( ,pisanello1 & ,s4 ,hub]t & ! /ag ) ! crucifix betwe5 its horns is directly rem9isc5t ( ! ,v]onese4 ,8 horses1 ( :i* !re are imm5se numb]s1 sometimes look z if copi$ f anci5t bas-reliefs4 ,8 treatm5t ( s+le nude figures is (t5 poor & weak en\gh1 & 8 rocks h ! flat-topp$1 geological =mation ( ! ,paduan ,s*ool1 b no "o :o s drank 9 e description ( lively sc5e ab\t him c\ld h be5 9 any dang] ( becom+ a m]e ar*eological type1 & x 0 f ?is pitfall t he rescu$ ,mantegna4 ,to judge by 8 draw+s1 ,jacopo did n ov]look any s\rce ( art op5 to him2 he delights 9 ! ri* rese>* ( ! ,paduans z mu* z 9 ! v>ieties ( wild nature & all ! incid5ts ( contempor>y life fir/ annex$ by ,pisanello4 ,he is (t5 v l ,g5tile da ,fabriano1 he makes raids into ,uccello's doma9s ( p]spective1 he is frankly mundane & draws a revel ( satyrs & c5taurs ) a real int]pretation ( ! lyrical & pagan _s ( ! ,greeks1 & he has an idealism ( ! s\l1 :i* f\nd its full expression 9 8 son1 ,giovanni4 ,we _c call ,jacopo ,bell9i ! f\nd] ( ! ,v5etian ,s*ool1 = its mak+s exi/$ already1 b x 0 8 influ5ce on 8 sons :i*1 above all1 0 acc\ntable = ! developm5t ( e>ly excell5ce4 ,8 long1 fl[+ l9es h a sweep & a fanciful grace :i* =m an absolute antidote to ! def9ite1 geometrical ,paduan conv5tion4 ,9 ,jacopo we see ! ?or\gh assimilation ( ^? =eign elem5ts :i* 7 9 sympa?y ) ! ,v5etian atmosph]e1 & :ile up to n[ ,v5ice _h only imbib$ influ5ces1 %e 0 soon to create = h]self an arti/ic milieu & to become ! lead] ( ! movem5t ( pa9t+ 9 ! nor? ( ,italy4 ,,pr9cipal ,,works ,jacopo ,bell9i4 ,brescia4 ,annunciation & ,pr$elle4 ,v]ona4 ,*ri/ on ,cross4 ,v5ice4 ,academy3 ,madonna4 ,museo ,corr]3 ,crucifixion4 ,london4 ,briti% ,museum3 ,sket*-book4 ,p>is4 ,madonna & ,leonello d' ,e/e3 ,sket*-book4 ,,*apt] ,,vii ,,c>lo ,,crivelli ,we mu/ turn aside f ! ma9 /ream :5 we come to speak ( ,c>lo ,crivelli1 :o1 important ma/] z he 01 occupies a place by himself4 ,a pupil ( ! ,viv>9i & p]haps1 z we h not$1 ( ,antonio ,negroponte1 ,crivelli 0 pr(\ndly influ5c$ by ! ,paduans1 f :om he le>n$ t metallic1 f9i%$ quality ( pa9t :i* he c>ri$ to p]fection4 ,crivelli %[s intellect1 individuality1 ev5 g5ius1 9 ! way 9 :i* he grapples ) 8 m$ium & produces 8 own read+1 & ! circum/ances ( 8 life 7 su* z to ?r[ him 9 ^u himself & to pres]ve 8 orig9ality4 ,8 little e>ly ,madonna & ,*ild at ,v]ona is l9k$ ) t ( ,negroponte by ! elaborate fe/oons1 /r+s ( beads1 & l>ge-patt]n$ brocades us$ 9 ! surr\nd+s1 & has ^? ugly1 =e%ort5$ little putti1 hold+ ! in/rum5ts ( ! ,passion1 ( ! type elaborat$ by ,squ>cione & ,m>co ,zoppo1 & :i*1 9 _! improv$ /ate1 we are accu/om$ to ?9k ( z ,mantegnesque4 ,:5 ,crivelli 0 ?irty-eight ye>s old1 he 0 condemn$ to six mon?s' imprisonm5t & to a f9e ( two hundr$ lire = an outrage on a neighb\r's wife4 ,p]haps x 0 to escape f an un5viable reputation t he left ,v5ice soon aft] & set up pa9t+ 9 ! ,m>*es1 :]e he liv$ f #adfh to #adgc4 ,he !n w5t on to ,cam]9o 9 ,umbria1 :]e 8 great tripty*1 n[ 9 ! ,br]a1 0 pa9t$1 & a few ye>s lat] he 0 9 ,ascoli1 ) a commission = an ,annunciation 9 ! ,ca!dral4 ,?is is ! picture n[ 9 ! ,national ,gall]y1 9 :i* ! ,bi%op holds a model ( ! ,duomo4 ,aft] #adij he work$ 9 little t[ns 9 ! ,m>*es1 & is n m5tion$ aft] #adic4 ,he does n seem ev] to h come back to ,v5ice4 ,%ut up 9 ! ,m>*es1 :]e !re 0 little /rong local tal5t1 & :]e he c\ld n keep up ) ! progress t 0 tak+ place 9 ,v5ice1 he 0 oblig$ himself to supply ! arti/ic movem5t4 ,he kept ! ,squ>cionesque traditions to ! end1 b m\ld$ !m by 8 own love ( ri* & exub]ant decoration4 ,moreov]1 he 0 ( a v int5se religi\s bias1 & ?is f9ds a deeply t\*+ & my/ical expression1 m especially 9 8 ,piets4 ,! love ( gild$ patt]ns & fanciful detail 0 deep-seat$ 9 all ! ,umbrian c\ntry4 ,8 alt>pieces 7 int5d$ z sumptu\s additions to ri* *ur*es1 & 7 consequ5tly arrang$1 ) _m divisions1 9 ! old ,muranese mann]4 ,8 great ancona1 9 ! ,national ,gall]y1 is a m>vel ( elaborate ornam5t & enamel-l pa9t+4 ,! ,madonna is delicate1 almo/ affect$ 9 h] ref9em5t4 ,h] long f+]s hold ! ,*ild's g>m5t ) ! extreme ( da9ty precision1 ! crozi]s & r+s ( ! sa9ts & bi%ops are emboss$ ) gold & real jewels4 ,! fl[]s 9 ! panel ( ,! ,immaculate ,conception1 :i* hangs beside x1 are twi/$ into heads ( my?ological bea/s & grotesques or *]ubs2 b ,crivelli has pl5ty ( /r5g?1 & 8 male sa9ts h vigor\s1 bony limbs & fi]ce fanatical eyes4 ,x is1 h[ev]1 9 8 col\r t he *>ms u mo/1 & ?\gh he does n t\* ! real f\nt1 he is ( all ! e>li] s*ool ! mo/ rem>kable = subtle t5d] tones & lovely h>monies ( olive-gre5s & fad$ rose & cream emboss$ ) gold4 ,crivelli cont9u$ execut+ "o great ancona aft] ano!r1 limit+ 8 progress to p]fect+ 8 te*nique1 & 8 influ5ce 0 mo/ deeply felt by su* ,umbrian pa9t]s z ,lor5zo di ,san ,sev]9o & ,niccola ,alunno4 ,! hon\rs paid him te/ify to ! reputation he acquir$4 ,he 0 creat$ a knight & pres5t$ ) a gold5 laurel wrea?4 ,b ?\gh he nev]1 t we c he> (1 revisit$ 8 native ,/ate1 he always adds ,v5etus to ! signature on 8 pa9t+s1 a fact :i* tells u t f> f ,v5ice & 9 prov9cial di/ricts1 h] pre/ige 0 felt & gave 8 "w an enhanc$ comm]cial value4 ,he _h no aft]-influ5ce ^u ! ,v5etian ,s*ool1 & 9 ?is respect is int]e/+ z an example ( ! t5acity ex]cis$ by ! ,squ>cionesque me?ods1 :51 un*eck$ by any c\nt]-attraction1 !y came to act ^u a v diff]5t temp]am5t2 = 9 8 love ( grace & beauty & ( ri* effects1 & especially 9 8 int5sity ( my/ic feel+1 ,crivelli is a true ,v5etian & has no natural aff9ity ) ! classic _s ( ! ,paduans4 ,,pr9cipal ,,works ,v5ice4 ,,ss4 ,j]ome & ,augu/9e4 ,ascoli4 ,duomo3 ,alt>piece & ,piet4 ,b]l94 ,madonna & six ,sa9ts4 ,london4 ,piet2 ,! ,bless$ ,f]retti2 ,madonna & ,sa9ts2 ,annunciation2 ,ancona 9 ?irte5 comp>tm5ts2 ,! ,immaculate ,conception4 ,mr4 ,b5son3 ,madonna4 ,sir ,francis ,cook3 ,madonna en?ron$4 ,mond ,collection3 ,,ss4 ,pet] & ,paul4 ,"l ,nor?brook3 ,madonna2 ,resurrection2 ,sa9ts2 ,crucifixion2 ,madonna2 ,madonna & ,sa9ts4 ,milan4 ,br]a3 ,,ss4 ,james1 ,b]n>d9o1 & ,pellegr9o2 ,,ss4 ,an?ony ,abbot1 ,j]ome1 & ,&rew4 ,poldi-,pezzoli3 ,s4 ,francis 9 ,adoration4 ,rome4 ,vatican3 ,piet4 ,,*apt] ,,viii ,,g5tile ,,bell9i ,,& ,,antonello ,,da ,,mess9a ,:at1 !n1 is ! position :i* art has a*iev$ 9 ,v5ice a decade aft] ! middle ( ! f\rte5? c5tury1 & h[ does %e comp>e ) ! ,flor5t9e ,s*ool8 ,! ,flor5t9es1 ,fra ,angelico1 ,&rea del ,ca/agno1 & ,pesell9o 7 lately dead4 ,antonio ,pollaiuolo 0 9 8 prime1 ,fra ,lippo 0 fifty-f\r1 ,paolo ,uccello 0 sixty-?ree4 ,b ?\gh ! progress 9 ! nor? _h be5 sl[]1 art bo? 9 ,padua & ,v5ice 0 n[ 9 vigor\s progress4 ,b>tolommeo ,viv>9i 0 /ill pa9t+ & ga!r+ r\nd him a num]\s b& ( foll[]s2 ,mantegna 0 ?irty1 _h j complet$ ! frescoes 9 ! ,eremitani ,*apel & ! fam\s alt>piece 9 ,s4 ,z5o2 & ,g5tile & ,giovanni ,bell9i 7 two & f\r ye>s 8 s5iors4 ,francesco ,negro1 writ+ 9 ! e>ly ye>s ( ! sixte5? c5tury1 speaks ( ,g5tile z ! eld] son ( ,jacopo ,bell9i4 ,giovanni is ?\ght to h be5 an illegitimate son1 z ,jacopo's wid[ only m5tions ,g5tile & ano!r son1 ,niccolo1 9 h] w4 ,!re is e reason to believe t1 z 0 natural1 ! two bro!rs 7 ! pupils & assi/ants ( _! fa!r4 ,a ,madonna 9 ! ,mond ,collection1 ! e>lie/ kn[n ( ,g5tile's works1 %[s him imitat+ 8 fa!r's /yle2 b :5 8 si/]1 ,niccolosia1 m>ri$ ,mantegna 9 #adec1 x is n surpris+ to f9d him foll[+ ,mantegna's me?ods = a "t1 & a fresco ( ,/4 ,m>k 9 ! ,scuola di ,san ,m>co1 an important commission :i* he receiv$ 9 #adff1 is tak5 direct f ,mantegna's fresco at ,padua4 ,z ! ,bell9i matur$1 !y ab&on$ ! ,squ>cionesque tradition & evolv$ a /yle ( _! own2 ,g5tile z mu* z 8 ev5 m fam\s bro!r4 ,g5tile is ! fir/ *ronicl] ( ! m5 & mann]s ( 8 "t4 ,9 #adfj he settl$ 9 ,v5ice1 & 0 appo9t$ to pa9t ! organ doors 9 ,/4 ,m>k's4 ,^! l>ge sa9ts1 especially ! ,/4 ,m>k1 /ill recall ! ,paduan p]iod4 ,!y h fe/oons ( grapes & apples hung f ! ar*itectural ornam5ts1 & ! ca/ ( drap]y1 %[+ ! =m b5ea?1 rem9ds u ( ,mantegna's figures4 ,b ,g5tile soon becomes an illu/rator & portrait pa9t]4 ,mu* ( 8 "w 0 done 9 ! ,scuola ( ,/4 ,m>k1 :]e 8 fa!r _h pa9t$1 & ?is 0 de/roy$ by fire 9 #adhe4 ,e>ly1 too1 is ! f9e au/]e portrait ( ,lor5zo ,giu/9iani1 9 ! ,academy4 ,9 #adgi an emiss>y f ! ,sultan ,mehemet arriv$ 9 ,v5ice & reque/$ ! ,signoria to recomm5d a good pa9t] & a man clev] at portraits4 ,g5tile 0 *os51 & dep>t$ 9 ,septemb] = ,con/ant9ople4 ,he pa9t$ _m subjects = ! private ap>tm5ts ( ! ,sultan1 z well z ! fam\s portrait n[ 9 ! possession ( ,lady ,lay>d4 ,x w\ld be difficult = a hi/oric portrait to %[ m insight into "*4 ,! face is cold1 we>y1 & s5sual1 ) all ! ov]-ref9$ look ( an old race & a long civilisation1 & has a melan*oly note 9 its di/ant & satiat$ gaze4 ,! ,sultan %[$ ,g5tile e m>k ( fav\r1 load$ him ) pres5ts1 & be/[$ on him ! title ( ,bey4 ,he return$ home 9 #adic1 br++ ) him _m sket*es ( ,ea/]n p]sonages & ! picture1 n[ 9 ! ,l\vre1 repres5t+ ! reception ( a ,v5etian ,embassy by ! ,gr& ,vizi]4 ,"s five ye>s be=e ,g5tile's commission to ,con/ant9ople ,antonello da ,mess9a _h arriv$ 9 ,v5ice1 & ! spread & popul>isation ( oil-pa9t+ _h ha/5$ ! ca/+ (f ( outworn ecclesia/ical me?ods & br\ght ! pa9t]s ne>] to ! tru? ( life4 ,antonello did n actually introduce oils to ! notice ( ,v5etian pa9t]s1 = ,b>tolommeo ,viv>9i 0 already us+ !m 9 #adgc1 b he 0 well kn[n by reputation be=e he arriv$1 & hav+ probably come into contact ) ,flemi% pa9t]s 9 ,naples1 he _h _h bett] opportunities ( seiz+ ^u ! new te*nique1 & 0 able to e/abli% x bo? 9 ,milan & 9 ,v5ice4 ,a l>ge numb] ( ,v5etians 7 at ?is "t resid5t 9 ,mess9a3 ! families ( ,lomb>do1 ,grad5igo1 ,cont>9i1 ,bembo1 ,moros9i1 & ,fosc>9i 7 among ^? :o _h memb]s settl$ !re4 ,_m ( ^! 7 patrons ( art1 & probably pav$ ! way to ,antonello's reception 9 ,v5ice4 ,at fir/ all ! traits ( ,antonello's e>ly "w are ,flemi%3 ! full mantles1 :ite l95 caps & tuck]s1 ! /raight %>p folds & long w+s ( ! angels h mu* ( ,van ,eyck1 b :5 he gets to ,v5ice 9 #adge1 its col\r & life fasc9ate him1 & a great *ange comes ov] 8 "w4 ,8 portraits %[ t he grasp$ a new int5sity ( life1 & let u into ! "* ( ! m5 he saw ar\nd him4 ,8 ,condotti]e1 9 ! ,l\vre1 decl>es ! arti/'s recognition ( t trucul5t & =midable be+1 full ( ari/ocratic disda91 ! product ( a d>+1 unscrupul\s life4 ,! ,portrait ( a ,humani/1 9 ! ,ca/ello 9 ,milan1 is classic 9 its deepe/ s5se2 & 9 ! ,trivulzio ,college at ,milan an old] man looks at u out ( sly1 expressive eyes1 ) *>act]i/ic eyebr[s & k9dly1 half-cynical m\?4 ,x 0 n wond]ful t ^! portraits1 comb9$ ) ! new m$ium1 work$ ^u ,g5tile's imag9ation & det]m9$ 8 b5t4 ,! fir/ examples ( great canvases1 illu/rat+ & celebrat+ _! own pageants1 mu/ h mightily pleas$ ! ,v5etians4 ,sc5es 9 ! /yle ( ! reception ( ! ,v5etian ambassadors 7 call$ = on all h&s1 & :5 ! excell5ce ( ,g5tile's portraits 0 recognis$1 he became ! model = all ,v5ice4 ,:5 8 own & 8 fa!r's & bro!r's pa9t+s p]i%$ by fire 9 #adhe1 he (f]$ to replace !m quick] ?an 0 humanly possible & at a v l[ price4 ,giovanni1 :o _h be5 engag$ on ! ext]nal decorations1 0 ill at ! "t1 b ! ,signoria 0 s pleas$ ) ! (f] t x 0 decid$ to let no "o t\* ! "w till ! two bro!rs 7 able to f9i% x4 ,g5tile /ill pa9t$ religi\s alt>pieces ) ! ,virg9 & ,*ild en?ron$ ) sa9ts1 b mo/ ( 8 "t 0 devot$ to ! production ( 8 great canvases4 ,"s ( ^! h disappe>$1 b ! ,procession & ,miracle ( ! ,cross1 commission$ by ! s*ool ( ,s4 ,giovanni ,evangeli/a1 are n[ 9 ! ,academy1 & ! ?ird canvas1 execut$ = ! same s*ool1 ,/4 ,m>k prea*+ at ,alex&ria1 :i* 0 unf9i%$ at ! "t ( 8 dea?1 & 0 complet$ by 8 bro!r1 is 9 ! ,br]a4 ,illu/ration3 ,g5tile ,bell9i4 ,,procession ,,( ,,! ,,holy ,,cross4 ,v5ice4 7,photo1 ,&]son47 ,^! great compositions ( cr[ds br+ back = u ! ,v5ice ( ,g5tile's day z no v]bal description c d4 ,!re is no especial ri*ness ( col\r2 ! light is t ( broad day 9 ! ,piazza & among ! lum9\s wat]ways ( ! city4 ,we c see ! sc5e any day n[ 9 ! wide squ>e1 mak+ all[ance = ! diff]5ce ( co/ume4 ,! gr\ps are set ab\t 9 ! ample space1 ) ! wond]ful ca!dral z a backgr\nd4 ,/4 ,m>k's has be5 pa9t$ hundr$s ( times1 b no "o has ev] giv5 su* a good idea ( x z ,g5tile--( its /atel9ess & beauty1 ( its weal? ( detail2 & he does s )\t detract+ f ! g5]al effect1 = ,/4 ,m>k's1 ?\gh ! keynote ( ! :ole composition1 is kept subs]vi5t1 & is "p ( ! /age on :i* ! sc5e is enact$4 ,! procession passes along1 c>ry+ ! relics1 att5d$ by ! waxlights & ! bann]s4 ,beh9d ! reliqu>y kneels ! m]*ant1 ,jacopo ,sal1 petition+ = ! recov]y ( 8 w\nd$ son4 ,!n come ! musicians2 ! spectators cr[d r\nd1 !y /ra9 =w>d to see ! *ief "p ( ! cortge1 z a cr[d naturally does4 ,"s wat* ) rev]5ce1 o!rs smile or h a neglig5t air4 ,! faces ( ! c&le-be>]s are v l ^? we may see to-day 9 a great ,*ur* procession3 "s absorb$ 9 _! task1 or uplift$ by inn] ?\ghts2 o!rs look+ curi\sly & sceptically at ! cr[d4 ,g5tile tries 9 8 cr[ds to br+ toge!r all ! types ( life 9 ,v5ice1 all ! (ficials & ! ecclesia/ical _w1 ! "y & old4 ,) a few /rokes he creates ! individual & also ! type2--! c>eless rov]2 ! responsible magi/rate2 ! %rewd1 practical man ( bus9ess2 ! "y m51 full ( _! own plans1 b paus+ to look on at "o ( ! great religi\s sights ( _! city4 ,9 ! ,f9d+ ( ! ,cross he produces ! effect ( ! :ole city en fte4 ,x 0 a sight :i* (t5 met 8 eyes4 ,! ,doge made no few] ?an ?irty-six processions annually to v>i\s *ur*es ( ! city1 & on f\rte5 ( ^! occasions he 0 accompani$ by ! :ole ( ! nobles dress$ 9 _! ,/ate robes4 ,e ev5t ( importance 0 seiz$ on by ! ,v5etian ladies z an opportunity = array+ !mselves 9 ! ri*e/ attire1 clo? ( gold & velvet1 plumes & jewels4 ,g5tile has mass$ ! ladies ( ,que5 ,ca!r9e ,corn>o's ,c\rt ar\nd _! ,que5 ^u ! left side ( ! canal4 ,! light f above /reams ^u ! keep] ( ! ,s*ool1 :o holds ! sacr$ relic on high4 ,all r\nd are ! old1 irregul> ,v5etian h\ses1 & 9 ! cr[d he pa9ts ! v>iety ( m5 he saw ar\nd him e day 9 ,v5ice4 ,yet ev5 9 ?is animat$ sc5e he reta9s 8 old quattroc5to calm4 ,! gr\ps are decor\sly assi/+3 only "h & !re he is drawn (f to "s small detail ( reality1 su* z an o>sman dext]\sly turn+ 8 boat1 or ! maid lett+ ! negro s]vant pass out to take a head] into ! canal4 ,! spectators look on coolly at "o m ( ! (t-se51 miracul\s ev5ts4 ,! committee1 kneel+ at ! side1 is a r[ ( un=gettable portraits1 grave1 b5ign1 s\r1 & au/]e1 ) bald head or fl[+ hair4 ,9 ?is composition he triumphs ov] all difficulties ( p]spective2 our eye foll[s ! canals1 & ! boats pass away "u ! bridge 9 atmosph]ic light4 ,all ! joy ( ,v5ice is 9 t play ( light on broad brick surfaces1 light :i* is ca/ up f ! wat] & dances & %imm]s on ! m>ble faades4 ,g5tile made 8 w 9 #aejb1 z well z o!rs 9 #aeje & #aejf4 ,he left ^w t he 0 to be buri$ 9 ,,ss4 ,giovanni e ,paolo1 & begg$ 8 bro!r ,giovanni to f9i% ! "w 9 ! ,scuola1 9 return = :i* he is to receive _! fa!r's sket*-book4 ,! unf9i%$ piece is ! ,/4 ,m>k prea*+ at ,alex&ria1 & x %[s ,g5tile /ill develop+ 8 capacity z a pa9t]4 ,x is pale 9 col\r b brilliant 9 sunlight4 ,! mass ( :ite giv5 by ! head-dresses ( ! ,turki% wom5 is clev]ly subdu$ s z n to detract f ! effect ( ! sunlight4 ,! ?rong$ effect ( ! great squ>e is /udi$ ) m ?an 8 usual c>e1 & ! faces h all ! old individuality4 ,! =emo/ figures 9 ! cr[d h a col\r & ri*ness :i* we may attribute to ,giovanni's h&4 ,g5tile 0 always fully employ$1 & ! detail$ pa9t+s ( functions became v popul>2 b he 0 a f> less mod]n pa9t] ?an 8 bro!r1 &1 9 fact1 !y repres5t two di/9ct arti/ic g5]ations1 ?\gh ,g5tile's "w 0 s mu* ! mo/ elaborate &1 z ! quattroc5to w\ld h ?\ght1 ! mo/ ambiti\s4 ,g5tile is ess5tially ! hi/oric pa9t]1 yet 8 is a grave1 s9c]e art1 & he has an un]r+ in/9ct = ! "r incid5ts to include4 ,he cuts out all unseemly trivialities1 8 actors are /]n1 p[]ful m51 ! treatm5t is hi/oric & contempor>y1 b n gossipy4 ,we realise ! look ( ! ,v5ice ( 8 day1 9 all its tide ( human nature1 b we also feel t he nev] =got t he 0 *ronicl+ ! do+s ( a city ( /rong m51 & t he mu/ pa9t !m1 ev5 9 _! h\rs ( relaxation & emotion1 s z to convey ! real dignity & p[] :i* und]lay all ! ev5ts ( ! ,republic4 ,we ga!r f 8 w & t ( 8 wife t !y _h no *ildr51 :i* p]haps makes ! m natural ! affectionate t]ms ^u :i* he rema9$ all ?r\gh 8 life ) 8 bro!r4 ,_! arti/ic sympa?ies mu/ h diff]$ widely4 ,g5tile's love = hi/orical rese>*1 = co/ume & = pageants1 f\nd no e*o 9 ! deep] idealism ( ,giovanni--inde$1 8 (f] ( ! fam\s sket*-book1 z an inducem5t to ! latt] to f9i% 8 la/ great "w1 seems to h9t t x 0 an ex]cise out ( 8 bro!r's l9e2 b he knew t ,giovanni 0 a great pa9t]1 & did n tru/ x1 z we might h expect$1 to 8 assi/ants1 ,giovanni ,mansueti & ,girolamo da ,santacroce4 ,,pr9cipal ,,works ,g5tile ,bell9i4 ,london4 ,s4 ,pet] ,m>tyr2 ,portrait4 ,milan4 ,br]a3 ,prea*+ ( ,/4 ,m>k4 ,v5ice4 ,doge ,lor5zo ,giu/9iani2 ,miracle ( ,true ,cross2 ,procession ( ,true ,cross2 ,heal+ by ,true ,cross4 ,lady ,lay>d4 ,portrait ( ,sultan4 ,antonello da ,mess9a4 ,antw]p4 ,crucifixion1 #adge4 ,b]l94 ,?ree ,portraits4 ,london4 ,! ,savi\r1 #adfe2 ,portrait2 ,crucifixion1 #adgg4 ,mess9a4 ,madonna & ,sa9ts1 #adgc4 ,p>is4 ,condotti]e4 ,milan4 ,portrait ( a ,humani/4 ,v5ice4 ,academy3 ,ecce ,homo4 ,vic5za4 ,*ri/ at ! ,column4 ,,*apt] ,,ix ,,alvise ,,viv>9i ,contempor>y ) ,giovanni ,bell9i 7 arti/s /ill firmly atta*$ to ! pa/1 :o 7 f> f suspect+ t he 0 to out/rip !m4 ,"o ( ,antonio de ,murano's sons1 ,luigi or ,alvise ,viv>9i1 grew up to foll[ 8 fa!r's pr(ession1 & 0 enroll$ 9 ! s*ool ( 8 uncle1 ,b>tolommeo4 ,! latt] be+ an en?usia/ic foll[] ( ,squ>cione1 ,alvise 0 at fir/ tra9$ 9 ,paduan pr9ciples4 ,jacopo ,bell9i's ef=ts _h done some?+ to c\nt]act ! h>d1 /atuesque ,paduan mann]1 & _h r5d]$ ,mantegna's art m human & less /ony1 b ,jacopo c\ld n prev5t ,squ>cionesque pa9t]s f import+ into ,v5ice ! /yle :i* he dislik$ s mu*4 ,b>tolommeo ?rew 9 8 lot ) ! ,paduans1 & 8 s*ool1 especially :5 re9=c$ by ,alvise1 ma9ta9$ its reputation z long z x only _h to compete ) local tal5t4 ,! ,viv>9is _h n[ be5 firmly e/abli%$ 9 ,v5ice = two g5]ations1 & 7 ! be/-kn[n & mo/ popul> ( h] pa9t]s4 ,alb]t ,dr]1 on 8 fir/ visit1 admir$ !m m ?an ! ,bell9i4 ,:51 h[ev]1 ,g5tile & 8 bro!r set up 9 ,v5ice1 a hot rivalry arose betwe5 !m & ! old ,muranese ,s*ool4 ,! ,bell9i _h come ) _! fa!r f ,padua1 ) all its new & sci5tific fa%ions4 ,!y _h all ! pre/ige ( relation%ip ) ,mantegna1 & !y %>$ ! patronage ( 8 p[]ful employ]s4 ,! /rik+ hi/orical compositions ( ,g5tile 7 at once 9 dem& by ! great confrat]nities4 ,b>tolommeo _h nev] be5 v successful 9 8 deal+ ) oil-pa9t+1 ?\gh he _h dabbl$ 9 x = "s ye>s be=e ,antonello da ,mess9a came 8 way1 b ! p]ception ) :i* ! ,bell9i at once grasp$ ! new te*nique gave !m ! victory4 ,we h only to comp>e ! =mless cont\rs ( mu* ( ,b>tolommeo ,viv>9i's "w1 ! bladd]-l fle%-pa9t+ ( ! ,holy ,*ild1 ) ! cle> lum9\s col\r & firm delicate t\* ( ,g5tile1 to see t ! "o man is leagues ahead ( ! o!r4 ,alvise ,viv>9i _h m natural aff9ity ) 8 fa!r ?an ) 8 uncle4 ,he nev] becomes s exagg]at$ 9 8 =ms z ,b>tolommeo4 ,! expression ( 8 faces is mu* deep] & m inw>d1 & he has some?+ ( ! devotional sweetness ( e>ly art4 ,8 fir/ kn[n "w is an ancona ( #adge at ,montefior5t9o1 9 a lonely ,franciscan mona/]y on ! spurs ( ! ,ap5n9es4 ,9 ! c5tre ( ! five panels ! ,madonna sits ) h] h&s press$ palm to palm1 9 adoration ( ! ,*ild asleep across h] knees4 ,! pa9t] "h foll[s ! tradition ( 8 fa!r & uncle1 especially 9 ! ,bologna alt>piece1 9 :i* !y collaborat$ 9 #adej4 ,f\r sa9ts /& on ei!r side1 fram$ 9 ,go?ic panels2 x is all 9 ! old way1 & x is only by degrees t we see !re is m sweetness 9 ! expression1 bett] modell+ 9 ! figures1 & a sl5d]]1 m graceful outl9e ?an ! e>li] ancon c %[4 ,only five ye>s aft] ?is ancona at ,montefior5t9o1 ) its /iff r[s ( isolat$ sa9ts1 we h ! alt>piece 9 ! ,academy ( #adhj1 :i* 0 pa9t$ = a *ur* 9 ,treviso1 & "h a great *ange is imm$iately app>5t4 ,! antiquat$ division into panels has disappe>$1 no?+ is left ( ! artificial1 ,squ>cionesque decorations1 ! attitudes are simple1 & ! sc5e is a unit$ "o4 ,! ,madonna's out/ret*$ h&1 ! sugge/ion ( ,ecce ,agnus ,dei1 makes an appeal :i* draws ! att5tion ( all ! sa9ts to "o po9t1 & x is made pla9 t ! "o idea p]vades ! entire assembly4 ,! curta91 :i* symbolises ! sanctu>y1 /ill hangs beh9d ! ?rone1 b ! gold backgr\nd is ab&on$4 ,alvise has n inde$1 z yet1 imag9$ any l&scape or con/ruct$ an int]ior1 b he light5s ! effect by two ar*$ w9d[s :i* let 9 ! sky4 ,! =ms are *>act]i/ic ( 8 idea ( draw+ ! human figure2 !y h ! long ?ighs ) ! knees l[ d[n1 :i* we are accu/om$ to f9d1 & he con/ructs a v f9e & %>ply contra/$ s*eme ( light & %ade4 ,!re is no trace ( ! /atuesque ,paduan drap]ies4 ,! ,virg9's brocad$ mantle is simply drap$1 & ! robes ( ! sa9ts hang 9 long /raight folds4 ,no d\bt ,alvise1 ?\gh nom9ally ! rival ( ! ,bell9i1 has m aff9ity ) !m1 p>ticul>ly ) ,giovanni1 ?an ) ! ,paduan arti/s1 & z "t goes on x is evid5t t he pa9ts ) _m glances at :at !y 7 do+4 ,9 ! alt>piece 9 ,b]l9 he con/ructs an elaborate cupola above ! ,virg91 su* z ,bell9i 0 already us+4 ,8 sa9ts are full ( movem5t4 ,9 ! end he beg9s to attitud9ise & to display ^? artificial graces :i* 7 pres5tly acc5tuat$ by ,lotto4 ,illu/ration3 ,alvise ,viv>9i4 ,,alt>piece ,,( #adhj4 ,v5ice4 7,photo1 ,&]son47 ,9 #adhh ! two ,bell9i _h = "s "t be5 employ$ 9 ! ,sala del ,gran ,consiglio by ! ,c\ncil ( ,t54 ,alvise1 ) 8 busy s*ool1 _h hop$1 b hi!rto 9 va91 to be invit$ to ent] into competition ) !m4 ,at l5g? he wrote ! foll[+ lett]3-- ,,to ,,! ,,mo/ ,,s]5e ,,! ,,pr9ce ,,& ,,! ,,mo/ ,,excell5t ,,signoria--,i am ,alvise ( ,murano1 a fai?ful s]vant ( y\r ,s]5ity & ( ?is mo/ illu/ri\s ,/ate4 ,i h long be5 anxi\s to ex]cise my skill be=e y\r ,sublimity & prove t cont9u$ /udy & lab\r on my "p h n be5 useless4 ,!re=e (f]1 z a humble subject1 9 hon\r & praise ( t celebrat$ city1 to devote myself1 )\t return ( paym5t or rew>d1 to ! duty ( produc+ a canvas 9 ! ,sala del ,gran ,consiio1 accord+ to ! me?od at pres5t 9 use by ! two bro!rs ,bell9ii1 & ,i ask no m = ! said canvas ?an t ,i %\ld be all[$ ! exp5ses ( ! clo? & col\rs z well z ! wages ( ! j\rneym51 9 ! mann] t has be5 grant$ to ! said ,bell9ii4 ,:5 ,i h done ,i %all leave to y\r ,s]5ity ( 8 goodness to give me 9 8 wisdom ! price :i* %all be adjudg$ to be j1 hone/1 & appropriate1 9 return = ! lab\r1 :i* ,i %all be enabl$1 ,i tru/1 to cont9ue to ! univ]sal satisfaction ( y\r ,s]5ity & ( all ! excell5t ,gov]nm5t1 to ! grace ( :i* ,i mo/ he>tily comm5d myself4 ,! me?od at pres5t 9 use 0 presumably ! oil-pa9t+ e/abli%$ by ,antonello1 :i* 0 n[ be+ made use ( to replace ! decorations 9 fresco & temp]a :i* ,gu>i5to1 ,pisanello1 & ,g5tile da ,fabriano _h execut$1 & :i* 7 con/antly decay+ & suff]+ f ! sea air & ! dampness ( ! climate4 ,! ,c\ncil accept$ ,alvise's (f] ) little delay1 & he 0 told to pa9t a picture = a space hi!rto occupi$ by "o ( ,pisanello's1 & 0 giv5 a sal>y ( sixty ducats a ye>1 some?+ less ?an t drawn by ,giovanni ,bell9i4 ,un=tunately 8 "w1 sc5es f ! hi/ory ( ,b>b>ossa1 p]i%$ 9 ! great fire ( #aegg4 ,v5ice is ri* 9 works :i* %[ u :at sort ( pa9t] 0 at ! head ( ! ,muranese ,s*ool at ! "t :5 x rivall$ t ( ! ,bell9i4 ,alvise has two read+ sa9ts on ei!r side ( ! alt>piece ( #adhj1 & ( ^! ! ,bapti/ is "o ( 8 be/ figures1 admirably expressive ( t5sion & ( brood+ ?\ght4 ,x is l>ge & free 9 /roke1 & p>ticul>ly advanc$ 9 ! treatm5t ( ! foliage4 ,close by hangs a "*-/udy ( ,/4 ,cl>e2 type ( a /r5u\s1 fanatical old woman1 "o :i* belongs n only to ! p]iod1 b w be recognis$ by e /ud5t ( human nature4 ,=midable & ev5 cruel is h] unfl9*+ gaze2 %e is su* a figure z might h /ood = ,scott's ,prioress1 & looks z little likely to %[ m]cy to an err+ memb] ( h] ord]4 ,9 contra/1 !re is ! exquisite little ,madonna & ,*ild ) ! two baby angels1 /ill %[n z a ,bell9i 9 ! sacri/y ( ! ,*ur* ( ! ,r$5tore4 ,x is ! mo/ absolutely simple & direct picture ( ! k9d pa9t$ 9 ,v5ice4 ,! baby life is m p]fect ?an any?+ t ,gian4 ,bell9i produc$1 & if mu* less intellectual ?an 8 ,madonnas1 !re is all ! t5d] *>m ( ! primitives1 comb9$ ) a fre$om ( drap]y & a s(tness ( =m :i* c\ld n be surpass$4 ,! two little angels are m mundane 9 _s ?an ^? ( ! s*ool ( ,bell9i2 !y h no?+ ( ! my/ical quality1 ?\gh we are rem9d$ ( ,bell9i1 & ! pa9t+ is an ex]cise 9 8 mann]4 ,9 ! sacri/y ( ,san ,giobbe is an e>ly ,annunciation1 :i* is n[ def9itely assign$ to ,alvise4 ,x has ! old t5d] s5tim5t1 & ! c>nations ( its drap]ies are ( a lovely t9t4 ,! prie/s ( ,s4 ,giovanni 9 ,bragora 7 great patrons ( ! s*ool ( ! ,viv>9i1 = "h1 besides sev]al works by ,b>tolommeo & 8 assi/ants1 is a little ,madonna 9 a side *apel1 :i* may be comp>$ ) ! ,r$5tore picture4 ,! ,"m sits inside a room1 ) ! ,*ild ly+ across h] knees 9 ! same pose4 ,! two ar*$ op5+s 9 ! backgr\nd ( ! #adhj alt>piece h become w9d[s1 ?r\gh :i* we look out on a *>m+ l&scape ( lake & m\nta94 ,9 ! same *ur* a ,resurrection is n to be ov]look$4 ,x 0 execut$ 9 #adih1 & "s ( ! grace & beauty ( ! sixte5? c5tury has crept into x4 ,aga9/ ! p9k flu% ( dawn /&s ! sway+ figure ( ! ris5 ,*ri/1 & bel[ appe> ! heads ( ! two gu>ds1 look+ up1 surpris$ & joyful4 ,x is p]haps ! v e>lie/ example ( t s(t & s5su\s feel+1 t rhapsody ( s5sation :i* 0 pres5tly to sweep l a flood ov] ! art ( ,v5ice4 ,:at a "t mu/ ! dawn ( ! sixte5? c5tury h be5 :5 a man ( sev5ty1 & n ! mo/ vigor\s & advanc$ ( 8 age1 _h ! fre%ness & y\?ful c\rage to greet x2 nay1 actually to depict its magic & glam\r z ,alvise does 9 ! ',resurrection'6 ,giorgione is "h anticipat$ 9 ! r\ndness & s(tness ( ! figures1 & 9 ! effect ( light4 ,titian's ,assunta is =e%ad[$ 9 ! f]v\r ( ! gu>ds' expressions4 ,alvise1 if he nev] ?or\ghly ma/]$ ! /ructure ( ! nude1 & if 8 =ms keep ?r\gh\t "s t\* ( ! ar*aic1 "s awkw>dness 9 ! ?ickness ( ! figures1 ) _! r\nd heads1 long ?ighs1 & unc]ta9 proportions1 is yet extraord9>ily ref9$ & t5d] 9 s5tim5t1 8 l9e has a natural fl[ & beauty1 & ! heads ( 8 ,madonnas & sa9ts _c be surpass$ 9 lovel9ess4 ,8 dea? came :5 ! noble alt>piece to ,/4 ,ambrogio 9 ! ,fr>i 0 /ill unf9i%$1 & x 0 complet$ by 8 assi/ant1 ,m>co ,basaiti4 ,! execution is heavy & probably ( ,basaiti1 b ! v5]able doctor is a gr& figure1 & ! two "y soldi] sa9ts on 8 "r & left h& are /rik+ examples ( ! beauty we claim = him4 ,! ar*itectural plan is v elaborate1 b altoge!r successful4 ,! gr\p is set b5ea? an ar*$ vault support$ by columns & cornices4 ,ov]head1 beh9d a balu/rade1 is plac$ a coronation ( ! ,virg94 ,! _m figures are gr\p$ s z n to int]f]e ) ea* o!r1 & ! sword ( ,/4 ,george1 ! crozi] ( ,/4 ,gregory1 & ! crook ( ,/4 ,ambrose break up ! composition & give l5g? & l9e4 ,! faces ( ! sa9ts are extremely beautiful1 & ! two angels mak+ music bel[ comp>e well ) ^? ( ! ,bell9esque ,s*ool4 ,! portraits ,alvise has left add to 8 reputation1 & rem9d u ( ^? ( ,antonello da ,mess9a1 p>ticul>ly 9 ! vital expression ( ! eyes1 ?\gh !y are )\t ,antonello's int5se =ce4 ,! ,b]n>do di ,salla & ! ,man fe$+ a ,hawk1 ?\gh "s critics /ill ascribe !m to ,savoldo1 h features :i* make _! attribution to ,alvise almo/ c]ta9ly correct4 ,inde$1 ! resemblance ( ,b]n>do to ! ,madonna 9 ! #adhj alt>piece _c escape ! mo/ unsci5tific obs]v]4 ,!re is ! same inflat$ no/ril1 ! peculi>ly curv$ m\?1 & vivaci\s eyes4 ,among ! foll[]s ( ,alvise1 ,m>co ,basaiti1 ,b>tolommeo ,montagna1 & ,lor5zo ,lotto are ! mo/ di/+ui%$4 ,o!rs less direct are ,giovanni ,buonconsiglio & ,francesco ,bonsignori1 :ile ,cima da ,conegliano 0 = a %ort "t 8 greate/ pupil4 ,we %all return to ^! lat]4 ,,pr9cipal ,,works ,b]l94 ,madonna en?ron$1 ) six ,sa9ts4 ,london4 ,portrait ( ,y\?4 ,milan4 ,bonomi-,c]$a ,collection3 ,portrait ( a ,man4 ,naples4 ,madonna ) ,,ss4 ,francis & ,b]n>d9o4 ,p>is4 ,portrait ( ,b]n>do di ,salla4 ,v5ice4 ,academy3 ,sev5 panels ( s+le ,sa9ts2 ,madonna & six ,sa9ts1 #adhj4 ,fr>i3 ,s4 ,ambrose en?ron$4 ,s4 ,giovanni 9 ,bragora3 ,madonna ador+ ,*ild2 ,resurrection & ,pr$elle4 ,r$5tore3 ,sacri/y3 ,madonna & ,*ild1 ) ,angels4 ,vi5na4 ,madonna4 ,w9dsor4 ,man fe$+ a ,hawk4 ,,*apt] ,x ,,c>paccio ,vittore ,c>paccio 0 ,g5tile ,bell9i's mo/ fai?ful pupil4 ,he & 8 ma/] /& ap>t 9 hav+1 be=e ! arrival ( ! ,v5etian ,s*ool prop]1 captur$ an aspect & a *>m inspir$ by ! natural beauty ( ! ,city ( ! ,sea4 ,g5tile1 z we h se51 pa9ts h] hi/oric appe>ance1 & ,c>paccio gives u some?+ ( ! delight we feel to-day 9 h] transluc5t wat]s & h] ample1 sea-wa%$ spaces flood$ ) limpid light4 ,:ile o!rs 7 absorb$ 9 assimilat+ extrane\s influ5ces1 he goes on 8 own way1 pa9t+1 inde$1 ! sc5es t 7 ask$ =1 b pa9t+ !m 9 8 own mann] & ) 8 own enjoym5t4 ,pageant-pictures _h be5 ! dem& ( ! ,v5etian ,/ate f v e>ly days4 ,! fir/ use ( pa9t+ _h be5 t made by ! ,*ur* to glorify religion1 & v soon ! ,/ate _h foll[$1 us+ x to enhance ! love :i* ,v5etians bore to _! city1 & to br+ home to !m ! consci\sness ( its greatness & glory4 ,pageants & processions 7 an integral "p ( ,v5etian life4 ,! p look$ on at !m1 (t5 z !y occurr$1 ) m pride & s5se ( proprietor%ip ?an a ,london] does at a coronation procession or at ! ,k+ go+ 9 /ate to op5 ,p>liam5t4 ,! ,v5etian lov$ spl5d\r & beauty & ! /ory ( ! city's great a*ievem5ts1 & no?+ provid$ s welcome a subject = ! decoration ( ! great public halls z portrayals ( ! ev5ts :i* _h made ,v5ice fam\s4 ,arti/s _h be5 employ$ to produce ^! z e>ly z ! end ( ! f\rte5? c5tury1 & ^? ( ! ,bell9i & ,alvise ,viv>9i 7:i* p]i%$ 9 ! great fire7 7 a r5d]+ on mod]n l9es ( ! same subjects1 satisfy+ ! m advanc$ feel+ = tru? & beauty4 ,besides ! ,*ur* & ! public ,gov]nm5t1 we h already se5 ! ,s*ools1 z !y 7 call$1 becom+ important employ]s4 ,^! s*ools 7 ! great organis$ confrat]nities 9 ! cause ( *>ity & mutual help1 :i* sprang up 9 ,v5ice 9 ! fifte5? c5tury4 ,t ( ,/4 ,m>k 0 naturally ! =emo/1 b o!rs 7 b&$ ea* "u _! patron sa9t4 ,ea* attract$ numb]s ( ri* patrons1 = x 0 ! fa%ion to belong to ! confrat]nities4 ,ri*es & end[m5ts roll$ 91 & halls = meet+ & = transact+ bus9ess 7 built1 & 7 adorn$ ) pictures sett+ =? ! leg5ds ( _! patron sa9ts4 ,we h already se5 ,g5tile ,bell9i employ$ 9 ! s*ools ( ,san ,m>co & ,san ,giovanni1 & n[ ! s*ools ( ,/4 ,ursula & ,/4 ,george gave commissions to ,c>paccio1 or p]haps x w\ld be m correct to say t ,g5tile1 hav+ become pre-em95t 9 ?is art1 provid$ employm5t = 8 pupil & assi/ant1 & t by degrees ,c>paccio became a mae/ro on 8 own acc\nt4 ,a ho/ ( second-rate pa9t]s 7 ply+ side by side1 disciples fir/ ( "o ma/]1 !n drawn (f to become foll[]s ( a second2 assimilat+ ! influ5ce fir/ ( "o work%op & !n ( ano!r4 ,c>paccio has be5 lately id5tifi$ z a pupil ( ,lazz>o ,ba/iani1 :o _h a s*ool 9 ,v5ice1 & ! rec5t attribution to ?is pa9t] ( ! ,doge be=e ! ,madonna1 9 ! ,national ,gall]y1 gives "s c\nt5ance to ! cont5tion t he 0 held to be ( great excell5ce 9 8 "t4 ,?\gh "s hi/orians advance ! sugge/ion t ,c>paccio 0 a native ( ,capo d',i/ria1 !re is little pro( t he 0 n1 l 8 fa!r ,pietro1 born a ,v5etian4 ,he seems to h work$ 9 ,v5ice all 8 life1 8 fir/ "w be+ dat$ #adij & 8 la/ #aebj4 ,9 #aebg 8 wife1 ,laura1 decl>$ h]self a wid[4 ,! n>rative art ne$$ by ! confrat]nities 0 suppli$ 9 p]fection by ,c>paccio1 & "o ( 8 e>lie/ indep5d5t commissions 0 ! important "o ( decorat+ ! ,s*ool ( ,/4 ,ursula4 ,devotion to ,/4 ,ursula 0 a monopoly ( ! s*ool4 ,no "o else _h a "r to collect (f]+s 9 h] "n or to put up an image to h]4 ,! leg5d af=d$ an opportunity = pa9t+ v>i$ & dramatic sc5es1 ( :i* ,c>paccio takes full advantage1 & ! cycle is "o ( ! fre%e/ & mo/ *>act]i/ic ?+s t has come d[n to u f ! quattroc5to4 ,problems are n conspicu\s4 ,! m$iocre ma/]s :o h educat$ ! pa9t] h made little impression on him4 ,he is entirely occupi$ 9 delight 9 8 subject & 9 tell+ 8 /ory4 ,! /ory ( ,/4 ,ursula1 told briefly1 is t %e 0 ! daught] ( ! ,k+ ( ,brittany4 ,! ,k+ ( ,engl& s5ds 8 ambassadors to beg h] h& = 8 son1 ,h]eo4 ,ursula discusses ! proposal ) h] fa!r1 & makes ! conditions t ,h]eo1 :o is a hea!n1 %all be baptiz$1 & t ! betro!d c\ple mu/ be=e m>riage visit ! ,pope & ! sacr$ %r9es4 ,aft] tak+ leave ( _! p>5ts1 ! ,pr9ce & ,pr9cess dep>t on _! exp$ition1 b ,ursula has _h a vision 9 h] sleep 9 :i* an angel has ann\nc$ h] m>tyrdom4 ,%e is accompani$ on h] j\rney by #aa1jjj virg9s1 & !y are receiv$ by ,pope ,cyriacus 9 ,rome4 ,! ,pope !n makes ! return j\rney ) !m z f> z ,cologne1 :]e1 h[ev]1 !y are assault$ & massacr$ by ! ,huns1 aft] :i* ,ursula is accord$ a spl5did fun]al1 & is canonis$4 ,! ?irte5 sc5es 9 :i* ! /ory is told are arrang$ on n9e canvases1 & ! pa9t] has n execut$ !m 9 ! *ronological ord]1 "s ( ! late/ ev5ts be+ ! lea/ complete 9 arti/ic skill4 ,pr(essor ,leonello ,v5turi assigns ! foll[+ dates to ! li/3 #a4 ,! ambassadors ( ! ,k+ ( ,engl& meet ^? ( ! ,k+ ( ,brittany to ask = ! h& ( ,ursula4 ,probably pa9t$ f #adif-ih4 #b4 7,on same canvas7 ,ursula discusses ! proposal ) h] fa!r4 #adif-ih4 #c4 ,! ,k+ ( ,brittany dismisses ! ambassadors4 #adif-ih4 #d4 ,! ambassadors return to ! ,k+ ( ,engl&4 #adif-ih4 #e4 ,an angel appe>s to ,ursula 9 h] sleep4 #adib4 #f1 #g1 #h4 ,! betro!d c\ple take leave ( _! respective p>5ts1 & ! ,pr9ce meets ,ursula4 #adie4 #i4 ,! betro!d c\ple & ! #aa1jjj virg9s meet ! ,pope4 #adib4 #aj4 ,!y arrive at ,cologne4 #adij4 #aa1 #ab4 ,! massacre by ! ,huns4 ,! ,fun]al4 #adie4 #ac4 ,! sa9t appe>s 9 glory1 ) ! palm ( m>tyrdom1 v5]at$ by ! #aa1jjj virg9s & receiv$ 9 heav5 by ! ,et]nal ,fa!r4 #adia4 ,no4 #aj is a small canvas1 su* z might naturally h be5 *os5 = a fir/ exp]im5t4 ,! heads are l>ge ) co>se features1 & ! proportions ( ! figures are poor4 ,! face ( ! sa9t 9 glory 7,no4 #ac71 plump & )\t mu* expression1 is ( ! type ( ,ba/iani's sa9ts4 ,x may be assum$ t su* a great s*eme ( decoration w\ld n h be5 entru/$ to any "o :o 0 n already well kn[n z an indep5d5t ma/]1 b p]haps ,c>paccio1 :o w\ld h be5 ab\t ?irty :5 ! "w 0 begun1 0 /ill pr9cipally engross$ ) ! conv5tional1 ecclesia/ical subject4 ,! heads ( ! virg9s press+ r\nd ! sa9t appe> to be portraits1 & 7 v possibly ^? ( ! wives & daught]s ( memb]s ( ! confrat]nity4 ,! improvem5t t takes place is s rapid t we c guess h[ cong5ial ! pa9t] f\nd ! task & h[ quickly he adapt$ 8 already tra9$ tal5t4 ,9 ,no4 #e he takes delight 9 ! opportunity = pa9t+ a little dome/ic sc5e1--! b$room ( a "y ,v5etian girl1 p]haps a si/] ( 8 own4 ,! com=table b$1 ! da9ty furniture1 are c>efully drawn4 ,! cle> morn+ light /reams into ! room4 ,! sa9t lies peacefully asleep1 h] h& "u h] head1 h] long eyela%es re/+ ^u h] *eek3 ! :ole is an idyll1 full ( insight into girli% life4 ,! t9y slipp]s made1 no d\bt1 "o ( ! details t caught 8 eye4 ,! cr[n ly+ on ! l$ge ( ! b$ is an arbitr>y introduction1 z naf z ! angel4 ,9 ! fun]al sc5e ! lum9\s light is diffus$ ov] all1 ! "y sa9t lies ^u h] bi] & is foll[$ by prie/ & deacon1 ! cr[d is compos$ ) tru? to nature1 ! drap]ies & g>m5ts are br\ght into h>mony ) ! sky & backgr\nd1 & 9 all ^? t foll[ we f9d ?is quality ( light4 ,! l&scape beh9d ! massacre has ga9$ 9 natural "*1 ! city is at "s di/ance1 h\ses & *ur*es are half buri$ 9 woods2 ! sett+ is mu* m natural ?an are ! qua9t & elegant pages :o occupy x1 & :o are draw+ _! crossb[s & attack+ ! m>tyrs ) leisurely non*alance4 ,! panel 9 :i* ! betro!d c\ple meet %[s a great advance1 & ?is & ! succe$+ ones ( ! ambassadors1 :i* 7 pa9t$ betwe5 #adie & #adih1 mu/ h cr[n$ ,c>paccio's reputation4 ,he pa9ts ,v5ice 9 its mo/ fasc9at+ aspect2 ! enamell$ beauty ( its m>bles1 its sky & sea1 its palaces & %ips1 ! ri* & picturesque dresses m5 wore 9 ! /reets1 ! b>ge gl[+ ) ri* velvets4 ,he ev9ces a fairy-tale _s :i* we may comp>e ) ! "w ( ,p9toric*io4 ,8 ,pr9ce1 kneel+ 9 a :ite & gold dress1 ) long fair curls1 is a real fairy pr9ce2 ,ursula1 9 h] r$ dress & puff$ sleeves1 h] rippl+1 flax5 hair & /r+s ( pe>ls1 is a pr9cess ( /ory4 ,c>paccio's art is simple & g>rul\s 9 feel+1 8 conception is z unpassionate z ! fancies ( a *ild1 b he has a true love = ^! gay cr[ds2 ,v5ice go+ ^u h] gallant way--h] solid1 wor?y citiz5s1 m5 ( sub/ance1 %rewd & valuable1 tak+ _! pleasure s]i\sly ) a s5se ( responsibility4 ,!y ?rong ! /reets & cross ov] ! bridges1 e figure is full ( fre$om & vitality4 ,! arrival & dismissal ( ! ambassadors are ! be/ ( all ! sc5es4 ,9 ! middle ( ! great /age ,k+ ,maurus ( ,brittany sits ^u a ,v5etian t]race4 ,9 ! colonnade to ! left is ga!r$ a gr\p ( ,v5etian p]sonages1 memb]s ( ! ,lor$ano family1 :i* 0 a special patron ( ,/4 ,ursula's ,guild1 & gave ?is panel4 ,! types are all vividly realis$ & diff]5tiat$3 ! c\rti] look+ critically at ! arrivals2 ! frankly curi\s b\rgeoisie2 ! man ( fa%ion pass+ ) 8 nose 9 ! air1 disda9+ to />e too closely2 ! fop ) 8 dogs & _! dw>f keep]4 ,f> beyond /ret* ! lagoons2 ! sea & air ( ,v5ice cle> & fre%4 ,:at is noticeable ev5 n[ 9 an ,italian cr[d1 ! abs5ce ( wom51 0 !n mo/ true to life1 = except on special occasions !y 7 n se5 9 ! /reets1 b 7 kept 9 almo/ ,ori5tal seclusion4 ,! dismissal ( ! ambassadors af=ds ! opportunity = draw+ an int]ior ) ! /reet visible ?r\gh a doorway4 ,a gr\p at ! side1 ( a man dictat+ a lett] & ! scribe tak+ d[n 8 words1 writ+ labori\sly1 ) 8 %\ld]s hun*$ & 8 head on "o side1 is excell5t 9 its quiet reality4 ,! same life-l vivacity is display$ 9 ,ursula's consultation ) h] fa!r4 ,! old nurse cr\*$ ^u ! /eps is introduc$ to break ! l9e & to ?r[ back ! ma9 gr\p4 ,c>paccio has already us$ su* a figure 9 ! fun]al sc5e1 & ,titian himself adopts 8 sugge/ion4 ,illu/ration3 ,c>paccio4 ,,arrival ,,( ,,! ,,ambassadors4 ,v5ice4 7,photo1 ,&]son47 ,c>paccio is n a v great pa9t]1 b a *>m+ "o4 ,8 treatm5t ( light & wat]1 ( di/ant hills & trees1 %[s a s5se ( peace & poetry1 & ?\gh he is influ5c$ by ,g5tile's spl5did reali/ic heads1 ! type :i* appeals to him is g5tl] & m idealis$4 ,8 fancy is caught by ,ori5tal details1 to :i* ,g5tile w\ld naturally h direct$ 8 att5tion1 & ( :i* !re 0 no lack 9 ,v5ice at ?is "t4 ,all 8 episodes are v cle>ly illu/rat$1 & 8 popul> bru% 0 kept busily employ$4 ,he took a %>e ) o!r assi/ants 9 ! s]ies :i* ,g5tile 0 pa9t+ 9 ,s4 ,giovanni ,evangeli/a4 ,9 #aejb ! ,dalmatians inhabit+ ,v5ice resolv$ to decorate _! s*ool1 :i* _h be5 f\nd$ fifty ye>s e>li]1 = ! relief ( de/itute ,dalmatian seam5 9 ,v5ice4 ,! subjects 7 to be select$ f ! lives ( ! ,savi\r & ! patron sa9ts ( ,dalmatia & ,albania1 ,/4 ,j]ome1 ,/4 ,george ( ! ,sclavonians1 & ,/4 ,tryphonius4 ,! n9e panels & an alt>piece :i* ,c>paccio deliv]$ betwe5 #aejb & #aejh /ill adorn ! small b dignifi$ ,hall ( ! s*ool4 ,8 ,j]ome 9 8 ,/udy has no?+ ascetic1 b %[s a prosp]\s ,v5etian ecclesia/ic seat$ 9 8 well-furni%$ libr>y among 8 books & writ+s4 ,he is less successful 9 8 sc5es f ! life ( ,*ri/2 ! ,ge?semane is an obvi\s imitation ( ,mantegna2 b :5 he leaves 8 own /yle he is weak & poor1 & imag9>y sc5es are q beyond him4 ,9 ! dea? & int]m5t ( ,/4 ,j]ome he gives a delightful impression ( ! peace ( ! old conv5t g>d51 & 9 ! sc5e :]e ! lion introduc$ by ! sa9t scatt]s ! t]rifi$ monks he lets a s5se ( hum\r h free play4 ,! monks 9 _! long g>m5ts1 escap+ 9 all directions1 are really comical1 & 9 conjunction ) ! +ratiat+ smile ( ! lion1 ! sc5e passes into ! region ( broad f>ce4 ,we div9e ! same s5se ( ! comic 9 ! sc5e 9 ,/4 ,ursula's hi/ory1 :]e ! #aa1jjj virg9s are hurry+ 9 s+le file along a w9d+ road :i* disappe>s out ( ! picture4 ,9 ! pr9cipal sc5e 9 ! life ( ,/4 ,george1 ,c>paccio aga9 a*ieves a ma/]piece4 ,! =ce & vivacity ( ! sa9t 9 arm\r *>g+ ! dragon1 l+]s long 9 ! memory4 ,! long1 decorative l9es ( lance & w>-horse & dragon ?r[ back ! :ole l&scape4 ,! details %[ an almo/ *ildi% delight 9 ! realisation ( gh\li% horrors4 ,he r injures 8 ,triumph ( ,/4 ,george by 8 anxiety to br+ 9 ! ,temple ( ,solomon at ,j]usalem2 ! fly+ flags di/ract ! eye1 & ! :ole sc5e is "o ( confusion1 brok5 up into diff]5t p>ts1 :ile ! dragon is r$uc$ to v unt]rify+ insignificance4 ,8 s]ies = ! s*ool ( ! ,albanians dealt ) ! life ( ! ,virg91 :o 0 _! special patron4 ,its rema9s are at ,b]gamo1 ,milan1 & 9 ! ,academy4 ,! s+le figures 9 ! ,pres5tation1 ! prie/ & maid51 are excell5t4 ,a *ild at ! side ( ! /eps1 lead+ a unicorn1 emblem ( *a/ity1 %[s once m :at a hold ?is use ( a figure _h tak5 ( him4 ,9 ! ,visitation ! figures are too mu* scatt]$1 & ! fanta/ic build+s attract m att5tion ?an ! wom54 ,he /ill produc$ alt>pieces1 & ! ,pres5tation ( ! ,infant ,*ri/ 9 ! ,temple1 :i* he 0 call$ ^u to pa9t = ,san ,giobbe1 :]e "o ( ,bell9i's mo/ fam\s alt>pieces /ood1 *all5g$ him to put =? all 8 /r5g?4 ,he nev] produc$ any?+ m simple & noble or m wor?y ( ! c9que-c5to ?an ?is alt>piece 7n[ 9 ! ,academy74 ,x surpasses ,bell9i's arrangem5t 9 ! way 9 :i* ! p]sonages are rais$ ^u a /ep1 :ile ! dome ov]head & ! angel musicians bel[ give !m height & dignity4 ,! contra/ betwe5 ! infant & ! y\?ful woman & ! old m5 is purposely m>k$4 ,su* a contra/ betwe5 y\? & age is a v fav\rite "o4 ,bell9i1 9 ! same *ur*1 draws x betwe5 ,,ss4 ,seba/ian & ,job1 & ,alvise ,viv>9i1 9 8 la/ pa9t+1 balances a v y\?ful ,seba/ian ) ,/4 ,j]ome4 ,?is is ! mo/ gr&iose1 ! lea/ ( a g5re picture ( all ,c>paccio's creations1 al?\gh he does make ,simeon into a pontiff ) att5dant c>d9als be>+ 8 tra94 ,"o ( 8 la/ works is ! ,s4 ,vitale ov] ! high alt> ( ! *ur* ( t "n1 :]e we =give ! wood5 appe>ance ( ! horse :i* ! sa9t rides = ! sake ( ! simple dignity ( ! rid] & ! airy effect giv5 by ! balcony ov]head4 ,nor mu/ we =get t /udy ( ! ,two ,c\rtesans 9 ! ,museo ,civico1 full ( ! s>casm ( a deep realism4 ,x conveys to u ! matt]-(-fact monotony ( ! long1 hot days1 & ! wom5 & ! animals ) :i* !y are beguil+ _! idle h\rs are pa9t$ ) ! greate/ intellig5ce4 ,x c>ries u back to ano!r phase ( life 9 ,c>paccio's ,v5ice1 se5 ?r\gh 8 obs]vant1 humor\s eyes1 & if !re is no?+ 9 8 col\r di/9ctive ( ! imp5d+ ,v5etian ri*ness1 x is /ill arre/+ 9 its brilliant limpidity2 x seems drawn /raight f ! transp>5t canals & radiant lagoons4 ,we appreh5d ! diff]5ce at once 9 ,ba/iani & 9 ,mansueti1 :o essay ! same sort ( compositions4 ,!y /udi$ gr\p+ c>efully1 & x mu/ h seem$ easy en\gh to pa9t _! c>eful ar*itecture & to place citiz5s 9 co/ume ) appropriate action 9 a ,miracle ( ! ,cross1 or ! ,prea*+ ( ,/4 ,m>k2 b ^! pictures are dry & cr[d$1 !y give no illusion ( tru?1 !re is none ( ! c>eless realism ( ,c>paccio's cr[ds1--( incid5ts tak+ place :i* are n ess5tial to ! /ory1 &1 z 9 life1 are only half se51 b :i* h _! %>e 9 produc+ a full & v>i$ illusion4 ,! sc5es want ! air & dep? 9 :i* ,c>paccio's pictures are envelop$4 ,we are n /imulat$ & *>m$1 tak5 into ! out] air & refre%$ by ^! heavy p]sonages1 /&+ 9 r[s1 pa9t$ 9 hot1 dry col\r1 & c>ry+ no conviction 9 _! glance & action4 ,,pr9cipal ,,works ,b]l94 ,madonna & ,sa9ts2 ,consecration ( ,/eph54 ,f]r>a4 ,dea? ( ,virg94 ,milan4 ,pres5tation ( ,virg92 ,m>riage ( ,virg92 ,/4 ,/eph5 disput+4 ,p>is4 ,/4 ,/eph5 prea*+4 ,/uttg>t4 ,m>tyrdom ( ,/4 ,/eph54 ,v5ice4 ,academy3 ,! ,hi/ory ( ,/4 ,ursula & ! #aa1jjj ,virg9s2 ,pres5tation 9 ! ,temple4 ,museo ,corr]3 ,visitation2 ,two ,c\rtesans4 ,s4 ,giorgio degli ,s*iavone3 ,hi/ory ( ,,ss4 ,george & ,tryphonius2 ,agony 9 ! ,g>d52 ,*ri/ 9 ! ,h\se ( ! ,ph>isee2 ,hi/ory ( ,/4 ,j]ome4 ,s4 ,vitale3 ,alt>piece to ,s4 ,vitale4 ,lady ,lay>d4 ,dea? ( ! ,virg92 ,/4 ,ursula tak+ leave ( h] ,fa!r4 ,vi5na4 ,*ri/ ador$ by ,angels4 ,,*apt] ,,xi ,,giovanni ,,bell9i ,! diff]5ce betwe5 ,gian4 ,bell9i & 8 accompli%$ bro!r1 t :i* makes u s consci\s t ! fir/ 0 ! great] ( ! two & :i* sets him 9 a lat] arti/ic g5]ation ?an ,g5tile1 is a diff]5ce ( m9d4 ,su* pageant-pictures z we he> t ,giovanni 0 engag$ ^u h all be5 de/roy$4 ,we may suspect t _! composition 0 n p>ticul>ly cong5ial to him1 & t ! /rictly religi\s pictures & ! small allegorical /udies1 by :i* we mu/ judge him1 7 m aft] 8 he>t4 ,x is 8 poetic & ideal feel+ :i* adds s /rongly to 8 claim to be a great arti/2 x 0 ?is :i* drew all m5 to him & enabl$ him s p[]fully to influ5ce ! art ( 8 day 9 ,v5ice4 ,jacopo's wife1 ,anna1 9 a w ( #adbi1 leaves ev]y?+ to h] two sons1 ,g5tile & ,niccolo4 ,giovanni 0 evid5tly n h] son1 b ,vas>i speaks ( him z ! eld] ( ! two1 s t x is v possible t he 0 an illegitimate *ild1 br\ght up1 aft] ! fa%ion t s (t5 obta9$1 9 ! full privileges ( 8 fa!r's h\se4 ,docum5ts %[ t ,jacopo ,bell9i 0 liv+ 9 ,v5ice 9 #adcg1 fir/ ne> ! ,piazza1 & aft]w>ds 9 ! p>i% ( ,san ,lio4 ,he 0 a memb] ( ,s4 ,giovanni ,evangeli/a1 & probably "o ( ! lead+ arti/s ( ! city4 ,8 two sons help$ him 9 8 great decorative works1 & also w5t ) him to ,padua1 :]e he pa9t$ ! ,gattamalata ,*apel4 ,_! relative position is sugge/$ by a docum5t ( #adeg1 :i* records t ! fa!r receiv$ tw5ty-"o ducats = ?ree figures1 done on clo?1 put 9 ! ,great ,hall ( ! ,patri>*1 only two ( :i* 7 to g to ! son4 ,9 #adei ,gian4 ,bell9i's signature fir/ appe>s on a docum5t1 & at ab\t ?is "t we may suppose t he & 8 bro!r began to execute small commissions on _! own acc\nt4 ,on ^! visits to ,padua ! intimacy mu/ h sprung up1 :i* l$ to ,mantegna's m>riage 9 #adec ) ,jacopo's daught]4 ,at ,padua1 too1 ,bell9i1 9 company ) ,mantegna1 drank 9 ! inspiration left !re by ,donatello1 ! greate/ ma/] t ei!r ( !m enc\nt]$4 ,x 0 ! humani/ic & naturali/ic side ( ,donatello :i* t\*$ ,giovanni ,bell9i1 m ?an all 8 classic lore4 ,x *im$ 91 too1 ) 8 fa!r's graceful & fanciful quality1 & !re is no d\bt t ! ,v5etian pa9t]s soon ex]cis$ a m>k$ influ5ce on ,mantegna4 ,!y f\ght = him ) ,squ>cione1 & ev5 9 ! ,eremitani frescoes he beg9s to lose 8 purely /atuesque type & to become frankly ,r5aissance4 ,9 ! lat] sc5es ( ! s]ies a p]gola ) grapes1 a ,v5etian campanile & doorway replace 8 classic t[]s & ar*es ( triumph4 ,9 ! ,m>tyrdom ( ,/4 ,james ! c\ple walk+ by & pay+ no att5tion :atev] to ! tragic ev5t1 are v l ! p :om ,g5tile introduces 9 8 backgr\nds4 ,!re are few docum5ts m int]e/+ 9 ! hi/ory ( art ?an ! two pictures ( ! ,agony 9 ! ,g>d51 execut$ by ! bro!rs-9-law1 ab\t #adee1 f a design by ,jacopo 9 ! ,briti% ,museum sket*-book4 ,jacopo draws ! m\nd-l hill1 ,*ri/ kneel+ be=e ! vision ( ! ,*alice1 ! figures wrapt 9 slumb]1 & ! di/ant t[n4 ,9 few pictures up to ?is "t is ! l&scape conceiv$ 9 su* sympa?y ) ! figures4 ,z we look at ?is sket* & exam9e ! two f9i%$ compositions1 :i* x is s =tunate to f9d 9 juxtaposition 9 ! ,national ,gall]y1 we surmise t ! two arti/s agre$ to c>ry out ! same idea & ea* to give 8 v]sion ( ,jacopo's sugge/ion1 & v curi\s x is to see ! r5d]+ ea* has produc$4 ,mantegna has made use ( ! mo/ =mal & ,squ>cionesque cont\rs 9 8 surr\nd+s4 ,! rocks are ( an unnatural1 geological /ructure4 ,! t[]s ( ,j]usalem are def9$ 9 elaborate p]spective1 & a b& ( classic figures fills ! middle di/ance4 ,! sleep+ =ms ( ! disciples are laid ab\t l s _m drap$ /atues tak5 f _! p$e/als4 ,! *oir ( *ild angels is solid & leaves no?+ to ! imag9ation1 & if x 7 n = ! beautifully conceiv$ ,*ri/1 ! :ole composition w\ld leave u q unmov$4 ,on ! o!r h&1 we c nev] look at ,bell9i's v]sion )\t a fre% ?rill4 ,he1 l ,mantegna1 has foll[$ ,jacopo's s*eme ( w9d+ roads & ! city set on a hill1 & has drawn ! advanc+ b& ( soldi]s2 b1 indep5d5t ( all details1 he gives u ! vision ( a poet4 ,! /ill dawn is break+ ov] ! broadly pa9t$ l&scape1 ! rosy %afts ( light are col\r+ ! sky & ca/+ _! magic ov] e common object1 &1 lonely & absorb$1 ! ,sacr$ ,figure kneels1 wrapt into ! ,heav5ly ,vision1 :i* is h>dly m def9ite ?an a /rong] beam ( light ^u ! radiance4 ,"o ( ! disciples1 at lea/1 is a successful & natural /udy ( a tir$-out man1 ^: head has fall5 back & ^: e limb has relax$ 9 sleep4 ,bell9i is less assur$1 less accompli%$ ?an ,mantegna1 b he is able to t\* u ) ! pa?os ( bo? natural & spiritual feel+4 ,ev5 e>li] ?an ?is picture1 critics place ! ,crucifixion & ,transfiguration ( ! ,museo ,corr] & our own ,salvator ,mundi4 ,9 #addc1 :5 ,giovanni 0 a "y man ( f\r or five & tw5ty1 ,san ,b]n>d9o _h held a great revival at ,padua1 & ! :ole ( ,v5ice _h ?rong$ to he> him4 ,x is v possible1 z ,mr4 ,rog] ,fry sugge/s 9 8 ,life ( ,bell9i1 t ,giovanni's emotional temp]am5t _h be5 work$ ^u by ! prea*]'s eloqu5ce1 & ! v poignant feel+s ( love & pity :i* 8 e>ly art expresses 7 ! delib]ate consequ5ce ( 8 sympa?y ) ! deep religi\s my/]ies exp\nd$4 ,9 ! two pictures 9 ! ,corr]1 ,bell9i is /ill go+ ) ! ,paduan curr5t4 ,9 bo? we h ! w9d+ roads s *>act]i/ic ( 8 fa!r1 b ! rocks 9 ! ,transfiguration h ! jo9t$1 arbitr>y "* ( ,mantegna's & ! drap]ies are pla/]$ to ! =ms b5ea?2 yet ! figures "h h a beauty & a dignity :i* no reproduction seems able to convey4 ,! feel+ is already m impos+ ?an ! execution4 ,*ri/ & ! two prophets t[] up aga9/ ! belt ( cl\ds1 ! c5tral figure convey+ a s5se ( pa!tic isolation2 :ile bel[1 ,/4 ,john's attitude betrays a /ate ( t5sion1 ! feet be+ drawn up & contort$4 ,?is picture prep>es u = ! ov]:elm+ emotion we f9d 9 ! ,r$eem] & ! gr\p ( ,piets4 ,! treatm5t ( ! ,*ri/ 0 a developm5t ( ! e>ly motif ( angels fly+ =w>d on ei!r side ( ! ,cross1 b "h ! sacr$ blood p\r+ into ! *alice is also sacram5tal & connect$ ) ! int5sifi$ religi\s f]v\r :i* _h l$ to ! f\ndation ( ! ,franciscan & ,dom9ican ord]s1 illu/rations ( :i* are met ) 9 ! m9iatures & wood-engrav+s ( fifte5?-c5tury books ( devotion4 ,! accessories1 ! antique reliefs1 ! l[ wall1 ! di/ant build+s1 h an allegorical mean+ und]ly+ ea* "o1 & common to trec5to &1 9 a less degree1 to quattroc5to art4 ,p>adise rega9$ is signifi$ by ! pav$ c\rt ) ! op5 door1 9 contradi/9ction to ! ,hortus ,clausus1 or enclos$ c\rt2 ! type ( ! old cov5ant4 ,9 "o ( ! bas-reliefs ,mucius ,scaevola ?ru/s 8 h& into ! fire1 ! anci5t type ( h]oic read9ess to suff]4 ,! o!r repres5ts a pagan sacrifice1 =e%ad[+ ! sacrifice ^u ! ,cross4 ,figures 9 ! backgr\nd are leav+ a ru9$ temple & mak+ _! way t[>ds ! new ,*ri/ian city1 =tifi$ & cr[n$ ) a *ur* t[]1 & 9 ! mid/ ( all ?is symbolism1 ,*ri/ & ! att5dant angel are plac$1 vibrat+ ) n]v\s feel+4 ,dur+ ! next few ye>s1 ,bell9i devot$ himself to two subjects ( ! highe/ devotional ord]4 ,^! are ! ,madonna & ,*ild1 ! great ex]cise 9 e age = pa9t]s1 & ! ,piet1 :i* he has made peculi>ly 8 own4 ,illu/ration3 ,giovanni ,bell9i4 ,,piet4 ,br]a1 ,milan4 7,photo1 ,brogi47 ,close by1 at ,padua1 ,giotto _h left a r5d]+ ( ! la/ subject1 s full ( passionate sorr[ t x is h>dly possible t x %\ld n1 if only half consci\sly1 h /imulat$ ! arti/ic s5sibilities ( ! mo/ s5sitive ( pa9t]s2 b ,bell9i's pa?os %r9ks f all exagg]ation4 ,he conceives grief ) ! t5d]e/ insight4 ,8 int]e/ 9 ! subject 0 s int5se t he nev] left ! execution to o!rs1 & ?\gh n a s+le "o be>s 8 signature1 yet ea* is entirely by 8 own h&4 ,besides ! ,piet at ,milan1 :i* is p]haps ! be/ kn[n1 !re is "o 9 ! ,corr] ,museum1 ano!r 9 ! ,doge's ,palace1 & yet o!rs at ,rim9i & at ,b]l94 ,! v]sion he adopts1 :i* places ! ,body ( ,*ri/ )9 ! s>cophagus1 0 a fav\rite 9 ,nor? ,italy4 ,donatello uses x 9 a bas-relief 7n[ 9 ! ,victoria & ,alb]t ,museum71 b :e!r he br\ght or f\nd ! sugge/ion 9 ,padua no?+ exi/s to %[4 ,jacopo has left sket*es 9 :i* ! :ole gr\p is )9 ! tomb1 & ?is r5d]+ is foll[$ by ,c>paccio1 ,crivelli1 ,m>co ,zoppo1 & o!rs4 ,x is nev] f\nd 9 trec5to art1 & is probably traceable to ! ,paduan impulse to make use ( classic rema9s4 ,giovanni ,bell9i's ,piets fall into two gr\ps4 ,9 "o1 ! ,*ri/ is plac$ betwe5 ! ,virg9 & ,/4 ,john1 :o are embodim5ts ( ! agony ( b]eavem5t4 ,9 ! o!r1 ! dead ,r$eem] is support$ by angels1 :o express ! amazem5t & grief ( immortal be+s :o see _! ,"l suff]+ an indignity f :i* !y are immune4 ,m>y & ,/4 ,john inside ! s>cophagus %[s t !y are conceiv$ my/ically2 ,m>y z ! ,*ur*1 & ,/4 ,john z ! p]sonification ( ,*ri/ian ,philosophy--a significance frequ5tly atta*$ to ^! figures4 ,su* a picture 0 design$ to hang ov] ! alt>1 at :i* ! my/ical sacrifice ( ! ,mass 0 p]petually (f]$4 ,9 8 treatm5t ( ! ,br]a example ,bell9i has %ak5 (f ! ,paduan tradition1 & is =m+ 8 own /yle & giv+ free play to 8 own feel+4 ,! w9d+ roads & ev5+ sky1 b>r$ ) cl\ds1 are ! accessories he us$ 9 ! ,agony 9 ! ,g>d51 b ! figures are treat$ mu* m boldly2 ! drap]y falls 9 broad masses1 & sc>cely a trace is left ( sculpturesque treatm5t4 ,c>eful z is ! /udy ( ! nude1 ev]y?+ is subord9at$ to ! emotion express$ by ! ?ree figures3 ! helpless1 indiff]5t calm ( ! dead1 ! t5d] solicitude ( ! ,"m1 ! w&]+1 daz$ look ( ! despair+ fri5d4 ,"h !re is no?+ ( beautiful or pa!tic symbol2 ! gr\p is int5se ) ! common sorr[ ( all ! _w4 ,m>y presses ! corpse to h] z if to imp>t h] own life1 & gazes ) angui%$ ye>n+ on ! belov$ face4 ,bell9i seems to h pass$ to a m complex age 9 8 analysis ( suff]+1 yet "h is none ( ! extravagance :i* ! primitive ma/]s %>e ) ! ,c>acci3 8 re/ra9t is z admirable z 8 int5sity4 ,9 ! ,rim9i v]sion ! t5d] conc]n & que/ion+ surprise ( ! att5dant angels contra/ ) ! in]t weight ( ! beautiful dead body !y support4 ,_! *ildi% limbs & butt]fly w+s make a s9u\s patt]n aga9/ ! lacqu]$ black ( ! gr\nd-"w1 & ,mr4 ,rog] ,fry makes ! int]e/+ sugge/ion t ! effect1 rem9isc5t ( ,greek vase-pa9t+1 & ! lik5ess ( ! ,head ( ,*ri/ to an old bronze1 may1 9 a composition pa9t$ = ,sigismondo ,malate/a1 be no m]e accid5t1 b a concession to ! patron's en?usiasm = classic art4 ,9 #adgj ,bell9i receiv$ 8 fir/ commission 9 ! ,scuola di ,san ,m>co4 ,g5tile _h be5 employ$ !re s9ce #adff on ! hi/ory ( ! ,israelites 9 ! des]t4 ,bell9i agre$ to pa9t ,! ,deluge & ! ,ark ( ,noah ) all its att5dant circum/ances1 b ( ^!1 except f ,vas>i's descriptions1 we c =m no idea4 ,^! great pageant-pictures _h become id5tifi$ ) ! ,bell9i & _! foll[+1 :ile ! production ( alt>pieces 0 peculi>ly ! prov9ce ( ! ,viv>9i4 ,"h ,bell9i effect$ a *ange1 = sacr$ subjects be/ suit$ ! re/ra9$ & simple p]fection ( 8 /yle1 & af=d$ ! mo/ sympa!tic op5+ = 8 ideali/ic _s4 ,= ! next tw5ty ye>s or m1 h[ev]1 he 0 unavoidably absorb$ 9 public "w1 = we he> ( 8 be+ giv5 ! direction ( t :i* ,g5tile left unf9i%$ 9 ! ,ducal ,palace :5 he w5t to ! ,ea/ 9 #adgi4 ,9 #adib1 ,giovanni be+ ill1 ,g5tile sup]9t5d$ ! "w = him1 & 9 t ye> he 0 appo9t$ to pa9t 9 ! ,hall ( ! ,gr& ,c\ncil1 at an annual sal>y ( sixty ducats4 ,o!r commissions 7 turn$ out ( ! bottega he _h set up ) 8 bro!r 9 #adga1 & betwe5 t ye> & #adhj he w5t to ,pes>o to pa9t ! important alt>piece t /ill holds its place !re4 ,x is 9 "s ways ! greate/ & mo/ p[]ful ?+ t ,bell9i ev] accompli%$4 ,! c5tral figures & ! att5dant sa9ts h a l>ge gravity & c>efully /udi$ individuality4 ,/4 ,j]ome1 absorb$ 9 8 !ological books1 an ascetic recluse1 is admirably contra/$ ) ! sympa!tic1 cultur$ ,/4 ,paul4 ,! l&scape1 set 9 a m>ble frame1 is a gem ( beauty1 & proves :at an appeal nature 0 mak+ to ! pa9t]4 ,! pr$ella1 illu/rat+ ! pr9cipal sc5es 9 ! lives ( ! sa9ts ar\nd ! alt>1 is full ( ,ori5tal co/umes4 ,! horses are small ,ea/]n horses1 v unlike ! pond]\s ,italian w>-horse1 & ! :ole is evid5tly inspir$ by ! sket*es :i* ,g5tile br\ght back on 8 return f ,con/ant9ople 9 #adha4 ,look+ f "o to ano!r ( ! cycle ( ,madonna pictures :i* ,bell9i produc$1 & ( :i* s _m hang side by side 9 ! ,academy1 we are able to note h[ 8 conception v>i$4 ,9 "o ( ! e>lie/ ! ,*ild lies across its ,"m's knee1 9 ! attitude borr[$ f 8 fa!r & ! ,viv>9i1 f :om1 too1 he takes ! uplift$ h&s1 plac$ palm to palm4 ,! e>li] pictures are ( ! g5tle & ador+ type1 b 8 lat] ,madonnas are /ately ,v5etian ladies4 ,he gives u a que5ly woman1 ) full ?roat & /ately poise1 9 ! ,madonna degli ,alb]i1 9 :i* ! two little trees are symbols ( ! ,old & ,new ,te/am5t2 or1 aga91 he pa9ts a lovely intellectual face ) *isell$ & ref9$ features1 & sad d>k eyes1 & contra/s x dramatically ) ! bluff ,/4 ,george 9 arm\r2 & !re is ano!r ,madonna betwe5 ,/4 ,francis & ,/4 ,ca!r9e1 a picture :i* has a curi\s effect ( artificial light4 ,,*apt] ,,xii ,,giovanni ,,bell9i 7cont9u$7 ,9 #adig ! ,maggior ,consiglio ( ! ,v5etian ,republic appo9t$ ,bell9i sup]9t5d5t ( ! ,great ,hall1 & conf]r$ on him ! hon\rable title ( ,/ate ,pa9t]4 ,9 ?is capacity he 0 ! ov]se] ( all public works ( pa9t+1 & 0 expect$ to devote a "p ( 8 "t to ! decoration ( ! ,hall4 ,sansov9o enum]ates n9e ( 8 hi/orical pa9t+s1 :i* _h be5 pa9t$ be=e ! ,/ate appo9tm5t1 all hav+ ref]5ce to ! visit ( ,pope ,alex&]2 b ?\gh he mu/ h be5 mu* engross$1 he seems to h susp5d$ ! "w f "t to "t1 = betwe5 #adhe & #adhh he pa9t$ ! l>ge alt>piece 9 ! ,fr>i1 t at ,san ,pietro 9 ,murano1 & ! "o 9 ! ,academy1 :i* 0 pa9t$ = ,san ,giobbe4 ,( ^! ?ree1 ! la/ %[s ! greate/ advance & is fulle/ ( exp]im5t4 ,! ,madonna is a gr& ecclesia/ical figure4 ,x has be5 said ) tru? t x is a picture :i* mu/ h af=d$ great support & dignity to ! ,*ur*4 ,! ,infant has an expression ( omnisci5ce1 & ! ,"m gazes out ( ! picture1 ext5d+ invitation & enc\ragem5t to ! advanc+ wor%ipp]s4 ,! religi\s feel+ is less pr(\nd2 ! arti/ has be5 m absorb$ 9 ! contra/ betwe5 ! beautiful1 y\?ful body ( ,/4 ,seba/ian & t ( ,/4 ,giobbe1 old] b n emaciat$1 & ) ! exquisite surface t 8 n[ complete ma/]y ( oil-pa9t+ enabl$ him to produce4 ,?is te*nique has evid5tly be5 a great delight1 & is "h c>ri$ to p]fection2 ! sk9 ( ,/4 ,seba/ian gleams ) a gloss l ! coat ( a horse 9 high condition4 ,ev]y?+ t ar*itecture1 sculpture1 & ri* mat]ial c supply is borr[$ to enhance ! gr&eur ( ! gr\p2 b ! l9e ( sight is /ill close to ! bottom ( ! picture1 & if x 7 n = ! exquisite grace ) :i* ! angels are plac$1 ! ,madonna w\ld h a broad1 clumsy effect4 ,! ,madonna ( ! ,fr>i is ! mo/ spl5did 9 col\r ( all 8 works4 ,z he pa9ts ! ri* light ( a gold5 int]ior & ! fus$ & spl5did col\rs1 he seems to pass out ( 8 own "t & gives a =eta/e ( ! glory t is to foll[4 ,! ,murano alt>piece is q a diff]5t conception2 in/ead ( ! seclusion ( ! sanctu>y1 x is a smil+1 ple9 air sc5e3 ! ,"m b5ign1 ! ,*ild s(t & playful1 ! old ,doge ,b>b>igo & ! patron sa9ts kneel+ among bright birds1 & a g>d5 & m$ival t[nlet fill+ up ! backgr\nd1 = :i*1 by ! way1 he uses ! same sket* z 9 ! ,pes>o picture4 ,x says mu* = 8 v]satility t he c\ld )9 a %ort "t produce ?ree su* diff]5t v]sions4 ,among ,bell9i's mo/ fasc9at+ a*ievem5ts 9 ! la/ ye>s ( ! fifte5? c5tury are 8 allegorical pa9t+s1 kn[n to u by ! ,pl]9age de l'me 9 ! ,uffizi & ! little s]ies 9 ! ,academy4 ,! mean+ ( ! fir/ has be5 unravell$ by ,dr4 ,ludwig f a m$ival poem by ,guillaume de ,guilleville1 a ,ci/]cian monk :o wrote ab\t #acce1 & x is int]e/+ to see ! hold x has tak5 on ,bell9i's my/ic _s4 ,! pav$ space1 set )9 ! m>ble rail1 signifies1 z 9 ! ,salvator ,mundi1 ! ,p>adise :]e s\ls await ! ,resurrection4 ,! new-born s\ls clu/] r\nd ! ,tree ( ,life & %ake its b\ghs4 ,! poem says3 ,!re is no pilgrim :o is n sometimes sad ,:o has n ^? :o w\nd 8 he>t1 ,& to :om x is n (t5 necess>y ,to play & be solac$ ,& be soo!d l a *ild ,) some?+ com=t+4 ,"k t ^? play+ ,!re 9 ord] to allay _! sorr[ ,h f\nd b5ea? t tree ,an apple t great com=t gives ,to ^? t play ) x4#b #b ,?is translation is by ,miss ,cam]on ,taylor4 ,illu/ration3 ,giovanni ,bell9i4 ,,an ,,allegory4 ,flor5ce4 7,photo1 ,&]son47 ,?is may be an allusion to sacram5tal com=t4 ,/4 ,pet] & ,/4 ,paul gu>d ! door1 beside :i* ! ,madonna & a sa9t sit 9 holy conv]sation4 ,a v beautiful figure on ! left1 wrapp$ 9 a black %awl1 requires explanation1 & x has be5 sugge/$ t x is ! donor1 a woman :o may h lo/ husb& & *ildr51 & :o1 /ill 9 life1 is introduc$1 wat*+ ! happ9ess ( ! s\ls 9 ,p>adise4 ,,ss4 ,giobbe & ,seba/ian1 :o might h /epp$ out ( ! ,san ,giobbe alt>piece1 are obvi\sly ! patron sa9ts ( ! family1 & ,/4 ,ca!r9e1 at ! ,virg9's side1 may be ! donor's own sa9t4 ,?is picture1 ) its delici\s l&scape ba!d 9 atmosph]ic light1 is a =]unn] ( ^? ,giorgionesque compositions ( pure & unque/ion+ delight 9 ! s5su\s *>m ( r>e & beautiful ?+s 9 :i* ! arti/ic nature is ev5 m engross$ ?an ) ! intellectual conception1 & )9 its small space ,bell9i seems to h en%r9$ all 8 arti/ic cre$4 ,! allegories 9 ! ,academy are also full ( mean+4 ,!y are decorative works1 & 7 probably pa9t$ = "s small cab9et4 ,!y seem too small = a cassone4 ,!y are ru9$ by ov]-pa9t+1 b /ill full ( grace & fancy4 ,! figure 9 ! classic *>iot1 be>+ fruit1 9 ! enc\nt] betwe5 ,luxury & ,indu/ry1 is drawn f ,jacopo's triumphant ,bac*us4 ,=tune floats 9 h] b>que1 hold+ ! globe1 & ! s\ls :o ga!r r\nd h] are "s full ( triumphant success1 o!rs cl++ to h] = com=t1 :ile sev]al are s9k+1 ov]:elm$ 9 ! d>k wat]s4 ,prud5ce1 ! only example ( a female nude 9 ,bell9i's works1 holds a look+-glass4 ,hypocrisy or ,calumny is torn wri?+ f 8 refuge4 ,! ,summa ,virtus is an ugly repres5tation ( all ! virtues2 a waddl+ de=mity ) eyes b\nd holds ! scales ( ju/ice2 ! pit*] 9 its h& means prud5ce1 & ! gold ^u its feet symbolises *>ity4 ,! l&scape1 bo? ( ?is & ( ! ,=tune1 resembles t :i* he 0 pa9t+ 9 8 l>g] works at ! end ( ! c5tury4 ,soon aft] #aeja ,bell9i ent]$ into relations ) ,isabela d',e/e1 ,m>*ioness ( ,gonzaga4 ,t di/+ui%$ collector & connoisseur writes ?r\gh h] ag5t to get ! promise ( a picture1 a /ory or fable ( antiquity1 to be plac$ 9 position ) ! allegories :i* ,mantegna _h contribut$ to h] ,p>adiso4 ,bell9i agre$ to supply ?is1 & receiv$ tw5ty-five ducats on acc\nt4 ,he seems1 h[ev]1 to h felt t he w\ld be at a disadvantage 9 compet+ ) ,mantegna on 8 own gr\nd1 & asks to be all[$ to *oose 8 subject4 ,isabela 0 unwill+ly oblig$ to cont5t h]self ) a sacr$ picture1 & a ,nativity 0 select$4 ,%e is at once full ( sugge/ions1 desir+ to add a ,/4 ,john ,bapti/1 :om ,bell9i demurs at introduc+ except z a *ild1 b 9 ,april #aejd ! commission is /ill unaccompli%$1 & ,isabela angrily dem&s ! return ( h] money4 ,?is br+s a lett] ( humble apology f ,bell9i1 & pres5tly ! picture is =w>d$4 ,lor5zo ( ,pavia writes t x is q beautiful1 & t ?\gh ,giovanni has behav$ z badly z possible1 yet ! bad mu/ be tak5 ) ! good4 ,! joy ( its acquisition appeas$ ,isabela1 :o at once began to lay plans to get a fur!r "w out ( ,bell9i1 & 9 #aeje ,bembo wrote to h] t he w\ld take a fre% commission always provid+ he might fix ! subject4 ,f ! catalogue ( h] ,mantovan pictures we ga!r t ! picture sul asse 7on panel7 repres5t$ ! ,b4,v41 il ,putto1 ,s4 ,giovanni ,batti/a1 ,s4 ,giovanni ,evangeli/a1 ,s4 ,girolamo1 & ,santa ,cat]9a4 ,! great alt>pieces :i* rema9 /rike u less by _! rese>*1 _! preoccupation ) new problems ( pa9t or gr\p+1 ?an by _! int5se delight 9 beauty4 ,bell9i 0 n[ ne>ly eighty ye>s old1 & 9 #aejd ! "y ,giorgione _h proclaim$ a revolution 9 art ) 8 ,ca/elfranco ,madonna4 ,9 composition & detail ! ,madonna ( ,san ,zacc>ia is 9 "s degree a prote/ aga9/ ! ,arcadian1 innovat+ fa%ion ( approa*+ a religi\s sc5e1 ( :i* ! ,*ur* _h long s9ce decid$ on ! treatm5t1 yet ,bell9i _c escape ! indirect sugge/ion ( ! new mann]4 ,! same leav5 0 at "w 9 him :i* 0 trans=m+ ! m5 ( a y\ng] g5]ation4 ,9 ?is alt>piece1 9 ! ,baptism at ,vic5za1 9 o!rs1 p]haps1 :i* h p]i%$1 & above all 9 ! h]mit sa9t 9 ,s4 ,giovanni ,criso/omo he is l9k$ 9 feel+ & 9 treatm5t ) ! lat] ,v5etian ,s*ool4 ,! new device1 :i* he adopts q naturally1 ( rais+ ! l9e ( sight1 sets ! figures 9 increas$ dep?4 ,= ! fir/ "t he gives height & maje/y to ! "y ,"m by c>ry+ ! drap]ies d[n ov] ! /eps4 ,he realises to ! full ! contra/ betwe5 ! "y1 fragile heads ( 8 girl-sa9ts & ! d>k1 v5]able c\nt5ances ( ! old m54 ,! head ( ,s4 ,lucy1 deta*+ itself l a fl[] ^u its /em1 rem9ds u ( ! type :i* we saw 9 8 ,wat*] 9 ! sacr$ allegory ( ! ,uffizi4 ,! ar*$1 dome-l ni*e op5s on a di/ance ba!d 9 gold5 light4 ,bell9i keeps ! traditions ( ! old hi]atic art1 b he has grasp$ a new p]fection ( feel+ & atmosph]e4 ,:o ! sa9ts are matt]s little2 x is ! collective enjoym5t ( a company ( cong5ial p t pleases u s mu*4 ,! ,baptism 9 ,s4 ,corona1 at ,vic5za1 pa9t$ sixte5 ye>s lat] ?an ,cima's 9 ,s4 ,giovanni 9 ,bragora1 is 9 frank imitation ( ! y\ng] man4 ,*ri/ & ! ,bapti/1 traditional figures1 are drawn )\t mu* ze/1 9 a weak1 conv5tional way1 b ! arti/'s true int]e/ comes out 9 ! beauty ( face & ge/ure ( ! gr\p ( wom5 hold+ ! g>m5ts1 & above all 9 ! sombre gloom ( ! di/ance1 :i* replaces ,cima's *>m+ l&scape1 & :i* keys ! :ole picture to ! significance ( a port5t4 ,9 ! en?ronem5t ( ! old h]mit1 ,s4 ,*ryso/om himself1 pa9t$ 9 #aeac1 ,bell9i keeps 8 love = ! gold5 dome1 b he lets u look ?r\gh its ar*1 at roll+ m\nta9 solitudes1 ) mi/s ris+ betwe5 _! folds4 ,! g]anium robe ( ! sa9t1 an exquisite1 vivid bit ( col\r+1 is caught by ! gold5 sunset rays1 ! f9e ascetic head /&s out aga9/ ! ev5+ sky1 & 9 ! faces ( ! two sa9ts :o /& on ei!r side ( ! ag$ vision>y ,bell9i has gone back to all 8 old int5sity ( religi\s feel+1 a feel+ :i* he seem$ = a "t to h ex*ang$ = a m pagan tone4 ,9 #aejg1 at ,g5tile's dea?1 ,giovanni und]took1 at 8 bro!r's dy+ reque/1 to f9i% ! ,prea*+ ( ,/4 ,m>k1 receiv+ z a recomp5se t covet$ sket*-book ( 8 fa!r's1 f :i* he _h adopt$ s _m sugge/ions1 & :i*1 ?\gh he 0 ! elde/1 _h be5 inh]it$ by ! legitimate son4 ,9 ! prec$+ ye> ,alb]t ,dr] _h visit$ ,v5ice = ! second "t1 & ,bell9i _h receiv$ him ) great cordiality4 ,dr] writes1 ,bell9i is v old1 b is /ill ! be/ pa9t] 9 ,v5ice2 & adds1 ,! ?+s ,i admir$ on my la/ visit1 ,i n[ d n value at all4 ,imply+ t he 0 able n[ to see h[ sup]ior ,bell9i 0 to ! hi!rto m highly e/eem$ ,viv>9i4 ,at ! v end ( ,bell9i's life1 9 #aead1 ! ,duke ( ,f]r>a paid him eighty-five ducats = a pa9t+ ( ,bac*anals1 n[ at ,alnwick ,ca/le2 :i* may be look$ ^u z an op5 confession by "o :o _h always consid]$ himself z a pa9t] ( di/9ctively religi\s works1 t su* a gay sc5e ( fea/+ af=d$ opportunities :i* he c\ld n resi/1 = beauty ( attitude & col\r2 b ! gods1 sitt+ at _! banquet 9 a sunny glade1 are almo/ fully drap$1 & !re is little ( ! ab&on :i* 0 affect$ by lat] pa9t]s4 ,! picture 0 left unf9i%$1 & 0 lat] giv5 to ,titian to complete4 ,9 8 capacity z ,/ate ,pa9t] to ! ,republic1 x 0 ,bell9i's duty to execute ! (ficial portraits ( ! ,doges4 ,dur+ 8 long life he saw elev5 reigns1 & dur+ f\r he held ! ,/ate appo9tm5t4 ,besides ! (ficial1 he pa9t$ private portraits ( ! ,doges1 & t ( ,doge ,lor$ano1 9 ! ,national ,gall]y1 is "o ( ! mo/ p]fect pres5tm5ts ( ! quattroc5to4 ,?is portrait1 pa9t$ by "o old man ( ano!r1 %[s no weak5+ 9 t\* or *>act]isation4 ,x is z brilliant & vigor\s z x is direct & simple4 ,! face is quiet & unexagg]at$2 !re is no unnatural fire & feel+1 b an air ( accu/om$ dignity & ?\ght1 :ile ! te*nique has all ! p]fection ( ! pa9t]'s prime4 ,9 #aeaf ,giovanni 0 buri$ 9 ! ,*ur* ( ,,ss4 ,giovanni & ,paolo1 by ! side ( 8 bro!r ,g5tile4 ,to ! la/ he 0 popul> & fam\s1 ov]:elm$ ) att5tions f ! mo/ di/+ui%$ p]sonages ( ! city4 ,?\gh he _h begun life :5 art %[$ su* a diff]5t aspect1 he 0 by nature s imbu$ ) t temp]am5t1 :i* at ! "t ( 8 dea? 0 beg9n+ to ass]t itself 9 ! y\ng] s*ool1 t he 0 able to assimilate a really a/oni%+ %>e ( ! new mann]4 ,he is guid$ by feel+ m ?an by intellect4 ,all ! "t he is work+ out problems1 he is dom9at$ by ! emotion ( 8 subject1 b 8 emotion1 8 pa?os1 are inv>iably temp]$ & re/ra9$ by ! calm mod]ation ( ! quattroc5to4 ,! gold5 mean /ill has comm& ( ,bell9i1 & nev] all[s 8 feel+s1 h[ev] poignant1 to deg5]ate into s5tim5tality or viol5ce4 ,,pr9cipal ,,works ,b]gamo4 ,lo*is3 ,madonna 7,e474 ,morelli3 ,two ,madonnas4 ,b]l94 ,piet 7,l472 ,dead ,*ri/4 ,flor5ce4 ,uffizi3 ,allegory2 ,! ,s\ls 9 ,p>adise 7,l474 ,london4 ,portrait ( ,doge 7,l472 ,madonna 7,l472 ,agony 9 ,g>d5 7,e472 ,salvator ,mundi 7,e474 ,milan4 ,br]a3 ,piet 7,e472 ,madonna2 ,madonna1 #aeaj4 ,mond ,collection4 ,dead ,*ri/2 ,madonna 7,e474 ,murano4 ,s4 ,pietro3 ,madonna ) ,sa9ts & ,doge ,b>b>igo1 #adhh4 ,naples4 ,sala ,gr&e3 ,transfiguration4 ,pes>o4 ,s4 ,francesco3 ,alt>piece4 ,rim9i4 ,dead ,*ri/ 7,e474 ,v5ice4 ,academy3 ,?ree ,madonnas2 ,five small allegorical pa9t+s 7,l472 ,madonna ) ,,ss4 ,ca!r9e & ,magdal5e2 ,madonna ) ,,ss4 ,paul & ,george2 ,madonna ) five ,sa9ts4 ,museo ,corr]3 ,crucifixion 7,e472 ,transfiguration 7,e472 ,dead ,*ri/2 ,dead ,*ri/ ) ,angels4 ,palazzo ,ducale1 ,sala di ,tre3 ,piet 7,e474 ,fr>i3 ,tripty*2 ,madonna & ,sa9ts1 #adhh4 ,s4 ,giovanni ,criso/omo3 ,s4 ,*ryso/om ) ,,ss4 ,j]ome & ,augu/9e1 #aeac4 ,s4 ,m>ia dell' ,orto3 ,madonna 7,e474 ,s4 ,zacc>ia3 ,madonna & ,sa9ts1 #aeje4 ,vic5za4 ,s4 ,corona3 ,baptism1 #aeaj4 ,,*apt] ,,xiii ,,cima ,,da ,,conegliano ,,& ,,o!r ,,foll[]s ,,( ,,bell9i ,! ris+ tide ( feel+1 ! gr[+ s5se ( ! joy ( life & ! appreh5sion ( pure beauty1 :i* 0 /r5g!n+ 9 ! p & lead+ up to ! great p]iod ( ,v5etian art1 flood$ r\nd ,bell9i & recognis$ its expression 9 him4 ,he 0 m popul> & _h a l>g] foll[+ among ! arti/s ( 8 day ?an ei!r ,g5tile or ,c>paccio ) _! frankly mundane tal5t4 ,:atev] ,giovanni's ,/ate works may h be51 8 religi\s pa9t+s are ! ones :i* are copi$ & adapt$ & /udi$ by ! y\ng] b& ( arti/s1 & ?is because ( _! beauty & not)/&+ _! conv5tional subjects4 ,g5tile's pageant-pictures h /ill some?+ cold & col\rless1 ) a t\* ( ! ar*aic1 :ile ,giovanni's religi\s alt>pieces ev9ce a new fre$om ( h&l+1 a mod]n conception ( beautiful wom51 a use ( t col\r :i* 0 soon to reign triumphant4 ,z f> z x w5t inde$1 its triumph 0 already assur$2 z ,giovanni advanc$ t[>ds old age1 x 0 no long] ( any use = ! "y ma/]s ( ! day to pa9t 9 any way save ! "o he _h made popul>1 & "o arti/ aft] ano!r :o _h begun 9 ! s*ool ( ,alvise ,viv>9i end$ z ! disciple ( ,giovanni ,bell9i4 ,x 0 ! habit ( ,bell9i to tru/ mu* to 8 assi/ants1 & z ev]y?+ t w5t out ( 8 work%op 0 sign$ by 8 "n1 ev5 if x only repres5t$ ! use ( "o ( 8 designs1 or a few words ( advice1 & 0 pass$ by ! ma/]1 x is no wond] t ,european collections 7 flood$ ) works1 among :i* only lately ! names ( ,cat5a1 ,previtali1 ,p5nac*i1 ,m>co ,belli1 ,bissolo1 ,basaiti1 ,rond9elli1 & o!rs beg9 to be dis5tangl$4 ,only "o ( 8 foll[]s /&s out z a /rong & orig9al ma/]1 n q ( ! fir/ class1 b develop+ 8 own individuality :ile he draws 9 mu* ( :at bo? ,alvise & ,bell9i _h to give4 ,cima da ,conegliano1 ^: real "n 0 ,giovanni ,batti/a1 always signs himself ,coneglian5sis3 ! title ( ,cima1 ! ,rock1 by :i* he is n[ s widely kn[n1 hav+ fir/ be5 m5tion$ 9 ! sev5te5? c5tury by ,bos*9i1 & p]haps giv5 him by t writ] himself4 ,he 0 a son ( ! m\nta9s1 :o1 ?\gh he came e>ly to ,v5ice1 & liv$ !re mo/ ( 8 life1 nev] loses some?+ ( _! wild fre%ness1 & to ! end delights 9 br++ !m into 8 backgr\nds4 ,he liv$ ) 8 "m at ,conegliano1 ! beautiful t[n ( ! ,trevisan m>*es1 until #adhd1 :5 he 0 tw5ty-five1 & !n came d[n to ,vic5za1 :]e he fell "u ! tuition ( ,b>tolommeo ,montagna1 a ,vic5t9e pa9t]1 :o _h be5 /udy+ bo? ) ,alvise & ,bell9i4 ,cima's ,madonna ) ,sa9ts1 pa9t$ = ! ,*ur* ( ,/4 ,b>tolommeo1 ,vic5za1 9 #adhi1 %[s him /ill us+ ! old me?od ( temp]a1 9 a c>eful1 cold1 pa9/ak+ /yle1 yet already %[+ 8 own ta/e4 ,! composition has some?+ ( ,alvise1 yet t some?+ has be5 le>n$ ?r\gh ! ag5cy ( ,montagna1 = ! figures h ! latt]'s sev]ity & au/]e "* & ! col\r is cle>] & m crude ?an ,alvise's4 ,x is no light resemblance1 & he mu/ h be5 long ) ,montagna4 ,9 ! type ( ! ,*ri/ 9 ,montagna's ,piet at ,monte ,b]ico1 9 ! fondness = airy porticoes1 9 ! ar*itecture & ma9 features ( 8 ,madonna en?ron$ 9 ! ,museo ,civico at ,vic5za1 we see *>act]i/ics :i* ,cima foll[$1 ?\gh he int]pret$ !m 9 8 own way4 ,he turns ! heavy ar*es & domes t ,alvise lov$1 into airy p]golas1 deck$ ) v9es4 ,he gives increas+ importance to high skies & to atmosph]ic di/ances4 ,:5 he got to ,v5ice 9 #adib1 he began to pa9t 9 oils1 & und]took ! panel ( ,s4 ,john ,bapti/ ) att5dant sa9ts1 /ill 9 ! ,*ur* ( ,s4 ,madonna dell' ,orto4 ,! "w ( ?is is r angul> & t5tative1 b true & fre%1 & he comes to 8 be/ soon aft]1 9 ! ,baptism 9 ,s4 ,giovanni 9 ,bragora1 :i* ,bell9i1 sixte5 ye>s lat]1 paid him ! complim5t ( copy+4 ,x 0 q unusual to *oose su* a subject = ! ,high ,alt>1 & c\ld only be ju/ifi$ by devotion to ! ,bapti/1 :o 0 ,cima's own "n-sa9t z well z t ( ! ,*ur*4 ,cima is "h at 8 v highe/2 ! composition is n d]iv$ f any "o else1 b is all ! conception ( an +5u\s s\l1 full ( intuition & insight4 ,! ,*ri/ is p>ticul>ly f9e & simple1 unexagg]at$ 9 pose & type2 ! arm ( ! ,bapti/ is too long1 b ! v fault s]ves to give him a ref9$1 t5tative look1 :i* makes a sympa!tic appeal4 ,! att5dant angels look on ) an air ( sweet int]e/4 ,! di/ant m\nta9s1 ! undulat+ c\ntry1 ! little t[n ( ,conegliano1 id5tifi$ by ! ca/le on its great rock1 or ,cima1 are ,arcadian 9 _! sunny beauty4 ,! cl\ds1 z a critic has po9t$ out1 are full ( sun1 n ( ra94 ,! l&scape has n ! sombre my/]y ( ,titian's1 b is bright ) ! joy\s delight ( a lov] ( outdoor life4 ,z ,cima ma/]s ! new m$ium he becomes l>g] & simpl]1 & 8 =ms lose mu* ( _! e>ly angul>ity4 ,a confrat]nity ( 8 native t[n ord]$ ! gr& alt>piece :i* is /ill 9 ! ,ca!dral !re1 & 9 ?is he %[s 8 connection ) ,v5ice2 ! ar*itecture is p>tly tak5 f ,/4 ,m>k's1 ! lovely ,madonna head recalls ,bell9i1 & a gr\p ( ,bell9esque angels play in/rum5ts at ! foot ( ! ?rone4 ,cima is1 h[ev]1 nev] m]g$ 9 ,bell9i4 ,he keeps 8 own cle>ly def9$1 angul> type2 8 peculi>1 twi/$ curls are n ! curls ( ,bell9i's sa9ts1 8 treatm5t ( surface is ref9$1 enamel-l1 p]fectly f9i%$1 b x has no?+ ( ! ri*1 brok5 treatm5t :i* ,bell9i's natural feel+ = col\r 0 beg9n+ to dictate4 ,cima's pale gold5 figures h an almo/ metallic %>pness & precision1 & ?\gh !y are full ( *>m & ref9em5t1 !y may be ?\ght lack+ 9 spontaneity & passion4 ,to #aeja belongs ! ,incr$ulity ( ,/4 ,?omas1 n[ 9 ! ,academy1 b pa9t$ = ! ,guild ( ,masons4 ,x is a picture full ( expression & dignity1 broad 9 treatm5t if a little cold 9 its self-re/ra9t4 ,cima seems to h n q en\gh intellect1 & n q en\gh /rong feel+4 ,h[ev]1 ! little alt>piece ( ! ,nativity1 9 ! ,*ur* ( ! ,c>m9e 9 ,v5ice1 has a ri*]1 full] t\*1 & ?is =e%ad[s ! "w he did :5 he w5t to ,p>ma1 :]e 8 transp>5t %ad[s gr[ broad] & /rong]1 & 8 figures ga9 9 ease & fre$om4 ,he nev] loses ! delicate radiance ( 8 lights1 & 8 types & 8 ar*itecture alike convey some?+ ( a peculi>ly ref9$1 brilliant elegance4 ,l all ^! m5 ( great en]gy & prolific g5ius1 ,cima produc$ an a/oni%+ numb] ( panels & alt>pieces1 & no d\bt _h pupils on 8 own acc\nt1 = a goodly li/ c\ld be made ( pictures 9 8 /yle1 b n by 8 own h&1 :i* h be5 c>ri$ by collectors into widely-scatt]$ places4 ,8 exquisite surface & f9i% & 8 m>k$ orig9ality make him a difficult ma/] to imitate ) any success4 ,8 late/ "w is dat$ #aejh1 b ,ridolfi says he liv$ till #aeag1 & x seems probable t he return$ to 8 belov$ ,conegliano & !re pass$ 8 la/ ye>s4 ,if ,cima possess$ orig9ality1 ,v9c5zo ( ,treviso1 call$ ,cat5a1 ga9$ an imm5se reputation by 8 indu/ry & 8 p[] ( imitat+ & adopt+ ! mann] ( ,bell9i's ,s*ool4 ,9 ^? days m5 did n tr\ble !mselves mu* z to :e!r !y 7 orig9al or n4 ,!y work$ away on traditional compositions1 frankly introduc+ figures f _! ma/]'s c>toons1 modify+ a type "h1 mak+ "s little exp]im5t or arrangem5t !re1 &1 z a ,fr5* critic puts x1 leav+ _! own p]sonality to hat* out 9 due "t1 if x exi/$1 & :5 x 0 suffici5tly rip5$ by real ma/]y ( _! art4 ,x is "h t ,cat5a fails2 beg9n+ z a j\rneyman 9 ! ,sala del ,gran ,consiglio1 at a sal>y ( ?ree ducats a mon?1 he = long fail$ to acquire ! absolute ma/]y ( draw+ :i* 0 possess$ by ! bett] disciples ( ! s*ools4 ,b he is pa9/ak+1 det]m9$ to get on1 & eag] to satisfy ! cont9ually increas+ dem& = "w4 ,8 drap]ies are confus$ & unmean+1 8 faces r\nd1 ) small features1 inexpressive button m\?s1 & weak *9s1 & 8 fle% t9ts h little ( ! gl[ :i* is lat] ! pr]ogative ( e second-rate pa9t]4 ,yet ,cat5a succe$s1 l _m ano!r c>eful m$iocre man1 9 secur+ patronage1 & z ! sixte5? c5tury op5$ he ga9$ ! di/9ction f ,doge ,lor$ano ( a commission to pa9t ! alt>piece = ! ,pregadi ,*apel ( ! ,sala di ,tre1 9 ! ,ducal ,palace4 ,he adapts 8 gr\p f t ( ,bell9i 9 ! ,ca!dral ( ,murano1 br++ 9 a pr(ile portrait ( ! kneel+ ,doge1 ( :i* he aft]w>ds made num]\s copies1 "o ( :i* 0 = long assign$ to ,g5tile & "o to ,giovanni ,bell9i4 ,t ,cat5a is n )\t *>m1 we disc]n 9 su* a composition z 8 ,m>tyrdom ( ,/4 ,cri/9a1 9 ,s4 ,m>ia ,mat] ,dom9i1 9 :i* ! sa9t1 a solid1 ,bell9esque figure1 kneels ^u ! wat]1 9 :i* %e met h] dea?1 & is surr\nd$ by little angels1 hold+ up ! mill/one ti$ r\nd h] neck1 & lad5 ) o!r in/rum5ts ( h] m>tyrdom4 ,cat5a borr[s "r & left1 & tries to foll[ e new indication ( contempor>y ta/e4 ,= in/ance1 he rem>ks ! gr[+ admiration = col\r1 & hopes by pa9t+ gay1 flat t9ts1 9 bright contra/1 to produce ! desir$ effect4 ,x is evid5t t he made _m fri5ds among ! ri* connoisseurs ( ! "t1 & t 8 importance 0 out ( proportion to 8 real m]it4 ,m>cantonio ,mi*ele1 writ+ an acc\nt ( ,raphael's la/ days to a fri5d 9 ,v5ice1 & t\*+ on ,mi*elangelo's illness1 begs him to see t ,cat5a takes c>e ( himself1 z ! times are unfav\rable to great pa9t]s4 ,cat5a _h acquir$ & inh]it$ consid]able weal?2 he came ( a family ( m]*ants1 & resid$ 9 8 own h\se 9 ,san ,b>tolommeo del ,rialto4 ,he liv$ 9 unm>ri$ relations ) ,dona ,m>ia ,fu/ana1 ! daught] ( a furri]1 to :om he bequea?s 9 8 w #cjj ducats & all 8 p]sonal effects4 ,z a c>eful portrait-pa9t]1 ) a tal5t = cat*+ a lik5ess1 he 0 9 con/ant dem&1 & 9 "s ( 8 heads--t ( a canon dress$ 9 blue & r$1 at ,vi5na1 & especially 9 "o ( a memb] ( ! ,fugg] family1 n[ at ,dresd5--he atta9s real di/9ction4 ,& 9 8 la/ phase he does at l5g? prove ! p[] t lies beh9d long indu/ry & p]sev]ance4 ,sudd5ly ! ,giorgionesque influ5ce /rikes him1 & turn+ to imbibe ?is new elem5t1 he produces t ma/]piece :i* ?r[s a glam\r ov] all 8 m$iocre p]=mances2 8 ,w>rior ador+ ! ,infant ,*ri/1 9 ! ,national ,gall]y1 is a picture full ( *>m1 ri* & romantic 9 tone & _s4 ,! ,virg9 & ! ,*ild ^u h] knee are ( 8 dull r\nd-ey$ type1 ! =m & col\rs ( h] drap]ies are /ill unsatisfactory1 b ! knight 9 arm\r ) 8 ,ea/]n turban1 ! romantic "y page1 hold+ 8 horse1 are pure ,giorgionesque figures4 ,beautiful 9 !mselves1 set 9 a beautiful l&scape gl[+ ) light & air1 ! :ole picture exemplifies :at surpris+ excell5ce c\ld be sudd5ly atta9$ by ev5 v inf]ior arti/s1 :o 7 con/antly associat+ ) great] m51 at a mom5t :5 ! :ole air 01 z x 71 vibrat+ ) g5ius4 ,cat5a 0 v mu* addict$ to mak+ 8 w1 & at lea/ five te/am5ts or codicils exi/1 "o ( !m devis+ a sum ( money = ! b5efit ( ! ,s*ool ( ,pa9t]s 9 ,v5ice1 & ano!r leav+ to 8 executor1 ,prior ,ignatius1 ! picture ( a ,/4 ,j]ome 9 8 ,cell1 :i* may be ! "o 9 our national collection1 :i* rema9$ 9 ,v5ice till #ahfb4 ,x is pa9t$ 9 8 gay tones1 imitat+ ,basaiti & ,lotto1 & br+s 9 ! p>tridge ( :i* he made a sort ( sign manual4 ,c>d9al ,bembo writes 9 #aebe to ,pietro ,lippomano1 to ann\nce t1 at 8 reque/1 he is cont9u+ 8 patronage ( ,cat5a3 ,?\gh ,i _h done all t lay 9 my p[] = ,v9c5zo ,cat5a be=e ,i receiv$ y\r ,lord%ip's w>m recomm5dation 9 8 fav\r1 ,i did n hesitate1 on receipt ( y\r lett]1 to add some?+ to ! fir/ piece ,i _h f him1 & ,i did s because ( my love & rev]5ce = y1 & ,i tru/ t he w return appropriate ?anks to y = hav+ rememb]$ t y c\ld comm& me4 ,m>co ,basaiti 0 alt]nately a j\rneyman 9 diff]5t work%ops & a ma/] on 8 own acc\nt4 ,= long ! assi/ant & foll[] ( ,alvise ,viv>9i1 we may judge t he 0 also 8 mo/ tru/$ confidant1 = to him 0 left ! task ( complet+ ! spl5did alt>piece to ,s4 ,ambrogio1 9 ! ,fr>i4 ,8 heavy h& is app>5t 9 ! execution1 & ! two sa9ts1 ,seba/ian & ,j]ome1 9 ! =egr\nd1 h probably be5 add$ by him1 = !y h ! air ( int]lop]s1 & d n come up to ! re/ ( ! company 9 =m & conception4 ,! ,seba/ian1 ) 8 h&s beh9d 8 back & 8 lo9 clo? sm>tly ti$1 is q suffici5tly rem9isc5t ( ,bell9i's figure ( #adgc to make u believe t ,basaiti 0 at once transf]r+ 8 allegiance to t reign+ ma/]4 ,9 8 e>li] phase he has ! r\nd heads & ! dry precise mann] ( ! ,muranese4 ,9 8 l>ge picture 9 ! ,academy1 ! ,call+ ( ! ,sons ( ,zeb$ee1 he produces a l>ge1 important set piece1 cold & lifeless1 )\t "o figure :i* arre/s u1 or l+]s 9 ! memory4 ,! ,*ri/ on ! ,m\nt is m int]e/+ z hav+ be5 pa9t$ = ,san ,giobbe1 :]e ,bell9i's great alt>piece 0 already hang+1 & com+ into competition ) ,bell9i's e>ly r5d]+ ( ! same sc5e4 ,pa9t$ "s ?irty ye>s lat]1 x is int]e/+ to see :at x has ga9$ 9 mod]nness4 ,! l&scape & trees are well drawn & 9 good col\r1 & ! sa9ts1 /&+ on ei!r side ( a high portico1 h dignity4 ,9 ! ,dead ,*ri/1 9 ! ,academy1 he is foll[+ ,bell9i v closely 9 ! fle%-t9ts & ! putti4 ,! putti1 look+ ?\ghtfully at ! dead1 is a motif belov$ ( ,bell9i1 b ,basaiti _c give !m ,bell9i's pa?os & significance2 !y are m]ely *ildi% & seem to be amus$4 ,9 #aeae ,basaiti has ent]$ ^u a new phase4 ,he has felt ,giorgione's influ5ce1 & is beg9n+ to try :at he c d1 :ile /ill keep+ close to ,bell9i1 to develop a full] t\*1 m animat$ figures1 & a brilliant effect ( l&scape4 ,he runs a film ( vapor\s col\r ov] 8 h>d outl9es & makes 8 figures bright & mi/y1 & ?\gh und]nea? !y are /ill empty & monoton\s1 x is n surpris+ t _m ( 8 works = a "t pass$ z ^? ( ,bell9i4 ,?\gh he is a clev] imitator1 8 figures are design$ ) less ma/]y1 8 draw+ is a little less correct1 8 drap]y less adapt$ to ! "u =m4 ,light & %ade are n s clev]ly balanc$1 col\rs h ! brightness1 b n ! true contra/ requir$4 ,9 l&scape he proce$s f a bleak aridity to extreme gaiety2 he does n dwell on detail1 b 8 masses h nei!r ! sob] t9t nor ! my/]i\s ri*ness conspicu\s 9 8 tea*] 444 he is a clev] in/rum5t4 ,bo? ,previtali & ,rond9elli 7 work]s ) ,basaiti 9 ,bell9i's /udio4 ,previtali occasionally sign$ himself ,&rea ,cordeliaghi or ,cordella1 & has left _m unsign$ pictures4 ,he copies ,cat5a & ,lotto1 ,palma & ,montagna2 b = a "t 8 "w w5t =? f ,bell9i's work%op sign$ ) ,bell9i's "n4 ,9 #aeae1 9 a great alt>piece 9 ,san ,spirito at ,b]gamo1 he fir/ takes ! title ( ,previtali1 compil+ x 9 ! c>tello ) ! monogram already us$ z ,cordeliaghi4 ,!re are traces ( _m o!r m9or arti/s at ?is p]iod1 all essay+ ! same mann]1 copy+ "o or o!r ( ! ma/]s1 tak+ h9ts f ea* o!r4 ,! ,v5etian love ( spl5d\r 0 turn+ to ! collection ( works ( art1 & ! "w ( second-class arti/s 0 evid5tly mu* 9 dem& & obta9$ its me$ ( admiration4 ,bissolo 0 a fell[-lab\r] ) ,cat5a 9 ! ,hall ( ! ,ducal ,palace 9 #adib2 he is s(t & n]veless1 b he copies ,bell9i1 & has imbib$ some?+ ( 8 t5d]ness ( _s4 ,x w be se5 f ?is li/ h[ difficult x is to unravel ! tale ( ! false ,bell9is4 ,! ma/]'s own works speak = !mselves ) no unc]ta9 voice1 b away f ^! x is v difficult to pron\nce z to :e!r he _h giv5 a design1 or a few t\*es1 or advice1 & /ill m difficult to decide :e!r ^! 7 be/[$ on ,basaiti 9 8 lat] mann]1 or on ,previtali or ,bissolo1 or if ! tea*+ 0 h&$ on by !m 9 a /ill m dilut$ =m to ! less] m5 :o clu/]$ r\nd1 mu* ( ^: "w has surviv$ & has be5 masqu]ad+ = c5turies "u m di/+ui%$ names4 ,x is sometimes affirm$ t ! loss ( orig9ality 9 ! endeav\r to pa9t l great] m5 has be5 a symptom ( decay 9 e s*ool 9 ! pa/4 ,x is int]e/+ to notice1 !re=e1 t 9 e great age ( pa9t+ !re has always be5 an und]curr5t ( imitation1 :i* has help$ to =m a /ream ( tradition1 & :i*1 z f> z we c see1 has done no h>m to ! /rong] spirits ( ! "t4 ,,pr9cipal ,,works ,cima4 ,b]l94 ,madonna ) f\r ,sa9ts2 ,two ,madonnas4 ,conegliano4 ,duomo3 ,madonna & ,sa9ts1 #adic4 ,dresd54 ,! ,savi\r2 ,pres5tation ( ,virg94 ,london4 ,two ,madonnas2 ,incr$ulity ( ,s4 ,?omas2 ,s4 ,j]ome4 ,milan4 ,br]a3 ,six pictures ( ,sa9ts2 ,madonna4 ,p>ma4 ,madonna ) ,sa9ts2 ,ano!r2 ,endymion2 ,apollo & ,m>syas4 ,p>is4 ,madonna ) ,sa9ts4 ,v5ice4 ,academy3 ,madonna ) ,,ss4 ,john & ,paul2 ,piet2 ,madonna ) six ,sa9ts2 ,incr$ulity ( ,s4 ,?omas2 ,tobias & ! ,angel4 ,c>m9e3 ,adoration ( ! ,%eph]ds4 ,s4 ,giovanni 9 ,bragora3 ,baptism1 #adid2 ,,ss4 ,hel5 & ,con/ant9e2 ,?ree ,pr$elle2 ,f9d+ ( ,true ,cross4 ,,ss4 ,giovanni & ,paolo3 ,coronation ( ! ,virg94 ,s4 ,m>ia dell' ,orto3 ,s4 ,john ,bapti/ & ,,ss4 ,paul1 ,j]ome1 ,m>k1 & ,pet]4 ,lady ,lay>d4 ,madonna ) ,,ss4 ,francis & ,paul2 ,madonna ) ,,ss4 ,ni*olas ( ,b>i & ,john ,bapti/4 ,vic5za4 ,madonna ) ,,ss4 ,j]ome & ,john1 #adhi4 ,v9c5zo ,cat5a4 ,b]gamo4 ,c>r>a3 ,*ri/ at ,emmaus4 ,b]l94 ,portrait ( ,fugg]2 ,madonna1 ,sa9ts1 & ,donor 7,e474 ,dresd54 ,holy ,family 7,l474 ,london4 ,w>rior ador+ ,infant ,*ri/ 7,l472 ,s4 ,j]ome 9 8 ,/udy 7,l472 ,adoration ( ,magi 7,l474 ,mr4 ,b5son3 ,holy ,family4 ,"l ,br[nl[3 ,nativity4 ,mond ,collection3 ,madonna1 ,sa9ts1 & ,donors 7,e474 ,p>is4 ,v5etian ,ambassadors at ,cairo4 ,v5ice4 ,ducal ,palace3 ,madonna1 ,sa9ts1 & ,doge ,lor$an 7,e474 ,giovanelli ,palace3 ,madonna & ,sa9ts4 ,s4 ,m>ia ,mat] ,dom9i3 ,s4 ,cri/9a4 ,s4 ,trovaso3 ,madonna4 ,vi5na4 ,portrait ( a ,canon4 ,m>co ,basaiti4 ,b]gamo4 ,! ,savi\r1 #aeag2 ,two ,portraits4 ,b]l94 ,piet2 ,alt>piece2 ,s4 ,seba/ian2 ,madonna 7,e474 ,london4 ,s4 ,j]ome2 ,madonna4 ,milan4 ,ambrosiana3 ,ris5 ,*ri/4 ,muni*4 ,madonna1 ,sa9ts1 & ,donor 7,e474 ,murano4 ,s4 ,pietro3 ,assumption4 ,padua4 ,portrait1 #aeba2 ,madonna ) ,,ss4 ,lib]ale & ,pet]4 ,v5ice4 ,academy3 ,sa9ts2 ,dead ,*ri/2 ,*ri/ 9 ! ,g>d51 #aeaj2 ,call+ ( ,*ildr5 ( ,zeb$ee1 #aeaj4 ,museo ,corr]3 ,madonna & ,donor2 ,*ri/ & ,angels4 ,salute3 ,s4 ,seba/ian4 ,vi5na4 ,call+ ( ,*ildr5 ( ,zeb$ee1 #aeae4 ,&rea ,previtali4 ,b]gamo4 ,c>r>a3 ,p5teco/2 ,m>riage ( ,s4 ,ca!r9e2 ,alt>piece2 ,madonna1 #aead2 ,madonna ) ,sa9ts & ,donors4 ,lo*is3 ,madonna & ,sa9t4 ,c\nt ,moroni3 ,madonna & ,sa9ts2 ,family ,gr\p4 ,s4 ,aless&ro 9 ,croce3 ,crucifixion1 #aebd4 ,s4 ,spirito3 ,s4 ,john ,bapti/ & ,sa9ts1 #aeae2 ,madonna & f\r ,female ,sa9ts1 #aebe4 ,b]l94 ,madonna & ,sa9ts2 ,m>riage ( ,s4 ,ca!r9e4 ,dresd54 ,madonna & ,sa9ts4 ,london4 ,madonna & ,donor 7,e474 ,milan4 ,br]a3 ,*ri/ 9 ,g>d51 #aeab4 ,ox=d4 ,*ri/*ur* ,libr>y3 ,madonna4 ,v5ice4 ,ducal ,palace3 ,*ri/ 9 ,limbo2 ,cross+ ( ! ,r$ ,sea4 ,r$5tore3 ,nativity2 ,crucifixion4 ,v]ona4 ,/on+ ( ,/eph52 ,immaculate ,conception4 ,n4 ,rond9elli4 ,b]l94 ,madonna4 ,flor5ce4 ,uffizi3 ,madonna & ,sa9ts4 ,milan4 ,br]a3 ,madonna ) f\r ,sa9ts & ?ree ,angels4 ,p>is4 ,madonna & ,sa9ts4 ,rav5na4 ,two ,madonnas ) ,sa9ts4 ,s4 ,dom5ico3 ,organ ,%utt]s2 ,madonna & ,sa9ts4 ,v5ice4 ,museo ,corr]3 ,madonna2 ,madonna ) ,sa9ts & ,donors4 ,giovanelli ,palace3 ,two ,madonnas4 ,bissolo4 ,london4 ,mr4 ,b5son3 ,madonna & ,sa9ts4 ,mond ,collection3 ,madonna & ,sa9ts4 ,v5ice4 ,academy3 ,dead ,*ri/2 ,madonna & ,sa9ts2 ,pres5tation 9 ,temple4 ,s4 ,giovanni 9 ,bragora3 ,tripty*4 ,r$5tore3 ,madonna & ,sa9ts4 ,s4 ,m>ia ,mat] ,dom9i3 ,transfiguration4 ,lady ,lay>d3 ,madonna & ,sa9ts4 ,,"p ,,ii ,,*apt] ,,xiv ,,giorgione ,:5 we ent] a gall]y ( ,flor5t9e pa9t+s1 we f9d our admiration & criticism express+ !mselves naturally 9 c]ta9 t]ms2 we are /ruck by grace ( l9e1 by /r5u\s /udy ( =m1 by ! evid5ce ( k1 by ! display ( ?\ght & intellectual feel+4 ,! ,flor5t9e ge/ures & attitudes are expressive1 n]v\s1 f]v5t1 or1 z 9 ,mi*elangelo & ,signorelli1 alive ) sup]human en]gy4 ,b :5 look+ at pictures ( ! ,v5etian ,s*ool we unconsci\sly use q ano!r sort ( language2 epi!ts l d>k & ri* come mo/ freely to our lips2 a gold5 gl[1 a slumb]\s velvety dep?1 seem to engulf & absorb all details4 ,we are c>ri$ into ! l& ( romance1 & are fasc9at$ & soo!d1 r ?an /imulat$ & ar\s$4 ,s x is ) portraits2 be=e ! ,mona ,lisa our intellig5ce is all awake1 b ! m5 & wom5 ( ,v5etian canvases h a grave1 indol5t s]5ity1 :i* accords well ) ! slumb] ( ?\ght4 ,up to ! beg9n+ ( ! sixte5? c5tury ! pa9t]s ( ,v5ice _h n diff]$ v mat]ially f ^? ( o!r s*ools2 !y _h gradually work$ out or le>n$ ! te*nicalities ( draw+1 p]spective & anatomy4 ,!y _h be5 pa9t+ 9 oils = tw5ty-five ye>s1 & !y betray$ a great] fondness = pageant-pictures ?an 0 felt 9 o!r ,/ates ( ,italy4 ,flor5ce appo9ts ,mi*elangelo & ,leon>do to decorate h] public palace1 b no great /ore is set by _! spl5did a*ievem5ts2 _! "w is n ev5 complet$4 ,! /ud5ts fall ^u ! c>toons1 :i* are all[$ to p]i%1 in/ead ( be+ treasur$ by ! nation4 ,g5tile ,bell9i & ,c>paccio & ! b& ( ,/ate pa9t]s are appreciat$ & well rew>d$4 ,^! m5 h reproduc$ some?+ ( ! luc5t transp>5cy1 ! natural col\r ( ,v5ice1 b x is z if unconsci\sly2 !y are n fully aim+ at any special effect4 ,ye> aft] ye> ! ,v5etian ma/]s assimilate m or less languidly ! influ5ces :i* rea* !m f ! ma9l&4 ,!y welcome ,gu>i5to & ,g5tile da ,fabriano1 !y set !mselves to le>n f ,v]onese or ,flor5t9e1 ! ,paduans contribute _! *isell$ draw+1 _! le>n$ p]spective1 _! ar*eological curiosity4 ,yet ev5 e>ly 9 ! day ! ,v5etians escape f t h>d & le>n$ art :i* is s ali5 to _! easy1 voluptu\s temp]am5t4 ,jacopo ,bell9i _c con=m to x1 & 8 greate/ son is ready to foll[ feel+ & emotion1 & 9 8 old age is quick to discov] ! fir/ flav\r ( ! new w9e4 ,if ,v5etian art _h gone on ^u ! l9es we h be5 trac+ up to n[1 !re w\ld h be5 no?+ v di/9ctive ab\t x1 =1 h[ev] int]e/+ & *>m+ ,alvise & ,c>paccio1 ,cima & ! ,bell9i may be1 x is n ( !m we ?9k :5 we speak ( ! ,v5etian ,s*ool & :5 we rank x beside t ( ,flor5ce1 :ile ,giovanni ,bell9i alone1 9 8 lat] works1 is n /rong en\gh to be> ! burd54 ,! *ange :i* n[ comes ov] pa9t+ is n s mu* a te*nical "o z a *ange ( temp]1 a new t5d5cy 9 human ?\ght1 & we l9k x ) ,giorgione because he 0 ! *annel ?r\gh :i* ! deep impulse fir/ bur/ into ! light4 ,we h tri$ to trace ! gr[? ( ! e>ly ,v5etian ,s*ool1 b x does n develop logically l t ( ,flor5ce2 x is n ! result ( long endeav\r1 add+ "o acquisition & discov]y to ano!r4 ,v5etian art 0 peculi>ly ! outcome ( p]sonalities1 & x did n "k its own m9d till ! sixte5? c5tury4 ,!n1 l a hidd5 spr+1 x bubbles irresi/ibly to ! surface1 & ! spot :]e x does s is call$ by ! "n ( a man4 ,!re are be+s 9 mo/ great creative epo*s :o1 ) peculi> facility1 seem to embody ! purpose ( _! age & to yield !mselves z ready in/rum5ts to its design4 ,:5 "t is ripe !y appe>1 & are able1 ) p]fect ease1 to c>ry out & give voice to ! desires & t5d5cies :i* h be5 /ra9+ = expression4 ,^! desires may owe _! orig9 to national life & temp]am5t2 x may h tak5 g5]ations to br+ !m to fruition1 b !y become audible ?r\gh ! ag5cy ( an individual g5ius4 ,a g5ius is inevitably m\ld$ by 8 age4 ,rome1 9 ! sev5te5? c5tury1 drew to h] 9 ,b]n9i a man :o c\ld ) real p[] illu/rate h] det]m9ation to be gr&iose & o/5tati\s1 &1 at ! height ( ! ,r5aissance1 ,v5ice draws into h] s]vice a man ^: s5su\s feel+ 0 in/ill$1 acc5tuat$1 & welcom$ by e elem5t ar\nd him4 ,m conclusively ?an ev]1 at ?is "t1 ,v5ice1 ! _w's great sea-p[]1 0 9 h] full glory z ! c5tre ( ! _w's comm]ce & its art & culture4 ,vasco da ,gama _h discov]$ ! sea r\te to ,india 9 #adih1 b ! /up5d\s effect :i* ?is 0 to ex]t on ! :ole curr5t ( p[] did n become app>5t all at once4 ,v5ice 0 /ill ! great emporium ( ! ,ea/1 l9k$ to x by a ?\s& ties1 ,ori5tal 9 h] love ( ,ea/]n ri*ness4 ,x w\ld be exagg]at+ to say t ! ,v5etians ( ! sixte5? c5tury c\ld n draw4 ,z !re 7 ,tuscans :o und]/ood beautiful h>monies ( col\r1 s !re 7 ,v5etians :o knew a good deal ab\t =m2 b ! o!r ,italians look$ ^u col\r z a *>m+ adjunct1 almo/1 "o might say1 z an amiable weakness3 !y nev] w\ld h all[$ t x might legitimately become ! end & aim 9 pa9t+1 & 9 ! same way =m1 ?\gh respect$ & consid]$1 0 nev] ! pr9cipal object ( ! ,v5etians4 ,up to ?is "t ,v5ice _h f$ h] emotional in/9cts by pageants & gold & velvets & brocades1 b ) ,giorgione %e discov]$ t !re 0 a deep] emotional vehicle ?an ^! sup]ficial glories1--gl[+ dep?s ( col\r envelop$ 9 ! my/]i\s ri*ness ( *i>oscuro :i* oblit]at$ =m1 & hid & sugge/$ m ?an x reveal$4 ,giorgione no long] describ$ 9 draw+'s le>n$ tongue2 he c>ri$ all be=e him by giv+ 8 direct impression 9 col\r4 ,he conceives 9 col\r4 ,! ,flor5t9es c>$ little if _! f9ely drawn drap]ies 7 blue or r$1 b ,giorgione images purple cl\ds1 _! d>k velvet gl[+ t[>ds a rose & orange horizon4 ,he h>dly kn[s :at attitudes 8 *>act]s take1 b _! *e/nut hair1 _! deep-hu$ drap]ies1 _! amb] fle%1 make a mov+ h>mony 9 :i* ! importance ( exact modell+ is lo/ sight (4 ,8 sc5es are n compos$ me?odically & accord+ to ! old rules1 b are ! direct impress ( ! pa9t]'s joy 9 life4 ,x 0 a new & audaci\s /yle 9 pa9t+1 & its keynote1 & absolutely inevitable consequ5ce1 0 to sub/itute = =m & = gay1 simple t9ts laid ^u x1 ! quality ( *i>oscuro4 ,we all "k h[ ! %ades ( ev5+ are able to trans=m ! mo/ commonplace sc5e2 ! dull road becomes a my/]i\s av5ue1 ! col\rless foliage develops lusci\s dep?s1 ! drab & arid pla9 gl[s ) mell[ light1 purple %ad[s clo! & s(t5 e h>% & ugly object1 all detail dies1 & our appreh5sion ( x dies also4 ,our mood *anges2 in/ead ( obs]v+ & criticis+1 we become soo!d1 contemplative1 dreamy4 ,x is ! c>ry+ ( ?is pr(\nd feel+ into a col\r-s*eme by means ( *i>oscuro1 s t x is no long] le>n$ & explanatory1 b deeply s5su\s & emotional1 t is ! gift to art :i* f\nd full voice ) ,giorgione1 & :i* 9 "o mom5t 0 recognis$ & welcom$ to ! exclusion ( ! old] mann]1 because x t\*$ ! *ord :i* vibrat$ ?r\gh ! :ole ,v5etian temp]am5t4 ,& ! imm$iate result 0 ! picture ( no subject4 ,giorgione creates = u idle figures ) radiant fle%1 or rob$ 9 ri* co/umes1 surr\nd$ by lovely c\ntry1 & we d n ask or c>e :y !y are ga!r$ toge!r4 ,we h all _h dreams ( ,elysian fields1 :]e falls n any ra91 nor ev] w9d bl[s l\dly1 :]e all is re/ & fre$om1 :]e music bl5ds ) ! pla% ( f\nta9s1 & fruits rip51 & lov]s dream away ! days1 & no "o asks :at w5t be=e or :at foll[s aft]4 ,! ,gold5 ,age1 ! haunt ( fauns & nymphs3 !re nev] has be5 su* a day1 or su* a l&3 x is a mood1 a vision3 x has danc$ be=e ! eyes ( poets1 f ,david to ,keats & ,t5nyson3 x has rock$ ! tir$ he>ts ( m5 9 all ages3 ! vision ( a re/+-place :i* makes no dem&s & :]e ! dwell]s are exempt f ! c>es & weakness ( mortality4 ,ne$less to say1 x is an ideal born ( ! ,ea/2 x is ! ,ea/]n dream ( ,p>adise1 & x speaks to t /ra9 9 ! temp]am5t :i* recognises t life _c be all ?\ght1 b also ne$s feel+ & emotion4 ,& = ! fir/ "t 9 all ! _w ! pa9t] ( ,ca/elfranco sets t vague dream be=e m5's eyes4 ,! _w1 ) its wi/ful ye>n+s & que/ion+s1 su* z ,leon>do or ,botticelli embodi$1 said little to 8 audi5ce4 ,"h 0 _! natural atmosph]e1 ?\gh !y _h nev] kn[n x be=e4 ,^! deep1 solemn tones1 ^! fus$ & gold5 lights are :at ,giorgione grasps f ! mat]ial _w1 & z he /eeps 8 s5ses 9 !m ! subject c\nts b little 9 ! deep enjoym5t !y communicate4 ,we1 :o h se5 8 mann] repeat$ & develop$ ?r\gh ?\s&s ( pictures1 f9d x difficult to realise t !re _h be5 no?+ l x be=e1 t x 0 a unique dep>ture1 t :5 ,bell9i & ,titian look$ at 8 fir/ creations !y mu/ h exp]i5c$ a %ock ( revelation4 ,! old def9ite /yle mu/ h seem$ sudd5ly h>d & meagre1 & e "t !y look$ on ! glori\s _w1 ! deep gl[ ( sunset1 ! my/]i\s %ades ( fall+ night1 !y mu/ h felt !y 7 end[$ ) a s5se to :i* !y _h hi!rto be5 /rang]s1 b :i*1 x 0 at once app>5t1 0 _! true h]itage4 ,!y _h f\nd !mselves1 & 9 !m ,v5ice f\nd h] real expression1 & ) ,giorgione & ^? :o felt 8 impetus began ! true ,v5etian ,s*ool1 set ap>t f all o!r =ms ( art by its way ( us+ & diffus+ & int5sify+ col\r4 ,:5 ,giorgione1 ! son ( a memb] ( ! h\se ( ,b>b>elli & a peasant girl ( ,v$elago1 came d[n to ,v5ice1 we ga!r t he _h no?+ ( ! prov9cial4 ,vas>i1 :o mu/ (t5 h he>d ( him f ,titian1 describes him z h&some1 engag+1 ( di/+ui%$ appe>ance1 belov$ by 8 fri5ds1 a fav\rite ) wom51 fond ( dress & amusem5t1 an admirable musician1 & a welcome gue/ 9 ! h\ses ( ! great4 ,he 0 evid5tly no peasant-br$ lad1 b probably1 ?\gh !re is no record ( ! fact1 0 br\ght up1 l _m illegitimate *ildr51 9 ! pat]nal mansion4 ,8 home 0 n f> f ! lagoons1 9 "o ( ! mo/ beautiful places x is possible to imag9e1 on a lovely & f]tile pla9 runn+ up to ! ,asolean hills & ) ! ,julian ,alps ly+ beh9d4 ,we guess t he receiv$ 8 education 9 ! s*ool ( ,bell9i1 = :5 t ma/] sold 8 allegory ( ! ,s\ls 9 ,p>adise to "o ( ! ,m$ici1 to adorn ! summ] villa ( ,poggio ,imp]iale1 !re w5t ) x ! two small canvases n[ 9 ! ,uffizi1 ! ,ordeal ( ,moses & ! ,judgm5t ( ,solomon1 delightful little pa9t+s 9 ,giorgione's ri* & di/9ctive /yle1 b less accompli%$ ?an ,bell9i's picture1 & ) imp]fections 9 ! draw+ ( drap]y & figures :i* sugge/ t !y are ! "w ( a v "y man4 ,! love ( ! ,v5etians = decorat+ ! ext]ior ( _! palaces ) fresco l$ to ,giorgione be+ l>gely employ$ on "w :i* 0 unhappily a griev\s wa/e ( "t & tal5t1 z f> z po/]ity is conc]n$4 ,we h a record ( faades cov]$ ) spirit$ compositions & h]aldic devices1 ( friezes ) ,bac*us & ,m>s1 ,v5us & ,m]cury4 ,zanetti1 9 8 sev5te5?-c5tury pr9ts1 has pres]v$ a noble figure ( ,=titude grasp+ an axe1 b beyond a few fragm5ts no?+ has surviv$4 ,be=e he 0 ?irty ,giorgione 0 entru/$ ) ! important commission ( decorat+ ! ,fondaco dei ,t$es*i4 ,?is build+1 :i* we he> ( s (t5 9 connection ) ! arti/s ( ,v5ice1 0 ! trad+-h\se = ,g]man1 ,hung>ian1 & ,poli% m]*ants4 ,! ,v5etian ,gov]nm5t surr\nd$ ^! m]*ants ) ! mo/ jeal\s re/rictions4 ,e assi/ant & s]vant connect$ ) !m 0 by law a ,v5etian1 &1 9 fact1 a spy ( ! ,republic4 ,all transactions ( buy+ & sell+ 7 c>ri$ out by ,v5etian brok]s1 ( :om "s ?irty 7 appo9t$4 ,z "t w5t on1 "s ( ^! brok]%ips mu/ h resolv$ !mselves into s9ecure (fices1 = we f9d ,bell9i hold+ "o1 & c]ta9ly )\t dis*>g+ any ( ! orig9al duties1 & !y seem to h become "s sort ( ,/ate reta9]%ips4 ,9 #aeje ! old ,fondaco _h be5 burnt to ! gr\nd1 & ! pres5t build+ 0 ris+ :5 ,giorgione & ,titian 7 boys4 ,a decree w5t =? t no m>ble1 c>v+1 or gild+ 7 to be us$1 s t pa9t+ ! outside 0 ! only alt]native4 ,! ro( 0 on 9 #aejg1 & f t date ,giorgione1 ,titian1 & ,morto da ,feltre 7 employ$ 9 ! adornm5t ( ! faade4 ,vas>i is v mu* ex]cis$ ov] ,giorgione's %>e 9 ^! decorations4 ,"o does n f9d "o subject c>efully arrang$1 he compla9s1 or :i* foll[s correctly ! hi/ory or actions ( anci5ts or mod]ns4 ,z = me1 ,i h nev] be5 able to und]/& ! mean+ ( ^! compositions1 or h met any "o able to expla9 !m to me4 ,"h "o sees a man ) a lion's head1 beside a woman4 ,close by "o comes ^u an angel or a ,love3 x is all an inexplicable m$ley4 ,yet he is delight$ ) ! brilliancy ( ! col\r & ! spl5did execution1 & adds1 ,col\r gives m pleasure 9 ,v5ice ?an any:]e else4 ,among o!r e>ly "w 0 ! little ,adoration ( ! ,magi1 9 ! ,national ,gall]y1 & ! s-call$ ,philosoph]s at ,vi5na4 ,accord+ to ! late/ read+1 ?is la/ illu/rates ,virgil's leg5d t :5 ! ,trojan neas arriv$ 9 ,italy1 ,ev&] po9t$ out ! future site ( ,rome to ! anci5t se] & 8 son4 ,giorgione1 9 pa9t+ ! sc5e1 is absorb$ 9 ! beauty ( nature4 ,x is 8 fir/ great l&scape1 & all accessories h be5 sacrific$ to int5sity ( effect4 ,he revels 9 ! glory ( ! sett+ sun1 ! broad tranquil masses ( foliage1 ! long ev5+ %ad[s1 & ! effect ( d>k =ms silh\ett$ aga9/ ! radiant light4 ,,*apt] ,,xv ,,giorgione 7cont9u$7 ,:5 ,giorgione 0 tw5ty-six he w5t back to ,ca/elfranco1 & pa9t$ an alt>piece = ! ,*ur* ( ,san ,lib]ale4 ,9 ! sixte5? c5tury ,tuzio ,co/anza1 a well-kn[n capta9 ( ,free ,companions1 :o _h made 8 =tune 9 ! w>s1 :]e he _h be5 atta*$ to ,ca!r9e ,corn>o1 foll[$ ! de?ron$ que5 f ,cyprus1 & :5 %e retir$ to ,asolo1 settl$ ne> h] at ,ca/elfranco4 ,8 son1 ,matteo1 ent]$ ! s]vice ( ! ,v5etian ,republic1 & became a lead] ( fifty lances2 b ,matteo 0 kill$ at ! battle ( ,rav5na 9 #aejd1 & ,co/anza _h 8 son's body embalm$ & buri$ 9 ! family *apel4 ,no?+ is kn[n ( ! details ( ?is commission1 b we are n /ra9+ ! b\nds ( probability by assum+ t 9 a little t[n l ,ca/elfranco1 h>dly m ?an a village1 ! two y\?s mu/ h be5 well kn[n to ea* o!r1 & t ?is acqua9tance & ! famili>ity ( ! "o ) ! appe>ance ( ! o!r may h be5 ! det]m9+ cause :i* l$ ! b]eav$ fa!r to give ! commission to ! "y pa9t]1 :ile ! tragic circum/ances 7 su* z w\ld appeal to an ard5t1 en?usia/ic nature4 ,a treasure ( our ,national ,gall]y is a /udy made by ,giorgione = ! figure ( ,san ,lib]ale1 :o is repres5t$ z a "y man ) b>e head & crisp1 gold5 locks1 dress$ 9 silv] arm\r1 copi$ f ! suit 9 :i* ,matteo ,co/anza is dress$ 9 ! /one effigy :i* is /ill pres]v$ 9 ! cemet]y at ,ca/elfranco4 ,at ! side ( ! /one figure lies a helmet1 resembl+ t on ! head ( ! sa9t 9 ! alt>piece4 ,9 ,giorgione's gr\p ! ,"m & ,*ild are en?ron$ on high1 ) ,/4 ,francis & ,/4 ,lib]ale on ei!r h&4 ,! ,*ild's glance is turn$ ^u ! soldi]-sa9t1 a gallant figure ) 8 lance at re/1 8 dagg] on 8 hip1 8 gloves 9 8 h&1 "y1 high-br$1 ) features ( almo/ fem99e beauty4 ,! picture is conceiv$ 9 a new _s ( simplicity ( design1 & %[s a new feel+ = re/ra9t 9 matt]s ( detail4 ,x is ! "w ( a man :o has obs]v$ t e>ly morn+1 l late ev5+1 has a m>vell\s p[] ( elim9at+ all uness5tial accessories & ( envelop+ e object 9 a delici\s s*eme ( light4 ,repa9t$1 clean$1 re/or$ z ! canvas is1 x is /ill full ( an atmosph]e ( calm s]5ity4 ,x is n ! ec/atic1 devotional rev]ie ( ,p]ug9o's sa9ts4 ,! pa9t] ( ,ca/elfranco has n /eep$ 8 :ole s\l 9 religi\s imag9ation1 l ! pa9t] ( ,umbria2 he is an exempl> ( ! lyric feel+2 8 "w is a poem 9 praise ( y\? & beauty1 & dreams 9 air & sun%9e4 ,he uses atmosph]e to enhance ! mood1 b ,giorgione c>ries 8 unison ( l&scape ) human feel+ mu* fur!r ?an ,p]ug9o2 he obs]ves ! delicate effects ( light1 & limpid air circulates 9 8 di/ance4 ,! sun ris+ ov] ! sea ?r[s a glam\r & purity ( e>ly morn+ ov] a sc5e meant to glorify ! memory ( a "y life4 ,! pa9t] %[s 8 connection ) 8 ma/] by us+ ! figure ( ! ,/4 ,francis 9 ,bell9i's ,san ,giobbe alt>piece4 ,:at ,bell9i ow$ to ,giorgione is /ill a matt] = speculation4 ,! ,san ,zacc>ia alt>piece 01 z we h se51 pa9t$ 9 ! ye> foll[+ t ( ,ca/elfranco4 ,some?+ has incit$ ! old pa9t] to fre% ef=ts2 out ( 8 own evolution1 or /imulat$ by 8 pupil's spl5did exp]im5ts1 he is drawn into ! gold5 atmosph]e ( ! ,v5etian c9que-c5to4 ,! ,v5etian pa9t]s 7 di/+ui%$ by _! love = ! k9dr$ art ( music4 ,giorgione himself 0 an admirable musician1 & l9k$ ) all t is ak9 to music 9 8 "w1 is 8 love = pa9t+ gr\ps ( p knit toge!r by ?is bond4 ,he uses x z a pa/ime to br+ !m into company1 & ! ri* *ords ( col\r seem p]meat$ ) ! *ords ( s\nd4 ,n always1 h[ev]1 does he ne$ ev5 ?is excuse2 8 conv]sation-pieces are (t5 m]ely compos$ ( p]sons plac$ ) indescribable grace 9 exquisite surr\nd+s1 gov]n$ by a mood :i* communicates itself to ! behold]4 ,) ! ,flor5t9es1 ! c>toon 0 c>efully drawn ^u ! wall & flat t9ts 7 sup]impos$4 ,!y knew be=eh& :at ! effect 0 to be2 b ! ,v5etians f ?is "t gradually work$ up ! picture1 imb$d+ t9ts1 int5sify+ effects1 "o t\* sugge/+ ano!r1 till ! :ole ri* h>mony 0 gradually evok$4 ,) ! ,flor5t9es1 too1 ! figures supply ! ma9 int]e/2 ! backgr\nd is an arbitr>y addition1 plac$ beh9d !m at ! pa9t]'s leisure1 b ,giorgione's & ,titian's ftes *amptres & conc]ts c\ld n be at all 9 any o!r environm5t4 ,! amb] fle%-t9ts & ! gl[+ g>m5ts are s bl5d$ ) ! deep tones ( ! l&scape1 t "o w\ld n in/il ! mood ! arti/ desires )\t ! o!r4 ,pi]o di ,cosimo & ,p9toric*io c place delightful nymphs & fairy pr9cesses 9 idyllic sc5es1 & !y /ir no emotion 9 u beyond an obs]vant pleasure1 a deta*$ amusem5t2 b ,giorgione's gloomy blues1 8 figures %9+ ?r\gh ! w>m dusk ( a summ] ev5+1 wak5 we h>dly "k :at ( vague ye>n+ & brood+ memory4 ,9 ! ,fte ,*amptre ( ! ,l\vre he acquires a frankly s5su\s *>m4 ,he becomes rip]1 ri*] 9 feel+1 & displays great exub]ance ( /yle4 ,! woman fill+ h] pit*] at ! f\nta9 is exquisite 9 l9e & curve & amb] col\r4 ,%e seems to li/5 lazily to ! liquid fall ( ! wat] m+l+ ) ! half-he>d music ( ! pipes4 ,! beautiful idyll 9 ! ,giovanelli ,palace is full ( art ( composition4 ,x is built up ) uprights2 pill>s are =m$ by ! gr\ps ( trees & figures1 cut boldly across by ! horizontal l9e ( ! bridge1 b ! figures !mselves are put 9 )\t any att5tion to subject1 ?\gh an unconsci\s humori/ has discov]$ 9 !m ! dome/ic circle ( ! pa9t]4 ,! man 9 ,v5etian dress is !re to assi/ ! left-h& column> gr\p1 plac$ at ! edge ( ! picture aft] ! mann] ( ,leon>do4 ,! woman & *ild light5 ! mass ( foliage on ! "r & make a beautiful patt]n4 ,! :ite t[n ( ,ca/elfranco s+s aga9/ ! ?reat5+ sky1 ! w9ds blu/] ?r\gh ! space1 ! trees %iv] ) ! com+ /orm4 ,"h & !re leafy b\ghs are /ruck 9 ) a slight1 crisp t\*1 9 :i* we c foll[ readily ! pa9t]'s quick impression4 ,! ,knight ( ,malta is a gr& magi/]ial figure1 maje/ic1 yet full ( ard5t w>m? ly+ beh9d ! grave1 indiff]5t nobility4 ,! face is bisect$ ) %ad[1 9 ! way :i* ,mi*elangelo & ,&rea del ,s>to affect$1 & ! cone-%ap$ head ) p>t$ hair is ( ! type :i* seems p>ticul>ly to h pleas$ ! pa9t]4 ,to ,giorgione1 too1 belongs ! hon\r ( hav+ creat$ a ,v5us z pure z ! ,aphrodite ( ,cnidos & z beautiful z a c\rtesan ( ,titian4 ,illu/ration3 ,giorgione4 ,f,,te ,,*amp,,tre4 ,l\vre4 7,photo1 ,al9>i47 ,! dea? ( ,giorgione f plague 9 #aeaa is regi/]$ by all ! olde/ au?orities4 ,8 body 0 convey$ to ,ca/elfranco by memb]s ( ! ,b>b>elli family & buri$ 9 ! ,*ur* ( ,san ,lib]ale4 ,9 #afch an epitaph 0 plac$ ov] 8 tomb by ,matteo & ,ercole ,b>b>elli4 ,all[+ t he 0 h>dly m ?an tw5ty :5 8 new mann] began to ga9 a foll[+1 he _h only "s twelve ye>s 9 :i* to e/abli% 8 deep & la/+ influ5ce4 ,we div9e t he 0 a man ( /rong p]sonality1 su* a "o z w>ms & /imulates 8 companions4 ,ev5 8 nickname tells u some?+1--,great ,george1 ! ,*ief1 ! ,george ( ,georges1--x seems to express him z a lead]4 ,& we h no lack ( pro( t he 0 admir$ & look$ up to4 ,8 /yle became ! only "o t f\nd fav\r 9 ,v5ice1 & ! pa9t]s ( ! day did _! be/ to con=m to x4 ,few au!ntic examples are left f 8 own h&1 b out ( 8 consci\s & devot$ & m or less successful imitators1 !re grew up a s*ool1 out ( all ^? fasc9at+ works1 rightly or wrongly attribut$ to him2 out ( _m copies f1 or v>iations on him1 by unkn[n or unc]ta9 workm51 ^: draw+s & designs 71 = v>i\s reasons1 priz$ z 82 out ( ! imm$iate impression he made ^u 8 contempor>ies & ) :i* he cont9u$ 9 m5's m9ds2 out ( _m traditions ( subject & treatm5t :i* really desc5d f him to our own "t1 & by retrac+ :i* we fill out ! orig9al image4 ,summ+ up all ^! influ5ces1 he has left u ! ,giorgionesque2 ! art ( *oos+ a mom5t 9 :i* ! subject & ! elem5ts ( col\r & design are s p]fectly fus$ & bl5d$ t we h no ne$ to ask = any m articulate /ory2 a mom5t into :i* all ! significance1 ! fulness ( exi/5ce has cond5s$ itself1 s t we are consci\s ( ! v ess5ce ( life4 ,^? idylls ( be+s wrapp$ into an ideal dreaml& by music & ! s\nd ( wat] & ! beauty ( wood & m\nta9 & velvet sw>d1 ne$ all our consci\s appreh5sion ( life if we are to dr9k 9 _! full fasc9ation4 ,! dream ( ! ,lotos-eat]s c only come ) =ce to ^? :o c contra/ x adequately ) ! exp]i5ce1 ! complication1 & ! ?\s& di/ractions ( an ov]-civilis$ _w4 ,re/ & relaxation1 ! p[] ( ! deeply t9t$ ev5tide1 or ( ! fre% morn+ light1 & ! calm t dr9ks 9 ! s5sations !y are able to af=d1 are among ! preci\s ?+s ( life4 ,! in/9ct ^u :i* ,giorgione's "w re/s is ! satisfy+ ( ! feel+ z well z ! ?9k+ faculty1 ! life ( ! he>t1 z comp>$ to ! life ( ! intellect1 ! solution ( life's problems by love in/ead ( by ?\ght4 ,x 0 ! ,ea/]n ideal1 & its positive expression is convey$ by means ( col\r1 deep1 re/ful1 satisfy+1 fus$ & controll$ by *i>oscuro r ?an by =m4 ,,pr9cipal ,,works ,b]l94 ,portrait ( a ,man4 ,buda-,pe/h4 ,portrait ( a ,man4 ,ca/elfranco4 ,duomo3 ,madonna ) ,,ss4 ,francis & ,lib]ale4 ,dresd54 ,sleep+ ,v5us4 ,flor5ce4 ,uffizi3 ,trial ( ,moses 7,e472 ,judgm5t ( ,solomon 7,e472 ,knight ( ,malta4 ,hampton ,c\rt4 ,a ,%eph]d4 ,madrid4 ,madonna ) ,,ss4 ,ro* & ,an?ony ( ,padua4 ,p>is4 ,fte ,*amptre4 ,rome4 ,villa ,borghese3 ,portrait ( a ,lady4 ,v5ice4 ,sem9>io3 ,apollo & ,daphne4 ,palazzo ,giovanelli3 ,gipsy & ,soldi]4 ,san ,rocco3 ,*ri/ be>+ ,cross4 ,bo/on4 ,mrs4 ,g>dn]3 ,*ri/ be>+ ,cross4 ,london4 ,sket* ( a ,knight2 ,adoration ( ,%eph]ds4 ,visc\nt ,all5dale3 ,adoration ( ,%eph]ds4 ,vi5na4 ,ev&] %[+ neas ! ,future ,site ( ,rome4 ,,*apt] ,,xvi ,,! ,,giorgionesque ,giorgione _h giv5 ! impulse1 & all ! pa9t]s r\nd him felt 8 p[]4 ,! ,v5etian pa9t]s t is1 = x is rem>kable1 at a "t :5 ! m5 ( "o city obs]v$ & /udi$ & took h9ts f ^? ( e o!r1 h[ fa9t are ! signs t ?is p>ticul> mann] attract$ any great att5tion 9 o!r art c5tres4 ,leon>do da ,v9ci 0 a ma/] ( *i>oscuro1 b he us$ x only to express 8 =ms1 & nev] sacrifices to x ! delicacy & f95ess ( 8 design4 ,x is ! "o quality ,raphael nev] assimilates1 except = a brief in/ant at ! p]iod :5 ,seba/ian del ,piombo _h arriv$ 9 ,rome f ,v5ice4 ,x takes hold mo/ /rongly ^u ,&rea del ,s>to1 :o seems1 significantly en\gh1 to h _h no v pron\nc$ intellectual capacity1 b 9 ,v5ice itself x n[ became ! only way4 ,! old ,bell9i f9ds 9 x 8 la/ & fulle/ ideal2 ,cat5a1 ,basaiti1 ,c>iani d _! be/ to acquire x1 & s successfully 0 x acquir$1 s cong5ial 0 x to ,v5etian art1 t ev5 second- & ?ird-rate ,v5etian pa9t]s h usually some?+ attractive :i* triumphs ov] sup]ficial & d\btful draw+ & gr\p+4 ,x is easy to see h[ mu* to _! ta/e 0 ?is fus$ & gold5 mann]1 ?is disreg>d ( def9$ =m1 & ?is new play ( *i>oscuro4 ,! ,v5etian room 9 ! ,national ,gall]y is full ( su* examples3 ! ,nymphs & ,amoretti ( ,no4 #afie1 *>m+ figures aga9/ melt+ v9es & olives2 ,v5us & ,adonis1 9 :i* a bewit*+ ,cupid *ases a butt]fly2 ,lov]s 9 a l&scape1 roam+ 9 ! summ] twilight2 sc5es 9 :i* nei!r p]son nor sc5]y is a pretext = ! o!r1 b ea* has its full %>e 9 ar\s+ ! desir$ emotion4 ,su* pictures are ascrib$ to1 or tak5 f ,giorgione by succe$+ critics1 b h all laid hold ( 8 *>m1 & h "s %>e 9 8 inspiration4 ,"o ( ! able/ ( 8 foll[]s1 a man ^: "w is /ill conf\nd$ ) ! ma/]'s1 is ,c>iani1 ! ,b]gamasque1 :o at diff]5t times 9 8 life also successfully imitat$ ,palma & ,lotto4 ,9 8 ,giorgionesque mann] ,c>iani (t5 creates *>m+ figures & /rong portraits1 ?\gh he pu%es 8 col\r to a co>se1 excessive tone4 ,8 family gr\p 9 ! ,roncalli ,collection at ,b]gamo is v close to ,giorgione4 ,sev5 p]sons1 ?ree wom5 & f\r m51 are gr\p$ toge!r ^u a t]race1 & beh9d !m /ret*es a calm l&scape1 half conceal$ by a brocad$ hang+4 ,! effect ( ! :ole is re/ful1 ?\gh x lacks ,giorgione's conc5tration ( s5sation4 ,!n1 aga91 ,c>iani flies (f to ! gay]1 m animat$ /yle ( ,lotto4 ,lat] on1 :5 he tries to reproduce ,giorgione's pa/oral rev]ies1 8 %eph]ds & nymphs become m]e peasants1 h]dsm51 & c\ntry w5*es1 :o h no?+ ( ! idyllic di/9ction :i* ,giorgione nev] fail$ to infuse4 ,! ,adult]ess be=e ,*ri/ at ,glasg[ /ill be>s ! great] "n1 b its %ort1 vulg> figures & faulty composition disclaim 8 au?or%ip1 :ile ,c>iani is fully capable ( su* fail+s1 & ! exagg]at$1 r$-br[n tone is q *>act]i/ic ( him4 ,^! pa9t]s are m ?an m]ely imitative2 !y are also typical4 ,giorgione's new mann] _h appeal$ to "s quality inh]5t & h]$it>y 9 _! nature1 & ! ess5tial traits !y s+le out & dwell ^u are ! traits :i* appeal equally to ! in/9cts ( bo?4 ,x is ?is :i* makes _! ef=ts m sympa!tic ?an ^? ( o!r second-rate pa9t]s4 ,col\r1 or r ! peculi> way 9 :i* ,giorgione us$ col\r1 made a natural appeal to !m1 & x is a m$ium :i* does make an imm$iate appeal & cov]s a multitude ( %ortcom+s4 ,b ,giorgione 0 n to leave 8 message to ! m]cy ( m]e disciples & imitators1 h[ev] apt4 ,gr[+ up ar\nd him 7 m5 to :om t message 0 an inspiration & a trumpet-call1 m5 :o 7 to develop & deep5 x1 end[+ x ) _! own /r5g?1 recognis+ t ! way :i* ! "y pione] ( ,ca/elfranco _h po9t$ out 0 ! "o into :i* !y c\ld unhesitat+ly p\r _! :ole incl9ation4 ,! in/9ct = col\r 0 9 _! v blood4 ,!y turn$ to x ) ! he>t-:ole delight ) :i* a bird seeks ! air or a fi% ! wat]1 & =emo/ among !m1 to create & to consolidate1 0 ! mighty ,titian4 ,,pr9cipal ,,works ,c>iani4 ,b]gamo4 ,c>r>a3 ,madonna & ,sa9ts4 ,lo*is3 ,woman & ,%eph]d2 ,portraits2 ,sa9ts4 ,morelli3 ,madonna 7,l474 ,roncalli ,collection3 ,family ,gr\p4 ,hampton ,c\rt4 ,adoration ( ,%eph]ds 7,l472 ,v5us 7,l474 ,london4 ,dea? ( ,s4 ,pet] ,m>tyr 7,l472 ,madonna & ,sa9ts 7,l474 ,milan4 ,br]a3 ,madonna & ,sa9ts 7,l472 ,madonna 7,l474 ,ambrosiana3 ,way to ,golgo?a4 ,p>is4 ,madonna1 ,sa9ts1 & ,donor 7,e472 ,holy ,family & ,sa9ts4 ,rome4 ,villa ,borghese3 ,sleep+ ,v5us2 ,madonna & ,s4 ,pet]4 ,v5ice4 ,holy ,family2 ,portraits4 ,vi5na4 ,*ri/ be>+ ,cross2 ,! ,bravo4 ,s*ool ( ,giorgione4 ,london4 ,unkn[n subject2 ,adoration ( ,%eph]ds2 ,v5us & ,adonis2 ,l&scape1 ) ,nymphs & ,cupids2 ,! ,g>d5 ( ,love4 ,mr4 ,b5son4 ,lov]s & ,pilgrim4 ,,*apt] ,,xvii ,,titian ,! m\nta9s ( ,cadore are n always visible f ,v5ice1 b !re !y lie1 beh9d ! mi/s1 & 9 ! cle> %9+ aft] ra91 9 ! gold5 ev5tide ( autumn1 & on /eel-cold w9t] days !y /& out1 lapis-lazuli blue or deep purple1 or1 l ,%elley's en*ant$ peaks1 9 %>p-cut1 beautiful %apes ris+ above bill[y slopes4 ,cadore is a l& ( ri* *e/nut woods1 ( leap+ /reams1 ( gleams & glooms1 sudd5 /orms & bur/s ( sun%9e4 ,x is an ord] ( sc5]y :i* ent]s deep into ! affections ( its sons1 & we c =m "s idea ( ! hold its m+l+ ( wild poetry & s5su\s s(tness obta9$ ov] ! m9d ( ,titian f ! fact t 9 aft] ye>s1 :ile he nev] ex]ts himself to pa9t ! city 9 :i* he liv$ & 9 :i* all 8 greate/ triumphs 7 ga9$1 he is uni=mly con/ant to 8 m\nta9 home1 ent]s into its _s & int]prets its *>m ) w>m & p5etrat+ insight4 ,! di/rict =m$ "p ( ! dep5d5cies ( ! great republic1 & reli$ ^u ,v5ice = its safety1 its di/9ction1 & 9 great measure = its employm5t4 ,! small craftsm5 & arti/s f all ! c\ntry r\nd look$ =w>d to go+ d[n to seek _! =tune at h] h&s4 ,!y tack$ ! "n ( _! native t[n to _! own "n1 & 7 drawn into ! magnific5t life ( ! city ( ! sea1 & came back f "t to "t ) /ories ( h] art1 h] p[]1 & beauty4 ,! ,vecelli _h = g5]ations held hon\rable po/s 9 ,cadore4 ,! fa!r & gr&fa!r ( ! "y ,tiziano 7 influ5tial m51 & ) 8 bro!r & si/]s he mu/ h be5 br\ght up 9 com=t4 ,!re are ev5 traditions ( noble bir?1 & x is evid5t t ,titian 0 always a g5tleman1 ?\gh ?is did n prev5t 8 be+ educat$ z a craftsman1 & :5 he 0 only t5 ye>s old he 0 s5t d[n to ,v5ice to be appr5tic$ to a mosaici/4 ,x 0 a *ang+ ,v5ice to :i* ,titian came z a boy2 *ang+ 9 its life1 its social & political conditions1 & its art 0 fai?fully regi/]+ its aspirations & ta/es4 ,m ?an at any previ\s "t1 x 0 calculat$ to impress a y\? to :om x _h be5 held up z ! embodim5t ( spl5did sov]eignty1 & ! diff]5ce betwe5 ! little hill-t[n set 9 ! mid/ ( its wild solitudes & ! brilliant city ( ! sea mu/ h be5 dazzl+ & bewild]+4 ,a new s5se ( intellectual luxury _h awak5$ 9 ! great comm]cial c5tre4 ,! ,v5etian love ( spl5d\r 0 display+ itself by ! enc\ragem5t & collection ( objects ( art1 & bo? anci5t & mod]n works 7 9 increas+ reque/4 ,on ,g5tile ,bell9i's & ,c>paccio's canvases we see ! sort ( p ! ,v5etians 71 %rewd1 quiet1 spl5d\r-lov+1 b bus9ess-l1 ! "y m5 fa%ionably dress$1 fa/idi\s connoisseurs1 spl5did patrons ( art & ( religion4 ,buy]s 7 beg9n+ to f9d out :at a delightful decoration ! small picture made1 & t x 0 z mu* 9 place 9 _! own halls z ov] ! alt> ( a *apel4 ,! portrait1 too1 0 ga9+ 9 importance1 & ! idea ( mak+ x a pleasure-giv+ picture1 ev5 m ?an a fai?ful transcript1 0 ga!r+ gr\nd4 ,! ,procession ( ! ,relic 0 /ill 9 ,g5tile's /udio1 b ! ,fr>i ,madonna & ,*ild 0 j in/all$ 9 its place4 ,c>paccio 0 beg9n+ 8 long s]ies ( ,/4 ,ursula1 & ! ,bell9i & ,viv>9i 7 9 ke5 rival%ip4 ,titian is said to h pass$ f ! bottega ( ,g5tile to t ( ,giovanni ,bell9i1 b no?+ 9 8 /yle rem9ds u ( ! =m]1 & ev5 8 e>ly "w has v little t is really ,bell9esque1 :]eas f ! v fir/ he reflects ! new _s :i* emanat$ f ,giorgione4 ,titian 0 a ye> ! eld]1 & we c div9e ! sympa?y t arose betwe5 ! two :5 !y came toge!r 9 ,bell9i's ,s*ool4 ,z soon z _! appr5tice%ip 0 at an end !y became p>tn]s4 ,fond ( pleasure & gaiety1 lov+ spl5d\r1 dress1 & amusem5t1 !y 7 naturally cong5ial companions1 & 7 drawn yet m closely toge!r by _! love = _! art & by ! aptitude ) :i* ,titian grasp$ ,giorgione's pr9ciples4 ,& if we ask ourselves :y we take = grant$ t ( two "y m5 s closely alli$ 9 age & circum/ance we accept ,giorgione z ! lead] & ! creator ( ! new /yle1 we may answ] t ,titian 0 a m complex "*4 ,he 0 intellectual1 & c>ri$ 8 intellect into 8 art1 b ?is 0 no new feature4 ,! intellect _h _h & 0 hav+ a l>ge %>e 9 art4 ,b 9 t "p :i* 0 new1 & :i* 0 laun*+ art ^u an untri$ c\rse1 ,giorgione is m int5se1 m "o-idea'd ?an ,titian4 ,:at he does he does ) a f]v\r & a spontaneity t m>ks him z "o :o p\rs out ! language ( ! he>t4 ,! p>tn]%ip betwe5 ! two 0 probably arrang$ a few ye>s be=e ! end ( ! c5tury1 = we h se5 t "y pa9t]s usually />t$ on _! own acc\nt at ab\t n9ete5 or tw5ty4 ,= "s ye>s ,titian1 l ,giorgione1 0 engross$ by ! decorations ( ! ,fondaco dei ,t$es*i4 ,! gr\ps ( figures describ$ by ,zanetti 9 #agga %[ u t :ile ,giorgione made "s attempt at foll[+ classic figures1 ,titian broke entirely ) ,greek art & only ?\ght ( picturesque nature & contempor>y co/ume4 ,vas>i compla9s t he nev] knew :at ,titian's ,judi? 0 meant to repres5t1 unless x 0 ,g]mania1 b ,zanetti1 :o _h ! b5efit ( ,seba/iano ,ricci's ta/e1 decl>es t f :at he saw1 bo? ,giorgione & ,titian gave pro(s ( rem>kable skill4 ,:ile ,giorgione %[$ a f]vid & orig9al _s & op5$ up a new pa?1 ov] :i* he %$ a light t 0 to guide po/]ity1 ,titian 0 ( a gr&] & m equable g5ius1 lean+ at fir/1 inde$1 ^u ,giorgione's example1 b exp&+ ) su* =ce & rapidity z to place him 9 advance ( 8 companion1 on an em95ce to :i* no lat] craftsman 0 able to climb4444 ,he mod]at$ ! fire ( ,giorgione1 ^: /r5g? lay 9 fanciful movem5t & a my/]i\s artifice 9 dispos+ %ad[s1 contra/$ d>kly ) w>m lights1 bl5d$1 /r5g!n$1 blurr$1 s z to produce ! semblance ( exub]ant life4 ,c]ta9 works rema9 to l9k ! two pa9t]s2 ev5 n[ critics are divid$ z to :i* ( ! two to attribute ! ,conc]t 9 ! ,pitti4 ,! figures are ,giorgionesque1 b ! te*nique e/abli%es x z an e>ly ,titian1 & x is d\btful :e!r ,giorgione w\ld be capable ( ! intellectual ef=t :i* produc$ ! dreamy1 passionate expression ( ! "y monk1 borne f> out ( himself by 8 own melody1 & half recall$ to life by ! t\* on 8 %\ld]4 ,titian1 l ,giorgione1 0 a musician1 & ! fasc9ation ( music is felt by _m ma/]s ( ! ,italian s*ools4 ,9 "o picture ! play] feels vaguely aft] ! melody1 9 ano!r we are ask$ to anticipate ! song t is j ab\t to beg91 or ! la/ *ords ( t j f9i%$ vibrate ^u ! e>1 b n[h]e else 9 all art has any "o s seiz$ ! melody ( an in/ant & kept its fulness & its passion s\nd+ 9 our e>s z ?is musician does4 ,?\gh we _c say t ,titian 0 ! pupil ( any "o ma/]1 ! fifte5 ye>s1 m or less1 t he sp5t ) ,giorgione left an indelible impression ^u him4 ,we h only to look at su* a picture z ! ,madonna & ,*ild ) ,,ss4 ,john ,bapti/ & ,antony ,abate1 9 ! ,uffizi1 an e>ly "w1 to recollect t 9 #aejc ,giorgione at ,ca/elfranco _h tak5 ! ,madonna f h] ni*e 9 ! sanctu>y & _h en?ron$ h] on high 9 a bright & sunny l&scape ) ,s4 ,lib]ale /&+ s5t9el at h] feet1 l a knight gu>d+ 8 liege lady4 ,titian 9 ?is e>ly gr\p ca/s e conv5tion aside2 a beautiful woman & lovely *ildr5 are plac$ 9 surr\nd+s ^: *>m is devoid ( hi]atic & religi\s significance4 ,! same easy unfett]$ treatm5t appe>s 9 ! ,madonna ) ! ,*]ries at ,vi5na1 & ! ,madonna ) ,/4 ,bridget & ,s4 ,ulfus at ,madrid1 & :ile x has be5 surmis$ t ! example ( ! precise ,alb]t ,dr]1 :o paid 8 fir/ visit to ,v5ice 9 #aejf1 0 n )\t its effect 9 pres]v+ ,titian f fall+ into laxity ( treatm5t & 9 incit+ him to f9e f9i%1 x is int]e/+ to f9d t ,titian 01 9 fact1 disc>d+ ! use ( ! c>efully trac$ & transf]r$ c>toon1 & 0 sket*+ 8 design freely on panel or canvas ) a bru% dipp$ 9 br[n pigm5t1 & alt]+ & modify+ x z he w5t on4 ,! la/ ye>s ( ,titian's fir/ p]iod 9 ,v5ice mu/ h be5 anxi\s ones4 ,! ,emp]or ,maximilian 0 attack+ ! ,v5etian possessions on ! ma9l&1 9 ang] at a refusal to grant 8 troops a free passage on _! way to uphold ,g]man supremacy 9 ,c5tral ,italy4 ,cadore 0 ! fir/ po9t ( 8 invasion1 & f #aejg ,titian's uncle & great-uncle 7 9 ! ,c\ncils ( ! ,/ate1 8 fa!r held an important comm&1 & 8 bro!r ,francesco1 :o _h already made "s progress z an arti/1 ?rew d[n 8 bru% & became a soldi]4 ,titian 0 n "o ( ^? :o took up arms1 b 8 ?\ghts mu/ h be5 full ( ! attack & def5ce 9 8 m\nta9 fa/nesses1 & he mu/ h anxi\sly await$ news ( 8 fa!r's troops & ( ! squadrons ( ,maso ( ,f]r>a1 "u ^: col\rs ,francesco 0 rid+4 ,francesco made a reputation z a di/+ui%$ soldi]1 & 0 sev]ely w\nd$1 & :5 peace 0 made1 ,titian1 :o lov$ him t5d]ly1 p]suad$ him to return to ! pursuit ( art4 ,! ratification ( ! ,league ( ,cambray1 9 :i* ,julius ,,ii41 ,maximilian1 & ,f]d9& ( ,naples comb9$ aga9/ ! p[] ( ,v5ice1 0 disa/r\s = a "t to ! city & to ! arti/s :o dep5d$ ^u h] prosp]ity4 ,craftsm5 ( all k9ds fir/ fl$ to h] = %elt]1 !n1 z pr(its & ord]s fell (f1 !y left to look else:]e = commissions4 ,an outbreak ( plague1 9 :i* ,giorgione p]i%$1 w5t fur!r to make ,v5ice an undesirable home1 & at ?is "t ,seba/ian del ,piombo left = ,rome1 ,lotto = ! ,romagna1 & ,titian = ,padua4 ,we may believe t ,titian nev] felt p]fectly satisfi$ ) fresco-pa9t+ z a craft1 = :5 he 0 giv5 a commission to fresco ! halls ( ! ,santo1 ! confrat]nity ( ,/4 ,an?ony1 patron-sa9t ( ,padua1 he ?rew (f beautifully compos$ & spirit$ draw+s1 b he left ! execution ( !m *iefly to assi/ants1 among :om ! feeble ,dom5ico ,campagnola1 a pa9t] :om he probably pick$ up at ,padua1 is conspicu\s4 ,ev5 :]e ! l&scape is be/1 z 9 ,s4 ,an?ony re/or+ a ,y\?1 ! draw+ & composition only make u feel h[ en*ant+ ! sc5e w\ld h be5 9 oils on "o ( ,titian's melt+ canvases4 ,9 ^? frescoes :i* he execut$ himself :ile 8 int]e/ 0 /ill fre%1 ! ,miracle :i* grants ,spee* to an ,infant is ! mo/ ,giorgionesque4 ,up to ?is "t he _h pres]v$ ! /raight-cut corsage & ! actual dress ( 8 contempor>ies1 aft] ! practice ( ,giorgione2 he keeps1 too1 to 8 companion's plan ( design1 plac+ ! mo/ important figures ^u "o plane1 close to ! frame & beh9d a l[ wall or l$ge :i* =ms a sort ( inn] frame & ) a di/ant horizon4 ,9 ! ,paduan frescoes he makes use ( ?is plan1 & ! /raight cl\ds1 ! sp9dly trees1 & ! y\?s 9 gay d\blets are all rem9isc5t ( 8 e>ly comrade1 b ! gr\p ( wom5 to ! left 9 ! ,miracle ( ! ,*ild %[s t ,titian is beg9n+ m decid$ly to enunciate 8 own type4 ,! introduction ( portraits proves t he 0 t5d+ to rely l>gely ^u nature1 9 contradi/9ction to ,giorgione's lyrically improvis$ figures4 ,he fuses ! influ5ce ( ,giorgione & ! influ5ce ( ,antonello da ,mess9a & ! ,bell9i 9 a deep] k ( life & nature1 & he is pass+ beyond ,giorgione 9 grasp & complet5ess4 ,:5 he 0 able to return to ,v5ice1 :i* he did 9 #aeab1 a tempor>y peace hav+ be5 conclud$ ) ,maximilian1 he ab&on$ ! uncong5ial m$ium ( fresco = good1 & devot$ himself to t :i* admitt$ ( ! aft]?\ghts1 ! enri*m5ts1 ! gradual atta9m5t ( an exquisite surface1 & at ?is "t 8 works are rem>kable = _! brilliant gloss & f9i%4 ,dur+ ! next twelve ye>s we may gr\p a numb] ( pa9t+s :i*1 tak5 9 conjunction ) ^? ( ,giorgione1 %[ ! true ,v5etian ,s*ool at its mo/ int5se1 idyllic mom5t4 ,!y are ! works ( a man 9 ! pride ( y\? & /r5g?1 sane & heal?y1 an example ( ! confid5t1 sangu9e1 joy\s temp] ( 8 age1 capable ( embody+ its dom9ant t5d5cies1 ( express+ its enjoym5t ( life1 its worldly-m9d$ness1 its love ( pleasure1 z well z its noble feel+ & its grave & magnific5t purpose4 ,= absolute delight 9 col\r let u turn to a picture l ! ,noli me tang]e ( ! ,national ,gall]y4 ,! gold5 light1 ! blues & olives ( ! l&scape1 ! crimson ( ! ,magdal5's raim5t1 comb9e 9 a fea/ ( emotional beauty1 emphasis+ ! feel+ ( ! woman1 ^: s\l is brea!d out 9 ! ^w ,ma/]4 ,! col\r unites ) ! light & %ad[1 is emb$d$ 9 x2 & we c see ,titian's delight 9 ! ductile m$ium :i* _h su* p[] to give mat]ial s5sation4 ,9 ^! liquid crimsons1 ^! deep gre5s & %oal+ blues1 ! velvety fulness & pl5itudes ( ! bru% become visible2 we c look into _! dep?s & see some?+ q unlike ! smoo?1 opaque wa%es ( ! ,flor5t9es4 ,9 su* a ma/]piece z ,sacr$ & ,pr(ane ,love1 pa9t$ dur+ ^! ye>s = ! ,borghese1 !re are summ$ up all ^? arti/ic aims t[>ds :i* ! ,v5etian pa9t]s _h be5 t5d+4 ,! picture is /ill ,giorgionesque 9 mood4 ,x may repres5t1 z ,dr4 ,wickh(f sugge/s1 ,v5us exhort+ ,m$ea to li/5 to ! love-suit ( ,jason2 b ! subject is n =c$ ^u u1 & we are m occupi$ ) ! contra/ betwe5 ! two beautiful p]sonalities1 s h>moni\sly relat$ to ea* o!r1 yet s oppos$ 9 type4 ,! graci\s1 self-absorb$ lady1 ) h] s(tly dress$ hair1 h] loose glove1 h] silv]y sat9 dress1 is a contra/ 9 look & _s to ! goddess ^: free1 simple attitude & outw>d gaze embody ! nobl] ideal4 ,! s9u\s & en*ant+ l9e ( ,v5us's figure aga9/ ! crimson cloak has1 ,i ?9k1 be5 ! outcome ( admiration = ,giorgione's ,sleep+ ,v5us1 & has ! same s(t1 unhurri$ curves4 ,titian's two figures are p]fectly spac$ 9 a sett+ :i* brea!s ! v aroma ( ! e>ly ,r5aissance4 ,a bas-relief on ! m>ble f\nta9 repres5ts nymphs :ipp+ a sleep+ ,love to life1 :ile a cupid teases ! *a/e unicorn4 ,a delici\s baby ,love spla%es 9 ! wat]1 fall5 rose-leaves /rew ! mell[ m>ble rim1 ar\nd & away /ret*es a sunny c\ntry sc5e1 9 :i* p are placidly pursu+ a life ( ease & pleasure4 ,:at a revelation to ,v5ice ^! pictures 7 :i* began ) ,giorgione's conv]saziones6 ,h[ little occupi$ ! wom5 are ) ! /ory4 ,v5us does n argue1 or *eck (f reasons on h] f+]s1 l ,s4 ,ursula4 ,m$ea is li/5+ to h] own ?\ghts1 b ! :ole sc5e is ba!d 9 ! sugge/ion ( ! joy & happ9ess ( love4 ,! little c5s] burn+ away 9 ! blue & brea?less air might be a philtre diffus+ s5su\s dreams1 & :5 ! rays ( ! ev5+ sun /rike ! picture1 :]e x n[ hangs1 & br+ out ea* t\* ( its gl[+ radiance1 x seems to palpitate ) ! joy ( life & to ?rill ) ! magic ( summ] 9 ! days :5 ! _w 0 "y4 ,) ! influ5ce /ill l+]+ ( ,giorgione's ,knight ( ,malta1 ,titian produc$ "s ( 8 f9e/ portraits 9 ! decade t l$ to ! middle ( 8 life4 ,! ,dr4 ,p>ma at ,vi5na1 ! noble ,man 9 ,black & ,man ) a ,glove ( ! ,l\vre1 ! ,"y ,engli%man ( ! ,pitti1 ) 8 ke5 blue eyes1 ! portrait at ,temple ,newsam1 :i*1 ) "s critics1 /ill passes z a ,giorgione1 are all examples 9 :i* he keeps ! half-l5g?1 inv5t$ by ,bell9i & foll[$ by ,giorgione4 ,aft] ! visit to ,padua he %[s less pref]5ce = co/ume1 & 8 wom5 are g5]ally clo!d 9 a loose :ite *emise1 r ?an ! squ>e-cut bodice4 ,we d n wond] t all ! lead+ p]sonages ( ,italy wi%$ to be pa9t$ by ,titian4 ,8 are ! portraits ( a man ( intellect4 ,!y %[ ! subject at 8 be/2 grave1 cultivat$1 /ately1 z he appe>$ & wi%$ to appe>2 n tak5 (f 8 gu>d 9 any way4 ,:at c be m sympa!tic z a p]sonality ?an ! ,ario/o ( ! ,national ,gall]y8 ,we c ent] into 8 m9d & make a fri5d ( him1 & yet all ! "t he has himself 9 h&2 he all[s u to div9e z mu* z he *ooses1 & draws a ?9 veil ov] all t he does n int5d u to discov]4 ,! pa9t] himself is imp]sonal & n ov]-s5sitive2 he does n pa9t 9 8 own fancies ab\t 8 sitt]--probably he _h none2 he saw :at he 0 meant to see4 ,!re 0 :at ,mr4 ,b]5son calls a c]ta9 happy ins5sibility ab\t him1 :i* prev5t$ him f tak+ fanta/ic flights1 or f look+ too deep bel[ ! surface4 ,illu/ration3 ,titian4 ,,ario/o4 ,london4 7,photo1 ,mansell & ,co47 ,,*apt] ,,xviii ,,titian 7cont9u$7 ,) ! ,assumption1 f9i%$ 9 #aeah = ! ,*ur* ( ! ,fr>i1 ,titian rose to ! v highe/ among ,r5aissance pa9t]s4 ,! ,glori\s ,s4 ,m>y 0 8 !me1 & he conc5trat$ all 8 ef=ts on ! realisation ( t "o idea4 ,! c5tral figure is1 z x 71 a collective r ?an an individual type4 ,well proportion$ & ela/ic z x is1 x has ! abundance ( mo!rhood4 ,h>moni\s & s]5e1 x comb9es dramatic =ce & pr(\nd feel+4 ,exultant ,humanity1 9 its h\r ( triumph1 rises ) h]1 borne up lightly by t ?robb+ company ( *ild angels & foll[$ by full recognition & awe/ruck satisfaction 9 ! ador+ gaze ( ! ?rong bel[1 yet ,titian has contriv$ to keep "s t\* ( ! lov+ woman hurry+ to meet h] son4 ,! flood ( col\r1 ! gold5 vault above1 ! g>m5t ( gl[+ blues & crimsons1 h a m ?an common %>e 9 t _s ( confid5t joy & p\r$-out life :i* envelops ! :ole canvas4 ,9 ! wor?y repres5tation ( a great ev5t1 ! visible assumption ( ,humanity to ! ,?rone ( ,god1 ,titian puts =? all 8 p[]s & /eeps u 9 t temp] ( sangu9e emotion1 ( belief 9 life & confid5ce 9 ! capacity ( man1 :i* 0 s *>act]i/ic ( ! ripe ,r5aissance4 ,9 look+ at ?is spl5did canvas1 we mu/ call to m9d ! position = :i* ,titian pa9t$ x4 ,hung 9 ! dusky recesses ( ! apse1 x 0 temp]$ by & m]g$ 9 its /ately surr\nd+s4 ,! b& ( ,apo/les almo/ =m$ a "p ( ! :isp]+ cr[d bel[1 & ! glori\s ,"m 0 beheld so>+ upw>ds to ! gold5 light & ! my/]i\s vi/as ( ! vault$ ar*es above4 ,! patronage ( c\rts _h by ?is "t alt]$ ! t5or ( ,titian's life4 ,9 #aeaf ,duke ,alfonso d',e/e _h invit$ him to ,f]r>a1 :]e he _h f9i%$ ,bell9i's ,bac*anals4 ,x be>s ! m>ks ( ,titian's h&1 & he has introduc$ a well-kn[n po9t ( view at ,cadore into ! backgr\nd4 ,9 #aeah ,alfonso writes to propose ano!r pa9t+1 & ,titian's acceptance is conta9$ 9 a v c\rti]-l lett]1 9 :i* we div9e a t\* ( irony4 ,! m ,i ?\ght ( x1 he ends1 ! m ,i became conv9c$ t ! greatness ( art among ! anci5ts 0 due to ! assi/ance !y receiv$ f great pr9ces1 :o 7 cont5t to leave to ! pa9t] ! cr$it & r5[n d]iv$ f _! own +5uity 9 bespeak+ pictures4 ,alfonso's requirem5ts = 8 new ca/le 7 frankly pagan4 ,my?ological sc5es 7 already popul>4 ,mantegna _h adorn$ ,isabela d',e/e's ,p>adiso ) revels ( ! gods1 ,botticelli _h giv5 8 conception ( classic my? 9 ! ,m$ici villa1 already ,bell9i _h essay$ a ,bac*anal1 & ,titian 0 to make designs = simil> sc5es to complete ! decorations ( ! halls ( ,e/e4 ,! same exub]ant feel+ he %[s 9 ! ,assumption f9ds utt]ance 9 ! ,g>d5 ( ,loves & ! ,bac*anals1 bo? pa9t$ = ,alfonso ( ,f]r>a4 ,! *ildr5 9 ! =m] may be comp>$ ) ! angels 9 ! ,assumption4 ,_! blue w+s mat* ! heav5ly blue sky1 & !y are pa9t$ ) ! mo/ delicate f9i%4 ,we c imag9e ! beauty ( ! great hall at ,f]r>a :5 hung ) ?is brilliant s]ies1 :i* 0 complet$ 9 #aebc by ! ,bac*us & ,ariadne ( ! ,national ,gall]y4 ,! :ole company ( bac*anals is giv5 up to wanton m]rymak+4 ,above !m broods ! deep blue sky & great :ite cl\ds ( a summ] day4 ,! deep gre5s ( ! foliage ?r[ ! creamy-:ite & burn+ col\r ( ! drap]ies & ! fair =ms ( ! nymphs into gl[+ relief1 :ile by a conv5tion ! satyrs are ( a deep1 tawny complexion4 ,on a roll ( music is /amp$ ! rollick+ device1 ,*i boit et ne reboit1 ne seais que boir soit4 ,! purple fruit hangs rip5$ f ! v9es1 its crimson juice %9es l a jewel 9 cry/al goblets & drips 9 /reams ov] rosy limbs4 ,! influ5ce ( su* pictures z ^! 0 absorb$ by ,rub5s1 b ?\gh !y h>dly surpass him 9 col\r1 !y are m idyllic & less co>se4 ,! p]fect ta/e ( ! ,r5aissance is nev] %[n m victori\sly ?an "h1 :]e indulg5ce ceases to be repulsive1 & ! actors are real fle% & blood1 yet m ,arcadian ?an revolt+4 ,9 ! ,bac*us & ,ariadne1 ,titian gives triumphant expression to a mood ( wild rejoic+1 s gay1 s good-temp]$1 s simple1 t we mu/ smile 9 sympa?y4 ,! conqu]or fl++ himself f 8 gold5 *>iot drawn by pan!rs1 8 deep r$ mantle flutt]+ on high1 is s full ( reckless life t our _s b\nds ) him4 ,8 riot+ b&1 m>*+ ) song & laught]1 seems to p t gold5 c\ntry-side ) fit inhabitants4 ,! c>eless satyrs & little m]ry1 goat-legg$ fauns %ock u no m ?an a h]d ( =e/ ponies1 toss+ _! manes & da%+ along = love ( life & movem5t4#c ,yet almo/ be=e ?is s]ies 0 put 9 place ,titian 0 %[+ ! div]sity ( 8 g5ius by ! ,deposition1 n[ 9 ! ,l\vre1 :i* 0 pa9t$ at ! in/ance ( ! ,gonzaga1 ,m>quis ( ,mantua & nephew ( ,alfonso d',e/e4 ,"h he makes a great /ep 9 ! use ( *i>oscuro4 ,:ile x is satisfy+ 9 balance & sweep+ rhy?m1 & by ! way 9 :i* e l9e foll[s & int5sifies ! helpless1 slack5$ l9es ( ! dead ,body1 x escapes ,raphael's academic treatm5t ( ! same subject4 ,its spl5did col\rs are n noisy2 !y m]ge into a sc5e ( solemn pa?os & trag$y4 ,! sc5e has a simplicity & unity 9 its passion1 & :at above all gives x its int5se p[] is ! way 9 :i* ! flam+ hues are absorb$ into ! twilight %ad[s4 ,! d>k heads /& out aga9/ ! dy+ sunset1 ! pallor ( ! dead is half veil$ by ! fall+ night4 ,x is a picture :i* has ! emotional beauty ( a sc5e 9 nature1 & makes a pr(\nd impression by its dep? & my/]y4 ,?is same solemnity & gravity temp] ! brilliant col\r+ ( ! great alt>piece pa9t$ = ! ,pes>o family 9 ! ,fr>i4 ,columns rise l great tree-trunks1 light & air play ?r\gh ! cl\ds se5 betwe5 !m4 ,! gr\p+ is a new exp]im5t1 b ! way 9 :i* ! ,"m & ,*ild1 ?\gh plac$ q at "o side ( ! picture1 are focuss$ z ! c5tre ( int]e/1 by ! conv]g+ l9es1 diagonal on ! "o h& & /raight on ! o!r1 cr[ns x ) success4 ,! s*eme ( col\r br+s ! two figures into high relief1 :ile ,/4 ,francis & ! family ( ! donor are subord9at$ to ri*1 deep t9ts4 ,titian has ab&on$1 m completely ?an ev] be=e1 any attempt to inve/ ! ,*ild ) sup]natural maje/y4 ,he is a delightful1 spoil$ baby1 fully aw>e ( 8 sov]eignty ov] 8 "m1 pret5d+ to take no notice ( ! kneel+ suppliants1 b occupy+ himself 9 mak+ a t5t ov] 8 head out ( h] veil4 ,! ,madonna 9 ,glory ) six ,sa9ts ( ! ,vatican is ano!r example ( ! ri* & sm\ld]+ col\r 9 :i* ,titian 0 n[ creat+ 8 great alt>pieces1 knead+ 8 pigm5ts into a quality1 a solidity1 :i* gives reality )\t heav9ess1 & f9i%+ ) t f9e-gra9$ texture :i* makes 8 fle% look l m>ble end[$ ) life4 #c ,x is ?is quality ( un>re/$ movem5t1 s conspicu\s above all 9 ! figure ( ,bac*us1 :i* attracts u irresi/ibly 9 ! ,huntress1 9 ,"l ,br[nl['s ,diana & ,actaeon4 ,! con/ruction ( ! =m ( ! goddess 9 ?is beautiful b little-kn[n picture is admirable4 ,worn z ! col\r is1 appe>+ almo/ z a mono*rome1 ! l&scape is full ( atmosph]ic sugge/ion4 ,x is 9 ,titian's late/ mann]1 & its ample l9es & free unimp$$ motion c be due to no inf]ior bru%4 ,illu/ration3 ,titian4 ,,diana ,,& ,,actaeon4 ,e>l ,br[nl[4 7,! ,m$ici ,society1 ,ltd47 ,v5uses1 alt>pieces1 & portraits all tell u h[ boldly 8 own /yle 0 e/abli%$4 ,8 sacr$ p]sons are n diff]5t f 8 pagans & goddesses4 ,yet ?\gh he has gone f>1 he /ill rem9ds u ( ,giorgione4 ,he has be5 con/ant to ! e>lie/ influ5ces :i* surr\nd$ him1 & to t temp]am5t :i* made him accept ^? influ5ces s in/antane\sly--& ?is con/ancy & unity give him ! untr\bl$ asc5dancy ov] art :i* is su* a feature ( 8 position4 ,) ,leon>do & ) ,titian1 pa9t]s _h sprung to a recognis$ /atus 9 ! great _w ( ! ,r5aissance4 ,!y 7 no long] ! patronis$ craftsm54 ,!y _h become ! c\rt$ gue/s1 ! social equals4 ,titian1 pass+ f ! c\rts ( ,f]r>a to ^? ( ,mantua & ,urb9o1 att5d$ by a b& ( assi/ants1 0 a magnific5t p]sonage1 ^: pres5ce 0 look$ ^u z a fav\r1 & :o und]took a commission z "o :o conf]r$ a covet$ boon4 ,among ^? :o clu/]$ close/ r\nd ! popul> fav\rite1 no "o did m to enhance 8 position ?an ,aret9o1 ! brilliant unscrupul\s debau*ee1 wit1 bully1 blackmail]1 b a man :o1 ) all 8 faults1 _h evid5tly 8 own p[] ( fasc9ation1 &1 ! fri5d ( pr9ces1 mu/ h be5 himself ! pr9ce ( good company4 ,aret9o1 z f> z he c\ld be said to be atta*$ to any "o1 0 consi/5t 9 8 atta*m5t to ,titian f ! "t !y fir/ met at ! c\rt ( ! ,gonzaga4 ,he play$ ! "p ( a *orus1 call+ att5tion to ! great pa9t]'s m]its1 jogg+ ! memory ( 8 employ]s z to paym5ts1 & nev] ceas+ to flatt]1 amuse1 & please him4 ,titian1 = 8 "p1 %[s himself equally devot$ to ,aret9o's int]e/s1 & has left v>i\s *>act]i/ic portraits ( him1 h&some & %[y 9 8 prime1 s5sual & deprav$ z age ov]took him4 ,9 ! spr+ ( #aebh ! confrat]nity ( ,/4 ,pet] ,m>tyr invit$ arti/s to s5d 9 sket*es = an alt>piece to _! patron-sa9t1 9 ,,ss4 ,giovanni & ,paolo1 to replace an old "o by ,jacobello del ,fiore4 ,palma ,vec*io & ,pord5one also compet$1 b ,titian c>ri$ (f ! prize4 ,! picture 0 deliv]$ 9 #aecj1 & dur+ ! autumn ( #aebi ,seba/ian del ,piombo _h return$ to ,v5ice f ,rome1 & ,mi*elangelo _h s\ght refuge !re f ,flor5ce & _h /ay$ = "s mon?s4 ,a qu>rel ) ! monks ov] ! price _h delay$ ! picture1 s t x may q probably h only be5 begun aft] int]c\rse ) ! ,roman visitors _h giv5 a fre% turn to ,titian's ideas2 = ?\gh he nev] ceases to be himself1 x c]ta9ly seems z if ! g5ius ( ,mi*elangelo _h _h "s effect4 ,f :at we "k ( ! alt>piece1 :i* p]i%$ by fire 9 #ahfg1 b ( :i* a good copy by ,cigoli rema9s1 ,titian emb>k$ sudd5ly ^u =ms ( ,h]culean /r5g? 9 viol5t action1 b !re 8 lik5ess to ! ,flor5t9e end$2 ! figures 71 inde$1 drawn ) a deep1 ?\gh n altoge!r successful1 att5tion to anatomy & =e%ort5+1 b ! picture obta9$ its effect & d]iv$ its impressiv5ess f ! sett+ 9 :i* ! figures 7 plac$--! great trees1 b5d+ & /ra9+1 ! hurry+ cl\ds1 z if nature 7 9 port5t\s h>mony ) ! s9i/] de$1 & ov]head ! en*ant+ gleam ( light :i* %ot d[nw>d & irradiat$ ! face ( ! m>tyr & ! two lovely w+$ boys1 ba!d 9 a flood ( blue !r1 :o held al(t ! palm ( victory4 ,_m copies ( x rema91 & we only regret t "o :i* ,rub5s execut$ is n pres]v$ among !m4 ,:5 we look at ! delici\s ,madonna del ,coniglio 9 ! ,l\vre & our own ,m>riage ( ,s4 ,ca!r9e1 ! fir/ ( :i* c]ta9ly1 & ! second probably1 0 pa9t$ ab\t ?is "t1 we _c d\bt t ! *>m ( ! idea ( mo!rhood _h p>ticul>ly arre/$ ! pa9t]4 ,ab\t #aebe 8 fir/ son1 ,pomponio1 0 born1 & 0 foll[$ by ano!r son & a daught]4 ,9 ! ,s4 ,ca!r9e he pa9ts t passion ( "m-love ) an int5sity & reality t c only be drawn f life1 & on ! :eel at h] feet he has inscrib$ 8 "n1 ,ticianus1 ,f4 ,8 feel+ = l&scape is increas+1 & ! l&scape 9 ^! pictures equals ! figures 9 importance & has engross$ ! pa9t] q z mu*4 ,e ye> ,titian paid a visit to ,cadore1 & 9 ! ri* woodl&s1 ! di/ant villages1 ! great :ite villa on ! hill-side1 &1 above all1 9 ! f>-(f blue m\nta9s & ! glooms & gleams ( /orm & sun%9e1 ! sudd5 d>t ( rays ?r\gh ! summ] cl\ds1 :i* he has pa9t$ "h1 we see h[ con/ant 0 8 /udy ( 8 native c\ntry1 & h[ pr(\ndly he felt its poetry & its *>m4 ,he _h m>ri$ ,cecilia1 ! daught] ( a b>b] belong+ to ,p]>olo1 a little t[n ne> ,cadore4 ,9 #aecj %e di$1 & he m\rn$ h] deeply4 ,he w5t on work+ & plann+ = 8 *ildr5's future1 & 8 si/] came f ,cadore to take *>ge ( ! mo!rless h\sehold2 b 8 fri5ds' lett]s speak ( 8 be+ ill f melan*oly1 & he c\ld n g on liv+ 9 ! old h\se at ,san ,samuele1 :i* _h be5 8 home = sixte5 ye>s4 ,he took a new h\se on ! nor? side ( ! city1 9 ! p>i% ( ,san ,canciano4 ,! ,casa ,gr&e1 z x 0 call$1 0 a build+ ( importance1 :i* ! pa9t] fir/ hir$ & f9ally b\ght1 lett+ (f su* ap>tm5ts z he did n ne$4 ,! fir/ floor _h a t]race1 & 0 ent]$ by a flight ( /eps f ! g>d51 :i* ov]look$ ! lagoons1 & _h a view ( ! ,cadore m\nta9s4 ,x has be5 swept away by ! build+ ( ! ,fondam5ta ,nuove1 b ! docum5ts ( ! leases are pres]v$1 & ! exact site is well e/abli%$4 ,"h 8 *ildr5 grew up1 & he work$ = !m unceas+ly4 ,pomponio1 8 elde/ son1 0 idle & extravagant1 a con/ant s\rce ( tr\ble1 & ,aret9o writes him reproa*ful lett]s1 :i* he treats ) mu* imp]t95ce4 ,orazio took to 8 fa!r's pr(ession1 & 0 8 con/ant companion1 & (t5 drew 8 c>toons2 & 8 beautiful daught]1 ,lav9ia1 0 8 greate/ joy & pride4 ,9 ?is h\se ,titian %[$ con/ant hospitality1 & !re are records ( ! pr9cely fa%ion 9 :i* he ent]ta9$ 8 fri5ds & di/+ui%$ =eign visitors4 ,priscianese1 a well-kn[n ,humani/ & savant ( ! day1 describes a ,bac*analian fea/ on ! #a/ ( ,augu/1 9 a pleasant g>d5 belong+ to ,mess] ,tiziano ,vecellio4 ,aret9o1 ,sansov9o1 & ,jacopo ,n>di 7 pres5t4 ,till ! sun set !y /ay$ indoors1 admir+ ! arti/'s pictures4 ,z soon z x w5t d[n1 ! tables 7 spread1 look+ on ! lagoons1 :i* soon sw>m$ ) gondolas full ( beautiful wom51 & res\nd$ ) music ( voices & in/rum5ts1 :i* till midnight1 accompani$ our delightful supp]4 ,titian gave ! mo/ delicate vi&s & preci\s w9es1 & ! supp] end$ gaily4 ,9 ! ye> #aecb ,titian = ! fir/ "t s\ght o!r ?an ,italian patronage4 ,*>les ,v41 :o 0 !n at ! height ( 8 p[]1 ) all ,italy at 8 feet1 pass$ ?r\gh ,mantua1 & among all ! treasures t he saw 0 mo/ /ruck by ,titian's portrait ( ,f$]igo ,gonzaga4 ,aft] mu* writ+ to & fro1 x 0 arrang$ t ,titian %\ld meet ! ,emp]or at ,bologna1 :]e he _h j be5 cr[n$4 ,he made 8 fir/ sket* ( him1 f :i* he aft]w>ds produc$ a f9i%$ full l5g?4 ,x 0 ! fir/ ( _m portraits1 & ,vas>i decl>es t f t "t =? ,*>les w\ld nev] sit to any o!r ma/]4 ,he receiv$ a knigh?ood1 & _m commissions f memb]s ( ! ,emp]or's c\rt4 ,x 0 = "o ( 8 nobles1 da ,valos1 ,m>quis ( ,va/o1 t he pa9t$ ! allegorical piece 9 ! ,l\vre1 9 :i* ,m>y ( ,arragon1 ! lovely wife ( da ,valos1 is p>t+ ) h] husb&1 :o is b\nd on "o ( ! desp]ate exp$itions aga9/ ! t]rible ,turks4 ,da ,valos is dress$ 9 arm\r1 & ! c\ple are encircl$ by ,hym51 ,victory1 & ! ,god ( ,love4 ,! composition 0 repeat$ m ?an once1 b nev] ) q ! same success4 ,we aga9 suspect ! influ5ce ( ,mi*elangelo 9 ! alt>piece pa9t$ be=e ,titian next left ,v5ice1 ( ,/4 ,john ! ,almsgiv]1 = ! ,*ur* ( t "n1 ( :i* ! ,doge 0 patron4 ,! figures are life-size1 ! types /]n & rugg$1 d>+ly =e%ort5$1 & ! col\rs1 ?\gh gorge\s1 are s(t5$ & brok5 by broad effects ( light & %ade4 ,x is pa9t$ 9 a solemn mood1 a contra/ to t 9 :i* ab\t ?is "t he produc$ a s]ies ( beautiful female portraits1 nude or semi-nude1 *iefly1 x w\ld appe>1 at ! in/ance ( ! ,duke ( ,urb9o4 ,! ,duke at ?is "t 0 ! ,g5]al-9-,*ief ( ! ,v5etian =ces1 a position :i* took him (t5 to ,v5ice1 & ,titian's relations ) him la/$ till ! pa9t]'s dea?4 ,at lea/ tw5ty-five ( 8 works mu/ h adorn$ ! ca/les ( ,urb9o & ,pes>o4 ,among ^! 7 ! ,v5us ( ! ,uffizi1 ,la ,bella di ,tiziano1 9 h] gorge\s s*eme ( blue & ame?y/1 ! ,girl 9 a ,fur ,cloak1 besides portraits ( ! ,duke & ,du*ess4 ,x w\ld be impossible to enum]ate "h ! numb]s ( portraits :i* ,titian 0 n[ supply+4 ,! reputation he _h acquir$1 n only 9 ,italy1 b 9 ,spa91 ,france1 & ,g]many1 0 great] ?an _h ev] be5 atta9$ by any pa9t]1 :ile 8 social position 0 e/abli%$ among ! highe/ 9 e c\rt4 ,he _h rivals 9 ,v5ice1 says ,vas>i1 b none t he did n cru% by 8 excell5ce & k ( ! _w 9 conv]se ) g5tlem54 ,!re is n a writ] ( ! day :o does n acclaim 8 g5ius4 ,titian 0 und\bt$ly v fond ( money1 & _h amass$ a good =tune4 ,he 0 con/antly ask+ = fav\rs1 & _h p5sions & all[ances f royal patrons4 ,lav9ia1 :5 %e m>ri$1 br\ght h] husb& a d[ry ( #adjj ducats4 ,he _h pa9t$ ! portraits ( ! ,doges ) tol]able regul>ity1 b all ?r\gh 8 life compla9ts 7 he>d ( 8 neglect ( ! "w ( ! ,hall ( ,gr& ,c\ncil4 ,occupi$ z he 0 ) ! "w ( 8 =eign patrons1 he _h sy/ematically neglect$ ! conditions enjo9$ by 8 possession ( a ,brok]'s pat5t1 & ! ,signoria sudd5ly call$ on him to refund ! sal>y am\nt+ to ov] #ajj ducats a ye>1 = ! tw5ty ye>s dur+ :i* he _h drawn x )\t p]=m+ 8 promise1 :ile !y prep>$ to in/al ,pord5one1 :o _h lately appe>$ z 8 bitt] rival1 9 8 /ead4 ,?\gh ,titian mu/ h be5 mak+ l>ge sums ( money at ?is "t1 8 exp5ses 7 heavy1 & he c\ld n calmly face ! obligation to repay su* a sum z #bjjj ducats at ! same "t t he lo/ ! annual sal>y1 nor 0 x pleasant to be ou/$ by a second-rate rival4 ,8 easy rem$y 01 h[ev]1 9 8 own h&s2 he set to "w & soon complet$ a great canvas ( ! ,battle ( ,cadore1 :i*1 ?\gh x is only kn[n to u f a contempor>y pr9t & a draw+ by ,rub5s1 evid5tly des]v$ ,vas>i's v]dict ( be+ ! f9e/ battlepiece ev] plac$ 9 ! hall4 ,! movem5t & /ir he contrives to give ) a small numb] ( figures is a/oni%+4 ,! =tress burns ^u ! hill-side1 a regim5t advanc+ ) lances & p5nons produces ! illusion t x is ! vangu>d ( a great army1 ! desp]ate conflict by ! n>r[ bridge realises all ! t]rors ( w>4 ,x 0 an atonem5t = 8 long p]iod ( neglect1 b x 0 n till #adci ,,tn3 ,pord5one di$ 9 #aeci t1 ,pord5one hav+ sudd5ly di$1 ! ,signoria rel5t$ & re9/at$ ,titian 9 8 ,brok]'s pat5t4 ,"o ( 8 lat] pa9t+s = ! ,/ate /ill keeps its place1 ,! ,triumph ( ,fai?1 9 :i* ,doge ,grimani1 a spl5did1 /eel-clad =m ) fl[+ mantle1 kneels be=e ! angelic app>ition ( ,fai?1 :o holds a cross1 :i* angels & *]ubs help h] to support4 ,b5ea? ! cl\ds are se5 ! ,v5etian fleet1 ! ,ducal ,palace1 & ! ,campanile4 ,x is an allegory ( ,grimani's life2 8 defeat & captivity are symbolis$ by ! cross & *alice1 & ! magnific5t figure ( ,/4 ,m>k ) ! lion is introduc$ to %[ t ! ,doge believes himself to owe 8 fre$om to ! sa9t's int]cession4 ,! prophet & /&>d-be>] at ! sides 7 add$ by ,m>co ,vecellio4 ,?\gh ! battlepiece p]i%$ 9 ! fire ( #aegg1 ano!r ma/]piece ( ?is "t m>ks a climax 9 ,titian's brilliantly col\r$ & highly f9i%$ /yle4 ,! ,pres5tation ( ! ,virg9 0 pa9t$ = ! refectory ( ! ,confrat]nity ( ! ,c>it1 :i* 0 h\s$ 9 ! build+ n[ us$ z ! ,academy1 s t ! picture rema9s 9 ! place = :i* x 0 execut$4 ,x is "o ( ! mo/ vivid & life-l ( all 8 works4 ,! composition is ! traditional "o2 ! fifte5 /eps ( ! ,gospel ( ,m>y1 ! ,high ,prie/ ( ! old disp5sation welcom+ ! *ildi% repres5tative ( ! new4 ,bel[ is a great cr[d1 b x is ?is little figure :i* fir/ attracts ! eye4 ,! contra/ betwe5 ! mass ( ar*itecture & ! free & gl[+ c\ntry beyond is n )\t mean+1 & a brok5 ,roman torso1 ly+ neglect$ on ! gr\nd1 symbolises ! d[nfall ( ! ,pagan ,empire4 ,! flight ( /eps1 ) ! figure sitt+ bel[ !m1 is an idea borr[$ f ,c>paccio1 & p]haps tak5 by him f ! sket*-book ( ,jacopo ,bell9i4 ,! m5 on ! left are portraits ( memb]s & patrons ( ! confrat]nity4 ,mo/ ,titianesque are ! beautiful wom5 9 ri* dresses at ! foot ( ! /eps4 ,9 ?is /ately composition we see :at is (t5 noticeable 9 ,titian's sc5es2 he br+s 9 ! by/&]s aft] ! mann] ( a ,greek *orus4 ,!y all1 ) "o accord1 express ! same s5tim5t4 ,!re is a c]ta9 acceptation ( ! obvi\s 9 ,titian1 a ve9 ( simplicity fl[s ?r\gh 8 nature4 ,he has n ! s5sitive & subtle se>* aft] ! motives ( humanity :i* we f9d 9 ,t9toretto or ,lotto4 ,he has great intellectual p[]1 b n great imag9ation4 ,x is a temp] :i* helps to keep ! unity1 ! monum5tal quality ( 8 sc5es undi/urb$ & adds to _! effect4 ,9 ! ,ecce ,homo ,*ri/ is %[n to ! populace by ,pilate1 :o ) dubi\s complim5t is a portrait ( ,aret9o1 & ! contra/ ( ! lonely1 brok5-d[n man ) ! cr[d :i*1 ) all its l[] in/9cts let loose1 ?und]s back ! cry ( ,crucify ,him1 is ! m dramatic because ( ! unanim\s _s :i* possesses ! rag+ multitude4 ,o!r arti/s w\ld h giv5 m incid5tal byplay1 & drawn (f our att5tion f ! ma9 issue4 ,,*apt] ,,xix ,titian 7cont9u$7 ,:ile ,titian 0 execut+ portraits ( ! ,doges1 ( ,aret9o & ( ,isabella ( ,portugal1 & ( himself & 8 daught] ,lav9ia1 he 0 also /rik+ out a new l9e 9 ! ceil+ pictures = ! ,*ur* ( ,san ,spirito1 :i* h s9ce be5 transf]r$ to ! ,salute4 ,?\gh pa9t$ be=e 8 j\rney to ,rome1 x may be suspect$ t he _h ,mi*elangelo's "w 9 ! ,sixt9e ,*apel 9 m9d1 & t he 0 sett+ himself ! task ( bold =e%ort5+ & te*nical problems4 ,! d>+ ( ! conception is great1 yet we feel sure t ?is is n ,titian's elem5t2 8 figures 9 viol5t movem5t give a vivid idea ( /r5g? & muscul> =ce1 b fail bo? 9 grace & draw+1 & ?\gh ! col\r & light & %ade di/ract our att5tion f defects ( =m1 he does n possess t ma/]y ov] ! fl[+ silh\ette :i* ,t9toretto atta9$4 ,x 0 9 #aedc t 8 relations ) ! ,f>nese1 ^: "y c>d9al he _h be5 pa9t+1 drew him at la/ to ,rome4 ,leo ,x4 _h tri$ to attract him !re )\t success1 b n[ at sixty-eight he f\nd himself z f> on ! road z ,urb9o4 ,8 son ,orazio 0 ) him1 & ,duke ,guidobaldo 0 himself 8 escort1 & s5t him on ) a b& ( m5-at-arms f ,pes>o4 ,he 0 receiv$ 9 ,rome by ,c>d9al ,bembo2 ,paul ,,iii4 gave him a cordial welcome & ,vas>i 0 appo9t$ 8 cic]one4 ,x is int]e/+ to inquire :at impression ,rome1 ) its treasures ( antique /atu>y & contempor>y pa9t+1 made ^u ,titian4 ,he is fill$ ) wond] & glad t he came1 writes ,bembo4 ,9 a lett] to ,aret9o he regrets t he _h n come be=e4 ,he /ay$ eight mon?s 9 ,rome1 & 0 made a ,roman citiz54 ,he visits ! ,/anze ( ,raphael 9 company ) ,seba/ian del ,piombo1 & ,mi*elangelo comes to see him at 8 lodg+s1 & he receives a long lett] f ,aret9o advis+ him to comp>e ,mi*elangelo ) ,raphael1 & ,sansov9o & ,bramante ) ! sculptors & ar*itects ( antiquity4 ,titian 0 well e/abli%$ 9 8 own /yle1 & 0 receiv$ z ! creator ( ackn[l$g$ ma/]pieces1 & he nev] pa9t$ a m magnific5t portrait-piece ?an t ( ,paul ,,iii41 ! peevi% old ,pope1 ail+ & humor\s1 suspici\s ( ! two nephews :o are pa9t$ ) him1 & :o he guess$ to be conspir+ aga9/ him4 ,! *>act]i/ic attitude ( ! old man ( eighty1 b5t d[n 9 8 *air1 8 quick1 irritable glance1 ! /eady1 det]m9$ gaze ( ! c>d9al1 ! obsequi\s attitude & weak1 wily face ( ,ottavio ,f>nese are all immortalis$ 9 a broad]1 m c>eless te*nique ?an ,titian has hi!rto us$4 ,?\gh he does n seem to h be5 directly influ5c$ by all he saw 9 ,rome1 we und\bt$ly f9d a *ange com+ ov] 8 "w betwe5 #aedj & #aeej1 :i* may be 9 "p ascrib$ to a wid5+ ( 8 arti/ic horizon & a consci\sness ( :at o!rs 7 do+1 bo? ar\nd him & abroad4 ,9 its :ole h&l+ & "* 8 late is diff]5t f 8 e>ly mann]4 ,x beg9s at ?is "t to take on a blurr$1 s(t1 impressioni/ "*4 ,8 delight 9 ri* col\r+ seems to wane1 & he aims at int5sify+ ! p[] ( light4 ,he rea*es t po9t 9 ! ,v5etian ,s*ool ( pa9t+ :i* we may reg>d z its climax1 :5 !re is little /rong local col\r1 b ! canvas seems illum9$ f )94 ,!re are no cle>-cut l9es1 b ! %apes are sugge/$ by sombre envelop+ %ades 9 :i* ! radiant brightness is emb$d$4 ,8 l&scapes alt] too2 !y are no long] blue & smil+1 fill$ ) lov+ detail1 b gr&]1 m my/]i\s4 ,9 ! ,/4 ,j]ome 9 ,p>is ! old ,sa9t kneels 9 wild & lonely surr\nd+s1 & ! moon1 sl[ly ris+ beh9d ! d>k trees1 s5ds a %>p1 silv] ray across ! crucifix4 ,! ,supp] at ,emmaus has ! gr&iose effect t is giv5 by avoidance ( detail & simplification ( me?od4 ,titian pa9t$ sev]al portraits ( himself1 & we "k :at sort ( /ately figure 0 pres5t$ by ! old man ( sev5ty :o1 at ,*ri/mas 9 #aedg1 set =? to ride across ! ,alps 9 ! dep?s ( w9t] to obey ,*>les ,v4's call to ,augsburg4 ,! excitem5t ( ! public 0 great at 8 dep>ture1 & ,aret9o describes h[ 8 h\se 0 besieg$ = ! sket*es & designs he left beh9d him4 ,= ne>ly =ty ye>s ,titian 0 employ$ by ! ,h\se ( ,hapsburg4 ,he _h be5 work+ = ,*>les s9ce #aecj1 & :5 ! ,emp]or abdicat$1 8 employm5t by ,philip ,,ii4 la/$ till 8 dea?4 ,! palace inv5tory ( #afhf conta9$ sev5ty-six ,titians1 & ?\gh probably n all 7 g5u9e1 yet an imm5se numb] 7 really by him1 & ! gall]y1 ev5 n[1 is ri*] 9 8 works ?an any o!r4 ,! great hall ( ! ,p>do mu/ h be5 a wond]ful sight1 ) ,titian's f9e/ portrait ( himself 9 ! mid/1 & ! magnific5t portraits & sacr$ & allegorical pieces :i* he cont9u$ f ?is "t =w>d to contribute to x4 ,9 ?is ye>1 :i* 0 ! la/ be=e ,*>les's abdication1 & dur+ ?is visit to ,s\? ,g]many1 he pa9t$ ! great eque/rian portrait ( ! ,emp]or on ! field ( ,mhlb]g1 & two ye>s lat] came ! fir/ ( 8 _m portraits ( ,philip ,,ii4 ,! face1 9 ! fir/ sket*1 is laid 9 ) a sort ( fury ( impressionism1 & 9 ! p>ade portrait ! sitt] is realis$ z a man ( great di/9ction4 ,ugly & s5sual z he is1 we nev] tire ( look+ at ,titian's conception--a full l5g? ( di/+ui%$ mi5 r5d]$ attractive by magnific5t col\r4 ,ev]y?+ 9 x lives1 & ! sl5d]1 ari/ocratic h&s are1 z ,morelli says1 a :ole biography 9 !mselves4 ,! spl5did s]ies ( allegorical subjects :i* ,titian contribut$ to ! ,p>do1 :ile he 0 /ill supply+ sacr$ pictures & alt>pieces to ,v5ice & ! neighb\r+ ma9l&1 are among 8 mo/ mature & important works4 ,nev] has 8 gamut ( tones be5 full] & /rong] ?an 9 ! ,jupit] & ,antiope1 or ! ,v5us ( ! ,p>do z x is sometimes call$4 ,! ,v5us h]self has ! attitude ( ,giorgione's dream+ goddess1 ) h] arm flung up above h] head4 ,x is1 p]haps1 ! only "t t ,titian succe$s 9 giv+ any?+ ideal to "o ( 8 ,v5uses4 ,! fam\s nudes ( ! ,uffizi & ! ,l\vre are spl5did c\rtesans1 f> remov$ f ,giorgione's idyllic vision2 b ,antiope1 slumb]+ on h] c\* ( sk9s1 & h] woodl& lov]1 gaz+ ) ador+ eyes on h] beautiful face1 h a :ole _w ( sweet & joyful fancy4 ,! :ole sc5e is full ( a joie de vivre1 :i* c>ries u back to ! ,bac*anals pa9t$ s _m ye>s be=e1 & 9 ^! ,titian gives ,k+ ,philip 8 mo/ p]fect "w1 e t\* ( :i* is 8 own4 ,?is picture1 n[ 9 ! ,l\vre1 0 giv5 to ,*>les ,i4 by ! ,k+ ( ,spa91 & b\ght = ,c>d9al ,maz>9 9 #afej4 ,dana1 ,v5us & ,adonis1 ,europa & ! ,bull1 & a ,la/ ,supp] foll[$ 9 quick succession1 b ,titian 0 n[ employ+ _m assi/ants1 & great p>ts ( ! canvases issu+ f 8 work%op %[ weak1 imitative h&s1 :ile replicas 7 made ( o!r works4 ,8 lat] feel+ = ! religi\s 9 art is express$ 9 ! n[ b$imm$ pa9t+s 9 ,san ,salvatore 9 ,v5ice4 ,vas>i describes ^! 9 #aeff4 ,pa9t$ :5 ,titian 0 ne>ly n9ety ye>s old1 ! ,transfiguration is rem>kable = =cible1 maje/ic movem5t1 :ile 9 ! ,annunciation he inv5ts q a new treatm5t4 ,m>y turns r\nd & raises h] veil1 :ile %e grasps ! book z if %e dep5d$ on x = /ay & support4 ,! f\r angels are full ( life & gaiety1 & ! :ole has mu* grace & col\r1 ?\gh x is da%$ 91 9 ! pa9t]'s lat] /yle1 9 broad & sweep+ planes )\t pati5ce ( detail4 ,! old man has sign$ x ,titianus1 fecit1 fecit1 a contemptu\s reply to "s critics :o compla9$ ( its want ( f9i%4 ,he knew well :at x 0 9 composition & execution1 & t all t he _h ev] kn[n or done lay )9 ! c>eless /r5g? ( 8 la/ mann]4 ,a lett] writt5 to ! ,k+ ( ,spa9's secret>y 9 #aegd gives a li/ 9 "p ( f\rte5 pictures s5t to ,madrid dur+ ! la/ tw5ty-five ye>s1 ) _m o!rs :i* ,i d n rememb]4 ,on e h& we he> ( lo/ pictures f ! ma/]'s bru%1 & ! numb] produc$ ev5 dur+ ! la/ t5 ye>s ( 8 life mu/ h be5 enorm\s1 = till ! end he 0 full ( great und]tak+s & a*ievem5ts4 ,v late 9 life he pa9t$ a ,%eph]d & ,nymph 7,vi5na71 :i* 9 its idyllic feel+1 its slumb]\s delight1 its m+l+ ( clo!d & nude figures1 recalls ! e>ly days ) ,giorgione1 yet ! blurr$ & sm\ld]+ ri*ness1 ! absolute negation ( all %>p l9es & lights is 9 8 v late/ /yle1 & he has gone pa/ ,giorgione on 8 own gr\nd4 ,!n 9 /range contra/ is ! ,*ri/ ,cr[n$ ) ,?orns1 at ,vi5na1 a tragic figure /upefi$ ) suff]+4 ,8 la/ great "w 0 ! ,piet 9 ! ,academy1 :i*1 ?\gh unf9i%$1 is nobly design$ & v impressive4 ,he places ! ,virg9 support+ ! ,body 9 a great dome-%ap$ ni*e1 :i* gives elevation4 ,x is flank$ by two calm1 antique1 /one figures1 ^: impassive air contra/s ) ! wild pa9 & grief bel[4 ,! ,magdal5 /eps out t[>ds ! spectator ) ! wail+ cry ( a ,greek trag$y4 ,x p]haps h>dly moves u l ! conc5trat$ feel+ ( ,bell9i's ,madonna1 or ! hurri$1 trembl+ grief ( ,t9toretto's ,magdal51 b x is monum5tal 9 ! sweep+ grace ( its l9e1 & full ( nobility ( feel+4 ,x is sadly rubb$ & d>k5$ & has lo/ mu* ( ,titian's col\r1 b is /ill beautiful 9 its deep greys m+l$ ) a sombre gold5 gl[1 z ( half-ext+ui%$ fires4 ,^! late pa9t+s are ( ! true impressioni/ ord]2 look$ at closely !y pres5t a mass ( scumbl$ t\*es1 ( incoh]5t da%es1 b if we /ep f>!r away1 to ! "r focus1 light & d>k arrange !mselves1 ord] %9es ?r\gh ! :ole1 & we see :at ! great ma/] meant u to see4 ,titian's lat] creations1 says ,vas>i1 are /ruck (f rapidly1 s t :5 close y _c see !m1 b af> !y look p]fect1 & ?is is ! /yle :i* s _m tri$ to imitate1 to %[ t !y 7 practis$ h&s1 b only produc$ absurdities4 ,titian 0 prep>+ ! picture = ! ,fr>i1 9 paym5t = ! grant ( a tomb = himself1 :5 9 ,augu/ #aegf ! plague broke out 9 ,v5ice1 & on ! #bg? ! great pa9t] di$ ( x 9 8 own h\se4 ,! /r+5t regulations conc]n+ infection 7 relax$ to d hon\r to "o ( ! greate/ sons ( ,v5ice1 & he 0 laid to re/ 9 ! ,fr>i1 borne !re 9 solemn procession1 ?r\gh a city /rick5 by t]ror & panic1 & buri$ 9 ! ,*apel ( ! ,crucifi$ ,savi\r1 = :i* 8 la/ "w 0 ord]$4 ,! ,assumption ( 8 prime look$ d[n ^u him1 & close at h& 0 ! ,madonna ( ,casa ,pes>o4 ,8 son ,orazio caught ! plague & di$ imm$iately aft]1 & ! pa9t]'s h\se 0 sack$ by ?ieves & _m preci\s ?+s /ol54 ,! great p]sonality ( ,titian /&s out z t :i* ( all o!rs e/abli%$ & consolidat$ ! s*ool ( ,v5ice4 ,he is its c5tral figure4 ,! c5tury ( life1 ( :i* eighty ye>s 7 pass$ 9 ceaseless indu/ry ( production1 left its deep impression on ! art ( e civilis$ c\ntry ( ,europe4 ,e great man ( ! day :o 0 a lov] ( art & culture fell "u ,titian's spell4 ,8 influ5ce on 8 contempor>ies 0 enorm\s1 & he _h ev]y?+3 g5ius1 indu/ry1 p]sonal di/9ction1 "*1 social *>m4 ,he is1 p]haps1 ( too intellectual a ca/ ( m9d to be q typical ( ! ,v5etian _s1 9 ! way t ,t9toretto is2 x is conceivable t 9 ano!r environm5t ,titian might h develop$ on r diff]5t l9es1 b ?is temp] gave him great] dom9ation4 ,he 0 free f ! ecc5tricities :i* beset g5ius4 ,he possess$ ! sav+ salt ( practical common s5se1 s t ! gold5 mean ( sanity & heal?ful joy 9 8 works comm5d$ !m to all m51 & !y are n difficult to und]/&4 ,yet :ile all c see ! beauty ( 8 poetic in/9ct = col\r1 8 int]e/+ & orig9al te*nique1 8 grasp & scope1 8 ma/]y & c]ta9ty h ga9$ = him ! title ( ! pa9t]'s pa9t]4 ,!re is no "o f :om m5 feel t !y c s safely le>n s mu*1 & ! gr& bread? & p[] ( elim9ation ( 8 lat] ye>s is ju/ifi$ by ! way 9 :i* 9 8 e>li] "w he has c>ri$ exquisite f9i% & ri* impa/o to p]fection4 ,,pr9cipal ,,works ,ancona4 ,crucifixion 7,l474 ,s4 ,dom5ico3 ,madonna ) ,sa9ts & ,donor1 #aebj4 ,antw]p4 ,pope ,alex&] ,,vi4 pres5t+ ,jacopo ,pes>o4 ,b]l94 ,infant ,daught] ( ,/rozzi1 #aedb2 ,portrait ( ,himself 7,l472 ,lav9ia be>+ ,*>ges4 ,brescia4 ,,ss4 ,naz>o e ,celso3 ,alt>piece1 #aebb4 ,dresd54 ,madonna ) ,sa9ts 7,e472 ,tribute ,money 7,e472 ,lav9ia z ,bride1 #aeee2 ,lav9ia z ,matron 7,l472 ,portrait1 #aefa2 ,lady ) ,vase 7,l472 ,lady 9 ,r$ ,dress4 ,flor5ce4 ,pitti3 ,la ,bella2 ,aret9o1 #aede2 ,magdal52 ,! ,"y ,engli%man2 ,! ,conc]t 7,e472 ,philip ,,ii42 ,ippolito de ,m$ici1 #aecc2 ,tomaso ,mo/i4 ,uffizi3 ,eleanora ,gonzaga1 ,du*ess ( ,urb9o1 #aecg2 ,francesco della ,rov]e1 ,duke ( ,urb9o1 #aecg2 ,flora2 ,v5us1 ! head a portrait ( ,lav9ia2 ,v5us1 ! head a portrait ( ,eleanora ,gonzaga2 ,madonna ) ,s4 ,an?ony ,abbot4 ,london4 ,holy ,family & ,%eph]d2 ,bac*us & ,ariadne 7,e472 ,noli me tang]e 7,e472 ,madonna ) ,,ss4 ,john & ,ca!r9e4 ,bridgewat] ,h\se3 ,holy ,family 7,e472 ,v5us ( ! ,%ell2 ,?ree ,ages ( ,man2 ,diana & ,actaeon1 #aeei2 ,calli/o1 #aeei4 ,e>l ,br[nl[3 ,diana & ,actaeon 7,l474 ,sir ,f4 ,cook3 ,portrait ( ,laura de ,dianti4 ,madrid4 ,madonna ) ,,ss4 ,ulfus & ,bridget 7,e472 ,bac*anal2 ,! ,g>d5 ( ,loves2 ,dana1 #aeed2 ,v5us & ,y\? play+ ,organ 7,l472 ,salome 7portrait ( ,lav9ia72 ,tr9ity1 #aeed2 ,entombm5t1 #aeei2 ,prome!us2 ,religion succ\r$ by ,spa9 7,l472 ,sisyphus 7,l472 ,alfonso ( ,f]r>a2 ,*>les ,v4 at ! ,battle ( ,mhlb]g1 #aedh2 ,*>les ,v4 & 8 ,dog1 #aecc2 ,philip ,,ii41 #aeej2 ,philip ,,ii42 ,! ,infant2 ,don ,f]n&o & ,victory2 ,portrait2 ,portrait ( ,himself2 ,duke ( ,alva2 ,v5us & ,adonis2 ,fall ( ,man2 ,empress ,isabella4 ,m$ole 7ne> ,brescia74 ,*ri/ appe>+ to ,8 ,"m4 ,muni*4 ,vanitas2 ,portrait ( ,*>les ,v41 #aedh2 ,madonna & ,sa9ts2 ,man ) ,baton4 ,naples4 ,paul ,,iii4 & ,c>d9als1 #aede2 ,dana4 ,padua4 ,scuola del ,santo3 ,frescoes2 ,s4 ,an?ony grant+ ,spee* to an ,infant2 ,! ,y\? :o cut (f 8 ,leg2 ,! ,jeal\s ,husb&1 #aeaa4 ,p>is4 ,madonna ) ,sa9ts 7,e472 ,la ,vi]ge au ,lap92 ,madonna ) ,s4 ,agnes2 ,*ri/ at ,emmaus 7,l472 ,cr[n+ ) ,?orns 7,l472 ,entombm5t2 ,s4 ,j]ome 7,l472 ,jupit] & ,antiope 7,l472 ,francis ,i42 ,allegory2 ,m>quis da ,valos & ,m>y ( ,arragon2 ,alfonso ( ,f]r>a & ,laura ,dianti2 ,l',homme au ,gant 7,e472 ,portraits4 ,rome4 ,villa ,borghese3 ,sacr$ & ,pr(ane ,love 7,e472 ,/4 ,dom9io 7,l472 ,education ( ,cupid 7,l474 ,capitol3 ,baptism 7,e474 ,doria3 ,daught] ( ,h]odias4 ,vatican3 ,madonna 9 ,glory & six ,sa9ts1 #aebc4 ,treviso4 ,duomo3 ,annunciation4 ,urb9o4 ,resurrection 7,l472 ,la/ ,supp] 7,l474 ,v5ice4 ,academy3 ,pres5tation ( ,virg91 #aedj2 ,s4 ,john 9 ! ,des]t2 ,assumption1 #aeah2 ,piet1 #aegc4 ,palazzo ,ducale ,/aircase3 ,s4 ,*ri/oph]1 #aebc4 ,sala di ,quattro ,porte3 ,doge ,giovanni be=e ,fai?1 #aeee4 ,fr>i3 ,pes>o ,madonna1 #aebf4 ,s4 ,giovanni ,elemos9>io3 ,s4 ,john ! ,almsgiv]1 #aebc4 ,scuola di ,san ,rocco3 ,annunciation 7,e474 ,salute ,sacri/y3 ,desc5t ( ! ,holy ,_s2 ,/4 ,m>k en?ron$ ) ,sa9ts2 ,david & ,golia?2 ,sacrifice ( ,isaac2 ,ca9 & ,abel4 ,s4 ,salvatore3 ,annunciation 7,l472 ,transfiguration 7,l474 ,v]ona4 ,duomo3 ,assumption4 ,vi5na4 ,gipsy ,madonna 7,e472 ,madonna ( ! ,*]ries 7,e472 ,ecce ,homo1 #aedc2 ,isabela d',e/e1 #aecd2 ,! ,tamb\r9e ,play]2 ,girl 9 ,fur ,cloak2 ,dr4 ,p>ma 7,e472 ,%eph]d & ,nymph 7,l472 ,portraits2 ,doge ,&rea ,gritti2 ,jacopo ,/rada2 ,diana & ,calli/o2 ,madonna & ,sa9ts4 ,wallace ,collection4 ,p]seus & ,&rom$a4 7,9 collaboration ) 8 nephew1 ,francesco ,vecellio47 ,l\vre4 ,madonna & ,sa9ts4 7,! same by ,francesco alone47 ,glasg[4 ,madonna & ,sa9ts4 ,,*apt] ,,xx ,,palma ,,vec*io ,,& ,,lor5zo ,,lotto ,among ! _m :o clu/]$ r\nd ,titian's long c>e]1 ,palma atta9$ to a place beside him & ,giorgione :i* 8 tal5t1 :i* 0 n ( ! highe/ ord]1 sc>cely w>rant$4 ,b he 0 class$ ) ! greate/1 & influ5c$ contempor>y art because 8 "w *im$ 9 s well ) ! ,v5etian _s4 ,a ,b]gamasque by bir?1 he came ( ,v5etian p>5tage1 & le>nt ! fir/ elem5ts ( 8 art 9 ,v5ice4 ,he nev] really ma/]$ ! inn] niceties ( anatomy 9 its f9e/ s5se1 & ! broad g5]alisation ( 8 =ms may be meant to conceal unc]ta9 draw+1 b 8 l>ge-bosom$1 matronly wom5 & plump *ildr51 8 r\nd1 s(t cont\rs1 8 clean brilliancy1 & ! cle> gold5 poli% 9 :i* 8 pictures are /eep$1 made a great appeal to ! public4 ,8 inv5tion is ! l>ge ,santa ,conv]sazione1 z comp>$ ) ^? 9 half-l5g? ( ! e>li] ma/]s4 ,! ,virg9 & sa9ts & kneel+ or b5d+ donors are plac$ "u ! spread+ trees ( a ri* & picturesque l&scape4 ,x is ,palma's v]sion ( ! ,giorgionesque ideal1 :i* he _h 8 %>e 9 e/abli%+ & develop+4 ,! heavy tree-trunk & d>k foliage1 silh\ett$ almo/ black aga9/ ! backgr\nd1 are *>act]i/ic ( 8 compositions4 ,z 8 life goes on1 ?\gh he /ill cl+s to 8 full1 ripe figures & to ! same smoo? fle%9ess 9 8 wom51 ! features become delicate & *isell$1 & ! m ref9$ type & subtl] feel+ ( 8 middle /age may be due to 8 companion%ip ) ,lotto1 ) :om he 0 9 ,b]gamo :5 !y 7 bo? ab\t tw5ty-five4 ,he t\*es 8 highe/1 & at ! same "t keeps v ne> ,giorgione1 9 ! spl5did ,/4 ,b>b>a1 pa9t$ = ! company ( ! ,bombadi]i or artill]i/s4 ,_! cannon gu>d ! p$e/al on :i* %e /&s2 x 0 at h] alt> t !y came to comm5d !mselves on go+ =? to w>1 & :]e !y knelt to (f] ?anksgiv+ = a safe return2 & %e is a truly noble figure1 regal 9 conception & f9e & firm 9 execution1 attir$ 9 sumptu\s robes ( gold5 br[n & gre51 ) spl5did sa9ts on ei!r h&4 ,palma 0 (t5 approa*$ by 8 patrons :o want$ my?ological sc5es1 gods1 & goddesses2 b ?\gh he produc$ a ,v5us1 a h&some1 full-bl[n model1 he nev] excels 9 ! nude1 & 8 t5d5cy is to seize ^u ! homely4 ,8 sc5es h a dome/ic1 famili> flav\r4 ,) all 8 gold5 & ivory beauty he lacks fire1 & 8 p]sonages h a sluggi%1 ple?oric note4 ,9 8 late/ /age he hides all %>pness 9 a sort ( scumble or haze4 ,x w\ld1 h[ev]1 be unfair to say he is n f9e1 & 8 portraits especially come v ne> ! be/4 ,vi5na is ri* 9 examples 9 half-l5g?s ( "o beautiful woman aft] ano!r rob$ 9 ! ample & gorge\s g>m5ts 9 :i* he is always int]e/$4 ,among !m is 8 h&some daught]1 ,violante1 ) a violet 9 h] bosom1 & we>+ ! l>ge sleeves he admires4 ,! ,tasso ( ! ,national ,gall]y has be5 tak5 f him & giv5 fir/ to ,giorgione & !n to ,titian1 b !re n[ seems "s incl9ation to return x to its fir/ au?or4 ,x has a m dreamy1 intellectual c\nt5ance ?an we are accu/om$ to associate ) ,palma2 b he uses else:]e ! decorative backgr\nd ( olive bran*es1 & ! wax5 complexion1 tawny col\r+1 & ! pron\nc$ gold5 haze are ,palmesque 9 ! highe/ degree4 ,! col\r+ is 9 /rong contra/ to ! pale ivory gl[ ( ! ,ario/o ( ,titian1 :i* hangs ne> x4 ,illu/ration3 ,palma ,vec*io4 ,,holy ,,family4 ,colonna ,gall]y1 ,rome4 7,photo1 ,&]son47 ,no "o c\ld be m unlike ,palma ?an 8 contempor>y1 ,lor5zo ,lotto1 :o has = long be5 class$ ) ! ,b]gamasques1 b :o is prov$ by rec5tly discov]$ docum5ts to h be5 born 9 ,v5ice4 ,x 0 = long an accept$ fact t ,lotto 0 a pupil ( ,bell9i1 & 8 e>lie/ alt>piece1 to ,s4 ,cri/9a at ,treviso1 be>s traces ( ,bell9i's mann]4 ,a ,piet above has *ild angels exam9+ ! w\nds ) ! grief & conc]n :i* ,bell9i made s peculi>ly 8 own1 & ! ,/4 ,j]ome & ! bran* ( fig-leaves silh\ett$ aga9/ ! light rem9d u ( ! alt>piece 9 ,s4 ,criso/omo4 ,lotto seems to h clung to quattroc5to fa%ions4 ,! ancona _h long be5 reject$ by mo/ ( 8 contempor>ies1 b he pa9t$ "o ( ! la/ = a *ur* 9 ,recanati1 9 c>v$ & gilt comp>tm5ts1 & he pa9t$ pr$ellas long aft] !y _h become g5]ally obsolete4 ,we ask ourselves h[ x 0 t ,lotto1 :o _h s susceptible & easily sway$ a nature1 escap$ ! influ5ce ( ,giorgione1 ! mo/ p[]ful ( any 9 ! ,v5ice ( 8 y\?--an influ5ce :i* act$ on ,bell9i 9 8 old age1 :i* ,titian practically nev] %ook (f1 & :i* dom9at$ ,palma to ! exclusion ( any e>li] ma/]4 ,x w\ld take too long to survey ! tra9 ( argum5t by :i* ,mr4 ,b]5son has e/abli%$ ,alvise ,viv>9i z ! ma/] ( ,lotto4 ,not)/&+ t ,bell9i's great sup]iority 0 becom+ cle> to ! m cultur$ ,v5etians1 ,alvise1 :5 ,lotto 0 a y\?1 0 /ill ! pa9t] p> excell5ce = ! mass ( ! public4 ,9 ! ,s4 ,cri/9a alt>piece ! ,*ild /&+ on its ,"m's knee is 9 ! same attitude z ! ,*ild 9 ,alvise's alt>piece ( #adhj1 & ! ,"m's h& holds x 9 ! same way4 ,o!r details :i* supply int]nal evid5ce are ! %ape ( h&s & feet1 ! r\nd heads & ! way ! ,*ild is (t5 repres5t$ ly+ across ! ,"m's knees4 ,lotto c>ries into old age ! use ( fruit & fl[]s & beads z decoration1 a ,squ>cionesque feature belov$ ( ! ,viv>9i1 b :i* 0 nev] adopt$ by ,bell9i4 ,ab\t #aeab ,lotto comes into contact ) ,palma1 & = a %ort "t ! two 7 9 close t\*4 ,a ,santa ,conv]sazione1 ( :i* a good copy exi/s 9 ,villa ,borghese1 ,rome1 & "o at ,dresd51 ) ! ,holy ,family gr\p$ "u spread+ trees1 is saturat$ ) ,palma's _s1 b x soon passes away1 & except = an occasional t\*1 disappe>s entirely f ,lotto's "w4 ,lotto may h _h relations 9 ,b]gamo1 = :5 9 #aeae a competition betwe5 arti/s 0 set on foot by ,aless&ro ,m>t9o1 a desc5dant ( ,g5]al ,colleone1 = an alt>piece = ,s4 ,/efano1 he compet$ & c>ri$ (f ! prize4 ,?is 0 ! fir/ ( ! s]ies ( ! great works = ,b]gamo1 :i* enri* ! little city1 :]e at ?is p]iod he c be/ be /udi$4 ,! great alt>piece 7n[ remov$ to ,san ,b>tolommeo7 is a mo/ int]e/+ human docum5t1 a revelation ( ! pa9t]'s p]sonality4 ,he does n break away f hi]atic conv5tions1 l ! rival s*ool2 8 ,madonna is /ill plac$ 9 ! apse ( ! *ur* ) sa9ts gr\p$ r\nd h]1 a =m f :i* ! ,viv>9i nev] dep>t$1 b ! :ole is full ( int5se movem5t1 ( a lyric grace & ec/asy1 a desire to express f]v5t & raptur\s devotion4 ,! ar*itectural backgr\nd is n 9 happy proportion 9 relation to ! figures1 b ! effect ( vi/a & space is m rem>kable ?an 9 any ,nor? ,italian ma/]4 ,! vivid treatm5t ( light & %ade1 & ! gaiety & delicacy ( ! fly+ angels1 :o hold ! canopy1 & ( ! putti1 :o spread ! c>pet bel[1 ! %apes ( ?rone & canopy & ! decorations h l$ to ! idea t ,lotto drew 8 inspiration f ,correggio1 :om he c]ta9ly resembles 9 "s ways2 b at ?is "t ,correggio 0 only tw5ty1 & _h n giv5 any examples ( ! /yle we are accu/om$ to call ,correggiesque4 ,we mu/ look back to a common orig9 = ^? decorative details1 :i* are s conspicu\s 9 ,crivelli & ,b>tolommeo ,viv>9i1 :i* came to ,lotto ?r\gh ! ,viv>9i & to ,correggio ?r\gh ,f]r>ese pa9t]s1 & ( :i* ! f\nta9-head = bo? 0 ! s*ool ( ,squ>cione4 ,= ! mu* m /rik+ resemblances ( composition & _s1 ! explanation seems to be t ,lotto on "o side ( 8 nature 0 ak9 to ,correggio2 he _h ! same lyrical feel+1 ! same incl9ation to exub]ance & buoyancy4 ,to bo?1 pa9t+ 0 a vehicle = ! expression ( feel+1 b ,lotto _h also common s5se & a goodly %>e ( t hum\r t is alli$ to pa?os4 ,till ! ye> #aebf ,lotto 0 mu* 9 ,b]gamo1 :]e ! fir/ alt>piece ga9$ him ord]s = o!rs4 ,! reputation ( a memb] ( ! s*ool ( ,v5ice 0 a sure passport to employm5t4 ,we trace ,alvise's tradition v pla9ly 9 ! alt>piece 9 ,san ,b]n>d9o1 :]e ! ge/ure ( ! ,madonna's h& z %e exp\nds to ! li/5+ sa9ts recalls ,alvise's ( #adhj4 ,! little ga!r$ roses1 :i* ,lotto makes use ( to ! end ( 8 life1 lie scatt]$ on ! /ep2 angels1 d>+ly =e%ort5$1 sweep aside ! curta9 ( ! sanctu>y4 ,! col\r is 9 ,lotto's sc>let1 light blues1 & violet4 ,he soon %[s himself fond ( g5re incid5ts1 & 9 ,*ri/ tak+ leave ( ,8 ,"m gives a view into a b$room & a cat runn+ across ! floor4 ,! donor kneels ) h] hair fa%ionably dress$ & we>+ a pe>l necklace4 ,9 ! ,m>riage ( ,s4 ,ca!r9e at ,b]gamo ! sa9t is evid5tly a portrait1 ) hair pe>l-wrea!d4 ,%e kneels v simply & naturally be=e ! ,*ild1 & ! exquisitely lovely & elaborately g[n$ "y woman :o repres5ts ! ,madonna1 looks out t[>ds ! spectator ) a mundane & curi\sly mod]n air4 ,x 0 probably ! recognition ( ,lotto's success ) portraits t l$ to _! be+ s (t5 introduc$ into 8 sacr$ pieces4 ,9 ! "o we h j notic$1 ! donor1 ,niccolas ,bonghi1 is br\ght 91 & is on r a l>g] scale ?an ! re/1 b ,lotto has evid5tly n f\nd him int]e/+4 ,! portraits ( ! bro!rs della ,torre1 & t ( ! ,pro?onot>y ,giuliano 9 ! ,national ,gall]y1 inaugurate t wond]ful s]ies ( *>act]isations :i* are 8 greate/ di/9ction4 ,a s]ies ( frescoes 9 village *ur*es r\nd ,b]gamo mu/ also be notic$4 ,!y are rem>kable = spontane\s & orig9al decoration1 & may comp>e ) ! c]emonial gr\ps ( ,g5tile ,bell9i & ,c>paccio4 ,lotto's p]sonages1 z !y *att] 9 ! m>ket-places1 are full ( natural animation & gaiety1 & we realise :at a /ep _h be5 made 9 ! pa9t+ ( actual life4 ,ow+ to ! unsettl$ /ate ( ! re/ ( ,italy1 ! ye>s f #aecj to #aedj1 :i* ,lotto sp5t 9 ,v5ice1 f\nd t city ! ga!r+-gr\nd ( _m ( ! mo/ di/+ui%$ s*ol>s & deepe/ ?9k]s ( ! day4 ,m5 ( all %ades ( religi\s ?\ght 7 engag$ 9 le>n$ discussion1 & ,lotto's ard5t & inquir+ temp]am5t mu/ h be5 /imulat$ by su* an environm5t4 ,dur+ ^! ye>s1 too1 he became intimate ) ,titian1 & exp]im5t$ 9 ,titian's /yle1 ) ! result t 8 pa9t+ gets ?ick] & ri*]1 m fus$ & solid1 & 8 figures are bett] put toge!r4 ,he imitates ,titian's col\r1 too1 b x makes him pa9t 9 deep]1 fi]c] t9ts1 & he soon f9ds x does n suit him1 & returns to 8 own s*eme4 ,8 col\r is /ill r too dazzl+1 b ! di/ances are transluc5t & atmosph]ic4 ,he cont9ues to introduce portraits4 ,9 8 alt>piece 9 ,,ss4 ,giovanni & ,paolo ! deacons giv+ alms & receiv+ petitions curi\sly resemble 9 type & expression ! ecclesia/ics we see to-day4 ,lotto 0 n[ an accept$ memb] ( ,titian's set1 & ,aret9o1 9 a lett] dat$ #aedh1 writes t ,titian values 8 ta/e & judgm5t z t ( no o!r2 b ,aret9o1 ) 8 usual mixture ( connoisseur%ip & clev] spite1 goes on to ins9uate accid5tally1 z x 71 :at he himself knew p]fectly well1 t ,lotto 0 n consid]$ on a p> ) ! ma/]s ( ! fir/ rank4 ,envy is n 9 y\r brea/1 he says1 r d y delight to see 9 o!r arti/s c]ta9 qualities :i* y d n f9d 9 y\r own bru%1 444 hold+ ! second place 9 ! art ( pa9t+ is no?+ comp>$ to hold+ ! fir/ place 9 ! duties ( religion4 ,an int]e/+ codex or comm5t>y tells u t ,lotto nev] receiv$ high prices = 8 "w1 & we he> ( him hawk+ pictures ab\t 9 arti/ic circles1 putt+ !m up 9 raffles1 & leav+ a numb] ) ,jacopo ,sansov9o 9 ! hope t he might he> ( buy]s4 ,8 "w end$ z x _h begun1 9 ! ,m>*es4 ,he und]took commissions at ,recanati1 ,ancona1 & ,loreto1 & 9 ,septemb] #aeed he conclud$ a contract ) ! ,holy ,h\se at ,loreto1 by :i*1 9 return = rooms & food1 he made ov] himself & all 8 belong+s to ! c>e ( ! frat]nity1 be+ tir$ ( w&]+1 & wi%+ to end 8 days 9 t holy place4 ,he sp5t ! la/ f\r ye>s ( 8 life at ,loreto z a vot>y ( ! ,virg91 pa9t+ a s]ies ( pictures :i* are di/+ui%$ by ! same sort ( app>5t loos5ess & c>elessness :i* we notic$ 9 ,titian's late /yle2 a te*nique :i*1 z 9 ,titian's case1 conceals a pr(\nd k ( pla/ic modell+4 ,?\gh ,lotto execut$ an imm5se numb] ( important & v beautiful sacr$ works1 8 portraits /& ap>t1 & are s int]e/+ to ! mod]n m9d t "o is tempt$ to l+] ov] !m4 ,o!r pa9t]s give u f9] pictures2 9 none d we feel s anxi\s to "k :o ! sitt]s 7 & :at 0 _! /ory4 ,lotto has no?+ ( ! ,pagan quality :i* m>ks ,giorgione & ,titian2 he is a born psy*ologi/1 & z su* he witnesses to an attitude ( m9d 9 ! ,italy ( 8 day :i* is ( peculi> int]e/ to our own4 ,lotto's by/&]s1 ev5 9 8 sacr$ sc5es1 h no?+ 9 common ) ,titian's *orus2 !y h ! *>act]isation ( di/9ct individuals1 & :5 he is conc]n$ ) actual portraits he is int5sely receptive & s5sitive to ! _s ( 8 sitt]s4 ,he may be said to give !m away1 & to take an almo/ unfair advantage ( 8 p]ception4 ,! sick man 9 ! ,doria ,gall]y looks l "o /rick5 ) a dea? s5t5ce4 ,he kn[s at lea/ t x is t\* & g1 & ! pa9t] has symbolis$ ! situation 9 ! little w+$ g5ius balanc+ himself 9 a pair ( scales4 ,9 ! ,borghese ,gall]y is ! portrait ( a "y1 magnific5tly dress$ man1 ) a c\nt5ance m>k$ by m5tal agitation1 :o presses "o h& to 8 he>t1 :ile ! o!r re/s on a pile ( rose-petals 9 :i* a t9y skull is half-hidd54 ,! ,old ,man 9 ! ,br]a has ! h>d1 n>r[1 b int5sely sad face ( "o ^: natural disposition has be5 embitt]$ by ! circum/ances ( 8 life1 j z t ( our ,pro?onot>y speaks ( a l>ge & g5tle nature1 mell[$ by natural affections & happy pursuits4 ,we smile1 z ,lotto does1 ) k9dly mis*ief at ,m>silio & 8 ,bride2 ! broad1 placid c\nt5ance ( ! man is s significantly contra/$ ) ! clev] m\? & eyes ( ! bride t x does n ne$ ! malici\s glance ( ! cupid1 :o is fitt+ on ! yoke1 to dot ! i's & cross ! t's ( _! future4 ,aga91 ! portrait ( ,laura di ,pola1 9 ! ,br]a1 introduces u to "o ( ^? wom5 :o are *>m+ 9 e age1 n actually beautiful1 b h>moni\s1 ?\ghtful1 p]fectly dress$1 s5sible1 & self-possess$1 & ! ,family ,gr\p 9 our own gall]y holds a hi/ory ( a c\ple ( antagoni/ic temp]am5ts unit$ by life 9 common & ! clasp+ h&s ( *ildr54 ,lotto does n keep ! p]sonal expression out ( ev5 su* a canvas z 8 ,triumph ( ,*a/ity 9 ! ,rospigliosi ,gall]y4 ,8 delightful ,v5us1 "o ( ! lovelie/ nudes 9 pa9t+1 flies f ! attack+ t]magant1 ^: virtue is proclaim$ by ! erm9e on h] brea/1 & sweeps h] little cupid ) h] ) a well-br$1 surpris$ air1 sugge/ive ( ! mann]s ( mundane society4 ,illu/ration3 ,lor5zo ,lotto4 ,,portrait ,,( ,,laura ,,di ,,pola4 ,br]a4 7,photo1 ,&]son47 ,! pa9t] :o 0 ?us able to unveil p]sonality _h evid5tly a m9d t 0 aw>e ( itself1 t look$ =w>d to a wid] civilisation & a m e>ne/ & intimate religion4 ,8 life seems to h be5 "o ( "s sadness1 & cr[n$ ) only mod]ate success4 ,he speaks ( himself z advanc$ 9 ye>s1 )\t lov+ c>e ( any k9d1 & ( a tr\bl$ m9d4 ,8 w %[s t 8 worldly possessions 7 few & poor1 & t he _h no heir clos] ?an a nephew2 b he leaves "s ( 8 c>toons z a d[ry to two girls ( quiet nature1 heal?y 9 m9d & body1 & likely to make ?rifty h\sekeep]s1 on _! m>riage to two well-recomm5d$ "y m51 ab\t to become pa9t]s4 ,8 s5sitive & introspective temp]am5t l$ him to pref] ! retirem5t & ! quiet beauty ( ,loreto to ! brilliant society ( :i* he 0 made free 9 ,v5ice4 ,8 _s1 says ,mr4 ,b]5son1 is m l our own ?an is p]haps t ( any o!r ,italian pa9t]1 & x has all ! appeal & fasc9ation ( a k9dr$ s\l 9 ano!r age4 ,,pr9cipal ,,works ,palma ,vec*io4 ,b]gamo4 ,lo*is3 ,madonna & ,sa9ts 7,l474 ,cambridge4 ,fitzwilliam ,museum3 ,v5us 7,l474 ,dresd54 ,madonna2 ,,ss4 ,john1 ,ca!r9e2 ,?ree ,si/]s2 ,holy ,family2 ,meet+ ( ,jacob & ,ra*el 7,l474 ,london4 ,hampton ,c\rt3 ,santa ,conv]sazione2 ,portrait ( a ,poet4 ,milan4 ,br]a3 ,,ss4 ,hel51 ,con/ant9e1 ,ro*1 & ,seba/ian2 ,adoration ( ,magi 7,l471 f9i%$ by ,c>iani4 ,naples4 ,santa ,conv]sazione ) ,donors4 ,p>is4 ,adoration ( ,%eph]ds4 ,rome4 ,villa ,borghese3 ,lucrece 7,l472 ,madonna ) ,sa9ts & ,donor4 ,capitol3 ,*ri/ & ,woman tak5 9 ,adult]y4 ,palazzo ,colonna3 ,madonna1 ,s4 ,pet]1 & ,donor4 ,v5ice4 ,academy3 ,/4 ,pet] en?ron$ & six ,sa9ts2 ,assumption4 ,giovanelli3 ,sposalizio 7,l474 ,s4 ,m>ia ,=mosa3 ,alt>piece4 ,vi5na4 ,santa ,conv]sazione2 ,violante 7,l472 ,five ,portraits ( ,wom54 ,lor5zo ,lotto4 ,ancona4 ,assumption1 #aeej2 ,madonna ) ,sa9ts 7,l474 ,asolo4 ,madonna 9 ,glory1 #aejf4 ,b]gamo4 ,c>r>a3 ,m>riage ( ,s4 ,ca!r9e2 ,pr$elle4 ,lo*is3 ,holy ,family & ,s4 ,ca!r9e2 ,pr$elle2 ,portrait4 ,s4 ,b>tolommeo3 ,alt>piece1 #aeaf4 ,s4 ,aless&ro 9 ,colonna3 ,piet4 ,s4 ,b]n>d9o3 ,alt>piece4 ,s4 ,spirito3 ,alt>piece4 ,b]l94 ,*ri/ tak+ leave ( ,8 ,"m2 ,portraits4 ,brescia4 ,nativity4 ,c+oli4 ,s4 ,dom5ico3 ,madonna & ,sa9ts & fifte5 ,small ,sc5es4 ,flor5ce4 ,uffizi3 ,holy ,family4 ,london4 ,hampton ,c\rt3 ,portrait ( ,&rea ,odoni1 #aebg2 ,portrait 7,e472 ,portraits ( ,ago/9o & ,niccolo della ,torre1 #aeae2 ,family ,gr\p2 ,portrait ( ,pro?onot>y ,giuliano4 ,bridgewat] ,h\se3 ,madonna & ,sa9ts 7,e474 ,loreto4 ,palazzo ,apo/olico3 ,sa9ts2 ,nativity2 ,s4 ,mi*ael & ,lucif] 7,l472 ,pres5tation 7,l472 ,baptism 7,l472 ,adoration ( ,magi 7,l474 ,recanati4 ,municipio3 ,alt>piece1 #aejh2 ,transfiguration 7,e474 ,s4 ,m>ia ,sopra ,m]canti3 ,annunciation4 ,rome4 ,villa ,borghese3 ,madonna ) ,s4 ,on(rio & a ,bi%op1 #aejh4 ,rospigliosi3 ,love & ,*a/ity4 ,v5ice4 ,c>m9e3 ,s4 ,ni*olas 9 ,glory1 #aebi4 ,s4 ,giacomo dall' ,orio3 ,madonna ) ,sa9ts1 #aedf4 ,,ss4 ,giovanni e ,paolo3 ,s4 ,anton9o be/[+ ,alms1 #aedb4 ,vi5na4 ,santa ,conv]sazione1 etc4 ,,*apt] ,,xxi ,,seba/ian ,,del ,,piombo ,x 0 v natural t ,rome %\ld wi% = works ( ! ma/]s ( ! new ,v5etian ,s*ool1 b ! fir/-rate m5 7 fully employ$ at home4 ,all ! ef=ts made to secure ,titian fail$ till ne>ly ! end ( 8 c>e]4 ,on ! o!r h&1 ,v5ice 0 full ( less fam\s ma/]s foll[+ 9 ,giorgione's /eps4 ,:5 ,seba/ian ,luciani 0 a "y man1 ,giorgione 0 p>am\nt !re1 & no "o c\ld h =etold t 8 life w\ld be ( su* %ort duration4 ,x 0 to be expect$1 !re=e1 t a pa9t] :o consult$ 8 own int]e/s %\ld leave ! city :]e he 0 ov]%ad[$ by a great g5ius & g f>!r afield4 ,! influ5ce ( ! ,guilds 0 )drawn 9 ! sixte5? c5tury1 s t x 0 a simpl] matt] = pa9t]s to transf] _! tal5ts1 & pa9t+ 0 beg9n+ to appeal /rongly to ! dilettanti1 :o rivall$ "o ano!r 9 _! (f]s4 ,only "o "w ( ,seba/ian's is kn[n belong+ to ?is e>li] "t 9 ,v5ice4 ,x is ! ,s4 ,*ryso/om en?ron$1 9 ,s4 ,giovanni ,criso/omo1 & its maje/y & ri* col\r+1 & m especially ! spl5did gr\p ( wom5 on ! left1 s pr\d & s(t 9 _! ,v5etian beauty1 make u wond] if ,seba/ian might n h ris5 to great] heights if he _h rema9$ 9 8 natural environm5t4 ,he respond$ to ! call to ,rome ( ,ago/9o ,*igi1 ! great pa9t]1 ,,tn3 ,*igi 0 a bank] art collector1 & patron1 ! fri5d ( ,leo ,x4 ,*igi _h j complet$ ! ,f>nes9a ,villa1 & ,seba/ian 0 employ$ till #aeab on its decoration1 & at once came "u ! influ5ce ( ,mi*elangelo4 ,! ,piet at ,vit]bo %[s t influ5ce v /rongly2 9 fact1 ,vas>i says t ,mi*elangelo himself drew ! c>toon = ! figure ( ,*ri/1 :i* w\ld acc\nt = its extraord9>y beauty4 ,seba/ian emb>k$ on a close intimacy ) ! ,flor5t9e pa9t]1 &1 accord+ to ,vas>i1 ! great canvas ( ! ,rais+ ( ,laz>us1 9 ! ,national ,gall]y1 0 execut$ "u ! ord]s & 9 "p f ! designs ( ,mi*elangelo4 ,?is colossal "w 0 look$ on z "o ( ! mo/ important creations ( ! sixte5? c5tury1 b !re is little to make u wi% to *ange x = ! alt>piece ( ,s4 ,criso/omo4 ,! desire = sci5tific draw+ & ! se>* aft] composition h produc$ a lab\r$ effect2 ! female figures are ca/ 9 a mascul9e m\ld1 & x lacks bo? ! sev]e beauty ( ! ,tuscan ,s*ool & ! emotional *>m ( ,seba/ian's native /yle4 ,we _c1 h[ev]1 avoid conjectur+ if 9 ! figure ( ,laz>us himself we h n a conception ( ! great ,flor5t9e4 ,x is s easy 9 pose1 s spl5did 9 its1 p]haps excessive1 l5g? ( limb1 t our ?\ghts turn involunt>ily to ! ,ignudi 9 ! ,sixt9e ,*apel4 ,! picture has be5 dull$ & injur$ by repa9t+1 b ! di/ance /ill has ! sombre dep? ( ! ,v5etians4 ,all ?r\gh ,seba/ian's c>e] he seeks = =m & composition1 b1 great pa9t] z he und\bt$ly is1 he is great because he possesses t inborn feel+ = h>mony ( col\r4 ,?is is :at we value 9 him1 & he excels 9 s f> z he foll[s 8 ,v5etian in/9cts4 ,! dea? ( ,raphael improv$ ,seba/ian's position 9 ,rome1 & ?\gh ,leo ,x4 nev] lik$ or employ$ him1 he did n lack commissions4 ,! ,=n>9a 9 ! ,uffizi1 ) ! laurel-wrea!d head & leop>d-sk9 mantle1 /ill reveals him z ! ,v5etian1 & x is curi\s t any critic %\ld ev] h assign$ its ri*1 voluptu\s tone & its co>se type to ,raphael4 ,seba/ian obta9$ commissions = decorat+ ,s4 ,m>ia del ,popolo 9 oils & ,s4 ,pietro 9 ,montorio 9 fresco1 b 9 ! latt] m$ium1 ?\gh he is ambiti\s ( acquir+ ! =ce ( ,mi*elangelo1 he lacks ! ,tuscan ease ( h&4 ,col\r1 = :i* he possess$ s true an aptitude1 ! deep1 fus$ col\r ( ,giorgione1 is set aside by him2 8 t9ts become /rong & crude1 8 surfaces gr[ h>d & poli%$1 & he ?9ks1 above all1 ( bold action1 ( draw+ & modell+4 ,! ,v5etian g5ius = portraiture rema9s1 & he has left su* f9e examples z ! ,&rea ,doria ( ! ,vatican1 or ! ,portrait ( a ,man 9 ! ,pitti1 a ma/]ly picture bo? 9 draw+ & execution1 ) gr& drap]ies1 a fur pelisse1 & damask d\blet ) crimson sleeves4 ,9 ! ,national ,gall]y we possess 8 own portrait by himself1 9 company ) ,c>d9al de ,m$ici4 ,! faces are well contra/$1 & we judge f ,seba/ian's t 8 biograph] describes him ju/ly1 z fat1 indol5t1 & giv5 to self-indulg5ce1 b g5ial & fond ( good company4 ,aft] an abs5ce ( tw5ty ye>s he return$ to ,v5ice4 ,!re he came 9 contact ) ,titian & ,pord5one1 & /ruck up a fri5d%ip ) ,aret9o1 :o became 8 great ally & admir]4 ,! sack ( ,rome _h driv5 him =?1 b 9 #aebi1 :5 ! city 0 beg9n+ p>tially to recov] f t "t ( horror1 he return$1 & 0 cordially welcom$ by ,clem5t ,,vii41 & admitt$ into ! inn]mo/ ecclesia/ical circles4 ,! ,piombo1 a well-paid1 s9ecure (fice ( ! ,papal c\rt1 0 be/[$ on him1 & 8 rema9+ ye>s 7 sp5t 9 ,rome4 ,he 0 v anxi\s to collaborate ) ,mi*elangelo1 & ! great pa9t] seems to h be5 q incl9$ to ! arrangem5t4 ,! ,la/ ,judgm5t1 9 ! ,sixt9e ,*apel1 0 sugge/$1 & ,seba/ian _h ! melan*oly task ( tak+ d[n ,p]ug9o's ma/]pieces2 b he wi%$ to reset ! walls = oils1 & ,mi*elangelo /ipulat$ = fresco1 say+ t oils 7 only fit = wom51 s t no agreem5t 0 arriv$ at4 ,seba/ian's mode ( "w 0 sl[1 & he employ$ no assi/ants4 ,he seems to h be5 inord9ately lazy1 fond ( leisure & good liv+1 & 8 "* %[s 9 8 "w1 :i*1 ) a few exceptions1 has some?+ heavy & common ab\t x1 a want ( ke5ness & fire1 an abs5ce ( ref9em5t & selection4 ,,pr9cipal ,,works ,flor5ce4 ,uffizi3 ,=n>9a1 #aeab2 ,dea? ( ,adonis4 ,pitti3 ,m>tyrdom ( ,s4 ,aga?a1 #aebj2 ,portrait 7,l474 ,london4 ,resurrection ( ,laz>us1 #aeai2 ,portraits4 ,naples4 ,holy ,family2 ,portraits4 ,p>is4 ,visitation1 #aeba4 ,rome4 ,portrait ( ,&rea ,doria 7,l474 ,f>nes9a3 ,frescoes1 #aeaa4 ,s4 ,pietro 9 ,montorio4 ,frescoes4 ,treviso4 ,s4 ,niccolo3 ,incr$ulity ( ,s4 ,?omas 7,e474 ,v5ice4 ,academy3 ,visitation 7,e474 ,s4 ,giovanni ,*riso/omo3 ,s4 ,*ryso/om en?ron$ 7,e474 ,vit]bo4 ,piet 7,l474 ,,*apt] ,,xxii ,,bonifazio ,,& ,,p>is ,,bordone ,"s unc]ta9ty has exi/$ z to ! id5tity ( ! diff]5t memb]s ( ! family ( ,bonifazio4 ,all ! e>ly hi/orians agree 9 giv+ ! "n to "o ma/] only4 ,bos*9i1 h[ev]1 9 #aggg discov]$ ! regi/] ( ! dea? ( a second1 & a ?ird be>+ ! "n 0 work+ tw5ty ye>s lat]4 ,^u ?is ,dr4 ,morelli came to ! conclusion t we mu/ recognise ?ree1 if n f\r1 ma/]s be>+ ! "n ( ,bonifazio1 b docum5ts rec5tly discov]$ by ,pr(essor ,ludwig h 9 great measure de/roy$ ,morelli's conjectures4 ,!re may h be5 obscure pa9t]s be>+ ! "n1 b !y 7 m]e imitators1 & x is d\btful if any 7 relat$ to ! family ( de ,pitatis4 ,bonifazio ,v]onese is really ! only "o :o c\nts4 ,z ,ridolfi says1 he 0 born 9 ,v]ona 9 ! mo/ beautiful mom5t ( pa9t+4 ,he came to ,v5ice at ! age ( eighte51 & became a pupil ( ,palma ,vec*io1 ) :om 8 "w has sometimes be5 confus$4 ,aft] ,palma's dea? ,bonifazio cont9u$ 9 fri5dly relations ) 8 old ma/]'s family1 & 8 niece m>ri$ ,palma's nephew4 ,bonifazio himself m>ri$ ! daught] ( a basket-mak]1 & appe>s to h _h no *ildr51 = he & 8 wife by _! wills be/[$ _! :ole =tune on _! nephews4 ,antonio ,palma1 :o m>ri$ ,bonifazio's niece1 0 a pa9t] ^: pictures h sometimes be5 attribut$ to ! leg5d>y ?ird ,bonifazio4 ,bonifazio's life 0 pass$ peacefully 9 ,v5ice4 ,he receiv$ _m important commissions f ! ,republic1 & decorat$ ! ,palace ( ! ,treasur]s4 ,8 "* & /&+ 7 high1 & he 0 appo9t$1 9 company ) ,titian & ,lotto1 to adm9i/] a legacy :i* ,v9c5zo ,cat5a _h left to provide a ye>ly d[] = five maid5s4 ,aft] a long life sp5t 9 /eady "w1 ,bonifazio )drew to a little f>m amid/ or*>ds--fifte5 acres ( l& 9 all--at ,san ,z5one1 ne> ,asolo2 b he /ill kept 8 h\se 9 ,san ,m>cuola1 :]e he di$4 ,he 0 buri$ 9 ,s4 ,alvise 9 ,v5ice4 ,a son ( ! pla9s & ( ,v5etian /ock1 8 "w is always graceful & attractive1 ?\gh incl9$ to be hot 9 col\r4 ,x has a v pron\nc$ ari/ocratic "*1 & be>s no trace ( ! r\gh1 prov9cial /ra9 ( su* m5 z ,c>iani or ,pord5one4 ,x is v f9e & gl[+ 9 col\r1 b lacks vig\r & en]gy 9 design4 ,n[h]e d we get m worldly magnific5ce or su* frank wor%ip ( weal? z on ,bonifazio's joy\s canvases4 ,he repres5ts ,*ri/ian sa9ts & ,ea/]n k+s alike1 z g5tlem5 ( pr9cely rank4 ,!re is a note ( purely secul> art ab\t 8 ,adorations & ,holy ,families4 ,9 ! ,adoration ( ! ,magi1 9 ! ,academy1 ! ,madonna is a h&some1 prosp]\s lady ( ,bonifazio's acqua9tance4 ,! ,*ild1 s f> f rais+ ,8 h& 9 b5$iction1 holds x out = ! pr(f]$ cup4 ,he does n1 z usual1 di/+ui% ! elde/ k+1 b s+les out ! cup held by ! second1 :o1 9 a puff$ velvet dress1 is an evid5t portrait1 probably t ( ! donor ( ! picture1 :o is 9 ?is way paid a c\rti]-l complim5t4 ,! ?ird k+ is su* a ,moor z ,bonifazio mu/ (t5 h se5 emb>k+ f 8 ,ea/]n galley on ! ,riva dei ,s*iavoni4 ,a s]vant 9 a peak$ hood pe]s r\nd ! column to cat* sight ( :at is go+ on4 ,! gr\ps ( animals 9 ! backgr\nd are well r5d]$4 ,9 ! ,ri* ,man's ,fea/1 :]e ,laz>us lies ^u ! /ep1 we h ano!r sc5e ( weal?y & sumptu\s ,v5etian society1 an orgy ( col\r4 ,&1 aga91 9 ! ,f9d+ ( ,moses 7,br]a7 he pa9ts nobles play+ ! lute1 mak+ love & fea/+1 & lovely fair-hair$ wom5 li/5+ complac5tly4 ,we are rem9d$ ( ! way 9 :i* !y liv$3 _! "o preoccupation ! toilet1 ! delight ( appe>+ 9 public 9 ! late/ & mo/ magnific5t fa%ions4 ,& 9 ^! pa9t+s ,bonifazio depicts ! elaborate /rip$ & brocad$ g[ns 9 :i* ! beautiful ,v5etians array$ !mselves1 made 9 ! v fa%ions ( ! ye>1 & _! ?ick1 fair hair is twi/$ & coil$ 9 ! precise mode ( ! mom5t4 ,! deep-r$ velvet he introduces into ne>ly all 8 pictures is ( a hue peculi> to himself4 ,z ,cat5a (t5 br+s 9 a little :ite lap-dog1 s ,bonifazio con/antly has z an accessory a liv]-&-:ite spaniel4 ,vas>i speaks ( ,p>is ,bordone z ! arti/ :o mo/ successfully imitat$ ,titian4 ,he 0 ! son ( well-to-d tradespeople 9 ,treviso1 & receiv$ a good education 9 music & lett]s1 be=e be+ s5t (f to ,v5ice & plac$ 9 ,titian's /udio4 ,bordone does n seem to h be5 on v fri5dly t]ms ) ,titian4 ,he 0 dissatisfi$ ) 8 tea*+1 & ,titian play$ him an ill turn 9 wre/+ f him a commission to pa9t an alt>piece :i* _h be5 entru/$ to him :5 he 0 only eighte54 ,he 01 above all1 9 love ) ! mann] ( ! dead ,giorgione1 & x 0 ^u ?is ma/] t he aspir$ to =m 8 /yle4 ,8 ma/]piece1 9 ! ,academy1 0 pa9t$ = ! ,confrat]nity ( ,/4 ,m>k1 & made 8 reputation4 ,! leg5d x repres5ts may be giv5 9 a few words3 ,9 ! days ( ,doge ,grad5igo1 "o ,febru>y1 !re arose a fe>ful /orm 9 ,v5ice4 ,dur+ ! height ( ! tempe/1 ?ree m5 acco/$ a poor old fi%]man1 :o 0 ly+ 9 8 decay$ old boat by ! ,piazza1 & begg$ t he w\ld r[ !m to ,s4 ,niccolo del ,lido1 :]e !y _h urg5t bus9ess4 ,aft] "s demur !y p]suad$ him to take ! o>s1 & 9 spite ( ! hurricane1 ! voyage 0 accompli%$4 ,on rea*+ ! %ore !y po9t$ out to him a great %ip1 ! crew ( :i* he p]ceiv$ to consi/ ( a b& ( demons1 :o 7 /irr+ up ! waves & mak+ a great hubbub4 ,! ?ree pass5g]s laid _! comm&s on !m to desi/1 :5 imm$iately !y sail$ away & !re 0 a calm4 ,! pass5g]s !n made ! o>sman r[ !m1 "o to ,s4 ,niccolo1 "o to ,s4 ,giorgio1 & ! ?ird 0 r[$ back to ! ,piazza4 ,! fi%]man timidly ask$ = 8 f>e1 & ! ?ird pass5g] desir$ him to g to ! ,doge & ask = paym5t1 tell+ him t by t night's "w a great disa/] _h be5 av]t$ f ! city4 ,! fi%]man repli$ t he %\ld n be believ$1 b w\ld be imprison$ z a li>4 ,!n ! pass5g] drew a r+ f 8 f+]4 ,%[ him ?is = a sign1 he said1 & "k t "o ( ^? y h ?is night r[$ is ,s4 ,niccolas1 ! o!r is ,s4 ,george1 & ,i am ,s4 ,m>k ! ,evangeli/1 ,protector ( ! ,v5etian ,republic4 ,he !n disappe>$4 ,! next day ! fi%]man pres5t$ ! r+1 & 0 assign$ a provision = life f ! ,s5ate4 ,!re has1 p]haps1 nev] be5 a ri*] & m beautiful subject-picture pa9t$ ?an ?is gl[+ canvas1 or "o :i* br+s m vividly be=e u ! magnific5ce ( ! pageants :i* made su* a "p ( ,v5etian life 9 ! gold5 age ( pa9t+4 ,x is all /r5g? & spl5d\r1 & escapes ! hectic col\r & weak] type :i* appe> 9 ,bordone's ,la/ ,supp] & "s ( 8 o!r works4 ,9 #aech he w5t to ,france & ent]$ ! s]vice ( ,francis ,,ii41 pa9t+ = him _m portraits ( ladies1 besides works = ! ,c>d9als ( ,guise & ( ,lorra9e4 ,! ,k+ ( ,pol& s5t to him = a ,jupit] & ,antiope4 ,at ,augsburg he 0 paid #cjjj cr[ns = "w done = ! great ,fugg] family4 ,no "o gives u s closely z ,bordone ! type ( woman :o at ?is "t 0 mo/ admir$ 9 ,v5ice4 ,! ,v5etian ideal 0 gold5 hair$1 ) full lips1 fair1 rosy *eeks1 l>ge limb$ & ample1 ) abundant flanks & sn[-:ite brea/4 ,a type gl[+ ) heal? & in/9ct ) life1 b1 to say ! tru?1 r dull1 )\t deep passions1 & ) no look t reveals pr(\nd emotions or ! /ruggle ( a s\l4 ,f :at we see ( ,bordone's female portraits & f "s ( ! my?ological compositions he has left1 he might h be5 among ! mo/ s5sually m9d$ ( m54 ,8 beautiful c\rtesan1 9 ! ,national ,gall]y1 is an almo/ ov]-reali/ic pres5tm5t ( a woman :o has j p>t$ f h] lov]4 ,8 wom51 ) _! c>nation *eeks & expressionless faces1 are l beautiful animals2 b1 z a matt] ( fact1 _! pa9t] 0 sob] & temp]ate 9 8 life1 v indu/ri\s1 & devot$ to 8 wid[$ "m4 ,ab\t #aecf he m>ri$ ! daught] ( a ,v5etian citiz51 & _h a son1 :o became "o ( ! _m insignificant pa9t]s ( ! end ( ! sixte5? c5tury4 ,mo/ ( 8 days 7 divid$ betwe5 8 little ,villa ( ,lovad9a 9 ! di/rict ( ,belluno1 & 8 mode/ home 9 ! ,corte dell' ,cavallo ne> ! ,mis]icordia4 ,he lives com=tably 9 8 quiet h\se1 writes ,vas>i1 :o c]ta9ly knew ,bordone 9 ,v5ice1 work+ only at ! reque/ ( pr9ces1 or 8 fri5ds1 avoid+ all rivalry & ^? va9 ambitions :i* d b di/urb ! repose ( man1 & seek+ to av]t any ruffl+ ( ! s]5e tranquillity ( 8 life1 :i* he is accu/om$ to pres]ve simple & upright4 ,_m ( 8 pictures %[ an int5se love ( c\ntry solitudes4 ,8 poetic backgr\nds1 lonely m\nta9s1 leafy woods1 & sp>kl+ wat] are 9 curi\s contra/ to ! sumptu\s gr\ps 9 ! =egr\nd4 ,8 ,?ree ,heads1 9 ! ,br]a1 is a sup]b piece ( pa9t+ & an int]e/+ *>act]isation4 ,! woman is ripe1 s5sual1 & calculat+1 feel+ ) h] f+]s = ! gold *a91 a m]e gold5-fle%$1 rose-flu%$ hirel+1 solid & prosaic4 ,! g-betwe5 is dimly se5 9 ! backgr\nd1 b ! face ( ! suitor is a /range1 ironic /udy3 pa/ y\?1 worn1 joyless1 & bitt]1 tak+ 8 pleasure me*anically & ) cynical deta*m5t4 ,! ,/orm calm$ by ,s4 ,m>k 7,academy7 01 9 ,mr4 ,b]5son's op9ion1 begun by ,giorgione4 ,ri*1 brilliant1 & ess5tially ,v5etian z is ! "w ( ^! two pa9t]s1 x does n rea* ! highe/ level4 ,x falls %ort ( gr&eur1 & has t worldly tone t bord]s on vulg>ity4 ,z we /udy x we feel t x m>ks ! po9t to :i* ,v5etian art might h atta9$1 ! flood-m>k x might h t\*$1 if x _h lack$ ! adv5t ( ! ?ree or f\r great spirits1 :o1 appe>+ ab\t ! same "t1 bore x up to sublim] heights & develop$ a m di/+ui%$ range ( qualities4 ,bonifazio & ,bordone lack ! gr&eur & sweetness ( ,titian1 ! brilliant t\* & imag9ative g5ius ( ,t9toretto1 ! mat*less feel+ = col\r1 design1 & decoration ( ,v]onese1 b !y cont9ue ,v5etian pa9t+ on logical l9es1 & !y =m a sup]b f\ndation = ! highe/4 ,,pr9cipal ,,works ,bonifazio ,v]onese4 ,dresd54 ,f9d+ ( ,moses4 ,flor5ce4 ,pitti3 ,madonna2 ,s4 ,elizabe? & ,donor 7,e472 ,re/ 9 ,flight into ,egypt2 ,f9d+ ( ,moses4 ,hampton ,c\rt4 ,santa ,conv]sazione4 ,london4 ,santa ,conv]sazione 7,e474 ,milan4 ,br]a3 ,f9d+ ( ,moses4 ,p>is4 ,santa ,conv]sazione4 ,rome4 ,villa ,borghese3 ,"m ( ,zeb$ee's ,*ildr52 ,return ( ! ,prodigal ,son4 ,colonna3 ,holy ,family ) ,sa9ts4 ,v5ice4 ,academy3 ,ri* ,man's ,fea/2 ,massacre ( ,innoc5ts2 ,judgm5t ( ,solomon1 #aecc2 ,adoration ( ,k+s4 ,giovanelli3 ,santa ,conv]sazione4 ,vi5na4 ,santa ,conv]sazione2 ,triumph ( ,love2 ,triumph ( ,*a/ity2 ,salome4 ,p>is ,bordone4 ,b]gamo4 ,lo*is3 ,v9tage ,sc5es4 ,b]l94 ,portrait ( ,man 9 ,black2 ,*ess ,play]s2 ,madonna & f\r ,sa9ts4 ,dresd54 ,apollo & ,m>syas2 ,diana2 ,holy ,family4 ,flor5ce4 ,pitti3 ,portrait ( ,woman4 ,g5oa4 ,brignole ,sale3 ,portraits ( ,m52 ,santa ,conv]sazione4 ,hampton ,c\rt4 ,madonna & ,donors4 ,london4 ,daphnis & ,*loe2 ,portrait ( ,lady4 ,bridgewat] ,h\se3 ,holy ,family4 ,milan4 ,br]a3 ,desc5t ( ,holy ,_s2 ,baptism2 ,s4 ,dom9io pres5t$ to ! ,savi\r by ,virg92 ,madonna & ,sa9ts2 ,v5al ,love4 ,s4 ,m>ia pr4 ,celso3 ,madonna & ,s4 ,j]ome4 ,muni*4 ,portrait2 ,man c\nt+ ,jewels4 ,p>is4 ,portraits4 ,rome4 ,colonna3 ,holy ,family & ,sa9ts4 ,treviso4 ,madonna & ,sa9ts4 ,duomo3 ,adoration ( ,%eph]ds2 ,madonna & ,sa9ts4 ,v5ice4 ,academy3 ,fi%]man & ,doge2 ,p>adise2 ,/orm calm$ by ,s4 ,m>k4 ,palazzo ,ducale ,*apel3 ,dead ,*ri/4 ,giovanelli3 ,madonna & ,sa9ts4 ,s4 ,giovanni 9 ,bragora2 ,la/ ,supp]4 ,vi5na4 ,allegorical ,pictures2 ,lady at ,toilet2 ,"y ,woman4 ,,*apt] ,,xxiii ,,pa9t]s ,,( ,,! ,,v5etian ,,prov9ces ,x has become usual to include 9 ! ,v5etian ,s*ool ^? arti/s f ! subject prov9ces on ! ma9l&1 :o came d[n to try _! luck at ! f\nta9-head & to receive its hallm>k on _! tal5t4 ,! ,friulan cities1 ,ud9e1 ,s]ravalle1 & small neighb\r+ t[ns1 _h _! own primitive s*ools & _! scores ( humble craftsm54 ,_! art wav]$ = "s "t 9 its expression betwe5 ! ,g]man ta/e1 :i* came s close to _! gates1 & ! ,italian1 :i* 0 m truly _! elem5t4 ,up to #adii ,friuli 0 invad$ sev5 times 9 ?irty ye>s by ! ,turks4 ,!y p\r$ 9 l>ge numb]s ov] ! ,bosnian bord]s1 cross$ ! ,isonzo & ! ,tagliam5ta1 & massacr$ & c>ri$ (f ! inhabitants4 ,^! t]rible p]iods are m>k$ by ! cessation ( "w 9 ! prov9ces1 b hope always reviv$ aga94 ,! break caus$ by su* a visitation c be di/9ctly trac$ 9 ! ,*ur* ( ,s4 ,anton9o1 at ! little t[n ( ,san ,daniele4 ,m>t9o da ,ud9e obta9$ ! epi!t ( ,pellegr9o da ,san ,daniele 9 #adid :5 he return$ f an e>ly visit to ,v5ice1 :]e he _h be5 appr5tic$ to ,cima4 ,he 0 appo9t$ to decorate ,s4 ,anton9o4 ,8 e>ly "w !re is h>d & co>se1 ill-drawn1 ! figures unwieldy & %apeless1 & ! col\r dusky & uni=m2 b ow+ to ! ,turki% raid1 he _h to take flight1 & x 0 _m a ye> be=e ! monks ga9$ suffici5t c\rage & sav$ en\gh money to cont9ue ! embelli%m5t ( _! *ur*4 ,9 ! meantime1 ,pellegr9o's ye>s _h be5 sp5t p>tly 9 ,v5ice & p>tly1 p]haps1 9 ,f]r>a1 = ! reason ,raphael gave = refus+ to pa9t a ,bac*us = ! ,duke1 0 t ! subject _h already be5 pa9t$ by ,pellegr9o da ,san ,daniele4 ,:5 ,pellegr9o resum$ 8 "w1 x demon/rat$ t he _h /udi$ ! mod]n ,v5etians & _h come "u a f9]1 deep] influ5ce4 ,a ,/4 ,george 9 arm\r sugge/s ,giorgione's ,s4 ,lib]ale at ,ca/elfranco2 he specially %[s an aff9ity ) ,pord5one1 :o 0 8 pupil & :o 0 to become a bett] pa9t] ?an 8 old ma/]4 ,z ,pellegr9o goes on he improves consi/5tly1 & adopts ! me?od1 s peculi>ly ,v5etian1 ( sacrific+ =m to a s*eme ( *i>oscuro4 ,he ev51 to "s ext5t1 succe$s 9 8 difficult task ( apply+ to wall pa9t+ ! sy/em :i* ! ,v5etians us$ almo/ exclusively = easel pictures4 ,he 0 an ambiti\s1 d>+ pa9t]1 & "s ( 8 *ur* /&>ds 7 = long attribut$ to ,giorgione4 ,! *ur* ( ,san ,anton9o rema9s 8 *ief monum5t2 b = all 8 travels ,pellegr9o rema9s prov9cial 9 type1 is unlucky 9 8 selection1 c>es little = precision ( =m1 & tru/s to col\r = effect4 ,! same transition 9 art 0 tak+ place 9 o!r prov9ces4 ,morto da ,feltre1 ,p5nac*i1 & ,girolamo da ,treviso h all left "w ( a ,giorgionesque type1 & "s pa9t]s :o w5t f> onw>d1 began _! c>e] "u su* m9or ma/]s4 ,giovanni ,antonio ,lic9io1 :o takes 8 "n f 8 native t[n ( ,pord5one1 9 ,friuli1 0 "o ( ^!4 ,all ! e>ly "p ( 8 life 0 sp5t 9 pa9t+ frescoes 9 ! small t[ns ( ! ,friulan prov9ces4 ,at fir/ !y be> signs ( ! tuition ( ,pellegr9o1 b x soon becomes evid5t t ,pord5one has le>n$ to imitate ,giorgione & ,palma4 ,q e>ly1 h[ev]1 "o ( 8 *ief fail+s appe>s1 & "o :i* is all 8 own1 ! disp>ity 9 size betwe5 8 v>i\s figures4 ,! second>y p]sonages1 ! ,magi 9 a ,nativity1 ! ,sa9ts /&+ r\nd an alt>1 are l>g] & m a?letic 9 build & (t5 m animat$ 9 action ?an ! pr9cipal actors 9 ! sc5e4 ,:at pleas$ ,pord5one's contempor>ies 0 8 d>+ p]spective & 8 in/9ctive feel+ = movem5t4 ,he c>ri$ out great s*emes 9 ! hill-t[ns1 till at l5g? 8 reputation1 :i* _h long be5 ripe 9 8 native prov9ce1 rea*$ ,v5ice4 ,9 #aeai he 0 invit$ to ,treviso to fresco ! faade ( a h\se = "o ( ! ,ravigu9o family4 ,! pa9t]1 z paym5t1 ask$ fifty scudi1 & ,titian 0 call$ 9 to adjudicate1 b he admir$ ! "w s mu* t he h9t$ to ,ravigu9o t he w\ld be wise n to press him = a valuation4 ,z a direct consequ5ce ( ?is piece ( bus9ess1 ,pord5one 0 employ$ on ! *apel at ,treviso1 9 conjunction ) ,titian4 ,at ?is "t ! ,assumption & ! ,madonna ( ,casa ,pes>o 7 j f9i%$1 & x is probable t ,pord5one paid 8 fir/ visit to ,v5ice1 h>d by1 & saw 8 great contempor>y's "w4 ,) 8 *>act]i/ic di/a/e = fresco1 ,titian und]took ! alt>piece & pa9t$ ! beautiful ,annunciation :i* /ill holds its place1 & ,pord5one cov]$ ! dome ) a =e%ort5$ figure ( ! ,et]nal ,fa!r1 surr\nd$ by angels4 ,among ! rema9+ frescoes 9 ! ,*apel1 an ,adoration ( ! ,magi & a ,s4 ,lib]ale are f 8 bru%4 ,fir$ by 8 success at ,treviso1 ,pord5one (f]$ 8 s]vices to ,mantua & ,cremona1 b ! ,mantovans1 accu/om$ to ! /ately & re/ra9$ grace ( ,mantegna1 w\ld h no?+ to say to :at ,cr[e & ,cavalcaselle call 8 l>ge & colossal fable-pa9t+4 ,he pursu$ 8 way to ,cremona1 & t he /udi$ ,mantegna z he pass$ ?r\gh ,mantua is evid5t f ! fir/ figures he pa9t$ 9 ! ca!dral4 ,9 ,cremona e "o admir$ him1 & all ! arti/s set to "w to imitate 8 en]getic =e%ort5+1 vehem5t movem5t & huge proportions4 ,pord5one1 ) 8 love = fresco1 0 all 8 life an it9]ant pa9t]4 ,9 #aeba he 0 back at ,ud9e & w&]$ f place to place1 pa9t+ a va/ di/emp] = ! organ doors at ,s4 ,m>ia at ,spilimb]go1 ! faade ( ! ,*ur* ( ,val]iano1 an impos+ s]ies at ,travesio1 & 9 #aebe1 ! ,/ory ( ! ,true ,cross at ,cas>a4 ,at ! la/ place he ?rew aside mu* ( 8 exagg]ation1 &1 ru9$ & re/or$ z ! frescoes are1 !y rema9 among 8 mo/ dignifi$ a*ievem5ts4 ,he may be /udi$ be/ ( all at ,piac5za1 9 ! ,*ur* ( ! ,madonna di ,campagna1 :]e he divides 8 subjects betwe5 sacr$ & pagan1 s t we turn f a ,flight into ,egypt or a ,m>riage ( ,s4 ,ca!r9e1 to ! ,rape ( ,europa or ,v5us & ,adonis4 ,at ,piac5za he %[s himself ! great pa9t] he und\bt$ly is1 hav+ a*iev$ "s ma/]y ov] =m1 :ile 8 col\r has ! true ,v5etian quality & almo/ equals oils 9 its lusci\s tones & vivid hues1 :i* he l[]s & enri*es by su* envelop+ %ad[s z only "o ^: _s 0 9 t\* ) ! art ( ,giorgione w\ld h und]/ood h[ to use4 ,v complete records rema9 ( ,pord5one's life1 full details ( a qu>rel ) 8 bro!r ov] prop]ty left by 8 fa!r 9 #aecc1 & acc\nts ( ! pa9t]'s negotiations to obta9 a knigh?ood1 :i* he fanci$ w\ld place him m on a p> ) ,titian :5 he w5t to live 9 ,v5ice4 ,! covet$ hon\r 0 secur$1 b f ?is "t he seems to h be5 v jeal\s ( ,titian & to h aim$ cont9ually at rivall+ him4 ,pord5one 0 a punctual & rapid decorator1 & on be+ giv5 ! ceil+ ( ! ,sala di ,san ,f9io to decorate 9 ! summ] ( #aecf1 he f9i%$ ! :ole by ,m>* #aech4 ,we h se5 h[ ,titian annoy$ ! ,signoria by 8 delays1 h[ anxi\s !y 7 to transf] 8 commission to ,pord5one1 & :at a n>r[ escape ! ,v5etian _h ( los+ 8 ,brok]'s pat5t4 ,pord5one 0 engag$ by ! nuns ( ,murano to pa9t an ,annunciation1 aft] !y _h reject$ "o by ,titian on acc\nt ( its price1 & ?\gh x seems h>dly possible t any "o c\ld h comp>$ ! two m51 yet no d\bt ! pleasure ( gett+ an alt>piece quickly & punctually & = a mod]ate sum1 (t5 outweigh$ ! hon\r ( ! possible pa9t+ by ! great ,titian4 ,no "o has left s few easel-pa9t+s z ,pord5one2 fresco 0 s mu* bett] suit$ to 8 p>ticul> /yle4 ,! canvas ( ! ,madonna ( ,m]cy 9 ! ,v5ice ,academy1 0 pa9t$ ab\t #aebe = a memb] ( ! h\se ( ,ottobono1 & introduces sev5 memb]s ( ! family4 ,x is v free f 8 colossal1 exagg]at$ mann]2 ! att5dant sa9ts are /udi$ f nature1 & 9 8 j\rnals ! pa9t] m5tions t ! ,/4 ,ro* is a portrait ( himself4 ,! ,s4 ,lor5zo en?ron$1 9 ! same gall]y1 %[s bo? 8 virtues & fail+s4 ,! sa9ts h 8 enorm\s proportions4 ,! ,bapti/ is twi/+ r\nd1 to display ! =e%ort5+ :i* ,pord5one p>ticul>ly affects4 ,! ge/ures are empty & inexpressive1 b ! col\r is broad & fluid2 !re is a l>ge s5se ( decoration 9 ! composition1 & some?+ simple & au/]e ab\t ! figure ( ,s4 ,lor5zo4 ,z is s (t5 ! case ) ,pord5one1 ! pr9cipal actor ( ! sc5e is small] & m s9c]ely imag9$ ?an ! att5dant p]sonages1 :o are cr[d$ into ! =egr\nd1 :]e !y are us$ to display ! ma/]'s skill4 ,pord5one di$ sudd5ly at ,f]r>a1 :]e he _h be5 summon$ by its ,duke to und]take "o ( 8 great s*emes ( decoration4 ,he 0 said to h be5 poison$1 b ?\gh he _h jeal\s rivals !re seems no pro( ( ! tru? ( ! ass]tion1 :i* 0 "o v commonly made 9 ^? days4 ,he is int]e/+ z be+ ! only di/+ui%$ memb] ( ! ,v5etian ,s*ool ^: frescoes h come d[n to u 9 any numb]1 & z be+ ! only "o ( ! lat] ma/]s ) :om x 0 ! *os5 m$ium4 ,8 k9sman1 ,b]n>d9o ,lic9io1 is repres5t$ 9 ! ,national ,gall]y by a half-l5g? ( a "y man 9 black1 & at ,hampton ,c\rt by a l>ge family gr\p & by ano!r ( ?ree p]sons ga!r$ r\nd a sp9et4 ,8 ma/]piece is a ,madonna & ,sa9ts 9 ! ,fr>i1 :i* %[s ! influ5ce ( ,palma4 ,8 fle% t9ts1 /riv+ to be ri*1 h a hot1 r$ look1 b 8 works h be5 con/antly conf\nd$ ) ^? ( ,giorgione & ,p>is ,bordone4 ,a long li/ might be giv5 ( m9or arti/s :o 7 indu/ri\sly turn+ out "w on simil> l9es to "o or o!r ( ^! ma/]s3 ,cald]>i1 :o imitates ,p>is ,bordone z well z ,pord5one2 ,pomponio ,amalteo1 ,pord5one's son-9-law1 a spirit$ pa9t] 9 fresco2 ,florig]io1 :o practis$ at ,ud9e & ,padua1 & ( :om an alt>piece rema9s 9 ! ,academy2 ,giovanni ,batti/a ,grassi1 :o help$ ,vas>i to compile 8 notices ( ,friulan art1 & _m o!rs only kn[n by "n4 ,at ! close ( ! fifte5? c5tury ! revulsion aga9/ ,paduan art ext5d$ z f> z ,brescia1 & ,girolamo ,roman9o 0 "o ( ! fir/ to acquire ! trick ( ,v5etian pa9t+4 ,he probably /udi$ = a "t "u ,friulan pa9t]s4 ,pellegr9o is ?\ght to h be5 at ,brescia or ,b]gamo dur+ ! ,friulan di/urbances ( #aejf-ab1 & ab\t #aeaj ,roman9o em]ges1 a skill$ arti/ 9 ,pellegr9o's ,palmesque mann]4 ,8 works at ?is "t are d>k & gl[+1 full ( w>m light & deep %ad[2 ! sc5e is (t5 laid "u ar*es1 aft] ! mann] ( ! ,viv>9i & ,cima2 a gorge\s s*eme ( accessory is fram$ 9 noble ar*itecture4 ,brescia 0 an opul5t city1 second only to ,milan among ! t[ns ( nor!rn ,italy1 & ,roman9o obta9$ pl5ty ( patronage2 b 9 #aeaa ! city fell a prey to ! horrors ( w>1 0 tak5 & lo/ by ,v5ice1 & 9 #aeab 0 sack$ by ! ,fr5*4 ,roman9o fl$ to ,padua1 :]e he f\nd a home among ! ,b5$ict9es ( ,s4 ,giu/9a4 ,"h he 0 soon well employ$ on an alt>piece ) life-size figures = ! high alt>1 & a ,la/ ,supp] = ! refectory4 ,x is also surmis$ t he help$ 9 ! s]ies = ! ,scuola del ,santo1 = sev]al ( :i* ,titian 9 #aeaa _h sign$ a receipt1 & ! ,dea? ( ,/4 ,an?ony is po9t$ out z %[+ ! ,brescian *>act]i/ics ( f9e col\r1 b poor draw+4 ,roman9o return$ to ,brescia :5 ! ,v5etians recov]$ x 9 #aeaf1 b be=e do+ s he w5t to ,cremona & pa9t$ f\r subjects1 :i* are among 8 mo/ effective1 9 ! *oir ( ! ,duomo4 ,he is n s d>+ a pa9t] z ,pord5one1 f :om he sometimes borr[s ideas1 b he is q a conv]t to ! mod]n /yle ( ! day1 sett+ 8 gr\ps 9 l>ge spaces & us+ ! sla%$ d\blets1 ! long hose1 & plum$ headge> :i* ,giorgione _h f\nd s picturesque4 ,roman9o is (t5 v poor & empty1 & fails mo/ 9 selection & expression at ! mom5ts :5 he mo/ ne$s to be great1 b he is successful 9 ! gold5 /yle he adopt$ aft] 8 clos] contact ) ! ,v5etians1 & 8 drap]ies & fle% t9ts are extremely brilliant4 ,he is1 inde$1 incl9$ to be gaudy & c>eless 9 execution1 & ev5 ! f9e ,nativity 9 ! ,national ,gall]y gives ! impression t size is m reg>d$ ?an ?\ght & feel+4 ,moretto is p]haps ! only pa9t] f ! ma9l& :o1 com+ )9 ! *>m$ circle ( ,v5etian art & betray+ ! /udy ( ,palma & ,titian & ! influ5ce ( ,pord5one1 /ill keeps 8 own gamut ( col\r1 & z he goes on1 gets consi/5tly cool] & m silv]y 9 8 tones4 ,he c only be fully /udi$ 9 ,brescia itself1 :]e lit]ally doz5s ( alt>pieces & wall-pa9t+s %[ him 9 e phase4 ,8 fir/ connection 0 probably ) ,roman9o1 b he rem9ds u at "o "t ( ,titian by 8 s]i\s realism1 & f9i%$1 c>eful pa9t+1 at ano!r ( ,raphael1 by ! grace & s5tim5t ( 8 heads1 & z "t goes on he =e%ad[s ! /yle ( ,v]onese4 ,9 ! ,fea/ 9 ! ,h\se ( ,simon 9 ! organ-l(t ( ! ,*ur* ( ! ,piet 9 ,v5ice1 ! v "n prep>es u = ! airy1 colonnad$ build+1 ) vi/as ( blue sky & l&scape1 & ! co/ly raim5t & pl5i%+ :i* might h be5 se5 at any ,v5etian or ,brescian banquet4 ,9 8 portraits ,moretto sometimes rivals ,lotto4 ,8 p]sonages are always dignifi$ & expressive1 ) pale1 high-br$ faces1 & exce$+ly picturesque 9 dress & g5]al arrangem5t4 ,he lov$ to pa9t a great g5tleman1 l ! ,sci>ra ,m>t95go 9 ! ,national ,gall]y1 & to end[ him ) an air ( romantic int]e/4 ,"o ( ^? :o ent]$ s closely into ! _s ( ! ,v5etian ,s*ool t he may almo/ be includ$ )9 x1 is ,savoldo4 ,8 pictures are r>e1 & no gall]y c %[ m ?an "o or two examples4 ,! ,l\vre has a portrait by him ( ,ga/on de ,foix1 long ?\ght to be by ,giorgione4 ,8 native t[n c only %[ "o alt>piece1 an ,adoration ( ,%eph]ds1 l[ 9 tone b int5se 9 dusky %ad[ ) fr+es ( light4 ,he is grey & slaty 9 8 %ad[s1 & (t5 r\gh & />tl+ 9 effect1 b at 8 be/ he produces v beautiful1 ri*1 ev5+ h>monies2 & a lett] f ,aret9o be>s witness to ! e/imation 9 :i* he 0 held4 ,x is n easy to say if ,brescia or ,vic5za has mo/ claim to ,b>tolommeo ,montagna1 ! e>ly ma/] ( ,cima4 ,born ( ,brescian p>5ts1 he settl$ e>ly 9 ,vic5za1 & he is by f> ! mo/ di/+ui%$ ( ^? ,vic5t9e pa9t]s :o drank at ! ,v5etian f\nt4 ,he mu/ h gone e>ly to ,v5ice & work$ ) ! ,viv>9i1 = 9 8 alt>piece 9 ! ,br]a he has ! vault$ porticoes 9 :i* ,b>tolommeo & ,alvise ,viv>9i delight$4 ,8 ,madonna en?ron$ 9 ! gall]y at ,vic5za has _m po9ts ( contact ) t ( ,alvise at ,b]l94 ,among ^! are ! f\r sa9ts1 ! cupola1 & ! rais$ ?rone1 & he is specially attract$ by ! gr\ps ( music-mak+ angels2 b ,montagna has m moral greatness ?an ,alvise1 & 8 l9es are /rong] & m s9ewy4 ,he keeps fai?ful to ! ,alvisian feel+ = calm & sweetness1 b 8 p]sonages h great] weight & gravity4 ,he essays1 too1 a ,piet ) sa9ts1 at ,monte ,b]ico1 & %[s bo? pa?os & vehem5ce4 ,he has evid5tly se5 ,bell9i's r5d]+1 & attempts1 if only ) p>tial success1 to contra/ 9 ! same way ! indiff]5ce ( dea? ) ! contemplation & angui% ( ! b]eav$4 ,h>d & angul> z ,montagna's sa9ts (t5 are1 !y %[ p[] & au/]ity4 ,8 col\r is brilliant & enamel-l2 he does n arrive at ! ,v5etian dep?1 yet 8 alt>pieces are v gr&1 & once m we are /ruck by ! greatness ( ev5 ! second>y pa9t]s :o drew _! inspiration f ,padua & ,v5ice4 ,among ! o!r ,vic5t9es1 ,giovanni ,sp]anza & ,giovanni ,buonconsiglio 7 imbu$ ) *>act]i/ics ( ,mantegna4 ,sp]anza1 9 "o ( 8 few rema9+ works1 almo/ reproduces ! beautiful ,assumption by ,pizzolo1 ,mantegna's "y fell[-/ud5t1 9 ! ,*apel ( ! ,eremitani4 ,he employs ,buonconsiglio z an assi/ant1 & !y imitate ,montagna to su* an ext5t t x is difficult to di/+ui% betwe5 _! works4 ,buonconsiglio's ,piet 9 ! ,vic5za gall]y1 is rem9isc5t ( ,montagna's at ,monte ,b]ico4 ,! types are lean & bony1 ! features are almo/ z rugg$ z ,dr]'s1 ! fle% e>?y & gre5i%4 ,ab\t #adig ,buonconsiglio 0 /udy+ oils ) ,antonello da ,mess9a2 he beg9s to reside 9 ,v5ice1 & a *ange comes ov] 8 mann]4 ,8 col\rs %[ a brilliancy & dep? acquir$ by /udy+ ,titian2 & !n1 aga91 8 bright t9ts rem9d u ( ,lotto4 ,8 "n 0 on ! regi/] ( ! ,v5etian ,guild z late z #aecj4 ,aft] ,pisanello's a*ievem5t & 8 m>k$ effect on e>ly ,v5etian art1 ,v]onese pa9t+ fell = a "t to a v l[ ebb2 b ,mantegna's influ5ce 0 /rongly felt "h1 & art reviv$ 9 ,lib]ale da ,v]ona1 ,falconetto1 ,casoto1 ! ,morone & ,girolamo dai ,libri1 pa9t]s delightful 9 !mselves1 b hav+ little connection ) ! s*ool ( ,v5ice4 ,francesco ,bonsignori1 h[ev]1 %ook himself free f ! n>r[ circle ( ,v]onese art1 :]e he _h = a "t foll[$ ,lib]ale1 & gr[s m l ! ,vic5t9es1 ,montagna & ,buonconsiglio4 ,he is c>eful ab\t 8 draw+1 b 8 figures1 l ^? ( _m ( ^! prov9cial pa9t]s1 are %ort1 bony & vulg>1 v unlike ! sl5d]1 di/+ui%$ type ( ! great ,paduan4 ,"u ! "n ( ,francesco da ,v]ona1 ,bonsignori works 9 ! new palace ( ! ,gonzagas1 & sev]al pictures pa9t$ = ,mantua are n[ scatt]$ 9 diff]5t collections4 ,at ,v]ona he has left f\r f9e alt>pieces4 ,he w5t e>ly to ,v5ice1 :]e he became ! pupil ( ! ,viv>9i4 ,8 faces gr[ s(t & oval1 & ! v c>eful outl9es sugge/ ! influ5ce ( ,bell9i4 ,girolamo ,mocetto 0 j\rneyman to ,giovanni ,bell9i2 9 fact1 ,vas>i says t a ,dead ,*ri/ 9 ,s4 ,francesco della ,vigna1 sign$ ) ,bell9i's "n1 is f ,mocetto's h&4 ,8 %ort1 broad figures h some?+ ( ,b>tolommeo ,viv>9i's "*4 ,francesco ,torbido w5t to ,v5ice to /udy ) ,giorgione1 & we c trace 8 ma/]'s mann] ( turn+ half tones into deep %ades2 b he does n really und]/& ! ,giorgionesque treatm5t1 9 :i* %ade 0 always ri* & deep1 b nev] d>k1 dirty & imp5etrable1 nor 9 ! lights c he produce ! cle> gl[ ( ,giorgione4 ,ano!r ,v]onese1 ,cavazzola1 has left a ma/]piece ^u :i* any pa9t] might be happy to re/ 8 reputation2 ! ,gattemalata ) an ,esquire 9 ! ,uffizi1 a picture noble 9 feel+ & 9 execution1 & "o :i* owes a great deal to ,v5etian portrait-pa9t]s4 ,,pr9cipal ,,works ,pord5one4 ,cas>a4 ,old ,*ur*3 ,frescoes1 #aebe4 ,colatto4 ,s4 ,salvatore3 ,frescoes 7,e474 ,cremona4 ,duomo3 ,frescoes2 ,*ri/ be=e ,pilate2 ,way to ,golgo?a2 ,nail+ to ,cross2 ,crucifixion1 #aeba2 ,madonna en?ron$ ) ,sa9ts & ,donor1 #aebb4 ,murano4 ,s4 ,m>ia d4 ,angeli3 ,annunciation 7,l474 ,piac5za4 ,madonna 9 ,campagna3 ,frescoes & ,alt>piece1 #aebi-ca4 ,pord5one4 ,duomo3 ,madonna ( ,m]cy1 #aeae2 ,s4 ,m>k en?ron$ ) ,sa9ts1 #aece4 ,municipio3 ,,ss4 ,go?>d1 ,ro*1 & ,seba/ian1 #aebe4 ,spilimb]go4 ,duomo3 ,assumption2 ,conv]sion ( ,s4 ,paul4 ,s5sigana4 ,madonna & ,sa9ts4 ,torre4 ,madonna & ,sa9ts4 ,treviso4 ,duomo3 ,adoration ( ,magi2 ,frescoes1 #aebj4 ,v5ice4 ,academy3 ,portraits2 ,madonna1 ,sa9ts1 & ! ,ottobono ,family2 ,sa9ts4 ,s4 ,giovanni ,elemos9>io3 ,sa9ts4 ,s4 ,rocco3 ,sa9ts1 #aebh4 ,pellegr9o4 ,san ,daniele4 ,frescoes 9 ,s4 ,antonio4 ,cividale4 ,s4 ,m>ia3 ,madonna ) six ,sa9ts4 ,v5ice4 ,academy3 ,annunciation4 ,roman9o4 ,b]gamo4 ,s4 ,aless&ro 9 ,colonna3 ,assumption4 ,b]l94 ,madonna & ,sa9ts2 ,piet4 ,brescia4 ,gall]ia ,m>t95go3 ,portrait2 ,*ri/ be>+ ,cross2 ,nativity2 ,coronation4 ,duomo3 ,sacri/y3 ,bir? ( ,virg92 ,visitation4 ,s4 ,francesco3 ,madonna & ,sa9ts2 ,sposalizio4 ,cremona4 ,duomo3 ,frescoes4 ,london4 ,polypty*2 ,portrait4 ,padua4 ,la/ ,supp]2 ,madonna & ,sa9ts4 ,sato1 ,lago di ,g>da4 ,duomo3 ,sa9ts & ,donor4 ,tr5t4 ,ca/ello3 ,frescoes4 ,v]ona4 ,/4 ,j]ome4 ,s4 ,giorgio 9 ,braida3 ,organ %utt]s4 ,moretto4 ,b]gamo4 ,lo*is3 ,holy ,family2 ,*ri/ be>+ ,cross2 ,donor4 ,brescia4 ,gall]ia ,m>t95go3 ,nativity & ,sa9ts2 ,madonna appe>+ to ,s4 ,francis2 ,sa9ts2 ,madonna 9 ,glory ) ,sa9ts2 ,*ri/ at ,emmaus2 ,annunciation4 ,s4 ,clem5te3 ,high ,alt> & f\r o!r ,alt>pieces4 ,s4 ,francesco3 ,alt>piece4 ,s4 ,giovanni ,evangeli/a3 ,high ,alt>2 ,?ird ,alt>4 ,s4 ,m>ia 9 ,cal*]a3 ,dead ,*ri/ & ,sa9ts2 ,magdal5 wa%+ ,feet ( ,*ri/4 ,s4 ,m>ia delle ,grazie3 ,high ,alt>4 ,,ss4 ,naz>o & ,celso3 ,two ,alt>pieces2 ,sacri/y3 ,nativity4 ,sem9>io di ,s4 ,angelo3 ,high ,alt>4 ,london4 ,portrait ( ,c\nt ,sci>ra ,m>t95go2 ,portrait2 ,madonna & ,sa9ts2 ,two ,angels4 ,milan4 ,br]a3 ,madonna & ,sa9ts2 ,assumption4 ,ca/ello3 ,tripty*2 ,sa9ts4 ,rome4 ,vatican3 ,madonna en?ron$ ) ,sa9ts4 ,v5ice4 ,s4 ,m>ia della ,piet3 ,*ri/ 9 ! ,h\se ( ,levi4 ,v]ona4 ,s4 ,giorgio 9 ,braida3 ,madonna & ,sa9ts4 ,b>tolommeo ,montagna4 ,b]gamo4 ,lo*is3 ,madonna & ,sa9t1 #adhg4 ,b]l94 ,madonna1 ,sa9ts1 & ,donors1 #aejj4 ,milan4 ,br]a3 ,madonna1 ,sa9ts1 & ,angels4 ,padua4 ,scuola del ,santo3 ,fresco2 ,op5+ ( ,s4 ,antony's ,tomb4 ,pavia4 ,c]tosa3 ,madonna1 ,sa9ts1 & ,angels4 ,v5ice4 ,academy3 ,madonna & ,sa9ts2 ,*ri/ ) ,sa9ts4 ,v]ona4 ,,ss4 ,naz>o e ,celso3 ,sa9ts2 ,piet2 ,frescoes1 #adia-ic4 ,vic5za4 ,holy ,family2 ,madonna en?ron$2 ,two ,madonnas ) ,sa9ts2 ,?ree ,madonnas4 ,duomo3 ,alt>piece2 ,frescoes4 ,s4 ,corona3 ,madonna & ,sa9ts4 ,monte ,b]ico3 ,piet1 #aejj2 ,fresco4 ,,*apt] ,,xxiv ,,paolo ,,v]onese ,paolo ,v]onese1 ?\gh p]haps he is n to be plac$ on ! v highe/ p9nacle ( ! ,v5etian ,s*ool1 mu/ be class$ among ^? few great pa9t]s :o rose f> above ! level ( mo/ ( 8 contempor>ies & :o br\ght 9 a special note & flav\r ( 8 own4 ,8 art is an indep5d5t art1 & he borr[s little f pr$ecessors or contempor>ies4 ,8 free & joy\s temp]am5t gave relief at a mom5t :5 ! ,v5etian s*eme ( col\r ?reat5$ to become too sombre1 & :5 ,seba/ian del ,piombo1 ,pord5one1 ,titian himself1 & above all ,t9toretto1 7 pu%+ *i>oscuro to extremes4 ,v]onese disc>ds ! deepe/ bronzes & mulb]ries & crimsons & oranges1 & f9ds 8 range among cream & rose & grey-gre5s4 ,titian conc5trat$ 8 col\rs & int5sifi$ 8 lights1 ,t9toretto sacrifices col\r to vivid play ( light & d>k1 b ,v]onese avoids ! d>k2 ! g5]\s light plays all ?r\gh 8 sc5es4 ,he has no wi% to secure /rong effects b delights 9 s(t1 fad$ t9ts2 old rose & turquoise morte4 ,9 8 col\r & 8 subjects he is a p]sonification ( ! robu/1 pr\d1 joy-lov+ ,republic1 9 :i*1 z ,m4 ,yri>te says1 a man produc$ 8 works z a tree produces its fruit4 ,we get v ne> him 9 ^? va/ palaces & *ur*es & villas1 :]e 8 h]oic figures exp& 9 ! azure air1 aga9/ ! :ite cl\ds1 & yet he is "o ( ! arti/s ( ! ,r5aissance ab\t :om we "k lea/4 ,"h & !re1 9 contempor>y biography1 we come across a m5tion ( him & le>n t he 0 sociable & lively1 quick at tak+ (f5ce1 fond ( 8 family & anxi\s to d 8 be/ by !m4 ,he 01 too1 v g5]\s ) 8 "w--a great contra/ 9 ?is respect to ,titian--& contracts ) conv5ts & confrat]nities %[ t he (t5 only /ipulat$ = paym5t = b>e "t4 ,yet he 0 fond ( p]sonal luxury1 lov$ ri* /uffs1 horses & h\nds1 &1 says ,ridolfi1 always wore velvet bree*es4 ,8 fir/ ma/]s1 accord+ to ,mr4 ,b]5son1 7 ,badile & ,brusasorci1 ma/]s ( ,v]ona1 b be=e he 0 tw5ty1 he 0 away work+ on 8 own acc\nt4 ,8 fir/ patron 0 ,c>d9al ,gonzaga1 :o br\ght sev]al pa9t]s f ,v]ona to ,mantua2 b ,mantua 0 no long] :at x _h be5 9 ! days ( ,isabela d',e/e1 & ,paolo ,cali>i soon return$ to 8 own t[n4 ,be=e he 0 tw5ty-?ree he _h decorat$ ,villa ,porti1 ne> ,vic5za1 9 collaboration ) ,zelotti1 a ,v]onese1 portray+ fea/+ gods & goddesses1 fram$ 9 light ar*itectural designs 9 mono*rome4 ,! two pa9t]s w5t on to o!r villas1 mix+ mortal & my?ical figures 9 a happy1 light-he>t$ m$ley4 ,zelotti hav+ receiv$ a commission at ,vic5za1 ,paolo decid$ to seek 8 =tune 9 ,v5ice4 ,! ,prior ( ! ,conv5t ( ,san ,seba/iano1 on ! ,zatt]e1 0 a ,v]onese1 & ,cali>i wrote to him be=e arriv+ 9 ,v5ice 9 #aeee4 ,?anks to ! good ,prior1 :o play$ a consid]able "p 9 8 de/9y1 he obta9$ a commission = a ,coronation ( ! ,virg9 & f\r o!r ,sa9ts4 ,he fir/ pa9t$ ! sacri/y1 b 8 success 0 in/antane\s1 & _m ord]s foll[$4 ,! ceil+ ( ! *ur* 0 devot$ to ! hi/ory ( ,e/h]4 ,! :ole ( ^! pa9t+s are m>vell\sly well pres]v$1 &1 inset 9 ! c>v$ & gilt framework1 make a c\p d'oeil ( surpris+ beauty4 ,!y _h an imm5se effect4 ,e "o 0 able to appreciate ^! joy\s pictures ( ,v5ice1 ! lovel9ess ( h] skies1 ! pomp ( h] c]emonies1 ! ri* ,ea/]n /uffs & ! glori\s ar*itecture ( h] palaces4 ,x 0 an auspici\s mom5t = a pa9t] ( ,v]onese's temp]2 ! s-call$ ,republic1 n[1 m ?an ev]1 an olig>*y1 0 at ! height ( its =tunes1 r$ecorat+ 0 go+ =w>d ev]y:]e1 ! m]*ant-nobility 0 ri* & sp5d+ magnific5tly1 ! ,ea/]n trade 0 fl\ri%+1 ,v5ice 0 9 all h] glory4 ,! patrons ,cali>i came to "w =1 pref]r$ ! c]emonial to ! imag9ative treatm5t ( sacr$ !mes1 & he does n *oose ! trag$ies ( ! ,bible = illu/ration4 ,he pa9ts ! hi/ory ( ,e/h]1 ) its royal audi5ces1 banquets1 & m>riage-fea/s4 ,8 ,*ri/s & ,m>ies & ,m>tyrs are compos$1 c\rtly p]sonages1 :o ma9ta9 a dignifi$ calm "u mis=tune1 & h v little viol5t feel+ to %[4 ,at ! "t ( 8 arrival 9 ,v5ice1 ,palma ,vec*io 0 j dead1 ,t9toretto 0 absorb$ by ! ,scuola di ,san ,rocco1 ,p>is ,bordone 0 ) ,francis ,i4 ,z rivals1 ,cali>i _h ,salviati1 ,bonifazio1 ,s*iavone1 & ,zelotti1 all r5d]+ homage to ,titian :o 0 eighty ye>s old1 b /ill 9 full vig\r4 ,titian's op9ions 9 matt]s ( art 7 dictates1 8 judgm5t 0 a law4 ,he imm$iately recognis$ ,v]onese's g5ius1 :i* 0 ( a k9d to appeal to him1 & toge!r ) ,sansov9o1 :o at ?is "t 0 ,director ( ,build+s to ! ,signoria1 he receiv$ ! "y pa9t] ) an approval :i* ensur$ him a good />t4 ,five ye>s aft] ,v]onese's arrival he 0 reta9$ to decorate ! ,villa ,b>b>o at ,mas]1 :i* is a type ( ^? patrician c\ntry-h\ses to :i* ! ,v5etians 7 becom+ m atta*$ e ye>4 ,daniele ,b>b>o1 ,patri>* ( ,aquileia1 ^: magnific5t portrait by ,v]onese is 9 ! ,pitti1 0 himself an arti/ & design$ ! ceil+ ( ! ,hall ( ! ,c\ncil ( ,t54 ,palladio1 ,aless&ro ,vittoria1 & ,v]onese 7 associat$ to build him a dwell+ wor?y ( a ,pr9ce ( ! ,*ur*4 ,9 /yle ! villa is a total contra/ to ! gorge\s ,v5etian palaces2 x is sob] & simple1 & well adapt$ to leisure & retirem5t4 ,its :ite /ucco walls & decorations are devoid ( gild+ & col\r1 & ! rooms adorn$ by ,v]onese's bru% %[ him 9 q a new light4 ,8 visit to ,rome did n take place till f\r ye>s lat]1 b he has be5 influ5c$ "h by ! feel+ = ! antique1 & he ?9ks mu* ( l9e & /yle4 ,he leaves on "o side ! gorge\s brocades & gleam+ sat9s1 9 :i* he usually delights1 & 8 nymphs are only clo!d 9 _! own beauty4 ,& "h ,v]onese %[s 8 admirable ta/e & discretion2 8 patrons1 ! ,b>b>o family1 are 8 fri5ds1 m5 & wom5 ( ! _w1 :o put no re/ra9t on 8 fancy1 & are n prone to c5sure1 & ,v]onese1 ) ! bridle on 8 neck1 s to speak1 uses 8 opportunities fully1 yet nev] exce$s ! limits ( good ta/e4 ,he is n gross & s5sual l ,rub5s1 b pr\d1 grave & sweet1 s$uctive1 b nev] sugge/ive or vulg>4 ,aft] hav+ plac$ s+le figures :]ev] he c f9d a nook1 he assembles all ! gods ( ,olympia at a supp] 9 ! cupola4 ,immortality is a beautiful "y woman seat$ on a cl\d4 ,m]cury gazes at h]1 caduceus 9 h&2 ,diana c>esses h] great h\nd2 ,saturn1 an old man1 re/s 8 head on 8 h&2 ,m>s1 ,apollo1 ,v5us1 & a little cupid are scatt]$ 9 ! ,empyrean1 & ,jupit] presides ov] ! p>ty4 ,bel[1 a balcony rail runs r\nd ! cupola1 & look+ ov] x1 an old lady1 dress$ 9 ! late/ fa%ion1 po9ts out ! company to a beautiful "y "o & to a "y man 9 a d\blet :o holds a h\nd 9 a lea%4 ,!y are evid5tly family portraits1 tak5 f ^? :o look$ on at ! arti/1 & on ! o!r side he has introduc$ memb]s ( 8 own family :o 7 help+ him4 ,^! decorations h a gaiety1 an abs5ce ( p$antry1 a s\nd & sane sympa?y ) ! _s ( ! ,r5aissance :i* tell ( a happy mom5t :5 art 0 at its height & 9 t\* ) its environm5t4 ,f ab\t #aefc we may beg9 to date 8 great supp] pictures4 ,! ,m>riage ( ,cana 7,l\vre71 "o ( 8 mo/ fam\s works1 0 pa9t$ = ! refectory 9 ,sammi*ele1 ! old "p ( ,s4 ,giorgio ,maggiore4 ,! treaty = x is /ill 9 exi/5ce1 dat$ ,june #aefb4 ,! arti/ asks = a ye>2 ! ,prior is to furni% canvas & col\rs1 ! pa9t]'s bo>d1 & a cask ( w9e4 ,! fur!r paym5t ( #igb ducats illu/rates ! prices receiv$ by ! greate/ arti/s at ! height ( ! ,r5aissance3 #bhj = "w :i* occupi$ q eight mon?s4 ,v]onese mu/ h delight$ 9 pa9t+ ?is "w4 ,ne$less to say1 x is n 9 ! lea/ religi\s4 ,he has unit$ 9 x all ! mo/ v>i$ p]sonages :o /ruck 8 imag9ation4 ,s we see a ,spani% gr&ee1 ,francis ,i41 ,suleiman ! ,sultan1 ,*>les ,v41 ,vittoria ,colonna1 & ,eleanor ( ,au/ria4 ,9 ! =egr\nd1 gr\p$ r\nd a table1 are ,v]onese himself1 play+ ! viol1 ,t9toretto accompany+ him1 ,jacopo da ,ponte seat$ by !m1 & ,paolo's bro!r1 ! ar*itect1 ) 8 h& on 8 hip1 toss+ (f a full glass2 & 9 ! gov]nor ( ! fea/1 opul5t & gorge\sly attir$1 we recognise ,aret9o4 ,"u ! m>ble columns ( a ,grimani or a ,pes>o1 he br+s 9 all ! illu/ri\s actors ( 8 own "t & leaves u an odd & in=m+ docum5t4 ,we c b accept ! sc5e & admire ! orig9ality ( its design & ! fre$om ( its execution1 its boldness & fancy1 ! way 9 :i* ! v>i$ incid5ts are br\ght into h>mony1 & ! grace ( ! colonnade1 peopl$ ) spectators1 /&+ out aga9/ ! dep? ( di/ant sky4 ,! celebrat$ supp]s1 ( :i* ?is is ! fir/ example1 are disp]s$ 9 diff]5t gall]ies & "s h disappe>$1 b f ?is "t ,v]onese lov$ to pa9t ^! great displays1 repeat+ "s ( !m1 b always introduc+ v>iety4 ,illu/ration3 ,paolo ,v]onese4 ,,m>riage ,,9 ,,cana4 ,l\vre4 7,photo1 ,mansell & ,co47 ,9 #aefd he accompani$ ,girolamo ,grimani1 procurator ( ,/4 ,m>k's1 :o 0 appo9t$ ambassador to ! ,holy ,see1 & = ! fir/ "t saw ! works ( ,raphael & ,mi*elangelo & ! treasures ( antiquity4 ,= a "t1 ! sight ( ! antique _h "s effect ^u 8 "w2 9 8 fam\s ceil+ 9 ! ,l\vre1 ,jupit] de/roy+ ! ,vices1 ! influ5ce ( ,mi*elangelo is app>5t & its l>ge ge/ures are inspir$ by sculpture4 ,ridolfi says t ,v]onese br\ght home ca/s f ,rome1 & /atues ( ,amazons & ! ,laocoon seem to h inspir$ ! ,jupit]4 ,he did n g on long 9 ?is pa?2 he does n really c>e = ! nude--x is too simple = him4 ,he pref]s t 8 sa9ts & div9ities %\ld appe> 9 ! gorge\s co/umes ( ! day1 & t 8 ,v5us & ,diana & ! nymphs %\ld trail 9 ri* brocades4 ,b few docum5ts are left conc]n+ 8 "w = ! ,ducal ,palace up to #aegf2 mu* ( x 0 de/roy$ 9 ! great fire1 b ! ,signoria !n gave him a numb] ( fre% commissions4 ,! mo/ important 0 ! imm5se oval ( ! ,triumph ( ,v5ice1 or1 z x is sometimes call$1 ! ,?anksgiv+ = ,lepanto2 ! ,republic cr[n$ by victory & surr\nd$ by allegorical figures1 ,glory1 ,peace1 ,happ9ess1 ,c]es1 ,juno & ! re/4 ,! composition %[s ! utmo/ fre$om3 ! fair ,que5 leans back1 surr\nd$ by laugh+ patricians1 :o look up f _! balconies1 z if !y 7 att5d+ a regatta on ! ,gr& ,canal4 ,! horses ( ! ,free ,companions1 ! soldi]s :o g af> to c>ry out ! w ( ! ,republic1 prance 9 a cr[d ( p]sonages1 ea* ( :om repres5ts a t[n or colony ( h] doma94 ,l all ,v]onese's creations1 ?is w always be pre-em95tly a picture ( ! sixte5? c5tury1 dat$ by a ?\s& details ( co/ume1 ar*itecture1 & arm\r4 ,v5ice1 ! ,v5ice ( ,lepanto & ! ,v5i]1 ( ,titian1 ,aret9o1 & ,v]onese himself1 makes a deep impression ^u u1 & ! arti/ reflects 8 age ) sympa!tic spontaneity4 ,h>dly a hall ( ! ,ducal ,palace b c %[ a canvas ( ,v]onese or ! assi/ants by :om he 0 n[ surr\nd$4 ,f "t to "t he resum$ ! decorations ( ,s4 ,seba/iano1 & 8 incessant production betrays no trace ( fatigue or languor4 ,! m>tyrdom ( ! sa9t is a triumph ( ! beauty ( ! silh\ette aga9/ a radiant sky4 ,he goes back to ,v]ona & pa9ts ! ,m>tyrdom ( ,/4 ,george4 ,he p\rs light into x4 ,! sa9ts op5 a %9+ pa?1 d[n :i* a fl[]-cr[n$ ,love flutt]s ) ! diadem & palm ( victory4 ,! :ole air & expression ( ,/4 ,george is full ( /r5g? & t look ( goodness & s]5ity :i* is ! pa9t]'s ne>e/ approa* to religi\s feel+4 ,v]onese 0 creat$ a ,*evali] ( ,/4 ,m>k2 e "o 0 ask+ = 8 s]vices1 b he 0 a /ay-at-home by nature & fond ( liv+ ) 8 family4 ,philip ,,ii4 long$ to get him to cov] 8 great walls 9 ! ,escurial1 b he v civilly decl9$ all 8 invitations & s5t ,f$]igo ,zuc*]o 9 8 /ead4 ,x 0 on acc\nt ( ! ,fea/ 9 ! ,h\se ( ,levi t 9 #aegc he 0 haul$ be=e ! tribunal ( ! ,inquisition1 & ! docum5t conc]n+ ?is 0 only discov]$ a few ye>s ago4 ,! ,signoria _h nev] all[$ any tribunal to *a/ise works ( lit]ature2 on ! contr>y1 ,v5ice1 ?\gh comp>atively poor h]self 9 g5iuses ( ! m9d1 0 ! refuge ( fre$om ( ?\ght1 &1 9 fact1 _h made a sort ( compact ) ,niccolas ,v41 :i* all[$ h] to set aside or susp5d ! decisions ( ! ,holy ,(fice1 f :i* %e c\ld n q emancipate h]self4 ,v]onese1 h[ev]1 0 d5\nc$ by "s aggriev$ p]son1 to :om 8 way ( treat+ sacr$ subjects seem$ an outrage on religion4 ,! memb]s ( ! tribunal dem&$ :o ! boy 0 ) ! ble$+ nose8 & :y 7 halb]di]s admitt$8 ,v]onese repli$ t !y 7 ! sort ( s]vants a ri* & magnific5t ho/ w\ld h ab\t him4 ,he 0 !n ask$ :y he _h introduc$ ! buffoon ) a p>rot on 8 h&4 ,he repli$ t he really ?\ght only ,*ri/ & ,8 ,apo/les 7 pres5t1 b t :5 he _h a little space ov]1 he adorn$ x ) imag9>y figures4 ,?is def5ce ( ! va/ & cr[d$ canvas did n comm5d itself1 & he 0 ask$ if he really ?\ght t at ! ,la/ ,supp] ( our ,savi\r x 0 fitt+ to br+ 9 dw>fs1 buffoons1 drunk5 ,g]mans1 & o!r absurdities4 ,did he n "k t 9 ,g]many & o!r places infe/$ ) h]esy1 !y 7 9 ! habit ( turn+ ! ?+s ( ,holy ,*ur* into ridicule1 ) int5t to tea* false doctr9e to ! ignorant8 ,paolo = 8 def5ce cit$ ! ,la/ ,judgm5t1 :]e ,mi*elangelo _h pa9t$ e figure 9 ! nude1 b ! ,inquisitor repli$ cru%+ly1 t ^! 7 disembodi$ spirits1 :o c\ld n be expect$ to we> clo?+4 ,c\ld ,v]onese uphold 8 picture z dec5t8 ,! pa9t] 0 probably n v mu* al>m$4 ,he 0 a p]son ( great importance 9 ,v5ice1 & ! proce$+s ( ! ,inquisition 7 always jeal\sly wat*$ by memb]s ( ! ,s5ate1 :o w\ld n h p]mitt$ any unfair int]f]5ce ) ! lib]ties ( ^? "u ! protection ( ! ,/ate4 ,! real (f5ce 0 ! introduction ( ! ,g]man soldi]s1 :o 7 peculi>ly obnoxi\s to ! ,v5etians2 b ,v]onese did n c>e :at ! subject 0 z long z x gave him an excuse = a great spectacle4 ,br\ght to bay1 he gave ! true answ]3 ,my ,lords1 ,i h n consid]$ all ?is4 ,i 0 f> f wi%+ to picture any?+ disord]ly4 ,i pa9t$ ! picture z x seem$ be/ to me & z my intellect c\ld conceive ( x4 ,x meant t ,v]onese pa9t$ 9 ! way t he consid]$ mo/ arti/ic1 )\t ev5 rememb]+ que/ions ( religion1 & 9 ?is he summ$ up 8 :ole /hetic cre$4 ,he 0 set at lib]ty on condition t he took out "o or two ( ! mo/ (f5d+ figures4 ,! ,fea/ 9 ! ,h\se ( ,levi 7z he nam$ x aft] ! trial7 is ! f9e/ ( all 8 great sc5ic effects4 ,! air circulates freely ?r\gh ! :ite ar*itecture1 we brea! m deeply z we look out into ! wide blue sky1 & su* is ! s5sation ( expansion1 t x is h>dly possible to believe we are gaz+ at a flat wall4 ,titian's backgr\nds are a blue horizon1 a burn+ twilight4 ,v]onese builds m>ble palaces1 ) rosy %ad[s1 or columns blan*$ 9 ! liquid light4 ,8 p]sonages %[ little viol5t action4 ,he places !m 9 noble poses 9 :i* !y c be/ %[ (f _! magnific5t clo!s1 & he end[s 8 patricians1 8 goddesses1 8 sacr$ p]sons1 ) a uni=m air ( maje/ic indol5ce4 ,aft] 8 trial1 ,v]onese proce$$ m triumphantly ?an ev]4 ,e pr9ce wi%$ to h some?+ f 8 bru%2 ! ,emp]or ,rudolph1 at ,prague1 %[$ ) pride ! canvases tak5 lat] by ,gu/avus ,adolphus4 ,! ,duke ( ,mod5a1 c>ry+ on ! traditions ( ,f]r>a1 add$ ,v]onese's works to ! treasures ( ! h\se ( ,e/e4 ,! la/ t5 ye>s ( 8 life 7 giv5 up to visit+ *ur*es on ! ma9l& & on ! little isl&s r\nd ,v5ice1 all covet\s to possess some?+ by ! brilliant ,v]onese1 ^: "n 0 9 e m\?4 ,torcello1 ,murano1 ,treviso1 ,ca/elfranco1 e conv5t & mona/]y load$ him ) commissions1 & x is significant ( ! _s ( ! "t1 t 9 spite ( ! disapproval ( ! ,holy ,see1 8 mo/ ard5t patrons1 ^? :o delight$ mo/ 9 8 robu/1 uncompromis+ worldl9ess1 7 to be f\nd 9 ! religi\s h\ses4 ,!n1 :5 he w5t to re/ 9 ! summ] heats 9 "s villa on ! ,br5ta1 he left delightful s\v5irs "h & !re4 ,x 0 on su* an occasion1 = ! ,pisani1 t he pa9t$ ! ,family ( ,d>ius1 :i* 0 sold to ,engl& by a memb] ( ! h\se 9 #aheg4 ,! royal captives1 :o are ?r[+ !mselves at ! feet ( ! conqu]or1 are1 ) ,paolo's usual frank navet & disreg>d ( ana*ronisms1 dress$ 9 full ,v5etian co/ume--all ! *ief p]sonages are portraits ( ! ,pisani family4 ,! fre$om & rapidity ( execution1 ! complet5ess & f9i%1 ! *>m ( col\r1 ! beauty ( ! figures 7especially ! pr9cely ones ( ,alex&] & ,hephae/ion71 & its extraord9>y en]gy1 make ?is "o ( ! f9e/ ( all 8 works4 ,! critic1 ,*>les ,blanc1 says ( x1 ,x is absurd & dazzl+4 ,9 ! ,rape ( ,europa1 he recurr$ aga9 to "o ( ^? leg5ds ( fabl$ be+s :o h outla/$ dyna/ies & are /ill fre% & liv+4 ,v]onese 0 surr\nd$ by m5 l ,aret9o & ,bembo1 well v]s$ 9 my?ology1 & ) 8 usual ze/ he makes ! tale an excuse = pa9t+ lovely1 bloom+ wom51 ri* toilets1 & a delightful l&scape4 ,! wild fl[]s spr+1 & ! little ,loves fly to & fro aga9/ a cl\d-fleck$ sky ( ! wond]ful ,v]onese turquoise4 ,x is ! "w ( a man :o is a true poet ( col\r & = :om col\r repres5ts all ! emotions ( joy & pleasure4 ,v]onese di$ comp>atively "y1 ( *ill & fev]1 & all 8 family surviv$ him4 ,he lies buri$ 9 ,san ,seba/iano4 ,f contempor>y memoirs we "k t he liv$ & dress$ spl5didly4 ,he kept imm5se /ores ( gorge\s /uffs to pa9t f 9 8 /udio1 & drew ev]y?+ f life1--! negroes cov]$ ) jewels1 ! bright-ey$ pages1 ! models :o1 rob$ 9 velvets1 brocades & sat9s1 became que5s or c\rtesans or sa9ts4 ,! pe>ls :i* b$eck$ !m 7 f 8 own caskets4 ,?\gh we "k little ( 8 private life1 8 "w is s alive t he seems p]sonifi$ 9 x4 ,he is sav$ f :at might h be5 a prosaic or a sordid /yle by ! delici\s1 ev]-*ang+ col\r 9 :i* he revels2 8 silks & sat9s are less modell$ by %ad[s ?an t9t$ by brok5 reflections1 8 embroid]$ & /rip$ & arabesqu$ tissues are s h>moni\sly comb9$ t ! eye re/s1 :]ev] x falls1 on some?+ exquisite & subtle 9 t9t4 ,?is is :]e 8 g5ius lies1 ! decoration does n add to ! int]e/ ( ! drama2 x replaces x2 9 %ort1 x is ! drama itself1 = 8 types %[ little selection1 & 8 ideal ( female beauty is n a v sympa!tic "o4 ,8 p]sonages are cold & devoid ( expression1 _! ge/ures are r mean+less1 b by means ( light & air & exquisite col\r he gives ! poetical t\* :i* all great art dem&s4 ,on acc\nt ( _! size few examples ( ,v]onese's "w are to be f\nd 9 private collections1 b ! gall]ies ( ! diff]5t ,european capitals are ri* 9 !m4 ,numb]s ( pa9t+s1 too1 :i* are by 8 assi/ants are dignifi$ by 8 "n1 & directly aft] 8 dea? spuri\s works 7 freely manufactur$ & sold z g5u9e4 ,,pr9cipal ,,works ,dresd54 ,madonna ) ,cucc9a ,family2 ,adoration ( ,magi2 ,m>riage ( ,cana4 ,flor5ce4 ,pitti3 ,portrait ( ,daniele ,b>b>o4 ,uffizi3 ,m>tyrdom ( ,s4 ,giu/9a2 ,holy ,family 7,e474 ,london4 ,consecration ( ,s4 ,niccolas2 ,! ,family ( ,d>ius be=e ,alex&]2 ,adoration ( ! ,magi4 ,mas]4 ,villa ,b>b>o3 ,frescoes4 ,padua4 ,s4 ,giu/9a3 ,m>tyrdom ( ,s4 ,giu/9a4 ,p>is4 ,*ri/ at ,emmaus2 ,m>riage ( ,cana4 ,v5ice4 ,academy3 ,battle ( ,lepanto2 ,fea/ 9 ! ,h\se ( ,levi2 ,madonna ) ,sa9ts4 ,ducal ,palace3 ,triumph ( ,v5ice2 ,rape ( ,europa2 ,v5ice en?ron$4 ,s4 ,b>nab3 ,holy ,family4 ,s4 ,francesco della ,vigna3 ,holy ,family4 ,s4 ,seba/iano3 ,madonna & ,sa9ts2 ,crucifixion2 ,madonna 9 ,glory ) ,s4 ,seba/ian & o!r ,sa9ts2 o!rs 9 "p2 ,frescoes2 ,sa9ts & ,figure ( ,fai?2 ,sibyls4 ,v]ona4 ,portrait ( ,pasio ,guadi5ti1 #aeef4 ,s4 ,giorgio3 ,m>tyrdom ( ,s4 ,george4 ,vic5za4 ,monte ,b]ico3 ,fea/ ( ,/4 ,gregory1 #aegb4 ,vi5na4 ,*ri/ at ! ,h\se ( ,jairus4 ,,*apt] ,,xxv ,,t9toretto ,x does n seem likely t _m new discov]ies w be made ab\t ,t9toretto's life4 ,x 0 an op5 & above-bo>d "o1 & !re is practically no "t dur+ its span t we are n able to acc\nt =1 & to say :]e he 0 liv+ & h[ he 0 occupi$4 ,! son ( a dy]1 a memb] ( "o ( ! p[]ful guilds ( ,v5ice1 ! little dy]1 il t5toretto1 appe>s z an en?usia/ic boy1 ke5 to le>n 8 *os5 art4 ,he 0 appr5tic$ to ,titian &1 imm$iately aft]1 summ>ily eject$ f t ma/]'s work%op1 on acc\nt1 x seems probable1 ( ! indep5d5ce & innovation ( 8 /yle1 :i* 0 ( ! v k9d mo/ likely to %ock & puzzle ,titian's c\rtly1 settl$ g5ius4 ,aft] ?is he pa9t$ :5 & :]e he c\ld1 pursu+ 8 arti/ic /udies ) ! headlong ard\r :i* ?r\gh life *>act]is$ 8 attitude t[>ds art4 ,mr4 ,b]5son ?9ks he may h work$ 9 ,bonifazio's /udio4 ,he =m$ a close fri5d%ip ) ,&rea ,s*iavone1#d he import$ ca/s ( ,mi*elangelo's /atues1 he /udi$ ! works ( ,titian & ,palma4 ,ov] 8 door 0 writt5 ! col\r ( ,titian & ! =m ( ,mi*elangelo4 ,all 8 en]gies 7 = long devot$ to ! ef=t to ma/] t =m4 ,col\r came to him naturally1 b good draw+ meant m to him ?an x _h ev] done to any ,v5etian4 ,long aft]w>ds1 to repeat$ inquiries z to h[ excell5ce c\ld be be/ ensur$1 he w\ld give no o!r advice ?an ! reit]at$1 /udy draw+4 ,he practis$ till ! human =m 9 e attitude held no difficulties = him4 ,he susp5d$ little models by /r+s1 & drew e limb & torso he c\ld get hold ( ov] & ov] aga94 ,he 0 f\nd 9 e place :]e pa9t+ 0 want$1 gett+ ! build]s to let him exp]im5t ^u ! h\se-fronts4 ,to ma/] light & %ade he con/ruct$ little c>dbo>d h\ses1 9 :i*1 by means ( slid+ %utt]s1 lamplight & skylight effects c\ld be arrang$4 ,x is p>ticul>ly int]e/+ to he> ( ?is "p ( 8 education1 z 9 ! end ! love ( %9e & %ad[ 0 ! mo/ victori\s ( all 8 inspirations4 #d ,&rea ,meldola1 ! ,sclavonian1 a native ( ,dalmatia1 l&+ 9 ,v5ice1 _h a great /ruggle = exi/5ce4 ,he drew f ,p>megian9o1 & /udi$ ,giorgione & ,titian4 ,he 0 probably an assi/ant ( ,titian1 & help$ him1 z 9 ! ,v5us & ,adonis ( ! ,national ,gall]y1 :i* owes mu* to 8 h&4 ,he fails conspicu\sly 9 =m1 8 %ad[s are black1 & 8 figures (t5 vulg>1 b he has a f9e s5se ( col\r1 & a free1 crisp t\*4 ,he 0 "o ( ! "y ma/]s :o flood$ ,v5ice ) light1 sket*y w>es4 ,! *ief ev5ts 9 ,t9toretto's life are art-ev5ts4 ,= "s ye>s he fresco$ ! outside ( h\ses at a nom9al price1 or m]ely = 8 exp5ses4 ,he decorat$ h\sehold furniture & ev]y?+ he c\ld lay h&s on4 ,!n came a few small commissions1 an alt>piece "h1 organ-doors !re1 = unimportant *ur*es4 ,no "o 9 ,v5ice talk$ ( any "o save ,palma1 ,bonifazio1 &1 above all1 ,titian1 & x 0 difficult en\gh = an outsid]1 :o 0 n "o ( _! clique1 to get employm5t4 ,b by ! "t ,t9toretto 0 tw5ty-six 8 tal5t 0 becom+ recognis$2 he _h pa9t$ ! two alt>pieces = ,,ss4 ,ermagora & ,=tunato1 & ! (f] he made to decorate ! va/ *ur* ( 8 p>i% br\ght him conspicu\sly into notice4 ,9 ! fir/ ard\r ( y\? he complet$ ! ,la/ ,judgm5t = ! *oir4 ,f "t to "t1 dur+ f\rte5 ye>s1 he r$eem$ 8 e>ly promises & execut$ ! ,gold5 ,calf & ! ,pres5tation ( ! ,virg94 ,)9 two ye>s ( 8 (f] to ! ,prior1 came 8 fir/ great opportunity ( a*iev+ di/9ction4 ,?is 0 a commission f ! ,confrat]nity ( ,/4 ,m>k1 & ) ! ,miracle ( ! ,slave he sprang at once to ! highe/ place4 ,! picture 0 univ]sally admir$1 & 0 foll[$ by ?ree m deal+ ) ! patron sa9t4 ,at =ty he m>ri$ happily a beautiful "y girl1 ,fau/9a dei ,vescovi1 or ,episcopi1 z x is indiff]5tly giv51 ! daught] ( a noble family ( ! ma9l&4 ,tradition has always po9t$ to ! girl 9 blue 9 ! ,gold5 ,calf z h] portrait1 :ile x is easy to recognise ,t9toretto himself 9 ! black-be>d$ giant1 :o helps to c>ry ! idol4 ,8 h\se at ?is "t 0 some:]e 9 ! ,p>roc*ia dell' ,orto1 & !re1 dur+ ! next f\rte5 ye>s1 eight *ildr5 7 born1 ( :om ! two elde/1 ,dom5ico & ,m>ietta1 atta9$ di/9ction 9 _! fa!r's pr(ession4 ,ano!r great ev5t1 :i* pr(\ndly influ5c$ 8 life1 0 ! beg9n+ ( 8 connection 9 #aefj ) ! ,scuola di ,san ,rocco1 ! great confrat]nity :i* 0 devot$ to combat+ ! ravages ( ! plague & to succ\r+ ! families ( its victims4 ,8 "w = ?is la/$ to ! end ( 8 life & is 8 mo/ di/+ui%$ memorial4 ,! palace to :i* ! ,robu/i family mov$ 9 #aegd1 & :i* 0 inhabit$ by 8 desc5dants s late z #ahcj1 c /ill be id5tifi$ 9 ! ,calle della ,s5sa4 ,x is brok5 up into two p>ts1 b x is evid5t t x 0 a dwell+ ( "s importance1 a good specim5 ( ,v5etian ,go?ic4 ,x /ill be>s m>ks ( consid]able decoration2 ! walls are %ea!d 9 m>ble plaques1 & ! fir/ floor has r[s ( ,go?ic w9d[s 9 delicately c>v$ frames & little balconies ( frett$ m>ble4 ,zanetti1 9 #agga1 gives an et*+ ( a magnific5t bronze frieze ca/ f ! ma/]'s design1 :i* ran r\nd ! ,gr& ,sala4 ,! family mu/ h occupi$ ! piano nobile & let (f ! floors !y did n require4 ,descriptions ( ! life l$ by ! pa9t] & 8 family are giv5 by ,vas>i1 :o knew him p]sonally1 & by ,ridolfi1 ^: book 0 publi%$ 9 #afdf1 & :o mu/ h kn[n 8 *ildr51 sev]al ( :om 7 /ill alive & pr\d ( _! fa!r's fame4 ,we he> ( pleasant ev5+s sp5t 9 ! little palace1 ( ! en?usia/ic love ( music1 ,t9toretto himself & 8 daught] be+ highly gift$4 ,among ! habitus 7 ,z>l9o1 = tw5ty-five ye>s *apel-ma/] ( ,/4 ,m>k's1 "o ( ! fa!rs ( mod]n music2 ,bassano2 & ,v]onese1 :o1 9 spite ( 8 love = magnific5t ent]ta9m5ts1 0 (t5 to be f\nd 9 ,t9toretto's pleasant home4 ,poor ,&rea ,s*iavone 0 always welcome1 & z "t w5t on ! h\se became ! haunt ( all ! cultur$ g5tlem5 & litt]ati ( ,v5ice4 ,x is n difficult f ! mat]ials available to =m a suffici5tly lively idea ( ?is ,v5etian citiz5 ( ! sixte5? c5tury1 z fa!r & husb&1 ho/ & pa9t]4 ,ridolfi has collect$ a numb] ( anecdotes1 :i* space =bids me to use1 b :i* are all v *>act]i/ic4 ,we ga!r t he 0 a man ( /rong "*1 g5]\s1 s9c]e & simple1 decid$ 9 8 ways1 c>+ little = ! great _w1 b op5-h&$ & hospitable "u 8 own ro(1 obs]vant ( m5 & mann]s1 & sometimes r brusque 9 deal+ ) bores & (f5sive p]sons4 ,full ( dry quiet hum\r & ( good-natur$ bant] ( 8 wife's little weaknesses4 ,a man1 too1 ( upright conduct & free1 z f> z x c be asc]ta9$1 f any ( ^? laxities & infidelities1 s freely quot$ ( celebrat$ m5 & s easily condon$ by 8 age4 ,art 0 ,t9toretto's ma9 preoccupation2 b he seems to h be5 a man ( /rong religi\s bias1 mak+ a close /udy ( ! ,bible1 & turn+ naturally 9 8 la/ days to ^? tru?s ) :i* 8 art _h made him famili>1 tru?s :i* he _h repres5t$ ) t t\* ( my/ic feel+ :i* 0 ! deepe/ "p ( 8 nature4 ,8 relations ) ! ,/ate comm5c$ 9 #aegd1 :5 8 (f] to pres5t a sup]b pa9t+ ( ! ,victory ( ,lepanto 0 made to & accept$ by ! ,c\ncil ( ,t54 ,t9toretto 0 rew>d$ by a ,brok]'s pat5t1 & betwe5 ?is & ! ,p>adiso1 ! "w ( 8 old age1 he execut$ a numb] ( pictures = ! ,signoria4 ,! only record ( any travels are conf9$ to two j\rneys paid to ,mantua1 :]e he w5t 9 ! 'sixties & aga9 9 #aegi to see to ! hang+ ( pa9t+s done = ! ,gonzaga1 & ( :i* ! docum5ts h be5 kept1 ?\gh ! pictures h vani%$4 ,t9toretto's la/ ye>s 7 sadd5$ by ! dea? ( 8 belov$ daught]1 :o _h always be5 8 con/ant companion4 ,he di$ 9 #aegi aft] a =tnight's illness & left a w1 :i*1 toge!r ) t ( 8 son1 ?r[s a good deal ( light ^u ! family hi/ory4 ,x is n easy to select f ! va/ quantity ( "w left by ,t9toretto4 ,he is "o ( ^? pa9t]s ^: :ole life 0 pass$ 9 8 native city & :o c only be adequately /udi$ 9 t city4 ,p]haps ! fir/ place 9 :i* to seek him1 is ! great *ur* :i* 0 ! monum5t ( 8 e>ly prime4 ,! ,la/ ,judgm5t 0 probably inspir$ by t ( ,mi*elangelo1 ( :i* descriptions & sket*es mu/ h rea*$ ! y\ng] ma/]1 ov] :om ! ,flor5t9e _h ex]cis$ s /rong a fasc9ation4 ,t9toretto's v]sion impresses "o z t ( a m9d boil+ ) ?\ghts & visions :i* he p\rs out ^u ! huge space4 ,x depicts a t]rible cata/rophe1 a sc5e ( ru%+ de/ruction1 ( =ms swept into oblivion1 ( o!rs /ruggl+ to ! light1 ( _m beautiful figures & ( a flood ( air & light beh9d ! ru%+ wat]1--wat] :i* makes u almo/ giddy z we wat* x4 ,! ,gold5 ,calf is a matur] production & includes "s ( ! lovelie/ wom5 ,t9toretto ev] pa9t$4 ,we see too pla9ly ! plann+1 ! device ( conc5trat+ int]e/ on ! idol by turn+ figures & po9t+ f+]s1 b no?+ c be imag9$ m supple & que5ly ?an ! woman 9 blue1 & ! way ! light falls on h] head & p]fectly =e%ort5$ arm %[s to :at excell5ce ,t9toretto _h atta9$4 ,! ,pres5tation is a rip] "w4 ,! draw+ ( ! flight ( /eps & ( ! gr\ps ^u !m c\ld n be bett]$4 ,! little figure ( ! ,virg91 prototype ( ! new disp5sation1 z %e advances to meet ! repres5tative ( ! old1 ?rills ) my/ic feel+1 yet ! pa9t] has contriv$ to reta9 ! /urdy simplicity ( a *ild4 ,! ,/4 ,agnes1 ) its contra/ ( light & %ade1 ( /r5g? made p]fect 9 weakness1 is ( lat] date & 0 ! commission ( ,c>d9al ,cont>9i4 ,x is int]e/+ to realise h[ ,t9toretto1 especially 9 ! ,pres5tation1 has contriv$1 :ile us+ ! traditional episodes1 to infuse s /rong an imag9ative s5se4 ,! contra/ ( age & y\?1 ! joy ( ! ,g5tiles1 ! />like figure ( ! *ild surr\nd$ by %ad[s1 convey an emotional feel+1 9 h>mony ) ! nature ( ! sc5e4 ,next let u gr\p toge!r ! miracles 9 ! hi/ory ( ,/4 ,m>k4 ,"o ( ! qualities :i* /rikes u mo/ 9 ! ,miracle ( ! ,slave is its /rong local col\r4 ,x tells ( ,titian & ,bonifazio & is unlike ,t9toretto's lat] /yle4 ,! col\rs are gl[+ & gem-l2 c>nations1 orange-yell[s1 deep sc>let1 & turquoise-blue4 ,! crimson velvet ( ! judge's dress is f9ely reliev$ aga9/ a blue-gre5 sky1 & ,t9toretto has kept t in/9ctive fire & da% :i* culm9ates at once & )\t ef=t 9 p]fect action1 z a bird flies1 or a horse gallops4 ,x />tl$ ! quiet memb]s ( ! ,guild1 & at ! fir/ mom5t !y hesitat$ to accept x4 ,! ,rescue ( ! ,s>ac5 & ! ,transportation ( ! ,body are m 9 ! gold5-br[n mann] to :i* he 0 mov+1 b x is 9 ! ,f9d+ ( ! ,body 7,br]a7 t he rises to ! highe/ emotional pit*4 ,! colossal =m ( ! sa9t1 exp&+ ) life & p[] z he t[]s 9 ! _s above 8 own lifeless clay1 draws all eyes to him & seems to fill ! b>rel-ro($ hall ) ease & en]gy4 ,e "p ( ! vault is flood$ by 8 life-giv+ en]gy1 & "h ,t9toretto deals ) light & %ade ) full ma/]y4 ,z we foll[ ,t9toretto's c>e]1 x is borne 9 ^u u h[ little positive col\r x takes to make a great col\ri/4 ,! :ole ,v5etian ,s*ool1 inde$1 does n deal ) :at we und]/& z bright col\r4 ,vivid t9ts are mu* m *>act]i/ic ( ! ,flemi% & ! ,flor5t9e1 or1 let u say1 ( ! pa9t]s ( to-day4 ,/rong1 crude col\rs are to be se5 on all sides 9 ! ,salon or ! ,royal ,academy1 b !y are abs5t f ! s*eme ( sombre spl5d\r :i* has giv5 ! ,v5etians _! title to fame4 ,?is is especially true ( ,t9toretto1 & x becomes m s z he advances4 ,8 gamut becomes m gold5-br[n & mell[2 ! greys & br[ns & ivories comb9e 9 a lu/r\s symphony m impressive ?an gay t9ts1 flood$ ) envelop+ %ad[ & illum9$ by fla%es ( iridesc5t light4 ,ano!r noticeable feature is ! way 9 :i* he puts on 8 oil-col\r1 s t x be>s ! direct impression ( ! pa9t]'s h&4 ,! ,flor5t9es _h us$ flat t9ts1 opaque & ) e bru%-m>k smoo!d away2 b z ! lat] ,v5etians cov]$ l>ge spaces ) oil-col\r1 !y no long] s\ght to dissimulate ! traces ( ! bru%1 & light1 di/ance1 movem5t1 7 all convey$ by ! turns & twi/s & swirls ) :i* ! ?9 oil-col\r 0 laid on4 ,look at ! p[] ( t\* 9 su* a picture z ! ,dea? ( ,abel2 we see ?is spontaneity ( execution actually =m+ "p ( ! emotion ) :i* ! picture is *>g$4 ,! conc5trat$ hate ( ! "o figure1 ! desp]ate appeal ( ! o!r1 ! lurid note ( ! l&scape1 ga9 _! emotion z mu* f ! impetu\s bru%-"w z f ! m /udi$ design4 ,we come close/ to ! pa9t]'s m9d 9 ! ,scuola di ,san ,rocco4 ,he _h already be5 employ$ 9 ! *ur*1 & !re rema9s1 d>k5$ & ru9$ by damp1 ! s]ies illu/rative ( ! c>e] ( ,s4 ,ro*1 patron sa9t ( suff]]s f ! plague4 ,:5 ! great ,halls ( ,assembly 7 to be decorat$ 9 #aefj1 ! confrat]nity ask$ a conclave ( pa9t]s1 among :om 7 ,v]onese & ,&rea ,s*iavone1 to prep>e sket*es = competition4 ,:5 !y assembl$ to display _! designs1 ,t9toretto swept aside a c>toon f ! ceil+ ( ! refectory & discov]$ a f9i%$ picture1 ! ,s4 ,ro* 9 ,glory1 :i* /ill holds its place !re4 ,nei!r ! o!r arti/s nor ! bre?r5 seem to h approv$ ( ?is unconv5tional proce$+1 b he hop$ !y w\ld n be (f5d$2 x 0 ! only way he knew4 ,p>tly f ! displeas$ )drawal ( "s ( ! re/1 b p>tly also f ! excell5ce ( ! "w1 ! commission fell to ,t9toretto1 & aft] two ye>s' "w he 0 receiv$ into ! ord]1 & 0 assign$ an annual provision ( #ajj ducats 7#ej7 a ye> = life1 be+ b\nd e ye> to furni% ?ree pictures4 ,,*apt] ,,xxvi ,,t9toretto 7cont9u$7 ,! fir/ portion ( ! va/ build+ t 0 f9i%$ 0 ! ,refectory1 b 9 exam9+ ! s*eme1 x is p]haps m conv5i5t to leave x to its prop] place1 :i* is ! climax4 ,be=e beg9n+1 ,t9toretto mu/ h _h ! :ole ?+ plann$1 & we _c d\bt t he 0 influ5c$ by ! ,sixt9e ,*apel & recall$ its plan & significance2 ! old disp5sation typify+ ! new1 ! ,old ,te/am5t hi/ory vivifi$ by ! acts ( ,*ri/4 ,! ma9 feature ( ! h>mony :i* x is only reasonable to suppose gov]ns ! :ole build+1 is its d$ication to ,s4 ,ro*1 ! special patron ( m]cy4 ,! pr9cipal pa9t+s ( ! ,upp] ,hall are !re=e conc]n$ ) acts ( div9e m]cy & deliv]ance1 & ev5 ! mono*romes be> ^u ! c5tral idea4 ,on ! ro( are ! ?ree mo/ important miracles ( m]cy p]=m$ on behalf ( ! ,*os5 ,p4 ,! pa9t+s on ro( & walls are l9k$ toge!r4 ,! ,fall ( ,man at "o end ( ! ,hall1 ! disob$i5t eat+1 corresponds ) ! ob$i5t eat+ ( ! ,passov] at ! o!r1 & is int]dep5d5t ) ! ,manna 9 ! ,wild]ness1 ! ,la/ ,supp]1 & ! ,miracle ( ! ,loaves4 ,! ,miracles ( satisfi$ ?ir/ are repres5t$ by ,moses /rik+ ! ,rock1 ,samson dr9k+ f ! jawbone & ! wat]s ( ,m]ibah4 ,! ,baptism & o!r signs ( ! ,adv5t ( ,*ri/ & ! ,div9e prep>ation1 balance ev5ts 9 ! e>ly life ( ,moses4 ,9 ! ,refectory :i* op5s f ! ,great ,hall1 we come to ! ,crucifixion1 ! cr[n+ act ( m]cy1 surr\nd$ by ! ev5ts :i* imm$iately succe$$ x1 & typifi$ imm$iately above 9 ! ,c5tral ,hall1 by ! lift+ up ( ! ,braz5 ,s]p5t4 ,! miracles include six ( refre%m5t & succ\r1 two ( miracul\s re/oration to heal?1 & two ( deliv]ance f dang]4 ,! :ole s*eme has be5 work$ out 9 detail 9 my book on ,t9toretto4 ,9 ! work+ out ( 8 great s*eme1 ,t9toretto is impati5t ( hackney$ & traditional =ms2 he mu/ h a read+ ( 8 own1 & "o :i* appeals to 8 imag9ation4 ,we see t passion = movem5t :i* di/+ui%es 8 e>ly "w4 ,moses /rik+ ! ,rock is a figure in/9ct ) purpose & en]gy4 ,! wat] b\nds =?1 liv+1 life-giv+1 ! p /ra9 wildly to rea* x4 ,8 figures are sometimes f\nd fault )1 z extravagant 9 ge/ure1 b ! attitudes 7 int5d$ to be se5 & to arre/ att5tion f f> bel[1 & we mu/ n =get t ! pa9t]'s models 7 drawn f a ,s\!rn race1 to :om emphasis ( action is natural4 ,t9toretto1 x may be conc$$1 is on c]ta9 occasions1 g5]ally :5 deal+ ) accessory figures1 incl9$ to excess ( ge/ure2 x is ! defect ( 8 temp]am5t1 b :5 he has a subject t c>ries him away he is s9c]e & nev] viol5t 9 _s4 ,titian is cold comp>$ to him2 8 col\r1 h[ev] effective1 is calculat$1 :]eas ,t9toretto's seems to p]meate e object & to soak ! :ole composition4 ,to quote a rec5t critic3 ,he *ose to beg91 if possible1 ) a subject *>g$ ) emotion4 ,he !n proce$$ to treat x accord+ to its nature1 t is to say1 he ton$ d[n & obscur$ ! outl9es ( =m & mapp$ out ! subject in/ead 9 pale or sombre masses ( light & %ade4 ,"u ! control ( ?is p[]ful s*eme ( *i>oscuro1 ! col\r+ ( ! composition 0 plac$1 b its own "*1 its degree ( ri*ness & sobriety1 0 det]m9$ by ! k9d ( emotion belong+ to ! subject4 ,to use col\r 9 ?is way1 n only ) emotional =ce1 b ) emotional tru?1 is to use x to p]=m "o ( ! greate/ functions ( art4#e #e ,v5ice & ! ,r5aissance1 ,ed9burgh ,review1 #aiji4 ,s 9 ! ,crucifixion x is n s mu* ! aspect ( ! gr\ps1 ! pa?os ( ! faces or ge/ures1 t tells1 b x is ! my/]y & gloom 9 :i* ! :ole sc5e is muffl$1 ! atmosph]e into :i* we are absorb$1 ! s5se ( livid t]ror convey$ by ! brood+ light & %ad[1 t makes u feel h[ diff]5t ! r5d]+ is f any o!r4 ,9 ! ,*ri/ be=e ,pilate ! head & figure ( ,*ri/ are n p>ticul>ly impressive 9 !mselves1 b ! brilliant light fall+ on ! :ite robes & c\rs+ d[n ! /eps supplies dignity & poetry2 ! sl5d] :ite figure /&s out l a %aft ( light aga9/ ! lurid & tr\bl$ backgr\nd4 ,aga91 9 ! ,way to ,golgo?a ! fall+ ev5+ gleam1 ! wild sky1 ! deep %ad[ ( ! rav9e1 ?r[ into relief ! quiet =m1 deta*$ 9 look & feel+1 z ( "o upborne by ! _s f> above ! brutal ?rong4 ,n[h]e does t spiritual emotion f9d deep] expression ?an 9 ! ,visitation4 ,! passion ( ?anksgiv+1 ! poignancy ( "m-love1 ?rob ?r\gh ! two wom51 :o h be5 travell+ t[>ds "o ano!r1 ) a great secret betwe5 !m1 & :o at l5g? rea* ! hav5 ( ea* o!r's love & k4 ,"h1 too1 ! dy+ light1 ! wav+ tree1 ! oblit]ation ( =m1 & ! feel+ ( my/]y make a deep appeal to ! s5su\s appreh5sion4 ,we f9d x aga9 & aga92 ! great trees sway & :isp] 9 ! ga!r+ d>kness z ! ,virg9 rides ?r\gh ! fall+ ev5+ %ad[s1 clasp+ h] ,babe1 & 9 t mo/ mov+ ( all ,t9toretto's creations1 ! ,s4 ,m>y ( ,egypt1 ! emotional mood ( ,nature's self is br\ght home to u4 ,! trees t dom9ate ! l&scape are pa9t$ ) a few /rokes l sabre cuts2 ! l&scape1 giv5 ) app>5t c>elessness1 yet convey+ an indescribable s5se ( space & solemnity1 unfolds itself "u ! dy+ day2 & 9 solit>y m$itation1 ?rill+ ) ec/asy1 sits t little figure1 ^: he>t has travell$ f> away to commune ) ! ,_s1 ^: dwell+ is ! light ( sett+ suns4 ,x is n possible 9 a %ort space to t\*1 ev5 9 pass+1 on all ! _m sc5es 9 ^! halls3 ! ,annunciation1 ) its m>vell\s flight ( *]ubs1 rem9d+ u ( ! flight ( pigeons 9 ! ,piazza1 & h[ (t5 ! old pa9t] mu/ h wat*$ !m2 ! ,temptation1 contra/+ ! ?robb+ evil1 ! fle% t mu/ be f$1 ) ! calm ( absolute purity2 ! ,massacre ( ! ,innoc5ts1 = :i* ! horrors ( sack$ t[ns c\ld h suppli$ _m a p>allel1--we h n "t to dwell on ^!1 b we may notice h[ ! arti/ has ov]come ! difficulty ( see+ cle>ly 9 ! d>k halls1 by *oos+ /rong & v>i$ effects ( light = ! mo/ %ad[$ spaces1 & we c picture :at ! halls mu/ h be5 l :5 !y fir/ gl[$ f 8 h&1 adorn$ ) gild$ fretwork & m\ld+1 & hung ) opul5t drap]ies1 ) ! rose-r$ & purple ( bi%ops' & c>d9als' robes reflect$ 9 ! gleam+ pavem5t4 ,illu/ration3 ,t9toretto4 ,scuola di ,san ,rocco4 ,s4 ,,m>y ,,( ,,egypt4 7,photo1 ,&]son47 ,leon>do1 by "o supreme example1 ,t9toretto1 by _m r5d]+s1 h made ! ,la/ ,supp] peculi>ly _! own 9 ! doma9 ( art4 ,x %[s h[ /rongly ! my/ic /ra9 ent]$ into ! man's "*1 t (t5 z ,t9toretto treat$ ! subject1 x nev] lo/ its int]e/ = him1 & he nev] fail$ to f9d a fre% po9t ( view4 ,9 t 9 ,s4 ,polo1 ,*ri/ (f]s ! sacr$ food ) a ge/ure ( vehem5t g5]osity4 ,plac$ z ! picture is1 to appeal to all com]s to ! ,mass1 to af=d !m a welcome z !y pass to ! ,high ,alt>1 x tells ( ! ,bread ( ,life giv5 to all mank9d4 ,t9toretto himself1 pa9t$ 9 ! "* ( ,s4 ,paul1 /&s at "o side1 absorb$ 9 m$itation4 ,we ne$ n insi/ aga9 on ! emotional value ( ! deep col\rs1 ! ri* creams & crimsons & ! *i>oscuro4 ,9 8 late/ r5d]+1 9 ,s4 ,giorgio ,maggiore1 he t\*es 8 highe/ po9t 9 symbolical treatm5t4 ,"s p are only able to see a !atrical1 artificial _s 9 ?is picture1 b at lea/1 :5 we consid] :at deep m$itation ,t9toretto _h be/[$ on 8 subjects1 we may believe t he himself 0 s9c]e & t he let himself g ov] :at comm5d$ itself z an entirely new r5d]+4 ,! ,light %9$ 9 ! ,d>kness1 & ! ,d>kness compreh5d$ x n4 ,! sup]natural is ent]+ on e side1 b ! fea/ goes on2 ! s]v+ m5 & maids busy !mselves ) ! di%es2 ! disciples are inquir+1 b n agitat$2 none see t ?rong ( heav5ly visitants1 p\r+ 9 ?r\gh ! blue moonlight1 call$ to _! ,ma/]'s side by ! supreme significance ( ,8 words4 ,! pa9t] has tak5 full advantage ( ! opportunity ( comb9+ ! light ( ! cresset lamp1 p\r+ out smoky cl\ds1 ) ! /ruggl+ moonlight & ! une>?ly radiance1 9 div]s1 yet m+l+ /reams :i* fight aga9/ ! surr\nd+ gloom4 ,9 ! sc5e 9 ! ,scuola di ,s4 ,rocco ! betrayal is ! dom9at+ incid5t1 & 9 ,san ,/efano all is peace1 & ! ,savi\r is alone ) ! fai?ful disciples4 ,illu/ration3 ,t9toretto4 ,,bac*us ,,& ,,ariadne4 ,ducal ,palace1 ,v5ice4 7,photo1 ,&]son47 ,?\gh sev]al ( ! l>ge compositions ascrib$ to ,t9toretto 9 ! ,ducal ,palace are only p>tly by him1 or entirely by foll[]s & imitators1 its halls are /ill a /oreh\se ( 8 g5ius4 ,!re is mu* t is f9e ab\t ! great /ate pieces4 ,9 ! ,m>riage ( ,/4 ,ca!r9e1 ! sa9t1 9 silk5 g[n & long transp>5t veil1 is an exquisite figure4 ,t9toretto ba!s all 8 pageantry 9 gold5 light & air1 & yet we feel t ^! huge (ficial subjects1 ) ! prosaic old ,doges introduc$ 9 incongru\s company1 nei!r /imulat$ 8 imag9ation nor satisfi$ 8 ta/e4 ,x is on ! small] canvases t he f9ds inspiration4 ,he nev] pa9t$ any?+ m lovely1 m p]fect 9 design1 or m gay & t5d] 9 idea1 ?an ! cycle 9 ! ,ante-,collegio4 ,! gl[+ light & exquisitely grad$ %ad[s ^u ivory limbs h a s5su\s p]fection & a ref9$1 unselfconsci\s joy su* z is felt 9 h>dly any o!r "w1 except ! pa9t]'s own ,milky ,way 9 ! ,national ,gall]y4 ,9 all ^! f\r pictures ! feel+ = design1 a bran* ( art 9 :i* ,t9toretto 0 pa/ ma/]1 is fully display$4 ,9 ! ,bac*us & ,ariadne all ! pr9cipal l9es1 ! eyes & ge/ures1 conv]ge ^u ! t9y r+ :i* is ! symbol ( union betwe5 ! goddess & h] lov]1 betwe5 ! que5ly city & ! ,adriatic sea4 ,or take ,pallas driv+ away ,m>s3 see h[ ! mass into :i* ! figures are ga!r$ on ! left adds /r5g? to ! ?ru/ ( ! goddess's arm1 & :at /ead9ess is giv5 by t %ort /raight lance ( h]s1 com+ 9 among all ! yield+ curves4 ,! :ole f\r are l9k$ toge!r 9 mean+3 ! call to ,v5ice to reign ov] ! seas1 h] triumphant peace1 ) ,wisdom guid+ h] c\ncil1 & h] w>riors =g+ arms 9 case ( ne$4 ,9 conjunction ) ^! pictures are two small ones 9 ! *apel1 h>dly less beautiful--,/4 ,george ) ,/4 ,m>g>et1 & ,,ss4 ,&rew & ,j]ome4 ,x is difficult to say :e!r ! exultant ,/4 ,george1 ! dignifi$ "y bi%op1 or ! two old] sa9ts are ! m sympa!tic creations1 or ! m admirable1 bo? 9 draw+ & col\r4 ,! s5se ( space 9 bo? sett+s is an add$ *>m1 & e scrap ( detail1 ! leafy b\ghs1 ! cross & crozi]1 is important to ! composition4 ,!re are _m o!r /rik+ examples1 rang+ all ?r\gh ,t9toretto's life1 ( 8 untir+ imag9ation4 ,9 ! ,salute is t ,m>riage ( ,cana1 9 :i* all ! actors seem to swim 9 gold5 light4 ,! %>p silh\ettes br+ out an effect ( radiant sun%9e ) :i* ! hall is flood$1 & all ! ar*itectural l9es lead our eyes t[>ds ! c5tral figure1 plac$ at a di/ance4 ,on t long canvas 9 ! ,academy1 kneel ! ?ree treasur]s1 p\r+ out _! gold & b5d+ 9 homage be=e ! ,madonna & ,*ild1 :o sit en?ron$ ^u a broad piazza1 ?r\gh ! m>ble pill>s ( :i* a blue & di/ant l&scape %9es4 ,grave s5ators 9 mulb]ry velvet & erm9e kneel be=e ! ,*ild1 or hold c\nsel on ,paduan affairs "u ! patronage ( ,s4 ,giu/9a4 ,! ,crucifixion 79 ,s4 ,cassiano7 is ano!r triumph ( ! pa9t]'s imag9ative conception4 ,! bold l9es ( ! crosses1 ! ladd]1 & ! figures deta* aga9/ a glori\s sky1 & ! pres5ce ( ! mov+1 murmur+ ?rong1 ( :i*1 by ! plac+ ( ! l9e ( sight1 ! spectator is made to =m a "p1 is convey$ by ! sway+ & cross+ ( ! lances borne by ! arm$ m5 :o keep ! gr\nd4 ,!re is a s]ies1 too1 :i* deals ) ! ,magdal54 ,%e m\rns h] dead 9 t solemn1 re/ra9$ ,entombm5t1 :]e ! enfold+ %ad[s frame ! cross aga9/ ! sad dawn1 :i* adorns ! mortu>y *apel ( ,s4 ,giorgio ,maggiore2 & ! ,piet 9 ! ,br]a1 ! long l9es ( :i* add to ! impression ( t5d] repose1 has its peace brok5 by ! passionate cry ( ! woman :o lov$ mu*4 ,t9toretto's ideas are exhau/less2 he c pa9t ! same sc5e 9 a doz5 diff]5t ways1 &1 9 fact1 ! book ( sket*es lately acquir$ by ! ,briti% ,museum %[s z _m z ?irty trials da%$ (f = "o subject1 & aft] all he uses "o compos$ = some?+ q diff]5t4 ,x is ?is habit ( ?r[+ (f r$-hot essays1 fre% f 8 bra91 t has l$ to ! common b sup]ficial judgm5t t ,t9toretto 0 m]ely a great improvisatore1 ^: successes came m or less by good luck4 ,he c\ld1 inde$1 pa9t pictures at a pace at :i* _m great ma/]s c\ld only sket*1 b he _h already design$ & consid]$ & reject$1 do+ ) oil1 ink1 & pap] :at _m ( 8 contempor>ies did m5tally4 ,su* a*ievem5ts z ! ,ante-,collegio cycle1 ! ,h\se ( ,m>?a & ,m>y1 ! ,m>riage ( ,cana1 ! ,temptation ( ,s4 ,an?ony1 to "n only a few1 %[ a f9i% & p]fection & a balance ( design :i* preclude ! idea ( _! be+ lightly pa9t$ pictures4 ,:5 he 0 actually engag$1 ,t9toretto let himself g ) impetu\s ard\r1 b we may feel assur$ he left no?+ to *ance1 ?\gh he _h 8 own way ( mak+ sure ( ! result4 ,x is /range to he> p1 z "o does n[ & !n1 talk+ ( ! ,p>adiso z a spl5did failure4 ,x may be grant$ t ! subject is an impossible "o = human art to realise1 yet :5 all all[ance has be5 made = a lam5table am\nt ( dry+ & black5+1 x is difficult to agree t ,rusk9 0 all wrong 9 8 admiration ( t ?rong+ multitude1 ord]$ & discipl9$ by ! tides ( light & %ad[1 :i* roll 9 & out ( ! masses1 resolv+ !m into gr\ps & s+le figures ( almo/ mat*less beauty & melt+ away into a sea ( radiant !r1 :i* tells u ( ! b\ndless space :i* surr\nds ! s]ri$ ranks ( ! ,bless$4 ,t9toretto 0 sev5ty-eight :5 x 0 allott$ to him1 & x 0 ! la/ great ef=t ( 8 m9d & h&4 ,/udies = x are pres]v$ bo? at ! ,l\vre & at ,madrid1 & x is evid5t t ! pa9t] has fram$ x ^u ! ?\ght ( ,dante's my/ic rose4 ,! circles & _m ( ! figures c be trac$ 9 ! poem1 & ! idea ( ! ,et]nal ,light /ream+ ?r\gh ! leaves ( ! rose dom9ates ! composition4 ,x is appropriate t x %\ld h be5 8 la/ great "w1 z x 0 also ! greate/ attempt at composition ev] made by a ma/] ( ! ,v5etian ,s*ool4 ,!re is no room "h to /udy ,t9toretto z a pa9t] ( battlepieces1 ?\gh f ! "t he pa9t$ ! ,battle ( ,lepanto1 = ! ,c\ncil ( ,t51 he (t5 return$ to su* subjects4 ,8 two s]ies = ! ,gonzaga includ$ sev]al1 & ! ,ducal ,palace /ill possesses examples4 ,! impetuosity ( 8 /yle /ood him 9 good /ead1 & he nev] fails to br+ 9 graceful & /rik+ figures4 ,8 portraits are h>dly equal to ,titian's intellectual grasp or f9e-gra9$ col\r1 b !y are extraord9>ily *>act]i/ic4 ,he pref]s to pa9t m5 r ?an wom51 & he pa9t$ hundr$s--all ! great p]sons ( 8 "t :o liv$ 9 & visit$ ,v5ice4 ,! ,v5etian portrait by ?is "t 0 expect$ to be m ?an a lik5ess & m ?an a problem4 ,x 0 to please ! ta/e z a picture1 to int]e/ & to satisfy criticism4 ,t9toretto1 l ,lotto1 gets beh9d ! sc5es1 & we see "s mood1 "s aspect ( ! sitt] t he h>dly expect$ to %[4 ,8 p5etration is n equal to ,lotto's1 b he deals ) 8 sitt]s ) an obs]vation :i* pi]ces bel[ ! surface4 ,9 criticis+ ,t9toretto1 m5 seem (t5 unable to discrim9ate betwe5 ! turgid & melodramatic1 & ! spontane\s & temp]am5tal4 ,! fir/ all mu/ abhor1 b ! la/ is s9c]e & des]ves to be respect$4 ,x is by 8 be/ t we mu/ judge a man1 & tak+ 8 be/ & und\bt$ly au!ntic "w1 no "o has left a l>g] am\nt :i* w /& ! te/ ( criticism4 ,z an expon5t ( l(ty & elevat$ c5tral ideas1 :i* unify all p>ts ( 8 composition1 ,t9toretto /&s ) ! greate/ imag9ative m9ds4 ,! intellectual side ( life 0 exemplifi$ 9 ,flor5t9e art1 b ! ,r5aissance w\ld h be5 a "o-sid$ developm5t if !re _h n aris5 a body ( m5 to :om emotion & ! gift ( s5su\s appreh5sion seem$ ( supreme value1 & at ! v la/ !re arose ) him "o :o1 to _! philosophy ( feel+ & ! ma/]y ( _! *os5 m$ium1 add$ ! cr[n+ glory ( ! imag9ative idea4 ,,pr9cipal ,,works ,augsburg4 ,*ri/ 9 ! ,h\se ( ,m>?a & ,m>y4 ,b]l94 ,portraits2 ,madonna & ,sa9ts2 ,luna & ! ,h\rs2 ,procurator be=e ,s4 ,m>k4 ,dresd54 ,lady 9 ,black2 ,! ,rescue2 ,portraits4 ,flor5ce4 ,pitti3 ,portraits ( ,m52 ,luigi ,corn>o2 ,v9c5zo ,z5o4 ,uffizi3 ,portrait ( ,himself2 ,admiral ,v5i]2 ,portrait ( ,old ,man2 ,jacopo ,sansov9o2 ,portrait4 ,hampton ,c\rt4 ,e/h] be=e ,ahasu]us2 ,n9e ,muses2 ,portrait ( ,dom9ican2 ,knight ( ,malta4 ,london4 ,s4 ,george & ! ,dragon2 ,*ri/ wa%+ ,feet ( ,disciples2 ,orig9 ( ,milky ,way4 ,bridgewat] ,h\se3 ,entombm5t2 ,portrait4 ,madrid4 ,battle on ,l& & ,sea2 ,solomon & ! ,que5 ( ,%eba2 ,susanna & ! ,eld]s2 ,f9d+ ( ,moses2 ,e/h] be=e ,ahasu]us2 ,judi? & ,hol(]nes4 ,milan4 ,br]a3 ,s4 ,hel5a1 ,sa9ts & ,donors2 ,f9d+ ( ! ,body ( ,s4 ,m>k 7,e474 ,p>is4 ,susanna & ! ,eld]s2 ,sket* = ,p>adise2 ,portrait ( ,himself4 ,rome4 ,capitol3 ,baptism2 ,ecce ,homo2 ,! ,flagellation4 ,colonna3 ,adoration ( ! ,holy ,_s2 ,old ,man play+ ,sp9et2 ,portraits4 ,tur94 ,! ,tr9ity4 ,v5ice4 ,academy3 ,s4 ,giu/9a & ,?ree ,s5ators2 ,madonna ) ,sa9ts & ,treasur]s1 #aeff2 ,portraits ( ,s5ators2 ,deposition2 ,jacopo ,soranzo1 #aefd 7/ill attribut$ to ,titian72 ,&rea ,capello 7,e472 ,dea? ( ,abel2 ,miracle ( ,s4 ,m>k1 #aedh2 ,adam & ,eve2 ,resurrect$ ,*ri/ bless+ ,?ree ,s5ators2 ,madonna & ,portraits2 ,crucifixion2 ,resurrection2 ,pres5tation 9 ,temple4 ,palazzo ,ducale3 ,doge ,moc5igo comm5d$ to ,*ri/ by ,s4 ,m>k2 ,doge da ,ponte be=e ! ,virg92 ,m>riage ( ,s4 ,ca!r9e2 ,doge ,gritti be=e ! ,virg94 ,ante-,collegio3 ,m]cury & ,?ree ,graces2 ,vulcan's ,=ge2 ,bac*us & ,ariadne2 ,pallas resi/+ ,m>s1 abt4 #aegh4 ,ante-room ( ,*apel3 ,,ss4 ,george1 ,m>g>et1 & ,l\is2 ,,ss4 ,&rew & ,j]ome4 ,s5ato3 ,s4 ,m>k pres5t+ ,doge ,lor$ano to ! ,virg94 ,sala ,quattro ,porte3 ,ceil+4 ,ante-room3 ,portraits2 ,ceil+1 ,doge ,priuli ) ,ju/ice4 ,passage to ,c\ncil ( ,t53 ,portraits2 ,nobles illum9$ by ,holy ,_s4 ,sala del ,gran ,consiglio3 ,p>adise1 #aeij4 ,sala dello ,scrut9o3 ,battle ( ,z>a4 ,palazzo ,reale3 ,transportation ( ,body ( ,s4 ,m>k2 ,s4 ,m>k rescues a ,%ipwreck$ ,s>ac52 ,philosoph]s4 ,giovanelli ,palace3 ,battlepiece2 ,portraits4 ,s4 ,cassiano3 ,crucifixion2 ,*ri/ 9 ,limbo2 ,resurrection4 ,s4 ,giorgio ,maggiore3 ,la/ ,supp]2 ,ga!r+ ( ,manna2 ,entombm5t 79 ,mortu>y ,*apel74 ,s4 ,m>ia ,mat] ,dom9i3 ,f9d+ ( ,true ,cross4 ,s4 ,m>ia dell' ,orto3 ,la/ ,judgm5t 7,e472 ,gold5 ,calf 7,e472 ,pres5tation ( ,virg9 7,e472 ,m>tyrdom ( ,s4 ,agnes4 ,s4 ,polo3 ,la/ ,supp]2 ,assumption ( ,virg94 ,s4 ,rocco3 ,annunciation2 ,pool ( ,be!sda2 ,s4 ,ro* & ! ,bea/s2 ,s4 ,ro* heal+ ! ,sick2 ,s4 ,ro* 9 ,campo d' ,armata2 ,s4 ,ro* consol$ by an ,angel4 ,scuola di ,s4 ,rocco3 ,l[] ,hall1 all ! pa9t+s on wall4 ,/aircase3 ,visitation4 ,upp] ,hall3 all ! pa9t+s on walls & ceil+4 ,refectory3 ,crucifixion1 #aefe2 ,*ri/ be=e ,pilate2 ,ecce ,homo2 ,way to ,golgo?a2 ,ceil+1 #aefj4 ,salute3 ,m>riage ( ,cana1 #aefa2 ,m>tyrdom ( ,s4 ,/eph54 ,s4 ,silve/ro3 ,baptism4 ,s4 ,/efano3 ,la/ ,supp]2 ,wa%+ ( ,feet2 ,agony 9 ,g>d54 ,s4 ,trovaso3 ,temptation ( ,s4 ,an?ony4 ,vi5na4 ,susanna & ! ,eld]s2 ,seba/ian ,v5i]2 ,portraits ( ,procurators1 ,s5ators1 & ,m5 7fifte5 9 all72 ,old ,man & ,boy2 ,portrait ( ,lady4 ,,*apt] ,,xxvii ,,bassano ,we wond] h[ _m ( ^? sightse]s :o pass ?r\gh ! ,ante-,collegio 9 ! ,ducal ,palace1 & />e = a few mom5ts at ,t9toretto's fam\s qu>tet & at ,v]onese's ,rape ( ,europa1 turn to give ev5 su* fleet+ att5tion to ! long1 d>k canvas :i* hangs beside !m1 ,jacob's ,j\rney into ,canaan1 by ,jacopo da ,ponte1 call$ ,bassano4 ,yet f ! position 9 :i* x is plac$ ! visitor might guess t x is consid]$ to be a gem1 & x ga9s some?+ 9 int]e/ :5 we le>n f ,zanetti t x 0 ord]$ by ,jacopo ,cont>9i at ! same "t z ! ,rape ( ,europa1 z if ! great connoisseur enjoy$ contra/+ ,v]onese's light1 gay /yle ) ! vigor\s bru% ( da ,ponte4 ,if att5tion is arre/$ by ! beauty ( ! pa9t+1 & ! visitor %\ld be inspir$ to seek ! pa9t] 9 8 native city1 he w be well repaid4 ,bassano once held an important position on ! ma9 road betwe5 ,italy & ,g]many1 b s9ce ! railroad 0 made across ! ,br5n] ,pass1 few p ev] see ! little t[n :i* lies cradl$ on ! spurs ( ! ,italian ,alps1 :]e ! gorge ( ,valsugana op5s4 ,x is surr\nd$ by *e/nut woods1 :i* sweep up to ! blue m\nta9s1 ! wide ,br5ta fl[s ?r\gh ! t[n1 & ! h\ses clu/] high on ei!r side1 & h g>d5s & balconies ov]hang+ ! wat]4 ,! faades ( _m ( ! h\ses are cov]$ ) fad+ frescoes1 relics ( da ,ponte's s*ool ( fresco-pa9t]s1 :i*1 ?\gh !y are fa/ p]i%+1 /ill give a wond]ful effect ( w>m? & col\r4 ,jacopo da ,ponte 0 ! son & pupil ( 8 fa!r1 ,francesco1 :o 9 8 day _h be5 a pupil ( ! ,vic5t9e1 ,b>tolommeo ,montagna4 ,francesco da ,ponte's be/ "w is to be f\nd at ,bassano1 9 ! ca!dral & ! *ur* ( ,san ,giovanni1 & has _m ( ! *>act]i/ics1 su* z ! rais$ p$e/al & vault$ cupola1 :i* we h notic$ t ,montagna ow$ to ! ,viv>9i4 ,francesco's son w5t :5 v "y to ,v5ice1 & 0 !re ?r[n at once among ! arti/s ( ! lagoons1 & atta*$ himself 9 p>ticul> to ,bonifazio4 ,9 ,jacopo's e>lie/ "w1 n[ 9 ! ,museum at ,bassano1 a ,flight into ,egypt1 ,bonifazio's tuition is m>k$ly disc]nible 9 ! build ( ! figures &1 above all1 9 ! =m ( ! heads4 ,a comp>ison ( ! v peculi>ly %ap$ head ( ! ,virg9 9 ?is picture ) t ( ! ,v5etian lady 9 ,bonifazio's ,ri* ,man's ,fea/1 9 ! ,v5etian ,academy1 leaves u 9 no d\bt on ?is score4 ,jacopo's ,adult]ess be=e ,*ri/ & ! ,?ree 9 ! ,fi]y ,furnace h ,bonifazio's mann] 9 ! ar*itecture & ! /ag+ ( ! figures4 ,only five examples are kn[n ( ?is e>ly "w ( da ,ponte1 & x is all 9 ,bonifazio's light] /yle1 n unlike 8 ,holy ,family 9 ! ,national ,gall]y4 ,! h\se 9 :i* ! pa9t] liv$ :5 he return$ to 8 native t[n1 /ill /&s 9 ! little ,piazza ,monte ,vec*io1 & its :ole faade reta9s ! frescoes1 m\ldy & decay+1 ) :i* he decorat$ x4 ,! design is 9 f\r horizontal b&s4 ,fir/ comes a frieze ( *ildr5 9 e attitude ( fun & frolic4 ,!n foll[s a long range ( animals--horses1 ox51 & de]4 ,musical in/rum5ts & fl[]s make a bord]1 ) allegorical repres5tations ( ! arts & crafts fill+ ! spaces betwe5 ! w9d[s4 ,! pr9cipal b& is decorat$ ) ,scriptural subjects1 mo/ ( :i* are n[ h>dly disc]nible1 b :i* repres5t ,samson slay+ ! ,phili/9es1 ,! ,drunk5ness ( ,noah1 ,ca9 & ,abel1 ,lot & 8 ,daught]s1 & ,judi? ) ! ,head ( ,hol(]nes4 ,betwe5 ! two la/ !re =m]ly appe>$ a draw+ ( a dead *ild1 ) ! motto1 ,mors omnia aequat1 :i* 0 remov$ to ! ,museum 9 #ahhc1 9 comp>atively good pres]vation4 ,jacopo da ,ponte liv$ a busy life at ,bassano1 :]e1 ) ! help ( 8 f\r sons1 :o 7 all pa9t]s1 he p\r$ out an inexhau/ible /ream ( works1 :i*1 x is said1 7 put up to auction at ! neighb\r+ fairs1 if no o!r m>ket 0 =?com+4 ,f "t to "t he & 8 sons w5t d[n to ,v5ice1 & ) ! help ( ! elde/1 ,francesco1 ,bassano 7z he is g5]ally kn[n7 pa9t$ ! ,siege ( ,padua & five o!r works 9 ! ,ducal ,palace4 ,8 mature /yle 0 f\nd$ ma9ly ^u t ( ,titian1 & x is to ?is second mann] t he owes 8 fame4 ,he makes use ( few] col\rs1 & enhances 8 lights by deep5+ & consolidat+ 8 %ad[s1 s t !y come into /rong contra/1 & 8 te*nique ga9s a ri*] impa/o4 ,he has a m>vell\s faculty = keep+ 8 col\r pure1 & 8 gre5s %9e l a beetle's w+4 ,a nature-lov] 9 ! highe/ degree1 8 pa9t+ ( animals & plants ev9ces a m9d :i* is /eep$ 9 ! magic ( outdoor life4 ,a subject ( :i* he 0 p>ticul>ly fond1 & :i* he seems to h und]tak5 = half ! collectors ( ,europe1 0 ! ,f\r ,seasons4 ,"h 0 f\nd unit$ ev]y?+ t ,bassano mo/ lov$ to pa9t3 bea/s ( ! f>my>d & c\ntryside1 agriculturi/s ) _! implem5ts1 sc5es ( h>ve/-"t & v9tage1 r\gh peasants lead+ ! pl\gh1 cutt+ ! grass1 h>ve/+ ! gra91 "y girls mak+ hay1 driv+ home ! cattle1 tak+ d9n] to ! reap]s4 ,:5 he 0 oblig$ to pa9t = *ur*es he *ose su* subjects z ! ,adoration ( ! ,%eph]ds1 ! ,sacrifice ( ,noah1 ! ,expulsion f ! ,temple1 into :i* he c\ld introduce animals1 pa9t+ !m ) su* vig\r & su* =cible col\r t ,titian himself is said to h _h a copy hang+ 9 8 /udio4 ,he lov$ to pa9t 8 daught]s engag$ 9 h\sehold tasks1 & p]haps plac$ 8 figures ) r too obvi\s a ref]5ce to light & %ade1 & to ! sun /rik+ full on sunburnt *eeks & buxom %\ld]s4 ,a fri5d1 n a rival1 ( ,v]onese & ,t9toretto1 ,gianbatti/a ,volpado1 records t :5 he 0 "o day discuss+ contempor>y pa9t]s ) ! latt]1 ,t9toretto exclaim$1 ,ah1 ,jacopo1 if y _h my draw+ & ,i _h y\r col\r ,i w\ld defy ! devil himself to enable ,titian1 ,raphael1 & ! re/ to make any %[ beside u4 ,bassano 0 invit$ to take up 8 resid5ce at ! ,c\rt ( ! ,emp]or ,rudolph1 b he refus$ to leave 8 m\nta9 city1 :]e he di$ 9 #aeib4 ,8 fun]al 0 att5d$ by a cr[d ( ! poore/ inhabitants1 = :om 8 *>ity _h be5 b\ndless4 ,! ,j\rney ( ,jacob1 to :i* we h already allud$1 is among 8 mo/ beautiful works4 ,! brilliant array ( figures is subord9at$ to ! *>m ( ! l&scape4 ,! ev5+ dusk draws all objects into its embrace4 ,! long1 l[1 deep-blue di/ance /&s out aga9/ a gleam ( sunset sky4 ,! tree-trunks & light play ( leafy bran*es1 :i* break up ! composition1 are f da ,ponte's own c\ntry r\nd ,bassano4 ,! pony ^u :i* ! boy scrambles1 ! c[s1 ! dog among ! quiet %eep1 are giv5 ) all ! lov+ tru? ( ! born animal-pa9t]4 ,x is no wond] t ,t5i]s borr[$ ideas f him1 & has m ?an once imitat$ 8 :ole design4 ,! ,baptism ( ,/4 ,lucilla 79 ! ,museum at ,bassano7 is "o ( 8 mo/ ,titianesque creations4 ,! p]sonages 9 x are gr\p$ ^u a flight ( /eps1 9 front ( a long ,r5aissance palace ) cypresses aga9/ a sky ( ev5+-r$ b>r$ ) purple cl\ds4 ,! draw+ & modell+ ( ! figures are almo/ faultless1 & ! col\r is dazzl+4 ,! b5d+ figure ( ,s4 ,lucilla1 ) ! light fall+ on h] silv]y sat9 dress1 z %e kneels be=e ! "y bi%op1 ,/4 ,val5t9e1 is "o ( ! mo/ graceful ?+s 9 art1 & ,titian himself ne$ n h dis[n$ ! little angels1 be>+ palm bran*es & frolick+ 9 ! /ream ( radiance ov]head4 ,bassano has a ,conc]t1 :i* is int]e/+ z a family piece4 ,x 0 pa9t$ 9 ! ye> 9 :i* 8 son ,le&ro's m>riage took place1 & is probably a bridal pa9t+ to celebrate ! ev5t4 ,! ,magi/rates 9 ,adoration 7,vic5za7 aga9 gives a brilliant effect ( light1 & its /ately c]emonial is f\nd$ on ,t9toretto's num]\s pictures ( kneel+ doges & procurators 9 fur-trimm$ velvet robes4 ,illu/ration3 ,jacopo da ,ponte4 ,,baptism ,,( ,s4 ,,lucilla4 ,bassano4 7,photo1 ,al9>i47 ,madonnas & sa9ts are usually built into close-pack$ pyramids1 b 9 ! ,repose 9 ,egypt1 n[ 9 ! ,ambrosiana1 ,milan1 8 arrangem5t comes v close to ,palma & ,lotto4 ,! beautiful ,"m & ,*ild1 ! att5dants1 above all ! ,/4 ,joseph1 re/+1 head on h&1 at ! ,virg9's feet & gaz+ 9 rapt adoration on ! ,*ild1 are examples ( ! true ,v5etian mann]1 :ile ! exquisite l&scape beh9d !m1 & ! vigor\sly drawn tree "u :i* !y recl9e1 %[ ,bassano true to 8 passion = nature4 ,hampton ,c\rt is ri* 9 8 pictures4 ,! ,adoration ( ! ,%eph]ds1 9 :i* ! pill>s rise beh9d ! sacr$ gr\p1 is an ex]cise 9 ! mann] ( ,titian's ,fr>i alt>piece4 ,8 portraits are f9e & sympa!tic1 b h>dly any ( !m are sign$ or c be dat$4 ,8 own is 9 ! ,uffizi1 & !re is a spl5did ,old ,man at ,buda-,pe/h4 ,ario/o & ,tasso1 ,seba/ian ,v5i]1 & _m o!r di/+ui%$ m5 7 among 8 sitt]s2 mo/ ( !m are 9 half-l5g? ) ?ree-qu>t] heads4 ,! ,national ,gall]y possesses a s+ul>ly attractive "o ( a "y man ) a s5sitive1 acute c\nt5ance1 rob$ 9 dignifi$1 picturesque black1 reliev$ by an embroid]$ l95 coll>4 ,he /&s by ! sort ( squ>e w9d[1 op5+ on a di/ant l&scape1 ( :i* ,t9toretto & ,lotto s (t5 made use1 9 front ( :i* a gold5 vase1 hold+ a bran* ( olive1 cat*es ! rays ( light4 ,bassano has no great p[] ( design1 & 8 k ( ! nude seems to h be5 small1 b 8 bru%work is facile1 & 8 col\r leaps out ) a vivid beauty :i* oblit]ates o!r %ortcom+s4 ,,pr9cipal ,,works ,augsburg4 ,madonna & ,sa9ts4 ,bassano4 ,susanna & ,eld]s 7,e472 ,*ri/ & ,adult]ess 7,e472 ,! ,?ree ,holy ,*ildr5 7,e472 ,madonna1 ,sa9ts1 & ,donor 7,e472 ,flight into ,egypt 7,e472 ,p>adise2 ,baptism ( ,s4 ,lucilla2 ,adoration ( ,%eph]ds2 ,/4 ,m>t9 & ! ,begg>2 ,/4 ,ro* recomm5d+ ,donor to ,virg92 ,/4 ,john ! ,evangeli/ ador$ by a ,w>rior2 ,desc5t ( ,holy ,_s2 ,madonna 9 ,glory1 ) ,sa9ts 7,l474 ,duomo3 ,s4 ,lucia 9 ,glory2 ,m>tyrdom ( ,s4 ,/eph5 7,l472 ,nativity4 ,s4 ,giovanni3 ,madonna & ,sa9ts4 ,b]gamo4 ,c>r>a3 ,portrait4 ,lo*is3 ,portraits4 ,cittadella4 ,duomo3 ,*ri/ at ,emmaus4 ,dresd54 ,israelites 9 ,des]t2 ,moses /rik+ ,rock2 ,conv]sion ( ,s4 ,paul4 ,hampton ,c\rt4 ,portraits2 ,jacob's ,j\rney2 ,boaz & ,ru?2 ,%eph]ds 7,e472 ,*ri/ 9 ,h\se ( ,ph>isee2 ,assumption ( ,virg92 ,m5 fight+ ,be>s2 ,tribute ,money4 ,london4 ,portrait ( ,man2 ,*ri/ & ! ,money-,*ang]s2 ,good ,sam>itan4 ,milan4 ,ambrosiana3 ,adoration ( ,%eph]ds 7,e472 ,annunciation to ,%eph]ds 7,l474 ,muni*4 ,portraits2 ,s4 ,j]ome2 ,deposition4 ,padua4 ,s4 ,m>ia 9 ,vanzo3 ,entombm5t4 ,p>is4 ,*ri/ be>+ ,cross2 ,v9tage 7,l474 ,rome4 ,villa ,borghese3 ,la/ ,supp]2 ,! ,tr9ity4 ,v5ice4 ,academy3 ,*ri/ 9 ,g>d52 ,a ,v5etian ,noble2 ,s4 ,el5t]9o bless+ ! ,fai?ful4 ,ducal ,palace1 ,ante-,collegio3 ,jacob's ,j\rney4 ,s4 ,giacomo dell' ,orio3 ,madonna & ,sa9ts4 ,vic5za4 ,madonna & ,sa9ts2 ,madonna2 ,/4 ,m>k & ,s5ators4 ,vi5na4 ,! ,good ,sam>itan2 ,?omas l$ to ! ,/ake2 ,adoration ( ,magi2 ,ri* ,man & ,laz>us2 ,! ,"l %[s ,abraham ! ,promis$ ,l&2 ,! ,s[]2 ,a ,hunt2 ,way to ,golgo?a2 ,noah ent]+ ! ,ark2 ,*ri/ & ! ,money-,*ang]s2 ,aft] ! ,flood2 ,sa9ts2 ,adoration ( ,magi2 ,portraits2 ,*ri/ be>+ ,cross4 ,academy3 ,deposition2 ,portrait4 ,,"p ,,iii ,,*apt] ,,xxviii ,,! ,,int]im ,_m ( ! *ur*es & palaces ( ,v5ice & ! adjo9+ ma9l&1 & almo/ e public & private gall]y ?r\gh\t ,europe1 conta9 pictures purport+ to be pa9t$ by ,titian1 ,t9toretto1 ,v]onese1 & o!rs ( t fam\s company4 ,h>dly a great ,engli% h\se b boa/s ( a r\nd doz5 at lea/ ( su* specim5s1 acquir$ 9 ! days :5 ri* ,engli%m5 made ! gr& t\r & sub/antiat$ a reputation = ta/e & culture by collect+ works ( art4 ,^! pictures resemble ! g5u9e article 9 a speci\s yet half-he>t$ way4 ,_! own]s !mselves are n v t5aci\s z to _! au!nticity1 & ! visit ( an exp]t1 or ! ordeal ( a public exhibition te>s _! pret5sions to tatt]s4 ,9 ! ,academia itself ! ,bonifazio & ,t9toretto rooms are cr[d$ ) imitations4 ,! ,ducal ,palace has ceil+s & panels on :i* are reproduc$ ! k9d ( compositions initiat$ by ! great arti/s1 :i* make an ef=t to capture _! gamut ( col\r & to ma/] _! s*eme ( *i>oscuro1 copy+ !m1 9 %ort1 9 ev]y?+ except 9 _! inimitable t\* & fire & _s4 ,x w\ld h be5 impossible = any m51 h[ev] indu/ri\s & prolific1 to h c>ri$ out all ! "w :i* passes "u _! names1 to say no?+ ( t :i* has p]i%$2 b our surprise & curiosity dim9i% :5 we come to inquire sy/ematically into ! me?ods ( t ho/ ( copyi/s :i*1 ev5 be=e ! ma/]s' dea?1 _h begun to ply its lucrative trade4 ,we mu/ be> 9 m9d t e great man 0 surr\nd$ by busy & att5tive satellites1 help+ him to f9i% &1 inde$1 (t5 pa9t+ a l>ge "p ( important commissions1 witnesses ( ! high prices receiv$1 & alive to all ! gossip z to ! relative popul>ity ( ! pa9t]s & ! reque/s & ord]s :i* rea*$ !m f all qu>t]s4 ,! pa9t]s' own sons 7 9 _m in/ances ^? :o fir/ trad$ ^u _! fa!rs' fame4 ,f ,ridolfi1 ,zanetti1 or ,bos*9i we le>n ( ! _m pa9t+s execut$ by ,c>lotto ,cali>i & ! va/ numb]s pa9t$ by ,dom5ico ,robu/i 9 ! /yle ( _! respective fa!rs4 ,dom5ico seems to h p>ticul>ly affect$ ! subject ( ,/4 ,george & ! ,dragon1 & ! picture at ,dresd51 :i* passes "u ,t9toretto's "n1 is p]haps by 8 h&4 ,( ,bassano's f\r sons1 ,francesco imitat$ 8 fa!r p]fectly1 cons]v+ 8 w>m? ( t9t1 8 relief & bread?4 ,zanetti enum]ates a surpris+ numb] ( ,francesco's works1 sev5 ( !m be+ pa9t$ = ! ,ducal ,palace4 ,le&ro foll[$ m p>ticul>ly 8 fa!r's fir/ mann]1 0 a good portrait-pa9t]1 & possess$ lightness & fancy4 ,girolamo copi$ & recopi$ ! old ,bassano till he ev5 deceiv$ connoisseurs1 h[ mu* m1 says ,zanetti1 writ+ 9 #agga1 ^? ( ! pres5t day1 :o behold !m h>monis$ & accr$it$ by "t4 ,no s*ool 9 ,v5ice 0 s belov$1 or l5t itself s well to ! ef=ts ( ! imitators1 z t ( ,paolo ,v]onese4 ,ev5 at an e>ly date x 0 impossible n to conf\nd ! ma/] ) ! disciples2 ! weak] ( ! orig9als 7 held to be ( imitators1 ! be/ imitations 7 assign$ to ! ma/] himself4 ,oh h[ easy x is1 exclaims ,zanetti aga91 to make mi/akes ab\t ,v]onese's pictures1 b ,i c po9t out sundry infallible *>act]i/ics to ^? :o wi% = light ^u ?is d\btful pa?2 ! f95ess & lightness ( ! bru%work1 ! sublime intellig5ce & grace1 %[n p>ticul>ly 9 ! =m ( ! heads1 :i* is nev] f\nd 9 any ( 8 imitators4 ,few ,v5etians1 h[ev]1 foll[$ ! /yle ( only "o man2 ! output 0 probably det]m9$ & v>i$ by ! dem&4 ,too _m attractive mann]s exi/$ to dazzle !m1 & :5 once !y began to imitate1 !y 7 tempt$ on all h&s4 ,x mu/ also be rememb]$ t e ma/] left beh9d him /acks ( c>toons1 sket*es & sugge/ions1 & half-f9i%$ pictures1 :i* 7 eag]ly seiz$ ^u1 b\ght or /ol51 & utilis$ to produce ma/]pieces masqu]ad+ "u 8 "n4 ,z ! sev5te5? c5tury advanc$ ! "* ( art & mann]s und]w5t a *ange4 ,m5 s\ght ! beautiful 9 ! novel & biz>re1 & ! complex 0 pref]r$ to ! simple4 ,v5etian art1 9 all its bran*es1 _h pass$ f ! /ately & re/ra9$ to ! pomp\s & artificial4 ,yet ! b>occo /yle 0 us$ by ,v5ice 9 a way ( its own2 :imsical1 contort$1 & ov]load$ ) ornam5t z x is1 x yet compels admiration by its vigor\s life & movem5t4 ,! art ( ! sei-c5to 9 ,v5ice 0 extravagant1 b x 0 alive4 ,x escap$ ! mo/ deadly ( all faults1 a cold & academic mann]ism--& ?is at a "t :5 ! re/ ( ,italy 0 giv5 ov] to ! inflat$ foll[]s ( ,mi*elangelo & ! calculat$ elaborations ( ! eclectics4 ,_m ( ! ?+s we mo/ love 9 ,v5ice1 su* z ! ,salute1 ! ,clock-,t[]1 ! ,dogana1 ! ,bridge ( ,sighs1 ! ,rezzonico & ,pes>o ,palaces1 are additions ( ! sev5te5? c5tury4 ,! b>occo intemp]ance 9 sculpture 0 c>ri$ on by disciples ( ,b]n9i2 & z ! imm$iate influ5ce ( ! great ma/]s decl9$1 pa9t+ acquir$ ! same sort ( "*4 ,! c>elessness & rapidity ( ,t9toretto1 :i*1 9 8 case1 proce$$ f ! lightn+ spe$ ( 8 imag9ation & ! un]r+ sur5ess ( 8 bru%1 became a me*anical trick 9 ! h&s ( sup]ficial /ud5ts4 ,true art _h migrat$ else:]e--to ! homes ( ,velasquez1 ,rub5s1 & ,rembr&t4 ,z art grew m pomp\s x became less emotional4 ,pa9t]s l ,palma ,giov9e spoilt _! ready1 lively fancy by ! vice ( hurry4 ,! nickname ( ,fa ,pre/o 0 des]v$ by o!rs besides ,luca ,giordano1 & ,v5ice 0 ov]run by a sw>m ( pa9t]s ^: prime /&>d ( excell5ce 0 ! ability to make ha/e4 ,gr&eur ( conception 0 =gott52 a grave1 ample mann] 0 no long] und]/ood2 sup]ficial s5tim5t & bomba/ic size c>ri$ ! day4 ,yet a few pa9t]s1 ?\gh _! =ms _h become r$undant & exagg]at$1 reta9$ some?+ ( :at _h be5 ! ,v5etian glory--! deep & moi/ col\r ( old4 ,x /ill gl[$ ) traces ( its old lu/re on ! canvases ( ,giovanni ,cont>9i1 or ,tib]io ,t9elli1 or ,pietro ,lib]i2 & ?\gh !re 0 a p]fect fury ( production1 )\t ord] & )\t law1 !re c /ill be p]ceiv$ ! survival ( t s5se ( ! decorative :i* kept ! ?read ( art4 ,we discov] x 9 ! ceil+ ( ! ,*ur* ( ,san ,pantaleone1 :]e ,gianbatti/a ,fumiani pa9ts ! glorification ( ! m>tyr$ patron1 & :i*1 fanta/ic & extravagant z x is1 ) its /up5d\s1 ar*itectural sett+1 & its acutely1 almo/ absurdly =e%ort5$ ?rong1 is n )\t a c]ta9 gr&iose g5iality1 ample & picturesque1 l ! build+s ( t date4 ,9 ,aless&ro ,v>ot>i 7il ,padovan9o71 ^: ,nozze di ,cana 9 ! ,academia is a f9ely spac$ sc5e1 9 :i* a *>m+ use is made ( cypresses1 we seem to recognise ! la/ ray ( ! ,titianesque4 ,! pa9t+ ( ! sev5te5? c5tury pass$ on t[>ds ! eighte5?1 &1 f ceil+s & panels1 rosy nymphs & ,v5uses smile at u1 attitud9is+ & contort$ ^u _! cl\dy backgr\nds4 ,lackadaisical ,magdal5s drop s5tim5tal te>s1 & ! ,angel ( ! ,annunciation cap]s above ! head ( an affect$ ,virg91 :ile viol5t col\rs1 int5sifi$ *i>oscuro1 & black greasy impa/o betray ! neighb\rhood ( ! t5ebrosi4 ,:51 t[>ds ! end ( ! sev5te5? c5tury1 ,gregorio ,lazz>9i set himself to %ake (f ^! influ5ces1 he w5t to ! opposite extreme4 ,al?\gh a beautiful design]1 he becomes cold & flat 9 col\r1 ) a coldness & insipidity1 inde$1 t take u by surprise1 appe>+ 9 a c\ntry :]e ! ta/e = lum9\s & brilliant t9ts 0 s /rongly root$4 ,! /ud5t ( ,v5etian pa9t+1 :o wi%es to fill up ! hiatus :i* lies betwe5 ! ,gold5 ,age & ! revival ( ! eighte5? c5tury1 _c d bett] ?an comp>e ,fumiani's vault 9 ,san ,pantaleone ) ,lazz>9i's sob] & e>ne/ fresco1 ,! ,*>ity ( ,san ,lor5zo ,giu/9iani1 9 ,san ,pietro 9 ,ca/ello1 & ) ,pietro ,lib]i's ,battle ( ! ,d>danelles 9 ! ,ducal ,palace4 ,9 all ?ree we h examples ( ! v>i$ & accompli%$ yet s\lless art ( ?is p]iod4 ,n _m ( ! sc5es pa9t$ = ! palaces ( patricians 9 ! sev5te5? c5tury h surviv$4 ,!y are to be f\nd "h & !re by ! curi\s :o w&] into old *ur*es & palaces ) a second-h& copy ( ,bos*9i 9 _! h&s2 b 9 ! reaction f ! florid :i* took place 9 ! ,empire p]iod1 _m ( !m gave place to :itewa% & /ucco4 ,9 ! ,ducal ,palace1 side by side ) ! ma/]pieces ( ! ,r5aissance1 are to be f\nd ! ov]cr[d$ canvases ( ,vic5t9o1 ,giovanni ,cont>9i1 ,pietro ,lib]i1 ,cele/i1 & o!rs l !m4 ,"s ( ! poor & m]etrici\s mosaics 9 ,/4 ,m>k's are f designs by ,palma ,giov9e & ,fumiani4 ,c>lo ,ridolfi1 :o 0 a pa9t] himself1 z well z ! pa9t]'s *ronicl]1 has an ,adoration ( ! ,magi 9 ,s4 ,giovanni ,elemos9>io1 poor en\gh 9 inv5tion & execution4 ,two pictures by obscure arti/s disfigure a corn] ( ! ,scuola di ,san ,rocco4 ,! ,museo ,civico has a l>ge canvas by ,vic5t9o1 a ,coronation ( a ,dog>essa1 :i* once adorn$ ,palazzo ,grimani4 ,we he> ( a s*ool op5$ by ,antonio ,bale/ra1 :o 0 ! ma/] ( ,rosalba ,c>ri]a & ,pietro ,longhi1 & ! names ( o!rs h come d[n to u 9 numb]s too num]\s to be quot$4 ,t[>ds ! end ( ! sev5te5? c5tury m light & novelty sp>kles 9 ! pa9t+ ( ! ,bellunese1 ,batti/a ,ricci1 & assures u t he 0 no m]e copyi/2 &1 z ! eighte5? c5tury op5s1 we become aw>e ( ! /rong & d>+ bru% ( ,gianbatti/a ,piazetta4 ,piazetta /udi$ ! works ( ! ,c>racci = "s "t 9 ,bologna1 & especially ^? ( ,gu]c9o1 ^: /yle1 ) its bold contra/s ( light & %ade1 has s]v$ above all z 8 model4 ,he pa9ts v d>kly1 & 8 figures (t5 bl5d ) & disappe> into ! pr(\nd tones ( 8 backgr\nds4 ,*>les ,blanc calls him a ,v5etian ,c>avaggio2 & he has some?+ ( ! /r5g? & ev5 ! brutality ( ! ,bolognese4 ,a f9e decorative & imag9ative example ( 8 "w is ! ,madonna appe>+ to ,s4 ,philip ,n]i 9 ! ,*ur* ( ,s4 ,fava4 ,! erect =m ( ! ,madonna is reliev$ 9 /rik+ *i>oscuro aga9/ ! mantle1 upheld by putti4 ,radiant cl\ds light up ! backgr\nd & illum9e ! =m ( ! old sa9t1 a ref9$ & spirit$ figure1 gaz+ at ! vision 9 an ec/asy ( devotion4 ,piazetta is a bold reali/1 & _m ( 8 small pictures are /rong & =cible4 ,seba/iano ,ricci1 ,batti/a's son1 is describ$ z a f9e intellig5ce1 & attracts our notice z hav+ =g$ special l9ks ) ,engl&4 ,hampton ,c\rt possesses a long array ( 8 pa9t+s4 ,9 ! *apel ( ,*elsea ,hospital ! pla/] semi-dome is pa9t$ by him1 9 oils1 ) v good effect4 ,he is said to h work$ 9 ,?ornhill's /udio1 & 8 influ5ce may be suspect$ 9 ! ,bl5heim frescoes1 & ev5 9 t\*es 9 ,hog>?'s "w4 ,by ! eighte5? c5tury ,v5ice _h p>t$ ) h] old nobility ( s\l1 & enjoym5t _h become ! only aim ( life4 ,yet ,v5ice1 among ! ,/ates ( ,italy1 alone reta9$ h] fre$om4 ,! ,doge reign$ supreme z 9 ! pa/4 ,b5ea? ! ceil+ ( ,v]onese ! dread$ ,?ree /ill sat 9 secret c\ncil4 ,v5ice 0 /ill ! city ( subtle poisons & dang]\s my/]ies1 b ! days 7 gone :5 %e _h held ! balance 9 ,european affairs1 & %e _h become1 9 a sup]lative degree1 ! city ( pleasure4 ,n[h]e 0 life m v>i$ & ent]ta9+1 m full ( grace & en*antm5t4 ,a long p]iod ( peace _h rock$ ! ,v5etian p into calm security4 ,!re 01 inde$1 a little spasmodic fight+ 9 ,corf1 ,dalmatia1 & ,algi]s1 b no real %>e 0 reta9$ 9 ! /ruggles ( ,europe4 ,! :ole policy ( ! city's life 0 "o ( self-indulg5ce4 ,holiday-mak]s fill$ h] /reets2 ! :ole population liv$ 9 piazza1 laugh+1 gossip+1 see+ & be+ se54 ,! v *ur*es _h become a r5dezv\s = fa%ionable intrigues2 ! conv5ts boa/$ _! salons1 :]e nuns 9 l[ dresses1 ) pe>ls 9 _! hair1 receiv$ ! advances ( nobles & gallant abbs4 ,p came to ,v5ice to wa/e "t2 trivialities1 ! la/ sc&al1 s5sational /ories1 7 ! only subjects wor? discuss+4 ,9 an age ( p>odies & practical jokes1 ! m absurd any "o c\ld be1 ! m silly or witty /ories he c\ld tell1 ! m assur$ 0 8 success 9 ! joy\s1 frivol\s circle1 full ( fun & laught]4 ,! ,c>nival la/$ = six mon?s ( ! ye>1 & 0 ! occasion = masques & lic5ce ( e description4 ,9 ! hot wea!r1 ! gay desc5dants ( ! ,cont>9i1 ! ,lor$an1 ! ,pisani1 & o!r gr& old h\ses1 migrat$ to villas along ! ,br5ta1 :]e by day & night ! same reckless1 irresponsible life w5t gaily on4 ,! p[] ( su* c\rtesans z ,titian & ,p>is ,bordone _h pa9t$ 0 wan+4 ,_! place 0 adequately suppli$ by ! easy dames ( society1 no long] seclud$1 pr\d & tranquil1 b /irr$ by ! wild blood ( y\? & /oop+ to ! frolic4 ,!y are b faces & smiles1 teas+ & trump]y1 says "o ( _! critics1 yet !y are decl>$ to be wideawake1 natural & *>m+1 mak+ ! mo/ ( _! smatt]+ ( lett]s4 ,love 0 ! great game2 e woman _h lov]s1 e m>ri$ woman op5ly flaunt$ h] cicisbeo or cavali]e s]v5te4 ,! old] portion ( ! middle class 0 /ill mod]ate & temp]ate1 cont5t$ to live 9 ! old fa%ion1 es*ew+ all int]e/ 9 politics1 ) :i* x 0 dang]\s = ! ord9>y individual to m$dle2 b ! new leav5 0 creep+ ?r\gh e level ( society4 ,! sons & daught]s ( ! b\rgeoisie tri$ to rise 9 ! social scale by ap+ ! pleasant vices ( ! ari/ocracy4 ,!y des]t$ ! %op & ! c\nt+-h\se to play c>ds & /rut ^u ! piazza4 ,!y mimick$ ! f9e g5tleman & ! g5tildonna1 & made fa%ionable love & c>ri$ on intrigues4 ,! _s ( ! :ole p _h lo/ its elevation2 !re 7 no m pr\d patricians1 full ( noble ambitions & devot$ zeal ( public s]vice2 x 0 h>dly possible to get a suffici5t numb] ( p]sons to c>ry on public bus9ess4 ,x is a contemptible indictm5t en\gh2 yet among all ?is deg5]ate life1 we come ^u some?+ m real z we turn to ! arti/s4 ,!y 7 v mu* alive4 ,9 music1 9 lit]ature1 & 9 pa9t+1 new & graceful =ms ( art 7 em]g+4 ,pa9t+ 0 n ! gr& art ( o!r days2 x might be small & trivial1 b !re grew up a real little ,r5aissance ( ! eighte5? c5tury1 full ( orig9ality & fire1 & %[+ a reaction f ! pomp\s & banale /yle ( ! imitators4 ,! influ5ce ( ! lady 0 becom+ increas+ly felt by society4 ,confid5tial little b\doirs1 small & cosy ap>tm5ts 7 ! mode1 & ne$$ decorat+ z well z va/ salas4 ,! da9ty luxury ( gilt furniture1 design$ by ,&rea ,bru/olon & uphol/]$ 9 delicate silks1 0 mat*$ by small1 attractive works ( art4 ,v5ice _h lo/ h] ,ea/]n trade1 & z ! ,ea/ fad$ out ( h] s*eme ( life1 ! ,we/1 to :i* %e n[ turn$1 0 br++ h] a diff]5t =m ( art4 ,! great reception rooms 7 /ill suit$ by ! gr&iose compositions ( ,ricci1 ,piazetta1 & ,pittoni1 b ano!r g5re ( *>m+ creations smil$ f ! brocad$ alcoves & m intimate suites ( rooms4 ,x is impossible to "n m ?an a fraction ( ^! arti/s ( ! eighte5? c5tury4 ,!re is ,amigoni1 admirable z a portrait-pa9t]2 ,pittoni1 "o ( ! able/ figure-pa9t]s ( ! day2 ,luca ,c>lev>is1 ! =]unn] ( ,canale2 ,pellegr9i1 ^: decorations 9 ?is c\ntry are m5tion$ by ,horace ,walpole & ( :i* ! mo/ important are pres]v$ 9 ! cupola & sp&rils ( ! ,gr& ,hall at ,ca/le ,h[>d4 ,_! "w is /ill to be f\nd 9 _m a ,v5etian *ur* or ,nor? ,italian gall]y4 ,"s ( x is almo/ f9e1 ?\gh too (t5 vitiat$ by ! affect$1 exagg]at$ _s ( _! day4 ,:5 orig9ality ass]ts itself m decid$ly1 ,rosalba ,c>ri]a /&s out z an arti/ :o acquir$ great popul>ity4 ,9 #agjj1 :5 %e 0 a "y woman ( tw5ty-f\r1 %e 0 already a great fav\rite ) ! public4 ,%e began life z a lace-mak]1 b :5 trade 0 bad1 ,jean ,/ve1 a ,fr5*man1 taught h] to pa9t m9iatures4 ,%e imp>t$ a wond]fully delicate feel+ to h] art1 &1 pass+ on to pa/el1 %e br\ght to ?is bran* ( portraiture a brilliancy & fre%ness :i* x _h n kn[n be=e4 ,rosalba has p]haps pres]v$ = u bett] ?an any "o else1 ^? wom5 ( ,v5ice :o float$ s lightly on ! danc+ waves ( t sp>kl+ /ream4 ,!re !y are3 ,la ,corn>o2 ,la ,m>ia ,labia1 :o 0 surr\nd$ by ,fr5* lov]s1 v c\rte\s & v beautiful2 ,la ,z5obio & ,la ,pisani2 ,la ,fosc>i1 ) h] black plumes2 ,la ,moc5igo1 ! lady ) ! pe>ls4 ,%e has p9n$ !m all to ! canvas2 lovely1 frail1 light-he>t$ butt]flies1 ) velvet neck-ribbons r\nd _! sn[y ?roats & coquetti% pat*es on _! delicate sk9 & b\quets ( fl[]s 9 _! high-dress$ hair & %e5y bodices4 ,!y look at u ) ar* eyes & smile ) melt+ m\?s1 m frivol\s ?an deprav$2 sweet1 ephem]al1 irresponsible 9 e relation ( life4 ,old] m5 & wom5 !re are1 too1 :5 ^? artificial ye>s h produc$ a succession ( r dull1 sodd5 p]sonages1 k9dly1 in(f5sive1 b /upid1 & /ill trifl+ heavily ) ! _w4 ,( ,rosalba we h ano!r picture to comp>e ) ^? ( h] sitt]s4 ,%e & ! o!r arti/s ( h] circle liv$ ! m]ry1 busy life ( ! work]1 & f\nd 9 _! art ! antidote to ! evil liv+ & ! dissipation ( ! gay _w :i* provid$ sitt]s & patrons4 ,rosalba's milieu is a type ( o!rs ( its class4 ,%e lives ) h] "m & si/]s1 an hone/1 *e]ful1 indu/ri\s exi/5ce4 ,!y are fond ( old fri5ds & old books1 & indulge 9 music & simple pleasures4 ,h] si/]s help ,rosalba by prep>+ ! gr\ndwork ( h] pa9t+s4 ,%e pays visits1 & writes rhymes1 & plays on ! h>psi*ord4 ,%e receives great m5 )\t mu* c]emony1 & ! ,elector ,palat9e1 ! ,duke ( ,meckl5burg1 ,fr$]ick1 ,k+ ( ,norway1 & ,maximilian1 ,k+ ( ,bav>ia1 come to h] to ord] m9iatures ( _! reign+ beauties4 ,!n %e goes (f to ,p>is :]e %e has pl5ty ( commissions1 & ! frequ5tly occurr+ names ( ,engli% patrons 9 h] fragm5t>y di>ies1 tell h[ mu* h] "w 0 admir$ by ,engli% travell]s4 ,%e did m ?an anybody else to promote ! fa%ion = pa/els1 & h] delightful art may be se5 at its be/ 9 ! pa/el room ( ! ,dresd5 ,gall]y4 ,h5rietta1 ,c\ntess ( ,pomfret1 has left u a *>m+ description ( a p>ty ( ,engli% travell]s1 :i* includ$ ,horace ,walpole1 arriv+ 9 ,v5ice 9 #agda1 /roll+ ab\t 9 mask & bauta1 & visit+ ! fam\s pa/elli/ 9 h] /udio4 ,x is 9 su* guise t ,rosalba has pa9t$ ,walpole1 & has left "o ( ! mo/ int]e/+ examples ( h] art4 ,,"s ,,examples ,francesco da ,ponte4 ,v5ice4 ,ducal ,palace3 ,sala del ,maggior ,consiglio4 ,f\r pictures on ceil+ 7second f ! f\r corn]s ( ! sala74 ,on left z y face ! ,p>adiso3 #a4 ,pope ,alex&] ,,iii4 giv+ ! ,/occo1 or ,sword1 to ! ,doge z he ent]s a ,galley to comm& ! ,army aga9/ ,f]r>a2 #b4 ,victory aga9/ ! ,milanese2 #c4 ,victory aga9/ ,imp]ial ,troops at ,cadore2 #d4 ,victory "u ,c>magnola1 ov] ,visconti4 ,^! f\r are all v ri* 9 col\r4 ,*iesetta3 ,circumcision2 ,way to ,calv>y4 ,sala dell' ,scrut9o3 ,padua tak5 by ,night f ! ,c>r>esi4 ,le&ro da ,ponte4 ,v5ice4 ,sala del ,maggior ,consiglio3 ,! ,patri>* giv+ a ,bless$ ,c&le to ! ,doge4 ,sala ( ,c\ncil ( ,t53 ,meet+ ( ,alex&] ,,iii4 & ,doge ,ziani4 ,a f9e decorative picture1 runn+ ! :ole ( "o side ( ! sala4 ,sala ( ,ar*eological ,museum3 ,virg9 9 ,glory1 ) ! ,avogadori ,family4 ,palma ,giov9e4 ,dresd54 ,pres5tation ( ! ,virg94 ,flor5ce4 ,uffizi3 ,s4 ,m>g>et4 ,muni*4 ,deposition2 ,nativity2 ,ecce ,homo2 ,flagellation4 ,v5ice4 ,academy3 ,sc5es f ! ,apocalypse2 ,s4 ,francis4 ,ducal ,palace3 ,! ,la/ ,judgm5t4 ,vi5na4 ,ca9 & ,abel2 ,daught] ( ,h]odias2 ,piet2 ,immaculate ,conception4 ,il ,padovan9o4 ,flor5ce4 ,uffizi3 ,lucretia4 ,london4 ,cornelia & h] ,*ildr54 ,p>is4 ,v5us & ,cupid4 ,rome4 ,villa ,borghese3 ,toilet ( ,m9]va4 ,v5ice4 ,academy3 ,! ,m>riage ( ,cana2 ,madonna 9 ,glory2 ,vanity1 ,orpheus1 & ,eurydice2 ,rape ( ,pros]p9e2 ,virg9 9 ,glory4 ,v]ona4 ,man & ,woman play+ ,*ess2 ,triumph ( ,bac*us4 ,vi5na4 ,woman tak5 9 ,adult]y2 ,holy ,family4 ,pietro ,lib]i4 ,v5ice4 ,ducal ,palace3 ,battle ( ! ,d>danelles4 ,&rea ,vic5t9o4 ,v5ice4 ,museo ,civico3 ,! ,m>riage ( a ,dog>essa4 ,g4 ,a4 ,fumiani4 ,v5ice4 ,san ,pantaleone3 ,ceil+4 ,*ur* ( ! ,c>it3 ,*ri/ disput+ ) ! ,doctors4 ,a4 ,bale/ra4 ,v]ona4 ,s4 ,tomaso3 ,annunciation4 ,g4 ,lazz>9i4 ,v5ice4 ,s4 ,pietro 9 ,ca/ello4 ,! ,*>ity ( ,s4 ,lor5zo ,giu/9iani4 ,seba/iano ,ricci4 ,v5ice4 ,s4 ,rocco3 ,! ,glorification ( ! ,cross4 ,gesuati3 ,pope ,pius ,v4 & ,sa9ts4 ,london4 ,royal ,hospital1 ,*elsea3 ,half-dome4 ,g4 ,b4 ,pittoni4 ,vic5za4 ,! ,ba? ( ,diana4 ,g4 ,b4 ,piazetta4 ,v5ice4 ,*iesa della ,fava3 ,madonna & ,s4 ,philip ,n]i4 ,academy3 ,crucifixion2 ,! ,=tune-,tell]4 ,rosalba ,c>ri]a4 ,v5ice4 ,academy3 pa/els4 ,dresd54 ,pa/els4 ,,*apt] ,,xxix ,,tiepolo ,we h already not$ t to e/abli% ! significance ( any p]iod 9 art1 x is necess>y t ! t5d5cies %\ld unite & comb9e 9 "s culm9at+ spirits :o rise triumphant ov] _! contempor>ies & so> above ! age 9 :i* !y live4 ,su* a g5ius /&s out above ! eighte5? c5tury cr[d1 & is n only ( 8 c5tury1 b ( e "t4 ,= two hundr$ ye>s ,tiepolo has be5 /igmatis$ z extravagant1 mann]$1 z j equal to pa9t+ cupids1 nymphs1 & p>roquets4 ,9 ! la/ c5tury he exp]i5c$ ! effect ( ! pr(\nd discr$it into :i* ! :ole ( eighte5?-c5tury art _h fall54 ,9 ,france1 ,david _h oblit]at$ ,watteau2 & ! reputation ( ,pompeo ,battoni1 a sort ( ,italian ,david1 effac$ ,tiepolo & 8 contempor>ies4 ,:5 ! delegates ( ! ,fr5* ,republic inspect$ ,italian *ur*es & palaces1 & decid$ :at works ( art %\ld be s5t to ! ,l\vre1 !y s+l$ out ! ,bolognese1 ! ,gu]c9os & ,guidos1 ! ,c>racci1 ev5 ,pompeo ,battoni & o!r su* =gott5 ma/]s1 a ,gatti1 a ,nevelone1 a ,badaloc*io2 b to ! la/+ regret ( _! desc5dants1 !y disda9$ to annex a s+le "o ( ! great pa9t+s ( ! ,v5etian1 ,gianbatti/a ,tiepolo4 ,ea/lake only v\*safes him "o l9e z an arti/ ( fanta/ic imag9ation4 ,mo/ ( ! n9ete5?-c5tury critics d n ev5 m5tion him4 ,burckh>dt dismisses him ) a grudg+ l9e ( praise1 ,blanc is equally disp>ag+1 & = ,ta9e he is a m]e mann]i/1 yet 8 influ5ce has be5 felt f> beyond 8 lifetime2 only n[ is he com+ into 8 own1 & x is recognis$ t ! ple9-air arti/1 ! lum9>i/1 ! impressioni/1 owe no small %>e ( _! k to 8 inspiration4 ,! "n ( ,tiepolo br+s be=e u a :ole /r+ ( illu/ri\s p]sonages--doges & s5ators1 magnific5t procurators & great capta9s--b we h no?+ to prove t ! arti/ belong$ to a decay$ bran* ( ! fam\s patrician h\se4 ,born 9 ,ca/ello1 ! p's qu>t] ( ,v5ice1 he /udi$ 9 e>ly y\? ) t good draughtsman1 ,lazz>9i4 ,at tw5ty-?ree he m>ri$ ! si/] ( ,francesco ,gu>di2 ,gu>di1 :o comes betwe5 ,longhi & ,canale & :o is a bett] pa9t] ?an ei!r4 ,tiepolo appe>$ at a =tunate mom5t4 ,! dem& = a facile1 joy\s g5ius 0 at its height4 ,! life ( ! ari/ocracy on ! lagoons 0 e ye> gr[+ m gay1 m ab&on$ to caprici\s incl9ation1 to light loves & absurd amusem5ts4 ,& ! art :i* reflect$ ?is life 0 call$ ^u to give gaiety r ?an ?\ght1 co/ume r ?an "*4 ,yet if ! ,v5etian art _h lo/ all connection ) ! grave magnific5ce ( ! pa/1 x _h kept alo( f ! academic coldness :i* 0 9 fa%ion beyond ! lagoons1 s t ?\gh !atrical1 x 0 ) a c]ta9 natural absurdity4 ,! age _h become romantic2 ! ,arcadian conv5tion 0 9 full =ce1 ,nature h]self 0 press$ into ! s]vice ( idle1 s5tim5tal m5 & wom54 ,! c\ntry 0 pictur$ z a place ( delight1 :]e ! sun always %one & ! peasants pass$ _! "t s++ madrigals & indulg+ 9 rural pleasures4 ,! public1 h[ev]1 _h begun to look = beauty2 ! traditions :i* _h =m$ r\nd ! decorative s*ools 7 giv+ way to ! appreciation ( orig9al "w4 ,tiepolo1 s9c]e & spontane\s ev5 :5 he is sacrific+ tru? to caprice1 /ruck ! ta/e ( ! ,v5etians1 & )\t emancipat+ himself f ! t5d5cies ( ! "t1 contrives to introduce a fre% acc5t4 ,all r\nd him 0 a weak & self-indulg5t _w1 b )9 himself he possess$ a fund ( buoyant & inexhau/ible en]gy4 ,he evokes a ?rong ( p]sonages on ! ceil+s ( ! *ur*es & palaces confid$ to 8 fancy4 ,8 creations range f my?ology to religion1 f ! sublime to ! grotesque4 ,all ,olympia appe>s ^u 8 ample & lum9\s spaces4 ,x is n to ! cold1 au/]e ,lazz>9i1 or to ! cla%+ *i>oscuro ( ,piazetta1 or ! imag9ative _s ( ,batti/a ,ricci1 ?\gh he 0 t\*$ by ea* ( !m1 t we mu/ turn = ,tiepolo's d]ivation4 ,long be=e 8 "t1 ! k9d ( decoration ( ceil+s :i* we are apt to call ,tiepolesque2 ! =e%ort5$ ar*itecture1 ! columns & cornices1 ! figures peopl+ ! edifices1 or recl9+ ^u cl\ds1 _h be5 us$ by an increas+ ?rong ( pa9t]s4 ,! /yle arose1 inde$1 9 ! quattroc5to2 ,mantegna1 ! ,umbrians1 & ev5 ,mi*elangelo _h us$ x1 ?\gh 9 a f> m sob] way ?an lat] g5]ations4 ,correggio & ! ,v5etians _h p]fect$ ! idea1 :i* ! arti/s ( ! sev5te5? c5tury seiz$ ^u & c>ri$ to ! mo/ intemp]ate excess4 ,b ,tiepolo rose above !m all2 he ab&on$ ! heavy1 exagg]at$1 contort$ designs1 :i* by ?is "t defi$ all laws ( equilibrium1 & we mu/ g back fur!r ?an 8 imm$iate pr$ecessors = 8 orig9s4 ,8 claim to /& ) ,t9toretto or ,v]onese may be conte/$1 b he is ne>e/ to ^!1 & no d\bt ,v]onese is ! arti/ he /udi$ ) ! greate/ f]v\r4 ,)\t copy+1 he seems to h a natural aff9ity ( _s ) ,v]onese & assimilates ! ample arrangem5t ( 8 gr\ps1 ! grace ( 8 ar*itecture1 & 8 decorative feel+ = col\r4 ,zanetti1 :o 0 "o ( ,tiepolo's de>e/ fri5ds1 writes3 ,no pa9t] ( our "t c\ld s well recall ! bright & happy creations ( ,v]onese4 ,! diff]5ce betwe5 !m is m "o ( p]iod ?an ( temp]am5t4 ,paolo ,v]onese repres5t$ ! opul5ce ( a ri*1 /rong society1 full ( noble life1 :ile ,tiepolo's lot 0 ca/ among effem9ate m5 & frivol\s wom51 & full ( ! mod]n _s himself1 he adapts 8 g5ius to 8 "t & devotes himself to satisfy ! !atrical1 s5tim5tal ve9 ( ! ,v5ice ( ! decad5ce4 ,full ( en?usiasm = 8 "w1 he 0 ready to respond to any call4 ,he w5t to & fro betwe5 ,v5ice & ! villas along ! ma9l& & to ! neighb\r+ t[ns4 ,!n covet+ wid] fields1 he travell$ to ,milan & ,g5oa1 :]e 8 frescoes /ill gleam 9 ! palaces ( ! ,dugnani1 ! ,ar*9to1 & ! ,cl]ici4 ,at ,wrzburg 9 ,bav>ia he a*iev$ a magnific5t s]ies ( decorations = ! palace ( ! ,pr9ce-,ar*bi%op4 ,!n com+ back to ,italy1 he pa9t$ alt>pieces1 portraits1 pictures = 8 fri5ds1 & a fre% multitude ( allegorical & my?ological frescoes 9 palaces & villas4 ,8 *>m+ villa at ,zianigo is fresco$ f top to bottom by himself & 8 sons1 & has amus+ examples ( contempor>y dress & mann]s4 ,:5 ! ,academy 0 in/itut$ 9 #agee1 ,tiepolo 0 appo9t$ its fir/ director1 b ! sort ( employm5t x provid$ 0 n suit$ to 8 impetu\s _s1 & 9 #agfb he ?rew up ! po/ & w5t (f to ,spa9 ) 8 two sons4 ,!re he receiv$ a spl5did welcome & 0 load$ ) commissions1 ! only diss5ti5t voice be+ t ( ,raphael ,m5gs1 :o1 obsess$ by ! ta/e = ! classic & ! antique1 0 fi]cely oppos$ to ! ,v5etian's art4 ,tiepolo di$ sudd5ly 9 ,madrid 9 #aggj1 p5cil 9 h&4 ,?\gh he 0 pa/ sev5ty1 ! frescoes he has left !re %[ t 8 h& 0 z firm & 8 eye z sure z ev]4 ,8 frescoes h1 z we h said1 t frankly !atrical flav\r :i* corresponds exactly to ! ta/e ( ! "t4 ,su* works z ! ,transportation ( ! ,holy ,h\se ( ,loretto 9 ! ,*ur* ( ! ,scalzi 9 ,v5ice1 or ! ,triumph ( ,fai? 9 t ( ! ,piet1 ! ,triumph ( ,h]cules 9 ,palazzo ,canossa 9 ,v]ona1 or ! decorations 9 ! magnific5t villa ( ! ,pisani at ,/r1 are extravagant & fanta/ic1 yet h ! impressive quality ( g5ius4 ,^! la/1 :i* h = subject ! glorification ( ! ,pisani1 are full ( portraits4 ,! patrician sons & daught]s appe>1 surr\nd$ by ,abundance1 ,w>1 & ,wisdom4 ,a woman hold+ a sceptre symbolises ,europe4 ,all r\nd are gr\p$ flags & dragons1 nations grappl+ 9 ! airy blue1 b&s ( ,r$ ,indians 9 _! w>-pa9t & happy c\ples mak+ love4 ,! idea ( ! hi/ory1 ! weal?1 ! supreme dignity ( ! ,h\se is p>am\nt1 & ov] all appe>s ,fame1 be>+ ! noble "n into immortality4 ,9 ,palazzo ,cl]ici at ,milan a ri* & prodigal committee gave ! pa9t] a free h&1 & on ! ceil+ ( a va/ hall ! ,sun 9 a *>iot1 ) f\r horses h>ness$ abrea/1 rises to ! m]idian1 flood+ ! _w ) light4 ,v5us & ,saturn att5d him1 & 8 adv5t is h]ald$ by ,m]cury4 ,a symbolical figure ( ! e>? joys at 8 com+1 & a conc\rse ( naiads1 nymphs1 & dolph9s wait ^u 8 foot/eps4 ,9 ! s*ool ( ! ,c>m9e 9 ,v5ice ,tiepolo has left "o ( 8 gr&e/ displays4 ,! haughty ,que5 ( ,heav51 :o is 8 ideal ( ! ,virg91 be>s ! ,*ild lightly on h] arm1 &1 /&+ en?ron$ ^u ! roll+ cl\ds1 h>dly deigns to ackn[l$ge ! homage ( ! pro/rate sa9t1 on :om an att5dant angel is be/[+ h] scapul>y4 ,! mo/ *>m+ amoretti are disport+ 9 all directions1 fl++ !mselves f on high 9 delici\s ab&on1 alt]nat+ ) lovely gr\ps ( ! c>d9al virtues4 ,at ,villa ,valm>ana ne> ,vic5za1 aft] revell+ among ! gods1 he comes to e>? & delights 9 pa9t+ lovely ladies ) almond eyes & c>nation *eeks1 att5d$ by _! cavali]s1 seat$ 9 balconies1 look+ on at a play1 or danc+ m9uets1 & c>nival sc5es ) masques & dom9oes & ftes *amptres1 :i* give u a picture ( ! fa%ions & mann]s ( ! day4 ,he br+s 9 gr\ps ( ,*9ese 9 ori5tal dress1 & !n he condesc5ds to pa9t c\ntry girls & _! ru/ic swa9s1 9 ! /yle ( ,phyllis & ,corydon4 ,sometimes he becomes grav] & m solid4 ,he ab&ons ! airy fancies scatt]$ 9 cl\d-l&4 ,! /ory ( ,e/h] 9 ,palazzo ,dugnano af=ds an opportunity = introduc+ magnific5t ar*itecture1 w>riors 9 arm\r1 & /ately dames 9 sat9 & brocades4 ,he t\*es 8 highe/ 9 ! decorations ( ,palazzo ,labia1 :]e ,antony & ,cleopatra1 seat$ at _! banquet1 surr\nd$ by pomp & revelry1 reg>d "o ano!r sil5tly1 ) looks ( sombre passion4 ,f\r exquisite panels h lately be5 acquir$ by ! ,br]a ,gall]y1 repres5t+ ! loves ( ,r9aldo & ,armida1 & are a fea/ ( gay1 delicate col\r1 ) fasc9at+ backgr\nds ( ,italian g>d5s4 ,! ?rone-room ( ! palace at ,madrid has ! same ord] ( compositions--neas conduct$ by ,v5us f ,"t to ,immortality1 & o!r deifications ( ,spani% royalty4 ,illu/ration3 ,tiepolo4 ,,antony ,,& ,,cleopatra4 ,palazzo ,labia1 ,v5ice4 ,n[ & !n ,tiepolo is possess$ by a tragic mood4 ,9 ! ,*ur* ( ,san ,alvise he has left a ,way to ,calv>y1 a ,flagellation1 & a ,cr[n+ ( ,?orns1 :i* are int5sely dramatic1 & :i* %[ /rong feel+4 ,p>ticul>ly /rik+ is ! contra/ betwe5 ! ref9$ & s5sitive type ( 8 ,*ri/ & ! reali/ic & ev5 brutal /udy ( ! two despair+ malefactors--"o a common ruffian1 ! o!r an ag$ (f5d] ( a high] class4 ,8 alt>piece at ,e/e1 repres5t+ ,s4 ,tecla /ay+ ! plague1 is pa9t$ ) a real insight into disa/] & agony1 & ,s4 ,tecla is a pa!tic & beautiful figure4 ,sometimes 9 8 easel-pictures he pa9ts a ,head ( ,*ri/1 a ,s4 ,an?ony1 or a ,crucifixion1 b he always returns be=e long to ! ample spaces & fanta/ic subjects :i* 8 s\l lov$4 ,tiepolo is a s+ul> contradiction4 ,8 art sugge/s a /rong be+1 held captive by butt]flies4 ,sometimes he is joy\s & limpid1 sometimes turbul5t & /rong1 b he has always s9c]ity1 =ce1 & life4 ,a great space s]ves to exhil>ate him1 & he asks no?+ bett] ?an to cov] x ) angels & goddesses1 :ite limbs among ! cl\ds1 sea-horses ridd5 by ,tritons1 patrician w>riors 9 ,roman arm\r1 balu/rades & columns & amoretti4 ,he does n ev5 ne$ to p\nce 8 design1 b puts 9 all sorts ( improvis$ modifications ) a sure h&4 ,! va/ness ( 8 frescoes1 ! d>+ poses ( 8 c\ntless figures1 & ! fre$om ( 8 l9e speak eloqu5tly ( ! ma/]y to :i* 8 h& _h atta9$4 ,he revels1 above all1 9 effects ( light--all ! light ( ! sky1 & all ! light ( ! sea2 all ! light ( ,v5ice 444 9 :i* he swims z 9 a ba?4 ,he pa9ts n ideas1 sc>cely ev5 =ms1 b light4 ,8 ceil+s are radiant1 l ! sky ( birds2 8 poems seem to be writt5 9 ! cl\ds4 ,light is fair] ?an all ?+s1 & ,tiepolo kn[s all ! tricks & triumphs ( light4#f #f ,philippe ,monni]1 ,v5ice 9 ! ,eighte5? ,c5tury4 ,ne>ly all 8 compositions h a s]5e & limpid horizon1 ) ! figures approa*+ x pa9t$ 9 cle>1 silv]y hues1 airy & diaphan\s1 :ile ! =ms bel[ are m muscul>1 ! fle% t9ts are deep]1 & ! :ole ( ! =egr\nd is (t5 envelop$ 9 %ad[4 ,v]onese _h lit up ! %ad[s1 :i*1 "u 8 contempor>ies1 7 gr[+ gloomy4 ,tiepolo c>ries 8 art fur!r on ! same l9es4 ,he makes 8 figures m graceful1 8 drap]ies m vapor\s1 & illum9es 8 cl\ds ) radiance4 ,8 fad$ blue & rose1 8 gold5-greys1 & pe>ly :ites & pa/el t9ts are n s mu* solid col\rs z caprices ( light4 ,we h rem>k$ already t ) ,v]onese ! accessories ( gleam+ sat9s & ri* brocades s]ve to obscure ! p]sons4 ,9 _m ( ,tiepolo's sc5es ! figures are lo/ 9 a flutt] ( drap]y1 subject & action melt away1 & we are only consci\s ( s(t h>monies ( delici\s col\r1 z e!real z ! hues ( spr+ fl[]s 9 woodl& ways & joy\s mead[s4 ,) ^! delici\s1 audaci\s fancies1 put on ) a n]v\s h&1 we =get ! age ( pr(\nd & ard5t passion1 we escape f t ( pomp\s solemnity & /udi$ grace1 & we brea! an atmosph]e ( irresponsible & caprici\s pleasure4 ,9 ?is la/ ^w ( h] great ma/]s ,v5ice keeps :at h] temp]am5t lov$--s5su\s col\r & emotional *i>oscuro1 us$ to acc5tuate an art adapt$ to a city ( pleasure4 ,! excell5ce ( ! old ma/]s' draw+s is a p]petual revelation4 ,ev5 second-class m5 are almo/ inv>iably f9e draughtsm51 prov+ t draw+ 0 look$ ^u z some?+ ov] :i* x 0 necess>y = ev5 ! meane/ to h entire ma/]y4 ,tiepolo's draw+s1 pres]v$ 9 ,v5ice & 9 v>i\s museums1 are z beautiful z c be wi%$2 p]fect 9 execution & vivid 9 feel+4 ,9 ,v5ice are tw5ty or ?irty %eets 9 r$ c>bon1 ( flights ( angels1 & ( drap]ies /udi$ 9 e v>iety ( fold4 ,poor "w ( 8 s*ool is (t5 ascrib$ to 8 sons1 b ! sup]b ,/ations ( ! ,cross1 9 ! ,fr>i1 :i* 7 et*$ by ,dom5ico1 & publi%$ z 8 own 9 8 lifetime1 are almo/ equal to ! fa!r's "w4 ,tiepolo _h _m imm$iate foll[]s & imitators4 ,! colossal ro(-pa9t+ ( ,fabio ,canal 9 ! ,*ur* ( ,,ss4 ,apo/oli1 ,v5ice1 may be po9t$ out z an example ( "o ( ^!4 ,b he is full ( ! t5d5cies ( mod]n art4 ,mr4 ,b]5son1 writ+ ( him1 says he sometimes seems m ! fir/ ?an ! la/ ( a l9e1 & notices h[ he influ5c$ _m ,fr5* arti/s ( rec5t times1 ?\gh none seem q to h caught ! secret ( 8 light int5sity & 8 exquisite caprice4 ,,pr9cipal ,,works ,aranjuez4 ,royal ,palace3 ,frescoes2 ,alt>piece4 ,orang]y3 ,frescoes4 ,b]gamo4 ,cappella ,colleoni3 ,sc5es f ! ,life ( ! ,bapti/4 ,b]l94 ,m>tyrdom ( ,s4 ,aga?a2 ,s4 ,dom9ia & ! ,ros>y4 ,london4 ,sket*es2 ,deposition4 ,madrid4 ,escurial2 ,ceil+s4 ,milan4 ,palazzi ,cl]ici1 ,ar*9to1 & ,dugnano3 ,frescoes4 ,br]a3 ,loves ( ,r9aldo & ,armida4 ,p>is4 ,*ri/ at ,emmaus4 ,/r4 ,villa ,pisani3 ,ceil+4 ,v5ice4 ,academy3 ,s4 ,joseph1 ! ,*ild1 & ,sa9ts2 ,s4 ,hel5a f9d+ ! ,cross4 ,palazzo ,ducale3 ,sala di ,quattro ,porte3 ,neptune & ,v5ice4 ,palazzo ,labia3 ,frescoes2 ,antony & ,cleopatra4 ,palazzo ,rezzonico3 ,two ,ceil+s4 ,s4 ,alvise3 ,flagellation2 ,way to ,golgo?a4 ,,ss4 ,apo/oli3 ,communion ( ,s4 ,lucy4 ,s4 ,fava3 ,! ,virg9 & h] ,p>5ts4 ,gesuati3 ,ceil+2 ,alt>piece4 ,s4 ,m>ia della ,piet3 ,triumph ( ,fai?4 ,s4 ,paolo3 ,/ations ( ! ,cross4 ,scalzi3 ,transportation ( ! ,holy ,h\se ( ,loretto4 ,scuola del ,c>m9e3 ,ceil+4 ,v]ona4 ,palazzo ,canossa3 ,triumph ( ,h]cules4 ,vic5za4 ,museo ,entrance ,hall3 ,immaculate ,conception4 ,villa ,valm>ana3 ,frescoes2 ,subjects f ,hom]1 ,virgil1 ,ario/o1 & ,tasso2 ,masks & ,ori5tal ,sc5es4 ,wrzburg4 ,palace ( ! ,ar*bi%op3 ,ceil+s2 ,ftes ,galantes2 ,assumption2 ,fall ( ,rebel ,angels4 ,,*apt] ,,xxx ,,pietro ,,longhi ,we h "h a ma/] :o is peculi>ly ! ,v5etian ( ! eighte5? c5tury1 a g5re-pa9t] ^: *>m x is n easy to surpass1 yet "o :o did n at ! outset f9d 8 true vocation4 ,longhi's fir/ und]tak+s1 specim5s ( :i* exi/ 9 c]ta9 palaces 9 ,v5ice1 7 elaborate frescoes1 %[+ ! baneful influ5ce ( ! ,bolognese ,s*ool1 9 :i* he /udi$ = a "t "u ,giuseppe ,crispi4 ,he attempts to place ! deities ( ,olympus on 8 ceil+s 9 emulation ( ,tiepolo1 b 8 ,juno is heavy & common1 & ! ,titans at h] feet appe> z a sw>m ( sprawl+1 ill-drawn nudities4 ,he %[s no faculty = ?is k9d ( "w1 b he 0 ?irty-two be=e he began to pa9t ^? small easel-pictures :i* 9 8 own da9ty /yle illu/rate ! ,vanity ,fair ( 8 p]iod1 & 9 :i* ! eighte5? c5tury lives = u aga94 ,8 e>lie/ tra9+ 0 9 ! goldsmi?'s art1 & he has left _m draw+s ( plate1 exquisite 9 _! s5se ( graceful curve & _! un]r+ precision ( l9e4 ,x 0 a mom5t :5 su* ?+s acquir$ a flawless purity ( outl9e1 & ,longhi recognis$ _! beauty ) all ! s5sitive p]ception ( ! arti/ & ! practis$ workman4 ,8 /udies ( drap]ies1 ge/ures1 & h&s are also extraord9>ily c>eful1 & he seems besides to h an intimate acqua9tance ) all ! elegant dissipation & languid excesses ( a dy+ ord]4 ,we feel t he has himself be5 at home 9 ! masqu]ade1 has accompani$ ! lady to ! =tune-tell]1 &1 lean+ ov] h] graceful %\ld]1 has li/5$ to ! soo?say]'s murmurs4 ,he has att5d$ balls & r\ts1 danc$ m9uets1 & gossip$ ov] t9y cups ( ,*9a tea4 ,he is ! la/ *ronicl] ( ! ,v5etian fea/s1 & ) him ends t long s]ies t began ) ,giorgione's conc]t & :i* develop$ & pass$ ?r\gh supp]s at ,cana & banquets at ! h\ses ( ,levi & ! ,ph>isee4 ,we are no long] confront$ ) ! sumptuosity ( ,bonifazio & ,v]onese2 ! imm5se tables cov]$ ) gold & silv] plate1 ! long l9es ( gue/s rob$ 9 spl5did brocades1 ! /ream ( s]vants be>+ huge salv]s1 or ! b&s ( musicians1 nor are !re any m alfresco conc]ts1 ) nymphs & bac*antes4 ,in/ead !re are masques1 ! life ( ! ,ridotto or gam+-h\se1 r\ts & intrigues 9 da9ty b\doirs1 & surreptiti\s love-mak+ 9 t city ( et]nal c>nival :]e ! bauta 0 almo/ a national co/ume4 ,longhi holds t po/ :i* 9 ,fr5* art is fill$ by ,watteau1 ,fragon>d1 & ,lancret1 ! pa9t]s ( ftes galantes1 & ?\gh he _c be plac$ on an equal foot+ ) ^? ma/]s1 he is repres5tative & significant en\gh4 ,on 8 canvases are pres]v$ = u ! my/]ies ( ! toilet1 ov] :i* ladies & "y m5 ( fa%ion dawdl$ ?r\gh ! morn+1 ! dr9k+ ( *ocolate 9 nglig1 ! mom5t\s in/ants sp5t 9 *oos+ headge> & fix+ pat*es1 ! t[]s ( hair built by ! modi% coiffeur--*ildr5 troop+ 91 9 hoops & uni=ms1 to kiss _! "m's h&1 ! f9e g5tleman *oos+ a wai/coat & ogl+ ! pretty embroid]ess1 ! p]t "y maids]vant slipp+ a billet-d\x into a beauty's h& "u h] husb&'s nose1 ! old beau toy+ ) a fan1 or ! discreet abb tak+ snuff ov] ! morn+ gazette4 ,! gr& ladies ( ,longhi's day pay visits 9 hoop & f>?+ale1 ! beaux make a leg1 & ! lacqueys h& *ocolate4 ,! beautiful ,v5etians & _! gallants swim ?r\gh ! gavotte or gamble 9 ! ,ridotto1 or !y ha/5 to assignations1 disguis$ 9 wide bauti & c>ry+ prepo/]\s muffs4 ,! ,corr] ,museum conta9s a numb] ( 8 pa9t+s & also 8 book ( orig9al sket*es4 ,"o ( ! mo/ ent]ta9+ ( 8 canvases repres5ts a visit ( patricians to a nuns' p>l\r4 ,! nuns & _! pupils l5d an att5tive e> to ! :isp]s ( ! _w4 ,_! dresses are trimm$ ) po9t de ,v5ise1 & a little !atre is visible 9 ! backgr\nd4 ,?is & ! ,sala del ,ridotto :i* hangs ne>1 are m>k$ by a free1 bold h&l+1 a ri*ness ( col\r+1 & m animation ?an is usual 9 8 g5re-pictures4 ,he has n pres]v$ ! lovely1 indet]m9ate col\r or ! impressioni/ t\* :i* 0 ! natural inh]itance ( ,watteau or ,tiepolo4 ,8 backgr\nds are d>k & heavy1 & he makes too free a use ( body col\r2 b 8 attitude is "o ( close obs]vation--he enjoys depict+ ! life ar\nd him1 & we suspect t he sees 9 x ! mo/ p]fect =m ( social int]c\rse imag9able4 ,longhi is sometimes call$ ! ,goldoni ( pa9t+1 & he c]ta9ly m ne>ly resembles ! g5ial1 humor\s playwright ?an he does ,hog>?1 to :om he has also be5 comp>$4 ,yet 8 execution & te*nique are a little l ,hog>?'s1 & x is possible t he 0 influ5c$ by ! eld] & /rong] ma/]1 :o ent]$ on 8 triumphant c>e] z a satirical pa9t] ( society ab\t #agcd4 ,?is 0 j ! "t :5 ,longhi ab&on$ 8 unlucky decorative /yle1 & x is q possible t he may h met ) engrav+s ( ! ,m>riage la mode1 & 0 /imulat$ by !m to ! /udy ( eighte5?-c5tury mann]s1 ?\gh 8 own temp]am5t is f> remov$ f ,hog>?'s moral =ce & grim satire4 ,8 s]5e1 pa9/ak+ obs]vation is nev] di/ract$ by grossness & viol5ce4 ,! ,v5etians ( 8 day may h be5--und\bt$ly 7--effem9ate1 lic5ti\s1 & decad5t1 b !y 7 k9d & graci\s1 ( ref9$ mann]s1 well-br$1 g5ial & intellig5t1 & s ,longhi has transcrib$ !m4 ,9 ! "t :i* foll[$1 ceil+s 7 cov]$ by ,b\*]1 pa/els by ,lat\r 7 9 dem&1 ! s*ol>s ( ,david pa9t$ classical sc5es1 & ,pietro ,longhi 0 =gott54 ,antonio ,francesco ,corr] b\ght five hundr$ ( 8 draw+s f 8 son1 ,aless&ro1 b 8 works 7 ignor$ & disp]s$4 ,! classic & romantic fa%ions pass$1 b x 0 only 9 #ahej t ! bro!rs de ,gonc\rt1 writ+ on art1 reviv$ consid]ation = ! pa9t] ( a bygone g5]ation4 ,_m ( 8 works are 9 private collections1 especially 9 ,engl&1 b few are 9 public gall]ies4 ,! ,national ,gall]y is =tunate 9 possess+ sev]al excell5t examples4 ,illu/ration3 ,pietro ,longhi4 ,,visit ,,to ,,! ,,=tune-,,tell]4 ,london4 7,photo1 ,hanf/ngl47 ,,pr9cipal ,,works ,b]gamo4 ,lo*is3 ,at ! ,gam+ ,table2 ,tak+ ,c(fee4 ,baglioni3 ,! ,fe/ival ( ! ,padrona4 ,dresd54 ,portrait ( a ,lady4 ,hampton ,c\rt4 ,?ree g5re-pictures4 ,london4 ,visit to a ,circus2 ,visit to a ,=tune-,tell]2 ,portrait4 ,mond ,collection3 ,c>d p>ty2 ,portrait4 ,v5ice4 ,academy3 ,six g5re-pa9t+s4 ,corr] ,museum3 ,elev5 pa9t+s ( ,v5etian life2 ,portrait ( ,goldoni4 ,palazzo ,grassi3 ,frescoes2 ,sc5es ( fa%ionable life4 ,quir9i-,/ampalia3 ,eight pa9t+s2 ,portraits4 ,,*apt] ,,xxxi ,,canale ,:ile ,piazetta & ,tiepolo 7 prov+ !mselves ! inh]itors ( ! great s*ool ( decorators1 ,v5ice h]self 0 f9d+ h] *ronicl]s1 & a s*ool ( l&scape arose1 ( :i* ,canale 0 ! =emo/ memb]4 ,giovanni ,antonio ,canale 0 born 9 ,v5ice 9 #afig1 ! same ye> z ,tiepolo4 ,8 fa!r e>n$ 8 liv+ at ! pr(ession1 lucrative en\gh j !n1 ( sc5e-pa9t+1 & ,antonio le>n$ to h&le 8 bru%1 work+ at 8 side4 ,9 #agai he w5t (f to seek 8 =tune 9 ,rome1 & ?\gh he 0 oblig$ to help out 8 res\rces by 8 e>ly trade1 he 0 mo/ conc]n$ 9 ! /udy ( ar*itecture1 anci5t & mod]n4 ,rome spoke to him ?r\gh ! eye1 by ! picturesque masses ( /onework1 ! w>m h>moni\s tones ( classic rema9s & ! effects ( light ^u !m4 ,he pa9t$ almo/ entirely out-(-doors1 & has left _m examples drawn f ! ru9s4 ,8 success 9 ,rome 0 n rem>kable1 & he 0 /ill a v "y man :5 he retrac$ 8 /eps4 ,on rega9+ 8 native t[n1 he realis$ = ! fir/ "t ! beauty ( its canals & palaces1 & he nev] aga9 wav]$ 9 8 allegiance4 ,two rivals 7 already 9 ! field1 ,luca ,c>lev>is1 ^: works 7 freely b\ght by ! ri* ,v5etians1 & ,m>co ,ricci1 ! figures 9 ^: views ( ,v5ice 7 (t5 t\*$ 9 by 8 uncle1 ,seba/iano2 b ,canale's gr[+ fame soon de?ron$ !m1 i cacciati del nido1 z he said1 us+ ,dante's expression4 ,9 a g5]ation full ( caprice1 delight+ 9 s5sational developm5ts1 ,canale 0 me?odical to a fault1 & work$ /eadily1 calmly produc+ e detail ( ,v5etian l&scape ) untir+ application & almo/ monoton\s tranquillity4 ,he liv$ 9 ! mid/ ( a b& ( pa9t]s :o ador$ travel4 ,seba/iano ,ricci 0 always on ! move2 ,tiepolo sp5t mu* ( 8 "t 9 o!r cities & c\ntries1 & pass$ ! la/ ye>s ( 8 life 9 ,spa92 ,pietro ,rot>i 0 atta*$ to ! ,c\rt ( ,/4 ,pet]sburg2 ,belotto1 ,canale's nephew1 settl$ 9 ,bohemia2 b ,canale rema9$ at home1 &1 except = two %ort visits paid to ,engl&1 cont5t$ himself ) trips to ,padua & ,v]ona4 ,e>ly 9 life ,canale ent]$ into relations ) ,joseph ,smi?1 ! ,briti% ,consul 9 ,v5ice1 a connoisseur :o _h n only =m$ a f9e collection ( pictures1 b _h a gall]y f :i* he 0 v ready to sell to travell]s4 ,he b\ght ( ! "y ,v5etian at a v l[ price1 & contriv$1 unfairly en\gh1 to acquire ! "r to all 8 "w = a c]ta9 p]iod ( "t1 ) ! object ( s5d+ x1 at a good pr(it1 to ,london4 ,= a "t ,canale's lum9\s views 7 b\ght by ! ,engli% "u ^! auspices1 b ! arti/1 pres5tly discov]+ t he 0 mak+ a bad b>ga91 came ov] to ,engl&1 :]e he met ) an enc\rag+ reception1 especially at ,w9dsor ,ca/le & f ! ,duke ( ,ri*mond4 ,canale sp5t two ye>s 9 ,engl& & pa9t$ on ! ,?ames & at ,cambridge1 b he c\ld n /& ! ,engli% climate & fl$ f ! damp & fogs to 8 own lagoons4 ,to describe 8 pa9t+s is to describe ,v5ice at e h\r ( ! day & night--,v5ice ) its long array ( noble palaces1 ) its ,gr& ,canal & its n>r[1 picturesque wat]ways4 ,he reproduces ! ,v5ice we "k1 & we see h[ little x has *ang$4 ,! gondolas clu/] r\nd ! l&+-/ages ( ! ,piazzetta1 ! cr[ds hurry 9 & out ( ! arcades ( ! ,ducal ,palace1 or he pa9ts ! fe/ivals t /ill reta9$ _! spl5d\r3 ! ,great ,buc5taur leav+ ! ,riva dei ,s*iavoni on ! ,fea/ ( ! ,asc5sion1 or ,san ,g]emia & ! entrance to ! ,cann>egio deck$ 9 flags = a fea/-day4 ,f "o end to ano!r ( ! ,gr& ,canal1 t mo/ beautiful /reet 9 ! _w1 z des ,comm9es call$ x 9 #adie1 we c trace e aspect ( ,canale's "t1 :5 ! city _h z yet lo/ no?+ ( its spl5d\r or its animation4 ,at ! entrance /&s ,s4 ,m>ia della ,salute1 t sanctu>y de> to ,v5etian he>ts1 built z a votive (f]+ aft] ! visitation ( ! plague 9 #afca4 ,its flamboyant dome1 ) its volutes1 its population ( /one sa9ts1 its gre5 bronze door cat*+ ! light1 pleas$ ,canale1 z x pleas$ ,s>g5t 9 our own day1 & he pa9t$ x ov] & ov] aga94 ,! annual fte ( ! ,confrat]nity ( ! ,c>it takes place at ! ,scuola di ,san ,rocco1 & ,canale pa9ts ! old ,r5aissance build+ :i* %elt]s s mu* ( ,t9toretto's f9e/ "w1 decorat$ ) ropes ( gre5]y & gay ) flags1#g :ile ,tiepolo has put 9 ! r$-rob$1 p]iwigg$ c\ncillors & ! gaz+ populace4 ,ne> x 9 ! ,national ,gall]y hangs a ,regatta ) its array ( boats1 its %\t+ gondoli]s1 & its %ad[s ly+ across ! range ( palaces1 & tell+ ! exact h\r ( ! day t x 0 sket*$ 92 or1 aga91 ! pa9t] has tak5 peculi> pleasure 9 express+ quiet days1 ) calm gre5 wat]s & wide empty piazzas1 divid$ by sun & %ad[1 ) a few citiz5s plodd+ ab\t _! bus9ess 9 ! hot midday1 or a quiet little abb cross+ ! piazza on 8 way to ,mass4 ,canale has made a special /udy ( ! light on wall & faade1 & ( ! transp>5t wat]s ( ! canals & ! azure skies 9 :i* float great sn[y fleeces4 #g ,x is ?\ght t x may h be5 pa9t$ f 8 /udio4 ,8 second visit to ,engl& 0 paid 9 #agea4 ,he 0 receiv$ ) op5 arms by ! great _w1 & invit$ to ! h\ses ( ! nobility 9 t[n & c\ntry4 ,! ,engli% 7 delight$ ) 8 ta/e & ) ! ma/]y ) :i* he pa9t$ ar*itectural sc5es1 & 9 spite ( advanc+ ye>s he produc$ a numb] ( compositions1 :i* comm&$ high prices4 ,! ,g>d5 ( ,vauxhall1 ! ,rotunda at ,ranelagh1 ,:itehall1 ,nor?umb]l& ,h\se1 ,eton ,college1 7 "s ( ! subjects :i* attract$ him1 & ! treatm5t ( :i* 0 signalis$ by 8 calm & p]fect balance4 ,he made use ( ! cam]a ottica1 :i* is 9 pr9cipal id5tical ) ! cam]a oscura4 ,lanzi says he am5d$ its defects & taught its prop] use1 b x mu/ be confess$ t 9 ! c>eful p]spective ( "s ( 8 sc5es1 its traces seem to haunt u & to convey a c]ta9 cold regul>ity4 ,canale 0 a m>vell\s engrav]4 ,mantegna1 ,bell9i1 & ,titian _h plac$ engrav+ on a v high level 9 ! ,v5etian ,s*ool1 & ?\gh at a lat] date x became too elaborate1 ,tiepolo & 8 son br\ght x back to simplicity4 ,canale aid$ !m1 & 8 eaux-=tes1 ( :i* he has left ab\t ?irty1 are fill$ ) light & bread? ( treatm5t1 & he is p>ticul>ly happy 9 8 brilliant1 transp>5t wat]4 ,! high prices ,canale obta9$ = 8 pictures 9 8 lifetime l$ to ! usual imitations4 ,he 0 surr\nd$ by pa9t]s ^: :ole ambition 0 limit$ to copy+ him4 ,among ^! 7 ,m>ies*i1 ,vis5t9i1 ,colomb9i1 besides o!rs n[ =gott54 ,m ?an fifty ( 8 f9e/ works 7 b\ght by ,smi? = ,george ,,iii4 & fill a room at ,w9dsor4 ,he 0 made a memb] ( ! ,academy at ,dresd51 & ,bruhl1 ! ,prime ,m9i/] ( ! ,elector1 obta9$ f him tw5ty-"o works :i* n[ adorn ! gall]y !re4 ,canale di$ 9 ,v5ice1 :]e he _h liv$ ne>ly all 8 life1 & :]e 8 gondola-/udio 0 a famili> object 9 ! ,piazzetta1 at ! ,lido1 or an*or$ 9 ! long canals4 ,8 nephew1 ,b]n>do ,belotto1 is (t5 also call$ ,canaletto1 & x seems t bo? uncle & nephew 7 equally kn[n by ! dim9utive4 ,belotto1 too1 w5t to ,rome e>ly 9 8 c>e]1 :]e he atta*$ himself to ,pan9i1 a pa9t] ( classic ru9s1 peopl$ ) w>riors & %eph]ds4 ,he 01 by all acc\nts1 full ( vanity & self-importance1 & on a visit to ,g]many manag$ to acquire ! title ( ,c\nt1 :i* he adh]$ to ) great complac5cy4 ,he travell$ all ov] ,italy look+ = patronage1 & 0 v eag] to f9d ! road to success & =tune4 ,ab\t ! same "t z 8 uncle1 he paid a visit to ,london & 0 patronis$ by ,horace ,walpole1 b 9 ! full tide ( success he 0 summon$ to ,dresd51 :]e ! ,elector1 disappo9t$ at n hav+ secur$ ! s]vices ( ! uncle1 0 fa9 to console himself ) ^? ( ! nephew4 ,! extravagant & pr(ligate ,augu/us ,,ii41 ^: "o idea 0 to extract money by e possible means f 8 subjects1 9 ord] to adorn 8 palaces1 0 consi/5tly devot$ to ,belotto1 :o 0 9 8 elem5t z a ,c\rt pa9t]4 ,he pa9ts all 8 uncle's subjects1 & x is n always easy to di/+ui% betwe5 ! two2 b 8 pa9t+s are dull & /iff z comp>$ ) ^? ( ,canale1 ?\gh he is sometimes f9e 9 col\r1 & _m ( 8 views are admirably drawn4 ,,"s ,,works ,,( ,,canale ,x is impossible to draw up any exhau/ive li/1 s _m be+ 9 private collections4 ,dresd54 ,! ,gr& ,canal2 ,campo ,s4 ,giacomo2 ,piazza ,s4 ,m>co2 ,*ur* & ,piazza ( ,,ss4 ,giovanni & ,paolo4 ,flor5ce4 ,! ,piazzetta4 ,hampton ,c\rt4 ,! ,colosseum4 ,london4 ,scuola di ,san ,rocco2 ,int]ior ( ! ,rotunda at ,ranelagh2 ,s4 ,pietro 9 ,ca/ello1 ,v5ice4 ,p>is4 ,l\vre3 ,*ur* ( ,s4 ,m>ia della ,salute4 ,v5ice4 ,head+2 ,c\rty>d ( a ,palace4 ,vi5na4 ,lie*t5/e9 ,gall]y3 ,*ur* & ,piazza ( ,s4 ,m>k1 ,v5ice2 ,canal ( ! ,giudecca1 ,v5ice2 ,view on ,gr& ,canal2 ,! ,piazzetta4 ,w9dsor4 ,ab\t fifty pa9t+s4 ,wallace ,collection4 ,! ,giudecca2 ,piazza ,san ,m>co2 ,*ur* ( ,san ,simione2 ,s4 ,m>ia della ,salute2 ,a ,fte on ! ,gr& ,canal2 ,ducal ,palace2 ,dogana f ! ,molo2 ,palazzo ,corn]2 ,a ,wat]-fte2 ,! ,rialto2 ,s4 ,m>ia della ,salute2 ,a ,canal 9 ,v5ice4 ,,*apt] ,,xxxii ,,francesco ,,gu>di ,an entry 9 ,grad5igo's di>y ( #agfd1 pres]v$ 9 ! ,museo ,corr]1 speaks ( ,francesco ,gu>di1 pa9t] ( ! qu>t] ( ,,ss4 ,apo/oli1 along ! ,fondam5ta ,nuove1 a good pupil ( ! fam\s ,canaletto1 hav+ by ! aid ( ! cam]a ottica1 mo/ successfully pa9t$ two canvases 7n small7 by ! ord] ( a /rang] 7an ,engli%man71 ) views ( ! ,piazza ,san ,m>co1 t[>ds ! ,*ur* & ! ,clock ,t[]1 & ( ! ,bridge ( ! ,rialto & build+s t[>ds ! ,cann>egio1 & h to-day exam9$ !m "u ! colonnades ( ! ,procurazie & met ) univ]sal applause4 ,francesco ,gu>di 0 a son ( ! ,au/rian ,tyrol1 & 8 m\nta9 ance/ry may acc\nt1 z 9 ! case ( ,titian1 = ! fre%ness & vig\r ( 8 art4 ,bo? 8 fa!r1 :o settl$ 9 ,v5ice1 & 8 bro!r 7 pa9t]s4 ,8 son became "o 9 due "t1 & ! pr(ession be+ foll[$ by f\r memb]s ( ! family acc\nts = ! indiff]5t works (t5 attribut$ to ,gu>di4 ,8 indebt$ness to ,canale is univ]sally ackn[l$g$1 & p]haps x is true t he nev] atta9s to ! monum5tal quality1 ! traditional dignity :i* m>ks ,canale out z a great ma/]1 b he diff]s f ,canale 9 temp]am5t1 /yle1 & te*nique4 ,canale is a mu* m exact & s]i\s /ud5t ( ar*itectural detail2 ,gu>di1 ) great] visible vig\r1 oblit]ates detail1 & has no hesitation 9 draw+ 9 build+s :i* d n really appe>4 ,9 8 oval pa9t+ ( ! ,ducal ,palace 7,wallace ,collection7 he makes x mu* l(ti] & m spaci\s ?an x really is4 ,9 8 ,piazzetta he puts 9 a corn] ( ! ,loggia :]e x w\ld n actually be se54 ,9 ! ,fair 9 ,piazza ,s4 ,m>co ! ar* f "u :i* ! ,fair appe>s is gigantic1 & he =e%ort5s ! w+ ( ! royal palace4 ,he curtails ! l5g? ( ! columns 9 ! piazza & s avoids monotony ( effect1 & he (t5 alt]s ! height ( ! campaniles he uses1 mak+ !m tall & sl5d] or %ort & broad1 z 8 picture requires4 ,at "o "t he produc$ "s colossal pictures1 9 sev]al ( :i* ,mr4 ,simonson1 :o has writt5 an admirable life ( ! pa9t]1 believes t ! h& ( ,canale is p]ceptible 9 collaboration2 b x 0 n 8 natural elem5t1 & he (t5 became heavy 9 col\r & h&l+4 ,9 #aghb he und]took a commission f ,pietro ,edw>ds1 :o 0 a not$ connoisseur & inspector ( ,/ate pictures1 & _h be5 appo9t$ sup]9t5d5t 9 #aggh ( an (ficial /udio = ! re/oration ( old ma/]s4 ,edw>ds _h important deal+s ) ,gu>di1 :o 0 direct$ to pa9t f\r lead+ incid5ts 9 ! rejoic+s 9 hon\r ( ! visit ( ,pius ,,iv4 to ,v5ice4 ,! ,v5etians !mselves _h become indiff]5t patrons ( art1 b ,v5ice attract$ great numb]s ( =eign visitors1 & be=e ! second half ( ! eighte5? c5tury ! export ( old ma/]s _h already become an e/abli%$ trade4 ,!re is no sign1 h[ev]1 t ,joseph ,smi?1 :o reta9$ 8 consul%ip till #agfj1 ext5d$ any patronage to ,gu>di1 ?\gh he enri*$ ,george ,,iii4's collection ) works ( ! *ief contempor>y arti/s ( ,v5ice4 ,x is probable t ,gu>di _h be5 w>n$ aga9/ him by ,canale & pr(it$ by ! latt]'s exp]i5ce4 ,we c divide 8 "w into ?ree categories4 #a4 ,views ( ,v5ice4 #b4 ,public c]emonies4 #c4 ,l&scapes4 ,grad5igo m5tions casually t he us$ ! cam]a ottica1 b ?\gh we may consid] x probable1 we _c trace ! use ( x 9 8 works4 ,he is n only a pa9t] ( ar*itecture1 b pays great att5tion to light & atmosph]e1 & aims at subtle effects2 a transp>5t haze floats ov] ! lagoons1 or ! sun pi]ces ?\gh ! morn+ mi/s4 ,8 f\r l>ge p5dants 9 ! ,wallace ,collection %[ 8 happie/ ef=ts2 light glances (f ! wat] & is reflect$ on ! %ad[$ walls4 ,8 views r\nd ! ,salute br+ vividly be=e u ^? delici\s morn+ h\rs 9 ,v5ice :5 ! gre5 tide has j rac$ up ! ,gr& ,canal1 :5 a fre% w9d is lift+ & curl+ all ! loose sails & flutt]+ p5nons1 & :5 ! gondoli]s are /ra9+ at ! o>s1 z _! light craft is caught & bl[n f side to side ^u ! rippl+ wat]4 ,! sky occupies mu* ( 8 space1 he makes se>*+ /udies ( x1 & 8 fav\rite effect is a fla% ( light %oot+ across a pil$-up mass ( cl\ds4 ,! l9e ( ! horizon is l[1 & he exhibits great ma/]y 9 pa9t+ ! wide lagoons1 b he also pa9ts r\gh seas1 & is "o ( ! few ma/]s ( 8 day--p]haps ! only "o--:o succe$s 9 repres5t+ a /orm at sea4 ,(t5 z he pa9ts ! same subjects he nev] becomes me*anical or photographic4 ,we may sometimes tire ( ! monotony ( ,canale's un]r+ p]spective & accurate build+s1 b ,gu>di always f9ds "s new r5d]+1 "s fre% po9t ( int]e/4 ,sometimes he gives u a summ] day1 :5 ,v5ice /&s out 9 light1 h] :ite palaces reflect$ 9 ! sun-illum9$ wat]2 sometimes he is arre/$ by old *ur*es ba!d 9 %ad[ & fus+ into ! ri*1 d>k tones ( twilight4 ,8 boats & figures are introduc$ ) great _s & brio1 & are alive ) t h&l+ :i* a ,fr5* critic has describ$ z 8 griffe endiable4 ,illu/ration3 ,francesco ,gu>di4 ,s4 ,,m>ia ,,della ,,salute4 ,london4 7,photo1 ,mansell & ,co47 ,8 ma/]ly & spirit$ pa9t+ ( cr[ds enables him to reproduce = u all ^? public c]emonies :i* ,v5ice reta9$ z long z ! ,republic la/$3 ye>ly pilgrimages ( ! ,doge to ,v5etian *ur*es1 to ! ,salute to commemorate ! cessation ( ! plague1 to ,san ,zacc>ia on ,ea/] ,day1 ! solemn procession on ,corpus ,*ri/i ,day1 receptions ( ambassadors1 &1 mo/ gorge\s ( all1 ! ,fea/ ( ! ,w$d+ ( ! ,adriatic4 ,he has fai?fully pres]v$ ! anci5t c]emonial :i* accompani$ ,/ate fe/ivities4 ,9 ! ,fte du ,jeudi ,gras 7,l\vre7 he illu/rates ! acrobatic feats :i* 7 p]=m$ be=e ,doge ,moc5igo4 ,a huge ,temple ( ,victory is erect$ on ! ,piazzetta1 & gondoli]s are se5 climb+ on ea* o!r's %\ld]s & danc+ ^u ropes4 ,8 motley cr[ds %[ t ! :ole population1 patricians z well z p1 took "p 9 ! fea/s4 ,he has also left _m /rik+ int]iors3 among o!rs1 t ( ! ,sala del ,gran ,consiglio1 :]e sometimes z _m z a ?\s& p]sons 7 assembl$1 ! ,reception ( ! ,doge & ,s5ate by ,pius ,,iv4 7:i* =m$ "o ( ! s]ies ord]$ by ,pietro ,edw>ds71 or ! f9e ,int]ior ( a ,!atre1 exhibit$ at ! ,burl+ton ,f9e ,arts 9 #aiaa1 belong+ to a s]ies ( :i* ano!r is at ,muni*4 ,9 8 l&scapes ,gu>di does n pay v fai?ful att5tion to nature4 ,! l&scape pa9t]s ( ! eighte5? c5tury1 z ,mr4 ,simonson po9ts out1 7 n animat$ by any v g5u9e impulse to /udy nature m9utely4 ,x 0 ! picturesque elem5t :i* appeal$ to !m1 & !y 7 *iefly conc]n$ to reproduce romantic features1 gr\p$ accord+ to fancy4 ,gu>di composes half fanta/ic sc5es1 introduc+ classic rema9s1 triumphal ar*es1 airy ,palladian monum5ts4 ,8 capricci include compositions 9 :i* ,roman ru9s1 ov]gr[n ) foliage1 occupy ! =egr\nd ( a pa9t+ ( ,v5etian palaces1 b 9 :i* ! comb9ation is c>ri$ out ) s mu* sp>kle & n]v\s life & su* *>m ( /yle1 t x is attractive & piquant r ?an grotesque4 ,engl& is ri*e/ 9 ,gu>dis1 ( any c\ntry1 b ,france 9 "o respect is bett] (f1 9 possess+ no less ?an elev5 f9e pa9t+s ( public c]emonials4 ,gu>di may be consid]$ ! orig9ator ( small sket*es1 & p]haps ! precursor ( ^? glib little views :i* are h&$ ab\t ! ,piazza at ! pres5t day4 ,8 draw+s are fairly num]\s1 & are rem>kably delicate & incisive 9 t\*4 ,a l>ge collection :i* he left to 8 son is n[ 9 ! ,museo ,corr]4 ,9 8 lat] ye>s he 0 r$uc$ to pov]ty & us$ to exhibit sket*es 9 ! ,piazza1 p>t+ ) !m = a few ducats1 & 9 ?is way flood+ ,v5ice ) small l&scapes4 ,! exact spot occupi$ by 8 bottega is said to be at ! corn] ( ! ,palazzo ,reale1 opposite ! ,clock ,t[]4 ,! h\se 9 :i* he di$ /ill exi/s 9 ! ,campiello della ,madonna1 ,no4 #edcc1 ,p>roc*ia ,s4 ,canziano1 & has a %r9e d$icat$ to ! ,madonna atta*$ to x4 ,:5 q an old man1 ,gu>di paid a visit to ! home ( 8 ance/ors1 at ,ma/ellano 9 ! ,au/rian ,tyrol1 & made a draw+ ( ,ca/ello ,corvello on ! r\te4 ,to ?is day 8 "n is rememb]$ ) pride 9 8 ,tyrolean valley4 ,,"s ,,works ,,( ,,gu>di ,b]gamo4 ,lo*is3 ,l&scapes4 ,b]l94 ,gr& ,canal2 ,lagoon2 ,cemet]y ,isl&4 ,london4 ,views 9 ,v5ice4 ,milan4 ,museo ,civico3 ,l&scapes4 ,poldi-,pezzoli3 ,piazzetta2 ,dogana2 ,l&scapes4 ,ox=d4 ,taylorian ,museum3 ,views 9 ,v5ice4 ,padua4 ,views 9 ,v5ice4 ,p>is4 ,procession ( ! ,doge to ,s4 ,zacc>ia2 ,emb>km5t 9 ,buc5taur2 ,fe/ival at ,salute2 ,jeudi ,gras 9 ,v5ice2 ,corpus ,*ri/i2 ,sala di ,collegio2 ,coronation ( ,doge4 ,tur94 ,cottage2 ,/aircase2 ,bridge ov] ,canal4 ,v5ice4 ,museo ,corr]3 ,! ,ridotto2 ,p>l\r ( ,conv5t4 ,v]ona4 ,l&scapes4 ,wallace ,collection4 ,! ,rialto2 ,san ,giorgio ,maggiore 7two72 ,s4 ,m>ia della ,salute2 ,ar*way 9 ,v5ice2 ,vault$ ,arcades2 ,! ,dogana4 ,,bibliography ,x is an advantage to ! /ud5t ( ,italian art to be able to read ,fr5*1 ,g]man1 & ,italian1 = ?\gh translations appe> ( ! mo/ important works1 !re are _m int]e/+ articles & monographs ( m9or arti/s :i* are o!rwise inaccessible4 ,vas>i1 n always tru/wor?y1 ei!r 9 dates1 facts1 or op9ions1 yet delightfully human 9 8 hi/ories1 is indisp5sable1 & new editions & translations are con/antly issu$4 ,sansoni's edition 7,flor5ce71 ) ,milanesi's notes1 is ! mo/ au?oritative2 & = translations1 ^? ( ,mrs4 ,fo/] 7,messrs4 ,bla%field & ,hopk9s71 & a new edition 9 ! ,temple classics 7,d5t1 #h vols41 #bs4 ea* vol474 ,ridolfi1 ! pr9cipal contempor>y au?ority on ,v5etian arti/s1 :o publi%$ 8 ,m>aviglie dell' arte n9e ye>s aft] ,dom5ico ,t9toretto's dea?1 is only to be read 9 ,italian1 ?\gh ! anecdotes ) :i* 8 "w ab\nds are made use ( by e writ]4 ,cr[e & ,cavalcaselle's ,pa9t+ 9 ,nor? ,italy 7,murray7 is a /oreh\se ( pa9/ak+1 m9ute1 &1 on ! :ole1 m>vell\sly correct in=mation & s\nd op9ion4 ,x supplies a f\ndation1 fills gaps1 & supplem5ts individual biographies z no o!r book does4 ,= ! e>ly pa9t]s1 d[n to ! "t ( ! ,bell9i1 ,i ,orig9i dei pittori v5eziani1 by ,pr(essor ,leonello ,v5turi1 ,v5ice1 #aijg1 is a l>ge book1 writt5 ) ma/]y & insight1 & well illu/rat$2 ,la ,/oria della pittura v5eziana is ano!r c>eful "w1 :i* deals v m9utely ) ! e>ly s*ool ( mosaics4 ,9 /udy+ ! ,bell9i1 ! late ,mr4 ,s4 ,a4 ,/rong has ,! ,bro!rs ,bell9i 7,bell's ,great ,ma/]s71 & ! read] %\ld n fail to read ,mr4 ,rog] ,fry's ,bell9i 7,arti/'s ,libr>y71 a s*ol>ly monograph1 %ort b reliable1 & full ( sugge/ion & appreciation1 ?\gh writt5 9 a cool1 critical _s4 ,dr4 ,hills has dealt ably ) ,pisanello 7,duckwor?74 ,molm5ti & ,ludwig 9 _! monum5tal "w ,vittore ,c>paccio1 translat$ by ,mr4 ,r4 ,h4 ,cu/ 7,murray1 #aijg71 & ,paul ,kri/ell] 9 ! equally important ,mantegna1 translat$ by ,mr4 ,s4 ,a4 ,/rong 7,longmans1 #aija71 seem to h exhau/$ all t !re is to be said = ! mom5t conc]n+ ^! two pa9t]s4 ,x is almo/ sup]flu\s to m5tion ,mr4 ,b]5son's two well-kn[n volumes1 ,! ,v5etian ,pa9t]s ( ! ,r5aissance1 & ! ,nor? ,italian ,pa9t]s ( ! ,r5aissance 7,putnam74 ,!y are brilliant essays :i* supplem5t e o!r "w1 ov]fl[+ ) sugge/ive & critical matt]1 supply+ orig9al ?\ghts1 & summ+ up 9 a few pregnant words ! ma9 features & ! t5d5cies ( ! succe$+ /ages4 ,9 /udy+ ,giorgione1 we _c disp5se ) ,pat]'s essay1 includ$ 9 ,! ,r5aissance4 ,! au?or is n always well in=m$ z to facts--he wrote 9 ! e>ly days ( criticism--b he is ri* 9 idea & feel+4 ,mr4 ,h]b]t ,cook's ,life ( ,giorgione 7,bell's ,great ,ma/]s7 is full & int]e/+4 ,"s au?orities "q 8 attributions z be+ too num]\s1 b :e!r we reg>d !m z au!ntic works ( ! ma/] or z belong+ to 8 s*ool1 ! illu/rations he gives add mat]ially to our k ( ! ,giorgionesque4 ,:5 we come to ,titian we are well (f4 ,cr[e & ,cavalcaselle's ,life ( ,titian 7,murray1 out ( pr9t71 9 two l>ge volumes1 is well writt5 & full ( good mat]ial1 f :i* subsequ5t writ]s h borr[$4 ,an excell5t ,life1 full ( p5etrat+ criticism1 by ,mr4 ,c4 ,ricketts1 0 lately br\ght out by ,me?u5 7,classics ( ,art71 complete ) illu/rations1 & includ+ a m9ute analysis ( ,titian's te*nique4 ,sir ,claude ,phillips's ,monograph on ,titian w appeal to e ?\ghtful lov] ( ! pa9t]'s g5ius1 & ,dr4 ,gronau has writt5 a good & s*ol>ly ,life 7,duckwor?74 ,mr4 ,b]5son's ,lor5zo ,lotto mu/ be read = its int]e/ & le>n+1 giv5 ) all ! au?or's *>m & lucidity4 ,x includes an essay on ,alvise ,viv>9i4 ,my own ,t9toretto 7,me?u51 ,classics ( ,art7 gives a full acc\nt ( ! man & 8 "w1 & especially deals exhau/ively ) ! s*eme & details ( ! ,scuola di ,san ,rocco4 ,pr(essor ,?ode has writt5 a detail$ & pr(usely illu/rat$ ,life ( ,t9toretto 9 ! ,knackfuss ,s]ies1 & ! ,p>adiso has be5 treat$ at l5g? & illu/rat$ 9 great detail 9 a v s*ol>ly dition de luxe by ,mr4 ,f4 ,o4 ,osma/on4 ,x is ! fa%ion to disc>d ,rusk91 b ?\gh we may all[ t 8 judgm5ts are exagg]at$1 t he reads m into a picture ?an ! arti/ int5d$1 & t he is too fond ( prea*+ s]mons1 !re are few critics :o h s _m ideas to give u1 or :o are s in=m$ ) a deep love ( art1 & bo? ,mod]n ,pa9t]s & ! ,/ones ( ,v5ice %\ld be read4 ,m4 ,*>les ,yri>te has writt5 a ,life ( ,paolo ,v]onese1 :i* is full ( *>m & k4 ,x is int]e/+ to take a copy ( ,bos*9i's ,della pittura v5eziana1 #agig1 :5 visit+ ! gall]ies1 ! palaces1 & ! *ur*es ( ,v5ice4 ,8 li/s ( ! pictures1 z !y 7 kn[n 9 8 day1 (t5 op5 our eyes to d\btful attributions4 ,second-h& copies ( ,bos*9i are n difficult to pick up4 ,:5 ! lat]-c5tury arti/s are rea*$1 a good sket* ( ! ,v5ice ( _! p]iod is suppli$ by ,philippe ,monni]'s delightful ,v5ice 9 ! ,eighte5? ,c5tury 7,*atto & ,w9dus71 :i* also has a good *apt] on ! less] ,v5etian ma/]s4 ,! be/ ,life ( ,tiepolo is 9 ,italian1 by ,pr(essor ,pompeo ,molm5ti4 ,! small] ma/]s h to be hunt$ = 9 _m scatt]$ essays2 a k ( ,goldoni adds po9t to ,longhi's pictures4 ,canaletto & 8 nephew1 ,belotto1 h be5 treat$ by ,m4 ,uzanne1 ,les ,deux ,canaletto2 & ,mr4 ,simonson has writt5 an important & *>m+ volume on ,francesco ,gu>di 7,me?u51 #aijd71 ) beautiful reproductions ( 8 works4 ,among o!r books :i* give special in=mation are ,morelli's two volumes1 ,italian ,pa9t]s 9 ,borghese & ,doria ,pamphili1 & ,9 ,dresd5 & ,muni* ,gall]ies1 translat$ by ,miss ,jocelyn ff\lkes 7,murray72 & ,dr4 ,j4 ,p4 ,ri*t]'s magnific5t catalogue ( ! ,mond ,collection--:i*1 ?\gh publi%$ at fifte5 gu9eas1 c be se5 9 ! great art libr>ies--has "s valuable *apt]s on ! ,v5etian ma/]s4 ,,index ,academy1 ,flor5ce1 #bh ,v5ice1 #ac1 #af1 #ai1 #cb1 #cf1 #ch1 #dj1 #dc1 #dg1 #eb1 #eg1 #fg1 #hj1 #ajb1 #aaf1 #aag1 #aga1 #ahc1 #aif1 #bjb1 #bje1 #bjf1 #baj1 #baa1 #bag1 #bai1 #bbf1 #bbg1 #bdb1 #bfb1 #bfg1 #bga1 #bgg1 #bha1 #bhf1 #bie1 #bif1 #cjh1 #cac1 #cbj ,adoration ( ,magi1 #bh1 #ca1 #aaf1 #aca1 #aig1 #bje1 #bhg ,adoration ( ,%eph]ds1 #aaf1 #aif1 #bbb1 #bgc1 #bge ,agnolo ,gaddi1 #ae ,alemagna1 ,giovanni1 #bi-cb1 #cf1 #cg1 #eh ,alti*i]o1 #bd1 #be ,alvise ,viv>9i1 #eh-fc1 #fe1 #ff1 #fi1 #gi1 #ajd1 #aje1 #aab1 #ahg1 #aij1 #bbc1 #ccj ,amalteo1 ,pomponio1 #bai ,amigoni1 #bib ,ancon1 #ab1 #ag1 #ah1 #bd1 #cf1 #de1 #ei1 #fj1 #ahg ,angelico1 ,fra1 #dh ,annunciation1 #af1 #bf1 #de1 #agh1 #ahc1 #beh1 #bhf ,antonello da ,mess9a1 #ej1 #ea1 #ei1 #fb1 #ff ,antonio da ,murano1 #bi1 #ca1 #cb1 #cf1 #cg1 #eh ,antonio ,negroponte1 #cg1 #dd ,antonio ,v5eziano1 #ae ,aret9o1 #afc1 #aff1 #afg1 #agb-agd1 #ahb1 #aib1 #bja1 #bcd1 #bcf1 #bdj ,asc5sion1 #da ,augsburg1 #agf1 #bff1 #bgf ,badile1 #bbi ,bale/ra1 #bhg ,baptism ( ,*ri/1 #da1 #ih1 #bee ,b>tolommeo ,viv>9i1 #cb1 #cf1 #cg1 #ch1 #dh1 #eh1 #ei1 #fd1 #ahi1 #bbc1 #bbe ,basaiti1 ,m>co1 #ajd1 #aaa-aaf ,bassano1 #aj1 #bdg1 #bfi-bgf1 #bhb ,ba/iani1 ,lazz>o1 #gj1 #gc1 #gi ,battoni1 ,pompeo1 #big1 #bih ,bell9i1 ,g5tile1 #dh-eg1 #fh1 #gj1 #ha1 #hc1 #hi1 #ij1 #ii1 #aja1 #ajc1 #adf ,bell9i1 ,giovanni1 #aj1 #dc1 #dh1 #ee1 #fa1 #fb1 #fc1 #fi1 #gh1 #ha1 #hb1 #hd-hi1 #ij1 #ib1 #id-aja1 #ajc1 #ajd1 #ajg1 #aji1 #aab-aad1 #abb1 #abc1 #abg1 #abi1 #acj1 #acd1 #adj1 #adf1 #adg1 #aeb1 #aee1 #aeh1 #aei1 #agi1 #ahf1 #ahg1 #bbc1 #bbe1 #cah1 #cbi1 #ccj ,bell9i1 ,jacopo1 #bg1 #bh1 #ci-dc1 #eh1 #ha-hd1 #hf ,belotto1 #cae1 #cai-cca ,bembo1 ,c>d9al1 #ig1 #aaa1 #agd1 #bdj ,b5son1 ,mr41 #dg1 #hj1 #aaf1 #aag1 #adc ,b]5son1 ,mr41 #aef1 #ahg1 #aie1 #baj1 #bba1 #bbi1 #bdc1 #cjg1 #ccj ,b]gamo1 #aja1 #aad1 #aaf1 #aag1 #ada1 #adc1 #ahe1 #ahh1 #aij1 #aif1 #baa1 #bai1 #bbf1 #bbg1 #bgf1 #cjh1 #cac1 #cbh ,b]l91 #ai1 #cb1 #ce1 #dg1 #eg1 #ff1 #hj1 #aja1 #aae-aag1 #aci1 #ahb1 #aif1 #baa1 #bbc1 #bbf1 #bbg1 #bff1 #cjh1 #cbh ,bissolo1 #ajd1 #aad1 #aae1 #aag ,blanc1 ,m4 ,*>les1 #bdj1 #bhh1 #bih ,bologna1 #cf1 #ch1 #fj1 #afg1 #bhh1 #cji ,bonifazio1 #bjc-bjf1 #baj1 #bdc1 #bde1 #bej1 #bgj1 #bha1 #caj ,bonsignori1 #bbd1 #bge ,bordone1 ,p>is1 #bjc1 #bjf1 #bjh-baa1 #bai1 #bca1 #bij ,borghese1 ,villa1 #aed1 #ahh1 #aid1 #aig1 #cca ,bos*9i1 #ajd1 #bhb1 #bhg1 #cca ,bo/on1 #aci ,botticelli1 #abg1 #aei ,br]a1 #dg1 #eg1 #aja1 #aae1 #aag1 #adc1 #aid1 #bje1 #bji1 #baa1 #bea1 #cjd ,brescia1 #ahb1 #aif1 #bai1 #bbj1 #bbb1 #bbf1 #bbg ,bridgewat] ,h\se1 #ahb1 #baa ,briti% ,museum1 #da1 #bfc ,brok]'s pat5t1 #acj1 #afi1 #bdh ,brusasorci1 #bbi ,buonconsiglio1 #bbc1 #bbd ,burckh>dt1 #bih ,burl+ton ,magaz9e1 #ah ,byzant9e art1 #aa1 #ac1 #ba ,cald]>i1 #bai ,c>lev>is1 ,luca1 #bib1 #cae ,cali>i1 ,c>lotto1 #bhb ,cali>i1 ,paolo4 ,see ,v]onese ,campagnola1 ,dom5ico1 #aea ,canal1 ,fabio1 #cjg ,canale1 ,gian ,antonio1 #bib1 #bih1 #cad-cbj1 #cbb1 #cca ,canaletto4 ,see ,canale ,c>avaggio1 #bhh ,c>iani1 #ada-adc1 #bjd ,c>paccio1 #fh1 #gj1 #ga1 #gc1 #gd1 #gf1 #gi1 #hj1 #ajc1 #abb1 #abc1 #adf1 #aia ,c>racci1 #hh1 #bhh1 #bih ,c>ri]a4 ,see ,rosalba ,c>ri]a ,ca/agno1 ,&rea del1 #bg1 #dh ,ca/ello1 ,milan1 #ea ,cat5a1 ,v9c5zo1 #ajd1 #ajh-aaa1 #aad1 #bjb1 #bjf ,ca!drals1 ,ascoli1 #dg ,bassano1 #bgj1 #bgf ,conegliano1 #aae ,cremona1 #bae1 #bbj1 #bbf ,murano1 #aji ,spilimb]go1 #bbf ,treviso1 #ahc1 #baa1 #bae1 #bbf ,v]ona1 #ahc1 #bbg ,cele/i1 #bhg ,*elsea ,hospital1 #bhi ,*ur*es-- ,b]gamo4 ,s4 ,aless&ro1 #aag1 #aif ,s4 ,b>tolommeo1 #ahh ,s4 ,b]n>d9o1 #aij ,s4 ,spirito1 #aad1 #aag1 #aif ,brescia4 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