file :i* includes ! orig9al illu/rations4 ,see #bggei-;h4htm or #bggei-;h4zip3 7https3_/_/www4gut5b]g4org_/dirs_/#b_/g_ /g_/e_/bggei_/bggei-;h_/#bggei-;h4htm7 or 7https3_/_/www4gut5b]g4org_/dirs_/#b_/g_ /g_/e_/bggei_/bggei-;h4zip7 ,transcrib]'s note3 ,lett]s enclos$ 9 a squ>e bracket ) tilde d5ote t !re is an ov]score or tilde above ! lett]2 = example ,n is d5ot$ by ,n4 ,c d5otes a rev]s$ ,c4 ,! ,great ,ma/]s 9 ,pa9t+ & ,sculpture ,edit$ by ,g4 ,c4 ,williamson ,,luca ,,signorelli 99 99 99 99 99 ,,! ,,great ,,ma/]s ,,9 ,,pa9t+ ,,& ,,sculpture4 ,! foll[+ ,volumes h be5 issu$ ,,b]n>d9o ,,lu9i4 ,by ,,george ,c4 ,,williamson1 ,litt4,d41 ,editor ( ! ,s]ies4 ,,velasquez4 ,by ,r4 ,a4 ,m4 ,,/ev5son4 ,,&rea ,,del ,,s>to4 ,by ,h4 ,,gu9ness4 ,,luca ,,signorelli4 ,by ,,maud ,,cruttwell4 ,decemb] #a4 ,,raphael4 ,by ,h4 ,,/ra*ey4 ,janu>y #a4 ,9 prep>ation4 ,,c>lo ,,crivelli4 ,by ,g4 ,m',,neil ,,ru%=?1 ,m4,a41 ,lectur] 9 ,classics1 ,oriel ,college1 ,ox=d4 ,,correggio4 ,by ,,selwyn ,,br9ton1 ,m4,a41 ,au?or ( ,! ,r5aissance 9 ,italian ,art4 ,,fra ,,angelico4 ,by ,,langton ,,d\glas1 ,m4,a4 ,,! ,,bro!rs ,,bell9i4 ,by ,s4 ,,ar?ur ,,/rong1 ,m4,a41 ,libr>ian to ! ,h\se ( ,lords4 ,,mi*ael ,,angelo4 ,by ,,*>les ,,holroyd1 ,keep] ( ! ,national ,gall]y ( ,briti% ,art4 ,,turn]4 ,by ,,*>les ,,francis ,,bell1 ,m4,a41 ,deputy ,keep] ( ! ,a%molean ,museum4 ,,p]ug9o4 ,by ,g4 ,c4 ,,williamson1 ,litt4,d41 ,editor ( ! ,s]ies4 ,,meml9c4 ,by ,w4 ,h4 ,,james ,,weale1 late ,keep] ( ! ,national ,art ,libr>y4 ,,murillo4 ,by ,,manuel ,b4 ,,cossio1 ,litt4,d41 ,ph4 ,d41 ,director ( ! ,musee ,p$agogique1 ,madrid4 ,,rembr&t4 ,by ,,malcolm ,,bell4 ,o!rs to foll[4 ,,london3 ,,george ,,bell ,,sons 99 99 99 99 99 ,illu/ration3 ,portrait ( an unkn[n man ,,luca ,,signorelli by ,,maud ,,cruttwell ,illu/ration ,london ,george ,bell ,sons #ahii ,pianga ,cortona omai1 ve/asi oscura1 ,*e e/9ti son del ,signorello i lumi2 ,et1 tu1 ,pittura1 fa de gli oc*i fuimi1 ,*e re/i s5za lui debile e scura4 ,epitaph compos$ at ! "t ( 8 dea? ,il ,cortonese ,luca d'+egno ,e spirito pellegr9o4 ,,rime ,,di ,,giovanni ,,santi ,,prefatory ,,notice4 ,! ref]5ces to ,vas>i1 & ,cr[e & ,cavalcaselle1 are inv>iably to ! late/ editions1 bo? 9 ,italian3 ,op]e di ,giorgio ,vas>i 7,fir5ze1 ,g4 ,c4 ,sansoni1 #ahgi72 ,cavalcaselle e ,cr[e 7,le ,monni]1 #ahih74 ,! au?or desires to express h] gratitude to ,mr ,b]nh>d ,b]5s51 au?or ( ,lor5zo ,lotto1 etc41 = mu* help 9 h] "w4 ,,flor5ce1 ,octob] #ahii4 ,,cont5ts ,,page ,,li/ ,,( ,,illu/rations ix ,,bibliography xiii ,,g5ealogical ,,tree xv ,*apt] ,i4 ,,8 ,,life #a ,,ii4 ,,developm5t ,,& ,,*>act]i/ics ,,( ,,8 ,,g5ius #ag ,,iii4 ,,e>lie/ ,,works #cb ,,iv4 ,,middle ,,p]iod #di ,v4 ,,orvieto #fc ,,vi4 ,,lat] ,,pa9t+s #hg ,,vii4 ,,la/ ,,works #ih ,,viii4 ,,draw+s #ajg ,,ix4 ,,pupils ,,& ,,g5]al ,,influ5ce #aaa ,,*ronological ,,table #aba ,,catalogue ,,( ,,works #aca ,,index #ada ,,li/ ,,( ,,illu/rations ,,page ,portrait ( a ,man ,gall]y1 ,b]l9 ,frontispiece ,portrait ( ,signorelli ,museo del ,duomo1 ,orvieto #h ,! ,deposition ,ca!dral1 ,cortona #aj ,! ,flagellation ,br]a ,gall]y1 ,milan #cb ,apo/les ,santa ,casa1 ,loreto #cd ,! ,incr$ulity ( ,s4 ,?omas ,santa ,casa1 ,loreto #cf ,! ,conv]sion ( ,saul ,santa ,casa1 ,loreto #cf ,madonna & ,sa9ts ,ca!dral1 ,p]ugia #ch ,! ,circumcision ,national ,gall]y1 ,london #dj ,pan ,gall]y1 ,b]l9 #db ,madonna ,uffizi1 ,flor5ce #dd ,madonna & ,sa9ts ,pitti1 ,flor5ce #df ,holy ,family ,rospigliosi ,gall]y1 ,rome #df ,holy ,family ,uffizi1 ,flor5ce #dh ,! ,annunciation ,ca!dral1 ,volt]ra #ej ,! ,annunciation ,uffizi1 ,flor5ce #eb ,! ,crucifixion ,santo ,spirito1 ,urb9o #ed ,miracle ( ,s4 ,b5$ict ,monte ,oliveto #ef ,miracle ( ,s4 ,b5$ict ,monte ,oliveto #eh ,sa9ts ,gall]y1 ,b]l9 #fj ,holy ,family ,gall]y1 ,b]l9 #fj ,! ,crucifixion ,municipio1 ,borgo ,san ,sepol]o #fb ,portraits ( ,signorelli & ,fra ,angelico ,ca!dral1 ,orvieto #fd ,patri>*s ,ca!dral1 ,orvieto #fh ,! ,prea*+ & ,fall ( ,anti*ri/ ,ca!dral1 ,orvieto #gj ,! ,cr[n+ ( ! ,elect ,ca!dral1 ,orvieto #gb ,subjects f ,dante ,ca!dral1 ,orvieto #gd ,heav5 ,ca!dral1 ,orvieto #gf ,hell ,ca!dral1 ,orvieto #gf ,! ,damnation ,ca!dral1 ,orvieto #gh ,! ,resurrection ,ca!dral1 ,orvieto #hj ,signs ( ,de/ruction ,ca!dral1 ,orvieto #hb ,madonna & ,sa9ts ,br]a1 ,milan #ij ,dead ,*ri/ upheld by ,angels ,s4 ,niccolo1 ,cortona #ib ,! ,adoration ( ! ,magi ,j>vis ,collection1 ,new ,hav51 ,u4,s4,a4 #id ,madonna & ,sa9ts ,manc9i ,collection1 ,citta di ,ca/ello #ih ,! ,deposition ,santa ,croce1 ,umb]tide #ajj ,madonna1 ,sa9ts1 & ,prophets ,gall]y1 ,arezzo #ajb ,/udy ( ,nude ,figure ,l\vre1 ,p>is #ajh ,magdal5 at ! ,foot ( ! ,cross ,academy1 ,flor5ce #aaa ,tib]ius ,grac*us ,gall]y1 ,buda-,pe/h #aaf ,,erratum ,page #f l9e #a1 = ,pius ,,ii4 read ,sixtus ,,iv4 ,! ,frontispiece & ! illu/rations fac+ pp4 #dj1 #db1 & #fj 7#b7 are f photographs by ,hanf/a5gl 7,muni*71 ^? fac+ pp4 #df 7,no4 #b7 & #fh by ,&]son 7,rome71 t fac+ page #ajh by ,a4 ,braun ,co4 7,dorna* & ,p>is71 ^? fac+ pp4 #id & #aaf f private photographs1 & ! rema9d] by ,al9>i 7,flor5ce74 ,,bibliography4 ,,luca ,,signorelli4 ,vas>i1 con annotazione di ,gaetano ,milanesi4 7,fir5ze1 ,g4 ,c4 ,sansoni1 #ahgi47 ,vol4 iii4 ,,luca ,,signorelli ,,und ,,die ,,itali5is*e ,,r5aissance4 ,rob]t ,vis*]4 7,leipzig1 #ahgi47 ,,luca ,,signorelli4 ,cavalcaselle e ,cr[e4 7,le ,monni]1 #ahih47 ,vol4 viii4 ,,ueb] ,,leb51 ,,wirk5 ,,und ,,w]ke ,,d] ,,mal] ,,&rea ,,mantegna ,,und ,,luca ,,signorelli4 ,g4 ,f4 ,waag54 7,hi/oris*es ,tas*5bu* von ,raum]47 ,,luca ,,signorelli4 ,manni4 7,racolta ,milanese di v>i opuscoli1 #agef47 ,vol4 i4 ,,/oria ,,del ,,duomo ,,di ,,orvieto4 ,padre della ,valle1 #agia4 ,,il ,,duomo ,,di ,,orvieto4 ,ludovico ,luzi1 #ahff4 ,,memorie ,,ecclesia/i*e ,e ,,civili ,,di ,,citta ,,di ,,ca/ello4 ,muzi1 #ahdd4 ,,i/ruzione ,,/orico4 ,giacomo ,manc9i1 #ahcb4 ,,notizie 444 ,,sopra ,,luca ,,signorelli4 ,girolamo ,manc9i1 #ahfg4 ,,guida ,,dei ,,monum5ti 444 ,,nella ,,prov9cia ,,dell',,umbria1 ,,gu>dabassi4 #ahgb4 ,,family ,,tree ,,( ,,! ,,signorelli ,,family4 ,,v5tura ,,di ,,signorelli4 ,,luca4 ,,egidio ,a si/] ( ,,lazz>o ,,dei ,,taldi 7great-gr&fa!r ( ,,giorgio ,,vas>i1 ! biograph]74 --------------------------- ,,v5tura4 ,,luca ,,galizia ,,c>nesecca4 ---------------------------------------- ----------- ,,polidoro ,,antonio ,,pi] ,,tommaso ,,gabriella ,,felicia 7,pa9t] & #a4 ,,nann9a ,,m>gh]ita ,,m>iotto ,,luca ,,della ,build]74 ,,di ,,paolo ,,di ,,vagnozzi4 ,,del ,,mazza4 ,,bioscia4 ,,di ,,=zore4 #b4 ,,mattea ,,di ,,b]n>d9a4 ,,dom5ico ,,di ,,simone4 ------------- ------------ ,,lucrezia ,,francesco ,,rosata ,,giulio4 ,,filiziano4 ,,dom5ico 7,pa9t]74 ,,m>iotto ,,di ,,gilio ,,felice ,,di ,,felice 7,bank]47 ,,c>r>i4 ,,pass]9i4 ,,luca ,,signorelli ,,*apt] ,i ,,8 ,,life 7,,born #adda3 ,,di$ #aebc7 ,x is a curi\s fact t1 consid]+ ! numb] ( docum5ts :i* exi/ relat+ to ,signorelli1 & ! pa9t+s "t has sp>$1 s little %\ld be kn[n beyond ! m]e/ outl9e ( 8 life4 ,! v dates ( 8 bir? & dea? are indirectly acquir$2 ! docum5ts leave 8 y\? & e>ly manhood an absolute blank1 & !re are only two ( 8 num]\s works :i* c ) c]ta9ty be plac$ be=e 8 ?irty-?ird ye>4#a ,we are1 !re=e1 =c$ to fall back ^u tradition>y record1 & by ! aid ( 8 biograph] ,vas>i1 & ! evid5ce ( y\?ful /udies :i* 8 pa9t+s conta91 to pat* toge!r a probable acc\nt ( 8 life1 up to ! "t :5 ! docum5ts beg94 ,on ,vas>i1 9 ?is case1 we c dep5d ) a c]ta9 am\nt ( confid5ce1 s9ce ,signorelli 0 8 k9sman1 & !y _h be5 9 su* p]sonal communication z 0 possible betwe5 an old man & a *ild4 ,f ,vas>i1 !n1 we le>n t ,luca 0 born 9 ,cortona1 ( ,egidio ,signorelli1 & a si/] ( ,lazz>o de ,taldi4#b ,?is ,lazz>o1 great gr&fa!r ( ! biograph]1 des]ves special m5tion1 s9ce x 0 ?r\gh 8 means1 & "u 8 gu>dian%ip1 t ,luca 0 plac$ z a *ild to /udy pa9t+ ) ,pi] dei ,frances*i1 at ,arezzo4#c ,vas>i tells u t ,lazz>o 0 a fam\s pa9t] ( 8 "t1 n only 9 8 own c\ntry1 b ?r\gh\t ,tuscany1 ) a /yle ( pa9t+ h>dly to be di/+ui%$ f t ( 8 great fri5d1 ,pietro della ,francesca4#d ,?is1 h[ev]1 is an ass]tion t has nev] be5 support$1 & 0 probably bas$ on ! au?or's pride 9 8 own family1 = 9 ! ,cortona tax-receipts = ! ye> #adbg1 he is describ$ m]ely z a h>ness-mak] 7,sellajo di ,cavalli47#e ,!re is1 besides1 no record ( him among ! pa9t]s ( ,arezzo1 & no fragm5t rema9s ( ! _m works enum]at$ by 8 great-gr&son4 ,b x is ( little consequ5ce :e!r he 0 a pa9t] ( pictures or a decorator ( saddles2 :at is to our purpose is ! fact1 t by 8 means ,luca 0 plac$ "u ! tutelage ( ! pa9t] mo/ capable ( develop+ ! noble/ qualities ( 8 g5ius4 ,luca 0 born ab\t #adda1 z we ga!r f ,vas>i1 & if #adeb is ! correct date ( 8 uncle ,lazz>o's dea?1 8 appr5tice%ip to ,pi] dei ,frances*i mu/ h begun be=e 8 elev5? ye>4 ,x is probable t1 ) 8 fell[-pupil ,melozzo da ,=li1 8 s5ior by ?ree ye>s1 ,signorelli assi/$ ! ma/] ) ! frescoes 9 ,s4 ,francesco1 al?\gh !re is no trace ( any "w t might be f 8 h&4 ,vas>i tells u t z a y\? he lab\r$ to imitate ! /yle ( 8 ma/]1 ) su* success1 t 7z he rem>k$ ( ,lazz>o7 _! "w 0 h>dly to be di/+ui%$ ap>t4#f ,! ne>e/ approa* to ! /yle ( ,pi]o t rema9s to u is ,! ,flagellation1 ( ! ,br]a1 ,milan1 :i*1 h[ev]1 already %[s signs ( a m deeply impress$ te*nical influ5ce1 b x 0 probably "u ,pi]o's tra9+ t ,signorelli develop$ 8 broad me?ods ( "w1 & ! gr& mann] :i* makes 8 pa9t+ s impressive4 ,! lat] influ5ce visible 9 ! above-m5tion$ ,flagellation1 z ?r\gh\t all 8 "w1 is t ( ,antonio ,pollaiuolo4 ,to him & to ,donatello are due ! mo/ important features 9 8 arti/ic developm5t1 & 9 te*nique he foll[s mu* m readily ?an ! ,umbrian1 ! ,flor5t9e me?ods1 ) :i* 8 pa9t+ has ne>ly ev]y?+ 9 common4 ,( ! influ5ce ( ,donatello x may ju/ly be said t e pa9t] & sculptor ( ! fifte5? c5tury submitt$ to x1 b few 7 s completely t\*$ by 8 _s z ,signorelli4 ,n only1 z we %all see lat]1 did he transf] attitudes & features f ,donatello's /atues into 8 e>li] pa9t+s1 b he caught1 & ev5 exagg]at$1 ! confid5t & some:at arrogant _s ( 8 "w1 & exploit$ x ) ! same uncompromis+ realism4 ,! influ5ce ( ,antonio ,pollaiuolo 0 /ill m important1 & is s evid5t 9 ! :ole mass ( 8 pa9t+1 t ) no o!r w>rant we may feel c]ta9 t he sp5t a consid]able "t ei!r z pupil or assi/ant to ! ,flor5t9e ma/]4 ,! passion ( ,pollaiuolo 0 to discov] ! sci5ce ( movem5t 9 ! human frame4 ,he und]/ood ! nude 9 a m mod]n way ?an ! ma/]s be=e him1 says ,vas>i1 & he remov$ ! sk9 f _m corpses to see ! anatomy b5ea?4#g ,he 01 9 fact1 ! great anatomical /ud5t among ! ,quattroc5to arti/s2 &1 hav+ ! same ta/es1 x 0 natural t to 8 work%op ,signorelli %\ld turn1 9 ord] to satisfy 8 own crav+ = k ( ! /ructure ( bones & muscles4 ,! int]nal evid5ce ( 8 pa9t+s w>rants ?is supposition1 b !re is no record ( any resid5ce 9 ,flor5ce1 beyond ! ann\ncem5t ( ,vas>i1 t he w5t !re aft] 8 visit to ,si5a1 n at all z a /ud5t1 b z a fully-fl$g$ pa9t]1 mak+ gifts ( 8 pictures to 8 fri5d & patron1 ,lor5zo dei ,m$ici4 ,8 "w1 h[ev]1 proves s inconte/ably ! tra9+ ( ,pollaiuolo1 & %[s s close an acqua9tance ) ,flor5t9e works ( art1 t we may safely presume ! great] "p ( 8 y\?1 aft] leav+ ! /udio ( ,pi] dei ,frances*i1 to h be5 pass$ 9 ,flor5ce z pupil or assi/ant ( ,antonio4 ,x is a wide leap f ^! days ( /udy to ! beg9n+ ( 8 citiz5's life 9 ,cortona1 :51 a man ( ?irty-eight1 he fir/ settl$ d[n z a burgh] dis*>g+ important duties !re1 b x w\ld be idle to attempt to fill ! gap1 & only "o docum5t exi/s to help 9 any way to bridge x ov]4 ,?is is a commission f ! ,commune ( ,citta di ,ca/ello1 dat$ #adgd1h requir+ ,signorelli to pa9t1 ov] "s old] frescoes 9 _! ,t[]1 a l>ge ,madonna & ,sa9ts1 b1 un=tunately ! "w itself no long] exi/s1 = :at "t & neglect _h sp>$1 ! e>?quake ( #aghi completely de/roy$4 ,we may presume t be=e #adgi he pa9t$ ! important frescoes = ! ,*ur* ( ! ,holy ,h\se at ,loreto1 s9ce 9 t ye> he 0 fir/ appo9t$ to ! municipal (fices 9 ,cortona1 :i* necessitat$ an almo/ con/ant resid5ce !re = ! next ?ree ye>s1 z ! docum5ts ( election %[4#i ,^! num]\s pap]s 7= ! mo/ "p discov]$ ?r\gh ! ef=ts ( ,signor ,girolamo ,manc9i1 & publi%$ 9 8 ,notizie71 are pres]v$ 9 ! ar*ives ( ,cortona1 & =m ! *ief evid5ce ( ! pa9t]'s :]eab\ts up to ! end ( 8 long life4 ,!y record1 fir/1 8 appo9tm5t 9 ! autumn ( #adgi to ! ,c\ncil ( ,,xviii41 & to ! ,cons]vatori degli ,ord9am5te1#aj 9 ! foll[+ spr+ to ! ,priori1 & 9 ! summ] to ! ,g5]al ,c\ncil1 & !y cont9ue ) few int]ruptions up to ! v day ( 8 dea?4 ,!y decide = u ! social /atus he enjoy$1 = bo? ,priori & ,c\ncillors 7 *os5 f ! ri*e/ & mo/ influ5tial families1 al?\gh n necess>ily noble4#aa ,8 (ficial life began 9 a "t ( tumult & blood%$4 ,x 0 ! ye> aft] ! failure ( ! ,pazzi ,conspiracy1 & all ar\nd ,cortona 7 pit*$ ! camps ( ! rival troops ( ,sixtus ,,iv4 & ! excommunicat$ ,flor5t9es4 ,cortona itself1 z a fronti] t[n ( ! ,m$ici1 0 9 ! v c5tre ( ! fray2 & besides ^! m important qu>rels1 !re 7 ! incessant int]nal bick]+s betwe5 ! nobles & ! populace1 :i* at t "t divid$ e ,italian city aga9/ itself4 ,altoge!r1 ! position ( ,magi/rate 9 su* a t[n1 at su* a "t1 c\ld h be5 no s9ecure1 & x is difficult to und]/& h[ ! h>d-work+ pa9t] c\ld h f\nd "t or incl9ation to accept ! citiz5's duties1 :i* 7 s weighty an occupation 9 !mselves4 ,mu* "t has be5 sp5t 9 ! va9 se>* = docum5ts relat+ to ,signorelli's suppos$ visit1 9 #adhd1 to ,rome1 :]e1 x is said1 he 0 summon$ to pa9t1 ) ,p]ug9o1 ,p9torric*io1 ,botticelli1 & ,cosimo ,rosselli1 ! walls ( ! ,si/9e ,*apel4 ,lat] criticism has p]haps acc\nt$ = ! abs5ce ( su* a record4 ,( ! two frescoes !re1 =m]ly attribut$ to him1 x is n[ no long] d\bt$ t "o--,! ,j\rney ( ,moses & ,zipporah--is by ,p9torric*io1 & ! op9ion is gradually ga9+ gr\nd t ! o!r--,! ,dea? ( ,moses--al?\gh mu* ne>] to ,signorelli's /yle1 is n suffici5tly s z to p]mit u to accept x z 8 "w4#ab ,! notices ( ! next few ye>s conta9 little ( int]e/ beyond ! facts1 t 9 #adhd ,signorelli pa9t$ ! alt>-piece 9 ! ,p]ugia ,ca!dral1 ! fir/ dat$ picture rema9+1 & t 9 #adhh he receiv$ ! mu*-covet$ hon\r ( citiz5%ip f ,citta di ,ca/ello1 = ! great ability ) :i* he pa9t$ a /&>d = ! bro!rhood ( ! ,bless$ ,virg91#ac a "w :i* no long] exi/s4 ,soon aft] foll[s a docum5t dat$ #adia1 :i* be>s witness t ,luca _h be5 invit$ by ! au?orities ( ,santa ,m>ia dei ,fiori 9 ,flor5ce to assi/ 9 judg+ ! models & designs = ! project$ facade ( t *ur*4#ad ,?is is important z a pro( ( ! high e/eem 9 :i* he 0 held 9 ,flor5ce1 imply+ also t he mu/ h und]/ood some?+ ( ar*itecture4 ,he decl9$ ! invitation1 p]haps = ! same reason = :i* he _h excus$ himself ! mon? be=e f s]v+ z ,priore 9 8 native t[n1 be+ abs5t at a di/ance ( ov] =ty miles1#ae probably at ,volt]ra4 ,he pa9t$ !re 9 ?is ye> ?ree pictures1 all ( :i* are /ill 9 ! city2 ! ,annunciation & ! ,madonna & ,sa9ts1 dat$ #adia1 & ! fresco ( ,s4 ,j]ome on ! walls ( ! ,municipio4 ,! next notice ( importance is ( ! ye> #adig1 :5 he receiv$ ! commission f ! monks ( ,s4 ,b5$ict to fresco ! walls ( _! cloi/] at ,monte ,oliveto4#af ,"h he pa9t$ eight episodes f ! life ( ! patron sa9t1 leav+ ! re/ ( ! "w to be complet$ by ,sodoma4 ,not)/&+ ?is task he f\nd "t1 = f\r mon?s ( ?is v ye>1 to s]ve among ! ,priori 9 ,cortona1 & accept$1 besides1 a fre% appo9tm5t z "o ( ! ,revisori degli ,arg5ti4 ,9 ! foll[+ ye> he 0 9 ,si5a1 :]e he pa9t$ ! alt>-piece = ! ,bic*i family1 ! w+s ( :i* are n[ 9 ,b]l94 ,illu/ration3 ,museo del ,duomo1 ,orvieto ,,portrait ,,( ,,signorelli ,we h n[ rea*$ ! mo/ important "t 9 ,signorelli's life1 ! ye> 9 :i* he receiv$ ! commission = ! decoration ( ! ,cappella ,nuova 9 ! ,ca!dral ( ,orvieto4 ,fifty ye>s be=e1 ! ro( _h be5 begun by ,fra ,angelico1 & ev] s9ce he w5t away1 leav+ x unf9i%$1 ! au?orities _h be5 undecid$ to :om to give ! important "w4 ,b5ozzo ,gozzoli _h begg$ = x2 ,p]ug9o1 x is said1 _h refus$ x2 & n[1 9 #adii1 p]haps influ5c$ to ! *oice by ! success ( ! ,monte ,oliveto frescoes1 !y entru/$ ! "w to ,signorelli4 ,wi%+ fir/1 h[ev]1 to te/ 8 p[]s1 !y limit$ ! commission to ! completion ( ! vault+1 & x 0 n till ! foll[+ ye> t !y h&$ ov] to him ! re/ ( ! *apel1 to be pa9t$ ) ! /ory ( ! ,la/ ,judgm5t4 ,) ?is dramatic subject1 & 9 ^! great spaces ( ! walls he _h = ! fir/ "t a free field = ! wide sweep ( 8 bru%1 & ! =ce ( 8 vivid imag9ation4 ,! conceptions ( ,dante inspir$1 b did n trammel him1 & he _h suffici5t /r5g? to make ! great drama 8 own1 & to compel x to s]ve 8 ends 9 ! display ( ! human frame 9 its mo/ vigor\s aspects4 ,! portrait he has pa9t$ ( himself 9 ! fir/ ( ! frescoes1 z well z t 9 ! ,op]a del ,duomo1 %[ u a man 9 ! v prime ( life1 full ( en]gy & det]m9ation4 ,f\r ye>s at lea/1 ,signorelli lab\r$ at ^! frescoes1 al?\gh n consecutively1 z we %all pres5tly see4 ,he _h ) him z assi/ant 8 son ,polidoro1#ag & p]haps ,girolamo ,g5ga1 & o!r pupils4 ,he 0 app>5tly on fri5dly t]ms ) ! au?orities1 ( "o ( :om1 ! treasur] ,niccolo ,francesco1 he pa9t$ a portrait1 side by side ) 8 own above m5tion$4 ,x is on a brick or tile1 on ! back ( :i* is a flatt]+ inscription1 evid5tly compos$ by ,niccolo himself1 9 :i* he speaks ( ,signorelli z wor?y ( comp>ison ) ,apelles4#ah ,yet1 not)/&+ ?is fri5d%ip ) ! treasur]1 he c\ld n get ! money due to him1 & x requir$ ! int]v5tion ( no less a p]son ?an ,guidobaldo ( ,urb9o1 9 #aejf1 to obta9 x = him4 ,a lett] f ! ,pr9ce is pres]v$ 9 ! ,orvieto ar*ives1#ai 9 :i* he writes3 ,lov+ ,mae/ro ,luca di ,cortona z ,i d1 9 no common measure1 = 8 ability & r>e tal5ts1 ,i c refuse him no possible fav\r 9 all t he may require ( me1 & goes on to beg ! au?orities = _! love to him1 to pay _! debt to ! pa9t]1 :i* assur$ly w be to me ! greate/ fav\r4 ,illu/ration3 ,ca!dral1 ,cortona ,,! ,,deposition ,ev5 9 fulfill+ s ardu\s an und]tak+ z ^! great frescoes ,luca did n ab&on 8 magi/rate's "w 9 8 own city1 & dur+ ! "t1 0 s]v+ bo? on ! ,g5]al ,c\ncil & z "o ( ! ,priori4 ,9 #aejb1 moreov]1 he f\nd "t to pa9t = 8 ,ca!dral at ,cortona ! beautiful ,deposition1 9 :i* is a repetition ( ! ,pieta ( ! ,capella ,nuova4 ,! realism & pa?os ( ?is dead ,*ri/ are s conv9c+ z to h giv5 rise to ! leg5d t x 0 pa9t$ f ! body ( 8 son1 :o di$1 or 0 kill$1 9 ?is ye>4 ,vas>i ?us relates ! incid5t3 ,luca _h a son1 beautiful 9 face & p]son1 :om he lov$ mo/ de>ly1 kill$ 9 ,cortona1 :]eupon1 ov]:elm$ ) grief z he 01 he _h ! body /ripp$1 & ) ! greate/ =titude ( s\l1 )\t te>s or lam5tation1 he made a draw+ ( x1 9 ord] to h always be=e 8 eyes 444 :at ,nature _h giv5 him1 & cruel ,fate _h snat*$ away4#bj ,?is son1 ,antonio1 probably a pa9t] also1 mu/ h be5 a man ( mature ye>s at ! "t ( 8 dea?1 = he 0 already m>ri$ to a second wife4 ,! /ory has tak5 hold ( ! fancy ( ,signorelli's biograph]s1 9 ! de>? ( p]sonal matt]1 & is ! be/ kn[n incid5t 9 8 life1 b x is m ?an probable t ,antonio 0 c>ri$ (f by ! plague :i*1 foll[+ close on ! heels ( ! w> ( #aejb1 attack$ ,cortona1 9 :i* case x becomes a m]e leg5d4 ,we le>n f a docum5t1 dat$ ,june #bcrd1 t ! pa9t]'s h\se 0 n sp>$1 = he excus$ himself f s]v+ z ,priore 9 t mon?1 because ! pe/e bubbonica _h brok5 out 9 8 family4 ,f\r ye>s lat]1 ,polidoro1 8 elde/ son1 & 8 assi/ant at ,orvieto1 di$ also4 ,?is happ5$ :ile ,signorelli 0 on a visit to ,si5a1 = x 0 !re he b\ght ! m\rn+ clo?4 ,! object ( ?is visit 0 to design "o ( ! subjects = ! fam\s pavem5t ( ! ,ca!dral1 b :e!r he ev] did x we d n "k2 c]ta9ly x 0 nev] execut$ 9 m>ble4 ,9 ! next ye> we h ! usual records ( (ficial appo9tm5ts1 & z a pro( ( 8 arti/ic activity1 ! two pictures /ill rema9+ 9 ! little t[n ( ,arcevia1 dat$ #aejg & #aejh1 "o ( !m1 ! spl5did ,ancona1 be+ among 8 f9e/ works4 ,n[ a man ( ne>ly sev5ty1 ,signorelli's en]gies seem$ to gr[ great] ) increas+ age1 = 9 #aejh we f9d him1 besides be+ elect$ to 8 usual (fices1 deput$ z ambassador to ,flor5ce1 to dem& !re p]mission to re=m ! (fices & ord9ances ( ,cortona1 & 9 ! same ye> he 0 at ,rome1 toge!r ) ,p]ug9o1 ,p9torric*io1 & ,sodoma1 work+ at ! decoration ( ! ,vatican ,*amb]s1 already begun by ,pi] dei ,frances*i4 ,giambatti/a ,caporali gives a glimpse into _! social life 9 ,rome1 tell+ ( a supp] giv5 9 _! hon\r by ,bramante#ba--;,bramante1 to ^: introduction to ! ,pope ( ! "y ,raffaelle x is due t none ( _! "w1 ) ! exception ( ,p]ug9o's ceil+1 rema9s to u4 ,h[ mu* ,signorelli pa9t$ we d n "k4 ,vas>i says1 ,he _h successfully complet$ "o wall1#bb b s en*ant$ 0 ,julius ,,ii4 ) ! facile & mod]n /yle ( ,raffaelle1 t aft] he _h f9i%$ ! ,/anza della ,segnatura1 he =c$ him to de/roy ! pa9t+s ( ! old] ma/]s & deliv]$ ! entire "w to him & 8 assi/ants3 a caprice :i* po9ts a v significant turn 9 ! hi/ory ( pa9t+--! triumph ( ! late ,r5aissance ov] ! giants ( ! pa/4 ,signorelli seem$ de/9$ to f9d no?+ b disappo9tm5t 9 ,rome4 ,five ye>s lat]1 an old man ( sev5ty-two1 he aga9 w5t !re1 ?is "t on ! accession ( ,giovanni dei ,m$ici1 9 #aeac1 to ! ,papal *air4 ,kn[+ ! luxuri\s nature ( ! new ,pope1 & rememb]+ ! int5se passion ( 8 fa!r ,lor5zo = art & lett]s1 to ,rome flock$ poets & pa9t]s1 sculptors & ar*itects1 f e "p ( ,italy1 9 ! hope ( "w or ( rew>d1 & among !m came ,signorelli1 ) reasonable expectation ( employm5t1 & notice f ! son ( 8 old patron & fri5d4#bc ,l 8 pr$ecessor1 h[ev]1 ,leo ,x4 pref]r$ ! m mod]n s*ool ( ,raffaelle & 8 pupils1 & ,luca _h to return disappo9t$ to ,cortona4 ,9 connection ) ! visit exi/s a curi\s docum5t1 :i* has smir*$ too long ! hon\r ( ! pa9t]4 ,x is ! fam\s lett] ( ,mi*elangelo1 pres]v$ among ! ,buon>otti ar*ives1 9 :i* he makes a compla9t to ! ,capitano ( ,cortona1 t ,signorelli1 sick ) ! +ratitude ( ! ,m$ici = ! love ( :om he w\ld h _h 8 head cut (f1 _h borr[$ ( him eighty juli ) :i* to return to ,cortona2 t on application = ! money1 ,luca decl>$ x to h be5 already repaid1 s t n[ he--,mi*elangelo--sees no o!r way ( obta9+ 8 own b by application to ! ,capitano = ju/ice4#bd ,?is is ! gi/ ( ! lett]2 we h to use our own k ( ! "* ( ! two m5 to deciph] ! my/]y1 s9ce no o!r docum5t confirms or d5ies ! accusation4 ,! reasonable explanation seems to be t "s delay1 probably on ! road1 9 ! transmission ( ! money1 irritat$ ! notori\sly impati5t temp] ( ,mi*elangelo4 ,signorelli's "*1 f all we "k ( x1 seems to h be5 mo/ upright & g5]\s4 ,su* 0 ! goodness ( 8 nature1 t he nev] l5t himself to ?+s t 7 n j & righte\s1 says ,vas>i1#be & t he %\ld h be5 guilty ( s petty a crime t[>ds a fri5d1 is n = a mom5t to be believ$4 ,moreov]1 8 w1 re-made 9 ! foll[+ ye>1 proves him to h be5 9 prosp]\s circum/ances1 :ile ! fact t he cont9u$ to hold 8 appo9tm5ts1 & to receive fre% & ev5 m hon\rable ones1 te/ifies to ! respect 9 :i* he 0 held by 8 fell[-citiz5s4 ,9 pleasant contra/ ) ,mi*elangelo's accusation are ! glimpses we h ( 8 /ately old age1 ?r\gh ,vas>i4 ,& at la/1 he writes1 hav+ complet$ works = ne>ly all ! pr9ces ( ,italy1 & be+ n[ old1 he return$ to ,cortona1 :]e1 9 8 la/ ye>s1 he work$ m = pleasure ?an any o!r reason1 z "o :o1 accu/om$ to lab\r1 knew n h[ to be idle4#bf ,( ^! lat] pa9t+s ! ,deposition ( ,umb]tide proves t ! old man ( sev5ty-five _h lo/ little ( 8 p[]4 ,x is "o ( 8 mo/ beautiful & t5d] r5d]+s ( a sc5e he has s (t5 pa9t$4 ,! ,madonna1 n[ 9 ! ,arezzo ,gall]y1 pa9t$ ?ree ye>s lat] 7#aeai71 %[s1 p]haps1 a slight fall+ (f 9 te*nical p[]1 :ile reta9+ to ! full 8 *>act]i/ic gr&eur ( conception4 ,x 0 ?is picture :i*1 ,vas>i tells u1 0 borne on ! %\ld]s ( ! bro!rs1 = ^: ord] x 0 pa9t$1 f ,cortona to ,arezzo1 & ,luca1 old z he 01 insi/$ on accompany+ !m1 p>tly to place x 9 position1 z 0 cu/om>y1 & p>tly to revisit 8 fri5ds & relations4 ,! biograph] gives a *>act]i/ic incid5t 9 connection ) ?is visit1 told s *>m+ly1 t ,i c d no bett] ?an transcribe x3-- ,& he1 be+ lodg$ 9 ! h\se ( ! ,vas>i1 :]e ,i 0 a little *ild ( eight ye>s1 ,i rememb] h[ t good old man1 :o 0 always graci\s & c\rte\s1 hav+ le>nt f ! ma/] :o fir/ taught me my lett]s1 t ,i c>$ = no?+ else at s*ool b draw+ pictures2 ,i rememb]1 ,i say1 he turn$ to ,antonio1 my fa!r1 & said to him3 ',antonio1 s9ce ,giorgio takes aft] 8 family1 let him by all means be taught h[ to draw1 because1 ev5 if he c>es = lit]ature1 to "k h[ to draw _c b be a s\rce ( hon\r & enjoym5t1 if n ( utility1 to him1 z to e hon\rable man4' ,!n he turn$ to me1 :o /ood up /raight be=e him1 & said1 ',le>n1 little k9sman4' ,& ,vas>i adds1 h[1 he>+ t he suff]$ mu* f ble$+ at ! nose1 :i* sometimes left him half dead1 ,signorelli hung a jasp] *>m ab\t 8 neck1 ) inf9ite t5d]ness4 ,:i* memory ( ,luca1 he concludes1 w rema9 et]nally fix$ 9 my s\l4#bg--,"o ( ^? delightful human t\*es ( :i* ! writ+s ( ,vas>i are s full4 ,?is visit to ,arezzo took place only f\r ye>s be=e 8 dea?4 ,he mu/ h di$ 9 #aebc1 at ! age ( eighty-two1 b !re is no special record ( ! ev5t1 ! date be+ ga!r$ only f a docum5t1 :i* tells ( ! election on ! #h? ( ,decemb] ( ano!r ,inspector ( ,santa ,m>gh]ita1 to fill ! place ( ! dead pa9t]4#bh ,on ! #ac? ( ,octob] ( ! same ye>1 he _h made 8 la/ w1 leav+1 ) _m m9or beque/s1 ! bulk ( 8 prop]ty to 8 son1 ,pi] ,tommaso1 & 8 gr&son1 ,giulio1 & express+ 8 desire to be buri$ 9 ! tomb ( 8 family 9 ! ,*ur* ( ,s4 ,francesco4#bi ,9 8 fir/ edition1 ,vas>i tells u t1 aft] 8 dea?1 8 memory 0 hon\r$ by _m epitaphs1 among :i* he quotes ! foll[+3-- ,pianga ,cortona omai1 ve/asi oscura1 ,*e e/9ti son' del ,signorello i lumi2 ,et tu1 ,pittura1 fa de gli oc*i fiumi1 ,*e re/i s5za lui debili e scura4#cj ,app>5tly ,signorelli reta9$ 8 heal? & en]gy up to ! end ( 8 long life1 = only ! ye> be=e 8 dea? he _h accept$ fre% appo9tm5ts 9 ,cortona1 &1 9 addition to 8 old (fices1 0 fill+ ^? ( ,priore ( ! ,frat]nity ( ,s4 ,m>k1 ,s9daco del ,capitans1 & sev]al o!rs1 religi\s & secul>4 ,he 01 moreov]1 /ill actively pa9t+1 & 9 ! v ye> ( 8 dea? he complet$ ! alt>-piece = ! ,*ur* at ,foiano1 a "w z noble & maje/ic 9 conception z x is vigor\s 9 execution1 besides accept+ a commission f ! ,priori to pa9t !m an alt>-piece = ! *apel ( _! palace4 ,i c d no bett] ?an conclude ?is scanty hi/ory ) ! "* ( ! man1 z x is told u by ,vas>i3 ,luca 0 a p]son ( excell5t habits1 s9c]e & affectionate ) 8 fri5ds1 sweet & agreeable 9 8 conv]se ) ev]yone1 specially c\rte\s to ^? :o _h ne$ ( 8 help1 & k9dly 9 8 in/ructions to 8 pupils4 ,he liv$ mo/ spl5didly1 & delight$ 9 dress+ well4 ,= ! :i* good qualities he 0 always1 9 8 own c\ntry & else:]e1 held 9 ! highe/ v5]ation4#ca ,,footnotes3 #a ,! ,madonna 7,no4 #bha71 & ,! ,flagellation 7,no4 #bfb71 ,br]a1 ,milan4 #b ,x 0 ! fame ( ,lazz>o's son ,giorgio z an imitator ( antique vases t won = ! family ! "n ,vas>i4 #c ,vas>i1 ii4 #eec4 #d ,vas>i1 ii4 #eed4 #e ,vas>i1 ii4 #eec4 ,editor's ,notes4 #f ,vas>i1 iii4 #fhc & #fhd4 #g ,vas>i1 iii4 #bie4 #h ,muzi1 ,memorie1 p4 #dh2 & ,giacomo ,manc9i1 ,i/ruzioni1 ii4 #ff & #fg4 #i ,= ! dates ( ^! v>i\s appo9tm5ts1 see ! ,*ronological ,table1 p4 #aba4 #aj ,i h ?\ght x be/ only to translate ^? titles :i* h a correspond+ mean+ 9 our own c\ntry4 #aa ,vis*]1 p4 #g4 #ab ,x is ) ! utmo/ diffid5ce ,i v5ture to hold a diff]5t op9ion f a critic ( su* weight z ,morelli 7see ,italian ,pa9t]s1 i4 #ib71 b a c>eful comp>ison has =c$ me to subscribe to ! lat] judgm5ts4 ,cr[e ,cavalcaselle 7see ,cavalcaselle e ,cr[e1 viii4 #dec7 & ,vis*] 7,signorelli1 p4 #caa7 h bo? ma9ta9$ t a great "p ( ! execution reveals ! h& ( ,b>tolommeo della ,gatta4 ,"o ( ! late/ critics1 ,mr ,b4 ,b]5s51 presumes t ! :ole fresco is by him4 ,i "k too little ( ?is pa9t]'s /yle to be able to =m an op9ion1 feel+ c]ta9 only t x is n by ,signorelli4 #ac ,see ,*ronological ,table1 p4 #abb4 #ad ,ar*4 dell op]a del ,duomo di ,fir5ze4 ,delib]azioni dall'anno #adhf all'anno #adia4 ,a ,c>te #gg4 ,! docum5t m]ely m5tions 8 "n among ^? :o 7 unable to att5d4 #ae ,see ,*ronological ,table1 p4 #abb4 #af ,see ,guida all'arcic5obio di ,monte ,oliveto 7,si5a1 #ahdd71 p4 #bj4 #ag ,prov$ by a docum5t 9 ! ,orvieto ,ar*ives1 conta9+ a li/ ( mat]ials h&$ ov] by ! ,treasur] ( ! ,works to ,polidoro4 ,see ,vis*]1 p4 #ajb4 #ah ,n[ 9 ! ,op]a del ,duomo1 ,orvieto4 ,! portrait ( ,signorelli 9 ! frontispiece is ! half ( ?is pa9t+4 #ai ,! lett] is transcrib$ 9 ,vis*]1 p4 #cef4 #bj ,vas>i1 iii4 #fia4 #ba ,9 ! repr9t ( ,ces>iano's ,comm5ts on ,vitruvius1 by ,g4 ,b4 ,caporali4 7,p]ugia1 #aecf74 ,! passage is quot$ 9 ,v]miglioli's ,memorie di ,p9torric*io 7#ahcg71 pp4 #e & #f4 #bb ,vas>i1 iv4 #cbi4 #bc ,! biograph]s ( ,signorelli1 foll[+ ! lead ( ,vas>i1 h dwelt mu* on 8 fri5d%ip ) contempor>y pr9ces--! ,baglioni1 ,vitelli1 etc42 till we h gr[n to ?9k ( him r z a silk-clad c\rti] ?an a h>d-work+ burgh] & pa9t]4 ,x may well be t1 l ,leon>do1 he comb9$ "w ) luxury1 b ! evid5ce is ( too slight a nature to all[ u to consid] t side ( 8 life1 if x really exi/$4 ,( 8 fri5d%ip ) ,lor5zo dei ,m$ici1 h[ev]1 !re is m pro(1 s9ce he pa9t$ = him1 & 0 evid5tly influ5c$ by 8 classic ta/es1 z sev]al ( 8 pictures %[4 #bd ,! lett] is transcrib$ 9 ,vis*]1 p4 #cei4 #be ,vas>i1 iii4 #fhc4 #bf ,vas>i1 iii4 #fib4 #bg ,vas>i1 iii4 #fic4 #bh ,manc9i1 ,notizie1 #id4 #bi ,ar*4 ,g54 di ,contratti di ,fir5ze4 ,rogiti di ,s] ,baldelli4 ,filza dal #aejg al #aebd4 #cj ,let ,cortona weep h5ce=?1 & clo! h]self 9 black1 ,= ! light ( ,signorello is ext+ui%$2 ,& ?\1 ,pa9t+1 make riv]s ( ?9e eyes ,= )\t him ?\ rema9e/ weak & obscure4 #ca ,vas>i1 iii4 #fie4 ,,*apt] ,,ii ,,developm5t ,,& ,,*>act]i/ics ,,( ,,8 ,,g5ius ,! =ego+ *apt] conta9s only a b>e record ( c]ta9 facts 9 ! life ( ,luca ,signorelli4 ,=tunately "t has sp>$ _m ( 8 pa9t+s1 & 9 ! /udy ( ^! we get a full] insight into 8 nature & 8 aims4 ,a man's "w is1 aft] all1 ! mo/ satisfactory & reliable docum5t = ^? :o take ! pa9s to deciph] x--! autobiography :i* e man ( g5ius bequea?s to po/]ity4 ,we h se5 h[ by good =tune he 0 plac$ z a *ild to /udy pa9t+ "u ,pi] dei ,frances*i1 :o 0 ( all m5 mo/ able to br+ out 9 8 pupils ! f9] in/9cts & nobl] qualities ( _! g5ius4 ,by 8 guidance & example1 no d\bt1 ,signorelli cultivat$ 8 natural bread? ( conception & ( treatm5t1 :i* give gr&eur & impressive solemnity to all 8 works1 besides acquir+ ! te*nical excell5ces ( good draw+1 solid modell+1 & ! broad mass+ ( ! %ad[s1 :i* are s *>act]i/ic ( ,pi]o's own pa9t+4 ,! _s ( ma/] & pupil 0 fundam5tally alike1 ! *ief po9ts ( dissimil>ity 9 _! "w aris+ f m9or div]g5ces ( temp]am5t4 ,bo? 7 m5 ( robu/ m9d1 ) a message ( resolute purpose to deliv]4 ,bo? *ose to express !mselves ?r\gh ! m$ium ( ! human =m 9 its mo/ vigor\s aspects1 & 71 !re=e1 pre-occupi$ ) ma/]+ its /ructure4 ,b :ile ,pi]o1 ) a s]5e nature1 *ose to repres5t unemotional figures l ! sculptures ( ! anci5t ,egyptians1 ! re/less & impetu\s _s ( ,signorelli pref]r$ sc5es ( viol5t action1 & en]getic movem5t4 ,x 01 p]haps1 ! entire aff9ity ( _! temp]am5t1 z well z 8 passion = anatomical /udy1 :i* l$ him to *oose 8 second ma/] 9 a man ^: ta/e = realism1 & int]e/ 9 ! action ( muscle & movem5t ( limb 0 z ke5 z 8 own4 ,on ,antonio ,pollaiuolo1 ev5 m ?an on ,pi] dei ,frances*i1 _h fall5 ! mantle ( ,paolo ,uccello's inve/igat+ _s4 ,z ! latt] gave all 8 att5tion to apply+ ! laws ( p]spective to l&scape & figures1 s ! ef=ts ( ,pollaiuolo 7 conc5trat$ on giv+ fre$om to ! limbs4 ,great anatomi/ ?\gh he 01 ,pi]o 0 n s ard5t a lov] ( ! ,nude = its own sake z ! ,flor5t9e1 & ! problems ( movem5t h little int]e/ = him1 :]eas 9 ! mo/ *>act]i/ic "w ( ,pollaiuolo x is evid5t t ! sc5es are *os5 to display ! muscles 9 t5se prom95ce1 & ! limbs 9 viol5t action or unusual po/ure4#cb ,) precisely ! same int]e/s 9 ! human /ructure & its movem5ts1 x is no wond] t ,signorelli caught s mu* ( 8 /yle & mann]isms4 ,! influ5ce ( ,antonio ,pollaiuolo 0 /rong] ?an any o!r 9 ! developm5t ( 8 actual "w1 & is visible 9 all 8 pa9t+s up to ! la/ 9 great] or less degree1 b only less important is t ( ,donatello1 to :om ,antonio himself ow$ s mu*4 ,=ty ye>s be=e ! bir? ( ,signorelli1 ,donatello _h be5 able to c>ve ! human =m ) absolute p]fection ( anatomy1 & n only t1 b to end[ x ) fre$om ( limb & ov]fl[+ life4 ,x is easy to suppose ! impression 8 /atues mu/ h made on ! y\?1 ^: _s 0 s mu* ak9 to 8 own 9 exub]ant en]gy1 & :o _h ! same uncompromis+ love ( realism4 ,! two arti/s _h mu* 9 common 9 _! confid5t self-reliance1 & almo/ arrogant buoyancy ( nature1 :i* 0 ! true ,r5aissance expression1 & ! outw>d sign ( its imm5se /r5g?4 ,signorelli caught & reviv$ ! v ess5ce ( ,donatello's _s--! love ( bodily life 9 its mo/ hopeful & vigor\s manife/ations4 ,x is significant t ! swagg]+ po/ure :i* became su* a special feature ( 8 pa9t+1 %\ld h orig9at$ ) ,donatello4 ,donatello 01 be=e all ?+s1 a reali/1 & x 0 probably ! habitual attitude ( ! cavalry soldi] ( ! day1 accu/om$ to /raddle ov] ! broad back ( 8 w>-horse1 b !re is little d\bt t x 0 adopt$ by ,signorelli f ! ,s4 ,george ( ,or ,san ,mi*ele1 & p]haps half-unconsci\sly signifi$ to him--:at t /atue s well embodies--! confid5t _s ( y\? & /r5g?4 ,9 8 portrait ( ,pippo ,spana1 n[ 9 ,s4 ,apollonia1 ,flor5ce1 ,&rea di ,ca/agno also imitat$ & emphasis$ x1 z also did ,botticelli 9 8 c>v$ backgr\nd ( ! ,calumny1 & ,p]ug9o 9 _m ( 8 pa9t+s4 ,b ,botticelli's pa9t$ /atue & ,p]ug9o's ,s4 ,mi*ael & ,w>riors ( ! ,cambio seem to spread _! legs because !y are too puny to be> ! weight ( ! body 9 any o!r mann]1 :ile ) ,signorelli1 ! attitude became ! keynote ( 8 resolute indomitable nature1 & s mu* a "p ( 8 "w1 t "o is apt to =get x did n orig9ate ) him4 ,al?\gh ! "* & aims ( ! two m5 are s entirely diff]5t1 yet to ,p]ug9o1 ,signorelli ow$ mu* 9 8 me?ods ( produc+ ! feel+ ( free space1 & ! life & movem5t ( ! atmosph]e4 ,p]ug9o's greate/ gift to ,art 0 ?is p[] ( r5d]+ ! magic ( ! sun-w>m$ air & ! s5se ( illimitable di/ance4 ,he gave to 8 l&scapes space & dep?1 ! g5tle /ir ( w9d1 & ! gold5 %imm] ( sun%9e4 ,signorelli also le>nt ?is p[] ( pres5t+ ! life ( hill & tree & sky1 & "s ( 8 effects ( di/ance h ! space & gr&eur almo/ ( ,nature h]self4 ,he also1 l ,p]ug9o1 c\ld deta* 8 figures f ! backgr\nd1 & s5d ! l9e ( hills rec$+ back to ! horizon4 ,signorelli owes to him1 besides1 c]ta9 sup]ficial *>act]i/ics1 su* z ! flutt]+ sc>fs & ribbon-l drap]ies1 & ! upturn$ face ) ec/atic eyes :i* belongs to ! ,umbrian pa9t] z mu* z ! droop+ head belongs to ,botticelli4 ,f ^! f\r great arti/s ,signorelli le>nt :at ea* _h be/ to give1 & assimilat$ & made x 8 own1 ) un]r+ in/9ct = its virtue 9 aid+ 8 own specific qualities4 ,n t he 0 9 any s5se an eclectic1 b he _h ! unconsci\s t5d5cy ( ! heal?y s\l to seize ^u ! food t be/ m9i/]s to its n\ri%m5t4 ,?us ! f9e g5ius & inspiration ( ,pi] dei ,frances*i & ! grace ( ,p]ug9o sav$ him f becom+ too rigor\sly reali/ic "u ! influ5ce ( ! sci5tific ,flor5t9es1 ,donatello & ,pollaiuolo1 work+ ^u 8 own uncompromis+ nature4 ,! mo/ important writ]s on ,signorelli--,cr[e & ,cavalcaselle1#cc ,rumohr1#cd &1 above all1 ,vis*]1#ce m5tion sev]al o!r ma/]s1 :o1 !y claim1 ex]cis$ an influ5ce ^u 8 "w1 & x is obvi\s t to ! ,si5ese s*ool g5]ally he 0 indebt$ = _m decorative me?ods1 p>ticul>ly 9 ! use ( gold & gild$ gesso4 ,!re are also 9 "s ( 8 pa9t+s rem9isc5ces ( ,v]roc*io & ,fior5zo di ,lor5zo2 b an impression ( suffici5t dep? to be consid]$1 mu/ t\* ! _s1 & "h !re appe>s to me to be little besides sup]ficial resemblances4 ,x mu/ be rememb]$1 moreov]1 9 ! case ( ,v]roc*io1 h[ mu* he himself ow$ to ,donatello1 :ile ) respect to ! ass]t$ influ5ce ( ,p9torric*io1 x is m probable t :at lik5ess !re is 9 _! /yle %\ld te/ify to ! impression ( ! /rong] ^u ! weak] nature4 ,) ,&rea di ,ca/agno 8 "w1 bo? 9 outw>d =m & 9 _s1 has some?+ 9 common2 & no d\bt ,signorelli 0 impress$ by pa9t+s :i* !mselves %[ s mu* ! influ5ce ( ,donatello4 ,z we h se51 ,luca's *ief int]e/1 l t ( ,pollaiuolo1 lay 9 ! ef=t to r5d] movem5t ( limb ) facility1 & !re=e 8 att5tion 0 conc5trat$ on ! muscles & _! action4 ,we d n "k h[ long he /udi$ anatomy f ! dead & liv+ model 9 ! ,flor5t9e work%op1 nor h we any example ( 8 gradual developm5t1 = :5 he fir/ appe>s be=e u 9 8 e>lie/ rema9+ "w1 ,! ,flagellation1 ( ! ,br]a1 he is already ! ma/] :o has conqu]$ all ! difficulties ( muscul> movem5t1 & surpass$ ev5 ,antonio ,pollaiuolo 9 fre$om ( ge/ure & correct anatomy4 ,x is n till lat]1 h[ev]1 t ! mo/ important advance he made on previ\s pa9t+ fir/ beg9s to %[ itself--! p[]1 namely1 ( r5d]+ comb9$ action1 ( work+ ! limbs ( a cr[d into a s+le movem5t4 ,?is is ,signorelli's special a*ievem5t1 on ! m]its ( :i* he takes rank ) ! mo/ important ma/]s ( ! ,quattroc5to z a pione] & tea*]4 ,great z 0 ,pollaiuolo's comm& ov] ge/ure & action1 x 0 limit$ to ! comb9ation ( two figures only1#cf :ile ) ,signorelli ! action ( ! s+le figure is held subord9ate to t ( ! multitude4 ,he gives ! /ately m>* ( an army1 z 9 ! ,umb]tide pr$ella & ! ,monte ,oliveto fresco2 ! wri?+s ( innum]able figures1 l heaps ( coil$ s]p5ts1 z 9 ! ,damnation ( ,orvieto2 ! ru% ( a viol5t mob /irr$ by a common impulse1 z 9 ! ,flor5ce & ,cortona ,betrayals4 ,?is comm& ov] unit$ movem5t 0 new 9 pa9t+1 ?\gh1 l all o!r difficulties1 x _h be5 already ma/]$ by ,donatello1 z we see 9 8 romp+ *ildr5 ( ! ,prato pulpit1 & ! ,flor5ce ,cantoria1 to "n only two examples4 ,botticelli1 :o1 ) s diff]5t a nature1 _h yet1 9 common ) ! robu/ ,signorelli1 ?is passion = swift movem5t1 a*iev$ lat]1 x is true1 almo/ z great triumphs#cg2 b to ,luca belongs ! m]it ( hav+ end[$ pa9t+ ) ! same fre$om ( comb9$ movem5t :i* ,donatello _h giv5 to sculpture4 ,unlike ,botticelli1 he is consi/5tly a lov] ( en]gy all ?r\gh 8 life1 & z ! s\rce ( en]gy1 ( /r5g?1 & vigor\s heal?4 ,8 gr& conception ( ! body is "o ( ! *ief *>act]i/ics ( 8 "w4 ,/rong & /ately1 x is a fit receptacle = ! _s ( resolution & self-confid5ce ) :i* he animates x4 ,8 ,virg9s are l goddesses1 & seem to typify = him ! /r5g? ( womanhood4 ,n[h]e d we see nobl] beauty ?an 9 8 angels & ar*angels4 ,9 ^! div9e birds#ch he seems to h recognis$ ! ideal ( all he /rove =1 & _! w+s are symbols to him ( swift movem5t & sup]human /r5g?4 ,x 0 always /r5g? t attract$ him1 & /r5g? consci\s ( its own =ce1 f9d+ its expression 9 exub]ant animation4 ,?us he loves to pa9t ! swagg]+ soldi]s1 ^: attitudes express _! audaci\s self-reliance4 ,he gives ! luxuriant life ( ,nature z no "o else gave x1 & 8 trees & plants are z robu/ & unyield+ z 8 firmly-plant$ figures4 ,8 angels' w+s are n m]ely decorative1 b h real p[] ( muscle "u ! plumes to lift ! body & be> x al(t )\t fatigue4 ,he 0 a lov] ( beauty1 b x 0 n = beauty he /rove1 or we %\ld n s (t5 f9d bits ( reali/ic ugl9ess to risk ! h>mony ( 8 noble/ pa9t+s4 ,grace & *>m seem$ to come to him uns\ght1 z natural adjuncts ( a vigor\s & heal?y nature2 b 8 delib]ate *oice ( types ( face & =m1 7 ^? :i*1 by _! /r5g?1 promis$ satisfaction to 8 love ( en]getic action4 ,f ! fir/ ?is t5d5cy is noticeable1 = example1 9 ! above-m5tion$ ,flagellation1 & ! ,loreto ,conv]sion ( ,saul1 & goes on increas+ until x rea*es a climax 9 ! frescoes ( ,orvieto4 ,once "o has grasp$ ! ma9 motive ( ,signorelli's "w1 8 preoccupation ) movem5t1 & consequ5tly ) ! muscles1 8 frequ5t defects & inequalities 9 o!r respects become1 z faults ( inatt5tion1 less incompreh5sible4 ,= example1 8 values ( di/ance are (t5 faulty1 & give ! unpleasant s5sation t "o figure is /&+ on ! top ( ano!r1#ci a defect ( c>elessness1 = no "o is a bett] ma/] ( a]ial p]spective :5 he *ooses4 ,aga91 8 h&s & feet are (t5 incorrectly drawn & badly modell$1 b x is only :5 !y are n ess5tial to ! action2 = al?\gh ! draw+ ( h&s & feet is always p]haps 8 weake/ po9t1 yet ev5 9 8 e>ly pa9t+ ( ! ,flagellation he has already ma/]$ "s ( _! greate/ difficulties ( =e%ort5+4 ,! recognition ( ! int5tion 9 a man's "w enables "o to disp5se ) mu* adv]se criticism 9 detail4 ,x w\ld be we>isome to reit]ate ! faults ( draw+ 9 ea* picture :5 we come to deal ) !m sep>ately1 & x is bett] to recognise 9 ! outset t1 9 pursuit ( a c]ta9 def9ite end1 ,signorelli is c>eless ( :at seems to him uness5tial at ! mom5t4 ,?us 9 deal+ ) him z a col\ri/#dj we h to be> 9 m9d t x 0 by l9e & modell+ *iefly t 8 effects ( movem5t 7 obta9$4 ,to be ov]-critical ( ! %ortcom+s ( 8 col\r1 !re=e1 w\ld be z fooli% z to miss ! *>m ( ,bonifazio's spl5did h>monies 9 abuse ( "s defect ( draw+4 ,sometimes1 9 fact1 ,signorelli ga9s 8 end by ! v crud5ess & heav9ess = :i* he is g5]ally condemn$1 ! %>p contra/s giv+ a rugg$ /r5g? to 8 pa9t+1 & ! copp] col\r ( ! fle% add+ robu/ness to ! figures4 ,x w\ld1 h[ev]1 be mo/ unju/ to speak z if 8 col\r 7 always1 or ev5 usually1 crude & h>%4 ,on ! contr>y1 9 l&scape x is inv>iably beautiful2 & he uses c]ta9 gold5 & moss-gre5s 9 foliage & grass1 & a limpid gre5i%-blue 9 wat]1 :i* are mo/ h>moni\s4 ,sometimes x is gorge\s1 & 9 ne>ly all 8 e>ly pa9t+s !re is a beauty ( r$ & s(t gre51 & a w>m? ( gold5 gl[ ( great dep? & t5d]ness4 ,he _h1 p]haps1 a t5d5cy to ! use ( too heavy col\r1 especially 9 ! fle%2 & he himself seems aw>e ( x1 =1 9 middle life1 = a brief "t1 he *ang$ 8 tone to an almo/ silv]y lightness1 ) v pale fle%-t9ts1 z 9 ! ,uffizi ,holy ,family1 ,no4 #abia1 & aga91 aft] work+ at ,orvieto1 9 ! ,dead ,*ri/ support$ by ,angels1 ( ,s4 ,niccolo1 ,cortona1 ^: g5]al col\r is almo/ l honey2 b he relapses always into 8 *>act]i/ic d>k tones1 especially 9 ! works ( 8 old age1 :i* are = ! mo/ "p heavy & r h>%1 ) fle%-t9ts ( ! r$di%-br[n ( t]ra-cotta4 ,x is1 z ,i h said1 by =m r ?an col\r t ,signorelli obta9s 8 be/ effects4 ,he is a sup]b l9eali/1 z ! (t5-quot$ ,flagellation %[s1 & "o is incl9$ to wi% he _h (t5] us$ outl9e1 z "h1 9 ! mann] ( ,pi] dei ,frances*i4 ,8 l9e is firm & cle>1 simple & /ructural1 ( un]r+ sweep & accuracy1 z we see 9 8 num]\s pr$ella pa9t+s2 b ev5 m rem>kable is ! wond]ful pla/ic quality ( 8 modell+4 ,by ?is he makes u realise bett] ?an any "o be=e him ! t5s5ess ( s9ew1 ! resi/ance ( h>d muscle1 & ! supple ela/icity ( fle%1 giv+ a solidity & weight to 8 =ms t make !m impressive z gr& sculptures4 ,z an illu/rator ,signorelli is mo/ unequal2 brilliant & dramatic :5 ! subject appeal$ to 8 ta/e1 z 9 ! ,orvieto frescoes1 (t5 weak1 z 9 8 treatm5t ( sacr$ !mes4 ,he 0 ess5tially a religi\s pa9t]1 b 9 ! wide/ mean+ ( ! ^w1 & he does n seem to h felt ! dignity & significance ( _m ( ! sc5es 9 ! life ( ,*ri/4 ,:5 he has to pa9t ,him b\nd to ! pill> or nail$ to ! ,cross1 submissive to sc\rg+ & insult1 8 int]e/ seems to w&] f :at %\ld be ! c5tral figure1 & fixes itself on "s two or ?ree ( ! m9or actors1 to :om he gives ! importance he %\ld h conc5trat$ on ! ,*ri/4 ,! pa9t] con amore ( arrogant /r5g?1 he seems to h little 9 common ) meekness & humility t b[s ! head to sc\rg+ & m>tyrdom4 ,?us 9 ne>ly all 8 ,crucifixions ! c5tral figure is ignoble 9 type & expression1 & 9 ! ,flagellations ( ! ,br]a & ( ,morra1 is entirely )\t dignity1 ev5 ignom9i\s4 ,?is is curi\s :5 we consid] t ev5 m ?an ( arrogant /r5g? ,signorelli 0 ! pa9t] ( /ately & noble beauty4 ,aga9 x seems z if he c>$ only to repres5t figures ( p[]ful maturity1 = !re is a complete lack ( sympa?y 9 8 pa9t+ ( *ildr54 ,) "o or two exceptions1 8 *ild ,*ri/s are half-animal little be+s1 m l t9y satyrs ?an human *ildr51 al?\gh n )\t a c]ta9 pa?os 9 _! v ugl9ess4 ,9 a picture ( z great beauty & t5d] feel+ z ! ,holy ,family1 ( ! ,rospigliosi ,collection1 = example1 ! *ild is m animal ?an human4 ,unlike ,donatello1 :o delights 9 *ildhood1 & sees 9 x ! bubbl+ s\rce ( future /r5g?1 ,signorelli gives 8 babies ! ov]weight$1 unela/ic sadness ( old age4 ,9 compos+ 8 ,holy ,families1 !re=e1 8 att5tion is c5tr$ on ! ,virg91 ! /rong woman he lov$ to pa9t1 b ! *ild he seems to feel z an accessory to be execut$ because ! ,*ur* has ord]$ x1 & s he puts x 9 )\t ?\ght ( all x meant & typifi$4 ,b al?\gh he sometimes falls %ort z an int]pret] ( ! ,*ur*'s int5tion1 ! impressive gr&eur ( 8 "w is 9 itself int5sely religi\s1 & he makes u feel mo/ solemnly ! dignity ( ,nature1 & especially ( ! human =m4 ,once he 0 /irr$ into some?+ ( ! ,pagan _s1 probably "u ! influ5ce ( ! c\rt ( ,lor5zo1 & he t\*$ ! real note ( ,pan!ism 9 ! ,pan1 ( ! ,b]l9 ,gall]y1 & ! noble figures 9 ! backgr\nd ( ! ,uffizi & ,muni* ,madonnas4 ,9 ^! ! spiritual mood dom9ates & is su/a9$ ?r\gh\t1 & !re is no sign ( ! sci5tific absorption :i* sometimes 9 8 treatm5t ( ! nude makes u too aw>e ( ! /ud5t & ! reali/4 ,"o is at times consci\s t1 pa9t+ /raight f ! life1 ,signorelli's int]e/ lay *iefly 9 a fai?ful reproduction ( ! body be=e him4 ,8 dead ,*ri/s = example1 7 obvi\sly copi$ exactly z ! corpses lay or hung 9 8 /udio4 ,! ,s4 ,on(rio ( ! ,p]ugia alt>-piece1 /ood j s1 a half-/>v$ /reet-begg>1 ) baggy sk9 ov] rheumatic jo9ts4 ,! angel 9 ! same picture1 *os5 p]haps = its grace ( face1 mu/ be reproduc$ exactly z ! *ild sat1 ) weak legs & unga9ly body4 ,ea* figure is a tru?ful /udy f life1 & x 0 t :i* int]e/$ ! pa9t]1 & n t he 0 repres5t+ sa9ts & angels ^: noble beauty 0 suppos$ to elevate ! m9d to a /ate ( wor%ip4 ,yet ) all 8 reali/ic treatm5t1 he 0 int5sely alive to ! graces ( decoration1 bo? 9 g5]al l9es & 9 detail4 ,9 ! frescoes ( ,loreto1 & m p>ticul>ly ( ,orvieto1 ! m]e s*eme ( decoration is sup]b1 & adds beauty & di/9ction to e subtle l9e ( ! ar*itecture4 ,he pays att5tion1 also1 to ! m9or details ( decorative effect1 & takes pa9s ) ! ornam5ts & embroid]ies2 :ile 8 use ( gold1 & emboss+ ) gesso1 add mu* to ! ae/hetic *>m ( 8 "w1 & proves t he c\ld1 :5 necess>y1 subord9ate 8 love ( realism to 8 s5se ( beauty4 ,be=e summ+ up ! *ief qualities ( ,signorelli's "w1 ,i mu/ n omit "o *>act]i/ic :i* po9ts to ! /r5g? ( 8 p]sonality--! way he repeats 8 own types 7& n types only1 b precisely ! same =ms7 "t aft] "t1 & (t5 aft] ! lapse ( _m ye>s4 ,! *ild ,*ri/s he pa9ts ov] & ov] aga91 ! same figure1 sometimes exactly 9 ! same attitude1 z 9 ! ,madonnas1 ( ! ,flor5ce ,academy & ( ! ,br]a4 ,! seat$ burly ,bi%op ( ! ,loreto vault+ 7"o ( 8 e>lie/ works7 occurs aga9 9 ! ,volt]ra ,madonna1 & aga9 7pa9t$ _m ye>s lat]7 9 ! ,madonna1 ( ! ,flor5ce ,academy4 ,l9e = l9e he reproduces ! figure ( ,e*o1 out ( ! e>ly ,pan1 into ! fresco ( ,! ,cr[n+ ( ! ,elect1 at ,orvieto4 ,9 "o or two cases he boldly repeats ! same figure 9 ! same picture1 feature = feature1 z 9 ! ,virg9 & ,s4 ,john ( ! ,rospigliosi ,holy ,family1 limb = limb z 9 ! fly+ soldi]s ( ! ,loreto ,conv]sion ( ,saul4 ,he 0 also mo/ fai?ful to 8 own type ( limb or feature1 especially ^? 9 :i* ,morelli has taught u always to look = simil>ity4 ,! fle%y e>1 ) its slightly po9t$ top1 is ne>ly inv>iable1 z also is ! broad h& ) its little outl9$ nails & ?ick wri/s4 ,9 glanc+ rapidly ov] ! :ole ( ,signorelli's "w1 consi/5cy to an absorb+ int]e/ is ! note /ruck aga9 & aga94 ,he has set himself f ! fir/ a task--! ma/]y ( ! human /ructure & its movem5ts2 & ) ! resolution & p]sev]ance ( a /rong nature1 he nev] sw]ves f 8 purpose4 ,?is is ! consci\s aim & int5tion ( ! arti/4 ,:at he 0 able to give to ! _w1 ( nobility & dignity--a wid] & heal?i] conception ( ,nature & h] p[] & beauty--0 ! ,message ( 8 ,g5ius1 ( :i* he 0 himself unconsci\s1 b :i* spoke all ! m =cibly = ! le>n+ acquir$ by h>d application & e>ne/ ef=t4 ,9 a detail$ /udy ( 8 pa9t+1 x may be t ! /ud5t ( anatomy & ! reali/ (t5 ass]t !mselves1 b z gr& figure aft] gr& figure has pass$ be=e ! m9d1 ! g5]al impression is solemn & ennobl+4 ,to no o!r contempor>y pa9t]1 says ,morelli1 0 x giv5 to end[ ! human frame ) ! l degree ( passion1 vehem5ce & /r5g?4#da ,to ?is we may add t no o!r pa9t] has ev] conceiv$ ,humanity ) ! same /ately gr&eur & 9 ! same broad _s4 ,! confid5t /r5g? ( y\?1 ! /]n au/]ity ( middle life1 ! resolute solemnity ( old age--^! are 8 !mes4 ,signorelli is1 be=e all1 ! pa9t] ( ! dignity ( human life4 ,,footnotes3 #cb ,x is suffici5t to cite ! d\ble picture ( ,h]cules1 ( ! ,uffizi1 ! ,s4 ,seba/ian1 ( ! ,national ,gall]y1 & ! engrav+ call$ ,! ,battle ( ! ,nudes4 #cc ,cavalcaselle e ,cr[e1 viii4 #dbd1 etc4 #cd ,ital4 ,=s*4 ii4 #ccc4 #ce ,vis*]1 #gg1 etc4 ,vis*] consid]s ! lik5ess to ,fior5zo due to _! mutual relation to ,v]roc*io4 #cf ,ev5 ! spl5did decorative engrav+ call$ ,! ,battle ( ! ,nudes1 is only a s]ies ( duels4 ,a comp>ison ( ^! figures ) ! two nude execution]s 9 ! ,br]a ,flagellation w ju/ify ! ass]tion ( ,signorelli's sup]iority z a ma/] ( anatomy & movem5t4 #cg ,specially 9 ,! ,dea? ( ,virg9ia1 ( ! ,morelli ,collection1 ,b]gamo1 & ! sket*$ figures 9 ! repa9t$ ,adoration ( ! ,magi1 lately expos$ 9 ! ,uffizi4 #ch ,purgatorio1 ii4 #ch4 #ci ,= example1 9 ! ,madonna1 ( ! ,manc9i ,collection1 & ,! ,cr[n+ ( ! ,elect1 at ,orvieto4 #dj ,signorelli's pictures1 :5 n fresco$1 are inv>iably pa9t$ ) oil4 #da ,italian ,pa9t]s1 i4 #ib4 ,,*apt] ,,iii ,,e>lie/ ,,works ,"o ( ! mo/ rem>kable ?+s 9 ! hi/ory ( ,signorelli's "w1 consid]+ :at a numb] ( 8 pa9t+s rema91 is t only two ( !m c be plac$ ) any degree ( c]ta9ty z hav+ be5 execut$ be=e 8 =tie? ye>4 ,^! two are ! ,madonna 7,no4 #bha71 & ,! ,flagellation 7,no4 #bfb71 9 ! ,br]a ,gall]y1 ,milan4 ,?is la/1 h[ev]--,! ,flagellation--indicates 9 :at mann] mu* ( 8 e>li] "t _h be5 employ$1 = al?\gh betray+ 9 p>ts a c]ta9 y\?ful immaturity1 yet ! skilful draw+ & ?or\gh compreh5sion ( anatomy %[n 9 ! nudes1 especially 9 ! backs ( ! two execution]s1 reveals already ! practis$ h& ( a ma/] ( 8 craft4 ,illu/ration3 ,br]a1 ,milan ,,! ,,flagellation ,! be/ /udies ( ! nude rema9+ to u by e>li] pa9t]s1 are ! figures 9 ,! ,dea? ( ,adam1 by ,pi] dei ,frances*i1 9 8 frescoes at ,arezzo1 ! ,h]cules ov]com+ ,antaeus1 & ,! ,battle ( ! ,nudes1 by ,antonio ,pollaiuolo1 9 ! ,uffizi ,gall]y4 ,x is suffici5t to comp>e ) ^! ! fre] r5d]+ ( ge/ure1 & ! great] accuracy ( ! anatomy 9 ,signorelli's execution]s1 to see :at an advance he _h already made ^u any previ\s pa9t+4 7,i limit1 ( c\rse1 ?is ass]tion to pa9t+ only1 = 9 sculpture ,donatello _h ye>s be=e giv5 free ge/ure & p]fect anatomy to 8 /atues47 ,x w\ld be impossible to ov]rate ! excell5ce & beauty ( draw+ 9 ! spl5did sw+ ( ! bodies1 ! flexibility ( ! limbs1 ! s9ewy ela/icity ( ! leg muscles1 & above all1 ! subtle sugge/ion ( muscul> movem5t "u ! loose sk9 ( ! backs4 ,!re is "h1 ev5 m ?an 9 8 lat] pa9t+1 an appreciation ( ! relative values ( ! muscles1 & a consequ5t bread? ( modell+1 :i* he lo/ some:at1 by ov]-acc5tuation1 9 8 subsequ5t treatm5t ( ! nude4 ,! inequalities ( ! picture betray :]e9 lay ! pa9t]'s *ief int]e/1 = to ?is skilful ma/]y ( ! difficulties ( anatomy are oppos$ ! r *ildi% conception ( ! ,pilate & ! /iff action ( all ! clo!d figures4 ,8 appr5tice%ip to ,pi] dei ,frances*i is "h suffici5tly prov$1 n s mu* by any lik5ess ( col\r or ( composition to ,! ,flagellations1 ( t ma/]1 9 ,urb9o & ,borgo ,san ,sepol]o1 z 9 ! firm1 cle> outl9+ ( ! nude figures1 _! solid modell+1 & 9 ! broad mass+ ( ! %ad[s4 ,ev5 m app>5t is ! influ5ce ( ,antonio ,pollaiuolo1 9 ! great realism ) :i* ! subject is treat$1 & 9 su* sup]ficial resemblances z ! type ( head ( ! execution] :o b9ds ! h&s ( ,*ri/1 & ! *>act]i/ic /rip$ lo9-clo?s4 ,! ,*ri/ is "o ( ,signorelli's mo/ ignoble pres5tations ( ! ,savi\r1 & yet x seems z ?\gh he _h tri$ to give graces :i* %\ld h>monise ) a c]ta9 conception ( ! "*--! hair1 = example1 is ! beautiful rippl+ hair ( a woman1 ! b5t head & d[nca/ eyes repres5t ! g5tl5ess ( resignation1 & ! attitude ( ! legs is int5d$ to be graceful4 ,b ! ef=t to curb 8 own natural in/9ct = pride & /r5g? makes him /rike a false note1 & 8 attempt to give ! beauty ( meekness has result$ only 9 produc+ a mask ( hypocritical in]tia4 ,! picture 0 pa9t$ = ! ,*ur* ( ,santa ,m>ia del ,m]cato 9 ,fabriano1 & ?is1 z well z ! fact ( its be+ precisely ! same size1 & ) ! same curv$ top1 seems to argue t x =m$ orig9ally "o picture ) ! ,madonna1 ,no4 #bha ( ! same gall]y1 ^: prov5ance is also f t *ur*4 ,"h ! ,virg9 sits1#db clad 9 a gold g>m5t & blue gre5-l9$ mantle1 ) ! ,*ild on h] knee1 & float+ r\nd h] d>k-gre5 *]ubs' heads4 ,%e is ! p[]ful type ( woman1 f :i* 9 8 ,virg9s ,signorelli nev] dep>t$1 b 9 ?is case ) a r c[-l expression1 :i* gave place lat] to a t5d] or noble dignity4 ,! face ( ! ,*ild has lo/ its orig9al "* ?r\gh repa9t+1 b ! *]ubs' heads surr\nd+ ! ?rone1 h ! ov]weight$1 half-animal expression ( :i* ,i h already spok5 z *>act]i/ic ( 8 *ildr54 ,next 9 ord]1 z f> z c be judg$ by ! int]nal evid5ce ( ! pa9t+1 come ! frescoes 9 ! sacri/y ( ! *ur* ( ! ,santa ,casa at ,loreto4 ,!y 7 f9i%$ "s "t be=e #adhd1 & be> v m>k$ traces ( ,flor5t9e impressions4 ,( ^! ,vas>i writes3 ,9 ,santa ,m>ia di ,loreto1 he pa9t$ 9 ! sacri/y 9 fresco1 ! f\r ,evangeli/s1 ! f\r ,doctors1 & o!r ,sa9ts1 :i* are v beautiful2 & = ?is "w he 0 lib]ally rew>d$ by ,pope ,sixtus4#dc ,?is is a mi/ake1 = ! patron ( ! *ur* 0 ,c>d9al ,girolamo ,basso della ,rov]e1 & ! pres5ce ( 8 coat-(-arms 9 ! c5tre ( ! cupola is evid5ce t ! "w 0 execut$ at 8 exp5se4 ,9 ea* ( ! eight comp>tm5ts ( ?is ro( is pa9t$ a /&+ angel1 play+ or tun+ musical in/rum5ts--mo/ graceful & beautiful figures4 ,bel[ are seat$ ! f\r ,evangeli/s & f\r ,fa!rs ( ! ,*ur*1 aga9/ a gold backgr\nd1 :o seem1 9 _! impressive gr&eur to be prototypes ( ! prophets & sybils ( ,mi*elangelo's ,si/9e frescoes4 ,i d n agree ) ,vis*] 9 see+ ! h& ( ,b>tolommeo della ,gatta 9 ! angels4 ,!y %[ mu* ( ! influ5ce ( ,pollaiuolo1 & seem to me to be ,signorelli's unassi/$ "w4 ,! face & ge/ure ( "o ( !m especially--! angel 9 ! fl[]$ robe play+ a lute--is almo/ a duplicate ( ! *ild on ! grad9o ( ! ?rone 9 ! ,p]ugia alt>-piece4 ,! bi%op 9 ! comp>tm5t next ?is angel is repeat$ 9 ! ,volt]ra ,madonna & ,sa9ts1 & 9 t ( ! ,flor5ce ,academy4 ,illu/ration3 ,santa ,casa1 ,loreto ,,apo/les ,9 ! divisions ( ! walls "u ! ro( are pa9t$ ! twelve ,apo/les1 gr& & /ately figures1 /&+ two 9 ea* comp>tm5t1 divid$ by imitation pila/]s1 & =m+ a magnific5t frieze r\nd ! walls4 ,! drap]ies are exce$+ly broadly pa9t$ & ?is bread? ( treatm5t & ! boldness ( ! design gives importance to ! figures4 ,!re be+ sev5 comp>tm5ts to be fill$1 9 two ( !m ,signorelli has introduc$ ! figure ( ,*ri/1 treat$ ?is "t ) dignity1 p]haps because "h ,he is repres5t$ z ! ,ma/]1 & n ! ,man ( ,sorr[s4 ,9 "o ,he reproves ,s4 ,pet] 7871 :o turns away ) consci5ce-/rick5 humility v nobly r5d]$2 9 ! o!r ,he %[s ! m>ks ( ! ,passion to ! incr$ul\s ,?omas4 ,^! two are p]haps ! f9e/ ( ! s]ies1 & are1 besides1 dramatic 9 ge/ure & expression4 ,! composition ( ! la/ is1 ) evid5t int5tion1 borr[$ f ,v]roc*io's gr\p on ! walls ( ,or ,san ,mi*ele1 ,flor5ce1 b ! lik5ess ends ) ! g5]al l9es ( composition4 ,vis*] makes a /rong po9t ( ?is1 z a pro( ( ,v]roc*io's influ5ce on ,signorelli1#dd b to me x seems t feel+1 types ( face1 & especially ! broad & simple treatm5t ( ! drap]ies are entirely diff]5t4 ,illu/ration3 ,santa ,casa1 ,loreto ,,! ,,incr$ulity ,,( ,s4 ,,?omas ,! mo/ important ( ^! frescoes1 h[ev]1 z be/ illu/rat+ ,signorelli's own peculi> t5d5cies1 is ,! ,conv]sion ( ,saul1 9 ! comp>tm5t ov] ! door4 ,he has realis$ ! sc5e ) emotion1 & r5d]$ x ) a mo/ conv9c+ dramatic p[]1 giv+ ! sudd5ness ( ! fall ( ! pr9cipal figure1 & ! excitem5t & panic-/rick5 t]ror ( ! soldi]s1 ) wond]ful tru? & animation4 ,x is int]e/+ to note ! almo/ exact repetition ( ! same figure 9 ! two soldi]s :o hurry away to ! left1 b x is n at all me*anical1 & 9 no way detracts f ! excell5ce ( ! composition4 ,v ,pollaiuolesque is ! figure ) rais$ %ield 9 ! =egr\nd to ! "r1 & "o feels ! influ5ce ( ,p]ug9o 9 ! spaci\s empty di/ance ( ! backgr\nd1 f :i* ! figures are s well deta*$4 ,illu/ration3 ,santa ,casa1 ,loreto ,,! ,,conv]sion ,,( ,,saul ,z decoration ^! frescoes are exce$+ly f9e1 ! gr& r[ ( figures1 besides ! /ately /r5g? ( ea* sep>ate gr\p1 be+ mo/ impressive 9 g5]al effect4 ,!y h be5 mu* damag$4 ,= _m ye>s us$ z a sacri/y1 ! greasy smoke ( ! inc5se _h s black5$ ! walls t ! frescoes 7 ne>ly invisible4 ,! skilful clean+ ( ,signor ,guiseppe ,missaghi1 at ! in/igation ( ,signor ,cavalcaselle1 has re/or$ to !m mu* ( _! orig9al beauty1 al?\gh ! col\r /ill rema9s some:at obscur$4 ,on ! ro( ( ! nave1 9 ! *ur* itself1 are pa9t$ a s]ies ( frescoes 9 grisaille1 tw5ty-six ,prophets & ,fa!rs ( ! ,*ur*1 some:at ov] life size1 seat$ "o 9 ea* m$allion4 ,!y are solemn & impressive figures l ^? 9 ! sacri/y1 & pa9t$ on ! same broad l9es1 & rem9d "o /rongly ( ! two m$allions1 also 9 grisaille1 9 ! ,madonna1 ( ! ,uffizi ,corridor4 ,all ( !m h sev]ely suff]$ f repa9t+4 ,! ,adoration ( ! ,magi1 =m]ly 9 ! ,campana ,gall]y1 ,rome1 n[ ,no4 #chi ( ! ,l\vre1 seems to h be5 pa9t$ 9 #adhb4 ,cr[e & ,cavalcaselle#de rightly consid] its execution to be ! "w ( assi/ants1 by reason ( ! rawness ( col\r & g5]al co>s5ess ( ! pa9t+2 yet 9 composition1 & 9 _m ( ! figures1 !re is s mu* ( ! ma/]'s impressive dignity1 t ,i feel compell$ to reg>d ! draw+1 9 p>ts at lea/1 z 8 own4 ,! /ately ,madonna1 & ! noble figure ( ! ,k+ on h] "r1 ^: drap]ies h ! same sweep+ bread? z ^? 9 ! ,national ,gall]y1 ,circumcision1 z well z ! solid1 well-seat$ figures ( ! m\nt$ att5dants1 seem to be ,signorelli's own compos+4 ,! ,*ild is also *>act]i/ic1 & resembles t 9 ! ,tondo ( ! ,pitti ,gall]y4 ,! badly-drawn horses1 aga91 seem 81 = x w be notic$ all ?r\gh 8 "w t he has nev] c>$ to ?or\ghly ma/] _! =m1 & pa9ts !m always ) curi\s mann]isms ( too closely-plac$ no/rils1 & human eyebr[s1 :i* %[ h[ little att5tion he _h giv5 to _! anatomy4 ,! fir/ dat$ picture rema9+ is ! alt>-piece ( ! ,p]ugia ,ca!dral1 pa9t$ 9 #adhd1 ( :i* ,vas>i writes3 ,also 9 ,p]ugia he pa9t$ _m works2 & among o!rs 9 ! ,ca!dral1 = ,mess] ,jacopo ,vannucci ( ,cortona1 ,bi%op ( ! city1 a picture 9 :i* is ,our ,lady1 ,sant ,on(rio1 ,sant ,ercolano1 ,s4 ,john ,bapti/1 ,s4 ,/eph51#df & an angel1 mo/ beautiful1 :o tunes a lute4#dg ,! inscription ) ! date 7giv5 9 ! catalogue7 are un=tunately hidd5 by ! frame4 ,?is is "o ( ,signorelli's f9e/ alt>-pieces1 ! col\r be+ especially ri* & h>moni\s1 & x %[s1 ev5 m ?an ! ,loreto frescoes1 ! /r5g? ( ,flor5t9e influ5ces4 ,= example1 v close to ,pollaiuolo is ! figure ( ! angel tun+ ! lute1 ) its /rip$ sc>f1 & s also is ! p[]ful head ( ,s4 ,ercolano4 ,! ,s4 ,/eph5 is almo/ a reproduction ( ! bu/ ( ,s4 ,lor5zo by ,donatello 9 ! sacri/y ( ! *ur* ( t sa9t 9 ,flor5ce1 ! ag$ ,s4 ,on(rio aga9 recalls 8 wood5 /atue ( ,s4 ,j]ome 9 ,fa5za1 & f9ally ! motive ( ! cut fl[]s 9 glasses is borr[$ f ! tripty* ( ,hugo van d] ,goes 9 ! ,gall]y ( ,santa ,m>ia ,nuova1 ,flor5ce4 ,! ornam5tal accessories are s+ul>ly f9e & c>eful 9 f9i%1 & x w\ld seem z ?\gh ,signorelli _h be5 inspir$ 9 ?is1 n only by ! great trypty*1 b also by ! foll[]s ( ! ,paduan ,squ>cione4 ,9 ! la/ *apt] ,i h po9t$ out ! extreme realism ) :i* ! figures are treat$1 b ?is does n spoil ! impressive gr&eur ( ! pa9t+1 ga9$ by ! broad /yle & ! /ately simplicity ( ! composition4 ,! ,virg9 sits firmly1 ) ! mantle re/+ 9 heavy folds across h] knees2 ! ,s4 ,/eph5 is ov]fl[+ ) ! vigor\s life ( y\?2 ! spl5didly-drap$ bi%op is a p[]ful & maje/ic figure2 & !re is real t5d]ness & grace 9 ! face ( ! angel1 not)/&+ ! want ( symmetry 9 ! body & legs4 ,! pa9t+ has suff]$ f re/oration1 b on ! :ole is fairly well pres]v$1 & may be se5 to advantage 9 ! quiet ( ?is well-light$ w9t]-*apel4 ,illu/ration3 ,ca!dral1 ,p]ugia ,,madonna ,,& ,,sa9ts ,cr[e & ,cavalcaselle place ,! ,circumcision1 ( ! ,national ,gall]y1 =m]ly 9 ,volt]ra1 z ab\t ! same date z ! =ego+2#dh ,vis*]1 presum+ t x 0 pa9t$ at ! same "t ) ! dat$ pictures ( #adia /ill rema9+ 9 ,volt]ra1 gr\ps x ) !m2 b ! simil>ity ( col\r & treatm5t lead me to accept ! =m] !ory4 ,! di/ance f ,cortona to ,volt]ra is n v great1 & ! fact t he 0 pa9t+ !re 9 #adia does n preclude ! possibility ( 8 hav+ pa9t$ !re six or sev5 ye>s be=e1 ev5 if x 0 execut$ on ! spot1 :i* 0 n by any means always ! case4 ,at all ev5ts ! picture has mu* 9 common ) ! ,p]ugia alt>-piece1 bo? 9 w>m? ( col\r1 simplicity ( composition & spl5did bread? ( execution4 ,! pa9t+ ( ?is ,circumcision is bold & resolute1 ! drap]ies sweep 9 broad folds r\nd ! figures4 ,! attitude ( ! /&+ woman to ! "r is gr&1 & ! e>ne/ conc5tration ( ! faces on ! c]emony1 & ! abs5ce ( any connect+ l9k betwe5 !m & u1 give dramatic reality to ! sc5e4 ,vas>i writes ( x3 ,at ,volt]ra he pa9t$ 9 fresco--7a mi/ake--x is 8 usual oil m$ium7--9 ! *ur* ( ,s4 ,francesco1 above ! alt> ( ! bro!rhood1 ! ,circumcision ( our ,"l1 :i* is consid]$ m>vell\sly beautiful2 al?\gh ! ,*ild1 hav+ suff]$ f ! damp1 0 repa9t$ by ,sodoma mu* less beautiful ?an x 0 be=e4#di ,?is un=tunate repa9t+1 :i* has also evid5tly includ$ "p ( ! ,virg9's face1 0 m probably due to ! monks' dislike ( ,signorelli's type ( *ild ?an to any damage by wea!r1 = x w\ld be /range t a picture1 o!rwise s well pres]v$1 %\ld be injur$ by damp n[h]e b 9 ! "p mo/ protect$ by reason ( its c5tral position4 ,to support ?is !ory1 "u ! pa9t+ by ,sodoma may be cle>ly se5 79 ! pa9t+--n 9 ! photograph7 ! orig9al legs ( ! ,*ild ( ,signorelli1 9 a totally diff]5t position1 %[+ t ,sodoma _h made no attempt to keep to ! draw+4 ,! monks1 no d\bt1 pref]r$ ! m commonplace infant ( ,sodoma1 b we1 :ile ackn[l$g+ t ! *ildr5 ( ,signorelli are f> f :at !y %\ld be1 may regret ! loss1 z did ,vas>i1 :o adds ?is comm5t3 ,x w\ld be bett] to reta9 ! "w ( excell5t m51 ev5 ?\gh half spoil$1 ?an to h x repa9t$ by "o :o kn[s less4 ,illu/ration3 ,national ,gall]y1 ,london ,,! ,,circumcision ,a v important gr\p ( pa9t+s app>5tly ( ab\t ?is date1 be> ! impress ( ! classic ta/es ( ! ,c\rt ( ,lor5zo dei ,m$ici1 = :om !y seem to h be5 pa9t$4 ,x comprises ! great picture ( ,pan1 9 ! ,b]l9 ,gall]y1 ! ,madonna1 ( ! ,uffizi ,corridor1 & ! ,muni* ,tondo4 ,i h be5 tempt$ to give !m a mu* e>li] place1 9 ! gap be=e ! ,p]ugia alt>-piece1 because !y %[ s mu* ( ! idealism & idyllic _s1 :i* seem prop]ly to belong to y\?1 b a c>eful comp>ison ( !m ) t picture & ! ,loreto frescoes1 reveals a great] maturity ( te*nique :i* makes s e>ly a plac+ n v probable4 ,9 all ^! ?ree pa9t+s !re is an appreciation ( beauty = its own sake1 & a true t\* ( ! ,pan!i/ic _s1 comb9$ ) a melan*oly gr&eur1 :i* is mo/ impressive4 ,! f9e/ ( ! ?ree1 ! great canvas ( ,pan1 n[ 9 ! ,b]l9 ,gall]y1 is ! picture ( :i* ,vas>i wrote3 ,he pa9t$ = ,lor5zo dei ,m$ici1 on canvas1 "s nude gods1 :i* 7 mu* prais$ 444 & pres5t$ to ! said ,lor5zo4#ej ,sometimes call$ ! ,s*ool ( ,pan1 x is m poetically describ$ 9 ! ,g]man catalogue ,pan1 z ,god ( ,natural ,life1 & ,ma/] ( ,music1 ) 8 ,att5dants4 ,x is full ( poetry1 & ( idyllic *>m ) all its /ately solemnity4 ,! sad beauty ( ! god z he li/5s to ! music ( ! pipes1 ! gold5 sunlight on ! moss-gre5 grass1 ! quiet peace ( ! sc5e1 h an entranc+ effect1 & we are transport$ 9 _s to ! same melodi\s plot ( bee*5 gre5 & %ad[s numb]less :]e ,pan holds 8 c\rt4 ,illu/ration3 ,gall]y1 ,b]l9 ,,pan ,! bronze-col\r$ body ( ! god is magnific5tly modell$1 ) a solidity unequall$ ev5 9 ! ,orvieto frescoes4 ,! /yle ( ,pollaiuolo is noticeable1 9 ! attitude ( ! y\? ly+ at 8 feet1 p>ticul>ly 9 ! treatm5t ( ! legs4 ,! figure ( ,e*o is repeat$ lat] 9 ,! ,cr[n+ ( ! ,elect1 9 ,orvieto1 ?\gh !re x has lo/ mu* ( ! idyllic *>m ( ?is wood-nymph4 ,! gr\p+ ( ! figures is p]haps less happy ?an usual1 b ?is "t ! bad values ( di/ance are no d\bt due to ! r\gh treatm5t ! pa9t+ has und]gone4 ,x has inde$ _h an ev5tful hi/ory4 ,ab\t ?irty ye>s ago x 0 f\nd by ! late ,signor ,tricca1 a not$ re/or] ( pictures1 9 ! attics ( ! ,palazzo ,corsi1 ,flor5ce4 ,he hesitat$ at fir/ to recognise x c]ta9ly z ! "w ( ,signorelli1 = all ! figures 7 cov]$ f head to foot ) drap]ies ( obvi\sly eighte5?-c5tury pa9t+4 ,on trial1 h[ev]1 he f\nd t ^! 7 easily remov$1 & z ! nude figures 7 reveal$1 he at once id5tifi$ x z ! picture ( ! nude gods1 m5tion$ by ,vas>i4 ,x seems t x _h pass$ into ! possession ( ! ,r9ucc9i family z "p ( ! d[ry ( "o ( ! ,m$ici1 & on ! m>riage ( "o ( ! ladies ( ! ,r9ucc9i ) a ,m>*ese ,corsi aga9 =m$ "p ( ! bride's portion4 ,soon aft] its discov]y & re/oration ! ,m>*ese ,corsi di$1 & 8 bro!r ,c>d9al ,corsi inh]it$ ! prop]ty4 ,object+ to ! picture on acc\nt ( ! nude figures1 he desir$ ,signor ,tricca to sell x1 & x 0 !n b\ght by ,mr ,h4 ,j4 ,ross1 :o (f]$ x to ! ,engli% ,national ,gall]y4 ,on ! refusal ( ! au?orities to pur*ase x1 x 0 acquir$ 9 #ahgc by ,dr ,bode = ! ,b]l9 ,gall]y1 ( :i* x is "o ( ! greate/ treasures4#ea ,x has naturally suff]$ mu* f ! process ( clean+ away ! lat] drap]ies1 & mu* ( ! "u-pa9t+ is expos$1 b en\gh rema9s ( its orig9al beauty to rank x z ! be/ ( ,signorelli's easel pictures4 ,und\bt$ly ( ! same date is ! ,madonna1 ,no4 #gd ( ! ,uffizi ,gall]y4 ,?is picture 01 also1 accord+ to ,vas>i1 pa9t$ z a pres5t = ,lor5zo dei ,m$ici1 & 0 = _m ye>s 9 ! villa ( ,duke ,cosimo at ,ca/ello4 ,x has ! same idyllic beauty 9 ! backgr\nd z ! ,pan1 & is pa9t$ 9 ! same half-pagan _s4 ,! ,virg91 x is true1 sits awkw>dly1 & ) a r unga9ly ge/ure ( h&s & arms1 !re are faults ( draw+ 9 ! feet1 & ! ,*ild is ugly & insignificant4 ,b ^! are faults easy to ov]look 9 consid]+ ! gr&eur ( ! l&scape1 ! beauty ( ! col\r1 &1 above all1 ! magnific5t modell+ ( ! nude figures 9 ! backgr\nd4 ,! ,virg9 ga9s 9 importance by ! nobility ( ^! a?letes beh9d h]1 b x is cle> t ,signorelli's int]e/ lay less 9 ! melan*oly ,"m & ,*ild1 ?an 9 ^! sup]b ,titans1 9 :om he seems to h p]sonifi$ ! =ces ( ,nature4 ,h[ great 0 ! influ5ce ( ?is picture ^u ,mi*elangelo we ne$ only take a few /eps into ! ,tribuna to see1 9 8 ,tondo ( ! ,holy ,family1 ,no4 #aaci4 ,! pa9t+ is set 9 a k9d ( frame 9 grisaille1 surm\nt$ by a head ( ,s4 ,john ! ,bapti/1 & two seat$ ,prophets 9 m$allions4 ,illu/ration3 ,uffizi1 ,flor5ce ,,madonna ,some:at inf]ior 9 execution1 b pa9t$ 9 exactly ! same _s1 is ! ,madonna1 ( ! ,muni* ,gall]y1 =m]ly 9 ! ,palazzo ,g9ori1 ,flor5ce4#eb ,"h1 z 9 ! la/1 ! ,virg9 sits1 fill+ ! =egr\nd space1 a /ately figure1 ) f+]s press$ toge!r1 z if 9 pray] to ! ,*ild at h] feet4 ,! backgr\nd is a classic l&scape1 ?r\gh :i* runs a /ream ( ! beautiful limpid gre5 ) :i* ,signorelli always pa9ts wat]1 & by its side sits ano!r ( ! noble nude figures1 unty+ 8 s&al4 ,x may be int5d$ = ,s4 ,john ! ,bapti/1 z ! critics say1 b ,i d n ?9k t ei!r "h or 9 ! ,uffizi pa9t+1 ,signorelli _h any int5tion ( adh]+ to traditional illu/ration4 ,x seems r z ?\gh ! pictures 7 symbolic--expressive ( "s comp>ison 9 8 m9d betwe5 ,*ri/ianity1 z he p]haps conceiv$ x = ! mom5t1 melan*oly & deject$1 & ! ,greek ,pan!ism1 vigor\s & /rong1 & radiant ) ! joy ( life4 ,ano!r picture belong+ to ?is beautiful gr\p is ! ,portrait ( a ,man1 9 ! ,b]l9 ,gall]y1 =m]ly 9 ! ,torrigiani ,collection1 ,flor5ce4 ,9 ! days be=e x 0 photograph$ x 0 consid]$ to be a portrait ( ,signorelli himself1 &1 z x repres5ts a man ) grey hair1 0 naturally reckon$ among 8 lat] works2 b comp>ison ) ! two portraits at ,orvieto %[ t !re is no real resemblance ( feature1 :ile ! te*nique & _s ( ! pa9t+ claim a place = x among ?is e>ly s]ies4 ,"h aga9 occur ! classic figures1 b ?is "t ) less ( ! idyllic feel+4 ,on "o side are hurry+ ,apollo & ,daphne7871 on ! o!r1 "o a?lete has ov]?r[n ano!r1 & /&s m5ac+ly ov] 8 prey1 :o tries ) ineffectual ge/ures to beat him (f--a v ,pollaiuolesque sc5e ( viol5ce4 ,! col\r+1 ) its cle> r$s ( ! biretta & ! robe1 is v successful4 ,) ?is p[]ful portrait closes ?is beautiful & int]e/+ gr\p ( pa9t+s1 ! prov5ance ( all f\r ( :i*1 x w be obs]v$1 is f ,flor5ce4 ,! two ,tondos1 ( ! ,pitti & ,cors9i ,gall]ies1 ,flor5ce1 mu/ h be5 pa9t$ at a date n f> di/ant f ^?1 = !y h mu* 9 common 9 c]ta9 =ms1 & p>ticul>ly 9 ! ri* & gl[+ s*eme ( col\r4 ,! ,holy ,family1 ( ! ,pitti ,gall]y1 has be5 re/or$1 & suff]s mu* f ?ick v>ni% & repa9t+1 b no?+ has spoilt ! h>mony ( ! col\rs1 nor ! t5d] beauty ( ! ,virg91 ^: features & expression are a repetition ( ^? ( ,e*o 9 ! ,pan4 ,! ,sa9t1 :o writes at ! dictation ( ! ,*ild1 is pa9t$ ) e>ne/ness1 & ! :ole sc5e is treat$ ) ! utmo/ religi\s feel+4 ,! ,madonna & ,sa9ts1 ( ! ,cors9i ,gall]y1 has ! same w>m gl[ ( col\r1 & 0 probably pa9t$ ab\t ! same "t4 ,! ,virg9 sits ) ! ,*ild on h] left knee1 clad 9 a r$ robe1 r\nd ! neck ( :i* little ,loves are embroid]$ 9 gold4 ,ov] x %e we>s a d>k-gre5 mantle %ot ) gold--a =m ( decoration v usual ) ,signorelli1 especially ab\t ?is "t4 ,%e has ! beautiful1 pale1 honey-col\r$ hair :i* occurs s (t5 9 8 works1 almo/ ! same col\r :i* 0 *>act]i/ic ( ,palma's ,v5etian ladies lat]4 ,to ! left kneels ,s4 ,j]ome1 gaz+ up at h]1 & on ! "r is ,s4 ,b]n>d hold+ a p5 & book4 ,! pa9t+ is 9 a good /ate ( pres]vation4 ,illu/ration3 ,pitti1 ,flor5ce ,,madonna ,,& ,,sa9ts ,! r insignificant type ( head ( ,s4 ,joseph occurs aga9 9 ano!r ,holy ,family1 :i* belongs approximately to ! same p]iod1--t ( ! ,rospigliosi ,gall]y 9 ,rome4 ,z f> z beauty & t5d] grace g1 ?is is ! mo/ successful ( all 8 ,madonnas4 ,! d>+ repetition ( ! same features ) d>k] col\r+ 9 ! ,s4 ,john beh9d h]1 ,i h already drawn att5tion to4 ,! drap]ies are pa9t$ ) great fre$om1 & a f9e sweep ( broad fold4 ,!y are %ot1 z 9 ! ,cors9i ,tondo1 ) gold 9 ! high lights4 ,insignificant z is ! ,*ild 9 all ^! ,holy ,families1 !re is at ! same "t some?+ pa!tic & w9n+ 9 ! e>ne/1 c>eworn little face4 ,illu/ration3 ,rospigliosi ,gall]y1 ,rome ,,holy ,,family ,v diff]5t is ! type ,signorelli has adopt$ = ! ,*ri/ 9 ! ,uffizi ,holy ,family1 ,no4 #abia1 :i* mu/ be plac$ some:]e ab\t ?is "t1 or a v little lat]4 ,"h ,he is repres5t$ ) a c]ta9 nobility ( feature & ge/ure1 al?\gh self-consci\s & un*ildlike4 ,! ,greek pr(ile ( ! ,virg9 is almo/ id5tical ) t ( ! above-m5tion$ ,rospigliosi picture1 :ile ! p[]ful head ( ,s4 ,joseph c>ries u back to ! figures 9 ! ,circumcision4 ,! ,virg9 sits uneasily1 ill-balanc$1 & ) badly-modell$ feet1 b ! beauty ( ! face makes am5ds = ^! defects4 ,x is a picture full ( noble qualities1 bo? ( feel+ & te*nique1 & x has besides a special importance by reason ( ! diff]5ce ( col\r1 s mu* less heavy ?an usual4 ,! fle% t9ts are v pale1 & ! %ad[s a silv]y grey1 & ! :ole tone is mu* light] ?an 9 any ( ! prec$+ pictures4 ,! composition is specially f9e1 ! att5tion be+ conc5trat$ )\t ef=t on ! c5tral figure ( ! ,*ild1 to :i* ! o!r two s]ve z a k9d ( frame4 ,illu/ration3 ,uffizi1 ,flor5ce ,,holy ,,family ,i _c leave ?is s]ies ( e>ly works1 :i* includes s _m ,tondos1 )\t draw+ att5tion to ! excell5ce ( ,signorelli's composition 9 ?is difficult =m4 ,! figures fill ! space naturally & )\t any artificial b5d+ ( ! heads to fit ! %ape2 !re is a s5se ( space1 & ease ( gr\p+1 & ! l>ge sweep+ l9es ( ! drap]ies foll[ mo/ h>moni\sly ! curves ( ! panel4 ,) ! exception ( ! ,p]ugia alt>-piece1 none ( ! above-m5tion$ pa9t+s are dat$4 ,inf]5tially we arrive at ! "t :5 ! ,loreto frescoes 7 complet$1 b !re is little to help 9 gr\p+ ! re/ beyond ! int]nal evid5ce !y af=d4 ,i h endeav\r$ to place !m 9 ! ord] !y seem mo/ naturally to take1 ) ref]5ce to col\r1 =m1 & ! e>ly influ5ces to be obs]v$ 9 !m1 b ! arrangem5t mu/ necess>ily be some:at arbitr>y4 ,=tunately ?is difficulty gr[s less & less 9 deal+ ) ! lat] works1 & ! mo/ important ( !m are g5]ally dat$4 ,,footnotes3 #db ,i %all1 z f> z space p]mits1 describe ^? pictures ( :i* illu/rations _c be ins]t$4 ,:]e ! illu/ration is giv51 x becomes unnecess>y4 #dc ,vas>i1 iii4 #fia4 #dd ,vis*]1 p4 #gi4 #de ,cavalcaselle e ,cr[e1 viii4 #ejg4 ,note #a4 #df ,i h ?\ght x be/ only to translate ^? names t are famili> to u 9 ,engli%4 #dg ,vas>i1 iii4 #fhe4 #dh ,cavalcaselle e ,cr[e1 viii4 #dee4 #di ,vas>i1 iii4 #fhe4 #ej ,vas>i1 iii4 #fhi4 #ea ,i am indebt$ = ! above facts to ,mr ,h4 ,j4 ,ross ( ,poggio ,gh]>do1 ,flor5ce1 ! orig9al pur*as] ( ! picture4 #eb ,! photograph gives s little idea ( ! beauty ( ! orig9al t ,i h n reproduc$ x4 ,,*apt] ,,iv ,,middle ,,p]iod ,we h n[ arriv$ at ! pa9t+s belong+ to ! ye> #adia1 "p ( :i* ,signorelli sp5t 9 ,volt]ra1 ?ree works /ill rema9+ 9 t city to te/ify to ! visit--,! ,annunciation1 ( ! ,ca!dral2 ! ,madonna & ,sa9ts1 n[ 9 ! ,gall]y1 bo? dat$2 & a mu*-injur$ fresco 9 grisaille1 repres5t+ ,s4 ,j]ome1 on ! walls ( ! same build+--! ,palazzo ,communale4 ,! ,madonna en?ron$ ) ,sa9ts 0 pa9t$ = ! alt> ( ,maffei ,*apel 9 ,san ,francesco1 & 0 un=tunately remov$ n _m ye>s ago to ! ,gall]y ( ! ,palazzo ,communale1 suff]+ ! greate/ damage 9 ! transit4 ,two l>ge cracks run ?r\gh ! figures ( ! ,*ild & ! seat$ ,fa!r2 l>ge pieces ( ! pa9t h dropp$ away1 & 9 ! repa9t+ ! ,*ild has lo/ all *>act]i/ics ( ,signorelli's "w4 ,9 ! less ru9$ p>ts1 h[ev]1 en\gh rema9s to te/ify to ! orig9al excell5ce ( ! pa9t+1 :i* is f9ely compos$1 & broadly & vigor\sly treat$1 especially 9 ! drap]ies4 ,! ,virg9 sits en?ron$ betwe5 f\r sa9ts1 ) a v ,p]ug9esque angel on ei!r side1 & seat$ bel[1 at ! foot ( h] ?rone1 are two ,fa!rs ( ! ,*ur*1 9 "o ( :om we h repeat$ ! burly bi%op ) wide-spread knees & f9e sweep+ drap]y ( ! ,loreto cupola1 & :i* occurs lat] 9 ! ,flor5ce ,academy alt>-piece4 ,! influ5ce ( ,pollaiuolo c be obs]v$ 9 ! sculptures on ! grad9o ( ! ?rone1 little nude figures 9 viol5t action4 ,9 bett] pres]vation is ! ,annunciation1 9 ! ,ca!dral1 sign$1 & ) ! same date z ! =ego+4 ,! ar*itecture1 ) its excell5t p]spective1 aga9 rem9ds u t ,signorelli 0 ! pupil ( ,pi] dei ,frances*i1 ! pa9t] ( ! wond]ful loggia 9 ! ,annunciation1 ( ,p]ugia4 ,! ,virg9 is pa9t$ ) great feel+1 & 9 ! solemn beauty ( ! ,ar*angel we get ! fir/ ( ^? spl5did creatures ^: sublimity ,signorelli felt 9 ! same _s z ,dante1 :o b5t 8 knees & fold$ 8 h&s at ! sight ( ! ,uccel div9o1 tratt&o l'a]e con l'et]ne p5ne4#ec ,illu/ration3 ,ca!dral1 ,volt]ra ,,! ,,annunciation ,! resemblance is s great betwe5 ?is pa9t+ & ! ,annunciation1 ( ! ,uffizi pr$ella 7,no4 #abih7 t we are ju/ifi$ 9 plac+ ! latt] some:]e ab\t ! same date4 ,z is s (t5 ! case 9 pr$ella pictures1 especially ) ,signorelli's1 ! spontaneity & fre$om ( execution1 & ev5 ( conception1 is mu* great] "h ?an 9 ! m c>efully ?\ght-out & f9i%$ works4 ,small z ?is panel is1 ! ru% ( ! great ,ar*angel1 ! solemn beauty ( ! l&scape1 & ! spl5did attitudes ( ! "y c\rti]s 9 ! la/ division1 make x "o ( ! ma/]'s mo/ important & *>act]i/ic pa9t+s4 ,! col\r 9 ! fir/ panel ( ! ,annunciation is especially beautiful1 & !re is a noble simplicity 9 ! composition1 z well z a bread? & c]ta9ty ( t\* t give ! picture great gr&eur4 ,! pr$ella is divid$ by pa9t$ pila/]s into ?ree p>ts4 ,9 ! fir/ ! ,ar*angel ha/5s ?r\gh a rocky pass to ann\nce ! message1 to :i* ! ,virg9 b[s ) aw$ acceptance ( its solemn mean+4 ,9 ! second1 ! %eph]ds kneel to (f] homage to ! new-born ,*ild1 :o lies at ! ,virg9's feet1 :ile ! ?ird repres5ts ! visit ( ! ,magi4 ,! same fre$om ( bru%work *>act]ises ano!r ,annunciation1 ( probably ! same "t1 & treat$ 9 mu* ! same mann]1 al?\gh less /ately ?an t ( ! ,uffizi4 ,?is is "o "p ( a pr$ella =m]ly belong+ to ! ,manc9i ,collection ( ,citta di ,ca/ello4#ed ,! ,ar*angel1 ) great w+s half fold$1 & bl[n drap]y1 is j alight+ at ! feet ( ! ,virg91 :o has dropp$ h] book1 & drawn back ) />tl$ ge/ure at ! impetu\s ru% ( ! mess5g]4 ,connect$ ) ^! by ! same qualities ( bread? ( treatm5t1 & almo/ mod]n impressionism 9 ! conception ( ! sc5e1 are two comp>tm5ts ( a pr$ella1 belong+ to ,mr ,b5son 9 ,london1 repres5t+ ,! ,dispute by ! ,way1 & ,! ,supp] at ,emmaus4 ,9 ! =m] especially1 ! dramatic realism ) :i* ! ,apo/les are depict$1 z !y argue ) animat$ ge/ures1 is extraord9>ily vivid4 ,yet ano!r pr$ella picture--,! ,fea/ 9 ! ,h\se ( ,simon1 n[ 9 ! ,dubl9 ,gall]y--belongs approximately to ?is p]iod4 ,x is a mo/ beautiful repres5tation ( ! sc5e1 & is treat$ some:at 9 ! gay mann] ( ,bonifazio or ,paolo ,v]onese4 ,at a long table1 cr[d$ ) gue/s1 ,*ri/ sits1 ) ,8 ,"m on ,8 "r h&1 ! ma/] ( ! fea/ be+ conspicu\s 9 ! middle4 ,ov] ,*ri/'s head1 ! ,magdal51 a *>m+ & graceful figure1 p\rs ! o9tm5t1 & on ! left ( ! table ,judas1 ) expressive ge/ure1 calls att5tion to ! wa/e4 ,not)/&+ ! small size ( ! panel1 & ! numb] ( ! figures1 ! effect is exce$+ly spaci\s & free4 ,x is a well-compos$ sc5e1 full ( animation1 & broad 9 treatm5t1 & is =tunately 9 a good /ate ( pres]vation4 ,! alt>-pieces to :i* all ?is s]ies ( pr$elle belong are unkn[n4 ,we w n[ consid] ! f9e ,/&>d1 pa9t$ 9 #adid = ! *ur* ( ,santo ,spirito 9 ,urb9o4#ee ,on "o side 0 repres5t$ ! ,crucifixion1 & on ! o!r ,! ,desc5t ( ! ,holy ,gho/ at ,p5teco/1 b ! canvases h n[ be5 divid$4 ,9 ! =m]1 at ! foot ( ! ,cross is gr\p$ ! fir/ ( ^? *>act]i/ic sc5es ( ! fa9t+ ,virg9 :i* 01 probably f its dramatic elem5t1 s fav\rite a subject ) ,signorelli4 ,s9c]ely & naturally felt1 x 9 no way tr5*es on ! melodramatic1 z "o or two ( ! lat] gr\ps t5d to d1 & ! solit>y figure ( ,*ri/1 rais$ high above ! sorr[+ wom51 is = once1 among 8 ,crucifixions1 ( dignity & real pa?os4 ,! solemnity ( ! mood giv51 is enhanc$ by ! f9e idea ( ! soldi] on ! left1 :o1 impressively /&+ out aga9/ ! sky1 %ades 8 eyes1 ) bewild]$ ge/ure1 z ?\gh bl9d$ by a sudd5 compreh5sion ( ! sacrifice4 ,! grief ( ! wom5 :o t5d ! unconsci\s ,virg91 is sympa!tically realis$1 & )\t exagg]ation ( outw>d sorr[4 ,! composition is specially beautiful1 ! sides are well-balanc$1 :ile ! two m\nt$ soldi]s on ei!r side 7not)/&+ _! *>act]i/ically badly-drawn horses7 give ! sc5e a c]emoni\s /atel9ess1 :i* is v impressive4 ,illu/ration3 ,uffizi1 ,flor5ce ,,! ,,annunciation ,9 ! ,p5teco/ we h ano!r mo/ ma/]ly bit ( p]spective & f9e spaci\s effect4 ,at ! end ( a long room1 betwe5 two r[s ( ! ,apo/les1 is seat$ ! ,virg94 ,above is ,god ! ,fa!r1 att5d$ by two angels1 & bel[1 ! tongues ( flame1 ! gift ( ! hov]+ ,dove1 h alight$ on ! heads ( all ! company4 ,ap>t f ! s5se ( space & ! well-compos$ gr\p+1 ! te*nical execution does n appe> s satisfactory z 9 ! ,crucifixion1 b ?is may be acc\nt$ = by ! fact t ! pa9t+ has suff]$ m f re/oration4 ,v closely alli$ to ?is ,/&>d 9 composition is ! f9e ,s4 ,seba/ian ( ,citta di ,ca/ello1 pa9t$ 9 #adif = ! *ur* ( ,s4 ,dom5ico1 n[ 9 ! ,gall]y1 :i*1 9 spite ( its bad condition is a picture ( great importance & beauty4 ,! lea/ satisfactory "p is ! ,sa9t himself1 :o /&s b\nd high up ^u ! tree1 8 s5tim5tal face ) upturn$ eyes & op5 m\? recall+ ! ,s4 ,john ( sev]al ( ! ,crucifixions4 ,above him leans ,god ! ,fa!r1 & bel[ five soldi]s /r+ _! b[s or %oot1 ) sup]b ge/ures4 ,?ree ( !m are 9 ! tight-fitt+ clo!s 9 :i* ,signorelli lov$ to display ! f9e proportions & spl5didly-develop$ muscles ( 8 figures1 & ! o!r two are drap$ only ) ! ,pollaiuolesque /rip$ lo9-clo?4 ,9 ! middle di/ance1 burgesses & sad-fac$ wom5 look on at ! m>tyrdom1 & 9 ! backgr\nd a di/ant /reet1 fill$ ) soldi]s1 leads /eeply up to a ru9$ classic build+1 n unlike ! ,colosseum4 ,! great damage :i* ! picture has suff]$ makes x difficult on a sup]ficial view to give x ! place x really des]ves among ! ma/]'s works4 ,! col\r+ is some:at crude1 especially ! fle%-t9ts1 :i* are r$ & heavy1 b x mu/ nev]!less be rank$ high on acc\nt ( ! composition1 & ! f9e draw+ & modell+ ( ! =egr\nd figures4 ,illu/ration3 ,santo ,spirito1 ,urb9o ,,! ,,crucifixion ,to ! foll[+ ye>1 #adhg1 belong ! s]ies ( eight frescoes pa9t$ by ,signorelli 9 ! cloi/] ( ! ,b5$ict9e ,mona/]y ( ,monte ,oliveto4 ,vas>i writes3 ,at ,*iusuri1 ne> ,si5a1 ! pr9cipal habitation ( ! monks ( ,monte ,oliveto1 he pa9t$ on "o side ( ! cloi/] elev5 sc5es ( ! life & "w ( ,s4 ,b5$ict4#ef ,vas>i has mi/ak5 ! numb] ( ! pa9t+s1 = !re 7 nev] m ?an n9e1 ev5 suppos+ ! la/1 ( :i* only a slight fragm5t rema9s1 to h be5 by him4 ,to me x seems d\btful1 b ! fragm5ts are 9 s ru9$ a /ate1 ! fresco hav+ be5 almo/ entirely cut away 9 ! enl>g+ ( ! doorway1 t c]ta9ty "o way or ! o!r is h>dly possible4 ,! rema9+ eight are = ! mo/ "p 9 a deplorable condition1 bo? f ! damage ( "t & neglect1 & also f repa9t+1 ! l[] "p ( ! =egr\nd 9 all ( !m be+ completely lo/1 & sme>$ ov] ) a surface ( ?ick gre54 ,! pa9t+s are v unequal1 "s be+ comp>atively poor1 :ile ! two la/ are exce$+ly f9e4 ,! /ory beg9s 9 ! middle ( ! ,sa9t's life4 ,! fir/ sc5e %[s ,h[ ,god puni%$ ,flor5zo1 a wick$ rival abbot1 :o _h tri$ to poison ,s4 ,b5$ict1 & to lead 8 monks a/ray4 ,9 ! backgr\nd f\r grotesque devils are te>+ d[n ! walls ( 8 conv5t1 ) extraord9>y en]gy ( action1 & ?ree o!rs be> away ! s\l ( ! monk1 ^: body may be se5 cru%$ b5ea? ! ru9s4 ,9 ! =egr\nd ! ,sa9t li/5s to ! tale1 told by a kneel+ bro!r4 ,! sc5e is conceiv$ 9 a _s some:at trivial = ,signorelli1 & has b little ( 8 usual /ately /r5g?4 ,! composition is too mu* cr[d$ on "o side1 &1 z f> z c be judg$ f ! /ate ( ! fresco1 ! drap]ies ( ! monks are me*anically treat$4 ,! p>ts mo/ wor?y ( praise seem to be ! vivacity ( ! devils1 & ! effect ( spaci\s di/ance1 b x is 9 s damag$ a condition t x w\ld be unfair to be ov]-critical4 ,! next is 9 an ev5 worse condition4 ,x illu/rates ,h[ ,s4 ,b5$ict conv]t$ ! inhabitants ( ,monte ,cass9o1 to :om1 support$ by two monks1 he prea*es 9 ! =egr\nd4 ,9 ! middle di/ance o!rs pull d[n f its pill> ! /atue ( ,apollo1 wor%ipp$ by ^! p4 ,?is is a v mu* f9] pa9t+4 ,! composition is aga9 ov]cr[d$ on "o side1 b !re is mu* noble dignity 9 ! figures ( ! ?ree monks1 & ! beautiful ar*itecture & p]spective ( ! ,temple1 are admirable4 ,! =egr\nd has be5 entirely de/roy$1 ! drap]ies are ne>ly effac$1 & a little t[n 9 ! backgr\nd is s sme>$ ov] ) gre5 pa9t1 t ! effects ( di/ance are lo/4 ,no4 ,,iii4 is 9 bett] condition1 ?\gh v mu* injur$ 9 ! =egr\nd4 ,x %[s ,h[ ,s4 ,b5$ict exorcis$ ! ,devil ^u ! /one1 :o gu>d$ ! place :]e ! /atue ( ,apollo 0 buri$1 :i* br\ght a curse on ! conv5t4 ,9 ! backgr\nd is se5 ! dis9t]m5t ( ! /atue1 & to ! "r1 ! v5geance ( ! ,devil1 :o sets fire to _! build+4 ,flames bur/ ?r\gh ! w9d[s1 & ! monks ha/5 ) excit$ ge/ures to qu5* !m4 ,^! rem9d "o 9 _! naivete ( ,c>paccio's scurry+ fri>s1 9 ,s4 ,giorgio degli ,s*iavone1 ,v5ice4 ,!re are "s v f9e bits 9 ?is fresco2 ! attitude ( ! monk to ! left :o is heav+ up ! /one is exce$+ly good & true to nature1 & ! l&scape is spaci\s & di/ant4 ,no4 ,,iv4 %[s ,h[ ,s4 ,b5$ict resuscitat$ ! monk ^u :om ! wall fell1 ! sc5e ( ! dea? tak+ place 9 ! backgr\nd1 ! ,devil hav+ precipitat$ him f ! scaffold+ on :i* he 0 at "w4 ,9 ! middle di/ance ?ree bro!rs be> ! dead body1 & 9 ! =egr\nd ! ,sa9t /&s & raises him aga9 to life4 ,?is fresco is v f9e bo? 9 g5]al composition & detail4 ,! little sc5e ( ! dea? is full ( action & animation1 ! gr\p ( monks :o be> ! corpse is dignifi$1 & v noble is ! kneel+ figure ( ! resuscitat$ fri>4 ,! pa9t+s get gradually bett]1 z ?\gh ,signorelli _h w>m$ to 8 task4 ,! next is v *>m+ & "o ( ! mo/ successful 9 composition4 ,x illu/rates ,h[ ,s4 ,b5$ict reveals to two monks :]e & :5 !y _h eat5 out ( ! ,conv5t4 ,! two disob$i5t bro!rs sit 9 ! =egr\nd ( a long room 7( mo/ excell5t p]spective71 & are s]v$ ) meats & dr9ks4 ,at ! end ( ! room1 at ! op5 doorway /&s ! graceful figure ( a y\?4 ,! section ( ! wall is giv51 %[+ 9 ! di/ance ! p5it5t bro!rs on _! knees be=e ! ,sa9t1 :o has reprov$ _! disob$i5ce4 ,!re is some?+ almo/ ,g]man 9 ! dome/ic simplicity ) :i* ,signorelli has conceiv$ ! sc5e4 ,! woman :o waits on ! "r is ,p]ug9esque 9 type & attitude1 al?\gh ) ! robu/ physique t belongs to ,signorelli4 ,! fresco is mu* repa9t$ especially 9 ! ro(4 ,illu/ration3 ,monti ,oliveto1 ,maggiore ,,miracle ,,( ,s4 ,,b5$ict ,! next %[s ,h[ ,s4 ,b5$ict reproves ! bro!r ( ! monk ,val]ian = 8 violat$ fa/1 & reveals to him t x 0 ! ,devil :o _h tempt$ him 9 ! disguise ( a travell]1 ! diff]5t sc5es1 z usual1 go+ on 9 ! backgr\nd4 ,9 front ! y\? kneels be=e ! monks1 & to ! "r ! ,devil1 8 horns %[+ ?r\gh 8 cap1 tempts him4 ,9 ! di/ance !y c be se5 fea/+ "u a rock4 ,! fresco is mu* injur$ & repa9t$1 b ! figure ( ! ,devil ) ! bundle ov] 8 %\ld] is v f9e & well drawn4 ,! two la/ ( ! s]ies are ! be/4 ,signorelli has 9 !m giv5 ! re9 to 8 love ( m>tial sc5es1 & pa9t$ !m ) great animation & v]ve4 ,9 ,no4 ,,vii4 we h ! sc5e ,h[ ,s4 ,b5$ict discov]s ! deceit ( ,totila1 & unmasks ! %ield-be>]1 :o1 disguis$ z ! ,k+ ( ! ,go?s1 comes to prove ! k ( ! sa9t4 ,9 ! backgr\nd1 a pla9 cov]$ ) camps & soldi]s1 ,totila s5ds =? 8 s]vant1 & 9 ! =egr\nd ! ,sa9t1 surr\nd$ by f\r monks1 proclaims to him 8 id5tity4 ,/atesm51 arrogant pages1 & w>riors1 /& beh9d ! expos$ %ield-be>]4 ,x is int]e/+ to obs]ve h[ ,signorelli's att5tion has w&]$ f ! empty faces & me*anically execut$ drap]ies ( ! monks1 & conc5trat$ itself on ?is gr\p4 ,! figures1 9 _! tight clo!s1 are sup]bly pos$ & modell$1 especially ! ?ree :o /& next to ! %ield-be>]4 ,! la/ ( ! frescoes is almo/ z f9e a /udy ( magnific5t attitude4 ,x %[s ,h[ ,s4 ,b5$ict recognises & welcomes ,totila1 ! real ,k+ ( ! ,go?s1 :o kneels be=e him1 surr\nd$ by 8 army on horse & foot4 ,9 ! backgr\nd1 troops are m>*+ ) great animation1 7"o ( ^? f9e effects ( comb9$ movem5t s *>act]i/ic ( ! ma/]74 ,"s ( ! =egr\nd figures are aga9 spl5didly drawn & modell$1 & ! m\nt$ soldi]s sit _! horses exce$+ly well4 ,illu/ration3 ,monte ,oliveto1 ,maggiore ,,! ,,miracle ,,( ,s4 ,,b5$ict ,9 ^! two la/ pa9t+s we get a h9t ( ! great "w t 0 to come ?ree ye>s lat]--at ,orvieto4 ,signorelli has put =? all 8 /r5g? 9 ^! gr\ps ( swagg]+ y\?s 9 e po/ure ( consci\s p[] & pride1 & nev] p]haps be5 m successful 9 individual figures4 ,"s ( ! faces 9 ! la/ fresco appe> to be portraits1 & if x be true1 z ,vas>i says1 t he pa9t$ ! ,vitelli & ,baglioni1 x is "h probably t we %\ld f9d !m r ?an among ! audi5ce ( ,anti*ri/4 ,9 runn+ ! eye d[n ! :ole s]ies ( frescoes1 ! s*eme ( col\r1 z f> z c be judg$ 9 _! pres5t condition1 does n /rike "o z pleasant4 ,crude blues1 em]ald gre5s1 br[ni% purples1 heavy e>!n br[ns--^! are ! pr$om9at+ t9ts4 ,! fle% tones are uni=mly r$ & heavy4 ,nei!r is ! decorative effect ( ! compositions specially good1 z at ,loreto1 & m p>ticul>ly at ,orvieto4 ,p]haps ev51 on a sup]ficial view1 ! space-fill+ by ,sodoma is happi]1 & has a m impos+ effect4 ,x is *iefly 9 detail t ! great qualities ( ,signorelli %[ !mselves4 ,! re/ ( ! walls ( ! l>ge cloi/] are pa9t$ ) tw5ty-sev5 subjects by ,sodoma1 %[+ ! y\? & h]mit-life ( ! sa9t1 & cont9u+1 aft] ! s]ies by ,signorelli1 ) 8 miracles & 8 old age4 ,al?\gh ! subjects *os5 by ,luca illu/rate ! lat] ye>s1 yet !y 7 pa9t$ fir/1 & x is probable t ! place ( ea* sc5e 0 arrang$ be=e any ( ! "w 0 ent]$ ^u4 ,! ye> foll[+ ! execution ( ^! frescoes ,signorelli 0 9 ,si5a1 pa9t+ ! two w+s = ! alt>-piece ( ! ,bic*i family1 =m]ly 9 ! *ur* ( ,s4 ,ago/9o1 n[ 9 ! ,b]l9 ,gall]y1 ,no4 #gi4 ,a ,,ms4 ( ! ,abbate ,galgano ,bic*i1 :i* gives ! date1 speaks ( x z an ,ancona1 ! c5tre ( :i* 0 a /atue ( ,s4 ,*ri/oph] by ,jacopo della ,qu]cia1 & ) a pr$ella1 :i* ! ,abbate m9utely describes4#eg ,no?+ n[ rema9s ( ! alt>-piece b ^! two beautiful w+s1 "o ( :i* conta9s figures ( ! ,magdal51 ,santa ,*i>a1 & ,s4 ,j]ome1 ! o!r1 ( ,s4 ,augu/9e1 ,s4 ,antonio & ,s4 ,ca!r9e ( ,si5a4 ,vas>i writes ( x3 ,at ,si5a he pa9t$ 9 ,sant',ago/9o1 a picture = ! *apel ( ,s4 ,cri/(ano1 9 :i* are "s ,sa9ts surr\nd+ a ,s4 ,*ri/oph] 9 relief4#eh ,bo? panels are ( v ri* & h>moni\s col\r1 especially ! "o conta9+ ! noble figure ( ! ,magdal51 9 h] gre5 robe %ot ) gold & deep r$ mantle1 & h] ropes ( honey-col\r$ hair4 ,illu/ration3 ,gall]y1 ,b]l9 ,,sa9ts ,p]haps ab\t ! same date1 p]haps some:at e>li]1 we may place ! f9e ,tondo 7,no4 #gi;,b7 hang+ 9 ! same gall]y1 =m]ly 9 ! ,patrizi collection1 ,rome4 ,i h n giv5 x its usual "n ( a ,visitation1 because t sc5e1 conv5tionally treat$1 took place be=e ! bir? ( ! *ildr5 :o "h play s important a "p4 ,signorelli has1 accord+ to 8 habit1 conceiv$ ! subject )\t any ref]5ce to traditional cu/om4 ,i h already spok5 ( ! ease ) :i* he composes 9 ! ,tondo =m1 & ?is is p]haps ! be/ example ( 8 skill4 ,! natural gr\p+ ( ! figures1 ! sweep+ curves ( ! drap]ies1 :i*1 especially t ( ,s4 ,joseph acc5tuat$ ) gold1 c>ry out ! l9es ( ! circle1 give a s5se ( re/ & h>mony to ! eye4 ,! sc5e is treat$ ) a simplicity & noble dignity :i* des]ve special praise4 ,x is 9 "s ways ! mo/ sympa!tic ( all 8 ,holy ,families1 & he seems to h felt ! *>m ( e-day simple life1 & = once has giv5 ! ,*ri/ ! life & beauty ( *ildhood4 ,! t5d] =ebod+ sadness 9 ! face ( ! ,virg91 ! rev]5tial sympa?y ( ! ag$ ,elizabe?1 & ! k9dly c>e ) :i* ! p[]ful ,za*>ias holds ! ,*ild1 are t\*es full ( poetry4 ,morelli places ?is ,tondo z a late "w1#ei b ! s(t & h>moni\s col\r1 z well z ! poetic feel+1 seem to belong to ?is p]iod1 be=e ! pa9t+ ( ! ,orvieto frescoes1 if n ev5 e>li]4 ,illu/ration3 ,gall]y1 ,b]l9 ,,holy ,,family 7,,call$ ,,visitation7 ,la/ly1 9 ?is gr\p mu/ be plac$ ! ,/&>d ( ,borgo ,san ,sepolcro1 pa9t$ = ! ,confrat]nity ,s4 ,antonio ,abbate1 n[ 9 ! ,municipio4 ,x is int]e/+ to note1 z its position 9 ! ,gall]y all[s u to d1 h[ completely ,signorelli has n[ deta*$ himself f ! influ5ce ( 8 fir/ ma/]--outw>dly at lea/4 ,no great] contra/ c\ld well be1 ?an ! unre/ful dramatic realism ( ! ,crucifixion on ?is ,/&>d1 & ! inspir$ s]5ity ( ! ,resurrection ( ,pi] dei ,frances*i close by2 ?an ! co>sely-conceiv$ figure ( ! crucifi$ ,*ri/1 ) its heavy features & unc\? limbs1 & ! spiritual beauty ( ! ris5 ,savi\r4 ,?is ,crucifixion is ! lea/ successful ( all ,signorelli's r5d]+s ( ?is subject 7) ! exception1 p]haps1 ( ! ,morra fresco71 bo? f its te*nical defects ( extreme h>dness & heavy col\r1 z well z f ! lack ( any real feel+ 9 ! pa9t] = 8 subject4 ,! un=tunate introduction ( ! patron sa9t1 pos+ z ,joseph ( ,arima?oea1 di/urbs ! h>mony ( ! mood1 :ile 8 exagg]at$ ge/ure contra/s disagreeably ) ! apa!tic coldness ( ! o!r figures1 ov]-dramatic z _! action is4 ,! ,*ri/ is treat$ delib]ately z a /udy ( muscle1 & is among ! mo/ ignom9i\s ( 8 types1 & ! fanta/ic l&scape1 ) its %ad[y rocks & solid cl\ds1 is badly compos$ & )\t exi/5ce4 ,al?\gh !re is no trace ( ! influ5ce ( ,pi]o rema9+1 yet !re is mu* ( ,antonio ,pollaiuolo1 especially 9 ! muscul> figure & b5t legs ( ! ,*ri/4 ,illu/ration3 ,municipio1 ,borgo ,san ,sepolcro ,,! ,,crucifixion ,! two l>ge ,sa9ts on ! rev]se ( ! ,/&>d are1 on ! o!r h&1 impos+ & noble figures1 spl5didly pa9t$ 9 ,signorelli's gr&e/ & mo/ sweep+ mann]4 ,s4 ,antonio1 9 ! black habit ( ! ord] = :i* ! bann] 0 execut$1 /&s read+ 9 a book1 & by 8 side is ,s4 ,eligio1 ! smi?-sa9t1 9 r$ mantle & d>k-gre5 robe1 hold+ 9 "o h& ! f>ri]'s tool1 & 9 ! o!r ! cut-(f horse's ho( ( ! leg5d4 ,bel[ kneel small figures ( f\r bro!rs ( ! ,confrat]nity4 ,we h n[ come to ! end ( ! s]ies ( works1 execut$1 z ne>ly z c be judg$1 betwe5 #adij & #adii1 & ) ! latt] date h arriv$ at ! "t ( ! pa9t+ ( ! ,orvieto frescoes1 :i* 7 to be ! cr[n+ po9t 9 ! life's "w ( ! ma/]4 ,,footnotes3 #ec ,purg4 ii4 #cg & #ce4 #ed ,:5 la/ he>d ( by ! au?or x 0 = sale 9 ,engl&4 #ee ,! contract1 dat$ ,june #adid1 is transcrib$ 9 ,pungileoni's ,elogio ,/or4 di ,giov4 ,santi41 p4 #gg4 #ef ,vas>i1 iii4 #fhi4 #eg ,! ,,ms4 is 9 ! possession ( ,conte ,scipione ,bic*i-,borghese1 ,si5a4 #eh ,vas>i1 iii4 #fhh4 #ei ,die ,gal]ie zu ,b]l91 p4 #df4 ,,*apt] ,v ,,orvieto ,!re seems to be a mom5t 9 ! life ( e great man 9 :i* he t\*es ! height ( 8 possibilities1 & rea*es ! limits ( 8 p[]s ( expression4 ,to ,signorelli x came late1 at an age :5 mo/ m5 beg9 to feel at lea/ _! physical p[]s on ! wane4 ,! two la/ frescoes ( ! ,monte ,oliveto s]ies indicate t an imm5se =ce lay 9 res]ve1 wait+ an opportunity = "s wid] & fre] field ( action1 ?an _h hi!rto pres5t$ itself4 ,t opportunity n[ came1 :51 at ! age ( fifty-n9e1 he 0 call$ ^u to und]take ! va/ "w ( ^! ,orvieto frescoes4 ,) ! exception ( ! ,si/9e ,*apel1 no su* task has be5 a*iev$ at s su/a9$ a pit* ( imag9ative p[] & te*nical excell5ce4 ,:e!r ! subject /irr$ 8 dramatic _s1 or :e!r ! great spaces to be fill$ gave an exp&$ s5se ( lib]ty to 8 g5ius1 or :e!r 8 p[]s1 intellectual & physical1 really 7 at ! z5i? ( _! /r5g?2 :atev] 0 ! cause1 he succe$$ 9 execut+ a "w :i* ranks among ! greate/ monum5ts ( ! ,r5aissance1 p]haps %\ld ev5 rank z ! v greate/4 ,morelli writes3 ,^! ma/]pieces appe> to me unequall$ 9 ! art ( ! fifte5? c5tury2 = to no o!r contempor>y pa9t] 0 x giv5 to end[ ! human frame ) a l degree ( passion1 vehem5ce1 & /r5g?4#fj ,& beside ! dignity ) :i* he has 9 ^! frescoes elevat$ ! body to an almo/ sup]human gr&eur1 8 conception ( sup]natural ?+s is proportionately solemn & impressive4 ,x is impossible to look at ! sc5es )\t emotion1 & ! mood evok$ is due 9 a great measure to ! e>ne/ conviction ) :i* !y are conceiv$4 ,signorelli1 always a religi\s pa9t]1 9 ! wid] mean+ ( ! ^w1 seems "h to assume an almo/ prophetic attitude ( w>n+1 embodi$1 "o might almo/ ?9k1 9 ! portrait ( himself1 /]n & m5ac+1 /&+ s5t9el-l ov] ! "w4 ,vas>i ?us speaks ( ! frescoes3 ,9 ! pr9cipal *ur* ( ,orvieto--t ( ! ,madonna--he complet$ ) 8 own h& ! *apel :i* _h be5 begun !re by ,fra ,giovane da ,fiesole2 9 :i* he pa9t$ all ! hi/ory ( ! end ( ! _w1 ) /range fanta/ic inv5tion3 ,angels1 demons1 ru9s1 e>?quakes1 fires1 miracles ( ,anti*ri/1 & _m o!r ( ! l ?+s2 besides :i*1 nudes1 =e%ort5$ figures1 & _m beautiful designs2 hav+ pictur$ to himself ! t]ror :i* w be 9 t late/ trem5d\s day4 ,by means ( ?is he r\s$ ! _s ( all ^? :o came aft] him 9 su* a way t s9ce1 !y h f\nd ! difficulty ( t mann] easy4 ,:]e=e x does n surprise me t ! works ( ,luca %\ld h always be5 mo/ highly prais$ by ,mi*elagnolo1 nor t c]ta9 ?+s ( 8 div9e ,judgem5t :i* he pa9t$ 9 ! *apel 7 9 "p c\rte\sly tak5 f ! inv5tion ( ,luca2 z are ! ,angels1 ,demons1 ! heav5ly ord]s1 & o!r ?+s 9 :i* ,mi*elagnolo imitat$ ! /yle ( ,luca1 z ev]yone may see4 ,luca portray$ 9 ! above-m5tion$ "w himself & _m ( 8 fri5ds2 ,niccolo1 ,paulo & ,vitellozzo ,vitelli2 ,giovan1 ,paulo & ,orazio ,baglioni1 & o!rs ^: names are unkn[n4#fa ,illu/ration3 ,ca!dral1 ,orvieto ,,portraits ,,( ,,signorelli ,,& ,,fra ,,angelico 7,,detail ,,f ,,anti*ri/7 ,fifty-two ye>s be=e1 9 #addg1 ,fra ,angelico _h sp5t ?ree mon?s & a half 9 ?is ,ca!dral ( ,orvieto1 pa9t+ ! sp&rels 9 ! ro( ( ! ,cappella ,nuova1 z x 0 !n call$4#fb ,he _h "t to complete only two frescoes1 be+ ei!r recall$ to ,rome by ,ni*olas ,v41 or to ! conv5t ( ,s4 ,dom5ico1 ne> ,fiesole 7( :i*1 9 #adej1 he 0 made ,prior74 ,^! two works are among ! be/ & /ronge/ ( 8 pa9t+s4 ,9 ! pr9cipal space1 t ov] ! alt>1 he pa9t$ ,*ri/ 9 glory1 surr\nd$ by a m&orla1 ) angels on ei!r side2 & 9 ! sp&rel on ! "r1 a gr\p ( sixte5 prophets1 seat$ pyramidally aga9/ a blaze ( gold backgr\nd4 ,x is probable t he _h ?\ght out ! g5]al s*eme ( ! frescoes1 & t ,signorelli only c>ri$ out 8 int5tion 9 work+ ! pa9t+s into "o great :ole--,*ri/ 9 ,heav51 surr\nd$ by ,angels1 ,apo/les1 ,m>tyrs1 ,virg9s1 ,patri>*s & ,fa!rs ( ! ,*ur*1 witness+ f on high ! execution ( div9e ju/ice bel[4 ,h[ev] t may be1 x is c]ta9 t ,signorelli1 9 8 pa9t+ ( ! ro(1 kept mo/ scrupul\sly to ! old] ma/]'s arrangem5t1 & 9 "o ( ! sp&rels actually seems to h work$ ov] 8 design4 ,aft] ! )drawal ( ,fra ,angelico1 ! *apel rema9$ unt\*$ = m ?an fifty ye>s4 ,9 #addi 8 pupil1 ,b5ozzo ,gozzoli1 :o _h probably be5 8 assi/ant 9 ! pa9t+1 dem&$ p]mission to cont9ue ! "w2 b ! au?orities 7 n cont5t to grant x1 & x 0 only 9 #adii1 aft] "s futile negotiations ) ,p]ug9o1 :o appe>s to h refus$ ! commission1 t !y f9ally resolv$ to place ! decoration 9 ! h&s ( ,signorelli4 ,p]haps decid$ to ?is /ep by ! success ( ! ,monte ,oliveto frescoes1 !y 7 yet s cauti\s & s det]m9$ to h only ! v be/ "w 9 _! *apel1 t at fir/ !y only entru/$ to him ! pa9t+ ( ! vault+1 already begun4 ,!y 7 wise to be c>eful 9 _! *oice1 = !y 7 probably consci\s ( ! extreme beauty ( _! ca!dral1 &1 9 p>ticul>1 ( ! exquisite ar*itecture ( ?is *apel4 ,orvieto ,ca!dral is "o ( ! f9e/ & mo/ impressive ( ! ,italian *ur*es1 & f its f\ndation 9 #abij1 ! au?orities _h be5 notori\sly lavi% 9 _! exp5diture = its build+1 & fa/idi\s 9 _! *oice ( ar*itects1 sculptors1 & pa9t]s4#fc ,f ! po9t ( view m]ely ( decoration1 !y c\ld h giv5 ! "w to no bett] arti/ ?an ,signorelli1 & ! fir/ impression1 on pass+ into ! *apel f ! au/]e & spaci\s nave1 is ( ! h>moni\s plan1 bo? ( col\r & design1 ) :i* ! orig9al beauty ( ! ar*itecture has be5 enhanc$1 & its graceful *>act]i/ics acc5tuat$4 ,! ro( is ( v p]fect %ape1 & ! spaces well adapt$ = pa9t+4 ,x is divid$ 9 ! middle by an ar*1 ?us hav+ two complete vault+s1 ea* ) f\r sp&rels4 ,! walls are high & spaci\s1 also divid$ 9 two p>ts1 9 ea* ( :i*1 on ei!r side1 is a l>ge fresco4 ,signorelli has sep>at$ ! l[] "p ( ! wall by a pa9t$ frieze ( delicate gold & ivory1 & 9 ! l[] half execut$ a s]ies ( portraits1 ea* surr\nd$ by m$allions 9 grisaille1 conta9+ small subject-pictures1 ! re/ ( ! space be+ fill$ ) an intricate patt]n ( grotesques4 ,! s\? wall1 9 :i* are ?ree small w9d[s1 has be5 un=tunately disfigur$ by a b>oque sev5te5?-c5tury alt>1 ^: projections hide a "p ( ! frescoes4 ,opposite is ! entrance1 a magnific5tly-proportion$ portal1 ) a r\nd$ ar*1 mo/ delicately decorat$ 9 col\r4 ,e in* ( ! walls is cov]$1 & = ! mo/ "p by ! "w ( ,signorelli himself1 ! above-m5tion$ grotesques1 ! m]ely ornam5tal pa9t+1 & a few ( ! m$allions alone be+ by 8 assi/ants4 ,9 describ+ ! frescoes ,i int5d to beg9 ) ^? ( ! vault+1 & !n to "w gradually r\nd ! walls f ! left ( ! entrance1 :]e ! fir/ ( ! s]ies ( l>g] pa9t+s beg9s ) ,! ,prea*+ & ,fall ( ,anti*ri/4 ,9 ! sp&rel opposite ! ,*ri/ ( ,fra ,angelico1 ,signorelli has pa9t$ eight angels hold+ ! symbols ( ! ,passion1 :ile two o!rs1 n unlike ! great ,ar*angels ( ! ,resurrection1 bl[ trumpets to ann\nce ! imp5d+ ,judgm5t4 ,left ( ! alt>1 opposite ,fra ,angelico's ,prophets1 & arrang$ 9 exactly ! same pyramidal =m1 is a magnific5t gr\p1 repres5t+ ! ,apo/les1 ! ,virg9 be+ seat$ on ! l[e/ ti] ) ,s4 ,pet] & ,s4 ,paul4 ,v noble1 impressive figures1 p[]fully & solidly pa9t$1 ) broadly-drap$1 heavy-fold$ robes1 !y sit l rocks ^u cl\ds z solid z hills4 ,^!1 ) ! two frescoes ( ,fra ,angelico1 complete ! pa9t+s ( ! fir/ vault+4 ,^? on ! o!r side ( ! ar* are execut$ entirely by ,signorelli1 &1 ) ! exception ( "o1 f 8 own designs4 ,?is "o is ! weake/ ( 8 ro(-pa9t+s 9 execution1 & ! composition & actual draw+ ( ! c5tral figures1 are ! "w ( ,fra ,angelico4 ,x repres5ts ! ,*oir ( ,m>tyrs1 a gr\p ( sev5 figures4 ,9 ! c5tre are seat$ ?ree ,deacons 9 full canonicals1 ) ,bi%ops on ei!r side1 & bel[ two ,sa9ts 9 pla9 robes4 ,^! la/ h all ,signorelli's *>act]i/ics ( draw+1 & sit ) wide-spread knees & broadly-pa9t$ drap]ies1 a /rik+ contra/ to ! weak attitudes & niggl+ robes ( ! c5tral gr\p4 ,signorelli has inde$ h>dly alt]$ ! *ildi% *ubby features ( ! ,deacon 9 ! middle1 nor ! b5evol5t vacuity ( ! two ,bi%ops1 s diff]5t to 8 own au/]e types4 ,opposite to ?is1 ov] ! portal1 is a gr\p ( eight ,virg9s1 broadly & vigor\sly treat$1 9 ,signorelli's bolde/ mann]4 ,to ! "r is ano!r ( ! pyramidal gr\ps1 fifte5 ,doctors ( ! ,*ur*1 "s ( :om are repres5t$ disput+ & discuss+ po9ts ( !ology4 ,! la/ ( ! ro(-pa9t+s is a p[]ful gr\p ( ,patri>*s1 rank+1 ) t ( ! ,apo/les1 among ! mo/ impressive ( ! frescoes4 ,"h appe> _m ( 8 well-kn[n types ( face2 ! melan*oly features ( ,pan are repeat$ 9 ! turban$ y\? 9 ! top r[1 int5d$ p]haps to be ,solomon2 ! ,*ri/ ( ! ,uffizi ,holy ,family is 9 ! second ti] to ! left2 ! p[]ful ,za*>ias f ! ,b]l9 ,tondo 9 ! l[e/4 ,luzi1 9 8 m9ute description ( ! pa9t+s1#fd has be/[$ names on all ^! figures1 )\t mu* advantage1 s9ce !y are = ! mo/ "p d\btful4 ,few ( !m be> symbols1 b ! diff]5t gr\ps are suffici5tly describ$ 9 l>ge lett]s1 by ! pa9t]s !mselves--,,gloriosvs ,,apo/olorvm ,,*oir--,,m>tirvm ,,c&idatvs ,,ex]citvs--etc4 etc4 ,! figures1 ) ! exception ( ^? by ,fra ,angelico1 & ! design = ! ,m>tyrs1 are entirely ! "w ( ,signorelli himself4 ,! decorations betwe5 ! spaces seem to be 9 "p by ! assi/ant ( ,fra ,angelico--p]haps ,b5ozzo ,gozzoli4 ,9 ! fir/ bord] heads are pa9t$1 9 loz5ges1 at regul> int]vals1 a few ( :i* are 9 ! old] ma/]'s /yle1 :ile _m %[ ! mann] ( ,signorelli4 ,! r\nd$ project+ rib is pa9t$ ) foliage ( cypress-gre51 ) "h & !re ri* r$ & gold5 fl[]s gleam+ out1 & on ei!r side a bord] ( conv5tionalis$ wat]-lilies4 ,x is difficult to say :i* ( ! ma/]s design$ ?is exce$+ly beautiful decoration1 b x is mo/ effective1 & well-calculat$ to acc5tuate ! life ( ! f9e curves 9 ! vault+4 ,illu/ration3 ,ca!dral1 ,orvieto ,,patri>*s ,^! gr\ps ( ,signorelli's are noble & impressive pa9t+s1 9 te*nique /rong & vigor\s4 ,! drap]ies are treat$ ) simplicity & bread? ( fold1 & ! gold backgr\nd gives ri*ness & beauty to ! col\r4 ,no wond] t ! au?orities1 jeal\s ?\gh !y 7 at ! beauty ( _! *apel1 %\ld h hesitat$ no long] to h& ov] ! great spaces ( ! walls to ! bru% ( ! pa9t] :o _h s well execut$ _! fir/ commission4 ,9 ! ,april ( ! foll[+ ye>1 #aejj1 ! new task 0 giv54 ,! paym5t = ! ro( 0 to h be5 #bje ducats2 = ! walls !y (f]$ #ege4 ,besides ?is1 ! pa9t] 0 to be furni%$ ) ultram>9e1 a c]ta9 quantity ( food & w9e1 & a free lodg+1 ) two b$s1 z ! l5g?y docum5ts ( commission m9utely tell4#fe ,! pa9t+s beg9 ) ,! ,prea*+ & ,fall ( ,anti*ri/4 ,"h ! =egr\nd is fill$ ) gr\ps ( ! foll[]s ( ! false prophet1 :o1 ) ! features ( ,*ri/1 /&s on a little rais$ dais1 li/5+ ) an evil expression1 z ! ,devil beh9d him1 unse5 by ! cr[d1 :isp]s into 8 e> :at he %all say4 ,be=e ! dais are scatt]$ gold vessels1 b>s & co9s1 ) :i* he tempts ! audi5ce4 ,f>!r back to ! "r1 diff]5t gr\ps repres5t ! false tea*+ & miracles ( ,anti*ri/1 & 9 ! backgr\nd is 8 ,temple1 ) arm$ m5 go+ 9 & out ( its op5 portico4 ,! left ( ! frescoes is devot$ to ! fall ( ! false prophet1 & ! de/ruction ( 8 foll[]s4 ,above we see him precipitat$ head-d[nw>ds f heav5 by an angel surr\nd$ by fi]y rays1 :i* /rike dea? to ! army b5ea?4 ,illu/ration3 ,ca!dral1 ,orvieto ,,! ,,prea*+ ,,& ,,fall ,,( ,,anti*ri/ ,9 sombre black1 & /&+ outside ! sc5e1 ,signorelli has pa9t$ ! portrait ( himself1 ) f+]s int]lac$ & firmly-plant$ feet1 & beh9d1 ! mild]1 b /ill gloomy figure ( ,fra ,angelico4 ,!re is some?+ s9i/] 9 ! saturn9e melan*oly on ! faces ( ! cr[d1 unreliev$ by any lightness1 & culm9at+ 9 ! evil expression ( ,anti*ri/ himself4 ,! peace ( ! gold-fleck$ l&scape only acc5tuates ! horror ( ! sc5e ( ! d[nfall 9 ! backgr\nd4 ,! picture is a fit prologue to ! t]rible ,judgm5t to come4 ,9 composition ! fresco is v f9e1 ! values ( di/ance are well kept1 & ! mean+ ( ! sc5e is obvi\s & significant1 & dramatically r5d]$4 ,! =egr\nd gr\p is v /rongly pa9t$1 natural 9 attitude & ge/ure1 & ! figure ( a man 9 /rip$ hose is magnific5tly modell$4 ,i d n c>e to t\* on s hypo!tical a ?+ z ! suppos$ portraiture 9 ?is gr\p1 b x is int]e/+ to note1 9 ! old man "r ( ,anti*ri/1 ! features famili> to u 9 ! draw+s ( ,leon>do1 possibly pa9t$ f a /udy ( ! same model4 ,beh9d is a pr(ile head1 obvi\sly int5d$ = ,dante4 ,! t]rible =ce ( ! angel1 ) its hawk-l swoop1 ! unresi/+ heavy fall ( ! body ?r\gh ! air1 are r5d]$ ) extraord9>y p[]4 ,! =e%ort5+ is admirable1 & s is ! f9e p]spective ( ! beautiful ar*itecture ( ! ,temple4 ,! figures ( ! soldi]s on ! /eps recall ,p]ug9o 9 ! mann] ( treatm5t--d>k aga9/ light1 & well deta*$ f ! backgr\nd4 ,! capitals ( ! pill>s1 ! buttons on ! clo!s1 & ! rays ( ! angel are emboss$ ) gild$ gesso1 z also are ! di/ant hills4 ,?is =m ( ornam5tation1 s mu* us$ by ,signorelli 9 ^! frescoes1 adds greatly to _! decorative beauty4 ,"u ?is pa9t+ is a squ>e-%ap$ portrait1 half cut away by a recess1 9 :i* /&s a mod]n alt>4 ,x is suppos$ by ,luzi to repres5t ,hom]1 & is ! fir/ ( a s]ies :i* run all r\nd ! walls1 mu* repa9t$1 b all ( !m ! "w ( ! ma/] himself4 ,!y are surr\nd$ by f\r m$allions1 pa9t$ 9 grisaille1 also = ! mo/ "p by ,signorelli1 b 9 ?is case only two1 & a fragm5t ( ! ?ird1 rema91 ! enl>g+ ( ! recess hav+ almo/ entirely cut t & ! f\r? away4 ,9 ! top m$allion are five nude figures1 a p[]ful female & f\r males1 all wildly ha/5+ z if f "s imp5d+ de/ruction4 ,9 t on ! left a man /&s on a dais1 surr\nd$ by soldi]s :o hold a prison] b\nd be=e him4 ,9 ! l[] fragm5t1 only "o figure rema9s4 ,^! all repres5t1 accord+ to ,luzi1 sc5es f ,hom]4 ,! gr\ps are well compos$ & full ( vigor\s en]gy1 ! nudes are spl5didly modell$ 9 broad1 bold /rokes1 s %>ply drawn on ! wet pla/] t ! outl9es are deeply incis$4 ,:]e1 z "h1 ^! grisaille pictures are ! "w ( ,signorelli himself1 !y are wor?y ( m att5tion ?an is usually giv5 to !m1 be+ z f9e z any ( 8 be/ "w4 ,to realise fully _! vig\r & excell5ce1 "o ne$ only comp>e ^! p[]ful nudes ) ^? pa9t$ 9 ! pila/]s close by1 ! "w ( assi/ants4 ,! m$allions 9 e case are surr\nd$ by a broadly pa9t$ col\r$ patt]n ( grotesques1 also by assi/ants1 b probably to a l>ge ext5t design$ by ,signorelli1 = !y are extremely *>act]i/ic ( 8 preoccupation ) ! human =m & ) movem5t4 ,arabesques h b little attraction = him1 & x w be notic$ t 9 all 8 ornam5tal "w :]e x is possible1 he pa9ts figures4 ,^! decorations are almo/ entirely compos$ ( fanta/ic creatures1 fauns1 t9y satyrs1 horses1 birds1 etc41 :o bl5d+ _! %apes & borr[+ ea* o!r's limbs1 frisk all ov] ! walls1 & by _! gambols & contortions =m a patt]n ( curves & l9es1 :i* is a maze ( animat$ life1 reta9+ at ! same "t ! broad & h>moni\s effect ( an arabesque4 ,illu/ration3 ,ca!dral1 ,orvieto ,,! ,,cr[n+ ,,( ,,! ,,elect ,! next l>ge pa9t+ repres5ts ,! ,cr[n+ ( ! ,elect4 ,a cr[d ( m5 & wom51 _m drap$ r\nd ! lo9s1 "s q nak$1 gaze upw>ds ec/atically1 or kneel rev]5tly to receive ! gold cr[ns :i* angels are plac+ on _! heads4 ,above1 seat$ on cl\ds1 are n9e o!r angels1 drap$ 9 _m-fold$ robes1 :o play musical in/rum5ts4 ,to ! "r two figures 79 "o ( :om ! ,e*o ( ! ,pan is repeat$7 seem to walk out ( ! sc5e1 ?us connect+ ?is fresco ) ! next1 9 :i* ! elect & cr[n$ s\ls prep>e to asc5d to ,heav54 ,! backgr\nd is entirely ( gold1 ?ickly /udd$ ) bosses ( gild$ gesso4 ,! figures are f9ely modell$ & pos$4 ,! fle%-pa9t+1 z 9 all ! frescoes1 is p]haps some:at heavy 9 col\r1 b ! :ole effect is ri* & h>moni\s4 ,! *ief defects 9 ! "w are ! ov]cr[d+ ( ! composition1 & ! bad values ( di/ance1 caus$ 9 a great measure by ! gold backgr\nd4 ,signorelli's treatm5t is too reali/ic1 8 figures are too solid & too true to life1 to be> ! decorative backgr\nd s suitable to ! flat1 half-symbolic pa9t+ ( ! ,si5ese s*ool4 ,!y ne$ space & air beh9d !m1 & lack+ t1 "o feels a disagreeable s5sation ( oppression & ov]cr[d+4 ,keep+ ! eye ^u ! gr\nd1 :i* is treat$ naturally1 ?is feel+ goes2 ! long %ad[s di/9ctly m>k$1 s5d ! figures to _! diff]5t planes1 & ! confus$ composition becomes cle>4 ,und]nea? are ! usual decorations1 two squ>e portraits surr\nd$ ea* by f\r m$allions4 ,we d n ne$ ! help ( ,luzi to recognise ,dante 9 ! fir/1 injur$ ?\gh x is1 & mu* repa9t$1 especially ab\t ! m\?1 :i* gives ! face a some:at grotesque expression4 ,illu/ration3 ,ca!dral1 ,orvieto ,,subjects ,,f ,,dante ,! grisaille pa9t+s repres5t /ories f ! ,purgatorio1 b al?\gh f9e 9 design1 are n execut$ by ,signorelli himself4 ,!y h none ( ! bread? & gr&eur ( ! fir/ s]ies1 & ! effect is meagre & niggl+1 equal importance be+ giv5 to ! rocks & to ! figures4 ,! o!r portrait is probably int5d$ = ,virgil1 :o1 ) upturn$ face & melodramatic expression1 seems to seek = inspiration4 ,?is expression is exagg]at$1 b ! pa9t+ is vigor\s & /rong4 ,ar\nd1 ! m$allions aga9 repres5t subjects f ! ,purgatorio1 & are app>5tly by ! same h& z ! la/1 ) ! exception ( ! l[] "o1 :i* seems to h "s ( ,signorelli's own "w 9 ! nude figures4 ,! s\? wall is pi]c$ by ?ree lancet w9d[s1 ! c5tral "o ov] ! alt>1 divid+ ! two pr9cipal frescoes ( ,heav5 & ,hell4 ,! =m] is1 z ,i h said1 a cont9uation ( ! la/ sc5e1 & repres5ts angels prec$+ ! elect s\ls1 & %[+ !m ! way to ,heav54 ,9 ! sky1 heavily emboss$ ) gold l ! la/1 float angels ) musical in/rum5ts1 "o ( :om1 ) face d[nw>d1 bl[+ a pipe1 is n s successfully =e%ort5$ z is usual ) ,signorelli4 ,illu/ration3 ,ca!dral1 ,orvieto ,,heav5 ,9 ! ?ickness ( ! small w9d[ :i* cuts into ?is fresco1 are pa9t$ two col\r$ m$allions1 "o ( an angel vanqui%+ a devil1 ! o!r ( ,s4 ,mi*ael1 ) ! balances1 weigh+ s\ls--bo? by ! ma/] himself4 ,bel[ are two s]ies ( small pictures 9 grisaille1 ) sc5es f ! ,purgatorio4 ,! l[e/ is un=tunately hidd5 by ! alt>4 ,all ( !m are by ,signorelli himself1 exce$+ly good1 & wor?y ( c>eful /udy1 "o be+ especially beautiful--! top picture ( ! fir/ s]ies1 9 :i* ,dante & ,virgil /& be=e ! ,angel1 ) ! gold-plum$ ,eagle 9 ! =egr\nd--a mo/ nobly conceiv$ illu/ration to ! n9? canto ( ! ,purgatorio4 ,illu/ration3 ,ca!dral1 ,orvieto ,,hell ,on ! opposite side ( ! alt> is ! ,judgm5t ( ,m9os1 & ! driv+ ( ! lo/ s\ls to ,hell "u ! sup]9t5d5ce ( ! two ,ar*angels1 :o /& 9 ! sky ) drawn swords1 sorr[fully wat*+ ! fulfilm5t ( div9e ju/ice4 ,signorelli "h has foll[$ v closely ! text ( ! ,inf]no4 ,9 ! =egr\nd ,m9os /&e? horribly & gna%e?1 condemn+ ! mis]able s\ls be=e him ea* to 8 diff]5t circle1 8 tail w\nd twice ab\t 8 middle4 ,f>!r back1 ! ,pi/oiese1 ,vanno ,fucci1 ) blasphem\s ge/ure1 yells out 8 *all5ge to ,god2 ,*>on plies 8 boat2 & 9 ! backgr\nd despair+ s\ls foll[ a mock+ demon :o runs be=e !m ) a bann]4 ,! two m$allions on ! sides ( ! w9d[ conta91 "o ! ,ar*angel ,gabriel ) ! lily ( ! ,annunciation1 ! o!r a v beautiful gr\p ( ,raphael & ,tobias1 bo? by ,signorelli himself4 ,bel[1 ! decorations correspond to ^? on ! opposite side1 ! grisaille pictures1 repres5t+1 accord+ to ,luzi1 sc5es f ! ,metamorphoses ( ,ovid1 all1 ) ! exception1 p]haps1 ( ! m$allion j bel[ ! w9d[1 be+ also ! "w ( ! ma/]1 & v p[]fully pa9t$4 ,leav+ ! w9d[ wall1 we n[ come to ! f9e/ ( all ! frescoes1 ! magnific5t sc5e ( ! ,damnation4 ,s vivid is ! realisation1 s life-l ! movem5ts & ge/ures1 t ! wri?+ mass appe>s really alive1 & "o c almo/ he> ! horrible clam\r ( ! devils1 & ! despair+ yells ( ! victims4 ,! g5]al effect is ( "o simultane\s convuls$ movem5t1 "o see?+ turmoil4 ,9 detail1 ! horror is mo/ dramatically r5d]$4 ,! malignancy ( ! devils1 _! brutal fury z !y claw _! prey1 te> at _! ?roats1 & wr5* back _! heads2 ! utt] horror & angui% ( ! victims1 ! confusion1 ! upro>1 are giv5 ) a conv9c+ reali/ic =ce1 :i* makes ! sc5e gha/ly & t]rible4 ,9 mo/ repres5tations ( ,hell1 & especially ( ,devils1 human imag9ation fails 9 convey+ any s5se ( real horror1 ev5 ! e>ne/ ,du]] & ,botticelli treat+ !m ) a grotesqu5ess :i* %[s h[ f> !y 7 f any conviction ( _! reality4 ,signorelli is ! only pa9t] ( ! ,r5aissance ,i c recall :o has succe$$ 9 giv+ a savage /]nness1 a =midable bruti%ness to 8 fi5ds1 :i* is v f> f grotesque1 b is really appall+4 ,^! f]oci\s creatures are ( all col\rs1 slate-blue1 crude purple1 heavy gre51 livid mauve--sometimes ( all ^! poison\s-look+ col\rs fad+ "o into ! o!r4 ,/rong & malevol5t1 !y triumph 9 _! "w ( torture1 ) a gloomy malignancy v diff]5t f ! trifl+ malice ( ! fi5ds he pa9t$ at ,monte ,oliveto4 ,above /& ! ?ree ,ar*angels1 9 arm\r1 ) half-drawn swords1 m5ac+ ^? :o try to fly upw>d in/ead ( t[>d ! flames ( ,hell4 ,two1 9 _! hurry to escape *a/isem5t1 let fall _! prey2 ano!r1 ) great bat-w+s :i* cut ! air l scy!s1 swoops d[n aga9 into ! *aos bel[4 ,illu/ration3 ,ca!dral1 ,orvieto ,,! ,,damnation ,i suppose a mass ( convuls$ limbs has nev] be5 r5d]$ 9 s ma/]ly a mann]4 ,! effect is s natural t "o is incl9$ to =get ! difficulties ,signorelli has s sup]bly ov]come4 ,b if "o consid]s 9 detail ! diff]5t attitudes1 ! viol5t action ( ! arms & legs1 ! contort$ positions ( ! bodies--e muscle ei!r on ! /ret* or relax$ into a flaccid limpness1--! =e%ort5$ limbs twi/$ into e k9d ( unnatural po/ure1 & ! complicat$ int]weav+ ( ! :ole1 "o realises t x is inde$ 8 ma/]piece1 n only = ! mood ( t]ror & awe x induces by its imag9ative p[]1 b = its m>vell\s r5d]+ ( tumultu\s movem5t1 & ! ease ) :i* enorm\s te*nical difficulties h be5 surm\nt$4 ,! portraits bel[ are1 accord+ to ,luzi1 ( ,ovid & ,horace1 ! f\r m$allions r\nd ! =m] seem+1 9 _! en]gy & furi\s life1 to c>ry out ! tumult ( ! great fresco above4 ,!y repres5t sc5es f ,! ,metamorphoses1 & deal *iefly ) ,hades & ! inf]nal ,deities4 ,above /& f\r female figures ) flutt]+ drap]ies1 among :om we c di/+ui% ,diana ) ! b[1 & ,pallas ) ! lance & %ield4 ,bel[1 ,pluto /&s 9 a *>iot drawn by dragons4 ,?is pa9t+ is v mu* injur$1 z is mu* ( ?is l[] "p ( ! wall1 especially ! grotesques4 ,on ! "r ,pluto be>s away ,p]sephone 9 8 arms 9 a *>iot drawn by two fanta/ic horses1 :i* an att5dant urges furi\sly =w>d ) a caduceus4 ,on ! left ,c]es1 ) wildly-float+ hair1 leaps into a te>+ *>iot drawn by two w+$ s]p5ts1 :i* ,cupid goads onw>d ) a flam+ tor*4 ,^! are all by ,signorelli himself1 &1 = ! r5d]+ ( viol5t movem5t1 wor?y ( _! position "u ! great pa9t+4 ,r\nd ! o!r portrait are subjects also connect$ ) ! inf]nal regions4 ,ov] x1 ,a,eneas /&s be=e ! ,cumoean ,sybil1 a v injur$ pa9t+4 ,bel[1 ,orpheus 9 ,hades plays be=e ,pluto & ,p]sephone to w9 back ,eurydice1 :o lies b\nd be=e !m4 ,on ! "r ,h]cules rescues ,!seus f ,hades1 & slays ,c]b]us1 & on ! left1 ,eurydice1 foll[+ ,orpheus1 looks back1 & is re-seiz$ by ! demons4 ,^! are all exce$+ly good & dramatic pa9t+s1 & are by ,signorelli himself4 ,! next l>ge space1 aft] ! fresco ( ,! ,damnation1 is fill$ ) ,! ,resurrection4 ,above1 ! two mighty ,ar*angels s\nd _! trumpets1 & ! dead wake1 & break ?r\gh ! cru/ ( ! grey e>? bel[4 ,!y /& ab\t embrac+ ea* o!r1 or help+ ea* o!r to rise1 or gaz+ ) rapture up at ! ,ar*angels1 :o1 ) flutt]+ drap]ies & ribbons1 & great spread w+s ( purple & peacock-gre51 /&1 surr\nd$ by little %ad[y *]ubs1 9 ! gold-emboss$ sky4 ,mo/ ( ! figures are ( ,signorelli's usual p[]ful build1 "o1 h[ev]1 is an emaciat$ y\? ) little on 8 bones b sk91 _m are skeletons4 ,to ^! la/ he has giv5 a pa!tic look ( ec/asy1 :i* is wond]fully expressive1 consid]+ x is obta9$ only by means ( eyeless sockets & gr9n+ jaw-bones4 ,illu/ration3 ,ca!dral1 ,orvieto ,,! ,,resurrection ,! fresco has suff]$ mu*1 p>ticul>ly f ! pa9t+1 9 lat] times1 ( drap]ies r\nd ! lo9s1 "s ( :i* h be5 worn or rubb$ half (f4 ,almo/ 9 ! c5tre is a l>ge /a91 outl9+ ! %ape ( a w9d[1 :i* ,signorelli caus$ to be fill$ up1 & :i* c /ill be se5 on ! outside ( ! ,ca!dral4 ,! damp1 ooz+ ?r\gh ! new pla/] r\nd ! framework1 p>tly de/roy$ ! pa9t+1 b ! c5tre is rem>kably well pres]v$4 ,x is int]e/+ to note 9 /udy+ ?is fresco1 t1 /ud5t ( anatomy ?\gh he 01 ! skeleton seems to h _h little attraction = ,signorelli4 ,! plac+ ( ! bones is1 ( c\rse1 correct1 b ! delicacy ( _! curves1 _! relative proportions & ?icknesses1 _! beauty ( detail1 are n giv5 at all4 ,= example1 9 ! skeleton 9 ! =egr\nd1 ! pelvis has sc>cely ! %ape1 & none ( ! v>iety ( l9e1 ( ! bone itself1 b is m]ely a co>sely-drawn girdle4 ,comp>$ to ! extreme delicacy ) :i* he models fle%1 & 8 m9ute appreciation ( e gradation ( curve 9 ! muscles1 ?is c>elessness 9 ! treatm5t ( ! skeleton is notewor?y4 ,"u ?is1 ! la/ ( ! l>g] frescoes1 is a recess1 9 :i* 0 =m]ly ! s>cophagus conta9+ ! bones ( ,pietro ,p>5s1 ! patron sa9t ( ,orvieto4 ,9 ?is recess1 "u ! brackets on :i* ! s>cophagus /ood1 ,signorelli has pa9t$ "o ( 8 mo/ beautiful ,pietas4 ,un=tunately1 half hidd5 by a m>ble gr\p1 sculptur$ 9 #aegd by ,ippolito ,scalza1 x is difficult to see1 & impossible to photograph1 & is !re=e n s well kn[n & appreciat$ z x des]ves to be4 ,! ,*ri/ is an exact repetition ( ! figure 9 ! ,deposition1 ( ! ,cortona ,ca!dral1 & 0 probably pa9t$ ab\t ! same "t--#aejb4 ,! position only is rev]s$4 ,! o!r two figures are also repeat$ f t alt>-piece1 ) only v slight v>iations4 ,beh9d is pa9t$ ! ,tomb1 on :i* is a relief 9 grisaille ( f\r nak$ figures be>+ ! dead body ( ! ,savi\r4 ,?is =m$ ! l[] "p ( ! n[ remov$ s>cophagus1 ! ?ree /one supports ( :i* /ill project f ! wall4 ,on ! "r ( ! ,pieta1 is pa9t$ ! m>tyr ,pietro ,p>5s himself4 ,! sa9t gazes d[n ) t5d] rev]5ce at ! sc5e at 8 feet1 /&+ 9 fur-trimm$ robes & cap1 "o h& on 8 brea/1 ! o!r hold+ ! palm ( m>tyrdom4 ,ov] 8 head is ! hamm]1 ! in/rum5t ( 8 dea?4 ,! face is ( extreme beauty1 ) g5tle expression1 ! robes are f9ely drap$1 ! attitude mo/ natural1 & ! :ole figure is "o ( ! noble/ & mo/ sympa!tic ( all ,signorelli's works1 & des]ves to be bett] kn[n4 ,on ! o!r side1 & also z support] ( ! ,pieta1 /&s ,fau/9us1 ano!r patron sa9t ( ! city1 also a v beautiful figure1 ) features :i* recall ! type g5]ally us$ by ,signorelli = ,s4 ,john4 ,at 8 feet lies ! mill/one ) :i* he 0 dr[n$4 ,on ei!r side1 9 ! ?ickness ( ! wall1 is a m$allion 9 grisaille1 conta9+ ! sc5es ( _! dea?s1 v p[]fully pa9t$4 ,?is recess occupies m ?an "o half ( ! space bel[ ,! ,resurrection1 all[+ room = only "o portrait & two m$allions4 ,! =m] ,luzi has decid$ to be ,lucan1 & repres5ts a beautiful y\?1 ) a mass ( loose curl+ hair cr[n$ ) oak-leaves & acorns4 ,! sc5es ( ! m$allions are suppos$ to be f ,! ,phaisalia4 ,9 t above ?ree nude m5 fight ) fi/s1 "o b9ds 8 pro/rate foe1 & ano!r be>s (f a sla9 body4 ,9 t on ! "r f\r m5 fight ) clubs & swords4 ,all are p[]ful figures1 pa9t$ by ,signorelli 9 8 mo/ *>act]i/ic mann]4 ,bel[ ! portrait ( ! poet is an inscription ( #affg1 hon\r+ ! memory ( ,signorelli1 & ( ,ippolito ,scalza1 ! sculptor ( ! m>ble ,pieta4 ,! frescoes r\nd ! beautifully-proportion$ entrance portal1 be+ on an inside wall1 are 9 a /ate ( bett] pres]vation ?an ! re/1 & ! col\rs bright]4 ,!y repres5t ,! ,signs ( ! ,de/ruction ( ! ,_w4 ,= imag9ative p[] !y c be comp>$ only ) ! woodcuts ( ,albre*t ,du]]'s ,apocalypse4 ,to our "r on ent]+1 ! ,ra9 ( ,fire %oots 9 heavy l9es f ! h&s & bodies ( demons ) outspread w+s4 ,! di/raction ( ! p on :om x falls is well r5d]$4 ,9 ! =egr\nd arm$ m5 on horse & foot seek wildly to escape ! %afts1 :i* h already precipitat$ "s to ! gr\nd4 ,9 ! middle di/ance ! flames pursue a fly+ mob ( t]rifi$ wom5 clut*+ _! infants1 & m5 try+ to protect !m2 :ile 9 ! =egr\nd old m51 y\?s1 & *ildr51 are /ruck d[n 9 heaps1 /opp+ _! e>s1 & gaz+ up 9 panic at ! une>?ly app>ition4 ,on ! opposite side ! sun & moon are eclips$1 & a d>k ra9 ( blood falls f ! gloomy sky4 ,an e>?quake has %ak5 ! city1 & its build+s tott] & fall 9 fragm5ts on ! p4 ,9 ! =egr\nd is a gr\p1 p]haps int5d$ = ! ,prophets ( ! ,de/ruction1 :o gaze up1 less t]rifi$1 b ) fe> & solemn awe4 ,illu/ration3 ,ca!dral1 ,orvieto ,,signs ,,( ,,de/ruction ,next to ,! ,damnation1 ^! are p]haps ! f9e/ ( ! s]ies1 & %[ mo/ imag9ation & dramatic feel+4 ,! =e%ort5+ ( "s ( ! figures is admirable1 ! composition 9 ! re/rict$ space is good1 & !re is sup]b draw+ & modell+ 9 ! =egr\nd figure among ! ,prophets 9 ! la/ fresco4 ,9 ! c5tre1 ov] ! ar*1 ,signorelli has pa9t$ a gr\p ( w+$ *ildr51 :o hold a tablet by a bun* ( ribbons1 9 "o ( :om are repeat$ ! features ( ! ,*ri/-*ild ( ! ,uffizi ,holy ,family4 ,9 ! space "u ,! ,ra9 ( ,fire has be5 pa9t$ a portrait1 b n a fragm5t ( ! face rema9s1 an obelisk-%ap$ monum5t hav+ 9 lat] times be5 plac$ aga9/ ! wall1 completely de/roy+ x4 ,cavalcaselle1 = :at reason is n cle> to me1 supposes t x repres5t$ ,niccolo ,frances*i1 ! treasur] ( ! works4 ,on ! opposite side ( ! doorway is a col\r$ m$allion1 repres5t+ a man ) a turban1 :o1 lean+ 8 back ov] ! frame z ?\gh x 7 a w9d[1 seems to be gaz+ up at ! pa9t+ above4 ,?is1 ,cavalcaselle sugge/s1 is a portrait ( ! pa9t] himself2 ,luzi1 h[ev]1 consid]s x to be ,emp$ocles4 ,ov] x 9 ! decorations are two small tablets be>+ ! ma/]'s initials1 ,l4 & ,s4 ,we began by consid]+ ! g5]al impression ( ! frescoes ^u ! m9d1 _! great imag9ative qualities1 & ! solemn mood !y induce4 ,we w conclude by summ+ up ! te*nical excell5ces1 :i* di/+ui% !m f all 8 previ\s "w by extra p[] & ability4 ,! beauty ( ! compositions1 ! fill+ ( ! spaces & ! effectiv5ess ( ! s*eme ( decoration are z mu* above ! "w ( ?ree ye>s be=e--! ,m\nt ,oliveto s]ies--z is ! fre$om & dramatic p[] ) :i* ! sc5es are r5d]$4 ,:at *iefly /rikes "o is ! homog5e\sness ( ! :ole design1 ea* "p ( ! "w keep+ its due place 9 ! great s*eme4 ,we are nev] unconsci\s1 ev5 :ile c>ri$ away by ! emotions ( ea* sep>ate sc5e1 ( ! solemn pres5ce ( ! ,judges above1 :o preside ov] ! f9al ju/ice4 ,consid]$ z subject-pictures1 ! int5se dramatic feel+ makes !m extremely p[]ful 9 _! diff]5t effects1 s t x is impossible to look at !m unmov$4 ,f9ally1 ! facility & fre$om ) :i* 8 anatomical k has all[$ ,signorelli to r5d] all ! possibilities ( movem5t & ge/ure1 is z mu* 9 advance ( 8 age1 z is 8 mod]n & natural visualisation1 & ! impressioni/ic bread? ( 8 bru%work4 ,9 t respect1 inde$1 x is impossible to g f>!r4 ,lat] pa9t]s h err$ z mu* 9 exagg]at+ viol5t action & ov]-develop+ muscles1 z ! e>li] ma/] fell %ort 9 dry & labori\s /iffness4 ,signorelli1 :ile reta9+ ! e>ne/ s9c]ity & ?\ghtfulness ( ! e>li] work]s1 has be5 able at ! same "t to r5d] ) mod]n facility e movem5t ( ! human frame1 & ! result is an a*ievem5t :i* no lat] skill has surpass$1 :i* is p]haps ! la/ ^w 9 ! treatm5t ( ! nude 9 action4 ,be=e clos+ ^! rem>ks1 ,i mu/ n omit to record ! gratitude due to ! two ,g]man pa9t]s1 ,bo! & ,pfann5s*midt ( ,wu]temburg1 :o1 9 #ahde1 at _! own co/1 clean$ & c>efully re/or$ ! frescoes1 a "w done on ! :ole ) great discretion4 ,two o!r pa9t+s ( ! ma/]1 n[ 9 ! ,op]a del ,duomo1 are s closely connect$ ) ! *apel1 t ! description w\ld be incomplete )\t m5tion ( !m "h--! alt>-piece ( ! ,magdal51 & ! portraits ( himself & ! treasur] ( ! ,ca!dral1 ,niccolo ,frances*i4 ,! =m]1 pa9t$ orig9ally = ! ,ca!dral1 is a life-siz$1 v broadly pa9t$ figure1 some:at co>se 9 execution1 b exce$+ly p[]ful4 ,%e we>s a gorge\s gold g>m5t1 elaborately embroid]$1 & ov] x a br[ni%-r$ mantle l9$ ) gre54 ,!re is a /ately dignity 9 ! picture itself :i* ! photograph un=tunately does n reproduce4 ,x is dat$ #aejd1 & on ! old frame is ! foll[+ ,inscription3 ,,cecc>ellevs 4 ,,de 4 ,,apvidvtis--,,et 4 ,,rvf9vs 4 ,,antonii 4 -- ,,cons]vat 4 ,,pa 4 ,,pacis 4 ,,cons]vatrici 4 ,,ex 4 ,,se 4 ,,consvlto 4 ,m4,d4,,iiii4 ,! d\ble portrait1 pa9t$ 9 #aejc1ff is a "w ( ! greate/ importance1 bo? by reason ( ! int]e/ atta*$ to ! portraiture1 & also t x rema9s to u absolutely unt\*$1 e /roke be+ 9 ! orig9al /ate z ! ma/] left x4 ,! heads are full ( "* & life1 p[]fully & rapidly pa9t$ 9 black & r$1 on a brick or tile1 ?ickly ov]laid ) gesso4 ,! bru%-/rokes are bold & firm1 & ! outl9e slightly incis$ 9 ! pla/]4 ,"u ea* head ,signorelli has pa9t$ ! names ,,lvca & ,,nicolavs1 & on ! back is a mo/ int]e/+ inscription1 app>5tly pa9t$ by himself1 al?\gh ! words are mo/ probably ! composition ( ! ,treasur]4 ,! foll[+ is a translation3 ,luca ,signorelli1 an ,italian by race1 citiz5 ( ,cortona1 r5[n$ = 8 skill z a pa9t]1 comp>able to ,apelles = atta9m5t1 has1 "u ! rule & 9 ! pay ( ,niccolo ,frances*i1 ( ! same race1 b a citiz5 ( ,orvieto1 ,treasur] ( ! ve/ry ( its ,ca!dral1 pa9t$ ) cle> mean+ ?is *apel1 d$icat$ to ! ,virg91 ) figures ( ! ,la/ ,judgm5t2 &1 eag] = immortal fame1 on ! back ( ?is inscription1 has pa9t$ ! effigy ( bo?1 life-l1 & ) wond]ful art4 ,9 ! reign ( ,pope ,alex&] ,,vi4 & ( ! ,emp]or ,maximilian ,,iv4 9 ! ye> ( grace ,m4,,ccccc4 9 ! ?ird ,kal5ds ( ,janu>y4 ,,footnotes3 #fj ,italian ,pa9t]s1 i4 #ib4 #fa ,vas>i1 iii4 #fij4 #fb ,x 0 n till ! sev5te5? c5tury t ! *apel 0 d$icat$ to ! ,madonna di ,san ,brizio1 on acc\nt ( a ,byzant9e miracul\s picture ( ! ,virg91 /ill on ! alt>4 #fc ,= an acc\nt ( ! ,ca!dral1 see ! ,padre della ,valle's ,/oria del ,duomo di ,orvieto4 #fd ,il ,duomo di ,orvieto4 ,ludovico ,luzi4 ,fir5ze4 ,le ,monni]1 #ahff4 #fe ,pres]v$ among ! ,ar*ives ( ! ,ca!dral4 ,transcrib$ by ,vis*]1 p4 #cdi1 etc4 #ff ,! head ( ,luca is reproduc$1 divid$ f ! o!r1 z ! frontispiece4 ,,*apt] ,,vi ,,lat] ,,pa9t+s ,we h se5 t dur+ ! f\r ye>s & a half 9 :i* ,signorelli 0 engag$ on ! great "w ( ! ,orvieto frescoes1 he yet sp5t "s "p ( ! "t 9 8 native city1 & !re1 9 #aejb1 he pa9t$ ! sign$ & dat$ ,deposition ) its pr$elle = ! *ur* ( ,santa ,m>gh]ita1 n[ remov$ to ! ,ca!dral4 ,vas>i ?us speaks ( x3 ,9 ,santa ,m>gh]ita ( ,cortona1 8 native t[n1 belong+ to ! ,frati del ,zoccolo1 he pa9t$ a dead ,*ri/2 "o ( 8 mo/ excell5t works4#fg ,?is dead ,*ri/ is ! figure :i* by its realism & pa?os gave rise to ! leg5d1 already quot$1#fh t x 0 pa9t$ f ! body ( 8 own son4 ,x is an exact c\nt]p>t ( ! ,pieta 9 ! ,orvieto frescoes1 except t x is "h rev]s$4 ,x is a "w ( great beauty & feel+1 pa9t$ ) s9c]e emotion1 & has none ( ! academic dryness ) :i* he treat$ ! same subject 9 ,borgo ,san ,sepolcro4 ,! f9e gr\p+1 ! re/ra9t ) :i* ! sorr[ is r5d]$1 ! real pa?os ( ! sc5e1 give ! picture dignity & solemnity1 & ! gl[ ( col\r1 obta9$ by ! lavi% use ( gold 9 ! embroid]ies1 add to its ri*ness & decorative beauty4 ,! ,virg9 is ne>ly ! same figure z 9 ! ,orvieto fresco1 & 9 feature recalls ! ,san ,sepolcro ,crucifixion1 & ! ,magdal5 is almo/ id5tical ) ! alt>-piece ( ! ,op]a del ,duomo1 j consid]$1 al?\gh "h pa9t$ ) m ref9em5t & grace4 ,9 ! backgr\nd is "o ( ^? vivid sc5es ( cr[d$ movem5t1 :i* occur s (t5 at ?is p]iod ( ! ma/]'s developm5t--a gr\p ( excit$ soldi]s press+ r\nd ! ,cross1 ) flutt]+ p5nons & pranc+ /e$s4 ,! pr$ella hung j bel[1 conta9s f\r subjects--,*ri/ 9 ,ge?semane1 ,! ,la/ ,supp]1 ,! ,betrayal1 & ,! ,flagellation4 ,un=tunately1 bo? pictures are s badly light$ t x is almo/ impossible except on a v bright day to appreciate ! col\r4 ,! sc5es 9 ?is pr$ella are ne>ly ! same z 9 t ( ! ,flor5ce ,academy1 :i* hangs z "p ( ! alt>-piece1 ,no4 #afd1 al?\gh x does n seem really to h belong$ to x4 ,! two pr$elle mu/ c]ta9ly h be5 pa9t$ )9 a v %ort "t ( "o ano!r4 ,9 bo? ! composition ( ,! ,la/ ,supp] is precisely ! same1 z well z ,! ,flagellation4 ,9 ! ,betrayal !re is ! same viol5t cr[d ) spe>s & p5nons1 surg+ r\nd ! ,*ri/4 ,9 ! ,flor5ce picture1 h[ev]1 !re are only ?ree divisions1 ,! ,betrayal & ,! ,way to ,calv>y =m+ ! backgr\nd to ,! ,agony 9 ! ,g>d51 :]e ,*ri/ kneels be=e a little brook1 ) ! ,apo/les sleep+ 9 r[s beh9d ,him4 ,! broad impressioni/ic mann] 9 :i* !y are pa9t$ is ! same2 &1 co>se z is ! bru%work1 d>k & heavy z is ! col\r1 especially 9 ! fle% t9ts1 !y are yet exce$+ly f9e examples ( ,signorelli's bold /yle & quick resolute workman%ip1 & well illu/rate 8 p[] ( r5d]+ viol5t comb9$ movem5t1 9 ! cr[ds :i* ?rong r\nd ! betray$ ,*ri/1 & m>* tumultu\sly on ! way to ,calv>y4 ,! ,madonna & ,sa9ts above ?is la/ pr$ella 7,no4 #afd7 al?\gh accord+ to ,signor ,milanesi1 n its alt>-piece1#fi mu/ c]ta9ly h be5 pa9t$ some:]e ab\t ! same "t1 = ! broad /yle1 t5d+ r to co>s5ess1 ( ! "w ( ?is p]iod is v noticeable4 ,x 0 execut$ = ! *ur* ( ,santa ,tr9ita 9 ,cortona1 & ,milanesi sugge/s t x might be ! alt>-piece ord]$ 9 #aeba by ! au?orities ( t *ur*1#gj b ! description giv5 by ! docum5t ( commission is v diff]5t1 & ! picture itself seems to be> evid5ce ( an e>li] date4 ,l s _m ( ! works 9 ?is ,gall]y1 ! pa9t+ has be5 s ?ickly daub$ ov] by mod]n re/or]s1 t x is next to impossible to =m a j idea ( ! orig9al col\r2 9 its pres5t /ate x is disagreeably crude & heavy1 & 9 any case ! ov]cr[d+ ( ! composition w\ld prev5t its be+ consid]$ a successful example ( ! ma/]'s "w1 al?\gh x has 8 usual /ately dignity & impressive qualities 9 ! individual figures4 ,! ,virg9 sits ) ! ,*ild on h] knee1 clad 9 r$ robes1 ov] :i* is a g>m5t1 n[ sme>$ ov] ) black pa9t1 b :i* =m]ly 0 cov]$ ) gold embroid]ies4 ,ov] h] head is a ,tr9ity1 9 a m&orla surr\nd$ by *]ubs4 ,on ! left /&s ! ,ar*angel ,mi*ael1 9 ,roman arm\r1 hold+ ! balances1 9 :i* are little nude figures repres5t+ ! s\ls ( ! dead2 on ! "r /&s ,gabriel ) ! lily & scroll conta9+ ! ,message ( ! ,annunciation4 ,bel[1 seat$ at ! foot ( ! ?rone1 are ,sa9t ,augu/9e & ,sa9t ,ana/asio1 ! latt] ! same burly ,bi%op ) wide-spread knees ( ! ,loreto ,cupola1 & ! ,volt]ra alt>-piece4 ,^! two ,sa9ts are f9e1 /ately figures1 pa9t$ ) broad sweep+ l9es4 ,! gre5 robe ( ,s4 ,ana/asio 0 orig9ally cov]$ ) a gorge\s patt]n1 probably ( yell[ or gold1 b ?is has be5 effac$ by ! ?ick sme> ( repa9t4 ,! g5tle humility 9 ! face ( ! ,virg9 recalls ! ,madonna1 ( ! ,br]a ,gall]y1 ,milan 7,no4 #aig bis7 ) :i* ! picture has1 besides1 mu* 9 common1 ! ,*ild1 z well z ! h&s ( ! ,virg91 be+ exactly ! same1 al?\gh 9 a rev]s$ position4 ,we %all n probably be f> wrong 9 plac+ ! ,flor5ce alt>-piece ab\t ! same "t z ?is ,madonna1 ( ! ,br]a1 :i* is dat$ #aejh1 & 0 pa9t$ = ! *ur* ( ,s4 ,francesco 9 ,arcevia 7a t[n fam\s = its possession ( "o ( ,signorelli's mo/ important works1 :i* we %all pres5tly consid]74 ,v mu* repa9t$1 ! ,madonna /ill reta9s great *>m & beauty1 b ! composition is geometrical1 & ! figures ( ! ,sa9ts un9t]e/+ & empty4 ,9 ^!1 especially ! /&+ figure on ! left1 ,i feel ! h& ( an assi/ant4 ,) all ,signorelli's mann]isms1 x lacks 8 resolute t\* & p[]ful pres5tation4 ,x is probable t ! great inequalities 9 _m ( 8 pa9t+s1 especially at ?is lat] "t1 are due to 8 leav+ mu* ( ! execution to assi/ants4 ,:atev] faults are 9 ! "w ( ! ma/] himself1 he is nev]1 up to ! la/1 guilty ( any feebl5ess or insipidity1 su*1 = in/ance1 z 9 ! pa9t+ ( ?is unsolid figure4 ,illu/ration3 ,br]a1 ,milan ,,madonna ,,& ,,sa9ts ,i h be5 l$ f "o picture to ano!r by reason ( simil>ities ( =m1 & h omitt$ to speak ( a beautiful & important pa9t+1 evid5tly execut$ soon aft] ! ,orvieto frescoes1 ) :i* x has mu* 9 common4 ,?is is ! alt>-piece 9 ! *ur* ( ,s4 ,niccolo1 ,cortona1 on "o side ( :i* is a ,madonna & ,sa9ts1 on ! o!r a ,dead ,*ri/ upheld by ,angels4 ,x is z f> z ,i "k1 orig9al 9 idea--?is dead ,*ri/ support$ by ! ,ar*angel1 :ile o!rs %[ ! symbols ( ! ,passion to ! gr\p ( kneel+ ,sa9ts4 ,! f\r ,angels are v noble figures1 & resemble ^? ( ! ,hell & ,resurrection1 ( ,orvieto4 ,! ,s4 ,j]ome is s9c]ely pa9t$1 & )\t any ( ! s5ile s5tim5tality ) :i* ,signorelli occasionally repres5ts ?is ,sa9t4 ,! "o false note 9 ! "w is ! /unt$ figure ( ! dead ,*ri/1 :i* seems all ! m insignificant by contra/ ) ! gr& ,ar*angel :o supports x4 ,?is poetic figure ) its great w+s & its t5d] beauty is p]haps ! greate/ ( all ! ma/]'s r5d]+s ( ! ,div9e ,birds4 ,! col\r s*eme is mu* light] ?an usual1 ! fle%-t9ts be+ especially fair1 & ! pa9t+ is ano!r in/ance ( ^? seem+ ef=ts to adopt a less heavy palette1 to :i* ,i h drawn att5tion 9 speak+ ( ! ,uffizi ,tondo4 ,illu/ration3 ,s4 ,niccolo1 ,cortona ,,dead ,,*ri/ ,,upheld ,,by ,,angels ,vis*] consid]s ! ,madonna & ,sa9ts on ! rev]se ( ! panel to h be5 pa9t$ at a diff]5t date4#ga ,x is an exce$+ly f9e picture1 ) all ! great qualities ( maje/ic beauty4 ,! ,virg9 sits en?ron$ betwe5 ,,ss4 ,pet] & ,paul1 rob$ 9 r$1 & we>+ a blue mantle l9$ ) gre54 ,! ,*ild1 half ly+ on h] knee1 has 8 h& rais$ 9 act to bless4 ,x is well modell$1 & ( a m pleas+ type ?an usual4 ,9 #aejg 0 pa9t$ ano!r v important "w--! alt>-piece 9 ! *ur* ( ,s4 ,m$>do 9 ,arcevia1 a spl5did ,ancona1 /ill 9 its orig9al ,go?ic frame4 ,! ,virg9 is ( ! same t5d] type z 9 ! ,br]a & ,flor5ce ,academy pictures1 b ) an add$ /atel9ess & gravity4 ,9 ! c5tre panel %e sits en?ron$1 ) ! ,*ild on h] knee1 clad 9 an embroid]$ robe1 on ! brea/ ( :i* are two nak$ *]ubs4 ,on ! left /& ,s4 ,m$>do & ,s4 ,seba/ian1 on ! "r ,s4 ,&rew & ,s4 ,rock1 ea* figure sep>at$1 z 9 ! old polypty*s1 by ! pila/]s ( ! frame4 ,above is ,god ! ,fa!r1 ) two ,sa9ts on ei!r side1 left ,s4 ,paul & ,s4 ,john ! ,bapti/1 "r ,s4 ,pet] & ,s4 ,james ( ,cam]9o4 ,ea* ( ! side pila/]s ( ! frame is divid$ into sev5 small spaces1 ea* conta9+ ! half figure ( a sa9t1 ! "w ( assi/ants4 ,! effect ( ! :ole pa9t+ is ( great spl5d\r1 ! col\rs are ( gl[+ dep?1 & ! ri*ness enhanc$ by ! l[ relief 9 gild$ gesso ( "s ( ! brocades4 ,b ) all its /ate & dignity1 p]haps ! mo/ important "p ( ! alt>-piece is ! pr$ella ) its five beautiful pictures1 flank$ on ei!r side by ! arms ( ,arcevia4 ,z col\r ^! are rem>kably f9e & are treat$ ) m c>e & less rapidity ?an ,signorelli usually gave to pr$ella "w1 :ile reta9+ ! same bread? & fre$om ( g5]al effect4 ,! ,annunciation1 ) its beautiful p]spective1 is "o ( 8 be/ compositions ( ?is subject1 9 :i* he is always s successful4 ,! ,nativity recalls t ( ! ,uffizi pr$ella2 ,! ,adoration ( ! ,magi is a f9e r5d]+ ( ! sc5e1 b ! two la/ are ! mo/ int]e/+ z well z be+ ! be/ 9 workman%ip4 ,9 ,! ,flight into ,egypt ! pa9t] has evid5tly be5 influ5c$ by ! engrav+s ( ,albre*t ,du]]1 & has pa9t$ ! little =tifi$ t[n ( ! backgr\nd v mu* 9 8 mann]4 ,! ,murd] ( ! ,innoc5ts conta9s two figures 9 spl5did action1 ! execution]s1 "o ) 8 dagg] rais$ 9 act to /rike1 ! o!r hold+ ! *ild up by ! leg--bo? magnific5t /udies ( ! nude1 & wor?y ( ! pa9t] ( ! ,orvieto frescoes4 ,illu/ration3 ,9 possession ( ,mr ,j>vis1 ,new ,hav51 ,u4,s4,a4 ,,! ,,adoration ,,( ,,! ,,magi ,v inf]ior is ! alt>-piece ( ,! ,baptism1 9 ! same *ur* ( ,s4 ,m$>do4 ,! exi/5ce ( ! contract ( commission1 dat$ ,june #e1 #aejh1gb %[s t ,signorelli b\nd himself to pa9t ! figures ( ,*ri/1 ( ! ,bapti/1 & ( ,god ! ,fa!r1 ) 8 own h&1 leav+ ! re/ ( ! "w to 8 be/ pupils4 ,^! figures are1 h[ev]1 s diff]5t f any ( ! ma/]'s own "w1 t x is difficult to believe t !y are entirely by him4 ,! picture _h evid5tly to be f9i%$ 9 great ha/e1 s9ce ! receipt = paym5t 9 ,luca's h& is dat$ ! #bd? ( ! same mon? ( ,june1 ?us leav+ only n9ete5 days betwe5 commission & completion1 a v %ort "t = s l>ge a "w4 ,! ,bapti/ /&s 9 a ri* r$ mantle p\r+ ! wat] on ! head ( ! ,h]culean ,*ri/1 :o we>s ! ,pollaiuolesque /rip$ lo9-clo?4 ,! co>s5ess & exagg]ation ( ! muscul> developm5t h n ! *>act]i/ics ( ,signorelli's own errors 9 ov]-realism1 b be> ! same relation to 8 /yle t ! "w ( ,b&9elli be>s to t ( ,mi*elangelo4 ,above is a feeble figure ( ,god ! ,fa!r1 & 9 ! middle di/ance a man pulls (f 8 %irt1 rem9d+ "o1 bo? 9 =m & treatm5t1 ( ! figures 9 ,pi] dei ,frances*i's ,baptism1 ( ! ,national ,gall]y4 ,ano!r sits by ! riv] putt+ on a s&al1 n unlike1 al?\gh v inf]ior to1 ! a?lete ( ! ,muni* ,tondo4 ,! composition is gr&1 & 9 ! importance giv5 by x to ! two pr9cipal figures we c]ta9ly see ! "w ( ,signorelli4 ,! picture is an example ( "o ( ^? my/]i\s conflicts ( docum5t>y & int]nal evid5ce1 :i* ! /udy ( ,art occasionally furni%es4 ,x /ill rema9s 9 its beautiful orig9al frame1 9 ! gables ( :i* is pa9t$ an ,annunciation1 & bel[1 on ea* side1 ?ree half figures ( ,sa9ts by "s assi/ant1 :o 0 n ev5 a pupil ( ,signorelli1 b obvi\sly a foll[] ( ,niccolo da ,foligno4 ,! pr$ella conta9s five sc5es4 ,! ,bir? ( ! ,bapti/1 ,! ,prea*+ 9 ! ,des]t1 ,! ,d5\nc+ ( ,h]od & ,h]odias 7a ,tondo71 ,! ,fea/ ( ,h]od1 &--r out ( its due c\rse1 s9ce ! head is (f]$ 9 ! *>g] 9 ! f\r? sc5e--,! ,decapitation 9 ,prison4 ,!re is a v beautiful fragm5t ( an unkn[n pr$ella 9 ! possession ( ,mr ,j>vis ( ,new ,hav51 ,u4,s4,a41 :i* belongs approximately to ?is p]iod4 ,x has all ! impressive dignity & bread? ( treatm5t ( ,signorelli's be/ "w4 ,! subject is conceiv$ ) special feel+ = its /atel9ess1 ,joseph /&+ by ! side ( ! ,virg9 to receive ! gifts1 z a ,*amb]la9 might /& beside ! ?rone1 :ile ! e>ne/ rev]5ce ( ! kneel+ ,k+1 :o has ca/ 8 cr[n at ! feet ( ! ,*ild1 is mo/ nobly r5d]$4 ,! gold 9 ! brocad$ robes is "h slightly 9 relief4 ,! face ( ! kneel+ ,k+ recalls t ( ! ag$ ,apo/le 9 ,! ,in/itution ( ! ,eu*>i/1 ,cortona1 a pa9t+ dat$ #aeab2 a beautiful picture1 execut$ = ! high alt> ( ! ,gesu1 b :i* has n[ be5 remov$ to ! ,ca!dral4 ,l ! o!r works 9 ?is *oir x is v badly light$1 & ! photograph is also indi/9ct4 ,vas>i writes ( x3 ,9 ! ,compagnia del ,gesu1 9 ! same city 7,cortona71 he pa9t$ ?ree pictures1 ( :i* ! "o ov] ! high alt> is m>vell\s1 :]e ,*ri/ communicates ! ,apo/les1 & ,judas puts ! waf] 9 8 sat*el4#gc ,at ! end ( a %all[ hall1 9 ! usual good p]spective1 ,8 head acc5tuat$ aga9/ ! sky1 z 9 ,leon>do's ,la/ ,supp]1 ,*ri/ /&s1 & puts ! sacr$ waf] 9 ! m\? ( a kneel+ ,apo/le4 ,9 ! =egr\nd ,judas1 ) a crafty look1 op5s 8 sat*el4 ,! composition is exce$+ly f9e1 ! twelve ,apo/les mak+ a /ately frame = ! c5tral figure ( ,*ri/4 ,! attitudes & ge/ures are natural & dramatic1 & ! faces h individual "*4 ,! two o!r pictures ( :i* ,vas>i speaks z hav+ also be5 pa9t$ = ! ,gesu1 n[ ! ,bapti/]y1 are--,! ,nativity 7a co>se & badly-pa9t$ s*ool picture1 hav+ aff9ities ) t ( ! ,national ,gall]y1 ,london1 ,no4 #aacc71 & a ,madonna & ,sa9ts1 :i* /ill rema9s 9 ! ,bapti/]y4 ,"h ! ,virg9 sits1 ) a ,bi%op on ei!r side1 & two monks bel[4 ,dry & precise 9 composition1 l t ( ! ,br]a1 & app>5tly pa9t$ ) ! assi/ance ( pupils1 ! ,madonna h]self is /ill v *>act]i/ic ( ! ma/]1 & n unlike ^? ( ! ,br]a & ! ,flor5ce ,academy4 ,! picture is 9 an exce$+ly ru9$ /ate1 & ! gabl$ top 9 :i* is pa9t$ ,god ! ,fa!r1 ?\gh n )\t m]it1 does n belong to ! orig9al pa9t+1 b is ( a lat] date4 ,la/ly1 we may place 9 ?is gr\p1 ! broadly-pa9t$ pr$ella1 :i* hangs n[1 badly light$1 9 ! sacri/y ( ! ,arezzo ,ca!dral4 ,x is unkn[n to :at alt>-piece x belong$1 & ! pictures are n[ divid$ & sep>ately fram$4 ,! fir/ repres5ts ,! ,bir? ( ! ,virg91 ! second ,! ,pres5tation1 & ! la/ ,! ,m>riage4 ,! ,pres5tation is ! f9e/ 9 composition & g5]al effect1 & conta9s v /ately figures ( ,joa*im & ,anna1 ) spl5didly drap$ robes1 & beh9d !m a f9e au/]e l&scape4 ,all ?ree pictures are broadly pa9t$ & swept 9 9 ! usual impressioni/ic mann]4 ,,footnotes3 #fg ,vas>i1 iii4 #fhf4 #fh ,see p4 #aj4 #fi ,vas>i1 iii4 #gj4 ,comm5t>io4 #gj ,see ,*ronological ,table1 p4 #abg4 #ga ,vis*]1 p4 #bei4 #gb ,= ^! notices see ,anselmi's monograph1 ,a proposito della classificazione dei monum5ti nazionali nella prov9cia d',ancona4 7,foligno1 #ahhh71 p4 #ce4 ,also quot$ by ,cavalcaselle e ,cr[e1 viii4 p4 #dhj4 #gc ,vas>i1 iii1 #fhf4 ,,*apt] ,,vii ,,la/ ,,works ,we h n[ consid]$ 9 detail mo/ ( ! important works ( ,signorelli's e>ly manhood & maturity1 & up to 8 sev5ty-f\r? ye> h f\nd him1 bo? 9 conception & execution1 /ill ma9ta9+ a high /&>d ( excell5ce1 & at an age :5 ! life's "w is suppos$ to be ov] %[+ b little sign ( fail+ p[]s4 ,on ! contr>y1 he seems to h ga9$ gr\nd 9 c]ta9 ?+s mo/ *>act]i/ic ( 8 te*nical ability--9 a rugg$ /r5g? ( modell+1 9 facility ( draw+ & fre$om ( bru%work1 & p>ticul>ly 9 t ma/]y ( unit$ movem5t1 :i* x seem$ 8 special desire to atta94 ,ev5 9 ?is la/ gr\p ( pa9t+s :i* we h n[ to consid] ! m9d works z p[]fully1 & ! subjects are conceiv$ ) ! same impressive gr&eur1 z be=e1 & only 9 "o or two in/ances c x be notic$ t ! h& does n always respond s readily to ! purpose4 ,9 ! ,madonna & ,sa9ts1 ( ! ,manc9i collection1 ,citta di ,ca/ello1 a slight te*nical fall+ (f is app>5t1 al?\gh x is possible t ?is may be due to ! assi/ance ( pupils4 ,its hi/ory w\ld seem1 h[ev]1 to po9t to its be+ ! unaid$ "w ( ,signorelli2 b1 z we h already se51 docum5t>y evid5ce is by no means infallible4 ,9 ! ar*ives ( ,montone1 a little t[n ne> ,umb]tide1 a de$1 dat$ ,septemb] #aj1 #aeae1 0 discov]$1 :i* speaks ( an alt>-piece pres5t$ by ! ma/] z a free gift to a c]ta9 ,fr5* physician1 ,luigi de ,rutanis1 9 gratitude = s]vices r5d]$1 & = ^? :i* he hop$ to receive 9 future4#gd ,illu/ration3 ,manc9i ,coll41 ,citta di ,ca/ello ,,madonna ,,& ,,sa9ts ,! ,virg9 /&s heavily on ! heads ( *]ubs1 ) ,s4 ,seba/ian on "o side1 & ,santa ,cri/9a1 ) a t]ribly reali/ic mill/one hung r\nd h] neck1 on ! o!r4 ,two angels hold ! cr[n ov] h] head1 & bel[ /& ,s4 ,j]ome & ,s4 ,ni*olas ( ,b>i1 bo? int5tly read+4 ,! backgr\nd /ret*es away into a *>m+ di/ant l&scape1 9 :i* is a lake1 n unlike ,trasim5o1 & slop+ hills1 on :i* sc5es ( pa/oral life are tak+ place4 ,?is l&scape1 tak5 by itself1 is ! be/ "p ( ! pa9t+2 ( ! re/1 ! composition is too me*anically precise1 ! values ( di/ance are bad1 ! figures be+ all on ! same plane1 & ev5 ! l&scape does n keep its prop] place 9 ! picture4 ,?is la/ fault may1 h[ev]1 be due to repa9t+1 :i* is s ?ick t x is useless to speak ( ! pres5t col\r4 ,! alt>-piece 0 discov]$ by ,signor ,giacomo ,manc9i 9 a cell> 9 ,montone1 almo/ de/roy$ by damp & neglect1 & s9ce its re/oration x is p]haps h>dly fair to discuss m ?an ! g5]al l9es2 yet ^!1 9 ! awkw>dness ( arrangem5t1 & ! comp>ative triviality ( ! figures1 bo? 9 attitude & ge/ure1 betray a weakness we h n hi!rto met )4 ,ano!r picture ( ! same date--#aeae--;is ,! ,madonna & ,sa9ts1 9 ! *ur* ( ,san ,dom5ico1 ,cortona1 also 9 v bad condition4 ,! re/oration ( ! sev5te5? c5tury add$ a piece ( canvas all r\nd1 9 ord] to enl>ge x4 ,x 0 pa9t$ = ,s]n9io1 ,bi%op ( ,cortona1 ^: portrait is to be se5 9 ! corn]1 full ( expression & exce$+ly well modell$4 ,! ,virg91 9 r$ robe & gre5 mantle1 sits ) h] feet re/+ on ! heads ( *]ubs1 ) an angel on ei!r side1 & bel[ ,s4 ,pet] ,m>tyr1 & ,s4 ,dom5ico4 ,x is an important "w1 & among ! mo/ successful ( ! lat] pa9t+s1 & x is curi\s t x %\ld n h be5 photograph$ by ei!r ( ! l>g] firms4 ,! next ye>1 #aeaf1 ,signorelli pa9t$ ,! ,deposition1 ( ,umb]tide1 9 :i* he %[s all ! te*nical p[] ( 8 maturity--7or 0 x1 p]haps1 t he left less ( ! execution to assi/ants874 ,x 0 execut$ = ! little d>k *ur* ( ,santa ,croce1 9 ?is village1 till rec5tly call$ ,la ,fratta1 & /ill /&s ov] ! high alt>--n1 h[ev]1 9 its orig9al frame1 :i* 0 remov$ 9 ! sev5te5? c5tury4 ,x seems t !re 0 a lunette ov] ! top1 conta9+ a ,pieta4#ge ,t]ribly defac$ by bad re/oration1 & ! crack+ ( ! lat] pa9t1 x is /ill a v beautiful "w1 & its pr$ella has all ! qualities ( boldness & fre$om *>act]i/ic ( ! ma/]'s be/ times4 ,"s ( ! figures are p]haps too obvi\sly life-/udies1 especially ! ,m>y1 /&+ 9 ! =egr\nd left1 :i* he evid5tly pa9t$ /raight f "s contad9a1 ^: /olid features he reproduc$ )\t ref]5ce to ! subject4 ,! body ( ! ,*ri/ is successful1 & has all ! weight & helpless in]tia ( a corpse2 ! composition is admirable1 & !re is s9c]ity ( emotion 9 ! pa9t+ ( mu* ( ! sc5e4 ,x is1 h[ev]1 9 ! ?ree pictures ( ! pr$ella t we %all f9d mo/ pro( ( ! vig\r ( m9d & h&4 ,x is int]e/+ to comp>e ,signorelli's treatm5t ( ! same subject ) t ( ,pi] dei ,frances*i 9 ,arezzo1 at ! pa9t+ ( :i* he probably assi/$1 m ?an =ty ye>s be=e--,! ,m>* ( ,con/ant9e1 ,! ,discov]y ( ! ,cross1 & ,! ,entry ( ,h]aclius into ,j]usalem4 ,! fir/ ( ! ?ree is ! be/1 bo? = ! special quality ( animat$ movem5t1 & = ! excell5ce ( its composition & its effect ( spaci\s movem5t4 ,h[ mu* l>g] a t9y panel l ?is appe>s ?an "s ( ! cr[d$ alt>-pieces ( 8 lat] ye>s6 ,da%$ 9 ) a few broad t\*es1 z a mod]n impressioni/ might pa9t1 ! sc5e ( ! camp is mo/ natural1 ) its gr\ps ( soldi]s & m>*+ troops ) rais$ lances & flutt]+ p5nons4 ,illu/ration3 ,santa ,croce1 ,umb]tide ,,! ,,deposition ,9 ! second1 ?ree sc5es are run into "o1 )\t mu* ref]5ce to any sequ5ce ( ! /ory4 ,on ! "r ! ,que5 ( ,%eba kneels be=e ! bridge :i* %e has recognis$ z ! sacr$ wood2 on ! left ! ,empress ,hel5a f9ds ! ?ree crosses2 & 9 ! c5tre takes place ! te/+ ( ! true "o 9 ! resuscitation ( ! dead y\?4 ,9 ! ?ird--,! ,entry ( ,h]aclius into ,j]usalem--we h aga9 a spl5did effect ( a mov+ body ( m54 ,! ,emp]or has desc5d$ f 8 horse1 :i* is l$ beh9d him1 & b>efoot$1 9 8 %irt1 he c>ries ! ,cross )9 ! gates4 ,! next dat$ "w--,! ,madonna & ,sa9ts1 ( ! ,arezzo ,gall]y1 0 pa9t$ ?ree ye>s aft] ?is1 9 #aeai4 ,he execut$1 says ,vas>i1 9 8 old age1 a picture = ! ,compagnia ( ,s4 ,girolamo1 "p ( :i* 0 paid = by ,mess] ,niccolo ,gamurr9i1 ,doctor ( ,law1 ,ma/] ( ! ,rolls1 :om he portray$ f life 9 t picture1 on 8 knees be=e ! ,madonna1 to :om he is pres5t$ by a ,s4 ,ni*olas1 also 9 ! said picture2 !re are besides1 ,s4 ,donato & ,s4 ,/eph51 & bel[ a nude ,s4 ,j]ome1 & a ,david :o s+s on a ,psalt]y2 !re are also two ,prophets1 :o appe>1 by ! scrolls 9 _! h&s1 to be discuss+ ! ,conception4#gf ,illu/ration3 ,gall]y1 ,arezzo ,,madonna1 ,,sa9ts1 ,,& ,,prophets ,! commission 0 giv5 to ,luca by ! ,compagnia ( ,s4 ,girolamo1 on ,septemb] #ai1 #aeai1 & ! price 0 to be "o hundr$ broad gold flor9s1 to be %>$ by ,mess] ,gamurr9i & ! ,confrat]nity4 ,9 ?is picture x is 9 ! int5tion r ?an ! execution t we %all f9d ! vig\r & /r5g? :i* end$ only ) ! pa9t]'s life4 ,mu* /ill rema9s gr& & impressive1 b ?\gh x %[s consid]able p[]1 ! actual "w is n s good4 ,! col\r is exce$+ly d>k1 & full ( h>% contra/s2 ! composition is ov]cr[d$1 z 9 _m ( 8 lat] pa9t+s2 & ! figure ( ,david1 al?\gh nobly conceiv$1 is awkw>d & ill-balanc$4 ,on ! o!r h&1 ! ,virg9 is z p[]fully execut$ z ev]1 & s is ! e>ne/1 :ite-hair$ ,prophet at h] feet4 ,x seems to me t ! ma/] has giv5 8 own features 9 ?is upturn$ face1 ) its firmly-cut lips & squ>e jaw1 c]ta9ly mu* m real a p]son ?an ! apa!tic kneel+ ,donor4 ,aft] its removal f its orig9al place ov] ! alt> ( ! ,confrat]nity1 ! picture 0 = sev]al ye>s 9 ,santa ,croce1 &1 aft] ! suppression ( t conv5t 9 #ahdi1 remov$ to ,santo ,spirito1 & f !nce to ! ,gall]y4 ,v close to x 9 /yle1 & probably pa9t$ at no di/ant date1 is ! pr$ella own$ by ,mr ,ludwig ,mond4 ,x has ?ree /ories--,i4 ,ahasu]us & ,e/h]1 ,,ii4 & ,,iii4 7) no leg5d>y connection ( :i* ,i am aw>e7 ,sc5es 9 ! ,life ( ,s4 ,augu/9e4 ,! fir/ is ! f9e/4 ,ahasu]us1 surr\nd$ by 8 c\ncillors1 b5ds =w>d1 & t\*es ) 8 sceptre ! head ( ! kneel+ ,e/h]4 ,8 figure is v l t ( ! ,david 9 ! =ego+ picture4 ,on ! "r is a f9e back view ( "o ( ! *>act]i/ic swagg]+ soldi]s 9 tight /rip$ clo!s4 ,! treatm5t is broad1 b ! draw+ 9 p>ts is some:at c>eless4 ,9 ! o!r two sc5es1 ! composition is j]ky & insignificant1 b ! individual figures are *>act]i/ic1 especially ! nude ecor*e-l old sa9t4 ,!y repres5t visions :i* appe> 9 ! air to ,s4 ,augu/9e1 :o sits bel[ "u a loggia4 ,aga91 v close to ! ,arezzo alt>-piece is ,! ,conception ( ! ,virg91 pa9t$ = ! *ur* ( ! ,gesu1 ,cortona1 n[ 9 ! ,ca!dral4 ,! ,virg9 /&s1 on ! usual *]ub heads1 9 r$ & blue robes1 :ile ,god ! ,fa!r b5ds ov] h]1 & two angels scatt] fl[]s ?r\gh ! air4 ,bel[ are six prophets1 among !m ,david1 ) 8 ,psalt]y1 & ,solomon1 9 cr[n & royal robe4 ,"u ! ,virg91 app>5tly support+ ! *]ubs1 is ! ,tree ( ,life1 ) two v f9e nude figures ( ,adam & ,eve receiv+ ! fruit f ! s]p5t4 ,x is ! l[] "p only we h to consid]1 ! :ole ( ! upp] pa9t+1 ) ! weak1 badly-drap$ ,virg9 & ! !atrical angels be+ c]ta9ly ! "w ( assi/ants1 z also1 x seems to me1 is ! drap]y ( ! half-kneel+ ,prophet to ! "r4 ,! ,david is exactly ! same figure z 9 ! ,arezzo alt>-piece1 to :i*1 besides1 !re is a great resemblance 9 all ! faces1 & 9 ! h>d co>se mann] 9 :i* ! drap]ies are treat$4 ,! picture1 h[ev]1 lacks ! rugg$ /r5g? :i* makes ! ,arezzo picture1 ) all its %ortcom+s1 s impressive1 & only 9 ! nude figures is ! old p[] unimpair$4 ,^!1 h[ev]1 are v good1 ! ,adam especially be+ z f9e a /udy ( ! human =m z any ( ! e>li] "w4 ,at ,morra1 a little village n f> f ,citta di ,ca/ello1 9 ! *ur* ( ,san ,cresc5ziano1 are two v important frescoes1 a ,crucifixion & a ,flagellation1 evid5tly v late "w ( ! ma/]4 ,9 ! latt] ! composition is v little alt]$ f ! e>ly picture ( ! ,br]a4 ,*ri/ is 9 ! c5tre1 b\nd to ! pill>1 & on ! "r /&s ! ,roman soldi]4 ,! execution] ne> him is almo/ a repetition ( ! magnific5t draw+ 9 ! ,l\vre 7see reproduction71 except t ! legs are wide ap>t4 ,all ,signorelli's en]gies h aga9 gone into ! figures ( ! execution]s1 b1 f9e z !y are1 !y are n treat$ ) ! same bread? z 9 ! e>li] picture1 albeit ! pa9t+ is free almo/ to r\ghness4 ,! backgr\nd1 in/ead ( ! c>v$ wall1 n[ op5s out ( ! c\rt into a spaci\s l&scape4 ,9 ! ,crucifixion1 ! gr\p at ! foot ( ! ,cross is arrang$ mu* l ^? ( ! ,san ,sepolcro1 ,urb9o1 & ,cortona pictures1 b x is half lo/ 9 ! confusion ( a cr[d ( m\nt$ soldi]s4 ,! impressive sil5ce & solemnity ( ^! e>li] ,pietas is *ang$ "h to a sc5e ( noisy turmoil1 & ! pa9t]'s int]e/ is obvi\sly c5tr$ on ! movem5t ( ?is hu/l+ cr[d4 ,! horses are badly drawn & ill-balanc$1 z 9 ! ,l\vre ,adoration1 & ! ,magdal5 is v co>sely pa9t$4 ,! animation & action are well r5d]$1 b some?+ ( ! gr&eur ( 8 e>li] "w is sacrific$4 ,?is gr&eur 01 h[ev]1 fully rega9$ 9 ! la/ "w ( ! ma/]1 pa9t$ 9 #aebc1 ! v ye> ( 8 dea?--,! ,coronation ( ! ,virg91 9 ! ,collegiata ( ,foiano1 a small t[n ne> ,s9alunga4 ,! ,virg91 9 r$ robes & gre5i%-blue mantle1 ) fair hair1 kneels be=e ,*ri/1 :o places ! cr[n on h] head4 ,on ei!r side two angels play musical in/rum5ts1 & on ! "r & left /& ,s4 ,joseph & ! ,ar*angel ,mi*ael4 ,9 ! =egr\nd kneels ,s4 ,m>t91 to :om ! alt>-piece 0 d$icat$1 9 a magnific5t gold cope1 hav+ on 8 left ,s4 ,j]ome ) a grey lo9-clo?4 ,f>!r back are ?ree monks1 & beh9d ,s4 ,m>t9 /&s ! ,magdal51 :ile on ! o!r side an old sa9t introduces ! donor1 ,angelo ,mass>elli4 ,! g5]al tone ( col\r is n ne>ly s heavy z 9 ! ,arezzo pa9t+1 ! r$s are ( a pale rose-col\r1 & only ! fle%-t9ts ( ,s4 ,j]ome are v d>k4 ,?is figure & ! ,s4 ,m>t9 are nobly & p[]fully conceiv$4 ,! donor recalls ! portrait ( ! ,gamurr9i ( ,arezzo4 ,! pa9t+ does n seem to be ! unassi/$ "w ( ,signorelli1 ! ,s4 ,mi*ael be+ too insignificant a figure1 & ! ,magdal5 too weakly execut$ to be by 8 own h&4 ,! pr$ella be>s evid5ce t he _h an assi/ant1 =1 ( ! f\r /ories ( ,s4 ,m>t91 :i* !y illu/rate1 only two are by ! ma/]4 ,^! two are v f9e & bold1 9 composition & bru%work4 ,9 ! fir/ ! ,sa9t1 clad 9 arm\r1 is seat$ on ! *>act]i/ic :ite horse1 ) a man-at-arms beh9d him1 & divides 8 cloak ) ! nude begg>4 ,! backgr\nd is a broadly-pa9t$ l&scape4 ,! o!r repres5ts ! ,sa9t kneel+ be=e a ,bi%op & two acolytes1 clo!d 9 a gre5 tab>d1 a romantic & beautiful figure4 ,! two rema9+ divisions are l>g] 9 size1 & obvi\sly ! "w ( assi/ants1 "o illu/rat+ ,s4 ,m>t9 exorcis+ a mad bull1 ! o!r 8 fun]al & ! miracul\s heal+ ( ! sick by ! dead body4 ,x is satisfactory to h to conclude ! li/ ( works ) "o s /rong1 & :i* comb9es s _m ( ! qualities :i* we h le>nt to look = 9 ,signorelli's pa9t+4 ,rugg$ en]gy1 dignity1 decorative grace1 & ev5 romantic beauty are all to be f\nd 9 ?is alt>-piece1 :i* is a fit end+ to ! life's "w ( ! ma/]4#gg ,,footnotes3 #gd ,transcrib$ 9 ,vis*]1 p4 #cfj4 #ge ,cavalcaselle e ,cr[e1 viii4 #dic4 #gf ,vas>i1 iii4 #fib4 #gg ,^! detail$ /udies d n include all ! works ( ,signorelli1 b a complete li/ ( all t are kn[n to ! au?or is to be f\nd 9 ! catalogue at ! end4 ,,*apt] ,,viii ,,draw+s ,! /udy ( ,signorelli's draw+s is unsatisfactory1 bo? by reason ( _! sc>city1 & ! enorm\s diff]5ce ( m]it1 ev5 among ^? few :i* c be consid]$ z g5u9e4 ,morelli writes3 ,8 draw+s are f\nd 9 all ! mo/ important collections ( ,europe1#gh b he m5tions only ?irte51 & al?\gh _m c]ta9ly 9 all ! gall]ies be> 8 "n1 & ! impress ( 8 influ5ce1 lat] /udy appe>s to accept only six z by 8 own h&2 & ( ^! six two are s mu* inf]ior to ! re/ t ,i _c br+ myself to feel any degree ( c]ta9ty z to _! g5u95ess4 ,?is difficulty ( acceptance arises f a comp>ison ) ! v high /&>d ( excell5ce 9 ! two magnific5t /udies ( ! nude 9 ! ,l\vre collection1 :i* correspond1 9 bread? ( feel+1 9 gr&eur ( pose1 & 9 boldness & accuracy ( t\*1 to 8 be/ bru%work4 ,no4 #cde1 =m]ly 9 ! ,bald9ucci collection1 repres5ts two nude male figures ( sup]b proportions1 "o /&+ ) 8 h&s on 8 hips1 ! o!r1 9 ! *>act]i/ic attitude ) wide-spread1 firmly-plant$ feet1 hav+ 8 h& on ! %\ld] ( ! fir/4 ,x is 9 black *alk1 da%$ 9 swiftly1 ) bold sweep+ /rokes1 app>5tly direct f ! life4 ,x is "o ( ! f9e/ /udies ( ! nude 9 exi/5ce1 bo? = ! spl5did anatomy ( ! figures & ! fre$om & en]gy ( t\*4 ,no4 #cdc1 also f ! ,bald9ucci collection1 :i* is "h reproduc$1 is h>dly inf]ior to x 9 ! same qualities ( boldness & fre$om4 ,x seems to be ! /udy f :i* ,signorelli pa9t$ ! execution] 9 grisaille ne> ! ,pieta1 9 ,orvieto1 & lat] ! sc\rg+ figure ( ! ,morra ,flagellation1 al?\gh 9 bo? !re are slight diff]5ces ( position4 ,! action is exce$+ly f9e1 ! poise ( ! figure on ! well-drawn feet be+ especially good1 :ile all ! =ce ( ! /rong body is ?r[n into ! arms /ret*$ high up ov] ! head4 ,9 ,dresd5 is a %eet ( /udies1 :i*1 :ile less f9e ?an ^! two1 are yet v *>act]i/ic1 & und\bt$ly g5u9e4 ,!y are also 9 black *alk1 b v mu* rubb$1 & consequ5tly r indi/9ct ,!y repres5t f\r nude figures 9 diff]5t po/ures1 :i* ,morelli consid]s to be /udies = "p ( ! ,orvieto frescoes1 al?\gh ,i h fail$ to discov] !re any?+ :i* corresponds to !m4 ,illu/ration3 ,l\vre1 ,p>is ,,/udy ,,( ,,nude ,,figure ,9 ! ,uffizi ,gall]y1 ,flor5ce1 is ano!r black *alk /udy ( two m5 be+ *a9$ by devils1 :i*1 aga91 seems z ?\gh x mu/ h be5 int5d$ = "s ( ! figures 9 ! ,damnation1 b :i* ,i _c f9d !re4 ,?is draw+ is also v *>act]i/ic1 & al?\gh fall+ f> bel[ ! m]it ( ! ,l\vre /udies1 has all ,signorelli's qualities ( dramatic en]gy & /r5g? ( t\*4 ,! heavy1 co>se /udy = a ,dea? ( ,lucretia1 also 9 ! ,uffizi1 ,i f9d extremely h>d1 9 comp>ison ) any ( ! =ego+1 to accept z an und\bt$ "w ( ! ma/]1 al?\gh ,i am n prep>$ to absolutely d5y x4 ,!re is a want ( proportion 9 ! figures1 & an indecision 9 ! /rokes1 h>d to reconcile ) all we "k ( 8 "w4 ,9 ! collection at ,w9dsor is ano!r *alk draw+--,h]cules ov]com+ ,antaeus--( little m]it ei!r ( anatomy or ( te*nique1 b :i* may possibly be f 8 h&4 ,!re is some?+ ( ! influ5ce ( ,antonio ,pollaiuolo visible 9 ?is treatm5t ( 8 fav\rite subject1 & x is j conceivable t x may be an e>ly /udy by ,signorelli done 9 8 work%op4 ,! li/ ( all ! draw+s :i* are attribut$ to him 9 diff]5t collections w\ld take too long = ! slight purpose x w\ld s]ve2 b = ! b5efit ( ^? :o desire to comp>e = !mselves ^? :i* ,morelli & ,vis*] decide to be g5u9e1 ,i h add$ a li/ ( _! attributions1 transcrib$ )\t addition or correction4 ,,draw+s ,,m5tion$ ,,by ,,morelli ,,dresd5 7,gall]y74--,/udy ( f\r nude figures4 ,,flor5ce 7,uffizi74--,case #dei4 ,no4 #abdf4 ,,london 7,brit4 ,mus474--,?ree draw+s1 9 vol4 #cb4 ,,p>is 7,l\vre74--,nos4 #cdj1 #cda1 #cdb1 #cdc1 #cdd1 #cde1 #cdf4 ,,w9dsor 7,libr>y74--,a draw+1 attribut$ to ,masaccio4 ,besides ^!1 a design = ,m>cantonio's engrav+ ( ,m>s1 ,v5us1 & ,cupid 7,b>ts*1 #cde71 attribut$ to ,mantegna4 ,,draw+s ,,f ,,vis*]',s ,,li/ ,,( ,,signorelli',s ,,works ,,b]l9 7,gall]y74--,man's head ) cap 7expos$ 9 frame74 ,,*atswor?4--,f\r ,sa9ts 7,waag5's attribution74 ,,dresd5 7,gall]y7 ,case ,i4 #aj4--;,head ( a ,woman4 7,expos$ 9 room ,,ii474--,battlefield 787 ,?is s-call$ ,battlefield is ! /udy ( f\r nudes1 m5tion$ among ! g5u9e draw+s4--,au?or's ,note4 ,,flor5ce 7,uffizi74--,figure ( ,y\?4 ,two ,damn$ b\nd by ,devils4 ,nude ,figure be>+ ,corpse4 ,madonna & ,*ild 7d\btful74 ,dea? ( ,lucretia 7874 ,bac*anal4 ,,p>is 7,l\vre7 #cdj4--;,f\r nude figures2 black *alk4 #cda4 ,two ,sa9ts2 col\r$ *alk4 #cdb4 ,a ,sa9t2 col\r$ *alk4 #cdc4 ,nude figure sc\rg+2 black *alk4 #cdd4 ,a ,sa9t2 black *alk4 #cde4 ,two nude figures4 #cdf4 ,pieta4 #cdg4 ,nude figure be>+ corpse2 wat]-col\r 7m f9i%$ repetition ( ! ,uffizi /udy74 ,,si5a 7,collection ( ,mr ,c4 ,fairfax ,murray74--,seat$ ,sa9ts 7/udy = grisaille ,prophets 9 ! nave ( ! *ur* ( ,loreto74 ,,w9dsor 7,collection ( ,h4,m4 ! ,que574--,devil seiz+ man2 black *alk 7/udy = ,orvieto frescoes74 ,male figure 9 ?ree positions2 ,indian ink 7attribut$ to ,raffael74 ,illu/ration3 ,academy1 ,flor5ce ,,magdal5 ,,at ,,! ,,foot ,,( ,,! ,,cross ,,footnotes3 #gh ,italian ,pa9t]s1 i4 #ic4 ,,*apt] ,,ix ,,pupils ,,& ,,g5]al ,,influ5ce ,x w\ld n be possible1 9 ! space at my disposal1 to g ) any ?or\ghness into ! "w ( ,signorelli's imitators1 ev5 ( ^? :o fell directly "u 8 influ5ce4 ,! pa9t]s :o /& =emo/ among !m1 ,don ,b>tolommeo della ,gatta & ,girolamo ,g5ga1 are bo? too important to be dealt ) 9 a %ort notice1 :ile x w\ld be a ?ankless z well z an ardu\s task1 to try to di/+ui% ! diff]5t pa9t]s ( :at is g5]ically class$ z s*ool-"w1 be+1 z x ne>ly always is1 )\t ei!r individuality or m]it4 ,i %all d little m1 !re=e1 ?an make a brief m5tion ( ! names & pr9cipal works ( ! kn[n imitators1 & try in/ead to indicate ! influ5ce ( ,signorelli's /yle ^u pa9t+ 9 g5]al4 ,morelli says mu* ( 8 uncompromis+ guidance1 & ( ! deg5]ation ( ^? :o fell "u 8 cru%+ influ5ce4#gi ,some?+ ( ! sort has be5 said ( ,mi*elangelo1 & might be said ( e /rong man ^: p]sonality is p[]ful en\gh to /amp its m>k on 8 contempor>ies1 b s9ce no "o :o is cont5t to be m]ely a copyi/ c\ld produce valuable "w1 ! _w has probably lo/ little by ! submission4 ,x is1 h[ev]1 true t1 z ! p[]ful muscles ( ,mi*elangelo's /atues become mean+less lumps 9 ! works ( ,b&9elli & ,vas>i1 s ! mann]isms ( ,signorelli1 :i* 7 ! outw>d sign ( 8 /rong & en]getic temp]am5t1 lo/ all significance1 & 7 m]ely co>se exagg]ations 9 ! "w ( 8 imitators4 ,! swagg]+ attitude1 ! fre$om ( ge/ure1 & ! dramatic expression1 %orn ( ! /r5g? & e>ne/ emotion f :i* !y sprang1 became disagreeably incongru\s 9 ! pictures ( ! feeble pa9t]s :o imitat$ !m4 ,b "o1 at lea/1 ( ,signorelli's disciples 0 nei!r slavi% nor feeble4 ,b>tolommeo della ,gatta1 o!rwise ,pi]o di ,antonio ,dei1 ! mo/ important ( ^? :o came "u 8 influ5ce1 0 a pa9t] ( great *>m & ability4 ,if x be true1 z a rec5t criticism has pron\nc$1 t ! beautiful ,madonna1 ( ! ,*ri/ ,*ur* collection1 ,ox=d1 !re attribut$ to ,pi] dei ,frances*i1 is f 8 bru%1#hj we h to deal ) a man :o />t$ "w "u ! same ennobl+ influ5ce z ,signorelli himself4 ,be t z x may1 & z future rese>* w decide1 ! fresco ( ,! ,dea? ( ,moses1 9 ! ,si/9e ,*apel1 :i* lat] /udy has presum$ to be almo/ entirely 8 "w1 proves him to be a pa9t] ( great beauty & importance4 ,signor ,gaetano ,milanesi has ?r[n d\bt ^u 8 exi/5ce z a pa9t] ( any?+ except m9iatures1#ha b ! happy discov]y ( a docum5t1 ref]r+ to 8 alt>-piece ( ,s4 ,francis receiv+ ! /igmata1 9 ! ,*ur* ( t ,sa9t 9 ,ca/iglione ,fior5t9o1 has plac$ ! fact beyond dispute4#hb ,! /ud5t :o desires to "k m ( ?is pa9t] is ref]r$ to ! la/ ,italian edition ( ,cavalcaselle e ,cr[e1 vol4 viii41 & to ! ,life by ,vas>i1 ^: reliability 9 ?is case ! rese>*es ( ! critics s well confirm4 ,born probably 9 #adjh1 he 0 already a man ( mature age :5 ,signorelli himself 0 a *ild1 b 8 simple1 pliable nature fitt$ him to be a foll[] r ?an a lead]1 & we f9d him n[ influ5c$ by ,pi] dei ,frances*i1 n[ by ,signorelli1 & aga9 lat] by ,fior5zo di ,lor5zo4 ,if x be true t ! really spl5did pa9t+ ( ! ,si/9e ,*apel is due to him entirely1 x is1 ( c\rse1 8 ma/]piece1 & rea*es1 inde$1 a level n v inf]ior to t ( ,signorelli himself4 ,8 mo/ important undisput$ works are ! above-m5tion$ pa9t+ 9 ! *ur* ( ,s4 ,francesco1 ,ca/iglione ,fior5t9o1 ! alt>-piece 9 ! ,collegiata ( ! same t[n1 a ,s4 ,rock 9 ! ,gall]y1 & a fresco ( ,s4 ,j]ome1 9 ! ,bi%op's ,palace1 ,arezzo1 etc4 ,ano!r imitator ( importance1 ,girolamo ,g5ga1 impressionable z 8 nature 01 yet has mu* individual excell5ce to di/+ui% him f ! re/ ( ,signorelli's assi/ants4 ,born at ,urb9o 9 #adgf1 he 0 plac$1 at ! age ( fifte51 9 ! /udio ( ,signorelli1 ) :om1 accord+ to ,vas>i1 he rema9$ = tw5ty ye>s1 becom+ "o ( ! be/ pupils t he _h4#hc ,aft] assi/+ ! ma/] 9 ! pa9t+ ( ! ,cappella ,nuova1 ,orvieto1 ,g5ga 7always accord+ to ! same au?ority7 plac$ himself to /udy p]spective ) ,p]ug9o1 at ! "t t ,raffaelle 0 also "u ! influ5ce ( t pa9t]4 ,?is1 z well z ! fact t he 0 a native ( ,urb9o1 & _h probably also felt ! impression ( ,timoteo ,viti1 w\ld acc\nt = ! enorm\s influ5ce ,raffaelle's pa9t+ _h ^u 8 lat] "w4 ,he seems to h _h an extraord9>y facility = *ang+ 8 /yle2 =1 :ile "u ! influ5ce ( ,signorelli1 z 9 ! ,petrucci ,palace frescoes 7,nos4 #cge & #cgf 9 ! ,gall]y ( ,si5a71 8 "w be>s s mu* resemblance to t ( ! ma/]1 t s obs]vant a critic z ,morelli decl>$ ! composition ( bo? to be mo/ c]ta9ly by ,luca himself4#hd ,g5ga seems to h caught1 n ! sup]ficial =ms only1 b also ! _s ( ,signorelli 9 ^! frescoes1 = 9 "o--,! ,flight ( ,a,eneas f ,troy--!re is an exagg]ation ( ! *>act]i/ic en]gy & movem5t1 :i*1 almo/ hy/]ical ?\gh x be1 is yet successful & full ( real life2 :ile 9 ! swagg]+ /r5g? ( ! nude figures 9 ,! ,rescue ( ,prison]s !re is some?+ ( ,luca's own dignity & impressiv5ess4 ,9 8 lat] "w1 al?\gh he nev] dep>ts f c]ta9 lik5esses to 8 fir/ ma/]1 yet he gives himself up to ! influ5ce ( ,raffaelle unres]v$ly1 z may be be/ se5 9 ! ,ces5a alt>-piece1 n[ 9 ! ,br]a1 ,milan4 ,morelli writes ( him3 ,?is eclectic pa9t]1 :o1 ?\gh work+ 9 a b>oque /yle1 is n )\t tal5t1 is conf\nd$ ) ! mo/ div]se ma/]s1 bo? 9 draw+s & pa9t+s2#he & ! fact t besides ! above-m5tion$ v>iations ( /yle1 8 "w is also p>donably attribut$ to ,girolamo del ,pac*ia#hf & to ,sodoma1#hg fully ju/ifies ! epi!t & ! ass]tion4 ,( ! o!r & less important foll[]s1 ,tommaso ,b]nabei1 call$ ,papacello1 seems to h be5 fir/ assi/ant ( ,giulio ,romano1 & !n ( ,giambatti/a ,caporali1 ) :om he is said to h pa9t$ ! frescoes 9 ! ,villa ,pass]9i1 ne> ,cortona4 ,8 fir/ orig9al "w is ( ! ye> #aebd--;a ,conception ( ! ,virg91 9 ! *ur* ( ,santa ,m>ia del ,calc9aio1 ne> ,cortona1 9 :i* ! mann] ( ,signorelli is v app>5t4 ,9 ! same *ur* are two o!r pa9t+s by him1 dat$ #aebg1 an ,adoration ( ! ,magi1 & an ,annunciation1 :i* are suffici5t to indicate ! small am\nt ( arti/ic ability ( ! pa9t]4 ,! date ( 8 bir? is unkn[n2 he di$ 9 #aeei4hh ,we h1 besides1 f\r memb]s ( ,signorelli's own family4 ,fir/1 8 son ,polidoro1 :om we "k to h be5 8 assi/ant at ,orvieto2 =1 9 a docum5t ( #aeja1 he is m5tion$ z hav+ receiv$ c]ta9 paym5ts !re = sal>y1 z well z = mat]ials = ! "w4#hi ,8 mann] ( pa9t+ is unkn[n to u1 s t x is impossible to di/+ui% 8 %>e 9 ! frescoes4 ,two o!r sons1 ,antonio & ,pi] ,tommaso1 71 x seems1 also assi/ants ( _! fa!r1 ! =m] be+ ! pa9t] ( a dat$ alt>-piece 9 ! *ur* ( ,santa ,m>ia del ,calc9aio1 ne> ,cortona4#ij ,la/ly1 8 nephew ,francesco1 ! mo/ important ( ! assi/ants be>+ 8 own "n1 f ^: h& !re are sev]al pa9t+s v close to ! ma/] 9 /yle4 ,to him1 at lea/1 are attribut$ ! /&>d ( ,! ,baptism1 9 ! ,gall]y ( ,citta di ,ca/ello1 & a ,tondo ( a ,madonna & ,sa9ts1 9 ! ,palazzo ,pubblico1 ,cortona4 ,!re is "o sign$ alt>-piece by him1 ,! ,conception ( ! ,virg91 9 ! *oir ( ,s4 ,francesco1 ,gubbio4 ,turp9o ,zaccagna is ano!r pupil1 ( :om ,manni writes t he 0 a noble y\? ( ,cortona1 :o took to pa9t+1 & imitat$ ,signorelli's /yle4#ia ,( 8 "w rema9s an alt>-piece 9 ! *ur* ( ,s4 ,agata di ,cantal5a1 ne> ,cortona1 sign$ & dat$ #aecg4 ,) him ! li/ ( kn[n pupils closes4 ,b m really important ?an ei!r ( ^! m9or s*ol>s is ! unkn[n imitator :o pa9t$ ! beautiful ,magdal51 ( ! ,flor5ce ,academy4 ,execut$ on l951 & evid5tly int5d$ = a *ur* /&>d1 ?is is ! mo/ successful ( all ! works 9 ,signorelli's mann]1 :i* yet _c be accept$ z g5u9e4 ,! design ( ! pr9cipal figures 9 ! =egr\nd & middle di/ance ,i believe to be by ,signorelli himself1 & ! int5sity ( emotion 9 ! ,magdal51 :o has ca/ h]self at ! foot ( ! ,cross1 & ! impressive gr&eur ( ! ?ree figures to ! "r1 h lo/ none ( ! orig9al _s ( ! ma/]4 ,! col\r is entirely diff]5t1 & w\ld alone preclude ! acceptance ( ! pa9t+ z ,signorelli's "w1 b1 moreov]1 ! g5]al effect has s little ( 8 sweep+ bread?1 & ! details ( ! %ad[y l&scape are s poorly compos$1 t x is probable ev5 ! :ole ( ! draw+ is n by him4 ,illu/ration3 ,gall]y1 ,buda-,pe/h ,,tib]ius ,,grac*us ,an int]e/+ picture 9 ! ,gall]y ( ,buda-,pe/h1 !re attribut$ to ,luca himself1 connects ! *>m+ & my/]i\s ,griselda s]ies 7,nos4 #iab1 #iac1 & #iad71 ( ! ,national ,gall]y1#ib ) "s foll[] ( ,signorelli1 = x is suffici5t to glance at ! backgr\nd ( ?is ,tib]ius ,grac*us to be conv9c$ t its pa9t] is ! same unkn[n ma/]4 ,9 ! ,griselda pictures !re is m evid5ce ?an "h ( ! influ5ce ( ,p9torric*io1 to :om !y are1 n unnaturally1 attribut$2 :ile 9 ! ,tib]ius1 9 ! drap]y ( ! figure1 & ! type ( ! *ildr5 :o support ! tablet1 especially1 !re is mu* ( ! real _s ( ,signorelli1 z well z a good deal ( 8 bread? & solidity ( draw+4 ,! pa9t] mu/1 = ! pres5t1 rema9 z an unkn[n ,umbrian1 almo/ equally influ5c$ by ,p9torric*io & ,luca1 & ) peculi> qualities ( simple grace & romance1 :i* give 8 "w an extremely individual "*4 ,v diff]5t is ! imitation ( ,signorelli's mann]isms 9 su* works z ,! ,nativity1 ( ! ,national ,gall]y1 ,! ,madonna & ,sa9ts1 ( ! ,gall]y ( ,citta di ,ca/ello1 & ,! ,abbondanza1 ( ! ,uffizi4 ,9 ^! ! imitation is me*anical1 & )\t any compreh5sion ( ! ma/]'s _s4 ,x w\ld be useless to m5tion m ( ! s*ool-"w1 9 :i* sup]ficial excell5ces & defects are copi$ ) equal zeal4 ,on ! o!r h&1 ! spiritual qualities :i* ^! me*anical imitators miss$1 7 felt int5sely by m5 :o nev] adopt$ 8 mann]isms1 & x is 9 ! "w ( ^! t ! real effect ( ,signorelli's influ5ce is to be f\nd4 ,! frescoes ( ,orvieto nev] became1 l ,masaccio's 9 ! ,c>m9e1 a s*ool to :i* ! y\ng] pa9t]s ?rong$1 purposely to le>n ! me?ods ( ! ma/]1 b _! impressive gr&eur & solemnity1 & ! bread? ( bru%work & solid modell+ by :i* ^! qualities 7 9 a great measure obta9$1 work$1 nev]!less1 a v important *ange 9 ! ,art ( ! "t1 & a wave ( /rong fre% blood 0 s5t ?r\gh its ve9s4 ,)\t !m1 p]haps1 we %\ld nev] h _h ! same appeal to ! imag9ation & ! nobl] in/9cts 9 ! ,si/9e pa9t+s1 al?\gh !re is n 9 ! :ole ( ! "w "o s+le mann]ism f ,signorelli's /yle4#ic ,b :at is call$ ! ,t]ribilita ( ! old] ma/] 0 entirely free f ! sombre melan*oly :i* /rikes s gloomy a note 9 ! "w ( ,mi*elangelo4 ,signorelli's greate/ gift to u is 8 conception ( humanity1 n only ( its robu/ /r5g?1 b ( its m5tal vig\r4 ,8 figures are solemn1 b x is a solemnity unta9t$ ) sadness1 consci\s only ( ! dignity ( ! human race1 its significance & responsibilities4 ,by 8 p[] ov] 8 mat]ials1 won by h>d /udy1 he add$ mu* to ,art1 & pres5t$ ?+s1 n z conv5tional symbols1 b z !y are actually reflect$ on ! eye4 ,8 p /& on solid gr\nd by ! help ( firm muscle1 sub/antial realities t we feel c\ld be t\*$ & walk$ r\nd4 ,8 atmosph]e gives ! s5se ( real space & air4 ,8 trees seem to h roots1 & _! bran*es to be full ( sap4 ,by ?is tru? & p[] ( pres5t+ ?+s z !y are he 0 able to end[ 8 pa9t+s ) 8 own conception ( ,nature1 gr&] & wid] ?an our own1 & to make u see mank9d ) 8 eyes1 built on broad]1 /rong] l9es4 ,no?+ trivial or insignificant ent]s into 8 p]ception ( life4 ,he takes 8 place ) ,mantegna1 ) ,du]]1 & ) ,cossa1 ! au/]e pa9t]s1 :o felt ! dignity ( life to lie 9 rugg$ /r5g?1 iron resolution1 & unfl9*+ self-reliance4 ,,footnotes3 #gi ,italian ,pa9t]s1 i4 #if4 #hj ,an attribution ( ,mr ,b4 ,b]5s54 #ha ,see ,comm5t>y on ! ,life ( ,b>t4 della ,gatta4 ,vas>i1 iii4 #bbg4 #hb ,cavalcaselle e ,cr[e4 ,transcript ( ! ,docum5t1 viii4 #ecg4 #hc ,vas>i1 vi4 #cae4 #hd ,italian ,pa9t]s1 i4 #id4 #he ,italian ,pa9t]s1 ii4 #bhe4 #hf ,madonna4 ,si5a ,gall]y1 ,no4 #cdj4 #hg ,portrait ( ,man4 ,pitti ,gall]y1 ,flor5ce1 ,no4 #chb4 #hh ,see ,cavalcaselle e ,cr[e1 viii4 #eba4 #hi ,vis*]1 #ajb4 #ij ,vis*]1 #cbj4 #ia ,ins]t$ at ! end ( ,vis*]'s ,signorelli1 #chc4 #ib ,un=tunately rec5tly hung s high t any j appreciation ( _! great m]it & beauty is impossible4 #ic ,cr[e & ,cavalcaselle ma9ta9 t ,raffaelle also /udi$ c>efully ! works ( ,signorelli4 ,see ,cavalcaselle e ,cr[e1 viii4 #dbe1 & i4 #da1 etc4 etc4 ,,*ronological ,,table ,,( ,,! ,,life ,,& ,,works ,,( ,,luca ,,signorelli ,! foll[+ table is compil$ f t ( ,cavalcaselle e ,cr[e4 7,le ,monni]1 #ahih7 z be+ m complete ?an t 9 ,milanesi's ,vas>i1 & m cond5s$ ?an t ( ,vis*]4 ,dates1 h[ev]1 :i* are n support$ by docum5t>y evid5ce h be5 omitt$4 #adda 7circa74 ,luca 0 born ( ,egidio1 son ( ,luca1 son ( ,v5tura ,signorelli4 #adgd4 7,novemb]7 ,complet$ ! fresco 9 ! ,t[] ( ! ,commune1 ,citta di ,ca/ello1 ) ! ,virg9 en?ron$ betwe5 ,,ss4 ,j]ome & ,paul1 fir/ spoil$ by exposure1 & completely de/roy$ by ! e>?quake ( #aghi4 #adgi4 7,sep4 #f7 ,elect$ to ! ,consiglio dei ,,xviii41 ,cortona4 #adgi4 7,nov4 #bh7 ,elect$ to ! ,cons]vatori degli ,ord9am5te del ,comune4 #adhj4 ,elect$ to ! ,priori = ! mon?s ( ,m>* & ,april4 #adhj4 7,aug4 #bf7 ,elect$ to ! ,consiglio ,g5]ale4 #adha4 7,aug4 #be7 ,elect$ to ! ,consiglio ,g5]ale4 #adhd4 ,pa9t$ ! alt>-piece 9 ! ,ca!dral ( ,p]ugia4 #adhd4 ,is s5t to ,gubbio1 to negotiate ) ,francesco di ,giorgio1 ,si5ese ar*itect1 = a design = ! *ur* ( ,calc9aio1 ne> ,cortona4 #adhe4 7,jan4 #aj7 ,und]took ! pa9t+ ( a *apel 9 ,sant' ,agata1 ,spoleto2 a "w :i*1 x seems1 0 nev] execut$4 #adhe4 7,feb4 #bb7 ,elect$ to ! ,consiglio dei ,,xviii4 #adhe4 7,aug4 #bb7 ,elect$ to ! ,consiglio ,g5]ale4 #adhf4 ,elect$ to ! ,priori = ! mon?s ( ,janu>y & ,febru>y4 #adhh4 7,july #f7 ,= ! great ability ) :i* he pa9t$ ! ,bann] ( ! ,bless$ ,virg91 is made citiz5 ( ,citta di ,ca/ello1 z 0 8 great desire4 #adhh4 ,reseat$ 9 ! ,*ief ,magi/racy ( ,cortona = ! mon?s ( ,septemb] & ,octob]4 #adhi4 ,elect$ to ! ,consiglio ,g5]ale4 #adij4 7,dec4 #be7 ,elect$ to ! ,priori = ! mon?s ( ,janu>y & ,febru>y4 #adij4 7,dec4 #bg7 ,8 son ,antonio ann\nces to ! ,priori t ,luca _c s]ve1 be+ abs5t f ! city at a di/ance ( ov] =ty miles4 #adia4 7,jan4 #e7 ,is among ^? invit$ to judge ! designs & models pres5t$ = ! competition = ! facade ( ,santa ,m>ia del ,fiore1 ,flor5ce4 ,did n assi/4 #adia4 7,aug4 #bc7 ,elect$ to ! ,consiglio ,g5]ale4 #adia4 ,pa9t$ ! alt>-piece ( ! ,annunciation1 9 ! ,ca!dral1 ,volt]ra4 #adia4 ,pa9t$ ! alt>-piece ( ,san ,francesco1 ,volt]ra4 #adic4 ,pa9t$ ! alt>-piece ( ! ,adoration ( ! ,magi1 = ! *ur* ( ,sant',ago/9o1 ,citta di ,ca/ello4 #adic4 ,elect$ to ! ,consiglio ,g5]ale4 #adic4 7,sept4 #bd7 ,sold = #abb gold flor9s to ,dom5ico di ,tommaso della ,b>ba ( ,cortona1 "s acres ( gr\nd situat$ 9 ! t]ritory ( ,montalla1 call$ ,la ,muc*ia1 & ! ,via di ,montalla1 & o!rs 9 ! t]ritory ( ,orsaia1 call$ ! ,bocca del ,prato & ! ,via da ,logh9o4 #adid4 ,commission = ! ,bann] = ! *ur* ( ,santo ,spirito1 ,urb9o4 #adie4 ,elect$ to ! ,priori = ! mon?s ( ,novemb] & ,decemb]4 #adif4 ,pa9t$ ! alt>-piece ( ! ,nativity1 = ! *ur* ( ,san ,francesco1 ,citta di ,ca/ello4 #adig4 ,elect$ to ! ,priori = ! mon?s ( ,may & ,june4 #adig4 7,m>* #aj7 ,elect$ "o ( ! ,revisori degli ,arg5ti4 #adig4 ,elect$ to ! ,priori = ! mon?s ( ,novemb] & ,decemb]4 #adig4 ,pa9t$ 9 ! cloi/] ( ,monte ,oliveto1 ne> ,*iusuri1 ,/ories 9 ! ,life ( ,s4 ,b5$ict4 #adih4 ,pa9t$ ! alt>-piece = ! *apel ( ! ,bic*i family 9 ,s4 ,ago/9o1 ,si5a4 #adih4 7,feb4 #bb7 ,elect$ to ! ,consiglio ,g5]ale4 #adii4 7,april #e7 ,commission = ! frescoes 9 ! ro( ( ! ,cappella ,nuova1 9 ! ,ca!dral1 ,orvieto4 #aejj4 7,april #bg7 ,commission = ! pa9t+ ( ! walls 9 ! above-m5tion$ *apel4 #aejj4 7,feb4 #ba7 ,elect$ to ! ,consiglio ,g5]ale4 #aeja4 7,may #a7 ,becomes surety to a citiz5 :o und]takes ! (fice ( ,priore ( ! ,commune4 #aeja4 ,c]ta9 paym5ts are made to ,polidoro1 son ( ,mae/ro ,luca1 = col\rs & pla/]1 ! remov+ ( ! scaffold+ ( ! *apel1 & = a "p ( 8 sal>y4 #aeja4 7,june #e7 ,sold to ,v5tura1 8 bro!r1 ! half ( a h\se1 :i* belong$ to him1 toge!r ) ! said ,v5tura1 situat$ 9 ,cortona1 9 ! qu>t] ( ,san ,m>co1 b\nd$ by ! ,hospital ( ,san ,niccolo1 by ,pietro1 surnam$ ,scrolla1 by ,jacopo di ,francesco1 & by ! ,via del ,comune4 #aejb4 ,pa9t$ ! ,deposition1 = ! *ur* ( ,santa ,m>gh]ita1 ,cortona1 n[ 9 ! ,ca!dral4 #aejb4 ,paym5t made to ,mae/ro ,luca ,signorelli = ! pa9t+ ( ! ,cappella ,nuova1 ,orvieto4 #aejb4 7,feb4 #ba7 ,elect$ to ! ,consiglio ,g5]ale4 #aejb4 7,june #bc7 ,elect$ to ! ,priori = ! mon?s ( ,july & ,augu/1 b _c s]ve because 8 family is attack$ by ! plague4 #aejb4 7,july #bc7 ,pres5ts to ,paolo di ,=zore & to 8 daught] ,francesca two acres ( gr\nd at ,rio di ,loreto1 belong+ to him z heir ( 8 son ,antonio1 :o _h receiv$ x z ! d[ry ( 8 fir/ wife ,nann9a1 daught] ( ,paolo4 #aejb4 ,elect$ to ! ,priori = ! mon?s ( ,novemb] & ,decemb]4 ,be+ abs5t1 8 "n 0 remov$ f ! li/4 #aejd4 7,feb4 #bc7 ,elect$ to ! ,c\ncil ( ,,xviii4 #aejd4 ,elect$ to ! ,priori = ! mon?s ( ,may & ,june4 #aejd4 ,pa9t$ ! alt>-piece ( ,s4 ,m>y ,magdal5 = ! ,ca!dral ( ,orvieto4 #aejd4 7,dec4 #e7 ,paym5t = ! pa9t+s ( ! ,cappella ,nuova4 #aeje4 7,feb4 #ba7 ,elect$ to ! ,consiglio ,g5]ale4 #aeje4 7,sept4 #a7 ,is surety = "o ( ! ,priori4 #aejf4 ,is 9 ,si5a1 & receives ! commission = ! c>toon ( ! ,judgm5t ( ,solomon1 = ! m>ble pavem5t ( ! ,ca!dral4 #aejf4 7,oct4 #bg7 ,is surety = "o ( ! ,priori4 #aejg4 7,feb4 #bj7 ,elect$ to ! ,consiglio ,g5]ale4 #aejg4 ,elect$ to ! ,priori = ! mon?s ( ,july & ,augu/4 #aejg4 7,dec4 #ag7 ,elect$ to ! ,c\ncil ( ! ,casa di ,mis]icordia4 #aejg4 ,pa9t$ ! alt>-piece 9 ! *ur* ( ,s4 ,m$>do1 ,arcevia4 #aejh4 7,feb4 #bc7 ,elect$ to ! ,consiglio dei ,,xviii4 #aejh4 ,elect$ to ! ,priori = ! mon?s ( ,july & ,augu/4 #aejh4 7,july #e7 ,is s5t on an embassy to ,flor5ce to dem& p]mission to re=m ! (fices & ord9ances ( ! ,commune4 #aejh4 7,aug4 #be7 ,elect$ to ! ,consiglio ,g5]ale4 #aejh4 ,is 9 ,rome1 pa9t+ = ,julius ,,ii41 toge!r ) ,p]ug9o1 ,p9torric*io1 & ,sodoma4 #aeji4 7,feb4 #ba7 ,elect$ "o ( ! ,inspectors ( ,santa ,m>gh]ita4 #aeji4 7,m>* #a7 ,becomes surety = a prie/4 #aeji4 7,m>* #aa7 ,b9ds himself to pa9t1 = #gj gold flor9s1 a picture = ! high alt> ( ! ,conv5t ,*ur* ( ,santuccie1 ,cortona4 #aeji4 7,aug4 #be7 ,elect$ to ! ,consiglio dei ,,xviii4 #aeji4 ,elect$ to ! ,priori = ! mon?s ( ,janu>y & ,febru>y4 #aeaj4 7,aug4 #ah7 ,appo9t$ "o ( ! ,inspectors ( ,relics ( ! ,ca!dral4 #aeaj4 ,paym5t = ! ,cappella ,nuova1 ,orvieto4 #aeaa4 7,aug4 #bh7 ,elect$ to ! ,consiglio ,g5]ale4 #aeaa4 ,elect$ to ! ,priori = ! mon?s ( ,novemb] & ,decemb]4 #aeab4 ,pa9t$ ,! ,in/itution ( ! ,eu*>i/1 9 ! ,ca!dral1 ,cortona4 #aeab4 7,sept4 #bg7 ,is s5t z ambassador to ,flor5ce1 toge!r ) ,mess] ,silvio ,pass]9i1 ,mess] ,gilio & ,jacopo ,vagnucci1 to congratulate ! ,m$ici on _! return to ,flor5ce4 ,dep>t$ ,sept4 #bh & return$ ,oct4 #ab4 #aeac4 ,is 9 ,rome1 & appe>s to h borr[$ money f ,mi*elangelo4 #aead4 7,july #ah7 ,elect$ to ! ,ri=matori e ,imborsatori degli ,uffici4 #aead4 7,aug4 #be7 ,elect$ to ! ,s9daco del ,capitano4 #aead4 7,m>* #ah7 ,makes a w1 annull+ ! donation made to 8 daught] ,gabriella1 to 8 son-9-law ,m>iotto ,pass]9i1 & to 8 gr&aught] ,b]n>d9a1 & pron\nc+ z 8 sole heir 8 son ,pi] ,tommaso1 & 8 gr&son ,giulio1 son ( ! above4 #aeae4 7,feb4 #ah7 ,elect$ to ! ,cons]vatori degli ,ord9am5te4 #aeae4 ,pa9t$ ! ,madonna1 n[ 9 ! ,manc9i collection1 ,citta di ,ca/ello4 #aeae4 7,aug4 #be7 ,elect$ to ! ,consiglio ,g5]ale4 #aeae4 7,sept4 #bc7 ,is commission$ by ! ,priori ( ,cortona to pa9t1 = #af gold flor9s1 ! arms ( ,silvio ,pass]9i1 ,*ancellor ( ,leo ,x41 on ! walls ( ! atrium ( ! ,palazzo ,pubblico4 #aeae-af4 ,pa9t$ ! ,deposition1 9 ! *ur* at ,la ,fratta 7n[ ,umb]tide74 #aeaf4 7,feb4 #ba7 ,elect$ to ! ,collegi4 #aeaf4 7,feb4 #bf7 ,luca1 f ! ro/rum1 speaks publicly 9 ! ,c\ncil on a matt] 9 delib]ation4 #aeaf4 7,may #ba7 ,elect$ to ! ,consiglio ,g5]ale2 b is abs5t4 #aeaf4 ,elect$ to ! ,priori = ! mon?s ( ,novemb] & ,decemb]4 #aeag4 7,feb4 #bb7 ,among ! ,/imatori del danno4 #aeag4 7,april #bc7 ,among ! ,inspectors ( ! ,prop]ty ( ,santa ,m>gh]ita4 #aeag4 7,july #bd7 ,is elect$ z ambassador to ,rome to pres5t to ,c>d9al ,pass]9i a gift f ! ,commune4 #aeag4 7,aug4 #bf7 ,elect$ to ! ,consiglio ,g5]ale4 #aeag4 7,nov4 #i7 ,is excus$ f ! above-m5tion$ embassy to ,rome4 #aeah4 ,elect$ to ! ,collegi4 #aeah4 ,pa9t$ ! alt>-piece = ! ,confrat]nity ( ,san ,girolamo ( ,arezzo4 #aebj4 7,feb4 #bc7 ,elect$ to ! ,consiglio dei ,,xviii4 #aebj4 ,elect$ to ! ,priori = ! mon?s ( ,may & ,june4 #aebj4 7,june #g7 ,gave ! design ( a wood5 c&elabra ) copp] sconces = ! alt> ( ! ,great ,hall ( ,c\ncil1 ,cortona4 #aebj4 7,aug4 #be7 ,elect$ to ! ,consiglio dei ,,xviii4 #aeba4 7,april #bc7 ,elect$ ,prior ( ! ,confrat]nity ( ,sant' ,antonio4 #aeba4 7,april #bg7 ,commission$ to pa9t a picture = ! ,hospital ( ! ,mis]icordia1 ,cortona4 #aeba4 7,may #bb7 ,! ,priori writes to ,c>d9al ,pass]9i1 legate to ,p]ugia1 t he %\ld n s5d ,mae/ro ,pietro ,p]ug9o or o!r pa9t]s to :om ,luca may h spok51 to value ! picture pa9t$ by ,luca 9 ! ,*ur* ( ,santa ,m>ia del ,pieve4 #aeba4 7,july #g7 ,commission = ! picture = ! ,conv5t ( ,s4 ,tr9ita 9 ,cortona4 #aeba4 7,aug4 #ae7 ,elect$ to take "p 9 ! ,commission to exam9e ! new bridge ov] ! ,*iana4 #aeba4 7,sept4 #f7 ,elect$ to ! ,paci]i4 #aebb4 7,feb4 #ah7 ,elect$ to ! ,collegi4 #aebb4 7,april #bc7 ,prior ( ! ,confrat]nity ( ,san ,m>co4 #aebb4 7,aug4 #be7 ,elect$ "o ( ! ,cons]vatori degli ,ord9am5te del ,comune1 & ! ,provv$itori de' luoghi pii4 #aebb4 ,elect$ to ! ,priori = ! mon?s ( ,janu>y & ,febru>y4 #aebc4 ,pa9t$ ! alt>-piece ( ! ,collegiata1 ,foiano4 #aebc4 7,feb4 #ba7 ,elect$ to ! ,s9daci del ,capitano4 #aebc4 7,april #bd7 ,elect$ "o ( ! ,inspectors ( ! ,*apel ( ,santa ,m>gh]ita4 #aebc4 7,june #ad7 ,receiv$ paym5t = ! picture ( ,foiano4 #aebc4 7,june #bc7 ,! ,priori commission him to pa9t1 = ! *apel ( ! great hall ( ! ,palazzo ,pubblico1 a picture ) ,*ri/ disput+ 9 ! ,temple1 = ! price ( #ce gold flor9s4 #aebc4 7,july #af7 ,elect$ "o ( ! ,ri=matori degli ,uffici4 #aebc4 7,oct4 #ac7 ,8 la/ w4 ,desires to be buri$ 9 ! *ur* ( ,s4 ,francesco1 9 ! tomb ( 8 family4 #aebc4 7,oct4 #ae7 ,adds a codicil to 8 w ) a few alt]ations ( beque/s4 #aebc4 ,di$ betwe5 ! la/ days ( ,novemb] & ! #a/ ,decemb]4 ,! #h? ,decemb] ano!r citiz5 is nom9at$ to ! ,inspector%ip ( ! ,*apel ( ,santa ,m>gh]ita1 z sub/itute = ,mae/ro ,luca1 be+ dead4 ,,catalogue ,,( ,,! ,,works ,,( ,,luca ,,signorelli ,,arrang$ ,,accord+ ,,to ,,! ,,gall]ies ,,9 ,,:i* ,,!y ,,are ,,conta9$4 ,,catalogue ,,( ,,works4 ,,briti% ,,isles4 ,,dubl91 ,,gall]y4 ,,fea/ ,,9 ,,! ,,h\se ,,( ,,simon4#id ,?is mu/ be ! panel m5tion$ by ,cavalcaselle z 9 ! possession ( ,capt4 ,/irl+1 ,gl5tyan1 ,scotl& 7874 ,,liv]pool1 ,,royal ,,in/itution4 ,,madonna4 ,oil4 #a ft4 #i 94 x #a ft4 #d 94 ,no4 #bf4 ,,london1 ,,national ,,gall]y4 ,,! ,,circumcision4 ,oil4 #h ft4 #f 94 x #e ft4 #aa 94 ,no4 #aabh4 ,orig9ally 9 ! *ur* ( ,s4 ,francesco1 ,volt]ra4 ,lat] 9 ! ,duke ( ,hamilton's ,collection1 ne> ,glasg[4 ,pur*as$ 9 #ahhb4 ,inscrib$3 ,,lvcas ,,corton5sis ,,p9xit4 ,,london1 ,,mr ,,b5son',s ,,collection4 ,,madonna4 ,,two ,,p>ts ,,( ,,pr$ella3 #a4 ,dispute on ! way to ,emmaus4 #b4 ,*ri/ at ,emmaus4 ,,london1 ,,"l ,,craw=d',s ,,collection4 ,,two ,,p>ts ,,( ,,pr$ella3 #a4 ,meet+ ( ,joa*im & ,anna4 #b4 ,bir? ( ! ,virg94 ,,london1 ,,mr ,,ludwig ,,mond',s ,,collection4 ,,pr$ella3 #a4 ,ahasu]us & ,e/h]4 #b & #c4 ,sc5es 9 ! ,life ( ,s4 ,augu/9e4 ,,london1 ,,mr ,,muir ,,mack5zie',s ,,collection4 ,,madonna4 ,tondo4 ,,on ,,sale ,,9 ,,london4 ,,annunciation4 ,"p ( ,pr$ella =m]ly 9 ! ,manc9i ,collection1 ,citta di ,ca/ello4 ,= sale s9ce #ahih4 ,,ri*mond1 ,,collection ,,( ,,sir ,,francis ,,cook4 ,,two ,,fragm5ts ,,( ,a ,,baptism4 ,,pr(ile ,,portrait ,,( ,,man4 ,,scotl& 7,,collection ,,( ,,sir ,,john ,,/irl+ ,,maxwell1 ,,pollock ,,h\se74 ,,pieta4 ,,france4 ,,p>is1 ,,l\vre4 ,,"p ,,( ,,pr$ella4 #aebe4 ,oil4 #a ft4 #a 94 x #b ft4 #d 94 ,f ! ,collection ( ,l\is ,,xviii4 ,,adoration ,,( ,,! ,,magi4 ,oil4 #aj ft4 #aj 94 x #h ft4 #a 94 ,draw+ only4 ,f ! ,collection ( ,napoleon ,,iii4 ,,sev5 ,,half-,,figures ,,9 ,,v>i\s ,,co/umes 7874 #aebg4 ,fragm5t4 ,b\ght f ,campana ,collection1 ,rome1 by ,napoleon ,,iii4 ,,g]many4 ,,alt5burg1 ,,saxony1 ,,museum4 ,,n9e ,,fragm5ts ,,( ,,polypty*4 ,oil4 ,f ! ,collection ( ! late ,h]r von ,l9d5au4 ,f\r small panels ) a ,sa9t 9 ea*1 & five p>ts ( a ,pr$ella3 #a4 ,*ri/ on ! ,m\nt ( ,olives4 #b4 ,flagellation4 #c4 ,crucifixion4 #d4 ,deposition4 #e4 ,resurrection4 ,,b]l91 ,,gall]y4 ,,two ,,w+s ,,( ,,alt>-,,piece4 #adih4 ,oil4 #d ft4 #h 94 x #b ft4 #e-a_/b 94 ,no4 #gi4 ,pa9t$ = ! *ur* ( ,s4 ,ago/9o1 ,si5a1 :i* 0 burnt d[n 9 #afee4 ,b\ght f ! ,solly ,collection4 ,,pan ,,z ,,god ,,( ,,natural ,,life ,,& ,,ma/] ,,( ,,music4 ,oil on canvas4 #f ft4 #e 94 x #h ft4 #f-a_/b 94 ,no4 #gi;,a4 ,probably pa9t$ = ,lor5zo dei ,m$ici4 ,discov]$ 9 #ahfe 9 ! ,palazzo ,corsi1 ,flor5ce4 ,b\ght by ! ,b]l9 ,gall]y #ahgc4 ,inscrib$3 ,,lvca ,,corton54 ,,holy ,,family4 ,oil4 #aj 94 x #aj 94 ,tondo4 ,no4 #gi;,b4 ,f ! ,patrizi ,collection1 ,rome4 ,b\ght #ahge4 ,inscrib$3 ,,lv*as ,,signorellvs ,,de ,,cortona4 ,,portrait ,,( ,,man4 ,oil4 #a ft4 #g 94 x #a ft4 ,f ! ,torrigiani ,collection1 ,flor5ce4 ,,me9+51 ,,ducal ,,palace4 ,,"p ,,( ,,pr$ella4 ,,muni*1 ,,gall]y4 ,,madonna ,,& ,,*ild4 ,oil4 ,tondo4 ,f ! ,palazzo ,g9ori1 ,flor5ce4 ,,italy4 ,,arcevia1 ,s4 ,,m$>do 7betwe5 ,fabriano & ,s9igalia74 ,,polypty*4 ,,madonna ,,& ,,sa9ts4 #aejg4 ,oil4 #h ft4 #h 94 x #h ft4 #h 94 ,9 ! orig9al ,go?ic frame4 ,inscrib$3 ,,lvcas ,,signorellvs ,,p+ebat4 ,m4,d4,,vii4 ,,pr$ella3 #a4 ,! ,annunciation4 #b4 ,! ,nativity4 #c4 ,! ,adoration ( ! ,magi4 #d4 ,! ,flight into ,egypt4 #e4 ,! ,murd] ( ! ,innoc5ts4 ,,arcevia1 ,s4 ,,m$>do1 ,,cappella ,,del ,,sacram5to4 ,,baptism4 #aejh4 ,oil4 #d ft4 #d 94 x #d ft4 #d 94 ,9 ! orig9al ,go?ic frame4 ,p>tly by assi/ants4 ,,pr$ella3 #a4 ,! ,bir? ( ! ,bapti/4 #b4 ,! ,prea*+ 9 ! ,des]t4 #c4 ,! ,d5\nc+ ( ,h]od & ,h]odias4 #d4 ,! ,fea/ ( ,h]od4 #e4 ,! ,decapitation 9 ,prison4 ,,arezzo1 ,,gall]y4 ,,madonna1 ,,sa9ts1 ,,& ,,prophets4 #aeai4 ,oil4 #aa ft4 #g-a_/b 94 x #g ft4 #i 94 ,no4 #ca4 ,pa9t$ = ! ,campagnia ( ,san ,girolamo4 ,= _m ye>s 9 ,s4 ,croce2 on ! suppression ( t conv5t 9 #ahdi remov$ to ,s4 ,spirito2 f !nce to ! ,gall]y4 ,,arezzo1 ,,duomo1 ,,sacri/y4 ,,?ree ,,p>ts ,,( ,,pr$ella4 ,oil4 #a4 ,bir? ( ! ,virg94 #b4 ,pres5tation4 #c4 ,m>riage ( ! ,virg94 ,,b]gamo1 ,,morelli ,,collection4 ,s4 ,,rock4 ,oil4 ,no4 #ai4 ,,madonna4 ,oil4 ,no4 #bj4 ,s4 ,,seba/ian4 ,no4 #bd4 ,,borgo ,,san ,,sepolcro1 ,,municipio4 ,,*ur* ,,/&>d4 ,oil on canvas4 #f ft4 #d 94 x #d ft4 #f 94 ,on "o side a ,crucifixion2 on ! o!r1 ,,ss4 ,antonio & ,eligio4 ,f ! ,confrat]nity ( ,s4 ,antonio ,abbate4 ,,ca/iglione ,,fior5t9o ,,collegiata1 ,,cappella ,,del ,,sacram5to4 ,,deposition4 ,fresco4 #h ft4 #aj 94 x #h ft4 #aj 94 ,,citta ,,di ,,ca/ello1 ,,gall]y4 ,,m>tyrdom ,,( ,s4 ,,seba/ian4 #adif4 ,oil1 #i ft4 #d 94 x #e ft4 #i-a_/b 94 ,no4 #ai4 ,f ! *ur* ( ,s4 ,dom5ico4 ,,citta ,,di ,,ca/ello1 ,,palazzo ,,manc9i4 ,,madonna ,,& ,,sa9ts4 #aeae4 ,oil4 ,pa9t$ = ! *ur* ( ,s4 ,francesco 9 ,montone1 ne> ,umb]tide4 ,discov]$ 9 a cell> 9 ,montone4 ,inscrib$3 ,,egregivm ,,qvod ,,c]nis ,,opvs ,,magi/] ,,aloysius ,,ex ,,gallia1 ,,et ,,tomas9a ,,ejvs ,,vxor ,,ex ,,devotione ,,svis ,,svmptibvs ,,poni ,,cvrav]vnt4 ,,lvca ,,signorello ,,de ,,cortona ,,pictore ,,insigni ,,=mas ,,indvc5te4 ,,anno ,d4 ,,mdxv4 ,,cortona1 ,,duomo4 ,,deposition4 #aejb4 ,oil4 #h ft4 #aj 94 x #h ft #aj 94 ,f ! *ur* ( ,santa ,m>gh]ita4 ,inscrib$ 7"u frame73 ,,lvcas ,,aegidi ,,signorelli4 ,,corton5sis4 ,,mdii4 ,,pr$ella ,,to ,,! ,,above3 #a4 ,*ri/ 9 ,ge?semane4 #b4 ,! ,la/ ,supp]4 #c4 ,! ,betrayal4 #d4 ,! ,flagellation4 ,,! ,,in/itution ,,( ,,! ,,eu*>i/4 #aeab4 ,oil4 #h ft4 #b 94 x #h ft4 #b 94 ,f ! high alt> ( ! ,gesu4 ,inscrib$3 ,,lvcas ,,signorellivs ,,cor?oni5sis ,,p+ebat4 ,,mdxii4 ,,conception ,,( ,,! ,,virg94 ,oil4 ,! upp] "p ! "w ( assi/ants4 ,,cortona1 ,s4 ,,dom5ico 7#crd alt>1 ,r474 ,,madonna ,,& ,,sa9ts4 #aeae4 ,oil4 ,pa9t$ = ! ,bi%op ( ,cortona4 ,inscrib$3 ,,io ,,s]n9ivs ,e,p,s ,,cortone,n,s ,,iconam ,,et ,,ornatum ,p4 ,p4 ,,faci]i ,a4,d4 ,,ci,c,i,c,,xv4 ,,ha]$es ,,v]o ,d4 ,,a/rvbalis ,,ejvs ,,ex ,f,v,e ,,ab ,,nepotis ,p4 ,s4 ,,in/avran4 ,,cvrav]vnt4 ,a4,d4 ,,ci,c4 ,i,c4 ,,cxix4 ,,cortona1 ,,gesu4 ,,madonna ,,& ,,sa9ts4 ,,cortona1 ,s4 ,,niccolo4 ,,dead ,,*ri/ ,,upheld ,,by ,,angels4 ,oil4 #e ft4 -#a_/b 94 x #e ft4 #h-a_/b 94 ,on ! ,rev]se-- ,,madonna ,,en?ron$ ,,betwe5 ,,ss4 ,,pet] ,,& ,,paul4 ,,cortona1 ,s4 ,,niccolo 7on ! wall1 l4 ( entrance74 ,,madonna ,,& ,,sa9ts4 ,fresco4 #i ft4 #d 94 x #i ft4 #h 94 ,discov]$ 9 #ahdg by ,don ,agramante ,lor9i4 ,,flor5ce1 ,,academy4 ,,crucifixion4 ,oil1 on canvas4 ,no4 #f4 7,"p ( ! design only47 ,,madonna ,,& ,,sa9ts4 ,oil4 ,no4 #ed4 ,f ! *ur* ( ,s4 ,tr9ita1 ,cortona4 ,,pr$ella4 ,no4 #ed4 #a4 ,! ,la/ ,supp]4 #b4 ,*ri/ 9 ,ge?semane4 #c4 ,! ,flagellation4 ,,flor5ce1 ,,cors9i ,,gall]y4 ,,madonna ,,& ,,sa9ts4 ,tondo4 ,,flor5ce1 ,,pitti4 ,,holy ,,family4 ,oil4 #b ft4 #aa 94 x #b ft #aa 94 ,tondo4 ,no4 #cee4 ,,flor5ce1 ,,uffizi4 ,,madonna ,,& ,,*ild 7#a/ ,corridor74 ,no4 #gd4 ,probably pa9t$ = ,lor5zo dei ,m$ici4 ,lat] 9 ! ,villa ( ,duke ,cosimo at ,ca/ello4 ,remov$ to ! ,gall]y #aggi4 ,,holy ,,family4 ,tondo4 ,no4 #abia4 ,orig9ally 9 ! ,audi5za dei ,capitani1 lat] 9 ! ,/anza del ,provv$itore4 ,,pr$ella4 ,no4 #abih4 #a4 ,! ,annunciation4 #b4 ,! ,nativity4 #c4 ,! ,adoration ( ! ,magi4 ,f ! *ur* ( ,santa ,lucia1 ,montepulciano4 ,,foiano 7ne> ,s9alunga71 ,,collegiata4 ,,coronation ,,( ,,! ,,virg94 #aebc4 ,oil4 #f ft4 #aa 94 x #e ft4 #g 94 ,,pr$ella4 7,two sc5es only by ,signorelli47 ,,loreto1 ,,*ur* ,,( ,,! ,,santa ,,casa4 ,,frescoes4 ,probably f9i%$ be=e #adhd4 7,left ,sacri/y7 ,della ,cura4 7,9 ! cupola7 ,angels1 ,evangeli/s1 & ,fa!rs ( ! ,*ur*4 7,walls7 ,apo/les1 ,incr$ulity ( ,s4 ,?omas4 7,ov] door7 ,conv]sion ( ,saul4 7,nave7 ,m$allions 9 grisaille ( ,prophets & ,fa!rs ( ! ,*ur*4 ,,milan1 ,,br]a4 ,,madonna ,,& ,,sa9ts4 #aejh4 ,oil4 #h ft4 #b 94 x #f ft4 #b-a_/b 94 ,no4 #aig;bis4 ,f ! *ur* ( ,s4 ,francesco1 ,arcevia4 ,fir/ br\ght to ! ,gall]y #ahaa4 ,9 #ahae remov$ to ! *ur* at ,fig9o1 ne> ,milan4 ,replac$ 9 ! ,gall]y #ahib4 ,inscrib$3 ,,lvcas ,,signorelli ,p4 ,,cortona 7on ! back ( ! ?rone71 ,,iacobi ,,simonis ,,philipp9is ,,a]e ,,deo ,,et ,,divae ,,m>iae ,,dicatvm ,,fr3 ,,b]n>d9o ,,vignato ,,gv>diano ,,procvrante4 ,,mdviii4 ,,! ,,flagellation4 ,no4 #bfb4 ,probably "o panel orig9ally4 ,,madonna ,,& ,,*ild4 ,no4 #bha4 #b ft4 #h-a_/b 94 x #b ft4 ,f ! *ur* ( ,santa ,m>ia del ,m]cato1 ,fabriano4 ,! ,flagellation inscrib$3 ,,opvs ,,lvce ,,corton5sis4 ,,monte ,,oliveto 7ne> ,asciano71 ,,cloi/]s4 ,,frescoes4 #adig4 ,eight sc5es f ! life ( ,s4 ,b5$ict4 ,,morra 7ne> ,citta di ,ca/ello71 ,s4 ,,cresc5ziano4 ,,crucifixion4 ,fresco4 ,,flagellation4 ,fresco4 ,,orvieto1 ,,ca!dral1 ,,*apel ,,( ,,! ,,madonna ,,di ,s4 ,,brizio1 ,,=m]ly ,,cappella ,,nuova4 ,,frescoes4 #adii-aejd4 7,six comp>tm5ts 9 ,vault+73 #a4 ,apo/les2 #b4 ,signs ( ! ,passion2 #c4 ,m>tyrs 7design ( ,fra ,angelico72 #d4 ,virg9s2 #e4 ,patri>*s2 #f4 ,fa!rs ( ! ,*ur*4 7,f\r l>ge frescoes73 #a4 ,anti*ri/2 #b4 ,cr[n+ ( ! ,elect2 #c4 ,damnation2 #d4 ,resurrection4 7,w9d[ ,wall73 ,r4 ,hell2 ,l4 ,heav54 7,r\nd ! ,portal73 ,signs ( ,de/ruction4 7,l[] ,walls73 ,pieta2 ,portraits ( ,poets2 ,m$allions 9 grisaille4 ,,orvieto1 ,,op]a ,,del ,,duomo4 ,s4 ,,m>ia ,,maddal5a4 #aejd4 ,oil4 #e ft4 #aa 94 x #c ft4 #aa 94 ,orig9ally pa9t$ = ! ,ca!dral4 ,inscrib$ on ! upp] "p ( ! frame3 ,,cecc>ellevs4 ,,de4 ,,apvidvtis--,,et ,,rvf9vs ,,antonii4-- ,on ! l[]3 ,,cons]vat4 ,,pa4 ,,pacis4 ,,cons]vatrici4 ,,ex4 ,,se ,,consvlto4 ,m4,d4,,iiii4 ,,portraits ,,( ,,signorelli ,,& ,,niccolo ,,frances*i4 ,no4 #aejd4 ,temp]a on brick4 #a ft4 x #a ft4 #c-a_/b 94 ,inscrib$ on ! drap]ies3 ,,lvca & ,,nicolavs4 ,on ! back1 probably by ,signorelli at ! reque/ ( ,niccolo ,frances*i1 ! ,treasur] ( ! ,works3 ,,lvcas ,,signorellvs4 ,,natione ,,ytalys4 ,,patria ,,corton,e,,sis4 ,,arte ,,pictvre ,,eximivs4 ,,m]ito ,,apelli ,,conp>,a,,dvs4 ,,svb ,,regim9e ,,et ,,/ip5dio ,,nicolai ,,fr,a,,*4 ,,eivsd,e ,,nationis ,,patrie ,,vrbevetane4 ,,cam]>ii ,,fabrice4 ,,hvivs ,,basylice ,,sacell,v ,,hoc ,,virg9i ,,dicat,v ,,ivdicii ,,f9alis ,,ord9e ,,figvrad,v ,,pspicve ,,p9sit ,,cvpidvsq ,i,,mortalitatis ,,vtrivsq ,,effigi,e ,,atfrgo ,,litt]>,v ,,h>,v ,,natvralit] ,,mira ,,eff,i,,sit ,,arte4 ,,alex&ro 4 ,,vi 4 ,,pon 4 ,,max 4 ,,s$5te 4 ,,et ,,maximiano4 ,,iiii 4 ,,inp]iante ,a,n,o ,,salvtis ,,mccccc4 ,,te,r,,io ,,kal5das ,,janv>ias4 ,,p]ugia1 ,,duomo1 ,,w9t] ,,*apel4 ,,madonna ,,& ,,sa9ts4 #adhd4 ,oil4 #f ft4 #h 94 x #f ft4 #a-a_/b 94 ,inscrib$ 7hidd5 by ! frame73 ,,jacobvs ,,vannvtivs ,,nobilis ,,corton5sis ,,olim ,,episcopvs ,,p]vs9vs ,,hoc ,,deo ,,max4 ,,et ,,divo ,,honophrio ,,sacellvm ,,d$icavit3 ,,cvi ,,9 ,,ar*iepiscopvm ,,nica5vm ,,assvmpto ,,nepos ,,dionisivs ,,svccessit1 ,,et ,,qvanta ,,vides ,,imp5sa ,,ornavit ,,aeqva ,,pietas4 ,m4 ,,cccc4 ,,lxxxiv4 ,,rome1 ,,rospigliosi ,,collection4 ,,holy ,,family4 ,oil4 #b ft4 #h 94 x #b ft4 ,sala ,,ii41 ,no4 #c4 ,,umb]tide1 ,,santa ,,croce4 ,,deposition4 ,oil4 #f ft4 #f 94 x #d ft4 #aj 94 ,,pr$ella3 #a4 ,m>* ( ,con/ant9e4 #b4 ,discov]y ( ! ,cross4 #c4 ,entry ( ,h]aclius into ,j]usalem4 ,,urb9o1 ,,santa ,,spirito4 ,,*ur* ,,/&>d4 7,n[ divid$47 ,oil on canvas4 #e ft4 x #c ft4 7,on "o side1 ,,crucifixion2 on ! o!r1 ,,desc5t ,,( ,,! ,,holy ,,gho/ ,,at ,,p5teco/47 ,,volt]ra1 ,,duomo1 ,,sacri/y4 ,,annunciation4 #adia4 ,oil4 ,inscrib$3 ,,lvcas ,,corton5 ,,p9xit ,,mxdi4 ,a lat] inscription records its re/oration 9 #agca4 ,,volt]ra1 ,,municipio4 ,,madonna ,,& ,,sa9ts4 #adia4 ,oil4 ,f ! *ur* ( ,s4 ,francesco4 ,inscrib$3 ,,m>ia4 ,,v]g9i4 ,,petrvs4 ,,belladomna4 ,,hvjvs4 ,,religionis ,,pr(essor ,,pos4 ,,lvcas ,,cortone,n ,,p9xit4 ,m ,,cccc ,,lxxxxi4 ,,volt]ra 7fir/ l&+ ( /airs71 ,,municipio4 ,s4 ,,girolamo4 ,fresco4 ,,unit$ ,,/ates ,,( ,,am]ica4 ,,new ,,hav54 ,,collection ,,( ,,mr ,,j>vis4 ,,"p ,,( ,,pr$ella4 ,,adoration ,,( ,,! ,,magi4 ,oil4 ,,footnotes3 #id ,! pa9t+s1 except :5 o!rwise indicat$1 are on wood4 ,,index ,adoration ( ! ,magi1 ,! 7,l\vre71 #cg2 7,arcevia71 #ic2 7,new ,hav571 #ie ,agony 9 ! ,g>d51 ,!1 #hh ,ahasu]us & ,e/h]1 #ajc ,annunciation1 ,! 7,volt]ra71 #g1 #di1 #ej2 7,uffizi71 #ej2 7=m]ly ,manc9i collection71 #ea2 7,arcevia71 #ic1 #id ,arcevia1 ,alt>-piece at1 #aa1 #ib ,baptism1 ,! 7,arcevia71 #ic ,b]5s51 ,b41 #f1 #aab ,b]nabei1 ,tommaso1 #aae ,betrayal1 ,! 7,flor5ce71 #bc1 #hh2 7,cortona71 #bc1 #hh ,bic*i ,family1 ,alt>-piece =1 #h1 #ei ,bir? ( ! ,bapti/1 ,! 7,arcevia71 #ie ,bir? ( ! ,virg91 ,! 7,arezzo71 #if ,bode1 ,dr1 #dc ,botticelli1 #f2 8 ,calumny1 #ai2 passion = swift movem5t1 #bc ,bramante1 #aa ,caporali1 ,giambatti/a1 #aa ,ca/agno1 ,&rea di1 #ai2 influ5ce ( on ,signorelli1 #ba ,*ri/ 9 ,ge?semane1 #hh ,circumcision1 ,!1 #ch1 #ci1 #dg ,citta di ,ca/ello1 ,frescoes at1 #d1 #e1 #ec2 citiz5%ip ( pres5t$ to ,signorelli1 #g ,conception ( ! ,virg91 ,!1 #ajc ,conv]sion ( ,saul1 ,!1 #bd1 #cj1 #cf ,coronation ( ! ,virg91 ,!1 #aje ,cortona1 ,signorelli born at1 #b2 municipal appo9tm5ts at1 #e1 #f1 #h1 #aj2 ! ,deposition 9 ! ,ca!dral (1 #aj1 #hg ,cr[e & ,cavalcaselle1 #f1 #ba1 #cg1 #ci1 #hc1 #aac1 #aah ,cr[n+ ( ! ,elect1 ,!1 #bd1 #bi1 #db1 #gc ,crucifixion1 ,! 7,urb9o71 #eb2 7,borgo ,san ,sepolcro71 #fa1 #hh2 7,morra71 #fa1 #ajd ,damnation1 ,!1 #h1 #bb1 #gf ,dante1 ,portraits (1 by ,signorelli1 at ,orvieto1 #ga1 #gd2 sc5es f ! ,div9a ,comm$ia1 #gd1 #ge ,dead ,*ri/ support$ by ,angels1 #bf1 #ia ,dea? ( ,lucretia1 ,/udy = a1 #aji ,dea? ( ,moses1 ,!1 #f1 #aab ,decapitation 9 ,prison1 ,!1 #ie ,d5\nc+ ( ,h]od & ,h]odias1 #ie ,deposition1 ,! 7,cortona71 #aj1 #hg2 7,umb]tide71 #ad1 #bb1 #ajj ,desc5t ( ! ,holy ,gho/1 ,!1 #eb1 #ec ,discov]y ( ! ,cross1 ,!1 #aja ,dispute by ! ,way1 ,!1 #ea ,donatello1 8 influ5ce on ,signorelli1 #c1 #ai2 ma/]y ( comb9$ movem5t1 #bc ,entry ( ,h]aclius into ,j]usalem1 ,!1 #aja ,fea/ ( ,h]od1 ,!1 #ie ,fea/ 9 ! ,h\se ( ,simon1 ,!1 #eb ,flagellation1 ,! 7,br]a71 #a1 #c1 #bb1 #bd1 #be1 #bf1 #bg1 #cb2 7,cortona71 #hh2 7,flor5ce71 #hh2 7,morra71 #bg1 #ajd ,flight into ,egypt1 ,!1 #ic ,foiano1 ,alt>-piece at1 #af1 #aje ,foligno1 ,niccolo da1 #ie ,=li1 ,melozzo da1 #c ,fra ,angelico1 frescoes at ,orvieto1 #h1 #fd1 #fe1 #fi ,frances*i1 ,pi] dei1 ,signorelli ! pupil (1 #b1 #c1 #aa1 #ag1 #ej2 & ,signorelli comp>$1 #ag1 #ah2 8 ,dea? ( ,adam1 #cb2 8 ,resurrection1 #fa2 8 ,baptism1 #id ,francesco1 ,niccolo1 ,portrait (1 by ,signorelli1 #i1 #hc1 #he ,gatta1 ,b>tolommeo della1 #f1 #ce2 an imitator ( ,signorelli1 #aaa1 #aab1 #aac ,g5ga1 ,girolamo1 #i2 an imitator ( ,signorelli1 #aaa1 #aac ,gozzoli1 ,b5ozzo1 #h1 #ff1 #fi ,guidobaldo1 ( ,urb9o1 #i ,h]cules ov]com+ ,antaeus 7*alk draw+71 #aji ,holy ,family 7,rospigliosi ,collection71 #bg1 #cj1 #df2 7,pitti71 #ch1 #de2 7,uffizi71 #bf1 #dg ,hom]1 ,sc5es f1 at ,orvieto1 #gb ,in/itution ( ! ,eu*>i/1 ,!1 #ie ,j\rney ( ,moses & ,zipporah1 ,!1 fresco by ,p9torric*io1 #f ,la/ ,judgm5t1 ,!1 #h1 #bb1 #gf ,la/ ,supp]1 ,! 7,cortona71 #hh2 7,flor5ce71 #hh ,lazz>o de' ,taldi1 ,signorelli's uncle1 #b ,lor5zo1 ,fior5zo di1 ,rem9isc5ces (1 9 ,signorelli's "w1 #ba ,loreto1 ,frescoes at1 #e1 #bd1 #bi1 #cd ,lucan1 ,sc5es f1 at ,orvieto1 #ha1 #hb ,luzi1 ,ludovico1 il ,duomo di ,orvieto1 #fi1 #gb1 #gd1 #gh1 #ha1 #hc ,madonna & ,sa9ts 7,br]a71 #a1 #bi1 #cb1 #ii2 7,volt]ra71 #g1 #bi1 #ce1 #di2 7,arezzo71 #ad2 7,uffizi71 #bh1 #cg1 #da1 #dc2 7,muni*71 #bh1 #da1 #dd2 7,flor5ce ,academy71 #bi1 #ce1 #hi2 7,cors9i ,gall]y71 #df2 7,citta di ,ca/ello71 #bd1 #ih2 7,s4 ,niccolo1 ,cortona71 #ia1 #ib2 7,s4 ,dom5ico1 ,cortona71 #ajj ,magdal51 ,!1 alt>-piece 7,orvieto71 #he1 #hh ,manc9i1 ,giacomo1 #e1 #ii ,manc9i1 ,girolamo1 #e ,m>* ( ,con/ant9e1 ,!1 #aja ,m>riage ( ! ,virg91 ,!1 #if ,m$ici1 ,giovanni dei 7,pope ,leo ,x471 #ab ,m$ici1 ,lor5zo dei1 #d2 fri5d%ip ) ,signorelli1 #ab1 #da1 #dc ,mi*elangelo1 ,/ory ( 8 deal+s ) ,signorelli1 #ac ,milanesi1 ,signor1 #hi1 #aab ,missaghi1 ,guiseppe1 #cg ,monte ,oliveto1 ,frescoes 9 ! ,b5$ict9e ,cloi/] at1 #g1 #bb1 #ed1 #fc ,morelli1 on ! frescoes 9 ! ,si/9e ,*apel1 #f2 on ,signorelli1 #cj1 #fa1 #fc2 on 8 draw+1 #ajg1 #aji2 on 8 influ5ce1 #aaa2 on ,girolamo ,g5ga1 #aad ,murd] ( ! ,innoc5ts1 ,!1 #ic ,nativity1 ,! 7,arcevia71 #ic2 7,cortona71 #if ,nude1 ,e>ly treatm5t ( !1 #cb ,orvieto1 ,frescoes 9 ! ,ca!dral (1 #h1 #i1 #bi1 #db1 #eh1 #fc et seq4 ,ovid1 ,sc5es f1 at ,orvieto1 #gh ,pan1 #bh1 #da1 #db ,p>5s1 ,pietro1 #hj1 #ha ,p]ugia1 ,alt>-piece 9 ! ,ca!dral (1 #g1 #bh1 #ch ,p]ug9o1 #f1 #h1 #aa1 #bj1 #ff2 8 influ5ce on ,signorelli1 #bj1 #cg1 #gb ,pieta 7,orvieto71 #hj ,p9torric*io1 #f1 #aa2 frescoes 9 ! ,si/9e ,*apel by1 #f2 ass]t$ influ5ce (1 on ,signorelli1 #ba ,pollaiuolo1 ,antonio1 8 influ5ce on ,signorelli1 #c1 #d1 #ah1 #bb1 #cg1 #db1 #ej1 #fb1 #id1 #aji2 8 ,s4 ,seba/ian1 #ah2 8 ,battle ( ! ,nudes1 #ah1 #bb1 #cb2 ,h]cules1 #ah1 #cb ,portrait ( a ,man 7,b]l971 #de ,prea*+ & ,fall ( ,anti*ri/1 ,!1 #gj ,prea*+ 9 ! ,des]t1 ,!1 #ie ,pres5tation1 ,!1 #if ,qu]cia1 ,jacopo della1 #fj ,raffaelle1 #aa1 #ab1 #aad ,ra9 ( ,fire1 ,!1 #hb ,resurrection1 ,!1 #gi ,rome1 ,frescoes 9 ! ,si/9e ,*apel1 #f2 decoration ( ! ,vatican *amb]s1 #aa ,rosselli1 ,cosimo1 #f ,rumohr1 on ,signorelli1 #ba ,s4 ,augu/9e1 ,sc5es f ! ,life (1 #ajc ,s4 ,b5$ict1 ,sc5es f ! ,life (1 #ed ,s4 ,j]ome1 #g1 #di ,s4 ,m>t91 ,sc5es f ! ,life (1 #ajf ,s4 ,seba/ian1 ,! ,m>tyrdom (1 #ec ,scalza1 ,ippolito1 #hj1 #hb ,signorelli1 ,antonio1 #aj1 #aae ,signorelli1 ,francesco1 #aae ,signorelli1 ,luca1 little kn[n ( 8 life1 #a2 ,vas>i on1 #a2 bir?1 #b2 /udi$ pa9t+ "u ,pi] dei ,frances*i1 #b2 influ5ce ( ,antonio ,pollaiuolo & ,donatello1 #c1 #d2 gap 9 8 biography1 #d2 e>ly frescoes1 #e2 municipal appo9tm5ts at ,cortona1 #e1 #f1 #h1 #aj1 #af2 8 social /atus1 #e2 suppos$ visit to ,rome1 #f2 frescoes 9 ! ,si/9e ,*apel ascrib$ to1 #f2 pa9t$ ! alt>-piece 9 ,p]ugia ,ca!dral1 #g2 receiv$ ! hon\r ( citiz5%ip f ,citta di ,ca/ello1 #g2 pictures at ,volt]ra1 #g2 frescoes 9 ! cloi/] at ,monte ,oliveto1 #g2 alt>-piece at ,si5a1 #h2 frescoes 9 ! ,ca!dral ( ,orvieto1 #h1 #i2 portraits ( himself1 #h1 #i1 #ga1 #he2 ! ,deposition at ,cortona1 #aj2 dea? ( 8 son ,antonio1 #aj2 & ( ,polidoro1 #aj2 pictures at ,arcevia1 #aa2 decoration ( ! ,vatican *amb]s1 #aa2 disappo9tm5ts at ,rome1 #ab2 alleg$ transaction ) ,mi*elangelo1 #ac2 visit to ,arezzo1 #ad1 #ae2 dea?1 #ae2 ,vas>i's "* (1 #af2 arti/s :o influ5c$1 #ag1 #bj2 orig9 ( ! swagg]+ po/ure s *>act]i/ic ( 8 pa9t+s1 #ai1 #bj2 use ( gold & gesso1 #ba1 #bi2 8 great a*ievem5t1 ! r5d]+ ( comb9$ action1 #bb2 8 defects1 #bd1 #be2 8 col\r1 #be2 8 l9e & modell+1 #bf2 an unequal illu/rator1 #bf1 #bg2 8 pa9t+ ( *ildr51 #bg2 realism1 #bh2 repetitions1 #bi2 *ief qualities ( 8 "w1 #bi2 e>lie/ works1 #cb2 frescoes at ,loreto1 #cd2 alt>-piece at ,p]ugia1 #ch2 qualities ( 8 ,tondos1 #dg2 works at ,volt]ra1 #di2 frescoes at ,monte ,oliveto1 #ed2 ! ,orvieto frescoes1 #fc1 #hf2 lat] works1 #hg2 alt>-piece at ,arcevia1 #ib2 la/ works1 #ih1 #ajf2 draw+s1 #ajg1 #aaj2 8 imitators & influ5ce1 #aaa1 #aai ,signorelli1 ,pi] ,tommaso1 #ae1 #aae ,signorelli1 ,polidoro1 #i1 #aae2 8 dea?1 #aj ,signs ( ! ,de/ruction ( ! ,_w1 #hb ,sodoma1 #h1 #aa1 #dj1 #ei ,/&>ds pa9t$ by ,signorelli1 #g1 #eb1 #fa ,supp] at ,emmaus1 ,!1 #ea ,uccello1 ,paolo1 #ah ,van d] ,goes1 ,hugo1 #ci ,vas>i1 on ,signorelli1 #a1 #c1 #aa1 #ac1 #ad1 #ae1 #af1 #ce1 #ch1 #dj1 #ed1 #ei1 #fj1 #fd1 #hg1 #ie1 #if1 #ajb1 #aac ,v]roc*io1 ,rem9isc5ces (1 9 ,signorelli's "w1 #ba1 #cf ,vis*]1 on ! frescoes 9 ! ,si/9e ,*apel1 #f2 on ,signorelli1 #ba1 #ce1 #cf1 #ci1 #ib2 li/ ( ,signorelli's draw+s1 #aaj ,visitation1 ,!1 #fj ,way to ,calv>y1 ,!1 #hh ,zaccagna1 ,turp9o1 #aaf ,w4 ,h4 ,,:ite ,,& ,,co4 ,,ltd41 ,,riv]side ,,press1 ,,ed9burgh ,,notice ,photographs ( mo/ ( ! works m5tion$ 9 ?is volume are to be obta9$ 9 v>i\s sizes f ,w4 ,a4 ,,mansell ,co4 ,art ,photograph ,publi%]s & ,deal]s1 #dje1 ,,ox=d ,,/reet1 ,,london1 ,w4 #af1 ,,pall ,,mall ,,ea/1 ,s4,w4 99 99 99 99 99 ,,p]man5t ,,c>bon ,,po9ts1 ,,p]man5t ,,pr9ts1 ,,photogravures1 ,,f ,,mo/ ,,( ,,! ,,pictures ,,9 ,,! ,gall]ies ,,at ,,london4 ,,national ,,gall]y4 ,,dulwi* ,,gall]y4 ,,tate ,,gall]y4 ,,ed9burgh4 ,,glasg[4 ,,brussels4 ,,milan4 ,,v5ice4 ,,muni*4 ,,b]l94 ,,dresd54 ,,vi5na4 ,,lie*t5/e94 ,,belv$]e4 ,,cz]n94 ,,am/]dam4 ,hague1 ,ha>lem4 ,,cassel4 ,,etc41 ,,etc4 ,royal ,collections ,,at ,,buck+ham ,,palace4 ,,w9dsor ,,ca/le4 ,private ,collections ,,( ,,! ,,duke ,,( ,,devon%ire4 ,,! ,,e>l ,,sp5c]4 ,,! ,,e>l ,,( ,,nor?brook4 ,,art ,,books--,,art ,,albums--,,arti/ic ,,fram+4 99 99 99 99 99 ,,franz ,,hanf/a5gl #af1 ,,pall ,,mall ,,ea/1 ,s4,w4 ,li/s & ,prospectuses ,free4 ,catalogues1 ,"o ,%ill+4 ,,f9e ,,art ,,engrav]s ,,& ,,pr9t]s4 99 99 99 99 99 ,,! ,,swan ,,electric ,,engrav+ ,,company1 #aaf1 ,,*>+ ,,cross ,,road1 ,,london1 ,w4,c4 99 99 99 99 99 ,,engrav]s ,,& ,,pr9t]s ,,( ,,photogravure ,,plates4 ,,( ,,swantype ,,blocks4 ,,( ,,f9e ,,l9e-,,"w4 99 99 99 99 99 ,,! ,,lead+ ,,firm ,,9 ,,great ,,brita9 ,,= ,,all ,,high-,,class ,,reproduction ,,"w1 ,,includ+ ,,! ,,or?o*romatic ,,photography ,,( ,,pictures ,,& ,,works ,,( ,,art4 99 99 99 99 99 ,transcrib]'s note3 ,g5]al3 ,corrections to punctuation h n be5 individually not$4 ,page xii3 ,erratum appli$ to text4 ,page xiii3 ,,guida correct$ to ,,guida4 ,,rella correct$ to ,,nella4 ,page #fd3 ,by ! :i* he r\s$ am5d$ to ,by means ( ?is he r\s$4 ,page #gb3 ,duplicate a remov$ f ,9 t on ! left a a man4 ,page #id3 n9te5 correct$ to n9ete54 ,page #ajb3 ,campagnia /&>dis$ to ,compagnia4 ,page #ajh3 ,pieta correct$ to ,pieta4 ,page #ach3 ,,pspicve )\t tilde z 9 orig9al1 probably int5d$ z an abbreviation = ,,p]spicue4 ,,figvrad,v z 9 orig9al1 p]haps a misspell+ ( ,,figur&um4 ,,atfrgo z 9 orig9al p]haps int5d$ ,a ,,t]go4 ,,cvpidvsq 7,cupidusque87 & ,,vtrivsq 7,utriusque87 z 9 orig9al )\t ov]l9+4