,transcrib]'s ,note3 ,?is text uses utf-#h 7unicode7 file encod+4 ,if ! apo/rophes & quotation m>ks 9 ?is p>agraph appe> z g>bage1 make sure y\r text read]'s 8"* set0 or 8file encod+0 is set to ,unicode 7,,utf-#h74 ,y may also ne$ to *ange ! default font4 ,z a la/ resort1 use ! ,,ascii v]sion ( ! file in/ead4 ,details ab\t ! 8,inscriptions0 9 ! 8,pr9ts by ,jackson0 section ( catalog are giv5 at ! beg9n+ ( t section4 ,,smi?sonian ,,in/itution ,,unit$ ,,/ates ,,national ,,museum ,illu/ration3 ,smi?sonian symbol ,,bullet9 #bbb ,,wa%+ton1 ,d4,c4 #aifb ,unit$ ,/ates ,gov]nm5t ,pr9t+ ,(fice1 ,wa%+ton1 #aifb ,= sale by ! ,sup]9t5d5t ( ,docum5ts1 ,u4,s4 ,gov]nm5t ,pr9t+ ,(fice ,wa%+ton #be1 ,d4,c4 ,john ,bapti/ ,jackson3 #ah?-,c5tury ,ma/] ( ! ,color ,woodcut ,jacob ,ka95 ,curator ( ,graphic ,arts ,museum ( ,hi/ory & ,te*nology ,publications ( ! ,unit$ ,/ates ,national ,museum ,! s*ol>ly publications ( ! ,unit$ ,/ates ,national ,museum include two s]ies1 ,proce$+s ( ! ,unit$ ,/ates ,national ,museum & ,unit$ ,/ates ,national ,museum ,bullet94 ,9 ^! s]ies are publi%$ orig9al articles & monographs deal+ ) ! collections & "w ( ! ,museum & sett+ =? newly acquir$ facts 9 ! fields ( ,an?ropology1 ,biology1 ,hi/ory1 ,geology1 & ,te*nology4 ,copies ( ea* publication are di/ribut$ to libr>ies & sci5tific organizations & to speciali/s & o!rs int]e/$ 9 ! diff]5t subjects4 ,! ,proce$+s1 begun 9 #ahgh1 are int5d$ = ! publication 9 sep>ate =m1 ( %ort] pap]s4 ,^! are ga!r$ 9 volumes1 octavo 9 size1 ) ! publication date ( ea* pap] record$ 9 ! table ( cont5ts ( ! volume4 ,9 ! ,bullet9 s]ies1 ! fir/ ( :i* 0 issu$ 9 #ahge1 appe> long]1 sep>ate publications consi/+ ( monographs 7occasionally 9 sev]al p>ts7 & volumes 9 :i* are collect$ works on relat$ subjects4 ,bullet9s are ei!r octavo or qu>to 9 size1 dep5d+ on ! ne$s ( ! pres5tation4 ,s9ce #aijb pap]s relat+ to ! botanical collections ( ! ,museum h be5 publi%$ 9 ! ,bullet9 s]ies "u ! head+ ,contributions f ! ,unit$ ,/ates ,national ,h]b>ium4 ,?is "w =ms numb] #bbb ( ! ,bullet9 s]ies4 ,,rem+ton ,,kellogg ,director1 ,unit$ ,/ates ,national ,museum ,,cont5ts ,page ,preface ,,ix ,jackson & 8 ,tradition #c ,! ,woodcut ,tradition #d ,/atus ( ! ,woodcut #g ,! ,*i>oscuro ,tradition #i ,jackson & 8 ,"w #ac ,engl&3 ,obscure ,beg9n+s #ad ,p>is3 ,p]fection ( a ,craft #ag ,v5ice3 ,! ,h]oic ,ef=t #be ,engl& ,aga93 ,! ,wallpap] ,v5ture #dj ,critical ,op9ion #ea ,po/script #ed ,catalog #fi ,pr9ts by ,jackson #ga ,jackson's ,work%op #ij ,unv]ifi$ ,subjects #ie ,! ,*i>oscuros & ,color ,woodcuts #ig ,bibliography #aga ,index to ,plates #agg ,index #aha ,,preface ,john ,bapti/ ,jackson has receiv$ little recognition z an arti/4 ,?is is n surpris+ if we rememb] t orig9ality 9 a woodcutt] 0 n consid]$ a virtue until q rec5tly4 ,we c n[ see t he 0 m important ?an e>li] critics _h realiz$4 ,he 0 ! mo/ adv5tur\s & ambiti\s ( e>li] woodcutt]s & a trailblaz] 9 turn+ 8 art resolutely 9 ! direction ( poly*rome4 ,to #ai? c5tury writ]s on art1 f :om we h inh]it$ ! bulk ( /&>d catalogs1 lexicons1 & hi/ories-- along ) _! judgm5ts-- ,jackson's "w seem$ less a break ) tradition ?an a corruption ( x4 ,8 *i>oscuro woodcuts 7pr9ts f a succession ( woodblocks compos+ a s+le subject 9 mono*rome light & %ade7 7 inv>iably comp>$ ) ^? ( ! #af? c5tury ,italians & 7 usually f\nd want+4 ,! exasp]at$ tone ( _m critics may h be5 ! result ( an uneasy feel+ t he 0 be+ judg$ by ! wrong /&>ds4 ,! purpose ( ?is monograph1 aside f provid+ ! fir/ full-l5g? /udy ( ,jackson & 8 pr9ts1 is to exam9e ^! /&>ds4 ,! traditions ( ! woodcut & ! color pr9t w !re=e receive m att5tion ?an might be expect$1 b ,i feel t su* treatm5t is ess5tial if we are to appreciate ,jackson's contribution1 9 :i* te*nical innovation is a major elem5t4 ,%ort acc\nts ( ,jackson h appe>$ 9 almo/ all /&>d diction>ies ( pa9t]s & engrav]s & 9 num]\s hi/orical surveys1 b ^! h be5 bas$ ^u meag] evid5ce4 ,a fraction ( 8 "w 0 usually kn[n & details ( 8 life 71 & /ill are1 sp>se4 ,lat] writ]s int]pret+ ! comm5ts ( _! pr$ecessors h repeat$ z fact mu* t 0 conjecture4 ,! picture ( ,jackson t has come d[n to u1 !re=e1 is uncle> & fragm5t>y4 ,if he does n em]ge f ?is /udy completely acc\nt$ = f bir? to dea?1 x has n be5 because ( lack ( ef=t4 ,biographical data = 8 e>ly & late life-- ab\t fifty ye>s 9 all-- are almo/ entirely miss+ despite ye>s ( dilig5t se>*4 ,z a man he rema9s a %ad[y figure4 ,i h trac$ ,jackson's life z f> z ! available evid5ce w p]mit1 quot+ f ! writ+s ( ! arti/ & 8 contempor>ies at "s l5g? to convey an ess5tial flavor1 b ,i h refra9$ f fill+ 9 gaps by /ra9+ at conjecture4 ,:ile details ( 8 life are vague1 suffici5t in=mation is at h& to recon/ruct 8 p]sonality cle>ly en\gh4 ,aft] all1 ,jackson wrote a book & 0 quot$ at l5g? 9 ano!r4 ,a contempor>y fell[-practition] wrote ab\t him ) consid]able feel+4 ,^! & o!r s\rces give a good indication ( ! arti/'s "*4 ,! man we h to deal ) _h some?+ excessive ab\t him2 he 0 head/rong1 tactless1 impractical1 enorm\sly en]getic1 a prodigi\s work]1 a conceiv] ( gr&iose projects1 & a rel5tless hunt] ( patrons4 ,he 0 at home ) 8 social sup]iors & _h "s pret5tions to lit]>y culture1 he _h a co>se gift = ! vivid phrase 9 writ+1 & 8 ta/es 9 art ran to ! classic & h]oic4 ,?is /udy includes an illu/rat$ catalog ( ,jackson's *i>oscuros & color pr9ts4 ,previ\s catalogs1 notably ^? ( ,nagl]1 ,le ,blanc1 & ,hell]1 h li/$ no m ?an tw5ty-five works4 ,! pres5t catalog m ?an triples ?is numb]4 ,to ackn[l$ge fully ! assi/ance giv5 by museum curators1 libr>ians1 ar*ivi/s1 & s*ol>s on bo? sides ( ! ,atlantic w\ld necessitate a v long li/ ( names4 ,h[ev]1 ,i wi% especially to ?ank ,mr4 ,pet] ,a4 ,wick ( ! ,museum ( ,f9e ,arts1 ,bo/on1 :o has be5 g5]\s en\gh to all[ me to read 8 well-docum5t$ pap] on ,jackson's ,ricci pr9ts2 ,mr4 ,a4 ,hyatt ,mayor ( ! ,metropolitan ,museum ( ,art2 ,mr4 ,c>l ,zigross] ( ! ,philadelphia ,museum ( ,art2 ,miss ,anna ,c4 ,hoyt & ,mrs4 ,anne ,b4 ,fre$b]g ( ! ,museum ( ,f9e ,arts1 ,bo/on2 ,dr4 ,jakob ,ros5b]g & ,miss ,ru? ,s4 ,magurn ( ! ,fogg ,art ,museum2 ,mr4 ,k>l ,kup ( ! ,new ,york ,public ,libr>y2 ,miss ,elizabe? ,mongan ( ! ,ros5wald ,collection1 ,national ,gall]y ( ,art2 ,miss ,una ,e4 ,johnson ( ! ,brooklyn ,museum2 ,mr4 ,gu/ave von ,gros*witz ( ! ,c9c9nati ,art ,museum2 & ,dr4 ,philip ,w4 ,bi%op ( ! ,u4,s4 ,national ,museum1 ,smi?sonian ,in/itution4 ,i am p>ticul>ly grateful to curators ( ,european collections1 :o h be5 uni=mly g5]\s 9 _! assi/ance4 ,special ?anks are due ,mr4 ,j4 ,a4 ,g]e ( ! ,briti% ,museum & ,mr4 ,james ,lav] ( ! ,victoria & ,alb]t ,museum1 :o h gone to consid]able tr\ble to acqua9t me ) _! great collections4 ,o!rs ^: help mu/ be p>ticul>ly not$ are ,mr4 ,pet] ,murray1 ,c\rtauld ,in/itute ( ,art1 ,univ]sity ( ,london2 ,mme4 ,r4 ,maquoy-,h5drickx ( ! ,biblio?que ,royale de ,belgique1 ,brussels2 ,dr4 ,vladimr ,novotn ( ! ,nrodn ,gal]ie1 ,prague2 ,dr4 ,wegn] ( ! ,graphis*e ,sammlung1 ,muni*2 ,dr4 ,wolf ,/ubbe ( ! ,kun/halle1 ,hamburg2 ,dr4 ,g4 ,bus* ( ! ,kun/halle1 ,brem52 ,dr4 ,hans ,mhle ( ! ,/aatli*e ,muse51 ,b]l92 ,dr4 ,m5z ( ! ,/aatli*e ,kun/sammlung51 ,dresd52 ,miss ,b4 ,l4 ,d4 ,ihle ( ! ,boymans ,museum1 ,rott]dam2 & ,m4 ,jean ,adhm> ( ! ,biblio?que ,nationale1 ,p>is4 ,! excell5t collections ( *i>oscuro pr9ts 9 ! ,museums ( ! ,smi?sonian ,in/itution h =m$ a valuable basis = ?is monograph4 ,^! pr9ts include ! set ( ,jackson's ,v5etian *i>oscuros1 orig9ally own$ by ,jackson's patron1 ,joseph ,smi?1 ,briti% ,consul 9 ,v5ice1 n[ 9 ! ,ros5wald ,collection1 ,national ,gall]y ( ,art1 & ! repres5tative sampl+ ( ,jackson's "w 9 ! ,division ( ,graphic ,arts1 ,u4,s4 ,national ,museum4 ,i am indebt$ to ! foll[+ museums :i* h k9dly giv5 p]mission to reproduce ,jackson pr9ts 9 _! collections4 ,^! are li/$ by catalog numb]4 ,smi?sonian ,in/itution #af1 #ah1 #ai1 #bj1 #ba1 #bb 7also 9 color71 #bd1 #be1 #bf1 #bg1 #bh1 #bi1 #cj1 #ci1 #ej1 #ea1 #eb1 #ec 7also 9 color71 #ed1 #ee1 #ef1 #eg1 #eh1 #fc ,museum ( ,f9e ,arts1 ,bo/on 7,w4 ,g4 ,russell ,all5 ,e/ate7 #a 7also 9 color71 #aa1 #ad1 #bc1 #cc1 #cd1 #ch1 #dj 7also 9 color7 ,fogg ,art ,museum #ac 7also 9 color7 ,worce/] ,art ,museum #cb ,metropolitan ,museum ( ,art #e 7,rog]s ,fund7 7also 9 color71 #ag1 #ca 7gift ( ,w9sl[ ,ames71 #gc 7,:ittelsey ,fund7 ,philadelphia ,museum ( ,art 7,john ,fr$]ick ,lewis ,collection7 #b1 #fj1 #fa1 #fb1 #fd1 #fe1 #ff1 #fg1 #fh1 #gd ,briti% ,museum #b 79 color71 #f1 #g1 #h1 #i1 #aj1 #ab1 #ae1 #cg1 #da1 #db1 #dc 7also 9 color71 #dd1 #de1 #df1 #dg1 #dh1 #di 7also 9 color71 #ei1 #fi1 #gj1 #ga1 #gb1 #ge1 #gf 7photographs by ,john ,r4 ,freeman ,co47 ,victoria & ,alb]t ,museum 7,cr[n copyright7 #c1 #ce1 #cf1 #dj ,f9ally1 ,i want to ?ank ! ,editorial ,(fice ( ! ,smi?sonian ,in/itution = plann+ & design+ ?is book2 ! ,gov]nm5t ,pr9t+ ,(fice = _! special c>e 9 its production2 & ,mr4 ,h>old ,e4 ,hugo = 8 exp]t sup]vision ( ! color plates4 ,a grant f ! ,am]ican ,philosophical ,society 7,johnson ,fund71 made x possible to conduct rese>* on ,jackson 9 ,europe4 ,ackn[l$gm5t is h]e) gratefully giv54 ,,jacob ,,ka95 ,smi?sonian ,in/itution ,septemb] #a1 #aifa ,john ,bapti/ ,jackson #ah?-,c5tury ,ma/] ( ! ,color ,woodcut ,jackson & ,8 ,tradition ,! ,woodcut ,tradition ,al?\gh ! woodcut is ! olde/ traditional pr9t m$ium x 0 ! la/ to w9 respectability z an art =m4 ,x _h to wait until ! #ahhj's & #ahij's1 :5 ,vallotton1 ,gaugu91 ,mun*1 & o!rs made _! fir/ unh]ald$ ef=ts1 & :5 ,japanese pr9ts came into vogue1 = ! initial /irr+s ( a less bias$ attitude t[>d ?is m$ium1 s long consid]$ little m ?an a craft4 ,) ! woodcut almo/ b5ea? notice x is und]/&able t ,jackson's "w %\ld h fail$ to impress art hi/orians unduly until rec5t times4 ,al?\gh he bore ! brunt z an isolat$ prophet & special plead] betwe5 #agbe & #aged1 8 significance began to be appreciat$ only aft] ! turn ( ! #bj? c5tury1 fir/ p]haps by ,m>t9 ,h>die 9 #aijf1 & next & m cle>ly by ,pi]re ,gusman 9 #aiaf & ,max ,j4 ,fri$lnd] 9 #aiag1 :5 mod]n arti/s 7 committ+ h]esies1 among !m ! elevation ( ! woodcut to prom95ce z a fir/-h& art =m4 ,9 ?is iconocla/ic atmosph]e ,jackson's almo/ =gott5 *i>oscuros no long] appe>$ z failures ( te*nique1 = !y _h be5 s reg>d$ by mo/ e>li] writ]s1 b z delib]ately novel ef=ts 9 an orig9al /yle4 ,! innovat+ "* ( 8 woodcuts 9 full color 0 also giv5 respectful m5tion = ! fir/ "t4 ,b ^! 7 brief assessm5ts 9 g5]al surveys4 ,if ! woodcut 0 *eaply held1 x 0 at lea/ acceptable = c]ta9 limit$ purposes4 ,b pr9t+ pictures 9 color1 9 any m$ium1 0 consid]$ a weak5+ ( ! fib]-- an excursion into prettification or floridity4 ,x 0 n e/eem$ 9 high] art circles1 except = a %ort bur/ at ! end ( ! #ah? c5tury 9 ,france & ,engl&4 ,?is 0 an important developm5t1 admitt$ly1 & ! pr9ts 7 covet$ until q rec5tly4 ,!y are /ill highly desirable4 ,b :ile ,b>tolozzi /ipple engrav+s or ,jan9et aquat9ts 9 color might h comm&$ high] prices ?an ,callots or ,goyas1 or ev5 ?an _m ,dr]s & ,rembr&ts1 no "o 0 fool$4 ,! extreme desirability ( ! color pr9ts 0 mo/ly a matt] ( int]ior decoration3 no?+ c\ld give a f9] #ah? c5tury aura4 ,x 0 n s mu* color pr9t+ t matt]$2 x 0 late #ah? c5tury color pr9t+ t 0 want$1 (t5 by amateurs :o collect$ no?+ else4 ,color pr9ts be=e & aft] ?is p]iod did n appeal to discrim9at+ collectors except z r>ities1 z exotic (f%oots4 ,ev5 *i>oscuros1 ) _! few sob] tones1 fell into ?is p]iph]y4 ,jackson1 z a result1 0 naturally exclud$ f ! ma9 field ( att5tion4 ,! wor%ip ( black-&-:ite z ! highe/ expression ( ! graphic arts#a automatically plac$ pr9tmak]s 9 color 9 "o ( two categories3 produc]s ( abortive exp]im5ts1 or purveyors ( popul> pictures to a frivol\s or s5tim5tal public4 ,?is e/imate 0 un=tunately true en\gh 9 mo/ cases1 true en\gh at lea/ to cause ! practice to be reg>d$ ) suspicion4 ,z an indication ( h[ ?+s h *ang$ 9 rec5t ye>s we c say t color is no long] ! exception4 ,x ?reat5s1 9 fact1 to become ! rule1 & black-&-:ite n[ fights a retreat+ battle4 ,a comp>ison ( any l>ge exhibition today ) "o ( ev5 #bj ye>s ago w make ?is pla94 ,footnote #a3 ,! puri/'s attitude 0 pung5tly express$ by ,:i/l]4 ,p5nell records ?is rem>k3 8,black ink on :ite pap] 0 good en\gh = ,rembr&t2 x ought to be good en\gh = y40 7,joseph ,p5nell1 ,! ,graphic ,arts1 ,*icago1 #aiba1 p4 #agh47 ,at fir/ glance ,jackson seems to be simply a belat$ #ah?-c5tury work] 9 ! *i>oscuro process4 ,if to lat] g5]ations 8 pr9ts _h a r odd look1 ?is 0 to be expect$4 ,native qualities1 ev5 a c]ta9 crud5ess1 7 expect$ f ! ,engli% :o lack$ advantages ( tra9+ & tradition4 ,& ,jackson 0 n only ! fir/ ,engli% arti/ :o work$ 9 woodcut *i>oscuro1 he 0 virtually ! fir/ woodblock arti/ 9 ,engl& to rise beyond anonymity#b 7,eli%a ,kirkall1 z we %all see1 _c positively be id5tifi$ z a wood engrav]7 & he 0 ! only "o ( note until ,?omas ,bewick arose to prom95ce ab\t #aghj4 ,he 01 !n1 ,engl&'s fir/ out/&+ woodcutt]4 ,we w f9d o!r in/ances ( 8 significance f ! ,engli% /&po9t1 b 8 be+ ,engli%1 ( c\rse1 w\ld h a small "p 9 expla9+ ! importance ( 8 pr9ts4 ,footnote #b3 ,! only e>li] "n is t ( ,george ,edw>ds4 ,ox=d ,univ]sity has mo/ ( ! blocks = a decorat$ alphabet he engrav$ on end-gra9 wood = ,dr4 ,fell 9 #afgd4 ,fur!r data on ,edw>ds c be f\nd 9 ,h>ry ,c>t]'s ,wolv]cote ,mill1 ,ox=d1 #aieg1 pp4 #ad1 #ae1 #bj1 & 9 ,moxon's ,me*anick ,ex]cises1 or ! ,doctr9e ( ,h&y ,works ,appli$ to ! ,art ( ,pr9t+4 7,repr9t ( #a/ ed41 #afhc1 edit$ & annotat$ by ,h]b]t ,davis & ,h>ry ,c>t]1 ,ox=d1 #aieh1 p4 #bfn47 ,jackson made1 9 fact1 ! bigge/ break 9 ! traditions ( ! woodcut s9ce ! #af? c5tury4 ,he broad5$ ! scope ( ! *i>oscuro pr9t & laun*$ ! color woodcut z a di/9ct art =m t rival$ ! poly*rome effects ( pa9t+ :ile reta9+ a "* ( its own4 ,^! 7 n mode/ little pieces ( purely te*nical int]e/4 ,! set ( #bd %eets reproduc+ #ag pa9t+s by ,v5etian ma/]s made up ! mo/ h]oic s+le project 9 *i>oscuro1 & ! #f l>ge l&scapes1 complet$ 9 #agdd1 aft] g\a*e pa9t+s by ,m>co ,ricci1 7 ! mo/ impressive color woodcuts 9 ! ,we/]n _w betwe5 ! #af? c5tury & ! la/ decade ( ! #ai?4 ,b ,jackson's gr& ambition to advance ! woodcut beyond all o!r graphic m$ia _h little public or private support & f9ally l$ him to ru94 ,8 ef=ts 7 made ) insuffici5t means & ) few patrons4 ,z a consequ5ce1 he r>ely pr9t$ editions aft] ! blocks 7 cut & pro($4 ,! ,v5etian set is well kn[n because x 0 pr9t$ 9 a sub/antial edition4 ,a few additional subjects 7 also sponsor$ by patrons1 b mo/ ( ,jackson's o!r *i>oscuros 7 nev] publi%$-- !y 7 limit$ to a few pro(s4 ,editions 7 po/pon$1 no d\bt1 9 ! hope t a patron w\ld come along to pay exp5ses 9 return = a =mal d$ication 9 ,lat91 b ?is did n (t5 happ54 ,mo/ subjects exi/ 9 a few copies only2 ( "s1 s+le impressions alone rema94 ,o!rs h entirely disappe>$4 ,) a l>ge "p ( ,jackson's "w unkn[n1 8 reputation settl$ into an uneasy obscurity :i*1 x mu/ be grant$1 has n prev5t$ 8 "w f be+ collect$4 ,! *i>oscuros1 especially ! ,v5etian pr9ts1 c be f\nd 9 _m lead+ collections 9 ,europe & ! ,unit$ ,/ates1 b ! full-color %eets aft] ,ricci are excessively r>e1 p>ticul>ly 9 complete sets4 ,jackson has long be5 consid]$ an int]e/+ figure4 ,8 ,essay on ! ,inv5tion ( ,engrav+ & ,pr9t+ 9 ,*i>o ,oscuro4441#c ) its bold claims to innovation & m]it1 8 adv5tur\s c>e] z an ,engli% woodcutt] 9 ,europe1 8 adaptation ( ! color woodcut to wallpap] pr9t+ & 8 pione]+ ef=ts 9 ?is field1 & ,papillon's immod]ate attack on him 9 ! important ,trait hi/orique et pratique de la gravure en bois#d w be discuss$ lat]4 ,= ! mom5t we c say t ! ,essay 0 ! fir/ book by an ,engli%man ) color plates s9ce ! ,book ( ,/4 ,albans ( #adhf1 ) its h]aldic %ields 9 ?ree or f\r colors1 & ! fir/ book ) block-pr9t plates 9 naturali/ic colors4#e ,footnote #c3 ,jackson1 ,london1 #aged4 ,h]eaft] cit$ z ,essay4 ,o!r ref]5ces be>+ directly on ,jackson w receive only p>tial citation 9 ! text4 ,!y are giv5 9 full 9 ! bibliography1 page #aga4 ,footnote #d3 ,papillon1 ,p>is1 #agff4 ,h]eaft] cit$ z ! ,trait4 ,footnote #e3 ,occasional book illu/rations 9 two or ?ree colors1 conf9$ *iefly to initial lett]s & ornam5tal bord]s1 appe>$ z e>ly z ! #ae? c5tury4 ,ratdolt 9 #adhe pr9t$ a/ronomical diagrams 9 r$1 orange1 & black1 & us$ simil> colors 9 a ,crucifixion 9 ! ,passau missal ( #adid4 ,! ,lib] select>um cantionum ( ,s5fel1 #aebj1 h[ev]1 has a frontispiece pr9t$ 9 a broad range ( colors f m ?an f\r woodblocks4 ,! design is attribut$ to ,hans ,weiditz4 ,al?\gh critics h be5 int]e/$ 9 ,jackson z an hi/orical figure1 !y h be5 unc]ta9 ab\t ! m]it ( 8 "w4 ,op9ions v>y surpris+ly4 ,mo/ judgm5ts 7 bas$ on ! ,v5etian *i>oscuros & dep5d$ ^u ! quality ( impressions1 _m ( :i* are poor4 ,criticisms :5 !y h be5 adv]se h be5 surpris+ly h>%4 ,x is unusual1 to say ! lea/1 = writ]s to take "t expla9+ h[ bad an arti/ is4 ,to d ?is implies1 9 any case1 t he w>rants s]i\s att5tion2 space 9 hi/ories is n usually wa/$ on non5tities4 ,we c see n[ t ,jackson 0 misund]/ood because ! uses ( ! woodcut 7 rigidly circumscrib$ by tradition4 ,/atus ( ! ,woodcut ,aft] ! #ae? c5tury ! woodcut lo/ its primitive p[] & became a self-effac+ m$ium = creat+ facsimile impressions ( draw+s & = illu/rat+ & decorat+ books1 p]iodicals1 & *eap popul> broadsides4 ,at its l[e/ ebb1 9 ! late #ag? c5tury1 & 9 ! #ah?1 x 0 us$ to make patt]ns = work]s 9 embroid]y & ne$lework & to supply outl9es = wallpap] designs to be fill$ 9 lat] by 8pap]-/a9]s40 ,! prime defici5cy ( ! woodcut z an art =m lay 9 ! division ( labor :i* ! process p]mitt$4 ,draughtsm5 usually drew on ! blocks2 ! ma9 function ( ! cutt] 0 to foll[ ! l9es precisely & c>efully4 ,small room exi/$ = individual /yle or orig9al int]pretation2 !re 0 little 9 ! te*nique to di/+ui% "o cutt] f ano!r4 ,9 spite ( ^! limitations1 gift$ cutt]s c\ld rise beyond ! dead level ( ord9>y practice4 ,z f9e draughtsm5 ) a feel+ = _! mat]ials !y did n trace ) ! knife1 !y drew & c>v$ ) x4 ,_! feel+ = l9e & %ape 0 s5sitive1 crisp1 & supple4 ,b al?\gh !y creat$ ! ma/]pieces ( ! m$ium !y suff]$ f ! traditional contempt = _! craft4 ,creative ability 9 a woodcutt] 0 r>ely recogniz$1 & ! art fell into gradual decl9e4 ,by ! "t ! #ah? c5tury op5$ x _h be5 almo/ entirely ab&on$ z a means ( creat+ & int]pret+ works ( art1 & _h be5 relegat$ to a m9or place among ! pr9t processes4 ,! attitude ( ! pr9t connoisseur 0 cle>ly /at$ z e>ly z #agfb by ,horace ,walpole3#f ,i h said1 & = two reasons1 %all say little ( wood5 cuts2 t art nev] 0 execut$ 9 any p]fection 9 ,engl&3 engrav+ on metal 0 a f9al improvem5t ( ! art1 & suppli$ ! defects ( cutt+s 9 wood4 ,! anci5t wood5 cuts 7 c]ta9ly c>ri$ to a great heigh?1 b t 0 ! m]it ( ! ma/]s1 n ( ! me?od4 ,footnote #f3 ,walpole1 #agfe 7#a/ ed4 #agfb71 p4 #c4 ,william ,gilp9 9 #agfh w5t ev5 fur!r4 ,describ+ ! v>i\s contempor>y pr9t processes he omitt$ ! woodcut entirely z n wor?y ( consid]ation4 ,he ackn[l$g$ t 8wood5 cuts0 7 once execut$ by e>ly arti/s b made no additional ref]5ce to ! m$ium4#g ,footnote #g3 ,william ,gilp91 ,an ,essay on ,pr9ts1 ,london1 #agha 7#a/ ed4 #agfh71 p4 #dg4 8,!re are ?ree k9ds ( pr9ts1 engrav+s1 et*+s1 & mezzot9tos40 ,z late z #ahdd ,mab]ly#h caution$ pr9t amateurs to /e] cle> ( block pr9ts3 ,pr9ts1 f wood5 blocks1 are mu* less e/eem$1 or1 at lea/1 are1 g5]ally speak+1 ( greatly less co/ ?an engrav+s on copp]2 & !re are connoisseurs :o may1 p]haps1 consid] !m z r d]ogatory to a f9e collection4 ,footnote #h3 ,mab]ly1 #ahdd1 p4 #acj4 ,specializ$ hi/ories ( wood engrav+1 writt5 ma9ly by #ai?-c5tury practition]s & bibliophiles1 h t5d$ to emphasize lit]al r5dition r ?an arti/ic vision4 ,! writ]s favor$ wood engrav+ execut$ ) ! bur9 on ! end gra9 ( h>d d5se wood1 su* z box or maple1 because x c\ld produce f9] details ?an ! old woodcut1 :i* made use ( knife & horizontally gra9$ wood4 ,!y judg$ by n>r[ craft /&>ds conc]n$ ) exact imitation ( surface textures4 ,l9ton1 = example1 is almo/ contemptu\s 9 8 ref]5ces to ! *i>oscuro woodcut3#i 444 ,! poore/ workman may suffice = an excell5t *i>oscuro4 ,i d n depreciate ! arti/ic value z *i>oscuros ( ! v>i\s pr9ts "h not$ nor und]e/imate ! difficulty ( production2 b my bus9ess has be5 solely ) ! n difficult knifecutt+ & grav] cutt+ ( ! same4 ,footnote #i3 ,l9ton1 #ahhi1 p4 #bae4 ,a woodcut 9 ! ,g]man mann] 0 f> m difficult to manage ?an ,l9ton imag9$4 ,bewick tri$ to imitate ! cross-hat*$ l9es ( a ,dr] woodcut )\t success4 ,he f9ally conclud$ 7#aibe1 pp4 #bje-bjg7 t ! old woodcutt]s _h us$ two blocks1 ea* ) l9es go+ 9 oppos+ directions1 & _h pr9t$ "o ov] ! o!r6 ,! ,*i>oscuro ,tradition ,! *i>oscuro woodcut 0 orig9ally design$ to s]ve a special purpose1 to reproduce draw+s ( ! ,r5aissance p]iod4 ,^! 7 (t5 made ) p5 & ink on pap] prep>$ ) a t9t or ) bru% & wa% tones on :ite or t9t$ pap]4 ,highlights 7 made & model$ ) bru% & :ite pigm5t2 ! result _h some?+ ( a bas-relief "*4 ,nei!r l9e engrav+ nor et*+ 0 suit$ to reproduc+ ^! spirit$ draw+s1 b ! *i>oscuro woodcut c\ld r5d] _! effects admirably4 ,its nature1 !re=e1 0 conceiv$ z fre% & spontane\s1 z pr9t$ draw+1 9 fact4 ,*i>oscuros 7 usually ( two types1 ! ,g]man & ! ,italian4 ,! ,g]mans specializ$ 9 reproduc+ l9e draw+s made on ton$ pap] ) :ite highlights4 ,! woodcuts1 h[ev]1 c\ld /& by !mselves z black-&-:ite pr9ts2 ! tones requir$ sep>ate pr9t+4 ,! typical ,g]man *i>oscuro 0 !re=e f two blocks4 ,! e>lie/ dat$ pr9t 9 ?is /yle is ,lucas ,crana*'s ,v5us1 ) 8#aejf0 appe>+ on ! black block4 ,b ! br[n t9t might h be5 add$ a few ye>s lat]4 ,jo/ de ,negk]1 work+ aft] draw+s by ,hans ,burgkmair1 cut blocks :i* are dat$1 on ! black block at lea/1 z e>ly z #aejh1 & "w by ,hans ,baldung & ,hans ,we*tl9 appe>$ %ortly aft]4 ,! ,italian /yle orig9at$ ) ,ugo da ,c>pi1 :o 9 #aeaf petition$ ! ,s5ate 9 ,v5ice to grant him exclusive rights to ! *i>oscuro process1 :i* he claim$ to h inv5t$4 ,= _m ye>s1 until ,b>ts* adduc$ pro( 9 favor ( ! ,g]mans1 da ,c>pi 0 conc$$ to be ! f\nd] ( ?is process4 ,8 fir/ "w dates f #aeah b obvi\sly he produc$ pr9ts e>li]-- h[ mu* e>li] is unc]ta94 ,work+ ma9ly aft] ! loose1 fre% wa% draw+s ( ,raphael & ,p>migian9o he develop$ a me?od ( r$uc+ _! tonal con/itu5ts to two or ?ree simple areas plus a p>tial outl9e1 ea* ( :i* 0 cut on a sep>ate block4 ,! blocks 7 !n ink$ ) transp>5t tones & pr9t$ "o ov] ! o!r to a*ieve gradations4 ,:ite highlights 7 imitat$1 z 9 ! ,g]man mann]1 by cutt+ out l9es on a tone block to let ! :ite pap] ass]t itself4 ,! result 0 a broadly treat$ facsimile ( ! orig9al draw+4 ,"s lib]ties 7 occasionally tak5 9 int]pretation1 & sometimes fanciful *anges 7 made 9 color comb9ations4 ,?is te*nique 0 foll[$ 9 ,italy dur+ ! rema9d] ( ! #aejj's1 ! mo/ prom95t e>ly work]s be+ ,antonio da ,tr5to 7,fantuzzi71 ,dom5ico ,beccafumi1 & ,giuseppe ,niccol ,vic5t9o4 ,late 9 ! c5tury ,&rea ,&reani acquir$ a l>ge numb] ( blocks by previ\s ,italian *i>oscuri/s & reissu$ !m1 add+ 8 own monogram4 ,by multiply+ ^! subjects he r$uc$ _! r>ity & emphasiz$ _! di/9ct "*1 _! diff]5ce f o!r types ( pr9ts4 ,! ,italian t]m 8*i>oscuro10 mean+ light & d>k1 has p]si/$ z a g5]ic "n = ?is class ( "w4 ,! ,italian & ,g]man te*niques 7 (t5 pursu$ 9 v>iant /yles4 ,! ,g]mans sometimes us$ ?ree blocks1 ) outl9es n only 9 black b 9 a tone & :ite z well4 ,burgkmair's ,dea? z a ,/rangl] 7,b4 #dj7aj & ,we*tl9's ,alcon ,free+ 8 ,son f ! ,s]p5t 7,b4 #i7 are ( ?is type4 ,footnote #aj3 ,adam ,b>ts*1 ,le ,pe9tre graveur1 ,vi5na1 #ahjc-ahba4 ,! ,italians1 9 turn1 (t5 us$ two blocks 9 ! ,g]man fa%ion1 reproduc+ a complete cros%at*$ p5 draw+ ) "o t9t block4 ,ev5 da ,c>pi us$ ?is proc$ure m ?an occasionally1 z 9 ,/4 ,john ,prea*+ 9 ! ,des]t aft] ,raphael 7,b4 ,,xii71 & 9 ,! ,h>ve/ aft] ,giulio ,romano 7,b4 ,,xii74 ,mo/ o!r ,italian *i>oscuri/s made frequ5t use ( ?is me?od :i* _h ! virtue ( simplicity4 ,out/&+ expon5ts includ$ ,niccol ,boldr9i1 :o work$ *iefly aft] draw+s by ,titian1 & 9 ! e>ly #ag? c5tury ! bro!rs ,b>tolomeo & ,g4 ,b4 ,coriolano4 ,&reani's pr9ts 7 usually 9 a m indep5d5t /yle :i* employ$ a cle> outl9e 9 gray or s(t br[n ) ?ree t9ts blocks4 ,:ile te*nical proc$ures 7 id5tical 9 ,italian & ,g]man *i>oscuros aft] p5 draw+s1 ! ,italian "w t5d$ to be loos] ?an ! ,g]man1 :i* 0 m c>eful & me?odical4 ,! ,italian /yle1 !n1 /rictly int]pret$1 0 simply ! da ,c>pi /yle4 ,less rigor\sly consid]$1 x includ$ ! free ,italian v>iants ( ! ,g]man process4 ,h5drick ,goltzius ( ,ha>lem1 ^: fir/ *i>oscuros date f #aehh1 comb9$ bo? ,italian & ,g]man influ5ces ) m>vel\sly crisp draw+ & cutt+ & %>p] color comb9ations ?an 7 common4 ,paulus ,moreelse1 a ,dut* arti/ 9 ! fir/ half ( ! #ag? c5tury1 employ$ a d>k block 9 cle> outl9e b model$ 8 =ms int]nally 9 ! da ,c>pi mann]4 ,! te*nical proc$ure 0 !re=e close to ,&reani's4 ,a numb] ( o!r well-kn[n arti/s includ+ ,simon ,v\et & ,*ri/(fel ,jegh]1 & q a few anonym\s ones1 also turn$ out occasional pieces 9 ! fir/ half ( ! #ag? c5tury1 g5]ally 9 ! mann] ( da ,c>pi or ,goltzius4 ,p]haps ! mo/ prolific 0 ,ludolph ,bus9ck1 :o creat$ pr9ts 9 ,france especially aft] draw+s by ,george ,lallem&4 ,aft] ?is p]iod little 0 done 9 ! m$ium until #agba1 :5 ,c\nt ,antonio ,m>ia ,zanetti 9 ,v5ice made 8 fir/ *i>oscuro woodcut4 ,he work$ consi/5tly = almo/ ?irty ye>s & s5t pro(s to 8 fri5ds 9 ,europe1 mo/ly important connoisseurs1 ?r\gh :om ! pr9ts became widely kn[n4 ,= ! mo/ "p !y 7 9 ! da ,c>pi /yle1 to :i* he add$ a light *>m4 ,betwe5 #agbb & #agbd ,eli%a ,kirkall 9 ,london publi%$ twelve *i>oscuros aft] ,italian ma/]s4 ,! pr9ts 7 done 9 a comb9ation ( m$ia-- et*+ & mezzot9t ) relief blocks 9 ei!r wood or metal-- & 7 outside ! woodcut tradition1 b !y attract$ att5tion to ! old process4 ,9 ab\t #agbf ,nicolas & ,v9c5t ,le ,sueur 9 ,p>is produc$ "s *i>oscuros1 & a ye> lat] ,jackson made 8 fir/ example4 ,! ,le ,sueurs foll[$ da ,c>pi's me?od :ile ,jackson us$ a loosely drawn outl9e & ?ree t9t blocks 9 a slight v>iation ( ! ,&reani /yle4 ,"o *>act]i/ic 0 %>$ 9 common by all e>ly *i>oscuri/s2 _! "w always reproduc$ draw+s1 usually 9 exact size4 ,jackson add$ a new dim5sion to ! m$ium 9 #agce by beg9n+ to "w aft] oil pa9t+s4#aa ,8 attempt to convey _! scale1 solidity1 & tonal range1 :ile reta9+ ! woodcut's bread? ( execution1 0 p]haps c>ry+ ! *i>oscuro into complexities = :i* x 0 n suit$4 ,! me?od call$ = extraord9>y tal5ts 9 plann+1 draw+1 cutt+1 & pr9t+1 & x result$ 9 impressions t c\ld n escape a c]ta9 heav9ess ( effect :5 comp>$ ) traditional "w4 ,jackson's pr9ts 9 ?is /yle are bo? d>+ & orig9al1 b no lat] woodcutt] _h ei!r ! desire or ! tem]ity to foll[ 8 example4 ,! me?od rema9$ a dead end 9 *i>oscuro4 ,footnote #aa3 ,&rea ,&reani 9 #aeii publi%$ t5 plates aft] c>toons ( ,mantegna's n9e pa9t+s1 ,! ,triumph ( ,julius ,caes> 7,b4 #aa71 pr9t$ f f\r blocks 9 v>iations ( gray4 ,b ,mantegna's c>toons 7 basically draw+s 9 mono*rome1 & ,&reani's f9e *i>oscuros did n diff] appreciably f ! usual examples4 ,illu/ration3 ,tailpiece 9 ,l',hi/oire naturelle claircie dans une de ses p>ties pr9cipales1 l'oryctologie1 by ,d4 d',arg5ville1 ,de ,bure1 ,p>is1 #agee4 ,?is is "o ( ! cuts ,jackson made betwe5 #agbe-agcj4 ,actual size4 ,jackson & ,8 ,"w ,engl&3 ,obscure ,beg9n+s ,little is kn[n ( ,jackson's e>ly ye>s4 ,x is assum$ t he 0 born 9 ,engl& ab\t #agjj1 al?\gh _m acc\nts1 probably bas$ ^u ,nagl]1 h him born 9 #agja4 ,papillon#ab conjectures t he /udi$ pa9t+ & engrav+ on wood ) 8an ,engli% pa9t]0 nam$ 8,ekwits10 b is n sure he rememb]s ! "n correctly4 ,he believes ?is arti/ engrav$ mo/ ( ! head pieces & ornam5ts 9 ,mattaire's ,lat9 ,classics1 publi%$ by ,j4 & ,r4 ,tonson & ,j4 ,watts 9 ,london1 #agac1 & rem>ks on simil>ities ) ,jackson's /yle4 ,*atto#ac believes ^! cuts 7 execut$ by ,eli%a ,kirkall1 int]pret+ ! initials ,,ek appe>+ on "o ( ! pr9ts to ref] to ?is engrav] r ?an to 8,ekwits40 ,he goes on to assume t ,kirkall also engrav$ ! blocks = ,croxall's edition ( ,aesop's ,fables1 #agbb1 by ! same publi%]1 & adds t ,jackson 0 probably 8 appr5tice & might h _h "s %>e 9 _! execution4 ,mo/ acc\nts ( ,jackson1 tak+ ,*atto's ^w1 note him z a pupil ( ,kirkall4 ,footnote #ab3 ,papillon1 #agff1 vol4 #a1 p4 #cbc4 ,mo/ probably ,papillon confus$ 8,ekwits0 ) ,eli%a ,kirkall4 ,footnote #ac3 ,*atto & ,jackson1 #ahfa 7#a/ ed4 #ahci71 p4 #ddh4 ,l9ton#ad believes t only ,kirkall or ,jackson c\ld h made ! cuts1 8unless "s ,sculptor ignotus is to be cr$it$ ) t mo/ notable book ( grav]-"w 9 relief prec$+ ! "w ( ,bewick40 ,footnote #ad3 ,l9ton1 #ahhi1 p4 #acj4 ,b x is d\btful t ,jackson 0 a pupil ( ,kirkall4 ,= ?is assumption we h ! evid5ce ( a curi\s & important little book1 ,an ,enquiry into ! ,orig9s ( ,pr9t+ 9 ,europe1#ae :i* because ( a mislead+ title & an anonym\s au?or has be5 ov]look$ z a ref]5ce s\rce4 ,x is a transcription ( ,jackson's manuscript j\rnal & 0 prep>$ = publication to co9cide ) ! laun*+ ( ! wallpap] v5ture1 ,kirkall is m5tion$ z foll[s 7pp4 #be-bf73 444 ,i %all give a brief acc\nt ( ! ,/ate ( ,cutt+ on ,wood 9 ,engl& = ! type ,press be=e he ,jackson w5t to ,france 9 #agbe4 ,9 ! beg9n+ ( ?is ,c5tury a rem>kable ,bl[ 0 giv5 to all ,cutt]s on ,wood1 by an inv5tion ( engrav+ on ! same sort ( ,metal :i* types are ca/ )4 ,! celebrat$ ,mr4 ,kirkhal1 an able ,engrav] on ,copp]1 is said to be ! fir/ :o p]=m$ a ,relievo ,"w to answ] ! use ( ,cutt+ on ,wood4 ,?is c\ld be dispat*$ mu* soon]1 & consequ5tly answ]$ ! purpose ( ,book-sell]s & ,pr9t]s1 :o pur*as$ ^! sort ( ,works at a mu* *ap] sic ,rate ?an c\ld be expect$ f an ,engrav] on ,wood4444 ,footnote #ae3 ,london1 #ageb4 ,h]eaft] cit$ z ! ,enquiry4 ,! fir/ half deals ) ,jackson's op9ions on ! orig9s ( pr9t+ f movable type & ! progress ( cutt+ on wood1 ! second half ) ,jackson's c>e] & 8 v5ture into wallpap] manufactur+4 ,! real cont5t ( ! book 0 s little kn[n t ,bigmore & ,wyman's compreh5sive1 annotat$ ,bibliography ( ,pr9t+1 ,london1 #ahhj-hf1 vol4 #a1 p4 #bja1 describ$ x z deal+ ) 8c]ta9 improvem5ts 9 pr9t+-types made by ,jackson1 ! typef\nd]40 ,x does n seem reasonable t ,jackson w\ld le>n ! art ( woodcutt+ f ,kirkall & !n ref] to him z a fam\s engrav] on copp] & type metal4 ,x is j z difficult to believe t ,kirkall taught ,jackson to "w on metal1 n wood4 ,! 8,,ek0 :o engrav$ ! blocks = ,mattaire's ,lat9 ,classics might v well h be5 ,kirkall1 ^: /yle also might h _h some?+ 9 common ) ,jackson's e>ly "w4 ,b ?is w\ld n necess>ily indicate a def9ite influ5ce4 ,engli% pictorial relief pr9ts = book illu/ration 9 ! fir/ decades ( ! #ah? c5tury _h "o *>act]i/ic 9 common2 !y 7 almo/ all done ) ! engrav]'s bur9 on type metal or end-gra9 boxwood4 ,!y !re=e %[$ elem5ts ( a 8:ite-l9e0 /yle z oppos$ to ! black-l9e or knife-cut me?od commonly us$ 9 o!r c\ntries4 ,:ile x is likely t ,jackson 0 an exception to ! g5]al rule 9 ,engl& 7we h 8 ^w = x 9 ! ,enquiry1 z we %all see71 he 0 also deeply influ5c$ by ! prevail+ ,engli% /yle ( bur9 "w on wood or type metal4 ,if ,papillon saw a simil>ity betwe5 ,jackson's cuts & ^? 9 ! ,lat9 ,classics1 x might h be5 because he 0 unfamili> ) o!r examples ( ,engli% "w & did n recognize a national /yle4 ,! initials 8,j4 ,b4 ,i40 appe> on a small cut 9 ! #agag edition ( ,dryd5's plays1 also publi%$ by ,tonson4 ,if ?is is an e>ly piece by ,jackson x w\ld indicate t he might h be5 born e>li] ?an #agja1 al?\gh x is conceivable t he c\ld h made x :5 he 0 sixte54 ,?is is ! ext5t ( ! evid5ce1 or r lack ( evid5ce1 ( ,jackson's e>ly ye>s 9 ,engl&4 ,no?+ is c]ta9 except t woodblock "w 0 at a p>ticul>ly l[ ebb4 ,/&>ds 9 typography & pr9t+ 7 rude 7,caslon 0 j beg9n+ 8 c>e]71 f> inf]ior to ^? on ! ,cont95t4 ,cuts 7 us$ r sp>+ly by pr9t]s1 & almo/ always = initial lett]s 7^! includ$ little pictures71 = tailpieces1 & = decorative bord]s4 ,z a measure ( economy ! same cut 0 (t5 repeat$ ?r\gh\t a book4 ,also1 initial lett]s 7 sometimes contriv$ to p]mit ! type = diff]5t capitals to be ins]t$ 9 ! c5t] area1 s t 9 "s in/ances no m ?an two cuts 7 ne$$ to beg9 alt]nate *apt]s 9 a volume4 ,r>ely 7 woodblocks employ$ to illu/rate ! text4 ,pictures 7 almo/ always suppli$ by ! copp]-plate engrav]1 ev5 :5 ! pr9ts 7 small & surr\nd$ ) typographical matt]4 ,?is 0 an exp5sive & tr\blesome proc$ure1 b x 0 ! only "o possible :]e an able gr\p ( cutt]s or engrav]s on wood did n exi/ & :]e pr9t]s f\nd x difficult to a*ieve good impressions on ! unev5 laid pap] ( ! "t4 ,! ma9 employm5t = knife cutt]s on wood 0 9 mak+ ! popul> pr9ts1 or illu/rat$ broadsides1 :i* _h be5 sold 9 city & village ?r\gh\t ! c\ntry s9ce ! e>ly #afjj's4 ,plank & knife c\ld be us$ = ^! pr9ts because ( ! g5]ally l>ge size ( ! pictures & ! lack ( sophi/ication ( ! audi5ce4 ,!y are describ$ by ,bewick f 8 memories z a boy 9 ! #agfj's3#af ,i _c1 h[ev]1 help lam5t+ t1 9 all ! vicissitudes :i* ! art ( wood engrav+ has und]gone1 "s species ( x are lo/ & done away3 ,i mean ! l>ge blocks ) ! pr9ts f !m1 s common to be se51 :5 ,i 0 a boy1 9 e cottage & f>m h\se ?r\gh\t ! c\ntry4 ,^! blocks1 ,i suppose1 f _! size1 mu/ h be5 cut on ! plank way on bee*1 or "s o!r k9d ( close-gra9$ wood2 & f ! imm5se numb] ( impressions f !m1 s *eaply & ext5sively spread ov] ! :ole c\ntry1 mu/ h giv5 employm5t to a great numb] ( arti/s1 9 ?is inf]ior dep>tm5t ( woodcutt+4444 ,^! pr9ts1 :i* 7 sold at a v l[ price1 7 commonly illu/rative ( "s memorable exploits1 or 71 p]haps1 ! portraits ( em95t m54444 ,besides ^!1 !re 7 a great v>iety ( o!r designs1 (t5 ) songs add$ to !m ( a moral1 a patriotic1 or a rural t5d5cy1 :i* s]v$ to enliv5 ! circle 9 :i* !y 7 admir$4 ,to enum]ate ! great v>iety ( ^! pictures w\ld be a task4 ,footnote #af3 ,bewick1 #aibe 7#a/ ed4 ,london1 #ahfb71 pp4 #baa-bab4 ,bewick adds t "s ( ^! popul> woodcuts1 al?\gh n ! great majority1 7 v good4 ,s9ce ?is 0 ! ma9 field = woodcutt]s1 x is an int]e/+ conjecture t ,jackson might h be5 tra9$ = ?is craft4 ,z he matur$1 we c assume t he felt ! urge to excel z a woodcutt] & left ! c\ntry to develop 8 pot5tialities4 ,x mu/ be rememb]$ t 9 pa9t+ & engrav+ ,engl& 0 f> beh9d ! cont95tal c\ntries1 :i* c\ld boa/ ( c5turies ( celebrat$ ma/]s4 ,! m$ieval p]iod p]si/$ 9 ,engl& until ! "t ( ,h5ry ,,viii4 ,traditional religi\s subjects1 s indisp5sable to ,european art1 7 !reaft] g5]ally proscrib$4 ,!re 0 no fondness z yet = !mes ( classical my?ology1 & ! new & develop+ national tradition 9 pa9t+ _h to =m itself on ! only rema9+ field ( pictorial expression1 portraiture4 ,/&>ds ( /yle 7 set by =eign arti/s :o 7 lur$ to ,engl& to record its prom95t p]sonages 9 a fitt+ mann]4 ,beside su* ma/]s z ,holbe91 ,zucc>o1 ,moro1 ,ge]a]ts1 ,van ,dyck1 ,myt5s1 ,lely1 ,knell]1 ,z(fany1 & ,van ,loo1 among o!rs1 native pa9t]s seem$ crude & prov9cial4 ,! li/ ( =eign arti/s o!r ?an portraiti/s :o visit$ ,engl& be=e #agej = v>y+ p]iods is also impressive4 ,if good native pa9t]s 7 r>e 9 ! fir/ decades ( ! #ah? c5tury1 good engrav]s or woodcutt]s 7 ev5 r>]4 ,hog>?1 ^: e>lie/ pr9ts 7 produc$ 9 ! #agbj's1 receiv$ 8 tra9+ f a silv]smi?4 ,jackson's next move 0 t[>d ! ,cont95t4 ,p>is3 ,p]fection ( a ,craft ,jackson arriv$ 9 ,p>is 9 #agbe1 8 age #bd if we accept #agja z 8 bir? date4 ,"h fl\ri%$ a brilliant community ( arti/s1 craftsm51 deal]s1 & connoisseurs2 woodcutt+1 et*+1 & l9e engrav+ 7 highly develop$ & ! pr9t+ (fices made ext5sive use ( woodcuts = decoration & illu/ration4 ,! woodcut tradition mimick$ l9e engrav+ & 0 conf9$ *iefly to t9y blocks wr\ght ) ! utmo/ delicacy4 ,! ma9 influ5ce came f ! #ag? c5tury-- 9 p>ticul> f ! et*+s & l9e engrav+s ( ,sba/i5 ,le ,cl]c & f ! et*+s ( ,jacques ,callot1 ^: simple sy/em ( swell+ p>allel l9es1 ) occasional cross-hat*+s1 0 adopt$ by bo? l9e engrav]s & woodcutt]s4 ,le ,cl]c1 ^: /yle 0 influ5c$ by ,callot1 _h produc$ a va/ numb] ( illu/rations involv+ subjects ( almo/ e type2 8 designs1 !re=e1 7 ready-made = publi%]s :o want$ good b l[-pric$ illu/rations4 ,woodcutt]s copi$ 8 engrav+s %amelessly1 l9e = l9e4 ,! ov]bl[n high ,b>oque /yle 9 ornam5t1 swag1 & c>t\*e 0 also drawn ^u z a s\rce = decorative cuts4 ,9 an attempt to imitate ! full tonal scale ( engrav+1 ! woodcutt]s us$ heavi] l9es 9 ! =egr\nd to deta* ! ma9 figures f ! backgr\nd1 :i* 0 made up ( m delicate l9es4 ,backgr\nd l9es 7 (t5 n>r[$ fur!r by scrap+ d[n _! edges1 an op]ation t caus$ !m to m]ge imp]ceptibly into ! :ite pap]4 ,9 ?is way1 al?\gh ! natural vigor ( ! woodcut suff]$1 an effect ( space & di/ance 0 a*iev$4 ,because ( ! small scale ?is te*nique 0 difficult1 especially :5 cross-hat*+ 0 add$1 & special knives z well z a ph5om5al deftness 7 ne$$ to "w out ^! bits ( jewelry on ! plank gra9 ( pe>1 *]ry1 box1 & s]viceb]ry wood4 ,jackson's initial impression ( ! /ate ( woodcutt+ 9 ,france is describ$ 9 ! ,enquiry 7p4 #bg73 ,f ?is ,acc\nt x is evid5t t !re 0 little ,enc\ragem5t to be hop$ = 9 ,engl& to a ,p]son ^: ,g5ius l$ him to prosecute 8 ,/udies 9 ! anci5t ,mann]2 :i* oblig$ ,mr4 ,jackson to g ov] to ! ,cont95t1 & see :at 0 us$ 9 ! ,p>isian ,pr9t+-h\ses4 ,at 8 arrival !re he f\nd ! ,fr5* ,engrav]s on ,wood work+ 9 ! old ,mann]2 no ,metal ,engrav]s1 or any ( ! same ,p]=mance on ! end ( ! ,wood1 0 ev] us$ or c\nt5anc$ by ! ,pr9t]s or ,booksell]s 9 t ,city4 ,he tells u t he ?\ght himself a tol]able good ,h& :5 he came to ,p>is1 b f> inf]ior to ! ,p]=mances ( ,monsieurs ,v9c5t le ,seur & ,jean ,m4 ,pappillon4444 ,jackson admits b5efit+ f ! fri5d%ip & advice ( ^! woodcutt]s1 !n goes on to describe _! "w ) a ru?less frankness4 ,le ,sueur1 he says1 0 a brilliant copyi/ ( ! l9e engrav+s ( ,sba/i5 ,le ,cl]c b1 because he 0 a l9e-=-l9e copyi/1 lack$ skill 9 draw+4 ,papillon's fa!r1 also a woodcutt] :o copi$ ,le ,cl]c1 avoid$ cross-hat*+1 :i* ,jackson consid]$ an ess5tial +r$i5t ( ! true /yle ( black-&-:ite woodcutt+2 ,papillon himself1 :ile describ$ z a draughtsman ( ! utmo/ accuracy1 0 criticiz$ = mak+ 8 "w s m9ute t x 0 impossible to pr9t cle>ly4 ,jackson says 9 ! ,enquiry 7pp4 #bi-cj73 ,if 8 ,fa!r neglect$ ,cross ,hat*+1 ! ,son affect$ to out/rip ! le ,seurs 9 ?is difficult ,p]=mance1 & ev5 ! anci5t ,v5etians1 believ+ to h fix$ a ,non plus ultra 9 our ,times to any future ,attempts ) ,engrav+ on ,wood4 444 ,i saw ! ,almanack#ag 9 a horrid ,condition be=e ,i left ,p>is1 ! ,signs ( ! ,zodiack wore l a ,blot*1 not)/&+ ! utmo/ ,c>e & ,dilig5ce ! ,pr9t] us$ to take up v little ,ink to keep !m clean4 ,i h *os5 to make m5tion ( ^! two ,fr5*m5 z ! only ,p]sons 9 my "t keep+ up to ! ,/ile ( ! anci5t ,engrav+ on ,wood2 & z !y fav\r$ me ) _! ,fri5d%ip & ,advice dur+ my abode 9 ,p>is1 ,i ?\ght 9 ,ju/ice to _! good ,nature x 0 prop] to give "s ,acc\nt ( _! ,m]it6 ,footnote #ag3 ,! ,petit almana* de ,p>is1 f\nd$ by ,j4 ,m4 ,papillon 9 #agbg & illu/rat$ ) 8 woodcuts4 ,ackn[l$gm5t ( fri5d%ip & m]it 9 ?is ve91 :ile entirely true 7,papillon 0 m9ute to ! po9t ( exhibitionism1 & 8 cuts 7 (t5 n adapt$ to cle> pr9t+71 demon/rates ! lack ( tact t made p[]ful enemies = ,jackson :]ev] he travel$4 ,papillon no d\bt read ! ,enquiry1 9 :i* he 0 discuss$ at l5g?1 & ! well-kn[n ,essay1 ) its aggressive tone & irresponsible claims4 ,:5 ,papillon's ,trait came out 9 #agff he took ! opportunity to put ! ,engli% arti/ 9 8 place4 ,c]ta9ly 8 acc\nt 0 color$ by ,jackson's writ+s2 !re is no o!r explanation = ?is display ( p]sonal bitt]ness 9 a "w publi%$ #cf ye>s aft] ! ,engli%man left ,p>is 7pp4 #cbg-cbh73 ,j4 ,jackson1 an ,engli%man :o liv$ 9 ,p>is = a few ye>s1 might h p]fect$ himself 9 wood engrav+1 :i* he _h le>n$1 z ,i said previ\sly on page #cbc1 f an ,engli% pa9t]1 if he _h be5 will+ to foll[ my advice4 ,z soon z he arriv$ 9 ,p>is he came to me ask+ = "w2 ,i gave him "s ?+s to execute = a few mon?s 9 ord] to all[ him to live1 = :i* he repaid me ) +ratitude by mak+ a duplicate ( a floral ornam5t ( my design :i* he (f]$1 be=e deliv]+ ! block to me1 to ! p]son = :om x 0 to be made4 ,f ! reproa*es ,i receiv$ :5 ! matt] 0 discov]$1 ,i refus$1 naturally1 to employ him fur!r4 ,!n he w5t ! r\nds ( ! pr9t+ h\ses 9 ,p>is1 & 0 =c$ to (f] 8 "w ready-made & )\t ord]1 almo/ = no?+1 & _m pr9t]s1 pr(it+ by 8 di/ress1 suppli$ !mselves amply ) 8 cuts4 ,he _h acquir$ a c]ta9 insipid & limit$ ta/e1 little above ! mosaics on snuffboxes1 simil> to o!r m$iocre engrav]s1 ) :i* he sur*>g$ 8 works4 ,8 mosaics1 h[ev] delicately engrav$1 are always lack+ 9 effect1 & %[ ! engrav]'s pati5ce & n 8 tal5t2 = ! rema9d] ( ! cut has only delicate l9es )\t t9ts or gradations ( light & %ade1 & lack ! contra/ necess>y to make a /rik+ effect4 ,engrav+s ( ?is sort1 h[ev] defici5t 9 ?is reg>d1 are admir$ by pr9t]s ( vulg> ta/e :o fooli%ly believe t !y closely resemble copp] plate engrav+1 & t !y give bett] impressions ?an ^? ( a picturesque type hav+ a great] v>iety ( t9ts4 ,jackson1 hav+ be5 =c$ by pov]ty to leave ,p>is1 :]e he c\ld f9d no?+ fur!r to d1 travel$ 9 ,france2 !n1 disgu/$ ) 8 art1 he foll[$ a pa9t] to ,rome1 aft] :i* he w5t to ,v5ice1 :]e1 ,i am told1 he m>ri$1 & !n return$ to ,engl&1 8 native c\ntry4 ,:e!r or n ,jackson 0 une?ical he 0 c]ta9ly an active competitor & _m pr9t]s 8suppli$ !mselves amply ) 8 cuts40 ,he mu/ h produc$ an enorm\s am\nt ( "w dur+ 8 five ye>s 9 ,p>is because ,john ,smi?1 9 8 ,pr9t]s ,gramm>1#ah says t ,jackson's cuts 7 us$ s widely & = s _m ye>s 9 ,p>is t !y replac$ ! fa%ion ( us+ 8fl[]s10 or typographical ornam5ts1 & t ?is /yle did n come into vogue aga9 until ! cuts 7 completely worn d[n ?r\gh use4 ,footnote #ah3 ,smi?1 #agee1 p4 #acf4 ,?is /atem5t is n entirely true1 b x is probable t ,jackson's woodcuts1 m broadly execut$ ?an ! typical ,fr5* products1 outla/$ all o!rs ( ! #agbe-cj p]iod4 ,!y 7 consi/5tly re-us$1 & appe>$1 z f> z !y c be trac$1 well into ! #aghj's4#ai ,footnote #ai3 ,see cuts 9 ,diss]tatiumeula quodlibet>iis disputationibus ( ,c4 ,l4 ,b]?ollet1 ,p>is1 #aghj1 & ,voyage littraire de la ,grce1 ( de ,guys1 #aghc4 ,else:]e 9 ! ,trait1 h[ev]1 ,papillon has a good ^w = ,jackson's abilities3#bj ,jackson1 ( :om ,i h already spok51 also engrav$ 9 *i>oscuro2 ,i h a little l&scape by him :i* is v nicely done4 ,footnote #bj3 ,p4 #dae4 ,?is may be ! pr9t =m]ly 9 ,dresd5 b lo/ dur+ ! w>4 ,x 0 inevitable t ,papillon & ,jackson %\ld cla%4 ,! ,fr5*man's notion ( woodcutt+ 0 influ5c$1 z we h se51 by copp] plate engrav+2 he want$1 by incr$ible m9ut5ess ( cutt+1 to a*ieve approximately ! same results4 ,?is 0 9 keep+ ) ! delicate ,fr5* rocaille tradition on :i* ,papillon 0 nurtur$2 to him any o!r contempor>y /yle ( book decoration 0 evid5ce ( bad ta/e4 ,jackson1 on 8 "p1 felt t ?is approa* violat$ ! ess5tially broad1 vigor\s nature ( ! woodcut &1 9 addition1 made excessive dem&s on ! pr9t]4 ,s9ce ?is impov]i%$ beg9n]1 & an ,engli%man at t1 refus$ to take 8 e>ne/ advice or to fall into ! prevail+ /yle1 ,papillon 0 enrag$4 ,aft] all1 ,jackson 0 work+ z an employee4 ,b ,papillon 0 n entirely bl9d4 ,9 a numb] ( places 9 ! ,trait he made ref]5ce to o!r woodcutt]s :o 7 work+ 9 ,jackson's /yle1 & he record$ "s ( ! works ! ,engli%man illu/rat$ dur+ 8 five ye>s 9 ,p>is4 ,illu/ration3 ,headpiece by ,j4 ,m4 ,papillon = 8 ,trait hi/orique et pratique de la gravure en bois1 ,p>is1 #agff1 vol4 #c4 ,?is is an example ( ,papillon's m9ute /yle1 aga9/ :i* ,jackson rebell$4 ,actual size4 ,jackson's blossom+ out z a mak] ( wallpap] aft] 8 return to ,engl& & 8 bra% claims 9 ?is connection 9 ! ,essay1 mu/ also h irk$ ,papillon1 :o knew ! field z an exp]t2 8 fa!r 9 #afhh _h set up ! fir/ l>ge pr9t+ h\se 9 ,france = wall hang+s1 & aft] 8 dea? 9 #agbc ,papillon _h inh]it$ x4 ,9 #agdj1 he sold ! bus9ess to ! wid[ ,langlois1 b he _h run ! %op dur+ ,jackson's resid5ce 9 ,p>is & 8 =m] employee no d\bt _h le>n$ a great deal by obs]v+ its op]ation4 ,yet "h m ?an tw5ty ye>s lat] 0 ! up/>t ,engli%man aga91 v5tur+ into wallpap] manufactur+ ) an air ( moral sup]iority1 attack+ all o!r products z unwor?y4 ,jackson's ridicul+ ( ! ,*9ese /yle mu/ h be5 p>ticul>ly gall+ s9ce ,papillon & 8 fa!r _h specializ$ 9 produc+ su* pap]s4 ,^! 7 mu* bett] ?an comp>able ,engli% "w1 b ,jackson1 conf9+ himself to ,engli% products1 _h attack$ ! :ole /yle )\t mak+ di/9ctions4 ,accord+ to ! ,enquiry 7pages #cb-ee ( ?is book w be drawn ^u = ! ensu+ details ( ,jackson's c>e]71 ,m4 ,annison1 ,director ( ! ,imprim]ie ,royale1 = :om ,jackson produc$ _m cuts1 introduc$ him to ,c\nt de ,caylus1 collector1 connoisseur1 et*]1 & ! lead+ _s 9 ,fr5* engrav+ at ! "t4 ,de ,caylus _h1 9 #agbe1 und]tak5 to direct ! reproduction ( draw+s & pa9t+s 9 ! be/ ,fr5* collections4#ba ,pi]re ,crozat1 ! fam\s collector1 sponsor$ ! publication ( ?is ambiti\s "w4 ,footnote #ba3 ,recueil d'e/ampes d'aprs les plus beaux tableaux et d'aprs les plus beaux dess9s qui sont en ,france dans le cab9et du ,roy1 dans celui de ,m4 le ,duc d',orlans et dans d'autres cab9ets1 divis suivant les diffr5tes coles4 ,p>is1 #agbi-db1 #b vols41 #ahb plates4 ,(t5 call$ ! ,cab9et ,crozat1 x 0 repr9t$ by ,basan 9 #agfc ) aquat9t tones by ,franois ,*>p5ti] replac+ ! woodblock t9ts4 ,! draw+s 7 reproduc$ 9 *i>oscuro :ile ! pa9t+s 7 r5d]$ 9 black-&-:ite by a corps ( engrav]s4 ,! *i>oscuros 7 made by comb9+ an et*$ outl9e1 usually by de ,caylus or ,p4 ,p4 ,a4 ,rob]t1 ) sup]impos$ tones1 ma9ly 9 gre5 or buff1 f "o or two woodblocks cut 9 mo/ cases by ,nicolas ,le ,sueur1 or "u 8 direction4 ,?is 0 n a new pr9t+ me?od4 ,hub]t 7n ,h5drick7 ,goltzius _h fir/ employ$ x 9 a set ( ,roman emp]ors aft] antique m$allions 9 #aeeg4bb ,to reproduce draw+s by ,raphael1 ,p>migian9o1 & himself1 ,abraham ,bloem>t1 z well z ,fr$]ick & ,cornelius ,bloem>t 9 ! e>ly #afjj's1 _h us$ ?is comb9ation ext5sively1 & z describ$ e>li]1 p4 #aa1 ,kirkall _h us$ x betwe5 #agbb & #agbd4bc ,! comb9ation me?od produc$ r feeble pr9ts t lack$ ! vigor ( /raight woodblock *i>oscuro4 ,! et*$ outl9e 0 ?9 & ineffective1 & ! t9ts 7 pallid s z n to ov]p[] ! draw+4 ,only ,abraham ,bloem>t's pr9ts 9 ?is /yle 7 conv9c+1 al?\gh ,kirkall's *i>oscuros1 9 _! s(t1 ov]-model$ way1 _h individuality4 ,b ! ,cab9et ,crozat lack$ di/9ction entirely4 ,! *i>oscuros _h a me*anical look1 a fact n surpris+ :5 we rememb] t !y 7 produc$ by a team ( engrav]s-- assembl$1 z x 71 f sev]al h&s work+ 9 diff]5t m$ia4 ,! be/ pr9ts 7 a few *i>oscuros made entirely f woodblocks by ,nicolas ,le ,sueur1 al?\gh ^! 7 also r tepid1 no d\bt to h>monize ) ! re/ ( ! "w4 ,footnote #bb3 ,imp]atorum imag9es1 ,antw]p1 #aeeg4 ,! woodblocks 7 cut by ,josse ,geitleug54 ,footnote #bc3 ,9 ! ,enquiry 7p4 #ca7 ,jackson ass]ts t ,kirkall's t9ts 7 made f copp] plates1 n woodblocks4 ,jackson tells u t he work$ on "s t9t blocks1 fir/ f a draw+ by ,giulio ,romano & lat] f a draw+ by ,raphael1 ,*ri/ ,giv+ ! ,keys to ,/4 ,pet]1 ! orig9al modello = "o ( ! fam\s tape/ry c>toons4 ,c\nt de ,caylus1 he says1 lik$ ! "w & want$ to employ him fur!r on ! project1 b ,crozat reject$ him flatly4 ,de ,caylus1 accord+ to ,jackson1 0 emb>rass$ & di/ress$ & (f]$ recomp5se = ! lo/ "t & labor1 b ,jackson1 n to be outdone 9 g5]osity by a nobleman1 refus$1 expla9+ t ! honor ( kn[+ ! ,c\nt & receiv+ 8 approbation m ?an made up = 8 lo/ ef=t4 ,v9c5t ,le ,sueur object$ to ! comb9ation me?od & )drew e>ly f ! project4 ,possibly ,jackson1 :o also dislik$ ?is me?od & 0 n kn[n = 8 discretion1 0 consid]$ by ,crozat to be a disruptive elem5t4 ,possibly 8 /yle ( cutt+ 0 n retir+ en\gh = ,crozat's ta/eful ,fr5* notion ( *i>oscuro4 ,?is project1 9 any case1 ar\s$ ! ,engli%man's int]e/ 9 ! process4 ,*ri/ ,giv+ ! ,keys to ,/4 ,pet]1 aft] ,raphael1 made ab\t #agbg1 0 probably ,jackson's fir/ *i>oscuro woodcut4 ,no d\bt he produc$ x on 8 own & (f]$ x z a plate = ! publication1 p]haps at ! "t he 0 commission$ to cut ! t9t blocks to be us$ 9 comb9ation ) de ,caylus' et*+ ( ?is subject4 ,) bo? ,papillon & ! p[]ful ,crozat aga9/ him1 ,jackson 0 f9i%$ 9 ,p>is4 ,de ,caylus urg$ him to g to ,italy4 ,accord+ly1 9 ,april #agcj1 he left ,p>is 9 ! company ( ,john ,lewis1 an ,engli% pa9t]1 & set out = ,rome1 :]e he expect$ to cont9ue 8 /udies 9 draw+ & deep5 8 k ( art4 ,jackson's /yle 0 /ill be+ =m$ dur+ 8 ,p>is p]iod4 ,conf9$ = ! mo/ "p to initial lett]s1 headb&s1 & tailpieces1 8 "w diff]$ f contempor>y ,fr5* cuts only 9 its te*nical h&l+1 :i* 0 firm] & broad]4 ,little ( a m creative nature came 8 way1 & ! ,p>is /ay !re=e s]v$ z a useful int]im dur+ :i* he became adept 9 8 craft4 ,! necessity = keep+ himself alive by cutt+ on wood develop$ 8 p[]s ( inv5tion & 8 facility3 he became a rem>kably rapid & skillful cutt]4 ,jackson ga!r$ /r5g? 9 ,p>is1 b x 0 9 ,v5ice t he really came to maturity z an arti/4 ,illu/ration3 ,,tailpiece 9 ,hi/oire gnrale de ,langu$oc1 by ,claude ,vic & ,j4 ,j4 ,vaissete1 ,p>is1 #agcj1 vol4 #a4 ,note ! ev5 tone & clean cutt+ comp>$ ) ,papillon's light-&-d>k contra/s & da9ty cutt+4 ,actual size4 ,v5ice3 ,! ,h]oic ,ef=t ,aft] leav+ ,p>is1 ,jackson & ,lewis j\rney$ to ,m>seilles1 :]e ,jackson became s]i\sly ill & rema9$ = six mon?s1 :ile ,lewis cont9u$ to ,g5oa4 ,rega9+ 8 heal?1 ,jackson w5t on to ,g5oa & !n to ,leghorn1 ,pisa1 & ,lucca1 arriv+ 9 ,flor5ce 9 ,janu>y #agca4 ,!re1 dur+ a /ay ( sev]al mon?s1 he discuss$ ) ! ,gr& ,duke ( ,tuscany a repr9t+ ( ,vas>i's ,lives ( ! ,pa9t]s4 ,jackson 0 to make cuts = ! headpieces1 b ! project 0 ev5tually dropp$1 & he cont9u$ to ,bologna1 :]e he rema9$ a mon? *iefly 9 ! company ( ! woodcutt] ,g4 ,m4 ,moretti1 :o %[$ him "s orig9al blocks cut by ,ugo da ,c>pi = pr9t+ 9 *i>oscuro4 ,he !n proce$$ to ,v5ice1 arriv+ 8?ree ,days be=e ! ,fea/ ( ! ,asc5sion 9 #agca1 & 0 highly surpriz$ to f9d no "o ,engrav] on ,wood capable to d su* poor ,"w1 he has se5 at ,bolonia40 ,jackson 0 amply suppli$ ) /rong recomm5dations f ,flor5ce1 & on %[+ 8 "w to lead+ pr9t]s 0 urg$ to settle 9 ,v5ice1 :]e a f9e woodcutt] capable ( bo? design+ & execut+ cuts 0 urg5tly ne$$4 ,"h he also met ,c\nt ,antonio ,m>ia ,zanetti1 :o 0 well-kn[n z a *i>oscuro woodcutt] besides be+ a collector & patron ( ! arts4 ,_! fir/ meet+ is describ$ 9 ! ,enquiry3 444 v soon aft] 8 ,jackson's ,arrival he _h an ,int]view ) ,signior ,antonio ,m>ia ,zannetti2 f ! ,acc\nts he _h he>d f ,mr4 ,m>riette 9 ,france ( ?is ,man's ,"w 9 ,*i>o ,oscuro1 he expect$ to see "s wond]ful ,p]=mance1 b ,p>turiunt montes nascetur ridiculus mus is a mo/ applicable ,prov]b on ?is ,occasion4 ,i :o h p]us$ ?is gr& ,raccolta ( ,zannetti's1 mu/ ackn[l$ge t !y are a trifl+ ,p]=mance1 inf]ior to any ,attempts ( ?is ,k9d 9 our ,times2 & inde$ x is no ,wond]1 :5 we come to "k t ?is ,man nev] us$ a ,press1 nor s mu* z a ,h& ,roll to pr9t 8 ,works )4 ,our ,c\ntryman says he _h room to suspect he nei!r did cut or pr9t ^! ,works1 :i* 0 confirm$ by ! poor ,m5 :o p]=m$ bo?4 ,b su* 0 ! ,vanity ( ?is ,au?or1 t he told ! ,public 9 8 ,d$ications t he 0 ! ,re/or] ( t lo/ ,art1 :]eas he only draw$ !m on ! ,blocks1 :i* might h be5 done z well by ^? t cut & pr9t$ !m4 ,at ?is fir/ ,int]view ! l[ ,cunn+ ( ?is ,man 0 discov]$4444#bd ,footnote #bd3 ,zanetti c]ta9ly cut _m ( 8 own blocks1 z ! pr9ts ) ! signature 8,a4 ,m4 ,zanetti1 sculp40 atte/4 ,b he also made use ( craftsm5 9 ! traditional fa%ion = o!r blocks & = ! me*anical phase ( pr9t+4 ,jackson und\bt$ly dislik$ ,zanetti's s(t & delicate treatm5t1 s *>act]i/ic ( #ah?-c5tury "w1 & consid]$ 8 int]pretation ( ,p>migian9o & ,raphael little %ort ( sacrilege4 ,s9ce ,jackson 0 incapable ( hid+ 8 feel+s a qu>rel became inevitable4 ,! fir/ rift came :5 ,zanetti let ,jackson h = a few weeks a draw+ by ,p>migian9o1 ! ,v5us & ,cupid ) a ,b[1 to be execut$ 9 f\r blocks4 ,! pr9t 0 done 8intirely 9 ,hugo's da ,c>pi's mann]1 ) ?is ,diff]5ce1 t no ,oscuro block has a ,cont\r to resemble ! orig9al ,draw+ x 0 done f1 :i* is seldom se5 9 ,hugo's works44440 ,zanetti1 surpris$ by ! f9e quality ( ! fir/ pro(1 propos$ to pass x (f on ,m>iette 9 ,p>is z an orig9al da ,c>pi pr9t4 ,he ev5 /a9$ x & cut holes 9 x to give ! impression ( ag$ worm-eat5 pap]4 ,at ! same "t ,jackson execut$ ano!r *i>oscuro1 also bas$ on a ,p>migian9o draw+1 ! ,woman ,/&+ ,hold+ ,j> on h] ,head4 ,zanetti1 says ! ,enquiry-- 444 c>ess$ ! ,au?or ) ! highe/ ,expressions ( ,zeal = 8 ,s]vice1 prote/+ he w\ld communicate 8 ,capacity to 8 ,correspond5ts all ov] ,europe1 :i* w\ld be ! ,means to advance 8 ,=tune1 especially among/ ! ,engli% ,quality & ,g5try :o travell$ ,italy4 ,! int5t ( all ^? f9e ,promises 0 to get ! two ,sets ( ,blocks into 8 ,h&s1 :i* he expect$ z a ,pres5t = ! ,use ( ! two orig9al ,draw+s1 f :i* ^! ,pr9ts 7 tak52 b ?is n be+ comply$ )1 ! ,re/aurati express$ a ,res5tm5t at ?is ,refusal1 & took all ! ,opportunities to di/ress ! ,und]tak+s ( any ,sort p]=m$ by ,mr4 ,jackson1 dur+ f\rte5 ,ye>s ,resid5ce 9 ,v5ice4 ,zanetti 0 *>g$1 9 "s obscure way1 ) ob/ruct+ ,jackson's "w 9 cutt+ #acf blocks = ! ,i/oria del ,te/am5to ,vec*io e ,nuovo1 popul>ly kn[n z ! ,bibbia del ,nicolosi1#be publi%$ by ,g4 ,b4 ,albrizzi 9 #agcg4 ,we are in=m$ t ,filippo ,f>setti1 "o ( ,jackson's patrons1 paid him = ! :ole set ( cuts aft] rebuk+ ,zanetti = int]f]5ce4 ,footnote #be3 ,^! cuts 7 also us$ = ! ,biblia ,sacra1 publi%$ by ,h]tz 9 ,v5ice 9 #agdj4 ,! ,engli%man evid5tly 0 kept well occupi$ ) prep>+ cuts = pr9t]s1 among !m ,baglioni & ,pezzana4 ,= ! latt] he made #bd woodcuts = a qu>to edition ( a ,biblia ,sacra & an unspecifi$ numb] ( ornam5ts = a folio edition4 ,jackson 0 giv5 a free h& to conceive & c>ry out ! cuts z he pleas$4 ,:ile work+ on ^! pr9ts he began-- to consid] on 8 fav\rite ,"w 9 ,*i>o ,oscuro1 & by int]vals exam9$ :at he _h project$ at ,p>is4 ,he began fir/ to make exp]im5ts ) ,t9ts1 & hav+ prov$ t ,f\r ,impressions c\ld produce ,t5 positive ,t9ts1 besides ,tratti & ,lights2 he resolv$ to try a l>ge ,piece f ,rub5s's ,judgm5t ( ,solomon1 ) an int5t to prove :at c\ld be done ) ! ,ef=ts ( a ,type ,press be=e he laun*$ into great] ,exp5ces ) ano!r ,ma*9e4 ,he want$ ?is press 9 8 home1 :]e he c\ld exp]im5t z he pleas$ )\t ty+ up workm5 or equipm5t 9 ,pezzana's %op4 ,x might h be5 pr(essional delicacy t prompt$ him to ask ,pezzana's p]mission to h a private press built1 or x might h be5 a bid = patronage f ! g5]\s & influ5tial pr9t]4 ,9 any ev5t1 ,pezzana respond$ by hav+ 8 c>p5t]s build & in/all ! press at 8 own exp5se4 ,to avoid (ficial regi/rations or craft suspicions1 he _h x regi/]$ z 8 own4 ,! trial pro(s ( ,! ,judgm5t ( ,solomon1 pr9t$ f f\r blocks1 pleas$ ,jackson 9 e reg>d except vigor ( impression4 ,un=tunately no edition 0 publi%$1 despite ! d$ication to ,filippo ,f>setti4 ,f9i%$ 9 #agce1 ?is woodcut 0 probably ! fir/ to translate a pa9t+ 9 a full range ( tones4 ,f ! purely te*nical /&po9t x 0 an incr$ible a*ievem5t4 ,jackson creat$ a vivid approximation ( a l>ge & complex pa9t+ & at ! same "t produc$ a vigor\s woodcut4 ,f f\r sup]impos$ woodblocks1 ) almo/ no l9ework1 he 0 able to capture ! full-blood$ =ms ( ,rub5s4 ,by keep+ 8 means simple ,jackson ass]t$ ! importance ( 8 cutt+ & pr9t+1 ! expressiv5ess ( 8 draw+1 & ! fluidity ( 8 tones4 ,obvi\sly su* a proc$ure requir$ major decisions z to :at to omit & :at to /ress2 9 o!r words x requir$ int]pretive abilities ( a high ord]4 ,evid5tly ,jackson believ$ t 8 new *i>oscuro me?od requir$ heavi] pressure ?an ! plat5 press 0 capable (4 7,on ! usual wood5 screw press ! size ( ! plat5 nev] exce$$ #ac by #ai in*es1 because ! impressions made ) a l>g] plat5 w\ld n h be5 /rong en\gh2 = pr9ts l>g] ?an ! plat51 ! b$ 0 mov$ & ! plat5 pull$ d[n twice47 ,he _h ! press return$ to ,pezzana & set out to build a m suitable pr9t+ ma*9e4 ,he f\nd !re 7 o!r means to be employ$ beside a ,type ,press1 & hav+ exam9$ ! ,!ory ( 8 ,inv5tion put x 9 ,practice1 by erect+ a ,roll+ ,press ( ano!r ,con/ruction ?an :at is us$ = pr9t+ ,copp] ,plates4 ,illu/ration3 ,,illu/ration 9 ,biblia ,sacra publi%$ by ,h]tz1 ,v5ice1 #agdj1 vol4 #a4 ,orig9ally cut by ,jackson = ,albrizzi's ,i/oria del ,te/am5to ,vec*io e ,nuovo1 ,v5ice1 #agcg4 ,actual size4 ,9 ,p>is ,jackson _h sugge/$ us+ a cyl9d] press = pr9t+ wood blocks4 ,! g5tlem5 to :om ! sugge/ion 0 made1 ,c\nt de ,caylus1 ,coypel1 & ,m>iette1 7 sure t ! enorm\s pressure w\ld split ! blocks4 ,! ,engli%man1 on ! contr>y1 felt t ! pressure1 prop]ly controll$ by a *ase1 w\ld hold ! blocks toge!r4 ,pr9t+ w\ld be mu* m rapid & ! exceptional vigor ( ! impression w\ld sugge/ a h& draw+4 ,! use ( cyl9d] presses = *i>oscuro pr9t+ 0 already well kn[n to exp]ts4 ,george ,lallem& & ,ludolph ,bus9ck1 sometime betwe5 #afbc & #afdj1 _h us$ n "o b a s]ies ( six cyl9d]s on ?ree jo9$ presses1 ) ?ree pr9t]s simultane\sly ink+ sep>ate blocks ) diff]5t tones4 ,impressions 7 !n pr9t$ f ea* block 9 succession4 ,papillon#bf describ$ ?is press1 & also ano!r ) a special *ase design$ at an unspecifi$ date by ,nicolas ,le ,sueur4 ,jackson's pr9ts %[ a mu* /rong] impression ?an ^? ( ,bus9ck or ,le ,sueur4 ,no details ( 8 press are kn[n1 al?\gh ,?omas ,bewick#bg report$ t ,jackson z an old man _h %[n him a draw+ ( its con/ruction4 ,footnote #bf3 ,papillon1 vol4 #b1 #agff1 pp4 #cgb-cgc4 ,footnote #bg3 ,bewick1 #aibe1 p4 #bac4 ,illu/ration3 ,illu/ration = ,albrizzi's ,i/oria1 9 :i* x 0 cut ,no4 #acf4 ,f ,h]tz's ,biblia ,sacra1 vol4 #a4 ,actual size4 ,! cyl9d] press ( ,jackson's design 0 f9i%$ 9 #agce & paid = by ! income f prolong$ sieges ( "w = pr9t+ (fices4 ,b ! ov]work & result+ exhau/ion laid him l[2 a s]i\s illness foll[$ & = sev]al mon?s he 0 close to dea?4 ,:5 he ev5tually rega9$ 8 heal? he f\nd t 8 cuts = ,baglioni & ,pezzana _h be5 copi$ & mutilat$ by an engrav] at ,ancona4 ,?is pirate 0 enc\rag$ by ! head ( a l>ge pr9t+ e/abli%m5t newly f\nd$ 9 ,v5ice1 :o !reupon (f]$ ,jackson "w at greatly r$uc$ prices4 ,he refus$ ! (f]4 ,) hack woodcutt]s n[ /eal+ bo? 8 designs & 8 mann] ( cutt+1 & work+ at a f> l[] rate ?an he c\ld af=d1 he f\nd t ! m>ket = 8 high] pric$ "w _h almo/ entirely disappe>$4 ,he /ill receiv$ occasional commissions1 among o!rs ! title page to a translation ( ,suetonius' ,lives ( ! ,twelve ,caes>s1 pr9t$ by ,piac5t9i 9 ,v5ice 9 #agch4 ,8 spl5did design1 :i* %[s consid]able bur9 "w1 is at odds ) ! crudity ( ! rema9d] ( ! book4 ,inf]ior h&s reproduc$ 9 woodcut outl9e ,hub]t ,goltzius' m$allion portraits ( ,roman emp]ors1 orig9ally execut$ 9 *i>oscuro 7see p4 #bb74 ,/imulat$1 no d\bt1 by ! comb9ation ( *i>oscuro & antiquity1 ,jackson produc$ a portrait ( ,julius ,caes> 9 f\r tones ( br[n aft] ,egidius ,sadel]'s engrav+ ( a subsequ5tly lo/ pa9t+ attribut$ to ,titian4 ,?is 0 n ! only "t ,jackson translat$ a l9e engrav+ & add$ *i>oscuro model+ ( 8 own4 ,he did n make l9e-=-l9e copies4 ,jackson 0 int]e/$ 9 broad effects ev5 :5 lean+ heavily on ! delicate l9e> conv5tions ( l9e engrav+4 ,! l9es1 !re=e1 are firm & widely spac$1 l photographically enl>g$ details ( copp]-plate "w4 ,app>5tly ,jackson felt t ! addition ( "o or two tones f wood blocks w\ld supply ! int]m$iate t9ts & at ! same "t w\ld prev5t ! l9e sy/em f becom+ obtrusive4 ,! decid$ influ5ce ( l9e engrav+ 0 probably ! result ( 8 association 9 #agca ) ,g4 ,a4 ,faldoni 9 ,v5ice4 ,influ5c$ by ,claude ,mellan1 ?is engrav] made use ( swell+ p>allel l9es to create tonal gradations4 ,jackson _h fir/ become int]e/$ 9 ?is te*nical me?od ?r\gh ,ecman's woodcuts aft] ,callot1 & once ,faldoni _h /r5g!n$ ! attraction he f\nd k9dr$ influ5ces 9 ! engrav+s ( ,villam5a & ,alb]ti1 p>ticul>ly ! =m]1 f :om he also acquir$ design ideas he lat] put to use 9 8 wallpap]s4 ,jackson's discov]y t he c\ld to "s ext5t use copp]-plate te*niques 0 n a rev]sion to ! /yle ( ! ,p>isian gr\p ( ,le ,cl]c copyi/s4 ,jackson us$ ! l9e sy/em z a means = creat+ =ms 9 conjunction ) tones2 ! ,p>isian woodcutt]s us$ x to imitate ! delicate quality ( l9e engrav+4 ,he _h a =mal ae/hetic end 9 view2 _! purpose 0 to r5d] reali/ic details 9 a decorative framework4 ,) opportunities = book illu/ration gone1 ,jackson 0 9 a difficult position4 ,8 novel *i>oscuro exp]im5ts _h consum$ valuable "t & _h lo/ him 8 /&+ z a /eady work] = pr9t]s4 ,ne> de/itution & sc\t+ ar\nd = fre% applications ( ! woodcut1 he decid$ to make pr9ts = wallpap] on 8 new press4 ,x 0 a logical /ep = ,jackson1 n only because he knew some?+ ( ! process b also because he c\ld make use ( ! *i>oscuro blocks already prep>$4 ,late 9 #agcg or e>ly 9 #agch he _h 8 fir/ samples ready & s5t !m to ,rob]t ,dunb> 9 ,london1 toge!r ) 8 conditions = c>ry+ on ! trade 9 ,v5ice4 ,negotiations dragg$1 & ,dunb> di$ be=e !y c\ld come to t]ms1 b ! idea ( us+ 8 skill & 8 ma*9e = turn+ out wallpap] cont9u$ to occupy 8 m9d z a possibility4 ,b1 = ! "t1 ! und]tak+ _h to be laid aside :ile ,jackson look$ = m imm$iate means ( employm5t4 ,at ?is juncture ,joseph ,smi? befri5d$ him4 ,a m]*ant ( long /&+ 9 ,v5ice1 :o became ! ,briti% consul !re 9 #agde1 ,smi? 0 a bibliophile1 gem collector1 & connoisseur ( ! arts4 ,9 spite ( ,walpole's sne]+ ref]5ce to him z 8! m]*ant ( ,v5ice10 x mu/ be said t he 0 exp]t 9 8 fields ( int]e/4 ,he _h excell5t ta/e4 ,8 f9e collection ( books 0 pur*as$ by ,george ,,iii 9 #agfe1 & ! small ,rembr&t ,desc5t f ! ,cross once 9 8 possession is n[ 9 ! ,national ,gall]y 9 ,london4 ,f ,smi?'s bronze /atuette ( ,neptune1 by ,giovanni da ,bologna1 ,jackson produc$ a *i>oscuro pr9t 9 f\r blocks1 9 imitation1 he ass]t$1 ( ! pr9ts ( ,&rea ,&reani4#bh ,9 sugge/+ ! influ5ce ( ?is ma/]1 ,jackson did n ref] to 8 te*nique or /yle b to 8 subject3 9 #aehd-aehe ,&reani _h produc$ a *i>oscuro s]ies aft] o!r /atues by ,giovanni da ,bologna 7,b4 ,,xii1 ,,vi1 #a-d74 ,footnote #bh3 ,! ,neptune 0 pr9t$ on a type press4 ,"o ( ! blocks split 9 pr9t+ & ,jackson /at$ t !reaft] he us$ ! cyl9d] press exclusively4 ,! next "w 9 ,smi?'s collection to be reproduc$ 9 *i>oscuro 0 ,rembr&t's ,desc5t f ! ,cross4 ,jackson 0 evid5tly well satisfi$ ) ! results1 & ) good reason4 ,x is an extremely effective pr9t1 ) pale yell[ lights & transp>5t %ad[s4 ,! draw+ is rem>kable 9 its feel+ = ! ,rembr&tesque /yle4 ,! sky & o!r p>ts %[ ,engli% :ite-l9e bur9 "w ( ! type f\nd 9 ,mattaire's ,lat9 ,classics & ,croxall's ,aesop's ,fables4 ,! ,enquiry says 7p4 #de73 ,z ?is ,pa9t+ 0 extremely fav\rable = ?is sort ( ,pr9t+1 he endeav\r$ to display all 8 ,art 9 ?is ,p]=mance1 & ! ,draw+ ( ,rembr&t's ,/ile is intirely pres]v$ 9 ?is ,pr9t2 x is d$icat$ to ,mr4 ,smi?1 :o g5]\sly gave ! ,pr9ts to all ,g5tlem5 :o came to ,v5ice at t "t 9 ord] to recomm5d ! ,tal5ts ( a ,man ^: ,indu/ry might please ! curi\s1 & at lea/ be ( "s ,use to procure him ,enc\ragem5t to proce$ 9 o!r ,works ( t ,k9d4 ,enc\ragem5t soon came4 ,smi? int]e/$ two ( 8 fri5ds1 ,*>les ,fr$]ick & ,sm>t ,le?ieulli]1 & ! ?ree propos$ 9 #agci ! und]tak+ ( a gr& project 9 *i>oscuro1 ! reproduction ( #ag huge pa9t+s by ,v5etian ma/]s4 ,?is 0 to be f9anc$ by subscription1 says ! ,enquiry 7p4 #df73 ! ,proposals 9 ,fr5*1 & ! ,conditions express$ !re91 7 drawn up z !y ?\ght prop]1 )\t consult+ ! ,difficulties t mu/ att5d an ,ent]prize t requir$ "s ye>s to accompli%4 ,_! own subscriptions 7 no d\bt g5]\s b ,jackson f\nd t 8 total income f ?is =m ( f9anc+1 toge!r ) possible future sales1 w\ld h>dly cov] 8 exp5ses4 ,o!r haz>ds made 8 situation ev5 worse4 ,w> broke out 9 ,europe be=e he 0 halfway ?r\gh1 & _m ,engli% g5tlem51 8 pot5tial subscrib]s1 left ! c\ntry4 ,?is exodus meant f9ancial disa/]1 b ,jackson kept at 8 task4 ,he %\ld1 he said1 h gone to ,engl& = 8 own be/ int]e/s b felt t he c\ldn't disappo9t 8 di/+ui%$ patrons4 ,! fir/ pr9t complet$ 0 aft] ,titian's ,/4 ,pet] ,m>tyr at ! ,dom9ican ,*ur* ( ,/s4 ,giovanni & ,paolo4 ,9 color+ x is simil> to ! ,rembr&t pr9t1 ) gray-gre5 sky1 yell[ lights1 & cool br[n %ad[s4 ,:ile attractive & =ceful1 x is n z effective z ! ,rembr&t because ,titian1 ) 8 great] range ( color1 pres5t$ a m complex problem4 ,mo/ ( ! pr9ts !reaft] lean$ to mono*romes 9 ei!r br[ns or gre5s4 ,! ,/4 ,pet] 0 f9i%$ 9 #agci & 9 ! same ye> five m pr9ts 7 br\ght to completion4 ,9 #agdj he produc$ ! ?ree %eets :i* made up ,t9toretto's ,crucifixion 9 ! ,scuola di ,san ,rocco4#bi ,^! 7 int5d$ to be jo9$1 if desir$1 to =m "o long pr9t measur+ ab\t #bb #ej in*es4 ,footnote #bi3 ,jackson m5tion$ t he 0 se5 draw+ ! blocks 9 ! pres5ce ( ,sir ,rog] ,newdigate1 ,sir ,b\*i] ,wrey 8& o!r g5tlem5 ( di/9ction40 ,! reason = su* ref]5ce 0 probably "s comm5t t he might h trac$ 8 outl9es f ,ago/9o ,c>racci's #aehb engrav+ ( ! same subject 9 ?ree l>ge %eets 7,b4 #bc71 ea* ( :i* jo9s ! o!rs at precisely ! same places z ,jackson's %eets4 ,i am indebt$ to ,dr4 ,jakob ,ros5b]g ( ! ,fogg ,museum = po9t+ out ^! simil>ities4 ,( ! t5 rema9+ subjects1 ! la/1 ,jacopo ,bassano's ,dives & ,laz>us1 0 f9i%$ at ! end ( #agdc1 & ! set ( #bd plates 7"s pa9t+s1 z not$1 7 reproduc$ 9 ?ree %eets & "s 9 two7 0 publi%$ z a b\nd volume by ,j4 ,b4 ,pasquali 9 ,v5ice1 #agde1 "u ! title ,titiani ,vecelii1 ,pauli ,cali>ii1 ,jacobi ,robu/i et ,jacobi de ,ponte2 op]a selectiora a ,joanne ,bapti/a ,jackson1 ,anglo1 ligno coelata et coloribus adumbrata4 ,! ,v5etian pr9ts 7 n m]ely an ext5sion ( *i>oscuro1 !y repres5t$ a d>+ ef=t to g beyond l9e engrav+ = reproduc+ pa9t+s4 ,ju/ification = ?is attempt is giv5 9 ! ,essay 7p4 #f73 444 & ?\gh ^? delicate ,f9i%+s1 & m9ute ,/rokes1 :i* make up great ,"p ( ! ,m]it ( engrav+ on ,copp]1 are n to be f\nd 9 ^? cut on ,wood 9 ,*i>o ,oscuro2 yet !re is a ma/]ly & free ,draw+1 a boldness ( ,engrav+ & ,relief1 :i* pleases a true ,ta/e m ?an all ! little ,exactness f\nd 9 ! ,engrav+s on ,copp] ,plates 444 & inde$ has an ,effect :i* ! be/ ,judges v (t5 pref] to any ,pr9ts f ,engrav+s1 done ) all t ,exactness1 m9ute ,/rokes ( ! ,grav]1 & ,neatness ( ,"w1 :i* is sure to captivate ! ,m9ds ( ^? ^: ,ta/e is =m$ ^u ! little ,consid]ations ( delicately h&l+ ! ,tools1 & n ^u ! ,fre$om1 ,life & ,_s ( ! sep>ate ,figures1 & inde$ ! :ole ,composition4 ,a novel device1 emboss+1 0 employ$ to give add$ /r5g? to ! pr9ts4 ,?is developm5t _h be5 =e%ad[$ by e>li] pr9ts & pages ( text :i* %[$ a slight ind5tation :]e ! damp5$ pap] receiv$ ! impression4 ,emboss+ _h probably fir/ be5 us$ sy/ematically by ,eli%a ,kirkall 9 #agbb-bd1 & by ,ar?ur ,pond 9 8 *i>oscuros1 made 9 #agcb-cf 9 conjunction ) ,george ,knapton1 aft] draw+s by old ma/]s4 ,jackson admir$ ,pond's "w ev5 ?\gh x comb9$ et*$ outl9es ) two tone blocks pr9t$ f wood4#cj ,pond's emboss+ 0 delicate & appli$ sp>ely only 9 c]ta9 =ms1 su* z ru9$ columns1 b ,jackson's sunk5 areas 7 heavi] & frank]1 consci\sly int5d$ to give an all-ov] effect4 ,s9ce ! pap] c\ld n be press$ out )\t weak5+ ! emboss+1 x (t5 took on ! sc>r$ & buckl$ look t *>act]izes ! ,v5etian *i>oscuros4 ,footnote #cj3 ,enquiry1 p4 #ce4 ,! ,japanese began to use emboss+ ab\t #agcj4 ,see ,rei*el1 #aibf1 p4 #dh4 ,! set _h occupi$ him = #d ye>s1 dur+ :i* he _h plann$1 cut1 & pro($ #id blocks4 ,no soon] 0 t end$1 & a little ,brea?+ requir$ aft] t imm5se ,fatigue1 9 ! ,ye> #agdd he attempt$ to pr9t 9 ,col\rs1 & publi%$ six ,l&skips 9 ,imitation ( ,pa9t+ 9 ,acqu>ello4 ,illu/ration3 ,title page = ,gajo ,suetonio tranquillo1 le vite de'dodici ,ces>i1 ,piac5t9i1 ,v5ice1 #agch4 ,?is new set1 d$icat$ to ,rob]t d',arcy1 ,briti% ,ambassador to ! ,republic ( ,v5ice1 0 bas$ on g\a*e pa9t+s by ,m>co ,ricci1 probably done on goatsk9 or lea!r 9 8 usual mann]4 ,= ,jackson to make ^! color pr9ts 0 a logical /ep1 s9ce 8 "w _h t5d$ t[>d ! full *romatic range ev5 9 ! *i>oscuros1 :i* 8adumbrat$0 color4 ,8 new pr9ts 7 all color-- cle>1 s5sitive1 & tonally j4 ,x is n surpris+ t he seiz$ ^u ,ricci's opaque wat]colors4 ,! pa9t+s ( ! ,v5etian ma/]s _h d>k5$ 9 ill-lit *ur*es1 ! %ad[s _h become murky1 !re 7 too _m figures4 ,b ! ,ricci pa9t+s 7 small & cle>ly patt]n$1 ! color sp>kl$4 ,! orig9al g\a*es h n be5 locat$1 b f o!r examples 9 ! same mann]1 9 ,buck+ham ,palace & 9 ! ,uffizi1 x is pla9 t ,jackson took c]ta9 lib]ties4 ,ricci's r %>p colors 7 consid]ably modifi$ & mell[$ :5 !y w]5't *ang$ entirely3 witness ! two sets 9 diff]5t h>monies 9 ! ,briti% ,museum4 ,pet] ,a4 ,wick 7#aiee7 believes x mo/ likely t ,jackson did n copy specific pa9t+s1 & sugge/s t details f ,ricci's et*+s & g\a*es 7 comb9$ & freely am5d$ to create ,ricci-l designs4 ,hav+ det]m9$ 8 color s*eme ,jackson cut sev5 to t5 blocks1 ea* design$ to be> an individual color :i* 0 to comb9e ) o!rs :5 necess>y to =m new colors4 ,no outl9e block 0 us$4 ,to obta9 v>iations f light to d>k 9 ea* pigm5t ,jackson scrap$ d[n ! blocks ) a knife2 he ?us l[]$ ! surfaces slightly & creat$ por\s textures :i* w\ld introduce ! :ite pap] or ! und]ly+ color4 ,exam9ation ( ! pr9ts cle>ly %[s granul> textures 9 ! light areas4 ,scrap+ to light5 impressions 0 a common proc$ure 9 black-&-:ite pr9tmak+1 & 0 describ$ by bo? ,papillon & ,bewick4 ,9 addition ,jackson no d\bt us$ und]lays1 t is1 small pieces ( pap] pa/$ 9 lay]s ( dim9i%+ size on ! backs ( ! blocks :]e ! color 0 mo/ int5se4 ,! pressure 0 !re=e greate/ 9 ! deepe/ notes & lighte/ 9 ! scrap$ p>ts4 ,! copp] plate press enabl$ ,jackson to get good regi/] )\t mak+ m>ks on ! blocks4 ,! pap] 0 damp5$ & fa/5$ to ! *ase at "o end4 ,aft] ea* impression ! next ink$ block 0 slid into ! *ase & pr9t$ wet into wet4 ,problems ( regi/] 7 elim9at$ because ! %eets 7 held 9 place at all times1 ! blocks fitt+ ! same =m4 ,no d\bt ! pap] 0 spr9kl$ ) wat] on ! rev]se side aft] ea* impression to elim9ate %r9k+ & to keep x s(t = pr9t+4 ,?is me?od w\ld expla9 ,jackson's transp>5t effects4 ,al?\gh ! ,ricci pr9ts 7 c]ta9ly ! mo/ ambiti\s & complexly plann$ pr9ts ( ! c5tury1 ! cutt+ is crisp & decisive & ! effect fre% & unlabor$4 ,z 9 ! ,v5etian set emboss+ is consci\sly appli$4 ,mo/ likely ,jackson impress$ ! f9i%$ pr9ts1 specially r$amp5$ = ! purpose1 ) "o or two ( ! un9k$ blocks4 ,jackson int]pret$ ,ricci's qualities ) great _s1 & 9 do+ s he lib]at$ ! color woodcut f its old conv5tions4 ,! 8true0-color pr9ts he produc$ 9 ! m$ium prec$$ ! ,japanese1 if n ! ,*9ese4#ca ,9 ,japan1 x mu/ be rememb]$1 simple color pr9t+ 9 rose & gre5 supplant$ h& color+ 9 ab\t #agda1 & rudim5t>y poly*rome pr9ts c be dat$ z e>ly z #agde1 b1 z ,b9yon#cb puts x1 8x 0 n until #agfd t ! fir/ r t5tative ni%iki-ye1 or complete col\r-pr9ts 7 produc$ 9 ,y$o1 & ! long reign ( ! ,primitives came to an end40 ,footnote #ca3 ,altdorf]'s ,beautiful ,virg9 ( ,ratisbon1 ab\t #aebj1 7,b4 #ea1 vol4 #h1 p4 #gh7 made use ( five colors 9 "s impressions 7,lippmann describes "o ) sev5 colors7 b ^! 7 us$ prim>ily = decorative1 n naturali/ic purposes4 ,footnote #cb3 ,laur5ce ,b9yon1 ,a ,catalogue ( ,japanese ,*9ese ,woodcuts 9 ! ,briti% ,museum1 ,london1 #aiaf1 p4 xx1 introduction4 ,9 mak+ 8 ,ricci pr9ts ,jackson s\ght a me?od ( color pr9t+ t w\ld ov]come ! defici5cies ( ,jacob ,*ri/oph ,le ,blon's ?ree-color mezzot9t process4 ,le ,blon1 a ,fr5*man born 9 ,g]many1 _h begun exp]im5t+ ) color pr9t+ z e>ly z #agje4 ,8 idea 0 to split ! *romatic compon5ts ( a picture into ?ree basic hues-- blue1 r$1 & yell[-- 9 gradations ( int5sity s t v>y+ am\nts ( color1 ea* on a sep>ate copp] plate1 c\ld be pr9t$ 9 sup]imposition to recon/itute ! orig9al picture4 ,?is 0 bas$ ^u a simplification ( ,newton's sev5 prim>ies4 ,lat]1 ,le ,blon add$ a f\r?1 black plate4 ,incr$ibly1 ?is is ! pr9ciple ( mod]n comm]cial color pr9t+1 ! only diff]5ce be+ t ,le ,blon did n h a cam]a1 color filt]s1 & ! halftone scre5 at 8 disposal & _h to make ! sep>ations by h&4 ,le ,blon came to ,london 9 #agai1 produc$ an enorm\s numb] ( color pr9ts1 publi%$ 8 ,coloritto1 or ! ,h>mony ( ,col\r+ 9 ,pa9t+ 9 a v small edition ab\t #agbb 7x is undat$71 & %ortly !reaft] fail$ disa/r\sly4 ,ab\t #agcc he return$ to ,p>is1 :]e he attract$ a few foll[]s4 ,mo/ ( 8 pr9ts h disappe>$1 only ab\t fifty be+ kn[n at pres5t4 ,illu/ration3 ,trial pro( ( ! key block ( c5t] %eet ( ,! ,crucifixion1 aft] ,t9toretto4 ,national ,gall]y ( ,art 7,ros5wald ,collection74 ,illu/ration3 ,,trial ,,pro( ( ! key block ( ,*ri/ on ! ,m\nt ( ,olives1 aft] ,bassano4 ,national ,gall]y ( ,art 7,ros5wald ,collection74 ,! idea ( full-color pr9t+1 !n1 0 9 ! air1 al?\gh lat]1 9 ! ,enquiry1 ,jackson took pa9s to /ate t he _h n be5 foll[+ 9 ! foot/eps ( ! ,fr5*man1 :o1 he claim$1 _h made s]i\s mi/akes4 ,! ,curi\s may ?9k t ?is ,t5tam9e 0 tak5 f ! celebrat$ ,mr4 le ,blond2 ,i mu/ "h take ! ,lib]ty to expla9 ! ,diff]5ce4444 ,numb]s are conv9c$ already1 t ! pr9t+ ,copp]-plates done ) ,fumo or ,mezzot9to1 are ! mo/ subject to we> out ! soone/ ( any sort ( ,engrav+ on t ,metal4 ,_h ?is "o ,article be5 prop]ly consid]$1 le ,blond1 mu/ h se5 ! impossibility ( pr9t+ any ,quantity f 8 repeat$ ,impressions ( ,blue1 ,r$1 & ,yell[ ,plates1 s z to produce only ,tw5ty ( ^! pr9t$ ,pictures to be alike4 ,?is is obvi\s to e "o :o has any ,k1 or has se5 ! clean+ ( ,copp]-plates aft] ! ,col\r 0 laid on2 ! delicate f9i%+ ( ! ,fle% mu/ infallibly we> out e "t ! ,plate is clean$1 & all ! t5d] light ,%ad[+ ( any ,col\r mu/ soon become :ite 9 proportion z ! ,plate we>s4 ,! ,nature ( ,impression be+ ov]look$ at fir/1 0 ! pr9cipal ,cause t ,und]tak+ came to no?+1 not)/&+ ! imm5se ,exp5ce ! ,proprietors 7 at to h a few imp]fect ,pro(s at be/1 s9ce x is evid5t !y c\ld be no o!r4 ,! new inv5t$ ,me?od ( pr9t+ 9 ,col\rs by ,mr4 ,jackson is "u no ,appreh5sion ( be+ wore out s soon4444 ,:atev] has be5 done by our ,engli% ,arti/1 0 all pr9t$ ) ,wood ,blocks ) a /rong ,relievo1 & 9 ,sub/ance suffici5t to draw (f almo/ any numb] t may be requir$4 ,:at ,jackson neglect$ to m5tion 0 ! difficulty ( repeat+ transp>5t color effects ) l>ge planks ( wood4 ,few exi/+ impressions mat* ea* o!r & "s pr9ts are (f regi/]4 ,:at sav$ him 0 8 f9e color s5se1 8 brilliance z a woodcutt]1 & 8 dis9cl9ation to make lit]al color reproductions4 ,! "w t ,jackson left beh9d became a "p ( ! cultural h]itage ( ,v5ice1 valu$ on its own acc\nt z well z = its connection ) ! city4 ,zanetti#cc describes ! ,v5etian set & ,zanotto1#cd 9 8 ,guida ( #ahef1 urges a visit to ! ,*iesa ,abaziale della ,mis]icordia1 :i* evid5tly _h on p]man5t exhibition a 8p]fectly unique collection ( woodcuts 9 v>i\s colors by ,jackson1 q unmat*$40 ,footnote #cc3 ,zanetti1 #agib1 pp4 #fhi1 #gaf4 ,footnote #cd3 ,zanotto1 #ahef1 p4 #cbj1 note #c4 ,gallo#ce says t "s ( ,jackson's blocks f\nd _! way to ! pr9t+ h\se ( ! ,remond9i & 7 us$ to /rike (f new impressions1 aft] :i* !y became ! prop]ty ( ! ,typografia ,pozzato 9 ,bassano4 ,?is might expla9 "s ( ! inf]ior examples ( ! ,v5etian set :i* c\ld h>dly h come f ! presses ( ,jackson or ,pasquali4 ,footnote #ce3 ,gallo1 #aida1 pp4 #bc-bc4 ,jackson's blocks are n li/$ 9 ! ,remond9i catalog ( #ahag4 ,engl& ,aga93 ,! ,wallpap] ,v5ture ,jackson 0 m>ri$ 9 ,v5ice-- :e!r to an ,italian we d n "k-- & :5 he left ! city 9 #agde to return to ,engl& he took a family along4 ,he m5tions 8an impov]i%'d ,family0 9 ! ,essay1 b beyond ?is we "k no?+ ( 8 p]sonal life4 ,z soon z he arriv$ 9 ,engl& he 0 invit$ to "w 9 a calico e/abli%m5t1 :]e he rema9$ ab\t six ye>s4 ,b mak+ draw+s to be pr9t$ on clo? fail$ to give him ! scope he requir$4 ,at ! back ( 8 m9d 0 ! passion to "w ) woodblocks 9 color4 ,?is l$ him to take a bold & haz>d\s /ep-- to leave 8 position & attempt1 obvi\sly ) little capital1 ! manufacture ( wallpap]1 n to please an e/abli%$ ta/e b to educate ! public to a new type ( product4 ,wallpap] _h come into popul> use 9 ,engl& 9 ! late #ag? c5tury1 hav+ be5 obta9$ f ,*9a by ! ,ea/ ,india ,company4 ,^! h&-pa9t$ wall hang+s1 import$ at great co/ & 9 small quantities1 7 correspond+ly exp5sive4 ,! subjects 7 gay & fanciful-- birds1 fans1 ,*9ese kiosks1 pagodas1 & fl[]s4 ,highly desir$ because !y (f]$ an escape f ! heavy gr&eur ( ! ,b>oque /yle1 !y 7 subsequ5tly imitat$ by assembly-l9e me?ods4 ,!y fitt$ naturally into ! develop+ rocaille /yle 7corrupt$ into ,rococo outside ( ,france71 & x is n surpris+ t !y 7 also produc$ ext5sively 9 ,p>is4 ,9 ,engl& ^! imitations1 :i* =m$ a sub/itute = exp5sive velvet & damask hang+s1 completely dom9at$ ! wallpap] field4 ,! fir/ notice ( ,jackson's v5ture appe>$ 9 ! ,g5tleman's ,magaz9e ( ,febru>y #ageb4cf ,a lett] sign$ 8,y4 ,d40 prais$ ! editor 8,sylvanus ,urban0 = attempt+ to revive ! art ( cutt+ on wood4 ,x m5tion$ t ?is art 0 9 decl9e = m ?an a c5tury1 b not$ t-- ,two ( our c\ntrym51 ,e4 ,kirkall & ,j4 ,b4 ,jackson1 ought to be exempt$ f ?is g5]al *>ge2 ! =m] hav+ a few ye>s ago introduc$ ! ,*i>o ,oscuro ( ,hugo de ,c>pi into ,engl&1 ?\gh he met ) no extraord9>y enc\ragem5t = 8 +5uity2 & ! art _h di$ ) him _h n ! latt] attempt$ to revive x1 b ) less enc\ragem5t ?an 8 pr$ecessor4 ,mr4 ,jackson1 h[ev]1 has lately inv5t$ a new me?od ( pr9t+ pap] hang+s f blocks1 :i* is v ornam5tal1 & exce$s ! common me?od ( pap]-/a9+ 7z x is t]m$7 by ! delicacy ( 8 draw+s1 ! novelty ( 8 designs1 & ! ma/]ly arrangem5t ( 8 pr9cipal figures4 ,footnote #cf3 ,vol4 #bb1 pp4 #gg-gi4 ,! next notice appe>$ 9 ! ,london ,ev5+ ,po/ ( ,april #cj-,may #b1 #ageb3 ,new inv5t$ ,,pap] ,,hang+s1 pr9t$ 9 ,oyl1 :i* prev5ts ! fad+ or *ang+ ( ! ,col\rs2 z also ,l&scapes pr9t$ 9 ,col\rs1 by ,j4 ,b4 ,jackson1 ,reviv] ( ! ,art ( pr9t+ 9 ,*i>o ,oscuro1 are to be _h at ,dunb>'s ,w>eh\se 9 ,ald]manbury1 ,london2 or ,mr4 ,gibson's1 ,booksell]1 opposite ! ,/4 ,alban's ,tav]n 9 ,*>les-/reet ne> ,/4 ,james's-,squ>e1 & no :]e else4 ,sev]al mon?s aft]w>ds1 9 ! ,septemb] #ageb issue ( ,g5tleman's ,magaz9e1 publication ( ! ,enquiry into ! ,orig9s ( ,pr9t+ 9 ,europe 0 ann\nc$4 ,! ,enquiry is an odd book4 ,x comb9es rewritt5 v]sions ( two ,jackson manuscripts1 a /udy ( ! orig9s ( pr9t+ 9 ,europe & an autobiographical j\rnal cov]+1 we suppose1 ! ye>s f ab\t #agbe on4 ,! writ]1 9 8 introduction1 says t he _h be5 attract$ by ! two notices m5tion$ & w5t to see ,jackson1 :om he already knew by reputation4 ,z a 8,lov] ( ,art0 he consid]$ x 8 duty to acqua9t ! public ) ,jackson's ideas conc]n+ ! orig9s ( pr9t+4 ,^! ideas1 he felt1 7 an important contribution4 ,aft] devot+ half ! little book to a rambl+ acc\nt ( ?is subject1 includ+ a %ort hi/ory ( woodcutt+ f ,dr] onw>d1 ! au?or sudd5ly %ifts to ! j\rnal4 ,x is regrettable t he cond5s$ x because we d n "k :at 0 left out4 ,x is possible t mu* autobiographical in=mation 0 exclud$1 z well z a picture ( woodcutt]s & woodcutt+ ( ! "t4 ,! book concludes ) ! /atem5t t ,jackson int5d$ to pr9t 9 ,octob] ( t ye> 7#ageb7 a pap] hang+ 9 two %eets aft] an orig9al pa9t+ 8by ,f4 ,simonnetta ( ,p>ma0#cg repres5t+ ! battle f\ght ne> t city 9 #agch4 ,footnote #cg3 ,!re is little d\bt t ,jackson meant ,francesco ,simon9i 7#afhf-agec71 a pa9t] ( battle subjects :o 0 born 9 ,p>ma & liv$ 9 ,v5ice 9 ! #agdj's4 ,?is pr9t 0 to be 9 full color1 #c feet #f in*es long by #b feet high1 & 0 to s]ve z a specim5 = a s]ies ( f\r ( ! same size1 ! o!rs be+ 8,hi/ory1 ,pictures & ,l&scapes40 ,!y 7 to be done by subscription3 ,no ,money w be requir$ ( ! ,subscrib]s till ! ,pr9ts are f9i%$1 & only at ! ,deliv]y4 ,x is to be hop$ ! ,curi\s & ! ,public w enc\rage ?is ,und]tak+1 by a ,man :o has sp5t ! greate/ ,"p ( 8 ,life 9 se>*+ aft] & improv+ an ,art1 believ$ by all to be lo/1 & has re/or$ x to ! ,condition we n[ see x 9 8 ,works4 ,! only kn[n copy ( ?is battle picture1 made f ab\t sev5 blocks1 is 9 ! ,pr9t ,room ( ! ,briti% ,museum4 ,x is a magnific5t piece4 ,probably no?+ ) ?is bread? ( h&l+ _h ev] be5 done 9 woodcut be=e4 ,! color is grave & beautifully h>moniz$1 al?\gh ! pap] has det]iorat$ & ! colors h d>k5$ some:at4 ,! blocks 7 cut ) ardor1 almo/ fury2 ev]y?+ is br\ght to life ) ma/]ly assurance4 ,m>t9 ,h>die1 :o made ! only previ\s comm5t on ?is pr9t1 :i* he c\ld only surmise 0 ,jackson's1 says3#ch 8,jackson's supreme a*ievem5t is a l>ge battle sc5e1 ) wond]ful masses ( ri* col\r sup]bly bl5d$1 rem9isc5t ( ,velasquez 9 bread?1 9 dignity1 & 9 glory ( tone40 ,footnote #ch3 ,h>die1 #aijf1 p4 #bc4 ,!re 7 competitors 9 ,london1 among !m ,mat?ias ,d>ley1 :o produc$ pap]s 9 ! ,*9ese /yle2 ,?omas ,bromwi*1 :o 0 patroniz$ by ,walpole2 & ,rob]t ,dunb>1 ,jr41 ( ,ald]manbury1 :o 9 addition sold ,jackson's pap]s4 ,!y lack$ bo? ,jackson's gifts & 8 unreasonable /&>ds b !y produc$ m g5]ally acceptable wallpap] ) great] facility4 ,^! competitors did n "w 9 oil colors1 l ,jackson4 ,transp>5t t9ts 7 too difficult to control1 especially :5 appli$ ) ink+ balls 7composition roll]s did n come into use until well aft] #ahjj71 & effects 7 too heavy4 ,!y us$ di/emp]-- p[d]$ color mix$ ) glue & wat]1 ) *alk add$ to give body4 ,?is 0 sometimes appli$ ) woodblock or /5cil b mo/ (t5 x 0 simply pa9t$ 9 by h& ov] a blockpr9t$ outl9e4 ,(t5 ! pa9t+ 0 done directly on ! wall aft] ! pap] 0 hung4 ,^! wallpap]s 7 weak :5 exam9$ critically1 b nobody worri$ z long z a light bright pa/el effect 0 obta9$4 ,jackson's vigor\s draw+ & woodcutt+ 7 out ( place 9 ?is field4 ,!y 71 l 8 tonal exactitude t made holes 9 ! wall1 a di/raction & an (f5se aga9/ int]ior decoration4 ,jackson's bus9ess1 !re=e1 did n prosp]4 ,9 a la/ ef=t to /ir up public int]e/ he publi%$1 9 #aged1 8 well-kn[n little book1 ,an ,essay on ! ,inv5tion ( ,engrav+ & ,pr9t+ 9 ,*i>o ,oscuro1 illu/rat$ ) eight pr9ts 9 8prop] col\rs40 ,x sold = two %ill+s & sixp5ce4 ,! /yle 0 r florid b 8 argum5ts 7 pres5t$ ) su* vigor t x is easy to see :y critics h f\nd x difficult to refra9 f quot+ at l5g?4 ,! ma9 body ( text is only eight pages long1 ) an additional eight pages ( subsidi>y descriptive mat]ial atta*$ to ! pictures4 ,on ! title page appe>$ 8 favorite passage f ,pascal1 us$ previ\sly on ! title page ( ! ,enquiry3 8,ceux qui sont capables d'inv5t] sont r>es3 ceux qui n'inv5t5t po9t sont en plus gr& nombre1 et p> consqu5t les plus =ts40 ,! fir/ few pages ( ! ,essay enl>ge on ?is !me3 ,x has be5 too g5]ally ! ,fate ( ^? :o set !mselves to ! ,inv5t+ any ,?+ t requires ,tal5ts 9 ! ,discov]y1 to apply all _! ,faculties1 exhau/ _! ,=tune1 & wa/e _! :ole ,"t 9 br++ t to ,p]fection1 :i* :5 obta9$1 ,age1 ,dea?1 or ,want ( suffici5t ,supplies1 obliges !m to rel9qui%1 & to yield all ! ,advantages :i* _! ,hopes _h flatt]$ !m )1 & :i* _h support$ _! ,spirits dur+ _! ,fatigues & ,difficulties1 to o!rs2 & ?us leave beh9d !m an impov]i%'d ,family incapable to c>ry on _! ,p>5t's ,design1 & too (t5 compla9+ ( ! project+ ,g5ius ( t ,fa!r :o has ru9'd !m1 ?o' he has enri*$ ! ,nation to :i* he belong$1 & to :i* ( ,consequ5ce he 0 a laudable ,b5efactor4 ,he proce$s 9 ?is bitt] ve9 = a "t1 !n br+s into ! op5 ! ma9 purpose ( ! book3 ,ano!r ,reason p]haps is1 t ! ,arti/ be+ totally engag$ 9 ! ,pursuit ( 8 ,discov]y1 has b little ,"t to apply to ! ,lov]s & ,enc\rag]s ( ,art = _! ,patronage1 ,protection1 & ,supplies necess>y = ! c>ry+ on su* a ,design1 or he has n ,p[]s to set ! ,advantage :i* w\ld result f x 9 a true ,light2 nor communicate 9 ,words :at he cle>ly conceiv$ 9 ,idea3 = c]ta9ly !re are ,m5 en\gh1 :o f ! m]e ,desire ( increas+ _! ,weal?1 w\ld give him t ,assi/ance1 :i*1 l ! artificial ,heat ( a ,gre5h\se1 w\ld br+ t ,art to a ,rip5ess1 :i* w\ld o!rwise langui% & die "u ! ,coldness ( ! fir/ ,design]1 & :i* 9 ?is ,union ( ,ri*es & ,inv5tion w\ld yield mutual ,advantage to bo?4 ,!re are besides ?is among/ ! ,great1 )\t ,d\bt1 _m :o w\ld gladly l5d _! ,patronage to ris+ ,arts1 if !y knew _! ,au?ors4444 ,he gives z example ! ,duke ( ,cumb]l&1 :o _h j sponsor$ a tape/ry plant at ,fulham1 & foll[s ) an outl9e ( ! honorable traditions ( ! woodcut1 po9t+ out t ,dr]1 ,titian1 ,salviati1 ,campagnola1 & o!r pa9t]s drew _! "w on woodblocks to be cut by woodcutt]s1 & adds t 8ev5 ,&rea ,v9c5t9o did n ?9k x 9 ! lea/ a ,di%on\r1 ?\gh a ,pa9t]1 to grave on ,wood ! ,l&scapes ( ,titian40 ,he builds up to ! /atem5t t ,raphael & ,p>migian9o drew on woodblocks to be cut 9 *i>oscuro by ,ugo da ,c>pi4 ,aft] hav+ said all ?is1 x may seem highly improp] to give to ,mr4 ,jackson he speaks ( himself ?r\gh\t 9 ! ?ird p]son ! ,m]it ( inv5t+ ?is ,art2 b let me be p]mitt$ to say1 t an ,art recov]$ is little less ?an an ,art inv5t$4 ,! ,works ( ! =m] ,arti/s rema9 inde$2 b ! ,mann] 9 :i* !y 7 done1 is entirely lo/3 ! inv5t+ !n ! ,mann] is really due to ?is latt] ,und]tak]1 s9ce no ,writ+s1 or o!r ,rema9s1 are to be f\nd by :i* ! ,me?od ( =m] ,arti/s c be discov]'d1 or 9 :at ,mann] !y execut$ _! works2 nor1 9 ,tru?1 has ! ,italian ,me?od s9ce ! ,beg9n+ ( ! #af? ,c5tury be5 attempt$ by any "o except ,mr4 ,jackson4 ,we _c help conclud+ t ,jackson 0 falsify+ "h4 ,tak+ advantage ( ! public's ignorance1 he 0 puff+ up 8 hi/orical importance 9 ord] to sell wallpap]4 ,if ! cognosc5ti compla9$ t he _h buri$ ! *i>oscuri/s aft] da ,c>pi1 he always _h ! explanation t o!rs did n "w 9 ! ,italian /yle1 :i* he neglect$ to describe4 ,jackson knew :at he 0 do+2 he 0 n z ignorant ( art hi/ory z ,h>die & ,bur* h surmis$1 al?\gh x is true t he 0 n always c]ta9 z to dates1 s9ce he believ$ ,&reani work$ z a contempor>y ( da ,c>pi4 ,9 ! ,enquiry1 publi%$ only two ye>s e>li]1 he _h %[n famili>ity ) ! pr9ts ( ,goltzius1 ,coriolano1 ,bus9ck1 ,nicolas & ,v9c5t ,le ,sueur1 ,moretti1 & ,zanetti1 all ( :om _h work$ to "s ext5t 9 ! ,italian mann]4 ,"s writ]s h react$ /rongly to ?is p>agraph4 ,los+ _! s5se ( proportion1 !y h be5 l$ to ! conclusion t ,jackson 0 little bett] ?an a *>latan & t 8 "w z a :ole reflect$ 8 l[ e?ics4 ,9 "s in/ances 8 culpability has be5 magnifi$3 ,bnzit has ev5 *>g$ him ) claim+ to h inv5t$ color pr9t+4 ,! wor/ result ( ,jackson's insi/5ce on re-inv5t+ ! ,italian mann] 0 t x made a major issue ( :at 0 at be/ a m9or honor4 ,x m9imiz$ su* te*nical contributions z ! foll[+1 :i* did n foll[ traditional recipes3 444 ,mr4 ,jackson has inv5t$ t5 positive ,t9ts 9 ,*i>o ,oscuro2 :]eas ,hugo di ,c>pi knew b f\r2 all ( :i* c be tak5 (f by f\r ,impressions only4 ,?is te*nical sy/em 0 us$ = ! ,v5etian *i>oscuros1 ! portrait ( ,alg]non ,sidney aft] ,ju/us ,v]us1 & o!rs4 ,he did n m5tion t he ne$$ a great] range ( tones because he 0 work+ aft] oil pa9t+s1 n draw+s4 ,! introduction ( full color f a s]ies ( blocks to translate wat] colors is also m5tion$ 9 ! ,essay1 b ) no great] emphasis ?an 9 ! ,enquiry4 ,s9ce 8 wallpap] 0 to be done 9 color z well z 9 *i>oscuro1 & s9ce ! ,essay includ$ f\r plates 9 color1 x is a/oni%+ t ,jackson fail$ to make /rong] claims = 8 orig9ality 9 ?is developm5t4 ,he proce$$ to describe 8 plan to replace wallpap]s 9 ! ,*9ese /yle ) 8 pap]s1 :i*1 he /at$1 w\ld h no 8444gay gl>+ ,col\rs 9 broad ,pat*es ( r$1 gre51 yell[1 blue c 444 ) no true ,judgm5t belong+ to x 444 ,nor are !re ,lions leap+ f ,b\gh to ,b\gh l ,cats1 ,h\ses 9 ! ,air1 ,cl\ds & ,sky ^u ! ,gr\nd44440 ,he propos$1 in/ead1 to use z subjects _m ( ! fam\s /atues ( antiquity2 ! l&scapes ( ,salvator ,rosa1 ,claude ,lorra91 ,p\ss91 ,b]ghem1 ,w\w]man1 ! views ( ,canaletto1 ,pann9i-- ,copies ( ! ,pictures ( all ! be/ ,pa9t]s ( ! ,italian1 ,fr5* & ,flemi% ,s*ools1 ! f9e sculptur'd ,vases ( ! ,anci5ts :i* are n[ rema9+2 9 %ort1 e ,bird t flies1 e ,figure t moves ^u ! ,surface ( ! ,e>? f ! ,insect to ! human2 & e ,vegetable t spr+s f ! ,gr\nd1 :atev] is ( ,art or ,nature1 may be introduc$ into ?is ,design ( fitt+ up & furni%+ ,rooms1 ) all ! ,tru? ( ,draw+1 ,light1 & ,%ad[1 & great ,p]fection ( ,col\r+4 ,?is va/ gall]y ( art & nature 0 to be pr9t$ 9 8,col\rs s(t5+ into ea* o!r1 ) ,h>mony & ,repose44440 ,ev5 if we feel t ,jackson 0 build+ up 8 project to attract att5tion1 or t he 0 intoxicat$ by ! idea ( creat+ art on su* a gr& scale1 !re is /ill some?+ wrong 9 8 conceiv+ x 9 t]ms ( wallpap]4 ,:at is c]ta9 is t ,jackson 0 desp]ately anxi\s to create color pr9ts4 ,9 ! abs5ce ( art patrons1 wallpap] 0 8 only excuse = cont9u+ z an arti/4 ,z a bus9ess v5ture x 0 absurd1 ev5 tragic4 ,!re is good reason to believe t ,jackson lack$ capital & r5t$ ! qu>t]s = 8 bus9ess3 8 "n does n appe> 9 ! ,poor ,rate ,book ( t p]iod 9 ! ,bor\gh ( ,batt]sea4 ,f a c]ta9 /&po9t1 ?is excursion by ,jackson into wallpap]s featur+ ,roman ru9s & classical antiquity appe>$ to come at an appropriate "t4 ,m>co ,ricci's pa9t+s z well z ! some:at lat] "w ( ,pann9i & ,zucc>elli1 & ,gu>di's e>ly ru9 pieces1 7 already kn[n4 ,ricci _h visit$ ,engl& f #agaj to #agaf4 ,zucc>elli _h come twice1 once 9 #agdb & aga9 9 #agea to /ay until #aggc1 becom+ a f\ndation memb] ( ! ,royal ,academy2 8 classical l&scapes ) _! glib *>m _h a comp>atively good reception4 ,b ! /ronge/ influ5ce 0 und\bt$ly t ( ,piranesi1 ^: p[]ful et*+s br\ght to life z nev] be=e ! ravag$ /ones ( ,imp]ial ,rome & ! ,campagna4 ,_! effect 0 widespread & electrify+1 al?\gh x 0 n until ! #agfj's t !y develop$ _! full =ce z an influ5ce on ,engli% ar*itecture & furniture design1 & came to sup]s$e ! ,palladian /yle br\ght to ,engl& by ,inigo ,jones at ! beg9n+ ( ! #ag? c5tury4 ,jackson 0 too e>ly2 public ta/e 0 n yet ready = picturesque l&scape or antique =ms 9 wallpap]4 ,b ! /yle became dom9ant 9 ! latt] #ah? c5tury1 p>ticul>ly 9 ,engl& & ,france1 & 0 also export$ to ,am]ica4 ,:ile x is difficult to e/imate ! degree ( ,jackson's influ5ce 9 ?is developm5t1 we "k t no sc5ic pap]s c be dat$ be=e ! ,ricci pr9ts1 or be=e ,jackson's wallpap] v5ture4 ,oman#ci comm5ts3 ,! use ( wall-pap] to imitate l>ge ar*itectural designs dates1 z we h se51 f ! days ( ,j4 ,b4 ,jackson4 ,dur+ ! rema9d] ( ! c5tury ?is /yle 0 us$ almo/ exclusively = decoration ( ! halls & /aircases ( great h\ses4 ,footnote #ci3 ,oman1 #aibi1 p4 #cc4 ,^! pap]s cov]$ rooms ) l&scape panoramas or ) l&scapes 9 ,rococo scroll frames1 reliev$ by decorative panels ) bu/s1 /atuettes1 & floral ornam5ts4 ,z 9 prec$+ "w1 !y 7 usually pa9t$ 9 opaque wat] colors4 ,mo/ ( ! l&scapes 7 loose transcriptions ( designs by ,pann9i1 ,v]net1 ,lancret & o!r pa9t]s ( ar*itectural1 sc5ic1 & pa/oral subjects4 ,! treatm5t 0 g5]aliz$ & sup]ficial1 ! t\* light & deta*$4 ,9 ?is approa* to wallpap] we see ! basic ideas ( ,jackson1 b ) m emphasis on *>m & elegance4 ,ironically1 z ye>s pass$ & orig9al s\rces grew obscure1 x became ! t5d5cy to attribute sc5ic pap]s 9 great h\ses to ,jackson4#dj ,if he 0 a failure z a pione] 9 ! field1 he rema9$ its mo/ highly priz$ leg5d4 ,footnote #dj3 ,an excell5t description ( ! pap]s ( ?is type import$ to ,am]ica is giv5 by ,edna ,donnell 9 ,metropolitan ,museum ,/udies #aicb1 vol4 #d1 pp4 #gg-ajh4 ,! ,essay cont9u$ ) a criticism ( ! curr5t ta/e 9 wallpap]4 ,jackson enl>g$ on ! lack ( discrim9ation ( p]sons :o w\ld pref] popul> pap]s to 84 ,x seems1 also1 z if !re 0 great ,reason to suspect :]ev] "o sees su* prepo/]\s ,furniture1 t ! ,ta/e 9 ,lit]ature ( t ,p]son :o direct$ x 0 v defici5t1 & t x w\ld pref] ,tom ,d',urfy to ,%akespe>1 ,sir ,ri*>d ,blackmore to ,milton1 ,tate to ,hom]1 an ,anagrammati/ to ,virgil1 ,horace1 or any o!r ,writ] ( true ,wit1 ei!r ,anci5t or ,mod]n4 ,he add$ t 8 pr9ts1 made 9 oil colors1 w\ld be p]man5t 8:]eas 9 t done ) ,wat]-,col\rs1 9 ! common ,way1 ,six ,mon?s makes a v visible ,alt]ation 9 all t prepo/]\s ,gl>e1 :i* makes its :ole ,m]it44440 ,! ,essay has eight plates1 f\r ( anci5t /atues 9 *i>oscuro & f\r ( plants1 animals1 & build+s1 9 probably six colors4 ,!y 7 ha/ily done & no d\bt _h a r fre% *>m :5 publi%$1 b un=tunately ! oil 9 ! pigm5ts 0 inf]ior1 & e pr9t 9 ! book has d>k5$ & yell[$ badly4 ,! pr9ts & neighbor+ pages are heavily spott$ & /a9$4 ,?is book :i* %\ld h be5 8 v9dication became in/ead an argum5t = 8 lack ( m]it1 especially to ^? :o 7 n famili> ) 8 o!r "w4 ,we d n "k h[ l>ge a work+ =ce ,jackson _h or h[ _m ( ! project$ plates he plann$ to assign to help]s or to c>ry out himself4 ,"s ( ! decorative bord]s f f\r blocks1 blue1 r$1 yell[1 & gray-gre51 he und\bt$ly made & pr9t$ himself4 ,!y are heavy & r fruity 9 effect b are incisively drawn & cut4 ,also be>+ ,jackson's /amp are "s ornam5tal frames ) fruit & fl[]s 9 ! same full range ( colors4 ,an album ascrib$ to him1 9 ! collection ( ! ,victoria & ,alb]t ,museum1 conta9s draw+s ( fl[]s1 foliage1 details ( ornam5t & h&-color$ designs1 & a pro( ( ! woodcut = ! title page to ! ,suetonius ( #agch4 ,five ( ! draw+s are sign$ or initial$ by ,jackson1 ) dates f #agdj to #agec4 ,! designs1 :i* might h be5 int5d$ = calico or wallpap]1 are poorly done & n at all 9 8 /yle4 ,! draw+s are compet5t b _c def9itely be consid]$ 81 not)/&+ ! signatures1 s9ce we d n "k ,jackson's h&writ+ f o!r s\rces4 ,! mo/ t c be said = ?is album is t x probably comes f 8 work%op4 ,:ile produc+ wallpap]1 ,jackson /ill made ef=ts to attract sponsors = full editions ( 8 e>li] *i>oscuros4 ,! ,woman ,m$itat+ 0 d$icat$ to ! ,antiqu>ian ,society ( ,london4 ,*ri/ ,giv+ ! ,keys to ,/4 ,pet]1 reject$ by ,crozat1 we assume1 0 d$icat$ to ,?omas ,hollis1 :om ,jackson may h met 9 ,v5ice4 ,& ! ,v5us & ,cupid ) a ,b[ 0 inscrib$ to ,?omas ,br&1 lifelong companion ( ,hollis :o lat] add$ to 8 "n ! latt]'s patronymic4 ,! ,alg]non ,sidney has no d$ication1 b s9ce ,hollis 0 a ,sidney speciali/ & edit$ ! fir/ "o-volume edition ( 8 works 9 #agfi1 !re is a /rong likelihood t ! pr9t _h "s connection ) ?is lib]al g5tleman4 ,jackson made x ei!r 9 ,v5ice j be=e he left1 or 9 ,engl& %ortly aft] 8 arrival4 ,rob]t ,dunb>1 ,jr41 :o _h inh]it$ ! wallpap] manufactory on 8 fa!r's dea?1 w5t out ( bus9ess late 9 #aged4 ,9 8 possession 0 a quantity ( ,jackson's pap]s1 = :i* he 0 ! ma9 outlet4 ,) ?is backlog ( pap]s on h&1 & no l>ge di/ributor1 ,jackson's v5ture collaps$4 ,?is happ5$ %ortly aft] ! publication ( ! ,essay1 & its au?or 0 nev] to h ! opportunity to c>ry out 8 gr&iose plans4 ,jackson appeal$ to ,hollis1 :o wrote to 8 =m] m5tor1 ,dr4 ,john ,w>d1 pr(essor ( rhetoric at ,gre%am ,college & ! head ( a society f\nd$ by noblem5 & g5tlem5 = ! enc\ragem5t ( le>n+3#da ,de> ,sir6-- ,d ,me ! ,fav\r to accept ^! f\r pr9ts ( ,jackson's4 ,!y are no :]e sold1 w soon be sc>ce4 ,:5 ,y consid] _! ,m]it1 ,i am confid5t ,y w lam5t ! h>d ,fate ( ! +5i\s ,arti/2 :o1 at ?is ,"t1 9 8 old age1 9 8 own ,c\ntry is unprotect$ unnotic$1 & c difficultly support ,himself aga9/ imm$iate di/ress ,ru94 ,i am1 ) great ,respect1 ,de> ,sir6 ,y\r oblig$ affect humble ,s]vant ,t4 ,hollis ,b$=d ,/reet1 ,febru>y #aj1 #agee ,footnote #da3 ,briti% ,museum ,add4 mss4 #fbaj4 ,we d n "k ! results ( ?is appeal4 ,9 any case ,jackson seems to h fad$ out z an arti/4 ,little is kn[n ( 8 subsequ5t c>e] up to ! "t m ?an tw5ty ye>s lat]1 :5 ,bewick m5tions meet+ him 9 advanc$ age4 ,9 #agfa he made a draw+ ( ,salisbury ,ca!dral = ,edw>d ,eaton1 8booksell] at ,s>um10 = a l9e engrav+ d$icat$ by ,eaton to ! ,"l ,bi%op ( ,w9*e/]4 ,?is l>ge view includ$ figures 9 ! =egr\nd 9 an attempt to give animation to ! sc5e4 ,un=tunately ! engrav]1 ,john ,f\g]on1 0 little m ?an an amateur4 ,8 execution 0 feeble & me*anical3 ,jackson's draw+ suff]$ s badly t its quality _c be det]m9$4 ,?is pr9t 0 copi$ on a small] scale 9 a /eel engrav+ by ,j4 ,b4 ,swa9e1 publi%$ by ,j4 ,b4 ,ni*ols ,son 9 #ahdc1 b x 0 h>dly an improvem5t4 ,bewick's recollections ( ,jackson1 writt5 ab\t =ty ye>s aft] _! meet+ 9 ,newca/le1 imply t ,jackson /ay$ 9 t city = a p]iod4 ,! ,t[n ,cl]k's ,(fice1 h[ev]1 has no record ( 8 resid5ce4 ,! foll[+ passage f ,bewick's ,memoir is ! la/ evid5ce#db be>+ on ,jackson3 ,sev]al impressions f duplicate or triplicate blocks1 pr9t$ 9 ?is way1 ( a v l>ge size1 7 also giv5 to me1 z well z a draw+ ( ! press f :i* !y 7 pr9t$1 _m ye>s ago1 by ,jean ,bapti/e ,jackson1 :o _h be5 patronis$ by ! ,k+ ( ,france2 b1 :e!r ^! pr9ts _h be5 done ) ! design ( embelli%+ ! walls ( h\ses 9 t c\ntry1 ,i "k n4 ,!y _h be5 tak5 f pa9t+s ( em95t old ma/]s1 & 7 mo/ly ,scripture pieces4 ,!y 7 well drawn1 & p]haps correctly copi$ f ! orig9als1 yet 9 my op9ion none ( !m look$ well4 ,jackson left ,newca/le q enfeebl$ ) age1 &1 x 0 said1 end$ 8 days 9 an asylum1 "u ! protect+ c>e ( ,sir ,gilb]t ,elliot1 ,b>t41 at "s place on ! bord] ne> ! ,teviot1 or on ,twe$side4 ,footnote #db3 ,bewick1 #aibe1 pp4 #bac-bad4 ,if ,bewick 0 correct 9 report+ t ,jackson di$ :ile "u ! protection ( ,sir ,gilb]t ,elliot1 probably 9 a ,poor ,law in/itution1 x is unlikely t ! date c\ld h be5 mu* lat] ?an #aggg1 ! ye> 9 :i* ,sir ,gilb]t di$4 ,?is w\ld place ! meet+ ( bo? arti/s %ortly be=e ?is "t1 :5 ,bewick 0 9 8 e>ly tw5ties 7he 0 born 9 #agec74 ,sir ,gilb]t liv$ 9 ,m9to ,h\se1 ,roxburgh%ire1 ,scotl&1 b no evid5ce c be f\nd = ! supposition t ,jackson di$ 9 ! vic9ity4 ,no obitu>y has be5 discov]$4 ,! record ( ,jackson's dea?1 if x exi/s1 probably lies 9 a p>i% regi/] some:]e on ! ,scotti% bord]4 ,critical ,op9ion ,9 mo/ hi/ories ( pr9ts x 0 consid]$ suffici5t to note t c]ta9 arti/s work$ 9 woodcut *i>oscuro2 ! quality ( su* "w 0 r>ely discuss$4 ,b ,jackson 0 an exception3 some?+ ab\t 8 pr9ts ar\s$ critics to def5se or attack4 ,! cleavage is absolute1 /range = "o :o 0 presumably a m]e reproductive arti/4 ,no?+ c\ld %[ m cle>ly ! unsettl$ nature ( ,jackson's /&+ ?an a sampl+ ( ^! op9ions4 ,horace ,walpole 9 a lett]1 dat$ ,june #ab1 #agec1 to ,sir ,horace ,mann describ+ ! furni%+s 9 ,/rawb]ry ,hill1 comm5t$3#dc ,! b[ w9d[ bel[ leads into a little p>l\r hung ) a /one-col\r ,go?ic pap] & ,jackson's ,v5etian pr9ts1 :i* ,i c\ld nev] endure :ile !y pret5d$1 infam\s z !y are1 to be aft] ,titian1 c41 b :5 ,i gave !m ?is air ( b>b>\s bas-reliefs1 !y succe$$ to a miracle2 x is impossible at fir/ sight n to conclude t !y conta9 ! hi/ory ( ,attila or ,tottila done ab\t ! v era4 ,footnote #dc3 ,! ,lett]s ( ,horace ,walpole1 ed4 ,toynbee1 #aijc1 vol4 #c1 p4 #aff4 ,von ,he9eck5#dd says !y are 89 ! mann] ( ,hugo da ,c>pi b mu* inf]ior 9 execution40 ,b ,hub]1 ,ro/1 & ,m>t9i#de not$ ,jackson's indep5d5t approa*3 ,jackson's pr9ts1 :i* are c]ta9ly n )\t m]it1 are 9 g5]al less s\ght aft] by collectors ?an !y des]ve4 ,8 /yle is orig9al & is conc]n$ entirely ) broad effects4 ,footnote #dd3 ,von ,he9eck51 #agga1 p4 #id4 ,footnote #de3 ,hub]1 ,ro/1 & ,m>t9i1 #ahjh1 vol4 #i1 pp4 #aba-abc4 ,bav]el#df also _h a high op9ion ( ,jackson's "w4 ,describ+ ! ,v5etian pr9ts1 he says t ,jackson 8_h a skillful & d>+ attack1 & x is regrettable t he did n produce m "w40 ,nagl]'s#dg criticism typifies ! academic preconceptions ( "s writ]s on ! subject ( *i>oscuro3 ,jackson's works are n praisewor?y ?r\gh\t 9 draw+1 & also he 0 n ?or\ghly able to apply ! pr9ciples ( *i>oscuro correctly4444 ,yet we h sev]al valuable pr9ts f ,jackson4444 ,footnote #df3 ,bav]el1 #ahjg1 vol4 #a1 pp4 #cda-cdb4 ,footnote #dg3 ,kn/l]-,lexicon1 op4 cit4 ,& ,*atto#dh rem>ks3 ,!y are v unequal 9 po9t ( m]it2 "s ( !m appe>+ h>% & crude1 & o!rs flat & spiritless1 :5 comp>$ ) simil> products by ! old ,italian wood engrav]s4 ,footnote #dh3 ,*atto & ,jackson1 #ahfa1 p4 #dee4 ,) ?is v]dict ,w4 ,j4 ,l9ton#di disagrees1 say+1 8444,*atto und]rates him4 ,i f9d 8 works v excell5t & effective4 ,! ,f9d+ ( ,moses 7#b feet high by #af in*es wide7 & ,virg9 ,climb+ ! ,/eps ( ! ,temple 7aft] ,v]onese71 & o!rs1 are admirable 9 e respect44440 ,duplessis#ej attacks ! ,v5etian set heat$ly & at l5g?1 yet he devotes m space to exp\nd+ ,jackson's defici5cies ?an to discuss+ ! "w ( any o!r woodcut arti/1 ev5 ,dr] or da ,c>pi4 ,footnote #di3 ,l9ton1 #ahhi1 p4 #bad4 ,! second pr9t m5tion$ is aft] ,titian1 n ,v]onese4 ,footnote #ej3 ,duplessis1 #ahhj1 pp4 #cad-cae4 ,duplessis1 :o 0 cons]vateur-adjo9t 9 ! ,cab9et des ,e/ampes ( ! ,biblio?que ,nationale1 no d\bt bas$ 8 judgm5t on ! impressions 9 t collection4 ,c]ta9ly few ( ^! 7 pr9t$ by ei!r ,jackson or ,pasquali4 ,on ! evid5ce we h1 ! new conception ,jackson br\ght to pr9tmak+ 0 n fully und]/ood until ! #bj? c5tury4 ,pi]re ,gusman#ea 9 #aiaf probably fir/ not$ ! te*nical di/9ction betwe5 ,jackson's "w & e>li] *i>oscuros4 ,he ,jackson conceiv$ 8 pr9ts 9 a diff]5t way f ! ,italians1 br++ 9 new aspects 9 acc5t+ values & planes1 because he did n reproduce draw+s b int]pret$ pa9t+s4 ,! :ites ev5 %[ emboss+s 9 ! pap] to make ! light vibrate1 & a specially cut block is sometimes impress$ to help 9 model+ ! =ms4 ,jackson1 9 %ort1 v mu* ! wood c>v]1 comb9$ ! res\rces ( ! cameo ) ^? ( ! *i>oscuro & produc$ curi\s works ( comb9$ te*niques1 b )\t equal+ 8 pr$ecessors1 :o 7 p>ticul>ly rem>kable = _! simplicity ( /yle & treatm5t4 ,footnote #ea3 ,gusman1 #aiaf1 pp4 #afd1 #afe4 ,"o ye> lat]1 9 #aiag1 ,max ,j4 ,fri$lnd]#eb comm5t$ t relief effects 9 block pr9t+ 7 n ali5 additions b natural consequ5ces ( ! me?od4 ,8 ma9 emphasis1 we note1 is on ! ,ricci pr9ts4 ,a peculi>ity ( ! color woodcut1 :i* fir/ 0 put up ) z a *>act]i/ic ( ! te*nique b f9ally 0 enhanc$ & utiliz$ fully z a means ( expression1 is ! physical relief t /&s out 9 ?ick & s(t pap] ) ! %>p pressure ( die wood-blocks4444 ,no "o has employ$ ! relief ( ! woodcut s consci\sly & artfully z ! ,engli%man ,john ,bapti/ ,jackson 9 ! eighte5? c5tury1 :o1 p>ticul>ly 9 "s l&scapes1 creat$ mo/ effective & ri*ly color$ %eets4 ,he has gone s f> z to express =ms 9 8bl9d-pr9t+10 entirely )\t bord]+ l9es or contra/+ colors1 m]ely ?r\gh relief press+4 ,footnote #eb3 ,fri$lnd]1 #aibf 7#a/ ed4 #aiag71 pp4 #bbd-bbf4 ,anton ,rei*el's important hi/ory ( *i>oscuro1 ) its magnific5t color plates 9 facsimile1 appe>$ 9 #aibf4ec ,he says ( ,jackson t 8 activity 9 *i>oscuro 0 8extraord9>ily ri*10 t he creat$ broad approximations ( 8 subjects :i* made him neglect details1 b t ^! 7 8conv9c+ly translat$ into ! language ( ! woodcut40 ,five h]oic l&scapes aft] ,m4 ,ricci repres5t ! arti/ic high po9t ( 8 "w1 hav+ a di/9ctive ri*ness ( color n previ\sly atta9$ by any o!r ma/] ( *i>oscuro4 ,ea* ( ! pr9ts has a complete h>mony ( colors2 ! s+le color blocks-- ov] t5 c be c\nt$ 9 ea* pr9t-- :i* %[ 9 _! sep>ate tones ! extraord9>ily cultivat$ ta/e ( ! arti/1 give ! composition a decorative effect f> f any reali/ic imitation ( nature4444 ,! relief impress$ ) ! blocks is s /rong t1 go+ beyond all o!r prior attempts ( ! k9d1 x repres5ts an ess5tial factor ( ! composition ?r\gh its actual light-&-%ad[ effects4 ,footnote #ec3 ,rei*el1 #aibf1 p4 #dh4 ,al?\gh by ?is "t ,jackson's *i>oscuros 7 reg>d$ ) respect & 8 color pr9ts 7 ackn[l$g$ to be ( prime importance1 "s ( ! cons]vative wallpap] hi/orians 7 /ill repell$ by _! vigor1 :i* did n suit g5teel notions ( int]ior decoration4 ,sugd5 & ,edmondson#ed 9 #aibe c]ta9ly fail$ to und]/& bo? ,jackson's "w & ! p]iod 9 :i* x 0 done4 ,!y comm5t3 ,jackson's bold claims to orig9ality & m]it are sc>cely borne out by any?+ he is kn[n to h a*iev$4 ,t he _h a vogue1 h[ev]1 seems c]ta91 = ap>t f 8 8,essay0 he has come d[n to u z a hi/orical figure4 ,to mod]n ta/es 9 art _m ( 8 productions seem almo/ mon/r\s1 & yet !y 7 to "s ext5t ! expression ( ! "t-_s 9 :i* !y 7 born4 ,footnote #ed3 ,sugd5 & ,edmondson1 #aibe1 p4 #ga4 ,transcrib]'s ,note3 ,! color ,plates 7 pr9t$ aft] ! fir/ page ( ,po/script1 at ! mid-s5t5ce po9t 8!y pref]r$ imitations ( s5tim5tal1 _/ banal1 /ory-tell+ oil pa9t+s04 ,illu/ration3 #a4 ,,*ri/ ,,giv+ ,,! ,,keys ,,to ,,/4 ,,pet]1 aft] ,raphael ,illu/ration3 #b4 ,,v5us ,,& ,,cupid ,,) ,a ,,b[1 aft] ,p>migian9o ,illu/ration3 #e4 ,,woman ,,m$itat+ 7,,/4 ,,?ais871 aft] et*+ by ,p>migian9o ,illu/ration3 #ac4 ,,desc5t ,,f ,,! ,,cross1 aft] ,rembr&t ,illu/ration3 #dc4 ,,h]oic ,,l&scape ,,) ,,wat]+ ,,place1 ,,rid]s1 ,,& ,,obelisk1 aft] ,m>co ,ricci ,illu/ration3 #dj4 ,,h]oic ,,l&scape ,,) ,,fi%]man1 ,,c[s1 ,,& ,,horsem51 aft] ,m>co ,ricci ,illu/ration3 #dj4 ,,h]oic ,,l&scape ,,) ,,fi%]man1 ,,c[s ,,& ,,horsem51 aft] ,m>co ,ricci1 ,detail ,illu/ration3 #di4 ,,ornam5tal ,,frame ,,) ,,fl[]s ,,& ,,girl',s ,,head #ei4 ,,woman ,,/&+ ,,hold+ ,,apron ,illu/ration3 #ec4 ,,build+ ,,& ,,vegetable ,illu/ration3 #bb4 ,,! ,,crucifixion1 aft] ,t9toretto1 left %eet ,illu/ration3 #bb4 ,,! ,,crucifixion1 aft] ,t9toretto1 c5t] %eet ,illu/ration3 #bb4 ,,! ,,crucifixion1 aft] ,t9toretto1 "r %eet ,po/script ,:ile ,jackson _h an influ5ce on a small cot]ie1 x did n prolong ! life ( ! color woodcut4 ,9 ,europe ! m$ium did n survive 8 disappe>ance 9 #agee2 no d\bt x seem$ to lat] arti/s intractable & lack+ 9 nuance4 ,! black-&-:ite woodcut1 moreov]1 w5t into fur!r decl9e & 0 almo/ entirely disreg>d$ except = ! rude/ sort ( "w4 ,almo/ a c5tury & a half 7 to pass be=e ,gaugu9 & ,mun* swept aside old taboos & f\nd excit+ new possibilities = color 9 ! woodcut process4 ,! lack ( int]e/ 9 ! color woodcut 0 also ! result ( new te*niques 9 ! copp]-plate m$ia1 te*niques t c\ld be adapt$ to color pr9t+4 ,9 #agef ,j4 ,c4 ,franois introduc$ ! crayon mann]1 an et*+ process t c\ld imitate ! effects ( *alk & crayon draw+s4 ,dur+ ! foll[+ decades num]\s te*nical v>iations 7 develop$1 ! mo/ popul> be+ ! pa/el mann]1 ! /ipple1 & ! aquat9t4 ,( ^! me?ods only aquat9t surviv$ aft] e>ly ye>s ( ! #ai? c5tury4 ,x 0 less limit$ ?an its companion processes & _h wide application 9 r5d]+ ! effect ( wat]-color wa%4 ,b color "w 9 ?is m$ium1 h[ev] attractive to a public t appreciat$ delicacy & *>m1 did n h mass appeal4 ,! new audi5ce creat$ by ! advanc+ ,indu/rial ,revolution want$ pr9t$ pictures ( a less subtle type2 !y pref]r$ imitations ( s5tim5tal1 banal1 /ory-tell+ oil pa9t+s ) a high1 waxy f9i%4 ,nei!r aquat9t nor o!r copp]-plate m$ia 7 suitable = ^! products1 & color li?ography did n receive s]i\s att5tion until ! late #ahcj's4 ,! wood engrav+1 :i* _h inh]it$ ! function ( ! woodcut & :i* _h great] flexibility 9 r5d]+ tones & details1 became ! logical vehicle = ! new color picture4 ,9 ?is situation ,jackson sudd5ly appe>$ z ! pione]1 z ! fa!r ( pr9t$ pictures bas$ ^u pa9t+s 9 oil or wat] colors4 ,8 int5tion _h be5 translation r ?an imitation & he w\ld h abhorr$ ! feeble new product1 b ?is did n conc]n 8 successors-- !y 7 int]e/$ only 9 8 te*nical pr9ciples4 ,moreov]1 9 _! navet1 !y imag9$ !y 7 improv+ on ,jackson because _! pr9ts 7 c\nt]feit pa9t+s :ile 8 7 n4 ,! e>lie/ picture pr9t]s !re=e1 us$ wood engrav+4 ,among !m 7 ,fr$]i* ,w4 ,gubitz ( ,b]l91 :o began ! revival ab\t #ahae2 ,william ,savage#ee ( ,london1 a pr9t] :o publi%$ a book describ+ 8 project 9 #ahbb2 & ,george ,baxt] ( ,london1 ^: "w dates f ab\t #ahcj4 ,all />t$ ) *i>oscuro & mov$ to full color f a l>ge numb] ( wood blocks1 al?\gh 9 #ahcf ,baxt] began pr9t+ 8 transp>5t oil colors ov] a base ( /eel engrav+ re9=c$ ) aquat9t4 ,only ,baxt] p]sev]$ & 0 rew>d$ by s5sational popul> success4 ,8 glassy & trivial pr9ts ) _! high sweet f9i% enjoy$ a vogue among collectors t la/$ into ! #bj? c5tury4 ,9 ab\t #ahfj1 h[ev]1 he 0 driv5 f ! m>ket by ! rise ( a *eap] m$ium1 *romoli?ography1 :i* 0 responsible 9 ! next few decades = a univ]sal outp\r+ ( popul> ba?os4 ,?is 0 picture pr9t+ 9 color ge>$ = ! mass audi5ce4 ,footnote #ee3 ,savage1 #ahbb4 ,jackson's pione] "w is ackn[l$g$1 pp4 #ae-af4 ,x may seem an anticlimax to trace ! color woodcut f ,jackson to ,baxt]1 & f9ally to *romoli?ography1 b x is n irrelevant4 ,al?\gh spurn$ by ! bett] arti/s1 color _h too popul> an appeal to be ignor$4 ,x 0 inescapable t ,jackson's successful te*nical proc$ures %\ld f9ally be adopt$ & corrupt$ 9 ! area ( comm]ce4 ,woodcut arti/s up to ,jackson1 ) few exceptions1 _h us$ color = "o major purpose1 to reproduce draw+s 9 l9e & tone4 ,by enl>g+ ! conception ( ! color woodcut ,jackson br\ght ! primitive *i>oscuro phase ( its hi/ory to an end4 ,aft] him1 ! *i>oscuro c\ld n be practic$ aga9 except z an ar*aism4#ef ,! way 0 op5 = ! mod]n woodcut1 al?\gh x 0 a long "t 9 com+4 ,footnote #ef3 ,only "o mod]ately important *i>oscuri/ c be m5tion$1 ,john ,skippe1 :o work$ 9 ,engl& f ! #aggj's to ab\t #ahaj4 ,! range ( ,jackson's "w 9 tone & color exce$$ t ( all previ\s woodcutt]s & c be divid$ z foll[s3 7#a7 *i>oscuros-- aft] draw+s1 aft] pa9t+s1 aft] 8 own p5 & ink draw+s aft] pa9t+s1 int]pretations ( engrav+s & et*+s1 & int]pretations ( sculpture2 & 7#b7 full color-- aft] pa9t+s 9 g\a*e & aft] 8 own wat] colors4 ,9 addition he treat$ pictorial subjects 9 flat color areas )\t a key or outl9e block1 a proc$ure us$ be=e him only by ! #ag?-c5tury ,*9ese2 & he comb9$ bur9 "w ) knife cutt+4 ,b ,jackson's reputation1 9 ! long p]spective1 mu/ re/ ^u 8 qualities z an arti/4 ,he _h great di/9ction z a colori/ b lack$ orig9ality z a design] & 0 dep5d5t ^u o!rs1 = ! mo/ "p1 = basic compositions4 ,z an int]pret] ( ^! compositions1 h[ev]1 he 0 imag9ative & =ceful4 ,he did n foll[ ! example ( mo/ copp] plate engrav]s & reproduce subjects fai?fully2 8 conception ( ! woodcut z a frank m$ium preclud$ exact r5dition4 ,except1 possibly1 = 8 fir/ *i>oscuro1 he always translat$ freely1 ) ! aim ( mak+ good woodcuts r ?an accurate repres5tations ( 8 subjects4 ,jackson's "w aft] o!rs1 9 %ort1 0 consci\sly int5d$ z artful approximation4 ,?is emphasis on ! _s r ?an ! lett]1 toge!r ) 8 novel te*niques1 (t5 gave 8 pr9ts a some:at hybrid "*-- an ambigu\s look t might s]ve to expla9 ! uneasy feel+s ( _m critics4 ,b 8 l>g5ess ( feel+ is unmi/akable1 & ?is is :at f9ally places him among ! ma/]s4 ,! color woodcut is n[ an important =m ( pr9tmak+4 ,= ?is m$ium 9 ! ,we/]n _w1 ,jackson is ! ma9 ance/ral figure4 ,,catalog ,jackson's *i>oscuros & color woodcuts h be5 gr\p$ "u ?ree head+s4 ,! fir/ & ma9 section includes1 besides ^? ( unque/ionable au!nticity1 pr9ts :i* c be attribut$ to ,jackson ) "s degree ( c]ta9ty & ^? actually se5 by e>li] writ]s b :i* h app>5tly disappe>$4 ,9 ea* case ! /atus ( ! pr9t 9 ,jackson's oeuvre has be5 not$4 ,! second section li/s pieces believ$ to be by ,jackson's work%op4 ,pr9ts t might h be5 done indep5d5tly by close foll[]s h be5 includ$ "h because we h no evid5ce t w\ld p]mit di/9ctions to be drawn4 ,! la/ section li/s unv]ifi$ subjects attribut$ to ,jackson 9 a numb] ( museums b :i* h be5 lo/ ?r\gh w> or o!r causes1 & d\btful titles f\nd 9 ,nagl] & ,le ,blanc4 ,9 ea* category ! pr9ts h be5 li/$ 9 *ronological ord] z f> z ?is c be det]m9$4 ,! sequ5ce ( ! ,v5etian set foll[s ,jackson's description 9 ! ,enquiry1 al?\gh ! pr9ts !mselves are dat$ some:at diff]5tly4 ,"o difficulty 9 catalog+ ,jackson's "w is ! prevail+ confusion 9 titl+1 ! same pr9ts be+ li/$ diff]5tly 9 diff]5t collections4 ,?is 0 to be expect$ s9ce ! arti/ almo/ inv>iably omitt$ titles4 ,nagl]'s & ,le ,blanc's catalogs are n descriptive & consequ5tly !re has be5 mu* guesswork 9 *eck+ titles1 p>ticul>ly s9ce ! ,v5etian set & ! ,ricci pr9ts are only p>tially li/$ by bo? writ]s1 & n entirely correctly4 ,:]e subjects h n be5 record$ at all1 ! v>iation 9 titl+ has be5 great]4 ,! location ( pr9ts has be5 giv51 ) ! exception ( ^? 9 ! ,v5etian set & 9 ! ,essay1 :i* are1 9 "p or :ole1 9 too _m collections to make li/+ feasible4 ,x is n to be tak5 z complete4 ,jackson pr9ts 9 a numb] ( museums1 p>ticul>ly 9 ,g]many1 h disappe>$ b might turn up aga92 "s are /ill pack$ 9 boxes & await return to collections4 ,= ! sake ( simplicity ! names ( cities alone h be5 us$ ) ! und]/&+ t ! *ief pr9t collection is meant4 ,exceptions are ,bo/on :]e ! ,museum ( ,f9e ,arts is abbreviat$ to ,,mfa & ! ,fogg ,art ,museum is %ort5$ to ,fogg1 ,new ,york :]e ! ,metropolitan ,museum ( ,art is li/$ z ,,mma & ! ,new ,york ,public ,libr>y z ,,nypl1 & ,london :]e ! ,briti% ,museum is not$ z ,,bm & ! ,victoria ,alb]t z ,v ,a4 ,! woodcuts reproduc$ are numb]$ accord+ to ?is catalog1 & plac$ z ne>ly z possible 9 ! same ord]4 ,:5 pr9ts h be5 li/$ by ,nagl] or ,le ,blanc _! correspond+ numb]s h be5 includ$4 ,pr9t sizes are giv5 9 in*es1 v]tical sides fir/4 ,pr9ts by ,jackson ,transcrib]'s ,note3 ,! 8,inscriptions0 are %[n z ne>ly z possible z pr9t$4 ,typographic features su* z ! use ( long 8s0 77 & v>iation betwe5 italic & non-italic small capitals are reproductions ( ! orig9al4 ,"s comput]s may n be able to display italic long 8s04 ,sup]script lett]s are %[n 9 braces4 ,small capitals 7non-italic7 are %[n l ?is2 italic small capitals l ?is4 #a4 ,*ri/ ,giv+ ! ,keys to ,/4 ,pet]1 aft] ,raphael ,le ,bl4 #g1 ,n4 #i ,dim5sions3 #g #i in*es ) lett]s1 #f #i in*es )\t lett]s4 ,blocks1 #d3 ,light br[n1 light gray-br[n1 gray-br[n1 black4 ,inscription1 l[] left3 8,raph4 ,urb4 inv40 ,bel[1 "u bord]3 8,?o4 ,hollis ,arm4 ,hospit4 ,l9coln4 ,d4 ,d4 ,d4 ,j4 ,b4 ,jackon sculptor40 ,ab\t #agbg4 ,! d$ication 0 add$ ab\t #agej4 ,aft] a draw+1 n[ 9 ! ,l\vre1 = ,raphael's tape/ry c>toons4 ,,mfa1 ,,bm1 ,b]l9-,dahlem #b4 ,v5us & ,cupid ) a ,b[1 aft] ,p>migian9o ,dim5sions3 #i #f in*es ) lett]s1 #h #f in*es )\t lett]s4 ,blocks1 #d3 ,buff1 light br[n1 t]ra-cotta r$1 black4 ,inscription1 bottom3 8,?o4 ,br& ,arm4 ,hospit4 ,temp4 ,d4 ,d4 ,d4 _/ ,j4 ,b4 ,jackon sculptor40 ,left1 runn+ v]tically3 8,f4 ,m4 ,p>m4 inv40 #agca4 ,! d$ication 0 add$ ab\t #agej4 ,o!r impressions occur 9 a comb9ation ( gre5 & br[n & also 9 gray & gre54 ,five impressions are 9 ! ,briti% ,museum includ+ "o 9 :i* two slant+ v]tical l9es 9 ! table imm$iately to ! left ( ,cupid's left leg are omitt$4 ,philadelphia1 ,,mfa1 ,,bm1 ,v,a1 ,b]l9-,dahlem1 ,rott]dam1 ,brussels #c4 ,woman ,/&+ ,hold+ ,j> on ,h] ,head1 aft] ,p>migian9o ,dim5sions3 #f #c in*es4 ,blocks1 #b3 ,mu/>d yell[1 black4 ,inscription1 at bottom3 8,p] ,illu/ri1 ac ,prcl>o ,viro ,joseph ,smi? _/ ,j4 ,b4 ,jackson ,humilit] ,d$icat ,donat1 et _/ ,sculpsit4 #agca40 ,ano!r /ate has ! foll[+ add$ 9 small lett]s3 8,antonius ,ma ,zanetti a ,jacobo ,p>m5se ,del940 ,! block = ! tone is 9 two v]sions4 ,! "o illu/rat$ is dott$ 9 ! j> to %[ gradations1 :ile ! o!r "o is m loosely h&l$4 ,free copy ( l9e engrav+ by ,g4 ,a4 ,faldoni4 ,,bm1 ,v,a #d4 ,headpiece ) ,l&scape & ,ru9s ,?is pr9t is li/$ 9 ! ,/aatli*e ,kun/sammlung51 ,dresd51 b has be5 lo/ 9 ! w>4 ,no in=mation z to color or size is available4 ,! c>d catalogue has ! foll[+ description3 8,ru9s to ! left4 ,9 ! middle go+ ov] a riv] is a bridge4 ,to ! "r is a city view ) campanile1 dome & o!r build+s4 ,dat$ #agca40 ,probably made = use 9 a book4 ,?is seems to be ! pr9t describ$ by ,bav]el & ! 8petite vue0 ,papillon m5tion$4 #e4 ,woman ,m$itat+ 7,/4 ,?ais871 aft] ,p>migian9o ,dim5sions3 #ae #i in*es ) lett]s1 #aj #i in*es )\t lett]s4 ,blocks1 #b3 ,pale br[n1 black4 ,also 9 gre5 & blue-gre54 ,aft] et*+ by ,p>migian9o 7,b4 #aj74 ,inscription1 left ne> top1 runn+ diagonally upw>d3 8,f3 ,m3 ,p>m599 _/ ,inv5tor _/ ,j3 ,b3 ,jackon ,del _/ ,sculp excudit40 ,bottom1 b5ea? l[] bord]3 8,societati ,antiqu>i ,lond95si _/ ,humillime ,d4,d4,d4 ,j4,b4,j ,c]to da cor1 *' alto det9 non ,scele1 ,son l'impree magnanime neglette2 ,ma le bell' alme alle bell' opre elette ,sanno gioir nelle fati*e eccele2 ,n biamo popul>1 frale cat5a1 ,spirto d'onore1 il uo camm9 raffr5a40 ,?is inscription 0 add$ mu* lat]1 ab\t #agej4 ,,mfa1 ,,mma1 ,philadelphia ,,bm1 ,b]l9-,dahlem1 ,vi5na1 ,brem51 ,brussels1 ,am/]dam1 ,dresd5 #f4 ,ulysses & ,polyphemus1 aft] ,primaticcio ,dim5sions3 #g #aj in*es4 ,blocks1 #b3 ,gre5i% yell[1 black4 ,inscription1 bottom "r3 8,j4 #i0 ,"s copies lack ! inscription4 ,?is is f plate #i ( ,!odor ,van ,?uld5's #eh et*+s reproduc+ designs by ,primaticcio 9 ,fonta9ebleau1 publi%$ z 8,les ,travaux d',ulisse0 by ,p4 ,m>iette 9 ,p>is1 #afcc4 ,^! et*+s 7 publi%$ aga9 9 #agdj z 8,errores ,ulyssis40 ,li/$ z by ,jackson 9 ,weigel's ,kun/lag]catalog1 #ahdc1 vol4 #b41 p4 #ajc4 ,,bm1 ,v,a #g4 ,bookplate ,dim5sions3 #d #f in*es1 approximately4 ,blocks1 #b3 ,r$di% br[n1 black4 ,inscription left & "r top1 9 ribbon3 8,litt]>um ,felicitas0 ,,bm #h4 ,judgm5t ( ,solomon1 aft] ,rub5s ,dim5sions3 #ag #bj in*es4 ,blocks1 #d3 ,yell[-buff1 light br[n1 violet-br[n1 d>k br[n4 ,inscription1 l[] "r3 8,ill4mo et ,exc4mo ,d4,d4 ,philippo ,f>setti1 _/ ,patritio ,v5eto1 ,patrono suo ,b5efic4mo _/ ,tabulam hanc ,petri ,pauli ,rub5s4 _/ ,9 ,ligno clavit1 et 9 sui ,obsequii et grati ,animi _/ ,monum5tum humilit] ,devovet ,j4 ,b4 ,jackson40 #agce4 ,,bm1 ,brussels1 ,v5ice #i4 ,! ,visitation1 aft] ,annibale ,c>racci ,dim5sions3 #ad #aj in*es4 ,blocks1 #d3 ,light yell[1 buff1 br[n1 d>k gray4 ,inscription1 upp] "r3 8,,al4 ,c>atius ,p9xt4 _/ ,j3 ,b3 ,jackson ,fecit _/ ,v5ezia #agce40 ,weigel describ$ ?is pr9t z ,d] ,besu* bei ,elisabe? 9 8 ,kun/lag]catalog1 #ahdc1 vol4 #b1 p4 #ajc4 ,smi?sonian ,in/itution 7,u4,s4 ,national ,museum7 ,,mfa1 ,philadelphia1 ,,bm1 ,dresd5 #aj4 ,julius ,caes>1 aft] ,titian ,dim5sions3 #ab #i in*es4 ,blocks1 #d3 ,tones ( br[n ) d>k br[n key block4 ,ab\t #agch4 ,?is is a free translation ( an engrav+ by ,egidius ,sadel] ,le ,bl4 #adc aft] "o ( a s]ies ( ,roman emp]ors attribut$ to ,titian4 ,! orig9al pa9t+s h be5 lo/4 ,,bm #aa4 ,/4 ,rocco1 aft] ,*]ub9o ,alb]ti ,dim5sions3 #ab #aj in*es4 ,blocks1 #c3 ,gre51 r$di% tan1 black4 8,s4 ,rocco0 add$ by ano!r h&4 ,"s impressions lack ! inscription4 ,also 9 two colors1 mu/>d yell[ & black4 ,free transcription ( a l9e engrav+ by ,*]ub9o ,alb]ti aft] an undet]m9$ pa9t] 7,le ,bl4 #fa74 ,a facsimile 9 gray$ *>treuse & black 0 publi%$ by ! ,rei*sdruck]ei 9 ,b]l91 ab\t #aibe4 ,,mfa1 ,,bm #ab4 ,/atuette ( ,neptune1 aft] ,giovanni da ,bologna ,le ,bl4 #ai1 ,n4 #h ,dim5sions3 #bb #ae in*es4 ,blocks1 #d3 ,tones ( tan & br[n4 ,inscription1 bottom3 8,ex ,prototypo reo ,joannis ,bolonia ,duac5sis 9 _/ ,museo ,d3 ,josephi ,smi? ,v5etiis4 _/ ,j4,b4 ,jackon ,anglus ,sculp exc40 ,ab\t #agch4 ,! fir/ /ate is )\t lett]s4 ,?ird /ate has inscription on top ( /atue base1 8,gul4 ,lloyd ,arm4 ,d4,d4,d4 ,j4,b4,j40 ,smi?sonian ,in/itution 7,u4,s4 ,national ,museum7 ,,mfa1 ,los ,angeles1 ,,bm1 ,p>is1 ,b]l9-,dahlem1 ,wiem>1 ,am/]dam #ac4 ,desc5t f ! ,cross1 aft] ,rembr&t ,le ,bl4 #aj1 ,n4 #c ,dim5sions3 #ad #aa in*es 7ar*$ pr9t74 ,blocks1 #d3 ,yell[1 gray1 light br[n1 d>k violet-br[n4 ,inscription1 bottom left3 8,rembr&t p9xit1 alt4 p4 #a4 lat4 unc x4 ,extat ,v5etiis 9 domo ,j3 ,smi?40 ,bottom "r3 8,j3 ,b3 ,jackson figuras juxta ,ar*etypum ,sculp4 excudit4 #agch40 ,bottom3 8,accep]unt ergo ,corpus ,,jesu1 ligav]unt illud l9teis _/ cum ,aromatibus1 sicut mos e/ ,judis sepelire4 ,s4 ,joan4 ,cap4 xix ,v]4 xi40_/ ,l[]1 ) coat ( arms3 8,p]illu/ri ac ,praecl>o ,viro ,d4 ,josepho ,smi? _/ ,insigne hoc ,opus affabre 9 ,ligno coelavit1 9 sui _/ obseqii grati ,animi monu-m5tum humilit] devovet _/ ,j3 ,b3 ,jackson0 ,smi?sonian ,in/itution 7,u4,s4 ,national ,museum7 ,,mfa1 ,fogg1 ,,mma1 ,,nypl1 ,*apel ,hill1 ,philadelphia ,,bm1 ,p>is1 ,b]l9-,dahlem1 ,vi5na1 ,rott]dam1 ,hamburg1 ,prague #ad4 ,*ri/ & ! ,woman ( ,sam>ia ,dim5sions3 #ad #bj in*es4 ,blocks1 #c3 ,buff1 gre5i% yell[1 black4 ,aft] a ,bolognese ma/]4 ,weigel describ$ ?is z a 8beautiful0 *i>oscuro by ,jackson4 ,,mfa #ae4 ,romulus & ,remus1 ,wolf & ,sea ,god ,dim5sions3 #b #g in*es4 ,blocks1 #b3 ,gre51 black4 ,attribut$ to ,jackson4 ,probably an illu/ration = a book4 ,,bm #af4 ,! ,dea? ( ,/4 ,pet] ,m>tyr1 aft] ,titian ,le ,bl4 #af1 ,n4 #aj ,dim5sions3 #ba #ac in*es4 ,blocks1 #d3 ,buff1 pale gre5i% gray1 br[n1 d>k gray4 ,inscription1 l[] left 7inside bord]73 8,j3 ,b3 ,jackson ,sculp3 ,excudit ,v5etiis #agci40 ,outside bottom frame1 c5t]3 8,titianus ,vecellius ,cad4 ,inv5it ,p9xit40 ,! pa9t+ 0 de/roy$ by fire 9 #ahfg4 #ag4 ,! ,pres5tation 9 ! ,temple 7,! ,circumcision71 aft] ,v]onese ,le ,bl4 #d1 ,n4 #ae ,dim5sions3 #ba #ae in*es4 ,blocks1 #d3 ,buff1 r$di% gray1 d>k gray1 d>k br[n4 ,inscription1 bottom3 8,illu/rissimo1 ,erudito ,viro ,c>olo ,fr$]ick ,armig]o1 lib]alium ,artium ,patrono1 _/ ,pauli ,cagli>i praecl>um hoc ,opus 9 ,ligno coelatum1 9 grati animi argum5tum humilit] ,d4 ,d4 ,d4 _/ ,j3 ,b3 ,jackson40 #agci4 #ah4 ,! ,massacre ( ! ,innoc5ts1 aft] ,t9toretto ,le ,bl4 #e ,dim5sions3 #ae #ba in*es4 ,blocks1 #d3 ,buff1 violet-gray1 light br[n1 d>k violet-br[n4 ,inscription1 c5t] bottom3 8,illu/rissimo1 _/ et ,praecl>o ,viro ,dno4 ,dno4 _/ ,sm>t ,le?ieulli] _/ ,erudit ,antiquitatis ,/udioso _/ ,inve/igatori1 ,tabellam hanc _/ ,jacobi ,robu/i 9 sui _/ obsequium ,d4 ,d4 ,d4 ,j3 ,b3 ,jackson40 #agci4 #ai4 ,! ,entombm5t1 aft] ,jacopo ,bassano ,le ,bl4 #ab41 ,n4 #e ,dim5sions3 #ba #ae in*es4 ,blocks1 #d3 ,buff1 light r$di% tan1 gray1 d>k br[n4 ,inscription on urn1 above l[] "r-h& corn]3 8,j3 ,b3 ,jackson ,del9 ,sculp excudit #agci0 ,across bottom3 8,insignem hanc ,tabulam a ,jacobo de ,ponte depictam4 ,cl>issimo ,viro ,jacobo ,facciolato ,sem9>ii ,patav9i ,prsidi2 ,ar*igymnasii ornam5ta _/ +5ii doctr91 9 primis ,lat9a eloqu5tia laude celeb]rimo ,j ,b ,jackson ,d4 ,c40 #bj4 ,holy ,family & ,f\r ,sa9ts1 aft] ,v]onese ,dim5sions3 #bb #ac in*es4 ,blocks1 #d3 ,light yell[1 light gre5i% gray1 d>k br[n1 d>k gray4 ,inscription1 bottom c5t]3 8,p]illu/ri et ,nobili ,viro ,dno ,dno _/ ,b\r*i] ,wrey ,b>ronetto _/ ,g5]oso ,artium ,lib]alium ,fautori _/ 9 sui ,obsequium ,d4 ,d4 ,d4 ,j4 ,b4 ,jackson _/ ,p3 ,c3 ,v]onese ,p9xit404 #agci4 #ba4 ,! ,my/ic ,m>riage ( ,/4 ,ca!r9e1 aft] ,v]onese ,le ,bl4 #ah1 ,n4 #d ,dim5sions3 #bb #ae in*es4 ,blocks1 #d3 ,pale gre5i% gray1 pale violet-gray1 m$ium gre5i% gray1 deep cold gray4 ,inscription1 l[] c5t]3 8,gulielmo ,w9dham _/ ,armig]o1 ,artium ,elegantiorum _/ ,fautori1 hanc ,tabulam humillime _/ ,d$icat _/ ,j4 ,b4 ,jackson40 ,bottom left3 8,paulo ,v]onese ,p9xit ,j ,b ,j f #agdj0 ,_m impressions are f\nd 9 br[n tones4 #bb4 ,! ,crucifixion1 aft] ,t9toretto ,le ,bl4 #i1 ,n4 #ac ,dim5sions3 #ba #af in*es 7left plate71 #bb #af in*es 7c5t] plate71 #ba #af in*es 7"r plate74 ,blocks1 #d3 ,buff1 light br[n1 gray1 r$di% br[n4 ,inscription1 bottom c5t] 7c5t] plate73 8,illu/rissimo ,nob3 ,viro ,dno3 ,dno3 _/ ,ri*>do ,boyle ,comti de ,burl+ton ,cork c4 _/ ,magn ,britanni ,hib]ni ,p>i1 ,hib]ni ,ar*i-!saur>io _/ ,h]$et>io1 ,nobilisimi ,ord9is ,p]iscelidis ,equiti c4 _/ ,optim ,ar*itectur ,in/auratori ac ,ct]>um ,artium ,lib]alium _/ ,moec5ati munific5tissimo4 _/ ,s+ol>e hoc ,opus a ,jacobo ,robu/i depictam 9 ,s*ola ,s3 ,rocci ,v5etiis _/ ads]vatum4 ,j3 ,b3 ,jackson ,anglus qui ,ligno ,coelavit humillime ,d4 ,d4 ,c4 #agda40 ,on %ield1 bottom c5t] 7c5t] plate73 8,honi ,soit,qui,mal y ,p5se0 ,bel[ %ield1 bottom c5t] 7c5t] plate73 8,honor ,virtutis ,premium40 ,a bu/ portrait ( a man 9 #ah?-c5tury dress is visible on ! "r knee ( ! woman ) a *ild 9 ! c5t] backgr\nd ( ! left %eet4 ,x is n a lik5ess ( ,ri*>d ,boyle4 ,c\ld ?is be a self-portrait by ,jackson8 ,a trial pro( ( ! key block1 c5t] %eet1 is 9 ! ,ros5wald ,collection1 ,national ,gall]y ( ,art4 #bc4 ,miracle ( ,/4 ,m>k1 aft] ,t9toretto ,le ,bl4 #ae1 ,n4 #b ,dim5sions3 #bb #ag in*es 7left %eet71 #bb #ag in*es 7"r %eet74 ,blocks1 #d3 ,buff1 light br[n1 d>k br[n1 d>k gray4 ,inscription1 l[] left 7left %eet73 8,p] illu/ri ,dno ,dno _/ ,edu>do ,wright1 _/ ,armig]o1 _/ pulcr>um ,artium ex-_/cultori vel soll]tissimo1 _/ hoc ,jacobi ,robu/i _/ 7communit] ,t9toretto7 _/ prcl>um opus 9 _/ su argum5tum ob-_/ s]vanti addicit1 et _/ consecrat ,j4 ,b4 ,jackon40 #bd4 ,! ,m>riage at ,cana1 aft] ,v]onese ,dim5sions3 #bc #af in*es 7left %eet71 #bc #af in*es 7"r %eet74 ,blocks1 #d3 ,buff1 d>k buff1 violet-br[n1 d>k br[n4 ,inscription1 l[] left 7left %eet73 8,paulo ,cagli>i _/ ,v]on3 ,p9xit40 ,l[] "r 7"r %eet73 8,revmo4 ,dno4 ,p4 _/ ,leopoldo ,capello ,co5obii ,d3 ,georgii _/ ,ord3 ,s3 ,b5$ict3 _/ ,abbati _/ m]itissimo4 _/ ,j3 ,b3 ,jackson _/ ,d4 ,d4 ,d40 ,extreme l[] "r 7"r %eet73 8,j3 ,b3 ,jackson ,del93 ,sculp4 _/ excudit ,v5etiis #agdj40 ,jackson 9 ! ,enquiry 7p4 #dh7 describ$ ?is pr9t1 & ! two prec$+ subjects1 z be+ 89 ,hugo's ,mann] ) ,improvem5ts40 #be4 ,pres5tation ( ! ,virg9 9 ! ,temple1 aft] ,titian ,le ,bl4 #c1 ,n4 #ah ,dim5sions3 #bb #ae in*es 7left %eet71 #bb #ag in*es 7c5t] %eet71 #bb #ag in*es 7"r %eet74 ,blocks1 #d3 ,light grayi% umb]1 m$ium br[n1 d>k gray1 d>k br[n4 ,inscription1 l[] left 7left %eet73 8,opus hoc admiratione sane dignum1 cunctorumq2 approbatione _/ comm5datum1 ac ,sacr>ii ,confratrum ,c>itatis ,v5eti>um _/ potiimum ornam5tum1 a ,titiano ,viccellio ,cador5si1 _/ ,viro p+5di arte pr ct]is celeb]rimo1 coloribus quam _/ fi]i pote/ ad naturale expressum1 adumbratumq2 pro viribus _/ exscrib]e /ud5s ,j3 ,b3 ,jackson del9eavit1 excudit1 et exculpsit4 #agdb40 ,l[] "r1 on /ream] 7"r %eet73 8,ducit ,amor ,patri40 ,l[] "r1 9 block 7"r %eet73 8,p] ,illu/ri1 ac ,nobili ,viro ,d3no ,d3no _/ ,erasmo ,philipps ,b>ronetto _/ ,artium zelantissimo ,fautori1 et de re litt]>ia _/ optime m]ito1 ,tabulam hanc t5ue debit v5]ationis _/ su argum5tum1 em]itissimo ,patrono1 et ,mecnati _/ comm5dat1 et dicat _/ ,j3 ,b3 ,jackon40 #bf4 ,! ,virg9 9 ! ,cl\ds & ,six ,sa9ts1 aft] ,titian ,le ,bl4 #ad1 ,n4 #ag ,dim5sions3 #bc #ad in*es4 ,blocks1 #b3 ,buff1 black4 ,inscription1 upp] left & "r3 8,illmo atq2 ,excell3mo ,d3no ,d3no ,philippo ,f>setti ,nob4 ,v54 _/ ,tabellam hanc a ,titiano ,viccellio jam depictam 9 _/ gratissimi animi1 cultusq2 p]petui te/imonium1 _/ ,mecnati1 ac ,sospiti munific5tissimo _/ humiliat1 et consecrat ,j4 ,b4 ,jackon40 ,c5t] ( picture1 on wall3 8,titianus ,faciebat0 ,bottom c5t]3 8,j4 ,b4 ,jackson ,del3 sculp3c4 #agdb40 ,niccol ,boldr9i's woodcut aft] ,titian's draw+ ( ! l[] half ( ?is subject 7,le ,bl4 #ab7 evid5tly inspir$ ,jackson to transcribe ! entire pa9t+ z a p5-&-ink draw+ 9 ,titian's /yle1 ) a t9t block add$4 #bg4 ,! ,desc5t ( ! ,holy ,_s1 aft] ,titian ,le ,bl4 #ac1 ,n4 #a ,dim5sions3 #bb #ae in*es4 ,blocks1 #d3 ,buff1 light gray-br[n1 light yell[-br[n1 d>k br[n4 ,inscription1 upp] left & "r3 8,p]illutri1 ac ,nobili ,viro ,d3no ,d3no ,jacobo ,/ew>t ,mack9zie1 _/ ,honorabili ,magn ,britan-ni ,conilii ,concripto ,patri _/ ,opus hoc1 quod ex ,titi-ani ,viccellii ,pictura1 _/ excripsit1 9 humillimi obequii te/i-_/monium devo-vebat _/ ,j4 ,b4 ,jackon40 #bh4 ,! ,f9d+ ( ,moses1 aft] ,v]onese ,le ,bl4 #b1 ,n4#ad ,dim5sions3 #bb #ae in*es4 ,blocks1 #d3 ,buff1 light br[n1 light violet-gray1 d>k gray4 ,inscription1 l[] "r3 8,illmo et ,excellmo ,d3 ,d3 _/ ,ev]>do ,fawk5] ,eq ,aur _/ pro ,mag3 ,brit3 ,rege ad ,turc3 ,imp]3 _/ ,legato4 ,elegant3 ,artium ,moec5a-_/ti ,munific5tis3 9 sui ,obsequii4 ,ar-_/gum5tum humill3 ,d3 ,d3 _/ ,j3 ,b3 ,jackson40 ,l[] left3 8,ex ,tabella _/ a ,paulo ,calli>i ,v]ons4 _/ depicta p5es ,j3 ,smi? ,v5 _/ ,j3 ,b3 ,jackson ,del ,sculp excud _/ #agda40 #bi4 ,! ,rais+ ( ,laz>us1 aft] ,le&ro ,bassano ,le ,bl4 #f1 ,n4 #g ,dim5sions3 #bc #ad in*es4 ,blocks1 #d3 ,buff1 light r$di% gray1 gray1 d>k cold br[n4 ,inscription1 upp] left & "r3 8,ill3mo ,d3no ,d3no ,v9c5tio ,ricc>di1 ,m>*ioni _/ ,flor5t9o1 amplissimo ,s5atori1 _/ amn>um litt]>um sci5ti>umq2 excultori _/ p]amantissimo1 ,tabellam hanc a _/ ,le&ro de ,ponte colori-_/bus expressam veluti exigu-_/um obs]-vanti su _/ specim5 ,d4 ,d4 ,d4 _/ ,j ,b ,jackson0 ,c5t] bottom3 8,j3 ,b3 ,jackon ,del4 ,sculp4 c4 #agdb40 #cj4 ,*ri/ on ! ,m\nt ( ,olives1 aft] ,jacopo ,bassano ,le ,bl4 #h1 ,n4 #f ,dim5sions3 #bb #ae in*es4 ,blocks1 #d3 ,buff1 m$ium br[n1 gray1 d>k br[n4 ,inscription1 bottom3 8,ill3m atq2 ,excell3m ,d3n ,d3n _/ ,paul9 ,cont>5 _/ ,nob3 ,v5et1 aviti sangu9is +5ti spl5dore cl>1 s$ ,virtutum nobilitate longe cl>iori1 piissimum _/ hoc ,*ri/ian ,fidei monum5tum1 exiguum obsequ5tissim s]vitutis su signum1 quod ex pictura _/ ,jacobi de ,ponte del9eavit1 et exculpsit1 g5]ossim ,patron1 et ,auspici d$icabat ,j3 ,b3 ,jackson404 #agdc4 ,a trial pro( ( ! key block is 9 ! ,ros5wald ,collection1 ,national ,gall]y ( ,art4 #ca4 ,mel*is$e* ,bless+ ,abraham1 aft] ,francesco ,bassano ,le ,bl4 #a1 ,n4 #ai ,dim5sions3 #bb #ae in*es4 ,blocks1 #d3 ,buff1 w>m gray1 br[n1 d>k br[n4 ,inscription1 l[] "r3 8,p]-illu/ri ,d4no ,d4no _/ ,joanni ,reade _/ ,tabellam hanc 9 obe-_/qu5tiim rev]5ti _/ specim5 ,d4 ,d4 ,d4 _/ ,j4 ,b4 ,jackon _/ ex ,tabella p5es _/ ,d4 ,josh ,smi?40 #agdc4 #cb4 ,dives & ,laz>us 7,! ,ri* ,man & ,laz>us71 aft] ,jacopo ,bassano ,dim5sions3 #bb #ae in*es 7left %eet71 #bb #ae in*es 7"r %eet74 ,blocks1 #d3 ,buff1 light br[n1 light br[ni% gray1 d>k br[ni% gray4 ,inscription1 l[] left ( left plate3 8,p]-illu/ri1 ac ,honorabili ,viro _/ ,d3no ,d3no ,rob]to ,hoblyn1 _/ ,armig]o1 ,magnq2 ,britan-_/ni ,consilii ,conscripto ,patri1 _/ ,artium1 ,sci5ti>umq2 ,cultori1 _/ et ,mc5ati1 sui ergo obsequii _/ dicabat _/ ,j4 ,b4 ,jackon40 ,l[] "r ( left plate3 8,ab ,exempl>i1 ,jacobi de ,ponte1 quod ,v5etiis p5es _/ ,d4 ,joeph ,smi? extat1 excripx qui dicabat4 _/ ,j3 ,baan ,px40 #agdc4 #cc4 ,alg]non ,sidney1 aft] ,ju/us ,v]us ,le ,bl4 #bj ,dim5sions3 #ac #h in*es ) lett]s1 #h #g in*es 7oval portrait only74 ,blocks1 #d3 ,tan1 light br[n1 light gray1 d>k gray4 ,inscription1 left & "r "u oval3 8,zu/us ,v]us1 p9x3 ,j3 ,b3 ,j3 sculp2 et exc30 ,9 rectangle at bottom3 8,at ! ,"t :5 ,mr4 ,alg]non ,sidney 0 ,ambaador at t ,c\rt1 ,monieur ,t]lon ! ,fr5* ,ambaador1 _h ! ,confid5ce to te> out ( ! ,book ( ,mottos 9 ! ,k+'s ,libr>y1 ?is ,v]se1 :i* ,mr4 ,sidney 7accord+ to ! ,lib]ty all[$ to all ,noble ,/rang]s7 _h writt5 9 x3_/ 8,manus haec inimica ,tyrannis ,ene petit placidam sub ,lib]tate quietem4 8,?\gh ,monieur ,t]lon "utood n a ^w ( ,lat91 he 0 told by o!rs ! mean+ ( t ,s5- t5ce1 :i* he consid]$ z a ,libel ^u ! ,fr5* ,gov]nm5t & ^u u* z 0 !n sett+ up 9 ,d5m>k by ,fr5* ,ai/ance or ,example40 ,pref3 to ,accot4 ( ,d5m>k #d? ,edit3,p3#bc4 ,ano!r v]sion ) light r$ 9 place ( light gray 7,philadelphia1 :i* also has set ( progressive pro(s74 ,smi?sonian ,in/itution 7,u4,s4 ,national ,museum7 ,worce/]1 ,,mfa1 ,fogg1 ,baltimore1 ,,mma1 ,,nypl1 ,philadelphia ,,bm1 ,b]l9-,dahlem1 ,brussels1 ,frankfurt1 ,hamburg #cd4 ,antique ,bu/ ( ,woman ,dim5sions3 #ad #aj in*es 7irregul> oval74 ,blocks1 #d3 ,yell[-gray1 gre5i% br[n1 gray-br[n1 br[n4 ,,mfa #ce4 ,lov]s 7fac+ "r71 p]haps aft] ,piazzetta ,dim5sions3 #ae #aj in*es4 ,blocks1 #e3 ,light br[ni% gray1 d>k] br[ni% gray1 m$ium br[n1 cold gray1 d>k br[n4 ,attribut$ to ,jackson4 ,v,a #cf4 ,lov]s 7woman full face71 p]haps aft] ,piazzetta ,dim5sions3 #ae #aj in*es4 ,blocks1 #e3 ,light br[ni% gray1 d>k] br[ni% gray1 m$ium br[n1 cold gray1 d>k br[n4 ,companion piece to previ\s pr9t4 ,attribut$ to ,jackson4 ,v,a #cg4 ,lam5tation ,ov] ! ,body ( ,*ri/ ,dim5sions3 #bj #ac in*es4 ,blocks1 #e or #f3 ,blue1 br[n1 r$1 fle%1 gray4 ,inscription1 bottom3 8,et tuam ipius animam p]tranibit gladius10 ,?is is probably an exp]im5t 9 color pr9t+ made by ,jackson1 aft] 8 own design1 be=e attempt+ ! ,ricci set4 ,,bm #ch4 ,h]oic ,l&scape ,) ,d$ication & ,classical ,ru9s1 aft] ,m>co ,ricci ,le ,bl4 #ba-be1 ,n4#bj-be;a ,dim5sions3 #af #bc in*es4 ,blocks1 #g to #aj3 ,tones ( blue1 buff1 gray-violet1 gre5 & d>k gray4 ,inscription 9 tablet at l[] left3 8,illmo1 atq2 ,excellmo ,dno ,dno _/ ,rob]to ,d',arcy1 _/ ,comiti de ,hold]nee c4 c4 c4 _/ ,apud ,s]5is ,remp3 ,v5etam pro ,mag3 _/ ,britan ,rege ,legato ,extraord9>io4 _/ ,hoc noviime excogitatum ,opus 9 humillimi _/ obsequii tetimonium d$icabat _/ ,j4 ,b4 ,jackon404 #agdd4 ,a copy 9 ! ,museum ( ,f9e ,arts1 ,bo/on1 has ,d',arcy's coat-(-arms on ! entablature ( ! ar* to ! "r ) r$ & blue notes4 ,! ,briti% ,museum has a copy ) br[ni%-r$ t\*$ 9 ) wat] colors 9 ! clo?+ ( ! m5 "u ! ar*4 ,rei*el reproduc$ ?is 9 full size & color 7plate #ih74 ,,mfa1 ,,mma1 ,,bm1 ,v5ice #ci4 ,h]oic ,l&scape ,) ,%eep1 ,/atues1 & ,g5tlem51 aft] ,m>co ,ricci ,le ,bl4 #ba-be1 ,n4 #bj-be;b ,dim5sions3 #af #bc in*es4 ,blocks1 #g to #aj3 ,colors v>y 9 diff]5t impressions4 #agdd4 ,smi?sonian ,in/itution 7,u4,s4 ,national ,museum7 ,,mfa1 ,,bm1 ,v5ice #dj4 ,h]oic ,l&scape ) ,fi%]man1 ,c[s1 & ,horsem51 aft] ,m>co ,ricci ,le ,bl4 #ba-be1 ,n4 #bj-be;c ,dim5sions3 #af #bc in*es4 ,blocks1 #g to #aj3 ,colors v>y 9 diff]5t impressions4 #agdd4 ,,mfa1 ,,mma1 ,worce/]1 ,,bm1 ,v,a1 ,b]l9-,dahlem1 ,v5ice1 ,brussels #da4 ,h]oic ,l&scape ) ,c>t & ,goa!rd1 ) ,s4 ,giorgio ,maggiore 9 ,backgr\nd1 aft] ,m>co ,ricci ,le ,bl4 #ba-be1 ,n4 #bj-be;d ,dim5sions3 #af #bc in*es4 ,blocks1 #g to #aj3 ,colors v>y 9 diff]5t impressions4 #agdd4 ,,mfa1 ,,bm1 ,v5ice1 ,dresd5 #db4 ,h]oic ,l&scape ) ,wom5 at ,brook1 ,*ild ,fi%+1 & ,h]dsm51 aft] ,m>co ,ricci ,le ,bl4 #ba-be1 ,n4 #bj-be;e ,dim5sions3 #af #bc in*es4 ,blocks1 #g to #aj3 ,colors v>y 9 diff]5t impressions4 #agdd4 ,rei*el reproduc$ ?is 9 full size & color 7plate #ii74 ,,mma1 ,,mfa1 ,,bm1 ,v5ice1 ,milan1 ,b]l9-,dahlem #dc4 ,h]oic ,l&scape ) ,wat]+ ,place1 ,rid]s1 & ,obelisk1 aft] ,m>co ,ricci ,dim5sions3 #af #bc in*es4 ,blocks1 #g to #aj3 ,colors v>y 9 diff]5t impressions4 #agdd4 ,,mfa1 ,,mma1 ,,bm1 ,v,a1 ,v5ice #dd4 ,battle ne> ,p>ma1 aft] ,francesco ,simon9i ,dim5sions3 #bj #dj in*es 7two jo9$ %eets7 ,blocks1 #g or #h3 ,buff1 br[n1 light gre51 blue-gre51 light transp>5t r$1 deep r$1 d>k gray4 #ageb4 ,! only kn[n copy is 9 ! ,briti% ,museum4 ,tone has d>k5$ & pap] is torn 9 p>ts4 ,?is pr9t is describ$ 9 ! ,enquiry4 ,jackson errone\sly ref]r$ to ?is arti/ z 8,simonnetta40 ,,bm #de4 ,ornam5tal ,bord] ) ,fruit2 ,fl[]s1 & ,purple ,grapes ,dim5sions3 #f #be in*es4 ,blocks1 #d3 ,r$1 blue1 yell[1 gre54 ,pr9t = wallpap]4 ,,bm #df4 ,ornam5tal ,bord] ) ,fruit1 ,fl[]s1 & ,gre5 ,grapes ,dim5sions3 #f #be in*es4 ,blocks1 #d3 ,r$1 blue1 yell[ & gre54 ,pr9t = wallpap]4 ,,bm #dg4 ,ornam5tal ,frame ) ,fl[]s & ,fruit ,dim5sions3 #bd #ah in*es4 ,blocks1 #d3 ,r$1 blue1 yell[1 gray-gre54 ,pr9t = wallpap]4 ,,bm #dh4 ,ornam5tal ,frame ) ,fruit ,dim5sions3 #be #ag in*es4 ,blocks1 #d3 ,r$1 blue1 yell[1 gray-gre54 ,pr9t = wallpap]4 ,,bm #di4 ,ornam5tal ,frame ) ,fl[]s & ,girl's ,head ,dim5sions3 #bf #ah in*es4 ,blocks1 #d3 ,r$1 blue1 yell[1 gre54 ,pr9t = wallpap]4 ,c5tral figure is describ$ "u ,no4 #ei4 ,,bm #ej4 ,danc+ ,nymph ) ,b[ & ,arr[s ,dim5sions3 #aa #f in*es4 ,blocks1 #b3 ,olive gre51 black4 ,pr9t = wallpap]4 ,probably cut by ,jackson z a guide = 8 work%op4 ,see ,nos4 #ei-gd4 ,smi?sonian ,in/itution 7,u4,s4 ,national ,museum7 #ea4 ,bu/ ( ,democritus ,dim5sions3 #i #g in*es 7%eet size74 ,blocks1 #d3 ,buff1 light gray1 m$ium gray1 d>k gray4 ,plate f ,jackson1 ,an ,essay on ! ,inv5tion ( ,engrav+ & ,pr9t+ 9 ,*i>o ,oscuro1 #aged4 #eb4 ,! ,lion ,dim5sions3 #i #g in*es4 ,blocks1 #f3 ,yell[1 r$1 light gre51 blue-gray1 light gray1 d>k gray-gre54 ,plate f ,jackson1 ,essay4441 #aged4 ,?is subject 0 copi$ f plate #cd ( ,giorgio ,fossati1 ,raccolta di v>ie favole1 ,v5ice1 #agdd4 #ec4 ,build+ & ,vegetable ,dim5sions3 #i #g in*es4 ,blocks1 #f3 ,yell[1 light gre51 light r$1 crimson1 light gray1 d>k gray4 ,plate f ,jackson1 ,essay4441 #aged4 #ed4 ,/atue ( ,apollo ,dim5sions3 #i #g in*es4 ,blocks1 #d3 ,light buff1 m$ium buff1 gray1 & d>k gray4 ,plate f ,jackson1 ,essay4441 #aged4 #ee4 ,! ,f>nese ,h]cules ,dim5sions3 #i #g in*es4 ,blocks1 #d3 ,buff1 gre5i% buff1 gray1 d>k gre5i% gray4 ,plate f ,jackson1 ,essay4441 #aged4 #ef4 ,antique ,bu/ ( a ,man ,dim5sions3 #i #g in*es4 ,blocks1 #d3 ,buff1 gray-br[n1 gray1 d>k gre5i% gray4 ,plate f ,jackson1 ,essay4441 #aged4 #eg4 ,pheasant & ,g>d5 ,urn ,dim5sions3 #i #g in*es4 ,blocks1 #g3 ,yell[1 light gre51 w>m gray1 blue-gray1 light r$1 crimson1 d>k gray-gre54 ,plate f ,jackson1 ,essay4441 #aged4 #eh4 ,ru9 ( ,g>d5 ,temple ,dim5sions3 #i #g in*es4 ,blocks1 #g3 ,yell[1 light gre51 w>m gray1 cold gray1 light r$1 crimson1 d>k gray-gre54 ,plate f ,jackson1 ,essay4441 #aged4 ,jackson's ,work%op #ei4 ,woman ,/&+ ,hold+ ,apron1 aft] ,s4 ,le ,cl]c ,dim5sions3 #aa #f in*es 7%eet size74 ,blocks1 #b3 ,deep r$ & pale gre54 ,pr9t = wallpap]4 ,?is figure appe>s 9 ! c5t] ( ! ornam5tal frame1 ,no4 #di 9 ?is catalog1 9 ! ,briti% ,museum impression4 ,aft] a plate 9 ! s]ies ( et*+s by ,sba/i5 ,le ,cl]c1 ,les ,figures la mode1 #afhe4 ,! figure is rev]s$4 ,,bm #fj4 ,female ,/atue ) ,fruit & ,:eat ,dim5sions3 #aa #f in*es4 ,blocks1 #b3 ,deep r$ & yell[4 ,pr9t = wallpap]4 ,philadelphia #fa4 ,female ,/atue ) ,mask ,dim5sions3 #aa #f in*es4 ,blocks1 #b3 ,deep r$ & yell[4 ,pr9t = wallpap]4 ,philadelphia #fb4 ,que5 ) ,armor & ,model ( ,build+ ,dim5sions3 #aa #f in*es4 ,blocks1 #b3 ,deep r$ & pale gre54 ,pr9t = wallpap]4 ,9 ! /yle ( ,villam5a4 ,philadelphia #fc4 ,apollo ) ,lyre ,dim5sions3 #aa #f in*es4 ,blocks1 #b3 ,gre5 & black4 ,also deep r$ & yell[4 ,pr9t = wallpap]4 ,smi?sonian ,in/itution 7,u4,s4 ,national ,museum7 ,philadelphia #fd4 ,woman ) ,%eph]d's ,pipe ,dim5sions3 #aa #f in*es4 ,blocks1 #b3 ,deep r$ & yell[4 ,pr9t = wallpap]4 ,philadelphia #fe4 ,woman ) ,%eet ( ,music & ,horn ,dim5sions3 #aa #f in*es4 ,blocks1 #b3 ,deep r$ & pale gre54 ,also r$ & yell[4 ,pr9t = wallpap]4 ,philadelphia #ff4 ,woman ) ,pit*] & ,apron1 aft] ,s4 ,le ,cl]c ,dim5sions3 #aa #f in*es4 ,blocks1 #b3 ,deep r$ & pale gre54 ,pr9t = wallpap]4 ,aft] a plate 9 ! s]ies ( #bd et*+s by ,sba/i5 ,le ,cl]c1 ,les ,figures la mode1 #afhe4 ,! figure is rev]s$4 ,philadelphia #fg4 ,old ,woman ,/&+1 aft] ,s4 ,le ,cl]c ,dim5sions3 #aa #f in*es4 ,blocks1 #b3 ,deep r$ & pale gre54 ,pr9t = wallpap]4 ,aft] a plate 9 ! s]ies ( #bd et*+s by ,sba/i5 ,le ,cl]c1 ,les ,figures la mode1 #afhe4 ,! figure is rev]s$4 ,philadelphia #fh4 ,lady ) ,/aff ,dim5sions3 #aa #f in*es4 ,blocks1 #b3 ,deep r$ & yell[4 ,pr9t = wallpap]4 ,philadelphia #fi4 ,woman ) ,fruit & ,basket ,dim5sions3 #aa #f in*es4 ,blocks1 #b3 ,deep r$ & pale gre54 ,also r$ & yell[4 ,pr9t = wallpap]4 ,9 ! /yle ( ,villam5a4 ,,bm #gj4 ,woman ) ,bran*es & ,inc5se ,burn] ,dim5sions3 #aa #f in*es4 ,blocks1 #b3 ,deep r$ & pale gre54 ,also r$ & yell[4 ,pr9t = wallpap]4 ,9 ! /yle ( ,villam5a4 ,,bm #ga4 ,woman ) ,fl[]s & ,v9es ,dim5sions3 #aa #f in*es4 ,blocks1 #b3 ,r$ & gre54 ,also r$ & yell[4 ,pr9t = wallpap]4 ,9 ! /yle ( ,villam5a4 ,,bm #gb4 ,/&+ ,woman1 ,head ,turn$ to ,"r1 aft] ,watteau ,dim5sions3 #aa #e in*es4 ,blocks1 #b3 ,gre5 & black4 ,pr9t = wallpap]4 ,aft] ,b\*]'s et*+ aft] a draw+ by ,watteau 7plate #baf 9 ,jean de ,juli5ne's compilation ( ,watteau's "w1 ,figures de diffr5ts c>actres1 ca4 #agdj74 ,,mma1 ,philadelphia1 ,,bm #gc4 ,lady ) ,fan1 aft] ,s4 ,le ,cl]c ,dim5sions3 #aa #d in*es4 ,blocks1 #b3 ,gre5 & black4 ,pr9t = wallpap]4 ,aft] a plate 9 ! s]ies ( #bd et*+s by ,sba/i5 ,le ,cl]c1 ,les ,figures la mode1 #afhe4 ,! figure is rev]s$ & ! fan has be5 %ift$ to ! upp] h&4 ,,mma #gd4 ,classical ,female ,/atue ,dim5sions3 #aa #f in*es4 ,blocks1 #b3 ,deep r$ & yell[4 ,pr9t = wallpap]4 ,philadelphia1 ,,mma #ge4 ,boy ,look+ ,d[n ,dim5sions3 #c #b in*es4 ,blocks1 #b3 ,light br[n & black4 ,p]haps aft] ,piazzetta4 ,,mfa1 ,,bm #gf4 ,lady ) a ,fl[] ,dim5sions3 #ad #aa in*es4 ,blocks1 #c3 ,buff1 light br[n1 br[n4 ,possibly aft] ,knell]4 ,v weak & crude4 ,,bm1 ,v,a ,unv]ifi$ ,subjects #gg4 ,! ,annunciation1 aft] ,p>migian9o ,dim5sions3 #f #d in*es4 ,blocks1 #c3 ,tones ( br[n4 ,?is is li/$ z ,jackson's 9 ,gutekun/ ,klip/e9's catalogue #dj1 #aich4 ,x is describ$ z hav+ 8! initials & an engrav$ lett] bord]10 b :e!r ! initials are ,jackson's or ,p>migian9o's is unc]ta94 #gh4 ,/4 ,pet] & ,/4 ,paul ,surpris$ by ! ,execution]1 aft] ,titian ,le ,bl4 #ag1 ,n4 #af ,le ,blanc & ,nagl] li/ ?is pr9t 9 addition to ,/4 ,pet] ,m>tyr1 b mo/ likely x is ! same subject4 ,! title might h be5 tak5 f a museum catalogue :i* li/$ ! id5tical pr9t "u a diff]5t title4 #gi4 ,! ,entombm5t1 aft] ,titian ,le ,bl4 #aa ,?is is includ$ 9 ,le ,blanc 7,j4 ,c4 mis au tombeau7 b x seems likely t x 0 confus$ ) ,bassano's id5tically titl$ subject4 #hj4 ,giovanni ,ga/ro ,i ,de ,m$ici ,?is is li/$ z a ,jackson pr9t 9 ,b]l9-,dahlem b has n be5 locat$4 #ha4 ,elisabe?1 ,du*ess ( ,hamilton1 z a ,%eph]dess ,?is is catalogu$ z a ,jackson pr9t 9 ! ,dresd5 ,kun/sammlung5 b 0 lo/ 9 ! w>4 ,! ,*i>oscuros & ,color ,woodcuts ( ,john ,bapti/ ,jackson ,illu/ration3 #a4 ,,*ri/ ,,giv+ ,,! ,,keys ,,to ,,/4 ,,pet]1 aft] ,raphael 7,see also color plate7 ,illu/ration3 #b4 ,,v5us ,,& ,,cupid ,,) ,a ,,b[1 aft] ,p>migian9o 7,see also color plate7 ,illu/ration3 #c4 ,,woman ,,/&+ ,,hold+ ,,j> ,,on ,,h] ,,head1 aft] ,p>migian9o ,illu/ration3 #e4 ,,woman ,,m$itat+ 7,,/4 ,,?ais871 aft] et*+ by ,p>migian9o 7,see also color plate7 ,illu/ration3 #g4 ,,bookplate ,illu/ration3 #f4 ,,ulysses ,,& ,,polyphemus1 aft] ,primaticcio ,illu/ration3 #h4 ,,judgm5t ,,( ,,solomon1 aft] ,rub5s ,illu/ration3 #i4 ,,! ,,visitation1 aft] ,annibale ,c>racci ,illu/ration3 #aj4 ,,julius ,,caes>1 aft] ,titian ,illu/ration3 #aa4 ,,/4 ,,rocco1 aft] ,*]ub9o ,alb]ti ,illu/ration3 #ab4 ,,/atuette ,,( ,,neptune1 aft] ,giovanni da ,bologna ,illu/ration3 #ad4 ,,*ri/ ,,& ,,! ,,woman ,,( ,,sam>ia ,illu/ration3 #ae4 ,,romulus ,,& ,,remus1 ,,wolf1 ,,& ,,sea ,,god ,illu/ration3 #ac4 ,,desc5t ,,f ,,! ,,cross1 aft] ,rembr&t 7,see also color plate7 ,illu/ration3 #af4 ,,! ,,dea? ,,( ,,/4 ,,pet] ,,m>tyr1 aft] ,titian ,illu/ration3 #ag4 ,,! ,,pres5tation ,,9 ,,! ,,temple 7,,! ,,circumcision71 aft] ,v]onese ,illu/ration3 #ah4 ,,! ,,massacre ,,( ,,! ,,innoc5ts1 aft] ,t9toretto ,illu/ration3 #bb4 ,,! ,,crucifixion1 ,,aft] ,,t9toretto1 left %eet 7,see also color plates7 ,illu/ration3 #bb4 ,,! ,,crucifixion1 aft] ,t9toretto1 c5t] %eet 7,see also color plates7 ,illu/ration3 #bb4 ,,! ,,crucifixion1 aft] ,t9toretto1 "r %eet 7,see also color plates7 ,illu/ration3 #ai4 ,,! ,,entombm5t1 aft] ,jacopo ,bassano ,illu/ration3 #bj4 ,,holy ,,family ,,& ,,f\r ,,sa9ts1 aft] ,v]onese ,illu/ration3 #ba4 ,,! ,,my/ic ,,m>riage ,,( ,,/4 ,,ca!r9e1 aft] ,v]onese ,illu/ration3 #bf4 ,,! ,,virg9 ,,9 ,,! ,,cl\ds ,,& ,,six ,,sa9ts1 aft] ,titian ,illu/ration3 #bc4 ,,miracle ,,( ,,/4 ,,m>k1 aft] ,t9toretto1 left %eet ,illu/ration3 #bc4 ,,miracle ,,( ,,/4 ,,m>k1 aft] ,t9toretto1 "r %eet ,illu/ration3 #bd4 ,,! ,,m>riage ,,at ,,cana1 aft] ,v]onese1 left %eet ,illu/ration3 #bd4 ,,! ,,m>riage ,,at ,,cana1 aft] ,v]onese1 "r %eet ,transcrib]'s ,note3 ,! left & "r halves ( ,plate #bd appe> to be mislabel$ 9 ! orig9al4 ,see ! html file = comb9$ v]sion4 ,illu/ration3 #bg4 ,,! ,,desc5t ,,( ,,! ,,holy ,,_s1 aft] ,titian ,illu/ration3 #bh4 ,,! ,,f9d+ ,,( ,,moses1 aft] ,v]onese ,illu/ration3 #bi4 ,,! ,,rais+ ,,( ,,laz>us1 aft] ,le&ro ,bassano ,illu/ration3 #ca4 ,,mel*is$e* ,,bless+ ,,abraham1 aft] ,francesco ,bassano ,illu/ration3 #cb4 ,,dives ,,& ,,laz>us 7,,! ,,ri* ,,man ,,& ,,laz>us71 aft] ,jacopo ,bassano1 left %eet ,illu/ration3 #cb4 ,,dives ,,& ,,laz>us 7,,! ,,ri* ,,man ,,& ,,laz>us71 aft] ,jacopo ,bassano1 "r %eet ,illu/ration3 #cj4 ,,*ri/ ,,on ,,! ,,m\nt ,,( ,,olives1 aft] ,jacopo ,bassano ,illu/ration3 #cg4 ,,lam5tation ,,ov] ,,! ,,body ,,( ,,*ri/ ,illu/ration3 #cc4 ,,alg]non ,,sidney1 aft] ,ju/us ,v]us ,illu/ration3 #cd4 ,,antique ,,bu/ ,,( ,,woman ,illu/ration3 #be4 ,,pres5tation ,,( ,,! ,,virg9 ,,9 ,,! ,,temple1 aft] ,titian1 left %eet ,illu/ration3 #be4 ,,pres5tation ,,( ,,! ,,virg9 ,,9 ,,! ,,temple1 aft] ,titian1 c5t] %eet ,illu/ration3 #be4 ,,pres5tation ,,( ,,! ,,virg9 ,,9 ,,! ,,temple1 aft] ,titian1 "r %eet ,illu/ration3 #ce4 ,,lov]s 7fac+ "r71 p]haps aft] ,piazzetta ,illu/ration3 #cf4 ,,lov]s 7woman full face71 p]haps aft] ,piazzetta ,illu/ration3 #ch4 ,,h]oic ,,l&scape ,,) ,,d$ication ,,& ,,classical ,,ru9s1 aft] ,m>co ,ricci ,illu/ration3 #ci4 ,,h]oic ,,l&scape ,,) ,,%eep1 ,,/atues1 ,,& ,,g5tlem51 aft] ,m>co ,ricci ,illu/ration3 #dj4 ,,h]oic ,,l&scape ,,) ,,fi%]man1 ,,c[s1 ,,& ,,horsem51 aft] ,m>co ,ricci 7,see also color plates7 ,illu/ration3 #da4 ,,h]oic ,,l&scape ,,) ,,c>t ,,& ,,goa!rd1 ,,& ,,) ,s4 ,,giorgio ,,maggiore ,,9 ,,backgr\nd1 aft] ,m>co ,ricci ,illu/ration3 #db4 ,,h]oic ,,l&scape ,,) ,,wom5 ,,at ,,brook1 ,,*ild ,,fi%+ ,,& ,,h]dsm51 aft] ,m>co ,ricci ,illu/ration3 #dc4 ,,h]oic ,,l&scape ,,) ,,wat]+ ,,place1 ,,rid]s ,,& ,,obelisk1 aft] ,m>co ,ricci 7,see also color plate7 ,illu/ration3 #dd4 ,,battle ,,ne> ,,p>ma1 aft] ,francesco ,simon9i ,illu/ration3 #dd4 ,,battle ,,ne> ,,p>ma1 aft] ,francesco ,simon9i1 detail ,illu/ration3 #de4 ,,ornam5tal ,,bord] ,,) ,,fruit1 ,,fl[]s ,,& ,,purple ,,grapes ,illu/ration3 #df4 ,,ornam5tal ,,bord] ,,) ,,fruit1 ,,fl[]s1 ,,& ,,gre5 ,,grapes ,illu/ration3 #dg4 ,,ornam5tal ,,frame ,,) ,,fl[]s ,,& ,,fruit ,illu/ration3 #dh4 ,,ornam5tal ,,frame ,,) ,,fruit ,illu/ration3 #di4 ,,ornam5tal ,,frame ,,) ,,fl[]s ,,& ,,girl',s ,,head 7,see also color plate7 ,illu/ration3 #ei4 ,,woman ,,/&+ ,,hold+ ,,apron1 aft] ,s4 ,le ,cl]c ,illu/ration3 #ej4 ,,danc+ ,,nymph ,,) ,,b[ ,,& ,,arr[s ,illu/ration3 #ea4 ,,bu/ ,,( ,,democritus ,illu/ration3 #eb4 ,,! ,,lion ,illu/ration3 #ec4 ,,build+ ,,& ,,vegetable 7,see also color plate7 ,illu/ration3 #ed4 ,,/atue ,,( ,,apollo ,illu/ration3 #ee4 ,,! ,,f>nese ,,h]cules ,illu/ration3 #ef4 ,,antique ,,bu/ ,,( ,a ,,man ,illu/ration3 #eg4 ,,pheasant ,,& ,,g>d5 ,,urn ,illu/ration3 #eh4 ,,ru9 ,,( ,,g>d5 ,,temple ,illu/ration3 #fj4 ,,female ,,/atue ,,) ,,fruit ,,& ,,:eat ,illu/ration3 #fa4 ,,female ,,/atue ,,) ,,mask ,illu/ration3 #fb4 ,,que5 ,,) ,,armor ,,& ,,model ,,( ,,build+ ,illu/ration3 #fc4 ,,apollo ,,) ,,lyre ,illu/ration3 #fd4 ,,woman ,,) ,,%eph]d',s ,,pipe ,illu/ration3 #fe4 ,,woman ,,) ,,%eet ,,( ,,music ,,& ,,horn ,illu/ration3 #ff4 ,,woman ,,) ,,pit*] ,,& ,,apron1 aft] ,s4 ,le ,cl]c ,illu/ration3 #fg4 ,,old ,,woman ,,/&+1 aft] ,s4 ,le ,cl]c ,illu/ration3 #fh4 ,,lady ,,) ,,/aff ,illu/ration3 #fi4 ,,woman ,,) ,,fruit ,,& ,,basket ,illu/ration3 #gj4 ,,woman ,,) ,,bran*es ,,& ,,inc5se ,,burn] ,illu/ration3 #ga4 ,,woman ,,) ,,fl[]s ,,& ,,v9es ,illu/ration3 #gb4 ,,/&+ ,,woman1 ,,head ,,turn$ ,,to ,,"r1 aft] ,watteau ,illu/ration3 #gc4 ,,lady ,,) ,,fan1 aft] ,s4 ,le ,cl]c ,illu/ration3 #gd4 ,,classical ,,female ,,/atue ,illu/ration3 #gf4 ,,lady ,,) ,a ,,fl[] ,illu/ration3 #ge4 ,,boy ,,look+ ,,d[n ,,bibliography ,,anonym\s4 ,an ,enquiry into ! ,orig9s ( ,pr9t+ 9 ,europe1 by a ,lov] ( ,art4 ,london1 #ageb4 ,a rewrite ( ,jackson's manuscript j\rnal1 ) "s sections quot$ v]batim4 ,! arti/'s c>e] f ab\t #agbe to #ageb is describ$4 ,! mo/ important biographical s\rce & a r>e book4 ,,aud91 ,m4 ,essai sur les graveurs de bois en ,france au dix-huitime sicle4 ,p>is1 #aibe1 pp4 #ii-ajb4 ,conta9s a section li/+ _m books illu/rat$ by ,jackson 9 ,p>is1 mo/ly 9 lat] editions4 ,,bav]el1 ,p4 ,notices sur les graveurs1 ,besanon1 #ahjg1 vol4 #a1 pp4 #cda-cdb4 ,b,n,,zit1 ,e4 ,dictionnaire des pe9tres1 sculpteurs1 dess9ateurs1 graveurs4 ,p>is1 #aibd 7#a/ ed4 #aiac71 vol4 #b1 p4 #fic4 ,,bewick1 ,,?omas4 ,memoir ( ,?omas ,bewick1 ,writt5 by ,himself1 #ahbb-ahbh4 ,new ,york1 #aibe 7#a/ ed41 #ahfb71 pp4 #bac-bad4 ,m5tions meet+ ,jackson 9 advanc$ age1 ab\t #aggg4 ,! book conta9s mu* p]sonal rem9isc5ce & obs]vation on life b little concrete detail = ! /ud5t4 ,,bigmore1 ,e4 ,c4 & ,,wyman1 ,c4 ,w4 ,h4 ,a ,bibliography ( ,pr9t+4 ,london1 #ahhj-ahhf1 vol4 #a1 pp4 #bja1 #cfe4 ,! mo/ ext5sive annotat$ li/+ ( books relat+ to pr9t+4 ,has a description ( ,jackson's ,essay4 ,,brulliot1 ,f4 ,dictionnaire des monogrammes4 ,muni*1 #ahcb-ahcd1 vol4 #b1 ,nos4 #abhh1 #aceb1 #aece4 ,,bryan1 ,m4 ,diction>y ( ,pa9t]s & ,engrav]s4 ,london & ,new ,york1 #aijd 7#a/ ed4 #ahaf71 vol4 #c1 p4 #ii4 ,! mo/ compreh5sive biographical diction>y ( arti/s 9 ! ,engli% language4 ,,bur*1 ,r4 ,m4 ,col\r ,pr9t+ & ,col\r ,pr9t]s4 ,london1 #aiaj1 pp4 #gb-gg4 ,! mo/ compreh5sive g5]al survey1 b ) m ?an occasional inaccuracies4 ,!re is a lack ( s5sitivity 9 art matt]s4 ,^! comm5ts apply also to ! section on ,jackson4 ,,*atto1 ,w41 & ,,jackson1 ,j4 ,a ,treatise on ,wood-,engrav+4 ,london1 #ahfa 7#a/4 ed4 #ahci71 pp4 #dec-deg4 ,! classic "w on ! subject2 s*ol>ly1 objective1 & volum9\sly illu/rat$4 ,has ! fulle/ e>ly acc\nt ( ,jackson & is ! basis = mo/ lat] /udies ( ! arti/4 ,,cu/1 ,l4 8,john ,bapti/ ,jackson10 ,diction>y ( ,national ,biography4 ,new ,york & ,london1 #ahhe-aijj1 vol4 #bi1 p4 #ajj4 ,,de ,,boni1 ,f4 ,biografia degli arti/i4 ,v5ice1 #ahdj1 p4 #dii4 ,,donnell1 ,,edna4 8,! ,van ,r5ssela] ,wall ,pap] & ,j4 ,b4 ,jackson-- ,a ,/udy 9 ,disassociation40 ,metropolitan ,museum ,/udies1 #aicb1 vol4 #d1 pp4 #gg-ajh4 ,! mo/ s*ol>ly /udy ( ,jackson's wallpap] c>e]4 ,%[s1 by an exam9ation ( /yles1 t ,jackson c\ld n h made ! wallpap]s indiscrim9ately attribut$ to him4 ,,duplessis1 ,g4 ,hi/oire de la gravure4 ,p>is1 #ahhj1 pp4 #cad-cae4 ,,entwisle1 ,e4 ,a4 ,! ,book ( ,wallpap]4 ,london1 #aied1 pp4 #fe-fg1 #gf4 ,conta9s new in=mation on wallpap] manufactur]s 9 ,london dur+ ! #ah? c5tury1 "s ( x be>+ on ,jackson4 ,,frankau1 ,j4 ,eighte5?-,c5tury ,col\r-,pr9ts4 ,london1 #aijg1 pp4 #db-df4 ,has an appreciative section on ,jackson1 highly romanticiz$4 ,,fri$l,,nd]1 ,m4 ,j4 ,d] ,holzs*nitt3 ,h&b*] d] ,/aatli*5 ,muse5 zu ,b]l94 ,b]l9 & ,leipzig1 #aibf 7#a/ ed4 #aiag71 pp4 #bbd-bbf4 ,,fuessli1 ,j4 ,c4 ,raisonir5des ,v]zei*niss d] vornehm/5 ,kupf]/e*]4 ,zuri*1 #agga1 pp4 #cec-ced4 ,,fur/1 ,h4 ,! ,mod]n ,woodcut4 ,new ,york1 #aibd1 pp4 #hh1 #ii4 ,a f9e g5]al survey1 al?\gh judgm5ts are occasionally dogmatic4 ,,gallo1 ,r4 ,l',incisioni nel '#gjj a ,v5ezia e a ,bassano4 ,v5ice1 #aida1 pp4 #bb-bc4 ,a solid /udy conta9+ "s new mat]ial on ! arti/s ( ! p]iod4 ,,gori ,,g&ell9i1 ,g4 ,notizie ,i/ori*e degl' ,intagliatori4 ,si5a1 #agga1 vol4 #b1 p4 #aef4 ,,gusman1 ,p4 ,la ,gravure sur bois et d'ep>gne sur metal du ,x,i,ve au ,x,xe sicle4 ,p>is1 #aiaf1 pp4 #cb1 #afd-afe1 #aic1 #beb4 ,,h>die1 ,,m>t94 ,engli% ,col\r$ ,books4 ,new ,york & ,london1 #aijf1 pp4 #ai-bg4 ,:ile a brief b s5sitive acc\nt ( ,jackson is giv51 ! ma9 emphasis is on ! ,essay z an illu/rat$ book4 ,,he9eck51 ,c4 ,h4 ,,von4 ,ide gnrale d'une collection complette d'e/ampes4 ,leipzig & ,vi5na1 #agga1 p4 #id4 ,,hell]1 ,j4 ,ges*i*te d] ,holzs*neidekun/4 ,bamb]g1 #ahbc1 pp4 #bie-bif4 ,praktis*es ,h&bu* fr ,kupf]/i*samml]4 ,leipzig1 #ahej1 p4 #ccd4 ,li/s #aj *i>oscuros by ,jackson4 ,,hell]1 ,j41 & ,,&res51 ,a4 ,h&bu* fr ,kupf]/i*samml]4 ,leipzig1 #ahgj1 vol4 #a1 pp4 #gjf-gjg4 ,li/s #aa pr9ts by ,jackson4 ,,hub]1 ,m4 ,notices gnrales des graveurs et des pe9tres4 ,dresd51 #aghg1 pp4 #fgf1 #fih4 ,,hub]1 ,m41 & ,,ro/1 ,c4 ,c4 ,h&bu* fr ,kun/liebhab] und ,samml]4 ,zuri*1 #ahjh1 vol4 #i1 pp4 #abi-aca4 ,,hub]1 ,m41 ,,ro/1 ,c4 ,c41 & ,,m>t9i1 ,c4 ,g4 ,manuel des curieux et des amateurs d'art4 ,zuri*1 #agig-ahjh1 vol4 #i1 pp4 #aba-abc4 ,fir/ catalog ( ,jackson's "w2 li/s #aj titles4 ,,jackson1 ,,john ,,bapti/4 ,an ,essay on ! ,inv5tion ( ,engrav+ & ,pr9t+ 9 ,*i>o ,oscuro1 z ,practis$ by ,alb]t ,dur]1 ,hugo di ,c>pi1 c41 & ! ,application ( ,x to ! ,mak+ ,pap] ,hang+s ( ,ta/e1 ,duration1 & ,elegance4 ,london1 #aged4 ,writt5 by ,jackson to promote 8 wallpap]s1 x repeats "s ( 8 ass]tions 9 ! ,enquiry b gives little detail conc]n+ 8 c>e]4 ,x is important z an illu/rat$ book & z an e>ly docum5t 9 ! hi/ory ( wallpap]4 ,! pr9ts h suff]$ f ! use ( an inf]ior oil vehicle4 ,,ka951 ,,jacob4 8,john ,bapti/ ,jackson & 8 ,*i>oscuros40 ,pr9t+ & ,graphic ,arts1 vol4 #d1 no4 #d1 #aief1 pp4 #he-ib4 ,an exc]pt f ! pres5t "w1 !n 9 progress1 9 a diff]5t v]sion4 ,,krepl91 ,b4 ,c4 8,john ,bapti/ ,jackson10 9 ,?ieme1 ,u41 & ,beck]1 ,f41 ,allgeme9es ,lexikon d] ,bild5d5 ,kn/l]4 ,leipzig1 #aijg-aiej1 vol4 #ah1 pp4 #bbd-bbe4 ,! mo/ compreh5sive biographical diction>y ( arti/s4 ,has a good article on ,jackson & a small bibliography4 ,,le ,,blanc1 ,c4 ,manuel de l'amateur d'e/ampes4 ,p>is1 #ahed-ahhh1 vol4 #b1 p4 #daf4 ,p>ticul>ly valuable = its catalogs ( ! "w ( engrav]s4 ,) ,nagl]1 conta9s ! l>ge/ li/+ ( ,jackson's pr9ts4 ,,levis1 ,h4 ,c4 ,a ,descriptive ,bibliography ( ,books 9 ,engli% ,relat+ to ,engrav+ & ! ,collection ( ,pr9ts4 ,london1 #aiab1 pp4 #ahb-ahd4 ,,lewis1 ,c4 ,t4 ,c4 ,! ,/ory ( ,picture ,pr9t+ 9 ,engl& ,dur+ ! #ai? ,c5tury2 or ,=ty ,ye>s ( ,wood & ,/one4 ,london1 #aibh1 pp4 #b1 #ba1 #bf1 #cd1 #dj1 #dc1 #aie4 ,writt5 9 an oppressively popul> /yle ) emphasis on ,baxt] & ,le ,blond4 ,jackson is m5tion$ (t5 b sket*ily z ! di/ant ance/or ( 8picture pr9t+40 ,,l9ton1 ,w4 ,! ,ma/]s ( ,wood ,engrav+4 ,london1 #ahhi1 p4 #bad4 ,discusses ! subject f ! /&po9t ( a late-#ai?-c5tury te*nician4 ,nev]!less is op5-m9d$1 if slightly sup]ior1 ab\t ! *i>oscuro woodcut4 ,,longhi1 ,g4 ,catalogo dei pi celebri intagliatori 9 legno ed 9 rame4 ,milan1 #ahba1 p4 #ea4 ,,mab]ly1 ,j4 ,! ,pr9t ,collector4 ,london1 #ahdd1 p4 #acj4 ,! fir/ ,am]ican edition1 ,new ,york1 #ahhj1 edit$ by ,rob]t ,hoe1 copies ! annotat$ description ( ! ,essay f ,bigmore & ,wyman4 ,,mcclell&1 ,n4 ,hi/oric ,wall-,pap]s4 ,philadelphia & ,london1 #aibd1 pp4 #dg1 #gi1 #ada-aed1 #afe1 #cbd-cbi1 #dbc4 ,makes _m ref]5ces to ,jackson1 l>gely inaccurate4 ,,mireur1 ,h4 ,dictionnaire des v5tes d'art fait en ,france4 ,p>is1 #aiaa-aiab1 vol4 #d1 p4 #bc4 ,m,,ll]1 ,f41 & ,,klunz+]1 ,k4 ,die ,kn/l] ,all] ,zeit5 und ,vlk]4 #aheg-ahfd1 vol4 #b1 p4 #dcj4 ,m,,ll]1 ,h4 ,a41 ,m,,ll]1 ,h4 ,w41 & ,,s+]1 ,h4 ,w4 ,allgeme9es ,kn/l]-,lexicon4 ,frankfurt1 #ahie-aija1 vol4 #b1 p4 #bdj4 ,,nagl]1 ,g4 ,k4 ,allgeme9es ,kn/l]-,lexicon4 ,muni*4 #ahce-ea1 vol4 #f1 pp4 #chc-chd4 ,! mo/ ext5sive ( all diction>ies ( arti/s up to ! "t ( ,?ieme & ,beck]1 q4v4 ,) ,le ,blanc1 has ! fulle/ catalog ( ,jackson's pr9ts4 ,die ,monogrammi/51 ,muni*1 #aheh-ahgi1 vol4 #c1 pp4 #gcj1 #hcf4 ,,oman1 ,c4 ,c4 ,catalogue ( ,wall-,pap]s4 ,london1 ,victoria & ,alb]t ,museum1 #aibi1 pp4 #bd-be1 #cc4 ,a good hi/orical acc\nt :i* includes ,jackson's contributions to ! rise ( sc5ic wallpap]4 ,,palluc*9i1 ,,rodolfo4 ,mo/ra degli incisori ,v5eti del settec5to4 ,v5ice1 #aida1 ed4 #b1 pp4 #af1 #ajc-ajd4 ,catalog ( ! exhibition held 9 ,v5ice 9 #aida4 ,,papillon1 ,j4 ,m4 ,trait hi/orique et pratique de la gravure en bois4 ,p>is1 #agff1 vol4 #a1 pp4 #cbc-cbd1 #cbg-cbi1 #dae4 ,conta9s p]sonal recollections ( ,jackson & 8 c>e] 9 ,france4 ,! book is valuable z ! fir/ te*nical treatise on ! woodcut1 b ! hi/orical section is notori\sly inaccurate & heavily weight$ ) ,papillon's prejudices4 ,,p]cival1 ,,maciv]4 8,jackson ( ,batt]sea & 8 ,wall ,pap]s40 ,! ,connoisseur1 #aibb1 vol4 #fb1 pp4 #be-cf4 ,,r$grave1 ,s4 ,diction>y ( ,arti/s ( ! ,engli% ,s*ool4 ,london1 #ahgd1 p4 #bbg4 ,,rei*el1 ,,anton4 ,die ,clair-,obscur-,s*nitte des ,,xvi41 ,,xvii4 und ,,xviii4 ,jahrhund]ts4 ,zuri*1 ,leipzig1 & ,vi5na1 #aibf1 p4 #dh4 ,! f9e/ "w on *i>oscuro1 ) #ajj magnific5t facsimile illu/rations 9 color1 fully describ$1 & black-&-:ite illu/rations 9 ! text4 ,reproduces two ( ,jackson's ,ricci pr9ts 9 actual size & color4 ,,savage1 ,w4 ,practical ,h9ts on ,decorative ,pr9t+4 ,london1 #ahbb1 pp4 #ae-af4 ,savage 0 ! fir/ writ] to ackn[l$ge ,jackson's contributions to color pr9t+1 al?\gh he 0 critical ( 8 inks4 ,! book attempts to %[1 ?r\gh examples1 t color pr9t+ f woodblocks is practical = a v>iety ( purposes4 ,,smi?1 ,j4 ,! ,pr9t]s ,gramm>4 ,london1 #agee1 p4 #acf4 ,,spoon]1 ,s4 ,diction>y ( ,pa9t]s1 ,engrav]s1 ,sculptors ,ar*itects4 ,new ,york1 #ahec1 vol4 #a1 pp4 #dbj-dba4 ,,/rutt1 ,j4 ,diction>y ( ,engrav]s4 ,london1 #aghe-hf1 vol4 #b1 p4 #da4 ,,sugd51 ,a4 ,v41 & ,,edmondson1 ,j4 ,l4 ,a ,hi/ory ( ,engli% ,wallpap]4 ,new ,york & ,london1 #aibe1 pp4 #fa-ga4 ,! mo/ ?or\gh book on ! subject al?\gh ! treatm5t ( ,jackson is n>r[ly conf9$1 l mo/ wallpap] books1 to 8 %ortcom+s z a decorator = elegant homes4 ,,walpole1 ,,horace4 ,anecdotes ( ,pa9t+ 9 ,engl&4 ,a ,catalogue ( ,engrav]s :o ,h ,be5 ,born1 or ,resid$ 9 ,engl&4 ,dige/$ f ! ,manuscript ( ,george ,v]tue4 ,london1 #agfe 7#a/ ed4 #agfb71 p4 #c4 ,important z ! fir/ compilation on ?is subject4 ,! ,lett]s ( ,horace ,walpole4 ,edit$ by ,mrs4 ,paget ,toynbee1 ,ox=d1 #aijc-je1 vol4 #c1 p4 #aff4 ,,weigel1 ,r4 ,kun/lag]catalog4 ,leipzig1 #ahcg-ahff1 vol4 #b1 pp4 #ajc1 #aje2 vol4 #d1 p4 #eb4 ,,wick1 ,,pet] ,a4 ,suite ( ,six ,color ,woodcuts ( ,h]oic ,l&scapes by ,john ,bapti/ ,jackson aft] ,m>co ,ricci4 #aiee1 #ab pp4 ,manuscript read at ! ,,xviii ,congres ,int]national d',hi/oire de ,l',art1 ,v5ice1 ,sept4 #ab-ah1 #aiee4 ,! fir/ good1 s*ol>ly /udy ( ! ,ricci pr9ts4 ,traces ,jackson's c>e] briefly b accurately4 ,y4 ,d4 ,hi/orical ,rem>ks on ,cutt+ 9 ,wood4 ,! ,g5tleman's ,magaz9e1 ,febru>y #ageb1 vol4 #bb1 pp4 #gh-gi4 ,! fir/ publi%$ /atem5t ( ,jackson's contribution z a woodcutt]4 ,,zanetti1 ,a4 ,m4 ,della pittura v5eziana4 ,v5ice1 #agib4 7#a/ ed4 #agga71 vol4 #b1 pp4 #fhi1 #gaf4 ,zanetti 0 ! libr>ian ( ,/4 ,m>k's & ! nephew ( ! fam\s *i>oscuri/4 ,,zani1 ,d4 ,p4 ,enciclop$ia metodica delle belle arti4 ,p>ma1 #ahag-bd1 vol4 #aa1 p4 #dg4 ,,zanotto1 ,f4 ,nuovissimo guida di ,v5ezia4 ,v5ice1 #ahef1 p4 #cbj1 note #c4 ,,index ,,to ,,plates #a4 ,*ri/ ,giv+ ! ,keys to ,/4 ,pet]1 aft] ,raphael1 #ee 7color71 #ii #b4 ,v5us & ,cupid ) a ,b[1 aft] ,p>migian9o1 #ef 7color71 #ajj #c4 ,woman ,/&+ ,hold+ ,j> on ,h] ,head1 aft] ,p>migian9o1 #aja #e4 ,woman ,m$itat+ 7,/4 ,?ais871 aft] ,p>migian9o1 #eg 7color71 #ajb #f4 ,ulysses & ,polyphemus1 aft] ,primaticcio1 #ajd #g4 ,bookplate1 #ajc #h4 ,judgm5t ( ,solomon1 aft] ,rub5s1 #aje #i4 ,! ,visitation1 aft] ,annibale ,c>racci1 #ajf #aj4 ,julius ,caes>1 aft] ,titian1 #ajg #aa4 ,/4 ,rocco1 aft] ,*]ub9o ,alb]ti1 #ajh #ab4 ,/atuette ( ,neptune1 aft] ,giovanni da ,bologna1 #aji #ac4 ,desc5t f ! ,cross1 aft] ,rembr&t1 #eh 7color71 #aab #ad4 ,*ri/ & ! ,woman ( ,sam>ia1 #aaj #ae4 ,romulus & ,remus1 ,wolf & ,sea ,god1 #aaa #af4 ,! ,dea? ( ,/4 ,pet] ,m>tyr1 aft] ,titian1 #aac #ag4 ,! ,pres5tation 9 ! ,temple 7,! ,circumcision71 aft] ,v]onese1 #aad #ah4 ,! ,massacre ( ! ,innoc5ts1 aft] ,t9toretto1 #aae #ai4 ,! ,entombm5t1 aft] ,jacopo ,bassano1 #aah #bj4 ,holy ,family & ,f\r ,sa9ts1 aft] ,v]onese1 #aai #ba4 ,! ,my/ic ,m>riage ( ,/4 ,ca!r9e1 aft] ,v]onese1 #abj #bb4 ,! ,crucifixion1 aft] ,t9toretto1 left %eet1 #fd 7color71 #aaf c5t] %eet1 #cg 7pro( ( key block71 #fd 7color71 #aaf "r %eet1 #fe 7color71 #aag #bc4 ,miracle ( ,/4 ,m>k1 aft] ,t9toretto1 left %eet1 #abb "r %eet1 #abc #bd4 ,! ,m>riage at ,cana1 aft] ,v]onese1 left %eet1 #abd "r %eet1 #abe #be4 ,pres5tation ( ! ,virg9 9 ! ,temple1 aft] ,titian1 left %eet1 #acf c5t] %eet1 #acf "r %eet1 #acg #bf4 ,! ,virg9 9 ! ,cl\ds & ,six ,sa9ts1 aft] ,titian1 #aba #bg4 ,! ,desc5t ( ! ,holy ,_s1 aft] ,titian1 #abf #bh4 ,! ,f9d+ ( ,moses1 aft] ,v]onese1 #abg #bi4 ,! ,rais+ ( ,laz>us1 aft] ,le&ro ,bassano1 #abh #cj4 ,*ri/ on ! ,m\nt ( ,olives1 aft] ,jacopo ,bassano1 #ch 7key block71 #acb #ca4 ,mel*is$e* ,bless+ ,abraham1 aft] ,francesco ,bassano1 #abi #cb4 ,dives & ,laz>us 7,! ,ri* ,man & ,laz>us71 aft] ,jacopo ,bassano1 left %eet1 #acj "r %eet1 #aca #cc4 ,alg]non ,sidney1 aft] ,ju/us ,v]us1 #acd #cd4 ,antique ,bu/ ( ,woman1 #ace #ce4 ,lov]s 7fac+ "r71 p]haps aft] ,piazzetta1 #ach #cf4 ,lov]s 7woman full face71 p]haps aft] ,piazzetta1 #aci #cg4 ,lam5tation ,ov] ! ,body ( ,*ri/1 #acc #ch4 ,h]oic ,l&scape ,) ,d$ication & ,classical ,ru9s1 aft] ,m>co ,ricci1 #adj #ci4 ,h]oic ,l&scape ,) ,%eep1 ,/atues1 & ,g5tlem51 aft] ,m>co ,ricci1 #ada #dj4 ,h]oic ,l&scape ,) ,fi%]man1 ,c[s1 & ,horsem51 aft] ,m>co ,ricci1 #dj 7color71 #da 7color1 detail71 #adb #da4 ,h]oic ,l&scape ) ,c>t & ,goa!rd1 ) ,s4 ,giorgio ,maggiore 9 ,backgr\nd1 aft] ,m>co ,ricci1 #adc #db4 ,h]oic ,l&scape ) ,wom5 at ,brook1 ,*ild ,fi%+1 & ,h]dsm51 aft] ,m>co ,ricci1 #add #dc4 ,h]oic ,l&scape ) ,wat]+ ,place1 ,rid]s1 & ,obelisk1 aft] ,m>co ,ricci1 #ei 7color71 #ade #dd4 ,battle ne> ,p>ma1 aft] ,francesco ,simon9i1 #adf1 #adg 7detail7 #de4 ,ornam5tal ,bord] ) ,fruit1 ,fl[]s1 & ,purple ,grapes1 #adh #df4 ,ornam5tal ,bord] ) ,fruit1 ,fl[]s1 & ,gre5 ,grapes1 #adh #dg4 ,ornam5tal ,frame ) ,fl[]s & ,fruit1 #adi #dh4 ,ornam5tal ,frame ) ,fruit1 #aej #di4 ,ornam5tal ,frame ) ,fl[]s & ,girl's ,head1 #fb 7color71 #aea #ej4 ,danc+ ,nymph ) ,b[ & ,arr[s1 #aeb #ea4 ,bu/ ( ,democritus1 #aec #eb4 ,! ,lion1 #aed #ec4 ,build+ & ,vegetable1 #fc 7color71 #aee #ed4 ,/atue ( ,apollo1 #aef #ee4 ,! ,f>nese ,h]cules1 #aeg #ef4 ,antique ,bu/ ( a ,man1 #aeh #eg4 ,pheasant & ,g>d5 ,urn1 #aei #eh4 ,ru9 ( ,g>d5 ,temple1 #afj #ei4 ,woman ,/&+ ,hold+ ,apron1 aft] ,s4 ,le ,cl]c1 #fb 7color71 #aea #fj4 ,female ,/atue ) ,fruit & ,:eat1 #afa #fa4 ,female ,/atue ) ,mask1 #afa #fb4 ,que5 ) ,armor & ,model ( ,build+1 #afb #fc4 ,apollo ) ,lyre1 #afb #fd4 ,woman ) ,%eph]d's ,pipe1 #afc #fe4 ,woman ) ,%eet ( ,music & ,horn1 #afc #ff4 ,woman ) ,pit*] & ,apron1 aft] ,s4 ,le ,cl]c1 #afd #fg4 ,old ,woman ,/&+1 aft] ,s4 ,le ,cl]c1 #afd #fh4 ,lady ) ,/aff1 #afe #fi4 ,woman ) ,fruit & ,basket1 #afe #gj4 ,woman ) ,bran*es & ,inc5se ,burn]1 #aff #ga4 ,woman ) ,fl[]s & ,v9es1 #aff #gb4 ,/&+ ,woman1 ,head ,turn$ to ,"r1 aft] ,watteau1 #afg #gc4 ,lady ) ,fan1 aft] ,s4 ,le ,cl]c1 #afg #gd4 ,classical ,female ,/atue1 #afh #ge4 ,boy ,look+ ,d[n1 #agj #gf4 ,lady ) a ,fl[]1 #afi ,,index ,alb]ti1 ,*]ub9o1 #cj ,albrizzi1 ,g4 ,b41 #bf1 #bh1 #bi ,altdorf]1 ,albre*t1 #cfn ,&reani1 ,&rea1 #aj1 #aa1 #abn1 #ca1 #de ,annison1 ,m41 #bb ,baglioni1 #bg1 #bi ,baldung1 ,hans1 #aj ,b>tolozzi1 ,francesco1 #d ,bassano1 ,jacopo1 #cb ,baxt]1 ,george1 #fg ,beccafumi1 ,dom5ico1 #aj ,b]ghem1 ,nicolaes1 #de ,bewick1 ,?omas1 #e1 #in1 #af1 #ag1 #bh1 #ce1 #di1 #ej ,bibbia del ,nicolosi1 #bf ,biblia ,sacra 7publi%$ by ,h]tz71 #bh ,bloem>t1 ,abraham1 #bb ,cornelius1 #bb ,fr$]ick1 #bb ,boldr9i1 ,niccol1 #aa ,bologna1 ,giovanni da1 #ca ,book ( ,/4 ,albans1 #g ,br&1 ,?omas1 #dh ,bromwi*1 ,?omas1 #db ,burgkmair1 ,hans1 #aj ,bus9ck1 ,ludolph1 #aa1 #bh1 #de ,cab9et ,croz>t1 #bb1 #bc ,callot1 ,jacques1 #d1 #ah1 #cj ,campagnola1 ,dom5ico1 #dd ,canaletto1 #de ,c>pi1 ,ugo da1 #aj1 #aa1 #be1 #bf1 #da1 #dd1 #de1 #ea1 #eb ,c>racci1 ,ago/9o1 #cbn ,caslon1 ,william1 #af ,caylus1 ,anne ,claude ,phillipe1 ,c\nt de1 #bb1 #bc1 #bh ,*9ese woodcuts1 #cf1 #fh ,coriolano1 ,b>tolomeo1 #aa1 #de ,giovanni ,batti/a1 #aa ,coypel1 ,*>les1 #bh ,crana*1 ,lucas1 #i ,croxall's ,aesop's ,fables1 #ad1 #ae1 #ca ,crozat1 ,pi]re1 #bb1 #bc1 #dh ,d',arcy1 ,rob]t1 #ce ,d>ley1 ,mat?ias1 #db ,dunb>1 ,rob]t1 #cj ,rob]t1 ,jr41 #db1 #dh ,dr]1 ,albre*t1 #d1 #in1 #da1 #dd1 #eb ,eaton1 ,edw>d1 #di ,ecman1 ,ed\>d1 #cj ,edw>ds1 ,george1 #en 8,ekwitz10 #ad ,elliot1 ,sir ,gilb]t1 #ej ,enquiry into ! 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