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,transcriber's note3        ,text       
enclosed by equal signs was in bold face
 in the original       7example3 bold74 
,,the ,,venetian ,,painters ,,of ,,the  
,,renaissance  ,with an ,index to ,their
 ,works  by  ,,bernhard ,,berenson      
,author of ,florentine ,painters of the 
,renaissance1 ,central ,italian         
,painters of the ,renaissance4  ,third  
,edition        ,illustration3 ,shepherd
 with ,pipe4 ,from the ,painting by     
,giorgione1 at ,hampton ,court4    ,g4  
,p4 ,putnam's ,sons ,new ,york and      
,london ,the ,knickerbocker ,press      
,copyright1 #ahid by ,g4 ,p4 ,putnam's  
,sons  ,entered at ,stationers' ,hall1  
,london by ,g4 ,p4 ,putnam's ,sons      

,illustration  ,made in the ,united     
,states of ,america     ,,note ,,to     
,,the ,,second ,,edition4   ,the indices
 of this second edition have been       
carefully revised1 and a considerable   
number of additions have been made to   
the lists4  ,the author begs once more  
to call attention to the fact that1 with
 one or two exceptions1 he has mentioned
 no pictures that he has not seen4 ,the 
lists are the result1 not of            
compilation1 but of first-hand          
acquaintance with the works of art4     
,,note ,,to ,,third ,,edition4   ,in    
this edition changes have been made in  
the numbering of the ,venice and ,vienna
 ,galleries1 as well as of some minor   
collections1 to correspond to recent    
rehanging4 ,many other alterations have 
been required by the breaking up of     
private collections4 ,in several        
instances it has been impossible to     
trace pictures to their new homes1 and  
of such the more important remain under 
the names of their former owners4 ,to   

the lists of painters have been added   
,beccaruzzi1 ,caprioli1 ,polidoro       
,lanzani1 ,rocco ,marconi1 ,andrea      
,schiavone1 and ,girolamo da ,treviso1  
artists important enough to be missed1  
but of merit so unequal that only their 
more interesting works are here given4  
,but the bulk of new additions1         
amounting to a third as much again as   
was comprised in the last edition1 is of
 pictures in the various provincial     
galleries and private collections of    
,great ,britain1 ,france1 and ,germany4 
,the author takes great pleasure in     
acknowledging his indebtedness to ,mr4  
,herbert ,f4 ,cook for invaluable aid in
 visiting some of the almost numberless 
,british collections4     ,,preface4    
,the following essay owes its origin to 
the author's belief that ,venetian      
painting is the most complete expression
 in art of the ,italian ,renaissance4   
,the ,renaissance is even more important
 typically than historically4           
,historically it may be looked upon as  

an age of glory or of shame according to
 the different views entertained of     
,european events during the past five   
centuries4 ,but typically it stands for 
youth1 and youth alone--for intellectual
 curiosity and energy grasping at the   
whole of life as material which it hopes
 to mould to any shape4  ,every         
generation has an innate sympathy with  
some epoch of the past wherein it seems 
to find itself foreshadowed4 ,science   
has of late revealed and given much1 but
 its revelation and gifts are as nothing
 to the promise it holds out of constant
 acquisition and perpetual growth1 of   
everlasting youth4 ,we ourselves1       
because of our faith in science and the 
power of work1 are instinctively in     
sympathy with the ,renaissance4 ,our    
problems do not seem so easy to solve1  
our tasks are more difficult because our
 vision is wider1 but the spirit which  
animates us was anticipated by the      
spirit of the ,renaissance1 and more    
than anticipated4 ,that spirit seems    

like the small rough model after which  
ours is being fashioned4  ,italian      
painting interests many of us more than 
the painting of any other school not    
because of its essential superiority1   
but because it expressed the            
,renaissance2 and ,venetian painting is 
interesting above all because it was at 
,venice alone that this expression      
attained perfection4 ,elsewhere1        
particularly in ,florence1 it died away 
before it found complete utterance4  ,in
 order to keep the main idea clearly    
before the mind of the reader1 to show  
him how the ,renaissance reveals itself 
in ,venetian painting1 the introduction 
of anything not strictly relevant to the
 subject has been avoided4 ,the salient 
points once perceived and connected with
 the more important painters1 the reader
 will find no difficulty in seeing the  
proper place of any given work by a     
great master1 or the relative importance
 of those second-and third-rate painters
 of whom no special mention has been    

made because they are comprised within  
what has been said about the greater    
artists4  ,but happily art is too great 
and too vital a subject to be crowded   
into any single formula2 and a formula  
that would1 without distorting our      
entire view of ,italian art in the      
fifteenth century1 do full justice to   
such a painter as ,carlo ,crivelli1 does
 not exist4 ,he takes rank with the most
 genuine artists of all times and       
countries1 and does not weary even when 
great masters grow tedious4 ,he         
expresses with the freedom and spirit of
 ,japanese design a piety as wild and   
tender as ,jacopo da ,todi's1 a         
sweetness of emotion as sincere and     
dainty as of a ,virgin and ,child carved
 in ivory by a ,french craftsman of the 
fourteenth century4 ,the mystic beauty  
of ,simone ,martini1 the agonized       
compassion of the young ,bellini1 are   
embodied by ,crivelli in forms which    
have the strength of line and the       
metallic lustre of old ,satsuma or      

lacquer1 and which are no less tempting 
to the touch4 ,crivelli must be treated 
by himself and as the product of        
stationary1 if not reactionary1         
conditions4 ,having lived most of his   
life far away from the main currents of 
culture1 in a province where ,st4       
,bernardino had been spending his last  
energies in the endeavour to call the   
world back to the ideals of an infantile
 civilisation1 ,crivelli does not belong
 to a movement of constant progress1 and
 therefore is not within the scope of   
this work4  ,to make the essay useful as
 a handbook to ,venetian painting1 lists
 have been appended of the works1 in and
 out of ,italy1 by the principal        
,venetian masters4 ,these lists do not  
pretend to absolute completeness4 ,only 
such private collections have been      
mentioned as are well known and         
accessible to students1 although in the 
case of very rare painters all of their 
known works are given1 and even such as 
are of doubtful authenticity are alluded

 to4 ,the author has seen and carefully 
considered all the pictures he mentions1
 except one or two at ,st4 ,petersburg1 
which are1 however1 well known from the 
photographs of ,,mm4 ,braun  ,cie4 ,the 
attributions are based on the results of
 the most recent research4 ,even such   
painstaking critics of some years ago as
 ,messrs4 ,crowe and ,cavalcaselle      
laboured under terrible disadvantages1  
because most of their work was done at a
 time when travelling was much slower   
than it has now become1 and when        
photography was not sufficiently        
perfected to be of great service4 ,rapid
 transit and isochromatic photography   
are beginning to enable the student to  
make of connoisseurship something like  
an exact science4 ,to a certain extent1 
therefore1 ,messrs4 ,crowe and          
,cavalcaselle have been superseded1 and 
to a great degree supplemented by the   
various writings of ,morelli1 ,richter1 
,frizzoni1 and others4 ,the author takes
 pleasure in acknowledging his          

indebtedness to the first systematic    
writers on ,italian painting no less    
than to the perfectors of the new       
critical method1 now adopted by nearly  
all serious students of ,italian art4   
,to the founder of the new criticism1   
the late ,giovanni ,morelli1 and to his 
able successor1 ,dr4 ,gustavo ,frizzoni1
 the author feels bound to ascribe many 
of his attributions1 although a number  
are based on independent research1 and  
for these he alone is responsible4      
,special thanks are due to a dear       
friend1 ,enrico ,costa1 for placing his 
notes of a recent visit to ,madrid at   
the author's disposal4 ,they have been  
used1 with a confidence warranted by    
,signor ,costa's unrivalled             
connoisseurship1 to supplement the      
author's own notes1 taken some years    
ago4  ,having noted the dependence of   
scientific art study upon isochromatic  
photography1 the author is happy to take
 this opportunity of expressing his     
gratitude to such able photographers as 

,lwy of ,vienna1 ,tamme of ,dresden1    
,marcozzi of ,milan1 ,alinari ,bros4 of 
,florence1 and ,dominic ,anderson of    
,rome1 all of whom have devoted         
themselves with special zeal to the     
paintings of the ,venetian masters4 ,the
 author is peculiarly indebted to       
,signor ,anderson for having materially 
assisted his studies by photographing   
many pictures which at present have a   
scientific rather than a popular        
interest4  ,the frontispiece is a       
reproduction of ,giorgione's ,shepherd  
at ,hampton ,court1 a picture which     
perhaps better than any other expresses 
the ,renaissance at the most fascinating
 point of its course4 ,the author is    
indebted to ,mr4 ,sidney ,colvin for    
permission to make use of a photograph  
taken at his order4     ,,contents4     
,,the ,,venetian ,,painters ,,of ,,the  
,,renaissance  ,i4     ,,value ,,of     
,,venetian ,,art  ,,ii4    ,,the        
,,church ,,and ,,painting  ,,iii4       
,,the ,,renaissance  ,,iv4    ,,painting

 ,,and ,,the ,,renaissance  ,v4         
,,pageant ,,pictures  ,,vi4             
,,painting ,,and ,,the ,,confraternities
  ,,vii4   ,,easel ,,pictures ,,and     
,,giorgione  ,,viii4  ,,the             
,,giorgionesque ,,spirit  ,,ix4    ,,the
 ,,portrait  ,x4     ,,the ,,young      
,,titian  ,,xi4    ,,apparent ,,failure 
,,of ,,the ,,renaissance  ,,xii4        
,,lotto  ,,xiii4  ,,the ,,late          
,,renaissance ,,and ,,titian  ,,xiv4    
,,humanity ,,and ,,the ,,renaissance    
,,xv4    ,,sebastiano ,,del ,,piombo    
,,xvi4   ,,tintoretto  ,,xvii4  ,,value 
,,of ,,minor ,,episodes ,,in ,,art      
,,xviii4 ,,tintoretto',s ,,portraits    
,,xix4   ,,venetian ,,art ,,and ,,the   
,,provinces  ,,xx4    ,,paul ,,veronese 
,,xxi4   ,,bassano1 ,,genre1 ,,and      
,,landscape  ,,xxii4  ,,the ,,venetians 
,,and ,,velasquez  ,,xxiii4 ,,decline   
,,of ,,venetian ,,art  ,,xxiv4  ,,longhi
  ,,xxv4   ,,canaletto ,,and ,,guardi   
,,xxvi4  ,,tiepolo  ,,xxvii4 ,,influence
 ,,of ,,venetian ,,art  ,,index ,,to    

,,the ,,works ,,of ,,the ,,principal    
,,venetian ,,painters  ,,index ,,of     
,,places     ,,the ,,venetian ,,painters
 ,,of ,,the ,,renaissance   ,i4 ,value  
of ,venetian ,art4--,among the ,italian 
schools of painting the ,venetian has1  
for the majority of art-loving people1  
the strongest and most enduring         
attraction4 ,in the course of the       
present brief account of the life of    
that school we shall perhaps discover   
some of the causes of our peculiar      
delight and interest in the ,venetian   
painters1 as we come to realise what    
tendencies of the human spirit their art
 embodied1 and of what great consequence
 their example has been to the whole of 
,european painting for the last three   
centuries4  ,the ,venetians as a school 
were from the first endowed with        
exquisite tact in their use of colour4  
,seldom cold and rarely too warm1 their 
colouring never seems an afterthought1  
as in many of the ,florentine painters1 
nor is it always suggesting paint1 as in

 some of the ,veronese masters4 ,when   
the eye has grown accustomed to make    
allowance for the darkening caused by   
time1 for the dirt that lies in layers  
on so many pictures1 and for            
unsuccessful attempts at restoration1   
the better ,venetian paintings present  
such harmony of intention and execution 
as distinguishes the highest            
achievements of genuine poets4 ,their   
mastery over colour is the first thing  
that attracts most people to the        
painters of ,venice4 ,their colouring   
not only gives direct pleasure to the   
eye1 but acts like music upon the moods1
 stimulating thought and memory in much 
the same way as a work by a great       
composer4   ,,ii4 ,the ,church and      
,painting4--,the ,church from the first 
took account of the influence of colour 
as well as of music upon the emotions4  
,from the earliest times it employed    
mosaic and painting to enforce its      
dogmas and relate its legends1 not      
merely because this was the only means  

of reaching people who could neither    
read nor write1 but also because it     
instructed them in a way which1 far from
 leading to critical enquiry1 was       
peculiarly capable of being used as an  
indirect stimulus to moods of devotion  
and contrition4 ,next to the finest     
mosaics of the first centuries1 the     
early works of ,giovanni ,bellini1 the  
greatest ,venetian master of the        
fifteenth century1 best fulfil this     
religious intention4 ,painting had in   
his lifetime reached a point where the  
difficulties of technique no longer     
stood in the way of the expression of   
profound emotion4 ,no one can look at   
,bellini's pictures of the ,dead ,christ
 upheld by the ,virgin or angels without
 being put into a mood of deep          
contrition1 nor at his earlier ,madonnas
 without a thrill of awe and reverence4 
,and ,giovanni ,bellini does not stand  
alone4 ,his contemporaries1 ,gentile    
,bellini1 the ,vivarini1 ,crivelli1 and 
,cima da ,conegliano all began by       

painting in the same spirit1 and        
produced almost the same effect4  ,the  
,church1 however1 thus having educated  
people to understand painting as a      
language and to look to it for the      
expression of their sincerest feelings1 
could not hope to keep it always        
confined to the channel of religious    
emotion4 ,people began to feel the need 
of painting as something that entered   
into their every-day lives almost as    
much as we nowadays feel the need of the
 newspaper2 nor was this unnatural1     
considering that1 until the invention of
 printing1 painting was the only way1   
apart from direct speech1 of conveying  
ideas to the masses4 ,at about the time 
when ,bellini and his contemporaries    
were attaining maturity1 the            
,renaissance had ceased to be a movement
 carried on by scholars and poets alone4
 ,it had become sufficiently widespread 
to seek popular as well as literary     
utterance1 and thus1 toward the end of  
the fifteenth century1 it naturally     

turned to painting1 a vehicle of        
expression which the ,church1 after a   
thousand years of use1 had made familiar
 and beloved4  ,to understand the       
,renaissance at the time when its spirit
 began to find complete embodiment in   
painting1 a brief survey of the movement
 of thought in ,italy during its earlier
 period is necessary1 because only when 
that movement had reached a certain     
point did painting come to be its most  
natural medium of expression4   ,,iii4  
,the ,renaissance4--,the thousand years 
that elapsed between the triumph of     
,christianity and the middle of the     
fourteenth century have been not inaptly
 compared to the first fifteen or       
sixteen years in the life of the        
individual4 ,whether full of sorrows or 
joys1 of storms or peace1 these early   
years are chiefly characterised by      
tutelage and unconsciousness of         
personality4 ,but toward the end of the 
fourteenth century something happened in
 ,europe that happens in the lives of   

all gifted individuals4 ,there was an   
awakening to the sense of personality4  
,although it was felt to a greater or   
less degree everywhere1 ,italy felt the 
awakening earlier than the rest of      
,europe1 and felt it far more strongly4 
,its first manifestation was a boundless
 and insatiable curiosity1 urging people
 to find out all they could about the   
world and about man4 ,they turned       
eagerly to the study of classic         
literature and ancient monuments1       
because these gave the key to what      
seemed an immense store-house of        
forgotten knowledge2 they were in fact  
led to antiquity by the same impulse    
which1 a little later1 brought about the
 invention of the printing-press and the
 discovery of ,america4  ,the first     
consequence of a return to classical    
literature was the worship of human     
greatness4 ,roman literature1 which the 
,italians naturally mastered much       
earlier than ,greek1 dealt chiefly with 
politics and war1 seeming to give an    

altogether disproportionate place to the
 individual1 because it treated only of 
such individuals as were concerned in   
great events4 ,it is but a step from    
realising the greatness of an event to  
believing that the persons concerned in 
it were equally great1 and this belief1 
fostered by the somewhat rhetorical     
literature of ,rome1 met the new        
consciousness of personality more than  
half way1 and led to that unlimited     
admiration for human genius and         
achievement which was so prominent a    
feature of the early ,renaissance4 ,the 
two tendencies reacted upon each other4 
,roman literature stimulated the        
admiration for genius1 and this         
admiration in turn reinforced the       
interest in that period of the world's  
history when genius was supposed to be  
the rule rather than the exception2 that
 is to say1 it reinforced the interest  
in antiquity4  ,the spirit of discovery1
 the never satisfied curiosity of this  
time1 led to the study of ancient art as

 well as of ancient literature1 and the 
love of antiquity led to the imitation  
of its buildings and statues as well as 
of its books and poems4 ,until          
comparatively recent times scarcely any 
ancient paintings were found1 although  
buildings and statues were everywhere to
 be seen1 the moment anyone seriously   
thought of looking at them4 ,the result 
was that while the architecture and     
sculpture of the ,renaissance were      
directly and strongly influenced by     
antiquity1 painting felt its influence  
only in so far as the study of antiquity
 in the other arts had conduced to      
better draughtsmanship and purer taste4 
,the spirit of discovery could thus show
 itself only indirectly in              
painting1--only in so far as it led     
painters to the gradual perfection of   
the technical means of their craft4     
,unlimited admiration for genius and    
wonder that the personalities of        
antiquity should have survived with     
their great names in no way diminished1 

soon had two consequences4 ,one was love
 of glory1 and the other the patronage  
of those arts which were supposed to    
hand down a glorious name undiminished  
to posterity4 ,the glory of old ,rome   
had come down through poets and         
historians1 architects and sculptors1   
and the ,italians1 feeling that the same
 means might be used to hand down the   
achievements of their own time to as    
distant a posterity1 made a new religion
 of glory1 with poets and artists for   
the priests4 ,at first the new          
priesthood was confined almost entirely 
to writers1 but in little more than a   
generation architects and sculptors     
began to have their part4 ,the passion  
for building is in itself one of the    
most instinctive1 and a man's name and  
armorial bearings1 tastefully but       
prominently displayed upon a church or  
palace1 were as likely1 it was felt1 to 
hand him down to posterity as the praise
 of poets or historians4 ,it was the    
passion for glory1 in reality1 rather   

than any love of beauty1 that gave the  
first impulse to the patronage of the   
arts in the ,renaissance4 ,beauty was   
the concern of the artists1 although no 
doubt their patrons were well aware that
 the more impressive a building was1 the
 more beautiful a monument1 the more    
likely was it to be admired1 and the    
more likely were their names to reach   
posterity4 ,their instincts did not     
mislead them1 for where their real      
achievements would have tempted only the
 specialist or antiquarian into a study 
of their career1 the buildings and      
monuments put up by them--by such       
princes as ,sigismondo ,malatesta1      
,frederick of ,urbino1 or ,alfonzo of   
,naples1--have made the whole           
intelligent public believe that they    
were really as great as they wished     
posterity to believe them4  ,as painting
 had done nothing whatever to transmit  
the glory of the great ,romans1 the     
earlier generations of the ,renaissance 
expected nothing from it1 and did not   

give it that patronage which the        
,church1 for its own purposes1 continued
 to hold out to it4 ,the ,renaissance   
began to make especial use of painting  
only when its own spirit had spread very
 widely1 and when the love of knowledge1
 of power1 and of glory had ceased to be
 the only recognised passions1 and when1
 following the lead of the ,church1     
people began to turn to painting for the
 expression of deep emotion4 ,the new   
religion1 as ,i have called the love of 
glory1 is in its very essence a thing of
 this world1 founded as it is on human  
esteem4 ,the boundless curiosity of the 
,renaissance led back inevitably to an  
interest in life and to an acceptance of
 things for what they were1--for their  
intrinsic quality4 ,the moment people   
stopped looking fixedly toward heaven   
their eyes fell upon the earth1 and they
 began to see much on its surface that  
was pleasant4 ,their own faces and      
figures must have struck them as        
surprisingly interesting1 and1          

considering how little ,st4 ,bernard and
 other medival saints and doctors had   
led them to expect1 singularly          
beautiful4 ,a new feeling arose that    
mere living was a big part of life1 and 
with it came a new passion1 the passion 
for beauty1 for grace1 and for          
comeliness4  ,it has already been       
suggested that the ,renaissance was a   
period in the history of modern ,europe 
comparable to youth in the life of the  
individual4 ,it had all youth's love of 
finery and of play4 ,the more people    
were imbued with the new spirit1 the    
more they loved pageants4 ,the pageant  
was an outlet for many of the dominant  
passions of the time1 for there a man   
could display all the finery he pleased1
 satisfy his love of antiquity by       
masquerading as ,csar or ,hannibal1 his 
love of knowledge by finding out how the
 ,romans dressed and rode in triumph1   
his love of glory by the display of     
wealth and skill in the management of   
the ceremony1 and1 above all1 his love  

of feeling himself alive4 ,solemn       
writers have not disdained to describe  
to the minutest details many of the     
pageants which they witnessed4  ,we have
 seen that the earlier elements of the  
,renaissance1 the passion for knowledge 
and glory1 were not of the kind to give 
a new impulse to painting4 ,nor was the 
passion for antiquity at all so direct  
an inspiration to that art as it was to 
architecture and sculpture4 ,the love of
 glory had1 it is true1 led such as     
could not afford to put up monumental   
buildings1 to decorate chapels with     
frescoes in which their portraits were  
timidly introduced4 ,but it was only    
when the ,renaissance had attained to a 
full consciousness of its interest in   
life and enjoyment of the world that it 
naturally turned1 and indeed was forced 
to turn1 to painting2 for it is obvious 
that painting is peculiarly fitted for  
rendering the appearances of things with
 a glow of light and richness of colour 
that correspond to and express warm     

human emotions4  ,,iv4 ,painting and the
 ,renaissance4--,when it once reached   
the point where its view of the world   
naturally sought expression in painting1
 as religious ideas had done before1 the
 ,renaissance found in ,venice clearer  
utterance than elsewhere1 and it is     
perhaps this fact which makes the most  
abiding interest of ,venetian painting4 
,it is at this point that we shall take 
it up4  ,the growing delight in life    
with the consequent love of health1     
beauty1 and joy were felt more          
powerfully in ,venice than anywhere else
 in ,italy4 ,the explanation of this may
 be found in the character of the       
,venetian government which was such that
 it gave little room for the            
satisfaction of the passion for personal
 glory1 and kept its citizens so busy in
 duties of state that they had small    
leisure for learning4 ,some of the chief
 passions of the ,renaissance thus      
finding no outlet in ,venice1 the other 
passions insisted all the more on being 

satisfied4 ,venice1 moreover1 was the   
only state in ,italy which was enjoying1
 and for many generations had been      
enjoying1 internal peace4 ,this gave the
 ,venetians a love of comfort1 of ease1 
and of splendour1 a refinement of       
manner1 and humaneness of feeling1 which
 made them the first really modern      
people in ,europe4 ,since there was     
little room for personal glory in       
,venice1 the perpetuators of glory1 the 
,humanists1 found at first scant        
encouragement there1 and the ,venetians 
were saved from that absorption in      
archology and pure science which        
overwhelmed ,florence at an early date4 
,this was not necessarily an advantage  
in itself1 but it happened to suit      
,venice1 where the conditions of life   
had for some time been such as to build 
up a love of beautiful things4 ,as it   
was1 the feeling for beauty was not     
hindered in its natural development4    
,archology would have tried to submit it
 to the good taste of the past1 a       

proceeding which rarely promotes good   
taste in the present4 ,too much         
archology and too much science might    
have ended in making ,venetian art      
academic1 instead of letting it become  
what it did1 the product of a natural   
ripening of interest in life and love of
 pleasure4 ,in ,florence1 it is true1   
painting had developed almost           
simultaneously with the other arts1 and 
it may be due to this very cause that   
the ,florentine painters never quite    
realised what a different task from the 
architect's and sculptor's was theirs4  
,at the time1 therefore1 when the       
,renaissance was beginning to find its  
best expression in painting1 the        
,florentines were already too much      
attached to classical ideals of form and
 composition1 in other words1 too       
academic1 to give embodiment to the     
throbbing feeling for life and pleasure4
  ,thus it came to pass that in the     
,venetian pictures of the end of the    
fifteenth century we find neither the   

contrition nor the devotion of those    
earlier years when the ,church alone    
employed painting as the interpreter of 
emotion1 nor the learning which         
characterised the ,florentines4 ,the    
,venetian masters of this time1 although
 nominally continuing to paint the      
,madonna and saints1 were in reality    
painting handsome1 healthy1 sane people 
like themselves1 people who wore their  
splendid robes with dignity1 who found  
life worth the mere living and sought no
 metaphysical basis for it4 ,in short1  
the ,venetian pictures of the last      
decade of the century seemed intended   
not for devotion1 as they had been1 nor 
for admiration1 as they then were in    
,florence1 but for enjoyment4  ,the     
,church itself1 as has been said1 had   
educated its children to understand     
painting as a language4 ,now that the   
passions men dared to avow were no      
longer connected with happiness in some 
future state only1 but mainly with life 
in the present1 painting was expected to

 give voice to these more human         
aspirations and to desert the outgrown  
ideals of the ,church4 ,in ,florence1   
the painters seemed unable or unwilling 
to make their art really popular4 ,nor  
was it so necessary there1 for          
,poliziano1 ,pulci1 and ,lorenzo dei    
,medici supplied the need of            
self-expression by addressing the       
,florentines in the language which their
 early enthusiasm for antiquity and     
their natural gifts had made them       
understand better than any other--the   
language of poetry4 ,in ,venice alone   
painting remained what it had been all  
over ,italy in earlier times1 the common
 tongue of the whole mass of the people4
 ,venetian artists thus had the         
strongest inducements to perfect the    
processes which painters must employ to 
make pictures look real to their own    
generation2 and their generation had an 
altogether firmer hold on reality than  
any that had been known since the       
triumph of ,christianity4 ,here again   

the comparison of the ,renaissance to   
youth must be borne in mind4 ,the grasp 
that youth has on reality is not to be  
compared to that brought by age1 and we 
must not expect to find in the          
,renaissance a passion for an           
acquaintance with things as they are    
such as we ourselves have2 but still its
 grasp of facts was far firmer than that
 of the ,middle ,ages4  ,painting1 in   
accommodating itself to the new ideas1  
found that it could not attain to       
satisfactory representation merely by   
form and colour1 but that it required   
light and shadow and effects of space4  
,indeed1 venial faults of drawing are   
perhaps the least disturbing1 while     
faults of perspective1 of spacing1 and  
of colour completely spoil a picture for
 people who have an every-day           
acquaintance with painting such as the  
,venetians had4 ,we find the ,venetian  
painters1 therefore1 more and more      
intent upon giving the space they paint 
its real depth1 upon giving solid       

objects the full effect of the round1   
upon keeping the different parts of a   
figure within the same plane1 and upon  
compelling things to hold their proper  
places one behind the other4 ,as early  
as the beginning of the sixteenth       
century a few of the greater ,venetian  
painters had succeeded in making distant
 objects less and less distinct1 as well
 as smaller and smaller1 and had        
succeeded also in giving some appearance
 of reality to the atmosphere4 ,these   
are a few of the special problems of    
painting1 as distinct from sculpture for
 instance1 and they are problems which1 
among the ,italians1 only the ,venetians
 and the painters closely connected with
 them solved with any success4   ,v4    
,pageant ,pictures4--,the painters of   
the end of the fifteenth century who met
 with the greatest success in solving   
these problems were ,giovanni and       
,gentile ,bellini1 ,cima da ,conegliano1
 and ,carpaccio1 and we find each of    
them enjoyable to the degree that he was

 in touch with the life of his day4 ,i  
have already spoken of pageants and of  
how characteristic they were of the     
,renaissance1 forming as they did a sort
 of safety-valve for its chief passions4
 ,venice1 too1 knew the love of glory1  
and the passion was perhaps only the    
more intense because it was all         
dedicated to the ,state4 ,there was     
nothing the ,venetians would not do to  
add to its greatness1 glory1 and        
splendour4 ,it was this which led them  
to make of the city itself that wondrous
 monument to the love and awe they felt 
for their ,republic1 which still rouses 
more admiration and gives more pleasure 
than any other one achievement of the   
art-impulse in man4 ,they were not      
content to make their city the most     
beautiful in the world2 they performed  
ceremonies in its honour partaking of   
all the solemnity of religious rites4   
,processions and pageants by land and by
 sea1 free from that gross element of   
improvisation which characterised them  

elsewhere in ,italy1 formed no less a   
part of the functions of the ,venetian  
,state than the ,high ,mass in the      
,catholic ,church4 ,such a function1    
with ,doge and ,senators arrayed in     
gorgeous costumes no less prescribed    
than the raiments of ecclesiastics1 in  
the midst of the fairy-like architecture
 of the ,piazza or canals1 was the event
 most eagerly looked forward to1 and the
 one that gave most satisfaction to the 
,venetian's love of his ,state1 and to  
his love of splendour1 beauty1 and      
gaiety4 ,he would have had them every   
day if it were possible1 and1 to make up
 for their rarity1 he loved to have     
representations of them4 ,so most       
,venetian pictures of the beginning of  
the sixteenth century tended to take the
 form of magnificent processions1 if    
they did not actually represent them4   
,they are processions in the ,piazza1 as
 in ,gentile ,bellini's ,corpus ,christi
 picture1 or on the water1 as in        
,carpaccio's picture where ,st4 ,ursula 

leaves her home2 or they represent what 
was a gorgeous but common sight in      
,venice1 the reception or dismissal of  
ambassadors1 as in several pictures of  
,carpaccio's ,st4 ,ursula series2 or    
they show simply a collection of        
splendidly costumed people in the       
,piazza1 as in ,gentile's ,preaching of 
,st4 ,mark4 ,not only the               
pleasure-loving ,carpaccio1 but the     
austere ,cima1 as he grew older1 turned 
every biblical and saintly legend into  
an occasion for the picture of a        
pageant4  ,but there was a further      
reason for the popularity of such       
pictures4 ,the decorations which were   
then being executed by the most reputed 
masters in the ,hall of ,great ,council 
in the ,doge's ,palace1 were1 by the    
nature of the subject1 required to      
represent pageants4 ,the ,venetian      
,state encouraged painting as did the   
,church1 in order to teach its subjects 
its own glory in a way that they could  
understand without being led on to      

critical enquiry4 ,venice was not the   
only city1 it is true1 that used        
painting for political purposes2 but the
 frescoes of ,lorenzetti at ,siena were 
admonitions to govern in accordance with
 the ,catechism1 while the pictures in  
the ,great ,hall of the ,doge's ,palace 
were of a nature to remind the          
,venetians of their glory and also of   
their state policy4 ,these mural        
paintings represented such subjects as  
the ,doge bringing about a              
reconciliation between the ,pope and the
 ,emperor ,barbarossa1 an event which   
marked the first entry of ,venice into  
the field of ,continental politics1 and 
typified as well its unchanging policy1 
which was to gain its own ends by       
keeping a balance of power between the  
allies of the ,pope and the allies of   
his opponents4 ,the first edition1 so to
 speak1 of these works had been executed
 at the end of the fourteenth century   
and in the beginning of the fifteenth4  
,toward the end of that century it no   

longer satisfied the new feeling for    
reality and beauty1 and thus had ceased 
to serve its purpose1 which was to      
glorify the ,state4 ,the ,bellini1      
,alvise ,vivarini1 and ,carpaccio were  
employed to make a second rendering of  
the very same subjects1 and this gave   
the ,venetians ample opportunity for    
finding out how much they liked pageant 
pictures4  ,it is curious to note here  
that at the same time ,florence also    
commissioned its greatest painters to   
execute works for its ,council ,hall1   
but left them practically free to choose
 their own subjects4 ,michelangelo chose
 for his theme ,the ,florentines while  
,bathing ,surprised by the ,pisans1 and 
,leonardo ,the ,battle of the ,standard4
 ,neither of these was intended in the  
first place to glorify the ,florentine  
,republic1 but rather to give scope to  
the painter's genius1 ,michelangelo's   
for the treatment of the nude1          
,leonardo's for movement and animation4 
,each1 having given scope to his        

peculiar talents in his cartoon1 had no 
further interest1 and neither of the    
undertakings was ever completed4 ,nor do
 we hear that the ,florentine           
councillors enjoyed the cartoons1 which 
were instantly snatched up by students  
who turned the hall containing them into
 an academy4   ,,vi4 ,painting and the  
,confraternities4--,it does not appear  
that the ,hall of ,great ,council in    
,venice was turned into a students'     
academy1 and1 although the paintings    
there doubtless gave a decided incentive
 to artists1 their effect upon the      
public1 for whom they were designed1 was
 even greater4 ,the councillors were not
 allowed to be the only people to enjoy 
fascinating pictures of gorgeous        
pageants and ceremonials4 ,the ,mutual  
,aid ,societies--the ,schools1 as they  
were called--were not long in getting   
the masters who were employed in the    
,doge's ,palace to execute for their own
 meeting places pictures equally        
splendid4 ,the ,schools of ,san         

,giorgio1 ,sant' ,ursula1 and ,santo    
,stefano1 employed ,carpaccio1 the      
,schools of ,san ,giovanni and ,san     
,marco1 ,gentile ,bellini1 and other    
,schools employed minor painters4 ,the  
works carried out for these ,schools are
 of peculiar importance1 both because   
they are all that remain to throw light 
upon the pictures in the ,doge's ,palace
 destroyed in the fire of #aegf1 and    
because they form a transition to the   
art of a later day4 ,just as the ,state 
chose subjects that glorified itself and
 taught its own history and policy1 so  
the ,schools had pictures painted to    
glorify their patron saints1 and to keep
 their deeds and example fresh4 ,many of
 these pictures--most in fact--took the 
form of pageants2 but even in such1     
intended as they were for almost        
domestic purposes1 the style of high    
ceremonial was relaxed1 and elements    
taken directly from life were           
introduced4 ,in his ,corpus ,christi1   
,gentile ,bellini paints not only the   

solemn and dazzling procession in the   
,piazza1 but the elegant young men who  
strut about in all their finery1 the    
foreign loungers1 and even the unfailing
 beggar by the portal of ,st4 ,mark's4  
,in his ,miracle of the ,true ,cross1 he
 introduces gondoliers1 taking care to  
bring out all the beauty of their lithe1
 comely figures as they stand to ply the
 oar1 and does not reject even such an  
episode as a serving-maid standing in a 
doorway watching a negro who is about to
 plunge into the canal4 ,he treats this 
bit of the picture with all the charm   
and much of that delicate feeling for   
simple effects of light and colour that 
we find in such ,dutch painters as      
,vermeer van ,delft and ,peter de       
,hoogh4  ,episodes such as this in the  
works of the earliest great ,venetian   
master must have acted on the public    
like a spark on tinder4 ,they certainly 
found a sudden and assured popularity1  
for they play a more and more important 
part in the pictures executed for the   

,schools1 many of the subjects of which 
were readily turned into studies of     
ordinary ,venetian life4 ,this was      
particularly true of the works of       
,carpaccio4 ,much as he loved pageants1 
he loved homelier scenes as well4 ,his  
,dream of ,st4 ,ursula shows us a young 
girl asleep in a room filled with the   
quiet morning light4 ,indeed1 it may be 
better described as the picture of a    
room with the light playing softly upon 
its walls1 upon the flower-pots in the  
window1 and upon the writing-table and  
the cupboards4 ,a young girl happens to 
be asleep in the bed1 but the picture is
 far from being a merely economic       
illustration to this episode in the life
 of the saint4 ,again1 let us take the  
work in the same series where ,king     
,maure dismisses the ambassadors4       
,carpaccio has made this a scene of a   
chancellery in which the most striking  
features are neither the king nor the   
ambassadors1 but the effect of the light
 that streams through a side door on the

 left and a poor clerk labouring at his 
task4 ,or1 again1 take ,st4 ,jerome in  
his study1 in the ,scuola di ,san       
,giorgio4 ,he is nothing but a ,venetian
 scholar seated in his comfortable1     
bright library1 in the midst of his     
books1 with his little shelf of         
bric--brac running along the wall4      
,there is nothing in his look or        
surroundings to speak of a life of      
self-denial or of arduous devotion to   
the problems of sin and redemption4     
,even the ,presentation of the ,virgin1 
which offered such a splendid chance for
 a pageant1 ,carpaccio1 in one instance1
 turned into the picture of a simple    
girl going to her first communion4 ,in  
other words1 ,carpaccio's quality is the
 quality of a painter of genre1 of which
 he was the earliest ,italian master4   
,his genre differs from ,dutch or       
,french not in kind but in degree4      
,dutch genre is much more democratic1   
and1 as painting1 it is of a far finer  
quality1 but it deals with its subject1 

as ,carpaccio does1 for the sake of its 
own pictorial capacities and for the    
sake of the effects of colour and of    
light and shade4   ,,vii4 ,easel        
,pictures and ,giorgione4--,at the      
beginning of the ,renaissance painting  
was almost wholly confined to the       
,church4 ,from the ,church it extended  
to the ,council ,hall1 and thence to the
 ,schools4 ,there it rapidly developed  
into an art which had no higher aim than
 painting the sumptuous life of the     
aristocracy4 ,when it had reached this  
point1 there was no reason whatever why 
it should not begin to grace the        
dwellings of all well-to-do people4  ,in
 the sixteenth century painting was not 
looked upon with the estranging         
reverence paid to it now4 ,it was almost
 as cheap as printing has become since1 
and almost as much employed4 ,when the  
,venetians had attained the point of    
culture where they were able to         
differentiate their sensations and      
distinguish pleasure from edification1  

they found that painting gave them      
decided pleasure4 ,why should they      
always have to go to the ,doge's ,palace
 or to some ,school to enjoy this       
pleasure8 ,that would have been no less 
a hardship than for us never to hear    
music outside of a concert-room4 ,this  
is no merely rhetorical comparison1 for 
in the life of the ,venetian of the     
sixteenth century painting took much the
 same place that music takes in ours4   
,he no longer expected it to tell him   
stories or to teach him the ,catechism4 
,printed books1 which were beginning to 
grow common1 amply satisfied both these 
needs4 ,he had as a rule very little    
personal religion1 and consequently did 
not care for pictures that moved him to 
contrition or devotion4 ,he preferred to
 have some pleasantly coloured thing    
that would put him into a mood connected
 with the side of life he most          
enjoyed--with refined merrymaking1 with 
country parties1 or with the sweet      
dreams of youth4 ,venetian painting     

alone among ,italian schools was ready  
to satisfy such a demand1 and it thus   
became the first genuinely modern art3  
for the most vital difference that can  
be indicated between the arts in        
antiquity and modern times is this--that
 now the arts tend to address themselves
 more and more to the actual needs of   
men1 while in olden times they were     
supposed to serve some more than human  
purpose4  ,the pictures required for a  
house were naturally of a different kind
 from those suited to the ,council ,hall
 or the ,school1 where large paintings1 
which could be filled with many figures1
 were in place4 ,for the house smaller  
pictures were necessary1 such as could  
easily be carried about4 ,the mere      
dimensions1 therefore1 excluded         
pageants1 but1 in any case1 the pageant 
was too formal a subject to suit all    
moods--too much like a brass band always
 playing in the room4 ,the easel picture
 had to be without too definite a       
subject1 and could no more permit being 

translated into words than a sonata4    
,some of ,giovanni ,bellini's late works
 are already of this kind4 ,they are    
full of that subtle1 refined poetry     
which can be expressed in form and      
colour alone4 ,but they were a little   
too austere in form1 a little too sober 
in colour1 for the gay1 care-free youth 
of the time4 ,carpaccio does not seem to
 have painted many easel pictures1      
although his brilliancy1 his delightful 
fancy1 his love of colour1 and his      
gaiety of humour would have fitted him  
admirably for this kind of painting4    
,but ,giorgione1 the follower of both   
these masters1 starting with the        
qualities of both as his inheritance1   
combined the refined feeling and poetry 
of ,bellini with ,carpaccio's gaiety and
 love of beauty and colour4 ,stirred    
with the enthusiasms of his own         
generation as people who had lived      
through other phases of feeling could   
not be1 ,giorgione painted pictures so  
perfectly in touch with the ripened     

spirit of the ,renaissance that they met
 with the success which those things    
only find that at the same moment wake  
us to the full sense of a need and      
satisfy it4  ,giorgione's life was      
short1 and very few of his works--not a 
score in all--have escaped destruction4 
,but these suffice to give us a glimpse 
into that brief moment when the         
,renaissance found its most genuine     
expression in painting4 ,its            
over-boisterous passions had quieted    
down into a sincere appreciation of     
beauty and of human relations4 ,it would
 be really hard to say more about       
,giorgione than this1 that his pictures 
are the perfect reflex of the           
,renaissance at its height4 ,his works1 
as well as those of his contemporaries  
and followers1 still continue to be     
appreciated most by people whose        
attitude of mind and spirit has most in 
common with the ,renaissance1 or by     
those who look upon ,italian art not    
merely as art1 but as the product of    

this period4 ,for that is its greatest  
interest4 ,other schools have           
accomplished much more in mere painting 
than the ,italian4 ,a serious student of
 art will scarcely think of putting many
 of even the highest achievements of the
 ,italians1 considered purely as        
technique1 beside the works of the great
 ,dutchmen1 the great ,spaniard1 or even
 the masters of to-day4 ,our real       
interest in ,italian painting is at     
bottom an interest in that art which we 
almost instinctively feel to have been  
the fittest expression found by a period
 in the history of modern ,europe which 
has much in common with youth4 ,the     
,renaissance has the fascination of     
those years when we seemed so full of   
promise both to ourselves and to        
everybody else4   ,,viii4 ,the          
,giorgionesque ,spirit4--,giorgione     
created a demand which other painters   
were forced to supply at the risk of    
finding no favour4 ,the older painters  
accommodated themselves as best they    

could4 ,one of them indeed1 turning     
toward the new in a way that is full of 
singular charm1 gave his later works all
 the beauty and softness of the first   
spring days in ,italy4 ,upon hearing the
 title of one of ,catena's works in the 
,national ,gallery1 ,a ,warrior ,adoring
 the ,infant ,christ1 who could imagine 
what a treat the picture itself had in  
store for him8 ,it is a fragrant summer 
landscape enjoyed by a few quiet people1
 one of whom1 in armour1 with the       
glamour of the ,orient about him1 kneels
 at the ,virgin's feet1 while a romantic
 young page holds his horse's bridle4 ,i
 mention this picture in particular     
because it is so accessible1 and so good
 an instance of the ,giorgionesque way  
of treating a subject2 not for the      
story1 nor for the display of skill1 nor
 for the obvious feeling1 but for the   
lovely landscape1 for the effects of    
light and colour1 and for the sweetness 
of human relations4 ,giorgione's        
altar-piece at ,castelfranco is treated 

in precisely the same spirit1 but with  
far more genius4  ,the young painters   
had no chance at all unless they        
undertook at once to furnish pictures in
 ,giorgione's style4 ,but before we can 
appreciate all that the younger men were
 called upon to do1 we must turn to the 
consideration of that most wonderful    
product of the ,renaissance and of the  
painter's craft--the ,portrait4   ,,ix4 
,the ,portrait4--,the longing for the   
perpetuation of one's fame1 which has   
already been mentioned several times as 
one of the chief passions of the        
,renaissance1 brought with it the more  
universal desire to hand down the memory
 of one's face and figure4 ,the surest  
way to accomplish this end seemed to be 
the one which had proved successful in  
the case of the great ,romans1 whose    
effigies were growing more and more     
familiar as new busts and medals were   
dug up4 ,the earlier generations of the 
,renaissance relied therefore on the    
sculptor and the medallist to hand down 

their features to an interested         
posterity4 ,these artists were ready for
 their task4 ,the mere materials gave   
them solidity1 an effect so hard to get 
in painting4 ,at the same time1 nothing 
was expected from them except that they 
should mould the material into the      
desired shape4 ,no setting was required 
and no colour4 ,their art on this       
account alone would naturally have been 
the earliest to reach fruition4 ,but    
over and above this1 sculptors and      
medallists had the direct inspiration of
 antique models1 and through the study  
of these they were at an early date     
brought in contact with the tendencies  
of the ,renaissance4 ,the passion then  
prevailing for pronounced types1 and the
 spirit of analysis this produced1      
forced them to such patient study of the
 face as would enable them to give the  
features that look of belonging to one  
consistent whole which we call          
character4 ,thus1 at a time when        
painters had not yet learned to         

distinguish between one face and        
another1 ,donatello was carving busts   
which remain unrivalled as studies of   
character1 and ,pisanello was casting   
bronze and silver medals which are among
 the greatest claims to renown of those 
whose effigies they bear4  ,donatello's 
bust of ,niccol d',uzzano shows clearly1
 nevertheless1 that the ,renaissance    
could not long remain satisfied with the
 sculptured portrait4 ,it is coloured   
like nature1 and succeeds so well in    
producing for an instant the effect of  
actual life as to seem uncanny the next 
moment4 ,donatello's contemporaries must
 have had the same impression1 for busts
 of this kind are but few4 ,yet these   
few prove that the element of colour had
 to be included before the satisfactory 
portrait was found3 in other words1 that
 painting and not sculpture was to be   
the portrait-art of the ,renaissance4   
,the most creative sculptor of the      
earlier ,renaissance was not the only   
artist who felt the need of colour in   

portraiture4 ,vittore ,pisano1 the      
greatest medallist of this or any age1  
felt it quite as keenly1 and being a    
painter as well1 he was among the first 
to turn this art to portraiture4 ,in his
 day1 however1 painting was still too   
undeveloped an art for the portrait not 
to lose in character what it gained in a
 more lifelike colouring1 and the two of
 ,pisanello's portraits which still     
exist are profiles much inferior to his 
best medals1 seeming indeed to be       
enlargements of them rather than        
original studies from life4  ,it was    
only in the next generation1 when the   
attention of painters themselves was    
powerfully concentrated upon the        
reproduction of strongly pronounced     
types of humanity1 that they began to   
make portraits as full of life and      
energy as ,donatello's busts of the     
previous period4 ,even then1 however1   
the full face was rarely attempted1 and 
it was only in the beginning of the     
sixteenth century that full-face        

portraits began to be common4 ,the      
earliest striking achievement of this   
sort1 ,mantegna's head of ,cardinal     
,scarampo 7now in ,berlin71 was not the 
kind to find favour in ,venice4 ,the    
full-face likeness of this wolf in      
sheep's clothing brought out the        
workings of the self-seeking1 cynical   
spirit within too clearly not to have   
revolted the ,venetians1 who looked upon
 all such qualities as impious in the   
individual because they were the strict 
monopoly of the ,state4 ,in the         
portraits of ,doges which decorated the 
frieze of its great ,council ,hall1     
,venice wanted the effigies of          
functionaries entirely devoted to the   
,state1 and not of great personalities1 
and the profile lent itself more readily
 to the omission of purely individual   
traits4  ,it is significant that ,venice
 was the first state which made a       
business of preserving the portraits of 
its chief rulers4 ,those which ,gentile 
and ,giovanni ,bellini executed for this

 end must have had no less influence on 
portraiture than their mural paintings  
in the same ,hall had on other branches 
of the art4 ,but the ,state was not     
satisfied with leaving records of its   
glory in the ,ducal ,palace alone4 ,the 
,church and the saints were impressed   
for the same purpose--happily for us1   
for while the portraits in the ,great   
,hall have perished1 several            
altar-pieces still preserve to us the   
likenesses of some of the ,doges4       
,early in the sixteenth century1 when   
people began to want pictures in their  
own homes as well as in their public    
halls1 personal and religious motives   
combined to dictate the choice of       
subjects4 ,in the minds of many1        
painting1 although a very familiar art1 
was too much connected with solemn      
religious rites and with state          
ceremonies to be used at once for ends  
of personal pleasure4 ,so landscape had 
to slide in under the patronage of ,st4 
,jerome2 while romantic biblical        

episodes1 like the ,finding of ,moses1  
or the ,judgment of ,solomon1 gave an   
excuse for genre1 and the portrait crept
 in half hidden under the mantle of a   
patron saint4 ,its position once secure1
 however1 the portrait took no time to  
cast off all tutelage1 and to declare   
itself one of the most attractive       
subjects possible4 ,over and above the  
obvious satisfaction afforded by a      
likeness1 the portrait had to give      
pleasure to the eye1 and to produce     
those agreeable moods which were        
expected from all other paintings in    
,giorgione's time4 ,portraits like that 
of ,scarampo are scarcely less hard to  
live with than such a person himself    
must have been4 ,they tyrannize rather  
than soothe and please4 ,but ,giorgione 
and his immediate followers painted men 
and women whose very look leads one to  
think of sympathetic friends1 people    
whose features are pleasantly rounded1  
whose raiment seems soft to touch1 whose
 surroundings call up the memory of     

sweet landscapes and refreshing breezes4
 ,in fact1 in these portraits the least 
apparent object was the likeness1 the   
real purpose being to please the eye and
 to turn the mind toward pleasant       
themes4 ,this no doubt helps to account 
for the great popularity of portraits in
 ,venice during the sixteenth century4  
,their number1 as we shall see1 only    
grows larger as the century advances4   
,x4 ,the ,young ,titian4--,giorgione's  
followers had only to exploit the vein  
their master hit upon to find ample     
remuneration4 ,each1 to be sure1 brought
 a distinct personality into play1 but  
the demand for the ,giorgionesque       
article1 if ,i may be allowed the       
phrase1 was too strong to permit of much
 deviation4 ,it no longer mattered what 
the picture was to represent or where it
 was going to be placed2 the treatment  
had to be always bright1 romantic1 and  
joyous4 ,many artists still confined    
themselves to painting ecclesiastical   
subjects chiefly1 but even among these1 

such painters as ,lotto and ,palma1 for 
example1 are fully as ,giorgionesque as 
,titian1 ,bonifazio1 or ,paris ,bordone4
  ,titian1 in spite of a sturdier1 less 
refined nature1 did nothing for a       
generation after ,giorgione's death but 
work on his lines4 ,a difference in     
quality between the two masters shows   
itself from the first1 but the spirit   
that animated each is identical4 ,the   
pictures ,titian was painting ten years 
after his companion's death have not    
only many of the qualities of           
,giorgione's1 but something more1 as if 
done by an older ,giorgione1 with better
 possession of himself1 and with a      
larger and firmer hold on the world4 ,at
 the same time1 they show no diminution 
of spontaneous joy in life1 and even an 
increased sense of its value and        
dignity4 ,what an array of masterpieces 
might be brought to witness6 ,in the    
,assumption1 for example1 the ,virgin   
soars heavenward1 not helpless in the   
arms of angels1 but borne up by the     

fulness of life within her1 and by the  
feeling that the universe is naturally  
her own1 and that nothing can check her 
course4 ,the angels seem to be there    
only to sing the victory of a human     
being over his environment4 ,they are   
embodied joys1 acting on our nerves like
 the rapturous outburst of the orchestra
 at the end of ,parsifal4 ,or look at   
the ,bacchanals in ,madrid1 or at the   
,bacchus and ,ariadne in the ,national  
,gallery4 ,how brimful they are of      
exuberant joy6 you see no sign of a     
struggle of inner and outer conditions1 
but life so free1 so strong1 so glowing1
 that it almost intoxicates4 ,they are  
truly ,dionysiac1 ,bacchanalian         
triumphs--the triumph of life over the  
ghosts that love the gloom and chill and
 hate the sun4  ,the portraits ,titian  
painted in these years show no less     
feeling of freedom from sordid cares1   
and no less mastery over life4 ,think of
 ,the ,man with the ,glove in the       
,louvre1 of the ,concert1 and ,young    

,englishman in ,florence1 and of the    
,pesaro family in their altar-piece in  
the ,frari at ,venice--call up these    
portraits1 and you will see that they   
are true children of the ,renaissance   
whom life has taught no meannesses and  
no fears4   ,,xi4 ,apparent ,failure of 
the ,renaissance4--,but even while such 
pictures were being painted1 the spirit 
of the ,italian ,renaissance was proving
 inadequate to life4 ,this was not the  
fault of the spirit1 which was the      
spirit of youth4 ,but youth cannot last 
more than a certain length of time4 ,no 
matter how it is spent1 manhood and     
middle age will come4 ,life began to    
show a sterner and more sober face than 
for a brief moment it had seemed to     
wear4 ,men became conscious that the    
passions for knowledge1 for glory1 and  
for personal advancement were not at the
 bottom of all the problems that life   
presented4 ,florence and ,rome          
discovered this suddenly1 and with a    
shock4 ,in the presence of              

,michelangelo's sculptures in ,san      
,lorenzo1 or of his ,last ,judgment1 we 
still hear the cry of anguish that went 
up as the inexorable truth dawned upon  
them4 ,but ,venice1 although humiliated 
by the ,league of ,cambrai1 impoverished
 by the ,turk1 and by the change in the 
routes of commerce1 was not crushed1 as 
was the rest of ,italy1 under the heels 
of ,spanish infantry1 nor so drained of 
resource as not to have some wealth     
still flowing into her coffers4 ,life   
grew soberer and sterner1 but it was    
still amply worth the living1 although  
the relish of a little stoicism and of  
earnest thought no longer seemed out of 
place4 ,the spirit of the ,renaissance  
had found its way to ,venice slowly2 it 
was even more slow to depart4  ,we      
therefore find that toward the middle of
 the sixteenth century1 when elsewhere  
in ,italy painting was trying to adapt  
itself to the hypocrisy of a ,church    
whose chief reason for surviving as an  
institution was that it helped ,spain to

 subject the world to tyranny1 and when 
portraits were already exhibiting the   
fascinating youths of an earlier        
generation turned into obsequious and   
elegant courtiers1--in ,venice painting 
kept true to the ripened and more       
reflective spirit which succeeded to the
 most glowing decades of the            
,renaissance4 ,this led men to take     
themselves more seriously1 to act with  
more consideration of consequences1 and 
to think of life with less hope and     
exultation4 ,quieter joys were sought1  
the pleasures of friendship and of the  
affections4 ,life not having proved the 
endless holiday it had promised to be1  
earnest people began to question whether
 under the gross masque of the official 
religion there was not something to     
console them for departed youth and for 
the failure of hopes4 ,thus religion    
began to revive in ,italy1 this time not
 ethnic nor political1 but personal1--an
 answer to the real needs of the human  
soul4   ,,xii4 ,lotto4--,it is scarcely 

to be wondered at that the ,venetian    
artist in whom we first find the        
expression of the new feelings1 should  
have been one who by wide travel had    
been brought in contact with the        
miseries of ,italy in a way not possible
 for those who remained sheltered in    
,venice4 ,lorenzo ,lotto1 when he is    
most himself1 does not paint the triumph
 of man over his environment1 but in his
 altar-pieces1 and even more in his     
portraits1 he shows us people in want of
 the consolations of religion1 of sober 
thought1 of friendship and affection4   
,they look out from his canvases as if  
begging for sympathy4  ,but real        
expression for the new order of things  
was not to be found by one like ,lotto1 
sensitive of feeling and born in the    
heyday of the ,renaissance1 to whom the 
new must have come as a disappointment4 
,it had to come from one who had not    
been brought in personal contact with   
the woes of the rest of ,italy1 from one
 less conscious of his environment1 one 

like ,titian who was readier to receive 
the patronage of the new master than to 
feel an oppression which did not touch  
him personally2 or it had to come from  
one like ,tintoretto1 born to the new   
order of things and not having to       
outlive a disappointment before adapting
 himself to it4   ,,xiii4 ,the ,late    
,renaissance and ,titian4--,it is as    
impossible to keep untouched by what    
happens to your neighbours as to have a 
bright sky over your own house when it  
is stormy everywhere else4 ,spain did   
not directly dominate ,venice1 but the  
new fashions of life and thought        
inaugurated by her nearly universal     
triumph could not be kept out4 ,her     
victims1 among whom the ,italian        
scholars must be reckoned1 flocked to   
,venice for shelter1 persecuted by a    
rule that cherished the ,inquisition4   
,now for the first time ,venetian       
painters were brought in contact with   
men of letters4 ,as they were already1  
fortunately for themselves1 too well    

acquainted with the business of their   
own art to be taken in tow by learning  
or even by poetry1 the relation of the  
man of letters to the painter became on 
the whole a stimulating and at any rate 
a profitable one1 as in the instance of 
two of the greatest1 where it took the  
form of a partnership for mutual        
advantage4 ,it is not to our purpose to 
speak of ,aretino's gain1 but ,titian   
would scarcely have acquired such fame  
in his lifetime if that founder of      
modern journalism1 ,pietro ,aretino1 had
 not been at his side1 eager to trumpet 
his praises and to advise him whom to   
court4  ,the overwhelming triumph of    
,spain entailed still another           
consequence4 ,it brought home to all    
,italians1 even to the ,venetians1 the  
sense of the individual's helplessness  
before organized power--a sense which1  
as we have seen1 the early ,renaissance1
 with its belief in the omnipotence of  
the individual1 totally lacked4 ,this   
was not without a decided influence on  

art4 ,in the last three decades of his  
long career1 ,titian did not paint man  
as if he were as free from care and as  
fitted to his environment as a lark on  
an ,april morning4 ,rather did he       
represent man as acting on his          
environment and suffering from its      
reactions4 ,he made the faces and       
figures show clearly what life had done 
to them4 ,the great ,ecce ,homo and the 
,crowning with ,thorns are imbued with  
this feeling no less than the equestrian
 portrait of ,charles the ,fifth4 ,in   
the ,ecce ,homo we see a man with a     
godlike personality1 humbled by the     
imperial majesty1 broken by the imperial
 power1 and utterly unable to hold out  
against them4 ,in the ,crowning with    
,thorns we have the same godlike being  
almost brutalised by pain and suffering4
 ,in the portrait of the ,emperor we    
behold a man whom life has enfeebled1   
and who has to meet a foe who may crush 
him4  ,yet ,titian became neither soured
 nor a pessimist4 ,many of his late     

portraits are even more energetic than  
those of his early maturity4 ,he shows  
himself a wise man of the world4 ,do not
 be a grovelling sycophant1 some of them
 seem to say1 but remember that courtly 
manners and tempered elegance can do you
 no harm4 ,titian1 then1 was ever ready 
to change with the times1 and on the    
whole the change was toward a firmer    
grasp of reality1 necessitating yet     
another advance in the painter's mastery
 of his craft4 ,titian's real greatness 
consists in the fact that he was as able
 to produce an effect of greater reality
 as he was ready to appreciate the need 
of a firmer hold on life4 ,in painting1 
as ,i have said1 a greater effect of    
reality is chiefly a matter of light and
 shadow1 to be obtained only by         
considering the canvas as an enclosed   
space1 filled with light and air1       
through which the objects are seen4     
,there is more than one way of getting  
this effect1 but ,titian attains it by  
the almost total suppression of         

outlines1 by the harmonising of his     
colours1 and by the largeness and vigour
 of his brushwork4 ,in fact1 the old    
,titian was1 in his way of painting1    
remarkably like some of the best ,french
 masters of to-day4 ,this makes him only
 the more attractive1 particularly when 
with handling of this kind he combined  
the power of creating forms of beauty   
such as he has given us in the ,wisdom  
of the ,venetian ,royal ,palace1 or in  
the ,shepherd and ,nymph of ,vienna4    
,the difference between the old ,titian1
 author of these works1 and the young   
,titian1 painter of the ,assumption1 and
 of the ,bacchus and ,ariadne1 is the   
difference between the ,shakspeare of   
the ,midsummer-,night's ,dream and the  
,shakspeare of the ,tempest4 ,titian and
 ,shakspeare begin and end so much in   
the same way by no mere accident4 ,they 
were both products of the ,renaissance1 
they underwent similar changes1 and each
 was the highest and completest         
expression of his own age4 ,this is not 

the place to elaborate the comparison1  
but ,i have dwelt so long on ,titian1   
because1 historically considered1 he is 
the only painter who expressed nearly   
all of the ,renaissance that could find 
expression in painting4 ,it is this     
which makes him even more interesting   
than ,tintoretto1 an artist who in many 
ways was deeper1 finer1 and even more   
brilliant4   ,,xiv4 ,humanity and the   
,renaissance4--,tintoretto grew to      
manhood when the fruit of the           
,renaissance was ripe on every bough4   
,the ,renaissance had resulted in the   
emancipation of the individual1 in      
making him feel that the universe had no
 other purpose than his happiness4 ,this
 brought an entirely new answer to the  
question1 ,why should ,i do this or     
that8 ,it used to be1 ,because          
self-instituted authority commands you4 
,the answer now was1 ,because it is good
 for men4 ,in this lies our greatest    
debt to the ,renaissance1 that it       
instituted the welfare of man as the end

 of all action4 ,the ,renaissance did   
not bring this idea to practical issue1 
but our debt to it is endless on account
 of the results the idea has produced in
 our own days4 ,this alone would have   
made the ,renaissance a period of       
peculiar interest1 even if it had had no
 art whatever4 ,but when ideas are fresh
 and strong1 they are almost sure to    
find artistic embodiment1 as indeed this
 whole epoch found in painting1 and this
 particular period in the works of      
,tintoretto4   ,,xv4 ,sebastiano del    
,piombo4--,the emancipation of the      
individual had a direct effect on the   
painter in freeing him from his guild4  
,it now occurred to him that possibly he
 might become more proficient and have  
greater success if he deserted the      
influences he was under by the accident 
of birth and residence1 and placed      
himself in the school that seemed best  
adapted to foster his talents4 ,this led
 to the unfortunate experiment of       
,eclecticism which checked the purely   

organic development of the separate     
schools4 ,it brought about their fusion 
into an art which no longer appealed to 
the ,italian people1 as did the art     
which sprang naturally from the soil1   
but to the small class of dilettanti who
 considered a knowledge of art as one of
 the birthrights of their social        
position4 ,venice1 however1 suffered    
little from ,eclecticism1 perhaps       
because a strong sense of individuality 
was late in getting there1 and by that  
time the painters were already well     
enough educated in their craft to know  
that they had little to learn elsewhere4
 ,the one ,venetian who became an       
,eclectic1 remained in spite of it a    
great painter4 ,sebastiano del ,piombo  
fell under the influence of             
,michelangelo1 but while this influence 
was pernicious in most cases1 the hand  
that had learned to paint under         
,bellini1 ,cima1 and ,giorgione1 never  
wholly lost its command of colour and   
tone4   ,,xvi4 ,tintoretto4--,tintoretto

 stayed at home1 but he felt in his own 
person a craving for something that     
,titian could not teach him4 ,the       
,venice he was born in was not the      
,venice of ,titian's early youth1 and   
his own adolescence fell in the period  
when ,spain was rapidly making herself  
mistress of ,italy4 ,the haunting sense 
of powers almost irresistible gave a    
terrible fascination to ,michelangelo's 
works1 which are swayed by that sense as
 by a demonic presence4 ,tintoretto felt
 this fascination because he was in     
sympathy with the spirit which took form
 in colossal torsoes and limbs4 ,to him 
these were not1 as they were to         
,michelangelo's enrolled followers1     
merely new patterns after which to model
 the nude4  ,but beside this sense of   
overwhelming power and gigantic force1  
,tintoretto had to an even greater      
degree the feeling that whatever existed
 was for mankind and with reference to  
man4 ,in his youth people were once more
 turning to religion1 and in ,venice    

poetry was making its way more than it  
had previously done1 not only because   
,venice had become the refuge of men of 
letters1 but also because of the        
diffusion of printed books4 ,tintoretto 
took to the new feeling for religion and
 poetry as to his birthright4 ,yet      
whether classic fable or biblical       
episode were the subject of his art1    
,tintoretto coloured it with his feeling
 for the human life at the heart of the 
story4 ,his sense of power did not      
express itself in colossal nudes so much
 as in the immense energy1 in the       
glowing health of the figures he        
painted1 and more still in his effects  
of light1 which he rendered as if he had
 it in his hands to brighten or darken  
the heavens at will and subdue them to  
his own moods4  ,he could not have      
accomplished this1 we may be sure1 if he
 had not had even greater skill than    
,titian in the treatment of light and   
shadow and of atmosphere4 ,it was this  
which enabled him to give such living   

versions of biblical stories and saintly
 legends4 ,for1 granting that an effect 
of reality were attainable in painting  
without an adequate treatment of light  
and atmosphere1 even then1 the reality  
would look hideous1 as it does in many  
modern painters who attempt to paint    
people of to-day in their every-day     
dress and among their usual             
surroundings4 ,it is not ,realism which 
makes such pictures hideous1 but the    
want of that toning down which the      
atmosphere gives to things in life1 and 
of that harmonising to which the light  
subjects all colours4  ,it was a great  
mastery of light and shadow which       
enabled ,tintoretto to put into his     
pictures all the poetry there was in his
 soul without once tempting us to think 
that he might have found better         
expression in words4 ,the poetry which  
quickens most of his works in the       
,scuola di ,san ,rocco is almost        
entirely a matter of light and colour4  
,what is it but the light that changes  

the solitudes in which the ,magdalen and
 ,st4 ,mary of ,egypt are sitting1 into 
dreamlands seen by poets in their       
moments of happiest inspiration8 ,what  
but light and colour1 the gloom and     
chill of evening1 with the white-stoled 
figure standing resignedly before the   
judge1 that give the ,christ before     
,pilate its sublime magic8 ,what1 again1
 but light1 colour1 and the             
star-procession of cherubs that imbue   
the realism of the ,annunciation with   
music which thrills us through and      
through8  ,religion and poetry did not  
exist for ,tintoretto because the love  
and cultivation of the ,muses was a duty
 prescribed by the ,greeks and ,romans1 
and because the love of ,god and the    
saints was prescribed by the ,church2   
but rather1 as was the case with the    
best people of his time1 because both   
poetry and religion were useful to man4 
,they helped him to forget what was mean
 and sordid in life1 they braced him to 
his task1 and consoled him for his      

disappointments4 ,religion answered to  
an ever-living need of the human heart4 
,the ,bible was no longer a mere        
document wherewith to justify ,christian
 dogma4 ,it was rather a series of      
parables and symbols pointing at all    
times to the path that led to a finer   
and nobler life4 ,why then continue to  
picture ,christ and the ,apostles1 the  
,patriarchs and ,prophets1 as persons   
living under ,roman rule1 wearing the   
,roman toga1 and walking about in the   
landscape of a ,roman bas-relief8       
,christ and the ,apostles1 the          
,patriarchs and ,prophets1 were the     
embodiment of living principles and of  
living ideals4 ,tintoretto felt this so 
vividly that he could not think of them 
otherwise than as people of his own     
kind1 living under conditions easily    
intelligible to himself and to his      
fellow-men4 ,indeed1 the more           
intelligible and the more familiar the  
look and garb and surroundings of       
biblical and saintly personages1 the    

more would they drive home the          
principles and ideas they incarnated4   
,so ,tintoretto did not hesitate to turn
 every biblical episode into a picture  
of what the scene would look like had it
 taken place under his own eyes1 nor to 
tinge it with his own mood4  ,his       
conception of the human form was1 it is 
true1 colossal1 although the slender    
elegance that was then coming into      
fashion1 as if in protest against       
physical force and organisation1        
influenced him considerably in his      
construction of the female figure2 but  
the effect which he must always have    
produced upon his contemporaries1 and   
which most of his works still produce1  
is one of astounding reality as well as 
of wide sweep and power4 ,thus1 in the  
,discovery of the ,body of ,st4 ,mark1  
in the ,brera1 and in the ,storm ,rising
 while the ,corpse is being ,carried    
through the ,streets of ,alexandria1 in 
the ,royal ,palace at ,venice1 the      
figures1 although colossal1 are so      

energetic and so easy in movement1 and  
the effects of perspective and of light 
and atmosphere are so on a level with   
the gigantic figures1 that the eye at   
once adapts itself to the scale1 and you
 feel as if you too partook of the      
strength and health of heroes4   ,,xvii4
 ,value of ,minor ,episodes in          
,art4--,that feeling for reality which  
made the great painters look upon a     
picture as the representation of a cubic
 content of atmosphere enveloping all   
the objects depicted1 made them also    
consider the fact that the given        
quantity of atmosphere is sure to       
contain other objects than those the    
artist wants for his purpose4 ,he is    
free to leave them out1 of course1 but  
in so far as he does1 so far is he from 
producing an effect of reality4 ,the eye
 does not see everything1 but all the   
eye would naturally see along with the  
principal objects1 must be painted1 or  
the picture will not look true to life4 
,this incorporation of small episodes   

running parallel with the subject rather
 than forming part of it1 is one of the 
chief characteristics of modern as      
distinguished from ancient art4 ,it is  
this which makes the ,elizabethan drama 
so different from the ,greek4 ,it is    
this again which already separates the  
works of ,duccio and ,giotto from the   
plastic arts of ,antiquity4 ,painting   
lends itself willingly to the           
consideration of minor episodes1 and for
 that reason is almost as well fitted to
 be in touch with modern life as the    
novel itself4 ,such a treatment saves a 
picture from looking prepared and cold1 
just as light and atmosphere save it    
from rigidity and crudeness4  ,no better
 illustration of this can be found among
 ,italian masters than ,tintoretto's    
,crucifixion in the ,scuola di ,san     
,rocco4 ,the scene is a vast one1 and   
although ,christ is on the ,cross1 life 
does not stop4 ,to most of the people   
gathered there1 what takes place is no  
more than a common execution4 ,many of  

them are attending to it as to a tedious
 duty4 ,others work away at some menial 
task more or less connected with the    
,crucifixion1 as unconcerned as cobblers
 humming over their last4 ,most of the  
people in the huge canvas are           
represented1 as no doubt they were in   
life1 without much personal feeling     
about ,christ4 ,his own friends are     
painted with all their grief and        
despair1 but the others are allowed to  
feel as they please4 ,the painter does  
not try to give them the proper         
emotions4 ,if one of the great novelists
 of to-day1 if ,tolstoi1 for instance1  
were to describe the ,crucifixion1 his  
account would read as if it were a      
description of ,tintoretto's picture4   
,but ,tintoretto's fairness went even   
further than letting all the spectators 
feel as they pleased about what he      
himself believed to be the greatest     
event that ever took place4 ,among this 
multitude he allowed the light of heaven
 to shine upon the wicked as well as    

upon the good1 and the air to refresh   
them all equally4 ,in other words1 this 
enormous canvas is a great sea of air   
and light at the bottom of which the    
scene takes place4 ,without the         
atmosphere and the just distribution of 
light1 it would look as lifeless and    
desolate1 in spite of the crowd and     
animation1 as if it were the bottom of a
 dried up sea4   ,,xviii4 ,tintoretto's 
,portraits4--,while all these advances  
were being made1 the art of portraiture 
had not stood still4 ,its popularity had
 only increased as the years went on4   
,titian was too busy with commissions   
for foreign princes to supply the great 
demand there was in ,venice alone4      
,tintoretto painted portraits not only  
with much of the air of good breeding of
 ,titian's likenesses1 but with even    
greater splendour1 and with an          
astonishing rapidity of execution4 ,the 
,venetian portrait1 it will be          
remembered1 was expected to be more than
 a likeness4 ,it was expected to give   

pleasure to the eye1 and to stimulate   
the emotions4 ,tintoretto was ready to  
give ample satisfaction to all such     
expectations4 ,his portraits1 although  
they are not so individualised as       
,lotto's1 nor such close studies of     
character as ,titian's1 always render   
the man at his best1 in glowing health1 
full of life and determination4 ,they   
give us the sensuous pleasure we get    
from jewels1 and at the same time they  
make us look back with amazement to a   
,state where the human plant was in such
 vigour as to produce old men of the    
kind represented in most of             
,tintoretto's portraits4  ,with         
,tintoretto ends the universal interest 
the ,venetian school arouses2 for       
although painting does not deteriorate  
in a day any more than it grows to      
maturity in the same brief moment1 the  
story of the decay has none of the      
fascination of the growth4 ,but several 
artists remain to be considered who were
 not of the ,venetian school in the     

strict sense of the term1 but who have  
always been included within it4   ,,xix4
 ,venetian ,art and the                 
,provinces4--,the ,venetian provinces   
were held together not merely by force  
of rule4 ,in language and feeling no    
less than in government1 they formed a  
distinct unit within the ,italian       
peninsula4 ,painting being so truly a   
product of the soil as it was in ,italy 
during the ,renaissance1 the art of the 
provinces could not help holding the    
same close relation to the art of       
,venice that their language and modes of
 feeling held4 ,but a difference must be
 made at once between towns like        
,verona1 with a school of at least as   
long a growth and with as independent an
 evolution as the school of ,venice     
itself1 and towns like ,vicenza and     
,brescia whose chief painters never     
developed quite independently of ,venice
 or ,verona4 ,what makes ,romanino and  
,moretto of ,brescia1 or even the       
powerful ,montagna of ,vicenza1 except  

when they are at their very best1 so    
much less enjoyable as a rule than the  
,venetians--that is to say the painters 
wholly educated in ,venice1--is         
something they have in common with the  
,eclectics of a later day4 ,they are ill
 at ease about their art1 which is no   
longer the utterly unpremeditated       
outcome of a natural impulse4 ,they saw 
greater painting than their own in      
,venice and ,verona1 and not            
unfrequently their own works show an    
uncouth attempt to adopt that greatness1
 which comes out in exaggeration of     
colour even more than of form1 and      
speaks for that want of taste which is  
the indelible stamp of provincialism4   
,but there were ,venetian towns without 
the traditions even of the schools of   
,vicenza and ,brescia1 where1 if you    
wanted to learn painting1 you had to    
apprentice yourself to somebody who had 
been taught by somebody who had been a  
pupil of one of ,giovanni ,bellini's    
pupils4 ,this was particularly true of  

the towns in that long stretch of plain 
between the ,julian ,alps and the sea1  
known as ,friuli4 ,friuli produced one  
painter of remarkable talents and great 
force1 ,giovanni ,antonio ,pordenone1   
but neither his talents nor his force1  
nor even later study in ,venice1 could  
erase from his works that stamp of      
provincialism which he inherited from   
his first provincial master4  ,such     
artists as these1 however1 never gained 
great favour in the capital4 ,those whom
 ,venice drew to herself when her own   
strength was waning and when1 like ,rome
 in her decline1 she began to absorb    
into herself the talent of the          
provinces1 were rather painters such as 
,paolo ,veronese whose art1 although of 
independent growth1 was sufficiently    
like her own to be readily understood1  
or painters with an entirely new vein1  
such as the ,bassani4   ,,xx4 ,paul     
,veronese4--,paolo was the product of   
four or five generations of ,veronese   
painters1 the first two or three of     

which had spoken the language of the    
whole mass of the people in a way that  
few other artists had ever done4        
,consequently1 in the early             
,renaissance1 there were no painters in 
the ,north of ,italy1 and few even in   
,florence1 who were not touched by the  
influence of the ,veronese4 ,but        
,paolo's own immediate predecessors were
 no longer able to speak the language of
 the whole mass of the people4 ,there   
was one class they left out entirely1   
the class to whom ,titian and           
,tintoretto appealed so strongly1 the   
class that ruled1 and that thought in   
the new way4 ,verona1 being a dependency
 of ,venice1 did no ruling1 and         
certainly not at all so much thinking as
 ,venice1 and life there continued      
healthful1 simple1 unconscious1         
untroubled by the approaching storm in  
the world's feelings4 ,but although     
thought and feeling may be slow in      
invading a town1 fashion comes there    
quickly4 ,spanish fashions in dress1 and

 ,spanish ceremonial in manners reached 
,verona soon enough1 and in ,paolo      
,caliari we find all these fashions     
reflected1 but health1 simplicity1 and  
unconsciousness as well4 ,this          
combination of seemingly opposite       
qualities forms his great charm for us  
to-day1 and it must have proved as great
 an attraction to many of the ,venetians
 of his own time1 for they were already 
far enough removed from simplicity to   
appreciate to the full his singularly   
happy combination of ceremony and       
splendour with an almost childlike      
naturalness of feeling4 ,perhaps among  
his strongest admirers were the very men
 who most appreciated ,titian's         
distinction and ,tintoretto's poetry4   
,but it is curious to note that ,paolo's
 chief employers were the monasteries4  
,his cheerfulness1 and his frank and    
joyous worldliness1 the qualities1 in   
short1 which we find in his huge        
pictures of feasts1 seem to have been   
particularly welcome to those who were  

expected to make their meat and drink of
 the very opposite qualities4 ,this is  
no small comment on the times1 and shows
 how thorough had been the permeation of
 the spirit of the ,renaissance when    
even the religious orders gave up their 
pretence to asceticism and piety4       
,,xxi4 ,bassano1 ,genre1 and            
,landscape4--,venetian painting would   
not have been the complete expression of
 the riper ,renaissance if it had       
entirely neglected the country4 ,city   
people have a natural love of the       
country1 but when it was a matter of    
doubt whether a man would ever return if
 he ventured out of the town-gates1 as  
was the case in the ,middle ,ages1 this 
love had no chance of showing itself4   
,it had to wait until the country itself
 was safe for wayfarers1 a state of     
things which came about in ,italy with  
the gradual submission of the country to
 the rule of the neighbouring cities and
 with the general advance of            
civilisation4 ,during the ,renaissance  

the love of the country and its         
pleasures received an immense impulse   
from ,latin authors4 ,what the great    
,romans without exception recommended1  
an ,italian was not slow to adopt1      
particularly when1 as in this case1 it  
harmonised with natural inclination and 
with an already common practice4 ,it was
 the usual thing with those who could   
afford to do so to retire to the villa  
for a large part of the year4 ,classic  
poets helped such ,italians to          
appreciate the simplicity of the country
 and to feel a little of its beauty4    
,many took such delight in country life 
that they wished to have reminders of it
 in town4 ,it may have been in response 
to some such half formulated wish that  
,palma began to paint his ,sante        
,conversazioni1--groups of saintly      
personages gathered under pleasant trees
 in pretty landscapes4 ,his pupil1      
,bonifazio1 continued the same line1    
gradually1 however1 discarding the      
traditional group of ,madonna and       

saints1 and1 under such titles as ,the  
,rich ,man's ,feast or ,the ,finding of 
,moses1 painting all the scenes of      
fashionable country life1 music on the  
terrace of a villa1 hunting parties1 and
 picnics in the forest4  ,bonifazio's   
pupil1 ,jacopo ,bassano1 no less fond of
 painting country scenes1 did not       
however confine himself to representing 
city people in their parks4 ,his        
pictures were for the inhabitants of the
 small market-town from which he takes  
his name1 where inside the gates you    
still see men and women in rustic garb  
crouching over their many-coloured      
wares2 and where1 just outside the      
walls1 you may see all the ordinary     
occupations connected with farming and  
grazing4 ,inspired1 although unawares1  
by the new idea of giving perfectly     
modern versions of biblical stories1    
,bassano introduced into nearly every   
picture he painted episodes from the    
life in the streets of ,bassano1 and in 
the county just outside the gates4 ,even

 ,orpheus in his hands becomes a        
farmer's lad fiddling to the barnyard   
fowls4  ,bassano's pictures and those of
 his two sons1 who followed him very    
closely1 found great favour in ,venice  
and elsewhere1 because they were such   
unconscious renderings of simple country
 life1 a kind of life whose charm seemed
 greater and greater the more           
fashionable and ceremonious private life
 in the city became4 ,but this was far  
from being their only charm4 ,just as   
the ,church had educated people to      
understand painting as a language1 so   
the love of all the pleasant things that
 painting suggested led in time to the  
love of this art as its own end1 serving
 no obvious purpose either of decoration
 or suggestion1 but giving pleasure by  
the skilful management of light and     
shadow1 and by the intrinsic beauty of  
the colours4 ,the third quarter of the  
sixteenth century thus saw the rise of  
the picture-fancier1 and the success of 
the ,bassani was so great because they  

appealed to this class in a special way4
 ,in ,venice there had long been a love 
of objects for their sensuous beauty4   
,at an early date the ,venetians had    
perfected an art in which there is      
scarcely any intellectual content       
whatever1 and in which colour1          
jewel-like or opaline1 is almost        
everything4 ,venetian glass was at the  
same time an outcome of the ,venetians' 
love of sensuous beauty and a continual 
stimulant to it4 ,pope ,paul ,,ii41 for 
example1 who was a ,venetian1 took such 
a delight in the colour and glow of     
jewels1 that he was always looking at   
them and always handling them4 ,when    
painting1 accordingly1 had reached the  
point where it was no longer dependent  
upon the ,church1 nor even expected to  
be decorative1 but when it was used     
purely for pleasure1 the day could not  
be far distant when people would expect 
painting to give them the same enjoyment
 they received from jewels and glass4   
,in ,bassano's works this taste found   

full satisfaction4 ,most of his pictures
 seem at first as dazzling1 then as     
cooling and soothing1 as the best kind  
of stained glass2 while the colouring of
 details1 particularly of those under   
high lights1 is jewel-like1 as clear and
 deep and satisfying as rubies and      
emeralds4  ,it need scarcely be added   
after all that has been said about light
 and atmosphere in connection with      
,titian and ,tintoretto1 and their      
handling of real life1 that ,bassano's  
treatment of both was even more         
masterly4 ,if this were not so1 neither 
picture-fanciers of his own time1 nor we
 nowadays1 should care for his works as 
we do4 ,they represent life in far more 
humble phases than even the pictures of 
,tintoretto1 and1 without recompensing  
effects of light and atmosphere1 they   
would not be more enjoyable than the    
cheap work of the smaller ,dutch        
masters4 ,it must be added1 too1 that   
without his jewel-like colouring1       
,bassano would often be no more         

delightful than ,teniers4  ,another     
thing ,bassano could not fail to do1    
working as he did in the country1 and   
for country people1 was to paint        
landscape4 ,he had to paint the real    
country1 and his skill in the treatment 
of light and atmosphere was great enough
 to enable him to do it well4 ,bassano  
was in fact the first modern landscape  
painter4 ,titian and ,tintoretto and    
,giorgione1 and even ,bellini and ,cima 
before them1 had painted beautiful      
landscapes1 but they were seldom direct 
studies from nature4 ,they were         
decorative backgrounds1 or fine         
harmonising accompaniments to the       
religious or human elements of the      
picture4 ,they never failed to get grand
 and effective lines--a setting worthy  
of the subject4 ,bassano did not need   
such setting for his country versions of
 ,bible stories1 and he needed them even
 less in his studies of rural life4 ,for
 pictures of this kind the country      
itself naturally seemed the best        

background and the best accompaniment   
possible1--indeed1 the only kind        
desirable4 ,without knowing it1         
therefore1 and without intending it1    
,bassano was the first ,italian who     
tried to paint the country as it really 
is1 and not arranged to look like       
scenery4   ,,xxii4 ,the ,venetians and  
,velasquez4--,had ,bassano's qualities1 
however1 been of the kind that appealed 
only to the collectors of his time1 he  
would scarcely rouse the strong interest
 we take in him4 ,we care for him       
chiefly because he has so many of the   
more essential qualities of great       
art--truth to life1 and spontaneity4 ,he
 has another interest still1 in that he 
began to beat out the path which ended  
at last in ,velasquez4 ,indeed1 one of  
the attractions of the ,venetian school 
of painting is that1 more than all      
others1 it went to form that great      
,spanish master4 ,he began as a sort of 
follower of ,bassano1 but his style was 
not fixed before he had given years of  

study to ,veronese1 to ,tintoretto1 and 
to ,titian4   ,,xxiii4 ,decline of      
,venetian ,art4--,bassano appealed to   
collectors by mere accident4 ,he        
certainly did not work for them4 ,the   
painters who came after him and after   
,tintoretto no longer worked            
unconsciously1 as ,veronese did1 nor for
 the whole intelligent class1 as ,titian
 and ,tintoretto had done1 but for      
people who prided themselves on their   
connoisseurship4  ,palma the ,younger   
and ,domenico ,tintoretto began well    
enough as natural followers of          
,tintoretto1 but before long they became
 aware of their inferiority to the      
masters who had preceded them1 and1     
feeling no longer the strength to go    
beyond them1 fell back upon painting    
variations of those pictures of         
,tintoretto and ,titian which had proved
 most popular4 ,so their works recall   
the great masters1 but only to bring out
 their own weakness4 ,padovanino1       
,liberi1 and ,pietro della ,vecchia went

 even lower down and shamelessly        
manufactured pictures which1 in the     
distant markets for which they were     
intended1 passed for works of ,titian1  
,veronese1 and ,giorgione4 ,nor are     
these pictures altogether unenjoyable4  
,there are airs by the great composers  
we so love that we enjoy them even when 
woven into the compositions of some     
third-rate master4   ,,xxiv4            
,longhi4--,but ,venetian painting was   
not destined to die unnoticed4 ,in the  
eighteenth century1 before the ,republic
 entirely disappeared1 ,venice produced 
three or four painters who deserve at   
the least a place with the best painters
 of that century4 ,the constitution of  
the ,venetian ,state had remained       
unchanged4 ,magnificent ceremonies still
 took place1 ,venice was still the most 
splendid and the most luxurious city in 
the world4 ,if the splendour and luxury 
were hollow1 they were not more so than 
elsewhere in ,europe4 ,the eighteenth   
century had the strength which comes    

from great self-confidence and profound 
satisfaction with one's surroundings4   
,it was so self-satisfied that it could 
not dream of striving to be much better 
than it was4 ,everything was just right2
 there seemed to be no great issues1 no 
problems arising that human intelligence
 untrammelled by superstition could not 
instantly solve4 ,everybody was         
therefore in holiday mood1 and the      
gaiety and frivolity of the century were
 of almost as much account as its       
politics and culture4 ,there was no room
 for great distinctions4 ,hair-dressers 
and tailors found as much consideration 
as philosophers and statesmen at a      
lady's levee4 ,people were delighted    
with their own occupations1 their whole 
lives2 and whatever people delight in1  
that they will have represented in art4 
,the love for pictures was by no means  
dead in ,venice1 and ,longhi painted for
 the picture-loving ,venetians their own
 lives in all their ordinary domestic   
and fashionable phases4 ,in the         

hair-dressing scenes we hear the gossip 
of the periwigged barber2 in the        
dressmaking scenes1 the chatter of the  
maid2 in the dancing-school1 the        
pleasant music of the violin4 ,there is 
no tragic note anywhere4 ,everybody     
dresses1 dances1 makes bows1 takes      
coffee1 as if there were nothing else in
 the world that wanted doing4 ,a tone of
 high courtesy1 of great refinement1    
coupled with an all-pervading           
cheerfulness1 distinguishes ,longhi's   
pictures from the works of ,hogarth1 at 
once so brutal and so full of presage of
 change4   ,,xxv4 ,canaletto and        
,guardi4--,venice herself had not grown 
less beautiful in her decline4 ,indeed1 
the building which occupies the very    
centre of the picture ,venice leaves in 
the mind1 the ,salute1 was not built    
until the seventeenth century4 ,this was
 the picture that the ,venetian himself 
loved to have painted for him1 and that 
the stranger wanted to carry away4      
,canale painted ,venice with a feeling  

for space and atmosphere1 with a mastery
 over the delicate effects of mist      
peculiar to the city1 that make his     
views of the ,salute1 the ,grand ,canal1
 and the ,piazzetta still seem more like
 ,venice than all the pictures of them  
that have been painted since4 ,later in 
the century ,canale was followed by     
,guardi1 who executed smaller views with
 more of an eye for the picturesque1 and
 for what may be called instantaneous   
effects1 thus anticipating both the     
,romantic and the ,impressionist        
painters of our own century4   ,,xxvi4  
,tiepolo4--,but delightful as ,longhi1  
,canale1 and ,guardi are1 and imbued as 
they are with the spirit of their own   
century1 they lack the quality of force1
 without which there can be no really   
impressive style4 ,this quality their   
contemporary ,tiepolo possessed to the  
utmost4 ,his energy1 his feeling for    
splendour1 his mastery over his craft1  
place him almost on a level with the    
great ,venetians of the sixteenth       

century1 although he never allows one to
 forget what he owes to them1           
particularly to ,veronese4 ,the grand   
scenes he paints differ from those of   
his predecessor not so much in mere     
inferiority of workmanship1 as in a lack
 of that simplicity and candour which   
never failed ,paolo1 no matter how proud
 the event he might be portraying4      
,tiepolo's people are haughty1 as if    
they felt that to keep a firm hold on   
their dignity they could not for a      
moment relax their faces and figures    
from a monumental look and bearing4     
,they evidently feel themselves so      
superior that they are not pleasant to  
live with1 although they carry          
themselves so well1 and are dressed with
 such splendour1 that once in a while it
 is a great pleasure to look at them4   
,it was ,tiepolo's vision of the world  
that was at fault1 and his vision of the
 world was at fault only because the    
world itself was at fault4 ,paolo saw a 
world touched only by the fashions of   

the ,spanish ,court1 while ,tiepolo     
lived among people whose very hearts had
 been vitiated by its measureless       
haughtiness4  ,but ,tiepolo's feeling   
for strength1 for movement1 and for     
colour was great enough to give a new   
impulse to art4 ,at times he seems not  
so much the last of the old masters as  
the first of the new4 ,the works he left
 in ,spain do more than a little to     
explain the revival of painting in that 
country under ,goya2 and ,goya1 in his  
turn1 had a great influence upon many of
 the best ,french artists of our own    
times4   ,,xxvii4 ,influence of         
,venetian ,art4--,thus1 ,venetian       
painting before it wholly died1         
flickered up again strong enough to     
light the torch that is burning so      
steadily now4 ,indeed1 not the least    
attraction of the ,venetian masters is  
their note of modernity1 by which ,i    
mean the feeling they give us that they 
were on the high road to the art of     
to-day4 ,we have seen how on two        

separate occasions ,venetian painters   
gave an impulse to ,spaniards1 who in   
turn have had an extraordinary influence
 on modern painting4 ,it would be easy1 
too1 although it is not my purpose1 to  
show how much other schools of the      
seventeenth and eighteenth centuries1   
such as the ,flemish1 led by ,rubens1   
and the ,english led by ,reynolds1 owed 
to the ,venetians4 ,my endeavour has    
been to explain some of the attractions 
of the school1 and particularly to show 
its close dependence upon the thought   
and feeling of the ,renaissance4 ,this  
is perhaps its greatest interest1 for   
being such a complete expression of the 
riper spirit of the ,renaissance1 it    
helps us to a larger understanding of a 
period which has in itself the          
fascination of youth1 and which is      
particularly attractive to us1 because  
the spirit that animates us is          
singularly like the better spirit of    
that epoch4 ,we1 too1 are possessed of  
boundless curiosity4 ,we1 too1 have an  

almost intoxicating sense of human      
capacity4 ,we1 too1 believe in a great  
future for humanity1 and nothing has yet
 happened to check our delight in       
discovery or our faith in life4         
,,index ,,to ,,the ,,works ,,of ,,the   
,,principal ,,venetian ,,painters4      
,,note4  ,public galleries are mentioned
 first1 then private collections1 and   
churches last4 ,the principal public    
gallery is always understood after the  
simple mention of a city or town4 ,thus1
 ,paris means ,paris1 ,louvre1 ,london  
means ,london1 ,national ,gallery1 etc4 
,an interrogation point after the number
 or title of a picture indicates that   
its attribution to the given painter is 
doubtful4  ,distinctly early or late    
works are marked ,e4 or ,l4  ,it need   
scarcely be said that the attributions  
here given are not based on official    
catalogues1 and are often at variance   
with them4   ,,antonello ,,da ,,messina4
  ,b4 ,circa #addd3 d4 circa #adic4     
,began under unknown ,flemish painter2  

influenced by the ,vivarini and         
,bellini4  ,antwerp4 #d4 ,crucifixion1  
#adge4  ,bergamo4 ,,lochis1 #bbb4 ,st4  
,sebastian4  ,berlin4 #ah4 ,portrait of 
,young ,man1 #adgh4   #ah;,a4 ,portrait 
of ,young ,man1 #adgd4   #be4 ,portrait 
of ,young ,man in ,red ,coat4  ,dresden4
 #eb4 ,st4 ,sebastian4  ,london4 #fgc4  
,the ,saviour1 #adfe4   #aada4 ,portrait
 of ,man4   #aaff4 ,crucifixion1 #adgg4 
#adah4 ,st4 ,jerome in his ,study4      
,messina4 ,madonna with ,,ss4 ,gregory  
and ,benedict1 #adgc4  ,milan4 ,,museo  
,,civico1 #ie4 ,portrait of ,man wearing
 ,wreath4   ,,prince ,,trivulzio1       
,portrait of ,man1 #adgf4  ,naples4     
,,sala ,,grande1 #af4 ,portrait of ,man4
  ,paris4 #aacd4 ,condottiere1 #adgd4   
,rome4 ,,villa ,,borghese1 #cif4        
,portrait of ,man4  ,venice4 ,,academy1 
#ehi4 ,ecce ,homo4   ,,giovanelli1      
,portrait of ,man4  ,vicenza4 ,,sala    
,,iv1 #ag4 ,christ at ,column4          
,,jacopo ,,di ,,barbari4  #adej         
circa-#aeaf circa4 ,pupil of ,alvise    

,vivarini2 influenced by ,antonello da  
,messina4  ,augsburg4 ,still ,life      
,piece1 #aejd4  ,bergamo4 ,,gallery     
,,lochis1 #adg1 #adh4 ,heads of ,young  
,men4   ,,frizzoni-,,salis1 ,head of    
,christ4  ,berlin4 #bf;,a4 ,madonna and 
,saints4  ,dresden4 #eg4 ,christ        
,blessing4   #eh1 #ei4 ,,ss4 ,catherine 
and ,barbara4   #bid4 ,galatea4 ,l4     
,florence4 ,,pitti1 #chd4 ,st4          
,sebastian4  ,hamburg4 ,,consul ,,weber1
 #bd4 ,old ,man and ,young ,woman4      
#aejc4  ,london4 ,,mr4 ,,doetsch1       
,portrait of ,young ,man4 ,l4  ,naples4 
,,sala ,,degli ,,olandesi ,e ,,tedeschi1
 #ea4 ,bust of a ,cardinal4  ,treviso4  
,s4 ,,niccol1 ,frescoes around ,tomb of 
,onigo4   #ah ,,piazza ,,del ,,duomo1   
,frescoes on ,faade4  ,venice4 ,,lady   
,,layard1 ,a ,falcon4   ,,frari1 #b;d   
,,chapel ,l4 ,,of ,,choir1 ,decorative  
,frescoes4  ,vienna4 #bb4 ,portrait of  
,young ,man4  ,weimar4 ,head of ,christ4
   ,,bartolommeo ,,veneto4  ,active     
#aeje-aeee4 ,pupil of ,gentile ,bellini2

 influenced by ,bergamask and ,milanese 
painters4  ,belluno4 #bb4 ,madonna4     
,bergamo4 ,,carrara1 #ahe4 ,landscape4  
,e4   ,,lochis1 #abg4 ,madonna1 #aeje4  
,brussels4 ,m4 ,l,,on ,,somz,e1 ,bust of
 a ,venetian ,noble4  ,douai4 #cbd4     
,portrait of ,young ,man4  ,dresden4    
#bib4 ,salome4  ,florence4 ,,uffizi1    
#fej4 ,portrait of a ,man1 #aeee4       
,frankfort4 #ac4 ,portrait of a         
,courtesan4   #bj4 ,st4 ,catherine4     
,genoa4 ,,prince ,,giorgio ,,doria1     
,portrait of a ,lady4  ,glasgow4 #eaj4  
,st4 ,catherine crowned4  ,london4 #bhg4
 ,portrait of ,ludovico ,martinengo1    
#aecj4   ,,mr4 ,,benson1 ,madonna and   
,angels4 ,e4   ,,dorchester ,,house1    
,portrait of ,man1 #aeab4  ,milan4      
,,ambrosiana1 #bd4 ,madonna4 ,portrait  
of ,man in ,black4   ,,borromeo1 ,st4   
,catherine4   ,,duke ,,melzi1 ,jewess   
breaking her ,wedding ,ring4  ,nancy4   
,portrait of ,young ,man4  ,paris4      
#afgc4 ,portrait of ,lady4  ,rome4      
,,corsini1 #faj4 ,portrait of ,young    

,man4   ,,doria1 #dhb4 ,the ,saviour4   
,venice4 ,,palazzo ,,ducale1 ,,chapel1  
,madonna4  ,verona4 ,madonna4 ,e4       
,,marco ,,basaiti4  ,circa #adgj-aebg4  
,pupil of ,alvise ,vivarini2 follower of
 ,bellini4  ,badger ,hall 7,shropshire74
 ,,mr4 ,f4 ,,capel-,,cure1 ,bust of     
,boy4  ,bergamo4 ,,carrara1 #afe4 the   
,saviour1 #aeag4   ,,lochis1 #ahh4      
,portrait of ,man4   ,,morelli1         
,portrait of ,man1 #aeba4               
,,frizzoni-,,salis1 ,madonna with ,,ss4 
,monica and ,francis4  ,berlin4 #f4     
,piet4 ,e4     #bj4 ,altar-piece4       
#cg4 ,st4 ,sebastian4     #dj4 ,madonna4
 ,e4   ,,herr ,,von ,,beckerath1 ,st4   
,jerome4   ,,herr ,,kaufmann1 ,st4      
,jerome4  ,boston1 ,u4 ,s4 ,a4 #ce4     
,entombment4 ,e4  ,buda-,pesth4 #ajc4   
,st4 ,catherine ,reading4 ,st4 ,jerome4 
,london4 #bha4 ,st4 ,jerome4     #eii4  
,madonna4   ,,mr4 ,,benson1 ,st4 ,jerome
 ,beside a ,pool1 #aeje4                
,portrait of ,man4 ,madonna and ,saints4
 ,infant ,bacchus4   ,,mr4 ,c4 ,,butler1

 ,dead ,christ4   ,,mr4 ,,salting1      
,madonna4 ,e4   ,,sir ,,michael         
,,shaw-,,stewart1 ,madonna4  ,meiningen4
 ,,ducal ,,palace1 ,st4 ,antony ,abbot4 
,st4 ,paul4 ,l4  ,milan4 ,,ambrosiana1  
#cj4 ,resurrected ,christ4  ,munich4    
#ajca4 ,madonna1 ,saints1 and ,donor4   
,e4  ,murano4 ,s4 ,,pietro1 ,assumption 
of ,virgin4  ,padua4 ,,sala ,,emo1 #bbe4
 ,portrait of ,man #aeba4               
,madonna with ,,ss4 ,liberale and       
,peter4  ,paris4 ,m4 ,,martin ,,le      
,,roy1 ,st4 ,sebastian4  ,rome4 ,,doria1
 #dei4 ,st4 ,sebastian4  ,strassburg4   
,st4 ,jerome4  ,stuttgart4 #bd4         
,madonna4     #eg4 ,madonna with female 
,saint4  ,venice4 ,,academy1 #fh4 ,st4  
,james and ,st4 ,antony ,abbot4         
#ajh4 ,dead ,christ4 ,st4 ,george and   
,dragon1 #aebj4     #fi4 ,christ in the 
,garden #aeaj4     #ajg4 ,st4 ,jerome4  
#ci4 ,calling of ,children of ,zebedee1 
#aeaj4   ,,museo ,,corker1 ,,sala ,,ix1 
#bd4 ,madonna and ,donor4     #cd4      
,christ and ,angels4   ,,giovanelli1    

,st4 ,jerome in ,desert4   ,s4 ,,pietro 
,,in ,,castello1 ,st4 ,peter enthroned  
and four other ,saints4   ,,salute1 ,st4
 ,sebastian4  ,vienna4 #a4 ,calling of  
,children of ,zebedee1 #aeae4           
,,harrach ,,collection1 ,madonna4       
,,jacopo ,,bassano4  #aeaj-aeib4 ,pupil 
of ,bonifazio ,veronese4  ,ashridge4    
,,lord ,,brownlow1 ,portrait of an      
,admiral4   ,portrait of ,youth4        
,augsburg4 #bgb4 ,madonna with ,,ss4    
,john and ,roch4  ,bassano4 #cb4        
,susanna and ,elders4 ,e4   #ce4 ,christ
 and ,adulteress4 ,e4   #ch4 ,the ,three
 ,holy ,children4 ,e4   #da4 ,madonna1  
,,ss4 ,lucy and ,francis1 and ,donor4   
,e4   #bb4 ,flight into ,egypt4 ,e4     
#bj4 ,st4 ,john the ,baptist4   #ai4    
,paradise4   #ag4 ,baptism of ,st4      
,lucilla4   #af4 ,adoration of          
,shepherds4   #ad4 ,st4 ,martin and the 
,beggar4   #ab4 ,st4 ,roch recommending 
,donor to ,virgin4   #ac4 ,st4 ,john the
 ,evangelist adored by a ,warrior4      
#aj4 ,descent of ,holy ,spirit4    #d4  

,madonna in ,glory1 ,,ss4 ,lucy and     
,agatha4 ,l4   #de4 ,last ,supper4      
,,duomo1 ,st4 ,lucy in ,glory1 and      
,martyrdom of ,stephen4 ,l4             
,nativity4   ,s4 ,,giovanni1 ,madonna in
 ,glory1 ,,ss4 ,giustina1 ,barbara1 and 
,mark4   ,s4 ,m4 ,,delle ,,grazie1      
,crucifixion 7fresco74  ,bergamo4       
,,carrara1 #aji4 ,male ,portrait4       
,,lochis1 #ed4 ,portrait of ,lawyer4    
#hb4 ,portrait of a ,painter4           
,,frizzoni-,,salis1 ,madonna4           
,portrait of ,old ,man4   ,,signor      
,,baglioni1 ,portrait of ,old ,man4     
,,casa ,,suardi1 ,st4 ,jerome in        
,desert4  ,berlin4 ,,herr ,,kaufmann1   
,bust of ,senator4   ,,herr             
,,wesendonck1 ,animals going into ,ark4 
,biel1 ,n4 ,b4 ,,mrs4 ,,hamilton        
,,ogilvie1 ,dives and ,lazarus4         
,nativity4 ,l4  ,bologna4 ,,corridor    
,,iv1 ,two ,male ,busts4  ,brussels4    
#dja4 ,old ,man seated4  ,buda-,pesth4  
#ajh4 ,head of ,st4 ,jerome4            
,chatsworth4 ,,duke ,,of ,,devonshire1  

,portrait of ,niccol ,cappello4         
,cittadella4 ,,duomo1 ,christ at ,emaus4
 ,e4  ,dijon4 #dj4 ,agony in ,garden4   
#da4 ,st4 ,sebastian4  ,dresden4 #bec4  
,israelites in ,desert4     #bef4 ,moses
 striking ,rock4     #beh4 ,conversion  
of ,paul4  ,edinburgh4 #cbg4 ,portrait  
of ,man4     #cfg4 ,adoration of ,magi4 
,e4  ,feltre4 ,,vescovado1 ,portrait of 
,old ,man4  ,florence4 ,,uffizi1 #faj4  
,two ,hunting ,dogs4  ,gosford ,house1  
,n4 ,b4 ,,lord ,,wemys1 ,bust of ,old   
,man4     ,senator seated4     ,st4     
,john in ,landscape4  ,hampton ,court4  
#id4 ,head of ,old ,man4   #acf4 ,male  
,portrait4   #adb4 ,jacob's ,journey4   
#aec4 ,boaz and ,ruth4   #afc4          
,shepherds' ,offering4 ,e4   #afi4      
,christ in the ,house of the ,pharisee4 
#agf4 ,assumption of ,virgin4   #baj4   
,men fighting ,bears4   #bbc4 ,tribute  
,money4  ,hopetoun ,house1 ,n4 ,b4      
,,lord ,,hopetoun1 ,portrait of a ,doge 
,seated4  ,linlathen1 ,n4 ,b4 ,,col4    
,,erskine1 ,agony in ,garden4  ,london4 

#agc4 ,portrait of ,man4     #bbh4      
,christ and the ,money ,changers4       
#bgg4 ,the ,good ,samaritan4   ,,mr4    
,,benson1 ,st4 ,john in the ,wilderness4
     ,christ in ,house of ,levi4        
,portrait of ,woman4   ,,mr4 ,g4        
,,donaldson1 ,portrait of ,man aged #bg1
 #aeeh4  ,milan4 ,,ambrosiana1 #bbf4    
,annunciation to ,shepherds4 ,l4   #bcj4
 ,adoration of ,shepherds4 ,e4  ,modena4
 #dbb4 ,st4 ,paul and another ,saint4   
,montpellier4 #efd4 ,old ,man in        
,armour4  ,munich4 #aabh4 ,old ,man1    
,son1 and ,grandson4      #aadh4 ,st4   
,jerome in ,desert4      #aaej4         
,deposition from ,cross4      #aaea4    
,madonna enthroned and two ,saints4     
,,lotzbeck ,,collection1 #aja4 ,portrait
 ,of ,lady4  ,padua4 ,s4 ,,maria ,,in   
,,vanzo1 ,entombment4  ,paris4 #adbh1   
,vintage4 ,l4   #adbi4 ,portrait of     
,giovanni da ,bologna4   #adfg4         
,portrait of ,old ,man4  ,rome4 ,,villa 
,,borghese1 #add4 ,last ,supper4        
#abg4 ,the ,trinity4   ,,corsini1 #ecc4 

,portrait of ,lady4   ,,countess ,,santa
 ,,fiora1 ,nativity4  ,rossie ,priory1  
,n4 ,b4 ,,lord ,,kinnaird1              
,annunciation4  ,tours4 #d4 ,bust of    
,old ,man4  ,venice4 ,,academy1 #cie4   
,christ in ,garden4     #djc4 ,portrait 
of a ,venetian ,noble4     #dja4 ,st4   
,eleuterius blessing the ,faithful4     
,,palazzo ,,ducale1 ,,anti-,,collegio4  
,jacob's ,journey4   ,,palazzo ,,reale1 
,st4 ,jerome1 #aefi4   ,s4 ,,giacomo    
,,dall' ,,orio1 ,madonna in ,glory and  
two ,saints4  ,verona4 #bad4 ,portrait  
of a ,senator4  ,vicenza4 ,,sala ,v1    
,madonna and ,saints4 ,e4   ,,entrance  
,,hall1 #b4 ,madonna1 ,st4 ,mark1 and   
two ,senators4   ,,palazzo ,,loschi1    
,night ,scene4  ,vienna4 #bhc4 ,the     
,good ,samaritan4     #bfi4 ,thamar led 
to the ,stake4     #bgf4 ,adoration of  
,magi4     #cja4 ,rich ,man and         
,lazarus4     #bff4 ,the ,lord shows    
,abraham the ,promised ,land4     #cjf4 
,the ,sower4     #bha4 ,a ,hunt4        
#cai4 ,way to ,golgotha4     #bfh4 ,noah

 entering the ,ark4     #bfg4 ,christ   
and the ,money ,changers4     #bfe4     
,after the ,flood4     #bfc4 ,,ss4      
,sebastian1 ,florian1 and ,roch4        
#bgb4 ,adoration of ,magi4     #caa4    
,portrait of ,procurator4     #cab4     
,portrait of ,senator4     #dec4 ,christ
 bearing ,cross4     #bcj4 ,two ,men4   
#bdj4 ,portrait of ,young ,man4         
#dhj4 ,portrait of ,young ,man4         
,,academy1 #ba4 ,portrait of            
,procurator4  ,woburn ,abbey4 #af4      
,portrait of ,venetian ,senator4        
,,francesco ,,beccaruzzi4  ,active in   
the second and third quarter of the     
,,xvi century4 ,pupil of ,pordenone2    
imitator of all his great ,venetian     
contemporaries2 finally1 imitator of    
,paul ,veronese4  ,belluno4 #ad4 ,woman 
in ,white ,dress4  ,bergamo4 ,,lochis1  
#aic4 ,portrait of ,young ,woman4       
,berlin4 ,,herr ,,kaufmann1 ,portrait of
 ,gentleman4   ,,herr ,,wesendonck1 #aj4
 ,santa ,conversazione4  ,boston1 ,u4   
,s4 ,a4 #eb4 ,copy of a 7lost7 ,paris   

,bordone3 ,holy ,family   and ,saints4  
,buda-,pesth4 #hd4 ,bust of ,woman4     
#hi4 ,madonna4     #aji4 ,young ,woman  
seated4  ,cambridge4 ,,fitzwilliam      
,,museum1 #ach4 ,adoration of           
,shepherds4  ,conegliano4 ,,duomo1 ,r4  
,,wall1 ,three ,saints4 ,e4   ,s4 ,m4   
,,delle ,,grazie1 ,,high ,,altar1       
,madonna and ,saints4   ,s4 ,,rocco1    
,,organ ,,picture1 ,madonna and ,saints4
 ,l4  ,dresden4 #aii4 ,calling of       
,matthew4  ,ferrara4 ,,sala ,,ii4       
,christ and the ,adulteress4  ,florence4
 ,,uffizi1 #ehe4 ,portrait of ,man4     
,glasgow4 #bi4 ,madonna enthroned with  
,saints and ,angels4  ,haigh ,hall 7near
 ,wigan74 ,,lord ,,crawford1 ,bust of   
,woman4  ,hopetoun ,house1 ,n4 ,b4      
,,lord ,,hopetoun1 ,gentleman with      
,horse and ,groom4  ,lille4 #fec4       
,stoning of ,stephen787     #ajef4      
,legend of ,moses4  ,linlathen1 ,n4 ,b4 
,,col4 ,,erskine1 ,bust of ,man4 ,santa 
,conversazione4  ,london4 ,,burlington  
,,house1 ,,diploma ,,gallery1           

,temperance4   ,,apsley ,,house1        
,portrait of ,lady4   ,,mr4 ,c4         
,,butler1 ,portrait of ,man4 ,st4       
,george and the ,dragon4   ,,sir        
,,william ,,farrer1 ,santa              
,conversazione4   ,,dorchester ,,house1 
,portrait of ,doge ,andrea ,gritti4     
,,viscount ,,powerscourt1 ,portrait of  
,politian4   ,,lord ,,northbrook1 ,santa
 ,conversazione4   ,,mr4 ,g4 ,,salting1 
,portrait of ,man4  ,keir1 ,n4 ,b4 ,,mr4
 ,,archibald ,,stirling1 ,young ,woman  
playing ,organ4  ,milan4 ,,museo        
,,civico1 #ajd4 ,portrait of ,man with  
,spaniel4  ,narbonne4 #bec4 ,marriage of
 ,st4 ,catherine4  ,oldenburg4 #ha4     
,dead ,christ4  ,padua4 #i4 ,santa      
,conversazione4     #acfb4 ,bust of     
,monk in ,white4  ,parma4 #bed4         
,portrait of ,man4  ,rome4 ,,colonna1   
#af4 ,a ,cavalier4   ,,doria1 #fb4      
,portrait of ,woman4 #chf4 ,man with    
,flower4  ,serravalle4 ,s4 ,,antonio1   
,baptism4  ,strassburg4 ,scene taken    
from ,lotto's ,crucifixion at ,monte    

,san ,giusto4  ,stuttgart4 #aij4 ,bust  
of ,man4  ,toulouse4 ,holy ,family and  
,infant ,john presenting ,dove4         
,treviso4 ,,monte ,,di ,,piet1 ,dead    
,christ4 ,prophets4   ,,eredi           
,,perazzolo1 ,way to ,golgotha4   ,s4   
,,lucia1 ,,sacristy1 ,st4 ,lucy4        
,venice4 ,,academy1 #eag4 ,st4 ,francis 
receiving ,stigmata4     #ebe4          
,deposition4   ,,correr1 ,portrait of   
,cesare ,borgia4   ,,manfrin ,,gallery4 
,santa ,conversazione and ,donor4       
,,quirini-,,stampalia1 #fh4 ,santa      
,conversazione4   ,,palazzo ,,reale1    
,madonna and ,st4 ,catherine4  ,venice  
7,con474 ,,giovanelli1 #cae4 ,st4 ,roch4
   ,s4 ,m4 ,,dell' ,,orto1     ,,ss4    
,lawence1 ,helen1 ,gregory1 ,dominic1   
and ,lorenzo ,giustiniani4  ,vienna4    
#aeg4 ,portrait of ,lady4     #bjf4 ,a  
,warrior4     #bji4 ,the ,baptist4      
#baa4 ,thaddeus4   ,,academy1 #e4 ,st4  
,lawrence4     #f4 ,nativity4     #bj4  
,deposition4     #da4 ,st4 ,paul4       
,,gentile ,,bellini4  #adbi-aejg4 ,pupil

 of his father1 ,jacopo ,bellini2       
influenced by the ,paduans4             
,buda-,pesth4 #aja4 ,portrait of        
,catherine ,cornaro4  ,frankfort a_/,m4 
#ah4 ,bust of ,st4 ,mark4 ,e4  ,london4 
#hjh4 ,st4 ,peter ,martyr4     #abac4   
,portrait of ,mathematician4     #addj4 
,head of a ,monk4   ,,mr4 ,,ludwig      
,,mond1 ,madonna ,enthroned4 ,e4        
,milan4 ,,brera1 #afh4 ,preaching of    
,st4 ,mark4 ,l4 7,finished by ,giovanni 
,bellini47  ,monopoli4 ,,duomo1 ,st4    
,jerome and ,donor 7874 ,e4  ,venice4   
,,academy1 #egj4 ,beato ,lorenzo        
,giustiniani1 #adfe4     #efh4 ,miracle 
of ,true ,cross1 #aejj4     #efg4       
,corpus ,christi ,procession1 #adif4    
#efc4 ,healing accomplished by ,fragment
 of ,true ,cross4 ,l4   ,,museo         
,,correr1 ,portrait of ,doge ,giovanni  
,mocenigo4   ,,san ,,marco              
,,fabbriceria1 ,,organ ,,shutters1 ,,ss4
 ,theodore and ,mark1     ,,ss4 ,jerome 
and ,francis4 ,e4   ,,lady ,,layard1    
,adoration of ,magi4 ,portrait of       

,sultan ,mohamet1 #adhj4   ,,giovanni   
,,bellini4  #adcj787-aeaf4 ,pupil of his
 father1 ,jacopo2 formed in ,padua under
 the influence of ,donatello4  ,bergamo4
 ,,lochis1 #baj4 ,madonna4 ,e4          
,,morelli1 #bg4 ,madonna4     #da4      
,madonna4  ,berlin4 #d4 ,piet4 ,l4      
#bh4 ,dead ,christ4  ,florence4         
,,uffizi1 #fca4 ,allegory of ,tree of   
,life4 ,l4  ,london4 #ahi4 ,portrait of 
,loredano4 ,l4     #bhj4 ,madonna4 ,l4  
#gbf4 ,agony in ,garden4 ,e4     #abcc4 
,blood of ,redeemer4 ,e4   ,,mr4        
,,ludwig ,,mond1 ,dead ,christ4         
,madonna4  ,milan4 ,,brera1 #bhd4 ,piet4
 ,e4     #bfa4 ,madonna4     #big4      
,madonna1 #aeaj4   ,,dr4 ,,gust4        
,,frizzoni1 ,madonna4 ,e4  ,murano4 ,s4 
,,pietro1 ,madonna with ,,ss4 ,mark and 
,augustin and ,doge ,barbarigo1 #adhh4  
,naples4 ,,sala ,,grande1 #g4           
,transfiguration4  ,newport1 ,u4 ,s4 ,a4
 ,,mr4 ,t4 ,h4 ,,davis1 ,madonna4 ,e4   
,pesaro4 #aa4 ,crucifixion 7874 ,e4     
#eb4 ,god the ,father4   ,s4            

,,francesco1 ,altar-piece in many parts4
  ,rimini4 ,dead ,christ4 ,e4  ,turin4  
#ggi4 ,madonna4 ,e4  ,venice4 ,,academy1
 #eif4 ,madonna4     #eid4 ,madonna4    
#eie4 ,five small ,allegories4 ,l4      
#fac4 ,madonna with ,st4 ,catherine and 
,magdalen4     #faj4 ,madonna with ,,ss4
 ,paul and ,george4     #fab4 ,madonna4 
#ch4 ,madonna with six ,saints4         
,,museo ,,correr1 ,,sala ,,vii1 #bc4    
,transfiguration4 ,e4   ,,sala ,,ix1    
#bg4 ,dead ,christ4 ,e4     #df4        
,crucifixion4 ,e4     #ed4 ,dead ,christ
 supported by three ,angels4 ,e4        
,,palazzo ,,ducale1 ,,sala ,,di ,,tr1   
,piet4 ,e4   ,,frari1 ,triptych1        
,madonna and ,saints1 #adhh4   ,s4      
,,francesco ,,della ,,vigna1 ,madonna   
and four ,saints1 #aejg4   ,s4          
,,giovanni ,,crisostomo1 ,,ss4 ,jerome1 
,augustin1 and ,christopher1 #aeac4     
,s4 ,,maria ,,dell' ,,orto1 ,madonna4   
,e4   ,s4 ,,zaccaria1 ,madonna and four 
,saints1 #aeje4  ,verona4 #gg4 ,madonna4
 ,e4  ,vicenza4 ,s4 ,,corona1 ,baptism1 

#aeaj4   ,,jacopo ,,bellini4  ,active   
#adcj-adgj4 ,pupil of the ,umbrian      
painter1 ,gentile da ,fabriano1 and of  
the ,veronese1 ,pisanello4  ,brescia4   
,s4 ,,alessandro1 ,annunciation1 with   
five ,predelle4  ,ferrara4 ,,sig4       
,,vendeghini1 ,adoration of ,magi4      
,london4 ,,british ,,museum1            
,sketch-,book4 ,e4  ,lovere4 ,,tadini1  
,madonna4  ,padua4 ,,sala ,,iv1 ,christ 
in ,limbo4  ,paris4 ,sketch-,book4 ,l4  
,venice4 ,,academy1 #ehb4 ,madonna4     
,,museo ,,correr1 ,,sala ,,ix1 #db4     
,crucifixion4   ,s4 ,,trovaso1 ,s4      
,giovanni ,crisogono on ,horseback4 787 
,verona4 #cfe4 ,christ on ,cross4       
,,bissolo4  #adfd-aebh4 ,pupil and      
assistant of ,giovanni ,bellini4        
,berlin4 #dc4 ,altar-piece4 ,l4         
,brescia4 ,,tosio1 ,,sala ,,xiv1 #c4    
,madonna and ,saints4 ,e4  ,chantilly4  
,madonna4  ,dsseldorf4 #ge4 ,madonna    
with ,infant ,john and his ,parents4    
,genoa4 ,,annunziata1 ,madonna and four 
,saints4  ,hampton ,court4 #aag4        

,portrait of ,man4 ,e4  ,london4 ,,mr4  
,,benson1 ,annunciation4 ,madonna4      
,,mr4 ,,mond1 ,madonna with ,,ss4 ,paul 
and ,catherine4  ,milan4 ,,brera1 #bcg4 
,st4 ,stephen4     #bhe4 ,st4 ,antony of
 ,padua4     #bih4 ,a ,bishop4  ,rome4  
,,villa ,,borghese1 #agf4 ,madonna4 ,e4 
,treviso4 ,,duomo1 ,three ,saints and   
,donor4   ,s4 ,,andrea1 ,madonna and two
 ,saints4  ,venice4 ,,academy1 #hh4     
,dead ,christ4     #ic4 ,presentation in
 the ,temple4     #gi4 ,christ ,crowning
 ,s4 ,catherine4     #id4 ,madonna with 
,,ss4 ,james and ,job4   ,,museo        
,,correr1 ,,sala ,,ix1 #eg4 ,madonna    
with ,st4 ,peter ,martyr4   ,s4         
,,giovanni ,,in ,,bragora1 ,triptych4   
,s4 ,,maria ,,mater ,,domini1           
,transfiguration4   ,,redentore1        
,madonna with ,,ss4 ,john and           
,catherine4   ,,lady ,,layard1 ,madonna 
with ,,ss4 ,michael and ,ursula and     
,donors4  ,verona4 ,circumcision4 ,e4   
,vienna4 #ac4 ,lady at ,toilet1 #aeae4  
#d4 ,baptism4   ,,bonifazio ,,veronese4 

,active circa #aeaj-aedj4 ,pupil of     
,palma ,vecchio2 influenced by          
,giorgione4  ,bergamo4 ,,carrara1 #aig1 
#aih4 ,small mythological ,scenes4      
,,frizzoni-,,salis1 ,parable of ,sower4 
,boston1 ,u4 ,s4 ,a4 ,,mrs4 ,j4 ,l4     
,,gardner1 ,santa ,conversazione4 ,e4   
,campo ,s4 ,piero4 ,,oratory ,,of ,s4   
,,antonio1 ,preaching of ,st4 ,antony   
7in part74  ,dresden4 #bjh4 ,finding of 
,moses4  ,florence4 ,,pitti1 #hd4       
,madonna1 ,st4 ,elizabeth1 and ,donor4  
,e4     #hi4 ,rest in ,flight4     #afa4
 ,finding of ,moses4     #dje4 ,christ  
among the ,doctors 7in part74  ,hague4  
#beb4 ,bust of ,woman4  ,hampton ,court4
 #adf4 ,santa ,conversazione4  ,lille4  
#gag4 ,esther before ,ahasuerus4        
,london4 #abjb4 ,santa ,conversazione4  
,e4   ,,mr4 ,,benson1 ,allegories of    
,morning1 and of ,night 7in part74      
,,mr4 ,,butler1 ,santa ,conversazione4  
,rape of ,helen4 ,subject from a        
,romance4   ,,mr4 ,,charles ,t4 ,d4     
,,crews1 ,birth of ,john4   ,,dr4       

,,richter1 ,joseph drawn out of the     
,well4 ,head of ,pompey brought to      
,csar4  ,milan4 ,,brera1 #bji4 ,finding 
of ,moses4   ,,ambrosiana1 #bca4 ,holy  
,family with ,tobias and ,angel4 ,e4    
,,poldi-,,pezzoli1 ,,pinacoteca1 #ii4   
,doctor ,visiting a ,patient4  ,paris4  
#aaga4 ,santa ,conversazione4  ,rome4   
,,villa ,,borghese1 #aef4 ,mother of    
,zebedee's ,children4     #ahf4 ,return 
of the ,prodigal ,son4   ,,colonna1 #a4 
,holy ,family with ,,ss4 ,jerome and    
,lucy4   ,,doria1 #af4 ,santa           
,conversazione4   ,,prince ,,chigi1     
,finding of ,moses4  ,venice4 ,,academy1
 #bia4 ,rich ,man's ,feast4     #cai4   
,massacre of ,innocents4     #bie4      
,judgment of ,solomon1 #aecc 7in part74 
,,palazzo ,,reale1 ,madonna with ,,ss4  
,catherine and ,john the ,almsgiver1    
#aecc4   ,,giovanelli1 ,santa           
,conversazione4   ,,lady ,,layard1      
,twelve very small pictures3 ,rustic    
,occupations4  ,vienna4 #aic4 ,santa    
,conversazione4     #bja4 ,triumph of   

,love4     #aef4 ,triumph of ,chastity4 
#ade4 ,salome4   ,,francesco            
,,bonsignori4  #adec787-aeai4 ,pupil of 
,bartolommeo and ,alvise ,vivarini2     
influenced by ,giovanni ,bellini1 and   
later by ,mantegna and his own townsman1
 ,liberale of ,verona4  ,bergamo4       
,,lochis1 #aed4 ,portrait of a ,gonzaga4
   ,,morelli1 #de4 ,the ,widow's ,son4  
,l4  ,berlin4 #df;,c4 ,st4 ,sebastian4  
,florence4 ,,bargello1 ,christ bearing  
,cross4 ,l4  ,fonthill 7,wilts74 ,,mr4  
,,alfred ,,morrison1 ,portrait of ,man4 
,gosford ,house1 ,n4 ,b4 ,,lord ,,wemys1
 ,madonna enthroned4  ,london4 #gcf4    
,portrait of ,man1 #adhg4  ,mantua4     
,,accademia ,,virgiliana1 ,way to       
,golgotha4 ,vision of the ,nun ,osanna4 
,milan4 ,,brera1 #afc4 ,st4 ,bernardino4
     #agj4 ,,ss4 ,bernardino and ,louis 
holding the ,initials of ,christ4       
,,poldi-,,pezzoli1 ,head of a female    
,saint4 ,st4 ,bernardino4    ,profile of
 ,old ,man4 ,bust of ,venetian ,noble4  
,paris4 ,,prince ,,sciarra1 ,bust of a  

,gonzaga4  ,venice4 ,,palazzo ,,ducale1 
,,directors' ,,room4 ,madonna4 ,e4   ,s4
 ,,giovanni ,e ,,paolo1 #b;d ,altar ,r4 
,altar-piece in #i parts4 ,e4  ,verona4 
#adh4 ,madonna1 #adhc4     #bga4        
,madonna enthroned with four ,saints1   
#adhd4   ,s4 ,,bernardino1 ,madonna     
enthroned with ,,ss4 ,jerome and        
,george1 #adhh4   ,s4 ,,nazzaro ,e      
,,celso1 ,madonna and ,saints1 finished 
by ,girolamo dai ,libri4   ,s4 ,,paolo1 
,madonna with ,st4 ,antony ,abbot and   
the ,magdalen4 ,e4   ,,paris ,,bordone4 
#adie-aegj4 ,pupil and follower of      
,titian2 influenced later by            
,michelangelo4  ,ashridge4 ,,lord       
,,brownlow1 ,apollo and the ,muses4     
,bergamo4 ,,lochis1 #da1 #db4 ,vintage  
,scenes4  ,berlin4 #afi4 ,chess         
,players4   #aia4 ,madonna and four     
,saints4  ,chatsworth4 ,,duke ,,of      
,,devonshire1 ,family ,group4  ,cologne4
 #haa;,a4,a4 ,bathsheba4  ,dresden4     
#bjc4 ,apollo and ,marsyas4   #bjd4     
,diana as ,huntress4   #bje4 ,holy      

,family and ,st4 ,jerome4  ,edinburgh4  
#ejf4 ,lady at her ,toilet4  ,florence4 
,,pitti1 #aji4 ,portrait of ,woman4     
,,uffizi1 #fjg4 ,portrait of ,young     
,man4  ,genoa4 ,,brignole-,,sale1 ,,sala
 ,v4 ,portrait of ,man4   ,,sala ,,viii1
 ,santa ,conversazione4 ,portrait of    
,man4  ,glasgow4 #de4 ,holy ,family4    
#df4 ,holy ,family4 ,e4  ,gosford       
,house1 ,n4 ,b4 ,,lord ,,wemys1 ,a      
,courtesan4  ,hampton ,court4 #aah4     
,madonna with male and female ,donors4  
,keir1 ,n4 ,b4 ,,mr4 ,,archibald        
,,stirling1 ,madonna and ,infant ,john4 
,london4 #fcg4 ,daphnis and ,chloe4     
#fgd4 ,portrait of ,lady4               
,,bridgewater ,,house1 ,holy ,family4   
,,lord ,,brownlow1 ,cavalier in ,armour4
   ,,the ,,misses ,,cohen1 ,portrait of 
a ,lady seated4   ,,mr4 ,g4 ,,donaldson1
 ,a ,courtesan4   ,,dr4 ,,richter1      
,christ among the ,doctors4   ,,lord    
,,rosebery1 ,portrait of a ,lady4       
,lovere4 ,,tadini1 ,madonna with ,,ss4  
,george and ,christopher4  ,milan4      

,,brera1 #bab4 ,baptism4     #baf4      
,descent of ,holy ,spirit4     #bda4 ,s4
 ,dominic presented to ,saviour by      
,virgin4     #bdb4 ,madonna and ,saints4
     #cjf bis4 ,three ,heads4     ,st4  
,ambrose presenting a ,general to       
,virgin4   ,,signor ,,crespi1 ,jove and 
a ,nymph4   ,s4 ,,maria ,,presso        
,,celso1 ,madonna and ,st4 ,jerome4     
,munich4 #aaba4 ,man counting ,jewels4  
,new ,york1 ,u4 ,s4 ,a4 ,,historical    
,,society1 #bje4 ,rest in ,flight4      
,padua4 ,,sala ,,emo1 #ic4 ,christ      
taking leave of his ,mother4  ,paris4   
#aagh4 ,portrait of ,man4     #aagi4    
,portrait of ,man1 #aedj4  ,richmond4   
,,sir ,f4 ,,cook1 ,hunting ,piece4      
,rome4 ,,villa ,,borghese1 #aai4        
,jupiter and ,antiope4   ,,colonna1 #ib4
 ,holy ,family with ,st4 ,jerome4       
#aaf4 ,holy ,family1 ,,ss4 ,sebastian1  
and ,jerome4   ,,doria1 #bid4 ,venus and
 ,mars4   ,,vatican1 ,,ante-,,chamber   
,,of ,,pope',s ,,apartments1 ,st4       
,george and the ,dragon4  ,siena4 ,,sala

 ,,ix1 #i4 ,annunciation4     #ea4      
,madonna and ,donor4  ,strassburg4      
,madonna and ,st4 ,jerome4  ,treviso4   
#d4 ,madonna with ,,ss4 ,jerome and     
,john the ,baptist4   ,,duomo1          
,adoration of ,shepherds4     ,madonna  
with ,,ss4 ,sebastian and ,jerome4      
,gospel ,scenes 7on a small picture74   
,venice4 ,,academy1 #cbj4 ,fisherman and
 ,doge4 ,e4     #cbb4 ,paradise4        
,,palazzo ,,ducale1 ,,chapel1 ,dead     
,christ4   ,,giovanelli1 ,madonna and   
,saints4   ,,lady ,,layard1 ,christ     
baptising a ,youth in ,prison4   ,s4    
,,giovanni ,,in ,,bragora1 ,last        
,supper4   ,s4 ,,giobbe1 ,s4 ,andrew and
 two other ,saints4  ,vienna4 #bcc4     
,allegory4     #bdf4 ,allegory4         
#bdh4 ,lady at ,toilet4     #bca4 ,young
 ,woman4   ,,czernin1 ,venetian adoring 
,cross4   ,,antonio ,,canale called     
,,canaletto4  #afig-agfh4  ,biel1 ,n4   
,b4 ,,mrs4 ,,hamilton ,,ogilvie1 ,view  
of ,scalzi4  ,buda-,pesth4 #fei4 ,the   
,pantheon4  ,dresden4 #eha4 ,the ,grand 

,canal4     #ehb4 ,s4 ,giovanni e       
,paolo4     #ehc4 ,campo ,s4 ,giacomo di
 ,rialto4     #ehd4 ,piazza di ,s4      
,marco4  ,florence4 ,,uffizi1 #ajfd4    
,the ,piazzetta4  ,frankfort a_/,m4 #ea4
 ,entrance to ,grand ,canal4     #ec4   
,venetian ,palace and ,bridge4  ,hampton
 ,court4 ,the ,colosseum1 #agec4        
,hopetoun ,house1 ,n4 ,b4 ,,lord        
,,hopetoun1 ,venice from ,lagoon4       
,london4 #abg4 ,scuola della ,carit4    
#icg4 ,scuola di ,san ,rocco4   ,,the   
,,misses ,,cohen1 ,three ,studies4      
,,dorchester ,,house1 ,view of          
,piazzetta from ,lagoon4   ,,hertford   
,,house1 ,thirteen views of ,venice4    
,,mr4 ,,mond1 ,two views of the ,piazza4
   ,,dr4 ,,richter1 ,the ,dogana4       
,,duke ,,of ,,westminster1 ,grand       
,canal4  ,milan4 ,,casa ,,sormani1 ,the 
,bucentaur4 ,reception of an            
,ambassador4  ,new ,battle1 ,n4 ,b4     
,,marquis ,,of ,,lothian1 ,st4 ,paul's  
from the ,thames4    ,s4 ,giorgio       
,maggiore4  ,paris4 #abjc4 ,the ,salute4

   ,,mme4 ,,andr1 ,two views of ,venice4
   ,m4 ,,maurice ,,kann1 ,salute4       
,pescheria4  ,vienna4 ,,lichtenstein1   
#aia1 #aib1 #aic1 #aif1 #aih1 #aii1     
#bjc1 #bjd1 #bje1 #bjf1 #baj1 #baf1     
#bag4    ,views of ,venice4  ,windsor   
,castle4 ,series of large views of the  
,piazza4  ,woburn ,abbey4 ,twenty-four  
views of ,venice4   ,,domenico          
,,caprioli4  ,active #aeah-;circa #aefj4
 ,influenced by ,titian1 ,paris         
,bordone1 ,pordenone1 ,bonifazio1       
,savoldo1 and ,moretto4  ,berlin4 #aef4 
,portrait of ,man in ,black4   #aeh4    
,tennis ,player and ,page4 ,l4   #aie4  
,st4 ,sebastian4  ,brighton4 ,,mr4 ,h4  
,,willett1 ,madonna of ,mercy4          
,cambridge1 ,u4 ,s4 ,a4 ,,prof4 ,c4 ,e4 
,,norton1 ,portrait of ,domenico        
,grimani4  ,castle ,barnard4 ,,bowes    
,,museum1 #cci4 ,portrait of ,man1      
#aebh4  ,dijon4 #f4 ,assumption4        
,london4 ,,lord ,,ashburnham1 ,portrait 
of ,titian4 ,l4   ,,mr4 ,r4 ,,benson1   
,madonna in ,profile 7874 ,e4   ,,duke  

,,of ,,grafton1 ,portrait of ,man4      
#aeda4  ,motta ,di ,livenza4 ,s4 ,m4    
,,dei ,,miracoli1 ,adoration of         
,shepherds4  ,naples4 ,,museo           
,,filangieri1 #adch4 ,entombment4 ,l4   
,new ,battle1 ,n4 ,b4 ,,marquis ,,of    
,,lothian1 ,return of ,prodigal4        
,paris4 ,,mme4 ,c4 ,,de ,,rosenberg1    
,portrait of ,doge ,grimani4  ,rome4    
,,borghese1 #acj1 #acb4 ,caricatured    
,heads4   ,,colonna1 #ab4 ,portrait of  
,sciarra ,colonna4  ,treviso4 #ej4      
,nativity4 #aeah4  ,vienna4 #bab4 ,young
 ,hero4   ,,academy1 #ejh4 ,picnic4     
#eaj4 ,country ,dance4  ,windsor4       
,portrait of ,domenico ,grimani4        
,,giovanni ,,busi1 called ,,cariani4    
,circa #adhj-aedd4 ,pupil of ,giovanni  
,bellini and ,palma2 influenced by      
,giorgione and ,capaccio4  ,ashridge4   
,,lord ,,brownlow1 ,bust of ,bart4      
,colleoni4  ,basel4 #aff4 ,bust of      
,young ,man4  ,bergamo4 ,,carrara1 #fg4 
,madonna with ,,ss4 ,helen1             
,constantine1    and other ,saints4 ,l4 

#he4 ,portrait of ,lady4     #ace4 ,bust
 of ,man4   ,,lochis1 #b4 ,portrait of  
,lady4     #he4 ,christ on ,cross1 bust 
of ,donor1 #aeah4     #adf4 ,woman      
playing1 and ,shepherd asleep4     #aej4
 ,st4 ,antony of ,padua4 ,e4     #aec4  
,portrait of ,monk4     #afe4 ,portrait 
of ,man4     #agb4 ,christ bearing      
,cross4 ,e4     #ahd4 ,portrait of      
,bened4 ,caravaggio4     #aib4 ,st4     
,stephen4     #ahb4 ,small ,st4 ,jerome4
     #aif4 ,st4 ,catherine4   ,,morelli1
 ,madonna4 ,l4 ,portrait of ,man4       
,,duomo1 ,back of ,high ,altar1         
,madonna4 ,e4   ,,baglioni1 ,madonna and
 ,donor1 #aebj4   ,,signor              
,,frizzoni-,,salis1 ,madonna and        
,saints4 ,l4   ,,piccinelli1 ,flight    
into ,egypt4 ,l4   ,,roncalli1 ,family  
,group1 #aeai4   ,,count ,,suardi1 ,st4 
,jerome4 ,portrait of ,senator4         
,berlin4 #ahe4 ,girl in ,landscape4     
#ahh4 ,portrait of ,man4  ,buda-,pesth4 
#gi4 ,madonna and ,st4 ,francis4        
,chatsworth4 ,,duke ,,of ,,devonshire1  

,portrait of ,young ,man4  ,glasgow4    
#adb4 ,christ and the ,adulteress4      
,hampton ,court4 #ace4 ,adoration of    
,shepherds4 ,l4 ,venus4 ,l4  ,london4   
#da4 ,death of ,st4 ,peter ,martyr4 ,l4 
#abjc4 ,madonna and ,saints4 ,l4        
,,south ,,kensington1 ,venus and ,mars  
7lent74   ,,mr4 ,,benson1 ,madonna and  
,donors4 ,portrait of ,man wearing      
,sword4   ,,mr4 ,,doetsch1 ,nativity1   
,,dorchester ,,house1 ,portrait of ,man4
   ,,marquis ,,of ,,lansdowne1 ,a       
,concert4   ,,mr4 ,,salting1 ,portrait  
of ,senator4  ,marseilles4 ,st4         
,sebastian with ,st4 ,roch and a female 
,saint4  ,milan4 ,,brera1 #baj4 ,madonna
 and ,saints4 ,l4     #bia4 ,madonna4   
,l4   ,,museo ,,civico1 #ajf4 ,lot and  
his ,daughters4     ,,collection ,,dell'
 ,,acqua1 ,portrait of a ,lady4         
,,ambrosiana1 ,way to ,golgotha4        
,,borromeo1 ,nativity4 ,st4 ,jerome4    
,,poldi-,,pezzoli1 #acc4 ,madonna and   
,saints4   ,,bonomi-,,cereda1 ,portrait 
of ,man4 ,magdalen4  ,munich4 #aajg4    

,portrait of ,man4   ,,lotzbeck         
,,collection1 #ajj4 ,portrait of ,man4  
,new ,york1 ,u4 ,s4 ,a4 ,,historical    
,,society1 #bjf4 ,portrait of ,man4     
,oldenburg4 #gh4 ,holy ,family and      
,saints4     #hb4 ,two ,women and a     
,man4  ,paris4 #aace4 ,madonna1 ,saints1
 and ,donor4 ,e4   #aaef4 ,two ,men4    
#aaei4 ,holy ,family with ,,ss4         
,sebastian and ,catherine4   ,m4        
,,aynard1 ,portrait of ,man4  ,rome4    
,,villa ,,borghese1 #cj4 ,sleeping      
,venus4     #afd4 ,madonna and ,st4     
,peter4     #caa4 ,woman with three     
,men4   ,,corsini4 ,santa               
,conversazione4   ,,vatican4 ,bust of   
,doge4  ,st4 ,petersburg4 #aaf4 ,young  
,woman and old ,man4  ,strassburg4 #fi4 
,young ,man playing ,guitar4   ,portrait
 of old ,venetian4  ,stuttgart4 #cf4    
,portrait of a ,lady4  ,venice4         
,,academy1 #cjj4 ,portrait of ,man1     
#aebf4     #cbf4 ,holy ,family4         
#bii4 ,portrait of ,man4     #bgb4 ,bust
 of ,old ,woman4  ,vicenza4 ,,sala4     

,,ii1 #da4 ,madonna and ,saints4        
,vienna4 #fc4 ,st4 ,sebastian4   #fj4   
,christ bearing ,cross4   #bjg4 ,the    
,bravo4   #bje4 ,st4 ,john ,evangelist4 
,,academy1 #gg4 ,madonna with ,,ss4     
,john and ,catherine4  ,zogno4 ,,church1
 ,adoration of ,shepherds4   ,,vittore  
,,carpaccio4  ,active #adgh-aebb4 ,pupil
 and follower of ,gentile ,bellini4     
,berlin4 #ad4 ,madonna with ,,ss4       
,catherine and ,jerome4 ,e4   #bc4      
,consecration of ,stephen1 #aeaa4       
,caen4 #aga4 ,santa ,conversazione 7in  
part74 ,l4  ,ferrara4 ,,sala ,,viii1    
#aj4 ,death of the ,virgin1 #aejh4      
,florence4 ,,uffizi1 #ehc bis4          
,fragment1 ,finding of ,true ,cross4    
,frankfort a_/,m4 #ch4 ,madonna and     
,infant ,john4  ,haigh ,hall 7near      
,wigan74 ,,lord ,,crawford1 ,portrait of
 ,lady4  ,london4 #gej4 ,madonna with   
,,ss4 ,john and ,christopher1    and    
,doge ,giovanni ,mocenigo1 #adgh4   ,mr4
 ,,benson1 ,female ,saint ,reading4     
,milan4 ,,brera1 #bhh4 ,stephen         

disputing1 #aead4     #cjg4             
,presentation of ,virgin 7in part74 ,l4 
#cji4 ,marriage of ,virgin 7in part74   
,l4  ,paris4 #abaa4 ,stephen preaching4 
,l4  ,stuttgart4 #ac4 ,glory of ,st4    
,thomas1 #aejg4   #abb4 ,martyrdom of   
,stephen1 #aeae4  ,venice4 ,,academy1   
#hi4 ,martyrdom of the #aj1jjj ,virgins1
 #aeae4     #eff4 ,healing of ,madman in
 view of ,rialto1 #adid4     #egb1 #egc1
 #egd1 #ege1 #adie2     #egi1 #adij2    
#egg1 #egh1 #ehj1 #adic2     #egf1      
#adia4     ,story of ,st4 ,ursula4      
#ij4 ,meeting of ,joachim and ,anna1    
#aeae4     #dd4 ,presentation of ,infant
 ,christ1 #aeaj4   ,,museo ,,correr1    
,,sala ,,ix1 #ad4 ,visitation4 ,l4      
,,sala ,x1 #h4 ,two ,courtesans4        
,,palazzo ,,ducale1 ,,sala ,,di ,,tr1   
,lion of ,s4 ,marco1 #aeaf4   ,s4       
,,giorgio ,,maggiore1 ,,sala ,,del      
,,conclave1     ,st4 ,george and the    
,dragon1 with predelle1 #aeab4   ,s4    
,,giorgio ,,degli ,,schiavoni1 ten      
pictures along walls       of ,oratory  

on ground floor1 and ,madonna over      
altar4     ,st4 ,george slaying ,dragon2
     ,st4 ,george bringing ,dragon      
captive2     ,st4 ,george baptising the 
,princess and her ,father1 ,,mdv4442    
,story of ,st4 ,tryphonius2     ,agony  
in ,garden2     ,christ in ,house of    
,pharisee1 #aejb2     ,st4 ,jerome      
bringing his ,lion to ,monastery2       
,burial of ,st4 ,jerome1 #aejb2     ,st4
 ,jerome in his ,study4   ,s4 ,,vitale1 
,st4 ,vitale between ,,ss4 ,george and  
,valeria1 #aead4   ,,lady ,,layard1     
,augustus and ,sibyl4 ,l4     ,death and
 ,assumption of ,virgin4 ,l4     ,st4   
,ursula taking leave of her ,father4    
,vienna4 #g4 ,christ adored by ,angels1 
#adif4   ,,vincenzo ,,catena4  ,active  
#adie-aeca4 ,pupil of the ,bellini2     
influenced by ,carpaccio and ,giorgione4
  ,ashridge4 ,,lord ,,brownlow1         
,nativity4  ,bergamo4 ,,carrara1 ,,ii4  
,christ at ,emaus4  ,berlin4 #cb4       
,portrait of ,fugger4 ,l4 #ai4 ,madonna1
 ,saints1    and ,donor4 ,e4 #d4 ,piet4 

,,nazional ,,galerie1 ,,raczynski       
,,collection4 #ac4 ,madonna and ,saints4
 ,e4  ,boston1 ,u4 ,s4 ,a4 ,,mrs4 ,j4   
,l4 ,,gardner1 ,christ giving ,keys to  
,peter4  ,buda-,pesth4 #gd4 ,madonna1   
,saints1 and ,donor4 ,e4   #gf4 ,bust of
 female ,saint4   #gh4 ,holy ,family and
 female ,saint4 ,e4  ,cologne4 #gcj;,e4 
,madonna4  ,dresden4 #fe4 ,holy ,family4
 ,l4 #ed4 ,madonna and two ,saints4 ,e4 
,glasgow4 #gc4 ,madonna with ,st4       
,catherine and the ,magdalen4           
,liverpool4 #ha4 ,madonna with four     
,saints and ,donor4 ,e4  ,london4 #bcd4 
,warrior adoring ,infant ,christ4 ,l4   
#fid4 ,st4 ,jerome in his ,study4 ,l4   
#aaba4 ,bust of youth4   #aafj4         
,adoration of ,magi4 ,l4   #adee4       
,circumcision4   ,,lord ,,ashburnham1   
,madonna1 two ,saints1 and ,donor1      
#aeje4   ,,mr4 ,,benson1 ,holy ,family4 
,l4   ,,mr4 ,,beaumont1 ,nativity4 787  
,,mr4 ,c4 ,,butler1 ,christ at the      
,well4 ,l4   ,,mr4 ,,heseltine1         
,madonna4   ,,mr4 ,,mond1 ,madonna1     

,saints1 and ,donor4 ,e4  ,modena4 #djd4
 ,madonna and two ,saints4  ,nmes4 #agd4
 ,head of an ,apostle4  ,padua4 ,,sala  
,,emo1 #bi4 ,circumcision4 ,e4  ,paris4 
#aaeg4 ,reception of ,venetian          
,ambassadors at ,cairo4   ,,mme4 ,,andr1
 ,portrait of ,woman4   ,m4 ,l,,opold   
,,goldschmidt1 ,bust of ,woman4   ,m4   
,,salomon ,,goldschmidt1 ,circumcision4 
,rome4 ,,doria1 #cbf4 ,circumcision4    
,venice4 ,,palazzo ,,ducale1 ,,sala ,,di
 ,,tr1 ,madonna1 two ,saints1    and    
,doge ,loredan4 ,e4                     
,,quirini-,,stampalia1 ,,sala ,,iii1 ,i4
 ,judith4 ,l4   ,,giovanelli1 ,madonna  
with ,john the ,baptist and female      
,saint4 ,e4   ,s4 ,,maria ,,mater       
,,domini1 ,st4 ,christina4   ,s4        
,,simeon ,,profeta1 ,the ,trinity4 ,e4  
,s4 ,,trovaso1 ,madonna4 ,e4  ,vienna4  
#bj4 ,portrait of a ,canon4   ,,giovanni
 ,,battista ,,cima4  #adfj-aeag circa4  
,pupil of ,alvise ,vivarini2 influenced 
by ,giovanni ,bellini4  ,ashridge4      
,,lord ,,brownlow1 ,small ,holy ,family 

and ,saints4  ,bergamo4 ,,morelli1 #eg4 
,madonna4  ,berlin4 #b4 ,madonna        
enthroned with four ,saints4   #g4      
,madonna and ,donor4   #ae4 ,healing of 
,anianus 7in part74   #ag4 ,madonna4    
,bologna4 #fa4 ,madonna4  ,boston1 ,u4  
,s4 ,a4 ,,mr4 ,,quincy ,,shaw1 ,madonna4
 ,e4  ,conegliano4 ,,duomo1 ,madonna and
 ,saints1 #adic4  ,dresden4 #fa4 ,the   
,saviour4   #fc4 ,presentation of       
,virgin4  ,dsseldorf4 #ah4 ,madonna4    
,coronation 7in part74 ,l4  ,frankfort  
a_/,m4 #ci4 ,madonna4   #dj4 ,madonna   
and two ,saints4  ,london4 #cjj4        
,madonna4   #fcd4 ,madonna4   #haf4     
,incredulity of ,thomas1 #aejd4   #aabj4
 ,st4 ,jerome4   #acaj4 ,ecce ,homo4 787
   ,,hertford ,,house1 ,st4 ,catherine4 
,,mr4 ,,ludwig ,,mond1 ,two ,saints4    
,,mr4 ,j4 ,e4 ,,taylor1 ,madonna with   
two ,saints 7lunette74  ,milan4 ,,brera1
 #aia4 ,,ss4 ,peter ,martyr1 ,augustin1 
and ,nicholas of ,bari4     #bhf4 ,,ss4 
,jerome1 ,nicholas of ,tolentino1       
,ursula1 and another female             

,saint4     #bhi4 ,,ss4 ,luke1 ,mary1   
,john the ,baptist1 and ,mark4     #bic4
 ,madonna4     #cjj4 ,st4 ,peter between
 ,john the ,baptist and ,st4 ,paul1     
#aeaf4     #cjb4 ,st4 ,jerome4     #cjc4
 ,st4 ,giustina and two other ,saints4  
,,poldi-,,pezzoli1 ,head of ,female     
,saint4  ,modena4 #adc4 ,piet4  ,munich4
 #ajcc4 ,madonna with ,mary ,magdalen   
and ,st4 ,jerome4 ,e4  ,olera4 ,,church1
 ,polyptych4 ,e4  ,parma4 #cfj4 ,madonna
 with ,,ss4 ,cosmos and ,damian4   #cfa4
 ,madonna with ,,ss4 ,michael and       
,augustin4   #cgj4 ,endymion4   #cgc4   
,apollo and ,marsyas4  ,paris4 #abei4   
,madonna with ,john and ,magdalen4      
,richmond4 ,,sir ,f4 ,,cook1 ,madonna4  
,venice4 ,,academy1 #fjc4 ,madonna with 
,,ss4 ,john and ,paul4     #fjd4 ,piet4 
#eig4 ,madonna4     #faa4 ,christ1      
,thomas1 and ,magnus4     #cf4 ,madonna 
with six ,saints4     #eib4 ,tobias and 
,angel1 ,,ss4 ,james and ,nicholas4     
,,seminario1 ,god1 the ,father 7small   
lunette74   ,,carmine1 ,adoration of    

,shepherds4   ,s4 ,,giovanni ,,in       
,,bragora1 ,baptism1 #adid4 ,,ss4 ,helen
 and ,constantine4     ,three ,predelle 
with ,story of ,finding of ,true ,cross4
   ,s4 ,,giovanni ,e ,,paolo1           
,coronation of the ,virgin4   ,s4       
,,maria ,,dell' ,,orto1 ,st4 ,john      
between ,,ss4 ,paul1 ,jerome1 ,mark1 and
 ,peter4   ,,lady ,,layard1 ,madonna    
with ,,ss4 ,francis and ,paul4          
,madonna with ,,ss4 ,nicholas of ,bari  
and ,john the ,baptist4  ,vicenza4      
,,sala ,,iv1 #ah4 ,madonna with ,,ss4   
,jerome and ,john1 #adhi4  ,vienna4 #ai4
 ,madonna with ,,ss4 ,jerome and ,louis4
  ,,carlo ,,crivelli4  ,b4 #adcj-dj2 d4 
after #adic4 ,pupil of the first        
,vivarini2 influenced by the ,paduans4  
,ancona4 #a4 ,madonna4 ,e4  ,ascoli4    
,,duomo1 ,altar-piece1 with ,piet1      
#adgc4  ,bergamo4 ,,lochis1 #abi4       
,madonna4  ,berlin4 #aaef4 ,the         
,magdalen4   #aaef;,a4 ,madonna1 ,st4   
,peter and six other ,saints4           
,brussels4 #af4 ,madonna4   #ag4 ,st4   

,francis4  ,buda-,pesth4 ,madonna4      
,florence4 ,,panciatichi1 #aja4 ,piet1  
#adhe4  ,frankfort a_/,m4 #cc1 #cd4     
,annunciation4  ,london4 #fjb4 ,piet4   
#ffh4 ,the ,blessed ,ferretti in        
,ecstasy4   #gbd4 ,madonna with ,,ss4   
,sebastian and ,jerome4   #gci4         
,annunciation1 #adhf4   #ghh4           
,altar-piece in thirteen compartments1  
#adgf4   #hji4 ,madonna with ,,ss4      
,sebastian and ,francis1 #adia4   #ijf4 
,madonna in ,ecstasy1 #adib4   #ijg4    
,,ss4 ,catherine and ,magdalen4   ,,lady
 ,,ashburton1 ,st4 ,dominic4 ,st4       
,george4   ,,mr4 ,,benson1 ,madonna1    
#adgb4   ,,mr4 ,r4 ,,crawshay1 ,piet4   
,,hertford ,,house1 ,st4 ,roch4   ,,mr4 
,,mond1 ,,ss4 ,peter and ,paul4   ,,lord
 ,,northbrook1 ,madonna4 ,e4            
,resurrection4      ,e4 ,,ss4           
,bernardino and ,catherine4   ,,mr4     
,,stuart ,m4 ,,samuel1 ,st4 ,george and 
the ,dragon4   ,,south ,,kensington1    
,,jones ,,collection1 #ffe4 ,madonna4   
,macerata4 #cf4 ,madonna1 #adgj4  ,massa

 ,fermana4 ,,municipio1 ,altar-piece1   
#adfh4  ,milan4 ,,brera1 #ahi4          
,crucifixion4     #aic4 ,madonna4 ,l4   
#bhc4 ,madonna and ,saints1 #adhb4      
#bid4 ,,ss4 ,james1 ,bernardino1 and    
,pellegrino4     #bie4 ,,ss4 ,antony    
,abbot1 ,jerome1 and ,andrew4           
,,galleria ,,oggiono1 ,coronation of    
,virgin1 with ,john1 ,catherine1        
,francis1 ,augustin1 and other ,saints  
7in great part74 ,above1     a ,piet1   
#adic4   ,,museo ,,civico1 ,,collection 
,,dell' ,,acqua1 ,st4 ,john4 ,st4       
,bartholomew4   ,,poldi-,,pezzoli1      
,,sala ,,dorata1 #bj4 ,st4 ,francis     
adoring ,christ4   ,,pinacoteca1 #gh4   
,st4 ,sebastian4  ,paris4 #abfh4 ,st4   
,bernardino1 #adgg4  ,pausula4 ,s4      
,,agostino1 ,madonna4  ,richmond4 ,,sir 
,f4 ,,cook1 ,madonna4 ,e4  ,rome4       
,,lateran1 ,madonna1 #adhb4   ,,vatican1
 ,piet4  ,strassburg4 ,adoration of     
,shepherds4  ,venice4 ,,academy1 #ajc4  
,,ss4 ,jerome and ,augustin4 ,,ss4      
,peter and ,paul4  ,verona4 #cea4       

,madonna4 ,e4   ,,giorgione4            
#adgh-aeaj4 ,pupil of ,giovanni         
,bellini2 influenced by ,carpaccio4     
,berlin4 #ab;,a4 ,portrait of ,man4 ,e4 
,buda-,pesth4 #id4 ,portrait of ,antonio
 ,brocardo4  ,castelfranco4 ,,duomo1    
,madonna with ,,ss4 ,francis and        
,liberale4 ,e4  ,dresden4 #ahe4         
,sleeping ,venus4  ,florence4 ,,uffizi1 
#fba4 ,trial of ,moses4 ,e4     #fbb4   
,knight of ,malta4     #fcj4 ,judgment  
of ,solomon4 ,e4  ,hampton ,court4 #aja4
 ,shepherd with ,pipe4  ,madrid4        
,madonna with ,,ss4 ,roch and ,antony of
 ,padua4  ,paris4 #aacf4 ,fte ,champtre4
  ,rome4 ,,villa ,,borghese1 #adc4      
,portrait of a ,lady4  ,venice4         
,,academy1 #eaf4 ,storm calmed by ,st4  
,mark4 ,l4 ,finished1    in small part1 
by ,paris ,bordone4   ,,seminario1      
,apollo and ,daphne4   ,,giovanelli1    
,gipsy and ,soldier4   ,s4 ,,rocco1     
,christ bearing ,cross4  ,vicenza4      
,,casa ,,loschi1 ,christ bearing ,cross4
 ,e4  ,vienna4 #af4 ,evander showing    

neas the ,site of ,rome4   ,,guardi4    
#agab-agic4 ,pupil of ,canaletto4       
,albi4 #a4 ,view of ,salute and         
,giudecca4  ,amiens4 #baf1 #bag1 #bai4  
,views4  ,badger ,hall 7,shropshire74   
,,mr4 ,f4 ,,capel-,,cure1 ,scuola di    
,san ,marco4  ,bassano4 ,,sala ,,del    
,,cavallo1 #he4 ,the ,piazza4  ,bergamo4
 ,,lochis1 #hi-ic1 #ajf-ajh4 ,landscapes
 and ,views4   ,,signor ,,baglioni1 ,two
 ,venetian ,views4   ,,count ,,moroni1  
,villa by the ,sea4  ,berlin4 #eja;,a4  
,grand ,canal4   #eja;,b4 ,lagoon4      
#eja;,c  ,d4 ,cemetery ,island4  ,biel1 
,n4 ,b4 ,,mrs4 ,,hamilton ,,ogilvie1    
,salute4 ,redentore4  ,boston1 ,u4 ,s4  
,a4 ,,mrs4 ,j4 ,l4 ,,gardner1 ,large    
view of ,venice4  ,brighton4 ,,mr4      
,,constantine ,,iondes1 ,piazza in      
,mist4  ,brussels4 #bhj4 ,scene in ,st4 
,mark's4  ,buda-,pesth4 #fbi-fdj4 ,views
 of ,venice4  ,cambridge4 ,,fitzwilliam 
,,museum1 ,four small views4            
,edinburgh4 #fjj1 #fjb4 ,landscapes4    
,glasgow4 #bjb1 #bjc4 ,views of ,venice4

  ,hamburg4 ,,consul ,,weber1 #adc4     
,ruins4     #add4 ,rialto4  ,london4    
#baj1 #ajed4 ,views in ,venice4         
,,south ,,kensington1 ,,jones           
,,collection1 #ajd4 ,view near ,venice4 
,,the ,,misses ,,cohen1 ,three ,studies4
   ,,dorchester ,,house1 ,view from     
,piazzetta4   ,,sir ,,wm4 ,,farrer1     
,view near ,venice4   ,,sir ,a4         
,,wollaston ,,franks1 ,an ,island4      
,,sir ,,julian ,,goldschmid1 ,boat      
,race4   ,,hertford ,,house1 ,nine      
,views of ,venice4   ,,lord ,,houghton1 
,view of ,riva4   ,,mr4 ,,mond1 ,pius   
,,vi holding a ,reception4   ,,dr4      
,,richter1 ,cannareggio4   ,,mr4        
,,salting1 ,the ,rialto4 ,view near     
,venice4 ,gothic ,ruins4 ,classic       
,ruins4   ,,mrs4 ,,anderson ,,weston1   
,grand ,canal4  ,milan4 ,,museo         
,,civico1 #fi1 #ga-gd4 ,landscapes4     
,,poldi-,,pezzoli1 #hg4 ,piazetta4      
#hi4 ,dogana4     #aaf1 #aag4 ,tiny     
,landscapes4   ,,signor ,,bertini1 ,view
 of ,lagoon4   ,,prince ,,trivulzio1    

,two small ,landscapes4  ,modena4 #adc4 
,piazzetta4   #ahj4 ,s4 ,giorgio4       
,montpellier4 #dhc4 ,storm on ,canal4   
,naples4 ,,museo ,,filangieri1 ,court of
 ,doge's ,palace4  ,new ,york1 ,u4 ,s4  
,a4 ,,metropolitan ,,museum4 #b4        
,salute4     #f4 ,rialte4  ,oxford4     
,,taylorian ,,museum1 #fe1 #ff4 ,views  
in ,venice4  ,padua4 #cjj1 #cha4 ,views 
in ,venice4   #hjb4 ,hunting ,scene4    
,paris4 #baa4 ,procession of ,doge to   
,s4 ,zaccaria4   #acbh4 ,embarkment in  
,bucentaur4   #acbi4 ,festival at       
,salute4   #accj4 ,jeudi ,gras  ,venise4
   #acca4 ,corpus ,christi4   #accc4    
,sala di ,collegio4   #accd4 ,coronation
 of ,doge4  ,paris 7,con474 ,,mme4      
,,andr1 ,two ,views of ,venice4   ,m4   
,l,,opold ,,goldschmidt1 ,dogana4       
,piazzetta4  ,richmond4 ,,sir ,f4       
,,cook1 ,the ,piazza4  ,rome4 ,,colonna1
 #gh4 ,venetian ,church4   ,,don        
,,marcello ,,massarenti1 ,doge's        
,palace4  ,rouen4 #bce4 ,a ,villa4      
,strassburg4 #ah4 ,the ,rialto4         

,toulouse4 #b4 ,rialto4 ,e4   #bb4      
,bucentaur4 ,e4  ,turin4 #bij bis4      
,cottage4   #gha4 ,staircase4   #ghb4   
,bridge over ,canal4  ,venice4 ,,museo  
,,correr1 ,,sala ,x1 #be4 ,the ,ridotto4
   #bf4 ,parlour of ,convent of ,s4     
,zaccaria4  ,verona4 #bbc1 #bbe4        
,landscapes4   ,,bernardino ,,licinio4  
,active #aebj-aedd4 ,pupil of           
,pordenone2 influenced by ,giorgione1   
,palma1 and ,bonifazio4  ,alnwick4      
,,duke ,,of ,,northumberland1 ,family   
,group4  ,balcarres1 ,n4 ,b4 ,,lord     
,,crawford1 ,portrait of ,man4 #aece4   
,bergamo4 ,,lochis1 #aig4 ,portrait of a
 ,lady4   ,,signor ,,piccinelli1        
,madonna and ,saints4  ,berlin4 #aih4   
,portrait of ,young ,woman4  ,boston1   
,u4 ,s4 ,a4 ,,mr4 ,,quincy ,,shaw1      
,madonna and two ,saints4  ,brescia4    
,,martinengo1 ,,sala ,c1 #af4 ,portrait 
of a ,young ,man1 #aebj4   ,,duomo      
,,vecchio1 ,christ bearing ,cross4      
,adoration of ,shepherds4  ,brighton4   
,,mr4 ,h4 ,,willett1 ,board of a        

,harpsichord4  ,buda-,pesth4 #ia4       
,portrait of ,lady4   ,,herr ,,rath1    
,portrait of ,lady4  ,cambridge1 ,u4 ,s4
 ,a4 ,,prof4 ,c4 ,e4 ,,norton1 ,portrait
 of ,young ,man4  ,dresden4 #bjj4       
,portrait of a ,lady1 #aecc4  ,florence4
 ,,uffizi1 #egd4 ,madonna with ,st4     
,francis4     #ehg4 ,portrait of ,man4  
,genoa4 ,,brignole-,,sale1 ,,sala ,,vii1
 ,portrait of ,francesco ,philetus4     
,hampton ,court4 #ga4 ,lady playing on  
,virginals4   #ajd4 ,family ,group1     
#aebd4  ,london4 ,portrait of a ,young  
,man4   ,,lady ,,ashburton1 ,young ,man 
with his ,hand on a ,skull4   ,,mr4 ,c4 
,,butler1 ,portrait of ,lady1 #aebb4    
,,mr4 ,,doetsch1 ,barbara ,kressin1     
#aedd4   ,,dorchester ,,house1 ,portrait
 of ,man4 ,adoration of ,shepherds4     
,lucca4 ,,sala ,i1 #fh4 ,santa          
,conversazione4  ,milan4 ,,museo        
,,civico1 #hh4 ,portrait of ,lady4      
,,archbishop',s ,,palace1 ,holy ,family4
   ,,signor ,,crespi1 ,santa            
,conversazione4   ,,casa ,,scotti1 ,holy

 ,family with two ,shepherds4           
,madonna1 three ,saints1 male and female
 ,donors4  ,modena4 #abc4 ,portrait of a
 ,lady4  ,munich4 #aabj4 ,portrait of   
,man1 #aebc4  ,mnster in ,w4 #adc4 ,bust
 of ,man1 #aecj4  ,padua4 ,,sala        
,,romanino1 #had4 ,portrait of ,young   
,man4  ,rome4 ,,villa ,,borghese1 #aae4 
,family ,group4     #aga4 ,santa        
,conversazione4   ,,miss ,,hertz1 ,head 
of ,ceres4  ,rossie ,priory1 ,n4 ,b4    
,,lord ,,kinnaird1 ,portrait of ,lady4  
,rovigo4 #d4 ,st4 ,margaret between     
,,ss4 ,catherine and ,lucy4   #h4       
,portrait of a ,scholar4  ,saletto4     
,,church1 ,st4 ,silvester between ,s4   
,antony    of ,padua and ,giustina1     
#aece4  ,venice4 #cjc4 ,portrait of     
,woman4     #caa4 ,group of ,putti4     
#cjd4 ,portrait of ,young ,woman4       
,,lady ,,layard1 ,santa ,conversazione4 
,,frari1 ,madonna enthroned with        
,saints4     ,the predella contains five
 ,friars4  ,vienna4 #bb4 ,portrait of   
,ottaviano ,grimani1 #aeda4   ,,harrach 

,,collection1 ,madonna and female       
,donor4   ,,pietro ,,longhi4            
#agjb-agfb4 ,follower of the ,bolognese 
painter1 ,crespi4  ,bergamo4 ,lochis1   
#fj4 ,gambling ,scene4     #fa4 ,coffee 
,scene4   ,,morelli1 #id4 ,portrait of  
,girl4   ,,sig4 ,,baglioni1 ,country    
,party4  ,cambridge1 ,u4 ,s4 ,a4 ,,prof4
 ,c4 ,e4 ,,norton4 ,portrait of         
,senator4  ,dresden4 #eie4 ,portrait of 
,lady4  ,florence4 ,,mr4 ,,loeser1      
,milliner ,scene4  ,hampton ,court4     
#edi1 #eea4 ,genre pictures1 #agdd4     
,keir1 ,n4 ,b4 ,,mr4 ,,arch4 ,,stirling1
 ,lady sitting for ,portrait4  ,london4 
#aajj1 #aaja4 ,genre pictures4          
#aajb4 ,andrea ,tron4   ,,mr4 ,f4       
,,cavendish-,,bentinck1 ,visit to ,nuns4
   ,,mr4 ,,arthur ,,james1 ,four genre  
pictures4   ,,mr4 ,,mond1 ,card ,party4 
,portrait of a ,lady4   ,,dr4 ,,richter1
 ,card ,party4 ,lady at ,toilet4        
,milan4 ,,signor ,,crespi1 ,portrait of 
,man4  ,modena4 #bae4 ,a ,letter        
,writer4  ,venice4 ,,academy1 #dfd-dgj4 

,genre pictures4   ,,museo ,,correr1    
,,sala ,x1 #be1 #bf1 #ca-dj4     ,scenes
 of ,venetian ,life4       #da4 ,boys on
 ,horseback4       ,portrait of         
,goldoni4   ,,palazzo ,,grassi1         
,,staircase1 ,frescoes3 ,seven ,scenes  
of ,fashionable ,life4                  
,,quirini-,,stampalia1 ,sala ,x1 #bbj4  
,portrait of ,daniele ,dolfino4         
,sala ,,xiii1 #aa-ag4 ,the ,seven       
,sacraments4       #ah4 ,temptation of  
,st4 ,antony4       #ai4 ,gambling      
,scene4       #bj4 ,a ,circus4          
#ba4 ,monks and ,canons4       #bb4     
,study of ,geography4       #bf1 #bii4  
,portraits of ,ladies4   ,,lorenzo      
,,lotto4  #adhj-aeef4 ,pupil of ,alvise 
,vivarini2 influenced by ,giovanni      
,bellini and ,giorgione4  ,alzano       
,maggiore 7near ,bergamo74 ,,duomo1     
,assassination of ,st4 ,peter ,martyr4  
,ancona4 #ac4 ,assumption of ,virgin1   
#aeej4   #cg4 ,madonna with four        
,saints4 ,l4  ,asolo4 ,madonna in ,glory
 with two ,saints1 #aejf4  ,bergamo4    

,,carrara1 ,three ,predelle belonging to
 ,s4 ,bartolommeo ,altar-piece4     #ff4
 ,marriage of ,s4 ,catherine1 with      
portrait of ,n4 ,bonghi1 #aebc4         
,portrait of a ,lady4   ,,lochis1 #cb1  
#cc1 #cd4 ,sketches for ,predelle1      
containing the story of ,s4 ,stephen4   
#ahe4 ,holy ,family and ,s4 ,catherine1 
#aecc4   ,s4 ,,alessandro ,,in          
,,colonna1 ,piet4   ,s4 ,,alessandro    
,,in ,,croce1 ,trinity4   ,s4           
,,bartolommeo1 ,altar-piece1 #aeaf4     
,s4 ,,bernardino1 ,altar-piece1 #aeba4  
,s4 ,,maria ,,maggiore1 ,intarsias1     
#aebd-aecj4   ,s4 ,,michele1 ,frescoes  
in ,chapel ,l4 of ,choir4   ,s4         
,,spirito1 ,altar-piece1 #aeba4         
,,signor ,,piccinelli1 ,madonna with    
,,ss4 ,sebastian and ,roch4  ,berlin4   
#aec4 ,portrait of an ,architect4       
#ahb1 #cbj4 ,portraits of ,young ,men4  
#cbc4 ,,ss4 ,sebastian and ,christopher1
 #aeca4   #cbe4 ,christ taking leave of 
his ,mother1 #aebb4  ,brescia4 ,,tosio1 
,,sala ,,xiii1 #cd4 ,nativity4          

,buda-,pesth4 ,angel with ,globe and    
,sceptre 7originally top of    ,s4      
,bartolommeo ,altar-piece at ,bergamo74 
,celana 7near ,bergamo74 ,,church1      
,assumption of ,virgin1 #aebg4  ,cingoli
 7,province of ,macerata74 ,s4          
,,domenico1 ,madonna with six ,saints1  
and fifteen small scenes from the ,lives
 of ,christ and the ,virgin1 #aeci4     
,costa di ,mezzate 7near ,bergamo74     
,marriage of ,st4 ,catherine1 #aebb4    
,dresden4 #bie4 ,madonna1 #aeah4        
,florence4 ,,uffizi1 #ege4 ,holy ,family
 with ,st4 ,jerome1 #aecd4  ,hamburg4   
,,consul ,,weber1 #cc4 ,st4 ,jerome4    
,hampton ,court4 #aad4 ,portrait of     
,young ,man4 ,e4   #adh4 ,portrait of   
,andrea ,odoni1 #aebg4  ,hermannstadt4  
,st4 ,jerome4  ,jesi4#a ,,municipio1    
,three ,predelle containing ,story of   
,st4 ,lucy4   ,,library1 ,piet1 #aeab4  
,annunciation4 ,st4 ,lucy before the    
,judge4     ,madonna and ,saints1       
,francis receiving ,stigmata 7lunette7  
#aebf4     ,visitation1 ,annunciation   

7lunette7 #aecj4  ,note #a3 ,all the    
,lottos at ,jesi are presently to be    
transported to the ,palazzo della       
,signoria4  ,london4 #fii4 ,portraits of
 ,agostino and ,niccol della ,torre1    
#aeae4   #ajdg4 ,family ,group4   #aaje4
 ,portrait of ,prothonotary ,giuliano4  
,,bridgewater ,,house1 ,madonna and     
,saints4 ,e4   ,,dorchester ,,house1    
,portrait of a ,lady4   ,,mrs4 ,,martin 
,,colnaghi1 ,madonna with ,,ss4 ,jerome 
and ,antony of ,padua1 #aebb4   ,,sir   
,w4 ,m4 ,,conway1 ,dana4 ,e4  ,loreto4  
,,palazzo ,,apostolico1 #cj4 ,,ss4      
,christopher1 ,sebastian1 and ,roch4    
#cd4 ,christ and ,adulteress4     #db4  
,nativity4     #be1 #bg4 ,,ss4 ,lucy and
 ,thecla4     #bd1 #bh4 ,two ,prophets4 
,l4     #ca4 ,michael driving ,lucifer  
from ,heaven4 ,l4     #cb4 ,presentation
 in ,temple4 ,l4     #ba4 ,baptism4 ,l4 
#bj4 ,adoration of ,magi4 ,l4     #ej4  
,sacrifice of ,melchisedec4 ,l4         
,madrid4 #bhg4 ,bridal ,couple1 #aebc4  
#dgh4 ,st4 ,jerome4  ,milan4 ,,brera1   

#bdd4 ,piet1 #aede4     #bec4 ,portrait 
of ,lady4     #bed4 ,portrait of ,old   
,man4     #bee4 ,portrait of ,man4 ,all 
,l4   ,,gal4 ,,oggioni1 #af4 ,assumption
 of ,virgin4 ,e4     #fg4 ,portrait of  
,man4   ,,poldi-,,pezzoli1 ,,pinacoteca1
 #hf4 ,holy ,family4   ,,museo ,,civico1
 #hc4 ,portrait of ,young ,man4         
,,borromeo1 ,christ on ,cross with      
,symbols of the ,passion4   ,,dr4       
,,frizzoni1 ,st4 ,catherine4  ,monte ,s4
 ,giusto 7near ,macerata74 ,,church1    
,crucifixion1 #aeca4  ,munich4 #ajhc4   
,marriage of ,st4 ,catherine4 ,e4       
,nancy4 ,head of a ,man4 ,l4  ,naples4  
,,sala ,,veneta1 #ef4 ,madonna with ,st4
 ,peter ,martyr4 ,e4     ,bust of ,man  
in white cap and coat 7874 ,e4  ,osimo4 
,,municipio1 ,madonna and ,angels4      
,paris4 #acdi4 ,christ and ,adulteress4 
#acej4 ,st4 ,jerome1 #aejj4   #acea4    
,nativity4  ,ponteranica 7near          
,bergamo74 ,,church1 ,altar-piece in six
 panels4  ,recanati4 ,,municipio1       
,altar-piece in six parts1 #aejh4       

,transfiguration4 ,e4   ,s4 ,,domenico1 
,fresco3 ,s4 ,vincent in ,glory4   ,s4  
,,maria ,,sopra ,,mercanti1             
,annunciation4  ,rome4 ,,borghese1 #aic4
 ,madonna with ,s4 ,onofrio and a       
,bishop1 #aejh4      #ahe4 ,portrait of 
,man4   ,,capitol1 #agf4 ,portrait of   
,man4   ,,doria1 #chh4 ,st4 ,jerome4    
,,rospigliosi1 ,allegory4   ,,prince    
,,doria1 ,portrait of ,man4  ,sedrina   
7near ,bergamo74 ,,church1 ,madonna in  
,glory and four ,saints1 #aedb4  ,st4   
,petersburg4 ,,leuchtenberg             
,,collection1 ,st4 ,catherine1 #aeba4   
,trescorre4 ,,suardi ,,chapel1          
,frescoes1 #aebd4  ,treviso4 ,,sala     
,,sernagiotto1 #bj4 ,portrait of ,monk1 
#aebf4   ,s4 ,,cristina1 ,altar-piece1  
,dead ,christ 7lunette74 ,e4  ,venice4  
,,carmine1 ,s4 ,nicholas in ,glory1     
#aebi4   ,s4 ,,giacomo ,,dall' ,,orio1  
,madonna and ,saints1 #aedf4   ,s4      
,,giovanni ,e ,,paolo1 ,s4 ,antonino    
bestowing ,alms1 #aedb4  ,vienna4 #bad4 
,santa ,conversazione4   #bae4 ,portrait

 of ,man4   #bbj4 ,three ,views of a    
,man4   ,,bartolommeo ,,montagna4  #adej
 circa-#aebc4 ,pupil of ,alvise         
,vivarini2 influenced by ,gentile       
,bellini and the ,paduan sculptor       
,bellano4  ,belluno4 #cd4 ,madonna4 ,e4 
,bergamo4 ,,lochis1 #abh4 ,madonna with 
,,ss4 ,roch and ,sebastian1 #adhg4      
,,morelli1 #dd4 ,st4 ,jerome4           
,,frizzoni-,,salis1 ,madonna4  ,berlin4 
#dd4 ,madonna1 ,saints1 and ,donors1    
#aejj4  ,bremen4 ,,kunsthalle1 #af4     
,head and ,hands of ,madonna from an    
,annunciation4  ,certosa 7near ,pavia74 
,madonna1 ,,ss4 ,john1 ,onofrio1 and    
three ,angels4  ,london4 ,,mr4 ,c4      
,,butler1 ,madonna4   ,,sir ,,wm4       
,,farrer1 ,madonna4 ,e4 ,two ,cassone   
,tondi4 ,l4   ,,mr4 ,,ludwig ,,mond1    
,madonna with ,st4 ,roch4 ,e4   ,,sir   
,b4 ,,samuelson1 ,madonna adoring       
,child4  ,milan4 ,,brera1 #afg4         
,madonna1 four ,saints1 and three       
,angels1 #adii4   ,,poldi-,,pezzoli1    
,st4 ,jerome4 ,st4 ,paul4 ,two ,tondi   

7on a cassone74   ,,dr4 ,,gust4         
,,frizzoni1 ,st4 ,jerome4  ,modena4 #e4 
,madonna1 #aejc4  ,padua4 ,,bishop',s   
,,palace1 ,,hall1 ,frieze with ,busts of
 ,paduan ,bishops4   ,s4 ,,maria ,,in   
,,vanzo1 ,madonna and four ,saints4     
,,scuola ,,del ,,santo1 ,fresco #f4     
,opening of ,st4 ,anthony's ,tomb4      
,panshanger4 ,,lord ,,cowper1 ,madonna4 
,paris4 #acic4 ,ecce ,homo4 #acid4      
,three ,angels4  ,praglia 7near ,padua74
 ,,refectory1 fresco3 ,crucifixion4     
,strassburg4 #f4 ,holy ,family4         
,venice4 ,,academy1 #hj4 ,madonna1 ,,ss4
 ,sebastian and ,jerome4     #gh4       
,christ between ,,ss4 ,roch and         
,sebastian4   ,,lady ,,layard1 ,john the
 ,baptist between two other ,saints4    
,verona4 #gf4 ,two ,saints4   ,s4       
,,nazzaro ,e ,,celso1 ,,ss4 ,nazzaro and
 ,celso4     ,,ss4 ,john and ,benedict4 
,piet4     ,,ss4 ,blaise and ,giuliana4 
,frescoes3 ,legend of ,st4 ,blaise4 ,all
 #adia-adic4  ,vicenza4 ,,sala ,v1 #a4  
,holy ,family4     #b4 ,madonna         

enthroned1 four ,saints1 three ,angels4 
,e4     #c4 ,madonna with ,,ss4 ,monica 
and ,mary ,magdalen4     #e4 ,madonna4  
,l4 #f4 ,madonna4 ,l4     #h4           
,presentation in ,temple4     #i4 ,s4   
,agnes4     #ag4 ,madonna with ,,ss4    
,john the ,baptist and ,onofrio4        
#ai4 ,madonna4 ,l4   ,,duomo1 ,fresco3  
,nativity4 ,altar-piece1 ,madonna       
with ,,ss4 ,catherine and ,margaret4    
,frescoes3 ,,ss4 ,margaret and          
,catherine4   ,s4 ,,corona1 ,magdalen   
between four other ,saints4   ,s4       
,,lorenzo1 ,fresco in ,chapel ,l4 of    
,choir4   ,,monte ,,berico1 ,piet1      
#aejj4 ,fresco3 ,piet4   ,,palma        
,,vecchio4  #adhj circa-#aebh4 ,pupil of
 ,giovanni ,bellini2 influenced by      
,giorgione4  ,alnwick4 ,,duke ,,of      
,,northumberland1 ,portrait of ,lady1   
7landscape by   ,cariani47  ,bergamo4   
,,lochis1 #ahc4 ,madonna and two        
,saints4 ,l4  ,berlin4 #aig;,a4 ,head of
 ,young ,woman4 ,e4   #aig;,b4 ,bust of 
,woman4   #agd4 ,portrait of ,man4      

,brunswick4 ,adam and ,eve4 ,e4         
,buda-,pesth4 #hb4 ,madonna with ,st4   
,francis1 7finished by ,cariani47       
,cambridge4 ,,fitzwilliam ,,museum1     
,venus4 ,l 7in part74  ,dresden4 #ahh4  
,madonna with ,john the ,baptist and    
,st4 ,catherine4   #ahi4 ,three         
,sisters4   #aij4 ,venus4   #aia4 ,holy 
,family with ,s4 ,catherine4   #aib4    
,meeting of ,jacob and ,rachel4 ,l4     
,florence4 ,,uffizi1 #fai4 ,judith4 ,l4 
,genoa4 ,,brignole-,,sale1 ,madonna with
 ,magdalen and ,john4 ,l4  ,glasgow4    
#ccf4 ,holy ,family1 7finished by       
,cariani47  ,hamburg4 ,,consul ,,weber1 
,annunciation4  ,hampton ,court4 #aae4  
,santa ,conversazione4   #bdj4 ,head of 
,woman4 ,l4  ,london4 #fcf4 ,portrait of
 ,man4   ,,mr4 ,,benson1 ,santa         
,conversazione and ,donor1 7finished by 
,cariani47   ,,mr4 ,,wickham ,,flower1  
,santa ,conversazione1 7finished by     
,cariani47   ,,mr4 ,,mond1 ,bust of     
,woman4 ,l4  ,milan4 ,,brera1 #bij4     
,,ss4 ,helen1 ,constantine1 ,roch1 and  

,sebastian4     #agb4 ,adoration of     
,magi1 ,l41 7finished by ,cariani47     
,modena4 ,,marchese ,,lotario ,,rangoni1
 ,madonna and ,saints4  ,munich4 #aajh4 
,madonna1 ,,ss4 ,roch and ,mary         
,magdalen4  ,naples4 ,,sala ,,grande1   
#bh4 ,santa ,conversazione1 with male   
and female   ,donors4  ,paris4 #acii4   
,adoration of ,shepherds and female     
,donor4  ,peghera4 ,,church1 ,polyptych4
  ,rome4 ,,borghese1 #ajf4 ,lucrece4 ,l4
     #afc4 ,madonna1 ,francis1 ,jerome1 
and ,donor4   ,,capitol1 #bjc4 ,christ  
and ,adulteress4   ,,colonna1 #bb4      
,madonna1 ,st4 ,peter1 and ,donor4      
,serina4 ,,church1 ,polyptych4  ,venice4
 ,,academy1 #caj4 ,christ and           
,adulteress4     #cjb4 ,st4 ,peter      
enthroned and six other ,saints4        
#cae4 ,assumption of ,virgin4 ,l4       
,,quirini-,,stampalia1 ,,sala ,,iv1     
,unfinished ,portrait of ,young ,woman4 
,l4     ,,sala ,,xvii1 ,portrait of     
,man4   ,,giovanelli1 ,sposalizio4 ,l4  
,s4 ,,maria ,,formosa1 ,st4 ,barbara1   

,altar-piece4   ,,lady ,,layard1 ,knight
 and ,lady 7a fragment74  ,vicenza4 ,s4 
,,stefano1 ,madonna and ,saints4        
,vienna4 #acd4 ,john the ,baptist4      
#aci4 ,the ,visitation1 7finished by    
,cariani47   #adj4 ,santa               
,conversazione4   #adc4 ,portrait of    
,lady4 ,l4   #acg4 ,violante4 ,l4       
#acc1 #ach1 #ada1 #adb1 ,busts of       
,women4   #cbi;,e4 ,portrait of ,old    
,man4   #acf4 ,lucretia4                
,,lichtenstein1 ,santa ,conversazione4  
,holy ,family and two female ,saints4   
,l4   ,,sebastiano ,,del ,,piombo4      
#adhe circa-#aedg4 ,pupil of ,giovanni  
,bellini1 ,cima1 and ,giorgione2 later1 
influenced by ,michelangelo4  ,alnwick4 
,,duke ,,of ,,northumberland1           
,visitation4  ,berlin4 #bcg4 ,piet4 ,l4 
#bei;,a4 ,portrait of a ,knight4 ,l4    
#bei;,b4 ,dorothea4  ,broomhall1 ,n4 ,b4
 ,,lord ,,elgin1 ,portrait of ,roman    
,lady4  ,buda-,pesth4 ,portrait of      
,raphael4  ,cracow4 ,,prince            
,,czartoryski1 ,portrait of 787         

,raphael4  ,florence4 ,,uffizi1 #aabc4  
,fornarina1 #aeab4     #eib4 ,death of  
,adonis4   ,,pitti1 #agi4 ,martyrdom of 
,st4 ,agatha1 #aebj4     #dji4 ,portrait
 of ,man4 ,l4  ,linlathen1 ,n4 ,b4      
,,col4 ,,erskine1 ,portrait of ,cardinal
 ,nincofort4 ,l4  ,london4 #a4          
,resurrection of ,lazarus1 #aeai4   #bd4
 ,portrait of ,lady4 ,l4 #adej4   ,holy 
,family and ,donor4   ,,mr4 ,,benson1   
,portrait of ,man4 ,l4   ,,duke ,,of    
,,grafton1 ,carondelet and his          
,secretaries4   ,,mr4 ,,ludwig ,,mond1  
,portrait of ,pietro ,aretino4  ,naples4
 ,,sala ,,grande1 #ef4 ,portrait of     
,ecclesiastic4 ,l4   ,,sala ,,veneta1   
#ae4 ,head of ,clement ,,vii4 ,l4       
,,sala ,,dei ,,correggio1 #b4 ,holy     
,family4 ,l4  ,paris4 #aceb4            
,visitation1 #aeba4   #aejj4 ,st4 ,john 
in ,desert4   ,m4 ,,alphonse ,,de       
,,rothschild1 ,violin ,player4  ,parma4 
#cjb4 ,clement ,,vii4 and a             
,chamberlain4 ,l4  ,rome4 ,,prince      
,,doria1 ,portrait of ,andrea ,doria4   

,l4   ,,sig4 ,,del ,,nero1 ,portrait of 
a ,prelate4   ,,farnesina1 ,,sala ,,di  
,,galatea1 ,frescoes in #h lunettes1    
#aeaa4   ,s4 ,,maria ,,del ,,popolo1    
,birth of ,virgin4 ,l4 7in part47   ,s4 
,,pietro ,,in ,,montorio1 ,frescoes     
first ,chapel ,right4  ,st4 ,petersburg4
 ,portrait of ,cardinal ,pole4 ,l4      
,siena4 ,,palazzo ,,saracini1 ,portrait 
of ,man4 ,l4  ,treviso4 ,s4 ,,niccol1   
,incredulity of ,thomas4 ,e4  ,venice4  
,,academy1 #ie4 ,visitation4 787 ,e4    
,,lady ,,layard1 ,piet4 ,e4   ,s4       
,,bartolommeo ,,in ,,rialto1 ,,ss4      
,bartholomew1 ,louis1 ,sinibald1     and
 ,sebastian1 on separate panels4 ,e4    
,s4 ,,giovanni ,,crisostomo1 ,st4 ,john 
,chrysostom enthroned1 and other        
,saints4 ,e4  ,vienna4 #ag4 ,portrait of
 787 ,cardinal ,giulio di ,medici4      
,viterbo4 ,piet4 ,l4 #aebe4   ,,polidoro
 ,,lanziani4  #aeae787--aefe4 ,imitator 
of ,titian2 influenced by ,bonifazio and
 ,pordenone2 later1 by ,paul ,veronese4 
,ashridge4 ,,lord ,,brownlow1 ,christ   

and the ,adulteress4  ,badger ,hall     
7,shropshire74 ,,mr4 ,f4 ,,capel-,,cure1
 ,madonna and kneeling ,jerome4         
,madonna1 ,st4 ,elizabeth1 and          
,children4  ,bergamo4 ,,morelli1 #if4   
,holy ,family4  ,berlin4 #aei-afj4      
,sporting ,cupids4   #agc4 ,madonna and 
,saints4   ,,nazional ,,galerie1        
,,raczynski ,,coll41 #f4 ,st4 ,nicholas 
presenting children to the ,virgin4 ,l4 
,,herr ,,wesendonck1 #aa4 ,portrait of  
,young ,woman4     #gg4 ,madonna and    
,saints4  ,boston1 ,u4 ,s4 ,a4 ,,mrs4   
,j4 ,l4 ,,gardner1 ,portrait of         
,isabella ,d',este4  ,buda-,pesth4 #if4 
,holy ,family and ,st4 ,catherine4      
#aac4 ,madonna and ,young ,bishop4      
,cambridge4 ,,fitzwilliam ,,museum1     
#ade1 #adf4 ,sante ,conversazioni4      
,cologne4 #gcj,k4 ,predelle3 ,nativity1 
,adoration1 and ,circumcision4          
,dresden4 #bad4 ,madonna1 ,magdalen1 and
 ,venetian ,noble4   #bae4 ,marriage of 
,st4 ,catherine4   #baf4 ,madonna       
adoring ,child4   #bai4 ,portrait of    

,man4  ,edinburgh4 #eca4 ,holy ,family4 
,florence4 ,,pitti1 #eb4 ,holy ,family  
with ,st4 ,catherine and the ,magdalen4 
#bed1 ,holy ,family4      #bfi4         
,presentation in ,temple4 ,l4  ,glasgow4
 #dhd4 ,holy ,family with ,st4 ,dorothy4
  ,hampton ,court4 #agc4 ,diana and     
,acton4  ,langton1 ,n4 ,b4 7near ,duns74
 ,,mrs4 ,,baillie-,,hamilton1 ,adoration
 of ,magi4  ,lille4 #hj4 ,st4 ,peter    
,reading4  ,linlathen1 ,n4 ,b4 ,,col4   
,,erskine1 ,madonna and ,st4 ,catherine4
  ,london4 ,,lord ,,battersea1 ,madonna 
and infant ,john4   ,,mr4 ,r4 ,,benson1 
,madonna with ,st4 ,catherine and the   
,archangel ,michael4   ,,lord           
,,brownlow1 ,young ,woman represented as
 ,faith4   ,,dorchester ,,house1 ,rest  
in ,flight4   ,,sir ,,william ,,farrer1 
,three ,ages4     ,holy ,family and two 
,donors4     ,adoration of ,shepherds4  
,,mr4 ,,mond1 ,madonna with ,st4        
,catherine and ,holy ,children4   ,,mr4 
,,muir ,,mackenzie1 ,madonna4   ,,duke  
,,of ,,westminster1 ,christ and the     

,adulteress4   ,,lord ,,yarborough1     
,santa ,conversazione4     ,christ at   
,emaus4  ,modena4 #aae4 ,madonna and    
infant ,john4  ,munich4 #aaji4 ,madonna1
 ,bishop1 and ,donor4   #aaae4 ,portrait
 of ,man with ,staff 7874  ,naples4     
,,scuola ,,veneta1 #b1 #d4 ,allegories  
7tondi74  ,new ,battle1 ,n4 ,b4         
,,marquis ,,of ,,lothian1 ,madonna with 
sleeping ,child4  ,oxford4 ,,christ     
,,church1 ,diana and ,acton4  ,paris4   
#ffi4 ,head of ,young ,woman4   #aehj4  
,holy ,family4   #aeif4 ,holy ,family   
and ,saints4     ,decapitation of       
,baptist4   ,,mme4 ,,andr1 ,morosini    
,family adoring ,virgin4 ,l4  ,richmond4
 ,,sir ,,francis ,,cook1 ,madonna and   
infant ,john4  ,rome4 ,,borghese1 #ia4  
,judith4     #adf4 ,madonna1 ,baptist1  
and an ,angel4   ,,capitol1 #bj4        
,madonna and infant ,john4   ,,doria1   
#abg4 ,nativity4     #dah4 ,madonna with
 ,st4 ,catherine and the ,baptist4      
,,rospigliosi1 #aj4 ,adoration of       
,shepherds4   ,,don ,,marcello          

,,massarenti1 ,santa ,conversazione4    
,stuttgart4 #cd4 ,madonna with ,,ss4    
,catherine and ,jerome4  ,venice4       
,,quirini-,,stampalia1 ,,sala ,,ii1     
#add4 ,marriage of ,st4 ,catherine4     
,,salute1 ,,sacristy1 ,holy ,family4    
,madonna4  ,verona4 #eb4 ,madonna and   
infant ,john4  ,vienna4 #ace4 ,st4      
,roch4   #ahc4 ,adoration of ,magi4     
#chd4 ,holy ,family4   #cid4 ,christ and
 the ,magdalen4   ,,academy1 #dfc4      
,finding of ,moses4   ,,harrach         
,,collection1 #cje4 ,two ,putti         
embracing4   ,g4 ,a4 ,,pordenone4       
#adhc-aedj4 ,probably pupil of ,alvise  
,vivarini4 ,developed under the         
influence of ,giorgione and ,titian4    
,badger ,hall 7,shropshire74 ,,mr4 ,f4  
,,capel-,,cure1 ,bust of ,franciscan    
,cardinal4  ,casarsa4 ,,old ,,church1   
,frescoes3 ,story of ,true ,cross1      
#aebe4  ,colalto 7near ,susigana74 ,s4  
,,salvatore1 ,frescoes4 ,e4  ,cremona4  
,,duomo1 ,frescoes3 ,christ before      
,pilate2     ,way to ,golgotha2         

,nailing to ,cross2     ,crucifixion4   
,all #aeba4   ,altar-piece3 ,madonna    
enthroned with ,s4 ,dominic1 ,paul1 and 
,donor1 #aebb4   ,fresco3 ,deposition1  
#aebb4  ,milan4 ,,dr4 ,g4 ,,frizzoni1   
,dead ,christ supported by ,two ,angels4
 ,e4  ,motta di ,livenza4 ,s4 ,,maria   
,,dei ,,miracoli1 ,frescoes3            
,annunciation4  ,murano4 ,s4 ,,maria    
,,degli ,,angeli1 ,annunciation4 ,l4    
,piacenza4 ,,madonna ,,di ,,campagna1   
,frescoes3 ,birth of ,virgin2           
,adoration of ,magi2     ,disputation of
 ,st4 ,catherine4   ,altar-piece2       
,marriage of ,st4 ,catherine4 ,all      
#aebi-aeca4  ,pordenone4 ,,duomo1       
,madonna covering with mantle six       
,donors1 ,,ss4    ,joseph and           
,christopher to ,r4 and ,l41 #aeae4     
,fresco3 ,,ss4 ,erasmus and ,roch1      
#aebe4   ,st4 ,mark enthroned1 ,,ss4    
,sebastian1 ,jerome1 ,john1 and         
,alexander1 #aece4   ,,municipio1 ,st4  
,gothard between ,,ss4 ,roch and        
,sebastian1 #aebe4  ,san ,daniele 7near 

,udine74 ,,duomo1 ,trinity1 #aece4      
,spilimbergo4 ,,duomo1 ,assumption of   
,virgin4     ,conversion of ,st4 ,paul4 
,simon ,magus1 #aebd4  ,susigana4       
,,church1 ,madonna and four ,saints4 ,e4
  ,torre 7near ,pordenone74 ,,church1   
,madonna and four ,saints4  ,treviso4   
,,duomo1 ,adoration of ,magi1 and other 
frescoes1 #aebj4  ,venice4 ,,academy1   
#cje4 ,portrait of ,lady4     #bih4     
,head of ,man ,praying4     #cbc4       
,madonna of ,carmel1 ,saints1 and the   
,ottobon ,family4     #caf4 ,st4        
,lorenzo ,giustiniani and three other   
,saints4   ,s4 ,,giovanni               
,,elemosinario1 ,,ss4 ,roch1 ,sebastian1
 and ,catherine4   ,s4 ,,rocco1 ,,ss4   
,martin and ,christopher1 #aebh4   ,s4  
,,stefano1 ,ruined ,frescoes in         
,cloister4   ,,andrea ,,previtali4      
,active #aejb-aebe4 ,pupil of ,giovanni 
,bellini2 influenced by ,lotto4         
,bergamo4 ,,carrara1 #be4 ,pentecost4   
#fh4 ,marriage of ,st4 ,catherine4      
#ig4 ,altar-piece in #h parts4     #ahb4

 ,madonna1 #aead4     #ahc4 ,madonna1   
two ,saints1 and ,portraits of ,cassoti 
and his ,wife4     #ahd4 ,madonna4      
,,lochis1 #aga4 ,madonna4 ,e4     #agf4 
,madonna with ,,ss4 ,dominic and        
,sebastian1 #aejf4   ,,sig4 ,,baglioni1 
,madonna and two ,saints4   ,,count     
,,moroni1 ,madonna1 ,saint1 and ,donor4 
,family ,group4   ,s4 ,,alessandro ,,in 
,,croce1 ,crucifixion1 #aebd4   ,s4     
,,andrea1 ,entombment4   ,,duomo1       
,altar-piece1 and three ,predelle in    
,sacristry1 #aebd4   ,s4 ,,maria        
,,maggiore1 ,fresco over ,s4 ,door4     
,s4 ,,spirito1 ,st4 ,john the ,baptist  
and four other ,saints1 #aeae4          
,madonna between four female ,saints1   
#aebe4  ,berlin4 #ci4 ,madonna and four 
,saints4   #de4 ,marriage of ,st4       
,catherine4  ,buda-,pesth4 #gg4         
,madonna4  ,ceneda4 ,s4 ,,maria ,,di    
,,meschio1 ,annunciation4 ,e4  ,dresden4
 #fj4 ,madonna and ,saints1 #aeaj4      
,hamburg4 ,,consul ,,weber1 #aja4 ,holy 
,family4  ,keir1 ,n4,b4 ,,mr4 ,,arch4   

,,stirling1 ,woman playing1 and two     
,men4  ,london4 #fie4 ,madonna and      
,donor4 ,e4   #aagc4 ,allegorical       
,subject4   ,,sir ,h4 ,,howarth1 ,rest  
in ,flight4  ,milan4 ,,brera1 #cjd4     
,christ in ,garden1 #aeab4              
,coronation 7lunette74                  
,,bonomi-,,cereda1 ,madonna and two     
,saints1 #aebb4   ,,dr4 ,,gust4         
,,frizzoni1 ,madonna and ,donor1 #aejf4 
,oldenburg4 #hj4 ,baptist in            
,wilderness1 #aeba4  ,oxford4 ,,christ  
,,church ,,library1 ,madonna4  ,padua4  
,,gal4 ,,cavalli1 #adbc4 ,madonna and   
,donor1 #aejb4  ,venice4 ,,palazzo      
,,ducale1 ,,chapel1 ,christ in ,limbo4  
,crossing of ,red ,sea4   ,,lady        
,,layard1 ,head of ,christ4   ,s4       
,,giobbe1 ,marriage of ,st4 ,catherine4 
,,redentore1 ,nativity4 ,crucifixion4   
,verona4 #aea4 ,stoning of ,stephen4    
#agc4 ,immaculate ,conception4  ,vienna4
 #ad4 ,madonna4 ,e4   #fa4 ,portrait of 
,man4   ,,rocco ,,marconi4  ,active in  
the earlier decades of the ,,xvi        

century4 ,pupil of ,giovanni ,bellini   
and follower of ,palma4  ,berlin4 #c4   
,christ ,blessing7874 ,e4   #aif4       
,christ and the ,adulteress4            
,buda-,pesth4 #ajj4 ,madonna1 ,saints1  
and ,donor4  ,chantilly4 ,madonna and   
,saints 7ascribed to ,palma74  ,dresden4
 #fd4 ,madonna and ,saints4  ,dsseldorf4
 #h4 ,triptych4 ,e4  ,leipzig4 #bee4    
,madonna and four ,saints 7874  ,london4
 #abeb4 ,death of ,peter ,martyr 7874   
,,lord ,,ashburnham1 ,small ,landscape  
7874   ,,mr4 ,j4 ,p4 ,,carrington1 ,bust
 of ,man 7874 ,e4   ,,mr4 ,c4 ,,butler1 
,christ in ,landscape ,blessing4        
,,lord ,,northbrook1 ,madonna4 ,e4      
,,sir ,,michael ,,shaw-,,stewart1       
,madonna4  ,munich4 #ajhe4 ,st4         
,nicholas of ,bari1 ,st4 ,andrew1 and a 
,bishop4  ,mnster 7in ,w474 #fe4        
,madonna and ,saints4  ,new ,battle1 ,n4
 ,b4 ,,marquis ,,of ,,lothian1 ,madonna4
  ,padua4 #fe4 ,madonna and ,saints 7874
  ,richmond4 ,,sir ,,francis ,,cook1    
,madonna4     ,christ and the           

,adulteress4     ,christ at ,emaus4     
,rome4 ,,corsini1 #fab4 ,christ         
,blessing4  ,strassburg4 #h4 ,madonna4  
,e4  ,stuttgart4 #ge4 ,last ,supper4 ,l4
  ,tours4 #eih4 ,madonna and ,saints4   
,venice4 ,,academy4 #aff4 ,deposition4  
#cag4 ,christ between two ,saints4      
#ccd4 ,christ and the ,adulteress4      
,,palazzo ,,reale1 ,christ and the      
,adulteress4   ,,giovanelli1 ,christ and
 the ,adulteress4   ,s4 ,,cassiano1 ,the
 ,baptist and four ,saints4   ,s4       
,,giovanni ,e ,,paolo1 ,christ and      
,saints4  ,vienna4 ,,czernin ,,gallery1 
#cj4 ,madonna4   ,n4 ,,rondinelli4      
,active about #adhj-aejj4 ,pupil of     
,giovanni ,bellini1 whose name he often 
signs2 slightly influenced by           
,palmezzano4  ,berlin4 #aa4 ,madonna4   
,,herr ,,wesendonck1 #f4 ,madonna4      
,fermo4 ,,carmine1 ,madonna and ,saints4
  ,florence4 ,,uffizi1 #ced4 ,portrait  
of ,man4     #chd4 ,madonna and two     
,saints4  ,forli4 #ij4 ,madonna4        
,,duomo1 ,st4 ,sebastian4               

,,sacristy1 ,visitation4  ,frankfort    
a_/,m4 #ce4 ,madonna with ,st4 ,anne and
 the ,baptist4  ,innsbruck4 #efa4 ,dead 
,christ upheld by two ,angels4          
,liverpool4 #cc4 ,portrait of ,man4     
,london4 ,,lady ,,ashburton1 ,madonna4  
,,dorchester ,,house1 ,bust of ,boy4    
,,sir ,b4 ,,samuelson1 ,madonna with    
,,ss4 ,catherine and ,bartholomew4      
,milan4 ,,brera1 #agf4 ,madonna1 four   
,saints1 and three ,angels4     #agg4   
,st4 ,john appearing to ,galla ,placida4
   ,,museo ,,civico1 #ig4 ,madonna1     
,,ss4 ,francis and ,peter4  ,oldenburg4 
#gg4 ,madonna4  ,padua4 ,,sala ,,emo1   
,portrait of ,young ,man4  ,paris4      
#aaeh4 ,madonna between ,,ss4 ,peter and
 ,sebastian4  ,ravenna4 #ac4 ,madonna   
and four ,saints4   ,madonna between    
,,ss4 ,catherine and ,john4   ,s4       
,,domenico1 four large pictures1        
probably ,organ ,shutters2 ,madonna1    
,gabriel1 ,st4 ,peter ,martyr1 ,s4      
,dominic4  ,rome4 ,,barberini1 #cf1 #ed4
 ,two ,madonnas4   ,,capitol1 ,portrait 

of ,man4   ,,doria4 #cgd4 ,madonna4 ,e4 
#cge4 ,madonna4     #cgf4 ,madonna4     
,rossie ,priory1 ,n4 ,b4 ,,lord         
,,kinnaird4 ,old ,man and ,young ,man4  
,stuttgart4 #bb4 ,madonna4  ,venice4    
,,museo ,,correr1 ,,sala ,,vii1 #ai1    
,madonna4   ,,sala ,,ix1 #ai4 ,madonna1 
two ,saints1 and two ,donors4           
,,giovanelli1 ,two ,madonnas4   ,,lady  
,,layard1 ,madonna4   ,s4 ,,fantino1    
,holy ,family4   ,,girolamo ,,savoldo4  
,circa #adhj-aedh4 ,possibly pupil of   
,francesco ,bonsignori2 influenced by   
,bellini1 ,giorgione1 ,palma1 and       
,lotto4  ,berlin4 #cjg4 ,mourning over  
,dead ,christ4   #cjg;,a4 ,magdalen4    
,brescia4 ,,martinengo1 ,,sala ,c1      
,adoration of ,shepherds4  ,fermo4      
,,casa ,,bernetti1 ,st4 ,jerome in      
,landscape4 ,e4  ,florence4 ,,uffizi1   
#fde4 ,transfiguration4   ,,mr4         
,,loeser1 ,st4 ,jerome4  ,gosford       
,house1 ,n4 ,b4 ,,lord ,,wemys1 ,a      
,shepherd4     ,portrait of a ,man      
holding a paper with both hands4        

,hampton ,court4 #ach4 ,gaston de ,foix4
   #aci4 ,nativity and ,donors1 #aebg4  
,london4 #ajca4 ,magdalen4   ,,mr4      
,,doetsch1 ,bust of ,man4   ,,mr4       
,,mond1 ,portrait of ,man4  ,milan4     
,,brera1 #bcd4 ,madonna in ,glory and   
four ,saints4   ,,ambrosiana1 #eb4      
,transfiguration4   ,,signor ,,crespi1  
,bust of an ,old ,man4  ,munich4        
,,lotzbeck ,,collection1 #ih4 ,rest in  
,flight4  ,new ,york1 ,u4 ,s4 ,a4       
,,metropolitan ,,museum1    ,,marquand  
,,collection1 #bgb4 ,portrait of ,man4  
,paris4 #aeah4 ,gaston de ,foix4  ,rome4
 ,,villa ,,borghese1 #aci4 ,head of     
,youth4   ,,capitol1 #ad4 ,portrait of  
,woman seated4  ,seven ,oaks4 ,,lord    
,,amherst1 ,flute-player4  ,treviso4    
,,san ,,niccol1 ,altar-piece1 #aeba4    
,turin4 #aah4 ,nativity4   #aai4        
,adoration of ,shepherds4  ,urbino4     
,,casa ,,albani1 ,rest in ,flight4      
,venice4 #cbh4 ,the ,hermits ,antony and
 ,paul4   ,s4 ,,giobbe1 ,adoration of   
,shepherds4   ,,lady ,,layard1 ,st4     

,jerome4  ,verona4 ,,santa ,,maria ,,in 
,,organo1 ,madonna in ,glory and        
,saints1 #aecc4  ,vienna4 #bac4 ,an     
,apostle4   #bjh4 ,entombment4          
,,lichtenstein1 #bbh4 ,portrait of      
,young ,warrior4     ,dead ,christ4     
,,andrea ,,meldolla called ,,schiavone4 
#aebb 787--#aehb4 ,pupil of ,titian2    
influenced by ,parmigianino4  ,amiens4  
#bda4 ,calisto4  ,badger ,hall          
7,shropshire74 ,,mr4 ,f4 ,,capel-,,cure1
 ,temperance4  ,berlin4 #agj;,a4        
,parable of the ,faithless ,steward4    
#agj;,b4 ,parable of the ,lord's        
,vineyard4   #ahb;,a4 ,mountain         
,landscape4   #ahb;,b4 ,forest ,scene4  
,,herr ,,kaufmann1 ,madonna4            
,buda-,pesth4 #aab4 ,head of ,young     
,woman 7874  ,chatsworth4 ,,duke ,,of   
,,devonshire1 ,preaching of ,baptist4   
,marriage of ,cupid and ,psyche4        
,dresden4 #bgd4 ,piet4   #bge4 ,holy    
,family and ,infant ,john4  ,florence4  
,,pitti1 #aeb4 ,death of ,abel4         
#agj4 ,adam and ,eve4   ,,uffizi1 #ehh4 

,adoration of ,shepherds4  ,gosford     
,house1 ,n4 ,b4 ,,lord ,,wemys1         
,preparation for ,combat4     ,the      
,defence4     ,shepherd and ,cattle4    
,infant ,jupiter and ,nymphs4  ,hamburg4
 ,,consul ,,weber1 #ajg4 ,triumph4      
,hampton ,court4 #hh4 ,tobias and the   
,angel4   #age4 ,judgment of ,midas4    
#bhi4 ,christ before ,pilate4  ,london4 
,,lord ,,ashburnham1 ,a ,cassone4       
,,mr4 ,r4 ,,benson1 ,landscape with     
,ruins4   ,,bridgewater ,,house1 ,christ
 before ,pilate4     ,last ,supper4     
,marriage of ,st4 ,catherine4   ,,lord  
,,brownlow1 ,st4 ,catherine4   ,,mr4 ,c4
 ,,butler1 ,jason slaying ,bulls of     
,aetos4   ,,sir ,,william ,,farrer1 ,st4
 ,jerome4   ,,sir ,h4 ,,howarth1 ,dead  
,christ4   ,,mr4 ,,james ,,knowles1     
,jupiter and ,nymph4  ,marseilles4      
,judith4  ,milan4 ,,museo ,,civico1     
#abd-abf4 ,story of ,esther4  ,munich4  
#ajhi4 ,parnassus4  ,naples4 ,,sala     
,,veneziana1 #ec4 ,christ before        
,pilate4  ,paris4 #aebd4 ,the ,baptist4 

#aehb4 ,ecce ,homo4  ,parma4 #cfh4      
,deucalion and ,pyrrha4  ,venice4       
,,academy1 #bga4 ,christ before ,pilate4
     #cbd4 ,circumcision4     #cce4     
#ccg4 ,allegories4                      
,,quirini-,,stampalia1 ,,sala ,v1 #hi4  
,madonna and ,st4 ,catherine4           
,,corridor1 ,fancy ,portrait of ,lady4  
,,sala ,,xiv1 #bbd4 ,conversion of ,st4 
,paul4   ,,palazzo ,,reale1 ,three      
ceiling paintings4     ,two             
,philosophers4   ,s4 ,m4 ,,del          
,,carmine1 ,,parapet ,,of ,,organ       
,,loft1 ,six pictures4   ,s4 ,,giacomo  
,,dell' ,,orio4 ,christ at ,emaus4      
,vienna4 #adf4 ,christ before ,caiphas4 
#adg4 ,portrait of ,man4   #adh4 ,curius
 ,dentatus4   #adi4 ,madonna1 infant    
,john1 and ,st4 ,catherine4   #aeh4     
,birth of ,jupiter4   #aei4             
,belshazzar's ,feast4   #afj4 ,jupiter  
nursed by ,amalthea4   #afh4 ,diana and 
,acton4   #age4 ,queen of ,sheba4       
#ahd4 ,david and the ,ark4   #ahe4      
,cupid and ,psyche4   #aij4 ,scipio4    

#aid4 ,allegory of ,music4   #aie4      
,scene from ,apocalypse4   #bjb4 ,apollo
 and ,daphne4   #bjc4 ,death of ,samson4
   #bjd4 ,apollo and ,cupid4   #bfa4    
,adoration of ,shepherds4   #cca4       
,mucius ,scvola4   ,g4 ,b4 ,,tiepolo4   
#afif-aggj4 ,influenced by ,g4 ,b4      
,piazzetta1 formed on ,paolo ,veronese4 
,amiens4 #bcc1 #bcd1 #bce1 #bcf4        
,sketches4  ,badger ,hall 7,shropshire74
 ,,mr4 ,f4 ,,capel-,,cure1 ,small       
,finding of ,moses4     ,ceilings3      
,bride and ,groom2 ,allegory4  ,bergamo4
 ,,carrara1 #bha1 #bhb4 ,sketches4      
,,lochis1 #gd4 ,sketch4   ,,signor      
,,baglioni1 ,two legendary subjects4    
,,signor ,,piccinelli1 ,christ in the   
,garden4 ,legendary subject4   ,,duomo1 
,martyrdom of ,st4 ,john the ,bishop4   
,,colleoni ,,chapel1 ,lunettes3 ,story  
of the ,baptist4  ,berlin4 #ded4 ,after 
the ,bath4   #dei4 ,reception4          
#dei;,a4 ,st4 ,dominic and the ,rosary4 
#dei;,b4 ,martyrdom of ,st4 ,agatha4    
,brighton4 ,,mr4 ,,constantine          

,,ionides1 ,apotheosis of ,pope4        
,brussels4 ,m4 ,l,,on ,,somz,e1         
,sacrifice of ,polyxena4  ,buda-,pesth4 
#fda4 ,god the ,father4   #fdi4 ,warrior
 ,saint on horseback4   #fea4 ,madonna  
and ,saints4  ,caen4 #ef4 ,sketch for   
,ecce ,homo4  ,edinburgh4 #cch4 ,finding
 of ,moses4   #cee4 ,antony and         
,cleopatra4  ,frankfort a_/,m4 #ej4     
,court ,scene4  ,hamburg4 ,,consul      
,,weber1 #ada4 ,christ bearing ,cross4  
#adb4 ,crucifixion4  ,london4 #aaib1    
#aaic4 ,sketches4   #accc4 ,deposition4 
,,lord ,,battersea1 ,sketch of ,madonna1
 ,saints1 and ,angels4   ,,the ,,misses 
,,cohen1 ,sketch of ,esther and         
,ahasuerus4   ,,mrs4 ,,martin           
,,colnaghi1 ,assumption4   ,,sir ,w4 ,m4
 ,,conway1 ,allegory of the ,over-throw 
of ,paganism4   ,,dr4 ,,richter1 ,two   
,versions of ,christ and ,adulteress4   
,two legendary subjects4  ,mayence4     
#abd4 ,an ,encampment4  ,milan4         
,,palazzo ,,chierici1 ,chariot of the   
,sun1 ceiling fresco4   ,,natural       

,,history ,,museum1 ,frescoes4          
,,poldi-,,pezzoli1 ,,pinacoteca1 #gd4 ,a
 ,sketch4     #ij4 ,madonna and ,saints4
   ,,signor ,,crespi1 ,st4 ,anne        
presenting ,virgin to ,god1 #agei4      
,munich4 #abga4 ,adoration of ,magi4    
#abgb1 #abgc4 ,historical subjects4     
,new ,york1 ,u4 ,s4 ,a4 ,,metropolitan  
,,museum1 #ah4 ,sacrifice of ,isaac4    
#bh4 ,triumph of ,ferdinand ,,iii4      
,crowning with ,thorns4  ,padua4 ,,sala 
,,romanino1 #fed4 ,st4 ,patrick4        
,,santo1 ,martyrdom of ,st4 ,agatha4    
,paris4 #aedg4 ,christ at ,emaus4       
#aedi4 ,standard painted on both sides4 
,,mme4 ,,andr1 ,reception of ,henry     
,,iii 7fresco74     ,three ,ceiling     
frescoes4   ,m4 ,l,,opold ,,goldschmidt1
 ,crucifixion4  ,parma4 #baf4 ,st4      
,antony ,abbot4  ,piove 7near ,padua74  
,s4 ,niccol1 ,franciscan ,saint in      
,ecstacy4  ,richmond4 ,,sir ,f4 ,,cook4 
,esther and ,ahasuerus4  ,rossie        
,priory1 ,n4 ,b4 ,,lord ,,kinnaird1     
,assumption4  ,strassburg4 ,st4 ,roch4  

,turin4 #bic4 ,st4 ,antony ,abbot4      
,udine4 #ca4 ,chapter of ,maltese       
,order4   ,s4 ,,maria ,,della ,,piet1   
,ceiling4  ,venice4 #dhd4 ,s4 ,joseph1  
the ,child1 and four ,saints4   #dfb4   
,finding of ,true ,cross4   ,,palazzo   
,,ducale1 ,,sala ,,di ,,quattro ,,porte1
 ,neptune and ,venice4   ,,seminario1   
,,refectory1 ,christ at ,emaus4         
,,quirini-,,stampalia1 ,,sala ,x1 #bai4 
,portrait of ,procurator4   ,,palazzo   
,,labia1 ,frescoes3 ,antony and         
,cleopatra4   ,,palazzo ,,rezzonico1    
,two ,ceilings4   ,s4 ,,alvise1 ,christ 
at ,column4 ,way to ,golgotha4   ,s4    
,,apostoli1 ,communion of ,s4 ,lucy4    
,s4 ,,fava1 ,the ,virgin and her        
,parents4   ,,frari1 ,stations of the   
,cross4   ,,gesuati1 ,ceiling4          
,altar-piece3 ,madonna and three female 
,saints4   ,s4 ,,giovanni ,e ,,paolo1   
,ceiling of ,r4 ,chapel4   ,s4 ,,maria  
,,della ,,piet1 ,ceiling4   ,,scalzi1   
,ceiling4   ,,scuola ,,del ,,carmine1   
,ceiling paintings4  ,verona4 #gj4 ,four

 ,olivetan ,saints4  ,vicenza4 ,entrance
 ,hall1 ,i4 ,immaculate ,conception4    
,,villa ,,valmarana1 ,frescoes in ,villa
 and ,casino1 subjects from ,homer1     
,virgil1 ,ariosto1 and ,tasso1 also     
,costume ,pieces1 and ,oriental ,scenes4
  ,vienna4 ,,academy1 #dhd4 ,sketch4    
,wrzburg4 ,,archbishop',s ,,palace1     
,frescoes3 ,grand ,staircase1    #agec4 
,hall of ,emperors1 #agea4   ,,chapel1  
,two ,altar-pieces4   ,,jacopo          
,,tintoretto4  #aeah-aeib4 ,may have    
been a pupil of ,bonifazio ,veronese2   
influenced by ,titian1 ,parmigianino1   
and ,michelangelo4  ,augsburg4 #bfe4    
,christ in the ,house of ,martha4       
,bergamo4 ,,carrara1 #aaa4 ,a ,lady     
dressed as a ,queen4  ,berlin4 #bih4    
,portrait of ,procurator4   #bii4 ,the  
same4   #cjj4 ,madonna with ,,ss4 ,mark 
and ,luke4   #caj4 ,luna1 and the       
,hours4   #caf4 ,procurator before ,st4 
,mark4   ,,herr ,,kaufmann1 ,bust of    
,old ,man4  ,bologna4 #ade4 ,visitation4
 ,,corridor ,,iv1 ,portrait of ,man4    

,boston1 ,u4 ,s4 ,a4 ,,mrs4 ,j4 ,l4     
,,gardner1 ,portrait of ,senator4       
,brescia4 ,,tosio1 ,,sala ,,xiii1 #ad4  
,an ,old ,man4   ,s4 ,,afra1            
,transfiguration4  ,buda-,pesth4 #aad4  
,head of ,old ,man4  ,caen4 #ab4        
,deposition4  ,cambridge1 ,u4 ,s4 ,a4   
,,prof4 ,c4 ,e4 ,,norton1 ,head of ,old 
,man4    ,portrait of ,senator of #hc4  
,l4  ,carder ,house 7near ,glasgow74    
,,mr4 ,,arch4 ,,stirling1 ,portrait of  
,senator4  ,cologne4 #hag4 ,ovid and    
,corinna4  ,dresden4 #agd4 ,lady dressed
 in ,mourning4   #bfi4 ,the ,rescue4    
#bgj4 ,two ,gentlemen4  ,escurial4      
,christ washing the feet of the         
,disciples4  ,florence4 ,,pitti1 #fe1   
#gj4 ,portraits of ,men4     #hc4       
,portrait of ,luigi ,cornaro4     #aca4 
,portrait of ,vincenzo ,zeno4           
,,uffizi1 #cgh4 ,portrait of himself4   
#egg4 ,bust of ,young ,man4     #fja4   
,admiral ,venier4     #fae4 ,portrait of
 ,old ,man4     #fch4 ,portrait of      
,jacopo ,sansovino4     #fdi4 ,portrait 

of ,man4  ,hamburg4 ,,consul ,,weber1   
#aag4 ,warrior4  ,hampton ,court4 #fi4  
,esther before ,ahasuerus4     #gg4     
,nine ,muses4     #gh4 ,portrait of     
,dominican4     #ia4 ,knight of ,malta4 
#abj4 ,portrait of a ,senator4          
,leipzig4 #bci4 ,resurrection4  ,lille4 
#feb4 ,portrait of a ,senator4  ,london4
 #af4 ,st4 ,george and ,dragon4   #aacj4
 ,christ washing feet of ,disciples4    
#acac4 ,origin of the ,milky ,way4      
,,bridgewater ,,house4 ,portrait of     
,man4   ,,lord ,,brownlow1 ,busts of two
 ,old ,men4   ,,mr4 ,r4 ,,crawshay1     
,adam and ,eve4   ,,mr4 ,,butler1 ,moses
 striking ,rock4     ,portrait of       
,senator4   ,,dorchester ,,house1       
,portrait of ,man1 #aedh4     ,portrait 
of ,man by ,window4   ,,sir ,,wm4       
,,farrer1 ,the ,resurrection4   ,,mr4   
,,arthur ,,james1 ,portrait of ,andrea  
,barbadigo4     ,portrait of ,man4      
,,mr4 ,,mond1 ,galleys at ,sea4         
,portrait of ,giovanni ,gritti4   ,,lord
 ,,rosebery1 ,portrait of ,admiral      

,venier4 ,e4   ,,mr4 ,,salting1         
,portrait of ,ottavio di ,str1 #aefg4   
,lbeck4 #hh4 ,raising of ,lazarus1      
#aegf4  ,lucca4 ,,sala ,i1 #de4         
,portrait of ,man4  ,lyons4 #cf4 ,dana  
7in part74  ,madrid4 #daj4 ,battle on   
,land and ,sea4   #dbb4 ,joseph and     
,potiphar's ,wife4   #dbc4 ,solomon and 
the ,queen of ,sheba4   #dbd4 ,susanna  
and the ,elders4   #dbe4 ,finding of    
,moses4   #dbf4 ,esther before          
,ahasuerus4   #dbg4 ,judith and         
,holofernes  ,milan4 ,,brera1 #bag4     
,piet4     #bcj4 ,st4 ,helen1 three     
other ,saints1 and two ,donors4     #bcd
 bis4 ,finding of ,body of ,st4 ,mark4  
,e4   ,,museo ,,civico1 #hf4 ,bust of   
,procurator4  ,newport1 ,u4 ,s4 ,a4     
,,mr4 ,t4 ,h4 ,,davis1 ,bust of ,man4   
,panshanger4 ,,lord ,,cowper1 ,portrait 
of ,man4  ,paris4 #adfd4 ,susanna and   
the ,elders4   #adfe4 ,paradise4        
#adfg4 ,portrait of ,old ,man4          
,richmond4 ,,sir ,f4 ,,cook1 ,st4 ,john 
the ,baptist4     ,portrait of ,senator4

  ,rome4 ,,capitol1 #bdh4 ,the ,baptism4
     #bdi4 ,ecce ,homo4     #bej4 ,the  
,flagellation4   ,,colonna1 #d4 ,three  
,women and a ,man adoring the ,holy     
,spirit4     #aac4 ,old ,man playing    
,spinnet4     #id1 #ie4 ,portraits of   
,men4   ,,doria1 #bfe4 ,portrait of     
,man4 ,e4  ,turin4 #afb4 ,the ,trinity4 
,venice4 ,,academy1 #bbe4 ,s4 ,giustina 
and three ,donors1 #aehj4     #baj4     
,madonna1 three ,saints1 and three      
,donors #aeff4     #bdb4 ,portrait of   
,carlo ,morosini4     ,portrait of a    
,senator4     #bag4 ,deposition4        
#bda4 ,senator in ,prayer4     #bde4    
,portrait of ,jacopo ,soranzo1 #aefd4   
#bcd4 ,andrea ,capello4 ,e4   ,,sala    
,,iv1 ,ceiling3 ,prodigal ,son1 ,four   
,virtues4     #da4 ,death of ,abel4     
#bdd4 ,two ,senators4     #db4 ,miracle 
of ,st4 ,mark1 #aedh4     #dc4 ,adam and
 ,eve4     #bdj4 ,two ,senators4        
#bbg4 ,resurrected ,christ blessing     
three ,senators4     #bci4 ,madonna1 and
 three portraits4     #bac4             

,crucifixion4     #bae4 ,resurrection4  
,,palazzo ,,ducale1 ,,collegio1 ,doge   
,mocenigo recommended to ,christ by     
,st4 ,mark4 ,figures in    grisaille    
around the ,clock4     ,doge ,daponte   
before the ,virgin4     ,marriage of    
,st4 ,catherine and ,doge ,don4         
,doge ,gritti before the ,virgin4       
,,anti-,,collegio1 ,mercury and three   
,graces4       ,vulcan's ,forge4        
,bacchus and ,ariadne4       ,minerva   
expelling ,mars3 ,all1 #aegh4           
,,ante-,,room ,,of ,,chapel1 ,,ss4      
,margaret1 ,george1 and ,louis4         
,,ss4 ,andrew and ,jerome4     ,,senato1
 ,st4 ,mark presenting ,doge ,loredan to
 the ,virgin       in presence of two   
other ,saints4     ,,sala ,,quattro     
,,porte1 ,ceiling 7in part74            
,,ingresso1 ,lorenzo ,amelio1 #aegj4    
,alessandro ,bono4       ,vincenzo      
,morosini1 #aehj4       ,nicolo ,priuli4
       ,ceiling4     ,,passage ,,to     
,,council ,,of ,,ten1 ,andrea ,delphino1
 #aegc4 ,a4 ,cicogna4       ,federigo   

,contarini1 #aegj4       ,nobles        
,illumined by the ,holy ,spirit4        
,,sala ,,del ,,gran ,,consiglio1        
,paradise1 #aeij4     ,,sala ,,dello    
,,scrutino1 ,battle of ,zara4           
,,palazzo ,,reale ,,libreria1           
,transportation of ,body of ,st4 ,mark4 
,st4 ,mark rescues a shipwrecked        
,saracen4       ,diogenes1 ,archimedes1 
and two other philosophers         on   
separate canvases3 ,all ,e4             
,,another ,,room1 ,st4 ,roch4   ,,prince
 ,,giovanelli1 ,battle ,piece4          
,portrait of ,senator4     ,portrait of 
,general4     ,portrait of ,warrior4    
,s4 ,,cassiano1 ,crucifixion4 ,christ in
 ,limbo4     ,resurrection4   ,,gesuiti1
 ,assumption of ,virgin4 ,circumcision4 
,s4 ,,giorgio ,,maggiore1 ,last ,supper4
     ,gathering of ,manna4              
,entombment4   ,s4 ,,giuseppe ,,di      
,,castello1 ,michael overcoming         
,lucifer4   ,s4 ,,maria ,,mater         
,,domini1 ,finding of ,true ,cross4     
,s4 ,,maria ,,dell' ,,orto1 ,last       

,judgment4 ,e4     ,martyrdom of ,paul4 
,the ,tablets of the ,law and the       
,golden ,calf4 ,e4     ,martyrdom of    
,st4 ,agnes4     ,presentation of       
,virgin4 ,e4   ,s4 ,,marziale1 ,glory of
 ,s4 ,marziale4   ,s4 ,,paolo1 ,last    
,supper4 ,assumption of ,virgin4   ,s4  
,,rocco1 ,annunciation4 ,pool of        
,bethesda4     ,st4 ,roch and the       
,beasts of the ,field4     ,st4 ,roch   
healing the ,sick4     ,st4 ,roch in    
,campo d',armata4     ,st4 ,roch        
consoled by an ,angel4     ,st4 ,roch   
before the ,pope4   ,,scuola ,,di ,s4   
,,rocco1 ,ground ,floor1 nearly all the 
paintings on walls4   ,,staircase1      
,visitation4   ,,upper ,,floor1 ,hall1  
,all the paintings on walls and ceiling4
     ,portrait of himself1 #aegc4       
,,inner ,,room1 ,crucifixion1 #aefe4    
,christ before ,pilate4     ,ecce ,homo4
     ,way to ,golgotha4     ,ceiling1   
#aefj4 ,altogether1 sixty-two paintings4
   ,,salute1 ,marriage of ,cana1 #aefa4 
,s4 ,,silvestro1 ,baptism4   ,s4        

,,stefano4 ,last ,supper4     ,washing  
of ,feet4     ,agony in ,garden4   ,s4  
,,trovaso1 ,temptation of ,st4 ,anthony4
   ,s4 ,,zaccaria1 ,birth of ,virgin4   
,vicenza4 ,,entrance ,,hall4 #db4 ,st4  
,augustine healing the ,plague-stricken4
  ,vienna4 #dag4 ,st4 ,jerome4 ,e4      
#bci4 ,susanna and the ,elders4 ,e4     
#bcf4 ,sebastian ,venier4   #bdd4 ,an   
,officer in ,armour4   #bce4 ,old ,man  
and ,boy4   #bdb1 #bde4 ,portraits of   
,men4   #bej4 ,portrait of ,man1 #aeec4 
#dhb4 ,portrait of ,old ,man4   #bee1   
#beh1 #dhf4 ,portraits of ,men4   #bdi4 
,portrait of ,lady4   ,,academy1 #ac4   
,portrait of ,ales4 ,contarini4     #cd4
 ,portrait of ,doge ,priuli4  ,woburn   
,abbey4 #cf4 ,portrait of ,man4 ,l4     
,,titian4  #adgg-aegf4 ,pupil of the    
,bellini2 formed by ,giorgione4         
,ancona4 #h4 ,crucifixion4 ,l4   ,s4    
,,domenico1 ,madonna with ,,ss4         
,francis1 ,blaise1 and ,donor1 #aebj4   
,antwerp4 #ceg4 ,alexander ,,vi         
presenting ,baffo to ,st4 ,peter4 ,e4   

,ascoli4 ,st4 ,francis receiving the    
,stigmata4 ,l4  ,berlin4 #afj;,a4       
,infant ,daughter of ,roberto ,strozzi1 
#aedb4   #afc4 ,portrait of himself4 ,l4
   #aff4 ,his own ,daughter ,lavinia4   
,boston4 ,,mrs4 ,j4 ,l4 ,,gardner1 ,rape
 of ,europa1 #aefb4  ,brescia4 ,s4      
,,nazaro ,e ,,celso1 ,altar-piece1      
#aebb4  ,cobham ,hall4 ,,lord ,,darnley1
 ,portrait of ,ariosto4 ,e4  ,dresden4  
#afh4 ,madonna with four ,saints4 ,e4   
#afi4 ,tribute ,money4 ,e4   #agj4      
,lavinia as ,bride1 #aeee4   #aga4      
,lavinia as ,matron4 ,l4   #agb4        
,portrait of ,man1 #aefa4   #agc4 ,a    
,lady with a ,vase4 ,l4   #age4 ,madonna
 with a ,family as ,donors 7in part     
only74 ,l4   #agf4 ,lady in ,red ,dress4
  ,florence4 ,,pitti1 #ah4 ,la ,bella1  
,eleanora ,gonzaga1 ,duchess of ,urbino4
     #ed4 ,pietro ,aretino1 #aede4      
#fg4 ,magdalen4     #ib4 ,portrait of   
,young ,man4     #ahe4 ,the ,concert4   
,e4     #bjj4 ,philip ,,ii4     #bja4   
,ippolito de' ,medici1 #aecc4     #bae4 

,full-length ,portrait of ,man4         
#bbh4 ,head of ,christ4     #die4       
,tommaso ,mosti4   ,,uffizi1 #eii4      
,eleanora ,gonzaga1 ,duchess of ,urbino1
 #aecg4     #fje4 ,fr4 ,maria della     
,rovere1 ,duke of ,urbino1 #aecg4       
#fbf4 ,flora4 ,e4     #fcc4 ,madonna    
with ,st4 ,antony ,abbot4 ,e4     #aajh4
 ,venus--the head a portrait of         
,lavinia4 ,l4     #aaaf4 ,portrait of   
,beccadelli1 #aeeb4     #aaag4          
,venus--the head a portrait of ,eleanora
 ,gonzaga4  ,genoa4 ,,balbi-,,senarega1 
,madonna with ,,ss4 ,catherine1         
,domenic1 and a ,donor4 ,e4  ,hampton   
,court4 #aac4 ,portrait of ,man1 #aedf4 
#adi4 ,portrait of ,man4 ,e4  ,london4  
#d4 ,holy ,family and ,shepherd4   #ce4 
,bacchus and ,ariadne4 #aebc4   #bgj4   
,noli me ,tangere4 ,e4   #fce4 ,madonna 
with ,,ss4 ,john and ,catherine1 #aecc4 
,,bridgewater ,,house1 ,holy ,family4   
,e4     ,the ,three ,ages4 ,e4          
,venus rising from the ,sea4     ,diana 
and ,acton4 #aeei4     ,calisto4 #aeei4 

,,mr4 ,,mond1 ,madonna4 ,l4  ,madrid4   
#bcf4 ,madonna with ,,ss4 ,ulfus and    
,bridget4 ,e4   #dej4 ,bacchanal4       
#dea4 ,venus ,worship4   #deb4 ,alfonso 
of ,ferrara1 #aeah4   #dec4 ,charles ,v 
and his dog1 #aecc4   #ded4 ,philip ,,ii
 in ,armour1 #aeej4   #def4 ,the        
,forbidden ,fruit4 ,l4   #deg4 ,charles 
,v on ,horseback1 #aedh4   #deh4 ,dana1 
#aeed4   #dei4 ,venus1 and ,youth       
playing ,organ4 ,l4   #dfa4 ,salome     
7,portrait of ,lavinia74   #dfb4        
,trinity1 #aeed4   #dfc4 ,knight of     
,malta4 ,l4   #dfd4 ,entombment1 #aeei4 
#dfe4 ,sisyphus4 ,l4   #dff4            
,prometheus4 ,l4   #dfi4 ,st4 ,margaret4
 ,l4   #dgj4 ,philip ,,ii offering      
,infant ,don ,fernando to ,victory4 ,l4 
#dga4 ,allocution of ,alfonso d',avalos1
 #aeda4   #dgf4 ,religion succoured by  
,spain4 ,l4   #dgg4 ,portrait of        
himself4   #dhj4 ,portrait of ,man4     
#dhe4 ,the ,empress ,isabel1 #aedd4     
,maniago4 ,,casa ,,maniago1 ,portraits  
of ,irene and of ,emilia di             

,spilimbergo4 ,l4  ,medole 7near        
,brescia74 ,,duomo1 ,christ appearing to
 his ,mother4 ,l4  ,milan4 ,brera1 #bdh4
 ,st4 ,jerome4 ,l4   #bhh4 bis4 ,antonio
 ,porcia4  ,munich4 #aaaj4 ,vanitas4 ,e4
   #aaaa4 ,portrait of ,man4 ,e4        
#aaab4 ,portrait of ,charles ,v1 #aedh4 
#aaac4 ,madonna4 ,l4   #aaad4 ,christ   
crowned with ,thorns4 ,l4  ,naples4     
,,scuola ,,veneta1 ,,ii4 ,philip ,,ii4  
#bj4 ,paul ,,iii1 ,ottaviano1 and ,card4
     ,farnese1 #aede4  ,padua4 ,,scuola 
,,del ,,santo1 ,frescoes3 ,st4 ,anthony 
granting ,speech to an   ,infant4       
,the ,youth who cut off his own leg4    
,the ,jealous ,husband4 ,all1 #aeaa4    
,paris4 #aegg4 ,madonna with ,,ss4      
,stephen1 ,ambrose1 and ,maurice4 ,e4   
#aegh4 ,la ,vierge au ,lapin4   #aegi4  
,madonna with ,st4 ,agnes4   #aeha4     
,christ at ,emaus4 ,l4   #aehc4         
,crowning with ,thorns4 ,l4   #aehd4    
,entombment4   #aehe4 ,st4 ,jerome4 ,l4 
#aehg4 ,venus del ,prado4 ,l4   #aehh4  
,portrait of ,francis ,i4   #aehi4      

,allegory4   #aeij4 ,alfonso of ,ferrara
 and ,laura ,dianti4   #aeia4 ,portrait 
of ,man with ,hand in ,belt4   #aeib4   
,the ,man with the ,glove4 ,e4   #aeic4 
,portrait of ,man with ,black ,beard4   
,rome4 ,,borghese1 #adg4 ,sacred and    
,profane ,love4 ,e4     #ahh4 ,st4      
,dominic4 ,l4     #agj4 ,education of   
,cupid4 ,l4   ,,capitol1 #ade4 ,baptism1
 with ,zuane ,ram as ,donor4 ,e4        
,,doria1 ,daughter of ,herodias4 ,e4    
,,vatican1 ,madonna in ,glory with six  
,saints1 #aebc4   ,,prince ,,chigi1     
,portrait of ,aretino4  ,serravalle4    
,,duomo1 ,madonna in ,glory1 with ,,ss4 
,peter and ,andrew1 #aedg4  ,treviso4   
,,duomo1 ,annunciation4  ,urbino4 #ci4  
,the ,resurrection4 ,l4   #db4 ,last    
,supper4 ,l4  ,venice4 ,,academy1 #dbf4 
,presentation of ,virgin in ,temple1    
#aedj4     #cad4 ,st4 ,john in the      
,desert4     #dj4 ,assunta1 #aeah4      
#djj4 ,piet1 begun in #aegc1 not quite  
finished at ,titian's death4   ,,palazzo
 ,,ducale1 ,staircase to ,doge's private

 apartments1       ,fresco3 ,st4        
,christopher1 #aebc4     ,,sala ,,di    
,,quattro ,,porte1 ,doge ,grimani before
 ,faith1 #aeee4   ,,palazzo ,,reale1 on 
ceiling of ante-room to ,libreria1      
,wisdom4 ,l4   ,,giovanelli1 ,portrait  
of ,man4 ,l4   ,,frari1 ,pesaro         
,madonna1 #aebf4   ,,gesuiti1 ,martyrdom
 of ,st4 ,lawrence4 ,l4   ,s4 ,,giovanni
 ,,elemosinario1 ,st4 ,john the         
,almsgiver1 #aecc4   ,s4 ,,lio1 ,st4    
,james of ,compostella4 ,l4   ,s4       
,,marcuolo1 ,the ,christ ,child between 
,,ss4 ,catherine and ,andrew4 ,e4   ,s4 
,,marziale1 ,tobias and the ,angel1     
#aedj4   ,,scuola ,,di ,s4 ,,rocco1     
,annunciation4 ,dead ,christ 7874 ,e4   
,,salute1 ,descent of ,holy ,spirit4 ,l4
     ,ceiling of ,,choir3 ,eight        
,medallions1 one a ,portrait of ,titian 
himself1       the rest ,heads of       
,saints4   ,,sacristy1 ,st4 ,mark       
between ,,ss4 ,roch1 ,sebastian1        
,cosmos1 and ,damian4 ,e4     ,ceiling1 
,david and ,goliath4       ,sacrifice of

 ,isaac4 ,cain slaying ,abel4   ,s4     
,,salvatore1 ,annunciation4 ,l4         
,transfiguration1 ,l4   ,s4             
,,sebastiano1 ,st4 ,nicholas of ,bari   
7in part71 #aefc4  ,verona4 #ea4        
,portrait of ,ferdinand1 ,king of the   
,romans4   ,,duomo1 ,assumption of      
,virgin4  ,vienna4 #agf4 ,gipsy         
,madonna4 ,e4   #ahj4 ,madonna with the 
,cherries4 ,e4   #agh4 ,the ,large ,ecce
 ,homo1 #aedc4   #aha4 ,the ,little     
,tambourine ,player4 ,e4   #afc4        
,isabella d',este1 #aecd4   #aig4 ,das  
,mdchen im ,pelz 7,eleanora ,gonzaga74  
#agg4 ,benedetto ,varchi4   #afg4 ,the  
,physician ,parma4 ,e4   #aia4 ,john    
,frederick of ,saxony1 #aedh4   #ahb4   
,jacopo di ,strada1 #aeff4   #ahf4      
,shepherd and ,nymph4 ,l4   ,,czernin1  
,portrait of ,doge ,gritti4   ,,girolamo
 ,,da ,,treviso1 ,,the ,,younger4       
#adig-aedd4 ,pupil of his father1 ,p4   
,m4 ,pennachi2 influenced by ,catena1   
,giorgione1 and later by ,dosso ,dossi  
and ,raphael4  ,bologna4 ,s4 ,,giovanni 

,,in ,,monte1 #a,,st ,,altar ,r4 ,noli  
me ,tangere4 ,e4   ,s4 ,,petronio1      
#i,,th ,,chapel ,r4 ,monochrome         
frescoes3     ,miracles of ,st4 ,antony 
of ,padua4  ,dresden4 #ii4 ,adoration of
 ,magi4  ,faenza4 ,,la ,,magione1       
,,choir1 ,frescoes3 ,madonna and        
,saints1    with ,sabba ,castiglione as 
,donor1 #aecc4  ,ferrara4 ,,sig4        
,,santini1 ,a female ,saint and five    
,men4  ,london4 #bfc4 ,madonna1 ,saints1
 and ,donor4   ,,mr4 ,,mond1 ,bust of   
,young ,man4   ,,duke ,,of              
,,westminster1 ,nativity4     ,st4 ,luke
 painting the ,virgin4  ,milan4 ,,sig4  
,,bagati-,,valsecchi1 ,the ,forge of    
,vulcan    7fresco on chimney-piece74   
,modena4 ,s4 ,,pietro1 ,holy ,family    
with infant ,john and ,st4 ,catherine4  
,mnster 7in ,w474 ,,kunstverein1 #fd4   
,the ,saviour 7874  ,rome4 ,,colonna1   
#aji4 ,portrait of ,man4   ,,donna      
,,laura ,,minghetti1 ,judgment of ,paris
 7874  ,trent4 ,,castle1 ,,chapel1      
,frescoes4     ,,inner ,,room1 ,frieze4 

,,nos4 #d ,,and #f ,,piazza ,,grande1   
,,and #ab ,,via ,,del ,,teatro1         
,frescoes on faades4  ,venice4 ,,salute1
 ,,sacristy1 ,st4 ,roch between ,,ss4   
,sebastian and ,jerome4 ,e4  ,verona4   
#aba4 ,annunciation 7874  ,vienna4 ,e4  
#eab4 ,portrait of ,man4   ,,paolo      
,,veronese4  #aebh-aehh4 ,pupil of      
,antonio ,badile2 strongly influenced by
 ,dom4 ,brusasorci4  ,dresden4 #bbd4    
,madonna with ,cuccina ,family4   #bbe4 
,adoration of ,magi4   #bbf4 ,marriage  
of ,cana4   #bbi4 ,finding of ,moses 7in
 part only74   #bcf4 ,portrait of       
,daniel ,barbaro4  ,florence4 ,,pitti1  
#baf4 ,portrait of ,daniel ,barbaro4    
,,uffizi1 #ehi4 ,martyrdom of ,s4       
,giustina4 ,e4     #aacf4 ,holy ,family 
and ,st4 ,catherine4  ,hampton ,court4  
,madonna and ,saints 7874  ,london4 #bf4
 ,consecration of ,st4 ,nicholas4       
#bid4 ,alexander and the ,family of     
,darius4   ,,dr4 ,,richter1 ,holy       
,family4 ,e4  ,madrid4 #ebh4 ,christ and
 the ,centurion4   #ecb4 ,finding of    

,moses 7874  ,maser4 ,,villa ,,barbaro1 
,frescoes4  ,milan4 ,,brera1 #bbg4 ,,ss4
 ,antony1 ,cornelius1 and ,cyprian1 and 
,page4  ,padua4 ,s4 ,,giustina1         
,martyrdom of ,st4 ,giustina4  ,paris4  
#aaif4 ,christ at ,emaus4   #aaii4      
,young ,mother and ,child4 ,e4   #aaib4 
,marriage of ,cana4  ,rome4 ,,colonna1  
#ij4 ,portrait of ,man in ,green4       
,,villa ,,borghese1 #aja4 ,st4 ,antony  
preaching to the ,fishes4  ,venice4     
,,academy1 #bab4 ,battle of ,lepanto4   
#bjc4 ,feast in ,house of ,levi1 #aegc4 
#cg4 ,madonna with ,,ss4 ,joseph1 ,john1
 ,francis1 ,jerome1 and ,giustina4      
,,palazzo ,,ducale1 ,,collegio1         
,thanksgiving for ,lepanto4             
,,ante-,,collegio1 ,rape of ,europa4    
,s4 ,,barnab1 ,holy ,family4   ,s4      
,,caterina1 ,marriage of ,st4           
,catherine4   ,s4 ,,francesco ,,della   
,,vigna1 ,holy ,family with ,,ss4       
,catherine and ,antony     ,abbot4   ,s4
 ,,sebastiano1 ,madonna and two ,saints4
     ,crucifixion4     ,madonna in      

,glory with ,st4 ,sebastian and other   
,saints4     ,,ss4 ,mark and ,marcilian 
led to ,martyrdom 7in part74     ,st4   
,sebastian being ,bound 7874            
,frescoes3 ,,ss4 ,onofrio and ,paul the 
,hermit4      ,,ss4 ,matthew and ,mark4 
,,ss4 ,roch1 ,andrew1 ,peter1 and       
,figure of ,faith4      ,tiburtine and  
,cuman ,sibyls4  ,verona4 #bfg4         
,portrait of ,pasio ,guadienti1 #aeef4  
#bde4 ,deposition 7874   ,s4 ,,giorgio1 
,martyrdom of ,st4 ,george4   ,s4       
,,paolo1 ,madonna and ,saints4 ,e4      
,vicenza4 ,,sala ,,ii1 #ab4 ,madonna4   
,,monte ,,berico1 ,feast of ,st4        
,gregory1 #aegb4  ,vienna4 #cif4 ,christ
 at the ,house of ,jairus4   ,,alvise   
,,vivarini4  ,active #adfa-aejc4 ,pupil 
of his uncle ,bartolommeo4  ,berlin4    
#ch4 ,madonna enthroned with six        
,saints4   #aafe4 ,madonna enthroned    
with four ,saints4 ,l4  ,florence4 ,,mr4
 ,,charles ,,loeser1 ,madonna4  ,gosford
 ,house1 ,n4 ,b4 ,,lord ,,wemys1 ,bust  
of ,smooth-faced ,man4  ,london4 ,,the  

,,misses ,,cohen1 ,bust of a ,venetian  
,noble4   ,,mr4 ,,salting1 ,portrait of 
,youth4  ,milan4 ,,brera1 ,dead ,christ 
adored by two ,angels4 ,e4              
,,bonomi-,,cereda1 ,portrait of ,man1   
#adig4   ,,signor ,,bagati-,,valsecchi1 
,s4 ,giustina dei ,borromei4 ,l4        
,modena4 #cai4 ,portrait of ,man 7874   
,montefiorentino4 ,polyptych1 #adge4    
,naples4 ,,scuola ,,veneta1 ,i4 ,madonna
 with ,,ss4 ,francis and ,bernardino1   
#adhe4  ,padua4 #acga4 ,portrait of a   
,man4  ,paris4 #aeai4 ,portrait of a    
,man4 ,l4   ,,countess ,,de ,b,,arn1    
,portrait of ,man4 ,l4  ,venice4        
,,academy1 #fai4 ,st4 ,matthew4         
#fah4 ,st4 ,john the ,baptist4     #fba4
 ,st4 ,sebastian4     ,st4 ,antony      
,abbot4     ,st4 ,john ,baptist4        
,st4 ,laurence4 ,e4     #eic4 ,st4      
,clare4     #hg4 ,head of ,christ4 ,l4  
#fjg4 ,madonna and six ,saints1 #adhj4  
,,museo ,,correr1 ,,sala ,,ix1 #dd4 ,st4
 ,antony of ,padua4   ,,frari1 ,st4     
,ambrose enthroned and ,saints4 ,begun  

in #aejc1 finished by     ,basaiti4     
,s4 ,,giovanni ,,in ,,bragora1 ,madonna3
 ,head of ,christ1 #adic3 ,resurrection1
     #adih3 ,predelle to last4          
,busts of ,saviour1 ,john1 and ,mark4   
,s4 ,,giovanni ,e ,,paolo1 ,christ      
bearing ,cross4   ,,redentore1          
,,sacristy1 ,madonna4   ,,lady ,,layard1
 ,portrait of ,man4   ,,seminario1      
,,stanza ,,del ,,patriarca1 ,portrait of
 ,man4 ,l4  ,vienna4 #ab4 ,madonna1     
#adhi4   ,,academy1 ,st4 ,clare4 ,female
 ,saint with ,monstrance4  ,windsor     
,castle4 ,portrait of ,man with ,hawk4  
,,bartolommeo ,,vivarini4  ,active      
#adej-adii4 ,pupil of ,giovanni and     
,antonio da ,murano2 influenced by      
,paduans4  ,bergamo4 ,,frizzoni-,,salis1
 ,madonna and two ,saints4  ,boston1 ,u4
 ,s4 ,a4 ,,mr4 ,,quincy ,,shaw1         
,magdalen4  ,fermo4 ,,count ,,bernetti1 
,,ss4 ,francis and ,james4  ,gosford    
,house1 ,n4 ,b4 ,,lord ,,wemys1         
,polyptych4 ,e4  ,london4 #bhd4 ,madonna
 with ,,ss4 ,paul and ,jerome4          

,meiningen4 ,,ducal ,,palace1 ,an       
,apostle4  ,naples4 ,,sala ,,veneta1 #e4
 ,madonna enthroned1 #adfe4  ,paris4    
#afjg4 ,st4 ,john ,capistrano1 #adei4   
,turin4 #ghj4 ,madonna1 #adha4  ,venice4
 ,,academy1 #fae1 #a4 ,altar-piece in   
five parts1 #adfd4     #ehd4 ,mary      
,magdalen4 #ehe4 ,st4 ,barbara1 #adij4  
,,frari1 ,madonna and four ,saints1     
#adhb4   ,s4 ,,giovanni ,,in ,,bragora1 
,madonna between ,,ss4 ,andrew and      
,john1 #adgh4   ,s4 ,,giovanni ,e       
,,paolo1 ,st4 ,augustine1 #adgc4        
,,ss4 ,dominic and ,lawrence4   ,s4     
,,maria ,,formosa1 ,triptych3 ,madonna1 
,birth of ,virgin1     ,meeting of      
,joachim and ,anne1 #adgc4  ,vienna4    
#aj4 ,st4 ,ambrose between ,,ss4 ,peter1
 ,louis1 ,paul1 and ,sebastian1   #adgg4
     ,,index ,,of ,,places4   ,albi4    
,guardi4  ,alnwick4 ,,duke ,,of         
,,northumberland3 ,licinio1 ,palma4     
,s4 del ,piombo4  ,alzano4 ,,church3    
,lotto4  ,amiens4 ,guardi1 ,schiavone1  
,tiepolo4  ,ancona4 ,,gallery3          

,crivelli1 ,lotto1 ,titian4   ,s4       
,,domenico3 ,titian4  ,antwerp4         
,,gallery3 ,antonello1 ,titian4         
,ascoli4 ,,duomo3 ,crivelli4            
,,gallery3 ,titian4  ,ashridge4 ,,lord  
,,brownlow3 ,bassano1 ,bordone1         
,cariani1 ,polidoro4  ,asolo4 ,,church3 
,lotto4  ,augsburg4 ,,gallery3 ,barbari1
 ,bassano1 ,tintoretto4  ,badger ,hall  
7,shropshire74 ,,mr4 ,f4 ,,capel-,,cure3
 ,basaiti1 ,guardi1    ,pordenone1      
,schiavone1 ,tiepolo4  ,balcarres1 ,n4  
,b4 ,,lord ,,crawford3 ,licinio4        
,basel4 ,cariani4  ,bassano4 ,,gallery3 
,bassano1 ,guardi4   ,,duomo1 and ,s4   
,,giovanni3 ,jacopo ,bassano4   ,s4 ,m4 
,,delle ,,grazie3 ,j4 ,bassano4         
,belluno4 ,bartolommeo ,veneto1         
,beccaruzzi1 ,montagna4  ,bergamo4      
,,gallery1 ,,carrara ,,collection3      
,bartolommeo ,veneto1    ,basaiti1      
,bassano1 ,bonifazio1 ,cariani1 ,gatena1
 ,lotto1 ,previtali1    ,tintoretto4    
,,lochis ,,collection3 ,antonello1      
,barbari1 ,bartolommeo ,veneto1         

,basaiti1 ,beccaruzzi1 ,giovanni        
,bellini1 ,bonsignori1 ,bordone1        
,cariani1      ,crivelli1 ,guardi1      
,licinio1 ,lotto1 ,montagna1    ,palma  
,vecchio1 ,previtali4   ,,morelli       
,,collection3 ,basaiti1 ,giovanni       
,bellini1 ,cariani1 ,cima1 ,p4 ,longhi1 
,montagna1 ,polidoro4   ,,signor        
,,baglioni3 ,bassano1 ,cariani1 ,guardi1
 ,longhi1 ,previtali1 ,tiepolo4         
,,frizzoni-,,salis3 ,barbari1 ,basaiti1 
,bassano1 ,bonifazio1 ,montagna1        
,bartolommeo ,vivarini4   ,,conte       
,,moroni3 ,guardi1 ,previtali4          
,,signor ,,piccinelli3 ,cariani1        
,licinio1 ,lotto1 ,tiepolo4   ,,conte   
,,roncalli3 ,cariani4   ,,conte         
,,suardi3 ,cariani1 ,bassano4   ,s4     
,,alessandro ,,in ,,colonna3 ,lotto4    
,s4 ,,alessandro ,,in ,,croce3 ,lotto4  
,s4 ,,andrea3 ,previtali4   ,s4         
,,bartolommeo3 ,lotto4   ,s4            
,,bernardino3 ,lotto4   ,,colleoni      
,,chapel3 ,tiepolo4   ,,duomo3 ,cariani1
 ,previtali1 ,tiepolo4   ,s4 ,,maria    

,,maggiore3 ,lotto1 ,previtali4   ,s4   
,,michele3 ,lotto4   ,s4 ,,spirito3     
,lotto1 ,previtali4  ,berlin4           
,antonello1 ,barbari1 ,basaiti1         
,giovanni ,bellini1 ,bissolo1 ,bordone1 
,caprioli1 ,cariani1 ,carpaccio1        
,catena1 ,cima1 ,crivelli1 ,giorgione1  
,guardi1    ,lotto1 ,montagna1 ,palma1  
,sebastiano del ,piombo1 ,polidoro1     
,previtali1    ,rocco ,marconi1         
,rondinelli1 ,savoldo1 ,schiavone1      
,tiepolo1 ,tintoretto1    ,titian1      
,alvise ,vivarini1 ,bartolommeo         
,vivarini4   ,,nazional ,,galerie1      
,,racynski ,,collection3 ,catena1       
,polidoro4   ,,herr ,,beckerath3        
,basaiti4   ,,herr ,,kaufmann3 ,basaiti1
 ,bassano1 ,beccaruzzi1 ,schiavone1     
,tintoretto4   ,,herr ,,wesendonck3     
,bassano1 ,beccaruzzi1 ,polidoro1       
,rondinelli4  ,biel1 ,n4 ,b4 ,,mrs4     
,,hamilton ,,ogilvie3 ,bassano1 ,canale1
 ,guardi4  ,bologna4 ,,gallery3         
,bassano1 ,cima1 ,tintoretto4   ,s4     
,,giovanni ,,in ,,monte3 ,girolamo da   

,treviso4   ,s4 ,,petronio3 ,girolamo da
 ,treviso4  ,boston1 ,u4 ,s4 ,a4        
,,museum3 ,basaiti1 ,beccaruzzi4        
,,mrs4 ,j4 ,l4 ,,gardner3 ,bonifazio1   
,catena1 ,guardi1 ,polidoro1            
,tintoretto1    ,titian4   ,,mr4 ,j4    
,,quincy ,,shaw3 ,cima1 ,licinio1       
,bartolommeo ,vivarini4  ,bremen4       
,,kunsthalle3 ,montagna4  ,brescia4     
,,gallery ,,tosio3 ,bissolo1 ,lotto1    
,tintoretto4   ,s4 ,,afra3 ,tintoretto4 
,s4 ,,alessandro3 ,jacopo ,bellini4     
,s4 ,,nazaro ,e ,,celso3 ,titian4       
,brighton4 ,,mr4 ,,constantine          
,,ionides3 ,guardi1 ,tiepolo4   ,,mr4   
,,henry ,,willett3 ,caprioli1 ,licinio4 
,broomhall1 ,n4 ,b4 ,,lord ,,elgin3 ,s4 
del ,piombo  ,brunswick4 ,,gallery3     
,palma ,vecchio4  ,brussels4 ,bassano1  
,crivelli1 ,guardi4   ,m4 ,l,,on        
,,somz,e3 ,bart4 ,veneto1 ,tiepolo4     
,buda-,pesth4 ,basaiti1 ,bassano1       
,beccaruzzi1 ,gentile ,bellini1         
,cariani1    ,catena1 ,crivelli1        
,giorgione1 ,guardi1 ,licinio1 ,palma1  

,s4 del ,piombo1    ,polidoro1          
,previtali1 ,rocco ,marconi1 ,schiavone1
 ,tiepolo1 ,tintoretto4   ,,herr ,,rath3
 ,licinio4  ,caen4 ,carpaccio1 ,tiepolo1
 ,tintoretto4  ,cambridge4 ,,fitzwilliam
 ,,museum3 ,beccaruzzi1 ,guardi1 ,palma1
 ,polidoro4  ,cambridge1 ,u4 ,s4 ,a4    
,,prof4 ,c4 ,e4 ,,norton3 ,licinio1     
,longhi1 ,tintoretto4  ,campo ,s4       
,piero4 ,,oratory ,,of ,s4 ,,antonio3   
,bonifazio 7in part74  ,carder ,house   
7near ,glasgow74 ,,mr4 ,,archibald      
,,stirling3 ,tintoretto4  ,casarsa4     
,,parish ,,church3 ,pordenone4          
,castelfranco4 ,,church3 ,giorgione4    
,castle ,barnard4 ,,bowes ,,museum3     
,caprioli4  ,celana 7near ,bergamo74    
,lotto4  ,ceneda4 ,,madonna ,,di        
,,meschio3 ,previtali4  ,certosa 7near  
,pavia74 ,montagna4  ,chantilly4 ,,duc  
,d' ,,aumale3 ,bissolo1 ,rocco ,marconi4
  ,chatsworth4 ,,duke ,,of ,,devonshire3
 ,bassano1 ,bordone1 ,cariani1          
,schiavone4  ,cingoli4 ,s4 ,,domenico3  
,lotto4  ,cittadella4 ,,duomo3 ,bassano4

  ,cobham ,hall4 ,,lord ,,darnley3      
,titian4  ,colalto4 ,s4 ,,salvatore3    
,pordenone4  ,cologne4 ,,gallery3       
,bordone1 ,catena1 ,polidoro1           
,tintoretto4  ,conegliano4 ,,duomo3     
,beccaruzzi1 ,cima4   ,s4 ,m4 ,,delle   
,,grazie3 ,beccaruzzi4   ,s4 ,,rocco3   
,beccaruzzi4  ,costa di ,mezzate 7near  
,gorlago74 ,lotto4  ,cracow4 ,,prince   
,,czartoryski3 ,s4 del ,piombo4         
,cremona4 ,,duomo3 ,pordenone4  ,dijon4 
,bassano1 ,caprioli4  ,douai4           
,bartolommeo ,veneto4  ,dresden4        
,antonello1 ,barbari1 ,bartolommeo      
,veneto1 ,bassano1 ,beccaruzzi1         
,bonifazio1 ,bordone1 ,canaletto1       
,catena1 ,cima1 ,giorgione1 ,licinio1   
,longhi1    ,lotto1 ,palma ,vecchio1    
,polidoro1 ,previtali1 ,rocco ,marconi1 
,tintoretto1    ,titian1 ,girolamo da   
,treviso1 ,veronese4  ,dsseldorf4       
,bissolo1 ,cima1 ,rocco ,marconi4       
,edinburgh4 ,bassano1 ,bordone1 ,guardi1
 ,polidoro1 ,tiepolo4  ,escurial4       
,tintoretto4  ,faenza4 ,,la ,,magione3  

,gir4 da ,treviso4  ,feltre4            
,,seminario3 ,bassano4  ,fermo4         
,,carmine3 ,rondinelli4   ,,casa        
,,bernetti3 ,savoldo1 ,b4 ,vivarini4    
,ferrara4 ,beccaruzzi1 ,carpaccio4      
,,sig4 ,,vendeghini3 ,jacopo ,bellini4  
,,sig4 ,,santini3 ,girolamo da ,treviso4
  ,florence4 ,,pitti3 ,barbari1         
,bonifazio1 ,bordone1    ,s4 del        
,piombo1 ,polidoro1 ,schiavone1         
,tintoretto1 ,titian1 ,veronese4        
,,uffizi3 ,bartolommeo ,veneto1         
,bassano1 ,beccaruzzi1 ,giovanni        
,bellini1    ,bordone1 ,canaletto1      
,carpaccio1 ,giorgione1 ,licinio1       
,lotto1 ,palma    ,vecchio1 ,s4 del     
,piombo1 ,rondinelli1 ,schiavone1       
,tintoretto1 ,titian1    ,veronese4     
,,palazzo ,,panciatichi3 ,crivelli4     
,,mr4 ,,loeser3 ,savoldo1 ,longhi1      
,alvise ,vivarini4  ,fonthill 7,wilts74 
,,mr4 ,,alfred ,,morrison1 ,bonsignori4 
,forli4 ,,gallery3 ,rondinelli4         
,,duomo3 ,rondinelli4   ,s4             
,,mercuriale1 ,rondinelli4  ,frankfort  

7a_/,m47 ,,gallery3 ,bartolommeo        
,veneto1 ,gentile ,bellini1 ,canale1    
,carpaccio1 ,cima1 ,crivelli1 ,tiepolo4 
,genoa4 ,,brignole-,,sale3 ,bordone1    
,licinio1 ,palma ,vecchio4   ,,prince   
,,giorgio ,,doria3 ,bartolommeo ,veneto4
   ,,palazzo ,,balbi-,,senarega3        
,titian4   ,s4 ,,annunziata3 ,bissolo4  
,glasgow4 ,bart4 ,veneto1 ,beccaruzzi1  
,bordone1 ,cariani1 ,catena1 ,guardi1   
,palma1 ,polidoro4  ,gosford ,house1 ,n4
 ,b4 ,,lord ,,wemys3 ,bassano1          
,bonsignori1 ,bordone1 ,savoldo1        
,schiavone1 ,alvise and ,bart4          
,vivarini4  ,hague4 ,,gallery3          
,bonifazio4  ,haigh ,hall 7near ,wigan74
 ,,lord ,,crawford3 ,beccaruzzi1        
,carpaccio4  ,hamburg4 ,,consul ,,weber3
 ,barbari1 ,guardi1 ,lotto1 ,palma1     
,previtali1    ,schiavone1 ,tiepolo1    
,tintoretto4  ,hampton ,court4 ,bassano1
 ,bissolo1 ,bonifazio1 ,bordone1        
,canaletto1 ,cariani1    ,giorgione1    
,licinio1 ,longhi1 ,lotto1 ,palma       
,vecchio1 ,polidoro1 ,savoldo1          

,schiavone1 ,tintoretto1 ,titian4       
,hermannstadt4 ,lotto4  ,hopetoun       
,house1 ,n4 ,b4 ,,lord ,,hopetoun3      
,bassano1 ,beccaruzzi1 ,canale4         
,innsbruck4 ,rondinelli4  ,jesi4        
,,library3 ,lotto4  ,keir1 ,n4 ,b4 ,,mr4
 ,,archibald ,,stirling3 ,beccaruzzi1   
,bordone1 ,longhi1   ,previtali4        
,langton1 ,n4 ,b4 7near ,duns74 ,,mrs4  
,,baillie-,,hamilton3 ,polidoro4        
,leipzig4 ,rocco ,marconi1 ,tintoretto4 
,lille4 ,beccaruzzi1 ,bonifazio1        
,polidoro1 ,tintoretto4  ,linlathen1 ,n4
 ,b4 ,,col4 ,,erskine3 ,bassano1        
,beccaruzzi1 ,s4 del ,piombo1           
,polidoro4  ,liverpool4 ,catena1        
,rondinelli4  ,london4 ,,national       
,,gallery3 ,antonello1 ,bartolommeo     
,veneto1 ,basaiti1     ,bassano1        
,gentile ,bellini1 ,giovanni ,bellini1  
,bonifazio1 ,bonsignori1     ,bordone1  
,canaletto1 ,cariani1 ,capaccio1        
,catena1 ,cima1 ,crivelli1 ,guardi1     
,licinio1 ,pietro ,longhi1 ,lotto1      
,palma ,vecchio1 ,sebastiano del        

,piombo1     ,previtali1 ,rocco         
,marconi1 ,savoldo1 ,tiepolo1           
,tintoretto1 ,titian1 ,gir4     da      
,treviso1 ,veronese1 ,bartolommeo       
,vivarini4    ,,burlington ,,house1     
,,diploma ,,gallery3 ,beccaruzzi4       
,,south ,,kensington ,,museum4 ,,jones  
,,collection3 ,crivelli4   ,,lord       
,,ashburnham3 ,caprioli1 ,catena1 ,rocco
 ,marconi4   ,,lady ,,ashburton3        
,crivelli1 ,licinio1 ,rondinelli4       
,,apsley ,,house3 ,beccaruzzi4   ,,lord 
,,battersea3 ,polidoro1 ,tiepolo4       
,,mr4 ,w4 ,b4 ,,beaumont3 ,catena 7874  
,,mr4 ,r4 ,h4 ,,benson3 ,bartolommeo    
,veneto1 ,basaiti1 ,bassano1 ,bissolo1  
,bonifazio1 ,caprioli1 ,cariani1        
,carpaccio1 ,catena1 ,crivelli1    ,s4  
del ,piombo1 ,polidoro4   ,,mr4 ,f4     
,,cavendish-,,bentinck3 ,longhi4        
,,bridgewater ,,house3 ,bordone1 ,lotto1
 ,tintoretto1 ,titian4   ,,lord         
,,brownlow3 ,bordone1 ,polidoro1        
,tintoretto4   ,,mr4 ,c4 ,,butler3      
,basaiti1 ,bassano1 ,beccaruzzi1        

,bonifazio1 ,catena1 ,licinio1          
,montagna1 ,rocco ,marconi1 ,tintoretto1
 ,bartolommeo ,vivarini4   ,,mr4 ,j4 ,p4
 ,,carrington3 ,rocco ,marconi4   ,,the 
,,misses ,,cohen3 ,bordone1 ,canale1    
,guardi1 ,tiepolo1 ,alvise ,vivarini4   
,,mr4 ,,martin ,,colnaghi3 ,lotto1      
,tiepolo4   ,,sir ,w4 ,m4 ,,conway3     
,lotto1 ,tiepolo4   ,,mr4 ,r4           
,,crawshay3 ,crivelli1 ,tintoretto4     
,,mr4 ,t4 ,d4 ,,crews3 ,bonifazio4      
,,mr4 ,g4 ,,donaldson3 ,bassano1        
,bordone4   ,,dorchester ,,house3 ,b4   
,veneto1 ,beccaruzzi1 ,canale1 ,cariani1
 ,guardi1    ,licinio1 ,lotto1          
,polidoro1 ,rondinelli1 ,tintoretto4    
,,sir ,,wm4 ,,farrer3 ,beccaruzzi1      
,guardi1 ,montagna1 ,polidoro1          
,tintoretto4   ,,mr4 ,,wickham ,,flower3
 ,palma4   ,,sir ,a4 ,,wollaston        
,,franks3 ,guardi4   ,,sir ,,julian     
,,goldschmid3 ,guardi4   ,,duke ,,of    
,,grafton3 ,caprioli1 ,s4 del ,piombo4  
,,hertford ,,house3 ,canale1 ,cima1     
,crivelli1 ,guardi4   ,,mr4 ,j4 ,p4     

,,heseltine3 ,catena4   ,,sir ,h4       
,,howarth3 ,previtali1 ,schiavone4      
,,lord ,,houghton3 ,guardi4   ,,mr4     
,,arthur ,,james3 ,guardi1 ,tintoretto4 
,,mr4 ,,james ,,knowles3 ,schiavone4    
,,marquis ,,of ,,lansdowne3 ,cariani4   
,,mr4 ,,muir ,,mackenzie3 ,polidoro4    
,,mr4 ,,ludwig ,,mond3 ,giovanni and    
,gentile ,bellini1 ,bissolo1 ,canaletto1
    ,catena1 ,cima1 ,crivelli1 ,guardi1 
,p4 ,longhi1 ,palma1 ,s4 del ,piombo1   
,polidoro1 ,savoldo1 ,tintoretto1       
,titian1 ,girolamo da ,treviso4   ,,lord
 ,,northbrook3 ,beccaruzzi1 ,crivelli1  
,rocco ,marconi4   ,,dr4 ,j4 ,p4        
,,richter3 ,bonifazio1 ,bordone1        
,canale1 ,guardi1 ,tiepolo1 ,veronese4  
,,lord ,,rosebery3 ,bordone1            
,tintoretto4   ,,mr4 ,,george ,,salting3
 ,basaiti1 ,cariani1 ,guardi1           
,tintoretto1 ,alvise    ,vivarini4      
,,mr4 ,,stuart ,m4 ,,samuel3 ,crivelli4 
,,sir ,b4 ,,samuelson3 ,montagna1       
,rondinelli4   ,,sir ,,michael          
,,shaw-,,stewart3 ,basaiti1 ,rocco      

,marconi4   ,,mr4 ,j4 ,e4 ,,taylor3     
,cima4   ,,duke ,,of ,,westminster3     
,canale1 ,polidoro1 ,girolamo da        
,treviso4   ,,mrs4 ,,anderson ,,weston3 
,guardi4   ,,lord ,,yarborough3         
,polidoro4  ,loreto4 ,,palazzo          
,,apostolico3 ,lotto4  ,lovere4         
,,gallery ,,tadini3 ,jacopo ,bellini1   
,bordone4  ,lbeck4 ,tintoretto4  ,lucca4
 ,,gallery3 ,tintoretto4  ,lyons4       
,tintoretto4  ,macerata4 ,,gallery3     
,crivelli4  ,madrid4 ,giorgione1 ,lotto1
 ,s4 del ,piombo1 ,tintoretto1 ,titian1 
,veronese4  ,maniago4 ,,casa ,,maniago3 
,titian4  ,mantua4 ,,accademia          
,,virgiliana3 ,bonsignori4  ,marseilles4
 ,cariani1 ,schiavone4  ,maser4 ,,villa 
,,barbaro3 ,veronese4  ,massa ,fermana4 
,,municipio3 ,crivelli4  ,mayence4      
,tiepolo4  ,medole 7near ,brescia74     
,,duomo3 ,titian4  ,meiningen4 ,,ducal  
,,palace3 ,basaiti1 ,bart4 ,vivarini4   
,milan4 ,,brera3 ,gentile ,bellini1     
,giovanni ,bellini1 ,bissolo1           
,bonifazio1    ,bonsignori1 ,bordone1   

,cariani1 ,carpaccio1 ,cima1 ,crivelli1 
,lotto1    ,montagna1 ,palma ,vecchio1  
,previtali1 ,rondinelli1 ,savoldo1      
,tintoretto1    ,titian1 ,veronese1     
,alvise ,vivarini4   ,,poldi-,,pezzoli3 
,bonifazio1 ,cariani1 ,crivelli1        
,guardi1 ,lotto1 ,montagna1    ,tiepolo4
   ,,museo ,,civico3 ,antonello1        
,beccaruzzi1 ,cariani1 ,crivelli1       
,guardi1 ,licinio1    ,lotto1           
,rondinelli1 ,schiavone4   ,,ambrosiana3
 ,bartolommeo ,veneto1 ,basaiti1        
,bassano1 ,bonifazio1 ,cariani1         
,savoldo4   ,,natural ,,history         
,,museum3 ,tiepolo4   ,,archbishop',s   
,,palace3 ,licinio4                     
,,bagati-,,valsecchi3 ,gir4 da ,treviso1
 ,alvise ,vivarini4   ,,borromeo3       
,bartolommeo ,veneto1 ,lotto4           
,,palazzo ,,chierici3 ,tiepolo4   ,,sig4
 ,,bertini3 ,guardi4   ,,sig4 ,b4       
,,crespi3 ,bordone1 ,licinio1 ,longhi1  
,savoldo1 ,tiepolo4   ,,dr4 ,,gust4     
,,frizzoni3 ,giovanni ,bellini1         
,cariani1 ,lotto1 ,montagna1            

,pordenone1 ,previtali4   ,,duca        
,,melzi3 ,bartolommeo ,veneto4   ,,casa 
,,sormani3 ,canaletto4   ,,prince       
,,trivulzio3 ,antonello1 ,guardi4   ,s4 
,,maria ,,presso ,,celso3 ,bordone4     
,modena4 ,,gallery3 ,bassano1 ,catena1  
,cima1 ,licinio1 ,longhi1 ,montagna1    
,polidoro1 ,alvise ,vivarini4   ,,count 
,,lotario ,,rangoni3 ,palma4   ,s4      
,,pietro3 ,girolamo da ,treviso4        
,monopoli4 ,,duomo3 ,gentile ,bellini4  
,montefiorentino4 ,alvise ,vivarini4    
,monte ,san ,giusto4 ,s4 ,,maria3       
,lotto4  ,montpellier4 ,bassano4  ,motta
 di ,livenza4 ,s4 ,,maria ,,dei         
,,miracoli3 ,caprioli1 ,pordenone4      
,munich4 ,basaiti1 ,bassano1 ,bordone1  
,cariani1 ,cima1 ,licinio1 ,lotto1      
,palma1    ,polidoro1 ,rocco ,marconi1  
,schiavone1 ,tiepolo1 ,titian4          
,,lotzbeck ,,collection3 ,bassano1      
,cariani1 ,savoldo4  ,mnster 7in ,w474  
,licinio1 ,gir4 da ,treviso1 ,rocco     
,marconi4  ,murano4 ,s4 ,,pietro3       
,basaiti1 ,giovanni ,bellini4   ,s4     

,,maria ,,degli ,,angeli3 ,pordenone4   
,nancy4 ,bartolommeo ,veneto1 ,lotto4   
,naples4 ,antonello1 ,barbari1 ,giov4   
,bellini1 ,lotto1 ,palma1 ,s4 del       
,piombo1    ,polidoro1 ,titian1 ,alvise 
,vivarini1 ,bartolommeo ,vivarini4      
,,museo ,,filangieri3 ,caprioli1        
,guardi4  ,narbonne4 ,beccaruzzi4  ,new 
,battle1 ,n4 ,b4 ,,marquis ,,of         
,,lothian3 ,canale1 ,caprioli1          
,polidoro1    ,rocco ,marconi4          
,newport1 ,u4 ,s4 ,a4 ,,mr4 ,t4 ,h4     
,,davis3 ,giov4 ,bellini1 ,tintoretto4  
,new ,york1 ,u4 ,s4 ,a4 ,,metropolitan  
,,museum3 ,guardi1 ,tiepolo4            
,,marquand ,,col43 ,savoldo4            
,,historical ,,society3 ,bordone1       
,cariani4  ,nmes4 ,catena4  ,oldenburg4 
,beccaruzzi1 ,cariani1 ,previtali1      
,rondinelli4  ,olera4 ,,church3 ,cima4  
,osimo4 ,,municipio3 ,lotto4  ,oxford4  
,,taylorian ,,museum3 ,guardi4          
,,christ ,,church ,,library3 ,polidoro1 
,previtali4  ,padua4 ,,gallery3         
,basaiti1 ,beccaruzzi1 ,jacopo ,bellini1

 ,bordone1 ,catena1    ,guardi1         
,licinio1 ,previtali1 ,rocco ,marconi1  
,rondinelli1 ,tiepolo1 ,alvise          
,vivarini4   ,,santo3 ,tiepolo4         
,,scuola ,,del ,,santo3 ,montagna1      
,titian4   ,s4 ,,giustina3 ,veronese4   
,s4 ,,maria ,,in ,,vanzo3 ,bassano1     
,montagna4   ,,bishop',s ,,palace3      
,montagna4  ,panshanger4 ,,lord         
,,cowper3 ,montagna1 ,tintoretto4       
,paris4 ,,louvre3 ,antonello1 ,b4       
,veneto1 ,bassano1 ,bonifazio1 ,bordone1
    ,canale1 ,cariani1 ,carpaccio1      
,catena1 ,cima1 ,crivelli1 ,giorgione1  
,guardi1    ,lotto1 ,montagna1 ,palma1  
,s4 del ,piombo1 ,polidoro1 ,rondinelli1
 ,schiavone1    ,tiepolo1 ,tintoretto1  
,titian1 ,veronese1 ,alvise ,vivarini1  
,bart4 ,vivarini4   ,,mme4 ,,andr3      
,canale1 ,catena1 ,guardi1 ,polidoro1   
,tiepolo4   ,,countess ,,de ,b,,arn3    
,alvise ,vivarini4   ,,mr4 ,l,,opold    
,,goldschmidt3 ,catena1 ,guardi1        
,tiepolo4   ,m4 ,,salomon ,,goldschmidt3
 ,catena4   ,m4 ,,maurice ,,kann3       

,canale4   ,m4 ,,martin ,,le ,,roy3     
,basaiti4   ,m4 ,,alphonse ,,de         
,,rothschild3 ,s4 del ,piombo4          
,,prince ,,sciarra3 ,bonsignori4        
,parma4 ,,gallery3 ,beccaruzzi1 ,cima1  
,s4 del ,piombo1 ,schiavone1 ,tiepolo4  
,pausula4 ,s4 ,,agostino3 ,crivelli4    
,peghera4 ,,church3 ,palma4  ,pesaro4   
,,gallery3 ,giovanni ,bellini4   ,s4    
,,francesco3 ,giovanni ,bellini4        
,piacenza4 ,s4 ,,maria ,,della          
,,campagna3 ,pordenone4  ,piove 7near   
,padua74 ,s4 ,,niccol3 ,tiepolo4        
,ponteranica 7near ,bergamo74 ,,church3 
,lotto4  ,pordenone4 ,,municipio3       
,pordenone4   ,,duomo3 ,pordenone4      
,praglia 7near ,padua74 ,,refectory3    
,montagna4  ,ravenna4 ,,gallery3        
,rondinelli4   ,s4 ,,domenico3          
,rondinelli4  ,recanati4 ,,municipio3   
,lotto4   ,s4 ,,domenico3 ,lotto4   ,s4 
,,maria ,,sopra ,,mercanti3 ,lotto4     
,richmond4 ,,sir ,,francis ,,cook3      
,bordone1 ,cima1 ,crivelli1 ,guardi1    
,polidoro1    ,rocco ,marconi1 ,tiepolo1

 ,tintoretto4  ,rimini4 ,,municipio3    
,giovanni ,bellini4  ,rome4 ,,villa     
,,borghese3 ,antonello1 ,bassano1       
,bissolo1 ,bonifazio1 ,caprioli1        
,cariani1 ,giorgione1 ,licinio1 ,lotto1 
,palma1 ,polidoro1 ,savoldo1    ,titian1
 ,veronese4   ,,capitol3 ,lotto1 ,palma1
 ,polidoro1 ,rondinelli1 ,savoldo1      
,tintoretto1 ,titian4   ,,colonna       
,,gallery3 ,bonifazio1 ,bordone1        
,guardi1 ,palma1 ,tintoretto1 ,gir4 da  
,treviso1 ,veronese4   ,,corsini        
,,gallery3 ,bart4 ,veneto1 ,bassano1    
,cariani1 ,rocco ,marconi4   ,,doria    
,,gallery3 ,bart4 ,veneto1 ,basaiti1    
,beccaruzzi1 ,bonifazio1 ,bordone1      
,catena1 ,lotto1 ,s4 del ,piombo1       
,polidoro1 ,rondinelli1 ,tintoretto1    
,titian4   ,,farnesina3 ,s4 del ,piombo4
   ,,lateran3 ,crivelli4   ,,rospigliosi
 ,,gallery3 ,lotto1 ,polidoro4          
,,vatican3 ,cariani1 ,crivelli1 ,titian4
   ,,ante-,,chamber ,,to ,,pope',s      
,,apartments3 ,bordone4   ,,prince      
,,chigi3 ,bonifazio1 ,titian4           

,,countess ,,santa ,,fiora3 ,bassano4   
,,miss ,,hertz3 ,licinio4   ,,don       
,,marcello ,,massarenti3 ,guardi1       
,polidoro4   ,,donna ,,laura            
,,minghetti3 ,gir4 da ,treviso4   ,,sig4
 ,,del ,,nero3 ,s4 del ,piombo4   ,s4   
,,maria ,,del ,,popolo3 ,s4 del ,piombo4
   ,s4 ,,pietro ,,in ,,montorio3 ,s4 del
 ,piombo4  ,rossie ,priory1 ,n4 ,b4     
,,lord ,,kinnaird3 ,bassano1 ,licinio1  
,tiepolo4  ,rouen4 ,,gallery3 ,guardi4  
,saletto4 ,,church3 ,licinio4  ,san     
,daniele 7near ,udine74 ,,duomo3        
,pordenone4  ,sedrina4 ,,church3        
,,lotto4  ,serina4 ,,church3 ,palma4    
,serravalle4 ,,duomo3 ,titian4   ,s4    
,,antonio3 ,beccaruzzi4  ,seven ,oaks4  
,,lord ,,amherst3 ,savoldo4  ,siena4    
,,gallery3 ,bordone4   ,,palazzo        
,,saracini3 ,s4 del ,piombo4            
,spilimbergo4 ,,duomo3 ,pordenone4      
,strassburg4 ,,gallery3 ,basaiti1       
,beccaruzzi1 ,bordone1 ,cariani1        
,crivelli1 ,guardi1 ,montagna1 ,rocco   
,marconi1 ,tiepolo4  ,stuttgart4        

,,gallery3 ,basaiti1 ,bassano1          
,beccaruzzi1 ,cariani1 ,carpaccio1      
,polidoro1 ,rocco ,marconi1 ,rondinelli4
  ,st4 ,petersburg4 ,,hermitage3        
,cariani1 ,s4 del ,piombo4  ,susigana4  
,,parish ,,church3 ,pordenone4  ,torre  
7near ,pordenone74 ,,church3 ,pordenone4
  ,toulouse4 ,beccaruzzi1 ,guardi4      
,tours4 ,bassano1 ,rocco ,marconi4      
,trent4 ,,castle1 ,,chapel1 ,,and       
,,inner ,,room2 ,gir4 da ,treviso4      
#d-f ,,piazza ,,grande1 #ab ,,via ,,del 
,,teatro3 ,gir4 da ,treviso4            
,trescorre4 ,,suardi ,,chapel3 ,lotto4  
,treviso4 ,,gallery3 ,bordone1          
,caprioli1 ,lotto4   ,,monte ,,di       
,,piet3 ,beccaruzzi4   ,,eredi          
,,perazzolo3 ,beccaruzzi4   ,s4         
,,andrea3 ,bissolo4   ,s4 ,,cristina3   
,lotto4   ,,duomo3 ,bissolo1 ,bordone1  
,pordenone1 ,titian4   ,s4 ,,lucia3     
,beccaruzzi4   ,s4 ,,niccol3 ,barbari1  
,s4 del ,piombo1 ,savoldo4   #ah        
,,piazza ,,del ,,duomo3 ,barbari4       
,turin4 ,giovanni ,bellini1 ,guardi1    

,tiepolo1 ,tintoretto1 ,b4 ,vivarini4   
,udine4 ,,municipio3 ,tiepolo4   ,s4    
,,maria ,,della ,,piet3 ,tiepolo4       
,urbino4 ,,ducal ,,palace3 ,titian4     
,,casa ,,albani3 ,savoldo4  ,venice4    
,,academy3 ,antonello1 ,basaiti1        
,bassano1 ,beccaruzzi1 ,gentile         
,bellini1 ,giovanni ,bellini1 ,jacopo   
,bellini1 ,bissolo1 ,bonifazio1         
,bordone1     ,cariani1 ,carpaccio1     
,catena1 ,cima1 ,crivelli1 ,guardi1     
,licinio1 ,longhi1     ,montagna1 ,palma
 ,vecchio1 ,pordenone1 ,rocco ,marconi1 
,savoldo1 ,schiavone1     ,tiepolo1     
,tintoretto1 ,titian1 ,veronese1 ,alvise
 ,vivarini1 ,bartolommeo     ,vivarini4 
,,museo ,,correr3 ,basaiti1 ,beccaruzzi1
 ,gentile ,bellini1 ,giovanni ,bellini1 
,jacopo ,bellini1 ,bissolo1 ,carpaccio1 
,guardi1 ,longhi1 ,rondinelli1 ,alvise  
,vivarini4    ,,palazzo ,,ducale3       
,bartolommeo ,veneto1 ,bassano1         
,giovanni ,bellini1     ,bonsignori1    
,bordone1 ,carpaccio1 ,catena1          
,previtali1 ,tintoretto1 ,titian1       

,veronese4    ,,manfrin ,,gallery3      
,beccaruzzi4   ,,quirini-,,stampalia3   
,beccaruzzi1 ,catena1 ,longhi1 ,palma1  
,polidoro1     ,schiavone1 ,tiepolo4    
,,palazzo ,,reale3 ,bassano1 ,bonifazio1
 ,schiavone1 ,tintoretto1 ,titian4      
,,seminario3 ,cima1 ,giorgione1         
,tiepolo1 ,alvise ,vivarini4   ,,prince 
,,giovanelli3 ,antonello1 ,basaiti1     
,bonifazio1 ,bordone1 ,catena1          
,giorgione1 ,palma1 ,rocco ,marconi1    
,rondinelli1 ,tintoretto1 ,titian4      
,,lady   ,,layard3 ,barbari1 ,gentile   
,bellini1 ,bissolo1 ,bonifazio1         
,bonsignori1     ,bordone1 ,carpaccio1  
,cima1 ,licinio1 ,montagna1 ,palma1 ,s4 
del ,piombo1     ,previtali1            
,rondinelli1 ,savoldo1 ,alvise          
,vivarini4   ,,palazzo ,,grassi3        
,longhi4   ,,palazzo ,,labia3 ,tiepolo4 
,,palazzo ,,rezzonico3 ,tiepolo4   ,s4  
,,alvise3 ,tiepolo4   ,,santi           
,,apostoli3 ,tiepolo4   ,s4             
,,bartolommeo ,,in ,,rialto3 ,s4 del    
,piombo4   ,s4 ,,barnab3 ,veronese4     

,,carmine3 ,cima1 ,lotto1 ,schiavone4   
,,scuola ,,del ,,carmine3 ,tiepolo4     
,s4 ,,cassiano3 ,rocco ,marconi1        
,tintoretto4   ,s4 ,,caterina3          
,veronese4   ,s4 ,,fantino3 ,rondinelli4
   ,s4 ,,fava3 ,tiepolo4   ,s4          
,,francesco ,,della ,,vigna3 ,giovanni  
,bellini1 ,veronese4   ,,frari3         
,barbari1 ,giovanni ,bellini1 ,licinio1 
,tiepolo1 ,titian1 ,alvise              
,vivarini1 ,bartolommeo ,vivarini4      
,,gesuati3 ,tiepolo4   ,,gesuiti3       
,tintoretto1 ,titian4   ,s4 ,,giacomo   
,,dell' ,,orio3 ,bassano1 ,lotto1       
,schiavone4   ,s4 ,,giobbe3 ,bordone1   
,previtali1 ,savoldo4   ,s4 ,,giorgio   
,,maggiore3 ,carpaccio1 ,tintoretto4    
,s4 ,,giorgio ,,degli ,,schiavoni3      
,carpaccio4   ,s4 ,,giovanni ,,in       
,,bragora3 ,bissolo1 ,bordone1 ,cima1   
,alvise ,vivarini1     ,bartolommeo     
,vivarini4   ,s4 ,,giovanni             
,,crisostomo3 ,giovanni ,bellini1 ,s4   
del ,piombo4   ,s4 ,,giovanni           
,,elemosinario3 ,pordenone1 ,titian4    

,s4 ,,giovanni ,e ,,paolo3 ,bonsignori1 
,cima1 ,lotto1 ,rocco ,marconi1         
,tiepolo1     ,alvise ,vivarini1        
,bartolommeo ,vivarini4   ,s4 ,,guiseppe
 ,,in ,,castello3 ,tintoretto4   ,s4    
,,lio3 ,titian4   ,s4 ,,marco3 ,gentile 
,bellini4   ,s4 ,,marcuolo3 ,titian4    
,s4 ,,maria ,,formosa3 ,palma1          
,bartolommeo ,vivarini4   ,s4 ,,maria   
,,mater ,,domini3 ,bissolo1 ,catena1    
,tintoretto4   ,s4 ,,maria ,,dell'      
,,orto3 ,beccaruzzi1 ,giov4 ,bellini1   
,cima1 ,tintoretto4   ,s4 ,,maria       
,,della ,,piet3 ,tiepolo4   ,s4         
,,marziale3 ,tintoretto1 ,titian4   ,s4 
,,paolo3 ,tintoretto4   ,s4 ,,pietro    
,,di ,,castello3 ,basaiti4              
,,redentore3 ,bissolo1 ,previtali1      
,alvise ,vivarini4   ,s4 ,,rocco3       
,giorgione1 ,pordenone1 ,tintoretto4    
,,scuola ,,di ,s4 ,,rocco3 ,tintoretto1 
,titian4   ,,salute3 ,basaiti1          
,polidoro1 ,tintoretto1 ,titian1        
,girolamo da ,treviso4   ,s4            
,,salvatore3 ,titian4   ,,scalzi3       

,tiepolo4   ,s4 ,,sebastiano3 ,titian1  
,veronese4   ,s4 ,,simeon ,,profeta3    
,catena4   ,s4 ,,stefano3 ,pordenone1   
,tintoretto4   ,s4 ,,trovaso3 ,jacopo   
,bellini1 ,catena1 ,tintoretto4   ,s4   
,,vitale3 ,carpaccio4   ,s4 ,,zaccaria3 
,giovanni ,bellini1 ,tintoretto4        
,verona4 ,,gallery3 ,bart4 ,veneto1     
,basaiti1 ,bassano1 ,giovanni ,bellini1 
,jacopo ,bellini1 ,crivelli1 ,guardi1   
,montagna1 ,polidoro1 ,previtali1       
,tiepolo1 ,titian1 ,gir4 da ,treviso1   
,veronese4   ,,duomo3 ,titian4   ,s4    
,,giorgio3 ,veronese4   ,s4 ,,nazaro ,e 
,,celso3 ,montagna4   ,s4 ,,paolo3      
,veronese4  ,vicenza4 ,,gallery3        
,antonello1 ,bassano1 ,cariani1 ,cima1  
,montagna1     ,tiepolo1 ,tintoretto1   
,veronese4   ,,palazzo ,,loschi3        
,bassano1 ,giorgione4   ,,villa         
,,valmarana3 ,tiepolo4   ,s4 ,,corona3  
,giovanni ,bellini1 ,montagna4          
,,duomo3 ,montagna4   ,s4 ,,lorenzo3    
,montagna4   ,,monte ,,berico3          
,montagna1 ,veronese4   ,s4 ,,stefano3  

,palma4  ,vienna4 ,,imperial ,,museum3  
,barbari1 ,basaiti1 ,bassano1           
,beccaruzzi1     ,bissolo1 ,bonifazio1  
,bordone1 ,caprioli1 ,cariani1          
,carpaccio1 ,catena1     ,cima1         
,giorgione1 ,licinio1 ,lotto1 ,palma1   
,s4 del ,piombo1 ,polidoro1             
,previtali1 ,savoldo1 ,schiavone1       
,tintoretto1 ,titian1 ,gir4 da ,treviso1
     ,veronese1 ,alvise ,vivarini1      
,bartolommeo ,vivarini4   ,,academy3    
,bassano1 ,beccaruzzi1 ,caprioli1       
,cariani1 ,polidoro1 ,schiavone1        
,tiepolo1 ,tintoretto1 ,alvise          
,vivarini4   ,,czernin3 ,bordone1 ,rocco
 ,marconi1 ,titian4   ,,harrach         
,,collection3 ,basaiti1 ,licinio1       
,polidoro4   ,,lichtenstein3 ,canale1   
,palma ,vecchio1 ,savoldo4  ,viterbo4   
,,municipio3 ,s4 del ,piombo4  ,weimar4 
,,gallery3 ,barbari4  ,windsor ,castle4 
,canale1 ,caprioli1 ,alvise ,vivarini4  
,woburn ,abbey4 ,bassano1 ,canale1      
,tintoretto4  ,wrzburg4 ,,archbishop',s 
,,palace3 ,tiepolo4  ,zogno4 ,,church3  

,cariani4