,illum9at$ ,manuscripts ,john ,bradley ,,brack5 ,,books ,,london ,,cont5ts ,,book ,i ,,*apt] ,i ,,introductory ,:at is meant by art8--,! art faculty--,h[ arti/s may be comp>$--,! aim ( illum9ation--,di/9ction betwe5 illum9ation & m9iature--,def9ition ( illum9ation--,! fir/ m9iature pa9t]--,orig9 ( ! t]m m9iature--,ovid's allusion to 8 little book4 ,,*apt] ,,ii ,,vellum ,,& ,,o!r ,,mat]ials ,diff]5ce betwe5 vellum & p>*m5t--,names ( diff]5t prep>ations--,! k9ds ( vellum mo/ priz$ = illum9at$ books--,! p>*em9]ie ( ! ,abbey ( ,cluny--,orig9 ( ! t]m p>*m5t--,papyrus4 ,,*apt] ,,iii ,,writ+ ,its diff]5t /yles--,orig9 ( ,we/]n alphabets--,v>i\s =ms ( lett]s--,capitals1 uncials1 etc4--,texts us$ 9 ,we/]n ,europe--,=ms ( anci5t writ+s--,! roll1 or volume--,! codex--,tablets--,dipty*s1 etc4--,! squ>e book--,h[ diff]5t sizes ( books 7 produc$4 ,,*apt] ,,iv ,,greek ,,& ,,roman ,,illum9ation ,! fir/ m9iature pa9t]--,! ,vatican ,v]gils--,me?ods ( pa9t+--,orig9 ( ,*ri/ian art--,! ,vi5na ,g5esis--,! ,dioscorides--,! ,byzant9e ,revival4 ,,*apt] ,v ,,byzant9e ,,illum9ation ,! rebuild+ ( ! city ( ,byzantium ! beg9n+ ( ,byzant9e art--,ju/9ian's fondness = build+ & spl5d\r--,description ( ,paul ! ,sil5ti>y--,sumptu\s g>m5ts--,! ,gospel-book ( ,hormisdas--,*>act]i/ics ( ,byzant9e "w--,comp>ative sc>city ( examples--,rigidity ( ,byzant9e rules ( art--,p]iods ( ,byzant9e art--,examples--,monotony & lifelessness ( ! /yle4 ,,*apt] ,,vi ,,celtic ,,illum9ation ,e>ly liturgical books reflect ! ecclesia/ical art ( _! "t--,?is feature a cont9u\s *>act]i/ic ( illum9ation d[n to ! late/ times--,elem5ts ( ,celtic ornam5t--,gospels ( ,/4 ,*ad--,durham ,gospels--,contra/ ( ,celtic & ,byzant9e--,/4 ,columba--,book ( ,kells--,details ( its decoration4 ,,*apt] ,,vii ,,celtic ,,illum9ation--cont9u$ ,! ,iona ,gospels--,contra/ ) ,roman & ,byzant9e--,details--,treatm5t ( animal =ms--,col\r s*emes--,! ,gospel-book ( ,/4 ,columbanus--,t ( ,mael ,bri? ,mac ,durnan--,! ,l9disf>ne ,gospels--,cumda*s--,o!r book-%r9es4 ,,*apt] ,,viii ,,semi-,,b>b>ic ,,illum9ation ,visigo?ic--,m]ov+ian--,lomb>dic--,ext9c tion ( classic art--,spl5did reign ( ,dagob]t--,/4 ,eloy ( ,noyon--,! ,libr>y ( ,laon--,natural ,hi/ory ( ,isidore ( ,seville--,elem5ts ( contempor>y art--,details ( ornam5t--,symbolism--,luxeuil & ,monte ,cass9o--,sacram5t>y ( ,gellone--,prud5tius--,orosius--,value ( ! ,sacram5t>y ( ,gellone4 ,,*apt] ,,ix ,,developm5t ,,( ,,! ,,initial ,! initial & initial p>agraph ! ma9 object ( decoration 9 ,celtic illum9ation--,/udy ( ! lett] ,l z an example--,! ,i ( ,9 pr9cipio & ! ,b ( ,beatus ,vir4 ,,*apt] ,x ,,fir/ ,,engli% ,,/yles ,transition f ,iona to ,l9disf>ne--,influ5ce ( ,franki% art--,! ,opus ,anglicum--,! ,w9*e/] s*ool & its *>act]i/ics--,:5ce obta9$--,me?od ( pa9t+--,examples--,:]e f\nd & describ$4 ,,*apt] ,,xi ,,c>ol+ian ,,illum9ation ,:y s-call$--,works to be consult$--,! ,libr>y ( ,/4 ,gall--,rise & progress ( ,c>ol+ian art--,acc\nt ( v>i\s ,,mss4--,feature ( ! /yle--,gospels ( ,/4 ,s]n9--,! ,ada-,codex--,c5tres ( production--,o!r spl5did examples--,! ,alcu9 ,bible--,! ,gospel ( ,/4 ,md>d ( ,soissons4 ,,*apt] ,,xii ,,mona/ic ,,illum9ation ,introductory--,mona/]ies & _! "w f ! six? to ! n9? c5tury--,! clau/ral s*ools--,alcu9--,w>nefrid & ,!odulf--,cl]ics & mona/ics--,! ,gold5 ,age ( mona/icism--,! ,ord] ( ,/4 ,b5$ict--,ci/]cian h\ses--,o!r ,ord]s--,progress ( writ+ 9 ,c>ol+ian times--,division ( lab\r4 ,,*apt] ,,xiii ,,mona/ic ,,illum9ation--cont9u$ ,! copyi/--,gratuit\s lab\r--,la/ words ( copyi/s--,disputes betwe5 ,cluny & ,citeaux--,! ,abbey ( ,cluny3 its gr&eur & influ5ces--,use ( gold & purple vellum--,! m influ5tial abbeys & _! "w 9 ,france1 ,g]many1 & ! ,ne!rl&s4 ,,*apt] ,,xiv ,,o?onian ,,illum9ation ,dep>ture f ,c>ol+ian--,bird & s]p5t--,common use ( dracont9e =ms 9 lett]-ornam5t--,influ5ce ( metal-"w on ! =ms ( scroll-ornam5t--,! v9e-/em & its developm5ts--,introduction ( ,greek ta/e & fa%ion into ,g]many--,ci/]cian illum9ation--,! ,o?onian p]iod--,influ5ce ( wom5 z patronesses & practition]s--,g]man pr9cesses--,! ,empress ,adelheid ( ,burgundy--,! ,empress ,!ophano--,h5ry ,,ii4 & ! ,empress ,cunegunda--,bamb]g--,examples ( ,o?onian art4 ,,*apt] ,,xv ,,franconian ,,illum9ation ,! lat] ,saxon s*ools--,b]nw>d ( ,hilde%eim--,tuotilo & ,h>tmut ( ,/4 ,gall5--,portrait ( ,h5ry ,,ii4 9 ,,ms4 #dj at ,muni*--,ne!rl&i% & o!r "w comp>$--,alleg$ det]ioration ( "w "u ! ,franconian ,emp]ors n true--,bad "* ( ! elev5? c5tury z to art--,example to ! contr>y4 ,,*apt] ,,xvi ,,arti/ic ,,education ,,9 ,,! ,,cloi/] ,! ,manual--,its discov]y--,its orig9 & cont5ts--,didron's translation--,! ,comp5dium ( ,!ophilus--,its cont5ts--,engli% v]sion by ,h5drie--,b5$ict9e & ,ci/]cian illum9ation--,h[ !y diff]--,"* ( mona/ic ar*itects & arti/s4 ,,*apt] ,,xvii ,,! ,,rise ,,( ,,go?ic ,,illum9ation ,g]many ! *ief p[] 9 ,europe 9 ! twelf? c5tury--,rise ( ,italian influ5ce--,! ,emm]am ,,mss4--,coronation ( ,h5ry ,,ii4--,! ,apocalypse--,! ,hortus ,delici>um--,romanesque--,,ms4 ( ,h5ry ! ,lion--,! ,ni$]mn/] ,gospels--,description ( ! ,,ms4--,rise ( ,go?ic--,unc]ta9ty ( its orig9--,! _s ( ! age4 ,,book ,,ii ,,*apt] ,i ,,! ,,gold5 ,,age ,,( ,,illum9ation ,! ,go?ic _s--,a zeitgei/ n ! inv5tion ( a s+le arti/ nor ( a s+le c\ntry--,! ?irte5? c5tury ! beg9n+ ( ! new /yle--,contra/ betwe5 ,nor? & ,s\?1 betwe5 ,ea/ & ,we/1 m>k$ 9 ! "* ( arti/ic leaf-"w--,gradual developm5t ( ,go?ic foliage--,! bud ( ! ?irte5? c5tury1 ! leaf ( ! f\rte5?1 & ! fl[] ( ! fifte5?--,! ,freemasons--,illum9ation transf]r$ f ! mona/]y to ! lay work%op--,! ,psalt] ( ,/4 ,l\is--,*>act]i/ics ( ,fr5* ,go?ic illum9ation--,rise ( ! m9iature z a di/9ct feature--,guilds--,lay arti/s4 ,,*apt] ,,ii ,,rise ,,( ,,national ,,/yles ,! f\rte5? c5tury ! true ,gold5 ,age ( ,go?ic illum9ation--,france ! cradle ( o!r national /yles--,ne!rl&i%1 ,italian1 ,g]man1 etc4--,di/9ction ( s*ools--,difficulty ( assign+ ! prov5ance ( ,,mss4--,! reason = x--,,ms4 9 ,fitzwilliam ,museum1 ,cambridge--,! ,padua ,missal--,arti/s' names--,:5ce obta9$4 ,,*apt] ,,iii ,,fr5* ,,illum9ation ,,f ,,! ,,?irte5? ,,c5tury ,,to ,,! ,,r5aissance ,ivy-leaf & *equ]$ backgr\nds--,occasional introduction ( pla9 burni%$ gold--,reign ( ,*>les ,,vi4 ( ,france--,! ,dukes ( ,orleans1 ,b]ry1 & ,burgundy2 _! prodigality & f9e ta/e = ,,mss4--,*ri/9e de ,pisan & h] works--,description ( h] ,mutation ( ,=tune 9 ! ,p>is ,libr>y--,! ,roman de la ,rose & ,cit des ,dames--,details ( ! ,fr5* /yle ( illum9ation--,burgundian ,,mss41 ,h>l4 #ddca--,roy4 #ae ,e4 #f--,! ,talbot ,romances--,gradual approa* to ,flemi% on ! "o h& & ,italian on ! o!r4 ,,*apt] ,,iv ,,engli% ,,illum9ation ,,f ,,! ,,t5? ,,to ,,! ,,fifte5? ,,c5tury ,organisation ( ! mona/ic scriptoria--,pr(essional outsid]s3 lay arti/s--,! :ole sometimes ! "w ( ! same practition]--,! ,w9*e/] ,abbeys ( ,/4 ,s)un's & ,hyde--,_! vicissitudes--,/4 ,alban's--,we/m9/]--,royal ,,ms4 #b ,a #bb--;,description ( /yle--,! ,t5ison ,psalt]--,features ( ?is p]iod--,! ,arundel ,psalt]--,hunt+ & %oot+ sc5es1 & games--,*>act]i/ic pictures1 grotesques1 & c>icatures--,que5 ,m>y's ,psalt]--,rapid *anges "u ,ri*>d ,,ii4--,royal ,,ms4 #b ,e4 #i--,_! cause4 ,,*apt] ,v ,,! ,,s\rces ,,( ,,engli% ,,fifte5?-,,c5tury ,,illum9ation ,attribut$ to ! ,ne!rl&s--,n altoge!r ,fr5*--,! home ( ,anne ( ,bohemia1 ,ri*>d ,,ii4's ,que5--,c\rt ( ,*>les ,,iv4 at ,prag--,bohemian ,art--,john ( ,luxemb\rg1 ,k+ ( ,bohemia--,! ,gold5 ,bull ( ,*>les ,,iv4--,m>riage ( ,ri*>d ,,ii4--,! trans=mation ( ,engli% "w ow+ to ?is m>riage & ! arrival ( ,bohemian arti/s 9 ,engl&--,influ5ce ( ,que5 ,anne on ,engli% ,art & ,lit]ature--,depression caus$ by h] dea?--,exam9ation ( ,roy4 ,,ms4 #a ,e4 #i & #b ,a4 #ah--,! ,gr&ison ,h\rs--,o!r ,,mss4--,introduction ( ,flemi% "w by ,edw>d ,,iv4 ,,*apt] ,,vi ,,italian ,,illum9ation ,b>b>ic "* ( ,italian illum9ation 9 ! twelf? c5tury--,rav5na & ,pavia ! e>lie/ c5tres ( revival--,! ,exultet--,la ,cava & ,monte ,cass9o--,! writ]s ( e>ly ,italian ,,mss4 n ,italians--,9 ! e>ly f\rte5? c5tury ! art is ,fr5*--,peculi>ities ( ,italian foliages--,! ,law ,books--,poems ( ,conv5evole da ,prato1 ! tutor ( ,petr>*--,celebrat$ patrons--,! ,laon ,boe?ius--,! ,decretals1 ,in/itutes1 etc4--,decretum ,gratiani1 o!r collections & ,,mss4--,/atuts du ,sa9t ,esprit--,me?od ( pa9t+--,don ,silve/ro--,! ,rationale ( ,dur&us--,nicolas ( ,bologna1 etc4--,triumphs ( ,petr>*--,books at ,san ,m>co1 ,flor5ce--,! ,br]a ,graduals at ,milan--,o!r ,italian collections--,examples ( diff]5t localities 9 ! ,briti% ,museum--,places :]e ! be/ "w 0 done--,f9e ,neapolitan ,,ms4 9 ! ,briti% ,museum--,! :ite-v9e /yle sup]s$$ by ! classical r5aissance4 ,,*apt] ,,vii ,,g]man ,,illum9ation ,,f ,,! ,,?irte5? ,,to ,,! ,,sixte5? ,,c5tury ,fr$]ick ,,ii41 ,/upor ,mundi1 & 8 ,,ms4 on hunt+--,! ,sicilian s*ool ma9ly ,s>ac5ic1 b a mixture ( ,greek1 ,arabic1 & ,lat9 ta/es--,! ,franconian ,emp]ors at ,bamb]g--,*>les ( ,anj\--,! ,h\se ( ,luxemb\rg at ,prag--,,mss4 9 ! ,univ]sity ,libr>y--,! ,collegium ,c>ol9um ( ! ,emp]or ,*>les ,,iv4--,,mss4 at ,vi5na--,! ,w5zel ,bible--,! ,welt*ronik ( ,rudolf v4 ,ems at ,/uttg>d--,wilhelm v4 ,oranse at ,vi5na--,! ,gold5 ,bull--,v>i\s s*ools--,hilde%eim] ,pray]-book at ,b]l9--,! ,nuremb]g s*ool--,! ,glock5dons--,! ,bre?r5 ( ! ,p54 ,,*apt] ,,viii ,,ne!rl&i% ,,illum9ation ,:at is meant by ! ,ne!rl&s--,e>ly realism & /udy ( nature--,comb9ation ( symbolism ) imitation--,ana*ronism 9 design--,! value ( ! pictorial me?ods ( ! old illum9ators--,! olde/ ,ne!rl&i% ,,ms4--,h>l9da & ,r5ilda--,! nunn]y at ,maas-,eyck--,description ( ! ,,ms4--,?omas ,kempis--,! s*ool ( ,zwolle--,"* ( ! "w--,! use ( gre5 l&scape backgr\nds--,! ,dukes ( ,burgundy--,ne!rl&i% arti/s--,no m9iatures ( ! ,van ,eycks or ,meml+ kn[n to exi/--,s*ools ( ,bruges1 ,gh5t1 ,lige1 etc4--,brussels ,libr>y--,spl5did ,ne!rl&i% ,,mss4 at ,vi5na--,g]>d ,david & ! ,grimani ,brevi>y--,briti% ,museum--,romance ( ! ,rose--,isabella ,brevi>y--,grisailles4 ,,*apt] ,,ix ,,! ,,fr5* ,,r5aissance ,communication ) ,italy--,r5aissance n sudd5--,orig9 ( ! s*ools ( ,france & ,burgundy--,t\ra9e & its art--,f\quet--,br5tano ,,mss4--,v]sailles ,livy--,muni* ,boccaccio1 etc4--,p]ral & ,b\rdi*on--,h\rs ( ,anne ( ,brittany--,poyet--,! s*ool ( ,fonta9ebleau--,/a9$ glass--,jean ,c\s9--,g\ffi] ,heures--,briti% ,museum ,(fices ( ,francis ,i4--,d9teville ,(fices--,p>is ,heures de ,montmor5cy1 ,heures de ,d9teville1 etc4 ,,*apt] ,x ,,spani% ,,& ,,portuguese ,,illum9ation ,late p]iod ( ,spani% illum9ation--,isidore ( ,seville--,ar*ives at ,madrid--,b>celona--,tol$o--,madrid--,*o ir-books ( ! ,escorial--,philip ,,ii4--,illum9ators ( ! *oir-books--,! size & beauty ( ! volumes--,fray ,&rs de ,leon & o!r arti/s--,italian influ5ce--,giovanni ,batti/a ,scorza ( ,g5oa--,antonio de ,hol&a1 well-kn[n ,portuguese m9iaturi/ 9 sixte5? c5tury--,8 son ,francesco--,! *oir-books at ,belem--,fr5* invasion--,missal ( ,gonalvez--,s&oval ,g5ealogies--,portuguese ,g5ealogies 9 ,briti% ,museum--,! ,/[e ,missal ( ,john ,,iii4 ,,*apt] ,,xi ,,illum9ation ,,s9ce ,,! ,,inv5tion ,,( ,,pr9t+ ,! inv5tion ( pr9t+--,its v slight affect on illum9at+--,pref]5ce by ri* patrons = writt5 books--,"w produc$ 9 v>i\s cities 9 ! sixte5? c5tury--,examples 9 ,g]man1 ,italian1 & o!r cities1 & 9 v>i\s public libr>ies up to ! pres5t "t4 ,,manuscripts ,,t ,,may ,,be ,,consult$ ,,bibliography ,,illum9at$ ,,manuscripts ,,book ,i ,,*apt] ,i ,,introductory ,:at is meant by art8--,! art faculty--,h[ arti/s may be comp>$--,! aim ( illum9ation--,di/9ction betwe5 illum9ation & m9iature--,def9ition ( illum9ation--,! fir/ m9iature pa9t]--,orig9 ( ! t]m m9iature--,ovid's allusion to 8 little book4 ,! desire = decoration is probably z old z ! human race4 ,nature1 ( c\rse1 is ! s\rce ( beauty1 & ?is natural beauty affects some?+ )9 u :i* has or is ! faculty ( reproduc+ ! cause ( its emotion 9 a mat]ial =m4 ,:e!r ! reproduction be su* z to appeal to ! eye or ! e> dep5ds on ! ca/ ( ! faculty4 ,9 a mild or elem5t>y =m1 probably bo? ca/s ( faculty exi/ 9 e animat$ creature1 & especially 9 ! human be+4 ,art be+ ! intellig5t repres5tation ( t quality ( beauty :i* appeals to any p>ticul> obs]v]1 :oev] ex]cises ! faculty ( su* repres5tation is an arti/4 ,greatness or o!rwise is simply ! measure ( ! faculty1 = 9 ,nature h]self !re is no re/riction4 ,!re is always en\gh ( beauty 9 ,nature to fill ! mightie/ capacity ( human g5ius4 ,arti/s1 !re=e1 are measur$ by comp>ison ) ea* o!r 9 ref]5ce to ! fraction ( art :i* !y attempt to reproduce4 ,! art ( illum9ation does n aim at m ?an ! gratification ( ^? :o take pleasure 9 books4 ,its highe/ ambition is to make books beautiful4 ,to "s p]sons1 p]haps1 all ord9>y books are ugly & di/a/eful4 ,probably !y are s to ! av]age s*oolboy4 ,h5ce ! laudable endeav\r among publi%]s ( s*ool-books to make !m attractive4 ,! desire t books %\ld be made attractive is ( great antiquity4 ,h[ f> back 9 ! _w's hi/ory we %\ld h to g to get 9 front ( x we _c v5ture to reckon4 ,! me?ods ( mak+ books attractive are num]\s & v>i$4 ,t to :i* we %all conf9e our att5tion is a r special "o4 ,bo? its processes & its results are peculi>4 ,m]e pictures or pretty ornam5tal lett]s 9 sweet col\rs & elegant draw+ d n con/itute illum9ation1 ?\gh !y d =m ess5tial contributions t[>ds x2 &1 inde$1 9 ! sixte5? c5tury ! clev] practition]s :o wi%$1 9 bright col\rs1 to awak5 up ! old woodcuts us$ to call !mselves illum9i/s1 & ! old ,g]man books :i* taught h[ ! "w %\ld be done 7 call$ ,illum9ir b*]4 ,illum9i/s 7 n illum9ators4 ,9 ! twelf? c5tury :51 z f> z we "k1 ! ^w illum9ator 0 fir/ appli$ to "o :o practis$ ! art ( book decoration1 x meant "o :o light$ up ! page ( ! book ) bright col\rs & burni%$ gold4 ,^! processes sugge/ ! def9ition ( ! art4 ,p]fect illum9ation mu/ conta9 bo? col\rs & metals4 ,to ?is ext5t x is 9 p]fect unison ) ! o!r m$ival art ( h]aldry2 x might almo/ be call$ a tw9-si/]4 ,z an art x is mu* old] ?an its "n4 ,we f9d some?+ v l x ev5 among ! anci5t ,egyptians1 = 9 ! ,l\vre at ,p>is is a papyrus conta9+ pa9t+s ( fun]al c]emonies1 execut$ 9 bright col\rs & t\*$ 9 its high lights ) p5cill$ gold4 ,b aft] ?is = _m c5turies !re rema9s no record ( ! exi/5ce ( any su* art until j be=e ! ,*ri/ian era4 ,!n1 inde$1 we h m5tion ( a lady arti/ :o pa9t$ a numb] ( m9iature portraits = ! great biographical "w ( ! le>n$ ,v>ro4 ,we mu/ c>efully obs]ve1 h[ev]1 t !re is a di/9ction betwe5 illum9ation & m]e m9iature pa9t+4 ,sometimes x is true t m9iatures--z e4g4 ^? ( ! e>ly ,byzant9e arti/s1 & aft]w>ds ^? ( ,we/]n ,europe--7 f9i%$ ) t\*es ( gold to repres5t ! lights4 ,?is br\ght !m into ! category ( illum9ations1 = :ile m9iatures may be execut$ )\t ! use ( gold or silv]1 illum9ations may n4 ,!re are ?\s&s ( m9iatures t are n illum9ations4 ,at ! p]iod :5 illum9at+ 0 at its be/ ! m9iature1 9 its mod]n s5se ( a little picture1 0 only j beg9n+ to appe> z a noticeable feature1 & ! gold 0 z freely appli$ to x z to ! p5man%ip or ! ornam5t4 ,b su* is n ! case ) m9iature pa9t+ g5]ally4 ,lala ( ,cyzicus1 ! lady arti/ j ref]r$ to1 liv$ 9 ! "t ( ,augu/us ,cs>4 ,%e has ! hon\r ( be+ ! fir/ m9iaturi/ on record1 & is said to h produc$ excell5t portraits 9 little1 especially ^? ( ladies1 on bo? vellum & ivory4 ,h] own portrait1 repres5t+ h] engag$ 9 pa9t+ a /atuette1 is /ill to be se5 among ! preci\s frescoes pres]v$ 9 ! museum at ,naples4 ,! t]m m9iature1 n[ appli$ to ?is class ( "w1 has be5 frequ5tly expla9$4 ,x is d]iv$ f ! ,lat9 ^w m9ium1 or r$ pa9t1 two pigm5ts be+ anci5tly kn[n by ?is "n--"o ! sulphide ( m]cury1 n[ kn[n also z v]milion1 ! o!r a lead oxide1 n[ call$ r$ lead4 ,x is ! latt] :i* is g5]ally und]/ood z ! m9ium ( ! illum9ators1 ?\gh bo? 7 us$ 9 manuscript "w4 ,! r$ pa9t 0 employ$ to m>k ! initial lett]s or sections ( ! ,,ms4 ,its connection ) portraiture & o!r pictorial subjects on a small scale is entirely ow+ to its accid5tal confusion by ,fr5* writ]s ) _! own ^w mignon1 & s ) ! ,lat9 m9us4 ,9 classical times1 among ! ,romans1 ! m9iator 0 simply a p]son :o appli$ ! m9ium1 & _h no?+ to d ) pictures or portraits at all1 b ) ! writ+4 ,t ! rubrication ( titles1 h[ev]1 0 some:at ( a luxury may be ga!r$ f ! compla9t ( ,ovid :5 issu+ ! humble edition ( 8 v]ses f 8 lonely exile ( ,tomi3-- ,p>ve 7nec invideo7 s9e me lib] ibis 9 urbem3 ,hei mihi quo dom9o non licet ire tuo4 444444444444444444444444444 ,nec te purpureo vel5t vacc9ia succo ,non e/ conv5i5s luctibus ille color4 ,nec titulus m9io1 nec c$ro c>ta notetur ,c&ida nec nigra cornua fronte g]as4#a ,tri/ia1 ,cl4 #a1 ,eleg4 #a4 #a ,g1 little book1 nor d ,i =bid1--g )\t me into t city :]e1 alas6 ,i may ent] nev] m4444 ,nor %all :ortleb]ries adorn !e ) _! crimson juice2 t col\r is n suitable = lam5tations4 ,nor %all ?y title be m>k$ ) m9ium1 nor ?y leaf sc5t$ ) c$>-oil4 ,nor %alt ?\ be> horns ( ivory or ebony ^u ?y front4 ,!re are _m allusions 9 ^! pa!tic l9es :i* w\ld be> annotation1 b space =bids4 ,! "o po9t is ! use ( m9ium4 ,,*apt] ,,ii ,,vellum ,,& ,,o!r ,,mat]ials ,diff]5ce betwe5 vellum & p>*m5t--,names ( diff]5t prep>ations--,! k9ds ( vellum mo/ priz$ = illum9at$ books--,! p>*em9]ie ( ! ,abbey ( ,cluny--,orig9 ( ! t]m p>*m5t--,papyrus4 ,z vellum is con/antly spok5 ( 9 connection ) illum9ation & illum9at$ books1 x becomes necess>y to expla9 :at x is1 & :y x 0 us$ in/ead ( pap]4 ,we (t5 f9d writ]s1 :5 ref]r+ to anci5t docum5ts1 mak+ use ( ! words p>*m5t & vellum z if ! t]ms 7 synonym\s2 b ?is is n /rictly correct4 ,x is true t bo? are prep>$ f sk9s1 b ! sk9s are diff]5t4 ,!y are simil>1 b n ! same1 nor1 inde$1 are !y int]*angeable4 ,9 po9t ( fact1 ! sk9s ( almo/ all ! well-kn[n dome/ic animals1 & ev5 ( fi%es1 h be5 us$ = ! purpose ( mak+ a mat]ial = writ+ ^u4 ,specifically among ! sk9s s prep>$ 7 ! foll[+3 ! ord9>y lambsk91 call$ aignell9us#b2 t prep>$ f /illborn lambs1 call$ virg9 p>*m5t4 #b ,/rictly agnell9us4 ,f %eepsk9s 0 produc$ ord9>y p>*m5t1 & also a sort ( lea!r call$ basane or cordovan4 ,vellum 0 produc$ f calfsk92 t ( ! /illborn calf be+ call$ ut]9e vellum1 & consid]$ ! f9e/ & ?9ne/4 ,x is (t5 spok5 ( 9 connection ) ! exquisitely writt5 ,bibles ( ! ?irte5? & f\rte5? c5turies z ( ! highe/ value4 ,besides ^! 7 ! prep>$ sk9s ( ox51 pigs1 & asses2 b ^! 7 *iefly us$ = b9d+s1 ?\gh occasionally = leaves ( acc\nt & o!r books liable to r\gh usage4 ,be=e ! t5? c5tury ! vellum us$ = ,,mss4 is highly poli%$1 & v :ite & f9e4 ,aft]w>ds x becomes ?ick & r\gh1 especially on ! hair side4 ,9 ! exam9ation ( c]ta9 ,,mss4 ! di/9ction ( hair side & smoo? side is ( importance 9 c\nt+ ! ga!r+s s z to det]m9e ! complet5ess1 or o!rwise1 ( a giv5 volume4 ,t[>ds ! p]iod ( ! ,r5aissance1 h[ev]1 ! vellum gradually rega9s its bett] qualities4 ,?us x may be se5 t ! diff]5ce betwe5 vellum & p>*m5t is n a m]e diff]5ce ( ?ickness2 = :ile1 9 g5]al1 vellum is /\t] ?an p>*m5t1 !re is "s vellum :i* is ?9n] ?an "s p>*m5t4 ,n only are !y made f diff]5t k9ds ( sk91 b ! vellum us$ = illum9at$ books 01 & /ill is1 prep>$ ) great] c>e ?an ! p>*m5t us$ = ord9>y s*ool or college treatises1 or legal docum5ts4 ,! fabrication ( bo? p>*m5t & vellum 9 ! ,middle ,ages 0 q z important a matt] z t ( pap] at ! pres5t "t1 & c]ta9 mona/ic e/abli%m5ts _h a special reputation = ! excell5ce ( _! manufacture4 ,?us ! p>*em9]ie1 z x 0 call$1 ( ! ,abbey ( ,cluny1 9 ,france1 0 q celebrat$ 9 ! twelf? c5tury4 ,"o reason probably = ?is celebrity 0 ! fact t ,cluny _h m ?an ?ree hundr$ *ur*es1 colleges1 & mona/]ies among/ its dep5d5cies1 & !re=e _h ample opportunities = obta9+ ! be/ mat]ials & le>n+ ! be/ me?ods 9 use ?r\gh\t lit]>y ,*ri/5dom4 ,z to ! "n vellum1 x is directly ref]able to ! famili> ,lat9 t]m = ! hide or pelt ( ! %eep or o!r animal1 b specially appli$1 z we h said1 to t ( ! calf1 ! writ+ mat]ial ?us prep>$ be+ t]m$ *>ta vitul9a--9 ,fr5* vl91 & 9 mona/ic ,lat9 & ,engli% vellum4 ,! "n p>*m5t _h q a diff]5t k9d ( orig94 ,x is an old /ory1 f\nd 9 ,pl9y's ,natural ,hi/ory 7bk4 xiii4 *4 #gj71 t ! anci5t use or revival ( ! use ( p>*m5t 0 due to ! det]m9ation ( ,k+ ,eum5es ,,ii4 ( ,mysia or ,p]gamos to =m a libr>y :i* %\ld rival ^? ( ,alex&ria1 b t :5 he appli$ to ,egypt = papyrus1 ! writ+ mat]ials !n 9 use1 ,ptolemy ,epiphanes jeal\sly refus$ to p]mit its exportation4 ,9 ?is difficulty ,eum5es1 we are told1 _h rec\rse to ! prep>ation ( %eepsk9s1 & t f ! place ( its inv5tion x 0 call$ *>ta p]gam5a4 ,pl9y & 8 au?ority1 h[ev]1 7 bo? wrong 9 po9t ( hi/ory4 ,eum5es1 :o reign$ f ab\t #aig to #aeh ,b4,c41 0 n ! inv5tor1 b ! re/or] ( its use 7see ,h]odotus1 v4 #eh74 ,x 0 call$ 9 ,greek ,,greek ,,small ,,lett] ,,mu,,greek ,,small ,,lett] ,,epsilon,,greek ,,small ,,lett] ,,mu,,greek ,,small ,,lett] ,,beta,,greek ,,small ,,lett] ,,rho,,greek ,,small ,,lett] ,,alpha ,,) ,,tonos,,greek ,,small ,,lett] ,,nu,,greek ,,small ,,lett] ,,alpha 7#b ,tim4 iv4 #ac74 ,we may m5tion1 by ! way1 t nei!r vellum nor p>*m5t are by any means ! olde/ mat]ials kn[n4 ,f> old]1 & m g5]ally us$ 9 ,italy1 ,greece1 & ,egypt1 0 ! mat]ial :i* has giv5 u ! "n ( our commone/ writ+ mat]ial ( to-day1 viz4 pap]4 ,! "n ( ?is old] mat]ial 0 papyrus 7,gr4 ,,greek ,,small ,,lett] ,,pi,,greek ,,small ,,lett] ,,alpha ,,) ,,tonos,,greek ,,small ,,lett] ,,pi,,greek ,,small ,,lett] ,,upsilon,,greek ,,small ,,lett] ,,rho,,greek ,,small ,,lett] ,,omicron,,greek ,,small ,,lett] ,,f9al ,,sigma & ,,greek ,,small ,,lett] ,,*i,,greek ,,small ,,lett] ,,alpha ,,) ,,tonos,,greek ,,small ,,lett] ,,rho,,greek ,,small ,,lett] ,,tau,,greek ,,small ,,lett] ,,eta,,greek ,,small ,,lett] ,,f9al ,,sigma74 ,z a writ+ mat]ial x 0 kn[n 9 ,egypt f remote antiquity4 ,x 0 pl5tiful 9 ,rome 9 ! "t ( ! ,cs>s1 & x cont9u$1 bo? 9 ,grecian & ,roman ,egypt1 to be ! ord9>y mat]ial employ$ d[n to ! middle ( ! t5? c5tury ( our era4 ,9 ,europe1 too1 x cont9u$ 9 common use long aft] vellum _h be5 adopt$ = books1 ?\gh m especially = lett]s & acc\nts4 ,/4 ,j]ome m5tions vellum z an alt]native mat]ial 9 case papyrus %\ld fail 7,ep4 vii471 & ,/4 ,augu/9e 7,ep4 xv47 apologises = us+ vellum in/ead ( papyrus4#c ,papyrus 0 also us$ 9 ! e>ly ,middle ,ages4 ,examples1 made up into book-=m--i4e4 9 leaves1 ) sometimes a few vellum leaves among !m = /ability--are /ill extant4 ,among su* are "s sev5 or eight books 9 v>i\s ,european libr>ies1 ! be/ kn[n be+ ! ,homilies ( ,/4 ,avitus at ,p>is1 ! ,antiquities ( ,josephus at ,milan1 & ! ,isidore at ,/4 ,gall4 #c ,?ompson1 ,greek & ,lat9 ,palography1 p4 #cc4 ,& 9 ! ,papal ,*anc]y papyrus appe>s to h be5 us$ d[n to a late date 9 pref]5ce to vellum4#d #d ,?ompson1 op4 cit41 p4 #cd2 ,aug4 ,mol9i]1 ,les ,manuscrits1 ,prlim42 ,lecoy de la ,m>*e1 ,les ,,mss4 et la ,m9iature1 p4 #bd4 ,9 ,france papyrus 0 9 common use 9 ! six? & sev5? c5turies4 ,m]ov+ian docum5ts dat+ f #fbe to #fib are /ill pres]v$ 9 ,p>is4 ,,*apt] ,,iii ,,writ+ ,its diff]5t /yles--,orig9 ( ,we/]n alphabets--,v>i\s =ms ( lett]s--,capitals1 uncials1 etc4--,texts us$ 9 ,we/]n ,europe--,=ms ( anci5t writ+s--,! roll1 or volume--,! codex--,tablets--,dipty*s1 etc4--,! squ>e book--,h[ diff]5t sizes ( books 7 produc$4 ,see+ t illum9ation grew orig9ally out ( ! decoration ( ! initial lett]s1 our next po9t to notice is ! p5man%ip4 ,! alphabet :i* we n[ use is t =m]ly us$ by ! ,romans1 :o borr[$ x f ! ,greeks1 :o 9 turn obta9$ x 7or _! modification ( x7 f ! ,pho5icians1 :o1 la/ly x is said1 con/ruct$ x f t ( ! ,egyptians4 ,( c\rse1 9 ^! repeat$ transf]s ! lett]s !mselves1 z well z ! ord] ( !m1 und]w5t consid]able alt]ations4 ,) ^! we h "h no conc]n4 ,our alphabet1 i4e4 ! ,roman & its v>iations1 is q suffici5t = our /ory4 ,9 ord] to %[ z cle>ly z may be ! v>ieties ( lett]+ & ! progress ( p5man%ip f classical times to ! revival ( ! old ,roman1 lett]s 9 ! fifte5? c5tury1 we (f] ! foll[+ synopsis1 :i* classifies & indicates ! developm5t ( ! diff]5t h&s us$ by writ]s & illum9ators ( ,,mss4 ,x is con/ruct$ on ! in=mation giv5 9 ,wailly's l>ge "w on ,palography1 & 9 ,dr4 de ,grey ,bir*'s book on ! ,utre*t ,psalt]4 ,! =m] "w af=ds excell5t facsimiles1 :i*1 toge!r ) ^? giv5 9 ! plates publi%$ by ! ,palographical ,society1 w give ! /ud5t ! cle>e/ possible ideas respect+ ^! anci5t h&writ+s4 ,omitt+ ! cursive or correspond5ce h&1 ! lett]s us$ by ! ,romans 7 ( f\r k9ds--capitals 7usually made angul> to be cut 9 /one71 ru/ic1 uncials1 & m9uscules4 ,! r\nd$ capitals 7 int5d$ to be us$ 9 p5work4 ,uncials diff] f capitals only 9 ! lett]s ,a1 ,d1 ,e1 ,g1 ,m1 ,q1 ,t1 ,v1 = ! sake ( ease 9 writ+4 ,x is said t ?is class ( lett]s 0 fir/ call$ uncials f be+ made an in* 7uncia7 high1 b ?is is m]e tradition2 ! ^w is fir/ us$ on ,j]ome's preface to ! ,book ( ,job4 ,no uncials h ev] be5 f\nd measur+ m ?an five-eigh?s ( an in* 9 height4 ,= ! assi/ance ( su* /ud5ts z may wi% = examples we mu/ ref] to c]ta9 ,,mss4 & reproductions 9 :i* ! =ego+ h&s are exemplifi$4 ,,circa ,,f\r? ,,c5tury4 ,capitals1 yet n pure4 ,! ,vatican ,v]gil1 ,no4 #cbbe1 ?r\gh\t 7,bir*1 p4 #ad2 ,silve/re's ,palographie univ]selle1 pl4 #gd74 ,) reg>d to ! relative antiquity ( capitals & uncials1 ,m4 de ,wailly obs]ves3 ,! titles 9 pure uncials1 b less ?an ! text itself1 give an excell5t index to ! highe/ antiquity4 ,?is is v]ifi$ 9 ,,mss4 #aeb1 #bfcj1 #ajg ( ! ,bibl4 du ,roi1 etc4 ,,mss4 ( ! sev5? or eigh? c5tury1 :e!r on uncial or demi-uncial1 or any o!r lett]1 are nev] con/ant 9 not+ ! title at ! top ( ! page1 or ! k9d ( writ+ w v>y1 or if uncials be con/antly us$1 ! titles w n be small] ?an ! text4 ,^! v>iations become /ill great] 9 ! foll[+ c5turies4 ,! ornam5ts :i* relieve ! titles ( ea* page comm5ce ab\t ! eigh? c5tury 7i4 p4 #di ,c74 ,capitals & ,uncials4 ,! ,homilies ( ,/4 ,augu/9e 7,silve/re1 pl4 #gd74 ,augu/9e ,op]a1 ,p>is ,lib41 #aafda 7,palograph4 ,soc41 pl4 #db1 #dc74 ,ru/ic4 ,! ,second ,vatican ,v]gil1 ,no4 #chfg 7,wailly1 pl4 #b71 call$ ! ,codex ,romanus4 ,,six? ,,c5tury4 ,ru/ic & ,uncial4 ,! ,montamiata ,bible 7,bir*1 #ce2 ,wailly1 pl4 #b1 #d74 ,ru/ic & ,m9uscule4 ,! ,cambridge ,gospels 7,we/wood1 ,palograph4 ,sacra ,pictoria1 pl4 #de74 ,uncials4 ,gospels 9 ,brit4 ,mus4 ,add4 ,,ms4 #edfc4 ,p>is ,lib41 ,gregory ( ,t\rs 7,silve/re1 pl4 #hf74 ,vi5na ,imp4 ,lib41 ,livy 7,silve/re1 pl4 #ge74 ,brit4 ,mus41 ,h>l4 #agge 7,palograph4 ,soc41 pl4 #af74 ,,sev5? ,,c5tury4 ,uncials & ,m9uscule4 ,! ,/4 ,*ad's ,gospels 9 libr>y ( ,li*field ,ca!dral 7,palograph4 ,soc41 pl4 #bj1 #ba1 #ce74 ,,n9? ,,c5tury4 ,capitals & ,m9uscules4 ,p>is ,lib41 ,bible ( ,*>les ! ,bald4 ,!re is sc>cely any?+ m difficult to judge ?an ! true age ( squ>e capital ,,mss4 or ( pure uncials4 ,ev5 ! ru/ic capitals1 l ! fir/ ,vatican ,v]gil1 ,no4 #cbbe1 are extremely r>e4 ,! lett]s 9 ?is ,,ms4 are ab\t ?ree-sixte5?s ( an in* high4 ,,texts ,,9 ,,use ,,9 ,,we/]n ,,europe ,,be=e ,,! ,,age ,,( ,,*>lemagne4 ,lomb>dic4 ,! national h& ( ,italy4 ,f\nd$ on ! old ,roman cursive1 x does n atta9 to any great beauty until ! t5? or elev5? c5tury4 ,examples may be se5 9 ,palographical ,society1 pl4 #ie1 & 9 ! excell5t li?ographs publi%$ by ! monks ( ,monte ,cass9o 7,paleografia arti/ica di ,monte ,cass9o1 ,longob>do-,cass9ese1 tav4 xxxiv41 etc474 ,a v f9e example occurs 9 pl4 xv41 dat$ #ajhg-hh4 ,its *>act]i/ic lett]s are a1 e1 g1 t4 ,visigo?ic4 ,! national h& ( ,spa94 ,also f\nd$ on ! old ,roman cursive4 ,x becomes an e/abli%$ h& 9 ! eigh? c5tury1 & la/s until ! twelf?4 ,examples occur 9 ,ewald & ,loewe1 ,exempla ,scriptur ,visigotic1 ,heidelb]g1 #ahhc4 ,x 0 at fir/ v rude & illegible1 b aft]w>ds became ev5 h&some4 ,a f9e example exi/s 9 ! ,briti% ,museum 7,palograph4 ,soc41 pl4 #dh74 ,its *>act]i/ic lett]s are g1 s1 t4 ,m]ov+ian4 ,! national h& ( ,france4 ,a h& made up *iefly ( loops & angles 9 a cramp$1 irregul> way4 ,its d]ivation ! same z ! prec$+4 ,9 ! sev5? c5tury x is all b illegible4 ,9 ! eigh? x is mu* bett]1 & almo/ easy to read4 ,celtic4 ,! national h& ( ,irel&4 ,x is f\nd$ on ! demi-uncial ,roman1 borr[$ z to type f ,,mss4 tak5 to ,irel& by mission>ies4 ,x is bold1 cle>1 & (t5 beautiful1 l5d+ itself to "s ( ! mo/ a/oni%+ feats ( p5man%ip ev] produc$4 ,su* are ! *ief v>ieties ( writ+ f\nd 9 ! ,,mss4 produc$ be=e ! great revival ( ! arts & le>n+ :i* took place dur+ ! reign ( ,*>les ! ,great 7,k>l d] ,grosse71 kn[n famili>ly z ,*>lemagne4 ,watt5ba* 7,s*riftwes51 etc47 says t uncials date f ! second c5tury ,a4,d4 ,f examples /ill extant ( ! fif? & foll[+ c5turies1 x seems t :ile ! ,roman capitals 7 n uncommon1 9 ,celtic ,,mss4 ! =m g5]ally adopt$ 0 ! uncial4 ,x 0 ! =m also usually *os5 = ornam5tation or imitation 9 ^? ,visigo?ic1 ,m]ov+ian1 or ,lomb>dic ,,mss41 :i* made su* rem>kable use ( fi%es1 birds1 bea/s1 & plants = ! con/ruction ( initial lett]s & pr9cipal words1 ( :i* we see s _m examples 9 ! elaborately illu/rat$ ,catalogue ( ! libr>y at ,laon by ,ed4 ,fleury1 & 9 t ( ,cambray1 by ,m4 ,durieux4 ,mo/ ( ^! pre-,c>ol+ian designs are b>b>\s 9 ! extreme1 dreadfully clumsy 9 execution1 b !y ev9ce consid]able +5uity & a /rong pr$ilection = symbolism4 ,be=e conclud+ ?is *apt] p]haps some?+ %\ld be said conc]n+ ! %ape ( books1 ?\gh ?is is a matt] some:at outside ! scope ( our prop] subject4 ,yet1 z ! brief digression w af=d an opportunity = ! explanation ( c]ta9 t]ms us$ 9 ,,mss41 we w avail ourselves ( x4 ,! anci5t =m ( writ+ ^u sk9s & papyrus 0 t ( ! roll4 ,! ,hebrew1 ,arabic1 or ,greek t]ms = ?is d n conc]n u1 b its ,lat9 "n 0 volum51 some?+ roll$1 & f ?is we obta9 our ^w volume4 ,su* words z explicit lib] primus etc41 :i* we (t5 f9d 9 e>ly ,,mss41 ref] to ?is roll-=m2 explic>e 9 ,lat9 mean+ to unroll2 h5ce1 apropos ( a *apt] or book1 to f9i%4 ,:5 transf]r$ to ! squ>e =m1 or codex1 x simply means1 "h ends book fir/1 etc4 ,! mod]n book %ape fir/ came into use ) ! beg9n+ ( ! ,*ri/ian era "u ! "n ( codex4 ,"h x w be necess>y to expla9 t caudex1 codex1 9 ,lat91 meant a block ( wood1 & _h its humor\s by-s5ses among ! ,roman dramati/s1 z ! ^w block has among ourselves1 su* z blockhead4#e ,s caudicalis prov9cia 0 a jocul> expression = ! occupation ( wood-splitt+4 #e ,t]5ce1 ,heautont41 #e4 #a1 #d4 ,:e!r ! ^w _h orig9ally any connection ) cauda1 a tail1 is n "h wor? consid]+1 z if s1 x _h long lo/ ! connection2 & :5 us$ to mean a book1 _h only ! s5se ( a bo>d1 or a numb] ( bo>ds f two upw>ds1 fa/5$ toge!r by means ( r+s pass$ ?r\gh holes made 9 _! edges4 ,probably ! fir/ use 0 z pla9 smoo? bo>ds only2 examples ( su* are /ill 9 exi/5ce4 ,!n ( bo>ds ?9ly cov]$ )1 usually1 black wax4 ,a pair ( su* tablets1 wax-cov]$1 0 a common =m ( a ,roman pocket-or memor&um-book4 ,x 0 also us$ z a means ( convey+ messages1 ! reply be+ return$ on ! same tablets4 ,! me?od 0 to write on ! wax ) a f9e-po9t$ in/rum5t call$ a /yle1 ! rev]se end ( :i* 0 flatt5$4 ,:5 ! p]son to :om ! message 0 s5t _h read x1 he 7or %e7 simply flatt5$ out ! writ+1 smoo!d x level1 & !n wrote ! reply on ! same wax4 ,s*ool-*ildr5 did _! ex]cises on ^! tablets1 h\sewives & /ew>ds kept _! acc\nts on !m1 & on !m lit]>y p jott$ d[n _! ideas z !y d n[ 9 _! pocket-books4 ,extant examples ( ^! e>ly books1 or tablets1 are fairly num]\s1 & may be se5 9 mo/ public museums4 ,a codex ( two leaves 0 call$ a dipty*2 ( ?ree1 a tripty*1 etc4 ,! codex =m 0 us$ = legal docum5ts1 wills1 conveyances1 & g5]al correspond5ce4 ,h5ce ! ,roman po/man 0 call$ a tabell>ius1 ! tablets conta9+ correspond5ce be+ ti$ ) a ?read or ribbon & seal$4 ,?is cu/om ( s5d+ lett]s on tablets surviv$ = "s c5turies aft] ,augu/an times4 ,watt5ba* gives sev]al int]e/+ in/ances ( _! m$ival use4#f #f ,s*riftwes51 #dh4 ,( c\rse :5 ! tablet gave place to ! codex ( sk9 or pap]1 ! papyrus 0 too brittle & fragile = practical utility1 & examples1 z we h se51 7 v r>e2 b vellum soon became popul>4 ,we may m5tion1 9 pass+1 t ! papyrus roll gave u a ^w /ill 9 use 9 diplomatics1 ! ^w protocol4 ,! fir/ %eet ( a papyrus roll 0 call$ ! ,,greek ,,small ,,lett] ,,pi,,greek ,,small ,,lett] ,,rho,,greek ,,small ,,lett] ,,omega,,greek ,,small ,,lett] ,,tau,,greek ,,small ,,lett] ,,omicron ,,) ,,tonos,,greek ,,small ,,lett] ,,kappa,,greek ,,small ,,lett] ,,omicron,,greek ,,small ,,lett] ,,lamda,,greek ,,small ,,lett] ,,lamda,,greek ,,small ,,lett] ,,omicron,,greek ,,small ,,lett] ,,nu4 ,x usually conta9$ ! "n ( place & date ( manufacture ( ! papyrus1 & 0 /amp$ or m>k$ ) ! "n ( ! gov]nm5t (fic] :o _h *>ge ( ! dep>tm5t4 ,9 ! vellum codex1 ?\gh ea* leaf might h only "o fold1 & ?us te*nically be consid]$ z a folio1 ! actual %ape ( x 0 ne>ly squ>e1 h5ce its "n ( codex quadratus4 ,:5 o!r =ms ( books1 su* z octavo1 duo-decimo1 etc41 came into use1 x 0 9 consequ5ce ( ! increas$ numb] ( fold+s4 ,! ga!r+s1 orig9ally quat]nions or quires1 became diff]5t1 & ^? :o und]take to exam9e ,,mss4 ) respect to _! complet5ess h to be famili> ) ! v>i\s me?ods4#g ,?is k9d ( k1 h[ev]1 ?\gh useful1 is by no means ess5tial to ! /ory ( illum9ation4 #g ,watt5ba*1 ,s*riftwes52 ,madan1 ,books 9 ,manuscript1 etc4 ,,*apt] ,,iv ,,greek ,,& ,,roman ,,illum9ation ,! fir/ m9iature pa9t]--,! ,vatican ,v]gils--,me?ods ( pa9t+--,orig9 ( ,*ri/ian art--,! ,vi5na ,g5esis--,! ,dioscorides--,! ,byzant9e ,revival4 ,x has be5 already /at$ t ! e>lie/ record$ m9iature pa9t] 0 a lady nam$ ,lala ( ,cyzicus 9 ! days ( ,augu/us ,cs>1 days :5 ,cyzicus 0 to ,rome :at ,brussels is to ,p>is1 or ,brighton to ,london4 ,all h] "w1 z f> z we "k1 has p]i%$4 ,x 0 portraiture on ivory1 probably mu* ! same z we see 9 ! m9iature portraiture ( ! pres5t day4 ,b ?is 0 n illum9ation4 ,! k9d ( pa9t+ employ$ 9 ! two ,vatican ,v]gils 01 h[ev]1 some?+ approa*+ x4 ,^! two preci\s volumes conta9 relics ( ,pagan art1 b x is ! v art :i* 0 ! basis & prototype ( s-call$ ,*ri/ian art ( ^? e>lie/ examples f\nd 9 ! catacombs & 9 ! fir/ liturgical books ( ,*ri/ian times4 ,! m anci5t ( ! two ,v]gils ref]r$ to1 ,no4 #cbbe1 :i* ,lab>te 7#bnd ed41 ii4 #aeh7 ?9ks to be a c5tury old] ?an ! o!r1 ,sir ,m4,d4 ,wyatt consid]$ z conta9+ "s ( ! be/ & mo/ int]e/+ specim5s ( anci5t pa9t+ :i* h come d[n to u4 ,! design is free & ! col\rs appli$ ) good effect1 ! :ole pres5t+ classical art 9 ! p]iod ( decl9e1 b be=e its f9al debasem5t4 ,:]eas 9 ! second ,,ms41 ,no4 #chfg1 ! /yle1 ?\gh /ill classical1 is greatly debas$1 & probably1 9 addition to ?is1 by no means among ! be/ "w ( its "t4 ,x is describ$ z r\gh1 inaccurate1 & h>%4 ,! me?od is ( ! k9d call$ g\a*e1 i4e4 ! col\rs are appli$ ?ickly 9 successive c\*es or lay]s1 probably by means ( :ite ( egg dilut$ ) fig-tree sap1 & f9i%$ 9 ! high lights ) t\*es ( gold 7,palograph4 ,soc41 pl4 #aad1 #aag74 ,?is f9i%+ ) t\*es ( gold br+s ! "w )9 ! range ( illum9ation4 ,!re is1 inde$1 want+ ! additional ornam5tation ( ! initial lett] :i* w\ld br+ x fully into ! class ( m$ival "w2 b1 su* z x is1 x may fairly claim to be sugge/ive ( ! future art4 ,inde$1 c]ta9 po9ts 9 ! ,,ms4 #cbbe--viz4 t ,zeus is always r$ & ,v5us fair1 t c]ta9 co/umes & col\rs ( drap]y are specially appropriat$--w\ld lead to ! supposition t ev5 !n !re exi/$ a code ( rules l ^? ( ! ,byzant9e ,guide1 & t !re=e ! art ow$ its orig9 to ! ,greeks4 ,betwe5 ?is ,,ms4 & ! fir/ kn[n ,*ri/ian book "w !re may h be5 _m t h n[ p]i%$1 & :i*1 _h !y rema9$1 w\ld h m>k$ ! transition m gradually4 ,b ev5 z !y /& !re is no appreciable diff]5ce betwe5 ! e>lie/ monum5ts ( ,*ri/ian art & ^? ( ! p]iod :i* prec$$ !m4 ,nor %all we f9d any break1 any di/9ct />t on new pr9ciples4 ,x is "o cont9u\s s]ies ( processes--! gradual *ange ( me?ods gr[+ out ( exp]i5ce alone--n ow+ to any *ange ( religion or ! adoption ( a new set ( !ological op9ions4 ,( c\rse we %all f9d t = a v long "t ! prepond]ance ( illum9at$ ,,mss4 w be t[>ds liturgical works2 & we %all also f9d t :]e ! cont5ts ( ! ,,ms4 are ! same ! subjects tak5 = illu/ration are also select$ accord+ to "s fix$ & well-kn[n set ( rules4 ,we %all see ! explanation ( ?is by-&-by4 ,! fir/ example ( a ,*ri/ian illum9at$ ,,ms4 is "o conta9+ portions ( ! ,book ( ,g5esis 9 ,greek pres]v$ 9 ! ,imp]ial ,libr>y at ,vi5na4 ,x is a m]e fragm5t1 only tw5ty-six leaves ( purple vellum--t is1 be>+ ! imp]ial /a9--yet x conta9s eighty-eight pictures4 ,we call !m m9iatures1 b we mu/ rememb] t by m9iator a ,roman booksell] w\ld n und]/& :at we call a m9iaturi/2 &1 z we h said1 ! ^w illum9ator 0 n !n kn[n4 ,?is ,vi5na ,g5esis is n introduc$ among illum9at$ books1 !re=e1 because ( its m9iatures--pictures we pref] to call !m--b because ! text is ne>ly all writt5 9 gold & silv] lett]s4 ,! pictures1 accord+ to ! ,greek mann]1 are plac$ 9 little squ>e frames4 ,!y 7 execut$1 no d\bt1 by a pr(essional pa9t]1 n )\t te*nical skill & n hamp]$ by mona/ic re/rictions4 ,! symbolism :i* und]lies all e>ly art is "h %[n 9 ! allegorical figures 7su* z we %all meet ) aga9 9 lat] ,byzant9e "w71 :i* are introduc$ to int]pret ! sc5e4 ,we see ! same ?+ 9 ! catacombs4 ,be+ a relic ( great importance1 ?is ,g5esis codex has be5 (t5 describ$ & examples giv5 ( its pictures4 ,( c\rse1 9 a little manual l ! pres5t we _c pret5d to exhibit ! lit]ature ( our subject4 ,we c sc>cely d m ?an ref] ! read] to a s+le s\rce4 ,9 ?is case p]haps we _c d bett] ?an s5d ! inquir] to ! ,victoria & ,alb]t ,museum at ,s\? ,k5s+ton4 ,if we select ano!r ,,ms4 ( ?is e>ly p]iod x is ! "o :i* may be said to be ! olde/ exi/+ ,,ms4 9 :i* ! ornam5tation is wor?y ( z mu* notice z ! pictures4 ,we ref] to ! ,collection ( ,treatises by ,greek physicians on plants1 fi%+1 ! *ase1 & k9dr$ matt]s 9 ! same libr>y z ! ,g5esis fragm5t4 ,x goes "u ! "n ( ,dioscorides1 :o 0 "o ( ! au?ors1 & dates f ! beg9n+ ( ! six? c5tury4 ,! ,g5esis is a c5tury old]4 ,engrav+s f ! ,dioscorides are giv5 9 ,lab>te's ,arts indu/riels1 etc41 pl4 #gh1 & 9 ,l\&re's ,arts somptuaires1 etc41 i41 pl4 #b1 #c4 ,en\gh has be5 said on ^! e>li] c5turies to %[ q cle>ly ! "* ( ! art kn[n z ,e>ly ,*ri/ian4 ,x is simply a cont9uation ( su* art z _h exi/$ f classical times1 & _h1 9 fact1 pass$ f ! ,greeks1 :o 7 arti/s1 to ! ,romans1 :o 7 r>ely bett] ?an imitators4 ,x is c>ri$ on to ! p]iod :5 x aga9 is n\ri%$ by ,greek ideas 9 ! ,lat] ,empire1 & once m atta9s di/9ction 9 ! spl5did revival ( art "u ! ,emp]or ,ju/9ian4 ,,note4--,julius ,capitol9us1 9 8 ,life ( ! exquisite ,emp]or ,maxim91 junior1 m5tions t ! emp]or's "m#h made him a pres5t ( a copy ( ! poems ( ,hom]1 writt5 9 gold5 lett]s on purple#i vellum4 ,?is is ! e>lie/ record$ in/ance ( su* a book 9 ,*ri/ian times4 ,its date w\ld be ab\t #bce ,a4,d4 #h ,qudam p>5s sua4 #i ,purpureos libros4 ,,*apt] ,v ,,byzant9e ,,illum9ation ,! rebuild+ ( ! city ( ,byzantium ! beg9n+ ( ,byzant9e art--,ju/9ian's fondness = build+ & spl5d\r--,description ( ,paul ! ,sil5ti>y--,sumptu\s g>m5ts--,! ,gospel-book ( ,hormisdas--,*>act]i/ics ( ,byzant9e "w--,comp>ative sc>city ( examples--,rigidity ( ,byzant9e rules ( art--,p]iods ( ,byzant9e art--,examples--,monotony & lifelessness ( ! /yle4 ,! signal ev5t :i* gave bir? to m$ival illum9ation1 or r to ! ideas :i* 7 !reby conc5trat$ ^u ! production ( magnific5t books1 0 ! rebuild+ ( ! ,imp]ial ,palace & ! ,basilica ( ,con/ant9e1 h5ce=w>d to be kn[n z ! ,*ur* ( ,sancta ,sophia1 or ! ,div9e ,wisdom1 at ,byzantium4 ,! ,emp]or ,ju/9ian _h be5 reign+ six ye>s :5 a t]rific fire1 caus$ by ! conflicts betwe5 ! v>i\s s$itions1 call$ ,circus factions1 ( ! "t1 almo/ entirely de/roy$ n only 8 own palace & ! great ,*ri/ian *ur* adjo9+ x1 b ! city ( ,con/ant9ople itself4 ,s important a s*eme ( recon/ruction _h probably nev] be5 =c$ ^u a gov]nm5t s9ce ! great fire 9 ,rome "u ,n]o4 ,ju/9ian1 ^: e>ly tra9+ _h be5 ( ! mo/ economical k9d1 & ^: disposition seem$ to be r incl9$ to p>simony ?an extravagance1 n[ came out 9 8 true "*4 ,= v>i\s reasons he _h hi!rto /udi\sly conceal$ 8 ma/]-passion2 b ?is cata/rophe ( ! fire1 :i* seem$ at fir/ s disa/r\s1 0 really a /roke ( =tune4 ,x af=d$ ! hi!rto frugal sov]eign ! *ance he _h long wait$ = ( sp5d+ )\t /9t ! ho>d$ sav+s ( 8 two mis]ly pr$ecessors1 & gratify+ 8 own ta/es = magnific5t ar*itecture & spl5d\r ( app>el4 ,n only ,asia1 ) its weal? ( gold & gems1 b all ! kn[n _w capable ( supply+ mat]ial = ! recon/ructions1 7 call$ ^u1 & ivory1 m>bles1 mosaics1 lamps1 c5s]s1 c&elabra1 *alices1 ciboria1 crosses1 furniture1 fitt+s1 pictures--9 %ort1 ev]y?+ t 8 own ta/e & ! exp]i5ce ( f\r or five ( ! able/ ar*itects ( ! "t c\ld sugge/--adm9i/]$ to ! gorge\s1 ! unspeakable spl5d\r ( ! new edifices & _! furniture4 ,paul ! ,sil5ti>y1 an eye-witness ( ! :ole proce$+1 has left a description 9 v]se1 & ! accurate ,du ,fresne 9 prose1 :i* enable u easily to trace h[ ! ,roman city ( ,con/ant9e became trans=m$ into ! semi-ori5tal ,byzantium ( ,ju/9ian4 ,dur+ ! two c5turies :i* _h elaps$ s9ce ! days ( ! fir/ ,*ri/ian emp]or _m =eign luxuries _h f\nd _! way into ! ,ea/]n capital4 ,byzant9e jewell]y & ,byzant9e silks 7 already fam\s4 ,! patt]ns on ! latt] 7 n m]ely floral or geometrical1 b f\r-foot$ animals1 birds1 & sc5es f outdoor sports =m$ "p ( ! embelli%m5t1 :i*1 !re=e1 mu/ h tak5 ! place occupi$ 9 lat] times by ! tape/ries ( ,arras & ,fonta9ebleau4 ,hi!rto ! ,byzant9es _h import$ _! silks f ,p]sia4 ,aft] ! rebuild+ ( ! ,basilica1 ,ju/9ian introduc$ silk-culture into ,greece4 ,! g>m5ts ridicul$ by ,a/]ius1 ,bi%op ( ,amasia1 9 ! f\r? c5tury1 7 repeat$ 9 ! six? c5tury4 ,:5 m51 says he1 appe> 9 ! /reets ?us dress$1 ! pass]s-by look at !m z at pa9t$ walls4 ,_! clo!s are pictures :i* little *ildr5 po9t out to "o ano!r4 ,! sa9tli] sort we> lik5esses ( ,*ri/1 ! ,m>riage ( ,galilee444& ,laz>us rais$ f ! dead4 ,on ! robe ( ! ,empress ,!odora--! wife ( ,ju/9ian1 :o is %[n 9 "o ( ! mosaics ( ,/4 ,vitale at ,rav5na z pres5t+ ri* gifts to t *ur*--!re is embroid]$ "w along ! bord]1 %[+ ! ,adoration ( ! ,magi4 ,!odora pia 0 "o among ! _m rles play$ by t all-accompli%$ actress2 b ?is seems to h be5 aft] h] dea?4 ,l ,lucrezia ,borgia1 p]haps1 %e 0 bett] ?an h] reputation4 ,) su* surr\nd+s liturgical books c\ld n h exi/$ )\t %>+ 9 ! univ]sal luxury ( enri*m5t4 ,&1 9 po9t ( fact1 we /ill h records ( su* books4 ,:ile ,ju/9ian reign$ 9 ,byzantium x happ5$ t ,hormisdas1 a native ( ,fros9one1 0 ,pope ( ,rome4 ,he 0 a zeal\s eradicator ( h]esy 7especially ( ! ,euty*ian & ,mani*an71 & 9 recognition ( 8 s]vices 9 ?is direction ! ,greek ,emp]or1 ) 8 ?anks1 s5t him a great ,gospel-book ri*ly decorat$1 no d\bt1 ) ^? spl5did ,eusebian canons & portraits ( ! ,evangeli/s1 ! l ( :i* we see 9 ! ,byzant9e examples /ill pres]v$ at ,p>is1 9 ,london1 & else:]e4 ,plates ( beat5 gold1 /udd$ ) gems1 =m$ ! cov]s ( ! ,gospel-book ( ,hormisdas4 ,nor 0 ?is sumptu\s volume ! only1 or ev5 a r>e1 example ( its k9d4 ,we read t ! art ( book decoration _h become a fa%ionable craze4 ,no exp5se 0 sp>$ 9 ! se>* = co/ly mat]ials4 ,col\rs 7 import$ f ,india1 ,p]sia1 & ,spa91 includ+ v]milion & ultram>9e1 :ile ! r5[n$ ,byzant9e gold ink 0 manufactur$ f import$ ,indian gold4 ,p]sian calligraph]s _h taught its use afre% to ! ,byzant9e scribes4 ,if1 z we may believe1 ! fir/ object ( ! ,roman m9iatores 0 di/9ctness comb9$ ) beauty1 we may n[ believe t ! object ( ! ,byzant9e scribes 0 spl5d\r4 ,! progress _h be5 f m]e *eirography to calligraphy2 n[ x 0 f calligraphy to *rysography & arguriography4 ,?is employm5t ( gold & silv] inks may be look$ ^u z ! fir/ /ep 9 ! art ( illum9ation z practis$ 9 ! ,middle ,ages4 ,& ! prelim9>y to ! use ( metallic inks 0 att5tion to ! t9t ( ! vellum4 ,! pione]s 9 ?is c>e] ( luxury no d\bt _h obs]v$ t v :ite vellum fatigu$ ! eye4 ,h5ce1 at fir/1 !y t9t$ or /a9$ x ) saffron1 on "o side at lea/1 sometimes on bo?4 ,once begun1 ! t9t+ ( ! vellum ext5d$ to o!r col\rs4 ,= works ( ! highe/ rank ! fav\rite 0 a f9e purple1 ! imp]ial col\r ( ! ,roman & ,greek emp]ors4 ,= *rysography1 or gold-writ+1 ! t9t 0 ne>ly :at we call crimson4 ,= arguriography1 or silv]-writ+1 x became ! blui% hue we call grape-purple4 ,on ! cool$ purples v]milion ink 0 us$ in/ead (1 or toge!r )1 ! gold or silv]4 ,z ! usage began ) ! ,greeks1 we may be sure t x came orig9ally f ,asia4 ,! ,emp]or ,n]o1 once hav+ he>d t an ,olympic ,ode ( ,p9d> 9 lett]s ( gold 0 laid up 9 "o ( ! temples at ,a!ns1 desir$ t c]ta9 v]ses ( 8 own %\ld be simil>ly writt5 & d$icat$ on ! ,alt> ( ,jupit] ,capitol9us at ,rome4 ,?is 0 an imp]ial luxury sev]al times repeat$ by o!r pr9ces4 ,aft] ! (ficial e/abli%m5t ( ,*ri/ianity x became a common practice to h ! great] liturgical books execut$ 9 ! same co/ly fa%ion4 ,& betwe5 ! "t ( ,con/ant9e & t ( ,basil ! ,mac$onian _m a burn+ homily 0 direct$ aga9/ ! cu/om1 d5\nc$ z a s9ful extravagance1 :i* no d\bt x 01 b 9 va9 until ! fa%ion _h worn itself out4 ,x might fairly be expect$1 ?is be+ ! case1 t _m examples ( ?is k9d ( codex w\ld /ill be 9 exi/5ce4 ,b ow+ to w>1 fire1 robb]y1 & o!r mis=tunes b v few rema94 ,"o ( ! olde/ & f9e/ is ! s-call$ ,codex ,arg5teus1 or ,silv]-book1 n[ kept at ,upsala1 9 ,sw$51 conta9+ portions ( ! ,gospels ( ! ,msogo?ic ,bi%op ,ulfilas4 ,orig9ally ! effect ( ! /amp$ or burni%$ silv] on ! ri* purple ( ! vellum mu/ h be5 v spl5did1 b n[ ! action ( ! air has black5$ x1 z x has done 9 _m o!r in/ances :]e silv] 0 us$ 9 illum9ation4 ,ev5 gold w ga!r t>ni%1 & 9 sev]al su* ,,mss4 has turn$ ( a ru/y r$4 ,gold ink 0 n inv>iably conf9$ to t9t$ vellum2 x 0 (t5 us$ on ! pla9 gr\nd4 ,! copy ( ! ,old ,te/am5t 9 ,greek1 pres5t$ by ! high prie/ ,eleaz> to ,k+ ,ptolemy ,philadelphus1 0 a roll ( f9e :ite vellum1 ^u :i* ! text 0 writt5 9 lett]s ( gold4 ,to ent] ^u ! antiquities ( ,greek palography w\ld lead u too f> f our track 9 view ( ! brevity ( our pres5t survey4 ,we !re=e ) "s reluctance turn f ?is int]e/+ topic to our m imm$iate subject4 ,we may rem>k1 h[ev]1 t ! great majority ( ,greek ,,mss4 are writt5 on vellum4 ,9 ! elev5? c5tury are f\nd in/ances ( :at is call$ *>ta bombyc9a1 or cotton-pap]1 appe>+ m pl5tifully 9 ! twelf? c5tury1 b on ! :ole vellum is ! *ief mat]ial ( ,byzant9e illum9at$ books4 ,mu* has be5 said ab\t ! want ( life & total lack ( v>iety ( treatm5t 9 ?is s*ool ( art4 ,to a v great ext5t ! *>ge is j1 yet x c\ld sc>cely be o!rwise4 ,! "o circum/ance :i* compell$ ,byzant9e "w to rema9 s long z if ca/ 9 "o unalt]able m\ld1 & ?us to diff] s /rangely f t ( ,we/]n arti/s1 0 due to ! fact t 9 v e>ly ,*ri/ian times ! scribes & illum9ators 7 enroll$ into a m9utely organis$ corporation orig9at+ prim>ily 9 mona/icism1 b by no means conf9$ to ! mona/ic ,ord]s4 ,lay guilds exi/$1 ! regulations & me?ods ( :i* 7 rigid beyond mod]n belief4 ,s t1 z a class1 ,byzant9e art has acquir$ ! reputation ( a s\lless adh]5ce to me*anical rules & prec$5ts1 depriv+ x ( orig9ality & ev5 ( individuality1 & !re=e exclud+ ! remote/ sc9tilla ( arti/ic g5ius4 ,( ! great cr[d ( examples ( ord9>y "w ?is may be true1 b x c]ta9ly is n true ( ! be/1 by :i* x has ! "r to be judg$1 z we %all see f ! examples ref]r$ to by-&-by4 ,c]ta9ly !re is "o invaluable p>ticul> 9 :i* ,greek ,,mss4 are sup]ior to ^? ( ! ,we/1 ,lat9 or o!rwise4 ,t is1 !y are mu* m frequ5tly sign$ ) ! names1 localities1 & dates ( ! copyi/s & illum9ators4 ,x w be "s help t[>ds our k ( ?is s*ool if we divide its exi/5ce into *ronological sections or p]iods4 #a4 ,f pr-,*ri/ianity to ! ,age ( ,ju/9ian1 i4e4 d[n to ! ye> #ece4 7,ju/9ian reign$ f #ebf to #efd47 ,?is p]iod m>ks ! decad5ce ( anci5t art1 b c>ries ) x ! *>act]i/ics & me?ods ( ! anci5t ,greek pa9t]s4 #b4 ,f ! ,age ( ,ju/9ian to ! ,iconocla/ic p>alysis ( art "u ,leo ,,iii4 ! ,isaurian1 i4e4 #efd to #gbf4 7,leo reign$ f #gag to #gda47 ,dur+ ?is p]iod va/ numb]s ( illum9at$ liturgical books 7 de/roy$ = religi\s or fanatical reasons1 j z 9 our own ,cromwellian times numb]s ( ,hor1 ,missals1 etc41 7 de/roy$ z papi/ical & sup]/iti\s4 ,?is ,edict ( #gbf did n absolutely put an end to all art 9 ,,mss4 ,x only _h ! effect ( exclud+ images ( ,god1 ,*ri/1 & ! sa9ts1 z 9 ,arabian & ,p]sian ,,mss41 leav+ ! arti/ ! free use ( fl[]s1 plants1 & l9e ornam5t1 aft] ! mann] ( ! ,mohamm$an arabesques4 #c4 ,f ,leo ,,iii4 to ! ,empress ,ir5e1 :o re/or$ ! wor%ip ( images 9 "p1 i4e4 f #gda to #ghe4 7,ir5e rul$ f #ghj to #hja47 ,?is 0 a p]iod ( /agnation1 ?\gh by no means ( ext9ction ( art4 #d4 ,f ,ir5e to ,basil ,i4 ! ,mac$onian1 i4e4 f #hja to #hfg4 ,a half-c5tury & m ( rapid r5aissance to ! mo/ brilliant epo* ( ,byzant9e art s9ce ! "t ( ,ju/9ian1 if n ! z5i? ( ! s*ool4 ,basil ,i4 0 a great build]--build+1 9 fact1 0 8 rul+ passion--s t x may be said t he took ,ju/9ian = 8 model bo? z a rul] & z a patron ( ! arts4 7,he reign$ f #hfg to #hhf47 #e4 ,f ,basil ! ,mac$onian to ! ,fall ( ,con/ant9ople1 i4e4 f #hhf to #adec4 ,all[+ = a few fla%es ( expir+ skill 9 v>i\s reigns1 ?is may be consid]$ z a p]iod ( gradual b c]ta9 decl9e to a /ate worse ?an dea?1 = ?\gh ! monks ( ,greek & ,russian conv5ts /ill kept up ! execution ( ,,mss41 x 0 only ) ! drie/ & mo/ lifeless adhesion to ! ,manual4 ,?is s-call$ art /ill exi/s1 b m l a magnetis$ corpse ?an a liv+ ?+4 ,examples ( ! fir/ p]iod are seldom met )4 ,we h "o signal specim5 9 ! ,briti% ,museum ,add4 ,,ms4 #eaaa1 be+ two leaves only ( a ,gospel-book1 & conta9+ "p ( ! ,eusebian canons1 or cont5ts-tables ( ! ,f\r ,gospels1 etc4 ,! "w is attribut$ to ! "t ( ,ju/9ian himself4 ,x is ( ! k9d already ref]r$ to z probably af=d+ ! model ( "w to ! e>ly illum9ators ( ,france & ,irel&1 & z be+ l ! ,gospel-book ( ,hormisdas & ^? br\ght to ,engl& by ,augu/9e 9 #eif4 ,ano!r example ( ! same ,eusebian canons is f\nd 9 ,roy4 ,,ms4 #a ,e4 vi4 ,( ! f\r? p]iod--i4e4 ! n9? c5tury--p]haps ! mo/ typical example is ! ,m5ologium 7a sort ( comp\nd ( a cal5d> & lives ( ! sa9ts71 n[ 9 ! ,vatican ,libr>y 7,,ms4 ,gr4 #afac74 ,?is ,,ms4 %[s t ! revival "u ,basil ! ,mac$onian 0 a return n to ,roman1 b to anci5t ,greek art1 ! facial types be+ ( ! pure/ classical "*4 ,illu/ration3 ,,evang4 ,,gr,,ca #f,,? ,,c5t4 ,brit4 ,mus4 ,add4 ,,ms4 #eaaa1 fol4 #ac ,illu/ration3 ,,evang4 ,,gr,,ca #i,,? ,,c5t4 ,brit4 ,mus4 ,burney ,,ms4 #ai fol4 #a v4 ,9 "s ( !m we see ! horizontal fr[n ( ! ,hom]ic h]oes 7,,greek ,,small ,,lett] ,,sigma,,greek ,,small ,,lett] ,,upsilon ,,) ,,tonos,,greek ,,small ,,lett] ,,nu,,greek ,,small ,,lett] ,,omicron,,greek ,,small ,,lett] ,,phi,,greek ,,small ,,lett] ,,rho,,greek ,,small ,,lett] ,,upsilon,,greek ,,small ,,lett] ,,f9al ,,sigma ,,greek ,,capital ,,lett] ,,omicron,,greek ,,small ,,lett] ,,delta,,greek ,,small ,,lett] ,,upsilon,,greek ,,small ,,lett] ,,sigma,,greek ,,small ,,lett] ,,sigma,,greek ,,small ,,lett] ,,epsilon,,greek ,,small ,,lett] ,,upsilon,,greek ,,small ,,lett] ,,f9al ,,sigma71 & ( ! ,georgian & ,arm5ian races %[n 9 ! features ( ! ,emp]or ,johannes ,ducas4 ,we h1 too1 ! l>ge ,h]a- l eye ) its my/ic gaze1 :i*1 9 lat] ,byzant9e "w1 becomes fir/ a gaze ( l(ty indiff]5ce1 z 9 ! portraits ( ! emp]ors & empresses1 & la/ly a /ony & expressionless />e2 /ill1 if possible1 m /ony & gl>+ :5 transf]r$ to ,celtic & ,c>ol+ian ,gospel-books4 7,see *apt] on ,c>ol+ian ,illum9ation47 ,( ?is f\r? p]iod we might inde$ po9t to _m examples4 ,"o mu/ suffice4 ,x is ! beautiful ,greek ,psalt]1 n[ at ,p>is 7,,ms41 p4 #aci71 conta9+ lovely examples ( antique design1 includ+ rem>kable p]sonifications or allegorical figures4 ,9 ?is ,,ms4 is "o ( ! mo/ graceful p]sonifications ev] pa9t$1 t ( ,night1 ) h] veil ( gauze /udd$ ) />s float+ ov]head4 ,! sev5 pictures f ! ,life ( ,david are among ! be/ ev] put into a ,,ms4 ,b p]sonification is c>ri$ to an extreme4 ,?us ! ,r$ ,sea1 ! ,jordan1 ,riv]s1 ,m\nta9s1 ,night1 ,dawn1 etc41 are all repres5t$ z p]sons4 ,! draw+s are really beautiful & ! illum9at$ initials & g5]al ornam5t 9 good ta/e4 ,= o!r examples ! read] may consult ! ,briti% ,museum ,cat4 ( ,addit4 ,,mss41 #ahda-e1 p4 #hg2 also ,du ,somm]>d1 ,les ,arts au ,moy5-ge1 tom4 v41 #ahdf1 pp4 #ajg1 #afb-h1 & album1 #b;e sr4 pl4 xxix41 #h;e sr4 pl4 xii4-xvi4 ,x is noticeable 9 ^! ,byzant9e pictures t :ile ! figure-pa9t+ is (t5 really excell5t1 ! design skilful1 & ! pose natural1 ! l&scape1 trees1 etc41 are q symbolic & fanciful4 ,! pa9t]s seem to h be5 utt]ly ignorant ( p]spective4 ,build+s1 too1 )\t any reg>d to relative proportion1 are col\r$ m]ely z p>ts ( a col\r s*eme4 ,!y are p9k1 pale gre51 yell[1 violet1 blue1 j to please ! eye4 ,t ! pa9t] _h a sy/em ( col\r-h>mony is pla91 b he paid no reg>d to ! facts ( city life1 unless1 inde$1 x 0 ! practice ( ! m$ival ,byzant9es to pa9t ! outside ( _! h\ses 9 ?is truly brilliant /yle4 ,possibly !y did s2 we h simil> ?+s 9 ,italy ev5 n[adays4 ,no d\bt ! ,fr5* illum9ators ( ! ?irte5? & f\rte5? c5turies drew f ^! s\rces bo? _! p]spective & _! ar*itectural col\r+4 ,z = ornam5tal illum9ation1 ! pr9cipal me?od ( decoration 0 a squ>e head+1#aj p]haps includ+ a semicircul> ar* sweep+ ov] sev]al arcades1 ! corn]s & wall-space be+ occupi$ ei!r ) arabesque patt]ns1 %[+ !m to be aft] ! "t ( ,leo ,,iii41 or ) scrolls ( l9e-ornam5t enri*$ ) acan?us foliages4 ,"u ?is ! scribe has plac$ 8 title4 #aj ,x has be5 ?\ght to repres5t ! ,greek ,,greek ,,small ,,lett] ,,pi1 & to mean ,,greek ,,small ,,lett] ,,pi,,greek ,,small ,,lett] ,,upsilon ,,) ,,tonos,,greek ,,small ,,lett] ,,lamda,,greek ,,small ,,lett] ,,eta1 a gate or door4 ,illu/ration3 ,,c>v$ ,,ivory ,,cov] ,,lat9 ,,psalt] ,,( ,,mellis5da #ab,,? ,,c5t4 ,brit4 ,mus4 ,eg]t4 ,,ms4 #aaci ,illu/ration3 ,,codex ,,aur5s 7,,gold5 ,,gospels ,,( ,,a!l/an7 ,c4 #hce ,brit4 ,mus4 ,h>l4 ,,ms4 #bghh1 fol4 #agf ,o!r examples h a squ>e frame fill$ ) ! latt] k9d ( scrolls & foliages1 leav+ a sort ( op5 panel 9 ! c5tre1 9 :i* is plac$ a small sc5e ( sacr$ hi/ory or p]haps ( c\ntry life4 ,sometimes ! title1 9 gold5 lett]s1 is surr\nd$ ) m$allions conta9+ heads ( ,*ri/ & ! ,virg91 apo/les1 & sa9ts4 ,! peculi> int]lac+ b&s ( violet1 yell[1 rose1 blue1 etc41 :i* are /ill (t5 se5 9 ,russian ornam5t1 are also features ( ^! ,byzant9e ,,mss42 b mo/ ( all is ! lavi% use ( gold4 ,p]haps ! fact mo/ to be rememb]$ ab\t ^! ,,mss4 is t ! pa9t]s ( !m work$ 9 a mann] t 0 absolutely fix$ & rigid1 ! rules ( :i* are laid d[n 9 a manual call$ ! ,guide to ,pa9t+1 a "w :i* has be5 translat$ by ,m4 ,didron4 ,s fix$ & unalt]able1 inde$1 is ! mann] t !re is absolutely no diff]5ce to indicate relative antiquity betwe5 a ,,ms4 ( ! elev5? c5tury & "o ( ! sixte5? or ev5 lat]1 we might almo/ say1 ( ! pres5t day4 ,9 ! matt] ( sa9t-images ?is is /rictly true4 ,,*apt] ,,vi ,,celtic ,,illum9ation ,e>ly liturgical books reflect ! ecclesia/ical art ( _! "t--,?is feature a cont9u\s *>act]i/ic ( illum9ation d[n to ! late/ times--,elem5ts ( ,celtic ornam5t--,gospels ( ,/4 ,*ad--,durham ,gospels--,contra/ ( ,celtic & ,byzant9e--,/4 ,columba--,book ( ,kells--,details ( its decoration4 ,9 ! e>li] c5turies ( ,*ri/ianity1 :5 liturgical books 7 ! *ief occupation ( ! illum9ator1 x w ne$ little po9t+ out to demon/rate t ! page ( ! illum9at$ manuscript1 :]e x conta9$ m ?an ! m]e ornam5tal initial1 0 simply a mirror ( ! ar*itectural decoration ( ! *ur* 9 :i* x 0 int5d$ to be us$4 ,:]e ! *ur* enri*m5ts consi/1 z on ! ,byzant9e basilicas1 ( panell+s1 arcades1 & tympana ( gild$ sculpture 9 wood or /one1 ) figures ( sa9ts1 ! pages ( ! ,gospel-book be> simil> designs4 ,:]e1 z 9 ! ,romanesque1 !y are ri* 9 mosaics1 & frett$ arcades int]lac+ ea* o!r1 s are ! illum9at$ ,lives ( ! ,sa9ts1 ! ,m5ologia1 ,psalt]s1 & ,gospel-books4 ,:]e1 z 9 ! ,go?ic ca!drals ( ! ,we/--( ,france1 ,g]many1 or ,italy--! /a9$ glass is ! /rik+ feature ( ! int]ior1 s x is ) ! illum9ation2 x is a vitrail--a glass-pa9t+ on vellum4 ,on ?is latt] po9t we %all h m to say :5 we rea* ! p]iod ( ,go?ic illum9ation4 ,incid5tally1 also1 ! book reflects ! m9or arts 9 vogue at ! p]iod ( its execution4 ,(t5 9 ! illum9ation we may detect ^! popul> local indu/ries4 ,we see mosaic enamell+1 wood-& /one-c>v+1 & lacqu]-"w1 & z we approa* ! ,r5aissance1 ev5 gem-cutt+ & ! delicate craft ( ! m$alli/4 ,9 ,v5ice & ! ,ne!rl&s we h ! local ta/e = fl[]-culture2 9 ,g]many we f9d sculpture 9 wood & /one2 9 ,france ! productions ( ! enamell] & ! goldsmi?2 until at l5g?1 9 ! full blaze ( ! ,r5aissance itself1 we h 9 almo/ e l& ! same v>ieties ( enri*m5t practis$ accord+ to its own special /yle ( "w4 ,x has be5 said t ! olde/ ,celtic illum9at$ ,,mss4 %[ no signs ( classic1 or ev5 ,byzant9e1 influ5ce1 yet ! plan or framework ( ! designs makes use bo? ( ! cross & ! ar*1 z us$ 9 ! e>lie/ ,byzant9e examples4 ,! details1 inde$1 are q diff]5t1 & manife/ly d]iv$ f indig5\s s\rces4 ,x may be1 !re=e1 t ! framework is m]ely a geometrical co9cid5ce :i* c\ld n well be avoid$4 ,! fact t ! basis ( pure ,iri% ornam5t is geometrical1 & develop$ out ( ! prehi/oric & b>b>\s art ( ! savages :o prec$$ ! ,celts 9 ,irel&2 su* art z is us$ on ! c>v$ %afts ( spe>s1 & o>s1 & /aves ( hon\r1 & aft]w>ds on /one crosses & metal-"w1 may acc\nt = ! simil>ity ( ideas 9 ornam5t develop$ by old ,roman decorators 9 _! mosaic pavem5ts1 & may reconcile1 9 "s measure1 ! v>i$ op9ions ( diff]5t writ]s :o h approa*$ ! subject f diff]5t po9ts ( view4 ,we/wood adh]$ to ! !ory ( its be+ purely indig5\s4 ,fleury1 on ! o!r h&1 9 8 ,catalogue ( ! ,,mss4 9 ! ,libr>y at ,laon1 ass]ts t we owe ! knots & int]lacem5ts to ! influ5ce ( ! pa9t]s1 sculptors1 & mosaici/s ( ,rome4 ,^! int]lac+s1 cables1 etc41 !re is no ,gallo-,roman monum5t :i* does n exhibit !m1 &1 only to cite local in/ances1 ! cord ( f\r or five /r&s is se5 9 ! beautiful mosaics discov]$ 9 pr(usion )9 ! la/ five ye>s 7#aheg-fb7 at ,blanzy1 at ,bazo*es1 at ,vailly1 & at ,reims4 ,x 0 f !m t ! ,franks borr[$ _! knots & twi/s & ribbons = _! belts & buckles1 _! r+s & bracelets 7pt4 i41 p4 #h74 ,! elem5ts1 !re=e1 ( book ornam5t1 z us$ by ! ,celtic p5m51 are su* z 7 employ$ by ! prehi/oric & sporadic nations 9 ! textile art 9 plait+ & h&weav+1 & aft]w>ds transf]r$ to t ( metal-"w4 ,t]m9als ( animal1 bird1 or s]p5t =m aft]w>ds comb9e ) ! l9e> designs4 ,! dog & dragon are common1 z may be se5 9 ! ar*aic vases produc$ by ! ,greeks be=e !y came "u ! influ5ce ( ideas f ,we/]n ,asia4 ,among ,celtic arti/s1 z among ^? ( lat] times1 ! practice ( work+ 9 v>i\s mat]ials 0 common to ! same individual1 & ,dagu 7d4 #ehf7 may comp>e ) ,dun/an1 ,eloy1 ,tuotilo1 & o!rs4 ,to apply ^! obs]vations to ! /yle ( illum9ation :i* n[ comes "u our notice x may be said t if we all[ ! cross & ar* to be copi$ f ! ,byzant9e ,,mss4 introduc$ f abroad1 ! details are und\bt$ly suppli$ by ! wick]work & textile nett+ famili> to ! ev]yday life ( ! arti/4 ,assi/$ by ! f]tile imag9ation ( b>dic lore 9 snakes1 dragons1 & o!r my?ic mon/]s ( h]oic v]se1 ! illum9ator produces a p5cill$ tape/ry ( textile fabric or flexile metal-"w z m>vell\s z x is unique4 ,no am\nt ( description c give a true idea ( :at ,celtic "w is l2 x mu/ be se5 to be compreh5d$4 ,"o glance at a facsimile ( su* a ,,ms4 z ! ,book ( ,kells or ! ,l9disf>ne ,gospels1 or ^? ( ,/4 ,*ad at ,li*field1 or :]ev]1 z at ,/4 ,gall1 su* "w is to be met )1 w sup]s$e ! mo/ lab\r$ attempt at description4 ,we mu/ !re=e at once ref] ! read] to ! facsimile4 ,:5 t has be5 inspect$1 we may proce$4 ,9 ! fir/ place x may be not$ t ) ^! ,occid5tal ,,mss4 beg9s ! importance & developm5t ( ! initial1 :i*1 inde$1 z reg>ds ! illum9ation ( ,we/]n ,europe1 is ! v root ( ! matt]4 ,x is ! developm5t ( ! initial lett] fir/ into ! bracket1 !n into ! bord]1 :i* =ms ! great di/9ction ( ! ,art ( ,p>is1 z ,dante calls x1 f t ( ,byzantium4 ,! latt] is almo/ always ( a squ>$ or tabul> design1 trac$ & pa9t$ on a gr\nd ( burni%$ gold4 ,! =m] exhau/s itself fir/ 9 fanta/ic lac]t9e =ms1 twi/$ into ! %apes ( ! comm5c+ lett]s or words ( ! writ+1 to :i* ! sugge/ion ( "s ,byzant9e ,,ms1 p]haps occasionally adds a frame4 ,next come birds1 dogs1 dragons1 v9e-/ems1 & spirals emb$d$ 9 c\*es ( col\r2 b1 :atev] its "*1 always x is ! lett] t gov]ns & orig9ates ! ornam5t4 ,only at ! v end ( its life1 :5 ! bord] has completely eclips$ ! initial1 is ! idea ( orig9 =gott54 ,!n1 inde$1 we f9d ! bord] treillages ( fl[]-/em or leaf-"w />t+ f mean+less po9ts ( ! design1 or scatt]$ %apelessly at r&om4 ,:5 we meet ) "w ( ?is sort1 we ne$ no fur!r pro( t ! real art is dead4 ,we h be=e u 9 su* a p]=mance--a trade production--a m]e object ( comm]ce1 valuable s f> z x is ! result ( lab\r1 b n z a "w ( art4 ,accord+ to ! ,abb ,geoghegan1#aa ,*ri/ianity 0 kn[n to ! p ( ,irel& 9 ! f\r? c5tury4 ,! ,greek ,m5ology ass]ts t x 0 c>ri$ ?i!r by ,simon ,zelotes1 b ?is is contradict$ by ! ,roman ,brevi>y & ! ,m>tyrologi/s4 ,simeon ,metaphra/es attributes x to ,/4 ,pet]1 ,v9c5t ( ,beauvais to ,/4 ,james4 ,unreliable z ^! traditions may be tak5 s+ly1 !y nev]!less agree 9 plac+ ! conv]sion ( ,irel& at a v e>ly date1 probably1 z ,geoghegan says1 9 ! f\r? c5tury4 ,x is c]ta9 t ab\t ! middle ( ! six? c5tury an ,iri% pr9ce ( di/+ui%$ ance/ry1 & himself a sa9t1 l$ a b& ( mission>ies f ,donegal to ,iona4 ,x is curi\s to obs]ve t ! ev5t is almo/ contempor>y ) ! r5ovations ( ,ju/9ian at ,byzantium1 & only a %ort "t be=e ! f\nd+ ( ! fam\s ,abbey ( ,monte ,cass9o by ,/4 ,b5$ict4 ,be=e ! exi/5ce ( ! ,b5$ict9e ,ord] !re 0 a mona/]y at ,durr[1 9 ,irel&1 & 9 ?is mona/]y ! a=esaid pr9ce 0 educat$4 ,8 "n 0 ,columba4 ,at lea/1 s he is call$1 b :e!r x be m]ely 9 allusion to 8 mission--! ,dove--or really a patronymic1 x is h>d to say4 ,he 0 ! mess5g] ( peace to ! natives ( ,iona1 & ev5 ! "n ( ! isl& seems to sugge/ an allusion to ! ,old ,te/am5t mission>y to ! ,n9evites1 ,jonah4 ,! ,iri% mission>ies call$ ! spot to :i* !y w5t ,i4 columcille1 ! cell ( ! ,dove's isle1 or ,columba's cell4 ,x is usually spok5 ( z ! ,mona/]y ( ,iona4 ,columba w5t on _m o!r missions1 b ultimately return$ to 8 belov$ ,iona1 :]e he di$ 9 #eig1 ! ye> aft] ! arrival ( ,augu/9e at ,cant]bury4 #aa ,hi/4 de l',irl&e4 ,8 companions busi$ !mselves ) ! transcription ( ! ,gospels = ! use ( new conv]ts1 aft] ! model ( ^? !y _h se5 & us$ at ,durr[4 ,x is ev5 traditionally ass]t$ t ,columba himself took "p 9 ! "w1 & transcrib$ bo? a ,psalt] & a ,gospel-book1 moreov]1 t "o ( ! ,iona ,gospel-books writt5 by him is /ill 9 exi/5ce4 ,?is ,,ms41 :e!r ! "w ( ,/4 ,columba or n1 & probably x is n1 is ! e>lie/ kn[n monum5t ( ,iri% calligraphic art4 ,x is kn[n z ! ,book ( ,kells1 & !re is no d\bt t x is ! mo/ amaz+ specim5 ( p5man%ip ev] se54 ,x is at once ! mo/ anci5t1 ! mo/ p]fect1 & ! mo/ preci\s example ( ,celtic art 9 exi/5ce4 ,x exhibits ! /rik+ peculi>ities & features ( ! /yle--! b& "w knots & int]lac+s1 su* z may be se5 on ! /one crosses :i* m>k ! burial-places ( ,briti% & ,iri% *iefta9s4 ,witness1 = in/ance1 ! ,c>ew1 or ! ,nev]n ,cross1 describ$ 9 ! ,j\rnal ( ! ,ar*oelogical ,in/itute1 iii4 #ga1 :i* might be tak5 to repres5t an initial ,i wr\ght 9 /one4 ,!re is no foliage1 no plant =m at all4 ,x is n1 !re=e1 d]ivable f ,romanesque1 ,byzant9e1 or ,ori5tal ornam5t4 ,x is indig5\s1 if n to ,irel&1 at lea/ to ^? prehi/oric ,aryan tribes ( :i* ! ,iri% 7 a bran*4 ,its basis is ! art ( weav+1 & 9 "s respects resembles ! matt+ ( ,polynesia mu* m closely t ! v9e-/ems ( ,sicily or ! arabesques ( ,byzantium4 ,spirals occur t bewild] ! eye1 yet are s faultlessly p]fect t only ! magnify+-glass br+s out ! incr$ible accuracy ( ! draw+4 ,among !m are my?ological & allegorical bea/s1 snakes1 & liz>ds--?\ght to repres5t demons1 l ! g>goyles ( ,go?ic ar*itecture--9 e conceivable attitude ( contortion & agony4 ,!re are also doves & fi%es1 b ! latt]1 be+ sacr$ emblems toge!r ) ! lamb1 are seldom made grotesque4 ,x 0 a monki% leg5d t ! devil c\ld take ! %ape ( any bird or bea/1 except ^? ( ! dove & ! lamb4 ,,*apt] ,,vii ,,celtic ,,illum9ation--cont9u$ ,! ,iona ,gospels--,contra/ ) ,roman & ,byzant9e--,details--,treatm5t ( animal =ms--,col\r s*emes--,! ,gospel-book ( ,/4 ,columbanus--,t ( ,mael ,bri? ,mac ,durnan--,! ,l9disf>ne ,gospels--,cumda*s--,o!r book-%r9es4 ,we h se5 t 9 bo? ,roman & ,byzant9e ,,mss4 ! titles & beg9n+s ( books 7 m]ely di/+ui%$ by a lett]+ 9 r$ or gold1 r small]1 9 fact1 ?an ! ord9>y text1 b r5d]$ di/9ct by ! means ref]r$ to4 ,! h&writ+1 too1 is cle> & legible1 :e!r capital1 uncial1 or m9uscule4 ,9 absolute contra/ to all ?is ! ,iona ,gospels h ! fir/ page completely cov]$ ) ornam5t4 ,on ! next ! lett]s are ( an enorm\s size1 foll[$ by a few words1 n m]ely 9 uncials1 b 9 *>act]s v>y+ f half an in* to two in*es 9 height4 ,! page opposite to ea* ,gospel is simil>ly fill$ ) decoration1 sep>at$ into f\r comp>tm5ts by an ornam5t$ ,greek cross4 ,?is may1 ( c\rse1 be simply a geometrical device 9 no way connect$ ) ,greece1 b1 tak5 9 connection ) o!r features1 we see 9 x an indication ( contact ) ,byzant9e "w & ! side ( illum9ation :i* deals r ) ! tabul> enri*m5t ( ! page ?an ! developm5t ( ! initial4 ,fur!r1 ! writ+1 ?\gh l>ge1 is n easily legible1 = x is involv$1 enclav$1 & conjo9t$ 9 a mann] suffici5tly puzzl+ to ^? :o see x = ! fir/ "t4 ,! plait+ & inlay+ are c]ta9ly borr[$ f local usages1 & ! survival ( ! same k9d ( int]lac$ plait+ 9 ! ,scotti% t>tans is "s evid5ce ( ! long famili>ity ( ! ,celtic race ) ! art ( weav+4 ,:5 we rememb] t "s ( ! e>ly illum9ators 7 also work]s 9 metals1 we c und]/& t p5m5 l ,dagu1 ,dun/an1 & ,eloy _h designs at _! comm& producible by ei!r me?od4 ,s we see1 bo? 9 ! ,,ms4 & 9 ! broo* & buckle1 ! same k9d ( design4 ,among ! e>lie/ animals br\ght into ?is ,celtic "w we f9d ! dog & ! dragon2 ! latt] bo? w+less & w+$1 accord+ to conv5i5ce or requirem5t4 ,! dog is s common 9 "s ( ! ,celto-,lomb>dic ,,ms41 ( :i* examples /ill exi/ at ,monte ,cass9o1 z almo/ to create a /yle2 :ile ! dragon survives to ! late/ p]iod ( ,go?ic art4 ,:atev] is introduc$ into a ,celtic illum9ation is at once treat$ z a matt] ( ornam5t4 ,:5 ! human figure appe>s x is remorselessly subject$ to ! same rules z ! re/ ( ! "w2 ! hair & be>d are spiral coils1 ! eyes1 no/rils1 & limbs are symmetrical fl\ri%es4 ,col\r is q reg>dless ( natural possibility4 ,! hair & drap]ies are simply patt]n$ z comp>tm5ts ( gre5 or blue1 or r$ or black1 z may be requir$ = ! t\t ensemble2 ! face rema9s :ite4 ,light5$ t9ts are pref]r$ to full col\rs1 z pale yell[1 p9k1 lav5d]1 & light gre54 ,a v ludicr\s device is made use ( to d5ote ! folds ( ! drap]y2 !y are n d>k5$1 !re is no light & %ade 9 ,celtic "w1 b are simply l9es ( a /rongly contra/+ col\r4 ,! blue & r$ appe> to be opaque1 & !re=e m9]al col\rs2 ! re/ are ?9 & transp>5t4 ,no?+ c be m wayw>d ?an ! col\r+ ( ! symbolic bea/s ( ! ,gospels4 ,9 ! ,evangeli>y ( ,/4 ,columbanus 7n ,columba1 b ! f\nd] ( ,luxeuil & ,bobbio1 :o di$ 9 #fad7 ! ,lion ( ,/4 ,m>k is an admirable bea/ 9 a suit ( gre5-&-r$ *a9 arm\r 9 ! =m ( mascles or loz5ges4 7,see ! illu/ration 9 ,we/wood's ,palographia ,sacra ,pictoria ( a figure page f ! ,gospels ( ,mael ,bri? ,mac ,durnan = a typical example47#ab #ab ,see also an article by ,we/wood 9 ,j\rnal ,ar*ol4 ,in/41 vii4 #ag1 on ,iri% ,m9iatures4 ,! only po9t t might argue ! fre$om 9 ,celtic "w f ,byzant9e influ5ce is ! abs5ce ( gold1 b p]haps ?is 0 only because ! e>li] ,iri% illum9ators c\ld n obta9 x2 we f9d x lat] on4 ,9 ! ,book ( ,kells & ! ,lambe? ,gospels !re is no gold4 ,! =m] dates some:]e 9 ! sev5? c5tury1 n ! six?1 z sometimes /at$2 ! latt]1 %ortly be=e #ibg4 ,9 ! ,l9disf>ne ,gospels 7#fih-gba7 gold is us$4 ,9 ! ,psalt] ( ,ricem>*us1 n[ 9 ,tr9ity ,college1 ,dubl91 are traces ( silv]4 ,x is 9 connection ) ^! ,iri% ,,mss4 t decorat$ & jewell$ cases1 call$ cumda*s1 make _! appe>ance1 su* z ! "o atta*$ to ! ,gospels ( ,/4 ,mol+ 9 ! ,libr>y ( ,tr9ity ,college1 ,dubl94 ,^! book-%r9es are almo/ exclusively an ,iri% production4 ,9 o!r c\ntries ! idea 0 to adorn ! volume itself ) a spl5did & co/ly b9d+1 p]haps includ+ gold1 silv]1 & gems4 ,9 ,irel& ! idea ( sacr$ness 0 c>ri$ out 9 ano!r way4 ,in/ead ( decorat+ ! cov]s ( ! book itself1 x 0 held1 z 9 su* a ,,ms41 = in/ance1 z ! ,book ( ,durr[1 to be too v5]able a relic to be m$dl$ )1 & a box or case 0 made = x1 on :i* !y sp5t all _! arti/ic skill4 ,g5]ally ! case is kn[n z a cumda*2 b "o k9d1 call$ ! ca?a*1 0 s clos$ t ! book 0 completely conceal$1 & x 0 sup]/iti\sly believ$ t if x 7 op5$ "s t]rible calamity w\ld ov]take its possessors4 ,su* 0 ! ca?a* ( ,tyrconnell4 ,we mu/ rememb]1 h[ev]1 t 9 ?is in/ance ! keep]s 7 n m5 ( book-le>n+1 b h>dy w>riors :o c>ri$ ! ca?a* into battle z a *>m & an incitem5t to victory4 ,( simil> %r9es1 :i* 7 made = preci\s books by bo? ! ,greeks & ,lomb>ds1 ! olde/ & mo/ fam\s is t made = ,!udel9de1 wife ( ,agilulf1 ,k+ ( ! ,lomb>ds1 & giv5 by h]1 9 #faf1 toge!r ) ! fam\s iron cr[n & o!r relics1 to ! ,ca!dral ( ,monza1 :]e !y are /ill to be se54 ,! enri*m5t ( ! cov]s ( books !mselves1 z di/9ct f ! use ( cases or %r9es1 has be5 usual 9 almo/ all ages & /yles ( decoration4 ,:5 we come to speak ( ,c>ol+ian ,,mss4 we %all f9d sev]al rem>kable in/ances4 ,we mu/ n[ pass on f ?is curi\sly attractive !me ( ,celtic calligraphy to its contempor>y /yles ( ,france1 ,g]many1 ,spa91 & ,italy1 only rem>k+ by ! way t no o!r /yle ( its "t _h s m>k$ an influ5ce on ! local scriptoria into :i* x 0 introduc$ z ?is same ,celtic ( ,irel&4 ,x is n only traceable1 b easily recognis$ all along ! ,rh9e1 9 ,burgundy1 ! ,swiss ,cantons1 & ,lomb>dy1 until at l5g? ov]:elm$ by ! g5]al introduction ( ,romanesque or ,byzant9e1 :i* 0 re/or$ & filt]$ ?r\gh ! ,ex>*ate & ! ,lomb>d s*ools dur+ ! e>ly days ( ! new ,c>ol+ian ,empire4 ,,*apt] ,,viii ,,semi-,,b>b>ic ,,illum9ation ,visigo?ic--,m]ov+ian--,lomb>dic--,ext9c tion ( classic art--,spl5did reign ( ,dagob]t--,/4 ,eloy ( ,noyon--,! ,libr>y ( ,laon--,natural ,hi/ory ( ,isidore ( ,seville--,elem5ts ( contempor>y art--,details ( ornam5t--,symbolism--,luxeuil & ,monte ,cass9o--,sacram5t>y ( ,gellone--,prud5tius--,orosius--,value ( ! ,sacram5t>y ( ,gellone4 ,to rea* ! beg9n+'s ( ^! v>i\s deg5]ate & illit]ate attempts at book-"w we h only to wat* ! la/ expir+ gleams ( classic art b5ea? ! ru?less foot/eps ( ! b>b>ian invad]s ( ! old ,roman ,empire4 ,9 ! six? c5tury ! light ( ! old civilisation 0 fa/ fad+ away4 ,p]haps we may look ^u ! s-call$ spl5d\r ( ! reign ( ,dagob]t 9 ,france z ! spasmodic sc9tillations ( its late/ mom5ts ( exi/5ce4 ,! k+dom ( ,dagob]t1 aft] #fca1 0 almo/ an empire4 ,= ! sev5 ye>s prec$+ 8 dea?1 9 #fch1 he rul$ f ! ,elbe & ! ,saxon fronti] to t ( ,spa91 & f ! ,atlantic ,ocean to ! conf9es ( ,hung>y4 ,x 0 dur+ 8 reign t we read ( ! skill 9 metal-"w ( ! celebrat$ ,/4 ,eloy ( ,noyon1 ! rival ( our own ,/4 ,dun/an4 ,/4 ,eloy or ,eligius 7#ehh-fei7 began 8 arti/ic c>e] z ! pupil ( ,abbo1 ! goldsmi? & m9t-ma/] to ,*lo?aire ,,ii41 & rose f ! rank ( a goldsmi? to t ( ,bi%op ( ,noyon4 ,among 8 h&iwork 7 cr[ns1 *alices1 & crosi]s1 & he is reput$ to h made ! *air ( bronze-gilt n[ 9 ! ,national ,libr>y at ,p>is1 call$ ! fauteuil ( ,dagob]t1 & _m o!r works1 :i* disappe>$ ei!r dur+ ! w>s ( ,l\is ,,xv4 or ^? ( ! ,revolution ( #aghi4 ,he f\nd$ ! ,abbey ( ,solignac1 ne> ,limoges1 & x is n improbable t ! reputation ( ?is city = metal-"w & enamell+ may be dat$ f 8 f\ndation4 ,) su* works z ^? ( ,eloy be=e !m1 x is difficult to believe t ! wret*$ & pu]ile attempts at ornam5tal p5man%ip & illum9ation :i* are %[n at ,laon & o!r places z ! "w ( ?is p]iod c possibly repres5t ! highe/ ef=ts ( ! calligraph]4 ,b we mu/ rememb] t ,/4 ,eloy 0 an extraord9>y g5ius 9 8 art1 & t ! bulk ( ! cl]gy1 n to m5tion ord9>y workm51 7 v ignorant & ill-taught4 ,v few1 inde$1 7 m5 :o c\ld be consid]$ cultur$4 ,gregory ( ,t\rs1 ! hi/orian1 & ,v5antius ,=tunatus1 ! hymn-writ]1 are among ! few4 ,9 ! ,libr>y at ,laon1 ,m4 ,fleury describes a ,,ms4 ( ! ,natural ,hi/ory ( ,isidore ( ,seville1 :i* is look$ ^u z a "w ( ref]5ce bo? z reg>ds art & le>n+4 ,x 0 at "o "t a v popul> book1 be+ a ,lat9 cyclopdia1 deal+ ) ! sci5ces & g5]al k ( ! "t2 yet ! example ref]r$ to by ,m4 ,fleury %[s u only a cr[d ( initials le>n$ly /yl$ by ! ,b5$ict9e au?ors & o!rs i*?io-morphiques & orni?oeides1 i4e4 made up ( fi%es & birds1 & ab\t equal 9 quality & f9i% to ! ef=ts ( a v ord9>y s*oolboy4 ,^! initials betray an utt] decad5ce f ! beautiful uncials ( ! fif? & six? c5turies1 se5 9 ! ,/4 ,g]ma9's ,psalt]1 = example1 n[ 9 ! ,national ,libr>y at ,p>is4 ,! col\rs are co>se & badly appli$1 & ev5 :]e brighte/ are utt]ly unref9$ & )\t ta/e4 ,not)/&+1 h[ev]1 ! app>5tly total eclipse or ext9ction ( ,roman art 9 ,gaul1 or1 z x mu/ h5ce=? be call$1 ,france1 x is claim$ by ,m4 ,fleury#ac t ! int]lacem5ts :i* con/itute ! pr9cipal feature ( ^! e>li] ,m]ov+ian ,,mss4 are d]iv$ f ! rema9s ( ,roman mosaics f\nd pr(usely at ,blanzy1 ,bazo*es1 & ,reims4 ,?is may be s1 b ^? mosaics w\ld n acc\nt = ! same features 9 ! ,iri% "w1 = ! ,romans nev] rea*$ ,irel& z occupants or coloni/s4 #ac ,see lat]4 ,take ano!r example f ! ,laon collection1 ! ,hi/ory ( ,orosius4 ,! fir/ page is a type ( ! species to :i* x belongs1 &1 moreov]1 a good sample ( ! e>lie/ ef=ts ( all pictorial art4 ,an ord9>y rectangul> cross occupies ! c5tre ( ! page4 ,! c5tre %[s u ! ,lamb ( ! ,apocalypse & ,/4 ,john4 ,on ! arms are ! bea/s :i* typify ! ,evangeli/s--_! emblems1 z !y are sometimes call$4 ,we notice t !y are all symbolic1 & n int5d$ to be natural imitations ( reality4 ,! v>i\s animals scatt]$ ab\t ! page are all symbolic--all h a my/ical int]pretation & raison d'tre4 ,a bord]-frame1 pass+ beh9d ea* extremity ( ! cross1 conta9s a numb] ( dog-l animals1 "s pla91 o!rs spott$1 :ile ! body ( ! cross itself is occupi$ ) attempts at foliage ornam5ts4 ,9 ! left upp] corn] are ! lett]s ,x ,p ,i1 9 ! "r ,i ,h ,v1 ?ick foliage spr++ f ! ,i & ,v & fall+ back ov] ! monogram4 ,9 ! l[] corn]s are two fi%es & two doves1 ea* pair hang+ to a p5work *a94 ,! emblem ( ,john1 on ! upp] extremity ( ! cross1 is an eagle-head$ & w+$ man hold+ a book2 its opposite "o ( ,lucas at foot is a s+ul>ly conceiv$ an?ropoid & w+$ ox1 also ) a book4 ,on ! left ,m>cus1 ^: head is indescribable2 & on ! "r ,mat!w1 ) human head1 ! re/ ( ! figures be+ z be=e4 ,! eye 9 all ! figures is a mo/ rem>kable feature4 ,bo? 9 ! pictures & ! initials ( ?is ,,ms4 ! outl9e has be5 drawn 9 black ink1 & ! col\rs yell[1 r$1 br[n1 & gre5 appli$ aft]w>ds4 ,z ! new ma/]s ( ! ,we/ 7 n s mu* int]e/$ 9 ! arti/ic rema9s ( ! mangl$ civilisation !y 7 endeav\r+ to de/roy z 9 ma/]y & milit>y success1 x 0 left = ! mona/]ies & ! *ur* to see to ! welf>e ( books & monum5ts4 ,9 ! sev5? c5tury x 0 ! mona/]ies t sav$ almo/ all we "k ( ! prec$+ c5turies4 ,dur+ ! turmoil ( ! p]iod f ! fif? to ! eigh? c5tury we f9d c]ta9 quiet corn]s :]e le>n+ & ! arts /ill brea!d1 grew1 & dwelt 9 security4 ,lr9s1 f\nd$ by ,/4 ,honoratus ( ,aries2 ,luxeuil by ,columbanus1 ,bobbio 8 la/ retreat2 &1 above all1 ,monte ,cass9o1 ! great patt]n ( mona/icism1 ! ,rule ( ^: f\nd] 0 de/9$ to become ! basis ( all lat] ,ord]s1 7 ea* ( !m /eadily lab\r+ to rescue ! civilisation daily ?reat5$ by ! ravage ( w>1 & to pres]ve x = ! b5efit ( ! ignorant hordes :o1 because ( _! ignorance1 n[ only aim$ at its entire de/ruction4 ,we h se5 h[ ^! monks & cl]ics1 ) m goodwill ?an ability1 did _! be/ to adorn ! books :i* came into _! h&s4 ,x is a poor %[1 b !re is no bett]4 ,x is absolutely our only record ( h[ civilisation manag$ to /ruggle ?r\gh ! /orm4 ,let u1 !n1 be ?ankful ev5 = ! ,laon ,orosius1 = ! ,sacram5t>y ( ,gellone1 & ! ,moz>abic ,liturgies ( ,puy4 ,!y are among ! l9ks betwe5 anci5t & m$ival art4 ,z already /at$1 ! h&writ+ ( ,m]ov+ian ,,mss4 is ma9ly an adaptation ( ! ,roman uncial1 z x is 9 ,iri% & ,lomb>dic1 or1 we might say1 ev]y:]e else4 ,abbreviations we /ill uncommon4 ,:]e m9uscules are us$1 ! writ+ is n q s legible z 9 ! l>g] h&s1 b we are n met by ! s+ul> difficulties ( "s ( ! ,lomb>dic texts4 ,a few solit>y texts ( ! e>lie/ "t are 9 capitals1 su* z ! really h&some ,prud5tius ( ! ,p>is ,national ,libr>y1 :]e ! entire text ( ! great ,*ri/ian poet is boldly inscrib$ 9 ! c5tre ( a l>ge :ite page ( vellum1 l a s]ies ( sep>ate inscriptions4 ,! fir/ few words are rubri%$ 9 ! antique mann]4 ,! ,,ms4 is suppos$ to date previ\s to ! ye> #ebg4 ,a little lat] ?an ?is ,/4 ,columbanus f\nd$ ! mona/]y ( ,luxeuil1 & lat] /ill1 viz4 9 #faf1 t ( ,bobbio4 ,if we turn to ! ,visigo?ic area1 includ+ ! ,s\? ( ,france & ! entire p59sula ( ,spa91 our fir/ & typical example is ! celebrat$ ,sacram5t>y ( ,gellone4 ,?is ,,ms4 dates1 x is said1 f ! eigh? c5tury4 ,x is writt5 ?r\gh\t 9 ,visigo?ic uncials1 ?\gh execut$ 9 ! ,s\? ( ,france4 ,its ornam5tation is frankly b>b>ic4 ,! col\rs us$ are yell[1 r$1 & gre54 ,! great initials are d\ble l9$1 & ! int]l9e> space fill$ 9 ) a flat t9t ( col\r & l9es ( r$ dots1 z 9 ! ,book ( ,kells occasionally foll[ ! cont\rs4 ,"h1 also1 are ! fi% or bird-=m lett]s z 9 ! ,laon ,orosius4 ,n[ & !n occurs a t9y sc5e--p]haps a fight betwe5 two grotesque brutes1 nei!r fi%1 nor f[l1 nor bea/ kn[n to ! naturali/1 b a horrible comp\nd ( ! wor/ qualities ( ea*4 ,! human figure1 :5 x occurs1 is *ildi%ly %apeless4 ,b ! design & treatm5t1 nev]!less1 be> witness to a lively imag9ation & consid]able k ( ,*ri/ian symbolism4 ,x is ^! m5tal qualities :i*1 9 spite ( ! manife/ abs5ce ( manual skill1 r5d] ! ,gellone ,evangeli>y "o ( ! mo/ preci\s monum5ts ( its "t4 ,( ! re/ ( ! ,,mss4 ( ?is wret*$ p]iod we w say no?+4 ,non ragioniam di lor'1 ma gu>d' e passa4 ,we are glad to hurry on = ano!r c5tury or s1 rememb]+ t ! lead+ idea n[ is ! developm5t ( ! initial lett]4 ,,*apt] ,,ix ,,developm5t ,,( ,,! ,,initial ,! initial & initial p>agraph ! ma9 object ( decoration 9 ,celtic illum9ation--,/udy ( ! lett] ,l z an example--,! ,i ( ,9 pr9cipio & ! ,b ( ,beatus ,vir4 ,f ! mom5t :5 ! initial 0 plac$ b5ea? ! m9iature ! object ( ! :ole design 0 n to give prom95ce to ! initial b to ! picture4 ,until !n1 t is1 :il/ ! initial rema9s above or beside or outside ! picture1 x is ! initial we mu/ wat* = /yle & developm5t4 ,& !re=e we seize on "o lett] among ^? ( ! latt] "p ( ! eigh? c5tury1 because ( ! frequ5cy ( its occurr5ce 9 ! ,gospel-book or ,evangeli>y1 "o ( ! commone/ books ( ! "t4 ,?is ! lett] ,l ( ,lib] ,g5]ationis1 etc41 ! comm5c+ words ( ,/4 ,mat!w4 ,?is passage is always made ( importance1 & on ! initial & arrangem5t ( ! words ! arti/ exp5ds 8 be/ ef=ts4 ,prop]ly ,i %\ld "h display pictorially ! s]ies ( :i* ,i speak4 ,x w\ld c]ta9ly be ! quicke/ way ( expla9+ ! matt]4 ,b z ?is is out ( ! "q = _m reasons1 & z ! pres5t little guide aims r at %[+ ! way ?an m>*+ ?r\gh x1 ! read] mu/ be cont5t to take its advice ab\t :]e to look = examples :i* x _c reproduce4 ,reg>d+ ! lett] ,l z an index ( "t & /yle1 fir/ we may take ! ,iri% ,l ( ! ,book ( ,kells on p4 #ag1 pt4 #a1 ( ,miss ,/okes' ,e>ly ,*ri/ian ,art 9 ,irel&4 ,note fir/ ! =m ( ! lett]1 !n ! way x is fill$ up ) ornam5t4 ,comp>e ?is1 :i* dates f ! sev5? c5tury1 ) a simil> ,l 9 ! ,ada-,codex 9 ! ,t[n ,libr>y at ,trves1 ,no4 #bb4 ,a black & :ite copy ( ?is is giv5 9 taf4 #f ( ,lampre*t ,initial ,ornam5tik4 ,?is c>ries up ! "w to ! second half ( ! eigh? c5tury4 ,next1 say ! ,l 9 ! ,t[n ,ar*ives at ,cologne1 ,no4 #adg4 ,?is belongs to ! second half ( ! n9? c5tury4 ,! *ief dep>ture "h is t[>ds ! knott$ b& "w :i* figures s l>gely aft]w>ds bo? 9 ,g]man & ,italian book ornam5t1 ! =m is /ill un*ang$4 ,b ) ! t5? c5tury comes *ange ( =m z well z ( mode ( fill+1 z = example taf4 #ai ( ,lampre*t1 9 :i* !re is a complete alt]ation ( treatm5t4 ,! /ud5t may take = simil> comp>ison also ! ,i ( ,9 pr9cipio ( ,/4 ,john's ,gospel1 & ! ,b ( ! fir/ psalm 9 ! ,psalt]1 & c>ry ! comp>ison on to ! end ( ! f\rte5? c5tury1 by ref]r+ to ! ,,mss4 9 ! ,briti% ,museum & o!r public libr>ies1 or 9 ! num]\s illu/rat$ works to be f\nd 9 ^? collections4 ,,*apt] ,x ,,fir/ ,,engli% ,,/yles ,transition f ,iona to ,l9disf>ne--,influ5ce ( ,franki% art--,! ,opus ,anglicum--,! ,w9*e/] s*ool & its *>act]i/ics--,:5ce obta9$--,me?od ( pa9t+--,examples--,:]e f\nd & describ$4 ,! succession ( ! s*ool ( ,iona %[s u 9 ! fir/ examples ( ,engli% illum9ation ! type exemplifi$ 9 ! ,book ( ,kells1 modifi$1 b n v mu*1 by its transf]5ce to ,l9disf>ne4 ,:atev] d\bt may be felt z to ! influ5ce ( ,byzant9e or ,romanesque models on pure ,iri% "w1 su* z ! ,book ( ,kells1 !re c be none z reg>ds ! ,l9disf>ne ,gospels4 ,9 ! fir/ place we h gold bo? 9 ! lett]+ & ornam5t4 ,?is ,,ms41 kn[n also z ! ,durham ,book 7,brit4 ,mus41 ,n]o ,d4 iv471 0 ! "w ( ,abbat ,eadfri?1 ( ,l9disf>ne4 ,x has be5 (t5 describ$1 z x is really a mo/ preci\s example ( eigh?-c5tury art 9 ?is c\ntry4 ,no o!r ,,ms4 ( its "t is to be f\nd 9 any cont95tal scriptorium to be comp>$ ) x4 ,x is n a collection ( clumsy in>ti/ic attempts at ornam5tal writ+1 b high-class1 effective "w1 :i* %\ld be se5 & /udi$ by e /ud5t ( illum9ation4 ,f its /yle ( execution1 its details ( portraiture1 & o!r features1 x may be look$ on z "o ( ! e>lie/ l9ks betwe5 ! two extremes ( ,ori5tal & ,occid5tal ,art4 ,ano!r ,,ms4 9 ! ,briti% ,museum 7,vesp4 ,a4 #a71 :i* comb9es ! ,roman me?od ( pa9t+ z 9 ! ,v]gils ) ! p5work ( ^! ,anglo-,celtic ,gospel-books1 may also repay c>eful exam9ation4 ,x is v possible t ! celebrat$ scriptoria ( ,york & ,j>r[ may h be5 furni%$ ) bo? ,,mss4 & copyi/s f ,rome1 yet !re c be little d\bt t ! int]c\rse ) ,durham w\ld be q z active4 ,nor is x less probable t simil> int]c\rse w\ld keep !m en rapport ) ,ox=d1 ,/4 ,alban's1 ,we/m9/]1 ,gla/onbury1 & o!r scriptoria1 s t 9 ! eigh? c5tury ,engl& /ood ) respect to art second to no o!r c\ntry 9 ! ,*ri/ian _w4 ,dur+ ! n9? c5tury active int]c\rse ) ! ,franki% ,empire enri*$ ,engli% *ur*es & religi\s h\ses1 especially ,w9*e/]1 ) examples ( ,byzant9e & ,roman models1 :i* ,*>lemagne _h introduc$ into 8 own palat9e s*ools4 ,f su* second>y models z ! ,sacram5t>ies & ,evangeli>ies execut$ at ,t\rs1 ,soissons1 ,metz1 & o!r busy c5tres ( production1 ,engli% illum9ators succe$$ 9 =m+ a di/9ctive /yle ( _! own4 ,9 ! ,fr5* or1 r1 ,franki% ,,mss41 :ile ! ri*ness ( ! gold & ! beauty & delicacy ( ! col\r+ are 9 !mselves mo/ *>m+1 & :ile c]ta9 features may 9 g5]al be recognis$ z no d\bt sugge/ive !re is no?+ :i* q pr$icts ! rem>kable treatm5t :i* *>act]ises ! ,engli% "w4 ,opus ,anglicum 0 its di/9ctive title4 ,! t]m1 inde$1 0 appli$ to all ,engli% arti/ic productions m or less--embroid]y among ! re/4 ,! wom5 ( ,engl&1 says ,william ( ,poiti]s1 7 fam\s = _! ne$lework1 ! m5 excell$ 9 metal-"w & jewell]y4 ,b x 0 ! illum9at$ ,s]vice ,books t h p]petuat$ ! t]m4 ,f ! ,l9disf>ne ,gospels to ! ,w9*e/] ,b5$ictionals is a f> cry--b ,art is long & "t is fleet+1 h5ce _m pages ( int]v5+ description mu/ be omitt$4 ,we may1 h[ev]1 ref] ! read] to ,we/wood's ,palographia ,sacra ,pictoria1 ! ,palographical ,society's publications1 & o!r works1 = enlight5m5t on ?is p]iod4 ,on ! ,r\5 & ,devon%ire ,b5$ictionals mu* int]e/+ in=mation may be f\nd 9 vol4 #bd ( ! ,ar*ologia & 9 ! rec5t volume ( ! ,brad%aw ,society conc]n+ !m4 ,! "w is peculi>2 & if we consid] ! treatm5t ( foliage ap>t f ! col\r1 we _c b notice its simil>ity to ! ivory c>v+ obs]vable 9 ! consul> dipty*s4 ,ivory c>v+ 0 !n a popul> arti/ic occupation4 ,! foliage is graceful1 ! composition well-balanc$1 & ! col\r mo/ly bright body col\r appli$ 9 ! ,greek mann]4 ,! fault ( ! heads is t !y are too small = ! figure1 & ( ! drap]ies t ! folds are ov]done too mu* flutt]+ detail4 ,! gild+ diff]s f ! ,byzant9e 9 n be+ laid on ! vellum 9 ! =m ( burni%$ leaf1 b pa9t$ on l ! col\rs1 n only 9 ! figures b 9 ! framework & ornam5ts4 ,! ,briti% ,museum conta9s sev]al *>act]i/ic examples1 b1 z has be5 said1 ! v f9e/ are ^? at ,r\5 & 9 ! libr>y ( ! ,duke ( ,devon%ire4 ,p]haps no g5u9e example exi/s e>li] ?an ! ,gold5 ,*>t] ( ,k+ ,edg> ( true ,w9*e/] illum9ation1 execut$ =ty ye>s aft] ! accession ( ,a!l/an1 ^: ,coronation ,book 7,brit4 ,mus41 ,tib4 ,a4 #b7 is mo/ probably n ,engli% at all1 b ,c>ol+ian ( ! f9e/ type4 ,_m o!r scriptoria 9 ,engl& 9 ! t5? c5tury 7 equally busy ) ,w9*e/]1 b none c\ld vie ) ! royal city 9 ! production ( illum9at$ books4 ,,*apt] ,,xi ,,c>ol+ian ,,illum9ation ,:y s-call$--,works to be consult$--,! ,libr>y ( ,/4 ,gall--,rise & progress ( ,c>ol+ian art--,acc\nt ( v>i\s ,,mss4--,features ( ! /yle--,gospels ( ,/4 ,s]n9--,! ,ada-,codex--,c5tres ( production--,o!r spl5did examples--,! ,alcu9 ,bible--,! ,gospel ( ,/4 ,md>d ( ,soissons4 ,once m cross+ ! ,*annel let u n[ inquire :at has be5 do+ among ! ,franks s9ce ! ,gellone ,sacram5t>y1 especially 9 ! s*ools in/itut$ by ! ,emp]or ,*>les ! ,great4 ,mat]ials = ?is inquiry are mo/ abundant4 ,"o ( ! m important works on ! subject is ! lucid monograph ( ,dr4 ,rahn1 ( ,zuri*1 on ! ,gold5 ,psalt] ( ,fol*>d at ,/4 ,gall1 :i* deals m or less ) ! :ole "q ( ,c>ol+ian art1 :ile ,m4 ,lop4 ,delisle's bro*ure on ! ,evangeli>y ( ,/4 ,vaa/ ( ,arras gives u a copi\s acc\nt ( ! ,franco-,saxon bran* ( x4 ,ap>t1 h[ev]1 f ^! s\rces ( in=mation1 we h n a few orig9al ,,mss4 /ill extant1 :i*1 ( c\rse1 m vividly speak = !mselves1 & only require po9t+ out to ! /ud5t4 ,! cle>e/ me?od ( /udy be+ to take ?+s 9 ! ord] ( _! creation1 s 9 ord] to und]/& ! "* ( savage gr&eur & nave orig9ality :i* has be5 attribut$ to ?is /yle1 x w be be/ to take up ^! ,,mss4 *ronologically4 ,at ! same "t1 if anyone m]ely wi%es to "k :at ! /yle is l at its be/1 ,dr4 ,rahn mu/ be 8 guide1 z ! ,gold5 ,psalt] :i* he has select$ = /udy is z spl5did an example z p]haps may be f\nd 9 ! :ole c>e] ( ! art4 ,we h notic$ h[ ! ,iri% mission>y-arti/s c>ri$ _! "w to _! cont95tal settlem5ts1 h[ !y plant$ _! s*ools 9 ,burgundy1 ,switz]l&1 & ,lomb>dy4 ,( all _! depositories1 h[ev]1 num]\s z !y are else:]e1 none is ri*] 9 ! relics ( _! "w ?an ! celebrat$ abbey :i* takes its "n ( ,/4 ,gall f t disciple ( ,/4 ,columbanus1 :o 9 #fad f\nd$ 8 little cell beside ! ,/e9a*1 ab\t n9e miles s\? ( ! ,lake ( ,con/ance4 ,"u ,*>les ,m>tel ! cell _h become a mona/]y1 :i* he end[$ z a ,b5$ict9e abbey4 ,9 #hcj 0 f\nd$ its magnific5t libr>y ( ,,mss4 ,! libr>y /ill exi/s1 & at ! pres5t mom5t gives %elf-room to #a1hjj ,,mss4 & m ?an #da1gjj pr9t$ books4 ,besides ?is1 ano!r1 call$ ! ,t[n ,libr>y1 f\nd$ 9 ! sixte5? c5tury1 & conta9+ #ejj ,,mss4 & #fj1djj pr9t$ books1 gives ?is upl&1 busy1 mod]n manufactur+ ,swiss t[n no mean importance z a c5tre ( lit]>y culture4 ,physically x is probably ! highe/ t[n 9 ,europe1 its /reet-level be+ v ne>ly #b1bjj feet above t ( ! sea4 ,its libr>ies & museums are ri* /oreh\ses ( m$ival treasures4 ,! ar*itect raves ov] its mona/ic build+s2 ! s*ol> & palograph] gloat ov] its books & ,,mss4 ,9 ! libr>ies ( ,/4 ,gall are "s ( ! ma/]pieces ( ,iri% ,saxon1 & ,c>ol+ian art1 & its great ,b5$ict9e abbey "u ,grimald f #hda1 i4e4 dur+ ! lat] ,c>ol+ian p]iod1 possess$ "o ( ! mo/ active scriptoria 9 ,europe4 ,to beg9 ) ! beg9n+1 h[ev]1 we mu/ leave ,/4 ,gall1 &1 pass+ by "s less important ,,mss41 g back to ! ye> #gha & ! city ( ,t\l\se4 ,9 t ye>1 & 9 ! ,abbey ( ,/4 ,s]n9 7,saturn9us7 9 t city1 0 f9i%$ a wond]ful & truly spl5did manuscript ( ! ,gospels z a pres5t to ! ,emp]or & 8 wife ,hildeg>dis4 ,?is is our fir/ example4 ,x n[ is to be se5 9 ! ,national ,libr>y1 ,p>is 7,n\v4 acqu4 ,lat4 #abjc74 ,next comes ! ,evangeli>y ( ,abbat ,angilb]t ( ,c5tula 7n[ ,/4 ,riqui]71 ne> ,abbeville1 ,*>lemagne's son-9-law4 ,?is ,,ms41 execut$ ab\t ! ye> #gic1 is /ill pres]v$ 9 ! ,t[n ,libr>y ( ,abbeville4 ,9 ! same rank1 b some:at f9] 9 execution1 comes a ?ird ,evangeli>y1 t ( ,/4 ,md>d ( ,soissons1 n[ 9 ! ,national ,libr>y1 ,p>is 7,no4 #hhej1 ,lat474 ,9 ^! ?ree ,,mss41 reproductions f :i* are to be f\nd 9 v>i\s mod]n works on art1 ! writ+ & ornam5tation are ! p>ts into :i* ! arti/ puts 8 be/ "w1 n ! figure draw+4 ,al?\gh 9 ! ,/4 ,s]n9 ,,ms4 !re is1 9 ! ,*ri/-figure1 a di/9ct attempt at portraiture q diff]5t f ! coils & p5-fl\ri%es :i* make up ! ,gospel-figures 9 ! ,iri% & ,m]ov+ian ,,mss4 ,"h ! inspiration is cle>ly ,greek1 n ,iri%4 ,! figure is drap$ 9 gre5 & violet--seat$ on an embroid]$ cu%ion be=e a l[ ca/ellat$ wall4 ,! hair is light1 & ! *9 be>dless4 ,! design %[s a decid$ lik5ess to ! consul> ivory dipty*s1 & ! pa9t+ foll[s ! ,ea/]n me?ods4 ,9 ! details ( ornam5t only are ,iri% features4 ,?us we trace 9 ?is ,,ms4 ! s\rces ( ,c>ol+ian art4 ,! ,,ms4 be+ dat$1 is important z af=d+ a means ( comp>ison ) o!r undat$ "w4 ,x 0 pres5t$ to ,/4 ,s]n9 on ! occasion ( ! visit ( ! ,emp]or & ,empress ) _! son1 ! amiable ,l\is le ,debonaire1#ad j aft] ! latt] _h be5 made ,k+ ( ,aquita9e4 ,godes*alk1 ! writ] ( x1 on ! la/ two leaves tells u t x took him sev5 ye>s to accompli%4 ,x is writt5 ?r\gh\t 9 gold & silv] lett]s on purple vellum1 & is1 moreov]1 ornam5t$ ) bord]s1 pictures1 portraits1 & panell+s4 ,at fir/ x 0 kept 9 a cumda* ( silv]1 set ) preci\s /ones1 b t has disappe>$4 #ad ,mod4 ,fr4 ,debonnaire4 ,! ,gold5 ,gospels ( ,/4 ,md>d1 l ! ,c5tula ,,ms41 are simil>1 b betok5 an advance 9 bo? ta/e & execution4 ,! figures are /ill rude & de=m$1 b ! arti/ %[s a laudable desire1 an ambition1 9 fact1 to imitate ! "w ( bett] arti/s ?an himself4 ,nev]!less1 ! calligraphy & bord]work are ! be/ p>ts ( 8 p]=mance4 ,9 ?is ,,ms4 ! use ( silv] betrays a t5d5cy to prodigality4 ,9 design1 ! influ5ce ( ! arti/s :o built ! new *ur* ( ,san ,vitale at ,rav5na1 a *ur* :i* became ! model = ! ,abbey ( ,/4 ,md>d itself1 is q manife/1 yet p]haps ne$ n be trac$ fur!r ?an ,soissons or ,pavia4 ,9 c]ta9 ( ! illu/rations1 z1 = in/ance1 ! ,f\nta9 ( ,life1 !re is at once a lik5ess & a v>iation z comp>$ ) ! same symbol 9 ! ,evangeli>y ( ,/4 ,s]n94 ,!y are bo? too intricate to describe1 b ( bo? x may be said t !y %[ an intimate acqua9tance ) e>ly ,*ri/ian symbolism4 ,! ivory c>v+ & ar*itecture ( ,rav5na h evid5tly be5 kn[n to ! director ( ^! frames & backgr\nds4 ,9 ! ye> :i* saw ! completion ( ,godes*alk's ,gospels1 ,alcu9 0 at ,p>ma1 b :5 ! ,/4 ,md>d's ,gospels 7 writt5 he 0 ,abbot ( ,/4 ,m>t9's at ,t\rs4 ,x 0 ! pres5ce ( ,alcu9 at ! ,c\rt ( ,*>lemagne t acc\nts = ! preval5ce ( ! ,saxon "* 9 ! new & beautiful h&writ+ we n[ call ,c>ol+ian4 ,x 0 ! pres5ce ( ,paul ,w>nefrid t acc\nts = mu* ( ! classic & mo/ ( ! ,lomb>dic features1 bo? ( ! writ+ & ! illum9ation4 ,_m o!r s*ol>s assi/$ ^! two 9 ! v>i\s c5tres 9 :i* ,alcu9 e/abli%$ bran*es ( ! palat9e s*ools4 ,! int]c\rse ) ,italy & ,engl& 0 con/ant1 & l$ to ! frequ5t int]*ange ( books1 & community ( me?ods & models4 ,ano!r f9e ,,ms4 ( ! same p]iod 7c4 #ghj7 is ! ,gold5 ,ada-,codex ( ,/4 ,mesm9 or ,maxim91 ( ,trves4 ,9 #agid ?is ,,ms4 0 tak5 f ,trves to ,ma9z2 9 #ahae x 0 transf]r$ to ,aix-la-,*apelle1 & is n[ back aga9 at ,trves4 ,! ext]nals ( ! ,ada-,codex are v co/ly1 its b9d+ be+ a late ,go?ic p5dant to ! cov] ( ! ,e*t]na* ,evangeli>y at ,go?a4 ,9 ! c5tre ( ! =e-cov] !re is a magnific5t topaz1#ae ) sev]al imp]ial figures4 ,inside1 ! "w is a h&some example ( ! e>ly ,c>ol+ian4#af ,x conta9s ! f\r ,gospels writt5 by ord] ( ! ,"m & ,lady ,ada1 si/] ( ,*>les ! ,great1 ,abbess ( ,/4 ,mesm94 ,next we h 9 ! ,briti% ,museum ano!r gr& example ( ! /yle z modifi$ by ,engli% or ,saxon influ5ce4 ,also ! ,zuri* ,bible1 ( ! same date1 execut$ at ,t\rs--& ! ,bamb]g ,bible1 said to be a copy ( ! ,alcu9 ,bible ( ! same s*ool4 ,!n foll[ ! ,drogo ,sacram5t>y1 pres5t$ by ! ,emp]or to 8 natural son ,drogo1 ,ar*bi%op ( ,metz 7#hbf-hee71 p]haps illum9at$ at ,metz1 b ( ! same s*ool z ^? above m5tion$4 #ae ,or s>donyx 7,lampre*t says topaz47 #af ,a photograph ( ! cov] is sold by ,f4 ,l9z ( ,trves4 ,9 our own ,national ,libr>y1 aga91 we h ! ,a!l/an ,gospels 7,h>l4 #bghh71 also 9 all probability execut$ at ,metz4 ,at ,p>is 7,nat4 ,lib41 ,!ol4 ,lat4 #bff7 is ! ,evangeli>y ( ,lo?aire--a mo/ beautiful example ( gold-writ+ & ornam5t4 ,s we might enum]ate a score ( spl5did ,,mss41 & classify !m into _! v>i\s m9or s*ools4 ,b su* is n our object4 ,all we want "h is a g5]al b cle> idea ( ! /yle z a :ole4 ,to *>act]ise x broadly by ! names ( its mo/ important elem5ts we %\ld call x a ,lomb>d-,saxon /yle--! int]lac+ b&s & knots & o!r m9or features & ! ma9 "* ( ! writ+ be+ ( ,saxon orig91 ! classical foliages & mann] ( pa9t+ ! figures & c]ta9 ideas ( design ,lomb>dic1 /r5g!n$ by direct contact ) ! s\rces ( ! latt] /yle4 ,:atev] v>iations !re may be1 !y c g5]ally be acc\nt$ = accord+ to locality & c5tre ( production4 ,we h in/anc$ a few examples ( ! e>li] "t z %[+ ! pr9cipal features ( ! /yle4 ,"u ! ,emp]or ,*>les ! ,great's gr&son1 ,*>les ! ,bald1 ,c>ol+ian illum9ation rea*$ its highe/ po9t ( excell5ce1 & ! ,,mss4 execut$ = him or 8 contempor>ies accord+ly give a correct idea ( :at ,c>ol+ian illum9ators consid]$ z good "w4 ,! *ief c5tres 7 /ill ,t\rs & ,metz--! latt] a bran* ( ! =m]1 b gradually develop+ di/9ct features ( its own2 & among ! productions ( ^! s*ools !re /ill rema9 preci\s--we might say priceless--examples1 su* z ! ,vivi5 ,bible ( ! ,p>is ,libr>y1 s-call$ because pres5t$ by ,c\nt ,vivi51 ,abbat ( ,/4 ,m>t9's ( ,t\rs1 to ,*>les ! ,bald 9 #hej4ag ,x conta9s a f9e picture ( ! pres5tation ) be>dless figures4 ,x has also a numb] ( exce$+ly spl5did initials %[+ /rong ,byzant9e influ5ce--capitals ( columns ( classic orig9 & traces ( ,m]ov+ian 9 lett] =ms & ornam5tal details4 ,x is l ! ,evangeli>y ( ,lo?aire1 already m5tion$1 a mo/ sumptu\s example ri* 9 silv] & gold--! latt] hav+ a gr& portrait ( ,lo?aire seat$ on 8 ?rone4 ,bo? ,,mss4 are 9 ! ,national ,libr>y at ,p>is1 ! ,vivi51 ,no4 #a 7,!ol4 ,lat471 ! ,lo?aire1 ,no4 #bff4 ,b ! "o example to :i* we w\ld call ! read]'s att5tion1 ?\gh among ! e>li] productions ( ! p]iod1 z n only mo/ readily accessible1 b mo/ preci\s to ! ,engli% /ud5t1 is ! celebrat$ ,alcu9 ,bible 9 ! ,briti% ,museum 7,add4 ,,ms4 #ajedf74 ,?is v5]able ,,ms4 is a copy ( ! ,vulgate revis$ by ,alcu9 himself1 & said to be exactly simil> to ! "o at ,bamb]g4 ,biblical revision 0 p]haps ! mo/ important ( 8 _m lit]>y occupations1 & ?is volume is reasonably believ$ to be ! actual copy prep>$ = pres5tation to ,*>lemagne "u ! revis]'s own sup]9t5d5ce1 possibly1 9 "p at lea/1 ! "w ( 8 own h&4 ,x is a l>ge folio1 f9ely writt5 9 a neat m9uscule1 ma9ly ,saxon h&1 ) uncial initials 9 two columns4 ,! m9iatures1 includ+ _! ar*itectural details1 are 9 ! ,roman mann]1 ! ornam5ts p>tly ,byzant9e1 p>tly ,celtic4 ,! great simil>ity ( design betwe5 diff]5t manuscripts is /rik+ly exemplifi$ by a comp>ison ( ?ree bord]s f 7a7 ! ,evangeli>y ( ,/4 ,vaa/ ( ,arras1 fol4 #bh v4 7see ,delisle72 7b7 ! ,evangel4 9 ,national ,libr>y1 ,p>is1 anc4 fds4 ,lat4 #beg 7see ,l\&re71 & ,evangeli>y ,no4 #cji ,bibl4 de ,cambrai 7see ,durieux74 #ag ,plate 9 t4 #a ( ,l\&re4 ,inde$1 comp>isons ( ?is k9d are v in/ructive frequ5tly z sugge/ive ( prov5ance1 z ea* work+ c5tre w\ld h its own set ( models & designs4 ,( c\rse1 comp>ison ( ! ,,mss4 !mselves is out ( ! "q1 b ! comp>isons c (t5 be effect$ by ! /ud5t's hav+ ,l\&re1 ,durieux1 ,fleury1 ,lab>te1 etc41 by 8 side dur+ ! exam9ation ( any giv5 p]iod4 ,! limits ( our little book =bid our speak+ ( o!r examples ( ?is spl5did /yle1 b we _c conclude )\t notic+ t 9 ! op9ion ( ,m4 ,f]d9& ,d5is1 ! ,gold5 ,gospels ( ,/4 ,md>d ( ,soissons is ! mo/ beautiful ,c>ol+ian ,,mss4 extant4 ,,*apt] ,,xii ,,mona/ic ,,illum9ation ,introductory--,mona/]ies & _! "w f ! six? to ! n9? c5tury--,! clau/ral s*ools--,alcu9--,w>nefrid & ,!odulf--,cl]ics & mona/ics--,! ,gold5 ,age ( mona/icism--,! ,ord] ( ,/4 ,b5$ict--,ci/]cian h\ses--,o!r ,ord]s--,progress ( writ+ 9 ,c>ol+ian times--,division ( lab\r4 ,9 ! six? c5tury ! mona/]ies1 su* z !y 71 necess>ily kept !mselves v quiet & unobtrusive4 ,!y 7 situat$ usually 9 out-(-!-way corn]s1 solitudes ap>t f civilisation1 or1 at lea/1 ap>t f ! busy haunts ( m54 ,9 ! eigh? c5tury !re is a m>k$ diff]5ce4 ,! ,capitul> ( ,aix-la-,*apelle1 ( #ghi1 requir$ t m9or s*ools %\ld be atta*$ to all mona/]ies & ca!dral *ur*es )\t exception1 & t *ildr5 ( all ranks1 bo? noble & s]vile1 %\ld be receiv$ into !m4 ,also t ! l>g] mona/]ies %\ld op5 major s*ools 9 :i* ! sev5 sci5ces ( ma!matics1 a/ronomy1 ari?metic1 music1 rhetoric1 dialectics1 & geography1 7 to be taught--& ?is 9 two ways4 ,!re 7 to be two sorts ( s*ools--int]ior or clau/ral1 int5d$ = mona/ics only1 & ext]ior or canonical1 int5d$ = secul> /ud5ts4 ,^! s*ools 7 "u sep>ate s*ola/ics or ma/]s1 & lay /ud5ts 7 receiv$ 9 ! ext]ior s*ools z freely & fully z 9 ! public s*ools ( ! pres5t "t4 ,mabillon#ah gives a li/ ( "s tw5ty-sev5 mona/ic & ca!dral s*ools1 by no means conf9$ to great or weal?y cities1 b well di/ribut$ ?r\gh\t ! ,empire4 #ah ,prfat4 9 iv4 ,scul4 #ahd4 ,9 ! "t ( ,*>lemagne ^? mo/ 9 repute 7 ,t\rs1 ,/4 ,gall1 ,fulda1 ,reims1 & ,hirsfeld4 ,we h giv5 ! names ( ,alcu9 & ,paul ,w>nefrid z ! *ief promot]s ( ! ,c>ol+ian ,revival1 b we %\ld n omit t ( ,!odulf1 ( ,orleans1 ! indefatigable s*ool inspector ( ! "t4 ,he x 0 :o assi/$ ! arti/ic side ( ! movem5t by 8 +5i\s contrivances z a writ] & illu/rator ( s*ool books4 ,und\bt$ly x 0 f 8 sugge/ions t we s (t5 f9d 9 m$ival sci5tific treatises ( ! drie/ k9d ^? graphic & wond]ful tabulations & edifices1 labell$ & turret$1 :i* make ,ari/otle1 ,priscian1 & ,m>cianus ,capella1 n only compreh5sible1 b attractive4 ,!odulf compos$ 9 simple & easy ,lat9 v]se--some:at aft] ! /yle ( ! ,propria qu m>ibus our own *ildhood--! description ( a suppos$ tree ( sci5ce1 :i* he _h drawn & pa9t$1 on ! trunk & bran*es ( :i* 7 ! figures & names ( ! sev5 lib]al arts4 ,at ! foot sat ,gramm>--! basis ( all le>n+--hold+ on h] h& a l5g?y rod 7om9\s = ! t5d] /ud5t74 ,on ! "r ,rhetoric /ret*$ =? h] h&4 ,on ! left 0 ,dialectic4 ,philosophy sat on ! summit2 ! re/ be+ dispos$ accord+ to _! relative importance4 ,! :ole 0 expla9$ 9 ! ,c>m9a de septem artibus1 9 :i* ! bi%op1 :o 0 "o ( ! fam\s poets ( ! age1 /rove 9 fl[]y language to r5d] ^! dry-z-du/ /udies acceptable to ! y\?ful und]/&+4 ,!odulf 0 a great s*ol>1 & assi/$ ,alcu9 9 ! revision ( ! ,bible1 "o copy ( :i* he himself _h writt5 :il/ /ill ,abbat ( ,fleury1 ab\t #gij4 ,at ! beg9n+ ( ?is ,bible is a poem 9 gold5 lett]s on purple1 & a preface 9 prose1 also 9 gold5 lett]s1 giv+ a synopsis ( ! sev]al books4 ,! text diff]s some:at f ! ,alcu9 ,bible1 z x is t ( ,j]ome be=e ,alcu9's revision4 ,?is ,,ms4 is n[ at ,p>is4 ,ano!r ,bible execut$ to ! ord] ( ,!odulf is n[ 9 ! ,t[n ,libr>y at ,puy4 ,x seems incr$ible1 aft] ! ef=ts made by ,*>lemagne & 8 m9i/]s = ! ma9t5ance ( le>n+ & ! arts1 t !re %\ld ev] be any risk ( a return to b>b>ism1 b x is a fact t ! dissolution ( ! ,empire prov$ 9 c]ta9 localities ! susp5sion ( prosp]ity4 ,=tunately ! mona/ics--especially ! ,b5$ict9es--& ! canons ( ! ca!drals /ill kept up ! practice ( copy+ books2 b almo/ all ! ,s\? ( ,france1 ,langu$oc1 & ,prov5ce1 always cons]vative1 rema9$ m or less illit]ate4 ,!y produc$ poets & jongleurs1 b seldom arti/s or s*ol>s4 ,& ev5 9 ! ,nor?1 :]e ! capitul> s*ools 7 mo/ fl\ri%+--z ,p>is1 ,reims1 & ,*>tres--! g5]al t5d5cy 0 t[>ds relapse4 ,9 ,high ,g]many x 0 ev5 worse4 ,9 spite ( all ef=ts ( ! cl]gy by ! ext5sion ( secul> s*ools1 ! laity pref]r$ ! excitem5t ( *ase & camp to ! quiet humdrum ( ! s*oolroom4 ,religion seem$ to be reg>d$ r z a pr(ession ?an a pr9ciple1 q "r 9 its place1 i4e4 ! ,*ur* & ! mona/]y1 b unsuit$ = active life4 ,! weal?y l&-own]s1 !re=e1 did n cease to end[ religi\s h\ses or to build *ur*es1 b !y left book-le>n+ to ! cl]ics4 ,accord+ly ! cl]ics & ! mona/ics fl\ri%$ exce$+ly4 ,f ! beg9n+ ( ! t5? c5tury to ! beg9n+ ( ! ?irte5? 0 ! ,gold5 ,age ( mona/icism4 ,! ,ord] ( ,/4 ,b5$ict scatt]$ its f\ndations ?ickly ov] ,france & ,we/]n ,g]many1 :ile its re=m$ colonies ( ,cluny1 ,citeaux1 ,clairvaux1 & ! ,*>treuse aga9 spread _! settlem5ts 9 all directions4 ,?us we f9d ,cluny e/abli%$ 9 #iaj1 ,grammont 9 #ajgf1 ! ,*>treuse 9 #ajhj1 ,citeaux 9 #ajih1 ,savigny 9 #aaje1 ,tiron 9 #aaji1 ,au/9 ,canons 9 #ajch1 ,premon/rants 9 #aabj1 ,crut*$ ,fri>s 9 #aafi4 ,9 ,engl&1 f #aajj1 sc>cely a ye> pass$ by )\t ! e/abli%m5t ( "s fre% f\ndation4 ,dur+ ! ?irty-five ye>s ( ! reign ( ,h5ry ,i4 m ?an #aej religi\s h\ses 7 f\nd$4 ,& ev5 dur+ ! disa/r\s reign ( ,/eph51 9 less ?an tw5ty ye>s1 no few] ?an #ajj h\ses ( v>i\s ,ord]s 7 e/abli%$4 ,! twelf? c5tury 9 ,engl& 0 especially ! age ( mona/]ies4 ,x is true t n v mu* 9 ! way ( orig9al lit]ature1 except !ological treatises1 c be assign$ to ! ?ree c5turies ref]r$ to1 b ! unwe>i$ lab\rs ( ! copyi/ & illum9ator did mu* to pres]ve ! works :i* previ\s c5turies _h creat$4 ,( c\rse1 9 s long a p]iod *anges 7 _m & great4 ,s great1 inde$1 t betwe5 a ,,ms4 ( #hej & ano!r ( #abjj sc>cely is !re a common feature4 ,f #hej to #ajjj 9 ,france ! ,c>ol+ian m9uscule1 f ! fir/ s cle> & beautiful1 rema9$ ) sc>ce a /roke ( alt]ation4 ,b imm$iately aft] ! op5+ ( ! elev5? c5tury a s]ies ( rapid *anges set 91 & by ! beg9n+ ( ! twelf? a new h&1 p]fectly cle> & regul>1 b q diff]5t f ! ,c>ol+ian1 _h be5 =m$1 :i* la/$ until x 0 sup]s$$ by ! ,go?ic1 :ile a sy/em ( contractions adopt$ because ( ! sc>city ( p>*m5t creates a fre% ne$ = /udy ap>t f ! peculi>ities ( p]sonal habits4 ,side by side1 too1 ) ?is !re gr[s up a non-pr(essional h&--! s-call$ cursive or runn+ h& ( ! ord9>y writ]--9 _m cases1 especially 9 de$s & o!r brief compositions1 all b utt]ly illegible1 except to ! pr(essional palograph]4 ,occasionally ^! autographs are ( ! highe/ importance & int5sely int]e/+1 z1 = in/ance1 :5 9 an ,engli% ,,ms4 we come ,across a note 9 ! h&writ+ ( ,ord]icus 7,vitalis7 or ,mat!w ,p>is4 ,f #ijj to #abjj ! va/ majority ( ,,mss41 illum9at$ & o!rwise1 7 ! "w ( mona/ics4 ,e h\se ( any note _h its room set ap>t = writ+4 ,! l>g] mona/]ies sometimes utilis$ ! cloi/]s ( ! *ur*es !mselves1 9 recesses ( :i* !y _h desks or tables plac$ = ! copyi/4 ,usually1 h[ev]1 !y _h a l>ge common room call$ ! scriptorium1 :]e ei!r ! copyi/ & illum9ator work$ sep>ately & ea* on 8 own acc\nt1 or :]e a numb] ( copyi/s await$ ) p5 & p>*m5t ! dictation by "o ( ! frat]nity ( "s "w ( :i* a numb] ( copies _h to be made4 ,no admittance except on bus9ess 0 ! rule ( ?is *amb]4 ,!re1 "u ! direction ( ! arm>ius1 ! exp]t writ]s did _! "w4 ,sometimes a s+le monk execut$ ! book f fir/ to la/ by himself4 ,he prep>$ ! vellum1 rul$ x ) ! f9e metal po9t1 copi$ ! text1 pa9t$ ! illum9ations1 put on ! gild+1 & ev5 add$ ! b9d+4 ,g5]ally1 h[ev]1 ! lab\r 0 divid$--"o monk scrap$ & poli%$ ! p>*m5t2 ano!r rul$ x2 ano!r wrote ! text1 leav+ spaces = initials & m9iatures2 ano!r put 9 ! initials & did ! gild+ & fl\ri%+ ) bord]s1 etc42 & ano!r pa9t$ ! m9iatures4 ,?is 9 ! mona/]ies 0 done 9 ! case ( l>ge & important ,,mss41 & aft]w>ds1 :5 illum9at+ became a lay-craft1 subdivision ( lab\r 0 ! common practice4 ,b9d+ 0 done 9 a special ap>tm5t1 & by "o specially skill$ !re94 ,! scriptorium 0 look$ ^u z a sort ( sacr$ place1 & ! "w ( copy+ (t5 consid]$ z a lab\r ( piety & love--ent]$ ^u ) dev\t pray]1 & solemnly bless$ by ! sup]ior1 especially 9 cases :]e ! books to be writt5 7 ,bibles1 or connect$ ) ! s]vices ( ! h\se1 ! ,lives ( ! ,sa9ts1 or ,treatises on ,!ology4 ,v frivol\s or absurd inde$ are sometimes ! inducem5ts to copyi/s to d gratuit\s "w ( ?is k9d1 su* z t e lett] transcrib$ paid = "o s9 ( ! copyi/1 & x is said t a c]ta9 monk--a heavy s9n]--only ow$ 8 salvation to ! fact t ! numb] ( lett]s 9 a ,bible :i* he copi$ exce$$ by a s+le unit ! sum total ( 8 s9s4 ,,*apt] ,,xiii ,,mona/ic ,,illum9ation--cont9u$ ,! copyi/s--,gratuit\s lab\r--,la/ words ( copyi/s--,disputes betwe5 ,cluny & ,citeaux--,! ,abbey ( ,cluny3 its gr&eur & influ5ces--,use ( gold & purple vellum--,! m influ5tial abbeys & _! "w 9 ,france1 ,g]many1 & ! ,ne!rl&s4 ,( c\rse1 only really exp]t calligraph]s 7 employ$ on great & important works4 ,9 ! mona/]y all su* lab\r 0 gratuit\s1 t is1 ! copyi/ receiv$ no pecuni>y remun]ation1 only 8 food & lodg+4 ,yet ev5 ?is _h to be provid$ =4 ,h5ce ! frequ5t reque/s = donations f ! laity4 ,to give a volume to a mona/]y did n always mean actually to pres5t ! book1 b to /& ! exp5se ( its production 9 ! mona/]y itself4 ,9 ! case ( specially di/+ui%$ p5m51 _! ent]ta9m5t 9 a mona/]y 0 sometimes an exp5sive bus9ess4 ,x 0 only 9 lat] times1 h[ev]1 :5 lay-arti/s 7 invit$ to reside 9 ! mona/]y to d _! "w t money 0 paid = _! s]vices4 ,v (t5 we f9d notices at ! end ( volumes t ,s-&-s _h ord]$ ! book to be writt5 & illum9at$ at 8 exp5se1 & an invocation = ! gratitude ( ! read] & remembrance 9 8 pray]s is add$1 sometimes ) ! date to ! v h\r :5 ! book 0 f9i%$4 ,! copyi/'s la/ words aft] 8 task 0 complet$ are (t5 v full ( we>9ess--sometimes pi\s1 sometimes hank]+ aft] fle%ly lu/s1 occasionally q too dreadful to repeat4 ,may ,*ri/ recomp5se = ev] him :o caus$ ?is book to be writt54 ,at ! end ( a ,life ( ,/4 ,seba/ian3 ,illu/ri\s m>tyr1 rememb] ! monk ,gondacus :o 9 ?is sl5d] volume has includ$ ! /ory ( ?y glori\s miracles4 ,may ?y m]its assi/ me to p5etrate ! heav5ly k+dom2 & may ?y holy pray]s aid me z !y h aid$ s _m o!rs :o h ow$ to !m ! ineffable enjoym5ts bo? ( body & s\l4 ,wailly quotes ! foll[+3 ,dextram scriptoris b5$icat mat] honoris 7,may ! "m ( hon\r bless ! writ]'s "r h&74 ,a v common end+ is ,qui scripsit scribat semp] cum ,dom9o vivat 7,he :o wrote1 let him write2 may he ev] live ) ! ,"l74 ,ano!r3 ,explicit expliceat4 ,bib]e scriptor eat 7,x is f9i%$4 ,let x be f9i%$1 & let ! writ] g out = a dr9k74 ,ano!r end+ is ,v9um scriptori r$datur de meliori 7,let w9e ( ! be/ be giv5 to ! writ]74 ,& aga93 ,v9um r$datur scriptori1 non t5eatur 7,let w9e be giv5 to ! writ]2 let x n be )held74 ,"h is ! recomp5se wi%$ = by a ,fr5* monk3 ,detur pro p5 scriptori pulcra puella 7,let a pretty girl be giv5 to ! writ] = 8 pa9s1 or z a p5ance7 ,! monks enjoy$ puns1 z bib]e1 a common pun on viv]e4 ,"o writ] groans ?us3 ,scrib]e qui nescit1 nullum putat esse laborem 7,:oso kn[s n h[ to write1 ?9ks x is no tr\ble74 ,z "t goes on1 aft] ! t5? c5tury1 x is noticeable t ! m beautiful a manuscript becomes 9 its writ+ ! less accurate becomes its ,lat9ity4 ,& s ! monks :o once 7 not$ = le>n+1 gradually lose _! grip on ,lat94 ,! manuscripts execut$ 9 ,b5$ict9e abbeys became inaccurate--almo/ illit]ate4 ,faults ( ignorance ( words2 misr5d]+ ( prop] names2 blund]+ 9 ! inept introduction ( m>g9al notes & conf\nd+ su* notes ) ! text1 %[+ t ! he>t ( ! copyi/ 0 n 9 8 "w nor 8 head capable ( p]=m+ x4 ,8 h& is simply a ma*9e1 :i* :5 x goes wrong does s )\t remorse & )\t %ame4 ,s 9 ! great] h\ses1 m5 7 appo9t$ ^: sole bus9ess 0 to sup]vise ! copyi/s--9 fact1 to supply ! bra9s1 :ile ! scribe furni%$ ! manipulation ( ! p54 ,ev5 !y1 h[ev]1 did n always succe$ to p]fection1 z v few ( !m 7 too well furni%$ ) s*ol>%ip4 ,!re 7 n _m ,alcu9s or ,!odulfs 9 ! twelf? c5tury4 ,:at !y did usually keep free f s]i\s error 7 ! books us$ 9 _! own s]vices4 ,x 0 ! aim1 p>ticul>ly among ! ,ci/]cian h\ses1 to h _! liturgical texts absolutely )\t fault4 ,9 respect ( illum9ation1 !re 0 a great qu>rel betwe5 ! ,abbey ( ,citeaux & t ( ,cluny4 ,! great ,abbey ( ,clugny 7or ,cluny7 9 anci5t ,burgundy 0 f\nd$ 9 #iaj1 & 9 ! c\rse ( a c5tury or obta9$ a degree ( spl5d\r1 influ5ce1 & prosp]ity unrivall$ by any o!r m$ival f\ndation4 ,x possess$ enorm\s weal? & cov]$ ,we/]n ,europe ) its affiliat$ settlem5ts4 ,"u ,pet] ! ,v5]able1 :5 ! controv]sy began1 x 0 ! *ief mona/ic c5tre ( ! ,*ri/ian _w4 ,! words ( ,pope ,urban ,,ii41 :5 address+ ! community1 73 ,ye are ! light ( ! _w4 ,! gr& ,basilica at ,cluny 0 complet$ 9 #aaca1 &1 until ! erection ( ,/4 ,pet]'s at ,rome1 0 ! l>ge/ *ur* 9 ,*ri/5dom1 & ev5 !n 0 only t5 feet %ort] ?an ! ,roman edifice4 ,! build+ is a ma/]piece ( ar*itectural beauty & massiv5ess1 be+ ) its n>!x add$ by ,abbat ,rol& de ,ha9aut1 no less 9 l5g? ?an #eee feet4 ,! spl5d\r ( ! *ur*1 its gorge\s tombs & mausoleums1 its huge coronals = lights ( brass1 silv]1 & gold--! gr& c&elabrum be=e ! alt>1 ) its sett+s ( cry/al & b]yl--! mural pa9t+ ( ! cupola1 & ! g5]al luxury & magnific5ce ( ! :ole con/itut$ an unp>donable s9 9 ! eyes ( ! /]n & self-d5y+ ,ci/]cians4 ,h5ce arose long disputes betwe5 ! abbats ( ! two h\ses ab\t ti!s & o!r matt]s4 ,among ! o!r matt]s 7 includ$ que/ions ( c&le/icks & b9d+s & gild+s ( books4 ,! two h\ses 7 long at v>iance on ! "r def9ition ( luxury 9 liv+1 & ?is v>iance may to ?is day be obs]v$ 9 _! sep>ate & di/9ct /yles1 bo? ( ar*itecture & ! ornam5tation ( books4 ,! use ( gold 0 /ill cont9u$ 9 ! old] ,b5$ict9e abbeys1 b 0 long =bidd5 9 ! ,ci/]cian1 almo/ all ! ornam5t ( ! latt] be+ conf9$ to p5-draw+ & ! use ( col\r$ inks4 ,! employm5t ( gold = ! text ( manuscripts s common 9 ! n9? c5tury became r>e 9 ! elev5?4 ,only "h & !re d we he> ( su* volumes4 ,:]e ! gold lett]+ /ill l+]s1 x is conf9$ to ! fir/ page or two1 & ! same may be said ( ! purple vellum4 ,a c]ta9 monk1 ,adm>1 :o di$ at ,j]usalem 9 #ajcd1 wrote a ,life ( ,/4 ,m>tial ( ,limoges entirely 9 lett]s ( gold2 b x 0 q an exceptional volume4 ,ano!r example occurs 9 an ,evangeli>y1 :i* 0 probably a copy ( a n9?-c5tury model1 z at fir/ glance x might be assign$ to t age1 b on clos] exam9ation x is f\nd t 9 "o ( ! bord]s is a m$allion be>+ ! "n ( ! ,emp]or ,o?o1 %[+ t x _c be lat] ?an ! latt] "p ( ! t5? c5tury4 ,x is n[ 9 ! ,national ,libr>y at ,p>is4 ,be=e speak+ ( ,o?onian illum9ation x may be well to ref] to t ( ! ,ne!rl&s 9 ^! e>li] c5turies4 ,! mo/ anci5t writ+s kn[n 9 ?is di/rict 7 *>t]s & o!r docum5ts1 & ! pi\s effusion ( ! occupants ( ! mona/]ies1 su* z ,/4 ,am&1 ,lobbes1 ,/avelot1 etc4 ,x 0 ! revival ( art & lit]ature "u ,*>lemagne t 0 ! beg9n+ ( arti/ic calligraphy1 !n foll[$ ! production ( books outside ! mona/]ies1 classical au?ors1 *ronicles1 & mirrors ( v>i\s sci5ces4 ,9 ! elev5? c5tury we f9d mona/ic books & o!rs ( :i* ! ornam5tation is sometimes ev5 spl5did1 su* z ,psalt]s1 ,evangeli>ies1 ,bibles1 & ,missals1 gl[+ ) gold & col\rs4 ,already ! ,abbeys ( ,/avelot & ,lige 7 high-class c5tres ( production4 ,/4 ,m>t9's ( ,t\rnay _h a fam\s scriptorium also1 not$ = ! beauty ( its writ+ & its gr& initial lett]s4 ,imm$iately foll[+ ,/4 ,m>t9's1 ! ,abbeys ( ,gembl\x1 ,/4 ,bavon at ,gh5t1 & o!rs1 produc$ or acquir$ ,,mss4 ( ! mo/ sumptu\s k9d1 & be=e ! ?irte5? c5tury ! ,ne!rl&s _h e/abli%$ q a di/+ui%$ reputation4 ,9 a lat] *apt] we %all deal ) ! developm5t ( its rem>kable s*ools1 ^: "w ev5tually took rank1 n only among ! mo/ arti/ic1 b ! mo/ prolific 9 ,europe4 ,,*apt] ,,xiv ,,o?onian ,,illum9ation ,dep>ture f ,c>ol+ian--,bird & s]p5t--,common use ( dracont9e =ms 9 lett]-ornam5t--,influ5ce ( metal-"w on ! =ms ( scroll-ornam5t--,! v9e-/em & its developm5ts--,introduction ( ,greek ta/e & fa%ion into ,g]many--,ci/]cian illum9ation--,! ,o?onian p]iod--,influ5ce ( wom5 z patronesses & practition]s--,g]man pr9cesses--,! ,empress ,adelheid ( ,burgundy--,! ,empress ,!ophano--,h5ry ,,ii4 & ! ,empress ,cunegunda--,bamb]g--,examples ( ,o?onian art4 ,p]haps ! fir/ dep>ture t[>ds a new /yle aris+ out ( ! elem5ts ( ,c>ol+ian illum9ation is 9 ! comb9ation ( ! bird & s]p5t us$ = lett] =ms & cont9u$ into coils ( v9e-/em & foliage 9 comb9ation ) gold5 panell$ frames or pila/]s4 ,! mon/]s ?us produc$ seem to be a revival ( ! dracont9e =ms ( ! semi-b>b>\s ,celtic & e>ly ,franki% arts4 ,b ! diff]5ce 9 elegance & ref9em5t ( draw+ & beauty ( col\r+ is v great inde$4 ,o!r animal =ms are also made use (1 nor is ! human figure altoge!r abs5t4 ,sometimes entire lett]s are made up ( ! latt] 9 v>i\s attitudes4 ,little sc5es illu/rative ( ! subject :i* ! initial comm5ces are (t5 plac$ )9 x1 z1 = in/ance1 9 ! ,b ( ! fir/ psalm4#ai #ai ,a *>act]i/ic ,o?onian ,evangeli>y ( ! elev5? c5tury1 execut$ at ! ,abbey ( ,/avelot1 may be se5 9 ! ,royal ,libr>y at ,brussels4 ,illu/ration3 ,,biblia ,,sacra #ab,,? ,,c5t4 7,,late7 ,brit4 ,mus4 ,h>l4 ,,ms4 #bgii1 fol4 #ahe v4 ,illu/ration3 ,,evangelia 7,,p>is ,,use7 ,c4 #abge ,brit4 ,mus4 ,add4 ,,ms4 #agcda1 fol4 #abj v4 ,_m twelf?-c5tury initials look l designs 9 metal-"w plac$ on ! panell$ gr\nds ( col\r$ enamels4 ,b ! rapid developm5t ( ! v9e-/em coils out ( ! /emless foliages ( ! ,c>ol+ian & ,w9*e/] /yles is "o ( ! wond]s ( ! e>ly ,g]man revival aft] ! accession ( ! ,emp]or ,o?o ,i4 ,a /ill great] improvem5t takes place aft] ! m>riage ( 8 son ,o?o ,,ii4 to ! ,pr9cess ,!ophano1 daught] ( ,romanus ,,ii41 attributable1 no d\bt1 to a fre% accession ( arti/ic en?usiasm f ! home ( ! new ,empress4 ,9 po9t ( elegance ( design1 beauty ( curve1 adaptation ( e "p to its %>e 9 ! composition1 no?+ c\ld be f9] ?an ! initial lett]s ( ! ,o?onian p]iod ( illum9ation4 ,! ye> #ifc introduc$ ,greek fa%ions & ,greek arti/s into ,g]many1 ! results ( :i* are at once traceable 9 ! increas$ spl5d\r ( mona/ic illum9ation 9 t c\ntry4 ,! details ( ,greek ornam5t become ! fill+s ( ! frames & panels ( ! l>ge initials4 ,! ,ci/]cian illum9ators1 or r calligraph]s1 :ile !y con/antly repudiate ! gold5 spl5d\r & mon/r\s follies ( _! rivals1 absolutely excel 9 ?is same ornam5tal draughtsman%ip4 ,:at1 = example1 c\ld be f9] ?an ! p5-draw+ ( ! great ,arn/e9 ,bible 9 ! ,briti% ,museum 7,h>l4 #bhjj78 ,! ornam5t is mo/ly 9 a r$ ink1 ) flat-col\r$ blue1 gre51 or yell[ backgr\nds1 b x is n to be surpass$4 ,no1 ! int]lacem5ts & coils1 foliages & panels ( ! twelf? c5tury are absolutely among ! f9e/ examples ( ornam5tal lett]+ ev] conceiv$4 ,illum9at+ seem$ at ?is epo* to be m & m closely foll[+ ! details ( contempor>y ar*itecture1 & s pav+ ! way to ! next great v>iety ( ! art1 :i* is look$ ^u by "s writ]s z ! real beg9n+ ( m$ival illum9ation4 ,x mu/ be admitt$1 h[ev]1 t ! excell5ce limits itself to ! ornam5t4 ,! human figure is wret*$ly incorrect--ev5 b>b>\s4 ,x may be ask$ :y is ?is8 ,h[ is x t :ile ! decorative portion ( an illum9at$ book is beautiful 9 ! highe/ degree1 bo? 9 l9e & col\r1 & yet occasionally ! arti/ seems n to h ! remote/ idea ( ! true %ape ( h&s & feet or any "p ( ! human body8 ,( c\rse ! usual explanation (f]$ is t mona/ic education did n p]mit ! /udy ( ! nude1 & h5ce ! monki% ignorance ( figure draw+4 ,b t is sc>cely an excuse = ! mon/r\s h&s & feet & exagg]at$ facial expression ( ! m9iatures4 ,! ,italian monk ,angelico1 9 spite ( 8 mona/ic limitations1 succe$$ 9 a mo/ graceful r5d]+ ( ! figure1 & a *>m+ delicacy 9 ! =ms ( ! h&s4 ,z 9 "s in/ances ! arti/ does rea* a fair /&>d1 x mu/ be admitt$ t :]e he does n is ow+ to actual inability 9 himself & n 9 8 sy/em4 ,! ?ree emp]ors :o give ! "n ( ,o?onian to ! p]iod imm$iately succe$+ ! ,c>ol+ian rul$ ,g]many1 & _h mu* to d ) ! rul+ ( ,italy1 f #icf1 :5 ,o?o ,i41 call$ ! ,great1 succe$$ ,h5ry ! ,f[l] ab\t five ye>s be=e ! dea? ( ,a!l/an1 ^: si/] ,eadgy?#bj 0 ,o?o's fir/ wife4 ,8 "m ,ma?ilda 0 ! patroness ( ! cloi/]-s*ools = wom51 work+ 9 !m p]sonally4 ,%e h]self taught h] s]vants & maids ! art ( read+4 ,h] daught] ,ma?ilda1 ! fam\s ,abbess ( ,qu$l9burg1 9 #ifi p]suad$ ! ,abbat ,wittik9d ( ,corvey to write ! ,hi/ory ( ! ,saxon ,k+s1 ,h5ry h] fa!r1 & ,o?o h] bro!r 7n[ 9 ! ,royal ,libr>y at ,dresd574 ,haze*a1 ! ,treasury-mi/ress ( ,qu$l9burg1 also employ$ ! monks ( ,corvey1 ) ^: beautiful initial draw+ %e 0 greatly pleas$1 to illum9ate h] own ,life ( ,/4 ,*ri/oph]4 ,! beautiful b imp]i\s ,pr9cess ,h$wig1 ano!r ( ,o?o's si/]s1 read ,virgil ) ,ekkeh>d ( ,/4 ,gall1 & taught ! *ild ,bur*>d ,greek1 :ile ,o?o's niece ,g]b]ga1 ,abbess ( ,g&]%eim1 0 ! in/ructress ( ! celebrat$ ,hrosvita1 ! olde/ ,g]man poetess4 ,& ?is rem9ds u t at ?is "t ! wom5-cloi/]s ( ,g]many & ! ,ne!rl&s 7 among ! mo/ active c5tres ( le>n+ & book-production4 ,! great monum5t ( fem99e erudition & arti/ic skill1 call$ ! ,hortus ,delici>um1 0 ( a some:at lat] "t1 b o!r examples /ill exi/1 among !m ! beautiful ,ni$]mn/] ,gospels ( ! ,abbess ,uota1 n[ at ,muni*4 ,a wood-cut by ,alb]t ,dr] prefix$ to ! fir/ edition ( ,hrosvita's works 7,nrnb]g1 #aeja7 repres5ts ! nun ,hrosvita kneel+ be=e ! ,emp]or & beside ! ,ar*bi%op ,wilhelm ( ,ma9z pres5t+ h] book4#ba ,z to ! lit]>y lab\rs ( ,hrosvita1 ?is is n ! place to discuss !m4 ,%e is simply an incid5tal figure 9 our view ( ! brilliant ,c\rt ( ! ,o?os4 ,a ,,ms4 ( h] works #ejj ye>s aft] h] dea? 0 f\nd among ! du/ ( ! cloi/]-libr>y at ,/4 ,emm]am ( ,reg5sburg by ,conrad ,celtis1 &1 z we h se51 pr9t$ = ! fir/ "t 9 #aeja4 ,?us %e /&s out z an illu/ration ( ! fact (t5 allud$ to1 ( ! importance ( fem99e f\ndations 9 ! mona/ic s*eme4 #bj ,! *ronicl]s are r confus$ z to ! "n ( ?is ,pr9cess4 #ba ,x is ?\ght1 h[ev]1 by "s t ! figure beh9d is t ( ! ,abbess--n ! ,ar*bi%op4 ,see ,dr] ,soc4 ,portfolio = #aijj4 ,h] picturesque /ory ( ! romantic adv5tures ( ,adelheid ( ,burgundy1 h] m>riage 9 #idg to ,k+ ,lo?aire ( ,italy1 h] wid[hood & p]ils1 h] mis=tunes & ev5tual m>riage to ! ,emp]or ,o?o1 reads m l a *apt] f ! ,morte d',ar?ur or ! ,arabian ,nights ?an a v]aci\s hi/ory ( real p4 ,! ,empress ,adelheid 01 inde$1 a rem>kable woman1 & ! nun ( ,g&]%eim is full ( h] praises4 ,9 h] y\ng] days %e _h be5 a zeal\s patron & protectress ( ! ,abbey ( ,cluny1 :i* /ood on h] native l& ( ,burgundy1 & h] sympa?ies rema9$ always ) ! religi\s h\ses4 ,9 ?is respect1 inde$1 %e 0 a wor?y successor ( ! pi\s ,ma?ilda & h] daught]s4 ,%e di$ 9 h] sev5ty-fir/ ye> 9 h] ,abbey ( ,selz 9 ,elsass1 leav+ a memory ri* 9 b5efits to ! mona/ics1 especially ^? ( ,cluny1 & v5]at$ z ! patroness ( _m an illum9at$ volume ( poems or !ology1 n to m5tion ! liturgical books execut$ at h] exp5se = use 9 h] v>i\s f\ndations4 ,! t5? c5tury seems to h be5 an age ( illu/ri\s wom54 ,no soon] d we leave ! /ory ( ,adelheid ?an we ent] ^u t ( ! "y wife ( ,o?o ,,ii41 ! ,empress ,!ophano1 daught] ( ! ,greek ,emp]or1 ,romanus ,,ii4 ,:5 little m ?an a *ild %e 0 m>ri$ to ! son ( ,adelheid1 he himself be+ 9 8 tw5tie? ye> 9 ! ye> #igb1 & 9 ! city ( ,rome4 ,! "y ,greek ,pr9cess :o _h be5 re>$ amid ! luxury & spl5d\r ( ! ,ea/]n capital at once became ! fa%ion--! mann]s ( h] ,byzant9e h\sehold became ^? ( h] ,roman c\rt1 & 7 transplant$ to h] ,g]man home at ,bamb]g4 ,arti/s1 limn]s1 copyi/s1 musicians1 s*ol>s1 =m$ "p ( h] ret9ue1 & at once ! ,g]man ,c\rt became ! rival ( ^? ( ,engl&1 ,byzantium1 ,cordova1 & ,rome4 ,x 01 inde$1 a ,r5aissance1 an awak5+ 9 lit]ature1 art1 & social life4 ,nor did its glory fade until eclips$ by ! succe$+ rivalries ( ,france & ,italy4 ,!ophano surviv$ h] husb&1 :o di$ 9 #ihc1 & prov$ h]self a capable ,reg5t dur+ ! infancy ( h] son ,o?o ,,iii4 ,%e1 h[ev]1 did n live to see 8 e>ly dea?1 nor inde$ to see t ( ! ag$ ,adelheid1 :o surviv$ h] eight ye>s1 & di$ 9 ! same ye> 7#iii7 z ,o?o's aunt1 ,matilda1 ,abbess ( ,qu$l9burg4 ,! dea? ( ,o?o ,,iii4 9 #ajjb did n affect mat]ially ! /eady advance ( mona/ic art4 ,bamb]g1 ,/4 ,gall1 ,corvey1 ,luxeuil1 ,bobbio1 ,monte ,cass9o cont9u$ _! accu/om$ lab\rs4 ,"u ! ,capetian ,k+s ! ,fr5* f\ndations ma9ta9$ ! reputations !y _h won dur+ ! ,c>ol+ian times1 :ile o!rs 7 add$ f "t to "t ?r\gh\t ! ,rh9el&1 ,lim\s91 & ! ,s\? ( ,france1 :]e ! ,romanesque or ,byzant9e ta/es _h n yet p5etrat$1 & ^: "w !re=e rema9$ di/9ct f t ( ,italy & ! ,g]man ,empire4 ,h5ry ,,ii4 & ! ,empress ,cunigunda made ,bamb]g ! great c5tre ( ,g]man art1 & x is to ,bamb]g1 ,/4 ,gall1 ,luxeuil1 ,monte ,cass9o1 & ,magdeburg t we h to look = ! f9e/ productions ( ! elev5? c5tury4 ,among ! e>li] works ( ! ,o?onian p]iod we may m5tion ! fam\s ,gospel-book execut$ = ! m9i/] ( ,o?o ,,ii41 ,egb]t1 ,ar*bi%op ( ,trves1 & kn[n z ! ,codex ,egb]ti4 ,x 0 writt5 9 #ihj at ,rei*5au on ! ,lake ( ,con/ance 7or ,bod5see1 z x is locally kn[n7 by two monks1 ,k]ald & ,h]ib]t1 ^: dw>fi% figures appe> b5ea? t ( ! ar*bi%op on ! frontispiece4 ,x conta9s fifty-sev5 illum9ations & sev]al folios ( violet p>*m5t ) gold5 ornam5ts & lett]+4 ,b its pictures are r rem>kable1 mo/ly ! figures are too %ort & ! limbs & extremities badly drawn1 b 9 "s ( ! /ateli] p]sonages ! error is rev]s$ & !y are too tall--?is seems to be ow+ to ,greek influ5ce1 :ile ! ,byzant9e ta/e %[s itself 9 ! treatm5t ( ! bord]-foliages4 ,bea/s are unnatural--demons & sw9e are alike1 bo? 9 =m & col\r 7,pub4 ,lib41 ,trves74 ,an ,evangeli>y1 =m]ly 9 ! ,ca!dral ,treasury at ,bamb]g1 b n[ 9 ! ,royal ,libr>y at ,muni* 7,cimel4 #eh71 is a good example ( ! k9d ( "w t at fir/ glance appe>s to be actually ,c>ol+ian bo? 9 ! figures1 attitudes1 & treatm5t ( drap]y1 b :i* on clos] exam9ation proves to be really due to ! reign ( ,o?o ,,ii4 ,9 ?is ,,ms4 ! beg9n+ ( ,/4 ,mat!w conta9s f\r m$allions--two ( ,h5ry ,i4 7! ,f[l]71 "o ( ,o?o ,i41 8 son1 & ano!r ( 8 gr&son1 ,o?o ,,ii4 7,nat4 ,lib41 ,p>is1 ,lat4 #hhea74 ,a /ill m notable ,,ms4 is kept 9 ! ,muni* ,libr>y 7,cimel4 #eh71 conta9+ a two-pag$ picture ( tribut>y cities br++ gifts to ! ,emp]or ,o?o ,,iii4 ,9 ! pa9t+ 9 ?is ,,ms41 not)/&+ ! exagg]at$ solemnity ( expression1 ! faces are well drawn & ! features c>efully modell$4 ,! pa9t+ is 9 ! ,greek mann]1 z is also ! g5]al "* ( ! drap]ies4 ,! small1 ill-drawn feet are by no means comp>able ) ! heads4 ,! ,imp]ial cr[n is squ>e1 l ^? ( ! ,magi 9 ! ,brem5 ,,ms4 n[ 9 ! ,libr>y ( ,brussels1 or l t ( ,baldw9 z ,emp]or ( ,con/ant9ople4 ,9 ! sev]al en?ronem5ts :i* occur among ! ,imp]ial m9iatures at ,muni* !re are important & significant diff]5ces :i* might n be notic$ unless po9t$ out4 ,! *anges 9 ! %ape & treatm5t ( ! orb1 = in/ance1 mean m ?an a m]e advance 9 enri*m5t1 or an improvem5t 9 arti/ic skill4 ,! diff]5ce indicates a *ange 9 political usage4 ,9 ! m9iature ( ,*>les x does n occur at all2 9 t ( ,o?o ,,iii4 x is a m]e symbol2 9 t ( ,h5ry ,,ii4 x is ! actual emblem ( sov]eignty pres5t$ by ! ,pope to ! ,emp]or1 to be held by ! latt] 9 tok5 ( 8 inve/iture4 ,x 0 ,seld5's op9ion t ! orb1 surm\nt$ by ! cross1 nev] appe>s 9 we/]n art until ! "t ( ,h5ry ,,ii4 ,?us x is "h "o ( ! _m seem+ly insignificant details :i*1 9 ! m9iature art ( ! ,middle ,ages1 contribute to ! elucidation ( ,hi/ory4 ,,*apt] ,,xv ,,franconian ,,illum9ation ,! lat] ,saxon s*ools--,b]nw>d ( ,hilde%eim--,tuotilo & ,h>tmut ( ,/4 ,gall5--,portrait ( ,h5ry ,,ii4 9 ,,ms4 #dj at ,muni*--,ne!rl&i% & o!r "w comp>$--,alleg$ det]ioration ( "w "u ! ,franconian ,emp]ors n true--,bad "* ( ! elev5? c5tury z to art--,example to ! contr>y4 ,! ,,ms4 j ref]r$ to 7,muni*1 ,cimel4 #eh7 br+s u mo/ probably to ! "t ( ! ?ird4 ,o?o1 b x is really ) 8 fa!r's m>riage to ! ,pr9cess ,!ophano t ! great revival 9 ! arts began1 & ! names ( ,/4 ,bruno ( ,cologne & ,augsburg1 ,g]b]t1 ,b]nw>d ( ,hilde%eim1 ,tuotilo1 ,salomon1 ,h>tmut1 ,fol*>d1 & ,s9tramn ( ,/4 ,gall51 are1 z x 71 po9ts ( light & c5tres ( exp&+ circles ( arti/ic skill4 ,bruno & ,g]b]t are too well kn[n to ne$ any fur!r rem>k4 ,b]nw>d ( ,hilde%eim1 made bi%op !re 9 #iib by ,!ophano1 & tutor to h] son ,o?o ,,iii41 excell$ no less 9 ! me*anical ?an 9 ! lib]al arts4 ,he 0 an excell5t p5man1 a good pa9t]1 & z a h\sehold manag] 0 unequall$4 ,su* is ,tangm>'s tribute to 8 pupil's "*4 ,he 01 inde$1 an en?usia/ 9 pa9t+1 mosaic1 & metal-"w1 & us$ to collect all ! objects ( art he c\ld lay h&s on1 to =m a museum or /udio = ! in/ruction ( a class ( art /ud5ts & workm54 ,! collection 0 =m$ ma9ly out ( ! num]\s pres5ts br\ght to ! "y ,emp]or f =eign1 & especially ,greek & ,ori5tal1 pr9ces1 & conta9$ _m examples ( beautiful metal-"w & ,greek illum9ation4 ,8 own ,ca!dral ( ,hilde%eim 0 suppli$ ) jewell$ s]vice-books1 9 "p at lea/ ! "w ( 8 own h&4 ,! *alices & inc5se-burn]s & ! massive gold5 corona or c&elabrum ( ! ca!dral 7 also ! productions ( 8 own work%ops4 ,! mural pa9t+s1 too1 7 execut$ by himself4 ,8 h&iwork1 s lov+ly describ$ by 8 old s*oolma/] ,tangm>1 may /ill be se5 9 ,hilde%eim1 :]e visitors to t qua9t old ,saxon city are told t ! bronze gates ( ! ca!dral & ! jewell$ crucifix 7 plac$ !re by ! v5]able bi%op himself 9 #ajae1 :ile 9 ! ca!dral-close rises a column adorn$ ) bronze reliefs f ! ,life ( ,*ri/1 au?oritatively decl>$ to be ! "w ( 8 own h&s--let u say !y came out ( 8 own work%ops1 9 ! ye> #ajbb1 ne>ly a ?\s& ye>s ago4 ,/4 ,b]nw>d 0 canonis$ by ,cele/9e ,,iii4 9 #aaid4 ,8 s>cophagus is 9 ! crypt ( ! ,basilica ( ,/4 ,mi*ael at ,hilde%eim4 ,( ,tuotilo1 ! pupil ( ,mo5gall 7or ,m>cellus71 x is said t he 0 physically almo/ a giant2 j ! man1 says 8 biograph]1 t y w\ld *oose = a wre/l]4 ,he 0 a good speak]1 _h a f9e musical voice1 0 a capital c>v] 9 wood1 & an accompli%$ illum9ator4 ,l mo/ ( ! e>li] monks ( ,/4 ,gall51 he 0 a clev] musician1 equally skilful ) ! trumpet & ! h>p4 ,& ! *>m ab\t x all 0 t he 0 always *e]ful & 9 excell5t spirits1 & 9 consequ5ce a g5]al fav\rite4 ,nor is ?is all4 ,besides be+ tea*] ( music 9 ! upp] s*ool to ! sons ( ! nobility1 he 0 classical tutor1 & c\ld prea* bo? 9 ,lat9 & ,greek4 ,8 *ief accompli%m5ts1 h[ev]1 7 music & pa9t+1 & on ^! 8 reputation ma9ly re/s4 ,he compos$ songs1 :i*1 l an ,iri% b>d1 he sang to ! h>p--! popul> in/rum5t ( ?is ,iri% f\ndation4 ,be+ ?us multif>i\sly accompli%$ 7he 01 by ! way1 an excell5t box]71 he 0 mu* 9 reque/1 & by ! p]mission ( 8 abbot travell$ to di/ant places4 ,"o ( 8 celebrat$ sculptures 0 ! image ( ! ,bless$ ,virg9 = ! ca!dral at ,metz1 said to be q a ma/]piece4 ,nay1 he 0 ev5 a ma!matician & a/ronom]1 & con/ruct$ an a/rolabe or orr]y1 :i* %[$ ! c\rses ( ! planets4 ,?is allusion to ! a/rolabe rem9ds u t x 0 ,abbat ,h>tmut ( ,/4 ,gall51 :o 0 also an accompli%$ illum9ator1 :o con/ruct$ a l>ge map ( ! _w--"o ( ! extremely few t until t "t ! _w _h ev] se54 ,/4 ,gall5 & its arti/s1 h[ev]1 mu/ n be p]mitt$ to monopolise our att5tion too long4 ,! read] mu/ = ! re/ ref] to ,dr4 ,rahn & ! writ]s :om he quotes4 ,sometimes x is said t ! illum9ations ( ! elev5? c5tury are pro(s ( ! rapid decl9e ( art1 & to demon/rate ! fact t !y are frankly hide\s1 "s writ]s br+ =w>d in/ances su* z ! m9iatures ( a ,missal1 especially a ,crucifixion1 said to be at ,p>is1#bb & a ,,ms4 at ,b]l9 said to h be5 execut$ 9 ! e>li] days ( ! ,franconian dyna/y 7#ajcd-aabe7 conta9+ ano!r ,crucifixion1 :i*1 ?\gh n q s horrible z ! "o j ref]r$ to1 is suffici5tly bad4 ,^! m9iatures are irr$eemably b>b>ic & n 9 any s5se typical ( ! age4 ,su* examples1 9 fact1 c be f\nd 9 any age & 9 any c\ntry4 ,7 !y really repres5tative ( ! be/ art ( ! "t1 !re might be an excuse = _! reproduction1 b !y are n1 & !re=e no reliance c be plac$ on _! evid5ce4 #bb ,le ,livre1 etc41 p> ,m4,p4 ,l\isy1 ,p>is1 #ahhf1 #h1 p4 #gi4 ,9 ! m9iatures ( ,,mss4 execut$ = ! ,o?os & ,h5rys ( ! e>ly ,saxon dyna/y ! wor/ !y c be *>g$ )1 z comp>$ ) ! p]iods be=e & aft] !m1 is slavi% imitation4 ,! portrait ( ,h5ry ,,ii4 7,sa9t ,h5ry1 husb& ( ,cunegunda7 9 ,,ms4 #dj at ,muni* is by no means b>b>ic--x is m ,greek ?an any?+ else--b x is d[n to ! smalle/ elem5t ( composition a direct imitation ( ! simil> portrait ( ,*>les ! ,bald 9 ! ,emm]am ,gospels4 ,x is n a copy1 = !re is a significant diff]5ce 9 ! attitudes ( ! emp]ors4 ,h5ry holds a sceptre 9 8 "r h& & an orb 9 8 left1 l ,o?o ,,iii4 9 ! m9iature already describ$1 :]eas ,*>les is empty h&$4 ,!n bo? on ! ,emp]or's head & on ! small] figures ! cr[ns are diff]5t--! panell+ ( ! ,imp]ial canopy is diff]5t1 &1 ( c\rse1 !re is a diff]5t inscription4 ,la/ly1 x may be said t "s ( ! diff]5ces are improvem5ts4 ,ano!r *ange is *>act]i/ic--,*>les 0 be>dless1 ,h5ry has a po9t$ be>d4 ,x is true ?is is an example belong+ to ! v brighte/ ye>s ( ! ,o?onian revival4 ,b to pass ov] o!r ,saxon ,,mss41 !re are extant examples f ,evr\l 7:5 ,rog] de ,w>5ne1 son ( ! great ,e>l ( ,surrey1 practis$ z a scribe & illum9ator on 8 retirem5t to t mona/]y71 ,/4 ,m>t9's ( ,t\rnay1 ,/4 ,am&1 ,b5$ictbeu]n1 ,lobbes1 & ,weissobrunn c\ld all boa/ accompli%$ calligraph]s4 ,! la/ e/abli%m5t produc$ ! celebrat$ ,diemudis1 :o1 ?\gh a woman1 0 di/+ui%$ by a mo/ extraord9>y activity & skill4 ,nor are ^! all t c\ld be nam$1 = by no means lea/ among !m we may quote ,monte ,cass9o1 _m ( ^: elegant productions h be5 publi%$ by ! pres5t occupants ( ! mona/]y4 ,!n ! ,greek m9iaturi/s ( ! elev5? c5tury are once m to ! front4 ,! fam\s ,slav ,evangeli>y ( ,o/romir 7#ajef-fg7 %[s u a ,,ms4 probably execut$ = a gov]nor ( ,novgorod1 :i* conta9s by no means despicable "w1 :e!r 9 ! figures ( ! evangeli/s or ! ornam5tal bord]s4 ,( c\rse1 9 ,greek ,,mss4 we "k pretty well :at to expect2 fairly good ornam5t1 ri* details ( embroid]y1 etc41 wilfulness ( col\r 9 ar*itecture1 mann]ism 9 ! attitudes & faces1 b good1 clev] te*nic & bright gold4 ,la/ly1 !re is ! celebrat$ ,evangeli>y giv5 to ,san ,b5$etto ( ,mantua by ! ,c\ntess ,matilda n[ 9 ! ,vatican1 enri*$ ) little m9iatures f ! ,life ( ! ,virg91 :i* ,lanzi decl>es surpass ev]y?+ else he ev] saw ( ! same p]iod4 ,! ,poitev9 ,,ms4 at ,poiti]s1 a biographical compilation ( sa9ts 9 hon\r ( ,/4 ,radegonde1 ?\gh no?+ wond]ful1 is wor? record+ z a transitional example j be=e ! close ( ! c5tury4 ,z an example ( ! latt] "p ( a cont9ual det]ioration1 x %\ld be worse ?an any?+ prec$+4 ,yet x is n s4 ,x is c]ta9ly heavy & r dull1 & ! draw+ f> f excell5t1 b x is also1 on ! o!r h&1 f> f frankly horrible4 ,9 introduc+ examples ( o!r s*ools into ?is *apt] ! writ]'s object has solely be5 to v9dicate ! illum9ators ( ! elev5? c5tury f ! sweep+ *>ge sometimes made aga9/ !m ( absolute det]ioration4 ,( ! s*ool directly "u our notice1 ! *>ge is c]ta9ly n true1 & ! wret*$ /uff cit$ 9 support ( x c only be look$ ^u z accid5tal salvages ( no arti/ic value :atev]4 ,9 pro( t ! book-"w ( ! elev5? c5tury 0 n all wor?less1 we may ref] to j "o example4 ,x is a ,,ms4 consi/+ ( b a few fragm5ts execut$ at ,luxeuil "u ,abbat ,g]>d ,,ii4 ,! rema9s are su* z to cause regret = ! loss ( ! re/4 ,on "o page ,*ri/ is %[n seat$ on a ri* sella cov]$ ) an embroid]$ cu%ion 9 ! mann] ( ! consul> dipty*s4 ,he is clo!d 9 a pale yell[ tunic1 ov] :i* is worn a purple pallium ) a :ite bord]4 ,he is be>dless1 & 8 br[n hair is kept close to ! head & neck1 & falls ov] ! %\ld]s4 ,! feet are nude & by no means ill-drawn4 ,surr\nd+ ! head is a cruci=m nimbus enclos$ 9 a circle--bo? cross & circle be+ pale gre51 ! latt] outl9$ ) r$4 ,! *ief fault ( ! head is ! excessive l5g? ( ! nose & ! wide />e ( ! eyes4 ,! "r arm is rais$ some:at z 9 ! ,/4 ,s]n9 ,evangeli>y1 b ) ! palm outw>ds1 & mu* sup]ior 9 draw+4 ,! :ole figure is pa9t$ on1 or at lea/ surr\nd$ by1 a gold5 backgr\nd--s f> indicat+ ! ,byzant9e orig9 ( ! design4 ,x is enclos$ 9 a cusp$ aureola =m$ ( sev]al col\r$ b&s ( gre51 violet1 & rose4 ,?is %[s ,g]man ta/e4 ,eight circlets or m$allions surr\nd ?is figure ( ,*ri/1 f\r ( :i* conta9 ! symbols ( ! evangeli/s2 ! o!r f\r--,isaiah1 ,daniel1 ,eze*iel1 & ,j]emiah4 ,all hold portions ( ! b& :i* connects !m1 & on :i* appe>s a s]ies ( inscriptions 9 ,lat94 ,^! consi/ ( passages f ! ,vulgate4 ,! :ole picture is plac$ 9 a squ>e frame consi/+ ( b&s ( v>i\s col\rs & gold outl9$ 9 r$4 ,! inn] gr\nd is *iefly blue1 & ! names ( ! prophets & evangeli/s are pa9t$ on x 9 :ite ,roman capitals4 ,tak5 altoge!r x is a v spl5did page1 b ev5 ?is is surpass$ 9 gorge\s ri*ness ( ornam5t by ! m9iature ( ,/4 ,m>k4 ,& ! bord]s ( o!r pages 9 ?is ,luxeuil fragm5t are full ( ornam5t1 giv+ ! impression t ! "w 0 imitat$ f t ( ! goldsmi? & enamell]4 ,! figures & symbols ( ! evangeli/s 9 ^! e>ly ,gospel texts are fully expla9$ aft] ,/4 ,j]ome by ,alcu91 ^: revision ( ! ,vulgate =ms ! text ( ! ,durham ,book already ref]r$ to4 ,! ,manual %ortly to be m5tion$ diff]s some:at 9 its explanation ( ^! symbols4 ,! curi\s comb9ation call$ ! ,tetra morph is a comp\nd ( ! f\r attributes or symbols into a s+le figure1 to signify t ! f\r evangeli/s give only "o gospel1 & ought n to be sep>at$4 ,x occurs frequ5tly 9 ,greek1 b only seldom 9 ,lat9 or ,we/]n iconography4#bc #bc ,on ?is figure see ,annales ,ar*ologiques1 tom4 #h1 p4 #bjf1 etc4 ,,*apt] ,,xvi ,,arti/ic ,,education ,,9 ,,! ,,cloi/] ,! ,manual--,its discov]y--,its orig9 & cont5ts--,didron's translation--,! ,comp5dium ( ,!ophilus--,its cont5ts--,engli% v]sion by ,h5drie--,b5$ict9e & ,ci/]cian illum9ation--,h[ !y diff]--,"* ( mona/ic ar*itects & arti/s4 ,ab\t ! twelf? c5tury comes =w>d ! m5tion ( a c]ta9 manual m9utely detail+ e process ( pa9t+1 & lay+ d[n rules = ! due composition & arrangem5t ( e subject to be repres5t$ 9 ! sacr$ hi/ory & o!r books connect$ ) div9e s]vice4 ,h[ long su* a manual _h be5 9 use is unkn[n1 b x is ?\ght t some?+ ( ! k9d mu/ h exi/$ f ! "t1 at lea/1 ( ,ju/9ian1 p]haps e>li]4 ,! manual "h ref]r$ to 0 f\nd by ,m4 ,didron at ,sphigm5\1 on ,mt4 ,a?os4 ,?is little mona/]y is said to h be5 f\nd$ by ! ,empress ,pul*]ia1 si/] ( ! ,emp]or ,!odosius ! ,y\ng]4 ,%e di$ 9 ! ye> #dec4 ,!odosius1 x may be rememb]$1 0 himself an admirable p5man & illum9ator1 s mu* s z to h acquir$ ! cognom5 ( ,kalligrphos4 ,! mona/]y is built 9 a n>r[ valley by ! seaside1 betwe5 ?ree little hills1 & z x 7 squeez$ 91 & h5ce its "n 79 ,greek ,,greek ,,small ,,lett] ,,sigma,,greek ,,small ,,lett] ,,phi,,greek ,,small ,,lett] ,,iota,,greek ,,small ,,lett] ,,gamma,,greek ,,small ,,lett] ,,mu,,greek ,,small ,,lett] ,,epsilon ,,) ,,tonos,,greek ,,small ,,lett] ,,nu,,greek ,,small ,,lett] ,,omicron,,greek ,,small ,,lett] ,,f9al ,,sigma71 :i* describes its situation exactly4 ,x is occupi$ by ab\t ?irty unusually neat & ord]ly monks1 :o are ju/ly pr\d ( ! few relics & curiosities :i* !y exhibit to visitors4 ,x 0 at ,sphigm5\ t ,curzon saw ! piece ( anci5t jewell]y set ) diamonds & a ,russian or ,bulg>ian ,,ms4 ( ! ,gospels4 ,! book :i* ,m4 ,didron f\nd !re is ! copy ( an old] ,,ms4 :i*1 x is said1 0 copi$ by ,dionysius1 "o ( ! monks1 f ! works ( ! once celebrat$ ma/]1 ,manuel ,pansel9es ( ,!ssalonica1 :o 0 ! ,giotto ( ! ,byzant9e s*ool & fl\ri%$ 9 ! twelf? c5tury4 ,if by works ! monk meant lit]>y1 x is mo/ likely t x 0 ! transcript ( a /ill old] docum5t4 ,if by works ,dionysius meant pa9t+s1 x is a manual ( 8 practice4 ,"o ( 8 pupils1 9 ord] to propagate ! art ( pa9t+ :i* he _h le>nt at ,!ssalonica1 writes d[n ! s]ies ( subjects to be tak5 f ! ,bible1 s z to epitomise ! div9e s*eme ( salvation1 & describes ! mann] 9 :i* ! ev5ts ( ! ,old ,te/am5t1 & ! miracles & p>ables ( ! ,new1 ought to be repres5t$4 ,he m5tions ! scrolls & inscriptions 7su* z we notic$ 9 ! ,gospels ( ,luxeuil7 belong+ to ea* ( ! prophets & evangeli/s1 ) ! names & *>act]i/ics ( ! pr9cipal sa9ts 9 ! ord] ( ! m5ologium or m>tyrology1 & !n goes on to direct h[ ! subjects %\ld be arrang$ on ! walls & cupolas ( ! *ur*es4 ,! ,manual ( ,dionysius is an ab/ract ( ?is wide s*eme1 b is /ill v compreh5sive4 ,! copy ( x se5 by ,didron 0 "o belong+ to a monk ( ,sphigm5\ nam$ ,joasaph1 :o 0 himself a pa9t]4 ,x 0 load$ ) notes add$ by himself & 8 ma/]1 :i* 9 c\rse ( "t w\ld be incorporat$1 accord+ to immemorial cu/om1 9 ! text4 ,9 ?is way1 inde$1 ! ,manual has gr[n to :at x is at pres5t4 ,a transcript ( x may probably be f\nd 9 e mona/]y belong+ to ! ,greek ,*ur*4 ,ano!r monk nam$ ,mac>ios1 also a pa9t]1 _h a f9e copy ( x laid op5 9 8 ateli]1 & 8 pupils read f x 9 turn1 :il/ ! re/ pa9t$ accord+ to its directions4 ,= ! s*eme itself we mu/ ref] ! read] to ! second volume ( ,didron's ,*ri/ian ,iconography1 p4 #aic4 ,un=tunately ! transcrib] did n ?9k x ( suffici5t importance or relevancy to copy ! fir/ "p1 z be+ purely te*nical & deal+ m]ely ) ! art ( pa9t+4 ,! s*eme1 !re=e1 only conta9s ! "p relat+ expressly to iconography4 ,x is to be regrett$1 too1 t ?is "p also has be5 9 "s places consid]ably abridg$1 z deal+ ) ,greek art & m>tyrology m copi\sly ?an1 x 0 ?\ght by ! translator1 w\ld be int]e/+ to ,engli% read]s4 ,!re are num]\s good & reliable introductory works deal+ ) e>ly ,*ri/ian art1 besides ! great] treatises to :i* ! /ud5t :o wants to pursue ?is l9e ( rese>* %all be direct$ lat] on4 ,b !re is ano!r ( ^! orig9al manuals to :i* we mu/ call att5tion1 z especially deal+ ) ! practice ( mona/ic arti/s 9 ! twelf? & foll[+ c5turies4 ,! "o to :i* we n[ ref] is q di/9ct f ! ,greek ,manual :i* we j m5tion$1 & by way ( contra/ may be call$ ! ,lat9 ,manual z be+ orig9ally compos$ 9 t language4 ,moreov]1 z ! ,greek ,manual =m$ ! guide & vade mecum ( all ! pa9t]s ( ! ,greek ,*ur*1 s ?is ,lat9 "o became ! indisp5sable monitor 9 all ,lat9 f\ndations4 ,its orig9 0 ,g]man1 & said to be ! compilation ( a ,b5$ict9e monk :o is v>i\sly spok5 ( z ,rutg]ius1 ,rug]ius1 ,rotk]ius1 etc41 & assign$ by diff]5t editors & critics to ei!r ! elev5?1 twelf?1 or ?irte5? c5turies4 ,probably we %all n be f> wrong 9 plac+ him ab\t ! middle ( ! twelf?4 ,! treatise is kn[n z ,div]s>um ,artium ,s*$ula1 & ! compil] ( x calls himself simply ,!ophilus presbit] humilis1 :i*1 ( c\rse1 records no?+ b 8 p]sonal mode/y4 ,x 0 at fir/ attribut$ to ,tuotilo ( ,/4 ,gall54 ,?is op9ion 0 put =w>d by ,less+1 b x _h no f\ndation :atev] beyond ! fact ( ,tuotilo's well-kn[n v]satility4#bd ,besides1 ,tuotilo liv$ 9 ! n9? c5tury4 ,b really ! "q ( attributions does n conc]n u "h4 ,x matt]s little :o he 0 outside ! ,treatise1 & c]ta9ly we %all n discuss ! "q fur!r4 ,x is ) ! ,treatise t we are conc]n$4 ,we %all simply call ! au?or ,!ophilus1 & 8 "w ! ,comp5dium4 ,let u turn to x at once4 #bd ,tuotilo 0 r5[n$ ?r\gh\t all ,g]many z pa9t]1 ar*itect1 prea*]1 pr(essor1 musician1 calligraph]1 ,lat9i/1 ,hell5i/1 sculptor1 & a/ronom]4 ,! ,comp5dium1 :i* is ?us kn[n to conta9 ! work+ me?ods ( all ! mona/ic illum9ators1 mosaici/s1 glass pa9t]s1 enamell]s1 & s =?1 ?r\gh\t ,g]many1 ,lomb>dy1 & ,france1 consi/s ( ?ree books1 conta9+ altoge!r "o hundr$ & n9ety-five *apt]s ( def9ite & special in/ructions 9 arti/ic matt]s4 ,book ,i41 compris+ =ty *apt]s1 treats ( ! prep>ation1 mixture1 & use ( col\rs = wall-pa9t+1 panel1 & p>*m5t1 i4e4 = ! decoration ( *ur*es1 furniture1 & books4 ,x conta9s "s mo/ curi\s & valuable in/ructions = ! employm5t ( gold1 silv]1 & o!r metals 9 ! decoration ( ,,mss42 h[ x %\ld be appli$2 :e!r 9 leaf or z an ink2 h[ rais$ & burni%$1 d[n to ! m9ute/ details ( practice2 h[ col\rs are to be temp]$ 7i4e4 mix$72 :at m$ia or temp]+s are be/ = ea* col\r1 accord+ to ! surface to :i* x is to be appli$4 ,su* is ! ,comp5dium4 ,we ne$ n1 !re=e1 wond] at its popul>ity & ! e/imation 9 :i* x 0 held4 ,?irty-"o *apt]s on glass1 glass pa9t+1 enamell+1 etc41 =m a second book1 & ! ?ird & la/ book conta9s "s hundr$ & tw5ty-f\r *apt]s on gold & silv] "w--! art ( ! goldsmi?--9 cups1 *alices1 vases1 c&elabra1 %r9es1 & s on4 ,x is ! fir/ book t is ( mo/ int]e/ to u1 & _h we space we w\ld h lik$ to quote f its pages4 ,b z x is we c only ref] ! read] to ! "w itself4 ,x is to be met ) 9 v>i\s =ms & editions4 ,fir/1 we recomm5d ! ,engli% translation by ,rob]t ,h5drie4 ,! olde/ ,,ms4 ( ! "w is "o ( ! twelf? c5tury 9 ! ,libr>y at ,wolf5bttel4 ,! next is 9 ! ,imp]ial ,libr>y at ,vi5na4 ,fragm5ts ( o!r copies exi/ 9 sev]al o!r public libr>ies1 b ! complete/ copy kn[n is t 9 ! ,h>l4#be ,collection ( ! ,briti% ,museum us$ by ,h5drie z ! basis ( 8 translation 7#h1 #ahdg74 #be #a ,h>l4 ,,ms4 #ciae4 ,x 01 z we h said1 9 ! elev5? & twelf? c5turies especially t ! great abbeys 7 f\nd$4 ,& x _c be too cle>ly /at$ t ! pr9cipal abbatial *ur*es--^? mo/ spl5did monum5ts ( ar*itecture ^: /ructure & dim5sions are /ill ! admiration ( ! mo/ cultur$ critics1 & 9 :i* all ! rules ( art 7 s m>vell\sly appli$--7 ! "w ( simple monks4 ,! great ,*ur* ( ,/4 ,b5ignus at ,dijon 7s (t5 spok5 ( by writ]s on ,burgundian art7 0 built 9 #ajja1 "u ,abbat ,william1 assi/$ by a "y monk nam$ ,hunaldus4 ,! p]iod betwe5 #ajca & #ajfj saw ! creation ( ! gr& abbatial ,*ur* ( ,/4 ,remi at ,reims4 ,9 ! words ( ! ,comte de ,montalemb]t3 ,f ! v beg9n+ ( ! ,mona/ic ,ord]s ,/4 ,b5$ict _h provid$ 9 8 ,rule t !re %\ld be arti/s 9 ! mona/]ies4 ,he _h impos$ on ! ex]cise ( _! art only "o condition--humility4 ,h5ce x is t all we "k ( ! au?or ( ! ,comp5dium f himself is humilis presbit] ,!ophilus4 ,= ! same reason ,tuotilo & ,fol*>d & ,s9tramn & ! re/ are nev] anxi\s to put _! names ^u _! "w4 ,= ! same reason ! occurr5ce ( an arti/'s "n 9 a mona/ic ,,ms4 is q exceptional & unexpect$4 ,! =esight ( ,/4 ,b5$ict 0 accompli%$ & 8 law fai?fully fulfill$4 ,! ,b5$ict9e mona/]ies soon possess$ n only libr>ies b ateli]s1 :]e ar*itecture1 pa9t+1 mosaic1 sculpture1 metal-*as+1 calligraphy1 ivory c>v+1 gem-sett+1 book-b9d+1 & all ! bran*es ( ornam5tation 7 /udi$ & practis$ ) equal c>e & success1 )\t int]f]+ 9 ! lea/ ) ! exact & au/]e discipl9e ( ! f\ndation4 ,! tea*+ ( ^! v>i\s arts =m$ an ess5tial "p ( mona/ic education4 ,! greate/ & mo/ sa9tly abbeys 7 precisely ^? mo/ r5[n$ = _! zeal 9 ! culture ( ,art4 ,/4 ,gall5 9 ,g]many1 ,monte ,cass9o 9 ,italy1 ,cluny 9 ,france1 7 = c5turies ! "m-cities ( ,*ri/ian ,art4 ,& aft] ! e/abli%m5t ( ! re=m$ colony at ,citeaux1 ! ,ci/]cian ,ord] became ! "o above all o!rs :i* has left ! mo/ p]fect edifices1 & if ! ,ci/]cian illum9ation may n claim ! spl5d\r ( "s contempor>y examples1 x (t5 excels !m 9 s\ndness ( design & sev]e correctness ( execution4 ,9 say+ t all ?is k9d ( "w 0 execut$ by monks1 we are speak+ lit]ally4 ,! monks 7 n only ! ar*itects1 b also ! masons1 & ev5 ! hodm5 ( _! edifices4 ,nor 7 ! sup]iors 9 ?is respect diff]5t f _! humble foll[]s4 ,:il/ ord9>y monks 7 (t5 ! ar*itects-9-*ief ( ! con/ructions1 ! abbats volunt>ily accept$ ! rle ( lab\r]s4 ,dur+ ! build+ ( ! ,abbey ( ,bee1 9 #ajcc1 ! f\nd] & fir/ abbat1 gr&-seigneur ?\gh he 01 work$ z a common mason's lab\r]1 c>ry+ on 8 back ! lime1 s&1 & /ones necess>y = ! build]4 ,?is 0 ,h]lu94 ,ano!r ,norman noble1 ,hugh1 ,abbat ( ,selby 9 ,york%ire1 :51 9 #ajif1 he rebuilt 9 /one ! :ole ( t important mona/]y1 putt+ on ! lab\r]'s bl\se1 mix$ ) ! o!r masons & %>$ _! lab\rs4 ,monks1 illu/ri\s by bir?1 di/+ui%$ !mselves by %>+ ! mo/ m5ial occupations4 ,x is relat$ ( ,rog] de ,w>5ne t :5 he retir$ to ,evr\l1 he took up q a s]i\s rle ( ?is k9d 9 clean+ ! %oes ( ! bre?r51 & p]=m+ o!r (fices :i* a m]e cottag] w\ld h probably consid]$ degrad+4 ,occasionally 9 our s*ool hi/ories we come across ! m5tion ( a man l ,dun/an1 ( :om x is relat$ z a wond]ful ?+ t he 0 at ! same "t a metal work]1 ar*itect1 & calligraph]2 b mona/ic biographies ab\nd 9 su* in/ances4 ,we h already quot$ sev]al4 ,! same man 0 frequ5tly1 says ,montalemb]t1 ar*itect1 goldsmi?1 bell-f\nd]1 m9iaturi/1 musician1 calligraph]1 organ build]1 )\t ceas+ to be !ologian1 prea*]1 litt]ateur1 sometimes ev5 bi%op1 or intimate c\nsellor ( pr9ces4#bf #bf ,l',art et les ,mo9es1 ,ann4 ,ar*ologiques1 t4 vi4 p4 #aba1 etc4 ,,*apt] ,,xvii ,,! ,,rise ,,( ,,go?ic ,,illum9ation ,g]many ! *ief p[] 9 ,europe 9 ! twelf? c5tury--,rise ( ,italian influ5ce--,! ,emm]am ,,mss4--,coronation ( ,h5ry ,,ii4--,! ,apocalypse--,! ,hortus ,delici>um--,romanesque--,,ms4 ( ,h5ry ! ,lion--,! ,ni$]mn/] ,gospels--,description ( ! ,,ms4--,rise ( ,go?ic--,unc]ta9ty ( its orig9--,! _s ( ! age4 ,9 ! *apt] on ,o?onian art we saw h[ ! ornam5tation ( books 0 drawn away f ! great ,fr5* c5tres1 & began to take a new dep>ture f ! v>i\s lead+ cities ( ,g]many1 su* z ,bamb]g1 :i* ! ,o?os _h made _! capital4 ,:il/ ! decl9e1 :i* 0 ! inevitable consequ5ce ( a p]sonal gov]nm5t l t ( ,*>lemagne1 took place 9 ,france1 x 0 b natural t ! new arti/ic movem5t at ,bamb]g %\ld become ! fa%ion1 & ,g]many pr$om9ant 9 art1 z %e 0 9 politics4 ,9 ! twelf? c5tury ! ,g]man ,empire 0 ! pr9cipal p[] 9 ,europe4 ,france1 ,italy1 ,engl&1 & ,spa9 7 all m or less second>y4 ,italy1 h[ev]1 0 already on ! al]t4 ,%e 0 initiat+ c]ta9 movem5ts 9 social life t mu/ soon )draw ! cultivation ( all ! arts f ! control ( ! mona/]ies4 ,at ! same "t ! love ( le>n+ & p]sonal accompli%m5ts ( ! second & ?ird ,o?os & 7,/47 ,h5ry ,,ii4 soon prep>$ ! ,imp]ial ,c\rt to become z brilliant z classical s*ol>%ip & arti/ic skill ( ! highe/ class c\ld make x4 ,! wave ( ,byzant9e influ5ce :i* _h pass$ ov] ,g]many by ! "t ( ,h5ry ,,ii4 _h imm5sely b5efit$ ! ,g]mans4 ,we notice x especially 9 ! m9iatures ( ! ,gospel-books4 ,! te*nic is mu* m ma/]ly1 ! pa9t+ really me?odical 9 s\ndly work$ body-col\r ) a delicate s5se ( h>mony1 & %[+ no long] t co>se h&l+ & slov5l9ess ( execution t m>ks "s ( ! ,c>ol+ian m9iatures4 ,9 ! figure a s5se ( proportion has be5 ga9$1 ! t5d5cy1 p]haps1 be+ r to excessive tallness1 z comp>$ ) ! ?ick-set proportions ( ! ,c>ol+ian "w4 ,aga91 expression is improv$--! faces are m intellectual--n beautiful b /rong1 & q sup]ior to ! utt]ly expressionless faces ( ! ,c>ol+ian type4 ,take1 = example1 t f9e ,missal n[ at ,muni* 7,cimel4 #fj--,lat4 #ddef71 9 :i* ,/4 ,h5ry1 :o is be>d$1 receives 8 cr[n f a be>d$ ,*ri/1 8 arms be+ upheld by two bi%ops1 ,ulri* ( ,augsburg & ,emm]am ( ,reg5sburg1 ! two great sa9ts ( ,bav>ia4 ,we "k ^! to be ! p]sonages repres5t$1 because two inscriptions tell u s4 ,to ! "o support+ ! ,k+'s "r h&3 ,huius ,,vodalricvs cor regis signet et actus4 ,to ! o!r3 ,,emm]anvs ei faveat solam9e dulci4 ,! ,*ri/ is seat$ on a ra9b[ )9 a cusp$ aureola or am&e ( sev]al b&s ( diff]5t col\rs1 on ! c5tral "o be+ inscrib$ 9 a mixture ( ,greek & ,lat9 *>act]s--"o ( ! new fa%ions br\ght 9 by ! ,greek revival3 ,clem5s ,,xpe tuo longum da viv]e ,,xpic to3 ,ut tibi devotus non p]dat temporis usus4 ,"s writ]s h ?\ght ?is to be a picture ( ! ,emp]or's apo!osis1 & t ! cr[n is t ( ,life or ,immortality2 b su* is c]ta9ly n ! import ( ! above v]ses4 ,o g5tle ,*ri/ give to ?y ,*ri/ long to live ,t devot$ to ,!e he may n lose ! use ( "t4 ,besides1 two angels on ei!r side ,*ri/ precipitately be/[ on ! ,emp]or ! spe> & sword ( a temporal sov]eignty4 ,r\nd ! ,emp]or are ! words3 ,ecce coronatur div9itus atque beatur4 ,rex pius ,he9ricus proavorum /irp7e7 polosus1 all :i* c sc>cely ref] to any?+ b 8 ,g]man ,empire4 ,! expression1 give to ?y ,*ri/1 is an allusion to ! ,hebrew usage ( call+ ! k+ ! ano9t$ or ! ,*ri/4 ,besides ! int]e/ possess$ by ?is ,,ms4 z a monum5t ( ! art ( its own "t1 x has a special value re/+ 9 ! fact t its illum9ations 7 copi$ f ! fam\s ,emm]am ,gold5 ,gospels ( ,*>les ! ,bald1 writt5 by ,l9?>d & ,b]5g]1 & s5t z a pres5t to ,reg5sburg4 ,ano!r illum9ation 9 x1 repres5t+ ! en?ronem5t ( ! ,emp]or1 is extremely int]e/+ z %[+ h[ ! lat] arti/ r5d]s ! "w ( ! e>li] "o4 ,! g5]al composition is precisely ! same1 ! l[] figures 9 ! same attitudes & be>+ ! same insignia4 ,b 9 ! details ( co/ume1 & 9 ! significant position ( ! ,emp]or1 !re are alt]ations4 ,9 ! m9iature ( ! ,emm]am ,gospels ! two angels above are simply w+$ mess5g]s ( ! usual biblical type2 9 ! ,missal !y are cloak$ & cr[n$ & be> horns 9 _! h&s4 ,9 ! old] ,,ms4 ! two cr[n$ figures ) horns on ei!r side we> simple mural cr[ns2 9 ! lat] "o !y are regal l ^? ( ! ,emp]or4 ,! details also ( ! canopies are diff]5t4 ,b ! rem>kable diff]5ce is t :ile ,*>les ! ,bald is be>dless & be>s no?+ 9 8 h&s1 m]ely sitt+ z if address+ an assembly1 ,h5ry ,,ii4 holds 9 8 "r h& a sceptre & 9 8 left an orb & cross4 ,"h is a di/9ctly new feature ) a mean+4 ,"h are ! symbols ( au?ority 9 ! ,emp]or's own h&s1 & n m]ely 9 ^? ( 8 att5dants4#bg ,^! two ,,mss4 are wor?y ( c>eful /udy4 #bg ,see p4 #ib4 ,9 ano!r ,missal 9 ! libr>y at ,bamb]g is a m9iature ( ! ,emp]or pres5t+ ! book to ! ,virg94 ,9 ! great ,evangeli>y pres5t$ by ! ,emp]or ,h5ry ,,ii4 to ! ,ca!dral ( ,bamb]g !re is a gr& picture ( ! ,emp]or & 8 consort ! fam\s sa9t ,cunegunda be+ cr[n$ by ,*ri/1 ) ,,ss4 ,pet] & ,paul /&+ at ! sides4 ,"h also1 z 9 ! ,c>ol+ian ,,ms4 already m5tion$1 are ! nations br++ tribute1 b n 9 ! same ord]4 ,"h ,g]many /&s upright betwe5 two figures ( ,gaul & ,rome1 :ile six o!rs appe> simply z bu/s 7,muni*1 ,cimel4 #fj4 #ddef74 ,! twelf? c5tury 0 cle>ly mu* giv5 to symbolism & allegory1 z %[n 9 apocalyptic comm5t>ies & simil> works4 ,a v rem>kable ,apocalypse is t 9 ! libr>y ( ! ,m>quis d',a/orga4 ,! latt] is rem>kably ri* 9 pictures1 :i* h be5 describ$ by ,m4,a4 ,ba*el9 ( ,p>is4 ,! draw+ 9 ^! pictures rem9ds "o ( ! bas-reliefs ( ! campaigns ( ,hadrian & ,trajan & o!r "w ( ! e>ly ,roman c5turies4 ,"o hundr$ & t5 m9iatures ( uncommon int]e/ con/itute ! illu/rations1 _m ( :i* are p]fect curiosities ( symbolism1 depict+ n only ! f\r figures ( ! evangeli/s1 b ! my/]ies ( ! seals & vials1 s]p5ts1 bea/s1 etc41 on yell[1 r$1 gre51 blue1 & br[n backgr\nds4 ,! drap]ies 9 "s ( ! m9iatures %[ ,byzant9e tea*+1 b ) ! gr&iose /yle ( ! e>ly ,roman times4 ,! ,,ms4 x might be comp>$ ) ( ! twelf? c5tury is ! ,hortus ,delici>um ( ! ,abbess ,h]rade4 ,?is latt] ,,ms41 :i* un=tunately 0 burnt ) _m o!r treasures dur+ ! siege ( ,/rassburg by ! ,g]mans 9 #ahgj1 0 a v]itable treasury ( m$ival cu/oms1 furniture1 & co/umes1 illu/rat+ a m$ley ( encyclopdic in=mation = ! use ( ! nuns & secul> /ud5ts ( ! ,abbey ( ,hoh5burg 9 ,alsace4 ,! good abbess call$ h] book a ,g>d5 ( ,delights4 ,x is kn[n t x dat$ f #aaei1 z t date & also ! date ( #aage occurr$ 9 its pages4 ,we d n "k :e!r ! au?oress 0 also ! illum9atrix1 b at any rate %e direct$ ! illum9ation4 ,_! /yle is ( ! same type z t ( ! ,apocalypse j spok5 (1 some:at monum5tal z figures ( ! ,lib]al ,arts1 allegorical figures ( ! virtues & vices1 & ! syr5s z symbols ( s5sual temptation4 ,!re 0 a figure ( ! ,*ur* rid+ ^u a bea/ ) ! f\r heads ( ! evangel-symbols--! sun & moon 9 *>iots z 9 ! classical my?ology1 & sc5es ( w>f>e1 m>riage fe/ivities1 banquets1 ev]y?+ inde$ depict+ ! life ( contempor>y p]sons4#bh ,! draw+ & treatm5t g5]ally is ( no v skilful k9d--! col\r+ bright & 9 body-col\r4 ,drap]ies z usual mu* fold$ & flutt]+1 & ! heads g5]ally ( ! calm expression ( ! lat] ,fr5* s*ool1 b ! action sometimes v spirit$4 #bh ,= a copi\s & exhau/ive acc\nt ( ! ,hortus1 see ,het ,gildeboek1 ,utre*t1 #ahgg1 v4 i4 ,also ,engelh>dt1 ,h]rad v4 ,h41 etc41 #h1 ) atlas ( twelve plates1 #ahah4 ,! title began ?us3 ,incipit hortus delici>um1 9 quo collectis floribus scriptur>um assidue jucundetur turmula adolesc5tul>um4 ,9 ! ,rhytmus came ! l9es3-- ,salve cohors virg9um ,hoh5burg5sium ,alb5s quasi lilium ,amans dei filium ,h]rat devotissima ,tua fidelissima ,mat] et ancillula ,cantat tibi cantica ,sic et lib] utilis ,tibi delectabilis ,et non cesses volv]e ,hanc 9 tuo pectore4 ,9 ! ,ne!rl&s1 :i* mo/ly at ?is "t lay )9 ! b\nd>y ( ,lo?>+ia or ,lorra9e1 ! /yle ( illum9ation 0 mu* ! same z 9 o!r ,g]man di/ricts4 ,gospel-books & ,psalt]s1 h[ev]1 exhibit features some:at ak9 to ,engli% "w4 ,9 ! elev5? & twelf? c5turies ! cont95tal me?ods prevail 9 m solid pa9t+ & less p5work4 ,( ! twelf?-c5tury "w ( ,g]many examples are exce$+ly num]\s1 /ret*+ ov] e prov9ce f ,we/ to ,ea/1 z ,we/phalia1 ! ,palat9ate1 ,burgundy1 ,switz]l& & ,bav>ia1 ext5d+ ev5 into ,bohemia4 ,an ,evangeli>y 9 ! ,univ]sity ,libr>y at ,prag agrees altoge!r ) ^? ( ,g]many4 ,t[>ds ! middle ( ! twelf? c5tury1 ) ! accession ( ! ,h\se ( ,hoh5/auf5 7#aach1 etc471 arose a new /yle1 s9ce call$ ,romanesque1 ( :i* _m examples are to be f\nd 9 v>i\s libr>ies4 ,x is n v easy to select ! mo/ typical examples1 b "o good & typical ,,ms4 is f\nd 9 a ,gospel-book at ,c>lsruhe1 :i* conta9s "s capital m9iatures ( ?is mo/ ?or\ghly ,g]man /yle4 ,"u ,fr$]ick ,b>b>ossa1 z "u ! ,c>ol+ ,emp]ors & ! ,o?os1 we may note a wave ( new life1 especially 9 ,saxony4 ,a contra/ z reg>ds arti/ic ability to ! ,hortus ,delici>um is ! ,gospel-book execut$ = ,h5ry ! ,lion at ! conv5t ( ,helm]%aus51 once 9 ! ,ca!dral ,libr>y at ,prag1 & b\ght by ,k+ ,george ( ,hanov]4#bi ,9 ! page ( ! ,eusebian ,canons we see features :i* take u across ! pla9s ( ,lomb>dy to ! doors ( ,s4 ,mi*ele ( ,pavia1 & to ! *ur*es ( ,v5ice4 ,! columns re/ on cr\*+ animals4 ,allegorical figures are introduc$ /riv+ ) ea* o!r z 9 ! lat] ,go?ic illum9ations4 ,a half-nude figure ( ,fai? vanqui%es ! *ampion ( ,paganism4 ,on ! d$ication page sits ! ,madonna ) ,,ss4 ,john ,bapti/ & ,b>?olomew1 & bel[ !m ! patron sa9ts ( ,brunswick1 ,blaize1 & ,egidius lead+ =? ! ,duke & 8 wife1 ,ma?ilda4 ,x may inde$ be call$ a spl5did book4 ,among ! re/ ( ! pictures1 "s ( !m )9 ri*ly decorat$ bord]s1 occurs ! usual repres5tation ( ! ,duke & 8 ,du*ess receiv+ cr[ns4 ,! figures are well drawn1 ev5 elegant1 ! drap]ies good1 & ! col\r+ skilful4 #bi ,see ,f4 ,culemann 9 ,neue hannov4 ,zeitung1 #ahfa1 ,nos4 #bb-d4 ,"o ( ! _m *>act]i/ic ,,mss4 ( ?is p]iod to be se5 9 cont95tal libr>ies is ! ,mat] ,v]borum ( ! monk ,conrad1 ( ,s*ey]n 9 ,bav>ia1 a not$ scribe1 illum9ator1 goldsmi?1 & gramm>ian4 ,! subject is "o t sc>cely gives promise ( l5d+ itself to pictorial illu/ration1 b aft] ! successful attempts ( ,!odulf we may be prep>$ = any?+ 9 ! way ( diagram & symbol4 ,imag9e a diction>y 9 :i* n only actual objects are pictorially repres5t$1 b also ab/ract t]ms4 ,music1 philosophy1 virtues & vices illu/rat$ by hi/orical in/ances--sacr$ subjects treat$ 9 ! mann] ( ! glass pa9t]s :i* is s commonly f\nd 9 ,g]man & ,fr5* "w ( ?is p]iod4 ,( twelf?-c5tury illum9ation 9 g5]al x may be said t x %[s a m>k$ ef=t t[>ds true arti/ic design & subtle beauty ( l9e> outl9e4 ,"s ( ! noble/ curve-draw+1 ) ri* & massive gr\p+ ( foliages1 is to be f\nd 9 ! ornam5tal initials & dignifi$ bord] designs pres5t$ on ! lat] examples ( ! c5tury1 & x is v int]e/+ to obs]ve ! rapid pace at :i* ! climax is rea*$ 9 m]e calligraphic ornam5t aft] ! op5+ ( ! ,go?ic p]iod4 ,initials become small] b exquisitely drawn1 & reasonable expression takes ! place ( ! s5seless />e or grotesque exagg]ation ( attitude & feature :i* detract f ! arti/ic value ( all prec$+ ef=ts4 ,to conclude our li/ ( ,g]man illum9ations ( purely mona/ic production1 we w br+ =w>d "o m example ( wom5's "w1 :i* :e!r z reg>ds its curi\s illu/rations ( symbolism1 or its ri*ly foliag$ geometrical backgr\nds & bord]s1 is "o ( ! mo/ int]e/+ ,,mss4 9 any collection4 ,x is ! ,evangeli>y ( ! ,abbess ,uota1 or p]haps1 r1 ,tuota ( ,ni$]mn/]1 a lady ( ! ,h\se ( ! ,c\nts ( ,falck5/e9 7#aagg-hj72 or ( ,utta1 abbess f #ajji to #ajab1 b m probably ! =m]4 ,ano!r1 ,tutta1 rul$ ! abbey f #ibj to #icd1 & /ill ano!r #abci-db4 ,?is preci\s ,,ms41 :i* ,cahi] has v fully describ$ z ! ,manuscrit du ,ni$]mu5/] de ,ratisbonne1 is n[ 9 ! ,royal ,libr>y at ,muni* 7,cimel4 #ce74 ,"s writ]s1 9 speak+ ( x1 h class$ x among ! ,,mss4 ( ! elev5? c5tury1 b x is too ref9$ & too well done = t p]iod1 &1 inde$1 t x belongs to ! latt] "p ( ! twelf? is almo/ prov$ f ! "w itself4 ,p]haps x 0 ! pr(usion ( inscriptions or leg5ds plac$ all ov] ! m9iatures t gave ! idea ( its belong+ to ! elev5? c5tury4 ,9 ?is respect ! ,,ms4 c]ta9ly resembles ! ,evangeli>y ( ,luxeuil already describ$4 ,! m9iature ( ! ,crucifixion is v rem>kable4 ,besides ! figure ( ,*ri/ %[+ a return to ! primitive ,syriac idea1#cj in/ead ( ! figures z usual ( ,m>y & ,john1 "h are giv5 allegorical figures ( ,life & ,dea?4 7,cf4 ,fe/4 9 exaltatione sce crucis4 ,ad ,laudes1 #ad? ,sept474 ,p]haps ! be/ comm5t>y on ^! old figures is ! ,biblia ,paup]um1 z x is commonly call$1 or z x %\ld be call$1 ! ,bible ( ! poor prea*]s4 ,x also has ! old allegories & inscriptions r5d]$ into lat] =ms4 #cj ,cf4 ! ,rabula ,,ms4 at ,vi5na4 ,z = ! texts or inscriptions1 !y w\ld require a comm5t>y to !mselves--n to speak ( translations & rem>ks ^u ! calligraphy4 ,"o ( ^! rem>kable m9iatures may be describ$1 z x depicts ! pres5tation ( ! volume to ! ,madonna4 ,our ,lady 9 ! c5tre ( ! design is seat$ on a ,byzant9e s$ile ) ! infant ,jesus on h] knees4 ,%e is cr[n$1 & has ! nimbus1 & appe>s z if int5d$ to repres5t ! glory ( ! ,*ur*4 ,h] h& is rais$ z 9 ! act ( tea*+4 ,*ri/1 also1 has ! nimbus1 b ) ! cross ^u x1 & raises 8 h& 9 ! attitude ( b5$iction4 ,9 ! tympanum ( ! semicircle ov] ! ,madonna1 writt5 9 lett]s ( gold on purple1 surr\nd$ by ! ^w ,sancta 9 ord9>y ink1 is ! monogram ( ,m>ia1 hav+ a small sun & moon above x1 & o!r inscriptions1 p>tly ,lat91 p>tly ,greek4 ,bel[ ! ,madonna1 on ! left1 /&s ! abbess1 h] knees slightly b5t1 hold+ up h] book1 & clo!d 9 ! co/ume ( h] ,ord]1 b col\r$1 no d\bt1 simply = arti/ic reasons4 ,?us %e we>s a blue veil & a cl>et-col\r$ robe4 ,9 ! rev]s$ semicircle be=e h] is ano!r monogram1 ,uota or ,tuota1 a "n :i* p]haps may be translat$ ,uta1 ,utta1 ,ida1 etc4 ,x has be5 said already :o %e is likely to h be54 ,x does n foll[1 ( c\rse1 t %e h]self wrote or illum9at$ ! book %e is pres5t+1 b judg+ f simil> in/ances1 z e4g4 ,h]rade ( ,l&sb]g & ,hrosvita ( ,g&]%eim1 %e may h done s4 ,/ill ! "w looks te*nically too ma/]ly = anyone n a tra9$ arti/ to h done4 ,9 ! corn]s are small quadretti1 conta9+ bu/s ( ! f\r c>d9al virtues3--,prud5ce1 ,ju/ice1 ,temp]ance1 & ,=titude2 & 9 circlets 9 ! c5tre ( ea* bord] are ,fai?1 ,hope1 & ,*>ity1 ! latt] twice1 at top & bottom4 ,a numb] ( extraord9>y bea/s fill up little ni*es 9 ! design1 :i* may possibly be also symbolical1 b possibly also no?+ b arti/ic fancies4 ,! o!r m9iatures we mu/ pass ov]4 ,nev]!less ^? repres5t+ ! f\r evangeli/s are wor? exam9ation2#ca ! ornam5tation be+ especially ri* & elaborate4 ,let u n[ turn our att5tion to a new elem5t--a new _s we might t]m x--:i* 0 manife/+ itself 9 ,italy & ,france4 ,we _c too /rongly insi/ ^u ! fact t :atev] appe>s 9 illum9ation has appe>$ fir/ 9 ar*itecture & its auxilli>y arts4 ,n[ we h to see h[ ?is fact beg9s to *ange almo/ entirely ! "* ( ! ornam5tation ( books4 ,dur+ ! latt] "p ( ! twelf? c5tury1 :5 precisely we _c say1 nor :]e1 a new =m ( ar*itecture began to %[ itself4 ,?is new /yle1 lay+ aside bo? ! classic cornice & ! ,romanesque ar*1 makes use ( a new v]tical pr9ciple ( con/ruction1 call$ 9 ,fr5* ! ogive or ar*1 compos$ ( two sections only1 in/ead ( ! :ole semicircle4 ,by "s fatality1 ( :i* no exact explanation c be giv51 ,engli% writ]s h giv5 ?is new /yle ! "n ( ,go?ic4 ,scores ( ca!drals ?r\gh\t ,europe are call$ ,go?ic ca!drals1 :]eas 9 all probability1 if we exclude ,sw$51 !re is only "o really ,go?ic build+ 9 ! _w1 t is ! ,tomb ( ,!odoric at ,rav5na1 & none ( ! s-call$ ,go?ic ca!drals are 9 ! lea/ l x4 ,z to ! inv5tion itself1 x has be5 claim$ by almo/ e nationality 9 ,europe4 ,!re c be no d\bt t accid5tally1 or o!rwise1 ! po9t$ ar* _h be5 us$ (t5 en\gh )\t any idea ( its adoption z a pr9ciple ( con/ruction ev5 9 anci5t build+s4 ,! fam\s gate at ,myco5e is "o in/ance4 ,?is is n ! place to discuss ! "q1 s we let x pass4 ,we c\ld po9t out long & elaborate argum5ts int5d$ to prove t x orig9at$ 9 ,engl&--t x orig9at$ 9 ,france--9 ,g]many4#cb ,possibly !y may all be "r 9 a s5se1 = mo/ probably ! orig9 0 n 9 any p>ticul> locality1 b 9 ! religi\s _s ( ! "t4 ,x 0 a g5]al revival ( ! ,*ur* itself t 0 its cause4 ,if any special locality has m reason on its side ?an ano!r1 x is probably ,france1 b z we say1 t is n an ess5tial po9t4 ,x mu/ suffice u "h t x arose1 & t by ! end ( ! twelf? c5tury x 0 a fact4 ,& ! rem>kable "p ab\t x is t x 0 by ! influ5ce ( lay arti/s & especially ( ! freemasons t x became ! accept$ ar*itecture ( ,*ri/5dom4 #ca ,= m ab\t !m1 see ,cahi]1 ,mlanges d',ar*ologie1 etc4 #cb ,n to m5tion !ories1 :i* are endless4 ,,book ,,ii ,,*apt] ,i ,,! ,,gold5 ,,age ,,( ,,illum9ation ,! ,go?ic _s--,a ,zeitgei/ n ! inv5tion ( a s+le arti/ nor ( a s+le c\ntry--,! ?irte5? c5tury ! beg9n+ ( ! new /yle--,contra/ betwe5 ,nor? & ,s\?1 betwe5 ,ea/ & ,we/1 m>k$ 9 ! "* ( arti/ic leaf-"w--,gradual developm5t ( ,go?ic foliage--,! bud ( ! ?irte5? c5tury1 ! leaf ( ! f\rte5?1 & ! fl[] ( ! fifte5?--,! ,freemasons--,illum9ation transf]r$ f ! mona/]y to ! lay work%op--,! ,psalt] ( ,/4 ,l\is--,*>act]i/ics ( ,fr5* ,go?ic illum9ation--,rise ( ! m9iature z a di/9ct feature--,guilds--,lay arti/s4 ,we h n[ rea*$ ! p>t+ ( ! ways4 ,! /udy ( ,nature is fa/ sup]s$+ ! dogmas ( ! mona/ic code1 & :at "s writ]s h *>act]is$ z ! hi]atic is giv+ way to ! naturali/ic treatm5t ( art4 ,l ! po9t$ ar*itecture itself1 x is an outcome ( ! _s ( ! age4 ,exactly :5 x beg9s we _c say4 ,z 9 ! physical sci5ces1 our limits are necess>ily some:at arbitr>y to suit our conv5i5ce 9 classification4 ,we take ! beg9n+ ( ! ?irte5? c5tury z a conv5i5t divid+ l9e betwe5 old & new4 ,we accept x z ! b\nd>y betwe5 ! arti/ic sway ( ! ,ea/ & ,s\?--& t ( ! ,we/ & ,nor?--betwe5 ! lifeless fett]s ( prescription & ! liv+ fre$om ( inv5tion4 ,! contra/ betwe5 ! two is v /rongly m>k$4 ,! s(t & curl+ foliages ( ! sunny ,s\? are = a season giv+ way to ! h>d & ?orny leafage ( ! w9try ,nor?4 ,x w\ld seem z if po9t$ ar*itecture began ) ! h>d & froz5 w9t] ( its exi/5ce1 & if x _h be5 ! plan or design ( "o individual we might h accept$ ?is peculi>ity z "p ( ! s*eme1 & all t foll[$ z a natural consequ5ce & developm5t4 ,b x is curi\s t z a sy/em work$ out by _m m9ds po9t$ ar*itecture %\ld ?us beg94 ,fir/ come ?orns & cusps & lanceolate =ms )\t foliage4 ,!n1 n p]fect leaves1 b buds4 ,9 due "t ! bud op5s1 at fir/ into ! pr(ile coil1 & by-&-by into ! full-spread leaf4 ,!n comes ! fl[]1 & f9ally ! fruit4 ,aft] t1 rott5ness & decay4 ,x is curi\s t ?is %\ld actually take place ?r\gh a c\rse ( c5turies4 ,t x %\ld be reflect$ 9 book illum9ation is simply ! usual ord] ( ?+s--! fact has be5 frequ5tly obs]v$1 & z x is curi\s1 we call att5tion to x4 ,b1 z we h said1 ! great *ange itself 0 br\ght ab\t by ! influ5ce ( lay arti/s1 & *iefly by ! freemasons4 ,:o & :at ! freemasons 7 ev]ybody is suppos$ to "k1 b on inquiry we f9d v few p inde$ "k any?+ def9ite ab\t !m4 ,( c\rse we d n ref] to ! fri5dly societies or social guilds t n[ be> ! "n1 b to ! m$ival build]s4 ,ev]ybody kn[s1 says ,batissi]1#cc t ! /udy ( ! sci5ces & ( lit]ature & ! practice ( ! v>i\s bran*es ( art took refuge 9 ! mona/]ies dur+ ! irruptions ( ! b>b>ians & ! /rife ( int]national w>4 ,9 ^? retreats1 n only pa9t+1 sculpture1 engrav+ on metals1 & mosaic1 b also ar*itecture 7 cultivat$4 ,if ! "q arose ab\t build+ a *ur*1 x 0 ne>ly always an ecclesia/ic :o furni%$ ! plan & monks :o c>ri$ out ! works "u 8 direction4 ,! bre?r5 9 travell+ f conv5t to conv5t naturally ex]cis$ a reciprocal influ5ce ov] ea* o!r4 ,we conceive1 !n1 t ! abbeys ( any giv5 ,ord] w\ld put 9 vogue ! same /yle1 & t ! art w\ld be modifi$ "u c]ta9 po9ts ( view1 9 ! same mann] 9 ea* c\ntry4 #cc ,hi/4 de l' ,art ,monum5tal1 p4 #dff1 ,p>is1 #ahde1 ,i4 #h4 ,x is c]ta91 moreov]1 t outside ! cloi/]s !re 7 also troops ( workm5 n mona/ics1 :o lab\r$ "u ! direction ( ! latt]4 ,masons 7 associat$ among !m 9 ! same way z o!r trade corporations4 ,x 0 ! same ) ^! corporations 9 ! ,s\? z ) ! communes--! dbris ( ! ,roman organisation2 !y took refuge 9 ! ,*ur*1 & _h arriv$ at a condition ( public life & indep5d5ce1 :5 ord] 0 e/abli%$ betwe5 ! commune1 ! ,seignory1 & ! ,*ur*4 ,dur+ ! twelf? & ?irte5? c5turies ^! corporations 7 organis$ into recognis$ frat]nities hav+ _! own /atutes1 b !re is abundant evid5ce ( _! hav+ a mu* e>li] exi/5ce4 ,a great numb] ( masons 7 tra9$ 9 ,italy1 & came f ,lomb>dy1 :i* 9 ! t5? c5tury ev5 0 an active c5tre ( civilisation4 ,italy _h its corporations ( masons call$ mae/ri comacc9i1 enjoy+ exclusive privileges1 :o1 hav+ pass$ ! diff]5t degrees ( appr5tice%ip1 became 'accept$'#cd masons1 & _h ! "r ( ex]cis+ _! pr(ession :]ev] !y might be4 ,! sov]eigns ( diff]5t c\ntries grant$ !m special privileges1 & ! popes protect$ !m 9 all ,ca?olic c\ntries :]e !y might travel4 ,?us ! lodges grew & prosp]$4 ,! ,greek arti/s :o _h fl$ f ,con/ant9ople dur+ ! v>i\s ,iconocla/ p]secutions _h got !mselves enroll$ 9 ! ranks ( ! freemasons1 & taught _! fell[-masons _! ,byzant9e me?ods4 #cd ,g]man ang5omm54 ,spe$ily ^! corporations spread ?r\gh ,france1 ,engl&1 & ,g]many1 :]e !y 7 employ$ almo/ exclusively by ! religi\s ,ord]s1 9 build+ _! *ur*es & conv5tual build+s4 ,:ile1 !re=e1 ! g5]al plan & rules ( con/ruction 7 common to all memb]s ( ! frat]nity1 ! details 7 almo/ entirely left1 "u regulations1 to ! individual ta/e ( c]ta9 memb]s ( ea* b& ( workm51 :o1 be+ all qualifi$ arti/s1 7 q capable ( putt+ 9 execution1 & ) ma/]ly skill1 any su* m9uti ( ornam5t z might be left to _! discretion4#ce ,local illum9ators w\ld ?us spe$ily get hold ( e novelty1 & ! page ( ! ,psalt] or ,bible w\ld become1 z a ,fr5* writ] has expla9$ x1 a vitrail sur vel94 ,if n inde$ exclusively foll[+ ! /a9$ glass1 !y copi$ ! mural decorations1 & s we f9d ! backgr\nds ( ! m9iatures1 :e!r fitt$ into ! initials or plac$ sep>ately 9 fram$ m\ld+s1 fai?fully reproduc+ ! imbrications1 c>relages1 panell+s1 & diap]s ( ^! mural enri*m5ts4 #ce ,gov]nor ,p[nall 7,obs]vations on ! ,orig9 & ,progress ( ,go?ic ,ar*itecture1 & on ! ,corporation ( ,freemasons1 ,ar*ologia1 #aghh1 vol4 #i1 pp4 #aaj-abf7 0 ( op9ion t ! ,collegium or ,corporation ( ,freemasons1 7 ! fir/ =m]s ( ,go?ic ar*itecture into a regul> & sci5tific ord] by apply+ ! models & proportions ( timb] framework to build+ 9 /one1 & t ?is me?od came into use & application ab\t ! close ( ! twelf? or comm5cem5t ( ! ?irte5? c5tury4 ,see also ,g\ld 7,r4,f471 ,hi/ory ( ,freemasonry1 vol4 i4 p4 #bei1 note4 ,)\t go+ s f> z to agree ) ,gov]nor ,p[nall t ! ,freemasons inv5t$ ,go?ic1 x may be reasonably cont5d$ t )\t !m x c\ld n h be5 br\ght to p]fection1 & )\t ,go?ic !y w\ld n h /ood 9 ! peculi> & prom95t position t !y did1 t !re 0 mutual indebt$ness1 & :ile )\t ,freemasons !re w\ld h be5 no ,go?ic444)\t ,go?ic ! ,freemasons w\ld h =m$ b a v ord9>y community ( trades unioni/s4 ,to select an example ( ,go?ic illum9ation :i* %all exemplify ! e>lie/ features ( ! po9t$ /yle is n an easy matt]1 not)/&+ ! numb] ( ?irte5?-c5tury ,,mss4 :i* /ill exi/ 9 public collections4 ,9 ! ,national ,libr>y at ,p>is are sev]al su* ,,mss4 ,"o t decid$ly m>ks ! *ange f ! ,g]man "w hi!rto 9 vogue is ! ,psalt] ( ,/4 ,l\is 7,nat4 ,lib41 ,p>is41 ,lat4 #ajebe71 :i* conta9s ne>ly eighty small1 delicately execut$ m9iatures4 ,x 0 complet$ ab\t #abej4 ,its noticeable features are a va/ly improv$ dext]ity 9 draughtsman%ip1 :i* displays a ref9$ c]ta9ty ( t\*1 enabl+ ! arti/ to express 8 int5tion ) unhesitat+ fre$om4 ,! draw+ ?us produc$ 9 outl9e is fill$ 9 ) flat t9ts ( body-col\r1 )\t gradation or any attempt at bru%-"w %ad+4 ,:atev] f9i%+ 9 ?is respect might be ?\ght necess>y 0 add$ ) ! p54 ,no?+ c\ld %[ m cle>ly t x is simply & frankly imitative ( /a9$ glass4 ,z 9 ! glass ! black outl9e is left = def9ition4 ,no col\r is us$ on h&s ( faces except a slight t\* ( r$ on ! *eeks & lips4 ,! prevail+ col\rs are ri* blue & bright sc>let4 ,p]haps ! illum9ator w\ld h be5 bett] advis$ _h he neglect$ "s ( ! h>d] features ( ?is k9d ( "w4 ,n consid]+ t ! limits ( ! glass pa9t] did n apply to 8 vellum1 he fett]$ himself unnecess>ily1 & in/ead ( a picture he has only succe$$ 9 produc+ a surface enamel1 or a m]e reticulation ( surface-patt]ns4 ,?is v defect has by "s writ]s be5 held up to admiration z ! true p]fection ( all illum9ation4 ,its flatness 0 applaud$ because x _h to be %ut up 9 a book1 & 0 !re=e ! only appropriate way ( mak+ a picture = su* a purpose4 ,b :oev] w\ld dream t because a picture1 pa9t$ 9 due p]spective & prop] light & %ade1 0 to be %ut up 9 a book t ! figures repres5t$ 9 relief w\ld actually be cru%$4 ,su* reason+ is mo/ pu]ile4 ,! suppos$ p>allel case ( a c>pet or he>?-rug repres5t+ gr\ps ( fl[]s--ev5 if ! latt] ev] did deceive ! dome/ic cat--does n 9 ! lea/ affect ! mo/ *ildi% conception ( a picture 9 a book4 ,we see x 9 a sc5e 9 light & %ade1 we enjoy & admire its reliefs1 b at ! same "t we "k x is a picture1 & t x is q flat4 ,! two te/s ( k nev] int]f]e ) ea* o!r4 ,to suppose !y d is to suppose a case ( imbecility t ev5 a lunatic mu/ laugh to scorn4 ,s f>1 !re=e1 we ?9k ! illum9ator mi/ak5 9 slavi%ly copy+ ! limitations ( ! glass-pa9t]4 ,x is no v great k ( nature t is %[n 9 ^! draw+s4 ,!re is a good example ( ! me?od ( /udy foll[$ by ?irte5?-c5tury arti/s 9 ! sket*-book ( a ,fr5* mason nam$ ,vill>s de ,honnec\rt1 /ill kept 9 ! ,national ,libr>y at ,p>is4#cf ,9 ?is book ! arti/ has made draw+s1 z he says1 f ! life--"s are views1 o!rs draw+s ( objects ( art2 "o repres5ts a lion ( ! m$ival h]aldic type1 yet ! arti/ assures u x is f ! life4 ,b !re is no real accuracy1 ev]y?+ is done ) ref]5ce to "s canon4 ,x is1 h[ev]1 q free f ! ,byzant9e influ5ce1 ?\gh by no means free f a c]ta9 t9cture ( symbolism4 ,! nude is r>ely attempt$1 b :5 x is x is c]ta9ly less ugly ?an 9 ,c>ol+ian & ,romanesque4 ,to return to ! ,psalt]--! /yle ( ! figures is r graceful1 attitudes are g5tle & mode/1 ?\gh ! incl9ation ( head & body are su* z to sugge/ a sort ( undulatory movem5t 9 walk+ t is sc>cely natural4 ,! =ms are sl5d]1 & ! limbs occasionally beyond ! own]'s control--sometimes ev5 de=m$4 ,! feet are small & weak--n[ & !n ov]-twi/$4 ,! h&s m delicate ?an =m]ly1 especially :5 op54 ,faces are g5tly oval & sometimes expressive4 #cf ,x has be5 publi%$ z ! ,album ( ,v4 de ,h41 ,p>is1 #aheh4 ,sometimes ! hi/ories are plac$ 9 initial lett]s1 ! gr\nds ( :i*1 :5 n ( burni%$ gold1 consi/ ( imitations ( mural c>relages1 *equ]s1 etc41 or ri* enamell$ patt]ns imitative ( engrav$ trac]ies on metal4 ,9 o!r cases !y are plac$ 9 frame-m\ld+s1 consi/+ ( a b> or bead+ ( gold support+ an inn] b> ( col\r$ & poli%$ wood or enamel "w--! poli% be+ repres5t$ by a f9e l9e ( :ite along ! c5tre4 ,= illu/rations ( ?is preci\s volume ! read] may ref] to ,lab>te1 ,hi/4 des ,arts indu/riels1 album1 pl4 #ib 7,p>is1 #ahfd74 ,n[ t ! mona/]ies _h ceas$ to be ! exclusive nurs]ies ( art & lit]ature1 ! ma/]s ( ! diff]5t arts & crafts usually belong$ to ! middle classes ( ! t[ns1 :]e at fir/ ea* art or craft _h its own frat]nity1 & z ! idea ( trade-association crew1 ! crafts mo/ ne>ly relat$ w\ld =m a guild or corporation4 ,all :o jo9$ ^! corporations b\nd !mselves to "w only z ! rul] ( ! guild p]mitt$4 ,nor 7 outsid]s all[$ to compete ) !m 9 _! own bran*es1 s exclusive 0 ! protection ( ! guild4 ,ea* confrat]nity _h its alt> 9 "s p>ticul> *ur*1 ^: patron sa9t became ! protector ( ! guild4 ,& inde$ ! con/itution ( ! guild includ$ ev5 political rights & obligations--milit>y s]vice among ! re/1 l o!r feudal in/itutions4 ,ea* t[n _h its own special corporations1 :i* ?us l$ to ! =mation ( sep>ate s*ools ( art2 :ile travell+ appr5tice%ips gave ! opportunity to all ( acquir+ k n accessible at home4 ,memb]s 7 accu/om$ to travel & to atta* !mselves to ! s]vice ( v>i\s pr9ces1 receiv+ appo9tm5ts z v>lets or escripva9s or enlum9eurs1 :i* sometimes oblig$ !m to resign _! memb]%ip4 ,occasionally !y became political ag5ts & ev5 ambassadors4 ,x w be rememb]$ t1 "s pages back1 we notic$ ! fact t 9 ,we/]n illum9ation g5]ally ! design ( ! page dep5d$ ^u ! initial lett]1 or t at lea/ ! initial 0 ! pr9cipal object ( x4 ,9 ! ?irte5? c5tury1 al?\gh ! initial _h v mu* dim9i%$ 9 size1 ! same pr9ciple /ill prevail$4 ,! lett] itself 0 =m$ ( "s fabul\s long-neck$ & long-tail$ animal or bird1 mo/ly a dragon z conceiv$ by ! m$ival arti/4 ,! head fram$ m or less on t ( ! ma/iff or lion1 or bo?2 ! legs ( a bird ( prey2 ! body & tail ( a s]p5t2 w+s ( h]aldic con/ruction to suit ! =m ( ! lett]4 ,:ile ! body ( ?is unspeakable bea/ =m$ ! body ( ! lett]1 ! tail 0 indef9itely ext5d$ to sweep d[n ! m>g9 ( ! text & r\nd ! base ( x1 s z to =m a bord]1 :ile n unfrequ5tly sl5d] bran*es w\ld spr+ f x to =m coils "h & !re end+ 9 a k9d ( fl[]-bud1 ! extremity ( ! tail =m+ a simil> coil4 ,v soon1 h[ev]1 ! animal =m 0 ab&on$1 & ! lett] made simply z a decorat$ initial or capital4 ,if possible1 "o ( its limbs 0 made to sweep up & d[n ! m>g9 & along ! bottom or top z be=e4 ,:]e ! int]ior is n occupi$ by a hi/ory1 we f9d coil$ /ems end+ 9 pr(ile leaves or buds4 ,at ! same "t ! text has dim9i%$ 9 size1 sometimes d[n to dim5sions no great] ?an ^? ( an ord9>y pr9t$ book ( to-day1 b (t5 beautiful & regul> z ! cle>e/ pr9t+4 ,su* a book is ! ,bible writt5 by a c]ta9 ,william ( ,devon1 n[ 9 ! ,briti% ,museum 7,roy4 ,,ms4 #a ,d4 #a74 ,a description ( ?is beautiful ,,ms4 may be se5 9 ,bibliographica1 vol4 i4 p4 #cid1 writt5 by ,sir ,e4,m4 ,?ompson4 ,"h1 ?\gh ! writ+ is t ( an ,engli%man1 ! /yle is completely ,fr5*4 ,ano!r ,,ms4 des]v+ ( /udy is a ri*ly illum9at$ ,bible n[ 9 ! ,burney ,collection ( our ,national ,libr>y 7,no4 #c74 ,ano!r1 :i*1 ow+ to its be+ recomm5d$ = /udy by ! late ,john ,rusk91 0 once kn[n z ! ,rusk9 ,book1 is ,add4 ,,ms4 #agcda1 :i* conta9s _m f9e initials ) bord] & bracket foliages simil> to ^? ( ! ,evangeli>y ( ! ,sa9te ,*apelle1 n[ 9 ! ,national ,libr>y1 ,p>is 7,,ms4 ,lat4 #agcbf74 ,bo? ! ,,mss4 %[ ! contempor>y peculi>ity ( pres5t+ ,bible *>act]s1 except+ div9e p]sonages1 apo/les1 & evangeli/s 9 ord9>y local co/ume4 ,p>is1 ( c\rse1 is ! city :]e mo/1 & p]haps ! be/1 ( ^! ,,mss4 are pres]v$2 b ^? nam$ above1 9 ,london1 are also among ! f9e/ kn[n examples4 ,,*apt] ,,ii ,,rise ,,( ,,national ,,/yles ,! f\rte5? c5tury ! true ,gold5 ,age ( ,go?ic illum9ation--,france ! cradle ( o!r national /yles--,ne!rl&i%1 ,italian1 ,g]man1 etc4--,di/9ction ( s*ools--,difficulty ( assign+ ! prov5ance ( ,,mss4--,! reason = x--,,ms4 9 ,fitzwilliam ,museum1 ,cambridge--,! ,padua ,missal--,arti/s' names--,:5ce obta9$4 ,?r\gh ! ?irte5? c5tury is ! epo* ( ! ,go?ic r5aissance1 x is ! f\rte5? to :i* really belongs ! title ( ! ,gold5 ,age4 ,! /yle ( "w rema9s precisely ! same1 only x gr[s4 ,x *anges f ! bud to ! leaf4 ,x ca/s (f ! sev]ity & mu* ( ! re/ra9t ( its e>li] "*4 ,to ! grace ( y\? x adds beauty1 ! beauty ( adolesc5ce4 ,to f\rte5?-c5tury illum9ation we c give no high] praise ?an t x is beautiful4 ,n1 inde$1 because ( its delib]ate limitations1 b 9 spite ( !m4 ,= aft] ages h taught u t if 9 pure ornam5t & respl5d5t decorative complet5ess ! pages ( ! f\rte5? c5tury _c be surpass$1 9 m9iature hi/oriation x mu/ take a second place4 ,! skill$ illum9ators ( ! lat] s*ools are ! ma/]s ( ! m]e picture4 ,= surely no judge ( art c\ld possibly ass]t t ! m9iatures ( ! ,grunani ,brevi>y or ( ! ,br]a ,graduals z m9iatures are inf]ior to ^? ( ! ,psalt] ( ,/4 ,l\is1 ! ,b]ry ,bible1 or ! ,pray]-book ( ,m>g>et ( ,bav>ia4 ,yet ^! are typical ,,mss4 ( ! highe/ rank4 ,h5ce we say t :ile ! illum9ation ( ! ,gold5 ,age ( ! art 0 beautiful1 x 0 n absolutely p]fect4 ,x is n to be tak5 by mod]n /ud5ts z ! only possible model or basis simply because x 0 ! be/ ( its k9d4 ,!re is no su* despotism 9 art4 ,to ^? :o ?9k x ! only possible =m ( book decoration1 let x be s by all means1 b we may z well hope to clo! our soldi]s 9 *a9 or plate arm\r1 & s5d ! elite ( our nobility on ano!r crusade to ,j]usalem1 or satisfy our univ]sities ) ! quod libets & quiddities ( ! trivium & quadrivium1 z hope to make popul> to ! ,engl& ( ! tw5tie? c5tury ! arti/ic ta/es ( ! f\rte5?4 ,we indulge 9 no su* dreams4 ,if we are to h illum9at$ books1 our own age mu/ inv5t !m4 ,! illum9ators ( ! ,bibles1 ,romances1 ,mirrors1 & ,*ronicles ( ! f\rte5? c5tury no d\bt did _! be/1 & we hon\r & praise !m = x4 ,we ?9k _! "w among ! lovelie/ gratifications ( ! eye t c be imag9$4 ,b ! eye is v ca?olic--x has imm5se capacities = enjoym5t4 ,! w9d[ ( ! s\l op5s on illimitable prospects1 & if ! s\l be satisfi$ = ! "t1 x is n necess>ily replet$ = ev]4 ,gold5 ages are cyclical1 & x may be t ! glory ( ! books ( ! future %all surpass all ! glories ( ! pa/4 ,by #acej ,france _h absorb$ all ! antec$5t v>ieties ( illum9ation4 ,f ,france1 !re=e1 spr+ all ! succe$+ /yles n[ consid]$ national4 ,& z is mo/ natural1 ^! /yles develop by proximity--! ne>e/ to ,fr5* be+ ,ne!rl&i%4 ,! next1 z a result ( imm$iate int]c\rse1 ,italian4 ,!n ,g]man1 ,spani%1 & ! re/1 z int]c\rse gave opportunity4 ,x is n always an easy matt] to say (fh& :e!r a ,,ms4 is ,fr5* or ,flemi%4 ,9 ! e>li] days x is n easy to say :e!r x be ,fr5* or ,engli%1 or ev5 :e!r ,fr5* or ,italian4 ,b ! di/9ctness comes lat] on4 ,9 ! fifte5? c5tury ! ,italian1 ,g]man1 ,fr5*1 & ,engli% are q di/9ct v>ieties4 ,t[>ds ! sixte5? ! ,ne!rl&i% is q z di/9ct4 ,b ! /yles ( ,spa91 ,bohemia1 ,hung>y1 ,pol&1 ?\gh possess+ features :i* id5tify !m to an exp]i5c$ eye1 are to ! ord9>y spectator m]ely sub-v>ieties ( ,ne!rl&i%1 ,italian1 or ,g]man4 ,) reg>d to ! di/9ctions ( s*ools or local c5tres )9 ! same c\ntry1 ! evid5ce ( probable orig9 has to be corroborat$ by hi/oric fact4 ,x is n safe )\t fur!r pro( ?an t af=d$ by g5]al features to affirm t ?is or t ,,ms4 0 execut$ at ,p>is1 ,dijon1 ,ami5s1 or ,limoges 9 ,france2 or at ,gh5t1 ,bruges1 or else:]e 9 ,fl&]s2 or :e!r a ,,ms4 be ,rh5i% or ,saxon1 ,bav>ian or ,we/phalian1 9 ,g]many2 ,bolognese1 ,flor5t9e1 ,si5nese1 ,milanese1 or ,neapolitan 9 ,italy2 or execut$ at ,we/m9/]1 ,/4 ,albans1 ,exet]1 or else:]e 9 ,engl&4 ,nev]!less ! special *>act]i/ics ( all ^! s*ools are q di/+ui%able4 ,9 ! attempt to di/+ui% !m1 al?\gh ! diagnosis may be p]fectly accurate1 ! actual facts may be o!rwise acc\nt$ =4 ,h5ce ! dang] to :i* ev5 ! exp]i5c$ connoisseur is liable4 ,= example1 c]ta9 ,,mss4 are writt5 9 a f9e ,bolognese h&1 :i* x is prov$ 7 actually execut$ 9 ,fl&]s2 o!rs t "o w\ld feel sure 7 ,ne!rl&i%1 7 illum9at$ 9 ,spa94 ,"s v f9e typical ,flemi% m9iatures 7 pa9t$ 9 ,italy2 c]ta9 ,flor5t9e m9iatures 7 ! "w ( arti/s resid+ 9 ,rome4 ,milanese illum9ation is q di/+ui%able f ,neapolitan1 & ,v5etian f bo?1 yet ! s*ool is n pro( ( ! prov5ance4 ,illum9ators1 l o!r craftsm51 travell$ f city to city1 & pr9ces employ$ m51 :o resid$ 9 _! patrons' palaces1 :o yet _h le>n$ _! art _m leagues away4 ,h[ (t5 we f9d ! names ( arti/s ) ! words ,dallemagna1 il ,t$esco1 le ,poitev91 ,v]onese1 ,franco1 ,crovata1 etc41 employ$ 9 ,italian h\ses1 indicat+ ! place ( _! nativity4 ,s t ev5 :5 we "k e feature ( ! "w we h mu* to le>n ere we c say ) tru? t x 0 execut$ 9 su* & su* a city4 ,we mu/ take into acc\nt details :i* are liable to escape ! ord9>y obs]v]1 su* z quality ( vellum or pap]1 *oice ( pigm5ts1 mode ( application1 & o!r p>ticul>s q di/9ct f /yle ( ornam5t or v>ieties ( =m 9 foliage4 ,9 ! ,fitzwilliam ,libr>y at ,cambridge is an ,italian ,,ms41 ! *>act]i/ics ( ^: ornam5tation are unequivocally ,fr5*1 b ^: mode ( treatm5t %[s n only t x is ,italian b t x is ,milanese1 b :e!r execut$ 9 ,milan or n is m ?an anyone c affirm4 ,9 ! ,briti% ,museum is a magnific5t s]vice-book call$ ! ,padua ,missal1 b ! probability is t ! ,paduan arti/ :o pa9t$ its spl5did pages1 pa9t$ !m at ,v5ice4 ,t x 0 execut$ = ,/a4 ,ju/9a1 at ,padua1 is no pro( t ! "w 0 done 9 t city4 ,9 mona/ic times we h se5 :y ! arti/ r>ely sign$ 8 "n4 ,aft] ! ?irte5? c5tury ! lay arti/ _h no su* scruples1 & h5ce we (t5 f9d p>ticul>s ( orig9 & purpose :i* expla9 all we wi% to "k4 ,b if ! ,,mss4 !mselves d n conta9 ! p>ticul>s1 v (t5 ! acc\nt-books ( ca!drals & o!r e/abli%m5ts = :i* ! books 7 illum9at$1 give ! details ( price & purpose1 & add ! names ( ! arti/s4 ,! h\sehold exp5se books1 guild books1 municipal records1 & ! j\rnals ( ! pa9t]s !mselves are f]tile s\rces ( in=mation4 ,& if we seek ) suffici5t dilig5ce ^! w probably be ! means by :i* x may ev5tually be f\nd4 ,,*apt] ,,iii ,,fr5* ,,illum9ation ,,f ,,! ,,?irte5? ,,c5tury ,,to ,,! ,,r5aissance ,ivy-leaf & *equ]$ backgr\nds--,occasional introduction ( pla9 burni%$ gold--,reign ( ,*>les ,,vi4 ( ,france--,! ,dukes ( ,orleans1 ,b]ry1 & ,burgundy2 _! prodigality & f9e ta/e = ,,mss4--,*ri/9e de ,pisan & h] works--,description ( h] ,mutation ( ,=tune 9 ! ,p>is ,libr>y--,! ,roman de la ,rose & ,cit des ,dames--,details ( ! ,fr5* /yle ( illum9ation--,burgundian ,,mss41 ,h>l4 #ddca--,roy4 #ae ,e4 #f--,! ,talbot ,romances--,gradual approa* to ,flemi% on ! "o h& & ,italian on ! o!r4 ,9 addition to ! exp&+ ivy leaf :i* =ms ! *ief feature ( f\rte5?-c5tury book-ornam5t1 we f9d ! m9iaturi/ z a fur!r improvem5t add+ delicate col\r 9 ! faces4 ,also t in/ead ( ! inv>iable loz5g+ or diap]+ ( ! backgr\nd he occasionally makes a backgr\nd ( pla9 burni%$ gold4 ,& z if to prove t 8 pr$ecessors 7 really hamp]$ ) ! re/rictions impos$ by _! imitations ( pa9t$ glass1 he beg9s to try 8 be/ to pa9t up 8 m9iatures into real pictures ) high lights on drap]ies & %ad+ ^u ! folds4 ,a c]ta9 am\nt ( flatness1 h[ev]1 /ill rema9s1 b x sc>cely seems to h be5 ! int5tion or aim ( ! pa9t]4 ,!re is a simil> flatness 9 ! "w ( all ! e>ly s*ools ( pa9t+1 :i* _h no ref]5ce :atev] to ! de/9ation ( ! picture4 ,see1 = in/ance1 ! ,origny ,treasure ,book 9 ! ,pr9t ,room at ,b]l9 7,,ms4 #ch71 & ! ,life ( ,/4 ,d5is 9 ! ,national ,libr>y at ,p>is 7,nos4 #bjij-b71 bo? ,,mss4 dat+ some:]e ab\t #acae4 ,! drap]y %ad+ 9 ! latt] ,,ms4 is no long] ! "w ( ! p51 b bru%-"w 9 prop] col\r4 ,! ,we/re55 ,missal 9 ! ,museum at ! ,hague1 :i* dates ab\t #acfe1 ?\gh n a ,fr5* ,,ms41 is an example ( ! fact t by ! middle ( ! c5tury ! tradition ( p5work outl9e & flat-col\r+ _h become pretty ne>ly obsolete4 ,! reign ( ! afflict$ ,*>les ,,vi4 ( ,france1 disa/r\s 9 ! extreme to ! mat]ial welf>e ( 8 own subjects1 full ( untold mis]y to ! poor1 & ( oppression to ! gr[+ community ( artisans & trad]s1 0 nev]!less1 z reg>ds lit]ature & ! arts1 a p]iod ( progress & ev5 spl5d\r4 ,! ,k+'s incapacity1 by af=d+ 8 uncles & bro!rs opportunities = f+]+ ! rev5ues dur+ ! self-appo9t$ & irresponsible reg5cies1 enabl$ !m to gratify _! magnific5t ta/es 9 ! pur*as+ ( co/ly furniture & ! ord]+ ( spl5did books4 ,l\is ( ,orleans1 usually cr$it$ ) ! wor/ ( ?is prodigality1 0 by no means s+ul> 9 8 conduct4 ,8 uncle1 ! ,duke ( ,b]ry1 :ile daily e>n+ ! execrations ( ! tax-pay]s by 8 unscrupul\s employm5t ( ! public money1 0 con/antly enri*+ 8 libr>y1 & bo? he & 8 bro!rs & nephews 7 9 ! habit ( s5d+ priceless volumes1 illum9at$ by ! be/ arti/s1 z w$d+ & bir?day gifts1 to ea* o!r1 or _! wives or acqua9tances4 ,we talk1 & ju/ly1 ( ! f9e ta/e & noble love ( lit]ature ( ,jean de ,b]ry4 ,8 contempor>ies1 at lea/ ^? b5ea? 8 own rank1 look$ ^u him z a tyrant & plund]]4 ,8 disa/r\s adm9i/ration ( ,langu$oc 0 describ$ z "o long fte :]e ! excess ( exp5diture 0 rivall$ only by ! excess ( sc&al4 ,if ! m>m\sets c\ld h hang$ him !y w\ld4 ,9 default !y hang$ 8 treasur]4 ,all ?is maladm9i/ration 0 v wrong1 b we _c af=d to burn ! ,,mss4 9 consequ5ce1 = ! ,bible1 ! ,gr&es ,heures1 & o!r books once possess$ by ! wick$ ,duke1 are among ! mo/ preci\s relics ( any age4 ,add to !m ! beautiful volumes ( poetry & romance compos+ ! contempor>y lit]ature ( ! f\rte5? & fifte5? c5turies1 & we h treasures t we d>e n rel9qui%4 ,by ! beg9n+ ( ! fifte5? c5tury pure ,fr5* illum9ation 0 los+ its own *>act]i/ics & acquir+ o!rs4 ,9 ! ,nor?1 9 ,fl&]s & ,brabant1 ,fran*e-,comt & ! ,burgundian ,duk$om g5]ally1 x 0 becom+ t peculi> k9d ( ,fr5* :i* _h receiv$ ! "n ( ,burgundian4 ,x c sc>cely be said to be ,flemi% en\gh to rank z ,ne!rl&i%1 yet nei!r c x /& side by side ) ,fr5* ( ,p>is4 ,let u look at a few examples4 ,!re is ! ,book ( ,(fices 9 ! ,libr>y ( ,/4 ,g5evive at ,p>is 7,bibl4 ,lat4 #ff71 also ! ,/4 ,augu/9e 9 ! same libr>y4 ,also a small cr[d ( volumes 9 ! ,royal ,libr>y at ,brussels1 ano!r 9 ! ,national ,libr>y at ,p>is4 ,"o ( ! ri*e/ examples kn[n is ! ,psalt] ( ! ,conv5t ( ,salem1 9 ! ,univ]sity ,libr>y at ,heidelb]g4 ,o!r gr& ,,mss4 are ! two volumes ( ! ,mutacion de ,=tune ( ,*ri/9e de ,pisan & ! ,cit des ,dames ( ! same au?oress4 ,! volume ( h] poems1 etc41 9 ! ,briti% ,museum1 is a m>vell\sly f9e "w 7,h>l4 #ddca74 ,! great] "p ( ?is volume is 9 ! e>li] or ,b]ry /yle1 i4e4 ! f9e p5-sprays ( ivy leaf ( burni%$ gold4 ,b ! fir/ gr& bord] is altoge!r transitional1 consi/+ ( ! p5-sprays ( gold5 ivy leaf alt]nat+ ) sprays ( natural fl[]s4 ,?is innovation1 x has be5 said1 0 due to ! s*ool ( van ,eyck1 b z no pro( is =?com+ t ,j4 van ,eyck ev] work$ on illum9at+ we may be cont5t to say t x arose ab\t #adac1 & t probably x came f ,bruges4 ,x is ! beg9n+ ( ! ,burgundian /yle4 ,b ! ornam5tal leafage is diff]5t f ord9>y ,brugeois1 inasmu* z x is pe>l$ along ! c5tral ve9s1 & is n symmetrical4 ,! pe>l+ is p]haps a sugge/ion f glass pa9t+4 ,x 0 v e>ly adapt$ 9 ,g]man foliage "w4 ,on ! fir/ fly-leaf are sev]al signatures1 includ+ ! "n & device ( ,l\is ,gru?use3 ,plus e/ en v\s ,gru?use4 ,! m9iatures /ill rema9 ,fr5* ) mo/ly panell$ backgr\nds1 "s ) l&scape4 ,x is evid5tly a transitional docum5t4 ,illu/ration3 ,,psalt]m4 ,,et ,,(ficia #ad,,? ,,c5t4 ,brit4 ,mus4 ,h>l4 ,,ms4 #bhig1 fol4 #ahd ,illu/ration3 ,,heures1 ,,etc4 #ad,,? ,,c5t4 ,brit4 ,mus4 ,h>l4 ,,ms4 #bieb1 fol4 #bb ,! works ( ,*ri/9e de ,pisan1 ! popul>--"o may fairly say fa%ionable--au?oress1 7 p]haps among ! be/ kn[n & mo/ widely read :ile ,caxton 0 sett+ up 8 press at ,we/m9/]1 z %e 0 among ! mo/ welcome gue/s at ! ,c\rts ( ,*>les ,,vi4 & ,philip ( ,burgundy4 ,%e 0 ! daught] ( a di/+ui%$ ,v5etian savant1 ,?omas de ,pisan1 :o _h come at ! invitation ( ,*>les le ,sage to ,p>is z ,a/rologue du ,roi4 ,at ! age ( fifte5 ,*ri/9e1 :o 0 z beautiful z %e 0 accompli%$1 became ! wife ( a ,pic>d g5tleman nam$ ,e/i5ne ,ca/el4 ,two ye>s aft]w>ds ! dea? ( ! ,k+ br\ght tr\ble ^u h] fa!r1 & ) x sickness & despond5cy4 ,!n foll[$ sorr[ ^u sorr[4 ,:il/ %e 0 h]self /ill burd5$ ) ! c>es ( e>ly mo!rhood h] fa!r di$1 & )9 n9e ye>s f h] m>riage ! sudd5 dea? f contagion1 ( h] husb&1 to :om %e 0 mo/ fondly atta*$1 left h] a wid[ ) two little *ildr5 dep5d5t ^u h]1 & ) only :at %e h]self c\ld e>n z a means ( livelihood4 ,%e 0 n yet tw5ty-six ye>s old4 ,to assuage h] mis]y %e betook h]self to /udy & ! composition ( essays & poetry4 ,h] works spe$ily br\ght h] ! recognition ( di/+ui%$ p]sonages2 h] *ildr5 7 provid$ =1 & %e h]self soon acquir$ bo? =tune & reputation4 ,*>les ,,vi4 all[$ h] a p5sion1 & %e compos$ = 8 ,que51 ,isabella ( ,bav>ia1 sev]al important treatises4 ,among h] num]\s compositions 7 ,les c5s ,hi/oires de ,troyes 9 v]se1 ,le ,*em9 de longue e/ude1 ,la ,mutacion de ,=tune1 & a ,life ( ,*>les ,v41 ! latt] compos$ at ! reque/ ( ,philip ! ,good ( ,burgundy4 ,b ! "w :i* sets (f h] wit & le>n+ to ! be/ advantage 0 an allegorical essay on ,womanhood1 :i* %e call$ ,le ,trsor de la ,cit des ,dames4 ,altoge!r h] works include fifte5 books & ab\t sixty small] writ+s1 :i* %e d$icat$ to ! ,k+ & ,que5 ( ,france1 ! ,dukes ( ,burgundy & ,orleans1 & ! pr9cesses & pr9ces ( ! ,c\rt4 ,"o beautifully illum9at$ copy ( ! ,mutation ( ,=tune 9 two volumes is a curi\s example ( its title1 = "o volume ( x is 9 ! ,national ,libr>y at ,p>is 7fonds fr4 #fjc7 & ! o!r 9 ! ,royal ,libr>y at ,muni*4 ,9 ! =m] we h h] portrait4 ,9 a blue g[n %e sits at h] writ+-desk busy at h] "w4 ,on h] head is ! musl9-drap$ & high-peak$ h5n94 ,beside h] a table cov]$ ) a gre5 clo? & lad5 ) crimson & violet-b\nd books & an ink/&4 ,h] *air has a high back1 & ! floor is ( ! usual k9d se5 9 illum9ations2 t is1 z if compos$ ( a p>quetry ( col\r$ woodwork or ( tiles ( v>i\s k9ds ( m>ble4 ,on ! sill ( ! ,go?ic-lattic$ w9d[1 ?r\gh :i* we cat* a glimpse ( ! blue sky1 /&s a vase ( fl[]s4 ,n p]haps an ideal lady's b\doir1 b /ill an ap>tm5t ( ta/e1 & an altoge!r *>m+ little picture4 ,9 ! second m9iature ( ! ,muni* volume ,*ri/9e is /&+ 9 a *amb]--9 ! same co/ume z above describ$4 ,! pictures on ! walls are--a =tress1 a wat*man1 two knights1 a pr9ce ) cr[n & sceptre1 seat$ on 8 ?rone1 surr\nd$ by c\rti]s2 a duel2 & a m>tyr hav+ 8 head /ruck (f4 ,j su* m$ival subjects z we may expect 9 a fifte5?-c5tury mansion4 ,9 a copy ( ! ,cit des ,dames at ,muni* is ano!r portrait ( ,*ri/9e4 ,! book is an ,apology = ! fem99e sex1 & x is well ?\ght out4 ,x appe>s t ! conv]sation ( ! "t 0 n always free f r sev]e s>casm conc]n+ ! ladies4 ,we le>n f ,du ,v]di] t ! cont9uator ( ! ,romance ( ! ,rose n>r[ly escap$ mo/ condign *a/isem5t f "s ( ! insult$ sex at ! ,fr5* ,c\rt = ! base ins9uations 9 8 poem aga9/ ! "* ( wom54 ,*ri/9e h]self he>tily disapprov$ ( ! ,romance ( ! ,rose1 & wrote a %>p criticism ^u x4 ,h] ,cit des ,dames is an elaborate confutation ( ! op9ion t wom5 are naturally m immoral & less capable ( noble /udies or high intellectual atta9m5ts ?an m54 ,9 h] introduction %e says3 ,i reflect$ :y m5 are s unanim\s 9 attribut+ wick$ness to wom54 ,i exam9$ my own life & ^? ( o!r wom5 to le>n :y we %\ld be worse ?an m51 s9ce we also 7 creat$ by ,god4 ,i 0 sitt+ a%am$ ) b[$ head & eyes bl9d$ ) te>s1 re/+ my *9 on my h&s 9 my elb[-*air1 :5 a dazzl+ beam ( ,light fla%$ be=e me1 :i* came n f ! sun1 = x 0 late 9 ! ev5+4 ,i glanc$ up & saw /&+ be=e me ?ree female figures we>+ cr[ns ( gold1 & ) radiant c\nt5ances4 ,i cross$ myself1 :]eupon "o ( ! ?ree address$ me4 ',fe> n1 de> daught]1 = we w c\nsel & help !e4 ,! aphorisms ( ! ,philosoph]s are n ,articles ( ,fai?1 b simply ! mi/s ( error & self-deception4' ,! ?ree ladies or goddesses are ,fame1 ,prud5ce1 & ,ju/ice1 & !y comm& ,*ri/9e "u ! sup]vision ( ,reason 7or ,commons5se7 to build a city = ! noble/ & be/ ( h] own sex4 ,s ! city 0 begun1 & ! elect1 allegorically1 let into x4 ,9 v>i$ ranks foll[+ "o ano!r came goddesses & sa9tly wom51 ,*ri/ian & hea!n wom5--among !m walks z lead] ! ,que5 ( ! ,amazons4 ,que5 ,c]es1 :o taught ! art & practice ( agriculture4 ,que5 ,isis1 :o fir/ l$ mank9d to ! cultivation ( plants4 ,ara*ne1 :o inv5t$ ! arts ( dye+1 weav+1 flax-gr[+1 & sp9n+4 ,damphile1 :o discov]$ h[ to bre$ silkworms4 ,que5 ,tomyris1 :o vanqui%$ ,cyrus4 ,! noble ,sulpicia1 :o %>$ h] husb&'s exile1 & _m o!rs1 among :om may be se5 ,dame ,s>ah1 ! wife ( ,abraham1 ,p5elope1 ,ru?1 & ! ,sa9ts ,ka?>9e1 ,m>g>et1 ,lucia1 & ,doro!a4 ,9 ! fir/ m9iature on ! left sits ,*ri/9e ) a coif ^u h] head & a great book on h] lap2 on h] left h& is ! plan ( h] new city1 :ile opposite /& ! ?ree ladies already spok5 ( z h] advis]s1 furni%$ ) build+ tools & giv+ h] _! advice4 ,on ! "r %e appe>s aga9 9 elegant co/ume ) hewn /ones & a tr[el assi/$ by two workm5 :o are busily at "w4 ,be=e h] is an unf9i%$ wall & sev]al complet$ t[]s4 ,9 two o!r m9iatures ! gradual progress & entire completion ( ! city are %[n1 & 9 ! =egr\nd ( ea* ,*ri/9e & h] ?ree patronesses z be=e4 ,o!r examples des]v+ ( ext5d$ notice are ! ,%rewsbury ,romances 7,roy4 #ae ,e4 #f7 & ,augu/9e1 ,cit de ,dieu 7,roy4 #ad ,d4 #a71 two great folios1 ! =m] mo/ int]e/+ = its m9iatures--! latt] z a fair example ( ! r\gh] k9d ( ,lille "w1 bold 9 design1 good draw+4 ,! *oice ( col\rs includes m>one1 blue1 gre51 & gold4 ,! ornam5ts1 z usual1 consi/ ( sprays ( ivy leaf & gr\nds fill$ 9 ) treillages ( natural fl[]s1 among :i* are ! daisy1 viola tricolor1 ?i/le1 cornbottle1 & wild /ock4 ,fruits & vegetables also1 z grapes1 field peas1 & /rawb]ries4 ,! m9iatures include a few r co>se grisailles4 ,a little volume 7,h>l4 #bicf7 conta9s exquisitely drawn ,brugeois scrolls 9 mono*rome on gr\nds ( ! same col\r or pla9 gold or black4 ,la/ly we may m5tion ,les ,heures de la ,dame de ,saluces1 o!rwise call$ ! ,yem5iz ,h\rs1 9 ! ,briti% ,museum 7,add4 #bgifg71 a l>ge octavo1 z an example ( transitional ,burgundian4 ,"h ! second>y bord]s h mo/ly ! p5work ivy leaf ) ,brugeois corn]s & ) /rawb]ries1 etc41 9 ! mid/ ( ! sprays4 ,among ! foliages grotesque figures frequ5tly appe>4 ,! pr9cipal pages1 h[ev]1 are m l ,h>l4 #ddca1 yet )\t ! ivy-leaf t5drils4 ,! m9iatures are /ill ,go?ic1 b ri*] & deep] 9 col\r ?an ord9>y ,fr5* "w4 ,x w\ld appe> t two diff]5t arti/s 7 employ$--"o decid$ly ,fr5*1 ! o!r ,ne!rl&i%1 & ( a m individual "*1 /ill ) ,fr5* accessories4 ,e page has a bord] ( "s k9d4 ,among ! fl[]s ! ?i/le is peculi> 9 hav+ a gold5 cup next ! d[n4 ,! "w g5]ally resembles1 9 "s p>ts1 #ddca ,h>l42 9 o!rs1 & p]haps m /rongly1 #ae ,e4 #f4 ,! col\rs are *iefly blue1 sc>let1 rose-p9k1 gre51 & gold4 ,we h n[ pretty ne>ly work$ our way into ,flemi% illum9ation4 ,! aft]-hi/ory ( ,fr5* z develop$ ?r\gh ! influ5ce ( ,italy on ! s*ools ( ,p>is & ,t\rs mu/ h a *apt] to itself4 ,,*apt] ,,iv ,,engli% ,,illum9ation ,,f ,,! ,,t5? ,,to ,,! ,,fifte5? ,,c5tury ,organisation ( ! ,mona/ic scriptoria--,pr(essional outsid]s3 lay arti/s--,! :ole sometimes ! "w ( ! same practition]--,! ,w9*e/] ,abbeys ( ,/4 ,s)un's & ,hyde--,_! vicissitudes--,/4 ,alban's--,we/m9/]--,royal ,,ms4 #b ,a4 #bb--;,description ( /yle--,! ,t5ison ,psalt]--,features ( ?is p]iod--,! ,arundel ,psalt]--,hunt+ & %oot+ sc5es1 & games--,*>act]i/ic pictures1 grotesques1 & c>icatures--,que5 ,m>y's ,psalt]--,rapid *anges "u ,ri*>d ,,ii4--,royal ,,ms4 #a ,e4 #i--,_! cause4 ,9 a =m] *apt] we left our native s*ools ( illum9ation at "w on su* ,,mss4 z ! ,devon%ire & ,r\5 ,b5$ictionals1 & ) ! reputation ( be+ ! be/ s*ools ( ! k9d 9 ,*ri/5dom4 ,m5tion also is made else:]e 9 deal+ ) mona/ic art ( ! usages ( ! scriptoria4 ,su* usages1 ( c\rse1 c\ld only obta9 9 h\ses :]e scribes !mselves 7 to be _h4 ,h5ce we %\ld discov]1 7 x n o!rwise kn[n1 t writ+ & illum9ation1 ev5 9 ! mona/ic age1 7 n conf9$ absolutely to ! cloi/]4 ,) respect to ! secul> scribes1 :o sometimes work$ 9 ! mona/]y1 sometimes at _! own homes1 9 ^? days :5 ! mona/ic ord]s /ill did mo/ ( ! book-production1 !re 7 ?ree classes ( speciali/s4 ,^! 7 ! ,libr>ii or ord9>y copyi/s2 ! ,not>ii or law-scribes1 ^: bus9ess lay 9 copy+ de$s1 *>t]s1 & su*-l in/rum5ts1 & tak+ notes 9 ! c\rts2 & ,pag9ators or ,illum9atores4 ,x sometimes happ5$1 z we h said1 t 9 "s mona/]y or o!r1 no mona/ic 0 f\nd qualifi$ to und]take any ( ^! duties4 ,x !n fell to ! prior or abbat to seek ! assi/ance ( pr(essional outsid]s4 ,! pag+ & rubrication1 putt+ 9 initials 9 ! spaces left by ! common scribe1 &1 if ne$$1 ! addition ( pictures or m>g9al draw+s & ornam5ts1 c>icatures1 h]aldic illu/rations1 etc41 7 ! prop] "w ( ! illum9ator1 b x (t5 happ5$ t ! same man _h to d ! :ole "w f ! comm5cem5t to ! f9i%4 ,! ,*ronicon ,trudon5se tells u3 ,graduale unum propria manu =mavit1 purgavit1 p9xit1 sulcabit1 scripsit1 illum9avit1 musiceque notavit syllabatim4 ,sev]al ( our old ,engli% *ronicles1 ( :i* ! ,,mss4 exi/ 9 ! ,briti% ,museum & else:]e1 seem to be ( ?is description4 ,ref]5ce has be5 made to ! scriptoria at ,w9*e/]1 i4e4 at ,/4 ,s)un's & ! ,new ,m9/]4 ,x is ! latt] f\ndation :i* is usually ref]r$ to 9 speak+ ( ,w9*e/] "w4 ,! ,mona/]y ( ! ,holy ,tr9ity or ! ,new ,m9/] 0 f\nd$ 9 ! fir/ ye> ( 8 reign by ,k+ ,edw>d1 son ( ,alfr$1 no d\bt 9 ob$i5ce to 8 fa!r's wi%1 if n absolutely 9 ! t]ms ( 8 w4 ,its fir/ *>t] is dat$ #ijj 7= #ija7 & ! second 9 #ijc4 ,9 ! latt] docum5t ! abbey is spok5 ( z d$icat$ to ! ,holy ,tr9ity1 ! ,bless$ ,virg9 ,m>y1 & to ,/4 ,pet]1 & is amply end[$ "u ! ,augu/9ian ,rule4 ,9 #ife1 n )\t tr\ble & resi/ance1 x 0 conv]t$ into a ,b5$ict9e abbey4 ,9 #ifh ,e!lg>1 :o _h be5 tra9$ at ,gla/onbury & ,ab+don1 became abbat1 & f ?is "t ! ,new ,m9/] became fam\s = bo? discipl9e & ! production ( ,,mss4 ,z we walk along ! ,high ,/reet ( ,w9*e/] n[ we f9d ! /ory 9 moss-gr[n /ones or o!r memorials h[1 among o!r me?ods1 ,william ! ,norman puni%$ ! monks = _! ,engli% w>like proclivities by wall+ !m up ne>ly close to _! *ur* ) ! walls ( 8 royal palace4 ,9 ! old "t1 :5 ! two mona/]ies /ood side by side--,/4 ,s)un's is close beh9d ! ,new ,m9/]--s closely pack$ toge!r1 says ! old *ronicl]1#cg 7 ! two communities ( ,/4 ,s)un & ,/4 ,pet] t betwe5 ! f\ndation ( _! respective build+s !re 0 b>ely room = a man to pass along4 ,! *oral s]vice ( "o mona/]y conflict$ ) t ( ! o!r1 s t bo? 7 spoil$1 & ! r++ ( _! bells toge!r produc$ a horrid discord4 ,! result ( ?is 01 fir/ ! above-m5tion$ hemm+ 9 ( ! y\ng] e/abli%m5t & ev5tually its migration to ano!r site 9 ,hyde ,mead[4 ,"h :ile ! mona/ic build+s suff]$ mu* ?r\gh fires & o!r disa/]s1 ! ,rule rema9$ until #aech1 :5 x 0 surr5d]$ into ! ,k+'s h&s1 & ! abbat1 prior1 & n9ete5 monks1 ! la/ survivors ( ?is once-fam\s f\ndation1 7 p5sion$4 #cg ,dugdale1 ,mona/icon4 ,! scriptorium at ,/4 ,alban's1 to :i* ! fame ( book production 9 ! ,middle ,ages v l>gely rev]t$1 0 n f\nd$ until ne>ly ?ree c5turies aft] ! f\ndation ( t abbey4 ,! libr>y began ) tw5ty-eight notable volumes1 & eight ,psalt]s1 a book ( collects1 ano!r ( epi/les1 & ,evangelia leg5da p] annum1 two ,gospel-books b\nd 9 gold & silv] & set ) gems1 toge!r ) o!r necess>y volumes = ord9>y use4 ,almo/ e succe$+ abbat contribut$ some?+ to ! libr>y %elves4 ,ge(frey1 ! sixte5? abbat1 a ,norman :o once _h a s*ool at ,dun/able1 & :o 0 bo? a popul> & lib]al rul]1 enri*$ ! libr>y ) a ,missal b\nd 9 gold1 ano!r incomp>ably illum9at$ & beautifully writt51 & also a ,psalt] ri*ly illum9at$1 a ,b5$ictional1 & o!rs4 ,8 successor1 ,ralph ,gubiun1 also gave a numb] ( ,,mss4 ,rob]t de ,go%am1 ! next abbat1 gave v _m books1 :i* he _h caus$ to be writt5 & sumptu\sly b\nd = ! purpose4 ,& ,abbat ,simon1 :o foll[$ 9 #aaff1 creat$ ! (fice ( hi/oriograph] to ! abbey1 repair$ & enl>g$ ! scriptorium1 & kept two or ?ree ( ! clev]e/ writ]s con/antly employ$ 9 transcription1 & orda9$ t = ! future e abbat %\ld ma9ta9 at lea/ "o suitable & capable scribe4 ,among ! _m *oice ,,mss4 add$ by ,abbat ,simon 0 a beautiful copy ( ! ,bible specially writt5 ) ! greate/ c>e & exactness4 ,9 addition he pres5t$ ! libr>y ) all 8 own preci\s collection4 ,ano!r lib]al b5efactor 0 ,john de ,cell1 a man ( va/ le>n+ 9 gramm> & poetry1 & also a practition] 9 m$ic9e4 ,be+ unfit = h\sehold managem5t1 he committ$ ! secul> affairs ( ! abbey to 8 prior ,reymund1 by ^: zeal _m noble & valuable books 7 transcrib$ = ! libr>y4 ,& s grew 9 magnitude & importance ! great collection :i* suppli$ ,rog] ( ,w5dov] & ,mat!w ,p>is ) mat]ials = _! fam\s hi/ories4 ,/4 ,alban's1 inde$1 0 at "o p]iod p]haps ! mo/ not$ ( all ! ,engli% c5tres ( book production4 ,to dilate on o!r c5tres1 su* z ,we/m9/]1 ,exet]1 ,worce/]1 ,norwi*1 or ,york1 w\ld lead u too f> afield = a m]e h&book l ! pres5t4 ,en\gh has be5 said to give a good idea ( :at our ,engli% abbats & priors 7 9 ! habit ( do+ = art & lett]s4 ,illu/ration3 ,,psalt]ium ,,cum ,,canticis ,a4,d4 #abdj ,brit4 ,mus4 ,roy4 ,,ms4 #b1 ,a4 xxii1 fol4 #ad ,illu/ration3 ,,epi/re ,,au ,,roy ,,ri*4 #b ,c4 #acge ,brit4 ,mus4 ,roy4 ,,ms4 #bj ,b1 vi1 fol4 #a ,s9ce #ihj a consid]able quantity ( transcription & illum9ation mu/ h be5 produc$1 not)/&+ disquiet1 turbul5ce1 & w>4 ,at ,we/m9/] ! traditions ( illum9ation seem to h foll[$ ! me?ods ( ! e>li] ,w9*e/] s*ool4 ,b 9 ! twelf? c5tury ,engli% "w %[s1 on ! :ole1 a great] lik5ess to ! contempor>y "w ( ,g]many4 ,( ,we/m9/] "w an example occurs among ! ,royal ,,mss4 7#b ,a4 #bb74 ,! subject is ! ,psalt]1 & ! text is ! h&some /yle ( p5man%ip kn[n z ,engli% ,go?ic ( ! latt] "p ( ! twelf? c5tury4 ,x w\ld appe> f ! frequ5t occurr5ce ( ?is p>ticul> s]vice-book t x held ! place ( ! lat] ,book ( ,h\rs1 & s we may expect a great simil>ity among diff]5t copies1 bo? 9 ! selection ( ! illu/rations & _! mode ( treatm5t4 ,x 0 usual 9 all su* volumes to prefix to ! text a s]ies ( subjects f ! ,old & ,new ,te/am5ts & ! ,lives ( ! ,sa9ts4 ,"h we h !m f ! ,life ( ! ,virg9 & f ! ,life ( ,david1 by no means unwor?y samples ( ! s*ool4 ,"o repres5ts ! ,virg9 & ,*ild seat$ on a seat ( ! ,g]mano-,byzant9e type b5ea? an ar* & )9 a squ>e frame-bord]4 ,! bord] seems fir/ to h be5 flatly pa9t$ 9 two col\rs1 pale blue & pale r$ o*re1 & on ?is a foliage scroll ( recurr+ =ms 9 a bold dull r$ outl9e f9ely reliev$ ) :ite4 ,?is is m or less repeat$ z ! =m ( bord] to ! o!r illum9ations4 ,outside ! :ole is a *>act]i/ic sl5d] frame ( bright gre5 9 two t9ts4 ,! ar* ov]head has two b&s ( v]milion1 ) :ite edge-reliefs & a c5tral b& ( blue1 aga9 9 two t9ts1 ) pairs ( black cross-b>s e half-in* or s re/+ on ! capitals ( ! two pill>s :i* =m ! sides ( ! sc5e4 ,^! pill>s h ea* a gre5 abacus at ! top ( ea* capital & sc>let bead bel[4 ,ea* pill> is ( dappl$ r$1 m>ble-l porphyry1 ) pl9?s ( sc>let & blue4 ,ti]s ( diff]5tly col\r$ /eps sep>at$ by b&s ( sc>let1 gre51 etc41 =m ! seat4 ,! ,virg9 we>s ! hood1 cape1 & robe ( ! ,b5$ict9e nun1 b col\r$ grey1 *ocolate1 & blue respectively4 ,an "u g>m5t ( pale amb] completes h] dress4 ,! infant we>s an amb] tunic1 wrapp$ 9 a sc>let robe4 ,a v common embroid]y ( ! drap]y consi/s ( little />s or triads ( :ite /uds4 ,?is also is a *>act]i/ic ( ,g]man & e>ly ,ne!rl&i% illum9ation4 ,!re is a ri* gold brocade bord] to ! blue robe ( ! ,virg94 ,bo? "m & *ild h r\nd nimbuses1 ! =m] 9 pla9 circul> b&s ( russet & orange1 ! latt] consi/+ ( b&s ( pale blue surm\nt$ by a sc>let cross4 ,two lumps ( gre5 glass or metal hang f ! ar*4 ,! backgr\nd is a plate ( gold4 ,! fle% tones are livid1 be+ ( a pale gre5i% o*re t9t4 ,"o o!r ( ! illum9ations ( ?is exce$+ly int]e/+ ,,ms4 may be m5tion$1 viz4 ! ,david play+ 8 h>p4 ,he also we>s ?ree g>m5ts--a tunic ( :ite %ad$ ) pale blue1 !n ano!r ( lav5d] or lilac & hav+ ri* brocad$ bord]s1 &1 la/ly1 a pallium or robe ( pale *ocolate l9$ ) erm9e2 orange-col\r$ hose4 ,! ?rone1 l ! previ\s "o1 is ( sev]al col\rs--slate-blue1 gre51 orange1 & :ite1 ) a buff cu%ion4 ,"h is a back to ! ?rone ( a deep blue1 ) a backgr\nd1 z be=e1 ( bright flat gold4 ,! :ite m\ld+ is %ad$ ) pale gre51 ) blui% slate corn]s4 ,! out] bord] is ( ! pale r$ o*re or p9k1 s common 9 lat] "w 9 contra/ ) deep blue4 ,an out] frame or edg+ ( gre5 completes ! page4 ,! h>p is n gild$1 b ( a drab hue1 ) two quatrefoil /uds or orifices 9 ! frame1 reliev$ z usual ) f9e edges ( :ite4 ,comp>e ?is ,,ms4 ) "o 9 ! ,libr>y at ,lambe?4 ,! ,engli% illum9ation ( ! ?irte5? c5tury is s l t ( ,france t x is (t5 difficult to det]m9e its real nationality4 ,!re is occasionally "s feature :i* we "k f o!r s\rces to be ,engli%1 or "s circum/ance 9 ! hi/ory ( ! ,,ms4 :i* fixes its orig91 z1 = example1 9 ! ,additional ,,ms4 #bdfhf1 kn[n z ! ,t5ison ,psalt]4 ,sir ,e4,m4 ,?ompson also describes ?is ,,ms4 9 ! ,bibliographica1 i4 #cig4 ,b x 0 previ\sly describ$ at "s l5g? by ,sir ,edw>d ,bond 9 ! ,f9e ,arts ,qu>t]ly ,review4 ,! ,psalt]1 :i* has _h a some:at ev5tful hi/ory1 is "o ( ! be/ examples ( ,engli% ?irte5?-c5tury illum9ation4 ,at lea/1 ?is may be said ( ! e>ly portion ( x1 = :ile x is illum9at$ ?r\gh\t1 only ! fir/ ga!r+ is 9 ! e>li] mann]4 ,! peculi> value to ! /ud5t lies 9 ! fact t al?\gh q 9 ! same /yle z contempor>y ,fr5* "w1 x is ! "w ( an ,engli% illum9ator4 ,! col\r+1 h[ev]1 is n conf9$1 z 9 some:at e>li] examples1 to blue & dull pale rose or pal$ r$ o*re & gold4 ,x gives u sc>let1 crimson-lake1 gre51 & br[n1 besides ! blue & p9k & bright gold :i* sugge/s "s ,g]man influ5ces4 ,! l9e fill+s are some:at peculi> z hav+ silv] trac]y1 on ! blue1 side by side ) gold5 trac]y on ! crimson4 ,! full ivy leaf appe>s 9 ! long bran* "w ( ! bord]s1 & "s ( ! initials /ill reta9 ! bird or dragon =ms 9 _! con/ruction4 ,! comp\nd b>-frame1 gold & trac]i$ col\r side by side1 is h[ev] already tak+ ! place ( ! m]e sweep+ tail or bran*4 ,b p]haps ! be/ indication ( ,engli% design is ! pres5ce ( a numb] ( grotesque animals1 ) birds & occasional humor\s sc5es dispos$1 n 9 fram$ m9iatures1 b simply among ! /ems & coils ( ! foliage4 ,?is is a =m ( illu/ration mu* appreciat$ by ,engli% illum9ators at all times1 ?\gh x appe>s also 9 mu* cont95tal "w4 ,among o!r ,engli% ,,mss4 :i* display ?is ta/e we may po9t out ,arund4 #hc1 :i* among _m o!r treatises & curi\s compositions1 su* z ! ,turris ,sapi5ti & a valuable cal5d>1 9 :i* are notes on ! ,arundels ( ,wemme1 conta9s a psalt] ) an!ms1 etc41 & h5ce is kn[n z ! ,arundel ,psalt]4 ,its date is probably betwe5 #accj & #achj4 ,! droll]ies are v funny1 & ! o!r illum9ations v in/ructive & curi\s4 ,"s ( !m conta9 really good p5-draw+--ref9$1 expressive1 & graceful1 b above all typical ( ,engli% draughtsman%ip4 ,9 a little sc5e ( ! adoration ( ! ,magi 7folio #abe7 ! k+s are co/um$ l our ,h5ry ,,iii41 z we f9d him 'n sculpture1 wall pa9t+s1 etc4 ,ov] a v expressive picture ( ! ?ree liv+ & ! ?ree dead occur ! l9es1 ea* ov] a figure3 ,i* am af]t ,lo wet i* se ,me?9ke? hit be? deueles ?re4 ,i* wes welfair ,su* s*elt\ be ,= godes l\e be w] by me 7folio #abh74ch ,! ?ree liv+ 9 ?is illum9ation are ?ree fa%ionable ladies--no d\bt pr9cesses1 = !y we> cr[ns4 ,g5]ally !y are m51 z at ,lutt]wor? 9 ! sculptures ov] ! door1 & 9 ! fam\s fresco ( ,gozzoli at ,pisa4 ,! subject occurs sometimes 9 ,books ( ,h\rs4 #ch ,i am afraid4 ,lo1 :at ,i see ,me?9ke? x be devils ?ree4 ,i 0 well fair4 ,su* %alt ?\ be4 ,= love ( ,god bew>e by me4 ,_m ,,mss4 ( ?is p]iod & lat] h hunt+ sc5es1 %oot+ practice1 & games4 ,9 ,,ms4 #bfd1 ,misc41 ,bodl4 ,lib41 ,ox=d1 !re are su* sc5es1 "o be+ a game at ,bl9d ,man's ,buff1 or z lit]ally "h ,hoodman ,bl9d1 = ! latt] actually we> a hood drawn d[n ov] 8 head & %\ld]s1 & ?ree girls are hav+ a f9e game ) him4 ,! goldf9* or l9net look+ on f ! bord] seems to enjoy ! fun4 ,ano!r f9e s\rce ( simil> ?+s is ! ,l\t]ell ,psalt] 9 ! ,briti% ,museum4 ,9 ?is also are "s ri*ly diap]$ backgr\nds & exquisite bord] b&s4 ,?is ,,ms4 dates ab\t #acdj4 ,b ! gem ( ,engli% f\rte5?-c5tury illum9ation is ! ,royal ,,ms4 7#b ,c4 #g7 call$ ,que5 ,m>y's ,psalt]1 n z be+ pa9t$ = h]1 s9ce x _h be5 pa9t$ ne>ly two c5turies be=e %e ev] saw x4 ,b 9 ! ye> 787 #aeec1 be+ ab\t to be s5t abroad1 x 0 /opp$ by a cu/oms (fic] & pres5t$ to ,que5 ,m>y ,tudor4 ,x is b\nd 9 :at appe>s to be ! b9d+ put on x by ! ,que5--i4e4 crimson velvet embroid]$ on ea* cov] ) a l>ge pomegranate1 & hav+ gilt corn] protections & 7once ^u a "t7 gold5 clasps4 ,! clasps are gone1 b ! plates rema9 rivet$ on ! cov]s1 engrav5 ) ! ,tudor badges4 ,! ,,ms4 conta9s #cbj l>ge octavo leaves1 ! fir/ fifty-six be+ tak5 up ) illum9at$ illu/rations ( biblical hi/ory f ! ,creation to ! dea? ( ,solomon4 ,^! pictures are arrang$ 9 pairs "o ov] ! o!r1 & to ea* "o is giv5 a description 9 ,fr5*1 tak5 sometimes f ! canonical text1 sometimes f an apocryphal "o4 ,! draw+s are really exquisite1 !y are s f9e1 s delicately yet s clev]ly sket*$4 ,!y are n col\r$ 9 full body-col\rs1 b j sugge/ively1 ! drap]ies be+ wa%$ ov] 9 ?9 t9ts1 ! folds well def9$1 b lightly %ad$4 ,next aft] ^! subjects foll[s ! ,psalt] ) m9iatures ( ,new ,te/am5t sc5es & figures ( sa9ts accompani$ ) mo/ beautiful initials & ornam5ts1 illum9at$ by a ?or\ghly practis$ h&1 = ! arti/ ( ?is volume 0 by no means a novice at 8 "w4 ,a good example ( x is giv5 9 ,bibliographica1 pl4 #g #bc1 :i* =ms ! frontispiece to vol4 i41 & "o or two outl9es 9 ! folio catalogue ( ! ,arundel ,,mss4 ,arund4 ,,ms4 #hd is also a good example ( ?irte5?-c5tury illum9ation to a r unpromis+ subject1 be+ a ,lat9 translation ( ,euclid f ! ,arabic by ,a!l>d ( ,ba?4 ,x is illu/rat$ ) diagrams4 ,speak+ ( f\rte5?-c5tury illum9ation br+s u to notice a v /rik+ *ange :i* takes place 9 ! reign ( ,ri*>d ,,ii4 9 ! "* ( ,engli% illum9ation4 ,9 ! ,briti% ,museum 7,roy4 #bj ,b4 #f7 is a ,,ms4 entitl$ an ,epi/le to ,ri*>d ,,ii41 writt51 x is said1 9 ,p>is1 9 :i* ! illum9ations & foliages are purely ,fr5*1 b :i* are ! type ( all ! ,engli% "w ( ! same date4 ,take1 = example1 ! ,,ms4 already spok5 ( 7,roy4 #b ,a4 #bb71 produc$ 9 ! scriptorium at ,we/m9/] ,abbey4 ,comp>e ) x a ,bible writt5 = ! use ( ,salisbury1 & dat$ #abed4 ,!n add ! ,t5ison ,psalt]1 ! ,arundel ,psalt]1 illum9at$ #acaj-bj4 ,if ^! ,,mss4 be comp>$1 h[ev]1 ) ,lansd4 #dea1 or ,roy4 #a ,e4 #i1 ! lea/ accu/om$ eye mu/ notice ! entire & almo/ />tl+ *ange 9 ! luxuriance & "* ( ! fl[]s & foliages :i* con/itute ! initial & bord] decorations4 ,x is n m]ely a developm5t4 ,!re are additional features1 b t ^! features are add$1 z usual1 f ,france1 is contradict$ by ref]5ce to ,roy4 #bj ,b4 #f1 m5tion$ above4 ,! new features are n ,fr5*4 ,! "q is1 :]e did !y come f8 ,,*apt] ,v ,,! ,,s\rces ,,( ,,engli% ,,fifte5?-,,c5tury ,,illum9ation ,attribut$ to ! ,ne!rl&s--,n altoge!r ,fr5*--,! home ( ,anne ( ,bohemia1 ,ri*>d ,,ii4's que5--,c\rt ( ,*>les ,,iv4 at ,prag--,bohemian ,art--,john ( ,luxemb\rg1 ,k+ ( ,bohemia--,! ,gold5 ,bull ( ,*>les ,,iv4--,m>riage ( ,ri*>d ,,ii4--,! trans=mation ( ,engli% "w ow+ to ?is m>riage & ! arrival ( ,bohemian arti/s 9 ,engl&--,influ5ce ( ,que5 ,anne on ,engli% ,art & ,lit]ature--,depression caus$ by h] dea?--,exam9ation ( ,roy4 ,,ms4 #a ,e4 #i1 & #b ,a4 #ah--,! ,gr&ison ,h\rs--,o!r ,,mss4--,introduction ( ,flemi% "w by ,edw>d ,,iv4 ,x has be5 sugge/$ by a high au?ority t ! imm$iate s\rces ( ! ?ird p]iod ( ,engli% illum9ation 7 ,ne!rl&i%1 b probable z ?is seems at fir/ sight1 !re is ano!r explanation :i* seems to ! pres5t writ] to be a bett] "o4 ,z already po9t$ out1 ! influ5ce on ,engli% "w be=e #acgg1 not)/&+ political conditions1 are di/9ctly ,fr5*4 ,aft] ?is date1 ?\gh ! arti/ic relation ) ,france is n brok5 (f1 yet long be=e #acij we f9d ?is new influ5ce :i* is n ,fr5*1 & = :i* we h no special evid5ce t x is ,ne!rl&i%4 ,if we g1 h[ev]1 a little f>!r afield1 we %all f9d x4 ,9 ! new "w is a s(t] k9d ( foliage & a great] v>iety ( sweet col\r1 & bo? ^! *>act]i/ics are f\nd 9 a s*ool ( illum9ation t 0 be+ =m$ "u ! auspices ( ! ,emp]or ,*>les ,,iv4 at ,prag 9 ,bohemia4 ,! arti/s 9 t capital :o execut$ ! fam\s ,gold5 ,bull & comm5c$ ! gr& ,w5zel ,bible 7 a select b& ( ,fr5*m5 & ,italians2 ! comb9$ result ( ^: designs & lab\rs 0 ?is v mixture ( ,go?ic ivy leaf & ?orn ) ! s(t] ,o?onian & ,roman foliages & a new s*eme ( col\r4 ,*>les ,,iv41 son ( t fam\s ,john ( ,luxemb\rg1 ! bl9d k+ ( ,bohemia1 :o p]i%$ at ,crcy1 0 himself ,k+ ( ,bohemia z well z ,emp]or1 & a man ( brilliant p]sonal accompli%m5ts & cultivat$ ta/es 9 lit]ature & art4 ,becom+ ,emp]or ! v next ye> aft] 8 succession to ! ?rone ( ,bohemia1 he fix$ 8 resid5ce at ,prag1 :]e he began ! build+ ( ! new city1 & f\nd$ a univ]sity on ! model ( t ( ,p>is1 :]e he _h /udi$1 & :5ce he _h m>ri$ 8 fir/ wife1 ,blan*e1 daught] ( ,*>les1 ,c\nt ( ,valois4 ,8 univ]sity soon attract$ "s ?\s&s ( /ud5ts1 & ) !m no small cr[d ( lit]>y m5 & arti/s1 bo? f ,france & ,italy4 ,! great fact1 h[ev]1 to rememb] ab\t ,*>les ,,iv4 is ! ,gold5 ,bull1 ! ma/]ly s*eme by :i* all matt]s conc]n+ ! election to ! ,empire 7 9 future to be settl$4 ,all ! ,con/itutions 7 writt5 9 a book call$1 f ! bulla or seal ( gold :i* 0 app5d$ to x1 ! ,gold5 ,bull1 ( :i* ! text 0 drawn up ei!r at ,metz or ,nuremb]g 9 #acef1 & _m copies di/ribut$ ?r\gh\t ! ,empire4 ,x is fur!r affirm$ t ! absolute orig9al is at ,frank=t4 ,b ! spl5did copy made by ord] ( ! ,emp]or ,w5zel 9 #adjj is /ill pres]v$ 9 ! ,imp]ial ,libr>y at ,vi5na4 ,& z x is ah example ( ! /yle ( illum9ation practis$ 9 ,prag dur+ ! reign ( ,*>les ,,iv41 we may call x ,bohemian4 ,x is true t ! foliages are a little m luxuriant 9 ?is ,w5zel-book ?an 9 ! e>lie/ examples ( ! /yle se5 9 ,engl&1 b ! tw5ty ye>s :i* _h elaps$ w\ld easily acc\nt = ?is diff]5ce4 ,z comp>$1 h[ev]1 ) ei!r ,fr5* or ,ne!rl&i%1 ! new ,engli% /yle %[s a mu* great] simil>ity to ! "w !n be+ done 9 ,l[] ,bav>ia4 ,9 ^! s(t curl+ foliages & ! fre% c>nations ( ! fle%-t9ts ( ! ,prag & ,nuremb]g illum9ators we may trace ! actual s\rce ( ! rem>kable trans=mation se5 9 ,engli% illum9ation aft] ! m>riage ( ,ri*>d ,,ii4 ,*>les ,,iv4 0 f\r times m>ri$4 ,8 successor1 ,w5zel1 ^: gha/ly dissipations c only be reg>d$ z ! t]rible pro(s ( insanity1 0 ! *ild ( 8 ?ird wife4 ,8 f\r? wife1 ! beautiful daught] ( ! ,duke ( ,pom]ania & ,/ett91 _h f\r *ildr51 ( :om ,sigismund1 ! elde/1 aft]w>ds succe$$ ,w5zel z emp]or1 & ,anne1 ! ?ird1 came to ,engl& z ! wife ( ,ri*>d ,,ii4 ,! magnific5ce ( h] equipage & ! cr[d ( p]sons :o =m$ h] ret9ue are notic$ by contempor>y writ]s1 & ! effect ^u ,engli% mann]s 0 in/antane\s4 ,h] beauty1 sweetness ( mann]s1 & culture r5d]$ h] at once n m]ely ! idol ( h] husb&1 :o1 says ,wals+ham1 c\ld sc>cely be> h] to be out ( 8 sight1 b univ]sally belov$ by all ! ,engli% nation4 ,to h] ! fir/ ,engli% writ] on h]aldry1 ,john ( ,guild=d d$icat$ 8 book1 & ! arti/s :o came ) h] f h] luxuri\s home at ,prag w\ld naturally become ! lead]s ( ta/e 9 _! adopt$ c\ntry4 ,aft] a :ile1 inde$1 ! numb]s ( c\ntrym5 ( ! ,que5 7 look$ ^u z ! cause ( extortions practis$ on ! ,engli% p 9 ord] to supply ! money lavi%$ on ^! =eign]s4 ,m ?an once is ?is grievance ref]r$ to4 ,9 an old ,,ms4 9 ! ,h>ley ,libr>y 7#bbfa71 conta9+ a fifte5?-c5tury translation ( ,higd5's ,poly*ronicon1 ^! =eign]s are made responsible = at lea/ "o fa%ionable extravagance3 ,anne qw5e ( ,ynglonde dy$e 9 ?is ye> 7#acic7 at ,s*5e ! vii? day ( ! mone! ( ,janius1 on ! day ( ,p5teco/e3 ! de! ( :om ! ,kynge sor[$e insomo*e t he caus$e ! man] !re to be pull$e d[ne1 & wolde n comme 9 eny place by oon y]e fol[ynge :]e s*e hade be1 ! *ur*e excepte2 :i*e 0 b]y$e 9 ! *ur*e ( ,we/mona/]y1 9 ! fe/e ( seynte ,anne nexte fol[ynge1 ) grete hon\re & sol5nite4 ,t qw5e ,anne pur*as$ ( ! pope t ! fe/e ( ,seynte ,anne s*olde be sol5niys$ 9 ,ynglonde4 ,! de! ( ?is qw5e ,anne induc$ grete hevynesse to noble m5 & to commune peple also1 = s*e caus$e noo lytelle pr(ite to ! realme4 ,b mony abusions comme f ,boemia into ,englonde ) ?is qw5e1 & specially s*oone ) longe pykes1 insomo*e t !y c[! n g untylle t !i 7 ty$e to !ire legges1 us5ge t tyme *eynes ( silvyr at ! pykes ( !ire s*oone4 ,x is a fact t ! ,bohemian mann] ( illum9ation1 ) its ?ree-lob$ & v>i-col\r$ foliages1 became ! fa%ion 9 e ,engli% c5tre ( illum9ation4 ,9 ! prec$+ rem>ks we h endeav\r$ to acc\nt = x4 ,t ! same /yle w5t f ,prag to ,nuremb]g may be only ! natural result ( its be+ c>ri$ 9 ! m>riage & ret9ue ( ! ,pr9cess ,m>g>et1 ,anne's half-si/]1 :o became ! wife ( ! ,burggrave ,john4 ,q a simil> ,,ms4 to ^? execut$ 9 ! reign ( ,ri*>d ,,ii4 9 ,engl& & ^? ( ,bohemia is ! ,wilhelm van ,oransse ( ,wolfram v4 ,es*5ba*1 n[ 9 ! ,imp]ial ,libr>y at ,vi5na4 ,a simil>1 b inf]ior1 "w exi/s 9 ! ,pray]-book writt5 by ,josse de ,w]on> 9 ! ,briti% ,museum 7,add4 #aefij74 ,! ,engli% foliages nev] %[ q all ! v>ieties ( col\r se5 9 ! cont95tal examples1 b ! gold5 diap]s & p\nc$ gold patt]ns are q z elaborate4 ,see ?is "w1 h[ev]1 9 ,arundel #hc4 ,x appe>s also 9 ! mural pa9t+s ( ! end ( ! f\rte5? & beg9n+ ( ! fifte5? c5turies4 ,no d\bt ! ,engli% art ( ! f\rte5? c5tury is ( ,fr5* orig9--s ma9ly is t ( ,bohemia--= ,*>les ,,iv4 0 br\ght up at ! ,c\rt ( ,france4 ,fur!r ?an ?is1 we ?9k we are ju/ifi$ 9 trac+ ! new elem5ts 9 ,bohemian to ,italy1 & ^? 9 ,engli% to ,bohemia4 ,! mo/ /rik+ pro( is n only ! foliages1 b ! *ange f ! long1 col\rless faces ( ,fr5* m9iatures to ! plump & ruddy c\nt5ances se51 = example1 9 ! ,lanca/rian ,,mss4 9 ! ,record ,(fice & 9 ,h>l4 #gjbfci ( ! ,briti% ,museum4 ,( c\rse1 ?is sugge/ion ( s\rce is n put =w>d z a dead c]ta9ty1 b x af=ds ?is probability t z ! /yle sudd5ly arose dur+ ! lifetime ( ,anne ( ,bohemia--& %e 0 ! ackn[l$g$ lead] ( fa%ion--s h] ta/es 9 respect ( illum9at$ books & h]aldic decoration w\ld become ^? ( h] new subjects4 ,let u exam9e ?is fifte5?-c5tury ,engli% "w1 & = ?is purpose let u take ! great illum9at$ ,bible 9 ! ,royal ,libr>y1 #a ,e4 #i4 ,x is an enorm\s folio1 & r unwieldly1 b a mo/ int]e/+ example ( ! new /yle4 ,its initials are l>ge1 ri*ly illum9at$ 9 gold & attractive col\rs4 ,x has well-execut$ hi/ories )9 ! initials1 & boldly design$ bord] frames1 elegantly adorn$ ) foliages & conv5tional or idealis$ fl[]s4 ,p]haps ! mo/ noticeable feature is ! beautiful1 decorative foliage "w 9 ! limbs ( ! lett]s--itself a ,s\? ,g]man peculi>ity--!n ! alt]nation ( col\rs )\t int]rupt+ ! design1 ! pr(usion ( foliage modell+ 9 ! backgr\nds ( ! lett] panels outside ! hi/oriations4 ,! next ?+ is ! bold use ( m9ium side by side ev5 ) pure rose-petal col\r1 pale bright c]ulean blue1 & bright gold4 ,la/ly1 ! imm5se v>iety ( leaf-=ms1 bas$ on ! ?ree1 five1 & sev5-lob$ gr\p+s ( ! typical =m4 ,! coil & spiral are freely us$ z ! gr\ndwork1 & ! col\rs alt]nat$ z ! coils or spirals *ange f front to back ( ! leaf4 #ci ,! ,lovell ,psalt]4 ,illu/ration3 ,,missale 7,,s>um ,,use7 #ad,,? ,,c5t4 7,,late7 ,brit4 ,mus4 ,h>l4 ,,ms4 #bghe1 fol4 #aid v4 ,illu/ration3 ,,hor ,e4 ,,m>4 ,,viesis4 #ae,,? ,,c5t4 7,,e>ly7 ,brit4 ,mus4 ,roy4 ,ms4 #b1 ,a4 xviii1 fol4 #ee ,backgr\nds ( m9iature hi/ories are treat$ z 9 ! ,bohemian ,,mss4--,wilhelm v4 ,oransse1 = example--t is1 ) f9e gold5 trac]y-patt]ns on deep1 ri* col\rs4 ,! figure-pa9t+ is va/ly improv$--! features n[ be+ actually pa9t$ & modell$ z 9 mod]n portrait pa9t+1 n m]ely indicat$ by p5 /rokes4 ,! fle%-t9ts z previ\sly notic$ are bright & ruddy4 ,! pr9cipal col\rs us$ on ! foliages are blue1 crimson1 ( v>i\s dep?s1 & bright v]milion1 ) occasional admission ( bright gre5 & pal$ r$ o*re4 ,v simil> to #a ,e4 #i is ,h>l4 #ahib1 & among o!r ,,mss4 t may be /udi$ ) ?is "o is #b ,a4 #ah--;a book ( ,(fices1 v sweetly illum9at$1 & full ( typical examples ( treatm5t bo? ( ar*itectural design & treillages ( foliage4 ,! ,go?ic pila/]s are fill$ ) ! same k9d ( coil+ & spiral leaves & ribbons t are us$ 9 #a ,e4 #i & ,h>l4 #ahib1 ! backgr\nds ( ! m9iatures enri*$ ) f9e gold patt]ns4 ,! furniture & co/umes indicate ! lat] ye>s ( ! reign ( ,ri*>d ,,ii41 be+ simil> to ^? %[n 9 ! m9iatures ( ,h>l4 #acai1 :i* relates ! /ory ( ,ri*>d's mis=tunes4 ,a few m9iatures ( sa9ts accompany ! pray]s to !m4 ,"o ( ! sa9ts is peculi>1 be+ ! ,prior ( ,bridl+ton1 p]haps ! ,rob]tus scriba :o copi$ c]ta9 !ological treatises = ! libr>y1 & :o liv$ 9 ! "t ( ,/eph5 or ,h5ry ,,ii4 ,9 ! beautiful initial ,d is ! figure ( a lady pray+1 ! fir/ few words ( ! pray] be+ writt5 on a float+ ribbon above h] head4 ,a f9e panell+ ( black & gold =ms ! backgr\nd4 ,! lady's co/ume is t ( ! end ( ! f\rte5? c5tury1 h] head-dress be+ some:at l[] ?an t worn 9 ! "t ( ,isabella ( ,bav>ia2 9 o!r respects %e recalls ! figure ( ,*ri/9e de ,pisan 9 ,h>l4 #ddca--"o ( ! f9e ,,mss4 ( ! ,fr5* s*ool4 ,z ! psalt] or (fices 0 once ! prop]ty ( ! ,gr&ison family1 z is %[n by ! num]\s entries respect+ !m 9 ! cal5d>1 no d\bt ?is lady 0 ! fir/ own] ( ! ,,ms41 & probably ! same z %[n 9 ! beautiful m9iature ( ! ,annunciation previ\sly giv54 ,_m *>m+ initials foll[ ?is "o1 & brightly col\r$ bracket treillages & bord]s are giv5 9 pr(usion1 introduc+ e v>iety ( col\r$ ideal leaf-=m kn[n to ! art ( ! "t4 ,x seems probable f its /yle & ! co/umes t ! ,,ms4 0 execut$ = ! ,lady ,m>g>et1 wid[ ( ,?omas1 ! la/ ,"l ,gr&ison1 :o di$ 9 #acgf1 & giv5 to h] by ,sir ,john ,tudd5ham1 h] second husb&4 ,a bett] model = ! mod]n illum9ator c\ld n easily be f\nd4 ,o!r examples may be briefly enum]at$1 9 #b ,b4 #h1 #b ,b4 #aj1 #b ,b4 #a1 #b ,b4 #ab & #ac1 #ah ,a4 #ab1 #ah ,c4 #bf1 ,h>l4 #agai1 #ahib1 etc4 ,! ,psalt] #b ,b4 #h has ! good =tune to be dat$1 & its purpose & o!r p>ticul>s cle>ly set =? 9 a /atem5t at ! beg9n+ ( ! volume4 ,! gi/ ( ?is is t x 0 compos$ at ! in/ance ( ! ,lady ,joan ,pr9cess ( ,wales1 "m ( ,ri*>d ,,ii41 & t x 0 execut$ by ,bro!r ,john ,som\r 7,seym\r71 a ,franciscan1 9 #achj4 ,?us ! illum9ation ( x w\ld probably be done ab\t ! "t1 ( ! "y ,que5's arrival 9 ,engl&4 ,! ,pr9cess ,joan di$ ,july #h?1 #ache4 ,! "w corresponds ) ?is date4 ,! ,gr&ison ,psalt] is p]haps some:at lat] ?an ,roy4 #b ,b4 #a1 & ! re/ are lat] /ill4 ,illu/ration3 ,,vegetius ,,f\r ,,books ,,( ,,knigh?ood 7,,de ,,re ,,milit>i7 #ae,,? ,,c5t4 ,brit4 ,mus4 ,roy4 ,,ms4 #ah ,a4 xii1 f4 #a ,illu/ration3 ,,psalt]ium ,c4 #adgj ,brit4 ,mus4 ,h>l4 ,,ms4 #agai1 fol4 #gc v4 ,"o r f9e example is se5 9 ,arund4 ,,ms4 #aji1 a folio call$ ! ,melre? ,missal1 because giv5 by ,william ,melre?1 ,ald]man ( ,london1 to ! *ur* ( ,/4 ,lawr5ce1 ,old ,jewry4 ,he di$ 9 #addf4 ,= topographical m9iature a good example occurs 9 ,roy4 #af ,f4 #b1 :i* conta9s a gr& view ( ,london1 includ+ ! ,t[]1 b ?is ,,ms4 is probably n ( g5u9e ,engli% production4 ,nor is ,roy4 #ai ,c4 #h1 ?\gh a v int]e/+ example z reg>ds co/ume & local usages4 ,! g5u9e ,engli% "w ( :i* ,arund4 #aji is a type has receiv$ ! "n ( ,lanca/rian1 z fall+ to ! reigns ( ! ?ree ,lanca/rian k+s--,h5ry ,,iv41 ,v41 & ,,vi4 ,9 ! reign ( ,edw>d ,,iv4 we meet ) ! introduction ( ,flemi% illum9ation1 :i* gradually sup]s$es ! native /yle1 & by ! "t ( ,h5ry ,,vii4 ! latt] has almo/ disappe>$4 ,its f9al ext9ction1 h[ev]1 0 left = ! sixte5? c5tury1 :5 ei!r ,flemi% or ,italian r5aissance "w entirely took its place4 ,by ! "t ( ,que5 ,elizabe? ,engli% illum9ation 0 a ?+ ( ! pa/4 ,,*apt] ,,vi ,,italian ,,illum9ation ,b>b>ic "* ( ,italian illum9ation 9 ! twelf? c5tury--,rav5na & ,pavia ! e>lie/ c5tres ( revival--,! ,exultet--,la ,cava & ,monte ,cass9o--,! writ]s ( e>ly ,italian ,,mss4 n ,italians--,9 ! e>ly f\rte5? c5tury ! art is ,fr5*--,peculi>ities ( ,italian foliages--,! ,law ,books--,poems ( ,conv5evole da ,prato1 ! tutor ( ,petr>*--,celebrat$ patrons--,! ,laon ,boe?ius--,! ,decretals1 ,in/itutes1 etc4--,decretum ,gratiani1 o!r collections & ,,mss4--,/atuts du ,sa9t-,esprit--,me?od ( pa9t+--,don ,silve/ro--,! ,rationale ( ,dur&us--,nicolas ( ,bologna1 etc4--,triumphs ( ,petr>*--,books at ,san ,m>co1 ,flor5ce--,! ,br]a ,graduals at ,milan--,o!r ,italian collections--,examples ( diff]5t localities 9 ! ,briti% ,museum--,places :]e ! be/ "w 0 done--,f9e ,neapolitan ,,mss4 9 ! ,briti% ,museum--,! :ite-v9e /yle sup]s$$ by ! classical r5aissance4 ,consid]+ ! position occupi$ by ! ,roman ,empire z ! civilis] ( ,europe1 x is n a little curi\s & some:at surpris+ to f9d t 9 ! twelf? c5tury1 :5 ,g]man & ,fr5* arti/s 7 do+ su* good & ev5 admirable "w1 t ( ,italy 0 almo/ b>b>ic4 ,a ,,ms4 9 ! ,vatican 7#dibb7 is %[n z a pro( ( ?is4 ,x is n an obscure sort ( book t might h be5 writt5 by a m]ely dev\t b untra9$ monk = 8 own use1 b a "w ( importance execut$ = no less a p]sonage ?an ! celebrat$ ,c\ntess ,matilda4 ,! scribe 0 ,donizo1 a monk ( ! ,b5$ict9e ,abbey ( ,canossa4 ,x is ( ! e>ly or pr-,c>ol+ian type1 r incl9$ to ,byzant9e1 b ) ! big h&s & aimless expression ( all semi-b>b>ic "w4 ,yet x has a c]ta9 delicacy & c>efulness4 ,9 ,rome itself dur+ ! n9? c5tury b>b>ism 0 at its v l[e/ po9t4 ,only ! sea-port t[ns _h any notion ( :at 0 be+ done 9 o!r places4 ,pa9t+ 0 practis$1 x is true1 s 0 mosaic1 b ! wor/ ( ,ori5tal c>pets w\ld be a ma/]piece ( elegance beside any?+ done 9 ,italy4 ,:atev] gleams ( arti/ic intellig5ce appe>1 !y c]ta9ly emanat$ f ,rav5na or ,pavia4 ,b z !re 7 no weal?y & peaceful c\rts1 no indol5t1 high-br$1 luxuri\s c\rti]s dur+ t d>k & tr\bl\s p]iod1 m9iature or illum9ation _h no call = exi/5ce4 ,9 ! twelf? c5tury book-illu/ration consi/$ simply ( p5-sket*+ ( ! mo/ elem5t>y k9d4 ,! ,lomb>ds alone produc$ any?+ l illum9ation4 ,a sort ( roll conta9+ pictures ( ! v>i\s sc5es ( ! ,old & ,new ,te/am5ts :i* repres5t$ ! lead+ doctr9es ( ! ,*ur*1 & :i* us$ to hang ov] ! pulpit z ! prea*] disc\rs$ ^u !m1 is ! only repres5tative ( ! "t4 ,su* a roll 0 call$ an ,exultet f its fir/ ^w1 :i* is ! beg9n+ ( ! l9e ,exultet jam ,angelica turba clorum ( ! hymn = ! b5$iction ( ! pas*al wax tap]s on ,ea/] ,eve4 ,sev]al ( ^! ,exultets are /ill kept 9 ! ,ca!dral at ,pisa1 & 9 ! ,b>b]9i & ,m9]va ,libr>ies 9 ,rome4#dj ,( c\rse ! pictures are upside d[n to ! read]1 s z to be "r = ! congregation4 #dj ,see "o 9 ,briti% ,mus41 ,add4 ,,ms4 #cjccg1 & description ( x 9 ,j\rn4 ( ! ,ar*ol4 ,assoc4 vol4 #cd1 p4 #cba4 ,v little progress 0 made1 z we may imag9e1 until aft] ! great revival movem5t begun by ,cimabue1 ,giotto1 & _! contempor>ies1 ab\t ! middle ( ! ?irte5? c5tury4 ,b be=e tak+ up any inquiry into ,italian "w g5]ally we mu/ n omit ref]5ce to ! rem>kable ,,mss4 produc$ at ,la ,cava & ,monte ,cass9o dur+ ! ,franco-,lomb>d p]iod4 ,"s idea has already be5 furni%$ 9 deal+ ) ,celtic ,,mss4 & ! f\ndations begun by ,columbanus & 8 s*ol>s4 ,inde$1 ! g5]al "* ( ^! ,lomb>d ,,mss4 is se5 9 ! ,franco-,celtic4 ,! di/+ui%+ feature1 if !re be "o1 is ! frequ5t recurr5ce among ! int]lacem5ts ( ! :ite dog4 ,! ,la ,cava ,libr>y1 :i* 0 "o ( ! f9e/ 9 ,italy1 has be5 transf]r$ to ,naples4 ,monte ,cass9o /ill cont9ues & ma9ta9s n only a libr>y b a pr9t+ press1 f :i* ! le>n$ fa!rs h issu$ at lea/ "o great "w on ! subject ( ,cass9ese palography4 ,( all ! pr-,c>ol+ian h&s1 ,lomb>dic or ,lomb>desque 0 c]ta9ly ! mo/ peculi>1 & is p]haps ! mo/ difficult to read4 ,"o evid5ce ( ?is is ! div]sity ( op9ion on ! true read+ ( c]ta9 prop] names 9 ! orig9al ,,ms4 conta9+ ! olde/ text ( ,tacitus :i* happ5s to be a ,lomb>d ,,ms4 ,! *>act]s & o!r examples ( ! elev5? to ! ?irte5? c5tury t h be5 publi%$ at ,monte ,cass9o1 h[ev]1 fully illu/rate ! peculi>ities ( ! h&writ+1 & give besides sev]al spl5did examples ( calligraphy4#da #da ,! ,la ,cava ,,mss4 h be5 describ$ by ,p4 ,gillaume 9 an essay publi%$ at ,naples1 #ahgg1 & ^? ( ,monte ,cass9o by ,a4 ,c>avita1 ,monte ,cass9o1 #ahfj-ga4 ,"o ( ! e>lie/ illum9at$ ,italian ,,ms4 :i* be>s a date is a ,volume ( ,lett]s ( ,/4 ,b]n>d1 n[ 9 ! ,libr>y ( ,laon4 ,x is v seldom t ! e>li] scribes & illum9ators :o produc$ ,italian ,,mss4 or work$ 9 ,italy 7 ,italians4 ,!y 7 usually =eign]s & mo/ly ,fr5*m51 & ! art 0 look$ ^u at ! beg9n+ ( ! f\rte5? c5tury z a ,fr5* art4 ,?is v decid$ example ( ,italian "w is already diff]5t f ! ,fr5* "w ( ! same p]iod4 ,! pr(ile foliages h already acquir$ t peculi> trick ( sudd5 *ange & rev]sion ( curve1 %[+ ! o!r side ( a leaf ) *ange ( col\r1 :i* is a m>k$ *>act]i/ic ( all f\rte5?-c5tury ,italian illum9ation4 ,= examples ( x1 ! ,bolognese ,law ,books1 ,decretals1 & su*-l1 af=d frequ5t illu/ration4 ,be=e leav+ ?is fir/-quot$ ,,ms41 we may say t x po9ts to ,france r ?an to ,g]many or ,lomb>dy = its g5]al =m ( design1 b ! foliages are q ( ano!r k9d4 ,ano!r ,laon ,,ms4 7#ceb7 %[s ! same treatm5t ( foliage1 b 9 effect m l :at may be consid]$ z ! typical ,italian /yle se5 9 ! fam\s ,avignon ,bible ( ! anti-pope1 ,clem5t ,,vii4 7,rob]t ( ,g5eva71 :i* dates betwe5 #acgh & #acid4db #db ,see ,humphreys1 ,illum4 ,books ( ! ,middle ,ages1 pl4 #af2 & ,silve/re1 ,palographie ,univ]selle1 pl4 #aag4 ,a fur!r example /ill m p[]ful 9 expression & skilful 9 manipulation is se5 9 a copy ( ! ,poems ( ,conv5evole da ,prato1 9 ! ,briti% ,museum 7,roy4 #f ,e4 #i71 execut$ = ,k+ ,rob]t ( ,naples1 a patron ( ,giotto 7#abgf-accg71 :i*1 9 comp>ison ) ! ,laon ,lett]s ( ,/4 ,b]n>d ( ab\t ! same date1 is ev5 /ill m ,italian4 ,c>d9al ,/efanes*i1 ano!r ( ,giotto's patrons1 0 also a promot] ( illum9ation4 ,8 ,missal1 n[ at ,rome 9 ! ar*ives ( ! ,canons ( ,/4 ,pet]'s1 is a f9e example ( ?is /yle4 ,x dates f #acbg to #acdc4 ,! ,,ms4 ( ,boe?ius at ,laon is ano!r4 ,b "o ( ! mo/ ma/]ly1 :e!r z to design or manipulation1 is a law book 9 ! ,libr>y at ,laon 7,no4 #chb74 ,?is gr& folio conta9s ,glossa ,ioannis ,&re 9 ,clem5t9as--,! ,gloss or ,explanation ( ,joannes ,&reas on ! ,clem5t9es4 ,by ! way1 z illum9at$ law books1 civil & canonical1 =m s l>ge a section ( ,italian ,,mss41 x may be well 9 ?is place to w>n ! read] aga9/ r&om explanations sometimes (f]$ 9 sale catalogues conc]n+ ^! books1 _! au?ors & comm5tators4 ,= in/ance1 ?is comm5tator ,joannes ,&reas 0 n1 z we h se5 x confid5tly /at$ 7z if x 7 "p ( ! actual contempor>y title ( ! ,,ms471 ,bi%op ( ,al]ia 7,episcopus ,al]i]sis71 b a juri/ ( ,bologna4 ,! bi%op liv$ a c5tury or s aft] ! juri/1 :o _h complet$ 8 long c>e] z pr(essor ( law at ,bologna ext5d+ ov] =ty-five ye>s be=e ! bi%op 0 born4 ,8 *ief works are ,comm5t>ies on ! ,clem5t9es 7pr9t$ 9 folio at ,may5ce #adga1 & aga9 at ,dijon 9 #aege71 & ,comm5t>ies on ,five ,books ( ! ,decretals 7pr9t$ 9 folio at ,may5ce 9 #adee1 & at ,v5ice 9 #aeha74 ,:ile on ?is topic ( ,italian law ,,mss41 x may be useful to /ate cle>ly :at !y are4 ,by way ( contra/ to ! ,corpus ,juris ,canonici1 or ,body ( ,canon ,law1 ! subject ( books deal+ ) ! s-call$ ,decretals1 ! o!r bran*1 includ+ ! ,in/itutes ,dige/ & ,novell ( ,ju/9ian1 0 entitl$ ,corpus ,juris ,civilis4 ,! ,decretals1 !n1 :i* we s (t5 meet ) 9 public libr>ies "u v>i\s names1 are ! canons :i* ma9ly con/itute ! ,canon ,law4 ,/rictly speak+ !y are ! papal epi/ol>y decrees 7decreta71 said to h exi/$ f v e>ly times4 ,9 ! n9? c5tury a collection ( !m 0 =m$1 or manufactur$1 9 ! "n ( ! celebrat$ ,isidore ( ,seville4 ,b ) ! donation ( ,con/ant9e to ,pope ,sylve/] & _m o!rs 9 ! lat] compilation ( ,gratian1 ^! are usually look$ ^u z spuri\s & false4 ,! great & au?oris$ collection 0 complet$ by a simple ,b5$ict9e monk ( ,/4 ,felix1 9 ,bologna1 a native ( ,*iusi1 ! anci5t ,clusium1 9 ,tuscany1 a man s le>n$ 9 ! law z to h e>n$ ! title ( ,magi/]4 ,?is is ! "w (t5 ri*ly illum9at$ :i* goes by ! "n ( ! ,decretum ,gratiani4#dc ,:5 glanc+ ov] ! lovely initials & beautiful foliages or respl5d5t ornam5ts1 we are apt to ov]look ! "w itself :i* is truly monum5tal2 be+ a summ>y ( ! papal epi/ol>y decrees1 ! synodal canons ( #aej c\ncils1 selections f v>i\s regal codes1 extracts f ! ,fa!rs1 & comm5ts ( ,s*oolm52 all me?odically arrang$ & dige/$ s z to facilitate its use z a manual = ! s*ools4 ,x is said to h occupi$ ! compil] incessantly = tw5ty-five ye>s4 ,imm$iately on its completion 9 #aaea x 0 at once au?oris$ by ! ,pope ,eug5ius ,,iii4 z ! only text-book to be us$ 9 ! public s*ools1 & to gov]n ! decrees ( ! ,ecclesia/ical ,c\rts4 ,h5ce its celebrity4 ,its transcripts are v num]\s1 & x has be5 (t5 pr9t$4 ,z to ! ,sext & ,clem5t9es !y are m]ely additional comm5t>ies on supplem5t>y collections ( decrees4 ,?us a new collection au?oris$ by ,boniface ,,viii4 is call$ ! sext1 i4e4 ! six? book ( ! ,decretals4 ,! ,clem5t9es 7 ! con/itutions ( ,clem5t ,v4 ,o!r collections su* z t ( ,john ,,xxii4 are call$ ,extravagantes4 #dc ,see ,add4 #aebgd1 ,briti% ,museum4 ,! mo/ anci5t ,,mss4 ( ! ,decretals be> ! title ( ,concordantia discordantium ,canonum 7a concordance ( discordant decrees72 aft]w>ds ,! ,book ( ,decrees2 la/ly1 ,! ,decretals4 ,x 0 consid]$1 h[ev]1 by "s1 juri/s & o!rs1 to be n s mu* a concordance ( discordant canons z a subjugation ( ! anci5t canons to ! decrees ( ! ,papacy1 & z already /at$1 _m ( its decrees 7 f\nd to be false & fictiti\s4 ,nev]!less1 x is by no means an uncommon volume among ! illum9ators4 ,let u n[ return to ! ,laon example--"o ( f\r or five ( ! species 9 t collection4 ,! sc5e :]e ! au?or is pres5t+ 8 "w to ! pope--we n[ "k !m bo?--is q a pa9t+4 ,except = ! defect t kneel+ figures are some:at mis-%ap5 or ill-proportion$ 9 ! l[] limbs1 ! "w is q comp>able ) contempor>y mural pa9t+1 bo? = composition & col\r4 ,x is almo/ mod]n4 ,x is q reali/ic4 ,9 co/ume1 expression1 easy & appropriate attitude1 x has q outrun ,fr5* illum9ation altoge!r4 ,ano!r dat$ ,,ms4 7#accb7 9 ! same ,libr>y 7,no4 #ceg71 ,rubrics ( ! ,decretals1 is a mo/ amus+ example ( ! univ]sal ta/e = irony & satire 9 ! initial figures & corn] effigies4 ,a mu*-laud$ ,,ms4 among ^! f\rte5?-c5tury examples is "o t has be5 c>efully & exp5sively reproduc$ by ! late ,cte4 ,horace de ,viel-,ca/el1 namely1 ! ,/atuts de l',ordre du ,sa9t-,esprit au ,droit ,dsir ou du ,noeud1 an ord] in/itut$ at ,naples 9 #aceb by ,l\is ,i4 d',anj\ 7call$ ,l\is ( ,t>anto71 ,k+ ( ,j]usalem1 ,naples1 & ,sicily1 c\s9 & husb& ( ,que5 ,joanna ( ,naples4 ,! /yle ( ! illum9ation is precisely ! same z ^? j m5tion$ belong+ to ,laon1 & z sev]al ,,mss4 9 ! ,briti% ,museum4 ,its /em & foliage ornam5t is v brightly col\r$ 9 f9e gre51 sc>let1 rose1 ultram>9e1 & gold4 ,! m9iatures :i* occasionally conta9 evid5t attempts at portraiture1 are pa9t$ 9 ! mann] ( ! s*ool ( ,cimabue & ! e>li] ,italian pa9t]s1 m p>ticul>ly t ( ,simone ,memmi4 ,x is sub/antially ! ,byzant9e mann]1 b improv$ & enliv5$ by att5tion to natural attitude & expression4 ,! gre5i% "u-pa9t+ ( ! fle%-t9ts is (t5 noticeable4 ,! decorative portions are v skilful & elaborate1 z well z extremely neat & symmetrical2 ! gold pr(use & brilliant4 ,inde$1 ! :ole production may be /udi$ z a typical example ( its "t4 ,! text1 ?\gh good1 is n s beautiful z ! ,bolognese h& usually f\nd 9 ,italian ,,mss4 ( ! foll[+ c5tury4 ,b p]haps ?is %\ld add to its value z a pro( ( its be+ absolutely contemporane\s ) ! f\ndation ( ! ,ord]1 & !re=e ( its be+ ! id5tical ,,ms4 ord]$ by ! magnific5t f\nd]1 ,l\is ( ,t>anto1 second husb& ( ! too-celebrat$ ,joanna ( ,naples4 ,_! m>riage took place 9 ! ,augu/ ( #acdf1 & on ! #bg? ( ,may1 #aceb1 be+ ,:itsun ,day1 !y 7 cr[n$4 ,9 memory ( ?is happy ev5t1 ,joanna f\nd$ ! ,*ur* ( ! ,virg91 ,l\is in/itut$ ! ,ord] ( ! ,holy ,_s1 or ( ! ,knot1 ! symbols ( :i* appe> frequ5tly 9 ! illum9ation ( ! ,,ms4 ,x 0 nam$ 9 hon\r ( ! ,day ( ,p5teco/--,l',ordre de la ,*eval]ie du ,sa9t-,esprit4 ,! phrase au droit dsir _h ref]5ce to ! circum/ances prec$+ ! m>riage4 ,! knot 0 worn 9 tok5 ( ! p]fect amity ( ! memb]s ( ! ,ord]4#dd #dd ,see reproduction1 publi%$ at ,p>is by ,englemann & ,graf 9 #ahec1 #a4 fol4 ,o!r works ( ! f\rte5? c5tury are en?usia/ically prais$ by ,italian writ]s1 z1 e4g41 ^? ( ,don ,silve/ro1 a ,camaldolese monk1 :o fl\ri%$ at ! same "t z ! illum9ator ( ?is ,,ms4 ( ,l\is ( ,t>anto1 & :o work$ on ! great *oir books ( ! ,mona/]y degli angeli1 9 ,flor5ce1 s l\dly comm5d$ by ,vas>i & o!rs :o _h se5 !m4 ,!y h long be5 brok5 up & disp]s$1 & x is n improbable t cutt+s f !m 7 among ^? b\ght by ,ottley1 ,rog]s1 & o!r amateurs4 ,a fragm5t ( an ,antiphon>y ( ,nocturnal ,s]vices1 n[ 9 ! ,laur5tian ,libr>y at ,flor5ce1 f9i%$ 9 #acgj1 %[s ! /yle ( "w to be ( ! k9d j describ$4 ,o!r great *oir books ( ! e>li] p]iod are pres]v$ 9 ! ,academy at ,pisa4 ,b ! numb] ( ,,mss4 to :i* ref]5ce might be made is legion4 ,^? ( ?is date are *iefly civil law books2 next to ^! come ! canon law1 & div9ity4 ,among ! int]m$iate class are ! copies ( ! ,rationale ( ,dur&us1 "o ( ^! be+ 9 ! ,briti% ,museum 7,add4 #cajcb74 ,n[ & !n a f9e ,missal1 l ! ,/efanes*i1 or ! ,muni* ,missal ( #acgd1 :i* may be ref]r$ to z be+ "o ( ! models ( ! s*ool ( ,prag4 ,on ! :ole1 p]haps1 ! law books are m num]\s ?an liturgical ones1 & are ref]able g5]ally to ,bologna or ,padua4 ,! "n ( ,ni*olaus ( ,bologna occurs m ?an once 9 ^! books4 ,a book ( (fices ( ! ,virg91 by ,ni*olaus1 is n[ at ,kremsmn/]1 & a ,new ,te/am5t1 dat$ #acbh1 9 ! ,vatican4 ,tommaso di ,mod5a1 ano!r di/+ui%$ ,italian illum9ator1 also _h mu* to d ) alt]+ ! /yle ( ! arti/s :o work$ = ,*>les ,,iv4 at ,prag4 ,"s ( 8 "w1 or "w presum$ to be 81 is /ill to be se5 9 ! ,bohemian capital4 ,next to ^! ,bolognese ,,mss4 we may place ^? ( ,flor5ce--copies ( ! ,div9a ,comm$ia & ! ,triumphs & ,sonnets ( ,petr>*1 :i*1 ) hi/orians & copies or translations ( ! classics1 *iefly occupi$ ! illum9ators ( ,flor5ce & ,si5a1 ) "o notable exception4 ,:oev] has visit$ any ( ! ,nor? ,italian cities _c fail to h notic$ & admir$ ! magnific5t *oir-books /ill to be se5 9 ! ca!drals & ca!dral libr>ies4 ,at ,si5a ! ,piccolom9i s]vice-books are truly spl5did2 ^? 9 ,san ,m>co1 ! ,ricc>di1 ! ,laur5tian1 & o!r collections 9 ,flor5ce1 are no less admirable4 ,v]ona's be/ "w is *iefly else:]e1 at ,flor5ce1 ,si5a1 etc4 ,at ,milan ! ,br]a ,graduals--ea* ( !m a man's load to c>ry--are simply gorge\s 9 ! lavi% ri*ness ( _! lett]s1 m9iatures1 & decorations4 ,v5ice1 aga91 has ano!r gr& collection ( ,,mss4 ( ! highe/ class 9 h] ,attavantes & ,g]>d ,davids2 ,rome1 9 a cr[d ( pr9cely libr>ies1 has multitudes--lit]ally multitudes--( exquisitely illum9at$ volumes4 ,naples also has "s noble examples ( ! great craftsm54 ,we h n yet m5tion$ ! ,ambrosian ,libr>y 9 ,milan1 nor1 except ! ,vatican1 a s+le libr>y by "n 9 ,rome4 ,! m]e names ( ! ,cors9i1 ,sci>ra1 ,b>b]9i ,libr>ies are en\gh to ^? :o h ev] explor$ _! cont5ts to rem9d !m ( "w t c n[h]e else be se5 s p]fect1 s pr(use1 z 9 beautiful ,italy4 ,z specim5s ( local c5tres ! ,briti% ,museum (f]s _m examples4 ,?us ,add4 #aehac1 ?\gh ord]$ = ,/a4 ,ju/9a ( ,padua1 0 probably illum9at$ at ,v5ice2 #aehad at ,bologna2 #aebfj probably at ,f]r>a2 #ahjjj at ,v5ice2 mo/ ( ! fragm5ts 9 #badab 9 ,rome2 #bjibg 9 ,rome2 #baeia at ,naples2 #bhifb at ,naples2 #badac at ,milan2 ! majority ( ! ,ducali1 ( :i* ! museum conta9s a l>ge collection1 9 ,v5ice4 ,"s ( ! ,spani%-look+ ,,mss4 execut$ = ,alphonse ,v4 ( ,aragon 7 actually produc$ 9 ,naples4 ,illu/ration3 ,,missale ,c4 #aecj ,brit4 ,mus4 ,ada4 ,,ms4 #aehac1 fol4 #bg ,illu/ration3 ,,ka?olis*es ,,gebe?bu* #aehd ,brit4 ,mus4 ,add4 ,,ms4 #agebe1 fol4 #aee ,x is n safe to ass]t t because a "w is ord]$ = a mona/]y or a pr9ce t ! copyi/s or illum9ators always w5t to ! mona/]y or palace to d ! "w1 ?\gh frequ5tly !y did s4 ,mo/ ( ! ,,mss4 execut$ = ,mat?ias ,corv9us1 ,k+ ( ,hung>y1 7 produc$ 9 ,flor5ce4 ,!re 0 m ?an "o ateli] ( illum9ators 9 ,flor5ce4 ,!re 7 o!rs 9 ,bologna1 o!rs 9 ,rome1 & q a l>ge e/abli%m5t 9 ,naples4 ,o!rs resid$ 9 ,milan1 ,f]r>a1 & ,v]ona4 ,^? at ,f]r>a liv$ *iefly at ! ,ducal ,palace4 ,^? at ,v]ona 7 ! gue/s ( ! great ,ghibell9e lead]1 ,c della ,scala1 & 8 imm$iate successors4 ,^? at ,naples1 9 ! "t ( ,alphonso ! ,magnanim\s1 & especially ( 8 son1 ,f]d9& ,i41 7 ma9ta9$ solely = ! augm5tation & embelli%m5t ( ! ,royal ,libr>y4#de ,a li/ ( sev5te5 copyi/s1 includ+ ! fam\s names ( ,antonio ,s9ibaldo1 ,giovanni1 ,r9aldo1 ,m5nio1 & ,hippolito ,lun5sis1 & ( f\rte5 or fifte5 illum9ators1 all ( di/+ui%$ ability1 is giv5 by ,sign] ,riccio f ! ar*ives ( ! city4 ,! spl5did "w !y a*iev$ may /ill occasionally be met )4 ,9 ! ,briti% ,museum 7,add4 #baabj7 !re is a beautiful copy ( ! ,e?ics ( ,ari/otle1 ) v peculi> initials & ornam5ts2 & 9 ! ,national ,libr>y1 at ,p>is1 _m o!r v f9e examples ( ,neapolitan "w4 ,( ! h&writ+ ( ,m5nius we h a f9e example 9 ,add4 #aaiab1 :i* is a qu>to copy ( ,lucretius1 writt5 on #afj leaves ( vellum4 ,fol4 #a has a gr& bord] on a gold gr\nd1 ) a m9iature conta9+ a h&some initial ,e susp5d$ ov] ! au?or's head1 :o is seat$ at a desk writ+4 ,! fir/ ?ree l9es ( ! text are 9 ,roman capitals1 alt]nately gold & blue4 ,! illum9ation is ( a transitional "*1 incl9+ r t[>ds ! c&elabra /yle ( ! ,milanese & ,neapolitan ,r5aissance--! ,heures d',aragon1 execut$ = ,fr$]ick ,,iii41 %[ a simil> ta/e = c&elabra1 etc4 ,on ! o!r h&1 ! initials are ( ! old] :ite /em type1 ) col\r$ gr\nds4 ,! writ+ is a small & v neat ,roman m9uscule1 & dates probably ab\t #adhe1 or betwe5 #adhj & #adij4 ,! p5man%ip ( ,hippolito ,lun5sis appe>s 9 ,fic9o's ,translation ( ,plato2 also 9 ! ,briti% ,museum1 ,h>l4 #cdha1 & 9 ,add4 #aebgj1 #aebga4 #de ,riccio1 ,c4,w41 ,c5no ,/orico dell ,accademia ,alfons9a4 ,naples1 #ahfe4 ,! ,heures d',aragon ref]r$ to above are a ri* example ( ! ,neapolitan ,r5aissance pres]v$ 9 ! ,national ,libr>y at ,p>is4 ,writ]s on ,italian m9iatures are v num]\s1 & a good deal ( int]e/+ in=mation ab\t ,italian ,,mss4 may be f\nd 9 ,m4 ,delisle's ,cab9et des ,,mss41 etc4 ,!re is "o /yle ( ,italian illum9ation made v popul> by ! illum9ators ( ! works ( ,petr>*1 _m ( :i* are f\nd 9 v>i\s libr>ies4 ,t is ! "o call$ ! v9e-/em /yle4 ,x consi/s ( gracefully coil$ /ems1 usually left uncol\r$ or s(tly t9t$ ) yell[1 & be>+ "h & !re peculi> ornam5tal fl[]ets1 :ile ! gr\nds are pick$ out ) v>i\s col\rs1 on :i* are f9e :ite triads ( dots or trac]ies 9 delicate :ite or gold5 t5drils4 ,a lat] v>iety ( ?is /yle makes ! /ems ( "s pale b bright t9t1 & ! gr\nds ( deep col\r4 ,! v9e-/em /yle seems to h prevail$ ?r\gh\t ! :ole ( ,italy j previ\s to ! classic revival br\ght ab\t by ! ,m$ici 9 ?r[+ op5 _! museums ( sculptures1 co9s1 & o!r antiquities1 & by ! lib]al patronage ( ! new classic "w by ,mat?ias ,corv9us1 ,k+ ( ,hung>y1 & ! ,dukes ( ,urb9o4 ,aft] #aejj ! v9e-/em /yle seems to h gradually di$ out1 & !nce=w>d only v>ieties ( ! reviv$ antique became ! fa%ion4 ,to ! ,italian ,r5aissance we %all rev]t 9 a lat] *apt]4 ,,*apt] ,,vii ,,g]man ,,illum9ation ,,f ,,! ,,?irte5? ,,to ,,! ,,sixte5? ,,c5tury ,fr$]ick ,,ii41 ,/upor ,mundi1 & 8 ,,ms4 on hunt+--,! ,sicilian s*ool ma9ly ,s>ac5ic1 b a mixture ( ,greek1 ,arabic1 & ,lat9 ta/es--,! ,franconian ,emp]ors at ,bamb]g--,*>les ( ,anj\--,! ,h\se ( ,luxemb\rg at ,prag--,,mss4 9 ! ,univ]sity ,libr>y--,! ,collegium ,c>ol9um ( ! ,emp]or ,*>les ,,iv4--,,mss4 at ,vi5na--,! ,w5zel ,bible--,! ,welt*ronik ( ,rudolf v4 ,ems at ,/uttg>d--,wilhelm v4 ,oranse at ,vi5na--,! ,gold5 ,bull--,v>i\s s*ools--,hilde%eim] ,pray]-book at ,b]l9--,! ,nuremb]g s*ool--,! ,glock5dons--,! ,bre?r5 ( ! ,p54 ,9 a =m] *apt] we br\ght up ! /ory ( ,g]man illum9ation to ! "t ( ! ,hoh5/auf5 emp]ors4 ,we may n[ make a new />t ) ,fr$]ick ,,ii41 ! ecc5tric1 resolute1 intractable1 accompli%$ ,/upor ,mundi 7#abaj-ej74 ,n only 0 he a patron & enc\rag$ art1 b also an au?or4 ,! "w :i* he compos$ is /ill extant1 & is pres]v$ 9 ! ,vatican ,libr>y "u ! title ,de arte v5&i cum avibus4 ,pa9t+s ( birds & hunt+ sc5es embelli% its pages4 ,! art is n specially high class1 & ?\gh 9 c\rtesy x may be call$ ,g]man1 see+ t he 0 ! ,g]man ,emp]or1 & 9 "s respects is l ! ,imp]ial ,,mss4 ( ! ,saxon p]iod1 9 po9t ( fact x is ,italian or ,sicilian4#df ,?is ,sicilian s*ool is peculi>1 & exhibits v slight traits ( relation%ip ) ! re/ ( ,italy4 ,aft] ! ,arab conque/ ( ! isl& 9 #hbg1 :il/ new ideas 7 import$1 /ill ! old ,greek cities kept _! anci5t traditions & me?ods 9 art1 especially 9 ^? bran*es we t]m indu/rial1 & j z bo? ,greek & ,arabic tongues exi/$ z v]nacul>s beside ! ,lat91 s ! arts & indu/ries bore ! features ( ?ree arti/ic ta/es4 #df 7,bibl4 ,vatican1 ,palat9a1 ,no4 #ajga74 ,notice 9 ,kobell1 ,kun/v4 ,m9iatur51 p4 #dd4 ,! silk-weav+ ( ! ,greek craftsm5 0 embelli%$ ) ! designs ( embroid]y f ,damascus1 & ^! 7 m+l$ ) patt]ns 9 :i* ! foliages ( ,c>ol+ian & ,g]man orig9 are di/9ctly traceable4 ,examples ( ! k9d ( manufacture "h ref]r$ to may be se5 9 ! robes ( ! ,emp]or ,h5ry ,,ii41 /ill pres]v$ 9 ! ,ca!dral ,treasury at ,bamb]g4 ,also ! coronation mantle ( ,/4 ,/eph5 ( ,hung>y1 husb& ( ,h5ry's si/] ,gisela--orig9ally a clos$ casula cov]+ ! body1 b n[ an op5 cloak ri*ly embroid]$ ) figures ( prophets1 animals1 & foliages1 & ev5 portraits ( ! ,k+ & ,que54 ,x has sometimes be5 ?\ght1 f ! inscription on its bord]1 t1 l ! ,bayeux tape/ries ( ,que5 ,matilda1 ! ne$lework 0 f ! ,que5's own h&2 b no d\bt bo? ^! attributions are mi/ak54#dg ,/ill m ,s>ac5ic 9 ta/e are ! mantle & alb n[ 9 ! ,imp]ial ,treasury at ,vi5na1 ( ! twelf? c5tury1 & execut$ at ,pal]mo4 ,sicilian 9 "s respects is int]m$iate betwe5 ,italian & ,g]man1 h5ce we deem ?is a prop] place to speak ( x1 & r z a transi5t phase ?an a /yle1 = x p]i%$ ) ! ,hoh5/auf5 dyna/y4 #dg ,see description 9 ,bock1 ,die ,kle9odi5 des heilig5 ,rmis*es ,rei*s1 pl4 #ag4 ,! cruel tyranny ( ! cold-blood$ despot1 rememb]$1 b execrat$1 9 ,sicily z ,*>les ( ,anj\1 ext+ui%$ ! la/ sc9tilla ( native art1 & :5 ! ,italian revival ( ! ?irte5? c5tury took place1 x 0 conf9$ entirely to ! ,nor?1 except :5 su* patrons z ,rob]t or ,f]d9& or ,alfonso enc\rag$ ,tuscan arti/s by invit+ !m to ,naples4 ,pal]mo 0 no long] ( importance1 ?\gh a capital1 & ,sicily exi/$ m]ely z a portion ( ! k+dom ( ,naples4 ,let u pass1 !n1 to ! great ,g]man capital4 ,*anges "h1 too1 h tak5 place4 ,x is n ,bamb]g b ,prag1 = ! ,imp]ial cr[n has pass$ f ! ,h\se ( ,suabia ?r\gh ! ,hapsburgs to t ( ,luxemb\rg1 & among its t]ritories is ! picturesque old city ) its hi/oric bridge & gate-t[]s1 a ,slavonic n a ,g]man city 9 its orig94 ,! t5 ,g]man circles ( ,suabia & ,franconia1 ,we/phalia1 ,bohemia1 & ! re/ did n z yet exi/--!y 7 ! lat] creation ( ,maximilian2 ! ,fa!rl& consi/$ ( "s two or ?ree hundr$ duk$oms1 c\nts1 m>quisates1 & lord%ips1 all absolute sov]eignties1 b all pl$g$ to support ! ,holy ,roman ,empire4 ,v ?9ly1 p]haps1 b /ill ! ,imp]ial sceptre meant a real supremacy1 & 9 ! h&s ( su* emp]ors z ,h5ry ( ,luxemb\rg1 a supremacy ma9ta9$ ) real & becom+ dignity4 ,prag1 z we h said1 is 9 a ,slavonic c\ntry1 & "o sometimes ho/ile to ! ,empire4 ,x 0 ! capital ( ,bohemia4 ,9 #acaj its ,k+ 0 ,john1 ! re/less son ( ! new ,emp]or ,h5ry ,,vii4 ( ,luxemb\rg4 ,h5ce we f9d x at ! mom5t we beg9 ! /udy ( its art a nom9ally ,g]man city4 ,%ortly be=e ?is "t 7 produc$ sev]al examples ( ,g]man "w2 z1 = in/ance1 ! ,m9neli$]1 ) m ?an a hundr$ m9iatures ( hunt+ sc5es & simil> outdoor amusem5ts1 :i* are useful z /udies ( co/ume1 b o!rwise ( little int]e/4 ,b x is n until #acab--! new ,k+ be+ !n1 = ! sake ( acquir+ ! cr[n1 ?\gh only1 x is said1 ?irte5 ye>s ( age1 already ! husb& ( ! ,pr9cess ,elizabe?1 ! late ,k+'s second daught]1 yet nei!r a fav\rite ) 8 wife nor ) h] fa!r's p--t ! ,abbess ( ,/4 ,george's 9 ,prag1 ! ,pr9cess ,cunigunda1 compos$ a ,passionale1 ri*ly illu/rat$ ) int]e/+ m9iatures4 ,! sa9ts1 hi/ories1 & allegories are pa9t$ 9 t5d] wat]-col\rs1 ! ar*itectural details be+ 9 ,go?ic ta/e4 ,x is /ill pres]v$ 9 ! ,univ]sity ,libr>y at ,prag1 ,no4 xiv41 ,a4 #ag4dh ,! ,emp]or ,*>les ,,iv41 son ( ! valor\s b impracticable ,john 7born #acaf1 di$ #acgh71 & :o has already be5 spok5 ( 9 connection ) ,engli% illum9ation1 0 ! f\nd] ( ! ,bohemian s*ool1 or1 r1 ( ! s*ool ( ,prag4 ,ow+ probably 8 f9e ta/es & _m accompli%m5ts r to 8 "m ?an 8 fa!r1 he devot$ himself to art & lit]ature1 invit+ pa9t]s & s*ol>s f o!r c\ntries to reside 9 ! ,bohemian capital4 ,= ! ,collegium ,c>ol9um1 ( :i* he 0 ! f\nd]1 he caus$ _m noble volumes to be execut$1 & among ! va/ treasures & curiosities ( 8 celebrat$ ,s*loss ,k>l/e9 0 a f9e collection ( illum9at$ ,,mss4 ,9 ! ,museum at ,prag & o!r local libr>ies are /ill kept "s relics ( 8 libr>y4 ,! ,lib] ,viaticus ( ,bi%op ,john ( ,newm>kt--! ,orationale ( ,bi%op ,arne/us 7"u ,fr5* influ5ce7--! ,pontificale ( ,bi%op ,alb]t von ,/]nb]g 79 ! libr>y ( ! ,prmon/rant ,mona/]y ( ,/rah[7--! ,missal ( ,ar*bi%op ,ozko von ,wlas*im 7libr>y ( ! ,metropolitan ,*apt] 9 ,prag7--! ,evangeli>y ( ,canon ,john von ,troppau 7,johannes de ,oppavia71 writt5 & illum9at$ at ,brunn1 9 ,moravia1 n[ 9 ! ,imp]ial ,libr>y at ,vi5na4 ,all ^! illum9at$ ,,mss4 are examples ( ! great v>iety ( /yles 9 :i* ! ,bohemian colony produc$ _! "w "u ! auspices ( _! lib]al patron1 yet n )\t peculi>ities :i* m>k ! individuality ( ! arti/4 ,?us :ile ! ,orationale ( ,arne/us is almo/ ,fr5*1 ! ,passionale ( ,cunegunda is entirely free f ,fr5* influ5ce4 ,= co/umes ! ,welt*ronik ( ,rudolf von ,ems1 #acej-he1 & n[ 9 ! ,royal ,private ,libr>y at ,/uttg>d1 is almo/ an encyclopdia4 ,simil> is ! ,leg5da ,aurea ( #acfb 9 ! ,public ,libr>y at ,muni* 7,cod4 ,g]m4 #f74 ,a v int]e/+ ,,ms4 ) m9iatures ( co/umes & curi\s usages is ! ,belli=tis ( ,conrad ,kyes] 7,gtt+51 ,public ,libr>y1 ,philos41 ,no4 #fc74 ,! ,evangeli>y ( ,troppau is mo/ beautifully writt52 its text is a model ( elegant & p]fect p5man%ip2 its ornam5ts di/9ctly ,bohemian4 ,?ree or f\r ,prag ,,mss4 execut$ = ,*>les's son ,w5zel 7#acgh-adji7 are1 x may be said1 typical4 ,( ^! ! gr&e/1 ?\gh incomplete1 is ! illum9at$ ,bible1 call$ ! ,w5zel ,bible1 execut$ by ord] ( ,m>t9 ,rotlw = pres5tation to ! ,emp]or4 ,! *oice ( illu/rations 9 ?is s+ul> p]=mance are r m ?an on a p> ) ! woodcuts ( ! great ,engli% ,bible ( ,cranm]4 ,! ,wilhelm von ,oranse ( #achg1 n[ 9 ! ,ambras ,museum at ,vi5na 7,no4 #g71 af=ds spl5did examples ( ! f9e embroid]$ & ri*ly col\r$ backgr\nds we s (t5 see t[>ds #adjj 9 ,engli% ,,mss41 & ! ,gold5 ,bull ( ,*>les ,,iv41 also 9 ! ,imp]ial ,libr>y at ,vi5na 7j4 c4 #cch71 has ! s(tly curl+ foliages v>i\sly col\r$1 :i* =m ! *>act]i/ic diff]5ce betwe5 ! ,fr5* & ,engli% illum9ation ( ! fifte5? c5tury4 #dh ,wocel1 ,mit!il4 d] ,c5tral4-,commiss41 v41 #ahfj1 p4 #ge1 ) illu/rations4 ,ano!r ri* example ( ,g]man z di/9ct f ,fr5* or ,italian "w ( ?is p]iod is ! gr& ,salzburg ,missal n[ at ,muni* 7,lat4 #aegaj74 ,:5 we rea* ! fifte5? c5tury ,g]man illum9ation beg9s to gr[ gaudy1 especially 9 ! reviv$ ta/e = p>ti-col\r$ bord]-frames1 9 :i* gre5 & sc>let are (t5 to be se54 ,! ,kutt5b]g ,gradual at ,vi5na 7,imp4 ,lib41 #aeeja7 is ( ! ,bohemian type4 ,n[ & !n a ,,ms4 w %[ ! influ5ce ( ,we/phalian treatm5t ( foliage--&1 aga91 ( ! s*ool ( ,cologne or ,nuremb]g or ,augsburg4 ,^! all diff]1 :il/ /ill keep+ an unmi/akable ,g]man "*4 ,! ,hilde%eim] ,pray]-book at ,b]l9 po9ts to ,cologne4 ,! ,frank5dorf] ,evangeli>y at ,nuremb]g is *>act]i/ic ( t city4 ,! ,*oir-book ( ,/4 ,ulri* & ,afra 9 _! abbey at ,augsburg is typical ( its locality4 ,! ,missal ( ,sb9co1 ,ar*bi%op ( ,prag1 incl9es to ,nuremb]g r ?an ,prag 7,imp4 ,lib41 ,vi5na1 ,no4 #ahdd74 ,x is eighty ye>s e>li] ?an ! ,augsburg & ,hilde%eim ,,mss4 ,pass+ actively onw>ds1 we f9d illum9ation /ill 9 vogue 9 ! sixte5? c5tury1 not)/&+ t ,g]many 0 ! cradle ( ! pr9t+ press4 ,9 fact1 x seems to wax m & m sumptu\s--! books m pr(usely ornam5t$ ?an ev]4 ,! ,missal & ,pray]-book ( ,alb]t ( ,br&5burg1 ,ar*bi%op ( ,ma9z1 once at ,as*aff5burg1 execut$ ab\t #aebd are among ! f9e/ productions ( ! illum9ator's art4 ,:ile p]haps we may compla9 t design has giv5 way to pr(usion & ! bord] fl[]s & insects--a contempor>y *>act]i/ic ( ,ne!rl&i% art also--are nei!r m nor less ?an portraiture appli$ to fl[]s1 fruits1 & ! insect _w4 ,! l>g] m9iatures are mod]n pa9t+s1 includ+ portraits1 diff]+ 9 no?+ b dim5sions f ! works ( ! greate/ ma/]s ( ! s*ools ( pa9t+4 ,9 ignorance ( ! /rict rules ( ! gilds1 "s writ]s h gone s f> z to say t m9iatures also su* z ^! 7 ! "w ( ! ,van ,eycks1 ! ,meml+s1 & ! ,lucas van ,leyd5s ( our public gall]ies4 ,?is p>ticul> ,,ms4 0 ! "w ( a fam\s ,nuremb]g m9iaturi/1 "o ( a di/+ui%$ family ( arti/s--,nicolas ,glock5don4 ,a v simil>1 b p]haps /ill ri*]1 ,,ms41 is ! ,pray]-book ( ,william ( ,bav>ia1 /ill kept 9 ! ,imp]ial ,libr>y at ,vi5na 7,no4 #ahhj71 pa9t$ by ,alb]t ,glock5don4 ,x is "o ( ! mo/ exquisite volumes possibly to be met )4 ,a ,pray]-book 9 ! ,briti% ,museum 7,add4 #agebe71 ?\gh f> inf]ior1 may give "s idea ( ! sumptu\s "* ( ! ,glock5don "w4 ,! fir/ ,ar*bi%op ( ,prag1 ,arne/us or ,erne/ von ,p>dubitz1 0 an indu/ri\s collector ( ,,mss4 & employ$ _m scribes4 ,ano!r ( ! fam\s patrons 9 ,prag 0 ,g]h>d ,groot1 :o employ$ "o ( ! be/ p5m5 to copy ,/4 ,john ,*ryso/om's ,comm5t>y on ,/4 ,mat!w4 ,9 #achc he f\nd$ at ,dev5t] ! fam\s ,h\se ( ! ,bro!rs ( ! ,common ,life1 :o made a bus9ess ( transcrib+ books2 &1 inde$1 s pr(itably1 t1 = in/ance1 ,ian van ,enkhuis5 ( ,zwolle receiv$ five hundr$ gold5 guld5 = a ,bible4 ,on acc\nt ( ! goose-quill :i* ! bro!rs wore 9 _! hats1 !y 7 famili>ly kn[n z ! ,bre?r5 ( ! ,p54#di #di ,watt5ba*1 ,s*riftwes5 im ,mittelalt]1 p4 #bfd4 ,,*apt] ,,viii ,,ne!rl&i% ,,illum9ation ,:at is meant by ! ,ne!rl&s--,e>ly realism & /udy ( nature--,comb9ation ( symbolism ) imitation--,ana*ronism 9 design--,! value ( ! pictorial me?ods ( ! old illum9ators--,! olde/ ,ne!rl&i% ,,ms4--,h>l9da & ,r5ilda--,! nunn]y at ,maas-,eyck--,description ( ! ,,ms4--,?omas ,kempis--,! s*ool ( ,zwolle--,"* ( ! "w--,! use ( gre5 l&scape backgr\nds--,! ,dukes ( ,burgundy--,ne!rl&i% arti/s--,no m9iatures ( ! ,van ,eycks or ,meml+ kn[n to exi/--,s*ools ( ,bruges1 ,gh5t1 ,lige1 etc4--,brussels ,libr>y--,spl5did ,ne!rl&i% ,,mss4 at ,vi5na--,g]>d ,david & ! ,grimani ,brevi>y--,briti% ,museum--,romance ( ! ,rose--,isabella ,brevi>y--,grisailles4 ,9 speak+ ( ! ,ne!rl&s we h to be> 9 m9d t "s portions ( :at are n[ call$ ! ,ne!rl&s 7 once p>ts ( ,g]many1 :ile o!rs 7 p>ts ( ,france4 ,9 ! ?irte5? c5tury ,ne!rl&i% art 0 simply a v>iety ei!r ( ,nor!rn ,g]man or ,nor!rn ,fr5*4 ,! e>li] s*ools ( ,fl&]s & ,ha9aut1 & p]haps ( ,brabant1 belong r to ,france1 :ile ,holl&1 ,limburg1 ,luxemb\rg1 & ! ,rh9e di/ricts 7 m incl9$ t[>ds ,g]many4 ,b z soon z ! s*ools ( ,gh5t & ,bruges & o!r ,burgundian c5tres began to ass]t _! claims1 x 0 spe$ily app>5t t !y _h an individuality ( _! own4 ,9 no c\ntry _h ! /udy ( nature a m direct influ5ce on ! "* ( illum9ation4 ,! allegorical me?od :i* s long _h *>act]is$ bo? ,fr5* & ,g]man art 0 promptly ab&on$1 & direct realism bo? 9 figure & l&scape became ! prevail+ *>act]i/ic4 ,symbolism1 x is true1 rema9$ 9 ! repres5tation ( cities & o!r g5]alities ( pictorial composition1 b ! details 7 9 all cases direct imitations ( contempor>y facts4 ,half a doz5 soldi]s or h\ses might indicate an army or a city1 & ev5 "s p>ticul> army or city nam$ 9 ! text1 b ! individual soldi]s1 ?\gh repres5t+ ! army ( ,alex&] or ,rol&1 w\ld we> ! equipm5t or arm\r ( ! arti/'s milit>y acqua9tances1 or 8 ov]lord's own company4 ,! city1 :e!r ,gh5t or ,bagdad1 w\ld consi/ ( ! same sort ( h\ses peak$ & p>apet$1 ! same t[]s & p9nacles t ! illum9ator saw be=e him 9 8 daily walks4 ,8 conception ( a sc5e f ,scripture hi/ory w\ld probably be fram$ m or less ^u ! traditions ( ! s*ools transmitt$ f ! ,sphigm5\ ,manual or ! ma/]'s portfolio ( s*emes1 b :ile a prophet1 an angel1 or a div9ity w\ld we> ideal raim5t1 ,abraham & ,ph>aoh w\ld be array$ 9 ! co/ume ( a contempor>y burgoma/]1 & an almo/ contempor>y ,fr5* k+4 ,9 "o memorable in/ance1 we are told1 s reali/ic 0 ! sc5e t ,isaac 0 ab\t to be despat*$ ) a horse-pi/ol2 & 9 ano!r1 repres5t+ ! bir? ( ,ca91 ,adam 0 br++ to ! ,fr5* te/] b$side a supply ( hot wat] f ! kit*5 boil] 9 a copp] saucepan4 ,?is k9d ( ana*ronism1 x is true1 is to "s degree *>geable on all e>ly "w2 we see x among ! e>ly ,italian pa9t]s no less frequ5tly p]haps1 b mo/ly accompani$ ) s mu* ( allegory or imag9ation t we sc>cely notice x1 or if we d1 we w9k at x z "p ( ! times ( ignorance4 ,x is really a m>k ( ov]-ha/e to be tru?ful1 or at lea/ to be und]/ood1 & at ! wor/ x is no m ?an ! natural reb\nd f ! evil con/ra9t ( ! old ,byzant9e tyranny ov] s*eme & co/ume & inv5tion4 ,x is (t5 truly div]t+ 9 its v ins\ciance4 ,b its priceless value to u--& "h ! same rem>k applies to all /yles ( pictorial art be=e ! fifte5? c5tury--is ! ocul> record ( dress1 ar*itecture1 implem5ts ( peace & w>1 incid5ts ( daily life1 etc41 = :i* no ,encyclopdia ,britannica ( v]bal explanation c\ld ev] be m ?an ! poore/ make%ift4 ,z we say1 ?is same happy ana*ronism is common to o!r s*ools ( illum9ation1 & we _c fail to notice x f ,byzantium to ,brita91 b x is ! int5se realism ( ! ,ne!rl&s t =ces x ^u u s /rongly t we are b\nd to speak ( x4 ,! olde/ notice ( illum9at$ "w 9 ! ,ne!rl&s is 9 a ,b5$ict9e *ronicle ( ! n9? c5tury1 :]e m5tion is made ( two ladies1 daught]s ( ! ,"l ( ,d5a91 nam$ ,h>l9da & ,r5ilda1#ej :o 7 educat$ 9 ! conv5t ( ,val5ci5nes4 ,9 #gad !y left _! native prov9ce to f\nd a mona/]y on ! banks ( ! ,maas--among ! mead[s ( ,ald5 & ,maas-,eyck4 ,!y !re consecrat$ _! lives to ! praise ( ,god & ! transcription ( books1 adorn+ !m ) preci\s pictures4#ea ,ab\t ! ye> #agcj an ,evangeli>y ( great age 0 discov]$ 9 ! sacri/y ( ! *ur* by ! ,b5$ict9e antiqu>y1 ,edmond ,m>tne1 :i* on good gr\nd has be5 attribut$ to ! two si/]s4 ,! ,,ms4 is /ill 9 exi/5ce1 & 0 exhibit$ 9 ,brussels 9 #ahhj4 ,x is a small folio1 & conta9s a great numb] ( m9iatures 9 ! ,c>ol+ian or1 p]haps m /rictly1 ,franco-,saxon mann]4 ,on ! fir/ leaf is a ,romanesque colonnade ( ar*es surm\nt$ by a l>g] "o4 ,"u ! small] ar*es are ! figures ( sa9ts1 demons1 & mon/]s1 & 9 ! tympanum scrolls ( foliage & birds4 ,betwe5 ! columns are ! ref]5ce numb]s to ! *apt]s4 #ej ,or ,rel9da4 #ea ,bradley1 ,dict4 ( ,m9iaturi/s1 ii4 #hg4 ,! evangeli/ portraits are dignifi$ & sa9tly1 recall+ ! e>lie/ "w ( ! ,byzant9e s*ool & t ( ! catacombs4 ,drap]ies & o!r details are heavy1 dull1 & ill drawn4 ,9 %ort1 ! "w is ( ! same class z ! e>ly ,c>ol+ian4 ,! blue1 r$1 gre51 & gold ( ! bord]s1 etc41 h all kept _! brilliancy4#eb ,x is some:at curi\s t ! ,van ,eycks1 ! f\nd]s ( ,flemi% pa9t+1 7 natives ( ?is little t[n--!n1 d\btless1 pretty & rural1 n[ a busy place ( brew]ies1 oil-factories1 tann]ies1 & o!r fragrant nuisances4 ,"s miles fur!r nor?w>d lie ,dev5t] & ,zwolle & ,kemp51 ! l& ( ! ,bro!rs ( ! ,p51 & ( ! immortal ,?omas ,kempis4 ,!re is a /yle ( calligraphic ornam5t d]iv+ its orig9 f ^! ,nor!rn ,holl&i% f\ndations su* z ,zwolle1 :i* is conf9$ almo/ entirely to ! pa9t+ ( ! initial lett]s & ! decorat+ ( ! bord]s ) fl\ri%$ scrolls ( p5work v neatly drawn & t]m9at+ 9 equally neat b extremely fanciful fl[]s f9ely pa9t$4 ,x seems to h be5 br\ght at "s "t f ! neighb\rhood ( ,milan1 :]e a simil> k9d ( initial & exce$+ly neat p5man%ip also is f\nd 9 ! *oir books4 ,_m ,s\? ,g]man *oir books are simil>ly ornam5t$1 s t x is n easy to say at once :]e ! "w 0 done4 ,! ,dut* illum9ators1 h[ev]1 may usually be recognis$ by ! ,ne!rl&i% "* ( ! m9iatures comb9$ ) neat & sometimes rigidly c>eful p5man%ip 9 ! scrolls & t5drils & a h>dness 9 ! outl9e ( ! fl[]s4 ,sometimes ! l>ge initials are entirely produc$ by ! p51 ! labyr9?9e patt]ns 9 blue or v]milion be+ fill$ 9 ) circlets1 loops1 & o!r designs ) inf9ite pati5ce & excell5t effect4 ,"s ( ! bord] scrolls are exce$+ly pretty1 & ! bord]s diff] f ,flemi% 9 mix+ natural fl[]s pa9t$ 9 ?9 wat]-col\rs ) ! m conv5tional fl[]s pa9t$ ) a diff]5t m$ium1 n 9 ! lat] ,flemi% mann] :]e ! fl[]s are frankly direct imitations ( nature1 & pa9t$ 9 ! same m$ium z ! re/ ( ! illum9ation4 #eb ,see ,messag] des ,sci5ces1 etc41 #aaj1 #aheh1 & ,de%a9es1 ,l',art ,*rti5 en ,fl&re1 #cd 7,d\ai1 #ahfj1 #h74 ,aft] ! ,maas-,eyck ,evangeli>y ! "w ( ^! nor!rn f\ndations may well reckon ei!r ) ! ,fr5* or ,g]man s*ools until ! fifte5? c5tury4 ,:]e o!rwise !y are n di/+ui%able1 ! ,ne!rl&i% m9iatures are usually su* z pref] pla9 burni%$ gold backgr\nds to diap]$ ones1 or h a pla9 deep blue pal$ t[>ds ! horizon1 & la/ly replace ! backgr\nd by a natural1 or :at 0 int5d$ to be a natural1 l&scape4 ,z a te/ betwe5 ,fr5* or ,g]man influ5ce g5]ally1 ! use ( gre5 %[s ! latt]1 t ( blue ! =m]4 ,n t ?is 0 any /hetic po9t ( diff]5ce 9 ta/e1 b someh[ ! ,g]mans _h ! gre5 pa9t :5 ! ,fr5* _h n1 & s !y us$ x4 ,x is an op5 "q :e!r ,fl&]s or ,italy fir/ introduc$ ! l&scape backgr\nd1 b ,flemi% arti/s 7 s num]\s1 s ubiquit\s1 t we c h>dly say :]e !y 7 n at "w--9 ,france1 ,italy1 or ,spa94 ,pl5ty ( s-call$ ,spani% illum9ation is really ! "w ( ,flemi% craftsm54 ,?is 0 l>gely ow+ to ! political conditions ( ! times4 ,! ,dukes ( ,burgundy & ! ,au/rian ,ar*dukes bo? rul$ ov] ,flemi% municipalities1 & employ$ ! gildm5 z _! h\sehold enlum9eurs4 ,&1 ( c\rse1 ! success ( ! ,van ,eycks1 ,rogi] van d] ,weide 7de la ,pa/ure71 ,d]rick ,bonts1 & ,hans ,meml+1 /irr$ up ! _s ( rivalry among ! illum9ators4 ,!y all work$ 9 ! same m9utely1 c>eful mann]1 & "o c\ld almo/ take a corporal oa? on ! id5tity ( illum9ations & panels :i* are really ! "w ( diff]5t arti/s4 ,ev5 yet ! illum9ations ( ! ,grimani ,brevi>y are attribut$ 9 "p to ,hans ,meml+--& no wond]6 ,only ! be/ qualifi$ judges c di/+ui% !m4 ,x is kn[n t ,g]>d ,david ( ,oudewat]1 9 ,holl&1 a ma/] pa9t]1 belong$ also to ! gild ( m9iaturi/s4 ,b no m9iatures are kn[n to be f ! h&s ( ei!r ,ian1 or ,hub]t1 or ,m>gu]ite van ,eyck1 or ,hans ,meml+4 ,! suppos$ id5tifications are m]ely guesses4 ,b :ile ?is is s !re is /ill no lack ( illum9ators1 n to m5tion ! illu/ri\s few :o 7 employ$ by ! bro!rs ( ,*>les ,v41 ,k+ ( ,france2 & :5 we come to ! days ( 8 gr&son1 ,philip ( ,burgundy 7#adai-fg71 we might "n q a cr[d ( di/+ui%$ illum9ators4 ,f #adbb to #adbe ,ian van ,eyck 0 v>let de *amb] to ,duke ,john ( ,bav>ia1 fir/ bi%op ( ,lige1 & ,reg5t ( ,luxemb\rg1 ,holl&1 & ,brabant4 ,9 #adbe he pass$ into ! s]vice ( ,philip4 ,he di$ 9 #addj4 ,9 c\rt s]vice !re 7 besides1 ,jean de ,bruges1 ,david ,aub]t1 ,jean ,mielot1 ,jean ,wanguel91 ,loyset ,ly$]1 & o!rs connect$ m or less closely ) ! ,maas valley & ! prov9ce ( ,limburg4 ,?is valley seems to h be5 ! cradle ( ,ne!rl&i% m9iature art4 ,x is f ?is neighb\rhood t ,p>is 0 suppli$ ) craftsm5 9 ! days ( ! brilliant if reckless adm9i/ration ( ! uncles ( ,philip ! ,good4 ,!re 7 s*ools ( illum9at+ arti/s 9 ,mae/ri*t & ,lige1 & )9 a v brief p]iod ! /yle ( ! ,ne!rl&] surpass$ t ( all competitors = facility1 cle>ness1 & realism4 ,a m>k$ feature 9 ?is ma/]y is ! free use ( ar*itectural & sculptural design4 ,all ,go?ic drap]ies are 9 "s degree sculpturesque1 & 9 m9iatures we f9d sculpture to be ! rul+ pr9ciple4 ,p]haps x 0 ! practice ( unit+ ! crafts ( pa9t] & imagi] 9 "o p]son t fo/]$ ?is peculi>ity4 ,b c]ta9 x is t ,ne!rl&i% illum9ation1 9 its bord] foliages1 aft] ! ta/e = ! l>g] v9e & acan?us leaf _h sup]s$$ ! ivy1 ! draw+ is /udi\sly sculpturesque4 ,_m ( ! ,gantois bord]s are l und]cut wood c>v+s4 ,ev5 z to col\r we f9d ei!r ! gild$ wood br[n or ! /one grey1 q z frequ5tly z gay] col\rs1 & mu* m s ?an any natural gre54 ,! aft]-fa%ion = grisailles or camaieu gris has ref]5ce probably r to /a9$ glass ?an to c>v+4 ,be=e ! fifte5? c5tury we d n (t5 meet ) individual illum9ators by "n1 b 9 ! ,limburg ,*ronicle "u #achj is ?is entry3 ,!re 0 at ?is "t 9 ,cologne a celebrat$ pa9t] 7he 0 probably a native ( ,h]le 9 ,limburg71 ! l ( :om 0 n 9 ! :ole ( ,*ri/5dom1 & m to 8 praise4 ,8 "n 0 ,wilhelm4 ,9 ! municipal exp5se book1 "u #acgj-ij1 page #ab1 is writt51 ,to ,ma/] ,wilhelm = pa9t+ ! ,oa? ,book1 #i m>ks4 ,! ,oa? ,book /ill exi/s1 b un=tunately ! m9iature has be5 cut out4#ec #ec ,woltmann1 ,hi/4 ( ,pa9t+1 ,eng4 transl41 i4 p4 #dab4 ,( c\rse1 x may be expect$ t "s ( ! be/ examples ( ,ne!rl&i% illum9ation are to be f\nd 9 ! ,royal ,libr>y at ,brussels4 ,! ,biblio?que de ,b\rgogne1 z x is call$1 conta9s1 inde$1 a great numb] ( !m4 ,"s1 ( c\rse1 may be class$ z ,burgundian4 ,!re are1 = in/ance1 ! gr& ,*roniques de ,ha9aut 9 ?ree imm5se folio volumes1 writt5 f #addf to #addi 7,nos4 #ibdb-d74 ,also ,jean ,mansel's ,fleur des ,hi/oires 9 ?ree gr& folios 7,nos4 #ibca-c71 writt5 ab\t #adge4 ,! frontispiece to ! ,*roniques %[s ! ,duke ,philip ) 8 son ! ,c\nt ( ,*>olais receiv+ ! "w f ! au?or1 p]haps ! be/ illum9ation 9 all ?ree volumes4 ,ano!r 7#ibde71 ! ,book ( ! ,sev5 ,sages ( ,rome1 is an example ( ! la/ qu>t] ( ! f\rte5? c5tury4 ,/ill ano!r 7#ibdf71 ! ,hi/ory ( ,/4 ,graal1 or ( ! ,r\nd ,table1 is dat$ #adhj4 ,a ,missal & ,pontifical 7#ibaf1 #ibag7 %[s m9iatures dat+ ab\t #adge4 ,b o!r public libr>ies also possess admirable examples4 ,! ,imp]ial ,libr>y at ,vi5na possesses a mo/ ma/]ly production 9 ! fragm5ts ( a folio ,*ronicle ( ,j]usalem 7,no4 #becc71 9 :i* bo? figures & ar*itectural details are mo/ delicately & m9utely f9i%$1 s t ! m9iatures =m a mo/ valuable treasury ( co/umes1 arm\r1 & ar*itecture1 correctly drawn & exquisitely pa9t$4 ,! figure ( ,baldw91 ,k+ ( ,j]usalem1 %[s ! po9t$ toes :i* ,anne ( ,bohemia is said to h introduc$ into ,engl&4 ,at ,vi5na1 also1 is ! ri*ly illum9at$ ,hi/ory ( ,gr>d de ,r\ssillon 9 ,fr5* 7,no4 #bedi74 ,at ,p>is we f9d ! ,*ampion des ,dames 7,no4 #abdgf74 ,r\nd ! fir/ m9iature 9 ?is ,,ms4 are spl5didly emblazon$ ! armorials ( ! v>i\s c\ntries & cities ( 8 dom9ions--,burgundy1 ,brabant1 ,fl&]s1 ,fran*e-,comt1 ,holl&1 ,namur1 ,l[] ,lorra9e1 ,luxemb\rg1 ,artois1 ,ha9aut1 ,zeal&1 ,friesl&1 ,mal9es1 & ,sal9s4 ,on ei!r side are sc5es f ! /ory1 & b5ea? a symbolical cr[n is ! motto ( ,philip's gr&fa!r1 ,philip le ,h>di1 aultre n'aray4 ,! same motto appe>s 9 ! ,*ronicle ( ,j]usalem at ,vi5na1 & on ! velvet ( ! das ( ,isabella ( ,portugal1 ,philip's ?ird consort4 ,x may be int]e/+ to note1 z a means ( di/+ui%+ ^! ,burgundian pr9ces or _! ,,mss41 t ! arms ( ,philip ,,ii4 ! ,good diff] f ^? ( 8 fa!r1 dur+ ! latt]'s lifetime1 by hav+ 9 *ief a label ( ?ree po9ts1 & f ^? ( 8 gr&fa!r1 ,philip ! ,bold1 by hav+ an inescut*eon ( pret5ce on ! c5tre ( ! arms ( ,m>g>et de ,maele1 fir/ assum$ by 8 fa!r1 ,john ! ,fe>less1 t is1 or1 a lion rpt4 sa2 = ,fl&]s4 ,z we h j said1 _m ( ! ,,mss4 claim$ z ,ne!rl&i% may be class$ z ,burgundian4 ,! diff]5ce lies ma9ly 9 ! m9iatures4 ,:]e ! latt] are manife/ly ,fr5* ) ! mix$ ,brugeois bord]s1 !y may pass z ,burgundian2 b ) simil> bord]s yet di/+ui%ably ,ne!rl&i%1 t is1 broad-nos$1 squ>e-jaw$1 & excit$ faces z comp>$ ) ! f9] features & placid expression ( ! ,fr5* arti/s1 ! "w may /ill be ,burgundian1 b x w be also ,ne!rl&i%4 ,! individuality ( ,ne!rl&i% illum9ation above e o!r quality e/abli%es its id5tity4 ,look at ! expression ( ! onlook]s 9 a ,crucifixion1 or a ,*ri/ be=e ,pilate1 or a ,/on+ ( ,/4 ,/eph5--! diabolical f]ocity1 ! fi5di% e>ne/ness1 ! d[nright int5tional ugl9ess put on "s ( ! *>act]s are 9 direct contra/ to ! sweet indiff]5ce1 ! calm complaisance1 & blank unconc]n ( a cr[d z %[n 9 simil> sc5es by ,fr5* illum9ators4 ,illu/ration3 ,,hor #ae,,? ,,c5t4 7,,late7 ,brit4 ,mus4 ,add4 ,,ms4 #agbhj4 fol4 #ba ,illu/ration3 ,,val]e ,,maxime1 ,,trad4 ,,p> ,,simon ,,de ,,hesd9 #ae,,? ,,c5t4 7,,late7 ,brit4 ,mus4 ,h>l4 ,,ms4 #dcge1 fol4 #fh ,we h se5 some?+ ( ! e>li] k9d ( ,ne!rl&i% ,,mss4 9 ^? already ref]r$ to4 ,x n[ rema9s to take a rapid glance at a few ( ! lat] ones1 & "h ! difficulty is t ( selection4 ,9 #adhd ,g]>d ,david appe>s on ! li/ ( illum9ators ( ,bruges1#ed & x appe>s t he1 & n ,hans ,meml+1 0 ! pa9t] ( ^? m>vell\s m9iatures 9 ! ,grimani ,brevi>y at ,v5ice usually attribut$ to ! latt]1 & !re=e may be consid]$ z "o ( ! f\nd]s ( ! s*ool ( ,bruges1 or at lea/ ( ! lat] /yle t may be ref]r$ to ! ,grimani ,brevi>y z its mo/ p]fect example4 ,execut$ 9 mu* ! same mann] is a ,book ( ,(fices 9 ! ,briti% ,museum1 conta9+ portraits ( ,philip ! ,fair & 8 wife1 ! unhappy ,juana la ,loca1 son & daught]-9-law ( ! ,emp]or ,maximilian4 ,simil>1 aga91 are ! ,(fices ( ! ,elector1 ,alb]t ( ,br&5burg1 possibly ! "w ( ! same arti/s :o produc$ ! ,grimani ,brevi>y4 ,!re are also "s fragm5ts 9 a gu>d-book 9 ! ,briti% ,museum 7,add4 #bdjih71 :i* may comp>e ) any ( ! prec$+ examples4 ,b p]haps to _m book-lov]s no bett] specim5 ( ! highe/ class ( ,ne!rl&i% art c\ld be m welcome or m int]e/+ ?an ! celebrat$ copy ( ! ,roman de la ,rose1 also 9 our great national collection 7,h>l4 #ddbe74 ,?is ju/ly fam\s ,,ms4 is a real ma/]piece 9 e dep>tm5t1 :e!r we consid] ! expression 9 its m9iatures or ! consummate te*nical skill display$ 9 ! draw+ & col\r ( ! bord]s4 ,^! second>y embelli%m5ts consi/ ( fruit1 fl[]s1 birds1 beetles1 & butt]flies4 ,b1 ( c\rse1 ! great int]e/ ( ?is book lies 9 its m9iatures1 sc5es f ! poet's allegory1 & 9 ! little /atuesque figures ( ! v>i\s *>act]s 9 ! poem4 #ed ,cf4 8 ,judgem5t ( ,cambyses 9 ! museum at ,bruges4 ,two m>vell\s little volumes !re are 9 ! ,national ,museum at ,muni* 7#hfa-b7 :i* are surely unapproa*able4 ,"o ( ! bord]s 9 #hfa consi/s ( ! eyes ( peacock fea!rs s absolutely p]fect t we c only wond] at its ra9b[ hues & pe>ly %e5 ( col\r4 ,some?+ simil> to x exi/s 9 a fragm5t 7,no4 #ddfa7 9 ! ,victoria & ,alb]t ,museum at ,s\? ,k5s+ton4 ,! ,isabella ,brevi>y ( ! ,briti% ,museum 7,add4 #ahhea7 ought n to pass unm5tion$1 b space =bids u to add m on ?is inexhau/ible topic4 ,!re is1 h[ev]1 ! class ( "w allud$ to e>ly 9 ! *apt]1 & 9 t on ,fr5* "w1 :i* mu/ be at lea/ m5tion$4 ,we ref] to :at ! ,italians call *i>oscuro & ! ,fr5* grisaille2 i4e4 pa9t+ execut$ 9 tones ( grey1 9 :i* ! lights are giv5 9 :ite or gold & ! backgr\nds 9 ri* blue4 ,occasionally ! drap]ies & ornam5ts also are t\*$ ) gold1 & ! fle% t9ts z 9 life4 ,grisaille is n limit$ to ,ne!rl&i% illum9ations4 ,we f9d x bo? 9 ,fr5* & ,italian1 b p]haps x is among ! ,ne!rl&i% books we meet ) x mo/ frequ5tly4 ,sev]al examples are to be se5 9 ! ,royal ,libr>y at ,brussels1 & !re is at lea/ "o 9 ! ,briti% ,museum 7,add4 #bdahi74 ,,*apt] ,,ix ,,! ,,fr5* ,,r5aissance ,communication ) ,italy--,r5aissance n sudd5--,orig9 ( ! s*ools ( ,france & ,burgundy--,t\ra9e & its art--,f\quet--,br5tano ,,mss4--,v]sailles ,livy--,muni* ,boccaccio1 etc4--,p]ral & ,b\rdi*on--,h\rs ( ,anne ( ,brittany--,poyet--,! s*ool ( ,fonta9ebleau--,/a9$ glass--,jean ,c\s9--,g\ffi] ,heures--,briti% ,museum ,(fices ( ,francis ,i4--,d9teville ,(fices--,p>is ,heures de ,montmor5cy1 ,heures de ,d9teville1 etc4 ,:5 ! new ideas d]iv$ f ! ,italian revival fir/ rea*$ ,france1 x w\ld be difficult to say4 ,!re mu/ h be5 communication ) ,italy go+ on ! :ole "t t ,cimabue & ,giotto1 ,memmi & ! re/ 7 a/oni%+ _! fell[-citiz5s ) _! div9e p]=mances4 ,! roads f ,lyons1 ,poicti]s1 ,dijon1 & ,p>is 7 well kn[n1 & frequ5tly trodd5 by bo? arti/s & m]*ants z well z by soldi]s4 ,! ,r5aissance1 !re=e1 0 no sudd5 convulsion4 ,p]haps a v c>eful exam9ation ( "s ( our ,burgundian ,,mss4 might reveal ! pres5ce ( notions d]iv$ f ,italian travel1 = x is 9 ! details ( ornam5t t we f9d ! traces ( a new movem5t1 & :5 ! great *ange ( /yle is cle>ly noticeable x is :5 ! habits ( society !mselves h be5 remodell$1 & :5 ! once /range & =eign elem5t has become a famili> gue/4 ,9 ! fix+ ( s*ools & c5tres mu* is ow+1 ( c\rse1 to ! resid5tial *oice ( pr9ces1 on ^: patronage dep5ds ! v exi/5ce ( art4 ,?is expla9s ! s*ools ( ,bruges & ,dijon1 ( ,p>is & ,t\rs1 = :ile ! e>li] dukes ( ,burgundy & ! e>li] k+s ( ,france _h liv$ at ,bruges & ,p>is1 ! lat] dukes _h pref]r$ ,dijon1 & ,l\is ,,xi41 ,*>les ,,viii41 & ,l\is ,,xii4 liv$ mo/ly at ,t\rs4 ,s t :ile ,dijon became ! new c5tre ( ,burgundian illum9ation1 ,t\rs became to ! new movem5t f ,italy :at ,p>is _h be5 at ! comm5cem5t ( ! ,go?ic p]iod4 ,t\rs1 9 fact1 became ! c5tre ( ! ,r5aissance4 ,! influ5ce ( ,dijon 0 on ! wane1 ,burgundy itself 0 go+ d[n4 ,mi*el ,c\lombe1 ! great ,breton sculptor1 :o _h be5 tra9$ at ,dijon1 left x = ,t\rs1 & probably illum9ators & o!r arti/s foll[$ 8 example4 ,z we "k f examples1 ! ,burgundian art ( ,dijon _h ! ,flemi% /amp /rongly m>k$--! ,flemi% arti/s _h a way ( mak+ /rong impressions4 ,t\rs1 on ! o!r h&1 _h _h an entirely diff]5t tra9+4 ,! arti/s ( ,t\ra9e _h no %ad[ ( ,flemi% influ5ce 9 _! practice4 ,_! sculptures1 enamels1 col\r-s*eme 7 ( ano!r bias4 ,_! /amp came f ,italy1 & if n s deep z t ( ,fl&]s or ,dijon1 x 0 equally inevitable & m p]man5t4 ,! fir/ "n t we meet ) among ! illum9ators ( ,t\ra9e :o are expressly connect$ ) ! ,r5aissance is t ( ,jean ,f\quet4 ,( 8 orig9 or tra9+ no?+ seems to be kn[n1 b he 0 born probably ab\t #adae4 ,he mu/ h acquir$ di/9ction ev5 z a y\?1 = "s tw5ty-five ye>s aft]w>ds 7#addj-c7 he 0 invit$ to ,rome to pa9t ! portrait ( ,pope ,eug5ius ,,iv41 & he /ay$ 9 ,italy until #addg4 ,on 8 return to ,france he 0 made valet de *ambre & pa9t] to ,*>les ,,vii4 at ,t\rs1 & cont9u$ 9 ! same (fice "u ,l\is ,,xi4 ,x 0 "p ( ! bus9ess ( ! pa9tre du roy to design & provide decorations & co/umes1 bann]s & devices = all /ate c]emonies1 & ?is became ,f\quet's duty at ! fun]al ( ,*>les ,,vii41 & :5 ,l\is in/itut$ ! ,ord] ( ,/4 ,mi*el 9 #adgj1 & ! la/ trace ( him z an arti/ occurs ab\t #adgg4 ,8 sons1 ,l\is & ,francis1 7 bo? pa9t]s1 &1 l himself1 work$ mu* at ! illum9ation ( books4 ,x is curi\s t ?is great ma/]--"o ( ! greate/ m9iaturi/s ( any s*ool1 & "o ( ! f\nd]s ( ! ,fr5* s*ool ( pa9t+--became entirely =gott5 until ! discov]y ( "s fragm5ts ( a ,book ( ,h\rs pa9t$ = ,e/i5ne ,*evali]1 ! ,k+'s treasur]4 ,=ty m9iatures ( ! mo/ ma/]ly description came into ! h&s ( ,m4 ,l\is ,br5tano-,l>o*e1 ( ,frank=t-on-!-,ma9e4 ,_! uncommon excell5ce l$ to a mo/ dilig5t se>* = in=mation respect+ ! arti/1 :i* result$ 9 ! une>?+ ( _m o!r examples ( 8 unequall$ p5cil4 ,we n[ "k ( a doz5 mo/ preci\s examples4 ,besides ! ,br5tano m9iatures1 two o!r fragm5ts ( ! same ,book ( ,h\rs h be5 f\nd1 & sev]al l>ge & important ,,mss4 ,among ^! we may "n ! ,antiquities ( ! ,jews1 by ,josephus1 9 ! ,national ,libr>y at ,p>is 7,,mss4 ,des4 #fhia71 & a ,book ( ,h\rs1 execut$ = ,m>ie de ,clve1 wid[ ( ,*>les ,duke ( ,orleans1 9 #adgb4 ,attribut$ to him are ! ,v]sailles ,livy 7,nat4 ,lib41 ,p>is1 #fijg72 ! ,sorbonne ,livy 7fds4 de ,sorb4 #big74 ,a ,livy 9 ! public libr>y at ,t\rs also passes "u 8 "n1 & ! fam\s ,boccaccio ( ,e/i5ne ,*evali] at ,muni*1 conta9+ n9ety m9iatures1 is also confid5tly assign$ to him4 ,o!r ,,mss4 t are imput$ to him are probably ! "w ( 8 sons or s*ol>s4 ,! ,p>is ,josephus is g5]ally consid]$ 8 ma/]piece4 ,! volume 7:i* conta9s only ! fir/ f\rte5 books7 is 9 folio1 writt5 mo/ beautifully 9 two columns1 & is adorn$ ) m9iatures1 vignettes1 & initials1 b mu* ( its int]e/ lies 9 ! note at ! end1 plac$ !re by ,robortet1 secret>y to ! ,due de ,b\rbon3 ,en ce livre a d\ze y/oires les troys premi]es de l'enlum9eur du duc ,jehan de ,b]ry1 et les neuf de la ma9 du bon pa9tre et enlum9eur du roy ,loys ,x,ie ,jehan ,f\cquet1 natif de ,t\rs4 ,& we ga!r f ano!r note t ! book _h be5 entru/$ to ,f\quet = completion by ,jacques d',armagnac duc de ,nem\rs4 ,a fur!r note in=ms u t ! book belong$ to ! ,duc de ,b\rbon4 ,x seems to h be5 "o ( ! ri* pres5ts made by ! ,due de ,b]ry to ,jacques de ,nem\rs4 ,! fir/ ?ree m9iatures are by ! illum9ator ( ! ,duc de ,b]ry1 & ?is arti/ 0 probably ,&rieu ,beauneveu1 ?\gh o!r illum9ators did "w = him1 z ,jacques de ,hesd9 & ,pol de ,limb\rg4 ,! f\r? m9iature is by ,f\quet1 & repres5ts a battle2 ! re/ to ! sev5? are ei!r n 8 be/ "w or else ! "w ( 8 pupils1 b ! sev5? on folio #ace gives u a good idea ( ,f\quet at 8 be/4 ,x repres5ts ,david receiv+ ) 8 cr[n ! news ( ! dea? ( ,saul4 ,! eigh?1 n9?1 & t5? are v f9e1 b ! elev5? ,m4 ,paul9 ,p>is 7,,mss4 du ,roy7 ?9ks ! mo/ beautiful ( all4 ,its subject is ! clem5cy ( ,cyrus t[>ds ! captive ,jews 9 ,babylon4#ee ,( ! o!r ,,mss4 space =bids u reluctantly to =ego description4 #ee ,see ,mrs4 ,m>k ,pattison's 7,lady ,dilke7 ,! ,r5aissance 9 ,france1 i4 #bgc1 etc42 ,bradley1 ,dict4 ( ,m9iaturi/s art4 ,f\quet1 i4 #cdf4 ,! *>act]i/ics ( ! s*ool ( ,t\rs z se5 9 ! "w ( ! greate/ ( its expositors is 7#a7 ,! cle>ly m>k$ influ5ce ( ,italy & ! antique4 7#b7 ,a ma/]ly und]/&+ ( ,fr5* l&scape 7see f9e in/ances ( ?is und]/&+ also 9 ,trsor des ,hi/oires1 n[ 9 ! ,briti% ,museum1 ,cott41 ,aug4 #e74 7#c7 ,a complete fre$om f ,go?ic influ5ce & f ! dom9ation ( ! s*ool ( ,bruges4 ,! col\rs = :i* ,f\quet seems to h a pref]5ce are1 fir/1 a cle> orange-v]milion1 support$ by gold5 br[n & gold1 cle> blue & gre51 lemon-yell[2 & !n1 z a contra/1 grey ( v>i\s tones 9 walls & build+s1 s(t l&scape gre5s1 & arial t9ts ( di/ance & sky4 ,p]haps ! te*nical skill ( ,f\quet has nev] be5 surpass$4 ,x is s p]fect t "s h tri$ to expla9 x by suppos+ t he 0 tra9$ 9 a ,flemi% /udio4 ,8 sons & pupils cont9u$ 8 me?ods1 & ?us :ile ,p>is rema9s "u ! influ5ce ( ,flemi% ma/]s1 ,t\rs 0 c>ry+ =w>d a q diff]5t type ( traditions4 ,! ,val]ius ,maximus 7,h>l4 #dcgd7 ( ! ,briti% ,museum w give an idea ( ! lat] ,p>is s*ool4 ,its date is ab\t ! end ( ! fifte5? c5tury4 ,we ought n 9 ?is place to =get ! influ5ce br\ght into ,fr5* art ?r\gh ! m>riage ( ! murd]$ ,duke ( ,orleans ) ,val5t9a ( ,milan1 n only directly ?r\gh books & arti/s1 b by ! h]$it>y transmission ( t love ( art & beautiful ?+s = :i* ,val5t9a & h] family 7 well kn[n4 ,x 0 9 art1 lett]s1 & books t ! wid[$ pr9cess s\ght su* consolation z 0 possible4#ef ,9 h] be/ days %e _h unit$ 9 h]self a s$uctive grace ( c>riage1 beauty ( p]son1 & dignity ( rank1 :i* made h] ! ornam5t ( ! ,fr5* ,c\rt4 ,%e 0 almo/ ! only "o ab\t ! un=tunate ,*>les ,,vi4 :o c\ld influ5ce him 9 8 mom5ts ( m5tal ab]ration4 ,com+ f ! luxury ( ! mo/ spl5did c\rt 9 ,italy1 %e br\ght into ,france ! mo/ ref9$ ta/e 9 matt]s connect$ ) ! arts4 ,! inv5tory ( h] jewels at ! "t ( h] m>riage includes ?ree ,books ( ,h\rs1 ?ree ,g]man ,,mss41 & a volume call$ ,m&avilla4 ,l h] husb& %e 0 an employ] bo? ( copyi/s & illum9ators1 & be=e h] dea? _h collect$ at h] ,ca/le ( ,blois a v f9e collection ( beautiful books4 #ef ,%e assum$ z h] impresa ! *antepleure1 ) ! sorr[ful motto3 ,plus ne m'e/ ri53 ri5 ne m'e/ plus4 ,h] son ,*>les1 ! poet1 inh]it$ h] ta/es1 & add$ to h] collections4 ,we are n surpris$1 !re=e1 to f9d h] gr&son ,l\is1 aft]w>ds ,l\is ,,xii41 support+ ! great arti/ic movem5t :i* he & 8 ,que5 ,anne ( ,brittany help$ s effectually to id5tify ) ! ,c\rt ( ,france4 ,ab\t ! "t t we he> ! la/ ( ,f\quet we h ! e>lie/ notices ( ano!r illum9ator :o plays an important "p 9 ! illum9ations execut$ = ,anne ( ,brittany1 ! noble & gift$ ,que5 ( ,france1 & wife1 fir/ ( ,*>les ,,viii4 & !n ( 8 successor1 ,l\is ,,xii4 ,9 #adgb ,jean ,p]ral is entru/$ ) ! glass pa9t+s ( ! ,c>melite *ur* at ,t\rs4 ,lemaire1 9 8 ,lg5de des ,vniti5s1 calls him a second ,zeuxis or ,apelles4 ,dur+ ! reigns ( ,*>les ,,viii4 & ,l\is ,,xii4 he is ! *ief arti/ ( ! "t3 ,9 #adia1 & p]haps e>li]1 he is engag$ 9 ! usual duties ( a valet de *ambre1 i4e4 design+ & prep>+ ! requisite devises1 arms1 & bann]s = public functions4 ,9 #aejb he w5t to ,italy4 ,9 #aeji 8 "n occurs 9 connection ) t ( ,jean ,b\rdi*on1 ( :om we %all he> m :5 we come to ! "w done = ! ,que54 ,9 #aebc 9 ! h\sehold ( ,francis ,i4 he is /ill valet de *ambre4 ,tw5ty-f\r ye>s previ\sly x 0 z valet de *ambre t he prep>$ ! decorations = ,l\is ,,xii4's entry into ,lyons4 ,on ! dea? ( ,anne ( ,brittany also he p]=m$ simil> duties1 & aga9 on t ( ,l\is ,,xii4 ,he ev5 came to ,engl& 9 #aead1 s5t by ,l\is ,,xii41 to sup]9t5d ! tr\sseau ( ,m>y ,tudor1 p\r aid] dress] le dict app>eil la mode de ,france1 previ\s to h] w$d+ j\rney to ,p>is4#eg ,f\r mon?s aft]w>ds he 0 summon$ to direct ! fun]al obsequies ( ,l\is himself4 ,no illum9at$ "w c be really id5tifi$ z ! "w ( ,p]ral1 b ,mrs4 ,patteson 7,lady ,dilke7 /rongly urges ! probability t he pa9t$ ! ,bible ,hi/orie ( ,corpus ,*ri/i ,college1 ,cambridge1 bequea!d by ,g5]al ,ogle?orpe4#eh ,%e consid]s x q ! sort ( "w t w\ld gr[ out ( t ( ,f\quet1 & dwells ^u ! fact ( 8 (ficial duties z valet de *ambre giv+ him j t m9ute facility 9 ! decoration ( arm\r & furniture 9 ! m9iatures :i* ! ,,ms4 displays4 ,:e!r ?is be s or n1 x is c]ta9 t ! ,bible ,hi/orie is a f9e example ( ! s*ool ( ,t\rs4 #eg ,see ,vespas1 b4 #b 7,brit4 ,mus474 #eh ,see h] ,r5aissance ( ,art 9 ,france1 i4 #cjc4 ,ano!r c\rt pa9t] & valet de *ambre to ,l\is ,,xi4 & 8 successors 0 ,jean ,b\rdi*on1 an arti/ born at ,t\rs 9 #adeg1 & !re=e z a y\? probably "o ( ! s*ol>s 9 ! ateli] ( ,jean ,f\quet4 ,he is fir/ notic$ 9 ! acc\nts 9 or ab\t #adgh3 ,a ,jehan ,b\rdi*on1 pa9tre1 la somme de v+t livres dix sept solz ung d5i] t\rnois p\r avoir pa9t le tab]nacle fait p\r la *apelle du ,plessis du ,p>e1 de f9 or et d'azur4#ei ,lat] on1 aft] nam+ ! pa9t+ ( a /atute ( ,/4 ,m>t91 = :i* he receiv$ tw5ty gold5 cr[ns1 is a note ( 8 pa9t+ a ,,ms41 :i* we translate3 ,to ! said ,b\rdi*on = hav+ _h writt5 a book 9 p>*m5t nam$ ! ,papali/--! same illum9at$ 9 gold & azure & made 9 ! same #ai ri* hi/ories 7m9iatures7 & = gett+ x b\nd & cov]$1 ?irty cr[ns ( gold4 ,= ?is by virtue ( ! said ord] ( ! ,k+ & by quittance ( ! abov5am$ writt5 ! #e? ,april ,"o ?\s& f\r hundr$ & eighty 7milcccciiiixx7 aft] ,ea/]1 "h r5d]$ ! sum ( #ai #a4 #h4 #ei ,comptes de l',htel de ,l\is ,,xi41 #adgh-ha4 ,ano!r quittance %[s him to h be5 employ$ on ! decorations ( ! *teau ( ,plessis les ,t\rs4 ,we may easily see h[ x is t ^! arti/s1 :5 !y came to illum9ate ! books entru/$ to !m1 _h su* special k ( embroid]ies & decoration ( arm\r :5 we read 9 ! acc\nts h[ !y 7 con/antly employ$ 9 design+ dresses = w$d+s1 t\rnam5ts1 & fun]al obsequies1 & mak+ patt]ns = ! dress & equipm5t ( w>4 ,a notice 9 #aejh tells u t ,anne ( ,brittany made an ord] ( paym5t to ,b\rdi*on ( #a1jej livres t\rnois = hav+ ri*ly & sumptu\sly hi/oriat$ & illum9at$ a great ,book ( ,h\rs = our use & s]vice to :i* he has giv5 & employ$ mu* "t1 & also on behalf ( o!r s]vices :i* he has r5d]$ hi!rto4 ,?is ref]s to ! celebrat$ ,h\rs ( ,anne ( ,brittany1 n[ 9 ! ,national ,libr>y at ,p>is4 ,?is volume1 pe]less ( its k9d1 has be5 reproduc$ 9 col\r li?ography by ,curm] ( ,p>is--! result1 h[ev]1 is disappo9t+ f ! flat & fad$ look ( ! pr9ts z comp>$ ) ! brilliancy ( ! orig9al pages4 ,! ,,ms4 is an invaluable monum5t ( ,fr5* ,r5aissance illum9ation4 ,x is ,fr5* ( ,t\ra9e r ?an ( ,p>is1 yet be>+ traces 9 its fl[]s & fruit bord]s ( ,flemi% modes ( ornam5t4 ,x has also rem9isc5ces ( ,italian pa9t+4 ,b ! ,fr5* neatness & re/ra9t f ov]-decoration h kept x 9 a mann] unique4 ,x has n q ! s(tness ( ,italian1 & is f> f ! int5sity ( ,flemi%4 ,inde$1 its fault1 if x be faulty1 is 9 its want ( =ce4 ,) ! exception ( ,anne's own portrait giv5 ) h] patrons1 ,/4 ,anne1 ,/4 ,hel5a1 & ,/4 ,ursula4 ,! ,que5's g[n is ( br[n gold brocade trimm$ ) d>k br[n fur4 ,h] hair is br[n1 l ! fur4 ,%e we>s a necklace ( gems set 9 gold4 ,on h] head is a black hood edg$ ) gold & jewels1 b5ea? :i* & next h] face is a bord] ( crimp$ :ite musl91 ,%e has br[n eyes & f9ely p5cill$ eyebr[s4 ,z to nose & m\?1 %e & ! two y\ng] sa9ts are pretty mu* alike4 ,) ! all[ance ( blue = black1 ,/4 ,anne we>s ! dress ( a ,b5$ict9e abbess4 ,a d>k crimson clo? cov]s a table be=e :i* ! ,que5 is kneel+1 & on :i* lies op5 a f9ely illum9at$ ,s]vice-book4 ,! ,cal5d> :i* foll[s ?is portrait is = ea* mon? enclos$ 9 a m>g9 ( ornam5t4 ,to ! out] m>g9 ( e o!r page ( ! book is plac$ a broad tablet or pila/] conta9+ fl[]s1 fruits1 insects1 etc41 f five to six in*es high1 ea* hav+ ! ,lat9 "n ( ! plant1 etc41 at top 9 r$1 & ! ,fr5* "o 9 r$ or blue at ! bottom4 ,^! names may h be5 put 9 lat]4 ,x mu/ be admitt$ t ! fruits1 fl[]s1 & insects are pa9t$ ) ! greate/ c>e & neatness1 ?\gh sometimes a little assi/$ by ! imag9ation ( ! pa9t]4 ,! text & initials are r heavy & commonplace4 ,n[ & !n a bord] surr\nds ! text completely1 :]e fl[]s or fruits are scatt]$--some:at recklessly at times1 b usually ) good design--ov] a gr\nd ( pla9 gold1 on :i* ! bran*es1 etc41 ca/ heavy %ad[s4 ,?is "p ( ! design is c]ta9ly ,flemi%4 ,:]e hi/ories occur ! bord] is a pla9 br[n gilt frame )9 a black bord]4 ,und\bt$ly ! ,h\rs ( ,anne ( ,brittany is a v preci\s volume4 ,! figure subjects are ( v>i\s degrees ( excell5ce4 ,! f\r evangeli/s are vivid1 & recall ! portraits ( ,ghirl&aio1 & x is to ,italy also t ! illum9ator is indebt$ = 8 ar*itectural & sculptural details4 ,yet ,b\rdi*on is inf]ior to ,f\quet 9 col\r+1 z ! latt] is to ! ,italians 9 design & composition4 ,p]haps he is mo/ successful 9 8 fl[]s & insects4 ,no?+1 said ,muntz1 is less l ! elegant foliages ( ,ghirl&aio & ,attavante1 & no?+ is m wor?y ( be+ put 9 comp>ison ) !m4#fj #fj ,la ,r5aissance en ,italie1 etc41 #edg-h4 ,an illum9ator ( ! "n ( ,jehan ,poyet is said to h assi/$ 9 ! ,h\rs1 ?us :ile ,b\rdi*on pa9t$ ! m9iatures1 ,poyet put 9 ! fl[]s & fruit1 etc42 b ?is %>e ( "w is by "s believ$ to belong to a small] ,book ( ,h\rs execut$ = ! ,que54 ,fl[]s & fruit are said to h be5 ,poyet's speciality1 & x is q possible t he may h _h ! pa9t+ ( ! bord]s ( ! ,gr&es ,heures1 :ile ,b\rdi*on did ! re/4 ,! writ] ( ! ,,ms4 0 ano!r native ( ,t\rs1 nam$ ,jehan ,riv]on4 ,dur+ ! reign ( ,francis ,i4 ! s*ool ( ,t\rs 0 remov$ to ,p>is because ! ,c\rt _h settl$ !re4 ,l\is ,,xii4 _h di$ 9 ! ,htel des ,t\rnelles1 & ,francis1 ?\gh full ( plans = plaisances else:]e1 liv$ mo/ly 9 ,p>is4 ,fonta9ebleau is ! dream ( ! ne> future4 ,il ,rosso1 ! ,italian ar*itect1 pa9t]1 poet1 & musician1 0 busy !re amid a cr[d ( o!r arti/s f ,flor5ce & ,rome--! refuse ( a once brilliant sodality4 ,x 0 ! frivol\s1 pretty1 graceful side ( ,italian art t came nor?w>d 9 t great migration--! grav] & m dignifi$ elem5ts 7 left beh9d4 ,to see :at ,italian art became 9 ,france1 we h only to ent] ! ,gr& ,gall]y at ,fonta9ebleau1 & we see x at its be/ 9 ar*itecture1 sculpture1 & pa9t+4 ,& we _c help admir+ x1 = x is amaz+ly beautiful4 ,yet x is n ,italian--! ,italian ( ! ,m$ici & ,f>nese palaces4 ,il ,rosso 0 nei!r a ,mi*elangelo nor a ,c>racci2 b he set a fa%ion4 ,he *ang$ ! face ( art = ,france4 ,nor 0 x 9 pa9t+ & sculpture only4 ,! ,italian passion = devises1 anagrams1 emblems1 & mottoes became ! rage 9 ,p>is4 ,x fir/ came 9 ) ! return ( ,*>les ,,viii4 f 8 ,neapolitan campaign4 ,l\is ,,xii4 adopt$ ! h$gehog or porcup9e1 ) ! motto ,com9us et em9us4 ,8 ,que5 ,claude's motto 0 ,c&ida c&idis4 ,! ,pr9cess ,m>gu]ite's emblem 0 a m>igold or heliotrope2 o!rs assign$ h] ! daisy4 ,h] motto3 ,non inf]iora secutus4 ,! well-kn[n emblem ( ,francis 0 a salam&]--:y1 is a my/]y--) ! motto1 ,nutrisco et ext+uo4 ,all ?is ent]$ into ! ta/e ( ! illum9ator1 & elegant c>t\*e frames--probably ( ,dut* orig91 z we see 9 ! old map-books ( ,ortelius ,cluv]ius & ,bleau1 import$ by ,ortelius & 8 fri5ds into ,italy1 & made use ( by ,clovis1 & !nce transf]r$ to ,france--7 made into bord]-frames = m9iatures1 v>i$ ) alt>-=ms1 doorways1 & o!r fanciful frameworks f ! new ar*itecture decorat$ ) fl[]s1 ribbons1 panels1 mottoes4 ,ano!r new ?+1 too1 no d\bt af=d$ pl5ty ( sugge/ion to ! illum9ator4 ,?is 0 /a9$ glass4 ,jean ,c\s9 0 9 8 glory 9 glass-pa9t+2 ,rob]t ,p9agri] also4 ,b x 0 ,c\s9 :o adopt$ ! new ,italian ideas1 & ^: works 7 models = ! illum9ator4 ,9 ! backgr\nds & details ( 8 glass-pa9t+s at ,s5s1 ,fleurigny1 ,p>is1 & else:]e1 we may trace 8 progress2 & an excell5t model1 too1 0 ,jean ,c\s94 ,he has o!r claims to remembrance 9 sculpture1 engrav+1 au?or%ip1 b x is z ! glass-pa9t] t 8 influ5ce is se5 9 illum9ation4 ,inde$1 ,mr4 ,a4,f4 ,didot /rongly urg$ ! probability t ,c\s9 0 himself ! illum9ator ( ! spl5did ,brevi>y or ,h\rs ( ,claude ,g\ffi]4#fa ,! draw+ is 9 8 be/ mann]1 ! frame-bord] ( c>yatides 9 camaieu is ( a ri*ness ( ornam5tation 9 keep+ ) ! re/ ( ! volume4 ,! arms & motto ( ,g\ffi] are pa9t$ 9 x4 ,x is object$ t ,c\s9's "n does n appe> 9 ! ,g\ffi] acc\nt-books1 :ile ^? ( o!r arti/s are giv54 ,b only a portion ( ! acc\nts is extant4 ,c\s9 may1 p]haps1 only h design$ ! book1 & ! o!r m9iaturi/s c>ri$ out 8 designs4 ,at any rate1 ! acc\nts give u ! names ( ?ree m9iaturi/s :i* we may "h record--,jean ,lemaire1 ( ,p>is 7#aeee71 ,*>les ,j\rda91 & ,ge(froy ,ball9 7#acei74 ,^! enlum9eurs are /at$ to h decorat$ two ,books ( ,h\rs = ,g\ffi]'s w$d+4 ,z a good example ( ! /yle employ$ 9 ! decoration ( title-pages1 we may quote ! *imney-piece ( ! ,*teau d',anet1 execut$ = ,diane de ,poiti]s1 :]e a sculptur$ m>ble frame surr\nds a pa9t$ l&scape4 ,_m ( ! books ( ! "t ( ,francis ,i4 & ,h5ry ,,ii4 are ornam5t$ 9 ?is /yle4 #fa ,n[ belong+ to ,m4 le ,vicomte de ,tanz4 ,9 ! ,briti% ,museum are sev]al f9e ,,mss4 illu/rative ( ?is p]iod ( ,fr5* illum9ation1 viz4 ,add4 #ahhec1 #ahhed1 & #ahhee4 ,^! ?ree ,,mss4 =m$ "p ( ! pur*ase :i* includ$ ! ,b$=d ,(fices4 #ahhec is a ,book ( ,(fices execut$ app>5tly = ,francis ,i4 ,9 "s ( ! bord]s is a l>ge ,f ) ! ,cordelire ( ! ?ird ,ord] ( ,/4 ,francis & a ray$ cr[n1 & on folio #ig v4 a l>ge monogram consi/+ ( ! lett] ,f1 ) two cross$ sceptres & palm bran*es1 surm\nt$ by ! cr[n-royal ( ,france4 ,no?+ is kn[n ( ! hi/ory ( ! ,,ms4 f #aedg to #agbc1 :5 x 0 9 possession ( ! ,reg5t ,philippe d',orlans4 ,possibly x _h rema9$ z an heirloom 9 ! family4 ,philippe gave x to 8 natural son ! ,abb ,ro!l91 a great lov] ( r>e books & a not$ collector1 at ^: dea? x 0 b\ght by ,gaignat1 ano!r collector1 :o sold x to ! ,duc de la ,vallire1 & s1 /ep by /ep1 x came at l5g? to ,sir ,john ,tob91 ( ,liv]pool1 & !nce to ! ,briti% ,museum4 ,! p>tly sculpturesque "* ( ! bord]-frames are ( ! k9d j ref]r$ to1 ) fe/oons & g>l&s ( fl[]s1 & drap]y1 monograms1 & emblems 9 full ri* col\rs2 ! ar*itecture & o!r ornam5ts sometimes f9i%$ ) p5cill+s ( gold4 ,! m9iatures are ( excell5t design & col\r1 f9ely modell$1 & q 9 ! mann] ( ! pa9t+s ( ,fonta9ebleau4 ,! text is a comb9ation ( ,j>ry-l ,roman ) italic4 ,x may be comp>$ ) #ahhed1 simil> 9 "s respects1 b ! small] m9iatures & ! frames look m l ! old] s*ool ( ,t\rs4 ,?is ,,ms4 is also a ,book ( ,(fices1 & 0 writt5 = ,franois de ,d9teville1 ,bi%op ( ,aux]re1 9 #aebe1 z appe>s f an inscription 9 gold lett]s on fol4 #bf v4 ,illu/ration3 ,,(ficm4 ,b4 ,,m>i ,,virg9es ,c4 #aecj ,brit4 ,mus4 ,add4 ,,ms4 #ahhec1 fol4 #eb ,illu/ration3 ,,(ficm4 ,,mortuorum4 #af,,? ,,c5t4 7,,e>ly7 ,brit4 ,mus4 ,eg]t4 ,,ms4 #babe1 fol4 #ahc ,"s ( ! bord]-frames are drawn 9 sepia1 o!rs 9 r$-br[n or burnt si5a1 & highly f9i%$ ) gold4 ,! writ+ is a small ,roman h&4 ,on ! :ole x is ri*] 9 illu/ration ?an #ahhec1 b n s p]fect 9 draw+1 yet x is a v f9e ,,ms4 ,sometimes x has a bord] l ^? 9 ! ,h\rs ( ,anne ( ,brittany4 ,on fol4 #bf v4 is a curi\s bord] ( twi/$ ribbons cov]$ ) mottoes1 su* z ,virtutis =tuna comes1 ,+rates s]vire nephas1 etc4 ,"s ( ! t9y m9iatures ( ! sa9ts 9 ! ,memori are v *>m+ly pa9t$3 ,/4 ,m>y ,magdal5e1 = in/ance1 on fol4 #adg v4 ,! pill> ar*itecture ( "s ( ! bord]s1 ) p5dant fe/oons ( fl[]s1 is also v h&some4 #ahhee1 folio1 is a ,book ( ,(fices writt5 9 a ,go?ic text4 ,! m9iatures are l>ge full-page pa9t+s )9 ar*itectural frames or por*es1 ) col\r$ pill>s or pila/]s ) panels ( ri* blue1 cov]$ ) gold5 trac]ies1 bronze gold p5dants at side1--occasional bord]s z 9 ! ,h\rs ( ,anne ( ,brittany4 ,! "w is ( ! old] s*ool ( ,t\rs1 b load$ ) ornam5tal details f ,nor? ,italian pila/]-"w4 ,among ! be/ m9iatures are ! ,nativity 7#cd v471 ! ,adoration ( ! ,magi 7#db v471 & ! ,ba?%eba4 ,! la/ p]haps a little too op5 a sc5e = a lady's ba?room1 b plac$ )9 a mo/ gorge\s ar*itectural w9d[ or doorway 7fol4 #fb v74 ,comp>e also ,h>l4 #eibe1 ,no4 #egd1 = a title-page ( ,fr5* ,r5aissance /yle f a pr9t$ book1 :i* sugge/s ,v5ice z ! s\rce ( ! /yle ( #ahhec4 ,9 ! ,national ,libr>y at ,p>is are1 ( c\rse1 a numb] ( ?is class ( ,,mss41 su* z ! ,(fices 7,,ms4 ,lat4 #ajefc71 ,(ficium ,beat ,m>i ,virg9is ad usum ,romanor 7#aeca71 or ! exquisitely pa9t$ ,heures de ,h5ry #b;d 7fds4 ,lat4 #adbi71 or ! magnific5t ,epi/res d',ovide ( ,l\isa ( ,savoy 7fds4 fr4 #hge71 & o!rs4 ,by no means ( less importance we may cite ! beautiful volume belong+ to ! late ,comte d',haussonville1 n[ 9 ! ,muse ,cond at ,*antilly1 call$ ! ,heures du ,conntable ,anne de ,montmor5cy1 & ! ,heures de ,d9teville 7,,ms4 ,lat4 #ajeeh71 ! decoration ( :i* is q on a p> ) ! ,heures de ,montmor5cy1 or ^? ( ,h5ry ,,ii41 also ! ,psalt] ( ,claude ,g\ffi] 7,ars5al ,lib41 #ejie71 conta9+ ! ,psalms ( ,m>ot4 ,x is sc>cely wor? :ile to c>ry ! subject fur!r4 ,:at is done lat] ?an ,francis ,,ii4 does n gr[ f9] or bett]3 x only becomes m ov]load$ ) ornam5t1 too mu* gold1 too mu* ri*ness4 ,ev5 foliages are (t5 v>iegat$ l pe>ls1 or *ange gradually f col\r to col\r on ! same sweep ( acan?us z 9 a ,,ms4 9 ! ,briti% ,museum attribut$ to ,pi]re ,mign>d 7,sol ,gallicus1 ,add4 #bcgde74 ,comp>e also ! ,heures de ,l\is ,,xiv4 ,n[ & !n an exceptional "w1 l t ( ,d',eaubonne at ,r\51 belongs to no p>ticul> s*ool4 ,,*apt] ,x ,,spani% ,,& ,,portuguese ,,illum9ation ,late p]iod ( ,spani% illum9ation--,isidore ( ,seville--,ar*ives at ,madrid--,b>celona--,tol$o--,madrid--,*o ir-books ( ! ,escorial--,philip ,,ii4--,illum9ators ( ! *oir-books--,! size & beauty ( ! volumes--,fray ,&rs de ,leon & o!r arti/s--,italian influ5ce--,giovanni ,batti/a ,scorza ( ,g5oa--,antonio de ,hol&a1 well-kn[n ,portuguese m9iaturi/ 9 sixte5? c5tury--,8 son ,francesco--,! *oir-books at ,belem--,fr5* invasion--,missal ( ,gonalvez--,s&oval ,g5ealogies--,portuguese ,g5ealogies 9 ,briti% ,museum--,! ,/[e ,missal ( ,john ,,iii4 ,s9ce all ! be/ & be/-kn[n "w ( ,spani% or ,portuguese illum9ators 0 execut$ 9 ! sixte5? c5tury1 & is manife/ly a reflection ) peculi> mann]isms ( ei!r ,flemi% or ,italian illum9ation ( ! same p]iod1 x may seem almo/ sup]flu\s to devote a sep>ate *apt] to ! subject4 ,yet !re is a goodly li/ ( bo? ,spani% & ,portuguese arti/s :o practis$ ! art ( illum9ation4 ,s e>ly z ! "t ( ,isidore ( ,seville we f9d notices ( libr>ies1 copyi/s1 & ! l 7see book iv4 ( 8 ,encyclopdia71 & an able writ] ( ! la/ c5tury1 ,don ,jos ,m>ia de ,egur51 publi%$ a "w on ! ,,ms4 r>ities ( ,spa94#fb ,! mo/ important ( ! m9iatures 9 ! fam\s ,codex ,vigilano are also reproduc$ 9 ,el ,museo ,espaol de antigu$ades1 mo/ int]e/+ respect+ ! calligraphy & m9iature art ( ! elev5? c5tury4 #fb ,memoria de los ,codices notables cons]vados en los ar*ivos eclesea/icos de ,espana4 ,madrid1 #ahei1 ,l4 #h4 ,"o ( ! e>lie/ in/ances ( royal patronage be/[$ on pa9t+ 9 ,spa9 is a docum5t 9 ! ,royal ,libr>y at ,madrid1 conta9+ ! exp5ses ( ,k+ ,san*ez ,,iv4 9 #abia-b4 ,?us to ,rodrigo ,e/eban1 pa9t] ( ! k+ = _m pa9t+s done by ! k+'s ord]s 9 ! bi%op's palace #ajj gold5 m>av$is4 ,aga91 9 ! ar*ives at ,b>celona we f9d t ,juan ,cesilles1 pa9t] ( hi/ory1 0 engag$ #af? ,m>*1 #achb1 to pa9t ! ,hi/ory ( ! twelve apo/les = ! gr& alt> ( ! ,*ur* at ,reps = #ccj flor9s4 ,9 #acci "o ,gonzalez ,f]ran _h "s reputation bo? z a wood engrav] & a pa9t]4 ,he 0 probably a m9iaturi/4 ,9 #acdj-ha1 ,g>cia ,m>t9ez1 a ,spani% illum9ator1 work$ at ,avignon4 ,a copy ( ! ,decretals1 dat$ #acha1 9 ! ,ca!dral ,libr>y ( ,seville is by 8 h&4 ,9 ! fifte5? c5tury we h _m notices ( pa9t]s1 especially 9 ,tol$o1 :i!r ! ta/e 0 9 all likelihood br\ght f ,naples aft] ! conque/ ( t k+dom by ,alphonso ,v4 ( ,aragon 9 #adda4 ,x has be5 obs]v$ by ^? famili> ) native ,spani% art t its *ief *>act]i/ic is t x is gloomy4 ,?is may be s1 b x is n fairly *>geable to ! arti/s b to ! tyranny ( ! ,spani% ,inquisidor1 :o laid ! emb>go on ! illum9ator t he %\ld n foll[ ! wick$ gaiety ( ! ,italians1 nor ! sometimes too reali/ic v]acity ( ! ,flem+s4 ,?is acc\nts usually = backgr\nds ( black :]e ! ,flem+ w\ld h _h ri* col\r or gold = ! preval5ce ( black 9 ! drap]ies & = ! sombre tone 9 g5]al ( ,spani% pa9t+4 ,x is n always 9 evid5ce1 z may be se5 9 _m ( ! m9iatures ( ! fam\s *oir-books 9 ! ,escorial4 ,! sombre p]iod began "u ,f]d9& ! ,ca?olic1 & x has left its m>k on ! s*ools ( ! fifte5? c5tury4 ,! sixte5? began a new era1 & "u ,philip ,,ii4 sev]al1 bo? ,ne!rl&i% & ,italian1 m9iaturi/s 7 invit$ to assi/ 9 ! production ( ! enorm\s *oir-books ord]$ by ! ,k+ = ,san ,lor5zo ( ! ,escorial1 betwe5 #aegb & #aehi4 ,! volumes are b\nd 9 wood5 bo>ds cov]$ ) lea!r1 /amp$ & boss$ ) ornam5ts ( gild$ bronze4 ,x is said t #e1ejj lbs4 ( bronze & #dj lbs4 ( pure gold 7 us$ 9 ! b9d+s4 ,! actual dim5sions ( ! volumes are #aae by #hd c5timetres4 ,e volume has at lea/ sev5ty folios1 & e folio is spl5didly illum9at$1 ?us af=d+ m ?an #cj1jjj pages cov]$ ) ri*ly ornam5t$ initials1 m9iatures1 & bord]s4 ,! illum9ators & copyi/s ( ^! *oir-books 7 ,cri/obal ,ramirez1 :o plann$ ! "w1 fix$ ! size & o!r details ( ! volumes & ! "* ( ! h&writ+1 ,fray ,&rs de ,leon1 ,fray ,julian de ,fu5te del ,saz1 ,ambrosio ,salaz>1 ,fray ,m>t9 de ,pal5cia1 ,francisco ,h]n&ez1 ,p$ro ,salav>te1 & ,p$ro ,gomez4 ,ramirez 0 engag$ at ! ,escorial f #aeff to #aegb4 ,9 ! latt] ye> he pres5t$ a ,brevi>y ) musical notation to ! ,k+1 & 0 !n engag$ = ! great und]tak+ m5tion$ above4 ,&rs ,cri/obal 0 also an illum9ator ( note at ,seville1 :]e he work$ f #aeee to #aeei4 ,&rs de ,leon work$ at ! ,escorial f #aefh1 & is especially m5tion$ by ,los ,santos 9 8 well-kn[n description ( ! mona/]y ( ,san ,lor5zo3 ,son de gran num]o y excel5cia las ilum9aciones que ti55 de mano nue/ro ,fray ,&rs de ,leon1 que fue otro ,don ,julio en el ,arte4#fc ,! allusion is to ! celebrat$ ,don ,giulio ,clovio1 !n 9 ! height ( 8 fame 9 ,italy4 ,fray ,julian receiv$ simil> praise = a capitol>io = ! pr9cipal fe/ivals ( ! ye>1 especially = ! gr& dim5sions ( ! m9iatures1 ! l ( :i* ! writ] says _h nev] be5 se5 be=e1 ei!r 9 ,spa9 or ,italy4 ,&rs de ,leon di$ at ! ,escorial 9 #aehj4 ,salaz> cont9u$ work+ on !m till !y 7 complet$1 & 9 #aeij w5t to ,tol$o1 :]e he f9i%$ two ,missals = ! ,ca!dral1 :i* _h be5 begun by ! fam\s ,juan ,m>t9ez de los ,corrales4 ,he 0 /ill engag$ on simil> "w until 8 dea? 9 #afjd4 ,two o!r illum9ators1 ,e/eban & ,julian de ,salaz>1 7 work+ at ! ,escorial 9 #aehe4 ,b]mudez#fd m5tions ,fray ,m>t9 de ,pal5cia z hav+ execut$ a volume 9 a f9e h&writ+ & ) beautiful m9iatures = ! mona/]y ( ,saso4 ,?us we see !re 7 num]\s m9iaturi/s 9 ,spa9 9 ! late/ ye>s ( ! exi/5ce ( ! art t _h be5 import$ *iefly f ,italy4 #fc ,fr4 ,francisco de los ,santos1 ,description breve del ,mona/]io de ,s4 ,lor5zo el ,real del ,escorial1 #bd4 #fd ,diccion>io1 iv4 #bd4 ,aft] mo/ ( ^! great *oir-books _h be5 f9i%$ !re 7 /ill o!rs 9 progress4 ,9 #aehc ,giovanni ,batti/a ,scorza ( ,g5oa1 :o is celebrat$ 9 ! ,gall]ia ( ! ,cavali]o ,m>9i1 0 invit$ by ! ,k+ to take "p 9 8 great *oir-book s*eme4 ,scorza 0 !n ?irty-six ye>s ( age1 & 9 ! height ( 8 reputation z a pa9t] ( small animals & insects4 ,aft] a little "t he return$ to ,g5oa1 :]e he liv$ to be n9ety ye>s old4 ,he _h a bro!r1 ,s9ibaldo1 :o 0 equally skilful 9 m9iature1 & especially 9 sc5es f hi/ory4 ,! ,scorzas 7 pupils ( ,luca ,cambiaso4 ,x may be notic$ t all ?is "w 9 m9iature1 al?\gh s late 9 its own hi/ory1 is accompli%$ be=e ! greate/ names 9 ,spani% pa9t+ are kn[n4 ,josefo ,rib]a 0 born 9 #aehh2 ,zurb>an 9 #aeih2 ,velasquez 9 #aeii2 ,alonzo ,cano 9 #afja2 ,murillo 9 #afag4 ,?is1 9 a s5se1 is ! natural c\rse ( ?+s1 z1 g5]ally1 illum9ation has prec$$ ! o!r k9ds ( pa9t+4 ,) reg>d to ,portugal1 v little is record$ t does n 9 "s way connect itself ) ,spa94 ,s we f9d t ,antonio & ,francesco de ,hol&a1 seem+ly ( ,ne!rl&i% orig91 are m5tion$ 9 relation to ! books illum9at$ = ! ,royal ,mona/]y ( ,?om>2 ,francesco also work$ = ! mona/]y ( ,belem4 ,francesco de ,hol&a 0 a great admir] & imitator ( ,clovio1 b he always insi/$ t 8 fa!r ,antonio 0 ! inv5tor ( ! me?od ( /ippl+1 z ! f9i%+ ) m9ute po9ts ( col\r is te*nically call$1 :i* 0 br\ght to su* p]fection by ,clovio & 8 s*ol>s & imitators4 ,tak5 altoge!r1 ! "w ( ! ,spani% illum9ators at ! ,escorial & ^? ( ,tol$o & ,seville is really ! same1 ) j ! v>iations we might expect f pupils & imitators1 z t ( _! ma/]s 9 ,g5oa1 ,rome1 ,v5ice1 or ,bruges4 ,examples ( x may be se5 occasionally 9 diplomas1 su* z are f\nd 9 ! ,briti% ,museum & o!r public libr>ies1 z1 e4g4 ,claud4 ,b4 x4 ,lansd4 #ahi1 ,add4 #abbad1 #ahaia1 #bgbca1 etc4 ,9 #aegb1 ! same ye> 9 :i* ,luiz de ,camo5s publi%$ 8 ,lusiades1 an accompli%$ calligraph]1 ,miguel ,b>ata1 publi%$ an elaborate treatise on 8 own art1 !n 9 high repute4 ,9 ! f\rte5? c5tury ! ,cancioni]o ( ,don ,p$ro ,affonso ,ct4 de ,b>cellos af=ds an example ( ! calligraphy 7= :i* ,spa9 & ,portugal h always be5 fam\s7 & illum9ation :i* is preci\s = ! /ud5t4 ,x is /ill 9 exi/5ce 9 ! ,palace ( ,ajuda4 ,its date is #acbj-dj4 ,& !re are ,,mss4 9 ! ,torre d ,tombo ( ,lisbon t are ri*ly illum9at$4 ,aga91 9 ,seville !re is ! ,juego de las ,tablas1 execut$ "u ,alphonso ! ,wise 9 #abhc1 ) its ,go?ic arcades & ornam5ts4 ,m4 ,joaqu9 de ,vasconcellas has made a /udy ( ?is ,,ms4 ,! m9iatures ( ! ,torre d ,tombo ( ! ?irte5? & f\rte5? c5turies are mo/ly ( ! ,fr5* s*ool4 ,ab\t #adbh #cc 0 execut$ a spl5did ,,ms4 entitl$ ,leal ,conselheiro1 :i* is attribut$ to a fam\s m9iaturi/ 9 8 "t nam$ ,vasco4 ,x is1 h[ev]1 simply a monum5t ( p5man%ip1 z x conta9s no m9iatures4 ,! ,,ms4 has be5 edit$ by ,l',abb ,roquete 9 #ahdb4 ,! ,portuguese ,,mss4 ( ! fifte5? c5tury betray a decid$ ,flemi% influ5ce1 z well !y may1 = probably ! produc]s ( !m 7 ,flem+s4 ,con/ant int]c\rse ) ! ,c\rt ( ,burgundy _h some?+ to d ) ?is4 ,! ,*ronica d descobrim5to e conqui/a de ,gu91 n[ at ,torre d ,tombo1 is cle>ly a ,flemi% "w4 ,x 0 begun ab\t #addj1 & f9i%$ 9 #adec4 ,! portrait ( ! ,enfante ,don ,h5rique1 call$ ! ,navigator1 is set 9 a bord] evid5tly by a pupil or imitator ( ,j4 ,van ,eyck4 ,! calligraphy ( ! ,,ms4 is mo/ beautiful4 ,?is influ5ce ( ! ,ne!rl&s on ,portuguese art is1 inde$1 confirm$ by ! political diplomatic relations ( ! fifte5? c5tury1 & is ( "s importance 9 ! hi/ory ( art4 ,we %all ref] aga9 to ?is matt] :5 deal+ ) ano!r ,,ms4 ,among all ! calligraphic monum5ts ( ,portugal x is claim$ t ! mo/ spl5did is ! ,bible ( ! ,hi]onymites4 7,see ,revi/a univ]sal ,lisbon5se1 #ahdh1 pp4 #bd-h47 ,?is "w1 x is said1 0 a pres5t f ! ,c\rt ( ,rome to ,emanuel1 successor ( ,john ,,ii41 9 remembrance ( ! homage made to ! ,holy ,see1 ( ! fir/ gold br\ght f ! ,indies1 b ! /ory is v d\btful4 ,! ,k+1 9 bequea?+ ! sev5 volumes to ! conv5t ( ,belem1 says no?+ ab\t su* an orig94 ,!y are manife/ly 9 great "p ! "w ( =eign arti/s4 ,"o well-kn[n m9iaturi/1 ,antonio de ,hol&a1 ! fa!r ( ! bett]-kn[n ,francesco1 took "p 9 ! "w1 & hav+ a good conceit ( 8 own abilities 7we %all probably he> ( him aga971 res]v$ an entire volume to himself 9 ord] to give pro( ( !m4 ,! sev5 volumes :i* !n 7 cov]$ ) crimson velvet & silv] bosses & enamels1 are n[ simply b\nd 9 r$ morocco4 ,9 ! middle ( ea* cov] are ! arms ( ,emanuel ,k+ ( ,portugal4 ,vols4 v4 & vii4 h ^? ( ,dona ,isabel1 8 ,spani% wife4 ,! initials & ornam5ts %[ t ! art ( ,italy is freely mix$ ) t ( ,portugal4 ,inde$1 f ! signatures 9 ! volumes x is se5 t ! "w ( ! p5man 0 ,italian2 vol4 i4 be+ writt5 at ,f]r>a by ,sigismundo de ,sigismundis1 ! well-kn[n ,italian calligraph]1 9 #adie4 ,! second volume1 also f9i%$ 9 #adie1 be>s ! "n ( ,aless&ro ,v]azzano1 ano!r fam\s copyi/1 :o wrote sev]al ( ! volumes illum9at$ by ,attavante4 ,vol4 iii4 is dat$ #adif1 & is unsign$4 ,! next ?ree volumes are also )\t signature4 ,vol4 vii4 is ! "w ( ,antonio de ,hol&a1 :o f 8 "n appe>s to h be5 ( ,dut* desc5t4 ,8 "w is c]ta9ly excell5t1 & r5d]s ?is volume a v preci\s monum5t ( ! art ( ,portugal4 ,he 0 ! (ficial h]ald ( ! ,k+1 & he & 8 son ,francesco gave _! :ole "t to ! practice ( illum9ation4 ,8 son's ,memoirs give a mo/ int]e/+ acc\nt ( 8 travels & int]c\rse ) ,giulio ,clovio & ! o!r ,italian arti/s :om he met ) 9 ,rome4#fe ,= "s ye>s ! ,hi]onymite ,bible 0 9 ,p>is1 hav+ be5 br\ght ?i!r by ,m>%al ,junot1 :]e x rema9$ unnotic$ = sev]al ye>s4 ,be+ call$ = by ! ,portuguese ,gov]nm5t1 ,l\is ,,xviii4 paid #ej1jjj francs to ! family ( ,junot1 & re/or$ x to ! mona/]y ( ,belem4 ,a spl5didly illum9at$ atlas by an illum9ator & c>tograph] nam$ ,f]n&o ,vas ,d\rado 0 publi%$ 9 ! ye> ( 8 dea?1 #aega4 #fe ,see my ,life ( ,clovio4 ,z an important example ( :at we may fairly call native art1 we w n[ briefly ref] to ! celebrat$ ,missal ( ,e/evam ,gonalvez ,neto1 "o ( ! productions ( ! busy second half ( ! sixte5? c5tury4 ,! clev] amateur :o a*iev$ ?is beautiful s]ies ( pa9t+s1 = pa9t+s !y are1 9 addition to ! writ+ & o!r ornam5tation ( ! ,,ms41 0 desc5d$ f a noble family ( ,srem1 9 ! p>i% ( ,mac9hata1 =ty-?ree leagues f ,lisbon4 ,he became ,canon ( ,viseu1 & dur+ 8 leisure1 aft] ?is appo9tm5t1 execut$ ! ,pontifical ,missal :i* be>s 8 "n4 ,x is d$icat$ to ,don ,jos ,manuel1 ( ! ,h\se ( ,tancos1 ,bi%op ( ,viseu1 aft]w>ds ( ,coimbra1 & la/ly ,ar*bi%op ( ,lisbon4 ,?is prelate gave ! book to ! ,*ur* ( ,viseu4 ,! orig9al ,,ms4 0 aft]w>ds 9 ! libr>y ( ! ,conv5t ( ,jesus1 & is n[ 9 ! ,academy ( ,sci5ces at ,lisbon4 ,/eph5 ,gonsalvez di$ ,july #bi?1 #afbg4 ,! ,missal is sign$3 ,/eph4 ,glz4 ,abbas ,s]eic5cis fac4 #afaj4 ,x has be5 v well reproduc$ 9 col\rs by ,macia1 ( ,p>is4 ,! ,g5ealogies ( ! ,h\se ( ,s&oval1 writt5 & pa9t$ 9 ,lisbon 9 #afab1 is n[ 9 ,p>is4 ,x is call$ ,g5ealogia univ]sal de la ,nobilissima casa de ,s&oval ,ramo del ,g5]oso tronco de los sob]anos ,reyes de ,ca/illa y ,leon4 ,por ,don ,mel*ior de ,teves del ,conseio ,real de ,ca/illa del ,rey ,d8 ,philippe ,,iii4 ,at ! foot ( ! page is writt5 ,edu>dus ,caldi]a ,vlisspone scripsit1 ,anno ,dni ,,mdcxii4 ,?is magnific5t ,,ms41 :i* measures =ty-six by ?irty c5timetres1 is numb]$ 9 ! ,catalogue ( ! ,national ,libr>y z #ajjae4 ,a gr& frontispiece1 =m$ ( two columns ( ! ,composite ,ord]1 occupies ! fir/ page1 repres5t+ a k+ 9 royal robes & cr[n arre/+ ! :eel ( ,=tune4 ,two lions accompany ! sc5e1 & ! motto ( ! picture is ,virtute duce non comite ,=tuna4 ,page #b conta9s ! v>i\s escut*eons ( ! family ( ! ,c\nt ( ,l]ma1 = :om ! book 0 writt54 ,x conta9s a great numb] ( portraits4 ,a f9al in/ance ( ! influ5ce1 or r ! inroad1 ( ,flemi% art 9 ,portugal 9 ! fifte5? c5tury may be %[n 9 ! ,,ms4 call$ ! ,portuguese ,g5ealogies 9 ! ,briti% ,museum4 ,! "w consi/s ( elev5 l>ge folio %eets sep>ately m\nt$ & measur+ eighte5 by t5 in*es4 ,x comm5ces ) a prologue1 ) ! arms ( ,portugal support$ by two savages1 hav+ clubs & %ields4 ,outside ! inn] frame are ?ree sc5es3 7#a7 wild animals 9 combat2 7#b7 a sea-nymph be+ rescu$2 7#c7 a fight among sylvan savages4 ,next comes a s]ies ( portraits pa9t$ 9 ! mo/ f9i%$ & life-l /yle1 beg9n+ ) ,dom ,g>cia ,f del rey ,ab>ca & ,dona ,con/ancia on a fruitful tree ) foliage1 fruits1 & birds1 a cat1 & o!r ?+s4 ,! tree is an oak1 beside x are apple & *]ry trees4 ,on ! oak are gre5 acorns4 ,! birds are v beautiful1 ! cat simply p]fect4 ,^! details recall ! highly f9i%$ & lovely "w ( ,georg ,hoefnagel on ! great ,missal at ,vi5na4 ,go?ic br[n-gold ar*itecture & ?ree battle sc5es complete ! page4 ,!n foll[ ! g5ealogical tables1 & m portraits1 ! :ole %[+ ! mo/ pati5t & c>eful "w4 ,lett]s on ! bord]s ( ! robes recall ! same k9d ( ornam5t 9 ! ,grimani ,brevi>y at ,v5ice4 ,no "o has be5 able to expla9 ^! curi\s inscriptions4 ,9 ! ,grimani ,brevi>y !y 7 ?\ght to be ei!r ,croatian or m]ely ornam5t4 ,"h !y _c well mean any?+ b decoration4 ,! portraits are fanciful b int]e/+ mem5toes ( ! p]iod1 & include sev]al p]sonages not$ 9 hi/ory4 ,! la/ ,,ms4 to be m5tion$ 9 ?is ha/y sket* is "o 9 ! ,briti% ,museum 7,/[e #eig74 ,x is a ,missale ,romanum1 & is said to h be5 illum9at$ = ,john ,,iii4 9 #aeeg4 ,x 0 once ! prop]ty ( ! ,abb ,gami]1 *apla9 = ne> ?irty ye>s1 ( ! ,fr5* factory at ,lisbon4 ,! b9d+ is r$ morocco1 & once _h silv] clasps4 ,x comm5ces ) a l>ge mirror-l oval tablet1 conta9+ ! title1 set betwe5 two pill>s ( p9k-ve9$ m>ble ) bronze-gold capitals & bases4 ,! tablet is crimson ) a violet-slate frame m\ld+ ( egg & d>t patt]n4 ,at foot are two ,roman legion>ies1 "o seat$ z support+ ! tablet1 on ea* side4 ,on folio #c is ! index 9 a rose-wood panel & pale gre5 frame4 ,! peculi> =ms ( ! frames & ! scroll-"w on !m are ( ! fanta/ic k9d1 diff]+ f ,italian1 :i* is *>act]i/ic bo? ( ,spani% & ,portuguese ornam5t4 ,! *ief col\rs are a bright em]ald gre5 & blue1 ) o*re1 gold1 & crimson4 ,! initials are /ill m fanta/ic--p>tly human1 p>tly plant or fi%-=m1 sometimes sculptur$ ornam5t & plant-=ms comb9$--b all s sweetly pa9t$ & s delicately f9i%$ z to be mo/ attractive4 ,! text is a f9e & elegant ,roman m9uscule int]sp]s$ ) italic4 ,"h & !re are exquisite little draw+s ( ecclesia/ical ut5sils1 etc41 b ! ev]la/+ v>iety among ! qua9t & fanciful initials provides an unwe>y+ fund ( int]e/4 ,t9y birds ( ! lovelie/ plumage sit among & b5ea? ! limbs ( ! lett]s1 or elegant scrolls ( p5cill$ gold cov] ! little col\r$ panels on :i* ! pla9 gold ,roman initials are plac$4 ,"s ( ! l>g] initials are v f9ely execut$ & conta9 full-l5g? figures ( sa9ts1 bi%ops1 or que5s4 ,"o lovely initial ,b has a graceful girl simply clad 9 blue tunic & pale yell[ skirt ) a silk5 coil ( pale rose =m+ ! upp] loop ( ! lett]1 ! l[] be+ =m$ ( ! curv$ body ( a gre5 dragon4 ,h] left h& lifts ! silk-"w1 h] "r1 hang+ by h] side1 holds a little gold5 pit*]4 ,! :ole is pa9t$ on a panel ( bright gold4 ,ano!r 7,l7 %[s a peasant ru%+ laugh+ly1 ) a h>e slung ov] 8 %\ld]1 pa/ ! figure ( a gu>dian t]m9us ( bronze4 ,b ! ,missal %\ld be se5 to be prop]ly und]/ood1 = ?\gh 9 a g5]al way x has a look ( ,italian influ5ce1 its orig9ality is beyond "q4 ,,*apt] ,,xi ,,illum9ation ,,s9ce ,,! ,,inv5tion ,,( ,,pr9t+ ,! inv5tion ( pr9t+--,its v slight effect on illum9at+--,pref]5ce by ri* patrons = writt5 books--,"w produc$ 9 v>i\s cities 9 ! sixte5? c5tury--,examples 9 ,g]man1 ,italian1 & o!r cities1 & 9 v>i\s public libr>ies up to ! pres5t "t4 ,! art ( pr9t+1 z ! read+ _w has be5 frequ5tly in=m$1 0 inv5t$ 9 ! fifte5? c5tury1 & und\bt$ly _h1 to a consid]able ext5t1 a de/ructive effect ^u ! craft ( pr(essional copyi/s4 ,b 9 ! fifte5? c5tury ! art ( ! writ] & t ( ! illum9ator _h long be5 sep>ate pr(essions4 ,!re 0 no p>ticul> reason1 !re=e1 :y ! inv5tion ( pr9t+ %\ld int]f]e ) ! illum9ator4 ,z a matt] ( fact1 x made little diff]5ce4 ,nor1 inde$1 did pr9t+ entirely put a /op to ! pr(essional c>e] ( ! scribe4 ,x 0 prophesi$1 be=e practical exp]i5ce ( facts prov$ ! contr>y1 t ! inv5tion ( ! railway eng9e w\ld aboli% ! horse4 ,! pr9t+-press did n aboli% ! p5man1 b x c]ta9ly spoil$ 8 trade4 ,we h se5 9 ! c\rse ( ! prec$+ *apt]s t x did n spoil ! trade ( ! illum9ator4 ,nor 0 x q ow+ to ! fact t _m pr9t$ books 7 s adorn$ z to appe> l illum9at$ ,,mss4 ,m ?an "o weal?y patron absolutely decl9$ to h any?+ to d ) pr9t$ books4 ,! matt] 0 too vulg> & too *eap4 ,! la/ ,duke ( ,urb9o 0 a pr9ce ( ?is l(ty way ( ?9k+1 & sc>cely a c\rt 9 ,europe b cont9u$ to h ,,mss4 produc$ z if no su* ?+ z ! pr9t+-press 7 kn[n4 ,h[ !y 7 multipli$ 9 ,spa9 & ,france we h se5 9 detail4 ,we w n[ proce$ to take a f>ewell look at ! ,g]man & ,italian libr>ies1 9 ord] to see h[ ! illu/ri\s presses ( ,ma9z1 ,/rassburg1 ,augsburg1 ,kln1 ,muni*1 ,vi5na1 ,v5ice1 ,milan1 ,flor5ce1 & ,rome affect$ ! ateli]s ( ! great s*ools ( illum9ation e/abli%$ 9 mo/ ( ^! cities4 ,:at d we f9d8 ,9 po9t ( fact1 "s ( ! ri*e/1 mo/ magnific5t books ev] produc$ by ! illum9ator1 n only :il/ ! press 0 /ill a novelty1 b long aft] x _h become p]fectly famili> to ev]ybody4 ,= sev]al ( ! cities a=esaid we h ! means ( pro(3 ?us = ,ma9z1 at ! end ( ! sup]b copy ( ! ,maz>9e ,bible1 n[ at ,p>is1 is ! foll[+ inscription3 ,i/e lib] illum9atus1 legatus & completus e/ h5ricum ,crem] vic>i8 ecclesie collegiate ,sancti ,/ephani ,mogunt9i sub anno dni ,melesimo quatr+ entesimo qu9quagesimo ,sexto1 fe/o assumptiois gloriose ,virg9is ,m>ie4 ,deo gratias alleluya4 ,?is 0 9 #adef1 ! ye> be=e ! fir/ press 0 set up4 ,9 #aebd we h two mo/ spl5didly illum9at$ ,,mss4--a ,missal & a ,pray]-book--execut$ by ord] ( ,alb]t ( ,br&5burg1 ,ar*bi%op ( ,ma9z4 ,two ri*] examples ( ! ,g]man ,r5aissance _c easily be imag9$4 ,we _c dilate ^u !m4 ,we may1 h[ev]1 truly say t toge!r ) v _m o!r examples ( illum9at$ "w1 bo? 9 manuscripts & pr9t$ books1 !y %[ ! art ( ! illum9ator to be no less spl5did or elaborate aft] ! inv5tion ( pr9t+ ?an x 0 be=e4 ,on ! la/ page ( ! ,missal is writt53 ,i* ,niklas ,glock5don zu ,nur5b]g hab dieses ,bhu* illum9i]t ond voll5t im j> #aebd4 ,! ,pray]-book is simil>ly adorn$ ) m9iatures & brightly col\r$ bord]s4 ,on ! cov] is a copy ( ! ,ar*bi%op's portrait1 pa9t$ by ,dr]1 & on folio #a is writt5 by ! ,ar*bi%op himself3 ,anno dom9i ,,mdxxxi completum e/ pres5s opus1 ,sabbato po/ ',invocavit4' ,alb]tus ,c>d9alis mogunt9us manu propria scripsit4 ,o!r ,glock5don books exi/ 9 o!r libr>ies4 ,!n !re is ! ,beham ,pray]-book at ,as*aff5burg & a ,bible 9 ! libr>y at ,wolf5bttel 9 two ?ick #d volumes--a "w well wor? exam9ation4 ,at ,nuremb]g is ! ,s]vice-book execut$ by ,conrad ,frank5dorf]1 ( ,nuremb]g1 9 #adih4 ,9 ! ,briti% ,museum is ! f9e ,g]man ,,ms4--! ,spl5dor ,s\s1 a sixte5? c5tury ,,ms4 7,h>l4 #cdfi74 ,9 ! ,national ,libr>y at ,p>is is ! ,pray]-book ( ,william ( ,bad5 7#ajefg-h7 execut$ at ,/rassburg by ,fr$]ic ,br5tel 9 #afdg4 ,augsburg 0 produc+ illum9at$ ,s]vice-books t5 ye>s aft] ,gn!r ,za9] _h set up ! press 9 t city4 ,muni*1 also1 ) ! ,p5it5tial ,psalms1 etc41 by ,hans ,mieli*4 ,vi5na1 too1 c %[ a magnific5t ,missal by ,georg ,hoefnagel1 be>+ ! dates #aehb to #aeij4 ,v5ice is repres5t$ 9 ! "w ( ,b5$etto ,bordone & ! ,ducali4 ,flor5ce 9 ! spl5did ,missals1 etc41 ( ,attavante & 8 contempor>ies4 ,milan %[s ! gorge\s ,graduals ( ! ,br]a belong+ to ! sixte5? c5tury & ! ,s=ziadas ( ,london & ,p>is4 ,s we might pass f city to city almo/ all ov] ,we/]n ,europe4 ,! great ,spani% *oir-books 7 almo/ all produc$ "u ,philip ,,ii4 ,sev]al ,papal ,s]vice-books are repres5t$ 9 ! fifte5?-& sixte5?-c5tury examples ( ! scrap-book #badab ( ! ,briti% ,museum2 & ! works ( ,clovio1 ! mo/ not$ ( ,italian illum9ators1 all belong to ! sixte5? c5tury4 ,^! in/ances are amply suffici5t to prove t 9 e city 9 ,europe :]e pr9t+ 0 9 full practice ! art ( ! illum9ator cont9u$ to fl\ri% until ! progress ( mod]n inv5tions & v>i\s processes1 add$ to ! g5]al *eap5+ ( books1 l$ to its disuse4 ,its pres5t application seems to be almo/ solely to diplomas & te/imonials1 & 9 po9t ( quality1 usually z poor & spiritless z ! incapacity ( mo/ ( its pr(essors c make x4 ,!re seems1 h[ev]1 no reason :y ! arti/ic skill & elaborate me?ods ( reproduction ( ! pres5t day %\ld n produce magnific5t books--inde$ ! ,imitation ( ,?omas ,kempis1 & o!r cont95tal examples prove t ?is is amply possible4 ,! next few ye>s w probably %[ t read]s are /ill desir\s ( possess+ beautiful books1 & t arti/s are /ill f\nd capable ( produc+ !m4 ,,manuscripts ,,t ,,may ,,be ,,consult$ ,,z ,,examples 7,p>tly tak5 by p]mission f ! ,victoria & ,alb]t ,museum ,h&book7 ,,classical ,,& ,,e>ly ,,*ri/ian --------------- ---------------------------------------- --------------- ,no ,"n4 ,:]e ,:]e ,kept4 ,date4 ,rem>ks4 ,produc$4 ---------------------------------------- ------------------------------ #a,v]gil 444444 ,vatican ,lib41#crd or ,d\btful :i* is ! 7fragm5t7 ,rome1 ,cod4 #d? c5t4old] ,vat4 #cbbe #b,v]gil 444444 ,vat4 ,lib4 #d? c5t4 #chfg #c,rom4 444444 ,imp4 ,lib41 ,cal5d47f47 ,vi5na #d;,g5esis 7f47 444444 #e? c5t4,gold & silv] text on purple vellum2 #hh m9iatures4 #e;,g5esis 7f47 444444 ,brit4 ,mus41 ,mu* burnt 9 #agca4 ,cott4 ,o?4 ,b4 #f #f;,iliad 7f47 444444 ,ambros4 ,lib41 ,f9e h&writ+ & ,milan clev] pictures4 #g;,jo%ua 7f4 (444444 ,vat4 ,lib41 444444 #ae leaves1 #cb ft4 ,roll7 ,rome long1 #aa 94 wide4 ,conta9s f *4 #bbb to #ajah1 bru% outl9es to m9iatures4 ,riv]s1 etc41 p]sonifi$ 9 ,byzant9e mann]4 #h;,dioscorides1 444444 ,imp4 ,lib41 c4 ,p]sonifications ( etc4 ,vi5na #ejj-e ab/ract qualities4 #i;,bible ( 444444 ,laur5t4 c4 #edj ,valuable z a ,montamiata ,lib41 !ological docum5t1 ,flor5ce b poor "w1 & 9 bad condition4 #aj,syriac ,mona/]y ( c4 #ehf ,br\ght to ,flor5ce ,gospels ,zagba1 9 9 #adig4 ,rem>kable ,mesopotamia ,crucifixion1 see ,byzant9e1 #a4 #aa,t]5ce 444444 ,nat4 ,lib41 #i? c5t4,copy ( a #e?-c5t4 ,p>is ,,ms4 p5-draw+s4 #ab,p5tateu* ,t\rs ,nat4 ,lib41 #g? c5t4,call$ ! ,a%burnham ,p>is1 ,n\v4 ,p5tateu*2 #ai l>ge acq4 #bccd m9iatures4 ,,byzant9e ---------------------------------------- ------------------------------ ,no ,"n4 ,:]e ,:]e ,kept4 ,date4 ,rem>ks4 ,produc$4 ---------------------------------------- ------------------------------ #a,syriac ,zagba1 9 ,laur4 ,lib41 c4 #ehf ,%[s ,byzant9e ,gospels ,mesopotamia ,flor5ce influ5ce4 #b;,gospel-book ,byzantium ,brit4 ,mus41 #f? c5t4,lett]+1 etc41 on 7f47 ,add4 #eaaa gold gr\nd4 #c,m5ologium ,vat4 ,lib41 #i? c5t4,a typical ,byzant9e ,gr4 #afac ,,ms4 #d;,gregory ( ,byzantium ,nat4 ,lib41 #i? c5t4,f9e antique design ,nazianzum ,p>is1 ,gr4 & composition4 #eaj #e ,nat4 ,lib41 ,good small figures4 ,p>is1 ,gr4 #edc #f ,nat4 ,lib41 ,good small figures ,p>is1 ,gr4 & head+s4 #eej #g;,evangeli>y 444444 ,brit4 ,mus41 ,arund4 #edg #h 444444 ,brit4 ,mus41 ,burney #ai1 #bj4 #i,lection>y 444444 ,brit4 ,mus41 #aj? ,f9e initials4 ,h>l4 #eeih c5t41 end #aj;,*ryso/om 444444 ,nat4 ,lib41 #aj? ,rem>kable initials4 ,p>is1 ,gr4 c5t4 #fed #aa,simeon 444444 ,brit4 ,mus41 #aa? ,f9e ornam5ts4 ,metaphra/es ,add4 #aahgj c5t4 #ab;,evangeli>y 444444 ,brit4 ,mus41 ,beautiful head+s4 ,add4 #aahch #ac,psalt] 444444 ,brit4 ,mus41 #ab? ,execut$ = ,add4 ,eg]t4 c5t4 ,melis5da1 daught] #aaci ( ,k+ ( ,j]usalem4 ,,iri% ,,or ,,celtic ---------------------------------------- ------------------------------- ,no ,"n4 ,:]e ,:]e ,kept4 ,date4 ,rem>ks4 ,produc$4 ---------------------------------------- ------------------------------ #a;,gospels ( 444444 ,tr94 ,coll41 #g? c5t4 ,/4 ,columba ,dubl9 #b;,gospels ( ,/4 ,arn\l's,nuremb]g ,/4 ,arn\l1 ,abbey1 ,metz ,museum ( ,metz #c;,book ( ,/4 444444 ,roy4 ,lib41 ,columbanus ,naples #d;,bible ( ,/4 444444 ,ca?4 ,lib41 #h? c5t4,curi\s ,crucifixion4 ,kilian ,wurzburg #e;,gospels ( ,mona/]y (,pub4 ,lib41 ,sign$ ,?omas ,?omas ,han[ ,trves scribsit4 #f,psalt] 444444 ,brit4 ,mus41 ,anglo-,iri%1 ) ,cott4 ,vesp4 ar*$ frame-bord]4 a4 #a #g;,gospels ( 444444 ,bodl4 ,lib41 #i? c5t4,see ,we/wood1 ,mac,regol ,ox=d ,palographia ,sacra ,pict41 pl4 #af4 #h;,book ( 444444 ,roy4 ,iri% ,p4 #ajc4 ,rem>kable4 ,armagh ,acad41 ,dubl9 #i,/4 ,*ad's 444444 ,li*field ,f9e ,anglo-,iri%4 ,gospels ,ca?4 ,lib4 #aj,l9disf>ne ,l9disf>ne ,brit4 ,mus41 #g? c5t4,anglo-,celtic--a v ,gospels ,mona/]y ,cott1 ,n]o ,d4 f9e example4 #d ,,c>ol+ian ---------------------------------------- ------------------------------- ,no ,"n4 ,:]e ,:]e ,kept4 ,date4 ,rem>ks4 ,produc$4 ---------------------------------------- ------------------------------ #a,sacram5t>y ,abbey ( ,nat4 ,lib41 c4 #gej ,symbolism4 ,giv5 by ,gellone ,p>is1 ,,ms4 ,ct4 ,william ( ,lat4 #abjdh ,t\l\se4 #b;,ada-,codex ,abbey ( ,/4,municip4 c4 #gge ,writt5 = ,ada1 ,mesm91 ( ,lib41 ,trves si/] ( ,trves ,*>lemagne1 ,abbess ( ,/4 ,mesm94 #c,psalt] ( 44444 ,imp4 ,lib41 c4 #ghj ,writt5 = ,que5 ,dagolfus ,vi5na ,!ol4 ,hildeg>dis1 wife ( ,lat4 #ahfa ,*>lemagne4 #d;,evangeli>ium,abbey ( ,/4,nat4 ,lib41 ,writt5 = ( ,godescale ,s]n91 ( ,p>is1 n\v4 ,*>lemagne & ,t\l\se acq4 #abjc ,hildeg>dis4 ,has gold & silv] lett]s on purple vellum4 #e,sacram5t>y ,abbey ( ,/4,abb4 ,/4 ,franco-,saxon4 ( ,gelasius ,gall ,gall1 ,no4 #cdh #f;,evangeli>ium,abbey ( ,/4,t[n ,lib41 c4 #gic ,on purple vellum4 ( ,/4 ,riqui] ,abbeville ,angilb]t #g;,alcu9 ,bible ,abbey ( ,brit4 ,mus41 c4 #hjj ,coronation gift to ,t\rs ,add4 #ajedf ,*>lemagne4 ,v f9e example4 #h;,bible ,t\rs ,cantonal ,l #g4 ,lib41 ,zuri* #i ,bamb]g ,roy4 ,said to be an exact ,lib copy ( #g4 #aj;,gospels ( ,imp4 ,lib41 ,f\nd by ,emp]or ,o?o ,*>les ! ,vi5na ,,iii4 9 tomb ( ,great ,*>lemagne4 7,*>lemagne7 #aa,sacram5t>y ,abbey ( ,nat4 ,lib4 c4 #had ,! gift ( ( ,drogo1 ,metz1 or ,p>is1 ,!ol4 ,*>lemagne to 8 ,abp4 ( ,metz ,t\rs ,lat4 #idbh natural son ,drogo4 #ab;,gold5 444444 ,brit4 ,mus41 c4 #hce ,a spl5did example4 ,gospels ( ,h>l4 #bghh ,a!l/an #ac;,gold5 444444 ,roy4 ,lib41 c4 #hej ,ditto1 writt5 9 ,gospels ( ,muni* gold lett]s4 ,*>les ! ,bald #ad;,evangeli>y ,abbey ( ,/4,nat4 ,lib41 ,rem>kably beautiful4 ( ,lo?aire ,m>t9's1 ,p>is1 ,!ol4 ,t\rs ,lat4 #bff #ae;,gold5 ,abbey ( ,/4,nat4 ,lib41 ,"o ( mo/ beautiful ,gospels ,md>d1 ( ,p>is1 ,!ol4 ,c>ol4 ,,mss4 kn[n4 ,soissons ,lat #hhej #af;,bible ( ,abbey ( ,/4,nat4 ,lib41 ,pres5t$ to ,*>les ,c\nt ,vivi5 ,m>t91 ( ,p>is1 ,!ol4 ! ,bald 9 #hej4 ,t\rs ,lat #a ,m9iature ( pres5tation4 #ag;,bible ( ,/4 444444 ,mona/]y ( c4 #hfj ,writt5 = ,*>les ,paul's ,/4 ,calixtus1 ! ,bald by ,+ob]t4 ,rome #ah,pray]-book 444444 ,nat ,lib41 c4 #hff ,writt5 by ,+ob]t 7or ,h\rs7 ( ,p>is & pres5t$ to ,*>les ! ,*>les ! ,bald 9 ,bald #hff4 #ai;,gold5 ,abbey ( ,/4,lib4 at ,/4 c4 #hgj ,writt5 = ,abbot ,gospels ( ,gall ,gall1 ,no4 #bb ,grimwold1 or ,h>tmut4 ,/4 ,gall #bj,psalt] ( ,lib4 at ,/4 ,writt5 = ,abbot ,fol*>d ,gall1 ,no4 #bc ,h>tmut4 ,gold & silv] initials4 #ba;,evangeli>ium,/4 ,gall ,lib41 ,/4 c4 #ibj ,writt5 by ,s9tramn ,longum ,gall ( ! ,wondr\s ,h&4 ,pr(ile #bb;,evangeli>y 444444 ,roy4 ,lib41 c4 #ibe foliages 9 gold & ,brussels1 ,no4 silv]4 #afchc #bc 444444 ,nat4 ,lib41 c4 #idj ,l>ge #d1 writt5 ,p>is entirely 9 gold lett]s2 #e m9iatures & #ab porticoes4 #bd,psalt] 444444 ,brit4 ,mus41 c4 #iie ,transition to ! ,h>l4 #bijd /yle ( ! ,b5$ictionals4 ,,w9*e/] ,,"w ,,& ,,simil> ---------------------------------------- ------------------------------- ,no ,"n4 ,:]e ,:]e ,kept4 ,date4 ,rem>ks4 ,produc$4 ---------------------------------------- ------------------------------ #a,k+ ,edg>'s ,hyde ,abbey1 ,brit4 ,mus41 #iff ,/yle ( ! ,*>t] ,w9*e/] ,cott4 ,vesp4 ,b5$ictionals ( ,a4 #h !lwold & ,rob]t4 #b;,brevi>ium ,monte ,maz>9e 444444 ,t5d5cy to same ,cass95se ,cass9o8 ,lib41 ,p>is1 /yle col\r+ z 9 #gei s*ool ( ,metz4 #c!lwold's ,hyde ,abbey1 ,lib4 ( ,duke c4 #igj ,be/ example kn[n4 ,b5$ictional,w9*e/] ( ,devon%ire #d;,b5$ictional ,pub4 ,lib41 c4 #ihj ,draw+ bold1 b ( ,abp4 ,r\5 col\r+ unequal to ,rob]t #c4 #e;,gospels 444444 ,tr94 ,coll41 c4 #ijj ,bord]s l ,camb ,w9*e/] "w4 #f,psalt] 444444 ,brit4 ,mus41 444444 ,fol4 frames simil>4 ,h>l4 #bijd #g 444444 ,brit4 ,mus41 c4 #ajjj;,init4 ,d on f4 #aae4 ,tib4 ,c4 #g #h ,w9*e/] ,brit4 ,mus41 ,arund4 #fj #i ,brit4 ,mus41 ,arund4 #aee #aj;,cnut's ,brit4 ,mus41 c4 #ajag;,f9e example4 ,gospels ,roy4 #a ,d4 #i #aa,le(ric 444444 ,bodl4 ,lib41 #aj? ,byzant9e influ5ce4 ,missal ,ox=d ,no4 c5t4 #egi ,,mona/ic ,,/yles ---------------------------------------- ------------------------------- ,no ,"n4 ,:]e ,:]e ,kept4 ,date4 ,rem>ks4 ,produc$4 ---------------------------------------- ------------------------------ #a,weissobrun ,weissobrun ,roy4 ,lib41 c4 #had ,ne!rl&i%4 ,pray]-book ,muni* #b;,gospels 444444 ,nat4 ,lib41 c4 #ige ,m$allions ( ,p>is1 #hhea ,emp]ors ,h5ry ,i4 & ,o?o ,i & ,,ii4 #c;,egb]t ,codex ,rei*5au ,pub4 ,lib4 #igg-ic ,beautiful initials4 ,trves1 ,no4 #bd #d;,gospels ,e*t]na* ,go?a ,museum c4 #iij ,portrait ( ,o?o ,,iii4 & ,!ophanu4 ,jewell$ cov]s4 #e,o?o ,codex 444444 ,roy4 ,lib41 c4 #iih ,see p4 #ia4 ,muni* ,cimel4 #eh #f;,gospels 444444 ,brit4 ,mus41 #aj? ,bran*-"w initials4 ,eg]t4 #fjh c5t4 #g;,b]nw>d's ,hilde%eim ,ca?4 ,lib41 #iic-ajbb ,gospels ,hilde%eim #h;,ell+]'s ,teg]nsee ,roy4 ,lib41 c4 #ajef ,gospels ,muni* ,no4 #ca #i;,hortus ,l&sb]g ,=m]ly at c4 ,burnt 9 #afgj4 ,delici>um ,/rassburg #aage-hj #aj,life ( ,teg]nsee ,roy4 ,lib41 #aagc-abjj,writt51 etc41 = ,virg9 ,b]l9 ! ,emp]or ,fr$]ick ,i4 by ,w]9h]4 #aa,pl5>ium ,qu$l9burg ,t[n ,lib41 #aahd-abjc,writt5 = ,abbess ,qu$l9burg ,agnes4 #ab,passionale ,arn/e91 ,brit4 ,mus41 c4 #aaid ne> ,trves ,h>l4 #bhjj-b #ac;,bible ,brit4 ,mus41 c4 #aaij ,h>l4 #bhjc #ad ,floreffe ,brit4 ,mus41 c4 #abec;,*ronological tables ,add4 #aggcg-h 9 col\r$ inks4 #ae,missal ,/4 ,bavon (,brit4 ,mus41 #aaej-aage ,gh5t ,add4 #afidi #af;,*ronicle ( 444444 ,roy4 ,lib41 444444 ,f9e m9iatures-- ,j]usalem ,brussels1 ,no4 co/umes4 #aaadb #ag,psalt] 444444 ,brit4 ,mus41 #ab? ,transition f ,arund4 #aeg c5t4 ,w9*e/] to ,o?onian4 #ah 444444 ,brit4 ,mus41 ,lansd4 #dbj #ai 444444 ,brit4 ,mus41 ,lansd4 #dca #bj 444444 ,brit4 ,mus41 ,roy4 ,i ,d4,x4 #ba;,bible ,/4 ,brit4 ,mus41 ,typical #ab? c5t4 ,ni*olas1 (,h>l4 #bgih ,,ms4 ,arn/e9 #bb,vaucl]e 444444 ,pub4 ,lib41 444444 ,a p]fect type ( ,psalt] ,laon1 ,no4 #bi #ab? c5t4 illum9ation4 #bc,mat] ,s*ey]n ,roy4 ,lib41 444444 ,by ,conrad ( ,v]borum ,muni* ,s*ey]n1 ) all mann] ( diagrams1 etc4 ,,fr5* ,,& ,,anglo-,,fr5* ,,go?ic ---------------------------------------- ------------------------------- ,no ,"n4 ,:]e ,:]e ,kept4 ,date4 ,rem>ks4 ,produc$4 ---------------------------------------- ------------------------------ #a,psalt] ( 44444 ,muse ,cond1 #aaic-abcfbg l>ge m9iatures ,que5 ,ghantilly ,transitional to ,+eburga ,go?ic #b,psalt] ( 44444 ,ars5al ,lib41c4 #abbj;,hi]atic1 & ,que5 ,p>is1 ,!ol4 transitional to ,blan*e1 ,lat4 #afe ,b4 ,go?ic4 "m ( ,l\is ,,ix4 #c,psalt] ( 44444 ,nat4 ,lib41 c4 #abej,transitional to ,/4 ,l\is ,p>is1 ,no4 ,go?ic4 #gh delicate 7,,ix47 #ajebe m9iatures4 #d;,jo9ville's 44444 ,nat4 ,lib41 #abhg ,go?ic portrait ( ,cr$o ,p>is ,/4 ,l\is4 #e;,alfonso ,blackfri>'s,brit4 ,mus41 c4 #abhd,see article 9 ,f9e ,psalt] ,london ,add4 #bdfhf ,arts ,qu4 ,rev41 i4 7,t5ison7 #gg1 & ,bibliographica1 pt4 #d4 #f;,bible 44444 ,brit4 ,mus41 #abbe-eb ,ri*ly illum9at$4 ,burney #c #g,somme le ,roy 44444 ,brit4 ,mus41 c4 #acjji l>ge ,add4 #bhafb illum9ations4 #h,life ( ,/4 44444 ,nat4 ,lib41 #acaf-bb ,conta9s view ( ,d5is ,p>is1 fds4 ,p>is1 & portrait fr4 #bjij-b ( ,philip ,v4 ,droll]ies1 col\r$ %ad+ ( drap]ies4 #i;,bible 44444 ,brit4 ,mus41 c4 ,typical "w1 ,roy4 #a ,d4 #a #acaj-ae ,engli%4 #aj,ormsby ,norwi* ,bodl4 ,lib41 c4 #abie;,engli% "w4 ,psalt] ,ox=d1 ,d\ce #cff #aa;,bible 44444 ,brit4 ,mus1 ,late #ac?,a typical ,,ms4 ,add4 #agcda c5t4 #ab,psalt] 44444 ,brit4 ,mus41 ,e>ly ,droll]ies & ,roy4 #b ,b4 #g #ad? int]e/+ sc5es4 c5t4 #ac,miroir 44444 ,ars54 ,lib41 c4 #acef,l>ge folio ri*ly ,hi/oriale ,p>is illum9at$4 #ad,l\t]ell 44444 ,lulwor? c4 #acdj;,f9e diap]$ ,psalt] ,ca/le backgr\nds4 #ae,missal 44444 ,we/re55 #acff ,g\a*e pa9t+ 9 ,mus41 ,! m9iatures4 ,hague #af;,*ronicle ( 44444 ,nat4 ,lib41 #acge-hj ,m9iature 9 gold & ,/4 ,d5is ,p>is1 #hcie grey4 #ag;,h\rs ( 44444 ,roy4 ,lib41 ,f9i%$ ,illum9at$ by ,&r ,john1 ,duke ( ,brussels1 #achj ,beauneveu & ,b]ry #aajfj ,jacquem>t de ,hesd94 #ah;,epi/le to ,p>is ,brit4 ,mus41 #acgj-hj ,f9e ivy-bran* ,ri*>d ,,ii4 ,roy4 #bj ,b4 #f /yle4 #ai,(fices 44444 ,brit4 ,mus41 44444 ,pray]-book ( ,b4,m4,v4 ,h>l4 #bhig ,m>g>et ( ,bav>ia4 ,a typical ,,ms4 #bj,little ,h\rs 44444 ,nat4 ,lib41 c4 #adjjaac beautiful ( ,b]ry ,p>is1 #ahjad m9iatures4 #ba,psalt] ( ,p>is ,nat4 ,lib41 #adja ,conta9s #bd f9e ! ,duke ( ,p>is1 ,no4 m9iatures by ,&r ,b]ry #acjia ,beauneveu4 #bb;,gr&es ,nat4 ,lib41 #adji ,by ,jacquem>t de ,heures de ,p>is1 fds4 ,hesd91 ,&r ,b]ry ,lat4 #iai ,beauneveu1 & ,pol de ,limb\rg4 #bc;,heures de ,muse ,dond1 #adaj ,consid]$ ! f9e/ ,b]ry ,*antilly example kn[n4 #bd,poems ( 444444 ,brit4 ,mus41 #adjj-f ,f9e m9iatures-- ,*ri/9e de ,h>l4 #ddca co/umes & ,pisan portraits4 #be,talbot 444444 ,brit4 ,mus41 #adjj ,curi\s m9iatures1 ,romances ,roy4 #ae ,e4 #f portraits ( ,h5ry ,,vi41 etc4 #bf;,b$=d 444444 ,brit4 ,mus41 c4 #adce,ri*ly illum9at$4 ,(fices ,add4 #ahhej ,conta9s ,fr5*1 ,engli%1 & ,ne!rl&i% "w4 #bg;,b$=d 444444 ,nat4 ,lib41 c4 #adcj;,conta9s ,engli% & ,brevi>y ,p>is1 fds4 ,fr5* "w4 ,lat4 #agbid #bh,pontifical 444444 ,brit4 ,mus41 c4 #adej;,f9e bord]s4 ,add4 #affaj #bi,val]ius 444444 ,brit4 ,mus41 ,nor!rn ,fr5* & ,maximus ,h>l4 #dcge ,ne!rl&i%4 #cj;,gir>t de 444444 ,nat4 ,lib41 c4 #adgj,ne!rl&i%-- ,nev]s ,p>is1 fds4 co/umes1 etc4 fr4 #djib ,,g]man ,,& ,,bohemian ---------------------------------------- ------------------------------- ,no ,"n4 ,:]e ,:]e ,kept4 ,date4 ,rem>ks4 ,produc$4 ---------------------------------------- ------------------------------ #a,m9neli$] 444444 ,nat4 ,lib41 c4 #acjj;,hunt+ sc5es1 ,p>is1 fds4 co/umes4 fr4 #gbff #b,wilhelm von 444444 ,pub4 ,lib41 #accd ,writt5 = ,h5ry ,oranse ,cassel ,l&grave ( ,hesse4 ,fr5* influ5ce4 #c,picture ,bible444444 ,lib4 ( c4 #acjj ,pr9ce ,lobk[itz1 ,prag #d,passionale (,prag ,univ4 ,lib41 #acab ,transp>5t ,abbess ,prag1 xiv4 ,a4 wat]-col\r4 ,no ,cunigunda #ag ,fr5* influ5ce4 #e,welt*ronik 444444 ,roy4 ,lib41 c4 #acej,old ,cologne s*ool4 ( ,rudolf v4 ,/uttg>t ,hoh5-,ems #f,lib] ,prag ,bohem4 ,mus41 c4 #acfj,writt5 = ,john v4 ,viaticus ,prag ,neum>kt1 ,bi%op ( ,leitomis*l4 #g,m>iale ,bohem4 ,mus41 c4 #acde,writt5 = ,arne/us ,prag v4 ,p>dubitz1 ,ar*bi%op ( ,prag 7#acdd-fd74 ,bohemian s*ool4 #h,orationale ,bohem4 ,mus41 c4 #acde,writt5 = same ,prag prelate1 9 ,fr5* ,go?ic /yle4 #i;,bible ( ,imp4 ,lib41 444444 ,execut$ by ord] ( ,emp]or ,vi5na1 ,no4 ,m>t9 ,rotlw = ,w5zel #bgei pres5tation to ! ,emp]or4 #aj;,gospels ( ,imp4 ,lib41 #acfh ,beautiful p5man%ip ,john ( ,vi5na & ornam5ts4 ,oppavia #aa,wilhelm von ,ambras #achg ,f9e diap]$ ,oranse ,museum1 backgr\nds1 ,vi5na1 ,no4 #g co/umes1 & arm\r4 #ab,salzburg 444444 ,roy4 ,lib41 c4 #acej;,9 #e fol4 vols4 ,missal ,muni*1 ,lat4 ,spl5did col\r+4 #aegaj #ac,welt*ronik 444444 #aegaj ,pub4 c4 #achc,l>ge folio4 ( ,rudolf v4 ,lib41 ,we/phalian s*ool4 ,hoh5-,ems ,/uttg>t #ad;,dur&us 444444 ,imp4 ,lib41 #achd ,writt5 = ,alb]t ,vi5na1 ,no4 ,,iii41 ,duke ( #bgfe ,au/ria4 ,illum9at$ 9 lat] ,bohemian4 #ae;,gold5 ,bull ,prag ,imp4 ,lib41 c4 #acii,ri* s(t-leav$ ( ,*>les ,vi5na1 jus4 foliages4 ,ornam5t ,,iv4 c4 #cch sup]ior to m9iatures4 #af,wurzburg 444444 ,brit4 ,mus41 ,aft] ,l>ge foliages1 f9e ,bible ,arund4 #ajf #adjj initials1 bright col\rs4 #ag,missal ( 444444 ,imp4 ,lib41 #addh ,g]man "w4 ,emp]or ,vi5na ,fr$]ick ,,iii4 #ah;,gospels 444444 ,pub4 ,lib41 #adih #dc m9iatures & ,nuremb]g spl5did bord]s1 etc41 by ,conrad ,frank5dorf]4 #ai;,*oir-book (,abbey ( ,/4,lib41 #adhi ,writt5 by ,l4 ,wagn]1 ,,ss4 ,ulri* ,ulri*1 ,augsburg & illum9at$ by ,g4 & ,afra1 ,augsburg ,beck4 ,augsburg #bj,m9iature ( ,augsburg ,vict4 & c4 #adhi,tak5 f #ai4 pres5tation ,alb4 ,mus41 ( #ai ,s\? ,k5s+ton #ba,(fices ,upp] ,brit4 ,mus41 #aeac ,b4,m4,v4 ,c>9?ia ,add4 #aegaa #bb,pray]-book ,nuremb]g ,as*aff5burg#aebd ,illum9at$ by ,a4 ( ,alb]t ( ,ca/le ,glock5don4 ,br&5burg ,libr>y #bc,pray]-book ,imp4 ,lib41 #aece ,illum9at$ by ,alb]t ( ,william ,vi5na1 ,no4 ,glock5don4 ,,iv4 ( #ahhj ,bav>ia #bd,pray]-book ,brit4 ,mus41 #aehd ,s*ool ( ,glock5don4 ,add4 #agebe #be,spl5dor 444444 ,h>l4 #cdfi ,late #af?,a/rological ,solis c5t4 diagrams1 etc41 sc5es4 #bf,p5it5tial ,muni* ,roy4 ,lib41 #aegj ,pa9t$ by ,hans ,psalms ,muni*1 ,mieli*4 ,cimel4 ,saal #bg;,hor 444444 ,brit4 ,mus41 ,late #af?,f9e foliages & ,eg]t4 #aadf c5t4 initials4 #bh,pray]-book ,/rassburg ,nat4 ,lib41 #afdg #b vols41 #h4 ( ,william ( ,p>is1 ,nos4 ,r5aissance by ,bad5 #ajefg-h ,fr$]ic ,br5tel4 ,,sicilian ,,& ,,italian ---------------------------------------- ------------------------------- ,no ,"n4 ,:]e ,:]e ,kept4 ,date4 ,rem>ks4 ,produc$4 ---------------------------------------- ------------------------------ #a;,de arte ,pal]mo ,vat4 ,lib41 c4 #abbe;,compos$ by ,emp]or v5&i cum ,rome1 palat4 ,fr$]ick ,,ii4 avibus #ajga 7#abab-ej74 ,pa9t+s ( birds & hunt+ sc5es4 #b,(fices1 ,gubbio ,acad4 ,lib41 444444 ,attribut$ to ordo (fic4 ,si5a ,od]igi4 ,s55sis #c,leg5ds ,flor5ce8 ,canon4 ,lib41 c4 ,attribut$ to ,giotto4 #acbg-dc #d,v]gil ,flor5ce8 ,rome ,ambros4 c4 #acaj;,attribut$ to ,simone ,lib41 ,milan ,m>t9i4 #e;,dur&us ,si5a8 ,brit4 ,mus41 c4 #accj;,f9e "w4 ,add4 #cajcb #f;,ari/otle ,bologna8 ,brit4 ,mus41 c4 #acce,l ! ,avignon ,h>l4 #fcca ,decretals4 #g,/efanes*i ,rome8 ,canon4 ,lib41 #acbg-dc ,9 same vol4 ) #c1 ,missal ,rome & attribut$ to ,giotto4 #h,poems ( ,naples8 ,brit4 ,mus41 #acji-dc ,bold g\a*e ,conv5evole ,roy4 #f ,e4 #i pa9t+4 ,execut$ da ,prato#ff = ,k+ ,rob]t ( ,naples4 #i;,brevi>ium ,flor5ce8 ,brit4 ,mus41 c4 #adjj;,f9e initials4 ,romanum ,h>l4 #bijc #aj;,concordanti ,bologna8 ,nat4 ,mus41 c4 #acej;,allegorical figures ,canonic ,naples & g\a*e pa9t+4 #aa,/atuts de ,naples ,nat4 ,lib41 c4 #aced;,execut$ = ,l\is l',ordre d ,p>is1 fds4 ,i41 ( ,h\se ( ,/4 ,esprit fr4 #dbgd ,anj\1 ,k+ ( ,sicily & ,j]usalem4 #ab,romance ( ,avignon8 ,brit4 ,mus41 c4 #acee;,execut$ = ,l\is ,meliadus ,add4 #abbbh ,,ii4 ( ,naples4 #ac,triumphs ( 444444 ,brit4 ,mus41 c4 #acgj,small m9iatures & ,fr4 ,petr>* ,h>l4 #caji initials 9 old] /yle4 #ad 444444 ,nat4 ,lib41 444444 ,m9iatures ( ,p>is triumphs4 #ae;,joannes 444444 ,abp4 ( ,/4 c4 #acgj;,f9e ,bolognese ,&reae1 ,lib4 ,florian m9iatures4 ,,vi4 ,decretalium #af;,glossa ,bologna8 ,laon1 ,no4 #chb;c4 ,v f9ely ,joannis #accj-dc illum9at$4 ,&reae 9 ,clem5t9as #ag,rubrics on ,laon1 ,no4 #cegaccb ,_m grotesque ! ,decretals figures4 #ah;,decretum ,brit4 ,mus41 c4 #acge;,exquisitely ,gratiani ,add4 #aebgd1 illum9at$4 #aebge #ai,missale ,roy4 ,lib41 c4 #acgd;,by ,nicolaus de ,romanum ,muni*1 ,lat4 ,bononia4 #ajjgb #bj ,/4 ,m>k's1 c4 #acgj ,v5ice1 cl4 iii4 xcvii4 #ba ,flor5ce8 ,brit4 ,mus41 c4 ,f9e p5 "w diap]s ,add4 #baigc #achj-adjj;& initials4 #bb,lat9 ,bible ,bologna8 ,brit4 ,mus41 c4 ,sweet col\r+ & ,add4 #ahgbj #acge-adjj;f9e foliages4 #bc;,hymn>ium ,si5ese8 ,brit4 ,mus41 c4 #adjj;,f9e initials4 ,h]emit>um ,add4 #cjjad #bd,que/ions on ,naples ,brit4 ,mus41 c4 ,writt5 by ,hippolytus #d ,books ( ,add4 #aebgj-c #adeh-id ,lun5sis = ,s5t5ces by ,f]d9& ,i41 ,k+ ( ,job4 ,scot1 ,naples1 & f9ely ,franciscan illum9at$4 #be,platonis ,brit4 ,mus41 c4 #adgj,writt5 = ,f]d9& ,op]a ,h>l4 #cdha ,i41 ,k+ ( ,naples4 ,f9ely illum9at$4 #bf;,cs> ,brit4 ,mus41 #adfb ,:ite /em-"w4 ,add4 #afihb #bg ,rome8 ,brit4 ,mus41 c4 #adfj;,execut$ = ,pius ,,ii4 ,h>l4 #bfhc ,roman ,r5aissance 7#adeh-fd74 #bh,petr>* 444444 ,brit4 ,mus41 c4 #adfe,:ite /em-"w4 ,sonnets1 etc4 ,h>l4 #cdaa ,writt5 by ,j4 ,&4 ,mussol9i4 #bi,(fices ,milan8 ,brit4 ,mus41 c4 #adge;,a pretty little ,add4 #aidag volume ( ,milanese "w4 #cj,missale 444444 ,brit4 ,mus41 ,l ,,mss4 execut$ ,romanum ,add4 #aebfj = ! ,dukes ( ,f]r>a4 ,v f9e4 #ca 444444 ,brit4 ,mus41 c4 #adhj,( ,flor5t9e type4 ,h>l4 #bhge #cb,(ficium ,flor5ce ,brit4 ,mus41 c4 #adge;,a small volume1 b ,b4,m4,v4 ,add4 #aeebh ri* initials4 #cc,missale ,bologna ,brit4 ,mus41 c4 #adie,l #cb1 b f9]4 ,romanum ,add4 #aehad ,writt5 by ,jo4 de ,lyvonia = "o ( ! ,visconti4 #cd;,josephus ,rome ,brit4 ,mus41 c4 #adij,roman ,r5aissance4 ,h>l4 #cfii #ce;,h]odean ,flor5ce ,brit4 ,mus41 #adhg ,writt5 by ,alex&] ,add4 #bcggc ,v]azzanus4 #cf,scrapbook ( ,rome & ,brit4 ,mus41 #adhj-aejj;,a v int]e/+ cutt+'s ,flor5ce ,add4 #badab collection4 ,roman & ,flor5t9e4 #cg;,grant ( ,milan ,brit4 ,mus41 #adid ,illum9at$ by ,ludovico ,add4 #badac ,antonio da ,monza4 ,s=za 7il ,moro7 #ch,(fices ,naples ,brit4 ,mus41 #aejj ,writt5 & ,add4 #baeia illum9at$ = ,fr$]ick ( ,aragon1 ,k+ ( ,naples4 #ci,pray]-book ,brit4 ,mus41 c4 #adee;,f9e/ ,neapolitan ( ,alfonso ,i4 ,add4 #bhifb "w4 ,portraits 7#adaf-eh74 #dj,orations ( ,imp4 ,lib41 c4 #adij;,execut$ = ,cic]o ,vi5na ,f]d9& ,i41 ,k+ ( ,naples 7#adeh-id74 ,v f9e4 #ff ,petr>*'s tutor4 ,,r5aissance ,,illum9ation ,,italian ---------------------------------------- ------------------------------- ,no ,"n4 ,:]e ,:]e ,kept4 ,date4 ,rem>ks4 ,produc$4 ---------------------------------------- ------------------------------ #a,life ( ,flor5ce ,brit4 ,mus41 #aejf ,neat 9 execution4 ,manetti ,add4 #iggj #b,life ( ,/4 ,brit4 ,mus41 c4 #aeje,v f9e ,francis ,h>l4 #cbbi illum9ation4 #c;,eusebius ,brit4 ,mus41 c4 #aeae ,h>l4 #ccjh #d,life ( ,brit4 ,mus41 c4 #aebe ,manetti ,lansd4 #hdb #e;,eusebius ,milan ,brit4 ,mus41 ,roy #f,missale ,v5ice ,brit4 ,mus41 c4 #aecj;,attribut$ to ,add4 #aehac ,b5$etto ,bordone4 #g;,e?ics ( ,naples or ,imp4 ,lib41 c4 ,f9e ,r5aissance ,ari/otle ,calabria ,vi5na #adij-aeaj"w4 ,elaborately design$ frames1 & f9e m9iatures pa9t$ 9 a /rong g\a*e1 by ,r9aldo ,piramo1 = ,&4 ,matt4 ,acquavira1 #h? ,duke ( ,atri4 #h,/4 ,j]ome on,flor5ce ,imp4 ,lib41 c4 ,illum9at$ by ,eze*iel ,vi5na1 ,no4 #adij-aebj;,attavante = ,matt4 #fed ,corv9us1 ,k+ ( ,hung>y 7#addc-ij74 #i,philo/ratus ,imp4 ,lib41 ,illum9at$ probably 7,lat97 ,vi5na1 ,no4 by ,attavante = #be ,matt4 ,corv9us4 #aj,missale ,roy4 ,lib41 ,illum9at$ by ,romanum ( ,brussels ,attavante = ,corv9us ,corv9us4 ,us$ = admission oa?s ( ,gov]nors ( ,ne!rl&s4 #aa;,augu/9e3 ,imp4 ,lib41 c4 #adie;,illum9at$ by ,epi/les ,vi5na ,attavante = ,matt4 ,corv9us4 ,sign$ ,attavantes p9sit4 #ab,m>tianus ,lib4 ,/4 c4 #aejj;,illum9at$ by ,capella ,m>k's1 ,attavante = ,matt4 ,v5ice ,corv9us4 ,sign$4 ,writt5 by ,al1 ,v]azzanus #ac,psalt] ,ducal ,lib41 ,illum9at$ by ,wolf5bttel ,attavante4 #ad;,diurnale ,laur5t4 ,illum9at$ by ,lib41 ,attavante or ,flor5ce ,gh]>do4 #ae,missal ( ,bp4 ,pub4 ,lib41 ,illum9at$ by ( ,dle ,lyons ,attavante4 #af,/4 ,gregory ,e/5se ,lib41 ,illum9at$ by on ,eze*iel ,mod5a ,attavante4 ,sign$4 #ag;,dionysii ,opp4 ,pub4 ,lib41 ,besanon #ah;,gran ,nat4 ,lib41 ,probably illum9at$ ,brevi>y ,p>is1 ,,ms4 by ,bocc>d9o il ,lat4 #hhgi ,vec*io1 ?\gh attribut$ to ,attavante4 #ai;,hi]onymi ,nat4 ,lib41 #adhh-aejj,writt5 = ,matt4 ,brevi>4 9 ,p>is1 ,,ms4 ,corv9us by ,anton psalmos ,lat4 #afhci ,s9ibaldi1 & illum9at$ by ,attavante4 #bj,poems ( ,rome ,imp4 ,lib41 c4 #aecf;,illum9at$ by ,giulio ,eurialo ,vi5na ,clovio 7#adih-aegh74 d',ascoli #ba,ro!say ,brit4 ,mus41 c4 #aedf;,illum9at$ by ,(fices ,add4 #bjibg ,clovio4 #bb;,comm5t>y on ,soane ,mus41 c4 #aecf;,execut$ = ,c>d9al ,/4 ,paul's ,london ,grimani by ,clovio4 ,epi/les #bc,psalt] ( ,nat4 ,lib41 c4 #aedb;,illum9at$ by ,paul ,,iii4 ,p>is1 ,,ms4 ,v9c5zio ,raimondi4 ,lat4 #gjb4 #bd,papal ,l5ox ,lib41 c4 #aedf;,by ,clovio & 8 ,lection>y ,new ,york assi/ants4 7,t[neley ,clovio7 #be;,dante ,vat4 ,lib41 c4 #aeee;,illum9at$ 9 "p ,no4 #cfe by ,clovio4 #bf;,inve/iture ,brit4 ,mus41 c4 #aefj,v f9e ornam5t4 f ,duke ( ,add4 #bbffj ,urb9o #bg,triumphs ( ,lib4 ( ,capt4c4 #aeej;,f9e m9iatures4 ,petr>* ,hol=d1 ,london #bh,missal ( ,ryl&s ,lib41c4 #aebj;,f9e m9iatures4 ,c>d4 ,colonna ,man*e/] ,attribut$1 b )\t au?ority1 to ,raffaelle4 #bi,pray]-book ,rome1 or ,b>b]9i c4 #aejj,_m f9e m9iatures4 ,flor5ce ,lib41 ,rome1 ,no4 #cbd #cj,missal ( ,rome ,*igi ,lib41 c4 ,execut$ = ,pius ,,ii4 ,pius ,,ii4 ,rome #adfj-gj #ca,missal ( ,cors9i ,lib41c4 #aecj;,f9e fram$ ,c>d4 ,cors9i ,rome1 ,no4 m9iatures4 #ajae #cb,missal ( ,m9]va ,lib41c4 #aebj;,f9e m9iatures4 ,c>d4 ,corn>o ,rome #cc,pavia ,milan ,br]a ,lib41 #aecj-hj ,by sev]al arti/s1 ,graduals ,milan especially ,g4 ,b]retta4 ,enorm\s folios4 #cd,pray]-book 444444 ,roy4 ,lib41 c4 #aegd;,f9e/ ,roman ( ,alb]t ,,iv4 ,muni*1 ,cim4 ,r5aissance1 b ( ,bav>ia ,saal4 #db writt5 by ,hans ,l5k]1 ( ,muni* 7n a ,clovio74 #ce;,apologia di ,rome ,brit4 ,mus41 c4 #aeaj;,execut$ = ,h5ry ,col5uccio ,roy4 #ab1 c4 ,,viii4 ( ,engl&4 viii4 #cf,pray]-book ,milan ,roy4 ,lib41 c4 #adej;,illum9at$ by ,bianca ,m>ia ,muni*1 ,no4 ,giovanni da ,como4 ( ,milan #ii;,a ,conta9s ,visconti & ,s=za arms4 #cg;,h\rs ( ,bona ,brit ,mus41 c4 #adij;,f9e/ ,milanese ,s=za ( ,add4 #cdbid ,r5aissance1 ) ,milan "s ,flemi% additions4 ,,fr5* ---------------------------------------- ------------------------------- ,no ,"n4 ,:]e ,:]e ,kept4 ,date4 ,rem>ks4 ,produc$4 ---------------------------------------- ------------------------------ #a,! ,t\rs ,nat4 ,lib41 444444 ,attribut$ to ,jehan ,v]sailles ,p>is1 #fijg ,f\quet ( ,t\rs4 ,livy #b,! ,nat4 ,lib41 444444 ,attribut$ to ,jehan ,sorbonne ,p>is1 fds4 ,f\quet ( ,t\rs4 ,livy ,sorb4 #big #c;,antiquities ,nat4 ,lib41 444444 ,f\quet's ( ! ,jews ,p>is1 ,resew4 ma/]piece4 #fhia #d;,boccacio ,roy4 ,lib41 444444 ,execut$ = ,eti5ne ,muni* ,*evali]4 #e,trsor des ,brit4 ,mus41 c4 #adij;,f9e arial ,hi/oires ,cott4 ,aug4 v4 p]spective & l&scape4 #f,val]ius ,p>is ,brit4 ,mus41 ,a v f9e ,,ms4 ,maximus ,h>l4 #dcgd-e #g;,h\rs ( ,anne ,nat4 ,lib41 c4 #aejh;,a magnific5t ( ,brittany ,p>is example1 eclectic 9 /yle1 ) natural fl[]s & insects 9 bord]s1 & f9e figure-pa9t+4 #h;,h\rs ( ,vicomte de c4 #aeej;,attribut$ to ,jean ,claude ,janz ,c\s94 ,influ5ce ( ,g\ffi] glass-pa9t+4 #i,(fices ,brit4 ,mus41 c4 #aecj,probably execut$ = ,add4 #ahhec ,francis ,i4 ( ,france4 ,excell5t "w1 eclectic 9 /yle4 #i;a,h\rs ( ,libr4 ( #aedi ,same /yle z #h & ,montmor5cy ,c\nt ( #i1 & probably by ,j4 ,haussonville ,c\s91 #aj,(fices ,t\rs8 ,brit4 ,mus41 c4 #aebe;,ar*itectural details ,add4 #ahhed ( ,s*ool ( ,t\rs4 ,writt5 = ,fr4 de ,d9teville1 ,bp4 ( ,aux]re4 #aa ,brit4 ,mus41 ,ar*itectural frames ,add4 #ahhee to m9iatures z 9 #ab ,p>is ,nat4 ,lib41 #aeca #aj1 b l>g] & ,p>is1 ,lat4 m fanciful #ajefc details1 some:at l #g 9 portions4 #ac;,epi/res 444444 ,nat4 ,lib41 c4 #aejj;,execut$ = ,l\ise d',ovide ,p>is1 fds4 de ,savoie1 "m ( fr4 #hge ,francis ,i4 #ad;,boece ,p>is ,nat4 ,lib41 ,f9e m9iatures ) ,p>is1 u4 ,r5aissance fds4 ,lat4 ar*itectural #ffdc details4 #ae;,epi/res ,nat4 ,lib41 ,translat$ by ,p>is1 #fhgg ,octavi5 de d',ovide ,/4 ,gelay4 ,beautiful m9iatures4 #af,petr>*'s 444444 ,nat4 ,lib41 c4 #aebj,v f9e m9iatures ,triumphs ,p>is1 f4 fr4 ( triumphs4 ,italian #gjgi influ5ce4 #ag;,*ants royaux444444 ,nat4 ,lib41 ,f9e m9iatures4 ,p>is1 #fihg #ah;,*ants ,royaux,p>is ,nat4 ,lib41 ,magnific5t ,p>is1 f4 fr4 m9iatures "u #cgi ,italian influ5ce ( ,&rea del ,s>to4 #ai,petr>* ,nat4 ,lib41 c4 #aejc,m9iature ( ,p>is1 f4 fr4 pres5tation to ,l\is #bbe ,,xii4 ,_m full-page m9iatures4 #bj;,fleur des ,nat4 ,lib41 c4 #aeje;,execut$ = ,c>d9al ,hi/oires ,p>is1 f4 fr4 d',amboise4 #ed #ba;,*ron4 de ,nat4 ,lib41 ,?ree l>ge folio ,mon/relet ,p>is1 vols4 ,vol4 i4 #bjcfj-b conta9s five eque/rian portraits ( ,l\is ,,xii4 #bb,les ,e*ecs ,nat4 ,lib41 c4 #aejj;,execut$ = use ( amoreux ,p>is1 f4 fr4 ,francis1 d4 ( #adc ,ang\lme1 & 8 si/] ,m>gu]ite4 #bc;,boccace de ,nat4 ,lib41 ,by same illum9ator cl>is et ,p>is1 f4 fr4 z #bb4 ,execut$ = nobilibus #eii ,l\ise de ,savoie4 muli]ibus #bd,reception de ,brit4 ,mus41 c4 #aead;,avec belles ,m>ie ,vesp4 ,b4 #b pe9tures4 d',anglet]re ,p>is #be;,*ants ,royaux ,nat4 ,lib41 #aeae ,pres5t$ 9 #aeae to ,p>is1 f4 fr4 ,l\ise de ,savoie by #ade ! ,city ( ,ami5s4 ,! m9iatures pa9t$ 9 grisaille by ,j4 ,pla/el1 & col\r$ by ,j4 ,p9*on4 ,conta9s portrait ( ,l\ise4 #bf;,comm5taires ,brit4 ,mus4 c4 #aeai;,attribut$ to de ,cs>1 ,ge(froy ,tory4 ,"p ,vol4 i4 grisaille4 ,writt5 9 ,roman text4 ,see ,dict4 ,m9iat4 iii4 #cab4 ,comm5taires ,nat4 ,lib41 de ,cs>1 ,p>is1 #acdbi ,vol4 ii4 ,comm5taires ,lib4 ( ,duc de ,cs>1 d',aumale ,vol4 iii4 #bg;,dutillet1 444444 ,nat4 ,lib41 444444 ,pres5t$ to ,*>les ,fr5* ,k+s1 ,p>is1 #bhdh ,,ix4 etc4 #bh;,h\rs ( 444444 ,nat4 ,lib41 c4 #aeie,peculi> /yle & ,h5ry ,,iv4 ,p>is1 ,lat4 col\r+4 #aaga #bi;,gospel ( ,/4,boisl$uc ,brit4 ,mus41 444444 ,f9ely writt51 b ,john ,roy41 ,e4 #e n illum9at$ by ,pet4 ,megh54 #cj,sol ,brit4 ,mus41 c4 #afhb,pa9t$ by ,pi]re ,gallicus ,add4 #bcgde ,mign>d4 #ca,psalt] ,london ,brit4 ,mus41 #aefe ,writt5 by ,petrucco ,roy4 #b ,b4 #i ,ubald9i1 a ,flor5t9e4 #cb;,book ( ,engli%8 ,brit4 ,mus41 c4 #afjj,v elegant bord]s4 ,s5t5ces =,london8 ,roy4 #ag ,a4 #bc ,lady ,sumley ,,engli% ,,illum9ation ,,f ,,! ,,?irte5? ,,to ,,! ,,sixte5? ,,c5tury ---------------------------------------- ------------------------------- ,no ,"n4 ,:]e ,:]e ,kept4 ,date4 ,rem>ks4 ,produc$4 ---------------------------------------- ------------------------------ #a,(fices & ,we/m9/] ,brit4 ,mus41 #abdj ,imitation ( /a9$ ,pray]s ,roy4 #b ,a4 #bb glass4 ,typical ,,ms4 #b;,bible 9 ,cant]bury ,brit4 ,mus41 #abde ,lat9 ,burney #c #c ,salisbury ,brit4 ,mus41 #abed ,writt5 by ,w de ,roy4 #a ,b4 #ab ,hales4 #d,t5ison ,london ,brit4 ,mus41 #abid ,writt5 & ,psalt] ,add4 #bdfhf illum9at$ by ord] ( ,edw>d ,i4 #e;,bible 9 444444 ,brit4 ,mus41 #ac? ,writt5 by ,w ( ,lat9 ,roy4 #a ,d #a c5t4 ,devon4 #f;,apocalypse 9444444 ,brit4 ,mus41 c4 #accj,see ,bibliographica1 ,fr5* ,roy4 #ai ,b4 #ae pt4 v4 pl4 #a4 #g;,arundel 444444 ,brit4 ,mus41 ,see ,bibliographica1 ,psalt] ,arund4 #hc pt4 v4 pl4 #b #h,psalt] ( 444444 ,brit4 ,mus41 #achj ,transition f ,joan ( ,k5t ,roy4 #b ,b4 #h ,fr5* ,go?ic to ,lanca/rian4 #i,pontifical 444444 ,brit4 ,mus41 c4 #adjj;,e>ly ,lanca/rian4 ,lansd4 #dea #aj;,bible 9 444444 ,brit4 ,mus41 ,l>ge folio4 ,see ,lat9 ,roy4 #a ,e4 ix4 ,bibliographica1 pt4 v4 pl4 #d4 #aa;,brevi>y 444444 ,brit4 ,mus41 ,some?+ l #g4 ,h>l4 #bige #ab,(fices 444444 ,brit4 ,mus41 c4 ,add4 #afifh #acij-adjj #ac 444444 ,brit4 ,mus41 c4 #adaj;,execut$ = ,anne ,add4 #afiih ,maulev]]4 #ad,lib] ,albus ,london ,guildhall ,bracket bord]s4 ,lib41 ,london #ae,lib] de ,hyda,w9*e/] ,%irburn ,ri*ly illum9at$ ,ca/le ,lib4 bord]s1 "s unf9i%$4 ,see ,rolls ,s]ies4 #ahff4 #af,(fices 444444 ,brit4 ,mus41 c4 ,e>ly ,lanca/rian4 ,roy4 #b ,b4 #a #adjj-adaj #ag;,gr&ison 444444 ,brit4 ,mus41 c4 #adaj;,f9e initials ) ,(fices ,roy4 #b ,a4 #ah ,lanca/rian brackets4 ,see ,bibliographica1 v4 pl4 #e4 #ah,occleve de 444444 ,brit4 ,mus41 c4 #adae,trac]i$ backgr\nds ,regim4 ,ar4 #ch 9 ,bohemian mann]4 ,pr9cipum ,cf4 ,w4 v4 ,orange ,,ms4 #ai,ormonde 444444 ,brit4 ,mus41 c4 #adbj,simil> to #ag4 ,call$ ,(fices ,roy4 #b ,b4 #ae by ,humphreys 7,books ( ,middle ,ages7 ,que5 ,m>y's ,brevi>y4 #bj;,g[]'s 444444 ,brit4 ,mus41 ,lanca/rian /yle4 ,confessio ,h>l4 #cdij ,amantis #ba,psalt] ( ,/4 ,alban's ,brit4 ,mus41 #adfj ,f9e ,engli% "w4 ,que5 ,m>y ,roy4 #b ,b4 #g ,pres5t$ 9 #aeec to ,que5 ,m>y #bb;,hor 444444 ,brit4 ,mus41 c4 #adfj,_m m$iocre ,h>l4 #bhhd illum9ations4 #bc;,gospels & ,london ,brit4 ,mus41 c4 #aejh;,giv5 by ,/eph5 & ,epi/les1 ,roy4 #b ,b4 #ab1 ,m>g>et ,j5yns to etc4 #ac ! *ur* at ,ald]manbury1 ,london4 #bd;,b\r*i] ,brit4 ,mus41 c4 #adeh;,conta9s ,b\r*i] ,psalt] ,roy4 #b ,b4 #ad obitu>ies4 #be,psalt] & 444444 ,brit4 ,mus41 c4 #adgj;,good text & _m ,canticles1 ,h>l4 #agai illum9at$ lett]s etc4 & bord]s4 ,,spani% ,,& ,,portuguese ---------------------------------------- ------------------------------- ,no ,"n4 ,:]e ,:]e ,kept4 ,date4 ,rem>ks4 ,produc$4 ---------------------------------------- ------------------------------ #a;,h\rs1 etc41 444444 ,brit4 ,mus41 444444 ,ne!rl&i% ,lat4 & ,add4 #ahaic influ5ce4 ,catalan4 #b,(fices 444444 ,brit4 ,mus41 444444 ,italian influ5ce4 ,b4,m4,v4 ,add4 #bhbga #c;,hidalguia 444444 ,brit4 ,mus41 #afjd ,9 ,g5oese mann]4 ,add4 #abbad #d;,diploma ( 444444 ,brit4 ,mus41 #ag? ,philip ,,iii4 ,roy4 ,claud4 c5t4 ,b4 x4 #e,pat5t to 444444 ,brit4 ,mus41 #agig ,allegorical designs4 ,pr9c4 de la ,add4 #agjf ,paz #f,ordo ,miss4 444444 ,brit4 ,mus41 #ag? ,roman text1 good ,pontificales ,add4 #cjheg c5t4 initials4 #g,portuguese 444444 ,brit4 ,mus41 444444 ,writt5 = ,john ,missal ,/[e #eig ,,iii41 ,k+ ( ,portugal4 #h;,hidalguia de ,spa9 ,brit4 ,mus41 #aegh ,grant$ by ,philip ,gonsalo de ,add4 #bbadc ,,ii41 ) 8 ,ca/ro ,cep$a portrait4 ,,bibliography ,abrahams1 ,n4,c4,l4 ,description des ,,mss4 franaises du ,moy5 ,age de la ,biblio?que ,royale de ,cop5hague4 #dto4 ,cop5hag54 #ahdd4 ,alt1 ,h4 ,die ,heilig5bild] od] die bild5de ,kun/ u4 die ,!ologie4 #hvo4 ,b]l91 #ahde4 ,a/le1 ,?omas4 ,! ,orig9 & ,progress ( ,writ+4 #dto4 ,london1 #aghd1 #ahjc4 ,b>rois1 ,j4 ,biblio?que ,protypographique ou librairies du roi ,jean4 #dto1 ,p>is1 #ahcj4 #f plates4 ,ba/>d1 ,aug4 ,librairie de ,jean de ,france duc de ,b]ry444illu/re des plus belles m9iatures de ses ,,mss41 etc4 ,folio4 ,p>is1 #ahcd4 #cb plates4 ,beissel1 ,/ephan4 ,des heilig5 ,b]nw>d ,evangeli5bu* im ,dome zu ,hilde%eim4 ,mit ,hds*r4 des #aj4 und #aa4 ,jahrh41 etc4 ,?ird edition4 #bf photo-li?ographs 7#ab x #i74 ,hilde%eim1 #ahid4 ,beissel1 ,/ephan4 ,vaticanis*e ,m9iatur54 ,folio4 ,freiburg im ,breisgau1 #ahic4 ,_m li?ograph$ plates4 ,bir*1 ,w4 de ,g4 ,hi/ory1 ,art1 & ,palography ( ! ,,ms4 commonly /yl$ ! ,utre*t ,psalt]4 #hvo4 #c facsimile plates 9 autotype4 ,b1 ,qu>it*1 ,london1 #ahgf4 ,bir*1 ,w4 de ,g41 & ,j5n]1 ,h4 ,e>ly ,draw+s & ,illum9ations 79 ,,mss41 *iefly 9 ! ,briti% ,museum74 #abmo4 ,london1 #ahgi4 ,biscionii1 ,a4,m4 ,catal4 bibl4 ,m$ico-,laur5tiana4 ,folio4 ,flor5t9e1 #ageb-g4 7,valuable plates ( facsimiles1 etc47 ,bradley1 ,j4,w4 ,life & ,works ( ,g4,g4 ,clovio1 ,m9iaturi/1 etc4 #hvo4 ,london1 #ahia4 #ah plates4 ,bradley1 ,j4,w4 ,diction>y ( ,m9iaturi/s1 ,calligraph]s1 etc4 #hvo4 #c vols4 ,qu>it*1 ,london1 #ahhg-ij4 ,bradley1 ,j4,w4 ,v5etian ,ducali1 9 ,bibliographica1 ,,ii4 #beg4 #d phototypes4 ,bu*]1 ,b4 ,ges*i*te des ,te*nis*5 ,kn/e1 etc41 vol4 i4 ,m9iatur1 etc4 #hvo4 ,/uttg>t1 #ahge4 ,cahi] & ,m>t94 ,n\veaux ,mlanges d',ar*ologie1 etc4 ,l>ge #dto4 ,p>is1 #ahgd-gg1 etc4 ,_m f9e plates ( m9iatures1 etc41 mo/ly )\t col\r4 ,campori1 ,g4 ,gli arti/i ,italiani1 etc41 nelle ,/ati ,e/5si4 #hvo4 ,mod5a1 #ahee4 ,campori1 ,g4 ,racconti arti/ici italiani4 #hvo4 ,fir5ze1 #aheh4 ,c>avita1 ,a4 ,i codici e le ,arti a ,monte ,cass9o4 #hvo4 ,montec41 #ahfi-ga4 ,c>ta1 ,f4 ,codici1 corali e libri a /ampa m9iati della ,biblioteca nazionale di ,milano4 ,folio4 ,roma1 #ahie4 ,) #be phototype facsimiles4 ,*assant1 ,alph4 ,palographie des *>tes et des ,,mss4 du #aa;e au #ag;e ,sicle4 #hvo4 ,p>is1 #ahfg1 & companion vols4 ,curm]1 ,l4 ,les ,evangiles des ,diman*es et ,ftes4 ,l>ge #hvo4 ,p>is1 #ahfd4 ,_m facsimiles 9 gold & col\rs f illum9at$ ,,mss4 ,delisle1 ,l4 ,mm4 sur l'cole calligraphique de ,t\rs au ,i,xe ,sicle4 ,p>is1 #ahhe4 #e heliograv4 ,delisle1 ,l4 ,l'vangliaire d',arras et la ,calligraphie ,franco-,saxonne du neuvime ,sicle4 #dto4 ,p>is1 #ahhh4 ,l>ge heliogravure facsimiles4 ,delaunay 7l',abb ,h474 ,le livre d',heures de la re9e ,anne de ,bretagne4 ,) facsimile ( ! :ole ,,ms4 ,l>ge #hvo4 ,p>is1 #ahfa4 ,delia ,valle1 ,g4 ,lett]e ,s5ese1 ,sopra le ,belle ,arti4 #c vols4 #hvo4 ,v5ezia1 #aghb-hf4 7,relat+ to ,si5ese m9iaturi/s47 ,delisle1 ,l4 ,le cab9et des manuscrits de la biblio?que impriale 79 ,hi/4 gn4 de ,p>is74 #dto4 ,p>is1 #ahfh4 ,d5is1 ,f]d4 ,hi/oire de l'ornem5tation des manuscrits4 #hvo4 ,p>is1 #aheh4 7#adc pp41 ) illu/rations47 ,de%a9es1 ,c4 ,hi/oire de l',art dans la ,fl&re1 d',artois1 et le ,ha9aut4 #hvo4 ,lille1 #ahhf4 ,dibd91 ,t4,f4 ,! ,bibliographical ,decam]on4 #c vols4 #hvo4 ,london1 #ahag4 ,didron 7edit474 ,annales ,ar*ologiques4 ,p]iodical #dto4 #ahdd1 etc4 7,p4,p4 #aica1 d4 a4 ,brit4 ,mus47 ,d]ange1 ,a4 ,cat4 descr4 et raisonn des manuscr4 de la bibl4 de ,t\rs4 #dto4 ,t\rs1 #ahge4 ,durieux1 ,a4 ,les ,arti/es ,cambrsi5s du ,i,xe a ,x,i,xe ,sicle1 etc4 #hvo4 ,cambray1 #ahgd4 7,) plates 9 folio47 ,durieux1 ,a4 ,m9iatures des manuscr4 de la bibl4 de ,cambrai4 #hvo4 ,cambrai1 #ahfa4 #ah plates4 ,du ,somm]>d1 ,&r4 ,les ,arts du ,moy5-ge4 #f vols4 ,folio4 ,p>is1 #ahch-df4 ,fleury1 ,e4 ,les ,,mss4 m9iatures de la biblio?que de ,soissons4 #dto4 ,p>is1 #ahfe4 ,li?ograph facsimiles4 ,fleury1 ,e4 ,les manuscrits m9iatures de la bibl4 de ,laon4 #dto4 ,laon1 #ahfc4 #ej plates 7good74 ,gabel5tz1 ,h4 von d]4 ,zur ,ges*i*te d] ob]deuts*5 ,m9iaturmal]ei im #aft5 ,jahrhund]t4 ,l>ge #hvo4 ,/rassburg1 #ahii4 #ab phototypes4 ,gami]1 ,j4 ,catalogue descriptif et raisonn des ,,mss4 de la bibl4 de la ville d',ami5s4 #hvo4 ,ami5s1 #ahdc4 ,gir>dot1 ,b4 de4 ,cat4 des manuscrits de la bibl4 de ,b\rges4 ,folio4 ,p>is1 #ahei4 ,gual&i1 ,m4,a4 ,memorie orig9ate ,italiane risgu>dante le ,belle ,arti4 #hvo4 ,bologna1 #ahdj-de4 ,h>dy1 ,sir ,?omas ,d4 ,! ,a?anasian ,cre$ 9 ,connection ) ! ,utre*t ,psalt]3 be+ a ,report1 etc4 ,) autotype facsimiles4 ,folio4 ,spottiswoode & ,co41 #ahgb4 ,h5drie1 ,r4 ,encyclopdia ( ! ,arts ( ! ,middle ,ages by ! monk ,!ophilus4 ,translat$1 ) notes4 #hvo4 ,london1 #ahdg4 ,"o ( ! be/ collections ( m$ival me?ods & recipes relat+ to illum9ation4 ,humphreys1 ,h4 ,noel4 ,! ,illum9at$ ,books ( ! ,middle ,ages4 ,folio4 ,london1 #ahdi4 #ci plates4 ,hus5be?1 ,f4,c4 ,emblems ( ,sa9ts by :i* !y are ,di/+ui%$ 9 ,works ( ,art4 #hvo4 ,london1 #ahej4 ,second edition1 #ahfj4 ,?ird edition1 #ahhb4 ,jck1 ,j4,j4 ,viele ,alphabete und ganze ,s*riftmu/] vom #h1 bis zum #af1 ,jahrh4 aus d5 ,h&s*r4 d] ff5tl4 ,bibl4 zu ,bamb]g4 ,folio4 ,bamb]g1 #ahcc-ce4 ,james1 ,m4,r4 ,descriptive ,catalogue ( ! ,illum9at$ ,,mss4 9 ! ,fitzwilliam ,museum1 ,cambridge4 7,f9e phototype facsimiles1 & an excell5t text47 ,l>ge #hvo4 ,cambridge ,univ]sity ,press1 #ahie4 ,jor&1 ,j4,b4,j4 ,grammatographie du neuvime sicle4 #dto4 ,p>is1 #ahcg4 #fe plates1 folio4 ,kir*(f1 ,albr4 ,h&s*rift5hndl] des ,mittelalt]s4 ,second edition4 #hvo4 ,leipzig1 #ahec4 ,kondakov4 ,hi/4 de l',art ,byzant9 consid]r444dans les m9iatures4 #b vols4 ,small folio4 ,p>is1 #ahia4 ,plates & woodcuts4 ,kugl]4 ,kle9e ,s*rift54 #c vols4 #hvo4 ,/uttg>t4 #ahec-ed4 7,g]man illum9ation47 ,lab>te1 ,jules4 ,hi/orie des ,arts indu/riels au ,moy5-ge4 7,vol4 iii47 #hvo4 ,p>is1 #ahfe4 ,laborde1 ,l4 ,la r5aissance des arts la c\r de ,france4 #b vols4 #hvo4 ,p>is1 #ahee-ef4 ,lacroix1 ,p4 ,milit>y & ,religi\s ,life 9 ! ,middle ,ages4 #hvo4 ,london1 #ahgd4 ,lacroix1 ,p4 ,! ,arts ( ! ,middle ,ages4 #dto4 ,london1 #ahgj4 ,lacroix1 ,p4 ,mann]s1 ,cu/oms1 & ,dress dur+ ! ,middle ,ages4 #dto4 ,london1 #ahgd4 ,lacroix1 ,paul1 & ,sr ,f]d4 ,le ,moy5-ge et la ,r5aissance4 #e vols4 #dto4 ,p>is1 #ahdh-eb1 #ahgd4 ,lacroix1 ,p41 ,f\rni]1 ,ed41 & ,sr1 ,f4 ,livre d'or des mti]s4 #hvo4 ,p>is1 #aheb4 ,lambecius1 ,p4 ,comm5t>4 de ,biblio!ca ,cs>ea ,v9dobon5si4 ,folio4 ,v9dobona 7,vi5na74 #afgj4 ,plates4 ,langlois1 ,e4,h4 ,mmoire sur la calligraphic les ,,mss4 du ,moy5-ge4 #hvo4 ,p>is1 #ahda4 #ag plates4 ,le ,arti4 ,v>i\s ,articles on ,illum9at$ ,,mss41 by ,frizzoni1 ,v5turi1 etc4 7,italian ,p]iodical4 ,roma1 v4 #g4 ,f #ahih47 ,lecoy de la ,m>*e1 ,a4 ,les ,,mss4 et la ,m9iature4 #abmo4 ,p>is1 #ahhd4 ,woodcuts4 ,leits*uh1 ,f4,f4 ,ges*i*te d] ,k>ol+is*5 ,mal]ei1 etc4 ,b]l91 #ahid4 ,_m prototype facsimiles4 ,libri1 ,gul4 ,monum5s 9dits4 ,folio4 ,london1 #ahfd4 #fe plates4 ,madd51 ,sir ,fr$4 ,univ]sal ,palography4 #b vols4 #hvo4 ,london1 #ahej4 ,m>*al1 ,j4 ,cat4 des ,,mss4 de la bibl4 royale des dues de ,b\rgogne4 #c vols4 #dto4 ,brussels1 #ahdb4 ,middleton1 ,j4,h4 ,illum9at$ ,,mss4 9 ,classical & ,m$ival ,times3 _! ,art & _! ,te*nique4 ,l>ge #hvo4 ,cambridge ,univ]sity ,press1 #ahib4 ,milanesi1 ,g4 ,docum5ti p] la ,/oria dell' arte ,s5ese1 etc4 #hvo4 ,si5a1 #ahed-ef4 ,mol9i]1 ,a4 ,les ,,mss4 et les ,m9iatures4 #abmo4 ,p>is1 #ahib4 ,woodcuts4 ,monte ,cass9o4 ,paleografia arti/ica4 ,monte ,cass9o1 #ahgg4 ,folio4 ,facsimiles 9 gold & col\rs1 etc41 f ,go?ic & ,lomb>dic ,,mss4 ,montfaucon4 ,palographia ,grca4 ,small folio4 ,p>isiis1 #agjh4 ,mugni]1 ,fr4 ,les ,,mss4 m9iatures de la ,maison de ,savoie1 etc4 #hvo4 ,m\ti]s-,t>antaise1 #ahid4 #ag phototypes4 ,ottley1 ,w4,y4 ,hi/ory ( ,engrav+4 #dto4 ,london1 #ahaf4 ,peignot1 ,gabr4 ,essai sur l'hi/oire du p>*em9 et du vl94 #hvo4 ,p>is1 #ahab4 ,p9*>t1 ,a4 ,m9iaturi/es1 ,enlum9eurs1 et ,calligraphes ,employs p> ,philippe le ,bon1 etc4 #hvo4 ,bruxelles1 #ahfe4 ,publications ( ! ,palographical ,society ( ,london4 ,folio4 ,vol4 vii41 etc4 ,v useful4 ,qu>it*1 ,b4 ,examples ( ! ,art ( ,book-illum9ation dur+ ! ,middle ,ages4 #dto4 ,london1 #ahii4 ,f9e facsimiles 9 gold & col\rs4 ,raczynski1 ,a4 7,cte474 ,les arts en ,portugal4 #hvo4 ,p>is1 #ahdf4 ,rahn1 ,j4,r4 ,das ,psalt]ium ,aureum v4 ,sanct ,gall54 ,folio4 ,/4 ,gall51 #ahgh4 u *romoli?ogr4 9 col\rs & gold4 #g li?ogr4 & _m woodcuts4 7,a capital acc\nt ( ,c>ol+ian & ,iri% ,,mss47 ,sack51 ,ed4 ,frh4 von4 ,die ,ambras] ,sammlung4 #hvo4 ,wi51 #ahee4 ,sakc9ski1 ,j4,k4 ,leb5 des ,giulio ,clovio4 #hvo4 ,agram1 #aheb4 ,sakc9ski1 ,j4,k4 ,slovnik umjetnah ,jugoslav5skih4 7,biographical ,dict4 ( ,s\? ,slavonic ,arti/s47 #hvo4 ,uzagreba1 #aheh4 ,sanftl1 ,k4 ,diss]tatio 9 aureum ac p]vetu/um ,,ss4 ,evangelior4 ,codicem ,,ms4 ,mona/4 ,s4 ,emm]ani4 #daj4 ,ratisbon1 #aghf4 ,gives a l>ge fold+ plate ( ! ,gospel-book cov]1 & facsimiles ( illum9ation & writ+4 ,s*nemann4 #ajj ,m]kwrdigkeit5 des ,h]zogli*5 ,biblio?4 zu ,wolf5bttel4 #hvo4 ,hannov]1 #ahdi4 ,s*ultz1 ,a4 ,deuts*es ,leb5 9 #adt5 und #aet5 ,jahrh4 #b vols4 ,l>ge #hvo4 ,wi51 #ahib4 7,conta9s _m facsimiles 9 gold & col\rs1 f ,g]man & ,bohemian ,,mss47 ,s]apeum1 ,zeits*rift fr ,biblio!k5s ,wiss5s*aft4 #hvo4 ,leipzig4 ,vol4 vii4 ,s]\x ,d',ag9c\rt1 ,j4 ,hi/orie de l',art p> les ,monum5ts4 ,folio4 #c vols4 ,p>is1 #ahbc4 ,london1 #ahdg4 ,engrav+s4 ,%aw1 ,h4 ,! ,art ( ,illum9at+ z ,practis$ 9 ! ,middle ,ages4 ,second edition4 #dto4 ,london1 #ahde4 ,plates4 ,%aw1 ,h4 ,alphabets1 ,num]als1 & ,devices ( ! ,middle ,ages4 ,folio4 ,london1 ,w4 ,pick]+1 #ahde4 ,_m plates1 "s 9 gold & col\rs4 ,silve/re1 ,j4,b4 ,palographie univ]selle4 #d vols4 ,folio4 ,p>is1 #ahda4 #fjj plates4 7,plates v good47 ,smet1 ,j4,j4 de4 ,quelques re*]*es sur nos anci5s enlum9eurs1 etc4 ,9 ,bullet9 de l',acadmie de ,belgique1 t4 xiv41 pt4 #b1 p4 #gh1 & ,bullet4 du ,bibliophile ,belge1 t4 iii41 p4 #cgf1 t4 iv41 p4 #agf4 ,/okes1 ,m4 ,e>ly ,*ri/ian ,art 9 ,irel&4 #abmo4 ,london1 #ahhg4 ,woodcuts4 7,victoria & ,alb]t ,m4 ,h&book47 ,sw>z5ski1 ,g4 ,die ,reg5sburg] ,bu*mal]ei des ,x4 und ,,xi4 ,jahrhund]ts4 ,l>ge #hvo4 ,leipzig1 #aija4 #ce phototypes4 ,tambroni1 ,g4 ,c5n9o ,c5n9i3 ,trattato della ,pittura4 #hvo4 ,roma1 #ahba4 ,lat] edition 7,milanesi71 ,fir5ze1 #ahei4 7,conta9s _m practical directions & recipes47 ,?ompson1 ,sir ,edw>d ,m4 ,engli% ,illum9at$ ,,mss4 ,9 ,bibliographica1 vol4 i4 pp4 #abi1 #che1 etc4 ,l>ge #hvo4 ,london1 #ahie4 ,v5turi1 ,ad4 ,la m9iatura f]r>ese nel secolo ,,xv41 etc4 ,folio4 ,roma1 #ahii4 #d *romoli?ographs & #g phototypes4 ,9 ,le ,gall]ie ,nazionale ,italiane4 ,vol4 iv41 #ahg4 ,viel-,ca/el1 ,cte4 ,horace de4 ,/atuts de l',ordre du ,sa9t-,esprit1 etc4 ,,ms4 du #ad;e ,sicle avec une notice sur la pe9ture des ,,mss4 ,l>ge folio4 ,p>is1 #ahec4 #ag v f9e facsimiles 9 gold & col\rs4 ,vogelsang1 ,w4 ,hollndis*e ,m9iatur5 des spt]5 ,mittelalt]s4 ,l>ge #hvo4 ,/rassburg1 #ahii4 ,_m phototype facsimiles4 ,wailly1 ,j4,n4 de4 lm5s de ,palographie4 #b ?ick vols4 #dto4 ,p>is1 #ahch4 ,_m plates ( writ+1 seals1 etc4 ,wall!r1 ,j4,l4 ,lexicon diplomaticum4 ,folio4 #agea4 ,_m examples ( writ+s4 ,waag51 ,g4,f4 ,on ! ,importance ( ,,mss4 ) ,m9iatures 9 ! ,hi/ory ( ,art4 #hvo4 ,philobiblon ,society4 ,vol4 i4 ,london1 #ahed4 ,waag51 ,g4,f4 ,die ,vornehm/5 ,kn/l] 9 ,wi54 #hvo4 ,wi51 #ahff4 7,,mss4 9 ,imp]ial ,libr>y1 etc41 9 ,vi5na47 ,w>n]1 ,g4,f4 ,m9iatures & ,bord]s f ! ,h\rs ( ,bona ,s=za1 ,du*ess ( ,milan4 ,small #dto4 ,london1 #ahid4 #fe sepia facsimiles4 ,w>n]1 ,g4,f4 ,illum9at$ ,,mss4 9 ! ,briti% ,museum4 #dto4 ,london1 #ahii1 etc4 ,_m col\r$ facsimiles4 ,watt5ba*1 ,w4 ,das ,s*riftwes5 im ,mittelalt]4 #hvo4 ,leipzig1 #ahga4 ,we/wood1 ,j4,o4 ,palographia ,sacra ,pictoria4 #dto4 ,london1 #ahde4 #ej facsimile plates1 mo/ly 9 col\rs & gold4 ,we/wood1 ,j4,o4 ,m9iatures & ,ornam5ts ( ,anglo-,saxon & ,iri% ,,mss4 ,folio4 ,ox=d1 #ahfh4 ,_m f9e facsimiles 9 col\rs4 ,wyatt1 ,m4,d41 & ,tymms4 ,! ,art ( ,illum9at+4 ,l>ge #hvo4 ,london1 #ahfj4 ,_m facsimiles 9 gold & col\rs4