,,the ,,brochure ,,series ,,of ,,architectural ,,illustration4 ,,vol4 ,i4 ,,august1 #ahie ,no4 #h4 ,,fragments ,,of ,,greek ,,detail4 ,the ,art of ,greece during the fifth century1 ,b4,c41 was developed in an amazingly short time from a condition of almost archaic rudeness to that of the greatest perfection which the world has ever seen4 ,at the close of the ,persian wars the ,athenians1 under ,pericles1 began rebuilding their city and perfecting themselves in all the arts of civilization1 and their progress in the next half century will always be a subject for wonder4 ,it is especially wonderful that works of art of the character produced at this time should have been the outcome of political maneuvering3 for if ,plutarch is to be credited the scheming of ,pericles to obtain and hold possession of the government of ,athens was the immediate cause of the erection of these marvellous monuments4 ,in order to increase his influence with the common people ,pericles devoted the treasure which had been contributed by the other ,greek cities for defence against the barbarians to the beautifying of ,athens1 and to furnishing them with games and amusements1 and especially to the erection of the group of temples upon the ,acropolis1 in this way distributing patronage and keeping his people employed much as a modern political boss does the same in our day4 ,the ,parthenon1 which is esteemed the grandest of all monuments of ,greek art1 embodying as it does the highest achievement in sculpture and architecture1 was built just after the middle of the fifth century1 although the precise date at which it was begun and finished is uncertain4 ,the ,erechtheion and ,propyla were probably built a few years later1 but their exact dates are also in doubt4 ,the sculptor1 ,phidias1 was the friend and adviser of ,pericles and to him was given the general charge of all matters relating to art4 ,under him were grouped architects1 sculptors1 and artisans of all schools and trades--,ictinus and ,calicrates as architects of the ,parthenon1 ,mnesicles of the ,propyla1 and many others--such an assemblage as only ,greece in her most glorious epoch could bring together4 ,the work of this period shows that happy union of technical perfection and the expression of only the loftiest ideas1 in which1 as ,plutarch says1 the architect made it his ambition to surpass the magnificence of his design with the elegance of its execution4 ,the skill and delicacy as well as the subtle appreciation of refinements of form and finish exhibited in the treatment of details such as those shown in our plates are almost beyond comprehension4 ,the workmanship is so perfect that it is difficult to see how it could be improved upon4 ,stuart1 in his account of the ,parthenon1 states that he found two stones1 one merely laid upon the other in the stylobate of this building1 which had been ground to so fine a joint that they had actually united and become one4 ,the refinements in measurements are such that it has been asserted that a variation of one twentieth of an inch from the dimensions intended is all that need be allowed--the width of the two ends of the building agreeing to within this amount4 ,the entasis of columns and curvature of what would ordinarily be straight lines is familiar to all students of architecture4 ,photographs of ,greek architecture are by no means common or easy to obtain1 and the subjects given as illustrations of the present issue of ,,the ,,brochure ,,series are presented1 not as in the preceding numbers1 either all from a single building1 or of similar features from several buildings1 but merely as fragments of detail1 representing the period of ,greek art when architecture and sculpture had reached their highest development4 ,illustration3 ,,lvii4 ,capital from the ,parthenon1 ,athens4 ,,lvii4 ,,capital ,,from ,,the ,,parthenon1 ,,athens4 ,the ,parthenon of ,pericles was built on the site of an older temple as a treasury1 and repository of the colossal statue of ,athena1 made by ,phidias from gold and ivory4 ,the ,doric order1 the capital of which is shown in our plate1 needs no description here as probably no other single order is so generally known4 ,after various transformations the building was blown up by the ,venetians in #afhg and has since remained in ruins4 ,illustration3 ,,lviii4 ,capital from the ,erechtheion1 ,athens4 ,illustration3 ,,lix4 ,base from the ,erechtheion1 ,athens4 ,illustration3 ,,lx4 ,capital of ,anta1 from the ,erechtheion1 ,athens4 ,,lviii4 ,,capital ,,from ,,the ,,erechtheion1 ,,athens4 ,,lix4 ,,base ,,from ,,the ,,erechtheion1 ,,athens4 ,,lx4 ,,cap ,,of ,,anta ,,from ,,the ,,erechtheion1 ,,athens4 ,the ,ionic order of the ,erechtheion is the one which is best known and has been most frequently copied and adapted in modern work4 ,it is at the same time the richest and most delicately refined of the ,greek ,ionic orders1 and this is equivalent to saying of all orders whatsoever4 ,this order of which the cap and base are given in our plates belongs to the north porch4 ,there were two other fronts to the building which was1 to all intents and purposes1 three temples united in one4 ,the famous caryatid porch faces the south1 looking toward the ,parthenon4 ,illustration3 ,,lxi4 ,fragment from ,south ,side of the ,acropolis1 ,athens4 ,,lxi4 ,,fragment ,,from ,,south ,,side ,,of ,,acropolis1 ,,athens4 ,although this fragment was found at some distance from the ,erechtheion it is without much doubt a portion of that building4 ,illustration3 ,,lxii4 ,capital from the ,propyla1 ,athens4 ,,lxii4 ,,capital ,,from ,,the ,,propyl,a1 ,,athens4 ,the ,propyla1 or gate to the ,acropolis1 was built at about the same time as the ,parthenon1 between the years #dcf and #dca ,b4,c4 ,it combines the ,doric and ,ionic orders1 but both are most skilfully used with equal grace and nobleness of proportion4 ,illustration3 ,,lxiii4 ,fragment of ,cyma from the ,tholos1 ,epidauros4 ,,lxiii4 ,,fragment ,,of ,,cyma ,,from ,,the ,,tholos ,,at ,,epidauros4 ,the ,tholos of ,polykletos at ,epidauros was a circular building #ajg feet in diameter1 situated within the sacred enclosure4 ,it had two concentric rows of columns1 the exterior order being ,doric1 and the interior ,ionic1 but with ,corinthian caps of the design shown in plate ,,lxiv4 ,illustration3 ,,lxiv4 ,capital from the ,tholos1 ,epidauros4 ,,lxiv4 ,,cap ,,from ,,the ,,tholos ,,at ,,epidauros4 ,the two fragments shown are the result of recent excavations and are among the most beautiful examples of ,greek detail extant4 ,architectural ,schools4 ,,harvard ,,university4 ,the writer of ,the ,point of ,view in ,scribner's ,magazine recently called attention to the distinction between what he calls cultivation and civilization4 ,as he very aptly states it1 culture according to the common acceptance of it1 is largely the cultivation of the mind2 civilization would seem to be the cultivation of the sympathies1 the tastes1 and the capacity for giving and receiving sound pleasures4 ,the most civilized man is the man with the most catholic appreciation1 the man who can be the most things to the most people--the man1 to put it briefly1 who knows best how to live4 ,the man who is civilized can use all the culture he can get1 but he can get on and still be civilized with a very moderate outfit of it4 ,but the man who has culture and has not civilization1 is very badly handicapped4 ,probably no walk of life offers more opportunities for the advantageous application of what is meant in this quotation by civilization than that of the architect2 and probably in no other profession does the civilized man have greater advantages over his less civilized fellows4 ,the successful architect requires a broad and catholic culture1 but in addition must be a man of the world in the best and most comprehensive sense4 ,opportunities for social improvement will often make the difference between success and failure in his professional life4 ,on this account too much stress can hardly be put upon the importance to a young man of his social environment4 ,the life in an old university set in the midst of a community where the traditions of generations of cultivated families have established a social atmosphere1 it might be said1 is one of the best and most powerful civilizing influences4 ,such an opportunity as this is offered at ,harvard1 and it is this which gives to the architectural course at ,harvard its main advantage over that of other schools in this country4 ,the department itself is comparatively young1 having only just completed its second year4 ,it is under the direction of the faculty of the ,lawrence ,scientific ,school1 one of the principal schools of the ,university4 ,its special corps of instructors consists of ,prof4 ,h4 ,langford ,warren assisted by ,messrs4 ,george ,f4 ,newton and ,john ,w4 ,bemis4 ,in addition to this1 lectures and instruction are given by members of the ,faculty of ,arts and ,sciences1 which includes the faculty of the ,lawrence ,scientific ,school1 ,harvard ,college and the ,graduate ,school1 among whom are ,prof4 ,charles ,eliot ,norton1 ,prof4 ,white1 ,prof4 ,greenough1 ,prof4 ,moore1 ,prof4 ,hollis and others4 ,although students in this department do much of their work in rooms specially provided for them1 in their general studies and lectures they are associated with the other students of the ,university and thus reap the advantages coming from such association4 ,throughout1 it has been the purpose in this school1 to treat architecture as a fine art and not merely as the science of construction1 and to this end instruction in the general history of the ,fine ,arts and practice in design are made the central features about which the other studies are grouped4 ,the course as laid out is intended to cover four years1 and may be supplemented by post-graduate work2 while on the other hand a large part of the general studies may be anticipated by students of the ,college who wish to take the professional studies after completing the usual course in the college proper4 ,especial stress is laid upon educating the taste and discrimination of the student1 and association with cultivated men and familiarity with the best efforts of the past1 are the two most important influences to this end4 ,personal4 ,mr4 ,c4 ,d4 ,maginnis1 recently returned from abroad1 and who has for several years been in the office of ,mr4 ,e4 ,m4 ,wheelwright1 city architect1 has opened an office at #bg ,school ,street1 ,boston4 ,he is prepared to do all kinds of architectural drawing1 in pen1 pencil1 or water color1 and will work up competition drawings and sketches4 ,mr4 ,w4 ,h4 ,kilham1 ,mr4 ,e4 ,p4 ,dana1 and several others have recently been added to the working force of ,messrs4 ,winslow ,wetherell1 whose office is now the largest in ,boston4 ,mr4 ,w4 ,t4 ,partridge1 who has for several years been with ,messrs4 ,eames ,young1 in ,st4 ,louis1 has severed his connection with them and will probably return to the ,east4 ,club ,notes4 ,the summer work of the ,sketch ,club of ,new ,york has been laid out to include sketching trips in the outlying neighborhood of ,new ,york ,city4 ,on alternate ,saturdays members of the ,club meet at one of the piers and take a small steam yacht to points along the ,east ,river and ,long ,island ,sound1 spending the ,sunday in sketching4 ,on the intermediate ,sundays1 rambles through ,west ,chester occupy those who are disposed to join in the excursions4 ,these trips are laid out to include the time from ,july #ac to ,september #bh4 ,the competition of the ,chicago ,architectural ,club upon the subject ,picturesque ,chicago1 closes ,september #b1 and the club begins its regular year's work on that date with an exhibition of the sketches submitted in this competition together with other work of the summer4 ,the ,brochure ,series of ,architectural ,illustration4 ,,published ,,monthly ,,by ,,bates ,,guild1 #f ,,beacon ,,street1 ,,boston1 ,,mass4 ,subscription ,rates per year #ej cents1 in advance ,special ,club ,rates for five subscriptions #b4jj ,entered at the ,boston ,post ,office as ,second-class ,matter4 99 99 99 99 99 ,,special ,,notice4 ,back numbers of ,,the ,,brochure ,,series are not kept in stock4 ,all subscriptions will be dated from the time received and subscribers who wish for the current numbers must place their subscriptions at once4 99 99 99 99 99 ,the illustration which we give on another page1 of a gala night of the ,p4 ,d4 club will appeal to the many friends of the ,p4 ,d4's who are distributed from end to end of the country4 ,the descriptive article by one of the members which is begun in this number will also give an indication to those who are not already familiar with this organization1 of its character and purpose4 ,that a combination of serious work and relaxation can be reconciled without sacrificing the former1 has been demonstrated in this case1 for the ,p4 ,d4's are the mainstay of the ,boston ,architectural ,club and have accomplished considerable in other directions1 having done very notable work in several of the ,beaux-,arts ,society's competitions4 ,their motto and seal shown in the other illustration is a remarkable example of impromptu decoration4 99 99 99 99 99 ,the ,august #bb issue of the ,journal of the ,royal ,institute of ,british ,architects contains a description of the ,school of ,architecture and ,applied ,arts of ,university ,college1 ,liverpool1 and an address by ,mr4 ,t4 ,g4 ,jackson1 the well-known ,english architect and author1 delivered at the inauguration of the school on ,may #aj last4 ,special provisions are made for courses in ,architecture1 ,sculpture and ,modelling1 ,decorative ,painting1 ,wrought ,iron ,work1 and ,wood ,carving1 accompanying theoretical instruction with actual work in the studios and shops4 ,mr4 ,jackson's remarks are worthy careful attention and will be found as valuable to ,american students as to those to whom they were addressed4 ,his opinions upon the study of architectural history are interesting in connection with the views of the ,american writers to which we referred last month4 ,he says3 ,the reverence with which we have been taught to regard old work has misled us into a slavish worship of precedent1 and an abject craving for authority by which to shape our own work4 ,close imitation of old work has been regarded as the only safe course1 deceptive imitation of it the highest measure of success4444 ,above all it should be the student's object to discover the principles of design by which the successive styles were governed1 and in tracing their history he should trace the influence of circumstance and accident1 which modify the current art of the day4444 ,the history of architecture1 and the development of style out of style1 should never be taught without incessant reference to the constructional methods which were employed1 and which played the principal part in the changes resulting from their employment4 99 99 99 99 99 ,apropos of the perennial discussion of the question of professional ethics which from time to time comes into prominence in the meetings of the ,american ,institute of ,architects the following may be of interest4 ,it is appended to the card of a certain architect which is published as an advertisement in a local paper and reads3 ,any kind of architectural work promptly attended to and satisfaction guaranteed4 ,in the resolutions recently adopted by the ,boston ,society of ,architects concerning professional ethics it was maintained that architects should not advertise4 ,the advertisement above may savor somewhat of its surroundings 7above it a hair renewer is advertised and below it penny-royal pills7 and suggest too much the shoes tapped while you wait order of advertising1 but we fail to see why architects should be restrained from advertising if there are any benefits to be derived from it4 ,and for our part we think that there are few architects whose business or practice might not be improved by judicious advertising4 ,it is easy to lay down an arbitrary dictum and say that no professional man shall advertise1 but what argument can apply to architects in this respect that does not equally apply to civil engineers and to landscape architects8 ,and no one objects to the advertisements of the latter4 ,the publication of architects' designs in the professional journals is in many cases advertising1 pure and simple1 but is not on this account to be condemned4 ,the truth of the matter is that the exact point where advertising begins and ends is impossible to determine4 ,one kind of advertising is considered allowable and dignified1 another is not4 ,in consequence there is opportunity for many differences of opinion4 ,the ,p4 ,d4's4 ,if ,chimmie ,fadden were asked to translate the letters ,p4 ,d41 he would undoubtedly answer1 ,what 'ell8 and it must be acknowledged that this answer does credit to ,chames's insight2 but at the same time we feel sure that ,chames would not be offended if he were informed that his favorite expression is not nearly such an appropriate definition of ,p4 ,d4 as it is of the play of ,madame ,sans ,gne1 all rumors to the contrary notwithstanding ,and if ,chames could be induced to give up for the while his everlasting search for a bull pup1 we might proceed to inform him to the best of our ability what it really does mean4 ,the ,lord gives good meat but the devil sends cooks1 but ,chames apparently lending a willing ear1 we take his life in our hands1 and firstly3-- ,and that is1 that ,p4 ,d4 is not an abbreviation for ,poor ,debtors1 as some would have it1 but for ,poor ,draughtsmen2 which is after all1 perhaps1 a distinction without a difference4 ,poor in this case has no reference to the quality of the draughtsmen's work1 for1 as our song truly says1-- ,the ,p4 ,d4 is a man ,who does the best he can1 ,no matter what the problem it may be4 ,he can draw a quarter scale1 ,he can draw a full detail1 ,and draw his pay upon a ,saturdee4 ,the club1 for such it is1 was at first overburdened with the name of ,the ,poor ,draughtsmen's ,saturday ,night ,club1 but the member who wrote the specification of the club1 started in by writing the name and then proceeded as follows3 ,the name of the club shall be the above 7it is too long to write again74 ,the hint was taken and it has since been known as the ,p4 ,d4's4 ,the club resulted from the more or less accidental coming together of men of congenial spirit1 and the desire to cultivate each other's acquaintance more intimately than was possible in the larger ,architectural ,club of which they are all members1 and over which are their club rooms4 ,illustration3 ,,seal ,,of ,,the ,p4 ,d4',s4 ,the work of fitting up these rooms was done by the members themselves1 and an added interest is given them by the constantly changing exhibitions on their walls4 ,the bulletin board is also a never-ending source of delight4 ,the club at present consists of thirteen members1 all of whom on entering it1 as a sort of architectural baptism1 receive new names1 and1 ye gods1 what names6 ,what more is to be desired when one may1 when he dines or designs1 touch elbows with such choice spirits as ,ictinus1 ,michael ,angelo1 ,vitruvius1 ,vignola1 ,piranesi1 ,san ,gallo1 ,bramante1 ,christopher ,wren1 ,inigo ,jones1 ,charles ,bulfinch1 ,viollet le ,duc1 ,gamier ,frres 7,n4,b4--,there is only one of him71 and ,brian ,boru4 ,illustration3 ,a ,,gala ,,night ,,in ,,the ,,rooms ,,of ,,the ,p4 ,d4',s4 ,the one requirement for admission is good fellowship with the saving clause1 that this good fellowship1 like ,faith1 must be accompanied by good works4 ,its organization is of the simplest character1 there being no constitution or rules of any kind1 except the joke known as the specification be regarded as such4 ,much of the charm of the club is due to this absolute freedom from restraint4 ,the officers are the president1 treasurer1 and secretary1 who manage the affairs of the club during their term of office4 ,each member presides in turn1 the term of office being one month1 the succession being arranged by lot4 ,a well-known writer deplores the lack of humor in the fiction of the day1 and the tendency of those who should know better1 to constantly preach us sermons upon our least admirable failings4 ,alas6 it is not fiction alone that has taken to the pulpit1 for ,architecture has also its preachers1 and our journals are loaded with their sermons1 which fortunately for architecture1 very few ever read4 ,while acknowledging the fact that a little seriousness now and then may be relished by even a ,p4 ,d41 a good hearty laugh is the one thing in this dreary old world of ours that they most appreciate4 ,no one realizes more thoroughly than they that1-- ,care to our coffin adds a nail1 no doubt1 ,and every grin so jolly draws one out4 ,the principal object of the members1 then1 is to amuse themselves4 ,the club is not intended as a workroom1 but as our ,p4 ,d4 poet expresses it1 a place where1-- ,freed from the fret of routine's slavish toil1 ,they meet once more in freedom's jollity4 ,no thought of care comes to them now to spoil ,the merry jest1 the gay frivolity4 ,nevertheless they have found time for much serious work1 but inasmuch as work is said to speak for itself1 we will confine our attention to some of the things by means of which the members have passed many happy hours4 ,upon entering the club the member not only receives a new name1 but his biography containing more or less of the truth about him is written and placed in the records4 ,a song is also composed in his honor1 and on festal occasions he is greeted with it upon his entrance4 ,perhaps the greatest event of the year is the annual dinner1 or the ,centurial ,dinner as it is called1 from the very general conviction that ,better one year with the ,p4 ,d4's than a cycle of ,cathay4 ,every one is supposed to do something for this occasion1 but he is given perfect liberty as to what he shall do1 and he may answer1 for instance1 the toast of ,the ,architecture of the ,greeks with an essay on ,the ,use and ,abuse of the ,cocktail1 with the assurance that his consistency will not be doubted4 ,the menu card is usually of sufficient interest to furnish amusement until the actual hostilities begin4 ,upon each guest at this dinner is conferred the honorary title of ,draughtsman4 ,the installation of a new president1 which occurs monthly1 is also the occasion of much mirth1 as are also the departures for or the arrivals from ,europe of members4 ,but no matter how closely these events follow each other1 one can depend upon each of them being distinctly different2 and after one has attended a score or so of them he begins to wonder when this versatility will end and they will begin to repeat themselves4 ,notwithstanding the unvaried success of these affairs1 none of them have been attended with more than a slight expenditure of time or money4 ,in decorating the rooms the same old articles have been made to do service any number of times1 but always in such a manner as to obtain an entirely different effect4 ,many of the best things in this line have been done on the spur of the moment4 ,the club seal1 for instance1 was thrown together in a few minutes1 some one in the meantime looking up an appropriate motto1 the occasion being an impromptu festival of ,gambrinus1 which occurred one ,christmas eve4 ,at another time a wonderful chandelier was constructed of a stretcher1 a ,chinese lantern1 and twenty beer bottles1 which were utilized to hold candles1 and a placard on each told that they were manufactured by the ,p4 ,d4 ,electric ,co4 and were each of one candle power2 the whole being draped with some brilliantly dyed stuffs that had served as costumes at the ,art ,students' ,festival4 7,to be continued47