,,vivants999999 file which includes the original illustrations4 ,see #aigbd-;h4htm or #aigbd-;h4zip3 7https3_/_/www4gutenberg4org_/dirs_/#a_/ i_/g_/b_/aigbd_/aigbd-;h_/#aigbd-;h4htm7 or 7https3_/_/www4gutenberg4org_/dirs_/#a_/ i_/g_/b_/aigbd_/aigbd-;h4zip7 ,,home ,,pastimes2 ,,or ,,tableaux ,,vivants4 by ,j4 ,h4 ,,head4 ,illustration3 ,,tableaux ,,vivants4 ,boston3 ,j4 ,e4 ,tilton ,and ,company4 #ahfj4 ,entered1 according to ,act of ,congress1 in the year #ahei1 by ,james ,h4 ,head1 ,in the ,clerk's ,office of the ,district ,court of the ,district of ,massachusetts4 ,electrotyped at the ,boston ,stereotype ,foundry4 ,,to ,,samuel ,p4 ,,long1 ,,esq41 ,,as ,,an ,,humble ,,tribute ,,of ,,admiration ,,for ,,his ,,artistic ,,and ,,literary ,,usefulness1 ,,and ,,to ,,those ,,friends ,,who ,,have ,,participated ,,with ,,me ,,in ,,many ,,of ,,these ,,scenes1 ,this ,work ,,is ,,respectfully ,,inscribed1 ,,by ,,the ,,author4 ,,preface4 ,a sincere desire to extend the influence of a pure and ornamental art1 to promote and extend a perfect system of what is really beautiful in the forming of the ,tableau1 to awaken in the minds of many a quicker sense of the grace and elegance which familiar objects are capable of affording1 and to encourage all to cherish a taste for the beautiful1 have influenced the author to issue this volume4 ,art should not be confined entirely to the studio of the artist4 ,her presence should embellish every home2 her spirit should animate every mind4 ,she is unwearied in her best and brightest attributes1 restricting her influence to no peculiar spot of earth1 nor conforming her claims to any one sphere4 ,beauty of form is still beautiful1 be it found in the humble cottage or in the magnificent palace4 ,a perfect picture will be recognized and appreciated whenever displayed1 or by whomsoever produced4 ,in fine1 nature is still nature1 and the germ of poetical feeling is similar in its manifestation wherever it may chance to be shown4 ,the delineation of the natural and poetical1 its realization upon canvas1 or upon paper1 or in the living picture1 tends to improve the mind1 assimilates the real with the ideal1 conforms taste to the noblest standard1 overflows the heart with pure and holy thoughts1 and adorns the exterior form with graces surpassing those of the ,muses4 ,the producing and forming of tableaux vivants have been the author's study for the past ten years4 ,the choicest gems which adorn this volume are mostly imaginary scenes2 others are selected from the poets2 and a few are suggested by rare engravings4 ,the author1 in his endeavors to impart and explain many things1 has been obliged to sacrifice show and style upon the altar of simplicity2 at least1 such has been his constant aim4 ,for all imperfections and defects he invokes the charity of a candid public4 ,if this volume should in any degree satisfy a want that has been long felt1 or add one devotee to the shrine of beauty1 the author will consider his endeavors amply repaid4 ,,james ,h4 ,,head4 ,,portsmouth1 ,september #b1 #ahei4 ,,contents4 ,,page ,,introduction1 #ac ,the ,wreath of ,beauty1 #be ,the ,marble ,maiden1 #bg ,venus rising from the ,sea1 #ca ,reception of ,queen ,victoria at ,cherbourg1 #cb ,scene from the ,opera of ,sappho1 #ch ,flora and the ,fairies1 #db ,the ,spectre ,bride1 #de ,music1 ,painting1 and ,sculpture1 #eb ,bust of ,proserpine1 #ec ,napoleon and his ,old ,guard at ,waterloo1 #ef ,the ,dancing ,girl in ,repose1 #fj ,washington's ,entrance into ,portsmouth1 #fb ,fame1 #fg ,faith1 #gj ,spirit of ,religion1 #gb ,the ,poet and the ,goddess of ,poetry1 #gd ,death of ,edith1 #gg ,abou ,ben ,adhem and the ,angel1 #hj ,hiawatha and his ,bride's ,arrival ,home1 #hc ,david playing before ,saul1 #hg ,liberty1 #hi ,paganism and ,christianity1 #ia ,second ,scene of ,paganism and ,christianity1 #id ,the ,fairies' ,dance1 #if ,bust of ,prayer1 #ii ,morning welcomed by the ,stars1 #ajj ,the ,statue ,vase1 #ajd ,spirit of ,chivalry1 #ajf ,haidee and ,don ,juan in the ,cave1 #aaa ,poverty1 #aad ,death of ,minnehaha1 #aaf ,the ,mother's ,last ,prayer1 #abj ,louis ,,xvi4 and his ,family1 #abb ,dressing the ,bride1 #abg ,hope1 ,faith1 ,charity1 and ,love1 #acj ,the ,death of ,general ,warren1 #acb ,portrait of ,prince ,albert1 #ace ,the ,return of the ,prodigal ,son1 #acf ,single ,blessedness1 #ach ,marriage ,bliss1 #adj ,the ,sleeping ,maiden1 #ada ,night and ,day1 #add ,the ,firemen in ,repose1 #ade ,the ,alarm1 #adf ,at the ,fire1 #adg ,ethan ,allen at ,ticonderoga1 #adi ,the ,gypsy ,fortune ,teller1 #aea ,peace1 #aeb ,war1 #aee ,the ,rescue1 #aeg ,solomon's ,judgment1 #aei ,the ,bridal ,prayer1 #afb ,the ,guitar ,lesson1 #afc ,roger ,williams preaching to the ,indians1 #afd ,crossing the ,line1 #afg ,the ,wedding1 #afi ,hiawatha sailing1 #aga ,the ,village ,stile1 #agc ,florence ,nightingale in the ,crimea1 #age ,the ,fireman's ,statue1 #agg ,joan of ,arc at the ,siege of ,orleans1 #agh ,the ,parting1 #ahc ,hagar and ,ishmael in the ,wilderness1 #ahe ,the ,fight for the ,standard1 #ahg ,jonathan's ,visit to his ,city ,cousins1 #ahi ,the ,three ,graces1 #aij ,the ,guardian ,angel1 #aia ,the ,pyramid of ,beauty1 #aic ,coronation of ,queen ,victoria1 #aie ,the ,brigands1 #aih ,death of ,sir ,john ,moore1 #bjj ,the ,fireman's ,rescue1 #bjc ,catharine ,douglass barring the ,door with her ,arm1 #bje ,the ,masquerade ,ball1 #bjg ,irish ,courtship1 #bji ,the ,fairies' ,offering to the ,queen of ,may1 #baj ,belshazzar's ,feast1 #bac ,the ,valentine1 #bag ,the ,fairies' ,rainbow ,bridge1 #bai ,little ,eva and ,uncle ,tom1 #bbb ,love triumphant1 #bbd ,the ,banditti1 #bbf ,portrait of ,louis ,napoleon1 #bbi ,the ,return from the ,vintage1 #bcj ,lovers ,going to the ,well1 #bcb ,the ,italian ,flower ,vase1 #bcd ,portrait of the ,madonna1 #bcf ,the ,shoemaker in ,love1 #bcg ,prince ,charles ,edward after the ,battle of ,culloden1 #bci ,the ,flower ,girl1 #bdb ,presentation of ,fireman's ,trumpet1 #bdc ,the ,painter's ,studio1 #bde ,portrait of ,gabrielle1 #bdg ,the ,elopement1 #bdi ,fireman's ,coat of ,arms1 #bea ,the ,soldier's ,farewell1 #beb ,ike ,partington's ,ghost1 #bed ,the ,peasant ,family in ,repose1 #bee ,the ,soldier's ,return1 #beg 99 99 99 99 99 ,,notes ,,and ,,explanations1 #bei-bfd ,,introduction4 ,the ,tableaux ,vivants may be new to many of our readers1 although they have been produced and have been quite popular in ,europe1 and to some extent in this country4 ,for public or private entertainment1 there is nothing which is so interesting and instructive as the tableau4 ,the person most fitted to take charge of a tableau-company is one who is expert at drawing and painting3 any one who can paint a fine picture can produce a good tableau4 ,the individual who makes all of the necessary arrangements for a series of tableaux is generally called the stage manager4 ,his first work is to select a programme of tableaux2 and in this list there should be a variety of designs1 comprising the grave1 the comic1 and the beautiful4 ,a manuscript should be used in which to write the names of the tableaux1 directions for forming each1 the names of the performers1 the parts which they personate1 the styles of the costumes1 and the quantity and kind of scenery and furniture used in each design4 ,the following diagram will illustrate the manner in which the manuscript should be arranged3-- ---------------------------------------- --------------------------- ,,name ,,of ,,tableau4 ,,no4 ---------------------------------------- ---------------------------- ,directions for forming,ladies4,personation4,gentlemen4, personation4 costumes1 c4 ---------------------------------------- - ,scenery1 furniture1 c4 ---------------------------------------- --------------------------- ,after the manuscript is completed1 it will be necessary to select the company and assign the parts4 ,the number of persons required in a first-class tableau-company is forty4 ,it will be necessary to have that number to produce large pictures2 fifteen or twenty-five persons will be sufficient for smaller representations4 ,in forming the company1 the following persons should be selected3 six young ladies1 of good form and features1 varying in styles and sizes2 six young gentlemen1 of good figure1 and of various heights2 two small misses2 two small lads2 two gentlemen for stage assistants2 one painter1 one joiner1 one lady's wardrobe attendant1 one gentleman's wardrobe attendant1 one curtain attendant1 one announcer4 ,if a large piece is to be performed1 such as the ,reception of ,queen ,victoria1 it will be necessary to have fifteen or twenty young gentlemen1 varying from four to five feet in height1 to personate military and other figures4 ,each person should have written instructions in regard to the scenes in which they take a part1 giving full descriptions of the costumes1 position1 expression1 and character which they are to personate2 after which they should meet in a large room1 and go through a private rehearsal4 ,it will be necessary1 previously to appearing before the public1 to have three rehearsals--two private ones1 and one dress rehearsal on the stage4 ,it will be well to have a few friends witness the dress rehearsal1 which will give confidence to the performers1 previous to their debut before a large audience4 ,as soon as the company has been organized1 and each performer has received his several programmes1 it will be the duty of the stage manager to see that the various branches of the profession are progressing in unison with the rehearsals4 ,each tableau should be carefully examined1 and a list of the machinery1 scenery1 wardrobe1 and furniture of each piece noted down1 and competent persons immediately set to work on their completion4 ,the selection of appropriate music1 the drafting and erecting of the stage1 and many other minor matters1 should all be completed1 before the tableaux can be produced4 ,but before proceeding farther1 we will give directions in reference to the size and formation of the stage4 ,it should be strongly framed of joist1 and covered with smooth boards1 and placed at the end of the hall1 at equal distances between the side walls4 ,it should be twelve feet square1 and six feet in height4 ,the front of the stage should be made to represent a large picture frame2 it can be easily made of boards ten inches wide1 fastened together in a bevelled manner1 and covered with buff cambric1 ornamented with gold paper4 ,oval frames are frequently used1 but they are not so easy to arrange and manage as a square frame4 ,cover the floor of the stage with a dark woollen carpet1 drape the ceiling with light blue cambric1 the background with black cambric2 the sides should be arranged in the same style as the side scenes of a theatrical stage4 ,stout frames of wood1 two feet wide1 reaching to the ceiling1 and covered with black cambric1 should be placed on the extreme edge of the stage1 in such a manner that lamps from the ante-rooms will throw a light upon the stage and not be seen by the audience4 ,make the drop-curtain of stout blue cambric2 fasten a slim piece of wood at the top and the bottom2 and1 at intervals of one foot on both of the poles1 fasten loops of thick leather1 containing iron rings one inch in diameter1 and between the bottom and top rings1 at intervals of one foot1 fasten small brass rings2 these should be attached to the cambric on the inside of the curtain2 then fasten the top pole to the inside of the top of the frame1 and attach strong lines to the bottom rings2 pass the cords through the brass rings and the iron rings at the top2 then gather them together1 and pass them through a ship's block fastened in the ante-room4 ,as the lines will be quite likely to run off of the wheel1 a piece of hard wood1 with a circle at one end1 fastened on the inside of the frame1 will answer a better purpose for the cords to pass through4 ,after passing them over the block1 tie them together1 and the curtain will be ready for use4 ,when the ropes are drawn1 the curtain will rise up in folds to the top of the frame4 ,the floor of the stage should be built out on the front twelve inches1 for the placing of a row of gas-burners with tin reflectors1 painted black on the outside2 this row of lights should be furnished with a stopcock1 which can be placed in the gentleman's dressing-room4 ,a row of strong lights should also be placed on each side of the stage1 within three feet of the ceiling2 these also should have reflectors and separate stopcocks1 for the purpose of casting the proper lights and shades on the stage4 ,the ,dressing-rooms are on each side1 and beneath the stage4 ,the floor of the stage should extend out on each side1 making small rooms for the placing of the scenery1 furniture1 c4 ,a trap-door should be cut in the floor of each room1 and flights of steps reaching down into the rooms below1 which are used for dressing-rooms4 ,a partition placed under the stage divides the ladies' from the gentlemen's room2 these rooms are covered on the front with strong cloth1 and decorated with flags4 ,a stage for tableaux in a private dwelling-house should be formed similarly to a hall stage1 but so constructed that it can be put together in a few minutes4 ,the platform should be fourteen feet square1 made in three sections1 so that it can be handled easily1 and should rest on a frame of small joist1 which can be mortised together at the corners2 place the frame on four boxes1 two feet square2 at the corners of the platform mortise four square holes1 in which insert pieces of joist which will reach to the ceiling2 around the top fasten strips of board1 by means of screws4 ,make the frame in three pieces1 cover them with cambric1 and fasten them to the front joist1 and on the top board with long screws2 arrange the curtain and scenery similar to the hall stage4 ,the wardrobes and furniture can be furnished by the members of the company1 and with a little ingenuity and taste1 many suits can be gotten up with little expense4 ,as the view of the tableaux is but momentary1 the quality of the costumes will not be noticed4 ,for a single evening's entertainment1 the following arrangement will suffice1 providing there be a long entry or a large parlor1 separated by folding doors4 ,if the entry is used1 let the performers form their tableaux at the lower end2 and when all is ready1 the audience can be called from the parlors to witness the scene4 ,a parlor with folding doors is undoubtedly the best place1 as the doors can be slowly opened1 which will give a better effect to the scene4 ,cover the wall back of the tableaux with black shawls1 place the lights on a table at one side of the picture1 and hide them from the view of the audience by placing a screen of thick cloth in front of them4 ,in forming up a tableau1 lights and shades should be studied2 in fact1 this is the main secret of producing effects1 and by managing the lights about the stage correctly1 you can throw parts of your picture in shadow1 while other portions are light4 ,care should also be taken not to have too great a variety of colors in a picture4 ,the showy costumes should be intermingled with those of modest appearance1 and the lightest characters1 as a general rule1 should be placed in the background to relieve the dark ones2 those in the background should be placed on platforms4 ,if there are many figures in the piece1 it will be necessary to have a number of forms1 of various heights1 placed in the background--in this manner all of the figures will be seen4 ,the scenery1 furniture1 and machinery of each piece should be arranged previous to the entrance of the performers on the stage4 ,each performer should be called on separately1 and placed in position4 ,by adopting this plan1 every tableau can be formed without noise or confusion4 ,when the position is once taken1 it should be kept1 unless it is a very difficult one4 ,the stage manager should take his position at the front of the stage1 and see that each one is in his proper place4 ,he should prohibit laughter or conversation among the performers1 unless any one wishes explanations in regard to the piece4 ,he should be strictly obeyed in all matters referring to the tableaux2 and when he has properly adjusted every thing on the stage1 he should remove to the ante-rooms1 and see that the lights1 music1 c41 are ready4 ,he should then ring a small bell1 and the announcer in the hall will have a programme of the tableaux1 and will announce the piece2 and if there is any accompanying poem to be read1 it will be his duty to read it4 ,the manager will then ring the second bell2 this will be a signal for the performers on the stage to take their positions1 and for the lights to be turned down in the hall4 ,in thirty seconds after the second bell1 the manager will ring a third time1 which will be a signal for the curtain attendant to draw up the curtain1 which should rise slowly to the top of the frame1 and be kept up about thirty seconds4 ,each tableau should be exhibited twice1 and in some cases three times4 ,after the last exhibition1 the performers should quietly proceed to the ante-rooms1 and immediately dress for the next tableau4 ,the manager and assistants will see that the stage is cleared of the scenery1 and new scenery adjusted for the next piece4 ,it will be necessary to work with rapidity1 as there are many things to perform which in the aggregate will take much time4 ,large programmes should be placed in each dressing-room1 so that the performers will be able to tell in which tableau they are to perform1 without inquiring of the manager4 ,each performer should be furnished with a large trunk to keep his wardrobe in2 and when a change of costume is made1 care should be taken that each one places his costumes in his own trunk4 ,if this plan is not followed1 before the exhibition is through1 many articles will be missing1 which will retard the performance4 ,each piece of machinery1 furniture1 scenery1 c41 should have a proper place where it should be left when not in use4 ,nails1 pins1 hammers1 and other articles which come in constant use1 should be kept in a large box near the stage4 ,by working systematically1 every thing will move on with clockwork nicety1 and all confusion be avoided4 ,colored fires should be burnt in the ante-rooms at the sides of the stage2 smoke and clouds should be produced at the back1 or in the centre of the stage4 ,the preparation can be ignited by fastening a lighted fuse to a long rod4 ,large tableaux require all the light than can be produced4 ,medium pictures should be shaded in different parts4 ,statuary tableaux require a soft and mellow light4 ,night scenes require but little light1 which should be partially produced by the burning of green fire4 ,the following articles are indispensable to a well-arranged tableaux stage3-- ,one melodeon1 six common chairs1 four ditto of better quality1 two small tables1 two sinks1 two sets of pitchers and ewers2 two mirrors1 combs1 hair brushes1 pins1 tumblers1 twine and rope2 napkins1 nails1 tacks1 buckets1 hammers1 brooms1 cloth brushes1 small bell1 large bell1 scissors2 one large table1 one large chair1 one set damask curtains1 four boxes1 four feet long and eighteen inches wide1 six ditto eighteen inches square2 two pieces black cambric1 six feet square2 four pieces white cotton cloth1 six feet square2 7these boxes and cloths are to be used in forming up the groundwork of almost every tableau27 two red damask table covers1 7very handy things to use in decorating showy pictures27 one circular platform1 four feet in diameter1 7much used to form the top of pedestals to group statuary tableaux on27 two steel bars1 for producing sounds to represent alarm bells2 one bass drum1 one tenor drum1 one flask of powder1 one box of material for colored fires1 one set of water-colors1 one case containing pink saucer1 chalk balls1 pencil-brushes1 and burnt cork4 ,it would be almost impossible to furnish a complete list of the articles necessary4 ,those we have omitted will suggest themselves1 or the occasion will suggest them4 ,by closely studying the plans we have outlined1 we are certain that no person with tact and taste could assume the directorship of a tableau-company without success4 ,the ,tableau ,vivant4 ,walk with the ,beautiful and with the ,grand2 ,let nothing on the earth thy feet deter2 ,sorrow may lead thee weeping by the hand1 ,but give not all thy bosom-thoughts to her2 ,walk with the ,beautiful4 ,i hear thee say1 ,the ,beautiful6 what is it8 ,o1 thou art darkly ignorant6 ,be sure ',tis no long1 weary road its form to visit1 ,for thou canst make it smile beside thy door2 ,then love the ,beautiful4 ,ay1 love it2 'tis a sister that will bless1 ,and teach thee patience when the heart is lonely2 ,the angels love it1 for they wear its dress1 ,and thou art made a little lower--only2 ,then love the ,beautiful4 ,,burrington4 ,,the ,,wreath ,,of ,,beauty4 ,while ,beauty comes to every human heart1 ,and lingers there1 unwilling to depart1 ,too many own her not1 nor heed her claim1 ,but blindly follow some ignoble aim4 ,,laighton4 ,ten ,female ,figures4 ,this elegant design is one of the finest of this series of tableaux1 and is composed of ten young and beautiful ladies1 grouped so as to represent a magnificent wreath4 ,the bottom of the wreath rests on the front of the stage2 the top reaches up to the ceiling1 forming a complete circle of beautiful forms and fair faces1 among which are entwined festoons of flowers4 ,inside of this circle is a large wreath six feet in diameter1 and five inches in thickness2 this rests on a pink ground1 and is composed of spruce1 ornamented with artificial flowers4 ,the first work in the construction of this tableau is to erect a circle of seats reaching from the front of the stage to the ceiling1 in the background4 ,this can be easily accomplished by using boxes of various sizes4 ,the wreath should be ten feet in diameter2 the boxes should be entirely covered with white cloth1 the space in the centre with pink cambric4 ,the costume of the ladies consists of a white dress1 cut very low in the neck2 skirt quite long1 and worn with few under skirts2 sleeves four inches long1 trimmed with white satin ribbon2 waist encircled with a white satin sash2 feet encased in white slippers2 hair arranged to suit the performer's taste1 and encircled with a wreath of white artificial flowers4 ,the lady at the top of the wreath should first take her position4 ,she should be the lightest in weight of the group1 and should recline in an easy position1 resting her head upon her hand1 the elbow touching the box1 and the body slightly inclined to the right4 ,the second lady will then take her position at the right of the first1 on the seat below1 her arm resting on the form of the lady above1 the right hand supporting her head1 the face turned in to the centre of the circle1 the eyes raised to those of the figure above4 ,the remaining figures should take similar positions1 until one half of the circle is complete4 ,the other side of the circle is arranged in a similar manner1--the figures facing inward4 ,the wreath of spruce and flowers is to be placed within the circle of ladies4 ,the stage and the back scene should be hung with green bocking1 and care must be exercised in the forming of the circle1 so that it shall appear perfectly round4 ,the small festoons of flowers should be entwined among the figures1 after they have taken their position4 ,the expression of the countenances should be pleasant and animated4 ,the light for this piece should come from the foot of the stage1 and should be quite brilliant4 ,music soft1 and of a secular character4 ,the tableau1 when finished1 at a distance appears like an immense wreath resting against a grassy bank4 ,,the ,,marble ,,maiden4 ,paulina4 ,as she lived peerless1 ,so her dead likeness1 ,i do well believe1 ,excels whatever yet you looked upon ,or hand of man done2 therefore ,i kept it ,lonely apart2 but here it is3 prepare ,to see the life as likely mocked as ever4 ,still sleep mocked death2 behold1 and say 'tis well4 ,,winter',s ,,tale4 ,three ,female and ,eleven ,male ,figures4 ,this tableau is taken from ,shakspeare's drama1 ,the ,winter's ,tale4 ,the scene is that wherein ,paulina draws away the curtain and discloses the marble statue4 ,she is addressing ,leontes1 who is seen in the foreground4 ,at the left of the stage1 a group of five gentlemen and one lady is seen2 on the opposite side of the stage is another group of five gentlemen2 all of which are in position1 so that a profile view is exhibited4 ,the scenery of this piece consists of a curtain passing across the stage1 three feet from the back end4 ,the curtain described in the tableau of the ,dancing ,girl in ,repose will answer for this scene1 but should be allowed to hang straight from the top1 in place of being looped up at the sides4 ,arranged in this way1 it will leave an open space of five or six feet in the centre4 ,the background is seen through this opening1 and is to be festooned with wreaths of evergreens and flowers4 ,close up to the back wall is placed a platform1 made in two pieces1 the first being four feet square and one foot high4 ,on this rests a second platform1 three feet square and one foot high4 ,at the right side of the upper platform is placed a round pedestal1 three feet high and one foot in diameter2 this has a cap and base1 and can be made of card-board1 and covered with white marble paper4 ,the platform is to be covered with black marble paper4 ,by the side of the pedestal stands the statue4 ,the lady who personates this figure should be rather slim1 of medium height1 good features1 and dark hair4 ,costume consists of a loose1 white robe1 worn with but few skirts1 the sleeves very short1 the waist cut low at the neck1 the skirt long enough to trail on the platform2 the whole covered with white tarleton muslin4 ,across the shoulders1 and tied at the right side1 is worn a heavy muslin mantle1 trimmed on each edge with white satin ribbon4 ,the hair is arranged in a neat coil1 and a small wreath of white leaves encircles the head4 ,these are made of white paper1 and fastened to a wire frame4 ,the statue stands perfectly straight at the side of the pedestal1 one arm resting on the top1 the hand hanging down over the front1 while the left arm hangs gracefully at the side4 ,the eyes are directed to the figure of ,leontes in the foreground4 ,pauline1 who draws the curtain aside1 is costumed in a black silk dress1 with a velvet waist1 trimmed with bugles1 and interspersed with silver spangles4 ,the hair1 arranged in a single coil1 is decorated with a velvet band1 with white paste pin in the centre1 from the back of which is fastened a long black lace veil1 falling gracefully over the shoulders1 and reaching nearly to the floor4 ,she is standing at the right of the curtain1 one hand grasping its folds1 while the other is extended1 and points to the statue4 ,a profile view is had of the figure3 the head is slightly turned1 the eyes directed to ,leontes in the foreground4 ,leontes' costume consists of a black coat1 belted around the waist1 black knee breeches and hose1 confined with a gold band and showy paste pin4 ,the collar and cuffs of the coat are decorated with deep white lace4 ,a short sword is suspended from the belt2 the feet are covered with low shoes1 with showy buckles2 the head is encircled with a silver band1 one inch wide1 with a brilliant pin in the centre4 ,fastened around the neck1 and hanging over the shoulders1 is a black velvet cape--a small1 lady's cape will answer4 ,position is standing on the extreme front of the stage1 with both hands extended above the head1 the body thrown back1 the feet extended from each other1 the back turned to the audience1 the head inclined to one side1 so that a side view is had of the face1 while the eyes are directed to the statue4 ,behind ,leontes stands a tall figure1 costumed in a black coat and knee breeches1 white hose1 knee and shoe buckles1 low shoes1 waist encircled with a belt1 a short cloak thrown over the right shoulder4 ,the other figures are costumed in a similar manner1 and stand between ,leontes and the side of the stage1 and are looking intently at the statue4 ,three more gentlemen1 costumed in a similar style1 occupy positions on the opposite side of the stage1 close to the wings4 ,a profile view is had of their figures1 while their faces are turned towards the statue4 ,in front of this group stands a young man1 with his arm placed around the waist of a young lady who stands at his side1 and in such a position that we have almost a back view of them4 ,the lady is costumed in a white dress1 cut low at the top1 sleeves very short1 skirt long1 so as to trail ten inches1 ornamented with buff ribbon1 which should be placed on the bottom of the skirt1 around the waist1 on the top of the waist1 and on the sleeves4 ,her hair should hang loosely over the shoulders1 the head encircled with a string of feldspar or pearl beads4 ,the hands are clasped in front of her bosom1 the body inclined forward slightly1 the eyes directed towards the statue4 ,the gentleman at her side stands erect4 ,his costume consists of a dark coat1 ornamented around the bottom with silver paper1 covered with black lace1 the sleeves and collar trimmed in the same mode1 with an addition of wide white lace cuffs and collar2 the breeches are of black cloth1 with a band of silver1 and buckle at the knee2 white hose1 low shoes1 with buckles1 a wide belt around the waist1 from which is suspended a long1 slim sword4 ,the lights on each side of the background1 where the statue is placed1 should be quite brilliant4 ,the foreground should receive the rays of light1 which should be of medium quantity1 from the side of the stage where ,leontes stands4 ,music soft and plaintive4 ,,venus ,,rising ,,from ,,the ,,sea4 ,then spoke the sovereign lady of the deep-- ,spoke1 and the waves and whispering leaves were still3 ,ever ,i rise before the eyes that weep1 ,when1 born from sorrow1 wisdom makes the will2 ,but few behold the shadow through the dark1 ,and few will dare the venture of the bark4 ,,bulwer4 ,one ,female ,figure4 ,this tableau is represented by one beautiful lady1 whose costume consists of a flesh-colored dress1 fitting tightly to the body1 so as to show the form of the person4 ,the hair hangs loosely on the shoulders and breast1 and is ornamented with coral necklaces1 while the neck is adorned with pearls4 ,to represent the sea1 it will be necessary to place1 at intervals of two feet1 7from wing to wing17 strips of wood1 beginning at the floor of the stage1 near the front1 and rising gradually as they recede in the background1 the last strip being two feet from the floor of the stage4 ,after these have been arranged1 lay strips of blue cambric across them2 cover them entirely1 and between the bars of wood let the cambric festoon so as to represent the appearance of waves4 ,it will be necessary to fasten the cambric with small tacks1 to keep it in position1 while the ridges of the miniature waves should be painted white1 to imitate foam4 ,a trap door should be cut in the centre of the stage1 and a circle cut in the centre of the cambric1 to admit the body of ,venus4 ,the waves should come up three inches above the hips1 fitting closely around the body4 ,the water about the centre should be made white with foam4 ,a platform can be arranged below the stage for the performer to stand on1 and this can be made high or low1 according to the height of the lady1 by the use of blocks of wood4 ,the right hand of the figure is held above the head4 ,the left hand rests on the water4 ,the countenance is lighted up with smiles4 ,small particles of isinglass scattered on the waves will make them glisten and sparkle1 which will add to the effect1 while a green fire1 burned for twenty seconds1 and then changed to red or bluish white1 will give a fine shade to the scene4 ,if the colored fires are not used1 the light should come from the front4 ,music1 soft and brilliant4 ,,reception ,,of ,,queen ,,victoria ,,at ,,cherbourg4 ,sing1 gladly sing6 ,let voice and string ,our nation's guest proclaim4 ,she comes in peace1 ,let discord cease1 ,and blow the trump of ,fame6 ,,anon4 ,ten ,female and ,twenty ,male ,figures4 ,it was in the fall of the year #aheh1 when the great naval arsenals1 magazines1 and docks1 at ,cherbourg1 were to be inaugurated2 and notwithstanding the admonition of the ,english press1 which represented the establishment of these works as a direct menace against ,great ,britain1 and1 taken in connection with the constant increase of the ,french navy1 a proof of ultimate hostile designs on the part of the emperor1 ,queen ,victoria had accepted an invitation to be present on this occasion4 ,the day appropriated for the reception of the queen had arrived4 ,the weather was superb2 the skies were blue1 and the waters of the channel were calm and placid4 ,the shores and buildings1 as far as the eye could reach1 were covered with cavalry1 infantry1 artillery1 and citizens4 ,every bosom in this mighty throng was glowing with enthusiasm4 ,the glittering eagles1 the waving banners1 the gleam of polished helmets and cuirasses1 the clash of arms1 the soul-stirring music from the martial bands1 and the incessant bustle and activity1 presented a spectacle of military splendor which has seldom been equalled4 ,it was war's most brilliant pageant1 without any aspect of horror4 ,the frigate ,la ,bretagne1 on which the banquet was to take place1 was decorated with signals and flags1 and most prominent were the national ensigns of ,france and ,england4 ,a triumphal throne was erected on the deck of the vessel1 on which sat ,louis ,napoleon1 the empress1 the officers and great dignitaries of the country1 interspersed with the ladies of honor4 ,salutes from the surrounding forts and ships of war announced the arrival of the barge containing the ,queen of ,england1 ,prince ,albert1 and suite4 ,they were received on board the frigate by ,napoleon1 amid the salvos of artillery and strains of martial music4 ,god save the ,queen1 and ,french national airs1 were played by the bands1 and the nation's guest was addressed by ,napoleon1 who1 in proposing ,victoria's health1 said1-- ,facts prove that hostile passions1 aided by a few unfortunate incidents1 did not succeed in altering either the friendship existing between the two crowns1 or the desire of the two nations to remain at peace4 ,he entertained the sincere hope that if attempts were made to stir up the resentments and passions of another epoch1 they would break to pieces on common sense4 ,prince ,albert responded1 and expressed the most friendly sentiments on behalf of the queen4 ,he said she was happy at having an opportunity1 by her presence at ,cherbourg1 of joining and endeavoring to strengthen as much as possible the bonds of friendship between the nations--a friendship based on mutual prosperity2 and the blessing of ,heaven would not be denied4 ,he concluded by proposing a toast--,the emperor and empress4 ,the above scene is the one we propose to represent in tableau2 and to give a good effect to the piece1 it will be necessary to have thirty persons4 ,the number can be increased if there is sufficient room4 ,the four principal characters are ,queen ,victoria1 ,prince ,albert1 ,louis ,napoleon1 and the ,empress4 ,in selecting the persons for these parts1 it will be well to choose those who are as near like the original as possible4 ,they should be persons of good figure1 and of graceful and easy manners4 ,the sailors and military should be composed of young lads2 the rest of the performers consist of young ladies and gentlemen4 ,the stage should be arranged in the following manner3 ,two tiers of seats should be arranged in a curved line from the right of the stage1 at the front1 to the left of the stage1 in the background4 ,the front seat is two feet1 the second and back tier should be three feet1 in height1 with a wide platform behind1 of the same height1 capable of holding twenty persons4 ,these seats should be covered with a crimson cloth1 and are intended to be occupied by ,napoleon's suite4 ,in the centre of these seats should be placed a platform four feet square and two feet high2 on this place the throne chairs1 and build a flight of broad steps in front1 covered with crimson1 and decorated with gold4 ,the throne chairs should be made as showy as possible4 ,common office chairs can be easily made to answer the purpose by fastening to the backs pieces of boards one foot wide and four feet high1 and covering the fronts and top of the arms with pieces of board four inches wide1 decorating them with red turkey cloth1 and bands of gold paper4 ,place them close together1 and insert a board decorated in the same manner between the two1 and ornament the top with a canopy of ,turkey cloth1 trimmed with gold2 on the top place a pointed gilt crown4 ,this kind of throne can be easily put together1 and will be easier to handle than one made in a more workmanlike manner4 ,the emperor and empress should be seated in the chairs4 ,the platform is intended for the military1 while the seats should be filled with dignitaries1 officers1 and ladies4 ,the empress's costume consists of a rich brocade1 heavily ornamented with jewelry1 gold or silver lace1 and any other decoration that will be appropriate1 and will add to the richness of the costume4 ,a small crown should adorn the head1 which can be made showy by using paste pins of various sizes4 ,the emperor's costume consists of a blue velvet coat1 ornamented with gold epaulets1 and trimmed with gold fringe1 while the right breast is adorned with the cross of the legion of honor4 ,the breeches are of blue velvet1 trimmed with silver lace and knee buckles2 the remainder of the costume consists of military top boots1 silk scarf of blue and red1 side arms and crown4 ,at each side of the throne there should be one body guard1 fine-looking gentlemen1 dressed in court costume1 each holding a long halberd4 ,the rest of the gentlemen are costumed in court dress and military suits2 the ladies in as showy and rich appearing costume as can be procured4 ,the hair should be arranged to suit the taste of the performers2 the head should be adorned with a band of gold1 with a colored plume in front4 ,the seats are to be filled entirely with the ladies and gentlemen1 and a few should stand at the side and on the platform2 careless and graceful attitudes should be taken1 and all eyes should be directed to the left of the stage1 where the barge is expected to arrive4 ,the soldiers in the background should be formed in platoon1 and in such a manner that all will be visible4 ,the muskets should be held at the shoulder4 ,each should be furnished with a large moustache1 and should look directly forward4 ,the performers having all taken their positions1 the cannon will commence firing behind the scenes1 and the curtain will rise on the first part of the tableau2 after exhibiting this part twice1 a piece of canvas1 painted to represent water1 should be spread in front of the throne1 while the rest of the scenery and performers should be all ready1 so that in five minutes after the first scene1 the second should appear4 ,the barge should be made five feet in length1 or1 rather1 five feet of the barge should be seen2 the remaining portion of it is presumed to extend behind the scenes4 ,it should be built in the form of the ,venetian boats1 with the prow running up a foot above the gunwale1 and turning over in the form of a scroll4 ,the barge can be framed out of light strips of wood1 and covered with canvas2 the exterior should be painted in showy colors2 the scroll can be covered with gold paper2 a wreath of flowers should be painted around the edge of the gunwale2 cloth1 painted to represent water1 should be fastened about the boat near the water line4 ,the barge contains four sailors1 ,prince ,albert1 and ,queen ,victoria4 ,the remainder of the company is imagined to be in the stern of the boat1 which is invisible4 ,the boat should be placed sideways to the audience1 very near to the side wing1 with the bow inclined slightly towards the throne4 ,when the curtain rises on the scene1 the emperor should be standing at the foot of the throne1 about to assist the queen from the bows of the barge4 ,the queen is standing with hands extended to receive the proffered assistance of ,napoleon4 ,prince ,albert is seated directly behind the queen1 holding his chapeau in his hand4 ,the sailors hold their oars up in the air1 and look towards the audience4 ,the queen's costume consists of a showy brocade dress1 ornamented with a mantle in imitation of ermine1 and showy jewelry2 a crown1 of ,english design1 adorns the head4 ,prince ,albert is costumed in a scarlet military coat1 with heavy and rich decorations1 gold epaulets1 crimson sash1 buff vest and breeches1 side arms and chapeau4 ,sailors' costume consists of a white shirt1 with blue collar and cuffs1 black handkerchief about the neck1 and black tarpaulin4 ,while the curtain is up1 the band should play ,god save the ,queen4 ,this piece requires great quantity of light1 which should come from the side where the barge is placed1 and from the front4 ,,scene ,,from ,,the ,,opera ,,of ,,sappho4 ,the very spot where ,sappho sung ,her swan-like music1 ere she sprung 7,still holding1 in that fearful leap1 ,by her loved lyre7 into the deep1 ,and dying1 quenched the fatal fire1 ,at once1 of both her heart and lyre4 ,,opera ,,of ,,sappho4 ,eleven ,female and ,ten ,male ,figures4 ,this thrilling tableau is a representation of a scene from the popular opera of ,sappho4 ,the design is taken at the moment when ,sappho has finished her first song1 ,morning has never dawned1 and the attendants join in the chorus4 ,the number of figures in the piece is twenty-one1 eleven ladies and ten gentlemen4 ,the scenery in the background and at the sides represent pillars of marble2 these can be cheaply made of strips of marble paper1 with a cornice running around the top2 in the centre of the background is placed a platform two feet high by four feet square2 on each side of this are pedestals three feet high by one and a half feet square1 the fronts panelled with red ,turkey cloth1 and bordered with gold paper2 on the top of these should be placed large earthen vases1 painted to represent bronze1 from the mouth of which there should issue colored flames4 ,from the right and left sides of the platform to the front corners of the stage place the chorus singers4 ,the ladies stand on the left side2 three are placed on a platform one foot high1 and standing in front of them1 at equal distances1 are seven more4 ,the gentlemen on the other side are arranged in the same manner4 ,sappho1 the heroine of the tableau1 stands on the platform between the two pedestals2 the left hand rests on the top of one of the pedestals1 and the other is raised up at arm's length4 ,the head is thrown back slightly1 and the eyes are raised upward4 ,the right foot is placed twenty inches in advance of the left1 the body facing the audience4 ,sappho's costume is a long1 white robe1 cut low at the top1 over which is worn a short half skirt of white tarleton muslin1 reaching to the knee2 sleeves five inches long1 trimmed with ,grecian border2 the lower portion of both of the skirts trimmed with black velvet two inches wide1 ornamented with gold paper and spangles2 a wide band of gold is placed around the top of the dress1 and covered with wide white lace4 ,a band of wide black velvet ribbon1 ornamented with showy paste pins1 encircles the waist1 and a wreath of silver leaves adorns the head4 ,these can be cut from silver paper1 lined with cloth1 and fastened to a small wire4 ,the hair is arranged in wide braids at the side of the head1 clasped by a silver band at the back1 and allowed to hang in short curls in the neck4 ,the chorus ladies are costumed in white dresses1 low-necked2 sleeves five inches long1 trimmed with narrow pink ribbon1 a bow of the same at the top of the sleeves1 fastened to the dress by a brilliant glass pin2 over the skirt of the dress should be worn a half skirt of white tarleton muslin1 which should be two feet long in front1 and three behind2 this is belted about the waist with a pink ribbon1 and trimmed around the bottom with oak leaves4 ,the hair of most of the ladies should be arranged in curls1 which should be confined together with a band of silver1 while three of the ladies must allow their hair to fall loosely over the shoulders2 wreaths of artificial flowers should adorn the heads of all4 ,the lady who stands near the corner of the stage at the front should have in her left hand a torch1 from which issues colored flame1 while the right hand is raised above the head1 the right foot placed twenty inches before the left1 the body and head thrown back1 the eyes cast upward1 and excitement should be expressed in the countenance4 7,the torch can be made of wood1 and covered with silver paper47 ,every other lady in the row of seven should hold a torch1 and take similar positions4 ,those standing near the torch-bearers are costumed in the same manner1 and hold small harps in the left hand1 while the right touches the strings4 ,the body and head are thrown back slightly1 and the eyes cast upward4 ,those performers standing near the platform should be elevated on small platforms of various heights1 so as to be distinctly seen4 ,on the platform behind the seven stand three other ladies1 at equal distances from the front corner of the stage to the pedestals4 ,their costume should be similar to the others2 position the same1 while the hands are clasped in front of the bosom1 and the eyes are directed to the form of ,sappho4 ,the ten gentlemen are costumed in white coats trimmed around the bottom1 the sleeves and collar with black cambric two inches in width1 and ornamented with gold2 a black belt of the same material encircles the waist2 black pants or breeches2 white hose reaching to the knee1 and fastened with a silver band and buckle2 low shoes1 with a blue rosette on the front4 ,a wide white mantle trimmed with oak leaves should be worn across the breast1 the ends ornamented with wide yellow cambric fringe1 which should be fastened at the side with a blue rosette1 and trail made nearly long enough to reach the floor4 ,the head is adorned with a wide band of velvet1 ornamented with gold4 ,the performers should be furnished with long1 full beards1 which can be made of hemp or horse-hair4 ,the arrangement of the gentlemen is the same as that of the ladies--seven placed on a line from the pedestal to the corner of the stage1 and three on the platform behind4 ,the front rank have the golden harps and the torches4 ,the gentlemen on the platform clasp their hands in the same manner as the ladies opposite4 ,the position of all the chorus singers is such that a profile view is had of their features4 ,the front lights should be turned down quite low2 the lights at the side where the gentlemen stand should be very brilliant4 ,a red fire should be thrown on the platform and the figure of ,sappho4 ,music should be quite brilliant4 ,,flora ,,and ,,the ,,fairies4 ,she haunts the spring beneath a fairy's guise1 ,with unbound golden hair and azure eyes2 ,a wreath of violets in each dainty hand1 ,and round her sunny brow an emerald band2 ,while all day long she strays o'er hill and glen1 ,through leafy bowers1 amid the homes of men2 ,and when night falls1 from out the echoing dells1 ,the lilies ring for her their crystal bells1 ,and in the forest's depths she dreams till morn1 ,waked by the music of the wild bee's horn4 ,,laighton4 ,eight ,female ,figures4 ,this elegant tableau represents ,flora seated in a beautiful car drawn by six fairies4 ,the car is easily made of wood covered with paper or cloth1 and decorated with flowers4 ,it should be five feet long1 and made in the form of a scroll1 the largest part of which should be at the back of the car4 ,cover the centre of the scroll which forms the sides with crimson paper or cloth1 ornamented with a border of gold paper three inches wide1 and a second border of artificial flowers4 ,make the wheels of solid pieces of wood2 the front ones1 one foot in diameter2 the back ones1 double the size2 cover them with crimson cloth1 and ornament them with large gold stars2 build a small seat at the back end1 and extend the floor of the car one foot out from the back part1 for the footman to stand on4 ,the front of the car should be built in the form of a scroll1 and should sustain a small vase of flowers on the top4 ,vases of similar shape1 containing flowers1 should be placed on each side of the seat2 a long rope1 covered with crimson cloth1 should be attached to the front axletree4 ,as only one side of the car is visible1 it will be necessary to decorate only one side4 ,a platform one foot high should be built on the front of the stage2 a second one1 three feet from the first1 which should be two feet high2 a third1 in the rear of the second1 should be three feet in height4 ,these must be covered with green bocking1 to represent turf4 ,place the car near the front of the stage1 at the right corner2 attach six pieces of green ribbon to the crimson rope1 for the fairies to take hold of2 six pink ribbons must be fastened to the waist of the fairies1 and held by ,flora1 who is seated in the car4 ,the young lady who personates ,flora should be of good figure and features1 and rather small form4 ,her costume consists of a white robe1 cut low at the neck2 sleeves five inches long1 trimmed with flowers2 a belt of green cloth1 adorned with artificial flowers1 around the waist2 a crown1 made in like manner1 encircling the head2 a small bouquet of flowers fastened to the front of the waist4 ,the hair is arranged in short curls about the head2 a side view is had of the body1 while the head is turned around to face the audience4 ,the hands are employed in holding the pink ribbons and whip1 which is made of a long1 slender branch of the willow1 with a few leaves on the extreme end4 ,the countenance expresses pleasure and animation4 ,seven small misses personate the fairies1 and their costume consists of a short white dress1 decorated with silver spangles4 ,strips of blue ribbon1 one inch wide1 should be placed around the skirt1 running from the waist to the bottom of the skirt2 these must be three inches apart4 ,the waist is made of blue silk1 and trimmed with silver paper and spangles4 ,the hose are flesh color2 shoes1 white satin2 the head is encircled with a wreath of flowers2 the hair should be arranged in short curls1 and small wings formed out of wire1 covered with gauze1 and ornamented with silver spangles1 are fastened to the back of the waist4 ,the fairies should stand in double files1 one couple standing on the first platform1 one on the second1 and one on the third2 they should be three feet apart1 standing in the form of a half circle1 so that each will be seen4 ,one hand should grasp the pink ribbon1 while the other is raised1 holding a small bunch of flowers4 ,the fairy footman's costume is like the others1 and the position is on the back of the car1 both hands upon the back of the seat1 and at the same time holding the ends of a long wreath1 which arches over the head of ,flora4 ,the light should come from the side of the stage where the fairies stand1 where should be burned a small quantity of the whitish-blue fire4 ,music lively4 ,,the ,,spectre ,,bride4 ,but1 soft2 behold6 lo1 where it comes again6 ,i'll cross it1 though it blast me4--,stay1 illusion6 ,if thou hast any sound1 or use of voice1 ,speak to me3 ,if there be any good thing to be done1 ,that may to thee do ease1 and grace to me1 ,speak to me2 ,if thou art privy to thy country's fate1 ,which1 happily foreknowing1 may avoid1 ,o1 speak6 ,or1 if thou hast uphoarded in thy life ,extorted treasures in the womb of earth1 ,for which1 they say1 you spirits oft walk in death1 ,speak of it4 ,stay and speak6 ,,shakspeare4 ,twelve ,female and ,twelve ,male ,figures4 ,this interesting and imposing tableau is taken from a legend1 which has been handed down from generation to generation among the villagers living in the neighborhood of ,glenburne ,castle1 ,england4 ,the story1 probably as authentic as many which are often heard of in those districts1 is as follows3-- ,many years ago1 that portion of the country where ,glenburne ,castle now stands was owned and governed by an intriguing and overbearing lord4 ,he had a beautiful companion for a wife1 who loved him too well2 but his affections wandered from her4 ,he looked into a brighter eye1 and on a fairer brow4 ,his wife pined away1 lived miserably for years1 and died at last broken-hearted4 ,six months had passed1 and great preparations were being made in the old castle for a magnificent wedding4 ,the lords and nobles1 within a circuit of five hundred miles1 were invited to participate in the festivities of the day4 ,the halls were hung with beautiful tapestry and garlands of flowers1 and the castle resounded with strains of sweet music1 and all went merry as a marriage bell4 ,but this finely-arranged entertainment did not end in so pleasant a manner as was intended4 ,the hour had arrived when the lord of the castle was about to lead to the hymeneal altar the bright-eyed lady he so long loved4 ,the spacious and magnificent drawing rooms were thronged with the wealthy and the beautiful2 all were attired in robes of silk and satin1 and costumes of velvet1 which glistened with pearls and precious stones4 ,a temporary platform was placed at one end of the hall1 on which was raised a crimson and gold canopy4 ,on the platform were to be seated the bride and bridegroom1 and the grand cardinal who was to perform the service4 ,it was seven o'clock in the evening2 the guests had all arrived1 and were seated around the room awaiting the entrance of the lord and his intended bride4 ,soon the castle resounded with the sound of trumpets4 ,the massive doors opened wide1 and the grand cardinal1 followed by the bride and bridegroom1 entered the apartment1 and took their position beneath the canopy4 ,the marriage ceremony had been partly completed1 when all were suddenly petrified with horror4 ,a bluish flame is seen rising from the centre of the floor1 and within this cloud of flame the spirit form of the bridegroom's first wife slowly rises up through the floor1 and points her bony fingers to the horror-stricken husband4 ,the guests and attendants rush from the castle1 and hasten to their homes4 ,the intended bride remained insensible for many hours1 and when she revived she was no more herself4 ,the fearful scene had crushed out forever the last spark of reason4 ,she was a maniac4 ,the lord of the castle was left alone with his spectre bride1 but not long4 ,forsaken by every one1 he cared not for life1 and when death came1 which was not long after this occurrence1 he welcomed him as his best friend4 ,years have passed1 but the mysterious story still hangs over the spot2 and at certain times of the year1 it is said the apparition1 surrounded by a cloud of fire1 keeps its midnight vigils among the time-worn ruins4 ,the number of figures required to represent this tableau is twenty-four4 ,the stage scenery is arranged in the following manner3 ,in one corner of the background erect a platform two feet high by four feet square2 over this place a canopy of crimson cloth1 ornamented with gold paper4 ,the platform should be decorated in the same manner4 ,red shawls or table covers will answer all purposes4 ,extending from each side of the stage to the platform1 there should be two rows of seats and a platform behind2 the first row of seats is to be eighteen inches high2 the second three feet high1 with a platform behind two feet wide2 the platform can be left out at the sides1 which will give more space in the centre of the stage4 ,the seats and platforms can be formed of boxes and boards and covered with white cloth4 ,ten ladies1 and the same number of gentlemen are to occupy the seats1 while the platform is reserved for the bridal party4 ,a trap door1 two and a half feet square1 should be cut out of the floor four feet from the front1 and at equal distances from each side of the stage4 ,this must be made secure1 when not in use1 by the means of bolts4 ,the machinery for raising the spectre is arranged in the following manner3 ,strong blocks1 such as are used on board of ships1 should be securely fastened beneath the stage1 at the four corners of the square2 ropes1 three quarters of an inch in diameter1 should be passed through them1 and one end of each fastened to fifty-six pound weights2 the other ends of the ropes are to be fastened to rings attached to a platform two and a half feet square4 ,a piece of four inch joist should be fastened near the centre of the platform1 which should be three and a half feet high2 small handles1 two feet long1 should also be fastened securely at the sides of the platform1 on which the person who personates the spectre will stand4 ,when the time has arrived for the spectre to appear in the tableau1 two persons can easily guide the platform from the floor to the stage above4 ,all the gentlemen are required to do1 is to guide the platform2 the heavy weights attached to the ropes will draw it up4 ,the post fastened in the centre is intended for the lady to take hold of to keep her position2 it should be covered with white cloth1 and hid from view by the drapery of the costume of the spectre4 ,the lady personating the spectre should take her position on the platform in the same manner that she will appear on the stage1 which is such that a side view can be had of the figure1 the right hand pointing to the platform where the bridal party are standing4 ,the costume consists of a long white dress1 worn without many skirts1 over which is draped a robe of white muslin2 a long1 white gauze veil should be loosely tied around the head2 the hair is allowed to hang loosely over the shoulders4 ,the face1 and arms1 and neck must be made as white as possible by the use of pearl-powder4 ,the features should express sternness4 ,the bridegroom should be dressed in a velvet coat trimmed with gold lace1 velvet breeches1 white vest1 white hose1 low shoes1 knee and shoe buckles1 ruffled bosom1 white lace collar4 ,the bride should be adorned in a showy dress of rich brocade or satin1 decorated with jewels2 mantle of ermine worn over the shoulders2 the hair arranged to suit the taste of the performer1 and encircled with a wreath of silver leaves1 while a heavy white veil is fastened to the back of the head4 ,the cardinal should have on a long black silk surplice1 white cravat1 and a mitre hat on the head4 ,the couple face the audience1 the cardinal standing directly behind them in the same position1 with his hands raised over their heads4 ,the ladies1 who occupy seats at each side of the platform1 should be costumed in as great a variety and as richly appearing dresses as can be procured2 bands of gold1 ornamented with colored plumes1 are worn on the head4 ,jewelry of all kinds should be worn in profusion4 ,the gentlemen may be costumed in embroidered and military suits of various colors2 white hose1 knee and shoe buckles1 breeches and side arms2 each being disguised with wigs and false beards4 ,the ladies and gentlemen should be intermingled1 those in the foreground seated1 while a portion of the others are in a standing position4 ,at each side of the platform there should be a page1 holding the chapeau and side arms of the bridegroom4 ,their costume consists of short velvet coat trimmed with gold1 pink breeches1 white hose1 white shoes1 silver shoe and knee buckles1 white silk scarf1 lace collar and cuffs4 ,the attention of the guests and attendants should be directed to the group on the platform1 the expression of their countenances denoting pleasure and interest4 ,this constitutes the first scene1 and ought to be exhibited three times2 after which1 the performers will take positions for the second scene4 ,the bride should be reclining insensible on the arm of the bridegroom2 the cardinal is about seeking safety in flight2 the lord looks with horror on the spectre1 and throws out his arm as if he thought the spectre was about to grasp him2 portions of the guests have risen1 and are about to take flight2 others are stupefied with affright2 hands and arms are thrown up in fear2 consternation is depicted on every face4 ,when all is ready for representation1 the stage manager must give the signal to those in charge of the curtain1 machinery below the stage1 and colored fires at the same moment1 so that all will work in unison4 ,the whitish-blue fire should be burned in small quantities near the trap door and larger quantities of the same in the ante-rooms1 which will reflect on the forms of the performers4 ,the curtain should be drawn up quite fast1 while the spectre1 starting at the same time1 should rise very slowly4 ,the lights for this piece should be opposite the platform1 where the bridal party stand2 they must be very brilliant1 and as many as can be procured4 ,the music in the first scene should be of a lively nature2 in the second scene1 of a mournful style4 ,,music1 ,,painting1 ,,and ,,sculpture4 ,o1 there is nought so sweet ,as lying and listening music from the hands1 ,and singing from the lips1 of one we love-- ,lips that all others should be turned to4 ,then ,the world would all be love and song2 heaven's harps ,and orbs join in2 the whole be harmony-- ,distinct1 yet blended--blending all in one ,long1 delicious tremble1 like a chord4 ,,festus4 ,the finger of ,god is the stamp upon them all1 but each has its separate variety4 ,beauty1 theme of innocence1 how may guilt discourse thee8 ,let holy angels sing thy praise1 for man hath marred thy visage2 ,still1 the maimed torso of a ,theseus can gladden taste with its proportions4 ,though sin hath shattered every limb1 how comely are the fragments6 ,,tupper4 ,three ,female ,figures4 ,this artistic group is represented by three beautiful females1 seated on a mossy bank1 each one holding the emblems of her profession4 ,the goddess of music holds a harp1 on which she is playing2 the goddess of painting has a partially painted picture in the left hand1 and a brush and pallet in the right2 the goddess of sculpture has a small bust in her right hand--in her left she holds a small mallet and chisel4 ,their costumes consist of a loose white robe1 cut quite low at the top1 and without sleeves2 a heavy mantle of white muslin is draped across the breast2 the hair should hang in ringlets1 or be left to flow negligently on the shoulders4 ,the ,goddess of ,music should sit on the right side of the mound1 the hand resting on the knee1 her eyes cast upward4 ,the ,goddess of ,painting sits on the left of the mound1 her picture resting on the left knee1 the right hand holding the pallet and brush1 the body slightly bent forward1 the eyes fixed on the ,goddess of ,music4 ,the ,goddess of ,sculpture should sit between the ,goddesses of ,music and ,painting1 the bust which she holds resting on the right knee1 the left hand grasping the mallet and chisel4 ,her attention is fixed on the ,goddess of ,music4 ,the mound should be placed in the centre of the stage2 it can be made of boxes1 and covered with green baize2 it should be two feet high1 and four or five feet in diameter4 ,the light comes from the right side of the stage1 and should not be very strong4 ,the accompanying music should be soft and plaintive4 ,,bust ,,of ,,proserpine4 ,one ,female ,figure4 ,this artistic tableau is a living representation of the bust of ,proserpine by ,powers4 ,the head is ideal1 and we may conceive it as embodying our great sculptor's conception of female beauty in repose4 ,the wreath of leaves and flowers which encircles it1 alludes1 perhaps remotely1 to the legend1 familiar in the poets1 of the field ,of ,enna1 where ,proserpine1 gathering flowers1 ,herself a fairer flower1 by gloomy ,dis ,was gathered4 ,the learned ,germans1 who regard the whole ,grecian mythology as personifying natural phenomena1 interpret the legend as follows3 ,proserpine who is carried off to the lower world is the seed corn1 that1 for a time1 is buried in the ground4 ,proserpine who returns to her mother is the corn which rises again to support mankind4 ,the lady who takes the part of ,proserpine should be quite handsome1 with fine1 regular features1 a high forehead1 and a good form4 ,her dress should be pure white1 and cut extremely low at the neck2 the hair should be brushed back from the forehead1 done up neatly behind1 allowing five or six curls to hang loosely in the neck1 and a braid of hair should be worn across the front of the head4 ,no ornaments of any kind should be worn4 ,the machinery of this tableau is arranged as follows3 ,the revolving beam that is described in the tableau of the ,flower ,vase is to be used in this piece4 ,the beam is placed in the centre of the stage1 on the top of which is a wooden pedestal1 three and a half feet high by seventeen inches in diameter on the inside4 ,this pedestal should be made in two parts1 having hinges1 and a hook1 to fasten them together4 ,it must have a cap and base1 and be covered with white cloth1 over which fasten white tarleton muslin4 ,the bottom of it should be six inches in thickness1 with a square mortise in the centre1 to allow the top of the beam to enter4 ,the lady who personates ,proserpine is to stand inside of this pedestal1 and1 as the space is quite small1 it will be necessary to wear few under skirts4 ,a frame should be manufactured of wire1 and covered with white cloth and white muslin1 and should be made to fit the back and breast of the figure1 allowing room for the arms to be folded inside of it4 ,this is to be made at the top in the same shape as the dress worn by the lady1 and should reach to the waist of the person1 fitting tightly1 and from the waist be made to flare off in scroll form so as to rest on the top of the pedestal4 ,by looking at a bust1 one will easily understand the shape of the frame4 ,it must be made in two pieces1 and fastened at the sides with tape strings2 around the top of the frame put a small wreath of white leaves and flowers4 ,the lady must take her position inside of the pedestal which has been placed on the top of the shaft2 hook it firmly together1 and pack cloth between the lady and the inside of the pedestal1 for the purpose of keeping the body from moving from one side to the other4 ,then place the front and back wire frames in their position1 and fasten them firmly4 ,see that the arms are folded out of sight1 and the hair arranged properly4 ,the eyes should be cast upward slightly1 and when once fixed in position1 they should not be moved4 ,the face and neck should be made as white as possible2 the expression of the countenance calm and serene4 ,the fairies and the crimson curtain used in the tableau of the ,dancing ,girl can be used in this piece4 ,a side view should be given of the statue before it revolves4 ,in the second view1 the pedestal must slowly revolve1 while a plaintive air is played on the melodeon4 ,this tableau has been admired by many1 and will repay any one for the trouble of producing it4 ,,napoleon ,,and ,,his ,,old ,,guard ,,at ,,waterloo4 ,last noon beheld them full of lusty life2 ,last eve in beauty's circle proudly gay2 ,the midnight brought the signal sound of strife2 ,the morn1 the marshalling in arms2 the day1 ,battle's magnificently stern array6 ,the thunder clouds closed o'er it1 which1 when1 rent1 ,the earth is covered thick with other clay1 ,which her own clay shall cover1 heaped and pent1 ,rider and horse--friend1 foe--in one red burial blent4 ,,byron4 ,forty ,male ,figures4 ,the battle of ,waterloo was fought on the #ahth of ,june1 #ahae4 ,it was on the ,sabbath day4 ,the ,emperor's wasted bands were now in the extreme of exhaustion4 ,for eight hours1 every physical energy had been tasked to its utmost endurance1 by such a conflict as the world had seldom seen before4 ,twenty thousand of his soldiers were either bleeding upon the ground or motionless in death4 ,every thing depended now upon one desperate charge by the ,old ,guard4 ,the ,emperor placed himself at the head of this devoted and invincible band1 and advanced in front of the ,british lines4 ,silently1 sternly1 unflinchingly they pressed on1 till they arrived within a few yards of the batteries of the enemy4 ,a peal1 as of crushing thunder1 burst upon the plain2 a tempest of bullets1 shot1 shells1 and all the horrible missiles of war1 fell like hailstones upon the living mass4 ,a gust of wind swept away the smoke1 and1 as the anxious eye of ,napoleon pierced the tumult of the battle to find his ,guard1 it had disappeared4 ,napoleon threw himself into a small square which he had kept as a reserve1 and urged it forward into the densest throngs of the enemy4 ,he was resolved to perish with his ,guard4 ,cambronne1 its brave commander1 seized the reins of the ,emperor's horse1 and said to him1 in beseeching tones1 ,sire1 death shuns you2 you will but be made a prisoner4 ,napoleon shook his head1 and for a moment resisted2 but his better judgment told him that thus to throw away his life would be but an act of suicide4 ,with tearful eyes1 he bowed to those heroes who proved faithful even to death2 with a melancholy cry1 they shouted1 ,vive l',empereur6 ,these were their last words--their dying farewell4 ,silent and sorrowful1 ,napoleon put spurs to his horse1 and disappeared from the field4 ,this one square1 of two battalions1 alone covered the flight of the army4 ,squadrons of cavalry plunged upon them1 and still they remained unbroken4 ,the flying artillery was brought up1 and pitilessly pierced this heroic band with a storm of cannon ball4 ,the invincible square1 the last fragment of the ,old ,guard1 revered by that soul which its imperial creator breathed into it1 calmly closed up as death thinned its ranks4 ,the ,english and ,prussians sent a flag of truce1 demanding a capitulation4 ,general ,cambronne returned the immortal reply1 ,the ,guard dies1 but never surrenders6 ,a few more discharges of grape shot from the artillery mowed them all down4 ,thus perished1 on the field of ,waterloo1 the ,old ,guard of ,napoleon4 ,directions for forming the ,tableau4--,this splendid battle-scene contains forty figures4 ,it can be produced with a less number1 but to give a good effect1 it should contain forty persons4 ,the scene occurs at the time when ,napoleon has thrown himself in the square of the ,guard1 and is about to press forward to the enemy4 ,napoleon is seated on his white horse1 in the centre of the stage2 we have a side view of the horse1 and almost a front view of ,napoleon1 who grasps the reins with his left hand1 and his sword with the right2 his eyes are fixed on the advancing troops in the distance2 his countenance expresses firmness and anxiety4 ,cambronne is on the point of advancing1 with hands stretched out1 about to grasp the reins of ,napoleon's horse2 his position is sideways to the audience4 ,marshal ,ney is seen running towards ,napoleon1 on the other side of the picture1 his right hand extended1 his chapeau grasped with the left4 ,in the foreground are four wounded soldiers1 lying in various positions2 muskets and other implements of war are scattered over the ground4 ,directly behind ,napoleon is seen an officer holding the ,french standard1 with a gilt eagle at the top4 ,the ,old ,guard are formed in platoons1 one at the right1 one at the left1 and one in the background2 they should form with the face outward1 and hold their muskets as if about to repel a charge of cavalry4 ,the rear platoon should stand on a platform two feet in height1 while the space behind is to be filled with soldiers engaged in fencing4 ,they should be placed on raised platforms1 varying from two to eight feet in height4 ,the costume of ,napoleon consists of a blue dress coat with a buff breast1 eagle buttons1 buff vest and knee breeches1 top boots1 spurs1 sash1 side arms1 black chapeau1 and gray overcoat4 ,the horse which ,napoleon rides can be made of wood1 at a trifling expense4 ,minute explanation in regard to its construction will be found in the tableau of ,washington's entrance into ,portsmouth4 ,the costume of the officers consists of as rich military suits as can be procured4 ,the soldiers should wear a showy military suit and bearskin hats4 ,the muskets must be furnished with bayonets1 and a thin smoke should be made to float over the scene4 ,the roll of the tenor drum1 the shrill music of the fife1 the rattle of musketry1 and the booming of cannon1 should be heard in the distance4 ,a red light must be thrown upon all the figures2 if this is not sufficient to light up the piece1 the footlights fronting ,napoleon can be lighted4 ,the person who takes the part of ,napoleon must resemble1 in features and form1 the original character4 ,,the ,,dancing ,,girl ,,in ,,repose4 ,bid me discourse2 ,i will enchant thine ear1 ,or1 like a fairy1 trip upon the green1 ,or1 like a nymph1 with long dishevelled hair1 ,dance on the sands1 and yet no footing seen4 ,,shakspeare4 ,three ,female ,figures4 ,this pleasing tableau represents a young and beautiful dancing girl reposing after one of her successful and fascinating dances4 ,the scenery should be arranged in the following manner3 ,a curtain of red ,turkey cloth or cambric1 fringed with gold1 which can be made by cutting strips of buff cloth to imitate fringe1 and decorating it with gold paper2 this1 in the evening1 will make quite a rich appearance4 ,the curtain should be but two feet long in the centre1 cut in three festoons1 each three feet wide4 ,at the ends of the festoons1 the curtains must be wide enough to fill out the space at the side of the stage1 and so long that they will trail on the floor4 ,this curtain should be attached to a strip of wood1 which can be fastened in position on the ceiling4 ,on each side of the stage1 near the centre1 place small pedestals1 one and a half feet square1 covered with green cambric1 and decorated with bouquets of artificial or painted flowers4 ,in the centre of the stage1 directly under the curtain1 place a pedestal two feet square1 with a shaft at the side three feet high by six inches in diameter2 this must be covered with light green cambric1 and festooned with wreaths of flowers4 ,the number of figures in this piece are three3 one alone takes a prominent part2 the remaining two are intended as an addition to the scenery4 ,the two small pedestals are to be occupied by pretty little misses1 of about six years of age1 dressed to represent fairies4 ,their costume consists of short white dresses covered with bands of gold and spangles2 white hose and slippers2 a pink gauze sash1 decorated with gold spangles1 worn across the shoulders2 the hair arranged in ringlets2 wings formed of wire1 covered with white muslin1 and decorated with spangles1 and fastened to the shoulders4 ,the costume of the dancing girl consists of a white dress reaching to the knees1 covered with white tarleton muslin1 and ornamented on the front with a small bouquet1 and bands of crimson ribbon running around the skirt4 ,the waist should be low on the bosom1 the sleeves quite short1 and trimmed with flowers2 the hair can be dressed to suit the taste of the performer4 ,flesh-colored hose and white slippers should be worn4 ,the position of the dancing girl is on the centre of the pedestal1 in a careless attitude4 ,one arm hangs negligently at her side1 the hand grasping a tambourine2 the other rests on the top of the shaft4 ,the weight of the body rests on the right foot2 the left foot crosses the right4 ,the eyes should be cast down to the floor1 and the expression of the face sad and thoughtful4 ,the fairies stand on the small pedestals at the sides of the stage4 ,we have a side view of them as they stoop forward and clasp the folds of the curtain4 ,the right hand is extended1 the forefinger pointing at the dancing girl4 ,the weight of the body should mostly rest on the right foot2 the left is extended behind1 the toe touching the top of the pedestal4 ,the head slightly turned towards the audience2 the expression of the countenance quite brilliant4 ,the lights should be at the left side of the stage1 and of medium quantity4 ,a waltz or polka can be played while the tableau is exhibited4 ,,washington',s ,,entrance ,,into ,,portsmouth4 ,behold1 he comes6 ,columbia's pride1 ,and nature's boast--her favorite son2 ,of valor1 wisdom1 truth1 well tried-- ,hail1 matchless ,washington4 ,let old and young1 let rich and poor1 ,their voices raise1 to sing his praise1 ,and bid him welcome1 o'er and o'er4 ,this1 this is he1 by ,heaven designed1 ,the pride and wonder of mankind4 ,united then your voices raise1 ,and all united sing his praise4 ,let strains harmonious rend the air2 ,for see1 the godlike hero's here6 ,thrice hail1 ,columbia's favorite son2 ,thrice welcome1 matchless ,washington4 ,j4,m4 ,,sewall4 ,ten ,female and ,thirty-two ,male ,figures4 ,saturday1 #cast ,oct4 ,left ,newburyport a little after eight o'clock1 7first breakfasting with ,mr4 ,dalton17 and to avoid a wider ferry1 more inconvenient boats1 and a piece of heavy sand1 we crossed the river at ,salisbury1 two miles above1 and in three miles came to the line which divides the ,state of ,massachusetts from that of ,new ,hampshire4 ,here ,i took leave of ,mr4 ,dalton and many other private gentlemen1 also of ,general ,titcomb1 who had met me on the line between ,middlesex and ,essex counties1 corps of light horse1 and many officers of militia1 and was received by the president of the ,state of ,new ,hampshire1 the vice president1 some of the council1 ,messrs4 ,langdon and ,wingate of the ,senate1 ,colonel ,parker1 marshal of the state1 and many other respectable characters1 besides several troops of well-clothed horse1 in handsome uniforms1 and many officers of the militia1 also in handsome white and red uniforms of the manufacture of the state4 ,with this cavalcade we proceeded1 and arrived before three o'clock at ,portsmouth1 ,new ,hampshire1 where we were received with every token of respect and appearance of cordiality1 under a discharge of artillery4 ,the streets1 doors1 and windows were thronged with the populace4 ,alighting at the town house1 odes were sung and played in honor of the president4--,washington's ,private ,diary4 ,a visit from a person so distinguished and beloved1 had he come without the insignia of office1 would have created no little enthusiasm2 but a visit from its president1 when the young republic had been organized scarcely half a year1 occasioned to the community a thrill of ecstasy which vibrated through every heart--an outburst of joy due from a grateful populace to one to whose skill and superior virtues they owed their happiness4 ,there was a mixture of novelty1 of joy1 of patriotic enthusiasm1 felt by every heart4 ,a committee of twelve was appointed in town-meeting to superintend the reception4 ,the president left his carriage at ,greenland1 at the residence of ,colonel ,tobias ,lear1 and mounted his favorite white horse2 he was there met by ,colonel ,wentworth's troop1 and on ,portsmouth plains the president was saluted by ,major ,general ,cilly1 and other officers in attendance4 ,from the west end of the ,state ,house1 on both sides of ,congress ,street1 and into ,middle ,street1 the citizens and military were arranged in lines1 and on the east side of the parade ground were the children of the schools1 dressed appropriately for the occasion4 ,the president at the entrance received a federal salute from the three companies of artillery under ,colonel ,hackett4 ,the streets through which he passed were lined with citizens2 the bells rang a joyful peal1 and repeated shouts from grateful thousands hailed him welcome to the metropolis of ,new ,hampshire4--,brewster's ,rambles4 ,this national tableau contains forty-two figures3 ,washington1 sixteen soldiers1 ten young ladies1 six citizens1 and nine school children4 ,the number can be made less if there is not sufficient room on the stage4 ,the stage scenery consists of the following articles3 ,a fac-simile of the white horse1 which is to be made in the following manner3 ,with a tape measure and rule take the dimensions of a small-sized horse2 let your carpenter make a skeleton horse according to your dimensions1 of wood1 as strong and light as possible2 then take curled hair or hay and fill out the frame so that it will look symmetrical1 using twine to bind on the material used4 ,it will be a good plan to have an engraving of a horse to look at1 so that you will more easily arrive at the proportions of the body4 ,the right foot of the horse must be raised4 ,after you have satisfied yourself in regard to the form of the animal1 take cheap cotton cloth and sew over all parts of his body4 ,cover this with three coats of white paint1 and sprinkle slightly with black4 ,the eyes can be imitated by using the bottom of a small black glass bottle2 the ears should be made of leather2 the mouth and nostrils can be painted2 make the mane and tail of flax or hemp4 ,insert the feet into a heavy plank1 and decorate him with a showy military saddle and bridle4 ,a triumphal arch1 made in three parts1 of wood1 covered with green cambric1 and decorated with flowers1 will also be wanted4 ,washington's costume consists of a black velvet continental coat1 buff vest1 white hose1 shoes1 knee and shoe buckles1 white cravat1 ruffled bosom1 black chapeau1 sash1 epaulets1 side arms1 and white wig4 ,the military are dressed in blue coats trimmed with buff1 white pants1 chapeau1 cross and waist belts1 swords and muskets2 officers in as showy uniforms as can be procured4 ,the ladies should be of various sizes1 and costumed in white dress1 red sash1 and wreaths of myrtle on the head2 each should hold a garland1 bouquet1 or small basket of flowers4 ,citizens' costume consists of black coat and breeches1 light vest1 chapeau1 white hose1 shoe and knee buckles2 children in dark jackets1 white pants1 dark caps1 with a wreath of evergreen worn over the shoulders4 ,washington is seated on his horse1 the left hand grasping the reins and whip1 while the right holds his chapeau4 ,he leans forward slightly1 and is looking to the ladies1 who are strewing his path with flowers4 ,his face is lighted with smiles of pleasure as he beholds the crowds of delighted people who are seen on every side4 ,on each side of the horse1 and in the foreground1 the young ladies are placed4 ,they are in kneeling positions1 and extend their flowers towards ,washington2 their faces are turned upward1 and are suffused with smiles4 ,the military are placed on the extreme right and left of the stage1 the head of each platoon commencing at the front of the stage1 and extending into the background4 ,as they recede in the distance they must have a higher position1 so that every one will be seen4 ,they should turn the head a trifle towards the audience1 and present arms4 ,the citizens1 placed on raised platforms1 take positions behind the horse4 ,they hold their hats in the left hand1 and look at ,washington4 ,the children stand in a line in the background of the picture4 ,they must be placed on high platforms1 so that they may be seen distinctly4 ,they look straight forward1 with the right hand placed at the side of the cap4 ,the triumphal arch is to be erected directly over the head of ,washington2 it should not be very heavy1 as it is necessary to have as much of the space occupied by the characters as is possible4 ,the horse and arch must be first brought on the stage1 then the military1 next ,washington1 and the ladies1 then the children and citizens will take their positions4 ,all the light that can be produced in front1 and facing ,washington1 must be used4 ,the booming of cannon1 ringing of bells1 and the loud hurrah of the populace should be heard in the distance4 ,hail ,columbia would be the appropriate music for the piano-forte or melodeon4 ,,fame4 ,blow the trumpet1 spread the wing1 fling thy scroll upon the sky2 ,rouse the slumbering world1 ,o ,fame1 and fill the sphere with echo4-- ,beneath thy blast they wake1 and murmurs come hoarsely on the wind1 ,and flashing eyes and bristling hands proclaim they hear thy message3 ,rolling and surging as a sea1 that upturned flood of faces ,hasteneth with its million tongues to spread the wondrous tale4 ,,tupper4 ,three ,female and ,nine ,male ,figures4 ,this tableau is represented by twelve persons1 three ladies and nine gentlemen4 ,they are arranged and costumed in the following manner3 ,standing on a pedestal six feet high1 in the centre of the stage1 is a female who personates the ,goddess of ,fame4 ,her costume consists of a loose white dress1 cut low at the top1 hair done up neatly and encircled with a wreath of white flowers2 at her side1 on a small pedestal1 is a plaster bust of ,shakspeare1 which the goddess is about crowning with a wreath of myrtle4 ,at each side of the large pedestal are two others1 which are two feet square and three feet high2 on each of these stands a female figure1 dressed in a loose white robe1 cut low at the top1 the hair flowing loosely over the shoulder1 the head encircled with a wreath of white flowers4 ,each holds in the right hand a long1 slender trumpet1 which she is in the act of blowing2 the trumpets are pointed horizontally to the right and left2 they are three feet long1 with a bell1 five inches in diameter1 at the end4 ,these can be made of card-board1 and covered with silver paper4 ,in front of the highest pedestal there should be placed a platform six feet long1 four feet wide1 and one foot high4 ,on this1 a second platform1 five feet long1 two feet wide1 and one foot high4 ,cover them with white cloth4 ,kneeling on the front of the large platform are four young men4 ,the first one represents a sculptor4 ,he kneels1 facing the audience1 and holds a mallet and chisel in his left hand4 ,the second figure represents the mechanic1 with his square and level4 ,the third represents the musician1 with his harp4 ,the fourth personates the painter1 with his pallet and brushes4 ,kneeling behind them1 on the small platform1 are three other figures4 ,the first is the poet1 with his roll of songs and pen2 the second is the soldier1 with his sword2 and the third is the historian1 with a volume of history and a pen4 ,behind these1 and fronting the goddess1 stands a figure who represents the orator4 ,his costume consists of a suit of black4 ,he holds a scroll in his left hand2 his right raised in front2 countenance expressing sternness2 eyes slightly raised upwards4 ,the soldier kneels between the poet and the historian2 costume consists of a rich military dress2 arms are folded across the breast1 head turned slightly to the right1 eyes cast upward1 the face expressing firmness4 ,the poet is costumed in a dark coat1 light vest1 knee breeches1 white hose1 low shoes1 knee and shoe buckles1 lace collar and wristbands4 ,position is facing the front corner of the stage4 ,eyes are fixed on the paper before him2 face expresses pleasure4 ,on the other side of the soldier kneels the historian4 ,his costume1 position1 and expression of countenance1 the same as the poet4 ,the sculptor kneels on the low platform4 ,he faces the corner of the stage1 and casts his eyes upward4 ,costume consists of a dark coat1 white vest1 dark breeches1 white hose1 shoe and knee buckles1 a low1 flat cap set jantily on one side of the head1 and a velvet cape thrown over the left shoulder4 ,the painter kneels on the other end of the platform1 and faces the right front corner of the stage4 ,costume1 position1 and expression1 the same as the sculptor4 ,between these two1 kneel the mechanic and musician4 ,the former looks straight forward4 ,costume consists of dark coat1 light vest1 dark breeches and hose1 low shoes1 knee and shoe buckles4 ,the musician takes a similar position1 and holds a harp1 on which he is about to play4 ,his head is thrown back1 and his eyes are raised upward4 ,costume consists of a dark coat and breeches1 bright-colored vest1 black hose1 low shoes1 knee and shoe buckles4 ,expression of the face1 pleasant4 ,the light must be of medium quantity1 and come from the right hand side4 ,those lights near the front should be stronger than the others4 ,music soft and plaintive4 ,,faith4 ,,see ,,plate4 ,illustration3 ,,faith4 ,high on the mountain's towering head1 ,while darkness rules the sky1 ,faith stands1 and through the stormy cloud ,directs her anxious eye4 ,amidst the gloom1 the welcome rays ,with cheering lustre shine1 ,and open to her ardent gaze ,a world of bliss divine4 ,j4 ,,firieze4 ,seven ,female ,figures4 ,this beautiful statuary tableau is represented in the following manner3 ,six females kneel in a circle1 and support a circular shield three feet in diameter1 on which stands a young lady who represents ,faith4 ,her right hand grasps a cross2 the left is raised1 the forefinger pointing upward4 ,the six ladies should be dressed in pure white robes1 cut low at the top4 ,the hair is encircled with a wreath of white flowers4 ,no ornaments of any kind are to be worn4 ,the hair can be arranged to suit the taste of the performers4 ,their positions are as follows3 ,the two figures supporting the front of the shield will partially face each other1 resting the right knee on the floor1 and facing outward from the circle1 both hands touching the shield above4 ,two other ladies form behind the right hand figures1 in the same position1 and two more form behind the left hand figures4 ,they will all face outward1 and support the shield with both hands4 ,the eyes should be cast down1 the expression of the face serene4 ,it will be necessary1 before the ladies take their position1 to place the shield on a pedestal one foot square1 and high enough to allow the figures to kneel beneath4 ,cover the pedestal and shield with white cloth4 ,after the six figures have taken their positions1 the figure of ,faith should be assisted to her position on the top of the shield4 ,she must be of good figure1 small1 regular features1 and dark hair1 which should be quite long4 ,her dress consists of a long1 white robe1 made to trail on the top of the shield1 the waist encircled with a large white cord1 with two white tassels attached2 the hair brushed back from the head1 clasped with a silver band1 and allowed to flow loosely over the shoulders2 the head is adorned with a small band of silver1 one fourth of an inch wide1 with a small silver cross1 in the centre4 ,she is to stand perfectly erect in the centre of the shield1 the cross resting on the right shoulder2 the eyes lifted1 as in devotion2 the expression of the face calm1 and yet denoting firmness and energy2 the light should be soft1 and come from the front right hand corner of the stage2 the figures who support the shield must be partially thrown in the shade1 while ,faith receives the most of the light4 ,music accompanying this piece should be of a sacred character4 ,,spirit ,,of ,,religion4 ,religion should our thoughts engage ,amidst our youthful bloom2 ',twill fit us for declining years1 ,and for the approaching tomb4 ,,anon4 ,six ,female and ,three ,male ,figures4 ,this tableau contains nine figures4 ,the lady who represents ,religion stands in the background of the picture1 on a pedestal three feet high4 ,she holds a cross on her left shoulder2 the right hand grasps her mantle1 which she unfolds1 revealing herself to mankind4 ,the lady should be of medium height1 with light hair1 which hangs loosely over the shoulders4 ,the costume consists of a loose white dress1 cut high at the top1 sleeves fitting tightly to the arms1 while over this dress is worn a second1 which is open in front1 and is made of white tarleton muslin4 ,position is facing the audience1 eyes directed straight forward1 expression calm and thoughtful4 ,the second figure is a beautiful young lady1 who kneels at the foot of the pedestal1 on a small platform one foot high1 and represents ,hope4 ,one hand rests on a large ,bible2 the other points up to the cross1 and bids the captive1 the dying1 and broken-hearted1 who kneel in the foreground1 to look up to ,religion4 ,costume consists of a white dress1 cut high at the throat1 short sleeves2 hair arranged in curls1 and wings of gauze fastened to the back of the dress4 ,position1 kneeling at the foot of the pedestal1 facing the audience1 head turned slightly on one side1 one knee resting on the floor1 the body erect1 the eyes directed to the figure of the captive in the foreground4 ,the third figure is at the right of the pedestal--a young and handsome lady1 who represents ,faith4 ,she holds a palm branch--the emblem of martyrdom4 ,her costume consists of a long white dress1 over which is thrown a white mantle1 which she gathers about her breast4 ,her hair hangs loosely over her shoulders1 and a black band encircles the head4 ,her position is1 standing on a small pedestal two feet high1 so that we have a profile view of her form4 ,her head is raised to the cross1 countenance expressing calmness and repose4 ,charity is represented1 on the left of the pedestal1 by a young lady who extends her protection to two helpless children4 ,her costume is a white dress1 opening at the bosom2 hair done up neatly1 over which hangs a white veil4 ,her position is1 seated at the right of the pedestal1 on a small platform two feet high1 body facing the audience1 head bent forward1 and turned towards ,religion2 eyes cast down2 each arm embraces a small child1 who is dressed in simple costume4 ,the captive is represented by a gentleman wearing a suit made of coarse cloth1 long beard and hair1 face painted to represent age1 arms and waist bound with chains4 ,he kneels at the foot of ,charity1 on the floor of the stage2 his face is turned towards ,hope4 ,both hands are clasped and raised in front of the breast4 ,kneeling at the foot of ,hope are two other figures4 ,one is a female1 dressed in deep mourning2 the other1 an aged man1 who is supported by the lady4 ,his costume consists of a loose robe of white cloth1 trimmed with purple2 his head is covered with white hair1 and from his face hangs a long white beard4 ,the hair and beard can be made of flax4 ,the lady is kneeling next to ,faith2 the right arm is placed around the aged man1 and the left points to ,religion2 the head is turned upward1 and the expression of the face denotes grief4 ,the aged man kneels beside the figure in mourning1 his head resting on her shoulder1 with his clasped hands stretched out in front2 the eyes are closed1 and the face downcast4 ,the tableau must be formed in the centre of the stage4 ,the light should be quite strong1 and come from the right of the stage4 ,music of a sacred character4 ,,the ,,poet ,,and ,,the ,,goddess ,,of ,,poetry4 ,the poet's pen is the true divining rod ,which trembles towards the inner fount of feeling1 ,bringing to light and use1 else hid from all1 ,the many sweet1 clear sources which we have ,of good and beauty in our own deep bosoms2 ,and marks the variations of all mind1 ,as does the needle an air-investing storm4 ,,festus4 ,one ,female and ,one ,male ,figure4 ,this beautiful tableau is personated by two figures1 a young man and a maiden4 ,the scene represented is a dark and gloomy attic4 ,an old table stands in the middle of the room2 on it are a few books and manuscripts1 an inkstand1 a candlestick1 with a partly-burned candle inserted in it1 a mug of water1 and a roll of bread4 ,near the table is an old-fashioned arm chair1 in which is seated a young man dressed in cheap clothing4 ,he has leaned his head upon the table1 and is lamenting over his poverty and misfortune4 ,as he sits weeping1 a mist gathers in the chamber2 it slowly grows denser1 till at last it becomes a cloud of light2 and lo6 in the midst of the cloud stands a divine shape--the ,goddess of ,poetry--supremely beautiful4 ,she addresses the ,poet1 gives him advice and consolation1 and encourages him to renewed efforts in the path of fame2 then vanishes from his sight4 ,besides the furniture already described1 there should be a few chairs1 pictures1 and a piece of statuary1 placed in various parts of the stage4 ,the ,poet's costume consists of a loose black coat1 dark breeches1 light vest1 white hose1 low shoes1 knee and shoe buckles4 ,position is near the table1 his arms laid across it1 his head resting on his arms1 and in a position that displays a profile view of the body4 ,the ,goddess of ,poetry should be a young lady of good height1 figure1 and features1 and costumed in a flowing white dress1 cut low at the neck1 with short sleeves trimmed with white satin ribbon2 a wide muslin mantle should be worn across the shoulders2 a wreath of myrtle adorns the head4 ,in her right hand she holds a golden harp2 the left is placed on the shoulder of the ,poet4 ,her position is behind the table1 in the background of the picture1 and facing the audience4 ,her head is slightly bent forward1 and eyes directed to the face of the youth2 her countenance expresses pleasure4 ,the following machinery can be used1 if desired1 which will add very much to the beauty of the piece4 ,in place of the ,goddess being at the side of the ,poet when the curtain rises1 a sliding platform can be made to move on to the stage from the ante-room1 on which the ,goddess should stand4 ,a stout post firmly fixed in one side will enable the lady to stand perfectly still while the platform moves to its position4 ,all that is necessary in the construction of this part of the work is to make a set of ways1 and a sliding platform that will run with ease from one side of the stage to the other4 ,a rope attached to the platform1 and fastened to a crank below the stage1 will propel the ,goddess to her position4 ,the ways and platform can be hidden from view by a strip of board1 painted to imitate the floor of the room4 ,a small quantity of the whitish-blue fire may be burned near the spot where the ,goddess appears4 ,the light should be very dim1 and come from the side of the stage opposite the ,poet4 ,music soft and plaintive4 ,,death ,,of ,,edith4 ,o'er her low couch an ,indian matron hung1 ,while in grave silence1 yet with earnest eye1 ,the ancient warrior of the waste stood by1 ,bending in watchfulness his proud gray head1 ,and leaning on his bow4 ,solemnly beautiful1 a stillness deep1 ,fell on her settled face4 ,then1 sad and slow1 ,and mantling up his stately head in awe1 ,thou'rt passing hence1 he sang1 that warrior old1 ,in sounds like those by plaintive waters rolled4 ,thou'rt passing from the lake's green side1 ,and the hunter's heath away2 ,for the time of flowers1 for the summer's pride1 ,daughter1 thou canst not stay4 ,thou'rt journeying to thy spirit's home1 ,where the skies are ever clear2 ,the corn-month's golden hours shall come1 ,but they shall not find thee here4 ,the song ceased1 the listeners caught no breath2 ,that lovely sleep had melted into death4 ,,mrs4 ,,hemans4 ,three ,female and ,two ,male ,figures4 ,this tableau is suggested by the beautiful poem of ,mrs4 ,hemans1 called ,edith1 a ,tale of the ,woods4 ,the circumstances of the poem refer to the western world in its first settlement1 when fierce strife and combat raged between the wild ,indian and the settlers from the mother country4 ,in one of these fearful scenes a young and beautiful maiden was taken captive1 and conveyed to the village of the red man4 ,but the broken flower of ,england wasted and pined for the fine old home of other days4 ,the parting sigh ,of autumn through the forests had gone by1 ,and the rich maple1 o'er her wanderings lone1 ,its crimson leaves in many a shower had strown1 ,flushing the air2 and winter's blast had been ,amidst the pines2 and now a softer green ,fringed their dark boughs2 for spring again had come1 ,the sunny spring6 but ,edith to her home ,was journeying fast4 ,the scene represented in this tableau is at the time when ,edith is quietly sleeping in the wigwam of the ,indian warrior4 ,by her side sits an aged ,indian matron1 watching the sleeping one4 ,standing near the couch is an old ,indian warrior leaning on his bow1 gazing in grave silence on the dying girl4 ,kneeling at the foot of the couch are an ,indian girl and lad1 who are looking with wonder on the form of the pale-face4 ,the wigwam should be six feet high1 and five feet wide at the bottom4 ,it should be made of light framework1 and covered with brown cambric1 on which are painted ,indian hieroglyphics4 ,this must be placed in the centre of the stage4 ,the opening in front of the wigwam should be four feet wide at the bottom1 so as to admit of the occupants being visible to the audience4 ,the couch in the interior is composed of buffalo robes4 ,the scenery in the background should represent woods and rocks4 ,a few fir trees placed at the back part of the stage will answer1 if nothing better can be procured4 ,the lady who personates ,edith should be one of good features and rather a small form4 ,her costume consists of a loose white dress1 sleeves five inches long1 hair done up loosely in the neck1 and face and neck made as white as possible4 ,position1 reclining on the couch1 facing the audience1 the lower part of the body covered with a leopard skin4 ,the head and chest should be in an upright position1 the head inclined back slightly1 and supported by the right hand4 ,the left hand laid carelessly over the bosom2 the eyes are closed1 the countenance calm4 ,the aged ,indian warrior should be dressed in a costume like that described in ,hiawatha2 the aged matron's costume similar to that worn by ,nokomis1 in the death of ,minnehaha2 the young ,indian children in appropriate costumes4 ,the position of the ,indian matron is1 sitting at the head of the sleeping girl1 one hand resting on the pillow1 and the other raised to the side of the head2 the eyes cast upon the ground4 ,the warrior's position is at the opposite side of the wigwam4 ,he is leaning carelessly upon his bow2 his body inclined forward slightly2 his eyes fixed upon the sleeping maiden4 ,the children kneel at the foot of the couch2 the boy rests his head upon his hand1 and gazes upon the face of the dying one2 the ,indian girl kneels by his side1 and points with her right hand to the couch1 while her eyes are directed to the face of the boy4 ,the face and other exposed parts of the bodies of the ,indian family must be stained light brown4 ,a red fire should be burned in the ante-room1 so as to fall upon the performance4 ,music soft and plaintive4 ,,abou ,,ben ,,adhem ,,and ,,the ,,angel4 ,abou ,ben ,adhem 7may his tribe increase7 ,awoke one night from a deep dream of peace1 ,and saw1 within the moonlight in his room1 ,making it rich and like a lily in bloom1 ,an angel writing in a book of gold4 ,exceeding peace had made ,ben ,adhem bold1 ,and to the presence in the room he said1 ,what writest thou8 ,the vision raised its head1 ,and with a look made all of sweet accord1 ,answered1 ,the names of those who love the ,lord4 ,and is mine one8 said ,abou4 ,nay1 not so1 ,replied the angel4 ,abou spoke more low1 ,but clearly still1 and said1 ,i pray thee1 then1 ,write me as one that loves his fellow-men4 ,the angel wrote and vanished4 ,the next night ,it came again with a great wakening light1 ,and showed the names whom love of ,god had blessed1 ,and lo6 ,ben ,adhem's name led all the rest4 ,,leigh ,,hunt4 ,one ,female and ,one ,male ,figure4 ,this very fine tableau is taken from the beautiful lines written by ,leigh ,hunt4 ,the tableau is represented in two scenes4 ,in the first scene1 ,ben ,adhem is seen reclining on his couch1 gazing with wonder and surprise on the angel1 who is standing in the centre of the room1 engaged in writing in the book of gold4 ,in the second scene1 the angel stands at the foot of the couch1 and holds the book towards ,ben ,adhem for him to read the names written therein4 ,the couch can be formed by placing a small mattress on a few low boxes1 and covering the whole with bed clothes1 on the outside of which should be a white quilt4 ,it must be placed in the foreground1 at the right of the stage4 ,place a plaster pedestal near the side of the couch1 on the top of which stand a lighted lamp4 ,at the background of the picture fasten a set of crimson damask curtains2 drape them at each side of the stage1 and beneath them place a plaster pedestal1 with a piece of statuary on the top4 ,the lady who personates the angel should be of good form and features1 of medium height1 and costumed in a white dress1 over which is worn a loose white tarleton muslin robe1 with large flowing sleeves2 this must be cut quite low at the top1 and made to trail on the floor2 hair done up snugly1 and encircled with a band of silver1 one fourth of an inch wide2 large wings1 formed of wire1 and covered with gauze1 and ornamented with silver spangles1 should be fastened to the back of the waist4 ,the face and other exposed parts of the body should be whitened with flesh powder4 ,position in the first scene is1 standing in the centre of the room1 facing the audience4 ,the book of gold can be imitated by placing sheets of gold paper on the cover and in the inside of a large book4 ,let it rest on the left arm1 and be held at the top by the left hand4 ,the right hand holds a long quill pen1 the point of which rests on the pages of the book4 ,let the body and head incline forward slightly2 the eyes directed to the book2 the expression of the face tranquil4 ,ben ,adhem's position in the first scene is1 reclining on the couch1 with the quilt thrown over the lower portion of his body2 his left hand resting on the bed1 from which he has partially risen2 the right raised in front of the chest1 the fingers spread out2 the face turned towards the angel1 the expression of the face denoting surprise and wonder4 ,costume consists of white pants and shirt1 white lace collar and wristbands1 and a velvet cloak thrown carelessly over the right shoulder4 ,in the second scene1 the angel stands at the foot of the couch1 holding the book in the left hand1 and pointing to its pages with the right4 ,her eyes are fixed on ,ben ,adhem's face1 while the countenance is lighted up with smiles4 ,ben ,adhem leans forward1 slightly resting his arm on a cushion at his side1 and looks with pleasure on the pages of the book4 ,a number of names should be written in the book1 and at the top1 in large letters1 place the name of ,abou ,ben ,adhem4 ,while the tableau is performed1 the poem may be read by the announcer4 ,the light for the first scene should be quite dim1 and come from the side of the stage opposite ,abou4 ,in the second scene1 a colored fire must be burned1 so as to throw a strong light on the form of the angel4 ,music in the first scene very soft1 and increasing in power in the second4 ,,hiawatha ,,and ,,his ,,bride',s ,,arrival ,,home4 ,pleasant was their journey homeward6 ,all the birds sang loud and sweetly ,songs of happiness and heart's ease2 ,sang the blue bird1 the ,owaissa1 ,happy are you1 ,hiawatha1 ,having such a wife to love you6 ,sang the robin1 the ,opechee1 ,happy are you1 ,laughing ,water1 ,having such a noble husband6 ,thus it was they journeyed homeward2 ,thus it was that ,hiawatha ,to the lodge of old ,nokomis ,brought the moonlight1 starlight1 firelight1 ,brought the sunshine of his people1 ,minnehaha1 ,laughing ,water1 ,handsomest of all the women ,in the land of the ,dacotahs1 ,in the land of handsome women4 ,,longfellow4 ,one ,male and ,two ,female ,figures4 ,this interesting tableau is a representation of ,hiawatha on the return to his home accompanied by his beautiful bride1 ,minnehaha4 ,they have just arrived in sight of the lodge of old ,nokomis1 and are seen in the background of the picture emerging from the forest4 ,a large tree lies in the pathway1 and ,minnehaha is in the act of stepping over it4 ,she grasps ,hiawatha's hand with her right1 while the left is pointed towards the wigwam in the foreground4 ,she has just asked ,hiawatha if the lodge she sees is his home4 ,her countenance is lighted up with pleasure4 ,hiawatha is leading her by the hand1 and is a little in advance of her4 ,his face is turned towards her as he gracefully assists her over the fallen tree4 ,his left hand clasps hers1 while the right holds carefully his trusty bow4 ,hand in hand they went together1 ,through the woodland and the meadow4 ,hiawatha's face is lighted up with pleasant smiles as he looks upon the face of his bride1 and tells her that yonder lodge is to be her new home4 ,the lodge of old ,nokomis is in the foreground of the picture1 at the right of the stage4 ,minnehaha and ,hiawatha are in the background at the left4 ,the door of the wigwam is open1 and seated in the doorway on a log is old ,nokomis smoking her pipe4 ,in front of the tent are the half burned embers of the camp fire2 a light smoke is curling up to the sky1 and all is quiet and still4 ,nokomis is gazing vacantly into the embers of the fire3 perhaps she is thinking of the days when she ,nursed the little ,hiawatha1 ,rocked him in his linden cradle1 ,bedded soft in moss and rushes1 ,softly bound with reindeer's sinews4 ,hiawatha1 ,minnehaha1 and ,nokomis should be dressed in ,indian costume1 which can be cheaply made with a little ingenuity4 ,hiawatha's coat may be made of light brown cambric1 cut frock style1 and belted around the waist4 ,the skirt should reach to the knee1 and be ornamented with two rows of fringe three inches wide2 one should be red1 the other yellow4 ,these fringes are also to be placed on the seams and bottom of the sleeves and around the collar2 round pieces of brass should be fastened on various parts of the coat and around the belt4 ,the leggings are made of buff cambric1 fitting tightly to the legs1 and ornamented at the side with red fringe4 ,black cloth shoes trimmed with beads are worn on the feet2 the head is adorned with a gold band1 in which are inserted bright-colored feathers4 ,the belt around the waist should be made three inches wide1 of red morocco1 and contain a small knife and tomahawk2 a quiver of arrows is fastened to the back1 which can be fashioned of card-board1 and covered with bright-colored paper or cloth4 ,the exposed parts of the body should be stained a light brown1 the hair brushed up to the top of the head1 and confined with a band4 ,minnehaha's dress is of red cloth1 trimmed with yellow fringe intermingled with colored beads4 ,the waist of the dress should be of flesh-colored cloth made to fit the body very snugly4 ,a scarf of ermine is worn over the shoulders1 and tied at the left side4 ,on the right side of the skirt is an over-skirt or side-apron1 made of a darker colored crimson1 and trimmed with ermine2 it commences at the front of the body1 and extends half way around the skirt2 it is scalloped at the bottom1 and ornamented with yellow fringe and beads outside of the ermine4 ,the neck is adorned with a large necklace of white beads1 while the head is encircled with a band of gold1 ornamented with beads and showy plumes4 ,the hair should be left flowing over the shoulders4 ,the wrists are to be decorated with large gold bracelets4 ,the leggings are to be of crimson cloth ornamented with yellow fringe1 and small bands of yellow running around them at intervals of four inches4 ,the feet are encased in shoes of black velvet studded with beads4 ,a quiver of arrows is fastened to the back of the dress1 and the exposed parts of the body stained light brown4 ,nokomis has on a loose coat of brown cambric fringed with yellow1 leggings of buff cambric fringed with light blue1 dark shoes ornamented with beads and red binding4 ,the hair should be black1 and left to hang loose on the shoulders2 a blue blanket trimmed with crimson fringe is gathered about the shoulders1 and a black belt encircles the waist4 ,the person who represents ,nokomis should be of large figure and face4 ,the features must be painted to represent old age4 ,the scenery consists of the following articles1 which should be arranged in perfect order to give the proper effect to the picture4 ,the stage must be covered with green cloth1 and should gradually rise from the fore to the background2 small spruce trees can be arranged at the back and sides of the stage1 with vines of flowers hanging from them4 ,two or three stuffed birds should be fastened to the top branches of the trees4 ,the fire can be placed in a furnace near the wigwam1 and surrounded with dried branches4 ,the fallen tree and ,nokomis' seat may be represented by artificial or natural logs4 ,the tableau should receive the light from the right hand side1 the greater portion of which should be thrown into the background4 ,the accompanying music should be of secular and inspiring order4 ,,david ,,playing ,,before ,,saul4 ,sing aloud unto ,god our strength1 and make a joyful noise unto the ,god of ,jacob4 ,take a psalm1 and bring hither the timbrel1 the pleasant harp with the psaltery4 ,blow upon the trumpet in the new moon1 in the time appointed1 on our solemn feast day4 ,for this was a statute for ,israel and a law of the ,god of ,jacob4 ,,psalm ,,lxxxi4 ,and ,saul's servants said unto him1 ,behold now1 an evil spirit from ,god troubleth thee4 ,let our ,lord now command thy servants1 which are before thee1 to seek out a man who is a cunning player on a harp2 and it shall come to pass1 when the evil spirit from ,god is upon thee1 that he shall play with his hand1 and thou shalt be well4 ,and ,saul said unto his servants1 ,provide me now a man that can play well1 and bring him to me4 ,then answered one of his servants1 and said1 ,behold1 ,i have seen a son of ,jesse the ,bethlehemite1 that is cunning in playing1 and a comely person4 ,wherefore ,saul sent messengers unto ,jesse1 and said1 ,send me ,david thy son4 ,and ,david came to ,saul1 and stood before him2 and it came to pass1 when the evil spirit from ,god was upon ,saul1 that ,david took a harp1 and played with his hand4 ,so ,saul was refreshed1 and was well1 and the evil spirit departed from him4 #a ,,samuel ,,xvi4 ,six ,female and ,eight ,male ,figures4 ,this sacred tableau contains fourteen figures1 and is arranged in the following manner4 ,saul is seen seated on the throne at the background of the picture4 ,on each side of the throne are seated ,saul's friends and servants4 ,david is sitting in the foreground1 playing on the harp4 ,saul's costume consists of a scarlet or purple velvet coat and breeches1 white hose crossed with red bands1 low shoes1 a crown of velvet and gold1 ornamented with precious stones1 on the head1 and a large cloak of velvet and ermine thrown over the shoulders4 ,a long white beard should be fastened to the face1 and a wig worn on the head4 ,the gentlemen should be attired in long1 loose coats1 made of bright-colored cambric1 trimmed with the same material1 of other colors4 ,the head should be covered with a red and black turban4 ,white hose1 crossed with black and red bands1 breeches of showy-colored cloth1 shoes covered with red flannel1 and crossed with black binding1 the face disguised with a long white beard1 which can be made of flax4 ,the ladies can be costumed in satin or silk dresses1 the hair hanging in curls1 and the person decorated with a profusion of jewelry4 ,the person who takes the part of ,david should be of fair complexion1 without a beard1 should have long hair1 and be costumed in a light1 loose blue coat1 reaching five inches below the knee1 and gathered around the waist with a crimson belt4 ,he should also wear blue breeches1 blue hose crossed with red bands1 and sandals on the feet2 a turban1 made of velvet1 and decorated with gold1 should adorn the head4 ,the throne platform is to be two feet high and four feet square2 on this is placed a large chair1 with a canopy over the top1 all of which must be trimmed with crimson cloth1 and decorated with gold paper4 ,on each side of the throne1 place seats to accommodate twelve persons2 those in front can be seated1 while others1 in the background1 should be standing2 they must assume various positions2 a few may be engaged in conversation1 while others are looking at ,david4 ,saul is seated on the throne1 with the right hand resting on the arm of the chair1 his body slightly bent forward1 and eyes fixed on ,david4 ,his countenance expresses pleasure4 ,david is seated on a low ottoman in the foreground of the picture4 ,the harp rests on the floor4 ,position so that a side view is had of the body4 ,his head is thrown back2 eyes cast upward2 face expresses pleasure4 ,the light for this picture should come from the front and the left side of the stage1 and must be quite brilliant4 ,the harp can be made of wood1 covered with gold paper1 and strung with yellow cord4 ,the music should be of a sacred and inspiring style4 ,,liberty4 ,o ,liberty1 can man resign thee ,once having felt thy generous flame8 ,can dungeons1 bolts1 or bars confine thee1 ,or whips thy noble spirit tame8 ,too long the world has wept1 bewailing ,that falsehood's dagger tyrants wield2 ,but freedom is our sword and shield1 ,and all their arts are unavailing4 ,to arms1 to arms1 ye brave6 ,the avenging sword unsheathe6 ,march on1 march on1 all hearts resolved ,on victory or death4 ,seven ,female and ,six ,male ,figures4 ,this tableau is an ideal representation of ,liberty1 and is represented by thirteen persons--seven young ladies and six young gentlemen4 ,in the background of the picture a platform is raised1 on which stands the ,goddess of ,liberty4 ,this platform is three feet high and four feet square4 ,the front is covered with blue cambric1 with a border of red1 decorated with gilt stars4 ,in the centre is placed a gilt eagle2 on each end of the platform is a small ,american shield4 ,the background is draped with ,american flags4 ,on each side of the platforms are placed inclined planes1 extending from the corners of the platform to the front corners of the stage2 the height of these at the front should be six inches1 and three feet high at the background4 ,they are to be covered with white cloth1 and ornamented with a border of red and blue cambric4 ,the lady who personates the ,goddess of ,liberty should be of good height1 fine figure and features4 ,costume consists of a white satin or silk dress1 made long enough to trail on the platform1 a waist of crimson velvet1 covered with small gilt stars1 sleeves five inches long1 hair done up snugly1 and covered with a spiral liberty cap1 of blue velvet1 decorated with gold bands4 ,position is1 standing in the centre of the platform1 grasping with the right hand a slender spear seven feet in length4 ,entwined around this should be a small ,american ensign4 ,the left hand hangs carelessly at the side2 the head thrown back slightly1 the eyes cast upward4 ,the six ladies kneel at equal distances on the inclined plane4 ,their costume consists of a white dress1 blue waist1 and red sash2 a garland of flowers should adorn the head1 and each holds extended in the right hand a wreath of myrtle4 ,their attention should be directed to the ,goddess of ,liberty4 ,the six gentlemen take position on the opposite inclined plane4 ,they kneel at equal distances from the platform to the corner of the stage1 and are costumed in blue or black coats1 white pants1 with buff stripe on the side1 gold epaulets1 side arms1 red sash1 flat caps1 with gilt bands4 ,the cap should be slightly raised with the right hand1 while the left is placed on the hip4 ,the eyes are to be directed to the ,goddess4 ,the piece should be lighted up by a red fire burned at the opposite side from the gentlemen1 and the light must be quite brilliant4 ,music1 ,star-spangled ,banner4 ,,paganism ,,and ,,christianity4 ,o'er the realms of pagan darkness1 ,let the eye of pity gaze2 ,see the kindred of the people ,lost in sin's bewildering maze2 ,may the heathen1 now adoring ,idol gods of wood and stone1 ,come1 and1 worshipping before him1 ,serve the living ,god alone4 ,,cotterill4 ,two ,female and ,two ,male ,figures4 ,this double tableau represents the idolatrous system of faith and worship of the pagans1 and by simple machinery the scene is made to pass from the view of the audience1 and we have represented the faith and glorious emblems of ,christianity4 ,the machinery and scenery which are used in the piece are made in the following manner3 ,a revolving beam should be set up under the stage1 the upper end protruding through the floor4 ,washers will be needed for the bottom and top1 and wooden pins1 passing through the beam1 will be necessary1 to take hold of to move it around4 ,build a circular platform ten feet in diameter2 make it strong with braces1 and1 if necessary1 it can be made in two parts1 and fastened together with iron hooks and clamps4 ,cut a square hole in the centre of the platform1 corresponding with the thickness of the beam4 ,then place it on the top of the beam1 six inches from the floor1 secure it firmly1 and make it perfectly level4 ,across the centre of the platform cut small holes for the purpose of inserting the ends of a partition which will divide the circle into two apartments2 make the partition of wood2 cover one side with white cloth1 and also the floor with the same2 the other side and floor with black cloth4 ,it should be five feet high1 ten feet wide1 and oval at the top4 ,after the tableaux are arranged on each side of the platform1 persons under the stage can revolve the whole with very little exertion4 ,the tableau of ,christianity should be formed on the light side1 and ,paganism on the dark side4 ,by placing numbers on the revolving beam1 and corresponding numbers on the washers1 the assistant below will be able to tell when the tableau is in the right position above4 ,to represent ,paganism1 a large idol should be constructed1 and seated in the centre1 and close to the black partition4 ,the form of the human body can be imitated by taking a suit of old garments1 stuffing them with straw1 and covering them with buff cambric1 on which hieroglyphics can be painted4 ,a large mask1 with artificial hair1 and crown made of gaudy-colored cloth1 will answer for the head2 a short frock of red ,turkey cloth1 trimmed with gold paper1 should be fastened about the lower portion of the body4 ,the idol should be seated on a pedestal sixteen inches high1 which is placed on a platform three feet square and eight inches high4 ,these are to be decorated with showy cloth or paper4 ,kneeling at the foot of the pedestal are two figures1 one a female1 the other a male4 ,their hands are clasped in front of the face1 the eyes raised to the idol1 head turned1 so that a side view is had of the features4 ,the costume of the youth consists of a loose coat1 made of brown cambric1 trimmed with crimson cloth and beads2 flesh-colored pants1 fitting tightly to the legs2 shoes covered with showy cloth2 a turban on the head1 made of strips of red and buff cloth2 the face and other exposed parts of the body stained a light brown4 ,the young lady's costume consists of a loose dressing gown1 trimmed around the top and on the ends of the sleeves with bands of red cloth1 and gold paper cut in the form of diamonds4 ,the hair should hang loosely over the shoulders1 and about the head entwine a string of beads2 the head is slightly turned to the young man2 the eyes directed to the idol2 the face and arms stained like the young man's4 ,the extreme ends of the platform are occupied by two figures costumed similar to those already described4 ,they are kneeling at the feet of small pedestals in such a position that a profile view is had of the form4 ,the pedestals should be two feet high1 and covered with bright-colored cloth4 ,on one is a representation of the sun1 made by pasting a sheet of gold paper on card-board1 and cutting out rays around the edge4 ,on the other pedestal is placed a figure of the moon1 with the stars radiating around it4 ,the moon can be made of card-board and silver paper1 and the stars of gold paper2 these must be fastened to wires1 and placed ten inches from the top of the pedestals4 ,indian war clubs1 spears1 shields1 and other heathen curiosities1 should be placed about the figures4 ,the light for this scene must be quite mild1 and come from the right hand side of the stage4 ,music low and of a mournful character4 ,,second ,,scene ,,of ,,paganism ,,and ,,christianity4 ,upon the gospel's sacred page ,the gathered beams of ages shine2 ,and as it hastens1 every age ,but makes its brightness more divine4 ,on mightier wing1 in loftier flight1 ,from year to year does knowledge soar1 ,and as it soars1 the gospel light ,adds to its influence more and more4 ,,bowring4 ,one ,male and ,two ,female ,figures4 ,the ,tableau of ,christianity4--,on the side of the platform which is covered with white cloth there should be erected a small pulpit4 ,make it of boards1 cover it with cloth1 and paint it in imitation of mahogany4 ,a small red cushion should be placed on the top1 supporting a large ,bible1 and on each side place lamps1 with glass shades4 ,in the pulpit stands a young man dressed to represent a minister of the gospel2 one hand resting on the ,bible1 the other raised upward4 ,in front of the pulpit place a small table1 covered with a white cloth1 on which set four silver goblets4 ,by the side of the table place a plaster pedestal1 with a white urn on the top1 to represent a font2 on each side of the pulpit1 and at the extreme ends of the platform1 are two female figures2 both are kneeling by the side of small pedestals2 these can be made of small boxes1 covered with white cloth1 and ornamented with myrtle4 ,the female figures should face the audience4 ,one holds a large ,bible with the right hand1 and points to the pages with the left4 ,the eyes are cast upward2 the face expresses meekness and serenity4 ,the second figure1 at the other end of the platform1 holds a cross in the left hand1 and points to it with the right2 the eyes are raised upward1 the face expressing pleasure4 ,their costume consists of white dresses1 cut low at the top1 sleeves quite long and flowing1 and ornamented with white muslin2 the waist is encircled with a band of satin ribbon2 a wreath of white flowers adorns the head1 and gauze wings are fastened to the back of the waist4 ,the hair should be dressed closely to the head1 and a few curls allowed to hang on the shoulders4 ,the length of the cross is three feet2 color1 light blue4 ,on small pedestals1 between the pulpit and the female figures1 place models of the steam engine1 steamboat1 printing press1 and telegraph4 ,the tableau of ,paganism must be first produced1 after which the machinery should slowly revolve1 bringing into the view the tableau of ,christianity4 ,the curtain must be kept up until both are exhibited4 ,the light for these tableaux should be quite brilliant1 and issue from the left side of the stage4 ,music of a sacred character4 ,,the ,,fairies' ,,dance4 ,the moon is full1 the stars are bright1 ,the monks are all asleep2 ,now gayly come the ,fays to-night1 ,their revelry to keep4 ,they love the abbeys old and gray1 ,whence the vesper song is heard1 ,and the matin hymn at break of day ,awakes the singing bird4 ,with waving torch and tiny shout1 ,the nimble foot they ply1 ,and ,fairy laughs are ringing out ,beneath the midnight sky2-- ,then mortals hear the merry peals1 ,and wonder at the sound1 ,so like the chiming of harebells1 ,when light winds steal around4 ,,anon4 ,ten ,female and ,eight ,male ,figures4 ,this beautiful tableau is represented by eight small misses1 eight small lads1 and two young and pretty ladies4 ,the stage should be formed so as to rise gradually from the footlights to the background1 which can be done by using boxes of various sizes1 and covering them with green bocking4 ,twelve of the children should form a circle1 the front of which must be two feet from the footlights1 the back extending to the other end of the stage4 ,they should clasp each other by the hand1 and take the position of the ,highland fling2 the right hand raised above the head1 the left placed on the hip2 the attitudes should be as graceful as possible4 ,the expression of the faces denoting pleasure and mirth4 ,near the footlights1 two of the children should be seated1 looking at the others2 and standing on pedestals at each side of the stage1 near the front1 are the young ladies4 ,the pedestals are two feet high1 covered with pink cambric1 and bordered with green leaves and flowers4 ,the position of the female figures must be graceful and easy4 ,they stand so as to show a profile view of the body2 each holds a golden wand1 which she extends out over the heads of the dancers4 ,their eyes are fixed on the movements of the children1 the left hand clasps a stout cord1 to which is fastened a large crimson tassel1 that will help sustain the body in position4 ,the costume of the misses consists of a short white dress1 with short sleeves1 the waist studded with small stars and spangles2 the bottom of the skirt bound with light green ribbon1 three inches wide1 with gold paper fastened to each edge1 and small pink roses placed between4 ,the sleeves are bound with gold and pink ribbon in alternate bands1 three inches wide2 a small scarf of white gauze1 covered with spangles and fringed at the ends with gold1 encircles the waist4 ,flesh-colored hose1 white slippers1 a wreath of silver leaves about the head4 ,the hair arranged in short curls1 and small gauze wings1 ornamented with spangles1 fastened to the back of the waist4 ,the young lads' costume consists of a short coat1 buttoned snugly over the breast1 made of light pink cambric4 ,the bottom1 the ends of the sleeves1 and the collar trimmed with purple cambric1 three inches in width1 with narrow strips of gold paper on each side2 between the bands of gold1 insert small diamond-shaped pieces of gold paper1 bordered with spangles4 ,a belt made of the same material encircles the waist2 hose of flesh-colored cloth2 white slippers1 with pink rosette on the front2 a small cap1 made of purple cambric1 in the form of a tulip1 is worn on the head2 it should be rather low1 with a stem of green protruding from the top1 the edges scalloped1 and bound with gold paper4 ,small gauze wings are fastened to the shoulders1 which are ornamented with spangles and silver stars4 ,the young ladies' costume consists of a long white dress1 with a robe worn on the outside of tarleton muslin2 the outer dress should have three wide flounces1 the edges of which are to be trimmed with large silver leaves1 interspersed with gilt roses2 these can be made from gold and silver paper4 ,the waist must be cut quite low1 and decorated in the same manner2 the sleeves flowing1 and trimmed with spangles and pink ribbons2 large gauze wings1 decorated with spangles and silver tinsel1 should be fastened to the back of the waist4 ,the hair must be done up in a neat coil1 and encircled with a band of white flowers4 ,make the wands four feet in length1 and one half an inch in diameter2 cover them with silver paper1 attach a gilt heart on the end4 ,the light for this tableau can be produced by a whitish-blue fire1 burned at either side of the stage2 it should be quite brilliant1 and must be lighted before the curtain rises4 ,music of a lively order4 ,,bust ,,of ,,prayer4 ,prayer is the soul's sincere desire1 ,utter'd or unexpress'd2 ,the motion of a hidden fire ,that trembles in the breast4 ,prayer is the burden of a sigh1-- ,the falling of a tear1-- ,the upward glancing of an eye1 ,when none but ,god is near4 ,prayer is the simplest form of speech ,that infant lips can try2 ,prayer1 the sublimest strains that reach ,the ,majesty on high4 ,one ,female ,figure4 ,this beautiful production should be represented by one who has an amiable and modest appearing countenance1 good figure and features4 ,the hair must be brushed up from the forehead1 and fastened behind in a black crochet net4 ,the dress should be pure white1 open very low at the front and back4 ,a cross is suspended from the neck by a band of white ribbon4 ,a heavy white veil should pass over the top and back of the head1 and be tied loosely four inches below the chin2 the head inclined forward slightly1 the eyes closed1 while the countenance should appear serene1 pure1 and full of hope2 the arms are to be folded out of sight upon the breast4 ,the same machinery1 pedestal1 wire basque1 crimson curtain1 and fairies that are used in the ,bust of ,proserpine1 may be used in this piece4 ,the light should be mild1 and come from the left side of the stage4 ,music plaintive1 and of a sacred order4 ,,morning ,,welcomed ,,by ,,the ,,stars4 ,a glorious vision3 as ,i walked in gloom1 ,the children of the sun came thronging round me1 ,in shining robes and diamond-studded shoon2 ,and they did wing me with them1 and soon ,in a bright dome of wondrous width ,i found me1 ,set all with beautiful eyes1 whose wizard rays1---- ,shed on my soul1 in strong enchantment bound me2 ,and so ,i looked and looked with dazzled gaze1 ,until my spirit drank in so much light ,that ,i grew1 like the sons of that glad place1 ,transparent1 lovely1 pure1 serene1 and bright2 ,then they did call me brother2 and there grew ,swift from my sides broad pinions gold and white1 ,and with that happy flock a brilliant thing ,i flew6 ,,tupper4 ,twenty-one ,female ,figures4 ,this beautiful spectacle is represented by twenty-one persons4 ,twenty of the number should be young misses1 of about six or eight years of age1 who will personate the stars1 and one1 a young and handsome lady1 who is to represent morning4 ,the sides of the stage must be arranged in the form of terraced banks1 two feet wide at the bottom1 and four feet wide at the top2 they should be built from the footlights to within three feet of the ceiling1 covered with cloth1 and painted to represent clouds4 ,blue cambric1 with white clouds and gold stars1 will answer the purpose4 ,in the centre of the stage1 two pieces of joist must be placed in an inclined position1 running from the footlights to the background4 ,on these build a sliding platform1 four feet square1 with a small seat1 one foot high4 ,this should be made to run with ease from the top to the bottom of the joist2 cloth1 painted in imitation of clouds and stars1 can be extended across the space between the two terraces and the joist1 so that it will show a smooth surface4 ,cover the moving platform with cloth1 arranged in drapery style1 and paint in the same manner as the rest of the scenery4 ,a back scene should be placed at the top of the terraces1 leaving a space of three feet between it and the back wall2 this must be painted like the rest of the scenery1 and made to open in the centre1 near the top of the joist4 ,the young misses' costume consists of a short white dress1 decorated with gold stars1 and silver paper interspersed with spangles1 white hose and shoes1 hair hanging in curls1 and encircled with a band of silver leaves1 with a silver star on the forehead2 a light blue sash1 covered with spangles1 tied about the waist2 and small gauze wings fastened to the back of the dress4 ,each one should hold a small torch ten inches in length1 from which rises a blue flame2 these can be made of card-board1 and covered with light blue paper1 with the ends tipped with gold4 ,at the end from which the flame is produced1 insert a strip of tin1 to protect the torch from the flames4 ,the torches should not be lighted until all the figures are in position4 ,the young misses take their position at each side of the stage1 on the outer edge of the terrace4 ,they must lean forward slightly1 and hold the torch out from them4 ,their attitudes should be varied2 those near the top should be gazing upward1 others looking down1 and a few engaged in conversation4 ,the young lady who represents ,morning must be costumed in a loose white robe of tarleton muslin1 cut low at the top1 flowing sleeves1 skirt covered with three wide flounces1 trimmed in front with silver rays five inches long4 ,the waist and sleeves decorated with silver and gold spangles1 and a satin belt1 ornamented in like manner1 worn about the waist4 ,the hair should be brushed back from the forehead1 and clasped with a band of silver1 and allowed to hang over the shoulders in long curls2 the head is adorned with a band of gold1 with rays of silver radiating from the centre4 ,the position is1 seated on the platform1 head slightly inclined to the left1 the right hand raised over the head1 the left rests on the waist2 eyes directed to the children in the foreground1 countenance expressing pleasure4 ,the goddess ,morning will be seated on the platform1 behind the scenery4 ,a yellow fire must be burned in the ante-room1 and so shaded that1 just as the curtain rises1 a small portion of the light will shine on the centre of it2 this light should increase in brightness for a few seconds1 when the sky in the background must open1 and the goddess glide slowly down to the centre of the stage4 ,as the platform moves1 the fire should increase in brightness2 when she has arrived at the centre of the stage1 the yellow light should be thrown into the foreground1 and a red light thrown into the background4 ,this can be accomplished by placing the colored fires in large boxes furnished with sliding covers and reflectors2 and by drawing out the covers gradually1 the light will be thrown on to the picture in the proper manner4 ,the curtain in the background can be opened by attaching at each corner1 near the centre1 a small cord1 which can be passed through pulleys1 and attended to in the ante-rooms4 ,the curtain or scenery should be drawn up on the back side1 and let down in its place as soon as the platform has passed through4 ,a small rope1 painted blue1 must be attached to the platform1 and pass through a block fastened to the wall of the stage2 this can be tended by a person under the stage1 who will allow the platform to move with exactness to its stopping place4 ,if the light from the colored fire is not brilliant enough1 a few of the lights at the same side from whence the fire is produced can be lighted4 ,music soft and plaintive at first1 and increasing in power at the finale4 ,,the ,,statue ,,vase4 ,she spoke to vanish1 but the single ray ,shot from the unseen moon1 still palely breaketh ,the awe that rests with midnight on the way2 ,faithful as ,hope when ,wisdom's self forsaketh-- ,the buoyant beam the lonely man pursued-- ,and1 feeling ,god1 he felt not ,solitude4 ,and now1 he enters1 with that lurid tide1 ,where time-long corals shape a mighty hall2 ,three curtain'd arches on the dexter side1 ,and on the floors a ruby pedestal1 ,on which with marble lips1 that life-like smiled1 ,stood the fair ,statue of a crowned ,child4 ,,bulwer',s ,,king ,,arthur4 ,one ,female ,figure4 ,this design is a beautiful female1 supporting a horn of plenty1 from which rises a basket of intermingling vines and flowers4 ,the lady is standing on a pedestal1 which is described in the tableau of the ,italian ,flower ,vase1 as is also the basket which the lady supports4 ,this basket or bowl of the vase can be suspended from the centre of the ceiling by the means of wire hooks4 ,the pedestal must be placed directly under it4 ,the space between the top of the pedestal and the bottom of the basket should be just the height of the lady who takes the part of the statue in the piece2 so that when she is in position on the pedestal1 the bottom of the basket will touch the top of her head4 ,the horn of plenty can be made of cloth2 it should be five inches in diameter at the top1 three foot long1 and end in a point at the bottom2 it can be stuffed with wool1 covered with green cambric1 and decorated with artificial flowers4 ,it is to be attached to the bottom of the basket1 pass down over the lady's shoulder1 and held in its position by the left arm and hand4 ,the lady who takes this part should be of large and good figure1 regular features1 and quite pretty4 ,the costume consists of a white dress1 with sleeves five inches long1 cut low at the neck1 skirt made rather long1 and worn without many underskirts2 a scarf of gauze worn over the shoulders1 and tied at the right side1 allowing the ends to trail on the pedestal4 ,the hair should be arranged in wide braids at the side of the face1 confined at the back with a band of silver1 and allowed to fall in short curls over the neck4 ,the position of the lady is1 standing in the centre of the pedestal1 her body facing the audience1 and head turned partially to the right4 ,the eyes should be raised a trifle1 while the expression of the face denotes tranquillity and repose4 ,the left hand must gracefully press the horn of plenty against the side of the breast1 while the right is raised above the head1 and touches the basket as if to steady it4 ,the light for this piece should be of medium brilliancy1 and placed at the side opposite to the face of the statue4 ,music soft and of a secular order4 ,,spirit ,,of ,,chivalry4 ,strike the loud harp1 ye minstrel train6 ,pour forth your loftiest lays2 ,each heart shall echo to the strain ,breathed in the warrior's praise4 ,bid every string triumphant swell ,th' inspiring sounds that heroes love so well4 ,chieftains1 lead on6 our hearts beat high-- ,for combat's glorious hour2 ,soon shall the red cross banners fly ,on ,salem's loftiest tower6 ,we burn to mingle with the strife1 ,where but to die insures eternal life4 ,,mrs4 ,,hemans4 ,nine ,male and ,five ,female ,figures4 ,this fine tableau represents the ,spirit or personification of ,chivalry1 surrounded by men of various pursuits1 religious1 military1 and civil1 who represent1 as by an upper court or house1 the final acquisition of her honors and rewards4 ,beneath1 as not having obtained1 though within reach of1 the crown1 is a young knight who vows chivalric services1 and is attended by his page and his young bride4 ,around him1 in various attitudes1 other figures are introduced1 to connect the abstract representation of ,chivalry with its general recognition of intellectual influences2 among them1 the ,painter1 the ,sculptor1 and ,man of ,science2 the ,palmer from the ,holy ,land1 and the ,poet-,historian1 from whom future ages must derive their knowledge of the spirit and deeds of chivalry4 ,the lady who personates the ,spirit of ,chivalry should be of good figure and features4 ,her costume consists of a loose white robe1 cut high in the neck2 a mantle of white tarleton muslin is draped about the shoulders1 and fastened in front with a gilt cross2 the hair is arranged in bands1 falling low in the neck1 and encircled with a small wreath of silver leaves or white flowers4 ,in her left hand she holds a small wreath of evergreen1 which she extends towards the young knight1 who kneels at the foot of the pedestal on which she stands4 ,her position is1 on a pedestal1 three feet high by two feet square1 which should be placed in the centre of the stage4 ,her body should be inclined slightly forward1 and attention directed to the knight in the foreground2 her countenance should express dignity and pleasure4 ,at the back of the pedestal there should be a representation of an altar1 consisting of a shaft two and one half feet wide by three feet in height1 with a capital on the top one foot wide by three and one half feet long4 ,this can be made of boards1 showing a smooth surface1 and nailed to the top of the pedestal4 ,it can be papered or painted to represent panels and scrolls4 ,fourteen other figures are grouped around the pedestal1 and as the arrangement of the piece is a trifle complicated1 we will designate them in rotation1 beginning at the foot of the pedestal4 ,the figures1 as they recede in the background1 should be placed on small platforms1 rising from one to three feet in height4 ,by arranging the figures in this manner1 a perfect view of each will be had by the audience4 ,figure one is a young lady2 she kneels at the foot of the pedestal on which the ,spirit stands4 ,costume is1 a white dress1 cut low at the waist1 encircled with a satin sash2 hair arranged in curls4 ,position is1 sitting1 the body facing the audience1 head resting on the hand1 and thrown back so as to touch the pedestal1 and eyes directed to the face of a harper1 who kneels in front of her2 the countenance expresses surprise and admiration4 ,kneeling on the floor1 nearly in front of figure one1 is a young knight--we have almost a back view of him1 the head turned just enough to get a partial profile view of the face2 one hand clasps a sword1 which he raises in front of the body2 the other is lifted above the head1 which is thrown back1 with the eyes fixed on the ,spirit4 ,the armor can be conveniently composed by fastening strips and plates of bright tin to a suit of clothes made of black cambric4 ,the belt1 gloves1 and boots can be gotten up in the same manner4 ,this suit will cost but a trifle1 and in the glare of the footlights will look finely4 ,figure three is the palmer4 ,he kneels behind figure one4 ,costume consists of a dark robe1 cowl made of black cloth1 and face covered with a heavy beard4 ,in his hands he holds a shepherd's crook4 ,his eyes are directed to the harper4 ,figure four is a small girl1 who stands behind figure three1 and holds in both hands the helmet of the knight4 ,her costume consists of a white dress1 with a pink sash2 hair done up to suit the taste of the performer4 ,her position is1 facing the audience1 eyes fixed on the knight1 expression of the face denoting pleasure4 ,two other ladies stand on a small platform1 outside of the lady holding the helmet4 ,their costume consists of a white dress1 black velvet waist1 hair arranged in wide braids at the side of the face2 one clasps her hands in front of her breast1 and looks with earnestness at the knight2 the other places an arm on the shoulder of her friend1 and looks up into her face1 her countenance beaming with smiles4 ,behind these three females1 and standing on a platform two feet high1 are two peasants4 ,they are dressed in blue frocks1 fastened around the waist with black belts1 knee breeches of colored cloth1 white hose1 low shoes1 knee and shoe buckles1 white ,kossuth hats1 encircled with a gilt band2 the face covered with long1 light beards4 ,each holds a long staff1 with a gilt crook at the top4 ,their position should be behind the altar1 arms folded on the breast1 head inclined forward1 eyes cast down1 and the expression of the face melancholy and sober4 ,opposite to the two figures last described1 and standing on a platform at the other side of the altar1 is a knight in full armor4 ,he holds a large sword in front of his body1 and is looking straight forward4 ,his costume can be made in the same manner as that of the one described at the beginning of the tableau4 ,on a low platform1 at the side of the ,spirit1 stand a ,sculptor and a ,painter4 ,their position is1 facing the knight1 who is kneeling in the foreground4 ,their costume consists of white jackets1 dark pants1 and flat1 white caps1 worn jantily on the side of the head4 ,the ,painter holds his pallet and brushes1 the ,sculptor his mallet and chisel2 their attention is directed to the figure of the kneeling knight4 ,standing on the floor1 below the two figures just described1 is the ,poet-,historian4 ,he faces the audience1 and looks at the ,harper in the foreground4 ,he is dressed in dark clothes2 a heavy white mantle is thrown over his shoulders1 the ends trailing to the floor2 on his head is placed a garland of green leaves4 ,he holds in both hands a large book1 which should be bound richly and opened in the centre4 ,kneeling on the floor at his feet1 and facing the young knight1 is the ,harper4 ,he holds in his left hand a harp1 and touches the strings with his right4 ,his costume consists of a coat made of ,turkey cloth1 trimmed with black binding four inches wide2 black knee breeches1 white hose1 knee and shoe buckles1 and red shoes4 ,over the left shoulder is carelessly thrown a short velvet cloak1 and on the head is a black velvet cap1 with a gold band and plume4 ,his head is thrown back1 eyes directed to the ,spirit1 while the countenance should appear to be inspired4 ,kneeling at the foot of the pedestal1 between the first figure and the ,harper1 is the ,troubadour1 playing on a guitar2 he faces the audience2 his head is thrown back1 and his eyes cast upward4 ,costume consists of a purple coat1 trimmed with black binding1 blue breeches1 white hose1 low shoes1 knee and shoe buckles1 belt containing a small dagger1 about the waist4 ,the harp can be made of wood1 covered with gold paper1 and strung with buff cord4 ,the light for this piece should be produced at either side of the stage1 and a small quantity at the front4 ,the side light must be very powerful4 ,the accompanying music should be of a brilliant order4 ,,haidee ,,and ,,don ,,juan ,,in ,,the ,,cave4 ,his eyes he opened1 shut1 again unclosed1 ,for all was doubt and dizziness2 he thought ,he still was in the boat1 and had but dozed1 ,and felt again with his despair o'erwrought1 ,and wished it death in which he had reposed2 ,and then once more his feelings back were brought1 ,and slowly by his swimming eyes was seen ,a lovely female face of seventeen4 ',twas bending close o'er his1 and the small mouth ,seemed almost prying into his for breath2 ,and1 chafing him1 the soft1 warm hand of youth ,recalled his answering spirits back from death2 ,and1 bathing his chill temples1 tried to soothe ,each pulse to animation1 till beneath ,its gentle touch and trembling care1 a sigh ,to these kind efforts made a low reply4 ,,byron4 ,one ,male and ,two ,female ,figures4 ,this pleasing tableau is taken from the poem of ,don ,juan1 by ,byron4 ,the scene is that where ,haidee discovers the insensible form of ,juan lying at the mouth of the cave1 near to the sea shore4 ,don ,juan has been shipwrecked2 his almost lifeless body has washed ashore1 and found a resting place in a rocky cave1 to be discovered by the beautiful ,haidee and her attendant4 ,the principal work in this piece is the forming of the cave1 which can be made in the following manner3 ,the floor of the cave should rise gradually from the front to the background2 this can be accomplished by using boxes of various sizes1 over which place brown cambric1 with brown paper attached to it in a crumpled manner1 so as to imitate ragged rocks1 and when painted with light and brown colors1 and ornamented with isinglass1 will make a very good appearance4 ,the floor of the cave should extend to within three feet of the front of the stage1 and run back to the extreme background4 ,the space between the footlights and the floor of the cave should be covered with blue cambric1 painted to represent waves and surf4 ,directly behind the drop curtain there should be a representation of the roof and sides of the cave4 ,light frames1 covered with brown paper1 similar to the floor1 and made very irregular at the edges1 must be placed at each side of the stage1 and at the top2 these should be two feet wide1 and of the height and width of the stage4 ,two other sets of frames should be made similar to the first1 and placed at equal distances from the fore to the background4 ,the first set must be three feet wide2 the second set four feet wide4 ,the background of the cave may also be covered with similar scenery4 ,the idea of arranging the scenery in this manner is to give a deep appearance to the cave4 ,isinglass should be profusely sprinkled over the surface of the rocks1 and a few sprigs of grass fastened to them will add to the effect4 ,the fastening of the brown paper to the frames can be dispensed with if there is any person who can paint out the rocks on plain canvas4 ,the one who personates ,juan should be of slight figure1 fine1 regular features1 hair black and curly1 and small moustache4 ,costume consists of black pants1 with buff or gold stripe at the side1 white shirt1 with blue collar1 and gold star at the corners1 black belt around the waist1 white hose1 low shoes1 with buckles of silver4 ,the shirt should be left open in the neck1 so as to expose the bosom4 ,a small wound can be imitated on the side of the head1 made with red paint4 ,position is1 reclining on the rocks in the foreground of the cave2 the left side touches the rocks1 the head thrown back1 and face exposed to the view of the audience4 ,the right hand grasps a small oar1 while the left is stretched out at his side4 ,the eyes are closed1 the feet crossed1 and resting in the water4 ,haidee and her friend are seen in the background4 ,both should be of small figure and good features4 ,haidee should be quite pretty1 and costumed in a blue dress1 black velvet waist1 open in front1 and laced across with blue ribbons2 sleeves long and flowing2 a small crimson apron1 with bands of gold at the bottom2 a black velvet belt around the waist1 with a showy pin in the centre2 bows of pink ribbon fastened with a small1 showy pin at each shoulder2 hair hanging in curls2 hat made of velvet1 trimmed with gold bands and white feathers1 which should be placed jantily on the side of the head4 ,her position is1 standing on the rocks in the back of the cave1 one hand raised so as to shade her eyes1 the other pointing to the body of ,juan2 the eyes are fixed on the body1 while the countenance expresses surprise2 the right foot must be placed twenty inches in front of the left1 while the body is inclined forward4 ,the figure back of ,haidee has on a costume similar to that already described1 but of less showy and expensive material4 ,she is standing five or six feet from ,haidee1 and has her hands filled with shells1 which she has gathered from the shore4 ,she is intently engaged in looking at her shells1 and has not yet seen ,juan2 her body is bent forward slightly1 the expression of the face denoting curiosity and thought4 ,the light for this piece should come from the front of the stage1 and must be quite brilliant4 ,if a melodeon is used as an accompaniment to the piece1 it should be played to imitate the roaring of the ocean4 ,,poverty4 ,the sun is bright and glad1 but not for me2 ,my heart is dead to all but pain and sorrow2 ,no care nor hope have ,i in all ,i see1 ,save from the fear that ,i may starve to-morrow4 ,alas1 for you1 poor famishing1 patient wife1 ,and pale-faced little ones6 ,your feeble cries ,torture my soul2 worse than a blank is life ,beggared of all that makes that life a prize3 ,yet one thing cheers me1--is not life the door ,to that rich world where no one can be poor8 ,,tupper4 ,three ,female and ,two ,male ,figures4 ,this tableau represents the interior of one of the homes of the starving poor1 such as are found in all large towns1 where vice and intemperance go hand in hand4 ,to make the scene look as natural as possible1 a partition should be made to fill up the back of the stage1 covered with cheap room paper4 ,two old window sashes should be inserted in it1 with the glass partially broken out1 and filled up with old hats and articles of clothing4 ,the furniture of the room consists of an old and broken table1 a large chest1 three or four old and broken chairs1 a few pieces of broken crockery on the table1 a black bottle1 a candlestick1 a bundle of straw1 with a few ragged bed clothes1 and a few cheap prints hanging from the wall4 ,the table is placed at the back part of the room1 and supports the crockery1 bottle1 and candlestick4 ,the bed is at the left side of the room1 and on it reclines a female dressed in dirty and ragged clothing2 her hair hangs loosely over her shoulders2 right hand supporting her head1 and eyes directed to a group of children in the foreground of the picture2 the face should be made as white as possible2 a small quantity of dark paint about the eyes will give a haggard and sickly look to the features4 ,on the opposite side of the room1 seated on the old chest1 is the woman's husband4 ,he is dozing in a drunken slumber2 his clothes hang about him in tatters2 his hat is partially drawn down over his forehead1 his matted hair protruding through a hole in the crown2 face bloated1 from the effects of liquor4 ,by the use of water colors1 the face can be made to assume the above description4 ,his position is such that a partial front view is had of the body1 the arms hanging carelessly at his side1 feet crossed and stretched out on the floor4 ,seated at the table1 and sewing by the light of the candle1 is a young girl4 ,she is dressed in dirty and ragged clothes2 her hair is tied up in a rough manner2 the body bent forward1 and eyes cast down upon her work2 her face should be made white2 the eyes slightly shaded with dark paint1 to give a haggard look to the features4 ,in the centre of the room are grouped three small children2 they are engaged in eating crusts of bread from a broken plate4 ,their costume may be varied1 and of cheap material4 ,the light for this piece should come from the side on which the man is sitting4 ,the front of the scene must be quite light1 while the background is thrown in shadow4 ,music of a mournful order4 ,,death ,,of ,,minnehaha4 ,o the long and dreary ,winter6 ,o the cold and cruel ,winter6 ,ever thicker1 thicker1 thicker ,froze the ice on lake and river1 ,ever deeper1 deeper1 deeper ,fell the snow o'er all the landscape1 ,fell the covering snow1 and drifted ,through the forest1 round the village4 ,o the famine and the fever6 ,o the wasting of the famine6 ,o the blasting of the fever6 ,o the wailing of the children6 ,o the anguish of the women6 ,give us food1 or we must perish6 ,give me food for ,minnehaha1 ,for my dying ,minnehaha6 ,through the far-resounding forest1 ,through the forest vast and vacant-- ,rung that cry of desolation2 ,but there came no other answer ,than the echo of his crying1 ,than the echo of the woodlands1 ,minnehaha6 ,minnehaha6 ,all day long roved ,hiawatha ,in that melancholy forest1 ,through the shadow of whose thickets1 ,in the pleasant days of ,summer1 ,of that ne'er forgotten ,summer1 ,he had brought his young wife homeward ,from the land of the ,dacotahs4 ,in the wigwam with ,nokomis1 ,with those gloomy guests1 that watched her1 ,with the ,famine and the ,fever1 ,she was lying1 the ,beloved1 ,she the dying ,minnehaha4 ,hark6 she said2 ,i hear a rushing1 ,hear a roaring and a rushing1 ,hear the ,falls of ,minnehaha ,calling to me from a distance6 ,no1 my child6 said old ,nokomis1 ',tis the night wind in the pine trees6 ,look6 she said2 ,i see my father ,standing lonely at his doorway1 ,beckoning to me from his wigwam ,in the land of the ,dacotahs6 ,no1 my child1 said old ,nokomis2 ',tis the smoke1 that waves and beckons6 ,ah6 she said1 the eyes of ,pauguk ,glare upon me in the darkness1 ,i can feel his icy fingers ,clasping mine amid the darkness6 ,hiawatha6 ,hiawatha6 ,and the desolate ,hiawatha1 ,far away amid the forest1 ,miles away among the mountains1 ,heard that sudden cry of anguish1 ,heard the voice of ,minnehaha ,calling to him in the darkness1 ,hiawatha6 ,hiawatha6 ,over snow-fields waste and pathless1 ,under snow-encumbered branches1 ,homeward hurried ,hiawatha1 ,empty-handed1 heavy-hearted2 ,and he rushed into the wigwam1 ,saw the old ,nokomis slowly ,rocking to and fro and moaning1 ,saw his lovely ,minnehaha ,lying dead and cold before him1 ,and his bursting heart within him ,uttered such a cry of anguish1 ,that the forest moaned and shuddered1 ,that the very stars in heaven ,shook and trembled with his anguish4 ,,longfellow4 ,one ,male and ,two ,female ,figures4 ,this affecting tableau is a representation of the death of the beautiful ,minnehaha4 ,the scene is at the moment when ,hiawatha draws back the door of the wigwam1 and there beholds his lovely ,minnehaha lying dead and cold before him4 ,the scenery of this picture is the same that is used in the tableau of ,hiawatha and his ,bride's ,arrival ,home4 ,it is mid-winter1 and the fields and woods are covered with snow2 and to represent this scene it will be necessary to cover the ground with cotton flannel1 instead of the green bocking which we used in the summer scene4 ,the trees1 wigwam1 and vines should be covered with small pieces of cotton wool1 to represent snow4 ,large bags1 filled with straw1 may be covered in the same manner1 and placed around the doorway of the wigwam at each side of the stage1 to represent snow banks4 ,minnehaha has on the same costume we have before described1 and is reclining on a bed of robes near the entrance of the wigwam4 ,her body should be propped up so that she can be easily seen4 ,a dark robe is thrown across the lower portion of her form1 a calm1 resigned look is on the countenance4 ,her hands are folded on her breast1 eyes closed as if in sleep4 ,at her side1 sitting on a low seat1 is ,nokomis4 ,she wears the same costume which is described in the return of ,hiawatha1 with a fur robe gathered about her4 ,she is leaning forward towards the couch1 and presses both hands against her face4 ,her eyes are cast down to the ground1 while grief and melancholy are depicted on the countenance4 ,the dying embers of a fire send up a curling smoke by her side4 ,this should be placed in an iron furnace1 and surrounded by the imitation snow4 ,hiawatha stands on one side of the doorway1 and is in the position of one running4 ,he clasps the door with his right hand1 and is in the act of stepping into the wigwam4 ,his eyes are fixed on ,minnehaha2 the left hand is pressed against his forehead2 grief and amazement are depicted on his countenance4 ,while the picture is being exhibited1 a portion of the accompanying poem may be read by the announcer4 ,the music should be quite soft1 and of a plaintive character4 ,the lights for this piece must be of medium brightness1 and come from the side opposite the door of the wigwam4 ,,the ,,mother',s ,,last ,,prayer4 ,her hands were clasped1 her dark eyes raised2 ,the breeze threw back her hair2 ,up to the cross she fondly gazed1 ,and raised her voice in prayer4 ,while there she knelt in deep despair ,beside her own first born1 ,and bowing her deep soul in prayer ,forth on the rushing storm4 ,she wiped the death damps from his brow ,with her pale hands and soft1 ,whose touch upon the lute chords low ,had stilled his heart so oft4 ,,anon4 ,one ,female and ,one ,male ,figure4 ,this tableau represents a mother and child kneeling at the foot of a cross1 amid the drifting snows and icy winds of the ,alpine ,mountains4 ,having lost their way1 and being unable to travel any farther1 the mother kneels in prayer at the foot of one of the crosses which are placed as landmarks along the road1 to guide the traveller on his journey4 ,the floor of the stage should be made uneven by placing boxes of various sizes at irregular distances1 and covering them with white cotton flannel4 ,a number of spruce trees can be arranged at the sides and at the background1 all of which should be covered with small particles of cotton wool2 small bags1 stuffed with hay1 and covered in the same manner1 must be placed around the foot of the cross and at various parts of the stage1 to represent snow banks4 ,a few handfuls of lint thrown into the air just as the curtain rises1 will float about and appear like falling snow4 ,make the cross of wood1 and cover it with brown paper4 ,it should be five feet long and two feet wide2 thickness of frame1 six inches4 ,it must be placed in the centre of the stage1 and sprinkled with the imitation snow4 ,the lady who represents the mother should be of good figure and features1 and costumed in a dark plaid dress1 a white fur cape fastened about the neck1 a velvet cloak worn over the shoulders1 and a plaid scarf tied about the head1 the ends hanging down on the shoulders4 ,position is1 at the foot of the cross1 so that a side view is had of the body2 the head thrown back1 eyes cast upward1 hands clasped and raised in front of the face4 ,the boy is dressed in a dark suit1 and reclines on the snow by the side of the mother2 his head rests on her dress1 arms stretched out towards her waist2 his eyes closed in that cold and dreamy sleep which ends in death4 ,the light for this piece must be quite dim1 and come from the side of the stage that will reflect on the mother's face4 ,music1 of a low and mournful style1 representing the moaning of the winds4 ,,louis ,,xvi4 ,,and ,,his ,,family4 ,i hear thy whisper1 and the warm tears gush ,into mine eyes2 the quick pulse thrills my heart4 ,thou bidd'st the peace1 the reverential hush1 ,the still submission1 from my thoughts depart4 ,dear one1 this must not be6 ,the past looks on me from thy mournful eye2 ,the beauty of our free and vernal days2 ,our communings with sea1 and hill1 and sky-- ,o1 take that bright world from my spirit-gaze4 ,thou art all earth to me6 ,shut out the sunshine from my dying room1 ,the jasmine's breath1 the murmur of the bee2 ,let not the joy of bird-notes pierce the gloom2 ,they speak of love1 of summer1 and of thee ,too much1 and death is here6 ,,anon4 ,three ,female and ,four ,male ,figures4 ,on the #bjth of ,january1 #agic1 at three o'clock in the morning1 the second year of the ,french republic1 the final vote was taken by the ,convention1 that ,louis ,,xvi4 should be executed4 ,all the efforts to save the king were now exhausted1 and his fate sealed4 ,the decree of the ,convention was sent to the king1 declaring him to be guilty of treason2 that he was condemned to death2 that the appeal to the people was refused2 and that he was to be executed within twenty-four hours4 ,the king listened to the reading unmoved2 he conversed earnestly with his spiritual adviser respecting his will1 which he read1 and inquired earnestly for his friends1 whose sufferings moved his heart deeply4 ,the hour of seven had now arrived1 when the king was to hold his last interview with his family4 ,but even this could not be in private4 ,he was to be watched by his jailers1 who were to hear every word and witness every gesture4 ,the door opened1 and the queen1 pallid and woe-stricken1 entered1 leading her son by the hand4 ,she threw herself into the arms of her husband1 and silently endeavored to draw him towards her chamber4 ,no1 no1 whispered the king1 clasping her to his heart1 ,i can see you only here4 ,madame ,elizabeth1 with the king's daughter1 followed4 ,a scene of anguish ensued which neither pen nor pencil can portray4 ,the king sat down1 with the queen upon his right hand1 his sister on his left1 their arms encircling his neck1 and their heads resting upon his breast4 ,the dauphin sat upon his father's knee1 with his arm around his neck4 ,the beautiful princess1 with dishevelled hair1 threw herself between her father's knees4 ,an hour passed1 during which not an articulate word was spoken2 but cries1 and groans1 and occasional shrieks of anguish1 which pierced even the thick wall of the ,temple1 and were heard in the street below1 rose from the group4 ,for two hours the agonizing interview was continued4 ,as they gradually regained some little composure1 in low tones they whispered messages of tenderness and love1 interrupted by sobs1 and kisses1 and blinding floods of tears4 ,louis ,,xvi4 described his trial1 excusing those who had sentenced him1 gave some religious advice to his children1 enjoined them to forgive his enemies and bless them4 ,a few beams of daylight began to penetrate the grated windows of the gloomy prison4 ,the hours passed away1 while the king listened to the gathering of the troops in the court yard and around the ,temple4 ,at nine o'clock a tumultuous noise was heard of men ascending the staircase4 ,the gens d'armes entered1 and conveyed him to the carriage at the entrance4 ,the morning was damp and chilly1 and gloomy clouds darkened the sky2 sixty drums were beating at the heads of the horses1 and an army of troops1 with all the most formidable enginery of war1 preceded1 surrounded1 and followed his carriage4 ,they reached the ,place de la ,revolution at twenty minutes past ten o'clock4 ,an immense crowd filled the place1 above which towered the guillotine4 ,with a firm tread he ascended the steps of the scaffold1 looked for a moment on the keen and polished edge of the axe1 and then1 turning to the vast throng1 said1 in a voice clear and untremulous1 ,people1 ,i die innocent of all the crimes imputed to me4 ,i pardon the authors of my death1 and pray to ,god that the blood you are about to shed may not fall again on ,france4 ,the drums were ordered to beat1 and ,louis ,,xvi4 was no more4 ,directions for forming the ,tableau4--,this interesting picture contains seven figures3 ,louis ,,xvi41 his wife the queen1 ,madame ,elizabeth1 the king's son and daughter1 and two gens d'armes4 ,the stage scenery must be placed in the following order3 ,the background of the stage should represent the granite walls of a prison1 with grated windows1 massive doors1 to which are attached bolts1 bars1 and heavy locks4 ,this scenery can be made in sections of about four by eight feet in size4 ,one section should represent the door of the cell2 on it paint the bolts1 bars1 and locks4 ,at the right of the stage is placed a table of ancient style2 on which is a crucifix1 two feet in height1 a large ,bible1 and an old-fashioned candlestick1 containing a lighted candle4 ,a chair of ancient manufacture should be placed near the table4 ,louis ,,xvi4 is seated in it1 and is costumed in a velvet coat and breeches1 white silk hose1 low shoes1 buff vest1 white cravat1 ruffled bosom1 white wig1 knee and shoe buckles4 ,the queen is costumed in a moire antique dress1 of a showy color1 hair hanging loosely over the shoulder4 ,madame ,elizabeth has on a silk robe1 differing in color from the queen's2 her hair is loosely fastened behind4 ,the daughter has on a long white dress1 with velvet waist4 ,the dauphin is dressed in velvet jacket1 blue breeches1 white hose1 knee and shoe buckles1 low slippers1 lace collar1 ruffled bosom and wristbands1 and a pink scarf is fastened about his waist4 ,the gens d'armes have blue coats trimmed with buff1 buff vest1 crimson breeches1 white hose1 long wigs1 low shoes1 knee and shoe buckles1 and chapeaux4 ,each must be furnished with a musket1 sword1 and belt1 and one should hold a bunch of large keys4 ,louis ,,xvi4 encircles his daughter's waist with his right hand2 his left is clasped by his son4 ,he sits facing the audience2 his head is partially turned towards the crucifix1 the eyes cast down1 and a melancholy look upon the countenance4 ,the queen stands behind the king1 between the chair and table2 her left hand is placed upon her waist1 her right raised to her forehead2 her head is thrown back1 the eyes partially closed1 and cast upwards1 while intense anguish is expressed upon her countenance4 ,madame ,elizabeth is kneeling at the left of the king1 her hands clasped and raised upwards1 head thrown back1 and eyes partially closed4 ,the daughter is seated on the right knee of the king2 her right hand is placed across her breast1 the left hangs carelessly at her side2 her head reclines on the shoulder of her father4 ,the dauphin is kneeling between the king and ,madame ,elizabeth1 and grasping the hand of the king2 his eyes are fixed on the face of his father1 while the countenance expresses grief and sadness4 ,the gens d'armes stand just inside the door1 resting on their guns2 their eyes are fixed upon the group in the foreground4 ,the light for this tableau must come from the side of the stage opposite the group1 and should be of medium brightness2 the background may be thrown in the shade4 ,music of a mournful character4 ,,dressing ,,the ,,bride4 ,so1 after bath1 the slave girls brought ,the precious raiment for her wear1 ,the misty izar from ,mosul1 ,the pearls and opals for her hair1 ,the slippers for her little feet1 7,two radiant crescent moons they were17 ,and lavender1 and spikenard sweet1 ,and attars1 nedd1 and heavy musk4 ,when they had finished dressing her1 7,the ,eye of ,morn1 the ,heart's ,desire17 ,like one pale star against the dusk1 ,a single diamond on her brow ,trembled with its imprisoned fire6 ,t4,b4 ,,aldrich4 ,three ,female ,figures4 ,this tableau is taken from the beautiful poem1 ,the ,course of ,true ,love never did run smooth1 by ,thomas ,bailey ,aldrich1 who describes in his artistic style the bridal toilet of the princess preparatory to her being wedded to the ,vizier ,giaffer4 ,the scene represented is the princess's chamber in the gorgeous palace of ,haroun ,al ,raschid4 ,the princess is seated in the centre of the room on a crimson divan2 at her side kneels one of her attendants1 who is engaged in arranging a bracelet on her arm4 ,standing on the opposite side is another attendant1 who is entwining a string of pearls in the princess's hair4 ,the costume of the princess consists of a pink satin dress1 reaching within ten inches of the feet1 and should be bound around the bottom with silver paper covered with wide white lace4 ,over this dress must be worn a frock of purple velvet extending to the knee1 with flowing sleeves reaching to the elbow2 the front of the waist left open1 displaying a lace under robe1 crossed with ribbons covered with silver paper and gold spangles4 ,the frock decorated with small crescents of gold paper1 ornamented with silver spangles4 ,trim the bottom of the frock and sleeves with gold paper three inches in width1 and cover with colored lace4 ,the waist should be encircled with a wide1 light-green sash1 studded with spangles1 fringed at the end with gold paper1 and tied in front1 allowing the ends to hang down to the bottom of the frock4 ,a necklace can be made to look rich and showy by attaching brilliant paste pins of various sizes to a black velvet band2 the centre pin being quite large1 those at the sides decreasing in size as they recede from the centre2 the arms and hands profusely ornamented with jewelry2 the hair arranged in long braids1 and allowed to fall over the shoulders4 ,a large diamond or a brilliant stone should be attached to a black velvet band1 and placed on the brow4 ,turkish trousers1 made of white and blue stripes1 two inches wide1 of flowing shape1 fastened around the ankle with a gilt band4 ,the shoes can be made of card-board or leather2 they should turn up at the toe three inches2 cover them with red cloth1 and ornament with gold and silver paper and spangles4 ,the costume of the attendants should be of a similar style1 but differing in colors1 and without decorations4 ,the lady who personates the princess must be small1 and of good form1 fine1 regular features1 and quite pretty4 ,her position is facing the audience1 head turned slightly to the left1 eyes upturned to her attendant1 who is standing at her side1 holding in her left hand a fan2 the expression of the face pleasant4 ,the attendant who is kneeling1 shows a side view of the body1 while the one standing1 faces the audience1 with the body bent slightly forward1 her attention directed to the string of pearls which she is arranging in the hair of the princess4 ,the floor of the stage should be covered with a rich ,brussels carpet1 and the walls draped with showy damask curtains4 ,the room may be furnished with small ottomans1 two small marble top tables1 one of which should be placed near the group of ladies1 and contain stands of cologne1 perfumes1 mirrors1 combs1 brushes1 pin-cushions1 and cases of jewelry4 ,on the other table1 which is to be placed in the background1 is a large1 showy lamp1 with colored globe1 surrounded by ornamental articles2 showy pictures adapted to the subject1 in rich gilt frames1 adorn the walls2 cages containing singing birds should be suspended from the ceilings2 large globes1 containing gold fish1 rest on the carpet1 near the foreground2 richly ornamented vases1 of various sizes1 containing magnificent bouquets1 can be arranged in various parts of the room1 while the inner corners are filled up with marble or plaster pedestals1 supporting pieces of statuary2 the divan on which the princess is seated must be double the size of those scattered about the room1 and covered with striped pink and blue cloth4 ,the scene should be illuminated by a purple fire burned at the right hand side of the stage4 ,a lively serenade would be appropriate music4 ,,hope1 ,,faith1 ,,charity1 ,,and ,,love4 ,,hope4 ,hope looks beyond the bounds of time1 ,when what we now deplore ,shall rise in full immortal prime1 ,and bloom to fade no more4 ,,faith4 ',tis faith that purifies the heart1 ',tis faith that works by love1 ,that bids all sinful joys depart1 ,and lifts the thoughts above4 ,,charity4 ,o charity1 thou heavenly grace1 ,all tender1 soft1 and kind6 ,a friend to all the human race1 ,to all that's good inclined4 ,,love4 ,love suffers long with patient eye1 ,nor is provoked in haste2 ,she lets the present injury die1 ,and long forgets the past4 ,four ,female ,figures4 ,the above characters are represented as statues4 ,four females of the same height1 of graceful form and fine features1 are required to form the group4 ,they should all be costumed in long white robes1 that will trail eight inches1 the waist cut quite low at the top1 the sleeves five inches long2 a wide scarf of tarleton muslin draped across the breast1 tied at the side1 and allowed to trail with the dress2 hair confined at the back of the head1 and left to fall over the shoulders2 the head encircled with a wreath of myrtle and white flowers4 ,if any ornaments are worn1 they should be pure white4 ,hoop or any other large skirts must not be worn1 as it is necessary to produce a slender figure for a statue design4 ,the positions of the four ladies are in the following order3 ,hope stands at the right hand side of the stage1 one foot from the drop curtain2 ,love at the left hand side1 the same distance from the curtain2 ,faith and ,charity at equal distances from ,love and ,hope1 and three feet from the drop curtain4 ,placed in this manner1 they will form a half oval4 ,the stage furniture consists of four small pedestals1 twenty-four inches square1 with a cap and base extending out two inches1 covered with white cloth1 and ornamented in front with a small wreath of myrtle4 ,faith takes her position on the top of one of the pedestals4 ,her emblem is the cross1 which she holds in her right hand2 the left is raised and points upward2 the eyes are raised upward1 the countenance expresses meekness4 ,hope is poised on a pedestal1 and holds an anchor1 the foot of which rests on the top of the pedestal2 the right hand is placed on the anchor1 the left is on the breast2 the eyes are raised slightly1 countenance expressing serenity and hope4 ,charity comes next4 ,in her right hand she holds a silver dish1 which is filled with crumbs of white bread4 ,two robins stand on the side of the dish1 eating the crumbs4 ,the left hand rests on the side of the body2 the eyes are directed to the birds2 the face beams with smiles4 ,love is standing on one of the pedestals1 holding in her right hand a torch1 which is raised above her head1 while the left gracefully holds the side of her dress4 ,the head should be turned slightly aside1 the eyes looking straight forward2 countenance diffused with smiles4 ,a gauze curtain may be suspended before the statues1 covering the entire space inside of the frame4 ,the light for this scene should be of medium brilliancy1 and come from the front of the stage4 ,the cross and anchor may be painted black1 the torch painted blue1 and tipped with gold2 the flame carved in wood1 and gilded4 ,stuffed birds can be fastened with wire springs1 and attached to the silver dish4 ,music soft and plaintive4 ,,the ,,death ,,of ,,general ,,warren4 ,thou rising sun1 thou blue rejoicing sky1 ,yea1 every thing that is and will be free1 ,bear witness for me1 wheresoe'er ye be1 ,with what deep worship ,i have still adored ,the spirit of divinest ,liberty4 ,,coleridge4 ,twenty-five ,male ,figures4 ,this magnificent tableau represents the scene so well known in the early history of our country1 and contains twenty-five figures1 thirteen of which should be dressed in crimson uniform1 to personate the ,british soldiers1 six in continental costume1 three in coarse homespun suits1 three in sailor's costume4 ,the stage must be formed to represent a hill1 which can be done by using boxes and boards1 and covering them with green cloth4 ,the hill should rise from the footlights to within four feet of the ceiling in the background4 ,the first and principal figure is ,general ,warren4 ,he is lying on the ground1 a few feet from the foot of the hill1 supported by one of his officers1 who holds his head with his right hand1 while with the left he grasps the musket of a ,british soldier1 which is pointed at the breast of ,warren4 ,warren's position is1 facing the audience1 eyes closed1 arms hanging carelessly at his side2 costume1 continental2 side arms1 sash1 sword1 and chapeau lying in front of the body4 ,the figure who supports ,warren is dressed in blue breeches1 white hose1 white shirt1 and black belt4 ,position1 kneeling back of ,warren1 his eyes fixed on the soldier who stands a few paces back of ,warren's feet4 ,this soldier leans forward slightly1 and grasps a musket1 in which is a bayonet1 which he is about to plunge into ,warren's body4 ,his eyes are fixed on the prostrate form before him1 while the countenance expresses excitement and rage4 ,costume consists of a red coat1 white breeches and hose1 low shoes1 knee and shoe buckles1 white breast belts1 black waist belt1 and black military hat1 with plume4 ,by the side of the soldier1 near the front of the stage1 stands an officer1 who is leading on the ,british4 ,he holds a sword on his right shoulder1 while the left grasps the butt of the musket of the soldier previously described4 ,his body is bent forward1 feet separated thirty inches1 eyes fixed on ,warren1 countenance expressing energy and decision4 ,costume consists of a crimson coat1 decorated with gold epaulets and lace1 white silk hose1 buff breeches1 low shoes1 knee and shoe buckles1 red sash1 side arms1 and chapeau4 ,directly behind the figure who supports ,warren stands an ,american soldier1 with a musket held in front of his body1 which he points towards the ,british soldier1 who is about to pierce the body of ,warren4 ,his body is slightly bent backward1 eyes fixed on the soldier1 countenance expressing fear4 ,the remaining figures should be placed in the space from the top of the hill down to the group we have described2 a few should be fencing2 some using their muskets as clubs2 others firing at the enemy in the distance2 while a few are stretched out in death on the ground4 ,they must be placed in as great a variety of positions as possible1 and in such a manner that one figure will not obscure the other4 ,the countenances of all should appear excited4 ,the booming of cannon and roll of the drum can be produced behind the scenes4 ,the picture should be illuminated by a brilliant red fire burned at the side of the stage4 ,,portrait ,,of ,,prince ,,albert4 ,one ,male ,figure4 ,this tableau is produced in the same manner as the ,madonna4 ,the gentleman who personates ,prince ,albert should1 in general outline of features and form1 resemble the original as much as possible4 ,the costume consists of a crimson coat richly trimmed with gold lace1 and heavy decorations in silver on the left breast1 gold epaulets1 a richly ornamented sword and belt1 buff vest trimmed with gold lace1 buff breeches1 top boots trimmed at the top with gold binding1 a red sash1 and black chapeau4 ,the position must be so that a partial front view can be had of the body2 eyes directed straight forward4 ,the light should be of medium quantity1 and come from the front of the stage4 ,music of a national order4 ,,the ,,return ,,of ,,the ,,prodigal ,,son4 ,o6 thou hast wander'd long ,from thy home without a guide2 ,and thy native woodland song1 ,in thine altered heart hath died4 ,thou hast flung the wealth away1 ,and the glory of thy ,spring2 ,and to thee the leaves' light play ,is a long-forgotten thing4 ,still at thy father's board ,there is kept a place for thee2 ,and1 by thy smile restored1 ,joy round the hearth shall be4 ,,mrs4 ,,hemans4 ,four ,male ,figures4 ,this scene1 so familiar in ,scripture history1 represents the father standing on the step of his mansion1 about to embrace his son1 who stands near4 ,the background of the picture should represent the portico of a house1 and can be made in the following manner3 ,procure at a paper store four fresco pilasters1 with caps and bases1 and a wide cornice to match2 also a roll of granite paper2 paste the cornice and pilasters on cloth2 fasten the cornice across the ceiling of the stage1 five feet from the background1 and suspend the pilasters from the lower edge1 placing them at equal distances from each other2 form the steps out of boxes and boards1 and cover them with the granite paper4 ,at each side of the steps place a large vase of flowers4 ,behind the pilasters1 at the end of the upper step1 are seen two servants4 ,they are stooping down and looking at the group in the foreground4 ,their costume can be easily made up4 ,frock coats1 trimmed on the bottom of the skirts1 cuffs1 and front with colored cloth1 five inches wide2 white pants1 black hose1 crossed with red binding2 low shoes2 knee and shoe buckles2 low-crowned1 black ,kossuth hat1 encircled with a band of gold1 and ornamented in front with a large paste pin and showy plume4 ,the gentleman who represents the father must be of good height and large figure4 ,his costume consists of a purple velvet coat and breeches1 white hose1 crossed with black ribbons1 low shoes1 knee and shoe buckles2 over the shoulders is thrown a long cloak1 trimmed with ermine2 hair and beard quite long1 which can be imitated with flax1 glued to cloth made to fit the head and face4 ,if dresses cannot be procured at a costumer's1 cheap material can be made up for the occasion1 and will look quite pretty4 ,a blue circular cloak1 or a lady's velvet cape1 trimmed with white cotton flannel1 two inches wide1 with small pieces of black-shag fastened on at intervals of five inches1 will look well1 and will resemble ermine4 ,the breeches can be made of purple cambric1 trimmed with gold paper4 ,a blue dress coat1 trimmed with gold paper1 and covered with white lace1 will answer for an under-coat4 ,the father's position is1 standing on the second step of the portico1 with both hands extended1 body bending forward slightly1 eyes fixed on the son1 countenance expressing joy and happiness4 ,the son stands at the foot of the steps1 leaning on a stout branch of a tree1 which he has been using for a cane on his journey4 ,he displays a side view of the body1 and is costumed in a coarse brown frock1 open in the neck1 displaying his neck and bosom1 and tied around the waist with a piece of rope2 large rents should be made in the sleeves1 showing the flesh within2 knee breeches of coarse material1 torn at the side2 brown hose2 and shoes1 which are almost worn out1 and are tied to the foot with strings2 hair hanging over the forehead2 skin colored light brown2 his eyes cast down to the ground1 and countenance melancholy4 ,the light must be quite brilliant1 and come from the side opposite to the servants4 ,music animating4 ,,single ,,blessedness4 ,close by his lonely hearth he sate1 ,while shadows of a welcome dream ,passed o'er his heart2 disconsolate ,his home did seem2 ,comfort in vain was spread around1 ,for something still was wanting found4 ,,anon4 ,one ,male ,figure4 ,this tableau is a representation of a young bachelor seated alone in his chamber4 ,he has around him all the luxuries that wealth will purchase1 and is reclining on a low sofa1 quietly smoking his meerschaum4 ,rich furniture1 soft carpets1 fine pictures1 and gorgeous curtains decorate the apartment4 ,books1 statuary1 boxing gloves1 fencing swords1 fowling pieces1 pipes of various patterns1 and a countless multitude of other articles1 are scattered about the room4 ,on the marble table at his side is a bunch of cigars1 a paper of ,ma'am ,miller's fine-cut tobacco1 a decanter of wine1 and a pair of goblets1 one of which is partially filled with wine4 ,he holds in his left hand his meerschaum2 his right hangs carelessly at his side1 and grasps a novelette4 ,the gentleman who personates the bachelor must be of good figure and features1 and is costumed in the following manner3 ,a rich dressing-gown should be worn1 which is thrown back from the breast1 showing a vest of bright colors1 to which is attached a heavy gold chain and seals2 light fancy pants1 embroidered slippers1 white hose1 blue cravat1 smoking cap1 ruffled bosom and wristbands4 ,countenance sober1 eyes raised to one of the engravings on the wall4 ,light of medium brightness1 which may come from either side of the stage4 ,music of operatic style4 ,,marriage ,,bliss4 ,it is most genial to a soul refined1 ,when love can smile unblushing1 unconcealed1 ,when mutual thoughts1 and words1 and acts are kind1 ,and inmost hopes and feelings are revealed1 ,when interest1 duty1 trust1 together bind1 ,and the heart's deep affections are unsealed1 ,when for each other live the kindred pair1-- ,here is indeed a picture passing fair6 ,,tupper4 ,one ,male and ,two ,female ,figures4 ,this tableau represents a home scene4 ,a wife and husband1 and a young child1 are seated at a table in a snug little parlor4 ,a solar lamp is burning on the table1 by the light of which the wife is engaged in finishing a piece of embroidery4 ,the husband is reclining in a spacious easy chair1 busily occupied in perusing the evening paper4 ,the little girl is at play with her tea sets and paper dolls4 ,the wife is costumed in a blue silk dress1 cut low at the top1 a white apron1 trimmed with pink ribbon1 and hair arranged to suit the performer's taste4 ,she should be quite pretty1 and of small figure4 ,she is seated at the right of the table1 facing the audience1 body bent forward1 and eyes fixed on her work1 the countenance expressing earnestness4 ,the husband is costumed in light pants and vest1 dressing gown and slippers4 ,he is seated at the left of the table1 showing a partial front view of the body2 his feet rest on a small ottoman2 paper held in such a position that it will not hide his body2 eyes fixed on the paper1 countenance placid4 ,the child is costumed in white dress1 trimmed with blue ribbon1 and is seated at the back of the table1 holding in her hands a paper doll1 which she extends towards her mother1 for her to look at4 ,her eyes are directed to her mother1 her countenance beaming with smiles4 ,the table should be covered with a crimson cloth4 ,the furniture of the room of good quality1 the floor carpeted1 walls hung with curtains and pictures4 ,light of medium quantity1 which may come from either side of the stage4 ,music soft and plaintive4 ,,the ,,sleeping ,,maiden4 ,witness this primrose bank whereon ,i lie2 ,these forceless flowers like sturdy trees support me1 ,two strengthless doves will draw me through the sky1 ,from morn to night1 even where ,i list1 to sport me4 ,,shakspeare4 ,one ,female ,figure4 ,this exquisite tableau represents a magnificent garden1 filled with beautiful flowers1 trellised vines1 vases1 statuary1 and sparkling fountains4 ,on a grassy mound1 in the centre of this lovely scene1 reclines a beautiful maiden1 wrapped in profound sleep4 ,the right hand supports her head1 the elbow resting on the grass2 the left is thrown carelessly over the top of the head2 the expression of the face calm and dreamy4 ,her costume consists of a long white dress1 cut low at the top1 open in front1 displaying a pink under-skirt of silk4 ,the edges of the dress on each side of the under-skirt should be trimmed with gold paper1 covered with white lace4 ,a belt of the same encircles the waist4 ,the waist must be open in front1 exposing a white lace under-robe1 which is crossed with golden cords4 ,short sleeves1 open below1 and closed by little cords of gold1 terminated by tassels of the same material1 which fall down upon the arms4 ,the hair arranged in heavy braids1 done up low in the neck1 and ornamented with a head dress1 formed of silver gauze1 adorned with slight bands of gold thread falling on the shoulder4 ,position is1 facing the audience1 the body extended on a line with the front and back corners of the stage4 ,the floor of the stage must be formed to represent a number of terraced banks4 ,there should be five1 each being one foot in height4 ,a few boxes and stout boards will be needed to form the banks1 over which place green bocking4 ,if a piece of scenery cannot be procured for the background1 it can be covered with light-green cambric1 and festooned with dark evergreens and bright flowers4 ,at each of the inner corners of the stage place a white pedestal1 two feet in height4 ,a box of the above dimensions1 covered with white cloth1 will answer4 ,on these place pieces of large statuary1 and between the two place a large vase of flowers1 and intersperse smaller vases1 containing bouquets4 ,ornament the second terrace with pots of house plants1 and at each end place a showy cage of birds4 ,decorate the third terrace with rich vases of artificial flowers1 with a statue of the fisher boy at each end4 ,in the centre of this terrace1 the mound on which the maiden reclines is placed4 ,it should be five feet in diameter1 and one foot high4 ,cover the surface with light-green cambric1 and decorate the outer edge with large sea shells4 ,on the fourth terrace arrange small pots of house plants that are in bloom1 and at each end place large vases of fruit4 ,on the fifth and last terrace place a row of deep glass dishes1 filled with flowers1 with a plaster figure of ,flora at the ends4 ,festoon the sides of the scenery and the ceiling with spruce and flowers4 ,the scenery in the background1 if it can be easily painted1 should represent figures similar to those on the stage1 interspersed with fountains4 ,if there is sufficient room for the accommodation and preservation of large mirrors1 they can be used to advantage by placing them at the background of the stage1 which will give a fine effect to the scene4 ,this tableau must be lighted from the left side of the stage2 the light being very brilliant1 both at the top and bottom4 ,a green fire burned just as the curtain falls1 will add much to the beauty of the picture4 ,music accompanying the piece1 soft1 and of a lively order4 ,,night ,,and ,,day4 ,heaven opened wide ,her ever-during gates--harmonious sound-- ,on golden hinges morning to let forth1 ,the king of glory1 in his powerful word ,and spirit1 coming to create new worlds4 ,god saw the light was good1 ,and light from darkness1 by the hemisphere1 ,divided2 light the day1 and darkness night ,he named4 ,thus was the first day1 even and morn4 ,,milton4 ,two ,female ,figures4 ,this simple tableau is represented by two females3 one personates ,day1 and is costumed in a long white robe4 ,the other represents ,night1 and is dressed in black4 ,two arches should be made in the centre of the stage1 one covered with black cloth1 the other with white4 ,they must be five feet in height1 three feet in width1 and three feet deep2 the back1 sides1 and top covered with cloth4 ,they are to be placed on a platform one foot high and six feet square4 ,the lady who personates ,night should be of good figure and features1 black hair1 and dark complexion4 ,she kneels under the arch covered with black cloth1 and faces the audience2 the right knee touches the platform1 hands placed together and raised front of the breast1 head slightly inclined back1 eyes raised upward1 the countenance in repose4 ,her costume consists of a black silk dress1 low neck1 and trimmed with wide black lace and bugles2 a scarf of black crape1 sprinkled with small silver stars1 is draped across the breast1 a black cross suspended from the neck by a velvet ribbon2 black bracelets ornament the arms2 and a wreath of black bugles and beads encircles the head1 on the front of which is placed a small silver moon4 ,the hair is arranged in wide1 heavy bands1 at the side and back of the head4 ,the lady who personates ,day should be of good figure and features1 clear light complexion1 and light hair4 ,her position is1 kneeling under the white arch1 hands crossed on her breast1 eyes slightly cast upward1 and a smile on the countenance4 ,costume consists of a pure white dress1 cut low at the neck1 short sleeves2 waist and bottom of sleeves trimmed with wide lace and silver spangles2 a scarf of white tarleton muslin draped across the breast2 the waist encircled with a satin sash1 and the head crowned with a wreath of pearls1 in the front of which place a small gold sun4 ,the hair can be arranged in ringlets1 or brushed back from the forehead1 and confined in a silk net4 ,the light for this piece must come from the front of the stage1 and should be of medium brilliancy4 ,music soft and plaintive4 ,,the ,,firemen ,,in ,,repose4 ,ten ,male ,figures4 ,this tableau is a representation of the interior of a firemen's hall4 ,the walls are hung with engravings in rich frames1 most of them referring to the fireman's life4 ,the name of the company1 in large gilt letters1 is placed at the end of the stage4 ,settees are arranged around the sides2 a mahogany table is in the centre1 on which is placed a large solar lamp4 ,seated at the table are half a dozen firemen1 dressed in their uniform2 these are engaged in reading the news of the day2 others are reclining and sitting on the settees1 engaged in conversation and smoking4 ,the light for the piece should be of medium brightness1 and come from either side of the stage4 ,music of a secular character4 ,,the ,,alarm4 ,prompt when duty calls4 ,twelve ,male ,figures4 ,this tableau is a representation of an alarm of fire1 which has aroused the firemen from their repose4 ,the scene represents a view of the front of the engine house4 ,the door is thrown open1 and the enginemen are about to draw out their machine4 ,the piece contains twelve figures1 ten of which have hold of the engine rope4 ,they are in the position of persons running1 and are led on by their captain1 who is giving out an order through his trumpet4 ,his position is1 facing the men at the ropes2 one hand is pointed towards the fire1 the light of which is seen in the distance4 ,near the door of the engine house stands the lantern bearer with his lantern1 which is attached to a long pole1 and is carried on the right shoulder4 ,the front of the engine house can be formed of wood1 covered with cloth1 and painted in showy colors4 ,this frame is to be placed at the right hand corner of the background2 the name and number of the machine painted over the door4 ,the front wheels and rope will be sufficient to represent the engine4 ,the remaining part is presumed to be within the house4 ,by placing the front of the house in the corner1 more room will be had for the line of firemen4 ,all should appear animated1 while a few are pointing to the light in the distance4 ,the alarm bells must be sounded while the curtain is raised1 and a red fire burned at the left side of the stage1 so as to throw a very little light on the extreme edge of the background1 which should extend farther in on the scene while the tableau is exhibited4 ,,at ,,the ,,fire4 ,fire was raging1 above and below4 ,one ,female and ,thirteen ,male ,figures4 ,this tableau is a representation of a dwelling house on fire1 with the heroic firemen engaged in their various duties in their attempts to extinguish the flames4 ,a front view of the building is exhibited1 from which smoke and flames are seen issuing4 ,at the window of the second story1 a fireman stands1 with an infant in his arms4 ,a ladder is placed against the outside of the window1 and a fireman is ascending it4 ,the engineer stands on the steps of the mansion1 giving his orders4 ,a fireman is breaking in one of the lower windows with an axe4 ,at the left of the tableau is seen part of the engine4 ,space will not allow the showing of more than one third of the machine2 but by manufacturing a temporary frame1 on which the front wheels1 brakes1 bell1 and buckets can be attached1 and placing it at the edge of the stage1 with the firemen at the brakes1 the effect will be quite sufficient4 ,the men on the front brakes should be in a stooping position1 those behind standing erect4 ,two pipe-men are seen in the foreground1 with pipes1 which they point to the burning building2 others are passing out articles of furniture from the windows4 ,the men must be costumed in showy fire suits4 ,alarm bells should be sounded behind the scenes1 and a representation of fire made by burning a red fire at the side of the stage1 behind the scenery of the burning house4 ,this scenery can be formed of light slats of wood1 covered with cloth1 and painted in imitation of a brick house1 with mouldings1 window frames1 and doors4 ,it must extend across the stage1 and rise from the floor to the ceiling4 ,the windows should be filled with sashes containing genuine glass1 while smoke and flames can be painted on various parts of the building2 and1 if desirable1 a small quantity of wet gunpowder1 touched off at the proper moment1 will add to the effect4 ,,ethan ,,allen ,,at ,,ticonderoga4 ,nor com'st thou but by ,heaven1 nor com'st alone4 ,some god impels with courage not thy own4 ,no human hand the weighty gates unbarred1 ,nor could the boldest of our youth have dared ,to pass our outworks1 or elude the guard4 ,,pope',s ,,homer4 ,one ,female and ,eleven ,male ,figures4 ,this historical tableau represents ,ethan ,allen at the entrance of ,fort ,ticonderoga1 ordering ,de la ,place1 the commandant of the fort1 to immediately surrender1 in the name of the great ,jehovah and the ,continental ,congress4 ,around the door are gathered the soldiers of ,allen4 ,de la ,place and his wife stand upon the doorstep1 partially dressed1 and1 with looks of astonishment1 inquire by what authority he demands the surrender of the fort4 ,the number of figures in this picture is twelve4 ,ten of them represent ,american soldiers1 and are dressed in the continental uniform1 which consists of a blue coat1 faced with buff1 and ornamented with large brass buttons1 buff vest and breeches1 white hose1 low shoes1 knee and shoe buckles1 and black chapeau1 and each furnished with military equipments4 ,allen's costume should be of finer material1 with an addition of sash1 epaulets1 plume1 and side arms4 ,de la ,place has on red breeches1 with a gilt stripe1 white silk hose1 knee buckles1 slippers1 and wig1 a red coat upon his arm1 and a sword in his right hand1 the handle of which is extended towards ,allen4 ,his wife is costumed in a white dress1 a white cap on her head1 and hair hanging loosely over her shoulders4 ,the scenery of the piece consists of a frame covered with cloth1 extending across the stage1 and rising from the floor to the ceiling1 with a door in the centre1 and windows painted on either side1 and placed across the stage in the background4 ,mrs4 ,de la ,place's position is on the door sill1 her body inclined slightly forward1 her left hand holding a candlestick1 in which is a lighted candle1 her right hand raised in front of her breast1 eyes fixed on the face of ,allen1 while the countenance expresses surprise and fear4 ,the commandant stands on the doorstep at the left of his wife1 his left hand stretched out before him1 the right holding his sword2 his eyes are fixed on those of ,allen1 while his countenance expresses surprise and indignation4 ,allen stands in front of him a little at the left1 grasping his sword in the right hand1 which he raises over the head of the commandant1 whilst his left points to his soldiers2 his countenance expresses sternness and authority4 ,the soldiers are standing on each side of the door leaning carelessly upon their muskets4 ,the accompanying music should be that of the drum and fife4 ,the light must be of medium brilliancy1 and come from the right of the stage4 ,,the ,,gypsy ,,fortune ,,teller4 ,seek not to know the future2 be happy while you may1 ,nor cloud with dark foreknowledge the sunshine of to-day4 ,i see that you are hopeful1 ,i read it in your eyes1 ,and ,i can learn no more from the stars that gem the skies4 ,trust not the outward seeming of all who speak you fair2 ,what has been1 maiden1 may be--be watchful and beware4 ,i will not cheat you1 maiden2 my gypsy skill you seek2 ,this only of the future the gypsy girl can speak3 ,when flippant worldlings flatter1 let then your doubts begin2 ,take1 maiden1 for your counsel the still small voice within4 ,if weak the heart of woman1 her stronghold too is there2 ,guard then the fortress1 conscience6 be watchful and beware4 ,,charles ,,jeffery4 ,two ,female ,figures4 ,this tableau is a representation of a gypsy fortune teller1 in a rude tent1 in front of which is burning a small fire4 ,she is seated on the ground1 and holds a pack of cards in her right hand2 her left is pointed upward4 ,her head is turned towards a young and beautiful girl1 who is stooping at her side1 gazing with earnestness on the cards4 ,the tent should be five feet high1 four feet wide at the bottom1 and terminating in a point at the top4 ,it can be made of light strips of wood1 covered over with cloth4 ,an open space in front1 two feet wide1 will answer for the door4 ,the fire can be placed in an iron furnace1 around which arrange stones or brushwood4 ,ignite the fire just as the curtain rises4 ,fill up the background of the stage with scenery representing a forest1 or place a few spruce trees behind the tent4 ,the gypsy's costume consists of a bright crimson dress1 velvet waist1 laced across with pink ribbon in front1 displaying a white robe beneath2 rows of gilt buttons on each side of the opening and around the bottom of the sleeves4 ,the hair1 which should be long and black1 is allowed to hang carelessly over the shoulders2 the face and other exposed parts of the body stained a light brown4 ,the young lady must be of small figure1 good form and features1 and attired in a white dress1 cut low at the top1 a red sash around the waist1 and a small straw hat placed jantily on the side of the head4 ,the scene should be illuminated by a red fire1 burned in small quantities at the side of the stage1 and made to reflect on the group4 ,music soft4 ,,peace4 ,beautiful vision1 how bright it rose6 ,vision of peaceful and calm repose6 ,well might it brighten the rapt seer's eye1 ,and waken his heart to an ecstasy2 ',twas earth1 glad earth1 when her strife was o'er1 ,her conflict ended1 and war no more4 ,,anon4 ,eight ,male and ,twelve ,female ,figures4 ,this tableau is an allegorical representation of ,peace4 ,the number of figures necessary to form it is twenty4 ,they are formed in six separate groups4 ,the centre and principal group is a party of young ladies and gentlemen engaged in the merry dance4 ,they are costumed in their holiday suits1 and are formed in a circle around a ,may-pole4 ,on a green bank in the background is seated a young lady playing the guitar1 and a young gentleman playing the violin4 ,this group is at the right4 ,at the left is a young and beautiful girl1 who represents the ,queen of ,may2 by her side stands a second female1 about to place a crown of flowers upon her head4 ,between these two groups1 and elevated a foot above them1 stands the ,goddess of ,peace4 ,she holds in her right hand a sheaf of wheat1 and in her left an olive branch4 ,at the corners of the foreground are two groups1 the one at the left representing a mother surrounded by three children2 she holds a large ,bible1 which the children are reading4 ,the group at the right represents a blacksmith standing at the side of an anvil1--a large hammer in his right hand1--engaged in conversation with a farmer1 who holds a rake4 ,the costume of the village girls should be white dresses1 decorated with flowers1 and garlands on their heads4 ,the gentlemen should be dressed in light pants1 white vests1 and dark coats4 ,the ,goddess of ,peace has on a long white dress1 bound around the waist with a green ribbon2 a wreath of dried grasses and wheat encircles the head4 ,she must stand perfectly straight1 and look directly forward1 with a pleasant expression of countenance4 ,the gentleman who plays on the violin is costumed in a dark coat1 red breeches1 white hose1 low shoes1 knee and shoe buckles1 buff vest1 a plaid scarf1 draped across the shoulders1 and tied at the right side1 and a small ,scotch cap1 with a white plume1 placed jantily on the head4 ,the costume of the lady at his side consists of a red skirt1 over which is worn a white skirt that is looped up at the side1 and ornamented with small bunches of evergreen and spruce2 a velvet waist1 open in front1 and laced across with pink ribbons2 short sleeves2 hair hung in ringlets1 and ornamented with ribbons2 the countenances of both expressing pleasure4 ,the ,may ,queen's costume consists of a white robe1 trimmed with garlands of flowers4 ,her attendant is also dressed in white1 with a scarf of plaid draped across the breast4 ,the queen is kneeling on a low cushion1 holding a small bouquet1 the head turned slightly to the right1 eyes raised to the ceiling4 ,the lady in the foreground has on a blue silk dress1 a white apron1 trimmed with green ribbon1 and hair arranged to suit the performer's taste4 ,the children's costumes may be of various styles1 bright colors predominating4 ,the lady should sit quite low1 and hold the ,bible with her right hand2 the left pointed to the pages4 ,the children and mother sit facing the audience1 and all look pleasant and happy4 ,the blacksmith's costume consists of dark pants1 blue woollen shirt1 sleeves rolled up to the elbow1 a low-crowned hat on the head1 and leather apron tied around the waist4 ,he stands facing the audience1 and is engaged in conversation with the farmer1 who is dressed in a long blue frock1 buff pants1 straw hat1 and heavy boots2 the right hand holds a rake1 the left is placed on the side of the body4 ,the four groups at the corners should be as compact as possible1 giving the greater portion of the room to the dancers in the centre4 ,the bank in the background must be three feet in height1 and covered with green bocking1 and also the floor of the stage4 ,make the ,may-pole as high as the space will admit1 and cover it with green cambric1 decorated with garlands of flowers4 ,the light should be quite brilliant1 and come from the right side of the stage4 ,music inspiring4 ,,war4 ',twas man himself ,brought ,death into the world2 and man himself ,gave keenness to his darts1 quickened his pace1 ,and multiplied destruction on mankind4 ,first ,envy1 eldest born of ,hell1 imbrued ,her hands in blood1 and taught the sons of men ,to make a death which nature never made1 ,and ,god abhorred2 with violence rude to break ,the thread of life1 ere half its length was run1 ,and rob a wretched brother of his being4 ,,porteus4 ,twenty ,male and ,six ,female ,figures4 ,this tableau is a vivid representation of some of the effects of war4 ,the foreground of the picture represents a battle field after the combat has ended4 ',twas the battle field2 and the cold1 pale moon ,looked down on the dead and dying2 ,and the wind passed o'er1 with a dirge and a wail1 ,where the young and the brave were lying4 ,the ground is strewn with the dead and wounded soldiers1 broken cannon1 muskets1 flags1 swords1 and portions of torn and tattered uniforms4 ,in the background1 there is a representation of a breastwork of stone2 on the extreme right are two females weeping2 at the extreme left is a mother and two children4 ,the mother lies across the breastwork1 dead4 ,the children stand by her side1 looking with wonder into her face4 ,standing on the centre of the breastwork is the ,goddess of ,war4 ,in one hand she holds a torch1 which is raised above her head2 the left grasps a standard and sword4 ,the number of figures in the piece is twenty-six4 ,twenty young gentlemen must be costumed in various styles of military suits1 while many should have wounds painted on various parts of the body4 ,the costume of the ,goddess of ,war consists of a crimson dress1 black velvet waist1 trimmed with gold1 hair hanging loosely over the shoulders1 and a red ,french military hat on the head4 ,the two ladies at the right are costumed in mourning4 ,the mother should be attired in a white dress2 the children in bright-colored costumes1 with hair hanging in ringlets4 ,the stage must be formed like an inclined plane1 beginning at the footlights1 and rising towards the background1 and covered with green bocking4 ,the soldiers should be grouped about the ground in various positions1 and the cannon and guns scattered about in a promiscuous manner4 ,the two ladies in mourning sit on the top of the breastwork1 side by side1 their heads bowed down1 and hands covering their faces4 ,the mother is seated at the other end of the breastwork1 head thrown back1 and eyes closed4 ,the children are standing by her side1 clasping their hands and gazing into her face4 ,the ,goddess of ,war should stand with her left side to the audience1 body bent forward1 the head slightly turned towards the battle field1 the countenance expressing animation and determination4 ,a small quantity of smoke should be seen rising behind the breastwork1 while the whole scene is illuminated by a red light burned at the side of the stage4 ,the booming of distant cannon and martial music may be imitated behind the stage4 ,,the ,,rescue4 ,presence of mind and courage in distress ,are more than armies to procure success4 ,one ,female and ,eight ,male ,figures4 ,this tableau is one that can be produced without much trouble or expense4 ,the scene is taken from a historical incident that occurred during the revolutionary war4 ,at the close of one of the hard-fought battles between the ,americans and ,british1 an ,american officer1 having fought long and well1 was obliged to seek safety in flight1 hotly pursued by a company of ,british soldiers1 led on by their captain4 ,he takes refuge in the mansion of a tory in the vicinity of the battle ground1 and prostrates himself at the feet of the lady of the house1 who has risen from her chair on hearing the tumult at the door1 and with her arm extended and eyes flashing1 sternly bade the ,british officer and his followers to quit the house4 ,the ,british officer is standing within a few paces of the ,american1 with sword extended1 ready to pierce his body4 ,in the rear of the ,british officer stands a platoon of soldiers1 with muskets ready to charge4 ,the furniture of the room consists of chairs1 carpet1 tables1 small sofa1 pictures1 c4 ,the lady who personates the tory housekeeper should be tall1 with good figure and features2 her costume consists of a showy silk dress and velvet waist4 ,position is1 at the right of the stage1 near the front4 ,a small table is placed at her side1 on which are a work box and piece of embroidery2 behind her is a large chair2 her right hand is extended towards the ,british officer2 the left is placed on her waist2 her countenance expressing anger and command4 ,the ,american officer should be costumed in ,continental uniform1 which consists of a blue coat1 decorated with large gilt buttons1 and faced with buff1 buff breeches1 white hose1 low shoes1 knee and shoe buckles1 red sash1 epaulets1 chapeau1 and side arms4 ,in his right hand he grasps a broken sword4 ,the position is1 kneeling two paces front of the lady1 body bent forward1 and eyes cast down to the floor4 ,the ,british officer and soldiers are dressed in similar costumes1 with the exception of the coats1 which are scarlet4 ,the ,british officer's position is1 standing in the centre of the stage1 with sword pointed towards the ,american officer1 and eyes directed to the lady4 ,the lights for the piece should be of medium brightness1 and come from the side of the stage opposite the lady4 ,the background must be partially shaded1 while the foreground is light4 ,for music1 drum and fife are adapted to the piece4 ,,solomon',s ,,judgment4 ,a mother's love4 ,if there be one thing pure1 ,where all beside is sullied1 ,that can endure ,when all else pass away-- ,if there be aught ,surpassing human deed1 or word1 or thought1 ,it is a mother's love6 ,,anon4 ,three ,male and ,two ,female ,figures4 ,this ,scripture tableau is taken from the third chapter of the ,book of ,kings4 ,the scene is at the moment when ,solomon passes his judgment between the two women4 ,these two women each had a child of the same age1 and resided together4 ,the children resembled each other so much that when one of them died1 there arose a dispute as to whom the living child belonged2 and one woman said1 ,the living is my son1 and the dead is thy son4 ,and the other said1 ,no2 the dead is thy son1 and the living is my son4 ,then said the king1 ,bring me a sword4 ,and they brought a sword before the king1 and the king said1 ,divide the living child in two1 and give half to one and half to the other4 ,then spoke the woman whose the living child was unto the king1 ,o my lord1 give her the living child1 and in no wise slay it4 ,but the other woman said1 ,let it be neither mine nor thine1 but divide it4 ,then the king answered and said1 ,give her the living child1 and in no wise slay it1 for she is the mother thereof4 ,the number of figures in this tableau is five4 ,the scenery consists of a platform four feet square and two feet high1 covered with red cloth1 which should be placed in the background1 at equal distances from the sides2 on this is placed a large1 showy chair1 with a canopy over the top4 ,seated in the chair is ,solomon4 ,his costume consists of a dark velvet suit1 trimmed with gold and silver fringe2 a large cloak1 trimmed with ermine1 is worn on the shoulders2 black hose1 reaching to the knee1 crossed with crimson ribbon2 red sandals1 ornamented with gold2 a showy crown on the head1 and his face covered with a heavy white beard1 reaching down on his breast2 his right hand is pointed towards the soldier who holds the child2 the eyes are also directed that way1 while the countenance appears stern and commanding4 ,the soldier's costume consists of a suit of armor such as can be procured at theatres and costumers2 but1 if preferred1 a military suit of any kind will answer4 ,his position is1 near the platform1 the left hand grasping the child1 while the right holds a sword1 which is raised above it2 his body faces the audience1 his head turned towards the king1 the countenance stern and forbidding4 ,on the other side of the throne stands the king's guard1 a man dressed in a blue frock1 trimmed around the skirts1 sleeves1 and front with red2 white hose1 reaching to the knee2 black knee breeches2 low shoes2 knee and shoe buckles2 lace collar and wristbands2 low black ,kossuth hat1 with gold band and plume4 ,the right hand grasps a long spear4 ,position is1 facing the audience1 the body erect1 and eyes directed straight forward4 ,at the corner of the platform1 near the soldier1 kneels the mother of the child1 in position so that a side view is had of the face2 the hands are clasped and raised in front of her breast1 head thrown back1 and eyes directed to the king1 countenance expressing hope4 ,she is dressed in deep mourning1 her hair flowing loosely over her shoulders4 ,on the other side of the throne1 opposite the guard1 stands the other woman1 her arms folded on her breast1 eyes directed to the soldier1 countenance calm4 ,her costume consists of a white dress1 cut low in the neck1 and encircled around the waist with a colored belt2 hair arranged in heavy braids1 and ornamented with showy hair pins4 ,the lights should be of medium brilliancy1 and come from either side of the stage4 ,if desirable1 a few paintings and statuary can be arranged in the background4 ,music soft and plaintive4 ,,the ,,bridal ,,prayer4 ,sweet be her dreams1 the fair1 the young2 ,grace1 ,beauty1 breathe upon her2 ,music1 haunt thou about her tongue2 ,life1 fill her path with honor4 ,all golden thoughts1 all wealth of days1 ,truth1 friendship1 love1 surround her2 ,so may she smile1 till life be closed1 ,and angel bands have crowned her4 ,,barry ,,cornwall4 ,one ,female ,figure4 ,this simple1 yet pretty tableau represents a young maiden dressed in bridal costume1 kneeling in prayer in her chamber1 preparatory to her descent to the room below1 where she is to enter into the holy bonds of matrimony4 ,the stage furniture consists of an ornamental chamber set1 a few richly-bound books1 pictures1 and other articles pertaining to a chamber4 ,the young lady should be of good figure and features4 ,costume consists of a white dress1 low in the neck1 and ornamented with white flowers4 ,the hair can be dressed to suit the performer's taste1 while a wreath of myrtle and flowers encircles the head1 at the back of which trails a long white veil4 ,position is1 kneeling in the centre of the stage1 so that a side view can be had of the form1 the hands raised and placed together in front of the face1 the head slightly thrown back1 the eyes closed1 and the countenance expressing devotion4 ,little light is required1 which should come from the side of the stage4 ,music soft and plaintive4 ,,the ,,guitar ,,lesson4 ,o1 strike the guitar lightly1 lightly2 ,its tones ,i ne'er forget2 ,o1 strike the guitar lightly2 ',tis sweet as when we met4 ,one ,female and ,one ,male ,figure4 ,this simple1 but pretty tableau represents a young lady at the music room of her teacher1 taking a lesson on the guitar4 ,the scene represented is a room furnished with table1 chairs1 carpet1 vases1 pictures1 c4 ,a small sofa1 or a pair of ottomans1 are placed in the centre of the apartment1 on which is seated a young and beautiful lady1 and by her side the teacher4 ,the lady holds in her hands a guitar1 on which she is playing4 ,her teacher holds a sheet of music in the left hand1 while with the right he points towards the guitar4 ,the maiden's costume consists of a white dress1 velvet waist1 white flowing sleeves1 waist encircled with a crimson sash2 hair done up in a neat manner1 and decorated with large feldspar beads4 ,her position is1 facing the audience1 head slightly turned to her teacher1 eyes directed to the music1 face beaming with smiles4 ,the teacher's costume consists of black pants1 white hose1 reaching to the knee1 with a band of colored ribbon1 and wide lace attached by a large paste pin at the top1 low shoes with buckles1 single-breasted vest left unbuttoned1 showing a white shirt underneath4 ,a lady's pink or red sack will on an emergency answer for a coat4 ,a lady's velvet cape should be thrown carelessly over the shoulder4 ,the wristbands of the shirt bound with wide lace1 and a wide lace collar worn around the neck4 ,the head covered with a low-crowned ,kossuth hat1 ornamented with a gilt band1 and white plume1 which is fastened to the hat with a large and brilliant paste pin4 ,both of these costumes can be arranged at short notice1 and the tableau would be suitable for home entertainment4 ,a guitar1 played behind the scenes1 will answer for the music4 ,the light must be of medium brightness1 and come from either side of the stage4 ,,roger ,,williams ,,preaching ,,to ,,the ,,indians4 ,gitche ,manito the ,mighty1 ,the ,great ,spirit1 the ,creator1 ,sends them hither on his errand1 ,sends them to us with his message4 ,let us welcome1 then1 the strangers1 ,hail them as our friends and brothers1 ,and the heart's right hand of friendship ,give them when they come to see us4 ,,longfellow4 ,two ,female and ,eight ,male ,figures4 ,roger ,williams was the first white man that settled in ,rhode ,island4 ,he was a clergyman1 and lived in ,boston2 but he did not think exactly as the other clergymen of ,boston1 and was therefore banished from ,massachusetts4 ,he emigrated with his family to the woods4 ,after travelling a considerable time1 he selected a beautiful spot1 and built him a house4 ,other settlers soon came that way1 and founded homes4 ,this was the first settlement of ,providence4 ,williams was kindly treated by the ,indians1 who seemed pleased at his arrival among them4 ,every ,sabbath he would go into the village and preach to them4 ,the scene in this tableau represents him standing before a wigwam with his ,bible in hand1 explaining the ,holy ,scriptures to a group of savages who are gathered about him4 ,a few spruce trees should be placed in the background of the picture1 a fire kindled in the centre of the stage1 which can be placed in an iron furnace1 and surrounded with stones4 ,the floor must be covered with white cloth4 ,logs and branches of trees should be scattered around the stage4 ,at the left of the stage is the wigwam1 formed with rough poles1 covered with light-brown cloth1 and ornamented with red hieroglyphics4 ,in the background1 and at each side of the stage1 are seated ,indians4 ,the floor of the stage in the background should be raised one foot1 on which are placed the trees2 in front of the wigwam stands ,roger ,williams2 he partially faces the audience2 his left hand holds a ,bible1 while his right is raised upward1 his eyes directed towards the ,indians--countenance expressing animation4 ,costume consists of black coat of ancient style1 black breeches1 black vest1 white hose1 ruffled bosom1 and white cravat1 knee and shoe buckles1 and a long white wig1 ending in a cue1 and tied with a black ribbon4 ,costume of the ,indians is a short frock1 made of and trimmed with a bright-colored cambric1 pants of dark buff cloth1 fitting tightly so as to develop the form of the leg1 moccasins of red flannel1 decorated with beads2 a strip of card-board1 covered with red flannel1 and ornamented with feathers of any kind1 should be worn around the head4 ,a belt about the waist1 containing tomahawk and knife1 both of which can be made of wood1 and painted in bright colors4 ,a few squaws are interspersed in the scene4 ,their costumes are similar to those of the men1 with the addition of a bright-colored blanket thrown over the shoulders1 and hair loosely flowing about the neck4 ,the exposed portions of the bodies of the ,indians are stained of the same color as the pants4 ,the position of the figures must be varied1 while all look with attention to ,williams4 ,the scene should be lighted by a red fire1 burned at the front side of the stage4 ,music soft and of a sacred character4 ,,crossing ,,the ,,line4 ,far1 far upon the sea ,the good ship speeding free1 ,upon the deck we gather1 young and old1 ,and view the flowing sail ,swelling out before the gale1 ,full and round1 without a wrinkle or a fold4 ,ten ,male ,figures4 ,this comic tableau is a representation of a scene which often transpired on board of vessels in passing the line4 ,this time-honored custom of introducing to old ,neptune and his suite the persons who1 for the first time in their lives1 cross the equinoctial line1 is now nearly abolished4 ,but until within a quarter of a century1 the occasion of crossing the line was one of no little importance4 ,it was a jubilee on board ship which was looked forward to with eagerness by the jolly tars who had already shaken hands with the ,god of the ,ocean1 and with fear and trembling by the youths who were about to enter for the first time the favorite dominions of the old god4 ,the ceremonies on these occasions varied according to the character of the crew1 of the commander of the vessel1 or of the poor fellows about to undergo the unpleasant and dreadful process of an introduction4 ,they were generally of a harmless and amusing character1 one of which was to bring them before old ,neptune1 and put them through the process of shaving4 ,the chin1 and the greater part of the face1 would be plastered over with a composition made of tar and train oil1 laid on thickly with a large tar brush4 ,the razor was often fabricated from a worn-out hoop1 notched like a handsaw4 ,this was drawn over the face1 not in the most gentle manner4 ,after this operation was completed1 a person approached to untie the handkerchief that bandaged the eyes1 and at the same moment kicked away the plank on which the victim sat1 which precipitated him into the ship's longboat1 filled with water for the occasion4--,the number of figures in this tableau is ten4 ,neptune is the principal one1 and is costumed in a flesh-colored coat1 fitting tightly to the body1 and covered with hieroglyphics in bright colors2 the face painted to look hideous1 and partially covered with a long1 shaggy beard2 a crown on the head1 made of card-board1 covered with gilt paper and shells2 a spotted fur robe is thrown over the lower portion of the body2 his right hand grasps a three-pronged fork1 while the left is stretched out to one of the sailors4 ,his throne1 on which he is seated1 is made of a number of barrels placed in a row at the back of the stage1 on which rests a platform1 with an anchor on each side4 ,the victim1 as well as the rest of the performers1 should be costumed in sailors' suits1 differing in colors and styles4 ,in the centre of the stage erect a small platform1 one foot high and six feet long4 ,on this place the person who is to be shaved4 ,at his left stand two sailors4 ,one holds the speaking trumpet and a ship's bucket2 the other is in the act of pouring a bucket of water on the head of the victim2 a third sailor holds in his left hand a paint brush1 and brandishes the razor in his right2 a little sailor boy holds a small tub1 which contains the soap4 ,fronting the victim1 kneels a sailor1 holding a syringe4 ,the remaining figures are looking on to see the sport4 ,the countenances of all but the victim express mirth4 ,an imitation mast and sail should be arranged at the background of the picture1 the sides of the stage painted to represent ports of a vessel1 and various articles that are used on board a ship must be scattered about the deck4 ,light brilliant1 and come from the right side of the stage4 ,,the ,,wedding4 ,pass thou on6 for the vow is said ,that may ne'er be broken2 ,the trembling hand hath a blessing laid ,on snowy forehead and auburn braid1 ,and the word is spoken ,by lips that never their word betray'd4 ,pass thou on6 for thy human all ,is richly given1 ,and the voice that claims its holy thrall ,must be sweeter for life than music's fall1 ,and1 this side heaven1 ,thy lip may never that trust recall4 ,,willis4 ,one ,female and ,two ,male ,figures4 ,this tableau is a representation of the marriage ceremony1 and is arranged with little trouble or expense4 ,for a home entertainment it will be quite appropriate4 ,the scene is a young and beautiful maiden and a fine-looking gentleman kneeling at the foot of an altar1 behind which stands a priest1 dressed in appropriate costume4 ,he is performing the wedding rites4 ,he holds in his right hand a prayer book2 his left is stretched out over the kneeling couple2 his eyes are raised upward1 the countenance calm4 ,the lady and gentleman kneel at the foot of the altar1 partially facing each other1 so that a side view is had of the body4 ,the eyes of both are cast down2 the lady's costume consists of a white dress1 trimmed to suit the taste of the performer4 ,a delicate wreath of silver leaves crowns the head1 and a long white veil hangs from the back hair to the floor4 ,the gentleman should be costumed in a black coat and pants1 white vest1 cravat1 and gloves4 ,the priest's costume consists of a black surplice and cowl1 white cravat1 and a large cross suspended from the neck4 ,for want of a better article1 a lady's black dress will answer for the surplice1 and a black silk scarf1 wound around the head1 will answer for a cowl4 ,the altar can be formed out of a small table1 with a white cloth thrown over it1 with a large ,bible on the top4 ,the light for this piece should be mellow1 and come from the left side of the stage4 ,music soft and plaintive4 ,,hiawatha ,,sailing4 ,and thus sailed my ,hiawatha ,down the rushing ,taguamenaw-- ,sailed through all its bends and windings1 ,sailed through all its deeps and shallows1 ,while his friend1 the strong man ,kwasind1 ,swam the deeps1 the shallows waded4 ,up and down the river went they1 ,in and out among its islands1 ,cleared its bed of root and sand-bar1 ,dragged the dead trees from its channel1 ,made its passage safe and certain1 ,made a pathway for the people1 ,from its springs among the mountains1 ,to the waters of ,pauwating1 ,to the bay of ,taguamenaw4 ,,longfellow4 ,two ,female and ,two ,male ,figures4 ,this interesting tableau represents ,hiawatha and his friends sailing in his birch canoe4 ,the arrangement of the scenery is quite simple1 and when properly adjusted1 makes one of the finest pictures in this series4 ,the floor of the stage must be arranged to represent water1 which can be done in the following manner3 ,nail strips or narrow bands of wood on each side of the stage1 the front ends resting on the floor1 the other ends raised to the height of one foot2 at intervals of ten inches on the strips place stout nails1 and to these fasten stout cord from one side of the stage to the other2 across the cords place strips of light-blue cambric1 allowing it to festoon from one cord to the other2 fasten the cambric to the cords with pins1 and paint in a careless manner the ridges to represent miniature waves2 then scatter the surface with isinglass in small particles4 ,fill up the background with scenery of a similar character1 or with small spruce trees4 ,an imitation birch canoe can be made of strips of wood1 covered with cloth1 painted light brown1 and ornamented with bands of crimson1 blue1 and white paint2 this should be placed in the centre of the stage1 on small ways running across from one dressing room to the other1 and painted the same color as the waves4 ,grooved pieces of wood must be fastened to each side of the canoe1 so that it can be propelled across the stage on the ways1 and appear to be floating on the top of the water4 ,ropes attached to each end1 at the bottom of the boat1 passed under the waves1 and roved through blocks1 can be used to propel it from one side of the stage to the other4 ,the ways should extend into the ante-rooms1 so that the boat can pass entirely from the stage4 ,large leaves and long grasses1 made of green cambric1 may be placed around the edges of the water4 ,the boat contains two ,indian braves and two ,indian maidens4 ,all are dressed in costumes1 which have been described in the tableau of ,hiawatha and his ,bride's ,return ,home4 ,hiawatha is seated in the stern of the boat1 holding a paddle in the water4 ,the other ,indian is kneeling in the bow with his bow and arrow1 and in position as if firing to the shore4 ,one of the maidens is looking intently over the side of the canoe1 and the other is looking upward4 ,both should have long black hair flowing over the shoulders4 ,the canoe should move very slow1 and should be seen in motion when the curtain rises2 and to have it move in a steady manner1 the ropes should be attached to a windlass below the stage4 ,the scene must be illuminated by a green fire burned at the side of the stage opposite the entrance of the canoe4 ,music soft and plaintive4 ,,the ,,village ,,stile4 ,the village stile--and has it gone8 ,supplanted by this niche of stone1 ,so formal and so new2 ,and worse1 still worse1 the elder bush1 ,where sang the linnet and the thrush-- ,say1 has that vanished too8 ,age sat upon 't when tired of straying2 ,and children that had been a-maying2 ,these trimmed their garlands gay2 ,what tender partings1 blissful meetings1 ,what faint denials1 fond entreatings1 ,it witnessed in its day6 ,one ,female and ,one ,male ,figure4 ,this rustic tableau represents a young shepherd and his betrothed seated on the village stile1 engaged in conversation4 ,in the centre of the stage1 a weather-worn plank should be placed1 resting on artificial banks at each side1 which are three feet high and four feet wide2 these can be shaped out of boxes or chairs placed together in a careless manner1 and covered with green bocking2 at each side of the stage1 near the banks1 place small spruce trees1 and beneath the stile build a step out of old plank1 one foot high1 and the length of the space between the two banks4 ,seated on the inner side of the stile is the young maiden4 ,she is partially facing the audience1 body slightly bent forward1 right hand placed in that of the shepherd1 while the left rests on a basket of flowers placed on her knee4 ,costume consists of a showy plaid dress1 with a green waist1 trimmed with purple cloth1 cut in scallops2 a small pink scarf worn over the shoulders1 and tied at the side2 a pink apron1 trimmed with white2 a small straw hat1 bound with green ribbon1 and set jantily on the head2 hair done up low in the neck1 and ornamented with blue and red ribbons4 ,the eyes are cast down to the basket1 the expression of the face thoughtful4 ,the young shepherd stands on the outside of the stile1 reclining carelessly against the green bank4 ,he partially faces the audience2 his eyes are directed to the opposite side of the stage1 the expression of the face denoting deep thought4 ,the right hand clasps that of the maiden1 while the left hangs carelessly at the side1 and grasps a shepherd's crook1 which is six feet long4 ,costume consists of a loose1 light-blue coat1 bound at the bottom of the skirt and sleeves with dark blue2 a belt of the same encircles the waist2 white hose1 low shoes covered with red cloth1 knee and shoe buckles1 and low-crowned hat2 a straw hat1 covered with brown cambric1 and bound with red1 will answer4 ,if a large dog can be procured1 that will remain perfectly still1 place him at the feet of the shepherd4 ,the light should be of medium brilliancy1 and come from the front of either side of the stage4 ,music soft and of a secular order4 ,,florence ,,nightingale ,,in ,,the ,,crimea4 ,the tender sigh1 the balmy tear1 ,that meek-eyed pity gave1 ,my last expiring hour shall cheer1 ,and bless a soldier's grave4 ,one ,female and ,three ,male ,figures4 ,this tableau is one that can be easily formed for an evening's entertainment4 ,it represents ,florence ,nightingale nursing a young wounded soldier in his tent at the ,crimea4 ,florence ,nightingale was one of those philanthropic and humane ladies who left their homes and the comforts of life1 and resorted to the ,crimea1 where1 on the field of battle and in the pestilential hospital1 she comforted and nursed the sick and wounded soldiers4 ,the tent can be made of white cloth1 fastened to a frame of light strips of wood eight feet square1 with a small flag fastened in front4 ,a couch should be formed at one side of the tent1 on which reclines the wounded soldier1 with an imitation of a large wound on the forehead1 a large black patch on the side of the face1 and a bandage around the head2 his face must be made quite white1 his body supported by pillows2 eyes fixed on ,florence1 countenance calm and tranquil2 his right arm is extended outside of the coverlet1 and is held by a comrade who is at the side of the bed4 ,florence's costume consists of a red dress reaching to the knee1 a white collar1 loose blue pants with red stripe1 buff apron trimmed with white1 a flat blue cap with gold band1 a small1 square1 black bag1 suspended at the side by leather straps passing over the shoulders1 the hair arranged low in the neck2 she is standing by the side of the couch1 body bent slightly forward1 one hand resting on the pillow1 the other grasps the hand of the sufferer4 ,on the other side of the bed is a soldier1 seated on a camp-stool1 engaged in reading a ,bible4 ,he is dressed in a showy uniform1 and is facing the audience4 ,the lights for this piece should be of medium brilliancy1 and come from the front of the stage4 ,music of a military style4 ,,the ,,fireman',s ,,statue4 ,one ,male and ,six ,female ,figures4 ,this tableau is quite a tasty design1 and is represented by six females in a kneeling posture1 supporting a circular shield1 on the top of which stands a young and handsome fireman1 dressed in his regalia4 ,in his right hand he grasps a hose pipe1 the end of which rests on the top of an imitation hydrant1 which is placed on the top of the shield at his side4 ,his position is1 facing the audience1 body and head erect1 the left hand resting on the hip1 eyes raised upward1 countenance calm4 ,the ladies' costume consists of a white dress1 red waist1 blue sash1 hair done up snugly and encircled with a gold band1 on the front of which is a silver star1 with a blue border and spangles in the centre4 ,the shield should be three feet in diameter1 and placed on a pedestal high enough to allow the ladies to kneel beneath4 ,it should be covered with a white cloth that will trail to the floor4 ,the ladies kneel in a circle around the shield1 the body facing outward1 the head turned slightly to one side1 both hands placed against the bottom of the shield1 the eyes cast down4 ,the two centre ladies should partially face each other4 ,expression of the countenance pleasant4 ,music of an operatic order4 ,,joan ,,of ,,arc ,,at ,,the ,,siege ,,of ,,orleans4 ,that was a joyous day in ,rheims of old1 ,when peal on peal of mighty music roll'd ,forth from her throng'd cathedral2 while around1 ,a multitude1 whose billows made no sound1 ,chain'd to a hush of wonder1 though elate ,with victory1 listen'd at their temple's gate4 ,but who alone ,and unapproach'd beside the altar stone1 ,with the white banner1 forth like sunshine streaming1 ,and the gold helm1 through clouds of fragrance gleaming1-- ,silent and radiant stood8--,the helm was raised1 ,and the fair face reveal'd that upward gazed ,intensely worshipping3--a still1 clear face1 ,youthful1 but brightly solemn6--,woman's cheek ,and brow were there1 in deep devotion meek1 ,yet glorified with inspiration's trace ,on its pure paleness2 while1 enthroned above1 ,the pictured ,virgin1 with her smile of love1 ,seem'd bending o'er her votaress4--,that slight form6 ,was that the leader through the battle storm8 ,had the soft light in that adoring eye ,guided the warrior where the swords flash'd high8 ',twas so1 even so6--and thou1 the shepherd's child ,joanne1 the lowly dreamer of the wild6 ,never before1 and never since that hour1 ,hath woman1 mantled with victorious power1 ,stood forth as thou beside the shrine didst stand1 ,holy amidst the knighthood of the land2 ,and beautiful with joy and with renown ,lift thy white banner o'er the olden crown1 ,ransom'd for ,france by thee6 ,,mrs4 ,,hemans4 ,one ,female and ,thirty ,male ,figures4 ,this historical tableau contains thirty-one figures4 ,a less number will make a picture2 but to give proper effect to the scene1 there should be thirty-one4 ,joan of ,arc1 the heroine of this piece1 at the age of nineteen was a simple and uneducated shepherdess1 and by her enthusiastic courage and patriotism was the immediate cause of that sudden revolution in the affairs of ,france which terminated in the establishment of ,charles ,,vii4 on the throne of his ancestors1 and the final expulsion of the ,english from that kingdom4 ,the town of ,orleans was the only place in ,france which remained in the possession of the dauphin at the time when this heroine made her appearance1 and that was closely besieged by the ,english1 while ,charles had not the smallest hope of being able to procure an army to raise the siege4 ,benevolent in her disposition1 gentle and inoffensive in her manners1 and above all1 dutiful to her parents1 ,joan had1 from her earliest infancy1 been ardently attached to her country4 ,her piety1 her enthusiasm being thus united in her young and romantic mind with an all-absorbing feeling of patriotism1 she was led to believe herself the humble instrument1 in the hands of ,heaven1 by whom the interest and glory of ,france were to be redeemed4 ,under this impression1 the maiden left her native village1 and appeared before ,charles dressed as a warrior1 and informed him that she had two things to accomplish on the part of the ,king of heaven2 first1 to cause the siege of ,orleans to be raised2 and secondly1 to conduct the ,king to ,rheims1 there to be anointed4 ,the enterprise so courageously proposed was considered1 and her services publicly accepted4 ,on the #bith of ,april1 #adbi1 ,joan of ,arc appeared before ,orleans1 with twelve thousand men4 ,she made an attack upon ,fort ,st4 ,loup1 which she carried1 sword in hand1 as well as the bulwarks of ,st4 ,john4 ,she had a banner made after her own device2 her sword was taken from the tomb of a knight1 where it had lain more than a century2 her helmet was surmounted with feathers4 ,she remained at the head of the army until #adcj1 when she was taken prisoner by the ,english1 at the siege of ,campaigne4 ,from the moment she was a prisoner1 the heroine was forgotten4 ,joan was condemned at ,rouen1 by ,cauchon1 ,bishop of ,beauvais1 and five other ,french bishops1 to be burned alive for magic and heresy1 and her cruel sentence was put in execution on the #bdth of ,may1 #adca4 ,thus was the admirable heroine cruelly delivered over in her youth to the flames1 and expiated by the punishment of the fire the signal services which she had rendered to her prince and native country4 ,the scene for the tableau is taken at the moment when ,joan of ,arc1 sword in hand1 is leading on the storming party over the bulwarks of ,st4 ,john4 ,she is seen on the top of the ramparts1 near one of the cannon which has just been fired4 ,her soldiers are charging over the bulwarks around her4 ,in the background are to be seen the troops of the various armies1 engaged in hostile combat4 ,the battlements should be three or four feet in height1 two feet wide1 running across the front of the stage1 with an embrasure in the centre4 ,boxes covered with imitation-stone paper are to be used for its formation4 ,if a small cannon cannot be procured1 a mock one may be constructed of wood4 ,platforms rising gradually from the ramparts to the back scene must be used for the figures in the background to stand on4 ,joan of ,arc should be tall in stature1 of good figure1 and fine looking1 with large black eyes1 and long black hair4 ,costume consists of a crimson skirt1 coat of mail buttoned up to the throat1 helmet with flowing plumes1 riding gloves1 crimson sash across the breast1 belt and side arms4 ,the banner is made of white cloth1 trimmed with crimson1 with a gold cross in the centre1 and a gilt spear1 and tassels on the end of the staff4 ,sword of rich design1 and quite long4 ,her position is1 near the cannon1 the right foot on the top of the ramparts or cannon1 the left a few inches lower1 on a box placed behind the ramparts2 the body bent forward2 right hand grasping a sword and stretched out at arm's length towards the ceiling1 the left holding the banner1 which is held at the side of the body2 the head slightly turned to the troops at the right2 eyes directed partially to them2 countenance animated4 ,three soldiers in uniform--the prominent colors scarlet--are lying on the ground in front of the battlements4 ,wounds should be imitated on the head2 one soldier is lying across the cannon1 holding a rammer in his hand2 two others are stretched out on the battlements4 ,the costume of ,joan's soldiers should be blue and buff1 and each wearing a large moustache4 ,two platoons1 each containing five soldiers1 are in the act of charging over the ramparts at each side of ,joan2 they stand two feet from the breastwork1 and look straight forward4 ,one soldier on each side is in the act of piercing with his bayonet the soldiers on the breastwork4 ,the background is filled up with troops of both nations1 who are in the act of fencing and firing their muskets at the enemy in the distance2 a variety of positions should be taken1 to make the scene as attractive and life-like as possible4 ,the booming of cannon and rattle of musketry may be imitated in the ante-rooms2 a slight quantity of smoke can be made to hover over the combatants by burning a small quantity of the whitish blue fire on the stage before the curtain rises4 ,care must be taken not to burn too much1 as a great quantity of smoke will hide the figures from view4 ,the scene most be illuminated by a brilliant red fire burned on the side of the stage that will most reflect on ,joan's face4 ,the piece may be exhibited double the usual length of time of other tableaux1 and should be used as a grand finale4 ,,the ,,parting4 ,ah6 then and there was hurrying to and fro1 ,and gathering tears1 and tremblings of distress1 ,and cheeks all pale1 which but an hour ago ,blush'd at the praise of their own loveliness4 ,and there were sudden partings1 such as press ,the life from out young hearts1 and choking sighs1 ,which ne'er might be repeated--,who could guess ,if ever more should meet1 those mutual eyes1 ,since upon night so sweet1 such awful morn could rise8 ,,byron4 ,one ,male and ,two ,female ,figures4 ,this pretty tableau is one that can be formed without much expense or trouble4 ,the scene represented is a young knight1 about to leave his home1 his wife1 and child1 to fight the battles of his country4 ,a large flight of steps fills up one third of the stage at the background4 ,these can be made by placing strips of boards on boxes1 arranged in the form of steps1 and covering them with white marble or light stone paper2 at one side of the stage is a pedestal three feet high and eighteen inches square1 on the top of which is a large vase of flowers4 ,a box covered with marble paper1 and fresco cornice1 will answer for the pedestal1 while a large earthen jar1 painted white1 will do for the vase4 ,on the other end of the steps1 two marble pillars reach from the upper step to the ceiling1 and a couple of spruce trees placed back of the steps1 at each end1 will give a good effect4 ,the knight is costumed in a black frock1 trimmed around the bottom of the skirt and sleeves with purple cambric1 a straight collar of the same material1 ornamented with gilt buttons and paper2 belt and side arms1 red sash1 riding gloves1 purple knee breeches1 white hose1 low shoes1 knee and shoe buckles1 a low cap1 with a gilt band1 and showy plume fastened to the side with a brilliant paste pin2 a small velvet cape1 trimmed around the bottom with gold paper1 is worn carelessly over the left shoulder4 ,position is1 standing on the bottom step1 facing the audience2 one foot rests on the floor of the stage1 the other on the step2 the right hand points to the back of the stage1 while the left rests on the shoulder of his wife1 who stands at his side2 his body is bent slightly forward1 eyes directed to those of his wife2 countenance expresses animation4 ,the lady who personates the wife should have black1 curly hair1 good figure1 medium height1 and regular features4 ,costume consists of a blue silk dress1 velvet waist1 hair arranged in curls1 and ornamented with showy hair pins4 ,position is1 at the side of her husband1 two paces in advance1 and in such position that a side view is had of the form2 her body bent forward1 so that her hands1 which are clasped1 will rest on her husband's shoulder1 head thrown back1 eyes directed to those of her husband1 face expressing grief4 ,a few paces to the left of the lady1 is a cradle1 containing a sleeping child4 ,a large ,newfoundland dog lies quietly watching it4 ,the scene should be illuminated by a purple fire burned near the front of the stage4 ,music of a martial style4 ,,hagar ,,and ,,ishmael ,,in ,,the ,,wilderness4 ,it was an hour of rest6 but ,hagar found ,no shelter in the wilderness1 and on ,she kept her weary way1 until the boy ,hung down his head1 and open'd his parch'd lips ,for water2 but she could not give it him4 ,she laid him down beneath the sultry sky1-- ,for it was better than the close1 hot breath ,of the thick pines1--and tried to comfort him2 ,but he was sore athirst1 and his blue eyes ,were dim and bloodshot1 and he could not know ,why ,god denied him water in the wild4 ,she sat a little longer1 and he grew ,ghastly and faint1 as if he would have died4 ,it was too much for her4 ,she lifted him1 ,and bore him farther on1 and laid his head ,beneath the shadow of a desert shrub2 ,and1 shrouding up her face1 she went away ,and sat to watch where he could see her not ,till he should die2 and1 watching him1 she mourned3-- ,,willis4 ,one ,female and ,one ,male ,figure4 ,this group is a representation of ,hagar and ,ishmael in the wilderness1 and is designed to imitate sculpture4 ,the circumstances of the scene are well known in the simple narrative of the ,scriptures4 ,the boy1 weary and exhausted by unaccustomed hardships and suffering1 has sunk down in the desert to die2 but ,hagar1 sustained by the measureless affection of a mother's breast1 supports the fainting form of her son1 and has just put aside the cup now drained of its last precious drops of water4 ,she gazes upon his face1 while in her own1 hope still lingers1 before yielding to the unutterable anguish of despair4 ,the lady who personates ,hagar should be of good figure and features1 tall1 and matronly4 ,costume consists of a white dress1 cut low in the neck1 sleeves five inches long1 a white tarleton scarf worn across the shoulders1 and tied at the left side1 the hair hanging in curls on the neck1 a white turban on the head1 with two white strips attached to the side and passed under the chin1 and white sandals laced across white hose4 ,the position of ,hagar is kneeling1 so that a side view is had of the face4 ,the left hand sustains the head of ,ishmael1 the right is extended to the pitcher which stands at the side of the group2 the head is bent forward considerably1 eyes fixed on those of the boy1 countenance expressing anxiety and hope4 ,a young lad of six years of age1 of fair complexion and long1 light1 curly hair1 is required to personate ,ishmael4 ,he should be costumed in a loose1 white coat or frock1 white hose and sandals1 with a white gauze mantle draped about the breast4 ,ishmael's position is1 reclining on his side1 one leg drawn up and placed across the other1 the left arm resting on the ground1 supporting the body1 the right lying carelessly at the side2 the shoulders rest on the knee of ,hagar1 head thrown back1 and resting on the hand of ,hagar1 eyes closed1 mouth partially open4 ,the pitcher should be of white porcelain1 of ancient style4 ,the group is formed on a square or round pedestal1 five feet square or in diameter1 and one foot high1 covered with white cloth or marble paper4 ,the exposed portions of the figures must be made as white as possible with chalk4 ,light soft1 and come from the side of the stage4 ,music of a plaintive and sacred character4 ,,the ,,fight ,,for ,,the ,,standard4 ,they saw the princely crest1 ,they saw the knightly spear1 ,the banner1 and the mail-clad breast1 ,borne down1 and trampled here3 ,they saw--and glorying there they stand1 ,eternal records to the land4 ,,mrs4 ,,hemans4 ,twelve ,male ,figures4 ,this thrilling tableau represents a death struggle between an ,arab standard-bearer and a ,french soldier4 ,the ,arab grasps the standard with the left hand1 while the right holds a short cimeter at arm's length2 his body is bent forward1 right arm extended thirty inches front of the left1 and eyes directed to those of the soldier1 the countenance expressing firmness and excitement4 ,costume consists of a long white coat without sleeves1 trimmed about the bottom with buff1 open at the top1 displaying the neck and chest2 a heavy red sash wound around the waist2 pants of light-blue1 cut quite loose1 and gathered in with a string at the ankle2 shoes covered with red cloth2 a turban on the head1 the top of which is white1 and around the bottom is wound a band of red and black cloth1 with the ends falling over the shoulders2 a belt and scabbard are fastened to the waist4 ,the sword should be two feet long1 four inches wide1 and curve from hilt to point4 ,this can be made of tin or wood1 the scabbard of card-board or leather1 and painted red4 ,the ,french soldier's costume consists of blue coat1 trimmed and faced with buff1 gold epaulets1 large gilt buttons1 white pants with stripe of red1 red belt and long scabbard1 hat with plume and long1 straight visor4 ,he holds in his right hand a long1 straight sword1 while the left grasps the standard4 ,his body is bent forward1 and faces the audience1 the right foot extended front of the left thirty inches1 the eyes fixed on those of the ,arab1 countenance expressing determination and rage4 ,the staff on which the flag is fastened is seven feet long1 with a gilt ball1 crescent1 and tassels at the top4 ,the flag is made of three stripes1 one of light yellow1 and two of light red1 with a black oval1 with red trimmings1 in the centre4 ,the flag should be unfolded so as to show the design1 but gathered in at the centre by the hand of the soldier4 ,between these two figures are a ,french soldier and an ,arab lying dead on the ground4 ,five feet behind this group1 and at the right of the stage1 are four ,arabs1 with long spears1 charging on the same number of ,french soldiers opposite1 who are holding their muskets in position1 ready to repel the charge1 their countenances expressing sternness1 their eyes fixed on each other4 ,costumes are similar to those described4 ,spears can be made of wood1 with gilt spear-heads4 ,the skin of the ,arabs must be stained light brown4 ,the ,french soldiers should wear large mustaches4 ,a slight quantity of smoke is seen floating in the background2 the booming of cannon heard in the distance4 ,the scene is illuminated by a red fire at the side of the stage4 ,music of a martial style4 ,,jonathan',s ,,visit ,,to ,,his ,,city ,,cousins4 ,one ,female and ,one ,male ,figure4 ,this comic tableau is one that can be produced at short notice1 and without expense4 ,the scene to be represented is a parlor furnished with sofa1 chairs1 carpet1 pictures1 table1 and a melodeon1 which is placed on the side of the stage4 ,a sheet of music is resting on the rack1 and a young lady is seated on the melodeon stool1 body facing the audience1 head turned to the back of the room1 both hands raised1 and eyes fixed on a young man1 who is seated on the sofa in the background4 ,her body is slightly inclined from the young man1 countenance expressing affright4 ,she should be costumed in a showy silk dress4 ,the gentleman's costume consists of striped pants1 reaching within six inches of the foot1 red straps1 thick boots1 ancient style swallow-skirted coat1 short striped vest1 ruffle-bosomed shirt1 standing collar reaching to the ears1 large brass chain and watch seals hanging from the vest pocket1 large red silk handkerchief laid across the knee1 and a low-crowned white hat in the hand4 ,position is1 seated on the sofa1 one hand placed in the pants pocket1 the other resting on the knee1 body bent forward1 eyes fixed on the keys of the melodeon1 countenance expressing astonishment4 ,the gentleman best adapted for this part is one who has a natural talent for performing in comedy4 ,light should be thrown on the scene from the lower end of the side of the stage1 and of medium brightness4 ,music of a spirited character4 ,,the ,,three ,,graces4 ,faith1 ,hope1 and ,love1 now dwell on earth1 ,and earth by them is blest2 ,but ,faith and ,hope must yield to ,love1 ,of all the graces best4 ,three ,female ,figures4 ,this is a statuary tableau1 and is represented by three young and beautiful ladies of about the same height and figure1 with regular features and long hair4 ,their costume consists of a long white robe1 worn with few skirts1 and cut extremely low at the neck1 sleeves five inches long1 a mantle of white tarleton muslin worn across the breast1 tied at the side1 and allowed to trail on the floor2 the hair arranged in braids at the sides of the head1 ornamented with large beads1 clasped with a silver band behind1 and allowed to hang in short curls in the neck4 ,the ornaments should be entirely white4 ,the three ladies stand on a pedestal three feet high1 and four feet in diameter2 this must be covered with black or green marble paper1 and placed in the centre of the stage4 ,the centre lady stands facing the audience1 with the right hand raised above the head2 the left clasps the hand of the lady at the left side1 who is looking into the eyes of the figure at the right1 and rests her right hand on the shoulder of the centre figure4 ,the figure on the other side stands in a graceful position1 resting her hands on the shoulder of the centre figure1 and looking into her face4 ,the countenances of the three should express pleasure4 ,the light for the piece must be soft and mellow1 and come from the side of the stage4 ,music low and plaintive4 ,,the ,,guardian ,,angel4 ,angels1 joyful to attend1 ,hovering round thy pillow bend1 ,wait to catch the signal given1 ,and convey thee quick to heaven4 ,one ,female and ,one ,male ,figure4 ,this is a most pleasing tableau1 and represents the good angel1 in whose existence and controlling power there is scarce any one so rude as not to believe1 attending a young boy1 who looks reverently upward1 to heed the admonitions of his celestial companion4 ,the lady who personates the angel should be of good figure1 tall and slim1 with fine features1 and light curly hair4 ,costume consists of a loose white dress1 over which is worn a robe of white tarleton muslin2 these should be cut quite low in the neck1 and long at the bottom2 sleeves long1 and fitting tight to the arms2 a wide mantle of tarleton muslin worn across the breast1 and allowed to trail with the dress at the side4 ,large wings1 formed of wire1 covered with white muslin1 and ornamented with spangles1 must be fastened to the back of the waist4 ,the hair should hang in ringlets1 and be encircled with a band of silver4 ,the boy must be of small stature1 good features1 and have long1 light1 curly hair4 ,costume consists of a loose short frock1 made of white cloth1 trimmed around the collar and ends of sleeves with white lace2 white breeches1 white hose1 white shoes1 and a small satin sash about the waist4 ,both of the figures stand on a pedestal two feet high by three square1 which should be covered with black marble paper4 ,the angel stands in the centre of the pedestal1 the left hand resting on the boy's left shoulder1 the right hand on his right shoulder4 ,her head is turned away to the left1 the eyes fixed on the floor1 the countenance pleasant4 ,the boy stands a little to the right of the angel1 arms crossed on his breast1 head turned sideways1 and slightly back1 eyes fixed on the face of the angel4 ,the crimson curtains1 without the fairies1 that are used in the tableau of the ,dancing ,girl in ,repose1 may be placed over the group4 ,the side curtains can be held up at the side by crimson bands4 ,a curtain of white gauze1 drawn across the front of the stage1 will give a good effect to the tableau4 ,the light should be of medium brilliancy1 and come from the front side of the stage4 ,music soft1 and of a sacred character4 ,,the ,,pyramid ,,of ,,beauty4 ,beauty is as crystal in the torchlight1 sparkling on the poet's page2 ,virgin honey of ,hymettus1 distilled from the lips of the orator2 ,a savor of sweet spikenard1 anointing the hands of liberality2 ,a feast of angel's-food set upon the tables of religion4 ,she is seen in the tear of sorrow1 and heard in the exuberance of mirth2 ,she goeth out early with the huntsman1 and watcheth at the pillow of disease4 ,science1 in his secret laws1 hath found out latent beauty2 ,sphere and square1 and cone and curve1 are fashioned by her rules3 ,mechanism met her in his forces1 fancy caught her in its flittings1 ,day is lightened by her eyes1 and her eyelids close upon the night4 ,beauty is dependence in the babe1 a toothless tender nursling2 ,beauty is boldness in the boy1 a curly rosy truant2 ,beauty is modesty and grace in fair retiring girlhood2 ,beauty is openness and strength in pure high-minded youth2 ,man1 the noble and intelligent1 gladdeneth earth in beauty1 ,and woman's beauty sunneth him1 as with a smile from heaven4 ,,tupper4 ,fifteen ,female ,figures4 ,this fine tableau contains fifteen female figures1 who are arranged in the form of a pyramid4 ,they should be quite young1 of good figure and features4 ,their costume consists of a pure white dress1 cut low in the neck1 sleeves five inches long1 a white satin sash about the waist1 white shoes and hose1 hair done up in a compact and tasty manner1 and encircled with a wreath of myrtle1 while a small bouquet of flowers is placed on the front of the waist4 ,the pyramid must be first formed of boxes1 fastened firmly together1 and covered with white cloth2 five ladies of the same height sit on the lower seat1 four on the second seat1 three on the third seat1 two on the fourth1 and one on the fifth and last4 ,each should be furnished with a garland of flowers fastened to ratan three feet long2 these must be held in the hands of the ladies1 making a complete network of flowers4 ,the eyes should be directed straight forward1 countenance pleasant4 ,the lights for this piece are as follows3 ,just as the curtain begins to rise1 a green fire should be gradually thrown on to the stage1 and slowly moved off2 at the moment it is leaving the picture1 a red light steals over the faces of the performers2 this shade vanishes in the same manner1 and a purple light appears4 ,this will give a happy effect1 and can be accomplished by burning the fires in large boxes placed on pivots at the side of the stage1 and by turning them at the proper time the different colors can be thrown on the stage2 a few of the side or footlights may be burned at the same time1 so that when the colored lights are leaving the stage1 the figures will still be seen4 ,music accompanying the tableau1 must be soft and plaintive4 ,,coronation ,,of ,,queen ,,victoria4 ,within that rich pavilion1 ,high on a glittering throne1 ,a woman's form sat silently1 ',midst the glare of light alone4 ,her jewell'd robes fell strangely still-- ,the drapery on her breast ,seem'd with no pulse beneath to thrill1 ,so stone-like was its rest6 ,but a peal of lordly music ,shook e'en the dust below1 ,when the burning gold of the diadem ,was set on her pallid brow6 ,then died away that haughty sound1 ,and from the encircling band ,step ,prince and ,chief1 'midst the hush profound1 ,with homage to her hand4 ,,mrs4 ,,hemans4 ,twenty ,male and ,ten ,female ,figures4 ,this magnificent tableau contains thirty figures1 and1 when exhibited with proper scenery and wardrobe1 is one of the best of this collection4 ,it should be used as a grand finale scene1 and is arranged in the following manner3 ,a number of gentlemen's costumes must be procured at a costumer's or a theatre4 ,ladies' costumes can be easily prepared4 ,at the back of the stage1 at equal distances between the sides1 erect a throne4 ,first build a platform five feet long1 three feet wide1 and three feet high1 with steps in front1 all of which must be covered with crimson cloth and gold paper4 ,over the platform place a canopy made of purple cloth1 and decorated with gold paper1 cut to represent fringe4 ,cover the wall back of the platform with the same material1 and in the centre place a large gold ,v2 a large chair1 trimmed with scarlet and gold1 should be placed on the platform1 and tiers of seats arranged on each side of the throne2 these must form half circles1 reaching to the centre of the stage at the sides4 ,seated and standing on the seats and platforms are the ambassadors1 dukes1 earls1 and officers1 in their full dress4 ,the queen dowager and other royal female personages are intermingled among them4 ,the lord steward1 and chamberlain stand near the side scenes in the foreground1 while the extreme background is filled up by the queen's guards4 ,standing on the step in front of the throne is the archbishop1 holding the crown4 ,a little to the left stands ,victoria1 her body facing the audience1 and bent forward slightly1 head bowed1 ready to receive the crown4 ,at the other side of the throne stands ,prince ,albert1 dressed in rich uniform4 ,the ladies' costumes consist of rich silks and brocades1 ornamented with gold lace1 paste pins1 brooches1 c42 the hair arranged to suit the taste of the performers1 and encircled with a band of gold1 to which fasten a colored plume4 ,the attention of all should be directed to the queen4 ,the archbishop's costume consists of a black robe1 large white sleeves1 white handkerchief1 with square ends1 hanging on the breast1 and white wig4 ,queen ,victoria's costume1 if not procured at a costumer's1 consists of a white satin or silk dress1 with a long trail1 and four flounces on the skirt1 each flounce ornamented with a band of gold paper three inches wide1 covered with open lace4 ,the top of the waist and bottom of the sleeves decorated in the same manner4 ,a belt of crimson velvet1 covered with spangles and small paste pins1 encircles the waist2 the sleeves should be open1 and fastened across with gilt cord1 terminating in tassels1 which fall on the arms2 white kid gloves1 bound around the top with a band of silver1 ornamented with wax beads and spangles2 a long ermine scarf should be thrown gracefully over the shoulders1 and trail to the floor4 ,the ermine can be imitated by inserting small pieces of black shag in white cotton flannel4 ,the hair may be done up in a neat coil1 and ornamented with wax beads and gilt pins4 ,a long white veil of lace is fastened to the back of the head1 and allowed to trail to the feet4 ,the crown can be made of card-board1 covered with gold paper and brilliant paste pins4 ,the steward and chamberlain each holds a staff with a large gilt spear-head and tassels at the top4 ,costume consists of showy suits1 similar in style1 head covered with low-crowned ,kossuth hat1 ornamented with a gold band and white lace4 ,the guards must be placed in the extreme background1 on high platforms2 they stand perfectly erect1 and face the audience4 ,the scene should be brilliantly lighted by lamps at the front and left side of the stage4 ,the booming of cannon is heard in the distance4 ,music of a majestic style4 ,,the ,,brigands4 ,the gray morn ,dawns on the scene2 the sulphurous smoke ,before the wind slow rolls away1 ,and the bright beams of morning dance ,along the spangled snow4 ,there scattered arms1 ,and lifeless warriors1 whose hard lineaments ,death's self could change not1 mark the dreadful path ,of the outsallying victors4 ,,shelley4 ,one ,female and ,five ,male ,figures4 ,a scene representing a band of brigands in their mountain fastness1 on the watch for plunder and rapine4 ,the scenery in the background should resemble ragged rocks1 made by fastening brown paper in a rumpled manner to a frame of wood1 and shaded with light and dark-brown paints4 ,this must extend two thirds across the stage1 three feet from the extreme background4 ,the sides should be covered with similar scenery4 ,the floor is strown with small boxes1 to give it an uneven appearance1 and covered with buffalo robes4 ,two of the brigands are seated at one side of the stage1 engaged in playing cards2 one is reclining in the foreground asleep2 another is leaning against the rocks1 resting his arms and body on his carbine1 while the chief is standing at the end of the ledge in the background1 pointing with his right hand into the open space beyond4 ,behind him stands his wife1 to whom he is in the act of speaking1 and directing her attention to the road in the distance4 ,she is stooping forward1 endeavoring to see the objects which he points out4 ,the costume of the brigands consists of a frock coat ornamented with large gilt buttons1 and trimmed around the bottom with colored cloth2 bright-colored vest bound around the front and bottom with fancy ribbon2 black handkerchief tied loosely in the neck2 knee breeches and hose1 with a band of showy cloth around the top1 fastened with a brilliant paste pin or silver buckle2 low shoes2 red or blue sash about the waist2 high-crowned black felt hat1 ornamented with red binding1 wound in a spiral manner from the rim to the top of the hat1 and a colored feather at the side4 ,the coat can be decorated in a more profuse manner1 if desired2 each must be furnished with musket and pistols4 ,the chief's dress should be of richer material1 and more profusely decorated than the other characters4 ,the wife's costume consists of a scarlet skirt1 black velvet waist open in front and laced across with pink ribbon1 a showy scarf tied about the head1 the ends falling on the shoulders2 the neck and arms ornamented with brilliant jewelry2 a morocco belt encircles the waist1 to which is attached a small dirk4 ,the two card-players are looking at their cards1 countenances expressing deep thought4 ,the one who stands facing the audience looks to the floor4 ,the one that is asleep should lie in a position so that the countenance can be seen1 the head resting on the hand1 eyes closed4 ,the wife's position is1 standing so that a side view of the countenance is had4 ,the chief stands in front of her1 and in the same position1 but the head is turned around so as to face the audience2 the countenances of both expressing curiosity and excitement4 ,the face and other exposed parts of the persons of all the figures must be colored light-brown1 and the men wear heavy beards4 ,the light for this scene should come from a red fire1 burned in small quantities at the front side of the stage4 ,no music will be required for the piece4 ,,death ,,of ,,sir ,,john ,,moore4 ,not a drum was heard1 not a funeral note1 ,as his corpse to the ramparts we hurried1 ,not a soldier discharged his farewell shot ,o'er the grave where our hero was buried4 ,,wolfe4 ,twenty ,male ,figures4 ,the battle of ,corunna1 so disastrous to the ,british army1 was fought ,january #af1 #ahji4 ,sir ,john ,moore arrived in ,spain in ,november1 #ahjh1 with a ,british army1 and having advanced some distance into the country1 he found himself compelled to make a rapid retreat4 ,he was closely followed by the ,french under ,marshal ,soult1 who attacked the ,british as they were embarking4 ,sir ,john ,moore1 while earnestly watching the result of the fight about the village of ,elrina1 was struck on the left breast by a cannon shot2 the shock threw him from his horse with violence2 he rose again in a sitting position1 his countenance unchanged1 and his steadfast eye still fixed upon the regiments engaged in his front2 no sigh betrayed a sensation of pain2 but in a few moments1 when he was satisfied that the troops were gaining ground1 his countenance brightened1 and he suffered himself to be taken to the rear4 ,as the soldiers placed him in a blanket1 his sword got entangled1 and the hilt entered the wound4 ,a staff officer attempted to take it off1 but the dying man stopped him1 saying1 ,it is as well as it is4 ,i had rather it should go out of the field with me4 ,and in this manner1 so becoming to a soldier1 ,moore was borne from the field4 ,several times he caused his attendants to stop and turn him around1 that he might behold the field of battle4 ,night soon darkened the scene2 the rumbling of baggage wagons1 and the occasional booming of the distant cannon1 alone disturbed the mournful silence of the scene2 here and there the flames of burning villages shed a portentous light through the gloom4 ,at length1 to break the mournful silence1 and to express the sympathy they might not speak1 the band played a requiem for the dying general4 ,the solemn strains arose and fell in prolonged echoes over the field1 and swept in softened cadences on the ear of the dying warrior4 ,moore breathed faintly for a few hours1 and before the morning dawned he had passed away4 ,his corpse was wrapped in his military cloak1 and was interred by the officers of his staff on the ramparts of ,corunna--an event which is commemorated in the beautiful verses of ,wolfe1 the guns of the enemy paying him funeral honors4 ,soult1 with a noble feeling of respect for his valor1 raised a monument to his memory4 ,thus ended the career of ,sir ,john ,moore1 a man whose uncommon capacity was sustained by the purest virtue4 ,his tall1 graceful person1 dark1 searching eyes1 strongly defined forehead1 and singularly expressive mouth1 indicated a noble disposition and a refined understanding4 ,he maintained the right with a vehemence bordering upon fierceness1 and every important transaction in which he engaged increased his reputation for talent1 and confirmed his character as a stern enemy to vice1 a steadfast friend to merit1 a just and faithful servant of his country4 ,description of ,tableau4--,this magnificent scene contains twenty figures4 ,on the centre of the stage1 reclining on an ,english flag1 is ,sir ,john ,moore1 his countenance pale and deathly4 ,he is dressed in rich uniform1 which is described in the latter part of the tableau4 ,his position is1 lying across the stage1 his face turned to the audience4 ,at his feet stand two ,highland soldiers1 leaning on their muskets1 and gazing on the dying man4 ,a soldier with a bandage around his head is kneeling in front of them2 one hand grasps the flag1 the other points to the background2 countenance expressing terror4 ,at the head of ,moore1 partially stooping and holding the end of the flag1 are two officers in full uniform2 two other officers are seen back of the body1 who are also grasping the flag and gazing on the face of the dying hero2 three soldiers are kneeling in the foreground1 their attention fixed on ,moore2 back of this group1 on a platform one foot high1 is seen a platoon of soldiers1 one of which holds an ensign2 their backs should be towards the audience1 muskets to the shoulder1 and position of soldiers marching hastily from the field in retreat2 still further in the background1 on a platform four feet high1 is placed a second platoon1 who are in the same position2 one or two in each rank are looking back to the group in front2 two soldiers directly back of ,moore are levelling their muskets to the enemy in the distance4 ,cannon1 muskets1 drums1 and swords should be strown carelessly on the stage1 while a small quantity of smoke must be made to hover over the scene1 and the booming of cannon imitated in the distance4 ,moore has one hand pressed to his breast2 the other is held by one of the officers at his side4 ,the costumes of the officers should be as varied and brilliant as can be procured4 ,scarlet coats would be most appropriate4 ,the scene must be illuminated by a red fire burned at the right side of the stage4 ,music of a mournful and sacred order4 ,,the ,,fireman',s ,,rescue4 ,and the flames in thick wreaths mounted higher and higher2 ,o ,god6 it is fearful to perish by fire4 ,two ,female and ,eight ,male ,figures4 ,this tableau represents a dwelling-house1 the interior of which is enveloped in flames4 ,the front door stands open1 displaying a flight of steps1 on which is a heroic fireman descending from the burning chamber1 with a beautiful child clasped in his arms1 which he has rescued from the raging element4 ,kneeling on the step outside of the door are the parents of the child2 their hands are clasped and raised upward1 their eyes fixed on the doorway1 countenance expressing intense excitement4 ,two firemen in the foreground are seen holding a hose pipe and hose2 two others1 at the extreme end of the stage1 are screwing the other end of the hose to a hydrant2 another stands ready with an axe to break in the windows4 ,the captain's position is on the step of the house2 he holds a trumpet in his hand1 and is giving orders to his men4 ,the firemen should be dressed in full uniform1 the mother in white1 and hair hanging loose over the shoulders2 the father's costume should be dark1 and the child dressed in a long white robe4 ,the scenery of this piece consists of a frame the width of the stage1 and rising from the floor to the ceiling1 painted to represent brick1 with mouldings1 frame1 cornice1 c4 ,a door may be placed in the centre1 and a window on each side4 ,the stairs should be as wide as the door1 and run up five feet1 and covered with carpeting2 fire and smoke must be painted as coming from the windows4 ,a red fire burned behind the back scene will light it up with fine effect4 ,the light for the front of the picture should be of medium brightness1 and come from the side of the stage4 ,fire bells can be imitated in the ante-rooms4 ,,catharine ,,douglass ,,barring ,,the ,,door ,,with ,,her ,,arm4 ,though perils did ,abound1 as thick as thought could make 'em1 and ,appear in forms more horrid2 yet my duty1 ,as doth a rock against the chiding flood1 ,should the approach of this wild river break1 ,and stand unshaken yours4 ,,shakspeare4 ,one ,female and ,six ,male ,figures4 ,unattended even by a body guard1 and confiding in the love of his subjects1 ,james ,i4 of ,scotland was residing within the walls of the ,carthusian monastery at ,scone4 ,graham of ,stratham seized the occasion1 and brought down a party by night to the neighborhood4 ,seconded by traitors within1 he gained possession of the gates and interior passages4 ,the king's first intimation was from his cup-bearer1 who1 on leaving the king's chamber1 found the passage crowded by armed men1 who answered his cry of alarm by striking him dead4 ,the noise reached the royal chamber2 a rush of the assassins followed2 and ,catharine ,douglass1 one of the queen's maids of honor1 springing forward to bolt the door1 found the bar had been clandestinely removed4 ,with resolute self-devotion she supplied the place with her naked arm4--,to present a view of the interior of the room1 and the passage outside1 it will be necessary to place a partition from the front of the stage1 near the footlights1 to the left hand corner in the background4 ,in the smallest apartment stands ,catharine ,douglass4 ,the partition running in this manner will give to the audience a view of the door and iron fastenings through which the arm of the heroine passes1 and also the passage where the assassins stand4 ,the partition should be made of light strips of wood1 covered with cheap cloth1 and painted to imitate the interior of a room4 ,the door must be quite near the front1 of ,gothic form1 studded with large nails2 two iron sockets1 four inches square1 should be placed on the door and frame2 a mahogany table1 globe lamp1 chairs1 carpets1 and engravings may be placed in the inner room2 the outer apartment should be empty4 ,the lady who personates the heroine must be of good figure1 tall and stout1 fine features1 and have long black hair4 ,costume consists of a blue silk dress1 pink waist1 sleeves five inches long1 bordered on the edge with black crape1 under sleeves of white tarleton muslin reaching to the wrist1 a yellow scarf tied loosely around the waist1 hair flowing loosely over the shoulders1 a plaid scarf fringed on the ends with gold1 bound around the head1 the ends hanging in the neck4 ,position1 facing the audience1 the right arm bare1 and thrust through the first socket1 the hand grasping the second2 the left is pressed against the door above the fastening2 the head inclined towards the door1 body perfectly upright1 eyes looking straight forward with intensity1 countenance expressing firmness4 ,the assassins1 to the number of six1 stand around the outside of the door2 each is costumed in a black coat trimmed around the edge and collar with green1 and ornamented with large gilt buttons2 colored vests1 cut very long and trimmed with black binding1 knee breeches of light color1 black hose1 and a band of bright-colored cloth around the top1 low shoes1 shoe and knee buckles1 black felt hat turned up at one side and ornamented with a colored plume and gilt band1 belt around the waist1 side arms and pistols2 the face covered with a shaggy beard4 ,each one grasps a sword1 and is in the act of running towards the door1 the left hand extended1 the right with the sword raised on high1 eyes directed to the door1 countenance expressing excitement4 ,the light should come from both sides of the stage1 the room in which the heroine stands being the lightest4 ,music wild and animating4 ,,the ,,masquerade ,,ball4 ',tis known--at least it should be--that throughout ,all countries of the ,catholic persuasion1 ,some weeks before ,shrove ,tuesday comes about1 ,the people take their fill of recreation1 ,and by repentance1 ere they grow devout1 ,however high their rank or low their station1 ,with fiddling1 feasting1 dancing1 drinking1 masking1 ,and other things which may be had for asking4 ,,beppo4 ,ten ,female and ,twelve ,male ,figures4 ,the masked balls1 which supersede any other feature of the carnival in attraction1 were introduced under the reign of the ,duc d',orleans4 ,a great inconvenience was experienced in the want of an apartment sufficiently spacious to receive the hundreds which thronged to them4 ,at length the ,chevalier de ,bouillon conceived a plan of converting the opera house into a ball room1 and a friar named ,sebastian invented the means of elevating the floor of the pit to a level with the stage1 lowering it at pleasure4 ,the project succeeded1 and the first masked ball at ,paris was held on the #b;d of ,january1 #agaf4 ,they are now given both before and during the carnival1 at nearly all the theatres in ,paris1 as well as at most of the large ball rooms4 ,the leading masquerade ball of the carnival1 which reunites the best society and the most gorgeous costumes1 is decidedly that which takes place at the ,academy of ,music or ,french ,opera ,house4 ,the greater portion of the company go in character1 although gentlemen may appear in plain clothes1 if they choose1 and unmasked4 ,dancing appears to be the whole and sole motive of the guests1 and dance they do1 with a vivacity and untiring spirit that could only be found in a land so especially devoted to the worship of ,terpsichore as ,france4 ,in all the ball rooms parties of the ,municipal ,guard are in attendance to preserve order1 and should any of the guests transgress the ordinary rules of decorum1 they are immediately consigned to the lock-up of the nearest corps-du-garde4 ,the most prevalent dress at the balls is that of the ,debardeur4 ,it is a piquant costume1 and consists of dark velvet pantaloons1 with satin stripe down the side1 ornamented with bright studs1 a pink or white shirt1 red sash1 and a glazed hat with tri-colored streamers1 or small bonnet and wig1 with cue behind4 ,considerably more than half of the carnival masques take up this dress1 the remainder attiring themselves as hussars1 pierrots1 and all sorts of eccentric and anomalous costumes4 ,the balls are kept up until six o'clock in the morning4 ,this tableau can be represented by ten couples4 ,the ladies and gentlemen can dress to suit their own taste4 ,the wardrobe of the company will contain a sufficient number of suits to fit out the tableau4 ,a few of the comic and grotesque costumes should be intermingled1 and all the figures wear masks of various patterns4 ,the performers are engaged in dancing the schottische4 ,the ladies and gentlemen must form in couples around the sides and back of the stage4 ,a platform at the rear may be occupied by musicians in fanciful costume4 ,the stage should be illuminated by a purple fire4 ,music1 the schottische4 ,,irish ,,courtship4 ,one ,female and ,one ,male ,figure4 ,this comic tableau represents a young ,irishman engaged in courting his true love4 ,the stage should be furnished with kitchen furniture1 a small stove1 c4 ,the back of the stage can be hung with cheap room paper4 ,bridget is seated at a table in the centre of the stage1 engaged in sewing4 ,her costume consists of a white dress and blue apron4 ,patrick is seated near her1 smoking a short pipe4 ,costume consists of velvet coat and breeches1 white hose1 large shoes1 with hob nails in the soles1 buff vest1 red wig1 face and hands painted tan color4 ,his left leg is placed across the right knee1 hands placed in his pants pocket1 eyes fixed on ,bridget1 countenance expressing curiosity4 ,music1 ,irish air4 ,,the ,,fairies' ,,offering ,,to ,,the ,,queen ,,of ,,may4 ,now the bright morning star1 day's harbinger1 ,comes dancing from the east1 and leads with her ,the flowery ,may1 who from her green lap throws ,the yellow cowslip and the pale primrose4 ,hail1 bounteous ,may6 that dost inspire ,mirth and youth with warm desire2 ,woods and groves are of thy dressing1 ,hill and dale doth boast thy blessing4 ,thus we salute thee with our early song1 ,and welcome thee and wish thee long4 ,twenty ,female ,figures4 ,so sings ,milton to the sweet ,birdmonth--he whose mighty mind nigh sphered in ,heaven1 hymned the soft beauty of the first day that dawned upon the infant world1 which surely must have been a ,may-morning4 ,sweet day1 so calm1 so pure1 so bright1 ,the bridal of the earth and skies4 ,what must have been a ,may-morning in ,paradise1 when even now1 in the homeliest districts1 it gladdens the heart of man with its advent of young flowers and budding leaves and sweetly singing birds6 ,it seems to be ,nature's own birthday1 throughout the varied kingdoms of her living world4 ,all countries have greeted the welcome arrival of this fair day1 but none more so than old ,pastoral ,england1 in the time of her elder poets4 ,time was1 when1 from the court to the cottage1 all rose up early to observe the rite of ,may2 some went a dew-gathering1 a sort of rustic love-spell that was sure to enchant every maiden1 gentle or simple2 others to fetch in ,may--a rivalry that robbed many a hawthorn of its half-blown sweets2 and others set their wits to work to get up some pretty device1 some rural drama1 one of which our tableau represents4 ,the ,fairies' ,offering to the ,queen of ,may is a tableau of great excellence and artistic beauty4 ,the ,queen of ,may is seated on a floral throne in the background1 which is situated upon a platform about six feet high1 with broad steps extending across the stage and to the footlights4 ,these should be covered with green bocking1 and on them are grouped the fairies1 who are offering to the queen1 baskets1 bouquets1 and garlands of flowers4 ,on the lower step are other fairies ascending to the throne1 and bearing baskets of fruit and flowers on their heads4 ,the number of figures in the piece is twenty1 nineteen of which are young misses1 quite small and pretty1 and one a beautiful maiden1 who takes the part of the ,may ,queen4 ,you must wake and call me early1 call me early1 mother dear2 ,to-morrow'll be the happiest time of all the glad ,new-year2 ,to-morrow'll be of all the year the maddest1 merriest day1 ,for ,i'm to be ,queen o' the ,may1 mother1 ,i'm to be ,queen o' the ,may4 ,,tennyson4 ,the stage scenery must be arranged in the following order3 ,a large arm chair1 with a shaft running up from the back1 to which is attached a canopy1 will answer for the throne chair2 cover it with green cambric1 and decorate with garlands and bouquets4 ,this chair should rest on the platform1 which is six feet long1 three feet wide1 and covered with ,french patch4 ,a large gilt vase1 containing a bouquet1 must be placed at each corner4 ,the queen's costume consists of a white robe1 decorated with flowers1 a garland about the head1 the right hand grasping a wand trimmed with silver and gold paper1 the body inclined forward slightly1 the left hand extended1 in the act of taking a bouquet from one of the fairies1 whom she is looking at2 her countenance is lighted up with smiles4 ,care should be taken that the fairies who are grouped around the throne do not take the view from the queen4 ,the fairies' costume consists of a short white dress1 flesh-colored hose1 white slippers1 and hair done up in ringlets4 ,the sleeves of the dress made quite short1 waist and skirt ornamented with gold bands and spangles1 a wreath of pure white flowers1 intermingled with myrtle1 on the head1 and a portion of them wearing gauze wings1 studded with spangles4 ,four of the fairies are to be grouped around the foot of the throne1 on the top step4 ,they stand or kneel1 so that a partial side view is had of the body2 hands extended1 and holding bouquets or garlands2 eyes fixed on the queen2 countenance pleasant4 ,the rest of the misses must be placed on each side of the steps1 assuming a variety of positions1 and each have fruits or flowers4 ,those at the lower part of the steps can stand near the sides of the stage1 which will allow those above to be seen4 ,the scene should be illuminated by a trio of fires1 consisting of green1 purple1 and red1 burned at the side of the stage4 ,for directions1 see ,pyramid of ,beauty4 ,music soft and animating4 ,,belshazzar',s ,,feast4 ,joy holds her courts in great ,belshazzar's hall1 ,where his proud lords attend their monarch's call2 ,the rarest dainties of the teeming ,east ,provoke the revel and adorn the feast4 ,but why1 ,o king1 ,why dost thou start1 with livid cheek8--why fling ,the untasted goblet from thy trembling hand8 ,why shake thy joints8 thy feet forget to stand8 ,why roams thine eye1 which seems in wild amaze ,to shun some object1 yet returns to gaze1 ,then shrinks again1 appalled1 as if the tomb ,had sent a spirit from its inmost gloom8 ,awful the horror1 when ,belshazzar raised ,his arm1 and pointed where the vision blazed2 ,for see6 enrobed in flame1 a mystic shade1 ,as of a hand1 a red right hand displayed1 ,and1 slowly moving o'er the wall1 appear ,letters of fate and characters of fear4 ,in death-like silence grouped the revellers all1 ,fixed their glazed eyeballs on the illumined wall4 ,t4,s4 ,,hughes4 ,seven ,female and ,eight ,male ,figures4 ,this sacred tableau is represented as follows3 ,at the left of the stage1 ,belshazzar is seated on his throne4 ,at his side stands his wife4 ,consternation and affright are depicted on their countenances4 ,at the opposite side of the stage stand three wise men4 ,in the centre of the stage is the feast table1 covered with silver dishes1 candlesticks1 and refreshments4 ,around it are gathered the guests4 ,in the background1 on a platform1 are seen a group of servants4 ,the handwriting is placed on the back scenery1 opposite to the group of servants4 ,the number of figures in the piece is fifteen--eight gentlemen and seven ladies4 ,the scenery in the piece consists of a table six feet long1 two and a half feet high1 and three feet wide1 covered with a green cloth1 fringed with gold paper1 on this are placed a silver tea set1 cake baskets1 candlesticks1 and refreshments4 ,the throne chairs should be placed on a platform at the left of the stage1 near the front2 the platform can be formed of boxes1 and must be four feet square and two feet high1 covered with crimson cloth1 trimmed with gold paper2 two large chairs1 with a canopy over the top1 will answer for the throne2 one occupied by ,belshazzar1 the other by his wife4 ,low seats around the table will be needed for the guests2 the seats can be covered with white cloth2 showy pictures1 in rich frames1 adorn the walls1 and pedestals and statuary fill the corners of the room4 ,the writing on the wall can be produced by means of a transparency1 the words made large1 and the letters in ,german text1 with a halo around the whole sentence4 ,belshazzar's costume consists of a purple velvet coat trimmed with gold1 a large cloak trimmed with ermine1 velvet breeches1 white hose crossed with red tape1 sandals on the feet1 and a velvet and gold crown on the head4 ,his wife should be dressed in a showy brocade1 cut low at the top1 short sleeves1 a band of black velvet ornamented with gold placed on the head1 and a narrow mantle worn over the shoulder4 ,the dress must be ornamented with rich jewelry1 gold bands1 and a wide belt of red velvet1 decorated with paste pins1 around the waist4 ,the three wise men's costume consists of long1 loose coats1 reaching six inches below the knee1 and gathered in at the waist with a wide belt4 ,each coat should vary in color from the others4 ,they can be made of cambric4 ,colors1 red1 purple1 and blue1 with the edges trimmed with cloth of some other color4 ,black hose1 crossed with red1 reach to the knees1 low shoes1 covered with red ,turkey cloth1 on the feet1 and a turban of bright colors on the head1 the face covered with a long white beard--this can be made of flax4 ,the ladies at the table must be costumed in silk or satin dresses1 ornamented with spangles1 and any kind of jewelry that will look showy2 hair decorated with spar beads1 hair pins1 and plumes4 ,the gentlemen's costume consists of rich velvet suits2 long beards4 ,servants in short white coats1 with border on the bottom1 red breeches1 white hose1 and light felt hats with gold bands4 ,belshazzar's position is in the chair near the footlights2 body inclined back1 arms thrown up1 eyes fixed on the writing1 countenance expressing affright4 ,his wife is seated in the second chair1 one arm resting on the shoulder of her husband1 the other raised in front of the face1 eyes directed to the writing4 ,the wise men stand opposite to the throne1 at the extreme end of the stage1 near the footlights2 their backs are to the audience2 the heads of two are turned to the king1 giving a side view of their faces4 ,one of them points to the writing4 ,the party at the table must assume a variety of natural positions2 a few look with astonishment1 and point at the writing2 others are engaged in eating and drinking4 ,the servants stand in the background1 and are all looking at the writing4 ,a few lean forward and point to the wall2 others take position as if about to flee from the room2 the countenances of all express terror4 ,the scene should be lighted by a brilliant red fire burned at the side of the stage opposite ,belshazzar4 ,music1 operatic style4 ,,the ,,valentine4 ,i smile at ,love and all his arts1 ,the charming ,cynthia cried2 ,take heed1 for ,love has piercing darts1 ,a wounded swain replied4 ,once free and blessed1 as you are now1 ,i trifled with his charms1 ,i pointed at his little bow1 ,and sported with his arms2 ,till1 urged too far1 ',revenge6' he cries2 ,a fatal shaft he drew2 ,it took its passage through your eyes1 ,and to my heart it flew4 ,j4 ,,vanburgh4 ,two ,female and ,two ,male ,figures4 ,this tableau is represented by four persons--two young ladies1 and two small lads4 ,one of the young ladies is seated on a sofa1 which is placed in the centre of the stage4 ,she holds a valentine in the left hand1 and points at it with her right4 ,her head is turned around to a young lady who stands behind the sofa4 ,the countenance expresses mirth4 ,the lady standing behind the sofa rests her right arm on the shoulder of her friend1 and is looking to the valentine1 her body inclined forward slightly1 face beaming with smiles4 ,costume consists of a white dress1 pink apron trimmed with green1 hair done up in wide braids at the side of the head1 and ornamented with a few flowers4 ,the costume of the lady seated1 consists of a white dress1 buff apron trimmed with purple1 hair hanging in ringlets1 and ornamented with blue ribbon4 ,on each side of the stage1 within one foot of the curtain1 place pedestals2 they should be three feet high1 two feet square1 with cap and base1 and covered with white marble paper or cloth1 and decorated with a wreath of flowers on the front4 ,on those stand the young lads1 dressed to represent ,cupids4 ,position is1 facing the group in the centre of the stage1 attitude of one running2 one of them holds on high a large sealed letter4 ,the other holds a small tablet in one hand1 and a quill in the right2 these must be extended towards the centre of the stage4 ,their costume consists of a short gauze dress1 cut low at the top and decorated with spangles1 pants of flesh-colored cloth1 reaching to the ankles and fitting tightly to the legs1 flesh-colored hose1 white slippers1 gauze wings fastened to the back of the body1 and decorated with spangles and silver stars4 ,a small quiver1 formed of card-board1 covered with blue and gold paper1 filled with arrows and bow1 suspended from the neck2 a low-crowned hat1 with a wide brim1 covered with pink cambric1 and decorated with a wreath of flowers1 covers the head2 the eyes directed to the group on the sofa1 countenance expressing pleasure4 ,the background may be ornamented with pictures and statuary4 ,the light for this piece must be of medium brilliancy1 and come from the right side of the stage4 ,music soft4 ,,the ,,fairies' ,,rainbow ,,bridge4 ,love and ,hope and ,youth1 together ,travelling once in stormy weather1 ,met a deep and gloomy tide1 ,flowing swift1 and dark1 and wide4 ',twas named the ,river of ,despair1-- ,and many a wreck was floating there4 ,the urchins paused1 with faces grave1 ,debating how to cross the wave1 ,when1 lo6 the curtain of the storm ,was severed1 and the rainbow's form ,stood against the parting cloud1 ,emblem of peace on trouble's shroud4 ,hope pointed to the signal flying1 ,and the three1 their shoulders plying1 ,o'er the stream the light arch threw-- ,a rainbow bridge of loveliest hue6 ,now1 laughing as they tripped it o'er1 ,they gayly sought the other shore4 ,,anon4 ,three ,male ,figures4 ,this brilliant tableau represents a rippling stream of water1 with luxuriant banks on either side1 spanned by a beautiful rainbow4 ,a party of fairies1 wishing to pass the stream1 have made use of the rainbow as a bridge4 ,one of them is seen in the centre of the bridge1 holding a golden wand1 with which he endeavors to balance himself in his passage over the water4 ,standing on the right bank1 near the end of the bridge1 is a fairy who has safely passed over1 and is encouraging his friend on the opposite side to make the trial1 who is seated on the grass arranging a bunch of flowers4 ,the scenery of the piece can be adjusted in the following manner3 ,boxes two feet wide and three feet high placed on each side of the stage1 from the front to the background1 and covered with green bocking1 will answer for the banks of the river4 ,a few branches of spruce1 intermingled with flowers1 should be fastened to the side scenes1 and a few spruce trees arranged in the background4 ,at the front end of the banks place showy vases of flowers2 and at the other end1 on pedestals two feet high1 place larger vases1 containing bouquets4 ,to make the river show to advantage1 it will be necessary to arrange it in the form of an inclined plane4 ,strips of wood placed across the stage at a distance of one foot from each other1 on a rise of two inches to a foot1 and covered with blue cambric1 will answer for the river4 ,let the cloth festoon between the strips1 paint the ridges of the miniature waves with white paint1 and sprinkle them with small particles of isinglass4 ,on the foreground of the scene place two swans1 and around the edges of the banks fasten pieces of spruce and grasses4 ,the bridge should be made slightly oval1 and placed in the centre of the stage4 ,three stringers1 sawed out of inch board1 and covered with lathes two feet long1 will answer for the flooring4 ,this can be entirely hid from view by a railing on the front side1 and is made as follows3 ,manufacture a frame to correspond with the curve and length of the flooring1 and twelve inches in width2 cover it with white cloth1 and paint it to represent a rainbow2 the colors may be purple1 crimson1 yellow1 green1 and white2 lights placed behind it1 will give a fine effect4 ,the fairies' costume consists of a short muslin dress1 with a border three inches wide1 of pink muslin1 decorated with gold stars--the white muslin ornamented with silver spangles and stars2 flesh-colored hose1 white slippers1 a band of silver1 ornamented with paste pins1 about the head1 and small wings attached to the back of the dress1--the wings formed of wire1 covered with gauze1 and ornamented with endless bands of blue tarleton muslin1 ornamented with silver spangles4 ,each holds a gold wand three feet long4 ,the position of the fairy on the bridge is such that a side view is had of the form1 while the face is turned towards the front of the stage4 ,the wand is grasped in the centre1 and held across the bosom4 ,the countenance expresses pleasure4 ,the fairy who has passed over is standing at the end of the bridge1 partly facing the audience1 with both hands extended towards his friend1 his countenance expressing mirth4 ,the fairy on the other bank is seated on the ground arranging flowers4 ,he faces the audience1 and is looking at a large rose which he holds in his right hand4 ,this scene must be illuminated by green1 red1 and yellow fire1 which is described in the tableau of the ,pyramid of ,beauty4 ,music1 light and animating4 ,,little ,,eva ,,and ,,uncle ,,tom4 ,dry thy tears for holy ,eva1 ,with the blessed angels leave her2 ,of the form so sweet and fair ,give to earth the tender care4 ,for the golden locks of ,eva ,let the sunny south land give her ,flowery pillows of repose1 ,orange bloom and budding rose4 ,j4,g4 ,,whittier4 ,one ,female and ,one ,male ,figure4 ,this tableau is one that can be easily produced1 and will not be expensive4 ,it represents little ,eva seated in an arbor by the side of ,uncle ,tom4 ,she has a large ,bible before her1 which she is reading and explaining to her friend4 ,a rustic arbor can be made of strips of wood1 covered with white cloth1 and painted to resemble slats and running vines2 the dimensions of which are six feet high1 four feet wide1 and three feet deep4 ,a rough seat at the back part is occupied by ,eva and ,uncle ,tom4 ,a festoon of artificial flowers and spruce should be arranged in front1 and a large spruce tree placed on either side4 ,the person who personates ,uncle ,tom must be one of large figure and pleasant countenance4 ,costume consists of a coat of coarse material1 white pants1 light vest1 colored handkerchief tied about the neck1 striped hose1 low shoes1 a wig of black1 curly hair1 and a wide-brimmed straw hat1 which lies on the ground by his side4 ,the wig can be formed of curled horse-hair1 fastened to a covering made to fit the crown of the head4 ,color the exposed parts of the body black1 the lips red4 ,little ,eva should be quite small1 pretty1 and have long light curls4 ,her costume consists of a white dress1 trimmed at the top and around the sleeves with pink ribbon2 a straw hat1 trimmed with wild flowers1 which hangs by the strings on her arm1 and dark shoes4 ,uncle ,tom is seated on one side of the seat1 his legs crossed1 body bent forward slightly1 hands placed on his knees1 his head turned towards ,eva1 and eyes fixed on the ,bible with an expression of pleasure and earnestness4 ,eva is seated at his side1 with her feet resting on a small stool1 one hand placed on ,uncle ,tom's arm1 while with the other she points to the pages of the ,bible4 ,her face is turned towards her friend4 ,the countenance expresses sadness4 ,a small quantity of light is required for the piece1 which should come from the left side4 ,music1 soft and plaintive4 ,,love ,,triumphant4 ,in peace1 ,love tunes the shepherd's reed2 ,in war1 he mounts the warrior's steed2 ,in halls1 in gay attire is seen1 ,in hamlets1 dances on the green4 ,love rules the court1 the camp1 the grove1 ,and men below1 and saints above2 ,for love is heaven1 and heaven is love4 ,,sir ,,walter ,,scott4 ,one ,female and ,two ,male ,figures4 ,this beautiful classic tableau represents two figures1 a youth and a maiden1 supporting ,cupid on their shoulders4 ,the two persons who take these parts should be of good figure and of equal height4 ,the maiden's costume consists of a white dress1 cut low at the top1 sleeves short2 a gauze scarf draped across the breast1 tied at the side1 and allowed to trail on the floor2 white shoes1 hair hanging loosely over the shoulders1 the head encircled with a wreath of spar beads and white flowers4 ,the right hand grasps a garland of white flowers1 while the left helps to support the boy ,cupid4 ,the youth's costume consists of a white coat1 vest1 breeches1 hose1 cravat1 and shoes4 ,across the left arm hangs a white mantle2 the hand grasping a shepherd's crook1 which is four feet long1 and painted white4 ,the boy ,cupid must be quite small1 and costumed in a short gauze dress1 white hose1 and shoes2 a white quiver1 bow and arrows1 must be suspended from the neck by a satin ribbon1 and small gauze wings fastened to the back of the dress4 ,the right hand grasps a torch1 which is held above the head4 ,this can be made of card board1 the flame imitated by gold paper4 ,his head is turned towards the maiden1 into whose eyes he is looking1 countenance expressing mirth4 ,the two figures stand on a pedestal two feet high and four feet in diameter1 covered with black marble paper1 and placed in the centre of the stage1 the right arm of the gentleman and the left arm of the maiden crossed so as to make a seat for the boy2 both assume attitudes of persons in the act of walking1 and look up with delight into the face of the boy4 ,the front of the stage1 if covered with white gauze1 will add to the beauty of the scene1 which is intended to represent statuary4 ,light should come from the side of the stage1 and of medium brilliancy4 ,music1 soft and plaintive4 ,,the ,,banditti4 ,but wilder sounds were there2 th' imploring cry ,that woke the forest's echo in reply1 ,but not the heart's6 ,unmoved1 the wizard train ,stood round their human victim1 and in vain ,his prayer for mercy rose2 in vain his glance ,look'd up1 appealing to the blue expanse1 ,where1 in their calm1 immortal beauty1 shone ,heaven's cloudless orbs4 ,with faint and fainter moan1 ,bound on the shrine of sacrifice he lay1 ,till1 drop by drop1 life's current ebb'd away2 ,till rock and turf grew deeply1 darkly red1 ,and the pale moon gleam'd paler on the dead4 ,two ,female and ,eight ,male ,figures4 ,this tableau represents a travelling party attacked on the mountains of ,italy by a company of outlaws4 ,it is one which can be easily formed1 and contains ten figures1 five of which are men dressed to represent banditti2 the other personations are an old gentleman1 his daughter1 a young officer and wife1 and coachman4 ,the floor of the stage should rise gradually from the fore to the background4 ,this can be accomplished with boxes and boards covered with green bocking4 ,the bandit's costume consists of a dark coat1 open in front1 showing a colored shirt1 breeches of bright-colored cloth1 white hose1 knee and shoe buckles1 low shoes1 red scarf about the waist1 in which are pistols and short sword1 black felt hat1 slouched1 with a red band and colored plume2 heavy beard1 face and neck slightly stained light-brown2 the coats can be trimmed with gaudy binding1 if desirable4 ,the old gentleman's costume consists of black coat1 light pants and vest1 light cravat1 white wig1 light hat1 face painted to imitate age4 ,the officer's dress can be quite showy or very plain4 ,if a full military costume cannot be procured1 the following will answer3 ,dark frock coat1 buttoned to the neck1 and ornamented with large gilt buttons and shoulder straps1 black pants with buff stripe1 flat cap with gilt band1 side arms and sash4 ,the officer's wife is dressed in a showy silk robe2 hair arranged to suit the performer's taste4 ,the old man's daughter is costumed in a white dress1 pink silk apron1 small straw hat trimmed with green ribbon4 ,coachman's costume is1 a long1 dark coat1 buttoned to the chin1 light pants1 long boots1 black silk hat1 with a leather strap and a number in gold in front1 black belt around the waist1 the right hand grasping a long whip4 ,a representation of the side of a coach1 covered with cloth painted in proper style1 and placed in the background1 will add much to the effect4 ,in the centre of the stage place a large trunk filled with clothing1 the cover thrown back so as to display the contents4 ,watches1 jewelry1 and other articles of value should be strown promiscuously about1 while one of the bandits is seen kneeling over it with a heavy watch and chain in his hand4 ,back of the trunk stand the officer and a brigand4 ,the officer has a large wound across the temple1 and attempts to rescue his wife1 who is being dragged away by one of the brigands in the background2 he stretches out his arms towards1 and looks upon her1 but is kept from her by the strong arm of the ruffian at his side1 who grasps him by the collar1 and holds a bloody sword above his head2 the brigand partially faces the audience2 the officer stands in a side position2 the wife is seen kneeling in the background1 with hands clasped and eyes raised to a brigand1 who grasps her by the hair of the head with the left hand1 and presents a pistol at her with the right4 ,at the left of the trunk is seen the old gentleman4 ,one of the ruffians grasps him by the throat1 as if in the act of strangling him4 ,the old man holds a watch in the left hand2 the right is thrown upward4 ,his position is1 facing the audience2 countenance expressing terror and excitement4 ,at the right of the trunk kneels the coachman1 with hands tied behind his back1 which is turned to the audience1 head thrown backward so that a partial side view is had of the features4 ,a few paces in front of him1 and facing the audience1 is seated a brigand1 on the top of a portmanteau2 he is smoking a short pipe1 and with the right hand points a pistol to the face of the figure kneeling in front of him4 ,between him and the wife lies the young girl1 who has fainted from affright4 ,she lies with her head to the back of the stage1 arms stretched out on the grass1 and eyes closed4 ,the stage should be illuminated by brilliant lights placed at the left side of the stage4 ,the sound of rain and thunder may be produced in the ante-rooms with good effect4 ,,portrait ,,of ,,louis ,,napoleon4 ,one ,male ,figure4 ,this portrait-tableau is produced in the same manner as that of ,gabrielle4 ,the gentleman who personates ,louis ,napoleon should in form and features resemble him4 ,the costume consists of a blue velvet coat1 decorated with silver and gold lace1 vest of the same material1 buff breeches1 white hose1 low shoes1 knee and shoe buckles1 gold epaulets and side arms1 a decoration on the left breast composed of brilliant stones and spangles1 a red and blue silk sash across the breast4 ,louis ,napoleon wears a long beard and heavy mustache4 ,position is such as to display a partial front view of the body1 right hand placed on the hilt of his sword1 eyes directed forward1 countenance calm4 ,light should come from the front of the stage1 and be of medium brilliancy4 ,music1 ,marseillaise ,hymn4 ,,the ,,return ,,from ,,the ,,vintage4 ,it is the ,rhine6 our mountain vineyards laving2 ,i see the bright flood shine2 ,sing on the march1 with every banner waving1 ,sing1 brothers2 'tis the ,rhine6 ,home1 home6 thy glad wave hath a tone of greeting1 ,thy path is by my home2 ,even now my children count the hours1 till meeting2 ,o1 ransomed ones1 ,i come4 ,,mrs4 ,,hemans4 ,one ,female and ,four ,male ,figures4 ,this picture represents four laborers returning from the vintage1 bearing on their shoulders a large tub of grapes1 seated on the top of which is a young girl1 and by her side a small child4 ,as they near the shores of the imperial river1 they sing one of their national songs1 the girl accompanying with a tambourine1 and the child with a flute4 ,the costume of the four vintagers consists of colored or check shirts1 breeches1 long hose1 low shoes1 knee and shoe buckles1 single-breasted vest of bright colors1 left open1 handkerchief tied carelessly about the neck1 and low felt hat with a sprig of grape leaves in front1 the face colored slightly with red4 ,the lady's costume consists of a red dress1 blue waist1 open in front1 and laced across with pink ribbon1 and a small straw hat trimmed with green ribbon on the head4 ,the boy's costume consists of a velvet jacket1 white pants1 and small fancy cap4 ,the four vintagers stand in a circle1 on a round or square pedestal four feet in diameter1 covered with green bocking2 they face outward1 and support the tub on their shoulders2 one hand is raised1 and grasps the top of the tub1 while the other hangs carelessly at the side4 ,a tall box should be placed under the tub1 which will relieve the laborers from the weight4 ,the vintagers look up to the lady1 the countenance expressing pleasure4 ,the young lady who is seated on the tub holds the tambourine in her left hand1 which is raised above her head2 the right hand is raised as high as the face1 the head thrown back slightly1 eyes lifted1 body facing the audience4 ,the boy has the end of the flute or trumpet placed in his mouth2 both hands grasp the flute2 eyes directed forward4 ,the tub should be three feet wide1 and the outside and rim painted in imitation of grapes and leaves4 ,light will be needed in front and at the left side4 ,music of an inspiring order4 ,,lovers ,,going ,,to ,,the ,,well4 ,how dear to my heart are the scenes of my childhood1 ,when fond recollection presents them to view2 ,the orchard1 the meadow1 the deep-tangled wildwood1 ,and every loved spot which my infancy knew2 ,the wide-spreading pond1 and the mill that stood by it1 ,the bridge1 and the rock where the cataract fell1 ,the cot of my fathers1 the dairy house nigh it1 ,and e'en the rude bucket which hung in the well2 ,the old oaken bucket1 the iron-bound bucket1 ,the moss-covered bucket1 which hung in the well4 ,one ,male and ,one ,female ,figure4 ,this tableau represents a young peasant girl and her lover going to the well4 ,it is a statuary design1 and1 when well executed1 makes a tableau of great beauty4 ,the lady and gentleman who take part in this group must be of the same height1 of slim figure1 and good features2 the gentleman should be without a beard4 ,in the centre of the stage place a round pedestal one foot high1 three feet in diameter1 and covered with black marble paper4 ,the gentleman's costume consists of a white coat1 breeches1 hose1 shoes1 cravat1 vest1 gloves1 hat and collar1 and a long gauze scarf1 worn over the shoulder1 tied at the side1 the ends hanging down to the knee1 the hat placed jantily on the side of the head4 ,the lady's costume consists of a white dress1 worn with but few skirts1 and cut low at the top1 sleeves long and flowing2 a long gauze scarf worn over the shoulders1 tied at the side1 the ends allowed to trail on the floor2 white hose1 shoes1 gloves1 and white felt hat worn carelessly on the head2 the exposed parts of both figures made as white as possible4 ,both stand near the centre of the pedestal1 the gentleman's right hand placed across the lady's shoulder2 his left hangs carelessly at the side1 and grasps a white water pitcher1 his right foot placed twenty inches in advance of the left1 the toe of the left just touching the pedestal1 and the body inclined forward slightly2 his head is turned towards the lady1 into whose eyes he is looking1 while the countenance expresses pleasure4 ,the lady's right hand holds a pitcher similar in shape to the one held by the gentleman4 ,her left is raised near her bosom1 the forefinger pointed to some object in the distance4 ,her head is turned towards the gentleman1 eyes looking into his1 and countenance expressing earnestness1 her feet and body in the same position as the gentleman's4 ,the front of the stage1 if covered with thin white gauze1 will add to the beauty of the piece4 ,the light should come from the left side of the stage1 and be of a medium brightness4 ,music soft and plaintive4 ,,the ,,italian ,,flower ,,vase4 ,o ,attic shape6 ,fair attitude6 ,with brede ,of marble men and maidens overwrought ,with forest branches and the trodden weed2 ,thou1 silent form1 dost tease us out of thought1 ,as doth eternity4 ,cold ,pastoral6 ,when old age shall this generation waste1 ,thou shalt remain1 in midst of other woe ,than ours2 a friend to man1 to whom thou say'st1 ,beauty is truth1 truth beauty--that is all ,ye know on earth1 and all ye need to know4 ,,keats',s ,,ode ,,on ,a ,,grecian ,,urn4 ,three ,female ,figures4 ,this exquisite statue tableau represents a beautiful vase1 the sides of which are ornamented with statues1 personifying ,spring1 ,summer1 and ,autumn4 ,the vase is made to revolve by machinery4 ,three ladies of good figure and features1 and of equal height1 are required1 to fill out the design4 ,their costumes consist of long white muslin robes1 worn with few under skirts1 cut low at the neck1 sleeves reaching to the elbow1 and flowing1 white hose and slippers2 hair combed up from the forehead1 clasped with a band of silver behind1 and allowed to hang in heavy curls in the neck2 a string of small wax or spar beads entwined about the top of the head1 the ends trailing among the curls2 a bouquet of white flowers placed on the front of the waist1 and a white rose fastened to the front of the spar wreath which adorns the head2 the exposed portions of the body made as white as possible4 ,the stage machinery is constructed in the following manner3 ,after arranging the revolving beam beneath the stage1 7described in the ,bust of ,proserpine17 the base of the vase should be fastened to the top of the shaft which protrudes through the floor1 and fastened so firmly that the weight of the three females will not impede the revolutions4 ,it must also be constructed so that it can be easily shipped and unshipped4 ,the base is of octagon form1 two feet in diameter1 one foot thick1 and ornamented with small scrolls around the sides1 the whole to be covered with white cloth1 and decorated with artificial or painted wreaths and festoons of flowers4 ,on the top of the base there must be a box one foot high1 and five inches square1 fastened firmly to the main body with iron braces2 this is for the insertion of the shaft of the vase1 which is made of joist1 four inches square1 six feet in length1 and painted white4 ,the top or bowl of the vase should be made in the form of a saucer2 the material used in its composition must be light2 its dimensions1 four feet in diameter1 with a square cavity in the centre1 in which to place the shaft2 cover the exterior with white cloth2 around the top paint a wreath of large flowers1 and from the centre to the rim paint other festoons of smaller flowers four inches apart2 around the cavity where the shaft enters1 place three pieces of wood1 made and painted to resemble large leaves1 the size of which should be seven inches in length by five in width4 ,the vase can be made in one piece1 if there is sufficient room for the accommodation of so large a piece of furniture4 ,but for a small stage it will be better to have it in three parts4 ,the ladies stand on the base of the vase1 with their backs against the shaft1 the top of the head just touching the bottom of the large leaves1 the head and body perfectly erect1 the hands of the three clasped at the side1 and holding the ends of festoons of colored flowers1 eyes slightly raised1 countenance calm and pleasant4 ,the festoons must run from the hands of the statues to the shaft1 fastened there1 and pass down to the other hand1 and so on around the three figures4 ,the vase should revolve quite slowly1 and be put in motion while the curtain is rising4 ,gauze before this piece will add to the effect4 ,the light must come from the left side of the stage1 and be of medium brilliancy4 ,music soft and plaintive4 ,,portrait ,,of ,,the ,,madonna4 ,they haunt me still--those calm1 pure1 holy eyes2 ,their piercing sweetness wanders through my dreams3 ,the soul of music that within them lies1 ,comes o'er my soul in soft and sudden gleams4 ,are there not deep1 sad oracles to read ,in the calm stillness of that radiant face8 ,yes1 even like thee must gifted spirits bleed1 ,thrown on a world1 for heavenly things no place4 ,one ,female ,figure4 ,this portrait tableau is produced in the same manner as that of ,gabrielle4 ,the lady who personates the ,madonna should be of good figure1 fine1 regular features1 eyes large and expressive1 a full face and dark hair4 ,costume consists of white dress open slightly in front1 sleeves long and flowing1 a velvet cape thrown negligently over the shoulders1 a large cross suspended from the neck by a necklace of wax beads1 the hair puffed slightly at the side1 and arranged in a neat coil at the back1 and a large braid passed across the top of the head4 ,she should partially face the audience1 the head slightly inclined forward1 eyes cast upward1 hands clasped in front of the breast1 and lips partly open1 the countenance expressing earnestness and meekness4 ,light will be required at the front of the stage1 and must be of medium brilliancy4 ,music of a sacred and plaintive style4 ,,the ,,shoemaker ,,in ,,love4 ,love's feeling is more soft and sensible ,than are the tender horns of cockled snails4 ,,shakspeare4 ,one ,male and ,two ,female ,figures4 ,this is a comic tableau1 and represents a pretty young lady at a country shoemaker's shop1 in the act of having her foot measured for a pair of shoes4 ,the lady stands in the centre of the stage1 and rests her unslippered foot on a small box1 while the knight of the lapstone and hammer is engaged in taking the measure of her foot4 ,while occupied in this duty1 he is suddenly smitten1 either with her pretty face or small foot1 and instead of proceeding with his task1 he stops and looks up with a pleasant smile into the face of his fair customer4 ,in the background1 peeping out from behind a screen1 is the shoemaker's wife1 with a broomstick in her hand4 ,the scenery consists of a wooden screen1 covered with cloth1 extending half way across the centre of the stage1 on which is painted1 in large letters1 the name ,ebenezer ,heeltap4 ,shelves of boots1 shoes1 shoemaker's tools1 and other articles1 should also be painted on the screen4 ,in the foreground place a shoemaker's bench1 and a few shoes1 partly worn out1 scattered on the floor4 ,the young lady's costume consists of a blue silk dress1 crimson shawl1 white bonnet1 and sunshade4 ,position is1 standing at the side of the stage1 showing a side view of the body1 one foot resting on a box1 both hands grasping her dress1 which she draws up sufficiently high to display her foot and ankle1 body bent forward1 and eyes fixed on her foot4 ,the shoemaker kneels on the floor opposite to her1 holding a strap in one hand1 the other resting on the box1 the head thrown back1 and eyes cast upward to the face of the lady4 ,costume consists of a suit of coarse material1 sleeves rolled up to the elbow1 leather apron tied about the waist1 paper cap on the head1 red or gray wig1 and shaggy beard4 ,the old lady's costume consists of a cheap calico dress1 white ruffled cap1 white handkerchief tied about the neck1 and spectacles on the nose4 ,the light must come from the right side of the stage1 and be of medium brilliancy4 ,music of a secular order4 ,,prince ,,charles ,,edward ,,after ,,the ,,battle ,,of ,,culloden4 ,our bugles sung truce1 for the night cloud had lower'd1 ,and the sentinel stars set their watch in the sky1 ,and thousands had sunk on the ground overpower'd1 ,the weary to sleep1 and the wounded to die4 ,,thomas ,,campbell4 ,one ,female and ,six ,male ,figures4 ,this tableau contains seven figures1 and represents ,prince ,charles ,edward asleep in one of his hiding-places after the battle of ,culloden1 protected by ,flora ,macdonald and ,highland outlaws1 who are alarmed on their watch4 ,here rests1 in fitful and affrighted slumbers1 the recent victor1 ,prince ,charles ,edward1 a broken and despairing fugitive1 his gallant spirit dissipated1 and his well-knit limbs stained1 and bruised1 and soiled by urgent journeys and perilous encounters4 ,beside him sits a sleepless guardian1 the brave1 the beautiful1 the heroic ,flora ,macdonald4 ,a deer-hound1 who had crouched at her feet1 has given an alarm of coming danger4 ,the peril is imminent1 but the foe is invisible4 ,what shall be done8 ,shall the sleeper be awakened8 ,his devoted protector1 prompt as the occasion1 and wise beyond the emergency1 counsels on the instant1 silence1 caution1 self-possession4 ,thereupon the ,highlanders draw together1 and1 restraining the frenzy of their first emotions1 wait1 with desperate resolution1 the first manifestation of coming danger4 ,the scenery accompanying this piece represents a cave in the rocks2 in the centre of the back wall is an opening1 through which the ,highland outlaws are looking4 ,the rocks can be imitated by covering wooden frames with coarse brown paper1 fastened on in a rumpled manner1 and shaded with light and dark brown paint1 sprinkled over with small particles of isinglass4 ,these frames should reach to the ceiling of the stage1 and be constructed in sections four feet wide2 they must be arranged in the background in the form of a half circle1 the floor and sides of the stage covered with the same kind of scenery2 a box six feet long and two feet wide1 covered with a robe1 should be placed in the centre of the cave1 for the prince to recline upon4 ,spears1 shields and battle axes may be strewn about1 and a small fire made to smoulder in the foreground4 ,this can be built in an iron furnace1 surrounded by rocks4 ,the prince is costumed in a rich ,highland suit4 ,the coat1 which reaches to the knee1 is made of ,scotch plaid1 trimmed at the bottom of the skirt1 sleeves1 and on the front with black velvet ornamented with gold2 plaid breeches and hose1 worn so as to leave a naked space of five inches between the top of the hose and bottom of the breeches2 short-legged boots1 with red tops1 spurs2 a heavy plaid scarf1 decorated with gold1 worn across the shoulders2 and a flat ,highland cap1 with plume in front1 which lies on the couch at his side4 ,the prince is lying on his side1 lengthwise of the cave1 in position so that his face can be seen1 his head resting on his left arm1 while his right hangs down to the floor of the cave1 touching his sword and pistols4 ,flora ,macdonald is seated near the head of ,prince ,charles4 ,her costume consists of a ,highland frock reaching below the knees1 hose of scarlet plaid1 a scarf about the breast made of black cloth1 and fringed on the side with buff1 and across the shoulders is worn a blue cape trimmed with velvet and gold2 her hair hangs loosely on the shoulders2 the left hand gathers the cloak about the breast1 while the right is raised in front of the face1 the fingers extended1 the head turned around to the group of ,highlanders at the back of the cave1 to whom she is in the act of speaking4 ,fear and caution are expressed on her countenance4 ,the group of ,highlanders are at the right of the cave1 in the extreme background1 near the opening4 ,their costume is similar to that of the prince1 but of cheaper material1 and without decorations4 ,each has a sword and musket4 ,the first outlaw is looking out of the opening2 he holds his musket in front of him2 at his side stoops another1 with musket trailing4 ,behind these two stands a third1 with a long spear4 ,back of him is one with a sword in his hand4 ,he is in the act of speaking to ,flora ,macdonald2 his countenance denotes affright2 his left hand points to the opening in the cave2 his body inclined backward slightly4 ,the fifth figure is kneeling in the foreground1 holding a hound by the collar4 ,the countenances of the first three outlaws should express caution4 ,the faces of the gentlemen can be disguised by false beards4 ,the scene must be illuminated by a small quantity of red fire burned at the front part of the ante-room1 opposite the group of outlaws4 ,thunder and the falling of rain imitated in the ante-rooms will add to the effect4 ,no music will be required4 ,,the ,,flower ,,girl4 ,,flowers4 ,they are the autographs of angels1 penn'd ,in ,nature's green-leav'd book1 in blended tints1 ,borrowed from rainbows and the sunset skies1 ,and written every where--on plain and hill1 ,in lonely dells1 'mid crowded haunts of men2 ,on the broad prairies1 where no eye save ,god's ,may read their silent1 sacred mysteries4 ,thank ,god for flowers6 they gladden human hearts2 ,seraphic breathings part their fragrant lips ,with whisperings of ,heaven4 ,,albert ,,laighton4 ,one ,female ,figure4 ,the statue tableau of the ,flower ,girl is quite a pretty design1 and is produced in the following manner3 ,a pedestal two feet in height1 with a circular shield at the top three feet in diameter1 is placed in the centre of the stage1 around the sides and on the top of which are arranged folds of white cloth4 ,the young lady who personates the flower girl is to stand in the centre of the shield1 holding in front of her a basket of flowers4 ,she should be of good form and features4 ,her costume consists of a pure white robe cut low at the top and long at the bottom1 sleeves short1 the front of the waist ornamented with a small bouquet1 and a wreath of flowers or silver leaves around the head1 the hair puffed slightly at the side1 and confined at the back of the head with a band of silver1 and allowed to hang in curls in the neck2 the basket filled to the top with flowers1 held at arm's length1 and resting against the right side of the front of the body4 ,the lady faces the audience1 inclines her body forward a very little1 the hands grasping the basket at each side1 right foot placed twelve inches in advance of the left1 head inclined back and to the left1 the eyes directed forward1 countenance pleasant4 ,the crimson curtain1 and the two fairies used in the ,bust of ,proserpine1 can be used in this piece1 the curtain placed above the statue1 the fairies taking the same position as in ,proserpine4 ,illuminate the stage with the footlights4 ,music soft and plaintive4 ,,presentation ,,of ,,fireman',s ,,trumpet4 ,honor to whom honor is due4 ,eleven ,male and ,eleven ,female ,figures4 ,this interesting tableau contains twenty-two figures4 ,the scene represents a young and beautiful female presenting a silver trumpet to a fireman4 ,in the background of the stage there should be erected a platform1 from which a flight of steps extends down to the foreground4 ,on the right side of the steps are young ladies in appropriate costumes1 and at the left of the steps are the comrades of the receiver of the trumpet4 ,standing in the centre of the platform is a young lady1 about to present the trumpet to the fireman1 who is kneeling at her feet4 ,the platform must be four feet high and two feet wide1 the steps running nearly across the stage1 and within three feet of the footlights4 ,at each side of the platform place a large vase of flowers1 and cover the steps with green bocking4 ,the ladies' costume consists of a white dress1 with red sash around the waist1 a wreath of myrtle on the head1 and a wreath of flowers held in the right hand4 ,the gentlemen's costume consists of a showy fireman's suit4 ,the lady who presents the trumpet should be costumed in a white dress decorated with artificial flowers1 a crown of the same on the head1 and a belt about the waist4 ,the ladies and gentlemen at the sides of the stage are all kneeling1 and in such a position that a profile view is had of the body4 ,the ladies rest the left hand on the waist1 and extend towards the top of the platform the right hand1 which holds the wreath of flowers4 ,their attention is directed to the lady above1 the countenance expressing pleasure4 ,the gentlemen form in a like manner1 and raise the right hand to the side of the face4 ,the gentleman who receives the trumpet kneels on the upper step1 and in such a position that a profile view will be had of the face2 the left hand rests on the waist1 while the right is extended to take the trumpet2 the head is thrown back slightly1 the eyes fixed on those of the lady1 who stands in the centre of the platform4 ,her body is inclined forward1 eyes fixed on the face of the fireman1 right hand extended and holding the trumpet1 her countenance beaming with smiles4 ,light from the foot and left side of the stage will be required1 which should be very brilliant4 ,music of an operatic character4 ,,the ,,painter',s ,,studio4 ,the golden light into the painter's room ,stream'd richly1 and the hidden colors stole ,from the dark pictures radiantly forth1 ,and in the soft and dewy atmosphere ,like forms and landscapes magical they lay4 ,the walls were hung with armor1 and about ,in the dim corners stood the sculptured forms ,of ,cytheris1 and ,dian1 and stern ,jove2 ,and from the casement soberly away1 ,fell the grotesque long shadows1 full and true1 ,and1 like a veil of filmy mellowness1 ,the lint-specks floated in the twilight air4 ,,willis4 ,one ,female and ,one ,male ,figure4 ,a representation of a painter's studio4 ,scattered about the room are works of art1 fine paintings1 portraits1 statuary1 vases of ancient form1 and flowers4 ,a guitar and flute hang from the wall1 and at the left of the stage is a large picture1 with a crimson curtain partially drawn across it4 ,the painter's easel stands at the right of the stage2 on it is an unfinished portrait of a lady4 ,a small table1 sofa1 and three ancient chairs complete the furniture of the room4 ,the artist is seated in one of the chairs1 engaged in painting the lady's portrait4 ,the lady is seated in a chair in the centre of the stage1 her feet resting on a small cushion1 right elbow placed on the table which is by her side1 and eyes fixed on a book which she holds in her left hand4 ,a few showy bound books and a small bust may be placed on the table4 ,the lady's costume consists of a pink or blue silk dress1 cut low at the neck1 sleeves of usual length1 hair done up to suit the performer's taste4 ,her position is1 facing the audience4 ,the artist's costume consists of a rich dressing gown1 a red velvet cap with a gold tassel1 light pants and vest4 ,his position is such that a side view is had of the features1 the left hand holding a pallet and brushes1 the right grasping a small brush1 which he is in the act of using4 ,his eyes are fixed on the picture1 countenance expressing earnestness4 ,illuminate the background of the scene with a small quantity of red fire1 the foreground with light of medium brilliancy1 both of which should come from the right side of the stage4 ,music soft and plaintive4 ,,portrait ,,of ,,gabrielle4 ,there's nothing ill can dwell in such a temple3 ,if the ill spirit have so fair a house1 ,good things will strive to dwell with 't4 ,,tempest4 ,one ,female ,figure4 ,this tableau is suggested by the beautiful picture by ,de la ,roche1 one of the most eminent of ,french painters4 ,the best portrait of ,napoleon ,i4 was painted by this artist4 ,the subject of the painter is ,gabrielle4 ,the person who represents this portrait should have fine ,grecian features1 small figure1 and hair that will curl profusely4 ,the costume consists of a pink brocade cut low at the top1 open in the form of a square in front1 and trimmed with white lace and black velvet4 ,the hair must be parted in the centre of the forehead1 puffed out at the side1 and arranged in short curls in the neck4 ,a band of velvet one inch wide in the middle1 and tapered to a point at each end1 with a silver star studded with spangles on the widest part1 should be placed around the head4 ,the frame1 behind which the lady takes her seat1 is constructed as follows3 ,out of boards make a solid frame1 four feet long and three feet wide1 with a cornice on the outside4 ,from the centre1 cut out an oval three feet long and two feet wide2 cover the frame with black cambric or velvet1 and ornament the cornice and edge of the oval with gold paper2 place the frame at the back of the stage on a platform or box three feet high1 three feet wide1 and two feet deep2 fasten the frame by means of hooks or screws to the top of the box1 flush with the front2 attach a heavy crimson cord and tassel to the top1 and pass it over a brass hook screwed to the ceiling4 ,the lady takes her seat behind the frame1 in such a position as will display a partial side view of the head and chest in the centre of the oval1 the eyes cast down1 the countenance expressing sorrow4 ,after the lady has taken her position1 the box must be entirely covered with black cambric1 and a curtain of the same material should be fastened to the top of the frame1 and allowed to trail back of the lady to the floor4 ,with a medium quantity of light from the front of the stage1 the tableau at a distance will resemble a painted portrait4 ,a large variety of pictures can be produced in this manner1 and at little expense4 ,music for this scene should be of a sacred character1 and quite soft4 ,,the ,,elopement4 ,dear art thou to the lover1 thou sweet light1 ,fair1 fleeting sister of the mournful night6 ,as in impatient hope he stands apart1 ,companioned only by his beating heart1 ,and with an eager fancy oft beholds ,the vision of a white robe's fluttering folds ,flit through the grove1 and gain the open mead1 ,true to the hour by loving hearts agreed6 ,at length she comes4 ,the evening's holy grace ,mellows the glory of her radiant face2 ,the curtain of that daylight1 faint and pale1 ,hangs round her like the shading of a veil2 ,as turning with a bashful timid thought1 ,from the dear welcome she herself hath sought1 ,her shadowy profile drawn against the sky1 ,cheats while it charms his fond adoring eye4 ,,mrs4 ,,norton4 ,one ,male and ,two ,female ,figures4 ,this is a very pretty tableau1 in two parts4 ,the first1 represents a young gentleman1 standing at the foot of a rope ladder which reaches to the railing of a balcony on the front of a dwelling house2 leaning over the railing is a young and lovely maiden1 who is about to make her descent on the ladder to her lover below4 ,the gentleman grasps the rope with the left hand1 and holds the right upward in the act of beckoning to the lady4 ,his position is such that a side view is had of the body2 his head thrown back1 eyes directed to the balcony1 countenance expressing pleasure and entreaty4 ,his costume consists of a dark coat1 trimmed around the edge with purple lace or gimp1 light breeches1 black hose1 colored vest1 low shoes1 knee and shoe buckles1 red sash about the waist1 black felt hat with plume1 velvet cape on the left shoulder1 lace collar and wristbands1 ruffled bosom1 and mustache4 ,the lady is attired in a bright-colored silk robe1 riding hat1 and red scarf4 ,the balcony can be made of boards1 and covered with fresco paper1 representing two pillars1 a cornice1 and a railing above4 ,the second scene1 which follows immediately1 represents the lady and her lover just about to step into the ante-room1 opposite the balcony4 ,the gentleman has his right arm around the waist of the lady1 the left extended towards the balcony1 face turned in that direction1 his back to the audience1 the countenance expressing caution4 ,the lady places her left hand on the gentleman's shoulder1 and the right on her breast2 her eyes are directed to the ante-room4 ,a front view is had of her form4 ,the head of the gentleman turned to the balcony will give a partial side view of the face4 ,the young lady's mother is seen on the balcony1 looking out into the darkness1 and holding a crutch before her1 as if in the act of striking4 ,her costume consists of a white robe and nightcap4 ,the light for the first scene should be of medium brightness1 and come from the ante-room opposite the balcony4 ,in the second scene1 it will be necessary to produce the light on the other side of the stage1 which will throw the balcony in the shade4 ,the low rumbling of thunder1 and the noise of falling rain1 produced in the ante-room1 will add to the effect of the scene4 ,,fireman',s ,,coat ,,of ,,arms4 ,by ,jove6 ,i'll have a fine establishment1 ,and keep a coat-of-arms6 ,,muggins4 ,two ,female ,figures4 ,this tableau represents an oval shield richly ornamented with gold1 on which are fastened engine pipes1 colored lanterns1 trumpets1 axes1 fire hooks1 buckets1 hats1 c4 ,these radiate from the centre1 and are surrounded by a wreath of gold stars1 five inches in diameter4 ,it rests on a pedestal1 and is supported on each side by female figures4 ,the shield is seven feet high and four feet wide1 the surface covered with blue cambric1 with a border of crimson five inches wide1 shaded with a band of gold one inch in width4 ,the pedestal is six feet long1 one foot high1 and three feet wide1 the surface covered with crimson cloth1 with a black and gold border six inches wide1 and an appropriate motto on the front in letters of gold4 ,the young ladies who support the shield must be of equal height1 good figure and features4 ,their costume consists of a white robe cut low in the neck1 skirt made to trail on the pedestal1 red or black velvet waist1 ornamented with gilt buttons and lace1 and fireman's hat on the head4 ,their position is at the sides of the shield1 facing the audience2 one arm is laid at full length on the top of the oval1 the other hangs at the side1 the hand grasping a small wreath of myrtle4 ,the head should be slightly turned towards the shield1 eyes looking forward1 countenance calm4 ,the light for the tableau must be of medium brilliancy1 and come from the front of the stage4 ,music soft4 ,,the ,,soldier',s ,,farewell4 ,i could not love thee1 dear1 so much1 ,loved ,i not honor more4 ,,sir ,,richard ,,lovelace4 ,three ,female and ,three ,male ,figures4 ,a representation of a young recruit1 about to leave his country home for the first time to join the army4 ,in the background is to be seen a cottage1 with trellised vines running over the door4 ,the young soldier is standing in front of the cottage1 bidding farewell to his young bride1 who stands at his side4 ,they both face the audience4 ,she has her right arm around his neck1 and is looking into his face4 ,the soldier rests his left arm on her shoulder1 and points to the side of the stage with the right hand4 ,his eyes are fixed on the face of his bride4 ,near the doorstep stands a gray-haired old man1 the father of the soldier2 he faces the audience1 and is holding a musket1 the lock of which he is examining4 ,at the left of the soldier stands a young maiden1 in a position that exhibits a side view of the body4 ,she is looking to the two figures in front of her1 and holds a sword and belt4 ,in the doorway is seen the mother of the soldier1 holding a handkerchief to her eyes4 ,a little boy stands at the right of the door1 with a tin sword fastened about his waist1 a paper cap on his head1 and is engaged in blowing on a tin trumpet4 ,the cottage can be framed of wood1 covered with cloth1 and painted in showy colors2 body of the house light brown1 frames1 cornice1 and door green1 roof red1 and window panes black4 ,the cottage stands in the centre of the stage1 with the space on the sides filled up with a small white fence and two spruce trees4 ,the vines over the door can be painted on the house1 or made of evergreens and flowers1 and tacked to the frame4 ,the soldier's costume consists of a continental uniform--blue coat1 faced with buff1 buff vest and breeches1 white hose1 knee and shoe buckles1 low shoes1 white breast belts1 and chapeau4 ,the wife is costumed in a blue dress1 cut very short1 and high at the top1 white apron1 white hose1 small handkerchief tied about the neck1 hair arranged to suit the taste of the performer4 ,the young lady should be costumed in a white dress1 green apron1 and straw hat1 hair hanging in curls1 and ornamented with red ribbons4 ,the old gentleman's costume consists of a long gray or drab coat1 light vest and breeches1 black hose1 knee and shoe buckles1 low shoes1 ruffled bosom1 and chapeau4 ,the aged matron is costumed in a light brown dress1 calico apron1 white cap1 black collar4 ,the boy can be attired in any costume that has a variety of colors4 ,cover the floor of the stage with green bocking1 and light the tableau from the left side4 ,a tenor drum should be beaten in the ante-room while the curtain is raised4 ,,ike ,,partington',s ,,ghost4 ,be thou a spirit of health or goblin damned1 ,bringing with thee airs from heaven or blasts from hell1 ,be thy intents wicked or charitable8 ,thou com'st in such a questionable shape ,that ,i will speak to thee4 ,,shakspeare4 ,one ,female and ,one ,male ,figure4 ,this tableau represents ,ike seated on the top of a pump in the front yard of his mother's cottage1 while the old lady is seen in the background1 peeping over the fence with looks of horror and astonishment4 ,the person who represents ,ike should be of medium height and youthful looking4 ,costume consists of an old military coat and hat1 large sword attached to a belt about the waist1 light pants with red stripe1 and large boots4 ,the old lady is dressed in a cheap calico dress and white cap4 ,the pump can be made of wood1 covered with light brown cambric1 the handle painted black4 ,a rough representation of a house should be painted on cloth1 and placed at the rear of the stage4 ,a few feet from the house1 erect a low white slat fence1 with a gate in the centre2 a wheelbarrow1 shovel1 hoe1 broom1 and water bucket are scattered about the stage4 ,ike sits on the pump1 and faces the audience4 ,his head is drawn down within the coat collar1 hands placed on his knees1 and eyes rolled up into his head4 ,light the stage very little1 and produce discordant sounds on a melodeon in the ante-room4 ,,the ,,peasant ,,family ,,in ,,repose4 ,let not ,ambition mock their useful toil1 ,their homely joys1 and destiny obscure1 ,nor ,grandeur hear1 with a disdainful smile1 ,the short and simple annals of the poor4 ,,gray4 ,two ,female and ,three ,male ,figures4 ,this scene represents a group of peasants resting on their journey4 ,the party comprises an aged couple and three children4 ,they are seated on a grassy mound at the side of the road4 ,the children lie in the foreground of the mound in various positions1 and are asleep4 ,the old gentleman is seated on the back side of the mound1 which is higher than the front1 and in such a position that a side view is had of the body4 ,his head rests on his left hand1 the elbow resting on the knee2 the right hand holds a cane2 countenance calm4 ,costume consists of a long1 loose blue frock1 brown pants1 black beaver hat1 considerably worn and out of shape1 white hair and beard4 ,at the side of the old man1 on the lower part of the mound1 is seated the old lady4 ,she faces the audience1 and leans her head on her right hand1 the elbow placed on the knee1 eyes directed to the children1 countenance expressing deep thought4 ,costume consists of a brown dress1 white handkerchief tied about the neck1 and a hood on the head4 ,in front of these figures is a young girl1 her back resting against the highest part of the mound1 the head inclined to one side1 one arm placed across the form of a boy at her side1 her eyes closed4 ,she is dressed in a white robe1 blue apron1 and stout shoes1 head uncovered4 ,a small boy reclines at her side1 and rests his head on her lap4 ,costume consists of a red frock1 trimmed with white4 ,in front of these two figures is a large boy4 ,he lies on the grass1 and rests his head on his arm2 his eyes are closed1 countenance calm4 ,he is costumed in a dark coat1 light pants1 white collar1 thick boots1 and felt hat4 ,the mound on which the tableau is formed can be constructed of boxes1 and covered with green bocking4 ,it should be six feet in diameter1 varying from one to two feet in height1 and placed in the centre of the stage4 ,the scene will require but a small quantity of light1 which must come from the right side of the stage4 ,music soft and of a plaintive character4 ,,the ,,soldier',s ,,return4 ,o that 'twere possible1 ,after long grief and pain1 ,to find the arms of my true love ,round me once again4 99 99 99 99 99 ,we stood tranced in long embraces ,mixed with kisses sweeter1 sweeter ,than any thing on earth4 ,,maud4 ,three ,female and ,four ,male ,figures4 ,this interesting tableau is designed to appear in connection with the soldier's farewell1 and is represented by seven persons4 ,the cottage and other scenery described in the ,soldier's ,farewell is used in this piece1 and is to be placed in the same position4 ,at the left of the stage1 near the front1 stands a young gentleman dressed as a hackman4 ,he carries a trunk on his shoulder1 and a valise in his left hand2 his position is such that a side view is had of the features2 his eyes cast down to the floor1 body slightly bent forward2 a few paces in front of him stands the young soldier1 with arms outstretched to receive his wife1 who is standing in front of the doorstep1 in the act of running towards him4 ,the soldier shows a side view of his form1 his feet extended apart1 body bent forward1 eyes fixed on his wife1 countenance smiling4 ,the wife faces the audience2 her arms are raised1 eyes directed to those of her husband1 countenance pleasant4 ,the father and mother of the soldier are seated in large chairs at the sides of the door4 ,a young man is seen climbing over the fence4 ,he holds a rake in his hand1 and is looking at the soldier4 ,a young lady is on the doorstep in the position of one running1 her eyes fixed on the group at the front of the stage1 countenance expressing surprise4 ,costume similar to the one described in the ,farewell4 ,the boy's costume consists of blue overalls1 white shirt1 and straw hat4 ,the old lady and gentleman wear the suits described in the first scene4 ,the old gentleman has a pair of crutches by his side1 and is smoking a pipe4 ,the old lady wears spectacles1 and holds a newspaper in the left hand1 and points to the soldier with the right2 her eyes are turned to her husband1 countenance expressing surprise4 ,the soldier's wife has on a white dress with a velvet waist4 ,the soldier is costumed in the suit that we described in the ,farewell1 with the addition of a red sash about the waist1 gold epaulets on the shoulders1 and a showy plume in his hat4 ,the hackman's costume consists of a rubber coat and cap1 long boots1 and light pants4 ,the scene requires a medium light1 which should come from the side opposite the soldier4 ,music of a cheerful and lively style4 ,,notes ,,and ,,explanations4 ,,for ,,preparing ,a ,,brilliant ,,red ,,fire4 ,weigh five ounces of dry nitrate of strontia1 one ounce and a half of finely-powdered sulphur1 five drams of chlorate of potash1 and four drams of sulphuret of antimony4 ,powder the sulphuret of antimony and chlorate of potash separately in a mortar1 and mix them on paper2 after which add them to the other ingredients1 previously powdered and mixed4 ,for use1 mix with a portion of the powder a small quantity of spirits of wine1 in a tin pan resembling a cheese-toaster2 light the mixture1 and it will shed a rich crimson hue4 ,when the fire burns dim and badly1 a very small quantity of finely-powdered charcoal or lamp-black will revive it4 ,this light is used in finale scenes1 where the subject is heroic1 national1 or martial4 ,,green ,,fire4 ,a beautiful green fire may be thus made3 ,take of flour of sulphur1 thirteen parts2 nitrate of baryta1 seventy-seven2 oxy-muriate of potassa1 five2 metallic arsenic1 two2 and charcoal1 three4 ,let the nitrate of baryta be well dried and powdered2 then add to it the other ingredients1 all finely pulverized1 and exceedingly well mixed and rubbed together4 ,place a portion of the composition on a small tin pan having a polished reflector fitted to one side1 and set fire to it1 when a splendid green illumination will be the result4 ,by adding a little calamine1 it will burn more slowly4 ,,purple ,,fire4 ,a purple fire is produced by dissolving chloride of lithium in spirits of wine1 and when lighted it will burn with a purple flame4 ,,whitish-,,blue ,,fire4 ,take of nitrate of baryta1 twenty-seven parts1 by weight2 of sulphur1 thirteen2 of chloride of potassa1 five2 of realgar1 two2 and of charcoal three parts4 ,incorporate them completely1 and when inflamed they will emit a whitish-blue light1 accompanied by much smoke4 ,this light is much used in fairy scenes4 ,,yellow ,,fire4 ,mix some common salt with spirits of wine1 in a metal cup1 and set it upon a wire frame1 over a spirit lamp4 ,when the cup becomes heated1 and the spirits of wine ignited1 the other lights on the stage should be extinguished1 and that of the spirit lamp shaded in some way4 ,the result will be1 that the whole group1 faces1 dresses1 will be of a strong yellow tint4 ,,colored ,,lights4 ,colored lights can be produced by filling globes with colored liquid1 and placing them in front of the lamps1 like those we see in the windows of the chemists' shops4 ,,to ,,produce ,a ,,misty ,,or ,,vanishing ,,appearance ,,to ,a ,,tableau4 ,several curtains of thin gauze1 or common mosquito netting1 made to let down from rollers1 one after another1 between the audience and the scene1 will give a beautiful1 misty appearance2 and if a sufficient number of curtains be unrolled1 the tableau appears to vanish entirely1 allowing room for a change of scenery4 ,many scenes should have one thickness of muslin before them1 which serves to blend the colors1 and gives a finish to the picture4 ,the gauze must be carefully managed1 as the disclosure of a ragged edge will dispel all the illusion4 ,,to ,,produce ,,sounds ,,like ,,falling ,,rain4 ,procure a box six feet long1 one foot wide1 and one deep4 ,cover the bottom with small pegs of wood one inch high1 and inserted two inches apart4 ,place a quart of dried peas at one end of the box2 then raise that end quite slowly1 allowing the peas to roll gradually down to the lower part of the box4 ,the sound they produce in striking against the pegs imitates to perfection the falling of rain4 ,the sound can be continued for any length of time by raising alternately each end of the box4 ,,to ,,produce ,,sounds ,,like ,,distant ,,firing ,,of ,,artillery4 ,suspend a large sheet of ,russia iron by means of a rope1 and strike it in the centre with a heavy drumstick4 ,at a short distance1 the sound resembles the booming of heavy artillery4 ,,to ,,produce ,,sound ,,to ,,resemble ,,thunder4 ,hold a large sheet of ,russia iron at one end and commence shaking it very slowly4 ,it will give out a low1 rumbling sound1 which can be gradually increased in power4 ,graduate the sounds from heavy peals to the first starting point1 then discontinue the shaking for a few seconds1 and repeat the variety of changes as long as is necessary4 ,,to ,,imitate ,,the ,,fire ,,alarm ,,bell4 ,suspend to a wooden frame two pieces of steel two inches square and three feet long4 ,select pieces that will give out different tones1 and strike them alternately with an iron hammer4 ,they will sound much clearer and louder than any small bells4 ,,distant ,,firing ,,of ,,musketry4 ,sounds similar to a distant discharge of musketry can be produced in a number of ways4 ,the tenor drum can be made to give out sounds to resemble volleys of musketry4 ,leaden shot dropped into a large tin pan will produce a good imitation4 ,a fireman's rattle can be also used for the same purpose4 ,,magic ,,lightning4 ,mix gunpowder with a small quantity of water and gum arabic1 and with a brush place it on a screen in the background in an irregular manner1 resembling flashes of lightning4 ,the screen being previously painted to resemble thunder clouds1 let there be a number of distinct flashes painted1 the ends of which should be near the ante-room4 ,at intervals of thirty seconds1 touch a lighted fusee to one of these paintings1 which will burn quickly1 illuminate the clouds1 and resemble lightning flashes4 ,,to ,,stain ,,the ,,flesh ,a ,,copper ,,color4 ,to stain the flesh a copper color1 as is necessary in representing ,indian characters1 use ,spanish brown1 mixed with oil1 and rub in thoroughly4 ,,to ,,make ,,wrinkles4 ,use ,india ink1 moistened with water1 softening the lines with chalk1 if necessary4 ,moustaches and whiskers may also be made with the same material4 ,,flesh ,,wounds1 c4 ,flesh wounds and blood may be represented by the use of rose pink mixed with water4 ,,theatrical ,,incantations4 ,dissolve crystals of nitrate of copper in spirits of wine4 ,light the solution1 and it will burn with a beautiful emerald green flame4 ,pieces of sponge soaked in this spirit1 lighted and suspended by fine wires over the stage1 produces the lambent green flames now so common in incantation scenes2 strips of flannel saturated with it1 and applied round copper swords1 tridents1 c41 produce1 when lighted1 the flaming swords and fire forks brandished by the demons in such scenes2 indeed1 the chief consumption of nitrate of copper is for these purposes4 ,,lights ,,and ,,shades4 ,if you wish to throw the background of a tableau in shade1 intervene screens between the lights at the sides of the stage and that part of the picture you desire to have dark2 vice versa with the foreground4 ,particular points or characters can be more brilliantly lighted than others by placing at the side of the stage a strong light within a large box1 open at one side1 and lined with bright reflectors4 ,light of different colors can be thrown successively on a picture1 and made to blend one with another1 by placing the various colored fires in boxes three feet square1 open at one side1 and lined with bright reflectors2 these1 arranged at the side of the stage on pivots1 can be turned on1 one after another1 so as to throw their light on the stage4 ,before one light has entirely vanished from the scene1 a different color should gradually take its place4 ,,art ,,recreations3 ,,being ,a ,,complete ,,guide ,,to ,,pencil ,,drawing1 ,,oil ,,painting1 ,,water-,,color ,,painting1 ,,crayon ,,drawing ,,and ,,painting1 ,,painting ,,on ,,ground ,,glass1 ,,grecian ,,painting1 ,,antique ,,painting1 ,,oriental ,,painting1 ,,sign ,,painting1 ,,theorem ,,painting1 ,,moss ,,work1 ,,papier ,,mache1 ,,cone ,,work1 ,,feather ,,flowers1 ,,potichomanie1 ,,leather ,,work1 ,,hair ,,work1 ,,taxidermy1 ,,gilding ,,and ,,bronzing1 ,,plaster ,,work1 ,,wax ,,work1 ,,shell ,,work1 ,,magic ,,lantern1 ,,paper ,,flowers1 ,,imitation ,,of ,,pearl1 ,,the ,,aquarium1 ,,sealing-,,wax ,,painting1 ,,panorama ,,painting1 ,,coloring ,,photographs1 ,,enamel ,,painting1 ,,etc4 ,,by ,,madame ,l4,b4 ,,urbino1 ,,prof4 ,,henry ,,day1 ,,and ,,others4 ,,with ,,valuable ,,receipts ,,for ,,preparing ,,materials4 ,splendidly ,illustrated4 ,,boston3 ,j4 ,e4 ,,tilton ,,and ,,company4 #ahfj4 99 99 99 99 99 ,price of this valuable work is but #a4ej4 ,sold by all booksellers1 and sent by mail postpaid4