,,musical ,,portraits ,,int]pretations ,,( ,,tw5ty ,,mod]n ,,compos]s ,,by ,,paul ,,ros5feld ,,new ,,york ,,h>c\rt1 ,,brace ,,& ,,h[e #aibj ,,copyright1 #aibj1 ,,by ,,h>c\rt1 ,,brace ,,& ,,h[e1 ,,inc4 ,,! ,,qu9n ,,bod5 ,,company ,,rahway1 ,n4 ,j4 ,to ,,ar?ur ,,moore ,,williamson ,"s ( ! mat]ial ( ?is book 0 orig9ally pr9t$ 9 ! =m ( articles 9 ,! ,dial1 ,! ,new ,republic1 & ,! ,sev5 ,arts4 ,?anks are due ! editors ( ^! p]iodicals = p]mission to reca/ & repr9t x4 ,,cont5ts ,,wagn]1 #c ,,/rauss1 #bg ,,m\ssorgsky1 #eg ,,liszt1 #gc ,,b]lioz1 #hg ,,franck1 #aja ,,debussy1 #aai ,,ravel1 #acc ,,borod91 #adi ,,rimsky-,,korsak(f1 #aei ,,ra*man9(f1 #afi ,,scriab9e1 #agg ,,/raw9sky1 #aia ,,mahl]1 #bje ,,reg]1 #bbc ,,s*o5b]g1 #bcc ,,sibelius1 #bde ,,loeffl]1 #beg ,,orn/e91 #bfg ,,blo*1 #bha ,,app5dix1 #bii ,,musical ,,portraits ,wagn] ,wagn]'s music1 m ?an any o!r1 is ! sign & symbol ( ! n9ete5? c5tury4 ,! m5 to :om x 0 disclos$1 & :o fir/ s\ght to refuse1 & !n accept$ x1 passionately1 )\t res]vations1 f\nd 9 x _! tru?4 ,x came to _! e>s z ! s\nd ( _! own voices4 ,x 0 ! common1 ! univ]sal tongue4 ,n alone on ,g]many1 n alone on ,europe1 b on e qu>t] ( ! globe t _h develop$ coal-p[] civilization1 ! music ( ,wagn] desc5d$ ) ! =mative might ( ! p]fect image4 ,m5 ( e race & cont95t knew x to be ( !mselves z mu* z 0 _! h]$it>y & racial music1 & w5t out to x z to _! own adv5ture4 ,& :]ev] music reappe>$1 :e!r "u ! h& ( ! ,japanese or ! semi-,african or ! ,yankee1 x seem$ to be gr[+ f ,wagn] z ! bright %oots ( ! fir spr\t f ! d>k ones gr[n ! previ\s ye>4 ,a :ole _w1 = a p]iod1 came to use 8 idiom4 ,8 dream 0 recogniz$ dur+ 8 v lifetime z an integral portion ( ! consci\sness ( ! entire race4 ,= ,wagn]'s music is ! c5tury's paean ( mat]ial triumph4 ,x is its cry ( pride 9 its possessions1 its aspiration t[>d great] & ev] great] objective p[]4 ,wagn]'s /yle is /iff & diap]$ & emblazon$ ) ! s5se ( mat]ial increase4 ,x is brave1 sup]b1 haughty ) consci\sness ( ! gigantic new body acquir$ by man4 ,! tonal pomp & c]emony1 ! pride ( ! trumpets1 ! arrogant /ride1 ! magnific5t address1 ! broad1 vehem5t1 gr&iloqu5t pron\ncem5ts1 ! sumptu\s texture ( 8 music seems =ev] proclaim+ ! victory ( man ov] ! en]gies ( fire & sea & e>?1 ! lord%ip ( creation1 ! sudd5ly begott5 railways & %ipp+ & m9es1 ! cataclysm ( weal? & com=t4 ,8 "w seems =ev] seek+ to =m images ( gr&eur & empire1 fla%+ ) ,siegfri$'s sword1 comm&+ ! planet ) ,wotan's spe>1 upbuild+ above ! heads ( m5 ! ca/le ( ! gods4 ,x d>es measure itself ) ! t]re/rial =ces1 exults 9 ! fire1 s\ghs ?r\gh ! =e/ ) ! ?und]/orm1 glitt]s & surges ) ! riv]1 spans m\nta9s ) ! ra9b[ bridge4 ,x is full ( ! ge/ures ( giants & h]oes & gods1 ( ! l>ge pr\d movem5ts ( :i* m5 h ev] dream$ 9 days ( afflu5t p[]4 ,ev5 ,tri/an und ,isolde1 ! high song ( love1 & ,p>sifal1 ! my/]y1 spread ri*ness & spl5dor ab\t !m1 are set 9 an atmosph]e ( heavy gorge\s /uffs1 amid objects ( gold & silv]1 & ?ick cl\d+ inc5se1 :ile ! protagoni/s1 ! lov]s & saviors1 seem to be celebrat+ a worldly triumph1 & cr[n+ !mselves k+s4 ,& ov] ! entire body ( ,wagn]'s music1 !re float1 a massive diadem1 ! t[]s & p>apets & bann]s ( ,nuremb]g ! imp]ial free city1 monum5t ( a victori\s burgh]dom1 ( civic virtue t on ! ru9s ( feudalism con/ruct$ its own _w1 & demon/rat$ to all times its dignity & sobriety & indu/ry1 its solid wor?4 ,= life itself made ! ,wagn]ian ge/ure4 ,! vortex ( /eel & glass & gold1 ! black express-packets pl[+ ! sev5 seas1 ! smok+ tra9s pi]c+ ! b[els ( ! m\nta9s & connect+ cities vibrant ) hordes ( bus9ess m51 ! telegraph wires sett+ ! _w aquiv] ) _! incessant reports1 ! :ole s9i/] glitt]+ fa]y ( ga9 & indu/ry & dom9ion1 seem$ to tread & so> & s\nd & bl>e & swell ) j su* rhy?m1 su* gr&eur1 su* intoxication4 ,m\nta9s t _h be5 seal$ ?\s&s ( ye>s _h split op5 aga9 & let em]ge a race ( labor+1 fum+ giants4 ,! d5se primeval =e/s1 ! dragon-haunt$ ,g]man =e/s1 7 sprung up aga91 fre% & cool & unexplor$1 nurtur+ a mighty & fanta/ic animality4 ,:]ev] "o gaz$1 ! horn$ ,siegfri$1 ! man born ( ! e>?1 seem$ ne> once m1 ready to cle> & rejuv5ate ! globe ) 8 heal?y in/9ct1 to %att] ! old false b>ri]s & pi]ce upw>d to fulfilm5t & p[]4 ,mank9d1 wak+ f immemorial sleep1 ?\ght = ! fir/ "t to p]ceive ! sun 9 heav51 to greet ! creat+ light4 ,& :]e 0 ?is music m imman5t ?an 9 ! ,new ,_w1 9 ,am]ica1 t ess5tialization ( ! entire age8 ,by :at environm5t 0 x m ju/ly appreciat$1 ,saxon ?\gh ! acc5ts ( its recitative might be8 ,g]many _h borne ,wagn] because ,g]many _h an un9t]rupt$ fl[ ( musical expression4 ,b _h ! ,nor? ,am]ican cont95t be5 able to produce musical art1 x c\ld h produc$ none m indig5\s1 m really auto*?on\s1 ?an t ( ,ri*>d ,wagn]4 ,:itman 0 "r :5 he t]m$ ^! scores ! music ( ! ',leaves4' ,= n[h]e did ! =e/ ( ! ,niebelung5 fl\ri% m lu%ly1 m d>kly1 ?an ^u ! ,am]ican coa/s & m\nta9s & pla9s4 ,f ! t[]s & walls ( ,new ,york !re fell a brea?1 a gr&iloqu5t language1 a /rid5cy & a glory1 t 7 ,wagn]'s inde$4 ,8 regal comm&+ bla/s1 8 upsweep+ m>*+ viol9s1 8 pomp\s & maje/ic or*e/ra1 exi/$ 9 ! ,am]ican sc5e4 ,! v masonry & riv]-spans1 ! bur/+ t[ns1 ! fury & expansiv5ess ( exi/5ce %$ 8 idiom1 %ad[$ =? 8 pr\d processionals1 8 resonant gold1 8 tumultu\s syncopations & blaz+ brass & cymbals & volcanically inundat+ melody2 appe>$ to be /ruggl+ to a*ieve ! ?+ t 0 8 art4 ,am]ican life seem$ to be call+ = ?is music 9 ord] t its va/ness1 its madly afflu5t weal? & multi=m p[] & transcont95tal span1 its l\d1 gr&iose promise might atta9 some?+ l et]nal be+4 ,& j z 9 ,wagn]'s music !re s\nds ! age's cry ( mat]ial triumph1 s1 too1 !re s\nds 9 x its t]rible cry ( homesickness4 ,! en]gy produc$ & hurl$ out ov] ! globe 0 suck$ back aga9 ) no less a =ce4 ,! "t t saw ! victory ( indu/rialism saw z well ! revival or ! attempt$ revival ( m$ieval modes ( feel+4 ,c>d9al ,newman 0 z typical a figure ( n9ete5?-c5tury life z 0 ,balzac4 ,! m5 :o _h creat$ ! new _w felt )9 !mselves a passionate desire to escape out ( ! pres5t into ! pa/ once m4 ,!y felt !mselves victors & vanqui%$1 p[]ful & yet b]eft & =lorn4 ,& ,wagn]'s music expresses ) equal v]acity bo? tides4 ,j z 8 music is brave ) a s5se ( outw>d p[]1 s1 too1 x is sick ) a s5se ( inn] unfulfilm5t4 ,!re is no long+ m consum+1 no homesickness m t]rible1 no /ra9+ aft] ! lav+1 imm]s+ floods ( unconsci\sness m burn+ ?an t :i* utt]s itself ?r\gh ?is music4 ,!re are passages1 :ole h\rs ( 81 t are l ! /ra9+ ( a man to return into ! d>kness ( ! mo!r+ night out ( :i* he came4 ,!re is music ( ,wagn] t makes u feel z ?\gh he _h be5 seek+ to create great w>m cl\ds1 great sc5t$ clo?s1 wide curta9s1 z ?\gh he _h come to 8 art to f9d some?+ 9 :i* he c\ld envelop himself completely1 & blot out sun & moon & />s1 & s9k into oblivion4 ,= su* a heal] ,tri/an1 ly+ dy+ on ! desolate1 rockb\nd coa/1 cries ?r\gh ! immortal long+ ( ! music4 ,= su* a div9e mess5g] ! w\nd ( ,am=tas gapes2 = su* a r$eem] ,kundry1 driv5 ?r\gh ! _w by scor*+ w9ds1 ye>ns4 ,8 lov]s come t[>d ea* o!r1 seek+ 9 ea* o!r ! night1 ! desc5t into ! fa?omless d>k4 ,= !m sex is ! return1 ! complete =getfulness4 ,?r\gh ea* ( !m !re s\nds ! insi/5t cry3 ,frau ,m9ne w ,es w]de ,na*t6 ,!re is no t5d]ness1 no aw>5ess ( ea* o!r1 9 ^! m5 & wom54 ,!re is only ! fi]ce1 imp]sonal long+ = utt] consumption1 ! ext9ction ( ! flam+ tor*1 complete m]g+ 9 ! ,absolute1 ! weav+ ,all4 ,9 ea* ( !m1 desire = ! void m\nts into a gigantic1 mon/r\s fl[]1 into ! %imm]+ ?+ t en*ants ,k+ ,m>k's g>d5 & ! rippl+ /ream & ! di/ant horns :ile ,isolde waits = ,tri/an1 or into ! deva/at+ fev] t *a9s ! sick ,tri/an to 8 b$ ( pa94 ,= all ^! be+s1 & beh9d !m ,wagn]1 & beh9d him 8 "t1 ye>n = ! pa/1 ! pre-natal1 ! orig9al sleep1 & f9d 9 su* a return _! great fulfilm5t4 ,siegmund f9ds 9 ! traits ( 8 belov$ 8 own *ildhood4 ,siegfri$ awakes on ! flame-engirdl$ hill a woman :o wat*$ ov] him be=e he 0 born1 & wait$ un*ang$ = 8 rip5+4 ,x is ) ! kiss ( ,h]zeleide t ,kundry enme%es ,p>sifal4 ,brunhilde /ruggles = ! =giv+ embrace ( ,wotan1 s9ks on ! brea/ ( ! god 9 submission1 reconciliation1 immolation4 ,& x is t[>ds an engulf+ consummation1 "s ext9ction t is bo? love & dea? & deep] ?an bo?1 t ! music ( 8 op]as aspires4 ,! fire t licks ! rock ( ! ,walkyrie1 ! ,rh9e t rises 9 ! f9ale ( ,goett]daemm]ung & inundates ! sc5e & sweeps ! _w ) its sil5t1 lav+ tides1 ! gigantic blossom t op5s its corolla 9 ! ,liebe/od & buries ! lov]s 9 a ra9 ( sc5t & petals1 ! tranquil ruby gl[ ( ! *alice t suffuses ! close ( ,p>sifal1 are ! mom5ts t[>d :i* ! dramas !mselves labor1 & 9 :i* !y atta9 _! legitimate conclusion1 completion & end4 ,b n only 8 f9ales are full ( t entrancem5t4 ,8 melodic l9e1 ! lyrical passages ?r\gh\t 8 op]as1 seem to seek to atta9 x1 if n conclusively1 at lea/ 9 prep>ation4 ,^? silk5 excessively sweet p]iods1 ! mom5t ( reconciliation & embrace ( ,wotan & ,brunhilde1 ! ,a*1 ,isolde passage 9 ! ?ird act ( ,tri/an1 ^? innum]able lyrical flights ) _! beg9n+s & subsid+s1 _! sudd5 advances & regressions1 _! passionate surges t f9ally & aft] all _! exquisite hesitations m\nt & fl>e & unroll !mselves 9 fullness--!y1 too1 seem to be seek+ to di/ill "s ( ! same brew1 ! same magic drugg+ potion1 to conjure up out ( ! or*e/ral dep?s "s ,v5usb]g1 "s ,kl+sor's g>d5 full ( subtle sc5t & s(t delight & et]nal =getfulness4 ,& ) ,wagn]1 ! new p]iod ( music beg9s4 ,he /&s midway betwe5 ! feudal & ! mod]n worlds4 ,9 him1 ! old & classical p]iod is accompli%$4 ,inde$1 s mu* ( 8 music is sum1 is t]m9ation1 t !re are times :5 x seems no?+ else4 ,!re are times :5 8 art appe>s entirely b[$ ov] ! pa/2 ! conflu5ce ( a doz5 diff]5t t5d5cies alive dur+ ! la/ c5tury & a half2 ! capp+ ( ! labor ( a doz5 great musicians2 ! fulfilm5t ( ! sy/em regnant 9 ,europe s9ce ! introduction ( ! pr9ciple ( ! equal temp]am5t4 ,= ! la/ "t1 ! old conceptions ( tonality obta9 9 8 music dramas4 ,"o feels ?r\gh\t ,tri/an und ,isolde ! key ( ,d-flat1 ?r\gh\t ,die ,mei/]s+] ! key ( ,c-major1 ?r\gh\t ,p>sifal ! key ( ,a-flat & its relative m9or4 ,rhy?ms t _h be5 us$ all ?r\gh ! classical p]iod are work$ by him into new patt]ns1 & d s]vice a la/ "t4 ,motifs :i* _h be5 utiliz$ by o!rs are tak5 by him & br\ght to some?+ l an ultimate conclusion4 ,! end+1 ! conclusion1 ! completion1 are s5sible ?r\gh\t 8 art4 ,few musicians h _h _! p[] & me?od plac$ m directly 9 _! h&s1 & b5efit$ s hugely by ! exp]im5ts ( _! imm$iate pr$ecessors1 h fall5 heir to su* imm5se musical legacies4 ,inde$1 ,wagn] 0 nev] loa? to ackn[l$ge 8 indebt$ness1 & !re are on record sev]al in/ances :5 he p>aphras$ ,wal!r's song to 8 ma/]s1 & signal$ ! compos]s :o _h aid$ him mo/ 9 8 developm5t4 ,to-day1 ! debt is v pla94 ,at e turn1 "o sees him b5efit+1 & b5efit+ v beautifully1 by ! "w ( ,bee?ov54 ,! /ructure ( 8 great & *>act]i/ic works is bas$ on ! symphonic =m4 ,! developm5t ( ! !mes ( ,tri/an & ,die ,mei/]s+] & ,p>sifal out ( s+le k]nels2 ! f9e logical sequ5ce1 ! expositions ( ! !matic mat]ial ( ,p>sifal 9 ! prelude & 9 ,gurnamanz's n>rative1 & its subsequ5t reappe>ance & adv5tures & developm5ts1 are some?+ l a summit ( symphonic art z ,bee?ov5 made x to be und]/ood4 ,& 8 or*e/ra is sc>cely m ?an ! or*e/ra ( ,bee?ov54 ,he did n require ! b& ( indep5d5t in/rum5tal families dem&$ by ,b]lioz & realiz$ by ! mod]n m54 ,he 0 cont5t ) ! old1 classical or*e/ra 9 :i* c]ta9 gr\ps are /r5g!n$ & to :i* ! h>p1 ! ,engli% horn1 ! bass-tuba1 ! bass-cl>9et h be5 add$4 ,& 8 conception ( an un5d+ melody1 an unbrok5 fl[ ( music int5d$ to give cohesion & homog5eity to 8 music-dramas1 0 a direct consequ5ce ( ! ef=ts ( ,moz>t & ,web] to give unity to _! op]atic works4 ,= al?\gh ^! compos]s reta9$ ! old conv5tion ( an op]a compos$ ( sep>ate numb]s1 !y nev]!less manag$ to unify _! op]as by creat+ a di/9ct /yle 9 ea* ( !m1 & by secur+ an emotional developm5t 9 ! v>i\s arias & conc]t$ numb]s4 ,! /ep f ,don ,giovanni & ,euryan! to ,tannhaeus] & ,loh5gr9 does n seem q z long a "o to-day z once x did4 ,inde$1 !re are mom5ts :5 "o wond]s :e!r ,loh5gr9 is really a /ep beyond ,euryan!1 & :e!r ! increase ( p[] & vividness & imag9ation has n be5 made at ! exp5se ( /yle4 ,moreov]1 9 mu* ( :at is actually progress 9 ,wagn] ! influ5ce ( ,web] is cle>ly disc]nible4 ,! s9i/] passages seem b developm5ts ( mom5ts 9 ,d] ,freis*uetz2 ! gr& melodic /yle1 ! romantic or*e/ra ) its sigh+ horns & *ivalry & fl\ri%es1 seem to come directly out ( ,euryan!2 ! or*e/ral sc5e-pa9t+ f ! sunrise & o!r orig9al effects 9 ,ob]on4 ,ev5 ,mey]be] taught ,wagn] some?+ m ?an ! use ( c]ta9 in/rum5ts1 ! bass-cl>9et1 = in/ance4 ,! old op]atic speculator indubitably 0 responsible = ,wagn]'s gr& dem&s ^u ! sc5e-pa9t] & ! /age-c>p5t]4 ,8 pomp\s spectacles fir$ ! y\ng] man n only ) ,ri5zi4 ,!y indubitably gave him ! c\rage to create an op]atic art t celebrat$ ! new gold & p[] & magnific5ce1 & 0 ,gr& ,op]a inde$4 ,if ! works ( ! "o 7 %am1 & ^? ( ! o!r poetry1 x 0 only t ,wagn] realiz$ :at ! o!r s\ght va9ly all 8 life to atta91 & 0 prev5t$ by ! /ock-brok] )94 ,& ,*op9's h>monic feel+ z well z ,b]lioz's or*e/ral wiz>dry play$ a role 9 ,wagn]'s arti/ic education4 ,b = all 8 incalculable indebt$nesses1 ,wagn] is ! great initiator1 ! compell] ( ! mod]n p]iod4 ,x is n only because he summ>iz$ ! old4 ,x is because he began ) =ce a revolution4 ,9 express+ ! man ( ! n9ete5? c5tury1 he disc>d$ ! old major-m9or sy/em t _h dom9at$ ,europe s long4 ,t sy/em 0 ! outcome ( a conception ( ! univ]se :i* set man ap>t f ! rema9d] ( nature1 plac$ him 9 a category ( 8 own1 & pret5d$ t he 0 bo? ! c5t] & ! object ( creation4 ,= x call$ man ! consonance & nature ! dissonance4 ,! octave & ! fif?1 ! bases ( ! sy/em1 are ( c\rse1 to be f\nd only 9 ! human voice4 ,!y are1 r\ghly1 ! diff]5ce betwe5 ! av]age male & ! av]age female voice1 & ! diff]5ce betwe5 ! av]age soprano & alto4 ,x is ^u ^? int]vals t ! ,c-major scale & its tw5ty-?ree dep5d5ts are bas$4 ,b ) ! com+ ( a conception t no long] sep>at$ man f ! re/ ( creation1 & plac$ him 9 x z a small "p ( x1 bro!r to ! animals & plants1 to ev]y?+ t brea!s1 ! old scale c\ld no long] completely express him4 ,! modulations ( ! noises ( w9d & wat]1 ! inf9ite gradations & complexes ( s\nd to be he>d on ! planisph]e1 seem$ to ask him to include !m1 to become consci\s ( !m & reproduce !m4 ,he requir$ o!r m subtle scales4 ,& ) ,wagn] ! mon>*y ( ! ,c-major scale is at an end4 ,tri/an und ,isolde & ,p>sifal are con/ruct$ ^u a *romatic scale4 ,! old "o has _h to lose its privilege1 to resign itself to becom+ simply "o ( a con/antly gr[+ _m4 ,if ?is /ep is n a colossal "o1 x is /ill ( imm5se importance4 ,! musical wor?ies :o ran ab\t wr++ _! h&s aft] ! fir/ p]=mance ( ea* ( ,wagn]'s works1 & lam5t$ laws mon/r\sly brok51 & traditions %att]$1 71 = once1 "r4 ,!y gaug$ correctly f :i* direction ! w9d 0 bl[+4 ,!y probably he>d1 fa9tly pip+ 9 ! di/ance1 ! p5tatonic scales ( ,m\ssorgsky & ,debussy1 ! scales ( ,scriab9e & ,/raw9sky & ,orn/e91 ! b>b>\s1 exotic & ,african scales ( ! future1 ! "o hundr$ & ?irte5 scales ( :i* ,busoni speaks4 ,& to-day !re are no long] musical rules1 =bidd5 h>monies1 dissonances4 ,siegfri$ has brok5 !m along ) ,wotan's spe>4 ,ea/ & ,we/ are ne> to m]g+ once aga94 ,no d\bt1 _h !re be5 no ,wagn]1 ! *ange w\ld h arriv$ nev]!less4 ,h[ev]1 x w\ld h arriv$ m sl[ly4 ,= :at he did accompli% 0 ! rapid empty+ ( ! old w9e t /ill rema9$ 9 ! w9esk91 ! prep>ation ( ! receptacle = ! new v9tage4 ,he =c$ ! new to put 9 imm$iate appe>ance4 ,! full impact ( ^! re=ms1 ! full might ( ,wagn]1 we ( our g5]ation d\btlessly nev] felt4 ,!y c\ld h be5 felt only by ! g5]ation to :om ,wagn] fir/ disclos$ himself1 ! g5]ation t atta9$ maturity betwe5 #ahej & #ahhj4 ,x 0 ^u ! m5 ( ^? days t he did 8 full "w ( de/ruction & revival4 ,x 0 9 !m he batt]$ d[n walls4 ,x 0 !m he made to he> afre%1 to /ret* & gr[ 9 ! ef=t to compreh5d him4 ,at ! mom5t we enc\nt]$ ,wagn]1 8 "w 0 already some?+ ( a clos$ exp]i5ce1 some?+ we 7 able to accept readily & ) a c]ta9 ease because x _h be5 accept$ & assimilat$ by an entire _w1 & become "p ( ! human organism4 ,its p[] 0 already slightly dim9i%$4 ,= in/ance1 ,wagn] ! musician 0 no long] able to make ei!r ,wagn] ! poet or ,wagn] ! philosoph] exi/ = u z !y exi/$ = ! m5 ( ! e>li] g5]ation4 ,only ,h\/on ,/ew>t ,*amb]la9 /ill p]si/$ 9 try+ to /& ^u ! burn+ deck :5ce all ! re/ _h fl$4 ,= u1 x 0 obvi\s t if ,wagn]'s "w ?ron$ mightily x 0 because ( 8 music1 & (t5times 9 spite ( 8 v]se & 8 doctr9e4 ,= u1 x 0 a commonplace t dramatic movem5t & ! fill+ up ( sc5es by ! introduction ( *>act]s :o propose po9tless riddles to "o ano!r & expla9 at l5g? :at _! names are n1 are incompatible2 t poetry does n consi/ 9 disguis+ commonplace expressions 9 ar*aic & allit]ative & extravagant dress2 t ,wotan displays no grasp ( ! ess5tials ( ,s*op5hau]'s philosophy :5 he insi/s on dubb+ ,brunhilde 8 ,w4 ,& yet1 :atev] ! diff]5ce1 mo/ ( ,wagn]'s might 0 /ill 9 him :5 fir/ we came to "k 8 music4 ,! spell 9 :i* he _h b\nd ! g5]ation t prec$$ ours 0 /ill p[]ful4 ,= u1 too1 !re occurr$ ! mom5ts :5 ,siegfri$'s cav]n\s =e/ dep?s fir/ brea!d on u1 :5 = ! fir/ "t ,die ,mei/]s+] flaunt$ above ! heads ( all ! _w ! gonfalon ( art1 :5 = ! fir/ "t we emb>k$ ^u ! %oreless gold5 sea ( ,tri/an und ,isolde4 ,= u1 too1 ! "n ( ,ri*>d ,wagn] rang & s\nd$ above all o!r musical names4 ,= u1 too1 he 0 a sort ( sov]eign "l ( music4 ,8 "w appe>$ ! climax t[>d :i* music _h aspir$ ?r\gh c5turies1 & f :i* x mu/ ( necessity desc5d aga94 ,o!r1 & p]haps pur] "w ?an 81 exi/$1 we knew4 ,b x seem$ remote & less compell+1 = all its p]fection4 ,new music w\ld arrive1 we surmis$4 ,yet we f\nd ourselves conv9c$ t x w\ld prove m9or & unsatisfactory4 ,= ,wagn]'s music _h = u an inc&esc5ce :i* no o!r possess$4 ,x 0 ! magnetic spot ( music4 ,its colors blaz$ & gl[$ ) a dep? & ardor t seem$ to set x ap>t f o!r music z 9 an en*ant$ circle4 ,x unlock$ u z did no o!r4 ,we dem&$ j su* or*e/ral movem5t1 j su* sup]b ge/ures1 j su* w>m1 imm]s+ floods1 & 7 fulfill$ by !m4 ,t !re w\ld come a day :5 ! magnetism :i* x ex]t$ on u w\ld pass f x1 & be se5 to h pass$1 seem$ ! remote/ ( possibilities4 ,= we accept$ him ) ! _w ( our m9ority4 ,= ea* individual !re is a p]iod1 v>y+ l>gely 9 ext5t1 dur+ :i* 8 exi/5ce is *iefly a process ( imitation4 ,9 ! sph]e ( expression1 t submission to au?ority ext5ds well ov] ! entire p]iod ( ge/ation1 well into ! "t ( physical maturity4 ,!re are few m51 few great arti/s1 ev51 :o d n1 be=e atta9+ _! prop] idiom & ge/ure1 adopt ^? ( _! tea*]s & pr$ecessors4 ,%akespe>e writes fir/ 9 ! /yle ( ,kyd & ,m>l[e1 ,bee?ov5 9 t ( ,haydn & ,moz>t2 ,leon>do at fir/ imitates ,v]roc*io4 ,& :at ! utilization ( ! mann] ( _! pr$ecessors is to ! arti/1 t ! s+le devotion to ,wagn] 0 to u4 ,= he 0 n only 9 ! atmosph]e1 n only imman5t 9 ! lives l$ ab\t u4 ,8 figure 0 vivid be=e u4 ,sc>cely ano!r arti/ic p]sonality 0 z l>gely ^u u4 ,!re 7 pictures1 on ! walls ( music-rooms1 ( gray-be>d$1 helmet$ w>riors hold+ mail$ blonde wom5 9 _! arms1 ( que5s ) gold5 ornam5ts on _! arms lean+ ov] p>apets & agitat+ _! sc>ves1 ( wom5 ?r[+ !mselves into ! sea ^u :i* gha/ly b>ks 7 dw9dl+1 ( oldi% m5 & "y girls conv]s+ teas+ly ?r\gh a w9d[ by a lilac-bu%1 t 7 ,wagn]4 ,!re 7 books ) /ories ( magical swans & hordes ( gold & baleful curses1 ( phantasmal /orm %ips & holl[ hills & swords lodg$ 9 tree-trunks await+ _! wield]s1 ( races ( gods & giants & grimy dw>fs1 ( gu>dian fires & potions ( =getfulness & prophetic dreams & voices1 t 7 ,wagn]4 ,!re 7 adults :o w5t to assi/ at ^! ?+s ( :i* "o read1 :o dep>t$ 9 /ate & excitem5t ( an ev5+ to att5d p]=mances ( ,die ,walku]e & ,tri/an und ,isolde1 & :o spoke ( ^! exp]i5ces 9 voices & mann]s diff]5t f ^? 9 :i* !y spoke1 say1 ( ! !at] or ! conc]t4 ,& !re 7 magnific5t & /ately & passionate pieces t drew _! way across ! pian(orte1 t seiz$ ^u "o & made "o insatiable = !m4 ,long be=e we _h actually ent]$ ! op]a h\se & he>d "o ( ,wagn]'s works 9 its entirety1 we belong$ to him & knew 8 art our own4 ,we 7 born ,wagn]ians4 ,b ( late a great adv5ture has befall5 u4 ,:at once seem$ ! remote/ ( possibilities has actually tak5 place4 ,we :o 7 born & grew "u ! sign ( ,wagn] h witness$ ! twilight ( ! god4 ,he has rec$$ f u4 ,he has dep>t$ f u into ! relative di/ance into :i* dur+ 8 h\r ( omnipot5ce he bani%$ all o!r compos]s4 ,he has be5 displac$4 ,a new music has come into be+1 & drawn ne>4 ,=ms z solid & wondr\s & compell+ z 8 are ab\t u4 ,little by little1 dur+ ! la/ ye>s1 s gradually t x has be5 almo/ unbekn[n to u1 our relation%ip to him has be5 *ang+4 ,some?+ )9 u has mov$4 ,o!r musicians h be5 work+ _! way 9 ^u our att5tion4 ,o!r works h come to seem z vivid & deep ( hue1 z wondr\s & compell+ z 8 once did4 ,gradually ! musical firmam5t has be5 recon/ellat+ itself4 ,= long1 we 7 unaw>e ( ! *ange1 ?\ght ourselves /ill opposite ,wagn]1 ?\ght ! rays ( 8 g5ius /ill z direct ^u u z ev] !y 74 ,b ( late s wide has ! di/ance become t we h awak5$ %>ply to ! *ange4 ,( a sudd51 we seem to ourselves l travel]s :o1 hav+ bo>d$ by night a l9] fa/ to h] pi] & fall5 asleep amid famili> objects1 b5ea? ! well-kn[n beacons & t[]s ( ! port1 wak5 sudd5ly 9 broade/ daylight sc>cely aw>e ! vessel has be5 gott5 "u way1 & f9d ! sc5e completely trans=m$1 f9d !mselves out on ocean & glimpse1 dw9dl+ beh9d !m1 ! h>bor & ! city 9 :i* app>5tly b a mom5t s9ce !y _h la9 enclos$4 ,x is ! matur+ ( a g5]ation t has produc$ ! *ange4 ,= ea* g5]ation ! works ( art produc$ by its memb]s h a di/9ct importance4 ,out ( !m1 dur+ _! "t1 !re sp>ks ! creative impulse4 ,= e g5]ation is some?+ ( a unit4 ,*aque g5]ation d'hommes ,g]mant du *amps mat]nal en sa saison1 ,g>de en elle un secret commun1 un c]ta9 noeud dans la pr(onde contexture de son bois1 ,claudel assures u ?r\gh ! mask ( ,tete d',or4 ,& ! resemblances betwe5 works produc$ indep5d5tly ( ea* o!r )9 ! space ( a few ye>s1 g5]ally s mu* great] ?an ^? t exi/ betwe5 any "o "w ( "o age & any ( ano!r1 be>s him out4 ,! /yles ( ,pale/r9a & ,vittoria1 :i* are obvi\sly dissimil>1 are nev]!less m alike ?an ^? ( ,pale/r9a & ,ba*1 ,vittoria & ,ha5del2 j z ^? ( ,ba* & ,ha5del1 dissimil> z !y are1 h a great] simil>ity ?an t :i* exi/s betwe5 ^? ( ,ba* & ,moz>t1 ( ,ha5del & ,haydn4 ,& s1 = ! m5 ( a s+le p]iod ! "w produc$ dur+ _! "t is a p[]ful enc\ragem5t to self-realization1 to ! esp\sal ( _! de/9y1 to ! fulfilm5t ( _! life4 ,= ! motion ( "o "p ( a ma*9e /irs all ! o!rs4 ,& !re is a "p ( e man ( a g5]ation 9 ! "w done by ! o!r memb]s ( x4 ,! m5 :o fa%ion ! art ( "o's own "t make "o's prop] exp]im5t1 />t f "o's own po9t ( dep>ture1 d>e to be !mselves & oneself 9 ! face ( ! ga9say+ ( ! o!r epo*s4 ,!y are s belittl+1 s condesc5d+1 s nay-say+ & det]r+1 ! o!r times & _! ma/]pieces6 ,!y are s unsympa!tic1 s /range & gr& & remote6 ,!y seem to say ,?us mu/ x be2 ?is is =m2 ?is is beauty2 all else is sup]flu\s4 ,:o goes to !m = help & und]/&+ is l "o :o goes to m5 mu* old]1 m5 ( diff]5t habits & sympa?ies1 9 ord] to expla9 himself1 & f9ds himself disconc]t$ & dim9i%$ in/ead1 glimpses a secret jeal\sy & res5tm5t b5ea? ! mask4 ,b ! adv5ture ( enc\nt]+ ! arti/ ( "o's own "t is t ( f9d+ ! mo/ m>vel\s ( aids1 corroboration4 ,x is to meet "o :o has be5 liv+ "o's life1 & ?9k+ "o's ?\ghts1 & fac+ "o's problems4 ,x is to get reassurance1 to accept oneself1 to beget c\rage to express "o's self 9 "o's own mann]4 ,& we ( our g5]ation h f9ally f\nd ! music t is s creatively infect+ = u4 ,we h f\nd ! music ( ! po/-,wagn]ian epo*4 ,x is our music4 ,= we are ! (fspr+ ( ! g5]ation t assimilat$ ,wagn]4 ,we1 too1 are ! reaction f ,wagn]4 ,?r\gh ! discov]y we h come to le>n t music c give u s5sations diff]5t ?an ^? giv5 u by ,wagn]'s4 ,we h le>n$ :at x is to h music say to u1 ,x is ?us1 aft] all1 t y feel4 ,we h f9ally come to recognize t we require ( music =ms1 proportions1 acc5ts diff]5t f ,wagn]'s2 or*e/ral movem5t1 color1 rhy?ms1 n 9 84 ,we h le>n$ t we want an altoge!r diff]5t /irr+ ( ! musical caldron4 ,a song ( ,m\ssorgsky's or ,ravel's1 a few measures ( ,pelleas or ,le ,sacre du pr9temps1 a s+le f9e mom5t 9 a sonata ( ,scriab9e's1 or a qu>tet or suite ( ,blo*'s1 give u a joy1 an illum9ation1 a satisfaction t little ( ! old] music c equal4 ,= our own mom5t ( action is f9ally at h&4 ,s ,wagn] has retreat$ & jo9$ ! company ( compos]s :o express ano!r day ?an our own4 ,! sov]eignty t 0 9 him has pass$ to o!r m54 ,we reg>d him at pres5t z ! m5 ( 8 own "t might h reg>d$ ,bee?ov5 & ,web]4 ,/ill1 he w always rema9 ! "o ( all ! company ( ! ma/]s close/ to u4 ,no d\bt he is n ! greate/ ( ! arti/s :o h made music4 ,colossal z 7 8 =ces1 colossal z 7 ! /ruggles he made = ! assumption ( 8 art1 8 musical p[]s 7 n always able to cope ) ! tasks he set himself4 ,! unflagg+ inv5tive p[] ( a ,ba* or a ,haydn1 ! robu/ness ( a ,ha5del or a ,bee?ov51 ! h>moni\s p]sonality ( a ,moz>t1 7 ?+s he c\ld n rival4 ,he is ev5 inf]ior1 9 ! matt] ( /yle1 to m5 l ,web] & ,debussy4 ,!re are _m mom5ts1 "o f9ds1 :5 8 scores %[ t !re 0 no?+ 9 8 m9d1 & t he simply w5t ?r\gh ! r\t9e ( composition4 ,too (t5 he p]mitt$ ! sy/em ( lead+-motifs to relieve him ( ! necessity ( creat+4 ,too (t51 he made ( 8 art a purely m5tal game4 ,8 emotion1 8 creative g5ius 7 f> m int]mitt5t1 8 brea? f> less long ?an "o once imag9$4 ,"s ( ! e>li] works h comm5c$ to fade rapidly1 irretrievably4 ,at pres5t "o wond]s h[ x is possible t "o once sat entranc$ ?r\gh p]=mances ( ,! ,fly+ ,dut*man & ,tannhaeus]4 ,loh5gr9 beg9s to seem a little brutal1 /rangely ,prussian lieut5ant ) its milit>i/ic trumpets1 its abuse ( ! brass4 ,"o f9ds oneself *oos+ ev5 among ! acts ( ,tri/an und ,isolde1 f9d+ ! fir/ f> inf]ior to ! poignant1 magnific5t ?ird4 ,sometimes1 "o glimpses a little too long beh9d 8 "w n ! h]oic agoni/1 b ! man :o lov$ to langui% 9 m\rnful salons1 attir$ 9 furr$ dress+ g[ns4 ,inde$1 if ,wagn] seems great x is *iefly z "o ( ! mo/ delicate ( musicians4 ,x is ! lightness ( 8 bru% /roke t makes u m>vel at ! ?ird act ( ,tri/an1 ! fir/ sc5e ( ! ,walku]e4 ,x is ! delicacy ( 8 fancy1 ! lilac fragrance p]vad+ 8 inv5tions1 t en*ants u 9 ! second act ( ,die ,mei/]s+]4 ,?r\gh ! score ( ,p>sifal !re seem to pass angelic =ms & w+s da9ty & fragile & silv]-%od z ^? ( ,be>dsley's ,morte d',ar?ur4 ,b ! debt we owe him w always give him a va/ importance 9 our eyes4 ,! m5 ( to-day1 all ( !m1 /& directly on 8 %\ld]s4 ,x is d\btful :e!r any ( u1 ! passive public1 w\ld be "h to-day z we are1 7 x n = 8 music4 ,/rauss ,/rauss 0 nev] ! f9e1 ! p]fect arti/4 ,ev5 9 ! fir/ fl>e ( y\?1 ev5 at ! "t :5 he 0 ! meteoric1 dazzl+ figure flaunt+ ov] all ! baldpates ( ! univ]se ! /&>d ( ! musical future1 x 0 app>5t t !re 7 s]i\s flaws 9 8 _s4 ,despite ! audacity ) :i* he realiz$ 8 amaz+ & poignant & ironic visions1 despite 8 y\?ful fire & exub]ance--& x 0 z some?+ ( a gold5 y\? ( music t ,/rauss bur/ ^u ! _w--"o s5s$ 9 him ! n q beautifully deep5$ man1 he>d at mom5ts a call[ acc5t 9 8 eloqu5ce1 felt t an unmi/akable alloy 0 fus$ ) ! g5]\s gold4 ,! purity1 ! inw>dness1 ! se>*+s ( ! he>t1 ! religi\s s5tim5t ( beauty1 pres5t s unmi/akably 9 ! art ( ! great m5 :o _h develop$ music1 7 want+ 9 8 "w4 ,he _h nei!r ! unsw]v+ s5se ( /yle1 nor ! weight9ess ( t\*1 t m>k ! p]fect craftsman4 ,he 0 n suffici5tly a scrupul\s & exact+ arti/4 ,x 0 app>5t t he 0 c>eless1 too easily cont5t$ ) "s ( 8 mat]ial1 n always happy 9 8 detail4 ,mix$ ) 8 fire !re 0 a sort ( laz9ess & indiff]5ce4 ,b1 9 ^? days1 ,/rauss 0 unmi/akably ! g5ius1 ! orig9al & bit+ly expressive musician1 ! eng9e] ( pr\d or*e/ral flights1 ! outrid] & bann]man ( 8 art1 & "o =gave 8 %ortcom+s because ( ! radiance ( 8 figure1 or rema9$ only half-consci\s ( !m4 ,=1 once 8 p]iod ( appr5tice%ip pass$1 & all desire to write symphonies & *amb]-music 9 ! /yles ( ,s*umann & ,m5delssohn & ,brahms1 to con/ruct op]as aft] ! patt]n ( ,tannhaeus] & ,p>sifal gone out ( him1 ?is sl5d]1 sleepy "y ,bav>ian ) ! pale curly hair & mu/a*es _h comm5c$ to develop ! expressive p[] ( music amaz+ly1 to make ! or*e/ra speak wond]fully z x _h nev] spok5 be=e4 ,"u 8 t\* ! symphony1 t mo/ rigid & ab/ract & v5]able ( =ms1 0 actually display+ "s ( ! novel's n>rative & analytical p[]1 its lit]alness & concret5ess ( detail4 ,x 0 describ+ ! developm5ts ( a "*1 0 psy*ologiz+ z x _h hi!rto done only 9 conjunction ) poetry or ! !at]4 ,/rauss made x repres5t ! inflammations ( ! sex illusion1 comm5t ^u ,nietzs*e & ,c]vantes1 rec\nt ! adv5tures1 som]saults & end ( a leg5d>y rascal1 portray a h]o ( our "t4 ,he made all ^! intellectual concepts pla/ic 9 a music ( a brilliance & a sprightl9ess & mordancy t n ov]many classic symphonies c rival4 ,o!r & =m] compos]s1 no d\bt1 _h dreamt ( mak+ ! or*e/ra m concretely expressive1 m precisely n>rative & descriptive4 ,! ,pa/oral symphony is by no means ! fir/ piece ( delib]ately1 confess$ly programmatic music4 ,& be=e ,/rauss1 bo? ,b]lioz & ,liszt _h exp]im5t$ ) ! n>rative1 descriptive1 analytical symphony4 ,b x 0 only ) ,/rauss t ! symphonic novel 0 f9ally realiz$4 ,nei!r ,b]lioz nor ,liszt _h really embodi$ _! programs 9 liv+ music4 ,liszt inv>iably sacrific$ program to sanction$ musical =m4 ,= all 8 radicalism1 he 0 too trammel$ by ! classical concepts1 ! traditional musical s*emes & patt]ns to q realize ! symphony bas$ on an extra-musical s*eme4 ,8 symphonic poems reveal h[ difficult x 0 = him to make 8 music foll[ ! curve ( 8 ideas4 ,9 ,die ,ideale1 = in/ance1 = ! sake ( a conv5tional close1 he dep>t$ entirely f ! curve ( ! poem ( ,s*ill] :i* he 0 pret5d+ to transmute4 ,! v>iations 9 :i* he reproduc$ ,lam>t9e's v]se are /]eotyp$ en\gh4 ,:5 0 !re a "t :5 compos]s did n de=m _! !mes 9 amor\s1 ru/ic & w>like v>iations8 ,! relation betwe5 ! pomp\s & some:at empty ,lam5t & ,triumph & ! unique1 ! di/9ct ?+ t 0 ! life ( ,torquato ,tasso is outw>d en\gh4 ,& ev5 ,mazeppa1 9 :i* ,liszt's virtuosic g5ius /ood him 9 good /ead1 makes "o feel z ?\gh ,liszt c\ld nev] q keep 8 eye on ! fact1 & f9ally became engross$ 9 ! weav+ ( a musical patt]n fairly extrane\s to 8 idea4 ,! ,fau/ ,symphony is1 aft] all1 an exception4 ,b]lioz1 too1 fail$ on ! :ole to a*ieve ! musical novel4 ,:5ev] he did atta9 musical =m1 x 0 g5]ally at ! exp5se ( 8 program4 ,are ! some:at picturesque episodes ( ,h>old 9 ,italy1 :atev] _! virtues1 & !y are _m1 m ?an vaguely relat$ to ! ,byronism t o/5sibly elem5t$ !m8 ,! surpris+ly conv5tional ov]ture to ,k+ ,le> makes "o feel z ?\gh ,b]lioz _h sat ?r\gh a p]=mance ( "o ( ,%akespe>e's com$ies "u ! impression t he 0 assi/+ at ! trag$y1 s unrelat$ to its subject is ! music4 ,& :]e1 on ! o!r h&1 ,b]lioz did succe$ 9 be+ reg>dful ( 8 program1 z 9 ! ,symphonic ,fanta/ique1 or 9 ,lelio1 !re result$ a some:at ?9 & =mless music4 ,b ,/rauss1 b5efit+ by ! exp]im5ts ( 8 two pr$ecessors1 realiz$ ! new =m bett] ?an any "o be=e him _h done4 ,= he possess$ ! special gifts necess>y to ! p]=mance ( ! task4 ,he possess$1 9 ! fir/ place1 a miracul\s p[] ( musical *>act]ization4 ,?r\gh ! repres5tative nicety ( 8 !mes1 ?r\gh 8 inord9ate capacity = !matic v>iation & trans=mation1 8 playful & witty & colorful in/rum5tation1 ,/rauss 0 able to imp>t to 8 music a concret5ess & descriptiv5ess & realism hi!rto unkn[n to symphonic art1 to *>act]ize briefly1 sp>+ly1 ju/ly1 a p]sonage1 a situation1 an ev5t4 ,he c\ld be pa!tic1 ironic1 playful1 mordant1 mus+1 at w4 ,he 0 sure 9 8 tone1 0 l[-,g]man 9 ,till ,eul5spiegel1 c\rtly & brilliant 9 ,don ,juan1 noble & bitt]ly s>ca/ic 9 ,don ,quixote1 *ildlike 9 ,tod und ,v]kla]ung4 ,8 or*e/ra 0 able to accommodate itself to all ! folds & curves ( 8 elaborate programs1 to f9d equival5ts = individual traits4 ,x is n simply a man1 or ev5 an amatory h]o t is portray$ 9 ,don ,juan4 ,x is no vague symbol = ! poet ( ! sort creat$ by ,orpheus or ,tasso or ,mazeppa4 ,x is ,l5au's h]o himself1 ! p>ticul> be+ ,don ,juan ,t5orio4 ,! vibrant1 brilliant music ( ! up-surg+1 light-tread+ /r+s1 ( ! resonant1 palpitat+ brass1 spr+s =? 9 virile m>*1 reveals ! man himself1 8 physical glam\r1 8 intoxication t caus$ him to see 9 e woman ! ,v5us1 & t 9 ! end made him ! victim z well z ! h]o ( ! sexual life4 ,x is ,till ,eul5spiegel himself1 ! scurvy1 comic rascal1 ! et]nal dirty little boy ) 8 witty & obsc5e ge/ures1 :o le]s out ( e measure ( ! tone-poem nam$ = him1 & twirls 8 f+]s at 8 nose's end at all ! decor\s & respectable _w4 ,"h1 = once1 or*e/ral music is really wond]fully rascally & impud5t1 horns gleeful & w9dy & insol5t1 wood-w9d pucki% & obsc5e4 ,"h a musical =m reels hil>i\sly & cuts cap]s & dances on bald heads4 ,! v>iation ( ,don ,quixote t describes ) wood-w9d & tamb\r9e ,dulc9ea del ,toboso is plump & plebeian & good-natur$ ) h] v p]son1 is all ! m tr5*antly vulg> & flat = ! prec$+ suave v>iation t describes ! knight's fair1 sonor\s dream ( h]4 ,!re is no music m pla9tively /upid ?an t :i* 9 ! same "w figures ! %eep aga9/ :i* ,don ,quixote battles s valiantly4 ,nor is !re any music m malici\sly1 malevol5tly petty ?an t :i* repres5ts ! adv]s>ies 9 ,e9 ,held5leb54 ,s exce$+ly def9ite is ! portrait ( ! ,h]o's ,consort1 = :i* ,frau ,ri*>d ,/rauss1 )\t d\bt1 sat1 t )\t ev5 hav+ se5 a photograph ( ! lady1 "o c av] t %e is grac$ ) a diatonic figure4 ,&1 c]ta9ly ! mo/ amus+ passage ( ,s9fonia ,dome/ica is t complex ( ,bav>ian lu/ihood1 ,bav>ian grossness1 ,bav>ian dream9ess & ,bav>ian good nature1 ! !matic gr\p t s]ves z autoportrait ( ! compos]4 ,& j z !re seem$ few *>act]s t ,/rauss c\ld n pa9t1 9 ^? days1 s1 too1 !re seem$ few situations1 few atmosph]es1 to :i* he c\ld n d ju/ice4 ,a c\ple ( measures1 ! s9i/] palpitation ( ! timpani & ! violas1 ! brood+ ( ! wood-w9d1 ! dull flick]+ ( ! flutes1 ! labor+ brea? ( ! /r+s1 & we are ly+ on ! dea?-b$1 exhau/$ & gasp+ = air1 weigh$ by ! wrecks ( hopes1 await+ ! cruel bl[s on ! he>t t w end ev]y?+4 ,horns & viol9s quav] & sn>l1 flutes %rill1 a brief figure desc5ds 9 ! oboes & cl>9ets1 & ,till has %$ 8 rascal-sweat & danc$ on ! air4 ,! or*e/ra reveals u ,don ,juan's love affairs 9 all _! individuality3 fir/ ! passionate1 fi]y relation ) ! ,c\ntess1 quickly begun & quickly end$2 !n ! g5tl] & m inw>d communion ) ,anna1 ) ! bor$om result+ f ! lady's cont9ual dem& = s5tim5t & romantic po/ur+2 !n ! great night ( love & roses1 ) its intoxicat$ gold5 w9d+ horns1 its ec/atically s++ viol9s2 & f9ally ! cru%+ disappo9tm5t1 ! %udd] ( disgu/4 ,! battle 9 ,e9 ,held5leb5 pictures w> really2 ! :i/l+1 ironical w9d-ma*9e 9 ,don ,quixote satirizes dreams bit+ly z no music has done2 ! or*e/ra describes ! en?usia/ic ,don recov]+ f 8 madness1 & smiles a conclusion2 9 ,also ,spra* ,z>a?u/ra x piles high ! tomes ( sci5ce1 & waltzes ) ! ,sup]man 9 di/ant worlds4 ,& !n1 ?\gh less fecund an inv5tor ?an ,liszt1 less ri* & l>ge a temp]am5t ?an ,b]lioz1 ,/rauss 0 bett] able ?an ei!r ( 8 ma/]s to organize 8 mat]ial on difficult & orig9al l9es1 & f9d musical =ms repres5tative ( 8 programs4 ,because ( _! labors1 he 0 born fre] ( ! classical traditions ?an !y _h be51 & 0 able to make music plot m exactly ! curves ( 8 concepts1 to submit ! old] =ms1 su* z ! rondo & ! !me & v>iations1 m p]fectly to 8 purpose4 ,compositions ( ! sort ( ,till ,eul5spiegel1 ,tod und ,v]kla]ung & ,e9 ,held5leb51 solidly made & yet bo? n>rative & dramatic1 place ! symphonic poem 9 ! category ( legitimate musical =ms4 ,! !mes ( ,till gr[ out ( ea* o!r q z d ! !mes ( a ,bee?ov5 symphony or ( ,tri/an or ( ,p>sifal4 ,inde$1 ,/rauss has done = ! symphonic poem some?+ ( :at ,wagn] did = ! op]a4 ,& n an ov]:elm+ numb] ( classical symphonies conta9 music m eloqu5t ?an1 say1 ! sunrise 9 ,also ,spra* ,z>a?u/ra1 or ! f9al v>iation ( ,don ,quixote ) its pi]c+1 %att]+ trumpets ( defeat1 or ! t]rify+ op5+ passage ( ,tod und ,v]kla]ung4 ,= ,/rauss 0 able to unloose 8 v]ve & fantasy completely 9 ! con/ruction ( 8 edifices4 ,8 or*e/ra moves 9 /range/ & mo/ unconv5tional curves1 %oots ) ! viol5ce ( an explod+ fire>m1 ambles l a palfrey1 swoops l a bird4 ,!re are few :o1 at a fir/ he>+ ( a ,/rauss poem1 d n feel z ?\gh "s wild & tr\bl+ & panic pres5ce _h lean$ ov] ! conc]t hall & b$evil$ ! or*e/ra4 ,=1 9 8 h&s1 x is no long] ! famili> & t]rorless ?+ x once _h be51 a ?+ ab\t ^: behavior "o c be c]ta94 ,x has become a =midable eng9e ( /eel & gold1 vibrant ) mad & unexpect$ ?+s4 ,patt]ns leap & tumble out ( x4 ,viol9 music laun*es swiftly into space1 trumpets run scales1 ! tempi move ) ! velocity ( express tra9s4 ,x has become a giant1 t]rible bird1 ! great auk ( music1 t seizes y 9 its talons & spirals into ! empyrean4 ,b x 0 :at he seem$ to promise to p]=m1 to br+ into be+1 ev5 m ?an :at he _h already def9itely accompli%$1 t spread ab\t ! figure ( ,/rauss ! peculi> radiance4 ,x 0 ,nietzs*e :o _h made curr5t ! dream ( a new music1 a music t %\ld be fi]cely & beautifully animal1 full ( laught]1 ( ! dry good light ( ! intellect1 ( salt & fire & ! great1 compell+ logic1 ( ! light feet ( ! s\?1 ! dance ( ! />s1 ! quiv]+ day%9e ( ! ,m$it]ranean4 ,! o!r compos]s1 ! ,bee?ov5s & ,brahms & ,wagn]s1 _h be5 sad1 suff]+1 w\nd$ m51 m5 :o _h lo/ _! div9e innoc5ce & joy 9 ! %ambles1 & ^: spiritual bodies 7 sc>r$1 = all ! muscul> /r5g? ga9$ dur+ _! fights1 by hung] & fru/ration & agony4 ,pa9 _h ev5 m>r$ _! song4 ,= :at %\ld h be5 innoc5ce & ef=tless movem5t & godlike joy1 ,moz>tean coord9ation & h>mony1 0 full ( t]rible cries1 & convulsive1 r5d+ motions1 & %r\d+ sorr[4 ,& ,nietzs*e _h dreamt ( music ( ano!r sort4 ,he _h dreamt ( a music t %\ld be a bridge to ! ,sup]man1 ! man ^: e motion w\ld be c>efree4 ,he _h se5 /rid+ across m\nta9 *a9s 9 ! bright air ( an et]nal morn+ a y\? irradiant ) unbrok5 en]gy1 be=e :om all ! _w lay op5 9 v]nal sun%9e l a doma9 be=e its "l4 ,he _h se5 "o beside :om ! o!r musicians w\ld /& z convicts f ,sib]ian prison camps :o _h /umbl$ ^u a banquet ( ! gods4 ,he _h se5 a "y ,titan ( music1 drunk5 ) life & fire & joy1 danc+ & reel+ & laugh+ on ! top ( ! _w1 & ) f+]s amid ! />s1 s5d+ suns & con/ellations cra%+4 ,he _h caught sight ( ! old & et]nally y\?ful figure ( ,indian ,dionysos4 ,& ev5 ?\gh ,/rauss himself c\ld sc>cely be mi/ak5 = ! god1 nev]!less he made ,nietzs*e's dream appe> realizable4 ,he p]mitt$ "o = an in/ant to p]ceive a musical realm 9 :i* ! e>?-fa/ c\ld n brea!4 ,he p]mitt$ "o = an in/ant to he> r++ ! prelude ( a deep]1 mighti]1 p]*ance a m evil & my/]i\s music2 a sup]-,g]man music :i* does n fade1 )] & die away beside ! blue & wanton sea & ! cle> ,m$it]ranean sky2 a music sup]-,european1 :i* w\ld ass]t itself ev5 amid ! tawny sunsets ( ! des]t2 a music ^: s\l is ak9 to ! palm-trees2 a music t c consort & pr[l ) great1 beautiful1 lonely bea/s ( prey2 a music ^: supreme *>m is its ignorance ( ,good & ,evil4 ,= he came ) "s ( ! light & c>eless & arrogant tread1 ! intellectual sp>kl+1 ! sup]b ge/ure & port1 ( ! musician ( ! new race4 ,! man :o compos$ su* music1 "o knew1 _h be5 born on "s sort ( human height1 9 "s cool]1 bright] atmosph]e ?an t ( ! cr[d$ valleys4 ,= 9 ?is music !re beat a fa/] pulse1 mov$ a light]1 fi]i]1 pr\d] body1 s\nd$ a m ironic & disda9ful laught]1 brea!d a r>] air ?an _h beat & mov$ & s\nd$ & brea!d 9 music4 ,x made drunk5 ) pleasant s\nd1 ) full ri* h>monies1 ) exub]ant dance & waltz movem5ts4 ,x seem$ to adumbrate ! arrival ( a new sort ( m51 m5 ( san]1 s\nd]1 m a?letic s\ls & m robu/ & cool intellig5ces1 a g5]ation t 0 vitally satisfi$1 0 less torn & belabor$ by ! inexpressible long+s ( ! romantic _w1 a g5]ation v mu* at home on ! globe4 ,= x _h none ( ! re/less1 sick desire ( ,wagn]1 none ( 8 excessive pa?os1 8 heav9ess & /iff gr&eur4 ,x _h come d[n (f its busk9s1 0 m easy1 witty1 div]t+1 excit+1 popul> & yet c]ebral4 ,?\gh x 0 obvi\sly ! spee* ( a complicat$1 mod]n man1 self-consci\s1 sophi/icat$1 n]v\s1 product ( a society p]haps n q z free & ,nietzs*ean z x deem$ itself1 b yet cultivat$ & illum9at$ & ref9$1 x nev]!less seem$ exub]antly s\nd4 ,! sweet1 broad1 diatonic idiom1 ! humor1 ! sleepy ,bav>ian acc5t1 ! p]t1 naive1 little folk-tunes x employ$1 ! tranquil1 t\*+1 *ildlike tones1 ! close ( ,tod und ,v]kla]ung1 ) its wondr\s unfold+ ( corolla ^u corolla1 7 refre%+ inde$ aft] all ! burn+ *romaticism ( ,wagn]1 ! sultry air ( ,kl+sor's wond]-g>d54 ,& ?is music glitt]$ ) ! sun4 ,! pit* ( ,wagn]'s or*e/ra _h1 aft] all1 be5 pr$om9antly sob] & subdu$4 ,b 9 ! or*e/ra ( ,/rauss1 ! color-gamut ( ! ple9-air pa9t]s got a musical equival5t4 ,^? high & brilliant t9ts1 ^! %imm]+1 bit+ tones1 make "o feel z ?\gh ,/rauss made music ) ! pa9t-bru% ( a ,monet or a ,van ,gogh4 ,8 trumpets are high & brilliant & silv]y1 8 viol9s sc9tillant & electric1 at mom5ts w9d+ a lazy1 happy1 smoke-blue ?read ?r\gh ! sunburnt fabric ( ! score4 ,8 horns gl[ ) s(t1 fruity timbres4 ,! new sweetness ( color :i* he atta9s 9 8 songs1 ! pale gold ( ,morg51 ! rose ( ! ,s]5ade1 ! mild ev5+ blue ( ,traum dur* die ,daemm]ung1 %imm]s ?r\gh\t 8 or*e/ra scores4 ,nev] h w9d in/rum5ts s\nd$ m ri*ly1 dulcetly1 ?an 9 t ,s]5ade fu] dreizehn ,blaes]4 ,at a fir/ he>+ ( ,also ,spra* ,z>a?u/ra1 x seem$ z ?\gh ! v dayspr+ _h desc5d$ into ! or*e/ra to make t fam\s1 brassy op5+ passage4 ,= "h1 9 ! h& ( ,/rauss1 ! or*e/ra beg9s to r\nd out its =m & assume its logical %ape4 ,! v>i\s families ( in/rum5ts are made indep5d5t2 (t5 play sep>ately4 ,! %att]+ brass ( :i* ,b]lioz _h dreamt is realiz$4 ,violas d'amore1 hecklephones1 w9d-ma*9es1 are introduc$ into ! b&2 ! famili> in/rum5ts are us$ 9 unfamili> regi/]s4 ,?r\gh ! tone-poems ( ,/rauss1 ! or*e/ral compos] = ! fir/ "t has a suitable palette1 & c a*ieve a brilliance z great z t :i* ! mod]n pa9t] c atta94 ,to-day1 x is difficult to realize t ,ri*>d ,/rauss ev] inc5s$ su* high hopes1 t !re 0 a "t :5 he made appe> realizable ,nietzs*e's mad dream ( a mod]n music1 & t = a:ile ! nimbus ( ,dionysos burnt r\nd 8 figure4 ,to-day x is difficult to rememb] t once ^u a "t ,/rauss seem$ to ! _w ! gold5 y\? ( music1 ! eng9e] ( pr\d or*e/ral flights1 ! outrid] & bann]man ( 8 art4 ,= x is long s9ce he has promis$ to reveal ! new beauty1 ! new rhy?m1 has seem$ ! wond]ful />t & flight t[>d "s r>] plane ( exi/5ce1 "s blu] e!r1 ! fri5d ( ev]y?+ intrepid & liv+ & "y1 ! arr[ ( long+ = ! ,sup]man4 ,x is a long :ile s9ce any graci\s1 lordly light has irradiat$ 8 p]son4 ,9 rec5t ye>s he has become almo/ ! v rev]se ( :at he 01 ( :at he gave s brave an e>ne/ ( becom+4 ,he :o 0 once s electric1 s vital1 s brilliant a figure has become dre>y & outw>d & /upid1 ev54 ,he :o once seem$ ! *ampion ( ! new has come to fill u ) ! we>9ess ( ! /ruggle1 ) deep self-di/ru/ & disc\ragem5t1 has become a heavy & oppressive weight4 ,he :o once s\ght to express ! _w ab\t him1 to be ! poet ( ! com+ "t1 n[ seems inspir$ only by a desire to d ! amaz+1 ! surface ?+1 & plies himself to e ephem]al & %all[ curr5t ( mod]n life4 ,= ,/rauss has n only n deep5$ & matur$ & increas$ 9 /ature2 he has n ev5 /ood /ill1 rema9$ ! arti/ t once he 04 ,he has progressively & /eadily det]iorat$ dur+ ! la/ decade4 ,he has become a bad musician4 ,he is ! cruel1 ! great disappo9tm5t ( mod]n music1 ( mod]n art4 ,! dream-light has fail$ altoge!r1 has made ! succe$+ d>kness ! ?ick] = ! mom5t>y illum9ation4 ,/rauss to-day is se5 z a rocket t sizzl$ up into ! sky ) _m-color$ blaze1 & !n broke sudd5ly & ext+ui%$ swiftly into ! midnight4 ,x is n easy1 ev5 = ^? :o 7 aw>e f ! v fir/ t ,/rauss 0 n ! _s p>dlike1 beautiful & swift & t !re always 7 di/9ctly gross & ins5sitive p>ticles 9 him1 to recognize 9 ! slack & li/less p]son :o concocts ,joseph's ,leg5de & ! ,alp5symphonie1 ! "y & fi]y compos]1 g5ius despite all ! impurities ( 8 /yle1 :o compos$ ,till ,eul5spiegel & ,don ,quixote2 n easy1 ev5 ?\gh ! cont\rs ( 8 idiom h n radically alt]$1 & ?\gh 9 ! sleepy facile p]iods ( 8 lat] /yle "o cat*es sight at times ( ! broad1 simple diction ( 8 e>li]4 ,= ! lat] ,/rauss lacks pre-em95tly & signally j ! traits t made ( ! e>li] s brilliant & engag+ a figure4 ,beh9d ! works ( ! e>li] ,/rauss !re 0 visible an int5sely fi]ily exp]i5c+ be+1 a man :o _h p[]ful & poignant & beautiful s5sations1 & ! gift ( express+ !m ri*ly4 ,beh9d ! "w ( ! latt] !re is all too app>5t a man :o = a long :ile has felt no?+ beautiful or /rong or full1 :o no long] possesses ! p[] ( feel+ any?+ at all1 & is inw>dly wa/$ & dull & sp5t4 ,! "o _h a burn+ & wond]ful pressure ( spee*4 ,! o!r seems unable to conc5trate en]gy & int]e/ suffici5tly to create a h>d & liv+ piece ( "w4 ,! "o seem$ to blaze new pa?ways ?r\gh ! bra94 ,! o!r /eps languidly 9 roadways well worn4 ,he is n ev5 amus+ any long]4 ,! contriv] ( wond]ful or*e/ral ma*9es1 ! man :o p5etrat$ into ! dea?-*amb] & /ood "u ! gibbet1 has turn$ to toy+ ) 8 m$ium1 to imitat+ o!r compos]s1 ,moz>t 9 ,d] ,ros5kavali]1 ,ha5del 9 ,joseph's ,leg5de1 ,(f5ba* & ,lully 7a c\pl+ t only ,/rauss has ! lack ( ta/e to br+ ab\t7 9 ,ariadne auf ,naxos4 ,he has become increas+ly facile & unorig9al1 has tak5 to quot+ unblu%+ly ,m5delssohn1 ,t*aik[sky1 ,wagn]1 himself1 ev54 ,8 ins5sitivity has wax$ inord9ately1 & l$ him to mix /yles1 to comm+le dramatic & coloratura passages1 to jumble ! idioms ( ?ree c5turies 9 a s+le "w1 to play all mann] ( po9tless pranks ) 8 art4 ,8 lit]>y ta/e has gr[n increas+ly unc]ta94 ,he :o 0 once s c>eful 9 8 *oice ( lyrics1 & recogniz$ ! tal5ts ( su* mod]n ,g]man poets z ,birnbaum & ,dehmel & ,mackay1 accepts librettos z dull & in>ti/ic & preci\s z ^? ) :i* ,h(mann/hal is supply+ him1 & l5ds 8 art to ! bor+ buffoon]ies ( ,d] ,ros5kavali] & ,ariadne auf ,naxos4 ,some?+ 9 him has b5t & be5 f\l$4 ,"o ?+ at lea/ ! ,/rauss ( ! tone-poems indisputably 04 ,he 0 freely1 dazzl+ly1 d>+ly expressive4 ,& ?is is :at ! ,/rauss ( ! la/ ye>s ?9ly & r>ely is4 ,x is n ,osc> ,wilde's wax fl[]s ( spee*1 nor ! excessively /iff & conv5tionaliz$ action ( ,salome1 t bores "o ) ! ,/rauss op]a ( t "n4 ,x is n ev5 ! libretto ( ,d] ,ros5kavali]1 ess5tially co>se & boori% & ins5sitive z x is b5ea? all its p[d]$ preciosity1 t we>ies "o ) ,/rauss's ,musical ,com$y2 or ! hybrid1 lame1 ta/eless =m ( ,ariadne auf ,naxos t turns "o aga9/ t little mon/rosity4 ,x is ! g5]ally inexpressive & insuffici5t music 9 :i* ,/rauss has ve/$ !m4 ,! music ( ,salome1 = in/ance1 is n ev5 comm5surable ) ,wilde's drama4 ,x 0 ! evacuation ( an obsessive desire1 ! revulsion f a pitiless s5suality t ! poet _h int5d$ to procure ?r\gh ?is repres5tation4 ,b ,/rauss's music1 save 9 su* exceptional passages z ! %imm]+1 re/less1 n]ve-sick op5+ page1 or ! beg9n+ ( ! sc5e ) ! head1 or c]ta9 o!r crimson pat*es1 hamp]s & ev5 negates ! int5d$ effect4 ,x emasculates ! drama ) its p]vasive prett9ess1 its lazy felicit\sness :]e x ought to be mon/r\s & t]rify+1 its rem9isc5ces ( ,m5delssohn1 ,t*aik[sky & ,little ,egypt4 ,! lascivi\s & hi]atic dance1 ! dance ( ! sev5 veils1 is repres5t$ by a valse l5te4 ,(t5times ! score v]ges p]il\sly on circus-music1 recalls ! side%[s at c\nty fairs4 ,no d\bt1 9 s do+ x weak5s ! odor exud$ by ,wilde's play4 ,b if we mu/ h an op]atic ,salome1 x is b reasonable to dem& t ! compos] 9 8 music express ! sexual cruelty & fr5zy symboliz$ 9 ! figure ( ! danc]4 ,& ! ,salome ( ,/rauss's score is z little ! ,salome ( ,wilde z %e is ! ,salome ( ,flaub]t or ,be>dsley or ,moreau or ,huysmans4 ,"o _c help feel+ h] em95tly a buxom1 opul5t ,b]l9]1 ! wife1 say1 ( ! proprietor ( a l>ge dep>tm5t /ore2 a heavy lady a good deal less daemonis* & p]v]se ?an %e w\ld l to h x appe>4 ,b !re are mom5ts :5 "o feels z ?\gh ,/rauss's h]o9e 7 n ev5 a ,b]l9]1 or ( ! upp] middle class4 ,!re are mom5ts :5 %e is pla9ly ,kae?i1 ! waitress at ! ,mu5*n] ,h(brauehaus4 ,& ?\gh %e decl>es to ,jokanaan t x is 8 m\? ( :i* %e is enamor$1 %e deliv]s ! words 9 h] own true-he>t$1 unaffect$ brogue4 ,nor is ,elektra1 m %>p ?an ,salome1 ?\gh x (t5times is1 ! musical equival5t = ! massive & viol5t =ms ( ar*aic ,greek sculpture t ,/rauss int5d$ x be4 ,elektra h]self is p]haps m truly inc>nate fury ?an ,salome is inc>nate luxury2 ugl9ess & demoniacal brood+1 madness & cruelty are "h m %e]ly p[]fully express$ ?an 9 ! e>li] score2 ! sc5e ( recognition betwe5 bro!r & si/] is m l>ge & t\*+ ?an any?+ 9 ,salome2 ,elektra's paean & dance1 = all its clos5ess to a banal cantil5a1 its tempo di valse s *>act]i/ic ( ! lat] ,/rauss1 is p]haps m gr&iosely & balefully triumphant ?an ! danc]'s sc5e ) ! head4 ,nev]!less1 ! "w is by no means realiz$4 ,x is =mally impure1 a ?+ t none ( ! e>li] tone-poems are4 ,nei!r /yle nor %ape are deeply felt4 ,bo? are sup]ficially & ext]nally conceiv$2 & no?+ s conclusively demon/rates x z ! extreme ineffectually ( ! mom5ts ( contra/ ) :i* ,/rauss has attempt$ to relieve ! dom9ant mood ( 8 "w4 ,j z 9 ,salome ! m re/less & s5sual passages1 lazily felt z !y are1 are nev]!less inf9itely m significant ?an ! int5sely contra/+ silly music assign$ to ! ,prophet1 s1 too1 9 ,elektra1 ! mom5ts :5 ,/rauss is cruel1 brutal1 ugly are ( a mu* high] expressiv5ess ?an ^? 9 :i* he has s\ght to write beautifully4 ,= :]eas 9 mom5ts ( ! fir/ sort ! lions ( ! ,myc5ae gates d at times sn>l & gl[]1 9 ^? ( ! second x is ! ,teutonic be]-mug t makes itself felt4 ,elektra lam5ts h] fa!r 9 a v pretty & undi/+ui%$ melody1 & entreats h] si/] to slay ,klytemnae/ra to ! accompanim5t ( a sort ( valse p]v]se4 ,x is also 9 tempo di valse t ,*ryso!mis decl>es h] ne$ ( wifehood & mo!rhood4 ,z an organism ! "w does n exi/4 ,b ev5 ! expressiv5ess & consid]ability ( ,salome & ,elektra1 limit$ & unsatisfactory z !y are1 are want+ 9 ! m rec5t works4 ,) ,d] ,ros5kavali]1 ,/rauss seems to h rea*$ a condition 9 :i* x is impossible = him to p5etrate a subject deeply4 ,no d\bt he always 0 spotty1 ev5 ?\gh 9 8 gold5 days he inv>iably fix$ ! inn] in=m+ b9d+ rhy?m ( ea* ( 8 works4 ,b 8 la/ works are n only spotty1 b completely sp9eless z well1 inv]tebrate masses ^u :i* a few jewels1 a few f9e pat*es1 gleam dully4 ,salome & ,elektra _h at lea/ a c]ta9 dignity1 a c]ta9 be>+4 ,d] ,ros5kavali]1 ,ariadne auf ,naxos1 ,joseph's ,leg5de & ,e9e ,alp5symphonie are make%ift1 slack1 slov5ly despite all te*nical virtuosity1 all or*e/ral m>vels4 ,e "o kn[s :at ! score ( ,ros5kavali] %\ld h be51 a gay1 florid1 lic5ti\s ?+1 ! v image ( ! gallant c5tury ) its mundane am\rs & ribbons & cupids1 its petit-maitres & furbel[s & billets-d\x1 its light emotions & equally light surr5d]s4 ,b ,/rauss's music is s+ul>ly flat & holl[ & dun1 joyless & soggy1 ev5 ?\gh x is dott$ ) waltzes & conta9s ! delightful introduction to ! ?ird act1 & ! brilliant trio4 ,x has all ! wor/ faults ( ! libretto4 ,h(mann/hal's com$y = music1 ?\gh gross & vulg> 9 _s1 & unorig9al 9 design1 is full ( a sort ( clev] preciosity1 full ( piquant details cull$ f eighte5?-c5tury pr9ts & memoirs4 ,! sc5e ( ! coiff+ is a pr9t ( ,hog>?'s translat$ to ! /age2 ,r(rano's "n ,octavian ,m>ia ,ehr5rei* ,bonav5tura ,f]n& ,hyaz9? is l an essay on ! culture ( ! ,vi5na ( ,canaletto2 ! polite j>gon ( eighte5?-c5tury ari/ocratic ,au/ria spok5 by ! *>act]s1 ) its /iff1 c\rte\s =ms & int]m+l$ ,fr5*1 mu/ h be5 /udi$ f old j\rnals & gazettes4 ,& ,/rauss's score is equally preci\s1 equally a ?+ ( erudition & clev]ness4 ,moz>t turn$ ! imbecilities ( ,s*ickan$] to 8 uses2 ,web] triumph$ ov] ! ridicul\s romanc+s ( ,helm9e von ,*ezy4 ,b ,/rauss foll[s ,h(mann/hal helplessly1 sodd5ly4 ,j z ,h(mann/hal imitates ,hog>?1 s ,/rauss imitates ,moz>t1 affects 8 /yle1 8 turns1 8 _s2 ins]ts a syrupy air 9 ! /yle ( ,ha5del or ,mehul 9 ! fir/ act2 & jumbles ,moz>t ) mod]n comic-op]a waltzes1 ,ha5del ) po/-,wagn]ian incantations4 ,& l ,h(mann/hal's libretto1 ! score rema9s a sup]ficial & =mless ?+4 ,! inn] & coh]5t rhy?m1 ! spiritual beat & sw+1 ! great unity & direction1 are want+4 ,i h always want$ to write an op]a l ,moz>t's1 & n[ ,i h done x1 ,/rauss is report$ to h said aft] ! fir/ p]=mance ( ,d] ,ros5kavali]4 ,b ,d] ,ros5kavali] is almo/ antipodal to ,don ,giovanni or to ,fal/aff or to ,die ,mei/]s+] or to any ( ! great comic op]as4 ,= x lacks j ! ?+ ! o!rs possess abundantly1 a /rong lyrical movem5t1 a w>m emotion t in=ms ! music b> aft] b>1 sc5e aft] sc5e1 act aft] act1 & imp>ts to ! auditor ! joy1 ! vitality1 ! beauty ( :i* ! compos]s' he>ts 7 full4 ,x is a long :ile s9ce ,/rauss has felt any?+ ( ! sort4 ,_h ! new "t produc$ no musical art1 _h no ,debussy nor ,scriab9e1 no ,/raw9sky nor ,blo*1 put 9 appe>ance1 "o might possibly h f\nd oneself compell$ to believe ! m\rnful decad5ce ( ,ri*>d ,/rauss ! inevitable developm5t await+ musical g5ius 9 ! mod]n _w4 ,!re exi/s a gr\p1 int]national 9 composition1 :i*1 above all o!r contempor>y bodies1 arrogates to itself ! /yle ( mod]nity4 ,x is ! gr\p1 t5drils ( :i* rea* into e great capital & c5t]1 into e arti/ic movem5t & cause1 ( ! bor$ ones1 ! spoilt ones4 ,! pres5t sy/em has lift$ into a quasi ari/ocratic & leisurely /ate va/ numb]s ( p )\t backgr\nd1 )\t tradition or culture or ta/e4 ,by reason ( its l>g5ess & res\rces1 ?is gr\p ( p )\t ta/e1 )\t int]e/1 )\t f9esse1 has come to dom9ate 9 p>ticul> ! _w ( art z ! _w ( play1 has come to dem& di/raction1 s5sation1 excitem5t :i* its unreal exi/5ce does n af=d x4 ,inde$1 ?is b& has come to give a ca/ to ! :ole ( pres5t-day life2 its memb]s pret5d to repres5t pres5t-day culture4 ,x is ) ?is gr\p ) its fray$ s5sibilities & tir$ pulses t ,/rauss has become increas+ly id5tifi$1 till ( late he has become some?+ l its c\rt-musician1 supply+ x ) /imulants1 awak+ its curiosities1 a/oni%+ & excit+ x ) ! sup]ficial novelty ( 8 works1 try+ to procure x ! exp]i5ces x is s lam5tably unable to procure itself4 ,x is = x t he creat$ ! trump]y horrors1 ! sweet erotics ( ! score ( ,salome4 ,x is = x t he imitat$ ,moz>t sac*>9ely 9 ,d] ,ros5kavali]2 mangl$ ,moli]e's com$y2 committ$ ! vulg>ities & hypocrisies ( ,joseph's ,leg5de4 ,& did no evid5ce r\ndly to ! contr>y exi/1 "o might suppose ?is gr\p to really repres5t mod]n life2 t its mod]nity 0 ! only true "o2 & t 9 express+ x1 9 con=m+ to x1 ,/rauss 0 function+ 9 ! only mann] grant$ ! contempor>y compos]4 ,b s9ce su* evid5ce exi/s apl5ty1 s9ce a doz5 o!r musicians1 to speak only ( ! practition]s ( a s+le art1 h manag$ to keep !mselves immune & yet create beauty ab\t !m1 to rema9 on ! plane ^u :i* ,/rauss began life1 to p]sev]e 9 ! direction 9 :i* he 0 orig9ally set1 & yet live fully1 "o f9ds oneself conv9c$ t ! det]ioration ( ,/rauss1 :i* has made him musical purveyor to ?is gr\p1 has n be5 ! result ( ! pressure ( outw>d & ho/ile circum/ances4 ,"o f9ds oneself positively conv9c$ t x 0 "s inn] weakness )9 himself t p]mitt$ ! spoilt & ugly folk to s$uce him f 8 road1 & use him = _! purposes4 ,& 9 ! end x is z ! victim ( a psy*ic det]ioration t "o is =c$ to reg>d ?is un=tunate man4 ,! ?+ t "o sees happ5+ to s _m p ab\t "o1 ! ext9ction ( a flame1 ! )]+ ( a blossom1 ! dull+ & co>s5+ ( ! s5sibilities1 ! decay ( ! m5tal en]gies1 seems to h happ5$ to him1 too4 ,& s9ce x happ5s 9 ! lives ( s _m folk1 :y %\ld x surprise "o to see x happ5+ 9 ! life ( an arti/1 & defl[]+ g5ius & ru9+ musical art8 ,all ! hectic1 unreal activity ( ! lat] ,/rauss1 ! dissipation ( =ces1 po9ts back to su* a cause4 ,he decl>es himself 9 e action ! type :o c no long] ga!r 8 en]gies to ! p]=mance ( an hone/ piece ( "w1 :o c no long] a*ieve direct1 full1 liv+ expression1 :o c no long] p5etrate ! c5t] ( a subject1 an idea4 ,he is ! type ( man unfai?ful to himself 9 "s fundam5tal relation1 unfai?ful to himself ?r\gh\t 8 de$s4 ,_m p h ?\ght a love ( money ! cause ( ,/rauss's decay2 t = ! sake ( ga9 he has deliv]$ himself b\nd h& & foot into ! p[] ( 8 publi%]s1 & = ! sake ( ga9 turn$ out bad music4 ,no d\bt1 ! love ( money plays an inord9ate role 9 ! man's life1 & keeps on play+ a great] & great]4 ,b x is probable t ,/rauss's desire = incessant ga9 is a sort ( p]v]sion1 a mania t has gott5 control ov] him because 8 en]gies are inw>dly prev5t$ f tak+ _! logical c\rse1 & creat+ works ( art4 ,luxury-lov+ z he is1 ,/rauss has probably nev] ne$$ money sorely4 ,"s money he d\btlessly inh]it$ ?r\gh 8 "m1 ! daught] ( ! ,muni* be]-brew] ,ps*orr2 8 works h always fet*$ l>ge prices--8 publi%]s h paid him z mu* z a ?\s& doll>s = a s+le song2 & he has always be5 able to e>n great sums by conduct+4 ,no matt] h[ l(ty & sev]e 8 art might h become1 he w\ld always h be5 able to live z he *ose4 ,!re is no d\bt t he w\ld h e>n$ q z mu* money ) ,salome & ,d] ,ros5kavali] _h !y be5 works ( high1 arti/ic m]it z he has e>n$ ) !m 9 _! pres5t condition4 ,! tru? is t he has rationaliz$ 8 unwill+ness to g ?r\gh ! labor-pa9s ( creation by pret5d+ to himself a con/ant & great ne$ ( money1 & p]mitt+ himself to dissipate 8 en]gies 9 a hectic1 di/urb$1 %all[ exi/5ce1 9 a tremor ( conc]t-t\rs1 gue/-conductor%ips1 money-mak+ ent]prises ( all sorts1 :i* leave him ab\t two or ?ree ( ! summ] mon?s = composition1 & probably rob him ( 8 be/ en]gies4 ,s works leave 8 writ+ table half-conceiv$1 half-execut$4 ,! score ( ,elektra he p]mits 8 publi%]s to snat* f him be=e he is q f9i%$ ) x4 ,he comm5ces compos+ ,d] ,ros5kavali] be=e hav+ ev5 se5 ! ?ird act4 ,! ?ird act arrives2 ,/rauss f9ds x mis]able4 ,b x is too late4 ,! "w is half-f9i%$1 & ,/rauss has to g ?r\gh ) x4 ,composition becomes m & m a me*anical ?+1 ! brilliant or*e/ration ( sloppy1 undi/+ui%$ music1 ! poli%+ up ( details1 ! play ( sup]ficial clev]ness :i* makes a score l ,d] ,ros5kavali]1 feeble z x is1 int]e/+ to _m musicians4 ,& ,ri*>d ,/rauss1 ! "o liv+ musician :o c\ld ) greate/ ease settle d[n to un9t]rupt$ composition1 gets to 8 writ+ table 9 8 ap>tm5t 9 ,*>lott5burg e ev5+ at n9e o'clock1 t is1 :5ev] he is n on duty at ! ,b]l9 ,op]a4 ,& always ! excuses3 ,e>n+ money = ! support ( wife & *ild is n %ameful1 ,i am go+ to accumulate a l>ge en\gh =tune s t ,i c give up conduct+ entirely & sp5d all my "t compos+4 ,b "o c be sure t :5 ,/rauss soliloquizes1 x is a diff]5t def5se t he makes4 ,"o c be sure1 !n1 t he ju/ifies himself cynically1 bitt]ly1 grossly1 tells himself t ! game is n wor? ! c&le1 t greatness is a matt] ( adv]tisem5t1 t only ! values ( ! comm]cial _w exi/1 t o!r success ?an ! procurem5t ( applause & weal? & notoriety con/itutes failure4 ,:y %\ld y take ! tr\ble to write good "w t w br+ y po/hum\s fame :5 )\t tr\ble y c write "w t w br+ y fame dur+ y\r lifetime8 ,! :ole _w is %am & adv]tisem5t & opportunism1 is x n8 ,reputations are made by publi%]s & newspap]s4 ,greatness is a matt] det]m9$ by majorities4 ,b impress ! public1 b compose works t w ar\se univ]sal comm5t1 b break a few academic =mulas & get y\rself talk$ ab\t1 b write music t w surprise & seem wond]ful at a fir/ he>+1 & y\r fame is assur$4 ,! important ?+ is to live luxuri\sly & keep y\r "n be=e ! public4 ,9 s do+ "o w h liv$ life z fully z x c be liv$4 ,& aft] "o is dead1 :at does x all matt]8 ,yet1 ?\gh ! _w be full ( m5 ^: spiritual en]gies h be5 lam$ 9 k9dr$ fa%ions1 ! t]rible misadv5ture ( ,ri*>d ,/rauss rema9s deeply affect+4 ,h[ev] f> ! millions ( bright spirits :o h di$ a liv+ dea? h fall51 _! fall has be5 no f>!r ?an ?is man's4 ,!re c be no d\bt ( ! complet5ess ( ,/rauss's disa/]4 ,x is a long :ile s9ce he has be5 mu* besides a bore to 8 once f]v5t admir]s1 an object ( hatr$ to ?\s&s ( hone/1 ideali/ic musicians4 ,he has completely1 9 8 fifty-six? ye>1 lo/ ! position ( lead]%ip1 ( em95ce t once he _h4 ,ev5 be=e ! w> 8 op]as held ! /age only ) difficulty4 ,& x is possible t he w outlive 8 fame4 ,"o wond]s :e!r he is n "o ( ! m5 ^: inflat$ reputations ! w> has prick$1 & t a _w w %ortly wond]1 be=e 8 two new op]as1 h[ x 0 possible t x %\ld h be5 held at all by ! man4 ,_h he be5 ! mo/ ideali/ic1 ! mo/ uncompromis+ ( musicians he c\ld n be less respect$4 ,p]haps 8 la/ *ance lay 9 ! ,alp5symphonie4 ,"h 0 a c]emony t c\ld h made him prie/ once aga94 ,europe _h rea*$ a summit1 humanity _h _h a vision4 ,be=e x lay a long desc5t1 a cl\dbur/1 ! sunset ( a civilization1 ano!r night4 ,c\ld ,/rauss h once m gird$ himself1 once m summon$ ! fai?1 ! en]gy1 ! fire t creat$ ^? fir/ gr& pages t won a _w to him1 he might h be5 sav$4 ,b x 0 impossible4 ,some?+ 9 him 0 dead =ev]4 ,& s1 to u1 :o %\ld h be5 8 *ampions1 8 audi5ces1 8 "w already seems old1 "p ( ! pa/ ev5 at its be/1 unreal except = a few ( ! f9e symphonic works4 ,to u1 :o once ?\ght to see 9 him ! man ( ! new "t1 he seems only ! brave1 sonor\s trumpet-call t h]ald$ a k+ :o nev] put 9 8 appe>ance1 ! gl>e t 9 ! ,ea/ lights ! sky = an in/ant & seems to promise a new day1 b ext+ui%es aga94 ,he is inde$ ! false dawn ( mod]n music4 ,m\ssorgsky ,! music ( ,m\ssorgsky comes up out ( a d5se & livid gr\nd4 ,x comes up out ( a gr\nd t lies ?ickly pack$ b5ea? our feet1 & t is wid] ?an ! wide/ wa/e1 & deep] ?an ! bottomless abysses ( ! sea4 ,x comes up f a soil t desc5ds d[nw>d ?r\gh all times & ages1 ?r\gh all ! days ( humank9d1 d[n to ! v f\ndations ( ! globe itself4 ,= x gr[s f ! fle% ( ! nameless1 unnumb]$ multitudes ( m5 condemn$ by life ?r\gh\t its c\rse to mis]y4 ,x has its roots :]e dea? & defeat h be54 ,x has its roots 9 all bruis$ & maim$ & fru/rat$ fle%1 9 all fle% t might h borne a god & p]i%$ b>r54 ,x has its root 9 e be+ :o has be5 )\t sun1 9 e be+ :o has suff]$ cold & hung] & disease1 & pi]ces d[n & t\*es e voiceless woe1 e defeat t man has ev] kn[n4 ,& out ( t sea ( mutilat$ fle% x rises l l[1 trembl+ spee*1 halt+ & in>ticulate & brok54 ,x has no high1 compell+ acc5t1 no eloqu5ce4 ,& yet1 x has b to lift its poor & quav]+ tones1 & ! spl5dor ( ! _w is blott$ out1 & ! great1 gl[+ firmam5t is made a sorr[ful gray1 &1 9 a s+le in/ant1 we h k ( ! /]n & holy tru?1 "k ! t]rible floor ^u :i* we tread1 "k :at man has ev] suff]$1 & :at our own exi/5ces c only prove to be4 ,= x is ! cry ( "o possess$ & consum$ 9 e fib] ( 8 be+ by t s+le consci\sness4 ,x is z ?\gh ,m\ssorgsky1 ! great1 *ivalric ,russian1 ! great1 s9ewy giant ) blood aflame = gorge\sness & brav]y & bells & games & *ants1 _h be5 all 8 days ! ,pr9ce 9 ,khovan*t*9a to :om ! sorc]ess =etells3 ,disgrace & exile await !e4 ,honors & p[] & ri*es w be torn f !e4 ,nei!r ?y pa/ glory nor ?y wisdom c save !e4 ,?\ wilt "k :at x is to want1 & to suff]1 & to weep ! te>s ( ! hopeless4 ,& s1 ?\ wilt "k ! tru? ( ?is _w4 ,x is z ?\gh he _h he>d t cry incessantly f a million ?roats1 z ?\gh x _h toll$ 9 8 e>s l a b\rdon until x in=m$ him q1 & suffus$ 8 y\? & =ce & p[] ( song4 ,x is z ?\gh 8 be+ _h be5 op5$ entirely 9 ori5tation ^u ! va/1 sunless /ret*es ( ! _w1 & di/5d$ 9 ! agony ( tak+ up into himself ! k ( ^? myriad brok5 lives4 ,= x is ! c\ntless defeat$ millions t live aga9 9 8 art4 ,x is !y :o speak ) 8 voice4 ,bett] ev5 ?an ,walt ,:itman1 ,m\ssorgsky might h said3 ,?r\gh me1 voices long dumb1 _m long dumb voices1 ,voices ( ! int]m9able g5]ations ( prison]s & slaves1 ,voices ( ! diseas'd & despair+ & ( ?ieves & dw>fs1 ,voices ( cycles ( prep>ation & accretion-- ,x is z ?\gh he _h surr5d]$ himself q to !m1 _h rel9qui%$ to !m 8 giant ,russian /r5g?1 8 ze/ ( life1 8 joy1 _h giv5 !m 8 pr\d fle% t _! cry & confession might rea* ! e>s ( ! liv+4 ,sometimes1 ,m\ssorgsky is :ole civilizations disc>d$ by life4 ,sometimes1 he is :ole cultures f "u :i* ! e>? has roll$1 :ole gr\ps ( human be+s :o /ood sil5tly & despair+ly = an in/ant 9 a _w t c>elessly flung !m aside1 & !n turn$ & w5t away4 ,sometimes he is ! brutal1 ignorant1 helpless ?rong t kneels 9 ! fall+ sn[ :ile ! conqu]ors1 ! great ones ( ?is _w1 false & true alike1 pass by 9 ! tor*light amid fanf>es & hymns & acclamations & speak ! fair1 high words & make ! k+ly ge/ures t =tune has assign$ to !m4 ,sometimes he is ev5 life be=e man4 ,he is ! dumb bea/ dev\r$ by ano!r1 l>g]2 ! plants t are cr[d$ f ! sunlight4 ,he kn[s ! a*e & pa9 ( inanimate ?+s4 ,& !n1 at o!r mom5ts1 he is a c]ta9 =gott5 individual1 "s obscure1 nameless be+1 "s creature1 "s s5ti5t _w l ! monk ,pim5 or ! ,innoc5t 9 ,boris ,god\n[1 & out ( ! du/ ( ages an halt+1 in>ticulate voice calls to u4 ,he is ! poor1 ! ag+1 ! half-witt$2 ! drunk5 sot mumbl+ 9 8 /upor2 ! captives ( life to :om dea? s+s 8 insi/5t1 lur+ songs2 ! half-idiotic peasant boy :o tries to /amm] out 8 decl>ation ( love to ! sup]b village belle2 ! wret*$ fool :o weeps 9 ! fall+ sn[y night4 ,he is ^? :o h nev] be=e spok5 9 musical art1 & n[ arise1 & are ab\t u & make u "o ) !m4 ,b x is n only z cont5t t !y are 9 ?is music4 ,?is music is !y1 9 its curves & angles1 9 its melody & rhy?ms1 9 its /yle & %ape4 ,!re are times :5 x /&s 9 relation to o!r music z "s be+ half giant1 half day-labor]1 might /& 9 ! company ( s*ol>s & poets & o!r highly educat$ & civiliz$ m54 ,! unlett]$1 ! unc\?1 ! humble1 ! m5 unacqua9t$ ) eloqu5ce are 9 ?is music 9 v body4 ,x pi]ces directly f _! ?roats4 ,no film1 no ref9em5t on _! spee*1 no art ( music removes !m f u4 ,z ,m\ssorgsky orig9ally wrote ^! scores1 _! =ms are visible on page aft] page4 ,:5 8 music laughs x laughs l b>b>ians hold+ _! sides4 ,:5 x weeps1 x weeps l "s little old peasant woman cr\*+ & rock+ 9 h] grief4 ,x has all ! boi/]\sness & ho>s5ess ( voices t s\nd out ( peasant-cab9s & are lodg$ 9 m5 :o we> bir*-b>k %oes & eat co>se food & suff] cold & hung]4 ,)9 its idiom !re are ! croon+s & wail+s ( ?\s&s ( illit]ate mo!rs1 ( p = :om expression is l a te>+ ( entrails1 l a t]rible bir?-giv+4 ,x has 9 x ! voices ( folk s++ 9 fairs1 ( folk sitt+ 9 inns2 exalt$ & fanatical & my/ical voices2 voices ( *ildr5 & s]v+-maids & soldi]s2 a ?\s& sorts ( unc\?1 grim1 %>p speak]s4 ,! pla9t ( ,x5ia 9 ,boris ,god\n[ is sc>cely m ?an ! und]l9+ ( ! words1 ! acc5tuation ( ! voice ( "s simple girl utt]+ h] grief = "s "o rec5tly & cruelly dead4 ,!re are mom5ts :5 ! :ole ( ,boris ,god\n[1 ma*9]y ( op]a & all1 seems no m elegant1 m artful & ref9$ ?an "o ( ! simpl] tunes *]i%$ by common folk ?r\gh c5turies1 pass$ f g5]ation to g5]ation & assum$ by ea* because 9 mom5ts ( grief & joy & long+ & ease x br\ght com=t & solace & relief4 ,?is music is common ,russia s++4 ,x is ,russia speak+ )\t ! use ( words4 ,= l ! folk-song1 x has )9 x ! g5ius & values ( ! popul> tongue4 ,m\ssorgsky's /yle is blood-bro!r to ! spok5 language1 is inde$ z mu* ! ,russian language z music c be4 ,9 ! phrase ( ,jacques ,rivi]e1 x speaks 9 words end+ 9 ia & s*ka1 9 humble phrases1 9 swift1 poor1 suppliant t]ms4 ,inde$1 s unconv5tional1 s crude1 %aggy1 utt]ly inelegant1 are ,m\ssorgsky's scores1 t !y (f5d 9 polite musical circles ev5 to-day4 ,x is only 9 ! modifi$1 correct$ & indubitably ca/rat$ v]sions ( ,rimsky-,korsak(f t ,boris & ,khovan*t*9a ma9ta9 !mselves ^u ! /age4 ,?is iron1 ?is granite & adamant9e music1 ?is grim1 poignant1 emphatic expression w n fit into ! old conceptions4 ,! old ones speak vaguely ( musical realism1 naturalism1 seek+ to f9d a pigeon-hole = ?is great quiv]+ mass ( life4 ,no d\bt ! music ( ,m\ssorgsky is n entirely iron-gray4 ,j z1 9 ! mid/ ( ,boris1 !re occurs ! g5tle sc5e betwe5 ! ,cz> & 8 *ildr51 s scatt]$ ?r\gh ?is /]n body ( music !re are light & gay colors1 brilliant & joy\s compositions4 ,homely & popul> & naive 8 melodies & rhy?ms always are1 little peasant-girls ) dangl+ braids1 peasant lads 9 gala g>b1 color$ balls t are ?r[n ab\t1 s++ games t are play$ to ! regul> accompanim5t ( clapp+ palms1 songs ab\t ducks & p>rakeets1 dances full ( %uffl+ & leap+4 ,ev5 ! movem5ts ( ! sumptu\s ,p]sian ,dances 9 ,khovan*t*9a are s+ul>ly naive & simple & unpret5ti\s4 ,sometimes1 h[ev]1 ! full gorge\sness ( ,byzant9e art %9es ?r\gh ?is music1 & ! gold-du/y modes1 ! metallic flatness ( ! p5tatonic scale1 ! my/ic twilit *ants & braz5 trumpet-calls make u see ! mosaics ( ,rav5na1 ! black & gold ikons ( ,russian *ur*es1 ! aureol$ sa9ts ^u brick$ walls1 ! m9>ets ( ! ,kreml94 ,!re is sc>cely an op]atic sc5e m magnific5t ?an ! sc5e ( ! coronation ( ,ts> ,boris1 ) its massive spl5dors ( peal+ bells & cl>ion bl>es & ! c>ol+ ( ! kneel+ cr[ds4 ,!n1 l ,boris himself1 ,m\ssorgsky sweeps ?r\gh 9 /iff1 blazon$ robes1 cr[n$ ) ! dom$1 fla%+ ,slavic ti>a4 ,& yet ?r\gh all ^! bright colors1 z ?r\gh ! d>k]1 sadd] tones ( ! great] "p ( 8 "w1 !re comes to u t "o angui%$1 ov]:elm+ s5se ( life1 t s+le great consci\sness4 ,! gay ri* spots are b "p ( x1 int5sify ! great somb] mass4 ,_! simplicity1 _! *ildlik5ess1 _! innoc5ce1 are qualities t are p]ceiv$ only aft] suff]+4 ,! sunlight 9 !m is ! graci\s1 sweet1 k9dly sunlight t falls only betwe5 nights ( pa94 ,! bright & *ivalric passages ( ,boris1 ! music call$ =? by ! memories ( feudal ,russia1 & ! glory ( ! ,cz>s1 give a deep]1 /rang]1 ev5 m wi/ful tone to ! great gray pile ( :i* !y are a "p4 ,khovan*t*9a is nev] s mu* ! trag$y1 ! monum5t to be+s & cultures sup]s$$ & ca/ aside 9 ! rel5tless m>* ( life1 z 9 ! sc5e :5 ,pr9ce ,ivan ,khovansky meets 8 dea?4 ,= at ! mom5t t ! old boy>1 & ) him ! old ord] ( ,russia1 goes to 8 doom1 !re is inton$ by 8 foll[]s ! sweete/ melody t ,m\ssorgsky wrote or c\ld write4 ,& out ( t hymn to ! glory ( ! p]i%+ h\se !re seems to come to u all ! pa?os ( et]nally pass+ ?+s1 all ! wi/fulness ( ! la/ sunset1 all ! la/ greet+ ( a vani%$ happ9ess4 ,m %e]ly ?an any o!r mom5t1 m ev5 ?an ! inf9itely /]n & simple prelude t u%]s 9 ! la/ sc5e ( ,boris & seems to come out ( a great di/ance & sum up all ! sadness & d>kness & pitifulness ( human exi/5ce1 t sc5e br+s into view ! great bleak monoli? t ! "w ( ,m\ssorgsky really is1 ! great consci\sness x re>s sil5tly1 accus+ly aga9/ ! sky4 ,z colli]ies re> !mselves1 grim & s9i/]1 above m9+ t[ns1 s ?is music re>s itself 9 its ,russian sn[s1 & /&s1 awful & beautiful4 ,&1 ( late1 ! s+le %aft has out-topp$ ! glamor\s ,wagn]ian halls4 ,! op]as ( ,m\ssorgsky h begun to a*ieve ! em95ce t ,wagn]'s once possess$4 ,to a l>ge degree1 x is ! *ange ( times t has advanc$ & appreciat$ ! art ( ,m\ssorgsky4 ,al?\gh ,boris saw ! light at ! same "t z ,die ,goett]daemm]ung1 & al?\gh ,m\ssorgsky lies *ronologically v ne> ! =m] age1 he is f> clos] to u 9 feel+ ?an is ,wagn]4 ,! o!r g5]ation1 ) its pride ( mat]ial p[]1 its s5se ( well-be+1 its surge t[>d ma/]y ( ! t]re/rial =ces1 its ne$ ( luxury1 0 unable to compreh5d "o :o felt life a grim1 sorr[ful ?+1 :o felt himself a *ild1 a crone1 a paup]1 helpless 9 ! t]rible cold4 ,= t 0 requir$ a less naive & confid5t g5]ation1 a day m sophi/icat$ & disabus$ & *a/5$4 ,& s ,m\ssorgsky's music1 ) its poor & unc\? & humble tone1 its revulsion f pride & mat]ial gr&eur & lordl9ess1 its iron & cruelty & bleakness1 lay unkn[n & neglect$ 9 its sn[s4 ,inde$1 x _h to await ! com+ ( ,pelleas et ,melis&e 9 ord] to take its rightful place4 ,= :ile ,m\ssorgsky may h influ5c$ ,debussy arti/ically1 x 0 ,debussy's "w t made = ! recognition & popul>ization ( ,m\ssorgsky's4 ,= ! music ( ,debussy is ! delicate & classical & voluptu\s & ari/ocratic expression ( ! same consci\sness ( :i* ,m\ssorgsky's is ! sev]e1 />k1 b>b>ic2 ! c>ess z oppos$ to ! p9*4 ,consequ5tly1 ,debussy's art 0 ! m readily compreh5sible ( ! two4 ,b1 once ,pelleas produc$1 ! assumption ( ,boris 0 inevitable4 ,m\ssorgsky's g5]ation _h arriv$4 ,! m5 :o felt z he1 :o recogniz$ ! tru? ( 8 sp>e1 metallic /yle1 8 sob] edifices1 _h atta9$ majority4 ,a _w 0 able to p]ceive 9 ! music ( ! dead man its symbol4 ,b x is by no means alone ! timel9ess ( ,m\ssorgsky t has advanc$ him to 8 pres5t position4 ,x is ! m>vel\s orig9ality ( 8 art4 ,he is "o ( ! mo/ completely & nobly orig9al among compos]s1 "o ( ! great inv5tors ( =m4 ,! music ( ,m\ssorgsky is almo/ completely treasure-trove4 ,x is n ! developm5t ( any "o ?+1 ! cont9uation ( a l9e1 ! logical outcome ( ! labors ( o!rs1 z ! works ( s _m ev5 ( ! greate/ musicians are4 ,x is a ?+ t seems to h fall5 to e>? out ( ! arcana ( =ms l "s meteorite4 ,at ! v mom5t ( ,wagn]'s triumph & ( ! full maturity ( ,liszt & ,brahms1 ,m\ssorgsky compos$ z ?\gh he _h be5 born into a _w 9 :i* !re 0 no musical tradition1 a _w :]e1 inde$1 no f9e musical lit]ature1 & only a few folk-songs & or?odox liturgical *ants & ,greek-,ca?olic scales exi/$4 ,t[>d musical !ory he seems to h be5 completely indiff]5t4 ,only "o rule he recogniz$1 & t 01 ,art is a means ( spee* betwe5 man & man1 & n an end4 ,he 0 self-taught1 & actually inv5t$ an art ( music ) ea* /ep ( composition4 ,& :at he produc$1 ?\gh x 0 n great 9 bulk1 0 novel ) a newness t is "o ( ! miracles ( music4 ,sc>cely a phrase 9 8 op]as & songs moves 9 a conv5tional or unorig9al curve4 ,! songs ( ,m\ssorgsky are ?+s t c be recogniz$ 9 ea* ( _! mom5ts1 s deeply & completely di/9ctive !y are4 ,!re is n a b> ( ! collection call$ ,sans soleil t is n ri*ly & p[]fully new4 ,! h>monies s\nd new1 ! melodies are free & /range & expressive1 ! =ms are solid & weighty z bronze & iron4 ,!y are l lumps dug up out ( ! e>?4 ,! utt]mo/ simplicity obta9s4 ,& e /roke is decisive & mean+ful4 ,m\ssorgsky seems to h crept clos] to life ?an mo/ arti/s1 to h seiz$ emotions 9 _! nak$ness & %>pness1 to h felt ) ! innoc5ce ( a *ild4 ,"o ( 8 collections is entitl$ ,la ,*ambre d',enfants4 ,& t surprise & wond] at all ! common facts ( life1 ! %>pness ) :i* ! k ( dea? comes1 *>act]ize n alone ?is gr\p1 b all ! songs4 ,he is ?r\gh\t !m ! *ild :o sees ! beetle lie dead1 & :o expresses 8 wond] & tr\ble directly f 8 he>t ) all ! %>pness ( necess>y spee*4 ,s mu* o!r music seems indirect1 hesitat+1 timor\s1 beside ^! little =ms ( granite4 ,& !n1 ,m\ssorgsky's op]as1 ,boris 9 p>ticul>1 are dramatically swift] ?an mo/ ( ,wagn]'s4 ,he nev] made ! mi/ake ! ma/] ( ,bayreu? s frequ5tly made1 ( subord9at+ ! drama to ! music1 & arre/+ ! action = ! sake ( a ,waldweb5 or a ,*>freitagszaub]4 ,! little sc5es ( ,pu%k9's play sp9 !mselves (f quickly ?r\gh ! music2 ! action is re9=c$ by a skeleton-l =m ( music1 by swift vivid tonal et*+s1 by ! simple/1 directe/ pictur+s4 ,musical *>act]ization is ( ! %>pe/2 orig9al ideas pile ^u ea* o!r & succe$ ea* o!r )\t ado4 ,! score ( ,boris1 slim z x is1 is a treasure h\se ( inv5tions1 ( "s ( ! mo/ p]fect music writt5 = ! !at]4 ,few op]atic works are musically m important1 & yet less pret5ti\s4 ,& ,khovan*t*9a1 fragm5t>y ?\gh x is1 is almo/ no less full ( noble & lovely ideas4 ,^! fragm5ts1 melodies1 *oruses1 dances are ea* ( !m real inv5tions1 wond]ful pieces caught up 9 nets1 ! r>e/ sort ( beauties4 ,a deep1 ri* gl[ plays ov] ^! melodies4 ,_! simplicity is ! simplicity ( p]fectly felicit\s inv5tions1 ( ?+s sprung f ! e>? )\t ef=t4 ,!y are s mu* l folk-tunes t "o wond]s :e!r !y 7 n produc$ hundr$s ( ye>s ago & h&$ d[n by g5]ations ( ,russians4 ,"o ( !m ev51 ! great *orus 9 ! fir/ sc5e1 might /& z a sort ( national an!m = ,russia4 ,o!rs1 l ! in/rum5tal accompanim5t to ! fir/ entrance ( ,pr9ce ,ivan ,khovansky1 are "s ( ^? bits t repres5t a :ole culture1 a :ole tradition & race4 ,^! pieces are ! *ildr5 ( an inf9itely noble m9d4 ,!re is some?+ 9 ^? gorge\s melodies1 ^? magnific5t cries1 ^? pr\d & solemn !mes ( :i* bo? ,boris & ,khovan*t*9a are full1 t makes ,wagn] seem plebeian & b\rgeois4 ,peasant-l ?\gh ! music is1 reek+ ( ! soil1 rude & p[]ful1 x /ill seems to ref] to a m9d ( a pr\d]1 f9] sort ?an t ( ! o!r man4 ,! retic5ce1 ! directness1 ! innoc5ce ( any !atricality1 ! avoidance ( all t is purely effective1 ! dignity ( expression1 ! salt & irony1 ! r\nd1 full r+ ( e detail are good & =tify+ aft] ! scoriac inundations ( ,wagn]'s g5ius4 ,! gaunt gray piles1 ! metallic surfaces1 ! homel9esses ( ,m\ssorgsky1 are m virile1 /rong]1 m resi/+ ?an ,wagn]'s music4 ,only folk ari/ocratically sure ( !mselves c be z gay & light at w4 ,if !re is any?+ 9 mod]n music to be comp>$ ) ! %e]1 blunt1 p[]ful volumes ( primitive art x is ! "w ( ,m\ssorgsky4 ,& z ! ye>s pass1 ! man's /ature & m9d become m imm5se1 m prodigi\s4 ,"o has b to he>k5 to ! acc5t ( ! great] "p ( mod]n music to gauge 9 ^: %ad[ we are all liv+1 h[ f> ! impulse com+ f him has c>ri$4 ,! :ole liv+ musical _w1 f ,debussy to ,blo*1 f ,/raw9sky to ,b>tok1 has be5 vivifi$ by him4 ,&1 c]ta9ly1 if any mod]n music seems to h ! resi/+ p[] t beats back ! c5turies & ! eons1 x is 8 pieces ( bronze & ironw>e & granite4 ,:at ! _w lo/ :5 ,mode/ ,m\ssorgsky di$ 9 8 =ty-second ye> we %all nev] "k4 ,b1 *iefe/ ( all1 8 music has ! gr&eur ( an ess5tially religi\s act4 ,x is ! utt]ance ( ! pr(\nde/ spiritual k ( a p4 ,m\ssorgsky 0 buoy$ by ! great =ce ( ! ,russian *>ity1 ! ,russian humility1 ! ,russian pity4 ,x 0 t great religi\s feel+ t possess$ ! man :o _h be5 a foppi% gu>dsman cont5t to amuse ladies by /rumm+ !m snat*es ( ,il ,trovatore & ,la ,traviata on ! piano1 & gave him 8 pr(\nd s5se ( reality1 8 k ( h[ simple & sad a ?+ human life is aft] all1 & made him vibrate s exquisitely ) ! suff]+ inh]5t 9 ! con/itution ( ! _w4 ,x gave 8 art its color1 its "*1 its t5d5cy4 ,x fill$ him ) ! uns5tim5tal1 w>m1 animal love t made him repres5t man fai?fully & cat* ! v brea? ( 8 fell[s z x left _! bodies4 ,c]ta9ly1 x 0 f 8 race's dim1 p[]ful s5se ( ! sacram5t ( pa9 t 8 music fl[s4 ,he himself confess$ t x 0 ! s5se ( ano!r's in>ticulate angui%1 sympa?y ) a half-idiotic peasant-boy /amm]+ out 8 hopeless love1 t fir/ /irr$ ! poet )9 him & l$ him to compose4 ,! music ( defeat1 ! insi/5t cry ( ! _w's pa91 s\nd out ( 8 music because ! ,russian folk has always kn[n ! great my/]y & reality & good ( suff]+1 has kn[n t only ! humble1 only ^? :o h borne defeat & pa9 & mis=tune c see ! face ( life1 t sorr[ & agony c hall[ human exi/5ce1 & t :ile 9 ! days ( 8 triumph & well-be+ man is a cruel & evil be+1 adv]sity (t5 makes to appe> 9 him div9e & lovely traits4 ,do/oievsky 0 nev] m ! ,russian prophet ?an :5 he wrote ,! ,idiot1 & utt]$ 9 x 8 humble ?anksgiv+ t ?r\gh ! curse ( nature1 ?r\gh ! utt] uselessness ( 8 physical ma*9e1 ?r\gh sickness & fooli%ness & pov]ty1 he _h be5 sav$ f do+ ! _w's evil & add+ to its dea?4 ,& ,m\ssorgsky is ! c\nt]p>t ( ! great romanc]4 ,l ! o!r1 he comes 9 prie/ly & ablution>y (fice4 ,l ! o!r1 he expresses ! mov+1 l[ly god1 ! god ( ! l[1 broad =ehead & peasant g>b1 t 8 p be>s )9 x4 ,bo? prose & music are manife/ations ( ! ,russian ,*ri/4 ,to ,europe 9 its late h\r he came z emiss>y ( ! "o religi\s mod]n folk1 & call$ on m5 to recognize ! tru? & re=m _! lives 9 accordance ) x4 ,he came to wre/ man f ! slav]y ( ! new gigantic body he _h begott51 to wean him f lu/ ( p[]1 to pacify & humble him4 ,once m he came to fulfil ! ,old ,te/am5t>y prophets4 ,! evangel ( ,tol/oy1 ! novels ( ,do/oievsky1 ! music ( ,m\ssorgsky are ! new gospels4 ,9 ,m\ssorgsky1 music has giv5 ! new _w its prie/4 ,liszt ,oh1 magnific5t & mis]able ,abbe ,liszt6 ,/range & unnatural fusion ( traits ! mo/ noble & ! mo/ mean6 ,"o c sc>cely say :i* 0 ! /rong] 9 y1 ! gr& seigneur or ! base com$ian4 ,= 9 y\r "w !y are equally1 inextricably comm+l$4 ,9 y\r art x is ! actor :o ?rones x 9 ! palace hall1 ! great "l ( music :o /ruts & cap]s on ! bo>ds ( ! it9]ant !at]4 ,n[h]e1 9 all music1 is gr&eur nigh] to ! du/1 & n[h]e does ! du/ reveal m gr&iose traits4 ,y\r compositions are ! mo/ brilliant ( ba/>ds1 ! mo/ lam5table ( legitimate ?+s4 ,!y smite u ) bo? admiration & av]sion1 affect u z ?\gh ! sc>let sat9 robes ( a patrician ( ,v5ice 7 to betray ! pres5ce b5ea? !m ( f\l1 unsightly rags4 ,!y rem9d u ( ! facades ( ! palaces ( ,vic5za1 :i*1 design$ by ! pomp\s & classiciz+ ,palladio1 are execut$ 9 /ucco & o!r *eap mat]ials4 ,& yet1 ! _m works 9 :i* y d n %[ y\rself ! arti/ reveal ! pl5itude ( y\r p[]s almo/ z mu* z ! few 9 :i* y d4 ,! mo/ empty ( y\r _m o/5tati\s or*e/ral soliloquies1 ! mo/ feeble ( y\r _m piano-pyrote*nics1 ! icie/ ( y\r b\quets ( icy1 explod+ />s1 ! brassie/ ( y\r blatant p]orations1 ! v false/ ( y\r innum]able pa/e jewels1 decl>e t y 7 born to sit among ! great ones ( y\r craft4 ,= !y reveal y ! indubitable virtuosic g5ius4 ,! v clev]ness ( ! imitation ( ! preci\s /one betrays h[ deep a s5se ( ! beauty ( ! real gem y _h1 h[ exp]t y 7 9 ! trade ( diamond cutt]4 ,into ! %ap+ ( y\r bad works ( art !re w5t a temp]am5t1 a playfulness1 a fecundity1 a caprici\sness1 a g5ius t _m bett] arti/s h n possess$4 ,y 7 inde$ pr(usely end[$1 %[]$ ) musical gifts z "s cradl$ pr9ce might be %[]$ ) pres5ts & honors4 ,ev]y?+ 9 y\r p]sonality 0 gr&1 seigneurial1 imm5se 9 scale4 ,y 7 born musical ,k+ ( ,cyprus & ,j]usalem & ,arm5ia1 titul> sov]eign ( va/1 unclaim$ realms4 ,few compos]s h be5 m inv5tive4 ,no compos] has ev] scatt]$ abroad ideas ) m lib]al h&4 ,compositions l ! ,b-m9or piano-sonata1 ! tone-poem ,mazeppa1 ! ,dante symphony1 :atev] _! arti/ic value1 fairly teem ) orig9al !mes ( a high ord]1 are l treasure h\ses 9 :i* gold ornam5ts lie neglig5tly /rewn 9 piles4 ,inde$1 y\r inv5tive p[] suppli$ n only y\r own compositions ) mat]ial1 b ^? ( y\r son-9-law1 ,ri*>d ,wagn]1 z well4 ,z ,james ,hunek] once s brightly put x1 ,wagn] 0 indebt$ to y = mu* besides money1 sympa?y1 & a wife4 ,= ,siegmund & ,siegl9de exi/$ a long :ile 9 y\r ,dante symphony be=e ,wagn] transf]r$ !m to ,die ,walku]e2 ,p>sifal & ,kundry a long :ile 9 y\r piano-sonata be=e he introduc$ !m into 8 ,buehn5weihfe/spiel4 ,y 7 equipp$ = piano-composition z 0 no o!r ( y\r "t4 ,= y ! in/rum5t 0 a new]1 /rang]1 m virg9 ?+ ?an x 0 = ei!r ,s*umann or ,*op94 ,y knew ev5 bett] ?an !y h[ to li/5 = its prop] voice4 ,y 7 m deeply aw>e ?an !y ( its prop] color & quality4 ,y seem to h come to x absolutely )\t preconceiv$ ideas4 ,y\r ,b-m9or sonata1 h[ev] unsatisfactory its actual quality1 rema9s "o ( ! magi/ral works ( ! sort4 ,= few works bett] exhibit ! v>i\s ranges ( ! in/rum5t1 bett] contra/ diff]5t volumes ( piano-s\nd4 ,! sonata actually lies on diff]5t planes1 proce$s f v>i\s directions1 delimits a solid =m1 makes ev5 ,bee?ov5's seem flat & two-dim5sional by contra/4 ,"h1 almo/ = ! fir/ "t1 is a sonata t is di/9ctly music ( ! pian(orte4 ,& ! mod]n a*ievem5ts 9 pian(orte composition d n by any means less5 ! wond] ( y\r compreh5sion ( ! in/rum5t's dynamics4 ,! new m51 ,scriab9e & ! compos]s ( ! mod]n ,fr5* s*ool1 may h p5etrat$ m deeply ?an x 0 9 y\r p[] to d1 may h a*iev$ :]e y fail$4 ,nev]!less1 !y c\ld n h progress$ _h x n be5 = y\r way-f9d+4 ,!y are immeasurably indebt$ to y4 ,n ev5 ,wagn] _h an influ5ce on ! new age great] ?an y\rs1 m l>gely prep>$ ! way ( ! newe/ music4 ,y are inde$ ! good fri5d ( all :o dream ( a new musical language1 a new musical syntax & balance & /ructure1 & set out to explore ! va/1 vague regions1 ! t]ra incognita ( tone4 ,= y are _! ance/or4 ,if1 9 its g5]al1 homophonic nature1 y\r "w belongs prim>ily to ! romantic p]iod1 y\r conviction t ! cont5t conditions ! =m ( e piece makes y ! l9k betwe5 classic & mod]n musical art4 ,! symphonic poem1 :e!r or n x orig9ates 9 ! ov]tures ( ,bee?ov51 is ma9ly y\r h&iwork1 s9ce al?\gh y y\rself 7 n suffici5tly free ( ! classic =mulas to create a symphonic =m entirely programmatic1 z ,/rauss has subsequ5tly done1 y nev]!less gave him ! h9t :]eby he has pr(it$ mo/4 ,! impressioni/s1 too1 seem to /em f y4 ,! little piece call$ ,les jeux d'eau de ,la ,villa d',e/e seems n a little to anticipate _! /yle4 ,& al?\gh y 7 n responsible = ! music ( ! nationali/ic ,russian s*ool1 ! robu/1 colorful b>b>ian 9 y nev]!less made y welcome & enc\rage _! "w4 ,x made y write to ,borod9 & ,m\ssorgsky ^? cordial lett]s :i* pleas$ !m s mu*4 ,= at t "t !y 7 b obscure workm51 :ile y 7 ! v pr9ce ( musicians4 ,inde$1 no?+ is m pr9cely1 no?+ bett] reveals ! amplitude1 ! g5]osity ( y\r _s1 ?an y\r relations ) y\r fell[ craftsm54 ,arti/s are (t5times s petty 9 _! conduct t[>d ea* o!r t x is inde$ refre%+ to read ) :at infallible k9dness y treat$ s _m compos]s less =tunately situat$ ?an y\rself4 ,& n only ,wagn] & ,ces> ,franck b5efit$ by y\r good de$s4 ,_m obscur] & y\ng] m51 poor ,edw>d ,mac,dowell1 = in/ance1 knew :at x 0 to receive cordial & comm5datory lett]s f y1 to be assi/$ by y 9 _! c>e]s1 to h _! compositions br\ght to p]=mance by ! be/ ,g]man or*e/ras ?r\gh y\r aid4 ,& y _h no conceit 9 y1 smil+ly ref]r$ to y\r symphonic poems z ,g>t5musik1 & repli$ to ,wagn]1 :5 he in=m$ y t he _h /ol5 su* & su* a !me f y1 ,?ank goodness1 n[ x w at lea/ be he>d6 ,_h y1 ,o ,liszt1 express$ ! nobility ( y\r nature z purely 9 y\r composition z y express$ x 9 y\r social relations1 we c\ld h compla9$ ( no m\nta9\s rubble1 no squalor m>r+ ! p]fect spl5dor ( y\r figure4 ,b1 unhappily1 ! v]itable gr&eur ( y\r end[m5t nev] begot itself a body ( "w really symbolic ( itself4 ,= if y\r music1 z a :ole1 has any gr&eur1 x is ! holl[ gr&eur ( inflation1 ( o/5tation1 ( ext]nality4 ,y\r music is almo/ entirely a mon/r\s decor de !atre4 ,x is =ev] seek+ to e/abli% tragical & satanic & passional atmosph]es1 to sugge/ imm5se & regal & t]rific ?+s1 to ga9 trem5d\s effects4 ,x is full ( l\d1 gr&iloqu5t pron\ncem5ts1 ( :irlw9ds1 ?und]/orms1 coronations on ! ,capitol9e1 ideals1 lam5tations1 cavalcades across half ( ,asia1 drap]ies1 massacres1 frescoes1 facades1 magnificats1 lurid sunsets1 scimit>s1 miracles1 triumphs ( ! cross1 retreats f ! _w4 ,x is full ( all ! romantic prop]ties4 ,l va/ pieces ( /age sc5]y ! v>i\s passages & movem5ts are t[$ be=e our eyes1 & we are bidd5 to fea/ our eyes on repres5tations ( titanic rocks & l[]+ skies & holy h]mits' dwell+s t rem9d u dang]\sly ( ! wond]s display$ 9 ! peep%[s at g+]bread fairs4 ,! atmosph]e ( ! compositions is s inv>iably s5sational1 ! ge/ure s calculat$1 s !atrical1 t mu* ( ! truly impressive mat]ial1 ! quantities ( orig9al ideas1 lose all sub/antiality1 & become indi/9ct compon5ts ( ^! va/ m\nta9s ( ennui1 ^! wa/es ( rhetorical & bomba/ic in/rum5ts1 ^! l\d & pranc+ conc]tos ( circus-music4 ,!re is some?+ almo/ insult+ to ! intellig5ce 9 ^! ov]-emphasiz$ works1 ^! pret5ti\s facades1 ^! va/1 pomp\s frescoes by ,kaulba*1 ^! ,byronic in/rum5tal soliloquies1 ^! holl[1 empty fl\ri%es ( ! brass1 ^! fooli%ly satanic *romatics1 ^! inevitable triumphs ( ! cross & ! ,gregorian modes4 ,no d\bt1 mu* ( y\r fu/ian & rhodomontade1 y\r diabolic attitudes1 y\r gr&iose battles betwe5 ! ho/s ( evil & ! light ( ! ,tree1 y\r int]m9able fanf>es1 0 due ! age 9 :i* y grew4 ,! ext]nality1 ! pomp\sness ( int5tion1 ! !atrical po/ures1 0 "p ( ! romantic con/itution4 ,! desire to a*ieve s5sational effects1 ! t5d5cy to ext]nalize1 to assume !atrical po/ures & int5d pomp\sly1 0 inborn 9 e s+le "o ( ! m5 among :om y pass$ y\r y\?4 ,= !y _h sudd5ly1 pa9fully become aw>e t nature 0 supremely indiff]5t to _! individual fates & sorr[s4 ,s w\nd$ 7 !y 9 _! am\r-propre t !y s\ght to re/ore _! dim9i%$ s5se ( self-wor? by exagg]at+ ! importance & int5sity ( _! suff]+s & seek+ to conv9ce !mselves ( _! satanic s9s & dreadful dooms4 ,manfr$1 pos+ d>kly on an ,alp9e crag & summon+ ,nature to h] feud ,) bile busk9 attitude1 0 ! type ( y all4 ,y _h to w>d (f consci\sness ( y\r own insignificance by conceiv+ y\rselves amid /up5d\s surr\nd+s1 lurid natural effects1 flam+ prairies1 p9nacles1 torr5ts1 coliseums1 subt]ranean palaces1 moonlit ru9s1 b&it d5s1 & z labor+ "u frightful curses1 dire puni%m5ts1 ance/ral s9s1 etc41 etc4 ,b :ile we f9d ! fr5etic romanticism ( a ,delacroix1 = in/ance1 attractive1 ev51 because ( ! virtue ( 8 pa9t+1 & =give t ( a ,b]lioz & a ,*ateaubri& because ( ! _m beauties1 ! v]itable gr&eurs ( _! /yles1 we _c q le>n to love y\rs4 ,= 9 y ! disease 0 aggravat$ by ! pres5ce ( ano!r p[]ful inc5tive to /rut & po/ure & ext]nalize & inflate y\r art4 ,= y 7 ! virtuoso4 ,y 7 ! man ^: entire be+ 0 po9t$ to a*ieve an effect4 ,y 7 ! man ^: life is liv$ on ! conc]t-plat=m1 ^: values are ^? ( ! conc]t-room1 :o f9ds 8 highe/ good 9 ! in/antane\s effect a*iev$ by 8 p]=mance4 ,f *ildhood y 7 ! idoliz$ piano-virtuoso4 ,all y\r days y 7 smo!r$ 9 ! adulation %[]$ ^u y 9 v tangible =m by ! great ladies ( e capital ( ,europe4 ,& a virtuoso y rema9$ all y\r exi/5ce4 ,y nev] develop$ out ( t e>ly situation into some?+ m salut>y to ! arti/4 ,on ! contr>y1 y came to require ! atmosph]e ( ! p]=mance1 ! exhibition1 ab\t y cont9ually1 to f9d ! rose leaves & ! cl\ds ( p]fume absolutely necess>y4 ,mo/ ( y\r composition seems b ! ef=t to p]petuate ab\t y ! admiration & ! adulation1 ! gl[+ eyes & half-p>t$ lips & heav+ bosoms4 ,ev]y?+ 9 y\r piano-music is key$ = t effect4 ,! %ameless s5tim5talities1 ! voluptu\s l+]+s ov] sweet *ords & incisive notes1 ! o/5tati\s recitatives1 ! moi/1 s5sual climaxes1 ! titillat+ figuration1 ! ov]-drap]ies1 7 call$ into exi/5ce = ! imm$iate1 ! ov]:elm+ effect at fir/ he>+4 ,ev]y?+ is broad5$ & pepp]$ & direct$ to obta9+ y ! ,pa%a-p[] y crav$4 ,besides be+ w9dy & !atrical1 y\r music is :at ,nietzs*e s bitt]ly call$ x1 ,die ,s*ule d] ,gelaeufi*keit--na* ,frau54 ,s y\r va/ arti/ic end[m5t lies squ&]$1 y\r ideas %all[ly set1 y\r sci5ce misus$4 ,= :ile fate %[]$ y magnific5tly ) gifts1 x seems to h at ! same "t s\ght to negate its lib]ality by fus+ 9 y\r p]sonality ! base alloy1 by decree+ t y %\ld h enorm\s p[]s & yet abuse !m4 ,x prev5t$ y f (t5 be+ completely g5u9e1 completely inc&esc5t1 completely f9e4 ,x refus$ y = ! great] "p ! true adamant9e h>dness ( ! arti/1 ! inviolability ( s\l1 ! s5se ( /yle4 ,x made y1 ! prodigi\sly fecund inv5tor1 ! m9e ( !matic mat]ial1 prodigal2 unable to ref9e y\r ore1 to *ase y\r ideas1 & give !m _! full value4 ,wagn] c\ld h said ( y1 _h he s wi%$1 :at ,ha5del is report$ to h said ( ! compos] f :om he borr[$1 ,( :at use is su* a good idea to a man l him8 ,"o mu/ inde$ g to ,wagn] = ! appreciation ( _m ( ! inv5tions1 ! ,siegmund & ,siegl9de1 ! ,p>sifal & ,kundry1 music1 :i* y ca/ f y s c>elessly4 ,z = y\rself1 y are too mu* ! virtuosic g5ius2 too mu*1 at he>t1 ! actor4 ,y\r music is p]haps ! mo/ cunn+ly c>p5t]$ = effect1 ! mo/ artificial kn[n to u4 ,y are p]haps ! mo/ brilliant artifex ( music4 ,we always seem to see y sitt+ on ! conc]t-plat=m be=e u1 imm]s$ 9 ! expression ( y\r passion1 y\r disgu/ ( passion1 y\r r5unciation ( passion4 ,b ! absorption is n q z complete z x w\ld appe> to be4 ,dur+ ! entire p]=mance1 y h be5 secretly keep+ "o wick$ little eye tra9$ on ! ladies ( ! audi5ce4 ,sometimes y play ! religi\s4 ,p]haps !re truly 0 9 y a ve9 ( devotion & fai?4 ,! fact t y took ,holy ,ord]s to escape m>ry+ ! ,pr9cess ( ,sayn-,wittg5/e91 :o pursu$ y ^? _m ye>s & d\btlessly bor$ y ) h] !ological writ+s1 does n entirely disprove its exi/5ce4 ,inde$1 y\r ,dante symphony1 ) its ,hell full ( imp5it5t sexual (f5d]s1 its ,purgatory full ( ^? :o rep5t !m ( _! excesses1 its ,p>adise repres5t$ by a hymn to ! ,virg91 sugge/s :at mann] ( role1 & h[ real a "o1 religion might h play$ 9 y\r luxuri\s exi/5ce4 ,b1 = ! mo/ "p1 ! religiosity ( y\r music recalls ov]mu* ! fa%ionable confessor's4 ,y br+ consolation1 d\btlessly4 ,b y br+ x by *oice into ! b\doir4 ,y speak sadly ( ! cruel w9ds ( lu/4 ,y dwell on ! example ( ! pi\s ,/4 ,elizabe? ( ,hung>y4 ,y spread y\r h&s ov] fair p5it5ts1 mak+ a s]ies ( ! mo/ beautiful ge/ures4 ,y :isp] honey$ =giv5ess = passional s9s4 ,y always excite te>s & gratitude4 ,b1 9 ! end1 y\r ,consolation turns out only ano!r ,liebe/raum4 ,no d\bt1 y lov$ y\r native l&4 ,b y\r patriotism recalls dang]\sly ! re/aurant ,magy>1 ! fiddl] 9 ! frogg$ coat4 ,y draw f y\r viol9 passionate lam5ts4 ,9 a sort ( ec/asy y celebrate ,hung>ia4 ,!n1 smil+ brilliantly1 y pass ! hat4 ,once1 only1 y\r eye did n w&] liquidly to ! gall]y4 ,once1 only1 y\r workman%ip 0 n m>r$ by s*emes = titillat+ effects1 = s5sational contra/s1 = gr&iose & bomba/ic expression4 ,once1 only1 y 7 completely ! arti/1 impregnat+ y\r "w ) a f9e gl[ ( life1 mak+ x deeply dignifi$ & impassion$1 s9c]e & firm1 pr(\ndly mov+4 ,= y1 too1 !re 0 ! c>d9al exception4 ,= y !re 0 ! ,fau/ ,symphony4 ,! "w is romantic music1 ! music ( ! ,byronic s*ool p> excell5ce4 ,"h1 too1 is ! brood+ & revolt1 ! satanic cynicism1 ! exp]t's language4 ,b "h ! miracle has tak5 place1 & y\r music1 g5]ally s loose & %all[ & !atrical1 has ! po9t1 ! int5sity1 ! significance t x seems ev]y:]e else to lack4 ,"h1 = once1 is a "w ( y\rs t moves by its own initiative1 t has an indep5d5t & m>vel\s life1 t is brilliant & yet sub/antial4 ,"h y h mat]ializ$ y\rself4 ,we believe 9 y\r ,fau/ z we believe nei!r 9 y\r ,tasso nor 9 y\r ,mazeppa nor 9 y\r ,orpheus4 ,= he utt]s y\r own romantic brood+ 9 t\*+ & impressive t]ms4 ,9 ! !me t conjures up be=e u ,fau/ 9 ritt]li*] ,h(kleidung des ,mittelalt]s1 y h express$ y\r own seigneurial pride & da9t9ess4 ,goe! mu/ h tapp$ ) 8 trag$y1 8 *>act]s1 "s ve9 long *ok$ 9 y4 ,9 ea* ( ! ?ree movem5ts1 ! ,fau/1 ! ,m>gu]ite & ! ,mephi/o1 y make y\r be/ music4 ,!re is real drama 9 ! fir/4 ,!re is a w>m1 fragrant hu% 9 ! second4 ,p]haps ,gret*5 plucks h] daisy a little too ?or\ghly4 ,b !re is a r>e s5sitiv5ess & delicacy ( feel+ 9 h] music4 ,x is all 9 pa/els4 ,!re is some?+ v y\?ful & w>m 9 x t p]haps no o!r composition ( y\rs displays1 z ?\gh 9 compos+ x y _h recaptur$ pri/9e emotions long s9ce spoil$4 ,b x is ! ?ird movem5t1 ! ,allegro ironico1 t op5$ y\r sluices & produc$ y\r g5ius4 ,= 9 ! conception ( ,mephi/o y f\nd 9 ,goe!1 y f\nd y\r own spiritual equation4 ,y1 too1 7 victim ( a disillusion$ intellect t play$ havoc ) all y f\nd pure & lovely & p\r$ its sulphuric mock]y ov] all y\r aspiration4 ,= all y\r m>iolatry1 y 7 full ( d] ,gei/ d] /ets v]ne9t4 ,& s y 7 able to create a musical ,mephi/o t w outlive y\r o!r "w1 sonata & all1 & express y to o!r times4 ,= "h1 all t "o s5ses dimly beh9d y\r sug>$ & pret5ti\s compositions speaks out frankly4 ,li/5+ to ?is mighty s*]zo1 we "k ! cynicism t corrod$ y\r _s4 ,we he> x surge & fill ! sky4 ,we he> x p\r its mock+ laught] ov] grief & long+ & pride1 ov] purity & t5d]ness 9 ^? outrage\s or*e/ral arabesques t desc5d on ! !mes ( ! ,fau/ & ,m>gu]ite movem5ts1 & :ip !m into gr9n+ di/ortions4 ,we he> x d5y & /amp & curse1 topple ! :ole _w ov] 9 ribald scorn4 ,! conclud+ *orus may seek to call 9 ano!r emotion4 ,y may turn ) all app>5t f]vor & pray das ,ewig-,weibli*e to save y4 ,! o!r expression rema9s ! tell+ "o4 ,x is "o ( ! supreme pieces ( musical irony4 ,x ranks ) ,till ,eul5spiegel & ,petr\*ka4 ,x is also ! sadde/ ( y\r works4 ,= x makes u "k1 once = all1 h[ inf9itely mu* great] a musician y might h be51 ,o mis]able & magnific5t ,abbe ,liszt6 ,b]lioz ,! c\rse ( "t1 t has made s _m musicians rec$e f u & dw9dle1 has br\ght ,b]lioz ! clos] to u & %[n him great4 ,! age 9 :i* he liv$1 ! decades t foll[$ 8 dea?1 f\nd him unsub/antial en\gh4 ,!y recogniz$ 9 him only ! projector ( gigantic edifices1 n ! build]4 ,8 music seem$ scaffold+ only4 ,?\gh a g5]ation ( musicians le>n$ f him1 came to li/5 to ! prop] voices ( ! in/rum5ts ( ! or*e/ra because ( him1 ?\gh music became increas+ly pictural1 ironic1 concrete because he _h labor$1 8 own "w /ill appe>$ ugly ) unrealiz$ int5tions4 ,if he obta9$ at all z an arti/1 x 0 because ( 8 fr5etic romanticism1 8 biz>r5ess1 8 ,byronic po/ures1 traits t 7 aft] all m9or & second>y en\gh 9 him4 ,= ^? 7 ! only ( 8 *>act]i/ics t 8 h\r c\ld und]/&4 ,all o!rs x ignor$4 ,& s ,b]lioz rema9$ = half a c5tury simply ! compos] ( ! extravagant ,symphonic ,fanta/ique & ! brilliant ,h>old 9 ,italy1 &1 = ! re/1 a compos] ( brittle & arid works1 b>r5 ( au!ntic ideas1 a bett] litt]ateur ?an musician4 ,h[ev]1 ) ! dep>ture ( ! _w f out ! romantic h\se1 ,b]lioz has rapidly recov]$4 ,music ( 8 t be=e seem$ ugly has gradually come to h =ce & significance4 ,music ( 8 t seem$ ?9 & gray has sudd5ly become satisfactory & r$4 ,compos]s z em95t z ,ri*>d ,/rauss1 conductors z cons]vative z ,we+a]tn]1 critics z s5sitive z ,roma9 ,roll& h come to p]ceive 8 va/ /r5g? & importance1 to express !mselves conc]n+ him 9 no d\btful language4 ,x is z ?\gh ! _w _h _h to move to behold ,b]lioz1 & t only 9 a day g]mane to him & among ! m5 8 k9 c\ld he assume ! /ature rightfully 81 & live4 ,= we exi/ to-day 9 a "t ( b>b>ian inroads4 ,we are behold+ ! old ,european cont95t ( music sw>m$ ov] by ,asiatic hordes1 ,scy?s & ,mongols & ,m$es & ,p]sians1 all ! savage musical tribes4 ,once m ! old arbitr>y b>ri] betwe5 ! cont95ts is disappe>+1 & ! classic traits ( ! ,we/ are be+ m+l$ ) ^? ( ! subtle1 s5su\s1 spiritual ,ea/4 ,x is z if ! art ( music1 ) its new scales1 its new h>monies1 its new color+1 its new rhy?mical life1 7 be+ revolutioniz$1 z if x 7 return+ to its beg9n+s4 ,x is z if "s ( ! orig9al impulse to make music 7 reawak5+4 ,& s1 ?r\gh ?is confusion1 ,b]lioz has sudd5ly flam$ ) significance4 ,= he himself 0 ! ranke/ ( b>b>ians4 ,a "w l ! ,requiem has no antec$5ts4 ,x con=ms to no accept$ canon1 seems to obey no logic o!r ?an t ( ! rude & p[]ful m9d t ca/ x =?4 ,= ! man :o c\ld write music s crude1 s %e]ly /rong1 s hurtl+1 music innoc5t ( pa/ or tradition1 ! _w mu/ inde$ h be5 9 ! fir/ day ( its creation4 ,= su* a "o =ms mu/ inde$ h _h _! pri/9e & undull$ edge & undim9i%$ bulk1 mu/ h insi/$ !mselves %>ply & compell+ly4 ,! music has all ! unc\?ness ( a direct & unque/ion+ response to su* a vision4 ,little wond] t x 0 unacceptable to a silv] & romantic epo*4 ,! romantici/s _h aspir$ to pa9t va/ canvases1 too4 ,b ! va/ness ( _! canvases _h rema9$ a ?+ ( int5tion1 a ?+ ( l>ge & pret5ti\s decoration4 ,b]lioz's music 0 bo? too rude & too /up5d\s = _! ta/es4 ,&1 9 tru?1 to u z well1 :o h felt ! great cubical masses ( ! mod]ns & h he>d ! b>b>ian tread1 ! s5se ( beauty t dem&$ ! giant blocks ( ! ,requiem music seems /ill a little a /range & mon/r\s ?+4 ,x seems inde$ an atavism1 a return to modes ( feel+ t creat$ ! monum5ts ( o!r ages1 ( b>b>\s & =gott5 times4 ,well did ,b]lioz t]m 8 "w ,babylonian & ,n9eviti%6 ,c]ta9ly x is l no?+ s mu* z ! cruel & pond]\s bulks1 ! %e]1 va/ tombs & ramp>ts & t]races ( ,khorsabad & ,nimr\d1 b>e & oppressive "u ! sun ( ,assyria4 ,b]lioz mu/ h h>bor$ "s elem5tal dem& = =m inh]5t 9 ! human m9d b buri$ & =gott5 until x woke to life 9 him aga94 ,= !re is a truly primitive & savage p[] 9 ! imag9ation t c\ld heap su* piles ( music1 revel 9 ! %att]+ fury ( trumpets1 upbuild *oragic pyramids4 ,"h1 be=e ,/raw9sky & ,orn/e91 be=e ,m\ssorgsky1 ev51 0 a music b>b>\s & radical & revolution>y1 a music beside :i* s mu* ( mod]n music dw9dles4 ,x has1 prim>ily1 "s ( ! nak$ness1 "s ( ! %e]ness ( cont\r1 t[>d :i* ! mod]n m5 aspire4 ,9 ! mo/ rec5t ye>s !re has evid5c$ itself a decid$ reaction f ! vapor\s & flu5t cont\rs ( ! musical impressioni/s1 f ! /yle ( ,pelleas et ,melis&e 9 p>ticul>4 ,m5 z disp>ate z ,s*o5b]g & ,magn>d & ,igor ,/raw9sky h be5 seek+1 9 _! own fa%ion1 ! "o ?r\gh a sort ( ma!matical h>%ness1 ! second ?r\gh a ,go?ic sev]ity1 ! ?ird ?r\gh a ma*9e-l regul>ity1 to give _! "w a new boldness1 a new p[] & incisiv5ess ( design4 ,some?+ ( ! same %>pness & %e]ness 0 atta9$ by ,b]lioz1 if n precisely by _! means1 at lea/ to a degree no less rem>kable ?an !irs4 ,he atta9$ x ?r\gh ! nak$ness ( 8 melodic l9e4 ,! music ( ! ,requiem is almo/ entirely a s+ul>ly p[]ful & *>act]i/ic l9e4 ,x is practically unsupport$4 ,_m p]sons pret5d t ,b]lioz want$ a k ( h>mony & c\nt]po9t4 ,c]ta9ly 8 feel+ = h>mony 0 a v rudim5t>y "o1 9 n[ise ref9$ beyond t ( 8 pr$ecessors1 v simple :5 comp>$ to t ( 8 contempor>ies1 ,*op9 & ,s*umann4 ,& 8 attempts at creat+ c\nt]po9t1 judg$ f ! fir/ movem5t ( ,h>old 9 ,italy1 are clumsy en\gh4 ,b x is que/ionable :e!r ?is ignorance did n /& him 9 good /ead r ?an 9 bad2 & :e!r1 9 ! end1 he did n make himself fairly indep5d5t ( bo? ^! musical elem5ts4 ,= ! ,requiem atta9s a new sort ( musical gr&eur f its %>p1 heavy1 rectangul>1 rhy?mically p[]ful melodic l9e4 ,x voices ?r\gh x a bold1 nak$1 imm5se language4 ,) ,baudelaire1 ,b]lioz c\ld h said1 ,l'en]gie c'e/ le grace supreme4 ,= ! beauty ( ?is 8 ma/]piece lies 9 j ! del9eat+ p[]1 ! *>act]i/ic ( ?is crude1 vigor\s1 unadorn$ melody4 ,d\btless to ^? /ill baffl$ by its nudity1 8 music appe>s ?94 ,b if x is at all ?91 its ?9ness is t ( ! /eel cable4 ,& x has ! rhy?mical vivacity & pl5itude t *>act]izes ! newe/ musical art4 ,if !re is "o quality t unites 9 a place ap>t ! ,/raw9skys & ,orn/e9s1 ! ,blo*s & ,scriab9es1 x is ! fe>lessness & exub]ance & savag]y ) :i* !y p\nd out _! rhy?ms4 ,some?+ long buri$ 9 u seems to arise at ! vibration ( ^! fi]ce1 bold1 clatt]+1 almo/ convulsive /rokes1 to seek to ge/iculate & dance & leap4 ,& ,b]lioz possess$ ?is elem5tal feel+ = rhy?m4 ,s*umann 0 conv9c$ on he>+ ! ,symphonie ,fanta/ique t 9 ,b]lioz music 0 return+ to its beg9n+s1 to ! /ate :]e rhy?m 0 uncon/ra9$ & irregul>1 & t 9 a %ort :ile x w\ld ov]?r[ ! laws :i* _h b\nd x s long4 ,s1 too1 x seems to u1 despite all ! rhy?mical innovations ( our "t4 ,! p]sonality t c\ld beat out exub]antly music z rhy?mically v>i\s & t]se & free mu/ inde$ h possess$ a primitive naivete & vitality & spontaneity ( impulse4 ,:at manife/ation ( unbridl$ w 9 t fre$om ( expression6 ,b]lioz mu/ h be5 blood-bro!r to ! savage1 ! elem5tal creature :o out ( ! d>k & hidd5 ne$s ( life itself inv5ts on 8 rude musical in/rum5t a mighty rhy?m4 ,or1 he mu/ h be5 l a p[]ful & excit$ /e$1 *af+ 8 bit1 mad to give 8 en]gy re94 ,8 blood mu/ =ev] h be5 crav+ ! lib]ation ( turgid & angul> & irregul> beats1 mu/ =ev] h be5 cr[d+ 8 imag9ation ) new & compell+ comb9ations1 impell+ him to ! movem5ts ( leap+ & m>*+4 ,= he seems to h f\nd 9 pr(usion ! acc5ts t quick5 & lift & lance1 f\nd !m 9 all v>ieties1 f ! brisk & delicate /eps ( ! ballets 9 ,la ,damnation de ,fau/ to ! l>ge1 f>-flung mom5tum t drives ! *oruses ( ! ,requiem m\nta9 high2 f ! mad & riot\s f9ales ( ! ,h>old symphony & ! ,symphonie ,fanta/ique to ! r$1 turbul5t & canaille m>* rhy?ms1 true music ( insurg5t masses1 clangor\s ) e*oes ( tocs9s & b>ricades & revolutions4 ,b x is 9 8 treatm5t ( 8 in/rum5t t ,b]lioz seems mo/ closely ak9 to ! newe/ musicians4 ,= he 0 ! fir/ to p]mit ! or*e/ra to dictate music to him4 ,!re _h1 no d\bt1 exi/$ skilful & s5sitive or*e/rators be=e him1 m5 :o 7 deeply aw>e ( ! nature ( _! tools1 m5 :o1 l ,moz>t1 c\ld sc>cely repress _! te>s at ! s\nd ( a favorite in/rum5t1 & wrote m>vel\sly = flutes & horns & oboes & all ! compon5ts ( _! b&s4 ,b mat*$ ) 81 _! k ( ! in/rum5t 0 pat5tly relative4 ,=1 ) !m1 music _h on ! :ole a g5]al timbre4 ,phrases :i* !y assign$1 say1 to viol9s or flutes c be assign$ to o!r in/rum5ts )\t do+ ! composition utt] damage4 ,b 9 ! works ( ,b]lioz music & in/rum5ts are insep>able4 ,"o _c at all re>range 8 or*e/ration4 ,?\gh ! phrases t he has writt5 = bassoon or cl>9et might imag9ably be execut$ by o!r in/rum5ts1 ! music w\ld p]i% utt]ly 9 ! sub/itution4 ,:at in/rum5t b ! viola c\ld appreciate ! fam\s ,h>old !me8 ,= j z 9 a pa9t+ ( ,cezanne's ! =m is insep>able f ! color1 is1 inde$1 "o ) x1 s1 too1 9 ! works ( ,b]lioz & ! mod]ns ! =m is "p ( ! s5su\s quality ( ! b&4 ,:5 ,rimsky-,korsak(f utt]$ ! pron\ncem5t t a composition = or*e/ra c\ld n exi/ be=e ! or*e/ration 0 complet$1 he 0 only phras+ a rule ^u :i* ,b]lioz _h act$ all 8 life4 ,= ,b]lioz set out to le>n ! language ( ! or*e/ra4 ,n only did he call = new in/rum5ts1 in/rum5ts t h ev5tually become integral portions ( ! mod]n b&s1 b he devot$ himself to a /udy ( ! actual natures & ranges & qualities ( ! old1 & wrote ! celebrat$ treatise t has become ! textbook ( ! sci5ce ( in/rum5tation4 ,! ?9ness ( mu* ( 8 "w1 ! feebl5ess ( ! ov]ture to ,b5v5uto ,cell9i1 = in/ance1 results f 8 inexp]i5ce 9 ! new tongue4 ,b he _h n to practise long4 ,x 0 n long be=e he became ! tea*] ( 8 v contempor>ies4 ,wagn] owes z mu* to ,b]lioz's in/rum5tation z he owes to ,*op9's h>mony4 ,b = ! new m51 he is m ?an tea*]4 ,= !m he is l ! discov]] ( a new cont95t4 ,?r\gh him !y h come to f9d a new fa%ion ( appreh5d+ ! _w4 ,out ( ! pa9t-box t he op5$1 !y h drawn ! colors t make u see anew 9 _! music ! face ( ! e>?4 ,! tone-poems ( ,debussy & ! ballets ( ,ravel & ,/raw9sky1 ! sc9tillat+ or*e/ral compositions ( ,/rauss & ,rimsky & ,blo*1 c\ld sc>cely h come to be _h n ,b]lioz call$ ! att5tion ( ! _w to ! in/rum5ts 9 :i* ! colors & timbres 9 :i* x is /eep$1 lie dormant4 ,& s ! l>ge & p[]ful & conta9$ be+ t1 aft] all1 0 ,b]lioz has come to appreciation4 ,= beh9d ! fi]y1 ! volcanic ,b]lioz1 beh9d ! ,byronic & fanta/ical compos]1 !re 0 always ano!r1 great] man4 ,! hi/ory ( ! art ( ,b]lioz is ! hi/ory ( ! gradual inc>nation ( t calm & maje/ic be+1 ! gradual triumph ( t gr&] p]sonality ov] ! o!r1 up to ! f9al unclos+ & real pres5ce 9 ,romeo & ! ,mass = ! ,dead4 ,! wild romantici/1 ! lov] ( ! /range & ! lurid & ! grotesque :o creat$ ! ,symphonic ,fanta/ique1 nev]1 p]haps1 became entirely abeyant4 ,& "s ( ! salt & flavor ( ,b]lioz's great]1 m *>act]i/ic works1 ! t9y musical p>ticles1 = in/ance1 t compose ! ,que5 ,mab s*]zo 9 ,romeo1 or ! biz>re comb9ation ( flutes & trombones 9 ! ,requiem1 macabre z ! ,orcagna frescoes 9 ,pisa1 are due 8 fanta/ical imag9+s4 ,b1 gradually1 ! deep] ,b]lioz came to pr$om9ate4 ,t deep] _s 0 a be+ t rose out ( a va/ & lovely cav]n ( ! human s\l1 & 0 clo!d 9 /ately & 9 %9+ robes4 ,x 0 a _s t c\ld n readily build itself out into ! _w1 s l>ge & simple x 01 & _h to wait long be=e x c\ld f9d a wor?y portal4 ,x manag$ only to express itself p>tially1 fragm5t>ily1 9 v>i\s trans=mations1 till1 by *ange1 x f\nd 9 ! idea ( ! ,mass = ! ,dead its fitt+ opportunity4 ,/ill1 x 0 nev] entirely abs5t f ! art ( ,b]lioz1 & 9 ! great cle> s5se ( x ga9$ 9 ! ,requiem we c p]ceive its v>i\s & ev]-pres5t sub/antiations1 f ! v beg9n+ ( 8 c>e]4 ,x is 9 ! ov]ture to ,k+ ,le> already1 9 t noble & graci\s introduction4 ,f ! v beg9n+1 ,b]lioz reveal$ himself a pr\d & ari/ocratic _s4 ,ev5 9 8 mo/ helpless mom5ts1 he is always noble4 ,he %[s himself possess$ ( a hatr$ = all t is unju/ & ungirt & vulg>4 ,!re is always a l>g5ess & gravity & *a/ity 9 8 ge/ure4 ,! coldness is mo/ (t5 simply ! app>5t coldness ( re/ra9t2 ! baldness1 ! laconism ( a _s t abhorr$ loose1 unga9ly mann]s ( spee*4 ,ev5 ! fr5etic & orgia/ic f9ales ( ! ,h>old & ,fanta/ic symphonies are temp]$ by an a?letic /eel9ess & irony1 are p]vad$1 aft] all1 by ! good dry light ( ! intellect4 ,! great] portion ( ! ,h>old is obvi\sly1 9 its coolness & neatness & lightness1 ! "w ( "o :o 0 unwill+ to di%evel himself 9 ! cause ( expression1 :o outl9$ 8 s5sations retic5tly r ?an effusively1 & /ood always a little ap>t4 ,! ,corsair ov]ture has n ! wild1 ri* balladry ( t ( ! ,fly+ ,dut*man1 p]haps4 ,b x is full ( ! cle> & quiv]+ light ( ! ,m$it]ranean4 ,x is1 9 ! words ( ,hans von ,buel[1 z t]se z ! report ( a pi/ol4 ,& x flies swiftly be=e a w9d its own4 ,! mob-sc5es 9 ,b5v5uto ,cell9i are bright & brisk & sp>kl+1 & comp>e n unfavorably ) c]ta9 passages 9 ,petr\*ka4 ,&1 c]ta9ly1 ,romeo manife/s un=gettably ! f95ess & nobility ( ,b]lioz's temp]4 ,! music he writes = 8 love sc5es1 "s "o has rem>k$1 is ! be/ te/ ( a musician's "*4 ,=1 9 tru?1 no type ( musical expression gives s ample an opportunity to all t is lat5tly vulg> 9 him to produce itself4 ,& "o has b to comp>e ! ,g>d5 ,sc5e ( ,romeo ) two o!r pieces ( music relat$ to x 9 /yle1 ! second act ( ,tri/an & ! ,romeo ( ,t*aik[sky1 to p]ceive 9 h[ graci\s a light ,b]lioz's music reveals him4 ,wagn]'s p[]ful music hangs ov] ! g>d5 ( 8 lov]s l an oppressive & sultry night4 ,foliage & /reams & ! v moonlight pulsate ) ! fev] ( ! blood4 ,b !re is no t5d]ness1 no y\?1 no delicacy1 no grace 9 ,wagn]'s love-passages4 ,t*aik[sky's1 too1 is pr$om9antly lurid & s5sual4 ,& :ile ,wagn]'s at lea/ is full ( animal ri*ness1 ,t*aik[sky's is morbid & hy/]ical & p]v]se1 sets u amid ! c\*es & drap]ies & p9k lamp%ades in/ead ( out "u ! night-"t sky4 ,b]lioz's1 h[ev]1 is full ( a /ill & fragrant poesy4 ,8 is ! music ( ,%akespe>e's lov]s inde$4 ,x is l ! op5+ ( he>ts dumb ) ! excess ( joy4 ,x has all ! high romance1 all ! ec/asy ( ! unspoil$ _s4 ,= ,b]lioz seems to h possess$ always 8 c&or & 8 y\?4 ,?r\gh ?ree hundr$ ye>s m5 h turn$ t[>d ,%akespe>e's play1 ) its ,italian night & its balcony above ! fruit-tree tops1 9 wond] at its y\?ful lovel9ess1 its delicate picture ( fir/ love4 ,9 ,b]lioz's music1 at la/1 x f\nd a wor?y rival4 ,= ! musician1 too1 _h )9 him "s ( ! graci\sness & highness & sweetness ( _s ! poet manife/$ s sov]eignly4 ,b x is *iefly 9 ! ,requiem t ,b]lioz reveal$ himself 9 all ! gr&eur & might ( 8 be+4 ,= 9 x all ! ari/ocratic coolness & t]s5ess ( ,la ,damnation de ,fau/ & ( ,h>old en ,italie1 all ! fresco-l calm ( ,les ,troy5s a ,c>?age1 f9d _! free/1 ri*e/ expression4 ,7 ,i to be ?reat5$ ) ! de/ruction ( all t ,i h ev] compos$1 wrote ,b]lioz on ! eve ( 8 dea?1 x w\ld be = t "w t ,i w\ld beg life4 ,& he 0 correct 9 ! e/imation ( its value4 ,x is inde$ "o ( ! great edifices ( tone4 ,= ! c\rse ( ev5ts :i* dem&$ ( ,b]lioz ! "w _h suppli$ him ) a function comm5surate ) 8 p[]s1 & p]mitt$ him to regi/] himself immortally4 ,he 0 call$ by 8 c\ntry to write a mass = a commemoration s]vice 9 ! *ur* ( ! ,invalides4 ,t gold-dom$ build+1 consecrat$ to ! memory ( ! ho/ ( ! fall51 to ! c\ntless soldi]s sla9 9 ! w>s ( ! mon>*y & ! republic & ! empire1 & soon to become ! tomb ( ,napoleon1 _h ne$ ( its (ficiant4 ,& s ! g5ius ( ,b]lioz arose & came4 ,! ,requiem is ! spee* ( a great & classic s\l1 mold$ by ! calm light & fruitful soil ( ! ,m$it]ranean4 ,= all its ,babylonian & ,n9eviti% bulk1 x is full ( ! ,lat9 calm1 ! ,lat9 repose1 ! ,lat9 resignation4 ,! simple tone1 quiet = all its en]gy1 ! gold5 sweetness ( ! ,sanctus1 ! nak$ acceptance ( all ! facts ( dea?1 are ! language ( "o :o _h )9 him an attitude at once primitive & gr&1 an attitude t we h almo/ come to ignore4 ,li/5+ to ! ,mass1 we f9d ourselves feel+ z ?\gh "s vates ( a ,m$it]ranean folk 7 come 9 rapt & l(ty mood to (f] sacrifice1 to pacify ! liv+1 to celebrate ) fitt+ rites ! unnumb]$ multitudes ( ! h]oic dead4 ,!re are "s compositions t seem to f9d ! common gr\nd ( all m5 ?r\gh\t ! ages4 ,& to ! company ( su* works ( art1 ! gr& ,mass = ! ,dead ( ,hector ,b]lioz belongs4 ,/ill1 ! commission to write ! ,requiem 0 b a mom5t>y welcom+ ext5d$ to ,b]lioz4 ,! age 9 :i* he liv$ 0 unprep>$ = 8 art4 ,x f\nd itself bett] prep>$ = ,wagn]4 ,= ,wagn]'s 0 ne>] ! old] music1 summ$ x up1 9 fact4 ,s ,b]lioz _h to rema9 uncompreh5d$ & unh\s$4 ,& :5 !re f9ally came a "t = ! music ( ,wagn] to retreat1 & ano!r to take its place1 ,b]lioz 0 /ill half-buri$ "u ! misund]/&+ ( 8 "t4 ,& yet1 ) ! ,kass&ra ( ,eul5b]g1 ,b]lioz c\ld h said at ! mom5t :5 x seem$ z ?\gh et]nal night 7 ab\t to obscure him =ev]3 ,e9/ treibt d] ,fruehl+ uns 9 neu] ,blue! ,empor ans ,li*t2 ,leb51 wir s*eid5 ni*t1 ,d5n ewig bleibet1 0 9 uns ergluehte ,und dra5gt si* ewig wi$] auf zum ,li*t6 ,= ! lik5ess s _m ( ! new m5 be> him has provid$ u ) a wond]ful in/ance ( ! et]nal recurr5ce ( ?+s4 ,franck ,belgian ( ,liege by bir?1 & ,p>isian only by adoption1 ,ces> ,franck nev]!less precipitat$ mod]n ,fr5* music4 ,! gr\p ( musicians t1--at ! mom5t :5 ! great l9e ( compos]s t has desc5d$ 9 ,g]many s9ce ! days ( ,ba* dw9dl$ 9 ,/rauss & ,mahl] & ,reg]1--reviv$ ! high tradition ( ,fr5* music1 creat$ a fre% & orig9al musical art1 & at pres5t1 by virtue ( ! influ5ce x ex]cises on ! new tal5ts ( o!r nations1 has come well-nigh to dom9ate ! int]national musical situation1 c\ld sc>cely h atta9$ exi/5ce _h x n be5 = him4 ,he assur$ ! arti/ic success n only ( ! m5 l ,magn>d & d',indy & ,dukas1 ^: art %[s obvi\s signs ( 8 influ5ce4 ,compos]s l ,debussy & ,ravel1 :o appe> to h arriv$ at maturity indep5d5tly ( him1 h nev]!less b5efit$ immeasurably by 8 "w4 ,x is possible t _h he n emigrat$ f ,liege & labor$ 9 ! he>t ( ,france1 !y w\ld n h a*iev$ any ( _! fullness ( expression4 ,= :at ,b]lioz 0 p]haps too premature & too ecc5tric & radical to br+ ab\t1--! dissipation ( ! torpor t _h weigh$ ^u ! musical s5se ( 8 c\ntrym5 = a c5tury1 ! reawak5+ ( ! peculi>ly ,fr5* impulse to make music1 n alone 9 s+le & solit>y individuals1 b 9 a l>ge & repres5tative gr\p1 ! revival ( a truly musical life 9 ,france1--?is man1 by virtue ( ! peculi>ities ( 8 art1 & p>ticul>ly by virtue ( 8 timel9ess1 succe$$ 9 effect+4 ,= ,ces> ,franck ov]came a false musical culture 9 ! l& ( 8 adoption by %[+ x1 at ! mom5t x 0 prep>$ to p]ceive x1 ! face ( a true4 ,! ,fr5* are n an out/&+ly musical race4 ,music plays a comp>atively insignificant role 9 _! civilization4 ,! mass ( ! p does n dem& x1 has nev] dem&$ x z insi/5tly z d ,g]mans & ,russians1 & z did ! mass ( ,italians dur+ ! ,r5aissance1 ! mass ( ,engli% be=e ! ,revolution4 ,some?+ ( a prejudice aga9/ its own musical impulse mu/ exi/ 9 ! race4 ,= ?\gh ,france has a v def9ite musical feel+1 a ?+ t v>ies little ) ! pass+ c5turies & makes = ! surpris+ simil>ities betwe5 ! "w ( ,claude ,le ,jeune 9 ! sixte5? c5tury1 ,rameau 9 ! eighte5? & ,debussy 9 ! tw5tie?1 %e has1 dur+ h] ?\s& ye>s ( culture1 & :ile produc+ a flood ( illu/ri\s au?ors1 & pa9t]s & sculptors1 borne n m ?an f\r or five compos]s ( indisputably fir/ rank4 ,g]many 9 ! c\rse ( two c5turies produc$ at lea/ eight or n9e2 ,russia ?ree )9 ! la/ fifty ye>s4 ,9 ,france c5turies elapse betwe5 ! appe>ance ( a ,josqu9 des ,pres 9 ! fifte5? c5tury1 a ,rameau 9 ! eighte5?1 a ,debussy 9 ! e>ly tw5tie?4 ,& :5ev] ! ,fr5* h be5 giv5 a musical art ( _! own1 :5ev] a compos] comp>able to ! ,g\jons & ,montaignes1 ! ,r5oirs & ! ,baudelaires has made 8 appe>ance among !m1 !y g5]ally h be5 swift to turn f him & to pref] to him n only =eign]s1 :i* w\ld n necess>ily be bad1 b (t5times ! lea/ respectable ( musicians4 ,! triumph ( ,rameau 0 ( ! briefe/4 ,sc>cely _h 8 magnific5t lyric trag$ies e/abli%$ !mselves :5 ! ,gu]re des b\ffons broke out1 & popul> ta/e1 "u ! direction ( ,jean ,jacques ,r\sseau & ! o!r ,encyclop$i/s1 discov]$ ! light ,italian music ( ! day m natural & inf9itely pref]able to ! sev]e & noble =ms ( ! greate/ ( ,fr5* compos]s4 ,! appe>ance ( ,gluck gave ,rameau's "w a v]itable c\p de grace1 & bani%$ ! ma/] f ! op]atic /age4 ,& = a c5tury & a qu>t]1 ,fr5* music1 p>ticul>ly ! music ( ! !at]1 0 completely unfai?ful to ! racial _s4 ,dur+ ! great] "p ( ! n9ete5? c5tury1 ,ross9i & ,mey]be] dom9at$ ! op]atic _w4 ,! native op]atic compos]s1 ,aub] & ,boieldieu1 ,adam & ,halevy1 comb9$ ! slacknesses ( bo? )\t a*iev+ any?+ at all comp>able to _! fla%y brilliance4 ,z f> z ! acc5t ( _! music w5t1 !y float$ *e]fully some:]e betwe5 ,g]many & ,italy4 ,& :5 some?+ recognizably indig5\s did put 9 its appe>ance 9 ! op]as ( ,?omas & ,g\nod1 x did b ! v]ie/ lip-s]vice to ! racial g5ius1 & 0 a ?+ t walk$ lightly1 dext]\sly1 w>ily1 & r\s$ no sleep+ dogs4 ,:at ! cause ( ?is diffid5ce is1 :at sort ( rigidity x betok5s1 "o c only guess4 ,b ( its pres5ce !re c be no d\bt4 ,7 !re no?+ else to demon/rate x1 ! survival among ! ,fr5* ( an in/itution nam$ ,m4 ,camille ,sa9t-,sa5s w\ld amply d s4 ,= ! "w ( ?is extraord9>y p]sonality1 or1 m correctly1 imp]sonality1 :o = tw5ty-five ye>s ( ! ,?ird ,republic dom9at$ ! musical situation 9 8 c\ntry1 got himself acclaim$ ev]y:]e1 n only 9 ,p>is1 b also 9 ,b]l91 ! mod]n ,fr5* ma/]1 & to-day at ! ripe age ( "o hundr$ & =ty /ill p]si/s 9 writ+ /r+-qu>tets ) ! same frigid classicism t di/+ui%$ 8 fir/ ef=ts1 is obvi\sly a compromise result+ f ! conflict ( two equally /rong impulses--t ( mak+ music & t ( f5d+ (f musical expression4 ,= ye>s ?is man has be5 go+ ?r\gh all ! ge/ures ( ! mo/ s]i\s sort ( composition )\t add+ "o iota to musical art4 ,= ye>s he has be5 writ+ music app>5tly logical1 cle>1 well-=m$4 ,8 opus-numb]s m\nt well t[>d two hundr$4 ,he has writt5 symphonies1 conc]tos = piano & viol91 op]as1 cantatas1 symphonic poems1 suites1 ballades1 fantasies1 caprices4 ,he has writt5 l>ge numb]s ( ea*4 ,he has writt5 impressions ( ,naples1 ( ,algi]s1 ( ! ,can>y ,isl&s1 ( e portion ( ! globe he has visit$4 ,b despite all ?is app>5t activity1 ,m4 ,sa9t-,sa5s has really succe$$ 9 effect+ no?+ at all4 ,8 compositions are pretty well outside ! picture ( musical art4 ,to-day !y are already old] ?an ,m5delssohn's1 ( :i* pale art !y seem an ev5 pal] reflection4 ,m5delssohn1 too1 0 a p]son inw>dly at w> ) himself1 & p]haps ,sa9t-,sa5s may be ano!r example ( ! same conflict4 ,/ill1 ! latt] has a*iev$ a sort ( waxy coldness f :i* ! amiable ,felix 0 aft] all sav$4 ,elegant1 f9i%$1 smoo?1 classiciz+1 ! music ( ,m4 ,camille ,sa9t-,sa5s leaves u 9 ! complete/ ( objectivity4 ,we are t\*$ & mov$ n at all by x4 ,some?+1 we vaguely p]ceive1 is suppos$ to be tak+ place b5ea? our eyes4 ,fa9t fro/y lights pass across ! or*e/ra4 ,?is1 we guess1 is suppos$ to be an inw>d & mus+ passage4 ,?is is a f9ale1 ?is a dramatic climax4 ,b we are no m ?an languidly pleas$ ) ! clev]ness & urbanity ( ! or*e/ration1 ! pleasant %apel9ess ( c]ta9 melodies1 ! neatness ( composition4 ,9 ! end1 ! man bores u ?or\ghly4 ,he has inv5t$ a new musical ennui4 ,x is t ( be+ inv>iably pretty & imp]sonal & insignificant4 ,d y "k ! ,phaeton ( ,sa9t-,sa5s8 ,oh1 nev] ?9k t ?is little symphonic poem rec\nts ! hi/ory ( brilliant y\? & its sun-*>iot1 ! runaway /e$s & ! ble$+ %att]$ frame6 ,! ,phaeton ( :om ,sa9t-,sa5s s+s is n ! arrogant son ( ,phoebus4 ,:atev] ! compos] may prote/1 x is ! l[1 op5-:eel$ c>riage t he is describ+4 ,he %[s x to u c\rs+ ?r\gh ! ,bois de ,b\logne on a bright spr+ morn+4 ,! new v>ni% ( ! *>m+ vehicle gleams sm>tly1 ! light1 rubb]-tir$ :eels revolve swiftly1 ! silv]-%od h>nesses gli/5 9 ! sunny air4 ,b1 alas1 ! ponies are fright5$ by some?+1 d\btlessly ! r$ dress ( a s+] ( ! ,op]a ,comique4 ,!re is a runaway1 & be=e ! /e$s c be re9$ ! phaeton is upset4 ,no "o is hurt1 & 9 a few m9utes ! equipage is re/or$4 ,nev]!less1 ! compos] _c control 9 himself a few sighs = ! new coat ( v>ni% n[ s rudely scrat*$4 ,franck 0 ( ano!r temp]4 ,! impulse t drove him to make music 0 n s weak & pliable4 ,x c\ld n be b>b]$ & dapp]ly dress$ & taught to conduct a cl\d$ cane elegantly 9 ! rue de la ,paix or ! allee des ,acacias4 ,x 0 too hot & wild & %y a ?+1 too passionately set 9 its c\rse1 too homesick = ! :ite fulgurant heights ( ,heav5 to negate itself at ! behe/ ( ,fr5* society & con=m to :at ! academicians decl>$ to be la vielle tradition francaise4 ,franck 0 too mu* an arti/ 9 ! _s ( ,la ,fonta9e & ,g]ma9e ,pillon & ,p\ss9 & ! o!rs :o =m$ t tradition1 & :o w\ld be assail$ 9 its "n fi]cely 7 !y to reappe> to-day4 ,moreov]1 he 0 ( ! race ( musicians :o come to make music l>gely to free !mselves ( besett+ demons1 ( ! s9i/] brood ( d\bts & fe>s & woes1 & w9 _! way back aga9 into ! bosom ( ,god4 ,he 0 ! simple1 he>t-:ole believ]1 ! poor little man lo/ 9 ! %ambles1 %ak5 & w\nd$ by ! t]rible d\bt ( appe>ances & by ! cruelty ( ?+s1 ye>n+ to cry 8 despair & lonel9ess & grief to ! e>s ( ! ,god ( 8 *ildhood1 & battl+ ?r\gh long vigils = tru/ & belief & reconciliation4 ,aga9 & aga9 8 music re-e*oes ! cry1 ,i w n let ,!e g unless ,?\ bless me4 ,( mod]n compos]s ,bruckn] alone _h affair s /eadily ) ! heights1 & ,franck is ! g5tl]1 sweet]1 t5d]] ( ! two4 ,he set himself1 q 9 ! fa%ion ( ! compos]s ( ! dy+ r5aissance1 to write an hundr$ hymns to ! ,virg94 ,he s\ght 9 8 piano compositions to recapture ! l(ty1 spiritual tone1 ! religi\s communion t in=m$ ! works ( ,ba*4 ,only once1 9 ! ,v>iations ,symphoniques1 is he brilliant & virtuosic1 & !n1 ) :at dis>m+ naivete & joy\sness6 ,(t5times x is ! gray & lonely air ( ! organ-l(t at ,/4 ,clo?ilde1 ! *ur* :]e he play$ s _m melan*oly ye>s1 t brea!s ?r\gh 8 "w4 ,alone ) 8 in/rum5t & ! cl\d$ skies1 he p\rs out 8 sadness1 8 bitt]ness1 /rives = resignation4 ,or1 8 music is a bridge f ! turmoil$ pres5t to "s r>]1 l>g]1 bett] plane4 ,9 symphony & qu>tet1 9 sonata & oratorio1 he atta9s x4 ,! helli% brood is scatt]$2 ! great bells ( fai? sw+ bravely out once m2 ! _w is full ( ,sabba? sun%9e & pi$ ) simple field-fl[]s4 ,& he goes =? ?r\gh x releas$ & bless$ & joy\s1 & light & glad ( he>t4 ,h[ furi\s a battle ! man _h to wage to br+ su* a musical s5se to fruition 9 ! ,p>is ( ,ambroise ,?omas & ,g\nod & ,mass5et may be gaug$ f ! fact t ! compositions t assure ,franck 8 position 7 almo/ all produc$ dur+ ! la/ t5 ye>s ( 8 life1 aft] 8 fifty-eigh? ye> _h be5 pass$4 ,= ?irty ye>s ! man _h to /ruggle ) 8 m$ium & 8 environm5t be=e he 0 ev5 able to d 8 g5ius ju/ice4 ,inde$1 up to ! ye> #ahej1 he produc$ little ( importance at all4 ,! trios recall ,mey]be]2 ! cantata ,ru?1 ) :i* ?is 8 fir/ p]iod ( composition closes1 has a sweetness ( ! sort aft]w>d id5tifi$ ) ! "n ( ,mass5et4 ,! works ( ! second p]iod1 :i* ends ar\nd #ahge ) ! re-edit+ ( ! rec5tly compos$ oratorio ,r$emption1 reveal him /ill 9 se>* ( p[] & a p]sonal mann]4 ,no d\bt a great improvem5t ov] ! works ( ! fir/ p]iod is visible4 ,f ?is "t !re date ! s]aphic ,panis angelicus1 & ! noble & delicate ,prelude1 fugue & v>iation = h>monium & piano4 ,b x 0 only ) ! composition ( 8 oratorio ,les ,beatitudes1 complet$ 9 #ahgi1 t ,franck's great p]iod comm5ces4 ,! man _h f9ally be5 =m$4 ,&1 9 swift succession1 !re came f 8 worktable ! s]ies ( compositions1 ! ,prelude1 *orale et fugue = piano1 ! sonata1 ! symphonic poem ,psy*e1 ! symphony1 ! qu>tet & ! ?ree *orales = organ t fully disclose 8 g5ius4 ,!re is sc>cely ano!r example 9 all musical hi/ory ( s long ret>d$ a fl[]+4 ,& x 0 a music almo/ ! anti!sis ( ,sa9t-,sa5s' t f9ally disclos$ itself ?r\gh ,franck4 ,9 x ev]y?+ is felt & necess>y & expressive4 ,x is unadorn$4 ,none ( ! light musical fro/+ t conceals ! pov]ty & vulg>ity ( s _m ( ! o!r's ideas is to be f\nd "h4 ,! designs !mselves are noble & significant4 ,franck possess$ a r>e gift ( s5s+ exactly :at 0 to 8 purpose4 ,he _h ! arti/ic c\rage necess>y to suppress+ ev]y?+ sup]flu\s & insignificant4 ,8 music says some?+ ) ea* note1 & :5 x has no m to say1 is sil5t4 ,he is concise & direct4 ,! ,symphony1 = in/ance1 is an unbrok5 curve1 an ord]ly progression by g5tle & sc>cely p]ceptible /ages f ! d>kness ( an a*+1 gnaw+ introduction into ! cl>ity ( a heal?y1 exub]ant close4 ,& :]eas ,sa9t-,sa5s' /yle is ov]-smoo? & glacial1 a sort ( musical c\nt]p>t ( ! sculpture ( a ,canova or a ,?orwalds51 ,franck's is subtle1 mottl$1 ri*1 full ( ! play ( light & %ad[4 ,! *romatic /yle t ,wagn] has develop$ 9 ,tri/an & 9 ,p>sifal is built ^u & fur!r develop$ into a /yle almo/ *>act]iz$ by its ri* & subtle & incessant modulations4 ,old & mix$ modes make _! appe>ance 9 x4 ,! !matic mat]ial is orig9ally turn$1 (t5times broad & *ur*ly & magnific5t2 ! movem5t ( ! ,franckian !mes be+ a di/9ct inv5tion4 ,! h>mony is full & v>i$ & brilliant4 ,b x is pre-em95tly ! s]aphic sweetness ( ,franck's /yle t di/+ui%es 8 music & sets x ov] aga9/ ?is o!r t is s h>d ( edge & ?9 ( sub/ance4 ,ov] x !re plays a light & lum9\s t5d]ness1 an almo/ naive & retic5t & virg9al quality4 ,! music ( ,psy*e is execut$ ) ! lighte/ ( musical bru%es4 ,x is z sweet & luc5t & graci\s z a fresco ( ,raphael's4 ,! lighte/1 ! silkie/ ( veils floats 9 ! section m>k$ ,le ,sommeil de ,psy*e2 ! g5tle/ ( zephyrs c>ries ! maid5 to h] "l4 ,small wond] t dev\t comm5tators h discov]$ 9 ?is music1 s uncorporeal & diaphan\s1 a ,*ri/ian int5tion1 & pret5d t 9 ,franck's m9d ,psy*e 0 ! believ+ s\l & ,eros ! div9e lov]6 ,t5d]ness1 s]aphic sweetness 7 ! man's *>act]i/ic1 p]meat+ ev]y?+ he t\*$4 ,few compos]s1 c]ta9ly1 h inv5t$ music m div9ely sweet ?an t ( ! ?ird movem5t ( ! qu>tet1 m ec/atic & lum9\s ?an ! ideas scatt]$ all ?r\gh 8 "w1 t seem l records ( "s mom5t :5 ! heav5s op5$ ov] 8 head & ! empyrean res\nd$ ) ! hallelujahs ( ! angelic ho/4 ,&1 c]ta9ly1 no compos]1 ,moz>t alone except$1 has discov]$ su* naively & innoc5tly joy\s !mes z ^? t fill ! close ( ! sonata & ! symphonic v>iations ) delici\s v]nal sun%9e4 ,! c>e] ( "o fat$ to s]ve ! art ( music 9 ! ,p>is ( ,franck's lifetime1 & to wait ?irty ye>s = ! fl[]+ ( 8 g5ius1 0 ( necessity obscure & sad4 ,! yeux m5teurs1 l'hypocrisie ,des s]rem5ts de ma9s1 ,la masque d'amitie ca*ant la jal\sie1 ,les pales l5dema9s ,de ces j\rs de triomphe444 ( :i* ,m4 ,sa9t-,sa5s 9 8 little volume ( v]se compla9s some:at pomp\sly1 7 unkn[n to ,ces> ,franck4 ,= ?is man1 ev5 9 ! ye>s ( 8 prime1 !re 7 only ! humiliations1 ! disappo9tm5ts t are ! lot ( uncompreh5d$ g5ius4 ,he _h ri* pupils1 among !m ! ,vicomte ,v9c5t d',indy1 b n "o ( !m seems to h come =w>d to help him1 to secure him great] "t = composition1 to save him f wa/+ 8 preci\s days 9 in/ruct+ a few amateurs4 ,all 8 life1 until ! v la/ ( 8 sev5ty ye>s1 ,ces> ,franck 0 oblig$ to arise e morn+ at five o'clock 9 ord] to h a c\ple ( h\rs 9 :i* to be free to compose be=e ! wax+ day oblig$ him to beg9 trott+ f "o end ( ,p>is to ! o!r giv+ lessons4 ,dur+ 8 lifetime he _h to cont5t himself ) half-prep>$ p]=mances ( 8 works1 _h to resign himself to hav+ compos]s ( op]ettas pref]r$ to him :5 *airs at ! ,cons]vatoire became vacant1 to receiv+ practically no recognition f a gov]nm5t pret5d+ ) hue & cry to protect & enc\rage ! arts4 ,_h x n be5 = ! f]vor & fai?fulness ) :i* ,ysaye labor$ to spread 8 r5[n1 practically cramm+ d[n ! ?roats ( an unwill+ public ! viol9 sonata & ! qu>tet1 ! man w\ld n h kn[n any success at all ev5 dur+ ! v la/ ye>s ( 8 c>e]4 ,z x 01 8 reputation spread only aft] he 0 dead4 ,!n1 ( c\rse1 ! inevitable monum5t 0 erect$ to him4 ,/ill1 ! future 0 ) ,ces> ,franck z x has be5 ) few arti/s4 ,! timel9ess ( 8 art 0 almo/ miracul\s4 ,)\t a d\bt1 dur+ ! ye>s ( 8 labor1 ! ,fr5* 7 mo/ ready = a musical r5aissance4 ,! defeat ( #ahgj _h1 aft] all1 brac$ ! nation1 summon$ its dormant en]gies4 ,x _h n be5 sev]e en\gh to de/roy1 & only fi]ce en\gh to =ce folk to %ake (f ! torpor t _h la9 ^u !m dur+ ! two previ\s regimes4 ,p began to "w aga91 bellies 7 some:at empti] & heads some:at full] ?an !y _h be5 "u ,l\is-,philippe & ,l\is-,napoleon4 ,above all1 ! vapid & sup]ficial life ( ! ,second ,empire 0 end$4 ,p 7 m sob] & inw>d & reali/ic ?an !y _h be54 ,!re 0 an unusual activity 9 all ! arts4 ,pa9t+1 fiction1 poetry1 sculpture _h or 7 hav+ new bir?s4 ,a s+le creative sp>k 0 sure to set ! v recalcitrant musicians ablaze4 ,va/ tal5ts su* z ^? ( ,bizet & ,*abri] 7 mak+ !mselves felt4 ,b giv5 a s+le p[]ful & con/ructive influ5ce1 a s+le classic expression ( ! ,fr5* musical feel+1 & a score ( gift$ musicians 7 ready to spr+ into life4 ,& t example 0 set by ,franck4 ,=1 ,belgian 9 "p ?\gh 8 music indubitably is1 ,belgian ( ,antw]p & ,brussels z well z ( ,liege & ! ,walloon c\ntry1 ,flemi% almo/ 9 its broad & gorge\s passages1 x is :at ! "w ( ! sup]ficially ,p>isian ,sa9t-,sa5s nev] atta9s to be+4 ,x is repres5tative ( ! great classical tradition ( ,france1 deeply expressive ( ! ,fr5* _s4 ,x mu/ h be5 "s pr(\nd k9%ip ) ! neighbor+ p1 deep] ev5 ?an t he bore 8 own c\ntrym51 t s5t ! y\? ,franck f ,liege to ,p>is1 held him fa/ 9 ! city all 8 long & obscure life1 & made him fl\ri% 9 ! ali5 soil4 ,= 8 music has traits t are common to ! repres5tative ,fr5* arti/s & h come to id5tify ! ,fr5* g5ius4 ,once aga91 "o caught sight 9 ! music ( ! ,fr5* cl>ity & ord]l9ess1 logicality & concis5ess4 ,once aga9 !re 7 great1 sonor\s edifices 9 ! gr& /yle temp]ate 9 tone4 ,! v diffid5ce t makes x s difficult = ! race to express itself ) ease 9 music 0 express$ 9 ?is "w4 ,moreov]1 along ) ! silv]9ess ( ,rameau1 ! simple solidity ( ,fr5* prose1 & "s ( ! old jollity ( ! m$ieval ,fr5* arti/s1 is 9 ! music ( ,franck4 ,old modes revive 9 x1 old peasant rhy?ms beat ! gr\nd once m4 ,b1 *iefe/ ( all1 x express$ ! p describ$ 9 ! section ( ,jean-,*ri/ophe significantly entitl$ ,dans la ,maison4 ,x express$ ! ess5tial ,france hidd5 by ! gl>e ( ! ,?ird ,republic4 ,! music ( ,ces> ,franck is ! music ( ! p driv5 into !mselves by ! conditions ( mod]n life4 ,x is ! music ( ! f9e ones :o /& hesitant on ! ?re%old ( ! _w1 & h incessantly to /ruggle = ! p[] to act1 = fai? & hope4 ,x is ! music ( ^? :o 9 ! mid/ ( millions feel !mselves =sak5 & alone & p[]less1 & 9 ^: obscure & labori\s exi/5ce ,franck himself %>$4 ,x is a ?+ turn$ away f ! m>ket-place1 full ( ! quiet ( ! inn] *amb]4 ,?r\gh s mu* ( ,franck "o feels ! /eady gl[ ( ! lamp 9 ! w>m room4 ,) its songs ( lonel9ess & d\bt & ru?1 its self-commun+s & vigils & pray]s1 its /ruggle = ! sunlight ( p]fect confid5ce & heal?9ess & ze/1 x might come directly out ( ! lives ( a half-doz5 ( ! em95t p]sons :om ,france produc$ dur+ ! clos+ ye>s ( ! n9ete5? c5tury4 ,roma9 ,roll& himself is ( ?is sort4 ,x 0 = ^! p1 self-di/ru/ful1 disillusion$1 d\btful1 t ,*>les ,peguy wrote1 bidd+ !m rememb] ! div9e orig9 ( ! life & ! in/itutions t seem$ s false to !m1 bidd+ !m rememb] t ! ,republic itself 0 ! result ( a my/ical impulse 9 ! human he>t1 t ! dead ( a race live on 9 ! bodies ( ! brea?+1 & t ! memb]s ( a folk are "o4 ,! my/icism & ,ca?olicism ( ,paul ,claudel1 ! revulsion f ! scepticism ( ,r5an & ,anatole ,france t has become s g5]al 9 rec5t ,fr5* ?\ght1 ! traditionalism1 nay1 ! intellectual reaction1 ( ! late/ ,france1 are all =e%ad[$ & outl9$ 9 ! music ( ,ces> ,franck4 ,he mu/ h puls$ ) ! v he>t ( 8 adopt$ c\ntry4 ,confront$ ) su* a piece ( expression1 ) su* a mod]n /&>d1 ! new g5]ation c\ld n b respond ) all its =ces1 & ?rong out ( ! ap]ture made 9 ! ,*9ese ,wall4 ,& aft] ,franck !re foll[$ a g5]ation ( ,fr5* musicians su* z ! _w has n se5 s9ce ! days ( ! clavec9i/s4 ,)9 t5 ye>s1 f "o ( ! mo/ moribund1 ,p>is _h become ! mo/ important & vivid ( musical c5t]s4 ,some?+ t _h be5 want+ 9 ! air ( ,p>is a long :ile _h swept l>gely into x aga94 ,! musical imag9ation _h be5 fre$4 ,aft] ,franck x 0 impossible = a ,fr5* musician n to h ! c\rage to express himself 9 8 own idiom1 to d>e develop ! =ms peculi>ly ,fr5*1 to break ) ! =eign ,g]man & ,italian /&>ds t _h oppress$ ! national g5ius s long4 ,= ?is man _h done s4 ,& ) ! ,debussys & ,magn>ds & ,ravels1 ! d',indys & ,dukas & ,s*mitts1 ! ,*aussons & ,rop>tz's & ! ,milhauds t foll[$ imm$iately on ,ces> ,franck1 an in/itution l ! ,societe ,nationale de ,musique came to h a mean+4 ,once aga91 ,fr5* music 04 ,debussy ,debussy's music is our own4 ,all arti/ic =ms lie dormant 9 ! s\l1 & !re is no "w ( art actually =eign to u1 nor c su* a "o appe>1 9 all ! future ages ( ! _w4 ,b ! music ( ,debussy is prop] to u1 9 our day1 z is no o!r1 & might /& be=e all "t our symbol4 ,= x liv$ 9 u be=e x 0 born1 & aft] bir? return$ ^u u l a release4 ,ev5 at a fir/ enc\nt] ! /yle ( ,pelleas 0 my/]i\sly famili>4 ,x made u feel t we _h always ne$$ su* rhy?ms1 su* lum9\s *ords1 su* limpid phrases1 t we p]haps _h ev5 he>d !m1 s\nd+ fa9tly1 9 our imag9ations4 ,! music seem$ z old z our s5se ( selfhood4 ,x seem$ b ! exquisite recognition ( c]ta9 int5se & tr\bl+ & appeas+ mom5ts t we _h already enc\nt]$4 ,x seem$ fa%ion$ out ( c]ta9 ineluctable1 my/]i\s exp]i5ces t _h budd$1 ineffably sad & sweet1 f out our lives1 & _h made u new1 & set u ap>t1 & t n[1 at ! music's brea?1 at a half-:isp]$ note1 at ! unclos+ ( a rhy?m1 ! fl[]+ ( a clu/] ( tones out ( ! w>m /ill d>kness1 7 aris5 aga9 9 ! fullness ( _! /ature & become ours entirely4 ,= ,debussy is ( all musicians ! "o among/ u mo/ fully4 ,he is "h1 9 our mid/1 9 ! _w ( ! city4 ,!re is ab\t him none ( ! unworldl9ess1 ! alo(ness1 ! sup]humanity t di/ances s _m ( ! o!r compos]s f u4 ,we ne$ n imag9e him 9 exotic s++ robes1 nor 9 classical g>m5ts1 nor 9 any /range & outmod$ & picturesque attire1 to recognize 9 him ! poet4 ,he is ! mod]n poet j because ! mod]n civilian g>b is s naturally 84 ,he is ! normal man1 liv+ our own mann] ( life4 ,we seem to "k him z we "k ourselves4 ,8 exp]i5ces are b our own1 int5sifi$ by 8 poet's gift4 ,or1 if !y are n already ours1 !y w become s4 ,he seems almo/ ourselves z he passes ?r\gh ! city twilight1 int5t ^u "s err& ^u :i* we1 too1 h gone1 j\rney+ a road :i* we ourselves h travel$4 ,we "k ! room 9 :i* he lives1 ! w9d[s f :i* he gazes1 ! mom5ts :i* come ^u him !re 9 ! sil5ce ( ! lamp4 ,= he has captur$ 9 8 music :at is di/+ui%$ 9 ! age's delight & trag$y4 ,all ! f9e s5suality1 all ! ,ea/]n pleasure 9 ! inf9ite da9t9ess & w>m? ( nature1 all ! sudd51 joy\s discov]y ( color & t\* t made m5 feel z ?\gh nei!r _h be5 kn[n be=e1 are conta9$ 9 x4 ,x1 too1 is full ( images ( ! e>? ( ! liquid & slumb]+ trees1 ! e>? ( dep>t$ sunset1 ! e>? ( ! vitre\s p\r ( ! full moon j t+$ ) blue4 ,x is full ( mat]ial lovel9ess1 plies itself to innum]able da9ty %ells--to ! somnol5ce ( ! ,s\!rn night1 to ! hi]atic ge/ure ( temple danc]s1 to ! fall ( lamplight into ! d>k1 to ! fanta/ic gu% ( fireworks1 to ! romance ( old mirrors & fad$ brocades & ,saxony clocks1 to ! gre5 "y panoply ( spr+4 ,& j z x gives aga9 ! age's consci\sness ( ! delici\s robe ( e>?1 s1 too1 x gives aga9 its s5se ( we>9ess & p[]lessness & oppression4 ,! n9ete5? c5tury _h be5 l\d ) bl>e & rumors & ! vibration ( colossal movem5ts1 & man _h app>5tly trav]s$ va/ di/ances & explor$ titanic heights & abysmal dep?s4 ,& yet1 = all ! gl>e1 ! e>? 0 d>k]4 ,! light 0 miasmic only4 ,! life ( man seem$ z ev] a brief & sad & simple ?+1 ! /ret*+ ( impot5t h&s1 unable to grasp & hold2 ! int]lac+ ( %ad[s2 ! unclos+1 a mom5t be=e nightfall1 ( exquisite & fragile blossoms4 ,! s5se ( ! infirmity ( life1 ! consci\sness t x _h no m ?an ! signification ( a dream ) pass+ lights1 or halt+ /eps 9 ! sn[1 or an old half-=gott5 /ory1 _h mix$ a deep wi/fulness & melan*oly into ! v glam\r ( ! globe1 & become heavi] itself = all ! sweetness ( e>?4 ,& ,debussy has fix$ ! two 9 _! confusion4 ,he has p]meat$ music completely ) 8 impressioni/ic s5sibility4 ,8 /yle is an image ( ?is our po9tilli/ically feel+ era4 ,) him impressionism a*ieves a p]fect musical =m4 ,/ructurally1 ! music ( ,debussy is a fabric ( exquisite & poignant mom5ts1 ea* full & complete 9 itself4 ,8 :oles exi/ entirely 9 _! p>ts1 9 _! atoms4 ,if 8 phrases1 rhy?ms1 lyric impulses1 d contribute to ! =mation ( a s+le ?+1 !y yet are extraord9>ily indep5d5t & significant 9 !mselves4 ,no *ord1 no !me1 is subord9ate4 ,ea* "o exi/s = ! sake ( its own beauty1 occupies ! univ]se = an in/ant1 !n m]ges & disappe>s4 ,! h>monies are n1 z 9 o!r compositions1 prep>ations4 ,!y are app>5tly an end 9 !mselves1 fl[ 9 space1 & !n *ange hue1 z a %imm]+ /uff *anges4 ,= all its gold5 e>?9ess1 ! /yle ( ,debussy is ! mo/ liquid & impalpable ( musical /yles4 ,x is =ev] glid+1 gleam+1 melt+2 cry/alliz+ = an in/ant 9 "s savory phrase1 !n mov+ quiv]+ly onw>d4 ,x is well-nigh edgeless4 ,x seems to fl[ ?r\gh our p]ceptions z wat] fl[s ?r\gh f+]s4 ,! iridesc5t bubbles t float ^u x bur/ if we b t\* !m4 ,x is =ev] sugge/+ wat]--f\nta9s & pools1 ! gli/5+ spray & heav+ bosom ( ! sea4 ,or1 x %ad[s =? ! =mless brea? ( ! breeze1 ( ! /orm1 ( p]fumes1 or ! play ( sun & moon4 ,8 or*e/ration inv>iably produces all t is cl\dy & diaphan\s 9 ea* in/rum5t4 ,he makes music ) flakes ( light1 ) bright motes ( pigm5t4 ,8 palette gl[s ) ! sweet1 limpid t9ts ( a ,monet or a ,piss>o or a ,r5oir4 ,8 or*e/ra sp>kles ) iridesc5t fires1 ) divid$ tones1 ) delicate violets & arg5ts & %ades ( rose4 ,! s\nd ( ! piano1 usually b ! r++ ( flat color$ /ones1 at 8 t\* becomes fluid1 velvety & d5se1 takes on ! prop]ties ( sat9s & liqueurs4 ,! p$al wa%es new t9t aft] new t9t ov] ! keybo>d4 ,reflets dans l'eau has ! quality ( %e5y blue sat91 ( cl\d pictures tumbl+ 9 glid+ wat]4 ,blue fades to gre5 & fades back aga9 to blue 9 ! middle section ( ,homage a ,rameau4 ,bright1 cold moonlight slips ?r\gh ,et la lune desc5d sur le temple que fut2 ruddy sp>ks glitt] 9 ,m\vem5t ) its ,petru*ka-l joy2 ! piano is liquid & lum9\s & aromatic 9 ,clo*es a trav]s les feuilles4 ,yet !re is no unc]ta9ty1 no mi/9ess 9 8 =m1 z !re is 9 t ( "s ( ! o!r impressioni/s4 ,8 music is classically firm1 classically precise & knit4 ,8 lyrical1 %imm]+ /ructures are p]fectly fa%ion$4 ,! l9e nev] hesitates1 nev] becomes lo/ nor involv$4 ,x proce$s directly1 cle>ly1 pass+ ?r\gh jewels & clots ( color1 & fus+ !m into ! mass4 ,! trajectory nev] breaks4 ,! music is always full ( its prop] weight & timbre4 ,x c be said q )\t exagg]ation t 8 be/ "w omits no?+1 neglects no?+1 t e compon5t elem5t is ju/ly treat$4 ,8 little pieces occupy a space z completely z ! mo/ massive & gr& ( compositions4 ,a composition l ,nuages1 ! fir/ ( ! ?ree nocturnes = or*e/ra1 :ile tak+ b five m9utes 9 p]=mance1 outweighs any numb] ( compositions t la/ an h\r4 ,l',apres-midi d'un faune is inspir$ & new1 m>vel\sly1 at e measure4 ,! ?ree little pieces t comprise ! fir/ set ( ,images = piano w probably outla/ half ( :at ,liszt has writt5 = ! in/rum5t4 ,pelleas w "s day be /udi$ = its miracul\s inv5tion1 its classical mod]ation & balance & tru?1 = its pure diction & economical or*e/ration1 q z ! scores ( ,gluck are /udi$ to-day4 ,= ,debussy is1 ( all ! arti/s :o h made music 9 our "t1 ! mo/ p]fect4 ,o!r musicians1 p]haps ev5 "s ( ! contempor>y1 may exhibit a great] h]oism1 a great] /ay+ p[] & indefatigability4 ,nev]!less1 9 8 sph]e he is e in* z p]fect a workman z ! greate/4 ,)9 8 limits he 0 z pure a craftsman z ! great ,john ,seba/ian 9 84 ,! diff]5ce betwe5 ! two is ! diff]5ce ( _! ages & races1 n ! diff]5ce ( _! arti/ry4 ,= few compos]s c mat* ) _! own ,debussy's p]fection ( ta/e1 8 f95ess ( s5sibility1 8 poetic rapture & pr(\nd aw>5ess ( beauty4 ,few h be5 m graci\sly r\nd$ & balanc$ ?an he1 h be51 l him1 s f9e t no?+ :i* !y c\ld d c\ld be ta/eless & insignificant & )\t grace4 ,few musicians h be5 m nicely s5sible ( _! gift1 bett] acqua9t$ ) !mselves1 sur] ( ! "* & limitations ( _! g5ius4 ,few h be5 z p]sev]antly ess5tial1 h manag$ to su/a9 _! emotion & inv5tion s /eadily at a height4 ,! music ( ,debussy is full ( pure/1 mo/ delicate poesy4 ,p]haps only ,ba* & ,m\ssorgsky h z inv>iably f\nd phrases z pi?y & inclusive & f9al z ^? ) :i* ,pelleas is /rewn1 phrases t ) a few simple notes epitomize pr(\nd & exquisite emotions1 & are inde$ ! ^w4 ,!re are mom5ts 9 ,debussy's "w :5 ea* note op5s a prospect4 ,!re are mom5ts :5 ! music ( ,pelleas1 ! f9e fluid l9e ( s\nd1 ! melodic mom5ts t m]ge & pass & vani% into "o ano!r1 become ! gleam+ rims t circumscribe va/ d>kl+ =ms4 ,!re are portions ( ! drama t are l ! mom5ts ( human int]c\rse :5 s+le syllables unseal deep res]voirs4 ,! t5d]ness manife/ "h is sc>cely to be duplicat$ 9 musical art4 ,& t5d]ness1 aft] all1 is ! mo/ int5se ( all emotions4 ,a ?\s& ye>s ( culture live 9 ?is f95ess4 ,9 ^! p]fect ge/ures1 9 ?is grace1 ?is c]ta9ty ( *oice1 ?is ju/ice ( values1 ?is simple1 pr(\nd1 delicate language1 !re live on ?irty g5]ations ( g5tlefolk4 ,?irty g5]ations ( cavali]s & dames :o develop$ ! arts ( life 9 ! mild & fruitful valleys ( ! pleasant l& ( ,france speak "h4 ,! g5tle sunlight & g5tle %ad[1 ! mild w9t]s & mild summ]s ( ! ,ile de ,france1 ! pl5tiful fruits ( ! e>?1 ! excitem5t ( ! v9e1 contribut$ to mak+ ?is be+ beautifully balanc$1 res]v$1 ref9$4 ,! in/ruction & cultivation ( ! classic & ,fr5* poets & ?9k]s1 ,virgil & ,rac9e & ,m>ivaux1 ,catullus & ,montaigne & ,*ateaubri&1 ! *amb]s ( ! ,hotel de ,ramb\illet1 ! g>d5s & gall]ies ( ,v]sailles1 ! imm5se draw+-room ( eighte5?-c5tury ,p>is1 help$ =m ?is _s4 ,9 all ?is man's music "o cat*es sight ( ! long =egr\nd1 ! long cycles ( prep>ation4 ,9 e "o ( 8 works1 f ! mo/ impos+ to ! lea/1 f ! ,/r+ ,qu>tet & ,pelleas to ! gracile1 lissome little waltz1 ,le plus que l5t1 !re is manife/ ! ,lat9 g5ius nurtur$ & mold$ & develop$ by ! f]tile1 tranquil soil ( ,france4 ,& 9 8 art1 ! gods ( classical antiquity live aga94 ,debussy is mu* m ?an m]ely ! s5su\s ,fr5*man4 ,he is ! man 9 :om ! old ,pagan voluptu\sness1 ! old untr\bl$ delight 9 ! body1 w>r$ aga9/ s long by ! black brood ( monks & trans=m$ by !m dur+ c5turies into demoniacal & helli% =ms1 is free & pure & sweet once m4 ,!y once 7 nymphs & naiads & goddesses1 ! ,qu>tet & ,l',apres-midi d'un faune & ,sir5es4 ,!y once w&]$ ?r\gh ! glades ( ,ionia & ,sicily1 & gladd5$ m5 ) _! gold5 s5suality1 & bewit*$ !m ) ! ?\ght ( ! brea/ ( ! nymph 9 ! brake4 ,= !y are full ( ! wond] & sweetness ( ! fle%1 ( fle% ta/$ delici\sly & enjoy$ n 9 clos$ rooms1 beh9d secret doors & "u ! %ameful pall ( ! night1 b out 9 ! w>m1 sunny op51 amid grasses & sc5ts & ! buzz+ ( insects1 ! wav+ ( bran*es1 ! w&]+ ( cl\ds4 ,! ,qu>tet is alive1 quiv]+ ) light1 & ) joy\s animality4 ,x moves l a "y fawn2 sp9s ! gaye/1 mo/ silk51 mo/ gold5 ( spid] webs2 fills "o ) ! delights ( ta/e & smell & sight & t\*4 ,9 ! mo/ glimm]+1 float+ ( poems1 ,l',apres-midi d'un faune1 !re is caught magically by ! climb+1 *romatic flute1 ! dr[sy pizzicati ( ! /r+s1 & ! languor\s sigh+ ( ! horns1 ! atmosph]e ( ! daydream1 ! sleepy w>m? ( ! sun%ot h]bage1 ! div9e app>ition1 ! :ite wond] ( arms & brea/s & ?ighs4 ,! ,l5to movem5t ( ,ib]ia is l "s dr[sy1 di%evel$ gipsy4 ,ev5 ,la plus que l5t is full ( ! goodness ( ! fle%1 is l "s sl5d] "y girl ) unclos+ bosom4 ,& 9 ,sir5es1 some?+ l ! et]nal div9ity1 ! et]nal beauty ( woman's body1 is celebrat$4 ,x is z ?\gh on ! ris+1 fall+1 ris+1 s9k+ tides ( ! poem1 on ! waves ( ! glamor\s fem99e voices1 on ! aphrodisiac swell ( ! sea1 ! :ite ,anadyom5e h]self1 ) h] galaxy ( tritons & naiads1 approa*$ e>?'s %ores once m4 ,if any musical task is to be consid]$ z hav+ be5 accompli%$1 x is t ( ,debussy4 ,= he wrote ! "o book t e great arti/ writes4 ,he e/abli%$ a /yle irrefragably1 made musical impressionism z legitimate a ?+ z any ( ! great /yles4 ,t he _h m to make ?an t "o contribution is d\btful4 ,8 art und]w5t no radical *anges4 ,8 /yle 0 mature already 9 ! ,qu>tet & 9 ,proses lyriques1 & _h its climax 9 ,pelleas1 its or*e/ral deploym5t 9 ,nocturnes & ,la ,m] & ,ib]ia1 its piani/ic expression 9 ! two volumes ( ,images = pian(orte4 ,:atev] ! ref9em5t ( ! incid5tal music to ,le ,m>tyre de ,sa9t-,seba/i51 ,debussy nev] really transgress$ ! limits set = him by 8 fir/ great works4 ,& s1 ev5 if 8 long illness caus$ ! det]ioration1 ! h>d5+1 ! =mul>ization1 s evid5t 9 8 mo/ rec5t "w1 ! sonatas1 ! ,epigrammes1 ,en blanc et noir1 & ! ,b]ceuse h]oique1 & depriv$ u ( mu* delightful art1 nei!r x nor 8 dea? actually robb$ u ( "s radical developm5t :i* we might reasonably h expect$4 ,! *ief t he _h to give he _h giv54 ,:at 8 age _h dem&$ ( him1 an art t x might hold f> f ! gl>e & tumult1 an art into :i* x c\ld retreat1 an art :i* c\ld comp5sate x = a life become too cruel & dem&+1 he _h produc$4 ,he _h ess5tially fulfill$ himself4 ,! fact t ,pelleas is ! mo/ eloqu5t ( all ,debussy's works & 8 et]nal sign does n1 !n1 signify t he did n gr[ dur+ ! rema9d] ( 8 life4 ,a complex ( det]m9ants made ( 8 music-drama ! fulle/ expression ( 8 g5ius1 decre$ t he %\ld be liv+ mo/ completely at ! mom5t he compos$ x4 ,! v fact t 9 x ,debussy 0 compos+ music = ! !at] made x c]ta9 t 8 arti/ic s5se w\ld produce itself at its mightie/ 9 ! "w4 ,= x entail$ ! /atem5t ( 8 opposition to ,wagn]4 ,! fact t x 0 music conjo9$ ) spee* made x c]ta9 t ,debussy1 s full ( ! ,fr5* classical g5ius1 w\ld ?r\gh contact ) ! spok5 ^w1 ?r\gh /udy ( its ess5tial quality1 be aid$ & compell$ to a complete realization ( a fundam5tally ,fr5* idiom4 ,& !n ,maet]l9ck's little play (f]$ itself to 8 g5ius z a unique auxili>y4 ,x1 too1 is full ( ! s5se ( ! %ad[9ess ( ?+s t weigh$ ^u ,debussy1 has n a little ( ! acc5t ( ! "t4 ,?is vieille et tri/e leg5de de la =et is alive ) images1 su* z ! old & somb] ca/le inhabit$ by ag+ p & ly+ lo/ amid sunless =e/s1 ! rose t blooms 9 ! %ad[ und]nea? ,melis&e's casem5t1 ,melis&e's hair t falls f>!r ?an h] arms c rea*1 ! black t>n t broods b5ea? ! ca/le-vaults & brea!s dea?1 ,golaud's angui%$ se>* = tru? 9 ! prattle ( ! *ild1 t c\ld n b call a pr(\nd response f ,debussy's imag9ation4 ,b1 above all1 x 0 ! figure ( ,melis&e h]self t made him p\r himself completely into ! sett+ ( ! play4 ,= t figure p]mitt$ ,debussy to give himself completely 9 ! creation ( 8 ideal image4 ,! music is all ,melis&e1 all ,debussy's love-woman4 ,x is %e t ! music reveals f ! mom5t ,melis&e rises f among ! rocks %r\d$ 9 ! my/]y ( h] gold5 hair4 ,x is %e ! music limns f ! v beg9n+ ( ! "w4 ,! entire score is b :at a man might feel t[>d a woman t 0 81 & yet1 l all wom51 /range & my/]i\s & unkn[n to him4 ,! music is l ! /ripp+ ( "s p]fect fl[]1 petal ^u petal4 ,!re are mom5ts :5 x is all t lies betwe5 two p1 & is ! fullness ( _! k4 ,x is ! p]fect sign ( an exp]i5ce4 ,& s1 s9ce ,debussy's art c\ld h no second climax1 x 0 9 ! ord] ( ?+s t ! works succe$+ ^u 8 ma/]piece %\ld be relatively less important4 ,nev]!less1 ! ensu+ poems & songs & piano-pieces1 ) ! exception ( ^? writt5 dur+ ^? ye>s :5 ,debussy c\ld h said ) ,rameau1 8 ma/]1 ,f day to day my ta/e improves4 ,b ,i h lo/ all my g5ius1 are by little less p]fect & a/\nd+ pieces ( "w4 ,8 music is l ! peaks ( a m\nta9 range1 ( :i* "o ( ! fir/ & ne>e/ is ! highe/1 :ile ! o!rs appe> sc>cely less high4 ,& !y are "s ( ! blue/1 ! lovelie/1 ! mo/ %9+ t /ret* ?r\gh ! region ( mod]n music4 ,x w be long be=e humank9d has exhau/$ _! beauty4 ,ravel ,ravel & ,debussy are ( "o l9eage4 ,!y bo? issue f :at is deeply1 graci\sly temp]ate 9 ! g5ius ( ,france4 ,across ! span ( c5turies1 !y t\* h&s ) ! m5 :o fir/ express$ t silv] temp]ance 9 tone1 ) ,claude ,le ,jeune1 ) ,rameau & ,c\p]9 & ! o!r clavec9i/s4 ,undiv]t$ by ! *anges ( revolution>y times1 !y cont9ue1 9 =ms condition$ by ! mod]n feel+ = color1 = tonal complexity1 = supple & undulant rhy?m1 ! high tradition ( ! eld] music4 ,claude ,le ,jeune wrote motets2 ! eighte5?-c5tury ma/]s wrote gavottes & rigadoons1 =lanas & *aconnes1 express$ !mselves 9 c\rtly dances & o!r set & sev]e =ms4 ,ravel & ,debussy compose 9 m lib]al & naturali/ic fa%ion4 ,& yet1 ! g5ius t animates all ?is music is s+le4 ,x is z ?\gh all ^! arti/s1 born s _m hundr$ ye>s ap>t f ea* o!r1 _h contemplat$ ! pageant ( _! respective times f ! same po9t ( view4 ,x is z ?\gh !y fac$ ! problems ( composition ) ess5tially ! same attitudes1 ) ! same dem&s & res]vations4 ,! new music1 l ! old1 is ! "w ( m5 above all rev]5t ( ! art ( life itself4 ,x is ! "w ( m5 ( ! sort :o crave prim>ily 9 all conduct re/ra9t1 & :o insi/ on poise & good s5se4 ,!y reg>d all ?+s humanly1 & br+ _! reg>d = ! social values to ! mak+ ( _! art4 ,inde$1 ! reaction ( ,debussy f ,wagn]ism 0 *iefly ! reaction ( a pr(\ndly socializ$ & ari/ocratic s5sibility outrag$ by ov]-emphasis & unre/ra9t4 ,! m5 ( :om he is typical ?r\gh\t ! ages nev] =get ! _w & its dec5cies & its dem&s4 ,& yet !y d n es*ew ! l>ge1 ! grave1 ! poignant4 ,! range ( human passions is pres5t 9 _! music1 too1 ev5 ?\gh _m ( !m h n _h gigantic p[]s1 or ent]ta9$ emotions z gr& & int5se z ! _w-consum+1 _w-annihilat+ my/icism ( a ,ba*1 = in/ance4 ,b x is %ad[$ =? m ?an /at$4 ,if _m ( !m h be5 deeply melan*oly1 !y h nev]!less tak5 c\nsel ) !mselves1 & h said1 ) ,baudelaire3 ,sois sage1 o ma d\leur1 et ti5s-toi plus tranquille4 ,all expression is made 9 l[1 ari/ocratic tone1 9 grisaille4 ,mo/ (t5 x a*ieves itself ?r\gh a silv]y grace4 ,x is normal = ^! m5 to be pr(\nd ?r\gh grace1 to be amus+ & yet arti/ically upright4 ,x is normal = !m to articulate nicely4 ,high 9 _! consci\sness !re flame always ! comm&m5ts ( cl>ity1 ( delicacy1 ( precision4 ,inde$1 s repeat$ly h temp]am5ts ( ?is "* appe>$ 9 ,france1 n only 9 h] music1 b also 9 h] lett]s & o!r arts1 f ! "t ( ! ,pleiade1 to t ( ,*>les ,l\is ,philippe & ,&re ,gide & ,h5ri de ,regni]1 t x is difficult n to hold !irs ! c5trally1 ess5tially ,fr5* tradition1 & n to see 9 m5 l ,rabelais only ! ,frank1 & 9 m5 l ,b]lioz only ! atavism to ,gallo-,roman times4 ,b x is n only ! _s ( ,fr5* classicism t ,ravel & ,debussy inh]it4 ,9 "o respect _! art is ! cont9uation ( ! music t came to a climax 9 ! works ( ,haydn & ,moz>t4 ,x is subtle & intimate1 & re/ores to ! auditor ! great creative role assign$ to him by s mu* ( ! music be=e ,bee?ov54 ,! music ( ,haydn & ,moz>t def]s to its he>]4 ,x seeks delib]ately to enli/ 8 activity4 ,x relies = its significance l>gely ^u 8 contribution4 ,! music itself c>ries only a portion ( ! compos]'s int5tion4 ,x c>ries only en\gh to ignite & set function+ ! auditor's imag9ation4 ,to t p]son is res]v$ ! pleasure ( fa?om+ ! int5tion1 ( complet+ ! idea adumbrat$ by ! compos]4 ,= ,haydn & ,moz>t did n desire t ! li/5] assume a completely passive attitude4 ,!y _h too great a love & respect ( _! fell[s4 ,!y 7 eag] to secure _! collaboration1 _h confid5ce t !y c\ld compreh5d all t ! music intimat$1 reg>d$ !m z equals 9 ! bus9ess ( creation4 ,b ! music writt5 s9ce _! "t has =c$ ^u ! he>] a m & m passive role4 ,! compos]s arrogat$ to !mselves1 to v>y+ ext5ts1 ! great] "p ( ! activity2 insi/$ ^u giv+ all1 ( do+ ! l>g] %>e ( ! labor4 ,! old intimacy 0 lo/2 ) ,wagn] ! intellectual game ( ! leit-motif sy/em 0 sub/itut$ = ! creative ex]cise4 ,! art ( ,ravel & ,debussy returns to ! e>li] /rategy4 ,x makes ! l>ge/ ef=t to excite ! creative imag9ation1 t =ce :i* ,william ,blake id5tifi$ ) ! ,savi\r ,himself4 ,x /rives cont9ually to lure x into ! mo/ en]getic p>ticipation4 ,& because ,ravel & ,debussy h ?is incitem5t /eadily 9 view1 _! music is a music ( few /rokes1 comp>able inde$ to ! pictural art ( ,japan :i* x s (t5 recalls4 ,x is ! music ( sugge/ion1 ( sudd5 k9dl+s1 brief />ts & l9es1 small =ms4 ,x nev] insi/s4 ,x only pricks4 ,x in/igates1 beg9s1 leaves (f1 & !n cont9ues1 r\s+ to action ! he>]'s innate ne$ ( an aim & an ord] & mean+ 9 ?+s4 ,its subtle ge/ures1 its brief1 %>p1 delicate phrases1 its qu9tess5tiality1 are l ! ?ru/+ op5 ( doors into ! int]iors ( ! consci5ce1 ! op5+ ( w9d[s on long vi/as1 are l ! break+ ( light ^u obscur$ memories & buri$ emotions4 ,!y are l ! unseal+ ( spr+s long seal$1 suff]+ !m to fl[ aga9 9 ! night4 ,& = a gl[+ in/ant1 !y trans=m ! auditor f a passive receiv] into an arti/4 ,& !re is mu* besides t ,ravel & ,debussy h 9 common4 ,!y h ea* be5 pr(\ndly influ5c$ by ,russian music1 ,daphnis et ,*loe %[+ ! influ5ce ( ,borod91 ,pelleas et ,melis&e t ( ,m\ssorgsky4 ,bo? h made wide discov]ies 9 ! field ( h>mony4 ,bo? h felt ! p[] ( outly+ & exotic modes4 ,bo? h be5 pr(\ndly impress$ by ! arti/ic curr5ts ( ! ,p>is ab\t !m4 ,bo?1 l s _m o!r ,fr5* musicians1 h be5 k9dl$ by ! bright colors ( ,spa91 ,ravel 9 8 or*e/ral ,rhapsody1 9 8 "o-act op]a ,l',heure espagnol & 9 ! piano-piece 9 ! collection ,miroirs entitl$ ,alborada del ,graciozo1 ,debussy 9 ,ib]ia & 9 "s ( 8 preludes4 ,inde$1 a p>allelism exi/s ?r\gh\t _! respective works4 ,debussy writes ,homage a ,rameau2 ,ravel ,le ,tombeau de ,c\p]94 ,debussy writes ,le ,m>tyre de ,sa9t-,seba/i52 ,ravel projects an oratorio1 ,sa9t-,francois d',assise4 ,ravel writes ! ,ond9e ( ! collection entitl$ ,gasp>d de la nuit2 ,debussy foll[s x ) ! ,ond9e ( 8 second volume ( preludes4 ,bo?1 dur+ ! same ye>1 conceive & execute ! idea ( sett+ to music ! lyrics ( ,mall>me entitl$ ,s\pir & ,placet futile4 ,nev]!less1 ?is fact con/itutes ,ravel 9 no wise ! imitator ( ,debussy4 ,8 "w is by no means1 z "s ( our critics h made ha/e to insi/1 a c\nt]feit ( 8 eld]'s4 ,did ! music ( ,ravel n demon/rate t he possesses a s5sibility q di/9ct f ,debussy's1 9 "s respects less f9e1 delici\s1 luc5t1 9 o!rs p]haps ev5 m deeply engag+2 did x n repres5t a di/9ct developm5t f ,debussy's art 9 a direction q its own1 "o might ) ju/ice speak ( a disciple%ip4 ,b 9 ! light ( ,ravel's actual accompli%m5t1 ( 8 l>ge & orig9al & attractive gift1 ( ! magi/ral craftsman%ip t has %[n itself 9 s _m musical =ms1 f ! song & ! sonat9e to ! /r+-qu>tet & ! or*e/ral poem1 ( ! tal5t t has reveal$ itself increas+ly f ye> to ye>1 & t n ev5 ! w> & ! exp]i5ce ( ! tr5*es has driv5 und]gr\nd1 ! p>allelism is to be reg>d$ z necessitat$ by ! spiritual k9%ip ( ! m51 & by _! contemporaneity4 ,&1 c]ta9ly1 no?+ s mu* reveals ,ravel ! pe] ( ,debussy z ! fact t he has succe$$ s beautifully 9 manife/+ :at is peculi> to him4 ,= he is by t5 ye>s ,debussy's junior1 & 7 he less positive an individuality1 less orig9al a temp]am5t1 less fully ! g5ius1 he c\ld nev] h realiz$ himself4 ,!re w\ld h desc5d$ ^u him ! blight t has fall5 ^u s _m ( ! y\ng] ,p>isian compos]s less det]m9ate ?an he & l himself made ( "o /uff ) ,debussy4 ,he1 too1 w\ld h p]mitt$ ! art ( ! old] & well-e/abli%$ man to impose ^u him4 ,he1 too1 w\ld h betray$ 8 own cause 9 attempt+ to model himself ^u ! o!r man4 ,b ,debussy has n sw]v$ nor hamp]$ ,ravel any m ?an has 8 ma/]1 ,gabriel ,faure4 ,he is too /urdily set 9 8 own direction4 ,f ! v comm5cem5t ( 8 c>e]1 f ! "t :5 he wrote ! s(t & hesitat+ & nev]!less already v p]sonal ,pavane p\r une ,infante defunte1 he has ma9ta9$ himself pr\dly aga9/ 8 great collat]al1 j z he has ma9ta9$ himself aga9/ :at is false & epic5e 9 ! arti/ic example ( ,faure4 ,)9 _! common limits1 he has realiz$ himself z ess5tially z ,debussy has done4 ,_! music is ! new & d\ble blossom+ ( ! classical ,fr5* tradition4 ,f ! common gr\nd1 !y /ret* out ea* 9 a diff]5t direction1 & =m ! great] contra/ to ea* o!r because ( all !y h 9 common4 ,! intellig5ce t fa%ion$ ! music ( ,debussy 0 "o completely aw>e1 consci\s ( itself1 flood$ ) light 9 its mo/ secret places1 set f\r-squ>e 9 ! :irl+ univ]se4 ,few arti/s h be5 z sure ( _! int5tion z ,debussy always 04 ,! man c\ld fix ) precision ! mo/ elusive emotions1 c\ld describe ! s5sations t fl[ on ! bord]l& ( consci\sness1 vaguely1 & t mo/ ( u _c grasp = v dizz9ess4 ,he c\ld write music z impalpable z t ( ! middle section ( ,ib]ia1 9 :i* ! v sil5ce ( ! night1 ! c>esses ( ! breeze1 seem to h tak5 musical fle%4 ,be=e ! body ( 8 "w1 s cle> & lucid 9 its def9ition1 s p]fect 9 its organization1 "o ?9ks p]=ce ( a _w creat$ out ( ! fly+ *aos b5ea? him by a god4 ,we are giv5 to "k precisely ( :at /uff ! s\l ( ,debussy 0 made1 :at its pilgrimages 71 9 :at adv5ture x s\ght itself out4 ,we "k precisely :]e9 x saw reflect$ its visage1 9 wat] /ill$ at ev51 9 ! angry gleam ( sunset on wet leaves1 9 wild & headlong gipsy rhy?ms1 9 moonfire1 %imm]+ /uffs & fla%+ spray1 9 ! g>i% lights & odors ( ! ,p59sula1 9 ra9 fall5 ^u fl[]+ p>t]res1 9 ! melan*oly m>* ( cl\ds1 ! gold5 pomp & ritual ( ! *ur*1 ! pools & g>d5s & pavilions re>$ = its delight by ! delicate ,*9ese s\l1 9 e>?'s ?\s& sc5ts & %ells & colors4 ,= ,debussy has set ^! adv5tures be=e u 9 _! fullness4 ,be=e he spoke1 he _h dwelt ) 8 exp]i5ces till he _h plumb$ !m fully1 till he _h se5 into & ar\nd & beh9d !m cle>ly4 ,& s we p]ceive !m 9 _! ess5ces1 9 _! et]nal aspects4 ,! designs are ! v curve ( ! ec/asy4 ,!y are %e]ly delimit$4 ,! notes appe> to bud "o out ( ! o!r1 to foll[ ea* o!r out ( ! %e]e/ necessity1 to h an orig9al timbre1 to fix a matt] nev] kn[n be=e1 t c nev] live aga94 ,e mom5t 9 a repres5tative composition ( ,debussy's is logical & yet new4 ,few arti/s h m faultlessly said :at !y set out to say4 ,ravel is by no means z p]fect an arti/4 ,he has n ! cle> self-consci\sness1 ! p]fect recognition ( limits4 ,8 music has n ! absolute complet5ess ( ,debussy's4 ,x is n t he is n a m>vel\s craftsman1 greatly at ease 9 8 m$ium4 ,x is t ,ravel d>es1 & d>es cont9ually2 seeks passionately to br+ 8 entire body into play2 aspires to pl5itude ( utt]ance1 to %e]ness & rigidity ( =m4 ,ravel always goes directly ?r\gh ! c5t]4 ,b comp>e 8 ,rapsodie espagnol ) ,debussy's ,ib]ia to p]ceive h[ direct he is4 ,debussy gives ! circumambi5t atmosph]e1 ,ravel ! inn] =m4 ,betwe5 him & ,debussy !re is ! diff]5ce betwe5 ! apollonian & ! dionysiac1 betwe5 ! smoo?1 level1 conta9$1 p]fect1 & ! d>k]1 m turbul5t1 passionate1 & in/9ctive4 ,= ,ravel has be5 v\*saf$ a high grace4 ,he has be5 p]mitt$ to rema91 9 all 8 manhood1 ! *ild t once we all 74 ,9 him ! p[]ful & spontane\s fl[ ( emotion f out ! dep?s ( be+ has nev] be5 damm$4 ,he c /ill speak f ! fullness ( 8 he>t1 cry 8 sorr[s pi]c+ly1 produce himself completely4 ,graci\s & urbane z 8 music is1 prop] to ! _w ( mod]n ?+s & mod]n adv5tures & mod]n p1 !re is /ill a gray1 pi]c+ lyrical note 9 x t is almo/ primitive1 & reflects ! *ildlike s+l5ess & int5sity ( ! animat+ _s4 ,! man :o %ap$ n only ! delib]ately infant9e ,ma ,m]e l',oye1 b also ?+s z quiv]+ly simple & expressive & songful z ,oiseaux tri/es1 z ,sa9te1 z ,le ,gibet1 or ! ,sonat9e1 z ! passacaglia ( ! ,trio or ! vocal int]lude 9 ,daphnis et ,*loe1 has a pur5ess ( feel+ t we h lo/4 ,& x is ?is cry+1 passionate tone1 ?is directness ( expression1 ?is l>g5ess ( ef=t1 ev5 9 t9y =ms & limit$ scope1 t1 m ?an 8 polyphonic /yle or any o!r ( ! easily recognizable e>m>ks ( 8 art1 di/+ui%es 8 "w f ,debussy's4 ,! o!r man has a great] s5su\sness1 complet5ess1 inv5tiv5ess p]haps4 ,b ,ravel is full ( a lyricism1 a pi]c+ness1 a passionat5ess1 t mu* ( ! music ( ,debussy successive to ,pelleas wants4 ,we und]/& ,ravel's music1 9 ! fam\s phrase ( ,bee?ov51 z spee* vom ,h]z--zu ,h]z54 ,& we turn to x gratefully1 z we turn to all art full ( ! s5se ( te>s 9 mortal ?+s1 & into :i* ! pulse ( human life has pass$ directly4 ,= !re are times :5 he is close to ! b\rne ( life1 :5 8 art is imm$iately ! orifice ( ! d>k1 fl[]+1 g]m9at+ region :]e lie lodg$ ! dynamics ( ! human s\l4 ,!re are times :5 x taps va/y regions4 ,!re are times :5 ,ravel has b to t\* a note1 & we unclose2 :5 he has b to let an in/rum5t s+ a c]ta9 phrase1 & ?+s :i* lie buri$ deep 9 ! he>t rise out ( ! d>k1 l ! nymph 9 8 piano-poem1 dripp+ ) />s4 ,! music ( ,daphnis1 f ! v mom5t ( ! introduction ) its s(tly unfold+ *ords1 its f>1 glamor\s fanf>es1 its human ?roats swoll5 ) songs1 seems to ?ru/ op5 doors into ! unplumb$ cav]ns ( ! s\l1 & summon =? ! /uff to %ape ! dream4 ,little song writt5 s9ce ,web] set 8 horns a-brea?+1 or ,brahms transmut$ ! wit*]y ( ! ,g]man =e/ into tone1 is m romantic4 ,ov] x might be set ! invocation ( ,he9e3 ,/eiget auf1 ihr alt5 ,traueme6 ,oeffne di*1 dur ,h]z5/or6 ,l ! passage t u%]s 9 ! la/ m>vel\s sc5e ( 8 great ballet1 x seems to wak5 u f ! unreal _w to ! real1 & %[ u ! face ( ! e>?1 & ! ov]>*+ blue once m4 ,& ,ravel is at once m traditional & m progressive a compos] ?an ,debussy4 ,"o feels ! pa/ mo/ /rongly 9 him4 ,debussy1 ) 8 ?or\ghly impressioni/ic /yle1 is m ! "t4 ,no d\bt !re is a c]ta9 almo/ ,hebraic melan*oly & %>p lyricism 9 ,ravel's music :i* gives "s color to ! rumor t he is ,jewi%4 ,& yet1 = all t1 "o feels ,rameau become mod]n 9 8 sob]1 gray1 da9ty /ructures1 9 ! dryness ( 8 black4 ,9 ,le ,tombeau de ,c\p]91 ,ravel is ! old clavec9i/ become contempor>y ( ,scriab9e & ,/raw9sky1 ! old clavec9i/ :o _h se5 ! projectiles fall at ,v]dun & lo/ a doz5 fri5ds 9 ! tr5*es4 ,he f9ds x easy1 z 9 "s ( 8 rec5t songs1 to a*ieve ! folktone4 ,if x is true t he is a ,jew1 !n 8 traditionalism is b "o m brilliant in/ance ( ! p[] ( ,france to adopt ! *ildr5 ( ali5 races & make !m m int5sely h] own ?an "s ( h] prop] (fspr+4 ,9 no o!r in/ance1 h[ev]1 n 9 t ( ,lully nor 9 t ( ,franck1 has ! transfusion ( blood be5 s successful4 ,ravel is 9 no wise trea*]\s to himself4 ,!re mu/ be some?+ 9 ! "* ( ! ,fr5* nation t makes ( e ,jew1 if n a son1 yet ! happie/ & mo/ fai?ful ( /ep*ildr54 ,& z "o feels ! pa/ m /rongly 9 ,ravel1 s1 too1 "o f9ds him 9 c]ta9 respects ev5 m revolution>y ?an ,debussy4 ,= :ile ! p[] ( ! latt] flagg$ 9 ! mak+ ( /rangely ,mac,dowellesque preludes1 or 9 ! composition ( su* gho/s z ,gigues & ,jeux & ,k>ma1 ,ravel has cont9u$ increas+ly 9 p[]1 has develop$ 8 art until he has come to be "o ( ! lead]s ( ! musical evolution4 ,if !re is a s+le mod]n composition :i* c be comp>$ to ,petru*ka = its picture ( mass-movem5t1 its pung5t naturalism1 x is ! ,f]ia ( ! ,rapsodie espagnol4 ,if !re is a s+le mod]n or*e/ral "w t c be comp>$ to ei!r ( ! two great ballets ( ,/raw9sky = rhy?mical vitality1 x is ,daphnis et ,*loe1 ) its flam+ dionysiac pulses1 its pipes & timbrels1 its wild ec/asy4 ,! same delicate clockwork me*anism *>act]izes ,l',heure espagnol1 8 op]a b\ffe1 t *>act]izes ,petru*ka & ,le ,rossignol4 ,a piano-poem l ,sc>bo r\ses ! full might ( ! piano1 & seems to bridge ! way to ! music ( ,leo ,orn/e9 & ! age ( /eel4 ,& ,ravel has "s ( ! squ>5ess1 ! %e]ness & rigidity = :i* ! ultra-mod]n are /riv+4 ,! liquesc5ce ( ,debussy has giv5 away aga9 to some?+ m metallic1 m solid & unfl[+4 ,!re is a sort ( new /iffness 9 ?is music4 ,& 9 ! field ( h>mony ,ravel is /eadily build+ ^u ,debussy4 ,8 *ords gr[ %>p] & m bit+2 9 ,le ,tombeau de ,c\p]9 & ! m9uet on ! "n ( ,haydn !re is a h>monic d>+ & subtlety & ev5 bitt]ness t is beyond any?+ atta9$ by ,debussy1 plac+ ! compos] ) ! ,/raw9skys & ! ,s*o5b]gs & ! ,orn/e9s & all ! o!r b>b>ians4 ,& !n 8 ironic humor1 z well1 di/+ui%es him f ,debussy4 ,! humor ( ! latt] 01 aft] all1 light & :imsical4 ,t ( ,ravel1 on ! o!r h&1 is extremely bitt]4 ,no d\bt1 ! icy ,ravel1 ! arti/ a qui l'abs5ce de s5sibilite fait encore une p]sonalite1 z "o ( ! quirites t]m$ him1 nev] exi/$ save 9 ! m9ds ( ^? unable to compreh5d 8 retic5ce & delicacy & ess5tiality4 ,nev]!less1 besides 8 lyrical1 dreamy1 romantic temp]1 he has a v uns5tim5tal ve91 occurr+ no d\bt1 z 9 ,he9e1 z a sort ( corrective1 a sort ( comp5sation1 = ! p]vad+ s5sibl5ess4 ,& s we f9d ! t5d] poet ( ! ,sonat9e & ! /r+-qu>tet & ,miroirs writ+ ! witty & mordant music ( ,l',heure espagnol2 sett+ ! bitt] little ,hi/oires naturelles ( ,jules ,r5>d = *ant1 writ+ 9 ,valses nobles et s5tim5tales a slightly ironical & disillusion$ if smil+ & graceful & delicate comm5t>y to ! season ( love1 project+ a music-drama on ! subject ( ,don ,quixote4 ,ov] 8 waltzes ,ravel malici\sly sets a quotation f ,h5ri de ,regni]3 ,le plaisir delicieux et t\j\rs n\veau d'une occupation inutile4 ,) ,casella1 he writes a musical ,a la mani]e de1 p>ody+ ,wagn]1 d',indy1 ,*abri]1 ,/rauss & o!rs mo/ wittily4 ,some?+ ( ,eric ,satie1 ! cl[n ( music1 exi/s 9 him1 too4 ,& probably no?+ makes him s inexplicable & irritat+ to 8 audi5ces z 8 ironic /reak4 ,p are will+ to =give an arti/ all1 save only irony4 ,:at ! future holds = ,maurice ,ravel is kn[n only to ! ?ree norns4 ,b1 unless "s un=ese5 accid5t occur & int]rupt 8 c>e]1 x c only hold ! mo/ brilliant rew>ds4 ,! man seems surely b\nd = spl5did %ores4 ,he is only 9 ! =ty-fif? ye> ( 8 life1 & ?\gh 8 g5ius 0 already fre% & subtle 9 ! ,qu>tet1 writt5 z e>ly z #aijc1 x has gr[n beautifully 9 p[] dur+ ! la/ two decades4 ,! cont9u$ exploration ( musical means has giv5 8 p]sonality increas+ly free play1 & has unb\nd him4 ,! ge/ure ( ! h& has gr[n swift] & m comm&+4 ,! in/rum5ts h become m ob$i5t4 ,he has matur$1 become virile & ev5 magi/ral4 ,! w> has n s(t5$ him4 ,he speaks z intimately z ev] 9 ,le ,tombeau de ,c\p]94 ,already "o c see 9 him "o ( ! mo/ delightful & orig9al musical g5iuses t h be5 n\ri%$ by ! teem+ soil ( ,france4 ,x is possible t ! future w ref] to him 9 ev5 m en?usia/ic tone4 ,borod9 ,borod9's music is a read+ ( ,russia's de/9y 9 ! book ( h] pa/4 ,i live1 ! compos] ( ,pr9ce ,igor wrote to a fri5d "o summ]1 on a /eep & l(ty m\nta9 ^: base is wa%$ by ! ,volga4 ,& = ?irty v]/s ,i c foll[ ! w9d+s ( ! riv] ?r\gh ! blue ( ! immeasurable di/ance4 ,& 8 music1 at lea/ ^? ri* fragm5ts t are 8 music1 make u feel z ?\gh t summ] soj\rn _h be5 symbolic ( 8 c>e]1 z ?\gh 9 _s he _h ev] liv$ 9 "s high1 vision>y place ov]look+ ! sweep ( c5turies 9 :i* ,russia _h wax$ f infancy to maturity4 ,x is z ?\gh ! *im+ ( ! bells ( innum]able ,russian villages1 villages liv+ & villages dead & und]gr\nd a ?\s& ye>s1 _h m\nt$ incessantly to 8 e>s1 tell+ him ( ! progress ( a ?+ r\nd :i* sixty g5]ations _h ris5 & fall5 l foam4 ,x is z ?\gh he _h foll[$ ! ,volga1 fl[+ ea/w>d1 n alone = ?irty1 b = ?irty hundr$ v]/s ?r\gh pla9s rev]b]ant ) ! age-long combat & cla%+1 ! ble$+ & fus+ ( ,slav & ,t>t>2 _h foll[$ x until x rea*$ ! zone :]e ,asia1 ) h] c>avans & plagues & %rill ,mongolian fifes1 comes out ( endless wa/es4 ,& x is z ?\gh1 pi]c+ fur!r into ! bosom ( ! et]nal "m1 ,asia1 8 eye _h re/$ f9ally ^u a s+le spot1 a s+le nucleus2 t x _h wat*$ t nucleus increase into a tribe2 _h wat*$ t tribe comm5ce its we/w>d m>*1 w&]+1 spawn+1 pu%+ ev] we/w>d1 battl+ & grop+1 advanc+ sl[ly1 pati5tly1 /eadily into p[] & manhood1 until x _h come into possession ( ! wilde/ & faire/ l& ( ea/]n ,europe1 until x _h jo9$ ) o!r /ocks & swell$ into a va/ nation1 a gigantic empire2 & t !n1 9 t mom5t ( fulfilm5t1 ,borod9 _h turn$ 9 prophetic ec/asy ^u mod]n ,russia & bade x r+ its bells & s\nd its *ants1 bade x pu% onw>d ) its old fai? & vigor1 s9ce ! ,slavonic gr&eur & glory 7 assur$4 ,= ?r\gh ! savage trumpet-bla/s & rude & lumb]+ rhy?ms1 ?r\gh ! cymbal-cra%+ ,mongol m>*es & w>m1 unc\? peasant *ants t are 8 music1 !re surges t vision1 t s5se ( imman5t glory1 t =tify+ assev]ation4 ,x rises to u = ! reason t al?\gh 8 music is an evocation ( pa/ times1 a conjur+ up ( ! buri$ ,muscovy1 x is a glad & exub]ant "o4 ,x has ! tone nei!r ( ^? visions ( dep>t$ days inspir$ by ye>n+s = gre5]1 happi] ages1 nor ( ^? out ( :i* !re speaks1 z !re speaks out ( ! ,salammbo ( ,flaub]t1 = in/ance1 a horror ( man's ev]la/+ fil? & f]ocity4 ,a fre% & joy\s & inspirit+ w9d bl[s f ^! pages4 ,! music ( ,pr9ce ,igor1 ) its epical movem5t & c\nt]-movem5t1 its %\t+1 w&]+1 savage hordes1 its br&i%$ spe>s & fla%+ ,slavic helms1 its m>vel\s p>ade ( w>rior pride & woman's fle%1 its evocation ( ! times ( ! ,t>t> inundations1 is full ( a rude1 *ivalric lu/9ess1 a great b>b>ic ze/ & appetite1 a *ildlike laught]4 ,! ,b-m9or symphony makes u feel z ?\gh ! v pagan joy & vigor t _h once in=m$ ! assemblies & j\/s & fea/+ ( ! boy>try ( m$ieval ,russia1 & made ! guzli & bamboo flute to s\nd1 _h wak$ aga9 9 ,borod92 & 9 ?is magnific5t & lumb]+ music1 ^! crude & massive =ms1 lift$ its wassail & its gold & song once m4 ,= ! compos] ( su* works1 su* evocations1 x is pat5t t ! pa/ 0 ! wond]ful w>rant ( a wond]ful future4 ,= ?is man1 inde$1 ! reliques1 ! trapp+s1 ! m9>et-cr[n$ monum5ts1 ! b>b>ic *ants & gold ornam5ts1 all ! ?\s& ri* ?+s t recall$ ,muscovy & ! buri$ empire to him1 & t he lov$ s de>ly1 7 valuable *iefly because !y 7 ! emblems ( ! "t t bore ! happy pres5t4 ,he 0 "o ( ! fam\s five :o 9 ! decade aft] #ahgj f\nd ,russia h] mod]n musical spee*4 ,! gr\p1 :i* compris$ ,m\ssorgsky1 ,balakirew1 ,cui1 ,rimsky-,korsak(f & ,borod91 0 unifi$ by an impulse common to all ! memb]s4 ,all 7 9 revolt aga9/ ! gramm> ( classical music4 ,all felt ! tradition ( we/]n ,european music to be inimical to ! free expression ( ! ,russian s5sibility1 & = ! fir/ "t oppos$ to ! musical ,we/ ! musical ,ea/4 ,= ^! "y compos]s1 ! plans & %apes ( phrases1 ! modes1 ! rhy?ms1 ! c\nt]po9t1 ! ,rules1 ! entire musical !ory & sci5ce t _h be5 e/abli%$ 9 ,europe by ! practice ( g5]ations ( compos]s1 0 a conv5tion2 ! ,russian music1 p>ticul>ly t ( ,rub9/e9 & ,t*aik[sky1 :i* _h s\ght to ply itself 9 accord ) x1 an artificial & sophi/icat$ ?+1 z artificial & sophi/icat$ a ?+ z ! pseudo-,p>isian culture ( ! ,petrograd salons4 ,x 0 _! firm conviction t = ! ,russian compos] only "o model exi/$1 & t 0 ! ,russian folk-song4 ,only 9 ! folk-song 7 to be f\nd ! musical equival5ts ( ! spok5 spee*4 ,only 9 ! folk-song 7 to be f\nd ! musical acc5ts & turns & inflections1 ! phrases & rhy?ms & colors t express$ ! national temp]4 ,& to ! popul> & to ! liturgical *ants !y w5t 9 se>* ( _! prop] idiom4 ,b x 0 n only to ! musical h]itage t !y w5t4 ,9 se>* ( _! own selves !y s\ght out e ve/ige ( ! pa/1 e ve/ige ( ! fa!rl& t ,pet] ! ,great & ,ca!r9e _h s\ght to re=m1 & t p]si/s 9 e ,russian und]nea? ! coat+ ( conv5tion4 ,toge!r ) ! o!rs1 ,borod9 /eep$ himself 9 ! lore & leg5ds ( ! buri$ empire1 famili>iz$ himself ) ! cu/oms ( ! ,slavs ( ! elev5? & twelf? c5turies1 se>*$ libr>ies = ! missals illum9at$ by ! old monks ( ! ,greek *ur*1 deciph]$ epics & ballads & *ronicles1 assimilat$ ! songs & incantations ( ! peasants & savage tribes ( ! /eppes1 collect$ ! melodies ( ,european & ,asiatic ,russia f ! ,ukra9e to ,turke/an4 ,& he & 8 companions 7 "r4 ,_! in/9cts _h n misl$ !m4 ,! contact ) real ,russia loos$ !m all4 ,?r\gh t new musical ori5tation1 !y arose1 ea* full ( 8 own /r5g?4 ,x 0 ! contact ( l ) l t made !m expressive4 ,= :at !y inw>dly 7 0 close ak9 to ! brea?1 ! _s1 ! t\*1 t _h inv5t$ ^? *ants1 & built ^? m9>ets & wr\ght t armor & compos$ ^? epics4 ,! acc5t ( ,m\ssorgsky 0 9 ! grave & popul> melodies1 9 ! liturgical incantations1 be=e he 0 born4 ,8 mo/ orig9al passages resemble no?+ s mu* z ! rude1 />k folk-song bequea!d to ! _w by m$ieval ,russia4 ,rimsky-,korsak(f's love ( brilliant1 gay mat]ials _h be5 9 g5]ations & g5]ations ( peasant-arti/s1 9 e peasant :o on a holiday _h donn$ a gaudy1 b]ibbon$ co/ume1 c5turies be=e ! music ( ,s*eh]azade & ,le ,coq d'or 0 conceiv$4 ,s1 too1 ! temp]am5ts & s5sibilities ( ! o!rs4 ,!y _h b to t\* ^! emblems & reliques & rhy?ms to become self-consci\s4 ,x mu/ h be5 9 p>ticul> ! old w>rior1 ! *ivalric1 p]haps ev5 ! ,t>t> impr9t 9 ! emblems ( ! ,russian pa/ t lib]at$ ,borod94 ,= he is ! old ,t>t>1 ! old savage boy>1 ( mod]n music4 ,9 v p]son he 0 ! son ( milit>y feudal ,russia4 ,8 photographs t exhibit ! great *iefta9 head1 ! mane & ! savage1 long ,mongolian mu/a*e 9 all _! flat contradiction ( ! conv5tional n9ete5?-c5tury dress1 ! black & /> & ribbon ( c\rt co/ume1 make "o half cr$it ! leg5d t 8 family 0 ( pure ,circassian desc5t1 & _h fl[$ d[n into ! great ,russian mael/rom f out a ,georgian /ronghold4 ,8 idiom be>s /rongly ! impr9t ( t body2 sugge/s /rongly t h]$ity4 ,x is pat5tly ! expression ( a p]sonality :o desir$ exub]ant bright s\nd & color1 ne$$ ! br&i%+ ( blades & ! %rill+ ( ,t>t> fifes & ! leap+ dance ( ,t>t> ar*]s1 _h no/algia = ! savage life t _h spawn$ ^u ! /eppes4 ,& z su* x is di/9ct f t ( ! o!r compos]s ( ! gr\p4 ,8 music has none ( ! pi]c+ness & poignancy & irony1 none ( ! deep humility & grim resignation1 s *>act]i/ic ( ,m\ssorgsky's4 ,x has none ( ! brilliant ,ori5talism ( ,balakirew & ,cui1 none ( ,rimsky-,korsak(f's s(t felicity & lamb5cy & light s5su\sness4 ,x is rude & robu/ & male1 full ( angul> movem5ts & vigor\s bl[s & lu/y1 *ildlike laught]1 &1 at ! same "t1 ( a s+ul>ly f9e romantic f]vor4 ,x is almo/ ! contr>y ( t ( ! neurotic1 sall[ ,t*aik[sky ( ! hy/]ical fr5zies & hy/]ical self-pity & ! habits ( morose delectation4 ,if !re is any symphony t c be call$ pre-em95tly virile & ,russian1 x is assur$ly ,borod9's second1 ! great "o 9 ,b-m9or4 ,& 9 ,pr9ce ,igor & ! symphonic poem ,on ! ,/eppes1 = ! fir/ "t1 cont95tal ,asia1 ) its %>p beat ( savage drums & its oceanic wa/es ( grass1 its /rong ,kurdi% bev]ages & j]k$ /eaks1 comes into mod]n music4 ,& 0 n ?is re/atem5t ( ! national "* ,borod9's great contribution to 8 age's life8 ,= has n ! mo/ rec5t "t ( all beheld a resurg5ce ( ! ,russian _s 9 ! political field1 an attempt$ recon/itution ( society 9 ! light ( ! j & frat]nal & religi\s _s ) :i* ?is folk has ev] be5 end[$1 & ( :i*1 9 all its mis]y1 x has ev] be5 aw>e8 ,if !re is any tea*] :o dom9ates ,russian ?\ght & ,russian affairs to-day1 x is ,tol/oy4 ,& f :om did ,tol/oy le>n m ?an f t cons]v] ( ! pri/9e & dom9at+ ,russian traits1 ! m\jik8 ,& s m5 l ,borod9 :o s\ght out ! racial "* & reflect$ x 9 _! music seem to u almo/ l outrid]s1 l ! tribesm5 :o are s5t on ahead ( w&]+ folks to spy out ! l&1 to f9d ! passes1 & guide _! fell[s on4 ,_! art is a summons to individual life4 ,borod9 9 p>ticul> came ^u ! ,russian p at a mom5t :51 l a tribe t has quit its fields 9 se>* ( bett] pa/urage1 & has w&]$ f> & f\nd itself 9 b>r5 & difficult & almo/ impassable gr\nd1 x 0 bewild]$ & despond5t1 & felt itself lo/ & l to p]i% 9 ! wild]ness4 ,& :ile 8 folk lay prone1 he _h aris5 & m\nt$ ! encircl+ ridge4 ,& ) a joy\s cry1 & ! flaunt+ ( a bann]1 he call$ !m to ! way !y _h to trav]se1 & told !m ! road 0 f\nd4 ,8 "w is n l>ge 9 bulk4 ,9 a comp>atively long life1 long at lea/ by ! side ( t ( a ,moz>t or a ,m\ssorgsky1 he succe$$ 9 produc+ only a s+le op]a1 ,pr9ce ,igor1 two symphonies & ! torso ( a ?ird1 a symphonic sket*1 ,on ! ,/eppes1 two /r+ qu>tets1 & a score ( songs4 ,& _m ( ^! works are incomplete4 ,pr9ce ,igor is a fragm5t>y composition1 a s]ies ( n q satisfactorily conjo9$ numb]s1 a gold5 mosaic f :i* :ole gr\ps ( enamel$ bits are miss+4 ,inde$1 ,borod9 _h n ev5 notat$ ! ov]ture :5 he di$1 & we "k x ?anks only to a pupil :o _h he>d him play x on ! piano & recollect$ x well en\gh to recon/ruct x4 ,o!r ( 8 works t are complete are spotty1 comm+l$ dross & gold4 ,he 0 a curi\sly unev5 workman4 ,!re appe> to h be5 :ole regions ( 8 p]sonality t rema9$ uns5sitiz$4 ,"p ( him seems to h gone out t[>d a new free ,russian music2 "p ( him seems to h be5 satisfi$ ) ! /yle ( ! ,italian op]as 9 vogue 9 ,russia dur+ 8 y\?4 ,he :o 9 ! dances f ,pr9ce ,igor wrote "s ( ! mo/ pung5t1 supple1 wild ( music c\ld also write airs sweetly ,italian & conv5tional4 ,! mo/ free & ruddy & brave ( 8 pages are juxtapos$ ) "s ( ! mo/ s(t & timid4 ,9 8 op]a a recitative ( cle>1 passionate acc5t s]ves to introduce a pretty cavat9a2 ,pr9ce ,igor's magnific5t sc5e1 s orig9al & conta9$ & vigor\s1 is foll[$ by a cloy+ duet wor?y ( a ,t*aik[sky op]a4 ,! adagio ( ! ,b-m9or ,symphony1 lovely z x is1 has n q ! solidity & weight ( ! o!r movem5ts4 ,! happy1 popul> & brilliantly orig9al !mes & ideas ( ! fir/ qu>tet are organiz$ ) a di/9ct unskilfulness1 :ile ! arti/ic value ( ! second is s]i\sly damag$ by ! *eapness ( its cavat9a4 ,8 workman%ip cont9ually rem9ds "o t ,borod9 0 unable to devote himself entirely to composition2 t he c\ld come to 8 writ+ table only at int]vals1 only 9 h\rs ( recreation2 & t ! gov]nm5t ( ! ,ts> left him to support himself by in/ruct+ 9 *emi/ry 9 ! ,college ( ,m$ic9e & ,surg]y 9 ,mosc[1 & kept him always some?+ ( an amateur4 ,borod9 ! compos] is aft] all only ! compos] ( a few fragm5ts4 ,b sometimes1 amid ! ru9s ( an ,ea/]n city1 m5 f9d a slab ( porphyry or mala*ite s gorge\sly gra9$1 t n _m :ole & p]fect works ( art c /& undimm$ & undim9i%$ beside x4 ,su* is ! music ( ,borod94 ,rimsky-,korsak(f ,! music ( ,rimsky-,korsak(f is l "o ( ! books1 full ( gay pictures1 :i* are giv5 to *ildr54 ,x is p]haps ! mo/ brilliant ( !m all1 a picture-book illum9at$ 9 crude & joy\s colors--bright r$s1 apple gre5s1 gold5 oranges & yell[s--& execut$ ) g5u9e v]ve & fantasy4 ,! ,slavonic & ,ori5tal leg5ds & fairy tales are illu/rat$ a/oni%+ly1 ) a c]ta9 humor 9 ! matt]-(-fact notation ( grotesque & miracul\s ev5ts4 ,! p]sonages 9 ! pictures are array$ 9 biz>re & %imm]+ co/umes1 delightfully inaccurate2 & if !y repres5t k+s & que5s1 are set 9 ! mid/ ( a fabul\s pomp & glitt]1 & we> cr[ns incru/$ ) l>ge & impossible /ones4 ,fram+ ! illu/rations are bord]-fancies ( sunfl[]s & gold5 cocks & wondr\s spr+time birds1 fa%ion$ boi/]\sly & humor\sly 9 ! mann] ( ,russian peasant art4 ,inde$1 ! book is execut$ s *>m+ly t ! p>5ts f9d x z amus+ z d ! *ildr54 ,m ?an ! lovelie/1 ! gleefulle/1 ( picture-books ! music is n4 ,"o mu/ n g to ,rimsky-,korsak(f = works ( ano!r "*4 ,=1 at he>t1 he ignor$ ! l>g] sort ( spee*1 & 0 cont5t to h 8 music picturesque & colorful4 ,! *ildi%1 absurd ,ts> 9 ,le ,coq d'or1 :o desires only to lie ab$ all day1 eat delicate food1 & li/5 to ! fairy tales ( 8 nurse1 is1 aft] all1 some?+ ( a portrait ( ! compos]4 ,= all its gay & opul5t ext]ior1 its prick+ or*e/ral timbres1 8 "w is curi\sly objective & cry/alliz$1 z ?\gh ! ne$ t br\ght x =? _h be5 small & readily satisfi$4 ,none ( ,rimsky's scores is really lyrical1 deeply mov+4 ,! music ( ,ts> ,saltan1 = in/ance1 = all its evocations ( magical cities & wond]-t[]s & fa]y spl5dor1 impresses "o z little m ?an !atrical sc5]y ( a high decorativ5ess4 ,x sets u loll+ 9 a sort ( or*e/ra-/all1 wakes 9 u ! mood 9 :i* we applaud amiably ! dext]ity ( ! /age-decorator4 ,h[ quickly ! a]ial tape/ry wov5 by ! or*e/ra ( ,le ,coq d'or we>s ?96 ,h[ quickly ! subtle br[ns & saffrons & v]milions fade6 ,h[ pretty & tame beside t ( ,borod91 beside t ( ! ,p]sian ,dances ( ,m\ssorgsky1 beside t ( ,balakirew1 ev5 ,rimsky's ,ori5talism appe>s6 ,none ( 8 music communicates an exp]i5ce really high1 really poetic4 ,!re is no page ( 8 t reveals him /ra9+ to =mulate su* a "o4 ,8 composition is nev] m ?an a graceful arrangem5t ( surfaces1 ! cunn+ & pleas+ pres5tation ( matt] *os5 = its exotic rhy?ms & %apes1 its ,ori5tal & peasant tang1 its pung5cy4 ,! =m is ev] a ?+ ( two dim5sions4 ,! musical ideas are pass$ ?r\gh ! dye-vats ( v>i\s timbres & tonalities1 made to und]go a s]ies ( int]e/+ de=mations1 are contra/$1 sup]ficially1 ) o!r ideas aft] ! possibilities ( te*nical v>iations h be5 exhau/$4 ,!re is no actual developm5t 9 ! s5se ( volumne> increase4 ,9 ,s*eh]azade1 = in/ance1 ! climaxes are purely volunt>y1 are no?+ o!r ?an ! arbitr>y ?ick5+ & di/5tion ( c]ta9 ideas4 ,& x is only ! spic9ess ( ! !matic mat]ial1 ! nimbl5ess & suavity ( ! composition1 &1 *iefly1 ! piquancy ( ! or*e/ral spee*1 t saves ! music ( ,rimsky-,korsak(f f utt] brittl5ess1 & gives x a c]ta9 limit$ beauty4 ,x is j ?is ess5tial sup]ficiality :i* makes ! place ( ! music 9 ! hi/ory ( ,russian art s ambigu\s4 ,int5tionally1 & to a c]ta9 ext5t1 ,rimsky's "w is auto*?on\s4 ,he 0 "o ( ^? compos]s :o1 9 ! middle ( ! la/ c5tury1 felt desc5d ^u !m ! ne$ ( speak+ _! own tongue & gave !mselves he>tily to ! labor ( discov]+ a music entirely ,russian4 ,8 mat]ial1 at its be/1 approximates ! idiom ( ! ,russian folk-song1 or communicates c]ta9 qualities--an ,ori5tal sweetness1 a b>b>ic lassitude & ab&on--admitt$ly racial4 ,8 music is full ( elem5ts--wild & headlong rhy?ms1 exotic modes--ab/ract$ f ! popul> & liturgical *ants or deftly mold$ ^u !m4 ,= !re 0 always )9 him ! idea ( creat+ an art1 p>ticul>ly an op]atic art1 t w\ld be z ,russian z ,wagn]'s1 = in/ance1 is ,g]man4 ,! texts ( 8 op]as are adopt$ f ,russian hi/ory & folklore1 & he cont9ually attempt$ to f9d a musical idiom ) ! acc5t ( ! old ,slavonic *ronicles & fairy tales4 ,c]ta9 ( 8 works1 p>ticul>ly ,le ,coq d'or1 are delib]ately an imitation ( ! *ildi% & fabul\s inv5tions ( ! peasant arti/s4 ,& c]ta9ly none ( ! o!r memb]s ( ! nationali/ gr\p associat$ ) ,rimsky-,korsak(f--n ,m\ssorgsky1 = all 8 emotional pr(undity2 nor ,borod91 = all 8 sumptu\s imag9ation--_h s firm an intellectual grasp ( ! common problem1 nor 0 te*nically s well equipp$ to solve x4 ,none ( !m1 = in/ance1 _h z wide an acqua9tance ) ! folk-song1 ! t\*/one ( _! labors4 ,= ,rimsky-,korsak(f 0 some?+ ( a philosophical au?ority on ! music ( ! _m peoples ( ! ,empire1 made collections ( *ants1 & c\ld draw on ?is fund = 8 "w4 ,nor did any ( ! o!rs possess 8 te*nical facility4 ,m\ssorgsky1 = in/ance1 _h to discov] ! art ( music pa9fully ) ea* /ep ( composition1 & or*e/rat$ faultily all 8 life1 :ile ,rimsky-,korsak(f _h a natural s5se ( ! or*e/ra1 wrote treatises on ! sci5ce ( in/rum5tation & on ! sci5ce ( h>mony1 & develop$ into some?+ ( a doctor ( music4 ,inde$1 :5 f9ally !re devolv$ ^u him1 z g5]al legatee ( ! nationali/ s*ool1 ! task ( correct+ & edit+ ! works ( ,borod9 & ,d>gomijsky & ,m\ssorgsky1 he br\ght to 8 labor an erudit5ess t bord]$ dang]\sly on p$antry4 ,nor 0 8 le>n+ only musical4 ,he _h a great k ( ! art & cu/oms t _h exi/$ 9 ,russia be=e ! influ5ces ( we/]n ,europe repress$ !m1 ( ! dances & rites & sun wor%ip t surviv$1 despite ,*ri/ianity1 z popul> & ru/ic games4 ,& he c\ld press !m into s]vice 9 8 se>* = a national expression4 ,l ! ,sultana 9 8 symphonic poem1 he drew on ! poets = _! v]ses1 on ! folk-songs = _! words1 & int]m+l$ tales & adv5tures "o ) ano!r4 ,yet !re is no score ( ,rimsky-,korsak(f's1 no "o ( 8 fifte5 op]as & doz5 symphonic works1 :i* has1 9 all its mass1 ! liv+ virtue t in=ms a s+le page ( ,boris ,god\n[1 ! virtue ( a ?+ t satisfies ! v ne$s ( life & br+s to a race release & =mulation ( its spee*4 ,!re is no score ( 81 = all ! tang & luxuri\sness ( 8 or*e/ration1 = all ! incru/ation ( bright1 /range /ones on ! matt] ( 8 op]as1 t has ! deep1 gl[+ color ( c]ta9 passages ( ,borod9's "w1 ) _! magical evocations ( t]re/rial ,asia & feudal ,muscovy1 _! ,timbres d'or des mongoles orfevr]ies ,et vieil or des vieilles nations4 ,= he 0 9 no s5se z nobly human ( /ature1 z deeply aw>e ( ! life ab\t him1 z ,m\ssorgsky4 ,nor did he feel )9 himself ,borod9's ri* & vivid s5se ( ! pa/4 ,cui 0 "r :5 he accus$ ,rimsky ( want+ n]ve & passionate impulse4 ,he 01 aft] all1 temp]am5tally *illy4 ,! p are ! creators1 ,gl9ka _h told ! "y nationali/ compos]s1 y are b ! arrang]s4 ,x 0 precisely ! vital & direct contact ) ! s\rce ( all creative "w t ,rimsky-,korsak(f lack$4 ,!re is a fault ( in/9ct 9 m5 l him1 :o c feel _! race & _! environm5t only ?r\gh ! consci\s m9d4 ,j :at 9 ,rimsky's education produc$ 8 intellectualism1 we d n "k4 ,c]ta9ly x 0 no?+ extraord9>y1 = society produces innum]able arti/s l him1 :o are fundam5tally incapable ( becom+ ! in/rum5t e creative be+ is1 & ( discov]+ ?r\gh !mselves ! consci\sness ( _! fell[s4 ,:atev] its cause1 !re is 9 su* m5 a fe> ( ! unseal+ ( ! unconsci\s m9d1 ! depository ( all actual & vital s5sations1 :i* no ef=t ( _! own c ov]come4 ,x is = t reason t !y h s gigantic & un%akable a confid5ce 9 all purely consci\s processes ( creation1 p>ticul>ly 9 ! incorporation ( a priori !ories4 ,s x 0 ) ,rimsky4 ,!re is pat5t 9 all 8 "w a va/ love ( erudition & a va/ fai? 9 its efficacy4 ,he is always attempt+ to inc>nate 9 ! fle% ( 8 music law ab/ract$ f classical works4 ,ev5 ,t*aik[sky1 :o 0 a good deal ( an intellectuali/ himself1 & dubb$ p]fect1 9 a *>act]i/ically s]vile lett]1 e "o ( ! ?irty practice fugues t ,rimsky compos$ 9 ! c\rse ( a s+le mon?1 compla9$ t ! latt] wor%ip$ te*nique & t 8 "w 0 ,full ( contrapuntal tricks & all ! signs ( a /]ile p$antry4 ,x 0 n t ,rimsky 0 p$antic f *oice1 out ( a wilful p]v]sity4 ,8 obsession ) intellectual =mulas 0 aft] all ! result ( a fe> ( op5+ ! d>k sluices ?r\gh :i* surge ! rhy?ms ( life4 ,if ,rimsky-,korsak(f 0 n absolutely /]ile1 x 0 because 8 intellectual quality itself 0 vivaci\s & brilliant4 ,?\gh he rema9$ ev] a /rang] to ,russia & 8 fell[s1 z he did to himself1 he became ! mo/ obs]vant ( travel]s4 ,?\gh z ! =eign] he p]ceiv$ only ! sup]ficial & picturesque elem5ts ( ! life ( ! l&--its ,ori5talism1 its b>b>ic color+--& f\nd 8 happie/ expression 9 a fantasy aft] ! ,?\s& ,nights & a ,night1 he not$ 8 impressions skilfully & vividly1 ) an almo/ virtuosic s5se ( 8 mat]ial4 ,if he c\ld n pa9t ! spr+ 9 music1 he c\ld at lea/ embroid] ! score ( ,snieg\ro*ka delightfully ) birdcalls & all mann] ( v]nal fancies4 ,if he c\ld n recreate ! _s ( peasant art1 he c\ld at lea/1 z 9 ,le ,coq d'or1 imitate x s ta/efully t1 li/5+ to ! music1 we seem to h be=e u "o ( ! pictures belov$ by ! ,russian folk--a picture ) bright & joy\s dabs ( color1 ) clumsy b gleeful depictions ( battles & cavalcades & fe/ivities & banquet+ tables load$ ) fruits1 meats & flagons4 ,x is inde$ curi\s1 & n a little pa!tic1 to obs]ve h[ ke5 ,rimsky-,korsak(f's intellig5ce ev] 04 ,! satirization ( ! demoniacal wom5 ( ,p>sifal & ,salome 9 ! figure & motifs ( ! ,pr9cess ( ,sam>c& is delici\sly light & witty4 ,inde$1 n only ,le ,coq d'or1 b mo/ ( 8 "w reveals 8 dry1 real s5se ( humor4 ,& h[ (t5 does he n po9t ! direction 9 :i* ,russian music has subsequ5tly advanc$6 ,8 latt] /yle1 ) its mottl$ *romatic & ,ori5tal modes1 its curi\s & bewild]+ int]vals1 is ! v]itable l9k betwe5 ! music ( ! old] ,russian gr\p to :i* he1 r\ghly1 belongs & t ( ! y\ng]1 new] m51 ( ,/raw9sky 9 p>ticul>4 ,inde$1 ! works ( ,/raw9sky reveal incessantly h[ mu* ! ma/] taught ! pupil4 ,b if !y reveal ,rimsky's ke5ness1 !y reveal 8 limitations z well4 ,!y br+ into %>pe/ relief ! diff]5ce betwe5 poetic & sup]ficial expressiv5ess4 ,= ,/raw9sky has 9 _m in/ances successfully h&l$ mat]ials :i* ,rimsky n q satisfactorily employ$4 ,! =m]'s e>ly works1 9 p>ticul> ,l',oiseau de feu1 & ! fir/ act ( ! op]a ,le ,rossignol1 relat$ to ,rimsky's 9 /yle z !y are1 h yet a fa]y & wond] & flitt]gold t ! ma/] nev] succe$$ 9 atta9+4 ,! music ( ,l',oiseau de feu is really a fanta/ic dream-bird4 ,petr\*ka has a brilliance & vivacity & madness t makes ,rimsky's sc5es f popul> life1 8 utilizations ( vulg> tunes & dances sc>cely comp>able to x4 ,n[h]e 9 any ( ,rimsky's recon/ructions ( e?nological dances & rites1 nei!r 9 ,mlada nor 9 ,snieg\ro*ka1 is !re any?+ at all comp>able to ! nak$ p[] manife/ 9 ,le ,sacre du pr9temps4 ,b x is p>ticul>ly 9 8 sci5ce ( or*e/ration1 ! s5se ( ! in/rum5ts t makes him appe> to def] to !m r ?an to impose 8 w on !m1 t ,/raw9sky has a*iev$ ! ?+ t 8 tea*] fail$ ( a*iev+4 ,= ,rimsky1 despite all 8 rem>kable s5se ( ! *emi/ry ( timbres1 despite 8 f9e int5tion to develop fur!r ! sci5ce :i* ,b]lioz br\ght s f>1 0 prev5t$ f m9t+ a really new significant or*e/ral spee* ?r\gh ! pov]ty ( 8 inv5tion4 ,8 or*e/ration is full ( tricks & mann]isms t pall4 ,"o he>s ! :i/l+ p>abolas ( ! flutes & cl>9ets ( ,s*eh]azade 9 ,mlada1 9 ,sadko1 9 a half-doz5 works4 ,! or*e/ra t pa9ts ! night-sky ( ,mlada rolls dang]\sly l t :i* pa9ts ! sea ( ,s*eh]azade & ,ts> ,saltan4 ,! fam\s ,*anson ind\ seems to float vaguely ?r\gh half 8 ,ori5tal evocations4 ,b ! orig9ality & fecundity & inv5tiv5ess t he lack$1 ,/raw9sky to great degree possesses4 ,& s x 0 giv5 to ! pupil to ent] ! *amb] outside ( :i* ! ma/] /ood all 8 life1 & c\ld n ent]1 & saw only by pe]+ furtively ?r\gh ! *9ks ( ! door4 ,ra*man9(f ,x 0 9 an int]view giv5 at ! beg9n+ ( 8 rec5t ,am]ican t\r t ,m4 ,s]gei ,ra*man9(f /yl$ himself a musical evolutioni/4 ,! phrase1 d\btless utt]$ half 9 je/1 is sc>cely nice4 ,x is "o ( ^? t]ms t are s loose t !y are well-nigh mean+less4 ,nev]!less1 !re 0 significance 9 ,m4 ,ra*man9(f's use ( x4 ,= he employ$ x z an apology = 8 "w4 ,8 music is evid5tly want+ 9 boldness4 ,on ! :ole x is cauti\s & traditional4 ,ev5 ^? :o are n pr(essionally on ! side ( ! musical an>*s f9d x some:at unv5turesome1 too smoo? & s(t & elegantly elegiac1 too dull4 ,& 9 sub/itut+ = revolutionism a =mula = musical progress less sugge/ive ( viol5t *ange1 m sugge/ive ( a process l ! tranquil1 gradual & ord]ly unfold+ ( bud into blossom1 0 n ,m4 ,ra*man9(f v lightly & clev]ly discr$it+ ! app>5tly revolution>y "w ( c]ta9 ( 8 fell[s1 & seek+ to reveal a hi!rto unsuspect$ solidity 9 8 own8 ,h[ev]1 x is que/ionable :e!r he 0 successful1 :e!r ! implications ( ! phrase d q manage to manoeuv] 8 "w into g5u9e importance4 ,no d\bt1 music does n inv>iably re=m itself ?r\gh ! process we call revolution>y4 ,x is a commonplace t !re h be5 _m compos]s ( prim>y rank :o h orig9at$ no new syntax1 no new sy/em ( *ords & key-relation%ips4 ,x is said t ,j4 ,s4 ,ba* himself did n inv5t a s+le h>mony4 ,!re h be5 compos]s ( g5ius :o h done little to enl>ge ! physical b\nd>ies ( _! art1 h accept$ ! gramm> ( music f o!rs1 & h r\nd$ an epo* in/ead ( initiat+ a new "o4 ,nev]!less1 ,m4 ,ra*man9(f _c q be includ$ 9 _! company4 ,!re is z great a diff]5ce betwe5 him & compos]s ( ?is some:at cons]vative type z !re is betwe5 him & ! radical sort4 ,= ?\gh ! recomposition ( music does n necess>ily consi/ 9 ! e/abli%m5t ( a new sy/em1 & c be fairly complete )\t x1 x does consi/ 9 ! impregnation ( tone ) new "* & virtue4 ,d\btless1 ,m4 ,ra*man9(f is an accompli%$ & *>m+ workman4 ,he is almo/ uni=mly suave & dext]\s4 ,! in/ances :5 he writes badly are n frequ5t4 ,! ,c-%>p m9or ,prelude is1 aft] all1 some?+ ( a sport4 ,no d\bt1 !re are times1 z 9 s _m ( ! passages ( ! new v]sion ( 8 fir/ piano conc]to1 :5 he seeks to dazzle ) ! opul5ce & clangor & gl>e ( tones4 ,h[ev]1 z a rule1 he writes politely4 ,if ! second conc]to is a trifle too s(t & elegiac & sweet1 a little too mu* l a m\rnful banquet+ on jam & honey1 x is /ill mo/ deftly & +ratiat+ly made4 ,on ! :ole1 ev5 ?\gh 8 music t\*es u only sup]ficially x r>ely fails to awak5 "s gratitude = its elegance4 ,b !re is an ess5tial t 8 music wants4 ,x wants ! impr9t ( a decid$ & important individuality4 ,9 all ! elaborate score ( ,! ,isl& ( ! ,dead1 9 ! v "o ( ,m4 ,ra*man9(f's works t is g5]ally deem$ 8 be/1 !re are few acc5ts t are ei!r v l>ge or v poignant or v noble4 ,! music lacks di/9ction1 lacks vitality4 ,! /yle is /rangely s(t & unrefre%+4 ,emotion is communicat$1 no d\bt4 ,b x is emotion ( a second or ev5 ?ird ord]4 ,nor is ! music ( ,m4 ,ra*man9(f ev] q completely new-m9t$4 ,has x a melodic l9e q prop]ly its own8 ,"o d\bts x4 ,_m ( ! melodies ( ,m4 ,ra*man9(f h a ,m5delssohnian ca/1 = all _! ,russian %e54 ,o!rs are ( ! sort ( sweet1 spiritless silk5 tune g5]ally *>act]i/ic ( ! ,russian salon s*ool4 ,nor c "o discov] 9 ?is music a di/9ctly orig9al s5se ( ei!r rhy?m ( h>mony or tone-color4 ,! ,e-m9or ,symphony1 = all its compet5ce & smoo?ness1 is full ( ! color & quality & atmosph]e ( ,t*aik[sky4 ,x is ,t*aik[sky )\t ! hy/]ia1 p]haps1 b also )\t ! en]gy4 ,9 all ! music ( ,m4 ,ra*man9(f !re is some?+ /rangely twice-told4 ,f x !re fl[s ! sadness di/ill$ by all ?+s t are a little useless4 ,!re are to be f\nd 9 e picture gall]y canvases attribut$1 n to any s+le pa9t]1 b to an ateli]1 to ! s*ool ( "s great ma/]4 ,"o f9ds *>m+ pieces among !m4 ,nor are !y inv>iably ! "w ( pupils :o pa9t$ "u ! direction ( "s fam\s man4 ,q z (t5 !y are ! h&iwork ( arti/s :o appe>$ indep5d5t en\gh to _! patrons & to !mselves4 ,_! names & _! p]sons 7 famili> to ^? :o ord]$ pictures f !m4 ,x is only t 9 ! c\rse ( "t _! names h come to be =gott54 ,= !re is 9 _! canvases little trace ( ! sub/ance t causes p to *]i% an individuality1 & makes a "n to be rememb]$4 ,o!r p]sonalities h transpir$ ?r\gh _! bru%-/rokes1 & h made x evid5t t beh9d ! man :o held ! bru% 9 8 h& !re 0 ano!r :o direct$ ! /rokes--! man ^u :om ! arti/ _h model$ himself1 ! p]sonality he pref]r$ to 8 own4 ,x is ?is reflectiv5ess t has caus$ ! attribution ( ! "w to ateli]s4 ,& _h ,m4 ,ra*man9(f in/ead ( be+ a musician be5 a pa9t]1 w\ld n a l de/9y await 8 compositions8 ,= d !y n proce$ f ! po9t ( dep>ture ( ! entire brilliant s*ool ( piano-compositions8 ,are !y n a sort ( ?r[back to ! salon s*ool1 ! s*ool ( velocity1 ( effect1 ( :atev] ,rub9/e9 & ,liszt c\ld desire8 ,are n ! piano-pieces ( ,m4 ,ra*man9(f ! result ( a relation%ip to ! in/rum5t t is fa/ becom+ outmod$8 ,!re 0 "s slight ju/ification = ! pomp\s & empty "w ( 8 models4 ,! conc]ti1 ! (t5 fla%y & t9selly pian(orte compositions ( ,liszt & ,rub9/e9 7 ! imm$iate & surface result ( t deep] s5se ( ! in/rum5t :i* arriv$ dur+ ! n9ete5? c5tury1 & intoxicat$ folk ) ! piano timbres1 & made !m eag] to he> its _m voices 9 no matt] h[ crude a =m4 ,a :ole s*ool ( facile virtuosi arose 9 response to ! dem&4 ,s9ce !n1 h[ev]1 we h gott5 a subtl] s5se ( ! in/rum5t4 ,we no long] require s ins5sitive a display4 ,& toge!r ) ^? r gross piano-works ! piece p> excell5ce *>act]i/ic ( ! p]iod1 ! brilliant piano-conc]to ) its pranc+ in/rum5t emb$d$ 9 ! pomp & clangor & ululation ( ! b&1 has lo/ 9 favor /eadily4 ,! mod]n m5 no long] write conc]ti4 ,:5 !y introduce a pian(orte into ! or*e/ra1 !y ei!r1 l ,brahms1 treat x z ! premi] in/rum5t1 & write symphonies1 or1 l ,scriab9e & ,/raw9sky1 r$uce x to ! common level4 ,b ,m4 ,ra*man9(f has n p>ticipat$ 9 ?is *ange ( attitude4 ,he is /ill cont5t ) music t toys ) ! pian(orte4 ,& he writes conc]ti ( ! old type4 ,he writes pieces full ( ! old a/\nd+ musical dislocation4 ,phrases ( an app>5t int5sity & lyricism are negat$ by frivol\s & t9kl+ passage-"w4 ,take away ! s\nd & fury signify+ no?+ f ! ?ird conc]to1 & :at is left8 ,!re 0 a day1 p]haps1 :5 su* "w s]v$4 ,b ano!r has succe$$ to x4 ,& s ,m4 ,ra*man9(f comes among/ u l a v *>m+ & amiable gho/4 ,= t1 h[ev]1 let u n fail to be duly grateful4 ,let u n fail to give ?anks = ! fact t sett+ =ev] is ! conception ( music z an aft]-d9n] cordial1 a box ( assort$ bonbons1 bric-a-brac1 a titillation1 a tepid ba?1 a p]=mance t amuses & c>esses & :iles away a half-h\r1 an en*antm5t = bo>d+-s*ool misses1 an opportunity = virtuosi to glorify !mselves4 ,"o ( ! curi\s ?+s ab\t ,m4 ,ra*man9(f's season is ! fact t x has n only br\ght him into prom95ce among/ u1 b t x has br\ght into relief o!r compos]s ?r\gh him4 ,x has br\ght into relief ! entire gr\p ( ,russian musicians to :i* he belongs4 ,x has evaluat$ ! pret5sions ( ! two conflict+ s*ools ( ,russian music nicely4 ,! s*ool ( :i* ,m4 ,ra*man9(f is p]haps ! *ief liv+ repres5tative1 & :i* 0 repres5t$ at v>i\s times by ,rub9/e9 & ,t*aik[sky & ,ar5sky1 is usually dubb$ univ]sal by its p>tisans4 ,x is suppos$ to h its traditions 9 g5]al ,european music1 & to be a cont9uation ( ! art ( ! romantici/s1 9 p>ticul> ( ! art ( ,*op9 & ,s*umann4 ,b = ! m5 ( ! oppos+ faction1 ! m5 :o accept$ only ! ,russian folk-song z _! t\*/one1 & s\ght 9 _! "w to f9d a mod]n equival5t = x1 ! music ( ?is s*ool 0 ali5 & sophi/icat$1 z sophi/icat$ z ! pseudo-,fr5* culture ( ! ,petrograd draw+-rooms4 ,= !m1 ! music ( ,t*aik[sky1 ev51 0 ! result ( ! manipulation ( !mes ( ,slavic color accord+ to =mulas ab/ract$ f classical music4 ,)\t reg>d1 h[ev]1 = any "q ( musical !ory2 ap>t f all "q ( ! value = u ( ! sci5ce ( ! classical ma/]s1 "o f9ds oneself ( ?is op9ion4 ,= ! music br\ght =w>d by ! visit ( ! compos] :o is at pres5t 9 ?is c\ntry z envoy ( 8 s*ool1 conv9ces u t ! "w ( ! m5 ( 8 p>ty1 elegant & brilliant z x (t5 is1 is ! "w ( m5 ess5tially unresponsive to ! appeal ( _! compatriots4 ,= !m1 z x is = e ,russian musician1 ,russia 0 )\t _! w9d[s1 appeal+ dumbly = expression ( its wild1 ungov]n$ en]gy1 its mis]y1 its ri* & *ildi% laught]1 its deep1 great ,*ri/ianity4 ,x want$ a music t w\ld h ! acc5ts ( its rude1 l>ge-he>t$ spee*1 & t w\ld1 l its spee*1 express its ess5tial reactions1 its consci\sness4 ,& "s m5 !re 71 ,m\ssorgsky & ,borod91 :o 7 quick en\gh ( imag9ation to become ! in/rum5ts ( _! folk & respond to its ne$4 ,& s1 :5 we w\ld he> ,russian spee*1 we g to !m z we g to ,do/oievsky & to ,tol/oy4 ,x is 9 ,boris & ,pr9ce ,igor z ri*ly z x is 9 any "w4 ,b ! m5 ( ! o!r s*ool did n he> ! appeal4 ,!y sat 9 _! luxuri\s & ,p>isian h\ses beh9d clos$ w9d[s4 ,scriab9e ,!re are solemn & gorge\s pages 9 ! symphonic poems ( ,scriab9e4 ,& yet1 despite _! effulg5ce1 _! manifold spl5dors1 _! hi]atic ge/ures1 ^! works are n 8 mo/ individual & significant4 ,save only ! lamb5t ,prome!us1 !y ea* reveal to "s degree ! influ5ce ( ,wagn]4 ,! ,idyl ( ! ,second ,symphony1 = in/ance1 is dang]\sly close to ! ,waldweb5 9 ,siegfri$1 al?\gh1 to be sure1 ,scriab9e's =e/ is r m ! p]fum$ & rose-lit woodl&1 ,wagn]'s ! fre% primeval wild]ness4 ,! ,poeme de l'extase1 ) its oceanic tides ( voluptu\sly entangl$ bodies1 is a sort ( ,tannhaeus] ,bac*anale mod]niz$1 enl>g$1 & int5sely %>p5$4 ,=1 9 spite ( ! fact t at mom5ts he h&l$ x ) r>e sympa?y1 ! or*e/ra 0 n 8 prop] m$ium4 ,! piano 0 8 in/rum5t4 ,x is only 9 composition = t m$ium t he express$ indelibly 8 exquisite1 lum9\sly poetic1 almo/ disquiet+ temp]1 & def9itely record$ himself4 ,!re h be5 few compos]s m f9ely consci\s ( ! piano4 ,!re h be5 few :o h m fully plumb$ its res\rces1 few :o h held x 9 great] rev]5ce1 few :o h he>k5$ m solicit\sly to its voice t is s diff]5t f ! voices ( o!r in/rum5ts4 ,( all piano music1 only t ( ,debussy & ,ravel seems z ?or\ghly /eep$ 9 ! ess5tial color ( ! m$ium1 seems to lie z completely 9 ! black & :ite keys1 "p ( !m1 n impos$ on !m4 ,& ,scriab9e1 ! b>b>ian & romantici/1 is ev5 m free ( ! hues ( ! keybo>d ?an !y1 ! ,lat9s1 ! classici/s4 ,8 works make "o ke5ly aw>e ( ! rhy?mical1 ! =mali/ic limitations ( ,*op9's piano pieces1 ( ! /eel9ess ( mu* ( ,brahms'1 ( ! %all[ brilliancy1 ! !atricality1 ( ,liszt's4 ,!y ev5 make u feel at mom5ts z ?\gh 9 !m _h be5 realiz$ ! def9itive piani/ic /yle1 t ! h\r ( transition to ! new keybo>d ( qu>t] tones 0 nigh4 ,= ,scriab9e appe>s to h wak5$ 9 ! piano all its lat5t animality4 ,"u 8 t\* x loses its old me*anical be+1 cries & *ants l a bird1 becomes at in/ants cat1 s]p5t1 fl[]1 woman4 ,x is z if ! curr5ts ( ! man's life _h set ) my/]i\s /r5g? t[>d ! in/rum5t1 till x became = him an et]nally fre% & m>vel\s exp]i5ce1 till betwe5 him & ! inanimate ?+ !re came to be an int]*ange ( life4 ,!re is ! r>e/ ( sci5ce 9 8 /yle1 especially 9 t ( 8 la/ p]iod1 :5 8 own individuality broke s m>vel\sly into fl[]4 ,he wrote = x z "o ( two p]sons :o _h %>$ life toge!r might address ! o!r1 well aw>e ) :at complexity & pr(undity a smile1 a ge/ure1 a brief phrase1 w\ld rev]b]ate4 ,no "o has c>ess$ x m lightly1 m t5d]ly1 m voluptu\sly4 ,no "o has made ( ! piano-trill1 = in/ance1 m lum9\s & quiv]+ a ?+4 ,& because he 0 s s5sitive to 8 m$ium1 ! m$ium lur$ f out him 8 creative /r5g?4 ,he grew to 8 high poetic /ature f an elegant & ari/ocratic craftsman ( ! s*ool ( ,*op94 ,m ?an t ( any mod]n ma/]1 8 art is root$ 9 ! great romantic tradition z x comes to u ?r\gh ,*op91 ,wagn]1 ,liszt & ,/rauss2 & develops almo/ logically out ( x4 ,& 9 ! compositions ( 8 fir/ p]iod1 ! p]iod t ends1 r\ghly1 ) ! piano conc]to1 ! allegiance is m>k$1 ! disciple%ip und5iable4 ,! influ5ce ( ,*op9 is ubiquit\s4 ,scriab9e writes mazurkas1 preludes1 etudes1 nocturnes & waltzes 9 8 ma/]'s cool1 polite1 fa/idi\s g5]al mann]4 ,^! pieces1 too1 might seem to h be5 writt5 9 ord] to be play$ 9 noble salons lit by massive c&elabra1 to c\ntesses ) b>e %\ld]s4 ,! tw5ty-f\r preludes ,opus #aa1 = in/ance1 are full ( ,*op9esque turns1 ( ,*op9esque morbidezza1 ( ,*op9esque melodies4 ,! h>monic s*eme r>ely transgresses ! limits :i* ,*op9 set himself4 ,! pieces are obvi\sly ! "w ( "o :o 9 ! c\rse ( conc]t-play+ has come to discov] ! f9esses ( ! ,pole's workman%ip4 ,& yet1 ,ces> ,cui's cau/ic description ( ! preludes z ,bits fil*$ f ,*op9's tr\sseau1 is em95tly unju/4 ,= ev5 9 ^? days1 :5 ,scriab9e 0 a memb] ( ! ,russian salon s*ool1 !re 7 attractive orig9al elem5ts 9 8 compositions4 ,!re is real poetry & fre%ness 9 ^! s(t-color$ pieces4 ,! treatm5t ( ! in/rum5t is bold1 &1 at mom5ts1 m satisfactory ?an ,*op9's4 ,scriab9e1 = in/ance1 gives ! left h& a great] indep5d5ce & significance ?an does z a rule 8 ma/]4 ,nor does he indulge 9 ! repetitions & recapitulations t m> s _m ( ! latt]'s works4 ,8 s5se ( =m is already al]t4 ,& ?r\gh ! silk5 melodic l9e1 ! sweet1 ri* h>monies1 !re already makes itself felt some?+ t is to ,*op9's _s z ,russian iron is to ,poli% silv]4 ,x is p]haps only 9 ! compositions subsequ5t to ,opus #ej t ,scriab9e em]ges 9 ! fullness ( 8 /ature4 ,= x is only 9 !m t he f9ally ab&on$ ! major-m9or sy/em to :i* he _h hi!rto adh]$1 & sub/itut$ = x ! o!r t p]mitt$ 8 exquisite delici\s s5se ( piani/ic color1 8 inf9itely delicate gift ( melody1 8 gorge\s1 f>-spread+ h>monic feel+1 free play4 ,& x is only 9 ^! lat] pieces t he a*iev$ ! p]fection ( =m1 p>ticul>ly ( ! sonata =m1 ( :i* ! ,n9? ,sonata is ! magi/ral example1 & :i* makes 8 craft comp>able to ,ba*'s 9 its ma/]y ( a m$ium1 & enables "o to m5tion ! ,*romatic ,fantasy & ,fugue & ! ,n9? ,sonata ju/ly 9 a s+le brea?4 ,& yet1 ! compositions ( ! middle p]iod1 ! "o t foll[s imm$iately ! e>ly1 immature1 ,*op9esque p]iod1 are sc>cely less ri* & ref9$1 sc>cely less important4 ,no d\bt ! influ5ce ( ,scriab9e's ma/]s1 ?\gh consid]ably on ! wane1 is /ill evid5t4 ,! ,poeme satanique ref9es on ,liszt4 ,! ,?ird ,sonata1 despite its lamb5t &ante1 is pat5tly ! "w ( "o :o has /udi$ 8 ,liszt & loves 8 ,*op94 ,& yet1 ^! works are *>act]i/ically male & rag+ & pr\d4 ,& 9 all ! works ( ?is p]iod !re appe>s some?+ new & magnific5t t has sc>cely be=e in=m$ piano music4 ,!re is a truly ,russian dep? & vehem5ce & l>g5ess 9 ?is n[ languid1 n[ my/ical1 n[ leon9e music1 t lifts x entirely out ( ! company ( ! works ( ! ,petrograd salon s*ool into t ( ^? compos]s :o made or*e/ra & op]a speak 9 ! national tongue4 ,! rhy?ms are joy\sly1 b>b>ically1 at times almo/ fr5etically1 free4 ,!y are f9ely v>i\s & dep>t almo/ entirely f ! "o-two1 "o-two1 ! "o-two-?ree1 "o-two-?ree t makes monoton\s s mu* ( ,*op94 ,at mom5ts1 ! tones ( ! piano m>* ) "s ( ! n[ fe/ive1 n[ maje/ic1 n[ solemn1 movem5t ( ! or*e/ral processionals ( a ,m\ssorgsky & a ,borod94 ,& "o has ! s5se ( hav+ enc\nt]$ only 9 sumptu\s ,ea/]n /uffs1 9 silk5 c>pets & gold5 mosaics1 or 9 ! or*e/ral fa]y ( "s ( ! ,russian compos]s1 9 ! or*e/ral *emi/ry (1 say1 a ,rimsky-,korsak(f1 su* brimm+1 delici\s colors4 ,nev]!less1 ! voluptu\sness & vehem5ce are held 9 fa/idi\s re/ra9t4 ,scriab9e is always ! f9e g5tleman1 intol]ant1 = all ! spl5dor ( 8 /yle1 ( any excess1 ( any exagg]ation1 ( any brea* ( ta/e4 ,& ?r\gh\t ! "w1 !re is evid5ce ( ! /eady1 re/less b\rgeon+ ( ! exquisite1 disquiet+1 almo/ ,*9ese delicacy :i* 9 ! "w ( ! la/ p]iod atta9s its m>vel\s effloresc5ce4 ,^! f9al works1 ^! la/ sonatas & poems & preludes ( ,scriab9e are b ! ess5tialization ( ! p]sonal traits adumbrat$ by ! compositions ( ! e>li] p]iods4 ,x is z if 9 adopt+ ! sy/em bas$ on ! my/ic *ord t p]si/$ 9 8 imag9ation1 ! *ord built up 9 f\r?s f ! tones c1 d1 e1 f-%>p1 a1 b1 he _h manag$ to rid himself ( all ! influ5ce ( ! classic ma/]s1 to give e note t he employs an int5se1 poignant1 new value1 & ?r\gh t revolution to a*ieve =m comp>able to ! mo/ em95t4 ,8 fantasy ranges ov] ! keybo>d ) complete fre$om2 he creates new rhy?ms1 new comb9ations ( tones t cause ! h&s ( ! p]=m] to become possess$ ( a new & curi\s intellig5ce1 to make significant ge/ures1 & to move ) a delightful life4 ,& ^! latt] compositions are entirely /ructure1 entirely bone4 ,!re is a complete economy4 ,!re is n a note 9 ! ,n9? ,sonata1 = in/ance1 t is n necess>y1 & does n seem to h great significance4 ,"h ev]y?+ is spee*4 ,! "w actually develops out ( ! quav]+ fir/ few b>s4 ,! va/ resonant p]oration only ga!rs into a s+le1 furi\s1 tragic pron\ncem5t ! mat]ial deploy$ 9 ! body ( ! "w4 ,sc>cely ev] has ! b9>y =m1 ! combat betwe5 two contradictory !mes1 be5 m ess5tializ$4 ,sc>cely ev] has ! prelude-=m be5 r$uc$ to simpl] t]ms ?an 9 ! preludes ( ,scriab9e4 ,^! works are inde$ radical4 ,= !y give u a fre% glimpse ( ! ar*etype ( _! =ms4 ,& yet1 h[ /range1 h[ inf9itely complex & novel a ?+ !y are4 ,!re is inde$ little music t ?r[s into %>p] relief ! miracle ( communication ?r\gh mat]ial =m4 ,a few s\nds1 brok5 & elusive1 are /ruck out ( an in/rum5t1 die away aga94 ,& yet1 ?r\gh ^? vibrations1 life = an in/ant is made inc&esc5t4 ,x is z ?\gh mu* t has hi!rto be5 %y & lonely exp]i5ce has und]gone a sudd5 *ange into some?+ cl>ifi$ & univ]sal4 ,x is z ?\gh p]=m] & auditor h !mselves be5 trans=m$ into m s5sitive in/rum5ts1 & prep>$ to p>ticipate m graci\sly 9 ! common exp]i5ce4 ,x is z ?\gh 9 ea* "o ! ability to feel beauty has be5 quick5$1 t ea* = an in/ant becomes ! man :o has nev] be=e se5 ! spr+ come ov] ! l&1 & :o1 glanc+ upw>d1 = ! fir/ "t beholds an apple-b\gh fl[]+ aga9/ ! blue4 ,& ,scriab9e fills "o ) ! ne$ ( mak+ wond]ful & w+$ ge/ures4 ,x is z if = in/ants he trans=ms "o into /range & radiant & ec/atic be+s1 into new & wond]ful ?+s4 ,= ?is music is full ( ! wiz>dry ( p]haps ! mo/ exquisite s5sibility t has = a long :ile disclos$ itself 9 music4 ,p]haps only 9 ! ,f> ,ea/1 p]haps only among ! ,*9ese1 h m delici\s & da9ty & ec/atic temp]s utt]$ !mselves 9 music4 ,beside ?is man1 ) 8 music t is l clu/]+ fl[]s break+ sudd5ly f ! cool & %ad[y e>?1 or l ! beat+ ( lum9\s w+s 9 ! inf9ite azure1 or l ! :isp]s ( "o s9k+ f ! _w 9 mortal illness1 ,debussy1 ev51 seems cool1 silv]$ by ! f9e temp]ance ( ,france4 ,= ,scriab9e mu/ h suff]$ an almo/ inord9ate subjugation to ! manife/ations ( beauty1 mu/ h be5 consum$ ) a passion = communicat+ 8 burn+ly poignant adv5tures4 ,!re are mom5ts :5 he seems sc>cely able to speak1 s int5se1 s enraptur+1 is 8 voluptu\s s5sation4 ,inde$1 ! s5suality is at times s int5sely communicat$ t x almo/ excites pa9 z well z pleasure4 ,if !re is any music t seems to hov] on ! bord]l& betwe5 ec/asy & suff]+1 x is ?is4 ,"o %r9ks f x z f "s too poignant revelation4 ,"o _c brea! = long 9 ?is e!r4 ,small wond] t ,scriab9e s\ght all 8 life to flee into /ates ( transport1 to inv5t a religion ( ec/asy4 ,= "o weigh$ ) ! t]rible burd5 ( s vibrant a s5sibility1 !re c\ld be no o!r means ( exi/5ce4 ,& ! ge/ure ( flight is pres5t ?r\gh\t 8 music4 ,?r\gh\t x1 "o he>s ! beat+ ( w+s4 ,sometimes1 x is ! light flutt] ( gli/5+ ephem]idae t :eel & skim delightfully ?r\gh ! limpid azure4 ,sometimes x is ! passionate fann+ ( w+s prep>+ !mselves = swift %>p asc5ts4 ,sometimes1 x is ! droop+ ( p9ions t s9k brok5ly4 ,= all ^! pieces are ,poemes ailes1 flights t[>d "s isl& ( ! ble/4 ,!y are all aspirations v]s la flamme1 t[>d ! spiritual fire ( joy1 t[>d ! p>adise ( div9e pleasure & div9e activity4 ,! ,fif? ,sonata is l ! m>%al+ ( =ces1 ! mighty spr+ ( "s radiant fly] laun*+ himself into ! empyrean4 ,:ite gleam+ p9ions :eel & hov] 9 ! godlike close ( ! ,poeme div9e4 ,impot5t cag$ w+s poise !mselves = flight 9 ! my/ic ,sev5? ,sonata1 beat = an in/ant1 are om9\sly /ill4 ,sometimes1 z 9 ! ,eigh? ,sonata1 ,scriab9e is l a gorge\s tropical bird pre5+ himself 9 ! quiv]+ riv] light4 ,sometimes he is a s]aphic creature outspread+ 8 mighty p9ions to greet "s trem5d\s _s sunrise4 ,& 9 ^? la/1 ble$+1 agoniz+ preludes1 !re is /ill ! brea? ( flight4 ,b ?is "t x is ano!r motion4 ,is x ! w9d ( dea?'s imp]i%able w+8 ,is x ! bl9d hov]+ ( ! _s t has quit its e>?ly habitation 9 ! mom5t ( dissolution8 ,"o _c tell4 ,& x 0 ! flight ( ec/asy t he s\ght to a*ieve 9 8 symphonic poems4 ,he _h made = himself a curi\s p]sonal religion1 a biz>re mixture ( !osophy & neoplatonism & ,b]gsonian philosophy1 a fai? t prescrib$ transport2 & ^! works 7 9 "p conceiv$ z rituals4 ,!y 7 plann$ z c]emonies ( elevation & deification by ec/asy1 9 :i* p]=m]s & auditors engag$ z active & passive celebrants4 ,toge!r !y 7 to asc5d f plane to plane ( delight1 exp]i5c+ div9e /ruggle & div9e bliss & div9e creativity4 ,! music 0 to call ! s\l ?r\gh ! gate ( ! s5se ( he>+1 to lead x1 sl[ly1 hi]atically1 up ?r\gh circle aft] circle ( heav51 until ! my/ical gongs boom$ & ! mass emotion rea*$ ! ,fa!r ( ,s\ls1 & 0 become ,god4 ,) ,jules ,roma9s1 ,scriab9e w\ld h cri$ to 8 audi5ces3 ,tu vas m\rir tantot1 s\s le poids de tes heures3 ,les hommes1 delies1 gliss]ont p> les portes1 ,les ongles de la nuit t'arra*]ont la *air4 ,qu'importe6 ,tu es mi5ne avant que tu sois morte2 ,les corps qui sont ici1 la ville peut les pr5dre2 ,ils g>d]ont au front comme une croix de c5dre ,le ve/ige du dieu que tu es ma9t5ant6 ,9 ,prome!us he introduces a clavi] a lumi]e into 8 or*e/ra1 va9ly hop+ to induce ! ec/asy ?r\gh color z well z s\nd1 & aft] 8 dea? !re 0 f\nd among 8 pap]s a sket* = a ,my/]ia 9 :i* ! music 0 to be conjo9$ n only ) light1 b ) dance & p]fume z well4 ,x is a pity x 0 n grant$ him to a*ieve ?is "w4 ,! !osophic programs ( 8 or*e/ral works are1 aft] all1 innocu\s4 ,mu* ( ! half-my/ical1 half-s5sual coloration ( 8 or*e/ra is due !m4 ,& _h ! score ( ! ,my/]ia be5 z mu* an improvem5t ov] t ( ,prome!us z ,prome!us is ov] ! o!r symphonic works1 ,scriab9e might inde$ h prov$ himself z em95t a writ] = ! or*e/ra z = ! piano4 ,x is inde$ likely t to-morr[ ! _w w f9d 9 8 piano-works its new ,*op91 t ,scriab9e w %ortly be giv5 ! place once occupi$ by ! o!r4 ,= n only is he 9 _m ways ! arti/ic sup]ior ( ! man :o once 0 8 ma/]4 ,he is1 z well1 "o ( ! be+s 9 :i* ! age t is sl[ly expir+ ab\t u became consci\s & articulate4 ,russia bore him1 x is true1 elem5t$ him1 gave him h] *ildlike t5d]ness & b>b>ic ri*ness & my/ic light4 ,b 9 develop+ out ( ! ,russian univ]sal s*ool into p]fect lib]ty & individuality1 he became inde$ a univ]sal expression1 ! fir/ really produc$ by ! gr\p4 ,he became1 l ! int5sely national ,/raw9sky1 "o ( ^? m5 into :om an age ent]s4 ,he is symbolic ( 8 "t4 ,he seems to h felt 8 age's life 9 its int5se/ =m4 ,! h\r t creat$ him 0 an h\r 9 :i* ! p[] ( feel+ _h wax$ inord9ately1 almo/ to ! po9t ( hamp]+ action1 :5 an ,asiatic delicacy _h begun to be manife/ 9 ,we/]n "*1 :5 ! fusion ( ,europe & ,asia 0 comm5c+ to make itself felt4 ,& 9 ,scriab9e1 t new int5sity ( s5sation atta9$ some?+ ne> to h]oic sup]natural /ature4 ,:at 0 beautiful & sick 9 8 age ent]$ into 8 art4 ,?r\gh x1 we le>n1 n a little1 h[ we feel4 ,8 music 0 a ?+ creat$ 9 ! fle% ( a man1 out ( 8 agony4 ,e9e ,entwicklung i/ e9 ,s*icksal1 ,?omas ,mann once wrote4 ,= ,scriab9e1 ! awak5+ ( t a]ial palpitant s5sibility 0 su*4 ,x dev\r$ him l a fire4 ,"o %udd]s z well z m>vels at ! de/9y ( "o :o came to feel life z x is felt 9 ^? la/ quiv]+ poems--,guirl&es1 ,flammes sombres1 he entitles !m1--or 9 ! my/]i\s ,t5? ,sonata1 t gl[s ) ! fev]i% light ( ! dream1 or 9 ^? la/ haunt$ preludes4 ,exi/5ce = ! man :o c\ld write su* music1 9 :i* une>?ly rapture contra/s ) une>?ly suff]+1 mu/ h be5 a sort ( exquisite m>tyrdom4 ,! man mu/ h be5 inde$ a n]ve expos$4 ,&1 l a fragile ?+ sudd5ly ignit$1 he fl>$ up1 fi]cely1 magnific5tly1 & w5t out4 ,/raw9sky ,! new /eel organs ( man h begott5 _! music 9 ,le ,sacre du pr9temps4 ,= ) ,/raw9sky1 ! rhy?ms ( ma*9]y ent] musical art4 ,) ?is 8 magi/ral "w a new *apt] ( music comm5ces1 ! spiritualization ( ! new body ( man is manife/4 ,?r\gh ,debussy1 music _h liquifi$1 become opalesc5t & impalpable & flu5t4 ,x _h become1 because ( 8 s5se1 8 g5]ation's s5se1 ( ! infirmity ( ?+s1 a sort ( symbol ( ! et]nal flux1 ! et]nal mom5t>9ess4 ,x _h come to body =? all t m]ges & *anges & disappe>s1 to mirror ! incessant dep>tures & evanesc5ces ( life1 to %ape itself ^u ! inf9itely subtle play ( light1 ! re/less1 heav+1 foam+ surface ( ! sea1 ! impalpable racks ( p]fume1 ^u gu/s ( w9d & fad+ s\nds1 ^u all ! ephem]al wond] ( ! _w4 ,b ?r\gh ,/raw9sky1 !re has come to be a music /yli/ically well-nigh ! rev]se ( t ( ! impressioni/s4 ,?r\gh him1 music has become aga9 cubical1 lapid>y1 massive1 me*ani/ic4 ,sc9tillation is gone out ( x4 ,! delicate1 s9u\s melodic l9e1 ! glamor\s %e5y h>monies1 are gone out ( x4 ,! elegance ( ,debussy1 ! gold5 s5suality1 ! quiet1 classic t\*1 are fl[n4 ,in/ead1 !re are come to be great1 weighty1 metallic masses1 molt5 piles & %eets ( /eel & iron1 %9+ adamant9e bulks4 ,cont\rs are become grim1 sev]e1 angul>4 ,melodies are %>p1 rigid1 asymmetrical4 ,*ords are unc\?1 squ>e clu/]s ( notes1 /\t & solid z ! pill>s t support ro(s1 heavy z ! ?uds ( triphamm]s4 ,above all1 !re is rhy?m1 rhy?m rectangul> & %e] & emphatic1 rhy?m t lunges & beats & reit]ates & dances ) all ! /eely p]fect tirelessness ( ! ma*9e1 %oots out & draws back1 %oots upw>d & %oots d[n1 ) ! inhuman motion ( titanic arms ( /eel4 ,inde$1 ! *ange is z radical1 z complete1 z ?\gh 9 ! mid/ ( moonlit noble g>d5s a giant ma*9e _h aris5 swiftly f ! gr\nd & inundat$ ! night ) electrical gl>e & set its metal !ws & organs & jo9ts rel5tlessly :irr+1 rel5tlessly function+4 ,& yet1 ! two /yles1 ,debussy's & ,/raw9sky's1 are relat$4 ,inde$1 !y are complem5t>y4 ,!y are ! reactions to ! same /imulus ( two fundam5tally diff]5t types ( m9d4 ,no d\bt1 betwe5 ! two m5 !re exi/ diff]5ces besides ^? ( _! g5]al fa%ions ( ?9k+4 ,! temp] ( ,debussy 0 pr(\ndly s5su\s & ari/ocratic & conta9$4 ,t ( ,/raw9sky is n]v\s & ironic & viol5t4 ,! "o man issu$ f an unbrok5 tradition1 0 produc$ by g5]ations & g5]ations ( g5tlem54 ,! o!r is "o ( ^? be+s :o seem to h be5 call$ into exi/5ce solely by ! mod]n way ( life1 by express tra9s & ocean greyh\nds1 by ! %r9kage ( cont95ts & ! vibration ( ! tw5tie?-c5tury _w4 ,b ! *ief diff]5ce1 ! diff]5ce t made ,le ,sacre du pr9temps almo/ anti!tical to ,pelleas et ,melis&e1 is ess5tially ! div]g5ce betwe5 two c>d9al mann]s ( appreh5d+ life4 ,debussy1 on ! "o h&1 seems to be ( ! sort ( m5 9 :om ! c5t] ( consci5ce is1 figuratively1 sunk52 "o ( ^? :o h )9 !mselves "s immobility t makes ! p & ! ?+s ab\t !m appe> fleet+ & unreal4 ,= su*1 ! _w is a f> di/ant ?+1 ly+ out on ! rims ( consci\sness1 delicate & imp]man5t z sunset hues or ! lights & ge/ures ( ! dream4 ,! music ( ,debussy is ! magi/ral & classic picture ( ?is di/ant & glamor\s procession1 ?is illusory & fanta/ical & transp>5t %[1 ?is ?+ t *anges f mom5t to mom5t & is nev] twice ! same1 & fl[s away f u s quickly4 ,b ,/raw9sky1 on ! o!r h&1 is 9 ! v mid/ ( ! ?+ s di/ant f ! o!r man4 ,= him1 ! mat]ial _w is v real1 %>p1 imm$iate4 ,he loves x1 enjoys x1 is excit$ by its _m =ms4 ,he is vividly responsive to its traffic4 ,?+s make an imm$iate & bit+ impression on him1 /imulate 9 him pleasure & pa94 ,he feels _! edge & kn[s x h>d1 feels _! weight & kn[s x heavy1 feels _! motion 9 all its viol5ce4 ,!re is 9 ,/raw9sky an almo/ fr5etic delight 9 ! processes t g on ab\t him4 ,he goes ?r\gh ! cr[d$ ?or\ghf>es1 ?r\gh clutt]$ places1 ?r\gh factories1 hotels1 :>ves1 sits 9 railway tra9s1 & ! gl>e & tumult & pulsation1 ! eng9es & locomotives & cranes1 ! :ole mad phantasmagoria ( ! mod]n city1 evoke images 9 him1 inflame him to reproduce !m 9 all _! weight & gian?ood & mass1 _! blackness & luridness & p[]4 ,! mo/ vulg> ?+s & ev5ts excite him4 ,! traffic1 ! re/lessness ( cr[ds1 ! noise ( vehicles1 ( ! clatt] ( horses on ! asphalt1 ( human cries & calls s\nd+ above ! /reet-bass1 a c\ple ( organ gr9d]s try+ to outplay ea* o!r1 a brass b& com+ d[n ! av5ue1 ! ?und] ( a railway tra9 hurl+ itself ov] leagues ( /eel1 ! sir5s ( /eamboats & locomotives1 ! ov]tones ( factory :i/les1 ! ro> ( cities & h>bors1 become music to him4 ,9 "o ( 8 e>ly or*e/ral sket*es1 he imitates ! buzz+ ( a hive ( bees4 ,"o ( 8 m9iatures = /r+-qu>tet bangs ) ! beat ( ! wood5 %oes ( peasants danc+ to ! sn>l+ tones ( a bagpipe4 ,ano!r reproduces ! dron+ ( ! prie/ 9 a little *apel1 recreates ! sc5e almo/ cruelly4 ,& ! score ( ,petru*ka is alive m>vel\sly ) ! rank1 g>i% life ( a *eap fair4 ,its bubbl+ flutes1 see?+ in/rum5tal caldron1 conc]t9a-rhy?ms & bright1 gaudy colors conjure up ! movem5t ( ! cr[ds t surge ab\t ! amusem5t boo?s1 pa9t to ! life ! little fly+ flags1 ! ge/ures ( ! %[m51 ! bright balloons1 ! %oot+-gall]ies1 ! gipsy t5ts1 ! crudely /a9$ canvas walls1 ! gr\ps ( coa*m5 & s]vant girls & *ildr5 9 _! holiday f9]y4 ,at mom5ts "o c ev5 smell ! sausages fry+4 ,= ,/raw9sky is "o ( ^? compos]s1 f\nd scatt]$ all along ! pa?way ( 8 art1 :o augm5t ! expressiv5ess ( music ?r\gh direct imitation ( nature4 ,8 imag9ation seems to be free1 b\nd 9 n[ise by :at o!r m5 h adjudg$ music to be1 & by :at _! practice has made x seem4 ,he comes to 8 art )\t prejudice or preconception ( any k9d1 x appe>s4 ,he plays ) its elem5ts z caprici\sly z ! *ild plays ) pap] & crayons4 ,he amuses himself ) ea* in/rum5t ( ! b& c>eless ( its cu/om>y uses4 ,!re are times :5 ,/raw9sky comes into ! solemn conclave ( musicians l a gam9 ) trumpet & drum4 ,he disports himself ) ! inf9itely dignifi$ /r+-qu>tet1 makes x d light & acrobatic ?+s4 ,!re is "o int]lude ( ,petru*ka t is writt5 = sn>e-drums alone4 ,8 "w is incru/$ ) *eap waltzes & b>rel-organ tunes4 ,x is gamy & racy 9 /yle2 full ( musical slang4 ,he makes ! or*e/ra imitate ! quav]+ ( an old hurdy-gurdy4 ,( late he has writt5 a ballet = eight cl[ns4 ,& he is report$ to h said1 ,i %\ld l to br+ x ab\t t music be p]=m$ 9 /reet-c>s1 :ile p get out & get 94 ,= he f9ds 8 greate/ enemy 9 ! conc]t-room1 t rut t limits ! play ( ! imag9ation ( audi5ces1 t =tress 9 :i* all ( ! int5tions ( ! m5 ( ! pa/ h e/abli%$ !mselves1 & f :i* !y dom9ate ! musical pres5t4 ,! conc]t-room has succe$$ 9 mak+ music a drug1 a s$ative1 has creat$ a musical attitude 9 folk t is false1 & robb$ musical art ( its p[]4 ,= ,/raw9sky music is ei!r an infection1 ! communication ( a lyrical impulse1 or no?+ at all4 ,& s he w\ld h x p]=m$ 9 ord9>y places ( congregation1 at fairs1 9 tav]ns1 music-halls1 /reet-c>s1 if y w1 9 ord] to enable x to function freely once aga94 ,8 art is po9t$ to quick51 to infect1 to beg9 an action t ! li/5] mu/ complete )9 himself4 ,x is a sort ( musical %or?&4 ,on pap]1 x has a fragm5t>y look4 ,x is z ?\gh ,/raw9sky _h s\ght to r$uce ! elem5ts ( music to _! %>pe/ & simple/ t]ms1 _h hop$ t ! developm5t w\ld be made by ! audi5ce4 ,he seems to feel t if he _c a*ieve 8 end1 ! communication ( 8 lyrical impulse1 ) a s+le /rong motif1 a s+le /rong movem5t ( tones1 a s+le rhy?mic />t1 he _c a*ieve x at all4 ,s we f9d him writ+ songs1 ! ?ree ,japanese lyrics1 = in/ance1 t are epigrammatic 9 _! brevity2 a piece = /r+-qu>tet t is play$ 9 fifty seconds2 a ?ree-act op]a t c be p]=m$ 9 ?irty m9utes4 ,b x is no exp]im5t 9 =m t he is mak+4 ,he seems to br+ into music "s ( ! p[] ( ! ,*9ese arti/s :o1 9 ! pa9t+ ( a twig1 or ( a pair ( blossoms1 repres5t ! entire spr+tide4 ,he has writt5 "s ( ! fre%e/1 mo/ rippl+1 delicate music4 ,sc>cely a liv+ man has writt5 m fre%ly or humor\sly4 ,april1 ! fl[]+ bran*es1 ! sn[+ petals1 ! cl\ds high 9 ! blue1 are really 9 ! %rill+ little or*e/ra ( ! ,japanese lyrics1 9 ! gre51 gurgl+ flutes & wat]y viol9s4 ,none ( ! innum]able ,spr+ ,symphonies1 ,spr+ ,ov]tures1 ,spr+ ,songs1 are really m v]nal1 m soak$ 9 ! g5tle sun%9e ( spr+1 are m really ! se$-"t1 ?an ! six naive pip+ measures ( melody t introduce ! figure ( ! ,sacre entitl$ ,rondes pr9tani]es4 ,no d\bt1 9 v5tur+ to write music s bold & orig9al 9 e/hetic1 ,/raw9sky 0 enc\rag$ by ! example ( ano!r musician1 ano!r ,russian compos]4 ,m\ssorgsky1 be=e him1 _h tru/$ 9 8 own innoc5ce in/ead ( 9 ! wisdom ( ! fa!rs ( ! musical *ur*1 _h d>$ obey ! prompt+s ( 8 own blood & set d[n *ords1 melodies1 rhy?ms1 j z !y sang 9 8 skull1 ?\gh all ! _w rise up to damn him4 ,b ! p5n+ ( music z jagg$1 cubical1 b>b>\s z ! prelude to ! ?ird act ( ,/raw9sky's little op]a1 ,! ,night+ale1 or z nak$1 unc\?1 rectangul>1 rocklike1 polyh>monic1 headlong1 z "s ( t ( ,le ,sacre du pr9temps requir$ no less p]fect a conviction1 no less great a self-reliance4 ,! music ( ,/raw9sky is ! expression ( an innoc5ce comp>able inde$ to t ( 8 great pr$ecessor4 ,le ,sacre du pr9temps is :at its compos] t]m$ x4 ,x is an act ( fai?4 ,& s1 free ( preconceptions1 ,/raw9sky 0 able to let nature move him to imitation4 ,j z ,picasso br+s tw5tie?-c5tury nature into 8 /ill lives1 s ! "y compos] br+s x into 8 music4 ,x is ! rhy?m ( ma*9]y t has set ,/raw9sky ! arti/ free4 ,all 8 life he has be5 consci\s ( ^! /eel m54 ,me*anical ?+s h influ5c$ 8 art f ! beg9n+4 ,x is z ?\gh ma*9]y _h reveal$ him to himself1 z ?\gh sight ( ! function+ ( ^! metal organisms1 !mselves b ! ext5sion ( human bones & muscles & organs1 _h awak5$ into play ! eng9e t is 8 prop] body4 ,=1 z ,james ,opp5heim has put x 9 ! introduction to ,! ,book ( ,self1 ,man's body is j z l>ge z 8 tools1 = a tool is m]ely an ext5sion ( muscle & bone2 a :eel is a swift] foot1 a d]rick a great] h&4 ,consequ5tly1 9 ! e>ly "p ( ! c5tury1 ! race f\nd itself ) a new gigantic body4 ,x is z ?\gh ! infection ( ! danc+1 lung+1 pump+ pi/on-rods1 walk+ beams1 drills1 has awak5$ out ( ,/raw9sky a response & giv5 him 8 p[] to beat out rhy?m4 ,! ma*9e has always fasc9at$ him4 ,"o ( 8 fir/ orig9al compositions1 writt5 :ile he 0 yet a pupil ( ,rimsky-,korsak(f's1 imitates fireworks1 di/+ui%es :at is human 9 _! activity1 9 ! popp+1 hiss+1 explod+1 9 ! hy/]ical weep+ ( ! fi]y f\nta9s1 ! pr\d exhibitions & sudd5 collapses ( ! p9-:eels4 ,x is ! ma*9e1 enemy ( man1 t is pictur$ by ,! ,night+ale1 t curi\s "w ( :i* "o act dates f #aiji1 & two f #aiad4 ,/raw9sky _h ! libretto =m$ on ! tale ( ,hans ,*ri/ian ,&]s5 :i* rec\nts ! adv5tures ( ! little br[n bird t s+s s beautifully t ! ,emp]or ( ,*9a bids x to 8 c\rt4 ,/raw9sky's night+ale1 too1 comes to ! palace & s+s1 & all ! ladies ( ! ent\rage fill _! m\?s ) wat] 9 ! hopes ( bett] imitat+ ! w>bl+ ( ! song/]4 ,b !n !re ent] envoys be>+ ! gift ( ! ,emp]or ( ,japan1 a me*anical night+ale t amuses ! c\rt ) its clockwork antics4 ,once m ! emp]or comm&s ! woodl& bird to s+4 ,b x is fl[n4 ,9 8 rage ! emp]or bani%es x f 8 realm4 ,!n ,dea? comes & sits at ! emp]or's b$side1 & /eals f him cr[n & scept]1 till1 ( a sudd51 ! ,night+ale returns1 & s+s1 & makes ,dea? rel9qui% 8 spoils4 ,& ! c\rti]s :o come into ! imp]ial b$*amb] expect+ to f9d ! mon>* dead1 f9d him well & glad 9 ! morn+ sun%9e4 ,& 9 8 two major works1 ,petru*ka & ,le ,sacre du pr9temps1 ,/raw9sky makes ! ma*9e repres5t 8 own p]son4 ,= ! actions ( ma*9]y woke fir/ 9 ! human organism1 & ,/raw9sky int5sifies consci\sness ( ! body by ref]r+ ^! motions to _! orig94 ,petru*ka is ! man-ma*9e se5 f )\t1 se5 unsympa!tically1 9 its comic aspect4 ,c\ntless poets be=e ,/raw9sky h attempt$ to portray ! puppet-l activities ( ! human be+1 & ,petru*ka is b "o ( ! rec5t ( innum]able /age-%[s t expose ! automaton 9 ! human s\l4 ,b ! puppet-%[ ( ,/raw9sky is s+ul> because ( its musical accompanim5t4 ,= m ?an ev5 ! mimes on ! /age1 ! or*e/ra is full ( ! _s ( ! automaton4 ,! angul>1 wood5 ge/ures ( ! dolls1 _! smudg$ faces1 _! entrails ( sawdu/1 are 9 ! music t5 times z int5sely z !y are ^u ! /age4 ,9 ! score ( ,petru*ka music itself has become a little mannik9 9 p>ti-color$ clo!s1 at :i* ,/raw9sky gazes & laughs z a *ild laughs at a funny doll1 & makes dance & tosses 9 ! air1 & s5ds sprawl+4 ,! score is full ( ! revolutions ( :eels1 ( delicate clockwork movem5ts1 ( screws & turb9es4 ,b5ea? ! music "o he>s always ! regul>1 insi/5t1 maniacal brea?+ ( a conc]t9a4 ,& :at 9 x is n purely me*ani/ic nev]!less completes ! picture ( ! _w z x appe>s to "o :o has se5 ! man-ma*9e 9 all its com$y4 ,! /age pictures1 ! trump]y little fair1 ! t9sel & pa!tic f9]y ( ! cr[ds1 ! danc+ ( ! human ephem]idae a mom5t be=e ! sn[ beg9s to fall1 are /a9$ m>vel\sly deeply by ! music4 ,! score has ! colors ( crudely dy$1 fad$ bunt+4 ,x has inde$ a s]vant girl grace1 a coa*man ardor1 a b>rel-organ1 t9type1 popcorn1 =tune-tell] flavor4 ,le ,sacre1 on ! o!r h&1 is ! man-ma*9e view$ n f )\t1 & unsympa!tically1 b f )94 ,s f>1 x is ,/raw9sky's ma/]work1 ! complete/ & pure/ expression ( 8 g5ius4 ,= ! elem5ts t make = ! orig9ality ( /yle ( ,petru*ka & ! o!r ( ,/raw9sky's repres5tative compositions1 9 ?is "w atta9 a signal l>g5ess & p[]fulness4 ,! rhy?mic elem5t1 already fre% & free 9 ! s*]zo ( ,l',oiseau de feu & ?r\gh\t ,petru*ka1 atta9s virile & magi/ral might 9 x1 surges & ?und]s ) giant vigor4 ,! in/rum5tation1 magical ) all ! magic ( ! ,russian ma/]s 9 ! e>li] ballets1 "h is in=m$ by ! %>pness1 h>dness1 nak$ness :i* is orig9ally ,/raw9sky's4 ,besides1 ! latt] "w has ! ?+ hi!rto lack+ some:at 9 ! "y man's art--gr&eur & sev]ity & ironness ( language4 ,9 x he /&s completely new1 completely 9 possession ( 8 p[]s4 ,& 9 x ! ma*9e op]ates4 ,o/5sibly1 ! action ( ! ballet is laid 9 prehi/oric times4 ,o/5sibly1 x figures ! ritual ) :i* a tribe ( /one-age ,russians consecrat$ ! spr+4 ,some?+ ( ! sort 0 necess>y1 = an actual repres5tation ( ma*9es1 a ballet ( ma*9es1 w\ld n h be5 z grimly significant z ! angul>1 unc\? ge/ures ( m51 w\ld by no means h z nak$ly reveal$ ! human eng9e4 ,"h1 9 ! *oreography1 e fluid1 supple1 curv+ motion is suppress$4 ,ev]y?+ is angul>1 cubical1 rectil9e>4 ,! music p\nds ) ! rhy?m ( eng9es1 :irls & spirals l screws & fly-:eels1 gr9ds & %rieks l labor+ metal4 ,! or*e/ra is transmut$ to /eel4 ,ea* movem5t ( ! ballet correlates ! rhy?ms ( ma*9]y ) ! human rhy?ms :i* !y prolong & repeat4 ,a doz5 mills pulsate at once4 ,/eam escapes2 exhau/s brea! heavily4 ,! weird or*e/ral introduction to ! second sc5e has all ! oppressive sil5ce ( ma*9es immobile at night4 ,& 9 ! hurtl+ f9ale ! music & ! danc]s create figure t is at once ! pi/on & a sexual action4 ,= ,/raw9sky has /ripp$ away f man all t ) :i* specialization1 diff]5tiation1 h cov]$ him1 & reveal$ him aga91 9 a sort ( cruel :ite light1 a few function+ organs4 ,he has %[n him a ma*9e to :i* p[] is appli$1 & :i* labors 9 bl9d ob$i5ce precisely l ! microscopic animal t eats & p>turates & dies4 ,! spr+ comes2 & life repl5i%es itself2 & man1 l se$ & g]m1 obeys ! prompt+s ( ! bl9d p[] t creat$ him1 & accompli%es 8 pr$e/9$ c\rse & takes 9 en]gy & p\rs x out aga94 ,b1 = a mom5t1 9 ,le ,sacre du pr9temps1 we feel ! motor =ces1 wat* ! nak$ :eels & lev]s & arms at "w1 see ! dynamo itself4 ,! ballet 0 complet$ 9 #aiac1 ! ye> ,/raw9sky 0 ?irty-"o ye>s old4 ,x may be t ! "w w be succe$$ by o!rs ev5 m orig9al1 m p[]ful4 ,or x may be t ,/raw9sky has already writt5 8 ma/]piece4 ,! works t he has compos$ dur+ ! w> are n1 x appe>s1 /rictly new developm5ts4 ,:atev] enl>gem5t ( ! field ( ! /r+ qu>tet ! ?ree little pieces :i* ! ,flonzaleys play$ "h 9 #aiae creat$1 !re is no d\bt t x 0 no?+ at all to comp>e ) ! innovation 9 or*e/ral music creat$ by ! great ballet4 ,&1 accord+ to rumor1 ! newe/ ( ,/raw9sky's "w1 ! music-hall ballet = eight cl[ns1 & ! "w = ! or*e/ra1 ballet & *orus entitl$ ,les ,noces villageoises1 are by no means z bold 9 /yle z ,le ,sacre1 & resemble ,petru*ka m ?an ! lat] ballet4 ,b1 :atev] ,/raw9sky's future accompli%m5t1 !re c be no d\bt t ) ?is "o "w1 if n also ) ,petru*ka1 he has secur$ a place among ! true musicians4 ,x is d\btful :e!r any liv+ compos] has op5$ new musical l& m widely ?an he4 ,= he has n only m9t$ music anew4 ,he has rea*$ a po9t ahead ( u t ! _w w\ld h rea*$ )\t him4 ,t alone %[s him ! g5ius4 ,he has br\ght into music some?+ = :i* we _h long be5 wait+1 & :i* we knew mu/ "o day arrive4 ,to u1 at ?is mom5t1 ,le ,sacre du pr9temps appe>s "o ( ^? compositions t m>k (f ! musical miles4 ,mahl] ,almo/ simultane\sly ) ! rise ( ,russian music & ! new bir? ( ,fr5* music1 t ( ,g]many has det]iorat$4 ,! great l9e ( compos]s :i* desc5d$ f ,ba* & ,ha5del = two c5turies has wav]$ & dim9i%$ visibly dur+ ! la/ ?ree decades4 ,! pr\d tradition seems to h rea*$ a tempor>y halt 9 ,wagn] & ,bruckn] & ,brahms4 ,x may be t mod]n ,g]many is a difficult t]ra91 t ! viol5t *ange 9 conditions ( life1 ! furi\s accel]ation1 has creat$1 = ! "t be+1 a soil unusually inimical to ! disclosure ( p]fect works ( art4 ,! blight on ! entire new g5]ation ( compos]s w\ld seem to po9t to "s su* common cause4 ,!re is1 no d\bt1 a curi\s co9cid5ce 9 ! fact t 9 ea* ( ! f\r *ief ,g]man musicians ( ! rec5t p]iod !re %\ld be manife/ 9 "s degree a failure ( arti/ic in/9ct4 ,! co>s5+ ( ! craftsman%ip1 ! spiritual bankruptcy1 ( ! lat] ,/rauss1 ! grotesque p$antry ( ,reg]1 ! intellectualism ) :i* ! art ( ,s*o5b]g has always be5 ta9t$1 & by :i* x has be5 corrupt$ ( late1 ! banality ( ,mahl]1 dovetail suspici\sly4 ,& yet1 x is probable t ! cause lies o!r:]e1 & t ! conjunction ( ^! f\r m5 is accid5tal4 ,!re h be51 aft] all1 few environm5ts really fri5dly to ! arti/2 mo/ ( ! ma/]s h _h to recov] f a some?+ rott5 9 ! /ate ( ,d5m>k1 & _m ( !m h surm\nt$ conditions worse ?an ^? ( mod]n ,bism>ckian ,g]many4 ,! cause ( ! unsatisfactor9ess ( mu* ( ! music ( ,/rauss & ,s*o5b]g1 ,reg] & ,mahl]1 is d\btless to be f\nd 9 ! innate weakness ( ! m5 !mselves r m ?an 9 ! unheal?9ess ( ! atmosph]e 9 :i* !y pass$ _! lives4 ,/ill1 ! case ( ,mahl] makes "o hesitate a :ile be=e pass+ judgm5t4 ,:]eas x is probable t ,ri*>d ,/rauss w\ld h det]iorat$ no matt] h[ fri5dly ! age 9 :i* he liv$1 t ,reg] w\ld h be5 j z mu* a p$ant _h he be5 born 9 ,p>is in/ead ( 9 ,bav>ia1 t ,s*o5b]g w\ld h develop$ into 8 ma!matical frigidity :]ev] he resid$1 x is possible t ,mahl]'s fate might h be5 diff]5t _h he n be5 born 9 ! ,au/ria ( ! #ahfj's4 ,= if ,mahl]'s music is pre-em95tly a reflection ( ,bee?ov5's1 if he nev] spoke 9 au!ntic acc5ts1 if out ( 8 va/ dreams ( a great mod]n popul> symphonic art1 out ( 8 hone/y1 8 s9c]ity1 8 indu/ry1 8 und5iably noble & magnific5t traits1 !re result$ only ^? unhappy bor+ colossi t are 8 n9e symphonies1 x is indubitably1 to a great ext5t1 ! consequ5ce ( ! fact t he1 ! ,jew1 0 born 9 a society t made ,judaism1 ,jewi% desc5t & ,jewi% traits1 a curse to ^? t inh]it$ !m4 ,! de/9y t _h made him ,jew decre$ t1 did he speak out fully1 he w\ld h to employ an idiom t w\ld recall ! h>% acc5ts ( ! ,hebrew language q z mu* z t ( any tongue spok5 by ! peoples ( ,europe4 ,x decre$ t1 :atev] ! hi/ory ( ! art he practis$1 :atev] ! "* ( ! age 9 :i* he liv$1 he c\ld n impress himself ^u 8 m$ium )\t impregnat+ x ) ! traits he inh]it$ f 8 ance/ors4 ,x decre$ t 9 speak+ he w\ld h to suffuse musical art ) ! qualities & *>act]i/ics engrav$ 9 ! /ock by ! hi/ory & vicissitudes ( 8 race1 by its age-long soj\rn 9 ! des]ts ( ,arabia & on ! b>r5 hills ( ,syria1 by ! con/ra9t ( its religion & folkways1 by its titanic & t]rible /ruggle = survival aga9/ ! fi]ce peoples ( ,asia1 by ! m>vel\s vitality & self-consci\sness & exclusiv5ess t c>ri$ x :ole across l&s & times1 out ( ! et]nal ,egypt ?r\gh ! et]nal ,r$ ,sea4 ,b x 0 j ! racial attributes1 ! racial ge/ure & acc5t1 t a man 9 ,mahl]'s position f\nd inord9ately difficult to regi/]4 ,= ,au/rian society put a great price on 8 suppression ( !m4 ,x p]mitt$ him to p>ticipate 9 its activities only on ! condition t he did n rem9d x cont9ually ( 8 ali5hood1 ( 8 racial consci\sness4 ,x p]mitt$ him ! s5se ( equality1 ( frat]nity1 ( citiz5%ip1 only on ! condition t he %\ld seek to suppress )9 himself all aw>5ess ( 8 desc5t & "* & peculi>ities1 & attempt to id5tify himself ) its memb]s1 & try to feel j z !y felt & speak j z !y spoke4 ,= if ,au/ro-,g]man society _h admitt$ ! ,jews to civil rights1 x _h made !m feel z nev] be=e ! old hatr$ & mal$iction & exclusion4 ,! walls ( ! ghettos _h1 aft] all1 prev5t$ ! ,jew f feel+ ! full =ce ( ! disability "u :i* he labor$1 insomu* z !y _h repress$ 9 him all desire to m+le 9 ! life ( ! c\ntry 9 :i* he f\nd himself4 ,b 9 excit+ 8 greg>i\sness1 9 appe>+ to all[ him to p>ticipate 9 ! public life1 9 bo? invit+ & repell+ him1 a community l t ( ,au/ria1 /ill s ne> ! ,middle ,ages1 made him feel 9 all its t]rible might ! h&icap ( race1 ! mad hatr$ & contempt ) :i* x puni%$ 8 desc5t4 ,& x is b natural t among/ ^? v ,jews be/ fitt$ to take "p 9 affairs1 & consequ5tly mo/ s5sitive to ! ill-w t b>r$ !m f p[] & success1 !re %\ld be ar\s$1 despite all consci\s ef=ts nei!r to surr5d] nor to %r9k1 an unconsci\s desire to escape ! consequ5ces ( ! ?+ t /amp$ !m 9 ! eyes ( ! g5]al z individuals ( an inf]ior sort2 to inhibit any spiritual ge/ure t might ar\se ho/ility2 & to w>d (f any subjective s5se ( p]sonal inf]iority by conv9c+ !mselves & _! fell[s t !y possess$ ! traits g5]ally e/eem$4 ,s a ru9\s conflict 0 introduc$ into ! s\l ( ,gu/av ,mahl]4 ,9 ! place ( ! unit$ self1 !re came to exi/ )9 him two m54 ,= :ile "o "p ( him dem&$ ! free complete expression necess>y to ! arti/1 ano!r s\ght to block x = fe> t 9 ! free fl[ ! hat$ racial traits w\ld appe>4 ,= ,mahl] w\ld h be5 ! fir/ to h be5 repell$ by ! s\nd ( 8 own h>%1 haughty1 guttural1 abrupt ,hebrew inflection4 ,he w\ld h be5 ! fir/ to turn 9 contempt f 8 own ge/ures4 ,!re 0 9 him ! fr5etic unconsci\s desire to rid himself ( ! ?+ he _h come to believe inf]ior4 ,& r ?an express x1 r ?an speak 9 8 prop] idiom1 he made1 unaw>e to himself1 p]haps1 ! *oice ( speak+ ?r\gh ! voices ( o!r m51 ( ! great ,g]man compos]s2 ( imitat+ !m in/ead ( develop+ 8 own p]sonality2 ( accept+ /]ility & banality & impot5ce r ?an a*iev+ a p[] ( spee*4 ,& s 8 "w became ! d\btful & ba/>d ?+ x is1 a ?+ ( l(ty & orig9al int5tions unrealiz$1 ( l>ge p[]s misappli$1 ( great & respectable creative ef=ts t did n succe$ 9 br++ into be+ any?+ really new1 really :ole4 ,( :at ,mahl] might h a*iev$ _h he n be5 ! divid$ p]sonality1 8 symphonies1 ev5 z !y /&1 leave no d\bt4 ,if ,mahl] is n a great man1 he is at lea/ ! silh\ette ( "o4 ,! ne$ ( expression t drove him to composition 0 indubitably mighty4 ,! passion ) :i* he address$ himself to 8 labor despite all disc\ragem5t & lack ( success1 ! l(t9ess & nobl5ess ( ! task :i* he set = himself1 ! spl5dor ( ! int5tions1 reveal h[ fi]ce a fire burnt 9 ! man4 ,he 0 n "o ( ^? :o come to music to =m little jewels4 ,on ! contr>y1 9 ge/ure he 0 ev] "o ( ! em95tly fai?ful4 ,he came to music to create a great1 simple1 popul> symphonic art = ^! latt] days1 a ?+ ( broad l9es & simple cont\rs & spiritual gr&eur4 ,he s\ght to express s9c]ely 8 deep1 real sorr[1 8 *ok+ homesickness = ! some?+ :i* *ildhood seems to possess & maturity to be )\t2 to dream himself into *ildlike1 p>adisaic joys & wake himself to fai? & action once aga94 ,he attempt$ to create a musical language t w\ld be gigantic & crude & p[]ful z ,nature h]self2 tri$ to imbue ! or*e/ra ) ! ,dionysiac might ( sun & w9ds & teem+ clay2 wi%$ to be able to say ( 8 symphonies1 ,hi] ro]ht die ,natur4 ,to a fri5d :o visit$ him at 8 c\ntry h\se 9 ,tobla* & comm5t$ ^u ! m\nta9s surr\nd+ ! spot1 ,mahl] je/+ly repli$1 ,i* hab' sie alle =tcomponi]t4 ,& he _h l>ge & dramatic programs = 8 symphonies4 ,! ,fir/ %\ld h be5 a sort ( ,song ( ,y\?1 a f>ewell to ! ?+ t is alive 9 u be=e we meet ! _w1 & is %att]$ 9 ! collision4 ,! ,second %\ld h be5 ! ,song ( ,dea?1 ! music ( ! k ( dea?4 ,! ,?ird 0 conceiv$ z a ,song ( ! ,great ,pan--8 gaya sci5za1 ,mahl] w\ld h lik$ to call x4 ,9 ! ,f\r? he s\ght to op5 ! he>t ( a *ild2 9 ! ,six?1 to voice 8 desolation & lonel9ess & hopelessness2 9 ! ,eigh?1 to p]=m a great religi\s c]emony2 9 ,das ,li$ von d] ,erde to write 8 ,tempe/1 8 epilogue4 ,& 9 g5]al plan1 8 symphonies are orig9al en\gh4 ,mahl] 0 completely emancipat$ ( all ! old prejudices conc]n+ ! nature ( ! symphony4 ,he conceiv$ ! =m anew4 ,mir heiszt ,symphonic1 he is report$ to h said1 mit all5 mitteln d] vorha5d55 ,te*nik mir e9e ,welt aufbau54 ,he conceiv$ ! =m p>ticul>ly ) ref]5ce to ! be+1 ! exig5cies1 ! frame1 ( ! mod]n conc]t hall4 ,he realiz$ t ! %ortness ( ! classic symphonies h&icaps !m sev]ely 9 ! pres5t day4 ,= mod]n audi5ces require an h\r & a half or two h\rs ( musical ent]ta9m5t4 ,9 ord] to fill ! conc]t programs1 ! symphony has to be associat$ ) o!r works4 ,9 consequ5ce x loses 9 effectiv5ess4 ,s1 tak+ h9ts f ! ,n9? ( ,bee?ov5 & ! ,romeo ( ,b]lioz1 ,mahl] boldly plann$ symphonies t c\ld /& alone & fill an ev5+4 ,beg9n+ ) 8 ,second1 he increas$ ! numb] ( movem5ts1 dropp+ ! inevitable suite ( allegro1 &ante1 s*]zo1 rondo2 prescrib$ int]missions ( a c]ta9 l5g?2 & add$ *oruses & vocal solos to give ! necess>y relief to ! long or*e/ral passages4 ,9 ! ,second1 he plac$ betwe5 an allegretto & a s*]zo a soprano sett+ ( "o ( ! lyrics out ( ,des ,knab5 ,wund]horn1 & conclud$ ! "w ) a *oral sett+ ( "o ode ( ,klop/ock's4 ,9 ! ,?ird ,symphony1 he prec$$ ! or*e/ral f9ale ) an alto solo compos$ on ,das ,trunk5e ,li$ ( ,nietzs*e1 & ) a *orus employ+ ! words ( ano!r ( ! naive poems 9 ! an?ology ( ,arnim & ,br5tano4 ,! ,eigh? is simply a *oral sett+ ( ! ,v5i1 ,creator & ! clos+ sc5e ( ,goe!'s ,fau/4 ,& 9 ! ,fif? ,symphony1 "o ( ^? 9 :i* he call$ = no vocal p]=m]s1 he nev]!less manag$ to v>y & exp& ! conv5tional suite by prec$+ ! fir/ allegro ) a m>*1 & sep>at+ & reliev+ ! g>gantuan s*]zo & rondo ) an adagietto = /r+s alone4 ,8 mat]ial he organiz$ fairly indep5d5tly ( ! old rules4 ,he 0 "o ( ^? :o seem to h le>n$ f ,liszt t ! cont5t ( a piece mu/ condition its =m4 ,mahl]'s symphonies resemble symphonic poems4 ,!y are ess5tially dramatic 9 "*4 ,al?\gh he /rove cont9ually = classic =m1 8 works nev]!less reveal _! programmatic orig94 ,he 0 at he>t "o ( ! lit]>y compos]s4 ,b he 0 a bett] craftsman ?an mo/ ( !m are4 ,he 0 a f9] workman ?an ,/rauss1 = in/ance4 ,8 scores are mu* m bony4 ,!y are free ( ! mass ( insignificant detail t clutt]s s _m ( ,/rauss's4 ,he c\ld assev]ate ) "s ju/ice1 ,i h nev] writt5 an ins9c]e note4 ,& al?\gh 8 or*e/ration is n revolution>y1 & is (t5 commonplace en\gh1 he nev]!less (t5times employ$ an in/rum5tal palette di/9ctly 8 own4 ,he utiliz$ in/ead ( ! viol9 ! trumpet z premi] in/rum5t ( ! b&2 a*iev$ all mann] ( brilliant effects ) x4 ,he increas$ ! v>iety & usefulness ( ! in/rum5ts ( p]cussion1 =m+ out ( !m a new family ( in/rum5ts to balance ! families ( ! /r+s1 brass1 & wood-w9d4 ,9 ! score ( ! ,second ,symphony he calls = six timpani1 bass & sn>e-drums1 a high & a l[ tam-tam1 cymbals1 a triangle1 glock5spiel1 ?ree deep-ton$ bells1 9 ! *ief or*e/ra2 besides a bass-drum1 triangle & cymbals 9 ! supplem5t>y4 ,9 ! ,eigh? ,symphony1 ! in/rum5ts ( p]cussion =m a little b& by !mselves4 ,& he utiliz$ ! common in/rum5ts 9 orig9al fa%ion1 made ! h>ps imitate bells1 ! wood-w9d bl[ fanf>es1 ! horns hold organ-po9ts2 comb9$ piccolos ) bassoons & contrabasses1 wrote unisons = eight horns1 let ! trombones run scales---- ,b !re is n "o ( poor ,mahl]'s n9e symphonies1 hone/ & dignifi$ z "s ( !m are1 t exi/s z fre%1 new-m9t$1 vivid music4 ,8 g5ius nev] took musical fle%4 ,8 scores are lam5tably weak1 (t5 arid & banal4 ,!re is surely n ano!r case 9 musical hi/ory 9 :i* indubitable g5ius1 a mighty ne$ ( expression1 a di/9ctly p]sonal mann] ( s5sation1 a respectable musical sci5ce1 a great & ideali/ic ef=t1 a*iev$ results s unsatisfactory4 ,"o wond]s :e!r ,mahl] ! compos] 0 n1 aft] all1 ! greate/ failure 9 music4 ,if !re is any music t is em95tly ,kapellmei/]musik1 em95tly a r\t9e1 reflective1 du/y sort ( musical art1 x is c]ta9ly ,mahl]'s five latt] symphonies4 ,! musical ,des]t ( ,sah>a is surely to be f\nd 9 ^! unhappy compositions4 ,!y are mon/]s ( ennui1 & by _! v pret5ti\sness1 _! g>gantuan dim5sions1 ?r[ into cruele/ relief ,mahl]'s ess5tial /]ility4 ,!y seek to be colossal & a*ieve vacuity *iefly4 ,!y rem9d "o ( no?+ s mu* z ! huge1 ugly1 mis%ap5 giants t /& be=e ! old ,palace 9 ,flor5ce1 "w ( ! obscure sculptor :o ?\ght to outdo ,mi*elangelo by %e] bulk4 ,& ! fir/ f\r ( 8 symphonies1 ?\gh less utt]ly banal & p$antic1 are /ill amorph\s & fundam5tally second-h&4 ,= ,mahl] nev] spoke 9 8 own idiom4 ,8 /yle is a mongrel affair4 ,! !matic mat]ial is almo/ entirely d]ivative & imitative1 ( an unequal$ m$iocrity & depress+ness4 ,"o wond]s :e!r inde$ !re has ev] be5 a respectable compos] :o has utiliz$ ideas z platitud9\s z ! ones employ$ 9 ! fir/ movem5t ( ! ,fir/ ,symphony1 or ! brassy1 pomp\s !me t op5s ! ,eigh?1 or ! tune to :i* 9 ! latt] "w ! my/ic /anza beg9n+ ,alles v]ga5gli*e ,i/ nur e9 ,glei*nisz is inton$4 ,"o wond]s :e!r any has us$ !mes m sac*>9e & *>act]less ?an ^? ( ! la/ movem5t ( ! ,?ird ,symphony1 or ! adagio ( ! ,f\r?4 ,once 9 a :ile1 no d\bt1 a vague p]sonal tone1 a flavor ( ! ,bohemian c\ntryside :]e ,mahl] 0 born1 does manage to di/+ui% itself f ! great in*oate masses ( 8 symphonies4 ,! /roll+ musician plays on 8 cl>9et2 peasants sit at tables cov]$ ) r$ clo?s & dr9k be]2 ,hans & ,gretel dance2 ev5+ falls2 ! brooks run silv]$2 f ! b>racks res\nd ! ,au/rian bugle calls2 old soldi] songs1 t may h be5 sung 9 ! ,sev5 ,ye>s' ,w>1 arise2 ! wat*man makes 8 sleepy r\nds4 ,b1 = ! mo/ "p1 x is precisely ! p]sonal tone t 8 music completely lacks4 ,= he 0 nev] himself4 ,he 0 ev]ybody & nobody4 ,he 0 =ev] seek+ to be "o compos] or ano!r1 save only n ,gu/av ,mahl]4 ,! fatal assimilative p[] ( ! ,jew is reveal$ n[h]e 9 music m %e]ly ?an 9 ! /yle ( ,mahl]4 ,roma9 ,roll& discov]s alone 9 ! ,fif? ,symphony rem9isc5ces ( ,bee?ov5 & ,m5delssohn1 ,ba* & ,*abri]4 ,s*ub]t flits p]si/5tly ?r\gh ,mahl]'s scores1 p>ticul>ly ?r\gh t ( ! ,?ird ,symphony1 ^: introductory !me = eight horns recalls almo/ po9t$ly ! op5+ ( ! ,c-major ( ,s*ub]t1 )\t1 h[ev]1 9 ! lea/ recaptur+ its effectiv5ess4 ,bruckn]1 ,mahl]'s tea*]1 is also incessantly reflect$ by ^! works1 by ! *oral !mes :i* ,mahl] is s fond ( embody+ 9 8 compositions1 &1 m p>ticul>ly1 by ! l5g? & involutions ( s _m ( ! !mes ( 8 lat] symphonies4 ,=1 l ,bruckn]'s1 !y appe> *os5 ) an eye to _! s]viceability = contrapuntal de=mation & dissection4 ,wagn]1 ,haydn1 ,s*umann & ,brahms1 ! s5tim5tal ,wi5]wald ,brahms1 also pass incessantly ?r\gh ^! scores4 ,b x 0 ,bee?ov5 :om ,mahl] s\ght *iefly to emulate4 ,ov] 8 symphonies 7& x is a curi\s fact t ,mahl]1 l ! ?ree m5 t he mo/ frequ5tly imitat$1 ,s*ub]t1 ,bruckn]1 & ,bee?ov51 wrote j n9e symphonies71 ov] 8 entire "w1 8 songs z well z 8 or*e/ral pieces1 !re lies ! %ad[ ( ! ,ma/] ( ,bonn4 ,mahl] 0 und\bt$ly ,bee?ov5's mo/ fai?ful disciple4 ,all 8 life he 0 seek+ to write ! ,t5? ,symphony1 ! symphony t ,bee?ov5 di$ be=e compos+4 ,he 0 cont9ually attempt+ to approximate ! o!r's gr&1 pa!tic tone1 8 broad & self-righte\s mann]4 ,8 music is full ( b slightly disguis$ quotations4 ,! trumpet-!me t u%]s 9 ,mahl]'s ,fif? ,symphony1 = in/ance1 appe>s ! result ( an attempt to cross ! !me ( ! fun]al m>* ( ! ,eroica ,symphony ) ! fam\s f\r raps ( ,bee?ov5's ,fif?4 ,9 ! fir/ movem5t ( ! ,second ,symphony1 j be=e ! appe>ance on ! oboe ( ! sc>cely disguis$ ,sleep motif f ,die ,walku]e1 a !me almo/ directly lift$ out ( ,bee?ov5's viol9 conc]to is ann\nc$ on ! 'cellos & horns4 ,& ! &ante ( ! same symphony d]ives f bo? ! allegretto ( ,bee?ov5's ,eigh? & ! &ante ( 8 ,pa/oral ,symphony2 might1 inde$1 figure z a sort ( ,sz5e am ,ba* ?r\gh :i* !re fl[ ! yell[i% tides ( ! ,danube4 ,bee?ov5 is recall$ by "s ( ,mahl]'s triumphant f9ales1 p>ticul>ly by ^? ( ! ,fif? & ,sev5? ,symphonies1 & by _m ( ,mahl]'s adagio passages4 ,es su*t d] ,brud] se95 ,brud]1 oh1 h[ (t5 & at :at l5g? ?r\gh ,mahl]'s symphonies1 & ) :at p]si/5cy on ! t5or trumpet6 ,& h[ (t5 9 !m does n ! ,g]man family man take 8 *ildr5 walk+ 9 ! woods ( a ,sunday aft]noon & bid !m wor%ip _! ,creator = hav+ implant$ ! ,love ( ,virtue 9 ! ,human ,he>t6 ,j z x 0 inevitable t ,mahl]1 in/ead ( develop+ 8 own arti/ic individuality1 %\ld seek all 8 life to id5tify himself ) c]ta9 o!r compos]s1 s1 too1 x 0 inevitable t x %\ld be ,bee?ov5 :om he w\ld mo/ s$ul\sly emulate4 ,= n only 0 ,bee?ov5 ! great classic pres5ce ( ! ,g]man conc]t hall1 & deem$1 9 ! words ( ,lani]1 ! de> liv+ "l ( tone1 ! sole hymn] ( ! :ole ( life4 ,he 0 also1 ( all ! ma/]s1 ! "o spiritually mo/ ak9 to ,mahl]4 ,= ,bee?ov5 0 also "o ( ^? :o wi% to end[ _! art ) moral gr&eur1 give x p[] to r\se ! noble/ human traits1 to make x communicate e?ical & philosophical conceptions4 ,he1 too1 came to 8 art ) a magnanim\s hope ( invigorat+ & consol+ & r$eem+ 8 bro!rs1 ( heal+ ! w\nds ( life & b9d+ all m5 9 ! bonds ( frat]nity4 ,torn betwe5 desire ( self-expression1 & fe> ( self-revelation1 ,mahl] f\nd ! solution ( 8 conflict 9 ?is p>ticul> piece ( self-id5tification4 ,& _h ,mahl] be5 able really to be himself alone1 to develop 8 own individuality1 he w\ld no d\bt h be5 ! ?+ he mo/ desir$ to be1 & giv5 ! _w a new ,bee?ov54 ,b1 z imitator1 he is f> f be+ ,bee?ov56 ,:atev] ,bee?ov5's limitations 7& !y 7 _m1 = all t ! wor%ip+ cr[d may say71 he nev]!less _h 9 extraord9>y degree two ?+s :i* ,mahl] em95tly lack$--inv5tive g5ius & a giant peasant /r5g?4 ,he 0 able to cope vigor\sly ) ! gigantic programs he set = himself4 ,at mom5ts1 no d\bt1 z 9 ! ,c-m9or ,symphony & s _m ( 8 piano-sonatas1 "o is repell$ by a c]ta9 indef9able pomp\sness & self-righte\sness & exasp]at$ by ! obvi\sness & dullness & heav9ess ( 8 art4 ,! f9ale ( ! ,n9? ,symphony ) its bl>e & cra%1 its *orus scream+ on high ,c1 its ,turki% ,m>* ) cymbals & bass-drum1 is n entirely inspir$1 mo/ folk w agree4 ,& yet1 = all 8 %ortcom+s1 ! wond]s ( ,bee?ov5 are innum]able4 ,!re are ! _m qu>tets ) _! ma/]ly inv5tion & composition1 ! ,fir/ & ,six? ,symphonies ) _! immortal y\? & fre%ness1 _! he>ty /r5g? & simplicity1 ! deeply beautiful passages & movem5ts to be f\nd 9 ne>ly e "o ( 8 works4 ,!re is all ! wond]ful solidity t ,mahl]1 = in/ance1 nev] a*iev$4 ,= 9 poor ,mahl]'s "w we feel only ! int5tion1 r>ely ! a*ievem5t4 ,we feel him agoniz$ly /ra9+1 pu%+ & labor+1 try+ to manufacture 8 banal !matic mat]ial into music by ! application ( all ! little contrapuntal =mulas4 ,we f9d him rely+ f9ally ^u physical app>atus1 ^u %e] brute =ce4 ,8 symphonies ab\nd 9 s5seless repetitions1 9 all sorts ( eye-music4 ,& 9 ! ,eigh? ,symphony1 ! apo!osis ( 8 reliance on ! physical1 he calls = a *orus ( a ?\s& m51 wom5 & *ildr51 & at ! end1 ,i believe1 ! desc5t ( ! ,holy ,gho/4 ,b ! ultimate effect is exactly ! rev]se ( :at ,mahl] plann$4 ,! v size ( ! app>atus ?r[s into crude/ relief 8 we>9ess & uncreativ5ess4 ,= a mom5t1 a "w l ! ,eigh? ,symphony /uns ! auditor ) its %e] physical bulk4 ,aft] all1 "o does n he> a ?\s& voices s++ toge!r e day1 & ! brass & ! p]cussion are v brilliant4 ,soon1 nev]!less1 !re ins9uates itself ! realization t !re is 9 ?is "w nei!r ! all-creat+ _s ! compos] s magniloqu5tly invokes1 nor ! heav5 he /rives s ard5tly to atta94 ,!y are 9 ! music ( a score ( o!r compos]s4 ,= ^! m5 _h liv$4 ,& x 0 to real life t ,mahl] nev] atta9$4 ,if 8 music expresses any?+ at all1 x expresses j ! *>act]i/ics t ,mahl] 0 mo/ anxi\s to h x conceal4 ,life is ! greate/ ( practical jok]s1 & ,mahl]1 9 seek+ to escape 8 racial traits1 end$ by repres5t+ no?+ s mu* z ! ,jew4 ,= if !re is any?+ visible beh9d ! music ( ,mahl]1 x is ! ,jew z ,wagn]1 say1 describes him 9 ,das ,jud5tum 9 d] ,musik1 ! ,jew :o ?r\gh ! sup]ficial assimilation ( ! traits ( ! p among :om he is condemn$ to live1 & ?r\gh ! suppression ( 8 own nature1 becomes /]ile4 ,x is ! ,jew consum$ by malaise & homesickness1 by impot5t ye>n+ = ! t]ra9 :i* w p]mit him free expression1 & :i* he conceives z an o!r:]es1 or z a dream-,pale/9e4 ,x is ! ,jew unable to feel fai? or joy or cont5t because he is unable to live out 8 own life4 ,x is ! ,jew consum$ by bitt]ness because he is p]petually untrue to himself4 ,x is ! ,jew afraid to die because he has nev] really liv$ himself out4 ,x is ! ,jew z he is :5 he wants mo/ to cease be+ a ,jew4 ,mahl] c\ld h seem$ no m ! ,jew _h he express$ himself 9 all 8 ,hebraic f]vor in/ead ( s++ ab\t ,sa9t ,pet] 9 ,heav5 & seek+ to reconcile ,rhabanus ,maurus & ,goe! 9 a high] syn!sis4 ,only1 x w\ld h be5 good music in/ead ( a nondescript & mongrel ?+ t he compos$4 ,all t he really atta9$ by hamp]+ himself 0 /]ility4 ,&1 9 ! end1 we are =c$ to conclude t x 0 n solely ! environm5t1 h[ev] mu* t favor$ x1 t condemn$ ,mahl] to /]ility4 ,did we h no example ( a ,jewi% musician atta9+ creativity ?r\gh ! frank expression ( 8 ,semitic *>act]i/ics1 we might presume t no *oice exi/$ = ,mahl]1 & t x is inevitable t ! ,jew1 :5ev] he essays ! gr& /yle1 becomes j :at ,wagn] call$ him 9 8 brilliant & brutal pamphlet1 a pret5d]4 ,b1 =tunately1 su* an example does exi/4 ,g5eva1 la ville ,prote/ante1 t saw unclose ! art ( ,erne/ ,blo*1 01 aft] all1 n mu* m eag] to welcome a ,jewi% r5aissance ?an 0 ! ,vi5na ( ,gu/av ,mahl]4 ,b "s inn] might t ! eld] man lack$ gave ! "y ,g5evese compos] ! c\rage to speak out1 & to atta9 salvation4 ,x 01 aft] all1 a sort ( intellig5ce1 a s5se ( reality1 a real ov]:elm+ spiritual /r5g? t ,mahl] lack$4 ,= all 8 imm5se capacities1 he 0 a weak man4 ,he p]mitt$ 8 environm5t to ru9 him4 ,reg] ,! copies ( mo/ ( ,max ,reg]'s compositions are ornam5t$ ) a cov] design repres5t+ ,bee?ov5's dea?-mask wrea!d ) laurel4 ,x 0 9 all s9c]ity t 8 publi%]s plac$ t decoration !re4 ,= !re 0 a mom5t :5 ,reg] excit$ high hopes4 ,at ! "t :5 he appe>$1 ! cause ( absolute music seem$ lo/4 ,musical mod]nity & ! programmatic =m _h come to seem insep>able4 ,! old classical =ms 7 be+ supplant$ by ^? ( ,wagn]1 ,liszt & ,/rauss4 ,n t !re 0 a paucity ( bespectacl$ doctors ( music :o felt !mselves call$ to compose classical works4 ,b ! cont5t ( _! "w 0 inv>iably =mal4 ,reg]1 h[ev]1 seem$ able to effect a union betwe5 ! mod]n _s & ! =ms employ$ by ! ma/]s ( ! sev5te5? & eighte5? c5turies4 ,he1 ! tr\bl$1 n]v\s1 mod]n man1 wrote ) flu5cy fugues & d\ble fugues1 *aconnes & passacaglie1 conc]ti grossi & v>iations4 ,he seem$ to h ma/]$ ! secrets ( ! old compos]s1 to be cont9u+ _! "w1 develop+ _! ?\ght & /yle4 ,he excell$ 9 ! control ( :at appe>$ to be ! te*nicalities ( composition4 ,_h he n1 9 8 ,contributions to ! ,!ory ( ,h>mony1 propos$ "o hundr$ examples ( cad5ces modulat+ f ! common *ord ( ,c-major ?r\gh e possible key & transpository sequ5ce8 ,_h he n writt5 two books ( canons display+ ! mo/ amaz+ te*nical +5uities2 f\nd x simple1 z 9 8 ,s9fonietta1 to keep five or six /r&s ( c\nt]po9t go+8 ,& s1 believ+ t he 0 ab\t to d = ! music ( ! po/-,wagn]ian p]iod :at ,brahms _h done = t ( ! romantic p]iod1 ! musical cons]vatives & traditionali/s ralli$ to him4 ,he 0 acclaim$ by a l>ge public l9eal successor ( ! ?ree great ,b's ( music4 ,q 9 ! mann] t !y _h once oppos$ ,brahms to ! compos] ( ,p>sifal1 ! p>tisans ( musical absolutism elevat$ ,reg] z a sort ( anti-pope to ,ri*>d ,/rauss4 ,:ole numb]s ( musical reviews 7 devot$ to ! /udy & discussion ( 8 art 9 all its ramifications4 ,reg] seem$ on ! v]ge ( ga9+ a place among ! immortals4 ,& 8 publi%]s plac$ on ! cov]s ( 8 compositions ! design t symboliz$ ! great ?+s !y ?\ght ! man a*iev+1 & ! high heav5s = :i* !y believ$ him b\nd4 ,! success 0 mom5t>y only4 ,long be=e he di$1 ! _w _h f\nd 9 ,max ,reg] its musical bete noire4 ,clos] acqua9tance ) 8 art _h n +ratiat$ him ) 8 public4 ,inde$1 conc]t-audi5ces _h become bor$ to ! po9t ( exasp]ation ) 8 classiciz+ compositions4 ,to mo/ folk1 x appe>$ z ?\gh ! man saw no o!r end 9 composition ?an ! atta9m5t ( ! opus-numb] ,"o ,?\s&4 ,& al?\gh 8 works are rife ) ! sort ( te*nical problems & solutions :i* ^? initiat$ into musical sci5ce are suppos$ to reli%1 few musicians f\nd !m really attractive4 ,reg] made v>i\s attempts to rega9 ! favor he _h lo/4 ,!y 7 unavail+4 ,ev5 :5 he turn$ 8 back on ! absoluti/s & wrote programmatic music1 romantic suites t beg9 ) ,debussy-l l[ flutes & end ) trumpet bla/s t recall ! sunrise music ( ,also ,spra* ,z>a?u/ra1 ballet suites t seek to rival ! ,c>naval ( ,s*umann & ! waltzes 9 ,d] ,ros5kavali]1 ,boeckl9 suites t pret5d to translate into tone "s ( ! ,swiss pa9t]'s canvases1 he only int5sifi$ ! g5]al ill-w4 ,p :o knew him :isp] t he realiz$ 8 failure1 & 9 consequ5ce took to empty+ ! vats ( be] t f9ally dr[n$ him4 ,& on ! occasion ( 8 dea?1 val$iction w5t no fur!r ?an frigidly applaud+ 8 cr$itable "w = ! organ1 8 erudition & productivity t almo/ rival ^? ( ! eighte5?-c5tury compos]s4 ,! f9al attempt to int]e/ ! public 9 8 "w1 made dur+ ! succe$+ season1 br\ght b few p to rep5t ( _! =m] indiff]5ce4 ,a revival ( int]e/ is sc>cely to be expect$4 ,= x 0 n a ,brahms ! _w _h gott5 aga94 ,inde$1 x 0 a p]sonality ( j ! sort t ,brahms 0 n4 ,! resemblance 0 ( ! mo/ sup]ficial4 ,bo? m5 w5t to s*ool to ,ba* & ! polyphonic ma/]s4 ,bo? 7 traditionali/s4 ,!re ! k9%ip ends4 ,= ! "o 0 a poet1 a /urdily liv+1 ri* & p[]ful p]son4 ,! o!r 0 ess5tially a h>% & ugly be+1 em95tly want+ ! div9e flame4 ,= ,brahms1 erudition 0 only a means to 8 end1 a =tification ( 8 p]sonal mode ( expression4 ,he saw t ! weaknesses ( _m ( ! romantic compos]s1 8 k91 ( ,s*umann 8 spiritual fa!r 9 p>ticul>1 7 due _! want ( organiz+ p[]1 _! helplessness 9 ! l>g] =ms4 ,& eag] to a*ieve l>ge1 solid1 resi/+ =m 9 8 own "w1 he w5t to ! great ma/]s ( musical sci5ce1 to ,bee?ov5 & ,haydn & 9 p>ticul> to ,ba*1 to le>n ( !m1 t he might d = 8 day some?+ ( :at !y _h done = !irs4 ,& he 0 able to assimilate va/ quantities ( 8 le>n+1 & make x "p ( 8 fle% & bone4 ,at times1 no d\bt1 "o is pa9fully aw>e ( 8 erudition1 pa9fully aw>e t he is apply+ pr9ciples le>n$ f ,bee?ov5 & ,ba*1 manipulat+ 8 music out ( no inn] necessity4 ,at times1 8 music does smell ( ! lamp4 ,& yet1 h[ completely ^? juiceless mom5ts are outbalanc$ by ! mass ( 8 liv+1 fragrant1 robu/ song6 ,) :at r>5ess ! p$ant 9 ,brahms em]ges6 ,beh9d ?is music !re is almo/ always visible ! great1 grave1 passionate1 resign$ creature t 0 ,brahms1 ! man :o s\ght ) all 8 might to hold himself firm & erect & unyield+ be=e ! hide\s onslaughts ( life1 ! man :o liv$ )\t hope ( fulfilm5t1 lov$ )\t hope ( consummation1 & yet knew t x 0 en\gh fulfilm5t1 en\gh consummation to h lov$1 to h be5 t\*$ ) a radiant dream2 ! man :o pray$ only t 8 he>t might n )]1 & t he might nev] cease to long & dream & feel ! hurt & solace ( beauty & h ! p[] to s+4 ,& 9 8 music !re is almo/ always ! consolation ( ! great =e/s1 ! heal+ ( ! trees & sil5ces1 ! cool+ h&s ( ! e>?1 ! ev]la/+ yea-say+ to love & beauty1 ! manly resignation1 ! leave-tak+ f dreams & life4 ,all ?is music says1 ,song is en\gh4 ,b no su* goodly pres5ce glimm]s ?r\gh ! music ( ,max ,reg]4 ,no /urdy b>dic _s vibrates 9 x4 ,?is ,reg] is a s>ca/ic1 *urli% fell[1 bitt] & p$antic & rude4 ,he is a sort ( musical ,cyclops1 a /rong1 ugly creature bulg+ ) knotty & un%apely muscles1 an ogre ( composition4 ,he has little delicacy1 little f9esse ( _s4 ,9 li/5+ to ^! works ) _! clumsy blocks ( tone1 _! et]nal sunless compla9+1 _! lack ( humor :]e !y w\ld be humor\s1 _! lack ( passion :]e !y w\ld be pr(\nd1 _! s>donic & monoton\s b\rdon1 "o is p]=ce rem9d$ ( ! photograph ( ,reg] :i* 8 publi%]s place on ! cov] ( _! catalogue ( 8 works1 ! photograph t %[s some?+ t is l a swoll51 myopic beetle ) ?ick lips & sull5 expression cr\*+ on an organ-b5*4 ,!re is some?+ repulsive z well z p$antic 9 ?is art4 ,! poetry1 ! nobility1 ! mod]ation & cleanness ( l9e ( ,brahms is abs5t4 ,in/ead1 !re is a sort ( brutal coldness1 ! coldness ( ! born p$ant1 a preval5ce ( bad humor1 a pov]ty ( inv5tion & organiz+ p[] t conceals itself "u an elaborate & complex & erudite surface4 ,! /rong1 calm1 classic beauty ( ,brahms is want+4 ,= all its air ( subtlety & sev]ity & pr(undity1 its le>n$ & classiciz+ mann]1 ! music ( ,reg] is really sup]ficial4 ,! man only seldom a*ieves =m4 ,g5]ally1 = all ! complex & convulsive activity ( 8 music1 no?+ really progresses1 develops1 happ5s 9 x4 ,above all1 ! /yli/ic sev]ity ( ,brahms 9 ,reg] has become a confusion ( /yles2 an abs5ce ( /yle4 ,! classic has become ! b>oque4 ,reg] is "o ( ! m5 :o develop muscles t hamp] all grace & fre$om ( activity4 ,"o _c help feel+ t he w5t to ! classic ma/]s = _! =mulas 9 ord] to make ( composition *iefly a m5tal ex]cise1 t he accept$ s _m rules & mann]s & turns 9 ord] to free himself ( ! necessity ( mak+ free & full & spontane\s movem5ts4 ,) ,reg]1 creation becomes r\t9e4 ,8 works are /]eotyp$2 /ale t]ribly quickly4 ,!re are mom5ts :5 "o wond]s :e!r he und]/ood at all :at creation is4 ,= c]ta9ly1 ?ree-qu>t]s ( 8 compositions seem writt5 out ( no inn] necessity1 br+ no lib]ation 9 _! tra94 ,!y are l ma!matical problems & solutions1 %e] bra9-spun & unlyrical works4 ,"o is ev] consci\s 9 ,reg] t he is solv+ contrapuntal problems 9 ord] to a/oni% ! vulg> h]d ( ! pr(essors4 ,reg] c]ta9ly knew ! art ( talk+ ) an a/oni%+ %[ ( logic1 & yet say+ no?+4 ,p]haps he talk$ cont9u\sly 9 ord] n to h to reflect4 ,& = all 8 erudition1 he und]/ood 8 ma/]s intellectually only4 ,he felt himself call$ ^u to cont9ue ! "w ( ! ?ree great ,b's1 & yet nev] und]/ood ! gr& _s t animat$ _! art4 ,/rauss1 ) 8 f9e conduct ( in/rum5ts ?r\gh ! score ( ,salome1 is ne>] ! _s ( ,ba* ?an ,reg] ) all 8 fugues & d\ble fugues ev] got4 ,no d\bt1 ,reg] lov$ ! ma!matical solidity & balance ( ! old] music1 & !re=e s\ght to assimilate x4 ,b he did m ?an j le>n ( x1 z ,brahms _h done4 ,he s\ght to rival ! great m5 ( ! pa/ on _! own gr\nd1 to d :at !y did bett] ?an !y _h done x1 to be able to say1 ,see1 ,i c d ! trick1 too6 ,s we f9d him writ+ c\nt]po9t = ! sake ( ! le>n$ness & presumable respectability1 r ?an z a piece ( expression4 ,8 compositions are ov]burd5$ & clutt]$ & m>r$ by all sorts ( erudite turns & twi/s & manoeuv]s4 ,! man's entire att5tion seems to h be5 set on mak+ 8 works a/oni% ! le>n$ & make mad ! simple4 ,ev5 a slight song l ,w5n die ,l9de blueht is deck$ ) contrapuntal felicities4 ,he copies ! mann]isms ( ! compos]s ( ! sev5te5? & eighte5? c5turies1 contorts 8 compositions ) all mann] ( outmod$ turns4 ,he appe>s to h come to 8 worktable inevitably ) 8 m9d full ( ! compositions he _h be5 /udy+4 ,8 impulse seems always a reflect$ ?+1 a desire to compete ) "s "o on t p]son's t]ms4 ,he writes fugues = organs & sonatas = viol9 solo "u ! influ5ce ( ,ba*1 conc]ti grossi "u ! influ5ce ( ,ha5del1 v>iations "u t ( ,moz>t1 sonatas "u t ( ,brahms4 ,9 va9 "o se>*es = a p]fectly individual /yle ?r\gh\t 8 works4 ,! liv+ man is buri$ "u ! mass ( badly assimilat$ le>n+4 ,ev5 at be/1 9 ! ,hill] v>iations1 9 "s ( ! /r+ trios & organ fugues1 "s ( 8 grave adagios1 ev5 9 "s ( 8 s>donic & turbul5t s*]zi 7p]haps 8 mo/ orig9al contributions71 8 art is r m a ref9em5t on ano!r art ?an a fre% & vital expression4 ,9 him1 education _h produc$ ! typical p$ant1 a p$ant ( ,cyclopean muscul>ity1 p]haps1 b nev]!less a p$ant4 ,& s1 in/ead ( be+ ,brahms's successor1 ,reg] is to-day se5 z ! v contr>y ( ,brahms4 ,x is n t fugues & conc]ti 9 ! old5 /yle _c be writt5 to-day1 t mod]n music & ! antique =ms are incompatible4 ,x is t ,reg] 0 v little ! arti/4 ,he mi/ook ! mat]ial ve/ure = ! _s1 ?\ght t !re 7 =mulas = composition1 royal roads to ! heav5 ( ,ba* & ,moz>t4 ,some?+ m ( humanity1 sympa?y = man & 8 exp]i5ces1 inn] fre$om1 might h sav$ him4 ,b x 0 j ! poetic gift t ! man 0 lam5tably )\t4 ,& s1 freight$ ) too mu* erudition & too little wisdom1 ,reg] w5t agr\nd4 ,s*o5b]g ,arnold ,s*o5b]g ( ,vi5na is ! great tr\bl+ pres5ce ( mod]n music4 ,8 va/1 sall[ skull l[]s ov] x l a sort ( ,nor? ,cape4 ,= ) him1 ) ! fam\s cruel five or*e/ral & n9e piano pieces1 we seem to be ent]+ ! arctic zone ( musical art4 ,none ( ! old beacons1 none ( ! old />s1 c guide u long] 9 ^! froz5 wa/es4 ,/range1 m5ac+ =ms surr\nd u1 & ! light is bleak & *ill & fa9t4 ,! *>act]i/ic compositions ( ,/raw9sky & ,orn/e91 too1 h no tonality1 lack e ve/ige ( a pure *ord1 & exhibit unanalyzable h>monies1 & rhy?ms ( a viol5t novelty1 9 ! mo/ amaz+ conjunctions4 ,b !y1 at lea/1 imp>t a c]ta9 s5se ( lib]ation4 ,!y1 at lea/1 be> c]ta9 witness to ! emotional flight ( ! compos]4 ,an in/9ct pulses "h1 an in/9ct b>b>\s & unbridl$1 if y w1 b indubitably exub]ant & vivid4 ,^! works h a necessity4 ,^! h>monies h color4 ,?is music is pat5tly spee*4 ,b ! lat] compositions ( ,s*o5b]g )hold !mselves1 refuse our contact4 ,!y baffle ) _! app>5tly wilful ugl9ess1 & bewild] ) _! geometric cruelty & coldness4 ,"o gets no intimation t 9 fa%ion+ !m ! compos] has lib]at$ himself4 ,on ! contr>y1 !y seem icy & bra9-spun4 ,!y are l m5 =m$ n out ( fle% & bone & blood1 b out ( glass & wire & concrete4 ,!y creak & groan & grate 9 _! motion4 ,!y h all ! dea?ly pallor ( ab/ractions4 ,& ,s*o5b]g rema9s a tr\bl+ pres5ce z long z "o p]si/s 9 reg>d+ ^! p>ticul> pieces z ! expression ( a s5sibility1 z long z "o p]si/s 9 seek+ 9 !m ! lyric flight4 ,= ?\gh "o p]ceives !m ) ! intellect "o c sc>cely feel !m musically4 ,! conflict+ rhy?ms ( ! ?ird ( ! ,?ree ,pieces = ,pian(orte cla% )\t g5]at+ heat1 )\t1 aft] all1 really s\nd+4 ,no d\bt1 !re is a c]ta9 admirable uncompromis+ness1 a c]ta9 ,egyptian sev]ity1 9 ! musical l9e ( ! fir/ ( ! ,?ree4 ,b if !re is su* a ?+ z =m )\t significance 9 music1 might n ^! compositions s]ve to exemplify x8 ,inde$1 x is only z exp]im5ts1 z ! incorporation 9 tone ( an ab/ract & intellectualiz$ conception ( =ms1 t "o c at all compreh5d !m4 ,& x is only 9 reg>d+ him z prim>ily an exp]im5t] t ! lat] ,s*o5b]g loses 8 incompreh5sibility1 & comes some:at ne>] to u4 ,!re is mu* 9 ,s*o5b]g's c>e] t makes ?is explanation some?+ m ?an an easy way ( dispos+ ( a tr\blesome problem1 makes x1 inde$1 em95tly plausible4 ,s*o5b]g 0 nev] ! mo/ in/9ctive & s5sible1 ! lea/ c]ebral & intellectualiz+ ( musicians4 ,= j z ,gu/av ,mahl] might /& z an in/ance ( musicianly temp]am5t fatally outweigh+ musicianly intellect1 s ,arnold ,s*o5b]g might /& z an example ( ! equally excessive outbalanc+ ( s5sibility by bra9-/uff4 ,! fri5d%ip ( ! two m5 & _! mutual admiration might easily be expla9$ by ! fact t ea* caught sight 9 ! o!r ( ! elem5t he want$ mo/4 ,no d\bt1 ! works ( ,s*o5b]g's e>ly p]iod1 :i* ext5ds f ! songs1 ,op4 #a1 ?r\gh ! ,kamm]symphonie1 ,op4 #i1 are full ( a f]v5t lyricism1 a romantic effusiv5ess4 ,gurreli$]1 inde$1 op5s wide ! floodgates ( romanticism4 ,b ^! compositions are some:at un*>act]i/ic & d]ivative4 ,! e>ly songs1 = in/ance1 might h proce$$ f ! facile p5 ( ,ri*>d ,/rauss4 ,!y h mu* ( ! ,/raussian sleepy w>m? & sweet h>monic color1 mu* ( ! ,/raussian exub]ance :i* at times s readily deg5]ates into ! w9dy pride ( ! "y b\rgeois deem+ himself a sup]man4 ,x 0 only by accid5t t ,freihold 0 n writt5 by ! ,muni* tone-poet4 ,! or*e/ral poem aft] ,maet]l9ck's ,pelleas is also ultra-romantic & po/-,wagn]ian4 ,! trumpet !me1 ! ,pelleas !me1 = in/ance1 is l9eally desc5d$ f ! ,walt] von ,/olz+ & ,p>isfal motives4 ,! "w reveals ,s*o5b]g /riv+ to emulate ,/rauss 9 ! field ( ! symphonic poem2 /riv+1 h[ev]1 9 va94 ,= x has none ( ,/rauss's glitt] & po9t1 & is r dull & soggy4 ,! great1 bri/l+1 pa!tic climax is ( ! sort t has become exasp]at+ & vulg>1 r ?an excit+1 s9ce ,wagn] & ,t*aik[sky fir/ exploit$ x4 ,on ! :ole1 ! "w is mu* less ,pelleas et ,melis&e ?an x is ,pelleas und ,melis&a4 ,& ! o!r works ( ?is p]iod1 m brilliantly made & m opul5tly color$ ?\gh !y are1 are /ill em95tly ( ! romantic s*ool4 ,! p]son :o decl>$ ec/atically t assi/+ at a p]=mance ( ! /r+ sextet1 ,v]kla]te ,na*t1 resembl$ he>+ a new ',tri/an1' exhibit$1 aft] all1 unconsci\s critical acum54 ,! great cantata1 ,gurreli$]1 ! symphonic sett+ ( ,j5s ,pet] ,jacobs5's romance 9 lyrics1 might ev5 /& z ! gr& f9ale ( ! :ole po/-,wagn]ian1 ultra-romantic p]iod1 & repres5t ! mom5t at :i* ! :ole /yle & atmosph]e did its la/ h]oic s]vice4 ,& ev5 ! ,kamm]symphonie1 despite all ! signs ( transition to a m p]sonal mann]1 despite ! increas$ s*ola/icism ( tone1 despite ! m acidul\s coloration1 despite ! di/9ctly novel s*]zo1 ) its caprici\s & fawn-l leap+1 is n q *>act]i/ic ( ! man4 ,x is 9 ! /r+ qu>tet1 ,opus #g1 t ,s*o5b]g fir/ speaks 8 prop] tongue4 ,& 9 reveal+ him1 ! "w demon/rates h[ !oretical 8 intellig5ce is4 ,no d\bt1 ! ,d-m9or ,qu>tet is an important "w1 "o ( ! mo/ important ( *amb] compositions4 ,c]ta9ly1 x is "o ( ! great pieces ( mod]n music4 ,x gives an un=gettable & vivid s5se ( ! voice1 ! acc5t1 ! timbre1 ( ! hurtl+1 neurotic mod]n _w2 h9ts ! com+ ( a free & subtle1 bitt] & p[]ful1 mod]n musical art4 ,z a piece ( con/ruction alone1 ! ,d-m9or ,qu>tet is imm5sely significant4 ,! polyphony is bold & free1 ! voices exhibit+ an indep5d5ce p]haps unkn[n s9ce ! days ( ! madrigali/s4 ,! "w is unifi$ n only by ! consolidation ( ! f\r movem5ts into "o1 b z well by a c5tral movem5t1 a dur*fuehrung :i*1 introduc$ betwe5 ! s*]zo & ! adagio1 reveals ! inn] coh]5ce ( all ! !mes4 ,!re is no sacrifice ( logic to ! rules ( h>mony4 ,inde$1 ! "w is *>act]iz$ by a c]ta9 uncompromis+ness & %>pness 9 its h>monies4 ,! in/rum5tal color+ is prismatic1 all ! regi/]s ( ! /r+s be+ utiliz$ ) great deftness4 ,exclusive ( ! !me ( ! s*]zo1 :i* recalls a little ov]mu* ! ,teutonic banalities ( ,mahl]'s symphonies1 ! quality ( ! music is1 on ! :ole1 grave & poignant & uplift$4 ,x has a s*ol>ly dignity1 a magi/ral ri*ness1 a *i>oscuro t at mom5ts recalls ,brahms1 ?\gh ,s*o5b]g has a s5su\s melan*oly1 a delicacy & an ,hebraic bitt]ness t ! o!r has n4 ,l s mu* ( ,brahms1 ?is music comes out ( ! sil5ce ( ! /udy1 ?\gh ! /udy 9 ?is case is ! *amb] ( a ,jewi% s*ol> m ?an t ( a ,g]man4 ,7 ! entire "w ( ! fullness & lyricism ( ! la/ two movem5ts2 7 x ?r\gh\t z impassion$ z is ! broad gray clamant g]m9al !me t comm5ces ! "w & sweeps x be=e x1 "o might easily include ! compos] 9 ! company ( ! ma/]s ( musical art4 ,un=tunately1 ! magnific5t passages are int]sp]s$ ) unmusical ones4 ,x is n only t ! "w does n q conceal art1 t x smells ov]mu* ( ! laboratory4 ,x is t portions ( x are sc>cely felt at all1 are only too obvi\sly c>p5t]$4 ,! "w is full ( music t addresses itself prim>ily to pr(essors ( !ory4 ,x is full ( writ+ dictat$ by an arbitr>y & intellectual conception ( =m4 ,!re is a great deal ( c\nt]po9t 9 x t exi/s only = ! b5efit ( ^? :o read scores1 & t clutt]s ! "w4 ,!re are :ole passages t exi/ only 9 ob$i5ce to "s s*ola/ic dem& = !matic inv]sions & de=mations4 ,!re is an unnecess>y deal ( m>*+ & c\nt]m>*+ ( in/rum5ts1 an obsession ) c]ta9 rhy?ms t becomes purely me*anical1 an int5sification ( ! contrapuntal pick+s & peck+s t annoy s (t5 9 ! compositions ( ,brahms4 ,x is ,s*o5b]g ! intellectuali/1 ,s*o5b]g ! ,doctor ( ,music1 n ,s*o5b]g ! arti/1 :o obta9s "h4 ,& x is he "o enc\nt]s almo/ solely 9 ! music ( ! ?ird p]iod1 ! enigmatical little pieces = or*e/ra & piano4 ,x is he :o has em]g$ victori\s f ! duel reveal$ by ! ,d-m9or ,qu>tet4 ,^? grotesque & m5ac+ little works are l9eally desc5d$ f ! intellectualiz$ passages ( ! great prec$+ "o1 are1 inde$1 a complete expression ( ! !oretical processes :i* call$ !m into be+4 ,= :ile 9 ! qu>tet ! s*ola/icism appe>s to h be5 sup]impos$ ^u a body ( musical ideas1 9 ! works ( ! la/ p]iod x appe>s well-nigh ! g5]ative pr9ciple4 ,^! latt] h all ! airlessness1 ! want ( poetry1 ! frigidity ( ?+s con/ruct$ aft] a =mula1 d>+ & brilliant ?\gh t =mula is4 ,!y make x seem z ?\gh ,s*o5b]g _h1 ?r\gh a process ( consid]ation & ?\ght & /udy1 arriv$ at ! conclusion t ! music ( ! future w\ld1 9 ! logic ( ?+s1 take su* & su* a turn1 t tonality z x is und]/ood 0 doom$ to disappe>1 t "p-writ+ w\ld atta9 a new indep5d5ce1 t new conceptions ( h>mony w\ld result1 t rhy?m w\ld atta9 a new fre$om ?r\gh ! influ5ce ( ! new me*anical body ( man1 & _h proce$$ to incorporate 8 !ories 9 tone4 ,"o f9ds ! exp]im5tal & me?odical at e turn ?r\gh\t ^! compositions4 ,beh9d !m "o seems inv>iably to p]ceive "s "o sitt+ be=e a %eet ( music pap] & tamp]+ ) ! art ( music2 seek+ to discov] :at w\ld result 7 he to accept z h>monic basis n ! major triad b ! m9or n9?1 to set two contradictory rhy?ms cla%+1 or to %>p5 ev]y?+ & ma9ta9 a geometric h>dness ( l9e4 ,"o always feels 9 !m ! intellig5ce sett+ =? delib]ately to discov] new musical =m4 ,= all _! app>5t fre$om1 !y are full ( ! olde/ musical proc$ures1 ab\nd 9 canonic imitations1 9 augm5tations1 & dim9utions1 9 all sorts ( grizzl$ contrapuntal manoev]s4 ,!y are head-music ( ! mo/ uncompromis+ sort4 ,! ,five ,or*e/ral ,pieces ab\nd 9 purely !oretical comb9ations ( in/rum5ts1 comb9ations t d n at all s\nd4 ,h]zgewae*se1 ! sett+ ( ! poem ( ,maet]l9ck made contemporane\sly ) ^! pieces1 makes fanta/ic dem&s ^u ! s+]1 asks ! voice to hold high ,f pppp1 to leap swiftly across ! wide/ int]vals1 & to ma9ta9 itself ov] a filigree accompanim5t ( cele/a1 h>monium & h>p4 ,b x is 9 ! piano-music t ! sonorities are mo/ rudely neglect$4 ,at mom5ts !y impress "o z no?+ m ?an ab/ractions f ! idiosyncrasies & mann]isms ( ! works ( ,s*o5b]g's second p]iod made 9 ! hope ( arriv+ at def9it5ess ( /yle & int5sity ( spee*4 ,!y smell ( ! synagogue z mu* z !y d ( ! laboratory4 ,beside ! ,doctor ( ,music !re /&s ! ,talmudic ,jew1 ! man all intellect & no feel+1 :o subtilizes ov] musical art z ?\gh x 7 ! ,law4 ,! compositions ( ?is p]iod con/itute an arti/ic retrogression r ?an an advance4 ,!y are n mod]n music = all _! app>5t /yli/ic k9%ip to ! music ( ,/raw9sky & ,scriab9e & ,orn/e94 ,nor are !y music ( ! pa/4 ,!y belong r m to ! sort ( music t has no m relation ) ye/]ye> ?an x has ) ?is or next4 ,!y belong to ! sort t nev] has y\? & vigor1 is old ! mom5t x is produc$4 ,_! ess5tial inexpressiv5ess makes almo/ virtueless ! *>act]i/ics :i* ,s*o5b]g has c>ri$ into !m f out 8 fecund p]iod4 ,! sev]ity & boldness ( cont\r1 s bit+ 9 ! qu>tet1 becomes almo/ )\t significance 9 !m4 ,if !re is su* a ?+ z rhy?mless music1 w\ld n ! /agnant or*e/ra ( ! ,five ,or*e/ral ,pieces exemplify x8 ,! alt]nately ri* & acidul\s color is fad$2 an icy gre5 pr$om9ates4 ,&1 curi\sly en\gh1 ?r\gh\t ! gr\p ! old romantic allegiance ( ! e>lie/ ,s*o5b]g reaffirms itself4 ,wotan ) 8 spe> /alks ?r\gh ! conclusion ( ! fir/ ( ! ,?ree ,pieces = ,pian(orte4 ,& ! second ( ! s]ies1 a composition n )\t its incisiv5ess1 z well z sev]al ( ! t9y ,six ,piano ,pieces1 ,op4 #ai1 recall at mom5ts ,brahms1 at o!rs ,*op91 a ,*op9 ( c\rse cadav]\s & turn$ slightly gre54 ,x may be t by means ( ^! exp]im5ts ,s*o5b]g w gird himself = a new p]iod ( creativity j z once indubitably by ! aid ( exp]im5ts :i* he did n publi% he gird$ himself = ! p]iod repres5t$ by ! ,d-m9or ,qu>tet4 ,x may be t aft] ! cl\d ( ! w> has completely lift$ f ! field ( art1 & a normal int]*ange is re-e/abli%$ x w be se5 t ! monodrama1 ,op4 #bj1 ,die ,li$] des ',pi]rot ,lunaire1' :i* 0 ! late/ ( 8 works to obta9 a he>+1 0 9 tru? an e>ne/ ( a new loos+ ( ! old lyrical impulse s long inc>c]at$4 ,b1 = ! pres5t1 ,s*o5b]g1 ! compos]1 is almo/ completely obscur$ by ,s*o5b]g1 ! exp]im5t]4 ,= ! pres5t1 he is ! great !oretician combat+ o!r !oreticians1 ! ,doctor ( ,music annihilat+ doctor-made laws4 ,z su*1 8 usefulness is by no means small4 ,he speaks ) an au?ority no less ?an t ( 8 adv]s>ies1 ! o!r & less radical pr(essors4 ,he1 too1 has inv5t$ a sy/em & a me?od2 8 ,h>monielehre1 = in/ance1 is z irrefragable z !irs2 he c quote scripture ) ! devil4 ,he is at lea/ demoli%+ ! old con/ra9+ sup]/itions1 & 9 s do+ may ex]cise an incalculable influ5ce on ! c\rse ( music4 ,x may be t _m a musician ( ! future w f9d himself ! bett] equipp$ because ( ,s*o5b]g's explorations4 ,he is und\bt$ly ! mo/ magi/ral !ori/ ( ! day4 ,! fact t he c\ld write at ! head ( 8 treatise on h>mony1 ,:at ,i h "h set d[n ,i h le>n$ f my pupils1 indep5d5tly proves him a great tea*]4 ,x is probable t 8 lat] music1 ! music ( 8 puzzl+ ?ird p]iod1 w %ortly come to be consid]$ z simply a "p ( 8 unique c\rse ( in/ruction4 ,sibelius ,o!rs h br\ght ! ,nor? into h\ses1 & !re transmut$ x to music4 ,& _! art is dep5d5t on ! %elt]1 & remov$ f x1 dw9dles4 ,b ,sibelius has writt5 music innoc5t ( ro( & inclosure1 music prop] inde$ to ! va/y op51 ! ,f9ni% heav5 "u :i* x grew4 ,& c\ld we b c>ry x out into ! nor!rn day1 we w\ld f9d x undim9i%$1 vivid ) all its life4 ,= x is blood-bro!r to ! w9d & ! sil5ce1 to ! l[]+ cliffs & ! spray1 to ! h>% cry+ ( sea-birds & ! brea? ( ! fog1 &1 set amid !m1 w\ld wax1 & take new /r5g? f ! /r5g?s ( its k94 ,air bl[s ?r\gh ! music ( ,sibelius1 quick5s ev5 ! slighte/ ( 8 compositions4 ,!re are c]ta9 ( 8 songs1 c]ta9 ( 8 or*e/ral sket*es1 t w\ld be virtueless en\gh 7 x n = ! w9dy fre%ness t p]vades !m4 ,out ( all 8 works1 ev5 out ( ! mo/ commonplace1 !re proce$s a f> & resonant space4 ,songs l ,to ! ,ev5+1 ,call1 ,autumn ,sund[n1 :atev] _! ultimate musical value1 seem actually in=m$ by ! nor!rn ev5+1 seem to include )9 _! v sub/ance ! wat]y t9ts ( ! sky1 ! naive fragrance ( =e/s & mead[s1 ! t9t9nabulation drift+ ?r\gh ! /ill air ( sunset4 ,x is z ?\gh ,sibelius 7 s s5sible to ! quality ( 8 native e>? t he kn[s precisely 9 :at black & massive *ords ( ! piano1 say1 lie ! sil5ce ( rocks & cl\ds1 precisely :at mann] ( resi/ance betwe5 *ant & piano c make human song r+ z 9 ! op54 ,b x is 9 8 or*e/ral works1 = he is det]m9$ an or*e/ral writ]1 t he has fix$ x mo/ successfully4 ,!re has be5 no compos]1 n ,brahms 9 8 ,g]man =e/1 nor ,rameau amid ! popl>s ( 8 silv] ,france1 n ,borod9 on 8 /eppes1 nor ,m\ssorgsky 9 8 sn[-cov]$ fields "u ! ?reat5+ skies1 ^: music gives back ! colors & =ms & odors ( 8 native l& m p]si/5tly4 ,! or*e/ral compositions ( ,sibelius seem to h pass$ ov] black torr5ts & desolate moorl&s1 ?r\gh pallid sunlight & grim primeval =e/s1 & become dr5*$ ) !m4 ,! in/rum5tation is all wet grays & blacks1 reliev$ only by bits ( brightness wan & elusive z ! nor!rn summ]1 fro/ily gre5 z ! pol> lights4 ,! works are full ( ! gnaw+ ( bassoons & ! bleakness ( ! ,engli% horn1 full ( %att]+ trombones & scream+ viol9s1 full ( ! s9i/] roll+ ( drums1 ! m5ac+ rev]b]ation ( cymbals1 ! icy glitt]+ ( h>ps4 ,! musical ideas ( ^? ( ! compositions t are f9ely realiz$ recall ! rugg$ness & h>d9ess & />kness ( ?+s t p]si/ 9 ! ,f9ni% w9t]4 ,! rhy?ms seem to approa* ! wild1 unnumb]$ rhy?ms ( ! =e/ & ! w9d & ! nick]+ sunlight4 ,music has =ev] be5 a movem5t up to nature1 & ,s*o5b]g's motto is b ! precision ( a motive t has gov]n$ all compos]s4 ,b ,sibelius has writt5 music t seems to come z ! v answ] to ! call1 & to be ! ,nor? inde$4 ,su* a discov]y ( nature 0 necess>ily a "p ( 8 self-revelation4 ,= ,sibelius is ess5tially ! ,norseman4 ,= all 8 p]sonal accompli%m5t1 8 cultural position1 he is /ill ! ,f9ni% peasant1 pres]v+ intact )9 himself ! racial inh]itance4 ,o!r musicians1 hav+ f\nd life /ill a grim brief welt] ( bloody combats & ! /ra9+ ( high1 unyield+ he>ts & ! fall+ ( sure inali5able doom1 h fanci$ !mselves ! successors ( ! ,skalds1 & dreamt !mselves )9 ! gray primeval ,nor?4 ,b1 9 ! pres5ce ( ,sibelius1 !y seem only too evid5tly m5 ( a g5tl]1 lat] g5]ation4 ,beside 81 _! music appe>s swa!d 9 romantic glam\r4 ,= !re are times :5 he comes into ! conc]t-room l "s man ( a =m] age1 l "s sp>e1 knott$ b>b>ian f ! _w ( ! sagas4 ,!re are times :5 he comes among/ u l "o :o might q conceivably h be5 comrade to pelt$ w>riors :o f\ght ) clubs & hamm]s1 l "o :o might h beat5 out a rude music by black1 smok+ he>?sides q z readily z made tone-poems = ! mod]n conc]t-room4 ,& 8 music ) its vik+ bl[s & wild1 cry+ acc5ts1 its h>% & unc\? spee*1 sets u )\t circum/ance 9 t sunk5 _w1 sets u 9 ! v mid/ ( ! />k m5 & grave1 savage wom5 = :om ! sagas 7 made1 s t we c see !m 9 all _! hurtl+ /r5g? & rank b>b>ity1 c well-nigh t\* !m ) ! f+]s ( our h&s4 ,& because ,sibelius is s fundam5tally man z combat ) ! ,nor? has made him1 only vision ( 8 native e>? c\ld br+ him ri* self-consci\sness4 ,= 8 individuality is b ! %ape ( s\l giv5 8 race by its c5tury-long adju/m5t4 ,x is ! ,nor? t has giv5 him 8 pr(\nd exp]i5ce4 ,its rhy?ms h di/+ui%$ him4 ,its color1 & ! color ( 8 _s1 are tw94 ,& s he turns t[>d x z to a mirror4 ,l t ( ! h]o ( 8 tone-poem1 8 life is a long j\rney t[>d ,f9l&4 ,contact ) ,f9ni% e>? gives him back into 8 own h&s4 ,x is ! ,nor?1 ! w9d & ! moorl& & ! sea1 t ga!rs ! fragm5ts ( 8 brok5 s\l1 & makes him :ole aga94 ,x 0 ) ! sanction ( a p t ,sibelius came to 8 task4 ,= c5turies be=e 8 bir? ! race t bore him _h la9 prone ^u its inclem5t coa/s4 ,b n[ a new vigor 0 g]m9at+ )9 x4 ,y\? _h ov]tak5 x once m1 & fill$ x ) ! desire ( indep5d5ce4 ,*a9$ to ! ,russian ,empire1 x 0 rea*+ out t[>d all t c\ld give x ! /r5g? to p]si/ & endure1 t[>d all t c\ld give x k ( its prop] s\l4 ,& s ,sibelius1 9 ! se>* = ! expression ( 8 own p]sonality1 s mu* at "o ) t ( 8 fell[s1 0 travel+ 9 ! common way4 ,! ^w t he 0 seek+1 ! ^w t %\ld br+ fulfilm5t to 8 prop] s\l1 0 deeply ne$$ by 8 fell[s4 ,in>ticulate ?\s&s1 unaw>e ?\gh !y 7 ( 8 exi/5ce1 await$ 8 "w1 want$ ! su/5ance x c\ld give4 ,&1 c]ta9ly1 ! s5se ( ! ne$fulness ( 8 "w1 ! s5se ( ! l>ge value set ^u 8 be/ & pure/ atta9m5ts by life itself1 mu/ h be5 ) ,sibelius always1 mu/ h suppli$ him ) a p[]ful inc5tive & made enorm\sly = 8 a*ievem5ts4 ,he mu/ h felt all ! surge ( ! race driv+ him4 ,he mu/ h _h cont9ually ! m>vel\s /imulus ( feel+ ab\t him1 = all ! night & ! cold1 ! =ms ( comrades /ra9+ t[>d a s+le l(ty goal1 felt himself "o ( an army ( m>*+ m54 ,?is folk1 f> 9 its pa/1 _h imag9$ ! figure ( a h]o-poet1 ,va9emund51 & plac$ 9 8 h&s an in/rum5t %ap$ out ( v sorr[1 & attribut$ magical p[] to 8 song4 ,& ,sibelius1 b[$ ov] 8 music-pap]1 mu/ h felt ! dream /ir )9 him1 mu/ h felt inc>nate )9 himself1 h[ev] incompletely1 t my/]i\s image1 & s proce$$ ) 8 "w ev]la/+ly assur$ t all he actually accompli%$ woke f out ( ! he>t ( ! p1 & respond$ to its immemorial ne$4 ,out ( su* an impulse 8 art has come4 ,no d\bt1 "s ( x is n ! response entirely wor?y ( s high a /imulus4 ,few mod]n compos]s ( em95ce are z s+ul>ly unev5 z ,sibelius4 ,moods l t :i* mo!r$ ! amiable elegance ( ! ,valse ,tri/e & t :i* produc$ ! h>d & nak$ ess5tiality ( ! ,f\r? ,symphony are almo/ =eign to ea* o!r4 ,! creative p[] itself is extraord9>ily fitful 9 him4 ,x is z if1 = all 8 physical robu/ness1 he has n q ! spiritual indefatigability ( ! major arti/4 ,he has n t inv5tive heat t p]mits ! compos] ( indisputably ! fir/ rank to realize himself unflagg+ly 9 all 8 indep5d5ce & int5sity4 ,too (t5 ,sibelius's individuality is clutt]$ & muffl$ by t ( o!r m54 ,no d\bt e creative arti/ passes ?r\gh a p]iod ( submission to ali5 fai?s4 ,b 9 ,sibelius !re appe> to exi/ two di/9ct p]sonalities1 ! "o /rong & indep5d5t1 ! o!r timid & un9v5tive1 :o dom9ate him alt]nately4 ,ev5 "s ( ! music contemporane\s ) ! magnific5t ,f\r? ,symphony is curi\sly ineffectual & po9tless4 ,true1 ! color1 ! air & tone ( ! ,nor? are nev] entirely abs5t f 8 "w4 ,8 songs inv>iably recapture1 sometimes almo/ miracul\sly1 ! d>k & m\rn+ acc5ts ( ! ,sc&9avian folk-song4 ,= all ! mod]nity ( m$ium !y are simple & sob]4 ,moreov]1 9 ^? ( 8 compositions t approa* banality mo/ closely1 !re is a c]ta9 sav+ h>dness & virility & hone/y4 ,unlike 8 neighbor1 ,grieg1 he is nev] m9c+ & m]etrici\s4 ,we nev] f9d him langui%+ 9 a pretty b\doir4 ,he is always out "u ! sky4 ,x is only t he is n always free & res\rceful & deeply self-critical4 ,ev5 ?r\gh ! bold & rugg$ & spl5did ,viol9 ,conc]to !re flit at mom5ts ! %ad[s ( ,bee?ov5 & ,wagn] & ,t*aik[sky4 ,! fir/ !me ( ! qu>tet ,voces intimae resembles n a little a c]ta9 !me 9 ,boris4 ,! close ( ,nightride & ,sunrise is wat]$ ,brahms & wat]$ ,/rauss4 ,& !re are phrases 9 8 tone-poem t comm5ce ) all 8 prop] rhy?mic ardor & !n sudd5ly deg5]ate4 ,!re are mom5ts :5 8 h>monic s5se1 g5]ally ke5 & true1 ab&ons him completely4 ,& ev5 works l ! ,f9l&ia & ,k>elia ov]tures1 = all _! g5]osity ( int5tion1 = all _! sugge/ion ( peasant voices lift$ 9 song1 disappo9t because ( ! sub/itution ( a popul> lyricism1 a c]ta9 easy sweetness1 = ! high poetry "o might h anticipat$4 ,& yet1 "o has b to turn to ! symphonies ( ,sibelius to enc\nt] music ( ano!r int5sity1 & gauge ! ri*ness ( response t1 at times1 x is giv5 him to make4 ,x is z if ! v dignity & gr&eur ( ! m$ium itself sets him free4 ,j z ! =m ( ! conc]to seems to h giv5 8 s5se ( ! viol9 a play app>5tly d5i$ x by ! small] m$iums1 s ^! l>g] or*e/ral =ms seem to h lib]at$ 8 imag9ation1 8 or*e/ral g5ius1 & made him poet ( 8 folk inde$4 ,8 p]sonal quality1 spread m ?9ly 9 8 songs & tone-poems1 is ess5tializ$ & develop$ 9 ^! o!r works4 ,! symphonies !mselves are 9 a s5se ! /ages ( ! ess5tialization4 ,9 ! fir/ ( !m 8 language em]ges1 to an ext5t imp>t+ its unmi/akable coloration to a matt] p]haps n entirely di/+ui%$4 ,!re is a loos5ess & lu%ness1 a romanticism & balladry1 9 ! "w1 t is n q *>act]i/ic4 ,/ill1 ! hone/y1 ! grimness & savag]y & lack ( s5suality1 are ,sibelius's own4 ,! adagio is /eep$ 9 8 prop] pa?os1 ! pa?os ( brief1 bl& summ]s1 ( light t falls = a mom5t1 g5tle & mell[1 & !n dies away4 ,some?+ l a memory ( a girl sitt+ amid ! simple fl[]s 9 ! :ite nor!rn sun%9e haunts ! la/ few measures4 ,! cry+1 bold f9ale is full ( ! trag$y ( nor!rn nature4 ,& 9 ! ,second ,symphony ! indep5d5ce is complete4 ,! or*e/ra is h&l$ individually1 sp>+ly1 & ) p]fect po9t4 ,(t5 ! in/rum5ts s\nd s+ly1 or by twos & ?rees4 ,:at _h be5 b half realiz$ 9 ! e>li] "w is di/9ct & important 9 ?is4 ,x is z if ,sibelius _h come ^u himself1 & s be5 able to rid 8 "w ( all sup]fluity & indecision4 ,&1 curi\sly1 ?r\gh speak+ 8 own language 9 all its homel9ess & peasant flavor1 he seems to h mov$ m closely to 8 l&4 ,! "w1 8 pa/oral symphony1 = all its absolute & =mal "*1 reflects a l&scape4 ,x is full ( home s\nds1 ( cattle & saet]s1 ( timb]$ h\ses & sp>se nature4 ,& ?r\gh x !re glances a pale evanesc5t sunlight1 & ?r\gh x !re s\nds ! burd5 ( a l[ly trag$y4 ,b x is only ) 8 ,f\r? ,symphony1 dubb$ futuri/ic because ( ! unusual boldness & pi?9ess ( its /yle1 ! abs5ce ( a g5]al tonality1 ! indep5d5ce ( ! or*e/ral voices1 t ,sibelius's gift atta9s absolute expression4 ,!re are c]ta9 works t are t\*/ones1 & make app>5t :at is orig9al & virtu\s 9 all ! re/ ( ! labors ( _! creator1 & give 8 p]sonality a unique & irrefragable position4 ,! ,f\r? ,symphony ( ,sibelius is su* a composition4 ,x is a v syn!sis ( all 8 "w1 ! r$uction to its simple/ & mo/ positive t]ms ( a ?+ t has be5 9 him s9ce fir/ he began to write1 & t receiv$ h]et(ore only fragm5t>y & indecisive expression4 ,9 its v =m x is ess5ce4 ,! /ructure is all bone4 ,! /yle is %>p5$ to a bit+ t]s5ess4 ,! color+ is ! ref9em5t ( all 8 color2 ! rhy?ms h a fre$om t[>d :i* ,sibelius's rhy?ms h always aspir$2 ! m\rnful melody ( ! adagio is well-nigh ar*etypical4 ,all 8 life ,sibelius has be5 se>*+ = ! tone ( ?is music1 desir+ to speak ) its au?ority1 & conc5trate ! s\l & trag$y ( a p into a s+le & et]nal mom5t4 ,all 8 life he _h be5 seek+ ! prophetic ge/ures ( :i* ?is "w is full4 ,= ! symphony is l a summ>y & a conclusion4 ,x c>ries u into "s high place be=e :i* ! life ( man is spread out & made app>5t4 ,! f\r movem5ts are ! f\r planes t solidify a s+le concept4 ,! fir/ sets u 9 a grim =e/ solitude1 out 9 "s great unlimit$ lonel9ess1 b5ea? a somb] sky4 ,!re is movem5t1 a climax1 a s+le cry ( passion & despair1 & !n1 only ! s\gh+ ( w9d ?r\gh ho>y bran*es4 ,! s*]zo is ! flick]+ ( mad wat]y lights1 a fanta/ic :ipp+ dance1 a sudd5 s9i/] conclusion4 ,9 ! adagio1 a bleak lam5t /ruggles upw>ds1 seems to pu% ?r\gh "s va/ in]t mass1 to pi]ce to a mom5t>y height & l>g5ess1 & !n s9ks1 brok54 ,& ?r\gh ! f9ale !re quiv]s an illusory light4 ,! movem5t is ! m>*1 ! oncom+ ru%1 ( va/ =mless hordes1 ! passage ( unnam$ millions t surge = an in/ant ) _! cries & bann]s1 & vani% into no?+ness4 ,x is possible t ,sibelius w create ano!r "w simil>ly nak$ & int5se4 ,m def9itive1 x _c be4 ,loeffl] ,leg5d records ( ,inez de ,ca/ro1 ,que5 ( ,ca/ile1 t %e 0 de?ron$ & driv5 into exile by a rival1 & t be=e h] husb& & h] p>tisans c\ld re/ore h] to k+dom1 %e _h di$4 ,b h] husb& caus$ h] body to be embalm$ & borne ) him :]ev] he w5t4 ,& :5 f9ally he _h vanqui%$ ! pret5d]1 he _h ! corpse deck$ 9 all ! regal insignia1 _h x set ^u ! ?rone 9 ! great hall ( ! palace ( ! k+s ( ,ca/ile1 & vassals & liegem5 summon$ to d ! homage t _h be5 d5i$ ! unhappy que5 9 h] lifetime4 ,! music ( ,*>les ,m>t9 ,loeffl] is l ! dead ,inez de ,ca/ro on h] ?rone4 ,x1 too1 is swa!d 9 diap]$ clo?s & hung ) gold & preci\s /ones4 ,x1 too1 is set above & ap>t f m5 9 a sort ( royal /ate1 & surr\nd$ by all ! emblems ( k+dom4 ,& b5ea? its /iff & incru/$ %ea? !re lies1 z once !re lay b5ea? ! jewel$ robes & diadem ( ! k+s ( ,ca/ile1 n a liv+ be+1 b a corpse4 ,= ,loeffl] is "o ( ^? exquisites ^: ref9em5t is un=tunately accompani$ by /]ility1 p]haps ev5 results f x4 ,b = 8 ess5tial uncreativ5ess1 he might well h become ! compos] uniquely repres5tative ( ! arti/ic movem5t 9 :i* ! late n9ete5?-c5tury ref9em5t & exquisit5ess manife/$ itself4 ,no musician1 n ,debussy ev51 0 bett] prep>$ = br++ ! symboli/ movem5t into music4 ,loeffl] is affiliat$ 9 temp]1 if n exactly 9 a*ievem5t1 ) ! brilliant b& ( belat$ romantici/s :o adopt$ z _! device ! sonnet ( ,v]la9e's beg9n+4 ,je suis l'empire a la f9 de la decad5ce4 ,"o f9ds 9 him almo/ typically ! s5sibility to ! ess5ces & colors r m ?an to ! spectacle1 ! movem5t1 ! adv5ture ( ?+s4 ,! n]v\s delicacy1 ! wid[hood ( ! _s1 ! horror ( ! times1 ! my/ic paganism1 ! homesickness = a tranquil & seque/]$ & s(t-color$ l& :]e %eph]ds /ill pipe to _! flocks1 & nun-l processions ( cl\ds float ov] blui% hills & fa?omless age-old lakes are em95tly pres5t 9 him4 ,he is 9 almo/ h]oic degree ! _s =ev] se>*+ bl9dly ?r\gh ! l\d & g>i% city1 ! hide\s pres5t1 = "s ve/ige1 "s message f its homel&2 f9d+1 "s sund[n1 9 ! ineffable glam\r ( rose & mauve & blue ?r\gh granite piles1 le s\v5ir avec le crepuscule4 ,he1 too1 "o w\ld guess1 has dreamt ( sell+ 8 s\l to ! devil1 & call$ ^u him1 ah1 h[ _m t]rible nights1 to appe>2 & has s\ght a refuge f ! _w 9 ,ca?olic my/icism & ec/asy4 ,_h x be5 giv5 him to realize himself 9 music1 we %\ld und\bt$ly h _h a body ( "w t w\ld h be5 ! v]itable mile/ones ( ! r\te trav]s$ by ! entire movem5t4 ,w\ld n ! ,pagan ,poem h be5 ! musical equival5t ( ! my/ic & sorr[ful s5suality ( ,v]la9e8 ,w\ld n ! two rhapsodies ,l',etang & ,la ,cornemuse h transmut$ to music ! macabre & s9i/] note ( s mu* symboli/ poetry8 ,w\ld we n h _h 9 ,la ,villanelle du ,diable an equival5t = ! black mass & ,la-bas2 9 ,hora my/ica an equival5t = ,en r\te2 9 ,music = ,f\r ,/r+$ ,in/rum5ts a musical ,sagesse8 ,does n ,*>les ,m>t9 ,loeffl]1 :o1 aft] writ+ ,a ,pagan ,poem1 makes a retreat 9 a ,b5$ict9e mona/]y1 & :o1 at home 9 ,m$=d1 ,massa*usetts1 tea*es ! *ori/]s to s+ ,gregorian *ants1 recall ,joris ,k>l ,huysmans1 ! oblat ( ,la ,trappe8 ,to a limit$ ext5t1 ( c\rse1 he has succe$$ 9 fix+ ! color ( ! symboli/ movem5t 9 music4 ,"s ( 8 ri*]1 dreami] songs1 "s ( 8 f9] bits ( poli%+1 8 r>] drops ( ess5ce1 are inde$ ! musical c\nt]p>t ( ! goldsmi?'s "w1 ! preciosity1 ( a ,gu/ave ,kahn or a ,/u>t ,m]rill4 ,b a musical ,huysmans1 = in/ance1 x 0 nev] 9 8 p[] to become4 ,= he has nev] possess$ ! creative heat1 ! flu5cy1 ! ve91 ! felicity1 ! p[] necess>y to ! task ( upbuild+ out ( ! tones ( in/rum5ts any?+ z flamboyant & magnific5t z ! noveli/'s black & r$ edifices4 ,he has nev] be5 vivid & +5u\s & spontane\s en\gh a musician ev5 to develop a p]sonal idiom4 ,he has always be5 hamp]$ & b\nd4 ,8 e>li] compositions1 ! qu9tet1 ! or*e/ral ,les ,vieillees de l',ukra9e & ,la bonne *anson1 = in/ance1 are di/9ctly d]ivative & un*>act]i/ic 9 /yle4 ,! idiom is d]iv$ 9 "p f ,faure1 9 "p f ,wagn] & o!r ( ! romantici/s4 ,! /r+ qu9tet has ev5 be5 dubb$ ,a ,musical ',trip ,ar\nd ! ,_w 9 ,eighty ,days4' ,nor is ! idiom ( 8 lat] & m repres5tative p]iod prim>ily & orig9ally any m *>act]i/ic4 ,x nev] seems to surge q :olly & cleanly & fairly4 ,! *as+ to :i* x has evid5tly be5 subject$ _c q conceal its desc5t4 ,! sett+ ( ,la ,clo*e felee ( ,baudelaire1 = in/ance1 is curi\sly ,g]manic & heavy1 = all ! subtlety & filigree ( ! voice & ! accompany+ piano & viola4 ,x is a fairly flat waltz movem5t t 9 ,a ,pagan ,poem is *os5 to repres5t ! sublun>y aspect ( ,virgil's g5ius4 ,& ,hora my/ica & ,music = ,f\r ,/r+$ ,in/rum5ts1 :i* h a c]ta9 /yli/ic unity1 nev]!less reveal ! compos] hamp]$ by ! ,gregorian & s*ola/ic idiom :i* he has s\ght to assimilate4 ,nor has he ev] _h ! p[] to express & objectify himself completely1 & a*ieve vital =m4 ,9 p]=mance1 mo/ ( 8 works %r9k & dw9dle4 ,! c5tral & su/a9+ /ructure1 ! ca!dral :i* is beh9d e liv+ composition & manife/s itself ?r\gh x1 is 9 ^! pieces s vague & att5uat$ t x fades into ! backgr\nd ( ! conc]t-hall1 is l gray ^u gray4 ,! gems & gold ?read & filigree ) :i* ?is "w is sewn t>ni% 9 ! gloom4 ,some?+ is !re1 we p]ceive1 some?+ t moves & sways & rises & ebbs fitfully 9 ! dim light4 ,b x is a wrai?like ?+1 & undulates & falls be=e our eyes l flames t h nei!r r$ness nor heat4 ,ev5 ! t]rible bagpipe ( ! second rhapsody = oboe2 ev5 ! caldron ( ! ,pagan ,poem1 t transcription ( ! mo/ s5sual & impassion$ ( ,virgil's eclogues1 ) its my/ic1 dissonant trumpets2 ev5 ! blasphemies ( ,la ,villanelle du ,diable1 & ! sund[n fires t beat ?r\gh ! close ( ,hora my/ica are curi\sly bloodless & gho/ly & unsub/antial4 ,pages ( su/a9$ music occur r>ely en\gh 9 8 music4 ,! l(ty1 almo/ metaphysical1 fir/ few p]iods1 ! sev]e & pa!tic second movem5t ( ! ,music = ,f\r ,/r+$ ,in/rum5ts2 c]ta9 songs l ,le ,son du cor1 t h atmosph]e & a delicate poetry1 are di/9ctly exceptional 9 ?is body ( "w4 ,:at *iefly lives 9 x are c]ta9 poignant phrases1 c]ta9 eloqu5t b>s1 a gl[+1 w9ey bit ( color "h1 a velvety phrase = ! oboe or ! cl>9et1 a %>p1 brassy1 prick+ horn-call1 a dreamy1 w&]+ melody = ! voice !re4 ,8 music consi/s ( scatt]$1 highly poli%$ phrases1 h>d1 exquisite1 & cold4 ,he is pre-em95tly ! precieux4 ,( ! scrupul\sness1 ! fa/idi\sness1 ! di/9ction1 ev51 ( ,loeffl]'s "w1 !re c be no "q4 ,he is n "o ( ! music-mak+ h]d4 ,! subtlety & orig9ality ( int5tion :i* 8 compositions almo/ uni=mly display1 ! unflagg+ ef=t to inclose )9 ea* ( 8 =ms a matt] r>e & novel & ri*1 set him =ev] ap>t1 ev5 9 8 ess5tial weakness1 f ! academic & con=m+ crew4 ,! man :o has compos$ ^! scores makes at lea/ ! ge/ure ( ! arti/1 & comes to music to express a temp] orig9al & delicate & ari/ocratic1 disda9ful ( ! facile & ! commonplace1 a s5sibility (t5 tr\bl$ & %ad[y & fanta/ic4 ,he is em95tly n "o ( ! pa!tic1 half-educat$ musicians s common 9 ,am]ica4 ,he kn[s some?+ ( musical sci5ce2 kn[s h[ a tonal edifice %\ld be unifi$2 has a s5se ( ! *emi/ry ( ! or*e/ra4 ,he appe>s famili> ) ! pla9song1 & has bas$ a symphony & portions ( a qu>tet on ,gregorian modes4 ,ev5 at a p]iod :5 ! sophi/icat$ & cultivat$ compos] is becom+ some:at less a r>ity1 8 culture is rem>kable1 8 k ( lit]ature eclectic4 ,gogol z well z ,virgil has mov$ him to or*e/ral works4 ,above all1 he is "o ( ! company ( compos]s1 to :i* a good numb] ( m gift$ musicians d n belong1 :o are ev] respectful ( _! m$ium1 & inf9itely curi\s conc]n+ x4 ,x is only t1 9 seek+ to comp5sate himself = 8 infecundity1 he has fall5 into ! deep sea ( preciosity4 ,9 seek+ by ma9 =ce to be expressive1 to rem$y 8 c>d9al defect1 to es*ew :atev] is trite & outworn 9 ! l9e ( ! melody1 ! sequ5ce ( ! h>monies1 to rid himself ( :atev] is d]ivative & imp]sonal & undi/+ui%$ 9 8 /yle1 he has become ov]-anxi\s1 ov]-meticul\s ( 8 diction4 ,because 8 phraseology 0 colorless1 he has become a /a9] ( phrases1 a sort ( musical euphui/4 ,all 8 en]gy1 "o s5ses1 has gone into ! cutt+ & poli%+ & %9+ up & sett+ ( little brightly color$ bits ( music1 little %>p1 int5se mom5ts4 ,"o feels t !y h be5 c>ess$ & /rok$ & smoo!d & reg>d$ a ?\s& times2 t ,loeffl] has dwelt ^u !m & t\*$ !m ) a sort ( n>cissi/ic love4 ,inde$1 x mu/ h be5 a great labor t 0 exp5d$ on ! d>k5+ & spic+ & %>p5+ ( ! /yle 9 c]ta9 ( 8 or*e/ral poems2 ! ef=t to create a new idiom bas$ on ! ,gregorian modes1 to :i* ,hora my/ica & ! rec5t "w = /r+ qu>tet be> witness1 mu/ 9 itself h be5 l>ge4 ,b ?\gh 9 result ( all ! *as+ & hamm]+ on gold1 ! fil+ & poli%+1 ! vessel ( 8 art has p]haps become ri*] & f9]1 x has n become any full]4 ,8 second p]iod diff]s f 8 fir/ only 9 ! fact t 9 x he has gone f "o =m ( uncreativity to ano!r some:at m dignifi$ & unusual4 ,! compositions ( bo? p]iods h1 aft] all1 ! selfsame lack4 ,8 de/9y seems to h be5 inevitable4 ,& s1 9 its confus$ arg5try & gho/l9ess1 its cry/allization & diaph9ity1 8 music resembles at times no?+ s mu* z ! preci\s rema9s & specim5s ( an ext9ct planet2 ?+s transfix$ 9 cold et]nal night1 icy & phosphoresc5t ( hue4 ,no atmosph]e ba!s !m4 ,sap does n m\nt 9 !m4 ,%\ld we t\* !m1 !y w\ld crumble4 ,?is1 might h be5 a fl[]4 ,b n[ x gli/5s ) cry/als ( mica & qu>tz4 ,^!1 are jewels4 ,b _! fires are qu5*$4 ,^! c&i$ petals are ! passage f ,music = ,f\r ,/r+$ ,in/rum5ts gloss$ 9 ! score un j>d9 ple9 des fleurs naives1 :ile ?is vial ( gemmy gre5 liquid is t entitl$ une pre t\te em]aude4 ,! petrifi$ saurian !re1 ^: bones h suff]$ a sea-*ange ,into some?+ ri* & /range is ! ,spani% rhapsody = 'cello2 ! /r+ ( /eely beads1 ! sett+ ( ! ,to ,hel5 ( ,poe4 ,& ! objects t float pres]v$ 9 ^? little flasks are "s ( ! popul> ditties ) :i* ,loeffl] is s fond ( incru/+ 8 "w4 ,once !y 7 a ,la ,villette1 & ! ,malagu5a1 & ! eighte5?-c5tury m>*+ song ( ! ,lorra9e soldi]y1 & fl\ri%$ "u ! w9dy heav54 ,b :5 ,loeffl] transplant$ !m respectively into ,la ,villanelle du ,diable1 into ! 'cello rhapsody & into ,music = ,f\r ,/r+$ ,in/rum5ts1 !y und]w5t ! fate t befalls ev]y?+ subject$ to 8 exquisite & /]iliz+ t\*4 ,"o comes to ! conclusion t p]haps ! mo/ significant & symbolic ?+ 9 ! c>e] ( ,*>les ,m>t9 ,loeffl] is 8 place ( resid5ce4 ,= ?is ,alsatian1 ,fr5* 9 culture1 temp]am5tally relat$ to ! decad5ts1 writ+ music at fir/ resembl+ t ( ,faure & ! ,wagn]iz+ ,fr5*m51 lat] t ( ,dukas1 & la/ t ( d',indy & ,magn>d1 has liv$ ! great] portion ( 8 life 9 no o!r city ?an ,bo/on4 ,com+ orig9ally to ,am]ica = ! purpose ( play+ fir/ viol9 9 ! ,bo/on ,symphony ,or*e/ra1 he has f\nd ! atmosph]e ( ! ,new ,engl& capital s pleasant t he has rema9$ !re practically ev] s9ce4 ,he :om "o might suppose almo/ native to ! ,p>is ( ,debussy & ,magn>d & ,ravel1 ( ,v]la9e & ,gu/ave ,kahn & ,huysmans1 has f\nd com=table an environm5t ess5tially tight & illib]al1 a society t masks phili/9ism ) toryism1 & manages to drive its radical & vital & arti/ic y\?1 9 increas+ numb]s e ye>1 to o!r places 9 se>* ( air4 ,& 8 own c>e]1 on ! spiritual plane1 seems j su* an ex*ange1 ! pref]5ce ( a %ad[y & frigid place to a blaz+ & quiv]+ "o1 ! ex*ange ( ! et]nal ,p>is = ! et]nal ,bo/on4 ,8 music seems "s psy*ic bani%m5t4 ,8 art is inde$1 9 ! la/ analysis1 a flight f ! gr\p ( 8 k9sm5 into1 if n exactly ! circle1 at lea/ ! dang]\s vic9ity ( ^? amiable g5tlem5 ! ,*adwicks & ! ,conv]ses & all ! o!r highly respectable & /]ile ,am]ican ,compos]s4 ,orn/e9 ,orn/e9 is a mirror held up to ! _w ( ! mod]n city4 ,! fir/ ( 8 real compositions are l fragm5ts ( "s cosmopolis ( caves & t[]s ( /eel1 ( furi\s motion & %afts ( nitrog5 gl>e become music4 ,!y are l s5sitive surfaces t h be5 laid 9 ! mid/ ( ! ,new ,yorks2 & record n only ! clangors1 b all ! viol5t =ms ( ! city1 ! beat ( ! fr5etic activity1 ! int]sect+ planes ( light1 ! masses ( ! masonry ) ! t9y1 dw>f-l creatures runn+ 9 & out1 ! electric signs /a9+ ! inky nightcl\ds4 ,!y give aga9 ! al>um ( dawn break+ ^u ! cr[d$1 sw>m+ cells2 sev5 o'clock /eam :i/les on a w9t] morn2 pitiless light filt]+ ov] hurry+ black droves ( humanity2 ?\s&s ( %iv]+ work]s black5+ ,f\rte5? ,/reet4 ,!y picture ! v ,niebelheim1 ! hordes ( slaves h]d$ by giants ( _! own creation1 ! comm&s & cries ( p[] 9 ! bells1 :i/les1 signals4 ,! gr9d+ & %riek+ ( load$ tra9s 9 ! tubes1 cranes labor+ 9 ! port1 rot>y eng9es drill+1 turb9es *urn+ are wov5 ?r\gh !m4 ,blankets ( fog desc5d ^u ! riv]2 m5ac+ %apes loom ?r\gh x2 rays ( r$ light seek to cut ! mi/4 ,fl[]s t are gray & black blossom on ! l$ges ( t5em5t w9d[s giv+ on b>e walls4 ,& human s\ls & songs t are gray & black l !m bloom 9 ! bl9d air1 op5 _! velvet petals1 _! lu/r\s1 s(t corollas1 f crannies & w9d[s into ?is metal1 ?is dun1 ?is unceas+ ro>4 ,= ,orn/e9 is y\?4 ,he is ! "o /riv+ to adju/ himself to all ?is ?und] & welt] & gl>e4 ,he is ! spr+ z x comes up ?r\gh ! pavem5ts1 ! a*+ gre5 sap4 ,9 "p1 no d\bt1 he is ! resurrection ( ! mo/ entomb$ ( spirits1 t ( ! outlaw ,european ,jew4 ,he is ! break+ d[n ( ! walls ) :i* ! ,jew _h blott$ out ! hateful _w4 ,he is ,laz>us em]g+ 9 8 grave clo!s into ! new _w2 ! ,jewi% _s come up into ! day f out ! basem5t & cell> rooms ( ! synagogue :]e x _h be5 seat$ = a ?\s& ye>s drugg+ itself ) rabb9ical lore1 ref9+ almo/ maniacally ^u ! int5tion ( "s obscure phrase or p>able1 negat+ ! lure ( ! _w & ( exp]i5ce ) a mass ( rites & obs]vances & c]emonials1 los+ itself 9 ! gray des]t /ret*es ( !ory1 or wa/+ itself 9 ! impossible dream ( ,zion re/or$ 9 mod]n ,pale/9e & ,solomon's temple rebuilt 9 a prov9cial capital ( ! ,turki% ,empire4 ,& ,orn/e9's music is ! music ( a bir? t is ! te>+ away ( grave clo!s gr[n to ! body1 ! claw+ away1 /one by /one1 ( ! wall erect$ aga9/ ! call ( exp]i5ce :i* 0 sure to be dea?-deal+4 ,! old prohibitions are /ill active 9 x 9 ! t]ror ) :i* life is view$1 9 ! m5ace & cruelty ( ?+s1 ! %>pness ( edges enc\nt]$1 ! weight ( ! masses t ?reat5 to fall & ov]:elm1 ! fury & blackness & horror ( nature once aga9 reg>d$4 ,aga9 & aga9 !re passes ?r\gh x ! hagg>d1 %r\d$ figure ( ! ,russian ,jew4 ,! ,poems ( #aiag are full ( ! wail+s & rock+s ( little old ,ghetto mo!rs4 ,aga9 & aga9 ,orn/e9 speaks 9 acc5ts t resemble no?+ q s mu* z ! savage & woeful language ( ! ,old ,te/am5t4 ,b ! music ( ,orn/e9 is mu* besides4 ,x is a ?+ g]mane to all be+s born into ! age ( /eel4 ,x is ! expression ( all ! m5 :o h tri$ to embrace & love ! t[]+ piles1 ! /range1 black1 desolate pa?ways t are ! _w to-day4 ,! figure t "o disc]ns 9 ! compositions beg9n+ ) ! ,dw>f ,suite1 ,opus #af1 is "o t we all h kn[n intimately a space4 ,^! pieces are n y\? se5 ?r\gh ! gold5 haze ( retrospection4 ,!y are ! expression ( grop+1 fumbl+ y\? z x feels & z x feels1 itself to be4 ,!y are music "y 9 all its excess1 its viol5ce1 its %>p griefs & %>p] joys1 its unreflect+1 trembl+ /r5g?4 ,! spr+ comes up hot & cruel 9 !m4 ,!re is all ! lonel9ess ( y\? 9 ?is music1 all ! my/]i\s dreams ( a _w sc>ce und]/ood1 all ! hesitancies & bl9d grop+s ( p[]s untri$4 ,always1 "o s5ses ! pavem5ts /ret*+ betwe5 /eel build+s1 ! black1 hurry+ tides ( human be+s2 & ?r\gh !m all1 ! oppress$ figure ( "o se>*+ out ! mean+ ( all ?is convulsive activity into :i* he has be5 born4 ,x is su* solitude t speaks 9 ! fir/ ,impression ( ,notre-,dame ) its gray m\nt+ masses1 its cloi/]al rev]b]ation ( bells1 its savage calls ( ! city to "o /&+ alone ) ! monum5t ( a dead age4 ,viol5t1 uncontroll$ passions cry out 9 ! ,?ree ,moods1 ) _! y\?ful surr5d] to ! mom5t4 ,! en]gy ( adolesc5ce1 unlea%$1 rejoic+ 9 pure muscul> activity1 disports itself 9 ! ,%ad[ ,dances1 & 9 ! ,wild ,man's ,dance1 ) its %e]1 nak$1 beat+ rhy?m4 ,! bitt]ness ( adolesc5ce mocks 9 ! ,?ree ,burlesques1 9 ! ,dance ( ! ,gnomes1 ) its p>ody+ ( clumsy movem5ts4 ,:at revolt 9 ! fir/ ,piano ,sonata6 ,& o!r emotions1 timid & unc]ta9 ( !mselves1 uneasy ) ! swell+ sap ( spr+tide1 speak _! poetry & _! pa91 tell _! tales & are sil5t1 make u rememb] :at once we felt4 ,! city1 ! bir? into ! new _w1 y\?1 exi/ 9 ! music ( ,orn/e9 ) all ! %>pness ( %ock because ( an imag9ation ( a wond]ful =cefulness4 ,!re is no indirectness 9 ,orn/e91 no vagu5ess4 ,8 t5sion is always ( ! fulle/1 ! /iffe/4 ,:at he feels1 :at he he>s1 he sets d[n1 irrespective ( all ! canons & rules & proc$ures4 ,h>mony ) him is some?+ diff]5t ?an x is ) any o!r compos]4 ,piano colors ( a viol5ce & g>i%ness are hurl$ aga9/ ea* o!r4 ,! l[e/ & highe/ regi/]s ( ! in/rum5t cla% 9 ,improvisata4 ,rhy?ms battle1 convulsively1 almo/4 ,9 portions ( ! ,s9fonietta1 five rhy?ms are to be f\nd w>r+ aga9/ ea* o!r4 ,melodic curves1 l9es1 s+ ec/atically ov] turbul5t1 mottl$ c\nt]po9t 9 ! piano & viol9 sonatas4 ,! viol9 sonata is some?+ ( an attempt to exhau/ all ! possibilities ( color-contra/ conta9$ 9 ! little br[n box4 ,9 ! fir/ ,impression de ,notre-,dame1 ! piano is metallic ) ! boom+ bells4 ,9 ! second1 x is /ony1 heavy ) ! conge/$1 pe]+1 m5ac+ =ms ( g>goyles4 ,9 ! accompanim5t to ! song ,waldseligkeit1 x seems to give ! musical equival5t = ! sub/ance ( wood4 ,no d\bt1 to "o :o1 l ,orn/e91 reg>d$ music only z a means ( communication1 z spee* ( man to man1 & occupi$ himself only ) ! communication ( 8 s5sations & exp]i5ce 9 briefe/1 directe/1 simple/ =m1 !re mu/ h come mom5ts ( ! mo/ t]rible self-d\bt1 :5 all ! ana!mas ( ! fa!rs ( ! musical *ur* ?und]$ l\d 9 8 e>s1 & o!r m5's =ms & proportions seem$ to make 8 %rivel4 ,x 0 d\btless ?ankfulness to ,william ,blake1 t o!r mad inv5tor ( wild images & designs1 t o!r rag] 9 ! wilds1 = =tification & su/5ance1 t made him preface 8 viol9 sonata ) ! ,argum5t ( ,! ,m>riage ( ,heav5 & ,hell1 & def5d himself ) ! v]ses3 ,once meek1 & 9 a p]il\s pa?1 ,! j man kept 8 c\rse along ,! vale ( dea?4 ,roses are plant$ :]e ?orns grew1 ,& on ! b>r5 hea? ,s+ ! honey bees4444 ,till ! villa9 left ! pa?s ( ease1 ,to walk 9 p]il\s pa?s1 & drive ,! j man into b>r5 climes4 ,n[ ! sneak+ s]p5t walks ,9 mild humility1 ,& ! j man rages 9 ! wilds ,:]e lions roam4 ,& c]ta9ly1 = u1 :atev] ! pundits claim1 ! wilds ( ,leo ,orn/e9 are n s rag+ & lion-infe/$4 ,= :ile "o speculates :e!r ^! pieces are music or n1 "o discov]s t "o has ent]$ ?r\gh !m into ! life ( ano!r be+1 & ?r\gh him into ! lives ( a :ole upgr[+ g5]ation4 ,at pres5t1 h[ev]1 "s ( ^? qualities t 7 s cle>ly visible 9 ,leo ,orn/e9 dur+ ! fir/ ye>s 9 :i* he disclos$ himself are some:at obscur$4 ,some?+ n entirely reassur+ has happ5$ to ! man4 ,a great deal ( ! music t he has be5 compos+ ( late wants ! bite 8 e>li] "w _h4 ,! colors are n s pip+ hot4 ,! outl9es are less bold & jagg$ & cle>-cut4 ,"s ( ! convulsive int5sity1 ! fury1 has pass$ out ( ! rhy?mic elem5t4 ,! melodies are less acidul\s1 ! moods less unbridl$4 ,no d\bt1 some?+ happi] has ent]$ into 8 music1 some?+ m voluptu\s & smoo?4 ,! 'cello *ants passionately & dreamily 9 ! two sonatas ,orn/e9 has writt5 ( late = x4 ,! racial elem5t is s(t5$1 become g5tl] & duski] & m romantic4 ,! ,jew 9 x no long] we>s 8 gab]d9e4 ,if he we>s a pray]-%awl at all1 x is "o made ( silk4 ,! ,j]emiah ( ! des]t has giv5 way to ! "y1 amor\s1 dream-fill$ poet1 a poet ( ! sort t arose among ! ,jews 9 ,spa9 dur+ ! ye>s ( ! ,moori% asc5d5cy4 ,yet1 a c]ta9 int5sity1 a c]ta9 orig9ality1 a c]ta9 ve9 ( g5ius1 has und]gone eclipse 9 ! *ange4 ,some?+ a little brilliant1 a little facile1 a little undi/+ui%$1 has introduc$ itself1 ev5 into ! be/ ( ! newe/ pieces4 ,! texture is ?9n]1 ! t5sion slack]4 ,orn/e9 does n seem to be putt+ himself into !m ) ! same directness & complet5ess ) :i* he put himself into 8 e>li] "w4 ,moreov]1 occasionally !re come f 8 p5 works into :i* he is n putt+ himself at all4 ,a *oral society ( ,new ,york a ye> or two ago produc$ two small a capella *oruses ( 8 t might h be5 ! "w ( "s obscure pupil ( ,t*aik[sky's4 ,! piano sonat9a ( ! ,fun]al ,m>*1 al?\gh by no means z insignificant1 is nev]!less un*>act]i/ic 9 ! resemblances x be>s ! music ( ,ravel4 ,"o ?+ ! e>li] compositions are n1 & t is1 d]ivative4 ,orn/e91 !y make pla91 _h b5efit$ by ! a*ievem5ts ( ,debussy & ,m\ssorgsky & ,scriab9e4 ,b !y made pla9 z well t he _h develop$ a /yle ( 8 own1 a /yle t 01 = all its crud5ess & h>%ness1 p]sonal4 ,9 becom+ aga9 a disciple he rev]ts to some?+ t he seem$ to h left beh9d him :5 he wrote 8 clangor\s ,dw>f ,suite4 ,:at ?is new p]iod ( ,orn/e9's composition repres5ts x is n easy to say4 ,probably1 x is a p]iod ( transition1 a "t ( ! m>%al+ ( =ces to a new & fi]c] onslaught4 ,su* a "t ( ge/ation might well be necess>y to ,orn/e9's g5ius4 ,x is possible t he has _h to give up some?+ 9 ord] to ga9 some?+ else1 to try = less 9 ord] to e/abli% himself ^u a foot+ firm] ?an t ^u :i* he /ood4 ,8 g5ius dur+ 8 fir/ ye>s ( creation 0 lyrical purely4 ,x 0 a ?+ t express$ itself 9 pictur+ moods1 9 mak+ brief flights1 9 e/abli%+ mom5ts musicaux4 ,he is at 8 be/ 9 8 piano preludes1 9 8 small =ms4 ,! works compos$ dur+ ?is p]iod 9 ! l>g] =ms1 ! viol9 sonata except$1 are sc>cely a*iev$4 ,! out] movem5ts ( ! ,gr& ,sonata = pian(orte1 = in/ance1 are f> inf]ior to ! c5tral ones4 ,:atev] ! m]it ( "s ( ! individual movem5ts ( ,! ,masqu]ad]s1 ,opus #cf1 & ! ,poems ( #aiag1 & at times x is n small1 ! works z a :ole lack =m4 ,!y h none ( ! unity & v>iety & solidity ( ! ,papillons & ! ,c>naval ( ,s*umann or ! ,valses nobles et s5tim5tales ( ,ravel1 = in/ance1 works to :i* !y are 9 c]ta9 o!r respects comp>able4 ,z he grew a little old]1 ,orn/e9's nature probably began to dem& o!r =ms beside ^! small]1 m episodic ones4 ,x probably began to /rive = great] scope1 duration1 developm5t1 complexity4 ,& s1 9 ord] to ga9 great] intellectual control ov] 8 outfl[1 to le>n to build piles ( a bulk t require an entirely diff]5t workman%ip & sup]vision ?an d preludes & impressions1 ,orn/e9 d\btlessly has be5 )hold+ himself1 dim9i%+ ! int5sity ( 8 fire4 ,9 ord] to le>n to organize 8 mat]ial1 he has d\btlessly unconsci\sly less5$ its d5sity & vibrancy = ! "t be+4 ,&1 too1 x may be ! result ( a *ange f a pa9-economy to a pleasure-economy4 ,! adolesc5t has gr[n into ! "y man4 ,! adju/m5t may h be5 made4 ,! poet is no long] =c$ to m9t 8 mis]ies & pa9s alone into art2 he is le>n+ to be glad4 ,he may aga9 be seek+ to f9d himself 9 a _w gr[n diff]5t4 ,at ! same "t1 !re is a di/9ct possibility t ! pres5t p]iod ( ,orn/e9's composition is n a "t ( prep>ation = a new flight4 ,!re is a di/9ct possibility t x repres5ts an un:olesome slack5+4 ,aft] all1 may x n be t he has fl9*$8 ,/rong] m5 ?an he h succumb$ to a ho/ile _w4 ,& ,orn/e9 has f\nd ! _w v ho/ile4 ,he has f\nd ,am]ica absolutely unprep>$ = 8 art1 possess$ ) no te*nique to cope ) x4 ,he has v l>gely be5 op]at+ 9 a void4 ,x is n s mu* t he has be5 tri$ & f\nd want+4 ,he has n ev5 be5 he>d4 ,because ! musical _w has be5 unable to foll[ him1 x has dismiss$ him entirely f its consci\sness4 ,sc>cely a critic has be5 able to express :at x is ab\t 8 music t he likes or dislikes4 ,!y h ei!r ridicul$ him or writt5 cordially ab\t him )\t say+ any?+4 ,!re is no?+ m demoraliz+ = ! arti/4 ,at pres5t !y are ev5 class+ him ) ,prok(ief4 ,! virtuosi h %[n a l timidity4 ,sc>cely a "o has d>$ p]=m 8 music4 ,_m h refra9$ out ( policy1 unwill+ to =feit any applause4 ,o!rs h no d\bt q s9c]ely refus$ to p]=m any music t s\nd$ cacophon\s to !m4 ,= ! army ( musicians is almo/ entirely compos$ ( re>gu>d4 ,n a s+le "o ( ! or*e/ral conductors 9 ,new ,york has d>$ consid] p]=m+ 8 ,s9fonietta1 to say no?+ ( ! e>ly & comp>atively accessible ,m>*e funebre & ,a la *9oise4 ,( ! ,philh>monic ,society1 ( c\rse1 "o expects no?+4 ,b "o might suppose t ! v>i\s organizations alleg$ly fri5dly to music1 eag] = ! cause ( ! new & ! mod]n1 w\ld see to x t ! musician :om su* an au?ority z ,erne/ ,blo* has decl>$ to be ! s+le compos] 9 ,am]ica :o displays positive signs ( g5ius1 0 giv5 8 opportunity4 ,! contr>y has be5 ! case4 ,d',indy's fooli% w> symphony1 ! works ( ,h5ry ,hadley1 ( ,ra*man9(f1 ( ,david ,/anley ,smi?1 ev5 ( ,dvorsky1 t p]son :o exi/s z little 9 ! field ( composition z he does 9 ,bi>ritz1 h receiv$ & d receive ! att5tion ( our p[]ful ones4 ,x w\ld be small wond]1 !n1 if an arti/ l ,orn/e91 :o1 l e real arti/1 requires ! contact ( o!r m9ds & _c g on produc+1 hopeless ( atta9+ p]=mance & exhibition1 _h f9ally fl9*$ & we>i$ ( 8 ef=ts1 & sudd5ly f\nd himself writ+ su* music z ! intellig5ces ( 8 fell[-craftsm5 c reasonably be expect$ to compreh5d4 ,!re are o!r reasons t might lead "o to presume t ^! rec5t works repres5t a slump4 ,= ,orn/e9 has be5 devot+ too mu* ( 8 en]gy to conc]tiz+4 ,he has be5 travel+ madly ov] ! ,unit$ ,/ates & ,canada = ! la/ few ye>s1 liv+ 9 ,pullman sleep]s & play+ to audi5ces ( all sorts4 ,dur+ ! fir/ ye>s t he 0 9 ,am]ica aft] ! outbreak ( w> 9 ,europe1 he at lea/ play$ ! music t he lov$4 ,b no "o 0 ready = programs beg9n+ ) ,korngold & ,cyril ,scott & end+ ) ,ravel & ,scriab9e & ,orn/e9 himself4 ,s little by little ,orn/e9 began adult]at+ 8 programs1 add+ a popul> piece "h1 ano!r !re4 ,rec5tly1 he has be5 play+ music into :i* he _c put 8 he>t at all1 ,liszt & ,rub9/e9 z well z ,bee?ov5 & ,s*umann4 ,he has be5 p]=m+ x none too brilliantly4 ,su* an exi/5ce _c b dull ! man's edge4 ,no "o c play ! ,twelf? ,hung>ian ,rhapsody or ! transcription ( ! ,m5delssohn ,w$d+ ,m>* or ! ,rigoletto ,fantasy cont9ually )\t be+ puni%$4 ,no "o :o does n love !m c play ! ,sonata ,appassionata or ! ,etudes symphoniques or ! waltzes ( ,*op9 long )\t becom+ dull$ & spoil$4 ,s ) composition become an int]val betwe5 two tra9s1 & expression an attempt to please audi5ces & to e/abli% oneself ) ! public z a popul> piani/1 x is n ! mo/ prepo/]\s ( ?\ghts t ,leo ,orn/e9 has lo/ some?+ he once possess$ 9 beautiful & sup]abundant =m4 ,/ill1 x is fairly incr$ible4 ,x is impossible t great & p]man5t h>m %\ld h be5 done him already4 ,he 0 too vital & sane a be+ to be s easily corrupt$4 ,= ^? :o knew him 9 ! fir/ ye>s ( 8 return f ,p>is1 he 0 no?+ if n ! g5ius4 ,if he 0 less accompli%$1 less res\rceful & magi/ral an arti/ ?an ,/raw9sky1 = in/ance1 :om he resembles 9 a c]ta9 g5]al way1 he 0 at lea/ a m human1 a m passionate be+4 ,x is ?is great vitality1 ?is ri* temp]am5t1 t makes "o sure t we are n go+ to h 9 ,leo ,orn/e9 ano!r ,ri*>d ,/rauss1 ano!r ,/rauss :o has nev] _h ! _m f]tile ye>s v\*saf$ ! o!r4 ,x makes u sure t he w f9ally come to t]ms ) 8 manag]s & audi5ces1 & t ! h>m already done him by 8 way ( life w gr[ no great]4 ,x conv9ces u t 8 pres5t mood is b ! result ( a necess>y process ( transition f "o basis to ano!r2 t ! man is really summon+ himself = ! works t w express him 9 8 manhood4 ,& we are positive t !re w %ortly come f him weighty musical =ms ) colors z burn+ & deep z ^? ( 8 fir/ pieces1 & ( l int5sity & boldness2 & t ,leo ,orn/e9 is sure ( rea*+ ! high heav5 ( art = :i* he seem$ & /ill seems b\nd4 ,blo* ,once be=e1 ,ea/ & ,we/ h met & m]g$4 ,on ! pla9s :]e ! soldi]s ( ,d>ius & ,alex&] slaught]$ "o ano!r1 & :]e ! ,mac$onian phalanxes recoil$ be=e ! ca/ellat$ elephants ( ,porus1 a m>riage 0 consummat$4 ,hov]+ ov] ! heads ( ! oppos+ armies1 ! angel ( ,europe & ! angel ( ,asia embrac$1 & s5t _! lifebloods c\rs+ ?r\gh ea* o!r4 ,passage 0 made to ,india4 ,! two cont95ts sl[ly fac$ ab\t4 ,two res]voirs t _h be5 accumulat+ = eons ! preci\s di/illations ( two great c5t]s ( ! human race began m+l+ _! ess5ces4 ,9 :atev] ! ,ea/ did1 !re 0 evid5t ! h& ( ! ,we/4 ,9 :atev] ! ,we/ ?\ght !re 0 visible ! prismatic intellig5ce ( ! ,ea/4 ,! gods ( ,greece %[$ _! smoo? =eheads on ! banks ( ! ,ganges4 ,ori5tal sy/ems refract$ ! blonde ,m$it]ranean light into an hundr$ subtle t9ts4 ,b ! empire ( ,alex&] crumbl$1 ,p>?ians annihilat$ ! legions ( ,crassus4 ,p]sians & ,seljuks & ,ottomans b>r$ ,europe f ! ,ea/4 ,/eady communication ceas$4 ,asia )drew "u h] cl\dy my/]i\s curta9s4 ,leg5d>y fumes1 ,ca?ay1 ,zipango1 ! ,indias ( ! ,great ,ocean1 arose4 ,once aga91 ! two bas9s 7 cut (f4 ,once aga91 ea* began secret+ a sub/ance radically diff]5t f ! o!r's1 a sub/ance gr[+ m individual ) ea* elaps+ c5tury4 ,= almo/ two ?\s& ye>s1 ,ea/ & ,we/ develop$ away "o f ! o!r4 ,& n[1 a second "t1 9 our own h\r1 ! two h drawn close & confront$ ea* o!r4 ,once aga91 a fusion has tak5 place4 ,we are to-day 9 ! mid/ ( a movem5t likely to surpass ! p]iod ( ,hell5ization 9 duration & ext5t4 ,?is "t1 p]haps1 no dramatic m>* ( ,mac$onians to ! banks ( ! ,indus has s]v$ to make ! connection4 ,nev]!less1 9 ! image ( ,amy ,l[ell1 guns h aga9 %[n !mselves keys4 ,= a c\ple ( c5turies1 great gates h be5 sw++ ?r\gh\t ! ,ea/ at ! behe/ ( frigates & arm$ m]*antm54 ,& sl[ly1 once aga91 ,asia has be5 seep+ into ,europe4 ,w>m spicy gu/s h be5 drift+ ov] ! ,we/1 /eadily p]meat+ ! air4 ,at fir/1 !re appe>$ to be no?+ s]i\s 9 ! infiltration4 ,! eighte5? c5tury 0 app>5tly coquett+ only ) ,ea/]n motifs4 ,if ,*9ese palaces put 9 _! appe>ance at ,drottn+holm & ,pillnitz1 9 all portions ( ! cont95t2 if ,*ipp5dale began giv+ curi\s delicate twi/s to 8 furniture1 x seem$ no?+ m ?an a matt] ( caprice4 ,! ze/ = ,p]sian lett]s1 ,ori5tal n\velles1 ,turki% m>*es1 arose app>5tly only f ! desire = masqu]ade4 ,gretry1 ,moz>t1 ,wiel&1 sc>cely took _! s]aglios1 pa%as1 bulbuls e>ne/ly4 ,b1 gradually1 ) ! arrival ( ! n9ete5? c5tury1 :at _h hi!rto seem$ play only1 began to assume a diff]5t %ape4 ,! ,ea/ 0 inde$ dawn+ ^u ! ,we/ aga94 ,! mi/s 7 be+ burn$ away4 ,?r\gh ,sir ,william ,jones & ,fri$ri* ,s*legel1 ! wisdom ( ! dang]\s slipp]y ,indies 0 op5$ to ,europe4 ,goe!1 z ev] ! outrid]1 reveal$ ! new ori5tation 9 8 ,we/-,oe/li*] ,divan & 8 ,*9esi*-,deuts*e ,jahres-und-,tages-,zeit54 ,9 #ahbi1 ,victor ,hugo publi%$ ,les ,ori5tales2 9 #ahei1 ,fitzg]ald 8 ,om>4 ,if ,web] little m ?an toy$ ) ,*9ese & ,turki% musical color 9 ,tur&ot & 9 ,ob]on1 ,felici5 ,david 9 8 songs & 9 8 ,le ,des]t attempt$ s]i\sly to infiltrate into ,european music ! musical feel+ ( ! ,levant4 ,9 ! corn] ( ,s*op5hau]'s ap>tm5t !re sat an effigy ( ! ,buddha2 volumes ( ! ,upani%ads lay on 8 table4 ,9 #ahfc = ! fir/ "t1 a ,p>is %op (f]$ = sale a few ,japanese pr9ts4 ,manet1 ,:i/l]1 ,monet1 ! bro!rs ,de ,gonc\rt came & b\ght4 ,b ?\gh ! craze = pa9t+ ,pr9cesses du ,pays de la ,porcela9e end$ rapidly1 ,european pa9t+ 0 revolutioniz$4 ,surfaces once m came into be+4 ,color 0 born aga9 "u ! bru%es ( ! impressioni/s & ! po/-impressioni/s4 ,! s5se ( t\* 0 fre$4 ,9 all ! arts ! art ( ,japan became p[]ful4 ,de ,maupassant wrote a prose t is full ( ! te*nique ( ! ,japanese pr9ts2 t works *iefly ?r\gh means ( %>p little l9es & da9ty spott+4 ,all five s5ses 7 be+ born aga94 ,p li/5$ ) new ke5ness to ! s\nds ( in/rum5ts4 ,! ,russian sons ( ,b]lioz ) _! new or*e/ral *emi/ry arriv$4 ,! or*e/ral ma*9e exp&$ & grew subtle4 ,huysmans dreamt ( symphonies ( liqueurs1 conc]tos ( p]fum]y4 ,& ! new c5tury1 :5 x came1 %[$ t x 0 no delib]ately assum$ ?+1 ?is fusion ( ,ori5tal & ,occid5tal modes ( feel+1 %[$ t x 0 a ?+ aris+ deep 9 ! be+4 ,some?+ t _h long la9 in]t _h be5 reborn at ! contact 9 ,we/]n m54 ,a "p ( p]sonality t _h la9 dead _h ( a sudd5 be5 suffus$ ) blood & w>m?2 light play$ ov] a hemisph]e ( ! m9d long d>k4 ,! v h& t drew1 ! v m\? t mat*$ words1 ! v body t beat & curv$ & sway$ 9 movem5t1 7 ,we/]n & ,ea/]n at ! same "t4 ,x 0 no long] ! ,greek conception ( =m t prevail$ on ! banks ( ! ,se9e1 or :]ev] art 0 produc$4 ,art 0 become aga91 :at ! ,ori5tals _h always kn[n x to be1 significant =m4 ,x 0 z ?\gh ,p]sia _h be5 born aga9 9 ,h5ri ,matisse1 = in/ance4 ,a s5se ( design & color ! l ( :i* _h hi!rto be5 manife/ only 9 ! vases & bloomy c>pets ( ,teh]an dictat$ 8 exquisite patt]ns4 ,hokusai & ,outam>o got 9 ,v9c5t ,van ,gogh a bro!r4 ,! sultry atmosph]e & animal ri*ness ( ,h9doo art reappe>$ 9 ,gaugu9's wood-cuts4 ,"o has b to g to any really mod]n art1 :e!r produc$ 9 ,p>is or 9 ,muni* or 9 ,new ,york1 to see aga9 ! subtle br[ns & silv]s & v]milions1 ! delicate s5su\s t\*1 ! inf9itely v>i\s patt]ns1 ! =ms t c>ry ) !m ! e>? f ,arabia to ,japan4 ,z 9 ! pla/ic arts1 s 9 poetry4 ,! imagi/s1 ,ezra ,p\nd 9 p>ticul>1 7 ,*9ese long be=e !y discov]$ ,ca?ay 9 ! works ( ,erne/ ,f5nellosa4 ,& 9 music1 c]ta9ly1 ! ,ea/ is on u2 has be5 on u s9ce ! ,russian five began _! c>e]s & express$ _! own half-,european1 half-,mongol1 natures4 ,! /ream has comm5c$ sett+ s9ce ! ,arabian ,nights1 ! ,p]sian odalisques1 ! ,t>t> tribesm5 became music4 ,& ! ,*9ese s5sibility ( ,scriab9e1 ! ,ori5tal *romatics ( ! lat] ,rimsky-,korsak(f1 ! s9u\s scales & voluptu\s colors & silk5 textures ( ,debussy1 ! %rill fanta/ic ,japanese idiom ( ,/raw9sky1 h %[n u ! fusion 0 ne>4 ,b 9 ! music ( no compos] is x z pla9ly evid5t z x is 9 t ( ,erne/ ,blo*4 ,9 a "w l ?is compos]'s suite = viola & piano1 "o has a s5se ( a complet5ess ( fusion su* z no o!r gives4 ,"h1 ! ,we/ has advanc$ fur!/ ea/1 ! ,ea/ fur!/ we/4 ,two ?+s are balanc$ 9 ! "w1 two ?+s develop$ ?r\gh a score ( c5turies by two uncommunicat+ regions4 ,! organiz+ p[] ( ,europe is m>ri$ to ! s5su\sness ( ,asia4 ,! virile =mative p[] ( ! heirs ( ,ba* is "h4 ,an ext5d$ =m is solid z m\nta9s1 projects volumes ?r\gh "t4 ,"o f\r-squ>e movem5t is set atop ano!r4 ,!re is no weak5+1 no slack5+1 no drop4 ,"o c put "o's h& ar\nd ^! br[n-gold blocks4 ,& at ! same "t1 ?is organiz+ p[] makes to live a dusky s5suality1 a velvety ri*ness ( texture1 a sultr9ess & wetness t sets u amid ! bronz$ gl[+ wood-c>v+s ( ,africans1 ! d>k sunsets ( ,ceylon1 ! pagodas 9 :i* ! ,*9aman sits & s+s ( 8 felicity1 8 family1 8 g>d54 ,! lyric blue ( ,*9ese art1 ! tropical =e/s ) _! horrid heat & d5se gr[?s & cruel animal life1 ! ,polynesian seas ( azure tulle1 ! spice-lad5 breezes1 *ant "h4 ,! monotony1 ! melan*oly1 ! bitt]ness ( ! ,ea/1 ?+s t _h hi!rto s\nd$ only f ! d>kly %9+ zi!r ( ! ,arabs1 or f ! dea?ly gongs & tam-tams ( ! ,mongolians1 speak ?r\gh ,we/]n in/rum5ts4 ,x is z ?\gh some?+ _h be5 br\ght out f a /eam+ ,burmese swamp & expos$ to ! t]rible beat ( a ,new ,york ?or\ghf>e1 & t out ( t transplantation a matt] utt]ly new & sad & /range1 favor+ bo? fa!r & "m1 & yet ( a "* di/9ctly individual1 _h be5 creat$4 ,= no compos] 0 bett] fitt$ by nature to receive ! /imulus ( ! onru%+ ,ea/4 ,z a ,jew1 ,blo* c>ri$ )9 himself a fragm5t ( ! ,ori5t2 0 9 himself an outpo/ ( ! "m ( cont95ts4 ,& he is "o ( ! few ,jewi% compos]s really1 fundam5tally self-expressive4 ,he is "o ( ! few t h fully accept$ !mselves1 fully accept$ ! fate t made !m ,jewi% & /igmatiz$ !m4 ,aft] all1 x 0 n ! fact t !y 7 homeless z ,wagn] pret5d$1 t prev5t$ ! company ( ,mey]be]s & ,m5delssohns f creat+4 ,x 0 r m ! fact t1 inw>dly1 !y refus$ to accept !mselves = :at !y 74 ,! weakness ( _! art is to be und]/ood only z ! result ( ! spiritual w>f>e t ?reat5s to divide e ,jew aga9/ himself4 ,!re 0 op]ative 9 !m1 :e!r !y 7 aw>e ( x or no1 a secret desire to escape _! /igmata4 ,!y 7 delib]ately deaf to ! prompt+s ( ! be+s t 7 s firmly plant$ 9 ! racial soil4 ,!y 7 fugitive f ! national consci\sness4 ,! b\rn ( impulse 0 half /opp$4 ,x 0 n t !y did n write ,jewi% music1 utilize solely racial scales & melodies4 ,! arti/ ( ,jewi% extraction ne$ n d s to be sav$4 ,! :ole _w is op5 be=e him4 ,he c express 8 day z he w4 ,"o ?+1 h[ev]1 is necess>y4 ,he mu/ n seek to inhibit any portion ( 8 impulse4 ,he mu/ n attempt to d5y 8 modes ( appreh5sion & realization because !y are racially color$4 ,he mu/ possess spiritual h>mony4 ,! :ole man mu/ g into 8 expression4 ,& x 0 j ! :ole man :o did n g into ! "w ( ! compos]s :o h hi!rto repres5t$ ,judaism 9 ,music4 ,an inhibit$1 h>ri$ impulse is manife/ 9 _! art4 ,=1 l ,mey]be]1 conv9c$ ( ! wor?lessness ( _! feel+s1 !y manufactur$ spectacles = ! op]atic /age1 & p&]$ to a ta/e :i* !y lea/ ( all respect$4 ,or1 l ,m5delssohn1 !y tri$ to adapt !mselves to ! ali5 atmosph]e ( ,teutonic romance1 & produc$ a musical j>gon t resembles no?+ 9 ! _w s mu* z ,yiddi%4 ,or1 ) ,rub9/e91 !y glov$ !mselves 9 a pretty salon /yle 9 ord] to conceal all ve/iges ( ! fle%1 or tri$1 ) ,gu/av ,mahl]1 to intone ,ave ,m>ia4 ,"s1 no d\bt1 w\ld h pref]r$ to h be5 true to !mselves4 ,goldm>k 7! uncle7 is an example4 ,b 8 desire rema9$ int5tion1 l>gely4 ,= 8 me?od 0 a trifle *ildi%4 ,he conceiv$ x z a ly+ on c\*es amid cu%ions1 sniff+ ,ori5t p]fumes 9 sc5t-bottles4 ,he did n realize t ! c\* 0 ! com=table ,g]man canape1 ! cu%ions ! romantic /yle ( ,web] & ! e>ly ,wagn]1 & t ?r\gh ! ,sabaean odors f ! spicy %ore ,( ,araby ! ble/ !re drift$ ! d\btlessly v appetiz+ smell ( ,vi5nese cook]y4 ,b !re is music ( ,erne/ ,blo* t is a l>ge1 a poignant1 an au!ntic expression ( :at is racial 9 ! ,jew4 ,!re is music ( 8 t is au!ntic by virtue ( qualities m fundam5tally racial ?an ! synagogical modes on :i* x bases itself1 ! ,semitic pomp & color t in=m x4 ,!re are mom5ts :5 "o he>s 9 ?is music ! h>% & haughty acc5ts ( ! ,hebrew tongue1 sees ! abrupt ge/ures ( ! ,hebrew s\l1 feels ! titanic bur/ ( en]gy t creat$ ! race & c>ri$ x intact across l&s & times1 out ( ! et]nal ,egypt1 ?r\gh ! et]nal ,r$ ,sea4 ,!re are mom5ts :5 ?is music makes "o feel z ?\gh an elem5t t _h rema9$ un*ang$ ?r\gh\t ?ree ?\s& ye>s1 an elem5t t is 9 e ,jew & by :i* e ,jew mu/ "k himself & 8 desc5t1 7 caught up 9 x & fix$ !re4 ,blo* has compos$ sett+s = ! ,psalms t are ! v impulse ( ! ,davidic hymns inc>nate 9 ano!r m$ium2 make x seem z ?\gh ! g5ius t _h once fl[]$ at ! c\rt ( ! k+ _h atta9$ miracul\s second bloom+4 ,! sett+ ( ! #aad? ,psalm is ! v voice ( ! rejoic+ ov] ! passage ( ! ,r$ ,sea1 ! v lu/y bl[+ on ox horns1 ! v hi]atic dance4 ,! voice ( ,jehovah1 has x spok5 to ^? :o ?r\gh\t ! ages h call$ = x mu* diff]5tly ?an x speaks at ! close ( ,blo*'s #bbnd ,psalm8 ,& x is some?+ l ! voice ( ,job t speaks 9 ! desolation ( ! ?ird ( ! ,poemes juives4 ,once aga91 ! ,ecclesia/ utt]s 8 disillusion1 8 cruel disappo9tm5t1 8 s5se ( ! utt] vanity ( exi/5ce 9 ! soliloquy ( ! 'cello 9 ! rhapsody ,s*elomo4 ,once aga91 ! t5t ( ! tab]nacle t ,jehovah ord]$ ,moses to erect 9 ! wild]ness1 & hang ) curta9s & ) veils1 lifts itself 9 ! introduction to ! symphony ,israel4 ,! great k+ly limbs & be>d & bosom ( ,abraham are1 once aga91 9 ! fir/ movem5t ( ! "w2 ! d>k1 grave1 s(t-ey$ wom5 ( ! ,old ,te/am5t1 ,rebecca1 ,ra*el1 ,ru?1 re-appe> 9 ! second1 ) its fl[+ voices4 ,racial traits ab\nd 9 ?is body ( "w4 ,^! pond]\s =ms1 ^! sudd5 movem5ts1 ^! imp]i\s1 b>b>ic1 ritual trumpet bla/s1 br+ to m9d all "o kn[s ( ,semitic art1 recall ! cr[n$ w+$ bulls ( ! ,assyrians z well z ,flaub]t's ,c>?age1 ) its pyramid$ temples & ci/]ns & neigh+ horses 9 ! acropolis4 ,blo*'s !mes (t5times h ! subtle1 f>-flung1 monoton\s l9e ( ! synagogic *ants4 ,_m ( 8 melodic bits1 al?\gh pure inv5tions1 are indubitably h]$it>y4 ,! mode ( a race is1 aft] all1 b ! int5sifi$ inflection ( its spee*4 ,& ,blo*'s melodic l9e1 ) its /range int]vals1 its occasional qu>t] notes1 approximates curi\sly to ! inflections ( ! ,hebrew tongue4 ,l s mu* ( ! ,gregorian *ant1 :i* x (t5times recalls1 "o c conceive ?is music z "p ( ! ,temple s]vice 9 ,j]usalem4 ,& l ! melodic l9e1 s1 too1 ! phrases assign$ to ! trumpets 9 ! sett+ ( ! ?ree ,psalms & 9 ! symphony ,israel4 ,!y1 also1 might once h res\nd$ ?r\gh ! c\rts ( ,h]od's temple4 ,! unusual acc5ts1 ! unusual int]vals1 give ! in/rum5ts a timbre at once imp]i\s1 b>b>ic1 ritual4 ,& h[ diff]5t f ! !atric ,ori5talism ( s _m ( ! ,russians are ! crude dissonances ( ,blo*1 ! t]rible consecutive f\r?s & fif?s1 ! impetu\s rhy?ms1 savage & fr5etic 9 _! emphasis4 ,?is music is %rill & tawny & bitt] ) ! des]t4 ,its flavor is inde$ new to ,european music4 ,c]ta9ly1 9 ! prov9ce ( ! /r+ qu>tet1 no?+ q l ! salty & acrid1 ! fruity1 drugg+ savor ( ,blo*'s "w1 has ev] be=e appe>$4 ,& x 0 n until ! ,jewi% note appe>$ 9 8 "w t ,blo* spoke 8 prop] language4 ,! works t prec$e ! ,trois ,poemes juives1 ! fir/ ( 8 compositions 9 :i* ! racial ge/ure is consci\sly made1 d n really repres5t ! man z he is4 ,no d\bt1 ! brilliant & ironic s*]zo ( ! ,c-%>p m9or ,symphony1 ^: v]ve & passion & vigor make ! compos] ( ,l',appr5ti sorci] seem appr5tice inde$1 is already *>act]i/ic ( ! compos] ( ! /r+ qu>tet & ! suite = viola & piano4 ,b mu* ( ! symphony is d]ivative4 ,"o glimpses ! influ5ce ( ,liszt & ,t*aik[sky & ,/rauss 9 x4 ,s too ) ! op]a ,macbe?1 writt5 a few ye>s aft] ! composition ( ! symphony1 :5 ! compos] 0 tw5ty-f\r4 ,despite ! effectiv5ess ( ! sett+ x gives ! melodrama clev]ly ab/ract$ f ,%akespe>e's trag$y by ,edmond ,flegg1 ! score be>s a /ill undecid$ signature4 ,"o feels t ! compos] has rec5tly enc\nt]$ ! p]sonalities ( ,m\ssorgsky & ,debussy4 ,no d\bt1 "o beg9s to s5se ! prop] p]sonality ( ,blo* 9 ! delicate color+ ( ! two little or*e/ral sket*es ,hiv]-,pr9temps1 9 ! m\rnful ,engli% horn aga9/ ! h>p 9 ,hiv]1 9 ! *irrup+ hurdy-gurdy comm5cem5t ( ,pr9temps4 ,un=tunately1 ! cantil5a 9 ! second numb] /ill po9ts backw>d4 ,b ) ! ,trois ,poemes juives1 ! orig9al ,blo* is at h&4 ,^! compositions 7 conceiv$ at fir/ z /udies = ,jezabel1 ! op]a ,blo* int5d$ compos+ directly aft] he _h complet$ ! scor+ ( ,macbe? 9 #aijd4 ,to-day1 ,jezabel /ill exi/s only 9 ! libretto ( ,flegg & 9 ! s]ies ( sket*es deposit$ 9 ! compos]'s portfolio4 ,! mom5t 9 :i* ,blo* is to f9d x possible = him to realize ! "w has n yet arriv$4 ,plann$ at fir/ to foll[ directly ^u ,macbe?1 ,jezabel promises fairly to become ! goal ( 8 fir/ great creative p]iod4 ,b out ( ! conception ( ! op]a itself1 out ( ! desire ( creat+ a "w ar\nd ?is ,old ,te/am5t>y figure1 out ( ! tra9 ( emotion excit$ by ! project1 !re h already fl[$ results ( a fir/ magnitude = ,blo* & = mod]n music4 ,= 9 ! process ( se>*+ out a /yle befitt+ ?is biblical drama1 & 9 ! ef=t to ma/] ! idiom necess>y to x1 ,blo* execut$ ! compositions t h plac$ him s em95tly 9 ! company ( ! few mod]n ma/]s4 ,! ?ree ,psalms1 ,s*elomo1 ,israel1 portions ( ! qu>tet1 h b trodd5 fur!r 9 ! direction m>k$ out by ! ,trois ,poemes juives4 ,jezabel has turn$ out to be "o ( ^? dreams t lead m5 on to ! k ( !mselves4 ,& yet1 ! ,jewi% compos] t ! man is s (t5 said to be1 he mo/ surely is n4 ,he is too mu* ! man ( 8 "t1 too mu* ! univ]sal g5ius1 to be ?us plac$ 9 a s+le category4 ,8 art succe$s to t ( ,m\ssorgsky & ,debussy q z mu* z does t ( ,/raw9sky & ,ravel2 he re/s q z heavily on ! great ,european traditions ( music z he does on 8 own h]$it>y /ra94 ,inde$1 he is ( ! mod]n ma/]s "o ( ^? ! mo/ consci\s ( ! tradition ( 8 art4 ,he falls heir to ,ba* & to ,haydn & to ,bee?ov5 q z mu* z any liv+ musician4 ,q z mu* z t ( any o!r 8 music is an image ( ! "t4 ,9 ! qu>tet1 8 magi/ral "w1 ! ,hebraic elem5t is only "o ( sev]al4 ,! trio ( ! s*]zo is l a section ( "s ,polynesian =e/1 ) its tropic w>m?1 its mon/r\s gr[?s1 its swampy e>?1 its *att]+ monkeys & birds ( p>adise4 ,!re is ! beat ( ! age ( /eel 9 ! f9ale4 ,& ! delicate ,pa/orale is r$ol5t ( ! g5tle fields ( ,europe1 smells ( ! hay1 gives aga9 ! nun-l close ( day 9 temp]ate skies4 ,x is only t z a ,jew x 0 necess>y = ,erne/ ,blo* to say yea to 8 own h]$ity be=e 8 g5ius c\ld appe>4 ,& to :at a degree x has appe>$1 "o c gauge f ! int5sity ) :i* 8 age mirrors itself 9 ! music he has already compos$4 ,8 music is ! mod]n man 9 8 lately gott5 s5se ( ! t99ess ( ! human elem5ts 9 ! race1 ! enormity ( ! animal pa/4 ,= ,erne/ ,blo*1 ! primeval =e/ ) its ?ick spawn+ life1 its f]oci\s bea/s1 its bruti% phallic-wor%ip+ humanity1 is /ill "h4 ,be=e him !re /ill lie ! hundr$s & hundr$s ( ?\s&s ( ye>s ( developm5t necess>y to make a sapi5t creature ( man4 ,& he writes l "o :o has be5 plung$ into a d>kness & sadness & bitt]ness all ! great] = ! vision ( ! ra9b[ t has be5 giv5 him1 = ! glimpse he has _h ( ! pays du soleil1 ! l& ( man lift+ himself at la/ f ! brute & becom+ human4 ,= he kn[s too well t only aeons aft] he is dead w ! night f9ally pass4 ,& he is ! mod]n insomu* z ! fusion ( ,ea/ & ,we/ is illum9at$ by :at he does4 ,! coloration ( 8 or*e/ra1 ! cries ( 8 in/rum5ts1 ! l9e ( 8 melody1 ! ?robb+ ( 8 pulses1 make u feel ! great tide sweep+ u on1 ! wave roll+ ov] all ! _w4 ,9 8 art1 we feel ! e>? itself turn+ t[>d ! light ( ! ,ea/4 ,,app5dix ,,wagn] ,wilhelm ,ri*>d ,wagn] 0 born 9 ,leipzig on ,may #bbnd1 #ahac4 ,he di$ 9 ,v5ice ,febru>y #ac?1 #ahhc4 ,! facts ( 8 c>e] are too well kn[n to ju/ify rehe>sal4 ,! dates ( ! composition & fir/ p]=mances ( 8 op]as are3 ,ri5zi1 #ahch-dj2 premi]e 9 ,dresd51 #ahdb4 ,tannhaeus]1 #ahdc-de 7,p>is v]sion1 #ahfj72 ,dresd51 #ahde4 ,loh5gr91 #ahde-dh2 ,weim>1 #ahej4 ,das ,rhe+old1 #ahdh-ec2 ,muni*1 #ahfi4 ,die ,walku]e1 #ahdh-ef2 ,muni*1 #ahgj4 ,tri/an und ,isolde1 #aheg-ei2 ,muni*1 #ahfe4 ,siegfri$1 #aheg-fi2 ,bayreu?1 #ahgf4 ,die ,mei/]s+] von ,nu]nb]g1 #ahfa-fg2 ,muni*1 #ahfh4 ,die ,goett]daemm]ung1 #ahgj-gd2 ,bayreu?1 #ahgf4 ,p>sifal1 #ahgf-hb2 ,bayreu?1 #ahhb4 ,,/rauss ,ri*>d ,/rauss 0 born 9 ,muni* ,june #aa?1 #ahfd4 ,8 fa!r1 ,franz ,/rauss1 0 fir/ horn-play] 9 ! ,muni* ,c\rt ,or*e/ra4 ,8 "m 0 ! daught] ( ! be] brew]1 ,georg ,ps*orr4 ,he began compos+ at ! t5d] age ( six4 ,f #ahgj to #ahgd he att5d$ ! elem5t>y s*ool at ,muni*4 ,9 #ahgd he matriculat$ at ! ,gymnasium1 & rema9$ !re until #ahhb4 ,dur+ ! next ye> he att5d$ lectures at ! ,univ]sity ( ,muni*4 ,f #ahge to #ahhj he /udi$ h>mony1 c\nt]po9t & in/rum5tation ) ,h(kapellmei/] ,f4 ,w4 ,mey]4 ,8 compositions 7 p]=m$ publicly f #ahhj on4 ,9 #ahhe he made ! acqua9tance ( ,alex&] ,ritt]1 :o1 toge!r ) ,hans von ,buel[1 is suppos$ to h conv]t$ "y ,/rauss1 until !n a good ,brahmsian1 to ,wagn]ism & mod]nism4 ,9 #ahhe at ,buel['s invitation1 ,/rauss conduct$ a conc]t ( ! ,me9+5 ,or*e/ra4 ,9 ,novemb] ( t ye> he succe$$ ,buel[ z conductor ( ! organization4 ,9 #ahhf he become ?ird ,kapellmei/] at ! ,muni* ,op]a2 9 #ahhi1 director at ,weim>4 #ahib-c 0 sp5t 9 ,egypt & ,sicily aft] an attack ( inflammation ( ! lungs4 ,9 #ahid he became *ief ,kapellmei/] at ,muni*4 ,9 #ahie 8 ,european conc]t-t\rs comm5c$4 ,he conduct$ 9 ,budape/1 ,brussels1 ,mosc[1 ,am/]dam1 ,london1 ,b>celona1 ,p>is1 ,zu]i* & ,madrid4 ,9 #ahih he became conductor ( ! ,b]l9 ,royal ,op]a4 ,9 #aijd he came to ,am]ica to conduct at f\r fe/ival conc]ts giv5 9 8 honor 9 ,new ,york4 ,9 "o mon? he gave tw5ty-"o conc]ts 9 diff]5t cities ) ne>ly z _m or*e/ras4 ,! t\r end$ ) ! hubbub ov] ! fact t ,/rauss _h conduct$ a conc]t 9 ,john ,wanamak]'s4 ,s9ce #ahih ,/rauss has resid$ *iefly 9 ,*>lott5burg &1 9 ! summ]1 at ,m>qu>d/e9 ne> ,g>mis*4 ,! dates ( ! composition ( 8 pr9cipal works are3 ,s]5ade = ,w9d ,in/rum5ts1 ,opus #g1 #ahhb-hc2 ,eight ,songs1 ,opus #aj1 #ahhb-hc2 ,aus ,itali51 ,opus #af1 #ahhf2 ,don ,juan1 ,opus #bj1 #ahhh2 ,tod und ,v]kla]ung1 ,opus #bd1 #ahhi2 ,f\r ,songs1 ,opus #bg1 #ahib-ic2 ,till ,eul5spiegel's ,lu/ige ,/rei*e1 ,opus #bh1 #ahid-ie2 ,?ree ,songs1 ,opus #bi1 #ahid-ie2 ,also ,spra* ,z>a?u/ra1 ,opus #cj1 #ahid-ie2 ,don ,quixote1 ,opus #ce1 #ahig2 ,e9 ,held5leb51 ,opus #dj1 #ahih2 ,feu]snot1 ,opus #ej1 #aijj-ja2 ,taillef]1 ,opus #eb1 #aijc2 ,s9fonia ,dome/ica1 ,opus #ec1 #aijc2 ,salome1 ,opus #ed1 #aijd-je2 ,elektra1 ,opus #eh1 #aijf-jh2 ,d] ,ros5kavali]1 ,opus #ei1 #aiji-aj2 ,ariadne auf ,naxos1 ,opus #fj1 #aiaa-ab2 ,josef's ,leg5de1 #aiac2 ,e9e ,alp5symphonie1 #aiad-ae2 ,die ,frau ohne ,s*att51 #aiae-ag4 ,,m\ssorgsky ,mode/ ,petrovit* ,m\ssorgsky 0 born ,m>* #af?1 #ahci1 9 ! village ( ,k>evo 9 ! gov]nm5t ( ,psk[1 ,russia4 ,8 p>5ts 7 memb]s ( ! less] nobility4 ,8 "m gave him 8 fir/ piano lessons4 ,at ! age ( t5 he 0 s5t to ! ,s*ool ( ,/4 ,pet] & ,/4 ,paul 9 ,petrograd4 ,8 piano-/udies 7 cont9u$ ) a c]ta9 ,pr(essor ,h]ke4 ,at ! age ( twelve he play$ 9 public a ,rondo de conc]t by ,h]z4 ,9 #aheb he matriculat$ at ! s*ool = ensigns1 & ! same ye> _h 8 fir/ composition1 a polka1 publi%$4 ,9 #ahef1 :ile s]v+ z an (fic] 9 ! ,preobraj5sky ,gu>ds1 he made ! acqua9tance ( ,borod94 ,soon aft]1 he met ,d>gomyjski4 ,x 0 ) him t1 9 8 own words1 he = ! fir/ "t liv$ ! musical life4 ,lat]1 he became acqua9t$ also ) ,cui1 ,balakirew & ,rimsky-,korsak(f4 ,he took lessons 9 composition ( ,balakirew1 & f9ally realiz$ :at 8 direction really 04 ,a n]v\s malady prev5t$ him f work+ 9 #ahei4 ,b directly aft] 8 convalesc5ce1 he resign$ f ! gu>ds1 & set to "w 9 e>ne/4 ,9 ord] to support himself1 he accept$ a position 9 ! gov]nm5t s]vice4 ,he liv$ 9 ,petrograd ) five fri5ds4 ,9 #ahfe he 0 once m attack$ by 8 malady1 & _h to retire to ! c\ntry = ?ree ye>s4 ,9 #ahfi he return$ to ,petrograd1 liv+ ) 8 fri5ds ! ,opot*99es4 ,8 mom5t ( success came 9 #ahgd1 ) ! p]=mance ( ,boris4 ,directly aft]1 8 heal? comm5c$ to fail4 ,9 #ahgi he resign$ 8 (fice1 & s\ght to support himself by play+ accompanim5ts4 ,he di$ 9 #ahha 9 a milit>y hospital4 ,! dates ( composition ( 8 pr9cipal works are3 ,boris ,god\n[1 #ahfh-ga2 ,khovan*t*9a1 #ahgb-ha2 ,! ,m>riage 7"o act71 #ahfh2 ,! ,fair at ,sorot*9sk 7fragm5t71 #ahgg-ha2 ,! ,defeat ( ,s5na*]ib1 #ahfg-gd2 ,jesus ,nav9e1 #ahgg2 ,sans ,soleil1 #ahgd2 ,la ,*ambre d',enfants1 #ahgd2 ,*ants et ,danses de la ,mort1 #ahge2 ,m>cia all ,turka1 #ahhj2 ,la ,nuit sur le ,mont-,*auve1 #ahfg-ge2 ,tableaux d'une ,exposition1 #ahgd2 ,hopak1 #ahgg4 ,,liszt ,franz ,liszt 0 born ne> ,od5burg1 ,hung>y1 ,octob] #bbnd1 #ahaa4 ,he di$ 9 ,bayreu?1 ,july #ca/1 #ahhf4 ,he play$ 9 public = ! fir/ "t at ! age ( n9e1 9 ,od5burg4 ,9 #ahbi he came to ,vi5na1 rema9+ !re eighte5 mon?s /udy+ piano "u ,cz]ny1 & composition ) ,sali]i4 ,he !n 0 tak5 to ,p>is1 :]e he /udi$ "u ,rei*a till #ahbe4 ,9 #ahca he he>d ,pagan9i play4 ,x is suppos$ t he 0 s impress$ t he decid$ to become ! ,pagan9i ( ! piano4 ,he 0 v mu* 9 dem& 9 ,p>is z an arti/4 ,9 #ahce he c>ri$ ! ,comtesse d',ag\lt (f f a ball1 & w5t ) h] to ,g5eva4 ,he rema9$ 9 ,g5eva until #ahci1 :5 8 triumphal progresses ?r\gh ,europe comm5c$4 ,9 #ahdh he became ,kapellmei/] 9 ,weim>4 ,"h1 he caus$ ,loh5gr9 to be produc$1 & _h ,d] ,flieg5de ,holla5d] & ,tannhaeus]1 z well z op]as ( ,b]lioz & ,s*umann1 reviv$4 ,x 0 :ile he 0 9 ,weim> t he =m$ a relation%ip ) ! ,pr9cess ,sayn-,wittg5/e94 ,9 #ahei he w5t to ,rome1 :]e he rema9$ till #ahgj4 ,9 #ahff ,pius ,,ix made him an ,abbe4 ,aft] #ahgj he return$ to ,weim>1 liv+ !re & 9 ,budape/ & 9 ,rome4 ,8 pr9cipal or*e/ral works are3 ,e9e ,fau/symphonie1 ,dante1 ,b]gsymphonie1 ,tasso1 ,les ,preludes1 ,orpheus1 ,mazeppa1 ,hung>ia1 ,hunn5s*la*t1 ,die ,ideale1 ,two ,episodes f ,l5au's ,fau/1 etc4 ,8 pr9cipal *oral works are ,die ,leg5de von d] ,heilig5 ,elisabe? & ,*ri/us4 ,8 pr9cipal compositions = ! pian(orte are3 ,sonata 9 ,b-m9or1 ,conc]to 9 ,e-flat1 ,conc]to 9 ,a1 ,annees de pel]9age1 ,consolations1 ,two ,leg5des1 ,liebe/raeume1 ,six ,preludes & ,fugues 7,ba*71 etc41 etc4 ,also innum]able transcriptions4 ,,b]lioz ,l\is ,hector ,b]lioz 0 born at ,la ,cote ,sa9t-,&re ne> ,gr5oble on ,decemb] #aa?1 #ahjc4 ,8 fa!r 0 a physician1 & wi%$ 8 son to foll[ 8 pr(ession4 ,s ,hector 0 s5t to ,p>is to /udy4 ,in/ead ( /udy+ m$ic9e he comm5c$ to compose4 ,a mass ( 8 0 p]=m$ at ,sa9t-,ro* 9 #ahbd4 ,9 #ahbf he s\ght to ent] ! ,cons]vatoire1 b fail$ 9 ! prelim9>y exam9ation4 ,9 #ahbg1 #ahbh & #ahbi1 he compet$ = ! ,prix de ,rome1 & fail$4 ,9 #ahcj he f9ally secur$ x4 ,:ile 9 ,rome 9 #ahca1 he compos$ ! ,symphonie ,fanta/ique & ,lelio4 ,9 #ahcc he m>ri$ 8 ador$ ,miss ,smi?son4 ,9 #ahcd ,h>old 0 p]=m$ = ! fir/ "t4 ,! ,requiem 0 compos$ 9 #ahcf1 ,b5v5uto ,cell9i 9 #ahcg1 ,romeo 9 #ahci4 ,9 #ahdj ,b]lioz made 8 fir/ j\rney to ,brussels2 9 #ahdb-dc he t\r$ ,g]many4 ,! ,c>naval ,roma9 0 p]=m$ 9 #ahdd4 ,9 #ahde-df ,b]lioz gave num]\s conc]ts 9 ,france1 & t\r$ ,au/ria & ,hung>y4 ,9 ,decemb] ( ! latt] ye> ,la ,damnation de ,fau/ fail$ at ! ,op]a ,comique4 ,9 #ahdg ,b]lioz w5t to ,russia & to ,engl& = ! fir/ "t4 ,9 #ahdi he began "w on 8 ,te ,deum2 9 #ahej on ,l',enfance du ,*ri/4 ,! next ye>s 7 sp5t 9 conduct+4 ,9 #ahed1 on ! dea? ( 8 wife1 he m>ri$ ,mlle4 ,recio4 ,9 #ahef we f9d ,b]lioz 9 ,nor? ,g]many1 ,brussels & ,london4 ,he began ! composition ( ,les ,troy5s ! same ye>4 ,at its p]=mance 9 #ahfc1 ! "w fail$4 ,8 la/ ye>s 7 d>k5$ by ! dea? ( 8 wife & son4 ,he di$ ,m>* #h?1 #ahfi1 9 ,p>is4 ,,franck ,ces>-,augu/e ,franck 0 born at ,liege1 ,belgium1 ,decemb] #aj?1 #ahbb4 ,8 fa!r hop$ to make a piano-virtuoso ( him1 & sup]vis$ 8 musical education4 ,at ! age ( elev5 ! "y ,franck 0 t\r+ ,belgium z a piani/4 ,9 #ahce ! family emigrat$ to ,p>is1 & two ye>s lat] ,ces> 0 admitt$ to ! ,cons]vatoire4 ,he /udi$ composition ) ,leborne & ! piano ) ,zimm]mann4 ,he took ! fir/ prize = fugue 9 #ahdj4 ,9 #ahdb 8 fa!r compell$ him to leave ! ,cons]vatory & return to ,belgium1 b two ye>s lat] he 0 once m 9 ,p>is1 seek+ to ga9 8 liv+ by tea*+ & play+4 ,ru? 0 p]=m$ 9 #ahdf4 ,he 0 m>ri$ 9 #ahdh4 ,9 #ahea he 0 appo9t$ organi/ at ! *ur* ( ,sa9t-,jean-,sa9t-,francois1 lat] ( ! *ur* ( ,sa9te-,clotilde1 :i* po/ he occupi$ dur+ ! rema9d] ( 8 ye>s4 ,9 #ahgb he 0 appo9t$ pr(essor ( organ-play+ at ! ,cons]vatoire4 ,r$emption 0 p]=m$ 9 #ahgc4 ,les ,beatitudes 0 p]=m$ = ! fir/ "t 9 #ahhj4 ,%ortly aft]1 ! pr(essor%ip ( composition at ! ,cons]vatory 0 refus$ him1 & five ye>s lat] he 0 decorat$ ) ! ribbon ( ! ,legion ( ,honor z pr(essor ( organ-play+4 ,9 #ahhg a ,fe/ival ,franck 0 giv5 "u ! direction ( ,pasdel\p at ! ,cirque d'hiv]4 ,8 symphony 0 p]=m$ = ! fir/ "t 9 #ahhi4 ,he di$ ,novemb] #h?1 #ahij4 ,! dates ( ! composition ( 8 pr9cipal works are z foll[s3 ,ru?1 #ahdc-df2 ,six pieces p\r gr& orgue1 #ahfj-fb2 ,trois (f]toires1 #ahga2 ,r$emption1 #ahga-gb 7fir/ v]sion71 #ahgd 7second v]sion72 ,prelude1 fugue et v>iation1 #ahgc2 ,trois pieces p\r gr& orgue1 #ahgh2 ,/r+-qu9tet1 #ahgh-gi2 ,les ,beatitudes1 #ahfi-gi2 ,le ,*asseur maudit1 #ahhb2 ,les ,dj9ns1 #ahhd2 ,prelude1 *oral et fugue1 #ahhd2 ,hulda1 #ahhb-he2 ,v>iations symphoniques1 #ahhe2 ,sonate1 #ahhf2 ,prelude1 aria et f9ale1 #ahhf-hg2 ,psy*e1 #ahhg-hh2 ,symphonie1 #ahhf-hh2 ,quatuor1 #ahhi2 ,trois *orales1 #ahij4 ,,debussy ,claude-,a*ille ,debussy 0 born ,augu/ #bbnd1 #ahfb1 at ,sa9t-,g]ma9-en-,laye4 ,he di$ at ,p>is ,m>* #bbnd1 #aiah4 ,he ent]$ ! ,cons]vatoire at ! age ( twelve1 /udy+ h>mony ) ,lavignac & piano ) ,m>montel4 ,at ! age ( eighte51 he paid a brief visit to ,russia4 ,b x 0 n until sev]al ye>s lat] t he became acqua9t$ ) ! score ( ,boris ,god\n[1 :i* 0 de/9$ to h s great an influ5ce on 8 life1 & precipitate 8 revolt f ,wagn]ism4 ,9 #ahhd he ga9$ ! ,prix de ,rome ) 8 cantata ,l',enfant prodigue4 ,dur+ 8 ?ree-ye> /ay at ! ,villa ,m$ici he compos$ ,pr9temps & ,la ,damoiselle elue4 ,ariettes oubliees 7 publi%$ 9 #ahhh1 foll[$1 9 #ahij1 by ,c9q poemes de ,baudelaire2 9 #ahic by ! /r+-qu>tet & ! ,prelude a 'l',apres-midi d'un faune'2 9 #ahid by ,proses lyriques2 & 9 #ahih by ,les ,*ansons de ,bilitis4 ,! ,nocturnes 7 p]=m$ = ! fir/ "t 9 #ahii4 ,pelleas1 ^u :i* ,debussy _h be5 work+ = t5 ye>s1 0 produc$ at ! ,op]a ,comique 9 #aijb4 ,9 #aijc1 ,e/ampes 7 publi%$4 ,masques1 ,l',isle joyeuse1 ,danses p\r h>p *romatique & ,trois *ansons de ,france 7 publi%$ 9 #aijd4 ,! foll[+ ye> saw ! disclosure ( ! fir/ book ( ,images = piano & ( ,la ,m]4 ,! second book ( ,images appe>$ 9 #aijf2 ,ib]ia 9 #aijg2 ,trois *ansons de ,*>les d',orleans & ! ,*ildr5's ,corn] 9 #aijh4 ,rondes de ,pr9temps 0 p]=m$ = ! fir/ "t 9 #aiji4 ,9 #aiaj !re appe>$ ,trois ballades de ,francois ,villon & ! fir/ book ( ,preludes = piano4 ,x 0 9 ! incid5tal music to d',annunzio's ,le ,m>tyre de ,sa9t-,seba/i51 p]=m$ 9 #aiaa1 t ,debussy's g5ius %[$ itself = ! la/ "t 9 any fullness4 ,9 #aiab ,gigues 7 p]=m$2 9 #aiac !re appe>$ ! second book ( ,preludes = piano4 ,! works produc$ subsequ5tly are ( mu* small] importance4 ,,ravel ,maurice ,ravel 0 born 9 ,cib\re1 ,basses-,pyr5ees1 ,m>* #g?1 #ahge4 ,%ortly aft] 8 bir?1 8 family mov$ to ,p>is4 ,h5ri ,ghis 0 8 fir/ piano-tea*]1 ,*>les-,r5e 8 fir/ tea*] ( composition4 ,he took piano-lessons ( ,ric>do ,v9es1 & 9 #ahia 0 aw>d$ a premi]e m$aille 9 piano-play+ at ! ,cons]vatoire4 ,9 #ahig ,ravel ent]$ ! class ( ,faure4 ,9 #ahih1 8 ,sites auriculaires 7 publicly p]=m$4 ,9 #aija he fail$ = ! fir/ "t to ga9 ! ,prix de ,rome4 ,8 qu>tet 0 p]=m$ 9 #aijd4 ,9 #aijc he fail$ = ! f\r? "t to ga9 ! ,prix de ,rome4 ,hi/oires naturelles 7 p]=m$ 9 #aijg1 ! ,rapsodie espagnole 9 #aijh4 ,l',heure espagnole 0 giv5 at ! ,op]a ,comique 9 #aiaa4 ,daphnis et ,*loe 0 p]=m$ by ! ,russian ,ballet 9 #aiab4 ,dur+ ! w> ,ravel s]v$ z ambulance driv]4 ,he 0 w\nd$ :ile s]v+ be=e ,v]dun1 & dismiss$ f s]vice4 ,he is liv+ at pres5t 9 ,p>is4 ,! dates ( composition ( 8 pr9cipal works are3 ,miroirs1 #aije2 ,sonat9e1 #aije2 ,gasp>d de la ,nuit1 #aijh2 ,valses nobles et s5tim5tales1 #aiaa2 ,ma ,m]e l',oye1 #aijh2 ,hi/oires naturelles1 #aijf2 ,c9q ,melodies populaires grecques1 #aijg2 ,trois ,poemes de ,mall>me1 #aiac2 ,quatuor a cordes1 #aijb-jc2 ,introduction et ,allegro p\r h>pe1 #aijf2 ,rapsodie espagnole1 #aijg2 ,daphnis et ,*loe1 #aijf-aa2 ,l',heure espagnole1 #aijg2 ,le ,tombeau de ,c\p]91 #aiad-ag4 ,,borod9 ,alex&] ,porfirievit* ,borod9 0 born 9 ,petrograd ,novemb] #ab?1 #ahcd1 & di$ !re ,febru>y #bg?1 #ahhg4 ,,rimsky-,,korsak(f ,nikolai ,&reyevit* ,rimsky-,korsak(f 0 born ,m>* #f?1 #ahdd1 at ,tikhv91 9 ! gov]nm5t ( ,novgorod1 ,russia4 ,8 fa!r 0 a civil gov]nor & l&$ proprietor4 ,he began to /udy ! pian(orte at ! age ( six4 ,he 0 de/9$ = a c>e] 9 ! navy1 &1 9 #ahef1 he 0 s5t to /udy at ! ,petrograd ,naval ,college4 ,9 #ahfa he made ! acqua9tance ( ,balakirew & ( ! gr\p ab\t him4 ,aft] a two-ye> cruise 9 ! navy1 ,rimsky return$ to ,petrograd 9 #ahfe4 ,9 #ahff he 0 in/all$ 9 furni%$ rooms1 hav+ decid$ ^u becom+ a compos]4 ,he began "w on ,ant> 9 #ahfh4 ,x 0 p]=m$ ! foll[+ ye>4 ,9 #ahga he became pr(essor ( composition & or*e/ration at ! ,petrograd ,cons]vatory4 ,9 #ahgb 8 op]a ,! ,maid ( ,psk( 0 produc$4 ,rimsky m>ri$1 on ,june #cj? ( t ye>1 ,nadej$a ,p\rgold4 ,m\ssorgsky 0 be/ man at ! c]emony4 ,9 #ahgc he became ,inspector ( ,naval ,b&s4 ,9 #ahgd he t\r$ ! ,crimea4 ,9 #ahhc he 0 call$ ^u to reorganize ! ,imp]ial *apel4 ,9 #ahhi he conduct$ two ,russian conc]ts at ! ,p>is ,exposition4 ,9 ! foll[+ ye> he conduct$ two ,russian conc]ts 9 ,brussels4 ,he resign$ 8 position z conductor ( ! ,russian ,symphony conc]ts & ! inspector%ip ( ! ,imp]ial *apel 9 #ahid4 ,9 #aijj he 0 9 ,brussels aga94 ,9 #aijd1 due to 8 political views1 he 0 call$ ^u to vacate 8 po/ ( ,director ( ! ,cons]vatory4 ,he att5d$ ! ,russian fe/ival 9 ,p>is 9 ! spr+ ( #aijg4 ,! ,fr5* ,society ( ,compos]s1 h[ev]1 refus$ to admit him to memb]%ip4 ,he di$ 9 ,april1 #aijh1 at 8 prop]ty at ,li\b5sk4 ,! titles ( 8 op]as are3 ,! ,maid ( ,psk(1 #ahgb2 ,a ,night 9 ,may1 #ahhj2 ,snieg\ros*ka1 #ahhb2 ,mlada1 #ahib2 ,*ri/mas ,eve ,revels1 #ahie2 ,sadko1 #ahig2 ,moz>t & ,sali]i1 #ahih2 ,boy>9a ,v]a ,%eloga1 #ahih2 ,! ,ts>'s ,bride1 #ahii2 ,! ,tale ( ,ts> ,saltan1 #aijj2 ,s]vilia1 #aijb2 ,ka%*ei ! ,immortal1 #aijb2 ,pan ,voyevoda1 #aijb2 ,kitj1 #aijg2 ,le ,coq d'or1 #aijg4 ,among 8 or*e/ral compositions are3 ,symphony ,no4 #a1 ,s]bian ,fantasy1 ,opus #f2 ,symphonic ,suite ,ant>1 ,opus #i2 ,symphony1 ,opus #cb4 ,spani% ,caprice1 ,opus #cd2 ,s*eh]azade1 ,opus #ce2 ,ea/] ,ov]ture1 ,opus #cf4 ,,ra*man9(f ,s]gei ,vassilievit* ,ra*man9(f 0 born ,m>* #bi?1 #ahgc1 at ,onega 9 ! gov]nm5t ( ,novgorod1 ,russia4 ,he ent]$ ! ,petrograd ,cons]vatory 9 #ahhb1 /udy+ piano 9 ! class ( ,demy>esky1 !ory 9 t ( ,pr(essor ,l4 ,a4 ,sac*etti4 ,9 #ahhe he ent]$ ! ,mosc[ ,cons]vatory1 /udy+ "u ,zvi]eiff1 ,taneyef & ,ar5sky4 ,8 fir/ public appe>ance z a piani/ took place 9 #ahib4 ,he has be5 compos+ /eadily s9ce #ahid4 ,8 fir/ symphony 0 produc$ by ,glaz\n( 9 #ahie4 ,8 ,european t\rs comm5c$ 9 #ahii4 ,9 #aijc he taught 9 ! ,mosc[ ,m>y9sky ,in/itute4 ,f #aijd to #aijf he conduct$ at ! ,imp]ial ,op]a 9 ,mosc[4 ,8 own op]as1 ,! ,mis] ,knight & ,francesca da ,rim9i1 7 p]=m$ at t "t4 ,aft] #aijg he liv$ 9 ,dresd54 ,8 fir/ ,am]ican t\r took place 9 #aiji4 ,8 second began 9 #aiah4 ,among ,ra*man9(f's works are ?ree op]as1 ,aleko1 ,! ,mis] ,knight1 ,francesca da ,rim9i2 two symphonies1 ,opus #ac & ,opus #bg2 ?ree conc]tos = pian(orte1 ,opus #a1 #ah & #cj2 a symphonic poem ,die ,tot59sel1 ,opus #bi2 a "w = *orus & or*e/ra1 ,! ,bells2 two 'cello sonatas1 ,opus #ai & ,opus #bh2 a pian(orte trio1 ,opus #i2 piano pieces1 ,op]a #c1 #e1 #aj1 #af1 #bc1 #cb2 & num]\s songs4 ,,scriab9e ,alex&] ,nicolas ,scriab9e 0 born 9 ,mosc[ 9 #ahga1 ( ari/ocratic p>5ts4 ,9 8 t5? ye> he 0 plac$ 9 ! #bnd ,mosc[ ,army ,cadet ,corps4 ,8 fir/ piano lessons 7 tak5 f ,g4 ,a4 ,conus4 ,musical !ory he /udi$ ) ,pr(essor ,s4 ,i4 ,taneieff4 ,:ile /ill cont9u+ ! ,cadet c\rses1 he 0 enroll$ z a /ud5t at ! ,mosc[ ,cons]vatory ( ,music4 ,he /udi$ ! pian(orte ) ,vassily ,safon(f1 c\nt]po9t fir/ ) ,taneieff & lat] ) ,ar5sky4 ,8 /udies bo? 9 ! ,cons]vatory & 9 ! corps 7 complet$ by #ahia4 ,9 #ahib he t\r$ ,europe = ! fir/ "t z piani/1 play+ 9 ,am/]dam1 ,brussels1 ,! ,hague1 ,p>is1 ,b]l91 ,mosc[ & ,petrograd4 ,! next five ye>s ,scriab9e devot$ to bo? conc]t-t\rs & composition4 ,9 #ahig he became ,pr(essor ( ,pian(orte1 play+ at ! ,mosc[ cons]vatory1 rema9+ su* = six ye>s4 ,he resign$ f 8 po/ 9 #aijc 9 ord] to devote himself entirely to composition & conc]tiz+1 liv+ pr9cipally 9 ,beatt5b]g1 ,switz]l&1 & 9 ,p>is4 ,x is dur+ t "t t he seems to h be5 conv]t$ to ,!osophy4 ,he sp5t #aije-jf 9 ,g5oa & 9 ,g5eva4 ,9 ,febru>y1 #aijf1 ,scriab9e emb>k$ on a t\r ( ! ,unit$ ,/ates4 ,he play$ 9 ,new ,york ,city1 ,*icago1 ,wa%+ton1 ,c9c9nati & o!r cities4 ,! next ye>s 7 sp5t 9 ,beatt5b]g1 ,lausanne & ,bi>ritz4 ,f #aijh to #aiaj1 ,scriab9e liv$ 9 ,brussels4 ,!n he return$ to ,mosc[1 t\r+ ,russia 9 #aiaj1 #aiaa & #aiab4 ,9 #aiad he visit$ ,engl& = ! fir/ "t4 ,return+ to ,russia j be=e ! outbreak ( ! w>1 he set ab\t on a "w involv+ ! unification ( all ! arts entitl$ ,my/]ium4 ,on ,april #g?1 #aiae1 he 0 tak5 ill ) blood-poison+4 ,on ,april #ad? he 0 dead4 ,8 pr9cipal or*e/ral works are3 ,le ,poeme div9e1 ,opus #dc2 ,le ,poeme de l',extase1 ,opus #ed2 & ,prome!us1 ,opus #fj4 ,x is n easy to say :i* ( 8 _m compositions = ! pian(orte are ! mo/ important4 ,sonata ,no4 #g1 ,opus #fd2 ,sonata ,no4 #h1 ,opus #ff2 ,sonata ,no4 #i1 ,opus #fh2 & ,sonata ,no4 #aj1 ,opus #gj2 are p]haps ! mo/ magi/ral4 ,,/raw9sky ,igor ,f$orovit* ,/raw9sky 0 born at ,orani5baum ne> ,petrograd1 ,june #e?1 #ahhb4 ,8 fa!r 0 a bass s+] atta*$ to ! c\rt4 ,igor 0 de/9$ = a legal c>e]4 ,b 9 #aijb he met ,rimsky-,korsak(f 9 ,heidelb]g1 & ab&on$ all idea ( /udy+ ! law4 ,he /udi$ ) ,rimsky till #aijf4 ,8 ,s*]zo fanta/ique1 inspir$ by ,maet]l9ck's ,life ( ! ,bee1 :i* 0 produc$ 9 #aijh1 attract$ ! att5tion ( ,s]gei ,diaghilew to ! "y compos]1 & secur$ him a commission to write a ballet = ,diaghilew's organization4 ,! imm$iate result 0 ,l',oiseau de feu1 :i* 0 compos$ & produc$ 9 #aiaj4 ,petrus*ka 0 writt5 9 #aiaa1 ! compos] resid+ 9 ,rome at ! "t4 ,le ,sacre du pr9temps 0 writt5 9 ,cl>5s1 :]e ,/raw9sky g5]ally lives4 ,x 0 produc$ 9 ,p>is 9 #aiac4 ,! op]a ,le ,rossignol1 ( :i* "o act 0 complet$ 9 #aiji1 & two 9 #aiad1 0 produc$ 9 ,p>is & 9 ,london j be=e ! w>4 ,a new ballet ,les ,noces villageoises has n z yet be5 produc$4 ,o!r ( ,/raw9sky's compositions are3 ,opus #a1 ,symphony 9 ,e-flat2 ,opus #b1 ,le ,faune et la ,b]g]e1 songs ) or*e/ral accompanim5t2 ,opus #c1 ,s*]zo fanta/ique2 ,opus #d1 ,feu]sw]k2 ,opus #e1 ,*ant funebre 9 memory ( ,rimsky-,korsak(f2 ,opus #f1 ,f\r ,/udies = ! pian(orte2 ,opus #g1 ,two songs2 ,les ,rois des ,etoiles1 = *orus & or*e/ra2 ,?ree songs on ,japanese poems ) or*e/ral accompanim5t2 ,?ree pieces = /r+-qu>tet2 ,an unpubli%$ pian(orte sonata2 ,a ballet = cl[ns4 ,,mahl] ,gu/av ,mahl] 0 born 9 ,kalis*t1 ,bohemia1 ,july #g?1 #ahfj4 ,he di$ 9 ,vi5na ,may #ah?1 #aiaa4 ,he /udi$ ! pian(orte ) ,ep/e91 composition & c\nt]po9t ) ,bruckn]4 ,9 #ahhc he 0 appo9t$ ,kapellmei/] 9 ,kassel2 9 #ahhe he 0 call$ to ,prague2 9 #ahhf he 0 made conductor ( ! ,leipzig op]a4 ,9 #ahia he w5t to ,hamburg to conduct ! op]a1 & 9 #ahig he 0 made director ( ! ,vi5na ,c\rt ,op]a4 ,9 #aijh he came to ,new ,york to conduct ! op]as ( ,wagn]1 ,moz>t & ,bee?ov5 at ! ,metropolitan4 ,9 #aiji he became conductor ( ! ,new ,york ,philh>monic ,society4 ,8 heal? broke 9 #aiaa1 & he return$ to ,vi5na4 ,mahl] wrote n9e symphonies4 ,! fir/ dates f #ahia1 ! second f #ahie1 ! ?ird f #ahif1 ! f\r? f #aija1 ! fif? f #aijd1 ! six? f #aijf1 ! sev5? f #aijh1 ! eigh? f #aiaj1 & ! n9? f #aiaa4 ,o!r ( 8 compositions are3 ,das ,klag5de ,li$1 = soli1 *orus1 & or*e/ra2 ,das ,li$ von d] ,erde1 = soli1 & or*e/ra2 ,k9d]tot5li$]1 ) or*e/ral accompanim5t2 ,li$] e9] fahr5d5 ,gesell51 ) or*e/ral accompanim5t2 ,des ,knab5 ,wund]horn1 twelve songs4 ,,reg] ,max ,reg] 0 born 9 ,br&1 ,bav>ia1 ,m>* #ai?1 #ahgc4 ,8 fa!r 0 s*ool-tea*] at ,weid5 9 ! ,palat9ate1 & ,reg]1 x 0 hop$1 w\ld foll[ 8 pr(ession4 ,h[ev]1 ! musical pr(ession prevail$4 ,reg] /udi$ ) ,riemann f #ahij to #ahie4 ,at fir/ he decid$ to p]fect himself z a piani/4 ,lat]1 composition & organ-play+ absorb$ him4 ,he 0 made pr(essor ( c\nt]po9t 9 ! ,royal ,academy 9 ,muni* 9 #aije4 ,9 #aijg he 0 made musical director ( ! ,univ]sity ( ,leipzig & pr(essor ( composition at ! ,leipzig ,cons]vatory4 ,f #aiaa until 8 dea? he 0 ,h(kepellmei/] at ,me9+54 ,he di$ 9 ,j5a1 ,may #aa?1 #aiaf4 ,8 works = or*e/ra include3 ,s9fonietta1 ,opus #ij2 ,s]5ade1 ,opus #ie2 ,hill]-,v>iations1 ,opus #ajj2 ,symphonic ,prologue1 ,opus #abj2 ,lu/spiel\v]tu]e1 ,opus #abc2 ,konz]t 9 ,alt5 ,/iel1 ,opus #abe2 ,romantis*e ,suite1 ,opus #abh2 ,vi] ,tondi*tung5 na* ,boeckl91 ,opus #acj2 ,ballet-,suite1 ,opus #acb2 ,moz>t-,v>iations1 ,opus #adj2 ,viol9-conc]to1 ,opus #aja2 ,piano-conc]to1 ,opus #aad4 ,8 works = *orus include3 ,gesang d] ,v]kla]t51 ,opus #ga2 ,psalm #ajj1 ,opus #ajf2 ,die ,nonn51 ,opus #aab4 ,8 *amb]-works include3 ,/r+-sextet1 ,opus #aah2 ,pian(orte-qu9tet1 ,opus #fd2 ,pian(orte-qu>tet1 ,opus #aac2 ,five /r+-qu>tets1 ,op]a #ed1 #gd1 #aji1 #aba2 ,s]5ade = flute1 viol9 & viola1 ,opus #gg;a2 ,trio = flute1 viol9 & viola1 ,opus #gf;b2 ,n9e viol9 sonatas1 ,op]a #a1 #c1 #da1 #gb1 #hd1 #ajc;b1 #abb1 #aci2 ,f\r 'cello sonatas1 ,op]a #e1 #bh1 #ga1 #aaf2 ,?ree cl>9et sonatas1 ,op]a #di1 #aig2 ,f\r sonatas = viol9 solo1 ,opus #db4 ,8 organ compositions include3 ,suite1 ,opus #af2 ,fantasy1 ,opus #bg2 ,fantasy & fugue1 ,opus #bi2 ,fantasy1 ,opus #bj2 ,sonata1 ,opus #cc2 ,two fantasies1 ,opus #dj2 ,fantasy & fugue1 ,opus #df2 ,! fantasies1 ,opus #eb2 ,symphonic fantasy & fugue1 ,opus #eg2 ,sonata1 ,opus #fj2 ,fifty-two preludes1 ,opus #fg2 ,v>iations & fugue1 ,opus #gc2 ,suite1 ,opus #ib2 ,int]mezzo1 passacaglia & fugue1 ,opus #abg4 ,8 pian(orte works include3 ,aqu>ell51 ,opus #be2 ,v>iations & fugue1 ,opus #ha2 ,aus ,me9em ,tagebu*1 ,opus #hb2 ,two sonat9as1 ,opus #hi4 ,he wrote ov] ?ree hundr$ songs4 ,,s*o5b]g ,arnold ,s*o5b]g 0 born 9 ,vi5na ,septemb] #ac?1 #ahgd4 ,he 0 self-taught until 8 #bj? ye>4 ,8 fir/ in/ruction 0 receiv$ f 8 bro!r-9-law1 ,alex&] von ,zeml9sky4 ,9 #aija he w5t to ,b]l91 & became ! ,kapellmei/] ( ! ,ub]brettl1 ! cab>et manag$ by ,birnbaum1 ,w$ek9d & von ,wolzog54 ,due to ! influ5ce ( ,ri*>d ,/rauss1 he secur$ a position z in/ructor 9 ,/]n's ,cons]vatory4 ,9 #aijc he return$ to ,vi5na4 ,he ar\s$ ! int]e/ ( ,gu/av ,mahl]1 :o secur$ p]=mances = sev]al ( 8 works4 ,! ,rose ,qu>tet p]=m$ ! sextet ,v]kla]te ,na*t & ! ,qu>tet1 ,opus #g4 ,! ,kamm]symphonie & ! *oral "w ,gurreli$] 7 also play$4 ,9 #aiaj ,s*o5b]g 0 appo9t$ tea*] ( composition 9 ! ,imp]ial ,academy4 ,9 #aiaa he return$ to ,b]l91 rema9+ !re till #aiaf 7874 ,he is said at pres5t to be 9 ,vi5na4 ,among 8 compositions are3 ,op]a #a1 #b & #c1 ,songs--,gurreli$]2 ,opus #d1 sextet ,v]kla]te ,na*t2 ,opus #e1 ,pelleas und ,melis&a2 ,opus #g1 #a/ ,/r+-qu>tet2 ,opus #h1 ,songs ) or*e/ral accompanim5t2 ,opus #i1 ,kamm]symphonie2 ,opus #aj1 #bnd ,/r+-qu>tet1 ) sett+ ( ,entrueckung1 by ,/efan ,george2 ,opus #aa1 ?ree pieces = ,piano2 ,opus #ac1 a capella *oruses2 ,opus #ae1 ,songs2 ,opus #af1 five ,pieces = ,or*e/ra2 ,op]a #ag & #ai1 ,piano pieces2 ,opus #ba1 ,die ,li$] des ,pi]rot ,lunaire4 ,a new ,kamm]symphonie & a monodrama ,erw>tung rema9 unpubli%$4 ,,sibelius ,jean ,sibelius 0 born 9 ,tava/ehus1 ,f9l&1 ,decemb] #h?1 #ahfe4 ,he matriculat$ at ! ,univ]sity ( ,hels+=s 9 #ahhe1 b %ortly aft] gave up all idea ( /udy+ law1 & ent]$ ! ,cons]vatory 9 #ahhf4 ,"h he rema9$ ?ree ye>s1 /udy+ composition ) ,wegelius4 ,9 #ahhi-ij he /udi$ ) ,beck5 9 ,b]l94 ,9 #ahia he w5t to ,vi5na to /udy in/rum5tation ) ,k>l ,goldm>k4 ,f #ahic-ig he taught composition at ! ,hels+=s ,cons]vatory4 ,9 #ahig ! ,f9ni% ,s5ate allott$ him ! sum ( #fjj ye>ly = a p]iod ( t5 ye>s1 9 ord] to p]mit him leisure = composition4 ,9 #aijj he t\r$ ,sc&9avia1 ,g]many1 ,belgium & ,france z conductor ( ! ,hels+=s ,philh>monic ,or*e/ra4 ,9 #aija he 0 invit$ to conduct 8 own compositions at ! fe/ival ( ! ,deuts*] ,tonku5/l]v]e9 9 ,heidelb]g4 ,9 #aiad1 :ile 9 ,am]ica1 ,yale ,univ]sity conf]r$ ^u him ! degree ( ,doctor ( ,music4 ,at pres5t he is liv+ 9 ,ja]s5graeae1 ,f9l&4 ,among ,sibelius's compositions are3 ,five ,symphonies3 ,no4 #a1 ,opus #ci2 ,no4 #b1 ,opus #dc2 ,no4 #c1 ,opus #eb2 ,no4 #d1 ,opus #fc2 ,no4 #e 7compos$ 9 #aiaf74 ,/r+-qu>tet ,voces intimae1 ,opus #ef4 ,en ,saga1 ,opus #i2 ,k>elia ,ov]ture1 ,opus #aj2 ,d] ,s*wan von ,tuonela & ,lemm5ka95 zieht heimw>ts1 ,opus #bb2 ,f9l&ia1 ,opus #bf2 ,suite ,k+ ,*ri/i]n ,,ii1 ,opus #bg2 ,pohjohla's ,daught]1 ,opus #di2 ,nae*tli*] ,ritt und ,sonn5aufgang1 ,opus #ee2 ,sc5es hi/oriques1 ,opus #ff2 ,die ,okeanid51 ,opus #gb4 ,"s fifty songs1 etc41 etc4 ,,loeffl] ,*>les ,m>t9 ,loeffl] 0 born 9 ,muelhaus51 ,alsace1 ,janu>y #cj1 #ahfa4 ,he /udi$ ! viol9 "u ,mass>t & ,leon>d 9 ,p>is1 & "u ,joa*im 9 ,b]l94 ,he /udi$ composition ) ,guir& 9 ,p>is4 ,play$ viol9 9 ,pasdel\p's or*e/ra1 !n 9 ! or*e/ras at ,nice & ,lugano4 ,f #ahhc till #aijc he 0 second lead] 9 ! ,bo/on ,symphony ,or*e/ra4 ,s9ce #aijc he has be5 devot+ himself completely to composition4 ,he is liv+ at pres5t 9 ,m$=d1 ,massa*usetts4 ,8 compositions include3 ,suite = viol9 & or*e/ra1 ,les ,viellees de l',ukra9e1 #ahia2 ,conc]to = cello1 #ahid2 ,div]tissem5t = or*e/ra1 #ahie2 ,la ,mort de ,t9tagiles1 #ahig2 ,div]tissem5t espagnol = or*e/ra & saxaphone2 ,la ,villanelle du ,diable2 ,a ,pagan ,poem2 ,hora my/ica2 ,psalm #acg2 ,to ,"o ,:o ,fell 9 ,battle2 ,two rhapsodies = oboe1 viola & pian(orte2 ,/r+-sextet2 ,/r+-qu>tet2 ,music = ,f\r ,/r+$ ,in/rum5ts2 ,songs on poems by ,baudelaire1 ,v]la9e1 ,yeats1 ,rossetti1 ,lodge1 ,kahn1 etc4 ,,orn/e9 ,leo ,orn/e9 0 born 9 ,krem5t*ug1 ,russia1 ,decemb] #aa?1 #ahie4 ,8 fa!r 0 cantor 9 ! synagogue4 ,until #aijf ,orn/e9 0 a pupil 9 ! ,petrograd ,cons]vatory4 ,because ( ! pogroms1 8 family emigrat$ to ,new ,york4 ,!re he att5d$ ! ,fri5ds' ,s*ool & /udi$ music 9 ! ,in/itute ( ,musical ,art4 ,lat]1 he /udi$ ) ,b]?a ,fi]+ ,tapp]4 ,he made 8 debut z piani/ 9 ,janu>y1 #aiaa4 ,9 #aiac-ad he liv$ 9 ,europe1 9 ,p>is *iefly4 ,he 0 introduc$ to ! ,fr5* public by ,calvocoressi at a conc]t 9 ! ,sorbonne4 ,9 ! summ] he t\r$ ,norway4 ,he return$ to ,am]ica 9 ! autumn1 & e>ly next ye> gave a s]ies ( recitals ( ultra-mod]n music at ! ,fifty-sev5? ,/reet ,!atre4 ,next ye> he cont9u$ ! s]ies at f\r semi-private recitals at ! home ( ,mrs4 ,ar?ur ,m4 ,reis4 ,he has be5 giv+ conc]ts all ov] ! ,unit$ ,/ates & ,canada s9ce4 ,he is liv+ at pres5t 9 ,jackson1 ,n4 ,h4 ,among ,orn/e9's compositions !re are3 ,two symphonic poems1 ,! ,fog & ,! ,life ( ,man 7aft] ,&rev72 a ,piano-conc]to1 ,opus #dd2 a sett+ ( ! #cj? ,psalm = *orus2 a ,qu>tet = /r+s1 ,opus #bh2 a ,m9iature ,/r+-qu>tet2 a ,piano-qu9tet1 ,opus #di2 two ,sonatas = ,viol9 & ,piano1 ,op]a #bf & #ca2 two ,sonatas = ,cello & ,piano1 ,op]a #de & #gh2 ,?ree ,li$]1 ,opus #cc2 ,f\r sett+s ( ,blake1 ,opus #ah4--;,= piano solo3 ,sonata1 ,opus #ce2 ,dw>f ,suite1 ,opus #aa2 ,impressions ( ! ,?ames1 ,opus #ac2 ,two ,impressions ( ,notre-,dame1 ,opus #af2 ,two ,%ad[ ,pieces1 ,opus #ag2 ,six ,%ort ,pieces1 ,opus #ai2 ,?ree ,preludes1 ,opus #bj2 ,?ree ,moods1 ,opus #bb2 ,elev5 ,%ort ,pieces1 ,opus #bi2 ,burlesques1 ,opus #cj2 ,eighte5 ,preludes--a la ,*9oise1 ,opus #ci2 ,arabesques1 ,opus #dh2 ,poems ( #aiag1 ,opus #fh4 ,,blo* ,erne/ ,blo* 0 born 9 ,g5eva1 ,switz]l&1 ,july #bd?1 #ahhj4 ,he /udi$ 9 ,g5eva ) ,jaques ,dalcroze2 9 ,brussels ) ,ysaye2 at ! ,ho* ,cons]vatory 9 ,frank=t ) ,i4 ,knorr2 & ) ,?uille 9 ,muni*4 ,8 op]a ,macbe? 0 produc$ at ! ,op]a ,comique 9 ,p>is 9 #aiaj4 ,9 #aiae he 0 appo9t$ pr(essor ( composition 9 ! cons]vatory 9 ,g5eva4 ,9 #aiaf he came to ,am]ica z conductor ( ! ,maud ,allan ,symphony ,or*e/ra4 ,8 qu>tet 0 p]=m$ by ! ,flonzaleys t season1 & 9 ,may1 #aiag1 ! ,society ( ! ,fri5ds ( ,music devot$ a conc]t entirely to 8 works4 ,return+ to ,switz]l& 9 ! summ] he once m voyag$ to ,am]ica1 ?is "t ) ! int5tion ( settl+ "h4 ,he taught composition at ! ,david ,mannes ,s*ool f #aiag to #aiai4 ,9 ,septemb]1 #aiai1 he won ! ,coolidge ,prize ) 8 ,suite = viola4 ,he lives 9 ,new ,york4 ,besides ,macbe?1 ! li/ ( 8 compositions includes a ,symphony 9 ,c-%>p m9or2 ,vivre-,aim]2 ,hiv]-,pr9temps2 ,trois ,poemes juives1 ,trois ,psaumes 7#bbnd = b>itone1 #ad? & #acg? = soprano72 ,poemes d',automne = mezzo-soprano2 ,s*elemo1 rhapsody = 'cello & or*e/ra2 ,israel 7symphony--two movem5ts72 ,/r+-qu>tet2 & ,suite = viola & piano or viola & or*e/ra4 ,a sonata = viol9 & piano is 9 process ( prep>ation4