,,the ,,pleasures ,,of ,,england4 ,,lectures ,,given ,,in ,,oxford4 ,,by ,,john ,,ruskin1 ,d4,c4,l41 ,,ll4,d41 ,,honorary ,,student ,,of ,,christ ,,church1 ,,and ,,honorary ,,fellow ,,of ,,corpus-,,christi ,,college4 ,,during ,,his ,,second ,,tenure ,,of ,,the ,,slade ,,professorship4 ,,new ,,york3 ,,john ,,wiley ,,and ,,sons4 #ahhh4 99 99 99 99 99 ,,contents ,,lecture ,i4 ,,the ,,pleasures ,,of ,,learning4 ,bertha to ,osburga #e ,,lecture ,,ii4 ,,the ,,pleasures ,,of ,,faith4 ,alfred to the ,confessor #ca ,,lecture ,,iii4 ,,the ,,pleasures ,,of ,,deed4 ,alfred to ,coeur de ,lion #fa ,,lecture ,,iv4 ,,the ,,pleasures ,,of ,,fancy4 ,coeur de ,lion to ,elizabeth #ia 99 99 99 99 99 ,,lecture ,i4 ,,the ,,pleasures ,,of ,,learning4 ,,bertha ,,to ,,osburga4 ,in the short review of the present state of ,english ,art1 given you last year1 ,i left necessarily many points untouched1 and others unexplained4 ,the seventh lecture1 which ,i did not think it necessary to read aloud1 furnished you with some of the corrective statements of which1 whether spoken or not1 it was extremely desirable that you should estimate the balancing weight4 ,these ,i propose in the present course farther to illustrate1 and to arrive with you at1 ,i hope1 a just--you would not wish it to be a flattering--estimate of the conditions of our ,english artistic life1 past and present1 in order that with due allowance for them we may determine1 with some security1 what those of us who have faculty ought to do1 and those who have sensibility1 to admire4 #b4 ,in thus rightly doing and feeling1 you will find summed a wider duty1 and granted a greater power1 than the moral philosophy at this moment current with you has ever conceived2 and a prospect opened to you besides1 of such a ,future for ,england as you may both hopefully and proudly labour for with your hands1 and those of you who are spared to the ordinary term of human life1 even see with your eyes1 when all this tumult of vain avarice and idle pleasure1 into which you have been plunged at birth1 shall have passed into its appointed perdition4 #c4 ,i wish that you would read for introduction to the lectures ,i have this year arranged for you1 that on the ,future of ,england1 which ,i gave to the cadets at ,woolwich in the first year of my ,professorship here1 #ahfi2 and which is now placed as the main conclusion of the ,crown of ,wild ,olive3 and with it1 very attentively1 the close of my inaugural lecture given here2 for the matter1 no less than the tenor of which1 ,i was reproved by all my friends1 as irrelevant and ill-judged2--which1 nevertheless1 is of all the pieces of teaching ,i have ever given from this chair1 the most pregnant and essential to whatever studies1 whether of ,art or ,science1 you may pursue1 in this place or elsewhere1 during your lives4 ,the opening words of that passage ,i will take leave to read to you again1--for they must still be the ground of whatever help ,i can give you1 worth your acceptance4 ,there is a destiny now possible to us--the highest ever set before a nation to be accepted or refused4 ,we are still undegenerate in race3 a race mingled of the best northern blood4 ,we are not yet dissolute in temper1 but still have the firmness to govern1 and the grace to obey4 ,we have been taught a religion of pure mercy1 which we must either now finally betray1 or learn to defend by fulfilling4 ,and we are rich in an inheritance of honour1 bequeathed to us through a thousand years of noble history1 which it should be our daily thirst to increase with splendid avarice2 so that ,englishmen1 if it be a sin to covet honour1 should be the most offending souls alive4 ,within the last few years we have had the laws of natural science opened to us with a rapidity which has been blinding by its brightness2 and means of transit and communication given to us1 which have made but one kingdom of the habitable globe4 ,one kingdom2--but who is to be its king8 ,is there to be no king in it1 think you1 and every man to do that which is right in his own eyes8 ,or only kings of terror1 and the obscene empires of ,mammon and ,belial8 ,or will you1 youths of ,england1 make your country again a royal throne of kings2 a sceptred isle2 for all the world a source of light1 a centre of peace2 mistress of ,learning and of the ,arts2--faithful guardian of great memories in the midst of irreverent and ephemeral visions--faithful servant of time-tried principles1 under temptation from fond experiments and licentious desires2 and amidst the cruel and clamorous jealousies of the nations1 worshipped in her strange valour1 of goodwill towards men8 ,the fifteen years that have passed since ,i spoke these words must1 ,i think1 have convinced some of my immediate hearers that the need for such an appeal was more pressing than they then imagined2--while they have also more and more convinced me myself that the ground ,i took for it was secure1 and that the youths and girls now entering on the duties of active life are able to accept and fulfil the hope ,i then held out to them4 ,in which assurance ,i ask them to-day to begin the examination with me1 very earnestly1 of the question laid before you in that seventh of my last year's lectures1 whether ,london1 as it is now1 be indeed the natural1 and therefore the heaven-appointed outgrowth of the inhabitation1 these #ahjj years1 of the valley of the ,thames by a progressively instructed and disciplined people2 or if not1 in what measure and manner the aspect and spirit of the great city may be possibly altered by your acts and thoughts4 ,in my introduction to the ,economist of ,xenophon ,i said that every fairly educated ,european boy or girl ought to learn the history of five cities1--,athens1 ,rome1 ,venice1 ,florence1 and ,london2 that of ,london including1 or at least compelling in parallel study1 knowledge also of the history of ,paris4 ,a few words are enough to explain the reasons for this choice4 ,the history of ,athens1 rightly told1 includes all that need be known of ,greek religion and arts2 that of ,rome1 the victory of ,christianity over ,paganism2 those of ,venice and ,florence sum the essential facts respecting the ,christian arts of ,painting1 ,sculpture1 and ,music2 and that of ,london1 in her sisterhood with ,paris1 the development of ,christian ,chivalry and ,philosophy1 with their exponent art of ,gothic architecture4 ,without the presumption of forming a distinct design1 ,i yet hoped at the time when this division of study was suggested1 with the help of my pupils1 to give the outlines of their several histories during my work in ,oxford4 ,variously disappointed and arrested1 alike by difficulties of investigation and failure of strength1 ,i may yet hope to lay down for you1 beginning with your own metropolis1 some of the lines of thought in following out which such a task might be most effectively accomplished4 ,you observe that ,i speak of architecture as the chief exponent of the feelings both of the ,french and ,english races4 ,together with it1 however1 most important evidence of character is given by the illumination of manuscripts1 and by some forms of jewellery and metallurgy3 and my purpose in this course of lectures is to illustrate by all these arts the phases of national character which it is impossible that historians should estimate1 or even observe1 with accuracy1 unless they are cognizant of excellence in the aforesaid modes of structural and ornamental craftsmanship4 ,in one respect1 as indicated by the title chosen for this course1 ,i have varied the treatment of their subject from that adopted in all my former books4 ,hitherto1 ,i have always endeavoured to illustrate the personal temper and skill of the artist2 holding the wishes or taste of his spectators at small account1 and saying of ,turner you ought to like him1 and of ,salvator1 you ought not1 etc41 etc41 without in the least considering what the genius or instinct of the spectator might otherwise demand1 or approve4 ,but in the now attempted sketch of ,christian history1 ,i have approached every question from the people's side1 and examined the nature1 not of the special faculties by which the work was produced1 but of the general instinct by which it was asked for1 and enjoyed4 ,therefore ,i thought the proper heading for these papers should represent them as descriptive of the ,pleasures of ,england1 rather than of its ,arts4 ,and of these pleasures1 necessarily1 the leading one was that of ,learning1 in the sense of receiving instruction2--a pleasure totally separate from that of finding out things for yourself1--and an extremely sweet and sacred pleasure1 when you know how to seek it1 and receive4 ,on which ,i am the more disposed1 and even compelled1 here to insist1 because your modern ideas of ,development imply that you must all turn out what you are to be1 and find out what you are to know1 for yourselves1 by the inevitable operation of your anterior affinities and inner consciences3--whereas the old idea of education was that the baby material of you1 however accidentally or inevitably born1 was at least to be by external force1 and ancestral knowledge1 bred2 and treated by its ,fathers and ,tutors as a plastic vase1 to be shaped or mannered as they chose1 not as it chose1 and filled1 when its form was well finished and baked1 with sweetness of sound doctrine1 as with ,hybla honey1 or ,arabian spikenard4 ,without debating how far these two modes of acquiring knowledge--finding out1 and being told--may severally be good1 and in perfect instruction combined1 ,i have to point out to you that1 broadly1 ,athens1 ,rome1 and ,florence are self-taught1 and internally developed2 while all the ,gothic races1 without any exception1 but especially those of ,london and ,paris1 are afterwards taught by these2 and had1 therefore1 when they chose to accept it1 the delight of being instructed1 without trouble or doubt1 as fast as they could read or imitate2 and brought forward to the point where their own northern instincts might wholesomely superimpose or graft some national ideas upon these sound instructions4 ,read over what ,i said on this subject in the third of my lectures last year 7page #gi71 and simplify that already brief statement further1 by fastening in your mind ,carlyle's general symbol of the best attainments of northern religious sculpture1--three whalecubs combined by boiling1 and reflecting that the mental history of all northern ,european art is the modification of that graceful type1 under the orders of the ,athena of ,homer and ,phidias4 ,and this being quite indisputably the broad fact of the matter1 ,i greatly marvel that your historians never1 so far as ,i have read1 think of proposing to you the question--what you might have made of yourselves without the help of ,homer and ,phidias3 what sort of beings the ,saxon and the ,celt1 the ,frank and the ,dane1 might have been by this time1 untouched by the spear of ,pallas1 unruled by the rod of ,agricola1 and sincerely the native growth1 pure of root1 and ungrafted in fruit of the clay of ,isis1 rock of ,dovrefeldt1 and sands of ,elbe8 ,think of it1 and think chiefly what form the ideas1 and images1 of your natural religion might probably have taken1 if no ,roman missionary had ever passed the ,alps in charity1 and no ,english king in pilgrimage4 ,i have been of late indebted more than ,i can express to the friend who has honoured me by the dedication of his recently published lectures on ',older ,england2' and whose eager enthusiasm and far collected learning have enabled me for the first time to assign their just meaning and value to the ritual and imagery of ,saxon devotion4 ,but while every page of ,mr4 ,hodgett's book1 and1 ,i may gratefully say also1 every sentence of his teaching1 has increased and justified the respect in which ,i have always been by my own feeling disposed to hold the mythologies founded on the love and knowledge of the natural world1 ,i have also been led by them to conceive1 far more forcibly than hitherto1 the power which the story of ,christianity possessed1 first heard through the wreaths of that cloudy superstition1 in the substitution1 for its vaporescent allegory1 of a positive and literal account of a real ,creation1 and an instantly present1 omnipresent1 and compassionate ,god4 ,observe1 there is no question whatever in examining this influence1 how far ,christianity itself is true1 or the transcendental doctrines of it intelligible4 ,those who brought you the story of it believed it with all their souls to be true1--and the effect of it on the hearts of your ancestors was that of an unquestionable1 infinitely lucid message straight from ,god1 doing away with all difficulties1 grief1 and fears for those who willingly received it1 nor by any1 except wilfully and obstinately vile persons1 to be1 by any possibility1 denied or refused4 ,and it was precisely1 observe1 the vivacity and joy with which the main fact of ,christ's life was accepted which gave the force and wrath to the controversies instantly arising about its nature4 ,those controversies vexed and shook1 but never undermined1 the faith they strove to purify1 and the miraculous presence1 errorless precept1 and loving promises of their ,lord were alike undoubted1 alike rejoiced in1 by every nation that heard the word of ,apostles4 ,the ,pelagian's assertion that immortality could be won by man's will1 and the ,arian's that ,christ possessed no more than man's nature1 never for an instant--or in any country--hindered the advance of the moral law and intellectual hope of ,christianity4 ,far the contrary2 the ,british heresy concerning ,free ,will1 though it brought bishop after bishop into ,england to extinguish it1 remained an extremely healthy and active element in the ,british mind down to the days of ,john ,bunyan and the guide ,great ,heart1 and the calmly ,christian justice and simple human virtue of ,theodoric were the very roots and first burgeons of the regeneration of ,italy4#a ,but of the degrees in which it was possible for any barbarous nation to receive during the first five centuries1 either the spiritual power of ,christianity itself1 or the instruction in classic art and science which accompanied it1 you cannot rightly judge1 without taking the pains1 and they will not1 ,i think1 be irksome1 of noticing carefully1 and fixing permanently in your minds1 the separating characteristics of the greater races1 both in those who learned and those who taught4 ,footnote #a3 ,gibbon1 in his #cgth chapter1 makes ,ulphilas also an ,arian1 but might have forborne1 with grace1 his own definition of orthodoxy3--and you are to observe generally that at this time the teachers who admitted the inferiority of ,christ to the ,father as touching his ,manhood1 were often counted among ,arians1 but quite falsely4 ,christ's own words1 ,my ,father is greater than ,i1 end that controversy at once4 ,arianism consists not in asserting the subjection of the ,son to the ,father1 but in denying the subjected ,divinity4 ,of the ,huns and ,vandals we need not speak4 ,they are merely forms of ,punishment and ,destruction4 ,put them out of your minds altogether1 and remember only the names of the immortal nations1 which abide on their native rocks1 and plough their unconquered plains1 at this hour4 ,briefly1 in the north1--,briton1 ,norman1 ,frank1 ,saxon1 ,ostrogoth1 ,lombard2 briefly1 in the south1--,tuscan1 ,roman1 ,greek1 ,syrian1 ,egyptian1 ,arabian4 ,now of these races1 the ,british 7,i avoid the word ,celtic1 because you would expect me to say ,keltic2 and ,i don't mean to1 lest you should be wanting me next to call the patroness of music ,st4 ,kekilia71 the ,british1 including ,breton1 ,cornish1 ,welsh1 ,irish1 ,scot1 and ,pict1 are1 ,i believe1 of all the northern races1 the one which has deepest love of external nature2--and the richest inherent gift of pure music and song1 as such2 separated from the intellectual gift which raises song into poetry4 ,they are naturally also religious1 and for some centuries after their own conversion are one of the chief evangelizing powers in ,christendom4 ,but they are neither apprehensive nor receptive2--they cannot understand the classic races1 and learn scarcely anything from them2 perhaps better so1 if the classic races had been more careful to understand them4 ,next1 the ,norman is scarcely more apprehensive than the ,celt1 but he is more constructive1 and uses to good advantage what he learns from the ,frank4 ,his main characteristic is an energy1 which never exhausts itself in vain anger1 desire1 or sorrow1 but abides and rules1 like a living rock3--where he wanders1 he flows like lava1 and congeals like granite4 ,next1 ,i take in this first sketch the ,saxon and ,frank together1 both pre-eminently apprehensive1 both docile exceedingly1 imaginative in the highest1 but in life active more than pensive1 eager in desire1 swift of invention1 keenly sensitive to animal beauty1 but with difficulty rational1 and rarely1 for the future1 wise4 ,under the conclusive name of ,ostrogoth1 you may class whatever tribes are native to ,central ,germany1 and develope themselves1 as time goes on1 into that power of the ,german ,caesars which still asserts itself as an empire against the licence and insolence of modern republicanism1--of which races1 though this general name1 no description can be given in rapid terms4 ,and lastly1 the ,lombards1 who1 at the time we have to deal with1 were sternly indocile1 gloomily imaginative1--of almost ,norman energy1 and differing from all the other western nations chiefly in this notable particular1 that while the ,celt is capable of bright wit and happy play1 and the ,norman1 ,saxon1 and ,frank all alike delight in caricature1 the ,lombards1 like the ,arabians1 never jest4 ,these1 briefly1 are the six barbaric nations who are to be taught3 and of whose native arts and faculties1 before they receive any tutorship from the south1 ,i find no well-sifted account in any history3--but thus much of them1 collecting your own thoughts and knowledge1 you may easily discern--they were all1 with the exception of the ,scots1 practical workers and builders in wood2 and those of them who had coasts1 first rate sea-boat builders1 with fine mathematical instincts and practice in that kind far developed1 necessarily good sail-weaving1 and sound fur-stitching1 with stout iron-work of nail and rivet2 rich copper and some silver work in decoration--the ,celts developing peculiar gifts in linear design1 but wholly incapable of drawing animals or figures2--the ,saxons and ,franks having enough capacity in that kind1 but no thought of attempting it2 the ,normans and ,lombards still farther remote from any such skill4 ,more and more1 it seems to me wonderful that under your ,british block-temple1 grimly extant on its pastoral plain1 or beside the first crosses engraved on the rock at ,whithorn--you ,english and ,scots do not oftener consider what you might or could have come to1 left to yourselves4 ,next1 let us form the list of your tutor nations1 in whom1 it generally pleases you to look at nothing but the corruptions4 ,if we could get into the habit of thinking more of our own corruptions and more of their virtues1 we should have a better chance of learning the true laws alike of art and destiny4 ,but1 the safest way of all1 is to assure ourselves that true knowledge of any thing or any creature is only of the good of it2 that its nature and life are in that1 and that what is diseased1--that is to say1 unnatural and mortal1--you must cut away from it in contemplation1 as you would in surgery4 ,of the six tutor nations1 two1 the ,tuscan and ,arab1 have no effect on early ,christian ,england4 ,but the ,roman1 ,greek1 ,syrian1 and ,egyptian act together from the earliest times2 you are to study the influence of ,rome upon ,england in ,agricola1 ,constantius1 ,st4 ,benedict1 and ,st4 ,gregory2 of ,greece upon ,england in the artists of ,byzantium and ,ravenna2 of ,syria and ,egypt upon ,england in ,st4 ,jerome1 ,st4 ,augustine1 ,st4 ,chrysostom1 and ,st4 ,athanase4 ,st4 ,jerome1 in central ,bethlehem2 ,st4 ,augustine1 ,carthaginian by birth1 in truth a converted ,tyrian1 ,athanase1 ,egyptian1 symmetric and fixed as an ,egyptian aisle2 ,chrysostom1 golden mouth of all2 these are1 indeed1 every one teachers of all the western world1 but ,st4 ,augustine especially of lay1 as distinguished from monastic1 ,christianity to the ,franks1 and finally to us4 ,his rule1 expanded into the treatise of the ,city of ,god1 is taken for guide of life and policy by ,charlemagne1 and becomes certainly the fountain of ,evangelical ,christianity1 distinctively so called1 7and broadly the lay ,christianity of ,europe1 since1 in the purest form of it1 that is to say1 the most merciful1 charitable1 variously applicable1 kindly wise47 ,the greatest type of it1 as far as ,i know1 ,st4 ,martin of ,tours1 whose character is sketched1 ,i think in the main rightly1 in the ,bible of ,amiens2 and you may bind together your thoughts of its course by remembering that ,alcuin1 born at ,york1 dies in the ,abbey of ,st4 ,martin1 at ,tours2 that as ,st4 ,augustine was in his writings ,charlemagne's ,evangelist in faith1 ,alcuin was1 in living presence1 his master in rhetoric1 logic1 and astronomy1 with the other physical sciences4 ,a hundred years later than ,st4 ,augustine1 comes the rule of ,st4 ,benedict--the ,monastic rule1 virtually1 of ,european ,christianity1 ever since--and theologically the ,law of ,works1 as distinguished from the ,law of ,faith4 ,st4 ,augustine and all the disciples of ,st4 ,augustine tell ,christians what they should feel and think3 ,st4 ,benedict and all the disciples of ,st4 ,benedict tell ,christians what they should say and do4 ,in the briefest1 but also the perfectest distinction1 the disciples of ,st4 ,augustine are those who open the door to ,christ--,if any man hear my voice2 but the ,benedictines those to whom ,christ opens the door--,to him that knocketh it shall be opened4 ,now1 note broadly the course and action of this rule1 as it combines with the older one4 ,st4 ,augustine's1 accepted heartily by ,clovis1 and1 with various degrees of understanding1 by the kings and queens of the ,merovingian dynasty1 makes seemingly little difference in their conduct1 so that their profession of it remains a scandal to ,christianity to this day2 and yet it lives1 in the true hearts among them1 down from ,st4 ,clotilde to her great grand-daughter ,bertha1 who in becoming ,queen of ,kent1 builds under its chalk downs her own little chapel to ,st4 ,martin1 and is the first effectively and permanently useful missionary to the ,saxons1 the beginner of ,english ,erudition1--the first laid corner stone of beautiful ,english character4 ,i think henceforward you will find the memorandum of dates which ,i have here set down for my own guidance more simply useful than those confused by record of unimportant persons and inconsequent events1 which form the indices of common history4 ,from the year of the ,saxon invasion #ddi1 there are exactly #djj years to the birth of ,alfred1 #hdi4 ,you have no difficulty in remembering those cardinal years4 ,then1 you have ,four great men and great events to remember1 at the close of the fifth century4 ,clovis1 and the founding of ,frank ,kingdom2 ,theodoric and the founding of the ,gothic ,kingdom2 ,justinian and the founding of ,civil law2 ,st4 ,benedict and the founding of ,religious law4 ,of1 ,justinian1 and his work1 ,i am not able myself to form any opinion--and it is1 ,i think1 unnecessary for students of history to form any1 until they are able to estimate clearly the benefits1 and mischief1 of the civil law of ,europe in its present state4 ,but to ,clovis1 ,theodoric1 and ,st4 ,benedict1 without any question1 we owe more than any ,english historian has yet ascribed1--and they are easily held in mind together1 for ,clovis ascended the ,frank throne in the year of ,st4 ,benedict's birth1 #dha4 ,theodoric fought the battle of ,verona1 and founded the ,ostrogothic ,kingdom in ,italy twelve years later1 in #dic1 and thereupon married the sister of ,clovis4 ,that marriage is always passed in a casual sentence1 as if a merely political one1 and while page after page is spent in following the alternations of furious crime and fatal chance1 in the contests between ,fredegonde and ,brunehaut1 no historian ever considers whether the great ,ostrogoth who wore in the battle of ,verona the dress which his mother had woven for him1 was likely to have chosen a wife without love6--or how far the perfectness1 justice1 and temperate wisdom of every ordinance of his reign was owing to the sympathy and counsel of his ,frankish queen4 ,you have to recollect1 then1 thus far1 only three cardinal dates3-- #ddi4 ,saxon invasion4 #dha4 ,clovis reigns and ,st4 ,benedict is born4 #dic4 ,theodoric conquers at ,verona4 ,then1 roughly1 a hundred years later1 in #eij1 ,ethelbert1 the fifth from ,hengist1 and ,bertha1 the third from ,clotilde1 are king and queen of ,kent4 ,i cannot find the date of their marriage1 but the date1 #eij1 which you must recollect for cardinal1 is that of ,gregory's accession to the pontificate1 and ,i believe ,bertha was then in middle life1 having persevered in her religion firmly1 but inoffensively1 and made herself beloved by her husband and people4 ,she1 in ,england1 ,theodolinda in ,lombardy1 and ,st4 ,gregory in ,rome3--in their hands1 virtually lay the destiny of ,europe4 ,then the period from ,bertha to ,osburga1 #eij to #hdi--say #bej years--is passed by the ,saxon people in the daily more reverent learning of the ,christian faith1 and daily more peaceful and skilful practice of the humane arts and duties which it invented and inculcated4 ,the statement given by ,sir ,edward ,creasy of the result of these #bej years of lesson is1 with one correction1 the most simple and just that ,i can find4 ,a few years before the close of the sixth century1 the country was little more than a wide battle-field1 where gallant but rude warriors fought with each other1 or against the neighbouring ,welsh or ,scots2 unheeding and unheeded by the rest of ,europe1 or1 if they attracted casual attention1 regarded with dread and disgust as the fiercest of barbarians and the most untameable of pagans4 ,in the eighth century1 ,england was looked up to with admiration and gratitude1 as superior to all the other countries of ,western ,europe in piety and learning1 and as the land whence the most zealous and successful saints and teachers came forth to convert and enlighten the still barbarous regions of the continent4 ,this statement is broadly true2 yet the correction it needs is a very important one4 ,england1--under her first ,alfred of ,northumberland1 and under ,ina of ,wessex1 is indeed during these centuries the most learned1 thoughtful1 and progressive of ,european states4 ,but she is not a missionary power4 ,the missionaries are always to her1 not from her3--for the very reason that she is learning so eagerly1 she does not take to preaching4 ,ina founds his ,saxon school at ,rome not to teach ,rome1 nor convert the ,pope1 but to drink at the source of knowledge1 and to receive laws from direct and unquestioned authority4 ,the missionary power was wholly ,scotch and ,irish1 and that power was wholly one of zeal and faith1 not of learning4 ,i will ask you1 in the course of my next lecture1 to regard it attentively2 to-day1 ,i must rapidly draw to the conclusions ,i would leave with you4 ,it is more and more wonderful to me as ,i think of it1 that no effect whatever was produced on the ,saxon1 nor on any other healthy race of the ,north1 either by the luxury of ,rome1 or by her art1 whether constructive or imitative4 ,the ,saxon builds no aqueducts--designs no roads1 rounds no theatres in imitation of her1--envies none of her vile pleasures1--admires1 so far as ,i can judge1 none of her far-carried realistic art4 ,i suppose that it needs intelligence of a more advanced kind to see the qualities of complete sculpture3 and that we may think of the ,northern intellect as still like that of a child1 who cares to picture its own thoughts in its own way1 but does not care for the thoughts of older people1 or attempt to copy what it feels too difficult4 ,this much at least is certain1 that for one cause or another1 everything that now at ,paris or ,london our painters most care for and try to realize1 of ancient ,rome1 was utterly innocuous and unattractive to the ,saxon3 while his mind was frankly open to the direct teaching of ,greece and to the methods of bright decoration employed in the ,byzantine ,empire3 for these alone seemed to his fancy suggestive of the glories of the brighter world promised by ,christianity4 ,jewellery1 vessels of gold and silver1 beautifully written books1 and music1 are the gifts of ,st4 ,gregory alike to the ,saxon and ,lombard2 all these beautiful things being used1 not for the pleasure of the present life1 but as the symbols of another2 while the drawings in ,saxon manuscripts1 in which1 better than in any other remains of their life1 we can read the people's character1 are rapid endeavours to express for themselves1 and convey to others1 some likeness of the realities of sacred event in which they had been instructed4 ,they differ from every archaic school of former design in this evident correspondence with an imagined reality4 ,all previous archaic art whatsoever is symbolic and decorative--not realistic4 ,the contest of ,herakles with the ,hydra on a ,greek vase is a mere sign that such a contest took place1 not a picture of it1 and in drawing that sign the potter is always thinking of the effect of the engraved lines on the curves of his pot1 and taking care to keep out of the way of the handle2--but a ,saxon monk would scratch his idea of the ,fall of the angels or the ,temptation of ,christ over a whole page of his manuscript in variously explanatory scenes1 evidently full of inexpressible vision1 and eager to explain and illustrate all that he felt or believed4 ,of the progress and arrest of these gifts1 ,i shall have to speak in my next address2 but ,i must regretfully conclude to-day with some brief warning against the complacency which might lead you to regard them as either at that time entirely original in the ,saxon race1 or at the present day as signally characteristic of it4 ,that form of complacency is exhibited in its most amiable but1 therefore1 most deceptive guise1 in the passage with which the late ,dean of ,westminster concluded his lecture at ,canterbury in ,april1 #ahed1 on the subject of the landing of ,augustine4 ,i will not spoil the emphasis of the passage by comment as ,i read1 but must take leave afterwards to intimate some grounds for abatement in the fervour of its self-gratulatory ecstasy4 ,let any one sit on the hill of the little church of ,st4 ,martin1 and look on the view which is there spread before his eyes4 ,immediately below are the towers of the great abbey of ,st4 ,augustine1 where ,christian learning and civilization first struck root in the ,anglo-,saxon race2 and within which now1 after a lapse of many centuries1 a new institution has arisen1 intended to carry far and wide1 to countries of which ,gregory and ,augustine never heard1 the blessings which they gave to us4 ,carry your view on--and there rises high above all the magnificent pile of our cathedral1 equal in splendour and state to any1 the noblest temple or church that ,augustine could have seen in ancient ,rome1 rising on the very ground which derives its consecration from him4 ,and still more than the grandeur of the outward buildings that rose from the little church of ,augustine and the little palace of ,ethelbert have been the institutions of all kinds of which these were the earliest cradle4 ,from ,canterbury1 the first ,english ,christian city1--from ,kent1 the first ,english ,christian kingdom--has by degrees arisen the whole constitution of ,church and ,state in ,england which now binds together the whole ,british ,empire4 ,and from the ,christianity here established in ,england has flowed1 by direct consequence1 first the ,christianity of ,germany2 then1 after a long interval1 of ,north ,america2 and lastly1 we may trust1 in time1 of all ,india and all ,australasia4 ,the view from ,st4 ,martin's ,church is indeed one of the most inspiriting that can be found in the world2 there is none to which ,i would more willingly take any one who doubted whether a small beginning could lead to a great and lasting good2--none which carries us more vividly back into the past1 or more hopefully forward into the future4 ,to this ,gregorian canticle in praise of the ,british constitution1 ,i grieve1 but am compelled1 to take these following historical objections4 ,the first missionary to ,germany was ,ulphilas1 and what she owes to these islands she owes to ,iona1 not to ,thanet4 ,our missionary offices to ,america as to ,africa1 consist ,i believe principally in the stealing of land1 and the extermination of its proprietors by intoxication4 ,our rule in ,india has introduced there1 ,paisley instead of ,cashmere shawls3 in ,australasia our ,christian aid supplies1 ,i suppose1 the pious farmer with convict labour4 ,and although1 when the ,dean wrote the above passage1 ,st4 ,augustine's and the cathedral were--,i take it on trust from his description--the principal objects in the prospect from ,st4 ,martin's ,hill1 ,i believe even the cheerfullest of my audience would not now think the scene one of the most inspiriting in the world4 ,for recent progress has entirely accommodated the architecture of the scene to the convenience of the missionary workers above enumerated2 to the peculiar necessities of the civilization they have achieved4 ,for the sake of which the cathedral1 the monastery1 the temple1 and the tomb1 of ,bertha1 contract themselves in distant or despised subservience under the colossal walls of the county gaol4 ,,lecture ,,ii4 ,,the ,,pleasures ,,of ,,faith4 ,,alfred ,,to ,,the ,,confessor4 ,i was forced in my last lecture to pass by altogether1 and to-day can only with momentary definition notice1 the part taken by ,scottish missionaries in the ,christianizing of ,england and ,burgundy4 ,i would pray you therefore1 in order to fill the gap which ,i think it better to leave distinctly1 than close confusedly1 to read the histories of ,st4 ,patrick1 ,st4 ,columba1 and ,st4 ,columban1 as they are given you by ,montalembert in his ',moines d',occident4' ,you will find in his pages all the essential facts that are known1 encircled with a nimbus of enthusiastic sympathy which ,i hope you will like better to see them through1 than distorted by blackening fog of contemptuous rationalism4 ,but although ,i ask you thus to make yourselves aware of the greatness of my omission1 ,i must also certify you that it does not break the unity of our own immediate subject4 ,the influence of ,celtic passion and art both on ,northumbria and the ,continent1 beneficent in all respects while it lasted1 expired without any permanent share in the work or emotion of the ,saxon and ,frank4 ,the book of ,kells1 and the bell of ,st4 ,patrick1 represent sufficiently the peculiar character of ,celtic design2 and long since1 in the first lecture of the ',two ,paths1' ,i explained both the modes of skill1 and points of weakness1 which rendered such design unprogressive4 ,perfect in its peculiar manner1 and exulting in the faultless practice of a narrow skill1 it remained century after century incapable alike of inner growth1 or foreign instruction2 inimitable1 yet incorrigible2 marvellous1 yet despicable1 to its death4 ,despicable1 ,i mean1 only in the limitation of its capacity1 not in its quality or nature4 ,if you make a ,christian of a lamb or a squirrel--what can you expect of the lamb but jumping--what of the squirrel1 but pretty spirals1 traced with his tail8 ,he won't steal your nuts any more1 and he'll say his prayers like this--#b2 but you cannot make a ,beatrice's griffin1 and emblem of all the ,catholic ,church1 out of him4 ,footnote #b3 ,making a sign4 ,you will have observed1 also1 that the plan of these lectures does not include any reference to the ,roman ,period in ,england2 of which you will find all ,i think necessary to say1 in the part called ,valle ,crucis of ',our ,fathers have told us4' ,but ,i must here warn you1 with reference to it1 of one gravely false prejudice of ,montalembert4 ,he is entirely blind to the conditions of ,roman virtue1 which existed in the midst of the corruptions of the ,empire1 forming the characters of such ,emperors as ,pertinax1 ,carus1 ,probus1 the second ,claudius1 ,aurelian1 and our own ,constantius2 and he denies1 with abusive violence1 the power for good1 of ,roman ,law1 over the ,gauls and ,britons4 ,respecting ,roman national character1 ,i will simply beg you to remember1 that both ,st4 ,benedict and ,st4 ,gregory are ,roman patricians1 before they are either monk or pope2 respecting its influence on ,britain1 ,i think you may rest content with ,shakespeare's estimate of it4 ,both ,lear and ,cymbeline belong to this time1 so difficult to our apprehension1 when the ,briton accepted both ,roman laws and ,roman gods4 ,there is indeed the born ,kentish gentleman's protest against them in ,kent's-- ,now1 by ,apollo1 king1 ,thou swear'st thy gods in vain2 but both ,cordelia and ,imogen are just as thoroughly ,roman ladies1 as ,virgilia or ,calphurnia4 ,of ,british ,christianity and the ,arthurian ,legends1 ,i shall have a word or two to say in my lecture on ,fancy1 in connection with the similar romance which surrounds ,theodoric and ,charlemagne3 only the worst of it is1 that while both ,dietrich and ,karl are themselves more wonderful than the legends of them1 ,arthur fades into intangible vision3--this much1 however1 remains to this day1 of ,arthurian blood in us1 that the richest fighting element in the ,british army and navy is ,british native1--that is to say1 ,highlander1 ,irish1 ,welsh1 and ,cornish4 ,content1 therefore1 7means being now given you for filling gaps17 with the estimates given you in the preceding lecture of the sources of instruction possessed by the ,saxon capital1 ,i pursue to-day our question originally proposed1 what ,london might have been by this time1 if the nature of the flowers1 trees1 and children1 born at the ,thames-side1 had been rightly understood and cultivated4 ,many of my hearers can imagine far better than ,i1 the look that ,london must have had in ,alfred's and ,canute's days4#c ,i have not1 indeed1 the least idea myself what its buildings were like1 but certainly the groups of its shipping must have been superb2 small1 but entirely seaworthy vessels1 manned by the best seamen in the then world4 ,of course1 now1 at ,chatham and ,portsmouth we have our ironclads1--extremely beautiful and beautifully manageable things1 no doubt--to set against this ,saxon and ,danish shipping2 but the ,saxon war-ships lay here at ,london shore--bright with banner and shield and dragon prow1--instead of these you may be happier1 but are not handsomer1 in having1 now1 the coal-barge1 the penny steamer1 and the wherry full of shop boys and girls4 ,i dwell however for a moment only on the naval aspect of the tidal waters in the days of ,alfred1 because ,i can refer you for all detail on this part of our subject to the wonderful opening chapter of ,dean ,stanley's ,history of ,westminster ,abbey1 where you will find the origin of the name of ,london given as ,the ,city of ,ships4 ,he does not1 however1 tell you1 that there were built1 then and there1 the biggest war-ships in the world4 ,i have often said to friends who praised my own books that ,i would rather have written that chapter than any one of them2 yet if ,i had been able to write the historical part of it1 the conclusions drawn would have been extremely different4 ,the ,dean indeed describes with a poet's joy the ,river of wells1 which rose from those once consecrated springs which now lie choked in ,holywell and ,clerkenwell1 and the rivulet of ,ulebrig which crossed the ,strand under the ,ivy bridge2 but it is only in the spirit of a modern citizen of ,belgravia that he exults in the fact that the great arteries of our crowded streets1 the vast sewers which cleanse our habitations1 are fed by the life-blood of those old and living streams2 that underneath our tread the ,tyburn1 and the ,holborn1 and the ,fleet1 and the ,wall ,brook1 are still pursuing their ceaseless course1 still ministering to the good of man1 though in a far different fashion than when ,druids drank of their sacred springs1 and ,saxons were baptized in their rushing waters1 ages ago4 ,footnote #c3 ,here ,alfred's ,silver ,penny was shown and commented on1 thus3--,of what ,london was like in the days of faith1 ,i can show you one piece of artistic evidence4 ,it is ,alfred's silver penny struck in ,london mint4 ,the character of a coinage is quite conclusive evidence in national history1 and there is no great empire in progress1 but tells its story in beautiful coins4 ,here in ,alfred's penny1 a round coin with ,l4,o4,n4,d4,i4,n4,i4,a4 struck on it1 you have just the same beauty of design1 the same enigmatical arrangement of letters1 as in the early inscription1 which it is the pride of my life to have discovered at ,venice4 ,this inscription 7the first words that ,venice ever speaks aloud7 is1 it will be remembered1 on the ,church of ,st4 ,giacomo di ,rialto1 and runs1 being interpreted--,around this temple1 let the merchant's law be just1 his weights true1 and his covenants faithful4 ,whatever sympathy you may feel with these eloquent expressions of that entire complacency in the present1 past1 and future1 which peculiarly animates ,dean ,stanley's writings1 ,i must1 in this case1 pray you to observe that the transmutation of holy wells into sewers has1 at least1 destroyed the charm and utility of the ,thames as a salmon stream1 and ,i must ask you to read with attention the succeeding portions of the chapter which record the legends of the river fisheries in their relation to the first ,abbey of ,westminster2 dedicated by its builders to ,st4 ,peter1 not merely in his office of cornerstone of the ,church1 nor even figuratively as a fisher of men1 but directly as a fisher of fish3--and which maintained themselves1 you will see1 in actual ceremony down to #achb1 when a fisherman still annually took his place beside the ,prior1 after having brought in a salmon for ,st4 ,peter1 which was carried in state down the middle of the refectory4 ,but as ,i refer to this page for the exact word1 my eye is caught by one of the sentences of ,londonian#d thought which constantly pervert the well-meant books of pious ,england4 ,we see also1 says the ,dean1 the union of innocent fiction with worldly craft1 which marks so many of the legends both of ,pagan and ,christian times4 ,i might simply reply to this insinuation that times which have no legends differ from the legendary ones merely by uniting guilty1 instead of innocent1 fiction1 with worldly craft2 but ,i must farther advise you that the legends of these passionate times are in no wise1 and in no sense1 fiction at all2 but the true record of impressions made on the minds of persons in a state of eager spiritual excitement1 brought into bright focus by acting steadily and frankly under its impulses4 ,i could tell you a great deal more about such things than you would believe1 and therefore1 a great deal more than it would do you the least good to hear2--but this much any who care to use their common sense modestly1 cannot but admit1 that unless they choose to try the rough life of the ,christian ages1 they cannot understand its practical consequences4 ,you have all been taught by ,lord ,macaulay and his school that because you have ,carpets instead of rushes for your feet2 and ,feather-beds instead of fern for your backs2 and ,kickshaws instead of beef for your eating2 and ,drains instead of ,holy ,wells for your drinking2--that1 therefore1 you are the ,cream of ,creation1 and every one of you a seven-headed ,solomon4 ,stay in those pleasant circumstances and convictions if you please2 but don't accuse your roughly bred and fed fathers of telling lies about the aspect the earth and sky bore to them1--till you have trodden the earth as they1 barefoot1 and seen the heavens as they1 face to face4 ,if you care to see and to know for yourselves1 you may do it with little pains2 you need not do any great thing1 you needn't keep one eye open and the other shut for ten years over a microscope1 nor fight your way through icebergs and darkness to knowledge of the celestial pole4 ,simply1 do as much as king after king of the ,saxons did1--put rough shoes on your feet and a rough cloak on your shoulders1 and walk to ,rome and back4 ,sleep by the roadside1 when it is fine1--in the first outhouse you can find1 when it is wet2 and live on bread and water1 with an onion or two1 all the way2 and if the experiences which you will have to relate on your return do not1 as may well be1 deserve the name of spiritual2 at all events you will not be disposed to let other people regard them either as ,poetry or ,fiction4 ,footnote #d3 ,not ,londinian4 ,with this warning1 presently to be at greater length insisted on1 ,i trace for you1 in ,dean ,stanley's words1 which cannot be bettered except in the collection of their more earnest passages from among his interludes of graceful but dangerous qualification1--,i trace1 with only such omission1 the story he has told us of the foundation of that ,abbey1 which1 he tells you1 was the ,mother of ,london1 and has ever been the shrine and the throne of ,english faith and truth4 ,the gradual formation of a monastic body1 indicated in the charters of ,offa and ,edgar1 marks the spread of the ,benedictine order throughout ,england1 under the influence of ,dunstan4 ,the 'terror' of the spot1 which had still been its chief characteristic in the charter of the wild ,offa1 had1 in the days of the more peaceful ,edgar1 given way to a dubious 'renown4' ,twelve monks is the number traditionally said to have been established by ,dunstan4 ,a few acres further up the river formed their chief property1 and their monastic character was sufficiently recognized to have given to the old locality of the 'terrible place' the name of the ',western ,monastery1' or ',minster of the ,west4' ,the ,benedictines then--twelve ,benedictine monks--thus begin the building of existent ,christian ,london4 ,you know ,i told you the ,benedictines are the ,doing people1 as the disciples of ,st4 ,augustine the ,sentimental people4 ,the ,benedictines find no terror in their own thoughts--face the terror of places--change it into beauty of places1--make this terrible place1 a ,motherly ,place--,mother of ,london4 ,this first ,westminster1 however1 the ,dean goes on to say1 seems to have been overrun by the ,danes1 and it would have had no further history but for the combination of circumstances which directed hither the notice of ,edward the ,confessor4 ,i haven't time to read you all the combination of circumstances4 ,the last clinching circumstance was this-- ,there was in the neighbourhood of ,worcester1 'far from men in the wilderness1 on the slope of a wood1 in a cave deep down in the grey rock1' a holy hermit 'of great age1 living on fruits and roots4' ,one night when1 after reading in the ,scriptures 'how hard are the pains of hell1 and how the enduring life of ,heaven is sweet and to be desired1' he could neither sleep nor repose1 ,st4 ,peter appeared to him1 'bright and beautiful1 like to a clerk1' and warned him to tell the ,king that he was released from his vow2 that on that very day his messengers would return from ,rome2 7that is the combination of circumstances--bringing ,pope's order to build a church to release the ,king from his vow of pilgrimage72 that 'at ,thorney1 two leagues from the city1' was the spot marked out where1 in an ancient church1 'situated low1' he was to establish a perfect ,benedictine monastery1 which should be 'the gate of heaven1 the ladder of prayer1 whence those who serve ,st4 ,peter there1 shall by him be admitted into ,paradise4' ,the hermit writes the account of the vision on parchment1 seals it with wax1 and brings it to the ,king1 who compares it with the answer of the messengers1 just arrived from ,rome1 and determines on carrying out the design as the ,apostle had ordered4 ,the ancient church1 'situated low1' indicated in this vision the one whose attached monastery had been destroyed by the ,danes1 but its little church remained1 and was already dear to the ,confessor1 not only from the lovely tradition of its dedication by the spirit of ,st4 ,peter2 7you must read that for yourselves27 but also because of two miracles happening there to the ,king himself4 ,the first was the cure of a cripple1 who sat in the road between the ,palace and 'the ,chapel of ,st4 ,peter1' which was 'near1' and who explained to the ,chamberlain ,hugolin that1 after six pilgrimages to ,rome in vain1 ,st4 ,peter had promised his cure if the ,king would1 on his own royal neck1 carry him to the ,monastery4 ,the ,king immediately consented2 and1 amidst the scoffs of the court1 bore the poor man to the steps of the ,high ,altar4 ,there the cripple was received by ,godric the sacristan1 and walked away on his own restored feet1 hanging his stool on the wall for a trophy4 ,before that same ,high ,altar was also believed to have been seen one of the ,eucharistical portents1 so frequent in the ,middle ,ages4 ,a child1 'pure and bright like a spirit1' appeared to the ,king in the sacramental elements4 ,leofric1 ,earl of ,mercia1 who1 with his famous countess1 ,godiva1 was present1 saw it also4 ,such as these were the motives of ,edward4 ,under their influence was fixed what has ever since been the local centre of the ,english monarchy4 ,such as these were the motives of ,edward1 says the ,dean4 ,yes1 certainly2 but such as these also1 first1 were the acts and visions of ,edward4 ,take care that you don't slip away1 by the help of the glycerine of the word motives1 into fancying that all these tales are only the after colours and pictorial metaphors of sentimental piety4 ,they are either plain truth or black lies2 take your choice1--but don't tickle and treat yourselves with the prettiness or the grotesqueness of them1 as if they were ,anderssen's fairy tales4 ,either the ,king did carry the beggar on his back1 or he didn't2 either ,godiva rode through ,coventry1 or she didn't2 either the ,earl ,leofric saw the vision of the bright child at the altar--or he lied like a knave4 ,judge1 as you will2 but do not ,doubt4 ,the ,abbey was fifteen years in building4 ,the ,king spent upon it one-tenth of the property of the kingdom4 ,it was to be a marvel of its kind4 ,as in its origin it bore the traces of the fantastic and childish 7,i must pause1 to ask you to substitute for these blameful terms1 'fantastic and childish1' the better ones of 'imaginative and pure'7 character of the ,king and of the age2 in its architecture it bore the stamp of the peculiar position which ,edward occupied in ,english history between ,saxon and ,norman4 ,by birth he was a ,saxon1 but in all else he was a foreigner4 ,accordingly the ,church at ,westminster was a wide-sweeping innovation on all that had been seen before4 ',destroying the old building1' he says in his charter1 ',i have built up a new one from the very foundation4' ,its fame as a 'new style of composition' lingered in the minds of men for generations4 ,it was the first cruciform church in ,england1 from which all the rest of like shape were copied--an expression of the increasing hold which1 in the tenth century1 the idea of the ,crucifixion had laid on the imagination of ,europe4 ,the massive roof and pillars formed a contrast with the rude wooden rafters and beams of the common ,saxon churches4 ,its very size--occupying1 as it did1 almost the whole area of the present building--was in itself portentous4 ,the deep foundations1 of large square blocks of grey stone1 were duly laid2 the east end was rounded into an apse2 a tower rose in the centre1 crowned by a cupola of wood4 ,at the western end were erected two smaller towers1 with five large bells4 ,the hard strong stones were richly sculptured2 the windows were filled with stained glass2 the roof was covered with lead4 ,the cloisters1 chapter-house1 refectory1 dormitory1 the infirmary1 with its spacious chapel1 if not completed by ,edward1 were all begun1 and finished in the next generation on the same plan4 ,this structure1 venerable as it would be if it had lasted to our time1 has almost entirely vanished4 ,possibly one vast dark arch in the southern transept1 certainly the substructures of the dormitory1 with their huge pillars1 'grand and regal at the bases and capitals1' the massive1 low-browed passage leading from the great cloister to ,little ,dean's ,yard1 and some portions of the refectory and of the infirmary chapel1 remain as specimens of the work which astonished the last age of the ,anglo-,saxon and the first age of the ,norman monarchy4 ,hitherto ,i have read to you with only supplemental comment4 ,but in the next following passage1 with which ,i close my series of extracts1 sentence after sentence occurs1 at which as ,i read1 ,i must raise my hand1 to mark it for following deprecation1 or denial4 ,in the centre of ,westminster ,abbey thus lies its ,founder1 and such is the story of its foundation4 ,even apart from the legendary elements in which it is involved1 it is impossible not to be struck by the fantastic character of all its circumstances4 ,we seem to be in a world of poetry4 7,i protest1 ,no47 ,edward is four centuries later than ,ethelbert and ,augustine2 but the origin of ,canterbury is commonplace and prosaic compared with the origin of ,westminster4 7,yes1 that's true47 ,we can hardly imagine a figure more incongruous to the soberness of later times than the quaint1 irresolute1 wayward prince whose chief characteristics have just been described4 ,his titles of ,confessor and ,saint belong not to the general instincts of ,christendom but to the most transitory feelings of the age4 7,i protest1 ,no47 ,his opinions1 his prevailing motives1 were such as in no part of modern ,europe would now be shared by any educated teacher or ruler4 7,that's true enough47 ,but in spite of these irreconcilable differences1 there was a solid ground for the charm which he exercised over his contemporaries4 ,his childish and eccentric fancies have passed away2 7,i protest1 ,no27 but his innocent faith and his sympathy with his people are qualities which1 even in our altered times1 may still retain their place in the economy of the world4 ,westminster ,abbey1 so we hear it said1 sometimes with a cynical sneer1 sometimes with a timorous scruple1 has admitted within its walls many who have been great without being good1 noble with a nobleness of the earth earthy1 worldly with the wisdom of this world4 ,but it is a counterbalancing reflection1 that the central tomb1 round which all those famous names have clustered1 contains the ashes of one who1 weak and erring as he was1 rests his claims of interment here1 not on any act of power or fame1 but only on his artless piety and simple goodness4 ,he1 towards whose dust was attracted the fierce ,norman1 and the proud ,plantagenet1 and the grasping ,tudor1 and the fickle ,stuart1 even the ,independent ,oliver1 the ,dutch ,william1 and the ,hanoverian ,george1 was one whose humble graces are within the reach of every man1 woman1 and child of every time1 if we rightly part the immortal substance from the perishable form4 ,now ,i have read you these passages from ,dean ,stanley as the most accurately investigatory1 the most generously sympathetic1 the most reverently acceptant account of these days1 and their people1 which you can yet find in any ,english history4 ,but consider now1 point by point1 where it leaves you4 ,you are told1 first1 that you are living in an age of poetry4 ,but the days of poetry are those of ,shakespeare and ,milton1 not of ,bede3 nay1 for their especial wealth in melodious theology and beautifully rhythmic and pathetic meditation1 perhaps the days which have given us ',hiawatha1' ',in ,memoriam1' ',the ,christian ,year1' and the ',soul's ,diary' of ,george ,macdonald1 may be not with disgrace compared with those of ,caedmon4 ,and nothing can be farther different from the temper1 nothing less conscious of the effort1 of a poet1 than any finally authentic document to which you can be referred for the relation of a ,saxon miracle4 ,i will read you1 for a perfectly typical example1 an account of one from ,bede's ',life of ,st4 ,cuthbert1' ,the passage is a favourite one of my own1 but ,i do not in the least anticipate its producing upon you the solemnizing effect which ,i think ,i could command from reading1 instead1 a piece of ',marmion1' ',manfred1' or ',childe ,harold4' 444 ,he had one day left his cell to give advice to some visitors2 and when he had finished1 he said to them1 ',i must now go in again1 but do you1 as you are inclined to depart1 first take food2 and when you have cooked and eaten that goose which is hanging on the wall1 go on board your vessel in ,god's name and return home4' ,he then uttered a prayer1 and1 having blessed them1 went in4 ,but they1 as he had bidden them1 took some food2 but having enough provisions of their own1 which they had brought with them1 they did not touch the goose4 ,but when they had refreshed themselves they tried to go on board their vessel1 but a sudden storm utterly prevented them from putting to sea4 ,they were thus detained seven days in the island by the roughness of the waves1 and yet they could not call to mind what fault they had committed4 ,they therefore returned to have an interview with the holy father1 and to lament to him their detention4 ,he exhorted them to be patient1 and on the seventh day came out to console their sorrow1 and to give them pious exhortations4 ,when1 however1 he had entered the house in which they were stopping1 and saw that the goose was not eaten1 he reproved their disobedience with mild countenance and in gentle language3 ',have you not left the goose still hanging in its place8 ,what wonder is it that the storm has prevented your departure8 ,put it immediately into the caldron1 and boil and eat it1 that the sea may become tranquil1 and you may return home4' ,they immediately did as he commanded2 and it happened most wonderfully that the moment the kettle began to boil the wind began to cease1 and the waves to be still ,having finished their repast1 and seeing that the sea was calm1 they went on board1 and to their great delight1 though with shame for their neglect1 reached home with a fair wind4 ,now this1 as ,i have related1 ,i did not pick up from any chance authority1 but ,i had it from one of those who were present1 a most reverend monk and priest of the same monastery1 ,cynemund1 who still lives1 known to many in the neighbourhood for his years and the purity of his life4 99 99 99 99 99 ,i hope that the memory of this story1 which1 thinking it myself an extremely pretty one1 ,i have given you1 not only for a type of sincerity and simplicity1 but for an illustration of obedience1 may at all events quit you1 for good and all1 of the notion that the believers and witnesses of miracle were poetical persons4 ,saying no more on the head of that allegation1 ,i proceed to the ,dean's second one1 which ,i cannot but interpret as also intended to be injurious1--that they were artless and childish ones2 and that because of this rudeness and puerility1 their motives and opinions would not be shared by any statesmen of the present day4 ,it is perfectly true that ,edward the ,confessor was himself in many respects of really childish temperament2 not therefore1 perhaps1 as ,i before suggested to you1 less venerable4 ,but the age of which we are examining the progress1 was by no means represented or governed by men of similar disposition4 ,it was eminently productive of--it was altogether governed1 guided1 and instructed by--men of the widest and most brilliant faculties1 whether constructive or speculative1 that the world till then had seen2 men whose acts became the romance1 whose thoughts the wisdom1 and whose arts the treasure1 of a thousand years of futurity4 ,i warned you at the close of last lecture against the too agreeable vanity of supposing that the ,evangelization of the world began at ,st4 ,martin's1 ,canterbury4 ,again and again you will indeed find the stream of the ,gospel contracting itself into narrow channels1 and appearing1 after long-concealed filtration1 through veins of unmeasured rock1 with the bright resilience of a mountain spring4 ,but you will find it the only candid1 and therefore the only wise1 way of research1 to look in each era of ,christendom for the minds of culminating power in all its brotherhood of nations2 and1 careless of local impulse1 momentary zeal1 picturesque incident1 or vaunted miracle1 to fasten your attention upon the force of character in the men1 whom1 over each newly-converted race1 ,heaven visibly sets for its shepherds and kings1 to bring forth judgment unto victory4 ,of these ,i will name to you1 as messengers of ,god and masters of men1 five monks and five kings2 in whose arms during the range of swiftly gainful centuries which we are following1 the life of the world lay as a nursling babe4 ,remember1 in their successive order1--of monks1 ,st4 ,jerome1 ,st4 ,augustine1 ,st4 ,martin1 ,st4 ,benedict1 and ,st4 ,gregory2 of kings1--and your national vanity may be surely enough appeased in recognizing two of them for ,saxon1--,theodoric1 ,charlemagne1 ,alfred1 ,canute1 and the ,confessor4 ,i will read three passages to you1 out of the literal words of three of these ten men1 without saying whose they are1 that you may compare them with the best and most exalted you have read expressing the philosophy1 the religion1 and the policy of to-day1--from which ,i admit1 with ,dean ,stanley1 but with a far different meaning from his1 that they are indeed separate for evermore4 ,i give you first1 for an example of ,philosophy1 a single sentence1 containing all--so far as ,i can myself discern--that it is possible for us to know1 or well for us to believe1 respecting the world and its laws4 ,,of ,,god',s ,,universal ,,providence1 ,,ruling ,,all1 ,,and ,,comprising ,,all4 ,wherefore the great and mighty ,god2 ,he that made man a reasonable creature of soul and body1 and ,he that did neither let him pass unpunished for his sin1 nor yet excluded him from mercy2 ,he that gave1 both unto good and bad1 essence with the stones1 power of production with the trees1 senses with the beasts of the field1 and understanding with the angels2 ,he from whom is all being1 beauty1 form1 and number1 weight1 and measure2 ,he from whom all nature1 mean and excellent1 all seeds of form1 all forms of seed1 all motion1 both of forms and seeds1 derive and have being2 ,he that gave flesh the original beauty1 strength1 propagation1 form and shape1 health and symmetry2 ,he that gave the unreasonable soul1 sense1 memory1 and appetite2 the reasonable1 besides these1 fantasy1 understanding1 and will2 ,he1 ,i say1 having left neither heaven1 nor earth1 nor angel1 nor man1 no1 nor the most base and contemptible creature1 neither the bird's feather1 nor the herb's flower1 nor the tree's leaf1 without the true harmony of their parts1 and peaceful concord of composition3--,it is in no way credible that ,he would leave the kingdoms of men and their bondages and freedom loose and uncomprised in the laws of ,his eternal providence4#e ,footnote #e3 ,from ,st4 ,augustine's ',citie of ,god1' ,book ,v41 ch4 xi4 7,english trans41 printed by ,george ,eld1 #afaj47 ,this for the philosophy4#f ,next1 ,i take for example of the ,religion of our ancestors1 a prayer1 personally and passionately offered to the ,deity conceived as you have this moment heard4 ,footnote #f3 ,here one of the ,stones of ,westminster was shown and commented on4 ,o ,thou who art the ,father of that ,son which has awakened us1 and yet urgeth us out of the sleep of our sins1 and exhorteth us that we become ,thine2 7note you that1 for apprehension of what ,redemption means1 against your base and cowardly modern notion of 'scaping whipping4 ,not to take away the ,punishment of ,sin1 but by ,his ,resurrection to raise us out of the sleep of sin itself6 ,compare the legend at the feet of the ,lion of the ,tribe of ,judah in the golden ,gospel of ,charles le ,chauve#g3-- ,,hic ,,leo ,,surgendo ,,portas ,,confregit ,,averni ,,qui ,,nunquam ,,dormit1 ,,nusquam ,,dormitat ,,in ,,aevum27 to ,thee1 ,lord1 ,i pray1 who art the supreme truth2 for all the truth that is1 is truth from ,thee4 ,thee ,i implore1 ,o ,lord1 who art the highest wisdom4 ,through ,thee are wise all those that are so4 ,thou art the true life1 and through ,thee are living all those that are so4 ,thou art the supreme felicity1 and from ,thee all have become happy that are so4 ,thou art the highest good1 and from ,thee all beauty springs4 ,thou art the intellectual light1 and from ,thee man derives his understanding4 ,footnote #g3 ,at ,munich3 the leaf has been exquisitely drawn and legend communicated to me by ,professor ,westwood4 ,it is written in gold on purple4 ,to ,thee1 ,o ,god1 ,i call and speak4 ,hear1 ,o hear me1 ,lord6 for ,thou art my ,god and my ,lord2 my ,father and my ,creator2 my ruler and my hope2 my wealth and my honour my house1 my country1 my salvation1 and my life6 ,hear1 hear me1 ,o ,lord6 ,few of ,thy servants comprehend ,thee4 ,but ,thee alone ,i love1#h indeed1 above all other things4 ,thee ,i seek3 ,thee ,i will follow3 ,thee ,i am ready to serve4 ,under ,thy power ,i desire to abide1 for ,thou alone art the ,sovereign of all4 ,i pray ,thee to command me as ,thou wilt4 ,footnote #h3 ,meaning--not that he is of those few1 but that1 without comprehending1 at least1 as a dog1 he can love4 ,you see this prayer is simply the expansion of that clause of the ,lord's ,prayer which most men eagerly omit from it1--,fiat voluntas tua4 ,in being so1 it sums the ,christian prayer of all ages4 ,see now1 in the third place1 how far this king's letter ,i am going to read to you sums also ,christian ,policy4 ,wherefore ,i render high thanks to ,almighty ,god1 for the happy accomplishment of all the desires which ,i have set before me1 and for the satisfying of my every wish4 ,now therefore1 be it known to you all1 that to ,almighty ,god ,himself ,i have1 on my knees1 devoted my life1 to the end that in all things ,i may do justice1 and with justice and rightness rule the kingdoms and peoples under me2 throughout everything preserving an impartial judgment4 ,if1 heretofore1 ,i have1 through being1 as young men are1 impulsive or careless1 done anything unjust1 ,i mean1 with ,god's help1 to lose no time in remedying my fault4 ,to which end ,i call to witness my counsellors1 to whom ,i have entrusted the counsels of the kingdom1 and ,i charge them that by no means1 be it through fear of me1 or the favour of any other powerful personage1 to consent to any injustice1 or to suffer any to shoot out in any part of my kingdom4 ,i charge all my viscounts and those set over my whole kingdom1 as they wish to keep my friendship or their own safety1 to use no unjust force to any man1 rich or poor2 let all men1 noble and not noble1 rich and poor alike1 be able to obtain their rights under the law's justice2 and from that law let there be no deviation1 either to favour the king or any powerful person1 nor to raise money for me4 ,i have no need of money raised by what is unfair4 ,i also would have you know that ,i go now to make peace and firm treaty by the counsels of all my subjects1 with those nations and people who wished1 had it been possible for them to do so1 which it was not1 to deprive us alike of kingdom and of life4 ,god brought down their strength to nought3 and may ,he of ,his benign love preserve us on our throne and in honour4 ,lastly1 when ,i have made peace with the neighbouring nations1 and settled and pacified all my dominions in the ,east1 so that we may nowhere have any war or enmity to fear1 ,i mean to come to ,england this summer1 as soon as ,i can fit out vessels to sail4 ,my reason1 however1 in sending this letter first is to let all the people of my kingdom share in the joy of my welfare3 for as you yourselves know1 ,i have never spared myself or my labour2 nor will ,i ever do so1 where my people are really in want of some good that ,i can do them4 ,what think you now1 in candour and honour1 you youth of the latter days1--what think you of these types of the thought1 devotion1 and government1 which not in words1 but pregnant and perpetual fact1 animated these which you have been accustomed to call the ,dark ,ages8 ,the ,philosophy is ,augustine's2 the ,prayer ,alfred's2 and the ,letter ,canute's4 ,and1 whatever you may feel respecting the beauty or wisdom of these sayings1 be assured of one thing above all1 that they are sincere2 and of another1 less often observed1 that they are joyful4 ,be assured1 in the first place1 that they are sincere1 ,the ideas of diplomacy and priestcraft are of recent times4 ,no false knight or lying priest ever prospered1 ,i believe1 in any age1 but certainly not in the dark ones4 ,men prospered then1 only in following openly-declared purposes1 and preaching candidly beloved and trusted creeds4 ,and that they did so prosper1 in the degree in which they accepted and proclaimed the ,christian ,gospel1 may be seen by any of you in your historical reading1 however partial1 if only you will admit the idea that it could be so1 and was likely to be so4 ,you are all of you in the habit of supposing that temporal prosperity is owing either to worldly chance or to worldly prudence2 and is never granted in any visible relation to states of religious temper4 ,put that treacherous doubt away from you1 with disdain2 take for basis of reasoning the noble postulate1 that the elements of ,christian faith are sound1--instead of the base one1 that they are deceptive2 reread the great story of the world in that light1 and see what a vividly real1 yet miraculous tenor1 it will then bear to you4 ,their faith then1 ,i tell you first1 was sincere2 ,i tell you secondly that it was1 in a degree few of us can now conceive1 joyful4 ,we continually hear of the trials1 sometimes of the victories1 of ,faith1--but scarcely ever of its pleasures4 ,whereas1 at this time1 you will find that the chief delight of all good men was in the recognition of the goodness and wisdom of the ,master1 who had come to dwell with them upon earth4 ,it is almost impossible for you to conceive the vividness of this sense in them2 it is totally impossible for you to conceive the comfort1 peace1 and force of it4 ,in everything that you now do or seek1 you expose yourselves to countless miseries of shame and disappointment1 because in your doing you depend on nothing but your own powers1 and in seeking choose only your own gratification4 ,you cannot for the most part conceive of any work but for your own interests1 or the interests of others about whom you are anxious in the same faithless way2 everything about which passion is excited in you or skill exerted is some object of material life1 and the idea of doing anything except for your own praise or profit has narrowed itself into little more than the precentor's invitation to the company with little voice and less practice to sing to the praise and glory of ,god4 ,i have said that you cannot imagine the feeling of the energy of daily life applied in the real meaning of those words4 ,you cannot imagine it1 but you can prove it4 ,are any of you willing1 simply as a philosophical experiment in the greatest of sciences1 to adopt the principles and feelings of these men of a thousand years ago for a given time1 say for a year8 ,it cannot possibly do you any harm to try1 and you cannot possibly learn what is true in these things1 without trying4 ,if after a year's experience of such method you find yourself no happier than before1 at least you will be able to support your present opinions at once with more grace and more modesty2 having conceded the trial it asked for1 to the opposite side4 ,nor in acting temporarily on a faith you do not see to be reasonable1 do you compromise your own integrity more1 than in conducting1 under a chemist's directions1 an experiment of which he foretells inexplicable consequences4 ,and you need not doubt the power you possess over your own minds to do this4 ,were faith not voluntary1 it could not be praised1 and would not be rewarded4 ,if you are minded thus to try1 begin each day with ,alfred's prayer1--fiat voluntas tua2 resolving that you will stand to it1 and that nothing that happens in the course of the day shall displease you4 ,then set to any work you have in hand with the sifted and purified resolution that ambition shall not mix with it1 nor love of gain1 nor desire of pleasure more than is appointed for you2 and that no anxiety shall touch you as to its issue1 nor any impatience nor regret if it fail4 ,imagine that the thing is being done through you1 not by you2 that the good of it may never be known1 but that at least1 unless by your rebellion or foolishness1 there can come no evil into it1 nor wrong chance to it4 ,resolve also with steady industry to do what you can for the help of your country and its honour1 and the honour of its ,god2 and that you will not join hands in its iniquity1 nor turn aside from its misery2 and that in all you do and feel you will look frankly for the immediate help and direction1 and to your own consciences1 expressed approval1 of ,god4 ,live thus1 and believe1 and with swiftness of answer proportioned to the frankness of the trust1 most surely the ,god of hope will fill you with all joy and peace in believing4 ,but1 if you will not do this1 if you have not courage nor heart enough to break away the fetters of earth1 and take up the sensual bed of it1 and walk2 if you say that you are bound to win this thing1 and become the other thing1 and that the wishes of your friends1--and the interests of your family1--and the bias of your genius1--and the expectations of your college1--and all the rest of the bow-wow-wow of the wild dog-world1 must be attended to1 whether you like it or no1--then1 at least1 for shame give up talk about being free or independent creatures2 recognize yourselves for slaves in whom the thoughts are put in ward with their bodies1 and their hearts manacled with their hands3 and then at least also1 for shame1 if you refuse to believe that ever there were men who gave their souls to ,god1--know and confess how surely there are those who sell them to ,his adversary4 ,,lecture ,,iii4 ,,the ,,pleasures ,,of ,,deed4 ,,alfred ,,to ,,coeur ,,de ,,lion4 ,it was my endeavour1 in the preceding lecture1 to vindicate the thoughts and arts of our ,saxon ancestors from whatever scorn might lie couched under the terms applied to them by ,dean ,stanley1--'fantastic' and 'childish4' ,to-day my task must be carried forward1 first1 in asserting the grace in fantasy1 and the force in infancy1 of the ,english mind1 before the ,conquest1 against the allegations contained in the final passage of ,dean ,stanley's description of the first founded ,westminster2 a passage which accepts and asserts1 more distinctly than any other equally brief statement ,i have met with1 the to my mind extremely disputable theory1 that the ,norman invasion was in every respect a sanitary1 moral1 and intellectual blessing to ,england1 and that the arrow which slew her ,harold was indeed the ,arrow of the ,lord's deliverance4 ,the ,abbey itself1 says ,dean ,stanley1--the chief work of the ,confessor's life1--was the portent of the mighty future4 ,when ,harold stood beside his sister ,edith1 on the day of the dedication1 and signed his name with hers as witness to the ,charter of the ,abbey1 he might have seen that he was sealing his own doom1 and preparing for his own destruction4 ,the solid pillars1 the ponderous arches1 the huge edifice1 with triple tower and sculptured stones and storied windows1 that arose in the place and in the midst of the humble wooden churches and wattled tenements of the ,saxon period1 might have warned the nobles who were present that the days of their rule were numbered1 and that the avenging1 civilizing1 stimulating hand of another and a mightier race was at work1 which would change the whole face of their language1 their manners1 their ,church1 and their commonwealth4 ,the ,abbey1 so far exceeding the demands of the dull and stagnant minds of our ,anglo-,saxon ancestors1 was founded not only in faith1 but in hope3 in the hope that ,england had yet a glorious career to run2 that the line of her sovereigns would not be broken1 even when the race of ,alfred had ceased to reign4 ,there must surely be some among my hearers who are startled1 if not offended1 at being told in the terms which ,i emphasized in this sentence1 that the minds of our ,saxon fathers were1 although fantastic1 dull1 and1 although childish1 stagnant2 that farther1 in their fantastic stagnation2 they were savage1--and in their innocent dullness1 criminal2 so that the future character and fortune of the race depended on the critical advent of the didactic and disciplinarian ,norman baron1 at once to polish them1 stimulate1 and chastise4 ,before ,i venture to say a word in distinct arrest of this judgment1 ,i will give you a chart1 as clear as the facts observed in the two previous lectures allow1 of the state and prospects of the ,saxons1 when this violent benediction of conquest happened to them3 and especially ,i would rescue1 in the measure that justice bids1 the memory even of their ,pagan religion from the general scorn in which ,i used ,carlyle's description of the idol of ancient ,prussia as universally exponent of the temper of ,northern devotion4 ,that ,triglaph1 or ,triglyph ,idol1 7derivation of ,triglaph wholly unknown to me--,i use ,triglyph only for my own handiest epithet71 last set up1 on what is now ,st4 ,mary's hill in ,brandenburg1 in #ajbc1 belonged indeed to a people wonderfully like the ,saxons1--geographically their close neighbours1--in habits of life1 and aspect of native land1 scarcely distinguishable from them1--in ,carlyle's words1 a strong-boned1 iracund1 herdsman and fisher people1 highly averse to be interfered with1 in their religion especially1 and inhabiting a moory flat country1 full of lakes and woods1 but with plenty also of alluvial mud1 grassy1 frugiferous1 apt for the plough--in all things like the ,saxons1 except1 as ,i read the matter1 in that 'aversion to be interfered with' which you modern ,english think an especially ,saxon character in you1--but which is1 on the contrary1 you will find on examination1 by no means ,saxon2 but only ,wendisch1 ,czech1 ,serbic1 ,sclavic1--other hard names ,i could easily find for it among the tribes of that vehemently heathen old ,preussen--resolutely worshipful of places of oak trees1 of wooden or stone idols1 of ,bangputtis1 ,patkullos1 and ,i know not what diabolic dumb blocks4 ,your ,english dislike to be interfered with is in absolute fellowship with these1 but only gathers itself in its places of ,stalks1 or chimneys1 instead of oak trees1 round its idols of iron1 instead of wood1 diabolically vocal now2 strident1 and sibilant1 instead of dumb4 ,far other than these1 their neighbour ,saxons1 ,jutes and ,angles6--tribes between whom the distinctions are of no moment whatsoever1 except that an ,english boy or girl may with grace remember that ',old ,england1' exactly and strictly so called1 was the small district in the extreme south of ,denmark1 totally with its islands estimable at sixty miles square of dead flat land4 ,directly south of it1 the definitely so-called ,saxons held the western shore of ,holstein1 with the estuary of the ,elbe1 and the sea-mark isle1 ,heligoland4 ,but since the principal temple of ,saxon worship was close to ,leipsic1#i we may include under our general term1 ,saxons1 the inhabitants of the whole level district of ,north ,germany1 from the ,gulf of ,flensburg to the ,hartz2 and1 eastward1 all the country watered by the ,elbe as far as ,saxon ,switzerland4 ,footnote #i3 ,turner1 vol4 i41 p4 #bbc4 ,of the character of this race ,i will not here speak at any length3 only note of it this essential point1 that their religion was at once more practical and more imaginative than that of the ,norwegian peninsula2 the ,norse religion being the conception rather of natural than moral powers1 but the ,saxon1 primarily of moral1 as the lords of natural--their central divine image1 ,irminsul1#aj holding the standard of peace in her right hand1 a balance in her left4 ,such a religion may degenerate into mere slaughter and rapine2 but it has the making in it of the noblest men4 ,footnote #aj3 ,properly plural ',images'--,irminsul and ,irminsula4 ,more practical at all events1 whether for good or evil1 in this trust in a future reward for courage and purity1 than the mere ,scandinavian awe of existing ,earth and ,cloud1 the ,saxon religion was also more imaginative1 in its nearer conception of human feeling in divine creatures4 ,and when this wide hope and high reverence had distinct objects of worship and prayer1 offered to them by ,christianity1 the ,saxons easily became pure1 passionate1 and thoughtful ,christians2 while the ,normans1 to the last1 had the greatest difficulty in apprehending the ,christian teaching of the ,franks1 and still deny the power of ,christianity1 even when they have become inveterate in its form4 ,quite the deepest-thoughted creatures of the then animate world1 it seems to me1 these ,saxon ploughmen of the sand or the sea1 with their worshipped deity of ,beauty and ,justice1 a red rose on her banner1 for best of gifts1 and in her right hand1 instead of a sword1 a balance1 for due doom1 without wrath1--of retribution in her left4 ,far other than the ,wends1 though stubborn enough1 they too1 in battle rank1--seven times rising from defeat against ,charlemagne1 and unsubdued but by death--yet1 by no means in that ,john ,bull's manner of yours1 'averse to be interfered with1' in their opinions1 or their religion4 ,eagerly docile on the contrary--joyfully reverent--instantly and gratefully acceptant of whatever better insight or oversight a stranger could bring them1 of the things of ,god or man4 ,and let me here ask you especially to take account of that origin of the true bearing of the ,flag of ,england1 the ,red ,rose4 ,her own madness defiled afterwards alike the white and red1 into images of the paleness1 or the crimson1 of death2 but the ,saxon ,rose was the symbol of heavenly beauty and peace4 ,i told you in my first lecture that one swift requirement in our school would be to produce a beautiful map of ,england1 including old ,northumberland1 giving the whole country1 in its real geography1 between the ,frith of ,forth and ,straits of ,dover1 and with only six sites of habitation given1 besides those of ,edinburgh and ,london1--namely1 those of ,canterbury and ,winchester1 ,york and ,lancaster1 ,holy ,island and ,melrose2 the latter instead of ,iona1 because1 as we have seen1 the influence of ,st4 ,columba expires with the advance of ,christianity1 while that of ,cuthbert of ,melrose connects itself with the most sacred feelings of the entire ,northumbrian kingdom1 and ,scottish border1 down to the days of ,scott--wreathing also into its circle many of the legends of ,arthur4 ,will you forgive my connecting the personal memory of having once had a wild rose gathered for me1 in the glen of ,thomas the ,rhymer1 by the daughter of one of the few remaining ,catholic houses of ,scotland1 with the pleasure ,i have in reading to you this following true account of the origin of the name of ,st4 ,cuthbert's birthplace2--the rather because ,i owe it to friendship of the same date1 with ,mr4 ,cockburn ,muir1 of ,melrose4 ,to those who have eyes to read it1 says ,mr4 ,muir1 the name ',melrose' is written full and fair1 on the fair face of all this reach of the valley4 ,the name is anciently spelt ,mailros1 and later1 ,malros1 never ,mulros2 7',mul' being the ,celtic word taken to mean 'bare'74 ,ros is ,rose2 the forms ,meal or ,mol imply great quantity or number4 ,thus ,malros means the place of many roses4 ,this is precisely the notable characteristic of the neighbourhood4 ,the wild rose is indigenous4 ,there is no nook nor cranny1 no bank nor brae1 which is not1 in the time of roses1 ablaze with their exuberant loveliness4 ,in gardens1 the cultured rose is so prolific that it spreads literally like a weed4 ,but it is worth suggestion that the word may be of the same stock as the ,hebrew rosh 7translated ros by the ,septuagint71 meaning chief1 principal1 while it is also the name of some flower2 but of which flower is now unknown4 ,affinities of rosh are not far to seek2 ,sanskrit1 ,raj7a71 ,ra7ja7ni2 ,latin1 ,rex1 ,reg7ina74 ,i leave it to ,professor ,max ,muller to certify or correct for you the details of ,mr4 ,cockburn's research1#aa--this main head of it ,i can positively confirm1 that in old ,scotch1--that of ,bishop ,douglas1--the word ',rois' stands alike for ,king1 and ,rose4 ,footnote #aa3 ,i had not time to quote it fully in the lecture2 and in my ignorance1 alike of ,keltic and ,hebrew1 can only submit it here to the reader's examination4 ,the ancient ,cognizance of the town confirms this etymology beyond doubt1 with customary heraldic precision4 ,the shield bears a ,rose2 with a ,maul1 as the exact phonetic equivalent for the expletive4 ,if the herald had needed to express 'bare promontory1' quite certainly he would have managed it somehow4 ,not only this1 the ,earls of ,haddington were first created ,earls of ,melrose 7#afai72 and their ,shield1 quarterly1 is charged1 for ,melrose1 in #bnd and #crd 7fesse wavy between7 three ,roses gu4 ,beyond this ground of certainty1 we may indulge in a little excursus into lingual affinities of wide range4 ,the root mol is clear enough4 ,it is of the same stock as the ,greek mala1 ,latin mul7tum71 and ,hebrew m'la4 ,but1 ,rose8 ,we call her ,queen of ,flowers1 and since before the ,persian poets made much of her1 she was everywhere ,regina ,florum4 ,why should not the name mean simply the ,queen1 the ,chief8 ,now1 so few who know ,keltic know also ,hebrew1 and so few who know ,hebrew know also ,keltic1 that few know the surprising extent of the affinity that exists--clear as day--between the ,keltic and the ,hebrew vocabularies4 ,that the word ,rose may be a case in point is not hazardously speculative4 ,summing now the features ,i have too shortly specified in the ,saxon character1--its imagination1 its docility1 its love of knowledge1 and its love of beauty1 you will be prepared to accept my conclusive statement1 that they gave rise to a form of ,christian faith which appears to me1 in the present state of my knowledge1 one of the purest and most intellectual ever attained in ,christendom2--never yet understood1 partly because of the extreme rudeness of its expression in the art of manuscripts1 and partly because1 on account of its very purity1 it sought no expression in architecture1 being a religion of daily life1 and humble lodging4 ,for these two practical reasons1 first2--and for this more weighty third1 that the intellectual character of it is at the same time most truly1 as ,dean ,stanley told you1 childlike2 showing itself in swiftness of imaginative apprehension1 and in the fearlessly candid application of great principles to small things4 ,its character in this kind may be instantly felt by any sympathetic and gentle person who will read carefully the book ,i have already quoted to you1 the ,venerable ,bede's life of ,st4 ,cuthbert2 and the intensity and sincerity of it in the highest orders of the laity1 by simply counting the members of ,saxon ,royal families who ended their lives in monasteries4 ,now1 at the very moment when this faith1 innocence1 and ingenuity were on the point of springing up into their fruitage1 comes the ,northern invasion2 of the real character of which you can gain a far truer estimate by studying ,alfred's former resolute contest with and victory over the native ,norman in his paganism1 than by your utmost endeavours to conceive the character of the afterwards invading ,norman1 disguised1 but not changed1 by ,christianity4 ,the ,norman could not1 in the nature of him1 become a ,christian at all2 and he never did2--he only became1 at his best1 the enemy of the ,saracen4 ,what he was1 and what alone he was capable of being1 ,i will try to-day to explain4 ,and here ,i must advise you that in all points of history relating to the period between #hjj and #abjj1 you will find ,m4 ,viollet le ,duc1 incidentally throughout his ',dictionary of ,architecture1' the best-informed1 most intelligent1 and most thoughtful of guides4 ,his knowledge of architecture1 carried down into the most minutely practical details1--7which are often the most significant71 and embracing1 over the entire surface of ,france1 the buildings even of the most secluded villages2 his artistic enthusiasm1 balanced by the acutest sagacity1 and his patriotism1 by the frankest candour1 render his analysis of history during that active and constructive period the most valuable known to me1 and certainly1 in its field1 exhaustive4 ,of the later nationality his account is imperfect1 owing to his professional interest in the mere science of architecture1 and comparative insensibility to the power of sculpture2--but of the time with which we are now concerned1 whatever he tells you must be regarded with grateful attention4 ,i introduce1 therefore1 the ,normans to you1 on their first entering ,france1 under his descriptive terms of them4#ab ,footnote #ab3 ,article ,architecture1 vol4 i41 p4 #ach4 ,as soon as they were established on the soil1 these barbarians became the most hardy and active builders4 ,within the space of a century and a half1 they had covered the country on which they had definitely landed1 with religious1 monastic1 and civil edifices1 of an extent and richness then little common4 ,it is difficult to suppose that they had brought from ,norway the elements of art1#ac but they were possessed by a persisting and penetrating spirit2 their brutal force did not want for grandeur4 ,conquerors1 they raised castles to assure their domination2 they soon recognized the ,moral force of the clergy1 and endowed it richly4 ,eager always to attain their end1 when once they saw it1 they never left one of their enterprises unfinished1 and in that they differed completely from the ,southern inhabitants of ,gaul4 ,tenacious extremely1 they were perhaps the only ones among the barbarians established in ,france who had ideas of order2 the only ones who knew how to preserve their conquests1 and compose a state4 ,they found the remains of the ,carthaginian arts on the territory where they planted themselves1 they mingled with those their national genius1 positive1 grand1 and yet supple4 ,footnote #ac3 ,they had brought some1 of a variously ,charybdic1 ,serpentine1 and ,diabolic character4--,j4,r4 ,supple1 ',delie1'--capable of change and play of the mental muscle1 in the way that savages are not4 ,i do not1 myself1 grant this suppleness to the ,norman1 the less because another sentence of ,m4 le ,duc's1 occurring incidentally in his account of the archivolt1 is of extreme counter-significance1 and wide application4 ,the ,norman arch1 he says1 is never derived from traditional classic forms1 but only from mathematical arrangement of line4 ,yes2 that is true3 the ,norman arch is never derived from classic forms4 ,the cathedral1#ad whose aisles you saw or might have seen1 yesterday1 interpenetrated with light1 whose vaults you might have heard prolonging the sweet divisions of majestic sound1 would have been built in that stately symmetry by ,norman law1 though never an arch at ,rome had risen round her field of blood1--though never her ,sublician bridge had been petrified by her ,augustan pontifices4 ,but the decoration1 though not the structure of those arches1 they owed to another race1#ae whose words they stole without understanding1 though three centuries before1 the ,saxon understood1 and used1 to express the most solemn majesty of his ,kinghood1-- ,,ego1 ,,edgar1 ,,totivs ,,albionis-- not ,rex1 that would have meant the ,king of ,kent or ,mercia1 not of ,england1--no1 nor ,imperator2 that would have meant only the profane power of ,rome1 but ,,basilevs1 meaning a ,king who reigned with sacred authority given by ,heaven and ,christ4 ,footnote #ad3 ,of ,oxford1 during the afternoon service4 ,footnote #ae3 ,see the concluding section of the lecture4 ,with far meaner thoughts1 both of themselves and their powers1 the ,normans set themselves to build impregnable military walls1 and sublime religious ones1 in the best possible practical ways2 but they no more made books of their church fronts than of their bastion flanks2 and cared1 in the religion they accepted1 neither for its sentiments nor its promises1 but only for its immediate results on national order4 ,as ,i read them1 they were men wholly of this world1 bent on doing the most in it1 and making the best of it that they could2--men1 to their death1 of ,deed1 never pausing1 changing1 repenting1 or anticipating1 more than the completed square1 ,greek3 'aneu psogou1 of their battle1 their keep1 and their cloister4 ,soldiers before and after everything1 they learned the lockings and bracings of their stones primarily in defence against the battering-ram and the projectile1 and esteemed the pure circular arch for its distributed and equal strength more than for its beauty4 ,i believe again1 says ,m4 le ,duc1#af that the feudal castle never arrived at its perfectness till after the ,norman invasion1 and that this race of the ,north was the first to apply a defensive system under unquestionable laws1 soon followed by the nobles of the ,continent1 after they had1 at their own expense1 learned their superiority4 ,footnote #af3 ,article ,chateau1 vol4 iii1 p4 #fe4 ,the next sentence is a curious one4 ,i pray your attention to it4 ,the defensive system of the ,norman is born of a profound sentiment of distrust and cunning1 foreign to the character of the ,frank4 ,you will find in all my previous notices of the ,french1 continual insistance upon their natural ,franchise1 and also1 if you take the least pains in analysis of their literature down to this day1 that the idea of falseness is to them indeed more hateful than to any other ,european nation4 ,to take a quite cardinal instance4 ,if you compare ,lucian's and ,shakespeare's ,timon with ,moliere's ,alceste1 you will find the ,greek and ,english misanthropes dwell only on men's ingratitude to themselves1 but ,alceste1 on their falsehood to each other4 ,now hear ,m4 le ,duc farther3 ,the castles built between the tenth and twelfth centuries along the ,loire1 ,gironde1 and ,seine1 that is to say1 along the lines of the ,norman invasions1 and in the neighbourhood of their possessions1 have a peculiar and uniform character which one finds neither in central ,france1 nor in ,burgundy1 nor can there be any need for us to throw light on 7faire ressortir7 the superiority of the warrior spirit of the ,normans1 during the later times of the ,carlovingian epoch1 over the spirit of the chiefs of ,frank descent1 established on the ,gallo-,roman soil4 ,there's a bit of honesty in a ,frenchman for you6 ,i have just said that they valued religion chiefly for its influence of order in the present world3 being in this1 observe1 as nearly as may be the exact reverse of modern believers1 or persons who profess to be such1--of whom it may be generally alleged1 too truly1 that they value religion with respect to their future bliss rather than their present duty2 and are therefore continually careless of its direct commands1 with easy excuse to themselves for disobedience to them4 ,whereas the ,norman1 finding in his own heart an irresistible impulse to action1 and perceiving himself to be set1 with entirely strong body1 brain1 and will1 in the midst of a weak and dissolute confusion of all things1 takes from the ,bible instantly into his conscience every exhortation to ,do and to ,govern2 and becomes1 with all his might and understanding1 a blunt and rough servant1 knecht1 or knight of ,god1 liable to much misapprehension1 of course1 as to the services immediately required of him1 but supposing1 since the whole make of him1 outside and in1 is a soldier's1 that ,god meant him for a soldier1 and that he is to establish1 by main force1 the ,christian faith and works all over the world so far as he comprehends them2 not merely with the ,mahometan indignation against spiritual error1 but with a sound and honest soul's dislike of material error1 and resolution to extinguish that1 even if perchance found in the spiritual persons to whom1 in their office1 he yet rendered total reverence4 ,which force and faith in him ,i may best illustrate by merely putting together the broken paragraphs of ,sismondi's account of the founding of the ,norman ,kingdom of ,sicily3 virtually contemporary with the conquest of ,england4 ,the ,normans surpassed all the races of the west in their ardour for pilgrimages4 ,they would not1 to go into the ,holy ,land1 submit to the monotony#ag of a long sea voyage--the rather that they found not on the ,mediterranean the storms or dangers they had rejoiced to encounter on their own sea4 ,they traversed by land the whole of ,france and ,italy1 trusting to their swords to procure the necessary subsistence1#ah if the charity of the faithful did not enough provide for it with alms4 ,the towns of ,naples1 ,amalfi1 ,gaeta1 and ,bari1 held constant commerce with ,syria2 and frequent miracles1 it was believed1 illustrated the ,monte ,cassino 7,st4 ,benedict again67 on the road of ,naples1 and the ,mount of ,angels 7,garganus7 above ,bari4 7,querceta ,gargani--verily1 laborant2 now1 et orant47 ,the pilgrims wished to visit during their journey the monasteries built on these two mountains1 and therefore nearly always1 either going or returning to the ,holy ,land1 passed through ,magna ,graecia4 ,footnote #ag3 ,i give ,sismondi's idea as it stands1 but there was no question in the matter of monotony or of danger4 ,the journey was made on foot because it was the most laborious way1 and the most humble4 ,footnote #ah3 ,see farther on1 p4 #aaj1 the analogies with ,english arrangements of the same kind4 ,in one of the earliest years of the eleventh century1 about forty of these religious travellers1 having returned from the ,holy ,land1 chanced to have met together in ,salerno at the moment when a small ,saracen fleet came to insult the town1 and demand of it a military contribution4 ,the inhabitants of ,south ,italy1 at this time1 abandoned to the delights of their enchanted climate1 had lost nearly all military courage4 ,the ,salernitani saw with astonishment forty ,norman knights1 after having demanded horses and arms from the ,prince of ,salerno1 order the gates of the town to be opened1 charge the ,saracens fearlessly1 and put them to flight4 ,the ,salernitani followed1 however1 the example given them by these brave warriors1 and those of the ,mussulmans who escaped their swords were forced to re-embark in all haste4 ,the ,prince of ,salerno1 ,guaimar ,,iii41 tried in vain to keep the warrior-pilgrims at his court3 but at his solicitation other companies established themselves on the rocks of ,salerno and ,amalfi1 until1 on ,christmas ,day1 #ajda1 7exactly a quarter of a century before the coronation here at ,westminster of the ,conqueror17 they gathered their scattered forces at ,aversa1#ai twelve groups of them under twelve chosen counts1 and all under the ,lombard ,ardoin1 as commander-in-chief4 ,be so good as to note that1--a marvellous key-note of historical fact about the unjesting ,lombards1 ,i cannot find the total ,norman number3 the chief contingent1 under ,william of the ,iron ,arm1 the son of ,tancred of ,hauteville1 was only of three hundred knights2 the ,count of ,aversa's troop1 of the same number1 is named as an important part of the little army--admit it for ten times ,tancred's1 three thousand men in all4 ,at ,aversa1 these three thousand men form1 coolly on ,christmas ,day1 #ajda1 the design of--well1 ,i told you they didn't design much1 only1 now we're here1 we may as well1 while we're about it1--overthrow the ,greek empire6 ,that was their little game6--a ,christmas mumming to purpose4 ,the following year1 the whole of ,apulia was divided among them4 ,footnote #ai3 ,in ,lombardy1 south of ,pavia4 ,i will not spoil1 by abstracting1 the magnificent following history of ,robert ,guiscard1 the most wonderful soldier of that or any other time3 ,i leave you to finish it for yourselves1 only asking you to read together with it1 the sketch1 in ,turner's history of the ,anglo-,saxons1 of ,alfred's long previous war with the ,norman ,hasting2 pointing out to you for foci of character in each contest1 the culminating incidents of naval battle4 ,in ,guiscard's struggle with the ,greeks1 he encounters for their chief naval force the ,venetian fleet under the ,doge ,domenico ,selvo4 ,the ,venetians are at this moment undoubted masters in all naval warfare2 the ,normans are worsted easily the first day1--the second day1 fighting harder1 they are defeated again1 and so disastrously that the ,venetian ,doge takes no precautions against them on the third day1 thinking them utterly disabled4 ,guiscard attacks him again on the third day1 with the mere wreck of his own ships1 and defeats the tired and amazed ,italians finally6 ,the sea-fight between ,alfred's ships and those of ,hasting1 ought to be still more memorable to us4 ,alfred1 as ,i noticed in last lecture1 had built war ships nearly twice as long as the ,normans'1 swifter1 and steadier on the waves4 ,six ,norman ships were ravaging the ,isle of ,wight2 ,alfred sent nine of his own to take them4 ,the ,king's fleet found the ,northmen's embayed1 and three of them aground4 ,the three others engaged ,alfred's nine1 twice their size2 two of the ,viking ships were taken1 but the third escaped1 with only five men6 ,a nation which verily took its pleasures in its ,deeds4 ,but before ,i can illustrate farther either their deeds or their religion1 ,i must for an instant meet the objection which ,i suppose the extreme probity of the nineteenth century must feel acutely against these men1--that they all lived by thieving4 ,without venturing to allude to the raison d'etre of the present ,french and ,english ,stock ,exchanges1 ,i will merely ask any of you here1 whether of ,saxon or ,norman blood1 to define for himself what he means by the possession of ,india4 ,i have no doubt that you all wish to keep ,india in order1 and in like manner ,i have assured you that ,duke ,william wished to keep ,england in order4 ,if you will read the lecture on the life of ,sir ,herbert ,edwardes1 which ,i hope to give in ,london after finishing this course1#bj you will see how a ,christian ,british officer can1 and does1 verily1 and with his whole heart1 keep in order such part of ,india as may be entrusted to him1 and in so doing1 secure our ,empire4 ,but the silent feeling and practice of the nation about ,india is based on quite other motives than ,sir ,herbert's4 ,every mutiny1 every danger1 every terror1 and every crime1 occurring under1 or paralyzing1 our ,indian legislation1 arises directly out of our national desire to live on the loot of ,india1 and the notion always entertained by ,english young gentlemen and ladies of good position1 falling in love with each other without immediate prospect of establishment in ,belgrave ,square1 that they can find in ,india1 instantly on landing1 a bungalow ready furnished with the loveliest fans1 china1 and shawls1--ices and sherbet at command1--four-and-twenty slaves succeeding each other hourly to swing the punkah1 and a regiment with a beautiful band to keep order outside1 all round the house4 ,footnote #bj3 ,this was prevented by the necessity for the re-arrangement of my terminal ,oxford lectures3 ,i am now preparing that on ,sir ,herbert for publication in a somewhat expanded form4 ,entreating your pardon for what may seem rude in these personal remarks1 ,i will further entreat you to read my account of the death of ,coeur de ,lion in the third number of ',fors ,clavigera'--and also the scenes in ',ivanhoe' between ,coeur de ,lion and ,locksley2 and commending these few passages to your quiet consideration1 ,i proceed to give you another anecdote or two of the ,normans in ,italy1 twelve years later than those given above1 and1 therefore1 only thirteen years before the battle of ,hastings4 ,their division of ,south ,italy among them especially1 and their defeat of ,venice1 had alarmed everybody considerably1--especially the ,pope1 ,leo ,,ix41 who did not understand this manifestation of their piety4 ,he sent to ,henry ,,iii4 of ,germany1 to whom he owed his ,popedom1 for some ,german knights1 and got five hundred spears2 gathered out of all ,apulia1 ,campania1 and the ,march of ,ancona1 what ,greek and ,latin troops were to be had1 to join his own army of the patrimony of ,st4 ,peter2 and the holy ,pontiff1 with this numerous army1 but no general1 began the campaign by a pilgrimage with all his troops to ,monte ,cassino1 in order to obtain1 if it might be1 ,st4 ,benedict for general4 ,against the ,pope's collected masses1 with ,st4 ,benedict1 their contemplative but at first inactive general1 stood the little army of ,normans1--certainly not more than the third of their number--but with ,robert ,guiscard for captain1 and under him his brother1 ,humphrey of ,hauteville1 and ,richard of ,aversa4 ,not in fear1 but in devotion1 they prayed the ,pope 'avec instance1'--to say on what conditions they could appease his anger1 and live in peace under him4 ,but the ,pope would hear of nothing but their evacuation of ,italy4 ,whereupon1 they had to settle the question in the ,norman manner4 ,the two armies met in front of ,civitella1 on ,waterloo day1 #ahth ,june1 thirteen years1 as ,i said1 before the battle of ,hastings4 ,the ,german knights were the heart of the ,pope's army1 but they were only five hundred2 the ,normans surrounded them first1 and slew them1 nearly to a man--and then made extremely short work with the ,italians and ,greeks4 ,the ,pope1 with the wreck of them1 fled into ,civitella2 but the townspeople dared not defend their walls1 and thrust the ,pope himself out of their gates--to meet1 alone1 the ,norman army4 ,he met it1 not alone1 ,st4 ,benedict being with him now1 when he had no longer the strength of man to trust in4 ,the ,normans1 as they approached him1 threw themselves on their knees1--covered themselves with dust1 and implored his pardon and his blessing4 ,there's a bit of poetry--if you like1--but a piece of steel-clad fact also1 compared to which the battle of ,hastings and ,waterloo both1 were mere boys' squabbles4 ,you don't suppose1 you ,british schoolboys1 that you overthrew ,napoleon--you8 ,your prime ,minister folded up the map of ,europe at the thought of him4 ,not you1 but the snows of ,heaven1 and the hand of ,him who dasheth in pieces with a rod of iron4 ,he casteth forth ,his ice like morsels1--who can stand before ,his cold8 ,but1 so far as you have indeed the right to trust in the courage of your own hearts1 remember also--it is not in ,norman nor ,saxon1 but in ,celtic race that your real strength lies4 ,the battles both of ,waterloo and ,alma were won by ,irish and ,scots--by the terrible ,scots ,greys1 and by ,sir ,colin's ,highlanders4 ,your 'thin red line1' was kept steady at ,alma only by ,colonel ,yea's swearing at them4 ,but the old ,pope1 alone against a ,norman army1 wanted nobody to swear at him4 ,steady enough he1 having somebody to bless him1 instead of swear at him4 ,st4 ,benedict1 namely2 whose 7memory shall we say87 helped him now at his pinch in a singular manner1--for the ,normans1 having got the old man's forgiveness1 vowed themselves his feudal servants2 and for seven centuries afterwards the whole kingdom of ,naples remained a fief of ,st4 ,peter1--won for him thus by a single man1 unarmed1 against three thousand ,norman knights1 captained by ,robert ,guiscard6 ,a day of deeds1 gentlemen1 to some purpose1--that #ahth of ,june1 anyhow4 ,here1 in the historical account of ,norman character1 ,i must unwillingly stop for to-day--because1 as you choose to spend your ,university money in building ball-rooms instead of lecture-rooms1 ,i dare not keep you much longer in this black hole1 with its nineteenth century ventilation4 ,i try your patience--and tax your breath--only for a few minutes more in drawing the necessary corollaries respecting ,norman art4#ba ,footnote #ba3 ,given at much greater length in the lecture1 with diagrams from ,iffley and ,poictiers1 without which the text of them would be unintelligible4 ,the sum of what ,i said was a strong assertion of the incapacity of the ,normans for any but the rudest and most grotesque sculpture1--,poictiers being1 on the contrary1 examined and praised as ,gallic-,french--not ,norman4 ,how far the existing ,british nation owes its military prowess to the blood of ,normandy and ,anjou1 ,i have never examined its genealogy enough to tell you2--but this ,i can tell you positively1 that whatever constitutional order or personal valour the ,normans enforced or taught among the nations they conquered1 they did not at first attempt with their own hands to rival them in any of their finer arts1 but used both ,greek and ,saxon sculptors1 either as slaves1 or hired workmen1 and more or less therefore chilled and degraded the hearts of the men thus set to servile1 or at best1 hireling1 labour4 ,in #ahgd1 ,i went to see ,etna1 ,scylla1 ,charybdis1 and the tombs of the ,norman ,kings at ,palermo2 surprised1 as you may imagine1 to find that there wasn't a stroke nor a notion of ,norman work in them4 ,they are1 every atom1 done by ,greeks1 and are as pure ,greek as the temple of ,a,egina2 but more rich and refined4 ,i drew with accurate care1 and with measured profile of every moulding1 the tomb built for ,roger ,,ii4 7afterwards ,frederick ,,ii4 was laid in its dark porphyry74 ,and it is a perfect type of the ,greek-,christian form of tomb--temple over sarcophagus1 in which the pediments rise gradually1 as time goes on1 into acute angles--get pierced in the gable with foils1 and their sculptures thrown outside on their flanks1 and become at last in the fourteenth century1 the tombs of ,verona4 ,but what is the meaning of the ,normans employing these ,greek slaves for their work in ,sicily 7within thirty miles of the field of ,himera78 ,well1 the main meaning is that though the ,normans could build1 they couldn't carve1 and were wise enough not to try to1 when they couldn't1 as you do now all over this intensely comic and tragic town3 but1 here in ,england1 they only employed the ,saxon with a grudge1 and therefore being more and more driven to use barren mouldings without sculpture1 gradually developed the structural forms of archivolt1 which breaking into the lancet1 brighten and balance themselves into the symmetry of early ,english ,gothic4 ,but even for the first decoration of the archivolt itself1 they were probably indebted to the ,greeks in a degree ,i never apprehended1 until by pure happy chance1 a friend gave me the clue to it just as ,i was writing the last pages of this lecture4 ,in the generalization of ornament attempted in the first volume of the ',stones of ,venice1' ,i supposed the ,norman zigzag 7and with some practical truth7 to be derived from the angular notches with which the blow of an axe can most easily decorate1 or at least vary1 the solid edge of a square fillet4 ,my good friend1 and supporter1 and for some time back the single trustee of ,st4 ,george's ,guild1 ,mr4 ,george ,baker1 having come to ,oxford on ,guild business1 ,i happened to show him the photographs of the front of ,iffley church1 which had been collected for this lecture2 and immediately afterwards1 in taking him through the schools1 stopped to show him the ,athena of ,a,egina as one of the most important of the ,greek examples lately obtained for us by ,professor ,richmond4 ,the statue is 7rightly7 so placed that in looking up to it1 the plait of hair across the forehead is seen in a steeply curved arch4 ,why1 says ,mr4 ,baker1 pointing to it1 there's the ,norman arch of ,iffley4 ,sure enough1 there it exactly was3 and a moment's reflection showed me how easily1 and with what instinctive fitness1 the ,norman builders1 looking to the ,greeks as their absolute masters in sculpture1 and recognizing also1 during the ,crusades1 the hieroglyphic use of the zigzag1 for water1 by the ,egyptians1 might have adopted this easily attained decoration at once as the sign of the element over which they reigned1 and of the power of the ,greek goddess who ruled both it and them4 ,i do not in the least press your acceptance of such a tradition1 nor for the rest1 do ,i care myself whence any method of ornament is derived1 if only1 as a stranger1 you bid it reverent welcome4 ,but much probability is added to the conjecture by the indisputable transition of the ,greek egg and arrow moulding into the floral cornices of ,saxon and other twelfth century cathedrals in ,central ,france4 ,these and other such transitions and exaltations ,i will give you the materials to study at your leisure1 after illustrating in my next lecture the forces of religious imagination by which all that was most beautiful in them was inspired4 ,,lecture ,,iv4 7,,nov4 #h1 #ahhd47 ,,the ,,pleasures ,,of ,,fancy4 ,,coeur ,,de ,,lion ,,to ,,elizabeth 7#aahi ,,to #aeeh74 ,in using the word ,fancy1 for the mental faculties of which ,i am to speak to-day1 ,i trust you1 at your leisure1 to read the ,introductory ,note to the second volume of ',modern ,painters' in the small new edition1 which gives sufficient reason for practically including under the single term ,fancy1 or ,fantasy1 all the energies of the ,imagination1--in the terms of the last sentence of that preface1--the healthy1 voluntary1 and necessary1#bb action of the highest powers of the human mind1 on subjects properly demanding and justifying their exertion4 ,footnote #bb3 ,meaning that all healthy minds possess imagination1 and use it at will1 under fixed laws of truthful perception and memory4 ,i must farther ask you to read1 in the same volume1 the close of the chapter ',of ,imagination ,penetrative1' pp4 #abj to #acj1 of which the gist1 which ,i must give as the first principle from which we start in our to-day's inquiry1 is that ,imagination1 rightly so called1 has no food1 no delight1 no care1 no perception1 except of truth2 it is for ever looking under masks1 and burning up mists2 no fairness of form1 no majesty of seeming1 will satisfy it2 the first condition of its existence is incapability of being deceived4#bc ,in that sentence1 which is a part1 and a very valuable part1 of the original book1 ,i still adopted and used unnecessarily the ordinary distinction between ,fancy and ,imagination--,fancy concerned with lighter things1 creating fairies or centaurs1 and ,imagination creating men2 and ,i was in the habit always of implying by the meaner word ,fancy1 a voluntary ,fallacy1 as ,wordsworth does in those lines to his wife1 making of her a mere lay figure for the drapery of his fancy-- ,such if thou wert1 in all men's view ,an universal show1 ,what would my ,fancy have to do1 ,my feelings to bestow4 ,but you will at once understand the higher and more universal power which ,i now wish you to understand by the ,fancy1 including all imaginative energy1 correcting these lines of ,wordsworth's to a more worthy description of a true lover's happiness4 ,when a boy falls in love with a girl1 you say he has taken a fancy for her2 but if he love her rightly1 that is to say for her noble qualities1 you ought to say he has taken an imagination for her2 for then he is endued with the new light of love which sees and tells of the mind in her1--and this neither falsely nor vainly4 ,his love does not bestow1 it discovers1 what is indeed most precious in his mistress1 and most needful for his own life and happiness4 ,day by day1 as he loves her better1 he discerns her more truly2 and it is only the truth of his love that does so4 ,falsehood to her1 would at once disenchant and blind him4 ,footnote #bc3 ,vide pp4 #abd-e4 ,in my first lecture of this year1 ,i pointed out to you with what extreme simplicity and reality the ,christian faith must have presented itself to the ,northern ,pagan's mind1 in its distinction from his former confused and monstrous mythology4 ,it was also in that simplicity and tangible reality of conception1 that this ,faith became to them1 and to the other savage nations of ,europe1 ,tutress of the real power of their imagination and it became so1 only in so far as it indeed conveyed to them statements which1 however in some respects mysterious1 were yet most literally and brightly true1 as compared with their former conceptions4 ,so that while the blind cunning of the savage had produced only misshapen logs or scrawls2 the seeing imagination of the ,christian painters created1 for them and for all the world1 the perfect types of the ,virgin and of her ,son2 which became1 indeed1 ,divine1 by being1 with the most affectionate truth1 human4 ,and the association of this truth in loving conception1 with the general honesty and truth of the character1 is again conclusively shown in the feelings of the lover to his mistress2 which we recognize as first reaching their height in the days of chivalry4 ,the truth and faith of the lover1 and his piety to ,heaven1 are the foundation1 in his character1 of all the joy in imagination which he can receive from the conception of his lady's--now no more mortal--beauty4 ,she is indeed transfigured before him2 but the truth of the transfiguration is greater than that of the lightless aspect she bears to others4 ,when therefore1 in my next lecture1 ,i speak of the ,pleasures of ,truth1 as distinct from those of the ,imagination1--if either the limits or clearness of brief title had permitted me1 ,i should have said1 untransfigured truth2--meaning on the one side1 truth which we have not heart enough to transfigure1 and on the other1 truth of the lower kind which is incapable of transfiguration4 ,one may look at a girl till one believes she is an angel2 because1 in the best of her1 she is one2 but one can't look at a cockchafer till one believes it is a girl4 ,with this warning of the connection which exists between the honest intellect and the healthy imagination2 and using henceforward the shorter word ',fancy' for all inventive vision1 ,i proceed to consider with you the meaning and consequences of the frank and eager exertion of the fancy on ,religious subjects1 between the twelfth and sixteenth centuries4 ,its first1 and admittedly most questionable action1 the promotion of the group of martyr saints of the third century to thrones of uncontested dominion in heaven1 had better be distinctly understood1 before we debate of it1 either with the ,iconoclast or the ,rationalist4 ,this apotheosis by the ,imagination is the subject of my present lecture4 ,to-day ,i only describe it1--in my next lecture ,i will discuss it4 ,observe1 however1 that in giving such a history of the mental constitution of nascent ,christianity1 we have to deal with1 and carefully to distinguish1 two entirely different orders in its accepted hierarchy3--one1 scarcely founded at all on personal characters or acts1 but mythic or symbolic2 often merely the revival1 the baptized resuscitation of a ,pagan deity1 or the personified omnipresence of a ,christian virtue2--the other1 a senate of ,patres ,conscripti of real persons1 great in genius1 and perfect1 humanly speaking1 in holiness2 who by their personal force and inspired wisdom1 wrought the plastic body of the ,church into such noble form as in each of their epochs it was able to receive2 and on the right understanding of whose lives1 nor less of the affectionate traditions which magnified and illumined their memories1 must absolutely depend the value of every estimate we form1 whether of the nature of the ,christian ,church herself1 or of the directness of spiritual agency by which she was guided4#bd ,footnote #bd3 ,if the reader believes in no spiritual agency1 still his understanding of the first letters in the ,alphabet of ,history depends on his comprehending rightly the tempers of the people who did4 ,an important distinction1 therefore1 is to be noted at the outset1 in the objects of this ,apotheosis1 according as they are1 or are not1 real persons4 ,of these two great orders of ,saints1 the first2 or mythic1 belongs--speaking broadly--to the southern or ,greek ,church alone4 ,the ,gothic ,christians1 once detached from the worship of ,odin and ,thor1 abjure from their hearts all trust in the elements1 and all worship of ideas4 ,they will have their ,saints in flesh and blood1 their ,angels in plume and armour2 and nothing incorporeal or invisible4 ,in all the ,religious sculpture beside ,loire and ,seine1 you will not find either of the great rivers personified2 the dress of the highest seraph is of true steel or sound broadcloth1 neither flecked by hail1 nor fringed by thunder2 and while the ideal ,charity of ,giotto at ,padua presents her heart in her hand to ,god1 and tramples at the same instant on bags of gold1 the treasures of the world1 and gives only corn and flowers2 that on the west porch of ,amiens is content to clothe a beggar with a piece of the staple manufacture of the town4 ,on the contrary1 it is nearly impossible to find in the imagery of the ,greek ,church1 under the former exercise of the ,imagination1 a representation either of man or beast which purports to represent only the person1 or the brute4 ,every mortal creature stands for an ,immortal ,intelligence or ,influence3 a ,lamb means an ,apostle1 a ,lion an ,evangelist1 an ,angel the ,eternal justice or benevolence2 and the most historical and indubitable of ,saints are compelled to set forth1 in their vulgarly apparent persons1 a ,platonic myth or an ,athanasian article4 ,i therefore take note first of the mythic saints in succession1 whom this treatment of them by the ,byzantine ,church made afterwards the favourite idols of all ,christendom4 ,i4 ,the most mythic is of course ,st4 ,sophia2 the shade of the ,greek ,athena1 passing into the ',wisdom' of the ,jewish ,proverbs and ,psalms1 and the ,apocryphal ',wisdom of ,solomon4' ,she always remains understood as a personification only2 and has no direct influence on the mind of the unlearned multitude of ,western ,christendom1 except as a godmother1--in which kindly function she is more and more accepted as times go on2 her healthy influence being perhaps greater over sweet vicars' daughters in ,wakefield--when ,wakefield was1--than over the prudentest of the rarely prudent ,empresses of ,byzantium4 ,,ii4 ,of ,st4 ,catharine of ,egypt there are vestiges of personal tradition which may perhaps permit the supposition of her having really once existed1 as a very lovely1 witty1 proud1 and 'fanciful' girl4 ,she afterwards becomes the ,christian type of the ,bride1 in the ',song of ,solomon1' involved with an ideal of all that is purest in the life of a nun1 and brightest in the death of a martyr4 ,it is scarcely possible to overrate the influence of the conceptions formed of her1 in ennobling the sentiments of ,christian women of the higher orders2--to their practical common sense1 as the mistresses of a household or a nation1 her example may have been less conducive4 ,,iii4 ,st4 ,barbara1 also an ,egyptian1 and ,st4 ,catharine's contemporary1 though the most practical of the mythic saints1 is also1 after ,st4 ,sophia1 the least corporeal3 she vanishes far away into the ',inclusa ,danae1' and her ,tunis aenea becomes a myth of ,christian safety1 of which the ,scriptural significance may be enough felt by merely looking out the texts under the word ,tower1 in your concordance2 and whose effectual power1 in the fortitudes alike of matter and spirit1 was in all probability made impressive enough to all ,christendom1 both by the fortifications and persecutions of ,diocletian4 ,i have endeavoured to mark her general relations to ,st4 ,sophia in the little imaginary dialogue between them1 given in the eighth lecture of the ',ethics of the ,dust4' ,afterwards1 as ,gothic architecture becomes dominant1 and at last beyond question the most wonderful of all temple-building1 ,st4 ,barbara's ,tower is1 of course1 its perfected symbol and utmost achievement2 and whether in the coronets of countless battlements worn on the brows of the noblest cities1 or in the ,lombard bell-tower on the mountains1 and the ,english spire on ,sarum plain1 the geometric majesty of the ,egyptian maid became glorious in harmony of defence1 and sacred with precision of symbol4 ,as the buildings which showed her utmost skill were chiefly exposed to lightning1 she is invoked in defence from it2 and our petition in the ,litany1 against sudden death1 was written originally to her4 ,the blasphemous corruptions of her into a patroness of cannon and gunpowder1 are among the most ludicrous1 7because precisely contrary to the original tradition17 as well as the most deadly1 insolences and stupidities of ,renaissance ,art4 ,,iv4 ,st4 ,margaret of ,antioch was a shepherdess2 the ,st4 ,genevieve of the ,east2 the type of feminine gentleness and simplicity4 ,traditions of the resurrection of ,alcestis perhaps mingle in those of her contest with the dragon2 but at all events1 she differs from the other three great mythic saints1 in expressing the soul's victory over temptation or affliction1 by ,christ's miraculous help1 and without any special power of its own4 ,she is the saint of the meek and of the poor2 her virtue and her victory are those of all gracious and lowly womanhood2 and her memory is consecrated among the gentle households of ,europe2 no other name1 except those of ,jeanne and ,jeanie1 seems so gifted with a baptismal fairy power of giving grace and peace4 ,i must be forgiven for thinking1 even on this canonical ground1 not only of ,jeanie ,deans1 and ,margaret of ,branksome2 but of ,meg--,merrilies4 ,my readers will1 ,i fear1 choose rather to think of the more doubtful victory over the ,dragon1 won by the great ,margaret of ,german literature4 ,v4 ,with much more clearness and historic comfort we may approach the shrine of ,st4 ,cecilia2 and even on the most prosaic and realistic minds--such as my own--a visit to her house in ,rome has a comforting and establishing effect1 which reminds one of the carter in ',harry and ,lucy1' who is convinced of the truth of a plaustral catastrophe at first incredible to him1 as soon as he hears the name of the hill on which it happened4 ,the ruling conception of her is deepened gradually by the enlarged study of ,religious music2 and is at its best and highest in the thirteenth century1 when she rather resists than complies with the already tempting and distracting powers of sound2 and we are told that cantantibus organis1 ,cecilia virgo in corde suo soli ,domino decantabat1 dicens1 ',fiat1 ,domine1 cor meum et corpus meum immaculatum1 ut non confundar4' 7,while the instruments played1 ,cecilia the virgin sang in her heart only to the ,lord1 saying1 ,oh ,lord1 be my heart and body made stainless1 that ,i be not confounded47 ,this sentence occurs in my great ,service-book of the convent of ,beau-pre1 written in #abij1 and it is illustrated with a miniature of ,cecilia sitting silent at a banquet1 where all manner of musicians are playing4 ,i need not point out to you how the law1 not of sacred music only1 so called1 but of all music1 is determined by this sentence2 which means in effect that unless music exalt and purify1 it is not under ,st4 ,cecilia's ordinance1 and it is not1 virtually1 music at all4 ,her confessed power at last expires amidst a hubbub of odes and sonatas2 and ,i suppose her presence at a ,morning ,popular is as little anticipated as desired4 ,unconfessed1 she is of all the mythic saints for ever the greatest2 and the child in its nurse's arms1 and every tender and gentle spirit which resolves to purify in itself1--as the eye for seeing1 so the ear for hearing1--may still1 whether behind the ,temple veil1#be or at the fireside1 and by the wayside1 hear ,cecilia sing4 ,footnote #be3;,but1 standing in the lowest place1 ,and mingled with the work-day crowd1 ,a poor man looks1 with lifted face1 ,and hears the ,angels cry aloud4 ,he seeks not how each instant flies1 ,one moment is ,eternity2 ,his spirit with the ,angels cries ,to ,thee1 to ,thee1 continually4 ,what if1 ,isaiah-like1 he know ,his heart be weak1 his lips unclean1 ,his nature vile1 his office low1 ,his dwelling and his people mean8 ,to such the ,angels spake of old-- ,to such of yore1 the glory came2 ,these altar fires can ne'er grow cold3 ,then be it his1 that cleansing flame4 ,these verses1 part of a very lovely poem1 ,to ,thee all ,angels cry aloud1 in the ',monthly ,packet' for ,september #ahgc1 are only signed ',veritas4' ,the volume for that year 7the #afth7 is well worth getting1 for the sake of the admirable papers in it by ,miss ,sewell1 on questions of the day2 by ,miss ,a4,c4 ,owen1 on ,christian ,art2 and the unsigned ,cameos from ,english ,history4 ,it would delay me too long just now to trace in specialty farther the functions of the mythic1 or1 as in another sense they may be truly called1 the universal1 ,saints3 the next greatest of them1 ,st4 ,ursula1 is essentially ,british1--and you will find enough about her in ',fors ,clavigera'2 the others1 ,i will simply give you in entirely authoritative order from the ,st4 ,louis' ,psalter1 as he read and thought of them4 ,the proper ,service-book of the thirteenth century consists first of the pure ,psalter2 then of certain essential passages of the ,old ,testament--invariably the ,song of ,miriam at the ,red ,sea and the last song of ,moses2--ordinarily also the #abth of ,isaiah and the prayer of ,habakkuk2 while ,st4 ,louis' ,psalter has also the prayer of ,hannah1 and that of ,hezekiah 7,isaiah xxxviii4 #aj-bj72 the ,song of the ,three ,children2 then the ,benedictus1 the ,magnificat1 and the ,nunc ,dimittis4 ,then follows the ,athanasian ,creed2 and then1 as in all ,psalters after their chosen ,scripture passages1 the collects to the ,virgin1 the ,te ,deum1 and ,service to ,christ1 beginning with the ,psalm ',the ,lord reigneth'2 and then the collects to the greater individual saints1 closing with the ,litany1 or constant prayer for mercy to ,christ1 and all saints2 of whom the order is1--,archangels1 ,patriarchs1 ,apostles1 ,disciples1 ,innocents1 ,martyrs1 ,confessors1 ,monks1 and ,virgins4 ,of women the ,magdalen always leads2 ,st4 ,mary of ,egypt usually follows1 but may be the last4 ,then the order varies in every place1 and prayer-book1 no recognizable supremacy being traceable2 except in relation to the place1 or person1 for whom the book was written4 ,in ,st4 ,louis'1 ,st4 ,genevieve 7the last saint to whom he prayed on his death-bed7 follows the two ,maries2 then come--memorable for you best1 as easiest1 in this six-foil group1--,saints ,catharine1 ,margaret1 and ,scolastica1 ,agatha1 ,cecilia1 and ,agnes2 and then ten more1 whom you may learn or not as you like3 ,i note them now only for future reference1--more lively and easy for your learning1--by their ,french names1 ,felicite1 ,colombe1 ,christine1 99 99 99 99 99 ,auree1 ,honorine1 99 99 99 99 99 ,radegonde1 ,praxede1 ,euphemie1 99 99 99 99 99 ,bathilde1 ,eugenie4 ,such was the system of ,theology into which the ,imaginative ,religion of ,europe was crystallized1 by the growth of its own best faculties1 and the influence of all accessible and credible authorities1 during the period between the eleventh and fifteenth centuries inclusive4 ,its spiritual power is completely represented by the angelic and apostolic dynasties1 and the women-saints in ,paradise2 for of the men-saints1 beneath the apostles and prophets1 none but ,st4 ,christopher1 ,st4 ,nicholas1 ,st4 ,anthony1 ,st4 ,james1 and ,st4 ,george1 attained anything like the influence of ,catharine or ,cecilia2 for the very curious reason1 that the men-saints were much more true1 real1 and numerous4 ,st4 ,martin was reverenced all over ,europe1 but definitely1 as a man1 and the ,bishop of ,tours4 ,so ,st4 ,ambrose at ,milan1 and ,st4 ,gregory at ,rome1 and hundreds of good men more1 all over the world2 while the really good women remained1 though not rare1 inconspicuous4 ,the virtues of ,french ,clotilde1 and ,swiss ,berthe1 were painfully borne down in the balance of visible judgment1 by the guilt of the ,gonerils1 ,regans1 and ,lady ,macbeths1 whose spectral procession closes only with the figure of ,eleanor in ,woodstock maze2 and in dearth of nearer objects1 the daily brighter powers of fancy dwelt with more concentrated devotion on the stainless ideals of the earlier maid-martyrs4 ,and observe1 even the loftier fame of the men-saints above named1 as compared with the rest1 depends on precisely the same character of indefinite personality2 and on the representation1 by each of them1 of a moral idea which may be embodied and painted in a miraculous legend2 credible1 as history1 even then1 only to the vulgar2 but powerful over them1 nevertheless1 exactly in proportion to the degree in which it can be pictured and fancied as a living creature4 ,consider even yet in these days of mechanism1 how the dullest ,john ,bull cannot with perfect complacency adore himself1 except under the figure of ,britannia or the ,british ,lion2 and how the existence of the popular jest-book1 which might have seemed secure in its necessity to our weekly recreation1 is yet virtually centred on the imaginary animation of a puppet1 and the imaginary elevation to reason of a dog4 ,but in the ,middle ,ages1 this action of the ,fancy1 now distorted and despised1 was the happy and sacred tutress of every faculty of the body and soul2 and the works and thoughts of art1 the joys and toils of men1 rose and flowed on in the bright air of it1 with the aspiration of a flame1 and the beneficence of a fountain4 ,and now1 in the rest of my lecture1 ,i had intended to give you a broad summary of the rise and fall of ,english art1 born under this code of theology1 and this enthusiasm of duty2--of its rise1 from the rude vaults of ,westminster1 to the finished majesty of ,wells2--and of its fall1 from that brief hour of the thirteenth century1 through the wars of the ,bolingbroke1 and the pride of the ,tudor1 and the lust of the ,stewart1 to expire under the mocking snarl and ruthless blow of the ,puritan4 ,but you know that ,i have always1 in my most serious work1 allowed myself to be influenced by those ,chances1 as they are now called1--but to my own feeling and belief1 guidances1 and even1 if rightly understood1 commands1--which1 as far as ,i have read history1 the best and sincerest men think providential4 ,had this lecture been on common principles of art1 ,i should have finished it as ,i intended1 without fear of its being the worse for my consistency4 ,but it deals1 on the contrary1 with a subject1 respecting which every sentence ,i write1 or speak1 is of importance in its issue2 and ,i allowed1 as you heard1 the momentary observation of a friend1 to give an entirely new cast to the close of my last lecture4 ,much more1 ,i feel it incumbent upon me in this one1 to take advantage of the most opportune help1 though in an unexpected direction1 given me by my constant tutor1 ,professor ,westwood4 ,i went to dine with him1 a day or two ago1 mainly--being neither of us1 ,i am thankful to say1 blue-ribanded--to drink his health on his recovery from his recent accident4 ,whereupon he gave me a feast of good talk1 old wine1 and purple manuscripts4 ,and having had as much of all as ,i could well carry1 just as it came to the good-night1 out he brings1 for a finish1 this leaf of manuscript in my hand1 which he has lent me to show you1--a leaf of the ,bible of ,charles the ,bald6 ,a leaf of it1 at least1 as far as you or ,i could tell1 for ,professor ,westwood's copy is just as good1 in all the parts finished1 as the original3 and1 for all practical purpose1 ,i show you here in my hand a leaf of the ,bible which your own ,king ,alfred saw with his own bright eyes1 and from which he learned his child-faith in the days of dawning thought6 ,there are few ,english children who do not know the story of ,alfred1 the king1 letting the cakes burn1 and being chidden by his peasant hostess4 ,how few ,english children--nay1 how few perhaps of their educated1 not to say learned1 elders--reflect upon1 if even they know1 the far different scenes through which he had passed when a child6 ,concerning his father1 his mother1 and his own childhood1 suppose you were to teach your children first these following main facts1 before you come to the toasting of the muffin8 ,his father1 educated by ,helmstan1 ,bishop of ,winchester1 had been offered the throne of the great ,saxon kingdom of ,mercia in his early youth2 had refused it1 and entered1 as a novice under ,st4 ,swithin the monastery at ,winchester4 ,from ,st4 ,swithin1 he received the monastic habit1 and was appointed by ,bishop ,helmstan one of his sub-deacons6 ,the quiet seclusion which ,ethelwulph's slow#bf capacity and meek temper coveted was not permitted to him by fate4 ,the death of his elder brother left him the only living representative of the line of the ,west ,saxon princes4 ,his accession to the throne became the desire of the people4 ,he obtained a dispensation from the ,pope to leave the cloister2 assumed the crown of ,egbert2 and retained ,egbert's prime minister1 ,alstan1 ,bishop of ,sherborne1 who was the ,minister in peace and war1 the ,treasurer1 and the ,counsellor1 of the kings of ,england1 over a space1 from first to last1 of fifty years4 ,footnote #bf3 ,turner1 quoting ,william of ,malmesbury1 ,crassioris et hebetis ingenii1--meaning that he had neither ardour for war1 nor ambition for kinghood4 ,alfred's mother1 ,osburga1 must have been married for love4 ,she was the daughter of ,oslac1 the king's cup-bearer4 ,extolled for her piety and understanding1 she bore the king four sons2 dying before the last1 ,alfred1 was five years old1 but leaving him ,st4 ,swithin for his tutor4 ,how little do any of us think1 in idle talk of rain or no rain on ,st4 ,swithin's day1 that we speak of the man whom ,alfred's father obeyed as a monk1 and whom his mother chose for his guardian6 ,alfred1 both to father and mother1 was the best beloved of their children4 ,on his mother's death1 his father sent him1 being then five years old1 with a great retinue through ,france and across the ,alps to ,rome2 and there the ,pope anointed him ,king1 7heir-apparent to the ,english throne71 at the request of his father4 ,think of it1 you travellers through the ,alps by tunnels1 that you may go to balls at ,rome or hells at ,monaco4 ,here is another manner of journey1 another goal for it1 appointed for your little king4 ,at twelve1 he was already the best hunter among the ,saxon youths4 ,be sure he could sit his horse at five4 ,fancy the child1 with his keen genius1 and holy heart1 riding with his ,saxon chiefs beside him1 by the ,alpine flowers under ,velan or ,sempione1 and down among the olives to ,pavia1 to ,perugia1 to ,rome2 there1 like the little fabled ,virgin1 ascending the ,temple steps1 and consecrated to be ,king of ,england by the great ,leo1 ,leo of the ,leonine city1 the saviour of ,rome from the ,saracen4 ,two years afterwards1 he rode again to ,rome beside his father2 the ,west ,saxon king bringing presents to the ,pope1 a crown of pure gold weighing four pounds1 a sword adorned with pure gold1 two golden images1#bg four ,saxon silver dishes2 and giving a gift of gold to all the ,roman clergy and nobles1#bh and of silver to the people4 ,footnote #bg3 ,turner1 ,book ,,iv41--not a vestige of hint from the stupid ,englishman1 what the ,pope wanted with crown1 sword1 or image6 ,my own guess would be1 that it meant an offering of the entire household strength1 in war and peace1 of the ,saxon nation1--their crown1 their sword1 their household gods1 ,irminsul and ,irminsula1 their feasting1 and their robes4 ,footnote #bh3 ,again1 what does this mean8 ,gifts of honour to the ,pope's immediate attendants--silver to all ,rome8 ,does the modern reader think this is buying little ,alfred's consecration too dear1 or that ,leo is selling the ,holy ,ghost8 ,no idle sacrifices or symbols1 these gifts of courtesy6 ,the ,saxon ,king rebuilt on the highest hill that is bathed by ,tiber1 the ,saxon street and school1 the ,borgo1#bi of whose miraculously arrested burning ,raphael's fresco preserves the story to this day4 ,and further he obtained from ,leo the liberty of all ,saxon men from bonds in penance2--a first phase this of ,magna ,charta1 obtained more honourably1 from a more honourable person1 than that document1 by which ,englishmen of this day1 suppose they live1 move1 and have being4 ,footnote #bi3 ,quae in eorum lingua ,burgus dicitur1--the place where it was situated was called the ,saxon street1 ,saxonum vicum 7,anastasius1 quoted by ,turner74 ,there seems to me some evidence in the scattered passages ,i have not time to collate1 that at this time the ,saxon ,burg1 or tower1 of a village1 included the idea of its school4 ,how far into ,alfred's soul1 at seven years old1 sank any true image of what ,rome was1 and had been2 of what her ,lion ,lord was1 who had saved her from the ,saracen1 and her ,lion ,lord had been1 who had saved her from the ,hun2 and what this ,spiritual ,dominion was1 and was to be1 which could make and unmake kings1 and save nations1 and put armies to flight2 ,i leave those to say1 who have learned to reverence childhood4 ,this1 at least1 is sure1 that the days of ,alfred were bound each to each1 not only by their natural piety1 but by the actual presence and appeal to his heart1 of all that was then in the world most noble1 beautiful1 and strong against ,death4 ,in this living ,book of ,god he had learned to read1 thus early2 and with perhaps nobler ambition than of getting the prize of a gilded psalm-book at his mother's knee1 as you are commonly told of him4 ,what sort of psalm-book it was1 however1 you may see from this leaf in my hand4 ,for1 as his father and he returned from ,rome that year1 they stayed again at the ,court of ,charlemagne's grandson1 whose daughter1 the ,princess ,judith1 ,ethelwolf was wooing for ,queen of ,england1 7not queen-consort1 merely1 but crowned queen1 of authority equal to his own47 ,from whom ,alfred was like enough to have had a reading lesson or two out of her father's ,bible2 and like enough1 the little prince1 to have stayed her hand at this bright leaf of it1 the ,lion-leaf1 bearing the symbol of the ,lion of the tribe of ,judah4 ,you cannot1 of course1 see anything but the glittering from where you sit2 nor even if you afterwards look at it near1 will you find a figure the least admirable or impressive to you4 ,it is not like ,landseer's ,lions in ,trafalgar ,square2 nor like ,tenniel's in ',punch'2 still less like the real ones in ,regent's ,park4 ,neither do ,i show it you as admirable in any respect of art1 other than that of skilfullest illumination4 ,i show it you1 as the most interesting ,gothic type of the imagination of ,lion2 which1 after the ,roman ,eagle1 possessed the minds of all ,european warriors2 until1 as they themselves grew selfish and cruel1 the symbols which at first meant heaven-sent victory1 or the strength and presence of some ,divine spirit1 became to them only the signs of their own pride or rage3 the victor raven of ,corvus sinks into the shamed falcon of ,marmion1 and the lion-heartedness which gave the glory and the peace of the gods to ,leonidas1 casts the glory and the might of kinghood to the dust before ,chalus4#cj ,footnote #cj3 ',fors ,clavigera1' ,march1 #ahga1 p4 #ai4 ,yet read the preceding pages1 and learn the truth of the lion heart1 while you mourn its pride4 ,note especially his absolute law against usury4 ,that death1 #fth ,april1 #aaii1 ended the advance of ,england begun by ,alfred1 under the pure law of ,religious ,imagination4 ,she began1 already1 in the thirteenth century1 to be decoratively1 instead of vitally1 religious4 ,the history of the ,religious ,imagination expressed between ,alfred's time and that of ,coeur de ,lion1 in this symbol of the ,lion only1 has material in it rather for all my seven lectures than for the closing section of one2 but ,i must briefly specify to you the main sections of it4 ,i will keep clear of my favourite number seven1 and ask you to recollect the meaning of only ,five1 ,mythic ,lions4 ,first of all1 in ,greek art1 remember to keep yourselves clear about the difference between the ,lion and the ,gorgon4 ,the ,gorgon is the power of evil in heaven1 conquered by ,athena1 and thenceforward becoming her aegis1 when she is herself the inflictor of evil4 ,her helmet is then the helmet of ,orcus4 ,but the ,lion is the power of death on earth1 conquered by ,heracles1 and becoming thenceforward both his helmet and aegis4 ,all ordinary architectural lion sculpture is derived from the ,heraclean4 ,then the ,christian ,lions are1 first1 the ,lion of the ,tribe of ,judah--,christ ,himself as ,captain and ,judge3 ,he shall rule the nations with a rod of iron1 7the opposite power of ,his adversary1 is rarely intended in sculpture unless in association with the serpent--inculcabis supra leonem et aspidem72 secondly1 the ,lion of ,st4 ,mark1 the power of the ,gospel going out to conquest2 thirdly1 the ,lion of ,st4 ,jerome1 the wrath of the brute creation changed into love by the kindness of man2 and1 fourthly1 the ,lion of the ,zodiac1 which is the ,lion of ,egypt and of the ,lombardic pillar-supports in ,italy2 these four1 if you remember1 with the ,nemean ,greek one1 five altogether1 will give you1 broadly1 interpretation of nearly all ,lion symbolism in great art4 ,how they degenerate into the ,british door knocker1 ,i leave you to determine for yourselves1 with such assistances as ,i may be able to suggest to you in my next lecture2 but1 as the grotesqueness of human history plans it1 there is actually a connection between that last degradation of the ,leonine symbol1 and its first and noblest significance4 ,you see there are letters round this golden ,lion of ,alfred's spelling-book1 which his princess friend was likely enough to spell for him4 ,they are two ,latin hexameters3-- ,hic ,leo1 surgendo1 portas confregit ,averni ,qui nunquam dormit1 nusquam dormitat1 in aevum4 7,this ,lion1 rising1 burst the gates of ,death3 ,this1 who sleeps not1 nor shall sleep1 for ever47 ,now here is the ,christian change of the ,heraclean conquest of ,death into ,christ's ,resurrection4 ,samson's bearing away the gates of ,gaza is another like symbol1 and to the mind of ,alfred1 taught1 whether by the ,pope ,leo for his schoolmaster1 or by the great-granddaughter of ,charlemagne for his schoolmistress1 it represented1 as it did to all the intelligence of ,christendom1 ,christ in ,his own first and last1 ,alpha and ,omega1 description of ,himself1-- ,i am ,he that liveth and was dead1 and behold ,i am alive for evermore1 and have the keys of ,hell and of ,death4 ,and in ,his servant ,st4 ,john's description of ,him-- ,who is the ,faithful ,witness and the ,first-begotten of the dead1 and the ,prince of the kings of the earth4 ,all this assuredly1 so far as the young child1 consecrated like ,david1 the youngest of his brethren1 conceived his own new life in ,earth and ,heaven1--he understood already in the ,lion symbol4 ,but of all this ,i had no thought#ca when ,i chose the prayer of ,alfred as the type of the ,religion of his era1 in its dwelling1 not on the deliverance from the punishment of sin1 but from the poisonous sleep and death of it4 ,will you ever learn that prayer again1--youths who are to be priests1 and knights1 and kings of ,england1 in these the latter days8 when the gospel of ,eternal ,death is preached here in ,oxford to you for the ,pride of ,truth8 and the mountain of the ,lord's ,house has become a ,golgotha1 and the new song before the throne sunk into the rolling thunder of the death rattle of the ,nations1 crying1 ,o ,christ1 where is ,thy ,victory6 ,footnote #ca3 ,the reference to the ,bible of ,charles le ,chauve was added to my second lecture 7page #ed71 in correcting the press1 mistakenly put into the text instead of the notes4 ,,notes4 #a4 ,the ,five ,christmas ,days4 7,these were drawn out on a large and conspicuous diagram47 ,these days1 as it happens1 sum up the ,history of their ,five ,centuries4 ,christmas ,day1 #dif4 ,clovis baptized4 #hjj4 ,charlemagne crowned4 #ajda4 ,vow of the ,count of ,aversa 7,page #hj74 #ajff4 ,the ,conqueror crowned4 #aacj4 ,roger ,,ii4 crowned ,king of the ,two ,sicilies4 #b4 ,for conclusion of the whole matter two pictures were shown and commented on--the two most perfect pictures in the world4 7#a7 ,a small piece from ,tintoret's ,paradiso in the ,ducal ,palace1 representing the group of ,st4 ,ambrose1 ,st4 ,jerome1 ,st4 ,gregory1 ,st4 ,augustine1 and behind ,st4 ,augustine his mother watching him1 her chief joy even in ,paradise4 7#b7 ,the ,arundel ,society's reproduction of the ,altar-piece by ,giorgione in his native hamlet of ,castel ,franco4 ,the ,arundel ,society has done more for us than we have any notion of4 99 99 99 99 99 ,,the ,,works ,,of ,,john ,,ruskin1 7,,separately ,,and ,,in ,,sets47 99 99 99 99 99 ,,an ,,inquiry ,,into ,,some ,,of ,,the ,,conditions ,,affecting ,,the ,,study ,,of ,,architecture ,,in ,,our ,,schools4 #abmo1 paper4 #aj ,,aratra ,,pentelici4 ,six ,lectures on the ,elements of ,sculpture1 given before the ,university of ,oxford1 with cuts4 #abmo1 russet cloth4 #ej ,,ditto1 ,with #ba full-page plates 7two colored71 printed separately4 #abmo1 russet cloth4 #a #jj ,,ariadne ,,florentina4 ,six ,lectures on ,wood and ,metal ,engraving1 given before the ,university of ,oxford1 #abmo1 cloth4 ,complete with ,appendix4 #abmo1 russet cloth4 #ej ,,ditto4 ,with #ab full-page plates1 printed separately4 #abmo1 russet cloth4 #a #jj ,,arrows ,,of ,,the ,,chace4 ,a ,collection of ,letters from #ahdj to #ahhj4 ,edited by an ,oxford ,pupil4 #b vols4 bound in one4 ,plate4 #abmo1 cloth4 #a #jj ,,art ,,culture4 ,a ,hand-,book of ,art ,technicalities and ,criticisms1 selected from the ,works of ,john ,ruskin1 and arranged and supplemented by ,rev4 ,w4,h4 ,platt1 for the use of the ,intelligent ,traveler and ,art ,student1 with a new ,glossary of ,art ,terms and an ,alphabetical and ,chronological ,list of ,artists4 ,with illustrations4 #abmo1 russet cloth4 #a #ej ,mr4 ,platt has worked out an idea so striking for its attractiveness and utility that1 perceiving it1 we at once go to work wondering that somebody else had not executed it before him4 ,he has gone over the vast and superb areas of ,john ,ruskin's ,writings1 and cutting out one block here and another there1 as it has suited his purpose1 has put all these parts together again into a literary mosaic1 constituting a clear and harmonious system of art principles1 wherein ,ruskin all the while is the teacher4 ,he has reduced ,ruskin to a code4 ,on the whole1 we see not what this book lacks of being a complete text-book of the ,gospel of ,art according to ,st4 ,john ,ruskin4--,christian ,union4 ,,art ,,of ,,england4 ,lectures given in ,oxford during the second tenure of the ,slade ,professorship4 ,parts ,i4 to ,,vi4 complete1 #abmo1 russet cloth4 #ej ,,art ,,of ,,england4 #abmo1 cloth extra4 #a #jj ,,autobiography--,,praeterita4 ,,outlines ,,of ,,scenes ,,and ,,thoughts1 perhaps worthy of memory1 in ,,my ,,past ,,life4 ,by ,john ,ruskin1 ,,ll4,d4 ,vol4 ,i4 7,chapters #a to #ab47 #hvo1 cloth extra4 #c #jj ,vol4 ,,ii4 7,chapters #a to #aj47 #hvo1 paper1 each4 #be ,vol4 ,i4 7,chapters #a to #ab47 #abmo1 cloth4 #a #ej ,,bibliography ,,of ,,ruskin4 ,a ,,bibliographical ,,list1 arranged in chronological order of the published writings in ,prose and ,verse of ,john ,ruskin1 from #ahcd to the present time 7,october1 #ahgh47 #abmo1 russet cloth4 #ej ,,birthday ,,book4 ,a ,selection of ,thoughts1 ,mottoes and ,aphorisms for ,every ,day to the ,tear1 from the works of ,,john ,,ruskin1 ,,ll4,d4 ,collected and arranged by ,m4,a4,b4 and ,g4,a4 ,with a new and fine portrait of ,mr4 ,ruskin4 ,square #abmo1 cloth1 extra beveled boards1 gilt edges4 #a #ej ,,crown ,,of ,,wild ,,olive1 ,,the4 ,three ,lectures on ,work1 ,traffic1 and ,war4 #abmo1 russet cloth4 #ej ,,deucalion4 ,collected ,studies on the ,lapse of ,waves and ,life of ,stones4 ,vol4 ,i4 7,parts #a to #f47 ,plates4 #abmo1 russet cloth4 #a #be ,,ditto4 ,vol4 ,,ii4 7,parts #g and #h7 ,plates4 #abmo1 russet cloth4 #ge ,,eagle',s ,,nest1 ,,the4 ,ten ,lectures on the ,relation of ,natural ,science to ,art1 given before the ,university of ,oxford4 #abmo1 russet cloth4 #ej ,,elements ,,of ,,drawing1 ,,the4 ,in ,three ,letters to ,beginners4 ,with illustrations drawn by the author1 #abmo1 russet cloth4 #ej ,,elements ,,of ,,perspective1 ,,the4 ,arranged for the use of ,schools1 #abmo1 russet cloth4 #ej ,,ethics ,,of ,,the ,,dust1 ,,the4 ,ten ,lectures to ,little ,housewives on the ,elements of ,crystallization4 #abmo1 russet cloth4 #ej ,,fors ,,clavigera4 ,letters to the ,workmen and ,laborers of ,great ,britain--,complete4 ,vols4 #a and #b4--b vols4 in one4 #abmo1 russet cloth4 #a #jj ,vols4 #c and #d4--b vols4 in one1 #abmo1 russet cloth4 #a #jj ,vols4 #e and #f4--b vols4 in one4 #abmo1 russet cloth4 #a #jj ,vols4 #g and #h4--b vols4 in one4 #abmo1 russet cloth4 #a #jj ,,ditto4 #h vols4 in four1 #aa full-page plates4 #abmo1 russet cloth4 #e #jj ,,frondes ,,agrestes4 ,headings on ,modern ,painters4 ,chosen at her pleasure by the author's friend1 the ,younger ,lady of the ,thwaite1 ,coniston4 #abmo1 russet cloth4 #ej ,,king ,,of ,,the ,,golden ,,river1 ,,the4 ,or1 ,the ,black ,brothers4 ,a ,legend of ,stiria4 ,a ,fairy ,tale4 ,illustrated4 #abmo1 cloth extra4 #ej ,,laws ,,of ,,fesole1 ,,the4 ,a ,familiar ,treatise on the ,elementary ,principles and ,practice of ,drawing and ,painting as determined by the ,tuscan ,masters1 with numerous plates4 ,arranged for the use of ,schools4 #abmo1 russet cloth4 #ej ,,ditto1 ,with #ab plates4 #abmo1 russet cloth4 #a #jj ,,lectures ,,on ,,architecture ,,and ,,painting4 ,delivered at ,edinburgh4 #abmo1 russet cloth4 #ej ,,ditto4 ,with #ae plates1 full-page1 printed separately4 #abmo1 russet cloth4 #a #jj ,,lectures ,,on ,,art4 ,delivered before the ,university of ,oxford in ,hilary ,term4 #abmo1 russet cloth4 #ej ,,letters ,,and ,,advice ,,to ,,young ,,girls ,,and ,,young ,,ladies ,,on ,,dress1 ,,education1 ,,marriage4 ,,their ,,sphere1 ,,influence1 ,,women',s ,,work1 ,,women',s ,,rights1 ,,etc41 ,,etc4 #abmo1 extra gilt1 cloth4 #ej ,,love',s ,,meine4 ,lectures on ,greek and ,english ,birds1 given before the ,university of ,oxford4 #abmo1 russet cloth4 #ej ,,miscellanea4 ,containing ,catalogue of ,turner's ,drawings as revised and cast up into progressive groups1 etc4 ,notes on some of the ,principal ,pictures in ,royal ,academy--,guide to the ,principal ,pictures of the ,academy of ,venice--,michael ,angelo and ,tintoret--,inaugural ,address at ,cambridge--,opening of ,crystal ,palace--,fiction1 ,fair and ,foul--,giotto and ,his ,works--,pront and ,hunt--,studies of ,mountain and ,cloud ,form--,king of ,golden ,river--,sheepfolds4 #b vols4 ,russet cloth1 each #a #jj ,,modern ,,painters4 #e vols4 ,bound in #d vols4 ,complete with all ,plates and ,wood ,cuts4 ,vol4 #a4--,part #a4 ,general ,principles4 ,part #b4 ,truth4 ,vol4 #b4--,part #c4 ,of ,ideas of ,beauty4 ,vol4 #c4--,part #d4 ,of ,many ,things4 ,vol4 #d4--,part #e4 ,of ,mountain ,beauty1 ,vol4 #e4--,part #f4 ,leaf ,beauty4 ,part #g4 ,of ,cloud ,beauty4 ,part #h4 ,ideas of ,relation of ,invention1 ,formal4 ,part #i1 ,ideas of ,relation of ,invention1 ,spiritual4 #d vols41 russet cloth4 #f #jj ,,ditto4 ,with all the ,plates and ,woodcuts1 in box1 #e vols41 #abmo1 extra cloth4 #aj #jj ,,ditto4 ,with all the ,plates and ,woodcuts1 in box1 #e vols41 #abmo1 half calf4 #ag #jj ,,ditto4 ,with all the ,woodcuts1 #e vols4 bound in #h vols41 #abmo1 russet cloth4 #c #ej ,,modern ,,painters4 ,people's edition4 #e vols4 in #b4 ,neat blue cloth4 #b #jj ,,modern ,,painters4 ,,extra ,,vol4 ,being the reissue of ,volume ,,ii4 of this work4 ,revised and rearranged with critical notes by the author4 #abmo1 russet cloth4 #ej ,,ditto4 #abmo1 extra cloth4 #ge ,,ditto4 #abmo1 green cloth4 #ej ,,mornings ,,in ,,florence4 ,being simple studies on ,christian ,art for ,english ,travelers4 ,santa ,croce--,the ,golden ,gate--,before the ,soldan--,the ,vaulted ,roof--,the ,strait ,gate4 #abmo1 russet cloth4 #ej ,,munera ,,pulveris4 ,six ,essays on the ,elements of ,political ,economy4 #abmo1 russet cloth4 #ej ,,notes ,,on ,,the ,,construction ,,of ,,sheepfolds3 or1 ,visible ,churches4 7,see ,miscellanea47 ,,our ,,fathers ,,have ,,told ,,us4 ,sketches of the ,history of ,christendom for ,boys and ,girls who have been held at its ,fonts4 ,four full-page plates4 ,russet cloth1 each4 #a #jj ,,pearls ,,for ,,young ,,ladies4 ,from the later works of ,john ,ruskin4 ,selected and arranged by ,louisa ,c4 ,tuthill4 #abmo1 russet cloth4 #a #jj ,,ditto4 ,extra gilt cloth4 #a #be ,,pleasures ,,of ,,england4 ,lectures given at ,oxford by ,john ,ruskin1 viz43 ,pleasures of ,learning2 ,pleasures of ,faith2 ,pleasures of ,deed2 ,pleasures of ,fancy4 #abmo1 boards4 #ej ,,poems1 ,,the ,,old ,,water ,,wheel ,,and ,,other ,,poems4 ,by ,john ,ruskin1 ,collected and edited from their original ,annual publication4 #abmo1 russet cloth4 #ej ,,ditto1 ditto1 with an etched frontispiece4 ,extra gilt1 cloth4 #a #be ,,poetry ,,of ,,architecture1 ,,the4 ,cottage1 ,villa1 etc41 to which is added ,suggestions on ,works of ,art4 ,with numerous illustrations4 ,by ,kata ,phusin4 7,nom de ,plume of ,john ,ruskin47 #abmo1 russet cloth4 #ej ,,political ,,economy ,,of ,,art1 ,,the ,,or1 ,a ,,joy ,,forever4 ,being the substance of two lectures 7with additions7 delivered at ,manchester4 #abmo1 russet cloth4 #ej ,,precious ,,thoughts3 ,moral and ,religious4 ,gathered from the ,works of ,john ,ruskin1 ,a4,m4 ,by ,mrs4 ,l4,c4 ,tuthill4 #abmo1 russet cloth4 #a #jj ,,ditto1 ditto4 ,extra gilt1 cloth4 #a #be ,,pre-,,raphaelitism4 #abmo1 russet cloth4 #ej ,,praeterita4 ,see ,ruskin's ,autobiography4 ,vol4 #a4 #hvo1 cloth4 #c #jj ,,proserpina4 ,studies of ,wayside ,flowers while the air was yet pure among the ,alps and in the ,scotland and ,england which my father knew4 ,vol4 ,i4 7,parts ,i to #f47 ,plates4 #abmo1 russet cloth #a #be ,vol4 ,,ii4 7,parts #g1 #h1 and #i47 ,plates4 #abmo1 russet cloth4 #a #jj ,,queen ,,of ,,the ,,air1 ,,the4 ,being a ,study of the ,greek ,myths of ,cloud and ,storm4 #abmo1 russet cloth4 #ej ,,st4 ,,mark',s ,,rest4 ,,the ,,history ,,of ,,venice4 ,written for the help of the ,few ,travelers who still care for her ,monuments4 ,parts ,i41 ,,ii41 and ,,iii41 with two ,supplements4 #abmo1 russet cloth4 #ej ,,selections ,,from ,,the ,,writings ,,of ,,john ,,ruskin4 #abmo1 russet cloth4 #ge ,,ditto1 ditto4 #abmo1 extra cloth4 #a #jj ,,sesame ,,and ,,lilies4 ,three ,lectures 7on ,books1 ,women1 etc47 #a4 ,of ,kings' ,treasuries4 #b4 ,of ,queens' ,gardens4 #c4 ,of the ,mystery of ,life4 #abmo1 blue cloth4 #ej ,new ,edition4 #abmo1 thick paper1 russet cloth4 #ge ,new ,edition4 #abmo1 thick paper1 ex4 cloth4 #a #jj ,,seven ,,lamps ,,of ,,architecture4 ,with copies of illustrations drawn by the author4 #ad full-page plates1 #abmo1 ex4 cloth4 #a #be ,,ditto1 ditto4 #abmo1 russet cloth4 #ge ,,ditto4 ,cheap edition1 without plates4 #abmo1 green-cloth4 #ej ,,ditto4 ,people's edition4 ,neat blue cloth4 #ej ,,stones ,,of ,,venice4 ,vol4 #a4 ,foundations4 ,vol4 #b4 ,sea ,stories4 ,vol4 #h4 ,the ,fall4 #c vols4 in two4 #abmo1 russet cloth4 #a #ej ,,ditto1 ditto4 #c vols4 in two4 #ed ,plates4 #c #jj #c vols4 in box4 ,plates1 #abmo1 ex4 cloth4 #d #ej ,,ditto4 #c vols4 ,plates1 #abmo1 #a_/b calf4 #g #ej ,,ditto4 ,people's edition4 #c vols4 in one4 ,neat blue cloth4 #a #be ,,storm ,,cloud ,,of ,,the #ai,,th ,,century4 ,by ,john ,ruskin4 #abmo1 bds4 #ej ,,the ,,true ,,and ,,the ,,beautiful ,,in ,,nature4 ,,art1 ,,morals ,,and ,,religion4 ,selected from the ,works of ,john ,ruskin1 ,a4,m4 ,with a notice of the author by ,mrs4 ,l4,c4 ,tuthill4 #abmo1 russet cloth4 #a #jj ,,ditto1 ditto1 with ,portrait4 #abmo1 extra cloth4 #a #be ,,the ,,two ,,paths4 ,being ,lectures on ,art1 and its ,application to ,decoration and ,manufacture4 ,with steel plates and cuts4 #abmo1 russet cloth4 #ge ,,ditto4 ,without plates4 #ej ,,time ,,and ,,tide ,,by ,,weare ,,and ,,tyne4 ,twenty-five ,letters to a ,workingman of ,sunderland on the ,laws of work4 #abmo1 russet cloth4 #ej ,,unto ,,this ,,last4 ,four ,essays on the ,first ,principles of ,political ,economy1 #abmo1 russet cloth4 #ej ,,val ,d',,arno4 ,ten ,lectures on the ,tuscan ,art directly ,antecedent to ,florentine year of ,victories4 #ac plates4 #abmo1 russet cloth4 #a #jj ,,ruskin',s ,,complete ,,works4 ,with all the ,wood ,engravings1 and ,with and ,without ,plates4 ,there are #bgg ,,full ,,page ,,plates in the complete edition4 ,printed on plate paper4 ,some of them in colors1 as follows3 ,,ruskin',s ,,works4 ,uniformly bound in #ac volumes4 ,elegant style4 #bbc full-page ,plates1 colored and plain1 on plate paper4 #abmo1 extra cloth4 #ah #jj ,,ditto1 ditto1 with all the plates4 #abmo1 #a_/b calf4 #cf #jj ,ditto1 ditto1 without plates4 #ab vols4 #abmo1 extra cloth4 #ab #jj ,,ruskin',s ,,works4 7,second ,series74 ,additional ,writings1 completing his ,works4 ,uniform in size and binding with the #ab-volume edition4 #f vols41 #abmo1 cloth extra4 #g #ej #f vols41 with all the plates1 #abmo1 cloth extra4 #aj #ej #f vols41 with all the plates1 #abmo1 #a_/b calf1 #ba #jj ,,ditto1 including both series4 ,wood engravings1 #ah vols41 extra cloth4 #ai #ej ,,ditto1 including both series4 ,plates and ,wood engravings1 #ah vols41 extra cloth4 #bh #ej ,,ditto1 including both series4 ,plates and ,wood engravings4 #bj vols41 extra cloth4 #cj #jj ,,ditto1 including both series4 ,plates and ,wood engravings4 #ai vols41 #a_/b calf4 #eh #jj ,,ditto1 including both series4 ,plates and ,wood engravings4 #bj vols41 #a_/b calf4 #fj #jj 99 99 99 99 99 ,,choice ,,works ,,of ,,john ,,ruskin ,an elegant octavo edition1 including ,modern ,painters1 #e vols41 ,stones of ,venice1 #c vols41 and ,seven ,lamps1 #a vol4 ,with very fine copies of all the ,plates and ,wood engravings of the earliest ,london editions4 #i vols41 #hvo1 cloth1 #de #jj #i vols41 #a_/b calf1 #fc #jj #i vols41 full calf1 #gb #jj ,,suitable ,,for ,,presents4 ,ruskin's ,beauties4 ,,the ,,true ,,and ,,beautiful4 #c vols4 ,,precious ,,thoughts4 in box4 #c #ej ,,choice ,,selections4 ex4 clo4 ,,ditto1 #c vols4 in box1 #a_/b calf1 #g #ej ,ruskin's ,popular ,volumes4 ,,crown ,,of ,,wild ,,olive4 #d vols4 ,,sesame ,,and ,,lilies4 in box1 ,,queen ,,of ,,the ,,air4 extra #h #ej ,,ethics ,,of ,,the ,,dust4 cloth4 ,ruskin on ,art4 ,,lectures ,,on ,,art4 #d vols4 ,,two ,,paths4--,,plates4 in box1 ,,eagle',s ,,nest4 extra #c #ej ,,political ,,economy ,,of ,,art4 cloth4 ,,ditto1 #b vols4 in box1 #a_/b calf #g #jj ,ruskin on ,architecture4 ,,poetry ,,of ,,architecture--,,plates4 #d vols4 ,,seven ,,lamps ,,of ,,architecture--,,plates4 in ,,lectures ,,on ,,architecture ,,and ,box1 #d #jj ,,painting--,,plates4 ex4 ,,stones ,,of ,,venice 7,selections47 cloth4 #b vols4 in box1 #a_/b calf4 #g #ej ,ruskin on ,drawing1 ,etc4 ,,elements ,,of ,,drawing4 #d vols4 ,,elements ,,of ,,perspective4 in box1 ,,laws ,,of ,,fesole--,,plates4 extra #c #ej ,,frondes ,,agrestes4 cloth4 #b vols4 in box1 #a_/b calf4 #g #jj ,,the ,,following ,,beautiful ,,volumes ,,being ,,selections ,,from ,,ruskin',s ,,works4 ,in ,neat #abmo4 ,volumes4 ,cloth1 ,gilt ,extra4 ,,art ,,culture4 ,with ,illustrations1 cloth extra4 #b #ej ,,letters ,,and ,,advice ,,to ,,young ,,ladies4 ,cloth extra4 #ej ,,pearls ,,for ,,young ,,ladies4 ,cloth extra4 #a #be ,,precious ,,thoughts4 ,cloth extra4 #a #be ,,choice ,,selections4 ,cloth extra4 #a #jj ,,true ,,and ,,beautiful4 ,cloth extra4 #a #be ,,ruskin',s ,,birthday ,,book4 ,cloth extra4 #a #ej ,,ruskin',s ,,autobiography 7,,praeterita47 ,vol4 #a4 ,plate1 #hvo1 cloth extra4 #c #jj ,,also--,,with ,,illustrations4 ,,ruskin',s ,,alexander',s ,,roadside ,,songs ,,of ,,tuscany4 #cj ,full ,page ,plates4 #hvo1 cloth extra4 #c #ej ,,ruskin',s ,,alexander',s ,,story ,,of ,,ida4 ,with a ,beautiful ,portrait4 #abmo1 cloth extra4 #ge ,,ditto1 ,ditto4 ,with ,portrait4 #dto1 cloth extra4 #a #ej ,the following volumes are valuable as ,,reading ,,books1 and are specially recommended for use to ,,high ,,schools ,,and ,,ladies' ,,seminaries4 ,,the ,,true ,,and ,,beautiful4 ,selected from ,ruskin's ,works4 #abmo1 russet cloth4 #a #jj ,,art ,,culture4 ,selected from ,ruskin's ,works4 #abmo1 russet cloth4 #a #ej ,,precious ,,thoughts4 ,selected from ,ruskin's ,works4 #abmo1 russet cloth4 #a #jj ,,choice ,,selections4 ,selected from ,ruskin's ,works4 #abmo1 russet cloth4 #ge ,,sesame ,,and ,,lilies4 #abmo1 russet cloth4 #ge ,,lectures ,,to ,,little ,,housewives4 ,ethics of the ,dust74 #abmo1 russet cloth4 #ej 999999 ,copies of these volumes will be sent for examination1 with reference to introduction1 ,,free1 by mail1 on receipt of two-thirds of the printed price4 ,,elegant #h,,vo ,,edition ,,of ,,ruskin',s ,,choice ,,works1 7,,but ,,few ,,copies ,,remain ,,of ,,this ,,edition47 ,,modern ,,painters4 ,by ,john ,ruskin4 ,new and beautiful edition4 ,containing fine copies of all the plates1 7#hg7 and wood engravings of the original ,london edition4 ,vol4 #a4--,part #a4 ,general ,principles4 ,part #b4 ,truth4 ,vol4 #b4--,part #c4 ,of ,ideas of ,beauty4 ,vol4 #c4--,part #d4 ,of ,many ,things4 ,vol4 #d4--,part #e4 ,of ,mountain ,beauty4 ,vol4 #e4--,part #f4 ,leaf ,beauty4 ,part #g4 ,of ,cloud ,beauty4 ,part #h4 ,ideas of ,relation of ,invention1 ,formal4 ,part #i4 ,ideas of ,relation of ,invention1 ,spiritual4 #e vols41 #hvo1 extra cloth4 #cj #jj #f vols41 #hvo1 #a_/b calf4 #dj #jj #e vols41 #hvo1 full calf4 #de #jj ,,stones ,,of ,,venice4 ,by ,john ,ruskin4 ,new and beautiful edition1 ,containing fine copies of all the plates1 7#ed7 colored and plain1 and wood engravings of the original ,london edition4 ,vol4 #a4--,the ,foundations4 ,vol4 #b4--,the ,sea ,stories4 ,vol4 #c4--,the ,fall4 #c vols41 #hvo1 extra cloth4 #ah #jj #c vols41 #hvo1 #a_/b calf4 #d #jj #c vols41 #hvo1 full calf4 #bg #jj ,,plates to ditto separately1 including fine copies of all the plates in ,london edition4 7#ed7 colored and plain4 #hvo1 extra cloth4 #f #jj ,,seven ,,lamps ,,of ,,architecture4 ,by ,john ,ruskin4 ,new and beautiful edition1 containing fine copies of all the plates 7#ad7 of the original ,london edition4 ,lamp of ,sacrifice4 ,lamp of ,truth4 ,lamp of ,power4 ,lamp of ,beauty4 ,lamp of ,life4 ,lamp of ,memory4 ,lamp of ,obedience1 extra cloth4 #f #jj #a_/b calf4 #h #jj full calf4 #i #jj ,,miss ,,alexander',s ,,works4 ,,roadside ,,songs ,,of ,,tuscany4 ,by ,miss ,francesca ,alexander1 with #bj full page plates1 from drawings of the author4 ,edited by ,john ,ruskin4 #hvo1 cloth extra4 #c #ej ,,ditto1 ,,ditto4 #bj ,plates1 #a_/b morocco4 #f #ej ,,the ,,story ,,of ,,ida4 ,,epitaph ,,on ,,an ,,etrurian ,,tomb4 ,by ,francesca ,alexander1 with ,preface by ,john ,ruskin4 ,illustrated1 with a ,beautiful ,portrait4 #abmo1 laid paper1 cloth extra4 #j #ge #dto1 heavy paper1 cloth extra4 #a #ej