,illustration3 ,,lxxxi4 ,ferme la       
,vallauine1 ,normandy4     ,,the        
,,brochure ,,series  ,,of               
,,architectural ,,illustration4  ,,vol4 
,i4   ,,november1 #ahie4   ,no4 #aa4    
,,the ,,country ,,houses ,,of           
,,normandy4   ,the houses chosen for    
illustration in this number are of      
different types1 of different dates1    
built for men of different stations in  
life1 and are constructed of different  
materials4 ,they are1 however1 all in   
the province of ,normandy1 in northern  
,france1 and they are all situated      
outside the towns2 further than this it 
may not be well to go in attempting to  
classify them under one head4 ,like the 
subjects chosen for our last issue1 they
 contain many suggestive ideas for      
treatment of similar problems in our own
 country1 and for this reason they      
deserve special attention4  ,the        
tendency among the ,french has always   
been strong to build their houses in    
compact groups1 and detached buildings  

with free space on all sides are the    
exception even in the country4 ,mr4     
,louis ,h4 ,gibson1 whose book          
,beautiful ,houses we have noticed in   
another column1 says of the ,french     
domestic architecture3--  ,excepting the
 chteaux1 the structures of which we    
have the completest record are almost   
entirely buildings fronting directly on 
the street or road4 ,in ,france it is   
rare indeed that one sees an isolated   
building with a free passage around it1 
as is common in our ,american towns and 
cities4 ,it is not at all uncommon for a
 farm building to be constructed within 
a wall2 again1 the farmer's house may be
 almost flush with the road4 ,little    
farm communities1 with the buildings    
abutting on one another1 are very       
common1 because of the companionship    
which such association brings4 ,this was
 not alone true in the early history of 
,france1 but obtains in the construction
 of to-day4 ,the small towns1 as well as
 the cities1 are almost universally     

built very compactly4 ,thus we may      
expect to see very few examples of      
isolated structures in ,france4  ,in    
this respect it will be seen the taste  
of the ,french house builder differs    
from ours where open space about a      
dwelling-house is considered one of its 
important attractions4 ,consequently the
 examples here shown should not be      
considered as typical of ,french        
domestic architecture4 ,the town house  
is1 if anything1 the type4  ,most of the
 examples which we have chosen belong to
 the sixteenth century or thereabouts4  
,the ,manoir d',ango1 of which we gave  
four views in last month's issue and of 
which three more are now shown1 was     
built about the middle of the sixteenth 
century1 and the manoir at ,archelles   
was also built about the same time4 ,it 
was also during this century that the   
best and most interesting of the ,french
 half-timber work was done1 and although
 we have no data at hand for determining
 the matter1 we judge that the two      

examples here illustrated date from     
about this time4 ,the construction in   
these buildings is doubtless the same as
 that commonly used in others of this   
character--a strong framework of timber 
filled in with brick masonry and then   
plastered4 ,many of the town houses     
built in this way were very elaborate   
and were adorned with exquisite carved  
wood ornament4 ,in ,verdier and         
,cattois' ,architecture ,civile et      
,domestique may be found numerous       
examples1 and in a future number of     
,,the ,,brochure ,,series we shall give 
place to some of the most attractive4   
,illustration3 ,,lxxxii4 ,manoir at     
,archelles1 ,normandy4  ,one            
consideration has influenced the        
selection of some of the subjects       
included in the illustrations of this   
number which has not before been        
mentioned1 and it is not necessary to   
dwell upon it now4 ,it has been our     
experience that architectural students  
are constantly looking about for        

appropriate subjects for sketching1 and 
some are so fastidious that they find   
very few satisfactory ones4 ,we commend 
the views here given1 and also those in 
the last issue1 as excellent and        
appropriate subjects for treatment      
either in water-color1 pen-and-ink1 or  
pencil4 ,next to working directly from  
nature1 it would be hard to find better 
practice than can be had by translating 
these photographic views into drawings4 
,,lxxxi4  ,,ferme ,,la ,,vallauine1     
,,normandy4  ,with the resources at our 
command we are unable to further        
identify this house than the above title
 indicates4 ,in fact1 it tells its own  
story4 ,judging by analogy1 it probably 
dates from the sixteenth century4       
,nothing could well be more picturesque4
  ,,lxxxii and ,,lxxxiii4  ,,manoir ,,at
 ,,archelles1 ,,normandy4  ,archelles is
 a small village near ,arques1 and its  
principal attraction is this beautiful  
manoir with a garden at its back1 and   
surrounded by fine trees4 ,it dates from

 the sixteenth century and is built of  
brick decorated in a sort of mosaic     
inlaid with a light colored stone4 ,the 
old walls overgrown with vines are      
especially attractive4  ,,lxxxiv4       
,,porch ,,of ,,church ,,at ,,beuvreil1  
,,normandy4  ,the form and proportions  
of this old porch are so good that in   
spite of the rough and meagre detail it 
has an irresistible charm4  ,,lxxxv4    
,,manoir ,,de ,,vitanval1 ,,ste4        
,,andresse1 ,,normandy4  ,ste4 ,andresse
 is a small community on the coast of   
,normandy a few miles north-west of     
,havre4  ,,lxxxvi to ,,lxxxviii4        
,,manoir ,d',,ango1 ,,normandy4  ,this  
manoir has already been referred to in  
the preceding number1 where four other  
views are given4     ,architectural     
,schools4  ,,columbia ,,college4   ,in  
the series of articles in which we have 
undertaken to give an idea of the scope 
of the courses of architectural study   
offered by the various schools of the   
country1 we can hardly do better1 in    

referring to ,columbia ,college1 than   
quote from a paper in which ,professor  
,william ,r4 ,ware describes the methods
 used for the teaching of the history of
 architecture at ,columbia4 ,our        
extracts are made from a portion of the 
paper printed in ,the ,american         
,architect for ,november #cj1 #ahie4    
,these four exercises1 the ,lectures on 
,history and ,ornament1 with the study  
of ,english1 ,french1 and ,german       
text-books1 the ,historical ,research1  
the ,historical ,drawing1 and the       
,historical ,design1 occupy a chief part
 of the student's time during the first 
three years of the course4 ,at the end  
of the third year the stated instruction
 by recitations and the lectures is     
virtually finished1 the fourth year     
being1 by an arrangement which is       
perhaps a novelty in places of learning1
 quite free from lectures or            
recitations4 ,the men give their whole  
time by day to problems in design1 to   
what may be called atelier work1 without

 interruption4 ,their evenings1         
throughout the whole year1 are devoted  
to historical study4 ,as the college    
library1 including the ,avery library1  
as well as the books and photographs    
belonging to the ,department of         
,architecture1 is accessible every      
evening until eleven o'clock1 and the   
,metropolitan ,museum is open twice a   
week until ten1 every facility is       
afforded for the prosecution of this    
work4 ,in order to make the most of     
these appliances1 every student of the  
,fourth-year class and all the special  
students 7who are of similar grade1     
being received only in advanced         
standing7 prepares once a month1 under  
the name of ,advanced ,architectural    
,history1 an original paper4 ,this he   
illustrates by drawings and reads to the
 class4 ,all this affords an almost     
unexampled opportunity for serious work4
  ,we exhibit to the students the       
architecture of the past as a series of 
problems just as it appeared to the     

builders of its own day1 and we hope    
thus not only to give them a clearer    
insight into the real spirit and        
character of the masterpieces that have 
come down to us1 by bringing to view the
 ideas and considerations which really  
influenced their designers1 but at the  
same time to exercise our own young men 
in the practical application of those   
same ideas4 ,we hope thus to develop in 
them the same good sense and good taste1
 the same readiness of invention and    
happy ingenuity1 to which these         
masterpieces are due4  ,illustration3   
,,lxxxiii4 ,manoir at ,archelles1       
,normandy4  ,the exercises themselves   
may be described as a species of design 
by description or by dictation4 ,the    
attempt is made1 by indicating the      
conditions under which a given piece of 
work was executed1 to present to the    
student the same problem that the       
workman of old was called upon to solve4
 ,the student can then compare his own  
solution of it with the one that has    

come down to him1 thus receiving        
correction and guidance in his work from
 the hand of the master4 ,it is plain   
that the special excellencies of the    
original monument are likely to reveal  
themselves with fresh distinctness1 and 
to find special sympathy and            
appreciation in the mind of one who has 
striven1 however unsuccessfully1 to     
solve the same problem4  ,an example or 
two taken from widely different fields  
will suffice to illustrate this4 ,in    
studying vaulting1 we once got so far as
 to understand how oblong vaults were   
thrown across a nave1 while square      
vaults covered the aisles4 ,a class of  
fifteen or twenty students were then    
asked to find out how a semi-circular or
 polygonal apse could be added to a     
choir roofed on this system4 ,in the    
course of a couple of hours' figuring ,i
 found that they had worked out among   
them all the five solutions of this     
problem1 which in the ,middle ,ages it  
took one or two hundred years to        

develop4 ,this was very encouraging4 ,at
 another time they were given a somewhat
 minute description of four pilaster    
capitals from ,blois or ,chambord1 and  
they made thumb-nail sketches on the    
spot1 according to their interpretation 
of the description4 ,the next day       
photographs and drawings of a dozen or  
twenty other such capitals were given   
them1 so that they might understand the 
fashion of the time1 and they were told 
to draw out their sketches on a larger  
scale4 ,the result was fifteen or twenty
 sets of capitals1 all showing the same 
four motives1 but differing in a most   
interesting way1 according to the       
personal differences of taste and skill 
on the part of the designers4  ,on      
another occasion the ,first-year class1 
after their studies in ,egyptian and    
,assyrian architecture1 made a dozen or 
twenty restorations of ,solomon's       
,temple1 according to the description in
 the ,book of ,kings4 ,the drawings they
 produced showed considerable fertility 

of invention1 especially in the designs 
for ,jachin and ,boaz1 and the whole    
series together seemed to be quite as   
creditable and as reasonable as most of 
those which have from time to time been 
put forth by the learned4  ,this        
practice in historical design we believe
 to be founded on sound theoretical     
principles4 ,to regard a work of art as 
far as possible from the point-of-view  
of the artist is1 indeed1 the first     
principle of fair and intelligent       
criticism4 ,to foster the individuality 
and personal initiative of a pupil by   
bringing authority to bear upon him in a
 way of correction at the end of his    
task1 and guidance and suggestion at the
 beginning1 rather than control during  
the course of the work1 is the first    
principle of intelligent teaching4      
,moreover1 the results1 so far as we    
have gone1 have justified the method4   
,we have1 indeed1 employed it hitherto  
mainly as a matter of experiment when   
favorable circumstances have suggested  

it4 ,but every year we use it to a      
greater and greater extent1 and it is   
gradually acquiring a recognized place  
as an integral portion of our work4     
7,to be continued47     ,personal4   ,of
 the many fortunate ones who have come  
back to a winter of work after a summer 
abroad are ,messrs4 ,claude ,f4         
,bragdon1 ,charles ,m4 ,sutton1 and     
,howard ,hatton1 of ,rochester4 ,messrs4
 ,sutton and ,hatton are now with ,j4   
,foster ,warner4 ,mr4 ,bragdon has      
temporarily opened an office at #fj     
,trust ,building1 but will have offices 
in the new ,cutler ,building when       
completed4  ,mr4 ,wilson ,eyre1 ,jr41 of
 ,philadelphia1 has just finished       
designing a second formal garden1 which 
is said to be delightfully un-,american2
 and ,mr4 ,frank ,miles ,day's          
,horticultural ,hall is nearly ready to 
receive the mural coloring and          
allegorical painting which ,mr4 ,joseph 
,lindon ,smith is to execute4 ,the      
latter will be a conspicuous departure  

from ordinarily accepted models4        
,illustration3 ,,lxxxiv4 ,porch of      
,church at ,beuvreil1 ,normandy4        
,the ,brochure ,series of ,architectural
 ,illustration4  ,,published ,,monthly  
,,by ,,bates  ,,guild1 #f ,,beacon      
,,street1 ,,boston1 ,,mass4         99  
99       99       99       99           
,subscription ,rates per year 444 #ej   
cents1 in advance4 ,special ,club ,rates
 for five subscriptions 444 #b4jj4      
99       99       99       99       99  
,entered at the ,boston ,post ,office as
 ,second-class ,matter4     ,,special   
,,notice4  ,back numbers of ,,the       
,,brochure ,,series are not kept in     
stock4 ,all subscriptions will be dated 
from the time received and subscribers  
who wish for the current numbers must   
place their subscriptions at once4  ,a  
hundred photographs are published in    
twelve issues of ,,the ,,brochure       
,,series4 ,you may get some duplicates1 
but the new ones will be well worth a   
subscription at fifty cents4 ,this is   

addressed to non-subscribers4         99
       99       99       99       99    
,we have repeatedly called attention in 
this column to the question of perennial
 importance to us--that of              
subscriptions4 ,we have no apology to   
offer for this insistence upon the      
publisher's business1 for it concerns   
every one who has any interest in the   
undertaking1 in so far as the support   
received in this quarter will make it   
either possible or impossible1 as the   
case maybe1 to add to the attractions of
 the magazine as conducted at present4  
,we have every reason to feel satisfied 
with the support thus far accorded us1  
for our subscription list is now much   
larger than we expected it would be at  
this time1 but this is only a beginning4
 ,in the advertising pages of this      
number will be found an announcement    
which1 we trust1 will appeal to a large 
number of our present subscribers who   
already know our work4 ,in most cases it
 is only necessary to show the magazine 

and state the price to at once secure a 
subscriber4 ,try it and see2 enter the  
prize competition1 and help yourself by 
helping us4  ,in the ,september issue we
 took occasion to notice the mural      
decoration and color treatment of the   
staircase hall of the new ,public       
,library ,building in ,boston4 ,those   
who would judge for themselves of the   
merits of our conclusions must see the  
building2 but it is not necessary to go 
to ,boston in order to realize that here
 we have a remarkably beautiful         
structure1 and many of its features can 
be fully enjoyed and appreciated in     
photographic views4 ,in another column  
will be found a notice of a very        
attractive and unusually satisfactory   
handbook of the library1 with numerous  
illustrations from the photographs of   
,mr4 ,e4,e4 ,soderholtz4 ,further than  
this1 we wish to call particular        
attention to the set of photographs     
which is advertised on the front cover  
of this number4 ,as a photographer of   

architectural subjects ,mr4 ,soderholtz 
certainly has no superior in this       
country1 and in this collection the     
subjects and manner of presentation are 
equally worthy of the highest praise4   
,wanted ,draughtsmen's ,addresses4   ,we
 intend issuing1 the coming year1 a     
number of interestingly illustrated     
announcements of new architectural      
publications and importations4 ,we want 
to send these to every architectural    
student and draughtsman in the ,united  
,states and ,canada4 ,if you are not on 
our subscription list1 send us your     
residence address for our circular      
mailing list4 ,address a postal card as 
below1 putting simply your address on   
the back4 ,if you are in an office1 have
 the other fellows put their residence  
addresses on the same card4 ,we prefer  
to address mail matter to your          
residence1 as there is less danger of   
miscarriage4 ,do not get the idea that  
by sending your address you are ordering
 something you will be asked to pay for4

 ,all the expense1 except the postal    
card1 is on our side4 ,if we can't get  
out announcements interesting enough to 
attract your attention and occasionally 
secure an order1 it will be our loss4   
,address3--    ,bates  ,guild1     #f   
,beacon ,street1       ,boston1 ,mass4  
,for ,circular ,list4  ,illustration3   
,,lxxxv4 ,manoir de ,vitanval1 ,ste4    
,andresse1 ,normandy4     ,brochure     
,series ,competition ,no4 #b4   ,the    
first lot of drawings in the competition
 for a design for the advertising page  
of ,the ,boynton ,furnace ,co41 in ,,the
 ,,brochure ,,series1 was due on        
,december #aj1 and eleven designs were  
received4  ,the judges have awarded the 
prize to ,mr4 ,edwin ,r4 ,clark of      
,lowell1 ,mass41 and his design appears 
in this issue as the advertisement of   
the ,boynton ,furnace ,co41 on page xi4 
,the reasons for the award may be a     
guide to others engaged in similar work1
 and consequently we reproduce several  
of the other designs for comparison with

 ,mr4 ,clark's4  ,it must be remembered 
that the first consideration in this    
problem is the effectiveness as         
advertising matter of the design        
submitted--its artistic merits1 although
 important1 are distinctly secondary to 
this quality4 ,the medium in which it is
 to be used and the clientage to which  
it is intended to appeal must also be   
constantly borne in mind4               
,illustration3 ,design by ,edwin ,r4    
,clark4  ,mr4 ,clark submitted three    
drawings1 a second one of which is given
 herewith4 ,the first is superior in    
giving a more positive effect to the    
page and in being a more unusual        
treatment than the second4 ,although    
both are drawn with skill and are       
admirable in technique1 the type of     
design and ornament used in the second  
have come into such common use that if  
for no other reason than this the first 
would be preferable4  ,illustration3    
,design by ,w4,b4 ,olmsted4  ,as        
decorative treatment ,mr4 ,olmsted's    

design is in many respects the most     
masterly of the lot1 and if the personal
 choice of the judges had been the only 
consideration upon which the award was  
to be made1 this would have been placed 
first1 for it is remarkable for careful 
and intelligent arrangement1 subtle     
balancing and proportion of parts1 and  
especially for what may be called the   
decorative sense by which just the right
 relation of black to white is          
preserved4 ,it is seldom that any but   
the most accomplished designers succeed 
in obtaining this just proportion1 which
 gives a sparkle to the design such as  
is seen in the best of the ,japanese    
stencil patterns used on printed stuffs4
 ,the clever use of motives connected   
with the business advertised and the    
idea of presenting the ,boynton         
apparatus in attractive form and other  
heaters thrown about in confusion is    
commendable4 ,the only reason for       
passing over this design in the award is
 the advertising value of the attractive

 appearance of some of the more ornate  
designs4  ,illustration3 ,,lxxxvi4      
,manoir d',ango1 ,normandy4  ,one other 
drawing1 that of ,mr4 ,brown1 deserves  
particular notice for its intrinsic     
excellence4 ,it is especially           
praiseworthy for its grace of line and  
general arrangement4 ,the figure is well
 placed and1 although faulty in drawing1
 is particularly effective in treatment4
 ,it is essentially a poster design1 but
 none the less appropriate for the      
present purpose on this account4 ,it    
lacks only in those qualities of        
draughtsmanship which come with practice
 and experience4  ,illustration3 ,design
 by ,f4 ,chouteau ,brown4  ,the         
remaining drawing which we illustrate is
 a very interesting although not        
especially forcible treatment of the    
class of ornament adopted by ,mr4 ,louis
 ,h4 ,sullivan1 and in his hands having 
a wonderful charm1 but seldom used with 
entire success by others4  ,the result  
in this first series of designs is      

especially satisfactory in the          
intelligence shown in grasping the      
essentials of the problem4 ,all of the  
remaining six drawings have points of   
excellence to commend them1 and if we   
had space to reproduce them would prove 
instructive in showing the diversity of 
treatment possible while fully meeting  
the conditions imposed4     ,reviews4   
,beautiful ,houses4 ,a study in house   
building4      ,by ,louis ,h4 ,gibson4  
,illustrated4 ,boston ,t4,y4 ,crowell   
,co4 #ahie4      pp4 #cdf4 #c4  ,this   
book is in many respects very           
attractive1 and will be found useful to 
architectural readers as well as to the 
general public4  ,it is divided into two
 parts1 the first under the heading ,the
 ,world's ,houses and the second1 ,some 
,house ,plans and ,materials and        
,details4  ,the first part is that which
 will be of most value to the           
architectural reader4 ,in it are        
described the principal types of        
domestic architecture1 giving most      

prominence to the work of ,france4 ,the 
illustrations of this portion of the    
work are well chosen and very well      
printed4 ,in fact1 to the architect they
 form the most valuable part of the     
book4 ,the second part is devoted mainly
 to ,mr4 ,gibson's own designs4 ,these  
are mostly good1 straightforward work1  
although we can hardly agree with all of
 his opinions4 ,his use of language is  
not always discriminating and is        
sometimes misleading4  ,illustration3   
,design by ,chas4 ,f4 ,hogeboom1 ,jr4   
,to the general reader there will be    
much of interest in all portions of the 
book1 especially if he contemplates     
building a house4 ,and in this case we  
sincerely trust that its perusal will   
result in another commission for some   
fortunate architect4  ,illustration3    
,,lxxxvii4 ,manoir d',ango1 ,normandy4  
,handbook of the ,new ,public ,library  
in ,boston4 ,compiled by      ,herbert  
,small4 ,fully illustrated4 ,boston1    
#ahie4 ,curtis  ,co4      #gh pp4 #af;c4

  ,the unusual interest which has been  
aroused in architectural circles by the 
new building for the ,boston ,public    
,library is the reason for devoting     
special attention to this little book in
 these columns4 ,although intended for  
general readers1 it has a very          
instructive article by ,mr4 ,c4 ,howard 
,walker considering the building        
architecturally1 which will interest    
architectural readers4 ,the             
illustrations1 made from photographs by 
,e4,e4 ,soderholtz1 are excellent and   
numerous1 and the cover1 printed in     
green and black1 from the design of     
,b4,g4 ,goodhue1 is an additional       
attraction4 ,on the whole1 even after so
 much in the way of illustration of this
 building has been already published1 it
 is worth the while of any architect or 
draughtsman to send for this little     
pamphlet4     ,club ,notes4   ,the      
,chicago ,architectural ,club is keeping
 its members guessing to know what      
scheme of work or entertainment will    

come next on its programme4  ,the annual
 meeting for election of officers was   
held ,october #g4 ,several of the       
regular monthly competitions and an     
informal exhibition have already come   
and gone1 and a ,bohemian ,night with   
all its accompaniments comes every      
fortnight4  ,the following classes have 
been arranged for some time ago3 ,water 
,color1 under ,hugh ,m4,g4 ,garden2     
,architecture1 under ,george ,r4 ,dean2 
,pen and ,ink1 under ,charles ,e4       
,birge2 ,modeling1 under ,richard ,w4   
,bock4  ,a talk on ,the ,impecunious    
,draughtsman ,abroad was given by ,mr4  
,myron ,h4 ,hunt1 and ,mr4 ,george ,r4  
,dean has given a lantern-slide         
exhibition1 illustrating the ,chteau de 
,blois4  ,the club also held a joint    
meeting with the ,chicago ,society of   
,artists1 when ,mr4 ,n4,s4 ,patton      
discussed the question of ,the          
,architectural and ,artistic            
,possibilities of the ,lake ,front4     
,the annual banquet and meeting of the  

,cleveland ,architectural ,club was held
 at the ,hollenden ,hotel ,thursday     
evening1 ,november #ad1 with about forty
 present4 ,dinner was served at six     
o'clock1 followed by toasts from        
,messrs4 ,john ,l4 ,culley1 ,f4,a4      
,coburn1 and ,charles ,w4 ,hopkinson1   
with ,president ,hubbell as toastmaster4
  ,after the speaking the annual meeting
 was held1 with an address by the       
president1 reports by the secretary1    
treasurer1 librarian1 chairman of the   
,current ,work ,committee1 and the      
chairman of the ,entertainment and      
,house ,committee4  ,the club has grown 
from a charter membership one year ago  
of fourteen to a total membership of    
forty-five4  ,the newly elected officers
 are3 ,president1 ,benjamin ,s4         
,hubbell2 ,vice-,president1 ,frederick  
,baird2 ,secretary1 ,herbert ,b4        
,briggs2 ,treasurer1 ,albert ,e4 ,skeel2
 ,librarian1 ,g4,b4 ,bohm2 ,directors1  
,m4 ,james ,bowman and ,c4,s4           
,schneider4  ,a joint exhibition of the 

,cleveland ,architectural ,club and the 
,cleveland ,art ,association will be    
held in the ,garfield ,building1 from   
,january #bj to ,february #e1 #ahif4    
,works will be received until ,monday1  
,january #f4 ,the exhibition will       
include3 ,architectural sketches1       
perspectives1 and elevations in all     
renderings2 photographs of executed     
work2 landscape architecture2 interior  
architecture and decoration2 interior   
furnishings 7samples and sketches72     
architectural and decorative metal work 
7wrought iron1 bronze1 and brass72      
sculpture 7architectural and            
ornamental74  ,an illustrated catalogue 
will be issued4  ,all drawings must be  
framed or mounted4     ,a ,good         
,endorsement4   ,the following letter   
from the office of ,richard ,m4 ,hunt is
 of interest to all users of shingle    
stains3--       ,dexter ,bros41 ,boston3
       ,gentlemen1--,the shingle stains 
we have used on some of the             
buildings of ,biltmore ,village1 ,n4,c41

 furnished by you1 have      given      
absolute satisfaction as to quality and 
color4 ,we      consider your stains the
 best we have used so far4              
,yours respectfully1      7,signed7     
,r4,h4 ,,hunt4   ,illustration3         
,,lxxxvii4 ,manoir d',ango4 ,normandy4