,illu/ration3 ,,morris ,,danc]s1 ,,z ,,depict$ ,,9 ,,an ,,old ,,/a9$ ,,glass ,,w9d[ ,,9 ,a ,,h\se ,,at ,,betley1 ,,/af=d%ire4 ,,! ,,morris ,,book ,a ,,hi/ory ,,( ,,morris ,,danc+ ,,) ,a ,,description ,,( ,,elev5 ,,dances ,,z ,,p]=m$ ,,by ,,! ,,morris-,,m5 ,,( ,,engl& ,,by ,,cecil ,j4 ,,%>p ,,& ,,h]b]t ,c4 ,,macilwa9e ,,9 ,,two ,,p>ts4 ,,"p ,i4 ,,london ,,novello ,,& ,,company1 ,,ltd4 #aijg4 ,?is ,book is issu$ 9 connection ) ,morris ,dance ,tunes1 by ! same ,au?ors 7,sets ,i4 & ,,ii41 price #b_/- ea*47 ,,london3 ,,novello ,,& ,,company1 ,,ltd4 ,,to ,,our ,,fri5ds ,,& ,,pupils ,! ,memb]s ( ! ,esprance ,girls' ,club1 ,,cumb]l& ,,m>ket1 ,n4,w4 ,,preface4 ,besides o!r fri5ds1 too num]\s = individual m5tion1 :o h giv5 u able & will+ help 9 ! writ+ ( ?is book1 we desire to t5d] especial ?anks to ! foll[+3 ,to ! ,lady ,isabel ,m>gesson1 by means ( ^: k9d assi/ance we 7 enabl$ to note c]ta9 ( ! dances h]e9 describ$2 to ,miss ,flor5ce ,w>r51 ^: help 0 simply invaluable2 & to ! ,rev4 ,s4 ,b>+ ,g\ld1 = p]mission to reproduce 9 our text ! old woodcut ( ! hi/oric ,kemp1 :o danc$ ! ,morris /eps all ! way f ,london to ,norwi*4 ,,cont5ts ,,introduction ,,hi/orical ,bibliography ,,morris ,,dance ,,tunes ,notes on ,morris ,tunes ,,! ,,dance ,! ,morris ,/ep ,diagrams ( ,morris ,/eps 7expla9+ ,notation-m>ks7 ,positions1 & ,*ange ( ,position 7,diagrams7 ,evolutions ,d[n-&-,back2 & ,up-&-,back ,! ,*a9 7,diagrams7 ,cross-ov] 7,diagrams7 ,back-to-,back 7,diagrams7 ,g-&-come ,! ,r+ ,/eps 9 ,=ego+ ,evolutions ,! ,jump 7expla9+ ,notation-m>ks1 c47 ,! ,h&s 7movem5ts describ$7 ,! ,call ,l5g? ( ,dances 7h[ to %ort5 or ext5d7 ,,special ,,in/ructions ,,= ,,v>i\s ,,dances3-- ,,bean-,,sett+ ,to ,=m ,r+ 7,diagrams7 ,dibb+ ,,c\ntry ,,g>d5s ,notation ( ,h&-/rik+ ,,con/ant ,,billy ,diagram ( ,/ick-tapp+ ,,rigs ,o',,m>l[ ,diagrams ( ,/ick-tapp+ ,,bluff ,,k+ ,,hal ,description ( /ep1 & mann] ( danc+ ,,h[ ,d',,ye ,,d8 ,description1 & note on s++ ,,%eph]d',s ,,hey ,in/ructions = ,/ick-tapp+ & ,diagram ( ,h&-clapp+ ,on hold+ /icks ,,notation 7,detail$ in/ructions = all ! ,dances describ$73-- ,,bean-,,sett+ 7,/ick ,dance7 ,,laudnum ,,bun*es 7,corn] ,dance7 ,,c\ntry ,,g>d5s 7,h&k]*ief ,dance7 ,,con/ant ,,billy 7,/ick ,dance7 ,,trunkles 7,corn] ,dance7 ,,rigs ,o',,m>l[ 7,/ick ,dance7 ,,bluff ,,k+ ,,hal 7,h&k]*ief ,dance7 ,,h[ ,d',,ye ,,d8 7,corn] ,dance7 ,,%eph]d',s ,,hey 7,/ick or ,h&k]*ief ,dance7 ,,blue-,,ey$ ,,/rang] 7,h&k]*ief ,dance7 ,,morris ,,(f ,,introduction4 ,we h be5 drawn to ! publication ( tunes & description ( ! old ,engli% ,morris1 n prim>ily = ! in=mation ( ! ar*ologi/ & s*ol>1 b to help ^? :o may be dispos$ to re/ore a vigor\s & native cu/om to its laps$ pre-em95ce4 ,:e!r we h err$ 9 believ+ t !re exi/s to-day a wide & ke5 desire = t re/oration w be pla9ly %[n 9 ! reception & ! result ( our endeav\r4 ,h[ we ourselves came by ! belief 9 t desire is easily told4 ,! idea t ! ,morris dance might once aga9 be kn[n among/ u1 9 t[n & c\ntryside1 z ! ord]$ expression ( a national _s1 0 giv5 to u 9 ?is wise4 ,"o ( u--x is n by n[ too mu* to claim--_h acquir$ an en?usiasm = ,folk-music1 & a c]ta9 knack ( f9d+ x :]e x /ill surviv$ 9 ! agd memories ( ! peasantry1 & ( transcrib+ & pres]v+ x :5 f\nd4 ,! o!r _h also 8 knack ( pass+ on ! music t pleas$ him to susceptible & will+ juniors1 & ( mak+ !m to p]=m ! same4 ,9 a happy h\r ! collector ) 8 treasury & ! tea*]1 p9+ = "s fre%] & s9c]] melodies1 met toge!r4 ,! ,folk ,songs f ,som]set 7 giv5 to ^? work+ girls ( ,london t[n to :om ?is book is d$icat$4 ,f ! v />t we 7 aw>e t ! old songs1 m]ry or m\rnful1 t until !n _h be5 look$ ^u by ?is new] g5]ation = ! great] "p ) some?+ ( an antiqu>ian & m]ely curi\s eye1 _h be5 giv5 w+s & a new vitality4 ,! songs ( peasant-folk long dead1 songs ( love & w>1 p>t+ & dea?1 prosp]$ & spread 9 ! ,london /reets & workrooms l ! news ( victory4 ,we 7 v well us$ to f9d 9 ^! s+]s apt & will+ le>n]s2 we 7 also us$ to note t :atsoev] we _h f\nd to tea* !m hi!rto1 pass$1 :5 ! p]=mance 0 done1 into =getfulness3 we 7 totally unus$ to f9d ?is f]tility & resonance foll[1 z x foll[$ ^u ! tea*+ ( ! ,folk-songs4 ,x 0 l a s[+ & a full h>ve/ 9 a place :]e1 until n[1 we _h till$ all b unavail+ly4 ,=bye ,folk-songs1 ! collector _h not$1 "s sev5 ye>s be=e1 a set ( ,morris tunes f ,kimb]1 lead] ( ! ,head+ton 7,oxon7 m52 ^! _h la9 until n[ unus$4 ,see+ ! ,folk-music fall ^u su* good gr\nd & fl\ri% s amaz+ly1 ev5 among/ ^! quick-witt$ ,london]s1 /rang]s to ! c\ntryside1 x naturally sugge/$ itself to him t "h 0 ! opportunity1 s long desir$1 to wake ! ,morris f its long sleep4 ,anybody n deaf & bl9d1 or unobs]vant z a /one1 kn[s t ! g5ius ( danc+ is born 9 ! ,london girl ( ! p1 z surely z 9 *ildr5 ( ! sun4 ,we _h ,kimb] & 8 c\s9 up to t[n2 & ! result ( _! com+ f> outran our fonde/ anticipations4 ,! ,morris1 l t magic bean/alk1 seem$ to outwit ! laws ( nature3 we saw x 9 ! he>t ( ,london rise up f its long sleep be=e our v eyes4 ,9 connection ) ?is affair1 ! m5tion ( t well-belov$ fable is appropriate & irresi/ible4 ,! fir/ dance t 0 set be=e ^! ,london]s--^u ?is occasion :i* we en?usia/s make bold to call hi/oric--0 ,bean-sett+4 ,x repres5ts ! sett+ ( ! se$ 9 spr+time4 ,( c\rse ! music1 its lilt & ! /eps t _! =efa!rs _h foot$ to x 9 ! old5 "t1 7 z little kn[n to ^!1 ! ,london born1 z ! tongue & c]emonial ( old ,p]u4 ,z little kn[n1 yet n /range at all2 x 0 a summons nev] he>d until n[1 yet in/antly obey$2 because1 ?\gh unfamili> & un=ese51 x 0 ( ,engl& & came1 ev5 ?\gh x 0 c5turies ^u ! way1 to k9sfolk4 ,let ! precisian expla9 x z he may1 t is our way ( acc\nt+ = an exp]i5ce bo? fruitful & a/\nd+4 ,)9 half an h\r ( ! com+ ( ^! ,morris-m5 we saw ! ,bean-sett+--its ?ump+ & cla%+ ( /aves1 its intricate figures & /eps hi!rto unkn[n--full sw+ ^u a ,london floor4 ,& ^u ! delight$ b some:at daz$ confession ( ! in/ructor1 we saw x p]fect 9 execution to ! lea/ p>ticul>4 ,p]fect1 yet 9 a diff]5t ord] ( p]fection f t atta9able by m54 ,x may be not$ "h & n[ by all :o h to d ) ! in/ruction ( girls 9 ! ,morris1 t ! fem99e temp]am5t inevitably robs ! dance ( some?+ ( its /urd9ess4 ,x is no?+ to lam5t2 = :at is lo/ 9 vig\r is assur$ly m ?an made good 9 gracefulness4 ,at any rate1 !re 0 ,bean-sett+1 p]fect 9 its k9d4 ,no wond] ,jack-&-!-,bean/alk came to m9d & /ay$ !re ) ! memory ( ?is ev5+4 ,x 0 ev5 s ) all ! o!r dances3 to see !m %[n 0 to see !m le>n$4 ,& ! ,folk-songs _h prep>$ u = :at foll[$3 "h 0 no m]e fugitive delight & curiosity1 z ( a *ild ) a new toy4 ,we _h giv5 back to ^! *ildr5 ( ! city no less ?an a bir?right long mislaid4 ,! ,morris-m5 came 9 ,octob]4 ,9 ! foll[+ ,febru>y1 #aijf1 ! songs & dances 7 p]=m$ be=e a company ( fri5ds4 ,! audi5ce1 if v fri5dly1 0 also v critical2 & !re 0 repres5t$ 9 x1 lit]ally1 e elem5t 9 contempor>y society4 ,& e elem5t1 or repres5tatives ( ea*1 exhort$ u to give our p]=mance 9 public1 s9ce x 0 s good t ! _w 9 g5]al mu/ "k ( x4 ,9 ,april1 #aijf1 we did s4 ,! p]=mance 0 giv5 v ne>ly 9 ! height ( ! conc]t season2 9 no ann\ncem5t ( x 0 any m5tion made ( *>ity1 or any lack or ne$ ( funds3 ! ent]ta9m5t 0 run z a public affair4 ,& ! public respond$ s t we fill$ ! hall to ! doors & 7 reluctantly con/ra9$ to refuse admittance to a ho/ beside4 ,! ent]ta9m5t has s9ce !n be5 repeat$ sev]al times2 & e repetition br\ght sub/antial evid5ce ( cont9ually increas+ public int]e/4 ,x %\ld be m5tion$ "h t ,miss ,m>y ,neal1 ( ! ,esprance ,work+ ,girls' ,club1 n only made ! v5ture possible 9 ! beg9n+1 b1 ) h] p[]s ( help & organization1 gave x a rea* & /r5g? t nei!r ( u c\ld h giv54 ,b outside appreciation did n end "h--"o might really say t x only began4 ,inquiries p\r$ 9 f e qu>t] ( ! ,k+dom1 f e class & k9d ( p]son4 ,!y all want$ to "k h[ !y also might be %[n ! way to d z we _h done--revive ^! traditional ,engli% songs & dances 9 _! neighb\rhood1 among/ ! ris+ g5]ation ( ,engli% m5 & wom54 ,"o ( ! inquiries1 z to h[ ! ,morris dances might be import$ !re1 came f ,japan1 :]e all ?+s typically ,engli% are 9 s great reque/4 ,illu/ration3 ,,f ,,! ,,frontispiece ,,( ,,kemp',s ,,n9e ,,daies ,,wond]1 ,,p]=m$ ,,on ,a ,,j\rney ,,f ,,london ,,to ,,norwi*4 ,9 ! case ( ! ,folk-songs1 x 0 easy en\gh to in/ruct ! anxi\s inquir]4 ,b z to ! ,morris dances x 0 o!rwise4 ,"h !re 7 no h&books to recomm5d1 = ! suffici5t reason t n "o exi/$4 ,) ourselves1 & ) ! few--,alas6 v few--traditional ,morris-m5 left 9 ,engl&1 !re repos$ ! only practical k ( ! dances 9 exi/5ce4 ,) all ! goodwill 9 ! _w we c\ld only give !m to o!rs z ! ,morris-m5 gave !m to u--by example1 s9ce 9 ! %ape ( pr9t$ precept !re 0 no?+4 ,s f> z possible ?is dem& = tuition ( ! dances has be51 & is be+1 met4 ,"s ( ! girls already m5tion$ are tea*+ or h taught ! dances 9 _m ,london c5tres & "h & !re 9 eight c\nties at lea/1 includ+ ,monm\? & ,d]by1 ,devon & ,norfolk1 & ! ,home ,c\nties4 ,b ! dem& is great & gr[+1 ! supply is obvi\sly limit$4 ,9 ,london alone x might be met1 or ne>ly s2 b 9 ! prov9ces1 ) exi/+ or possible res\rces1 x _c be1 ev5 if we c\ld comm& ! s]vices ( ! spirit$1 hi/oric ,kemp1 :o danc$ ! ,morris all ! way f ,london to ,norwi*--see plate opposite4 ,?is indefatigable travell]1 incid5tally1 is some:at curi\sly figurative ( ?is latt]-day revival ( ! ,morris--( its re/oration by t[nsfolk to dwell]s 9 ! c\ntry4 ,?us we 7 fac$ ) a sudd5 dem& & v limit$ means :]e) to meet x4 ,9 ^! circum/ances we naturally be?\ght ourselves ( possible exp$i5ts4 ,to u x seem$ practicable to meet x only 9 "o way--?r\gh ! writ+ ( a book on ,morris danc+1 by ! help ( :i* ev5 ^? :o _h nev] se5 ! dances p]=m$ might be enabl$ to le>n !m1 & s pass !m on4 ,! result ( our endeav\rs mu/ decl>e itself 9 ! ef=ts ( o!rs to make use ( ?is little h&book4 ,t !re is a dem& = x is v sure3 :e!r we h succe$$ 9 putt+ toge!r an intelligible & a workable manual ( dances--notori\sly a v h>d ?+ to d--w be told pres5tly 9 ! tally ( practis+ ,morris-danc]s 9 ,engl&--& ,japan4 ,we h aim$ at simplicity1 brevity & cle>ness 9 ! description4 ,z to ! ext5t ( ! dem& & its con/ant t5d5cy to increase1 s f>1 !re c be no d\bt4 ,z to ! p]man5ce ( ! dem&1 z to :e!r ! ,morris dance is likely to become aga91 z once x 01 a feature ( our national life1 "o c only surmise4 ,= ourselves1 we believe absolutely 9 ! p]man5ce ( ?is revival1 & t ^! a/\nd+ results ( our ef=ts hi!rto are evid5ce1 n ( a fleet+ phase or vogue b ( no less ?an t we h re/or$ to our own p a rightful inh]itance1 a means & me?od ( self-expression 9 movem5t1 native & s9c]e1 su* z is (f]$ by no o!r =m ( danc+ kn[n to u4 ,! out/&+ feature ( all our ,engli% in/itutions is _! cont9uity3 to h cont9uity y mu/ h age & a hall[$ tradition3 ^! we h 9 ev]y?+ national1 save only 9 our songs & dances4 ,^!1 al?\gh we are any?+ b an imitative race1 we h import$ f un-,engli% l&s1 ) ! inevitable result t 9 dance & music we express ev]ybody b ourselves4 ,we %all g on do+ s until ! treasure-h\se ( our ,folk-music & dances--n[ = sev]al g5]ations my/]i\sly clos$ to u--%all be re-op5$4 ,9 ?is h&book we h tri$ to d some?+ t[>ds re/or+ t =sak5 repository to its rightful pre-em95ce4 ,,hi/orical4 ,we claim = ?is sket* no complet5ess3 we are *iefly conc]n$ ) ! ,morris z a laps$ yet liv+ art1 call+1 z we hold1 = revival2 we look to ! ,morris-m51 n prim>ily z subject-matt] = ! indu/ri\s ar*ologi/1 b z h]alds to ! sweet5+ ( ! t[n life ( ,engl& & ! re-peopl+ ( h] =sak5 c\ntryside4 ,we h nev]!less tak5 "s tr\ble 9 our se>* = all t is int]e/+ & g5u9e z conc]ns ! ,morris1 9 ! lit]ature ( our own c\ntry1 & o!rs4 ,= ! b5efit ( ^? incl9$ to foll[ ! subject f>!r 9 its hi/orical aspect ?an x is h]e9 treat$1 we h app5d$ a li/ ( books 9 :i* we h f\nd items ( int]e/4 ,s f> z we c discov]1 !re is no s+le "w devot$ to ! topic3 all t is to be glean$ ( x f books consi/s only 9 scraps ( in=mation1 mo/ ( !m v brief1 "s contradictory2 z a rule almo/ casually introduc$ 9 works ^u danc+1 anci5t games & cu/oms1 & su* l4 ,ev5 ! orig9 ( ! "n ,morris & ! true s\rce ( ! dance are n to be trac$ ) absolute c]ta9ty4 ,mo/ au?orities accept1 or ass]t1 t ! dance is ,moori% 9 orig93 "s aga9 br+ evid5ce to %[ t ! ,engli% ,morris 7or ,morrice7 ow$ no?+ :atev] to ! ,moors4 ,/ill1 ! weight ( te/imony mu/ be held to %[ ,morocco z ! f\nt & orig91 no matt] if ! g5ius ( our own folk--s v f> remov$ f any?+ native to ,africa--has1 9 ! process ( ! c5turies1 alt]$ x until x be>s1 9 _s1 little resemblance to ! p>5t /ock4 ,if ! _s has be5 ,anglicis$1 ! /eps rema94 ,tab\rot1 = in/ance1 a v qua9t & int]e/+ writ] on danc+1 tells u t :5 he 0 a y\?--t w\ld be e>ly 9 ! #af? c5tury--x 0 ! cu/om 9 good society = a boy to come into ! hall aft] supp] ) 8 face black5$1 8 =ehead b\nd ) :ite or yell[ taffeta1 & bells ti$ to 8 legs4 ,he !n proce$$ to dance ! ,morisco ! l5g? ( ! hall1 =? & back1 to ! great amusem5t ( ! company4 ,s says ,tab\rot1 long dead2 & to-day we le>n t1 9 mo/ w9t]s1 a side ( ,morris-m5 dances at ,:ite ,ladies ,a/on1 "o-&-a-half mile f ,spet*ley1 ,worce/]4 ,!y black5 _! faces & h = music accordion1 triangle1 & tamb\r9e3 _! flute-play] di$ rec5tly4 ,tab\rot sugge/s t ! bells might h be5 borr[$ f ! crotali ( ! anci5ts 9 ! ,pyrrhic dance4 ,he !n describes ! m mod]n ,morris dance1 :i* 0 p]=m$ by /rik+ ! gr\nd ) ! =e "p ( ! feet2 b z ?is prov$ fatigu+ ! "w 0 giv5 to ! heels1 ! toes be+ kept firm1 :]eby ! bells j+l$ m effectively4 ,he adds t ?is me?od 9 turn 0 modifi$1 z x t5d$ to br+ on g\ty compla9ts4 ,we are giv5 by ! same writ] a notation ( ! ,morisco1 or ,morisque1 music1 /eps1 & description3 ?is %[s z ne>ly z possible ! /eps ( ! ,morris z we h se5 x danc$ 9 ,engl& to-day4 ,aga91 ,engel1 9 a passage to u ( extraord9>y int]e/1 gives 9 mod]n notation 444 "o ( ! tunes head$ ,la ,morisque1 probably ! olde/ tune ( ! fam\s ,morris dance /ill extant4 ,z x is int]e/+ f hav+ be5 pr9t$ 9 ! ye> #aeej1 :5 mo/ likely x 0 already an old tune1 x %all be ins]t$ "h 4444 ,& !re we f\nd ! same tune :i* ,tab\rot gives = ! dance t he describ$1 z we h already told4 ,x is ! tune ( ,morris ,(f1 :i* we reproduce 9 our books ( tunes4 ,j a few weeks e>li] we _h tak5 d[n1 at ,r$dit*1 f ! fiddl] ( ! ,bid=d ,morris-m51 ! same tune1 note = note1 z ,tab\rot gives x4 ,"h 9 tru? is a signal in/ance ( t p]si/5ce & cont9uity :i* is always cropp+ up1 to ! la/+ amazem5t & delight ( ! /ud5t ( ,folk-music--to ! delight m especially ( ! /ud5t :o1 l ourselves1 holds t 9 our ,folk-music is a treasury n to be ho>d$ = ! delectation ( ! s*ol>1 b to be exp5d$ ) bo? h&s = ! revivify+ ( a national _s4 ,! ,morris1 !n--once also ! ,moresc--( ,engl&2 ,la ,morisque & ,morisco ( ,france2 ! ,moresca ( ,corsica1 danc$ by arm$ m5 to repres5t a conflict betwe5 ,moors & ,*ri/ians--is 9 all reasonable probability ,moori% 9 orig93 nev] m9d if 9 our own c\ntry x is become z ,engli% z fi/icuffs1 z ! dance call$ ,h[ d'ye d w %[--:]e9 our own folk1 aft] _! own mann]1 h sugge/$ /rife1 z 9 ! ,corsican v>iety4 ,holl&1 z is told by ,engel1 0 infect$ too2 indu/ri\s rese>*1 9 fact1 w probably %[ t ! ,morris 9 "s %ape or o!r 0 kn[n ?r\gh\t ,europe1 & beyond4 ,z = ! date ( its introduction into ,engl& t is impossible to /ate ) c]ta9ty2 b mo/ au?orities po9t to ! "t ( ,edw>d ,,iii41 maybe :5 ,john ( ,gaunt return$ f ,spa91 z probably ! e>lie/ :5 ,morris-m5 7 se5 9 ,engl&4 ,x is said also t we _h x f ! ,fr5*2 ano!r lays its introduction to ! cr$it ( ! ,flem+s4 ,! w9d[ ) its ,morris-m5 %[n 9 our frontispiece is probably ( ! "t ( ,edw>d ,,iv4 ,s*emes ( wid] rese>*1 h[ev]1 we are cont5t to leave 9 ! h&s ( ! intrepid ,folk-lori/4 ,we are conc]n$ "h to extract f a mass ( notes & ref]5ces "s out/&+ few1 to rem9d practis+ & pot5tial ,morris-danc]s ( to-day t ?is new-old art1 if n indig5\s1 has be51 l _m ano!r =eign importation1 assimilat$ mu* to our advantage4 ,! ,morisco1 f :i* our own ,morris has obvi\sly desc5d$1 seems to h be5 orig9ally bo? a solo & squ>e dance1 ! latt] be+ p]=m$ by sides 7t is1 sets7 ( six4 ,! solo ,morris exi/$ all along1 & /ill exi/s4 ,:5 we saw our fri5d ,kimb] 7m5tion$ else:]e7 dance 8 ,morris jig to ! tune ( ,rodney1 _h our o!r old fri5d ,tab\rot be5 pres5t 9 ! _s--maybe he 0--he ne$ h alt]$ no?+ 9 ! description we h quot$ b to sub/itute = ! boy ) 8 face black5$ a /urdy ,engli% yeoman1 & to note "s diff]5ces 9 ! get-up ( ! danc]4 ,! solo dance has be5 p]=m$ also at ,bampton1 betwe5 tobacco-pipes laid crosswise on ! gr\nd--to ! tune ( ! ,bacca ,pipes jig1 or ,gre5 ,sleeves--sugge/+ ! ,scotti% sword-dance1 & 9 _m o!r fa%ions4 ,ano!r feature 9 ! hi/ory ( ! ,engli% ,morris1 :i* by ?is "t may be call$ impossible to acc\nt = ) any exactitude1 is t 9 ! eld] days ! ,mumm]s & _! plays1 ! ,rob9 ,hood games & o!r anci5t div]sions ) _! *>act]s & cu/oms1 became alli$--or r mix$ up--) ! ,morris-m51 ^u ,may-day & occasions ( fe/ivity su* z ! ,leet-ales1 ,lamb-ales1 ,bride-ales1 c4 ,to :at ext5t !y 7 alli$1 or mix$1 w probably baffle ev5 ! comb9$ p[]s ( all our ar*ologi/s to discov]4 ,9 an old woodcut1 = in/ance1 pres]v$ on ! title ( a p5ny hi/ory 7,adam ,bell1 c47 pr9t$ at ,newca/le 9 #aggb1 is app>5tly ! repres5tation ( a ,morris dance1 consi/+ (--,a ,bi%op 7or fri>71 ,rob9 ,hood1 ! ,pott] or ,begg>1 ,little ,john1 ,fri> ,tuck1 ,maid ,m>ian4 ,rob9 ,hood & ,little ,john c>ry b[s ( l5g? befitt+ ! size ( ea*4 ,! w9d[1 too1 %[n 9 ! frontispiece is pro( t ! ,morris-danc]s 7 att5d$ by o!r *>act]s4 ,! foll[+1 f ,b5 ,jonson's ,! ,metamorphos$ ,gipsies1 supplies fur!r evid5ce to ! same effect3-- ,!y %\ld be a ,morris danc]s by _! j+le1 b !y h no napk9s4 ,no1 nor a hobby horse4 ,oh1 he's (t5 =gott51 t's no rule2 b !re is no ,maid ,m>ian nor fri> among/ !m1 :i* is ! sur] m>k4 ,nor a fool t ,i see4 ,b o!r *>act]s1 introduc$ = :atsoev] reason1 gradually disappe>$1 until ! ,morris company1 z a g5]al ?+1 consi/$ only ( ! danc]s1 ! pip]--t is1 ! musician--& ! fool4 ,! hobby-horse1 describ$ lat]1 0 habitually associat$ ) ! ,morris1 until ! ,puritans1 by _! prea*+s & invective1 succe$$ 9 bani%+ x z an impi\s & pagan sup]/ition4 ,?is acc\nts = ! expression1 ,! hobby-horse q =gott52 & gives a t\* ( prophecy to ,%akespe>e's lam5t3 ,=1 ,o1 =1 ,o1 ! hobby-horse is =got4 ,z is well kn[n1 h[ev]1 ! hobby-horse /ill prances 9 ,engl& to-day2 at ,m9ehead & ,pad/[1 = in/ance1 z an anci5t & hall[$ in/itution on its own acc\nt1 & p]=m+ ) ! ,morris-m5 at ,bid=d4 ,o!r implem5ts & *>act]s may be f\nd1 us$ by & p]=m+ ) ! ,morris-m51 t orig9ally _h no connection ) ! ,morris1 b 7 borr[$ f o!r pa/imes4 ,z we h said1 h[ev]1 ?is sets out to be no exhau/ive /udy1 :e!r ( ! ,morris :5 x 0 a national dance1 or ( all its survivals at ! pres5t "t4 ,su* a /udy w\ld 9 scope & purpose f> outrun ! limits ( our int5tion4 ,broadly speak+1 ! peculi> *>act]i/ics ( ! ,morris1 z x 0 9 its heyday & z x has surviv$ among/ u1 are ^!3 ,leav+ aside ! solo dances1 ^u :i* we %all n t\* fur!r1 ! ,morris is p]=m$ by six m52 ! records %[ t wom5 h occasionally1 b r>ely1 figur$ z p]=m]s4 ,a musician is ( c\rse indisp5sable2 also1 z x seems1 a fool1 to supply comic relief & give ! danc]s brea?+-"t4 ,! fool (t5 goes by ! "n ( ,squire1 sometimes ( ,rodney4 ,^! are practically inv>iable2 b beyond & beside ^!1 o!r *>act]s h accompani$ ! danc]s4 ,! hobby-horse we h already m5tion$ z a popul> addition4 ,"s took ) !m an assi/ant1 call$ ! ragman1 to c>ry ! danc]s' extra clo?+4 ,!n1 a p]son 9 v>i\s disguises & habilim5ts w5t--& /ill goes--) ! danc]s to collect money1 if x might be1 f admir+ look]s-on3 sometimes ! fool himself s]v$ bo? z ! type ( unwisdom & its opposite1 :o be>s ! money-box4 ,9 "s p>ts ( ! c\ntry a swordbe>] accompani$ ! ,morris-m54 ,?is (fic] c>ri$ a ri* p\nd-cake impal$ ^u 8 sword-po9t--cake & sword 7 be-ribbon$1 ! =m] be+ suppli$ by "s local lady2 & dur+ ! dances slices ( x 7 giv5 among/ ! audi5ce :o 7 expect$ to respond ) co9 = ! treasury4 ,a slice ( cake 0 by way ( br++ luck to ! receiv]2 ! cr$ul\s ev5 treasur$ a piece ( x ! ye> r\nd z a m9i/] ( good =tune4 ,g5]ally speak+1 ^! mu/ be reg>d$ z ! fix$ & regul> p]=m]s & accompanim5ts ( ! ,morris4 ,b1 accord+ to "t & place1 ! additions to & v>ieties ( ^! 7 innum]able4 ,:5 ! dance 0 popul>1 x may almo/ be said t e village sport+ a tr\pe _h its own peculi> v>iation 9 dress or "* or o!r p>ticul> ( its programme & p]sonnel1 by :i* x 0 kn[n2 & by ^! s+ul>ities ea* set ( ,morris-m5 & _! back]s held resolutely4 ,!re 0 competition1 once1 among/ ! ,morris-folk z !re is to-day among/ football teams & _! adh]5ts4 ,_m a b\t1 begun 9 fri5dly rivalry1 end$ 9 a scrimmage1 9 :i* ! /aves br\ght = use & ornam5t 9 ! dance 7 us$ to break heads )4 ,we are gr[n va/ly m delicate & ref9$ s9ce !n1 x is suppos$4 ,be=e we g on to note "s lead+ features 9 ! dress & p>aph]nalia ( ! ,morris-m51 "o m memory ( ! days t are gone--maybe 9 "s fa%ion to return1 maybe n--tempts to quotation4 ,x is f ! *ur*-w>d5s' acc\nts ( ! p>i% ( ,k+/on-^u-,?ames1 & 9 our prejudic$ eyes has a dignity1 & someh[ a promise1 all its own4 ,x is f ,lysons' ,environs ( ,london1 vol4 i41 #agib1 p4 #bbf1 & runs3-- ,= paynt+ ( ! mores g>m5ts & s4 d4 = s>t5 gret lev]es #j #b #d ,= #d plyts & ( lawn = ! mores g>m5ts #j #b #aa ,= ors$5 = ! same #j #j #aj ,= bellys = ! dawns>s #j #j #ab ,= silv] pap] = ! mores dawns>s #j #j #g ,%oes = ! mores dawns>s1 ! fr]e & mayde ,m>yan at #g;d4 ! payre #j #e #d #h y]ds ( fu/yan = ! mores dawns>s coats #j #f #j ,a dosyn ( gold skynnes = ! morres #j #j #aj #e hats & #d porses = ! dawns>s #j #j #d ,z a conclusion to ?is imp]fect sket* we w\ld po9t once m to ! w>ranty ( its imp]fections & sket*9ess (f]$ 9 ! beg9n+4 ,we hope = x no m ?an t x may s]ve to direct ^? incl9$ to be/[ ^u ! ,morris a clos] /udy1 to at lea/ ! beg9n+s ( an en?rall+ subject4 ,s mu* = ! orig9 & hi/ory ( ! art4 ,z = its liv+ practition]s3 ( ! m51 = in/ance1 ( ,gl\ce/]%ire1 ,norfolk1 ,lanca%ire1 ,nor?umb]l&--! la/-nam$ ( :om danc$ ! o!r day be=e ! ,k+ at ,alnwick ,ca/le "u ! "n ( ,guis>ds--& else:]e1 we (f] no precise in=mation4 ,x may be t "o day we %all be privileg$ to d s4 ,b = ! tunes we h set d[n1 & = ! dances belong+ !reto we h attempt$ to describe1 we d claim t 9 ^! we h tri$ mo/ fai?fully to pass on to o!rs :at ! ,morris-m5 gave to u4 ,,musical ,,in/rum5ts4 ,9 e>lie/ days ( ! ,morris1 music 0 made by a simple pipe1 by pipe & tab\r1 or ! bagpipe4 ,( ^! ! bagpipe 0 app>5tly ! orig9al4 ,an old madrigal1 pr9t$ 9 #affj1 runs ?us3 ,h>ke1 h>ke1 ,i he> ! danc+ ,& a nimble morris pranc+2 ,! bagpipe & ! morris bells ,t !y are n f>re h5ce u tells2 ,come let u goe ?i!r1 ,& dance l fri5ds toge!r4 ,s9ce ! disappe>ance ( ! bagpipe1 pipe & tab\r 7call$ :ittle & dub7 h be51 ev5 )9 ! memory ( liv+ m51 ! accept$ in/rum5ts :]e) to make music & beat "t = ! ,morris4 ,!y are n[ fall5 into disuse4 ,! pipe or :ittle 0 ( wood1 really an e>ly =m ( ! flageolet1 ov] a foot long2 sometimes x _h a metal tongue 9 ! m\?piece2 two f+]-holes & a ?umb-hole to v>y ! note1 & 0 play$ ) ! left h&4 ,f ! left ?umb ! tab\r1 or dub1 0 susp5d$ by a loop3 ! dub 0 a m9iature drum1 elaborately made1 & 0 beat5 by a /ick held 9 ! "r h&4 ,pipe & tab\r 7 sometimes play$ by sep>ate m54 ,at ! pres5t "t ! music is g5]ally play$ on a fiddle2 ?\gh "h1 aga91 hav+ no complete k ( all ! traditional danc]s /ill left among u1 we (f] no precise /atem5t z to ! in/rum5ts /ill 9 use4 ,"o ,morris-man we knew made music on a conc]t9a4 ,see plate opp4 p4 #bb4 ,,dress4 ,9 ! matt] ( dress1 old-"t acc\nts prove t ! ,morris-m5 indulg$ 9 consid]able v>iety2 & ev5 among/ pres5t-day inh]itors ( ! tradition !re are _m diff]5ces4 ,/ill1 c]ta9 features may be reg>d$ z common1 & ! dress ( ,mr4 ,salisbury 7plate opp4 p4 #ba71 lead] ( ! ,bid=d m51 may be cit$ z typical4 ,! tall hat1 ?\gh n univ]sal1 is ! mo/ popul> & g5]al headge>2 & ?is danc] & 8 m5 wore a broad b& ( plait$ ribbons on _! hats "s two-&-a-half in*es wide1 9 r$1 gre5 & :ite4 ,! elaborately frill$ & pleat$ :ite %irt is also typical2 ?is 0 ti$ at wri/ & elb[ ) blue ribbons1 ! ends left hang+4 ,! bree*es 7 ( fawn-%ad$ corduroy1 ) braces ( :ite webb+2 on ! braces 7 p9n$1 9 front & at ! back1 level ) ! brea/1 rosettes ( r$1 :ite & blue ribbons1 ! ends left hang+4 ,! tie 0 ( ! same blue ribbon z t 9 ! rosettes1 also ) ! ends long & loose4 ,! boots1 z befitt$ ! /urdy "w !y _h to d1 7 sub/antial2 ! /ock+s ( r\gh grey wool1 :i* %[$ betwe5 ! boots & bree*es4 ,illu/ration3 ,,mr4 ,,salisbury1 ,,lead] ,,( ,,! ,,bid=d ,,morris-,,m5 7#aijf74 ,illu/ration3 ,,! ,,bid=d ,,morris ,,side4 7,,fiddl] 9 =egr\nd1 to ! "r2 ,,hobby-,,horse--left1 & ,,fool--c5tre1 beyond ,danc]s47 ,9 ! case ( ,mr4 ,kimb]1 lead] ( ! ,head+ton m5 7plate opp4 p4 #bb71 ! dress1 x w be notic$1 0 simpl]4 ,a :ite sweat] took ! place ( ! pleat$ %irt2 ribbons ( r$1 :ite & blue 7 cross$ ^u ! *e/2 ! tr\s]s 7 ( :ite flannel4 ,"s notes on ! bells & on ! mann] ( fix+ !m w be f\nd "u ! head+ ,bells4 ,! fool's dress w\ld seem to be design$ to-day1 z 9 ! old5 "t1 ^u no p>ticul> plan1 b to foll[ ! fancy ( ! individual we>]4 ,! ,bid=d man1 :om we saw at 8 really funny antics1 _h a fox's mask = headge>1 ! muzzle ly+ on ! man's =ehead1 ! bru% hang+ d[n 8 back4 ,8 face 0 raddl$ l a cl[n's2 he _h a ve/ ( c[hide1 ) r$ sleeves2 /ock+s & bree*es mu* l ! danc]s'1 & he wore 8 bells1 n on a %9-pad l !m1 b 9 a r[ all r\nd ! boot-top4 ,he c>ri$ a bladd] on ! end ( a /ick1 & ) x he freely :ack$ ! hobby-horse man & occasionally memb]s ( ! audi5ce4 ,! hobby-horse man ( ! same company 0 dress$ l a jockey2 &1 :ile ! danc]s _h a re/1 he & ! fool c>ri$ on innum]able cap]s1 sometimes back+ 9 among/ ! audi5ce1 occasionally ov]turn+ a few1 & n[ & !n *as+ any maid t c\ld be />t$ on ! run4 ,if ?is pair be typical ( ! old5 "t1 we c answ] = x t _! fun 0 upro>i\s & p]fectly :olesome4 ,,bells4 ,to ! we>+ ( bells1 /it*$ ^u ?ongs & ti$ to ! %91 !re w\ld seem to be no exception among/ ! ,morris-folk1 ev5 f ! e>lie/ times4 ,! celebrat$ ,kemp1 :o danc$ ! ,morris all ! way f ,london to ,norwi* 9 #aeii1 & ^: picture we reproduce1 wore 8 bells 9 ! traditional mann]4 ,! records %[ t1 ev5 9 rec5t times1 bo? treble & t5or bells 7 worn1 ea* c>ri$ by ! opposite files ( danc]s4 ,!re are acc\nts also ( bells ) f\r diff]5t tones4 ,b n[adays c]ta9ly ! rule is t bells all ( a k9d are worn by all ! danc]s--latt5 bells1 if t be /ill ! correct "n = ! k9d ( bell to be f\nd ^u ! h>ness t *ildr5 use :5 !y play at horses4 ,! %9-pad t c>ries ! bells v>ies to "s ext5t 9 ! details ( its con/ruction2 ! numb] ( bells also v>ies4 ,sometimes ! v]tical /rips & lat]al ties ( ! pad are ( ribbon or braid2 maybe (t5] ( lea!r4 ,sometimes ! bells are /it*$ ^u ! lat]al ties1 top & bottom2 x is m usual1 h[ev]1 to fa/5 !m on ! p]p5dicul> /rips4 ,! :ole bell-pad is "s sev5 in*es squ>e1 & is worn midway betwe5 knee & ankle4 ,kimb]1 z w be se5 7plate opposite71 we>s twelve bells on ea* leg1 9 ?ree p]p5dicul> r[s ( f\r ea*4 ,,h&k]*iefs4 ,"s danc]s c>ry a :ite h&k]*ief--! middle f+] ?ru/ ?r\gh a hole 9 "o corn]--9 all _! dances2 we h1 else:]e1 describ$ ! dances z we h se5 !m p]=m$1 ) & )\t ! h&k]*ief4 ,illu/ration3 ,,mr4 ,,kimb]1 ,,lead] ,,( ,,! ,,head+ton ,,morris-,,m5 7#aijf7 ,,/icks4 ,! /ick1 or /aff1 us$ 9 "s dances1 & ! mann] ( us+ x1 are describ$ else:]e4 ,sometimes a bun* ( ribbons is ti$ to ! butt2 sometimes x is left unadorn$4 ,,o!r ,,p>aph]nalia4 ,z to ! fool's prop]ties1 he always c>ries1 aft] ! "t-hon\r$ fa%ion ( ! cl[n1 a bladd] sw++ on ! end ( a /ick1 or ladle2 9 "s p>ts1 ev5 to-day1 he is obs]v+ cu/om if he has a c['s tail on ! o!r end3 ?is to be us$ also to :ack ! unsuspect+ look]-on4 ,! hobby-horse is1 fundam5tally1 ( wick] or "s /\t fabric /ay$ ) wood1 hav+ a hole f :i* its rid]1 or footman1 em]ges to ! wai/1 & is slung ^u 8 %\ld]s 9 ! famili> mann]4 ,! horse's head & tail1 a pair ( /ock+s /uff$ & %od--& ludicr\sly disproportionate to ! bulk ( ! horseman2 ! bit & bridle & cap>ison1 may all be fa%ion$ accord+ to ! horseman's hum\r4 99 99 99 99 99 ,illu/rations ( ,%akespe>e & ( anci5t mann]s4 ,two vols4 ,london1 #ahjg4 ,francis ,d\ce4 ,glig-,gam5a ,angel-,deod1 or ,! ,sports & ,pa/imes ( ! ,p ( ,engl&4 ,london1 #ahja4 ,joseph ,/rutt4 ,obs]vations on ,popul> ,antiquities4 ,newca/le-^u-,tyne1 #aggg4 ,john ,br&4 ,or*esographie1 et traicte en =me de dialogue1 p> lequel t\tes p]sonnes peuv5t facilem5t appr5dre et practiqu] l'honne/e ex]cise des dances4 ,l5gres1 #aehh 7s9ce repr9t$ & edit$ by ,laure ,fonta1 ,p>is1 #ahhh74 ,?o9ot ,arbeau 7i4e41 ,jehan ,tab\rot74 ,%akespe>e & 8 ,times4 ,two vols4 ,london1 #ahag4 ,dr4 ,na?an ,drake4 ,rob9 ,hood ,ballads4 ,london1 #bnd edition1 #ahcb4 ,joseph ,ritson4 ,! ,environs ( ,london4 ,f\r vols41 #agib-if4 ,daniel ,lysons4 ,hi/ory ( ,music4 ,five vols41 #aggf4 ,repr9t$1 ,novello1 ,ew] & ,co41 #ahec1 two vols4 ,sir ,john ,hawk9s4 ,popul> ,music ( ! ,old5 ,"t4 ,two vols4 ,london1 #ahee-ei4 ,william ,*appell4 ,%akespe>e & ,music4 ,london1 ,d5t & ,co41 #ahif4 ,edw>d ,w4 ,naylor1 ,m4,a41 ,mus4 ,bac4 ,kemp's ,n9e ,daies wond]1 p]=m$ on a j\rney f ,london to ,norwi*4 ,edit$ f orig9al4 ,privately pr9t$1 ,ed9burgh1 #ahhd4 ,e4 ,goldsmid4 ,! ,lit]ature ( ,national ,music4 ,london1 ,novello1 ,ew] & ,co41 #ahgi4 ,c>l ,engel4 ,! ,abbot4 7,note to *ap4 #ad47 ,sir ,walt] ,scott4 ,! ,fair ,maid ( ,p]?4 7,note to *ap4 #bj47 ,sir ,walt] ,scott4 ,%akespe>e4 7,note to ,h5ry ,,iv41 ,"p ,i47 ,/eev5s4 ,notes & ,qu]ies4 ,diction>y ( ,music & ,musicians4 ,f\r vols4 ,london1 ,macmillan & ,co41 #ahgi-ahii4 ,edit$ by ,sir ,george ,grove4 ,! ,transactions ( ! ,folk-,lore ,society4 ,vol4 #h1 #ahig4 ,a ,treatise on ! art ( danc+4 ,by ,giovanni-,&rea ,gall9i4 ,london1 #agib4 ,danc+ 9 all ,ages4 ,london1 #ahgi4 ,edw>d ,scott4 ,a ,lytell ge/e ( ,rob9 ,hode1 c4 ,two vols4 ,london1 ,longmans1 #ahdg4 ,,morris ,,dance ,,tunes4 ,!re is n mu* in=mation ab\t ,morris tunes to be ga!r$ f books4 ,*appell1 = in/ance1 9 8 ,popul> ,music ( ! ,old5 ,"t1 ,i41 pp4 #abe & #acj1 gives b two ,morris dance-tunes1 ,! ,/a9es ,morris ,tune & ,trip & ,g2 :ile ,mr4 ,edw>d ,naylor1 9 ! app5dix to 8 ,%akespe>e & ,music1 only pr9ts ! same numb]--,an ,engli% ,morris1 #afej 7a v>iant ( ,*appell's ,/a9es ,morris ,tune71 & an ,italian ,moresca by ,claudio ,montev]de1 #afjh4 ,9 ,grove's ,diction>y ( ,music 7old ed471 ,,ii41 p4 #cfi1 ?ree ,morris tunes are record$3 ,arbeau's ,morris ,(f1 a ,york%ire melody f\nd$ on t ( ,! ,lit]>y ,du/man1 & a ,*e%ire ,morris to words beg9n+3-- ,morris ,dance is a v pretty tune1 ,i c dance 9 my new %oon2 ,9 an int]e/+ & mo/ in/ructive pap] on ,morris-danc+ 9 ,ox=d%ire1 read by ,mr4 ,p]cy ,mann+ be=e ! ,folk-,lore ,society1 & pr9t$ 9 _! ,transactions = ,decemb]1 #ahig1 five tunes are giv53 ,gre5 ,g>t]s1 ,con/ant ,billy1 ,will[ ,tree1 ,maid ( ! ,mill1 & ,bob & ,joan4 ,mr4 ,mann+ also quotes ! names only ( ! foll[+ ,morris dances & songs3 ,h&some ,john1 ,highl& ,m>y1 ,gre5 ,sleeves1 ,trunk ,hose1 ,cockey ,br[n1 ,! ,old ,road1 ,moll o' ! ,:ad1 ,! ,cuckoo1 ,! ,cuckoo's ,ne/1 ,:ite ,jock1 & ,hey ,morris4 ,! fir/ ?ree ( ^!1 z well z ! tunes previ\sly m5tion$1 7 sung or danc$ by ! m5 ( ,bampton2 ! rema9d] by ! ,morris m5 ( ,field ,ass>ts4 ,our own inve/igations enable u to add v mat]ially to exi/+ k ( ?is bran* ( ! subject4 ,we h not$ d[n betwe5 tw5ty & ?irty ,morris tunes1 & h collect$ ! names ( sev]al o!rs1 :i* no d\bt we %all ev5tually acquire z well4 ,! li/ giv5 bel[ consi/s almo/ entirely ( tunes :i* are /ill 9 con/ant use by ,morris-m5 9 ,gl\ce/]%ire1 ,worce/]%ire1 ,ox=d%ire1 & ,d]by%ire4 ,! figures 9 brackets record ! numb] ( times we h collect$ ! same tune1 or v>iants ( x1 f diff]5t ,morris sides4 ,laudnum ,bun*es4 ,bean ,sett+4 ,con/ant ,billy 7#c74 ,blue-,ey$ ,/rang]4 ,! ,rigs o' ,m>l[ 7#b74 ,old ,"m ,ox=d4 ,! old ,woman toss$ up 9 a blanket 7#b74 ,jockie to ! ,fair4 ,rodney4 ,h[ d'ye d8 ,trunkles 7#d74 ,c\ntry ,g>d5s4 ,brighton ,camp 7,! ,girl ,i've left beh9d me7 7#b74 ,%eph]d's ,hey 7#c74 ,bluff ,k+ ,hal4 ,we won't g home till morn+4 ,pr9cess ,royal 7#b74 ,heel & ,toe4 ,morris ,(f4 ,gre5 ,sleeves4 ,hey ,morris4 ,! ,cuckoo's ,ne/4 ,swag & ,boney4 ,! ,gallant ,huss>s4 ,! ,briti% ,gr5adi]s4 ,! ,vic> ( ,bray4 ,! ,%]borne ,jig4 ,belle ,isle's ,m>*4 ,two ,d]by%ire tunes 7,?is is x1 & ,t is x47 ,x mu/ be rememb]$ t our inve/igations h up to ! pres5t be5 conf9$ )9 a limit$ area1 & t we h n yet attempt$ to deal ) ! nor!rn c\nties ( ,engl&4 ,! exp]i5ce1 h[ev]1 t we h already acquir$ is en\gh to prove t !re are a mu* l>g] numb] ( traditional ,morris tunes /ill to be f\nd 9 c\ntry di/ricts ?an mo/ p w\ld imag9e4 ,un=tunately1 _m ,morris sides h be5 disb&$ )9 ! la/ two or ?ree decades1 & our field ( "w is !re=e becom+ m & m re/rict$2 = x is difficult1 & 9 _m cases impossible1 to acquire accurate in=mation unless ! ,morris side is actually 9 be+4 ,we int5d1 h[ev]1 to cont9ue our inquiries )\t pause1 9 ord] t we may collect all ! exi/+ tunes & o!r in=mation ^u ?is mo/ int]e/+ subject be=e x is too late4 ,we app5d "s notes on ! tunes :i* we are publi%+ 9 connection ) ?is volume1 ) ! exception ( ,bean ,sett+1 ,trunkles1 & ,laudnum ,bun*es1 ab\t :i* we "k no?+4 ,,notes ,,on ,,morris ,,tunes4 ,,h[ ,d',,ye ,,d8 ,comp>e ,bl[zabella1 my b\nc+ ,doxie1 9 d',urfey's ,pills to purge melan*oly1 ,i41 p4 #aij 7,ed4 #agai74 ,,rigs ,o' ,,m>l[4 ,?is air is pr9t$ 9 ,burke ,?umo?'s collection ( ,iri% ,airs 7#agbj71 9 ,hold5's ,old ,iri% ,tunes 7#ahjf71 & 9 ,songs ( ,irel&1 p4 #afd 7,boosey74 ,t4 ,cr(ton ,crok] quotes ! words ( ! orig9al song 9 ,! ,popul> ,songs ( ,irel& 7#ahci71 ( :i* ! fir/ v]se is z foll[s3-- ,,air--,s&y l5t ! man 8 ,mull4 ,beau+1 bell+1 danc+1 dr9k+1 ,break+ w9d[s1 damn+1 s9k+1 ,ev] rak+1 nev] ?9k+1 ,live ! rakes ( ,mall[4 ,mr4 ,kimb]1 ! lead] ( ! ,head+ton ,morris1 c\ld only give u ! fir/ v]se ( _! song1 :i*1 h[ev]1 is q diff]5t f ! ,iri% words3-- ,:5 ,i g to ,m>l[ ,fair ,) ! ribbons 9 my hair1 ,all ! boys & girls decl>e1 ,"h comes ! rigs o' ,m>l[4 ,mall[ is 9 ,c\nty ,cork & 0 a fa%ionable wat]+-place 9 ! eighte5? c5tury1 :5 x 0 kn[n z ! ,iri% ,ba?4 ,crok] says t ! "y m5 ( t fa%ionable wat]-dr9k+ t[n 7 prov]bially call$ ! rakes ( ,mall[1 & he adds3 ,a set ( pretty pickles !y 71 if ! song descriptive ( _! mode ( life1 "h record$ aft] ! mo/ delicate oral te/imony1 is n v mu* ov]-col\r$4 ,nei!r ! ,ox=d%ire nor ! ,gl\ce/]%ire ,morris-m51 f bo? ( :om we recov]$ ?is tune1 _h probably he>d ( ,mall[2 x 0 natural en\gh1 !re=e1 to sub/itute ,m>l[1 :i*1 ( c\rse1 !y "k v well4 ,,c\ntry ,,g>d5s4 ,?is is ! prototype ( ,! ,vic> ( ,bray1 & ,mr4 ,kidson tells u t he has x 9 an old book ( airs "u ! m anci5t title4 ,x is also call$ ,! ,c\ntry ,g>d5 9 ,play=d's ,danc+ ,ma/]1 & 9 ,*appell's ,national ,engli% ,airs1 ,nos4 #be & #bf4 ,*appell gives x 9 #c-d "t1 & rem>ks t x !n becomes a pla9tive love ditty in/ead ( a /urdy & bold air4 ,,%eph]d',s ,,hey4 ,?is air be>s "s resemblance to ,! ,fai?ful ,%eph]d 9 ,?ompson's ,complete ,collection ( ,c\ntry ,dances 7circa #agge71 :i* is repr9t$ 9 ,mr4 ,kidson's ,old ,engli% ,c\ntry ,dances1 p4 #aj4 ,,con/ant ,,billy4 ,?is is a v>iant ( ! ,con/ant ,billy pr9t$ 9 ,play=d's ,danc+ ,ma/] 7#agbf71 p4 #agj1 & also 9 "o ( ,wal%'s danc+ books4 ,x is also 9 ,gay's ,begg>s' ,op]a1 :]e x is set to ! words1 ,cease y\r funn+4 ,mr4 ,kidson tells u t ! air is kn[n 9 old books z ,ov] hills & l(ty m\nta9s or ,l(ty m\nta9s4 ,! well-kn[n ,wel% air ,! ,a% ,grove is b ano!r v]sion ( ! same tune2 b :e!r ! ,wel% d]iv$ ! air f ,engl& or vice v]sa is a moot po9t4 ,! matt] is discuss$1 at "s l5g?1 9 ,*appell's ,popul> ,music ( ! ,old5 ,"t1 p4 #ffe1 to :i* ! read] is ref]r$4 ,! air t we pr9t is z ! ,head+ton ,morris-m5 play$ x2 b we also recov]$ a v>iant ( x f ! ,bid=d danc]s4 ,! ,con/ant ,billy ( ! ,bampton m51 already m5tion$1 is yet ano!r v>iant1 b 9 ! olian mode4 ,! words ( ! fir/ v]se ( ! ,head+ton v]sion 7 z foll[s3 ,o ,con/ant ,billy1 ,%all ,i g ) 'ee8 ,o :5 %all ,i see ,my ,billy aga98 ,! ,bampton words 7 diff]5t3 ,o my ,billy1 my con/ant ,billy1 ,:5 %all ,i see my ,billy aga98 ,:5 ! fi%es flies ov] ! m\nta9s ,!n y w see y\r ,billy aga94 ,,blue-,,ey$ ,,/rang]4 ,mr4 ,kidson tells u t ?is is a v>iant ( ,! ,mill1 ,mill1 ,o 9 ,orpheus ,cal$onius1 ,i41 p4 #dj 7#agbe74 ,x has also "s po9ts 9 common ) ,j z ! tide 0 a-fl[+ 9 ,folk-,songs f ,som]set1 ,,ii41 ,no4 #cg 7& note74 ,,bluff ,,k+ ,,hal4 ,?is is a v]sion 9 ! major mode ( ,! ,/a9es ,morris ,tune1 publi%$ 9 ! fir/ edition ( ,play=d's ,danc+ ,ma/]1 & repr9t$ 9 ,*appell's ,popul> ,music ( ! ,old5 ,"t1 ,i41 p4 #abf4 ,h[ x has come to be *ri/5$ ,bluff ,k+ ,hal we d n "k unless1 z ,mr4 ,kidson sugge/s1 ! ,bid=d ,morris m5 h tak5 ! "n f "s mod]n collection ( old ,engli% dances4 ,,morris ,,(f4 ,z has already be5 /at$1 ?is tune1 :i* 0 giv5 u by ! ,bid=d ,morris danc]s1 is pr9t$ 9 ,?o9ot ,arbeau's ,or*esographie1 p4 #id4 ,a ,dut* v]sion ( ! same air is includ$ 9 a collection ( dance-tunes by ,tielman ,susato 7,antw]p1 #aeea72 & is repr9t$ 9 ,c>l ,engel's ,lit]ature ( ,national ,music1 p4 #ef4 ,see also ,grove's ,diction>y ( ,music 7old ed47 ,,ii41 #cfi4 ,,! ,,dance4 ,! ,morris ,dance is ess5tially a manife/ation ( vig\r r ?an ( grace4 ,?is is probably true ( all c\ntry dances3 x is pre-em95tly true ( ! ,morris dance4 ,x is1 9 _s1 ! organiz$1 traditional expression ( virility1 s\nd heal? & animal spirits4 ,x smacks ( cudgel-play1 ( qu>t]-/aff1 ( wre/l+1 ( hone/ fi/icuffs4 ,!re is no?+ s9u\s 9 x1 no?+ dreamy2 no?+ :atev] is left to ! imag9ation4 ,x is a =mula bas$ ^u & aris+ out ( ! life ( man1 z x is liv$ by m5 :o hold mu* speculation ^u ! my/]y ( our :5ce & :i!r to be unpr(itable2 by m5 ( meagre fancy1 b ( great k9dness to ! weak3 by m5 :o fight _! qu>rels on ! spot ) nak$ h&s1 dr9k toge!r :5 ! fight is done1 & =get x1 or1 if !y rememb]1 !n ! memory is a fri5dly "o4 ,x is ! dance ( folk :o are sl[ to ang]1 b ( great ob/9acy--=?right ( act & spee*3 to wat* x 9 its ?ump+ /urd9ess is to hold su* ?+s z po9>ds & /ilettos1 ! swordsman ) ! dom9o1 ! man :o /abs 9 ! back--z unimag9able ?+s4 ,! ,morris dance1 9 %ort1 is a p]fect expression 9 rhy?m & movem5t ( ! ,engli% "*4 ,,! ,,morris ,,/ep4 ,z we h told already1 ! ,morris dance is a bodily manife/ation ( vig\r & rude heal?1 & n at all ( s9u\s grace or dream9ess4 ,?is w be obvi\s at a glance to anyone :o wat*es ! traditional ,morris danc] at 8 evolutions4 ,! fir/ /ep1 !re=e1 t[>ds acquir+ ! true art ( ! ,morris-man is to put away all ?\ght & remembrance ( ! ballroom mann]--really to unle>n1 s f> z possible1 ! lessons ( ! danc+-ma/] & all 8 exhortations ^u & exhibitions ( glide1 pir\ette1 *assez2 ! po9t$ toe1 ! g5tly sway+ body1 ! elegant wav+ & po/ur+ su* z become ! f9i%$ p]=m] ( r\nd & squ>e dances 9 ! draw+-room4 ,to say1 put away = a :ile ^! me?ods is to put no slight ^u !m1 or to (f] a ^w ( criticism3 x is requisite & necess>y1 ev5 z "o %\ld advise a *ange ( clo?+ to somebody ab\t to quit ! ballroom = "s r\gh-&-tumble pa/ime 9 ! op5 fields4 ,fir/ly1 z to ! mann] ( ! /eps4 ,! ,morris-m5 we> bells /rapp$ to _! %9s2 ! bells are !re t !y may r+ _! music--& a f9e :olesome music x is1 too3 to r+1 !y mu/ be well %ak52 to be %ak51 ! leg !y are /rapp$ to mu/ be kick$ & /amp$4 ,get t pr9ciple into y\r head1 & t practice into y\r legs1 & y make ! fir/ long /ride t[>ds acquisition ( ! art ( ,morris danc+4 ,/rap a set ( bells to y\r %9s1 get out ^u a grass-plot or ! ,k+'s highway2 nev] m9d elegance or ! criticism ( ! emasculate mod]n3 kick & /amp ^u ! e>? 9 su* a mann] z to make y\r bells r+ _! l\de/1 & r+ all toge!r4 ,y w see pretty soon t1 to d s1 y mu/1 :5 y jump1 let ! heels come solidly to e>?1 imm$iately foll[+ ! toes--no man1 ev5 an old-"t ,morris-man1 may jump & alight ^u 8 heels alone1 ) ! sp9e held rigidly above !m 7see p4 #cc74 ,y w f9d also t1 9 /epp+ x1 :e!r to advance or retire1 or to /ep rhy?mically 9 "o place1 to make y\r bells r+ ! true =tissimo y mu/ kick1 & kick h>d4 ,half an h\r's exp]im5t ( ?is k9d w d m to in/il into ! w\ld-be danc] ! _s t presides at ,morris revels ?an *apt]s ( exhortation4 ,x is a robu/ & fri5dly _s1 & w set ! le>n]'s /eps--giv5 t he be ( ,engli% blood1 or ev5 ( ,anglo-,saxon sympa?y--a-?ump+ to its solid d[nrightness4 ,once possess$ ( ! _s1 ! =m ( ! ,morris /ep ne$s little explanation & description1 = ! /eps are few & simple4 ,) an eye ^u ! =ego+ notes &1 x is hop$1 a p]sonal memory ( ! exp]im5t z recomm5d$1 ! le>n] w readily grasp ! description t foll[s "h4 ,r\ghly1 ! ,morris /ep is alike ?r\gh\t all ! dances2 x v>ies only 9 =ce1 l5g? 7i4e41 ! l5g? ( ! /ride v>ies m or less71 & height 7i4e41 ! foot is lift$ m or less74 ,! foot1 :5 lift$1 is nev] drawn back1 b always ?ru/ =w>d4 ,! toe is nev] po9t$ 9 l9e ) ! leg1 b held at a "r-angle to x1 z 9 ! /&+ position4 ,! foot1 !re=e1 ! =w>d or /epp+ foot1 is lift$ z 9 walk+1 z if to /ep =w>d1 !n ! leg is vigor\sly /raight5$ to a kick1 s z to make ! bells r+4 ,at ! same in/ant t ! =w>d leg is /raight5$1 a hop is made on ! re> foot2 ! danc] alights ^u ! toe1 b lets ! heel foll[ imm$iately & firmly1 s t he /&s ^u ! flat foot4 ,a good snap-%ot photograph ( "o 9 ! act ( walk+1 :5 ! =w>d foot has made ab\t ?ree-f\r?s ( its /ride1 gives a p]fect illu/ration ( ! ,morris danc]'s /ep4 ,z ) ! /ep1 s also ) ! jump1 :i* 9 s _m cases beg9s & ends a measure2 ! danc] jumps1 r\ghly1 z high z 8 own foot1 hold+ :5 9 air legs & body /raight1 alight+ ^u ! toes1 b only s z to break ! %ock suffici5tly = com=t1 !n lett+ ! heels come firmly d[n4 ,9 alight+ f ! jump1 ! knees are b5t j en\gh to save ! danc] f injuri\s %ock1 & are /raight5$ imm$iately4 ,su* are ! ,morris /ep & jump2 ! jump nev] v>ies2 ! /ep does v>y z to height1 l5g? & vig\r ( /ride1 z w pres5tly be not$4 ,x mu/1 h[ev]1 con/antly be borne 9 m9d t1 high or l[1 !re is always /urd9ess 9 ! ,morris /ep2 to ,morris-m5 ! languor\s & ! lackadaisical are = ev] unkn[n4 ,= ! purposes ( compil+ a notation1 we h classifi$ ! /eps necess>y to ! dances describ$ into two1 z foll[s3-- ,9 ! /ep mo/ commonly us$ ! rais$ foot is ?ru/ =w>d only s f> t1 :5 ! leg is /raight5$ to ! kick1 ! =w>d heel is r\ghly ! l5g? ( ! danc]'s foot 9 advance ( ! toe ( ! re> or support+ foot4 ,?is /ep1 x mu/ be rememb]$1 w be us$ always1 except :5 specific in/ructions are giv5 to make x high] or l[]4 ,9 ! high /ep1 us$ *iefly 9 ! figures call$ ,cap]s 7see p4 #ej71 ! danc] mu/1 if 8 activity w all[ ( x1 raise ! =w>d foot until its toe is z high z ! knee ( ! re> or support+ leg4 ,x is an ex]cise n to be attempt$ all at once 9 its complet5ess1 because x is "o well calculat$ to s5d ! inexp]i5c$ en?usia/ sprawl+ on 8 back4 ,its /udy %\ld be approa*$ g5tly1 by way ( famili>ity ) ! simpl] movem5t1 :i*1 once x is ma/]$1 may easily be ext5d$ to ! h>d] "o4 ,! latt] mu/ be approa*$ ) caution--t is all4 ,& ! novice is to be> con/antly 9 m9d t1 9 ! matt] ( vig\r1 he simply _c put too mu* ( x into 8 ,cap]s4 ,!re w be little tr\ble ab\t 8 rememb]+ t1 h[ev]2 ! ,morris ,cap]-music w n let him =get x = a mom5t4 ,?is /ep is call$ 9 ! ,notation--,high4 ,x has always to be rememb]$ t 9 ,morris danc+1 unless def9ite in/ructions be giv5 to ! contr>y1 e movem5t or "p ( a movem5t is begun by /epp+ out ) ! "r foot4 ,,diagrams ,,( ,,morris ,,/eps4 ,,) ,,notation ,,m>ks ,,add$4 ,/eps us$ 9 #d-"t music 7:e!r simple or comp\nd74 ,! lett]s ,r & ,l signify "r or left foot4 ,illu/ration3 ,,beats #a #b #c #d ,,/eps ,r ,l ,r ,l ,?is is call$ 9 ! ,notation--#d_/a4 ,illu/ration3 ,,beats #a #b #c #d #a #b #c #d ,,/eps ,r ,r ,l ,l ,r ,r ,l ,l ,?is is call$ 9 ! ,notation--#d_/b4 ,illu/ration3 ,,beats #a #b #c #d #a #b #c #d ,,/eps ,r ,l ,r ,r ,l ,r ,l ,l ,?is is call$ 9 ! ,notation--#d_/c4 ,illu/ration3 ,,beats #a #b #c #d #a #b #c #d ,,/eps ,r ,r ,r ,r ,l ,l ,l ,l ,?is is call$ 9 ! ,notation--#d_/d4 ,,/eps ,,us$ ,,9 #f-,,"t 7i4e41 ,,comp\nd #b74 ,,) ,,notation ,,m>ks ,,add$4 ,illu/ration3 ,,beats #a #b #c #d #e #f #a #b #c #d #e #f ,,/eps ,r ,l ,r ,l ,?is is call$ 9 ! ,notation--#f_/a4 ,illu/ration3 ,,beats #a #b #c #d #e #f #a #b #c #d #e #f ,,/eps ,r ,r ,l ,l ,r ,r ,l ,l ,?is is call$ 9 ! ,notation--#f_/b4 ,illu/ration3 ,,beats #a #b #c #d #e #f #a #b #c #d #e #f ,,/eps ,r ,l ,r ,r ,l ,r ,l ,l ,?is is call$ 9 ! ,notation--#f_/c4 ,^! /eps are p]fectly simple1 & all b "o may be le>n$ at a glance1 ev5 by "o :o has no k ( music1 = su* a "o has only to keep 8 eye ^u ! beats1 :i* give ! rhy?m4 ,! exception--! only "o t pres5ts a difficulty at fir/--is ! "o m>k$ #d_/c & #f_/c1 ^! two be+ "o1 s9ce only ! "t diff]s2 ! feet /ep ! same 9 ea*4 ,a h9t w make ?is /ep come z easily z ! re/4 ,let ! beg9n] 9 tempor>y difficulty ) x be?9k himself ( ! polka-/ep2 s+ a /ave ( ! polka1 & dance r\nd ! room to x4 ,he w f9d t 8 feet are /epp+ exactly 9 ord] ( ! ,morris #d_/c & #f_/c /ep--left1 "r1 left1 hop-left2 "r1 left1 "r1 hop-"r1 & s on4 ,n[1 all he has to d 9 ord] to adapt ! polka to ! ,morris f\r-"t /ep ( #d_/c is1 fir/ly to manage 8 feet z describ$1 !n to make ! hop at end ( ea* b> ( ! polka n z x 7 a dott$ note1 b 9 ev5 measure ) ! o!r beats3 = ! la/ /ep ( ea* b> to ,morris f\r-"t music is a hop1 z 9 ! polka1 b 9 ev5 "t & 9 ! ,morris fa%ion4 ,n[1 hav+ adapt$ ! polka /ep to ! ,morris #d_/c1 let ! le>n] simply c\nt six to ! b> & /ep to x 9 exactly ! same way4 ,he w f9d1 giv5 j an av]age e> = rhy?m1 t he w soon be danc+ ?us1 c\nt+ z he #a #b #c #d #e #f dances--#a1 #b1 #c1 #d1 #e1 #f--,"r--left1 ,"r--"r2 #a #b #c #d #e #f ,left--"r1 ,left--left4 ,hav+ ma/]$ ^!1 "o la/ in/ruction may be giv54 ,! #d_/c ,morris /ep is occasionally v>i$1 s z to make x exactly l ! polka-/ep--t is1 ) ! f9al hop danc$ l a dott$ note2 l a quav]1 if ! music be 9 common "t4 ,?is is a v>iation practis$ occasionally by ! ,morris m5 !mselves1 & ! en?usia/ic amateur w f9d himself dropp+ into x occasionally1 foll[+ 8 en?usia/ic lead]4 ,no in/ructions = ?is *ang+ ( ! /ep w be giv5 9 ! ,notation1 = x _c be specifi$4 ,! :ole side w fall into x naturally1 ^u occasion3 = in/ance1 :]e !re is a long /ret* ( ! /ep1 danc$ 9 "o position1 c\ples fac+1 arms sw++ & h&k]*iefs wav+1 z 9 ,blue-ey$ ,/rang]4 ,?is is fairly intoxicat+ to ! danc]1 & "h ! hop w (t5 sugge/ itself4 ,& aga91 9 hurry+1 if "o gets left beh9d a pace1 z1 = in/ance1 9 ! ,*a94 ,b to hop1 or n to hop1 unev5ly 9 ! #d_/c /ep1 t is a matt] t w be easily arrang$ by ! _s ( ! danc]s & ! discretion ( _! lead]4 ,we desire m]ely to indicate a rule t1 ^u occasion1 may be agreeably infr+$4 ,,positions1 ,,& ,,*ange ,,( ,,position4 ,! ,morris side1 :5 9 position = danc+1 /&s 91 or returns to1 ! positions z %[n h]eund]4 ,! only exception to ^! is ! ,r+1 z expla9$ bel[4 ,,position #a 7,,column74 ,,position #b 7,front74 #a #b #a #b #c #d #c #d #e #f #e #f ,?us ! six /& 9 two p>allel l9es ( ?ree ea*4 ,! top1 z ! rule is 9 danc+1 is set t[>ds ! music4 ,! angles repres5t ! danc]s3 ! apex ( ea* angle po9ts z ! danc]'s face is turn$2 ! numb]s )9 ! angles w be us$ ?r\gh\t 9 describ+ movem5ts ( individual danc]s4 ,! danc] at ! top left-h& corn]1 ,no4 #a1 is inv>iably ! lead] ( ! side4 ,no figure is complet$1 & no dance c end1 until ,no4 #a has return$ to 8 place at ! top left-h& corn]4 ,x is ! duty & privilege ( ,no4 #a to call l\dly & cle>ly ! "n ( ea* figure or "p ( a figure z ea* falls due = p]=mance--,corn]s1 ,*a91 ,back-to-back1 & s =?1 & to ann\nce ! end ( ! dance by ! call ( ,all 94 ,9 ,position #a1 or ,column1 ! danc]s /& 9 two files1 & all face ! same way4 ,?is is call$ 9 ! ,notation--,column1 or ,col4 ,9 ,position #b1 or ,front1 ! danc]s are turn$ inw>d1 & face ea* o!r 9 pairs4 ,?is is call$ 9 ! ,notation--,front1 or ,fr4 ,! *ange ( position1 f ,column to ,front1 or vice v]sa1 :e!r made by jump+ or by /epp+ to measure1 is execut$ inv>iably ?us3-- ,to *ange ,column to ,front ! danc]s turn inw>d4 ,?us1 9 ,position #a1 ,nos4 #a1 #c1 & #e make a half-turn to ! "r2 ,nos4 #b1 #d1 & #f make a half-turn to ! left4 ,to *ange ,front to ,column1 9 ,position #b1 ,nos4 #a1 #c1 & #e w make a half-turn to ! left2 ,nos4 #b1 #d1 & #f a half-turn to ! "r4 ,9 *ang+ f ,column to ,front :5 ! column is rev]s$--t is1 ! danc]s hav+ _! backs to ! music--! half-turns z giv5 above w be rev]s$ also4 ,z = ! di/ance to be ma9ta9$ betwe5 individual danc]s1 :e!r 9 ,column or ,front1 ! files 7i4e41 odd & ev5 numb]s7 %\ld /& s f> ap>t t1 :5 arms are ext5d$1 ! h&s ( ea* w ov]lap 8 neighb\r's h&s4 ,! di/ance betwe5 ! files w v>y accord+ to ! nature ( ! dance4 ,9 ! ,/ick & ,h&k]*ief dances1 pairs 7,nos4 #a & #b1 c47 /& ne> en\gh to clap h&s or tap /icks ) ea* o!r4 ,9 ! ,corn] dances1 z w readily be se5 f ! descriptions & ,notation1 ! files mu/ be well ap>t to give pl5ty ( room = ! necess>y movem5ts4 ,! "r di/ance w easily be f\nd2 r\ghly1 ! side %\ld =m a squ>e measur+ "s twelve feet ea* way4 ,9 ! ,notation1 ! t]m ,p>tn]s is us$ to d5ote ! pairs z !y /& front+ or abrea/1 ,nos4 #a & #b1 #c & #d1 #e & #f4 ,! t]m ,opposites is us$ 9 ref]r+ to c\ples :5 !y mu/ *ange places1 or re-*ange1 z 9 ,corn]s & ,cap]s1 ,nos4 #a & #f1 #b & #e1 #c & #d4 ,! latt] c\ple1 ! c5tres1 x w be notic$1 w h bo? t]ms appli$ to !m1 accord+ z ! movem5t describ$ is ,corn]s or ,cap]s1 or ano!r1 su* z h&-/rik+4 ,9 "s dances1 z1 = in/ance1 9 ,bean-sett+1 ! side =ms a r+1 & _m dances end 9 ?is =mation4 ,in/ructions = ?is1 z & :]e x occurs1 w be f\nd 9 ! ,notation1 & w be m>k$ "u ,=mation1 ?us3--,r+4 ,,evolutions4 ,"h foll[s a detail$ description1 ) diagrams1 ( ! v>i\s evolutions necess>y to ! dances :i* we h embodi$ 9 ?is s]ies2 to ea* evolution a ,notation ^w is atta*$4 ,! be/ way = a tea*] :o has nev] se5 ! dances p]=m$1 yet wants to tea* !m f ! book1 is to /udy ! diagrams & le>n by he>t ! ,notation ^w = ea*4 ,he %\ld !n /& a side ^u ! floor1 make !m g ?r\gh ! evolutions by ^w ( comm&1 or ,notation ^w1 sl[ly1 z describ$2 c\nt+ ! beats1 b )\t music4 ,?is mann] ( beg9n+ is advis$ only :5 ! tea*] has no?+ b ! book = guide3 :]e an exp]i5c$ danc] is available we h f\nd x be/ = ! novices to set to at once ^u ! dance2 ! practis$ "o %[+ /eps1 evolutions1 c1 z !y occur4 ,,d[n-,,&-,,back2 ,,& ,,up-,,&-,,back4 ,?is movem5t occurs at ! beg9n+ ( s _m dances t to simplify matt]s x w be describ$ "h1 & symbols w be atta*$ to ! description & us$ 9 ! ,notation4 ,! movem5t is execut$ z foll[s3 ,! side /&s 9 ,column1 & />ts by advanc+ = ! fir/ two b>s1 & retir+ = ! second two b>s4 ,ea* file advances & retires its own l5g?2 t is1 ,nos4 #a & #b w move ahead1 ! o!rs foll[+1 until ,nos4 #c & #f h come to ! places ( ,nos4 #a & #b2 9 ! next two b>s all get back to position4 ,! two b>s' advance is made always accord+ to ! "t ( ! music1 ei!r at #d_/c or #f_/c /ep3 ! two b>s' retir+ is always made at #d_/b or #f_/b /ep 7see p4 #dh74 ,! :ole movem5t is made 9 eight b>s4 ,9 "o dance1 ! second f\r b>s are danc$ ! same way z ! fir/ f\r2 b 9 all ! o!rs ! ,column is rev]s$ at ! end ( ! fir/ f\r b>s4 ,! two ways ( execut+ ! movem5t w be m>k$ 9 ! ,notation z foll[s3 ,:5 ! side is to advance & retire twice1 )\t rev]s+ at end ( f\r? b>1 & is to =m ,front at ! end ( b> #h1 ?is w be m>k$ 9 ! ,notation1 s3 ,,music4 ,,movem5ts4 ,,=mation4 ,a4 ,d[n-&-back twice1 !n j4 ,col4 to ,fr4 7,=m+ ,fr47 ,:5 ! side is to advance & retire1 rev]s+ position at beg9n+ ( fif? b>1 & 9 b>s #e to #h fac+ ! opposite way1 !n at end ( b> #h =m+ ,front1 ?is w be f\nd m>k$ 9 ! ,notation1 s3 ,,music4 ,,movem5ts4 ,,=mation4 ,a4 ,d[n-&-back1 ,ju4 ,column4 ,up-&-back1 j4 7=m+ ,fr47 ,col4 to ,fr4 ,,! ,,*a94 ,?is movem5t is also complet$ 9 eight b>s4 ,9 ! foll[+ diagram 7,figs4 #a1 #b1 & #c7 ! movem5ts ( ! lead+ ?ree1 ,nos4 #a1 #c1 & #e1 are %[n sep>ately to avoid confusion4 ,to beg9 ! ,*a9 ! side /&s 9 ,column 7see p4 #dh74 ,no4 #a turns outw>d1 t is1 to ! left1 & goes =w>d 9 an ,s-%ap$ d\ble curve z %[n1 pass+ 9 ! middle ( ! curve ! place ( ,no4 #c1 & f9i%+ 9 ! place ( ,no4 #e4 ,no4 #c />ts out to rightw>d1 & goes 9 a circle1 9 ! second half ( :i* he is foll[+ ! fir/ half ( ,no4 #a's track4 ,no4 #e />ts to leftw>d1 mak+ a d\ble curve z ,no4 #a1 b opposite1 pass+ 9 ! middle ( x ! place ( ,no4 #c1 & f9i%+ 9 ! place ( ,no4 #a4 ,illu/ration3 ,fig4 #a4 ,illu/ration3 ,fig4 #b4 ,illu/ration3 ,fig4 #c4 ,!re=e1 ,no4 #h foll[s ,no4 #a1 & ,no4 #e foll[s ,no4 #c r\nd ! track ( an imag9>y figure #h1 or d\ble circle1 = t is ! %ape ( ! complet$ movem5t4 ,?us3 ,illu/ration3 ,fig4 #d4 ,illu/ration3 ,fig4 #e4 ,,note4--,at middle & completion ( ,*a91 all turn inw>d1 z %[n 9 ,fig4 #e1 & face p>tn]s z !y jump 7see p4 #dh74 ,at ! end ( ! second b>1 ,no4 #e %\ld be at ,no4 #c's place1 9 ! c5tre ( ! figure2 ,no4 #a %\ld h already pass$ x1 & ,no4 #c be com+ to x1 s t ,no4 #e passes betwe5 ,nos4 #a & #c4 ,9 second half ( ,*a91 same positions are to be obs]v$4 ,9 ! second f\r b>s1 = completion ( ! ,*a91 ! movem5ts already describ$ are simply rev]s$4 ,z ,no4 #a is always lead] 7see p4 #ch71 & mu/ turn outw>d & be foll[$ by ,nos4 #c & #e on ! l9es ( ! figure #h1 he mu/ n[ return to 8 /ation along ! d\ble curve travell$ 9 ! fir/ f\r b>s by ,no4 #e4 ,no4 #c mu/ foll[ ,no4 #a 9 ! o!r circle ( ! #h1 & ,no4 #e mu/ get back to 8 /ation along ! d\ble curve travell$ 9 ! fir/ f\r b>s by ,no4 #a4 ,?us3 ,illu/ration3 ,fig4 #f4 ,illu/ration3 ,fig4 #g4 ,! ,*a9 is danc$ by ,nos4 #b1 #d1 & #f precisely 9 ! same way3 ,no4 #b is always lead]2 always turns outw>d2 & ,nos4 #d & #f always foll[ ,no4 #b on ! l9es ( ! d\ble curve1 or figure #h4 ,no4 #f1 z ,no4 #e1 passes betwe5 ,nos4 #b & #d1 9 *a9+4 ,occasionally1 z = in/ance 9 ,c\ntry ,g>d5s1 ! t]m ,half-*a9 w be f\nd4 ,?is means t ! movem5t %[n 9 ,fig4 #d is execut$ to f\r b>s ( music2 ano!r movem5t foll[s2 !n ,half-*a9 aga91 br++ numb]s back to orig9al /ations4 ,if1 z v (t5 occurs1 ! ,*a9 foll[s a movem5t execut$ 9 ,front =mation1 ! danc]s simply turn & foll[ "o ano!r z %[n 9 diagrams1 :5 ! ,*a9 music beg9s4 ,?is is call$ 9 ! ,notation--,*a94 ,,cross-,,ov]4 ,?is movem5t is execut$ 9 ,front =mation1 to eight b>s ( music1 z foll[s3 ,9 ! fir/ two b>s ea* danc] crosses ov] & takes ! place ( 8 p>tn]1 sett+ ! pairs back to back1 ?us3 ,illu/ration3 ,fig4 #a4 ,illu/ration3 ,fig4 #b4 ,9 cross+ & re-cross+1 inv>iably1 ea* mu/ keep 8 p>tn] to ! "r1 t is1 ! "r %\ld] ( ea* passes by ! "r %\ld] ( ea* p>tn]4 ,9 b>s #c & #d 7keep+ up ! /ep all ! "t7 all come to ! "r-ab\t1 t is1 face inw>d aga91 by turn+ to ! rightw>d 7ma9ta9+ position all ! "t71 ?us3 ,illu/ration3 ,fig4 #c4 ,illu/ration3 ,fig4 #d4 ,9 b>s #e & #f all cross ov] aga91 "r %\ld] to "r %\ld]1 br++ ! side back to back & 9 orig9al /ations4 ,9 b>s #g & #h all make a full turn to ! "r 7z 9 ,fig4 #c7 br++ ! side aga9 to ,front4 ,z !re are two b>s to turn 9 aft] cross+ ov]1 & aga9 aft] re-cross+1 ! danc] mu/1 ( c\rse1 turn sl[ly & ev5ly1 s t ! turn is complet$ j 9 "t = ! jump 9 b>s #d & #h4 ,?is is call$ 9 ! ,notation--,cross-ov]4 ,,back-,,to-,,back4 ,z ) ! ,cross-ov]1 ?is movem5t is complet$ 9 eight b>s4 ,9 ! fir/ f\r b>s p>tn]s advance1 "r %\ld] to "r %\ld]1 b n t\*+1 pass "o ano!r1 move to ! "r1 re-pass p>tn]s 7left %\ld] to left %\ld]71 & retire to position1 mov+ backw>ds4 ,?us3 ,illu/ration3 ,fig4 #a4 ,9 b>s #d to #h p>tn]s advance1 left %\ld] to left %\ld]1 pass1 move to ! left1 retire backw>ds1 re-pass+ "r %\ld] to "r %\ld]1 & s to orig9al /ation4 ,?us3 ,illu/ration3 ,fig4 #b4 ,?is is call$ 9 ! ,notation--,back-to-back4 ,,g-,,&-,,come4 ,?is is a =m ( ! ,cross-ov]1 b made )\t turn+4 ,x is execut$ 9 ,front =mation1 to eight b>s ( music4 ,9 ! fir/ two b>s p>tn]s cross exactly z 9 ! ,cross-ov]--"r %\ld] to "r %\ld]4 ,9 b>s #c & #d1 in/ead ( turn+1 retire backw>ds 9 ! l9e !y cross$--"r %\ld] to "r %\ld]4 ,9 b>s #e & #f !y cross aga91 b left %\ld] to left %\ld]1 & 9 b>s #g & #h retire on ! same l9e--left to left aga94 ,?is is call$ 9 ! ,notation--,g-&-,come4 ,,! ,,r+4 ,9 ?is1 :]ev] x occurs1 p>tn]s simply alt] positions s t ! :ole side =ms a r+1 or circle4 ,x is sometimes us$ at ! f9i% ( a dance2 & 9 ,bean-sett+ x occurs at ! beg9n+4 7,see diagrams1 p4 #ea47 ,?is is call$ 9 ! ,notation--,r+4 ,,/eps ,,9 ,,=ego+ ,,evolutions4 ,unless special in/ructions are giv5 to ! contr>y1 ! /ep us$ 9 b>s #a & #b ( ,*a91 ,cross-ov]1 ,back-to-back & ,g-&-come1 is always #d_/c or #f_/c1 accord+ to "t1 & #d_/b or #f_/b 9 b>s #c & #d2 likewise1 #d_/c or #f_/c 9 b>s #e & #f1 & #d_/b or #f_/b 9 b>s #g & #h4 ,,! ,,jump4 ,! mann] ( ! ,jump has be5 describ$ already 7see p4 #cc74 ,x rema9s to tell ( ! diff]5t ways 9 :i* ! movem5t is employ$1 & to assign to ea* a ,notation numb]4 ,! ,jump is us$ 9 two ways only1 z foll[s3-- #a4 ,9 position4 ,t is1 ! danc] jumps :]e he /&s1 )\t *ang+ front4 ,?is is call$ 9 ! ,notation--,ju4 #b4 ,to make a half-turn4 ,t is1 9 milit>y phrase1 to make a half-"r--or left--turn4 ,?is is call$ 9 ! ,notation--j4 ,= direction--to left or "r--( turn+1 see in/ructions "u ,positions1 & *ange ( position4 ,! foll[+ rules z to ! ,jump apply to ,h&k]*ief & ,corn] dances1 & are inv>iable4 ,9 ,/ick dances tapp+ to a great ext5t takes ! place ( jump+1 b 9 ^!1 :]e ! ,jump is to be us$1 x w be f\nd m>k$ 9 ! ,notation4 ,movem5ts ( ! h&s1 :i* inv>iably g ) ! ,jump1 w be f\nd "u head+ ,! ,h&s4 ,! fir/ g5]al rule is ?is3 ,e danc] ^: turn x is to execute any movem5t :atsoev]1 mu/ jump on la/ half-b> be=e t movem5t beg9s4 ,?is applies1 z ! case may be1 to ! :ole side1 or to any pair ( opposites ab\t to execute any figure or movem5t4 ,= in/ance1 ! :ole side is to dance ,d[n-&-back & ,up-&-back1 s on la/ half-b> ( ,once to ,y\rself1 ! :ole side jumps toge!r--!n />ts ! figure4 ,also 9 all figures execut$ by ! :ole side 9 common--9 ,*a91 ,cross-ov]1 ,back-to-back1 ,g-&-come--all jump toge!r on la/ half-b> be=e ! figure beg9s4 ,x is ! same ) pairs or opposites4 ,9 ,corn]s & ,cap]s ea* pair ^: turn x is to dance toge!r jump on la/ half-b> be=e !y beg94 ,z ea* pair f9i%es ! next mu/ be ready to jump on la/ half-b> be=e _! turn4 ,s ) ! ?ird pair2 & z !y f9i%1 & ! :ole side takes up ! next figure 9 common1 !n ! :ole side jumps toge!r on la/ half-b>4 ,s mu* = ! ,jump z an inv>iable prelim9>y to all figures 9 ! ,/ick & ,h&k]*ief dances4 ,we come n[ to ! ,jump z made at ! middle & end ( figures4 ,9 ! fir/ place !re are ! figures execut$ by ! :ole side 9 common4 ,all1 !n1 hav+ jump$ on la/ half-b> be=e ! figure is begun1 jump also at middle & end ( ! figure z foll[s3-- ,9 ,d[n-&-back1 ,ju41 ,up-&-back1 j4 7=m+ ,fr471 see ,notation1 ! side goes =w>d & back z describ$ 7see p4 #dj7 = f\r b>s2 jumps toge!r on half-b> ( b> #d1 /ill fac+ 9 ! same direction4 ,t completes ,d[n-&-back1 ,ju4 ,!n1 in/antly1 !y all make a complete turn to ! "r--"r-ab\t--dance z be=e 9 b>s #e to #h1 & on la/ half-b> ( b> #h all jump1 & z !y jump make a half-turn inw>d4 ,t completes ,up-&-back1 j4 7=m+ ,fr474 ,! ,*a91 ?\gh x is execut$ 9 ,column =mation1 foll[s ^u a figure execut$ 9 ,front4 ,s ! prelim9>y jump1 be=e beg9n+ ,*a91 is made ,front2 files make half-,*a91 end numb]s *ange places1 & at half-b> ( b> #d1 all jump1 j41 9 a half-turn to ,front2 !n complete ,*a9 & jump to ,front aga91 j41 on la/ half-b> ( b> #h4 ,9 ,cross-ov]1 ,back-to-back1 ,g-&-come1 all execut$ 9 ,front =mation1 ! :ole side jumps 9 position1 ,ju41 at half-b> 9 b>s #d & #h4 ,9 ,corn]s & ,cap]s1 :]ev] opposites *ange places1 ! rule is t !y jump on la/ half-b>1 z !y f9i% _! "p 9 ! figure--t is1 z !y complete ! movem5t ( *ang+ or re-*ang+ places4 ,9 ,blue-ey$ ,/rang]1 :]e ! :ole side dances 9 position = eight b>s1 all jump at half-b> 9 b> #h4 ,%\ld ! side elect to keep up ! /ep = sixte5 b>s 7see p4 #ej71 !n all jump at half-b> 9 b> #af4 ,9 ,bluff ,k+ ,hal & ,morris ,(f1 !re is no ,jump at all4 ,,! ,,h&s4 ,! movem5ts ( ! h&s are made inv>iably accord+ to rule1 z foll[s3-- ,^! rules apply1 z ) ! ,jump1 to all ,h&k]*ief & ,corn] dances4 ,9 mak+ ! ,jump1 ! h&s are always1 ) rigid arms1 ?r[n above ! head4 ,9 ,d[n-&-back & ,up-&-back1 ,*a91 ,cross-ov]1 ,back-to-back1 ,g-&-come1 movem5ts ( ! h&s are always ! same4 ,t is3 ,comm5c+ ) ! prelim9>y ,jump1 :5 ! h&s are above ! head1 on beg9n+ ( fir/ b>1 ) fir/ /ep 7( #d_/c or #f_/c /ep71 h&s are swung backw>d2 =w>d on half-b>2 back aga91 beg9n+ ( b> #b1 & =w>d on half-b> ( b> #b4 ,9 b> #c 7#d_/b or #f_/b /ep7 ! h&s1 be+ already upw>d & =w>d1 are swung twice 9 a circle1 comm5c+ inw>d1 s t ! h&k]*iefs are wav$ 9 a d\ble circle ov] ! head4 ,at beg9n+ ( b> #d ! h&s are l[]$ /raight 9 l9e ) ! body1 & at half-b> ( b> #d1 ) ! ,jump1 !y are ?r[n /raight above ! head on rigid arms4 ,^! movem5ts ( ! h&s are always ! same 9 e ,h&k]*ief & ,corn] dance4 ,:5ev] ! #d_/c or #f_/c /ep is us$ ! h&s are swung z already describ$4 ,also1 :]ev] !re are ! two b>s ( #d_/b or #f_/b /ep1 ! h&s are also us$ z already describ$--d\ble circle ov]head2 d[n1 & up on ! ,jump4 ,9 ,cap]s1 :]ev] ! #d_/a or #f_/a ,high ,/ep is us$1 ! h&s are swung backw>d on beg9n+ ( b>1 =w>d & upw>d on half-b>2 & ?is movem5t is cont9u$ all ! "t ! ,high ,/ep 7#d_/a or #f_/a7 is us$4 ,! arms 9 all ^! movem5ts describ$1 %\ld really be swung z f>1 bo? backw>d & =w>d1 z possible4 ,! ,morris-m5 !mselves sw+ ! arms beh9d to an angle ( #de degrees or s2 b 9 ! =w>d sw+ _! h&s are rais$ =w>d & a little high] ?an ! head1 on arms slightly b5t at ! elb[s4 ,,! ,,call4 ,9 ! ,notation x w be se5 t at ! end ( "s dances ! side is in/ruct$ to ,call4 ,?is means t on la/ half-b> all raise _! voices on a high-note ,ah6 some?+ aft] ! mann] ( ,scotti% danc]s1 ?\gh ! ,morris ,call is less ( a w>-:oop & m ( a lu/y %\t4 ,,l5g? ,,( ,,dances4 ,x mu/ always be rememb]$ t ! ,morris-m5 !mselves v>y ! l5g? ( _! dances1 accord+ to ! hum\r ( ! mom5t1 & _! fre%ness or fatigue4 ,a dance c always be %ort5$ by leav+ out "o or m figures3 ! musician w "k :at to d by ! call ( ! lead]4 ,9 ,blue-ey$ ,/rang]1 = in/ance1 if ! side is feel+ p>ticul>ly high-spirit$1 ! :ole sixte5 b>s ( ,b music may be danc$2 b z a rule ?is w be f\nd too long4 ,aga91 to ext5d ,rigs o' ,m>l[ 7ano!r try+ dance7 ! music may be play$ f\r times in/ead ( ?ree1 :5 ,back-to-back w be danc$ to ,a music4 ,bluff ,k+ ,hal1 danc$ to its full l5g? z %[n 9 ! ,notation1 w z a g5]al rule also be f\nd too long4 ,x c easily be %ort5$ by leav+ out repetitions or c]ta9 figures4 ,9 brief1 once ! dances are le>n$ x is a v simple matt]1 & q accord+ to tradition1 to l5g!n or abbreviate !m 9 any way desir$4 ,,special ,,in/ructions ,,= ,,v>i\s ,,dances4 ,,bean-,,sett+ 7,,/ick ,,dance74 ,,to ,,=m ,,r+4 ,?is is ! only "o ( ^? dances we h describ$ t beg9s ) ! ,r+4 ,! side />ts 9 ,column4 ,to =m ,r+1 ,nos4 #c & #d move a little outw>d f ! l9e z ,a music beg9s4 ,!n all dance 9 ,r+ =mation to ! "r 7see ,fig4 #a7 until1 at ! beg9n+ ( b> #d1 all opposites h *ang$ places3 t is1 ,nos4 #a & #f are ea* 9 ! o!r's position1 ,nos4 #c & #d1 #b & #e h also *ang$4 ,9 b> #d1 files close 9 slightly1 j4 7i4e41 =m ,column71 & tap /icks across on half-b> ( b> #d4 ,9 rema9+ f\r b>s ( ,a music =m ,r+ aga91 & all return to position z !y came 7see ,fig4 #b74 ,at half-b> 9 b> #h1 all j4 7=m+ ,column71 & p>tn]s tap /icks across4 ,illu/ration3 ,fig4 #a4 ,illu/ration3 ,fig4 #b4 ,,dibb+4 ,?is is ! t]m us$ 9 ! dance1 z x is us$ 9 field & g>d5 "w1 = mak+ a hole ) a dib1 or dibb]1 9 ! soil1 into :i* ! se$ is dropp$4 ,! dance1 ( c\rse1 repres5ts ! sett+ ( beans--m truly & l>gely1 ! s[+ ( ! se$ 9 spr+time4 ,9 dibb+ 7see small box 9 music7 all /oop well =w>d1 hold+ ! "r h&s outw>d1 ) /icks po9t+ to ! gr\nd4 ,! act ( dibb+ consi/s 9 ?ump+ ! /ick firmly on ! floor & at once lift+ x aga94 ,b4 ,b> #a4--;,dib all toge!r at beg9n+ & half-b>1 z %[n 9 music 7small box74 ,b> #b4--,rema9 /oop$2 at beg9n+ ( b>1 pairs tap /icks across--odd numb]s tapp+ ev5 numb]s4 ,hold /icks cross$ z !y 7 tapp$ = rema9d] ( b>4 ,b> #c4--;,dibb+1 z 9 b> #a4 ,b> #d4--;,beg9n+1 p>tn]s tap across2 half-b>1 ,no4 #a taps ,no4 #c4 ,b> #e4--;,beg9n+1 ,no4 #c taps ,no4 #e2 half-b>1 ,no4 #e taps ,no4 #f4 ,b> #f 7#i_/h "t74--,beg9n+1 ,no4 #f taps ,no4 #d2 second beat1 ,no4 #d taps ,no4 #b2 ?ird beat1 p>tn]s tap across1 z 9 b> #b4 ,9 rema9+ six b>s ( ,b1 repeat dibb+ & tapp+ z 9 ! fir/ six b>s4 ,9 ! notation ( ,bean-sett+ 7p4 #fa71 ! t]m ,dibb+ w be us$ to d5ote all ! actions1 "h expla9$ 9 detail1 t g to ! music ( ,b4 ,,c\ntry ,,g>d5s 7,,h&k]*ief ,,dance74 ,9 ! h&-/rik+ figure ( ?is dance 7= h&-/rokes1 see m>k ,o 9 ,b music7 !re are f\r movem5ts1 z foll[s3-- ,ea* danc] /rikes bo? h&s toge!r4 ,?is is call$ 9 ! ,notation t foll[s--b4 ,ea*1 ) ! "r h&1 /rikes ! "r h& ( p>tn]4 ,?is is m>k$ 9 ! ,notation--r4 ,ea*1 ) ! left h&1 /rikes ! left h& ( p>tn]4 ,?is is m>k$ 9 ,notation--l4 ,ea* ?r[s up h&s4 ,?is is m>k$ 9 ,notation--u4 ,9 /rik+1 h&k]*iefs are held bun*$ toge!r 9 ! h&s4 ,illu/ration3 ,,notation ,,( ,,h&-,,/rik+4 ,,beats #a #b #c #d #a #b #c #d #a #b #c #d #a #b #c #d ,,h&s b b r b b l b b r l u ,,/ep ,r ,r ,r ,r ,l ,l ,l ,l ,r ,r ,r ,r bo? ,ju4 ,,con/ant ,,billy 7,,/ick ,,dance74 ,9 ?is1 /icks are held & us$1 bo? 9 ! ,a & ,b music1 z expla9$ 9 ,rigs o' ,m>l[ 7see p4 #ee74 ,/ick-tapp+ 9 ,b music is done accord+ to ! foll[+ diagram3 signs1 c41 to be read z 9 diagrams = ,rigs o' ,m>l[ 7see ,x 9 music74 ,! beats :]eon /ick-tapp+s occur are writt5 9 diagram z b4 7b>72 & h4-b4 7half-b>74 ,9 ! fir/ b> ( ,b music1 at half-b>1 ,no4 #a1 ) top end1 taps butt ( ,no4 #b4 ,9 ! second b>1 at half-b>1 ,no4 #b1 ) top end1 taps butt ( ,no4 #a4 ,9 ! ?ird b>1 at half-b>1 ,no4 #a taps ,no4 #b z 9 fir/ b>4 ,9 ! f\r? b>1 ,no4 #a1 at ! beg9n+1 ) ! butt1 taps ,no4 #b's top end2 & at half-b>1 ,no4 #a1 ) top1 taps top end ( ,no4 #b1 ?us3-- ,illu/ration3 ,,diagram ,,( ,,/ick-,,tapp+4 ,! /eps are ! same = all4 ,:5 tapp+ is cont9u$ 7see ,notation7 = eight b>s1 !n1 9 ! la/ f\r1 all />t on ! left foot1 & /ep ?us3 ,l4,l4,r4,r4,l4,l4,r4,l4 ,tapp+ is ! same 9 fir/ & second f\r b>s4 ,9 tapp+1 ( c\rse1 odd numb]s d z ,no4 #a 9 diagram1 ev5 numb]s z ,no4 #b4 ,,rigs ,o' ,,m>l[ 7,,/ick ,,dance74 ,9 ?is ! /icks are held ?r\gh\t by ! middle1 9 ! mann] expla9$ 7see p4 #fj74 ,9 all s+le-tapp+ passages1 to ,a music1 /icks are held slant+ upw>d1 l a s+le-/ick1 b ) ! upp] arm close to ! body4 ,9 ,column =mation1 odd numb]s--t is1 lead+ file--hold ! =e>m to rightw>d2 ev5 numb]s--"r file--hold ! =e>m across ! body1 s t ! /icks cross betwe5 files1 ready = tapp+4 ,lead+ file always taps ! o!r file1 :i* holds ! /icks firm4 ,9 ! d\ble-tapp+1 to ,b music1 /icks are held 9 ! middle1 h& bel[ /ick1 :i* is n[ held /raight1 p>allel ) ! gr\nd1 advanc$ t[>ds p>tn]1 & rais$ ab\t z high z ! neck4 ,! foll[+ diagram w %[ h[ /icks are tapp$ 9 ?is movem5t4 ,angles & numb]s1 z 9 p4 #ed1 c41 repres5t ! lead] & p>tn]1 ,nos4 #a & #b3 ! o!r pairs1 ( c\rse1 tap precisely z ^! two1 odd & ev5 numb]s respectively4 ,! arr[s betwe5 angles repres5t /icks4 ,z tapp+ has n[ to be done ) bo? ends ( ! /icks1 ^! are %[n 9 ?is way4 ,! b>b$ end is ! top1 ! fea!r ! butt-end4 ,! top is held always to ! "r--butt1 or b>b1 to leftw>d ( ea* danc]4 ,! tapp+ w be %[n b> by b>4 ,! /eps %[n apply to all ! danc]s4 ,9 ! fir/ b> ( ,b music1 ,no4 #a1 ) top end1 taps ! butt ( ,no4 #b1 on beats #c & #d1 ?us3-- ,illu/ration3 ,,diagram ,,( ,,/ick-,,tapp+4 ,9 ! second b> ( ,b music1 ,no4 #b1 ) top end1 taps ! butt ( ,no4 #a1 on beats #c & #d1 ?us3-- ,illu/ration3 ,,diagram ,,( ,,/ick-,,tapp+4 ,9 ! ?ird b> ( ,b music1 ,no4 #a taps ,no4 #b precisely z 9 b> #a4 ,same /ep4 ,9 ! f\r? b> ( ,b music1 ,no4 #a taps ,no4 #b on e beat1 z foll[s3 ,fir/ beat1 ,no4 #a1 ) butt end1 taps ,no4 #b on top end4 ,second beat1 ) top end1 taps butt4 ,?ird beat1 ) butt1 taps top4 ,f\r? beat1 ) top end1 taps top ( ,no4 #b4 ,?us3-- ,illu/ration3 ,,diagram ,,( ,,/ick-,,tapp+4 ,?is d\ble-tapp+ looks complicat$1 bo? 9 dance & diagram1 b is really v simple4 ,a few h9ts ^u ! mo/ difficult b>1 ! f\r?1 w expla9 ! :ole4 ,9 ?is1 on beat #a1 ,no4 #a1 to tap ) 8 butt ! top ( ,no4 #b's /ick1 raises ! wri/ & h& till ! /ick is above & at "r-angles to ,no4 #b's1 !n ?ru/s outw>d till 8 butt /rikes ,no4 #b's top4 ,on beat #b1 ,no4 #a l[]s 8 h&1 keep+ ! /ick p]p5dicul>1 moves h& to "r & taps 8 top on ,no4 #b's butt4 ,beat #c is z beat #a2 on beat #d1 ,no4 #a simply l[]s h& & taps ,no4 #b on 8 "r1 or top end4 ,?is expla9s all ! taps t occur4 ,= ! me?od1 :i* is inv>iable1 except :]e specially /at$1 ( hold+ ! /ick 7see p4 #fj74 ,9 ! second f\r b>s ( ,b1 d\ble-tapp+ & /eps are repeat$ precisely z 9 fir/ f\r b>s2 & ?r\gh\t ! dance x is ! same to ,b music1 f\r b>s ( d\ble-tapp+1 repeat$1 up to ! call ,all 94 ,,bluff ,,k+ ,,hal4 ,9 ?is ! /ep is #d_/c ?r\gh\t4 ,x %\ld be danc$ some?+ aft] ! fa%ion ( ,morris-,(f1 b n q s sob]ly2 yet ! /ep is less vigor\s ?an ! normal ,morris /ep4 ,l ,morris-,(f x has1 :at ) its l5g? & /aid monotony1 a qua9tness all its own4 ,to tea* & to le>n ! "r way ( danc+ ,bluff ,k+ ,hal is m a matt] ( drill & precision ?an lu/y ab&on3 x mu/ be danc$ ev5ly1 s]i\sly almo/1 & q quietly1 or its true effect w be m>r$ or lo/4 ,! music is m>k$ ad libitum3 ! musician simply br+s 8 lab\rs to an end 9 :i*soev] section he %all he> ! w>n+ call ( ,all 94 ,ev5 ! ,morris-m5 !mselves d n inv>iably g ?r\gh all ! movem5ts4 ,^! in/ructions are giv5 9 ord] t1 %\ld audi5ce or danc]s we>y ( ! ex]cise1 x c be curtail$4 ,:]e we h taught ! dance to novices1 we h f\nd1 at fir/1 curtailm5t to be advisable1 = ! l5g? & monotony ( x pall$4 ,lat]1 h[ev]1 :5 ! le>n]s _h ma/]$ its curi\s intricacies1 we f\nd no we>9ess among/ !m1 b a con/ant dem& = e s+le movem5t to be p]=m$ 9 its traditional complet5ess1 & ov] & ov] aga91 z long z we *ose to play x4 ,we %all !re=e describe x "h at l5g?1 & leave x to ! tact & discretion ( ! tea*] :]e & :5 & to :at ext5t x %all ^u occasion be abbreviat$4 ,! files %\ld /& z 9 ,corn] ,dances--ab\t twelve feet ap>t4 ,,h[ ,d',,ye ,,d 7,,corn] ,,dance74 ,?is dance1 z w be cle>ly se5 f ! ,notation 7see p4 #ge71 s]ves z illu/ration ( ! national me?od ( settl+ qu>rels--by a b\t ( fi/icuffs4 ,all ! dances are typical ( ! race2 ?is "o is ( c\rse s+ul>ly s4 ,:]e boys are f\nd dispos$ to look fav\rably ^u ! ,morris dance1 ,h[ d'ye d may be recomm5d$ z ! v be/ to enc\rage ! t5d5cy 9 !m4 ,!re is a spice ( :olesome r[d9ess 9 ! _s ( ! dance t w n fail to make itself kn[n & belov$ ( boys4 ,besides1 ! %ak+ ( h&s be=e ! fight1 ! squ>+-up = w>1 & ! reconciliation1 c only be giv5 ! "r robu/i\s r+ & defiance by ! fight+ sex4 ,ano!r mo/ engag+ feature ( ,h[ d'ye d1 is t ! notes fitt+ ^! words1 z w be f\nd1 are sung 9 e in/ance by ! danc]s1 be=e1 dur+ & aft] ! enc\nt]4 ,!re is pl5ty ( room1 !re1 = a diff]5t s\nd+ ( ! phrase3 = mak+ x r+ ( *all5ge1 & /rife1 & victory--also ( hon\rable defeat1 aft] lu/y /rokes h be5 dealt & tak53 ! next be/ ?+ to a w9--sometimes ev5 a bett] ?+4 ,! foll[+ in/ructions = ! danc+ ( ,h[ d'ye d mu/ be not$ 9 connection ) ! ,notation 7see p4 #ge74 ,! phrase ,h[ d'ye d is always sung1 by all ! c\ples1 z m>k$ & play$ 9 music ,b4 ,opposite pairs advance z %[n4 ,!y %\ld meet toge!r 9 ! c5tre on ! ^w d1 & %ake h&s1 or squ>e up = ! fight1 accord+ to in/ructions4 ,hav+ jo9$ h&s1 or squ>$1 & paus$ 9 ! c5tre1 ! fir/ two pairs 7,nos4 #a & #f1 & #b & #e7 break away imm$iately aft] pause1 & back briskly to _! places1 mak+ room = ! next pair4 ,!re is no *ang+ ( corn]s 9 ?is dance4 ,! la/ pair 7,nos4 #c & #d7 rema9 9 position1 hold+ h&s or squ>+ up1 dur+ pause 9 music1 & /ill rema9 9 ! attitude :ile b>s #d & #e ( ,b are play$4 ,dur+ ^! b>s all ! o!r danc]s /& /ill4 ,:5 ! music /rikes into ,a section1 all take "p accord+ to in/ructions4 ,nos4 #h & #d loose or l[] h&s imm$iately ! ,a music />ts1 & take _! place & "p ) ! o!rs4 ,,%eph]d',s ,,hey4 ,,/ick-,,tapp+4 ,9 ?is1 ! /icks are held 9 ! fi/1 up & slant+ outw>d1 ! top z high z ! head4 ,p>tn]s cross /icks1 lead+ file 7,nos4 #a1 #c1 & #e7 hold+ to ! "r ( ev5 numb]s4 ,! tapp+ 7or cla%+1 r1 = "h ! /icks are l\dly cla%$ toge!r7 is done on fir/ ?ree beats ( b>s #a & #b1 & #e & #f ( ,b music 7see m>k ,x74 ,p>tn]s /rike ea* o!r's /icks1 "r1 left1 "r1 accord+ to position1 9 ! mann] ( %am f5c+--! mann] ( brig&s 9 pantomime4 ,:ile ! tapp+ is be+ done all /& fa/1 n mov+ ! feet at all4 ,:5 ! six taps are f9i%$1 9 b>s #a & #b1 #e & #f1 ! /icks are held cross$ & 9 position2 & 9 b>s #c & #d1 #g & #h all break into #d_/c /ep1 & keep x up ?r\gh\t ^? b>s4 ,! movem5t s\nds absurdly simple3 s x is1 b if done ) precision ! effect is at once qua9t & /irr+4 ,,h&-,,clapp+4 ,?is is done ) ! nak$ h&s1 h&k]*iefs hang+ loose f middle f+]s2 & danc]s %\ld clap h&s z l\dly z ev] !y c4 ,ea* danc] claps h&s & knees 9 a numb] ( diff]5t ways1 accord+ to explanation & diagram :i* foll[4 ,all /& fa/ :ile clapp+1 n mov+ ! feet4 ,ea* individual danc]-- ,claps 8 h&s toge!r be=e him3 ,%[n ?us 9 diagram :i* foll[s b4 ,or slaps "r knee ) "r h& r4k4 ,or slaps left knee ) left h& l4k4 ,or raises "r knee & claps h&s "u x un4r4 ,or raises left knee & claps h&s "u x un4l4 ,or claps bo? h&s toge!r1 beh9d him b4beh4 ,illu/ration3 ,,diagram ,,( ,,h&-,,clapp+4 ,h&-clapp+ 9 la/ f\r b>s ( ,b music is a repetition ( clapp+ 9 fir/ f\r b>s1 z %[n 9 diagram4 ,!re=e 9 ! ,notation ( ?is dance 7p4 #gg7 ! t]m ,h&-clapp+ means clapp+ z %[n above1 & ! same repeat$4 ,,on ,,hold+ ,,/icks4 ,unless specially in/ruct$ o!rwise1 ! /ick is held1 :e!r at ! end or middle1 z foll[s4 ,x mu/ be grasp$ mu* z a p5hold] %\ld be2 t is1 ly+ 9 ! holl[ at ! base ( ! ?umb1 support$ by ! second f+]1 & ) ! =ef+] & ?umb meet+ toge!r above x1 to hold x 9 place4 ,,notation4 ,,music4 ,,movem5ts4 ,,=mation4 ,,bean ,,sett+ 7,,/ick ,,dance74 ,9 ?is dance1 ! /ep ?r\gh\t is #d_/b4 ,once to y\rself4 ,p>tn]s tap across on la/ half-b>4 ,column4 ,a4 7#a/ "t74 ,r+ 7see p4 #ea74 ,col4 to ,p>tn]s tap across at half-b> 9 ,r+4 b>s #d & #h4 ,b4 7#a/ "t74 ,dibb+ 7see p4 #eb74 ,front4 ,a4 7#bnd "t74 ,cross-ov]4 ,p>tn]s tap across at half-b> 9 b>s #d & #h1 t is1 at middle & end ( ! ,cross-ov]4 ,b4 7#bnd "t74 ,dibb+4 ,a4 7#crd "t74 ,back-to-back4 ,tap z 9 ,a4 7#bnd "t74 ,b4 7#crd "t74 ,dibb+4 ,two b>s be=e ! end1 lead] calls ,all 91 :]eupon all1 z !y tap = ! la/ "t1 j4 outw>d1 =m+ ,column1 & ,column4 /& = a mom5t ) /icks cross$4 ,,all ,,94 ,,music4 ,,movem5ts4 ,,=mation4 ,,laudnum ,,bun*es 7,,corn] ,,dance74 ,once to y\rself4 ,ju4 la/ half-b>4 ,column4 ,a4 ,ju4 la/ half-b>4 ,d[n-&-back1 ,ju4 ,up-&-back1 j4 7=m+ ,fr474 ,col4 to ,front4 ,b4 7,corn]s74 ,b>s #a1 #b & #c ,nos4 #a & #f advance1 at #f_/c /ep1 ,front4 & cross to ea* o!r's place4 ,b> #d ,nos4 #a & #f 7hav+ n[ *ang$ corn]s71 turn ab\t1 inw>d1 at #f_/c /ep1 till !y face ea* o!r4 ,b>s #e & #f ,nos4 #a & #f advance1 at #f_/c /ep1 to c5tre1 until !y are face to face2 !y d n t\* or pass4 ,b>s #g & #h ,nos4 #a & #f retire at #f_/b /ep1 back to corn]s2 & ,ju4 on half-b> ( b> #h4 ,!y h n[ *ang$ corn]s4 ,b4 7,corn]s7 7#bnd "t74 ,nos4 #b & #e *ange corn]s1 precisely z ,nos4 #a & #f 9 ,b1 #a/ "t4 ,b4 7,c5tres7 7#crd "t74 ,nos4 #c & #d *ange places precisely z ! o!rs4 ,opposites h n[ all *ang$ places4 ,a4 7repeat74 ,*a94 ,column4 ,b4 7,corn]s7 7,repeat7 ,nos4 #a & #f *ange corn]s z ,front4 #a/ "t4 be=e4 ,b4 7,corn]s7 7,repeat7 ,nos4 #b & #e *ange corn]s z #bnd "t4 be=e4 ,b4 7,c5tres7 7,repeat7 ,nos4 #c & #d *ange places z #crd "t4 be=e4 ,opposites h n[ all re-*ang$ places4 ,a#b4 ,cross-ov]4 ,c4 7,cap]s7 7#a/ "t74 ,b> #a ,nos4 #a & #f advance at #f_/c /ep t[>ds ! c5tre1 fac+ ea* o!r's corn]s4 ,b> #b ,on beat #b1 ,nos4 #a & #f1 _! "r 7#i_/h "t3 %\ld]s n[ level1 & almo/ #c beats74 t\*+1 jump heavily on bo? feet1 & advance1 at #f_/a /ep1 ,high1 on beat #c4 ,b> #c ,nos4 #a & #f cont9ue advance1 #f_/a1 ,high4 ,b> #d ,nos4 #a & #f rea* opposite corn]s & turn ab\t to "r & inw>d1 same /ep4 ,b> #e ,nos4 #a & #f advance1 #f_/a1 ,high1 7#i_/h "t3 & come face to face on ?ird #c beats74 beat4 ,b>s #f & #g ,nos4 #a & #f rema9 fac+1 & /ep at #f_/c /ep4 ,b>s #h & #i ,nos4 #a & #f retire to corn]s at ,front4 #f_/b /ep4 ,ju4 on half-b> ( b> #i4 ,nos4 #a & #f h n[ *ang$ corn]s4 ,c4 7,cap]s7 7#bnd "t74 ,nos4 #b & #e *ange corn]s precisely z ,nos4 #a & #f 9 ,c1 #a/ "t4 ,c4 7,cap]s7 7#crd "t74 ,nos4 #b & #d *ange places precisely z ! o!rs4 ,a#b4 7repeat7 ,back-to-back4 ,c4 7,cap]s7 7,repeat74 ,movem5ts z 9 fir/ ,cap]s4 ,opposites re-*ange places4 ,b at ! beg9n+ ( b> #f ( #crd repeat1 lead] calls ,all 91 :]eupon all turn inw>d1 at #f_/c /ep1 =m ,r+ 9 ! c5tre1 ,r+4 raise ! "r feet2 & on la/ beat1 all ?r[ up h&s & ,call4 ,,music4 ,,movem5ts4 ,,=mation4 ,,c\ntry ,,g>d5s 7,,h&k]*ief ,,dance74 ,once to y\rself4 ,ju4 la/ half-b>4 ,column4 ,a#a4 ,d[n-&-back1 ,ju4 ,up-&-back1 j4 7=m+ ,fr474 ,col4 to ,front4 ,b#a4 ,b>s #a to #d4 ,h&-/rik+ z p] ,notation ,front4 7see p4 #eh74 ,b>s #e to #h4 ,half-*a94 ,column4 ,b>s #i to #ab4 ,h&-/rik+4 ,front4 ,b>s #ac to #af4 ,half-*a94 ,?is completes ! ,column4 ,*a94 ,c#a4 ,*a94 ,column4 ,b#b4 ,b>s #a to #d4 ,h&-/rik+4 ,front4 ,b>s #e to #h4 ,h&-/rik+1 repeat$4 ,a#b4 ,cross-ov]4 ,b#c4 ,b>s #a to #d4 ,h&-/rik+4 ,b>s #e to #h4 ,h&-/rik+1 repeat$ ,c#b4 ,back-to-back4 ,b#d4 ,b>s #a to #d4 ,h&-/rik+4 ,b>s #e to #g4 ,h&-/rik+1 repeat$4 ,beg9n+ ( b> #e1 lead] calls ,all 94 ,b> #h4 ,beat #a1 all j4 7giv+ ,col4 ,column4 =mation74 ,half-b>1 all ?r[ up h&s4 ,,all ,,94 ,,music4 ,,movem5ts4 ,,=mation4 ,,con/ant ,,billy 7,,/ick ,,dance74 ,once to y\rself ,p>tn]s tap across1 la/ half-b>4 ,column4 ,a#a4 ,d[n-&-back1 ,ju4 ,up-&-back1 j4 7=m+ ,front74 ,col4 to ,front4 ,p>tn]s tap at half-b> 9 b>s #d & #h4 ,b#a4 ,b>s #a to #d ,tapp+ 7see diagram1 p4 #ed74 ,b>s #e to #h ,half-,*a94 ,tap on half-b> 9 ,column4 b> #h4 ,b>s #i to #ab ,tapp+1 z 9 fir/ #d b>s4 ,front4 ,b>s #ac to #af ,complete ,*a94 ,tap on la/ ,column4 half-b>4 ,a#b4 ,*a94 ,tap at half-b> 9 b>s #d & #h4 ,b#b4 ,b>s #a to #d ,tapp+ z be=e4 ,front4 ,b>s #e to #h ,tapp+ z be=e4 ,b>s #i to #af ,cross-ov]4 ,tap at half-b> 9 b>s #ab & #af4 ,a#c4 ,b>s #a to #d ,tapp+ z be=e4 ,b>s #e to #h ,tapp+ z be=e4 ,b#c4 ,b>s #a to #h ,back-to-back4 ,tap z 9 ,*a91 c4 ,b>s #i to #ab ,tapp+ z be=e4 ,front4 ,b>s #ac to #af ,tapp+ z be=e2 b 9 b> #ad lead] calls ,all 91 & 9 b> #af all j4 7to ,col471 & tap across ,column4 on la/ half-b>1 hold+ /icks z at ! beg9n+4 ,,all ,,94 ,,music4 ,,movem5ts4 ,,=mation4 ,,trunkles 7,,corn] ,,dance74 ,once to y\rself ,ju1 la/ half-b>4 ,column4 ,a#a4 ,d[n-&-back1 ,ju41 ,up-&-back1 ,column j4 7=m+ ,fr74 to ,fr4 ,b#a4 7,corn]s74 7#a/ "t74 ,nos4 #a & #f advance at #d_/c /ep1 ,front4 ,b>s #a to #h beg9n+ ) ! left foot1 s t !y are face to face at ! end ( b> #c4 ,b> #d ,at beg9n+1 ,nos4 #a & #f /amp _! "r feet4 ,nos4 #a & #f raise & sw+ _! "r feet & on half-b>1 /rike !m toge!r1 sidelong2 !n /ep briskly backw>d to _! places1 mak+ room = ,nos4 #b & #e4 ,b#a4 7,corn]s74 7#bnd "t74 ,nos4 #b & #e d precisely z ,nos4 #a & #f 9 ,b#a1 #a/ "t4 ,b#a4 7,c5tres74 7#crd "t74 ,nos4 #c & #d d precisely z ,nos4 #a ,front4 & #f 9 ,b#a1 #a/ "t4 ,c#a4 7,cap]s74 7#a/ "t74 ,nos4 #a & #f advance at #d_/c /ep2 ,b>s #a & #b pass 9 c5tre1 "r %\ld]s t\*+1 & get to ea* o!r's places4 ,b> #c ,nos4 #a & #f turn ab\t1 inw>d & to ! "r1 at #d_/c /ep4 ,b> #d ,nos4 #a & #f advance at #d_/c /ep until !y come face to face1 b d n t\* or pass4 ,b> #e ,nos4 #a & #f retire1 at #d_/b /ep1 to opposite corn]s4 ,b> #f ,beg9n+1 ,nos4 #a & #f rea* opposite corn]s4 ,half-b>1 ,nos4 #a & #f ,ju4 ,nos4 #a & #f h n[ *ang$ corn]s4 ,c#a4 7,cap]s7 7#bnd "t74 ,nos4 #b & #e *ange corn]s z ,nos4 #a & #f 9 ,c1 #a/ "t4 ,c#a4 7,cap]s7 7#crd "t74 ,nos4 #c & #d *ange places z ,nos4 #a & #f 9 ,c1 fir/ "t4 ,a#a4 7repeat74 ,*a94 ,column4 ,b#a4 7repeat74 ,z be=e1 ) ! diff]5ce only ,front4 7#c times74 t pairs />t ) "r foot s t1 9 b> #d1 !y /amp & /rike toge!r ! left feet4 ,c#a4 7repeat74 ,z be=e1 ,all *ange places ,front4 7#c times74 aga91 return+1 !re=e1 to orig9al /ations4 ,a#b4 ,cross-ov]4 ,b#b4 ,z 9 ,b#a4 ,pairs />t ) left 7#c times74 feet1 & /amp & /rike "r feet 9 b> #d4 ,c#b4 7,cap]s74 7#c times74 ,z 9 ,c#a1 except t pairs1 9 ,sl[]1 except *ang+ places1 /ep r 9 la/ two high] to ! sl[] music1 also b>s1 play$ 9 ! la/ two b>s ( normal 9 orig9al "t4 ,! ,high ,/ep is to be "t4 res]v$ = ! ,sl[ ,cap]s 9 ,c#c1 & repeat4 ,a#b4 7repeat74 ,back-to-back4 ,b#b 7repeat74 ,z 9 ,b#a 7repeat71 pairs />t ) 7#c times74 "r feet s t1 9 b> #d1 !y /amp & /rike ! left feet4 ,c#b 7repeat74 7#c times74 ,z 9 ,c#b4 ,pairs re-*ange4 ,cap]s4 ,sl[]4 ,a#c4 ,cross-ov]4 ,b#c4 ,z 9 ,b#a & ,b#b4 ,pairs />t ) 7#c times74 left feet1 & /amp & /rike "r feet4 ,c#c 7,cap]s74 7#c times74 ,z 9 ,c#a1 pairs *ange places4 ,b>s #a1 #b1 #c1 #d ,9 ^! ! /ep is #d_/a1 & ,high 9 ea* --really z high z possible4 repetition 7v sl[74 ,b>s #e & #f ,9 ^! ! pairs retire1 aft] ,front4 9 ea* meet+ 9 c5tre1 at #d_/b /ep1 repetition lift+ ! feet z high z 7pre/o74 possible1 & z quickly4 ,! great] ! contra/ betwe5 ^! two quick b>s & ! prec$+ sl[ ones1 ! bett] ! effect4 ,a#c4 7repeat74 ,back-to-back4 ,b#c4 7repeat74 ,z 9 ,b#a & ,b#b 7repeats71 pairs 7#c times74 />t ) "r feet1 & /amp & /rike left feet 9 b> #d4 ,c#c4 7,cap]s7 ,v sl[4 ,z 9 ,c#c4 ,pairs re-*ange to 7,repeat74 orig9al places4 7#c times74 ,at ! beg9n+ ( b> #e1 9 f9al repetition ( ! music1 lead] calls ,all 91 :5 all draw toge!r into ,r+1 ?r[ up ! ,fr4 to ,r+4 "r h&s1 raise ! "r feet1 & ,call4 ,,all ,,94 ,,music4 ,,movem5ts4 ,,=mation4 ,,rigs ,o' ,,m>l[ 7,,/ick ,,dance74 ,once to y\rself ,tap /icks on la/ two beats ( ,column4 b> #d4 ,a4 7#a/ "t74 ,/ep #d_/b ?r\gh\t ,a music 9 all repetitions4 ,d[n-&-back twice4 ,p>tn]s tap /icks across on la/ two beats ( b>s #d & #h2 b on mak+ la/ tap b "o1 j4 ,col4 to 7=m+ ,fr471 s t f9al tap ,front4 is giv5 9 ,front =mation4 ,b4 7#a/ "t74 ,d\ble-tapp+4 7,= in/ructions1 ,front4 see diagram1 p4 #ee74 ,a4 7#bnd "t74 ,*a94 ,tap /icks z 9 ,a1 #a/ "t4 ,b4 7#bnd "t74 ,d\ble-tapp+1 z 9 ,b1 #a/ "t4 ,a4 7#crd "t74 ,cross-ov]4 ,tap /icks z 9 ,a1 #a/ "t4 ,b4 7#crd "t74 ,d\ble-tapp+1 z 9 ,b1 #a/ "t4 ,a4 7#d? "t74 ,back-to back4 ,tap /icks z 9 ,a1 #a/ & #bnd "t4 ,b4 7#d? "t74 ,d\ble-tapp+ z 9 ,b1 #a/ & #bnd "t4 ,9 b> #g1 lead] calls ,all 91 :]eupon all j41 giv+ ,col4 =mation1 9 :i* f9al ,column4 tap is made4 ,,all ,,94 ,,music4 ,,movem5ts4 ,,=mation4 ,,bluff ,,k+ ,,hal 7,,h&k]*ief ,,dance47 ,once to y\rself ,none4 ,front4 ,a4 ,b>s #a to #d ,advance sl[ly1 until files are face to face4 ,on half-b> ( b> #d1 p>tn]s nod to "o ano!r 7see in/ructions1 p4 #eg74 ,b>s #e to #h ,retire to orig9al position4 ,front ,b4 ,b>s #a to #d ,m>k "t4 ,b>s #e to #h ,advance & nod z be=e4 ,c4 ,b>s #a to #d ,retire4 ,b>s #e to #h ,m>k "t4 ,files l9k arms 9 la/ b>1 & rema9 l9k$ until told to loose arms4 ,a4 ,b>s #a to #d ,advance z be=e1 nod4 ,b>s #e to #h ,retire4 ,b4 ,b>s #a to #d ,m>k "t4 ,b>s #e to #h ,advance z be=e1 nod4 ,c4 ,b>s #a to #d ,retire4 ,b>s #e to #h ,loose arms4 ,files turn v sl[ly ab\t until !y are rev]s$4 ,a4 ,b>s #a to #d ,retire1 until p>tn]s' backs are all b t\*+4 ,b>s #e to #h ,advance to orig9al position4 ,b4 ,b>s #a to #d ,m>k "t4 ,b>s #e to #h ,retire z be=e4 ,c4 ,b>s #a to #d ,advance z be=e4 ,front4 ,b>s #e to #h ,m>k "t4 ,l9k arms 9 la/ b>1 & rema9 l9k$ until told to loose arms4 ,a4 ,b4 ,g ?r\gh same movem5ts1 l9k$1 z 9 prec$+ ,a & ,b4 ,loose arms at end ( ,b4 ,c4 ,files ext5d into s+le l9e1 fac+ ,l9e4 music4 ,to d ?is1 ,nos4 #a & #b advance2 ,nos4 #c & #e foll[ ,no4 #a2 ,nos4 #d & #f foll[ ,no4 #b4 ,:5 all are 9 l9e1 ) ,nos4 #a & #b at w+s1 ,nos4 #e & #f 9 c5tre1 all face music4 ,di/ances betwe5 danc]s to be kept ! same z :5 9 file4 ,a4 ,b>s #a to #d ,m>k "t4 ,b>s #e to #h ,advance4 ,b4 ,b>s #a to #d ,retire4 ,b>s #e to #h ,m>k "t4 ,c4 ,b>s #a to #d ,advance4 ,b>s #e to #h ,retire4 ,l9k arms 9 la/ b>4 ,a4 ,b4 ,m>k "t1 advance & retire l9k$1 & m>k "t1 z 9 prec$+ ,a & ,b4 ,9 la/ b>1 loose arms & jo9 h&s4 ,c4 ,=m into ,r+3 ,nos4 #a & #b ,r+4 jo9+ h&s 9 la/ b>4 ,a4 7#h b>s71 ,move to "r1 danc]s mak+ ! & ,b4 complete circle4 7,b>s #a to #d74 ,b4 ,b>s #e to #h1 ,move to left1 danc]s ne>ly & travell+ r\nd circle aga94 ,c4 ,b>s #a to #d4 ,c4 ,b>s #e to #h ,nos4 #e & #f loose h&s4 ,no4 #e ,two ,r+s4 jo9s h&s ) ,no4 #a1 & ,no4 #f ) ,no4 #b1 =m+ two r+s1 "o to ea* file4 ,ea* r+ w =m r\nd ab\t ! l9e ( position ( its numb]s :5 9 file4 ,a4 7#h b>s7 ,r+s move to "r1 z s+le ,two ,r+s4 & ,b4 ,r+ previ\sly1 b mak+ ,b>s #a to #d4 d\ble circuit4 ,b4 ,b>s #e to #h4 ,r+s move to left1 z s+le ,r+ & previ\sly1 ne>ly d\ble circuit4 ,c4 ,b>s #a to #d4 ,c4 ,b>s #e to #h ,r+s break up & re-=m l9e ( ,two ,r+s #f z be=e4 to ,l9e4 ,a4 ,b4 ,c4 ,l9e m>k "t1 advance1 retire1 ,l9e4 c41 z be=e1 l9k arms 9 la/ b> ( ,c4 ,a4 ,b4 ,c4 ,l9e z be=e1 l9k$4 ,la/ #d b>s ,l9e4 ( ,c1 break into files1 9 orig9al position 9 ,front1 b rev]s$ ,front4 z be=e4 ,a4 ,b4 ,c4 ,files rev]s$1 m>k "t1 retire1 advance1 c41 z be=e4 ,l9k arms 9 la/ b> ( ,c4 ,a4 ,b4 ,c4 ,files1 rev]s$1 m>k "t1 retire1 advance1 c41 z be=e1 arms l9k$4 ,loose arms1 & turn sl[ly ab\t 9 la/ #d b>s ( ,c1 =m+ ,front4 ,a4 ,b4 ,c4 ,m>k "t1 advance1 nod1 c41 z be=e4 ,l9k arms 9 la/ b> ( ,c4 ,a4 ,b4 ,c4 ,m>k "t1 advance1 c41 ) l9k$ arms1 z be=e4 ,at ! call ( ,all 91 ! dance ends quietly on ! la/ f\r b>s1 m>k "t1 ( ,c4 ,,music4 ,,movem5ts4 ,,=mation4 ,,h[ ,d',,ye ,,d 7,,corn] ,,dance74 ,once to ,ju4 la/ half-b>4 ,column4 y\rself4 ,a4 7#a/ "t74 ,d[n-&-back1 ,ju4 ,up-&-back41 ,column to j4 7=m+ ,fr474 ,front4 ,b4 7#a/ "t7 ,?is is ! ,*all5ge4 ,nos4 #a & ,front4 7,corn]s74 #f advance & %ake h&s1 z ,b> #a4 describ$ 7see p4 #eh74 ,b> #b4 ,nos4 #b & #e ! same4 ,b> #c4 ,nos4 #c & #d ! same4 ,front4 ,b> #d & #e4 ,nos4 #c & #d pause 7see p4 #eh74 ,a4 7#bnd "t74 ,*a94 ,column4 ,b4 7#bnd "t7 ,?is is ! ,fight4 ,nos4 #a & #f ,front4 7,corn]s74 advance & squ>e up1 z ,b> #a4 %[n 9 description 7see p4 #eh74 ,b> #b4 ,nos4 #b & #e ! same4 ,b> #c4 ,nos4 #c & #d ! same4 ,b>s #d & #e4 ,nos4 #c & #d pause z be=e4 ,a4 7#crd "t47 ,cross-ov]4 ,b4 7#crd "t7 ,?is is ! ,reconciliation1 & 7,corn]s74 goes precisely z 9 ,b1 #a/ "t4 ,a4 7#d? "t74 ,back-to-back4 ,b4 7#d? "t7 ,?is is ,good ,fell[%ip1 & goes 7,corn]s74 precisely z 9 ,b1 #a/ & #crd "t4 ,a#b4 ,cross-ov]4 ,z usual1 up to b> #g1 :5 lead] calls ,all 91 :]eupon all close inw>d into ,r+ 9 c5tre2 ?r[ up h&s1 ,r+4 raise "r feet on la/ half-b>1 & ,call4 ,,all ,,94 ,,music4 ,,movem5ts4 ,,=mation4 ,,%eph]d',s ,,hey 7,,/ick ,,or ,,h&k]*ief ,,dance74 ,once to ,ju4 la/ half-b>4 ,column4 y\rself4 ,a#a4 ,d[n-&-back1 ,ju4 ,up-&-back1 j4 7=m+ ,fr47 ,col4 to ,fr4 ,b#a4 ,tapp+ 7or ,h&-clapp+74 ,front4 7,see p4 #ei47 ,a#b4 ,*a94 ,column ,b#b4 ,tapp+ 7or ,h&-clapp+74 ,front4 ,a#a4 7#bnd "t74 ,g-&-come4 ,b#a4 7#bnd "t74 ,tapp+ 7or ,h&-clapp+74 ,a#b4 7#bnd "t74 ,back-to-back4 ,b#b4 7#bnd "t74 ,tapp+ 7or ,h&-clapp+74 ,a#c4 ,g-&-come4 j4 on la/ half-b> ,fr4 to ,col4 7to ,col474 ,to ext5d1 repeat ,a#a1 ,b#a1 ,a#b1 ,b#b 7#bnd "t74 ,a#c4 ,dance at #d_/c quick-/ep1 m>k "t ,column4 7repeat74 7t is1 9 position72 left h& 7,pre/o74 hang+ loose1 until la/ half-b>1 :5 x is ?r[n up4 ,"r h& holds /ick across ! body1 ! /ick slant+ upw>d t[>ds ! "r %\ld]4 ,two b>s f end lead] calls ,all 94 ,all ,ju4 on la/ half-b>1 & ?r[ up bo? h&s4 ,,all ,,94 ,,music4 ,,movem5ts4 ,,=mation4 ,,blue-,,ey$ ,,/rang] 7,,h&k]*ief ,,dance74 ,once to y\rself4 ,ju4 la/ half-b>4 ,column4 ,a#a4 ,d[n-&-back1 ,ju4 ,up-&-back1 j4 7=m+ ,fr47 ,col4 to ,fr4 ,b#a4 ,all dance at #d_/c /ep1 m>k "t2 ,front4 ,b>s #a to #h4 sw++ h&s back & =? toge!r 9 "t4 ,b>s #g & #h to be danc$ 9 #d_/b /ep4 ,b#a4 ,*a94 ,column4 ,b>s #i to #af4 ,a#b4 ,z previ\sly 9 ,b#a1 b>s #a to #h4 ,front4 ,b#b4 ,b>s #a to #h4 ,cross-ov]4 ,b#b4 ,b>s #i to #af4 ,z previ\sly 9 ,b#a1 b>s #a to #h4 ,a#a4 7#bnd "t74 ,back-to-back4 ,b#a4 ,b>s #a to #h4 ,z previ\sly 9 ,b#a1 b>s #a to #h1 7#bnd "t74 until b> #g1 :5 lead] call ,all 94 ,all !n draw into ,r+ 9 c5tre1 ?r[ up h&s ,fr4 to ,r+4 on half-b> ( b> #h1 & ,call4 7,to ext5d ?is dance to full ,r+4 l5g? ( music1 see note p4 #ej47 ,,all ,,94 ,,morris ,,(f4 ,?is1 z ! "n d5otes1 is ! tune to :i* ! danc]s /ep z !y leave ! sc5e--be x /age1 or high road1 or village gre5--( _! p]=mance4 ,its execution is v simple1 & !re is no limit to ! numb] ( times ! eight-b> measure may be play$--or r1 ! limit is set accord+ to ! fancy ( ! lead]1 = he may1 if he pleases1 & if ! audi5ce manife/s no impati5ce1 lead 8 side back & =? 9 a s]p5t9e track1 r\nd & r\nd = ev] s long1 till f9ally !y w9d f ! sc5e4 ,! /ep is ! #d_/c /ep ?r\gh\t1 b ) a diff]5ce4 ,x is m ( a plod1 ) less ( /amp+ & mu* less lift+ ( ! feet4 ,morris ,(f1 danc$ 9 ! traditional mann]1 gives "o ! impression ( a company agreeably tir$1 b pleas$ & com=table1 hav+ rollick$ to _! he>ts' cont5t1 & to ! cont5tm5t ( ! look]s-on2 & be+ n[ ^u ! way to supp]1 & to b$4 ,( c\rse1 if !y be /ill exub]ant1 !y may %[ x1 & /amp _! lu/ie/2 /ill a demur] /ep w usually sugge/ itself z ! m appropriate4 ,?is quiet] mann] is be/ describ$ z almo/ a sl[1 v g5tle trot1 ! /eps little long] ?an ! foot--left1 "r1 left2 & !n1 on ! f\r? beat1 n a hop1 b a tap ) ! heel4 ,z = ! movem5ts4 ,aft] ,once to y\rself1 ! side m>ks "t = #f b>s1 & makes a complete "r turn1 sl[ly1 9 b>s #g & #h2 !n ! lead]1 ) ,nos4 #c & #e beh9d him1 />ts =w>d z describ$1 ,nos4 #b1 #d & #f mean:ile m>k+ "t4 ,z ,no4 #e draws level ) ,no4 #b1 he falls 9 beh9d1 & ,nos4 #d & #f 9 ord] aft] him4 ,! side is n[ go+ sl[ly =w>d1 9 ! mann] ( ,foll[ my lead]4 ,9 e repetition ( b>s #g & #h1 all make a complete "r turn1 z already describ$1 s t at ! repeat ( ! fir/ b> all are aga9 fac+ 9 ! c\rse ! lead] %all h set4 ,! c\rse w be set accord+ to circum/ances1 & ! position ( exit1 if 9 a room2 or1 if 9 ! op51 ! lead] w w9d--or 9 ! old mann] ( say+1 he w hey--to "s *os5 po9t = quitt+ ! sc5e4 ,to hey 0 to w9d 9 & out & r\nd ab\t--?\gh ! t]m has _m mean+s4 ,t is ! lead]'s bus9ess3 to lead ! side across & back aga91 all turn+ toge!r 9 ! la/ two b>s1 & back & across aga91 or r\nd ab\t occasionally1 z long z he may please4 ,suppose m ?an "o side has be5 danc+2 !n ! lead+ side w />t z already describ$1 ! o!r1 or o!rs1 fall+ 9 z may h be5 previ\sly arrang$4 ,morris ,(f1 smoo?ly & quietly danc$1 ) its /range monotony1 has a fasc9ation all its own4 ,x is f>ewell1 ) no sorr[ 9 x2 good-bye1 b ) no dread ( lonel9ess to-morr[2 someh[1 "o _c tell h[1 all ! :olesom5ess ( ! ,morris1 & ( ! folk t s5t x d[n to u1 & are ) u yet1 is 9 ?is dance4 ,:5 ! dance is ov]1 & ! bells quiet1 !re is nei!r surfeit nor exhau/ion4 ,morris ,(f is l to make "o ?9k ( s\nd sleep & cle> awak5+s4 ,,! ,,end4