,the ,fourth-,dimensional ,reaches of   
the ,exposition    ,san ,francisco1     
#aiae    ,by ,cora ,lenore ,williams1   
,m4 ,s4  ,author of ,as ,if and ,essays 
on ,involution        ,paul ,elder and  
,company  ,publisher - ,san ,francisco  
,copyright1 #aiae  ,by ,paul ,elder and 
,company  ,san ,francisco        ,to ,my
 ,father and ,mother        ,contents   
,lines on ,fourth-,dimensional ,insight 
by ,ormeida ,curtis ,harrison4          
7,tissue ,facing ,frontispiece47  ,a    
,fourteenth ,century ,legend  ,essay on 
the ,fourth-,dimensional ,reaches of the
 ,exposition4 ,by ,cora     ,lenore     
,williams3  ,general ,status of the     
,fourth-,dimensional ,theory            
,fourth-,dimensional ,aspects of the    
,panama-,pacific ,international         
,exposition  ,bibliography3 ,books and  
,poems having ,fourth-,dimensional      
,insight    ,illustrations    ,an       
,unborn ,space4 ,the ,court of ,four    
,seasons4 ,from an etching by ,gertrude 
,partington 7,frontispiece7  ,a         

,structure ,brave4 ,palace of ,fine     
,arts4 ,from an etching by ,gertrude    
,partington  ,a ,building ,inside ,out4 
,the ,court of ,ages4 ,from an etching  
by ,gertrude     ,partington  ,a        
,four-,dimensional ,cover ,design4 ,by  
,julia ,manchester ,mackie4 7,cover47   
,time is1 and all the detail of the     
world confounds  ,the plastic mind4     
,with multitude of shapes and sounds    
,do the swift elements of thought       
contend     ,to form a whole which life 
may comprehend4        ,only to those of
 high intent        ,is life revealed1  
and quick dreams sent -        ,half    
glimpsed truths omnipotent4     ,out of 
the silence of an unborn space     ,a   
spirit moves1 and thought comes face to 
face     ,with the immutable1 and time  
is past1     ,and the spent soul1 done1 
meets truth at last4        ,chance1    
fate1 occasion1 circumstance1        ,in
 interfused radiance     ,are lost4     
,past1 present1 future1 all combined    
,in one sure instantaneous grasp of     

mind1  ,and all infinity unrolls at our 
command1  ,and beast and man and ,god   
unite1 as worlds expand4     - ,ormeida 
,curtis ,harrison4        ,a ,fourteenth
 ,century ,legend    ,friar ,bacon1     
reading one day of the many conquests of
 ,england1 bethought  himself how he    
might keep it hereafter from the like   
conquests and so  make himself famous to
 all posterity4 ,this 7after great      
study7 he found  could be no way so well
 done as one2 which was to make a head  
of brass1  and if he could make this    
head to speak 7and hear it when it      
spoke7 then  might he be able to wall   
all ,england about with brass4 ,to this 
purpose  he got one ,friar ,bungey to   
assist him1 who was a great scholar and 
magician 7but not to be compared to     
,friar ,bacon72 these two with great    
study and pains so formed a head of     
brass that in the inward parts  thereof 
there was all things like as in a       
natural man's head4 ,this being  done   
they were as far from perfection of the 

work as they were before1  for they knew
 not how to give those parts that they  
had made motion1  without which it was  
impossible that it should speak4 ,many  
books they  read1 but yet could not find
 out any hope of what they sought1 that 
at  the last they concluded to raise a  
spirit and to know of him that which    
they could not attain by their own      
studies4    ,the spirit straight obeyed1
 and appeared unto them1 asking what    
they  would4 ,he told them that with a  
continual fume of the six hottest       
simples it should have motion1 and in   
one month space speak3 the time of  the 
month3 or the day he knew not4 ,also he 
told them that if they heard  it not    
before it had done speaking1 all their  
labor should be lost4    ,then went     
these two learned ,friars home again and
 prepared the simples  ready and made   
the fume1 and with continual watching   
attended when this  ,brazen ,head should
 speak4 ,thus watched they for three    
weeks without any  rest1 so that they   

were so weary and sleepy that they could
 not any  longer refrain from rest4     
,then called ,friar ,bacon his man      
,miles1 and  told him that it was not   
unknown to him what pains ,friar ,bungey
 and  himself had taken for three weeks 
space only to make and to hear the      
,brazen ,head speak1 which if they did  
not1 then had they lost all their       
labor1 and all ,england had a great loss
 thereby4 ,therefore he entreated       
,miles that he would watch whilst that  
they slept and call them if the  head   
spake4 ',fear not 7good master71 ,i will
 harken and attend1 upon the  head and  
if it do chance to speak1 ,i will call  
you2 therefore1 ,i pray  take you both  
your rest and let me alone for watching 
this head4'    99 99 99 99    ,at last1 
after some noise1 the ,head spake these 
two words3 ',time is4'  ,miles1 hearing 
it to speak no more1 thought his master 
would be angry if  he waked him for     
that1 and therefore he let them both    
sleep and began to  mock the ,head in   

this manner3 ',thou ,brazen-faced ,head1
 hath my master  took all this pains    
about thee and now dost thou requite him
 with two  words1 ,time is8'    99 99 99
 99    ,after half an hour had past1 the
 ,head did speak again two words which  
were these3 ',time was4' ,miles         
respected these words as little as he   
did  the former and would not wake his  
master1 but still scoffed at the        
,brazen ,head1 that it had learned no   
better words1 and have had such a  tutor
 as his master2 99 99 99 99 ',time was6 
,i knew that1 ,brazen-face1  without    
your telling4 ,i knew ,time was and ,i  
know what things there was  when ,time  
was1 and if you speak no wiser1 no      
master shall be waked for  me4'    99 99
 99 99    99 99 99 99 ,the ,brazen ,head
 spake again these words3 ',time is     
past'2 and  therewith fell down and     
presently followed a terrible noise1    
with  strange flashes of fire1 so that  
,miles was half dead with fear4 ,at this
  noise the two ,friars waked and       

wondered to see the whole room so full  
of  smoke1 but that being vanished1 they
 might perceive the ,brazen ,head       
broken and lying on the ground4 ,at this
 sight they grieved1 and called  ,miles 
to know how this came4 ,miles1 half dead
 with fear1 said that it  fell down of  
itself and that with the noise and fire 
that followed he  was almost frightened 
out of his wits4 ,friar ,bacon asked him
 if it did  not speak4    ',yes1' quoth 
,miles1 'it spake1 but to no purpose4'  
,general ,status of the                 
,fourth-,dimensional ,theory    ,the    
human mind has so long followed its     
early cow-paths through the  wilderness 
of sense that great hardihood is        
required even to suggest  that there may
 be other and better ways of traversing 
the empirical  common4 ,so it is that   
the fear of being proclaimed a          
,brazenhead has  restrained me until    
this eleventh hour from telling of my   
discoveries  concerning the             
fourth-dimensional reaches of our       

,exposition4 ,that ,i have  the courage 
now is due to my desire to help in its  
preservation2 not to  the end of        
enclosing it in a brass wall1 but to    
lift it out of the realm  of things     
temporal and give it permanent meaning  
for our thought and  aspiration4 ,would 
we save our ,exposition from the ravages
 of ,time we  have to exorcise that     
monster with the enigmatical utterances 
of the  aforesaid ,brazen ,head4 ,the   
philosophers are telling us that ,time  
is the  fourth dimension in the process 
of evolving for our consciousness4 ,i   
take it that there are three stages in  
this evolution2 the first1 that  of     
immediate experience1 is subsumed by the
 phrase ',time is'2 the second  is a    
passing from the concrete to the        
abstract through the fact that  ',time  
was'2 and the glory of the last is      
visioned only when we can say  ',time is
 past4'    ,while many books have been  
written descriptive of the ,exposition1 
none  has succeeded in accounting       

completely for the joy we have in yonder
  miracle of beauty4 ,and this through  
no fault of the writers4 ,when all  has 
been said concerning plan and execution 
there is still a subtle  something not  
spatialized for consciousness4 ,length1 
breadth1 and height  do not suffice to  
set forth the ways of our delight in it4
 ,what of this  perceptual residue8     
,obviously to give it extension we shall
 have to  ascribe to reality other      
dimensions than those of our present    
sense  realm4 ,some disciple of ,bergson
 interrupts3 ',ah1 this whereof you     
speak  is a spiritual thing and as such 
is given by the intuition4 ,why1 then1  
do you seek to spatialize it8' ,and the 
layman out of his mental  repugnance to 
things mathematical echoes1 ',why8' ,we 
have to answer that  the process of     
creative evolution makes imperative the 
transfixion by  the intellect of these  
so-called spiritual perceptions4        
,although the  intuition transcends the 
intelligence in its grasp of beauty and 

truth1  we may attain to the higher     
insight it has to offer only if the     
things  of the spirit become known to   
the intellect - a point in ,bergson's   
philosophy which the majority of his    
readers overlook4 ',we have1' he  says1 
'to engender the categories of our      
thought2 it is not enough that  we      
determine what these are4' ,bergson is  
preeminently the prophet of the  higher 
space concept4 ,we had done better to   
have held to ,kant1 for now  we are not 
only confronted with the fourth         
dimension as a thought-form1  but with  
the duty as well of furthering its      
creation4 ,and in that light  we have to
 regard what of worth and meaning the   
,exposition has for us4    ,although the
 scientist has found it useful on       
occasion to postulate the  fourth       
dimension1 he has not thought necessary 
as yet to put it in the  category of    
reality2 much less has the layman4      
,consequently the  mathematician holds  
the sole title to its knowledge unless  

we recognize  the claims of the medium  
to a fourth-dimensional insight4        
,there is much1 however1 today which    
points to our coming to such  perception
 as the natural result of our evolution 
and quite apart from  geometrical       
abstractions or occultism4 ,it is as    
though some great tidal  wave had swept 
over space and we have1 quite unbeknown 
to ourselves1  been lifted by it to new 
heights4 ,and when we have once obtained
 our  spiritual balance we shall        
doubtless find that our space world has 
taken  to itself another direction1     
inconceivable as that now seems4        
,space is more than room wherein to move
 about2 it is1 first of all1 the  room  
in which we think1 and upon how we do so
 depends the number of its  dimensions4 
,if the attention has become 'riveted to
 the object of its  practical interest' 
to the extent that this is the only good
 the  creature knows1 then is its       
thought-form one-dimensional even though
 its  bodily movements are three-spaced4

 ,the great ,peacock ,moth wings a sure 
course mateward to the mystification of 
the scientist2 the dog finds the  direct
 road home - his master cannot tell how2
 ,mary ,antin climbs to an  education   
over difficulties apparently            
insurmountable2 ,rockefeller knows  his 
goal and attains it1 regardless of other
 moral worths4 ,for these the  way is   
certain4 ,they can suffer no deflection 
since there are no  relative values1 no 
possible choices4 ,their purpose makes  
the road  one-dimensional4 ,that the    
majority of persons are still feeling   
their  way over the surface of things is
 attested by the general mental         
ineptitude for the study of solid       
geometry4 ,depth and height play little 
part in our physical perception4 ,for   
most of us the third dimension is       
practically unknown beyond the reach of 
a few feet4 ,a ,beachey soaring  aloft -
 why all the bravado of curve and loop8 
,sooner or later he will  fall to his   
death4 ,ay1 verily6 but his is a joyous 

martyrdom making for  the evolution of  
consciousness4 ,not always shall we     
crawl like flies the  surface of our    
globe6    ,while a man's space-world is 
limited by his thought1 it is1 on the   
other hand1 as boundless as his thought4
 ,that the world evolves with our       
consciousness1 is at once the philosophy
 of ',creative ,evolution' and of  the  
higher space theory4 ,our present       
spatial milieu has settled down to  a   
seemingly three dimensional finality    
because our thought-form has  become so 
habitual as to give rise to certain     
geometric axioms4 ,all we  need in order
 to come to a fourth-dimensional        
consciousness1 said ,henri  ,poincare1  
'the greatest of moderns1' is a new     
table of distribution2  that is1 a      
breaking up of old associations of ideas
 and the forming of  new relations - a  
simple matter were it not for our mental
 inertia4  ,lester ,ward speculates that
 life remained aquatic for the vast     
periods  that paleontology would        

indicate2 ,cambrian1 ,silurian1         
,devonian1  ,carboniferous - a duration 
greater than all subsequent time - for  
the  reason that the creature had not   
progressed beyond the stage when it     
could move otherwise than in a straight 
line when actuated by desire for  food  
or mate4 ,life was not able to maintain 
itself on land until it had  overcome   
this one-dimensional limitation4 ,a     
venturesome ,pterodactyl was  he who    
first essayed to make his way among the 
many obstructions to be  found ashore6  
,by what intuition was he impelled8     
,it is a matter of common observation   
that the growth of the higher           
perceptive faculty is strangely         
concomitant with adversity4 ,the        
intuitive person is a person who has    
suffered4 ,when conditions press        
sufficiently hard1 a new table of       
distribution may be the only means for  
survival4 ,thus we proceed to make a    
virtue of necessity and so come to  the 
recognition of other values which we    

denominate spiritual because we  have   
not as yet spatialized them4 ,the       
caterpillar has to mount the twig  to   
find the tender green that is his food1 
but1 he solaces himself for  the journey
 by thinking himself a creature of the  
light4 ,mr4 ,carpenter1  in an          
interesting study of what he calls      
,intermediate ,types1 shows that  the   
seers and spiritually-minded come to be 
such because they found  themselves     
differing in some wise from their       
fellows1 and dwelling on  that          
difference had their minds turned       
inward4 ,progress in thought and        
imagination naturally followed1 with the
 result that these were lifted  above   
the majority and came thereby to larger 
vision4 ,failure may well  be the       
measure of extension in a new dimension4
    ,the significance of the much       
fumbling and groping of earth's         
creatures  is the desire for a larger   
outlook4 ,man has to feel his way out of
 a  three-fold world even as the worm   

out of his hole4 ,that we are hearing   
much of the principle of relativity is  
perhaps the best indication we  have    
that the collective human consciousness 
is about to enter a higher  dimension4  
,so long as man knew only an absolute   
good was his world a  definitely        
determined world4 ,now that the question
 of relative values  obtrudes itself on 
every side the range of consciousness   
promises to be  infinite4    ,man's     
interest having in these latter days    
become largely centered on              
value-judgments and estimates of worth1 
an exposition affords perhaps  the most 
general application of the principle of 
relativity1 bringing it  home to the    
collective mind in an intimately human  
way as nothing else  could3 - ,with     
nation vying with nation and individual 
with individual in  all of the arts and 
crafts of human industry1 absolute      
standards must  needs vanish1 and with  
their going we may be able to set up    
such a  distribution of values as will  

give new direction to our efforts4      
,however that may be1 the industrial    
competition to which1 in the last       
analysis1 the ,exposition owes its      
inception1 is pushing many aside from   
the beaten highways into hitherto       
unexplored regions of thought and       
endeavor1 and who is to say that we may 
not in consequence find a  direction    
quite at right angles to all of our     
wonted ways of thinking4  ,certainly    
there could be no more fitting occasion 
for the launching of a  new thought-form
 than a great international exposition4 
,the ,fourth-,dimensional  ,aspects of  
the ,panama-,pacific  ,international    
,exposition    ,and ,i know not if1 save
 in this1 such gift be allowed to man1  
,that out of three sounds he frame1 not 
a fourth sound1 but a star4  ,consider  
it well3 each tone of our scale in      
itself is naught3     ,it is everywhere 
in the world - loud1 soft1 and all is   
said3  ,give it to me to use6 ,i mix it 
with two in my thought3     ,and there6 

,ye have heard and seen3 consider and   
bow the head6       - ,browning4    ,the
 ,panama-,pacific ,international        
,exposition is best seen in its         
fourth-dimensional aspect when          
approached through the ,gateway of      
,memory4  ,this is what one might       
expect1 for that entrance alone has the 
requisite  geometrical structure4 ,you  
will recall having heard1 ,i am sure1   
how in  the fourth dimension a person   
may go in and out of a locked room at   
his  pleasure with bolts and bars       
untouched4 ,broad and open as is this   
,gate  of ,memory1 when you pass its    
portals the wall closes behind you2     
there  is no visible opening to mark the
 spot of your entry4 ,a feeling of      
detachment comes over you4 ,this is     
augmented by the burst of light and     
color that flashes across the field of  
your vision1 and for the first  time you
 understand the purport of those        
'banners yellow1 glorious1  golden'     
which 'do float and flow4' ,they seem to

 bear you on breezes of  their own      
creating to the freedom of outer spaces4
 ,what you had taken  for the flauntings
 of festivity are become the heralds of 
hyperspace4    ,as you wend your way    
down the ,avenue of ,time you feel an   
inexpressive  lightness1 a sensation of 
being lifted out of yourself4 ,the      
moment seems  unique4 ,things are       
unrelated4 ,there is no concern of      
proportion4 ,the  place is one of       
immediacy4 ,you wander from the         
ephemeral to the  ephemeral4 ',time is1'
 you say1 in childish glee4 ,and you    
hasten to  assemble images as many and  
as disparate as possible1 believing that
 you  are drinking life at its fountain 
head4 ,the outer world presents itself  
to your consciousness in the form of    
facts in juxtaposition4 ,you read       
guide-books and rejoice in the          
acquisition of knowledge4 ,gradually    
through the perception of the same      
phantasmagoria comes an at-oneness  with
 your fellows4 ,you are caught up in the

 swirl of a larger self4    ,soon you   
weary of the heterogeneous4 ,the ,zone  
of ,consciousness stands  revealed in   
all its grotesqueness4 ',time is1' you  
cry1 but to give  thought its impulse1  
and you hasten on if perchance you may  
discover the  direction of the          
life-principle4 ,what you had taken for 
reality is but  its cross-section - so  
does this empirical realm stand to the  
higher  world of your spirit1 even as a 
plane to a solid4    ,now you turn your 
attention from things to relations in   
the hope of  getting at truth in the    
large4 ,a passage in ,plato comes       
vividly to your  mind4 ',for a man must 
have intelligence of universals1 and be 
able to  proceed from the many          
particulars of sense to one conception  
of reason2  - this is the recollection  
of those things which our soul once saw 
while  following ,god1 when1 regardless 
of that which we now call being1 she    
raised her head up towards the true     
being4'    ,henceforth the multiplicity 

that you seek is one of organization and
 has  nothing to do with number4 ',time 
was1' you proclaim1 that consciousness  
might sift out the irrelevant4 ,as you  
pass from collection to collection      
individual fact becomes prolonged into  
general law and science dominates  the  
field of thought4 ,a thousand years are 
as a day when subsumed by its  laws4    
,you look at the objects of man's       
creating with new eyes4 ,the  displays  
are no longer contests of laborious     
industry but of vision1 and  faith4 ,you
 see that truth has made itself manifest
 through the long  repetition of the    
same fundamental theme4 ,that which is  
unique and  personal you are surprised  
to find of less value than the habit    
perfected by patient practice4 ,the     
routine and monotony of daily toil      
become glorified in the light that now  
falls athwart your vision4 ,you  learn  
to substitute for your personal feeling 
the common impersonal  element felt by  
the many4 ,your concern is not as       

formerly to recollect1  but to          
symbolize4 ,to this end you study frieze
 and statuary and frequent  lectures4   
,your sense of social solidarity grows  
through mutual  comprehension of the    
same truths4    ,and again that 'vexing1
 forward reaching sense of some more    
noble  permanence' urges you on4 ',time 
was2' you joyously affirm for man to    
come to the knowledge of an eternal     
self4 ,but that1 your tradition and     
education have led you to believe1 is   
still yonder1 worlds away4 ,and you     
image the soul in its quest passing from
 life to life as you are now  passing   
from building to building1 from hall to 
hall4 ,but glad the  thought - there    
will be courts wherein you may perhaps  
glimpse the plan  of the whole and so   
gather strength and purpose for another 
housing4 ,all  at once you know that    
death has no fear for you and you feel  
toward your  present life as you do     
toward these ,palaces of the ,mundane - 
the sooner  compassed the better4       

,you pass from court to edifice and from
 edifice to court1 marveling at  the    
symmetry of plan and structure4 ,unity1 
balance1 and harmony become  manifest as
 spatial properties - you had been      
taught to regard them as  principles of 
art4 ,you wonder if art itself may not  
be merely a matter  of right placing -  
the adjustment of a thing to its        
environment4 ,you are  certain that this
 is so as each coign and niche offers   
you its  particular insight4 ,strange   
vagaries float through your mind - one's
  duty to the inanimate things of one's 
possession2 the house too large  for the
 personality of the owner2 the right    
setting for certain  idiosyncrasies2    
character building as a constructive    
process2 the ideal  as the limit of an  
infinite series - each pointing the way1
 as you  think1 to a different vista of 
human outlook4 ,what then your glad     
surprise to find these converging toward
 one ideal synthesis4 ,in  anticipation 
of the splendor you hasten on till earth

 shall have  attained to heaven4 ,there 
it stands - 'a structure brave1' the    
,palace of  ,art1 the ,temple of the    
,soul - and you know you were made to be
 perfect  too4    ,now that you         
apprehend the plan of the whole1        
symmetry takes on a vital  significance 
for your thought4 ,you try to recall    
what you learned of it  in geometry4    
,there was a folding over1 you remember1
 and a fitting  together 'congruence'   
you believe it was called4 ,but that    
could have no  meaning for solids4      
,stop6 a folding over8 ,why1 that       
implies another  dimension6 ,the two    
halves of a leaf can be brought together
 only as one  or the other is lifted out
 of the plane of the leaf into a third  
dimension4 ,so to bring two buildings   
into superposition when they are  alike 
except for a reverse order of parts1    
would necessitate a fourth  dimension   
and a turning inside out4 ,quick as the 
thought1 the court you  are in is that -
 a building inside out6    ,ah6 you know

 now wherefor that wonderful uplifting  
sensation that comes  whenever you enter
 one of these beautiful inclosures4 ,you
 have passed  into the fourth dimension 
of spatial realization4 ',time is past1'
 you  shout aloud1 and laugh to find    
yourself on the inside of externality4  
,cubism in architecture6 ,futurism1 in  
very truth6    ,you visit again the     
galleries of the ,new ,art1 not to      
scoff1 but in  earnest desire for       
enlightenment as to this thing which is 
so near to  consciousness and yet so    
far4 ,you find yourself exclaiming3     
',ah1 there is something here           
,unfathomed by the cynic's sneer6'      
,as you gaze at the portrayal so        
strangely weird in form and color you   
ask yourself where have ,i felt that1   
seen this1 before8 ,immediately you  are
 transported in memory to the midst of a
 crowded street4 ,in the mad  bustle and
 noise you are conscious only of        
mechanical power2 of speed -  always of 
speed4 ,your voice far away - ',the     

child1 oh1 the child6' ,a  swooning     
sensation4 ,men's faces as triangles and
 horses with countless  legs4 ,the chaos
 of primal forces about youthen         
darkness4    ,as the past fuses with the
 present you awaken to a larger         
privilege of  life than man now knows4  
,you feel yourself encompassed by truth1
 vital  and strong4 ,this art1 erstwhile
 so baffling1 stands revealed as the    
struggle of a superhuman entity for     
self-expression4 ,the tendency toward   
,god has to begin anew with each round  
of the life-spiral - that eternal       
circle which life pursues4    ,now you  
find yourself in the ,court of the      
,universe4 ,bands of  many-colored      
light1 the white radiance of eternity1  
stream athwart the  sky4 ,the           
illumination is of the wonder that now  
is4 ,how marvelously  strange the sight 
of the world-consciousness passing over 
into a higher  thought-form6 ,each      
individual element suffering reversal to
 take its  proper place in the new      

world-order6 ,you see positive becoming 
negative1  negative becoming positive1  
and ,evolution giving place to          
,involution - a  process as yet         
uncomprehended by our narrow thought4   
,and the secret of  the world-struggle  
across the sea you know2 men passing    
their nature's  bound2 new hopes and    
loyalties supplanting old ties and joys2
 the  established creeds of right and   
wrong as they vanish in this            
immeasurable thirst for an unknown good4
 ,all these things you know to be  the  
travail of the world as it gives birth  
to some higher entity than  individual  
man4    ',time is past1' and as you     
speak a dove settles to rest upon a     
pediment4  ,therewith you are carried   
away in the spirit to a great and high  
mountain and you behold a new heaven and
 a new earth2 for the first  heaven and 
the first earth are passed away4 ,you   
see the holy city coming  down out of   
heaven - her light is like unto a stone 
most precious1 as it  were a jasper     

stone1 clear as crystal1 and the walls  
thereof are adorned  with all manner of 
precious stones - and they brought the  
glory and the  honor of the nations into
 it4        ,creative ,evolution        
7,after ,bergson7    ,out of a sense of 
immediacy  ,comes an intuition of things
 forming4  ,pressed up by the vital     
urge1  ,mind meets matter and matter    
mind  ,in mutual understanding4  ,that  
which apprehends1 since by the object   
shaped1  ,a fitting instrument is for   
what itself has wrought4  ,from the same
 stuff1  ,cut by an identical process1  
,thing and intellect to congruence come1
  ,in a space-world forever unfolding4  
,no preestablished harmony this  ,of    
inner to outer realm corresponding1     
,nor spirit nor form by the other       
determined4  ,stranger far the genesis  
whereof ,i speak3  ,from the universal  
flux1  ,in a moment1 that is ever       
unique1  ,life to new consciousness     
springs2  ,creator and created together 
evolve1  ,in a time-stream continually  

changing4        ,my ,bibliography of   
,fourth-,dimensional ,insight    ,while 
to books ,i owe much1 ,i owe still more 
to the beautiful people by  whom ,i have
 been1 like ,marcus ,aurelius1 all my   
life surrounded1 and  particularly to my
 parents of large vision4    ,creative  
,evolution3 ,bergson4     ,an intuition 
so great that if spatialized it would   
lead to a world of     infinite         
dimensions4    ,the ,ethical            
,implications of ,bergson's ,philosophy3
 ,una ,bernard ,sait4    ,the ,new      
,infinite and the ,old ,theology3 ,c4   
,j4 ,keyser4    ,the ,fourth ,dimension3
 ,c4 ,h4 ,hinton4    ,first and ,last   
,things3 ,h4 ,g4 ,wells4    ,the ,art of
 ,creation3 ,edward ,carpenter4    ,some
 ,neglected ,factors of ,evolution3     
,bernard4     ,a scientific presentation
 of ,involution1 a book than which none 
other     has more light to throw on    
present world problems4    ,primer of   
,higher ,space3 ,claude ,bragdon4       
,projective ,ornament3 ,claude ,bragdon4

    ,paracelsus3 ,browning4    ,,abt    
,vogler3 ,browning4    ,commemoration   
,ode3 ,lowell4    ,the ,book of         
,revelations4        ,here ends ,the    
,fourth ,dimensional ,reaches of the    
,panama-,pacific  ,international        
,exposition1 written by ,cora ,lenore   
,williams1 ,m4,s41 with  lines on       
,fourth-,dimensional ,insight by        
,ormeida ,curtis ,harrison2 and the     
illustrations are from etchings done by 
,gertrude ,partington1 and the  ,fourth 
,dimensional cover design by ,julia     
,manchester ,mackie4 ,published by      
,paul ,elder  ,company1 and printed     
under the typographical direction of    
,h4 ,a4 ,funke at their ,tomoye ,press1 
in ,san ,francisco1 during the month of 
,november1 ,nineteen ,hundred and       
,fifteen4