file which includes the original illustration4 ,see #aaijc-;h4htm or #aaijc-;h4zip3 7http3_/_/www4ibiblio4org_/gutenberg_/#a _/a_/i_/j_/aaijc_/aaijc-;h_/#aaijc-;h4ht m7 or 7http3_/_/www4ibiblio4org_/gutenberg_/#a _/a_/i_/j_/aaijc_/aaijc-;h4zip7 ,,the ,,mirror ,,of ,,literature1 ,,amusement1 ,,and ,,instruction4 ,vol4 #bj4 ,no4 #egc4 ,,saturday1 ,,october #bg1 #ahcb4 ,,price #b;d4 99 99 99 99 99 ,,old ,,hall1 ,,in ,,derbyshire4 ,illustration ,this picturesque specimen of olden architecture stands upon the ,norton ,lees estate1 on the northern verge of ,derbyshire upon the adjacent county of ,york2 about a mile from ,sheffield1 and eight miles north of ,chesterfield1 and but a short distance from ,bolsover ,castle1 pictured in ,no4 #eff of ,the ,mirror4 ,the estate1 in the reign of ,henry ,,vii41 was the property of the family of the ,blythes of ,norton1 two of whom arrived at great honours in the church2 one of them1 ,john1 being the ,bishop of ,salisbury1 and the other1 ,geoffrey1 ,bishop of ,lichfield and ,coventry4#a ,the above was the mansion of the family3 its picturesqueness is of pleasing character2 and our inquiry into the probable age of the structure has naturally enough led us into a few observations upon the early domestic architecture of this country4 ,the subject is1 however1 too rife with interesting details for the present occasion2 so that all we now purpose is by way of reference to the specimen or illustration before us4 #a ,rhodes's ,peak ,scenery1 ,part ,,iv4 ,the house at ,norton ,lees has been supposed by some persons to be as old as the reign of ,richard ,,ii42 but ,mr4 ,rhodes observes1 that it was erected many years after this period can hardly be doubted4 ,certain features of resemblance assist its appearance of antiquity1 as the wooden framework1 which is observable in the oldest specimens of house-building in this country4 ,according to ,strutt1 the ,saxons usually built their houses of clay1 kept together by wooden frames2 shortly after the ,norman ,conquest plaster was intermixed with timber1 and subsequently the basement story was made of stone4 ,the upper apartments were so constructed as to project over the lower1 and considerable ornament both in carved wood and plaster was introduced about the doors and windows and roof of the building4 ,nevertheless1 timber1 with lath and plaster1 and thatch for the roofs1 constituted the chief materials in the dwellings of the ,english from an early period till near the close of the fourteenth century and beginning of the fifteenth1 when bricks began to be used in the better sort of houses4#b ,the mansion before us1 as we have seen1 is referred to the first-mentioned period4 ,mr4 ,rhodes1 however1 observes1 though composed of stone and wood1 it is evident not one of the earliest structures of this description3 it is indeed highly probable that it was built in the reign of the ,seventh or ,eighth ,henry1 but certainly not sooner4 ,at this period the halls or family mansions of the yeomanry of the country had nearly all the same general character4 ,previously1 but little stone was used in any of them4#c2 ,it is true that stone houses are mentioned nearly three centuries and a half before the date of the hall at ,norton ,lees1 as settled by ,mr4 ,rhodes2 as we find them belonging to citizens of ,london in the reign of ,henry ,,ii42 and1 observes ,mr4 ,hallam1 though not often perhaps regularly hewn stones1 yet those scattered over the soil1 or dug from flint quarries1 bound together with a very strong and durable cement1 were employed in the construction of manorial houses1 especially in the western counties and other parts where that material is easily procured4 ,harrison says1 that few of the houses of the commonalty1 except here and there in the west country towns1 were made of stone4 ,this was about #aegj4 ,gradually1 even in timber buildings1 the intervals of the main beams were occupied by stone walls1 or where stone was expensive1 by mortar or plaster1 intersected by horizontal or diagonal beams1 grooved into the principal piers4 ,this mode of building continued for a long time1 and is familiar to our eyes in the older streets of the metropolis1 and in many parts of the country4#d ,harrison1 just quoted1 says1 the ancient manours and houses of our gentlemen are yet and for the most part of strong timber1 in framing whereof our carpenters have been and are worthily preferred before those of like science among all other nations4 ,howbeit1 such as are lately builded are either of brick or hard stone1 or of both4 #b ,britton's ,architect4 ,antiq4 ii4 #hf4 #c ,rhodes's ,peak ,scenery1 ,part iv4 p4 #d4--,one of the oldest of these structures at present in the kingdom1 is ,moreton ,hall in ,cheshire1 which1 though a highly-ornamented building1 is entirely composed of wood1 and was erected at a time before stone was generally used even for the lower apartments4 ,the earliest date about this ancient remain is #aeei4 #d ,hist4 ,middle ,ages1 vol4 iii41 p4 #dbj4 ,the ,hall before us may but ill accord with the present idea of one of these ancient residences2 but1 to explain away this error1 it may be necessary to show in what respects the earliest halls 7of which but few specimens are extant17 differed from those which remain in considerable numbers1 to this day4 ,a passage to this point will be found in ,mr4 ,hallam's valuable work4 ,it is1 observes this able historical writer1 an error to suppose that the ,english gentry were lodged in stately or even in well-sized houses4 ,generally speaking1 their dwellings were almost as inferior to those of their descendants in capacity as they were in convenience4 ,the usual arrangement consisted of an entrance-passage running through the house1 with a hall on one side1 a parlour beyond1 and one or two chambers above1 and on the opposite side1 a kitchen1 pantry1 and other offices4#e ,such was the ordinary manor-house of the fifteenth and sixteenth centuries1 as appears not only from the documents and engravings1 but as to the latter period from the buildings themselves1 sometimes1 though not very frequently1 occupied by families of consideration1 more often converted into farm-houses1 or distinct tenements4 ,larger structures were erected by men of great estates1 during the reigns of ,henry ,,vi4 and ,edward ,,iv42 but very few can be traced higher2 and such has been the effect of time1 still more through the advance or decline of families1 and the progress of architectural improvement1 than the natural decay of these buildings1 that ,i should conceive it difficult to name a house in ,england1 still inhabited by a gentleman1 and not belonging to the order of castles1 the principal apartments of which are older than the reign of ,henry ,,vii4 ,the instances at least must be extremely few4 ,single rooms1 windows1 doorways1 c4 of an earlier date1 may perhaps not unfrequently be found2 but such instances are always to be verified by their intrinsic evidence1 not by the tradition of the place4#f #e ,hist4 of ,whalley4 ,in ,strutt's view of ,manners1 we have an inventory of furniture in the house of ,mr4 ,richard ,fermor1 ancestor of the ,earl of ,pomfret1 at ,easton in ,northamptonshire1 and another in that of ,sir ,adrian ,foskewe4 ,both these houses appear to have been of the dimensions and arrangement mentioned4 ,and even in houses of a more ample extent1 the bi-section of the ground-plot by an entrance-passage1 was1 ,i believe1 universal1 and is a proof of antiquity4 ,haddon ,hall and ,penshurst still display this ancient arrangement1 which has been altered in some old houses4 ,about the reign of ,james ,i41 or1 perhaps1 a little sooner1 architects began to perceive the additional grandeur of entering the great hall at once4 ,this apartment subsequently gave its name to the whole house4--,see an interesting paper on ,old ,english ,halls1 ,mirror1 vol4 xviii4 p4 #ib-ajh4 #f ,hist4 ,middle ,ages1 vol4 iii41 p4 #dbc4--,the most remarkable fragment of early building which ,i have any where found mentioned is at a house in ,berkshire1 called ,appleton1 where there exists a sort of prodigy1 an entrance-passage with circular arches in the ,saxon style1 which must probably be as old as the reign of ,henry ,,ii4 ,no other private house in ,england can1 ,i presume1 boast of such a monument of antiquity4 ,it need scarcely be remarked1 in conclusion1 that the ,hall at ,norton ,lees1 as it appears to the reader1 conveys but an imperfect idea of the ancient structure4 ,the walls of the lower story entirely of stone1 and the upper1 stone and plaster intersected by wood1 are original1 as is probably the enriched gable1 with the pinnacled ornament at its apex2 beneath was originally a small bay window1 which has been stopped up3 the other gable1 it is reasonable to conclude1 once possessed similar enrichments4 ,the chimneys are modern1 since they are neither pyramidal in their terminations1 as was the fashion of the #adth and #aeth centuries1 nor have they the long polygonal shafts of the ,elizabethan and subsequent periods1 which has caused chimneys to be characteristically termed the wind-pipes of hospitality4 ,the ,hall would likewise appear to be divided into two tenements1 which but ill assorts with its original appropriation2 though we are not to consider these deviations as affecting the architectural character or identity4 99 99 99 99 99 ,,oliver ,,goldsmith4 ,a person named ,goldsmith1 who stated himself to be a nephew of the great ,oliver ,goldsmith1 died a short time since of cholera1 in the country4 ,a correspondent of the ,morning ,herald observes1 the assertion may be true1 and states that ,dr4 ,goldsmith had a brother1 whose name he thinks was ,charles1 and whom he met in public company about thirty years since4 ,in person he resembled the poet1 and was a man of some pleasantry1 sang a tolerable song1 and1 like his brother1 had a good deal of oddity in his manner4 ,he then resided at ,somer's ,town1 and as the correspondent was informed1 had been many years in the ,west ,indies1 whence he came to ,england possessed of a small independence4 ,some years since the correspondent made inquiry at ,somer's ,town for ,charles ,goldsmith1 but was told that he had left his residence there for some years4 ,he is anxious for some information respecting the latter history of the poet's brother3 he has a faint idea of hearing he had some children by a native of the ,west ,indies1 and he thinks it probable that the first-named individual1 lately deceased1 might have been one of them4 ,the settlement of this point may not be of general importance2 but it leads the correspondent to mention that in the ,temple churchyard1 where he remembers the burial of ,goldsmith1 there is no stone or other memorial to mark his grave4 ,so posterity1 for nearly threescore years1 have treated a man of genius1 who1 to quote ,dr4 ,johnson's opinion1 left no species of writing untouched1 and adorned all to which he applied himself4 ,how different1 observes the above correspondent1 the attention and honours paid to the memory of ,walter ,scott1 scarcely cold in his coffin6 a more voluminous writer certainly1 but not a superior genius to the author of the ,deserted ,village and the ,vicar of ,wakefield4 ,goldsmith died in the ,inner ,temple4 ,aikin says he was buried with little attendance in the ,temple church2 the correspondent of the ,herald states1 in the churchyard1 so that the poet's biographers are not even agreed ,,where he was buried4 ,yet1 since his death1 thousands of pounds have been expended in restoring the architecture of the ,temple church1 and one hears everlastingly of the rare series of effigies of ,knights ,templars3 but a few pounds have not been spared for a stone to tell where the poor poet sleeps4 ,true it is1 that a monument has been erected to his memory in ,westminster ,abbey1 with a ,latin inscription1 by ,dr4 ,johnson1 but the locality of his actual resting-place is untold4 ,we may say with equal truth and justice-- ,oh shame to the land of his birth6 ,,philo4 99 99 99 99 99 ,,the ,,savoyard4 ,by ,e4,b4 ,impey1 ,esq4 ,the following ballad is founded on the melancholy fact of a ,savoyard boy and his monkey having been found starved to death in ,st4 ,james's ,park during the night of a severe frost4 ,weary and wan from door to door ,with faint and faltering tread1 ,in vain for shelter ,i implore1 ,and pine for want of bread4 ,poor ,jacko6 thou art hungry too2 ,thy dim and haggard eye ,pleads more pathetically true1 ,than prayer or piercing cry4 ,poor mute companion of my toil1 ,my wanderings and my woes6 ,far have we sought this vaunted soil1 ,and here our course must close4 ,chill falls the sleet2 our colder clay ,shall to the morning light1 ,stretch'd on these icy walks1 betray ,the ravages of night4 ,scarce have ,i number'd twice seven years2 ,ah6 who would covet more8 ,or swell the lengthen'd stream of tears ,to man's thrice measur'd score8 ,alas6 they told me 'twas a land ,of wealth and weal to all2 ,and bless'd alike with bounteous hand ,the stranger and the thrall4 ,a land whose golden vallies shame ,thy craggy wilds1 ,savoy1 ,might well1 methought1 from want reclaim ,one poor unfriended boy4 ,how did my young heart fondly yearn ,to greet thy treach'rous shore6 ,and deem'd the while1 for home-return ,to husband up a store4 ,why did ,i leave my native glen ,and tune my mountain-lay1 ,to colder maids and sterner men ,than o'er our glaciers stray8 ,there pity dews the manly cheek ,and heaves the bosom coy1 ,that quail'd not at the giddy peak ,which foils the fleet chamois4 ,here--where the torrents voice would thrill ,each craven breast with fear2 ,for dumb distress or human ill ,there drops no kindred tear4 ,the rushing ,arc1 the cold blue ,rhone1 ,that in their channels freeze2 ,and snow-clad ,cenis' heart of stone ,might melt ere one of these4 ,why did ,i loathe my lowly cot ,where late ,i caroll'd free1 ,nor felt1 contrasted with my lot1 ,the pomp of high degree8 ,lo6 where to mock the houseless head ,huge palaces arise1 ,whose board uncharitably spread ,the unbidden guest denies4 ,o for the crumbs that reckless fall ,from that superfluous board6 ,o for the warmth you gorgeous hall ,and blazing hearth afford6 ,all unavailing is the prayer-- ,the proud ones pass us by2 ,their chariots roll1 their torches glare ,cold on the famish'd eye4 ,and yet a little from their need ,some poorer hands have spared3 ,and some have sighed1 with little heed1 ,alas6 poor ,savoyard6 ,and some have bent the churlish brow1 ,and curl'd the lip of scorn2 ,for they at home had brats enow1 ,and beggars ,british-born4 ,and some have scoff'd as proud to bear ,brute heart in human shape2 ,nor drop nor morsel deign'd to share ,with alien or with ape4 ,poor ,jacko6 yet one soul can feel ,sad fellowship with thee2 ,and we have shared our scanty meal ,in bitterness or glee4 ,yes6 we have shared our last--and here ,have little now to crave2 ,no bounty1 save a passing tear1 ,no gift1 beyond a grave4 ,still let these arms to thy bare breast ,their lingering heat impart2 ,come shroud thee in my tatter'd vest1 ,and nestle next my heart4 ,partners in grief1 in want allied1 ,e'en as we lived1 we die2 ,so let one grave our relics hold1 ,entwined1 as thus we lie4 99 99 99 99 99 ,,manners ,,and ,,customs4 99 99 99 99 99 ,,early ,,inhabitants ,,of ,,britain4 7,to the ,editor47 ,your interesting columns have afforded me much gratification by the sketches of the manners of various nations4 ,i am a thorough ,englishman in principle1 with a sprinkling1 however1 of ,german in my veins1 and as the early history of this country is a point of great interest1 if ,the ,mirror can allow1 ,i will offer a few reflections4 ,caesar1 speaking of our ancestors1 calls them1 in blunt and plain ,latin ,barbari4 ,now ,caesar was a disappointed man2 he knew but little of this land1 he invaded it wantonly1 and left it gladly4 ,the ,briton was by no means so luxurious as the ,roman1 but it is wrong to call him a barbarian4 ,as priests generally 7in such periods as those to which we allude17 take good care of themselves1 and as the ,druids were the chiefs1 let us take a few cursory observations upon their manners and customs4 ,the ,druids were priests and magistrates4 ,they were divided into three classes3#g the bard proper1 whose province was philosophy and poetry2 the ,druid1 or minister of religion2 and the ovate1 or mechanic and artist4 ,these classes were all obedient to one superior--the ,archdruid4 #g ,vide ,introduction to ,owen's ,translations of the ,elegies of ,llywarch ,hen4 ,the etymology of the word ,druid has long been a subject of dispute1 many deriving it from the ,greek word ,greek3 drus1 an oak1 because it has been affirmed that their mysteries were carried on in oak groves and forests2 but as the latter fact is doubtful1 consequently the etymology founded upon it is shaken4 ,it has been already stated that the ,druids were magistrates and philosophers1 and very few etymologists will cavil with me if we fix it at once upon the ,celtic word druidh1 signifying a wise man4 ,the theological tenets of the ,druids were of a most interesting character--professing future punishments and immortality4 ,their heaven partook of the nature of the ,elysian ,fields1 while their hell#h was as horrible as the most violent fanatic could depict it4 ,it was a gulph of darkness1 where the baneful animal crept1 where the cold1 gliding serpent maddened the sinner with his envenomed tooth1 and hissed the dirge of horror1 while the lion prowled along with his noiseless paw1 and hungry wolves devoured those whom for their crimes on earth the ,druids 7unable to conquer or correct7 condemned to ,those dark solitudes and awful cells4 ,no sacred ceremonies could be performed but in the ,druid's presence3 they were the guardians of religion1 the interpreters of mysteries2 and the foolish cunning man of the north1 who is often consulted in these days relative to strayed cattle1 intended matches1 c4 is a relic of the druidh1 the wise man of the ancient ,celts4 #h ,gaelic ,antiquities1 p4 #ba4 ,sun worship was the original creed2 but as abuses crept in1 other gods were variously introduced at the altars1 ,mercury being the most noted4 ,the ,druids were astronomers1 and they divided time1 not by the days but nights2#i a custom as old as any with which we are acquainted1 as it appears ,genesis i4#e3 ,and the evening and the morning were the first day4 ,whence we say1 to this day1 a se'en night--a fort night4 #i ,vide ,richard of ,cirencester4 ,as the sun was the object of adoration1 no wonder that mysteries were also performed to the moon1 riding in silver splendour through azure space2 smiling from her height upon the departed and unseen luminaries which had sunk over the distant hill1 the fearful mind would watch the lamp of night as a guardian world1 or deity1 and in the fervour of gratitude1 or under the impulse of fear1 would address her as the mediatrix between man and his deity4 ,the chief times of devotion were at the summer solstice and the winter solstice1 7whence the ,,yule clog71 mid-day1 or midnight--a zenith being their period4 ,the new and full moon was duly reverenced4 ,on the sixth day1 a high officiating ,druid gathered mistletoe2 a ceremony conducted with great solemnity4 ,it was cut with a golden knife1 caught in a white robe1 and not allowed to touch the ground4 ,the shadow of this ,druidical rite exists in the peculiar privileges of kissing under the mistletoe at ,christmas times4 ,lustrations were used1 sacrifices were made1 and the altar reeked1 some say with human gore4 ,the victim being dead1 prayers succeeded2 the entrails were examined1 and certain portions were consumed upon the fire altar3 ,crepitant preces1 altaria fumant4 ,intemperate drinking generally closed the sacrifice1 and a fresh strewing of oak leaves reconsecrated the altar4 ,it is remarkable that drinking--hard drinking--should have been practised by the priesthood in those remote periods1 but as they were pagan heathens any animadversions can be made in safety4 ,i cannot digress upon it4 ,white bulls were sacrificed1 and it is a singular coincidence 7too striking to be the effect of chance7 that white bulls were sacrificed by the ,egyptians to ,apis4#aj #aj ,herodotus describes the subject more minutely4 ,the ,druids inculcated an utter disregard of death1 themselves showing a good example1 being ever foremost in the battle strife1 urging on their countrymen to deeds of valour2 not doling out their maxims in slothful indolence1 and acting the reverse of their doctrine3 ,certe populi qui despicit arctos ,felices errore suo1 quos ille timorum ,maxumus1 haud urget ,lethi metus3 inde ruendi ,in ferrum mens prona viris1 animae capaces ,mortis1 et ignavum rediturae parcere vitae4 ,lucan4 ,phars4 ,l4 i4 ,thrice happy they beneath their northern skies ,who that worst fear--the fear of death--despise-- ,hence they no cares for this frail being feel1 ,but rush undaunted on the pointed steel2 ,provoke approaching fate1 and bravely scorn ,to spare that life which must so soon return4 ,the ,druids were wont to teach in small cells1 but lived in large buildings and fared sumptuously4 ,some of the cells are remaining to this day1 as at ,ty ,iltud1 in ,brecknockshire4 ,from these observations it is apparent that a portion of men extraordinary in their vast power over the human mind1 and possessed of superior knowledge1 were here before ,caesar's arrival1 and that our ancestors were not such barbarians as the proud ,roman would lead us to consider them4#aa #aa ,see also the ,druids and their ,times1 from the ,german of ,wieland1 p4 #bj of the present volume4 ,,selim4 99 99 99 99 99 ,,curious ,,custom ,,relating ,,to ,,inheritance4 ,salmon1 in his ,history of ,hertfordshire1 imagines that the ,east ,saxon and ,mercian kingdoms were1 in the upper part of this county1 separated from each other by the ,ermin-street2 and in the lower part1 in the parish of ,cheshunt1 by a bank1 which anciently reached from ,middlesex through ,theobald's ,park1 across ,goffe's ,lane1 to ,thunderfield ,grove1 over ,beaumont ,green1 to ,nineacres ,wood4 ,there is a custom in the manor of ,cheshunt1 he says1 by which the elder brother inherits above the bank1 and the youngest below it1 in the same fields2--which could not have been introduced but from the different laws of a different government4 ,p4,t4,w4 99 99 99 99 99 ,,anecdote ,,gallery4 99 99 99 99 99 ,,anecdotes ,,of ,,the ,,bar4 7,by a retired ,barrister47 ,mr4 ,justice ,lawrence possessed the advantage of a very handsome person1 accompanied with a great share of dignity of manner4 ,his deportment was haughty2 but it was one of pride unmarked with insolence4 ,he knew what was due to the station which he filled1 and he exacted the respect to which it was entitled4 ,he crushed assumption and forward impudence by a look1 and brought them down to the level of their own insignificance4 ,i recollect an instance of this on one occasion1 when ,i attended him as counsel on a summons4 ,the ,attorney on the opposite side was a ,mr4 ,tomlinson1 a man then in extensive practice1 but forward1 assuming1 and self-sufficient4 ,he made some observation which offended the learned judge4 ,he rose haughtily from his chair1 and without uttering a word1 fixed his eyes on ,tomlinson1 and waved his hand towards the door4 ,contempt could not have been conveyed half so expressively by any words which he could have used4 ,tomlinson understood his meaning1 and instantly retired4 ,he was partial to those to whom birth or education gave a claim to the title of gentleman4 ,to those who derived no pretension to it from either of those sources1 he never showed a want of attention1 unless they exhibited any traits of vulgar assurance1 or upstart insolence2 to those he unsparingly dealt the full measure of contemptuous observance4 ,to the incorrect in morals or professional conduct1 he was irreconcileably supercilious and invariably severe4 ,i recollect but one anecdote of any pleasantry which occurred before ,mr4 ,justice ,lawrence1 in which he had any part1 and at which he enjoyed a hearty laugh4 ,an ,irish milkman was brought up to take the benefit of the ,lord's ,act 7by which ,insolvents were then discharged47 ,he was suspected of concealing his property1 having given no schedule1 though he was known at not a very distant period to have possessed some4 ,he was asked by the counsel who opposed him1 whether he had not some property1 which he had omitted to insert in his schedule8 ,the devil a bit of property1 says he1 have ,i at all at all4 ,why1 what's become of your furniture and your cows8 ,cows you were known to have1 as you sold milk4 ,yes1 ,i had1 says he2 but ,i have none now4 ,why1 what have you done with them8 ,i have signed away every thing ,i had4 ,how have you assigned them8 ,i have made my will1 and given them all away4 ,what1 are you dead1 man8 said the judge4 ,no1 please your honour1 says ,pat2 but ,i soon will1 if you take away every thing ,i have to live on from me4 ,he refused to make any assignment or schedule1 and was remanded4 ,after his death1 the following anecdote was circulated of ,mr4 ,justice ,lawrence4 ,a cause had been tried before him at ,york1 in which he had summed up to the jury to find a verdict for the defendant1 which they accordingly did4 ,on further consideration1 it appeared to him that he had mistaken the law4 ,a verdict having been recorded against the plaintiff1 he had no redress2 but it was said1 that ,mr4 ,justice ,lawrence left him by his will a sum sufficient to indemnify him for his loss4 ,this ,i give merely as a report1 and give it willingly1 as honourable to the memory of one of the most able1 most independent1 and most dignified of the judges who filled a judicial seat in my day4 ,the following anecdote ,i think ,i have seen in print1 but without the name of the person to whom it happened4 ,i have heard ,sergeant ,bond relate it with great humour of himself1 and he is to be relied on as the unquestionable original4 ,i once1 said he1 bought a horse of a horse-dealer1 warranted sound in all his points4 ,i thought ,i had got a treasure1 but still wished to find out if he had any fault4 ,i therefore1 when ,i had paid for him1 said to the seller1 ',now1 my friend1 you have got your money and ,i the horse1 so that the bargain is closed2 but do1 like an honest fellow1 tell me fairly of any fault which he has4' ',why1 sir1' says he1 'you have dealt with me like a gentleman1 and as you ask me to be frank with you1 ,i must tell you that the horse has one fault4' ,i pricked up my ears3 ',what is it1 my friend8' ',why1 sir1' says he1 'it is that he will not go into the yard of the ,crown ,inn at ,uxbridge4' ',pooh1 pooh1' said ,i1 'if that is all1 ,i'm not likely to put him to the trial1 as ,i have nothing to do with1 or to lead me to ,uxbridge4' ,it however so happened1 that ,i had occasion to go to ,uxbridge1 and ,i determined to try if my horse retained his dislike to the yard of the ,crown ,inn4 ,i accordingly rode up the street until ,i came opposite to the inn-yard of the ,crown4 ,i faced about1 said the sergeant1 seated myself firmly in my stirrups1 at the same time exhibiting the attitude in which the feat was to be performed4 ,expecting a plunge from my horse1 ,i stuck my spurs into his sides1 and pushed him forward into the yard2 but what was my surprise to find him enter the yard as quietly as a cow that had just gone in before him4 ,but ,i was not long in doubt as to what appeared to be the cause of this change in his antipathies1 by the landlord's coming up to him and tapping him on the shoulder3 ',ha1 ,jack6' says he1 ',i'm glad to see you again2 ,i thought ,i had lost you4' ',what do you mean1 ,mr4 ,landlord8' ',sir1' says he1 this horse was stolen from me about six months ago2 and ,i have never seen him since4' ,i did not much relish this piece of information1 rejoined the sergeant1 but ,i could not help laughing at the conceit of the horse-dealer1 to prevent me from going to a place where his theft of the horse would be discovered3 ,i wished ,i had attended to his caution1 as the sale to me was not regular1 and ,i was left to make the best terms ,i could with the landlord4 ,what they were he kept to himself4 ,fielding was a contemporary member of the home-circuit1 with ,sergeant ,bond and myself4 ,in the performance of the duties of conviviality1 over which the learned sergeant1 as head of the circuit1 presided1 he found in ,fielding a powerful auxiliary4 ,he was the son of the author of ,tom ,jones1 and inherited to a great degree the wit and talents of his father4 ,as a companion1 ,fielding was invariably pleasant and inimitably entertaining4 ,his conversation abounded with anecdotes1 of which he had an inexhaustible fund3 his great stock was of ,irish stories which he gave with great truth and humour4 ,i have repeatedly heard him say1 that the lowest class of the ,irish had more native humour than any other body of people in the same rank in life4 ,he would then relate1 in proof of it1 the event of a bet which was made on the subject at one of the club-houses in ,st4 ,james's ,street1 which then was crowded with ,english and ,irish chairmen1 and which was to be decided by the reply of one of each country to the same question4 ,it was1 ,if you were put naked on the top of ,st4 ,paul's1 what would you be like8 ,the ,english chairman was first called in1 and the question being put to him1 he ran sulky1 and refused to give any direct answer1 saying they were making fun of him4 ,pat was then introduced1 and the question being propounded to him3 ,what should ,i be like8 says he2 why1 like to get could1 to be sure1 your honours4 ,this1 says he1 they call mother wit2 and the most illiterate have a quickness in parrying the effect of a question by an evasive answer4 ,i recollect hearing ,sir ,john ,fielding giving an instance of this1 in the case of an ,irish fellow who was brought before him when sitting as a magistrate at ,bow ,street4 ,he was desired to give some account of himself1 and where he came from4 ,wishing to pass for an ,englishman1 he said he came from ,chester4 ,this he pronounced with a very rich brogue1 which caught the ears of ,sir ,john4 ',why1 were you ever in ,chester8' says he4 ',to be sure1 ,i was1' said ,pat2 'wasn't ,i born there8' ',how dare you1' said ,sir ,john ,fielding1 'with that brogue1 which shows that you are an ,irishman1 pretend to have been born in ,chester4' ',i didn't say ,i was born there1' says he2 ',i only asked your honour whether ,i was or not4' ,fraser's ,magazine4 99 99 99 99 99 ,,the ,,naturalist4 99 99 99 99 99 ,,nutria ,,fur4 ,we quote the following account of ,nutria from the ,dictionary of ,commerce1 by ,mr4 ,macculloch1 who believes it to be the first description that has appeared in any ,english work1 and acknowledges it from the pen of ,j4 ,broderip1 ,esq41 ,f4,r4,s41 c4 ,nutria1 or ,neutria1 the commercial name for the skins of ,myopotamus ,bonariensis 7,commerson17 the ,coypou of ,molina1 and the ,quoiya of ,d',azara4 ,in ,france1 the skins were1 and perhaps still are1 sold under the name of racoonda2 but in ,england they are imported as nutria skins--deriving their appellation1 most probably1 from some supposed similarity of the animal which produces them1 in appearance and habits1 to the otter1 the ,spanish name for which is nutria4 ,indeed1 ,molina speaks of the coypou as a species of water rat1 of the size and colour of the otter4 ,nutria fur is largely used in the hat manufacture2 and has become1 within the last fifteen or twenty years1 an article of very considerable commercial importance4 ,from #fjj1jjj to #hjj1jjj skins1 principally from the ,rio de la ,plata1 are now annually imported into ,great ,britain4 ,it is also very extensively used on the continent4 ,geoffroy mentions1 that in certain years1 a single ,french furrier 7,m4 ,bechem17 has received from #ae1jjj to #bj1jjj skins4 ,the coypou or quoiya is a native of ,south ,america1 very common in the provinces of ,chili1 ,buenos ,ayres1 and ,tucuman1 but more rare in ,paraguay4 ,in size it is less than the beaver1 which it resembles in many points4 ,the head is large and depressed1 the ears small and rounded1 the neck stout and short1 the muzzle sharper than that of the beaver1 and the whiskers very long and stiff4 ,there are1 as in the beaver1 two incisor teeth1 and eight molar1 above and below--twenty teeth in all4 ,the limbs are short4 ,the fore feet have each five fingers not webbed1 the thumb being very small3 the hind feet have the same number of toes2 the great toe and three next toes being joined by a web which extends to their ends1 and the little toe being free1 but edged with a membrane on its inner side4 ,the nails are compressed1 long1 crooked1 and sharp4 ,the tail1 unlike that of the beaver1 is long1 round1 and hairy2 but the hairs are not numerous1 and permit the scaly texture of the skin in this part to be seen4 ,the back is of a brownish red1 which becomes redder on the flanks3 the belly is of a dirty red4 ,the edges of the lips and extremity of the muzzle are white4 ,like the beaver1 the coypou is furnished with two kinds of fur2 viz4 the long ruddy hair which gives the tone of colour1 and the brownish ash-coloured fur at its base1 which1 like the down of the beaver1 is of such importance in hat-making1 and the cause of the animal's commercial value4 ,the habits of the coypou are much like those of most of the other aquatic rodent animals4 ,its principal food1 in a state of nature1 is vegetable4 ,it affects the neighbourhood of water1 swims perfectly well1 and burrows in the ground4 ,the female brings forth from five to seven2 and the young always accompany her4 ,the coypou is easily domesticated1 and its manners in captivity are very mild4 99 99 99 99 99 ,,notes ,,of ,a ,,reader4 99 99 99 99 99 ,,records ,,in ,,the ,,tower ,,of ,,london4 7,from the ,edinburgh ,review1 just published47 ,these stores are of invaluable interest1 particularly with reference to the earlier and most obscure portions of our history4 ,an immense collection of royal letters and state papers1 miscellaneous rolls relating to the revenue1 expenditure1 debts and accounts of the ,crown1 ,new ,year's gifts1 the royal household1 mint1 foreign bills of exchange1 military and naval affairs1 instruments relating to treaties1 truces1 and infractions of peace1 chiefly between ,england and ,france2 mercantile matters1 foreign possessions of the ,crown1 proceedings in the ,admiralty1 military and other courts of the great officers of the ,crown1 pardons1 protections1 petitions1 subsidy rolls1 ,scotch homage rolls1 pardon rolls1 privy seals1 signet bills1 writs of various descriptions from ,edward ,i4 to ,edward ,,iv41 exist there1 without calendar or index2 and in such masses as to defy the patience of any inquirer1 however ardent4 ,it need not be said that in such a variety of documents their value must vary considerably1 or that many of them are of little use2 but each of them is at least worthy of being examined2 and there are few of them which1 if properly scrutinized by apt labourers1 would not at least contribute to the elucidation or ratification of some branch of history4 ,some of them would render still more important services2 and1 by pointing out the daily habits and most familiar occurrences of the lives of our kings and other eminent personages who figure in our history1 lead us to a much more accurate estimate of their genius than any that has hitherto been formed4 ,with this view1 the close rolls are amongst the most minute and interesting of those documents which remain unexplored4 ,the character of ,king ,john has had but scanty justice done to it2 and perhaps those who have formed their notions of that monarch from the ordinary accounts of him1 will be surprised to find him writing to the ,abbot of ,reading to acknowledge the receipt of six volumes of books1 containing the whole of the ,old ,testament1 ,master ,hugh de ,st4 ,victor's treatise on the ,sacraments1 the ,sentences of ,peter ,lombard1 the ,epistles of ,st4 ,augustine on the ,city of ,god1 and on the #crd part of the ,psalter1 ,valerian de ,moribus1 ,origen's treatise on the ,old ,testament1 and ,candidus ,arianus to ,marius2--and that on another occasion shortly afterwards he acknowledges the receipt of his copy of ,pliny1 which had been in the custody of the same ,abbot4 ,still less does it consist with the commonly adopted notions of his selfish tyranny1 that he should address ,bryan de ,insula in terms like the following3 ,know that we are quite willing that our chief barons1 concerning whom you wrote to us1 may hunt while passing through your bailiwick1 provided that you know who they are and what they take2 for we do not keep our forests1 nor our beasts1 for our own use only1 but for the use also of our faithful subjects4 ,see1 however1 that they are well guarded on account of robbers1 for the beasts are more frightened by robbers than by the aforesaid barons4 ,of the reign of ,henry ,,iii4 the particulars are still more minute4 ,notwithstanding its connexion with superstitions which exist no longer1 we may sympathize with the pious charity that suggested that monarch's order for feeding as many poor persons as can enter the greater and lesser hall at ,westminster on ,friday next after the octaves of ,st4 ,matthew1 being the anniversary of ,eleanor1 the ,king's sister1 formerly ,queen of ,scotland1 for the good of the said ,eleanor's soul4 ,his taste for the fine arts1 and his encouragement of its professors1 are frequently to be traced in the entries upon these rolls4 ,in one of them he gives directions for having the great chamber at ,westminster painted with a good green colour after the fashion of a curtain2 and in the great gable of the same chamber near the door this device to be painted1--,ke ne dune ke ne tine1 ne prent ke desire2 and another runs thus1--,the ,king1 in presence of ,master ,william the painter1 a monk of ,westminster1 lately at ,winchester1 contrived and gave orders for a certain picture to be made at ,westminster in the wardrobe where he was accustomed to wash his face1 representing the ,king who was rescued by his dogs from the seditions which were plotted against that ,king by his subjects1 respecting which same picture the ,king addressed other letters to you ,edward of ,westminster4 ,and the ,king commands ,philip ,lavel his treasurer1 and the aforesaid ,edward of ,westminster1 to cause the same ,master ,william to have his costs and charges for painting the aforesaid picture without delay2 and when he shall know the cost1 he will give them a writ of liberate therefor4 ,for the illustration of the elder historians1 and as a means of ascertaining how far narrations of events which appear doubtful or improbable1 are correct1 these and other buried documents possess great value4 ,that blackest charge against the memory of ,king ,john1 by which he is implicated in the murder of his nephew ,prince ,arthur1 has been brought forward in forms so various1 that common charity has induced many men to withhold their credence from an accusation which rests on vague and uncertain traditions4 ,it is said1 however1 that ,arthur's death1 by whatever means it was brought about1 took place at ,rouen2 it has been ascertained very lately for the first time1 by inspection of the attestations of records1 that ,john was at that place on that day2 a circumstance not in itself enough to lead men to a very violent suspicion of his guilt1 if the manner of the ,prince's death had not been sudden and mysterious2 but which1 bringing the charge at least somewhat nearer1 may probably lead to further discoveries4 ,of less importance1 but yet not without interest1--if it be interesting to know accurately the early manners of a people1 and to trace their progress from periods when those lights of science which are now beaming in full radiance over the land1 had just begun to glimmer above the horizon1--is the following instance4 ,matthew ,paris relates1 that in #abee1 an elephant was sent by the ,king of ,france to ,henry ,,iii41 and that it being the first animal of that species that had been seen in ,england1 the people flocked in great numbers to behold it4 ,upon the close rolls is entered a writ tested at ,westminster the #crd of ,february1 #ci1 ,h4 ,,iii4 7#abee17 directing the sheriff of ,kent to go in person to ,dover1 together with ,john ,gouch1 the ,king's servant1 to arrange in what manner the ,king's elephant1 which was at ,whitsand1#ab may best and most conveniently be brought over to these parts1 and to find for the same ,john a ship and other things necessary to convey it2 and if1 by the advice of the mariners and others1 it could be brought to ,london by water1 directing it to be so brought4 ,that the stranger arrived safely1 is evident from a similar writ1 dated the #bcrd of the same month1 commanding the ,sheriffs of ,london to cause to be built at the ,tower of ,london1 a house forty feet in length and twenty in breadth1 for the ,king's elephant4 ,economy however1 it seems1 was not neglected by the monarch in his menus plaisirs2 for the ,sheriffs are expressly charged to see that the house be so strongly constructed that1 whenever there should be need1 it might be adapted to and used for other purposes2 and the costs are to be ascertained by the view and testimony of honest men4 #ab ,the shortest and most convenient passage from ,france to ,england appears to have been from ,whitsand to ,dover4 ,the tenure of certain lands in ,coperland near ,dover1 was the service of holding the ,king's ,head between ,dover and ,whitsand whenever he crossed there4 99 99 99 99 99 ,,zoological ,,gardens1 ,,regent',s ,,park4 7,continued from page #bja47 ,returning from the ,elephant's ,stable and ,enclosure1 we pass the shed and enclosure for ,ostriches4 ,here are fine specimens of the ,african ,ostrich1 distinguished by their black plumage1 and sent from ,tripoli1 by ,hanmer ,warrington1 ,esq41 and a fine female bird from the collection of the late ,marchioness of ,londonderry4 ,the general colour of the feathers of the female is ashy-brown1 tipped with white2 and the exquisitely white plumes so much prized are obtained from beneath the wings and tail of both sexes4#ac #ac ,some curious facts in the economy of the ,ostrich will be found at page #bfb of the present volume4 ,illustration3 ,ostriches4 ,retracing our steps to the ,southern ,garden we find several buildings unnoticed2 as a large ,aviary1 appropriated to various birds1 but usually to those of rare description4 ,illustration3 ,aviary4 ,the slope or valley in the garden1 between the terrace and the ,park road1 is partly occupied by a ,pond and ,fountain1 where are ,swans and other swimming birds4 ,in the distance of the cut is seen the principal aviary1 where are some of the finest birds in the garden1 as varieties of ,cranes1 ,storks1 ,herons1 ,spoonbills1 ,curassows1 and the revered bird of the ancients--the splendid scarlet ,ibis4 ,illustration3 ,pond and ,fountain4 ,as you return by the main path to the terrace1 opposite the ,llama ,house is a large octagon summer cage for ,maccaws where red and yellow1 blue and yellow1 and red and blue species1 are usually kept2 with cockatoos4 ,in winter they are removed to some of the warmer repositories4 ,illustration3 ,maccaws4 99 99 99 99 99 ,it gives us great pleasure to hear that the ,commissioners of ,woods and ,forests have in consequence of an application made to them by the ,zoological ,society1 granted an extensive piece of land1 on the northern verge of ,regent's ,park1 to be added to the ,gardens4 ,it will be speedily laid out in walks and shrubberies1 and in habitations for the numerous animals for which the society have at present little room1 and has1 in fact1 caused the application for the grant4 ,it is also in contemplation to erect a superb ,museum on part of it1 and to remove the ,society's present one from ,bruton-street4 99 99 99 99 99 ,,german ,,wines4 ,nassau is rich in mineral waters1 and richer in generous wines--its ,johannesberger1 ,hockheimer1 ,rudesheimer1 ,markbrenner1 ,asmanshuser1 ,steinberger1 ,shiersteiner1 c4 are the most noble juice of the grape4 ,the ,steinberger1 in the mark of ,hottenheim1 belongs to the ,court exclusively4 ,in #ahaa the cask 7,stckfass17 containing #g-a_/b sums1 equal to #fjj measures1 or #a1bjj bottles1 was sold for #f1jjj florins1 and at ,wisbaden a common green bottle-full sells at a ducat1 or #is4 #f;d4 sterling4 ,from ,mentz to ,coblentz the ,german ,bacchus has pitched his throne on the territory and soil of ,nassau4 ,letter from ,germany1 in the ,morning ,herald4 99 99 99 99 99 ,,new ,,books4 99 99 99 99 99 ,,the ,,forget-,,me-,,not1 ,the first-born of the ,annuals1 comes to woo us with the kindred charms of poetry and playful humour--romance and real life--full of kindly feelings1 sighs and tears1 such as ,niobe shed1 and smiles that with their witchery light up the finest affections to cherish drooping nature1 and guide our footsteps along this world of weal and woe4 ,to be more explicit1 the character of the present volume is well told by ,mr4 ,haynes ,bayly in its second page3-- a gift that friend to friend ,at parting will deliver2 ,and love with his own name will blend ,the dear name of the giver4 ,so pure1 so blameless is this book1 ,that wise and wary sages ,will lead young ,innocence to look ,upon its tasteful pages4 ,we can only particularize a few of the most striking papers4 ,among the metrical gems is ,conradin1 a fine battle-piece1 by ,mr4 ,charles ,swain2 an ,every-day ,tale1 by ,montgomery--one of the short and simple annals of the poor1 written in behalf of a ,society for relieving distressed females in the first month of their widowhood1 to save their little households from being broken up before they can provide means for their future maintenance3 and ,far-off ,visions1 by ,mary ,howitt4 ,the prose gem of the volume1 to our taste1 is ,giulietta1 a ,tale of the ,fourteenth ,century1 by ,l4,e4,l41 which we abridge4 ,the scene lies at ,genoa1 where ,giulietta ,aldobrandini1 being at the point of death1 commits her three daughters to the care of their uncle the ,cardinal ,aldobrandini4 ,the ,countess dies1 and the three girls1 ,constanza1 ,bianca1 and ,giulietta1 having sprung up into graceful womanhood1 arrive at the ,cardinal's palace4 ,it was early in a spring evening when the ,aldobrandini arrived at their uncle's dwelling4 ,it was an old and heavy-looking building4 ,constanza and ,bianca1 as the massy gate swung behind them1 on their arrival in the dark1 arched court1 simply remarked that they were afraid it would be very dull3 but ,giulietta's imagination was powerfully impressed2 a vague terror filled her mind1 which the gloom of the huge and still chambers through which they were ushered did not tend to decrease4 ,at length1 they paused in a large vaulted room1 while the aged domestic went on1 to announce them to the cardinal4 ,giulietta glanced around3 the purple hangings were nearly black with age1 so was the furniture1 while the narrow windows admitted shadows rather than light4 ,some portraits hung on the walls1 all dignitaries of the church2 but the colour of their scarlet robes had faded with time1 and each wan and harsh face seemed to turn frowning on the youthful strangers4 ,a door opened1 and they were ushered into the presence of their uncle4 ,he was standing by a table1 on which was a crucifix and an open breviary1 while a volume of the life of ,st4 ,chrysostom lay open on the floor4 ,a window of stained glass was half screened by a heavy curtain1 and the dark panels of carved oak added to the gloom of the oratory4 ,the sisters knelt before him1 while gravely and calmly he pronounced over them a welcome and a blessing4 ,constanza and ,bianca received them gracefully and meekly1 but ,giulietta's heart was too full2 she thought how different would have been the meeting had they been but kneeling before parents instead of the stern prelate4 ,she bowed her head upon the breviary2 and her dark hair fell over her face while she gave way to a passionate burst of tears4 ,next to indulging in the outward expression of feeling himself1 the cardinal held it wrong to encourage it in another4 ,gently1 but coldly1 he raised the weeping ,giulietta2 and1 with kind but measured assurances of his regard and protection1 he dismissed the sisters to their apartment4 ,could ,giulietta have known the many anxious thoughts that followed her1 how little would she have doubted her uncle's affection6 99 99 99 99 99 ,the light of a few dim stars shed a variable gleam amid the thick boughs of a laurel grove1 too faint to mark the objects distinctly1 but enough to guide the steps of one who knew the place4 ,the air was soft and warm1 while its sweetness told of the near growth of roses2 but a sweeter breath than even the rose was upon the air1 the low and musical whisper of youth and of love4 ,gradually1 two graceful forms became outlined on the dark air--the one a noble-looking cavalier1 the other ,giulietta4 ,yet the brow of the cavalier was a gloomy one to turn on so fair a listener in so sweet a night2 and his tone was even more sad than tender4 ,i see no hope but in yourself4 ,do you think my father will give up his life's hatred to the name of ,aldobrandini1 because his son loves one of its daughters1 and wears a sad brow for a forbidden bride8 or1 think you1 that yonder stern cardinal will give up the plans and power of many years1 and yield to a haughty and hereditary foe1 for the sake of tears even in thy eyes1 ,giulietta8 ,i know not what ,i hope1 replied the maiden1 in a mournful1 but firm voice2 but this ,i know1 ,i will not fly in disobedience and in secrecy from a home which has been even as my own4 ,and what1 exclaimed the cavalier1 can you find to love in your severe and repelling uncle8 ,not severe1 not repelling1 to me4 ,i once thought him so2 but it was only to feel the more the kindness which changed his very nature towards us4 ,my uncle resembles the impression produced on me by his palace3 when ,i first entered1 the stillness1 the time-worn hangings1 the huge1 dark rooms1 chilled my very heart4 ,we went from these old gloomy apartments to those destined for us1 so light1 so cheerful1 where every care had been bestowed1 every luxury lavished2 and ,i said within myself1 ',my uncle must love us1 or he would never be thus anxious for our pleasure4' ,a few moments more and their brief conference was over4 ,but they parted to meet again2 and at length ,giulietta fled to be the bride of ,lorenzo da ,carrara4 ,but she fled with a sad heart and tearful eyes2 and when1 after her marriage1 every prayer for pardon was rejected by the cardinal1 ,giulietta wept as if such sorrow had not been foreseen4 ,her uncle felt her flight most bitterly4 ,he had watched his favourite niece1 if not with tenderness of look and tone1 yet with deep tenderness of heart4 ,when her elder sisters married and left his roof1 he missed them not3 but now it was a sweet music that had suddenly ceased1 a soft light that had vanished4 ,the only flower that1 during his severe existence1 he had permitted himself to cherish1 had passed away even from the hand that sheltered it4 ,it was an illusion fresh from his youth3 his love for the mother had revived in a gentler and holier form for her child1 and now that1 too1 must perish4 ,he felt as if punished for a weakness2 and all ,giulietta's supplications were rejected3 for pride made his anger seem principle4 ,i have been once deceived1 said he2 it will be my own fault if ,i am deceived again4 ,yet how tenderly was his kindness remembered1 how bitterly was his indignation deplored1 by the youthful ,countess da ,carrara6--for such she now was--,lorenzo's father having died suddenly1 soon after their union4 ,the period of mourning was a relief2 for bridal pomp and gaiety would have seemed too like a mockery1 while thus unforgiven and unblessed by one who had been as a father in his care4 ,at her earnest wish they fixed their first residence in the marine villa where her mother died4 ,and shall you not be sad1 my ,giulietta8 asked her husband4 ,methinks the memory of the dead is but a mournful welcome to our home4 ,tender1 not mournful1 said she4 ,i do believe that even now my mother watches over her child1 and every prayer she once breathed1 every precept she once taught1 will come more freshly home to my heart1 when each place recalls some word or some look there heard and there watched4 ,it is for your sake1 ,lorenzo1 ,i would be like my mother4 ,they went to that fair villa by the sea2 and pleasantly did many a morn pass in the large hall1 on whose frescoed walls was painted the story of ,oenone1 she whom the ,trojan prince left1 only to return and die at her feet4 ,on the balustrade were placed sweet-scented shrubs1 and marble vases filled with gathered flowers2 and1 in the midst1 a fountain1 whose spars and coral seemed the spoil of some sea-nymph's grotto1 fell down in a sparkling shower1 and echoed the music of ,giulietta's lute4 ,pleasant1 too1 was it in an evening to walk the broad terrace which overlooked the ocean1 and watch the silver moonlight reflected on the sea1 till air and water were but as one bright element4 ,and soon had ,carrara reason to rejoice that he had yielded to his wife's wish2 for1 ere they had been married three months1 the plague broke out in ,genoa1 with such virulence1 as if1 indeed1 a demon had been unchained upon earth4 ,the spirit of your mother1 my sweet wife1 has indeed been our guardian angel1 said the count1 as he watched a fresh sea-breeze lift up the long dark curls1 and call the crimson into ,giulietta's cheek4 ,still1 though safe themselves--for1 though the distance from ,genoa was but short1 their secluded situation and the sea-air precluded all fear of infection--still an atmosphere of terror and woe was around them1 and their thoughts were carried out of their own sweet home by dim and half-told tales of the dangers around them4 ,and among other things1 ,giulietta heard of her uncle's heroic conduct2 others fled from the devoted city--but he fled not2 others shut themselves up in their lonely palaces--he went forth amid the dead and dying2 his voice gave consolation to the sick man1 and his prayer called on ,heaven for mercy to the departed soul4 ,giulietta heard1 and in the silence of her chamber wept2 and1 when her tears were done1 knelt1 and gave thanks to ,god for her uncle4 ,for the first time hope arose within her1 and she said to herself--,he who walks now even as an angel among his fellow-men cannot but forgive the errors and the weakness of earth4 ,she went to meet her husband with a lightened heart2 but1 as she met him on the terrace1 she saw that his brow was clouded1 and his first words told her that important business would oblige him to go for a week to an ancient castle on the verge of the state1 as his neighbours were disposed to question his boundary rights4 ,it was but a day's1 a summer day's1 journey1 through a healthy district2 and yet how sorrowful was the parting6 ,alas6 how soon the presence of beloved ones becomes a habit and a necessity6 but a few weeks with them at our side1 and we marvel how ever life was endured without them4 ,the young countess touched her lute--it had no music2 she gathered flowers--they had no sweetness2 she turned to the fairy page of ,ariosto--but she took no interest in his knights or dames2 and at length the day was spent ere she had finished pacing the hall1 and imagining all the possible and impossible dangers that could befal ,carrara4 ,she was walking languidly on the terrace early the following morning1 when a hum of voices caught her ear2 one name rivetted her attention3 a horrible conviction rushed upon her mind4 ,she called a page1 who at first equivocated2 but the truth was at last owned4 ,the cardinal was stricken with the plague4 ,she signed to the page to leave her1 and sank for a moment against one of the columns4 ,it was but for a moment4 ,she withdrew her hands from her face3 it was pale1 but tearless2 and she left the terrace for her chamber with a slow but firm step4 ,two hours afterwards1 the countess was sought by her attendants1 but in vain2 a letter was found addressed to their master1 and fastened by one long1 shining curl of raven darkness1 which all knew to be hers4 ,leaving the household to the dismay and confusion which such a departure occasioned1 we will follow the steps of the countess1 who was now on the road to ,genoa4 ,she had waited but to resume the black serge dress1 which1 as a novice of ,st4 ,caterina's1 she had worn1 and in which she knew she might pass for one of the sisters who had vowed attendance on the sick2 and1 during the hour of the siesta1 made her escape unobserved4 ,giulietta had been from infancy accustomed to long rambles by the sea-shore1 or through the deep pine-forests2 but now1 though her purpose gave her strength1 she felt sadly weary2 when1 on the almost deserted road1 she overtook a man who was driving a small cart laden with fruit and vegetables4 ,she accosted him2 and the offer of a few piastres at once procured a conveyance to ,genoa1 for thither was her companion bound4 ,the plague1 said he1 makes everything so scarce1 that my garden has brought me a little fortune2 it is an ill wind that blows nobody good4 ,and are you not afraid of the infection8 asked the seeming ,sister of ,charity4 ,nothing hazard nothing win4 ,a good lining of ducats is the best remedy for the plague1 returned the gardener4 ,holy ,madonna1 thought ,giulietta1 shall ,i not encounter for gratitude and dear love the peril which this man risks for a few ducats8 ,the quarter where stood her uncle's palace was at the entrance of the city1 and to reach it they had to traverse the principal street4 ,how changed since last the countess passed that way6 ,then it was crowded with gay equipages and gayer company4 ,she remembered the six white mules with their golden trappings1 which drew the emblazoned coach of her uncle along2 and how she leant back upon its purple velvet cushions1 scarcely daring to glance amid the crowd of white-plumed cavaliers who reined in the curvettings of their brave steeds1 lest she should meet ,lorenzo da ,carrara's eye1 and betray their whole secret in a blush4 ,now not one living creature walked the street1 and the sound of their light cart was like thunder4 ,she was roused from her reverie by observing that her companion was taking an opposite direction to that of the palace2 and requested to alight1 mentioning her destination4 ,to the archbishop's6 ,why1 you will not find one living creature there4 ,the good cardinal would have all the sick he could find brought to his palace1 but they fell off like dried leaves2 and when he was struck with the plague himself none ventured to approach it2 for we all agree that the air there must be more deadly than elsewhere1 since it has not even spared his eminence4 ,so1 if it is there you are bound1 ,madonna1 we part company2 but it is just tempting ,providence4 ,giulietta's only answer was to offer the gardener a small sum for her conveyance2 but to her surprise he refused it4 ,no1 no1 you are going on a holier errand than ,i2 keep your money2 you will want it all if you stay in this city1 every thing is so dear4 ,a sudden thought struck ,giulietta4 ,i do not ask you1 said she1 to venture to a spot which seems marked for destruction2 but if ,i meet you here to-morrow will you bring with you a small supply of provisions and fruit8 ,i can afford to pay for them4 ,i will come1 be sure1 replied the man2 and the saints keep you1 maiden1 for your errand is a perilous one4 ,he watched her progress till she disappeared round a corner in the street4 ,i wish1 muttered he1 ,i had gone with her to the palace2 at all events1 ,i will be here to-morrow2 she is1 for all her black veil and pale face1 so like my little ,minetta4 ,ay1 ay1 if this plague lasts1 ,i shall be able to tell down her dowry in gold2 and the gardener pursued his way4 ,when ,giulietta arrived at her uncle's palace1 she paused for a moment1 not in fear but in awe1 the stillness was so profound2 not one familiar sound broke upon her ear4 ,the doors were all open1 and she entered the hall2 pallets were ranged on each side1 and on one or two of the small tables stood cups and phials2 but not a trace appeared of an habitant4 ,on she passed through the gloomy rooms2 everything was in disorder and out of place3 it was indeed as if a multitude had there suddenly taken up their abode and as suddenly departed4 ,but ,giulietta hurried on to her uncle's sleeping apartment2 it was vacant4 ,her heart for the first time sank within her1 and she leant against the wainscot1 sick and faint4 ,i have yet a hope1 exclaimed she1 and even as she spoke she turned to seek the oratory4 ,she was right4 ,the crucifix stood1 and the breviary was open on the small table1 even as they were the first time she entered that room3 and on a rude mattrass beside it lay her uncle4 ,she sank on her knees1 for he lay motionless2 but1 thanks to the holy ,virgin1 not breathless2 no1 as she bent over him1 and her lips touched his1 she could perceive the breath1 the precious breath1 of life3 his hand too6 it burnt in hers1 but she could feel the pulse distinctly4 ,giulietta rose1 and threw herself before the crucifix4 ,a violent burst of tears1 the first she had shed1 relieved her2 and then calmly she prayed aloud for strength to go through the task which she had undertaken4 ,the room was hot and oppressive2 but she opened the window1 and the sweet air came in1 fresh and reviving from the garden below4 ,she bathed her uncle's temples with aromatic waters1 and poured into his mouth a few drops of medicine4 ,he opened his eyes1 and turned faintly on his pallet1 but sank back1 as though exhausted4 ,again he stretched out his hand1 as if in search for something1 which failing to find he moaned heavily4 ,giulietta perceived at once that parching thirst was consuming him4 ,from the balcony a flight of steps led to the garden2 she flew down them to the fountain1 whose pure1 cold water made the shadow of the surrounding acacias musical as ever4 ,she returned with a full pitcher2 and the eagerness with which the patient drank told how much that draught had been desired4 ,the cardinal raised his head1 but was quite unconscious2 and all that long and fearful night had ,giulietta to listen to the melancholy complainings of delirium4 ,the next day1 she went to meet the gardener1 who had waited1 though1 as he owned1 in hopelessness of her coming4 ,how forcibly the sense of the city's desolation rose before ,giulietta1 when she remembered that her ignorance of the hour proceeded from there being no one now to wind up the church-clocks6 ,again she returned to the unconscious sufferer2 but little needs it to dwell on the anxiety or the exertion in which the next three days were passed4 ,on the early morning of the last1 as she watched over her uncle's pillow1 she perceived that there was a slight moisture on his skin1 and that his sleep was sound and untroubled4 ,his slumbers were long and refreshing2 and when he awoke it was with perfect consciousness4 ,dreading the effect of agitation1 ,giulietta drew her veil over her face1 and to his inquiry of was any one there8 she answered in a low and feigned voice4 ,i am faint and want food2 but who1 daughter1 are you1 who thus venture into the chamber of sickness and death8 ,a stranger2 but one whose vow is atonement4 ,giulietta6 exclaimed the cardinal1 and the next moment she was at his side2 and both wept the sweetest tears ever shed by affection and forgiveness4 ,eagerly she prepared for him a small portion of food1 and then1 exerting the authority of a nurse1 forbade all further discourse1 and1 soon exhausted1 he slept again4 ,the cool shadows of the coming evening fell on the casement1 when ,giulietta first ventured to propose that she should send a letter by the gardener to ,lorenzo1 and desire that a litter might be sent to convey her uncle to their villa4 ,my sweet child1 do with me as you will1 said the cardinal2 take me even to the house of a ,carrara4 ,and nowhere could you be so welcome1 said a stranger entering1 and ,giulietta1 springing from her knees1 found herself in the arms of her husband4 ,i knew1 ,giulietta1 ,i should find you here1 though your letter told me but of prayer and pilgrimage4 ,and what now remains to be told8 ,the cardinal accompanied them to the villa1 where his recovery was rapid and complete3 and the deep love which he witnessed in that youthful pair made him truly feel how great had been ,giulietta's devotion to himself4 ,the plague had done its worst in ,genoa2 and men were enabled to return to their habits1 their occupations1 and their duties1 things ever inseparably connected4 ,the cardinal from that hour treated ,lorenzo da ,carrara as a son2 and their family union was happy as self-sacrifice and enduring affection could make it4 ,in the picture-gallery1 there is still preserved a portrait of the countess in her novice's garb2 her cheek pale1 her graceful form hidden by the black serge robe1 and her beautiful hair put out of sight2 and the count1 her husband1 used to say that she never looked more lovely4 99 99 99 99 99 ,,the ,,public ,,journals4 99 99 99 99 99 ,,elegy ,,for ,,the ,,king ,,of ,,the ,,gipsies1 ,,charles ,,lee1 ,who died in a tent near ,lewes1 ,august #af1 #ahcb1 aged #gd4 ,he was buried in ,st4 ,ann's ,churchyard1 in presence of a thousand spectators4 ,hurrah6--hurrah6--pile up the mould3 ,the ,sun will gild its sod3-- ,the ,sun1--for threescore years and ten ,the ,gipsy's idol ,god6-- ,o'er field and fen1--by waste and wild1 ,he watch'd its glories rise1 ,to worship at that gorgeous shrine ,the spirit of the skies4 ,no brick-built dwelling caged him in2 ,no lordly roof of stone2-- ,high o'er his couch the vault of ,heaven ,in star-bright splendour shone6 ,the rustling leaves still murmur'd there2 ,the rambling woodbine flower ,its twilight breath1 exhal'd to cheer ,the outcast's desert bower6 ,to him the forest's pathless depths ,their mossiest caves reveal'd2 ,to him1 fair ,nature's hand bequeath'd ,her fruits of flood and field2-- ,the flower1--the root1--the beast1--the bird1-- ,all living things1 design'd ,to feed the craving1 or delight ,the gaze of human kind6 ,the pencill'd wood-flower1 fair and frail1-- ,the squirrel's cunning nest1-- ,the granite throne1 with lichens wild1 ,in broidered vesture drest2-- ,sweet violets bedded in their leaves1 ,the first soft pledge of ,spring2-- ,such were the gifts by ,heaven's own hand ,shed on the ,gipsy ,king6-- ,the snow-drop glistening in the wood1 ,the crowsfoot on the lea1 ,their gold and silver coin pour'd forth ,to store his treasury2 ,the springy moss1 by fairies spread1 ,his velvet footcloth made2 ,his canopy shot up amid ,the lime-tree's emerald shade4 ,buck1--pheasant1--hare1--some lordly park ,still yielded to his feast2 ,and firing for his winter warmth1 ,and forage for his beast4 ,happier than herald-blazoned ,kings1 ,the monarch of the moor2-- ,he levied taxes from the rich1-- ,they wring them from the poor6 ,with glow-worm lamp1 and incense cull'd ,fresh from the bean-fields breath2 ,and matin lark1--and vesper thrush1 ,and honey-hoarded heath2-- ,a throne beneath the forest-boughs1 ,fann'd by the wild bird's wing2 ,of all the potentates on earth1 ,hail to the ,,gipsy ,,king6 ,tait's ,edinburgh ,magazine4 99 99 99 99 99 ,,american ,,prison ,,discipline4 7,by the clever ,schoolmaster in ,newgate--,see ,fraser's ,magazine47 ,it appears1 from the testimony of ,captain ,basil ,hall1 ,r4,n4 that perfect as he describes the ,american prison discipline to be1 yet there is a gradually increasing culprit population growing up in ,america1 of which the legislation cannot rid the country4 ,these men1 who may almost be called the penitentiary population1 run the round just as ,i have observed with respect to the ,bridewell at ,edinburgh2 the same men come and go1 round and round again4 ,well1 then1 nothing is accomplished in the way of reform1 even under this lauded plan1 which aims at the twofold object of efficient punishment and reformation1 by enforcing reflection4 ,their error1 and consequent failure in producing the good they expected1 ,i conceive arises from their having neglected to adopt any plan for the improvement of the prisoners when they have separated them4 ,they work1 it seems1 every day for years in silence1 without intermission1 except the time allowed for meals1 which are always taken in solitude4 ,the ,bible is the only book allowed them--no paper nor pens3 and this is called giving them habits of industry4 ,i should say nothing can be more calculated to disgust them with every description of work all the rest of their days4 ,if you can beget habits of industry1 with a proportionate improvement of the mind1 and an increased sense of the moral duties1 which will bring right notions of meum and tuum1 then habits of industry are of the utmost importance to the prisoner2 as through these habits only can he obtain his bread1 when brought to that state of mind which makes him prefer honesty to roguery4 ,this can only be brought about by reflection1 it is true2 but ,i am afraid the term reflection1 as here applied1 is used in a very abstract sense4 ,if it is meant the culprit should reflect on his having done wrong1 ,i answer this he always does1 under any punishment1 however slight3 he cannot but be aware of the cause which places him under coercion1 and regret it4 ,this kind of reflection only makes him more sorry for having been detected in his crime1 than for having committed it4 ,to reflect with advantage in solitude1 there must be some materials stored in the mind2 or books must be read to furnish these materials3 if these be supplied1 however unwilling a being may be to reflect1 no mind will be long able to resist the temptation of mental employment1 if in continual solitude4 ,but if a mind1 totally void of sources of reflection1 be shut up in a cell for years1 or even for months1 what can be expected but that every day will stultify its powers1 and at last render it callous and unimpressable2 or in the end imbecile1 and so weak as to be irresponsible for its own acts6 ,the ,americans do1 it seems1 in their solitary penitentiaries1 teach those to read who cannot under twenty-five years of age2 and then they leave them4 99 99 99 99 99 ,,retrospective ,,gleanings4 99 99 99 99 99 ,,the ,,stationers' ,,company4 ,it appears1 from the most authentic records1 that the company of stationers1 or text-writers1 who wrote and sold all sorts of books1 formerly in use--namely1 the ,a4,b4,c41 with the ,paternoster1 ,ave1 ,creed1 ,grace1 c4 to large portions of the ,bible1 and even to the whole ,bible itself1 dwelt in and about ,paternoster ,row4 ,hence we have in that neighbourhood1 ,creed ,lane1 ,amen ,corner1 ,ave ,maria ,lane1 c41 all which places are named after some scriptural allusion4 ,here dwelt also turners of beads1 who were called ,paternoster-makers1 as we read in a record of one ,robert ,nikke1 ,paternoster-maker and ,citizen1 in the reign of ,henry ,,iv4 ,the company of stationers is of great antiquity4 ,by the authority of the lord mayor and court of aldermen1 they formed into a guild1 or fraternity1 in the year #adjc1 and had their ordinances made for the good government of their fellowship4 ,thus constituted1 they regularly assembled1 under the government of a master and two wardens4 ,their first hall was in ,milk-street4 ,h4,b4,a4 99 99 99 99 99 ,,titles4 ,princes have but their titles for their glories1 ,an outward honour for an inward toil2 ,and1 for unfelt imaginations1 ,they often feel a world of restless cares2 ,so that1 between their titles and low name1 ,there's nothing differs but the outward fame4 ,,shakspeare4 ,the ,romans gave the titles of ,africanus1 ,asiaticus1 ,macedonicus1 ,numidicus1 ,parthicus1 c41 in memory of the victories obtained over the people of those countries4 ,the ,emperor of ,china1 among his titles1 takes that of ,tiensu1 son of ,heaven4 ,the ,orientals are extremely fond of titles3 the simple ,governor of ,schiraz1 for instance1 after a pompous enumeration of qualities1 lordships1 c41 adds the titles of ,flower of ,courtesy1 ,nutmeg of ,consolation1 and ,rose of ,delight4 ,the ,king of ,spain1 after the old ,roman manner1 has a whole page of titles1 to express the several kingdoms and signories of which he is master4 ,henry ,,iv4 of ,england had the title of ,grace conferred on him2 ,henry ,,vi4 that of ,excellent ,grace2 ,edward ,,iv4 that of ,high and ,mighty ,prince2 ,henry ,,vii4 ,highness2 ,henry ,,viii4 ,majesty1 7and was the first and last that was styled1 ,dread ,sovereign27 and ,james ,i4 that of ,sacred1 or1 ,most ,excellent ,majesty4 ,that of ,majesty was first given to ,louis ,,xi4 of ,france2 before1 it was the title only of emperors4 ,the ,kings of ,arragon1 ,castile1 and ,portugal1 had the title only of ,highness2 those of ,england1 ,your ,grace2 those of ,france1 ,your ,despotism4 ,p4,t4,w4 99 99 99 99 99 ,,the ,,gatherer4 99 99 99 99 99 ,hood's ,comic ,annual for #ahcc4--,mr4 ,hood's announcement of his forthcoming volume is in the very vein of the work itself4 ,he writes to his publisher3--,the report of my death1 ,i can assure you is premature1 but ,i am equally obliged to you for your tribute of putting up shutters and wearing a crape hatband4 ,i suspect your friend and informant1 ,mr4 ,livingstone--7it should be ,gravestone7--drew his inference from a dark passage in ,miss ,sheridan's ,preface which states that1 'of the three ,comic ,annuals which started at the same time1 the ,comic ,offering alone remains4' ,the two defuncts therein referred to are the ',falstaff' and ',the ,humorist1' which ,i understand have put an end to themselves4 ,if you should still entertain any doubts1 you will shortly have ten thousand impressions to the contrary2 for ,i intend to contradict my demys by fresh octavos4 ,the ,comic ,annual for #ahcc1 with its usual complement of plates--mind1 not coffin-plates--to appear as heretofore1 in ,november1 will give the lie1 ,i trust1 not merely to my departure1 but even to anything like a serious illness3 and a novel1 about the same time1 will help to prove that ,i am not in a state of de-composition4 ,i should have relieved your joint anxieties some days earlier1 but till ,i met ,mr4 ,livingstone1 at ,bury1 ,i was really not alive to my death4 99 99 99 99 99 ,cartoons at ,hampton ,court4#ad--;,i mentioned in my last1 that ,i had formed an acquaintance with ,holloway1 who has been sometime occupied in copying in black chalks the ,cartoons of ,raphael in this palace4 ,it will be a magnificent work1 and admirably executed1 for he finishes them as highly as a miniature2 his chalk-pencils are of a superior quality1 and he cuts them to the finest point3 but he says they will only serve to work with on vellum1 or on fine skin4 ,he is an eccentric genius1 deeply read in ,scripture history1 which he expounds in the most methodistical tone2 but it is very delightful and instructive to listen to his observations on the beauties and merits of these masterpieces of ,raphael4 ,a ,madame ,bouiller1 an interesting ,french emigrant is also occupied on the same subjects4 ,she is patronized by ,west1 who has given her permission to study here2 and says that he never saw such masterly artist touches of the crayon as hers4 ,her style is large heads1 after the size and manner of the ,french2 therefore the figures in the ,cartoons are particularly adapted for her pencil4 #ad ,from the ,private ,correspondence of a ,woman of ,fashion4 ,i found poor ,holloway this morning foaming with rage in the ,cartoon ,gallery4 ,some person has written against the ,cartoons1 denominating them washed daubs4 ,no doubt it is either the pen of envy and malignity1 or of ignorance3 n'importe1 it has wounded the feelings of a superior artist and a good man1 who worships with religious enthusiasm those works of ,raphael1 and who has spent so many years in perfecting his engravings of them4 ,it was a grotesque scene to behold ,madame ,bouiller pacing after ,holloway up and down the gallery1 with all the grimaces and vivacity of a ,frenchwoman1 and re-echoing his furious lamentations4 99 99 99 99 99 ,edinburgh 7by ,mr4 ,cobbett74--,i thought that ,bristol1 taking in its heights and ,clifton1 and its rocks and its river1 was the finest city in the world2 but ,edinburgh1 with its castle1 its hills1 its pretty little sea-port1 conveniently detached from it1 its vale of rich land lying all around1 its lofty hills in the back ground1 its views across the ,frith2--,i think little of its streets and rows of fine houses1 though all built of stone1 and though everything in ,london and ,bath is beggary to these2 ,i think nothing of ,holyrood ,house2 but ,i think a great deal of the fine and well-ordered streets of shops--of the regularity which you perceive everywhere in the management of business2 and ,i think still more of the absence of all that foppishness1 and that affectation of carelessness1 and that insolent assumption of superiority1 that you see in almost all the young men that you meet with in the fashionable parts of the great towns in ,england4 ,i was not disappointed2 for ,i expected to find ,edinburgh the finest city in the kingdom4 ,conversations at ,newcastle1 and with many ,scotch gentlemen for years past1 had prepared me for this2 but still the reality has greatly surpassed every idea that ,i had formed about it4 ,the people1 however1 still exceed the place3 here all is civility2 you do not meet with rudeness1 or even with the want of a disposition to oblige1 even in persons in the lowest state of life4 ,a friend took me round the environs of the city2 he had a turnpike ticket1 received at the first gate1 which cleared five or six gates4 ,it was sufficient for him to tell the future gatekeepers that he had it4 ,when ,i saw that1 ,i said to myself1 ,nota bene3 ,gate-keepers take people's word in ,scotland--a thing that ,i have not seen before since ,i left ,long ,island4 99 99 99 99 99 ,king ,john--died at ,swinshead ,abbey1 in ,lincolnshire2 his body was interred at ,worcester2 his bowels in ,croxton ,abbey ,church1 in ,leicestershire1 the abbot being his physician2 and his heart at ,croxden1 in ,staffordshire4 ,perhaps the most precious portion of his relics would be the hand that signed ,magna ,charta4 7,see page #bgi47 99 99 99 99 99 ,the ,river ,dove4--,the fertility of the land on the upper parts of this river has always been proverbial3 as rich as ,dove being applied to any spot highly forced4 ,the land has a perpetual verdure1 and the spring-floods of the river are very gratifying to the land-occupiers1 who have this proverb-- ,in ,april1 ,dove's flood ,is worth a king's good4 ,it is also said of ,dove's banks in spring1 that a stick laid down there over-night shall not be found next morning for grass4 99 99 99 99 99 ,st4 ,hellen's ,well1 near ,rushton ,spencer1 in ,staffordshire1 is remarkable in superstitious history1 for some singular qualities4 ,it sometimes becomes suddenly dry1 after a constant discharge of water for eight or ten years4 ,this happens as well in wet as in dry seasons1 and always at the beginning of ,may1 when the springs are commonly esteemed highest2 and so it usually continues till ,martinmas1 ,november #ab1 following4 ,the people formerly imagined1 that when this happened there would soon follow some stupendous calamity of famine1 war1 or some other national disaster1 or change4 ,it is said that it grew dry before the civil war1 and again before the beheading of ,charles ,i42 against the great scarcity of corn in #afgj2 and in #afgi1 when the miscalled ,popish plot was discovered2 but we do not hear that ,st4 ,hellen's ,well withheld its supplies previous to1 or upon1 the breaking out of the last calamitous war4 99 99 99 99 99 ,prodigious ,elm4--,at ,field1 adjoining ,rushton ,spencer1 grew a prodigious witch elm1 which was felled in #afhj4 ,two able workmen were five days in stocking or felling it4 ,it was #abj feet in length2 at the butt-end it was seven yards in circumference2 its girth was #be-a_/b feet in the middle4 ,fourteen loads of firewood1 as much as six oxen could draw1 broke off in the fall2 there were #dg loads more fire-wood cut from the top2 they were compelled to fasten two saws together1 and put three men to each end1 to cut the body of it asunder4 ,out of this tree were cut #hj pairs of naves for carriage-wheels1 and #h1jjj feet of sawn timber in boards and planks1 at six score per cent4--which1 for the sawing only1 as the price of labour then was1 came to the sum of #abl4 99 99 99 99 99 ,newcastle-under-,line4--,the right of election in this borough has been several times the subject of parliamentary investigation4 ,at the last inquiry1 the greater part of the borough appeared to be the property of the ,marquess of ,stafford2 and it was found customary for the burgesses to live ten1 fifteen1 and even twenty years in the houses1 without payment of rent6 99 99 99 99 99 ,monument to a ,faithful ,servant4--,in the church of ,king's ,swinford1 ,staffordshire1 is a plain stone1 erected by ,joseph ,scott1 ,esq41 and his wife1 in memory of ,elizabeth ,harrison1 who had been thirty years in their service1 and had conducted herself with such integrity1 and anxiety for her master's interest1 as drew from him the following epitaph3 ,while flattering praises from oblivion save1 ,the rich1 and splendour decorates the grave1 ,let this plain stone1 ,o ,harrison1 proclaim ,thy humble fortune and thy honest fame4 ,in work unwearied1 labour knew no end-- ,in all things faithful1 everywhere a friend2 ,herself forgot1 she toiled with generous zeal1 ,and knew no interest but her master's weal4 ',midst the rude storms that shook his ev'ning day1 ,no wealth could bribe her1 and no power dismay2 ,her patrons' love she dwelt on e'en in death1 ,and dying1 blest them with her latest breath4 ,she departed this life ,june #ai1 #agig4 ,aged #ej years4 ,farewell1 thou best of servants--may the tear ,that sorrow trickled o'er thy parting bier1 ,prove to thy happy shade our fond regard1 ,and all thy virtues find their full reward4 99 99 99 99 99 999999 ,mr4 ,warwick1 on the ,ostrich1 in our next4 99 99 99 99 99 ,printed and published by ,j4 ,,limbird1 #adc1 ,strand1 7near ,somerset ,house17 ,london2 sold by ,g4,g4 ,,bennis1 #ee1 ,rue ,neuve1 ,st4 ,augustin1 ,paris2 and by all ,newsmen and ,booksellers4